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authorKarl Berry <karl@freefriends.org>2006-01-09 00:56:57 +0000
committerKarl Berry <karl@freefriends.org>2006-01-09 00:56:57 +0000
commitf07bb53970ee2ecc53f81a206a3d3a67ef665e4a (patch)
tree6f57a1d62971db79e5ff023bdfd83b22cb971dc9
parent007f67a693e4d031fd3d792df8e4d5f43e2cb2e7 (diff)
doc 6
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diff --git a/Master/texmf-dist/doc/fontname/8r.html b/Master/texmf-dist/doc/fontname/8r.html
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--- /dev/null
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@@ -0,0 +1,177 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="8r">8r</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="cork.html#cork">cork</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="8a.html#8a">8a</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>8r.enc</code>: TeX base encoding</h3>
+
+<pre class="example">
+
+ % @psencodingfile{
+ % author = "S. Rahtz, P. MacKay, Alan Jeffrey, B. Horn, K. Berry,
+ % W. Schmidt, P. Lehman",
+ % version = "20021105.19",
+ % date = "5 November 2002",
+ % filename = "8r.enc",
+ % email = "tex-fonts@tug.org",
+ % docstring = "This is the encoding vector for Type1 and TrueType
+ % fonts to be used with TeX. This file is also included
+ % in the PSNFSS bundle."
+ % }
+ %
+ % The idea is to have all the characters normally included in Type 1 fonts
+ % available for typesetting. This is effectively the characters in Adobe
+ % Standard encoding, ISO Latin 1, Windows ANSI including the euro symbol,
+ % MacRoman, and some extra characters from Lucida.
+ %
+ % Character code assignments were made as follows:
+ %
+ % (1) the Windows ANSI characters are almost all in their Windows ANSI
+ % positions, because some Windows users cannot easily reencode the
+ % fonts, and it makes no difference on other systems. The only Windows
+ % ANSI characters not available are those that make no sense for
+ % typesetting -- rubout (127 decimal), nobreakspace (160), softhyphen
+ % (173). quotesingle and grave are moved just because it's such an
+ % irritation not having them in TeX positions.
+ %
+ % (2) Remaining characters are assigned arbitrarily to the lower part
+ % of the range, avoiding 0, 10 and 13 in case we meet dumb software.
+ %
+ % (3) Y&amp;Y Lucida Bright includes some extra text characters; in the
+ % hopes that other PostScript fonts, perhaps created for public
+ % consumption, will include them, they are included starting at 0x12.
+ % These are /dotlessj /ff /ffi /ffl.
+ %
+ % (4) hyphen appears twice for compatibility with both ASCII and Windows.
+ %
+ % (5) /Euro was assigned to 128, as in Windows ANSI.
+ %
+ % (6) Missing characters from MacRoman encoding incorporated in October
+ % 2002 as follows:
+ %
+ % PostScript MacRoman TeXBase1
+ % -------------- -------------- --------------
+ % /notequal 173 0x16
+ % /infinity 176 0x17
+ % /lessequal 178 0x18
+ % /greaterequal 179 0x19
+ % /partialdiff 182 0x1A
+ % /summation 183 0x1B
+ % /product 184 0x1C
+ % /pi 185 0x1D
+ % /integral 186 0x81
+ % /Omega 189 0x8D
+ % /radical 195 0x8E
+ % /approxequal 197 0x8F
+ % /Delta 198 0x9D
+ % /lozenge 215 0x9E
+ %
+ /TeXBase1Encoding [
+ % 0x00
+ /.notdef /dotaccent /fi /fl
+ /fraction /hungarumlaut /Lslash /lslash
+ /ogonek /ring /.notdef /breve
+ /minus /.notdef /Zcaron /zcaron
+ % 0x10
+ /caron /dotlessi /dotlessj /ff
+ /ffi /ffl /notequal /infinity
+ /lessequal /greaterequal /partialdiff /summation
+ /product /pi /grave /quotesingle
+ % 0x20
+ /space /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+ % 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+ % 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+ % 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+ % 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+ % 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /.notdef
+ % 0x80
+ /Euro /integral /quotesinglbase /florin
+ /quotedblbase /ellipsis /dagger /daggerdbl
+ /circumflex /perthousand /Scaron /guilsinglleft
+ /OE /Omega /radical /approxequal
+ % 0x90
+ /.notdef /.notdef /.notdef /quotedblleft
+ /quotedblright /bullet /endash /emdash
+ /tilde /trademark /scaron /guilsinglright
+ /oe /Delta /lozenge /Ydieresis
+ % 0xA0
+ /.notdef /exclamdown /cent /sterling
+ /currency /yen /brokenbar /section
+ /dieresis /copyright /ordfeminine /guillemotleft
+ /logicalnot /hyphen /registered /macron
+ % 0xD0
+ /degree /plusminus /twosuperior /threesuperior
+ /acute /mu /paragraph /periodcentered
+ /cedilla /onesuperior /ordmasculine /guillemotright
+ /onequarter /onehalf /threequarters /questiondown
+ % 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde
+ /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+ % 0xD0
+ /Eth /Ntilde /Ograve /Oacute
+ /Ocircumflex /Otilde /Odieresis /multiply
+ /Oslash /Ugrave /Uacute /Ucircumflex
+ /Udieresis /Yacute /Thorn /germandbls
+ % 0xE0
+ /agrave /aacute /acircumflex /atilde
+ /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+ % 0xF0
+ /eth /ntilde /ograve /oacute
+ /ocircumflex /otilde /odieresis /divide
+ /oslash /ugrave /uacute /ucircumflex
+ /udieresis /yacute /thorn /ydieresis
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/ChangeLog b/Master/texmf-dist/doc/fontname/ChangeLog
new file mode 100644
index 00000000000..adcf063edbe
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/ChangeLog
@@ -0,0 +1,585 @@
+2005-10-25 Karl Berry <karl@tug.org>
+
+ * typeface.map (w9): Wastrel, for Michael Peters,
+ from typotheticals.
+
+2005-07-10 Karl Berry <karl@tug.org>
+
+ * special.map: Add cmbright.
+
+2005-07-03 Karl Berry <karl@tug.org>
+
+ * variant.map: remove 9n duplicate of 8y.
+ * *.map: add public domain statements to files lacking.
+
+2005-06-23 Karl Berry <karl@tug.org>
+
+ * special.map: remove antt* entries per Staszek.
+
+2005-06-22 Karl Berry <karl@tug.org>
+
+ * special.map: add bitmap font for traditional Chinese in Big 5.
+ From Werner Lemberg.
+
+2005-06-12 Karl Berry <karl@tug.org>
+
+ * most.enc: add headers, remove Texinfo @'s, use verbatiminclude.
+ Reported by Patrick Gundlach.
+
+2005-05-28 Karl Berry <karl@tug.org>
+
+ * 8r.enc: copy 8r.enc from ctan:macros/latex/required/psnfss
+ (only doc differences).
+
+2005-05-21 Karl Berry <karl@tug.org>
+
+ * Fixes to bitstrea.map and related entries in typeface.map, from
+ Clemens Ladisch, tex-fonts mail 20 May 2005 11:28:34 +0200.
+
+2005-04-01 Karl Berry <karl@tug.org>
+
+ * fontname.texi (Font legalities): Paul Renner, not Bauer,
+ and cut Lardent since he wasn't a punchcutter. From Steve Peter.
+
+2004-12-17 Karl Berry <karl@tug.org>
+
+ * typeface.map (ev): add MrsEaves, found in MAPS #29.
+
+2004-06-19 Karl Berry <karl@tug.org>
+
+ * fontname.texi (Encodings): mention character tables.
+
+2004-04-18 Karl Berry <karl@gnu.org>
+
+ * adobe.map (StoneSans, StoneSans-Italic): corrected names.
+ (LegacySans*): use lz.
+ * typeface.map (lz): define for LegacySans.
+ From Paul Pichaureau.
+
+2004-04-02 Karl Berry <karl@tug.org>
+
+ * variant.map (9u): Unicode. From report by Adam Lindsay.
+
+2004-04-01 Karl Berry <karl@tug.org>
+
+ * supplier.map (2): elsnerflake.
+ * adobe.map (AvantGarde-ExtraLight): correct to pagj. From ud.
+
+2004-03-31 Karl Berry <karl@tug.org>
+
+ * variant.map: 8e: Adobe CE, from Ulrich Dirr.
+
+2004-01-06 Karl Berry <karl@tug.org>
+
+ * asex.enc: remove erroneous second encoding from file, making it
+ match the dvips version. Found by te.
+
+2003-03-24 Karl Berry <karl@tug.org>
+
+ * adobe.map (ppur8a,zpcp30bc): corrections from Norbert.
+
+2003-03-10 Karl Berry <karl@tug.org>
+
+ * fontname.texi: include texnansi.enc, texnansx.enc, and mention
+ that tex256.enc is another name for `cork'.
+
+2002-11-05 Karl Berry <karl@tug.org>
+
+ * 8r.enc: include MacRoman characters, from Philipp Lehman
+ <lehman@gmx.net>.
+
+2001-06-26 Karl Berry <karl@tug.daimi.au.dk>
+
+ * supplier.map: reassign S to Storm Type (stormtype.com); there
+ are no Sun fonts, really, and even if there were, collisions would
+ be unlikely. From: Petr Olsak <olsak@math.feld.cvut.cz>.
+
+1999-01-03 Karl Berry <karl@tug.org>
+
+ * supplier.map: @& is a mistake, should just be &.
+
+Mon Jan 5 15:33:24 1998 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Include feta.
+
+Tue Feb 4 13:09:57 1997 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Include ec/jknappen/ec.
+
+Mon Aug 5 16:47:15 1996 Karl Berry <karl@cs.umb.edu>
+
+ * texfonts.map: No softkey.map any more.
+
+Fri Jul 5 14:35:54 1996 Karl Berry <karl@laurie>
+
+ * Version 2.1.
+
+Thu Jul 4 15:19:14 1996 Karl Berry <karl@laurie>
+
+ * variant.map (9s): Define as SF for SuperFont.
+ (n): Add Schlbk as another meaning.
+ * typeface.map (yg): Define as CenturyGothic.
+ * monotype.map: Add entries for Arial and Times SF's,
+ CenturyGothic fonts, Bembo/GS/Plantin Schoolbook, etc.
+ From: alanje@cogs.susx.ac.uk (Alan Jeffrey).
+
+ * supplier.map (f): Let's generalize this to `small' foundries,
+ instead of copying terms. Suggested by Pierre.
+
+ * variant.map (82): Define as GreekKeys.
+ From: mackay@cs.washington.edu (Pierre MacKay)
+
+ * typeface.map (an): Define as Anna.
+ From: wls@astro.umd.edu (William L. Sebok)
+
+Fri Jun 21 14:43:04 1996 Karl Berry <karl@laurie>
+
+ * variant.map (h): Oops, need shadow after all.
+ * typeface.map, monotype.map: Many new definitions per Alan's list.
+
+Thu Jun 20 16:12:54 1996 Karl Berry <karl@laurie>
+
+ * variant.map (g): Define as SmallText, as this is different than
+ SmallCaps. (Alan actually looked at a font.)
+
+ * monotype.map (LatinMT-Condensed): Use l0, not li.
+ Add the pi fonts as listed by Alan.
+
+ * typeface.map (li): Remove redundant definition of Latin, let's
+ stick with l0.
+ (ou): Columbus.
+ (f1): Fournier.
+
+Sun Jun 16 16:55:09 1996 Karl Berry <karl@laurie>
+
+ * monotype.map (mg2rw): Giddyup.
+ (mpi300): Giddyup-Thangs.
+ (mpi301): Petrucchio.
+ (meb*): BaskervilleBe*.
+ * typeface.map (g2): Giddyup.
+ (eb): BaskervilleBE.
+ From: wls@astro.umd.edu.
+
+ * variant.map (6): Define as Cyrillic extension character.
+ 6[bdikmw]: Define for Cyrillic needs.
+ * supplier.map (t): Define as ParaGraph, a maker of Cyrillic fonts.
+ From: "Andrey F. Slepuhin" <pooh@shade.msu.ru>.
+
+Fri May 17 13:49:23 1996 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: Add entries for Boton, Boulevard, PopplLaudatio.
+ * monotype.map: Ditto, for the actual fonts.
+ From: wls@astro.umd.edu.
+
+Tue Apr 23 17:57:14 1996 Karl Berry <karl@cs.umb.edu>
+
+ * ad.enc: New file, from lesenko@mx.ihep.su (Sergey Lesenko), as
+ the default base vector for partial T1 downloading.
+
+Thu Mar 21 10:31:00 1996 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map (ol): Define to be Colmcille.
+ From: Bernard Treves Brown <MCNBJTB@fs4.in.umist.ac.uk>.
+
+Sun Mar 3 10:48:01 1996 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (9o, 9d): Define to Cork/TeX text with oldstyle
+ digits and expert.
+ (j): Define this to be `oldstyle digits' in general.
+
+ * typeface.map (pc): Define to be Poetica.
+ (s9): Remove. Scriptoria is a clone.
+ From Thierry.
+
+ * special.map: Changes from Ulrik:
+ a) Knuth's local cm variants (must be listed by name exactly)
+ b) gftodvi utility fonts (black,gray,slant)
+ c) Computer concrete math fonts (concmath)
+ d) A fix for the pandora entry from Thomas Esser that was
+ already in my previous copy of special.map (from teTeX).
+
+ * dtc.map, linotype.map, apple.map: Use the 8r names, as we do
+ with Adobe, Monotype, etc.
+
+ * urw.map: New file.
+ * texfonts.map: Include it.
+ * typeface.map: Add aliases for URW.
+
+Mon Oct 16 15:23:12 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (7k): Assign this to OT2Cyrillic for Sebastian.
+
+Sat Oct 7 17:10:36 1995 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Add sauter, fc, tc, and bashkirian.
+ * supplier.map (jknappen): Add this.
+
+Fri Sep 29 11:12:28 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (8c, 9c): For Jorg's new TS1 fonts.
+
+Fri Sep 22 16:11:26 1995 Karl Berry <karl@cs.umb.edu>
+
+ * adobe.map: 8a should be 7a in most places.
+
+ * *.map: Use 8r for the sake of aliases.
+
+Sat Aug 12 11:43:33 1995 Karl Berry <karl@cs.umb.edu>
+
+ * Version 2.0.
+ * variant.map (8u, 8z): Add these for Sojka.
+ * xl2.enc, xt2.enc: New files.
+
+Thu Aug 3 13:38:41 1995 Karl Berry <karl@cs.umb.edu>
+
+ * supplier.map: k = Softkey.
+ * typeface.map. s9 = Scriptor, g9 = GaramondRetrospective.
+ * softkey.map: New file.
+ * special.map: New cases for MusicTeX, etc.
+ From Thierry.
+
+Fri May 5 11:33:25 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.aka: New file from bitti@cs.tut.fi, from
+ mark@sdd.hp.com and pastor@vfl.paramax.com.
+
+ * bitstrea.map: bgyrf, not bgyf.
+
+Sun Apr 30 13:33:07 1995 Karl Berry <karl@cs.umb.edu>
+
+ * monotype.map: Avoid duplicates.
+ * bitstrea.map: Add missing i to btvb for ...Bold-Italic.
+
+ * special.map (stmary): Add this, from da@dcs.ed.ac.uk.
+
+Tue Apr 25 10:16:34 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Freeform721 is Auriol, says bitti@cs.tut.fi.
+
+Thu Apr 20 15:19:07 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Modern735 is Bodoni Campanile.
+ * typeface.map (bp): Use it.
+
+ * Amasis should be a2, exchange with Alternate Gothic (now a4).
+
+ * typeface.map: Arial gets its own code (a1) after all, since Monotype
+ also distributes Helvetica now. Move Adsans to a9.
+ * monotype.map: Likewise.
+ * fontname.texi: Don't mention Arial as the prototypical alias.
+
+ * variant.map: Use 9e and 9t, per Sebastian's likings.
+
+Sun Apr 16 19:12:58 1995 Karl Berry <karl@cs.umb.edu>
+
+ From Jorg Knappen:
+ * variant.map (81, 82, 85): Remove these ISO encodings, as there's
+ no fonts using them at the moment.
+ (5): Make this an escape for phonetic encodings.
+ (1, 6): Remove these and give `Rotis Semi' a typeface abbreviation.
+
+Sat Apr 15 19:19:27 1995 Karl Berry <karl@cs.umb.edu>
+
+ * fontname.texi: Reorganization and rewrite.
+ (Variants): Define 9c and 9t.
+
+Sun Apr 9 16:29:04 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Assign the rest, except for the obvious Bitstream
+ names Freeform 721 and Modern 735, for which I'm waiting
+ to hear what they really are. (I can't find them in any of font
+ catalogs, unfortunately.)
+
+ * monotype.more: The giant file from Nelson with 2000+ fonts.
+ Can't face it now.
+
+Fri Apr 7 16:48:25 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Use hr for Swiss721BT-BlackRounded, not hv.
+ Orator*: Include weight codes.
+ * adobe.map: Use ns for TimesNewRomanPS, not nt, for consistency
+ with Monotype.
+
+ * variant.map: Change 3 (fraction) to 7f.
+ * adobe.map, monotype.map: Likewise.
+
+Tue Apr 4 11:44:49 1995 Karl Berry <karl@cs.umb.edu>
+
+ * supplier.map: Add o for Corel, from Andreas Schell.
+
+Mon Apr 3 14:16:58 1995 Karl Berry <karl@cs.umb.edu>
+
+ * Various clarifications from Damian.
+
+Sun Apr 2 14:47:13 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map: Abandon g for now.
+ Mark k and z obsolete.
+
+ * monotype.map: Add pi fonts from Pierre.
+
+ * btstream.map: Rename to bitstream.map, for meaningless
+ compatibility with supplier.map.
+
+ * width.map: Abandon by-hand vs. automatic distinction.
+ * fontname.texi (Widths): Document the reality.''
+
+Tue Mar 28 13:02:00 1995 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: cb => Cooper, not CooperBlack.
+ * adobe.map: Corresponding changes.
+
+Mon Mar 27 19:49:47 1995 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: Use FontName's instead of pseudo-English, and add
+ different FontName's from other foundries that use the same
+ abbreviation.
+
+ * These fixes from Damian:
+ * Missing weights, variants, and other typos in various places.
+ * Use w for swash in Fairfield and Centaur, not y.
+ * Use m for medium in AmericanTypewriter-Medium*.
+ * OldEnglish is blackletter in EngraversOldEnglish.
+ * Thin mistaken for a width in Glypha, HelveticaNeue, VAGRounded.
+ Also h sometimes used for thin instead of a.
+ * Gothic means sans in ClearfaceGothic, AvantGardeGothic,
+ TypewriterGothic. Have to use s for Clearface, since regular
+ Clearface is a serif font.
+
+ * Change alt fonts from a to 8c,
+ dfr fonts from 2 to 7c,
+ osf fonts from 9 to 7d,
+ expert fonts from x to 8x
+
+ * {monotype,adobe,linotype,dtc}.map: Rename from *.txt.
+
+Sun Mar 26 16:44:06 1995 Karl Berry <karl@cs.umb.edu>
+
+ * @include the *.map files, new text explaining the changes, etc., etc.
+
+Sat Jul 2 17:17:10 1994 Karl Berry (karl@cs.umb.edu)
+
+ * adobe.txt (Frutiger-LightItalic): Correction from klaus@tdr.dk.
+
+Wed Mar 30 15:01:12 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.6.
+
+Thu Mar 24 08:19:35 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: m0 for monospace.
+
+Wed Mar 16 12:02:34 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Variant: 8 for escape, then ISO Latin [125], Windows ANSI, and
+ Mac standard.
+
+Thu Feb 17 11:00:24 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Typeface families: mg for Marigold.
+
+Sun Jun 6 11:28:15 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: wi for Wingdings.
+
+ * Aliases: Omega == Optima.
+
+Thu Jun 3 14:53:05 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Makefile (info, dvi): Do here as with others.
+ * Don't need to set @paragraphindent here any more.
+
+Sat May 22 11:23:53 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.5.
+
+ * Makefile (dist): Run gzip -9.
+
+Thu May 20 11:02:59 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Sources: u for URW, not user.
+ * Typefaces: aq for Antiqua, nm for Nimbus.
+
+Tue May 18 10:59:16 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: Change Plantin to pn from pi.
+ * adobe.txt: Likewise.
+
+Tue May 4 10:06:55 1993 Karl Berry (karl@cs.umb.edu)
+
+ * adobe.txt (ppiro, ppirc): Rename from ppn*.
+
+Fri Apr 30 14:16:40 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Various doc fixes from Nelson.
+
+Fri Apr 9 15:42:39 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.4.
+
+ * fnget.c: Don't bother to include fnget.h.
+ * fnget.h: Don't declare the routine as a prototype unless we are
+ __STDC__.
+
+ * (Variants): `6' for semi serif.
+
+ * (Typefaces): `dl' for Dolores.
+
+Tue Apr 6 16:50:40 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Typefaces): `eo' for Amerigo, `va' for Activa.
+
+ * (Sources): `d' for DTC, from Pierre.
+ * dtc.txt: New file.
+
+Tue Feb 23 16:47:23 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Top): Add version number.
+
+ * Version 1.3 (a few days ago, actually).
+
+Sun Feb 7 14:13:49 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Typefaces): Many new families.
+ (Variants): `5' for phonetic.
+ * monotype.txt, linotype.txt: New families.
+
+Mon Dec 14 17:46:51 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Sources): `9' for unknown.
+
+Mon Nov 30 17:11:53 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Sources): `y' for Y&Y.
+
+Thu Oct 29 07:54:52 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (The naming scheme): Rename to `Naming scheme'. Also, had W
+ twice in the schematic.
+
+ * (Weight): Use demibold and semibold, for consistency with the
+ list below.
+
+Mon Oct 26 06:09:08 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Variant): Make `q' be the Cork encoding.
+
+Tue Aug 18 19:30:14 1992 Karl Berry (karl@hayley)
+
+ * fontname.texi: change to title to `Filenames for TeX fonts'.
+
+Wed Jul 15 14:38:54 1992 Karl Berry (karl@hayley)
+
+ * Version 1.2.
+
+Sat Jul 11 11:51:37 1992 Karl Berry (karl@hayley)
+
+ * adobe.txt: many changes and additions to reflect new Adobe
+ fonts. Why don't they just do the world a favor and go out of
+ business?
+ (Families, Foundries): corresponding changes.
+
+Mon Jun 15 18:03:15 1992 Karl Berry (karl@hayley)
+
+ * Add variant `q' for GNU text complement. I guess.
+
+Thu Jun 4 19:46:54 1992 Karl Berry (karl@hayley)
+
+ * Add family `ti' for TechPhonetic, a freely distributable font of
+ IPA phonetic symbols designed at MIT by Rob Kassel.
+
+Sun May 24 14:57:57 1992 Karl Berry (karl@hayley)
+
+ * Add recommended `dir' line (as a comment).
+
+Wed Apr 29 07:56:32 1992 Karl Berry (karl@hayley)
+
+ * Change ``foundry'' to ``source'', as Damian (implicitly) suggests.
+
+ * (Long names): toss the script.
+
+ * Fix @item syntax, so it runs through Makeinfo.
+
+Sun Apr 26 07:36:48 1992 Karl Berry (karl@hayley)
+
+ * remove @TeX{} from node title, sigh.
+
+Sun Apr 19 10:41:55 1992 Karl Berry (karl@hayley)
+
+ * (Typeface families): `mv' is Malvern.
+
+Mon Apr 6 15:05:44 1992 Karl Berry (karl@hayley)
+
+ * fontname.texi (Variant): `9' means oldstyle figures.
+ * adobe.txt: can now define the various OsF's.
+
+ * fontname.texi: alphabetization etc. updates from jmr.
+
+Tue Mar 31 09:47:37 1992 Karl Berry (karl at hayley)
+
+ * Version 1.1.
+
+ * Update for new Adobe fonts.
+
+Fri Jan 3 12:20:59 1992 Karl Berry (karl at hayley)
+
+ * (Variant): `0' means the Adobe standard encoding now. Ugh.
+
+Thu Oct 24 07:03:18 1991 Karl Berry (karl at hayley)
+
+ * (Typeface families): assign `gg' to Garth Graphic, and `sh' to
+ Shannon.
+
+Sun Aug 18 09:36:06 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): assign `x' to the AMS.
+
+Tue Aug 13 06:48:09 1991 Karl Berry (karl at hayley)
+
+ * Change `Expansion' to `width' throughout.
+
+Sat Jul 20 06:35:27 1991 Karl Berry (karl at hayley)
+
+ * (Local variables): remove this, since now it's standard (as of
+ texinfo 2.07).
+
+Thu Jul 18 07:51:26 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): assign `n' to IBM.
+
+Sun Jul 7 08:50:27 1991 Karl Berry (karl at hayley)
+
+ * (Typeface families): assign `ul' to Universal.
+ * adobe.txt: now we can Universal-GreekwithMathPi, and some of
+ Universal-NewswithCommPi.
+ (from J.L.Braams@pttrnl.nl)
+
+Thu Jun 27 08:49:53 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): point out that the vendor is not necessarily the
+ source (from rivlinj@watson.ibm.com).
+
+Fri Jun 14 13:49:32 1991 Karl Berry (karl at hayley)
+
+ * *.txt: put our filename first, before the fontname. (from
+ rocky@watson.ibm.com)
+
+ * Change %-comments to @c comments, even though they're at the top
+ of the file. (from simon@liasun6.epfl.ch)
+
+Sun Jun 9 08:51:14 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): remove reference to mims-iris, since that font
+ archive is disappearing.
+
+ * These changes from johnm@afsc-bmo.af.mil:
+
+ * (Foundries): remove spurious \strut from `r'.
+
+ * (Univers): explain that there's no foundry letter.
+
+ * (Foundries): correct `p' to `f' for public domain fonts.
+
+Fri Jun 7 17:47:36 1991 Karl Berry (karl at hayley)
+
+ * (Variant): Add `z' as the variant for Cyrillic.
diff --git a/Master/texmf-dist/doc/fontname/DTC-fonts.html b/Master/texmf-dist/doc/fontname/DTC-fonts.html
new file mode 100644
index 00000000000..b40de9eced0
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/DTC-fonts.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="DTC%20fonts">DTC fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">DTC fonts</h3>
+
+<p>The <code>dtc.map</code> file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+<pre class="example">
+
+ dhvc8rc SansBlackCondensed-DTC
+ dhvco8rc SansBlackCondensed-Oblique-DTC
+ dhvm8rx SansExtended-Medium-DTC
+ dhvr8rx SansExtended-Regular-DTC
+ dhvro8rc SansExtended-RegularOblique-DTC
+ dhvx8rc SansExtraBlackCondensed-DTC
+ dhvl8rx SansLightExtended-DTC
+ dhvh8rc SansThinCondensed-DTC
+ dhvho8rc SansThinCondensed-Oblique-DTC
+ dnbb8r NewBaskerville-Bold-DTC
+ dnbbi8r NewBaskerville-BoldItalic-DTC
+ dnbri8r NewBaskerville-RomanItalic-DTC
+ dnbr8r NewBaskerville-Roman-DTC
+ dopr8r Optimum-Roman-DTC
+ dopb8r Optimum-Bold-DTC
+ dopbo8r Optimum-BoldItalic-DTC
+ doro8r Optimum-RomanItalic-DTC
+ dpll8r Palton-Light-DTC
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Encodings.html b/Master/texmf-dist/doc/fontname/Encodings.html
new file mode 100644
index 00000000000..788e3fff36c
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Encodings.html
@@ -0,0 +1,58 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Encodings">Encodings</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Font-legalities.html#Font%20legalities">Font legalities</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Encodings</h2>
+
+<p>The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in <code>psfonts.map</code> to change font encodings of downloadable
+or builtin fonts (see <a href="../dvips/psfonts.map.html#psfonts.map">psfonts.map</a>).
+
+ <p>You can also specify these <code>.enc</code> files to Afm2tfm when building a
+font (see <a href="../dvips/Changing-font-encodings.html#Changing%20font%20encodings">Changing font encodings</a>).
+
+ <p>For a discussion of TeX font encodings in general, and defining new
+ones for use with <code>fontinst</code> in particular, see
+<a href="http://www.ctan.org/fonts/utilities/fontinst/doc/encspecs">http://www.ctan.org/fonts/utilities/fontinst/doc/encspecs</a>.
+
+<ul class="menu">
+<li><a accesskey="1" href="8a.html#8a">8a</a>: Adobe standard.
+<li><a accesskey="2" href="8r.html#8r">8r</a>: TeX base.
+<li><a accesskey="3" href="cork.html#cork">cork</a>: Cork (aka EC, TeX Latin 1, tex256).
+<li><a accesskey="4" href="dvips.html#dvips">dvips</a>: Dvips.
+<li><a accesskey="5" href="texmext.html#texmext">texmext</a>: TeX math extension.
+<li><a accesskey="6" href="texmsym.html#texmsym">texmsym</a>: TeX math symbol.
+<li><a accesskey="7" href="texmital.html#texmital">texmital</a>: TeX math italic.
+<li><a accesskey="8" href="texnansi.html#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a accesskey="9" href="texnansx.html#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="xl2.html#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="xt2.html#xt2">xt2</a>: Typewriter version of xl2.
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Font-name-lists.html b/Master/texmf-dist/doc/fontname/Font-name-lists.html
new file mode 100644
index 00000000000..4c0bd534663
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Font-name-lists.html
@@ -0,0 +1,47 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Font%20name%20lists">Font name lists</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Encodings.html#Encodings">Encodings</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Long-names.html#Long%20names">Long names</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Font name lists</h2>
+
+<p>These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+<ul class="menu">
+<li><a accesskey="1" href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a accesskey="2" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>:
+<li><a accesskey="3" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>:
+<li><a accesskey="4" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>:
+<li><a accesskey="5" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>:
+<li><a accesskey="6" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>:
+<li><a accesskey="7" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>:
+<li><a accesskey="8" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>:
+<li><a accesskey="9" href="URW-fonts.html#URW%20fonts">URW fonts</a>:
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/History.html b/Master/texmf-dist/doc/fontname/History.html
new file mode 100644
index 00000000000..9d1dc1de3ce
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/History.html
@@ -0,0 +1,62 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="History">History</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="References.html#References">References</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Introduction.html#Introduction">Introduction</a>
+<hr><br>
+</div>
+
+<h3 class="section">History</h3>
+
+<p>The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in <cite>TUGboat</cite> 11(2) (June 1990), which led to my
+article in <cite>TUGboat</cite> 11(4) (November 1990), pages 512-519.
+Mittelbach wrote another article criticizing the scheme below in
+<cite>TUGboat</cite> 13(1) (April 1992), pages 51-53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+ <p>In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with LaTeX and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(see <a href="Variants.html#Variants">Variants</a>); machine-readable mapping files (the <code>*.map</code>
+files in the distribution) and standardizing directory names as well as
+font filenames (included in <code>supplier.map</code> and
+<code>typeface.map</code>).
+
+ <p>In Fontname version 1, some encoding variant characters (<code>0</code>,
+<code>2</code>, etc.) have been reassigned to a <code>7</code> or <code>8</code> sequence
+(see <a href="Variants.html#Variants">Variants</a>). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued--same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+ <p>Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/ITC-fonts.html b/Master/texmf-dist/doc/fontname/ITC-fonts.html
new file mode 100644
index 00000000000..978cfdfba95
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/ITC-fonts.html
@@ -0,0 +1,812 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="ITC%20fonts">ITC fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">ITC fonts</h3>
+
+<p>The <code>itc.map</code> file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+<pre class="example">
+
+ i_____ Aachen-Medium ITC 2000
+ i_____ Aachen-Bold ITC 2001
+ i_____ Academy-Engraved ITC 2002
+ i_____ Aftershock ITC 2003
+ i_____ Agincourt ITC 2004
+ i_____ Airstream ITC 2005
+ i_____ Algerian-Condensed ITC 2006
+ i_____ Ambrose ITC 2007
+ i_____ Angryhog ITC 2008
+ i_____ Anna ITC 2009
+ i_____ Aquinas ITC 2010
+ i_____ Aquitaine-Initials ITC 2011
+ i_____ Aristocrat ITC 2012
+ i_____ Arnova ITC 2013
+ i_____ Arriba ITC 2014
+ i_____ Arriba-Arriba ITC 2015
+ i_____ Artiste ITC 2016
+ i_____ Atmosphere ITC 2017
+ i_____ AugusteaOpen ITC 2018
+ i_____ Avenida ITC 2019
+ i_____ BaileyQuad-Bold ITC 2020
+ i_____ Balmoral ITC 2021
+ i_____ Banco-Light ITC 2022
+ i_____ Banco ITC 2023
+ i_____ Bang ITC 2024
+ i_____ Banner ITC 2025
+ i_____ BeckaScript ITC 2026
+ i_____ Beesknees ITC 2027
+ i_____ Belter ITC 2028
+ i_____ Belter-MegaOutline ITC 2029
+ i_____ Belwe-Mono ITC 2030
+ i_____ Belwe-MonoItalic ITC 2031
+ i_____ Bendigo ITC 2032
+ i_____ Bergell ITC 2033
+ i_____ Bertie ITC 2034
+ i_____ Bertram ITC 2035
+ i_____ BibleScriptFlourishes ITC 2036
+ i_____ BickleyScript ITC 2037
+ i_____ Binary-Light ITC 2038
+ i_____ Binary-Bold ITC 2039
+ i_____ Bitmax ITC 2040
+ i_____ BlackTulip ITC 2041
+ i_____ Blackadder ITC 2042
+ i_____ Blackmoor ITC 2043
+ i_____ Blaze ITC 2044
+ i_____ Bluntz ITC 2045
+ i_____ Bodoni-Brush ITC 2046
+ i_____ BodoniSeventyTwo-Book ITC 2047
+ i_____ BodoniSeventyTwo-BookItalic ITC 2048
+ i_____ BodoniSeventyTwo-BookItalicSwash ITC 2049
+ i_____ BodoniSeventyTwo-Bold ITC 2050
+ i_____ BodoniSeventyTwo-BoldItalic ITC 2051
+ i_____ BodoniSeventyTwo-BoldItalicSwash ITC 2052
+ i_____ Boink ITC 2053
+ i_____ Bordeaux-Roman ITC 2054
+ i_____ Bordeaux-Italic ITC 2055
+ i_____ Bordeaux-RomanBold ITC 2056
+ i_____ Bordeaux-Display ITC 2057
+ i_____ Bordeaux-Script ITC 2058
+ i_____ BradleyHand-Regular ITC 2059
+ i_____ BradleyHand-Bold ITC 2060
+ i_____ Braganza-Light ITC 2061
+ i_____ Braganza-Regular ITC 2062
+ i_____ Brighton-Light ITC 2063
+ i_____ Brighton-Medium ITC 2064
+ i_____ Brighton-Bold ITC 2065
+ i_____ Bronx ITC 2066
+ i_____ Buckeroo ITC 2067
+ i_____ Burlington ITC 2068
+ i_____ BuzzerThree ITC 2069
+ i_____ Cabaret ITC 2070
+ i_____ CabargaCursiva ITC 2071
+ i_____ Campaign ITC 2072
+ i_____ CancellarescaScript ITC 2073
+ i_____ Cancione ITC 2074
+ i_____ Caribbean ITC 2075
+ i_____ Carlton ITC 2076
+ i_____ Carumba ITC 2077
+ i_____ Caslon540-ItalicSwashes ITC 2078
+ i_____ CaxtonRoman-Light ITC 2079
+ i_____ CaxtonRoman-LightItalic ITC 2080
+ i_____ CaxtonRoman-Book ITC 2081
+ i_____ CaxtonRoman-Bold ITC 2082
+ i_____ CenturyHandtooled-Bold ITC 2083
+ i_____ CenturyHandtooled-BoldItalic ITC 2084
+ i_____ Challenge-Bold ITC 2085
+ i_____ Challenge-ExtraBold ITC 2086
+ i_____ Champers ITC 2087
+ i_____ CheltenhamHandtooled-Bold ITC 2088
+ i_____ CheltenhamHandtooled-BoldItalic ITC 2089
+ i_____ Cherie ITC 2090
+ i_____ Chiller ITC 2091
+ i_____ Chipper ITC 2092
+ i_____ ChocLightbyITC ITC 2093
+ i_____ Choc ITC 2094
+ i_____ ChromiumOne ITC 2095
+ i_____ Citation ITC 2096
+ i_____ ClaudeSans-Regular ITC 2097
+ i_____ ClaudeSans-Italic ITC 2098
+ i_____ ClaudeSans-BoldItalic ITC 2099
+ i_____ Clover ITC 2100
+ i_____ CommericalScript ITC 2101
+ i_____ Compacta ITC 2102
+ i_____ Compacta-Italic ITC 2103
+ i_____ Compacta-Bold ITC 2104
+ i_____ Coptek ITC 2105
+ i_____ Corinthian-Light ITC 2106
+ i_____ Corinthian-Medium ITC 2107
+ i_____ Corinthian-Bold ITC 2108
+ i_____ Corinthian-BoldCondensed ITC 2109
+ i_____ Crillee-Italic ITC 2110
+ i_____ Crillee-BoldItalic ITC 2111
+ i_____ Crillee-ExtraBoldItalic ITC 2112
+ i_____ Crillee-ItalicInlineShadow ITC 2113
+ i_____ Cult ITC 2114
+ i_____ Cyberkugel ITC 2115
+ i_____ Dancin ITC 2116
+ i_____ Data70 ITC 2117
+ i_____ Demian ITC 2118
+ i_____ DemianBold ITC 2119
+ i_____ DigitalWoodcuts ITC 2120
+ i_____ Digitek ITC 2121
+ i_____ Dinitials ITC 2122
+ i_____ Dolmen ITC 2123
+ i_____ Drycut ITC 2124
+ i_____ DynamoShadow ITC 2125
+ i_____ Eastwood ITC 2126
+ i_____ Edwardian-Medium ITC 2127
+ i_____ EdwardianScript-Regular ITC 2128
+ i_____ EdwardianScript-Bold ITC 2129
+ i_____ Ellipse-Roman ITC 2130
+ i_____ Ellipse-Italic ITC 2131
+ i_____ Ellipse-Bold ITC 2132
+ i_____ Ellipse-BoldItalic ITC 2133
+ i_____ Emphasis ITC 2134
+ i_____ Enviro ITC 2135
+ i_____ Epokha ITC 2136
+ i_____ Equinox ITC 2137
+ i_____ Etruscan ITC 2138
+ i_____ FaithfulFly ITC 2139
+ i_____ Farmhaus ITC 2140
+ i_____ Fashion-Compressed ITC 2141
+ i_____ Fashion-Engraved ITC 2142
+ i_____ FineHand ITC 2143
+ i_____ Flamenco-Inline ITC 2144
+ i_____ Flamme ITC 2145
+ i_____ Flatiron ITC 2146
+ i_____ Flight ITC 2147
+ i_____ Fling ITC 2148
+ i_____ Florinda ITC 2149
+ i_____ Follies ITC 2150
+ i_____ Fontoon ITC 2151
+ i_____ ForestShaded ITC 2152
+ i_____ FrancesUncial ITC 2153
+ i_____ Frankfurter-Medium ITC 2154
+ i_____ Frankfurter ITC 2155
+ i_____ Frankfurter-Highlight ITC 2156
+ i_____ Frankfurter-Inline ITC 2157
+ i_____ Freddo ITC 2158
+ i_____ FreestyleScript ITC 2159
+ i_____ FreestyleScript-Bold ITC 2160
+ i_____ GaramondHandtooled ITC 2161
+ i_____ GaramondHandtooled-Italic ITC 2162
+ i_____ Gigi ITC 2163
+ i_____ Gill-DisplayCompressed ITC 2164
+ i_____ Gill-KayoCondensed ITC 2165
+ i_____ GilliesGothic-ExtraBoldShaded ITC 2166
+ i_____ Glastonbury ITC 2167
+ i_____ GoldenCockerel-InitialsOrnaments ITC 2168
+ i_____ Grapefruit ITC 2169
+ i_____ Gravura ITC 2170
+ i_____ Green ITC 2171
+ i_____ GreytonScript ITC 2172
+ i_____ GrimshawHand ITC 2173
+ i_____ Hadfield ITC 2174
+ i_____ HandDrawn ITC 2175
+ i_____ Harlow ITC 2176
+ i_____ HarlowSolid ITC 2177
+ i_____ Harvey ITC 2178
+ i_____ Hazel ITC 2179
+ i_____ Heliotype ITC 2180
+ i_____ Helvetica-MediumCondensed ITC 2181
+ i_____ Helvetica-BoldCondensed ITC 2182
+ i_____ Highlight ITC 2183
+ i_____ Hollyweird ITC 2184
+ i_____ Hornpype ITC 2185
+ i_____ Ignatius ITC 2186
+ i_____ Impakt ITC 2187
+ i_____ IndyItalic ITC 2188
+ i_____ Informal-Roman ITC 2189
+ i_____ Inscription ITC 2190
+ i_____ Iris ITC 2191
+ i_____ Ironwork ITC 2192
+ i_____ Isis ITC 2193
+ i_____ Jaft ITC 2194
+ i_____ Jambalaya ITC 2195
+ i_____ Jazz ITC 2196
+ i_____ Jellybaby ITC 2197
+ i_____ JohnHandy ITC 2198
+ i_____ Jokerman ITC 2199
+ i_____ Juanita ITC 2200
+ i_____ Juanita-Condensed ITC 2201
+ i_____ Juanita-Deco ITC 2202
+ i_____ Juanita-Lino ITC 2203
+ i_____ Juanita-Xilo ITC 2204
+ i_____ Juanita-XiloCondensed ITC 2205
+ i_____ Juice ITC 2206
+ i_____ Kanban ITC 2207
+ i_____ Katfish ITC 2208
+ i_____ Kendo ITC 2209
+ i_____ Kick ITC 2210
+ i_____ Klee ITC 2211
+ i_____ Klepto ITC 2212
+ i_____ Kokoa ITC 2213
+ i_____ Kristen ITC 2214
+ i_____ Kulukundis ITC 2215
+ i_____ LaBamba ITC 2216
+ i_____ Lambada ITC 2217
+ i_____ Laser ITC 2218
+ i_____ LaserChrome ITC 2219
+ i_____ Latino-Elongated ITC 2220
+ i_____ Laura ITC 2221
+ i_____ LCD ITC 2222
+ i_____ LeGriffe ITC 2223
+ i_____ Lennox-Book ITC 2224
+ i_____ Lennox-Medium ITC 2225
+ i_____ Lennox-Bold ITC 2226
+ i_____ Lexikos ITC 2227
+ i_____ Lightnin' ITC 2228
+ i_____ LimehouseScript ITC 2229
+ i_____ LinoCut ITC 2230
+ i_____ Locarno-Light ITC 2231
+ i_____ Locarno-Italic ITC 2232
+ i_____ RennieMackintosh-Light ITC 2233
+ i_____ RennieMackintosh-Bold ITC 2234
+ i_____ Malibu ITC 2235
+ i_____ Malstock ITC 2236
+ i_____ Marguerita ITC 2237
+ i_____ Mastercard ITC 2238
+ i_____ Matisse ITC 2239
+ i_____ Mekanik-Regular ITC 2240
+ i_____ Mekanik-Italic ITC 2241
+ i_____ Milano ITC 2242
+ i_____ Minska-Light ITC 2243
+ i_____ Minska-Medium ITC 2244
+ i_____ Minska-Bold ITC 2245
+ i_____ Mistral-Light ITC 2246
+ i_____ Mistral ITC 2247
+ i_____ Mithras ITC 2248
+ i_____ MoFunkyFresh ITC 2249
+ i_____ MonaLisa-Recut ITC 2250
+ i_____ MonaLisa-Solid ITC 2251
+ i_____ Montage ITC 2252
+ i_____ MotterCorpus-Bold ITC 2253
+ i_____ MotterCorpus-CondensedBold ITC 2254
+ i_____ Musclehead ITC 2255
+ i_____ Musica ITC 2256
+ i_____ NeoNeo ITC 2257
+ i_____ NoovoLight ITC 2258
+ i_____ NoovoBold ITC 2259
+ i_____ Nora ITC 2260
+ i_____ Oberon ITC 2261
+ i_____ Odessa ITC 2262
+ i_____ OldEnglish ITC 2263
+ i_____ OneStrokeScript ITC 2264
+ i_____ OneStrokeScript-Bold ITC 2265
+ i_____ OneStrokeScript-Shaded ITC 2266
+ i_____ Orange ITC 2267
+ i_____ Orbon-Light ITC 2268
+ i_____ Orbon-Regular ITC 2269
+ i_____ Orbon-Bold ITC 2270
+ i_____ Orbon-Black ITC 2271
+ i_____ Orlando ITC 2272
+ i_____ Outback ITC 2273
+ i_____ OutoftheFridge ITC 2274
+ i_____ Ozwald ITC 2275
+ i_____ Pablo ITC 2276
+ i_____ Papyrus ITC 2277
+ i_____ Party ITC 2278
+ i_____ PendryScript ITC 2279
+ i_____ PetersMiro ITC 2280
+ i_____ Pink ITC 2281
+ i_____ Plaza ITC 2282
+ i_____ PleasureBoldShaded ITC 2283
+ i_____ Pneuma ITC 2284
+ i_____ Prague ITC 2285
+ i_____ Premier-Lightline ITC 2286
+ i_____ Premier-Shaded ITC 2287
+ i_____ Princetown ITC 2288
+ i_____ Pristina ITC 2289
+ i_____ Pritchard ITC 2290
+ i_____ Pritchard-LineOut ITC 2291
+ i_____ Pump-Regular ITC 2292
+ i_____ Pump-DemiBold ITC 2293
+ i_____ Quadrus ITC 2294
+ i_____ Quixley ITC 2295
+ i_____ RageItalic ITC 2296
+ i_____ Ragtime ITC 2297
+ i_____ Rapier ITC 2298
+ i_____ Refracta ITC 2299
+ i_____ RegattaCondensed ITC 2300
+ i_____ RetailScript ITC 2301
+ i_____ Retro-Bold ITC 2302
+ i_____ Retro-BoldCondensed ITC 2303
+ i_____ Riptide ITC 2304
+ i_____ Riva ITC 2305
+ i_____ Robotik ITC 2306
+ i_____ Robotik-Italic ITC 2307
+ i_____ Romic-Light ITC 2308
+ i_____ Romic-LightItalic ITC 2309
+ i_____ Roquette ITC 2310
+ i_____ Ru'ach ITC 2311
+ i_____ RubberStamp ITC 2312
+ i_____ Rundfunk ITC 2313
+ i_____ SantaFe ITC 2314
+ i_____ Savoye ITC 2315
+ i_____ Schizoid ITC 2316
+ i_____ Scratch ITC 2317
+ i_____ Scriba ITC 2318
+ i_____ Scriptease ITC 2319
+ i_____ Scriptek ITC 2320
+ i_____ Scriptek-Italic ITC 2321
+ i_____ Scruff ITC 2322
+ i_____ Serengetti ITC 2323
+ i_____ Shaman ITC 2324
+ i_____ Shatter ITC 2325
+ i_____ Sinaloa ITC 2326
+ i_____ SkidRow ITC 2327
+ i_____ Skylark ITC 2328
+ i_____ Slipstream ITC 2329
+ i_____ Smack ITC 2330
+ i_____ Smudger ITC 2331
+ i_____ Snap ITC 2332
+ i_____ Spirit ITC 2333
+ i_____ Spooky ITC 2334
+ i_____ Spotlight ITC 2335
+ i_____ Squire ITC 2336
+ i_____ Squire-ExtraBold ITC 2337
+ i_____ Static ITC 2338
+ i_____ Stranger ITC 2339
+ i_____ Strobos ITC 2340
+ i_____ StudioScript ITC 2341
+ i_____ Stylus-Regular ITC 2342
+ i_____ Stylus-Bold ITC 2343
+ i_____ Superstar ITC 2344
+ i_____ Surfboard ITC 2345
+ i_____ Synchro ITC 2346
+ i_____ Tag ITC 2347
+ i_____ Tannhauser ITC 2348
+ i_____ Teknik ITC 2349
+ i_____ Telegram ITC 2350
+ i_____ Temble ITC 2351
+ i_____ Tempus-Regular ITC 2352
+ i_____ Tempus-Italic ITC 2353
+ i_____ TempusSans-Regular ITC 2354
+ i_____ TempusSans-Italic ITC 2355
+ i_____ TigerRag ITC 2356
+ i_____ TirantiSolid ITC 2357
+ i_____ Trackpad ITC 2358
+ i_____ TropicaScript ITC 2359
+ i_____ TrueGrit ITC 2360
+ i_____ Twang ITC 2361
+ i_____ Typados ITC 2362
+ i_____ Ulysses ITC 2363
+ i_____ UniversityRoman ITC 2364
+ i_____ UniversityRoman-Italic ITC 2365
+ i_____ UniversityRoman-Bold ITC 2366
+ i_____ VanDijk ITC 2367
+ i_____ VanDijkBold ITC 2368
+ i_____ Varga ITC 2369
+ i_____ Vegas ITC 2370
+ i_____ Verkehr ITC 2371
+ i_____ Vermont ITC 2372
+ i_____ Victorian ITC 2373
+ i_____ Victorian-InlineShaded ITC 2374
+ i_____ ViennaExtended ITC 2375
+ i_____ VinerHand ITC 2376
+ i_____ Vintage ITC 2377
+ i_____ Vinyl-Black ITC 2378
+ i_____ Vinyl-Outline ITC 2379
+ i_____ Vinyl-SawtoothBlack ITC 2380
+ i_____ Vinyl-SawtoothOutline ITC 2381
+ i_____ Vivaldi ITC 2382
+ i_____ WadeSans-Light ITC 2383
+ i_____ Wanted ITC 2384
+ i_____ Waterloo-Bold ITC 2385
+ i_____ Westwood ITC 2386
+ i_____ WildThing ITC 2387
+ i_____ Willow ITC 2388
+ i_____ Wisteria ITC 2389
+ i_____ Xylo ITC 2390
+ i_____ YoungBaroque ITC 2391
+ i_____ Zaragoza ITC 2392
+ i_____ ZemkeHand ITC 2393
+ i_____ Zennor ITC 2394
+ i_____ Ziggy ITC 2395
+ i_____ Zinjaro ITC 2396
+ i_____ MotterSparta ITC 2397
+ i_____ Underscript ITC 2398
+ i_____ Stenberg ITC 2399
+ i_____ Stenberg-Inline ITC 2400
+ i_____ Arid ITC 2401
+ i_____ Tapioca ITC 2402
+ i_____ PiousHenry ITC 2403
+ i_____ Korigan-Light ITC 2404
+ i_____ Korigan-Bold ITC 2405
+ i_____ Abaton ITC 2406
+ i_____ Portago ITC 2407
+ i_____ Blair-Light ITC 2408
+ i_____ Blair-Medium ITC 2409
+ i_____ Blair-Bold ITC 2410
+ i_____ Scarborough ITC 2411
+ i_____ Scarborough-Bold ITC 2412
+ i_____ Gema ITC 2413
+ i_____ Roswell-Three ITC 2414
+ i_____ Roswell-Four ITC 2415
+ i_____ Simran ITC 2416
+ i_____ Tremor ITC 2417
+ i_____ Coconino ITC 2418
+ i_____ Stoclet-Light ITC 2419
+ i_____ Stoclet-Bold ITC 2420
+ i_____ JiggeryPokery ITC 2421
+ i_____ Deelirious ITC 2422
+ i_____ Flora-Medium ITC 2423
+ i_____ Flora-Bold ITC 2424
+ i_____ Manhattan ITC 2425
+ i_____ Attitudes ITC 4000
+ i_____ BackyardBeasties ITC 4001
+ i_____ CalligraphicOrnaments ITC 4002
+ i_____ Celebrations ITC 4003
+ i_____ Commercials ITC 4004
+ i_____ Connectivities ITC 4005
+ i_____ DavesRaves-One ITC 4006
+ i_____ DavesRaves-Two ITC 4007
+ i_____ DavesRaves-Three ITC 4008
+ i_____ Delectables ITC 4009
+ i_____ Diversions ITC 4010
+ i_____ Diversities ITC 4011
+ i_____ Eclectics ITC 4012
+ i_____ Energetics ITC 4013
+ i_____ Expressions ITC 4014
+ i_____ Fontoonies ITC 4015
+ i_____ Gargoonies ITC 4016
+ i_____ HomeImprovement ITC 4017
+ i_____ Incidentals ITC 4018
+ i_____ Industrials ITC 4019
+ i_____ Inspirations ITC 4020
+ i_____ Journeys ITC 4021
+ i_____ MoFunkyFresh-Symbols ITC 4022
+ i_____ Moderns ITC 4023
+ i_____ Naturals ITC 4024
+ i_____ Organics ITC 4025
+ i_____ Organics-Two ITC 4026
+ i_____ Primitives ITC 4027
+ i_____ Radicals ITC 4028
+ i_____ Situations ITC 4029
+ i_____ StainedGlass ITC 4030
+ i_____ TotSpots ITC 4031
+ i_____ Urbans ITC 4032
+ i_____ WellBeings ITC 4033
+ i_____ Wildlife ITC 4034
+ i_____ WildWest ITC 4035
+ i_____ Ancestor ITC 4036
+ i_____ Shadowettes ITC 4037
+ i_____ Beorama ITC 4038
+ i_____ Holistics ITC 4039
+ i_____ ProfessionalConnections ITC 4040
+ i_____ Bodoni-Ornaments ITC 5000
+ i_____ RennieMackintosh-Ornaments ITC 5002
+ i_____ TypeEmbellishments-One ITC 5003
+ i_____ TypeEmbellishments-Two ITC 5004
+ i_____ TypeEmbellishments-Three ITC 5005
+ i_____ JapaneseGarden ITC 5006
+ i_____ SevenTreasures ITC 5007
+ i_____ BodoniSix-Book ITC 6000
+ i_____ BodoniSix-BookItalic ITC 6001
+ i_____ BodoniSix-Bold ITC 6002
+ i_____ BodoniSix-BoldItalic ITC 6003
+ i_____ BodoniTwelve-Book ITC 6004
+ i_____ BodoniTwelve-BookItalic ITC 6005
+ i_____ BodoniTwelve-Bold ITC 6006
+ i_____ BodoniTwelve-BoldItalic ITC 6007
+ i_____ Charlotte-Book ITC 6008
+ i_____ Charlotte-BookItalic ITC 6009
+ i_____ Charlotte-Medium ITC 6010
+ i_____ Charlotte-Bold ITC 6011
+ i_____ Charter-Regular ITC 6012
+ i_____ Charter-RegularItalic ITC 6013
+ i_____ Charter-Bold ITC 6014
+ i_____ Charter-BoldItalic ITC 6015
+ i_____ Charter-Black ITC 6016
+ i_____ Charter-BlackItalic ITC 6017
+ i_____ Elysium-Book ITC 6018
+ i_____ Elysium-BookItalic ITC 6019
+ i_____ Elysium-Medium ITC 6020
+ i_____ Elysium-Bold ITC 6021
+ i_____ Figural-Book ITC 6022
+ i_____ Figural-BookItalic ITC 6023
+ i_____ Figural-Medium ITC 6024
+ i_____ Figural-Bold ITC 6025
+ i_____ FrizQuadrata-Regular ITC 6026
+ i_____ FrizQuadrata-Italic ITC 6027
+ i_____ FrizQuadrata-Bold ITC 6028
+ i_____ FrizQuadrata-BoldItalic ITC 6029
+ i_____ Gilgamesh-Book ITC 6030
+ i_____ Gilgamesh-BookItalic ITC 6031
+ i_____ Gilgamesh-Medium ITC 6032
+ i_____ Gilgamesh-Bold ITC 6033
+ i_____ GoldenCockerel-Roman ITC 6034
+ i_____ GoldenCockerel-Italic ITC 6035
+ i_____ GoldenCockerel-Titling ITC 6036
+ i_____ Humana-Light ITC 6037
+ i_____ Humana-LightItalic ITC 6038
+ i_____ Humana-Medium ITC 6039
+ i_____ Humana-MediumItalic ITC 6040
+ i_____ Humana-Bold ITC 6041
+ i_____ Humana-BoldItalic ITC 6042
+ i_____ HumanaScript-Light ITC 6043
+ i_____ HumanaScript-Medium ITC 6044
+ i_____ HumanaScript-Bold ITC 6045
+ i_____ Kallos-Book ITC 6046
+ i_____ Kallos-BookItalic ITC 6047
+ i_____ Kallos-Medium ITC 6048
+ i_____ Kallos-MediumItalic ITC 6049
+ i_____ Kallos-Bold ITC 6050
+ i_____ Kallos-BoldItalic ITC 6051
+ i_____ LegacySerif-Book ITC 6052
+ i_____ LegacySerif-BookItalic ITC 6053
+ i_____ LegacySerif-Medium ITC 6054
+ i_____ LegacySerif-MediumItalic ITC 6055
+ i_____ LegacySerif-Bold ITC 6056
+ i_____ LegacySerif-BoldItalic ITC 6057
+ i_____ LegacySerif-Ultra ITC 6058
+ i_____ MendozaRoman-Book ITC 6059
+ i_____ MendozaRoman-BookItalic ITC 6060
+ i_____ MendozaRoman-Medium ITC 6061
+ i_____ MendozaRoman-MediumItalic ITC 6062
+ i_____ MendozaRoman-Bold ITC 6063
+ i_____ MendozaRoman-BoldItalic ITC 6064
+ i_____ Obelisk-Light ITC 6065
+ i_____ Obelisk-LightItalic ITC 6066
+ i_____ Obelisk-Medium ITC 6067
+ i_____ Obelisk-Bold ITC 6068
+ i_____ OfficinaSerif-Book ITC 6069
+ i_____ OfficinaSerif-BookItalic ITC 6070
+ i_____ OfficinaSerif-Bold ITC 6071
+ i_____ OfficinaSerif-BoldItalic ITC 6072
+ i_____ StoneInformal-Medium ITC 6073
+ i_____ StoneInformal-MediumItalic ITC 6074
+ i_____ StoneInformal-SemiBold ITC 6075
+ i_____ StoneInformal-SemiBoldItalic ITC 6076
+ i_____ StoneInformal-Bold ITC 6077
+ i_____ StoneInformal-BoldItalic ITC 6078
+ i_____ StoneSerif-Medium ITC 6079
+ i_____ StoneSerif-MediumItalic ITC 6080
+ i_____ StoneSerif-SemiBold ITC 6081
+ i_____ StoneSerif-SemiBoldItalic ITC 6082
+ i_____ StoneSerif-Bold ITC 6083
+ i_____ StoneSerif-BoldItalic ITC 6084
+ i_____ Syndor-Book ITC 6085
+ i_____ Syndor-BookItalic ITC 6086
+ i_____ Syndor-Medium ITC 6087
+ i_____ Syndor-MediumItalic ITC 6088
+ i_____ Syndor-Bold ITC 6089
+ i_____ Syndor-BoldItalic ITC 6090
+ i_____ Tyfa-Book ITC 6091
+ i_____ Tyfa-BookItalic ITC 6092
+ i_____ Tyfa-Medium ITC 6093
+ i_____ Tyfa-MediumItalic ITC 6094
+ i_____ Tyfa-Bold ITC 6095
+ i_____ Tyfa-BoldItalic ITC 6096
+ i_____ OfficinaSerif-Medium ITC 6097
+ i_____ OfficinaSerif-MediumItalic ITC 6098
+ i_____ OfficinaSerif-ExtraBold ITC 6099
+ i_____ OfficinaSerif-ExtraBoldItalic ITC 6100
+ i_____ OfficinaSerif-Black ITC 6101
+ i_____ OfficinaSerif-BlackItalic ITC 6102
+ i_____ SerifGothic-Light ITC 6103
+ i_____ SerifGothic-Regular ITC 6104
+ i_____ SerifGothic-Bold ITC 6105
+ i_____ SerifGothic-ExtraBold ITC 6106
+ i_____ SerifGothic-Heavy ITC 6107
+ i_____ SerifGothic-Black ITC 6108
+ i_____ AmericanTypewriter-Light ITC 6109
+ i_____ AmericanTypewriter-LightItalic ITC 6110
+ i_____ AmericanTypewriter-Medium ITC 6111
+ i_____ AmericanTypewriter-MediumItalic ITC 6112
+ i_____ AmericanTypewriter-Bold ITC 6113
+ i_____ AmericanTypewriter-BoldItalic ITC 6114
+ i_____ AmericanTypewriter-CondLight ITC 6115
+ i_____ AmericanTypewriter-CondMedium ITC 6116
+ i_____ AmericanTypewriter-CondBold ITC 6117
+ i_____ LubalinGraph-ExtraLight ITC 6118
+ i_____ LubalinGraph-ExtraLightOblique ITC 6119
+ i_____ LubalinGraph-Book ITC 6120
+ i_____ LubalinGraph-BookOblique ITC 6121
+ i_____ LubalinGraph-Medium ITC 6122
+ i_____ LubalinGraph-MediumOblique ITC 6123
+ i_____ LubalinGraph-Demi ITC 6124
+ i_____ LubalinGraph-DemiOblique ITC 6125
+ i_____ LubalinGraph-Bold ITC 6126
+ i_____ LubalinGraph-BoldOblique ITC 6127
+ i_____ Benguiat-Book ITC 6128
+ i_____ Benguiat-BookItalic ITC 6129
+ i_____ Benguiat-Medium ITC 6130
+ i_____ Benguiat-MediumItalic ITC 6131
+ i_____ Benguiat-Bold ITC 6132
+ i_____ Benguiat-BoldItalic ITC 6133
+ i_____ Benguiat-CondensedBook ITC 6134
+ i_____ Benguiat-CondensedBookItalic ITC 6135
+ i_____ Benguiat-CondensedMedium ITC 6136
+ i_____ Benguiat-CondensedMediumItalic ITC 6137
+ i_____ Benguiat-CondensedBold ITC 6138
+ i_____ Benguiat-CondensedBoldItalic ITC 6139
+ i_____ Korinna-Regular ITC 6140
+ i_____ Korinna-KursivRegular ITC 6141
+ i_____ Korinna-Bold ITC 6142
+ i_____ Korinna-KursivBold ITC 6143
+ i_____ Korinna-ExtraBold ITC 6144
+ i_____ Korinna-KursivExtraBold ITC 6145
+ i_____ Korinna-Heavy ITC 6146
+ i_____ Korinna-KursivHeavy ITC 6147
+ i_____ Souvenir-Light ITC 6148
+ i_____ Souvenir-LightItalic ITC 6149
+ i_____ Souvenir-Medium ITC 6150
+ i_____ Souvenir-MediumItalic ITC 6151
+ i_____ Souvenir-Demi ITC 6152
+ i_____ Souvenir-DemiItalic ITC 6153
+ i_____ Souvenir-Bold ITC 6154
+ i_____ Souvenir-BoldItalic ITC 6155
+ i_____ Caslon224-Book ITC 6156
+ i_____ Caslon224-BookItalic ITC 6157
+ i_____ Caslon224-Medium ITC 6158
+ i_____ Caslon224-MediumItalic ITC 6159
+ i_____ Caslon224-Bold ITC 6160
+ i_____ Caslon224-BoldItalic ITC 6161
+ i_____ Caslon224-Black ITC 6162
+ i_____ Caslon224-BlackItalic ITC 6163
+ i_____ LubalinGraph-CondBook ITC 6164
+ i_____ LubalinGraph-CondBookOblique ITC 6165
+ i_____ LubalinGraph-CondMedium ITC 6166
+ i_____ LubalinGraph-CondMediumOblique ITC 6167
+ i_____ LubalinGraph-CondDemi ITC 6168
+ i_____ LubalinGraph-CondDemiOblique ITC 6169
+ i_____ LubalinGraph-CondBold ITC 6170
+ i_____ LubalinGraph-CondBoldOblique ITC 6171
+ i_____ Galliard-Regular ITC 6172
+ i_____ Galliard-Italic ITC 6173
+ i_____ Galliard-Bold ITC 6174
+ i_____ Galliard-BoldItalic ITC 6175
+ i_____ Galliard-Black ITC 6176
+ i_____ Galliard-BlackItalic ITC 6177
+ i_____ Galliard-Ultra ITC 6178
+ i_____ Galliard-UltraItalic ITC 6179
+ i_____ Dyadis-Book ITC 6180
+ i_____ Dyadis-BookItalic ITC 6181
+ i_____ Dyadis-Medium ITC 6182
+ i_____ Dyadis-MediumItalic ITC 6183
+ i_____ Dyadis-Bold ITC 6184
+ i_____ Dyadis-BoldItalic ITC 6185
+ i_____ BaileySans-Book ITC 8000
+ i_____ BaileySans-BookItalic ITC 8001
+ i_____ BaileySans-Bold ITC 8002
+ i_____ BaileySans-BoldItalic ITC 8003
+ i_____ Charlotte-SansBook ITC 8004
+ i_____ Charlotte-SansBookItalic ITC 8005
+ i_____ Charlotte-SansMedium ITC 8006
+ i_____ Charlotte-SansBold ITC 8007
+ i_____ Conduit-Light ITC 8008
+ i_____ Conduit-LightItalic ITC 8009
+ i_____ Conduit-Medium ITC 8010
+ i_____ Conduit-MediumItalic ITC 8011
+ i_____ Conduit-Bold ITC 8012
+ i_____ Conduit-BoldItalic ITC 8013
+ i_____ Highlander-Book ITC 8014
+ i_____ Highlander-BookItalic ITC 8015
+ i_____ Highlander-Medium ITC 8016
+ i_____ Highlander-MediumItalic ITC 8017
+ i_____ Highlander-Bold ITC 8018
+ i_____ Highlander-BoldItalic ITC 8019
+ i_____ HumanaSans-Light ITC 8020
+ i_____ HumanaSans-LightItalic ITC 8021
+ i_____ HumanaSans-Medium ITC 8022
+ i_____ HumanaSans-MediumItalic ITC 8023
+ i_____ HumanaSans-Bold ITC 8024
+ i_____ HumanaSans-BoldItalic ITC 8025
+ i_____ LegacySans-Book ITC 8026
+ i_____ LegacySans-BookItalic ITC 8027
+ i_____ LegacySans-Medium ITC 8028
+ i_____ LegacySans-MediumItalic ITC 8029
+ i_____ LegacySans-Bold ITC 8030
+ i_____ LegacySans-BoldItalic ITC 8031
+ i_____ LegacySans-Ultra ITC 8032
+ i_____ Odyssee-Light ITC 8033
+ i_____ Odyssee-LightItalic ITC 8034
+ i_____ Odyssee-Medium ITC 8035
+ i_____ Odyssee-MediumItalic ITC 8036
+ i_____ Odyssee-Bold ITC 8037
+ i_____ Odyssee-BoldItalic ITC 8038
+ i_____ Odyssee-Ultra ITC 8039
+ i_____ OfficinaSans-Book ITC 8040
+ i_____ OfficinaSans-BookItalic ITC 8041
+ i_____ OfficinaSans-Bold ITC 8042
+ i_____ OfficinaSans-BoldItalic ITC 8043
+ i_____ StoneSans-Medium ITC 8044
+ i_____ StoneSans-MediumItalic ITC 8045
+ i_____ StoneSans-SemiBold ITC 8046
+ i_____ StoneSans-SemiBoldItalic ITC 8047
+ i_____ StoneSans-Bold ITC 8048
+ i_____ StoneSans-BoldItalic ITC 8049
+ i_____ Woodland-Light ITC 8050
+ i_____ Woodland-Medium ITC 8051
+ i_____ Woodland-Demi ITC 8052
+ i_____ Woodland-Heavy ITC 8053
+ i_____ OfficinaSans-Medium ITC 8054
+ i_____ OfficinaSans-MediumItalic ITC 8055
+ i_____ OfficinaSans-ExtraBold ITC 8056
+ i_____ OfficinaSans-ExtraBoldItalic ITC 8057
+ i_____ OfficinaSans-Black ITC 8058
+ i_____ AvantGardeGothic-ExtraLight ITC 8059
+ i_____ AvantGardeGothic-ExtraLightObl ITC 8060
+ i_____ AvantGardeGothic-Book ITC 8061
+ i_____ AvantGardeGothic-BookOblique ITC 8062
+ i_____ AvantGardeGothic-Medium ITC 8063
+ i_____ AvantGardeGothic-MediumOblique ITC 8064
+ i_____ AvantGardeGothic-Demi ITC 8065
+ i_____ AvantGardeGothic-DemiOblique ITC 8066
+ i_____ AvantGardeGothic-Bold ITC 8067
+ i_____ AvantGardeGothic-BoldOblique ITC 8068
+ i_____ FranklinGothic-Book ITC 8069
+ i_____ FranklinGothic-BookItalic ITC 8070
+ i_____ FranklinGothic-Medium ITC 8071
+ i_____ FranklinGothic-MediumItalic ITC 8072
+ i_____ FranklinGothic-Demi ITC 8073
+ i_____ FranklinGothic-DemiItalic ITC 8074
+ i_____ FranklinGothic-Heavy ITC 8075
+ i_____ FranklinGothic-HeavyItalic ITC 8076
+ i_____ FranklinGothic-CondBook ITC 8077
+ i_____ FranklinGothic-CondBookItal ITC 8078
+ i_____ FranklinGothic-CondMedium ITC 8079
+ i_____ FranklinGothic-CondMediumItal ITC 8080
+ i_____ FranklinGothic-CondDemi ITC 8081
+ i_____ FranklinGothic-CondDemiItal ITC 8082
+ i_____ FranklinGothic-ComprBook ITC 8083
+ i_____ FranklinGothic-ComprBookItal ITC 8084
+ i_____ FranklinGothic-ComprDemi ITC 8085
+ i_____ FranklinGothic-ComprDemiItal ITC 8086
+ i_____ FranklinGothic-ExtraComprBook ITC 8087
+ i_____ FranklinGothic-ExtraComprDemi ITC 8088
+ i_____ OfficinaSans-BlackItalic ITC 8089
+ i_____ BenguiatGothic-Book ITC 8090
+ i_____ BenguiatGothic-BookItalic ITC 8091
+ i_____ BenguiatGothic-Medium ITC 8092
+ i_____ BenguiatGothic-MediumItalic ITC 8093
+ i_____ BenguiatGothic-Bold ITC 8094
+ i_____ BenguiatGothic-BoldItalic ITC 8095
+ i_____ BenguiatGothic-Heavy ITC 8096
+ i_____ BenguiatGothic-HeavyItalic ITC 8097
+ i_____ ItcEras-Light ITC 8098
+ i_____ ItcEras-Book ITC 8099
+ i_____ ItcEras-Medium ITC 8100
+ i_____ ItcEras-Demi ITC 8101
+ i_____ ItcEras-Bold ITC 8102
+ i_____ ItcEras-Ultra ITC 8103
+ i_____ AvantGardeGothic-CondBook ITC 8104
+ i_____ AvantGardeGothic-CondMedium ITC 8105
+ i_____ AvantGardeGothic-CondDemiBold ITC 8106
+ i_____ AvantGardeGothic-CondBold ITC 8107
+ i_____ ItcKabel-Book ITC 8108
+ i_____ ItcKabel-Medium ITC 8109
+ i_____ ItcKabel-Demi ITC 8110
+ i_____ ItcKabel-Bold ITC 8111
+ i_____ ItcKabel-Ultra ITC 8112
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Introduction.html b/Master/texmf-dist/doc/fontname/Introduction.html
new file mode 100644
index 00000000000..047ed849882
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Introduction.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Introduction">Introduction</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="index.html#Top">Top</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Introduction</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of TeX
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+ <p>Please send additions, corrections, or other comments to
+<a href="mailto:tex-fonts@tug.org">tex-fonts@tug.org</a>. Email
+<a href="mailto:tex-fonts-request@tug.org">tex-fonts-request@tug.org</a> to join the list.
+
+ <p>Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+<code>README</code> for details. You can retrieve the most up-to-date
+version of these lists from <a href="http://tug.org/fontname">http://tug.org/fontname</a>. It is
+also mirrored on all CTAN hosts in the directory
+<code>tex-archive/doc/fontname</code>. For a list of CTAN mirrors, see
+<a href="http://www.ctan.org/tex-archive/CTAN.sites">http://www.ctan.org/tex-archive/CTAN.sites</a>.
+
+ <p>This document is in the public domain and may be used freely.
+
+<ul class="menu">
+<li><a accesskey="1" href="History.html#History">History</a>:
+<li><a accesskey="2" href="References.html#References">References</a>:
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Linotype-fonts.html b/Master/texmf-dist/doc/fontname/Linotype-fonts.html
new file mode 100644
index 00000000000..bedcfca9635
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Linotype-fonts.html
@@ -0,0 +1,4264 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Linotype%20fonts">Linotype fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Linotype fonts</h3>
+
+<p>The <code>linotype.map</code> file has abbreviations for Linotype fonts.
+
+<pre class="example">
+
+ l_____ Aachen-Bold 1.0
+ l_____ AachenEF-Medium 1.1
+ l_____ AachenEF-Bold 1.2
+ l_____ AharoniEF-RegularHd 2.0
+ l_____ AharoniEF-MediumHd 2.1
+ l_____ AharoniEF-SemiBoldHd 2.2
+ l_____ AharoniEF-BoldHd 2.3
+ l_____ AharoniEF-ExtraBoldHd 2.4
+ l_____ AharoniEF-OutlineHd 2.5
+ l_____ AharoniEF-ShadowHD 2.6
+ l_____ Aja 3.0
+ l_____ AkzidenzGrotesk-Light 4.0
+ l_____ AkzidenzGrotesk-Roman 4.1
+ l_____ AkzidenzGrotesk-Bold 4.2
+ l_____ AkzidenzGrotesk-Black 4.3
+ l_____ AkzidenzGroteskBE-Light 4.4
+ l_____ AkzidenzGroteskBE-LightOsF 4.5
+ l_____ AkzidenzGroteskBE-Regular 4.6
+ l_____ AkzidenzGroteskBE-Italic 4.7
+ l_____ AkzidenzGroteskBE-Md 4.8
+ l_____ AkzidenzGroteskBE-MdIt 4.9
+ l_____ AkzidenzGroteskBE-Bold 4.10
+ l_____ AkzidenzGroteskBE-BoldIt 4.11
+ l_____ AkzidenzGroteskBE-XBd 4.12
+ l_____ AkzidenzGroteskBE-Super 4.13
+ l_____ AkzidenzGroteskBE-LightCn 4.14
+ l_____ AkzidenzGroteskBE-Cn 4.15
+ l_____ AkzidenzGroteskBE-MdCn 4.16
+ l_____ AkzidenzGroteskBE-MdCnIt 4.17
+ l_____ AkzidenzGroteskBE-BoldCn 4.18
+ l_____ AkzidenzGroteskBE-XBdCn 4.19
+ l_____ AkzidenzGroteskBE-XBdCnIt 4.20
+ l_____ AkzidenzGroteskBE-LightEx 4.21
+ l_____ AkzidenzGroteskBE-Ex 4.22
+ l_____ AkzidenzGroteskBE-MdEx 4.23
+ l_____ AkzidenzGroteskBE-BoldEx 4.24
+ l_____ AkzidenzGroteskBE-BoldExIt 4.25
+ l_____ AGBookRounded-Regular 4.26
+ l_____ AGBookRounded-Medium 4.27
+ l_____ AGBookRounded-Bold 4.28
+ l_____ AGBookRounded-MediumOutline 4.29
+ l_____ AGBookRounded-BoldOutline 4.30
+ l_____ AGBookRounded-BoldCn 4.31
+ l_____ AGBookRounded-BoldCnOutline 4.32
+ l_____ AGBook-Stencil 4.33
+ l_____ AGOldFace-Regular 4.34
+ l_____ AGOldFace-Medium 4.35
+ l_____ AGOldFace-Bold 4.36
+ l_____ AGOldFace-Outline 4.37
+ l_____ AGOldFace-BoldOutline 4.38
+ l_____ AGOldFace-Shaded 4.39
+ l_____ AGSchoolbook-Regular 4.40
+ l_____ AGSchoolbook-RegularA 4.41
+ l_____ AGSchoolbook-Medium 4.42
+ l_____ AGSchoolbook-MediumA 4.43
+ l_____ AlcuinEF-Light 5.0
+ l_____ AlcuinEF-Regular 5.1
+ l_____ AlcuinEF-Bold 5.2
+ l_____ AlcuinEF-ExtraBold 5.3
+ l_____ Aldus-Roman 6.0
+ l_____ Aldus-RomanSC 6.1
+ l_____ Aldus-Italic 6.2
+ l_____ Aldus-ItalicOsF 6.3
+ l_____ AleOrnamentsRotatoLL 7.0
+ l_____ AleOrnamentsSpiratoLL 7.1
+ l_____ AlexieLL 8.0
+ l_____ AlteSchwabacherEF 9.0
+ l_____ AlternateGothicEF-NoOne 10.0
+ l_____ AlternateGothicEF-NoTwo 10.1
+ l_____ AlternateGothicEF-NoThree 10.2
+ l_____ AmericanUncialEF 11.0
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+ l_____ Serifa-Roman 309.2
+ l_____ Serifa-Italic 309.3
+ l_____ Serifa-Bold 309.4
+ l_____ Serifa-Black 309.5
+ l_____ ShamrockEF 310.0
+ l_____ ShamrockEF-AlternateOne 310.1
+ l_____ ShamrockEF-AlternateTwo 310.2
+ l_____ Shannon-Book 311.0
+ l_____ Shannon-Oblique 311.1
+ l_____ Shannon-Bold 311.2
+ l_____ Shannon-ExtraBold 311.3
+ l_____ Shelley-AllegroScript 312.0
+ l_____ Shelley-AndanteScript 312.1
+ l_____ Shelley-VolanteScript 312.2
+ l_____ Sho-Roman 313.0
+ l_____ SinahRomanLL 314.0
+ l_____ SinahBoldLL 314.1
+ l_____ SinahBlackLL 314.2
+ l_____ SinaloaEF 315.0
+ l_____ SloganEF 316.0
+ l_____ Smaragd 317.0
+ l_____ Smaragd-Alternate 318.0
+ l_____ SnellRoundhand-Script 318.1
+ l_____ SnellRoundhand-BoldScript 318.2
+ l_____ SnellRoundhand-BlackScript 318.3
+ l_____ Sonata 319.0
+ l_____ SpartanClassified-Book 320.0
+ l_____ SpartanClassified-Heavy 320.1
+ l_____ SpectrumMT 321.0
+ l_____ SpectrumMT-SC 321.1
+ l_____ SpectrumMT-RomanExpert 321.2
+ l_____ SpectrumMT-Italic 321.3
+ l_____ SpectrumMT-ItalicOsF 321.4
+ l_____ SpectrumMT-ItalicExpert 321.5
+ l_____ SpectrumMT-SemiBold 321.6
+ l_____ SpectrumMT-SemiBoldOsF 321.7
+ l_____ SpectrumMT-SemiBoldExpert 321.8
+ l_____ SpiritEF-Light 322.0
+ l_____ SpiritEF-Regular 322.1
+ l_____ SpiritEF-Bold 322.2
+ l_____ Sprint 323.0
+ l_____ SquireEF-Regular 324.0
+ l_____ SquireEF-Bold 324.1
+ l_____ Stencil 325.0
+ l_____ StencilEF 325.1
+ l_____ Stop 326.0
+ l_____ StopEF 326.1
+ l_____ Studz 327.0
+ l_____ SuperstarEF-Shadow 328.0
+ l_____ SuperstarEF-Regular 328.1
+ l_____ SwiftEF-Light 329.0
+ l_____ SwiftEF-LightItalic 329.1
+ l_____ SwiftEF-Regular 329.2
+ l_____ SwiftSCEF-Regular 329.3
+ l_____ SwiftEF-RegularItalic 329.4
+ l_____ SwiftEF-Bold 329.5
+ l_____ SwiftEF-ExtraBold 329.6
+ l_____ SwiftEF-BoldCondensed 329.7
+ l_____ Syntax-Roman 331.0
+ l_____ Syntax-Italic 331.1
+ l_____ Syntax-Bold 331.2
+ l_____ Syntax-Black 331.3
+ l_____ Syntax-UtraBlack 331.4
+ l_____ TangoEF 332.0
+ l_____ TarragonEF 333.0
+ l_____ Tekton 334.0
+ l_____ Tekton-Oblique 334.1
+ l_____ Tekton-Bold 334.2
+ l_____ Tekton-BoldOblique 334.3
+ l_____ Tempo-HeavyCondensed 335.0
+ l_____ Tempo-HeavyCondensedItalic 335.1
+ l_____ ThorowgoodEF-Regular 336.0
+ l_____ ThorowgoodEF-RegularItalic 336.1
+ l_____ ThunderbirdEF-ExtraCondensed 337.0
+ l_____ ThunderbirdEF-Regular 337.1
+ l_____ TiloEF 338.0
+ l_____ TimelessEF-Light 339.0
+ l_____ TimelessEF-LightItalic 339.1
+ l_____ TimelessEF-Bold 339.2
+ l_____ TitusEF 340.0
+ l_____ Toolbox 341.0
+ l_____ TopographischeZahlentafel 342.0
+ l_____ Trajan-Regular 343.0
+ l_____ Trajan-Bold 343.1
+ l_____ TradeGothicLH-BoldExtended 343.2
+ l_____ TrumpMediaeval-Roman 346.0
+ l_____ TrumpMediaeval-RomanSC 346.1
+ l_____ TrumpMediaeval-Italic 346.2
+ l_____ TrumpMediaeval-ItalicOsF 346.3
+ l_____ TrumpMediaeval-Bold 346.4
+ l_____ TrumpMediaeval-BoldOsF 346.5
+ l_____ TrumpMediaeval-BoldItalic 346.6
+ l_____ TrumpMediaeval-BoldItalicOsF 346.7
+ l_____ Umbra 348.0
+ l_____ Univers-Light 349.0
+ l_____ Univers-LightOblique 349.1
+ l_____ Univers 349.2
+ l_____ Univers-Oblique 349.3
+ l_____ Univers-Bold 349.4
+ l_____ Univers-BoldOblique 349.5
+ l_____ Univers-Black 349.7
+ l_____ Univers-BlackOblique 349.8
+ l_____ Univers-ExtraBlack 349.9
+ l_____ Univers-ExtraBlackOblique 349.10
+ l_____ Univers-CondensedLight 349.11
+ l_____ Univers-CondensedLightOblique 349.12
+ l_____ Univers-Condensed 349.13
+ l_____ Univers-CondensedOblique 349.14
+ l_____ Univers-CondensedBold 349.15
+ l_____ Univers-CondensedBoldOblique 349.16
+ l_____ Univers-ThinUltraCondensed 349.17
+ l_____ Univers-LightUltraCondensedTwo 349.18
+ l_____ Univers-UltraCondensed 349.19
+ l_____ Univers-Extended 349.20
+ l_____ Univers-ExtendedObl 349.21
+ l_____ Univers-BoldExt 349.22
+ l_____ Univers-BoldExtObl 349.23
+ l_____ Univers-BlackExt 349.24
+ l_____ Univers-BlackExtObl 349.25
+ l_____ Univers-ExtraBlackExt 349.26
+ l_____ Univers-ExtraBlackExtObl 349.27
+ l_____ UniversCE-Light 349.28
+ l_____ UniversCE-LightOblique 349.29
+ l_____ UniversCE-Medium 349.30
+ l_____ UniversCE-Oblique 349.31
+ l_____ UniversCE-Bold 349.32
+ l_____ UniversCE-BoldOblique 349.33
+ l_____ UniversCE-Black 349.34
+ l_____ UniversCE-BlackOblique 349.35
+ lpi___ MathematicalPi-One 350.0
+ lpi___ MathematicalPi-Two 350.1
+ lpi___ MathematicalPi-Three 350.2
+ lpi___ MathematicalPi-Four 350.3
+ lpi___ MathematicalPi-Five 350.4
+ lpi___ MathematicalPi-Six 350.5
+ lpi___ Unversal-GreekwithMathPi 351.0
+ lpi___ MICR 351.1
+ lpi___ Unversal-NewswithCommPi 351.2
+ l_____ University-Roman 352.0
+ l_____ UniversityEF-Roman 352.1
+ l_____ UniversityEF-RomanItalic 352.2
+ l_____ UniversityEF-Bold 352.3
+ l_____ VAGRounded-Thin 353.0
+ l_____ VAGRounded-Light 353.1
+ l_____ VAGRounded-Bold 353.2
+ l_____ VAGRounded-Black 353.3
+ l_____ VAGRundschriftEF 353.4
+ l_____ VanDijkEF 354.0
+ l_____ VictorianEF 355.0
+ l_____ VivaldiEF 356.0
+ l_____ Walbaum-Roman 357.0
+ l_____ Walbaum-RomanSC 357.1
+ l_____ Walbaum-RomanOsF 357.2
+ l_____ Walbaum-Italic 357.3
+ l_____ Walbaum-ItalicOsF 357.4
+ l_____ Walbaum-Bold 357.5
+ l_____ Walbaum-BoldOsF 357.6
+ l_____ Walbaum-BoldItalic 357.7
+ l_____ Walbaum-BoldItalicOsF 357.8
+ l_____ WalbaumEF-Regular 357.9
+ l_____ WalbaumEF-RegularItalic 357.10
+ l_____ WalbaumEF-Medium 357.11
+ l_____ WalbaumEF-MediumItalic 357.12
+ l_____ WalbaumEF-Bold 357.13
+ l_____ WalbaumEF-BoldItalic 357.14
+ l_____ WalbaumBook-Regular 357.15
+ l_____ WalbaumBook-RegularSC 357.16
+ l_____ WalbaumBook-RegularExpert 357.17
+ l_____ WalbaumBook-Italic 357.18
+ l_____ WalbaumBook-ItalicOsF 357.19
+ l_____ WalbaumBook-ItalicExpert 357.20
+ l_____ WalbaumBook-Medium 357.21
+ l_____ WalbaumBook-MediumSC 357.22
+ l_____ WalbaumBook-MdExpert 357.23
+ l_____ WalbaumBook-MediumItalic 357.24
+ l_____ WalbaumBook-MdItalicOsF 357.25
+ l_____ WalbaumBook-MdItalicExpert 357.26
+ l_____ WalbaumBook-Bold 357.27
+ l_____ WalbaumBook-BoldOsF 357.28
+ l_____ WalbaumBook-BoldExpert 357.29
+ l_____ WalbaumBook-BoldItalic 357.30
+ l_____ WalbaumBook-BoldItalicOsF 357.31
+ l_____ WalbaumBook-BoldItalicExpert 357.32
+ l_____ WalbaumFrakturEF 357.33
+ l_____ WhyNotEF 358.0
+ l_____ WilhelmKlingsporGotisch 359.0
+ l_____ WilhelmKlingsporGotisch-Dfr 359.1
+ l_____ WindsorEF-Light 360.0
+ l_____ WindsorEF-Bold 360.1
+ l_____ WindsorEF-UltraHeavy 360.2
+ l_____ WindsorEF-BoldOutline 360.3
+ l_____ WindsorEF-LightCondensed 360.4
+ l_____ WindsorEF-ExtraBoldCondensed 360.5
+ l_____ WindsorEF-Elongated 360.6
+ ppi___ WoodtypeOrnaments-One 361.0
+ ppi___ WoodtypeOrnaments-Two 361.1
+ l_____ ZipperEF 363.0
+ l_____ BelshawEF 364.0
+ l_____ Belwe-Light 365.0
+ l_____ Belwe-Medium 365.1
+ l_____ Belwe-Bold 365.2
+ l_____ Belwe-Condensed 365.3
+ l_____ BelweEF-Light 365.4
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+ l_____ BelweEF-Medium 365.6
+ l_____ BelweEF-Bold 365.7
+ l_____ BelweEF-BoldCondensed 365.8
+ l_____ Bembo 366.0
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+ l_____ Bembo-ItalicOsF 366.4
+ l_____ Bembo-ItalicExpert 366.5
+ l_____ Bembo-Semibold 366.6
+ l_____ Bembo-SemiboldOsF 366.7
+ l_____ Bembo-SemiboldExpert 366.8
+ l_____ Bembo-SemiboldItalic 366.9
+ l_____ Bembo-SemiboldItalicOsF 366.10
+ l_____ Bembo-SemiboldItalicExpert 366.11
+ l_____ Bembo-Bold 366.12
+ l_____ Bembo-BoldOsF 366.13
+ l_____ Bembo-BoldExpert 366.14
+ l_____ Bembo-BoldItalic 366.15
+ l_____ Bembo-BoldItalicOsF 366.16
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+ l_____ Bembo-ExtraBoldOsF 366.19
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+ l_____ Bembo-ExtraBoldItalicOsF 366.22
+ l_____ Bembo-ExtraBoldItalicExpert 366.23
+ l_____ BerlinerGrotesk-Light 368.0
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+ l_____ BiffoMT 370.0
+ l_____ BigbandTerrazzo 371.1
+ l_____ Birch 372.0
+ l_____ BirdsEF 373.0
+ l_____ BlockBE-Regular 375.0
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+ l_____ BlockBE-Heavy 375.2
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+ l_____ BlockBE-ExtraCn 375.4
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+ l_____ BoberiaLL-Light 376.0
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+ l_____ Bodoni-Book 377.0
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+ l_____ Bodoni 377.2
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+ l_____ BodoniEF-Light 377.7
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+ l_____ BodoniEF-Bold 377.12
+ l_____ BodoniEF-DemiBoldIta 377.13
+ l_____ BodoniEF-BoldIta 377.14
+ l_____ BodoniEF-RegularCn 377.15
+ l_____ BodoniEF-RegularCnIta 377.16
+ l_____ BodoniEF-BoldCn 377.17
+ l_____ BodoniEF-DemiBoldCn 377.18
+ l_____ BodoniEF-BoldCnItalic 377.19
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+ l_____ BodoniEF-Black 377.21
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+ l_____ BodoniEF-Ultra 377.23
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+ l_____ BauerBodoni-Black 377.33
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+ l_____ BauerBodoni-BlackCond 377.36
+ l_____ BauerBodoniCE-Roman 377.37
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+ l_____ BauerBodoniCE-Bold 377.39
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+ l_____ BauerBodoniCE-BlackCondensed 377.44
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+ l_____ BauerBodoniEF-BoldItalic 377.50
+ l_____ BodoniBE-Light 377.51
+ l_____ BodoniBE-LightSC 377.52
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+ l_____ BodoniBE-LightItalic 377.54
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+ l_____ BodoniBE-LightItalicExpert 377.56
+ l_____ BodoniBE-Regular 377.57
+ l_____ BodoniBE-RegularSC 377.58
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+ l_____ BodoniBE-Italic 377.60
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+ l_____ BodoniBE-ItalicExp 377.62
+ l_____ BodoniBE-Medium 377.63
+ l_____ BodoniBE-MediumSC 377.64
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+ l_____ BodoniBE-Condensed 377.75
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+ l_____ BodoniBE-BoldCn 377.79
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+ l_____ Bodoni-Poster 377.81
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+ l_____ BodoniSixEF-Book 377.84
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+ l_____ BodoniSixEF-Bold 377.87
+ l_____ BodoniSixEF-BoldItalic 377.88
+ l_____ BodoniTwelveEF-Book 377.89
+ l_____ BodoniTwelveEF-BookSC 377.90
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+ l_____ BodoniTwelveEF-Bold 377.92
+ l_____ BodoniTwelveEF-BoldItalic 377.93
+ l_____ BodoniSeventytwoEF-Book 377.94
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+ l_____ BodoniSeventytwoEF-Bold 377.97
+ l_____ BodoniSeventytwoEF-BoldIta 377.98
+ l_____ BodoniOldFaceBE-Regular 377.99
+ l_____ BodoniOldFaceBE-RegularSC 377.100
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+ l_____ BodoniOldFaceBE-Italic 377.102
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+ l_____ BodoniOldFaceBE-Medium 377.105
+ l_____ BodoniOldFaceBE-MediumSC 377.106
+ l_____ BodoniOldFaceBE-MediumExp 377.107
+ l_____ BodoniOldFaceBE-MediumIt 377.108
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+ l_____ BodoniOldFaceBE-BoldItExp 377.116
+ l_____ BordeauxEF-Regular 378.0
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+ l_____ Boulevard 380.0
+ l_____ BritannicEF-ExtraLight 382.0
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+ l_____ BritannicEF-Bold 382.3
+ l_____ BritannicEF-Ultra 382.4
+ l_____ BrodyEF 383.0
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+ l_____ BrushScript 385.0
+ l_____ BrushScriptEF 385.1
+ l_____ BuxomEF 386.0
+ l_____ CabaretEF 387.0
+ l_____ CalvertMT-Light 389.0
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+ l_____ CalvertMT-Bold 389.2
+ l_____ CamelliaEF 390.0
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+ l_____ CandidaEF-MediumCondensed 391.7
+ l_____ CantoriaMT-Light 392.0
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+ l_____ CantoriaMT-Bold 392.6
+ l_____ CantoriaMT-BoldItalic 392.7
+ l_____ CantoriaMT-ExtraBold 392.8
+ l_____ CantoriaMT-ExtraBoldItalic 392.9
+ l_____ Carolina 393.0
+ l_____ Carolina-Dfr 393.1
+ l_____ Carta 394.0
+ l_____ CartoonScript-Roman 395.0
+ l_____ ACaslon-Regular 396.0
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+ l_____ ACaslon-Semibold 396.8
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+ l_____ CaslonFiveFourty-Roman 396.32
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+ l_____ CaslonFiveFourty-Italic 396.34
+ l_____ CaslonFiveFourty-ItalicOsF 396.35
+ l_____ CaslonOpenFace 396.36
+ l_____ CaslonFiveFourtyEF-Italic 396.37
+ l_____ CaslonBlackEF 396.38
+ l_____ CaslonAntiqueEF 396.39
+ l_____ CaslonGraphiqueEF 396.40
+ l_____ CaslonTwoTwentyFour-Book 396.41
+ l_____ CaslonTwoTwentyFour-BookIt 396.42
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+ l_____ CaslonTwoTwentyFour-MediumIt 396.44
+ l_____ CaslonTwoTwentyFour-Bold 396.45
+ l_____ CaslonTwoTwentyFour-BoldIt 396.46
+ l_____ CaslonTwoTwentyFour-Black 396.47
+ l_____ CaslonTwoTwentyFour-BlackIt 396.48
+ l_____ CaslonTwoTwentyFourEF-Book 396.49
+ l_____ CaslonTwoTwentyFourEF-BookIt 396.50
+ l_____ CaslonTwoTwentyFourEF-Medium 396.51
+ l_____ CaslonTwoTwentyFourEF-MediumIt 396.52
+ l_____ CaslonTwoTwentyFourEF-Bold 396.53
+ l_____ CaslonTwoTwentyFourEF-BoldI 396.54
+ l_____ CaslonTwoTwentyFourEF-Black 396.55
+ l_____ CaslonTwoTwentyFourEF-BlackIt 396.56
+ l_____ CaslonBookBE-Regular 396.57
+ l_____ CaslonBookBE-RegularSC 396.58
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+ l_____ CaslonBookBE-Italic 396.60
+ l_____ CaslonBookBE-ItalicOsF 396.61
+ l_____ CaslonBookBE-ItalicExp 396.62
+ l_____ CaslonBookBE-Medium 396.63
+ l_____ CaslonBookBE-MediumSC 396.64
+ l_____ CaslonBookBE-MediumExp 396.65
+ l_____ CaslonBookBE-Bold 396.66
+ l_____ CaslonBookBE-BoldOsF 396.67
+ l_____ CaslonBookBE-BoldExp 396.68
+ l_____ CastleEF-Light 397.0
+ l_____ CastleEF-Book 397.1
+ l_____ CastleEF-Bold 397.2
+ l_____ CastleEF-Ultra 397.3
+ l_____ Catull-Regular 398.0
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+ l_____ Catull-Medium 398.2
+ l_____ Catull-Bold 398.3
+ l_____ Caxton-Light 399.0
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+ l_____ Caxton-BookItalic 399.2
+ l_____ Caxton-Book 399.3
+ l_____ Caxton-Bold 399.4
+ l_____ Caxton-BoldItalic 399.5
+ l_____ CaxtonEF-Light 399.6
+ l_____ CaxtonEF-LightItalic 399.7
+ l_____ CaxtonEF-Book 399.8
+ l_____ CaxtonEF-BookItalic 399.9
+ l_____ CaxtonEF-Bold 399.10
+ l_____ CaxtonEF-BoldItalic 399.11
+ l_____ CaxtonEF-ExtraBold 399.12
+ l_____ CaxtonEF-ExtraBoldItalic 399.13
+ l_____ CaxtonEF-BoldCondensed 399.14
+ l_____ CaxtonEF-ExtraBoldCondensed 399.15
+ l_____ CentaurMT-Regular 400.0
+ l_____ CentaurMT-RegularSC 400.1
+ l_____ CentaurMT-RegularExpert 400.2
+ l_____ CentaurMT-Italic 400.3
+ l_____ CentaurMT-ItalicA 400.4
+ l_____ CentaurMT-ItalicAlternate 400.5
+ l_____ CentaurMT-ItalicOsF 400.6
+ l_____ CentaurMT-ItalicExpert 400.7
+ l_____ CentaurMT-Bold 400.8
+ l_____ CentaurMT-BoldOsF 400.9
+ l_____ CentaurMT-BoldExpert 400.10
+ l_____ CentaurMT-BoldItalic 400.11
+ l_____ CentaurMT-BoldItalicOsF 400.12
+ l_____ CentaurMT-BoldItalicExpert 400.13
+ l_____ CentaurMT-ItalicSwash 400.14
+ l_____ ChallengeEF-Bold 401.0
+ l_____ ChallengeEF-ExtraBold 401.1
+ l_____ Charme 402.0
+ l_____ Cheltenham-Light 403.0
+ l_____ Cheltenham-LightItalic 403.1
+ l_____ Cheltenham-Book 403.2
+ l_____ Cheltenham-BookItalic 403.3
+ l_____ Cheltenham-Bold 403.4
+ l_____ Cheltenham-BoldItalic 403.5
+ l_____ Cheltenham-Ultra 403.6
+ l_____ Cheltenham-UltraItalic 403.7
+ l_____ Cheltenham-LightCond 403.8
+ l_____ Cheltenham-LightCondItalic 403.9
+ l_____ Cheltenham-BookCond 403.10
+ l_____ Cheltenham-BookCondItalic 403.11
+ l_____ Cheltenham-BoldCond 403.12
+ l_____ Cheltenham-BoldCondItalic 403.13
+ l_____ Cheltenham-UltraCond 403.14
+ l_____ Cheltenham-UltraCondItalic 403.15
+ l_____ CheltenhamEF-Light 403.16
+ l_____ CheltenhamEF-LightItalic 403.17
+ l_____ CheltenhamEF-Book 403.18
+ l_____ CheltenhamEF-BookItalic 403.19
+ l_____ CheltenhamEF-Bold 403.20
+ l_____ CheltenhamEF-BoldItalic 403.21
+ l_____ CheltenhamEF-Ultra 403.22
+ l_____ CheltenhamEF-UltraItalic 403.23
+ l_____ CheltenhamHandtEF-Bold 403.24
+ l_____ CheltenhamHandtEF-BoldItalic 403.25
+ l_____ CheltenhamEF-LightCond 403.26
+ l_____ CheltenhamEF-LightCondItalic 403.27
+ l_____ CheltenhamEF-BookCond 403.28
+ l_____ CheltenhamEF-BookCondItalic 403.29
+ l_____ CheltenhamEF-BoldCond 403.30
+ l_____ CheltenhamEF-BoldCondItalic 403.31
+ l_____ CheltenhamEF-UltraCond 403.32
+ l_____ CheltenhamEF-UltraCondItalic 403.33
+ l_____ CheltenhamOldStyleEF 403.34
+ l_____ Cheq 404.0
+ l_____ ChiselEF 405.0
+ l_____ DigiGroteskNEF-Light 406.0
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+ l_____ DigiGroteskNEF-BoldCondens 406.3
+ l_____ DigiGroteskSEF-Light 406.4
+ l_____ DigiGroteskSEF-SemiBold 406.5
+ l_____ DomCasual 407.0
+ l_____ DomCasual-Bold 407.1
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+ l_____ DomEF-CasualBold 407.4
+ l_____ DomEF-DiagonalBold 407.5
+ l_____ DorchesterScriptMT 408.0
+ l_____ DynamoEF-Medium 409.0
+ l_____ DynamoEF-Bold 409.1
+ l_____ DynamoEF-BoldShadow 409.2
+ l_____ DynamoEF-BoldCondensed 409.3
+ l_____ EdisonEF-Book 410.0
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+ l_____ EdisonEF-SemiBold 410.2
+ l_____ EdisonEF-SemiBoldItalic 410.3
+ l_____ EdisonEF-BoldCondensed 410.4
+ l_____ EdwardianEF-Light 411.0
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+ l_____ EdwardianEF-Medium 411.2
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+ l_____ EdwardianEF-Bold 411.4
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+ l_____ EdwardianEF-ExtraBold 411.6
+ l_____ EdwardianEF-ExtraBoldIta 411.7
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+ l_____ EgyptianEF-BoldCondensed 414.0
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+ l_____ EgyptienneEF-MediumCond 415.0
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+ l_____ EhrhardtMT-SemiBold 416.2
+ l_____ EhrhardtMt-SemiBoldItalic 416.3
+ l_____ EirinnAsciiLL 417.0
+ l_____ EirinnGaelicLL 417.1
+ l_____ ElGreco 418.0
+ l_____ ElefontEF 419.0
+ l_____ EllingtonMT-Light 420.0
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+ l_____ EllingtonMT-Roman 420.2
+ l_____ EllingtonMT-Italic 420.3
+ l_____ EllingtonMT-Bold 420.4
+ l_____ EllingtonMT-BoldItalic 420.5
+ l_____ EllingtonMT-ExtraBold 420.6
+ l_____ EllingtonMT-ExtraBoldItalic 420.7
+ l_____ EnglishScriptEF-Regular 421.0
+ l_____ EnglishScriptEF-Bold 421.1
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+ l_____ Erbar-LightCondensed 422.0
+ l_____ Erbar-BoldCondensed 422.1
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+ l_____ EscorialEF 423.1
+ l_____ EthnoFontEF 424.0
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+ l_____ Eurostile-DemiOblique 425.3
+ l_____ Eurostile-Bold 425.4
+ l_____ Eurostile-BoldOblique 425.5
+ l_____ Eurostile-Condensed 425.6
+ l_____ Eurostile-BoldCondensed 425.7
+ l_____ Eurostile-ExtendedTwo 425.8
+ l_____ Eurostile-BoldExtendedTwo 425.9
+ l_____ EurostileEF-Regular 425.10
+ l_____ EurostileEF-Black 425.11
+ l_____ Excelsior 426.0
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+ l_____ Excelsior-Bold 426.2
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+ l_____ ExcelsiorCE-Bold 426.5
+ l_____ ExcelsiorCyr-Upright 426.6
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+ l_____ ExcelsiorCyr-Bold 426.8
+ l_____ ExcelsiorEastA-Roman 426.9
+ l_____ ExcelsiorEastA-Italic 426.10
+ l_____ ExcelsiorEastA-Bold 426.11
+ l_____ F2FAlLineato 427.0
+ l_____ F2FCZYKagoTrans 427.1
+ l_____ F2FEntebbe 427.2
+ l_____ F2FHogRoach 427.3
+ l_____ F2FMadZineFear 427.4
+ l_____ F2FMadZineWip 427.5
+ l_____ F2FMekkasoTomanik 427.6
+ l_____ F2FMetamorfosi 427.7
+ l_____ F2FOCRAlexcyzk 427.8
+ l_____ F2FPixmix 427.9
+ l_____ F2FPoisonFlowers 427.10
+ l_____ F2FProvinciali 427.11
+ l_____ F2FSimbolico 427.12
+ l_____ F2FTechLand 427.13
+ l_____ F2FWhaleTreeRnd 427.14
+ l_____ F2FZakGlobe 427.15
+ l_____ Falstaff-Regular 428.0
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+ l_____ FetteFrakturEF 429.2
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+ l_____ Folio-Light 432.0
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+ l_____ FolioEF-ExtraCondensed 432.6
+ l_____ Formata-Light 435.0
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+ l_____ Formata-Outline 435.16
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+ l_____ Formata-LightCnSC 435.18
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+ l_____ Formata-LightCnItalicSC 435.21
+ l_____ Formata-LightCnItalicExpert 435.22
+ l_____ Formata-Condensed 435.23
+ l_____ Formata-CondensedOutline 435.24
+ l_____ Formata-CondensedSC 435.25
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+ l_____ Formata-CnItalicSC 435.28
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+ l_____ ZapfInternationalEF-Light 458.23
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+ l_____ ZapfInternationalEF-DemiIta 458.28
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+ l_____ ZapfInternationalEF-HeavyIta 458.30
+ l_____ AudioLH-Pi 459.0
+ l_____ EECLH-Pi 460.0
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+ l_____ Lucida 463.0
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+ l_____ LucidaMath-Symbol 463.8
+ l_____ LucidaMath-Extension 463.9
+ l_____ LucidaMath-Italic 463.10
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+ l_____ Pax 9501.383
+ l_____ Pax-SemiBoldItalic 9501.384
+ l_____ Pax-SemiBold 9501.385
+ l_____ PaxCond-SC 9501.386
+ l_____ PaxCond-BoldItalic 9501.387
+ l_____ PaxCond-Bold 9501.388
+ l_____ PaxCond-Italic 9501.389
+ l_____ PaxCond 9501.390
+ l_____ Pax-SC 9501.391
+ l_____ Pax-Italic 9501.392
+ l_____ Pax-BoldItalic 9501.393
+ l_____ Pax-Bold 9501.394
+ l_____ PaxTwo 9501.395
+ l_____ PaxTwo-Italic 9501.396
+ l_____ PaxTwo-Bold 9501.397
+ l_____ PaxTwo-SemiBold 9501.398
+ l_____ PaxTwo-SC 9501.399
+ l_____ PaxTwo-SemiBoldItalic 9501.400
+ l_____ PaxTwo-BoldItalic 9501.401
+ l_____ Persona 9501.402
+ l_____ Pierrot 9501.403
+ l_____ Ragnar 9501.406
+ l_____ Ragnar-SC 9501.407
+ l_____ Ragnar-SemiBoldItalic 9501.408
+ l_____ Ragnar-Bold 9501.409
+ l_____ Ragnar-BoldItalic 9501.410
+ l_____ Ragnar-SemiBold 9501.411
+ l_____ Ragnar-Italic 9501.412
+ l_____ ResPublicaCond 9501.413
+ l_____ ResPublica-Italic 9501.414
+ l_____ ResPublica-BoldItalic 9501.415
+ l_____ ResPublica-SC 9501.416
+ l_____ ResPublica-Bold 9501.417
+ l_____ ResPublica 9501.418
+ l_____ ResPublicaCond-Italic 9501.419
+ l_____ ResPublica-SemiBoldItalic 9501.420
+ l_____ ResPublica-SemiBold 9501.421
+ l_____ RevueCE 9501.422
+ l_____ Rustika 9501.423
+ l_____ Rustika-Bold 9501.424
+ l_____ Rustika-BoldItalic 9501.425
+ l_____ Rustika-Italic 9501.426
+ l_____ Rustika-SC 9501.427
+ l_____ SabonCE-Roman 9501.428
+ l_____ SabonCE-Italic 9501.429
+ l_____ SabonCE-BoldItalic 9501.430
+ l_____ SabonCyr-Bold 9501.431
+ l_____ SabonGreek-Roman 9501.432
+ l_____ SabonGreek-Bold 9501.433
+ l_____ SabonGreek-BoldItalic 9501.434
+ l_____ SabonGreek-Italic 9501.435
+ l_____ SabonCyr-Italic 9501.436
+ l_____ SabonCyr-Roman 9501.437
+ l_____ SabonCE-Bold 9501.438
+ l_____ SabonCyr-BoldItalic 9501.439
+ l_____ Saga 9501.440
+ l_____ Saga-BoldItalic 9501.441
+ l_____ Saga-SemiBold 9501.442
+ l_____ Saga-SemiBoldItalic 9501.443
+ l_____ Saga-SC 9501.444
+ l_____ Saga-Bold 9501.445
+ l_____ Saga-Italic 9501.446
+ l_____ Linotype SallweyScript 9501.447
+ l_____ SanMarcoCyr 9501.448
+ l_____ Saphir 9501.449
+ l_____ Semper 9501.456
+ l_____ Semper-Italic 9501.457
+ l_____ Semper-BoldItalic 9501.458
+ l_____ Semper-SC 9501.459
+ l_____ Semper-Bold 9501.460
+ l_____ Shuriken-Boy 9501.461
+ l_____ LinotypeSpitz-Light 9501.462
+ l_____ LinotypeSpitz-Book 9501.463
+ l_____ LinotypeSpitz-Black 9501.464
+ l_____ LinotypeSpitz-Bold 9501.465
+ l_____ LinotypeSpitz-Medium 9501.466
+ l_____ StencilCyr 9501.467
+ l_____ Tiemann-Light 9501.468
+ l_____ Tiemann-Roman 9501.469
+ l_____ Trajanus-Roman 9501.470
+ l_____ Trajanus-Black 9501.471
+ l_____ Trajanus-BlackItalic 9501.472
+ l_____ Trajanus-BoldItalic 9501.473
+ l_____ Trajanus-Italic 9501.474
+ l_____ Trajanus-Bold 9501.475
+ l_____ Transport 9501.476
+ l_____ Transport-BoldItalic 9501.477
+ l_____ Transport-Light 9501.478
+ l_____ Transport-LightItalic 9501.479
+ l_____ Transport-SC 9501.480
+ l_____ Transport-LightSC 9501.481
+ l_____ Transport-Bold 9501.482
+ l_____ Transport-Italic 9501.483
+ l_____ UniversCyr-Light 9501.484
+ l_____ UniversCyr-LightOblique 9501.485
+ l_____ UniversCyr 9501.486
+ l_____ UniversCyr-Oblique 9501.487
+ l_____ UniversCyr-Bold 9501.488
+ l_____ UniversCyr-BoldOblique 9501.489
+ l_____ UniversCyr-Black 9501.490
+ l_____ UniversCyr-BlackOblique 9501.491
+ l_____ UniversityRomanCE 9501.492
+ l_____ UniversityCyr-Roman 9501.493
+ l_____ Vega 9501.494
+ l_____ Vega-Bold 9501.495
+ l_____ Vega-SemiBold 9501.496
+ l_____ Vega-SC 9501.497
+ l_____ Vega-SemiBoldItalic 9501.498
+ l_____ Vega-BoldItalic 9501.499
+ l_____ Vega-Italic 9501.500
+ l_____ WiesbadenSwingCyr-Roman 9501.501
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Long-naming-scheme.html b/Master/texmf-dist/doc/fontname/Long-naming-scheme.html
new file mode 100644
index 00000000000..08a230c771a
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Long-naming-scheme.html
@@ -0,0 +1,72 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Long%20naming%20scheme">Long naming scheme</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Name-mapping-file.html#Name%20mapping%20file">Name mapping file</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Long-names.html#Long%20names">Long names</a>
+<hr><br>
+</div>
+
+<h3 class="section">A naming scheme for long names</h3>
+
+<p>Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+<pre class="example"> <var>supplier</var>-<var>family</var>-<var>weight</var>-<var>variants</var>-<var>width</var>-<var>encoding</var>--<var>size</var>
+ </pre>
+
+ <p><var>supplier</var> is the usual <code>Adobe</code>, <code>Autologic</code>, etc., as
+well as <code>unknown</code> or <code>bizarre</code>--this last meaning the rest of
+the name is nonstandard. If the <var>supplier</var> is missing, i.e., the
+name starts with a <code>-</code>, "public domain" is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good <var>supplier</var>.
+
+ <p><var>family</var> is <code>ComputerModern</code> or <code>Times</code> or whatever.
+
+ <p>Everything else is optional. The <code>--</code> before the <var>size</var> lets
+one specify a name with, say, a weight and variants, but then skip the
+<var>width</var> and <var>encoding</var>, but still be able to
+give a size.
+
+ <p><var>weight</var> and <var>width</var> are as described earlier.
+
+ <p>If there is more than one variant, they are separated with some
+character other than <code>-</code>, say <code>=</code>:
+<pre class="example"> B+H-Lucida-Bold-Sans=Typewriter--10
+ </pre>
+
+ <p><var>encoding</var> is what Metafont calls the
+<code>font_coding_scheme</code>--the layout of the characters in the font.
+For example, <code>Cork</code> or <code>ISOLatin1</code> or <code>AdobeAlternate</code>.
+
+ <p>Names are case-sensitive, for consistency with the rest of TeX and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for TeX to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+ <p>Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+<code>Times-Roman</code>.
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Monotype-fonts.html b/Master/texmf-dist/doc/fontname/Monotype-fonts.html
new file mode 100644
index 00000000000..fc532920517
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Monotype-fonts.html
@@ -0,0 +1,1272 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Monotype%20fonts">Monotype fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="URW-fonts.html#URW%20fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Monotype fonts</h3>
+
+<p>The <code>monotype.map</code> file has abbreviations for Monotype fonts.
+
+<pre class="example">
+
+ mapr8x ApolloMT-Expert MT 1001 ezexp___
+ maprc8a ApolloMT-SC MT 1001 ezi_____
+ mapri8x ApolloMT-ItalicExpert MT 1001 eziof___
+ mapri8a ApolloMT-Italic MT 1001 ezixp___
+ mapr8a ApolloMT MT 1001 ezr_____
+ maprij8a ApolloMT-ItalicOsF MT 1001 ezrsc___
+ maps8a ApolloMT-SemiBold MT 1001 ezsb____
+ mapsj8a ApolloMT-SemiBoldOsF MT 1001 ezsbo___
+ maps8x ApolloMT-SemiBoldExpert MT 1001 ezsbx___
+ mnrrw8a NewBerolinaMT MT 1002 _n______
+ mp1rw8a PalaceScriptMT MT 1002 _p______
+ mp1sw8a PalaceScriptMT-SemiBold MT 1002 _psb____
+ mahrw8a AshleyScriptMT MT 1002 le______
+ mm1rw8a MonolineScriptMT MT 1002 on______
+ mbvr8a BaskervilleMT MT 1003 bas_____
+ mbvb8a BaskervilleMT-Bold MT 1003 basb____
+ mbvbi8a BaskervilleMT-BoldItalic MT 1003 basbi___
+ mbvri8a BaskervilleMT-Italic MT 1003 basi____
+ mbvs8a BaskervilleMT-SemiBold MT 1003 bass____
+ mbvsi8a BaskervilleMT-SemiBoldItalic MT 1003 bassi___
+ mbbr8a Bembo MT 1004 bm______
+ mbbb8a Bembo-Bold MT 1004 bmb_____
+ mbbbi8a Bembo-BoldItalic MT 1004 bmbi____
+ mbbri8a Bembo-Italic MT 1004 bmi_____
+ mbbx8a Bembo-ExtraBold MT 1005 bmeb____
+ mbbxi8a Bembo-ExtraBoldItalic MT 1005 bmebi___
+ mbbs8a Bembo-SemiBold MT 1005 bmsb____
+ mbbsi8a Bembo-SemiBoldItalic MT 1005 bmsbi___
+ mdsrw8a DorchesterScriptMT MT 1006 dsscr___
+ mp2rw8a PepitaMT MT 1006 epscr___
+ mbfrw8a BiffoMT MT 1006 ifscr___
+ mswbw8a SwingMT-Bold MT 1006 swib____
+ ms2bw8a ScriptMT-Bold MT 1006 tbscr___
+ mb1ri8a BladoMT-Italic MT 1007 blai____
+ mpzr8a PoliphilusMT MT 1007 pol_____
+ mvdr8a VanDijckMT MT 1007 van_____
+ mvdri8a VanDijckMT-Italic MT 1007 vani____
+ mbdr8a BodoniMT MT 1008 bod_____
+ mbdb8a BodoniMT-Bold MT 1008 bodb____
+ mbdbi8a BodoniMT-BoldItalic MT 1008 bodbi___
+ mbdri8a BodoniMT-Italic MT 1008 bodi____
+ mbdu8a BodoniMT-UltraBold MT 1009 bodu____
+ mbdui8a BodoniMT-UltraBoldItalic MT 1009 bodui___
+ mbdk8a BodoniMT-Book MT 1009 bodw____
+ mbdki8a BodoniMT-BookItalic MT 1009 bodwi___
+ moxr8a OnyxMT MT 1009 ox______
+ mbdb8ac BodoniMT-CondensedBold MT 1010 bodc____
+ mbdbi8ac BodoniMT-CondensedBoldItalic MT 1010 bodci___
+ mbdc8a BodoniMT-Black MT 1010 bodk____
+ mbdci8a BodoniMT-BlackItalic MT 1010 bodki___
+ mb3r8a BraggadocioMT MT 1011 bra_____
+ mfir8a FigaroMT MT 1011 fig_____
+ mfer8a ForteMT MT 1011 for_____
+ mklr8a KlangMT MT 1011 kla_____
+ mc8b8a CalvertMT-Bold MT 1012 vtb_____
+ mc8l8a CalvertMT-Light MT 1012 vtl_____
+ mc8r8a CalvertMT MT 1012 vtrg____
+ mcnb8a CenturyMT-Bold MT 1013 cenb____
+ mcnbi8a CenturyMT-BoldItalic MT 1013 cenbi___
+ mcnb8ax CenturyMT-Expanded MT 1013 cenx____
+ mcnbi8ax CenturyMT-ExpandedItalic MT 1013 cenxi___
+ mcubi8a CenturyOSMT-BoldItalic MT 1015 cobi____
+ mcur8a CenturyOSMT MT 1015 cos_____
+ mcub8a CenturyOSMT-Bold MT 1015 cosb____
+ mcuri8a CenturyOSMT-Italic MT 1015 cosi____
+ mcdr8a ClarendonMT MT 1016 cld_____
+ meer8a EgyptianMT-Extended MT 1016 egyex___
+ mnnr8a NewClarendonMT MT 1016 ncl_____
+ mnnb8a NewClarendonMT-Bold MT 1016 nclb____
+ mc6r8a ClarionMT MT 1017 cla_____
+ mc6b8a ClarionMT-Bold MT 1017 clab____
+ mc6ri8a ClarionMT-Italic MT 1017 clai____
+ mcfb8a ClearfaceMT-Bold MT 1018 cleb____
+ mcfbs8a ClearfaceGothicMT-Bold MT 1018 clgb____
+ mcfds8a ClearfaceGothicMT-DemiBold MT 1018 clgdb___
+ mcrr8a12 CourierTwelveMT MT 1019 cot_____
+ mtyre8a TypewriterEliteMT MT 1019 tye_____
+ mtyrg8a TypewriterGothicMT MT 1019 tyg_____
+ mtyr8a TypewriterMT MT 1019 typ_____
+ metr8a EhrhardtMT MT 1020 ehr_____
+ metri8a EhrhardtMT-Italic MT 1020 ehri____
+ mets8a EhrhardtMT-SemiBold MT 1020 ehrs____
+ metsi8a EhrhardtMT-SemiBoldItalic MT 1020 ehrsi___
+ menr8a EngraversMT MT 1021 eng_____
+ menb8a EngraversMT-Bold MT 1021 engb____
+ menrf8a EngraversOldEnglishMT MT 1021 engoe___
+ mfsra8a FalstaffMT MT 1022 fprg____
+ mhdr8a HeadlineMT-Bold MT 1022 head____
+ mpdr8ac PlacardMT-Condensed MT 1022 plcc____
+ mpdb8ac PlacardMT-CondensedBold MT 1022 plccb___
+ mgmr8a GaramondMT MT 1023 gar_____
+ mgmb8a GaramondMT-Bold MT 1023 garb____
+ mgmbi8a GaramondMT-BoldItalic MT 1023 garbi___
+ mgmri8a GaramondMT-Italic MT 1023 gari____
+ mgmria8a GaramondMT-AlternativeItalic MT 1023 garit___
+ mgsr8a GillSans MT 1024 gn______
+ mgsb8a GillSans-Bold MT 1024 gnb_____
+ mgsbi8a GillSans-BoldItalic MT 1024 gnbi____
+ mgsri8a GillSans-Italic MT 1024 gni_____
+ mgsl8a GillSans-Light MT 1024 gnl_____
+ mgsli8a GillSans-LightItalic MT 1024 gnli____
+ mgsb8ac GillSans-BoldCondensed MT 1025 gnbc____
+ mgsr8ac GillSans-Condensed MT 1025 gnc_____
+ mgsx8a GillSans-ExtraBold MT 1025 gneb____
+ mgsu8a GillSans-UltraBold MT 1025 gnub____
+ mgsu8ac GillSans-UltraBoldCondensed MT 1025 gnubc___
+ mgrb8a GloucesMT-Bold MT 1026 glb_____
+ mgrb8ac GloucesMT-CondBold MT 1026 glcb____
+ mgrb8ax GloucesMT-ExtendedBold MT 1026 gleb____
+ mgrb8aq GloucesMT-ExtraCondensedBold MT 1026 glecb___
+ mgrr8a GloucesOldStyleMT MT 1026 glos____
+ mg5r8a GoudyCatalogueMT MT 1027 goc_____
+ mg5ri8a GoudyCatalogueMT-Italic MT 1027 goci____
+ mgor8a GoudyOldStyleMT MT 1027 gos_____
+ mgori8a GoudyOldStyleMT-Italic MT 1027 gosi____
+ mgyb8a GoudyMT-Bold MT 1027 goub____
+ mgybi8a GoudyMT-BoldItalic MT 1027 goubi___
+ mg4r8a GoudyModernMT MT 1028 gom_____
+ mg4ri8a GoudyModernMT-Italic MT 1028 gomi____
+ mgyx8a GoudyMT-ExtraBold MT 1028 goueb___
+ mgtr8a GoudyTextMT MT 1028 goutx___
+ mgqr8a GrotesqueMT MT 1029 gq______
+ mgqc8a GrotesqueMT-Black MT 1029 gqb_____
+ mgqb8a GrotesqueMT-Bold MT 1029 gqbl____
+ mgqri8a GrotesqueMT-Italic MT 1029 gqi_____
+ mgql8a GrotesqueMT-Light MT 1029 gql_____
+ mgqli8a GrotesqueMT-LightItalic MT 1029 gqli____
+ mgqc8a GrotesqueMT-Black MT 1030 gqbl____
+ mgqb8ax GrotesqueMT-BoldExtended MT 1030 gqbv____
+ mgqr8ac GrotesqueMT-Condensed MT 1030 gqc_____
+ mgqr8aq GrotesqueMT-ExtraCondensed MT 1030 gqec____
+ mgql8ac GrotesqueMT-LightCondensed MT 1030 gqlc____
+ miir8a ImprintMT MT 1032 im______
+ miib8a ImprintMT-Bold MT 1032 imb_____
+ miibi8a ImprintMT-BoldItalic MT 1032 imbi____
+ miiri8a ImprintMT-Italic MT 1032 imi_____
+ mifr8a InflexMT MT 1033 iqb_____
+ moer8a OldEnglishTextMT MT 1033 mbbou___
+ mosbl8a MonotOldStyleMT-BoldOutline MT 1033 old_____
+ mior8a IonicMT MT 1034 ion_____
+ miob8a IonicMT-Bold MT 1034 ionb____
+ miori8a IonicMT-Italic MT 1034 ioni____
+ misb8a ItalianOldStyleMT-Bold MT 1035 ieb_____
+ misbi8a ItalianOldStyleMT-BoldItalic MT 1035 iebi____
+ misri8a ItalianOldStyleMT-Italic MT 1035 iei_____
+ misr8a ItalianOldStyleMT MT 1035 ierg____
+ mmob8a ModernMT-Bold MT 1036 nmb_____
+ mmobi8a ModernMT-BoldItalic MT 1036 nmbi____
+ mmor8ax ModernMT-Extended MT 1036 nmex____
+ mmori8ax ModernMT-ExtendedItalic MT 1036 nmexi___
+ mnpr8a NewsPlantinMT MT 1038 npl_____
+ mnpb8a NewsPlantinMT-Bold MT 1038 nplb____
+ mnpbi8a NewsPlantinMT-BoldItalic MT 1038 nplbi___
+ mnpri8a NewsPlantinMT-Italic MT 1038 npli____
+ mosr8a OldStyleMT MT 1039 ost_____
+ mosb8a OldStyleMT-Bold MT 1039 ostb____
+ mosbi8a OldStyleMT-BoldItalic MT 1039 ostbi___
+ mosri8a OldStyleMT-Italic MT 1039 osti____
+ mpnr8a Plantin MT 1040 pl______
+ mpnb8a Plantin-Bold MT 1040 plb_____
+ mpnbi8a Plantin-BoldItalic MT 1040 plbi____
+ mpnri8a Plantin-Italic MT 1040 pli_____
+ mpnb8ac Plantin-BoldCondensed MT 1041 plbc____
+ mpnl8a Plantin-Light MT 1041 pll_____
+ mpnli8a Plantin-LightItalic MT 1041 plli____
+ mpns8a Plantin-SemiBold MT 1041 plsb____
+ mpnsi8a Plantin-SemiBoldItalic MT 1041 plsbi___
+ mrwr8a Rockwell MT 1042 rk______
+ mrwb8a Rockwell-Bold MT 1042 rkb_____
+ mrwbi8a Rockwell-BoldItalic MT 1042 rkbi____
+ mrwri8a Rockwell-Italic MT 1042 rki_____
+ mrwl8a Rockwell-Light MT 1042 rkl_____
+ mrwli8a Rockwell-LightItalic MT 1042 rkli____
+ mrwb8ac Rockwell-BoldCondensed MT 1043 rkbc____
+ mrwr8ac Rockwell-Condensed MT 1043 rkc_____
+ mrwx8a Rockwell-ExtraBold MT 1043 rkeb____
+ msbr8a SabonMT MT 1044 sab_____
+ msbri8a SabonMT-Italic MT 1044 sabi____
+ msbs8a SabonMT-SemiBold MT 1044 sabs____
+ msbsi8a SabonMT-SemiBoldItalic MT 1044 sabsi___
+ mntr8a TimesNRMT MT 1046 tim_____
+ mntb8a TimesNRMT-Bold MT 1046 timb____
+ mntbi8a TimesNRMT-BoldItalic MT 1046 timbi___
+ mntri8a TimesNRMT-Italic MT 1046 timi____
+ mntx8a TimesNRMT-ExtraBold MT 1047 timeb___
+ mnts8a TimesNRMT-SemiBold MT 1047 tims____
+ mntsi8a TimesNRMT-SemiBoldItalic MT 1047 timsi___
+ mntb8ac TimesNewRomanMT-BoldCond MT 1048 mtbc____
+ mntr8ac TimesNewRomanMT-Cond MT 1048 mtc_____
+ mntri8ac TimesNewRomanMT-CondItalic MT 1048 mtci____
+ mtwb8a TwCenMT-Bold MT 1049 tcb_____
+ mtwbi8a TwCenMT-BoldItalic MT 1049 tcbi____
+ mtwl8a TwCenMT-Light MT 1049 tcl_____
+ mtwli8a TwCenMT-LightItalic MT 1049 tcli____
+ mtwm8a TwCenMT-Medium MT 1049 tcm_____
+ mtwmi8a TwCenMT-MediumItalic MT 1049 tcmi____
+ mtwb8ac TwCenMT-CondensedBold MT 1050 tccb____
+ mtwm8ac TwCenMT-CondensedMedium MT 1050 tccm____
+ mtws8a TwCenMT-SemiBold MT 1050 tcsb____
+ mtwsm8a TwCenMT-SemiMedium MT 1050 tcsm____
+ mtwx8ac TwCenMT-CondensedExtraBold MT 1051 tcceb___
+ mtwu8ac TwCenMT-CondensedUltraBold MT 1051 tccub___
+ mtwxi8a TwCenMT-ExtraBoldItalic MT 1051 tcebi___
+ mtwu8a TwCenMT-UltraBold MT 1051 tcub____
+ mtwui8a TwCenMT-UltraBoldItalic MT 1051 tcubi___
+ mtwx8a TwCenMT-ExtraBold MT 1051 tweb____
+ mwbr8a WalbaumMT MT 1052 wl______
+ mwbri8a WalbaumMT-Italic MT 1052 wli_____
+ mwbm8a WalbaumMT-Medium MT 1052 wlm_____
+ mwbmi8a WalbaumMT-MediumItalic MT 1052 wlmi____
+ mnsb8a TimesNewRomanPS-Bold MT 1053 mtb_____
+ mnsbi8a TimesNewRomanPS-BoldItalic MT 1053 mtbi____
+ mnsri8a TimesNewRomanPS-Italic MT 1053 mti_____
+ mnsr8a TimesNewRomanPS MT 1053 mtr_____
+ ma1r8a ArialMT MT 1054 ari_____
+ ma1b8a ArialMT-Bold MT 1054 ariab___
+ ma1bi8a ArialMT-BoldItalic MT 1054 aribi___
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+ mpi207 DiamondNegative MT 1343 dineg___
+ mf2r8ac FacadeMT-Condensed MT 1343 fac_____
+ mfsra8a FalstaffFestivalMT MT 1343 falfe___
+ mg4r8a GoudyModernMT-Bold MT 1344 gomb____
+ mg4ri8a GoudyModernMT-BoldItalic MT 1344 gombi___
+ mgyrp GoudySortsMT MT 1344 gous____
+ mpi303 BonApetit MT 1345 bonap___
+ mpi306 Holidays MT 1345 holid___
+ mpi308 KeystrokesMT MT 1345 keya____
+ mpi307 KeystrokesExtrasMT MT 1345 keyb____
+ mpi323 KeystrokesShadowMT MT 1345 keyc____
+ mpi322 KeystrokesShadowExtrasMT MT 1345 keyd____
+ mpi309 Melodies MT 1345 melod___
+ mpi312 MonkeyBusiness MT 1345 monke___
+ mpi315 Parties MT 1345 parti___
+ mpi320 SignsMT MT 1345 sig_____
+ mpi108 SportsThreeMT MT 1345 sport___
+ mpi302 AquaLifeMT MT 1346 aqua____
+ mpi304 DinosaursMT MT 1346 dino____
+ mpi305 FrontierMT MT 1346 frnt____
+ mpi310 MilestonesOneMT MT 1346 milea___
+ mpi311 MilestonesTwoMT MT 1346 mileb___
+ mpi314 NatureMT MT 1346 nat_____
+ mpi208 OvalFrameMT MT 1346 ovaa____
+ mpi209 OvalFrameNegativeMT MT 1346 ovab____
+ mpi319 PlaytimeMT MT 1346 play____
+ mpi109 SportsFourMT MT 1346 sporfm__
+ mpi321 SouthwestOrnamentsMT MT 1346 sworna__
+ ma1rt8a ArialMonospacedMT MT 1347 arm_____
+ ma1bt8a ArialMonospacedMT-Bold MT 1347 armb____
+ ma1bot8a ArialMonospacedMT-BoldObliq MT 1347 armbo___
+ ma1rot8a ArialMonospacedMT-Oblique MT 1347 armo____
+ mpwr8ac PerrywoodMT-Condensed MT 1348 pwc_____
+ mpwb8ac PerrywoodMT-BoldCondensed MT 1348 pwcb____
+ mpwbi8ac PerrywoodMT-BoldItalicCon MT 1348 pwcbi___
+ mpwri8ac PerrywoodMT-ItalicCondensed MT 1348 pwci____
+ mpwx8ac PerrywoodMT-ExtraBoldCon MT 1349 pwce____
+ mpwxi8ac PerrywoodMT-ExtraBoldItaCon MT 1349 pwcei___
+ mpwl8ac PerrywoodMT-LightCondensed MT 1349 pwcl____
+ mpwli8ac PerrywoodMT-LightItalicCon MT 1349 pwcli___
+ mpws8ac PerrywoodMT-SemiBoldCon MT 1349 pwcs____
+ mpwsi8ac PerrywoodMT-SemiBoldItaCon MT 1349 pwcsi___
+ mpwr8ax PerrywoodMT-Expanded MT 1350 pwe_____
+ mpwb8ax PerrywoodMT-BoldExpanded MT 1350 pweb____
+ mpwbi8ax PerrywoodMT-BoldItalicExp MT 1350 pwebi___
+ mpwri8ax PerrywoodMT-ItalicExpanded MT 1350 pwei____
+ mpwx8ax PerrywoodMT-ExtraBoldExp MT 1351 pwee____
+ mpwxi8ax PerrywoodMT-ExtraBoldItaExp MT 1351 pweei___
+ mpwl8ax PerrywoodMT-LightExpanded MT 1351 pwel____
+ mpwli8ax PerrywoodMT-LightItalicExp MT 1351 pweli___
+ mpws8ax PerrywoodMT-SemiBoldExp MT 1351 pwes____
+ mpwsi8ax PerrywoodMT-SemiBoldItaExp MT 1351 pwesi___
+ mgsr8a GillSansCyrMT MT 1356 gcy_____
+ mgsb8a GillSansCyrMT-Bold MT 1356 gcyb____
+ mgsbi8a GillSansCyrMT-BoldInclined MT 1356 gcybi___
+ mgsri8a GillSansCyrMT-Inclined MT 1356 gcyi____
+ mgsl8a GillSansCyrMT-Light MT 1356 gcyl____
+ mgsli8a GillSansCyrMT-LightIncl MT 1356 gcyli___
+ mhob8a HorleyOldStyleMT-Bold MT 1357 hsb_____
+ mhobi8a HorleyOldStyleMT-BoldItalic MT 1357 hsbi____
+ mhori8a HorleyOldStyleMT-Italic MT 1357 hsi_____
+ mhol8a HorleyOldStyleMT-Light MT 1357 hsl_____
+ mholi8a HorleyOldStyleMT-LightItalic MT 1357 hsli____
+ mhor8a HorleyOldStyleMT MT 1357 hsrg____
+ mhosi8a HorleyOldStyleMT-SbItalic MT 1357 hssb____
+ mhos8a HorleyOldStyleMT-SemiBold MT 1357 hssbi___
+ m_____ GillFloriatedCapsMT MT 1363 gilf____
+ m_____ GillFloriatedCapsMT-Alt MT 1363 gilfa___
+ m_____ MonotypeGallia MT 1364 gall____
+ mbwr8a MonotypeBroadway MT 1365 broa____
+ mbwre8a MonotypeBroadway-Engraved MT 1365 broae___
+ m_____ CurlzMT-Regular MT 1367 crl_____
+ m_____ KidprintMT-Regular MT 1368 kidp____
+ m_____ KidprintMT-Bold MT 1368 kidpb___
+ mgsbij8a GillSans-BoldItalicOsF MT 1369 gnbio___
+ mgsbc8a GillSans-BoldSC MT 1369 gnbsc___
+ mgsrij8a GillSans-ItalicOsF MT 1369 gnio____
+ mgslij8a GillSans-LightItalicOsF MT 1369 gnlio___
+ mgslc8a GillSans-LightSC MT 1369 gnlsc___
+ mgsrc8a GillSans-SC MT 1369 gnsc____
+ mcrb8a CourierLD-Bold MT 1371 cldb____
+ mcrbi8a CourierLD-BoldItalic MT 1371 cldbi___
+ mcrri8a CourierLD-Italic MT 1371 cldi____
+ mcrr8a CourierLD-Regular MT 1371 cldr____
+ mgshij8a GillSans-HeavyItalicOsF MT 1372 gnhio___
+ mgshc8a GillSans-HeavySC MT 1372 gnhsc___
+ mgskij8a GillSans-BookItalicOsF MT 1372 gnwio___
+ mgskc8a GillSans-BookSC MT 1372 gnwsc___
+ m_____ GillFaciaMT-Italic MT 1373 gfai____
+ m_____ GillFaciaMT-ItalicAlt MT 1373 gfaia___
+ m_____ GillFaciaMT-ItalicDisplay MT 1373 gfaid___
+ m_____ GillFaciaMT-Regular MT 1373 gfar____
+ m_____ GillFaciaMT-RegularAlt MT 1373 gfara___
+ m_____ GillFaciaMT-RegularDisplay MT 1373 gfard___
+ m_____ GillFaciaMT-ItDisplayAlt MT 1373 gfida___
+ m_____ GillFaciaMT-RegDisplayAlt MT 1373 gfrda___
+ mngr8a NewsGothicMT MT 1374 nwg_____
+ mngb8a NewsGothicMT-Bold MT 1374 nwgb____
+ mngb8a NewsGothicMT-BoldItalic MT 1374 nwgbi___
+ mngri8a NewsGothicMT-Italic MT 1374 nwgi____
+ m_____ AlbertinaMT-Bold MT 1378 abb_____
+ m_____ AlbertinaMT-BoldItalic MT 1378 abbi____
+ m_____ AlbertinaMT-BoldItalicOsF MT 1378 abbio___
+ m_____ AlbertinaMT-BoldItalicSC MT 1378 abbis___
+ m_____ AlbertinaMT-BoldOsF MT 1378 abbos___
+ m_____ AlbertinaMT-BoldSC MT 1378 abbsc___
+ m_____ AlbertinaMT-Italic MT 1378 abi_____
+ m_____ AlbertinaMT-ItalicOsF MT 1378 abios___
+ m_____ AlbertinaMT-ItalicSC MT 1378 abisc___
+ m_____ AlbertinaMT-Medium MT 1378 abm_____
+ m_____ AlbertinaMT-MediumItalic MT 1378 abmi____
+ m_____ AlbertinaMT-MediumItalicOsF MT 1378 abmio___
+ m_____ AlbertinaMT-MediumItalicSC MT 1378 abmis___
+ m_____ AlbertinaMT-MediumOsF MT 1378 abmos___
+ m_____ AlbertinaMT-MediumSC MT 1378 abmsc___
+ m_____ AlbertinaMT-Regular MT 1378 abr_____
+ m_____ AlbertinaMT-RegularOsF MT 1378 abros___
+ m_____ AlbertinaMT-RegularSC MT 1378 abrsc___
+ mngr__ NewsGothicCE MT 1379 ngu_____
+ mngb__ NewsGothicCE-Bold MT 1379 ngub____
+ mngbi__ NewsGothicCE-BoldItalic MT 1379 ngubi___
+ mngri__ NewsGothicCE-Italic MT 1379 ngui____
+ mngrk NewsGothicGre MT 1380 ngg_____
+ mngbk NewsGothicGre-Bold MT 1380 nggb____
+ mngbik NewsGothicGre-BoldInclined MT 1380 nggbi___
+ mngrik NewsGothicGre-Inclined MT 1380 nggi____
+ mngrz NewsGothicCyr MT 1381 ngc_____
+ mngbz NewsGothicCyr-Bold MT 1381 ngcb____
+ mngbiz NewsGothicCyr-BoldInclined MT 1381 ngcbi___
+ mngriz NewsGothicCyr-Inclined MT 1381 ngci____
+ m_____ BuffaloGalMT MT 1382 bufg____
+ mrwr__ RockwellTur MT 1383 rkt_____
+ mrwb__ RockwellTur-Bold MT 1383 rktb____
+ mrwbi__ RockwellTur-BoldItalic MT 1383 rktbi___
+ mrwri__ RockwellTur-Italic MT 1383 rkti____
+ mrwl__ RockwellTur-Light MT 1383 rktl____
+ mrwli__ RockwellTur-LightItalic MT 1383 rktli___
+ mrwr__ RockwellCE MT 1383 rku_____
+ mrwb__ RockwellCE-Bold MT 1383 rkub____
+ mrwbi__ RockwellCE-BoldItalic MT 1383 rkubi___
+ mrwri__ RockwellCE-Italic MT 1383 rkui____
+ mrwl__ RockwellCE-Light MT 1383 rkul____
+ mrwli__ RockwellCE-LightItalic MT 1383 rkuli___
+ mo4bij8a OceanSansMT-BoldItalicOsF MT 1397 oebio___
+ mo4bic8a OceanSansMT-BoldItalicSC MT 1397 oebis___
+ mo4bj8a OceanSansMT-BoldOsF MT 1397 oebo____
+ mo4bc8a OceanSansMT-BoldSC MT 1397 oebs____
+ mo4kij8a OceanSansMT-BookItalicOsF MT 1397 oekio___
+ mo4kic8a OceanSansMT-BookItalicSC MT 1397 oekis___
+ mo4kj8a OceanSansMT-BookOsF MT 1397 oeko____
+ mo4kc8a OceanSansMT-BookSC MT 1397 oeks____
+ mo4lij8a OceanSansMT-LightItalicOsF MT 1398 oelio___
+ mo4lic8a OceanSansMT-LightItalicSC MT 1398 oelis___
+ mo4lj8a OceanSansMT-LightOsF MT 1398 oelo____
+ mo4lc8a OceanSansMT-LightSC MT 1398 oels____
+ mo4sij8a OceanSansMT-SemiBoldItaOsF MT 1398 oesio___
+ mo4sic8a OceanSansMT-SemiBoldItaSC MT 1398 oesis___
+ mo4sj8a OceanSansMT-SemiBoldOsF MT 1398 oeso____
+ mo4sc8a OceanSansMT-SemiBoldSC MT 1398 oess____
+ mo4xij8a OceanSansMT-ExtraBoldItaOsF MT 1398 oexio___
+ mo4xic8a OceanSansMT-ExtraBoldItaSC MT 1398 oexis___
+ mo4xj8a OceanSansMT-ExtraBoldOsF MT 1398 oexo____
+ mo4xc8a OceanSansMT-ExtraBoldSC MT 1398 oexs____
+ mgmrz GaramondCyrMT-Regular MT 1401 gac_____
+ mgmbz GaramondCyrMT-Bold MT 1401 gacb____
+ mgmriz GaramondCyrMT-Inclined MT 1401 gaci____
+ mgmrk GaramondDualGreekMT-Regular MT 1402 gad_____
+ mgmbk GaramondDualGreekMT-Bold MT 1402 gadb____
+ mgmrik GaramondDualGreekMT-Incl MT 1402 gadi____
+ mgmr__ GaramondCEMT-Regular MT 1403 gae_____
+ mgmb__ GaramondCEMT-Bold MT 1403 gaeb____
+ mgmri__ GaramondCEMT-Italic MT 1403 gaei____
+ mgmr__ GaramondTurMT-Regular MT 1403 gat_____
+ mgmb__ GaramondTurMT-Bold MT 1403 gatb____
+ mgmri__ GaramondTurMT-Italic MT 1403 gati____
+ mngr8ac NewsGothicMT-Condensed MT 1451 ngoc____
+ mngb8ac NewsGothicMT-CondensedBold MT 1451 ngocb___
+ m_____ MahsuriSansMT-Bold MT 1454 msb_____
+ m_____ MahsuriSansMT-BoldItalic MT 1454 msbi____
+ m_____ MahsuriSansMT-BoldItalicOsF MT 1454 msbio___
+ m_____ MahsuriSansMT-BoldOsF MT 1454 msbo____
+ m_____ MahsuriSansMT-Italic MT 1454 msi_____
+ m_____ MahsuriSansMT-ItalicOsF MT 1454 msio____
+ m_____ MahsuriSansMT-Light MT 1454 msl_____
+ m_____ MahsuriSansMT-LightItalic MT 1454 msli____
+ m_____ MahsuriSansMT-LightItalicOsF MT 1454 mslio___
+ m_____ MahsuriSansMT-LightOsF MT 1454 mslo____
+ m_____ MahsuriSansMT-Regular MT 1454 msr_____
+ m_____ MahsuriSansMT-RegularOsF MT 1454 msro____
+ m_____ MahsuriSansMT-ExtraBold MT 1454 msx_____
+ m_____ MahsuriSansMT-ExtraBoldItalic MT 1454 msxi____
+ m_____ MahsuriSansMT-ExtBoldItaOsF MT 1454 msxio___
+ m_____ MahsuriSansMT-ExtraBoldOsF MT 1454 msxo____
+ mu0r8a ColumbusMT MT 1492 cu______
+ mu0b8a ColumbusMTBold MT 1492 cub_____
+ mu0bi8a ColumbusMTBoldItalic MT 1492 cubi____
+ mu0ri8a ColumbusMTItalic MT 1492 cui_____
+ mu0s8a ColumbusMTSemiBold MT 1492 cus_____
+ mu0si8a ColumbusMTSemiBoldItalic MT 1492 cusi____
+ mpi001 ArabesqueOrnamentsOneMT ornaments
+ mpi002 ArabesqueOrnamentsTwoMT ditto
+ mpi003 ArabesqueOrnamentsThreeMT ditto
+ mpi004 RococoOrnamentsOneMT ornaments
+ mpi005 RococoOrnamentsTwoMT ditto
+ mpi006 RococoOrnamentsThreeMT ditto
+ mpi007 ChristmasOrnamentsMT-One ornaments
+ mpi008 ChristmasOrnamentsMT-Two ditto
+ mpi009 ChristmasOrnamentsMT-Three ditto
+ mpi010 ChristmasOrnamentsMT-Four ditto
+ mpi011 ChristmasOrnamentsMT-Five ditto
+ mpi012 ChristmasOrnamentsMT-Six ditto
+ mpi013 ContemporaryOrnMT-One ornaments
+ mpi014 ContemporaryOrnMT-Two ditto
+ mpi015 ContemporaryOrnMT-Three ditto
+ mpi016 ContemporaryOrnMT-Four ditto
+ mpi017 ContemporaryOrnMT-Five ditto
+ mpi101 AlmanacMT zodiac
+ mpi102 BotanicalMT flowers
+ mpi103 DirectionsMT arrows &amp; pointers
+ mpi104 SportsOneMT sports
+ mpi105 SportsTwoMT ditto
+ mpi106 TransportMT signs
+ mpi107 VacationMT signs
+ mpi108 SportsThreeMT sports
+ mpi109 SportsFourMT ditto
+ mpi201 CircleFrameMT circled numerals
+ mpi202 CircleFrameNegMT ditto
+ mpi203 SquareFrameMT squared numerals
+ mpi204 SquareFrameNegMT ditto
+ mpi205 DiamondBodoni bullets &amp; markers
+ mpi206 DiamondPositive ditto
+ mpi207 DiamondNegative ditto
+ mpi208 OvalFrameMT circled numerals
+ mpi209 OvalFrameNegativeMT ditto
+ mpi300 Giddyup-ThangsMT cowboys &amp; indians
+ mpi301 PetrucchioMT ???
+ mpi302 AquaLifeMT fish
+ mpi303 BonApetit food
+ mpi304 DinosaursMT dinosaurs
+ mpi305 FrontierMT cowboys &amp; indians
+ mpi306 Holidays greeting cards
+ mpi307 KeystrokesExtrasMT keyboards
+ mpi308 KeystrokesMT ditto
+ mpi309 Melodies musical instruments
+ mpi310 MilestonesOneMT clip art
+ mpi311 MilestonesTwoMT ditto
+ mpi312 MonkeyBusiness animals
+ mpi313 MonotypeSorts dingbats
+ mpi314 NatureMT animals
+ mpi315 Parties clip art
+ mpi316 BingoMT clip art
+ mpi317 BongoMT clip art
+ mpi318 PieMT food &amp; drinks
+ mpi319 PlaytimeMT toys
+ mpi320 SignsMT signs
+ mpi321 SouthwestOrnamentsMT geometric ornaments
+ mpi322 KeystrokesShadowExtrasMT keyboards
+ mpi323 KeystrokesShadowMT ditto
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Name-mapping-file.html b/Master/texmf-dist/doc/fontname/Name-mapping-file.html
new file mode 100644
index 00000000000..0142a0fc119
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Name-mapping-file.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Name%20mapping%20file">Name mapping file</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Long-naming-scheme.html#Long%20naming%20scheme">Long naming scheme</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Long-names.html#Long%20names">Long names</a>
+<hr><br>
+</div>
+
+<h3 class="section">A fontname mapping file</h3>
+
+<p>At the moment, most implementations of TeX look up a TFM file (as
+part of the <code>\font</code> command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in <em>another</em> file (or set of files), which
+specifies the actual filename, the fontname given in the TeX source
+file could be almost anything at all, of any length.
+
+ <p>In version 5.851d of Web2c, I implemented this mapping file. Each file
+<code>texfonts.map</code> in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+TeX name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+<code>%</code> and continue to the end of the line.
+
+ <p>Besides allowing long names, this sort of mapping file has other
+benefits. TeX source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+ <p>Incidentally, Professor Knuth has approved this as a legitimate
+"system-dependent" extension; a TeX with such a feature can still
+be called "TeX".
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/References.html b/Master/texmf-dist/doc/fontname/References.html
new file mode 100644
index 00000000000..19bb42876fa
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/References.html
@@ -0,0 +1,66 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="References">References</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="History.html#History">History</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Introduction.html#Introduction">Introduction</a>
+<hr><br>
+</div>
+
+<h3 class="section">References</h3>
+
+<p>Related files and distributions:
+
+ <ul>
+<li>The TeX Directory Structure (TDS) standard, available at
+(<a href="ftp://tug.org/tex/tds">ftp://tug.org/tex/tds</a> and <code></code><var>CTAN:</var><code>/tds</code>)
+specifies a directory tree for all TeX library files. The directory
+names given in <a href="Suppliers.html#Suppliers">Suppliers</a> and <a href="Typefaces.html#Typefaces">Typefaces</a> are intended to mesh
+with that standard.
+
+ <li>The <code>modes.mf</code> file (<a href="ftp://tug.org/tex/modes.mf">ftp://tug.org/tex/modes.mf</a>)
+contains recommended mode names to use as directory names.
+
+ <li>The PSfonts distribution (<code></code><var>CTAN:</var><code>/fonts/psfonts</code>) contains
+TeX support for many fonts, both commercially available and free.
+
+ <li>The Fontinst distribution (<code></code><var>CTAN:</var><code>/fonts/utilities/psfonts</code>)
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+ <li>The Dvips translator (original at
+<a href="ftp://labrea.stanford.edu/pub/dvips*.tar.gz">ftp://labrea.stanford.edu/pub/dvips*.tar.gz</a> and variation at
+<a href="ftp://tug.org/tex/dvipsk.tar.gz">ftp://tug.org/tex/dvipsk.tar.gz</a>) supports resident and
+downloadable PostScript fonts. Dvips was the first real application of
+Fontname 1. Dvips also includes Afm2tfm, another program that can
+create virtual fonts.
+
+ <li>The Dviljk processor (<a href="ftp://tug.org/tex/dviljk.tar.gz">ftp://tug.org/tex/dviljk.tar.gz</a>)
+contains TeX support for the fonts built into the LaserJet 4.
+
+ <li>`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+ </ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Standard-PostScript-fonts.html b/Master/texmf-dist/doc/fontname/Standard-PostScript-fonts.html
new file mode 100644
index 00000000000..9ccb926452e
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Standard-PostScript-fonts.html
@@ -0,0 +1,108 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Standard%20PostScript%20fonts">Standard PostScript fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Standard PostScript fonts</h3>
+
+<p>Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as <code>8a</code> for the Adobe <code>StandardEncoding</code>, is
+omitted.
+
+ <dl>
+<dt><code>pagk</code>
+ <dd> <code>AvantGarde-Book</code>
+<br><dt><code>pagko</code>
+ <dd> <code>AvantGarde-BookOblique</code>
+<br><dt><code>pagd</code>
+ <dd> <code>AvantGarde-Demi</code>
+<br><dt><code>pagdo</code>
+ <dd> <code>AvantGarde-DemiOblique</code>
+<br><dt><code>pbkd</code>
+ <dd> <code>Bookman-Demi</code>
+<br><dt><code>pbkdi</code>
+ <dd> <code>Bookman-DemiItalic</code>
+<br><dt><code>pbkl</code>
+ <dd> <code>Bookman-Light</code>
+<br><dt><code>pbkli</code>
+ <dd> <code>Bookman-LightItalic</code>
+<br><dt><code>pcrb</code>
+ <dd> <code>Courier-Bold</code>
+<br><dt><code>pcrbo</code>
+ <dd> <code>Courier-BoldOblique</code>
+<br><dt><code>pcrr</code>
+ <dd> <code>Courier</code>
+<br><dt><code>pcrro</code>
+ <dd> <code>Courier-Oblique</code>
+<br><dt><code>phvb</code>
+ <dd> <code>Helvetica-Bold</code>
+<br><dt><code>phvbo</code>
+ <dd> <code>Helvetica-BoldOblique</code>
+<br><dt><code>phvbrn</code>
+ <dd> <code>Helvetica-NarrowBold</code>
+<br><dt><code>phvbon</code>
+ <dd> <code>Helvetica-NarrowBoldOblique</code>
+<br><dt><code>phvr</code>
+ <dd> <code>Helvetica</code>
+<br><dt><code>phvro</code>
+ <dd> <code>Helvetica-Oblique</code>
+<br><dt><code>phvrrn</code>
+ <dd> <code>Helvetica-Narrow</code>
+<br><dt><code>phvron</code>
+ <dd> <code>Helvetica-NarrowOblique</code>
+<br><dt><code>pncb</code>
+ <dd> <code>NewCenturySchlbk-Bold</code>
+<br><dt><code>pncbi</code>
+ <dd> <code>NewCenturySchlbk-BoldItalic</code>
+<br><dt><code>pncri</code>
+ <dd> <code>NewCenturySchlbk-Italic</code>
+<br><dt><code>pncr</code>
+ <dd> <code>NewCenturySchlbk-Roman</code>
+<br><dt><code>pplb</code>
+ <dd> <code>Palatino-Bold</code>
+<br><dt><code>pplbi</code>
+ <dd> <code>Palatino-BoldItalic</code>
+<br><dt><code>pplri</code>
+ <dd> <code>Palatino-Italic</code>
+<br><dt><code>pplr</code>
+ <dd> <code>Palatino-Roman</code>
+<br><dt><code>psyr</code>
+ <dd> <code>Symbol</code>
+<br><dt><code>ptmb</code>
+ <dd> <code>Times-Bold</code>
+<br><dt><code>ptmbi</code>
+ <dd> <code>Times-BoldItalic</code>
+<br><dt><code>ptmri</code>
+ <dd> <code>Times-Italic</code>
+<br><dt><code>ptmr</code>
+ <dd> <code>Times-Roman</code>
+<br><dt><code>pzcmi</code>
+ <dd> <code>ZapfChancery-MediumItalic</code>
+<br><dt><code>pzdr</code>
+ <dd> <code>ZapfDingbats</code>
+</dl>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Suppliers.html b/Master/texmf-dist/doc/fontname/Suppliers.html
new file mode 100644
index 00000000000..d1e246911bb
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Suppliers.html
@@ -0,0 +1,98 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Suppliers">Suppliers</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Typefaces.html#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Suppliers</h3>
+
+<p>The <dfn>supplier</dfn> is the source of a font, typically a (digital) type
+foundry.
+
+ <p>You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with <code>p</code>.
+This is because font resellers typically make modifications to the
+original design.
+
+ <p>Notes on specific suppliers:
+
+ <dl>
+<dt><code>f</code>
+ <dd>For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+ <br><dt><code>r</code>
+ <dd>obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use <code>r</code>. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+ <br><dt><code>z</code>
+ <dd>for fonts that just don't fit well into the naming scheme. The <code>z</code>
+should be followed by the real supplier letter.
+</dl>
+
+ <p>Here is the table from the file <code>supplier.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+<pre class="example">
+
+ 0 fontfont FontFont
+ 5 softmake Softmaker
+ 9 unknown
+ a autologi Autologic
+ b bitstrea Bitstream
+ c cg Compugraphic
+ d dtc Digital Typeface Corporation
+ e apple Apple
+ f public small foundries
+ g gnu Free Software Foundation
+ h bh Bigelow &amp; Holmes
+ i itc International Typeface Corporation
+ j microsft Microsoft
+ k softkey SoftKey
+ l linotype Linotype
+ m monotype Monotype
+ n ibm IBM
+ o corel Corel
+ p adobe Adobe (<code>p</code> for PostScript)
+ r - raw (for [obsolete] use with virtual fonts)
+ s sun Storm Type
+ t paragrap ParaGraph
+ u urw URW
+ w wolfram Wolfram
+ z - bizarre (fontname is nonstandard)
+ - autofont Eddie Kohler's <tt>autofont</tt> program
+ - jknappen Joerg Knappen
+ - mnm Hong Feng, free software in China
+ - yandy Y&amp;Y
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Typefaces.html b/Master/texmf-dist/doc/fontname/Typefaces.html
new file mode 100644
index 00000000000..8eb541fec57
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Typefaces.html
@@ -0,0 +1,694 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Typefaces">Typefaces</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Weights.html#Weights">Weights</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Suppliers.html#Suppliers">Suppliers</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Typefaces</h3>
+
+<p>For our purposes, a <dfn>typeface</dfn> is a collection of related fonts.
+
+ <p>We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+ <p>Notes on specific typefaces:
+
+ <dl>
+<dt><code>ad</code>
+ <dd><dt><code>gm</code>
+ <dd>To explain a common confusion: <code>ad</code> is Adobe Garamond (with a
+<code>FontName</code> of <code>AGaramond</code>). This is quite different from the
+<code>Garamond</code> typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No. 3 (<code>f3</code>), Simoncini Garamond
+(<code>ig</code>), and Stempel Garamond (<code>eg</code>) are still other
+variations on the Garamond theme.)
+
+ <br><dt><code>lh</code>
+ <dd><dt><code>ls</code>
+ <dd><dt><code>lx</code>
+ <dd><dt><code>r1</code>
+ <dd>These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. See <a href="Variants.html#Variants">Variants</a>. Ideally, they would not exist.
+
+ <br><dt><code>ns</code>
+ <dd><dt><code>nt</code>
+ <dd><dt><code>tm</code>
+ <dd>Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has <code>Times</code>, <code>TimesNewRoman</code>, and
+<code>TimesNewRomanPS</code>. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's <code>Times</code>, Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+ <br><dt><code>pi</code>
+ <dd>For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, <code>pi</code>, an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, <code>mpi001r</code>. Pi font <code>001</code> for one
+supplier has nothing to do with pi font <code>001</code> for another.
+</dl>
+
+ <p>Here is the table, from the file <code>typeface.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript <code>FontName</code>s
+and/or a comment in roman. The <code>FontName</code> may be preceded by a
+letter <var>s</var> and a <code>:</code>, as in <code>b:Dutch</code>. In that case, the
+<var>s</var> is a supplier abbreviation, and we've used that abbreviation for
+the given <code>FontName</code> from that supplier.
+
+<pre class="example">
+
+ a1 arial Arial
+ a2 amasis Amasis
+ a3 adlib AdLib
+ a4 altgoth2 AlternateGothicNo2
+ a5 allegro Allegro
+ a6 amelia Amelia
+ a7 amertext AmericanText
+ a8 aurora Aurora
+ a9 adsans Adsans b:Humanist970BT
+ aa aachen Aachen
+ ab aboeckli ArnoldBoecklin
+ ac acaslon ACaslon Adobe Caslon
+ ad agaramon AGaramond Adobe Garamond
+ ae andalemo AndaleMono
+ ag avantgar AvantGarde m:MAvantGardeGothicPS u:URWGothicL
+ ah ashleysc AshleyScript
+ ai abadi Abadi
+ aj ajenson AJenson
+ ak arkona Arkona
+ al albertus Albertus b:Flareserif821BT
+ am amercana Americana b:Americana
+ an anna Anna
+ ao atqolive AntiqueOlive b:Incised901BT
+ ap apollo Apollo
+ aq antiqua Antiqua u:URWAntiqua m:BookAntiqua
+ ar arcadia Arcadia
+ as aldus Aldus
+ at atypewri AmericanTypewriter
+ au auriol Auriol b:Freeform721
+ av avenir Avenir
+ ax alexa Alexa
+ az azdzgrot AkzidenzGrotesk b:Gothic725BT
+ b0 blackoak Blackoak
+ b1 blado Blado
+ b2 binnyos BinnyOldStyle
+ b3 braggado Braggadocio
+ b4 bison Bison b:Brush738BT
+ b5 binghams BinghamScript b:Freehand591BT
+ b6 block Block b:Gothic821
+ b7 bernhard Bernhard BernhardModern
+ b8 blippo Blippo
+ b9 bremen Bremen
+ ba barmeno Barmeno
+ bb bembo Bembo b:Aldine401BT
+ bc banco Banco
+ bd bodoni Bodoni
+ be bell Bell
+ bf biffo Biffo
+ bg benguiat Benguiat
+ bh bauhaus Bauhaus
+ bi birch Birch
+ bj birka Birka
+ bk bookman Bookman m:MBookmanPS u:URWBookmanL
+ bl belwe Belwe
+ bm bulmer Bulmer
+ bn bernard Bernard
+ bo balloon Balloon
+ bp bodocamp BodoniCampanile b:Modern735
+ br berling Berling b:Revival565BT
+ bs bakersig BakerSignet
+ bt boton Boton
+ bu brush BrushScript
+ bv baskervi Baskerville
+ bw broadway Broadway
+ by berkeley Berkeley
+ bz balzano Balzano
+ c0 carolina Carolina
+ c1 calisto Calisto
+ c2 casln224 CaslonTwoTwentyFour
+ c3 caslon3 CaslonThree
+ c4 chicago Chicago
+ c5 casln540 CaslonFiveForty
+ c6 clarion Clarion
+ c7 compacta Compacta
+ c8 calvert Calvert
+ c9 codex Codex b:Calligraphic421BT
+ ca caslon Caslon
+ cb cooper Cooper
+ cc cascade Cascade b:Freehand471BT
+ cd clarendo Clarendon
+ ce centenni Centennial
+ cf clearfac Clearface
+ cg charlema Charlemagne
+ ch charter Charter
+ ci candida Candida
+ ck caslonbe CaslonBookBE
+ cl cloister Cloister
+ cm cm Computer Modern
+ cn century Century
+ co cochin Cochin
+ cp copperpl Copperplate
+ cq cheq Cheq
+ cr courier Courier m:MCourierPS m:CourierTwelveMT u:NumbusMonL
+ cs cntursbk CenturySchoolbook
+ ct cheltenh Cheltenham
+ cu centuros CenturyOldStyle
+ cv clairvx Clairvaux
+ cw cottonwd Cottonwood
+ cx caxton Caxton
+ cy city City b:SquareSlabserif711BT
+ cz choc Choc b:Staccato555BT
+ d0 davida DavidaBold
+ dc domcasl Dom DomCasual DomDiagonal
+ dd ducberry DucDeBerry
+ de dellarob DellaRobbia
+ di diotima Diotima b:Calligraphic810BT
+ dj delta Delta
+ dk diskus Diskus
+ dl dolores Dolores
+ dm delima Delima
+ do didot DidotLH
+ dr doric Doric
+ ds dorchesc DorchesterScript
+ dt dante Dante
+ dy academy Academy
+ e0 embassy Embassy
+ e1 empire Empire
+ e2 metatwo Meta2
+ ea electra Electra b:Transitional521BT
+ eb baskerbe BaskervilleBE
+ ec applecha e:AppleChancery
+ ee egyptian Egyptian EgyptianExtended
+ ef egyptien EgyptienneF
+ eg stgaramo StempelGaramond b:OriginalGaramondBT
+ eh engsft Engschrift
+ ei esprit Esprit
+ ek eckmann Eckmann b:Freeform710
+ el ellingtn Ellington
+ en engraver Engravers
+ eo amerigo Amerigo b:AmerigoBT
+ er eras Eras
+ es eurostil Eurostile b:Square721BT k:Minima
+ et ehrhardt Ehrhardt
+ eu euler Euler
+ ex exclsior Excelsior
+ f0 flemishs FlemishScript
+ f1 fournier Fournier
+ f2 facade Facade
+ f3 festival Festival
+ f4 footligh Footlight
+ f5 french FrenchScript
+ fa formata Formata
+ fe forte Forte
+ ff fairfld Fairfield b:Transitional551BT
+ fg frankgth FranklinGothic
+ fi figaro Figaro
+ fl flora Flora
+ fn fenice Fenice
+ fo folio Folio
+ fq frizquad FrizQuadrata
+ fr frutiger Frutiger b:Humanist777BT
+ fs falstaff Falstaff
+ ft fettefrk FetteFraktur Fraktur
+ fu futura Futura
+ fx felixttl FelixTitling
+ fy flyer Flyer
+ g0 gando Gando
+ g1 gothic13 GothicThirteen
+ g2 giddyup Giddyup
+ g3 garamon3 GaramondThree b:AmericanGaramondBT Garamond No. 3
+ g4 gymodern GoudyModern
+ g5 gycatalg GoudyCatalogue
+ g6 gorilla GorillaITC
+ g9 ugaramon GaramondRetrospective
+ ga gillsana GillSana
+ gb gothicbb GothicBBB
+ ge geneva e:Geneva
+ gg garthgra GarthGraphic
+ gh galahad Galahad
+ gi georgia Georgia
+ gj granjon Granjon b:ElegantGaramondBT
+ gl galliard Galliard
+ gm garamond Garamond
+ go gyoldsty GoudyOldStyle
+ gp glypha Glypha
+ gq grotesq Grotesque u:URWGrotesk
+ gr gloucest Gloucester
+ gs gillsans GillSans m:GillAltOneMT b:Humanist521BT
+ gt goudytxt GoudyText
+ gu guardi Guardi
+ gv giovanni Giovanni
+ gy goudy Goudy
+ gz gazette GazetteLH
+ h0 handelgo HandelGothic
+ ha hadriano Hadriano
+ hb hobo Hobo Tramp
+ hc herculnm Herculanum
+ hd headline Headline
+ hg hiroshig Hiroshige
+ hh highland Highlander
+ hi hvinsera HelveticaInserat b:Swiss921BT
+ hm charme Charme
+ hn hvneue HelveticaNeue
+ ho horleyos HorleyOldStyle
+ hr hvround HelveticaRounded
+ hs hnseati Hanseatic B:Swiss924BT
+ ht hoeflert e:HoeflerText
+ hv helvetic Helvetica u:NimbusSans u:NumbusSanL b:Swiss721BT b:Monospace821BT b:Swiss911BT d:Sans Newton n:SonoranSansSerif
+ hw schadow Schadow
+ hx huxleyvr HuxleyVertical
+ i0 commscr CommercialScript
+ i1 impress Impress
+ i2 impuls Impuls
+ i3 imperial Imperial
+ ia insignia Insignia
+ ib ibycus Ibycus
+ ic impact Impact
+ id isadora Isadora
+ if inflex Inflex
+ ig scgaramo SimonciniGaramond b:ItalianGaramond
+ ii imprint Imprint
+ il caecilia Caecilia
+ im imago Imago
+ in industri Industria
+ io ionic Ionic b:News701BT
+ ip impressm Impressum
+ is italnos ItalianOldStyle
+ it italia Italia
+ iw ironwood Ironwood
+ iy iowanold IowanOldStyle
+ iz isabella Isabella
+ jf jeffersn Jefferson b:Freehand575BT
+ jn janson Janson
+ jo joanna Joanna
+ jp juniper Juniper
+ kb kabel Kabel
+ kg bankgoth BankGothic
+ kl klang Klang
+ kn kino Kino
+ ko bookmano BookmanOldStyle
+ kp kepler Kepler
+ kr korinna Korinna
+ ks kuenstsc KuenstlerScript
+ ku kaufmann Kaufmann
+ kw kolo Kolo
+ kx kigali Kigali
+ l1 liberty Liberty
+ l2 libra Libra
+ l3 lucia Lucia
+ l4 lucian Lucian
+ l5 baltica Baltica
+ l6 literatu Literaturnaya
+ l7 luxiseri LuxiSerif
+ l8 luxisans LuxiSans
+ l9 luximono LuxiMono
+ lb lubaling LubalinGraph
+ lc lucida Lucida
+ le legacy Legacy
+ lf life Life
+ lg lettrgth LetterGothic ISILGothic
+ lh lubright LucidaBright
+ li latin Latin
+ ll linolett LinoLetter
+ ln lino Lino
+ lo lithos Lithos
+ ls lucsans LucidaSans
+ lt lutetia Lutetia
+ lw leawood Leawood
+ lx lucidfax LucidaFax
+ ly lydian Lydian
+ m0 monospac Monospace
+ m1 monolisc MonolineScript
+ m2 metro Metro b:Geometric415BT
+ m3 mirarae Mirarae
+ m4 mrearl MisterEarl
+ m5 murrayhl MurrayHill
+ m6 mittlsft Mittelschrift
+ m7 matura Matura
+ m8 monotyos MonotypeOldStyle
+ ma mandate Mandate b:Freehand521BT
+ mc monaco e:Monaco
+ md meridien Meridien
+ me mercursc MercuriusScript
+ mg marigold Marigold
+ mh machine Machine
+ mi medici Medici
+ mj mojo Mojo
+ ml melior Melior b:ZapfElliptical711BT
+ mn minion Minion
+ mo modern Modern b:Modern20BT
+ mp memphis Memphis b:GeometricSlab703BT
+ mq mesquite Mesquite
+ mr madrone Madrone
+ ms mistral Mistral b:Staccato222BT
+ mt minister Minister
+ mv malvern Malvern
+ mx maximus Maximus
+ my myriad Myriad
+ mz amazone Amazone
+ n0 normande Normande
+ n1 binner Binner not really a family
+ n7 news706 News706
+ na newaster NewAster
+ nb nbaskerv NewBaskerville
+ nc ncntrsbk NewCenturySchlbk u:CenturySchL
+ nd ncaledon NewCaledonia
+ nf nofret Nofret
+ ng newsgth NewsGothic
+ ni nimrod Nimrod
+ nk neograph Neographik
+ nl neuland Neuland b:Informal011BT
+ nm nimbus Nimbus
+ nn nclarend NewClarendon
+ no notredam NotreDame
+ np nsplanti NewsPlantin
+ nr nberolin NewBerolina
+ ns timesnps TimesNewRomanPS
+ nt timesnew TimesNewRoman m:TimesNR n:SonoranSerif
+ nu nuptial Nuptial
+ nv novarese Novarese
+ nw neueunzi NeueHammerUnziale
+ nx nyx Nyx
+ nz neuzeits NeuzeitS b:Geometric706BT
+ o0 oldreadf OldDreadfulNo7
+ o1 oranda Oranda
+ o2 orbitb OrbitB
+ o3 colonna Colonna
+ o4 oceansan OceanSans
+ o5 comic Comic
+ o7 oldsty7 OldStyleSeven
+ o8 officina Officina
+ oa ocra OCR-A
+ ob ocrb OCR-B
+ oc concorde Concorde
+ oe oldengli OldEnglish b:English157
+ of oxford Oxford
+ oi ondine Ondine Mermaid b:FormalScript421BT
+ oj oldclaud OldClaude
+ ol colmcill Colmcille
+ om omnia Omnia
+ on corona Corona
+ op optima Optima d:Optimum b:ZapfHumanist601BT Omega
+ oq ouch Ouch
+ or orator Orator
+ os oldstyle OldStyle
+ ot coronet Coronet b:Ribbon131BT
+ ov octavian Octavian
+ ox onyx Onyx
+ oy olympian Olympian l:OlympicLH
+ oz ozhandcr OzHandicraft
+ p0 poplar Poplar
+ p1 palacesc PalaceScript
+ p2 pepita Pepita
+ p3 palette Palette b:Brush445BT
+ p4 pioneer PioneerITC
+ p5 piranesi Piranesi
+ p6 blueprin Blueprint
+ p7 petersbu Petersburg
+ pa parkave ParkAvenue
+ pb ptbarnum PtBarnum
+ pc poetica PoeticaChancery s:Scriptoria
+ pd placard Placard
+ pe prestige PrestigeElite
+ pf profile Profile Profil b:Decorated035BT
+ pg peignot Peignot b:Exotic350BT
+ ph photina Photina
+ pi pi pi fonts--see text and <code>*.map</code> files
+ pj pompeija Pompeijana
+ pl palatino Palatino d:Palton b:ZapfCalligraphic801BT u:URWPalladioL Palmspring k:Palindrome
+ pm postmed PostMediaeval
+ pn plantin Plantin b:Aldine721BT
+ po ponderos Ponderosa
+ pp perpetua Perpetua b:Lapidary333BT
+ pq postatqa PostAntiqua
+ pr popplres PopplResidenz
+ ps parisian Parisian
+ pt present Present
+ pu popplaud PopplLaudatio
+ pw perrywoo Perrywood
+ px popplpfx PopplPontifex
+ py playbill Playbill
+ pz poliphil Poliphilus
+ qr quorum Quorum
+ qs bellevue Bellevue
+ qt boulevar Boulevard
+ r0 romana Romana
+ r1 rotis RotisSemiSerif
+ r2 cantoria Cantoria
+ r3 rotis RotisSemiSans
+ r4 rotis RotisSansSerif
+ ra raleigh Raleigh
+ rc romic Romic
+ rm carmina Carmina
+ rn rotation Rotation
+ ro rotis RotisSerif
+ rp reporter Reporter
+ rq russelsq RussellSquare
+ rr raphael Raphael
+ rs arrus Arrus
+ rt carta Carta
+ ru runic Runic
+ rv revue Revue
+ rw rockwell Rockwell Slate b:GeometricSlab712BT
+ rc rustican Rusticana
+ ry ryumin Ryumin
+ rz ruzicka RuzickaFreehandLH
+ s0 sanmarco SanMarco
+ s1 scotchro ScotchRoman
+ s2 script Script
+ s3 seagull Seagull
+ s4 shotgun Shotgun ShotgunBlanks
+ s5 snell Snell
+ s6 stuyvesa Stuyvesant
+ s7 sassoon Sassoon
+ s8 stonesan StoneSans
+ sa scala Scala
+ sb sabon Sabon b:ClassicalGaramondBT
+ sc slimbach Slimbach
+ se shelley Shelley
+ sf serifa Serifa
+ sg serifgth SerifGothic
+ sh shannon Shannon
+ si stoneinf StoneInformal
+ sk skia e:Skia
+ sl stencil Stencil
+ sm spectrum Spectrum
+ sn spartan Spartan
+ so sonata Sonata
+ sp serpenti Serpentine
+ sr snellrnd SnellRoundhand
+ ss stschnei StempelSchneidler
+ st stone StoneSerif
+ sv souvenir Souvenir
+ sw swing Swing
+ sx syntax Syntax
+ sy symbol Symbol m:MSymbolPS u:StandardSymL
+ t0 tango Tango
+ t1 thunderb Thunderbird
+ t2 typo TypoUpright
+ tb bebodoni BodoniBE BBodoni Berthold Bodoni
+ te timeseur TimesEuropa
+ tf tiffany Tiffany
+ tg tradegth TradeGothic
+ th tahoma Tahoma
+ ti techphon TechPhonetic
+ tj trajan Trajan
+ tk tekton Tekton
+ tl castella Castellar
+ tm times Times u:NimbusRoman u:NimbusRomNo9L b:Dutch801BT
+ to torino Torino b:Industrial736BT
+ tp tempo Tempo
+ tr trebuche Trebuchet
+ tv trumpmed TrumpMediaeval b:Kuenstler480BT
+ tw twentyc TwentiethCentury
+ ty typewrit Typewriter
+ u0 columbus Columbus
+ ub babodoni BauerBodoni
+ ud studio Studio
+ ug bengugth BenguiatGothic
+ uh cushing Cushing
+ ul universa Universal
+ um umbra Umbra
+ un univers Univers b:ZurichBT
+ ur centaur Centaur b:Venetian301BT
+ ut utopia Utopia
+ uw usherwoo Usherwood
+ uy universi University
+ v0 vineta Vineta
+ va activa Activa
+ vc vectora Vectora
+ vd vandijck VanDijck
+ ve veraseri VeraSerif
+ vg visigoth Visigoth
+ vi victoria Victoria
+ vj veljovic Veljovic
+ vm veramono VeraSansMono
+ vn verdana Verdana
+ vl versaill Versailles
+ vr vagrnd VAGRounded
+ vs verasans VeraSans
+ vv viva Viva
+ w0 weddingt WeddingT
+ w1 wiesbswi WiesbadenSwing
+ wb walbaum Walbaum
+ wc snowcap SnowCap
+ wd weideman Weidemann
+ wg wlklgth WilhelmKlingsporGotisch
+ wh wendy Wendy
+ wi wingding Wingdings
+ wk wilke Wilke
+ wn windsor Windsor
+ wr wittenbe WitternbergerFrakt
+ ws weiss Weiss
+ wt watertit WatersTitling
+ ww willow Willow
+ xc eccentri Eccentric
+ xp exponto ExPonto
+ yg centuryg CenturyGothic
+ yh strayhor Strayhorn
+ ym stymie Stymie
+ ys goudysan GoudySans
+ za zantiqua ZAntiqua
+ zc zapfchan ZapfChancery m:ZapfChanceryPS u:URWChanceryL
+ zd zapfding ZapfDingbats m:ZapfDingbatsPS u:Dingbats
+ zg neuzeitg NeuzeitGrotesk
+ zp ziptydo ZiptyDo
+ zt zeitgeis Zeitgeist
+ __ agbook AGBookStencil
+ __ agbookrn AGBookRounded
+ __ agoldfac AGOldFace
+ __ agschlbk AGSchoolbook
+ __ aja Aja
+ __ albertin AlbertinaMT
+ __ amigo Amigo
+ __ andreas Andreas
+ __ ariadne Ariadne
+ __ banshee Banshee
+ __ beesknee Beesknees
+ __ bellcent BellCentenial
+ __ berlgrot BerlinerGrotesk
+ __ bermuda BermudaLP
+ __ berthold BertholdScript
+ __ bickham BickhamScript
+ __ blueisla BlueIsland
+ __ bodoniof BodoniOldFaceBE
+ __ bossanov BossaNovaMVB
+ __ briemaka BriemAkademi
+ __ briemscr BriemScript
+ __ buffalog BuffaloGalMT
+ __ caflisch CaflischScript
+ __ caliban Caliban
+ __ catull Catull
+ __ celestia CelestiaAntiqua
+ __ cerigo Cerigo
+ __ chaparra Chaparral
+ __ christia Christiana
+ __ colossal Colossalis
+ __ comenius ComeniusAntiqua
+ __ concorde ConcordeNova
+ __ congabra CongaBrava
+ __ copal Copal
+ __ coriande Coriander
+ __ cosmos Cosmos
+ __ cremona Cremona
+ __ critter Critter
+ __ cronos Cronos
+ __ ctmercur CTMercurius
+ __ curlz CurlzMT
+ __ cutout Cutout
+ __ delphin Delphin
+ __ elgreco ElGreco
+ __ else ElseNPL
+ __ emmascri Emmascript
+ __ flood Flood
+ __ florens FlorensLP
+ __ fusaka Fusaka
+ __ gallia MonotypeGallia
+ __ garamobe GaramondBE
+ __ gillfaci GillFaciaMT
+ __ gillflor GillFloriatedCapsMT
+ __ graphite Graphite
+ __ greymant GreymantleMVB
+ __ hardwood HardwoodLP
+ __ immi505 Immi505
+ __ jimbo Jimbo
+ __ khaki Khaki
+ __ kidprint KidprintMT
+ __ kinesis Kinesis
+ __ kochantq KochAntiqua
+ __ legault Legault
+ __ lightlin LightlineGothicMT
+ __ lotype LoType
+ __ magnesiu MagnesiumMVB
+ __ magnolia MagnoliaMVB
+ __ mahsuri MahsuriSansMT
+ __ manito ManitoLP
+ __ mendoza MendozaRoman
+ __ mezz Mezz
+ __ micr MICR
+ __ monalisa MonaLisa
+ __ motterco MotterCorpus
+ __ mythos Mythos
+ __ nueva Nueva
+ __ oceansan OceanSans
+ __ origami Origami
+ __ ozwald Ozwald
+ __ pastonch PastonchiMT
+ __ pelican Pelican
+ __ penumbra Penumbra
+ __ pepperwo Pepperwood
+ __ poetica Poetica
+ __ pompeia Pompeia
+ __ popplexq PopplExquisit
+ __ postino Postino
+ __ quake Quake
+ __ rad Rad
+ __ reliq Reliq
+ __ rosewood Rosewood
+ __ rulngscr RulingScript
+ __ russlobl RusselOblique
+ __ sanvito Sanvito
+ __ sassafra Sassafras
+ __ serlio SerlioLH
+ __ sho Sho
+ __ shuriken Shuriken
+ __ smaragd Smaragd
+ __ spring SpringLP
+ __ spumoni SpumoniLP
+ __ studz Studz
+ __ tiepolo Tiepolo
+ __ toolbox Toolbox
+ __ verve Verve
+ __ volutasc VolutaScript
+ __ zebrawoo Zebrawood
+ __ shouyi Shouyi for mnm
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/URW-fonts.html b/Master/texmf-dist/doc/fontname/URW-fonts.html
new file mode 100644
index 00000000000..dbe65042a65
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/URW-fonts.html
@@ -0,0 +1,72 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="URW%20fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">URW fonts</h3>
+
+<p>The <code>urw.map</code> file has abbreviations for URW fonts.
+
+<pre class="example">
+
+ uagd8a URWGothicL-Demi a010015l
+ uagdo8a URWGothicL-DemiObli a010035l
+ uagk8a URWGothicL-Book a010013l
+ uagko8a URWGothicL-BookObli a010033l
+ ubkd8a URWBookmanL-DemiBold b018015l
+ ubkdi8a URWBookmanL-DemiBoldItal b018035l
+ ubkl8a URWBookmanL-Ligh b018012l
+ ubkli8a URWBookmanL-LighItal b018032l
+ ucrb8a NimbusMonL-Bold n022004l
+ ucrbo8a NimbusMonL-BoldObli n022024l
+ ucrr8a NimbusMonL-Regu n022003l
+ ucrro8a NimbusMonL-ReguObli n022023l
+ uhvb8a NimbusSanL-Bold n019004l
+ uhvb8ac NimbusSanL-BoldCond n019044l
+ uhvbo8a NimbusSanL-BoldItal n019024l
+ uhvbo8ac NimbusSanL-BoldCondItal n019064l
+ uhvr8a NimbusSanL-Regu n019003l
+ uhvr8ac NimbusSanL-ReguCond n019043l
+ uhvro8a NimbusSanL-ReguItal n019023l
+ uhvro8ac NimbusSanL-ReguCondItal n019063l
+ uncb8a CenturySchL-Bold c059016l
+ uncbi8a CenturySchL-BoldItal c059036l
+ uncr8a CenturySchL-Roma c059013l
+ uncri8a CenturySchL-Ital c059033l
+ uplb8a URWPalladioL-Bold p052004l
+ uplbi8a URWPalladioL-BoldItal p052024l
+ uplr8a URWPalladioL-Roma p052003l
+ uplri8a URWPalladioL-Ital p052023l
+ usyr StandardSymL s050000l
+ utmb8a NimbusRomNo9L-Medi n021004l
+ utmbi8a NimbusRomNo9L-MediItal n021024l
+ utmr8a NimbusRomNo9L-Regu n021003l
+ utmri8a NimbusRomNo9L-ReguItal n021023l
+ uzcmi8a URWChanceryL-MediItal z003034l
+ uzdr Dingbats d050000l
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Variants.html b/Master/texmf-dist/doc/fontname/Variants.html
new file mode 100644
index 00000000000..441e570e2c8
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Variants.html
@@ -0,0 +1,260 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Variants">Variants</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Widths.html#Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Weights.html#Weights">Weights</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Variants</h3>
+
+<p><dfn>Variants</dfn> include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, TeX text).
+
+ <p>A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (<code>7</code>, <code>8</code>,
+or <code>9</code>, see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+TeX, and many existing names already have non-alphabetized variants.)
+
+ <p>The letterspacing possibilities introduced by <code>fontinst</code> and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+ <p>Notes on specific variants, both old and new:
+
+ <dl>
+<dt><code>1</code>
+ <dd><dt><code>4</code>
+ <dd><dt><code>6</code>
+ <dd><dt><code>b</code>
+ <dd>These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for <code>b</code>, to avoid
+too-long names; and for the others, to avoid variant vs. design-size
+ambiguities.
+
+ <br><dt><code>g</code>
+ <dd><dt><code>h</code>
+ <dd>Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+ <br><dt><code>5</code>
+ <dd><dt><code>6</code>
+ <dd><dt><code>7</code>
+ <dd><dt><code>8</code>
+ <dd><dt><code>9</code>
+ <dd>These characters begin a two-character <dfn>encoding variant</dfn>.
+Generally, <code>7</code> is for 7-bit encodings, <code>8</code> is for 8-bit
+encodings, and <code>9</code> is for expertised encodings with or without
+oldstyle digits (see the <code>x</code> item below), but this is not an
+absolute rule. Also, <code>5</code> is presently used for phonetic encodings
+and <code>6</code> for Cyrillic encodings. The <code>9s</code> (<code>SuperFont</code>)
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+ <p>For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual TeX macros
+work. In practice, this means that it's ok for a font to be labelled
+<code>7t</code> if the only difference from Computer Modern is that the
+ligatures and the <code>lslash</code> and <code>Lslash</code> characters are
+different, since it's impossible to access or change the ligature table
+from TeX. Standard PostScript fonts don't have an <code>lslash</code>
+character the way Computer Modern does, but they do have the
+<code>Lslash</code> and <code>lslash</code> characters themselves, so the usual
+TeX <code>\lslash</code> and <code>\Lslash</code> macros can be made to work via
+ligatures. See the file <code>T1.etx</code> file in the <code>fontinst</code>
+distribution for details.
+
+ <p>If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like <code>ptmr</code> for <code>Times-Roman</code>; they use the Dvips
+encoding (see <a href="dvips.html#dvips">dvips</a>), which is close to (but not the same
+as) the TeX text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like <code>cunm</code>, since these fonts, while compatible with
+TeX text, contain many additional characters.
+
+ <br><dt><code>9</code>
+ <dd>These items are needed only because <code>x</code> (and possibly <code>j</code>)
+followed by a two-character regular variant makes some names too long.
+That is, <code>9t</code> is equivalent in meaning to <code>x7t</code>, and <code>9d</code>
+is equivalent to <code>jx7t</code>. (This may not be true for all
+<code>9</code><var>x</var><code></code> encodings, though.)
+
+ <br><dt><code>k</code>
+ <dd><dt><code>z</code>
+ <dd>These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in <a href="Introduction.html#Introduction">Introduction</a>.
+
+ <br><dt><code>m</code>
+ <dd><dt><code>v</code>
+ <dd><dt><code>y</code>
+ <dd>These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use <code>7m</code> (see <a href="texmital.html#texmital">texmital</a>), <code>7v</code>
+(see <a href="texmext.html#texmext">texmext</a>), and <code>7y</code> (see <a href="texmsym.html#texmsym">texmsym</a>).
+
+ <br><dt><code>n</code>
+ <dd>This is used for several different (but very rare) variants: only the
+Stone typeface has an "informal" variant, and only a few Monotype
+fonts have a "schoolbook" variant, with different `a', `g', and `y'
+shapes.
+
+ <br><dt><code>r</code>
+ <dd>Included only if no other variants, including encodings, apply, and
+either the width (see <a href="Widths.html#Widths">Widths</a>) is not <code>r</code> or a design size is
+present. I.e., <code>r</code> is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), <code>r</code> should
+be used when necessary, not <code>s</code>. Use <code>s</code> only when the
+typeface family has both serif and sans serif variants.
+
+ <br><dt><code>s</code>
+ <dd><dt><code>t</code>
+ <dd>Mittelbach in <cite>TUGboat</cite> 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But <code>LucidaSans</code> (see <a href="Typefaces.html#Typefaces">Typefaces</a>) and a few others are
+exceptions, to avoid too-long names.
+
+ <br><dt><code>x</code>
+ <dd><dt><code>8x</code>
+ <dd><dt><code>9?</code>
+ <dd><code>8x</code> indicates a font in the <code>Expert</code> encoding itself.
+<code>x</code> indicates an <dfn>expertised</dfn> font, i.e., a composite (virtual)
+font that includes characters from an <code>8x</code> font. And in fact an
+<code>x</code><var>ee</var><code></code> sequence is replaced by <code>9</code><var>e</var><code></code>, to save
+characters.
+</dl>
+
+ <p>Fontname 1 assignments are shown in brackets in the following table,
+from the file <code>variant.map</code>. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript <code>FontName</code> which use that abbreviation or the
+PostScript <code>Encoding</code> name.
+
+<pre class="example">
+
+ 0 inferior
+ 1 superior
+ obsolete [2=&gt;7c] Fraktur encoding
+ obsolete [3=&gt;7f] Fraction
+ obsolete [4 fax; now typeface <code>lx</code>, Lucida Fax]
+ 5 escape for (presently) phonetic encodings
+ 6 escape for Cyrillic encodings [was <code>SemiSerif</code>]
+ 7 escape for (mostly) 7-bit encodings
+ 8 escape for (mostly) 8-bit encodings
+ 9 escape for (presently) expert encodings [was oldstyle digits]
+ a Alt Arrows Alternative [was alternate encoding]
+ obsolete [b bright; now typeface lh, Lucida Bright]
+ c SmallCaps
+ d Display Titling Caption Headline TallCaps SwashCaps LombardicCaps Festive
+ e Engraved Copperplate Elite
+ f Fraktur Gothic OldEnglish Handtooled (`gothic' can also be sans)
+ g SmallText designed for small sizes [was grooved, as in the IBM logo]
+ h Shadow
+ i Italic Kursiv Ital text italic
+ j old-style digits [was invisible]
+ k Greek obsolete
+ l Outline OpenFace Blanks
+ m math italic
+ n Informal Fashion Schlbk for Stone
+ o Oblique Obl slanted
+ p Ornaments
+ obsolete [q=&gt;8t Cork (TeX extended) encoding]
+ r roman or sans; often omitted, see text
+ s Gothic sans serif
+ t Monospace fixed-width typewriter
+ u unslanted italic
+ v MathExtension
+ w Script Handwritten Swash Calligraphy Cursive Tango
+ x built with Adobe expert encoding [was expert-encoded]
+ y MathSymbol
+ z Cyrillic font-dependent Cyrillic
+ 5a PhoneticAlternate
+ 5i PhoneticIPA
+ 5s sil-IPA
+ 5t TeX-IPA Fukui Rei, LaTeX T3
+ 5w TeXAfricanLatin wsuipa fonts, LaTeX OT3
+ 5z user
+ 6a T2A
+ 6b Cyrillic part of ISO 8859-5, seven bits
+ 6c T2C
+ 6d Cyrillic CP866 encoding
+ 6i ISO 8859-5
+ 6k Cyrillic KOI8-R encoding
+ 6m Cyrillic Macintosh encoding
+ 6s Storm extra encoding
+ 6t T2B
+ 6w Cyrillic CP1251 encoding
+ 6x X2
+ 6y LCY
+ 6z user
+ 7a A alternate characters only
+ 7c Dfr Fraktur
+ 7d OsF OSF oldstyle digit encoding
+ 7f Fraction
+ 7k OT2Cyrillic
+ 7m TeXMathItalicEncoding see <a href="texmital.html#texmital">texmital</a>
+ 7t TeX text encoding (as in Computer Modern Roman)
+ 7v TeXMathExtensionEncoding see <a href="texmext.html#texmext">texmext</a>
+ 7y TeXMathSymbolEncoding see <a href="texmsym.html#texmsym">texmsym</a>
+ 7z user
+ 82 GreekKeys
+ 83 Ibycus1
+ 84 Ibycus2
+ 8a StandardEncoding Adobe standard encoding, see <a href="8a.html#8a">8a</a>
+ 8c TeXTextCompanion LaTeX TS1
+ 8f TeXAfricanLatin LaTeX T4
+ 8i TS0 Intersection of TS1/Adobe Standard
+ 8m Macintosh standard encoding
+ 8n LM1 Textures
+ 8r TeXBase1Encoding see <a href="8r.html#8r">8r</a>
+ 8t CorkEncoding see <a href="cork.html#cork">cork</a>
+ 8u XT2Encoding cmtt + Latin 2, see <code>xl2.enc</code>
+ 8v TeXVietnamese to be defined
+ 8w Windows 3.1 ANSI encoding
+ 8x Expert expert encoding
+ 8y LY1 TeX 'n ANSI
+ 8z XL2Encoding cmr + Latin 2, see <code>xl2.enc</code>
+ 9c expert + Text companion
+ 9d expert + oldstyle digits + Cork
+ 9e expert + Cork
+ 9i TS0X Intersection of TS1/Standard/Expert
+ 9o expert + oldstyle digits + TeX text
+ 9s SF SuperFont
+ 9t expert + TeX text
+ 9z user
+ - songti for mnm
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/cork.html b/Master/texmf-dist/doc/fontname/cork.html
new file mode 100644
index 00000000000..3ec0ed2c42a
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/cork.html
@@ -0,0 +1,121 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="cork">cork</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="dvips.html#dvips">dvips</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="8r.html#8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>cork.enc</code>: Cork encoding</h3>
+
+<pre class="example">
+
+ % This is the Cork encoding, aka TeX Latin 1, aka tex256, as
+ % described in TTN 1(4), December 1992, and TUGboat 11(4), November
+ % 1990, page 514. EC is the name of the Computer Modern-based fonts in
+ % this encoding. NFSS and Fontinst know it by `T1'.
+ %
+ % These are the ligs and kerns in addition to those found in the
+ % AFM file. (The only ligs in the Times-Roman.afm file are the
+ % fi and fl ligatures.)
+ %
+ % LIGKERN space l =: lslash ; space L =: Lslash ;
+ % LIGKERN question quoteleft =: questiondown ; exclam quoteleft =: exclamdown ;
+ % LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+ % LIGKERN quoteleft quoteleft =: quotedblleft ;
+ % LIGKERN quoteright quoteright =: quotedblright ;
+ %
+ % We remove kerns to and from spaces (TeX doesn't have a
+ % space) and also remove any kerns from the numbers (although
+ % the only kern pair that mentions a number in Times-Roman.afm
+ % is one one.)
+ %
+ % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+ % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+ % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+ % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+ % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+ % LIGKERN nine {} * ; * {} nine ;
+ % LIGKERN comma comma =: quotedblbase ; less less =: guillemotleft ;
+ % LIGKERN greater greater =: guillemotright ;
+ %
+ /CorkEncoding [ % now 256 chars follow
+ % 0x00
+ /grave /acute /circumflex /tilde /dieresis /hungarumlaut /ring /caron
+ /breve /macron /dotaccent /cedilla
+ /ogonek /quotesinglbase /guilsinglleft /guilsinglright
+ % 0x10
+ /quotedblleft /quotedblright /quotedblbase /guillemotleft
+ /guillemotright /endash /emdash /compwordmark
+ /perthousandzero /dotlessi /dotlessj /ff /fi /fl /ffi /ffl
+ % 0x20
+ /visualspace /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ % 0x30
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ % 0x40
+ /at /A /B /C /D /E /F /G /H /I /J /K /L /M /N /O
+ % 0x50
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /asciicircum /underscore
+ % 0x60
+ /quoteleft /a /b /c /d /e /f /g /h /i /j /k /l /m /n /o
+ % 0x70
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /asciitilde /hyphen
+ % 0x80
+ /Abreve /Aogonek /Cacute /Ccaron /Dcaron /Ecaron /Eogonek /Gbreve
+ /Lacute /Lcaron /Lslash /Nacute /Ncaron /Ng /Ohungarumlaut /Racute
+ % 0x90
+ /Rcaron /Sacute /Scaron /Scedilla
+ /Tcaron /Tcedilla /Uhungarumlaut /Uring
+ /Ydieresis /Zacute /Zcaron /Zdotaccent /IJ /Idotaccent /dbar /section
+ % 0xA0
+ /abreve /aogonek /cacute /ccaron /dcaron /ecaron /eogonek /gbreve
+ /lacute /lcaron /lslash /nacute /ncaron /ng /ohungarumlaut /racute
+ % 0xB0
+ /rcaron /sacute /scaron /scedilla
+ /tquoteright /tcedilla /uhungarumlaut /uring
+ /ydieresis /zacute /zcaron /zdotaccent
+ /ij /exclamdown /questiondown /sterling
+ % 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+ % 0xD0
+ /Eth /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /OE
+ /Oslash /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /Germandbls
+ % 0xE0
+ /agrave /aacute /acircumflex /atilde /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+ % 0xF0
+ /eth /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /oe
+ /oslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /germandbls
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/dvips.html b/Master/texmf-dist/doc/fontname/dvips.html
new file mode 100644
index 00000000000..4eca43cdcf9
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/dvips.html
@@ -0,0 +1,111 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="dvips">dvips</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmext.html#texmext">texmext</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="cork.html#cork">cork</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>dvips.enc</code>: Dvips encoding</h3>
+
+<pre class="example">
+
+ % @psencodingfile{
+ % author = "T. Rokicki, K. Berry",
+ % version = "2.0",
+ % date = "22 June 1996",
+ % filename = "dvips.enc",
+ % email = "kb@mail.tug.org",
+ % address = "135 Center Hill Rd. // Plymouth, MA 02360",
+ % codetable = "ISO/ASCII",
+ % checksum = "75 515 3715",
+ % docstring = "An encoding for PostScript fonts to be used with TeX."
+ % }
+ %
+ % This is almost the default encoding produced by the afm2tfm program
+ % that comes with the dvips distribution, when it is applied to a
+ % StandardEncoding PostScript font. The positions of the accented
+ % characters (which afm2tfm assigned more or less randomly in the
+ % previous set of fonts) have been held fixed.
+ %
+ % It is almost upward-compatible with TeX text. (The primary exceptions
+ % are dotaccent and hungarumlaut.) Some of the ligatures are also in
+ % different positions, but this is not important, since ligature
+ % positions are defined in the TFM file, not by macros.
+ %
+ % The character positions were assigned in this order:
+ % 1) non-composite characters in the afm2tfm encoding (except dotlessj
+ % was included in its plain TeX position);
+ % 2) available characters in the Cork (EC) encoding;
+ % 3) remaining composite characters in the base encoding (starting at
+ % position 130 decimal). We don't include all the other base
+ % characters because that changes the height/depth/width tables in
+ % the TFM files (because more characters mean more distinct values).
+ %
+ % We leave the initial positions open for the Greek letters in Times-Roman.
+ %
+ /DvipsEncoding [
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /quotesingle /exclamdown /questiondown
+ /dotlessi /dotlessj /grave /acute /caron /breve /macron /ring
+ /cedilla /germandbls /ae /oe /oslash /AE /OE /Oslash
+ /space /exclam /quotedbl /numbersign /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ /at /A /B /C /D /E /F /G
+ /H /I /J /K /L /M /N /O
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /circumflex /underscore
+ /quoteleft /a /b /c /d /e /f /g
+ /h /i /j /k /l /m /n /o
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /tilde /dieresis
+ /asciicircum /asciitilde /Ccedilla /Iacute
+ /Icircumflex /atilde /edieresis /egrave
+ /scaron /zcaron /Eth /ff /ffi /ffl /.notdef /.notdef
+ /.notdef /.notdef /Scaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /Ydieresis /.notdef /Zcaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /cent /sterling /fraction /yen /florin /section
+ /currency /copyright /quotedblleft /guillemotleft
+ /guilsinglleft /guilsinglright /fi /fl
+ /degree /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet
+ /quotesinglbase /quotedblbase /quotedblright /guillemotright
+ /ellipsis /perthousand /.notdef /.notdef
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /.notdef /dotaccent
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /hungarumlaut /ogonek /Idieresis
+ /emdash /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /.notdef
+ /.notdef /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /.notdef
+ /agrave /aacute /acircumflex /ordfeminine
+ /adieresis /aring /.notdef /ccedilla
+ /Lslash /eacute /ecircumflex /ordmasculine
+ /igrave /iacute /icircumflex /idieresis
+ /.notdef /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /.notdef
+ /lslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /ydieresis
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/fontname.aux b/Master/texmf-dist/doc/fontname/fontname.aux
new file mode 100644
index 00000000000..43d26defb80
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/fontname.aux
@@ -0,0 +1,108 @@
+@xrdef{Introduction-title}{Introduction}
+@xrdef{Introduction-snt}{Chapter@tie 1}
+@xrdef{History-title}{History}
+@xrdef{History-snt}{Section@tie 1.1}
+@xrdef{References-title}{References}
+@xrdef{References-snt}{Section@tie 1.2}
+@xrdef{Introduction-pg}{1}
+@xrdef{History-pg}{1}
+@xrdef{References-pg}{1}
+@xrdef{Filenames for fonts-title}{Filenames for fonts}
+@xrdef{Filenames for fonts-snt}{Chapter@tie 2}
+@xrdef{Suppliers-title}{Suppliers}
+@xrdef{Suppliers-snt}{Section@tie 2.1}
+@xrdef{Filenames for fonts-pg}{3}
+@xrdef{Suppliers-pg}{3}
+@xrdef{Typefaces-title}{Typefaces}
+@xrdef{Typefaces-snt}{Section@tie 2.2}
+@xrdef{Typefaces-pg}{4}
+@xrdef{Weights-title}{Weights}
+@xrdef{Weights-snt}{Section@tie 2.3}
+@xrdef{Variants-title}{Variants}
+@xrdef{Variants-snt}{Section@tie 2.4}
+@xrdef{Weights-pg}{18}
+@xrdef{Variants-pg}{19}
+@xrdef{Widths-title}{Widths}
+@xrdef{Widths-snt}{Section@tie 2.5}
+@xrdef{Widths-pg}{23}
+@xrdef{Long names-title}{Long names}
+@xrdef{Long names-snt}{Chapter@tie 3}
+@xrdef{Name mapping file-title}{A fontname mapping file}
+@xrdef{Name mapping file-snt}{Section@tie 3.1}
+@xrdef{Long naming scheme-title}{A naming scheme for long names}
+@xrdef{Long naming scheme-snt}{Section@tie 3.2}
+@xrdef{Long names-pg}{24}
+@xrdef{Name mapping file-pg}{24}
+@xrdef{Long naming scheme-pg}{24}
+@xrdef{Font name lists-title}{Font name lists}
+@xrdef{Font name lists-snt}{Appendix@tie @char65{}}
+@xrdef{Standard PostScript fonts-title}{Standard PostScript fonts}
+@xrdef{Standard PostScript fonts-snt}{Section@tie @char65.1}
+@xrdef{Font name lists-pg}{26}
+@xrdef{Standard PostScript fonts-pg}{26}
+@xrdef{Adobe fonts-title}{Adobe fonts}
+@xrdef{Adobe fonts-snt}{Section@tie @char65.2}
+@xrdef{Adobe fonts-pg}{27}
+@xrdef{Apple fonts-title}{Apple fonts}
+@xrdef{Apple fonts-snt}{Section@tie @char65.3}
+@xrdef{Bitstream fonts-title}{Bitstream fonts}
+@xrdef{Bitstream fonts-snt}{Section@tie @char65.4}
+@xrdef{Apple fonts-pg}{85}
+@xrdef{Bitstream fonts-pg}{85}
+@xrdef{DTC fonts-title}{DTC fonts}
+@xrdef{DTC fonts-snt}{Section@tie @char65.5}
+@xrdef{ITC fonts-title}{ITC fonts}
+@xrdef{ITC fonts-snt}{Section@tie @char65.6}
+@xrdef{DTC fonts-pg}{103}
+@xrdef{ITC fonts-pg}{103}
+@xrdef{Linotype fonts-title}{Linotype fonts}
+@xrdef{Linotype fonts-snt}{Section@tie @char65.7}
+@xrdef{Linotype fonts-pg}{120}
+@xrdef{Monotype fonts-title}{Monotype fonts}
+@xrdef{Monotype fonts-snt}{Section@tie @char65.8}
+@xrdef{Monotype fonts-pg}{210}
+@xrdef{URW fonts-title}{URW fonts}
+@xrdef{URW fonts-snt}{Section@tie @char65.9}
+@xrdef{URW fonts-pg}{237}
+@xrdef{Encodings-title}{Encodings}
+@xrdef{Encodings-snt}{Appendix@tie @char66{}}
+@xrdef{8a-title}{@samp {8a.enc}: Adobe standard encoding}
+@xrdef{8a-snt}{Section@tie @char66.1}
+@xrdef{Encodings-pg}{238}
+@xrdef{8a-pg}{238}
+@xrdef{8r-title}{@samp {8r.enc}: @TeX {} base encoding}
+@xrdef{8r-snt}{Section@tie @char66.2}
+@xrdef{8r-pg}{243}
+@xrdef{cork-title}{@samp {cork.enc}: Cork encoding}
+@xrdef{cork-snt}{Section@tie @char66.3}
+@xrdef{cork-pg}{247}
+@xrdef{dvips-title}{@samp {dvips.enc}: Dvips encoding}
+@xrdef{dvips-snt}{Section@tie @char66.4}
+@xrdef{dvips-pg}{249}
+@xrdef{texmext-title}{@samp {texmext.enc}: @TeX {} math extension encoding}
+@xrdef{texmext-snt}{Section@tie @char66.5}
+@xrdef{texmext-pg}{250}
+@xrdef{texmsym-title}{@samp {texmsym.enc}: @TeX {} math symbol encoding}
+@xrdef{texmsym-snt}{Section@tie @char66.6}
+@xrdef{texmsym-pg}{254}
+@xrdef{texmital-title}{@samp {texmital.enc}: @TeX {} math italic encoding}
+@xrdef{texmital-snt}{Section@tie @char66.7}
+@xrdef{texmital-pg}{258}
+@xrdef{texnansi-title}{@samp {texnansi.enc}}
+@xrdef{texnansi-snt}{Section@tie @char66.8}
+@xrdef{texnansi-pg}{262}
+@xrdef{texnansx-title}{@samp {texnansx.enc}}
+@xrdef{texnansx-snt}{Section@tie @char66.9}
+@xrdef{texnansx-pg}{269}
+@xrdef{xl2-title}{@samp {xl2.enc}: OT1 + ISO Latin 2 extended}
+@xrdef{xl2-snt}{Section@tie @char66.10}
+@xrdef{xl2-pg}{276}
+@xrdef{xt2-title}{@samp {xt2.enc}: typewriter OT1 + ISO Latin 2 extended}
+@xrdef{xt2-snt}{Section@tie @char66.11}
+@xrdef{xt2-pg}{283}
+@xrdef{Font legalities-title}{Font legalities}
+@xrdef{Font legalities-snt}{Appendix@tie @char67{}}
+@xrdef{Font legalities-pg}{290}
+@xrdef{Index-title}{Index}
+@xrdef{Index-snt}{}
+@xrdef{Index-pg}{292}
diff --git a/Master/texmf-dist/doc/fontname/fontname.cp b/Master/texmf-dist/doc/fontname/fontname.cp
new file mode 100644
index 00000000000..3796f3fdf32
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/fontname.cp
@@ -0,0 +1,192 @@
+\entry{introduction}{1}{introduction}
+\entry{bugs, reporting}{1}{bugs, reporting}
+\entry{reporting bugs}{1}{reporting bugs}
+\entry{tex-fonts@tug.org}{1}{\code {tex-fonts@tug.org}}
+\entry{distribution}{1}{distribution}
+\entry{encoding files}{1}{encoding files}
+\entry{mapping files}{1}{mapping files}
+\entry{utilities}{1}{utilities}
+\entry{ftp.cs.umb.edu}{1}{\code {ftp.cs.umb.edu}}
+\entry{ftp.tug.org}{1}{\code {ftp.tug.org}}
+\entry{history}{1}{history}
+\entry{Mittelbach, Frank}{1}{Mittelbach, Frank}
+\entry{Schoepf, Rainer}{1}{Schoepf, Rainer}
+\entry{Fontname version 2}{1}{Fontname version 2}
+\entry{contributors}{1}{contributors}
+\entry{Beebe, Nelson}{1}{Beebe, Nelson}
+\entry{Beeton, Barbara}{1}{Beeton, Barbara}
+\entry{Bernstein, Rocky}{1}{Bernstein, Rocky}
+\entry{Bouche, Thierry}{1}{Bouche, Thierry}
+\entry{Cugley, Damian}{1}{Cugley, Damian}
+\entry{Horn, Berthol}{1}{Horn, Berthol}
+\entry{Jeffrey, Alan}{1}{Jeffrey, Alan}
+\entry{Lang, Russell}{1}{Lang, Russell}
+\entry{MacKay, Pierre}{1}{MacKay, Pierre}
+\entry{Rahtz, Sebastian}{1}{Rahtz, Sebastian}
+\entry{Rivlin, Jean}{1}{Rivlin, Jean}
+\entry{Rokicki, Tom}{1}{Rokicki, Tom}
+\entry{references}{1}{references}
+\entry{related files}{1}{related files}
+\entry{TeX{} Directory Structure standard}{1}{\TeX {} Directory Structure standard}
+\entry{TDS standard}{1}{TDS standard}
+\entry{modes.mf}{2}{\code {modes.mf}}
+\entry{PSfonts distribution}{2}{PSfonts distribution}
+\entry{Fontinst distribution}{2}{Fontinst distribution}
+\entry{Dvips translator}{2}{Dvips translator}
+\entry{Dviljk translator}{2}{Dviljk translator}
+\entry{terminology}{2}{terminology}
+\entry{Southall, Richard}{2}{Southall, Richard}
+\entry{limitations}{3}{limitations}
+\entry{eight-character limitation}{3}{eight-character limitation}
+\entry{DOS filesystems}{3}{DOS filesystems}
+\entry{ISO 9660}{3}{ISO 9660}
+\entry{CD-ROM distribution}{3}{CD-ROM distribution}
+\entry{filenames, basics}{3}{filenames, basics}
+\entry{design size specification}{3}{design size specification}
+\entry{hexadecimal design size}{3}{hexadecimal design size}
+\entry{font scaling}{3}{font scaling}
+\entry{Mittelbach, Frank}{3}{Mittelbach, Frank}
+\entry{suppliers}{3}{suppliers}
+\entry{foundries}{3}{foundries}
+\entry{type foundries}{3}{type foundries}
+\entry{Avant Garde}{3}{Avant Garde}
+\entry{Lubalin, Herb}{3}{Lubalin, Herb}
+\entry{individual font designers}{3}{individual font designers}
+\entry{small foundries}{3}{small foundries}
+\entry{attribution of fonts, missing}{3}{attribution of fonts, missing}
+\entry{unattributed fonts}{3}{unattributed fonts}
+\entry{raw fonts}{3}{raw fonts}
+\entry{bizarre font names}{3}{bizarre font names}
+\entry{nonstandard names, escape for}{3}{nonstandard names, escape for}
+\entry{escape for nonstandard names}{3}{escape for nonstandard names}
+\entry{supplier.map}{4}{\code {supplier.map}}
+\entry{typefaces}{4}{typefaces}
+\entry{Garamond, versions of}{4}{Garamond, versions of}
+\entry{pi fonts}{5}{pi fonts}
+\entry{typeface.map}{5}{\code {typeface.map}}
+\entry{FontName}{5}{\code {FontName}}
+\entry{weight}{18}{weight}
+\entry{weight.map}{18}{\code {weight.map}}
+\entry{variants}{19}{variants}
+\entry{multiple variants}{19}{multiple variants}
+\entry{letterspacing}{19}{letterspacing}
+\entry{small caps fonts}{19}{small caps fonts}
+\entry{semisans variant}{19}{semisans variant}
+\entry{semiserif variant}{19}{semiserif variant}
+\entry{fax variant}{19}{fax variant}
+\entry{bright variant}{19}{bright variant}
+\entry{phonetic encodings}{19}{phonetic encodings}
+\entry{Cyrillic encodings}{19}{Cyrillic encodings}
+\entry{7-bit encodings}{19}{7-bit encodings}
+\entry{8-bit encodings}{19}{8-bit encodings}
+\entry{expertised encodings}{19}{expertised encodings}
+\entry{SuperFont}{19}{\code {SuperFont}}
+\entry{9s variant}{19}{\code {9s \r {variant}}}
+\entry{ligatures and encodings}{19}{ligatures and encodings}
+\entry{Lslash}{19}{\code {Lslash}}
+\entry{lslash}{19}{\code {lslash}}
+\entry{T1.etx}{19}{\code {T1.etx}}
+\entry{encodings, unspecified}{19}{encodings, unspecified}
+\entry{Afm2tfm encoding}{19}{Afm2tfm encoding}
+\entry{LaserJet 4 fonts}{19}{LaserJet 4 fonts}
+\entry{scripts}{20}{scripts}
+\entry{Greek fonts}{20}{Greek fonts}
+\entry{Cyrillic fonts}{20}{Cyrillic fonts}
+\entry{math variants}{20}{math variants}
+\entry{informal variant}{20}{informal variant}
+\entry{schoolbook variant}{20}{schoolbook variant}
+\entry{Stone Informal}{20}{Stone Informal}
+\entry{typewriter variant}{20}{typewriter variant}
+\entry{sans variant}{20}{sans variant}
+\entry{Mittelbach, Frank}{20}{Mittelbach, Frank}
+\entry{expert encoding}{20}{expert encoding}
+\entry{expertised font}{20}{expertised font}
+\entry{variant.map}{21}{\code {variant.map}}
+\entry{widths}{23}{widths}
+\entry{compression}{23}{compression}
+\entry{expansion}{23}{expansion}
+\entry{automatic expansion}{23}{automatic expansion}
+\entry{character scaling, automatic}{23}{character scaling, automatic}
+\entry{width.map}{23}{\code {width.map}}
+\entry{long names}{24}{long names}
+\entry{fontname mapping file}{24}{fontname mapping file}
+\entry{mapping file}{24}{mapping file}
+\entry{texfonts.map}{24}{\code {texfonts.map}}
+\entry{Knuth, Donald E.}{24}{Knuth, Donald E.}
+\entry{long naming scheme}{24}{long naming scheme}
+\entry{X Window System font names}{24}{X Window System font names}
+\entry{font_coding_scheme}{25}{\code {font_coding_scheme}}
+\entry{category codes}{25}{category codes}
+\entry{35 standard PostScript fonts}{26}{35 standard PostScript fonts}
+\entry{standard PostScript fonts}{26}{standard PostScript fonts}
+\entry{PostScript fonts, standard}{26}{PostScript fonts, standard}
+\entry{adobe.map}{27}{\code {adobe.map}}
+\entry{apple.map}{85}{\code {apple.map}}
+\entry{bitstrea.map}{85}{\code {bitstrea.map}}
+\entry{dtc.map}{103}{\code {dtc.map}}
+\entry{itc.map}{103}{\code {itc.map}}
+\entry{linotype.map}{120}{\code {linotype.map}}
+\entry{monotype.map}{210}{\code {monotype.map}}
+\entry{urw.map}{237}{\code {urw.map}}
+\entry{PostScript encoding vectors}{238}{PostScript encoding vectors}
+\entry{encoding vectors}{238}{encoding vectors}
+\entry{8a.enc}{238}{\code {8a.enc}}
+\entry{Adobe standard encoding}{238}{Adobe standard encoding}
+\entry{encodings, Adobe standard}{238}{encodings, Adobe standard}
+\entry{8r.enc}{244}{\code {8r.enc}}
+\entry{TeX{} base encoding}{244}{\TeX {} base encoding}
+\entry{base encoding, for TeX{}}{244}{base encoding, for \TeX {}}
+\entry{encodings, TeX{} base}{244}{encodings, \TeX {} base}
+\entry{Windows ANSI}{244}{Windows ANSI}
+\entry{Lucida Bright}{244}{Lucida Bright}
+\entry{cork.enc}{247}{\code {cork.enc}}
+\entry{Cork encoding}{247}{Cork encoding}
+\entry{EC encoding}{247}{EC encoding}
+\entry{TeX{} Latin 1 encoding}{247}{\TeX {} Latin 1 encoding}
+\entry{encodings, Cork}{247}{encodings, Cork}
+\entry{encodings, EC}{247}{encodings, EC}
+\entry{encodings, TeX{} Latin 1}{247}{encodings, \TeX {} Latin 1}
+\entry{dvips.enc}{249}{\code {dvips.enc}}
+\entry{Dvips encoding}{249}{Dvips encoding}
+\entry{encoding, Dvips}{249}{encoding, Dvips}
+\entry{texmext.enc}{250}{\code {texmext.enc}}
+\entry{TeX{} math extension encoding}{250}{\TeX {} math extension encoding}
+\entry{math extension, TeX{} encoding}{250}{math extension, \TeX {} encoding}
+\entry{extension, TeX{} math encoding}{250}{extension, \TeX {} math encoding}
+\entry{encodings, TeX{} math symbol}{250}{encodings, \TeX {} math symbol}
+\entry{texmsym.enc}{254}{\code {texmsym.enc}}
+\entry{TeX{} math symbol encoding}{254}{\TeX {} math symbol encoding}
+\entry{math symbol, TeX{} encoding}{254}{math symbol, \TeX {} encoding}
+\entry{symbol, TeX{} math encoding}{254}{symbol, \TeX {} math encoding}
+\entry{encodings, TeX{} math symbol}{254}{encodings, \TeX {} math symbol}
+\entry{texmital.enc}{258}{\code {texmital.enc}}
+\entry{TeX{} math italic encoding}{258}{\TeX {} math italic encoding}
+\entry{math italic, TeX{} encoding}{258}{math italic, \TeX {} encoding}
+\entry{italic, TeX{} math encoding}{258}{italic, \TeX {} math encoding}
+\entry{encodings, TeX{} math italic}{258}{encodings, \TeX {} math italic}
+\entry{xl2.enc}{276}{\code {xl2.enc}}
+\entry{ISO Latin 2 extended, TeX{} encoding}{276}{ISO Latin 2 extended, \TeX {} encoding}
+\entry{xt2.enc}{283}{\code {xt2.enc}}
+\entry{ISO Latin 2 extended and typewriter, TeX{} encoding}{283}{ISO Latin 2 extended and typewriter, \TeX {} encoding}
+\entry{legalisms}{290}{legalisms}
+\entry{typeface design protection}{290}{typeface design protection}
+\entry{copyright on fonts}{290}{copyright on fonts}
+\entry{font copyrighting}{290}{font copyrighting}
+\entry{patenting of fonts}{290}{patenting of fonts}
+\entry{Bigelow, Charles}{290}{Bigelow, Charles}
+\entry{Holmes, Kris}{290}{Holmes, Kris}
+\entry{United States, font design protection law}{290}{United States, font design protection law}
+\entry{Lucida, protection of}{290}{Lucida, protection of}
+\entry{Stone, protection of}{290}{Stone, protection of}
+\entry{Germany, font design protection law}{290}{Germany, font design protection law}
+\entry{Bauer, Paul}{290}{Bauer, Paul}
+\entry{Futura}{290}{Futura}
+\entry{England, font design protection law}{290}{England, font design protection law}
+\entry{Times Roman, protection of}{290}{Times Roman, protection of}
+\entry{Morison, Stanley}{290}{Morison, Stanley}
+\entry{Lardent, Victor}{290}{Lardent, Victor}
+\entry{Monotype}{290}{Monotype}
+\entry{France, font design protection law}{290}{France, font design protection law}
+\entry{romain du roi}{290}{romain du roi}
+\entry{Grandjean, Philippe}{290}{Grandjean, Philippe}
+\entry{Vienna treaty}{290}{Vienna treaty}
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+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.8">
+<link title="Top" rel="top" href="#Top">
+<link href="http://www.gnu.org/software/texinfo/" rel="generator-home" title="Texinfo Homepage">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+ span.sc { font-variant:small-caps }
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+ span.sansserif { font-family:sans-serif; font-weight:normal; }
+--></style>
+</head>
+<body>
+<h1 class="settitle">Filenames for TeX fonts</h1>
+<div class="contents">
+<h2>Table of Contents</h2>
+<ul>
+<li><a name="toc_Top" href="#Top">Filenames for TeX fonts</a>
+<li><a name="toc_Introduction" href="#Introduction">1 Introduction</a>
+<ul>
+<li><a href="#History">1.1 History</a>
+<li><a href="#References">1.2 References</a>
+</li></ul>
+<li><a name="toc_Filenames-for-fonts" href="#Filenames-for-fonts">2 Filenames for fonts</a>
+<ul>
+<li><a href="#Suppliers">2.1 Suppliers</a>
+<li><a href="#Typefaces">2.2 Typefaces</a>
+<li><a href="#Weights">2.3 Weights</a>
+<li><a href="#Variants">2.4 Variants</a>
+<li><a href="#Widths">2.5 Widths</a>
+</li></ul>
+<li><a name="toc_Long-names" href="#Long-names">3 Long names</a>
+<ul>
+<li><a href="#Name-mapping-file">3.1 A fontname mapping file</a>
+<li><a href="#Long-naming-scheme">3.2 A naming scheme for long names</a>
+</li></ul>
+<li><a name="toc_Font-name-lists" href="#Font-name-lists">Appendix A Font name lists</a>
+<ul>
+<li><a href="#Standard-PostScript-fonts">A.1 Standard PostScript fonts</a>
+<li><a href="#Adobe-fonts">A.2 Adobe fonts</a>
+<li><a href="#Apple-fonts">A.3 Apple fonts</a>
+<li><a href="#Bitstream-fonts">A.4 Bitstream fonts</a>
+<li><a href="#DTC-fonts">A.5 DTC fonts</a>
+<li><a href="#ITC-fonts">A.6 ITC fonts</a>
+<li><a href="#Linotype-fonts">A.7 Linotype fonts</a>
+<li><a href="#Monotype-fonts">A.8 Monotype fonts</a>
+<li><a href="#URW-fonts">A.9 URW fonts</a>
+</li></ul>
+<li><a name="toc_Encodings" href="#Encodings">Appendix B Encodings</a>
+<ul>
+<li><a href="#8a">B.1 `<samp><span class="samp">8a.enc</span></samp>': Adobe standard encoding</a>
+<li><a href="#8r">B.2 `<samp><span class="samp">8r.enc</span></samp>': TeX base encoding</a>
+<li><a href="#cork">B.3 `<samp><span class="samp">cork.enc</span></samp>': Cork encoding</a>
+<li><a href="#dvips">B.4 `<samp><span class="samp">dvips.enc</span></samp>': Dvips encoding</a>
+<li><a href="#t5">B.5 `<samp><span class="samp">t5.enc</span></samp>': T5 encoding</a>
+<li><a href="#qx">B.6 `<samp><span class="samp">qx.enc</span></samp>'</a>
+<li><a href="#texmext">B.7 `<samp><span class="samp">texmext.enc</span></samp>': TeX math extension encoding</a>
+<li><a href="#texmsym">B.8 `<samp><span class="samp">texmsym.enc</span></samp>': TeX math symbol encoding</a>
+<li><a href="#texmital">B.9 `<samp><span class="samp">texmital.enc</span></samp>': TeX math italic encoding</a>
+<li><a href="#texnansi">B.10 `<samp><span class="samp">texnansi.enc</span></samp>'</a>
+<li><a href="#texnansx">B.11 `<samp><span class="samp">texnansx.enc</span></samp>'</a>
+<li><a href="#xl2">B.12 `<samp><span class="samp">xl2.enc</span></samp>': OT1 + ISO Latin 2 extended</a>
+<li><a href="#xt2">B.13 `<samp><span class="samp">xt2.enc</span></samp>': typewriter OT1 + ISO Latin 2 extended</a>
+</li></ul>
+<li><a name="toc_Font-legalities" href="#Font-legalities">Appendix C Font legalities</a>
+<li><a name="toc_General-index" href="#General-index">General index</a>
+</li></ul>
+</div>
+
+
+
+<div class="node">
+<p><hr>
+<a name="Top"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#dir">(dir)</a>
+
+</div>
+
+<h2 class="unnumbered">Filenames for TeX fonts</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. Last update 10 September 2005.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Introduction">Introduction</a>: Rationale and basic information about fonts.
+<li><a accesskey="2" href="#Filenames-for-fonts">Filenames for fonts</a>: The construction of font names.
+<li><a accesskey="3" href="#Long-names">Long names</a>: A specification for long filenames.
+<li><a accesskey="4" href="#Font-name-lists">Font name lists</a>: Real fontnames for many existing fonts.
+<li><a accesskey="5" href="#Encodings">Encodings</a>: Specifications for various encodings.
+<li><a accesskey="6" href="#Font-legalities">Font legalities</a>: Legal issues vary from country to country.
+<li><a accesskey="7" href="#General-index">General index</a>: Index.
+
+</li></ul>
+<p>--- The Detailed Node Listing ---
+
+<p>Introduction
+
+</p>
+<ul class="menu">
+<li><a accesskey="8" href="#History">History</a>
+<li><a accesskey="9" href="#References">References</a>
+
+</li></ul>
+<p>Filenames for fonts
+
+</p>
+<ul class="menu">
+<li><a href="#Suppliers">Suppliers</a>
+<li><a href="#Typefaces">Typefaces</a>
+<li><a href="#Weights">Weights</a>
+<li><a href="#Variants">Variants</a>
+<li><a href="#Widths">Widths</a>
+
+</li></ul>
+<p>Long names
+
+</p>
+<ul class="menu">
+<li><a href="#Name-mapping-file">Name mapping file</a>: Aliases for fonts.
+<li><a href="#Long-naming-scheme">Long naming scheme</a>: A way to use more than 8 alphanumerics.
+
+</li></ul>
+<p>Font name lists
+
+</p>
+<ul class="menu">
+<li><a href="#Standard-PostScript-fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a href="#Adobe-fonts">Adobe fonts</a>
+<li><a href="#Apple-fonts">Apple fonts</a>
+<li><a href="#Bitstream-fonts">Bitstream fonts</a>
+<li><a href="#DTC-fonts">DTC fonts</a>
+<li><a href="#ITC-fonts">ITC fonts</a>
+<li><a href="#Linotype-fonts">Linotype fonts</a>
+<li><a href="#Monotype-fonts">Monotype fonts</a>
+<li><a href="#URW-fonts">URW fonts</a>
+
+</li></ul>
+<p>Encodings
+
+</p>
+<ul class="menu">
+<li><a href="#g_t8a">8a</a>: Adobe standard.
+<li><a href="#g_t8r">8r</a>: TeX base.
+<li><a href="#cork">cork</a>: Cork (aka EC, TeX Latin 1, tex256).
+<li><a href="#dvips">dvips</a>: Dvips.
+<li><a href="#qx">qx</a>: QX, from GUST.
+<li><a href="#t5">t5</a>: Vietnamese, from vntex.
+<li><a href="#texmext">texmext</a>: TeX math extension.
+<li><a href="#texmsym">texmsym</a>: TeX math symbol.
+<li><a href="#texmital">texmital</a>: TeX math italic.
+<li><a href="#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a href="#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="#xt2">xt2</a>: Typewriter version of xl2.
+
+ </ul>
+
+<div class="node">
+<p><hr>
+<a name="Introduction"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Filenames-for-fonts">Filenames for fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Top">Top</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">1 Introduction</h2>
+
+<p><a name="index-introduction-1"></a>
+This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of TeX
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+ <p><a name="index-bugs_002c-reporting-2"></a><a name="index-reporting-bugs-3"></a><a name="index-tex_002dfonts_0040_0040tug_002eorg-4"></a>Please send additions, corrections, or other comments to
+<a href="mailto:tex-fonts@tug.org">tex-fonts@tug.org</a>. Email
+<a href="mailto:tex-fonts-request@tug.org">tex-fonts-request@tug.org</a> to join the list.
+
+ <p><a name="index-distribution-5"></a><a name="index-encoding-files-6"></a><a name="index-mapping-files-7"></a><a name="index-utilities-8"></a>Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+<samp><span class="file">README</span></samp> for details. You can retrieve the most up-to-date
+version of these lists from <a href="http://tug.org/fontname">http://tug.org/fontname</a>. It is
+also mirrored on all CTAN hosts in the directory
+<samp><span class="file">tex-archive/doc/fontname</span></samp>. For a list of CTAN mirrors, see
+<a href="http://www.ctan.org/tex-archive/CTAN.sites">http://www.ctan.org/tex-archive/CTAN.sites</a>.
+
+ <p>This document is in the public domain and may be used freely.
+
+<ul class="menu">
+<li><a accesskey="1" href="#History">History</a>
+<li><a accesskey="2" href="#References">References</a>
+</ul>
+
+<div class="node">
+<p><hr>
+<a name="History"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#References">References</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Introduction">Introduction</a>
+
+</div>
+
+<h3 class="section">1.1 History</h3>
+
+<p><a name="index-history-9"></a>
+<a name="index-Mittelbach_002c-Frank-10"></a><a name="index-Schoepf_002c-Rainer-11"></a>The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in <cite>TUGboat</cite> 11(2) (June 1990), which led to my
+article in <cite>TUGboat</cite> 11(4) (November 1990), pages 512&ndash;519.
+Mittelbach wrote another article criticizing the scheme below in
+<cite>TUGboat</cite> 13(1) (April 1992), pages 51&ndash;53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+ <p><a name="index-Fontname-version-2-12"></a>In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with LaTeX and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(see <a href="#Variants">Variants</a>); machine-readable mapping files (the <samp><span class="file">*.map</span></samp>
+files in the distribution) and standardizing directory names as well as
+font filenames (included in <samp><span class="file">supplier.map</span></samp> and
+<samp><span class="file">typeface.map</span></samp>).
+
+ <p>In Fontname version 1, some encoding variant characters (`<samp><span class="samp">0</span></samp>',
+`<samp><span class="samp">2</span></samp>', etc.) have been reassigned to a `<samp><span class="samp">7</span></samp>' or `<samp><span class="samp">8</span></samp>' sequence
+(see <a href="#Variants">Variants</a>). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued&mdash;same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+ <p><a name="index-contributors-13"></a><a name="index-Beebe_002c-Nelson-14"></a><a name="index-Beeton_002c-Barbara-15"></a><a name="index-Bernstein_002c-Rocky-16"></a><a name="index-Bouche_002c-Thierry-17"></a><a name="index-Cugley_002c-Damian-18"></a><a name="index-Horn_002c-Berthol-19"></a><a name="index-Jeffrey_002c-Alan-20"></a><a name="index-Lang_002c-Russell-21"></a><a name="index-MacKay_002c-Pierre-22"></a><a name="index-Rahtz_002c-Sebastian-23"></a><a name="index-Rivlin_002c-Jean-24"></a><a name="index-Rokicki_002c-Tom-25"></a>Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+<div class="node">
+<p><hr>
+<a name="References"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#History">History</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Introduction">Introduction</a>
+
+</div>
+
+<h3 class="section">1.2 References</h3>
+
+<p><a name="index-references-26"></a><a name="index-related-files-27"></a>
+Related files and distributions:
+
+ <ul>
+<li><a name="index-g_t_0040TeX_007b_007d-Directory-Structure-standard-28"></a><a name="index-TDS-standard-29"></a>The TeX Directory Structure (TDS) standard, available at
+(<a href="ftp://tug.org/tex/tds">ftp://tug.org/tex/tds</a> and <samp><var>CTAN:</var><span class="file">/tds</span></samp>)
+specifies a directory tree for all TeX library files. The directory
+names given in <a href="#Suppliers">Suppliers</a> and <a href="#Typefaces">Typefaces</a> are intended to mesh
+with that standard.
+
+ <li><a name="index-modes_002emf-30"></a>The <samp><span class="file">modes.mf</span></samp> file (<a href="ftp://tug.org/tex/modes.mf">ftp://tug.org/tex/modes.mf</a>)
+contains recommended mode names to use as directory names.
+
+ <li><a name="index-PSfonts-distribution-31"></a>The PSfonts distribution (<samp><var>CTAN:</var><span class="file">/fonts/psfonts</span></samp>) contains
+TeX support for many fonts, both commercially available and free.
+
+ <li><a name="index-Fontinst-distribution-32"></a>The Fontinst distribution (<samp><var>CTAN:</var><span class="file">/fonts/utilities/psfonts</span></samp>)
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+ <li><a name="index-Dvips-translator-33"></a>The Dvips translator (original at
+<a href="ftp://labrea.stanford.edu/pub/dvips*.tar.gz">ftp://labrea.stanford.edu/pub/dvips*.tar.gz</a> and variation at
+<a href="ftp://tug.org/tex/dvipsk.tar.gz">ftp://tug.org/tex/dvipsk.tar.gz</a>) supports resident and
+downloadable PostScript fonts. Dvips was the first real application of
+Fontname 1. Dvips also includes Afm2tfm, another program that can
+create virtual fonts.
+
+ <li><a name="index-Dviljk-translator-34"></a>The Dviljk processor (<a href="ftp://tug.org/tex/dviljk.tar.gz">ftp://tug.org/tex/dviljk.tar.gz</a>)
+contains TeX support for the fonts built into the LaserJet 4.
+
+ <li><a name="index-terminology-35"></a><a name="index-Southall_002c-Richard-36"></a>`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+ </ul>
+
+<div class="node">
+<p><hr>
+<a name="Filenames-for-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Long-names">Long names</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">2 Filenames for fonts</h2>
+
+<p><a name="index-limitations-37"></a><a name="index-eight_002dcharacter-limitation-38"></a><a name="index-DOS-filesystems-39"></a><a name="index-ISO-9660-40"></a><a name="index-CD_002dROM-distribution-41"></a>We must limit ourselves to eight character names, for compatibility with
+DOS filesystems and the ISO 9660 standard used for CD-ROM distribution.
+Names may consist of only the letters (monocase a-z), numerals (0-9),
+and underscore.
+
+ <p><a name="index-filenames_002c-basics-42"></a>Here is the basic division of the eight characters (the spaces here are
+merely for readability):
+
+<pre class="example"> <var>S</var> <var>TT</var> <var>W</var> [<var>V<small class="dots">...</small></var>] [<var>N</var>] [<var>E</var>] [<var>DD</var>]
+</pre>
+ <p class="noindent">where
+
+ <dl>
+<dt><var>S</var><dd>represents the supplier of the font.
+
+ <br><dt><var>TT</var><dd>represents the typeface name.
+
+ <br><dt><var>W</var><dd>represents the weight.
+
+ <br><dt><var>V<small class="dots">...</small></var><dd>represents the variant(s), and is omitted if both it and the width are
+normal. Many fonts have more than one variant.
+
+ <br><dt><var>N</var><dd>represents the encoding, and is omitted if the encoding is nonstandard.
+Encodings are subsumed in the section on variants (see <a href="#Variants">Variants</a>).
+
+ <br><dt><var>E</var><dd>represents the width (&ldquo;expansion&rdquo;), and is omitted if
+it is normal.
+
+ <br><dt><var>DD</var><dd><a name="index-design-size-specification-43"></a><a name="index-hexadecimal-design-size-44"></a><a name="index-font-scaling-45"></a><a name="index-Mittelbach_002c-Frank-46"></a>represents the design size (in decimal), and is omitted if the font is
+linearly scaled. Mittelbach in <cite>TUGboat</cite> 13(1) proposes using
+hexadecimal or base-36 notation. I don't think the increased range
+makes up for the unreadability of the common sizes (e.g., 10<span class="dmn">pt</span>
+fonts would have a suffix `<samp><span class="samp">a</span></samp>' (in hex), or `<samp><span class="samp">j</span></samp>' (in base 36)).
+
+ </dl>
+
+ <p>The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Suppliers">Suppliers</a>
+<li><a accesskey="2" href="#Typefaces">Typefaces</a>
+<li><a accesskey="3" href="#Weights">Weights</a>
+<li><a accesskey="4" href="#Variants">Variants</a>
+<li><a accesskey="5" href="#Widths">Widths</a>
+</ul>
+
+<div class="node">
+<p><hr>
+<a name="Suppliers"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.1 Suppliers</h3>
+
+<p><a name="index-suppliers-47"></a><a name="index-foundries-48"></a><a name="index-type-foundries-49"></a>
+The <dfn>supplier</dfn> is the source of a font, typically a (digital) type
+foundry.
+
+ <p><a name="index-Avant-Garde-50"></a><a name="index-Lubalin_002c-Herb-51"></a>You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with `<samp><span class="samp">p</span></samp>'.
+This is because font resellers typically make modifications to the
+original design.
+
+ <p>Notes on specific suppliers:
+
+ <dl>
+<dt>`<samp><span class="samp">f</span></samp>'<dd><a name="index-individual-font-designers-52"></a><a name="index-small-foundries-53"></a><a name="index-attribution-of-fonts_002c-missing-54"></a><a name="index-unattributed-fonts-55"></a>For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+ <br><dt>`<samp><span class="samp">r</span></samp>'<dd><a name="index-raw-fonts-56"></a>obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use `<samp><span class="samp">r</span></samp>'. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+ <br><dt>`<samp><span class="samp">z</span></samp>'<dd><a name="index-bizarre-font-names-57"></a><a name="index-nonstandard-names_002c-escape-for-58"></a><a name="index-escape-for-nonstandard-names-59"></a>for fonts that just don't fit well into the naming scheme. The `<samp><span class="samp">z</span></samp>'
+should be followed by the real supplier letter.
+</dl>
+
+ <p><a name="index-supplier_002emap-60"></a>Here is the table from the file <samp><span class="file">supplier.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "1apr04", -->
+ <!-- url = "http://tug.org/fontname/supplier.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Typeface supplier (foundry) abbreviations and -->
+ <!-- directory names for TeX fonts." -->
+ <!-- } -->
+ 0 fontfont <span class="roman">FontFont</span>
+ 2 elsnerflake <span class="roman">Elsner &amp; Flake</span>
+ 5 softmake <span class="roman">Softmaker</span>
+ 9 unknown
+ a autologi <span class="roman">Autologic</span>
+ b bitstrea <span class="roman">Bitstream</span>
+ c cg <span class="roman">Compugraphic</span>
+ d dtc <span class="roman">Digital Typeface Corporation</span>
+ e apple <span class="roman">Apple</span>
+ f public <span class="roman">small foundries</span>
+ g gnu <span class="roman">Free Software Foundation</span>
+ h bh <span class="roman">Bigelow &amp; Holmes</span>
+ i itc <span class="roman">International Typeface Corporation</span>
+ j microsft <span class="roman">Microsoft</span>
+ k softkey <span class="roman">SoftKey</span>
+ l linotype <span class="roman">Linotype</span>
+ m monotype <span class="roman">Monotype</span>
+ n ibm <span class="roman">IBM</span>
+ o corel <span class="roman">Corel</span>
+ p adobe <span class="roman">Adobe (`<samp>p</samp>' for PostScript)</span>
+ r - <span class="roman">raw (for [obsolete] use with virtual fonts)</span>
+ s sun <span class="roman">Storm Type</span>
+ t paragrap <span class="roman">ParaGraph</span>
+ u urw <span class="roman">URW</span>
+ w wolfram <span class="roman">Wolfram</span>
+ z - <span class="roman">bizarre (fontname is nonstandard)</span>
+ - autofont <span class="roman">Eddie Kohler's </span><tt>autofont</tt><span class="roman"> program</span>
+ - jknappen <span class="roman">Joerg Knappen</span>
+ - mnm <span class="roman">Hong Feng, free software in China</span>
+ - yandy <span class="roman">Y&amp;Y</span>
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Typefaces"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Weights">Weights</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Suppliers">Suppliers</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.2 Typefaces</h3>
+
+<p><a name="index-typefaces-61"></a>
+For our purposes, a <dfn>typeface</dfn> is a collection of related fonts.
+
+ <p>We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+ <p>Notes on specific typefaces:
+
+ <dl>
+<dt>`<samp><span class="samp">ad</span></samp>'<dt>`<samp><span class="samp">gm</span></samp>'<dd><a name="index-Garamond_002c-versions-of-62"></a>To explain a common confusion: `<samp><span class="samp">ad</span></samp>' is Adobe Garamond (with a
+`<samp><span class="samp">FontName</span></samp>' of `<samp><span class="samp">AGaramond</span></samp>'). This is quite different from the
+`<samp><span class="samp">Garamond</span></samp>' typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No. 3 (`<samp><span class="samp">f3</span></samp>'), Simoncini Garamond
+(`<samp><span class="samp">ig</span></samp>'), and Stempel Garamond (`<samp><span class="samp">eg</span></samp>') are still other
+variations on the Garamond theme.)
+
+ <br><dt>`<samp><span class="samp">lh</span></samp>'<dt>`<samp><span class="samp">ls</span></samp>'<dt>`<samp><span class="samp">lx</span></samp>'<dt>`<samp><span class="samp">r1</span></samp>'<dd>These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. See <a href="#Variants">Variants</a>. Ideally, they would not exist.
+
+ <br><dt>`<samp><span class="samp">ns</span></samp>'<dt>`<samp><span class="samp">nt</span></samp>'<dt>`<samp><span class="samp">tm</span></samp>'<dd>Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has `<samp><span class="samp">Times</span></samp>', `<samp><span class="samp">TimesNewRoman</span></samp>', and
+`<samp><span class="samp">TimesNewRomanPS</span></samp>'. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's `<samp><span class="samp">Times</span></samp>', Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+ <br><dt>`<samp><span class="samp">pi</span></samp>'<dd><a name="index-pi-fonts-63"></a>For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, `<samp><span class="samp">pi</span></samp>', an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, `<samp><span class="samp">mpi001r</span></samp>'. Pi font `<samp><span class="samp">001</span></samp>' for one
+supplier has nothing to do with pi font `<samp><span class="samp">001</span></samp>' for another.
+</dl>
+
+ <p><a name="index-typeface_002emap-64"></a><a name="index-FontName-65"></a>Here is the table, from the file <samp><span class="file">typeface.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript `<samp><span class="samp">FontName</span></samp>'s
+and/or a comment in roman. The `<samp><span class="samp">FontName</span></samp>' may be preceded by a
+letter <var>s</var> and a `<samp><span class="samp">:</span></samp>', as in `<samp><span class="samp">b:Dutch</span></samp>'. In that case, the
+<var>s</var> is a supplier abbreviation, and we've used that abbreviation for
+the given `<samp><span class="samp">FontName</span></samp>' from that supplier.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "25oct05", -->
+ <!-- url = "http://tug.org/fontname/typeface.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Typeface abbreviations for the TeX Fontname scheme.", -->
+ <!-- license = "public domain", -->
+ <!-- } -->
+ a1 arial Arial
+ a2 amasis Amasis
+ a3 adlib AdLib
+ a4 altgoth2 AlternateGothicNo2
+ a5 allegro Allegro
+ a6 amelia Amelia
+ a7 amertext AmericanText
+ a8 aurora Aurora
+ a9 adsans Adsans b:Humanist970BT
+ aa aachen Aachen
+ ab aboeckli ArnoldBoecklin
+ ac acaslon ACaslon <span class="roman">Adobe Caslon</span>
+ ad agaramon AGaramond <span class="roman">Adobe Garamond</span>
+ ae andalemo AndaleMono
+ ag avantgar AvantGarde m:MAvantGardeGothicPS u:URWGothicL
+ ah ashleysc AshleyScript
+ ai abadi Abadi
+ aj ajenson AJenson
+ ak arkona Arkona
+ al albertus Albertus b:Flareserif821BT
+ am amercana Americana b:Americana
+ an anna Anna
+ ao atqolive AntiqueOlive b:Incised901BT
+ ap apollo Apollo
+ aq antiqua Antiqua u:URWAntiqua m:BookAntiqua
+ ar arcadia Arcadia
+ as aldus Aldus
+ at atypewri AmericanTypewriter
+ au auriol Auriol b:Freeform721
+ av avenir Avenir
+ ax alexa Alexa
+ az azdzgrot AkzidenzGrotesk b:Gothic725BT
+ b0 blackoak Blackoak
+ b1 blado Blado
+ b2 binnyos BinnyOldStyle
+ b3 braggado Braggadocio
+ b4 bison Bison b:Brush738BT
+ b5 binghams BinghamScript b:Freehand591BT
+ b6 block Block b:Gothic821
+ b7 bernhard Bernhard BernhardModern
+ b8 blippo Blippo
+ b9 bremen Bremen
+ ba barmeno Barmeno
+ bb bembo Bembo b:Aldine401BT
+ bc banco Banco
+ bd bodoni Bodoni u:URWBodoni
+ be bell Bell
+ bf biffo Biffo
+ bg benguiat Benguiat
+ bh bauhaus Bauhaus
+ bi birch Birch
+ bj birka Birka
+ bk bookman Bookman m:MBookmanPS u:URWBookmanL
+ bl belwe Belwe
+ bm bulmer Bulmer
+ bn bernard Bernard
+ bo balloon Balloon
+ bp bodocamp BodoniCampanile b:Modern735
+ br berling Berling b:Revival565BT
+ bs bakersig BakerSignet
+ bt boton Boton
+ bu brush BrushScript
+ bv baskervi Baskerville u:URWBasker
+ bw broadway Broadway
+ by berkeley Berkeley
+ bz balzano Balzano
+ c0 carolina Carolina
+ c1 calisto Calisto
+ c2 casln224 CaslonTwoTwentyFour
+ c3 caslon3 CaslonThree
+ c4 chicago Chicago
+ c5 casln540 CaslonFiveForty
+ c6 clarion Clarion
+ c7 compacta Compacta
+ c8 calvert Calvert
+ c9 codex Codex b:Calligraphic421BT
+ ca caslon Caslon
+ cb cooper Cooper
+ cc cascade Cascade b:Freehand471BT
+ cd clarendo Clarendon u:URWClarendon
+ ce centenni Centennial
+ cf clearfac Clearface
+ cg charlema Charlemagne
+ ch charter Charter
+ ci candida Candida
+ ck caslonbe CaslonBookBE
+ cl cloister Cloister
+ cm cm <span class="roman">Computer Modern</span>
+ cn century Century
+ co cochin Cochin
+ cp copperpl Copperplate
+ cq cheq Cheq
+ cr courier Courier m:MCourierPS m:CourierTwelveMT u:NimbusMonL
+ cs cntursbk CenturySchoolbook
+ ct cheltenh Cheltenham
+ cu centuros CenturyOldStyle
+ cv clairvx Clairvaux
+ cw cottonwd Cottonwood
+ cx caxton Caxton
+ cy city City b:SquareSlabserif711BT
+ cz choc Choc b:Staccato555BT
+ d0 davida DavidaBold
+ dc domcasl Dom DomCasual DomDiagonal
+ dd ducberry DucDeBerry
+ de dellarob DellaRobbia
+ di diotima Diotima b:Calligraphic810BT
+ dj delta Delta
+ dk diskus Diskus
+ dl dolores Dolores
+ dm delima Delima
+ do didot DidotLH
+ dr doric Doric
+ ds dorchesc DorchesterScript
+ dt dante Dante
+ dy academy Academy
+ e0 embassy Embassy
+ e1 empire Empire
+ e2 metatwo Meta2
+ ea electra Electra b:Transitional521BT
+ eb baskerbe BaskervilleBE
+ ec applecha e:AppleChancery
+ ee egyptian Egyptian EgyptianExtended
+ ef egyptien EgyptienneF u:URWEgyptienne
+ eg stgaramo StempelGaramond b:OriginalGaramondBT
+ eh engsft Engschrift
+ ei esprit Esprit
+ ek eckmann Eckmann b:Freeform710
+ el ellingtn Ellington
+ en engraver Engravers
+ eo amerigo Amerigo b:AmerigoBT
+ er eras Eras
+ es eurostil Eurostile b:Square721BT k:Minima
+ et ehrhardt Ehrhardt
+ eu euler Euler
+ ev mrseaves MrsEaves
+ ex exclsior Excelsior
+ f0 flemishs FlemishScript
+ f1 fournier Fournier
+ f2 facade Facade
+ f3 festival Festival
+ f4 footligh Footlight
+ f5 french FrenchScript
+ f9 frutigernext FrutgerNext
+ fa formata Formata
+ fc freestyl FreeStyleScript
+ fe forte Forte
+ ff fairfld Fairfield b:Transitional551BT
+ fg frankgth FranklinGothic
+ fi figaro Figaro
+ fl flora Flora
+ fn fenice Fenice
+ fo folio Folio
+ fq frizquad FrizQuadrata
+ fr frutiger Frutiger b:Humanist777BT
+ fs falstaff Falstaff
+ ft fettefrk FetteFraktur Fraktur
+ fu futura Futura
+ fx felixttl FelixTitling
+ fy flyer Flyer
+ g0 gando Gando
+ g1 gothic13 GothicThirteen
+ g2 giddyup Giddyup
+ g3 garamon3 GaramondThree b:AmericanGaramondBT <span class="roman">Garamond No. 3</span>
+ g4 gymodern GoudyModern
+ g5 gycatalg GoudyCatalogue
+ g6 gorilla GorillaITC
+ g9 ugaramon GaramondRetrospective
+ ga gillsana GillSana
+ gb gothicbb GothicBBB
+ gd garuda Garuda
+ ge geneva e:Geneva
+ gg garthgra GarthGraphic
+ gh galahad Galahad
+ gi georgia Georgia
+ gj granjon Granjon b:ElegantGaramondBT
+ gl galliard Galliard
+ gm garamond Garamond u:URWGaramond
+ go gyoldsty GoudyOldStyle
+ gp glypha Glypha
+ gq grotesq Grotesque u:URWGrotesk
+ gr gloucest Gloucester
+ gs gillsans GillSans m:GillAltOneMT b:Humanist521BT
+ gt goudytxt GoudyText
+ gu guardi Guardi
+ gv giovanni Giovanni
+ gy goudy Goudy
+ gz gazette GazetteLH
+ h0 handelgo HandelGothic
+ ha hadriano Hadriano
+ hb hobo Hobo Tramp
+ hc herculnm Herculanum
+ hd headline Headline
+ hg hiroshig Hiroshige
+ hh highland Highlander
+ hi hvinsera HelveticaInserat b:Swiss921BT
+ hm charme Charme
+ hn hvneue HelveticaNeue
+ ho horleyos HorleyOldStyle
+ hr hvround HelveticaRounded
+ hs hnseati Hanseatic B:Swiss924BT
+ ht hoeflert e:HoeflerText
+ hv helvetic Helvetica u:NimbusSans u:NimbusSanL b:Swiss721BT b:Monospace821BT b:Swiss911BT d:Sans Newton n:SonoranSansSerif
+ hw schadow Schadow
+ hx huxleyvr HuxleyVertical
+ i0 commscr CommercialScript
+ i1 impress Impress
+ i2 impuls Impuls
+ i3 imperial Imperial u:URWImperial
+ ia insignia Insignia
+ ib ibycus Ibycus
+ ic impact Impact
+ id isadora Isadora
+ if inflex Inflex
+ ig scgaramo SimonciniGaramond b:ItalianGaramond
+ ii imprint Imprint
+ il caecilia Caecilia
+ im imago Imago
+ in industri Industria
+ io ionic Ionic b:News701BT
+ ip impressm Impressum
+ is italnos ItalianOldStyle
+ it italia Italia
+ iw ironwood Ironwood
+ iy iowanold IowanOldStyle
+ iz isabella Isabella
+ jf jeffersn Jefferson b:Freehand575BT
+ jn janson Janson
+ jo joanna Joanna
+ jp juniper Juniper
+ kb kabel Kabel
+ kg bankgoth BankGothic
+ kl klang Klang
+ kn kino Kino
+ ko bookmano BookmanOldStyle
+ kp kepler Kepler
+ kr korinna Korinna
+ ks kuenstsc KuenstlerScript
+ ku kaufmann Kaufmann
+ kw kolo Kolo
+ kx kigali Kigali
+ l0 lineart LinearT u:URWLinear
+ l1 liberty Liberty
+ l2 libra Libra
+ l3 lucia Lucia
+ l4 lucian Lucian
+ l5 baltica Baltica
+ l6 literatu Literaturnaya
+ l7 luxiseri LuxiSerif
+ l8 luxisans LuxiSans
+ l9 luximono LuxiMono
+ lb lubaling LubalinGraph
+ lc lucida Lucida
+ le legacy Legacy
+ lf life Life
+ lg lettrgth LetterGothic ISILGothic
+ lh lubright LucidaBright
+ li latin Latin
+ ll linolett LinoLetter
+ ln lino Lino
+ lo lithos Lithos
+ ls lucsans LucidaSans
+ lt lutetia Lutetia
+ lw leawood Leawood
+ lx lucidfax LucidaFax
+ ly lydian Lydian
+ lz legacysans LegacySans
+ m0 monospac Monospace
+ m1 monolisc MonolineScript
+ m2 metro Metro b:Geometric415BT
+ m3 mirarae Mirarae
+ m4 mrearl MisterEarl
+ m5 murrayhl MurrayHill
+ m6 mittlsft Mittelschrift
+ m7 matura Matura
+ m8 monotyos MonotypeOldStyle
+ ma mandate Mandate b:Freehand521BT
+ mc monaco e:Monaco
+ md meridien Meridien
+ me mercursc MercuriusScript
+ mg marigold Marigold
+ mh machine Machine
+ mi medici Medici
+ mj mojo Mojo
+ ml melior Melior b:ZapfElliptical711BT
+ mn minion Minion
+ mo modern Modern b:Modern20BT
+ mp memphis Memphis b:GeometricSlab703BT
+ mq mesquite Mesquite
+ mr madrone Madrone
+ ms mistral Mistral b:Staccato222BT
+ mt minister Minister
+ mv malvern Malvern
+ mx maximus Maximus
+ my myriad Myriad
+ mz amazone Amazone
+ n0 normande Normande
+ n1 binner Binner <span class="roman">not really a family</span>
+ n7 news706 News706
+ na newaster NewAster
+ nb nbaskerv NewBaskerville
+ nc ncntrsbk NewCenturySchlbk u:CenturySchL
+ nd ncaledon NewCaledonia
+ nf nofret Nofret
+ ng newsgth NewsGothic
+ ni nimrod Nimrod
+ nk neograph Neographik
+ nl neuland Neuland b:Informal011BT
+ nm nimbus Nimbus
+ nn nclarend NewClarendon
+ no notredam NotreDame
+ np nsplanti NewsPlantin
+ nr nberolin NewBerolina
+ ns timesnps TimesNewRomanPS
+ nt timesnew TimesNewRoman m:TimesNR n:SonoranSerif
+ nu nuptial Nuptial
+ nv novarese Novarese
+ nw neueunzi NeueHammerUnziale
+ nx nyx Nyx
+ nz neuzeits NeuzeitS
+ o0 oldreadf OldDreadfulNo7
+ o1 oranda Oranda
+ o2 orbitb OrbitB
+ o3 colonna Colonna
+ o4 oceansan OceanSans
+ o5 comic Comic
+ o7 oldsty7 OldStyleSeven
+ o8 officina Officina
+ oa ocra OCR-A
+ ob ocrb OCR-B
+ oc concorde Concorde
+ oe oldengli OldEnglish
+ of oxford Oxford
+ oi ondine Ondine Mermaid b:FormalScript421BT
+ oj oldclaud OldClaude
+ ol colmcill Colmcille
+ om omnia Omnia
+ on corona Corona
+ op optima Optima d:Optimum b:ZapfHumanist601BT Omega u:Classico
+ oq ouch Ouch
+ or orator Orator
+ os oldstyle OldStyle
+ ot coronet Coronet b:Ribbon131BT
+ ov octavian Octavian
+ ox onyx Onyx
+ oy olympian Olympian l:OlympicLH
+ oz ozhandcr OzHandicraft
+ p0 poplar Poplar
+ p1 palacesc PalaceScript
+ p2 pepita Pepita
+ p3 palette Palette b:Brush445BT
+ p4 pioneer PioneerITC
+ p5 piranesi Piranesi
+ p6 blueprin Blueprint
+ p7 petersbu Petersburg
+ pa parkave ParkAvenue
+ pb ptbarnum PtBarnum
+ pc poetica PoeticaChancery s:Scriptoria
+ pd placard Placard
+ pe prestige PrestigeElite
+ pf profile Profile Profil b:Decorated035BT
+ pg peignot Peignot b:Exotic350BT
+ ph photina Photina
+ pi pi <span class="roman">pi fonts---see text and <samp>*.map</samp> files</span>
+ pj pompeija Pompeijana
+ pl palatino Palatino d:Palton b:ZapfCalligraphic801BT u:URWPalladioL Palmspring k:Palindrome
+ pm postmed PostMediaeval
+ pn plantin Plantin b:Aldine721BT
+ po ponderos Ponderosa
+ pp perpetua Perpetua b:Lapidary333BT
+ pq postatqa PostAntiqua
+ pr popplres PopplResidenz
+ ps parisian Parisian
+ pt present Present
+ pu popplaud PopplLaudatio
+ pw perrywoo Perrywood
+ px popplpfx PopplPontifex
+ py playbill Playbill
+ pz poliphil Poliphilus
+ qr quorum Quorum
+ qs bellevue Bellevue
+ qt boulevar Boulevard
+ r0 romana Romana
+ r1 rotis RotisSemiSerif
+ r2 cantoria Cantoria
+ r3 rotis RotisSemiSans
+ r4 rotis RotisSansSerif
+ ra raleigh Raleigh
+ rc romic Romic
+ rm carmina Carmina
+ rn rotation Rotation
+ ro rotis RotisSerif
+ rp reporter Reporter
+ rq russelsq RussellSquare
+ rr raphael Raphael
+ rs arrus Arrus
+ rt carta Carta
+ ru runic Runic
+ rv revue Revue
+ rw rockwell Rockwell Slate b:GeometricSlab712BT
+ rc rustican Rusticana
+ ry ryumin Ryumin
+ rz ruzicka RuzickaFreehandLH
+ s0 sanmarco SanMarco
+ s1 scotchro ScotchRoman
+ s2 script Script
+ s3 seagull Seagull
+ s4 shotgun Shotgun ShotgunBlanks
+ s5 snell Snell
+ s6 stuyvesa Stuyvesant
+ s7 sassoon Sassoon
+ s8 stonesan StoneSans
+ sa scala Scala
+ sb sabon Sabon b:ClassicalGaramondBT
+ sc slimbach Slimbach
+ se shelley Shelley
+ sf serifa Serifa
+ sg serifgth SerifGothic
+ sh shannon Shannon
+ si stoneinf StoneInformal
+ sk skia e:Skia
+ sl stencil Stencil
+ sm spectrum Spectrum
+ sn spartan Spartan
+ so sonata Sonata
+ sp serpenti Serpentine
+ sr snellrnd SnellRoundhand
+ ss stschnei StempelSchneidler
+ st stone StoneSerif
+ sv souvenir Souvenir
+ sw swing Swing
+ sx syntax Syntax
+ sy symbol Symbol m:MSymbolPS u:StandardSymL
+ t0 tango Tango
+ t1 thunderb Thunderbird
+ t2 typo TypoUpright
+ tb bebodoni BodoniBE BBodoni <span class="roman">Berthold Bodoni</span>
+ te timeseur TimesEuropa
+ tf tiffany Tiffany
+ tg tradegth TradeGothic
+ th tahoma Tahoma
+ ti techphon TechPhonetic
+ tj trajan Trajan
+ tk tekton Tekton
+ tl castella Castellar
+ tm times Times u:NimbusRoman u:NimbusRomNo9L b:Dutch801BT
+ tn norasi Norasi
+ to torino Torino b:Industrial736BT
+ tp tempo Tempo
+ tr trebuche Trebuchet
+ tv trumpmed TrumpMediaeval b:Kuenstler480BT
+ tw twentyc TwentiethCentury
+ ty typewrit Typewriter u:URWTypewriter
+ u0 columbus Columbus
+ ub babodoni BauerBodoni
+ ud studio Studio
+ ug bengugth BenguiatGothic
+ uh cushing Cushing
+ ul universa Universal
+ um umbra Umbra
+ un univers Univers b:ZurichBT
+ ur centaur Centaur b:Venetian301BT
+ ut utopia Utopia
+ uw usherwoo Usherwood
+ uy universi University
+ v0 vineta Vineta
+ va activa Activa
+ vc vectora Vectora
+ vd vandijck VanDijck
+ ve veraseri VeraSerif
+ vg visigoth Visigoth
+ vi victoria Victoria
+ vj veljovic Veljovic
+ vm veramono VeraSansMono
+ vn verdana Verdana
+ vl versaill Versailles
+ vr vagrnd VAGRounded
+ vs verasans VeraSans
+ vv viva Viva
+ w0 weddingt WeddingT
+ w1 wiesbswi WiesbadenSwing
+ w9 wastrel Wastrel
+ wb walbaum Walbaum
+ wc snowcap SnowCap
+ wd weideman Weidemann
+ wg wlklgth WilhelmKlingsporGotisch
+ wh wendy Wendy
+ wi wingding Wingdings
+ wk wilke Wilke
+ wn windsor Windsor
+ wr wittenbe WitternbergerFrakt
+ ws weiss Weiss
+ wt watertit WatersTitling
+ ww willow Willow
+ xc eccentri Eccentric
+ xp exponto ExPonto
+ yg centuryg CenturyGothic
+ yh strayhor Strayhorn
+ ym stymie Stymie
+ ys goudysan GoudySans
+ za zantiqua ZAntiqua
+ zc zapfchan ZapfChancery m:ZapfChanceryPS u:URWChanceryL
+ zd zapfding ZapfDingbats m:ZapfDingbatsPS u:Dingbats
+ zg neuzeitg NeuzeitGrotesk b:Geometric706BT
+ zp ziptydo ZiptyDo
+ zt zeitgeis Zeitgeist
+ __ agbook AGBookStencil
+ __ agbookrn AGBookRounded
+ __ agoldfac AGOldFace
+ __ agschlbk AGSchoolbook
+ __ aja Aja
+ __ albertin AlbertinaMT
+ __ amigo Amigo
+ __ andreas Andreas
+ __ ariadne Ariadne
+ __ banshee Banshee
+ __ beesknee Beesknees
+ __ bellcent BellCentenial
+ __ berlgrot BerlinerGrotesk
+ __ bermuda BermudaLP
+ __ berthold BertholdScript
+ __ bickham BickhamScript
+ __ blueisla BlueIsland
+ __ bodoniof BodoniOldFaceBE
+ __ bossanov BossaNovaMVB
+ __ briemaka BriemAkademi
+ __ briemscr BriemScript
+ __ buffalog BuffaloGalMT
+ __ caflisch CaflischScript
+ __ caliban Caliban
+ __ catull Catull
+ __ celestia CelestiaAntiqua
+ __ cerigo Cerigo
+ __ chaparra Chaparral
+ __ christia Christiana
+ __ colossal Colossalis
+ __ comenius ComeniusAntiqua
+ __ concorde ConcordeNova
+ __ congabra CongaBrava
+ __ copal Copal
+ __ coriande Coriander
+ __ cosmos Cosmos
+ __ cremona Cremona
+ __ critter Critter
+ __ cronos Cronos
+ __ ctmercur CTMercurius
+ __ curlz CurlzMT
+ __ cutout Cutout
+ __ delphin Delphin
+ __ elgreco ElGreco
+ __ else ElseNPL
+ __ emmascri Emmascript
+ __ flood Flood
+ __ florens FlorensLP
+ __ fusaka Fusaka
+ __ gallia MonotypeGallia
+ __ garamobe GaramondBE
+ __ gillfaci GillFaciaMT
+ __ gillflor GillFloriatedCapsMT
+ __ graphite Graphite
+ __ greymant GreymantleMVB
+ __ hardwood HardwoodLP
+ __ immi505 Immi505
+ __ jimbo Jimbo
+ __ khaki Khaki
+ __ kidprint KidprintMT
+ __ kinesis Kinesis
+ __ kochantq KochAntiqua
+ __ legault Legault
+ __ lightlin LightlineGothicMT
+ __ lotype LoType
+ __ magnesiu MagnesiumMVB
+ __ magnolia MagnoliaMVB
+ __ mahsuri MahsuriSansMT
+ __ manito ManitoLP
+ __ mendoza MendozaRoman
+ __ mezz Mezz
+ __ micr MICR
+ __ monalisa MonaLisa
+ __ motterco MotterCorpus
+ __ mythos Mythos
+ __ nueva Nueva
+ __ oceansan OceanSans
+ __ origami Origami
+ __ ozwald Ozwald
+ __ pastonch PastonchiMT
+ __ pelican Pelican
+ __ penumbra Penumbra
+ __ pepperwo Pepperwood
+ __ poetica Poetica
+ __ pompeia Pompeia
+ __ popplexq PopplExquisit
+ __ postino Postino
+ __ quake Quake
+ __ rad Rad
+ __ reliq Reliq
+ __ rosewood Rosewood
+ __ rulngscr RulingScript
+ __ russlobl RusselOblique
+ __ sanvito Sanvito
+ __ sassafra Sassafras
+ __ serlio SerlioLH
+ __ sho Sho
+ __ shuriken Shuriken
+ __ smaragd Smaragd
+ __ spring SpringLP
+ __ spumoni SpumoniLP
+ __ studz Studz
+ __ tiepolo Tiepolo
+ __ toolbox Toolbox
+ __ verve Verve
+ __ volutasc VolutaScript
+ __ zebrawoo Zebrawood
+ __ shouyi Shouyi <span class="roman">for mnm</span>
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Weights"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Variants">Variants</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.3 Weights</h3>
+
+<p><a name="index-weight-66"></a>
+The <dfn>weight</dfn> of a font specifies its boldness. Arranged from
+lightest to heaviest (more or less):
+
+<pre class="display"> hairline, extra light, light
+ book, regular, medium
+ demibold, semibold, bold, extra bold, heavy
+ black, ultra, poster
+</pre>
+ <p><a name="index-weight_002emap-67"></a>Here is the table, from the file <samp><span class="file">weight.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript `<samp><span class="samp">FontName</span></samp>' which use that
+abbreviation.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/weight.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Weight abbreviations for TeX font names." -->
+ <!-- } -->
+ a Thin Hairline
+ b Bold
+ c Black
+ d Demi
+ h Heavy Heavyface
+ j ExtraLight
+ k Book
+ l Light
+ m Medium
+ p Poster
+ r Regular Roman
+ s Semibold
+ u Ultra UltraBlack
+ x ExtraBold ExtraBlack
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Variants"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Weights">Weights</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.4 Variants</h3>
+
+<p><a name="index-variants-68"></a>
+<dfn>Variants</dfn> include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, TeX text).
+
+ <p><a name="index-multiple-variants-69"></a>A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (`<samp><span class="samp">7</span></samp>', `<samp><span class="samp">8</span></samp>',
+or `<samp><span class="samp">9</span></samp>', see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+TeX, and many existing names already have non-alphabetized variants.)
+
+ <p><a name="index-letterspacing-70"></a><a name="index-small-caps-fonts-71"></a>The letterspacing possibilities introduced by <code>fontinst</code> and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+ <p>Notes on specific variants, both old and new:
+
+ <dl>
+<dt>`<samp><span class="samp">1</span></samp>'<dt>`<samp><span class="samp">4</span></samp>'<dt>`<samp><span class="samp">6</span></samp>'<dt>`<samp><span class="samp">b</span></samp>'<dd><a name="index-semisans-variant-72"></a><a name="index-semiserif-variant-73"></a><a name="index-fax-variant-74"></a><a name="index-bright-variant-75"></a>These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for `<samp><span class="samp">b</span></samp>', to avoid
+too-long names; and for the others, to avoid variant vs. design-size
+ambiguities.
+
+ <br><dt>`<samp><span class="samp">g</span></samp>'<dt>`<samp><span class="samp">h</span></samp>'<dd>Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+ <br><dt>`<samp><span class="samp">5</span></samp>'<dt>`<samp><span class="samp">6</span></samp>'<dt>`<samp><span class="samp">7</span></samp>'<dt>`<samp><span class="samp">8</span></samp>'<dt>`<samp><span class="samp">9</span></samp>'<dd><a name="index-phonetic-encodings-76"></a><a name="index-Cyrillic-encodings-77"></a><a name="index-g_t7_002dbit-encodings-78"></a><a name="index-g_t8_002dbit-encodings-79"></a><a name="index-expertised-encodings-80"></a><a name="index-SuperFont-81"></a><a name="index-g_t9s-_0040r_007bvariant_007d-82"></a>These characters begin a two-character <dfn>encoding variant</dfn>.
+Generally, `<samp><span class="samp">7</span></samp>' is for 7-bit encodings, `<samp><span class="samp">8</span></samp>' is for 8-bit
+encodings, and `<samp><span class="samp">9</span></samp>' is for expertised encodings with or without
+oldstyle digits (see the `<samp><span class="samp">x</span></samp>' item below), but this is not an
+absolute rule. Also, `<samp><span class="samp">5</span></samp>' is presently used for phonetic encodings
+and `<samp><span class="samp">6</span></samp>' for Cyrillic encodings. The `<samp><span class="samp">9s</span></samp>' (`<samp><span class="samp">SuperFont</span></samp>')
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+ <p><a name="index-ligatures-and-encodings-83"></a><a name="index-Lslash-84"></a><a name="index-lslash-85"></a><a name="index-T1_002eetx-86"></a>For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual TeX macros
+work. In practice, this means that it's ok for a font to be labelled
+`<samp><span class="samp">7t</span></samp>' if the only difference from Computer Modern is that the
+ligatures and the `<samp><span class="samp">lslash</span></samp>' and `<samp><span class="samp">Lslash</span></samp>' characters are
+different, since it's impossible to access or change the ligature table
+from TeX. Standard PostScript fonts don't have an `<samp><span class="samp">lslash</span></samp>'
+character the way Computer Modern does, but they do have the
+`<samp><span class="samp">Lslash</span></samp>' and `<samp><span class="samp">lslash</span></samp>' characters themselves, so the usual
+TeX <code>\lslash</code> and <code>\Lslash</code> macros can be made to work via
+ligatures. See the file <samp><span class="file">T1.etx</span></samp> file in the <code>fontinst</code>
+distribution for details.
+
+ <p><a name="index-encodings_002c-unspecified-87"></a><a name="index-Afm2tfm-encoding-88"></a><a name="index-LaserJet-4-fonts-89"></a>If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like `<samp><span class="samp">ptmr</span></samp>' for `<samp><span class="samp">Times-Roman</span></samp>'; they use the Dvips
+encoding (see <a href="#dvips">dvips</a>), which is close to (but not the same
+as) the TeX text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like `<samp><span class="samp">cunm</span></samp>', since these fonts, while compatible with
+TeX text, contain many additional characters.
+
+ <br><dt>`<samp><span class="samp">9</span></samp>'<dd>These items are needed only because `<samp><span class="samp">x</span></samp>' (and possibly `<samp><span class="samp">j</span></samp>')
+followed by a two-character regular variant makes some names too long.
+That is, `<samp><span class="samp">9t</span></samp>' is equivalent in meaning to `<samp><span class="samp">x7t</span></samp>', and `<samp><span class="samp">9d</span></samp>'
+is equivalent to `<samp><span class="samp">jx7t</span></samp>'. (This may not be true for all
+`<samp><span class="samp">9</span><var>x</var></samp>' encodings, though.)
+
+ <br><dt>`<samp><span class="samp">k</span></samp>'<dt>`<samp><span class="samp">z</span></samp>'<dd><a name="index-scripts-90"></a><a name="index-Greek-fonts-91"></a><a name="index-Cyrillic-fonts-92"></a>These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in <a href="#Introduction">Introduction</a>.
+
+ <br><dt>`<samp><span class="samp">m</span></samp>'<dt>`<samp><span class="samp">v</span></samp>'<dt>`<samp><span class="samp">y</span></samp>'<dd><a name="index-math-variants-93"></a>These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use `<samp><span class="samp">7m</span></samp>' (see <a href="#texmital">texmital</a>), `<samp><span class="samp">7v</span></samp>'
+(see <a href="#texmext">texmext</a>), and `<samp><span class="samp">7y</span></samp>' (see <a href="#texmsym">texmsym</a>).
+
+ <br><dt>`<samp><span class="samp">n</span></samp>'<dd><a name="index-informal-variant-94"></a><a name="index-schoolbook-variant-95"></a><a name="index-Stone-Informal-96"></a>This is used for several different (but very rare) variants: only the
+Stone typeface has an &ldquo;informal&rdquo; variant, and only a few Monotype
+fonts have a &ldquo;schoolbook&rdquo; variant, with different `a', `g', and `y'
+shapes.
+
+ <br><dt>`<samp><span class="samp">r</span></samp>'<dd>Included only if no other variants, including encodings, apply, and
+either the width (see <a href="#Widths">Widths</a>) is not `<samp><span class="samp">r</span></samp>' or a design size is
+present. I.e., `<samp><span class="samp">r</span></samp>' is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), `<samp><span class="samp">r</span></samp>' should
+be used when necessary, not `<samp><span class="samp">s</span></samp>'. Use `<samp><span class="samp">s</span></samp>' only when the
+typeface family has both serif and sans serif variants.
+
+ <br><dt>`<samp><span class="samp">s</span></samp>'<dt>`<samp><span class="samp">t</span></samp>'<dd><a name="index-typewriter-variant-97"></a><a name="index-sans-variant-98"></a><a name="index-Mittelbach_002c-Frank-99"></a>Mittelbach in <cite>TUGboat</cite> 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But `<samp><span class="samp">LucidaSans</span></samp>' (see <a href="#Typefaces">Typefaces</a>) and a few others are
+exceptions, to avoid too-long names.
+
+ <br><dt>`<samp><span class="samp">x</span></samp>'<dt>`<samp><span class="samp">8x</span></samp>'<dt>`<samp><span class="samp">9?</span></samp>'<dd><a name="index-expert-encoding-100"></a><a name="index-expertised-font-101"></a>`<samp><span class="samp">8x</span></samp>' indicates a font in the `<samp><span class="samp">Expert</span></samp>' encoding itself.
+`<samp><span class="samp">x</span></samp>' indicates an <dfn>expertised</dfn> font, i.e., a composite (virtual)
+font that includes characters from an `<samp><span class="samp">8x</span></samp>' font. And in fact an
+`<samp><span class="samp">x</span><var>ee</var></samp>' sequence is replaced by `<samp><span class="samp">9</span><var>e</var></samp>', to save
+characters.
+</dl>
+
+ <p><a name="index-variant_002emap-102"></a>Fontname 1 assignments are shown in brackets in the following table,
+from the file <samp><span class="file">variant.map</span></samp>. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript `<samp><span class="samp">FontName</span></samp>' which use that abbreviation or the
+PostScript `<samp><span class="samp">Encoding</span></samp>' name.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@@tug.org", -->
+ <!-- date = "3jul05", -->
+ <!-- url = "http://tug.org/fontname/variant.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Variant abbreviations for TeX font names, unfortunately -->
+ <!-- including scripts and encodings." -->
+ <!-- } -->
+ 0 inferior
+ 1 superior
+ <span class="roman">obsolete [2=&gt;7c] Fraktur encoding</span>
+ <span class="roman">obsolete [3=&gt;7f] Fraction</span>
+ <span class="roman">obsolete [4 fax; now typeface `<samp>lx</samp>', Lucida Fax]</span>
+ 5 <span class="roman">escape for (presently) phonetic encodings</span>
+ 6 <span class="roman">escape for Cyrillic encodings [was `<samp>SemiSerif</samp>']</span>
+ 7 <span class="roman">escape for (mostly) 7-bit encodings</span>
+ 8 <span class="roman">escape for (mostly) 8-bit encodings</span>
+ 9 <span class="roman">escape for (presently) expert encodings [was oldstyle digits]</span>
+ a Alt Arrows Alternative <span class="roman">[was alternate encoding]</span>
+ <span class="roman">obsolete [b bright; now typeface lh, Lucida Bright]</span>
+ c SmallCaps
+ d Display Titling Caption Headline TallCaps SwashCaps LombardicCaps Festive
+ e Engraved Copperplate Elite
+ f Fraktur Gothic OldEnglish Handtooled <span class="roman">(`gothic' can also be sans)</span>
+ g SmallText <span class="roman">designed for small sizes [was grooved, as in the IBM logo]</span>
+ h Shadow
+ i Italic Kursiv Ital <span class="roman">text italic</span>
+ j <span class="roman">old-style digits [was invisible]</span>
+ k Greek <span class="roman">obsolete</span>
+ l Outline OpenFace Blanks
+ m <span class="roman">math italic</span>
+ n Informal Fashion Schlbk <span class="roman">for Stone</span>
+ o Oblique Obl <span class="roman">slanted</span>
+ p Ornaments
+ <span class="roman">obsolete [q=&gt;8t </span><span class="roman">Cork (TeX extended) encoding</span><span class="roman">]</span>
+ r <span class="roman">roman or sans; often omitted, see text</span>
+ s Gothic <span class="roman">sans serif</span>
+ t Monospace <span class="roman">fixed-width typewriter</span>
+ u <span class="roman">unslanted italic</span>
+ v MathExtension
+ w Script Handwritten Swash Calligraphy Cursive Tango
+ x <span class="roman">built with Adobe expert encoding [was expert-encoded]</span>
+ y MathSymbol
+ z Cyrillic <span class="roman">font-dependent Cyrillic</span>
+ 5a PhoneticAlternate
+ 5i PhoneticIPA
+ 5s <span class="roman">sil-IPA</span>
+ 5t TeX-IPA <span class="roman">Fukui Rei, LaTeX T3</span>
+ 5w TeXAfricanLatin <span class="roman">wsuipa fonts, LaTeX OT3</span>
+ 5z <span class="roman">user</span>
+ 6a <span class="roman">T2A</span>
+ 6b <span class="roman">Cyrillic part of ISO 8859-5, seven bits</span>
+ 6c <span class="roman">T2C</span>
+ 6d <span class="roman">Cyrillic CP866 encoding</span>
+ 6i <span class="roman">ISO 8859-5</span>
+ 6k <span class="roman">Cyrillic KOI8-R encoding</span>
+ 6m <span class="roman">Cyrillic Macintosh encoding</span>
+ 6s <span class="roman">Storm extra encoding</span>
+ 6t <span class="roman">T2B</span>
+ 6w <span class="roman">Cyrillic CP1251 encoding</span>
+ 6x <span class="roman">X2</span>
+ 6y <span class="roman">LCY</span>
+ 6z user
+ 7a A <span class="roman">alternate characters only</span>
+ 7c Dfr <span class="roman">Fraktur</span>
+ 7d OsF OSF <span class="roman">oldstyle digit encoding</span>
+ 7f Fraction
+ 7k OT2Cyrillic
+ 7m TeXMathItalicEncoding <span class="roman">see <a href="#texmital">texmital</a></span>
+ 7t <span class="roman">TeX text encoding (as in Computer Modern Roman)</span>
+ 7v TeXMathExtensionEncoding <span class="roman">see <a href="#texmext">texmext</a></span>
+ 7y TeXMathSymbolEncoding <span class="roman">see <a href="#texmsym">texmsym</a></span>
+ 7z user
+ 82 GreekKeys
+ 83 Ibycus1
+ 84 Ibycus2
+ 8a StandardEncoding <span class="roman">Adobe standard encoding, see <a href="#g_t8a">8a</a></span>
+ 8c TeXTextCompanion <span class="roman">LaTeX TS1</span>
+ 8e CE <span class="roman">Adobe CE</span>
+ 8f TeXAfricanLatin <span class="roman">LaTeX T4</span>
+ 8i TS0 <span class="roman">Intersection of TS1/Adobe Standard</span>
+ 8m <span class="roman">Macintosh standard encoding</span>
+ 8n LM1 <span class="roman">Textures</span>
+ 8q encqxoosix <span class="roman">QX, from GUST</span>
+ 8r TeXBase1Encoding <span class="roman">(see <a href="#g_t8r">8r</a>)</span>
+ 8t CorkEncoding <span class="roman">(see <a href="#cork">cork</a>), aka tex256.enc</span>
+ 8u XT2Encoding <span class="roman">cmtt + Latin 2, see <samp>xl2.enc</samp></span>
+ 8v TeXVietnamese <span class="roman">to be defined</span>
+ 8w <span class="roman">Windows 3.1 ANSI encoding</span>
+ 8x Expert <span class="roman">expert encoding</span>
+ 8y LY1 <span class="roman">texnansi</span>
+ 8z XL2Encoding <span class="roman">cmr + Latin 2, see <samp>xl2.enc</samp></span>
+ 9c <span class="roman">expert + Text companion</span>
+ 9d <span class="roman">expert + oldstyle digits + Cork</span>
+ 9e <span class="roman">expert + Cork</span>
+ 9i TS0X <span class="roman">Intersection of TS1/Standard/Expert</span>
+ 9o <span class="roman">expert + oldstyle digits + TeX text</span>
+ 9s SF <span class="roman">SuperFont</span>
+ 9t <span class="roman">expert + TeX text</span>
+ 9u <span class="roman">Unicode-compatible</span>
+ 9x TeXnANSIEncodingX <span class="roman">texnansx, texnansi without repeats</span>
+ 9z user
+ - songti <span class="roman">for mnm</span>
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Widths"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Variants">Variants</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.5 Widths</h3>
+
+<p><a name="index-widths-103"></a><a name="index-compression-104"></a><a name="index-expansion-105"></a>
+The <dfn>width</dfn> of a font specifies the compression or expansion of the
+font. Arranged from narrowest to widest (more or less):
+
+<pre class="display"> ultra compressed, extra condensed, compressed, condensed, narrow
+ regular
+ extended, expanded, wide
+</pre>
+ <p><a name="index-automatic-expansion-106"></a><a name="index-character-scaling_002c-automatic-107"></a>Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript <code>scale</code> operator), and sometimes done by humans. In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along.
+When creating a new synthetically expanded or compressed font for use
+with TeX, e.g., with Afm2tfm or <code>fontinst</code>, use `<samp><span class="samp">n</span></samp>' and
+`<samp><span class="samp">e</span></samp>'.
+
+ <p><a name="index-width_002emap-108"></a>Here is the table, from the file <samp><span class="file">width.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript `<samp><span class="samp">FontName</span></samp>' which use that
+abbreviation.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/width.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Width abbreviations for TeX font names." -->
+ <!-- } -->
+ c Condensed Cond
+ e Expanded
+ n Narrow
+ o UltraCondensed
+ p Compressed Compact
+ q ExtraCompressed ExtraCondensed
+ r Normal Medium Regular <span class="roman">(usually omitted)</span>
+ t Thin
+ u UltraCompressed
+ v ExtraExpanded <span class="roman">more than </span><tt>Expanded</tt><span class="roman">, less than </span><tt>Wide</tt>
+ w Wide
+ x Extended Elongated
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Long-names"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Font-name-lists">Font name lists</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Filenames-for-fonts">Filenames for fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">3 Long names</h2>
+
+<p><a name="index-long-names-109"></a>
+Eight characters is not enough to unambiguously represent all fonts. To
+do that, we have to allow ourselves arbitrarily long names. Although we
+certainly cannot use such names for the files themselves, we could still
+use them in TeX documents given a simple mapping file, as discussed
+below.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Name-mapping-file">Name mapping file</a>: Aliases for fonts.
+<li><a accesskey="2" href="#Long-naming-scheme">Long naming scheme</a>: A way to use more than 8 alphanumerics.
+</ul>
+
+<div class="node">
+<p><hr>
+<a name="Name-mapping-file"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Long-naming-scheme">Long naming scheme</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Long-names">Long names</a>
+
+</div>
+
+<h3 class="section">3.1 A fontname mapping file</h3>
+
+<p><a name="index-fontname-mapping-file-110"></a><a name="index-mapping-file-111"></a>
+At the moment, most implementations of TeX look up a TFM file (as
+part of the <code>\font</code> command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in <em>another</em> file (or set of files), which
+specifies the actual filename, the fontname given in the TeX source
+file could be almost anything at all, of any length.
+
+ <p><a name="index-texfonts_002emap-112"></a>In version 5.851d of Web2c, I implemented this mapping file. Each file
+<samp><span class="file">texfonts.map</span></samp> in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+TeX name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+<code>%</code> and continue to the end of the line.
+
+ <p>Besides allowing long names, this sort of mapping file has other
+benefits. TeX source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+ <p><a name="index-Knuth_002c-Donald-E_002e-113"></a>Incidentally, Professor Knuth has approved this as a legitimate
+&ldquo;system-dependent&rdquo; extension; a TeX with such a feature can still
+be called &ldquo;TeX&rdquo;.
+
+<div class="node">
+<p><hr>
+<a name="Long-naming-scheme"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Name-mapping-file">Name mapping file</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Long-names">Long names</a>
+
+</div>
+
+<h3 class="section">3.2 A naming scheme for long names</h3>
+
+<p><a name="index-long-naming-scheme-114"></a>
+<a name="index-X-Window-System-font-names-115"></a>Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+<pre class="example"> <var>supplier</var>-<var>family</var>-<var>weight</var>-<var>variants</var>-<var>width</var>-<var>encoding</var>--<var>size</var>
+</pre>
+ <p><var>supplier</var> is the usual <code>Adobe</code>, <code>Autologic</code>, etc., as
+well as <code>unknown</code> or <code>bizarre</code>&mdash;this last meaning the rest of
+the name is nonstandard. If the <var>supplier</var> is missing, i.e., the
+name starts with a <code>-</code>, &ldquo;public domain&rdquo; is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good <var>supplier</var>.
+
+ <p><var>family</var> is <code>ComputerModern</code> or <code>Times</code> or whatever.
+
+ <p>Everything else is optional. The <code>--</code> before the <var>size</var> lets
+one specify a name with, say, a weight and variants, but then skip the
+<var>width</var> and <var>encoding</var>, but still be able to
+give a size.
+
+ <p><var>weight</var> and <var>width</var> are as described earlier.
+
+ <p>If there is more than one variant, they are separated with some
+character other than `<samp><span class="samp">-</span></samp>', say `<samp><span class="samp">=</span></samp>':
+<pre class="example"> B+H-Lucida-Bold-Sans=Typewriter--10
+</pre>
+ <p><a name="index-font_005fcoding_005fscheme-116"></a><var>encoding</var> is what Metafont calls the
+<code>font_coding_scheme</code>&mdash;the layout of the characters in the font.
+For example, `<samp><span class="samp">Cork</span></samp>' or `<samp><span class="samp">ISOLatin1</span></samp>' or `<samp><span class="samp">AdobeAlternate</span></samp>'.
+
+ <p><a name="index-category-codes-117"></a>Names are case-sensitive, for consistency with the rest of TeX and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for TeX to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+ <p>Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+`<samp><span class="samp">Times-Roman</span></samp>'.
+
+<div class="node">
+<p><hr>
+<a name="Font-name-lists"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Encodings">Encodings</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Long-names">Long names</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix A Font name lists</h2>
+
+<p>These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Standard-PostScript-fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a accesskey="2" href="#Adobe-fonts">Adobe fonts</a>
+<li><a accesskey="3" href="#Apple-fonts">Apple fonts</a>
+<li><a accesskey="4" href="#Bitstream-fonts">Bitstream fonts</a>
+<li><a accesskey="5" href="#DTC-fonts">DTC fonts</a>
+<li><a accesskey="6" href="#ITC-fonts">ITC fonts</a>
+<li><a accesskey="7" href="#Linotype-fonts">Linotype fonts</a>
+<li><a accesskey="8" href="#Monotype-fonts">Monotype fonts</a>
+<li><a accesskey="9" href="#URW-fonts">URW fonts</a>
+</ul>
+
+<div class="node">
+<p><hr>
+<a name="Standard-PostScript-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Adobe-fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.1 Standard PostScript fonts</h3>
+
+<p><a name="index-g_t35-standard-PostScript-fonts-118"></a><a name="index-standard-PostScript-fonts-119"></a><a name="index-PostScript-fonts_002c-standard-120"></a>
+Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as `<samp><span class="samp">8a</span></samp>' for the Adobe `<samp><span class="samp">StandardEncoding</span></samp>', is
+omitted.
+
+ <dl>
+<dt><samp><span class="file">pagk</span></samp><dd> `<samp><span class="samp">AvantGarde-Book</span></samp>'
+<br><dt><samp><span class="file">pagko</span></samp><dd> `<samp><span class="samp">AvantGarde-BookOblique</span></samp>'
+<br><dt><samp><span class="file">pagd</span></samp><dd> `<samp><span class="samp">AvantGarde-Demi</span></samp>'
+<br><dt><samp><span class="file">pagdo</span></samp><dd> `<samp><span class="samp">AvantGarde-DemiOblique</span></samp>'
+<br><dt><samp><span class="file">pbkd</span></samp><dd> `<samp><span class="samp">Bookman-Demi</span></samp>'
+<br><dt><samp><span class="file">pbkdi</span></samp><dd> `<samp><span class="samp">Bookman-DemiItalic</span></samp>'
+<br><dt><samp><span class="file">pbkl</span></samp><dd> `<samp><span class="samp">Bookman-Light</span></samp>'
+<br><dt><samp><span class="file">pbkli</span></samp><dd> `<samp><span class="samp">Bookman-LightItalic</span></samp>'
+<br><dt><samp><span class="file">pcrb</span></samp><dd> `<samp><span class="samp">Courier-Bold</span></samp>'
+<br><dt><samp><span class="file">pcrbo</span></samp><dd> `<samp><span class="samp">Courier-BoldOblique</span></samp>'
+<br><dt><samp><span class="file">pcrr</span></samp><dd> `<samp><span class="samp">Courier</span></samp>'
+<br><dt><samp><span class="file">pcrro</span></samp><dd> `<samp><span class="samp">Courier-Oblique</span></samp>'
+<br><dt><samp><span class="file">phvb</span></samp><dd> `<samp><span class="samp">Helvetica-Bold</span></samp>'
+<br><dt><samp><span class="file">phvbo</span></samp><dd> `<samp><span class="samp">Helvetica-BoldOblique</span></samp>'
+<br><dt><samp><span class="file">phvbrn</span></samp><dd> `<samp><span class="samp">Helvetica-NarrowBold</span></samp>'
+<br><dt><samp><span class="file">phvbon</span></samp><dd> `<samp><span class="samp">Helvetica-NarrowBoldOblique</span></samp>'
+<br><dt><samp><span class="file">phvr</span></samp><dd> `<samp><span class="samp">Helvetica</span></samp>'
+<br><dt><samp><span class="file">phvro</span></samp><dd> `<samp><span class="samp">Helvetica-Oblique</span></samp>'
+<br><dt><samp><span class="file">phvrrn</span></samp><dd> `<samp><span class="samp">Helvetica-Narrow</span></samp>'
+<br><dt><samp><span class="file">phvron</span></samp><dd> `<samp><span class="samp">Helvetica-NarrowOblique</span></samp>'
+<br><dt><samp><span class="file">pncb</span></samp><dd> `<samp><span class="samp">NewCenturySchlbk-Bold</span></samp>'
+<br><dt><samp><span class="file">pncbi</span></samp><dd> `<samp><span class="samp">NewCenturySchlbk-BoldItalic</span></samp>'
+<br><dt><samp><span class="file">pncri</span></samp><dd> `<samp><span class="samp">NewCenturySchlbk-Italic</span></samp>'
+<br><dt><samp><span class="file">pncr</span></samp><dd> `<samp><span class="samp">NewCenturySchlbk-Roman</span></samp>'
+<br><dt><samp><span class="file">pplb</span></samp><dd> `<samp><span class="samp">Palatino-Bold</span></samp>'
+<br><dt><samp><span class="file">pplbi</span></samp><dd> `<samp><span class="samp">Palatino-BoldItalic</span></samp>'
+<br><dt><samp><span class="file">pplri</span></samp><dd> `<samp><span class="samp">Palatino-Italic</span></samp>'
+<br><dt><samp><span class="file">pplr</span></samp><dd> `<samp><span class="samp">Palatino-Roman</span></samp>'
+<br><dt><samp><span class="file">psyr</span></samp><dd> `<samp><span class="samp">Symbol</span></samp>'
+<br><dt><samp><span class="file">ptmb</span></samp><dd> `<samp><span class="samp">Times-Bold</span></samp>'
+<br><dt><samp><span class="file">ptmbi</span></samp><dd> `<samp><span class="samp">Times-BoldItalic</span></samp>'
+<br><dt><samp><span class="file">ptmri</span></samp><dd> `<samp><span class="samp">Times-Italic</span></samp>'
+<br><dt><samp><span class="file">ptmr</span></samp><dd> `<samp><span class="samp">Times-Roman</span></samp>'
+<br><dt><samp><span class="file">pzcmi</span></samp><dd> `<samp><span class="samp">ZapfChancery-MediumItalic</span></samp>'
+<br><dt><samp><span class="file">pzdr</span></samp><dd> `<samp><span class="samp">ZapfDingbats</span></samp>'
+</dl>
+
+<div class="node">
+<p><hr>
+<a name="Adobe-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Apple-fonts">Apple fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Standard-PostScript-fonts">Standard PostScript fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.2 Adobe fonts</h3>
+
+<p><a name="index-adobe_002emap-121"></a>The <samp><span class="file">adobe.map</span></samp> file has abbreviations for Adobe fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "19apr04", -->
+ <!-- url = "http://tug.org/fontname/adobe.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Adobe PostScript fonts." -->
+ <!-- } -->
+ <!-- List of fonts sold or resold by Adobe Systems Inc. -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.adobe.com/type/browser/P/P_xxx.html -->
+ <!-- This list of Adobe fonts is not limited to Adobe Originals. -->
+ <!-- It also includes fonts by other suppliers (Berthold, ITC, -->
+ <!-- Linotype, Monotype, etc.) which are resold through Adobe. -->
+ <!-- The original supplier is sometimes indicated by a prefix -->
+ <!-- or suffix of the font name. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface-SC = small caps, oldstyle figs -> pxxrc8a -->
+ <!-- Typeface-OsF = uc & lc, oldstyle figures -> pxxrj8a -->
+ <!-- Typeface-A = alternate font -> pxxra8a -->
+ <!-- Typeface-Alt = alternate glyphs -> pxxr7a -->
+ <!-- Typeface-Dfr = alternate glyphs (Fraktur) -> pxxr7c -->
+ <!-- Typeface-Sw = alternate swash alphabet -> pxxriw7a -->
+ <!-- Notes on font suppliers: -->
+ <!-- TypefaceBE = Berthold -> rxxr8a -->
+ <!-- TypefaceLH = Linotype-Hell -> lxxr8a -->
+ <!-- TypefaceMT = Monotype -> mxxr8a -->
+ pcrb8a Courier-Bold A 0.1 cob_____
+ pcrbo8a Courier-BoldOblique A 0.1 cobo____
+ pcrr8a Courier A 0.1 com_____
+ pcrro8a Courier-Oblique A 0.1 coo_____
+ phvr8a Helvetica A 0.2 hv______
+ phvb8a Helvetica-Bold A 0.2 hvb_____
+ phvbo8a Helvetica-BoldOblique A 0.2 hvbo____
+ phvro8a Helvetica-Oblique A 0.2 hvo_____
+ psyr Symbol A 0.3 sy______
+ ptmb8a Times-Bold A 0.4 tib_____
+ ptmbi8a Times-BoldItalic A 0.4 tibi____
+ ptmri8a Times-Italic A 0.4 tii_____
+ ptmr8a Times-Roman A 0.4 tir_____
+ phvr8an Helvetica-Narrow A 0.5 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 0.5 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 0.5 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 0.5 hvno____
+ pplb8a Palatino-Bold A 001 pob_____
+ pplbi8a Palatino-BoldItalic A 001 pobi____
+ pplri8a Palatino-Italic A 001 poi_____
+ pplr8a Palatino-Roman A 001 por_____
+ pbkd8a Bookman-Demi A 002 bkd_____
+ pbkdi8a Bookman-DemiItalic A 002 bkdi____
+ pbkl8a Bookman-Light A 002 bkl_____
+ pbkli8a Bookman-LightItalic A 002 bkli____
+ pzcmi8a ZapfChancery-MediumItalic A 003 zcmi____
+ pzdr ZapfDingbats A 003 zd______
+ pagd8a AvantGarde-Demi A 004 agd_____
+ pagdo8a AvantGarde-DemiOblique A 004 agdo____
+ pagk8a AvantGarde-Book A 004 agw_____
+ pagko8a AvantGarde-BookOblique A 004 agwo____
+ pncb8a NewCenturySchlbk-Bold A 005 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 005 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 005 nci_____
+ pncr8a NewCenturySchlbk-Roman A 005 ncr_____
+ popr8a Optima A 006 op______
+ popb8a Optima-Bold A 006 opb_____
+ popbi8a Optima-BoldItalic A 006 opbi____
+ popbo8a Optima-BoldOblique A 006 opbo____
+ popri8a Optima-Italic A 006 opi_____
+ popro8a Optima-Oblique A 006 opo_____
+ psvd8a Souvenir-Demi A 007 sud_____
+ psvdi8a Souvenir-DemiItalic A 007 sudi____
+ psvl8a Souvenir-Light A 007 sul_____
+ psvli8a Souvenir-LightItalic A 007 suli____
+ plbd8a LubalinGraph-Demi A 008 lud_____
+ plbdo8a LubalinGraph-DemiOblique A 008 ludo____
+ plbk8a LubalinGraph-Book A 008 luw_____
+ plbko8a LubalinGraph-BookOblique A 008 luwo____
+ pgmb8a Garamond-Bold A 009 gab_____
+ pgmbi8a Garamond-BoldItalic A 009 gabi____
+ pgml8a Garamond-Light A 009 gal_____
+ pgmli8a Garamond-LightItalic A 009 gali____
+ patb8a AmericanTypewriter-Bold A 010 atb_____
+ patba8a AmericanTypewriter-BoldA A 010 atba____
+ patb8ac AmericanTypewriter-BoldCond A 010 atbc____
+ patba8ac AmericanTypewriter-BoldCondA A 010 atbca___
+ patr8ac AmericanTypewriter-Cond A 010 atc_____
+ patra8ac AmericanTypewriter-CondA A 010 atca____
+ patl8a AmericanTypewriter-Light A 010 atl_____
+ patla8a AmericanTypewriter-LightA A 010 atla____
+ patl8ac AmericanTypewriter-LightCond A 010 atlc____
+ patla8ac AmericanTypewriter-LightCondA A 010 atlca___
+ patm8a AmericanTypewriter-Medium A 010 atm_____
+ patma8a AmericanTypewriter-MediumA A 010 atma____
+ pbgb8a Benguiat-Bold A 011 bgb_____
+ pbgk8a Benguiat-Book A 011 bgw_____
+ pfqr8a FrizQuadrata A 011 fq______
+ pfqb8a FrizQuadrata-Bold A 011 fqb_____
+ pgpr8a Glypha A 012 gy______
+ pgpb8a Glypha-Bold A 012 gyb_____
+ pgpbo8a Glypha-BoldOblique A 012 gybo____
+ pgpro8a Glypha-Oblique A 012 gyo_____
+ phvc8a Helvetica-Black A 013 hvbl____
+ phvco8a Helvetica-BlackOblique A 013 hvblo___
+ phvl8a Helvetica-Light A 013 hvl_____
+ phvlo8a Helvetica-LightOblique A 013 hvlo____
+ phvr8ac Helvetica-Condensed A 014 hvc_____
+ phvb8ac Helvetica-Condensed-Bold A 014 hvcb____
+ phvc8ac Helvetica-Condensed-Black A 014 hvcbl___
+ phvbo8ac Helvetica-Condensed-BoldObl A 014 hvcbo___
+ phvro8ac Helvetica-Condensed-Oblique A 014 hvcdo___
+ phvl8ac Helvetica-Condensed-Light A 014 hvcl____
+ phvlo8ac Helvetica-Condensed-LightObl A 014 hvclo___
+ phvco8ac Helvetica-Condensed-BlackObl A 014 hvco____
+ ptvb8a TrumpMediaeval-Bold A 015 tmb_____
+ ptvbi8a TrumpMediaeval-BoldItalic A 015 tmbi____
+ ptvri8a TrumpMediaeval-Italic A 015 tmi_____
+ ptvr8a TrumpMediaeval-Roman A 015 tmr_____
+ pmlr8a Melior A 016 me______
+ pmlb8a Melior-Bold A 016 meb_____
+ pmlbi8a Melior-BoldItalic A 016 mebi____
+ pmlri8a Melior-Italic A 016 mei_____
+ pglb8a Galliard-Bold A 017 glb_____
+ pglbi8a Galliard-BoldItalic A 017 glbi____
+ pglri8a Galliard-Italic A 017 gli_____
+ pglr8a Galliard-Roman A 017 glr_____
+ pnbb8a NewBaskerville-Bold A 018 nbb_____
+ pnbbi8a NewBaskerville-BoldItalic A 018 nbbi____
+ pnbri8a NewBaskerville-Italic A 018 nbi_____
+ pnbr8a NewBaskerville-Roman A 018 nbr_____
+ pkrb8a Korinna-Bold A 019 krb_____
+ pkrbi8a Korinna-KursivBold A 019 krkb____
+ pkrri8a Korinna-KursivRegular A 019 krkx____
+ pkrr8a Korinna-Regular A 019 krrg____
+ pgyr8a Goudy A 020 go______
+ pgyb8a Goudy-Bold A 020 gob_____
+ pgybi8a Goudy-BoldItalic A 020 gobi____
+ pgyri8a Goudy-Italic A 020 goi_____
+ psor Sonata A 021 so______
+ pcub8a CenturyOldStyle-Bold A 022 csb_____
+ pcuri8a CenturyOldStyle-Italic A 022 csi_____
+ pcur8a CenturyOldStyle-Regular A 022 csrg____
+ pfgd8a FranklinGothic-Demi A 023 frd_____
+ pfgdi8a FranklinGothic-DemiItal A 023 frdi____
+ pfgdo8a FranklinGothic-DemiOblique A 023 frdo____
+ pfgh8a FranklinGothic-Heavy A 023 frh_____
+ pfghi8a FranklinGothic-HeavyItal A 023 frhi____
+ pfgho8a FranklinGothic-HeavyOblique A 023 frho____
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+ ppi037 NationalCodes-Universal A 394 ncun____
+ p_____ ElGreco A 395 eq______
+ pakm8a Arkona-Medium A 395 xnm_____
+ pakr8a Arkona-Regular A 395 xnrg____
+ pfgd8ap FranklinGothic-DemiCmpr A 396 frdcp___
+ pfgdi8ap FranklinGothic-DemiCmprItal A 396 frdpi___
+ pfgd8aq FranklinGothic-DemiXCmpr A 396 frdx____
+ pfgk8ap FranklinGothic-BookCmpr A 396 frwcp___
+ pfgki8ap FranklinGothic-BookCmprItal A 396 frwpi___
+ pfgk8aq FranklinGothic-BookXCmpr A 396 frwx____
+ pfgd8ac FranklinGothic-DemiCnd A 397 frdc____
+ pfgdi8ac FranklinGothic-DemiCndItal A 397 frdci___
+ pfgm8ac FranklinGothic-MedCnd A 397 frmc____
+ pfgmi8ac FranklinGothic-MedCndItal A 397 frmci___
+ pfgk8ac FranklinGothic-BookCnd A 397 frwc____
+ pfgki8ac FranklinGothic-BookCndItal A 397 frwci___
+ p_____ Sassafras-Italic A 398 xfi_____
+ p_____ Sassafras-LxItalic A 398 xflgi___
+ p_____ Sassafras-Lx A 398 xflgr___
+ p_____ Sassafras-Roman A 398 xfr_____
+ p_____ Sassafras-SxItalic A 398 xfshi___
+ p_____ Sassafras-Sx A 398 xfshr___
+ pkxrd8a Kigali-Block A 399 kxblk___
+ pkxrw8a Kigali-ZigZag A 399 kxdc____
+ pkxri8a Kigali-Italic A 399 kxi_____
+ pkxli8a Kigali-LxItalic A 399 kxlgi___
+ pkxl8a Kigali-Lx A 399 kxlgr___
+ pkxr8a Kigali-Roman A 399 kxr_____
+ pkxsi8a Kigali-SxItalic A 399 kxshi___
+ pkxs8a Kigali-Sx A 399 kxshr___
+ pajMMi8a AJensonMM-It A 400 jei_____
+ pajMM8a AJensonMM A 400 jer_____
+ pajMM7a AJensonMM-Alt A 401 jealt___
+ pajMM8x AJensonMM-Ep A 401 jeexp___
+ pajMMi7a AJensonMM-ItAlt A 401 jeial___
+ pajMMic8a AJensonMM-ItSC A 401 jeisc___
+ pajMMi8x AJensonMM-ItEp A 401 jeixp___
+ pajMMc8a AJensonMM-SC A 401 jersc___
+ pajMMiw8a AJensonMM-Sw A 401 jeswc___
+ mbmb8a BulmerMT-Bold A 402 ybb_____
+ mbmbi8a BulmerMT-BoldItalic A 402 ybbi____
+ mbmbd8a BulmerMT-BoldDisplay A 402 ybdb____
+ mbmbid8a BulmerMT-BoldItalicDisplay A 402 ybdbi___
+ mbmrd8a BulmerMT-RegularDisplay A 402 ybds____
+ mbmrid8a BulmerMT-ItalicDisplay A 402 ybdsi___
+ mbmri8a BulmerMT-Italic A 402 ybi_____
+ mbmr8a BulmerMT-Regular A 402 ybrg____
+ mbms8a BulmerMT-SemiBold A 402 ybsb____
+ mbmsi8a BulmerMT-SemiBoldItalic A 402 ybsi____
+ mbmb7a BulmerMT-BoldAlt A 403 ybab____
+ mbmbi7a BulmerMT-BoldItalicAlt A 403 ybabi___
+ mbmr7a BulmerMT-RegularAlt A 403 ybarg___
+ mbms7a BulmerMT-SemiBoldAlt A 403 ybasb___
+ mbmsi7a BulmerMT-SemiBoldItalicAlt A 403 ybasi___
+ mbmbd7a BulmerMT-BoldDisplayAlt A 403 ybbda___
+ mbmbid7a BulmerMT-BoldItalDisplayAlt A 403 ybbid___
+ mbmbi8x BulmerMT-BoldItalicExpert A 403 ybbix___
+ mbmb8x BulmerMT-BoldExpert A 403 ybbxp___
+ mbmri7a BulmerMT-ItalicAlt A 403 ybial___
+ mbmrid7a BulmerMT-ItalicDisplayAlt A 403 ybida___
+ mbmri8x BulmerMT-ItalicExpert A 403 ybixp___
+ mbmrd7a BulmerMT-RegularDisplayAlt A 403 ybrda___
+ mbmr8x BulmerMT-RegularExpert A 403 ybrgx___
+ mbmrc8a BulmerMT-RegularSC A 403 ybrsc___
+ mbmsc8a BulmerMT-SemiBoldSC A 403 ybsbs___
+ mbms8x BulmerMT-SemiBoldExpert A 403 ybsbx___
+ mbmsi8x BulmerMT-SemiBoldItalExpert A 403 ybsix___
+ pizr8a Isabella A 404 iz______
+ prrr8a Raphael A 404 rr______
+ pxcr8a Eccentric A 404 xc______
+ p_____ OceanSansMM-It A 405 ohi_____
+ p_____ OceanSansMM A 405 ohr_____
+ plcrt8a LucidaTypewriter A 406 tl______
+ plcbt8a LucidaTypewriter-Bold A 406 tlb_____
+ plcbot8a LucidaTypewriter-BoldObl A 406 tlbo____
+ plcrot8a LucidaTypewriter-Obl A 406 tlo_____
+ plsrt8a LucidaSansTypewriter A 407 ty______
+ plsbt8a LucidaSansTypewriter-Bd A 407 tyb_____
+ plsbot8a LucidaSansTypewriter-BdObl A 407 tybo____
+ plsrot8a LucidaSansTypewriter-Obl A 407 tyo_____
+ p_____ BriemScriptMM-Exp A 408 iiexp___
+ p_____ BriemScriptMM A 408 iirg____
+ p_____ BriemScriptMM-SC A 408 iisc____
+ pkpMM8a KeplMM A 409 k_______
+ pkpMMi8a KeplMM-It A 409 k_i_____
+ pkpMM8x KeplMM-Ep A 410 k_exp___
+ pkpMMic8a KeplMM-ItSC A 410 k_isc___
+ pkpMMi8x KeplMM-ItEp A 410 k_ixp___
+ pkpMMp1 KeplMM-Or1 A 410 k_or1___
+ pkpMMp2 KeplMM-Or2 A 410 k_or2___
+ pkpMMp3 KeplMM-Or3 A 410 k_or3___
+ pkpMMc8a KeplMM-SC A 410 k_rsc___
+ pkpMMiw8a KeplMM-Sw A 410 k_sw____
+ pmjr8a Mojo A 411 fbrg____
+ p_____ Shuriken-Boy A 412 s_boy___
+ p_____ Andreas A 413 hy______
+ poqr8a Ouch A 414 oq______
+ p_____ CongaBravaMM A 415 vbrg____
+ p_____ CongaBravaMM-St A 415 vbst____
+ p_____ CronosMM A 416 xo______
+ p_____ CronosMM-It A 416 xoi_____
+ p_____ CronosMM-Ep A 417 xoexp___
+ p_____ CronosMM-ItSC A 417 xoisc___
+ p_____ CronosMM-ItEp A 417 xoixp___
+ p_____ CronosMM-Or A 417 xoor____
+ p_____ CronosMM-SC A 417 xorsc___
+ p_____ CronosMM-Sw A 417 xosw____
+ pdkb8a Diskus-Bold A 418 d_b_____
+ pdkr8a Diskus A 418 d_rg____
+ potb8a Coronet-Bold A 418 n_b_____
+ potr8a Coronet A 418 n_rg____
+ p_____ ChaparralMM-It A 419 xti_____
+ p_____ ChaparralMM A 419 xtr_____
+ p_____ ChaparralMM-Ep A 420 xtexp___
+ p_____ ChaparralMM-ItSC A 420 xtisc___
+ p_____ ChaparralMM-ItEp A 420 xtixp___
+ p_____ ChaparralMM-Or A 420 xtor____
+ p_____ ChaparralMM-SC A 420 xtrsc___
+ ppi038 WiesbadenSwing-Dingbats A 421 wgdb____
+ p_____ BermudaLP-Dots A 422 uddc1___
+ p_____ BermudaLP-Squiggle A 422 uddc2___
+ p_____ BermudaLP-Open A 422 udou____
+ p_____ BermudaLP-Solid A 422 udrg____
+ p_____ SpumoniLP A 423 uu______
+ pzpr8a ZiptyDo A 424 zp______
+ pkwr7a KoloLP-Alternates A 425 kwalt___
+ pkwr8an KoloLP-Narrow A 425 kwn_____
+ pkwr8a KoloLP-Regular A 425 kwrg____
+ pkwr8aw KoloLP-Wide A 425 kwwd____
+ pnxr8a Nyx A 426 nxrg____
+ p_____ Banshee A 427 zo______
+ p_____ KinesisMM A 428 kj______
+ p_____ KinesisMM-It A 428 kji_____
+ p_____ KinesisMM-Ep A 429 kjexp___
+ p_____ KinesisMM-ItSC A 429 kjisc___
+ p_____ KinesisMM-ItEp A 429 kjixp___
+ p_____ KinesisMM-SC A 429 kjrsc___
+ p_____ HardwoodLP A 430 hw______
+ p_____ ManitoLP A 431 mw______
+ p_____ Coriander A 432 uc______
+ p_____ SpringLP A 433 td______
+ p_____ SpringLP-Light A 433 tdl_____
+ pwhb8a WendyLP-Bold A 434 whb_____
+ pwhl8a WendyLP-Light A 434 whl_____
+ pwhm8a WendyLP-Medium A 434 whm_____
+ p_____ BickhamScriptMM-AltI A 435 b_a1____
+ p_____ BickhamScriptMM-AltII A 435 b_a2____
+ p_____ BickhamScriptMM-Beg A 435 b_bg____
+ p_____ BickhamScriptMM-End A 435 b_en____
+ p_____ BickhamScriptMM-Lig A 435 b_lig___
+ p_____ BickhamScriptMM-Or A 435 b_or____
+ p_____ BickhamScriptMM A 435 b_rg____
+ p_____ BickhamScriptMM-SwCaps A 435 b_swc___
+ pojr8a OldClaudeLP A 436 oj______
+ pojrj8a OldClaudeLP-OsF A 436 ojosf___
+ pojrc8a OldClaudeLP-SC A 436 ojsc____
+ p_____ FlorensLP A 437 fn______
+ p_____ FlorensLP-Alternates A 437 fnalt___
+ p_____ BriemAkademiMM A 438 dkrg____
+ p_____ Khaki-One A 439 hk1_____
+ p_____ Khaki-Two A 439 hk2_____
+ p_____ Pompeia-InlineItalic A 440 vpiit___
+ p_____ Pompeia-Inline A 440 vpin____
+ p_____ Flood A 441 fyrg____
+ pwtMM7a WatersTitlingMM-Alt A 442 jwalt___
+ pwtMM7al WatersTitlingMM-Lig A 442 jwlig___
+ pwtMM8a WatersTitlingMM A 442 jwr_____
+ pwtMMd8a WatersTitlingMM-TallCaps A 442 jwtlc___
+ p_____ CelestiaAntiqua-Regular A 443 zs______
+ p_____ CelestiaAntiqua-Bold A 443 zsb_____
+ p_____ CelestiaAntiqua-BoldLig A 443 zsbdl___
+ p_____ CelestiaAntiqua-Italic A 443 zsi_____
+ p_____ CelestiaAntiqua-ItalicLig A 443 zsitl___
+ p_____ CelestiaAntiqua-Ligatures A 443 zslig___
+ p_____ CelestiaAntiqua-Ornaments A 443 zsor____
+ p_____ CelestiaAntiqua-Semibold A 443 zssb____
+ p_____ CelestiaAntiqua-SmBdLig A 443 zssbl___
+ p_____ CelestiaAntiqua-SC A 443 zssc____
+ pmyr8ac Myriad-Condensed A 444 wmc_____
+ pmyb8ac Myriad-CnBold A 444 wmcb____
+ pmybi8ac Myriad-CnBoldItalic A 444 wmcbi___
+ pmyri8ac Myriad-CnItalic A 444 wmci____
+ pmys8ac Myriad-CnSemibold A 444 wms_____
+ pmysi8ac Myriad-CnSemiboldItalic A 444 wmsi____
+ p_____ Immi505 A 445 firg____
+ p_____ MagnoliaMVB A 446 xm______
+ p_____ MagnoliaMVB-Ligatures A 446 xmlig___
+ p_____ BossaNovaMVB A 447 xb______
+ p_____ BossaNovaMVB-Alternates A 447 xbalt___
+ p_____ Emmascript A 448 xe______
+ p_____ RusselOblique A 449 zr______
+ p_____ RusselOblique-InformalAlt A 449 zralt___
+ p_____ RusselOblique-Informal A 449 zrinf___
+ mdtb8a DanteMT-Bold A 450 dlb_____
+ mdtbi8a DanteMT-BoldItalic A 450 dlbi____
+ mdtri8a DanteMT-Italic A 450 dli_____
+ mdtm8a DanteMT-Medium A 450 dlm_____
+ mdtmi8a DanteMT-MediumItalic A 450 dlmi____
+ mdtr8a DanteMT-Regular A 450 dlrg____
+ mdtb7a DanteMT-BoldAlt A 451 dlab____
+ mdtbi7a DanteMT-BoldItalicAlt A 451 dlabi___
+ mdtri7a DanteMT-ItalicAlt A 451 dlai____
+ mdtr7a DanteMT-RegularAlt A 451 dlarg___
+ mdtm7a DanteMT-MediumAlt A 451 dlasb___
+ mdtmi7a DanteMT-MediumItalicAlt A 451 dlasi___
+ mdtbij8a DanteMT-BoldItalicOsF A 451 dlbio___
+ mdtbi8x DanteMT-BoldItalicExpert A 451 dlbix___
+ mdtbj8a DanteMT-BoldOsF A 451 dlbos___
+ mdtb8x DanteMT-BoldExpert A 451 dlbxp___
+ mdtrij8a DanteMT-ItalicOsF A 451 dlios___
+ mdtri8x DanteMT-ItalicExpert A 451 dlixp___
+ mdtmij8a DanteMT-MediumItalicOsF A 451 dlmio___
+ mdtmi8x DanteMT-MediumItalicExpert A 451 dlmix___
+ mdtmj8a DanteMT-MediumOsF A 451 dlmof___
+ mdtm8x DanteMT-MediumExpert A 451 dlmxp___
+ mdtr8x DanteMT-RegularExpert A 451 dlrgx___
+ mdtrc8a DanteMT-RegularSC A 451 dlsc____
+ mdtrd8a DanteMT-Titling A 451 dlttl___
+ myhb8a StrayhornMT-Bold A 452 yhb_____
+ myhbi8a StrayhornMT-BoldItalic A 452 yhbi____
+ myhx8a StrayhornMT-ExtraBold A 452 yheb____
+ myhxi8a StrayhornMT-ExtraBoldItalic A 452 yhebi___
+ myhri8a StrayhornMT-Italic A 452 yhi_____
+ myhl8a StrayhornMT-Light A 452 yhl_____
+ myhli8a StrayhornMT-LightItalic A 452 yhli____
+ myhr8a StrayhornMT-Regular A 452 yhrg____
+ myhbij8a StrayhornMT-BoldItalicOsF A 453 yhbio___
+ myhbj8a StrayhornMT-BoldOsF A 453 yhbos___
+ myhxj8a StrayhornMT-ExtraBoldOsF A 453 yhebs___
+ myhxij8a StrayhornMT-ExtraBoldItaOsF A 453 yheis___
+ myhrij8a StrayhornMT-ItalicOsF A 453 yhios___
+ myhlij8a StrayhornMT-LightItalicOsF A 453 yhlio___
+ myhlc8a StrayhornMT-LightSC A 453 yhlsc___
+ myhrc8a StrayhornMT-RegularSC A 453 yhrsc___
+ p_____ Postino-Italic A 454 xzi_____
+ p_____ Postino A 454 xzr_____
+ p_____ ReliqMM-OsF A 455 qeosf___
+ p_____ ReliqMM A 455 qer_____
+ p_____ Critter A 456 wc______
+ p_____ Cutout A 457 wu______
+ p_____ Studz A 458 wp______
+ p_____ Rad A 459 wr______
+ p_____ Mythos A 460 wy______
+ p_____ Toolbox A 461 wt______
+ p_____ Quake A 462 wq______
+ pg2r8a Giddyup-Regular A 463 wg______
+ pg2r Giddyup-Thangs A 463 wgtha___
+ pmyrl8a Myriad-Sketch A 464 wmske___
+ pmyrn8a Myriad-Tilt A 464 wmtil___
+ mbeb8a BellMT-Bold A 465 xlb_____
+ mbebi8a BellMT-BoldItalic A 465 xlbi____
+ mberi8a BellMT-Italic A 465 xli_____
+ mber8a BellMT-Regular A 465 xlrg____
+ mbes8a BellMT-SemiBold A 465 xlsb____
+ mbesi8a BellMT-SemiBoldItalic A 465 xlsbi___
+ mber7a BellMT-RegularAlt A 466 xlarg___
+ mbes7a BellMT-SemiBoldAlt A 466 xlasb___
+ mbesi7a BellMT-SemiBoldItalicAlt A 466 xlasi___
+ mbebi8x BellMT-BoldItalicExpert A 466 xlbix___
+ mbeb8x BellMT-BoldExpert A 466 xlbxp___
+ mber8x BellMT-RegularExpert A 466 xlexp___
+ mberi7a BellMT-ItalicAlt A 466 xlial___
+ mberi8x BellMT-ItalicExpert A 466 xlixp___
+ mberx7a BellMT-RegularExpertAlt A 466 xlrxa___
+ mbesc8a BellMT-SemiBoldSC A 466 xlsbs___
+ mbes8x BellMT-SemiBoldExpert A 466 xlsbx___
+ mberc8a BellMT-RegularSC A 466 xlsc____
+ mbesi8x BellMT-SemiBoldItalicExpert A 466 xlsix___
+ mbesx7a BellMT-SemiBoldExpertAlt A 466 xlsxa___
+ mf1ri7a FournierMT-ItalicAlt A 467 xyali___
+ mf1r7a FournierMT-RegularAlt A 467 xyalt___
+ mf1ri8a FournierMT-Italic A 467 xyi_____
+ mf1rij8a FournierMT-ItalicOsF A 467 xyios___
+ mf1ri8x FournierMT-ItalicExpert A 467 xyixp___
+ mf1rp FournierMT-Ornaments A 467 xyorn___
+ mf1r8a FournierMT-Regular A 467 xyrg____
+ mf1r8x FournierMT-RegularExpert A 467 xyrgx___
+ mf1rc8a FournierMT-RegularSC A 467 xysc____
+ mf1rid8a FournierMT-ItalicTallCaps A 467 xytti___
+ mf1rd8a FournierMT-TallCaps A 467 xyttl___
+ p_____ CTMercurius-Black A 468 uibl____
+ p_____ CTMercurius-BlackItalic A 468 uibli___
+ p_____ CTMercurius-Light A 468 uil_____
+ p_____ CTMercurius-LightItalic A 468 uili____
+ p_____ CTMercurius-Medium A 468 uim_____
+ p_____ CTMercurius-MediumItalic A 468 uimi____
+ p_____ Fusaka-Regular A 469 fv______
+ p_____ Fusaka-Alternates A 469 fvalt___
+ p_____ MagnesiumMVB A 470 uh______
+ p_____ MagnesiumMVB-Grime A 470 uhdc1___
+ m_____ GillFloriatedCapsMT-Alt A 471 fwalt___
+ m_____ GillFloriatedCapsMT A 471 fwcap___
+ p_____ Origami-Bold A 472 xrb_____
+ p_____ Origami-BoldItalic A 472 xrbi____
+ p_____ Origami-Italic A 472 xri_____
+ p_____ Origami-Medium A 472 xrm_____
+ p_____ Origami-MediumItalic A 472 xrmi____
+ p_____ Origami-Regular A 472 xrrg____
+ p_____ Origami-Semibold A 472 xrsb____
+ p_____ Origami-SemiboldItalic A 472 xrsbi___
+ p_____ GreymantleMVB A 473 qg______
+ p_____ GreymantleMVB-Alternates A 473 qgalt___
+ p_____ GreymantleMVB-Ornaments A 473 qgor____
+ p_____ VerveMM-A A 474 vvaaa___
+ p_____ VerveMM A 474 vvr_____
+ p_____ VolutaScript A 475 vs______
+ p_____ VolutaScript-Alternates A 475 vsalt___
+ p_____ VolutaScript-Swash A 475 vssw____
+ pcwr8a Cottonwood A 476 c_______
+ piwr8a Ironwood A 477 i_______
+ pjpr8a Juniper A 478 j_______
+ pmqr8a Mesquite A 479 m_______
+ ppor8a Ponderosa A 480 p_______
+ pbir8a Birch A 481 bi______
+ pb0r8a Blackoak A 482 bo______
+ pmrr8a Madrone A 483 mq______
+ pp0r8a Poplar A 484 pp______
+ pwwr8a Willow A 485 wi______
+ p_____ Pepperwood-Fill A 486 uwfi____
+ p_____ Pepperwood-Outline A 486 uwou____
+ p_____ Pepperwood-Regular A 486 uwrg____
+ p_____ Rosewood-Fill A 487 uxfi____
+ p_____ Rosewood-Regular A 487 uxrg____
+ p_____ Zebrawood-Fill A 488 uyfi____
+ p_____ Zebrawood-Regular A 488 uyrg____
+ ppi026 WoodtypeOrnaments-One A 489 woor____
+ ppi027 WoodtypeOrnaments-Two A 489 woor2___
+ pg1r8a Gothic-Thirteen A 490 gtt_____
+ ptph8ac Tempo-HeavyCondensed A 491 tehc____
+ ptphi8ac Tempo-HeavyCondensedItalic A 491 tehci___
+ ppsr8a Parisian A 492 pn______
+ pumr8a Umbra A 493 um______
+ mg4ri8a GoudyModernMT-Italic A 494 ygi_____
+ mg4r8a GoudyModernMT A 494 ygrg____
+ ms1ri8a ScotchRomanMT-Italic A 495 ysi_____
+ ms1r8a ScotchRomanMT A 495 ysrg____
+ mfsr8a FalstaffMT A 496 fprg____
+ mifb8a InflexMT-Bold A 497 iqb_____
+ mm8bl8a MonotypeOldStyleMT-BoldOut A 498 mbbou___
+ mfer8a ForteMT A 499 fz______
+ mklr8a KlangMT A 500 kn______
+ mmebw8a MercuriusMT-BoldScript A 501 uzbs____
+ p_____ Smaragd A 502 smar____
+ p_____ Smaragd-Alternate A 502 smara___
+ p_____ Ariadne-Roman A 503 aria____
+ pdiri8a Diotima-Italic A 503 dti_____
+ pdirij8a Diotima-ItalicOsF A 503 dtiof___
+ pdir8a Diotima-Roman A 503 dtr_____
+ pdirj8a Diotima-RomanOsF A 503 dtros___
+ pdirc8a Diotima-RomanSC A 503 dtrsc___
+ p_____ Legault A 504 ul______
+ p_____ Legault-Alternates A 504 ula_____
+ p_____ Legault-BoldAlternates A 504 ulab____
+ p_____ Legault-Bold A 504 ulb_____
+ p_____ BlueIsland A 505 ihrg____
+ <!-- "Value Pack" A 900 -->
+ pbdp8ap Bodoni-PosterCompressed A 900 bdpsc___
+ pbax8a Barmeno-ExtraBold A 900 bfeb____
+ pb0r8a Blackoak A 900 bo______
+ zpcp33bc Copperplate-ThirtyThreeBC A 900 cp33c___
+ prtr Carta A 900 cr______
+ pdcr8a DomCasual A 900 dc______
+ mtlr8a CastellarMT A 900 el______
+ mp2r8a PepitaMT A 900 epscr___
+ pgsr8ac GillSans-Condensed A 900 gnc_____
+ pgsu8a GillSans-UltraBold A 900 gnub____
+ mgtrd8a GoudyTextMT-LombardicCapitals A 900 gxlom___
+ piwr8a Ironwood A 900 i_______
+ mbfrw8a BiffoMT A 900 ifscr___
+ pimx8a Imago-ExtraBold A 900 ioeb____
+ mjori8a JoannaMT-Italic A 900 joi_____
+ mjor8a JoannaMT A 900 jor_____
+ p_____ Colossalis-Bold A 900 kob_____
+ plgr8a LetterGothic A 900 lg______
+ plor8a Lithos-Regular A 900 lorg____
+ pmqr8a Mesquite A 900 m_______
+ pmnrp Minion-Ornaments A 900 moor____
+ pnurw8a NuptialScript A 900 nu______
+ pper8a PrestigeElite A 900 pe______
+ pqsr8a Bellevue A 900 qsrg____
+ p_____ AGOldFace-Outline A 900 qwou____
+ mrur8ac RunicMT-Condensed A 900 ric_____
+ prwx8a Rockwell-ExtraBold A 900 rkeb____
+ pslr8a Stencil A 900 st______
+ pwwr8a Willow A 900 wi______
+ ppi027 WoodtypeOrnaments-Two A 900 woor2___
+ <!-- "Wild Type" A 901 -->
+ pbir8a Birch A 901 bi______
+ putrd8a Utopia-Headline A 901 uthd____
+ p_____ Critter A 901 wc______
+ pg2r8a Giddyup-Regular A 901 wg______
+ pg2r Giddyup-Thangs A 901 wgtha___
+ pmyrd8a Myriad-Headline A 901 wmhd____
+ pmyrl8a Myriad-Sketch A 901 wmske___
+ pmyrn8a Myriad-Tilt A 901 wmtil___
+ p_____ Studz A 901 wp______
+ p_____ Quake A 901 wq______
+ p_____ Rad A 901 wr______
+ p_____ Toolbox A 901 wt______
+ p_____ Cutout A 901 wu______
+ p_____ Mythos A 901 wy______
+ <!-- "Adobe Type Basics" A 902 -->
+ pagd8a AvantGarde-Demi A 902 agd_____
+ pagdo8a AvantGarde-DemiOblique A 902 agdo____
+ pagk8a AvantGarde-Book A 902 agw_____
+ pagko8a AvantGarde-BookOblique A 902 agwo____
+ pamr8a Americana A 902 am______
+ pamx8a Americana-ExtraBold A 902 ameb____
+ pacri8a ACaslon-Italic A 902 awi_____
+ pacr8a ACaslon-Regular A 902 awrg____
+ pacs8a ACaslon-Semibold A 902 awsb____
+ pacsi8a ACaslon-SemiboldItalic A 902 awsbi___
+ pbab8a Barmeno-Bold A 902 bfb_____
+ pbax8a Barmeno-ExtraBold A 902 bfeb____
+ pbam8a Barmeno-Medium A 902 bfm_____
+ pbar8a Barmeno-Regular A 902 bfrg____
+ pbkd8a Bookman-Demi A 902 bkd_____
+ pbkdi8a Bookman-DemiItalic A 902 bkdi____
+ pbkl8a Bookman-Light A 902 bkl_____
+ pbkli8a Bookman-LightItalic A 902 bkli____
+ pb0r8a Blackoak A 902 bo______
+ pcrb8a Courier-Bold A 902 cob_____
+ pcrbo8a Courier-BoldOblique A 902 cobo____
+ pcrr8a Courier A 902 com_____
+ pcrro8a Courier-Oblique A 902 coo_____
+ prtr Carta A 902 cr______
+ pfari8a Formata-Italic A 902 fmi_____
+ pfam8a Formata-Medium A 902 fmm_____
+ pfami8a Formata-MediumItalic A 902 fmmi____
+ pfar8a Formata-Regular A 902 fmrg____
+ padb8a AGaramond-Bold A 902 gdb_____
+ padbi8a AGaramond-BoldItalic A 902 gdbi____
+ padri8a AGaramond-Italic A 902 gdi_____
+ padr8a AGaramond-Regular A 902 gdrg____
+ phvr8a Helvetica A 902 hv______
+ phvb8a Helvetica-Bold A 902 hvb_____
+ phvbo8a Helvetica-BoldOblique A 902 hvbo____
+ phvr8an Helvetica-Narrow A 902 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 902 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 902 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 902 hvno____
+ phvro8a Helvetica-Oblique A 902 hvo_____
+ pkur8a Kaufmann A 902 kf______
+ ploc8a Lithos-Black A 902 lobl____
+ plor8a Lithos-Regular A 902 lorg____
+ pncb8a NewCenturySchlbk-Bold A 902 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 902 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 902 nci_____
+ pncr8a NewCenturySchlbk-Roman A 902 ncr_____
+ ppar8a ParkAvenue A 902 pa______
+ ppsr8a Parisian A 902 pn______
+ pplb8a Palatino-Bold A 902 pob_____
+ pplbi8a Palatino-BoldItalic A 902 pobi____
+ pplri8a Palatino-Italic A 902 poi_____
+ pplr8a Palatino-Roman A 902 por_____
+ p_____ Poetica-SuppOrnaments A 902 pvor____
+ psyr Symbol A 902 sy______
+ ptmb8a Times-Bold A 902 tib_____
+ ptmbi8a Times-BoldItalic A 902 tibi____
+ ptmri8a Times-Italic A 902 tii_____
+ ptmr8a Times-Roman A 902 tir_____
+ ptjb8a Trajan-Bold A 902 tjb_____
+ ptkb8a Tekton-Bold A 902 tkb_____
+ ptkr8a Tekton A 902 tkrg____
+ ppi027 WoodtypeOrnaments-Two A 902 woor2___
+ pzcmi8a ZapfChancery-MediumItalic A 902 zcmi____
+ pzdr ZapfDingbats A 902 zd______
+ <!-- "Variety Pack" A 903 -->
+ mp1rw8a PalaceScriptMT A 903 _p______
+ pdjk8a Delta-Book A 903 djw_____
+ pdjki8a Delta-BookItalic A 903 djwi____
+ lenb8a EngraversLH-BoldFace A 903 ew______
+ pfarl8a Formata-Outline A 903 fmou____
+ pgsxd8a GillSans-ExtraBoldDisplay A 903 gnxbd___
+ mbfrw8a BiffoMT A 903 ifscr___
+ p_____ MonaLisa-Solid A 903 iysd____
+ pjpr8a Juniper A 903 j_______
+ p_____ LoType-Medium A 903 ljm_____
+ p_____ LoType-MediumItalic A 903 ljmi____
+ p_____ BerlinerGrotesk-Light A 903 otl_____
+ prwb8ac Rockwell-BoldCondensed A 903 rkbc____
+ prwr8ac Rockwell-Condensed A 903 rkc_____
+ p_____ AGBook-Stencil A 903 tast____
+ ms2bw8a ScriptMT-Bold A 903 tbscr___
+ p_____ Cutout A 903 wu______
+ ms1ri8a ScotchRomanMT-Italic A 903 ysi_____
+ ms1r8a ScotchRomanMT A 903 ysrg____
+ mm7r8a MaturaMT A 903 zz______
+ <!-- "Charleston Collection" A 904 -->
+ mr2l8a CantoriaMT-Light A 904 eol_____
+ p_____ Beesknees A 904 ikh_____
+ p_____ LoType-Medium A 904 ljm_____
+ pm1rw8a MonolineScriptMT A 904 on______
+ p_____ Ozwald A 904 ozh_____
+ mknr8a KinoMT A 904 qi______
+ pb7r8a BernhardModern-Bold A 904 rdb_____
+ puyr8a UniversityRoman A 904 ur______
+ <!-- "Jam Pack" A 905 -->
+ pbdp8ap Bodoni-PosterCompressed A 905 bdpsc___
+ pctl8ac Cheltenham-LightCond A 905 chlc____
+ pazl8ac AkzidenzGroteskBE-LightCn A 905 gflc____
+ pgsb8aq GillSans-BoldExtraCondensed A 905 gnbxc___
+ p_____ GaramondBE-Condensed A 905 gwc_____
+ p_____ LoType-MediumCondensed A 905 ljmc____
+ mrur8ac RunicMT-Condensed A 905 ric_____
+ prwr8ac Rockwell-Condensed A 905 rkc_____
+ <!-- "Originals Sampler 1" A 906 -->
+ p_____ Mezz-Regular A 906 vurg____
+ p_____ Mezz-Black A 906 vuz_____
+ p_____ CaflischScript-Bold A 906 vwb_____
+ p_____ CaflischScript-Regular A 906 vwrg____
+ p_____ Nueva-BoldExtendedItalic A 906 vxbei___
+ p_____ Nueva-BoldExtended A 906 vxbv____
+ p_____ Nueva-Italic A 906 vxi_____
+ p_____ Nueva-Roman A 906 vxr_____
+ pmyb8a Myriad-Bold A 906 wmb_____
+ pmybi8a Myriad-BoldItalic A 906 wmbi____
+ pmyri8a Myriad-Italic A 906 wmi_____
+ pmyr8a Myriad-Roman A 906 wmr_____
+ <!-- "Originals Sampler 2" A 907 -->
+ pmnb8ac Minion-BoldCondensed A 907 mobc____
+ pmnbi8ac Minion-BoldCondensedItalic A 907 mobci___
+ pmnr8ac Minion-Condensed A 907 moc_____
+ pmnri8ac Minion-CondensedItalic A 907 moci____
+ pvvx8ax Viva-BoldExtraExtended A 907 vabxe___
+ pvvl8ac Viva-LightCondensed A 907 valc____
+ pvvr8a Viva-Regular A 907 varg____
+ p_____ Sanvito-Light A 907 vyl_____
+ p_____ Sanvito-Roman A 907 vyr_____
+ p_____ Penumbra-SemiboldFlare A 907 vzsfl___
+ p_____ Penumbra-SemiboldSans A 907 vzssa___
+ p_____ Penumbra-SemiboldSerif A 907 vzsse___
+ <!-- "Script Teaser" A 908 -->
+ ppc___ Poetica-ChanceryI A 908 pvch1___
+ ppc___ Poetica-SuppLigatures A 908 pvlg____
+ ppc___ Poetica-SuppOrnaments A 908 pvor____
+ ppc___ Poetica-SuppSwashCapsI A 908 pvsw1___
+ p_____ CaflischScript-Bold A 908 vwb_____
+ p_____ CaflischScript-Regular A 908 vwrg____
+ p_____ Sanvito-BoldDisplay A 908 vydb____
+ p_____ Sanvito-Roman A 908 vyr_____
+ p_____ Sanvito-Semibold A 908 vysb____
+ pxpr8a ExPonto-Regular A 908 xprg____
+ <!-- "Touch of Classics 1" A 912 -->
+ padri8a AGaramond-Italic A 912 gdi_____
+ padr8a AGaramond-Regular A 912 gdrg____
+ pads8a AGaramond-Semibold A 912 gdsb____
+ padrc8a AGaramond-RegularSC A 912 gdsc____
+ padrd8a AGaramond-Titling A 912 gdttl___
+ <!-- "Touch of Classics 2" A 913 -->
+ pacri8a ACaslon-Italic A 913 awi_____
+ pacrp ACaslon-Ornaments A 913 awor____
+ pacr8a ACaslon-Regular A 913 awrg____
+ pacs8a ACaslon-Semibold A 913 awsb____
+ pacrc8a ACaslon-RegularSC A 913 awsc____
+ <!-- "Touch of Classics 3" A 914 -->
+ pajrd8a AJenson-RegularDisplay A 914 jsds____
+ pajri8a AJenson-Italic A 914 jsi_____
+ pajr8a AJenson-Regular A 914 jsrg____
+ pajs8a AJenson-Semibold A 914 jssb____
+ pajrc8a AJenson-RegularSC A 914 jssc____
+ <!-- "Originals on Display" A 915 -->
+ p_____ Jimbo-Bold A 915 jpb_____
+ pajsd8a AJenson-SemiboldDisplay A 915 jssp____
+ pkpbd8ax Kepler-BoldExtendedDisplay A 915 k_bed___
+ pkpsd8ac Kepler-SemiboldCondensedDisplay A 915 k_scd___
+ p_____ Mezz-Bold A 915 vub_____
+ p_____ Penumbra-BoldSerif A 915 vzbsr___
+ p_____ Cronos-Display A 915 xodr____
+ pxpr8a ExPonto-Regular A 915 xprg____
+ p_____ Chaparral-Display A 915 xtdr____
+ <!-- "Euro" A 916 -->
+ zpeurs EuroSans-Regular A 916 _1______
+ zpeubs EuroSans-Bold A 916 _1b_____
+ zpeubis EuroSans-BoldItalic A 916 _1bi____
+ zpeuris EuroSans-Italic A 916 _1i_____
+ zpeurt EuroMono-Regular A 916 _2______
+ zpeubt EuroMono-Bold A 916 _2b_____
+ zpeubit EuroMono-BoldItalic A 916 _2bi____
+ zpeurit EuroMono-Italic A 916 _2i_____
+ zpeur EuroSerif-Regular A 916 _3______
+ zpeub EuroSerif-Bold A 916 _3b_____
+ zpeubi EuroSerif-BoldItalic A 916 _3bi____
+ zpeuri EuroSerif-Italic A 916 _3i_____
+ <!-- "Essential Scripts" A 917 -->
+ pmsrw8a Mistral A 917 ms______
+ ppc___ Poetica-ChanceryII A 917 pvch2___
+ ppc___ Poetica-SuppSwashCapsII A 917 pvsw2___
+ pprl8a PopplResidenz-Light A 917 pzl_____
+ pprr8a PopplResidenz-Regular A 917 pzrg____
+ psrrw8a SnellRoundhand-Script A 917 sn______
+ mmebw8a MercuriusMT-BoldScript A 917 uzbs____
+ pwhm8a WendyLP-Medium A 917 whm_____
+ pbzrw8a Balzano A 917 zn______
+ ppi028 ScienceTypeCustomPi-No1T ??? ________
+ ppi029 ScienceTypeCustomPi-No2T ??? ________
+ ppi030 ScienceTypeCustomPi-No3T ??? ________
+ ppi031 ScienceTypeCustomPi-No4T ??? ________
+ ppi032 ScienceTypeCustomPi-No5T ??? ________
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Apple-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Bitstream-fonts">Bitstream fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Adobe-fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.3 Apple fonts</h3>
+
+<p><a name="index-apple_002emap-122"></a>The <samp><span class="file">apple.map</span></samp> file has abbreviations for Apple fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/apple.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Apple PostScript fonts." -->
+ <!-- } -->
+ <!-- From kahn@math.toronto.edu. -->
+ eecr8r AppleChancery
+ eger8r Geneva
+ ehtr8r HoeflerText
+ emcr8r Monaco
+ epi001 Zeal
+ eskr8r Skia
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Bitstream-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#DTC-fonts">DTC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Apple-fonts">Apple fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.4 Bitstream fonts</h3>
+
+<p><a name="index-bitstrea_002emap-123"></a>The <samp><span class="file">bitstrea.map</span></samp> file has abbreviations for Bitstream fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "21may05", -->
+ <!-- url = "http://tug.org/fontname/bitstrea.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Bitstream PostScript fonts.", -->
+ <!-- license = "public domain", -->
+ <!-- } -->
+ <!-- List of Bitstream fonts on the Corel Draw 12 CD-ROM. -->
+ <!-- see http://www.bitstream.com/products/world/font_cd/fontlists/500cd_fontlist.txt -->
+ bhvl8a Swiss721BT-Light BT 0001 swz721l
+ bhvli8a Swiss721BT-LightItalic BT 0002 swz721li
+ bhvr8a Swiss721BT-Roman BT 0003 swz721n
+ bhvri8a Swiss721BT-Italic BT 0004 swz721i
+ bhvb8a Swiss721BT-Bold BT 0005 swz721b
+ bhvbi8a Swiss721BT-BoldItalic BT 0006 swz721bi
+ bhvc8a Swiss721BT-Black BT 0007 swz721k
+ bhvci8a Swiss721BT-BlackItalic BT 0008 swz721ki
+ bhvr8ac Swiss721BT-RomanCondensed BT 0009 swz721c
+ bhvb8ac Swiss721BT-BoldCondensed BT 0010 swz721bc
+ btmr8a Dutch801BT-Roman BT 0011 dut801n
+ btmri8a Dutch801BT-Italic BT 0012 dut801i
+ btmb8a Dutch801BT-Bold BT 0013 dut801b
+ btmbi8a Dutch801BT-BoldItalic BT 0014 dut801bi
+ bopr8a ZapfHumanist601BT-Roman BT 0015 zhum601n
+ bopri8a ZapfHumanist601BT-Italic BT 0016 zhum601i
+ bopb8a ZapfHumanist601BT-Bold BT 0017 zhum601b
+ bopbi8a ZapfHumanist601BT-BoldItalic BT 0018 zhu601bi
+ bsvl8a SouvenirITCbyBT-Light BT 0019 souvnrl
+ bsvli8a SouvenirITCbyBT-LightItalic BT 0020 souvnrli
+ bsvd8a SouvenirITCbyBT-Demi BT 0021 souvnrd
+ bsvdi8a SouvenirITCbyBT-DemiItalic BT 0022 souvnrdi
+ bplr8a ZapfCalligraphic801BT-Roman BT 0023 zcal801n
+ bplri8a ZapfCalligraphic801BT-Italic BT 0024 zcal801i
+ bplb8a ZapfCalligraphic801BT-Bold BT 0025 zcal801b
+ bplbi8a ZapfCalligraphic801BT-BoldItal BT 0026 zca801bi
+ bexr8a News702BT-Roman BT 0027 news702n
+ bexri8a News702BT-Italic BT 0028 news702i
+ bexb8a News702BT-Bold BT 0029 news702b
+ bexbi8a News702BT-BoldItalic BT 0030 new702bi
+ bbdk8a BodoniBT-Book BT 0035 bodonin
+ bbdki8a BodoniBT-BookItalic BT 0036 bodonini
+ bbdb8a BodoniBT-Bold BT 0037 bodonib
+ bbdbi8a BodoniBT-BoldItalic BT 0038 bodonibi
+ bcnr8ax CenturyExpandedBT-Roman BT 0039 centexn
+ bcnri8ax CenturyExpandedBT-Italic BT 0040 centexi
+ bcnb8ax CenturyExpandedBT-Bold BT 0041 centexb
+ bcnbi8ax CenturyExpandedBT-BoldItalic BT 0042 centexbi
+ bg3r8a AmericanGaramondBT-Roman BT 0043 amrgaran
+ bg3ri8a AmericanGaramondBT-Italic BT 0044 amrgarai
+ bg3b8a AmericanGaramondBT-Bold BT 0045 amrgarab
+ bg3bi8a AmericanGaramondBT-BoldItalic BT 0046 amrgarbi
+ bngr8a NewsGothicBT-Roman BT 0047 newsgotn
+ bngri8a NewsGothicBT-Italic BT 0048 newsgot
+ bngb8a NewsGothicBT-Bold BT 0049 newsgotb
+ bngbi8a NewsGothicBT-BoldItalic BT 0050 newgotbi
+ bmlr8a ZapfElliptical711BT-Roman BT 0051 zelp711n
+ bmlri8a ZapfElliptical711BT-Italic BT 0052 zelp711i
+ bmlb8a ZapfElliptical711BT-Bold BT 0053 zelp711b
+ bmlbi8a ZapfElliptical711BT-BoldItalic BT 0054 zel711bi
+ bbdr8a BodoniBT-Roman BT 0055 bodoni
+ bbdri8a BodoniBT-Italic BT 0056 bodonii
+ bhbr8a HoboBT-Regular BT 0057 hobon
+ bonr8a News705BT-RomanB BT 0058 news705n
+ bonri8a News705BT-ItalicB BT 0059 news705i
+ bonb8a News705BT-BoldB BT 0060 news705b
+ b_____ BusoramaITCbyBT-Medium BT 0062 busoramm
+ bglr8a GalliardITCbyBT-Roman BT 0067 galirdn
+ bglri8a GalliardITCbyBT-Italic BT 0068 galirdi
+ bglb8a GalliardITCbyBT-Bold BT 0069 galirdb
+ bglbi8a GalliardITCbyBT-BoldItalic BT 0070 galirdbi
+ bbkl8a BookmanITCbyBT-Light BT 0075 bookmnl
+ bbkli8a BookmanITCbyBT-LightItalic BT 0076 bookmnli
+ bbkd8a BookmanITCbyBT-Demi BT 0079 bookmnd
+ bbkdi8a BookmanITCbyBT-DemiItalic BT 0080 bookmndi
+ bcsr8a CenturySchoolbookBT-Roman BT 0083 censbkn
+ bcsri8a CenturySchoolbookBT-Italic BT 0084 censbki
+ bcsb8a CenturySchoolbookBT-Bold BT 0085 censbkb
+ bcsbi8a CenturySchoolbookBT-BoldItalic BT 0086 censbkbi
+ bkrr8a KorinnaITCbyBT-Regular BT 0087 korinan
+ bkrri8a KorinnaITCbyBT-KursivRegular BT 0088 korinani
+ bkrb8a KorinnaITCbyBT-Bold BT 0089 korinab
+ bkrbi8a KorinnaITCbyBT-KursivBold BT 0090 korinabi
+ bhva8a Swiss721BT-Thin BT 0100 swz721t
+ bhvai8a Swiss721BT-ThinItalic BT 0101 swz721ti
+ bhvh8a Swiss721BT-Heavy BT 0102 swz721h
+ bhvhi8a Swiss721BT-HeavyItalic BT 0103 swz721hi
+ bhvh8aq Swiss911BT-ExtraCompressed BT 0105 swz911xc
+ bhvh8au Swiss911BT-UltraCompressed BT 0106 swz911uc
+ bgor8a GoudyOldStyleBT-Roman BT 0107 goudyosn
+ bgori8a GoudyOldStyleBT-Italic BT 0108 goudyosi
+ bgob8a GoudyOldStyleBT-Bold BT 0109 goudyosb
+ bgobi8a GoudyOldStyleBT-BoldItalic BT 0110 goudosbi
+ bgox8a GoudyOldStyleBT-ExtraBold BT 0111 goudosxb
+ bpnr8a Aldine721BT-Roman BT 0112 ald721n
+ bpnri8a Aldine721BT-Italic BT 0113 ald721i
+ bpnb8a Aldine721BT-Bold BT 0114 ald721b
+ bpnbi8a Aldine721BT-BoldItalic BT 0115 ald721bi
+ bjnr8a KisBT-Roman BT 0116 kisn
+ bjnri8a KisBT-Italic BT 0117 kisi
+ bc5r8a Caslon540BT-Roman BT 0118 casl540n
+ bc5ri8a Caslon540BT-Italic BT 0119 casl540i
+ bg1r8a GothicNo13BT-Regular BT 0120 gothic13
+ bbol8a BalloonBT-Light BT 0121 balloonl
+ bwnr8a WindsorBT-Roman BT 0122 wndsrn
+ bbgk8a BenguiatITCbyBT-Book BT 0123 benguian
+ bbgki8a BenguiatITCbyBT-BookItalic BT 0124 benguini
+ bbgb8a BenguiatITCbyBT-Bold BT 0127 benguiab
+ bbgbi8a BenguiatITCbyBT-BoldItalic BT 0128 benguibi
+ bbdp8a PosterBodoniBT-Roman BT 0129 pstrbodn
+ bbdpi8a PosterBodoniBT-Italic BT 0130 pstrbodi
+ bbwr8a BroadwayBT-Regular BT 0131 brdwayn
+ bngl8a NewsGothicBT-Light BT 0132 newsgotl
+ bngli8a NewsGothicBT-LightItalic BT 0133 newgotli
+ bopd8a ZapfHumanist601BT-Demi BT 0134 zhum601d
+ bopdi8a ZapfHumanist601BT-DemiItalic BT 0135 zhu601di
+ bopu8a ZapfHumanist601BT-Ultra BT 0136 zhum601u
+ bopui8a ZapfHumanist601BT-UltraItalic BT 0137 zhu601ui
+ bful8a FuturaBT-Light BT 0138 futural
+ bfuli8a FuturaBT-LightItalic BT 0139 futurali
+ bfuk8a FuturaBT-Book BT 0140 futuran
+ bfuki8a FuturaBT-BookItalic BT 0141 futurani
+ bfum8a FuturaBT-Medium BT 0142 futuram
+ bfumi8a FuturaBT-MediumItalic BT 0143 futurami
+ bfub8a FuturaBT-Bold BT 0144 futurab
+ bfubi8a FuturaBT-BoldItalic BT 0145 futurabi
+ bfuh8a FuturaBT-Heavy BT 0146 futurah
+ bfuhi8a FuturaBT-HeavyItalic BT 0147 futurahi
+ bfux8a FuturaBT-ExtraBlack BT 0148 futuraxk
+ bfuxi8a FuturaBT-ExtraBlackItalic BT 0149 futurxki
+ bsnk8a Geometric212BT-Book BT 0150 geo212n
+ bsnh8a Geometric212BT-Heavy BT 0151 geo212h
+ bagk8a AvantGardeITCbyBT-Book BT 0154 avgardn
+ bagko8a AvantGardeITCbyBT-BookOblique BT 0155 avgardni
+ bagm8a AvantGardeITCbyBT-Medium BT 0156 avgardm
+ bagmo8a AvantGardeITCbyBT-MediumOblique BT 0157 avgardmi
+ bagd8a AvantGardeITCbyBT-Demi BT 0158 avgardd
+ bagdo8a AvantGardeITCbyBT-DemiOblique BT 0159 avgarddo
+ bkbk8a KabelITCbyBT-Book BT 0162 kabeln
+ bkbm8a KabelITCbyBT-Medium BT 0163 kabelm
+ bkbd8a KabelITCbyBT-Demi BT 0164 kabeld
+ bkbb8a KabelITCbyBT-Bold BT 0165 kabelb
+ bkbu8a KabelITCbyBT-Ultra BT 0166 kabelu
+ bs4r8a ShotgunBT-Regular BT 0167 shotgunn
+ bhvl8ac Swiss721BT-LightCondensed BT 0169 swz721lc
+ bhvli8ac Swiss721BT-LightCondensedItalic BT 0170 sw721lci
+ bhvri8ac Swiss721BT-ItalicCondensed BT 0171 swz721ci
+ bhvbi8ac Swiss721BT-BoldCondensedItalic BT 0172 sw721bci
+ bhvc8ac Swiss721BT-BlackCondensed BT 0173 swz721kc
+ bhvci8ac Swiss721BT-BlackCondensedItalic BT 0174 sw721kci
+ bhvbl8a Swiss721BT-BoldOutline BT 0175 swz721bo
+ bunl8a ZurichBT-Light BT 0176 zurchl
+ bunli8a ZurichBT-LightItalic BT 0177 zurchli
+ bunr8a ZurichBT-Roman BT 0178 zurchn
+ bunri8a ZurichBT-Italic BT 0179 zurchi
+ bunb8a ZurichBT-Bold BT 0180 zurchb
+ bunbi8a ZurichBT-BoldItalic BT 0181 zurchbi
+ bunc8a ZurichBT-Black BT 0182 zurchk
+ bunci8a ZurichBT-BlackItalic BT 0183 zurchki
+ b____ BoltBoldITCbyBT-Regular BT 0184 boltb
+ bslr8a StencilBT-Regular BT 0191 stenciln
+ batm8a AmerTypewriterITCbyBT-Medium BT 0193 amrtypen
+ batb8a AmerTypewriterITCbyBT-Bold BT 0194 amrtypeb
+ bd0b8a DavidaBoldBT-Regular BT 0195 davidab
+ bs5r8a SnellBT-Regular BT 0196 snelln
+ bs5b8a SnellBT-Bold BT 0197 snellb
+ bs5c8a SnellBT-Black BT 0198 snellk
+ bburw8a BrushScriptBT-Regular BT 0199 brushscn
+ bful8ac FuturaBT-LightCondensed BT 0200 futuralc
+ bfum8ac FuturaBT-MediumCondensed BT 0201 futuramc
+ bfub8ac FuturaBT-BoldCondensed BT 0202 futurabc
+ bfubi8ac FuturaBT-BoldCondensedItalic BT 0203 futurbci
+ bfux8ac FuturaBT-ExtraBlackCondensed BT 0204 futurxkc
+ bfuxi8ac FuturaBT-ExtraBlackCondItalic BT 0205 futuxkci
+ bfuc8a FuturaBlackBT-Regular BT 0206 futurak
+ botr8a Ribbon131BT-Regular BT 0207 ribn131n
+ botb8a Ribbon131BT-Bold BT 0208 ribn131b
+ bi1r8a ImpressBT-Regular BT 0209 impressn
+ ba7r8a AmericanTextBT-Regular BT 0211 amrtextn
+ benrf8a EngraversOldEnglishBT-Regular BT 0212 engrolen
+ bo2r8a OrbitBbyBT-Regular BT 0213 orbitbn
+ bp4r8a PioneerITCbyBT-Regular BT 0214 pioneern
+ bv0r8a VinetaBT-Regular BT 0215 vinetan
+ byml8a StymieBT-Light BT 0216 stymiel
+ bymm8a StymieBT-Medium BT 0217 stymiem
+ bymb8a StymieBT-Bold BT 0218 stymieb
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+ beomi8a AmerigoBT-MediumItalicA BT 0771 amrigomi
+ beobi8a AmerigoBT-BoldItalicA BT 0772 amrigobi
+ bc7l8a CompactaBT-Light BT 0783 compctal
+ bc7r8a CompactaBT-Roman BT 0784 compctan
+ bc7ri8a CompactaBT-Italic BT 0785 compctai
+ bc7b8a CompactaBT-Bold BT 0786 compctab
+ bc7bi8a CompactaBT-BoldItalic BT 0787 compctbi
+ bc7c8a CompactaBT-Black BT 0788 compctak
+ bbpr8a Modern735BT-RomanA BT 0793 mod735n
+ bbwre8a BroadwayEngravedBT-Regular BT 0802 brdwayg
+ bonbi8a News705BT-BoldItalicB BT 0803 new705bi
+ bpnl8a Aldine721BT-Light BT 0804 ald721l
+ bpnli8a Aldine721BT-LightItalic BT 0805 ald721li
+ bb4r8a Brush738BT-RegularA BT 0806 brus738n
+ bb6r8ac Gothic821CondensedBT-Regular BT 0807 goth821c
+ bcir8a CandidaBT-Roman BT 0808 candidan
+ bciri8a CandidaBT-Italic BT 0809 candidai
+ bcib8a CandidaBT-Bold BT 0810 candidab
+ bdir8a Calligraphic810BT-Roman BT 0811 calg810n
+ bdiri8a Calligraphic810BT-Italic BT 0812 calg810i
+ bhrb8a Swiss721BT-BoldRounded BT 0813 swz721br
+ bhrc8a Swiss721BT-BlackRounded BT 0815 swz721kr
+ bs3l8a SeagullBT-Light BT 0817 seagulll
+ bs3m8a SeagullBT-Medium BT 0818 seagullm
+ bs3b8a SeagullBT-Bold BT 0819 seagullb
+ bs3h8a SeagullBT-Heavy BT 0820 seagullh
+ b_____ MixageITCbyBT-Bold BT 0825 mixageb
+ b_____ MixageITCbyBT-BoldItalic BT 0826 mixagebi
+ bm3r8a MiraraeBT-Roman BT 0830 miraraen
+ bm3b8a MiraraeBT-Bold BT 0831 miraraeb
+ btms8a Dutch801BT-SemiBold BT 0834 dut801db
+ btmsi8a Dutch801BT-SemiBoldItalic BT 0835 du801dbi
+ bsfb8ac SerifaBT-BoldCondensed BT 0836 serifabc
+ bb7ri8a BernhardModernBT-Italic BT 0837 bnhrdmoi
+ bb7b8a BernhardModernBT-Bold BT 0838 bnhrdmob
+ bb7bi8a BernhardModernBT-BoldItalic BT 0839 bnhrdmbi
+ b_____ English157BT-Regular BT 0840 engl157n
+ blyr8a LydianBT-Roman BT 0841 lydiann
+ blyri8a LydianBT-Italic BT 0842 lydiani
+ blyb8a LydianBT-Bold BT 0843 lydianb
+ blybi8a LydianBT-BoldItalic BT 0844 lydianbi
+ blyrw8a LydianCursiveBT-Regular BT 0845 lydianv
+ bcdr8ac ClarendonBT-RomanCondensed BT 0846 clrndnc
+ bl3r8a LuciaBT-Regular BT 0847 lucian
+ bfol8a FolioBT-Light BT 0848 foliol
+ bfoli8a FolioBT-LightItalic BT 0849 folioli
+ bfok8a FolioBT-Book BT 0850 folion
+ bfom8a FolioBT-Medium BT 0851 foliom
+ bfob8a FolioBT-Bold BT 0852 foliob
+ bfox8a FolioBT-ExtraBold BT 0853 folioxb
+ bfob8ac FolioBT-BoldCondensed BT 0854 foliobc
+ bfrl8a Humanist777BT-LightB BT 0855 hum777l
+ bfrli8a Humanist777BT-LightItalicB BT 0856 hum777li
+ bfrr8a Humanist777BT-RomanB BT 0857 hum777n
+ bfrri8a Humanist777BT-ItalicB BT 0858 hum777i
+ bfrb8a Humanist777BT-BoldB BT 0859 hum777b
+ bfrbi8a Humanist777BT-BoldItalicB BT 0860 hum777bi
+ bfrc8a Humanist777BT-BlackB BT 0861 hum777k
+ bfrci8a Humanist777BT-BlackItalicB BT 0862 hum777ki
+ begr8a OriginalGaramondBT-Roman BT 0863 orggaran
+ begri8a OriginalGaramondBT-Italic BT 0864 orggarai
+ begb8a OriginalGaramondBT-Bold BT 0865 orggarab
+ begbi8a OriginalGaramondBT-BoldItalic BT 0866 orggarbi
+ bpyr8a PlaybillBT-Regular BT 0867 playbiln
+ b_____ Century751BT-RomanB BT 0868 cent751n
+ b_____ Century751BT-ItalicB BT 0869 cent751i
+ bngr8aq NewsGothicBT-ExtraCondensed BT 0870 newgotxc
+ bngb8aq NewsGothicBT-BoldExtraCond BT 0871 newgtbxc
+ bsxr8a Humanist531BT-RomanA BT 0872 hum531n
+ bsxb8a Humanist531BT-BoldA BT 0874 hum531b
+ bsxc8a Humanist531BT-BlackA BT 0875 hum531k
+ bsxu8a Humanist531BT-UltraBlackA BT 0876 hum531uk
+ b_____ Egyptian710BT-RegularA BT 0883 egyt710n
+ bffm8a Transitional551BT-MediumB BT 0884 tran551m
+ bffmi8a Transitional551BT-MediumItalicB BT 0885 tra551mi
+ bm5b8a MurrayHillBT-Bold BT 0886 muryhilb
+ bcxl8a CaxtonBT-Light BT 0887 caxtonl
+ bcxli8a CaxtonBT-LightItalic BT 0888 caxtonli
+ bcxk8a CaxtonBT-Book BT 0889 caxtonn
+ bcxki8a CaxtonBT-BookItalic BT 0890 caxtonni
+ bcxb8a CaxtonBT-Bold BT 0891 caxtonb
+ bcxbi8a CaxtonBT-BoldItalic BT 0892 caxtonbi
+ brvr8a RevueBT-Regular BT 0895 revuen
+ br0r8a RomanaBT-Roman BT 0896 romanan
+ br0b8a RomanaBT-Bold BT 0897 romanab
+ bssl8a SchneidlerBT-Light BT 0899 schndll
+ bssli8a SchneidlerBT-LightItalic BT 0900 schndlli
+ bssr8a SchneidlerBT-Roman BT 0901 schndln
+ bssri8a SchneidlerBT-Italic BT 0902 schndli
+ bssm8a SchneidlerBT-Medium BT 0903 schndlm
+ bssmi8a SchneidlerBT-MediumItalic BT 0904 schndlmi
+ bssb8a SchneidlerBT-Bold BT 0905 schndlb
+ bssbi8a SchneidlerBT-BoldItalic BT 0906 schndlbi
+ bssc8a SchneidlerBT-Black BT 0907 schndlk
+ bssci8a SchneidlerBT-BlackItalic BT 0908 schndlki
+ bwnl8a WindsorBT-Light BT 0909 wndsrl
+ bymx8ac StymieBT-ExtraBoldCondensed BT 0910 stymixbc
+ b_____ DeVinneBT-Roman BT 0911 devinnen
+ b_____ DeVinneBT-Italic BT 0912 devinnei
+ bear8a Transitional521BT-RomanA BT 0913 tran521n
+ bearw8a Transitional521BT-CursiveA BT 0914 tran521i
+ beab8a Transitional521BT-BoldA BT 0915 tran521b
+ ball8a Flareserif821BT-Light BT 0916 flar821l
+ balr8a Flareserif821BT-Roman BT 0917 flar821n
+ balb8a Flareserif821BT-Bold BT 0918 flar821b
+ bdcri8a DomDiagonalBT-Regular BT 0920 domdiagn
+ bdcbi8a DomDiagonalBT-Bold BT 0921 domdiagb
+ bysl8a GoudySansITCbyBT-Light BT 0922 goudsanl
+ bysli8a GoudySansITCbyBT-LightItalic BT 0923 goudsali
+ bysm8a GoudySansITCbyBT-Medium BT 0924 goudsanm
+ bysmi8a GoudySansITCbyBT-MediumItalic BT 0925 goudsami
+ bysb8a GoudySansITCbyBT-Bold BT 0926 goudsanb
+ bysbi8a GoudySansITCbyBT-BoldItalic BT 0927 goudsabi
+ bysc8a GoudySansITCbyBT-Black BT 0928 goudsank
+ bysci8a GoudySansITCbyBT-BlackItalic BT 0929 goudsaki
+ bnbr8a NewBaskervilleITCbyBT-Roman BT 0930 newbaskn
+ bnbri8a NewBaskervilleITCbyBT-Italic BT 0931 newbaski
+ bnbb8a NewBaskervilleITCbyBT-Bold BT 0934 newbaskb
+ bnbbi8a NewBaskervilleITCbyBT-BoldItal BT 0935 newbasbi
+ bclrl8a CloisterOpenFaceBT-Regular BT 0938 cloisofn
+ bt2r8a TypoUprightBT-Regular BT 0939 typouprn
+ bs2r8a Script12PitchBT-Roman BT 0940 scrpt12n
+ blwk8a LeawoodITCbyBT-Book BT 0941 leawodn
+ blwki8a LeawoodITCbyBT-BookItalic BT 0942 leawodni
+ blwb8a LeawoodITCbyBT-Bold BT 0945 leawodb
+ blwbi8a LeawoodITCbyBT-BoldItalic BT 0946 leawodbi
+ bngd8a NewsGothicBT-Demi BT 0949 newsgotd
+ bngdi8a NewsGothicBT-DemiItalic BT 0950 newsgtdi
+ b_____ CataneoBT-Light BT 0951 catanltn
+ b_____ CataneoBT-Regular BT 0952 cataneon
+ b_____ CataneoBT-Bold BT 0953 catanbon
+ blfr8a LifeBT-Roman BT 0954 lifen
+ blfri8a LifeBT-Italic BT 0955 lifei
+ blfb8a LifeBT-Bold BT 0956 lifeb
+ blfbi8a LifeBT-BoldItalic BT 0957 lifebi
+ bunl8aq ZurichBT-LightExtraCondensed BT 0958 zurchlxc
+ bunr8aq ZurichBT-ExtraCondensed BT 0959 zurchxc
+ bunb8aq ZurichBT-BoldExtraCondensed BT 0960 zurchbxc
+ beel8a Egyptian505BT-Light BT 0961 egyt505l
+ beer8a Egyptian505BT-Roman BT 0962 egyt505n
+ beem8a Egyptian505BT-Medium BT 0963 egyt505m
+ beeb8a Egyptian505BT-Bold BT 0964 egyt505b
+ b_____ BruceOldStyleBT-Roman BT 0965 bruolstn
+ b_____ BruceOldStyleBT-Italic BT 0966 bruolsti
+ bhsr8a Swiss924BT-RegularB BT 0969 swz924n
+ bunx8a ZurichBT-ExtraBlack BT 0970 zurchxk
+ btmxi8a Dutch801BT-ExtraBoldItalic BT 0971 du801xbi
+ bsbbi8a ClassicalGaramondBT-BoldItalic BT 0972 clsgarbi
+ bbdb8ac BodoniBT-BoldCondensed BT 0973 bodonibc
+ benb8a EngraversRomanBT-Bold BT 0974 engrvrb
+ bi0r8a CommercialScriptBT-Regular BT 0976 comscrtn
+ bpnb8ac Aldine721BT-BoldCondensed BT 0977 ald721bc
+ bs6r8a StuyvesantBT-Regular BT 0980 stuyvesn
+ bnur8a NuptialBT-Regular BT 0981 nuptualn
+ bftr8a FrakturBT-Regular BT 0983 frakturn
+ bw0r8a WeddingTextBT-Regular BT 0985 wedtxtn
+ bb7rw8a BernhardTangoBT-Regular BT 0986 bnhrdtan
+ bl1r8a LibertyBT-Regular BT 0987 libertyn
+ bwnrl8a WindsorBT-Outline BT 0988 wndsro
+ bp3r8a Brush445BT-Regular BT 0990 brus445n
+ bgql8a Gothic720BT-LightB BT 0991 goth720l
+ bgqli8a Gothic720BT-LightItalicB BT 0992 got720li
+ bgqr8a Gothic720BT-RomanB BT 0993 goth720n
+ bgqri8a Gothic720BT-ItalicB BT 0994 goth720i
+ bgqb8a Gothic720BT-BoldB BT 0995 goth720b
+ bgqbi8a Gothic720BT-BoldItalicB BT 0996 got720bi
+ baur8a Freeform721BT-Roman BT 0997 frfm721n
+ bauri8a Freeform721BT-Italic BT 0998 frfm721i
+ baub8a Freeform721BT-Bold BT 0999 frfm721b
+ baubi8a Freeform721BT-BoldItalic BT 1000 frf721bi
+ bauc8a Freeform721BT-Black BT 1001 frfm721k
+ bauci8a Freeform721BT-BlackItalic BT 1002 frf721ki
+ bb7b8ac BernhardBoldCondensedBT-Regular BT 1003 brhrdbc
+ bazc8a Gothic725BT-BlackA BT 1007 goth720k
+ bn0r8a NormandeBT-Roman BT 1011 normandn
+ bn0ri8a NormandeBT-Italic BT 1012 normandi
+ b_____ MattAntiqueBT-Roman BT 1014 matantqn
+ b_____ MattAntiqueBT-Italic BT 1015 matantqi
+ b_____ MattAntiqueBT-Bold BT 1016 matantqb
+ bmar8a Freehand521BT-RegularC BT 1018 frhnd521
+ bmpm8ac GeometricSlab703BT-MediumCond BT 1019 geo703mc
+ bmpb8ac GeometricSlab703BT-BoldCond BT 1020 geo703bc
+ bmpx8ac GeometricSlab703BT-XtraBoldCond BT 1021 ge703xbc
+ bbll8a BelweBT-Light BT 1022 belwel
+ bblm8a BelweBT-Medium BT 1023 belwem
+ bblb8a BelweBT-Bold BT 1024 belweb
+ bblr8ac BelweBT-RomanCondensed BT 1025 belwec
+ btvc8a Kuenstler480BT-Black BT 1026 kuen408k
+ ba8r8ac AuroraBT-RomanCondensed BT 1027 aurorac
+ ba8b8ac AuroraBT-BoldCondensed BT 1028 aurorabc
+ b_____ CataneoBT-RegularSwash BT 1030 catanswn
+ b_____ CataneoBT-BoldSwash BT 1031 catanswb
+ bcbcl8a CooperBT-BlackOutline BT 1034 coopblo
+ btmrd8a Dutch801BT-RomanHeadline BT 1035 dut801na
+ btmrid8a Dutch801BT-ItalicHeadline BT 1036 dut801ia
+ b_____ Modern880BT-Roman BT 1037 mod880n
+ b_____ Modern880BT-Italic BT 1038 mod880i
+ b_____ Modern880BT-Bold BT 1039 mod880b
+ bmzr8a AmazoneBT-Regular BT 1040 amazonen
+ b_____ DeVinneBT-Text BT 1041 devinnet
+ b_____ DeVinneBT-ItalicText BT 1042 devinnit
+ bb5r8a Freehand591BT-RegularA BT 1043 frhnd591
+ b_____ Blackletter686BT-Regular BT 1044 blklt686
+ benbf8a EngraversOldEnglishBT-Bold BT 1045 engroleb
+ bjfr8a Freehand575BT-RegularB BT 1046 frhnd575
+ btor8a Industrial736BT-Roman BT 1047 ind736n
+ btori8a Industrial736BT-Italic BT 1048 ind736i
+ bgyh8a GoudyHeavyfaceBT-Regular BT 1049 goudhfcn
+ bgyh8ac GoudyHeavyfaceBT-RegularCond BT 1050 goudhfcc
+ bb7rn8a BernhardFashionBT-Regular BT 1051 bnhrdfan
+ bppc8a Lapidary333BT-Black BT 1052 lap333k
+ bgyrf8a GoudyHandtooledBTsRegular BT 1053 goudhndn
+ bg5r8a GoudyCatalogueBT-Regular BT 1054 goudcatn
+ b_____ Century725BT-Roman BT 1055 cen725n
+ b_____ Century725BT-Bold BT 1056 cen725b
+ b_____ Century725BT-RomanCondensed BT 1057 cen725c
+ b_____ Century725BT-BoldCondensed BT 1058 cen725bc
+ b_____ Century725BT-Italic BT 1059 cen725i
+ b_____ Century725BT-Black BT 1060 cen725k
+ bocr8a Dutch809BT-RomanC BT 1061 dut809n
+ bocri8a Dutch809BT-ItalicC BT 1062 dut809i
+ bocb8a Dutch809BT-BoldC BT 1063 dut809b
+ bpsr8a ParisianBT-Regular BT 1064 parisnn
+ bctb8ac CheltenhamBT-BoldCondensed BT 1065 chltboc
+ bctbi8ac CheltenhamBT-BoldCondItalic BT 1066 chltboci
+ bctb8aq CheltenhamBT-BoldExtraCondensed BT 1067 chltboxc
+ bbrr8a Revival565BT-Roman BT 1068 revi565n
+ bbrri8a Revival565BT-Italic BT 1069 revi565i
+ bbrb8a Revival565BT-Bold BT 1070 revi565b
+ bbrbi8a Revival565BT-BoldItalic BT 1071 rev565bi
+ bubrd8a BauerBodoniBT-Titling BT 1072 baubodti
+ bumr8a UmbraBT-Regular BT 1074 umbran
+ bbmr8a BulmerBT-Roman BT 1075 bulmern
+ bbmri8a BulmerBT-Italic BT 1076 bulmeri
+ bral8a RaleighBT-Light BT 1077 raleighl
+ brar8a RaleighBT-Roman BT 1078 raleighn
+ bram8a RaleighBT-Medium BT 1079 raleighm
+ brad8a RaleighBT-DemiBold BT 1080 raleigdb
+ brab8a RaleighBT-Bold BT 1081 raleighb
+ brax8a RaleighBT-ExtraBold BT 1082 raleigxb
+ boyr8a Dutch811BT-RomanD BT 1083 dut811n
+ boyri8a Dutch811BT-ItalicD BT 1084 dut811i
+ boyb8a Dutch811BT-BoldD BT 1085 dut811b
+ boybi8a Dutch811BT-BoldItalicD BT 1086 dut811bi
+ bwdk8a WeidemannITCbyBT-Book BT 1087 weidmnn
+ bwdki8a WeidemannITCbyBT-BookItalic BT 1088 weidmnni
+ bwdb8a WeidemannITCbyBT-Bold BT 1091 weidmnb
+ bwdbi8a WeidemannITCbyBT-BoldItalic BT 1092 weidmnbi
+ burr8a Venetian301BT-Roman BT 1095 ven301n
+ burri8a Venetian301BT-Italic BT 1096 ven301i
+ burd8a Venetian301BT-Demi BT 1097 ven301d
+ burdi8a Venetian301BT-DemiItalic BT 1098 ven301di
+ burb8a Venetian301BT-Bold BT 1099 ven301b
+ burbi8a Venetian301BT-BoldItalic BT 1100 ven301bi
+ b_____ FrysBaskervilleBT-Roman BT 1101 frybaskn
+ baar8a AachenBT-Roman BT 1102 aachenn
+ baab8a AachenBT-Bold BT 1103 aachenb
+ bhwl8a SchadowBT-Light BT 1104 schadwl
+ bhwli8a SchadowBT-LightCursive BT 1105 schadwli
+ bhwr8a SchadowBT-Roman BT 1106 schadwn
+ bhwb8a SchadowBT-Bold BT 1107 schadwb
+ bhwc8a SchadowBT-Black BT 1108 schadwk
+ bder8a DellaRobbiaBT-Roman BT 1112 delarobn
+ bdeb8a DellaRobbiaBT-Bold BT 1113 delarobb
+ bhwc8ac SchadowBT-BlackCondensed BT 1114 schadwkc
+ bnlr8a Informal011BT-Roman BT 1115 infr011n
+ bnlc8a Informal011BT-Black BT 1116 infr011k
+ bkbl8a Geometric231BT-LightC BT 1126 geo231l
+ bkbr8a Geometric231BT-RomanC BT 1127 geo231n
+ bkbb8a Geometric231BT-BoldC BT 1128 geo231b
+ bkbh8a Geometric231BT-HeavyC BT 1129 geo231h
+ ba5r8a AllegroBT-Regular BT 1138 allegron
+ bc9r8a Calligraphic421BT-RomanB BT 1139 calg421n
+ b_____ Geometric885BT-RegularD BT 1140 geo885n
+ b_____ Formal436BT-Regular BT 1141 frml436n
+ bl4r8a LucianBT-Roman BT 1142 luciann
+ bl4b8a LucianBT-Bold BT 1143 lucianb
+ brsr8a ArrusBT-Roman BT 1145 arrusn
+ brsri8a ArrusBT-Italic BT 1146 arrusi
+ brsb8a ArrusBT-Bold BT 1147 arrusb
+ brsbi8a ArrusBT-BoldItalic BT 1148 arrusbi
+ brsc8a ArrusBT-Black BT 1149 arrusk
+ brsci8a ArrusBT-BlackItalic BT 1150 arruski
+ bt0r8a TangoBT-Regular BT 1151 tangon
+ bbsr8a BakerSignetBT-Roman BT 1152 bakrsign
+ bczr8a Staccato555BT-RegularA BT 1153 stac555n
+ ba3r8a AdLibBT-Regular BT 1154 adlibn
+ bmor8a Modern20BT-RomanB BT 1168 modrn20n
+ bmori8a Modern20BT-ItalicB BT 1169 modrn20i
+ be1r8a EmpireBT-Regular BT 1176 empiren
+ bhxr8a HuxleyVerticalBT-Regular BT 1177 huxvertn
+ bozr8a OzHandicraftBT-Roman BT 1178 ozhandin
+ biyr8a IowanOldStyleBT-Roman BT 1198 iwolstyn
+ biyri8a IowanOldStyleBT-Italic BT 1199 iwolstyi
+ biyb8a IowanOldStyleBT-Bold BT 1200 iwolstyb
+ biybi8a IowanOldStyleBT-BoldItalic BT 1201 iwolstbi
+ biyc8a IowanOldStyleBT-Black BT 1202 iwolstyk
+ biyci8a IowanOldStyleBT-BlackItalic BT 1203 iwolstki
+ bo1r8a OrandaBT-Roman BT 1204 orandan
+ bo1ri8a OrandaBT-Italic BT 1205 orandai
+ bo1b8a OrandaBT-Bold BT 1206 orandab
+ bo1bi8a OrandaBT-BoldItalic BT 1207 orandabi
+ bo1r8ac OrandaBT-RomanCondensed BT 1208 orandac
+ bo1b8ac OrandaBT-BoldCondensed BT 1209 orandabc
+ bm4r8a MisterEarlBT-Regular BT 1221 mrearln
+ bb9b8a BremenBT-Bold BT 1231 bremenb
+ bb9c8a BremenBT-Black BT 1232 bremenk
+ bwcr8a SnowCapBT-Regular BT 1237 ________
+ b_____ MilleniumBT-BoldExtended BT 1242 milnumbe
+ bpi007 SprocketDeluxeBT-Regular BT 1243 ________
+ bpi008 SprocketBT-Regular BT 1244 ________
+ bpi009 SonicCutThruBT-Heavy BT 1247 ________
+ b_____ CharterITCbyBT-Roman BT 1268 ichrtrn
+ b_____ CharterITCbyBT-Italic BT 1269 ichrtri
+ b_____ CharterITCbyBT-Bold BT 1270 ichrtrb
+ b_____ CharterITCbyBT-BoldItalic BT 1271 ichrtrbi
+ b_____ CharterITCbyBT-Black BT 1272 ichrtrk
+ b_____ CharterITCbyBT-BlackItalic BT 1273 ichrtrki
+ bo0r8a OldDreadfulNo7BT-Regular BT 7009 ________
+ bzdr ZapfDingbatsITCbyBT-Regular BT 8556 zafdingn
+ b_____ MICR10byBT-Regular BT 8729 micr010n
+ b_____ MICR12byBT-Regular BT 8730 micr012n
+ b_____ MICR13byBT-Regular BT 8731 micr013n
+ bpi003 UniversalMath1BT-Regular BT 9014 ________
+ bpi004 CommercialPiBT-Regular BT 9025 ________
+ bsyr SymbolProportionalBT-Regular BT 9830 symbpron
+ bpi010 HolidayPiBT-Regular BT 9832 ________
+ bpi001 NewspaperPiBT-Regular BT 9836 ________
+</pre>
+ <div class="node">
+<p><hr>
+<a name="DTC-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#ITC-fonts">ITC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Bitstream-fonts">Bitstream fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.5 DTC fonts</h3>
+
+<p><a name="index-dtc_002emap-124"></a>The <samp><span class="file">dtc.map</span></samp> file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/dtc.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "DTC PostScript fonts." -->
+ <!-- } -->
+ <!-- From mackay@cs.washington.edu. -->
+ dhvc8rc SansBlackCondensed-DTC
+ dhvco8rc SansBlackCondensed-Oblique-DTC
+ dhvm8rx SansExtended-Medium-DTC
+ dhvr8rx SansExtended-Regular-DTC
+ dhvro8rc SansExtended-RegularOblique-DTC
+ dhvx8rc SansExtraBlackCondensed-DTC
+ dhvl8rx SansLightExtended-DTC
+ dhvh8rc SansThinCondensed-DTC
+ dhvho8rc SansThinCondensed-Oblique-DTC
+ dnbb8r NewBaskerville-Bold-DTC
+ dnbbi8r NewBaskerville-BoldItalic-DTC
+ dnbri8r NewBaskerville-RomanItalic-DTC
+ dnbr8r NewBaskerville-Roman-DTC
+ dopr8r Optimum-Roman-DTC
+ dopb8r Optimum-Bold-DTC
+ dopbo8r Optimum-BoldItalic-DTC
+ doro8r Optimum-RomanItalic-DTC
+ dpll8r Palton-Light-DTC
+</pre>
+ <div class="node">
+<p><hr>
+<a name="ITC-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Linotype-fonts">Linotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#DTC-fonts">DTC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.6 ITC fonts</h3>
+
+<p><a name="index-itc_002emap-125"></a>The <samp><span class="file">itc.map</span></samp> file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "5sep03", -->
+ <!-- url = "http://tug.org/fontname/itc.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "ITC PostScript fonts." -->
+ <!-- } -->
+ <!-- List of ITC fonts sold directly by ITC, subsidiary of Letraset: -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.itcfonts.com/fonts/ -->
+ <!-- This list does not specifically include ITC fonts sold -->
+ <!-- by Adobe or Linotype, which are listed usually without -->
+ <!-- any prefix in adobe.map or linotype.map. -->
+ <!-- Categories: -->
+ <!-- ITC2xxx - ITC Fontek Library -->
+ <!-- ITC4xxx - Design fonts -->
+ <!-- ITC5xxx - Ornaments -->
+ <!-- ITC6xxx - Serif fonts -->
+ <!-- ITC8xxx - Sans Serif fonts -->
+
+ <!-- These Euro fonts work with the euroitc package. -->
+ <!-- See message from Robert Schlicht to tex-fonts -->
+ <!-- at 05 Sep 2003 00:13:34 +0200. -->
+ zieuk EuroSerifITC-Book
+ zieuki EuroSerifITC-BookItalic
+ zieum EuroSerifITC-Medium
+ zieumi EuroSerifITC-MediumItalic
+ zieub EuroSerifITC-Bold
+ zieubi EuroSerifITC-BoldItalic
+ zieuc EuroSerifITC-Black
+ zieuci EuroSerifITC-BlackItalic
+ zieuks EuroSansITC-Book
+ zieukis EuroSansITC-BookItalic
+ zieums EuroSansITC-Medium
+ zieumis EuroSansITC-MediumItalic
+ zieubs EuroSansITC-Bold
+ zieubis EuroSansITC-BoldItalic
+ zieucs EuroSansITC-Black
+ zieucis EuroSansITC-BlackItalic
+
+ i_____ Aachen-Medium ITC 2000
+ i_____ Aachen-Bold ITC 2001
+ i_____ Academy-Engraved ITC 2002
+ i_____ Aftershock ITC 2003
+ i_____ Agincourt ITC 2004
+ i_____ Airstream ITC 2005
+ i_____ Algerian-Condensed ITC 2006
+ i_____ Ambrose ITC 2007
+ i_____ Angryhog ITC 2008
+ i_____ Anna ITC 2009
+ i_____ Aquinas ITC 2010
+ i_____ Aquitaine-Initials ITC 2011
+ i_____ Aristocrat ITC 2012
+ i_____ Arnova ITC 2013
+ i_____ Arriba ITC 2014
+ i_____ Arriba-Arriba ITC 2015
+ i_____ Artiste ITC 2016
+ i_____ Atmosphere ITC 2017
+ i_____ AugusteaOpen ITC 2018
+ i_____ Avenida ITC 2019
+ i_____ BaileyQuad-Bold ITC 2020
+ i_____ Balmoral ITC 2021
+ i_____ Banco-Light ITC 2022
+ i_____ Banco ITC 2023
+ i_____ Bang ITC 2024
+ i_____ Banner ITC 2025
+ i_____ BeckaScript ITC 2026
+ i_____ Beesknees ITC 2027
+ i_____ Belter ITC 2028
+ i_____ Belter-MegaOutline ITC 2029
+ i_____ Belwe-Mono ITC 2030
+ i_____ Belwe-MonoItalic ITC 2031
+ i_____ Bendigo ITC 2032
+ i_____ Bergell ITC 2033
+ i_____ Bertie ITC 2034
+ i_____ Bertram ITC 2035
+ i_____ BibleScriptFlourishes ITC 2036
+ i_____ BickleyScript ITC 2037
+ i_____ Binary-Light ITC 2038
+ i_____ Binary-Bold ITC 2039
+ i_____ Bitmax ITC 2040
+ i_____ BlackTulip ITC 2041
+ i_____ Blackadder ITC 2042
+ i_____ Blackmoor ITC 2043
+ i_____ Blaze ITC 2044
+ i_____ Bluntz ITC 2045
+ i_____ Bodoni-Brush ITC 2046
+ i_____ BodoniSeventyTwo-Book ITC 2047
+ i_____ BodoniSeventyTwo-BookItalic ITC 2048
+ i_____ BodoniSeventyTwo-BookItalicSwash ITC 2049
+ i_____ BodoniSeventyTwo-Bold ITC 2050
+ i_____ BodoniSeventyTwo-BoldItalic ITC 2051
+ i_____ BodoniSeventyTwo-BoldItalicSwash ITC 2052
+ i_____ Boink ITC 2053
+ i_____ Bordeaux-Roman ITC 2054
+ i_____ Bordeaux-Italic ITC 2055
+ i_____ Bordeaux-RomanBold ITC 2056
+ i_____ Bordeaux-Display ITC 2057
+ i_____ Bordeaux-Script ITC 2058
+ i_____ BradleyHand-Regular ITC 2059
+ i_____ BradleyHand-Bold ITC 2060
+ i_____ Braganza-Light ITC 2061
+ i_____ Braganza-Regular ITC 2062
+ i_____ Brighton-Light ITC 2063
+ i_____ Brighton-Medium ITC 2064
+ i_____ Brighton-Bold ITC 2065
+ i_____ Bronx ITC 2066
+ i_____ Buckeroo ITC 2067
+ i_____ Burlington ITC 2068
+ i_____ BuzzerThree ITC 2069
+ i_____ Cabaret ITC 2070
+ i_____ CabargaCursiva ITC 2071
+ i_____ Campaign ITC 2072
+ i_____ CancellarescaScript ITC 2073
+ i_____ Cancione ITC 2074
+ i_____ Caribbean ITC 2075
+ i_____ Carlton ITC 2076
+ i_____ Carumba ITC 2077
+ i_____ Caslon540-ItalicSwashes ITC 2078
+ i_____ CaxtonRoman-Light ITC 2079
+ i_____ CaxtonRoman-LightItalic ITC 2080
+ i_____ CaxtonRoman-Book ITC 2081
+ i_____ CaxtonRoman-Bold ITC 2082
+ i_____ CenturyHandtooled-Bold ITC 2083
+ i_____ CenturyHandtooled-BoldItalic ITC 2084
+ i_____ Challenge-Bold ITC 2085
+ i_____ Challenge-ExtraBold ITC 2086
+ i_____ Champers ITC 2087
+ i_____ CheltenhamHandtooled-Bold ITC 2088
+ i_____ CheltenhamHandtooled-BoldItalic ITC 2089
+ i_____ Cherie ITC 2090
+ i_____ Chiller ITC 2091
+ i_____ Chipper ITC 2092
+ i_____ ChocLightbyITC ITC 2093
+ i_____ Choc ITC 2094
+ i_____ ChromiumOne ITC 2095
+ i_____ Citation ITC 2096
+ i_____ ClaudeSans-Regular ITC 2097
+ i_____ ClaudeSans-Italic ITC 2098
+ i_____ ClaudeSans-BoldItalic ITC 2099
+ i_____ Clover ITC 2100
+ i_____ CommericalScript ITC 2101
+ i_____ Compacta ITC 2102
+ i_____ Compacta-Italic ITC 2103
+ i_____ Compacta-Bold ITC 2104
+ i_____ Coptek ITC 2105
+ i_____ Corinthian-Light ITC 2106
+ i_____ Corinthian-Medium ITC 2107
+ i_____ Corinthian-Bold ITC 2108
+ i_____ Corinthian-BoldCondensed ITC 2109
+ i_____ Crillee-Italic ITC 2110
+ i_____ Crillee-BoldItalic ITC 2111
+ i_____ Crillee-ExtraBoldItalic ITC 2112
+ i_____ Crillee-ItalicInlineShadow ITC 2113
+ i_____ Cult ITC 2114
+ i_____ Cyberkugel ITC 2115
+ i_____ Dancin ITC 2116
+ i_____ Data70 ITC 2117
+ i_____ Demian ITC 2118
+ i_____ DemianBold ITC 2119
+ i_____ DigitalWoodcuts ITC 2120
+ i_____ Digitek ITC 2121
+ i_____ Dinitials ITC 2122
+ i_____ Dolmen ITC 2123
+ i_____ Drycut ITC 2124
+ i_____ DynamoShadow ITC 2125
+ i_____ Eastwood ITC 2126
+ i_____ Edwardian-Medium ITC 2127
+ i_____ EdwardianScript-Regular ITC 2128
+ i_____ EdwardianScript-Bold ITC 2129
+ i_____ Ellipse-Roman ITC 2130
+ i_____ Ellipse-Italic ITC 2131
+ i_____ Ellipse-Bold ITC 2132
+ i_____ Ellipse-BoldItalic ITC 2133
+ i_____ Emphasis ITC 2134
+ i_____ Enviro ITC 2135
+ i_____ Epokha ITC 2136
+ i_____ Equinox ITC 2137
+ i_____ Etruscan ITC 2138
+ i_____ FaithfulFly ITC 2139
+ i_____ Farmhaus ITC 2140
+ i_____ Fashion-Compressed ITC 2141
+ i_____ Fashion-Engraved ITC 2142
+ i_____ FineHand ITC 2143
+ i_____ Flamenco-Inline ITC 2144
+ i_____ Flamme ITC 2145
+ i_____ Flatiron ITC 2146
+ i_____ Flight ITC 2147
+ i_____ Fling ITC 2148
+ i_____ Florinda ITC 2149
+ i_____ Follies ITC 2150
+ i_____ Fontoon ITC 2151
+ i_____ ForestShaded ITC 2152
+ i_____ FrancesUncial ITC 2153
+ i_____ Frankfurter-Medium ITC 2154
+ i_____ Frankfurter ITC 2155
+ i_____ Frankfurter-Highlight ITC 2156
+ i_____ Frankfurter-Inline ITC 2157
+ i_____ Freddo ITC 2158
+ i_____ FreestyleScript ITC 2159
+ i_____ FreestyleScript-Bold ITC 2160
+ i_____ GaramondHandtooled ITC 2161
+ i_____ GaramondHandtooled-Italic ITC 2162
+ i_____ Gigi ITC 2163
+ i_____ Gill-DisplayCompressed ITC 2164
+ i_____ Gill-KayoCondensed ITC 2165
+ i_____ GilliesGothic-ExtraBoldShaded ITC 2166
+ i_____ Glastonbury ITC 2167
+ i_____ GoldenCockerel-InitialsOrnaments ITC 2168
+ i_____ Grapefruit ITC 2169
+ i_____ Gravura ITC 2170
+ i_____ Green ITC 2171
+ i_____ GreytonScript ITC 2172
+ i_____ GrimshawHand ITC 2173
+ i_____ Hadfield ITC 2174
+ i_____ HandDrawn ITC 2175
+ i_____ Harlow ITC 2176
+ i_____ HarlowSolid ITC 2177
+ i_____ Harvey ITC 2178
+ i_____ Hazel ITC 2179
+ i_____ Heliotype ITC 2180
+ i_____ Helvetica-MediumCondensed ITC 2181
+ i_____ Helvetica-BoldCondensed ITC 2182
+ i_____ Highlight ITC 2183
+ i_____ Hollyweird ITC 2184
+ i_____ Hornpype ITC 2185
+ i_____ Ignatius ITC 2186
+ i_____ Impakt ITC 2187
+ i_____ IndyItalic ITC 2188
+ i_____ Informal-Roman ITC 2189
+ i_____ Inscription ITC 2190
+ i_____ Iris ITC 2191
+ i_____ Ironwork ITC 2192
+ i_____ Isis ITC 2193
+ i_____ Jaft ITC 2194
+ i_____ Jambalaya ITC 2195
+ i_____ Jazz ITC 2196
+ i_____ Jellybaby ITC 2197
+ i_____ JohnHandy ITC 2198
+ i_____ Jokerman ITC 2199
+ i_____ Juanita ITC 2200
+ i_____ Juanita-Condensed ITC 2201
+ i_____ Juanita-Deco ITC 2202
+ i_____ Juanita-Lino ITC 2203
+ i_____ Juanita-Xilo ITC 2204
+ i_____ Juanita-XiloCondensed ITC 2205
+ i_____ Juice ITC 2206
+ i_____ Kanban ITC 2207
+ i_____ Katfish ITC 2208
+ i_____ Kendo ITC 2209
+ i_____ Kick ITC 2210
+ i_____ Klee ITC 2211
+ i_____ Klepto ITC 2212
+ i_____ Kokoa ITC 2213
+ i_____ Kristen ITC 2214
+ i_____ Kulukundis ITC 2215
+ i_____ LaBamba ITC 2216
+ i_____ Lambada ITC 2217
+ i_____ Laser ITC 2218
+ i_____ LaserChrome ITC 2219
+ i_____ Latino-Elongated ITC 2220
+ i_____ Laura ITC 2221
+ i_____ LCD ITC 2222
+ i_____ LeGriffe ITC 2223
+ i_____ Lennox-Book ITC 2224
+ i_____ Lennox-Medium ITC 2225
+ i_____ Lennox-Bold ITC 2226
+ i_____ Lexikos ITC 2227
+ i_____ Lightnin' ITC 2228
+ i_____ LimehouseScript ITC 2229
+ i_____ LinoCut ITC 2230
+ i_____ Locarno-Light ITC 2231
+ i_____ Locarno-Italic ITC 2232
+ i_____ RennieMackintosh-Light ITC 2233
+ i_____ RennieMackintosh-Bold ITC 2234
+ i_____ Malibu ITC 2235
+ i_____ Malstock ITC 2236
+ i_____ Marguerita ITC 2237
+ i_____ Mastercard ITC 2238
+ i_____ Matisse ITC 2239
+ i_____ Mekanik-Regular ITC 2240
+ i_____ Mekanik-Italic ITC 2241
+ i_____ Milano ITC 2242
+ i_____ Minska-Light ITC 2243
+ i_____ Minska-Medium ITC 2244
+ i_____ Minska-Bold ITC 2245
+ i_____ Mistral-Light ITC 2246
+ i_____ Mistral ITC 2247
+ i_____ Mithras ITC 2248
+ i_____ MoFunkyFresh ITC 2249
+ i_____ MonaLisa-Recut ITC 2250
+ i_____ MonaLisa-Solid ITC 2251
+ i_____ Montage ITC 2252
+ i_____ MotterCorpus-Bold ITC 2253
+ i_____ MotterCorpus-CondensedBold ITC 2254
+ i_____ Musclehead ITC 2255
+ i_____ Musica ITC 2256
+ i_____ NeoNeo ITC 2257
+ i_____ NoovoLight ITC 2258
+ i_____ NoovoBold ITC 2259
+ i_____ Nora ITC 2260
+ i_____ Oberon ITC 2261
+ i_____ Odessa ITC 2262
+ i_____ OldEnglish ITC 2263
+ i_____ OneStrokeScript ITC 2264
+ i_____ OneStrokeScript-Bold ITC 2265
+ i_____ OneStrokeScript-Shaded ITC 2266
+ i_____ Orange ITC 2267
+ i_____ Orbon-Light ITC 2268
+ i_____ Orbon-Regular ITC 2269
+ i_____ Orbon-Bold ITC 2270
+ i_____ Orbon-Black ITC 2271
+ i_____ Orlando ITC 2272
+ i_____ Outback ITC 2273
+ i_____ OutoftheFridge ITC 2274
+ i_____ Ozwald ITC 2275
+ i_____ Pablo ITC 2276
+ i_____ Papyrus ITC 2277
+ i_____ Party ITC 2278
+ i_____ PendryScript ITC 2279
+ i_____ PetersMiro ITC 2280
+ i_____ Pink ITC 2281
+ i_____ Plaza ITC 2282
+ i_____ PleasureBoldShaded ITC 2283
+ i_____ Pneuma ITC 2284
+ i_____ Prague ITC 2285
+ i_____ Premier-Lightline ITC 2286
+ i_____ Premier-Shaded ITC 2287
+ i_____ Princetown ITC 2288
+ i_____ Pristina ITC 2289
+ i_____ Pritchard ITC 2290
+ i_____ Pritchard-LineOut ITC 2291
+ i_____ Pump-Regular ITC 2292
+ i_____ Pump-DemiBold ITC 2293
+ i_____ Quadrus ITC 2294
+ i_____ Quixley ITC 2295
+ i_____ RageItalic ITC 2296
+ i_____ Ragtime ITC 2297
+ i_____ Rapier ITC 2298
+ i_____ Refracta ITC 2299
+ i_____ RegattaCondensed ITC 2300
+ i_____ RetailScript ITC 2301
+ i_____ Retro-Bold ITC 2302
+ i_____ Retro-BoldCondensed ITC 2303
+ i_____ Riptide ITC 2304
+ i_____ Riva ITC 2305
+ i_____ Robotik ITC 2306
+ i_____ Robotik-Italic ITC 2307
+ i_____ Romic-Light ITC 2308
+ i_____ Romic-LightItalic ITC 2309
+ i_____ Roquette ITC 2310
+ i_____ Ru'ach ITC 2311
+ i_____ RubberStamp ITC 2312
+ i_____ Rundfunk ITC 2313
+ i_____ SantaFe ITC 2314
+ i_____ Savoye ITC 2315
+ i_____ Schizoid ITC 2316
+ i_____ Scratch ITC 2317
+ i_____ Scriba ITC 2318
+ i_____ Scriptease ITC 2319
+ i_____ Scriptek ITC 2320
+ i_____ Scriptek-Italic ITC 2321
+ i_____ Scruff ITC 2322
+ i_____ Serengetti ITC 2323
+ i_____ Shaman ITC 2324
+ i_____ Shatter ITC 2325
+ i_____ Sinaloa ITC 2326
+ i_____ SkidRow ITC 2327
+ i_____ Skylark ITC 2328
+ i_____ Slipstream ITC 2329
+ i_____ Smack ITC 2330
+ i_____ Smudger ITC 2331
+ i_____ Snap ITC 2332
+ i_____ Spirit ITC 2333
+ i_____ Spooky ITC 2334
+ i_____ Spotlight ITC 2335
+ i_____ Squire ITC 2336
+ i_____ Squire-ExtraBold ITC 2337
+ i_____ Static ITC 2338
+ i_____ Stranger ITC 2339
+ i_____ Strobos ITC 2340
+ i_____ StudioScript ITC 2341
+ i_____ Stylus-Regular ITC 2342
+ i_____ Stylus-Bold ITC 2343
+ i_____ Superstar ITC 2344
+ i_____ Surfboard ITC 2345
+ i_____ Synchro ITC 2346
+ i_____ Tag ITC 2347
+ i_____ Tannhauser ITC 2348
+ i_____ Teknik ITC 2349
+ i_____ Telegram ITC 2350
+ i_____ Temble ITC 2351
+ i_____ Tempus-Regular ITC 2352
+ i_____ Tempus-Italic ITC 2353
+ i_____ TempusSans-Regular ITC 2354
+ i_____ TempusSans-Italic ITC 2355
+ i_____ TigerRag ITC 2356
+ i_____ TirantiSolid ITC 2357
+ i_____ Trackpad ITC 2358
+ i_____ TropicaScript ITC 2359
+ i_____ TrueGrit ITC 2360
+ i_____ Twang ITC 2361
+ i_____ Typados ITC 2362
+ i_____ Ulysses ITC 2363
+ i_____ UniversityRoman ITC 2364
+ i_____ UniversityRoman-Italic ITC 2365
+ i_____ UniversityRoman-Bold ITC 2366
+ i_____ VanDijk ITC 2367
+ i_____ VanDijkBold ITC 2368
+ i_____ Varga ITC 2369
+ i_____ Vegas ITC 2370
+ i_____ Verkehr ITC 2371
+ i_____ Vermont ITC 2372
+ i_____ Victorian ITC 2373
+ i_____ Victorian-InlineShaded ITC 2374
+ i_____ ViennaExtended ITC 2375
+ i_____ VinerHand ITC 2376
+ i_____ Vintage ITC 2377
+ i_____ Vinyl-Black ITC 2378
+ i_____ Vinyl-Outline ITC 2379
+ i_____ Vinyl-SawtoothBlack ITC 2380
+ i_____ Vinyl-SawtoothOutline ITC 2381
+ i_____ Vivaldi ITC 2382
+ i_____ WadeSans-Light ITC 2383
+ i_____ Wanted ITC 2384
+ i_____ Waterloo-Bold ITC 2385
+ i_____ Westwood ITC 2386
+ i_____ WildThing ITC 2387
+ i_____ Willow ITC 2388
+ i_____ Wisteria ITC 2389
+ i_____ Xylo ITC 2390
+ i_____ YoungBaroque ITC 2391
+ i_____ Zaragoza ITC 2392
+ i_____ ZemkeHand ITC 2393
+ i_____ Zennor ITC 2394
+ i_____ Ziggy ITC 2395
+ i_____ Zinjaro ITC 2396
+ i_____ MotterSparta ITC 2397
+ i_____ Underscript ITC 2398
+ i_____ Stenberg ITC 2399
+ i_____ Stenberg-Inline ITC 2400
+ i_____ Arid ITC 2401
+ i_____ Tapioca ITC 2402
+ i_____ PiousHenry ITC 2403
+ i_____ Korigan-Light ITC 2404
+ i_____ Korigan-Bold ITC 2405
+ i_____ Abaton ITC 2406
+ i_____ Portago ITC 2407
+ i_____ Blair-Light ITC 2408
+ i_____ Blair-Medium ITC 2409
+ i_____ Blair-Bold ITC 2410
+ i_____ Scarborough ITC 2411
+ i_____ Scarborough-Bold ITC 2412
+ i_____ Gema ITC 2413
+ i_____ Roswell-Three ITC 2414
+ i_____ Roswell-Four ITC 2415
+ i_____ Simran ITC 2416
+ i_____ Tremor ITC 2417
+ i_____ Coconino ITC 2418
+ i_____ Stoclet-Light ITC 2419
+ i_____ Stoclet-Bold ITC 2420
+ i_____ JiggeryPokery ITC 2421
+ i_____ Deelirious ITC 2422
+ i_____ Flora-Medium ITC 2423
+ i_____ Flora-Bold ITC 2424
+ i_____ Manhattan ITC 2425
+ i_____ Attitudes ITC 4000
+ i_____ BackyardBeasties ITC 4001
+ i_____ CalligraphicOrnaments ITC 4002
+ i_____ Celebrations ITC 4003
+ i_____ Commercials ITC 4004
+ i_____ Connectivities ITC 4005
+ i_____ DavesRaves-One ITC 4006
+ i_____ DavesRaves-Two ITC 4007
+ i_____ DavesRaves-Three ITC 4008
+ i_____ Delectables ITC 4009
+ i_____ Diversions ITC 4010
+ i_____ Diversities ITC 4011
+ i_____ Eclectics ITC 4012
+ i_____ Energetics ITC 4013
+ i_____ Expressions ITC 4014
+ i_____ Fontoonies ITC 4015
+ i_____ Gargoonies ITC 4016
+ i_____ HomeImprovement ITC 4017
+ i_____ Incidentals ITC 4018
+ i_____ Industrials ITC 4019
+ i_____ Inspirations ITC 4020
+ i_____ Journeys ITC 4021
+ i_____ MoFunkyFresh-Symbols ITC 4022
+ i_____ Moderns ITC 4023
+ i_____ Naturals ITC 4024
+ i_____ Organics ITC 4025
+ i_____ Organics-Two ITC 4026
+ i_____ Primitives ITC 4027
+ i_____ Radicals ITC 4028
+ i_____ Situations ITC 4029
+ i_____ StainedGlass ITC 4030
+ i_____ TotSpots ITC 4031
+ i_____ Urbans ITC 4032
+ i_____ WellBeings ITC 4033
+ i_____ Wildlife ITC 4034
+ i_____ WildWest ITC 4035
+ i_____ Ancestor ITC 4036
+ i_____ Shadowettes ITC 4037
+ i_____ Beorama ITC 4038
+ i_____ Holistics ITC 4039
+ i_____ ProfessionalConnections ITC 4040
+ i_____ Bodoni-Ornaments ITC 5000
+ i_____ RennieMackintosh-Ornaments ITC 5002
+ i_____ TypeEmbellishments-One ITC 5003
+ i_____ TypeEmbellishments-Two ITC 5004
+ i_____ TypeEmbellishments-Three ITC 5005
+ i_____ JapaneseGarden ITC 5006
+ i_____ SevenTreasures ITC 5007
+ i_____ BodoniSix-Book ITC 6000
+ i_____ BodoniSix-BookItalic ITC 6001
+ i_____ BodoniSix-Bold ITC 6002
+ i_____ BodoniSix-BoldItalic ITC 6003
+ i_____ BodoniTwelve-Book ITC 6004
+ i_____ BodoniTwelve-BookItalic ITC 6005
+ i_____ BodoniTwelve-Bold ITC 6006
+ i_____ BodoniTwelve-BoldItalic ITC 6007
+ i_____ Charlotte-Book ITC 6008
+ i_____ Charlotte-BookItalic ITC 6009
+ i_____ Charlotte-Medium ITC 6010
+ i_____ Charlotte-Bold ITC 6011
+ i_____ Charter-Regular ITC 6012
+ i_____ Charter-RegularItalic ITC 6013
+ i_____ Charter-Bold ITC 6014
+ i_____ Charter-BoldItalic ITC 6015
+ i_____ Charter-Black ITC 6016
+ i_____ Charter-BlackItalic ITC 6017
+ i_____ Elysium-Book ITC 6018
+ i_____ Elysium-BookItalic ITC 6019
+ i_____ Elysium-Medium ITC 6020
+ i_____ Elysium-Bold ITC 6021
+ i_____ Figural-Book ITC 6022
+ i_____ Figural-BookItalic ITC 6023
+ i_____ Figural-Medium ITC 6024
+ i_____ Figural-Bold ITC 6025
+ i_____ FrizQuadrata-Regular ITC 6026
+ i_____ FrizQuadrata-Italic ITC 6027
+ i_____ FrizQuadrata-Bold ITC 6028
+ i_____ FrizQuadrata-BoldItalic ITC 6029
+ i_____ Gilgamesh-Book ITC 6030
+ i_____ Gilgamesh-BookItalic ITC 6031
+ i_____ Gilgamesh-Medium ITC 6032
+ i_____ Gilgamesh-Bold ITC 6033
+ i_____ GoldenCockerel-Roman ITC 6034
+ i_____ GoldenCockerel-Italic ITC 6035
+ i_____ GoldenCockerel-Titling ITC 6036
+ i_____ Humana-Light ITC 6037
+ i_____ Humana-LightItalic ITC 6038
+ i_____ Humana-Medium ITC 6039
+ i_____ Humana-MediumItalic ITC 6040
+ i_____ Humana-Bold ITC 6041
+ i_____ Humana-BoldItalic ITC 6042
+ i_____ HumanaScript-Light ITC 6043
+ i_____ HumanaScript-Medium ITC 6044
+ i_____ HumanaScript-Bold ITC 6045
+ i_____ Kallos-Book ITC 6046
+ i_____ Kallos-BookItalic ITC 6047
+ i_____ Kallos-Medium ITC 6048
+ i_____ Kallos-MediumItalic ITC 6049
+ i_____ Kallos-Bold ITC 6050
+ i_____ Kallos-BoldItalic ITC 6051
+ i_____ LegacySerif-Book ITC 6052
+ i_____ LegacySerif-BookItalic ITC 6053
+ i_____ LegacySerif-Medium ITC 6054
+ i_____ LegacySerif-MediumItalic ITC 6055
+ i_____ LegacySerif-Bold ITC 6056
+ i_____ LegacySerif-BoldItalic ITC 6057
+ i_____ LegacySerif-Ultra ITC 6058
+ i_____ MendozaRoman-Book ITC 6059
+ i_____ MendozaRoman-BookItalic ITC 6060
+ i_____ MendozaRoman-Medium ITC 6061
+ i_____ MendozaRoman-MediumItalic ITC 6062
+ i_____ MendozaRoman-Bold ITC 6063
+ i_____ MendozaRoman-BoldItalic ITC 6064
+ i_____ Obelisk-Light ITC 6065
+ i_____ Obelisk-LightItalic ITC 6066
+ i_____ Obelisk-Medium ITC 6067
+ i_____ Obelisk-Bold ITC 6068
+ i_____ OfficinaSerif-Book ITC 6069
+ i_____ OfficinaSerif-BookItalic ITC 6070
+ i_____ OfficinaSerif-Bold ITC 6071
+ i_____ OfficinaSerif-BoldItalic ITC 6072
+ i_____ StoneInformal-Medium ITC 6073
+ i_____ StoneInformal-MediumItalic ITC 6074
+ i_____ StoneInformal-SemiBold ITC 6075
+ i_____ StoneInformal-SemiBoldItalic ITC 6076
+ i_____ StoneInformal-Bold ITC 6077
+ i_____ StoneInformal-BoldItalic ITC 6078
+ i_____ StoneSerif-Medium ITC 6079
+ i_____ StoneSerif-MediumItalic ITC 6080
+ i_____ StoneSerif-SemiBold ITC 6081
+ i_____ StoneSerif-SemiBoldItalic ITC 6082
+ i_____ StoneSerif-Bold ITC 6083
+ i_____ StoneSerif-BoldItalic ITC 6084
+ i_____ Syndor-Book ITC 6085
+ i_____ Syndor-BookItalic ITC 6086
+ i_____ Syndor-Medium ITC 6087
+ i_____ Syndor-MediumItalic ITC 6088
+ i_____ Syndor-Bold ITC 6089
+ i_____ Syndor-BoldItalic ITC 6090
+ i_____ Tyfa-Book ITC 6091
+ i_____ Tyfa-BookItalic ITC 6092
+ i_____ Tyfa-Medium ITC 6093
+ i_____ Tyfa-MediumItalic ITC 6094
+ i_____ Tyfa-Bold ITC 6095
+ i_____ Tyfa-BoldItalic ITC 6096
+ i_____ OfficinaSerif-Medium ITC 6097
+ i_____ OfficinaSerif-MediumItalic ITC 6098
+ i_____ OfficinaSerif-ExtraBold ITC 6099
+ i_____ OfficinaSerif-ExtraBoldItalic ITC 6100
+ i_____ OfficinaSerif-Black ITC 6101
+ i_____ OfficinaSerif-BlackItalic ITC 6102
+ i_____ SerifGothic-Light ITC 6103
+ i_____ SerifGothic-Regular ITC 6104
+ i_____ SerifGothic-Bold ITC 6105
+ i_____ SerifGothic-ExtraBold ITC 6106
+ i_____ SerifGothic-Heavy ITC 6107
+ i_____ SerifGothic-Black ITC 6108
+ i_____ AmericanTypewriter-Light ITC 6109
+ i_____ AmericanTypewriter-LightItalic ITC 6110
+ i_____ AmericanTypewriter-Medium ITC 6111
+ i_____ AmericanTypewriter-MediumItalic ITC 6112
+ i_____ AmericanTypewriter-Bold ITC 6113
+ i_____ AmericanTypewriter-BoldItalic ITC 6114
+ i_____ AmericanTypewriter-CondLight ITC 6115
+ i_____ AmericanTypewriter-CondMedium ITC 6116
+ i_____ AmericanTypewriter-CondBold ITC 6117
+ i_____ LubalinGraph-ExtraLight ITC 6118
+ i_____ LubalinGraph-ExtraLightOblique ITC 6119
+ i_____ LubalinGraph-Book ITC 6120
+ i_____ LubalinGraph-BookOblique ITC 6121
+ i_____ LubalinGraph-Medium ITC 6122
+ i_____ LubalinGraph-MediumOblique ITC 6123
+ i_____ LubalinGraph-Demi ITC 6124
+ i_____ LubalinGraph-DemiOblique ITC 6125
+ i_____ LubalinGraph-Bold ITC 6126
+ i_____ LubalinGraph-BoldOblique ITC 6127
+ i_____ Benguiat-Book ITC 6128
+ i_____ Benguiat-BookItalic ITC 6129
+ i_____ Benguiat-Medium ITC 6130
+ i_____ Benguiat-MediumItalic ITC 6131
+ i_____ Benguiat-Bold ITC 6132
+ i_____ Benguiat-BoldItalic ITC 6133
+ i_____ Benguiat-CondensedBook ITC 6134
+ i_____ Benguiat-CondensedBookItalic ITC 6135
+ i_____ Benguiat-CondensedMedium ITC 6136
+ i_____ Benguiat-CondensedMediumItalic ITC 6137
+ i_____ Benguiat-CondensedBold ITC 6138
+ i_____ Benguiat-CondensedBoldItalic ITC 6139
+ i_____ Korinna-Regular ITC 6140
+ i_____ Korinna-KursivRegular ITC 6141
+ i_____ Korinna-Bold ITC 6142
+ i_____ Korinna-KursivBold ITC 6143
+ i_____ Korinna-ExtraBold ITC 6144
+ i_____ Korinna-KursivExtraBold ITC 6145
+ i_____ Korinna-Heavy ITC 6146
+ i_____ Korinna-KursivHeavy ITC 6147
+ i_____ Souvenir-Light ITC 6148
+ i_____ Souvenir-LightItalic ITC 6149
+ i_____ Souvenir-Medium ITC 6150
+ i_____ Souvenir-MediumItalic ITC 6151
+ i_____ Souvenir-Demi ITC 6152
+ i_____ Souvenir-DemiItalic ITC 6153
+ i_____ Souvenir-Bold ITC 6154
+ i_____ Souvenir-BoldItalic ITC 6155
+ i_____ Caslon224-Book ITC 6156
+ i_____ Caslon224-BookItalic ITC 6157
+ i_____ Caslon224-Medium ITC 6158
+ i_____ Caslon224-MediumItalic ITC 6159
+ i_____ Caslon224-Bold ITC 6160
+ i_____ Caslon224-BoldItalic ITC 6161
+ i_____ Caslon224-Black ITC 6162
+ i_____ Caslon224-BlackItalic ITC 6163
+ i_____ LubalinGraph-CondBook ITC 6164
+ i_____ LubalinGraph-CondBookOblique ITC 6165
+ i_____ LubalinGraph-CondMedium ITC 6166
+ i_____ LubalinGraph-CondMediumOblique ITC 6167
+ i_____ LubalinGraph-CondDemi ITC 6168
+ i_____ LubalinGraph-CondDemiOblique ITC 6169
+ i_____ LubalinGraph-CondBold ITC 6170
+ i_____ LubalinGraph-CondBoldOblique ITC 6171
+ i_____ Galliard-Regular ITC 6172
+ i_____ Galliard-Italic ITC 6173
+ i_____ Galliard-Bold ITC 6174
+ i_____ Galliard-BoldItalic ITC 6175
+ i_____ Galliard-Black ITC 6176
+ i_____ Galliard-BlackItalic ITC 6177
+ i_____ Galliard-Ultra ITC 6178
+ i_____ Galliard-UltraItalic ITC 6179
+ i_____ Dyadis-Book ITC 6180
+ i_____ Dyadis-BookItalic ITC 6181
+ i_____ Dyadis-Medium ITC 6182
+ i_____ Dyadis-MediumItalic ITC 6183
+ i_____ Dyadis-Bold ITC 6184
+ i_____ Dyadis-BoldItalic ITC 6185
+ i_____ BaileySans-Book ITC 8000
+ i_____ BaileySans-BookItalic ITC 8001
+ i_____ BaileySans-Bold ITC 8002
+ i_____ BaileySans-BoldItalic ITC 8003
+ i_____ Charlotte-SansBook ITC 8004
+ i_____ Charlotte-SansBookItalic ITC 8005
+ i_____ Charlotte-SansMedium ITC 8006
+ i_____ Charlotte-SansBold ITC 8007
+ i_____ Conduit-Light ITC 8008
+ i_____ Conduit-LightItalic ITC 8009
+ i_____ Conduit-Medium ITC 8010
+ i_____ Conduit-MediumItalic ITC 8011
+ i_____ Conduit-Bold ITC 8012
+ i_____ Conduit-BoldItalic ITC 8013
+ i_____ Highlander-Book ITC 8014
+ i_____ Highlander-BookItalic ITC 8015
+ i_____ Highlander-Medium ITC 8016
+ i_____ Highlander-MediumItalic ITC 8017
+ i_____ Highlander-Bold ITC 8018
+ i_____ Highlander-BoldItalic ITC 8019
+ i_____ HumanaSans-Light ITC 8020
+ i_____ HumanaSans-LightItalic ITC 8021
+ i_____ HumanaSans-Medium ITC 8022
+ i_____ HumanaSans-MediumItalic ITC 8023
+ i_____ HumanaSans-Bold ITC 8024
+ i_____ HumanaSans-BoldItalic ITC 8025
+ i_____ LegacySans-Book ITC 8026
+ i_____ LegacySans-BookItalic ITC 8027
+ i_____ LegacySans-Medium ITC 8028
+ i_____ LegacySans-MediumItalic ITC 8029
+ i_____ LegacySans-Bold ITC 8030
+ i_____ LegacySans-BoldItalic ITC 8031
+ i_____ LegacySans-Ultra ITC 8032
+ i_____ Odyssee-Light ITC 8033
+ i_____ Odyssee-LightItalic ITC 8034
+ i_____ Odyssee-Medium ITC 8035
+ i_____ Odyssee-MediumItalic ITC 8036
+ i_____ Odyssee-Bold ITC 8037
+ i_____ Odyssee-BoldItalic ITC 8038
+ i_____ Odyssee-Ultra ITC 8039
+ i_____ OfficinaSans-Book ITC 8040
+ i_____ OfficinaSans-BookItalic ITC 8041
+ i_____ OfficinaSans-Bold ITC 8042
+ i_____ OfficinaSans-BoldItalic ITC 8043
+ i_____ StoneSans-Medium ITC 8044
+ i_____ StoneSans-MediumItalic ITC 8045
+ i_____ StoneSans-SemiBold ITC 8046
+ i_____ StoneSans-SemiBoldItalic ITC 8047
+ i_____ StoneSans-Bold ITC 8048
+ i_____ StoneSans-BoldItalic ITC 8049
+ i_____ Woodland-Light ITC 8050
+ i_____ Woodland-Medium ITC 8051
+ i_____ Woodland-Demi ITC 8052
+ i_____ Woodland-Heavy ITC 8053
+ i_____ OfficinaSans-Medium ITC 8054
+ i_____ OfficinaSans-MediumItalic ITC 8055
+ i_____ OfficinaSans-ExtraBold ITC 8056
+ i_____ OfficinaSans-ExtraBoldItalic ITC 8057
+ i_____ OfficinaSans-Black ITC 8058
+ i_____ AvantGardeGothic-ExtraLight ITC 8059
+ i_____ AvantGardeGothic-ExtraLightObl ITC 8060
+ i_____ AvantGardeGothic-Book ITC 8061
+ i_____ AvantGardeGothic-BookOblique ITC 8062
+ i_____ AvantGardeGothic-Medium ITC 8063
+ i_____ AvantGardeGothic-MediumOblique ITC 8064
+ i_____ AvantGardeGothic-Demi ITC 8065
+ i_____ AvantGardeGothic-DemiOblique ITC 8066
+ i_____ AvantGardeGothic-Bold ITC 8067
+ i_____ AvantGardeGothic-BoldOblique ITC 8068
+ i_____ FranklinGothic-Book ITC 8069
+ i_____ FranklinGothic-BookItalic ITC 8070
+ i_____ FranklinGothic-Medium ITC 8071
+ i_____ FranklinGothic-MediumItalic ITC 8072
+ i_____ FranklinGothic-Demi ITC 8073
+ i_____ FranklinGothic-DemiItalic ITC 8074
+ i_____ FranklinGothic-Heavy ITC 8075
+ i_____ FranklinGothic-HeavyItalic ITC 8076
+ i_____ FranklinGothic-CondBook ITC 8077
+ i_____ FranklinGothic-CondBookItal ITC 8078
+ i_____ FranklinGothic-CondMedium ITC 8079
+ i_____ FranklinGothic-CondMediumItal ITC 8080
+ i_____ FranklinGothic-CondDemi ITC 8081
+ i_____ FranklinGothic-CondDemiItal ITC 8082
+ i_____ FranklinGothic-ComprBook ITC 8083
+ i_____ FranklinGothic-ComprBookItal ITC 8084
+ i_____ FranklinGothic-ComprDemi ITC 8085
+ i_____ FranklinGothic-ComprDemiItal ITC 8086
+ i_____ FranklinGothic-ExtraComprBook ITC 8087
+ i_____ FranklinGothic-ExtraComprDemi ITC 8088
+ i_____ OfficinaSans-BlackItalic ITC 8089
+ i_____ BenguiatGothic-Book ITC 8090
+ i_____ BenguiatGothic-BookItalic ITC 8091
+ i_____ BenguiatGothic-Medium ITC 8092
+ i_____ BenguiatGothic-MediumItalic ITC 8093
+ i_____ BenguiatGothic-Bold ITC 8094
+ i_____ BenguiatGothic-BoldItalic ITC 8095
+ i_____ BenguiatGothic-Heavy ITC 8096
+ i_____ BenguiatGothic-HeavyItalic ITC 8097
+ i_____ ItcEras-Light ITC 8098
+ i_____ ItcEras-Book ITC 8099
+ i_____ ItcEras-Medium ITC 8100
+ i_____ ItcEras-Demi ITC 8101
+ i_____ ItcEras-Bold ITC 8102
+ i_____ ItcEras-Ultra ITC 8103
+ i_____ AvantGardeGothic-CondBook ITC 8104
+ i_____ AvantGardeGothic-CondMedium ITC 8105
+ i_____ AvantGardeGothic-CondDemiBold ITC 8106
+ i_____ AvantGardeGothic-CondBold ITC 8107
+ i_____ ItcKabel-Book ITC 8108
+ i_____ ItcKabel-Medium ITC 8109
+ i_____ ItcKabel-Demi ITC 8110
+ i_____ ItcKabel-Bold ITC 8111
+ i_____ ItcKabel-Ultra ITC 8112
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Linotype-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Monotype-fonts">Monotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#ITC-fonts">ITC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.7 Linotype fonts</h3>
+
+<p><a name="index-linotype_002emap-126"></a>The <samp><span class="file">linotype.map</span></samp> file has abbreviations for Linotype fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.7", -->
+ <!-- date = "18 March 1999", -->
+ <!-- url = "http://tug.org/fontname/linotype.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Linotype PostScript fonts." -->
+ <!-- } -->
+ <!-- List of fonts sold or resold by Linotype Library (LL). -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.fonts.de/fonts/htm/F-SAMPLE.HTML?weight=xxx.x -->
+ <!-- http://www.linotypelibrary.com/fonts/htm/F-SAMPLE.HTML?weight=xxx.x -->
+ <!-- This list does not specifically include Linotype fonts -->
+ <!-- sold by Adobe which are listed in adobe.map as "FontLH". -->
+ <!-- However, this list does include fonts by other suppliers -->
+ <!-- (Adobe, Berthold, ITC, Monotype, etc.) which are resold -->
+ <!-- through Linotype Library. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface -> Standard Encoding -->
+ <!-- Typeface CE -> Central European -->
+ <!-- Typeface EastA -> Eastern European -->
+ <!-- Typeface Cyr -> Cyrillic -->
+ <!-- Typeface CyrA -> Cyrillic Alternate -->
+ <!-- Typeface Greek -> monotonic Greek -->
+ <!-- Typeface GreekP -> polytonic Greek -->
+ <!-- Typeface Hd -> Hebrew -->
+ <!-- Notes on font collections and suppiers: -->
+ <!-- TypefaceLL -> Linotype Library -->
+ <!-- TypefaceEF -> EF fontinform (Elsner & Flake) -->
+ <!-- TypefaceBE -> Berthold Exclusive -->
+ <!-- TypefaceLH -> Linotype-Hell -->
+ <!-- TypefaceMT -> Monotype -->
+ l_____ Aachen-Bold 1.0
+ l_____ AachenEF-Medium 1.1
+ l_____ AachenEF-Bold 1.2
+ l_____ AharoniEF-RegularHd 2.0
+ l_____ AharoniEF-MediumHd 2.1
+ l_____ AharoniEF-SemiBoldHd 2.2
+ l_____ AharoniEF-BoldHd 2.3
+ l_____ AharoniEF-ExtraBoldHd 2.4
+ l_____ AharoniEF-OutlineHd 2.5
+ l_____ AharoniEF-ShadowHD 2.6
+ l_____ Aja 3.0
+ l_____ AkzidenzGrotesk-Light 4.0
+ l_____ AkzidenzGrotesk-Roman 4.1
+ l_____ AkzidenzGrotesk-Bold 4.2
+ l_____ AkzidenzGrotesk-Black 4.3
+ l_____ AkzidenzGroteskBE-Light 4.4
+ l_____ AkzidenzGroteskBE-LightOsF 4.5
+ l_____ AkzidenzGroteskBE-Regular 4.6
+ l_____ AkzidenzGroteskBE-Italic 4.7
+ l_____ AkzidenzGroteskBE-Md 4.8
+ l_____ AkzidenzGroteskBE-MdIt 4.9
+ l_____ AkzidenzGroteskBE-Bold 4.10
+ l_____ AkzidenzGroteskBE-BoldIt 4.11
+ l_____ AkzidenzGroteskBE-XBd 4.12
+ l_____ AkzidenzGroteskBE-Super 4.13
+ l_____ AkzidenzGroteskBE-LightCn 4.14
+ l_____ AkzidenzGroteskBE-Cn 4.15
+ l_____ AkzidenzGroteskBE-MdCn 4.16
+ l_____ AkzidenzGroteskBE-MdCnIt 4.17
+ l_____ AkzidenzGroteskBE-BoldCn 4.18
+ l_____ AkzidenzGroteskBE-XBdCn 4.19
+ l_____ AkzidenzGroteskBE-XBdCnIt 4.20
+ l_____ AkzidenzGroteskBE-LightEx 4.21
+ l_____ AkzidenzGroteskBE-Ex 4.22
+ l_____ AkzidenzGroteskBE-MdEx 4.23
+ l_____ AkzidenzGroteskBE-BoldEx 4.24
+ l_____ AkzidenzGroteskBE-BoldExIt 4.25
+ l_____ AGBookRounded-Regular 4.26
+ l_____ AGBookRounded-Medium 4.27
+ l_____ AGBookRounded-Bold 4.28
+ l_____ AGBookRounded-MediumOutline 4.29
+ l_____ AGBookRounded-BoldOutline 4.30
+ l_____ AGBookRounded-BoldCn 4.31
+ l_____ AGBookRounded-BoldCnOutline 4.32
+ l_____ AGBook-Stencil 4.33
+ l_____ AGOldFace-Regular 4.34
+ l_____ AGOldFace-Medium 4.35
+ l_____ AGOldFace-Bold 4.36
+ l_____ AGOldFace-Outline 4.37
+ l_____ AGOldFace-BoldOutline 4.38
+ l_____ AGOldFace-Shaded 4.39
+ l_____ AGSchoolbook-Regular 4.40
+ l_____ AGSchoolbook-RegularA 4.41
+ l_____ AGSchoolbook-Medium 4.42
+ l_____ AGSchoolbook-MediumA 4.43
+ l_____ AlcuinEF-Light 5.0
+ l_____ AlcuinEF-Regular 5.1
+ l_____ AlcuinEF-Bold 5.2
+ l_____ AlcuinEF-ExtraBold 5.3
+ l_____ Aldus-Roman 6.0
+ l_____ Aldus-RomanSC 6.1
+ l_____ Aldus-Italic 6.2
+ l_____ Aldus-ItalicOsF 6.3
+ l_____ AleOrnamentsRotatoLL 7.0
+ l_____ AleOrnamentsSpiratoLL 7.1
+ l_____ AlexieLL 8.0
+ l_____ AlteSchwabacherEF 9.0
+ l_____ AlternateGothicEF-NoOne 10.0
+ l_____ AlternateGothicEF-NoTwo 10.1
+ l_____ AlternateGothicEF-NoThree 10.2
+ l_____ AmericanUncialEF 11.0
+ l_____ Americana 12.0
+ l_____ Americana-Italic 12.1
+ l_____ Americana-Bold 12.2
+ l_____ Americana-ExtraBold 12.3
+ l_____ AmericanaEF-Regular 12.4
+ l_____ AmericanaEF-RegularItalic 12.5
+ l_____ AmericanaEF-Bold 12.6
+ l_____ AmericanaEF-ExtraBold 12.7
+ l_____ AnnlieEF-ExtraBold 14.0
+ l_____ AnnlieEF-ExtraBoldItalic 14.1
+ l_____ AntiqueOlive-Light 15.0
+ l_____ AntiqueOlive-Roman 15.1
+ l_____ AntiqueOlive-Italic 15.2
+ l_____ AntiqueOlive-Bold 15.3
+ l_____ AntiqueOlive-Black 15.4
+ l_____ AntiqueOlive-BoldCond 15.5
+ l_____ AntiqueOlive-Compact 15.6
+ l_____ AntiqueOlive-Nord 15.7
+ l_____ AntiqueOlive-NordItalic 15.8
+ l_____ AntiqueOliveCE-Light 15.9
+ l_____ AntiqueOliveCE-Roman 15.10
+ l_____ AntiqueOliveCE-Italic 15.11
+ l_____ AntiqueOliveCE-Bold 15.12
+ l_____ AntiqueOliveCE-Black 15.13
+ l_____ AntiqueOliveEastA-Light 15.14
+ l_____ AntiqueOliveEastA-Roman 15.15
+ l_____ AntiqueOliveEastA-Italic 15.16
+ l_____ AntiqueOliveEastA-Bold 15.17
+ l_____ AntiqueOliveEastA-Black 15.18
+ l_____ ApolloMT-Roman 16.0
+ l_____ ApolloMT-RomanSC 16.1
+ l_____ ApolloMT-RomanExpert 16.2
+ l_____ ApolloMT-Italic 16.3
+ l_____ ApolloMT-ItalicOsF 16.4
+ l_____ ApolloMT-ItalicExpert 16.5
+ l_____ ApolloMT-SemiBold 16.6
+ l_____ ApolloMT-SemiBoldOsF 16.7
+ l_____ ApolloMT-SemiBoldExpert 16.8
+ l_____ Arcadia 17.0
+ l_____ Arcadia-Alternate 17.1
+ l_____ Ariadne-Roman 18.0
+ l_____ Arioso 19.0
+ l_____ Arkona-Regular 20.0
+ l_____ Arkona-Medium 20.1
+ l_____ ArnoldBoecklin 21.0
+ l_____ AshleyScriptMT 22.0
+ l_____ NewAster 23.0
+ l_____ NewAster-Italic 23.1
+ l_____ NewAster-SemiBold 23.2
+ l_____ NewAster-SemiBoldItalic 23.3
+ l_____ NewAster-Bold 23.4
+ l_____ NewAster-BoldItalic 23.5
+ l_____ NewAster-Black 23.6
+ l_____ NewAster-BlackItalic 23.7
+ l_____ AsterEF-Regular 23.8
+ l_____ AsterEF-RegularItalic 23.9
+ l_____ AsterEF-Medium 23.10
+ l_____ AureliaEF-Light 24.0
+ l_____ AureliaEF-LightItalic 24.1
+ l_____ AureliaEF-Book 24.2
+ l_____ AureliaEF-BookItalic 24.3
+ l_____ AureliaEF-Bold 24.4
+ l_____ Auriol 25.0
+ l_____ Auriol-Italic 25.1
+ l_____ Auriol-Bold 25.2
+ l_____ Auriol-BoldItalic 25.3
+ l_____ Auriol-Black 25.4
+ l_____ Auriol-BlackItalic 25.5
+ l_____ BalderLL 28.0
+ l_____ BalloonEF-ExtraBold 29.0
+ l_____ BalloonEF-DropShadow 29.1
+ l_____ BalmoralEF-Regular 30.0
+ l_____ BalmoralEF-Alternative 30.1
+ l_____ Banco 31.0
+ l_____ BarbedorEF-Regular 32.0
+ l_____ BarbedorEF-RegularItalic 32.1
+ l_____ BarbedorEF-Medium 32.2
+ l_____ BarbedorEF-MediumItalic 32.3
+ l_____ BarbedorEF-Bold 32.4
+ l_____ BarbedorEF-BoldItalic 32.5
+ l_____ BarbedorEF-Black 32.6
+ l_____ BarbedorEF-BlackItalic 32.7
+ l_____ BaskervilleCyr-Upright 33.0
+ l_____ BaskervilleCyr-Inclined 33.1
+ l_____ BaskervilleCyr-Bold 33.2
+ l_____ BaskervilleGreek-Upright 33.3
+ l_____ BaskervilleGreek-Inclined 33.4
+ l_____ BaskervilleGreek-Bold 33.5
+ l_____ BaskervilleGreekP-Upright 33.6
+ l_____ BaskervilleGreekP-Inclined 33.7
+ l_____ BaskervilleGreekP-Bold 33.8
+ l_____ BaskervilleEF-Regular 33.9
+ l_____ BaskervilleEF-RegularItalic 33.10
+ l_____ BaskervilleEF-Medium 33.11
+ l_____ BaskervilleBE-Regular 33.12
+ l_____ BaskervilleBE-Italic 33.13
+ l_____ BaskervilleBE-Medium 33.14
+ l_____ BaskervilleBE-MediumItalic 33.15
+ l_____ BaskervilleBE-Bold 33.16
+ l_____ NewBaskerville-Roman 33.17
+ l_____ NewBaskerville-SC 33.18
+ l_____ NewBaskerville-Italic 33.19
+ l_____ NewBaskerville-ItalicOsF 33.20
+ l_____ NewBaskerville-Bold 33.21
+ l_____ NewBaskerville-BoldSC 33.22
+ l_____ NewBaskerville-BoldItalic 33.23
+ l_____ NewBaskerville-BoldItalicOsF 33.24
+ l_____ NewBaskervilleEF-Roman 33.25
+ l_____ NewBaskervilleEF-Italic 33.26
+ l_____ NewBaskervilleEF-SemiBold 33.27
+ l_____ NewBaskervilleEF-SemiBoldItalic 33.28
+ l_____ NewBaskervilleEF-Bold 33.29
+ l_____ NewBaskervilleEF-BoldItalic 33.30
+ l_____ NewBaskervilleEF-Black 33.31
+ l_____ NewBaskervilleEF-BlackItalic 33.32
+ l_____ BaskervilleBook-Regular 33.33
+ l_____ BaskervilleBook-Italic 33.34
+ l_____ BaskervilleBook-Medium 33.35
+ l_____ BaskervilleBook-MedItalic 33.36
+ l_____ BaskervilleOldFaceEF 33.37
+ l_____ AfroditeKATEF-Filly 34.0
+ l_____ AfroditeKATEF-Ready 34.1
+ l_____ AfroditeKATEF-Funky 34.2
+ l_____ BadblocksEF 34.3
+ l_____ BeatEF-BackBeat 34.4
+ l_____ BeatEF-HardBeat 34.5
+ l_____ BloxxEF 34.6
+ l_____ BornFreeKATEF-Hungry 34.7
+ l_____ BornFreeKATEF-Fed 34.8
+ l_____ BrushableEF 34.9
+ l_____ CandyEF 34.10
+ l_____ ComancheEF 34.11
+ l_____ CrazeEF 34.12
+ l_____ DoublePacEF-Scrambled 34.13
+ l_____ EastsideEF-Regular 34.14
+ l_____ EastsideEF-Double 34.15
+ l_____ FutureWorldEF 34.16
+ l_____ ItKATEF 34.17
+ l_____ JameKATEF-Black 34.18
+ l_____ JameKATEF-White 34.19
+ l_____ KiddingKidEF 34.20
+ l_____ KnockoutEF 34.21
+ l_____ LittleJoeKATEF-Black 34.22
+ l_____ LittleJoeKATEF-White 34.23
+ l_____ MaoMaoEF 34.24
+ l_____ MaydayEF 34.25
+ l_____ MiroEF 34.26
+ l_____ MrsBeasleyEF 34.27
+ l_____ NiniveEF 34.28
+ l_____ RumourEF 34.29
+ l_____ SiouxEF 34.30
+ l_____ StayawhileEF 34.31
+ l_____ SteelPlateEF 34.32
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+ l_____ KursivschriftLiegend 207.3
+ l_____ KursivschriftRueckLie 207.4
+ l_____ LakeInformal 208.0
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+ l_____ LatienneEF-Roman 209.0
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+ l_____ LatienneEF-BoldItalic 209.8
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+ l_____ LatienneEF-MediumItalicSwC 209.10
+ l_____ LatienneEF-BoldItalicSwC 209.11
+ l_____ LatinMT-Condensed 210.0
+ l_____ LazybonesEF 211.0
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+ l_____ LetterGothic 213.0
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+ l_____ LetterGothic-BoldSlanted 213.3
+ l_____ LibertyEF 214.0
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+ l_____ Life-Bold 215.2
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+ l_____ LifeEF-Bold 215.5
+ l_____ LightlineGothicEF 216.0
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+ l_____ Linoscript 219.0
+ l_____ Linotext 220.0
+ l_____ Linotext-Dfr 220.1
+ lpi___ LAstrologyPi-One 221.0
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+ l_____ Centennial-Light 222.0
+ l_____ Centennial-LightSC 222.1
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+ l_____ DidotLH-Roman 224.0
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+ l_____ DidotLH-HeadlineRomanOsF 224.9
+ l_____ DidotLH-OrnamentsOne 224.10
+ l_____ DidotLH-OrnamentsTwo 224.11
+ lpi___ LGamePi-ChessDraughts 225.0
+ lpi___ LGamePi-DiceDominoes 225.1
+ lpi___ LGamePi-EnglishCards 225.2
+ lpi___ LGamePi-FrenchCards 225.3
+ lpi___ LHolidayPi-One 227.0
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+ lpi___ LHolidayPi-Three 227.2
+ lpi___ TextilLH-PiOne 228.0
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+ lpi___ WarningLH-Pi 229.0
+ l_____ LiteraEF-Light 230.0
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+ l_____ Lithos-ExtraLight 231.0
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+ l_____ Macbeth 234.0
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+ l_____ MonolineScriptMT 244.0
+ l_____ MurrayHillEF 246.0
+ l_____ Myriad-Sketch 247.0
+ l_____ Myriad-Headline 247.1
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+ l_____ Mythos 248.0
+ lpi___ NationalCodes-Europe 249.0
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+ lpi___ NationalCodes-America 249.2
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+ l_____ NeueHammerUnziale-One 250.0
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+ l_____ NeuzeitSBook 251.0
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+ l_____ OdinEF 262.0
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+ l_____ OldTypewriterEF-ExBold 265.9
+ l_____ OldTypewriterEF-ExBoldObl 265.10
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+ l_____ Caecilia-Roman 273.6
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+ l_____ PalaceScriptMT-Regular 274.0
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+ l_____ Palatino-Light 275.0
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+ l_____ PhotinaMT 284.0
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+ l_____ PhotinaMT-UltraBoldItalic 284.7
+ l_____ PhyllisEF 285.0
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+ l_____ Revue 295.0
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+ l_____ RomanaEF-Light 297.0
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+ l_____ Shannon-Book 311.0
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+ l_____ SloganEF 316.0
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+ l_____ TitusEF 340.0
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+ lpi___ MathematicalPi-Four 350.3
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+ lpi___ MathematicalPi-Six 350.5
+ lpi___ Unversal-GreekwithMathPi 351.0
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+ l_____ University-Roman 352.0
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+ l_____ WalbaumEF-Bold 357.13
+ l_____ WalbaumEF-BoldItalic 357.14
+ l_____ WalbaumBook-Regular 357.15
+ l_____ WalbaumBook-RegularSC 357.16
+ l_____ WalbaumBook-RegularExpert 357.17
+ l_____ WalbaumBook-Italic 357.18
+ l_____ WalbaumBook-ItalicOsF 357.19
+ l_____ WalbaumBook-ItalicExpert 357.20
+ l_____ WalbaumBook-Medium 357.21
+ l_____ WalbaumBook-MediumSC 357.22
+ l_____ WalbaumBook-MdExpert 357.23
+ l_____ WalbaumBook-MediumItalic 357.24
+ l_____ WalbaumBook-MdItalicOsF 357.25
+ l_____ WalbaumBook-MdItalicExpert 357.26
+ l_____ WalbaumBook-Bold 357.27
+ l_____ WalbaumBook-BoldOsF 357.28
+ l_____ WalbaumBook-BoldExpert 357.29
+ l_____ WalbaumBook-BoldItalic 357.30
+ l_____ WalbaumBook-BoldItalicOsF 357.31
+ l_____ WalbaumBook-BoldItalicExpert 357.32
+ l_____ WalbaumFrakturEF 357.33
+ l_____ WhyNotEF 358.0
+ l_____ WilhelmKlingsporGotisch 359.0
+ l_____ WilhelmKlingsporGotisch-Dfr 359.1
+ l_____ WindsorEF-Light 360.0
+ l_____ WindsorEF-Bold 360.1
+ l_____ WindsorEF-UltraHeavy 360.2
+ l_____ WindsorEF-BoldOutline 360.3
+ l_____ WindsorEF-LightCondensed 360.4
+ l_____ WindsorEF-ExtraBoldCondensed 360.5
+ l_____ WindsorEF-Elongated 360.6
+ ppi___ WoodtypeOrnaments-One 361.0
+ ppi___ WoodtypeOrnaments-Two 361.1
+ l_____ ZipperEF 363.0
+ l_____ BelshawEF 364.0
+ l_____ Belwe-Light 365.0
+ l_____ Belwe-Medium 365.1
+ l_____ Belwe-Bold 365.2
+ l_____ Belwe-Condensed 365.3
+ l_____ BelweEF-Light 365.4
+ l_____ BelweEF-Italic 365.5
+ l_____ BelweEF-Medium 365.6
+ l_____ BelweEF-Bold 365.7
+ l_____ BelweEF-BoldCondensed 365.8
+ l_____ Bembo 366.0
+ l_____ Bembo-SC 366.1
+ l_____ Bembo-Expert 366.2
+ l_____ Bembo-Italic 366.3
+ l_____ Bembo-ItalicOsF 366.4
+ l_____ Bembo-ItalicExpert 366.5
+ l_____ Bembo-Semibold 366.6
+ l_____ Bembo-SemiboldOsF 366.7
+ l_____ Bembo-SemiboldExpert 366.8
+ l_____ Bembo-SemiboldItalic 366.9
+ l_____ Bembo-SemiboldItalicOsF 366.10
+ l_____ Bembo-SemiboldItalicExpert 366.11
+ l_____ Bembo-Bold 366.12
+ l_____ Bembo-BoldOsF 366.13
+ l_____ Bembo-BoldExpert 366.14
+ l_____ Bembo-BoldItalic 366.15
+ l_____ Bembo-BoldItalicOsF 366.16
+ l_____ Bembo-BoldItalicExpert 366.17
+ l_____ Bembo-ExtraBold 366.18
+ l_____ Bembo-ExtraBoldOsF 366.19
+ l_____ Bembo-ExtraBoldExpert 366.20
+ l_____ Bembo-ExtraBoldItalic 366.21
+ l_____ Bembo-ExtraBoldItalicOsF 366.22
+ l_____ Bembo-ExtraBoldItalicExpert 366.23
+ l_____ BerlinerGrotesk-Light 368.0
+ l_____ BerlinerGrotesk-Medium 368.1
+ l_____ LoType-Light 369.0
+ l_____ LoType-Regular 369.1
+ l_____ LoType-Medium 369.2
+ l_____ LoType-MediumItalic 369.3
+ l_____ LoType-Bold 369.4
+ l_____ LoType-MediumCondensed 369.5
+ l_____ BiffoMT 370.0
+ l_____ BigbandTerrazzo 371.1
+ l_____ Birch 372.0
+ l_____ BirdsEF 373.0
+ l_____ BlockBE-Regular 375.0
+ l_____ BlockBE-Italic 375.1
+ l_____ BlockBE-Heavy 375.2
+ l_____ BlockBE-Condensed 375.3
+ l_____ BlockBE-ExtraCn 375.4
+ l_____ BlockBE-ExtraCnItalic 375.5
+ l_____ BoberiaLL-Light 376.0
+ l_____ BoberiaLL-LightItalic 376.1
+ l_____ BoberiaLL-SemiBold 376.2
+ l_____ Bodoni-Book 377.0
+ l_____ Bodoni-BookItalic 377.1
+ l_____ Bodoni 377.2
+ l_____ Bodoni-Italic 377.3
+ l_____ Bodoni-Bold 377.4
+ l_____ Bodoni-BoldItalic 377.5
+ l_____ Bodoni-BoldCondensed 377.6
+ l_____ BodoniEF-Light 377.7
+ l_____ BodoniEF-LightIta 377.8
+ l_____ BodoniEF-Regular 377.9
+ l_____ BodoniEF-RegularIta 377.10
+ l_____ BodoniEF-DemiBold 377.11
+ l_____ BodoniEF-Bold 377.12
+ l_____ BodoniEF-DemiBoldIta 377.13
+ l_____ BodoniEF-BoldIta 377.14
+ l_____ BodoniEF-RegularCn 377.15
+ l_____ BodoniEF-RegularCnIta 377.16
+ l_____ BodoniEF-BoldCn 377.17
+ l_____ BodoniEF-DemiBoldCn 377.18
+ l_____ BodoniEF-BoldCnItalic 377.19
+ l_____ BodoniEF-DemiBoldCnIta 377.20
+ l_____ BodoniEF-Black 377.21
+ l_____ BodoniEF-BlackIta 377.22
+ l_____ BodoniEF-Ultra 377.23
+ l_____ BauerBodoni-Roman 377.24
+ l_____ BauerBodoni-RomanSC 377.25
+ l_____ BauerBodoni-RomanOsF 377.26
+ l_____ BauerBodoni-Italic 377.27
+ l_____ BauerBodoni-ItalicOsF 377.28
+ l_____ BauerBodoni-Bold 377.29
+ l_____ BauerBodoni-BoldOsF 377.30
+ l_____ BauerBodoni-BoldItalic 377.31
+ l_____ BauerBodoni-BoldItalicOsF 377.32
+ l_____ BauerBodoni-Black 377.33
+ l_____ BauerBodoni-BlackItalic 377.34
+ l_____ BauerBodoni-BoldCond 377.35
+ l_____ BauerBodoni-BlackCond 377.36
+ l_____ BauerBodoniCE-Roman 377.37
+ l_____ BauerBodoniCE-Italic 377.38
+ l_____ BauerBodoniCE-Bold 377.39
+ l_____ BauerBodoniCE-BoldItalic 377.40
+ l_____ BauerBodoniCE-Black 377.41
+ l_____ BauerBodoniCE-BlackItalic 377.42
+ l_____ BauerBodoniCE-BoldCondensed 377.43
+ l_____ BauerBodoniCE-BlackCondensed 377.44
+ l_____ BauerBodoniEF-Regular 377.45
+ l_____ BauerBodoniEF-RegularItalic 377.46
+ l_____ BauerBodoniEF-Medium 377.47
+ l_____ BauerBodoniEF-MediumItalic 377.48
+ l_____ BauerBodoniEF-Bold 377.49
+ l_____ BauerBodoniEF-BoldItalic 377.50
+ l_____ BodoniBE-Light 377.51
+ l_____ BodoniBE-LightSC 377.52
+ l_____ BodoniBE-LightExpert 377.53
+ l_____ BodoniBE-LightItalic 377.54
+ l_____ BodoniBE-LightItalicOsF 377.55
+ l_____ BodoniBE-LightItalicExpert 377.56
+ l_____ BodoniBE-Regular 377.57
+ l_____ BodoniBE-RegularSC 377.58
+ l_____ BodoniBE-RegularExp 377.59
+ l_____ BodoniBE-Italic 377.60
+ l_____ BodoniBE-ItalicOsF 377.61
+ l_____ BodoniBE-ItalicExp 377.62
+ l_____ BodoniBE-Medium 377.63
+ l_____ BodoniBE-MediumSC 377.64
+ l_____ BodoniBE-MediumExp 377.65
+ l_____ BodoniBE-MediumItalic 377.66
+ l_____ BodoniBE-MediumItalicOsF 377.67
+ l_____ BodoniBE-MediumItalicExp 377.68
+ l_____ BodoniBE-Bold 377.69
+ l_____ BodoniBE-BoldOsF 377.70
+ l_____ BodoniBE-BoldExp 377.71
+ l_____ BodoniBE-BoldItalic 377.72
+ l_____ BodoniBE-BoldItalicOsF 377.73
+ l_____ BodoniBE-BoldItalicExp 377.74
+ l_____ BodoniBE-Condensed 377.75
+ l_____ BodoniBE-CnItalic 377.76
+ l_____ BodoniBE-MediumCn 377.77
+ l_____ BodoniBE-MediumCnItalic 377.78
+ l_____ BodoniBE-BoldCn 377.79
+ l_____ BodoniBE-BoldCnItalic 377.80
+ l_____ Bodoni-Poster 377.81
+ l_____ Bodoni-PosterItalic 377.82
+ l_____ Bodoni-PosterCompressed 377.83
+ l_____ BodoniSixEF-Book 377.84
+ l_____ BodoniSixEF-BookSC 377.85
+ l_____ BodoniSixEF-BookItalic 377.86
+ l_____ BodoniSixEF-Bold 377.87
+ l_____ BodoniSixEF-BoldItalic 377.88
+ l_____ BodoniTwelveEF-Book 377.89
+ l_____ BodoniTwelveEF-BookSC 377.90
+ l_____ BodoniTwelveEF-BookItalic 377.91
+ l_____ BodoniTwelveEF-Bold 377.92
+ l_____ BodoniTwelveEF-BoldItalic 377.93
+ l_____ BodoniSeventytwoEF-Book 377.94
+ l_____ BodoniSeventytwoEF-BookSC 377.95
+ l_____ BodoniSeventytwoEF-BookIta 377.96
+ l_____ BodoniSeventytwoEF-Bold 377.97
+ l_____ BodoniSeventytwoEF-BoldIta 377.98
+ l_____ BodoniOldFaceBE-Regular 377.99
+ l_____ BodoniOldFaceBE-RegularSC 377.100
+ l_____ BodoniOldFaceBE-RegularExp 377.101
+ l_____ BodoniOldFaceBE-Italic 377.102
+ l_____ BodoniOldFaceBE-ItalicSC 377.103
+ l_____ BodoniOldFaceBE-ItalicExp 377.104
+ l_____ BodoniOldFaceBE-Medium 377.105
+ l_____ BodoniOldFaceBE-MediumSC 377.106
+ l_____ BodoniOldFaceBE-MediumExp 377.107
+ l_____ BodoniOldFaceBE-MediumIt 377.108
+ l_____ BodoniOldFaceBE-MediumItOsF 377.109
+ l_____ BodoniOldFaceBE-MediumItExp 377.110
+ l_____ BodoniOldFaceBE-Bold 377.111
+ l_____ BodoniOldFaceBE-BoldOsF 377.112
+ l_____ BodoniOldFaceBE-BoldExp 377.113
+ l_____ BodoniOldFaceBE-BoldIt 377.114
+ l_____ BodoniOldFaceBE-BoldItOsF 377.115
+ l_____ BodoniOldFaceBE-BoldItExp 377.116
+ l_____ BordeauxEF-Regular 378.0
+ l_____ BordeauxEF-RegularItalic 378.1
+ l_____ BordeauxScriptEF 378.2
+ l_____ Boulevard 380.0
+ l_____ BritannicEF-ExtraLight 382.0
+ l_____ BritannicEF-Light 382.1
+ l_____ BritannicEF-Medium 382.2
+ l_____ BritannicEF-Bold 382.3
+ l_____ BritannicEF-Ultra 382.4
+ l_____ BrodyEF 383.0
+ l_____ BronxEF 384.0
+ l_____ BrushScript 385.0
+ l_____ BrushScriptEF 385.1
+ l_____ BuxomEF 386.0
+ l_____ CabaretEF 387.0
+ l_____ CalvertMT-Light 389.0
+ l_____ CalvertMT-Regular 389.1
+ l_____ CalvertMT-Bold 389.2
+ l_____ CamelliaEF 390.0
+ l_____ Candida-Roman 391.0
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+ l_____ Candida-Bold 391.2
+ l_____ CandidaEF-Regular 391.3
+ l_____ CandidaEF-RegularItalic 391.4
+ l_____ CandidaEF-Medium 391.5
+ l_____ CandidaEF-RegularCondensed 391.6
+ l_____ CandidaEF-MediumCondensed 391.7
+ l_____ CantoriaMT-Light 392.0
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+ l_____ CantoriaMT-Roman 392.2
+ l_____ CantoriaMT-Italic 392.3
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+ l_____ CantoriaMT-SemiBoldItalic 392.5
+ l_____ CantoriaMT-Bold 392.6
+ l_____ CantoriaMT-BoldItalic 392.7
+ l_____ CantoriaMT-ExtraBold 392.8
+ l_____ CantoriaMT-ExtraBoldItalic 392.9
+ l_____ Carolina 393.0
+ l_____ Carolina-Dfr 393.1
+ l_____ Carta 394.0
+ l_____ CartoonScript-Roman 395.0
+ l_____ ACaslon-Regular 396.0
+ l_____ ACaslon-AltRegular 396.1
+ l_____ ACaslon-RegularSC 396.2
+ l_____ ACaslonExp-Regular 396.3
+ l_____ ACaslon-Italic 396.4
+ l_____ ACaslon-AltItalic 396.5
+ l_____ ACaslon-ItalicOsF 396.6
+ l_____ ACaslonExp-Italic 396.7
+ l_____ ACaslon-Semibold 396.8
+ l_____ ACaslon-AltSemibold 396.9
+ l_____ ACaslon-SemiboldSC 396.10
+ l_____ ACaslonExp-Semibold 396.11
+ l_____ ACaslon-SemiboldItalic 396.12
+ l_____ ACaslon-AltSemiboldItalic 396.13
+ l_____ ACaslon-SemiboldItalicOsF 396.14
+ l_____ ACaslonExp-SemiboldItalic 396.15
+ l_____ ACaslon-Bold 396.16
+ l_____ ACaslon-AltBold 396.17
+ l_____ ACaslon-BoldOsF 396.18
+ l_____ ACaslonExp-Bold 396.19
+ l_____ ACaslon-BoldItalic 396.20
+ l_____ ACaslon-AltBoldItalic 396.21
+ l_____ ACaslon-BoldItalicOsF 396.22
+ l_____ ACaslonExp-BoldItalic 396.23
+ l_____ ACaslon-SwashItalic 396.24
+ l_____ ACaslon-SwashSemiboldItalic 396.25
+ l_____ ACaslon-SwashBoldItalic 396.26
+ l_____ ACaslon-Ornaments 396.27
+ l_____ CaslonThree-Roman 396.28
+ l_____ CaslonThree-RomanSC 396.29
+ l_____ CaslonThree-Italic 396.30
+ l_____ CaslonThree-ItalicOsF 396.31
+ l_____ CaslonFiveFourty-Roman 396.32
+ l_____ CaslonFiveFourty-RomanSC 396.33
+ l_____ CaslonFiveFourty-Italic 396.34
+ l_____ CaslonFiveFourty-ItalicOsF 396.35
+ l_____ CaslonOpenFace 396.36
+ l_____ CaslonFiveFourtyEF-Italic 396.37
+ l_____ CaslonBlackEF 396.38
+ l_____ CaslonAntiqueEF 396.39
+ l_____ CaslonGraphiqueEF 396.40
+ l_____ CaslonTwoTwentyFour-Book 396.41
+ l_____ CaslonTwoTwentyFour-BookIt 396.42
+ l_____ CaslonTwoTwentyFour-Medium 396.43
+ l_____ CaslonTwoTwentyFour-MediumIt 396.44
+ l_____ CaslonTwoTwentyFour-Bold 396.45
+ l_____ CaslonTwoTwentyFour-BoldIt 396.46
+ l_____ CaslonTwoTwentyFour-Black 396.47
+ l_____ CaslonTwoTwentyFour-BlackIt 396.48
+ l_____ CaslonTwoTwentyFourEF-Book 396.49
+ l_____ CaslonTwoTwentyFourEF-BookIt 396.50
+ l_____ CaslonTwoTwentyFourEF-Medium 396.51
+ l_____ CaslonTwoTwentyFourEF-MediumIt 396.52
+ l_____ CaslonTwoTwentyFourEF-Bold 396.53
+ l_____ CaslonTwoTwentyFourEF-BoldI 396.54
+ l_____ CaslonTwoTwentyFourEF-Black 396.55
+ l_____ CaslonTwoTwentyFourEF-BlackIt 396.56
+ l_____ CaslonBookBE-Regular 396.57
+ l_____ CaslonBookBE-RegularSC 396.58
+ l_____ CaslonBookBE-RegularExp 396.59
+ l_____ CaslonBookBE-Italic 396.60
+ l_____ CaslonBookBE-ItalicOsF 396.61
+ l_____ CaslonBookBE-ItalicExp 396.62
+ l_____ CaslonBookBE-Medium 396.63
+ l_____ CaslonBookBE-MediumSC 396.64
+ l_____ CaslonBookBE-MediumExp 396.65
+ l_____ CaslonBookBE-Bold 396.66
+ l_____ CaslonBookBE-BoldOsF 396.67
+ l_____ CaslonBookBE-BoldExp 396.68
+ l_____ CastleEF-Light 397.0
+ l_____ CastleEF-Book 397.1
+ l_____ CastleEF-Bold 397.2
+ l_____ CastleEF-Ultra 397.3
+ l_____ Catull-Regular 398.0
+ l_____ Catull-Italic 398.1
+ l_____ Catull-Medium 398.2
+ l_____ Catull-Bold 398.3
+ l_____ Caxton-Light 399.0
+ l_____ Caxton-LightItalic 399.1
+ l_____ Caxton-BookItalic 399.2
+ l_____ Caxton-Book 399.3
+ l_____ Caxton-Bold 399.4
+ l_____ Caxton-BoldItalic 399.5
+ l_____ CaxtonEF-Light 399.6
+ l_____ CaxtonEF-LightItalic 399.7
+ l_____ CaxtonEF-Book 399.8
+ l_____ CaxtonEF-BookItalic 399.9
+ l_____ CaxtonEF-Bold 399.10
+ l_____ CaxtonEF-BoldItalic 399.11
+ l_____ CaxtonEF-ExtraBold 399.12
+ l_____ CaxtonEF-ExtraBoldItalic 399.13
+ l_____ CaxtonEF-BoldCondensed 399.14
+ l_____ CaxtonEF-ExtraBoldCondensed 399.15
+ l_____ CentaurMT-Regular 400.0
+ l_____ CentaurMT-RegularSC 400.1
+ l_____ CentaurMT-RegularExpert 400.2
+ l_____ CentaurMT-Italic 400.3
+ l_____ CentaurMT-ItalicA 400.4
+ l_____ CentaurMT-ItalicAlternate 400.5
+ l_____ CentaurMT-ItalicOsF 400.6
+ l_____ CentaurMT-ItalicExpert 400.7
+ l_____ CentaurMT-Bold 400.8
+ l_____ CentaurMT-BoldOsF 400.9
+ l_____ CentaurMT-BoldExpert 400.10
+ l_____ CentaurMT-BoldItalic 400.11
+ l_____ CentaurMT-BoldItalicOsF 400.12
+ l_____ CentaurMT-BoldItalicExpert 400.13
+ l_____ CentaurMT-ItalicSwash 400.14
+ l_____ ChallengeEF-Bold 401.0
+ l_____ ChallengeEF-ExtraBold 401.1
+ l_____ Charme 402.0
+ l_____ Cheltenham-Light 403.0
+ l_____ Cheltenham-LightItalic 403.1
+ l_____ Cheltenham-Book 403.2
+ l_____ Cheltenham-BookItalic 403.3
+ l_____ Cheltenham-Bold 403.4
+ l_____ Cheltenham-BoldItalic 403.5
+ l_____ Cheltenham-Ultra 403.6
+ l_____ Cheltenham-UltraItalic 403.7
+ l_____ Cheltenham-LightCond 403.8
+ l_____ Cheltenham-LightCondItalic 403.9
+ l_____ Cheltenham-BookCond 403.10
+ l_____ Cheltenham-BookCondItalic 403.11
+ l_____ Cheltenham-BoldCond 403.12
+ l_____ Cheltenham-BoldCondItalic 403.13
+ l_____ Cheltenham-UltraCond 403.14
+ l_____ Cheltenham-UltraCondItalic 403.15
+ l_____ CheltenhamEF-Light 403.16
+ l_____ CheltenhamEF-LightItalic 403.17
+ l_____ CheltenhamEF-Book 403.18
+ l_____ CheltenhamEF-BookItalic 403.19
+ l_____ CheltenhamEF-Bold 403.20
+ l_____ CheltenhamEF-BoldItalic 403.21
+ l_____ CheltenhamEF-Ultra 403.22
+ l_____ CheltenhamEF-UltraItalic 403.23
+ l_____ CheltenhamHandtEF-Bold 403.24
+ l_____ CheltenhamHandtEF-BoldItalic 403.25
+ l_____ CheltenhamEF-LightCond 403.26
+ l_____ CheltenhamEF-LightCondItalic 403.27
+ l_____ CheltenhamEF-BookCond 403.28
+ l_____ CheltenhamEF-BookCondItalic 403.29
+ l_____ CheltenhamEF-BoldCond 403.30
+ l_____ CheltenhamEF-BoldCondItalic 403.31
+ l_____ CheltenhamEF-UltraCond 403.32
+ l_____ CheltenhamEF-UltraCondItalic 403.33
+ l_____ CheltenhamOldStyleEF 403.34
+ l_____ Cheq 404.0
+ l_____ ChiselEF 405.0
+ l_____ DigiGroteskNEF-Light 406.0
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+ l_____ DigiGroteskNEF-BoldCondens 406.3
+ l_____ DigiGroteskSEF-Light 406.4
+ l_____ DigiGroteskSEF-SemiBold 406.5
+ l_____ DomCasual 407.0
+ l_____ DomCasual-Bold 407.1
+ l_____ DomEF-CasualRegular 407.2
+ l_____ DomEF-DiagonalRegular 407.3
+ l_____ DomEF-CasualBold 407.4
+ l_____ DomEF-DiagonalBold 407.5
+ l_____ DorchesterScriptMT 408.0
+ l_____ DynamoEF-Medium 409.0
+ l_____ DynamoEF-Bold 409.1
+ l_____ DynamoEF-BoldShadow 409.2
+ l_____ DynamoEF-BoldCondensed 409.3
+ l_____ EdisonEF-Book 410.0
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+ l_____ EdisonEF-SemiBold 410.2
+ l_____ EdisonEF-SemiBoldItalic 410.3
+ l_____ EdisonEF-BoldCondensed 410.4
+ l_____ EdwardianEF-Light 411.0
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+ l_____ EdwardianEF-Medium 411.2
+ l_____ EdwardianEF-MediumIta 411.3
+ l_____ EdwardianEF-Bold 411.4
+ l_____ EdwardianEF-BoldIta 411.5
+ l_____ EdwardianEF-ExtraBold 411.6
+ l_____ EdwardianEF-ExtraBoldIta 411.7
+ l_____ EgizioEF-Condensed 412.0
+ l_____ EgyptianEF-BoldCondensed 414.0
+ l_____ EgyptianEF-BoldExtended 414.1
+ l_____ EgyptienneEF-MediumCond 415.0
+ l_____ EhrhardtMT-Roman 416.0
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+ l_____ EhrhardtMT-SemiBold 416.2
+ l_____ EhrhardtMt-SemiBoldItalic 416.3
+ l_____ EirinnAsciiLL 417.0
+ l_____ EirinnGaelicLL 417.1
+ l_____ ElGreco 418.0
+ l_____ ElefontEF 419.0
+ l_____ EllingtonMT-Light 420.0
+ l_____ EllingtonMT-LightItalic 420.1
+ l_____ EllingtonMT-Roman 420.2
+ l_____ EllingtonMT-Italic 420.3
+ l_____ EllingtonMT-Bold 420.4
+ l_____ EllingtonMT-BoldItalic 420.5
+ l_____ EllingtonMT-ExtraBold 420.6
+ l_____ EllingtonMT-ExtraBoldItalic 420.7
+ l_____ EnglishScriptEF-Regular 421.0
+ l_____ EnglishScriptEF-Bold 421.1
+ l_____ EnglishScriptEF-DemiBold 421.2
+ l_____ Erbar-LightCondensed 422.0
+ l_____ Erbar-BoldCondensed 422.1
+ l_____ EscorialEF-Outline 423.0
+ l_____ EscorialEF 423.1
+ l_____ EthnoFontEF 424.0
+ l_____ Eurostile 425.0
+ l_____ Eurostile-Oblique 425.1
+ l_____ Eurostile-Demi 425.2
+ l_____ Eurostile-DemiOblique 425.3
+ l_____ Eurostile-Bold 425.4
+ l_____ Eurostile-BoldOblique 425.5
+ l_____ Eurostile-Condensed 425.6
+ l_____ Eurostile-BoldCondensed 425.7
+ l_____ Eurostile-ExtendedTwo 425.8
+ l_____ Eurostile-BoldExtendedTwo 425.9
+ l_____ EurostileEF-Regular 425.10
+ l_____ EurostileEF-Black 425.11
+ l_____ Excelsior 426.0
+ l_____ Excelsior-Italic 426.1
+ l_____ Excelsior-Bold 426.2
+ l_____ ExcelsiorCE-Roman 426.3
+ l_____ ExcelsiorCE-Italic 426.4
+ l_____ ExcelsiorCE-Bold 426.5
+ l_____ ExcelsiorCyr-Upright 426.6
+ l_____ ExcelsiorCyr-Inclined 426.7
+ l_____ ExcelsiorCyr-Bold 426.8
+ l_____ ExcelsiorEastA-Roman 426.9
+ l_____ ExcelsiorEastA-Italic 426.10
+ l_____ ExcelsiorEastA-Bold 426.11
+ l_____ F2FAlLineato 427.0
+ l_____ F2FCZYKagoTrans 427.1
+ l_____ F2FEntebbe 427.2
+ l_____ F2FHogRoach 427.3
+ l_____ F2FMadZineFear 427.4
+ l_____ F2FMadZineWip 427.5
+ l_____ F2FMekkasoTomanik 427.6
+ l_____ F2FMetamorfosi 427.7
+ l_____ F2FOCRAlexcyzk 427.8
+ l_____ F2FPixmix 427.9
+ l_____ F2FPoisonFlowers 427.10
+ l_____ F2FProvinciali 427.11
+ l_____ F2FSimbolico 427.12
+ l_____ F2FTechLand 427.13
+ l_____ F2FWhaleTreeRnd 427.14
+ l_____ F2FZakGlobe 427.15
+ l_____ Falstaff-Regular 428.0
+ l_____ FetteFraktur 429.0
+ l_____ FetteFraktur-Dfr 429.1
+ l_____ FetteFrakturEF 429.2
+ l_____ FlashEF-Light 430.0
+ l_____ FlashEF-Bold 430.1
+ l_____ Flyer-BlackCondensed 431.0
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+ l_____ BaskervilleClassico-BoldItalic 9501.15
+ l_____ BaskervilleClassico-SC 9501.16
+ l_____ BaskervilleClassico-Bold 9501.17
+ l_____ LinotypeBecket 9501.18
+ l_____ Bernhard-BoldCondensed 9501.19
+ l_____ Birka 9501.20
+ l_____ Birka-SC 9501.21
+ l_____ Birka-SemiBoldItalic 9501.22
+ l_____ Birka-SemiBold 9501.23
+ l_____ Birka-BoldItalic 9501.24
+ l_____ Birka-Italic 9501.25
+ l_____ Birka-Bold 9501.26
+ l_____ LinotypeBlackWhiteHeadline 9501.27
+ l_____ LinotypeBlackWhiteOutline 9501.28
+ l_____ LinotypeBlackWhiteLaserOutline 9501.29
+ l_____ LinotypeBlackWhite 9501.30
+ l_____ LinotypeBlackWhiteLaser 9501.31
+ l_____ BodoniHE-Light 9501.32
+ l_____ BodoniHE-LightItalic 9501.33
+ l_____ BodoniHE-SemiBold 9501.34
+ l_____ BodoniHE-SemiBoldItalic 9501.35
+ l_____ BodoniHE-BookItalic 9501.36
+ l_____ BodoniHE-Book 9501.37
+ l_____ BodoniHE-Bold 9501.38
+ l_____ BodoniHE-ExtraBold 9501.39
+ l_____ BodoniHE-BoldItalic 9501.40
+ l_____ BodoniHE-SemiBoldCondensedItalic 9501.41
+ l_____ BodoniHE-SemiBoldCondensed 9501.42
+ l_____ BodoniHE-BoldCondensedItalic 9501.43
+ l_____ BodoniHE-BoldCondensed 9501.44
+ l_____ BodoniHE-ExtraBoldItalic 9501.45
+ l_____ BodoniClassico 9501.46
+ l_____ BodoniClassico-BoldItalic 9501.47
+ l_____ BodoniClassico-SC 9501.48
+ l_____ BodoniClassico-Bold 9501.49
+ l_____ BodoniClassico-Italic 9501.50
+ l_____ Carniola 9501.52
+ l_____ Carniola-Bold 9501.53
+ l_____ Carniola-SemiBold 9501.54
+ l_____ Carniola-SC 9501.55
+ l_____ Carniola-SemiBoldItalic 9501.56
+ l_____ Carniola-BoldItalic 9501.57
+ l_____ Carniola-Italic 9501.58
+ l_____ CaslonHE-Light 9501.59
+ l_____ CaslonHE-LightItalic 9501.60
+ l_____ CaslonHE-Italic 9501.61
+ l_____ CaslonHE-Roman 9501.62
+ l_____ CaslonClassico 9501.63
+ l_____ CaslonClassico-Bold 9501.64
+ l_____ CaslonClassico-SC 9501.65
+ l_____ CaslonClassico-BoldItalic 9501.66
+ l_____ CaslonClassico-Italic 9501.67
+ l_____ Century-HandtooledBold 9501.68
+ l_____ Century-HandtooledBoldItalic 9501.69
+ l_____ NewCenturySchlbkCyr-Roman 9501.70
+ l_____ NewCenturySchlbkCyr-Bold 9501.71
+ l_____ NewCenturySchlbkCyr-Italic 9501.72
+ l_____ NewCenturySchlbkCyr-BoldItalic 9501.73
+ l_____ Cheltenham-HandtooledBd 9501.74
+ l_____ Cheltenham-HandtooledBdIt 9501.75
+ l_____ CloisterOpenFace 9501.76
+ l_____ Linotype CMC-Seven 9501.77
+ l_____ CooperBlackCE-Regualr 9501.78
+ l_____ CooperBlackCE-Italic 9501.79
+ l_____ CourierCyr 9501.80
+ l_____ CourierCyr-Oblique 9501.81
+ l_____ CourierCyr-BoldOblique 9501.82
+ l_____ CourierCyr-Bold 9501.83
+ l_____ LinotypeDavida 9501.84
+ l_____ Devin 9501.95
+ l_____ Devin-Bold 9501.96
+ l_____ Devin-Italic 9501.97
+ l_____ Devin-SemiBold 9501.98
+ l_____ Devin-SC 9501.99
+ l_____ Devin-SemiBoldItalic 9501.100
+ l_____ Devin-BoldItalic 9501.101
+ l_____ Dialog-Condensed 9501.102
+ l_____ Dialog-SemiBoldSC 9501.103
+ l_____ Dialog-LightSC 9501.104
+ l_____ Dialog-ExtraBoldItalic 9501.105
+ l_____ Dialog-ExtraBold 9501.106
+ l_____ Dialog-SemiBoldItalic 9501.107
+ l_____ Dialog-SemiBold 9501.108
+ l_____ Dialog-LightItalic 9501.109
+ l_____ Dialog-Light 9501.110
+ l_____ Dialog-SC 9501.111
+ l_____ Dialog-BoldItalic 9501.112
+ l_____ Dialog-Bold 9501.113
+ l_____ Dialog-Italic 9501.114
+ l_____ Dialog 9501.115
+ l_____ DialogCond-Bold 9501.116
+ l_____ DialogCond-Italic 9501.117
+ l_____ DialogCond-BoldItalic 9501.118
+ l_____ DialogCond-SemiBoldItalic 9501.119
+ l_____ DialogCond-SemiBold 9501.120
+ l_____ DigiAntiqua-LightCondensed 9501.121
+ l_____ DigiGrotesk-BoldCondensed 9501.122
+ l_____ EmonaCond 9501.124
+ l_____ EmonaCond-Bold 9501.125
+ l_____ EmonaCond-BoldItalic 9501.126
+ l_____ Emona-Bold 9501.127
+ l_____ Emona-SemiBold 9501.128
+ l_____ Emona-SC 9501.129
+ l_____ Emona-SemiBoldItalic 9501.130
+ l_____ Emona-Italic 9501.131
+ l_____ Emona 9501.132
+ l_____ EmonaCond-Italic 9501.133
+ l_____ Emona-BoldItalic 9501.134
+ l_____ EsperantoCond 9501.135
+ l_____ Esperanto 9501.136
+ l_____ Esperanto-Bold 9501.137
+ l_____ Esperanto-SemiBold 9501.138
+ l_____ Esperanto-SC 9501.139
+ l_____ Esperanto-SemiBoldItalic 9501.140
+ l_____ Esperanto-BoldItalic 9501.141
+ l_____ Esperanto-Italic 9501.142
+ l_____ EsperantoCond-SC 9501.143
+ l_____ EsperantoCond-Bold 9501.144
+ l_____ EsperantoCond-Italic 9501.145
+ l_____ EsperantoCond-BoldItalic 9501.146
+ l_____ ExcelsiorInsertio 9501.147
+ l_____ F2FAlRetto 9501.148
+ l_____ F2FBoneR-Book 9501.149
+ l_____ F2FCzykagoSemiSerif 9501.150
+ l_____ F2FLego-Stoned 9501.151
+ l_____ F2FLovegrid 9501.152
+ l_____ F2FMadame-Butterfly 9501.153
+ l_____ F2FMadZine-Dirt 9501.154
+ l_____ F2FMadZine-Script 9501.155
+ l_____ F2FOCR-AlexczykShake 9501.156
+ l_____ OCR-BczykNorm 9501.157
+ l_____ OCR-BczykBold 9501.158
+ l_____ F2FPrototipa-Multipla 9501.159
+ l_____ F2FScreen-Scream 9501.160
+ l_____ F2FShakkarakk 9501.161
+ l_____ F2FShpeetz 9501.162
+ l_____ F2FTagliatelle-Sugo 9501.163
+ l_____ F2FTwins 9501.164
+ l_____ F2FTyrell-Corp 9501.165
+ l_____ Linotype FehrleDisplay 9501.166
+ l_____ Fortuna 9501.167
+ l_____ Fortuna-Bold 9501.168
+ l_____ FranklinGothic-BookCmpr 9501.169
+ l_____ FranklinGothic-DemiCmprItal 9501.170
+ l_____ FranklinGothic-DemiXCmpr 9501.171
+ l_____ FranklinGothic-BookXCmpr 9501.172
+ l_____ FranklinGothic-DemiCndItal 9501.173
+ l_____ FranklinGothic-DemiCnd 9501.174
+ l_____ FranklinGothic-MediumCndItal 9501.175
+ l_____ FranklinGothic-MediumCnd 9501.176
+ l_____ FranklinGothic-BookCndItal 9501.177
+ l_____ FranklinGothic-BookCnd 9501.178
+ l_____ FranklinGothic-DemiCmpr 9501.179
+ l_____ FranklinGothic-BookCmprItal 9501.180
+ l_____ FreestyleScriptCE 9501.181
+ l_____ FrutigerCE-LightItalic 9501.182
+ l_____ FrutigerCE-Roman 9501.183
+ l_____ FrutigerCE-Black 9501.184
+ l_____ FrutigerCE-Italic 9501.185
+ l_____ FrutigerCE-Light 9501.186
+ l_____ FrutigerCE-UltraBlack 9501.187
+ l_____ FrutigerCE-BlackItalic 9501.188
+ l_____ FrutigerCE-BoldItalic 9501.189
+ l_____ FrutigerCE-Bold 9501.190
+ l_____ FuturaCE-Light 9501.191
+ l_____ FuturaCE-Bold 9501.192
+ l_____ FuturaCE-Medium 9501.193
+ l_____ FuturaCE-BoldOblique 9501.194
+ l_____ FuturaCE-LightOblique 9501.195
+ l_____ FuturaCE-ExtraBoldOblique 9501.196
+ l_____ FuturaCE-ExtraBold 9501.197
+ l_____ FuturaCE-HeavyOblique 9501.198
+ l_____ FuturaCE-Heavy 9501.199
+ l_____ FuturaCE-MediumOblique 9501.200
+ l_____ FuturaCE-BookOblique 9501.201
+ l_____ FuturaCE-Book 9501.202
+ l_____ Garamond-HandtooledBold 9501.206
+ l_____ Garamond-HandtooledBoldItalic 9501.207
+ l_____ GaramondClassico 9501.208
+ l_____ GaramondClassico-BoldItalic 9501.209
+ l_____ GaramondClassico-SC 9501.210
+ l_____ GaramondClassico-Italic 9501.211
+ l_____ GaramondClassico-Bold 9501.212
+ l_____ GillSansCE-Light 9501.213
+ l_____ GillSansCE-Roman 9501.214
+ l_____ GillSansCE-Bold 9501.215
+ l_____ GillSansCE-BoldItalic 9501.216
+ l_____ GillSansCE-Italic 9501.217
+ l_____ GillSansCE-LightItalic 9501.218
+ l_____ GoudyModern94 9501.219
+ l_____ GoudyModern94-Italic 9501.220
+ l_____ GoudyModern94-Bold 9501.221
+ l_____ GoudyModern94-BoldItalic 9501.222
+ l_____ GoudyModern94-SC 9501.223
+ l_____ GoudyVillage 9501.224
+ l_____ GoudyVillage-SC 9501.225
+ l_____ GoudyVillage-BoldItalic 9501.226
+ l_____ GoudyVillage-Italic 9501.227
+ l_____ GoudyVillage-Bold 9501.228
+ l_____ GriffoClassico 9501.229
+ l_____ GriffoClassico-Bold 9501.230
+ l_____ GriffoClassico-BoldItalic 9501.231
+ l_____ GriffoClassico-SC 9501.232
+ l_____ GriffoClassico-Italic 9501.233
+ l_____ HelveticaNeueCE-Light 9501.238
+ l_____ HelveticaNeueCE-Black 9501.239
+ l_____ HelveticaNeueCE-UltraLightIt 9501.240
+ l_____ HelveticaNeueCE-BlackItalic 9501.241
+ l_____ HelveticaNeueCE-Medium 9501.242
+ l_____ HelveticaNeueCE-Heavy 9501.243
+ l_____ HelveticaNeueCE-HeavyItalic 9501.244
+ l_____ HelveticaNeueCE-UltraLight 9501.245
+ l_____ HelveticaNeueCE-MediumItalic 9501.246
+ l_____ HelveticaNeueCE-LightItalic 9501.247
+ lpi___ Linotype HieroglyphsPi-One 9501.248
+ lpi___ Linotype HieroglyphsPi-Two 9501.249
+ l_____ Humana 9501.250
+ l_____ Humana-SC 9501.251
+ l_____ Isolde 9501.252
+ l_____ Isolde-Italic 9501.253
+ l_____ Isolde-BoldItalic 9501.254
+ l_____ Isolde-SC 9501.255
+ l_____ Isolde-Bold 9501.256
+ l_____ JensonClassico 9501.257
+ l_____ JensonClassico-Italic 9501.258
+ l_____ JensonClassico-BoldItalic 9501.259
+ l_____ JensonClassico-Bold 9501.260
+ l_____ JensonClassico-SC 9501.261
+ l_____ Jesper 9501.262
+ l_____ Jonatan 9501.263
+ l_____ Kalix 9501.264
+ l_____ Kalix-SC 9501.265
+ l_____ Kalix-Italic 9501.266
+ l_____ Kalix-Bold 9501.267
+ l_____ Kalix-BoldItalic 9501.268
+ l_____ Kalix-SemiBoldItalic 9501.269
+ l_____ Kalix-SemiBold 9501.270
+ l_____ Kasper 9501.271
+ lpi___ MacKeyCaps 9501.272
+ l_____ KisClassico 9501.281
+ l_____ KisClassico-BoldItalic 9501.282
+ l_____ KisClassico-SC 9501.283
+ l_____ KisClassico-Italic 9501.284
+ l_____ KisClassico-Bold 9501.285
+ lpi___ Linobats 9501.288
+ l_____ LucidaTypewriter 9501.289
+ l_____ LucidaSansTypewriter 9501.290
+ l_____ LucidaSansTypewriter-Bd 9501.291
+ l_____ LucidaSansTypewriter-BdObl 9501.292
+ l_____ LucidaTypewriter-BoldObl 9501.293
+ l_____ LucidaTypewriter-Bold 9501.294
+ l_____ LucidaTypewriter-Obl 9501.295
+ l_____ LucidaSansTypewriter-Obl 9501.296
+ l_____ LinotypeLutherscheFraktur 9501.297
+ l_____ LinotypeLutherscheFraktur-Dfr 9501.298
+ l_____ Manuskript 9501.299
+ l_____ Manuskript-BoldItalic 9501.300
+ l_____ Manuskript-SC 9501.301
+ l_____ Manuskript-Bold 9501.302
+ l_____ Manuskript-Italic 9501.303
+ l_____ MarcoPolo 9501.304
+ l_____ MarcoPolo-SC 9501.305
+ l_____ MarcoPolo-Italic 9501.306
+ l_____ Memento 9501.307
+ l_____ Memento-Italic 9501.308
+ l_____ Memento-SemiBold 9501.309
+ l_____ Memento-SemiBoldItalic 9501.310
+ l_____ Memento-BoldItalic 9501.311
+ l_____ Memento-Bold 9501.312
+ l_____ Memento-SC 9501.313
+ l_____ Miramar 9501.314
+ l_____ Miramar-SC 9501.315
+ l_____ Miramar-BoldItalic 9501.316
+ l_____ Miramar-Bold 9501.317
+ l_____ Miramar-Italic 9501.318
+ l_____ Mojo 9501.319
+ l_____ Monti-Roman 9501.320
+ l_____ Monti-SemiBold 9501.321
+ l_____ Napoleon-Light 9501.322
+ l_____ Napoleon-Roman 9501.323
+ l_____ Napoleon-Italic 9501.324
+ l_____ Napoleon-Bold 9501.325
+ l_____ Napoleon-BoldCondensed 9501.326
+ l_____ Napoleon-SemiBold 9501.327
+ l_____ Neuland 9501.328
+ l_____ NormaCompr 9501.329
+ l_____ NormaCompr-Bold 9501.330
+ l_____ NormaCompr-Italic 9501.331
+ l_____ NormaCompr-SC 9501.332
+ l_____ NormaCond-Bold 9501.333
+ l_____ NormaCond 9501.334
+ l_____ Norma-SemiBoldItalic 9501.335
+ l_____ Norma-SemiBold 9501.336
+ l_____ Norma-BoldItalic 9501.337
+ l_____ Norma-Bold 9501.338
+ l_____ Norma-Italic 9501.339
+ l_____ Norma 9501.340
+ l_____ NormaCond-SC 9501.341
+ l_____ NormaCond-Italic 9501.342
+ l_____ Norma-SC 9501.343
+ l_____ NormaCond-BoldItalic 9501.344
+ l_____ NormaCompr-BoldItalic 9501.345
+ l_____ Nyfors 9501.346
+ l_____ OdenseCompr 9501.347
+ l_____ OdenseCompr-Italic 9501.348
+ l_____ OdenseCond-Bold 9501.349
+ l_____ OdenseCond-Italic 9501.350
+ l_____ OdenseCond-BoldItalic 9501.351
+ l_____ Odense-Bold 9501.352
+ l_____ Odense-Italic 9501.353
+ l_____ Odense 9501.354
+ l_____ Odense-SemiBoldSC 9501.355
+ l_____ Odense-ExtraBoldItalic 9501.356
+ l_____ Odense-ExtraBold 9501.357
+ l_____ Odense-SemiBoldItalic 9501.358
+ l_____ Odense-SemiBold 9501.359
+ l_____ Odense-SC 9501.360
+ l_____ Odense-BoldItalic 9501.361
+ l_____ Odense-Neon 9501.362
+ l_____ OdenseCond 9501.363
+ l_____ Omnibus 9501.364
+ l_____ Omnibus-Italic 9501.365
+ l_____ Omnibus-BoldItali 9501.366
+ l_____ Omnibus-SemiBoldItalic 9501.367
+ l_____ Omnibus-SemiBold 9501.368
+ l_____ Omnibus-SC 9501.369
+ l_____ Omnibus-Bold 9501.370
+ l_____ Ondine 9501.371
+ l_____ Optima-Medium 9501.372
+ l_____ Optima-DemiBoldItalic 9501.373
+ l_____ Optima-BlackItalic 9501.374
+ l_____ Optima-ExtraBlackItalic 9501.375
+ l_____ Optima-ExtraBlack 9501.376
+ l_____ Optima-Black 9501.377
+ l_____ Optima-DemiBold 9501.378
+ l_____ Optima-MediumItalic 9501.379
+ l_____ Ouch 9501.380
+ l_____ LinotypePaintIt 9501.381
+ l_____ LinotypePaintIt-Black 9501.382
+ l_____ Pax 9501.383
+ l_____ Pax-SemiBoldItalic 9501.384
+ l_____ Pax-SemiBold 9501.385
+ l_____ PaxCond-SC 9501.386
+ l_____ PaxCond-BoldItalic 9501.387
+ l_____ PaxCond-Bold 9501.388
+ l_____ PaxCond-Italic 9501.389
+ l_____ PaxCond 9501.390
+ l_____ Pax-SC 9501.391
+ l_____ Pax-Italic 9501.392
+ l_____ Pax-BoldItalic 9501.393
+ l_____ Pax-Bold 9501.394
+ l_____ PaxTwo 9501.395
+ l_____ PaxTwo-Italic 9501.396
+ l_____ PaxTwo-Bold 9501.397
+ l_____ PaxTwo-SemiBold 9501.398
+ l_____ PaxTwo-SC 9501.399
+ l_____ PaxTwo-SemiBoldItalic 9501.400
+ l_____ PaxTwo-BoldItalic 9501.401
+ l_____ Persona 9501.402
+ l_____ Pierrot 9501.403
+ l_____ Ragnar 9501.406
+ l_____ Ragnar-SC 9501.407
+ l_____ Ragnar-SemiBoldItalic 9501.408
+ l_____ Ragnar-Bold 9501.409
+ l_____ Ragnar-BoldItalic 9501.410
+ l_____ Ragnar-SemiBold 9501.411
+ l_____ Ragnar-Italic 9501.412
+ l_____ ResPublicaCond 9501.413
+ l_____ ResPublica-Italic 9501.414
+ l_____ ResPublica-BoldItalic 9501.415
+ l_____ ResPublica-SC 9501.416
+ l_____ ResPublica-Bold 9501.417
+ l_____ ResPublica 9501.418
+ l_____ ResPublicaCond-Italic 9501.419
+ l_____ ResPublica-SemiBoldItalic 9501.420
+ l_____ ResPublica-SemiBold 9501.421
+ l_____ RevueCE 9501.422
+ l_____ Rustika 9501.423
+ l_____ Rustika-Bold 9501.424
+ l_____ Rustika-BoldItalic 9501.425
+ l_____ Rustika-Italic 9501.426
+ l_____ Rustika-SC 9501.427
+ l_____ SabonCE-Roman 9501.428
+ l_____ SabonCE-Italic 9501.429
+ l_____ SabonCE-BoldItalic 9501.430
+ l_____ SabonCyr-Bold 9501.431
+ l_____ SabonGreek-Roman 9501.432
+ l_____ SabonGreek-Bold 9501.433
+ l_____ SabonGreek-BoldItalic 9501.434
+ l_____ SabonGreek-Italic 9501.435
+ l_____ SabonCyr-Italic 9501.436
+ l_____ SabonCyr-Roman 9501.437
+ l_____ SabonCE-Bold 9501.438
+ l_____ SabonCyr-BoldItalic 9501.439
+ l_____ Saga 9501.440
+ l_____ Saga-BoldItalic 9501.441
+ l_____ Saga-SemiBold 9501.442
+ l_____ Saga-SemiBoldItalic 9501.443
+ l_____ Saga-SC 9501.444
+ l_____ Saga-Bold 9501.445
+ l_____ Saga-Italic 9501.446
+ l_____ Linotype SallweyScript 9501.447
+ l_____ SanMarcoCyr 9501.448
+ l_____ Saphir 9501.449
+ l_____ Semper 9501.456
+ l_____ Semper-Italic 9501.457
+ l_____ Semper-BoldItalic 9501.458
+ l_____ Semper-SC 9501.459
+ l_____ Semper-Bold 9501.460
+ l_____ Shuriken-Boy 9501.461
+ l_____ LinotypeSpitz-Light 9501.462
+ l_____ LinotypeSpitz-Book 9501.463
+ l_____ LinotypeSpitz-Black 9501.464
+ l_____ LinotypeSpitz-Bold 9501.465
+ l_____ LinotypeSpitz-Medium 9501.466
+ l_____ StencilCyr 9501.467
+ l_____ Tiemann-Light 9501.468
+ l_____ Tiemann-Roman 9501.469
+ l_____ Trajanus-Roman 9501.470
+ l_____ Trajanus-Black 9501.471
+ l_____ Trajanus-BlackItalic 9501.472
+ l_____ Trajanus-BoldItalic 9501.473
+ l_____ Trajanus-Italic 9501.474
+ l_____ Trajanus-Bold 9501.475
+ l_____ Transport 9501.476
+ l_____ Transport-BoldItalic 9501.477
+ l_____ Transport-Light 9501.478
+ l_____ Transport-LightItalic 9501.479
+ l_____ Transport-SC 9501.480
+ l_____ Transport-LightSC 9501.481
+ l_____ Transport-Bold 9501.482
+ l_____ Transport-Italic 9501.483
+ l_____ UniversCyr-Light 9501.484
+ l_____ UniversCyr-LightOblique 9501.485
+ l_____ UniversCyr 9501.486
+ l_____ UniversCyr-Oblique 9501.487
+ l_____ UniversCyr-Bold 9501.488
+ l_____ UniversCyr-BoldOblique 9501.489
+ l_____ UniversCyr-Black 9501.490
+ l_____ UniversCyr-BlackOblique 9501.491
+ l_____ UniversityRomanCE 9501.492
+ l_____ UniversityCyr-Roman 9501.493
+ l_____ Vega 9501.494
+ l_____ Vega-Bold 9501.495
+ l_____ Vega-SemiBold 9501.496
+ l_____ Vega-SC 9501.497
+ l_____ Vega-SemiBoldItalic 9501.498
+ l_____ Vega-BoldItalic 9501.499
+ l_____ Vega-Italic 9501.500
+ l_____ WiesbadenSwingCyr-Roman 9501.501
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Monotype-fonts"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#URW-fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Linotype-fonts">Linotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.8 Monotype fonts</h3>
+
+<p><a name="index-monotype_002emap-127"></a>The <samp><span class="file">monotype.map</span></samp> file has abbreviations for Monotype fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "5 June 1999", -->
+ <!-- url = "http://tug.org/fontname/monotype.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Monotype PostScript fonts." -->
+ <!-- } -->
+ <!-- List of Monotype fonts sold by Monotype, subsidiary of Agfa: -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.agfahome.com/agfadirect/fonts/packagesearch.cfm?letter=X -->
+ <!-- http://www.agfahome.com/agfadirect/fonts/displayvol.cfm?volnum=71xxxx -->
+ <!-- This list does not specifically include Monotype fonts -->
+ <!-- sold by Adobe or Linotype, which are listed as "FontMT" -->
+ <!-- in adobe.map or linotype.map. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface-SC = small caps, oldstyle figs -> pxxrc8a -->
+ <!-- Typeface-OsF = uc & lc, oldstyle figures -> pxxrj8a -->
+ <!-- Typeface SF = SuperFont -> mxxr9s -->
+ <!-- Typeface CE = Central European -> mxxr__ -->
+ <!-- Typeface Tur = Turkish -> mxxr__ -->
+ <!-- Typeface Cyr = Cyrillic -> mxxrz (?) -->
+ <!-- Typeface Gre = Greek -> mxxrk (?) -->
+ <!-- Typeface DualGreek = Greek -> mxxrk (?) -->
+ mapr8x ApolloMT-Expert MT 1001 ezexp___
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+ mgmr__ GaramondCEMT-Regular MT 1403 gae_____
+ mgmb__ GaramondCEMT-Bold MT 1403 gaeb____
+ mgmri__ GaramondCEMT-Italic MT 1403 gaei____
+ mgmr__ GaramondTurMT-Regular MT 1403 gat_____
+ mgmb__ GaramondTurMT-Bold MT 1403 gatb____
+ mgmri__ GaramondTurMT-Italic MT 1403 gati____
+ mngr8ac NewsGothicMT-Condensed MT 1451 ngoc____
+ mngb8ac NewsGothicMT-CondensedBold MT 1451 ngocb___
+ m_____ MahsuriSansMT-Bold MT 1454 msb_____
+ m_____ MahsuriSansMT-BoldItalic MT 1454 msbi____
+ m_____ MahsuriSansMT-BoldItalicOsF MT 1454 msbio___
+ m_____ MahsuriSansMT-BoldOsF MT 1454 msbo____
+ m_____ MahsuriSansMT-Italic MT 1454 msi_____
+ m_____ MahsuriSansMT-ItalicOsF MT 1454 msio____
+ m_____ MahsuriSansMT-Light MT 1454 msl_____
+ m_____ MahsuriSansMT-LightItalic MT 1454 msli____
+ m_____ MahsuriSansMT-LightItalicOsF MT 1454 mslio___
+ m_____ MahsuriSansMT-LightOsF MT 1454 mslo____
+ m_____ MahsuriSansMT-Regular MT 1454 msr_____
+ m_____ MahsuriSansMT-RegularOsF MT 1454 msro____
+ m_____ MahsuriSansMT-ExtraBold MT 1454 msx_____
+ m_____ MahsuriSansMT-ExtraBoldItalic MT 1454 msxi____
+ m_____ MahsuriSansMT-ExtBoldItaOsF MT 1454 msxio___
+ m_____ MahsuriSansMT-ExtraBoldOsF MT 1454 msxo____
+ mu0r8a ColumbusMT MT 1492 cu______
+ mu0b8a ColumbusMTBold MT 1492 cub_____
+ mu0bi8a ColumbusMTBoldItalic MT 1492 cubi____
+ mu0ri8a ColumbusMTItalic MT 1492 cui_____
+ mu0s8a ColumbusMTSemiBold MT 1492 cus_____
+ mu0si8a ColumbusMTSemiBoldItalic MT 1492 cusi____
+ mpi001 ArabesqueOrnamentsOneMT <span class="roman">ornaments</span>
+ mpi002 ArabesqueOrnamentsTwoMT <span class="roman">ditto</span>
+ mpi003 ArabesqueOrnamentsThreeMT <span class="roman">ditto</span>
+ mpi004 RococoOrnamentsOneMT <span class="roman">ornaments</span>
+ mpi005 RococoOrnamentsTwoMT <span class="roman">ditto</span>
+ mpi006 RococoOrnamentsThreeMT <span class="roman">ditto</span>
+ mpi007 ChristmasOrnamentsMT-One <span class="roman">ornaments</span>
+ mpi008 ChristmasOrnamentsMT-Two <span class="roman">ditto</span>
+ mpi009 ChristmasOrnamentsMT-Three <span class="roman">ditto</span>
+ mpi010 ChristmasOrnamentsMT-Four <span class="roman">ditto</span>
+ mpi011 ChristmasOrnamentsMT-Five <span class="roman">ditto</span>
+ mpi012 ChristmasOrnamentsMT-Six <span class="roman">ditto</span>
+ mpi013 ContemporaryOrnMT-One <span class="roman">ornaments</span>
+ mpi014 ContemporaryOrnMT-Two <span class="roman">ditto</span>
+ mpi015 ContemporaryOrnMT-Three <span class="roman">ditto</span>
+ mpi016 ContemporaryOrnMT-Four <span class="roman">ditto</span>
+ mpi017 ContemporaryOrnMT-Five <span class="roman">ditto</span>
+ mpi101 AlmanacMT <span class="roman">zodiac</span>
+ mpi102 BotanicalMT <span class="roman">flowers</span>
+ mpi103 DirectionsMT <span class="roman">arrows &amp; pointers</span>
+ mpi104 SportsOneMT <span class="roman">sports</span>
+ mpi105 SportsTwoMT <span class="roman">ditto</span>
+ mpi106 TransportMT <span class="roman">signs</span>
+ mpi107 VacationMT <span class="roman">signs</span>
+ mpi108 SportsThreeMT <span class="roman">sports</span>
+ mpi109 SportsFourMT <span class="roman">ditto</span>
+ mpi201 CircleFrameMT <span class="roman">circled numerals</span>
+ mpi202 CircleFrameNegMT <span class="roman">ditto</span>
+ mpi203 SquareFrameMT <span class="roman">squared numerals</span>
+ mpi204 SquareFrameNegMT <span class="roman">ditto</span>
+ mpi205 DiamondBodoni <span class="roman">bullets &amp; markers</span>
+ mpi206 DiamondPositive <span class="roman">ditto</span>
+ mpi207 DiamondNegative <span class="roman">ditto</span>
+ mpi208 OvalFrameMT <span class="roman">circled numerals</span>
+ mpi209 OvalFrameNegativeMT <span class="roman">ditto</span>
+ mpi300 Giddyup-ThangsMT <span class="roman">cowboys &amp; indians</span>
+ mpi301 PetrucchioMT <span class="roman">???</span>
+ mpi302 AquaLifeMT <span class="roman">fish</span>
+ mpi303 BonApetit <span class="roman">food</span>
+ mpi304 DinosaursMT <span class="roman">dinosaurs</span>
+ mpi305 FrontierMT <span class="roman">cowboys &amp; indians</span>
+ mpi306 Holidays <span class="roman">greeting cards</span>
+ mpi307 KeystrokesExtrasMT <span class="roman">keyboards</span>
+ mpi308 KeystrokesMT <span class="roman">ditto</span>
+ mpi309 Melodies <span class="roman">musical instruments</span>
+ mpi310 MilestonesOneMT <span class="roman">clip art</span>
+ mpi311 MilestonesTwoMT <span class="roman">ditto</span>
+ mpi312 MonkeyBusiness <span class="roman">animals</span>
+ mpi313 MonotypeSorts <span class="roman">dingbats</span>
+ mpi314 NatureMT <span class="roman">animals</span>
+ mpi315 Parties <span class="roman">clip art</span>
+ mpi316 BingoMT <span class="roman">clip art</span>
+ mpi317 BongoMT <span class="roman">clip art</span>
+ mpi318 PieMT <span class="roman">food &amp; drinks</span>
+ mpi319 PlaytimeMT <span class="roman">toys</span>
+ mpi320 SignsMT <span class="roman">signs</span>
+ mpi321 SouthwestOrnamentsMT <span class="roman">geometric ornaments</span>
+ mpi322 KeystrokesShadowExtrasMT <span class="roman">keyboards</span>
+ mpi323 KeystrokesShadowMT <span class="roman">ditto</span>
+</pre>
+ <div class="node">
+<p><hr>
+<a name="URW-fonts"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Monotype-fonts">Monotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.9 URW fonts</h3>
+
+<p><a name="index-URW-fonts-128"></a><a name="index-Ertner_002c-Vincent-129"></a>
+Information graciously supplied through URW, via Vincent Ertner: Each
+URW font has an assigned font number. The last character describes
+the size or purpose of the font, as the design of the font is
+optimized accordingly:
+
+ <dl>
+<dt><code>X000000E</code><dd>Extreme: 8<span class="dmn">pt</span> and smaller
+
+ <br><dt><code>X000000T</code><dd>Text: between 8 and 18<span class="dmn">pt</span>
+
+ <br><dt><code>X000000D</code><dd>Display: 18<span class="dmn">pt</span> and larger
+
+ <br><dt><code>X000000P</code><dd>Poster: 48<span class="dmn">pt</span> and larger
+
+ <br><dt><code>X000000M</code><dd>Monospaced / Typewriter
+
+ <br><dt><code>X000000L</code><dd>LaserWriter / PostScript / Adobe compatible
+
+ <br><dt><code>X000000I</code><dd>Intellifont PCL (5) compatible
+
+ </dl>
+ An `<samp><span class="samp">F</span></samp>' identifier is not known.
+
+ <p><a name="index-urw_002emap-130"></a>The <samp><span class="file">urw.map</span></samp> file has abbreviations for URW fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.3", -->
+ <!-- date = "04 April 1999", -->
+ <!-- url = "http://tug.org/fontname/urw.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "URW PostScript fonts." -->
+ <!-- } -->
+ uagd8a URWGothicL-Demi a010015l
+ uagdo8a URWGothicL-DemiObli a010035l
+ uagk8a URWGothicL-Book a010013l
+ uagko8a URWGothicL-BookObli a010033l
+ ubkd8a URWBookmanL-DemiBold b018015l
+ ubkdi8a URWBookmanL-DemiBoldItal b018035l
+ ubkl8a URWBookmanL-Ligh b018012l
+ ubkli8a URWBookmanL-LighItal b018032l
+ ucrb8a NimbusMonL-Bold n022004l
+ ucrbo8a NimbusMonL-BoldObli n022024l
+ ucrr8a NimbusMonL-Regu n022003l
+ ucrro8a NimbusMonL-ReguObli n022023l
+ uhvb8a NimbusSanL-Bold n019004l
+ uhvb8ac NimbusSanL-BoldCond n019044l
+ uhvbo8a NimbusSanL-BoldItal n019024l
+ uhvbo8ac NimbusSanL-BoldCondItal n019064l
+ uhvr8a NimbusSanL-Regu n019003l
+ uhvr8ac NimbusSanL-ReguCond n019043l
+ uhvro8a NimbusSanL-ReguItal n019023l
+ uhvro8ac NimbusSanL-ReguCondItal n019063l
+ uncb8a CenturySchL-Bold c059016l
+ uncbi8a CenturySchL-BoldItal c059036l
+ uncr8a CenturySchL-Roma c059013l
+ uncri8a CenturySchL-Ital c059033l
+ uplb8a URWPalladioL-Bold p052004l
+ uplbi8a URWPalladioL-BoldItal p052024l
+ uplr8a URWPalladioL-Roma p052003l
+ uplri8a URWPalladioL-Ital p052023l
+ usyr StandardSymL s050000l
+ utmb8a NimbusRomNo9L-Medi n021004l
+ utmbi8a NimbusRomNo9L-MediItal n021024l
+ utmr8a NimbusRomNo9L-Regu n021003l
+ utmri8a NimbusRomNo9L-ReguItal n021023l
+ uzcmi8a URWChanceryL-MediItal z003034l
+ uzdr Dingbats d050000l
+</pre>
+ <div class="node">
+<p><hr>
+<a name="Encodings"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Font-legalities">Font legalities</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Font-name-lists">Font name lists</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix B Encodings</h2>
+
+<p><a name="index-PostScript-encoding-vectors-131"></a><a name="index-encoding-vectors-132"></a>
+The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in <samp><span class="file">psfonts.map</span></samp> to change font encodings of downloadable
+or builtin fonts (see <a href="dvips.html#psfonts_002emap">psfonts.map</a>).
+
+ <p>You can also specify these <samp><span class="file">.enc</span></samp> files to Afm2tfm when building a
+font (see <a href="dvips.html#Changing-font-encodings">Changing font encodings</a>).
+
+ <p>For a discussion of TeX font encodings in general, and defining new
+ones for use with <samp><span class="command">fontinst</span></samp> in particular, see
+<a href="http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs">http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs</a>.
+
+ <p>Naming specific characters is a tangled and difficult area. Here are
+some links to character tables for Unicode, Adobe, and WGL4, for your
+researching pleasure (thanks to Boguslaw Jackowski for the list):
+
+ <ul>
+<li><a href="http://www.unicode.org/Public/UNIDATA/UnicodeData.txt">http://www.unicode.org/Public/UNIDATA/UnicodeData.txt</a>
+<li><a href="http://www.unicode.org/Public/UNIDATA/NamesList.txt">http://www.unicode.org/Public/UNIDATA/NamesList.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/corporateuse-old.txt">http://partners.adobe.com/asn/tech/type/corporateuse-old.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/aglfn13.txt">http://partners.adobe.com/asn/tech/type/aglfn13.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/unicodegn.jsp">http://partners.adobe.com/asn/tech/type/unicodegn.jsp</a>
+<li><a href="http://www.microsoft.com/OpenType/otspec/WGL4.htm">http://www.microsoft.com/OpenType/otspec/WGL4.htm</a>
+</ul>
+
+<ul class="menu">
+<li><a accesskey="1" href="#g_t8a">8a</a>: Adobe standard.
+<li><a accesskey="2" href="#g_t8r">8r</a>: TeX base.
+<li><a accesskey="3" href="#cork">cork</a>: Cork (aka EC, TeX Latin 1, tex256).
+<li><a accesskey="4" href="#dvips">dvips</a>: Dvips.
+<li><a accesskey="5" href="#t5">t5</a>: Vietnamese, from vntex.
+<li><a accesskey="6" href="#qx">qx</a>: QX, from GUST.
+<li><a accesskey="7" href="#texmext">texmext</a>: TeX math extension.
+<li><a accesskey="8" href="#texmsym">texmsym</a>: TeX math symbol.
+<li><a accesskey="9" href="#texmital">texmital</a>: TeX math italic.
+<li><a href="#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a href="#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="#xt2">xt2</a>: Typewriter version of xl2.
+</ul>
+
+<div class="node">
+<p><hr>
+<a name="g_t8a"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#g_t8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.1 `<samp><span class="samp">8a.enc</span></samp>': Adobe standard encoding</h3>
+
+<p><a name="index-g_t8a_002eenc-133"></a><a name="index-Adobe-standard-encoding-134"></a><a name="index-encodings_002c-Adobe-standard-135"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Adobe",
+% version = "1.1",
+% date = "12jun05",
+% filename = "8a.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "Adobe StandardEncoding as an afm2tfm/dvips .enc file."
+% }
+% 12jun05 - comment changes only.
+/StandardEncoding [
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/space
+/exclam
+/quotedbl
+/numbersign
+/dollar
+/percent
+/ampersand
+/quoteright
+/parenleft
+/parenright
+/asterisk
+/plus
+/comma
+/hyphen
+/period
+/slash
+/zero
+/one
+/two
+/three
+/four
+/five
+/six
+/seven
+/eight
+/nine
+/colon
+/semicolon
+/less
+/equal
+/greater
+/question
+/at
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+/X
+/Y
+/Z
+/bracketleft
+/backslash
+/bracketright
+/asciicircum
+/underscore
+/quoteleft
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+/x
+/y
+/z
+/braceleft
+/bar
+/braceright
+/asciitilde
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/exclamdown
+/cent
+/sterling
+/fraction
+/yen
+/florin
+/section
+/currency
+/quotesingle
+/quotedblleft
+/guillemotleft
+/guilsinglleft
+/guilsinglright
+/fi
+/fl
+/.notdef
+/endash
+/dagger
+/daggerdbl
+/periodcentered
+/.notdef
+/paragraph
+/bullet
+/quotesinglbase
+/quotedblbase
+/quotedblright
+/guillemotright
+/ellipsis
+/perthousand
+/.notdef
+/questiondown
+/.notdef
+/grave
+/acute
+/circumflex
+/tilde
+/macron
+/breve
+/dotaccent
+/dieresis
+/.notdef
+/ring
+/cedilla
+/.notdef
+/hungarumlaut
+/ogonek
+/caron
+/emdash
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/AE
+/.notdef
+/ordfeminine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/Lslash
+/Oslash
+/OE
+/ordmasculine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/ae
+/.notdef
+/.notdef
+/.notdef
+/dotlessi
+/.notdef
+/.notdef
+/lslash
+/oslash
+/oe
+/germandbls
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="g_t8r"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#cork">cork</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#g_t8a">8a</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.2 `<samp><span class="samp">8r.enc</span></samp>': TeX base encoding</h3>
+
+<p><a name="index-g_t8r_002eenc-136"></a><a name="index-g_t_0040TeX_007b_007d-base-encoding-137"></a><a name="index-base-encoding_002c-for-_0040TeX_007b_007d-138"></a><a name="index-encodings_002c-_0040TeX_007b_007d-base-139"></a><a name="index-Windows-ANSI-140"></a><a name="index-Lucida-Bright-141"></a>
+
+<pre class="verbatim">% File 8r.enc TeX Base 1 Encoding Revision 2.0 2002-10-30
+%
+% @@psencodingfile@{
+% author = "S. Rahtz, P. MacKay, Alan Jeffrey, B. Horn, K. Berry,
+% W. Schmidt, P. Lehman",
+% version = "2.0",
+% date = "30 October 2002",
+% filename = "8r.enc",
+% email = "tex-fonts@@tug.org",
+% docstring = "This is the encoding vector for Type1 and TrueType
+% fonts to be used with TeX. This file is part of the
+% PSNFSS bundle, version 9"
+% @}
+%
+% The idea is to have all the characters normally included in Type 1 fonts
+% available for typesetting. This is effectively the characters in Adobe
+% Standard encoding, ISO Latin 1, Windows ANSI including the euro symbol,
+% MacRoman, and some extra characters from Lucida.
+%
+% Character code assignments were made as follows:
+%
+% (1) the Windows ANSI characters are almost all in their Windows ANSI
+% positions, because some Windows users cannot easily reencode the
+% fonts, and it makes no difference on other systems. The only Windows
+% ANSI characters not available are those that make no sense for
+% typesetting -- rubout (127 decimal), nobreakspace (160), softhyphen
+% (173). quotesingle and grave are moved just because it's such an
+% irritation not having them in TeX positions.
+%
+% (2) Remaining characters are assigned arbitrarily to the lower part
+% of the range, avoiding 0, 10 and 13 in case we meet dumb software.
+%
+% (3) Y&amp;Y Lucida Bright includes some extra text characters; in the
+% hopes that other PostScript fonts, perhaps created for public
+% consumption, will include them, they are included starting at 0x12.
+% These are /dotlessj /ff /ffi /ffl.
+%
+% (4) hyphen appears twice for compatibility with both ASCII and Windows.
+%
+% (5) /Euro was assigned to 128, as in Windows ANSI
+%
+% (6) Missing characters from MacRoman encoding incorporated as follows:
+%
+% PostScript MacRoman TeXBase1
+% -------------- -------------- --------------
+% /notequal 173 0x16
+% /infinity 176 0x17
+% /lessequal 178 0x18
+% /greaterequal 179 0x19
+% /partialdiff 182 0x1A
+% /summation 183 0x1B
+% /product 184 0x1C
+% /pi 185 0x1D
+% /integral 186 0x81
+% /Omega 189 0x8D
+% /radical 195 0x8E
+% /approxequal 197 0x8F
+% /Delta 198 0x9D
+% /lozenge 215 0x9E
+%
+/TeXBase1Encoding [
+% 0x00
+ /.notdef /dotaccent /fi /fl
+ /fraction /hungarumlaut /Lslash /lslash
+ /ogonek /ring /.notdef /breve
+ /minus /.notdef /Zcaron /zcaron
+% 0x10
+ /caron /dotlessi /dotlessj /ff
+ /ffi /ffl /notequal /infinity
+ /lessequal /greaterequal /partialdiff /summation
+ /product /pi /grave /quotesingle
+% 0x20
+ /space /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+% 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+% 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+% 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+% 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+% 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /.notdef
+% 0x80
+ /Euro /integral /quotesinglbase /florin
+ /quotedblbase /ellipsis /dagger /daggerdbl
+ /circumflex /perthousand /Scaron /guilsinglleft
+ /OE /Omega /radical /approxequal
+% 0x90
+ /.notdef /.notdef /.notdef /quotedblleft
+ /quotedblright /bullet /endash /emdash
+ /tilde /trademark /scaron /guilsinglright
+ /oe /Delta /lozenge /Ydieresis
+% 0xA0
+ /.notdef /exclamdown /cent /sterling
+ /currency /yen /brokenbar /section
+ /dieresis /copyright /ordfeminine /guillemotleft
+ /logicalnot /hyphen /registered /macron
+% 0xD0
+ /degree /plusminus /twosuperior /threesuperior
+ /acute /mu /paragraph /periodcentered
+ /cedilla /onesuperior /ordmasculine /guillemotright
+ /onequarter /onehalf /threequarters /questiondown
+% 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde
+ /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+% 0xD0
+ /Eth /Ntilde /Ograve /Oacute
+ /Ocircumflex /Otilde /Odieresis /multiply
+ /Oslash /Ugrave /Uacute /Ucircumflex
+ /Udieresis /Yacute /Thorn /germandbls
+% 0xE0
+ /agrave /aacute /acircumflex /atilde
+ /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+% 0xF0
+ /eth /ntilde /ograve /oacute
+ /ocircumflex /otilde /odieresis /divide
+ /oslash /ugrave /uacute /ucircumflex
+ /udieresis /yacute /thorn /ydieresis
+] def
+
+</pre>
+<div class="node">
+<p><hr>
+<a name="cork"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#dvips">dvips</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#g_t8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.3 `<samp><span class="samp">cork.enc</span></samp>': Cork encoding</h3>
+
+<p><a name="index-cork_002eenc-142"></a><a name="index-Cork-encoding-143"></a><a name="index-EC-encoding-144"></a><a name="index-g_t_0040TeX_007b_007d-Latin-1-encoding-145"></a><a name="index-encodings_002c-Cork-146"></a><a name="index-encodings_002c-EC-147"></a><a name="index-encodings_002c-_0040TeX_007b_007d-Latin-1-148"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% version = "1.0",
+% date = "12jun05",
+% filename = "cork.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "This is the Cork encoding, aka TeX Latin 1, aka tex256, as
+% described in TTN 1(4), December 1992, and TUGboat 11(4), November
+% 1990, page 514. EC is the name of the Computer Modern-based fonts in
+% this encoding. NFSS and Fontinst know it as `T1'."
+% }
+% 12jun05 - Don't use Texinfo @'s in LIGKERN's.
+%
+% These are the ligs and kerns in addition to those found in the
+% AFM file. (The only ligs in the Times-Roman.afm file are the
+% fi and fl ligatures.)
+%
+% LIGKERN space l =: lslash ; space L =: Lslash ;
+% LIGKERN question quoteleft =: questiondown ; exclam quoteleft =: exclamdown ;
+% LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+%
+% We remove kerns to and from spaces (TeX doesn't have a
+% space) and also remove any kerns from the numbers (although
+% the only kern pair that mentions a number in Times-Roman.afm
+% is one one.)
+%
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN comma comma =: quotedblbase ; less less =: guillemotleft ;
+% LIGKERN greater greater =: guillemotright ;
+%
+/CorkEncoding [ % now 256 chars follow
+% 0x00
+ /grave /acute /circumflex /tilde /dieresis /hungarumlaut /ring /caron
+ /breve /macron /dotaccent /cedilla
+ /ogonek /quotesinglbase /guilsinglleft /guilsinglright
+% 0x10
+ /quotedblleft /quotedblright /quotedblbase /guillemotleft
+ /guillemotright /endash /emdash /compwordmark
+ /perthousandzero /dotlessi /dotlessj /ff /fi /fl /ffi /ffl
+% 0x20
+ /visualspace /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+% 0x30
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+% 0x40
+ /at /A /B /C /D /E /F /G /H /I /J /K /L /M /N /O
+% 0x50
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /asciicircum /underscore
+% 0x60
+ /quoteleft /a /b /c /d /e /f /g /h /i /j /k /l /m /n /o
+% 0x70
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /asciitilde /hyphen
+% 0x80
+ /Abreve /Aogonek /Cacute /Ccaron /Dcaron /Ecaron /Eogonek /Gbreve
+ /Lacute /Lcaron /Lslash /Nacute /Ncaron /Ng /Ohungarumlaut /Racute
+% 0x90
+ /Rcaron /Sacute /Scaron /Scedilla
+ /Tcaron /Tcedilla /Uhungarumlaut /Uring
+ /Ydieresis /Zacute /Zcaron /Zdotaccent /IJ /Idotaccent /dbar /section
+% 0xA0
+ /abreve /aogonek /cacute /ccaron /dcaron /ecaron /eogonek /gbreve
+ /lacute /lcaron /lslash /nacute /ncaron /ng /ohungarumlaut /racute
+% 0xB0
+ /rcaron /sacute /scaron /scedilla
+ /tquoteright /tcedilla /uhungarumlaut /uring
+ /ydieresis /zacute /zcaron /zdotaccent
+ /ij /exclamdown /questiondown /sterling
+% 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+% 0xD0
+ /Eth /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /OE
+ /Oslash /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /Germandbls
+% 0xE0
+ /agrave /aacute /acircumflex /atilde /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+% 0xF0
+ /eth /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /oe
+ /oslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /germandbls
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="dvips"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#t5">t5</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#cork">cork</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.4 `<samp><span class="samp">dvips.enc</span></samp>': Dvips encoding</h3>
+
+<p><a name="index-dvips_002eenc-149"></a><a name="index-Dvips-encoding-150"></a><a name="index-encoding_002c-Dvips-151"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "T. Rokicki, K. Berry",
+% version = "2.1",
+% date = "12jun05",
+% filename = "dvips.enc",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "An encoding for PostScript fonts to be used with TeX.
+%
+% This is almost the default encoding produced by the afm2tfm program
+% that comes with the dvips distribution, when it is applied to a
+% StandardEncoding PostScript font. The positions of the accented
+% characters (which afm2tfm assigned more or less randomly in the
+% previous set of fonts) have been held fixed.
+%
+% It is almost upward-compatible with TeX text. (The primary exceptions
+% are dotaccent and hungarumlaut.) Some of the ligatures are also in
+% different positions, but this is not important, since ligature
+% positions are defined in the TFM file, not by macros.
+%
+% The character positions were assigned in this order:
+% 1) non-composite characters in the afm2tfm encoding (except dotlessj
+% was included in its plain TeX position);
+% 2) available characters in the Cork (EC) encoding;
+% 3) remaining composite characters in the base encoding (starting at
+% position 130 decimal). We don't include all the other base
+% characters because that changes the height/depth/width tables in
+% the TFM files (because more characters mean more distinct values).
+%
+% We leave the initial positions open for the Greek letters in Times-Roman.
+% "
+% }
+% 12jun05 - don't use extra @'s for Texinfo any more.
+%
+/DvipsEncoding [
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /quotesingle /exclamdown /questiondown
+ /dotlessi /dotlessj /grave /acute /caron /breve /macron /ring
+ /cedilla /germandbls /ae /oe /oslash /AE /OE /Oslash
+ /space /exclam /quotedbl /numbersign /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ /at /A /B /C /D /E /F /G
+ /H /I /J /K /L /M /N /O
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /circumflex /underscore
+ /quoteleft /a /b /c /d /e /f /g
+ /h /i /j /k /l /m /n /o
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /tilde /dieresis
+ /asciicircum /asciitilde /Ccedilla /Iacute
+ /Icircumflex /atilde /edieresis /egrave
+ /scaron /zcaron /Eth /ff /ffi /ffl /.notdef /.notdef
+ /.notdef /.notdef /Scaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /Ydieresis /.notdef /Zcaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /cent /sterling /fraction /yen /florin /section
+ /currency /copyright /quotedblleft /guillemotleft
+ /guilsinglleft /guilsinglright /fi /fl
+ /degree /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet
+ /quotesinglbase /quotedblbase /quotedblright /guillemotright
+ /ellipsis /perthousand /.notdef /.notdef
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /.notdef /dotaccent
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /hungarumlaut /ogonek /Idieresis
+ /emdash /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /.notdef
+ /.notdef /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /.notdef
+ /agrave /aacute /acircumflex /ordfeminine
+ /adieresis /aring /.notdef /ccedilla
+ /Lslash /eacute /ecircumflex /ordmasculine
+ /igrave /iacute /icircumflex /idieresis
+ /.notdef /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /.notdef
+ /lslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /ydieresis
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="t5"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#qx">qx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#dvips">dvips</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.5 `<samp><span class="samp">t5.enc</span></samp>': T5 encoding</h3>
+
+<p><a name="index-t5_002eenc-152"></a><a name="index-T5-encoding-153"></a><a name="index-Vietnamese-encoding-154"></a><a name="index-encoding_002c-T5-155"></a>
+
+<pre class="verbatim">% Copyright 2000-2005 Werner Lemberg &lt;wl@gnu.org>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+%
+%
+% t5.enc
+%
+%
+% This is LaTeX T5 encoding for Vietnamese
+%
+% history:
+% version 1.0 (28-Jan-2000):
+% First version.
+%
+% version 1.1 (29-Apr-2002):
+% Rewritten to make it AGL compliant.
+%
+% version 1.2 (01-May-2002):
+% Use uni2423 instead uni2420.
+%
+% version 1.3 (27-Sep-2002):
+% . Changed the following glyph names to Unicode entities:
+% 0xB3 uni1EBD etilde
+% 0x93 uni1EBC Etilde
+% . Ytilde (uni1EF8) was used in slot for ytilde (uni1EF9).
+% . Using .notdef in slot for compound word mark (on position 0x17)
+% caused some problems so it was changed to cwm (for compatibilty
+% with ec.enc).
+% . Use sfthyphen in slot 127 instead of hyphen.
+%
+% version 1.4 (20-Apr-2005):
+% Add copyright.
+% Minor documentation updates.
+%
+% LIGKERN hyphen hyphen =: endash ;
+% LIGKERN endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN comma comma =: quotedblbase ;
+%
+% We blow away kerns to and from spaces (TeX doesn't have a
+% space) and also remove any kerns from the numbers.
+%
+% LIGKERN space {} * ; * {} space ;
+% LIGKERN zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ;
+% LIGKERN two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ;
+% LIGKERN four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ;
+% LIGKERN six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ;
+% LIGKERN eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+%
+%
+% Some notes on the glyph names:
+%
+% . We follow the Adobe Glyph List (AGL), also using its associated
+% algorithm.
+%
+% . The glyphs `spacing dot below' (on position 0x05), `spacing hook above'
+% (on position 0x0C), and `compound word mark' (on position 0x17) are not
+% in Unicode. We call them `dotbelow', `hookabove', and `cwm',
+% respectively.
+%
+% . The following glyphs have no special name in the AGL (or names which
+% should not be used in general) and are thus represented as a Unicode
+% entity:
+%
+% 0x1A uni1EF6 Y hook above
+% 0x1B uni1EF7 y hook above
+% 0x1C uni1EF4 Y dot below
+% 0x1D uni1EF5 y dot below
+%
+% 0x20 uni2423 graphic symbol for space
+%
+% 0x83 uni1EA2 A hook above
+% 0x84 uni1EA0 A dot below
+% 0x86 uni1EA6 A circumflex grave
+% 0x87 uni1EA4 A circumflex acute
+% 0x88 uni1EAA A circumflex tilde
+% 0x89 uni1EA8 A circumflex hook above
+% 0x8A uni1EAC A circumflex dot below
+% 0x8C uni1EB0 A breve grave
+% 0x8D uni1EAE A breve acute
+% 0x8E uni1EB4 A breve tilde
+% 0x8F uni1EB2 A breve hook above
+% 0x90 uni1EB6 A breve dot below
+%
+% 0x93 uni1EBC E tilde
+% 0x94 uni1EBA E hook above
+% 0x95 uni1EB8 E dot below
+% 0x97 uni1EC0 E circumflex grave
+% 0x98 uni1EBE E circumflex acute
+% 0x99 uni1EC4 E circumflex tilde
+% 0x9A uni1EC2 E circumflex hook above
+% 0x9B uni1EC6 E circumflex dot below
+%
+% 0x9F uni1EC8 I hook above
+%
+% 0xA3 uni1EA3 a hook above
+% 0xA4 uni1EA1 a dot below
+% 0xA6 uni1EA7 a circumflex grave
+% 0xA7 uni1EA5 a circumflex acute
+% 0xA8 uni1EAB a circumflex tilde
+% 0xA9 uni1EA9 a circumflex hook above
+% 0xAA uni1EAD a circumflex dot below
+% 0xAC uni1EB1 a breve grave
+% 0xAD uni1EAF a breve acute
+% 0xAE uni1EB5 a breve tilde
+% 0xAF uni1EB3 a breve hook above
+% 0xB0 uni1EB7 a breve dot below
+%
+% 0xB3 uni1EBD e tilde
+% 0xB4 uni1EBB e hook above
+% 0xB5 uni1EB9 e dot below
+% 0xB7 uni1EC1 e circumflex grave
+% 0xB8 uni1EBF e circumflex acute
+% 0xB9 uni1EC5 e circumflex tilde
+% 0xBA uni1EC3 e circumflex hook above
+% 0xBB uni1EC7 e circumflex dot below
+%
+% 0xBF uni1EC9 i hook above
+%
+% 0xC0 uni1ECA I dot below
+%
+% 0xC4 uni1ECE O hook above
+% 0xC5 uni1ECC O dot below
+% 0xC7 uni1ED2 O circumflex grave
+% 0xC8 uni1ED0 O circumflex acute
+% 0xC9 uni1ED6 O circumflex tilde
+% 0xCA uni1ED4 O circumflex hook above
+% 0xCB uni1ED8 O circumflex dot below
+% 0xCD uni1EDC O horn grave
+% 0xCE uni1EDA O horn acute
+% 0xCF uni1EE0 O horn tilde
+% 0xD0 uni1EDE O horn hook above
+% 0xD1 uni1EE2 O horn dot below
+%
+% 0xD5 uni1EE6 U hook above
+% 0xD6 uni1EE4 U dot below
+% 0xD8 uni1EEA U horn grave
+% 0xD9 uni1EE8 U horn acute
+% 0xDA uni1EEE U horn tilde
+% 0xDB uni1EEC U horn hook above
+% 0xDC uni1EF0 U horn dot below
+%
+% 0xDF uni1EF8 Y tilde
+%
+% 0xE0 uni1ECB i dot below
+%
+% 0xE4 uni1ECF o hook above
+% 0xE5 uni1ECD o dot below
+% 0xE7 uni1ED3 o circumflex grave
+% 0xE8 uni1ED1 o circumflex acute
+% 0xE9 uni1ED7 o circumflex tilde
+% 0xEA uni1ED5 o circumflex hook above
+% 0xEB uni1ED9 o circumflex dot below
+% 0xED uni1EDD o horn grave
+% 0xEE uni1EDB o horn acute
+% 0xEF uni1EE1 o horn tilde
+% 0xF0 uni1EDF o horn hook above
+% 0xF1 uni1EE3 o horn dot below
+%
+% 0xF5 uni1EE7 u hook above
+% 0xF6 uni1EE5 u dot below
+% 0xF8 uni1EEB u horn grave
+% 0xF9 uni1EE9 u horn acute
+% 0xFA uni1EEF u horn tilde
+% 0xFB uni1EED u horn hook above
+% 0xFC uni1EF1 u horn dot below
+%
+% 0xFF uni1EF9 y tilde
+/T5Encoding [
+% 0x00
+ /grave /acute /circumflex /tilde
+ /dieresis /dotbelow /ring /caron
+ /breve /macron /dotaccent /cedilla
+ /hookabove /quotesinglbase /guilsinglleft /guilsinglright
+% 0x10
+ /quotedblleft /quotedblright /quotedblbase /guillemotleft
+ /guillemotright /endash /emdash /cwm
+ /zeroinferior /dotlessi /uni1EF6 /uni1EF7
+ /uni1EF4 /uni1EF5 /Dcroat /dcroat
+% 0x20
+ /uni2423 /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+% 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+% 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+% 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+% 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+% 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /sfthyphen
+% 0x80
+ /Agrave /Aacute /Atilde /uni1EA2
+ /uni1EA0 /Acircumflex /uni1EA6 /uni1EA4
+ /uni1EAA /uni1EA8 /uni1EAC /Abreve
+ /uni1EB0 /uni1EAE /uni1EB4 /uni1EB2
+% 0x90
+ /uni1EB6 /Egrave /Eacute /uni1EBC
+ /uni1EBA /uni1EB8 /Ecircumflex /uni1EC0
+ /uni1EBE /uni1EC4 /uni1EC2 /uni1EC6
+ /Igrave /Iacute /Itilde /uni1EC8
+% 0xA0
+ /agrave /aacute /atilde /uni1EA3
+ /uni1EA1 /acircumflex /uni1EA7 /uni1EA5
+ /uni1EAB /uni1EA9 /uni1EAD /abreve
+ /uni1EB1 /uni1EAF /uni1EB5 /uni1EB3
+% 0xB0
+ /uni1EB7 /egrave /eacute /uni1EBD
+ /uni1EBB /uni1EB9 /ecircumflex /uni1EC1
+ /uni1EBF /uni1EC5 /uni1EC3 /uni1EC7
+ /igrave /iacute /itilde /uni1EC9
+% 0xC0
+ /uni1ECA /Ograve /Oacute /Otilde
+ /uni1ECE /uni1ECC /Ocircumflex /uni1ED2
+ /uni1ED0 /uni1ED6 /uni1ED4 /uni1ED8
+ /Ohorn /uni1EDC /uni1EDA /uni1EE0
+% 0xD0
+ /uni1EDE /uni1EE2 /Ugrave /Uacute
+ /Utilde /uni1EE6 /uni1EE4 /Uhorn
+ /uni1EEA /uni1EE8 /uni1EEE /uni1EEC
+ /uni1EF0 /Ygrave /Yacute /uni1EF8
+% 0xE0
+ /uni1ECB /ograve /oacute /otilde
+ /uni1ECF /uni1ECD /ocircumflex /uni1ED3
+ /uni1ED1 /uni1ED7 /uni1ED5 /uni1ED9
+ /ohorn /uni1EDD /uni1EDB /uni1EE1
+% 0xF0
+ /uni1EDF /uni1EE3 /ugrave /uacute
+ /utilde /uni1EE7 /uni1EE5 /uhorn
+ /uni1EEB /uni1EE9 /uni1EEF /uni1EED
+ /uni1EF1 /ygrave /yacute /uni1EF9
+] def
+
+% end of t5.enc
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="qx"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmext">texmext</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#t5">t5</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.6 `<samp><span class="samp">qx.enc</span></samp>'</h3>
+
+<p><a name="index-qx_002eenc-156"></a><a name="index-encodings_002c-qx-157"></a><a name="index-qx-encoding-158"></a>
+From GUST.
+
+<pre class="verbatim">% =========================================================================
+ QX LAYOUT ver. 0.06
+% =========================================================================
+Release date: 24 August 2003
+Original URL: ftp://bop.eps.gda.pl/pub/qx/
+E-mail: JNSteam at gust.org.pl
+
+QX Layout is, actually, a pair of encodings: one for TeX and one for GUI
+systems. QX layout has been worked out by the Polish TeX Users Group GUST as
+a difficult compromise between needs and abilities. The character set of the
+QX layout is expected to suffice for the typesetting of texts (using TeX) in
+most of European languages.
+
+QX Encoding for TeX is based on EC (Cork Encoding) with a few characters
+exchanged. E.g., gbreve, Gbreve, uring, and Uring, which can be obtained by
+superimposing of an accent, are replaced by Lithuanian iogonek, Iogonek,
+uogonek, and Uogonek, respectively, which should not be assembled form
+separate elements; QX Encoding for GUI systems is a variant of the Code Page
+1250 (and also includes Lithuanian characters with ogonek).
+
+After a long debate, we decided (in ver. 0.04 of the QX layout) to replace
+omnipresent but actually nonexistent [tT]cedilla by Romanian [tT]commaaccent;
+censequently, Turkish [sS]cedilla was replaced by [sS]commaaccent (still we
+would recommend to keep the glyph of a [sS]cedilla character in a font).
+
+Under the pressure from euro currency funs, we included moreover an
+Euro symbol (in ver. 0.05 of the QX layout). We assigned the slot
+128 for it complying with Microsoft proposal for non-cyrillic fonts
+(http://www.microsoft.com/typography/faq/faq12.htm):
+
+ The symbol has been added to the following codepages at position
+ '0x80'; 1250 Eastern European, 1252 Western, 1253 Greek, 1254 Turkish,
+ 1257 Baltic, 1255 Hebrew, 1256 Arabic, 1258 Vietnamese, 874 Thai.
+ In 1251 Cyrillic the symbol will be added at position '0x88'.
+
+Therefore, we had to do something with a Lithuanian Iogonek character that
+previously had occupied this slot. We decided to remove Thorn (222, Tcedilla
+in CP 1250) and thorn (254, tcedilla in CP 1250) characters from the Windows
+QX layout (we recommend, as with [sS]cedilla characters, to keep the glyphs
+in a font) and use the freed slots for Iogonek (previously 128) and iogonek
+(previously 144, now free), respectively. The TeX QX layout, fortunately, had
+had the slot 128 already free, hence there was no need for rearrangement.
+
+Finally, we decided to change the name of a (non-standard) ligature
+fk to f_k, complying with Adobe recommendations contained in:
+http://partners.adobe.com/asn/developer/typeforum/unicodegn.html
+
+Most recent change (24.08.2003, ver. 0.06) was the extension of
+the character set by ligatures ij, IJ (available only in the TeX
+encoding) and a punctuation mark threequartersemdash.
+
+Below you'll find the comparison of basic layouts for TeX and GUI systems
+with QX ver. 0.06.
+
+% ===========================================================================
+% COMPARISON OF TeX LAYOUTS
+% ===========================================================================
+% CODE CM EC PL QX ver. 0.06
+% ===========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi f_k
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ Euro
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scommaaccent
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcommaaccent
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ IJ
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scommaaccent
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcommaaccent
+182 B6 @ uhungarumlaut @ threequartersemdash
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ ij
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% ===========================================================================
+
+
+% ==========================================================
+% COMPARISON OF LAYOUTS FOR GUI SYSTEMS
+% ==========================================================
+% CODE NEW ANSI (0--127) Macintosh QX ver. 0.06
+% + CODE PAGE 1250 PLEURO
+% ==========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ f_k
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 Euro @ Euro
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scommaaccent
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ threequartersemdash
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scommaaccent
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcommaaccent
+190 BE lquoteright threequarters tcommaaccent
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Iogonek
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn iogonek
+255 FF dotaccent ydieresis ydieresis
+% ==========================================================
+
+</pre>
+
+<pre class="verbatim">/encqxoosix[
+/alpha
+/Delta
+/beta
+/delta
+/pi
+/Pi
+/Sigma
+/mu
+/ellipsis
+/f_k
+/Omega
+/ff
+/fi
+/fl
+/ffi
+/ffl
+/dotlessi
+/dotlessj
+/grave
+/acute
+/caron
+/breve
+/macron
+/ring
+/cedilla
+/germandbls
+/ae
+/oe
+/oslash
+/AE
+/OE
+/Oslash
+/space
+/exclam
+/quotedblright
+/numbersign
+/dollar
+/percent
+/ampersand
+/quoteright
+/parenleft
+/parenright
+/asterisk
+/plus
+/comma
+/hyphen
+/period
+/slash
+/zero
+/one
+/two
+/three
+/four
+/five
+/six
+/seven
+/eight
+/nine
+/colon
+/semicolon
+/exclamdown
+/equal
+/questiondown
+/question
+/at
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+/X
+/Y
+/Z
+/bracketleft
+/quotedblleft
+/bracketright
+/circumflex
+/dotaccent
+/quoteleft
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+/x
+/y
+/z
+/endash
+/emdash
+/hungarumlaut
+/tilde
+/dieresis
+/Euro
+/Aogonek
+/Cacute
+/greater
+/greaterequal
+/approxequal
+/Eogonek
+/Iogonek
+/less
+/lessequal
+/Lslash
+/Nacute
+/asciitilde
+/asciicircum
+/ell
+/dagger
+/daggerdbl
+/Sacute
+/Scaron
+/Scommaaccent
+/degree
+/Tcommaaccent
+/ogonek
+/Uogonek
+/Ydieresis
+/Zacute
+/Zcaron
+/Zdotaccent
+/IJ
+/braceleft
+/braceright
+/section
+/.notdef
+/aogonek
+/cacute
+/registered
+/copyright
+/divide
+/eogonek
+/iogonek
+/minus
+/multiply
+/lslash
+/nacute
+/plusminus
+/infinity
+/guillemotleft
+/guillemotright
+/paragraph
+/sacute
+/scaron
+/scommaaccent
+/bullet
+/tcommaaccent
+/threequartersemdash
+/uogonek
+/ydieresis
+/zacute
+/zcaron
+/zdotaccent
+/ij
+/periodcentered
+/quotedbl
+/quotesingle
+/Agrave
+/Aacute
+/Acircumflex
+/Atilde
+/Adieresis
+/Aring
+/backslash
+/Ccedilla
+/Egrave
+/Eacute
+/Ecircumflex
+/Edieresis
+/Igrave
+/Iacute
+/Icircumflex
+/Idieresis
+/Eth
+/Ntilde
+/Ograve
+/Oacute
+/Ocircumflex
+/Otilde
+/Odieresis
+/currency
+/perthousand
+/Ugrave
+/Uacute
+/Ucircumflex
+/Udieresis
+/Yacute
+/Thorn
+/bar
+/agrave
+/aacute
+/acircumflex
+/atilde
+/adieresis
+/aring
+/underscore
+/ccedilla
+/egrave
+/eacute
+/ecircumflex
+/edieresis
+/igrave
+/iacute
+/icircumflex
+/idieresis
+/eth
+/ntilde
+/ograve
+/oacute
+/ocircumflex
+/otilde
+/odieresis
+/anglearc
+/diameter
+/ugrave
+/uacute
+/ucircumflex
+/udieresis
+/yacute
+/thorn
+/quotedblbase
+] def
+
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="texmext"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmsym">texmsym</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#qx">qx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.7 `<samp><span class="samp">texmext.enc</span></samp>': TeX math extension encoding</h3>
+
+<p><a name="index-texmext_002eenc-159"></a><a name="index-g_t_0040TeX_007b_007d-math-extension-encoding-160"></a><a name="index-math-extension_002c-_0040TeX_007b_007d-encoding-161"></a><a name="index-extension_002c-_0040TeX_007b_007d-math-encoding-162"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-symbol-163"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmext.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math extension encoding."
+% }
+%
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathExtensionEncoding [ % now 256 chars follow
+
+% 0x0
+/parenleftbig
+/parenrightbig
+/bracketleftbig
+/bracketrightbig
+/floorleftbig
+/floorrightbig
+/ceilingleftbig
+/ceilingrightbig
+
+% 0x8
+/braceleftbig
+/bracerightbig
+/angbracketleftbig
+/angbracketrightbig
+/vextendsingle
+/vextenddouble
+/slashbig
+/backslashbig
+
+% 0x10
+/parenleftBig
+/parenrightBig
+/parenleftbigg
+/parenrightbigg
+/bracketleftbigg
+/bracketrightbigg
+/floorleftbigg
+/floorrightbigg
+
+% 0x18
+/ceilingleftbigg
+/ceilingrightbigg
+/braceleftbigg
+/bracerightbigg
+/angbracketleftbigg
+/angbracketrightbigg
+/slashbigg
+/backslashbigg
+
+% 0x20
+/parenleftBigg
+/parenrightBigg
+/bracketleftBigg
+/bracketrightBigg
+/floorleftBigg
+/floorrightBigg
+/ceilingleftBigg
+/ceilingrightBigg
+
+% 0x28
+/braceleftBigg
+/bracerightBigg
+/angbracketleftBigg
+/angbracketrightBigg
+/slashBigg
+/backslashBigg
+/slashBig
+/backslashBig
+
+% 0x30
+/parenlefttp
+/parenrighttp
+/bracketlefttp
+/bracketrighttp
+/bracketleftbt
+/bracketrightbt
+/bracketleftex
+/bracketrightex
+
+% 0x38
+/bracelefttp
+/bracerighttp
+/braceleftbt
+/bracerightbt
+/braceleftmid
+/bracerightmid
+/braceex
+/arrowvertex
+
+% 0x40
+/parenleftbt
+/parenrightbt
+/parenleftex
+/parenrightex
+/angbracketleftBig
+/angbracketrightBig
+/unionsqtext
+/unionsqdisplay
+
+% 0x48
+/contintegraltext
+/contintegraldisplay
+/circledottext
+/circledotdisplay
+/circleplustext
+/circleplusdisplay
+/circlemultiplytext
+/circlemultiplydisplay
+
+% 0x50
+/summationtext
+/producttext
+/integraltext
+/uniontext
+/intersectiontext
+/unionmultitext
+/logicalandtext
+/logicalortext
+
+% 0x58
+/summationdisplay
+/productdisplay
+/integraldisplay
+/uniondisplay
+/intersectiondisplay
+/unionmultidisplay
+/logicalanddisplay
+/logicalordisplay
+
+% 0x60
+/coproducttext
+/coproductdisplay
+/hatwide
+/hatwider
+/hatwidest
+/tildewide
+/tildewider
+/tildewidest
+
+% 0x68
+/bracketleftBig
+/bracketrightBig
+/floorleftBig
+/floorrightBig
+/ceilingleftBig
+/ceilingrightBig
+/braceleftBig
+/bracerightBig
+
+% 0x70
+/radicalbig
+/radicalBig
+/radicalbigg
+/radicalBigg
+/radicalbt
+/radicalvertex
+/radicaltp
+/arrowvertexdbl
+
+% 0x78
+/arrowtp
+/arrowbt
+/bracehtipdownleft
+/bracehtipdownright
+/bracehtipupleft
+/bracehtipupright
+/arrowdbltp
+/arrowdblbt
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="texmsym"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmital">texmital</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmext">texmext</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.8 `<samp><span class="samp">texmsym.enc</span></samp>': TeX math symbol encoding</h3>
+
+<p><a name="index-texmsym_002eenc-164"></a><a name="index-g_t_0040TeX_007b_007d-math-symbol-encoding-165"></a><a name="index-math-symbol_002c-_0040TeX_007b_007d-encoding-166"></a><a name="index-symbol_002c-_0040TeX_007b_007d-math-encoding-167"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-symbol-168"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmsym.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math symbols encoding."
+% }
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathSymbolEncoding [ % now 256 chars follow
+% 0x0
+/minus
+/periodcentered
+/multiply
+/asteriskmath
+/divide
+/diamondmath
+/plusminus
+/minusplus
+
+% 0x8
+/circleplus
+/circleminus
+/circlemultiply
+/circledivide
+/circledot
+/circlecopyrt
+/openbullet
+/bullet
+
+% 0x10
+/equivasymptotic
+/equivalence
+/reflexsubset
+/reflexsuperset
+/lessequal
+/greaterequal
+/precedesequal
+/followsequal
+
+% 0x18
+/similar
+/approxequal
+/propersubset
+/propersuperset
+/lessmuch
+/greatermuch
+/precedes
+/follows
+
+% 0x20
+/arrowleft
+/arrowright
+/arrowup
+/arrowdown
+/arrowboth
+/arrownortheast
+/arrowsoutheast
+/similarequal
+
+% 0x28
+/arrowdblleft
+/arrowdblright
+/arrowdblup
+/arrowdbldown
+/arrowdblboth
+/arrownorthwest
+/arrowsouthwest
+/proportional
+
+% 0x30
+/prime
+/infinity
+/element
+/owner
+/triangle
+/triangleinv
+/negationslash
+/mapsto
+
+% 0x38
+/universal
+/existential
+/logicalnot
+/emptyset
+/Rfractur
+/Ifractur
+/latticetop
+/perpendicular
+
+% 0x40
+/aleph
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+
+% 0x48
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+
+% 0x50
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+
+% 0x58
+/X
+/Y
+/Z
+/union
+/intersection
+/unionmulti
+/logicaland
+/logicalor
+
+% 0x60
+/turnstileleft
+/turnstileright
+/floorleft
+/floorright
+/ceilingleft
+/ceilingright
+/braceleft
+/braceright
+
+% 0x68
+/angbracketleft
+/angbracketright
+/bar
+/bardbl
+/arrowbothv
+/arrowdblbothv
+/backslash
+/wreathproduct
+
+% 0x70
+/radical
+/coproduct
+/nabla
+/integral
+/unionsq
+/intersectionsq
+/subsetsqequal
+/supersetsqequal
+
+% 0x78
+/section
+/dagger
+/daggerdbl
+/paragraph
+/club
+/diamond
+/heart
+/spade
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="texmital"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texnansi">texnansi</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmsym">texmsym</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.9 `<samp><span class="samp">texmital.enc</span></samp>': TeX math italic encoding</h3>
+
+<p><a name="index-texmital_002eenc-169"></a><a name="index-g_t_0040TeX_007b_007d-math-italic-encoding-170"></a><a name="index-math-italic_002c-_0040TeX_007b_007d-encoding-171"></a><a name="index-italic_002c-_0040TeX_007b_007d-math-encoding-172"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-italic-173"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmital.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math italic encoding."
+% }
+%
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathItalicEncoding [ % now 256 chars follow
+% 0x0
+/Gamma
+/Delta
+/Theta
+/Lambda
+/Xi
+/Pi
+/Sigma
+/Upsilon
+
+% 0x8
+/Phi
+/Psi
+/Omega
+/alpha
+/beta
+/gamma
+/delta
+/epsilon1
+
+% 0x10
+/zeta
+/eta
+/theta
+/iota
+/kappa
+/lambda
+/mu
+/nu
+
+% 0x18
+/xi
+/pi
+/rho
+/sigma
+/tau
+/upsilon
+/phi
+/chi
+
+% 0x20
+/psi
+/omega
+/epsilon
+/theta1
+/pi1
+/rho1
+/sigma1
+/phi1
+
+% 0x28
+/arrowlefttophalf
+/arrowleftbothalf
+/arrowrighttophalf
+/arrowrightbothalf
+/arrowhookleft
+/arrowhookright
+/triangleright
+/triangleleft
+
+% 0x30
+/zerooldstyle
+/oneoldstyle
+/twooldstyle
+/threeoldstyle
+/fouroldstyle
+/fiveoldstyle
+/sixoldstyle
+/sevenoldstyle
+
+% 0x38
+/eightoldstyle
+/nineoldstyle
+/period
+/comma
+/less
+/slash
+/greater
+/star
+
+% 0x40
+/partialdiff
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+
+% 0x48
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+
+% 0x50
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+
+% 0x58
+/X
+/Y
+/Z
+/flat
+/natural
+/sharp
+/slurbelow
+/slurabove
+
+% 0x60
+/lscript
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+
+% 0x68
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+
+% 0x70
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+
+% 0x78
+/x
+/y
+/z
+/dotlessi
+/dotlessj
+/weierstrass
+/vector
+/tie
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="texnansi"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texnansx">texnansx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmital">texmital</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.10 `<samp><span class="samp">texnansi.enc</span></samp>'</h3>
+
+<p><a name="index-texnansi_002eenc-174"></a><a name="index-encodings_002c-texnansi-175"></a><a name="index-texnansi-encoding-176"></a>
+From Y&amp;Y.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.1",
+% date = "1 December 1996",
+% filename = "texnansi.enc",
+% email = "help@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting. This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+%
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript
+% FontName `LucidaBright.' It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/quoteleft % 145
+/quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="texnansx"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#xl2">xl2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texnansi">texnansi</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.11 `<samp><span class="samp">texnansx.enc</span></samp>'</h3>
+
+<p><a name="index-texnansx_002eenc-177"></a><a name="index-encodings_002c-texnansx-178"></a><a name="index-texnansx-encoding-179"></a>
+From Y&amp;Y. `<samp><span class="samp">texnansi</span></samp>' without repeats.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.2",
+% date = "1 December 1998",
+% filename = "texnansix.enc",
+% email = "support@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% MODIFIED FOR AFM2TFM to avoid repeated encodings...
+%
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Uni20AC % /Euro 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/.notdef % /circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/.notdef % /OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/.notdef % /quoteleft % 145
+/.notdef % /quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/.notdef % /tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/.notdef % /oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/.notdef % /dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/.notdef % /macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/.notdef % /acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/.notdef % /cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/.notdef % /AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/.notdef % /Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/.notdef % /germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/.notdef % /ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/.notdef % /oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="xl2"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texnansx">texnansx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.12 `<samp><span class="samp">xl2.enc</span></samp>': OT1 + ISO Latin 2 extended</h3>
+
+<p><a name="index-xl2_002eenc-180"></a><a name="index-ISO-Latin-2-extended_002c-_0040TeX_007b_007d-encoding-181"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Petr Olsak, Zdenek Wagner",
+% date = "27aug05",
+% filename = "xl2.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "
+% some of our (CSTUG- czech TeX Users Group) users want to support
+% 8bit font coding such that:
+% -- lower 7bit is exactly OT1 (but with differences imposed
+% by DEK -- e.g. layout of cmr is different from cmtt)
+% -- upper part is taken from ISO-Latin 2 (iso 8859-2),
+% but some of empty positions are filled with useful characters
+% usually available in type-1 font (permill sign etc.)
+% "
+% }
+%
+% 27aug05 - record Petr Olsak and Zdenek Wagner as the authors.
+% 12jun05 - remove Texinfo @'s from LIGKERN's.
+%
+/XL2encoding [
+%%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+%%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /ff
+ /fi
+ /fl
+ /ffi
+ /ffl
+%%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+%%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+%%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+%%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+%%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+%%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /exclamdown
+ /equal
+ /questiondown
+ /question
+%%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+%%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+%%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+%%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /quotedblleft
+ /bracketright
+ /circumflex
+ /dotaccent
+%%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+%%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+%%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+%%%%% '170 = "78
+ /x
+ /y
+ /z
+ /endash
+ /emdash
+ /hungarumlaut
+ /tilde
+ /dieresis
+%%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+%%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+%%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+%%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+%%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+%%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+%%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+%%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+%%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+%%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+%%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+%%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+%%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+%%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+%%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+%%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+] def
+
+% LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN exclamdown exclamdown =: guillemotleft ;
+% frenchdblquotes
+% LIGKERN questiondown questiondown =: guillemotright ;
+% csquoteleft
+% LIGKERN comma comma =: quotedblbase ;
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="xt2"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#xl2">xl2</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.13 `<samp><span class="samp">xt2.enc</span></samp>': typewriter OT1 + ISO Latin 2 extended</h3>
+
+<p><a name="index-xt2_002eenc-182"></a><a name="index-ISO-Latin-2-extended-and-typewriter_002c-_0040TeX_007b_007d-encoding-183"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Petr Olsak, Zdenek Wagner",
+% date = "27aug05",
+% filename = "xt2.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "This is the typewriter version of xl2."
+% }
+%
+% 27aug05 - record Petr Olsak and Zdenek Wagner as the authors.
+% 12jun05 - remove Texinfo @'s from LIGKERN's.
+%
+/XT2encoding [
+%%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+%%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /arrowup
+ /arrowdown
+ /quotesingle
+ /exclamdown
+ /questiondown
+%%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+%%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+%%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+%%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+%%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+%%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /less
+ /equal
+ /greater
+ /question
+%%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+%%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+%%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+%%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /backslash
+ /bracketright
+ /circumflex
+ /underscore
+%%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+%%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+%%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+%%%%% '170 = "78
+ /x
+ /y
+ /z
+ /braceleft
+ /bar
+ /braceright
+ /tilde
+ /dieresis
+%%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+%%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+%%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+%%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+%%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+%%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+%%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+%%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+%%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+%%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+%%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+%%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+%%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+%%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+%%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+%%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+] def
+
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN exclamdown exclamdown =: guillemotleft ;
+% frenchdblquotes
+% LIGKERN questiondown questiondown =: guillemotright ;
+% csquoteleft
+% LIGKERN comma comma =: quotedblbase ;
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+% LIGKERN f {} f ; f {} i ; f {} l ;
+</pre>
+
+<div class="node">
+<p><hr>
+<a name="Font-legalities"></a>
+Next:&nbsp;<a rel="next" accesskey="n" href="#General-index">General index</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Encodings">Encodings</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix C Font legalities</h2>
+
+<p><a name="index-legalisms-184"></a><a name="index-typeface-design-protection-185"></a><a name="index-copyright-on-fonts-186"></a><a name="index-font-copyrighting-187"></a><a name="index-patenting-of-fonts-188"></a>
+<a name="index-Bigelow_002c-Charles-189"></a><a name="index-Holmes_002c-Kris-190"></a>This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding. (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+ <p>Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+<em>useful</em> and <em>artistic</em>. In most countries&mdash;in all countries
+until recently&mdash;utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+ <p>In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows. This was originally written in the early 1990's; these days,
+the situation is probably different, due to widespread adoption of
+software patents, among other things, but I lack specific information
+to include.
+
+
+<a name="index-United-States_002c-font-design-protection-law-191"></a>
+<a name="index-Lucida_002c-protection-of-192"></a>
+<a name="index-Stone_002c-protection-of-193"></a>
+<dl><dt>United States<dd>Typeface designs can be patented, but not copyrighted. Only a few
+designs have been patented. (Lucida and Stone are the only ones I know
+of. I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+ <p>Particular programs which instantiate a font can be copyrighted just as
+any other computer program can. This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language. Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program&mdash;the opposite of the current situation.
+
+ <p><a name="index-Germany_002c-font-design-protection-law-194"></a><a name="index-Renner_002c-Paul-195"></a><a name="index-Futura-196"></a><br><dt>Germany<dd>Typeface designs have been copyrightable as original works of art since
+1981. As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Renner (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+ <p><a name="index-England_002c-font-design-protection-law-197"></a><a name="index-Times-Roman_002c-protection-of-198"></a><a name="index-Morison_002c-Stanley-199"></a><br><dt>England<dd>A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it <em>is</em> retroactive. It's unclear how far back
+the law extends, but Times Roman, designed in the late 1920's and
+1930's by Stanley Morison is probably covered. This does not mean GNU
+(for example) cannot have a Times Roman; it just means we cannot start
+with an English version, as the law does not forbid importing foreign
+versions of English typefaces.
+
+ <p><a name="index-France_002c-font-design-protection-law-200"></a><a name="index-romain-du-roi-201"></a><a name="index-Grandjean_002c-Philippe-202"></a><br><dt>France<dd>The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such &ldquo;royal&rdquo;
+designs. There is no protection for designs in general.
+
+ </dl>
+
+ <p><a name="index-Vienna-treaty-203"></a>In 1973 the international Vienna treaty on typeface design protection
+was proposed. France ratified it in 1974 or 1975, and Germany in 1981.
+The English law might constitute ratification, but this has not been
+settled. In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+<div class="node">
+<p><hr>
+<a name="General-index"></a>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Font-legalities">Font legalities</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="unnumbered">General index</h2>
+
+<ul class="index-cp" compact>
+<li><a href="#index-g_t35-standard-PostScript-fonts-118">35 standard PostScript fonts</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-g_t7_002dbit-encodings-78">7-bit encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-g_t8_002dbit-encodings-79">8-bit encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-g_t8a_002eenc-133"><code>8a.enc</code></a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-g_t8r_002eenc-136"><code>8r.enc</code></a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-g_t9s-_0040r_007bvariant_007d-82"><code>9s </code><span class="roman">variant</span></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Adobe-standard-encoding-134">Adobe standard encoding</a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-adobe_002emap-121"><code>adobe.map</code></a>: <a href="#Adobe-fonts">Adobe fonts</a></li>
+<li><a href="#index-Afm2tfm-encoding-88">Afm2tfm encoding</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-apple_002emap-122"><code>apple.map</code></a>: <a href="#Apple-fonts">Apple fonts</a></li>
+<li><a href="#index-attribution-of-fonts_002c-missing-54">attribution of fonts, missing</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-automatic-expansion-106">automatic expansion</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-Avant-Garde-50">Avant Garde</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-base-encoding_002c-for-_0040TeX_007b_007d-138">base encoding, for TeX</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-Beebe_002c-Nelson-14">Beebe, Nelson</a>: <a href="#History">History</a></li>
+<li><a href="#index-Beeton_002c-Barbara-15">Beeton, Barbara</a>: <a href="#History">History</a></li>
+<li><a href="#index-Bernstein_002c-Rocky-16">Bernstein, Rocky</a>: <a href="#History">History</a></li>
+<li><a href="#index-Bigelow_002c-Charles-189">Bigelow, Charles</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-bitstrea_002emap-123"><code>bitstrea.map</code></a>: <a href="#Bitstream-fonts">Bitstream fonts</a></li>
+<li><a href="#index-bizarre-font-names-57">bizarre font names</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Bouche_002c-Thierry-17">Bouche, Thierry</a>: <a href="#History">History</a></li>
+<li><a href="#index-bright-variant-75">bright variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-bugs_002c-reporting-2">bugs, reporting</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-category-codes-117">category codes</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-CD_002dROM-distribution-41">CD-ROM distribution</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-character-scaling_002c-automatic-107">character scaling, automatic</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-compression-104">compression</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-contributors-13">contributors</a>: <a href="#History">History</a></li>
+<li><a href="#index-copyright-on-fonts-186">copyright on fonts</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Cork-encoding-143">Cork encoding</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-cork_002eenc-142"><code>cork.enc</code></a>: <a href="#cork">cork</a></li>
+<li><a href="#index-Cugley_002c-Damian-18">Cugley, Damian</a>: <a href="#History">History</a></li>
+<li><a href="#index-Cyrillic-encodings-77">Cyrillic encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Cyrillic-fonts-92">Cyrillic fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-design-size-specification-43">design size specification</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-distribution-5">distribution</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-DOS-filesystems-39">DOS filesystems</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-dtc_002emap-124"><code>dtc.map</code></a>: <a href="#DTC-fonts">DTC fonts</a></li>
+<li><a href="#index-Dviljk-translator-34">Dviljk translator</a>: <a href="#References">References</a></li>
+<li><a href="#index-Dvips-encoding-150">Dvips encoding</a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-Dvips-translator-33">Dvips translator</a>: <a href="#References">References</a></li>
+<li><a href="#index-dvips_002eenc-149"><code>dvips.enc</code></a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-EC-encoding-144">EC encoding</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-eight_002dcharacter-limitation-38">eight-character limitation</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-encoding-files-6">encoding files</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-encoding-vectors-132">encoding vectors</a>: <a href="#Encodings">Encodings</a></li>
+<li><a href="#index-encoding_002c-Dvips-151">encoding, Dvips</a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-encoding_002c-T5-155">encoding, T5</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-encodings_002c-Adobe-standard-135">encodings, Adobe standard</a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-encodings_002c-Cork-146">encodings, Cork</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-encodings_002c-EC-147">encodings, EC</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-encodings_002c-qx-157">encodings, qx</a>: <a href="#qx">qx</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-base-139">encodings, TeX base</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-Latin-1-148">encodings, TeX Latin 1</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-italic-173">encodings, TeX math italic</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-symbol-168">encodings, TeX math symbol</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-symbol-163">encodings, TeX math symbol</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-encodings_002c-texnansi-175">encodings, texnansi</a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-encodings_002c-texnansx-178">encodings, texnansx</a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-encodings_002c-unspecified-87">encodings, unspecified</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-England_002c-font-design-protection-law-197">England, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Ertner_002c-Vincent-129">Ertner, Vincent</a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-escape-for-nonstandard-names-59">escape for nonstandard names</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-expansion-105">expansion</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-expert-encoding-100">expert encoding</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-expertised-encodings-80">expertised encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-expertised-font-101">expertised font</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-extension_002c-_0040TeX_007b_007d-math-encoding-162">extension, TeX math encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-fax-variant-74">fax variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-filenames_002c-basics-42">filenames, basics</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-font-copyrighting-187">font copyrighting</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-font-scaling-45">font scaling</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-font_005fcoding_005fscheme-116"><code>font_coding_scheme</code></a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-Fontinst-distribution-32">Fontinst distribution</a>: <a href="#References">References</a></li>
+<li><a href="#index-FontName-65"><code>FontName</code></a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-fontname-mapping-file-110">fontname mapping file</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-Fontname-version-2-12">Fontname version 2</a>: <a href="#History">History</a></li>
+<li><a href="#index-foundries-48">foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-France_002c-font-design-protection-law-200">France, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Futura-196">Futura</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Garamond_002c-versions-of-62">Garamond, versions of</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-Germany_002c-font-design-protection-law-194">Germany, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Grandjean_002c-Philippe-202">Grandjean, Philippe</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Greek-fonts-91">Greek fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-hexadecimal-design-size-44">hexadecimal design size</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-history-9">history</a>: <a href="#History">History</a></li>
+<li><a href="#index-Holmes_002c-Kris-190">Holmes, Kris</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Horn_002c-Berthol-19">Horn, Berthol</a>: <a href="#History">History</a></li>
+<li><a href="#index-individual-font-designers-52">individual font designers</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-informal-variant-94">informal variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-introduction-1">introduction</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-ISO-9660-40">ISO 9660</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-ISO-Latin-2-extended-and-typewriter_002c-_0040TeX_007b_007d-encoding-183">ISO Latin 2 extended and typewriter, TeX encoding</a>: <a href="#xt2">xt2</a></li>
+<li><a href="#index-ISO-Latin-2-extended_002c-_0040TeX_007b_007d-encoding-181">ISO Latin 2 extended, TeX encoding</a>: <a href="#xl2">xl2</a></li>
+<li><a href="#index-italic_002c-_0040TeX_007b_007d-math-encoding-172">italic, TeX math encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-itc_002emap-125"><code>itc.map</code></a>: <a href="#ITC-fonts">ITC fonts</a></li>
+<li><a href="#index-Jeffrey_002c-Alan-20">Jeffrey, Alan</a>: <a href="#History">History</a></li>
+<li><a href="#index-Knuth_002c-Donald-E_002e-113">Knuth, Donald E.</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-Lang_002c-Russell-21">Lang, Russell</a>: <a href="#History">History</a></li>
+<li><a href="#index-LaserJet-4-fonts-89">LaserJet 4 fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-legalisms-184">legalisms</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-letterspacing-70">letterspacing</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-ligatures-and-encodings-83">ligatures and encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-limitations-37">limitations</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-linotype_002emap-126"><code>linotype.map</code></a>: <a href="#Linotype-fonts">Linotype fonts</a></li>
+<li><a href="#index-long-names-109">long names</a>: <a href="#Long-names">Long names</a></li>
+<li><a href="#index-long-naming-scheme-114">long naming scheme</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-lslash-85"><code>lslash</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Lslash-84"><code>Lslash</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Lubalin_002c-Herb-51">Lubalin, Herb</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Lucida-Bright-141">Lucida Bright</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-Lucida_002c-protection-of-192">Lucida, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-MacKay_002c-Pierre-22">MacKay, Pierre</a>: <a href="#History">History</a></li>
+<li><a href="#index-mapping-file-111">mapping file</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-mapping-files-7">mapping files</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-math-extension_002c-_0040TeX_007b_007d-encoding-161">math extension, TeX encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-math-italic_002c-_0040TeX_007b_007d-encoding-171">math italic, TeX encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-math-symbol_002c-_0040TeX_007b_007d-encoding-166">math symbol, TeX encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-math-variants-93">math variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-99">Mittelbach, Frank</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-46">Mittelbach, Frank</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-10">Mittelbach, Frank</a>: <a href="#History">History</a></li>
+<li><a href="#index-modes_002emf-30"><code>modes.mf</code></a>: <a href="#References">References</a></li>
+<li><a href="#index-monotype_002emap-127"><code>monotype.map</code></a>: <a href="#Monotype-fonts">Monotype fonts</a></li>
+<li><a href="#index-Morison_002c-Stanley-199">Morison, Stanley</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-multiple-variants-69">multiple variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-nonstandard-names_002c-escape-for-58">nonstandard names, escape for</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-patenting-of-fonts-188">patenting of fonts</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-phonetic-encodings-76">phonetic encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-pi-fonts-63">pi fonts</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-PostScript-encoding-vectors-131">PostScript encoding vectors</a>: <a href="#Encodings">Encodings</a></li>
+<li><a href="#index-PostScript-fonts_002c-standard-120">PostScript fonts, standard</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-PSfonts-distribution-31">PSfonts distribution</a>: <a href="#References">References</a></li>
+<li><a href="#index-qx-encoding-158">qx encoding</a>: <a href="#qx">qx</a></li>
+<li><a href="#index-qx_002eenc-156"><code>qx.enc</code></a>: <a href="#qx">qx</a></li>
+<li><a href="#index-Rahtz_002c-Sebastian-23">Rahtz, Sebastian</a>: <a href="#History">History</a></li>
+<li><a href="#index-raw-fonts-56">raw fonts</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-references-26">references</a>: <a href="#References">References</a></li>
+<li><a href="#index-related-files-27">related files</a>: <a href="#References">References</a></li>
+<li><a href="#index-Renner_002c-Paul-195">Renner, Paul</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-reporting-bugs-3">reporting bugs</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-Rivlin_002c-Jean-24">Rivlin, Jean</a>: <a href="#History">History</a></li>
+<li><a href="#index-Rokicki_002c-Tom-25">Rokicki, Tom</a>: <a href="#History">History</a></li>
+<li><a href="#index-romain-du-roi-201">romain du roi</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-sans-variant-98">sans variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Schoepf_002c-Rainer-11">Schoepf, Rainer</a>: <a href="#History">History</a></li>
+<li><a href="#index-schoolbook-variant-95">schoolbook variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-scripts-90">scripts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-semisans-variant-72">semisans variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-semiserif-variant-73">semiserif variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-small-caps-fonts-71">small caps fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-small-foundries-53">small foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Southall_002c-Richard-36">Southall, Richard</a>: <a href="#References">References</a></li>
+<li><a href="#index-standard-PostScript-fonts-119">standard PostScript fonts</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-Stone-Informal-96">Stone Informal</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Stone_002c-protection-of-193">Stone, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-SuperFont-81"><code>SuperFont</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-supplier_002emap-60"><code>supplier.map</code></a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-suppliers-47">suppliers</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-symbol_002c-_0040TeX_007b_007d-math-encoding-167">symbol, TeX math encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-T1_002eetx-86"><code>T1.etx</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-T5-encoding-153">T5 encoding</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-t5_002eenc-152"><code>t5.enc</code></a>: <a href="#t5">t5</a></li>
+<li><a href="#index-TDS-standard-29">TDS standard</a>: <a href="#References">References</a></li>
+<li><a href="#index-terminology-35">terminology</a>: <a href="#References">References</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-base-encoding-137">TeX base encoding</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-Directory-Structure-standard-28">TeX Directory Structure standard</a>: <a href="#References">References</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-Latin-1-encoding-145">TeX Latin 1 encoding</a>: <a href="#cork">cork</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-extension-encoding-160">TeX math extension encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-italic-encoding-170">TeX math italic encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-symbol-encoding-165">TeX math symbol encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-tex_002dfonts_0040_0040tug_002eorg-4"><code>tex-fonts@tug.org</code></a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-texfonts_002emap-112"><code>texfonts.map</code></a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-texmext_002eenc-159"><code>texmext.enc</code></a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-texmital_002eenc-169"><code>texmital.enc</code></a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-texmsym_002eenc-164"><code>texmsym.enc</code></a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-texnansi-encoding-176">texnansi encoding</a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-texnansi_002eenc-174"><code>texnansi.enc</code></a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-texnansx-encoding-179">texnansx encoding</a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-texnansx_002eenc-177"><code>texnansx.enc</code></a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-Times-Roman_002c-protection-of-198">Times Roman, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-type-foundries-49">type foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-typeface-design-protection-185">typeface design protection</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-typeface_002emap-64"><code>typeface.map</code></a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-typefaces-61">typefaces</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-typewriter-variant-97">typewriter variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-unattributed-fonts-55">unattributed fonts</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-United-States_002c-font-design-protection-law-191">United States, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-URW-fonts-128">URW fonts</a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-urw_002emap-130"><code>urw.map</code></a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-utilities-8">utilities</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-variant_002emap-102"><code>variant.map</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-variants-68">variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Vienna-treaty-203">Vienna treaty</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Vietnamese-encoding-154">Vietnamese encoding</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-weight-66">weight</a>: <a href="#Weights">Weights</a></li>
+<li><a href="#index-weight_002emap-67"><code>weight.map</code></a>: <a href="#Weights">Weights</a></li>
+<li><a href="#index-width_002emap-108"><code>width.map</code></a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-widths-103">widths</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-Windows-ANSI-140">Windows ANSI</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-X-Window-System-font-names-115">X Window System font names</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-xl2_002eenc-180"><code>xl2.enc</code></a>: <a href="#xl2">xl2</a></li>
+<li><a href="#index-xt2_002eenc-182"><code>xt2.enc</code></a>: <a href="#xt2">xt2</a></li>
+ </ul></body></html>
+
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diff --git a/Master/texmf-dist/doc/fontname/fontname.texi b/Master/texmf-dist/doc/fontname/fontname.texi
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+\input texinfo
+@c This file is in the public domain and may be used freely.
+@c
+@c @texinfofile{
+@c author = "Karl Berry",
+@c date = "10sep05",
+@c filename = "fontname.texi",
+@c email = "tex-fonts@@math.utah.edu",
+@c url = "http://tug.org/fontname/",
+@c docstring = "A naming scheme for font files intended to be usable
+@c with all systems on which TeX runs."
+@c }
+@setfilename fontname.info
+@settitle Filenames for @TeX{} fonts
+
+@copying
+This document is in the public domain and may be used freely.
+@end copying
+
+@c Define a new index for filenames, and use the concept index for everything.
+@defcodeindex fl
+@syncodeindex fl cp
+@syncodeindex fn cp
+
+@dircategory TeX
+@direntry
+* Naming TeX fonts: (fontname). Filenames for TeX fonts.
+@end direntry
+
+
+@titlepage
+@title Fontname
+@subtitle September 2005
+@subtitle Filenames for @TeX{} fonts
+@author K. Berry
+@end titlepage
+
+@contents
+
+@ifnottex
+@node Top
+@top Filenames for @TeX{} fonts
+
+This is Fontname, a naming scheme for (the base part of) external @TeX{}
+font filenames. Last update 10 September 2005.
+
+@menu
+* Introduction:: Rationale and basic information about fonts.
+* Filenames for fonts:: The construction of font names.
+* Long names:: A specification for long filenames.
+* Font name lists:: Real fontnames for many existing fonts.
+* Encodings:: Specifications for various encodings.
+* Font legalities:: Legal issues vary from country to country.
+* General index:: Index.
+
+@detailmenu
+ --- The Detailed Node Listing ---
+
+Introduction
+
+* History::
+* References::
+
+Filenames for fonts
+
+* Suppliers::
+* Typefaces::
+* Weights::
+* Variants::
+* Widths::
+
+Long names
+
+* Name mapping file:: Aliases for fonts.
+* Long naming scheme:: A way to use more than 8 alphanumerics.
+
+Font name lists
+
+* Standard PostScript fonts:: The standard 35 PostScript fonts.
+* Adobe fonts::
+* Apple fonts::
+* Bitstream fonts::
+* DTC fonts::
+* ITC fonts::
+* Linotype fonts::
+* Monotype fonts::
+* URW fonts::
+
+Encodings
+
+* 8a:: Adobe standard.
+* 8r:: TeX base.
+* cork:: Cork (aka EC, TeX Latin 1, tex256).
+* dvips:: Dvips.
+* qx:: QX, from GUST.
+* t5:: Vietnamese, from vntex.
+* texmext:: TeX math extension.
+* texmsym:: TeX math symbol.
+* texmital:: TeX math italic.
+* texnansi:: From Y&Y.
+* texnansx:: From Y&Y.
+* xl2:: OT1 + ISO Latin 2 (extended).
+* xt2:: Typewriter version of xl2.
+
+@end detailmenu
+@end menu
+
+@end ifnottex
+
+
+@node Introduction
+@chapter Introduction
+
+@cindex introduction
+
+This is Fontname, a naming scheme for (the base part of) external @TeX{}
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of @TeX{}
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+@cindex bugs, reporting
+@cindex reporting bugs
+@flindex tex-fonts@@tug.org
+Please send additions, corrections, or other comments to
+@email{tex-fonts@@tug.org}. Email
+@email{tex-fonts-request@@tug.org} to join the list.
+
+@cindex distribution
+@cindex encoding files
+@cindex mapping files
+@cindex utilities
+Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+@file{README} for details. You can retrieve the most up-to-date
+version of these lists from @uref{http://tug.org/fontname}. It is
+also mirrored on all CTAN hosts in the directory
+@file{tex-archive/doc/fontname}. For a list of CTAN mirrors, see
+@uref{http://www.ctan.org/tex-archive/CTAN.sites}.
+
+This document is in the public domain and may be used freely.
+
+@menu
+* History::
+* References::
+@end menu
+
+
+@node History
+@section History
+
+@cindex history
+
+@cindex Mittelbach, Frank
+@cindex Schoepf, Rainer
+The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in @cite{TUGboat} 11(2) (June 1990), which led to my
+article in @cite{TUGboat} 11(4) (November 1990), pages 512--519.
+Mittelbach wrote another article criticizing the scheme below in
+@cite{TUGboat} 13(1) (April 1992), pages 51--53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+@cindex Fontname version 2
+In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with La@TeX{} and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(@pxref{Variants}); machine-readable mapping files (the @file{*.map}
+files in the distribution) and standardizing directory names as well as
+font filenames (included in @file{supplier.map} and
+@file{typeface.map}).
+
+In Fontname version 1, some encoding variant characters (@samp{0},
+@samp{2}, etc.) have been reassigned to a @samp{7} or @samp{8} sequence
+(@pxref{Variants}). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued---same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+@cindex contributors
+@cindex Beebe, Nelson
+@cindex Beeton, Barbara
+@cindex Bernstein, Rocky
+@cindex Bouche, Thierry
+@cindex Cugley, Damian
+@cindex Horn, Berthol
+@cindex Jeffrey, Alan
+@cindex Lang, Russell
+@cindex MacKay, Pierre
+@cindex Rahtz, Sebastian
+@cindex Rivlin, Jean
+@cindex Rokicki, Tom
+Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+
+@node References
+@section References
+
+@cindex references
+@cindex related files
+
+Related files and distributions:
+
+@itemize @bullet
+@item
+@cindex @TeX{} Directory Structure standard
+@cindex TDS standard
+The @TeX{} Directory Structure (TDS) standard, available at
+(@uref{ftp://tug.org/tex/tds} and @file{@var{CTAN:}/tds})
+specifies a directory tree for all @TeX{} library files. The directory
+names given in @ref{Suppliers} and @ref{Typefaces} are intended to mesh
+with that standard.
+
+@item
+@flindex modes.mf
+The @file{modes.mf} file (@uref{ftp://tug.org/tex/modes.mf})
+contains recommended mode names to use as directory names.
+
+@item
+@cindex PSfonts distribution
+The PSfonts distribution (@file{@var{CTAN:}/fonts/psfonts}) contains
+@TeX{} support for many fonts, both commercially available and free.
+
+@item
+@cindex Fontinst distribution
+The Fontinst distribution (@file{@var{CTAN:}/fonts/utilities/psfonts})
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+@item
+@cindex Dvips translator
+The Dvips translator (original at
+@uref{ftp://labrea.stanford.edu/pub/dvips*.tar.gz} and variation at
+@uref{ftp://tug.org/tex/dvipsk.tar.gz}) supports resident and
+downloadable PostScript fonts. Dvips was the first real application of
+Fontname 1. Dvips also includes Afm2tfm, another program that can
+create virtual fonts.
+
+@item
+@cindex Dviljk translator
+The Dviljk processor (@uref{ftp://tug.org/tex/dviljk.tar.gz})
+contains @TeX{} support for the fonts built into the LaserJet 4.
+
+@item
+@cindex terminology
+@cindex Southall, Richard
+`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+@end itemize
+
+
+@node Filenames for fonts
+@chapter Filenames for fonts
+
+@cindex limitations
+@cindex eight-character limitation
+@cindex DOS filesystems
+@cindex ISO 9660
+@cindex CD-ROM distribution
+We must limit ourselves to eight character names, for compatibility with
+DOS filesystems and the ISO 9660 standard used for CD-ROM distribution.
+Names may consist of only the letters (monocase a-z), numerals (0-9),
+and underscore.
+
+@cindex filenames, basics
+Here is the basic division of the eight characters (the spaces here are
+merely for readability):
+
+@example
+ @var{S} @var{TT} @var{W} [@var{V@dots{}}] [@var{N}] [@var{E}] [@var{DD}]
+@end example
+
+@noindent where
+
+@table @var
+@item S
+represents the supplier of the font.
+
+@item TT
+represents the typeface name.
+
+@item W
+represents the weight.
+
+@item V@dots{}
+represents the variant(s), and is omitted if both it and the width are
+normal. Many fonts have more than one variant.
+
+@item N
+represents the encoding, and is omitted if the encoding is nonstandard.
+Encodings are subsumed in the section on variants (@pxref{Variants}).
+
+@item E
+represents the width (``expansion''), and is omitted if
+it is normal.
+
+@item DD
+@cindex design size specification
+@cindex hexadecimal design size
+@cindex font scaling
+@cindex Mittelbach, Frank
+represents the design size (in decimal), and is omitted if the font is
+linearly scaled. Mittelbach in @cite{TUGboat} 13(1) proposes using
+hexadecimal or base-36 notation. I don't think the increased range
+makes up for the unreadability of the common sizes (e.g., 10@dmn{pt}
+fonts would have a suffix @samp{a} (in hex), or @samp{j} (in base 36)).
+
+@end table
+
+The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+@menu
+* Suppliers::
+* Typefaces::
+* Weights::
+* Variants::
+* Widths::
+@end menu
+
+
+@node Suppliers
+@section Suppliers
+
+@cindex suppliers
+@cindex foundries
+@cindex type foundries
+
+The @dfn{supplier} is the source of a font, typically a (digital) type
+foundry.
+
+@cindex Avant Garde
+@cindex Lubalin, Herb
+You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with @samp{p}.
+This is because font resellers typically make modifications to the
+original design.
+
+Notes on specific suppliers:
+
+@table @samp
+@item f
+@cindex individual font designers
+@cindex small foundries
+@cindex attribution of fonts, missing
+@cindex unattributed fonts
+For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+@item r
+@cindex raw fonts
+obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use @samp{r}. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+@item z
+@cindex bizarre font names
+@cindex nonstandard names, escape for
+@cindex escape for nonstandard names
+for fonts that just don't fit well into the naming scheme. The @samp{z}
+should be followed by the real supplier letter.
+@end table
+
+@flindex supplier.map
+Here is the table from the file @file{supplier.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+@example
+@include supplier.map
+@end example
+
+
+@node Typefaces
+@section Typefaces
+
+@cindex typefaces
+
+For our purposes, a @dfn{typeface} is a collection of related fonts.
+
+We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+Notes on specific typefaces:
+
+@table @samp
+@item ad
+@itemx gm
+@cindex Garamond, versions of
+To explain a common confusion: @samp{ad} is Adobe Garamond (with a
+@samp{FontName} of @samp{AGaramond}). This is quite different from the
+@samp{Garamond} typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No.@: 3 (@samp{f3}), Simoncini Garamond
+(@samp{ig}), and Stempel Garamond (@samp{eg}) are still other
+variations on the Garamond theme.)
+
+@item lh
+@itemx ls
+@itemx lx
+@itemx r1
+These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. @xref{Variants}. Ideally, they would not exist.
+
+@item ns
+@itemx nt
+@itemx tm
+Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has @samp{Times}, @samp{TimesNewRoman}, and
+@samp{TimesNewRomanPS}. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's @samp{Times}, Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+@item pi
+@cindex pi fonts
+For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, @samp{pi}, an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, @samp{mpi001r}. Pi font @samp{001} for one
+supplier has nothing to do with pi font @samp{001} for another.
+@end table
+
+@flindex typeface.map
+@findex FontName
+Here is the table, from the file @file{typeface.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript @samp{FontName}s
+and/or a comment in roman. The @samp{FontName} may be preceded by a
+letter @var{s} and a @samp{:}, as in @samp{b:Dutch}. In that case, the
+@var{s} is a supplier abbreviation, and we've used that abbreviation for
+the given @samp{FontName} from that supplier.
+
+@example
+@iftex
+@ifclear html
+@global@hfuzz@maxdimen
+@end ifclear
+@end iftex
+@include typeface.map
+@end example
+@iftex
+@ifclear html
+@global@hfuzz1pt
+@end ifclear
+@end iftex
+
+
+@node Weights
+@section Weights
+
+@cindex weight
+
+The @dfn{weight} of a font specifies its boldness. Arranged from
+lightest to heaviest (more or less):
+
+@display
+hairline, extra light, light
+book, regular, medium
+demibold, semibold, bold, extra bold, heavy
+black, ultra, poster
+@end display
+
+@flindex weight.map
+Here is the table, from the file @file{weight.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript @samp{FontName} which use that
+abbreviation.
+
+@example
+@include weight.map
+@end example
+
+
+@node Variants
+@section Variants
+
+@cindex variants
+
+@dfn{Variants} include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, @TeX{} text).
+
+@cindex multiple variants
+A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (@samp{7}, @samp{8},
+or @samp{9}, see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+@TeX{}, and many existing names already have non-alphabetized variants.)
+
+@cindex letterspacing
+@cindex small caps fonts
+The letterspacing possibilities introduced by @code{fontinst} and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+Notes on specific variants, both old and new:
+
+@table @samp
+@item 1
+@itemx 4
+@itemx 6
+@itemx b
+@cindex semisans variant
+@cindex semiserif variant
+@cindex fax variant
+@cindex bright variant
+These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for @samp{b}, to avoid
+too-long names; and for the others, to avoid variant vs.@: design-size
+ambiguities.
+
+@item g
+@itemx h
+Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+@item 5
+@itemx 6
+@itemx 7
+@itemx 8
+@itemx 9
+@cindex phonetic encodings
+@cindex Cyrillic encodings
+@cindex 7-bit encodings
+@cindex 8-bit encodings
+@cindex expertised encodings
+@findex SuperFont
+@findex 9s @r{variant}
+These characters begin a two-character @dfn{encoding variant}.
+Generally, @samp{7} is for 7-bit encodings, @samp{8} is for 8-bit
+encodings, and @samp{9} is for expertised encodings with or without
+oldstyle digits (see the @samp{x} item below), but this is not an
+absolute rule. Also, @samp{5} is presently used for phonetic encodings
+and @samp{6} for Cyrillic encodings. The @samp{9s} (@samp{SuperFont})
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+@cindex ligatures and encodings
+@findex Lslash
+@findex lslash
+@flindex T1.etx
+For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual @TeX{} macros
+work. In practice, this means that it's ok for a font to be labelled
+@samp{7t} if the only difference from Computer Modern is that the
+ligatures and the @samp{lslash} and @samp{Lslash} characters are
+different, since it's impossible to access or change the ligature table
+from @TeX{}. Standard PostScript fonts don't have an @samp{lslash}
+character the way Computer Modern does, but they do have the
+@samp{Lslash} and @samp{lslash} characters themselves, so the usual
+@TeX{} @code{\lslash} and @code{\Lslash} macros can be made to work via
+ligatures. See the file @file{T1.etx} file in the @code{fontinst}
+distribution for details.
+
+@cindex encodings, unspecified
+@cindex Afm2tfm encoding
+@cindex LaserJet 4 fonts
+If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like @samp{ptmr} for @samp{Times-Roman}; they use the Dvips
+encoding (@pxref{dvips}), which is close to (but not the same
+as) the @TeX{} text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like @samp{cunm}, since these fonts, while compatible with
+@TeX{} text, contain many additional characters.
+
+@item 9
+These items are needed only because @samp{x} (and possibly @samp{j})
+followed by a two-character regular variant makes some names too long.
+That is, @samp{9t} is equivalent in meaning to @samp{x7t}, and @samp{9d}
+is equivalent to @samp{jx7t}. (This may not be true for all
+@samp{9@var{x}} encodings, though.)
+
+@item k
+@itemx z
+@cindex scripts
+@cindex Greek fonts
+@cindex Cyrillic fonts
+These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in @ref{Introduction}.
+
+@item m
+@itemx v
+@itemx y
+@cindex math variants
+These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use @samp{7m} (@pxref{texmital}), @samp{7v}
+(@pxref{texmext}), and @samp{7y} (@pxref{texmsym}).
+
+@item n
+@cindex informal variant
+@cindex schoolbook variant
+@cindex Stone Informal
+This is used for several different (but very rare) variants: only the
+Stone typeface has an ``informal'' variant, and only a few Monotype
+fonts have a ``schoolbook'' variant, with different `a', `g', and `y'
+shapes.
+
+@item r
+Included only if no other variants, including encodings, apply, and
+either the width (@pxref{Widths}) is not @samp{r} or a design size is
+present. I.e., @samp{r} is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), @samp{r} should
+be used when necessary, not @samp{s}. Use @samp{s} only when the
+typeface family has both serif and sans serif variants.
+
+@item s
+@itemx t
+@cindex typewriter variant
+@cindex sans variant
+@cindex Mittelbach, Frank
+Mittelbach in @cite{TUGboat} 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But @samp{LucidaSans} (@pxref{Typefaces}) and a few others are
+exceptions, to avoid too-long names.
+
+@item x
+@itemx 8x
+@itemx 9?
+@cindex expert encoding
+@cindex expertised font
+@samp{8x} indicates a font in the @samp{Expert} encoding itself.
+@samp{x} indicates an @dfn{expertised} font, i.e., a composite (virtual)
+font that includes characters from an @samp{8x} font. And in fact an
+@samp{x@var{ee}} sequence is replaced by @samp{9@var{e}}, to save
+characters.
+@end table
+
+@flindex variant.map
+Fontname 1 assignments are shown in brackets in the following table,
+from the file @file{variant.map}. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript @samp{FontName} which use that abbreviation or the
+PostScript @samp{Encoding} name.
+
+@example
+@include variant.map
+@end example
+
+
+@node Widths
+@section Widths
+
+@cindex widths
+@cindex compression
+@cindex expansion
+
+The @dfn{width} of a font specifies the compression or expansion of the
+font. Arranged from narrowest to widest (more or less):
+
+@display
+ultra compressed, extra condensed, compressed, condensed, narrow
+regular
+extended, expanded, wide
+@end display
+
+@cindex automatic expansion
+@cindex character scaling, automatic
+Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript @code{scale} operator), and sometimes done by humans. In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along.
+When creating a new synthetically expanded or compressed font for use
+with @TeX{}, e.g., with Afm2tfm or @code{fontinst}, use @samp{n} and
+@samp{e}.
+
+@flindex width.map
+Here is the table, from the file @file{width.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript @samp{FontName} which use that
+abbreviation.
+
+@example
+@include width.map
+@end example
+
+
+@node Long names
+@chapter Long names
+
+@cindex long names
+
+Eight characters is not enough to unambiguously represent all fonts. To
+do that, we have to allow ourselves arbitrarily long names. Although we
+certainly cannot use such names for the files themselves, we could still
+use them in @TeX{} documents given a simple mapping file, as discussed
+below.
+
+@menu
+* Name mapping file:: Aliases for fonts.
+* Long naming scheme:: A way to use more than 8 alphanumerics.
+@end menu
+
+
+@node Name mapping file
+@section A fontname mapping file
+
+@cindex fontname mapping file
+@cindex mapping file
+
+At the moment, most implementations of @TeX{} look up a TFM file (as
+part of the @code{\font} command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in @emph{another} file (or set of files), which
+specifies the actual filename, the fontname given in the @TeX{} source
+file could be almost anything at all, of any length.
+
+@flindex texfonts.map
+In version 5.851d of Web2c, I implemented this mapping file. Each file
+@file{texfonts.map} in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+@TeX{} name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+@code{%} and continue to the end of the line.
+
+Besides allowing long names, this sort of mapping file has other
+benefits. @TeX{} source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+@cindex Knuth, Donald E.
+Incidentally, Professor Knuth has approved this as a legitimate
+``system-dependent'' extension; a @TeX{} with such a feature can still
+be called ``@TeX{}''.
+
+
+@node Long naming scheme
+@section A naming scheme for long names
+
+@cindex long naming scheme
+
+@cindex X Window System font names
+Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+@example
+@var{supplier}-@var{family}-@var{weight}-@var{variants}-@var{width}-@var{encoding}--@var{size}
+@end example
+
+@var{supplier} is the usual @code{Adobe}, @code{Autologic}, etc., as
+well as @code{unknown} or @code{bizarre}---this last meaning the rest of
+the name is nonstandard. If the @var{supplier} is missing, i.e., the
+name starts with a @code{-}, ``public domain'' is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good @var{supplier}.
+
+@var{family} is @code{ComputerModern} or @code{Times} or whatever.
+
+Everything else is optional. The @code{--} before the @var{size} lets
+one specify a name with, say, a weight and variants, but then skip the
+@var{width} and @var{encoding}, but still be able to
+give a size.
+
+@var{weight} and @var{width} are as described earlier.
+
+If there is more than one variant, they are separated with some
+character other than @samp{-}, say @samp{=}:
+@example
+B+H-Lucida-Bold-Sans=Typewriter--10
+@end example
+
+@findex font_coding_scheme
+@var{encoding} is what Metafont calls the
+@code{font_coding_scheme}---the layout of the characters in the font.
+For example, @samp{Cork} or @samp{ISOLatin1} or @samp{AdobeAlternate}.
+
+@cindex category codes
+Names are case-sensitive, for consistency with the rest of @TeX{} and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for @TeX{} to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+@samp{Times-Roman}.
+
+
+@node Font name lists
+@appendix Font name lists
+
+These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+@menu
+* Standard PostScript fonts:: The standard 35 PostScript fonts.
+* Adobe fonts::
+* Apple fonts::
+* Bitstream fonts::
+* DTC fonts::
+* ITC fonts::
+* Linotype fonts::
+* Monotype fonts::
+* URW fonts::
+@end menu
+
+
+@node Standard PostScript fonts
+@section Standard PostScript fonts
+
+@cindex 35 standard PostScript fonts
+@cindex standard PostScript fonts
+@cindex PostScript fonts, standard
+
+Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as @samp{8a} for the Adobe @samp{StandardEncoding}, is
+omitted.
+
+@table @file
+@item pagk
+ @samp{AvantGarde-Book}
+@item pagko
+ @samp{AvantGarde-BookOblique}
+@item pagd
+ @samp{AvantGarde-Demi}
+@item pagdo
+ @samp{AvantGarde-DemiOblique}
+@item pbkd
+ @samp{Bookman-Demi}
+@item pbkdi
+ @samp{Bookman-DemiItalic}
+@item pbkl
+ @samp{Bookman-Light}
+@item pbkli
+ @samp{Bookman-LightItalic}
+@item pcrb
+ @samp{Courier-Bold}
+@item pcrbo
+ @samp{Courier-BoldOblique}
+@item pcrr
+ @samp{Courier}
+@item pcrro
+ @samp{Courier-Oblique}
+@item phvb
+ @samp{Helvetica-Bold}
+@item phvbo
+ @samp{Helvetica-BoldOblique}
+@item phvbrn
+ @samp{Helvetica-NarrowBold}
+@item phvbon
+ @samp{Helvetica-NarrowBoldOblique}
+@item phvr
+ @samp{Helvetica}
+@item phvro
+ @samp{Helvetica-Oblique}
+@item phvrrn
+ @samp{Helvetica-Narrow}
+@item phvron
+ @samp{Helvetica-NarrowOblique}
+@item pncb
+ @samp{NewCenturySchlbk-Bold}
+@item pncbi
+ @samp{NewCenturySchlbk-BoldItalic}
+@item pncri
+ @samp{NewCenturySchlbk-Italic}
+@item pncr
+ @samp{NewCenturySchlbk-Roman}
+@item pplb
+ @samp{Palatino-Bold}
+@item pplbi
+ @samp{Palatino-BoldItalic}
+@item pplri
+ @samp{Palatino-Italic}
+@item pplr
+ @samp{Palatino-Roman}
+@item psyr
+ @samp{Symbol}
+@item ptmb
+ @samp{Times-Bold}
+@item ptmbi
+ @samp{Times-BoldItalic}
+@item ptmri
+ @samp{Times-Italic}
+@item ptmr
+ @samp{Times-Roman}
+@item pzcmi
+ @samp{ZapfChancery-MediumItalic}
+@item pzdr
+ @samp{ZapfDingbats}
+@end table
+
+
+@node Adobe fonts
+@section Adobe fonts
+
+@flindex adobe.map
+The @file{adobe.map} file has abbreviations for Adobe fonts.
+
+@example
+@include adobe.map
+@end example
+
+
+@node Apple fonts
+@section Apple fonts
+
+@flindex apple.map
+The @file{apple.map} file has abbreviations for Apple fonts.
+
+@example
+@include apple.map
+@end example
+
+
+@node Bitstream fonts
+@section Bitstream fonts
+
+@flindex bitstrea.map
+The @file{bitstrea.map} file has abbreviations for Bitstream fonts.
+
+@example
+@include bitstrea.map
+@end example
+
+
+@node DTC fonts
+@section DTC fonts
+
+@flindex dtc.map
+The @file{dtc.map} file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+@example
+@include dtc.map
+@end example
+
+
+@node ITC fonts
+@section ITC fonts
+
+@flindex itc.map
+The @file{itc.map} file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+@example
+@include itc.map
+@end example
+
+
+@node Linotype fonts
+@section Linotype fonts
+
+@flindex linotype.map
+The @file{linotype.map} file has abbreviations for Linotype fonts.
+
+@example
+@include linotype.map
+@end example
+
+
+@node Monotype fonts
+@section Monotype fonts
+
+@flindex monotype.map
+The @file{monotype.map} file has abbreviations for Monotype fonts.
+
+@example
+@iftex
+@ifclear html
+@global@hfuzz@maxdimen
+@end ifclear
+@end iftex
+@include monotype.map
+@iftex
+@ifclear html
+@global@hfuzz1pt
+@end ifclear
+@end iftex
+@end example
+
+
+@node URW fonts
+@section URW fonts
+
+@cindex URW fonts
+@cindex Ertner, Vincent
+
+Information graciously supplied through URW, via Vincent Ertner: Each
+URW font has an assigned font number. The last character describes
+the size or purpose of the font, as the design of the font is
+optimized accordingly:
+
+@table @code
+@item X000000E
+Extreme: 8@dmn{pt} and smaller
+
+@item X000000T
+Text: between 8 and 18@dmn{pt}
+
+@item X000000D
+Display: 18@dmn{pt} and larger
+
+@item X000000P
+Poster: 48@dmn{pt} and larger
+
+@item X000000M
+Monospaced / Typewriter
+
+@item X000000L
+LaserWriter / PostScript / Adobe compatible
+
+@item X000000I
+Intellifont PCL (5) compatible
+
+@end table
+@noindent An @samp{F} identifier is not known.
+
+@flindex urw.map
+The @file{urw.map} file has abbreviations for URW fonts.
+
+@example
+@include urw.map
+@end example
+
+
+@node Encodings
+@appendix Encodings
+
+@cindex PostScript encoding vectors
+@cindex encoding vectors
+
+The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in @file{psfonts.map} to change font encodings of downloadable
+or builtin fonts (@pxref{psfonts.map,,, dvips, Dvips}).
+
+You can also specify these @file{.enc} files to Afm2tfm when building a
+font (@pxref{Changing font encodings,,, dvips, Dvips}).
+
+For a discussion of @TeX{} font encodings in general, and defining new
+ones for use with @command{fontinst} in particular, see
+@uref{http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs}.
+
+Naming specific characters is a tangled and difficult area. Here are
+some links to character tables for Unicode, Adobe, and WGL4, for your
+researching pleasure (thanks to Boguslaw Jackowski for the list):
+
+@itemize @bullet
+@item @uref{http://www.unicode.org/Public/UNIDATA/UnicodeData.txt}
+@item @uref{http://www.unicode.org/Public/UNIDATA/NamesList.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/corporateuse-old.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/aglfn13.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/unicodegn.jsp}
+@item @uref{http://www.microsoft.com/OpenType/otspec/WGL4.htm}
+@end itemize
+
+@menu
+* 8a:: Adobe standard.
+* 8r:: TeX base.
+* cork:: Cork (aka EC, TeX Latin 1, tex256).
+* dvips:: Dvips.
+* t5:: Vietnamese, from vntex.
+* qx:: QX, from GUST.
+* texmext:: TeX math extension.
+* texmsym:: TeX math symbol.
+* texmital:: TeX math italic.
+* texnansi:: From Y&Y.
+* texnansx:: From Y&Y.
+* xl2:: OT1 + ISO Latin 2 (extended).
+* xt2:: Typewriter version of xl2.
+@end menu
+
+
+@node 8a
+@section @samp{8a.enc}: Adobe standard encoding
+
+@flindex 8a.enc
+@cindex Adobe standard encoding
+@cindex encodings, Adobe standard
+
+@verbatiminclude 8a.enc
+
+
+@node 8r
+@section @samp{8r.enc}: @TeX{} base encoding
+
+@flindex 8r.enc
+@cindex @TeX{} base encoding
+@cindex base encoding, for @TeX{}
+@cindex encodings, @TeX{} base
+@cindex Windows ANSI
+@cindex Lucida Bright
+
+@verbatiminclude 8r.enc
+
+@node cork
+@section @samp{cork.enc}: Cork encoding
+
+@flindex cork.enc
+@cindex Cork encoding
+@cindex EC encoding
+@cindex @TeX{} Latin 1 encoding
+@cindex encodings, Cork
+@cindex encodings, EC
+@cindex encodings, @TeX{} Latin 1
+
+@verbatiminclude cork.enc
+
+
+@node dvips
+@section @samp{dvips.enc}: Dvips encoding
+
+@flindex dvips.enc
+@cindex Dvips encoding
+@cindex encoding, Dvips
+
+@verbatiminclude dvips.enc
+
+
+@node t5
+@section @samp{t5.enc}: T5 encoding
+
+@flindex t5.enc
+@cindex T5 encoding
+@cindex Vietnamese encoding
+@cindex encoding, T5
+
+@verbatiminclude t5.enc
+
+
+@node qx
+@section @samp{qx.enc}
+
+@flindex qx.enc
+@cindex encodings, qx
+@cindex qx encoding
+
+From GUST.
+
+@verbatiminclude qx.txt
+@verbatiminclude qx.enc
+
+
+@node texmext
+@section @samp{texmext.enc}: @TeX{} math extension encoding
+
+@flindex texmext.enc
+@cindex @TeX{} math extension encoding
+@cindex math extension, @TeX{} encoding
+@cindex extension, @TeX{} math encoding
+@cindex encodings, @TeX{} math symbol
+
+@verbatiminclude texmext.enc
+
+
+@node texmsym
+@section @samp{texmsym.enc}: @TeX{} math symbol encoding
+
+@flindex texmsym.enc
+@cindex @TeX{} math symbol encoding
+@cindex math symbol, @TeX{} encoding
+@cindex symbol, @TeX{} math encoding
+@cindex encodings, @TeX{} math symbol
+
+@verbatiminclude texmsym.enc
+
+
+@node texmital
+@section @samp{texmital.enc}: @TeX{} math italic encoding
+
+@flindex texmital.enc
+@cindex @TeX{} math italic encoding
+@cindex math italic, @TeX{} encoding
+@cindex italic, @TeX{} math encoding
+@cindex encodings, @TeX{} math italic
+
+@verbatiminclude texmital.enc
+
+
+@node texnansi
+@section @samp{texnansi.enc}
+
+@flindex texnansi.enc
+@cindex encodings, texnansi
+@cindex texnansi encoding
+
+From Y&Y.
+
+@verbatiminclude texnansi.enc
+
+
+@node texnansx
+@section @samp{texnansx.enc}
+
+@flindex texnansx.enc
+@cindex encodings, texnansx
+@cindex texnansx encoding
+
+From Y&Y. @samp{texnansi} without repeats.
+
+@verbatiminclude texnansx.enc
+
+
+@node xl2
+@section @samp{xl2.enc}: OT1 + ISO Latin 2 extended
+
+@flindex xl2.enc
+@cindex ISO Latin 2 extended, @TeX{} encoding
+
+@verbatiminclude xl2.enc
+
+
+@node xt2
+@section @samp{xt2.enc}: typewriter OT1 + ISO Latin 2 extended
+
+@flindex xt2.enc
+@cindex ISO Latin 2 extended and typewriter, @TeX{} encoding
+
+@verbatiminclude xt2.enc
+
+
+@node Font legalities
+@appendix Font legalities
+
+@cindex legalisms
+@cindex typeface design protection
+@cindex copyright on fonts
+@cindex font copyrighting
+@cindex patenting of fonts
+
+@cindex Bigelow, Charles
+@cindex Holmes, Kris
+This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding. (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+@emph{useful} and @emph{artistic}. In most countries---in all countries
+until recently---utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows. This was originally written in the early 1990's; these days,
+the situation is probably different, due to widespread adoption of
+software patents, among other things, but I lack specific information
+to include.
+
+@table @asis
+
+@cindex United States, font design protection law
+@cindex Lucida, protection of
+@cindex Stone, protection of
+@item United States
+Typeface designs can be patented, but not copyrighted. Only a few
+designs have been patented. (Lucida and Stone are the only ones I know
+of. I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+Particular programs which instantiate a font can be copyrighted just as
+any other computer program can. This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language. Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program---the opposite of the current situation.
+
+@cindex Germany, font design protection law
+@cindex Renner, Paul
+@cindex Futura
+@item Germany
+Typeface designs have been copyrightable as original works of art since
+1981. As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Renner (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+@cindex England, font design protection law
+@cindex Times Roman, protection of
+@cindex Morison, Stanley
+@item England
+A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it @emph{is} retroactive. It's unclear how far back
+the law extends, but Times Roman, designed in the late 1920's and
+1930's by Stanley Morison is probably covered. This does not mean GNU
+(for example) cannot have a Times Roman; it just means we cannot start
+with an English version, as the law does not forbid importing foreign
+versions of English typefaces.
+
+@cindex France, font design protection law
+@cindex romain du roi
+@cindex Grandjean, Philippe
+@item France
+The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such ``royal''
+designs. There is no protection for designs in general.
+
+@end table
+
+@cindex Vienna treaty
+In 1973 the international Vienna treaty on typeface design protection
+was proposed. France ratified it in 1974 or 1975, and Germany in 1981.
+The English law might constitute ratification, but this has not been
+settled. In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+
+@node General index
+@unnumbered General index
+
+@printindex cp
+
+
+@bye
diff --git a/Master/texmf-dist/doc/fontname/fontname.toc b/Master/texmf-dist/doc/fontname/fontname.toc
new file mode 100644
index 00000000000..2c1437a4b53
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/fontname.toc
@@ -0,0 +1,36 @@
+\numchapentry{Introduction}{1}{Introduction}{1}
+\numsecentry{History}{1.1}{History}{1}
+\numsecentry{References}{1.2}{References}{1}
+\numchapentry{Filenames for fonts}{2}{Filenames for fonts}{3}
+\numsecentry{Suppliers}{2.1}{Suppliers}{3}
+\numsecentry{Typefaces}{2.2}{Typefaces}{4}
+\numsecentry{Weights}{2.3}{Weights}{18}
+\numsecentry{Variants}{2.4}{Variants}{19}
+\numsecentry{Widths}{2.5}{Widths}{23}
+\numchapentry{Long names}{3}{Long names}{24}
+\numsecentry{A fontname mapping file}{3.1}{Name mapping file}{24}
+\numsecentry{A naming scheme for long names}{3.2}{Long naming scheme}{24}
+\appentry{Font name lists}{A}{Font name lists}{26}
+\appsecentry{Standard PostScript fonts}{A.1}{Standard PostScript fonts}{26}
+\appsecentry{Adobe fonts}{A.2}{Adobe fonts}{27}
+\appsecentry{Apple fonts}{A.3}{Apple fonts}{85}
+\appsecentry{Bitstream fonts}{A.4}{Bitstream fonts}{85}
+\appsecentry{DTC fonts}{A.5}{DTC fonts}{103}
+\appsecentry{ITC fonts}{A.6}{ITC fonts}{103}
+\appsecentry{Linotype fonts}{A.7}{Linotype fonts}{120}
+\appsecentry{Monotype fonts}{A.8}{Monotype fonts}{210}
+\appsecentry{URW fonts}{A.9}{URW fonts}{237}
+\appentry{Encodings}{B}{Encodings}{238}
+\appsecentry{\samp {8a.enc}: Adobe standard encoding}{B.1}{8a}{238}
+\appsecentry{\samp {8r.enc}: \TeX {} base encoding}{B.2}{8r}{243}
+\appsecentry{\samp {cork.enc}: Cork encoding}{B.3}{cork}{247}
+\appsecentry{\samp {dvips.enc}: Dvips encoding}{B.4}{dvips}{249}
+\appsecentry{\samp {texmext.enc}: \TeX {} math extension encoding}{B.5}{texmext}{250}
+\appsecentry{\samp {texmsym.enc}: \TeX {} math symbol encoding}{B.6}{texmsym}{254}
+\appsecentry{\samp {texmital.enc}: \TeX {} math italic encoding}{B.7}{texmital}{258}
+\appsecentry{\samp {texnansi.enc}}{B.8}{texnansi}{262}
+\appsecentry{\samp {texnansx.enc}}{B.9}{texnansx}{269}
+\appsecentry{\samp {xl2.enc}: OT1 + ISO Latin 2 extended}{B.10}{xl2}{276}
+\appsecentry{\samp {xt2.enc}: typewriter OT1 + ISO Latin 2 extended}{B.11}{xt2}{283}
+\appentry{Font legalities}{C}{Font legalities}{290}
+\unnchapentry{Index}{10001}{Index}{292}
diff --git a/Master/texmf-dist/doc/fontname/index.html b/Master/texmf-dist/doc/fontname/index.html
new file mode 100644
index 00000000000..cc076d74bf4
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/index.html
@@ -0,0 +1,100 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<h1 class="settitle">Filenames for TeX fonts</h1>
+
+<div class="contents">
+<h2>Table of Contents</h2>
+<ul>
+<li><a name="toc_Top" href="index.html#Top">Filenames for TeX fonts</a>
+<li><a name="toc_Introduction" href="Introduction.html#Introduction">Introduction</a>
+<ul>
+<li><a href="History.html#History">History</a>
+<li><a href="References.html#References">References</a>
+</li></ul>
+<li><a name="toc_Filenames%20for%20fonts" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<ul>
+<li><a href="Suppliers.html#Suppliers">Suppliers</a>
+<li><a href="Typefaces.html#Typefaces">Typefaces</a>
+<li><a href="Weights.html#Weights">Weights</a>
+<li><a href="Variants.html#Variants">Variants</a>
+<li><a href="Widths.html#Widths">Widths</a>
+</li></ul>
+<li><a name="toc_Long%20names" href="Long-names.html#Long%20names">Long names</a>
+<ul>
+<li><a href="Name-mapping-file.html#Name%20mapping%20file">A fontname mapping file</a>
+<li><a href="Long-naming-scheme.html#Long%20naming%20scheme">A naming scheme for long names</a>
+</li></ul>
+<li><a name="toc_Font%20name%20lists" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<ul>
+<li><a href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>
+<li><a href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>
+<li><a href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>
+<li><a href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>
+<li><a href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>
+<li><a href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>
+<li><a href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>
+<li><a href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>
+<li><a href="URW-fonts.html#URW%20fonts">URW fonts</a>
+</li></ul>
+<li><a name="toc_Encodings" href="Encodings.html#Encodings">Encodings</a>
+<ul>
+<li><a href="8a.html#8a"><code>8a.enc</code>: Adobe standard encoding</a>
+<li><a href="8r.html#8r"><code>8r.enc</code>: TeX base encoding</a>
+<li><a href="cork.html#cork"><code>cork.enc</code>: Cork encoding</a>
+<li><a href="dvips.html#dvips"><code>dvips.enc</code>: Dvips encoding</a>
+<li><a href="texmext.html#texmext"><code>texmext.enc</code>: TeX math extension encoding</a>
+<li><a href="texmsym.html#texmsym"><code>texmsym.enc</code>: TeX math symbol encoding</a>
+<li><a href="texmital.html#texmital"><code>texmital.enc</code>: TeX math italic encoding</a>
+<li><a href="texnansi.html#texnansi"><code>texnansi.enc</code></a>
+<li><a href="texnansx.html#texnansx"><code>texnansx.enc</code></a>
+<li><a href="xl2.html#xl2"><code>xl2.enc</code>: OT1 + ISO Latin 2 extended</a>
+<li><a href="xt2.html#xt2"><code>xt2.enc</code>: typewriter OT1 + ISO Latin 2 extended</a>
+</li></ul>
+<li><a name="toc_Font%20legalities" href="Font-legalities.html#Font%20legalities">Font legalities</a>
+<li><a name="toc_Index" href="Index.html#Index">Index</a>
+</li></ul>
+</div>
+
+
+<div class="node">
+<p>
+Node:&nbsp;<a name="Top">Top</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Introduction.html#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="../index.html#dir">(dir)</a>
+<hr><br>
+</div>
+
+<h2 class="unnumbered">Filenames for TeX fonts</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. Last update 9 May 2003.
+
+<ul class="menu">
+<li><a accesskey="1" href="Introduction.html#Introduction">Introduction</a>: Rationale and basic information about fonts.
+<li><a accesskey="2" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>: The construction of font names.
+<li><a accesskey="3" href="Long-names.html#Long%20names">Long names</a>: A specification for long filenames.
+<li><a accesskey="4" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>: Real fontnames for many existing fonts.
+<li><a accesskey="5" href="Encodings.html#Encodings">Encodings</a>: Specifications for various encodings.
+<li><a accesskey="6" href="Font-legalities.html#Font%20legalities">Font legalities</a>: Legal issues vary from country to country.
+<li><a accesskey="7" href="Index.html#Index">Index</a>: Index.
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/texmext.html b/Master/texmf-dist/doc/fontname/texmext.html
new file mode 100644
index 00000000000..932fd8bb10d
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/texmext.html
@@ -0,0 +1,220 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmext">texmext</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmsym.html#texmsym">texmsym</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="dvips.html#dvips">dvips</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmext.enc</code>: TeX math extension encoding</h3>
+
+<pre class="example">
+
+ % TeX math extension encoding.
+ % No ligatures or kerns.
+ %
+ /TeXMathExtensionEncoding [ % now 256 chars follow
+
+ % 0x0
+ /parenleftbig
+ /parenrightbig
+ /bracketleftbig
+ /bracketrightbig
+ /floorleftbig
+ /floorrightbig
+ /ceilingleftbig
+ /ceilingrightbig
+
+ % 0x8
+ /braceleftbig
+ /bracerightbig
+ /angbracketleftbig
+ /angbracketrightbig
+ /vextendsingle
+ /vextenddouble
+ /slashbig
+ /backslashbig
+
+ % 0x10
+ /parenleftBig
+ /parenrightBig
+ /parenleftbigg
+ /parenrightbigg
+ /bracketleftbigg
+ /bracketrightbigg
+ /floorleftbigg
+ /floorrightbigg
+
+ % 0x18
+ /ceilingleftbigg
+ /ceilingrightbigg
+ /braceleftbigg
+ /bracerightbigg
+ /angbracketleftbigg
+ /angbracketrightbigg
+ /slashbigg
+ /backslashbigg
+
+ % 0x20
+ /parenleftBigg
+ /parenrightBigg
+ /bracketleftBigg
+ /bracketrightBigg
+ /floorleftBigg
+ /floorrightBigg
+ /ceilingleftBigg
+ /ceilingrightBigg
+
+ % 0x28
+ /braceleftBigg
+ /bracerightBigg
+ /angbracketleftBigg
+ /angbracketrightBigg
+ /slashBigg
+ /backslashBigg
+ /slashBig
+ /backslashBig
+
+ % 0x30
+ /parenlefttp
+ /parenrighttp
+ /bracketlefttp
+ /bracketrighttp
+ /bracketleftbt
+ /bracketrightbt
+ /bracketleftex
+ /bracketrightex
+
+ % 0x38
+ /bracelefttp
+ /bracerighttp
+ /braceleftbt
+ /bracerightbt
+ /braceleftmid
+ /bracerightmid
+ /braceex
+ /arrowvertex
+
+ % 0x40
+ /parenleftbt
+ /parenrightbt
+ /parenleftex
+ /parenrightex
+ /angbracketleftBig
+ /angbracketrightBig
+ /unionsqtext
+ /unionsqdisplay
+
+ % 0x48
+ /contintegraltext
+ /contintegraldisplay
+ /circledottext
+ /circledotdisplay
+ /circleplustext
+ /circleplusdisplay
+ /circlemultiplytext
+ /circlemultiplydisplay
+
+ % 0x50
+ /summationtext
+ /producttext
+ /integraltext
+ /uniontext
+ /intersectiontext
+ /unionmultitext
+ /logicalandtext
+ /logicalortext
+
+ % 0x58
+ /summationdisplay
+ /productdisplay
+ /integraldisplay
+ /uniondisplay
+ /intersectiondisplay
+ /unionmultidisplay
+ /logicalanddisplay
+ /logicalordisplay
+
+ % 0x60
+ /coproducttext
+ /coproductdisplay
+ /hatwide
+ /hatwider
+ /hatwidest
+ /tildewide
+ /tildewider
+ /tildewidest
+
+ % 0x68
+ /bracketleftBig
+ /bracketrightBig
+ /floorleftBig
+ /floorrightBig
+ /ceilingleftBig
+ /ceilingrightBig
+ /braceleftBig
+ /bracerightBig
+
+ % 0x70
+ /radicalbig
+ /radicalBig
+ /radicalbigg
+ /radicalBigg
+ /radicalbt
+ /radicalvertex
+ /radicaltp
+ /arrowvertexdbl
+
+ % 0x78
+ /arrowtp
+ /arrowbt
+ /bracehtipdownleft
+ /bracehtipdownright
+ /bracehtipupleft
+ /bracehtipupright
+ /arrowdbltp
+ /arrowdblbt
+
+ % Have to have 128 .notdef's now to fill things out.
+ %
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/texmital.html b/Master/texmf-dist/doc/fontname/texmital.html
new file mode 100644
index 00000000000..9760f802bf0
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/texmital.html
@@ -0,0 +1,219 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmital">texmital</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texnansi.html#texnansi">texnansi</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmsym.html#texmsym">texmsym</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmital.enc</code>: TeX math italic encoding</h3>
+
+<pre class="example">
+
+ % TeX math italic encoding.
+ % No ligatures or kerns.
+ %
+ /TeXMathItalicEncoding [ % now 256 chars follow
+ % 0x0
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+
+ % 0x8
+ /Phi
+ /Psi
+ /Omega
+ /alpha
+ /beta
+ /gamma
+ /delta
+ /epsilon1
+
+ % 0x10
+ /zeta
+ /eta
+ /theta
+ /iota
+ /kappa
+ /lambda
+ /mu
+ /nu
+
+ % 0x18
+ /xi
+ /pi
+ /rho
+ /sigma
+ /tau
+ /upsilon
+ /phi
+ /chi
+
+ % 0x20
+ /psi
+ /omega
+ /epsilon
+ /theta1
+ /pi1
+ /rho1
+ /sigma1
+ /phi1
+
+ % 0x28
+ /arrowlefttophalf
+ /arrowleftbothalf
+ /arrowrighttophalf
+ /arrowrightbothalf
+ /arrowhookleft
+ /arrowhookright
+ /triangleright
+ /triangleleft
+
+ % 0x30
+ /zerooldstyle
+ /oneoldstyle
+ /twooldstyle
+ /threeoldstyle
+ /fouroldstyle
+ /fiveoldstyle
+ /sixoldstyle
+ /sevenoldstyle
+
+ % 0x38
+ /eightoldstyle
+ /nineoldstyle
+ /period
+ /comma
+ /less
+ /slash
+ /greater
+ /star
+
+ % 0x40
+ /partialdiff
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+
+ % 0x48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+
+ % 0x50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+
+ % 0x58
+ /X
+ /Y
+ /Z
+ /flat
+ /natural
+ /sharp
+ /slurbelow
+ /slurabove
+
+ % 0x60
+ /lscript
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+
+ % 0x68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+
+ % 0x70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+
+ % 0x78
+ /x
+ /y
+ /z
+ /dotlessi
+ /dotlessj
+ /weierstrass
+ /vector
+ /tie
+
+ % Have to have 128 .notdef's now to fill things out.
+ %
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/texnansx.html b/Master/texmf-dist/doc/fontname/texnansx.html
new file mode 100644
index 00000000000..c82c7e84c36
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/texnansx.html
@@ -0,0 +1,353 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texnansx">texnansx</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="xl2.html#xl2">xl2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texnansi.html#texnansi">texnansi</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texnansx.enc</code></h3>
+
+<p>From Y&amp;Y. <code>texnansi</code> without repeats.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.1",
+% date = "1 December 1996",
+% filename = "texnansi.enc",
+% email = "help@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting. This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+%
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript
+% FontName `LucidaBright.' It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/quoteleft % 145
+/quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/xl2.html b/Master/texmf-dist/doc/fontname/xl2.html
new file mode 100644
index 00000000000..effc42d63c4
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/xl2.html
@@ -0,0 +1,352 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="xl2">xl2</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="xt2.html#xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texnansx.html#texnansx">texnansx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>xl2.enc</code>: OT1 + ISO Latin 2 extended</h3>
+
+<pre class="example">
+
+ % Date: Thu, 25 May 1995 19:00:36 +0200 (MET DST)
+ % From: Petr Sojka &lt;sojka@daeron.ics.muni.cz&gt;
+ %
+ % some of our (CSTUG- czech TeX Users Group) users want to support
+ % 8bit font coding such that:
+ % -- lower 7bit is exactly OT1 (but with differences imposed
+ % by DEK -- e.g. layout of cmr is different from cmtt)
+ % -- upper part is taken from ISO-Latin 2 (iso 8859-2),
+ % but some of empty positions are filled with useful characters
+ % usually available in type-1 font (permill sign etc.)
+ /XL2encoding [
+ %%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+ %%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /ff
+ /fi
+ /fl
+ /ffi
+ /ffl
+ %%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+ %%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+ %%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+ %%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+ %%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+ %%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /exclamdown
+ /equal
+ /questiondown
+ /question
+ %%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+ %%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+ %%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+ %%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /quotedblleft
+ /bracketright
+ /circumflex
+ /dotaccent
+ %%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+ %%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+ %%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+ %%%%% '170 = "78
+ /x
+ /y
+ /z
+ /endash
+ /emdash
+ /hungarumlaut
+ /tilde
+ /dieresis
+ %%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+ %%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+ %%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ %%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+ %%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+ %%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+ %%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+ %%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+ %%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+ %%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+ %%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+ %%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+ %%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+ %%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+ %%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+ %%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+ ] def
+
+ % LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+ % LIGKERN quoteleft quoteleft =: quotedblleft ;
+ % LIGKERN quoteright quoteright =: quotedblright ;
+ % LIGKERN exclamdown exclamdown =: guillemotleft ;
+ % frenchdblquotes
+ % LIGKERN questiondown questiondown =: guillemotright ;
+ % csquoteleft
+ % LIGKERN comma comma =: quotedblbase ;
+ % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+ % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+ % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+ % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+ % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+ % LIGKERN nine {} * ; * {} nine ;
+ % LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/txfonts/00patch1.txt b/Master/texmf-dist/doc/fonts/txfonts/00patch1.txt
new file mode 100644
index 00000000000..fa14e172943
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/00patch1.txt
@@ -0,0 +1,9 @@
+
+An encoding mistake in Math Italic fonts (txmi and txmi1) fixed.
+That is, "5E and "5F were accidentally switched.
+This patch corrects the mistake.
+
+Properly place enclosed tfm and vf files.
+
+Also properly place enclosed document files.
+
diff --git a/Master/texmf-dist/doc/fonts/txfonts/COPYRIGHT b/Master/texmf-dist/doc/fonts/txfonts/COPYRIGHT
new file mode 100644
index 00000000000..c539a6d4cab
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/COPYRIGHT
@@ -0,0 +1,17 @@
+ Txfonts and pxfonts copyright notice
+ June 2002
+
+Txfonts and pxfonts, as of June 2002, are distributed
+under the GNU General Public License (GPL) with a special
+exception. See http://www.gnu.org/licenses/licenses.html#GPL
+for the detail of GPL. The special exception is as follows:
+
+ Permission is granted to include txfonts and pxfonts
+ in a document in the Postscript, PDF, or any other
+ formats that may be displayed or printed using these
+ fonts, regardless of the licensing condition applied
+ to the document itself.
+
+Young Ryu
+
+
diff --git a/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.pdf b/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.pdf
new file mode 100644
index 00000000000..fd187d7e0e7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.tex b/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.tex
new file mode 100644
index 00000000000..2292666ba4f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/txfontsdoc.tex
@@ -0,0 +1,1239 @@
+\documentclass[11pt]{article}
+
+\setlength{\textwidth}{\paperwidth}
+\addtolength{\textwidth}{-2in}
+
+\setlength{\textheight}{\paperheight}
+\addtolength{\textheight}{-2.5in}
+
+\setlength{\evensidemargin}{0in}
+\setlength{\oddsidemargin}{\evensidemargin}
+
+\setlength{\headsep}{0.5in}
+\addtolength{\headsep}{-\headheight}
+
+\setlength{\topmargin}{.25in}
+\addtolength{\topmargin}{-\headheight}
+\addtolength{\topmargin}{-\headsep}
+
+\usepackage{amsmath}
+\usepackage{txfonts}
+%\normalfont
+%\usepackage[T1]{fontenc}
+%\usepackage{textcomp}
+\let\orgnonumber=\nonumber\usepackage{mathenv}\let\nonumb=\nonumber\let\nonumber=\orgnonumber
+
+\allowdisplaybreaks
+
+\newcommand{\bs}{\symbol{'134}}
+
+
+\def\Ent#1{\csname #1\endcsname & \texttt{\bs #1}}
+\def\EEnt#1#2{\csname #1\endcsname & \texttt{\bs #1},\,\texttt{\bs #2}}
+
+\makeatletter
+\newcount\curchar \newcount\currow \newcount\curcol
+\newdimen\indexwd \newdimen\tempcellwd
+\setbox0\hbox{\ttfamily0\kern.2em}
+\indexwd=\wd0
+
+\def\ident#1{#1}
+\def\hexnumber#1{\ifcase\expandafter\ident\expandafter{\number#1} 0\or
+1\or 2\or 3\or 4\or 5\or 6\or 7\or 8\or 9\or A\or B\or C\or D\or E\or
+F\else ?\fi}
+
+\def\rownumber{\ttfamily\hexnumber\currow}
+\def\colnumber{\ttfamily\hexnumber\curcol \global\advance\curcol 1 }
+
+\def\charnumber{\setbox0=\hbox{\char\curchar}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0 \global\advance\curchar1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern1.5pt\box0\kern1.5pt}$}}
+
+\def\dochart#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartA#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrowX\setrow\setrowX %
+% \hline %
+ \setrow\setrowX\setrow\setrowX %
+ \hline %
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartB#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow%\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartC#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartD#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartE#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrowX\setrow\setrowX\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+\def\colnumbers{\hbox to\hsize{\global\curcol 0
+ \def\1{\hbox to\cellwd{\curcol}{\hfil\colnumber\hfil}}%
+ \kern\indexwd\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \kern\indexwd}%
+}
+
+\def\dochartF#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+
+\def\setrow{\hbox to\hsize{%
+ \hbox to\indexwd{\hfil\rownumber\kern.2em}\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \hbox to\indexwd{\ttfamily\kern.2em \rownumber\hfil}}%
+ \global\advance\currow 1 }%
+
+\def\setrowX{\global\advance\curchar16\global\advance\currow 1\relax}
+
+\def\cellwd#1{20pt}% initialize
+
+\def\measurecolwidths#1{%
+ \tempcellwd\hsize \advance\tempcellwd-2\indexwd
+ \advance\tempcellwd -12pt
+ \divide\tempcellwd 16
+ \xdef\cellwd##1{\the\tempcellwd}%
+}
+
+\def \table #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochart{#1}%
+}}
+
+
+\def \tableA #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartA{#1}%
+}}
+
+\def \tableB #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartB{#1}%
+}}
+
+\def \tableC #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartC{#1}%
+}}
+
+\def \tableD #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartD{#1}%
+}}
+
+\def \tableE #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartE{#1}%
+}}
+
+\def \tableF #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartF{#1}%
+}}
+
+\makeatother
+
+\begin{document}
+
+\title{The \texttt{TX} Fonts%
+\thanks{Special thanks to those who reported problems of
+\texttt{TX} fonts and provided suggestions!}}
+
+\author{Young Ryu}
+
+\date{December 15, 2000}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+\section{Introduction}
+
+The \texttt{TX} fonts consist of
+\begin{enumerate}\itemsep=0pt
+\item virtual text roman fonts using Adobe Times (or URW NimbusRomNo9L) with
+ some modified and additional text symbols in OT1, T1, TS1, and LY1 encodings
+\item \textsf{virtual text sans serif fonts using Adobe Helvetica (or URW NimbusSanL) with
+ additional text symbols in OT1, T1, TS1, and LY1 encodings}
+\item \texttt{monospaced typewriter fonts in OT1, T1, TS1, and LY1 encodings}
+\item math alphabets using Adobe Times (or URW NimbusRomNo9L)
+ with modified metrics
+\item math fonts of all symbols corresponding to those of Computer Modern
+ math fonts (CMSY, CMMI, CMEX, and Greek letters of CMR)
+\item math fonts of all symbols corresponding to those of AMS fonts
+ (MSAM and MSBM)
+\item additional math fonts of various symbols
+\end{enumerate}
+%
+All fonts are in the Type 1 format (in \texttt{afm} and \texttt{pfb} files).
+Necessary \texttt{tfm} and \texttt{vf} files together with
+\LaTeXe\ package files and font map files for \texttt{dvips} are
+provided.
+
+\begin{bfseries}%\itshape
+The \texttt{TX} fonts and related files are distributed
+without any guaranty or warranty.
+I do not assume responsibility for any actual or possible
+damages or losses, directly or indirectly caused by the
+distributed files.
+\end{bfseries}
+The \texttt{TX} fonts are distributed under the GNU public license (GPL)\@.
+
+\section{Changes}
+
+\begin{description}
+\item[1.0] (October 25, 2000) 1st public release
+\item[2.0] (November 2, 2000)
+ \begin{itemize}
+ \item An encoding error in txi and txbi (`\textdollar' \texttt{"24}) is fixed.
+ \item Mistakes in symbol declarations for `\AA' and `\aa' in \texttt{txfonts.sty}
+ are fixed.
+ \item $\lambda$ (\texttt{"15} of txmi and txbmi),
+ $\lambdaslash$ (\texttt{"6E} of txsyc and txbsyc), and
+ $\lambdabar$ (\texttt{"6F} of txsyc and txbsyc)
+ are updated to be more slanted.
+ \item More symbols added in txexa and txbexa (\texttt{"29}--\texttt{"2E})
+ and in txsyc and txbsyc (\texttt{"80}--\texttt{"94}).
+ \item Some fine tuning of a few glyphs.
+ \item Math italic font metrics are improved.
+ \item Text font metrics are improved.
+ \item T1 and TS1 encodings are supported. (Not all TS1 encoding glyphs are implemented.)
+ \end{itemize}
+\item[2.1] (November 18, 2000)
+ \begin{itemize}
+ \item Complete implementation of TS1 encoding fonts.
+ \item Various improvements of font metrics and font encodings. For instance,
+ the bogus entry of char \texttt{'27} in T1 encoding virtual font files
+ are removed. (This bogus entry caused ``warning char 23 replaced
+ by \bs.notdef'' with PDF\TeX/PDF\LaTeX.)
+ \item Helvetica-based TX sans serif fonts in OT1, T1, and TS1 encodings.
+ \item Monospaced TX typewriter fonts, which are thicker than Courier (and thus may look better
+ with Times), in OT1, T1, and TS1 encodings.
+ \end{itemize}
+\item[2.2] (November 22, 2000)
+ \begin{itemize}
+ \item LY1 encoding support
+ \item Monospaced typewriter fonts redone (Uppercase letters are tall enough to match with Times.)
+ \item Various glyph and metric improvement
+ \end{itemize}
+\item[2.3] (December 6, 2000)
+ \begin{itemize}
+ \item Math extension fonts (radical symbols) updated
+ \item Alternative blackboard bold letters ($\varmathbb{A}\ldots\varmathbb{Z}$ and $\varBbbk$)
+ introduced. (Enter \verb|$\varmathbb{...}$| and \verb|$\varBbk$| to get them.)
+ \item More large operators symbols
+ \item Now \verb|\lbag| ($\lbag$) and \verb|\rbag| ($\rbag$) are
+ delimiters.
+ \item Alternative math alphabets $\varg$ and $\vary$ added
+ \end{itemize}
+\item[2.4] (December 12, 2000)
+ \begin{itemize}
+ \item An encoding mistake in text companion typewriter fonts fixed
+ \item Bugs in \LaTeX\ input files fixed
+ \end{itemize}
+\item[3.0] (December 14, 2000)
+ \begin{itemize}
+ \item Minor problem fixes.
+ \item Manual fine-tuning of Type 1 font files
+ \end{itemize}
+\item[3.1] (December 15, 2000)
+ \begin{itemize}
+ \item Alternative math alphabets $\varv$ and $\varw$ added
+ \item Hopefully, this is the final release \ldots
+ \end{itemize}
+\end{description}
+
+\section{A Problem: \texttt{DVIPS} Partial Font Downloading}
+
+It was reported that when \texttt{TX} fonts
+are partially downloaded with \texttt{dvips},
+some HP Laserprinters (with Postscript) cannot
+print documents. To resolve this problem,
+turn the partial font downloading off.
+See the \texttt{dvips} document for various ways to
+turn off partial font downloading.
+
+\textbf{\itshape Even though one does not observe such a problem,
+I would like to strongly recommend to turn off \texttt{dvips}
+partial font downloading.}
+%I think the \texttt{dvips} partial font downloading
+%mechanism appears to have some problems. For instance,
+%when Adobe Times fonts are set to be downloaded, e.g.,
+%\begin{verbatim}
+% ptmr8r Times-Roman "TeXBase1Encoding ReEncodeFont" <8r.enc <tir_____.pfb
+%\end{verbatim}
+%\TeX ing \texttt{testfont.tex} on \texttt{ptmr8r}
+%and \texttt{dvips}ing \texttt{testfont.dvi}
+%with partial font download on give
+%\begin{verbatim}
+% WARNING: Not all chars found
+%\end{verbatim}
+%This specific warning seems to be harmless. But,
+%in my opinion, this should not happen.
+
+
+\section{Installation}
+
+Put all files in \texttt{afm}, \texttt{tfm}, \texttt{vf},
+and \texttt{pfb} files in proper locations of your \TeX\ system.
+For Mik\TeX, they may go to
+\begin{verbatim}
+ \localtexmf\fonts\afm\txr\
+ \localtexmf\fonts\tfm\txr\
+ \localtexmf\fonts\vf\txr\
+ \localtexmf\fonts\type1\txr\
+\end{verbatim}
+All files of the \texttt{input} directory must
+be placed where \LaTeX\ finds its package files.
+For Mik\TeX, they may go to
+\begin{verbatim}
+ \localtexmf\tex\latex\txr\
+\end{verbatim}
+Put the \texttt{txr.map}, \texttt{txr1.map}, \texttt{txr2.map}, and \texttt{tx8r.enc}%
+\footnote{The \texttt{tx8r.enc} file is identical to \texttt{8r.enc}.
+I included \texttt{tx8r.enc} because (1)~some \TeX\ installation might not have \texttt{8r.enc} and
+(2)~including \texttt{8r.enc} would result in multiple copies of \texttt{8r.enc} for \TeX\ systems
+that already have it. \texttt{xdvi} users may do global search-and-replacement of \texttt{tx8r.enc}
+by \texttt{8r.enc} in the \texttt{map} files.}
+files of the \texttt{dvips}
+directory in a proper place that \texttt{dvips} refers to.
+For Mik\TeX, they may go to
+\begin{verbatim}
+ \localtexmf\dvips\config\
+\end{verbatim}
+Also add the reference to \texttt{txr.map} in
+the \texttt{dvips} configuration file (\texttt{config.ps})
+\begin{verbatim}
+ . . .
+ % Configuration of postscript type 1 fonts:
+ p psfonts.map
+ p +txr.map
+ . . .
+\end{verbatim}
+and in the PDF\TeX\ configuration file (\texttt{pdftex.cfg})
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +txr.map
+ . . .
+\end{verbatim}
+(The \texttt{txr.map} file has only named references to the Adobe Times fonts;
+the \texttt{txr1.map} file makes \texttt{dvips} load Adobe Times font files;
+and the \texttt{txr2.map} file makes \texttt{dvips} load URW NimbusRomNo9L font files.)
+
+For \texttt{dvipdfm} users, \texttt{txr3.map} (by Dan Luecking)
+is included. Read comments in the beginning of the file.
+
+\section{Using the \texttt{TX} Fonts with \LaTeX}
+
+It is as simple as
+\begin{verbatim}
+ \documentclass{article}
+ \usepackage{txfonts}
+ %\normalfont % Just in case ...
+ %\usepackage[T1]{fontenc} % To use T1 encoding fonts
+ %\usepackage[LY1]{fontenc} % To use LY1 encoding fonts
+ %\usepackage{textcomp} % To use text companion fonts
+
+ \begin{document}
+
+ This is a very short article.
+
+ \end{document}
+\end{verbatim}
+
+The standard \LaTeX\ distribution does not include
+files supporting the LY1 encoding.
+One needs at least \texttt{ly1enc.def}, which is available
+from both CTAN and Y\&Y (\texttt{www.yandy.com}).
+At the time this document was written, CTAN had
+an old version (1997/03/21 v0.3); \texttt{ly1enc.def}
+available from Y\&Y's downloads site was dated on 1998/04/21 v0.4.
+
+\section{Additional Symbols in the \texttt{TX} Math Fonts}
+
+\emph{All} CM symbols are included in the \texttt{TX} math fonts.
+In addition, the \texttt{TX} math fonts provide or modify
+the following symbols, including all of AMS and most of \LaTeX\ symbols.
+
+\subsubsection*{Binary Operator Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{medcirc}&
+\Ent{medbullet}&
+\Ent{invamp}\\
+\Ent{circledwedge}&
+\Ent{circledvee}&
+\Ent{circledbar}\\
+\Ent{circledbslash}&
+\Ent{nplus}&
+\Ent{boxast}\\
+\Ent{boxbslash}&
+\Ent{boxbar}&
+\Ent{boxslash}\\
+\Ent{Wr}&
+\Ent{sqcupplus}&
+\Ent{sqcapplus}\\
+\Ent{rhd}&
+\Ent{lhd}&
+\Ent{unrhd}\\
+\Ent{unlhd}
+\end{eqnarray*}
+
+\subsubsection*{Binary Relation Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{mappedfrom}&
+\Ent{longmappedfrom}&
+\Ent{Mapsto}\\
+\Ent{Longmapsto}&
+\Ent{Mappedfrom}&
+\Ent{Longmappedfrom}\\
+\Ent{mmapsto}&
+\Ent{longmmapsto}&
+\Ent{mmappedfrom}\\
+\Ent{longmmappedfrom}&
+\Ent{Mmapsto}&
+\Ent{Longmmapsto}\\
+\Ent{Mmappedfrom}&
+\Ent{Longmmappedfrom}&
+\Ent{varparallel}\\
+\Ent{varparallelinv}&
+\Ent{nvarparallel}&
+\Ent{nvarparallelinv}\\
+\Ent{colonapprox}&
+\Ent{colonsim}&
+\Ent{Colonapprox}\\
+\Ent{Colonsim}&
+\Ent{doteq}&
+\Ent{multimapinv}\\
+\Ent{multimapboth}&
+\Ent{multimapdot}&
+\Ent{multimapdotinv}\\
+\Ent{multimapdotboth}&
+\Ent{multimapdotbothA}&
+\Ent{multimapdotbothB}\\
+\Ent{VDash}&
+\Ent{VvDash}&
+\Ent{cong}\\
+\Ent{preceqq}&
+\Ent{succeqq}&
+\Ent{nprecsim}\\
+\Ent{nsuccsim}&
+\Ent{nlesssim}&
+\Ent{ngtrsim}\\
+\Ent{nlessapprox}&
+\Ent{ngtrapprox}&
+\Ent{npreccurlyeq}\\
+\Ent{nsucccurlyeq}&
+\Ent{ngtrless}&
+\Ent{nlessgtr}\\
+\Ent{nbumpeq}&
+\Ent{nBumpeq}&
+\Ent{nbacksim}\\
+\Ent{nbacksimeq}&
+\EEnt{neq}{ne}&
+\Ent{nasymp}\\
+\Ent{nequiv}&
+\Ent{nsim}&
+\Ent{napprox}\\
+\Ent{nsubset}&
+\Ent{nsupset}&
+\Ent{nll}\\
+\Ent{ngg}&
+\Ent{nthickapprox}&
+\Ent{napproxeq}\\
+\Ent{nprecapprox}&
+\Ent{nsuccapprox}&
+\Ent{npreceqq}\\
+\Ent{nsucceqq}&
+\Ent{nsimeq}&
+\Ent{notin}\\
+\EEnt{notni}{notowns}&
+\Ent{nSubset}&
+\Ent{nSupset}\\
+\Ent{nsqsubseteq}&
+\Ent{nsqsupseteq}&
+\Ent{coloneqq}\\
+\Ent{eqqcolon}&
+\Ent{coloneq}&
+\Ent{eqcolon}\\
+\Ent{Coloneqq}&
+\Ent{Eqqcolon}&
+\Ent{Coloneq}\\
+\Ent{Eqcolon}&
+\Ent{strictif}&
+\Ent{strictfi}\\
+\Ent{strictiff}&
+\Ent{circledless}&
+\Ent{circledgtr}\\
+\Ent{lJoin}&
+\Ent{rJoin}&
+\EEnt{Join}{lrJoin}\\
+\Ent{openJoin}&
+\Ent{lrtimes}&
+\Ent{opentimes}\\
+\Ent{nsqsubset}&
+\Ent{nsqsupset}&
+\Ent{dashleftarrow}\\
+%\EEnt{dashrightarrow}{dasharrow}&
+\Ent{dashrightarrow}&
+\Ent{dashleftrightarrow}&
+\Ent{leftsquigarrow}\\
+\Ent{ntwoheadrightarrow}&
+\Ent{ntwoheadleftarrow}&
+\Ent{Nearrow}\\
+\Ent{Searrow}&
+\Ent{Nwarrow}&
+\Ent{Swarrow}\\
+\Ent{Perp}&
+\Ent{leadstoext}&
+\Ent{leadsto}\\
+\Ent{boxright}&
+\Ent{boxleft}&
+\Ent{boxdotright}\\
+\Ent{boxdotleft}&
+\Ent{Diamondright}&
+\Ent{Diamondleft}\\
+\Ent{Diamonddotright}&
+\Ent{Diamonddotleft}&
+\Ent{boxRight}\\
+\Ent{boxLeft}&
+\Ent{boxdotRight}&
+\Ent{boxdotLeft}\\
+\Ent{DiamondRight}&
+\Ent{DiamondLeft}&
+\Ent{DiamonddotRight}\\
+\Ent{DiamonddotLeft}&
+\Ent{circleright}&
+\Ent{circleleft}\\
+\Ent{circleddotright}&
+\Ent{circleddotleft}&
+\Ent{multimapbothvert}\\
+\Ent{multimapdotbothvert}&
+\Ent{multimapdotbothAvert}&
+\Ent{multimapdotbothBvert}
+\end{eqnarray*}
+
+\subsubsection*{Ordinary Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{alphaup}&
+\Ent{betaup}&
+\Ent{gammaup}\\
+\Ent{deltaup}&
+\Ent{epsilonup}&
+\Ent{varepsilonup}\\
+\Ent{zetaup}&
+\Ent{etaup}&
+\Ent{thetaup}\\
+\Ent{varthetaup}&
+\Ent{iotaup}&
+\Ent{kappaup}\\
+\Ent{lambdaup}&
+\Ent{muup}&
+\Ent{nuup}\\
+\Ent{xiup}&
+\Ent{piup}&
+\Ent{varpiup}\\
+\Ent{rhoup}&
+\Ent{varrhoup}&
+\Ent{sigmaup}\\
+\Ent{varsigmaup}&
+\Ent{tauup}&
+\Ent{upsilonup}\\
+\Ent{phiup}&
+\Ent{varphiup}&
+\Ent{chiup}\\
+\Ent{psiup}&
+\Ent{omegaup}&
+\Ent{Diamond}\\
+\Ent{Diamonddot}&
+\Ent{Diamondblack}&
+\Ent{lambdaslash}\\
+\Ent{lambdabar}&
+\Ent{varclubsuit}&
+\Ent{vardiamondsuit}\\
+\Ent{varheartsuit}&
+\Ent{varspadesuit}&
+\Ent{Top}\\
+\Ent{Bot}
+\end{eqnarray*}
+
+\subsubsection*{Math Alphabets}
+
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{varg} &
+\Ent{varv} &
+\Ent{varw} &
+\Ent{vary}
+\end{eqnarray*}
+In order to replace math alphabets $g$, $v$, $w$, and $y$ by these alternatives,
+use the \texttt{varg} option with the \texttt{txfonts} package:
+\begin{verbatim}
+ \usepackage[varg]{txfonts}
+\end{verbatim}
+Then, \verb|$g$|, \verb|$v$|, \verb|$w$|, and \verb|$y$| will produce
+these $\varg$, $\varv$, $\varw$, and~$\vary$ (instead of $g$, $v$, $w$, and~$y$).
+%
+Notice that $\varv$ (the alternative \textit{v})
+is more clearly distingiushed from $\nu$ (the lowercase Greek nu).
+However, this is not without cost:
+it looks similar to $\upsilon$ (the lowercase Greek upsilon).
+
+%\footnote{A comment on Times New Roman fonts:
+%the italic \textit{v} of Times New Roman (both Type 1 and TrueType versions),
+%but not that of Times, is very badly designed. The starting serif at the left-top
+%corner of the letter is very different from other letters' corresponding portion.
+%However, that of Times New Roman bold italic is consistent with others.
+%Further, in the TrueType version of Times New Roman italic and bold italic,
+%the lowercase Greek $\nu$ (nu) is exactly same as \textit{v} (i.e., linked to \textit{v}).
+%For the mathematical typesetting purpose, this is undesirable.
+%In \texttt{TX} fonts, the lowercase Greek $\nu$ (nu) is not identical to
+%\textit{v}, but very similar. The alternative $\varv$ is provided to
+%be more clearly distingiushed from the lowercase Greek $\nu$ (nu).
+%The alternative $\varw$ is provided to ensure consistency.}
+
+\subsubsection*{Large Operator Symbols}
+
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{bignplus}&
+\Ent{bigsqcupplus}&
+\Ent{bigsqcapplus}\\
+\Ent{bigsqcap}&
+\Ent{bigsqcap}&
+\Ent{varprod}\\
+\Ent{oiint}&
+\Ent{oiiint}&
+\Ent{ointctrclockwise}\\
+\Ent{ointclockwise}&
+\Ent{varointctrclockwise}&
+\Ent{varointclockwise}\\
+\Ent{sqint}&
+\Ent{sqiintop}&
+\Ent{sqiiintop}\\
+\Ent{fint}&
+\Ent{iint}&
+\Ent{iiint}\\
+\Ent{iiiint}&
+\Ent{idotsint}&
+\Ent{oiintctrclockwise}\\
+\Ent{oiintclockwise}&
+\Ent{varoiintctrclockwise}&
+\Ent{varoiintclockwise}\\
+\Ent{oiiintctrclockwise}&
+\Ent{oiiintclockwise}&
+\Ent{varoiiintctrclockwise}\\
+\Ent{varoiiintclockwise}&
+\end{eqnarray*}
+
+\subsubsection*{Delimiters}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Big\llbracket&\texttt{\bs llbracket}&
+\Big\rrbracket&\texttt{\bs rrbracket}&
+\Big\lbag&\texttt{\bs lbag}&
+\Big\rbag&\texttt{\bs rbag}
+\end{eqnarray*}
+
+%\subsubsection*{Parentheses}
+%\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+%\Ent{lbag}&
+%\Ent{rbag}&
+%\Ent{Lbag}&
+%\Ent{Rbag}
+%\end{eqnarray*}
+
+\subsubsection*{Miscellaneous}
+
+\verb|$\mathfrak{...}$| produces
+$\mathfrak{A} \ldots \mathfrak{Z}$ and $\mathfrak{a} \ldots \mathfrak{z}$.
+\verb|$\varmathbb{...}$| produces
+$\varmathbb{A} \ldots \varmathbb{Z}$ (lowercase letters only);
+\verb|\varBbbk| produces $\varBbbk$.
+Note that the \AmS\ math font command \verb|$\mathbb{...}$| produces
+$\mathbb{A} \ldots \mathbb{Z}$;
+\verb|\Bbbk| produces $\Bbbk$.
+If you find the alternative blackboard letters are better, then do
+\begin{verbatim}
+ \let\mathbb=\varmathbb
+ \let\Bbbk=\varBbbk
+\end{verbatim}
+
+
+\section{Remarks}
+
+\subsection{Some Font Design Issues}
+
+The Adobe Times fonts are thicker than the CM fonts.
+Designing math fonts for Times based on the rule thickness of Times
+`$=$', `$-$', `$+$', `/', `$<$', etc.\
+would result in too thick math symbols,
+in my opinion.\footnote{I have designed many math symbols
+(corresponding to those in CMMI and CMSY)
+based on the rule thickness of original Times `$=$', etc.
+At that time, I noticed that the symbols,
+especially some bold math symbols, are extremely thick.
+Perhaps, in the future, I will complete all math symbols
+based on the rule thickness of original Times `$=$', etc.\
+and release in public, so that users will judge
+whether they are acceptable or not~\ldots.}
+In the \texttt{TX} fonts, these glyphs are thinner
+than those of original Times fonts. That is, the rule thickness
+of these glyphs is around 85\% of that of the Times fonts,
+but still thicker than that of the CM fonts.
+
+For negated relation symbols, the CM fonts composes
+relation symbols with the negation slash (\texttt{"36} in CMSY).
+Even though the CM fonts were very carefully designed
+to look reasonable when negated relation symbols are composed
+(except `$\notin$' \verb|\notin|, which is composed of
+`$\in$' and the normal slash `$/$'),
+the AMS font set includes many negated relation symbols,
+mainly because the vertical placement and
+height\slash depth of the negation slash are not optimal
+when composed with certain relation symbols, I guess.
+The \texttt{TX} fonts include the negation slash symbol
+(\texttt{"36} in txsy), which could be composed with
+relation symbols to give reasonably looking negated related symbols.
+I believe, however, explicitly designed negated relation symbols
+are looking better than composed relation symbols.
+Thus, in addition to negated relation symbols matching those of
+the AMS fonts, many negated symbols such as `$\neq$' are introduced
+in the \texttt{TX} fonts.
+
+Further, in order to maintain editing compatibility with
+vanilla \LaTeXe\ typesetting, \verb|\not| is redefined in \texttt{txfonts.sty}
+so that when \verb|\not\XYZ| is processed,
+if \verb|\notXYZ| or \verb|\nXYZ| is defined, it will be used
+in place of \verb|\not\XYZ|; otherwise,
+\verb|\XYZ| is composed with the negation slash.
+For instance, `$\nprecsim$' is available as \verb|\nprecsim| in the \texttt{TX} fonts.
+Thus, if \verb|\not\precsim| is typed in the document,
+the \verb|\nprecsim| symbol, instead of \verb|\precsim| composed
+with the negation slash, is printed.
+
+\subsection{Times vs.\ Times New Roman}
+
+The recent version of Acrobat is shipped with
+Times New Roman instead of Times fonts.
+Times New Roman fonts' italic letters (e.g.,
+`\textit{A}') are substantially different from those
+of Times fonts. Thus, when documents with the \texttt{TX} fonts
+are processed with Acrobat, accents may not be correctly placed.
+If this is a noticeable problem, use the NimbusRomNo9L fonts
+(included in the Ghostscript distribution) with the \texttt{TX} fonts
+through \texttt{txr2.map}.
+
+\subsection{PDF\TeX/PDF\LaTeX\ and Standard Postscript Fonts}
+
+PDF\TeX/PDF\LaTeX\ does not handle slanting of fonts not embedded
+in the document.
+Note, in the standard setup, PDF\TeX/PDF\LaTeX\ does not embed
+the 14 standard Postscript fonts (Times $\times$~4,
+Helvetica $\times$~4, Courier $\times$~4, Symbol, and ZapfDingbats).
+As the result, PDF\TeX/PDF\LaTeX\ issues warning
+(and may try to generate and use bitmapped fonts for these fonts).
+If it is not desirable, a solution would be to use URW NimbusRomNo9L
+and NimbusSanL fonts
+which are an Adobe Times and Helvetica fonts clone. That is, in the
+PDF\TeX/PDF\LaTeX\ configuration file (\texttt{pdftex.cfg}),
+put \texttt{txr2.map} instead of \texttt{txr.map}
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +txr2.map
+ . . .
+\end{verbatim}
+Be sure to properly install URW NimbusRomNo9L and NimbusSanL fonts (which are
+included in the Ghostscript distribution) in your texmf tree.
+
+If you have Adobe Times and Helvetica font files, and want to embed them
+in your PDF document file, do the following trick to fool PDF\TeX/PDF\LaTeX.
+\begin{enumerate}\itemsep=0pt%\parskip=0pt
+\item Copy \texttt{txr1.map} in the dvips configuration directory
+ to \texttt{txrpdf.map} in the PDF\TeX/PDF\LaTeX\ configuration directory.
+\item Edit txrpdf.map and have
+\begin{small}
+\begin{verbatim}
+rtxptmb "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+rtxptmbo ".167 SlantFont TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+rtxptmbi "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tibi____.pfb
+rtxptmr "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tir_____.pfb
+rtxptmro ".167 SlantFont TeXBase1Encoding ReEncodeFont" <tx8r.enc <tir_____.pfb
+rtxptmri "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tii_____.pfb
+. . .
+\end{verbatim}
+\end{small}
+instead of
+\begin{small}
+\begin{verbatim}
+rtxptmb Times-Bold "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+. . .
+. . .
+\end{verbatim}
+\end{small}
+Note, the actual standard Postscript fonts names such as \texttt{"Times-Bold"}
+are removed. As the result, PDF\TeX/PDF\LaTeX\ will embed these standard
+Postscript fonts and there will be no warning for slanting them.
+\item Put \texttt{txrpdf.map} in the PDF\TeX/PDF\LaTeX\ configuration
+ file (\texttt{pdftex.cfg}).
+\begin{small}
+\begin{verbatim}
+. . .
+% pdftex.map is set up by texmf/dvips/config/updmap
+map pdftex.map
+map +txrpdf.map
+. . .
+\end{verbatim}
+\end{small}
+\end{enumerate}
+
+\subsection{Glyph Hinting}
+
+The hinting of the \texttt{TX} fonts is far from ideal.
+As a result, when documents with the \texttt{TX} fonts
+are \emph{viewed} with Gsview (or Ghostview), you might notice
+some display quality problem. When they are \emph{viewed}
+with Acrobat, they look much better.
+However, when they are \emph{printed} in laser printers,
+there will be no quality problem.
+(Note, hinting is to improve display quality on low resolution devices such as
+display screens.)
+
+\subsection{Glyphs in Low Positions}
+
+It is known that Acrobat often does not properly handle
+CM font glyphs placed between \texttt{"00} and \texttt{"1F}.
+Thus, most Type 1 versions of CM fonts publicly available
+have these glyphs in higher positions above \texttt{"7F}.
+When the \texttt{-G} flag is used with \texttt{dvips},
+those glyphs in low positions are shifted to higher positions.
+The \texttt{TX} text fonts have
+glyphs in the low positions between \texttt{"00} and \texttt{"1F}.
+As of now, these glyphs are not available in higher positions above \texttt{"7F}.
+Thus, when run \texttt{dvips}, do not use the \texttt{-G}
+flag (or remove \texttt{G} in the \texttt{dvips} configuration file).
+Especially, do not use \texttt{config.pdf}.
+In my computer systems, Acrobat correctly handles glyphs in low positions.
+However, if this known Acrobat problem occurs in other computer systems,
+I will modify the \texttt{TX} fonts so that glyphs in low positions
+are also available in higher positions.
+
+\section{Font Charts}
+
+The original Computer Modern (CM) text fonts (aka \TeX\ text fonts)
+have the OT1 encoding. The OT1 \texttt{TX} text fonts follow
+the CM fonts' encoding as much as possible, but have some
+variations and additions:
+\begin{itemize}\parskip=0pt\itemsep=0pt
+\item The position \texttt{"24} of text italic fonts has
+ the dollar symbol (\textit{\textdollar}), not the sterling symbol (\textit{\textsterling}).
+\item The uppercase and lowercase lslash (\L, \l) and aring (\AA, \aa) letters are added.
+\item The cent (\ifx\textcentoldstyle\undefined\textcent\else\textcentoldstyle\fi)
+ and sterling (\textsterling) symbols are added.
+\end{itemize}
+The original CM text fonts have somewhat different encodings in
+\textsc{cap \& small cap} and \texttt{typewriter} fonts.
+\texttt{TX} fonts corresponding to them have the original CM encodings,
+not the strict OT1 encoding.
+
+The T1 encoding text fonts (known as EC fonts) are designed to
+replace the CM text fonts in the OT1 encoding.
+The LY1 encoding is another text font encoding, which is based
+on both \TeX\ and ANSI encodings.
+Both T1 and LY1 encoding fonts are especially useful to typeset
+European languages with proper hyphenation.
+The TS1 encoding text companion fonts (known as TC fonts) have
+additional text symbols.
+All corresponding \texttt{TX} fonts are implemented.
+
+The Computer Modern (CM) math fonts (aka \TeX\ math fonts)
+consist of three fonts: math italic (CMMI), math symbols (CMSY), and
+math extension (CMEX). The American Mathematical Society provided
+two additional math symbol fonts (MSAM and MSBM).
+The \texttt{TX} math fonts include those exactly corresponding to them.
+In addition, the \texttt{TX} math fonts include math italic A,
+math symbols C, and math extension A fonts.
+
+
+\subsection{OT1 (CM) Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding CM fonts,
+except 6~additional glyphs.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableA \fonttab{txr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{T1 (EC) Cork Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding EC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{t1xr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{LY1 \TeX-and-ANSI Encoding Text Fonts}
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{tyxr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{TS1 (TC) Encoding Text Companion Fonts}
+
+These fonts' encodings are identical to those of corresponding TC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableE \fonttab{tcxr}{Text Companion Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxi}{\textit{Text Companion Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxsl}{\textsl{Text Companion Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxss}{\textsf{Text Companion Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxsssl}{\textsf{\slshape Text Companion Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxtt}{\texttt{Text Companion Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxttsl}{\texttt{\slshape Text Companion Typewriter Slanted}}}
+\end{center}
+
+\subsection{Math Fonts}
+
+These fonts' encodings are identical to those of corresponding CM
+and AMS Math fonts.
+Additional math fonts are provided.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\table \fonttab{txmi}{Math Italic (Corresponding to CMMI)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txmi1}{Math Italic (Corresponding to CMMI) used with the \texttt{varg} option}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableF \fonttab{txmia}{Math Italic A}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsy}{Math Symbols (Corresponding to CMSY)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsya}{Math Symbols A (Corresponding to MSAM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsyb}{Math Symbols B (Corresponding to MSBM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableC \fonttab{txsyc}{Math Symbols C}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txex}{Math Extension (Corresponding to CMEX)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableB \fonttab{txexa}{Math Extension A}}
+\end{center}
+
+Bold versions of all fonts are available.
+
+
+\end{document}
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@@ -0,0 +1,1220 @@
+\documentclass[11pt]{article}
+
+\usepackage{a4wide,amsmath}
+\usepackage{txfonts}
+%\normalfont
+%\usepackage[T1]{fontenc}
+%\usepackage{textcomp}
+\let\orgnonumber=\nonumber\usepackage{mathenv}\let\nonumb=\nonumber\let\nonumber=\orgnonumber
+
+\allowdisplaybreaks
+
+\newcommand{\bs}{\symbol{'134}}
+
+
+\def\Ent#1{\csname #1\endcsname & \texttt{\bs #1}}
+\def\EEnt#1#2{\csname #1\endcsname & \texttt{\bs #1},\,\texttt{\bs #2}}
+
+\makeatletter
+\newcount\curchar \newcount\currow \newcount\curcol
+\newdimen\indexwd \newdimen\tempcellwd
+\setbox0\hbox{\ttfamily0\kern.2em}
+\indexwd=\wd0
+
+\def\ident#1{#1}
+\def\hexnumber#1{\ifcase\expandafter\ident\expandafter{\number#1} 0\or
+1\or 2\or 3\or 4\or 5\or 6\or 7\or 8\or 9\or A\or B\or C\or D\or E\or
+F\else ?\fi}
+
+\def\rownumber{\ttfamily\hexnumber\currow}
+\def\colnumber{\ttfamily\hexnumber\curcol \global\advance\curcol 1 }
+
+\def\charnumber{\setbox0=\hbox{\char\curchar}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0 \global\advance\curchar1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern1.5pt\box0\kern1.5pt}$}}
+
+\def\dochart#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartA#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrowX\setrow\setrowX %
+% \hline %
+ \setrow\setrowX\setrow\setrowX %
+ \hline %
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartB#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow%\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartC#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartD#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartE#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrowX\setrow\setrowX\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+\def\colnumbers{\hbox to\hsize{\global\curcol 0
+ \def\1{\hbox to\cellwd{\curcol}{\hfil\colnumber\hfil}}%
+ \kern\indexwd\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \kern\indexwd}%
+}
+
+\def\dochartF#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+
+\def\setrow{\hbox to\hsize{%
+ \hbox to\indexwd{\hfil\rownumber\kern.2em}\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \hbox to\indexwd{\ttfamily\kern.2em \rownumber\hfil}}%
+ \global\advance\currow 1 }%
+
+\def\setrowX{\global\advance\curchar16\global\advance\currow 1\relax}
+
+\def\cellwd#1{20pt}% initialize
+
+\def\measurecolwidths#1{%
+ \tempcellwd\hsize \advance\tempcellwd-2\indexwd
+ \advance\tempcellwd -12pt
+ \divide\tempcellwd 16
+ \xdef\cellwd##1{\the\tempcellwd}%
+}
+
+\def \table #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochart{#1}%
+}}
+
+
+\def \tableA #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartA{#1}%
+}}
+
+\def \tableB #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartB{#1}%
+}}
+
+\def \tableC #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartC{#1}%
+}}
+
+\def \tableD #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartD{#1}%
+}}
+
+\def \tableE #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartE{#1}%
+}}
+
+\def \tableF #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartF{#1}%
+}}
+
+\makeatother
+
+\begin{document}
+
+\title{The \texttt{TX} Fonts%
+\thanks{Special thanks to those who reported problems of
+\texttt{TX} fonts and provided suggestions!}}
+
+\author{Young Ryu}
+
+\date{December 15, 2000}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+\section{Introduction}
+
+The \texttt{TX} fonts consist of
+\begin{enumerate}\itemsep=0pt
+\item virtual text roman fonts using Adobe Times (or URW NimbusRomNo9L) with
+ some modified and additional text symbols in OT1, T1, TS1, and LY1 encodings
+\item \textsf{virtual text sans serif fonts using Adobe Helvetica (or URW NimbusSanL) with
+ additional text symbols in OT1, T1, TS1, and LY1 encodings}
+\item \texttt{monospaced typewriter fonts in OT1, T1, TS1, and LY1 encodings}
+\item math alphabets using Adobe Times (or URW NimbusRomNo9L)
+ with modified metrics
+\item math fonts of all symbols corresponding to those of Computer Modern
+ math fonts (CMSY, CMMI, CMEX, and Greek letters of CMR)
+\item math fonts of all symbols corresponding to those of AMS fonts
+ (MSAM and MSBM)
+\item additional math fonts of various symbols
+\end{enumerate}
+%
+All fonts are in the Type 1 format (in \texttt{afm} and \texttt{pfb} files).
+Necessary \texttt{tfm} and \texttt{vf} files together with
+\LaTeXe\ package files and font map files for \texttt{dvips} are
+provided.
+
+\begin{bfseries}%\itshape
+The \texttt{TX} fonts and related files are distributed
+without any guaranty or warranty.
+I do not assume responsibility for any actual or possible
+damages or losses, directly or indirectly caused by the
+distributed files.
+\end{bfseries}
+The \texttt{TX} fonts are distributed under the GNU public license (GPL)\@.
+The fonts will be improved and additional glyphs will be added
+in the future.
+
+\section{Changes}
+
+\begin{description}
+\item[1.0] (October 25, 2000) 1st public release
+\item[2.0] (November 2, 2000)
+ \begin{itemize}
+ \item An encoding error in txi and txbi (`\textdollar' \texttt{"24}) is fixed.
+ \item Mistakes in symbol declarations for `\AA' and `\aa' in \texttt{txfonts.sty}
+ are fixed.
+ \item $\lambda$ (\texttt{"15} of txmi and txbmi),
+ $\lambdaslash$ (\texttt{"6E} of txsyc and txbsyc), and
+ $\lambdabar$ (\texttt{"6F} of txsyc and txbsyc)
+ are updated to be more slanted.
+ \item More symbols added in txexa and txbexa (\texttt{"29}--\texttt{"2E})
+ and in txsyc and txbsyc (\texttt{"80}--\texttt{"94}).
+ \item Some fine tuning of a few glyphs.
+ \item Math italic font metrics are improved.
+ \item Text font metrics are improved.
+ \item T1 and TS1 encodings are supported. (Not all TS1 encoding glyphs are implemented.)
+ \end{itemize}
+\item[2.1] (November 18, 2000)
+ \begin{itemize}
+ \item Complete implementation of TS1 encoding fonts.
+ \item Various improvements of font metrics and font encodings. For instance,
+ the bogus entry of char \texttt{'27} in T1 encoding virtual font files
+ are removed. (This bogus entry caused ``warning char 23 replaced
+ by \bs.notdef'' with PDF\TeX/PDF\LaTeX.)
+ \item Helvetica-based TX sans serif fonts in OT1, T1, and TS1 encodings.
+ \item Monospaced TX typewriter fonts, which are thicker than Courier (and thus may look better
+ with Times), in OT1, T1, and TS1 encodings.
+ \end{itemize}
+\item[2.2] (November 22, 2000)
+ \begin{itemize}
+ \item LY1 encoding support
+ \item Monospaced typewriter fonts redone (Uppercase letters are tall enough to match with Times.)
+ \item Various glyph and metric improvement
+ \end{itemize}
+\item[2.3] (December 6, 2000)
+ \begin{itemize}
+ \item Math extension fonts (radical symbols) updated
+ \item Alternative blackboard bold letters ($\varmathbb{A}\ldots\varmathbb{Z}$ and $\varBbbk$)
+ introduced. (Enter \verb|$\varmathbb{...}$| and \verb|$\varBbk$| to get them.)
+ \item More large operators symbols
+ \item Now \verb|\lbag| ($\lbag$) and \verb|\rbag| ($\rbag$) are
+ delimiters.
+ \item Alternative math alphabets $\varg$ and $\vary$ added
+ \end{itemize}
+\item[2.4] (December 12, 2000)
+ \begin{itemize}
+ \item An encoding mistake in text companion typewriter fonts fixed
+ \item Bugs in \LaTeX\ input files fixed
+ \end{itemize}
+\item[3.0] (December 14, 2000)
+ \begin{itemize}
+ \item Minor problem fixes.
+ \end{itemize}
+\item[3.1] (December 15, 2000)
+ \begin{itemize}
+ \item Alternative math alphabets $\varv$ and $\varw$ added
+ \item Hopefully, this is the final release \ldots
+ \end{itemize}
+\end{description}
+
+\section{A Problem: \texttt{DVIPS} Partial Font Downloading}
+
+It was reported that when \texttt{TX} fonts
+are partially downloaded with \texttt{dvips},
+some HP Laserprinters (with Postscript) cannot
+print documents. To resolve this problem,
+turn the partial font downloading off.
+See the \texttt{dvips} document for various ways to
+turn off partial font downloading.
+
+\textbf{\itshape Even though one does not observe such a problem,
+I would like to strongly recommend to turn off \texttt{dvips}
+partial font downloading.}
+%I think the \texttt{dvips} partial font downloading
+%mechanism appears to have some problems. For instance,
+%when Adobe Times fonts are set to be downloaded, e.g.,
+%\begin{verbatim}
+% ptmr8r Times-Roman "TeXBase1Encoding ReEncodeFont" <8r.enc <tir_____.pfb
+%\end{verbatim}
+%\TeX ing \texttt{testfont.tex} on \texttt{ptmr8r}
+%and \texttt{dvips}ing \texttt{testfont.dvi}
+%with partial font download on give
+%\begin{verbatim}
+% WARNING: Not all chars found
+%\end{verbatim}
+%This specific warning seems to be harmless. But,
+%in my opinion, this should not happen.
+
+
+\section{Installation}
+
+Put all files in \texttt{afm}, \texttt{tfm}, \texttt{vf},
+and \texttt{pfb} files in proper locations of your \TeX\ system.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\fonts\afm\txr\
+ \localtexmf\fonts\tfm\txr\
+ \localtexmf\fonts\vf\txr\
+ \localtexmf\fonts\type1\txr\
+\end{verbatim}
+All files of the \texttt{input} directory must
+be placed where \LaTeX\ finds its package files.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\tex\latex\txr\
+\end{verbatim}
+Put the \texttt{txr.map}, \texttt{txr1.map}, \texttt{txr2.map}, and \texttt{tx8r.enc}%
+\footnote{The \texttt{tx8r.enc} file is identical to \texttt{8r.enc}.
+I included \texttt{tx8r.enc} because (1)~some \TeX\ installation might not have \texttt{8r.enc} and
+(2)~including \texttt{8r.enc} would result in multiple copies of \texttt{8r.enc} for \TeX\ systems
+that already have it.}
+files of the \texttt{dvips}
+directory in a proper place that \texttt{dvips} refers to.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\dvips\config\
+\end{verbatim}
+Also add the reference to \texttt{txr.map} in
+the \texttt{dvips} configuration file (\texttt{config.ps})
+\begin{verbatim}
+ . . .
+ % Configuration of postscript type 1 fonts:
+ p psfonts.map
+ p +txr.map
+ . . .
+\end{verbatim}
+and in the PDF\TeX\ configuration file (\texttt{pdftex.cfg})
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +txr.map
+ . . .
+\end{verbatim}
+(The \texttt{txr.map} file has only named references to the Adobe Times fonts;
+the \texttt{txr1.map} file makes \texttt{dvips} load Adobe Times font files;
+and the \texttt{txr2.map} file makes \texttt{dvips} load URW NimbusRomNo9L font files.)
+
+\section{Using the \texttt{TX} Fonts with \LaTeX}
+
+It is as simple as
+\begin{verbatim}
+ \documentclass{article}
+ \usepackage{txfonts}
+ %\normalfont % Just in case ...
+ %\usepackage[T1]{fontenc} % To use T1 encoding fonts
+ %\usepackage[LY1]{fontenc} % To use LY1 encoding fonts
+ %\usepackage{textcomp} % To use text companion fonts
+
+ \begin{document}
+
+ This is a very short article.
+
+ \end{document}
+\end{verbatim}
+
+The standard \LaTeX\ distribution does not include
+files supporting the LY1 encoding.
+One needs at least \texttt{ly1enc.def}, which is available
+from both CTAN and Y\&Y (\texttt{www.yandy.com}).
+At the time this document was written, CTAN had
+an old version (1997/03/21 v0.3); \texttt{ly1enc.def}
+available from Y\&Y's downloads sites was dated on 1998/04/21 v0.4.
+
+\section{Additional Symbols in the \texttt{TX} Math Fonts}
+
+\emph{All} CM symbols are included in the \texttt{TX} math fonts.
+In addition, the \texttt{TX} math fonts provide or modify
+the following symbols, including all of AMS and most of \LaTeX\ symbols.
+
+\subsubsection*{Binary Operator Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{medcirc}&
+\Ent{medbullet}&
+\Ent{invamp}\\
+\Ent{circledwedge}&
+\Ent{circledvee}&
+\Ent{circledbar}\\
+\Ent{circledbslash}&
+\Ent{nplus}&
+\Ent{boxast}\\
+\Ent{boxbslash}&
+\Ent{boxbar}&
+\Ent{boxslash}\\
+\Ent{Wr}&
+\Ent{sqcupplus}&
+\Ent{sqcapplus}\\
+\Ent{rhd}&
+\Ent{lhd}&
+\Ent{unrhd}\\
+\Ent{unlhd}
+\end{eqnarray*}
+
+\subsubsection*{Binary Relation Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{mappedfrom}&
+\Ent{longmappedfrom}&
+\Ent{Mapsto}\\
+\Ent{Longmapsto}&
+\Ent{Mappedfrom}&
+\Ent{Longmappedfrom}\\
+\Ent{mmapsto}&
+\Ent{longmmapsto}&
+\Ent{mmappedfrom}\\
+\Ent{longmmappedfrom}&
+\Ent{Mmapsto}&
+\Ent{Longmmapsto}\\
+\Ent{Mmappedfrom}&
+\Ent{Longmmappedfrom}&
+\Ent{varparallel}\\
+\Ent{varparallelinv}&
+\Ent{nvarparallel}&
+\Ent{nvarparallelinv}\\
+\Ent{colonapprox}&
+\Ent{colonsim}&
+\Ent{Colonapprox}\\
+\Ent{Colonsim}&
+\Ent{doteq}&
+\Ent{multimapinv}\\
+\Ent{multimapboth}&
+\Ent{multimapdot}&
+\Ent{multimapdotinv}\\
+\Ent{multimapdotboth}&
+\Ent{multimapdotbothA}&
+\Ent{multimapdotbothB}\\
+\Ent{VDash}&
+\Ent{VvDash}&
+\Ent{cong}\\
+\Ent{preceqq}&
+\Ent{succeqq}&
+\Ent{nprecsim}\\
+\Ent{nsuccsim}&
+\Ent{nlesssim}&
+\Ent{ngtrsim}\\
+\Ent{nlessapprox}&
+\Ent{ngtrapprox}&
+\Ent{npreccurlyeq}\\
+\Ent{nsucccurlyeq}&
+\Ent{ngtrless}&
+\Ent{nlessgtr}\\
+\Ent{nbumpeq}&
+\Ent{nBumpeq}&
+\Ent{nbacksim}\\
+\Ent{nbacksimeq}&
+\EEnt{neq}{ne}&
+\Ent{nasymp}\\
+\Ent{nequiv}&
+\Ent{nsim}&
+\Ent{napprox}\\
+\Ent{nsubset}&
+\Ent{nsupset}&
+\Ent{nll}\\
+\Ent{ngg}&
+\Ent{nthickapprox}&
+\Ent{napproxeq}\\
+\Ent{nprecapprox}&
+\Ent{nsuccapprox}&
+\Ent{npreceqq}\\
+\Ent{nsucceqq}&
+\Ent{nsimeq}&
+\Ent{notin}\\
+\EEnt{notni}{notowns}&
+\Ent{nSubset}&
+\Ent{nSupset}\\
+\Ent{nsqsubseteq}&
+\Ent{nsqsupseteq}&
+\Ent{coloneqq}\\
+\Ent{eqqcolon}&
+\Ent{coloneq}&
+\Ent{eqcolon}\\
+\Ent{Coloneqq}&
+\Ent{Eqqcolon}&
+\Ent{Coloneq}\\
+\Ent{Eqcolon}&
+\Ent{strictif}&
+\Ent{strictfi}\\
+\Ent{strictiff}&
+\Ent{circledless}&
+\Ent{circledgtr}\\
+\Ent{lJoin}&
+\Ent{rJoin}&
+\EEnt{Join}{lrJoin}\\
+\Ent{openJoin}&
+\Ent{lrtimes}&
+\Ent{opentimes}\\
+\Ent{nsqsubset}&
+\Ent{nsqsupset}&
+\Ent{dashleftarrow}\\
+%\EEnt{dashrightarrow}{dasharrow}&
+\Ent{dashrightarrow}&
+\Ent{dashleftrightarrow}&
+\Ent{leftsquigarrow}\\
+\Ent{ntwoheadrightarrow}&
+\Ent{ntwoheadleftarrow}&
+\Ent{Nearrow}\\
+\Ent{Searrow}&
+\Ent{Nwarrow}&
+\Ent{Swarrow}\\
+\Ent{Perp}&
+\Ent{leadstoext}&
+\Ent{leadsto}\\
+\Ent{boxright}&
+\Ent{boxleft}&
+\Ent{boxdotright}\\
+\Ent{boxdotleft}&
+\Ent{Diamondright}&
+\Ent{Diamondleft}\\
+\Ent{Diamonddotright}&
+\Ent{Diamonddotleft}&
+\Ent{boxRight}\\
+\Ent{boxLeft}&
+\Ent{boxdotRight}&
+\Ent{boxdotLeft}\\
+\Ent{DiamondRight}&
+\Ent{DiamondLeft}&
+\Ent{DiamonddotRight}\\
+\Ent{DiamonddotLeft}&
+\Ent{circleright}&
+\Ent{circleleft}\\
+\Ent{circleddotright}&
+\Ent{circleddotleft}&
+\Ent{multimapbothvert}\\
+\Ent{multimapdotbothvert}&
+\Ent{multimapdotbothAvert}&
+\Ent{multimapdotbothBvert}
+\end{eqnarray*}
+
+\subsubsection*{Ordinary Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{alphaup}&
+\Ent{betaup}&
+\Ent{gammaup}\\
+\Ent{deltaup}&
+\Ent{epsilonup}&
+\Ent{varepsilonup}\\
+\Ent{zetaup}&
+\Ent{etaup}&
+\Ent{thetaup}\\
+\Ent{varthetaup}&
+\Ent{iotaup}&
+\Ent{kappaup}\\
+\Ent{lambdaup}&
+\Ent{muup}&
+\Ent{nuup}\\
+\Ent{xiup}&
+\Ent{piup}&
+\Ent{varpiup}\\
+\Ent{rhoup}&
+\Ent{varrhoup}&
+\Ent{sigmaup}\\
+\Ent{varsigmaup}&
+\Ent{tauup}&
+\Ent{upsilonup}\\
+\Ent{phiup}&
+\Ent{varphiup}&
+\Ent{chiup}\\
+\Ent{psiup}&
+\Ent{omegaup}&
+\Ent{Diamond}\\
+\Ent{Diamonddot}&
+\Ent{Diamondblack}&
+\Ent{lambdaslash}\\
+\Ent{lambdabar}&
+\Ent{varclubsuit}&
+\Ent{vardiamondsuit}\\
+\Ent{varheartsuit}&
+\Ent{varspadesuit}&
+\Ent{Top}\\
+\Ent{Bot}
+\end{eqnarray*}
+
+\subsubsection*{Math Alphabets}
+
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{varg} &
+\Ent{varv} &
+\Ent{varw} &
+\Ent{vary}
+\end{eqnarray*}
+In order to replace math alphabets $g$, $v$, $w$, and $y$ by these alternatives,
+use the \texttt{varg} option with the \texttt{txfonts} package:
+\begin{verbatim}
+ \usepackage[varg]{txfonts}
+\end{verbatim}
+Then, \verb|$g$|, \verb|$v$|, \verb|$w$|, and \verb|$y$| will produce
+these $\varg$, $\varv$, $\varw$, and~$\vary$ (instead of $g$, $v$, $w$, and~$y$).
+%
+Notice that $\varv$ (the alternative \textit{v})
+is more clearly distingiushed from $\nu$ (the lowercase Greek nu).
+However, this is not without cost:
+it looks similar to $\upsilon$ (the lowercase Greek upsilon).
+
+%\footnote{A comment on Times New Roman fonts:
+%the italic \textit{v} of Times New Roman (both Type 1 and TrueType versions),
+%but not that of Times, is very badly designed. The starting serif at the left-top
+%corner of the letter is very different from other letters' corresponding portion.
+%However, that of Times New Roman bold italic is consistent with others.
+%Further, in the TrueType version of Times New Roman italic and bold italic,
+%the lowercase Greek $\nu$ (nu) is exactly same as \textit{v} (i.e., linked to \textit{v}).
+%For the mathematical typesetting purpose, this is undesirable.
+%In \texttt{TX} fonts, the lowercase Greek $\nu$ (nu) is not identical to
+%\textit{v}, but very similar. The alternative $\varv$ is provided to
+%be more clearly distingiushed from the lowercase Greek $\nu$ (nu).
+%The alternative $\varw$ is provided to ensure consistency.}
+
+\subsubsection*{Large Operator Symbols}
+
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{bignplus}&
+\Ent{bigsqcupplus}&
+\Ent{bigsqcapplus}\\
+\Ent{bigsqcap}&
+\Ent{bigsqcap}&
+\Ent{varprod}\\
+\Ent{oiint}&
+\Ent{oiiint}&
+\Ent{ointctrclockwise}\\
+\Ent{ointclockwise}&
+\Ent{varointctrclockwise}&
+\Ent{varointclockwise}\\
+\Ent{sqint}&
+\Ent{sqiintop}&
+\Ent{sqiiintop}\\
+\Ent{fint}&
+\Ent{iint}&
+\Ent{iiint}\\
+\Ent{iiiint}&
+\Ent{idotsint}&
+\Ent{oiintctrclockwise}\\
+\Ent{oiintclockwise}&
+\Ent{varoiintctrclockwise}&
+\Ent{varoiintclockwise}\\
+\Ent{oiiintctrclockwise}&
+\Ent{oiiintclockwise}&
+\Ent{varoiiintctrclockwise}\\
+\Ent{varoiiintclockwise}&
+\end{eqnarray*}
+
+\subsubsection*{Delimiters}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Big\llbracket&\texttt{\bs llbracket}&
+\Big\rrbracket&\texttt{\bs rrbracket}&
+\Big\lbag&\texttt{\bs lbag}&
+\Big\rbag&\texttt{\bs rbag}
+\end{eqnarray*}
+
+%\subsubsection*{Parentheses}
+%\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+%\Ent{lbag}&
+%\Ent{rbag}&
+%\Ent{Lbag}&
+%\Ent{Rbag}
+%\end{eqnarray*}
+
+\subsubsection*{Miscellaneous}
+
+\verb|$\mathfrak{...}$| produces
+$\mathfrak{A} \ldots \mathfrak{Z}$ and $\mathfrak{a} \ldots \mathfrak{z}$.
+\verb|$\varmathbb{...}$| produces
+$\varmathbb{A} \ldots \varmathbb{Z}$ (lowercase letters only);
+\verb|\varBbbk| produces $\varBbbk$.
+Note that the \AmS\ math font command \verb|$\mathbb{...}$| produces
+$\mathbb{A} \ldots \mathbb{Z}$;
+\verb|\Bbbk| produces $\Bbbk$.
+If you find the alternative blackboard letters are better, then do
+\begin{verbatim}
+ \let\mathbb=\varmathbb
+ \let\Bbbk=\varBbbk
+\end{verbatim}
+
+
+\section{Remarks}
+
+\subsection{Some Font Design Issues}
+
+The Adobe Times fonts are thicker than the CM fonts.
+Designing math fonts for Times based on the rule thickness of Times
+`$=$', `$-$', `$+$', `/', `$<$', etc.\
+would result in too thick math symbols,
+in my opinion.\footnote{I have designed many math symbols
+(corresponding to those in CMMI and CMSY)
+based on the rule thickness of original Times `$=$', etc.
+At that time, I noticed that the symbols,
+especially some bold math symbols, are extremely thick.
+Perhaps, in the future, I will complete all math symbols
+based on the rule thickness of original Times `$=$', etc.\
+and release in public, so that users will judge
+whether they are acceptable or not~\ldots.}
+In the \texttt{TX} fonts, these glyphs are thinner
+than those of original Times fonts. That is, the rule thickness
+of these glyphs is around 85\% of that of the Times fonts,
+but still thicker than that of the CM fonts.
+
+For negated relation symbols, the CM fonts composes
+relation symbols with the negation slash (\texttt{"36} in CMSY).
+Even though the CM fonts were very carefully designed
+to look reasonable when negated relation symbols are composed
+(except `$\notin$' \verb|\notin|, which is composed of
+`$\in$' and the normal slash `$/$'),
+the AMS font set includes many negated relation symbols,
+mainly because the vertical placement and
+height\slash depth of the negation slash are not optimal
+when composed with certain relation symbols, I guess.
+The \texttt{TX} fonts include the negation slash symbol
+(\texttt{"36} in txsy), which could be composed with
+relation symbols to give reasonably looking negated related symbols.
+I believe, however, explicitly designed negated relation symbols
+are looking better than composed relation symbols.
+Thus, in addition to negated relation symbols matching those of
+the AMS fonts, many negated symbols such as `$\neq$' are introduced
+in the \texttt{TX} fonts.
+
+Further, in order to maintain editing compatibility with
+vanilla \LaTeXe\ typesetting, \verb|\not| is redefined in \texttt{txfonts.sty}
+so that when \verb|\not\XYZ| is processed,
+if \verb|\notXYZ| or \verb|\nXYZ| is defined, it will be used
+in place of \verb|\not\XYZ|; otherwise,
+\verb|\XYZ| is composed with the negation slash.
+For instance, `$\nprecsim$' is available as \verb|\nprecsim| in the \texttt{TX} fonts.
+Thus, if \verb|\not\precsim| is typed in the document,
+the \verb|\nprecsim| symbol, instead of \verb|\precsim| composed
+with the negation slash, is printed.
+
+\subsection{Times vs.\ Times New Roman}
+
+The recent version of Acrobat is shipped with
+Times New Roman instead of Times fonts.
+Times New Roman fonts' italic letters (e.g.,
+`\textit{A}') are substantially different from those
+of Times fonts. Thus, when documents with the \texttt{TX} fonts
+are processed with Acrobat, accents may not be correctly placed.
+If this is a noticeable problem, use the NimbusRomNo9L fonts
+(included in the Ghostscript distribution) with the \texttt{TX} fonts
+through \texttt{txr2.map}.
+
+\subsection{PDF\TeX/PDF\LaTeX\ and Standard Postscript Fonts}
+
+PDF\TeX/PDF\LaTeX\ does not handle slanting of fonts not embedded
+in the document.
+Note, in the standard setup, PDF\TeX/PDF\LaTeX\ does not embed
+the 14 standard Postscript fonts (Times $\times$~4,
+Helvetica $\times$~4, Courier $\times$~4, Symbol, and ZapfDingbats).
+As the result, PDF\TeX/PDF\LaTeX\ issues warning
+(and may try to generate and use bitmapped fonts for these fonts).
+If it is not desirable, a solution would be to use URW NimbusRomNo9L
+and NimbusSanL fonts
+which are an Adobe Times and Helvetica fonts clone. That is, in the
+PDF\TeX/PDF\LaTeX\ configuration file (\texttt{pdftex.cfg}),
+put \texttt{txr2.map} instead of \texttt{txr.map}
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +txr2.map
+ . . .
+\end{verbatim}
+Be sure to properly install URW NimbusRomNo9L and NimbusSanL fonts (which are
+included in the Ghostscript distribution) in your texmf tree.
+
+If you have Adobe Times and Helvetica font files, and want to embed them
+in your PDF document file, do the following trick to fool PDF\TeX/PDF\LaTeX.
+\begin{enumerate}\itemsep=0pt%\parskip=0pt
+\item Copy \texttt{txr1.map} in the dvips configuration directory
+ to \texttt{txrpdf.map} in the PDF\TeX/PDF\LaTeX\ configuration directory.
+\item Edit txrpdf.map and have
+\begin{small}
+\begin{verbatim}
+rtxptmb "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+rtxptmbo ".167 SlantFont TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+rtxptmbi "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tibi____.pfb
+rtxptmr "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tir_____.pfb
+rtxptmro ".167 SlantFont TeXBase1Encoding ReEncodeFont" <tx8r.enc <tir_____.pfb
+rtxptmri "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tii_____.pfb
+. . .
+\end{verbatim}
+\end{small}
+instead of
+\begin{small}
+\begin{verbatim}
+rtxptmb Times-Bold "TeXBase1Encoding ReEncodeFont" <tx8r.enc <tib_____.pfb
+. . .
+. . .
+\end{verbatim}
+\end{small}
+Note, the actual standard Postscript fonts names such as \texttt{"Times-Bold"}
+are removed. As the result, PDF\TeX/PDF\LaTeX\ will embed these standard
+Postscript fonts and there will be no warning for slanting them.
+\item Put \texttt{txrpdf.map} in the PDF\TeX/PDF\LaTeX\ configuration
+ file (\texttt{pdftex.cfg}).
+\begin{small}
+\begin{verbatim}
+. . .
+% pdftex.map is set up by texmf/dvips/config/updmap
+map pdftex.map
+map +txrpdf.map
+. . .
+\end{verbatim}
+\end{small}
+\end{enumerate}
+
+\subsection{Glyph Hinting}
+
+The hinting of the \texttt{TX} fonts is far from ideal.
+As a result, when documents with the \texttt{TX} fonts
+are \emph{viewed} with Gsview (or Ghostview), you might notice
+some display quality problem. When they are \emph{viewed}
+with Acrobat, they look much better.
+However, when they are \emph{printed} in laser printers,
+there will be no quality problem.
+(Note, hinting is to improve display quality on low resolution devices such as
+display screens.)
+
+\subsection{Glyphs in Low Positions}
+
+It is known that Acrobat often does not properly handle
+CM font glyphs placed between \texttt{"00} and \texttt{"1F}.
+Thus, most Type 1 versions of CM fonts publicly available
+have these glyphs in higher positions above \texttt{"7F}.
+When the \texttt{-G} flag is used with \texttt{dvips},
+those glyphs in low positions are shifted to higher positions.
+The \texttt{TX} text fonts have
+glyphs in the low positions between \texttt{"00} and \texttt{"1F}.
+As of now, these glyphs are not available in higher positions above \texttt{"7F}.
+Thus, when run \texttt{dvips}, do not use the \texttt{-G}
+flag (or remove \texttt{G} in the \texttt{dvips} configuration file).
+Especially, do not use \texttt{config.pdf}.
+In my computer systems, Acrobat correctly handles glyphs in low positions.
+However, if this known Acrobat problem occurs in other computer systems,
+I will modify the \texttt{TX} fonts so that glyphs in low positions
+are also available in higher positions.
+
+\section{Font Charts}
+
+The original Computer Modern (CM) text fonts (aka \TeX\ text fonts)
+have the OT1 encoding. The OT1 \texttt{TX} text fonts follow
+the CM fonts' encoding as much as possible, but have some
+variations and additions:
+\begin{itemize}\parskip=0pt\itemsep=0pt
+\item The position \texttt{"24} of text italic fonts has
+ the dollar symbol (\textit{\textdollar}), not the sterling symbol (\textit{\textsterling}).
+\item The uppercase and lowercase lslash (\L, \l) and aring (\AA, \aa) letters are added.
+\item The cent (\ifx\textcentoldstyle\undefined\textcent\else\textcentoldstyle\fi)
+ and sterling (\textsterling) symbols are added.
+\end{itemize}
+The original CM text fonts have somewhat different encodings in
+\textsc{cap \& small cap} and \texttt{typewriter} fonts.
+\texttt{TX} fonts corresponding to them have the original CM encodings,
+not the strict OT1 encoding.
+
+The T1 encoding text fonts (known as EC fonts) are designed to
+replace the CM text fonts in the OT1 encoding.
+The LY1 encoding is another text font encoding, which is based
+on both \TeX\ and ANSI encodings.
+Both T1 and LY1 encoding fonts are especially useful to typeset
+European languages with proper hyphenation.
+The TS1 encoding text companion fonts (known as TC fonts) have
+additional text symbols.
+All corresponding \texttt{TX} fonts are implemented.
+
+The Computer Modern (CM) math fonts (aka \TeX\ math fonts)
+consist of three fonts: math italic (CMMI), math symbols (CMSY), and
+math extension (CMEX). The American Mathematical Society provided
+two additional math symbol fonts (MSAM and MSBM).
+The \texttt{TX} math fonts include those exactly corresponding to them.
+In addition, the \texttt{TX} math fonts include math italic A,
+math symbols C, and math extension A fonts.
+
+
+\subsection{OT1 (CM) Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding CM fonts,
+except 6~additional glyphs.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableA \fonttab{txr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{txttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{T1 (EC) Cork Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding EC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{t1xr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{t1xttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{LY1 \TeX\ and ANSI Encoding Text Fonts}
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{tyxr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxss}{\textsf{Text Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxtt}{\texttt{Text Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{tyxttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{TS1 (TC) Encoding Text Companion Fonts}
+
+These fonts' encodings are identical to those of corresponding TC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableE \fonttab{tcxr}{Text Companion Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxi}{\textit{Text Companion Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxsl}{\textsl{Text Companion Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxss}{\textsf{Text Companion Sans Serif Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxsssl}{\textsf{\slshape Text Companion Sans Serif Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxtt}{\texttt{Text Companion Typewriter Upright}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{tcxttsl}{\texttt{\slshape Text Companion Typewriter Slanted}}}
+\end{center}
+
+\subsection{Math Fonts}
+
+These fonts' encodings are identical to those of corresponding CM
+and AMS Math fonts.
+Additional math fonts are provided.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\table \fonttab{txmi}{Math Italic (Corresponding to CMMI)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txmi1}{Math Italic (Corresponding to CMMI) used with the \texttt{varg} option}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableF \fonttab{txmia}{Math Italic A}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsy}{Math Symbols (Corresponding to CMSY)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsya}{Math Symbols A (Corresponding to MSAM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txsyb}{Math Symbols B (Corresponding to MSBM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableC \fonttab{txsyc}{Math Symbols C}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{txex}{Math Extension (Corresponding to CMEX)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableB \fonttab{txexa}{Math Extension A}}
+\end{center}
+
+Bold versions of all fonts are available.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/txfonts/txmi.vpl b/Master/texmf-dist/doc/fonts/txfonts/txmi.vpl
new file mode 100644
index 00000000000..448aaa6c212
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/txmi.vpl
@@ -0,0 +1,1260 @@
+(FAMILY TXMI)
+(CODINGSCHEME FontSpecific + CMMIEncoding)
+(DESIGNSIZE R 10.0)
+(FONTDIMEN
+ (SLANT R 0.277)
+ (SPACE R 0.0)
+ (STRETCH R 0.0)
+ (SHRINK R 0.0)
+ (XHEIGHT R 0.441)
+ (QUAD R 1.000)
+ (EXTRASPACE R 0.0)
+ )
+(MAPFONT D 0
+ (FONTNAME rtxmi)
+ (FONTAT R 1.0)
+ (FONTDSIZE R 10.0)
+ )
+(MAPFONT D 1
+ (FONTNAME rtxptmri)
+ (FONTAT R 1.0)
+ (FONTDSIZE R 10.0)
+ )
+(LIGTABLE
+ (LABEL O 0) (comment Gamma)
+ (KRN O 177 R 0.029) (comment tie)
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diff --git a/Master/texmf-dist/doc/fonts/txfonts/txmi1.vpl b/Master/texmf-dist/doc/fonts/txfonts/txmi1.vpl
new file mode 100644
index 00000000000..89cad5477c0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/txfonts/txmi1.vpl
@@ -0,0 +1,1256 @@
+(FAMILY TXMI)
+(CODINGSCHEME FontSpecific + CMMIEncoding)
+(DESIGNSIZE R 10.0)
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+ (FONTNAME rtxptmri)
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+ (SETCHAR C o)
+ )
+ )
+(CHARACTER C p
+ (CHARWD R 0.575)
+ (CHARHT R 0.435)
+ (CHARDP R 0.205)
+ (MAP
+ (MOVERIGHT R 0.075)
+ (SELECTFONT D 1)
+ (SETCHAR C p)
+ )
+ )
+(CHARACTER C q
+ (CHARWD R 0.5)
+ (CHARHT R 0.435)
+ (CHARDP R 0.209)
+ (MAP
+ (SELECTFONT D 1)
+ (SETCHAR C q)
+ )
+ )
+(CHARACTER C r
+ (CHARWD R 0.389)
+ (CHARHT R 0.435)
+ (CHARIC R 0.023)
+ (MAP
+ (SELECTFONT D 1)
+ (SETCHAR C r)
+ )
+ )
+(CHARACTER C s
+ (CHARWD R 0.439)
+ (CHARHT R 0.435)
+ (CHARDP R 0.016)
+ (MAP
+ (MOVERIGHT R 0.05)
+ (SELECTFONT D 1)
+ (SETCHAR C s)
+ )
+ )
+(CHARACTER C t
+ (CHARWD R 0.278)
+ (CHARHT R 0.553)
+ (CHARDP R 0.009)
+ (CHARIC R 0.018)
+ (MAP
+ (SELECTFONT D 1)
+ (SETCHAR C t)
+ )
+ )
+(CHARACTER C u
+ (CHARWD R 0.5)
+ (CHARHT R 0.435)
+ (CHARDP R 0.009)
+ (MAP
+ (SELECTFONT D 1)
+ (SETCHAR C u)
+ )
+ )
+(CHARACTER C v
+ (CHARWD R 0.393)
+ (CHARHT R 0.441)
+ (CHARDP R 0.011)
+ (MAP
+ (SETCHAR C v)
+ )
+ )
+(CHARACTER C w
+ (CHARWD R 0.626)
+ (CHARHT R 0.441)
+ (CHARDP R 0.011)
+ (MAP
+ (SETCHAR C w)
+ )
+ )
+(CHARACTER C x
+ (CHARWD R 0.494)
+ (CHARHT R 0.435)
+ (CHARDP R 0.009)
+ (CHARIC R 0.003)
+ (MAP
+ (MOVERIGHT R 0.05)
+ (SELECTFONT D 1)
+ (SETCHAR C x)
+ )
+ )
+(CHARACTER C y
+ (CHARWD R 0.478)
+ (CHARHT R 0.441)
+ (CHARDP R 0.207)
+ (MAP
+ (SETCHAR C y)
+ )
+ )
+(CHARACTER C z
+ (CHARWD R 0.389)
+ (CHARHT R 0.435)
+ (CHARDP R 0.081)
+ (MAP
+ (SELECTFONT D 1)
+ (SETCHAR C z)
+ )
+ )
+(CHARACTER O 173 (comment dotlessi)
+ (CHARWD R 0.278)
+ (CHARHT R 0.441)
+ (CHARDP R 0.011)
+ )
+(CHARACTER O 174 (comment dotlessj)
+ (CHARWD R 0.402)
+ (CHARHT R 0.441)
+ (CHARDP R 0.207)
+ (MAP
+ (MOVERIGHT R 0.15)
+ (SETCHAR O 174)
+ )
+ )
+(CHARACTER O 175 (comment weierstrass)
+ (CHARWD R 0.624)
+ (CHARHT R 0.479)
+ (CHARDP R 0.193)
+ )
+(CHARACTER O 176 (comment vector)
+ (CHARWD R 0.486)
+ (CHARHT R 0.745)
+ (CHARIC R 0.108)
+ )
+(CHARACTER O 177 (comment tie)
+ (CHARWD R 0.260)
+ (CHARHT R 0.650)
+ (CHARIC R 0.353)
+ )
+
diff --git a/Master/texmf-dist/doc/fonts/uhc/umj/README b/Master/texmf-dist/doc/fonts/uhc/umj/README
new file mode 100644
index 00000000000..2f3bd9ce1ba
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/uhc/umj/README
@@ -0,0 +1,31 @@
+This is the README file of the umj package for TeXLive, 2005-Aug-02.
+
+The original font bundle is available from CTAN in
+
+ fonts/korean/HLaTeX/uhc-myoungjo-1.0.tar.gz
+
+It provides the font `UhcMyoungjo' which can be accessed with the CJK
+package under the name `mj' (see CJK.doc and the example files of the CJK
+package for more details). To reduce the number of files and the total size,
+the bold version of the font has not been used; it is emulated instead.
+
+The fontmap data has been taken from the file `uhc-base.map' in file
+
+ fonts/korean/HLaTeX/uhc-fonts.tar.gz
+
+also available on CTAN.
+
+The PFB and AFM files have been modified with the script `hlatex2agl.pl' to
+add glyph names compliant to the Adobe Glyph List (AGL). Additionally, the
+script `sfd2uni.pl' has been used to create virtual fonts which provide
+Unicode font encoding; these two scripts are part of the CJK package.
+
+
+History
+-------
+
+ 2005-08-02
+ First version.
+
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/umrand/b.tex b/Master/texmf-dist/doc/fonts/umrand/b.tex
new file mode 100644
index 00000000000..2d696149c22
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/b.tex
@@ -0,0 +1,5 @@
+\RandBox {4}
+ font {\F} [0pt]
+ (\C136) ([\C137]) (\C140)
+ ([\C145]) ([\C141])
+ (\C144) ([\C143]) (\C142)
diff --git a/Master/texmf-dist/doc/fonts/umrand/readme.u1 b/Master/texmf-dist/doc/fonts/umrand/readme.u1
new file mode 100644
index 00000000000..09800475fcb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/readme.u1
@@ -0,0 +1,13 @@
+1. Update zu Umrand 1.2
+=======================
+
+Es wurde der Befehl \c durch \C in allen Anleitungen ersetzt, da \c in
+Plain und LaTeX als Cedille definiert ist. Der Befehl \C ist nun auch
+in UMRAND.STY enthalten.
+
+Die Anleitung lief nicht ohne NFSS, da der PLAIN-Befehl \sevenrm in
+\LaTeX nicht enthalten ist. Da \testfont in die Anleitung integriert
+wurde, war hier eine kleine Anpassung notwendig.
+(Bug-Report von K. Blum, Oldenburg)
+
+MfG Andreas Schrell.
diff --git a/Master/texmf-dist/doc/fonts/umrand/testfont.tex b/Master/texmf-dist/doc/fonts/umrand/testfont.tex
new file mode 100644
index 00000000000..f6657fd4eff
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/testfont.tex
@@ -0,0 +1,204 @@
+% This is TESTFONT.TEX in text format, as of May 5, 1986.
+% This file is still being written and changed frequently.
+% Eventually it is supposed to provide a testbed for font evaluation.
+
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\nopagenumbers
+\parindent=0pt
+\newlinechar=`@
+\hyphenpenalty=200
+\doublehyphendemerits=30000
+
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+
+\def\today{\ifcase\month\or
+ January\or February\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi
+ \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+ \m=-\n \multiply\m 60 \advance\m \time
+ \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1<10 0\fi \number#1}
+
+{\catcode`\|=0 \catcode`\\=\other
+|gdef|help{|message{%
+\init switches to another font;@%
+\end or \bye finishes the run;@%
+\table prints the font layout in tabular format;@%
+\text prints a sample text, assuming TeX text font conventions;@%
+\sample combines \table and \text;@%
+\mixture mixes a background character with a series of others;@%
+\alternation interleaves a background character with a series;@%
+\alphabet prints all lowercase letters within a given background;@%
+\ALPHABET prints all uppercase letters within a given background;@%
+\series prints a series of letters within a given background;@%
+\lowers prints a comprehensive test of lowercase;@%
+\uppers prints a comprehensive test of uppercase;@%
+\digits prints a comprehensive test of numerals;@%
+\math prints a comprehensive test of TeX math italic;@%
+\names prints a text that mixes upper and lower case;@%
+\punct prints a punctuation test;@%
+\bigtest combines many of the above routines;@%
+\help repeats this message;@%
+and you can use ordinary TeX commands (e.g., to \input a file).}}}
+
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n<255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+ \def\do##1{\catcode`##1=\other}\dospecials
+ \read-1 to\next
+ \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+ \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+ \setchar\starting \setchar\ending}
+
+\def\init{\message{@Name of the font to test = }
+ \read-1 to\fontname
+ \font\testfont=\fontname
+ \leftline{\sevenrm Test of \fontname\unskip\ on \today\ at \hours}
+ \medskip
+ \testfont \setbaselineskip
+ \ifdim\fontdimen6\testfont<10pt \rightskip=0pt plus 20pt
+ \else\rightskip=0pt plus 2em \fi
+ \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+ \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont
+ \message{Now type a test command (\string\help\space for help):}}
+
+\def\mixture{\promptthree \domix\mixpattern}
+\def\alternation{\promptthree \domix\altpattern}
+\def\mixpattern{\0\1\0\0\1\1\0\0\0\1\1\1\0\1}
+\def\altpattern{\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0}
+\def\domix#1{\par\chardef\0=\background \n=\starting
+ \loop \chardef\1=\n #1\endgraf
+ \ifnum \n<\ending \advance\n 1 \repeat}
+
+\def\!{\discretionary{\background}{\background}{\background}}
+\def\series{\promptthree \!\doseries\starting\ending\par}
+\def\doseries#1#2{\n=#1\loop\char\n\!\ifnum\n<#2\advance\n 1 \repeat}
+\def\complower{\!\doseries{`a}{`z}\doseries{'31}{'34}\par}
+\def\compupper{\!\doseries{`A}{`Z}\doseries{'35}{'37}\par}
+\def\compdigs{\!\doseries{`0}{`9}\par}
+\def\alphabet{\setchar\background\complower}
+\def\ALPHABET{\setchar\background\compupper}
+
+\def\lowers{\docomprehensive\complower{`a}{`z}{'31}{'34}}
+\def\uppers{\docomprehensive\compupper{`A}{`Z}{'35}{'37}}
+\def\digits{\docomprehensive\compdigs{`0}{`4}{`5}{`9}}
+\def\docomprehensive#1#2#3#4#5{\par\chardef\background=#2
+ \loop{#1} \ifnum\background<#3\m=\background\advance\m 1
+ \chardef\background=\m \repeat \chardef\background=#4
+ \loop{#1} \ifnum\background<#5\m=\background\advance\m 1
+ \chardef\background=\m \repeat}
+
+\def\names{ {\AA}ngel\aa\ Beatrice Claire
+ Diana \'Erica Fran\c{c}oise Ginette H\'el\`ene Iris
+ Jackie K\=aren {\L}au\.ra Mar{\'\i}a N\H{a}ta{\l}{\u\i}e Octave
+ Pauline Qu\^eneau Roxanne Sabine T\~a{\'\j}a Ur\v{s}ula
+ Vivian Wendy Xanthippe Yv{\o}nne Z\"azilie\par}
+\def\punct{\par\dopunct{min}\dopunct{pig}\dopunct{hid}
+ \dopunct{HIE}\dopunct{TIP}\dopunct{fluff}
+ \$1,234.56 + 7/8 = 9\% @ \#0\par}
+\def\dopunct#1{#1,\ #1:\ #1;\ `#1'\ ?`#1?\ !`#1!\ (#1)\ [#1]\ #1*\ #1.\par}
+
+\def\bigtest{\sample
+ hamburgefonstiv HAMBURGEFONSTIV\par
+ \names \punct \lowers \uppers \digits}
+
+\def\math{\textfont1=\testfont \skewchar\testfont='177
+ \mathchardef\Gamma="100 \mathchardef\Delta="101
+ \mathchardef\Theta="102 \mathchardef\Lambda="103 \mathchardef\Xi="104
+ \mathchardef\Pi="105 \mathchardef\Sigma="106 \mathchardef\Upsilon="107
+ \mathchardef\Phi="108 \mathchardef\Psi="109 \mathchardef\Omega="10A
+ \def\trial{$\\A \\B \\C \\D \\E \\F \\G \\H \\I \\J \\K \\L \\M \\N \\O
+ \\P \\Q \\R \\S \\T \\U \\V \\W \\X \\Y \\Z \\a \\b \\c \\d \\e \\f \\g
+ \\h \\\i \\\j \\k \\l \\m \\n \\o \\p \\q \\r \\s \\t \\u \\v \\w \\x \\y
+ \\z \\\alpha \\\beta \\\gamma \\\delta \\\epsilon \\\zeta \\\eta \\\theta
+ \\\iota \\\kappa \\\lambda \\\mu \\\nu \\\xi \\\pi \\\rho \\\sigma \\\tau
+ \\\upsilon \\\phi \\\chi \\\psi \\\omega \\\vartheta \\\varpi \\\varphi
+ \\\Gamma \\\Delta \\\Theta \\\Lambda \\\Xi \\\Pi \\\Sigma \\\Upsilon
+ \\\Phi \\\Psi \\\Omega \\\partial \\\ell \\\wp$\par}
+ \def\i{i} \def\j{j}
+ \def\\##1{|##1|+}\trial
+ \def\\##1{##1_2+}\trial
+ \def\\##1{##1^2+}\trial
+ \def\\##1{##1/2+}\trial
+ \def\\##1{2/##1+}\trial
+ \def\\##1{##1,{}+}\trial
+ \def\\##1{d##1+}\trial
+ \let\i=\imath \let\j=\jmath \def\\##1{\hat##1+}\trial}
+
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule\penalty5000}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+\def\text{{\advance\baselineskip-4pt
+\setbox0=\hbox{abcdefghijklmnopqrstuvwxyz}
+\ifdim\hsize>2\wd0 \ifdim 15pc>2\wd0 \hsize=15pc \else \hsize=2\wd0 \fi\fi
+On November 14, 1885, Senator \& Mrs.~Leland Stanford called
+together at their San Francisco mansion the 24~prominent men who had
+been chosen as the first trustees of The Leland Stanford Junior University.
+They handed to the board the Founding Grant of the University, which they
+had executed three days before. This document---with various amendments,
+legislative acts, and court decrees---remains as the University's charter.
+In bold, sweeping language it stipulates that the objectives of the University
+are ``to qualify students for personal success and direct usefulness in life;
+and to promote the publick welfare by exercising an influence in behalf of
+humanity and civilization, teaching the blessings of liberty regulated by
+law, and inculcating love and reverence for the great principles of
+government as derived from the inalienable rights of man to life, liberty,
+and the pursuit of happiness.'' \moretext
+(!`THE DAZED BROWN FOX QUICKLY GAVE 12345--67890 JUMPS!)\par}}
+\def\moretext{?`But aren't Kafka's Schlo{\ss} and {\AE}sop's {\OE}uvres
+often na{\"\i}ve vis-\`a-vis the d{\ae}monic ph{\oe}nix's official r\^ole
+in fluffy souffl\'es? }
+\def\omitaccents{\let\moretext=\relax}
+
+\def\sample{\table\text}
+
+\init
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand.tex b/Master/texmf-dist/doc/fonts/umrand/umrand.tex
new file mode 100644
index 00000000000..06df87d0ef7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand.tex
@@ -0,0 +1,191 @@
+\documentstyle[german,umrand,stamm,struts,verbatim,bsp]{article}
+
+\Nr{9a}
+\Thema{Anleitung zu UMRAND.STY}
+
+\def\C{\char'}
+\font\UA=umranda
+\font\UB=umrandb at 20pt
+
+\def\make{%
+ \begin{flushleft}
+ \begin{minipage}[c]{0.58\linewidth}
+ \verbatiminput{\bspname}
+ \end{minipage}
+ \hfill\vrule\hfill
+ \begin{minipage}[c]{0.38\linewidth}
+ \input{\bspname}
+ \end{minipage}
+ \end{flushleft}}
+
+\begin{document}
+{\bf Als Nachtrag hier eine kleine Anleitung zu UMRAND.STY:}\\[3mm]
+Notwendige Dateien:
+\[ \begin{tabular}{|l|l|}
+ \hline
+ \oustrut Datei & Bedeutung \\ \hline\hline
+ \ostrut umranda.mf & 1.\,Font \\
+ umrandb.mf & 2.\,Font \\
+ \ustrut umrand.mf & MF-Makros \\ \hline
+ \ostrut umrand.sty & \TeX-Makros
+ \ustrut \\ \hline
+ \end{tabular} \]
+Achtung! Die Fonts funktionieren zur Zeit (Version 1.2) nur bei
+Ausgabeger"aten mit gleicher horizontaler und vertikaler Auf"|l"osung!
+Vielleicht "andert sich das irgendwann.
+
+\verb|umrand.sty| dient zum Zeichnen von Umrandungen. Grunds"atzlich wird die
+Gr"o"se des Rahmens von dessen Inhalt (und den Rahmenzeichen) bestimmt. Sie
+wird automatisch berechnet. Die allgemeine Form des Aufrufs sieht so aus:
+\begin{verbatim}
+\RandBox {...}
+ font {...}
+ [...]
+ (...) (...[...]...) (...)
+ (...[...]...) (...[...]...)
+ (...) (...[...]...) (...)
+\end{verbatim}
+Der erste Parameter ist der Inhalt, der in eine \verb|\hbox| gesetzt wird. Mit
+dem Wort \verb|font| eingeleitet wird ein Parameter, der den Font f"ur den
+Rahmen ausw"ahlt. In den eckigen Klammern \verb|[...]| steht eine L"angenangabe,
+die den Abstand der einzelnen Zeichen voneinander angibt. Mit den folgenden
+sechs runden Klammern wird die Struktur definiert. Hier k"onnen Zeichen des
+Rahmen-Fonts eingetragen werden. Die Zeichenfolgen, die in den eckigen
+Klammern hier stehen, werden sooft wiederholt wie notwendig, um die
+Rahmengr"o"se zu erzeugen. Zeichen in Folgen werden durch \verb|\\| voneinander
+getrennt. Die runden Klammern bilden in ihrer Reihenfolge die Rahmenteile:
+\begin{itemize}
+\item linke obere Ecke
+\item oberer Rand
+\item rechte obere Ecke
+\item linker Rand
+\item rechter Rand
+\item linke untere Ecke
+\item unterer Rand
+\item rechte untere Ecke
+\end{itemize}
+Beispiele:
+\begin{verbatim}
+(G\\H[I\\K]L)
+\end{verbatim}
+hei"st: Setze G und H, dann I und K abwechselnd, bis die Rahmengr"o"se
+erreicht ist, dann setze L.
+\begin{verbatim}
+([A\\B]A)
+\end{verbatim}
+hei"st: A und B abwechselnd, am Schlu"s ein A.
+
+Wenn man die Fonts aus \verb|umranda.mf| und \verb|umrandb.mf| benutzt,
+geht man normalerweise von einer Fonttabelle (\verb|testfont.tex|
+benutzen) aus. Hier sind die Zeichen oktal beziffert. Setzt man zum
+Beispiel \verb|\def\C{\char'}|, \verb|\font\UA=umranda at 20pt| und
+\verb|\font\UB=umrandb at 20pt| in seine Datei, so kann man die Fonts
+folgenderma"sen ansprechen:
+\begin{bsp}
+\RandBox {Testinhalt} font {\UA} [-0.3em]
+ (\C113) ([\C65]) (\C113)
+ ([\C67]) ([\C67])
+ (\C113) ([\C65]) (\C113)
+\end{bsp}
+\make
+Die Ecken bestehen aus dem Zeichen Oktal\,113, die waagerechten Kanten aus
+Oktal\,65, die senkrechten aus Oktal\,67.
+
+Jetzt ein Beispiel mit wechselnden Zeichen:
+\begin{bsp}
+\RandBox {Eine Wiese}
+ font {\UA} [0pt]
+ () ([\C75\\\C77]\C75) ()
+ (\C76[\C100\\\C76])
+ ([\C100\\\C76]\C100)
+ () (\C77[\C75\\\C77]) ()
+\end{bsp}
+\make
+
+Bei den Linienfonts (\verb|umrandb.mf|) mu"s man auf die Lage der Elemente
+achten. Linienelemente an unterschiedlichen Positionen sind auch
+unterschiedliche Zeichen. Hier gibt es aber die nach dem Beispiel
+beschriebene Kurzform.
+\begin{bsp}
+\RandBox {Ein Test}
+ font {\UB} [0pt]
+ (\C5) ([\C1]) (\C4)
+ ([\C2]) ([\C0])
+ (\C6) ([\C3]) (\C7)
+\end{bsp}
+\make
+
+Als Kurzform kann man jeweils das erste Zeichen der Eckenteile und der
+Linienteile angeben:
+\begin{bsp}
+\LinienBox {Ein Test}
+ font {\UB}
+ ecken 4 linien 0
+\end{bsp}
+\make
+
+Hier noch eine Zusammenstellung anderer Umrandungen:
+\begin{flushleft}
+\def\TAB#1{Mit\begin{tabular}[t]{l}#1\end{tabular}}
+\LinienBox {\TAB{ecken 10\\linien 0}} font {\UB} ecken 10 linien 0
+\LinienBox {\TAB{ecken 14\\linien 0}} font {\UB} ecken 14 linien 0
+\LinienBox {\TAB{ecken 20\\linien 0}} font {\UB} ecken 20 linien 0
+\LinienBox {\TAB{ecken 24\\linien 0}} font {\UB} ecken 24 linien 0
+\LinienBox {\TAB{ecken 30\\linien 0}} font {\UB} ecken 30 linien 0
+\LinienBox {\TAB{ecken 34\\linien 0}} font {\UB} ecken 34 linien 0
+\LinienBox {\TAB{ecken 40\\linien 0}} font {\UB} ecken 40 linien 0
+\LinienBox {\TAB{ecken 44\\linien 0}} font {\UB} ecken 44 linien 0
+\LinienBox {\TAB{ecken 50\\linien 0}} font {\UB} ecken 50 linien 0
+\LinienBox {\TAB{ecken 54\\linien 0}} font {\UB} ecken 54 linien 0
+\LinienBox {\TAB{ecken 60\\linien 0}} font {\UB} ecken 60 linien 0
+\LinienBox {\TAB{ecken 64\\linien 0}} font {\UB} ecken 64 linien 0
+\LinienBox {\TAB{ecken 70\\linien 0}} font {\UB} ecken 70 linien 0
+\LinienBox {\TAB{ecken 74\\linien 0}} font {\UB} ecken 74 linien 0
+\LinienBox {\TAB{ecken 104\\linien 100}} font {\UB} ecken 104 linien 100
+\LinienBox {\TAB{ecken 110\\linien 100}} font {\UB} ecken 110 linien 100
+\LinienBox {\TAB{ecken 114\\linien 100}} font {\UB} ecken 114 linien 100
+\LinienBox {\TAB{ecken 120\\linien 100}} font {\UB} ecken 120 linien 100
+\LinienBox {\TAB{ecken 124\\linien 100}} font {\UB} ecken 124 linien 100
+\LinienBox {\TAB{ecken 130\\linien 100}} font {\UB} ecken 130 linien 100
+\LinienBox {\TAB{ecken 134\\linien 100}} font {\UB} ecken 134 linien 100
+\LinienBox {\TAB{ecken 140\\linien 100}} font {\UB} ecken 140 linien 100
+\LinienBox {\TAB{ecken 144\\linien 100}} font {\UB} ecken 144 linien 100
+\end{flushleft}
+
+Ein Meander-Rand ist mit dem folgenden Befehl zu erzeugen:
+\begin{bsp}
+\MeanderBox {Ein Meander-Rand} at 20pt
+\end{bsp}
+\make
+
+Einfache R"ander, die nur aus einem einzigen Zeichen bestehen, erh"alt man
+auf die folgende Weise:
+\begin{bsp}
+\EinfachRand {Inhalt}
+ font {\Large}
+ char {$\ast$} [0.1em]
+\end{bsp}
+\make
+Hierbei sieht man auch, da"s Zeichen aus beliebigen Fonts f"ur die Rahmen
+benutzt werden k"onnen. Problematisch wird es dann, wenn sie
+unterschiedliche Breiten/H"ohen haben.
+
+\[ \MeanderBox {Weitere Beispiele findet man in
+ {\tt ob1.tex} und {\tt ob2.tex}} at 10pt \]
+
+Eine Font-Tabelle liefert die \TeX-Datei \verb|testfont.tex|. Man ruft sie
+unter {\sc Plain}-\TeX\ auf (z.\,B. \verb|tex &plain testfont|). Als Font
+gibt man bei der Frage \verb|umranda at 20pt| oder etwas "ahnliches an.
+Wenn der \verb|*| erscheint, tippt man \verb|\table| ein, beim n"achsten
+\verb|*| schreibt man \verb|\end|. Nun mu"s nur noch \verb|testfont.dvi|
+gedruckt werden.
+
+Falls der Druckertreiber eine Einstellung von |maxdrift| erlaubt, sollte
+diese auf Null gesetzt werden. Sonst kann es vorkommen, da"s
+Linienanschl"usse nicht 100\,\%ig stimmen.
+
+\input{umrand1}
+\input{umrand2}
+\input{umrand3}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand1.tex b/Master/texmf-dist/doc/fonts/umrand/umrand1.tex
new file mode 100644
index 00000000000..df714084db3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand1.tex
@@ -0,0 +1,201 @@
+\newpage\setcounter{page}{1}
+\font\f=umranda
+\font\F=umranda at 20pt
+{\def\make{\input{b}
+ \vskip 2mm
+ \hrule
+ \verbatiminput{b}
+ \vskip 2mm\hrule\hrule\vskip 1mm}
+\fussy
+\Thema{Umrandungen}
+\Nr{9}
+
+Heute gehts um Umrandungen, die Makros und der Font sind ziemlich
+umfangreich, so da"s beide hier nur in der Anwendung gezeigt werden sollen.
+Es sind definiert:
+\begin{verbatim}
+\def\C{\char'} % Oktaldarstellung
+\font\f = umranda
+\font\F = umranda at 20pt
+\end{verbatim}
+Und los gehts:
+\vskip 2mm
+
+\begin{bsp}
+\RandBox {Dieses ist eine Quadrat-Testbox}
+ font {\f} [0pt]
+ (\C114) ([\C71\\\C73]\C71) (\C114)
+ (\C72[\C74\\\C72]) ([\C74\\\C72]\C74)
+ (\C114) (\C73[\C71\\\C73]) (\C114)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {Es w"achst Gras "uber die Sache}
+ font {\f} [0pt]
+ () ([\C75\\\C77]\C75) ()
+ (\C76[\C100\\\C76]) ([\C100\\\C76]\C100)
+ () (\C77[\C75\\\C77]) ()
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Ist das nicht zum Kringeln?}
+ font {\f} [-0.3em]
+ () ([\C65]) ()
+ ([\C67]) ([\C67])
+ () ([\C65]) ()
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Eine sich schl"angelnde Schlange.}
+ font {\F} [-0.3em]
+ () ([\C127]) ()
+ ([\C131]) ([\C135])
+ () ([\C133]) ()
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Dieses ist eine riesige Box mit Fischen}
+ font {\f} [0.1em]
+ (\C113) ([\C102]) (\C113)
+ ([\C104]) ([\C110])
+ (\C113) ([\C106]) (\C113)
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Wellenlinien mit verschiedenen Ecken}
+ font {\f} [0pt]
+ (\C115) ([\C111]) (\C114)
+ ([\C112]) ([\C112])
+ (\C115) ([\C111]) (\C114)
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {\parbox{7cm}{Dieses ist eine riesige und gro"se Testbox
+ mit hoffentlich zwei Zeilen! Der Rand besteht
+ aus sich "uberlappenden Wellenteilen.}}
+ font {\f} [-0.5em]
+ (\C113) ([\C111]) (\C113)
+ ([\C112]) ([\C112])
+ (\C113) ([\C111]) (\C113)
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\EinfachRand {Wieder mal eine (andere) Box} font {\F} char {\C43} [0pt]
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\EinfachRand {Noch eine Box, diesmal mit Stacheldraht.}
+ font {\F} char {\C41} [0.2em]
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\EinfachRand {Und man sieht hier noch einen Kasten.}
+ font {\F} char {\C42} [0.2em]
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\EinfachRand {Yin und Yang} font {\f} char {\C10} [0.2em]
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\EinfachRand {Nach einer Grafik von Apollonio.}
+ font {\F} char {\C37} [0.2em]
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Test in einer Box mit Buchstaben.}
+ font {\tt} [0.2em]
+ (W) ([B\\C]B) (X)
+ ([D\\E\\F]) ([G\\H\\I])
+ (Y) ([J\\K]J) (Z)
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Wir machen das Unm"ogliche m"oglich.}
+ font {\F} [0.1em]
+ (\C3) ([\C2\\\C6]\C2) (\C1)
+ ([\C4\\\C0]\C4) ([\C0\\\C4]\C0)
+ (\C5) ([\C6\\\C2]\C6) (\C7)
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Wunder dauern etwas l"anger.}
+ font {\F} [0.2em]
+ () ([\C2\\\C6]\C2) ()
+ ([\C4\\\C0]\C4) ([\C0\\\C4]\C0)
+ () ([\C6\\\C2]\C6) ()
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Eine Box wie vorne, aber mit Abst"anden.}
+ font {\F} [0.2em]
+ () ([\C43]) ()
+ ([\C43]) ([\C43])
+ () ([\C43]) ()
+\end{bsp}
+\make
+
+
+
+\begin{bsp}
+\RandBox {Mischmasch mit gedrehtem Yin und Yang.}
+ font {\f} [0.2em]
+ (\C7) ([\C10\\\C12\\\C14\\\C16\\\C20\\\C22]) (\C5)
+ ([\C21]) ([\C13])
+ (\C1) ([\C10\\\C12\\\C14\\\C16\\\C20\\\C22]) (\C3)
+\end{bsp}
+\make
+
+\begin{bsp}
+\EinfachRand {\parbox{7cm}{Dieses hier ist eine Parbox mit mehreren Zeilen
+Text, die sp"ater umrahmt werden soll. Der Rahmen besteht nicht aus Linien
+sondern aus Schmucksymbolen, die von \TeX\ automatisch zu einem Rahmen in
+der erforderlichen Gr"o"se zusammengesetzt werden.}}
+ font {\f} char {\C66} [-0.7em]
+\end{bsp}
+\make
+}
+\endinput \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_e b/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_e
new file mode 100644
index 00000000000..6409d340462
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_e
@@ -0,0 +1,72 @@
+ We are finished! After a lot of trouble
+
+ UMRAND.STY
+
+ and the fonts
+
+ UMRANDA.MF + UMRANDB.MF
+
+ version 1.2
+
+are ready for use! This is the first officially distributed version.
+With UMRAND.STY you can typeset fancy frames in TeX. This can by done
+with \fbox too? Well no one of this type:
+
+ *+++*+++*+++*+++*+++*+++*+++*
+ + +
+ + TeX & METAFONT +
+ * for *
+ + President! +
+ + +
+ *+++*+++*+++*+++*+++*+++*+++*
+
+Instead of + and * there are line elements, meander, fishes, snakes,
+flowers, curls and many others in our fonts. The framesize is
+automatically computed in respect of the frame's contents. Many
+combinations of frame elements are possible.
+
+One restriction we had to made: The fonts only work on devices with
+equal x- and y-resolution. With 180x360dpi you will run into
+problems. A little comfort: You should try. You may be able to use
+some of the chars in our fonts. We don't know, whether that will
+change in the future.
+
+PS: Here you see, what we are doing at our ``table reserved for
+ regular guests'' (Langenscheid dictionary, "`Stammtisch"' in
+ German) in Wuppertal, Germany.
+
+We, that are in this case:
+
+ Andreas H"orstemeier Andreas Schrell
+ Oberlinweg 7 and Windh"ovel 2
+ D-58675 Hemer D-42279 Wuppertal
+
+ E-MAIL: Andreas.Schrell @ FernUni-Hagen.de
+
+Oh yes, you will find the files named
+
+ umrand12.zip umrand12.readme_g umrand12.readme_e
+
+in Stuttgart: ftp.uni-stuttgart.de
+in Aston: ftp.tex.ac.uk
+in Texas: ftp.shsu.edu
+in the directory: tex-archive/macros/generic/umrand
+
+Included are PK-fonts at 101 dpi (screen)
+ 300 dpi (Atari-laser SLM)
+ 300 dpi (HP-Laser/DeskJet).
+
+We hope other Servers will obtain it from there. The package may be
+freely distributed, as always you are not allowed to change the
+files. Bug reports and further hints please to one of the adresses
+above.
+
+ oooooooooooooooooooooooooooooooooooooooooooooooooooo
+ o o
+ o Especially we will be happy if all TeXnicians, o
+ o who like our fonts and use them, would send us o
+ o a POSTCARD of their home town! o
+ o o
+ oooooooooooooooooooooooooooooooooooooooooooooooooooo
+
+A lot of fun and best wishes from Andreas & Andreas
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_g b/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_g
new file mode 100644
index 00000000000..b7623175184
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand12.readme_g
@@ -0,0 +1,71 @@
+ Es ist soweit! Nach langem Basteln ist es fertig:
+
+ UMRAND.STY
+
+ und die Fonts
+
+ UMRANDA.MF + UMRANDB.MF
+
+ Version 1.2
+
+sind verf"ugbar! Dies ist die erste offiziell verbreitete Version.
+Mit UMRAND.STY kann man Umrandungen in TeX setzen. Kann man doch mit
+\fbox? Klar, aber nicht solche:
+
+ *+++*+++*+++*+++*+++*+++*+++*
+ + +
+ + TeX & METAFONT +
+ * for *
+ + President! +
+ + +
+ *+++*+++*+++*+++*+++*+++*+++*
+
+Statt + und * gibt es in unseren Fonts Linienelemente, Meander,
+Fische, Schlangen, Blumen, Kringel und vieles andere. Die Rahmen-
+gr"o"se wird automatisch aus dem Inhalt ermittelt. Beliebige
+Zusammenstellungen von Randelementen sind m"oglich.
+
+Eine Einschr"ankung mu"sten wir leider machen: Die Fonts funktionieren
+nur auf Ausgabeger"aten mit gleicher x- und y-Aufl"osung. Also bei
+180x360dpi gehts schief. Kleiner Trost: Vielleicht mal ausprobieren,
+das eine oder andere Zeichen ist wahrscheinlich zu gebrauchen. Ob
+sich das mal "andern wird, ist sehr ungewi"s!
+
+PS: Da sieht man mal, was auf unserem Wuppertaler Stammtisch so alles
+ ausgeheckt wird!
+
+Wir, das sind in diesem Fall
+
+ Andreas H"orstemeier Andreas Schrell
+ Oberlinweg 7 und Windh"ovel 2
+ D-58675 Hemer D-42279 Wuppertal
+
+ E-MAIL: Andreas.Schrell @ FernUni-Hagen.de
+
+Ach ja, das Paket steht unter den Namen
+
+ umrand12.zip umrand12.readme_g umrand12.readme_e
+
+in Stuttgart: ftp.uni-stuttgart.de
+in Aston: ftp.tex.ac.uk
+in Texas: ftp.shsu.edu
+im Verzeichnis: tex-archive/macros/generic/umrand
+
+Es sind PK-Fonts in 101 dpi (Bildschirm)
+ 300 dpi (Atari-Laser SLM)
+ 300 dpi (HP-Laser/DeskJet) enthalten.
+
+Wir hoffen, da"s andere Server es von dort uebernehmen. Das Paket ist
+nat"urlich frei verteilbar, es d"urfen aber wie immer keine Dateien
+ver"andert werden. Fehlermeldungen und Vorschl"age bitte an eine der
+oben genannten Adressen.
+
+ ooooooooooooooooooooooooooooooooooooooooooooooo
+ o o
+ o Wir freuen uns allerdings besonders "uber o
+ o POSTKARTEN der Heimatstadt von allen, die o
+ o unsere Umrandungen m"ogen und benutzen! o
+ o o
+ ooooooooooooooooooooooooooooooooooooooooooooooo
+
+Viel Spa"s w"unschen Andreas & Andreas!
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand2.tex b/Master/texmf-dist/doc/fonts/umrand/umrand2.tex
new file mode 100644
index 00000000000..39b0e10559b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand2.tex
@@ -0,0 +1,316 @@
+\newpage\setcounter{page}{1}
+\parindent=0pt \parskip=0pt
+\font\G=umrandb at 20pt
+\font\F=umranda at 20pt
+\fussy
+\Thema{Neue Umrandungen}
+\Nr{10}
+\def\C{\char'}
+
+Angeregt vom letzten Stammtisch habe ich einen weiteren Font mit Rahmen
+erstellt. Da das {\tt .mf}--File f"ur eine Vorstellung zu lang ist,
+gebe ich hier nur die m"oglichen Rahmen zum Besten.
+
+Zun"achst wird definiert:
+\begin{verbatim}
+\def\C{\char'} % Oktaldarstellung
+\font\G = umrandb at 20pt
+\end{verbatim}
+Und nun kommen die Rahmen, zun"achst jene mit 6 Linien:\vskip 2mm
+
+\begin{bsp}
+\RandBox {A}
+ font {\G} [0pt]
+ (\C5) ([\C1]) (\C4)
+ ([\C2]) ([\C0])
+ (\C6) ([\C3]) (\C7)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {B}
+ font {\G} [0pt]
+ (\C11) ([\C1]) (\C10)
+ ([\C2]) ([\C0])
+ (\C12) ([\C3]) (\C13)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {C}
+ font {\G} [0pt]
+ (\C15) ([\C1]) (\C14)
+ ([\C2]) ([\C0])
+ (\C16) ([\C3]) (\C17)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {D}
+ font {\G} [0pt]
+ (\C21) ([\C1]) (\C20)
+ ([\C2]) ([\C0])
+ (\C22) ([\C3]) (\C23)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {E}
+ font {\G} [0pt]
+ (\C25) ([\C1]) (\C24)
+ ([\C2]) ([\C0])
+ (\C26) ([\C3]) (\C27)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {F}
+ font {\G} [0pt]
+ (\C31) ([\C1]) (\C30)
+ ([\C2]) ([\C0])
+ (\C32) ([\C3]) (\C33)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {G}
+ font {\G} [0pt]
+ (\C35) ([\C1]) (\C34)
+ ([\C2]) ([\C0])
+ (\C36) ([\C3]) (\C37)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {H}
+ font {\G} [0pt]
+ (\C41) ([\C1]) (\C40)
+ ([\C2]) ([\C0])
+ (\C42) ([\C3]) (\C43)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {I}
+ font {\G} [0pt]
+ (\C45) ([\C1]) (\C44)
+ ([\C2]) ([\C0])
+ (\C46) ([\C3]) (\C47)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {J}
+ font {\G} [0pt]
+ (\C51) ([\C1]) (\C50)
+ ([\C2]) ([\C0])
+ (\C52) ([\C3]) (\C53)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {K}
+ font {\G} [0pt]
+ (\C55) ([\C1]) (\C54)
+ ([\C2]) ([\C0])
+ (\C56) ([\C3]) (\C57)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {L}
+ font {\G} [0pt]
+ (\C61) ([\C1]) (\C60)
+ ([\C2]) ([\C0])
+ (\C62) ([\C3]) (\C63)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {M}
+ font {\G} [0pt]
+ (\C65) ([\C1]) (\C64)
+ ([\C2]) ([\C0])
+ (\C66) ([\C3]) (\C67)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {N}
+ font {\G} [0pt]
+ (\C71) ([\C1]) (\C70)
+ ([\C2]) ([\C0])
+ (\C72) ([\C3]) (\C73)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {O}
+ font {\G} [0pt]
+ (\C75) ([\C1]) (\C74)
+ ([\C2]) ([\C0])
+ (\C76) ([\C3]) (\C77)
+\end{bsp}
+\make
+
+\vskip2mm
+Nat"urlich k"onnen die Ecken auch gemischt werden, es ergeben sich so $15^4=50625$
+m"ogliche Rahmen; inwieweit diese auch gut aussehen, bleibt jedem selbst
+"uberlassen. Einen der $50610$ noch nicht abgedruckten Rahmen gibt's hier
+noch als Draufgabe:
+\begin{bsp}
+\RandBox {P}
+ font {\G} [0pt]
+ (\C25) ([\C1]) (\C30)
+ ([\C2]) ([\C0])
+ (\C32) ([\C3]) (\C27)
+\end{bsp}
+\make
+
+\newpage
+Ein paar Rahmen mit vier Linien.
+\begin{bsp}
+\RandBox {a}
+ font {\G} [0pt]
+ (\C105) ([\C101]) (\C104)
+ ([\C102]) ([\C100])
+ (\C106) ([\C103]) (\C107)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {b}
+ font {\G} [0pt]
+ (\C111) ([\C101]) (\C110)
+ ([\C102]) ([\C100])
+ (\C112) ([\C103]) (\C113)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {c}
+ font {\G} [0pt]
+ (\C115) ([\C101]) (\C114)
+ ([\C102]) ([\C100])
+ (\C116) ([\C103]) (\C117)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {d}
+ font {\G} [0pt]
+ (\C121) ([\C101]) (\C120)
+ ([\C102]) ([\C100])
+ (\C122) ([\C103]) (\C123)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {e}
+ font {\G} [0pt]
+ (\C125) ([\C101]) (\C124)
+ ([\C102]) ([\C100])
+ (\C126) ([\C103]) (\C127)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {f}
+ font {\G} [0pt]
+ (\C131) ([\C101]) (\C130)
+ ([\C102]) ([\C100])
+ (\C132) ([\C103]) (\C133)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {g}
+ font {\G} [0pt]
+ (\C135) ([\C101]) (\C134)
+ ([\C102]) ([\C100])
+ (\C136) ([\C103]) (\C137)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {h}
+ font {\G} [0pt]
+ (\C141) ([\C101]) (\C140)
+ ([\C102]) ([\C100])
+ (\C142) ([\C103]) (\C143)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {i}
+ font {\G} [0pt]
+ (\C145) ([\C101]) (\C144)
+ ([\C102]) ([\C100])
+ (\C146) ([\C103]) (\C147)
+\end{bsp}
+\make
+
+\vskip2mm
+Auch hier gibt es wieder eine ganze Reihe von m"oglichen Kombinationen,
+und zwar genau $6561$.
+
+\newpage
+
+Nun noch ein paar Rahmen mit 5 Linien:\\[1mm]
+{
+\def\make{\input{b}
+ \vskip 2mm
+ \hrule
+ \verbatiminput{b}
+ \vskip 2mm\hrule\hrule\vskip 1mm}
+\begin{bsp}
+\RandBox {\hspace*{1cm}1\hspace*{1cm}}
+ font {\G} [0pt]
+ (\C161) ([\C151\\\C155]\C151) (\C160)
+ ([\C152\\\C156]\C152) ([\C150\\\C154]\C150)
+ (\C162) ([\C153\\\C157]\C153) (\C163)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {\hspace*{1cm}1\hspace*{1cm}}
+ font {\G} [0pt]
+ (\C165) ([\C151\\\C155]\C151) (\C164)
+ ([\C152\\\C156]\C152) ([\C150\\\C154]\C150)
+ (\C166) ([\C153\\\C157]\C153) (\C167)
+\end{bsp}
+\make
+
+\begin{bsp}
+\RandBox {\hspace*{1cm}1\hspace*{1cm}}
+ font {\G} [0pt]
+ (\C171) ([\C151\\\C155]\C151) (\C170)
+ ([\C152\\\C156]\C152) ([\C150\\\C154]\C150)
+ (\C172) ([\C153\\\C157]\C153) (\C173)
+\end{bsp}
+\make
+
+}
+
+Nun gibt es noch einen Rahmen, der selbst den alten Pharaonen gefallen
+w"urde. Um die 128-Zeichen-Grenze nicht zu "uberschreiten stehen die hierzu
+geh"orenden Zeichen im Font {\tt umranda.mf}.
+\begin{bsp}
+\RandBox {4}
+ font {\F} [0pt]
+ (\C136) ([\C137]) (\C140)
+ ([\C145]) ([\C141])
+ (\C144) ([\C143]) (\C142)
+\end{bsp}
+\make
+
+
+\vskip2mm
+Sollten die Rahmen beim Ausdrucken nicht exakt aneinanderpassen, so kann
+dies daran liegen, da"s beim Druckertreiber eine gewisse Positionsabweichung
+der Zeichen erlaubt ist (die sogenannte {\tt maxdrift}), da bei "ublichen
+{\tt .dvi}--Files eine gewisse Abweichung nicht auff"allt. Bei diesen Fonts
+darf jedoch keine Verschiebung auftreten, also mu"s der {\tt maxdrift}--Wert
+auf 0 gesetzt werden. F"ur die em\TeX--Druckertreiber z.B.\ geht dies mit
+der Option {\tt /fd0}.
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand3.tex b/Master/texmf-dist/doc/fonts/umrand/umrand3.tex
new file mode 100644
index 00000000000..294e77580f6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand3.tex
@@ -0,0 +1,100 @@
+\originalTeX
+% stolen from testfont.tex
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\parindent=0pt
+\newlinechar=`@
+\hyphenpenalty=200
+\doublehyphendemerits=30000
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+\def\today{\ifcase\month\or
+ January\or February\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi
+ \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+ \m=-\n \multiply\m 60 \advance\m \time
+ \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1<10 0\fi \number#1}
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n<255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+ \def\do##1{\catcode`##1=\other}\dospecials
+ \read-1 to\next
+ \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+ \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+ \setchar\starting \setchar\ending}
+\def\init#1{%\message{@Name of the font to test = }
+ % \read-1 to\fontname
+ \def\fontname{#1}
+ \font\testfont=\fontname
+ \leftline{\sevenrm Test of \fontname\unskip\ on \today\ at \hours}
+ \medskip
+ \testfont \setbaselineskip
+ \ifdim\fontdimen6\testfont<10pt \rightskip=0pt plus 20pt
+ \else\rightskip=0pt plus 2em \fi
+ \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+ \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont
+ %\message{Now type a test command (\string\help\space for help):}
+ }
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule\penalty5000}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+%
+\newpage
+\ifx\selectfont\undefined
+ \font\sevenrm=cmr7
+ \else
+ \def\sevenrm{\fontfamily{cmr}\fontshape{n}\fontseries{m}\fontsize{7}{7pt}\selectfont}
+\fi
+\pagestyle{empty}
+\init{umranda at 20pt}
+\table
+\newpage
+\init{umrandb at 20pt}
+\table
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/umrand/umrand_up1.readme b/Master/texmf-dist/doc/fonts/umrand/umrand_up1.readme
new file mode 100644
index 00000000000..09800475fcb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/umrand/umrand_up1.readme
@@ -0,0 +1,13 @@
+1. Update zu Umrand 1.2
+=======================
+
+Es wurde der Befehl \c durch \C in allen Anleitungen ersetzt, da \c in
+Plain und LaTeX als Cedille definiert ist. Der Befehl \C ist nun auch
+in UMRAND.STY enthalten.
+
+Die Anleitung lief nicht ohne NFSS, da der PLAIN-Befehl \sevenrm in
+\LaTeX nicht enthalten ist. Da \testfont in die Anleitung integriert
+wurde, war hier eine kleine Anpassung notwendig.
+(Bug-Report von K. Blum, Oldenburg)
+
+MfG Andreas Schrell.
diff --git a/Master/texmf-dist/doc/fonts/universa/copyright.tex b/Master/texmf-dist/doc/fonts/universa/copyright.tex
new file mode 100644
index 00000000000..79328ce157e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/universa/copyright.tex
@@ -0,0 +1,379 @@
+%%
+%% This is file `copyright',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% uni.dtx (with options: `copyright')
+%%
+%% Copyright (C) 1998 Christian Holm.
+%%
+%% This file is NOT the source for universal, because almost all
+%% comments have been stripped from it. It is NOT the preferred
+%% form of universal for making modifications to it.
+%%
+%% Therefore you can NOT redistribute and/or modify THIS file.
+%% You can however redistribute the complete source (uni.dtx
+%% and uni.ins) and/or modify it under the terms of the GNU
+%% General Public License as published by the Free Software
+%% Foundation; either version 2, or (at your option) any later
+%% version.
+%%
+%% The universal font and package is distributed in the hope that
+%% it will be useful, but WITHOUT ANY WARRANTY; without even the
+%% implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR
+%% PURPOSE. See the GNU General Public License for more details.
+%%
+%% You should have received a copy of the GNU General Public
+%% License along with this package; if not, write to the
+%% Free Software Foundation, Inc.,
+%% 675 Mass Ave, Cambridge,
+%% MA 02139, USA.
+%%
+%% See the file uni.dtx for further comments and documentation.
+%%
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 675 Mass Ave, Cambridge, MA 02139, USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
+authors' reputations.
+
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+ 2. You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+ a) You must cause the modified files to carry prominent notices
+ stating that you changed the files and the date of any change.
+
+ b) You must cause any work that you distribute or publish, that in
+ whole or in part contains or is derived from the Program or any
+ part thereof, to be licensed as a whole at no charge to all third
+ parties under the terms of this License.
+
+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
+ interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a
+ notice that there is no warranty (or else, saying that you provide
+ a warranty) and that users may redistribute the program under
+ these conditions, and telling the user how to view a copy of this
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+ the Program is not required to print an announcement.)
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
+themselves, then this License, and its terms, do not apply to those
+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
+this License, whose permissions for other licensees extend to the
+entire whole, and thus to each and every part regardless of who wrote it.
+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
+collective works based on the Program.
+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+ 3. You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
+
+ a) Accompany it with the complete corresponding machine-readable
+ source code, which must be distributed under the terms of Sections
+ 1 and 2 above on a medium customarily used for software interchange; or,
+
+ b) Accompany it with a written offer, valid for at least three
+ years, to give any third party, for a charge no more than your
+ cost of physically performing source distribution, a complete
+ machine-readable copy of the corresponding source code, to be
+ distributed under the terms of Sections 1 and 2 above on a medium
+ customarily used for software interchange; or,
+
+ c) Accompany it with the information you received as to the offer
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+ allowed only for noncommercial distribution and only if you
+ received the program in object code or executable form with such
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+
+The source code for a work means the preferred form of the work for
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+
+If distribution of executable or object code is made by offering
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+access to copy the source code from the same place counts as
+distribution of the source code, even though third parties are not
+compelled to copy the source along with the object code.
+
+ 4. You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
+otherwise to copy, modify, sublicense or distribute the Program is
+void, and will automatically terminate your rights under this License.
+However, parties who have received copies, or rights, from you under
+this License will not have their licenses terminated so long as such
+parties remain in full compliance.
+
+ 5. You are not required to accept this License, since you have not
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+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+ 6. Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+ 7. If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot
+distribute so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you
+may not distribute the Program at all. For example, if a patent
+license would not permit royalty-free redistribution of the Program by
+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
+refrain entirely from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
+circumstances.
+
+It is not the purpose of this section to induce you to infringe any
+patents or other property right claims or to contest validity of any
+such claims; this section has the sole purpose of protecting the
+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
+through that system in reliance on consistent application of that
+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+ 8. If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
+countries not thus excluded. In such case, this License incorporates
+the limitation as if written in the body of this License.
+
+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
+Software Foundation, write to the Free Software Foundation; we sometimes
+make exceptions for this. Our decision will be guided by the two goals
+of preserving the free status of all derivatives of our free software and
+of promoting the sharing and reuse of software generally.
+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
+PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED
+OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
+MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS
+TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
+PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
+REPAIR OR CORRECTION.
+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
+
+
+
+\endinput
+%%
+%% End of file `copyright'.
diff --git a/Master/texmf-dist/doc/fonts/wasy/README b/Master/texmf-dist/doc/fonts/wasy/README
new file mode 100644
index 00000000000..8c44610fcf6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wasy/README
@@ -0,0 +1,36 @@
+
+Hi there,
+
+This directory contains a Type 1 version of (some of) the
+Metafont sources from the directory above. The pfb files
+are intended to be used with the original TFM files,
+_don't_ run finst or afmtotfm on the afm files!
+
+The afm and pfm files are provided just in case you want to
+install the files on your windowing system. I'm sorry for
+the Macintosh users amongst you, but I don't know how to
+create the MacType1 files.
+
+The fonts should give exactly the same output results as
+the .mf originals, up to the point of sillyness. All bugs
+in the metafont sources have been kept (and there might be
+new ones).
+
+Files are herewith donated to the public domain, and
+provided as is. Note that I feel that the copyright
+from the metafont sources still applies, my only statement
+here is that I do not impose extra restrictions.
+
+Conversion process:
+ .mf -> metapost (c) Hobby -> .eps
+ .eps -> metafog (c) Kinch -> .pfb
+ .pfb -> hinted & touched up with FontLab v3.0c
+
+More fonts should follow in the next few months. I can be reached for
+propositions/bugs at: taco.hoekwater@wkap.nl
+
+Greetings,
+
+Taco Hoekwater
+
+ \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/wasy/legal.txt b/Master/texmf-dist/doc/fonts/wasy/legal.txt
new file mode 100644
index 00000000000..7a9df31dadd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wasy/legal.txt
@@ -0,0 +1,9 @@
+The files of this package "wasy2" are hereby released into the public
+domain. So, permission is granted to use and/or distribute these files.
+The scope of this license are the following files:
+ rsym.mf wasy10.mf wasy5.mf wasy6.mf wasy7.mf wasy8.mf wasy9.mf
+ wasyb10.mf wasychr.mf wasydoc.tex wasyfont.2 wasyfont.tex
+
+As for lasychr.mf, the license is given in the header of the file.
+
+June 2002, Roland Waldi
diff --git a/Master/texmf-dist/doc/fonts/wasy/wasydoc.pdf b/Master/texmf-dist/doc/fonts/wasy/wasydoc.pdf
new file mode 100644
index 00000000000..726d45eff71
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wasy/wasydoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/wasy/wasydoc.tex b/Master/texmf-dist/doc/fonts/wasy/wasydoc.tex
new file mode 100644
index 00000000000..f0adc1e21d7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wasy/wasydoc.tex
@@ -0,0 +1,630 @@
+\magnification\magstep1
+\parskip 1.1ex plus 0.4ex
+\parindent 0pt
+\pretolerance 1000
+\tolerance 2000
+\hbadness 2000
+\advance\hsize -5truemm
+%
+\font\tenssf = cmss10 % sans-serif font
+\def\ssf{\tenssf}
+\def\\{\char"5C{}} % define backslash
+\def\newline{\hfill\break}
+\def\de{\,{\rm d}}
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sevenrm A}\kern-.15em\TeX}}
+%
+\input wasyfont
+%
+%%% START %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\centerline{\bf The Symbol Font \tt wasy}
+\vskip 1\parskip
+\centerline{\it Roland Waldi}
+\vskip 1mm
+\centerline{Institut f\"ur Experimentelle Kernphysik}
+\centerline{Universit\"at Karlsruhe}
+\centerline{Physikhochhaus, P.O.Box 6980}
+\centerline{D-7500 Karlsruhe, Fed.~Rep.~Germany}
+\vskip 1mm
+\centerline{Version 2.0 -- September 1992}
+
+\vskip 1.5\parskip
+
+The font {\tt wasy} contains all {\tt lasy} characters, and
+a lot more symbols.
+New characters
+were modified from the {\tt mf} files of the standard \TeX\ fonts,
+and many were designed from scratch.
+Metafont sources for 5--10pt and a bold 10pt font are available.
+
+An extension to PLAIN-\TeX\ for using the fonts is included
+in the file {\tt wasyfont.tex}.
+This can probably be used in \LaTeX\ documents,
+but a new \LaTeX\ format with the bindings already included and with
+{\tt wasy} replacing the {\tt lasy} font would be the superiour
+solution.
+This version includes all {\tt lasy} characters at the proper codes
+(causing some incompatibilities with version 1 of {\tt wasy})
+to make such a procedure easy.
+The file {\tt wasyfont.2} contains substitutes for some macros
+of {\tt wasyfont.tex} to be used
+at installations, that do not
+support the {\tt wasy} fonts.
+
+A list of characters with their bindings in
+{\tt wasyfont.tex} follows.
+Some macros are actually compositions of several characters useful in
+the given context.
+Macros using symbols
+which are already available from standard \TeX\ fonts
+are also included; these are marked
+with $^*$.
+
+general symbols
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+male&\male &female&\female \cr
+currency&\currency &cent &\cent \cr
+lozenge&\lozenge &kreuz&\kreuz \cr
+smiley&\smiley &blacksmiley&\blacksmiley \cr
+frownie&\frownie &sun&\sun \cr
+checked&\checked &brokenvert&\brokenvert \cr
+diameter&\diameter &invdiameter&\invdiameter \cr
+phone&\phone &recorder &\recorder \cr
+clock&\clock &permil &\permil \cr
+bell&\bell &ataribox &\ataribox \cr
+pointer&\pointer &lightning &\lightning \cr
+agemO &\agemO \cr}
+$$
+
+diagrams
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+photon &\photon &gluon &\gluon \cr}
+$$
+
+music notes
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+eighthnote&\eighthnote &quarternote&\quarternote \cr
+halfnote&\halfnote &fullnote&\fullnote \cr
+twonotes&\twonotes \cr}
+$$
+
+electrical engineering
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+AC &\AC &HF &\HF \cr
+VHF &\VHF \cr}
+$$
+
+APL
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+APLup &\APLup &APLdown &\APLdown \cr
+APLbox &\APLbox &APLinv &\APLinv \cr
+APLleftarrowbox &\APLleftarrowbox&APLrightarrowbox &\APLrightarrowbox\cr
+APLuparrowbox &\APLuparrowbox&APLdownarrowbox &\APLdownarrowbox\cr
+APLinput&\APLinput &APLminus$^*$&\APLminus \cr
+APLlog &\APLlog &APLstar &\APLstar \cr
+APLvert$^*$&\APLvert{\ } &
+ APLvert\char`\{\\APLdown\char`\} &\APLvert{\APLdown} \cr
+APLnot$^*$&\APLnot{\ } &
+ APLnot\char`\{\\APLdown\char`\} &\APLnot{\APLdown} \cr
+APLnot\char`\{\\land\char`\} &\APLnot{\land} &
+ APLnot\char`\{\\lor\char`\} &\APLnot{\lor} \cr
+APLcirc$^*$&\APLcirc{\ } &
+ APLcirc\char`\{\\bot\char`\} &\APLcirc{\bot} \cr
+notbackslash$^*$ &\notbackslash &
+ notslash$^*$ &\notslash \cr
+APLcomment &\APLcomment \cr}
+$$
+
+astronomy
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+ascnode &\ascnode &descnode &\descnode \cr
+vernal &\vernal &astrosun$^*$&\astrosun \cr
+newmoon &\newmoon &fullmoon &\fullmoon \cr
+leftmoon &\leftmoon &rightmoon &\rightmoon \cr
+mercury &\mercury &venus &\venus \cr
+mars &\mars &jupiter &\jupiter \cr
+saturn &\saturn &uranus &\uranus \cr
+neptune &\neptune &pluto &\pluto \cr
+earth &\earth \cr}
+$$
+
+astrological symbols and zodiacal symbols
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+conjunction &\conjunction &opposition &\opposition\cr
+aries &\aries &libra &\libra \cr
+taurus &\taurus &scorpio &\scorpio \cr
+gemini &\gemini &sagittarius &\sagittarius\cr
+cancer &\cancer &capricornus &\capricornus\cr
+leo &\leo &aquarius &\aquarius \cr
+virgo &\virgo &pisces &\pisces \cr
+}
+$$
+
+
+geometrical shapes
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+hexstar &\hexstar &varhexstar&\varhexstar \cr
+davidsstar &\davidsstar&APLstar&\APLstar \cr
+Circle &\Circle &CIRCLE &\CIRCLE \cr
+Leftcircle &\Leftcircle &LEFTCIRCLE &\LEFTCIRCLE \cr
+Rightcircle&\Rightcircle &RIGHTCIRCLE &\RIGHTCIRCLE \cr
+LEFTcircle &\LEFTcircle &RIGHTcircle &\RIGHTcircle \cr
+LEFTarrow &\LEFTarrow &RIGHTarrow &\RIGHTarrow \cr
+UParrow &\UParrow &DOWNarrow &\DOWNarrow \cr
+Box &\Box &APLbox &\APLbox \cr
+XBox &\XBox&Bowtie &\Bowtie \cr
+Diamond &\Diamond &octagon &\octagon \cr
+hexagon &\hexagon &varhexagon &\varhexagon \cr
+pentagon &\pentagon \cr}
+$$
+
+general math \& physics
+$$
+\halign{&\tt# \hfil&#\qquad\hfil\cr
+\\varangle&\varangle &\$\\invneg\$ &$\invneg$\cr
+\\leftturn &\leftturn &\\rightturn &\rightturn \cr
+\\diameter &\diameter &\\therefore&\therefore \cr}
+$$
+
+math operators
+$$
+\halign{&\tt\$a\\# b \hfil&$a#b$\qquad\hfil\cr
+ocircle&\ocircle &logof&\logof \cr
+oplus$^*$&\oplus &otimes$^*$&\otimes \cr
+le$^*$ &\le &ge$^*$&\ge \cr
+apprle &\apprle &apprge&\apprge \cr
+lhd &\lhd &rhd &\rhd \cr
+unlhd &\unlhd &unrhd&\unrhd \cr
+LHD &\LHD &RHD &\RHD \cr
+sqsubset&\sqsubset &sqsupset&\sqsupset \cr
+sqsubseteq$^*$&\sqsubseteq &sqsupseteq$^*$&\sqsupseteq \cr
+propto$^*$&\propto &varpropto &\varpropto \cr
+leadsto &\leadsto \cr}
+$$
+
+integrals (text style)
+$$
+\halign{&\tt\$\\#\_a\char`\^b f(x)dx \hfil&$#_a^b f(x)dx$\qquad\hfil\cr
+varint&\varint &iint&\iint \cr
+iiint&\iiint &varoint&\varoint \cr
+oiint&\oiint \cr}
+$$
+
+integrals (display style)
+$$
+\varint \iint \iiint \varoint \oiint
+$$
+
+With the control sequence
+{\tt\\newpropto} you can change the proportional sign to the
+thin {\tt wasy} symbol ($\varpropto$),
+which is more distinct from alpha ($\alpha$)
+then the default symbol ($\propto$).
+
+With the control sequence
+{\tt\\newint} you can change the \TeX\ integrals from $\int,\oint$
+to the vertical ones $\varint,\varoint$, in display:
+$$\int_a^b \to \varint_a^b,\qquad
+ \oint_C \to \varoint_C
+$$
+
+There are also a few letters
+in roman style added (although these and some symbols as
+\agemO, \permil\ should
+be in a separate font, to be created in different
+styles like italic, sans serif etc. -- the {\tt wasychr.mf} source
+is prepared for that.
+$$
+\halign{&\tt\\# \hfil&#\qquad\hfil\cr
+thorn &\thorn &Thorn &\Thorn \cr
+dh &\dh &Dh$^*$ &\Dh \cr
+inve &\inve &openo &\openo \cr
+}
+$$
+
+
+\bigskip
+
+\centerline{\bf Examples}
+
+``We provide the \eighthnote\twonotes, you provide the \smiley''
+
+The planets ($\astrosun\to{}$outer space):
+\mercury\ \venus\ \earth\ \mars\ asteroids
+\jupiter\ \saturn\ \uranus\ \neptune\ \pluto.
+
+special characters on IBM PC's: \smiley, \blacksmiley, $\heartsuit$,
+$\diamondsuit$, $\clubsuit$, $\spadesuit$, $\bullet$,
+$\ocircle$, \male, \female, \eighthnote, \twonotes, \sun, \RIGHTarrow,
+\LEFTarrow, $\updownarrow$, !!, \P, \S,
+$\underline{\underline{\rm\hbox to 0.85em{\hss}}}$,
+$\underline{\updownarrow}$,
+$\uparrow$, $\downarrow$, $\to$, $\leftarrow$, \UParrow, \DOWNarrow,
+\brokenvert, $\invneg$, $\neg$, \dots
+
+special characters on Atari ST's: \pointer, \ataribox,
+\checked, \clock, \bell,
+\eighthnote, \inve,
+$\invneg$, $\neg$, $\varoint$, \dots
+
+tube dimensions: $\diameter 5\,{\rm mm}$, $d = 0.5\,{\rm mm}$,
+ $l = 50\,{\rm mm}$
+
+display math:
+$$
+\mathop{\varangle}(\vec a,\vec b) = 30^{\circ}
+$$
+$$
+\prod_{x \apprle 5} a_x \logof b_x \simeq \varint_{x \apprge 5}
+ a \ocircle b\de x
+\eqno{(\hbox{nonsense.1})}
+$$
+$$
+\hbox{Gauss' law:\qquad} \iiint_V \nabla {\bf F}({\bf x}) \de^3x
+= \oiint_{S(V)} {\bf F}({\bf x}) \de{\bf a}
+$$
+$$
+\hbox{Stokes' law:\qquad} \iint_A
+\lbrack\nabla \times {\bf F}({\bf x})\rbrack \de{\bf a}
+= \varoint_{C(A)} {\bf F}({\bf x}) \de{\bf l}
+$$
+
+
+APL Program:\newline
+$U \leftarrow \APLminus 1+ G \leftarrow 2 \times \iota N
+\leftarrow \APLbox$ \qquad \APLcomment\quad generate vectors of odd and
+even numbers
+
+APL keyboard layout:
+
+\def\1{\underbar}
+\halign{&#\ \cr
+&1& &2& &3& &4& &5& &6& &7& &8& &9& &0& &+& &$\times$& &$\diamond$\cr
+&&Q& &W& &E& &R& &T& &Y& &U& &I& &O& &P& &$\leftarrow$& &$\to$\cr
+&&A& &S& &D& &F& &G& &H& &J& &K& &L& &$\lbrack$& &$\rbrack$& &\#\cr
+&$\vdash$& &Z& &X& &C& &V& &B& &N& &M& &,& &.& &/\cr
+\cr
+&\"\ & &\APLminus& &$<$& &$\le$& &=& &$\ge$& &$>$& &$\ne$& &$\lor$&
+ &$\land$& &$-$& &$\div$& &\$\cr
+&&?& &$\omega$& &$\epsilon$& &$\rho$& &$\sim$& &$\uparrow$&
+ &$\downarrow$& &$\iota$& &$\ocircle$& &$\star$& &$\{$& &$\}$\cr
+&&$\alpha$& &$\lceil$& &$\lfloor$& &\tt\_& &\APLdown&
+ &\APLup& &$\circ$& &{\tt\char"0D}& &\APLbox& &(& &)& &$\sim$\cr
+&$\dashv$& &$\subset$& &$\supset$& &$\cap$& &$\cup$& &$\bot$& &$\top$&
+ &$\vert$& &;& &:& &$\backslash$\cr
+\cr
+&\tt I& &\APLnot{\APLdown}& &\APLvert{\APLdown}& &\APLvert{\APLup}&
+ &\APLvert{\ocircle}& &\invdiameter& &$\ominus$& &\APLlog&
+ &\APLnot{\lor}& &\APLnot{\land}& &!& &\APLinv& &\APLinput\cr
+&&\1Q& &\1W& &\1E& &\1R& &\1T& &\1Y& &\1U& &\1I& &\1O& &\1P&
+ &\APLleftarrowbox& &\APLrightarrowbox\cr
+&&\1A& &\1S& &\1D& &\1F& &\1G& &\1H& &\1J& &\1K& &\1L&
+ &\APLcirc{\bot}& &\APLcirc{\top}& &\=,& \cr
+&\1{\APLup}& &\1Z& &\1X& &\1C& &\1V& &\1B& &\1N& &\1M& &\APLcomment&
+ &\notbackslash& &\notslash\cr
+\cr
+& & & & & & & &
+ & & & & & & &$\otimes$& \cr
+&& & & & & & & & & & &\APLuparrowbox& &\APLdownarrowbox& \cr%
+}
+\medskip
+
+simple phonetic notation:
+corner [{\tt'}k\openo:n\inve], this [\dh is],
+thrash [{\teni\char"12}r\ae{\tensy\char"73\kern 0.3pt}]
+
+check the appropriate box like this \XBox\ or that
+\Box\kern-.6em\checked:
+
+\noindent\Box\quad I need the {\tt wasy} fonts\newline
+\Box\quad I don't need the {\tt wasy} fonts
+
+
+
+
+
+\bigskip
+
+\centerline{\bf Font Table}
+
+{\tt wasy}:
+{\wasy$$
+\halign {&#\quad\hfil\cr
+ {\tt 00 =} \char"00%
+&{\tt 01 =} \char"01%
+&{\tt 02 =} \char"02%
+&{\tt 03 =} \char"03%
+&{\tt 04 =} \char"04%
+&{\tt 05 =} \char"05%
+&{\tt 06 =} \char"06%
+&{\tt 07 =} \char"07\cr
+ {\tt 08 =} \char"08%
+&{\tt 09 =} \char"09%
+&{\tt 0A =} \char"0A%
+&{\tt 0B =} \char"0B%
+&{\tt 0C =} \char"0C%
+&{\tt 0D =} \char"0D%
+&{\tt 0E =} \char"0E%
+&{\tt 0F =} \char"0F\cr
+ {\tt 10 =} \char"10%
+&{\tt 11 =} \char"11%
+&{\tt 12 =} \char"12%
+&{\tt 13 =} \char"13%
+&{\tt 14 =} \char"14%
+&{\tt 15 =} \char"15%
+&{\tt 16 =} \char"16%
+&{\tt 17 =} \char"17\cr
+ {\tt 18 =} \char"18%
+&{\tt 19 =} \char"19%
+&{\tt 1A =} \char"1A%
+&{\tt 1B =} \char"1B%
+&{\tt 1C =} \char"1C%
+&{\tt 1D =} \char"1D%
+&{\tt 1E =} \char"1E%
+&{\tt 1F =} \char"1F\cr
+ {\tt 20 =} \char"20%
+&{\tt 21 =} \char"21%
+&{\tt 22 =} \char"22%
+&{\tt 23 =} \char"23%
+&{\tt 24 =} \char"24%
+&{\tt 25 =} \char"25%
+&{\tt 26 =} \char"26%
+&{\tt 27 =} \char"27\cr
+ {\tt 28 =} \char"28%
+&{\tt 29 =} \char"29%
+&{\tt 2A =} \char"2A%
+&{\tt 2B =} \char"2B%
+&{\tt 2C =} \char"2C%
+&{\tt 2D =} \char"2D%
+&{\tt 2E =} \char"2E%
+&{\tt 2F =} \char"2F\cr
+ {\tt 30 =} \char"30%
+&{\tt 31 =} \char"31%
+&{\tt 32 =} \char"32%
+&{\tt 33 =} \char"33%
+&{\tt 34 =} \char"34%
+&{\tt 35 =} \char"35%
+&{\tt 36 =} \char"36%
+&{\tt 37 =} \char"37\cr
+ {\tt 38 =} \char"38%
+&{\tt 39 =} \char"39%
+&{\tt 3A =} \char"3A%
+&{\tt 3B =} \char"3B%
+&{\tt 3C =} \char"3C%
+&{\tt 3D =} \char"3D%
+&{\tt 3E =} \char"3E%
+&{\tt 3F =} \char"3F\cr
+ {\tt 40 =} \char"40%
+&{\tt 41 =} \char"41%
+&{\tt 42 =} \char"42%
+&{\tt 43 =} \char"43%
+&{\tt 44 =} \char"44%
+&{\tt 45 =} \char"45%
+&{\tt 46 =} \char"46%
+&{\tt 47 =} \char"47\cr
+ {\tt 48 =} \char"48%
+&{\tt 49 =} \char"49%
+&{\tt 4A =} \char"4A%
+&{\tt 4B =} \char"4B%
+&{\tt 4C =} \char"4C%
+&{\tt 4D =} \char"4D%
+&{\tt 4E =} \char"4E%
+&{\tt 4F =} \char"4F\cr
+ {\tt 50 =} \char"50%
+&{\tt 51 =} \char"51%
+&{\tt 52 =} \char"52%
+&{\tt 53 =} \char"53%
+&{\tt 54 =} \char"54%
+&{\tt 55 =} \char"55%
+&{\tt 56 =} \char"56%
+&{\tt 57 =} \char"57\cr
+ {\tt 58 =} \char"58%
+&{\tt 59 =} \char"59%
+&{\tt 5A =} \char"5A%
+&{\tt 5B =} \char"5B%
+&{\tt 5C =} \char"5C%
+&{\tt 5D =} \char"5D%
+&{\tt 5E =} \char"5E%
+&{\tt 5F =} \char"5F\cr
+ {\tt 60 =} \char"60%
+&{\tt 61 =} \char"61%
+&{\tt 62 =} \char"62%
+&{\tt 63 =} \char"63%
+&{\tt 64 =} \char"64%
+&{\tt 65 =} \char"65%
+&{\tt 66 =} \char"66%
+&{\tt 67 =} \char"67\cr
+ {\tt 68 =} \char"68%
+&{\tt 69 =} \char"69%
+&{\tt 6A =} \char"6A%
+&{\tt 6B =} \char"6B%
+&{\tt 6C =} \char"6C%
+&{\tt 6D =} \char"6D%
+&{\tt 6E =} \char"6E%
+&{\tt 6F =} \char"6F\cr
+ {\tt 70 =} \char"70%
+&{\tt 71 =} \char"71%
+&{\tt 72 =} \char"72%
+&{\tt 73 =} \char"73%
+&{\tt 74 =} \char"74%
+&{\tt 75 =} \char"75%
+&{\tt 76 =} \char"76%
+&{\tt 77 =} \char"77\cr
+ {\tt 78 =} \char"78%
+&{\tt 79 =} \char"79%
+&{\tt 7A =} \char"7A%
+&{\tt 7B =} \char"7B%
+&{\tt 7C =} \char"7C%
+&{\tt 7D =} \char"7D%
+&{\tt 7E =} \char"7E%
+&{\tt 7F =} \char"7F\cr}
+$$}
+
+\bigskip
+
+{\tt wasyb}:
+{\wasyb$$
+\halign {&#\quad\hfil\cr
+ {\tt 00 =} \char"00%
+&{\tt 01 =} \char"01%
+&{\tt 02 =} \char"02%
+&{\tt 03 =} \char"03%
+&{\tt 04 =} \char"04%
+&{\tt 05 =} \char"05%
+&{\tt 06 =} \char"06%
+&{\tt 07 =} \char"07\cr
+ {\tt 08 =} \char"08%
+&{\tt 09 =} \char"09%
+&{\tt 0A =} \char"0A%
+&{\tt 0B =} \char"0B%
+&{\tt 0C =} \char"0C%
+&{\tt 0D =} \char"0D%
+&{\tt 0E =} \char"0E%
+&{\tt 0F =} \char"0F\cr
+ {\tt 10 =} \char"10%
+&{\tt 11 =} \char"11%
+&{\tt 12 =} \char"12%
+&{\tt 13 =} \char"13%
+&{\tt 14 =} \char"14%
+&{\tt 15 =} \char"15%
+&{\tt 16 =} \char"16%
+&{\tt 17 =} \char"17\cr
+ {\tt 18 =} \char"18%
+&{\tt 19 =} \char"19%
+&{\tt 1A =} \char"1A%
+&{\tt 1B =} \char"1B%
+&{\tt 1C =} \char"1C%
+&{\tt 1D =} \char"1D%
+&{\tt 1E =} \char"1E%
+&{\tt 1F =} \char"1F\cr
+ {\tt 20 =} \char"20%
+&{\tt 21 =} \char"21%
+&{\tt 22 =} \char"22%
+&{\tt 23 =} \char"23%
+&{\tt 24 =} \char"24%
+&{\tt 25 =} \char"25%
+&{\tt 26 =} \char"26%
+&{\tt 27 =} \char"27\cr
+ {\tt 28 =} \char"28%
+&{\tt 29 =} \char"29%
+&{\tt 2A =} \char"2A%
+&{\tt 2B =} \char"2B%
+&{\tt 2C =} \char"2C%
+&{\tt 2D =} \char"2D%
+&{\tt 2E =} \char"2E%
+&{\tt 2F =} \char"2F\cr
+ {\tt 30 =} \char"30%
+&{\tt 31 =} \char"31%
+&{\tt 32 =} \char"32%
+&{\tt 33 =} \char"33%
+&{\tt 34 =} \char"34%
+&{\tt 35 =} \char"35%
+&{\tt 36 =} \char"36%
+&{\tt 37 =} \char"37\cr
+ {\tt 38 =} \char"38%
+&{\tt 39 =} \char"39%
+&{\tt 3A =} \char"3A%
+&{\tt 3B =} \char"3B%
+&{\tt 3C =} \char"3C%
+&{\tt 3D =} \char"3D%
+&{\tt 3E =} \char"3E%
+&{\tt 3F =} \char"3F\cr
+ {\tt 40 =} \char"40%
+&{\tt 41 =} \char"41%
+&{\tt 42 =} \char"42%
+&{\tt 43 =} \char"43%
+&{\tt 44 =} \char"44%
+&{\tt 45 =} \char"45%
+&{\tt 46 =} \char"46%
+&{\tt 47 =} \char"47\cr
+ {\tt 48 =} \char"48%
+&{\tt 49 =} \char"49%
+&{\tt 4A =} \char"4A%
+&{\tt 4B =} \char"4B%
+&{\tt 4C =} \char"4C%
+&{\tt 4D =} \char"4D%
+&{\tt 4E =} \char"4E%
+&{\tt 4F =} \char"4F\cr
+ {\tt 50 =} \char"50%
+&{\tt 51 =} \char"51%
+&{\tt 52 =} \char"52%
+&{\tt 53 =} \char"53%
+&{\tt 54 =} \char"54%
+&{\tt 55 =} \char"55%
+&{\tt 56 =} \char"56%
+&{\tt 57 =} \char"57\cr
+ {\tt 58 =} \char"58%
+&{\tt 59 =} \char"59%
+&{\tt 5A =} \char"5A%
+&{\tt 5B =} \char"5B%
+&{\tt 5C =} \char"5C%
+&{\tt 5D =} \char"5D%
+&{\tt 5E =} \char"5E%
+&{\tt 5F =} \char"5F\cr
+ {\tt 60 =} \char"60%
+&{\tt 61 =} \char"61%
+&{\tt 62 =} \char"62%
+&{\tt 63 =} \char"63%
+&{\tt 64 =} \char"64%
+&{\tt 65 =} \char"65%
+&{\tt 66 =} \char"66%
+&{\tt 67 =} \char"67\cr
+ {\tt 68 =} \char"68%
+&{\tt 69 =} \char"69%
+&{\tt 6A =} \char"6A%
+&{\tt 6B =} \char"6B%
+&{\tt 6C =} \char"6C%
+&{\tt 6D =} \char"6D%
+&{\tt 6E =} \char"6E%
+&{\tt 6F =} \char"6F\cr
+ {\tt 70 =} \char"70%
+&{\tt 71 =} \char"71%
+&{\tt 72 =} \char"72%
+&{\tt 73 =} \char"73%
+&{\tt 74 =} \char"74%
+&{\tt 75 =} \char"75%
+&{\tt 76 =} \char"76%
+&{\tt 77 =} \char"77\cr
+ {\tt 78 =} \char"78%
+&{\tt 79 =} \char"79%
+&{\tt 7A =} \char"7A%
+&{\tt 7B =} \char"7B%
+&{\tt 7C =} \char"7C%
+&{\tt 7D =} \char"7D%
+&{\tt 7E =} \char"7E%
+&{\tt 7F =} \char"7F\cr}
+$$}
+
+\bigskip
+
+{\bf Changes since version 1.0}
+
+version 1.1:
+
+{\tt\\varangle} has been centered at the math axis
+
+version 2.0:
+
+new: letters \Thorn,\thorn,\dh,\inve,\openo,\agemO
+
+new astrological and zodiacal symbols
+
+new symbols permil, cent, ataribox
+
+now the full set of
+{\tt lasy} is included; for this purpose 9 characters
+(\smiley, \blacksmiley, \frownie, \sun,
+\jupiter, \saturn, \uranus, \neptune, \pluto) have
+{\bf changed code}!
+
+{\tt wasyb10} font for bold math added
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/wasy/wasyfont.2 b/Master/texmf-dist/doc/fonts/wasy/wasyfont.2
new file mode 100644
index 00000000000..0a2e2533086
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wasy/wasyfont.2
@@ -0,0 +1,120 @@
+%
+% this is a substitute if the wasy fonts are missing
+%
+\font\tenwasy = lasy10
+\font\wasyb = lasyb10
+\font\ninewasy = lasy9
+\font\eightwasy = lasy8
+\font\sevenwasy = lasy7
+\font\fivewasy = lasy5
+\newfam\wasyfam
+\newcount\wasyfamcount
+\wasyfamcount=\wasyfam \multiply\wasyfamcount by 256
+\def\wasy{\fam\wasyfam\tenwasy}
+\textfont\wasyfam=\tenwasy
+\scriptfont\wasyfam=\sevenwasy
+\scriptscriptfont\wasyfam=\fivewasy
+%%%%%% special macro
+\def\overstrike#1#2{{\setbox0\hbox{$#2$}\hbox to \wd0{\hss
+ $#1$\hss}\kern-\wd0\box0}}
+%%%%%%%%%%%%%%%%%%%%%% <) angle
+\def\varangle{\hbox{$<$\lower 0.5pt\hbox{\kern -0.5em\tt)}}}
+%%%%%%%%%%%%%%%%%%%%%% < approx, > approx
+\def\apprle{\mathrel{\mathpalette\buildover{<\sim {-1.15pt}{-0.25pt}}}}
+\def\apprge{\mathrel{\mathpalette\buildover{>\sim {-1.15pt}{-0.25pt}}}}
+\newdimen\buildraise\newdimen\buildspace
+\def\buildover#1#2{\getargs#2\raise\buildraise\vbox{%
+ \resetall{\buildspace}\halign{$#1\hfil##\hfil$\crcr
+ \buildtop\crcr\buildbot\crcr}}}
+\def\getargs#1#2#3#4{\def\buildtop{#1}\def\buildbot{#2}%
+ \global\buildraise=#3\global\buildspace=#4\relax}
+\def\resetall#1{\mathsurround=0pt\everycr={}\tabskip=0pt
+ \baselineskip=0pt\lineskiplimit=0pt\lineskip=#1}
+%%%%%%%%%%%%%%%%%%%%%% >O<
+\def\currency{\hbox{\tt\kern -1.0pt
+ \lower 4.4pt\hbox to 0pt{\char"13\hss}%
+ \lower 1.3pt\hbox to 0pt{\kern 0.82pt\char"12\hss}%
+ \kern 2.9pt{\tensy\char"0E}\kern -3.3pt%
+ \lower 1.3pt\hbox to 0pt{\char"13\hss}%
+ \lower 4.4pt\hbox to 0pt{%
+ \kern 0.82pt\char"12\hss}\kern 4.2pt}}
+%%%%%%%%%%%%%%%%%%%%%%
+\def\clock{\hbox{\kern 1pt
+ \vrule width 0.4pt height 3.6pt depth -1.2pt
+ \vrule width 0.4pt height 1.2pt depth -0.8pt\kern -0.4pt
+ \vrule width 0.4pt height 4.0pt depth -3.6pt
+ \vrule width 0.4pt height 0.8pt depth -0.4pt\kern -0.4pt
+ \vrule width 0.4pt height 4.4pt depth -4.0pt
+ \vrule width 2.4pt height 0.4pt depth 0.0pt\kern -2.4pt
+ \vrule width 2.4pt height 4.8pt depth -4.4pt\kern -1.4pt
+ \vrule width 0.4pt height 3.6pt depth -2.2pt
+ \vrule width 1.0pt height 2.6pt depth -2.2pt
+ \vrule width 0.4pt height 0.8pt depth -0.4pt\kern -0.4pt
+ \vrule width 0.4pt height 4.4pt depth -4.0pt
+ \vrule width 0.4pt height 1.2pt depth -0.8pt\kern -0.4pt
+ \vrule width 0.4pt height 4.0pt depth -3.6pt
+ \vrule width 0.4pt height 3.6pt depth -1.2pt
+ \kern 1pt}}
+%%%%%%%%%%%%%%%%%%%%%% bell
+\def\bell{\hbox{\kern 1pt
+ \vrule width 0.8pt height 0.8pt depth 0pt
+ \vrule width 1.0pt height 4.5pt depth 0pt
+ \vrule width 0.8pt height 5.3pt depth 0.8pt
+ \vrule width 1.0pt height 4.5pt depth 0pt
+ \vrule width 0.8pt height 0.8pt depth 0pt
+ \kern 1pt}}
+%%%%%%%%%%%%%%%%%%%%%% note
+\def\eighthnote{\hbox{\kern 0.5pt\lower 0.2pt
+ \hbox{\sevensy\char"0F\kern -0.9pt}%
+ \vrule width 0.2pt height 6.8pt depth -1.4pt
+ \raise 0.8pt\hbox{\tt\kern -1.3pt\char"12}\kern -1pt}}
+%%%%%%%%%%%%%%%%%%%%%%
+\def\phone{\hbox{Tel.}}
+\def\Box{\hbox{\wasy\char"32}}\let\Square\Box
+\def\Diamond{\hbox{\wasy\char"33}}
+\def\RIGHTarrow{{\wasy\char"03}}
+\def\LEFTarrow{{\wasy\char"01}}
+%%%%%%%%%%%%%%%%%%%%%%
+\def\notbackslash{\overstrike{\backslash}{-}}
+\def\notslash{\overstrike{/}{-}}
+\def\APLnot#1{\overstrike{\sim}{#1}}
+\def\APLcirc#1{\overstrike{\circ}{#1}}
+\def\APLvert#1{\overstrike{\vert}{#1}}
+\def\APLminus{\raise0.7ex\hbox{$-$}}
+%%%%%%%%%%%%%%%%%%%%%%
+\def\AC{\hbox{\kern0.5pt\wasy\char"3A\kern0.5pt}}
+\def\HF{\lower0.9pt\hbox to 0pt{\kern0.5pt\wasy\char"3A\hss}%
+ \raise0.9pt\hbox{\kern0.5pt\wasy\char"3A\kern0.5pt}}
+\def\VHF{\lower1.7pt\hbox to 0pt{\kern0.5pt\wasy\char"3A\hss}%
+ \hbox to 0pt{\kern0.5pt\wasy\char"3A\kern0.5pt\hss}%
+ \raise1.7pt\hbox{\kern0.5pt\wasy\char"3A\kern0.5pt}}
+%%%%%%%%%%%%%%%%%%%%%%
+\def\iint{\int\mkern -2mu\int}
+\def\iiint{\int\mkern -2mu\int\mkern -2mu\int}
+%%%%%% math characters
+\def\Bowtie{\hbox{\wasy\char"31}}
+%%%%%% special characters
+\def\permil{$^0\!{/}\!{}_{00}$}
+\def\agemO{{\wasy\char"30}}
+\def\Dh{\leavevmode{\rm\setbox0\hbox{D}%
+ \hbox to\wd0{\kern 0.04em\char32\hss D}}}
+\def\cent{\overstrike/{\rm c}}
+\def\thorn{\overstrike{\rm b}{\rm p}}
+\def\astrosun{\hbox{\tensy\char"0C}}
+%%%%%% math operators as mathchars
+\def\wasymathchardef#1#2{%
+ \count"FF=\wasyfamcount
+ \advance\count"FF by"#1
+ \mathchardef#2\count"FF}
+\wasymathchardef{3001}{\lhd}
+\wasymathchardef{3001}{\LHD}
+\wasymathchardef{3003}{\rhd}
+\wasymathchardef{3003}{\RHD}
+\wasymathchardef{3002}{\unlhd}
+\wasymathchardef{3004}{\unrhd}
+\wasymathchardef{303C}{\sqsubset}
+\wasymathchardef{303D}{\sqsupset}
+\wasymathchardef{303B}{\leadsto}
+%%%%%%%%%%%%%%%%%%%%%%
+\let\newpropto\relax
+\let\newint\relax
diff --git a/Master/texmf-dist/doc/fonts/wntamil/readme.doc b/Master/texmf-dist/doc/fonts/wntamil/readme.doc
new file mode 100644
index 00000000000..631aaea6749
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/readme.doc
@@ -0,0 +1,91 @@
+\input tamilmax
+4/20/90
+
+** Brief notes on the use of the wntml Tamil-in-METAFONT font **
+
+Wntml was developed for a bilingual dictionary project which
+has now been in development for some six years. The project
+was begun on PCs using a romanized transcription with no
+attempts to represent Tamil script interactively. Existing
+facilities for producing Tamil output are based entirely on this
+less than optimal transcription of Tamil.
+
+Someone at liberty to begin anew, could use a much cleaner solution.
+The transcription scheme we are using is illustrated by the following chart.
+To view this chart in a meaningful way, run
+ tamilize readme.doc readme.tex
+then TeX and print the results. (You will need to have
+run METAFONT on wntml first, of course.)
+
+
+~ a aa i ii u uu e ee o oo ai au
+
+ka kaa ki kii ku kuu ke kee ko koo kai kau
+
+nga ngaa ngi ngii ngu nguu nge ngee ngo ngoo ngai ngau
+
+ca caa ci cii cu cuu ce cee co coo cai cau
+
+5a 5aa 5i 5ii 5u 5uu 5e 5ee 5o 5oo 5ai 5au
+
+8a 8aa 8i 8ii 8u 8uu 8e 8ee 8o 8oo 8ai 8au
+
+3a 3aa 3i 3ii 3u 3uu 3e 3ee 3o 3oo 3ai 3au
+
+ta taa ti tii tu tuu te tee to too tai tau
+
+na naa ni nii nu nuu ne nee no noo nai nau
+
+pa paa pi pii pu puu pe pee po poo pai pau
+
+ma maa mi mii mu muu me mee mo moo mai mau
+
+ya yaa yi yii yu yuu ye yee yo yoo yai yau
+
+ra raa ri rii ru ruu re ree ro roo rai rau
+
+la laa li lii lu luu le lee lo loo lai lau
+
+va vaa vi vii vu vuu ve vee vo voo vai vau
+
+7a 7aa 7i 7ii 7u 7uu 7e 7ee 7o 7oo 7ai 7au
+
+9a 9aa 9i 9ii 9u 9uu 9e 9ee 9o 9oo 9ai 9au
+
+6a 6aa 6i 6ii 6u 6uu 6e 6ee 6o 6oo 6ai 6au
+
+2a 2aa 2i 2ii 2u 2uu 2e 2ee 2o 2oo 2ai 2au
+
+~
+
+Tamilize converts the transcribed tamil (using the tilde
+character as a delimiter for strings in Tamil script ---
+text is assumed in Roman until the first tilde; the vertical
+bar character is used to delimit strings which should be
+output as romanized Tamil using the usual dots-under-letters
+and other customary diacritics for Indic) into a series of
+TeX macros, each of which prints a single
+Tamil grapheme. Tamil graphemes generally correspond to
+syllables, so essentially Tamilize is scanning its input
+for syllables and invoking a predetermined macro for
+each syllable. The current version of Tamilmax, in
+which the syllable macros are defined, catcodes Ctrl-A
+as equivalent to backslash, and Tamilize uses Ctrl-A as
+the command character for all the Tamil syllable macros.
+With an editor which can hide control characters, the
+tamilized transliteration is still somewhat readable,
+and is useful for debugging output. Extensive editing of text
+should always take place in the un-tamilized transcription,
+with subsequent tamilizing before running TeX --- otherwise
+errors will almost certainly be introduced in the editing
+process.
+
+
+IF YOUR COPY OF WNTML INCLUDES A TAMDICT.TXT OR TAMDICT.TEX SAMPLE
+FILE, PLEASE BE AWARE THAT THE SAMPLE IS FROM A WORK IN PROGRESS:
+DO NOT QUOTE THE SAMPLE TEXT.
+
+
+7/10/91 Some TeXs on PCs gag when they see the control-As which tamilize
+introduces; users of such TeXs will prefer tmilize, which is just like
+tamilize but uses '\' instead of '^A'.
diff --git a/Master/texmf-dist/doc/fonts/wntamil/tamdict.tex b/Master/texmf-dist/doc/fonts/wntamil/tamdict.tex
new file mode 100644
index 00000000000..f3275447cc3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/tamdict.tex
@@ -0,0 +1,313 @@
+\input tamilmax
+\hsize=4in
+\font\norm=cmr10
+\font\roman=cmr10
+\font\vclass=cmr7
+\font\glossy=cmti10
+\font\emphatic=cmb10
+\font\transcribe=cmss10
+\norm
+\newif\ifnewentry
+\def\hw#1{\par\medskip{\emphatic #1\hfil\break\newentrytrue}}
+\def\md#1#2{{\emphatic\ifnewentry\hbox to 25pt{\hfil}\newentryfalse\fi(#1)} #2}
+\def\rt#1{,\ {\transcribe #1}}
+\def\vc#1{,\ {\vclass #1}}
+\def\eg#1{,\ {\glossy #1}}
+\def\syn#1#2{\ $\mapsto$ #1: #2}
+\def\wtvc#1{,\ {\vclass #1}}
+\hw{fascinated, be}
+ \md{1}{{\btam sokku}\etam }\rt{|sokku|}\vc{3 intr}
+ \eg{be charmed, enchanted or absorbed in}
+ \syn{1}{{\btam mayangku}\etam }\wtvc{3 i}
+ \md{2}{{\btam mayangku}\etam }\rt{|mayangu|}\vc{3 intr}
+ \eg{be charmed or enchanted; be enamoured; be confused}
+ \md{3}{{\btam vasappaTu}\etam }\rt{|vasa-pa8u|}\vc{4 intr}
+ \eg{be captivated or enchanted; come under the power or influence of; lose oneself in}
+ \syn{1}{{\btam vayappaTu}\etam }\wtvc{4i}.
+\hw{fashion}
+ \md{1}{{\btam sey}\etam }\wtvc{1t}\rt{|seyyi|}\vc{2b tr}
+ \eg{make; form; shape s.t. out of s.t. else}
+ \syn{1}{{\btam puNai}\etam }\wtvc{2t}
+ \md{2}{{\btam amaittukkoL}\etam }\wtvc{1t}\rt{|a8p8 pa33u|}\vc{3 tr}
+ \eg{adapt}.
+\hw{fashionable, be}
+ \md{1}{{\btam naakarikamaaka iru}\etam }\wtvc{7i}
+ \eg{be stylish, conforming to the fashion; be liked by people of fashion}
+ \syn{1}{{\btam xpaaSaNaaka iru}\etam }\rt{|fae4anaa iru|}\vc{7 intr}
+ \syn{2}{{\btam sTailaaka iru}\etam }\rt{|s8aylaa iru|}\vc{7 intr}.
+\hw{fast}
+ \md{1}{{\btam saappiTaamal iru}\etam }\rt{|saappi8aame iru|}\vc{7 intr}
+ \eg{deliberately go without food; fast temporarily}
+ \md{2}{{\btam paTTiNi keTa}\etam }\rt{|pa8ni ke8a|}\vc{7 intr}
+ \eg{go without food; abstain from food}
+ \md{3}{{\btam uNNNNaaviratam iru}\etam }\rt{|u33aaviradam iru|}\vc{7 intr}
+ \eg{abstain from food, as a religious duty or for political and other reasons}
+ \md{4}{{\btam nooNpu iru}\etam }\wtvc{7i}
+ \eg{go without any or certain kinds of food, as a religious duty}
+ \syn{1}{{\btam upavaacam iru}\etam }\wtvc{7i}.
+\hw{fast, be}
+ \md{1}{{\btam veekamaaka iru}\etam }\rt{|veehamaa iru|}\vc{7 intr}
+ \eg{be rapid, quick, speedy}
+ \syn{1}{{\btam virai}\etam }\wtvc{2i}
+ \md{2}{{\btam veekamaaka ooTu}\etam }\rt{|veehamaa oo8u|}\vc{3 intr}
+ \eg{(of a watch, clock) be in advance; be ahead of time; run rapidly or quickly}
+ \md{3}{{\btam uRutiyaaka iru}\etam }\wtvc{7i}
+ \eg{be firm; be firmly tied, as a knot; be strong or secure}
+ \md{4}{{\btam uutaariyaaka iru}\etam }\rt{|uudaariyaa iru|}\vc{7 intr}
+ \eg{be a spendthrift; lead a carefree, wild life}.
+\hw{fast, become}
+ \md{1}{{\btam uRutiyaaku}\etam }\wtvc{3i}
+ \eg{become firm, strong or secure}.
+\hw{fasten}
+ \md{1}{{\btam kaTTu}\etam }\rt{|ka88u|}\vc{3 tr}
+ \eg{bind; pack; tie up, as an animal to a peg}
+ \md{2}{{\btam muuTu}\etam }\rt{|muu8u|}\vc{3 tr}
+ \eg{close, as a window, a door, a box}
+ \md{3}{{\btam aTai}\etam }\rt{|a8e|}\vc{6 tr}
+ \eg{shut, as a window or door; shut animals up in a fold; put s.t. or s.o. in a cage or enclosure}
+ \md{4}{{\btam puuTTu}\etam }\rt{|puu88u|}\vc{3 tr}
+ \eg{lock up, as a door or a box}
+ \md{5}{{\btam pooTu}\etam }\rt{|poo8u|}\vc{4 tr}
+ \eg{make secure, as a shirt with buttons, a door with a bolt}
+ \syn{1}{{\btam maaTTu}\etam }\rt{|maa88u|}\vc{3 tr}
+ \eg{hook s.t.}
+ \md{6}{{\btam taaZ iTu}\etam }\wtvc{4t}
+ \eg{bolt, as the door, window, etc.}
+ \md{7}{{\btam poruttu}\etam }\wtvc{3t}
+ \eg{fix; attach firmly; attach s.t. to s.t. else, as sewing buttons on to a shirt, fixing a lock to a door, etc.; fix (one's eyes) on s.t. or s.o.}
+ \md{8}{{\btam toTuttuvai}\etam }\rt{|to8uttu vayyi|}\vc{6b tr}
+ \eg{tie or fasten lightly; string together, as garlands, flowers, etc.}.
+\hw{fasten down}
+ \md{1}{{\btam kaTTu}\etam }\rt{|ka88u|}\vc{3 tr}
+ \eg{fasten to a horizontal surface; bind; tie; batten down}.
+\hw{fasten off}
+ \md{1}{{\btam piNNai}\etam }\rt{|po3e, po3e|}\vc{6 tr}
+ \eg{tie, as two pieces of thread by knotting}
+ \syn{1}{{\btam muTi}\etam }\rt{|mu8i|}\vc{6b tr}
+ \eg{tie as two pieces of thread by rolling the ends together}.
+\hw{fasten on}
+ \md{1}{{\btam piTittuk koL}\etam }\wtvc{1}\rt{|pi8iccikkoo|}\vc{4 tr}
+ \eg{seize; take a firm hold of; single s.t. or s.o. out for attack}
+ \st{{\btam naaN coNNataiyee avaN piTittuk koNNTaaN}\etam }
+ \sr{|naan sonnadayee aven pi{\d d}iccikki{\d t}{\d t}aan|}
+ \se{He fastened (or) seized upon what I said.}.
+\hw{fasten one's eyes on}
+ \md{1}{{\btam veRittup paar}\etam }\rt{|vericci paaru|}\vc{6 tr}
+ \eg{gaze at; focus on; stare at}
+ \syn{1}{{\btam veRi}\etam }\wtvc{6t}
+ \md{2}{{\btam kaNNkaNNaip pa{\roman d}i}\etam }\rt{|ka33e padi|}\vc{6b ta}
+ \eg{fix one's eyes, as on s.o. or s.t.}
+ \st{{\btam avaN eN miitu kaNNkaNNaip patittaaN}\etam }
+ \sr{|avan en meele ka{\d n}{\d n}e padiccaan|}
+ \se{He fixed his eyes on me.}.
+\hw{fasten up}
+ \md{1}{{\btam maaTTu}\etam }\rt{|maa88u|}\vc{3 tr}
+ \eg{fasten s.t. to a vertical surface}
+ \st{{\btam intap paTattai angkee maaTTu}\etam }
+ \sr{|indap pa{\d d}atte ange maa{\d t}{\d t}u|}
+ \se{Fasten this picture up there.}.
+\hw{fasten upon}
+ \md{1}{{\btam pattikkoL}\etam }\wtvc{1t}
+ \eg{sieze; take hold of}
+ \st{cf. fasten on}.
+\hw{fastened, be}
+ \md{1}{{\btam pati}\etam }\rt{|padi|}\vc{2b intr}
+ \eg{be fixed, as one's sight or attention upon s.t.; be coupled firmly, as two planks of wood in joining}
+ \md{2}{{\btam poruntu}\etam }\wtvc{3i}
+ \eg{be attached firmly; dovetail}
+ \md{3}{{\btam iNNai}\etam }\wtvc{2i}
+ \eg{be attached or joined; be tied or made fast}.
+\hw{fat}
+ \md{1}{{\btam paruttuviTu}\etam }\rt{|paruttu8u|}\vc{4 intr}
+ \eg{become fleshy, stout or heavy}
+ \syn{1}{{\btam paru}\etam }\wtvc{6i}
+ \md{2}{{\btam cataipiTittiru}\etam }\rt{|sade pi8icc-iru|}\vc{7 intr + dat}
+ \eg{put on flesh; become plump or heavy}
+ \syn{1}{{\btam catai pooTTiru}\etam }\rt{|sade poo88iru|}\vc{7 intr}
+ \md{3}{{\btam eTai kuuTu}\etam }\rt{|e8e kuu8u|}\vc{3 intr + dat}
+ \eg{gain weight}
+ \md{4}{{\btam taTittuviTu}\etam }\rt{|ta8icc-i8u|}\vc{4 ta}
+ \eg{become heavy or stout}
+ \syn{1}{{\btam taTi}\etam }\wtvc{6i}
+ \md{5}{{\btam koZuttiru}\etam }\rt{|ko7utt-iru|}\vc{7 intr}
+ \eg{be very fat; be fattened, as a animal, etc.; be thick or well-filled as a purse}
+ \syn{1}{{\btam koZa}\etam }\wtvc{6i}.
+\hw{fatal, be}
+ \md{1}{{\btam uyirukku aapattaaka iru}\etam }\rt{|uyirukku aabattaa iru|}\vc{7 intr}
+ \eg{be a danger or risk to one's life; cause danger to one's life}
+ \syn{1}{{\btam uyirukku aapattaaku}\etam }\rt{|uyirukku aabatt-aahu|}\vc{3b intr}
+ \syn{2}{{\btam  uyirukku apaayam viNNaivi}\etam }\wtvc{6ta}
+ \syn{3}{{\btam  uyirukku aapattu viNNaivi}\etam }\wtvc{6ta}
+ \md{2}{{\btam caavukkuk kaaraNNamaaka iru}\etam }\rt{|saavukku kaara3amaa iru|}\vc{7 intr}
+ \eg{bring about death; be the cause of s.o.'s death.}
+ \md{3}{{\btam naacamaakku}\etam }\rt{|naasam aakku|}\vc{3 tr}
+ \eg{destroy, ruin, cause misfortune}
+ \syn{1}{{\btam naacappaTuttu}\etam }\rt{|naasa-pa8uttu|}\vc{3 tr}
+ \syn{2}{{\btam naasamuTTu}\etam }\wtvc{3ta}
+ \md{4}{{\btam paaZaakku}\etam }\rt{|paa7-aakku|}\vc{3 tr}
+ \eg{cause ruin, destruction or failure}
+ \syn{1}{{\btam paaZpaTuttu}\etam }\rt{|paa7 pa8uttu|}\vc{3 tr}
+ \syn{2}{{\btam naasamaakku}\etam }\wtvc{3t}
+ \md{5}{{\btam vitivasamaaku}\etam }\rt{|vidivasam-aahu|}\vc{3b intr 3 pn}
+ \eg{be connected with fate or destiny; be fateful, as a meeting, an occurrence, a period}
+ \st{{\btam anta cantippu vitivacamaaNatu}\etam }
+ \sr{|anda sandippu vidivasamaanadu|}
+ \se{That meeting (or) encounter was fatal (fateful).}
+ \md{6}{{\btam talaivitiyaaku}\etam }\rt{|talevidi aahu|}\vc{3b intr 3pn}
+ \eg{be fated or destined; be so written}
+ \st{{\btam anta vipattu avaN talaiviti {\roman (}yaakum{\roman )}}\etam }
+ \sr{|anda vibattu avan talevidi (aahum)|}
+ \se{That accident occurred because of his fate; That accident was fated to occur to him. (both used usually in an unfavourable sense)}
+ \md{7}{{\btam keeTukaalam piTittiru}\etam }\rt{|kee8ukaalam pi8icc-iru|}\vc{7 intr + dat}
+ \eg{be in for a bad time; be on the road to ruin; be under bad stars}
+ \st{{\btam avaNukku keeTukaalam piTittirukkiRatu}\etam }
+ \sr{|avanukku kee{\d d}ukaalam pi{\d d}iccirukku|}
+ \se{Misfortune has caught up with him; (or) He is in for a bad time; he is jinxed.}.
+\hw{fatalistic, be}
+ \md{1}{{\btam vitiyee eNRu iru}\etam }\rt{|vidiyee-33u iru|}\vc{7 intr}
+ \eg{hold the attitude of fatality or the doctrine of fatalism; be resigned; have a negative attitude about s.t.}
+ \syn{1}{{\btam uuZvali eNRu iru}\etam }\wtvc{7i}
+ \md{2}{{\btam naTappatu naTakkaTTum eNRu iru}\etam }\rt{|na8appadu na8akka88um-33u iru|}\vc{7 intr}
+ \eg{hold the attitude that whatever will be will be; submit to circumstances as inevitable; submit passively to misfortune, calamity, etc.}
+ \syn{1}{{\btam {\roman (}kaTavuL{\roman )} viTTavaZi eNRu iru}\etam }\rt{|(ka8avu9) vi88ava7i-33u iru|}\vc{7 intr}.
+\hw{fateful, be}
+ \md{1}{{\btam vitivacamaaku}\etam }\rt{|vidivasam-aahu|}\vc{3b intr 3pn (pres \& fut only)}
+ \eg{be connected with fate or destiny; be fatal, as an event, a period, etc.}
+ \st{{\btam avaL taRkolai vitivacamaaTum}\etam }
+ \sr{|ava9 tarkolai vidivasam aahum|}
+ \se{Hers was a fateful suicide.}
+ \syn{1}{{\btam uuviNaiyaaku}\etam }\wtvc{3 3pn}
+ \md{2}{{\btam mukkiyamaaku}\etam }\rt{|mukkiyam aahu|}\vc{3b intr 3pn}
+ \eg{be important; be momentous}
+ \syn{1}{{\btam siRappaaku}\etam }\wtvc{3 3pn}
+ \syn{2}{{\btam viseevimaaku}\etam }\wtvc{3 3pn}.
+\hw{father}
+ \md{1}{{\btam uruvaakku}\etam }\rt{|uruvakku|}\vc{3 tr}
+ \eg{found, originate, as a doctrine, a sect, etc.; propound as a theory, a practice, a way of life}
+ \syn{1}{{\btam tooRRuvi}\etam }\wtvc{6t}
+ \syn{2}{{\btam uNNTaakku}\etam }\rt{|u38-aakku|}\vc{3 tr}.
+\hw{fathom}
+ \md{1}{{\btam aaZam kaNNTupiTi}\etam }\rt{|aa7am ka38u-pi8i|}\vc{6b ta}
+ \eg{find or measure the depth of river, sea, well, pit, crater, etc.}
+ \syn{1}{{\btam aaZam {\roman (}aaZattaik{\roman )} kaNNakkiTu}\etam }\wtvc{4ta}
+ \md{2}{{\btam aaZam paar}\etam }\rt{|aa7am paaru|}\vc{6 tr}
+ \eg{find or measure the depth of river, pit, etc.; test or examine s.o.'s learning, qualification, sincerity, etc.}
+ \md{3}{{\btam parintukoL}\etam }\wtvc{1t}\rt{|purinjikkoo|}\vc{4 tr}
+ \eg{understand, comprehend; get to the bottom of, as an event, a person's motive, etc.}
+ \syn{1}{{\btam aRi}\etam (or)? {\btam aaZankaRi}\etam }\wtvc{2t}.
+\hw{fatigue}
+ \md{1}{{\btam kaLaippu uNNTaakku}\etam }\rt{|ka9eppe u38-aakku|}\vc{3 ta}
+ \eg{cause fatigue; cause to feel fatigued}
+ \syn{1}{{\btam coorvu uNNTaakku}\etam }\wtvc{3ta}
+ \md{2}{{\btam kaLaippaTaiyac cey}\etam }\wtvc{1t}
+ \eg{cause to fatigue; cause to feel tired or weary}
+ \syn{1}{{\btam coorvaTaiyac cey}\etam (or) {\btam coorv}\etam }\wtvc{1t}. % synonym truncated?
+\hw{fatigued, be}
+ \md{1}{{\btam aluttup poo}\etam }\rt{|aluttup poo|}\vc{3b intr 3pn (usu + past only)}
+ \eg{become weary; become discouraged}
+ \st{{\btam eNakku aluttup pooyiRRu}\etam }
+ \sr{|enakku aluttu pooccu|}
+ \se{I am tired, fed up.}
+ \syn{1}{{\btam salittup poo}\etam }\wtvc{w. dat.}\rt{|saliccu poo|}\vc{3b intr (usu + past only)}
+ \syn{2}{{\btam aluttuviTu}\etam }\wtvc{4i 3 pn}
+ \syn{3}{{\btam salittuviTu}\etam }\wtvc{4i 3 pn}
+ \md{2}{{\btam kaLaittup poo}\etam }\rt{|ka9eccip poo|}\vc{3b intr 3pn + dat (usu + past}
+ \eg{become tired or wearied; become exhausted}
+ \syn{1}{{\btam soorntu poo}\etam }\rt{|soondu poo|}\vc{3 intr 3pn + dat (usu + past}
+ \syn{2}{{\btam ayarntu poo}\etam }\rt{|asandu poo|}\vc{3 intr 3pn + dat (usu past onl}
+ \md{3}{{\btam kaLaippaay iru}\etam }\rt{|ka9eppaa iru|}\vc{7 intr + dat}
+ \eg{be tired or exhausted; look or feel tired and weary}
+ \st{{\btam avaN kaLaippaay iruntaaN}\etam , {\btam avaNukku kaLaippaay iruntatu}\etam }
+ \sr{|avan ka9eppaa irundaan, avanukku ka9eppaa irundadu|}
+ \se{He was (or felt) fatigued.}
+ \syn{1}{{\btam coorvaay iru}\etam }\rt{|soorvaa iru|}\vc{7 intr + dat}
+ \md{4}{{\btam coorntuviTi}\etam }\rt{|soondu8u|}\vc{4 intr}
+ \eg{grow weary or exhausted; be tired and worn out}
+ \syn{1}{{\btam kaLaittuviTu}\etam }\rt{|ka9ecc-i8u|}\vc{4 ta}
+ \syn{2}{{\btam ayarntuviTu}\etam }\rt{|asandu8u|}\vc{4 intr}
+ \md{5}{{\btam ayarvuRu}\etam }\wtvc{1i}
+ \eg{be tired or weary}
+ \syn{1}{{\btam ayarvaTai}\etam }\wtvc{2i}
+ \syn{2}{{\btam kaLappaTai}\etam }\wtvc{2i}
+ \syn{3}{{\btam coorvaTai}\etam }\wtvc{2i}
+ \syn{4}{{\btam coorvuRu}\etam }\wtvc{1i}
+ \md{6}{{\btam iNaippaay iru}\etam }\wtvc{7i}
+ \eg{be short of breath or gasp because of over exhaustion; be weak and worn out}.
+\hw{fatten}
+ \md{1}{{\btam koZu}\etam }\rt{|ko7u|}\vc{6 intr}
+ \eg{grow fat; become plump}
+ \syn{1}{{\btam paruttuviTu}\etam }\rt{|paattu8u|}\vc{4 intr}
+ \md{2}{{\btam koZukka vai}\etam }\rt{|ko7ukka vayyi|}\vc{6b tr}
+ \eg{make fat; fatten up, as sheep for slaughter}
+ \md{3}{{\btam seZikkas sey}\etam }\wtvc{1t}
+ \eg{help grow better; nourish, as crop, people, etc.; enrich, as soil, ideas, etc.}
+ \syn{1}{{\btam seZikka vai}\etam }\wtvc{6t}.
+\hw{fatty, be}
+ \md{1}{{\btam kooZuppaay iru}\etam }\rt{|ko7uppaa iru|}\vc{7 intr}
+ \eg{contain excessive fat, as muscle, food, meat, soup, etc.}
+ \md{2}{{\btam koZuppas sattu uTaiyataay iru}\etam }\wtvc{7i}
+ \eg{contain nutrative fat, as foods etc.}
+ \syn{1}{{\btam koZuppus sattu noNNTiru }\etam }\wtvc{7i}.
+\hw{fatuous, be}
+ \md{1}{{\btam maTattaNamaaka iru}\etam }\rt{|ma8attanamaa iru|}\vc{7 intr}
+ \eg{be silly; be inane}
+ \syn{1}{{\btam peetaitataNamaaka iru}\etam }\wtvc{7i}
+ \md{2}{{\btam muTTaaLtaNamaaka iru}\etam }\rt{|mu88aa9tanamaa iru|}\vc{7 intr}
+ \eg{be foolish; be silly}
+ \syn{1}{{\btam maTattaNamaaka iru}\etam }\wtvc{7i}.
+\hw{fault}
+ \md{1}{{\btam tappu sol}\etam }\rt{|tappu sollu|}\vc{3c tr}
+ \eg{censure; blame; find fault with}
+ \syn{1}{{\btam tavaRu sol}\etam }\wtvc{3t}
+ \syn{2}{{\btam piZai sol}\etam }\wtvc{3t}
+ \md{2}{{\btam kuRRam sol}\etam }\rt{|kuttam sollu|}\vc{3c tr, ta}
+ \eg{find fault with; blame; criticise}
+ \syn{1}{{\btam kuRai sol}\etam }\rt{|kore sollu|}\vc{3c tr}
+ \syn{2}{{\btam piZai sol}\etam }\wtvc{3t}.
+\hw{faulty, be}
+ \md{1}{{\btam tappaaka iru}\etam }\rt{|tappaa iru|}\vc{7 intr 3pn}
+ \eg{be wrong; contain faults, mistakes or errors}
+ \syn{1}{{\btam piZaiyaay iru}\etam (and) {\btam tavaruk}\etam }\wtvc{7 3pn}
+ \md{2}{{\btam piZaiyaaka iru}\etam }\wtvc{7i 3pn}
+ \eg{be full of faults or defects}
+ \md{3}{{\btam kuRaipaaTu koNNTiru}\etam }\wtvc{7i}
+ \eg{contain faults or blemishes; be defective}.
+\hw{favour}
+ \md{1}{{\btam aatari}\etam }\rt{|aadari|}\vc{6b tr}
+ \eg{support, show favour to}
+ \syn{1}{{\btam aataravu kaaTTu}\etam }\rt{|aadaruvu kaa88u|}\vc{3 tr + dat}
+ \syn{2}{{\btam aataravu taa}\etam }\rt{|aadaravu taa|}\vc{2c ta + dat}
+ \st{{\btam avarkaL avaNai aakarittaarkaL}\etam , {\btam avarkaL avarukku aataravu koTuttaarkaL}\etam (or) {\btam tantaarkaL}\etam }
+ \sr{|avanga avane aadariccaanga, avanga avanukku aadaravu ku{\d d}uttaanga (or) tandaanga|}
+ \se{They gave him the benefit of the doubt; they favoured him.}
+ \md{2}{{\btam virumpu}\etam }\rt{|virumbu|}\vc{3 tr}
+ \eg{prefer; like; choose}
+ \st{{\btam naaN avaNai virumpukiReeN}\etam }
+ \sr{|naan avane virumbureen|}
+ \se{I like him.}
+ \syn{1}{{\btam piTi}\etam }\rt{|pi8i|}\vc{6b tr 3pn + dat}
+ \st{{\btam eNakku avaNNaip piTikkiRatu}\etam }
+ \sr{|enakku avane pi{\d d}ikkidu|}
+ \se{I like him.}
+ \md{3}{{\btam salukai kaaTTu}\etam }\rt{|saluhe kaa88u|}\vc{3 tr}
+ \eg{show partiality to; give unfair help or advantages to; give s.o. the benefit of the doubt}
+ \syn{1}{{\btam paTsa paatam kaaTTu}\etam }\rt{|pa8ca paadam kaa88u|}\vc{3 tr}
+ \syn{2}{{\btam ooravancaNai kaTTu}\etam }\wtvc{3ta}
+ \eg{act with partiality}
+ \syn{3}{{\btam ooravancaNai sey}\etam }\wtvc{1}\rt{|ooravanjane pa33u|}\vc{3 tr}
+ \md{4}{{\btam nalku}\etam }\wtvc{3t}
+ \eg{bestow, grant, give}
+ \syn{1}{{\btam aruL}\etam }\wtvc{3t}
+ \md{5}{{\btam aruLpuri}\etam }\wtvc{2ta}
+ \eg{patronise; grace; grant, as a prayer}
+ \syn{1}{{\btam aruL sey}\etam }\wtvc{1ta}
+ \md{6}{{\btam ottiru}\etam }\rt{|ott-iru|}\vc{7 tr}
+ \eg{resemble; be like or similar to}
+ \md{7}{{\btam caayalaaka iru}\etam }\rt{|saayalaa iru|}\vc{7 intr}
+ \eg{have the likeness of; show the same features of}
+ \syn{1}{{\btam caaTaiyaaka iru}\etam }\rt{|jaa8eyaa iru|}\vc{7 intr}
+ \st{{\btam antak kuZantai ammaaviN caayalaaka}\etam (or) {\btam caaTaiyaaka irukkiRatu}\etam }
+ \sr{|anda ko7ende ammaa(voo{\d d}a) saayalaa (or) jaadayaa irukku|}
+ \se{The baby favours her mother}
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/wntamil/tamdict.txt b/Master/texmf-dist/doc/fonts/wntamil/tamdict.txt
new file mode 100644
index 00000000000..caec2ed8fc8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/tamdict.txt
@@ -0,0 +1,313 @@
+\input tamilmax
+\hsize=4in
+\font\norm=cmr10
+\font\roman=cmr10
+\font\vclass=cmr7
+\font\glossy=cmti10
+\font\emphatic=cmb10
+\font\transcribe=cmss10
+\norm
+\newif\ifnewentry
+\def\hw#1{\par\medskip{\emphatic #1\hfil\break\newentrytrue}}
+\def\md#1#2{{\emphatic\ifnewentry\hbox to 25pt{\hfil}\newentryfalse\fi(#1)} #2}
+\def\rt#1{,\ {\transcribe #1}}
+\def\vc#1{,\ {\vclass #1}}
+\def\eg#1{,\ {\glossy #1}}
+\def\syn#1#2{\ $\mapsto$ #1: #2}
+\def\wtvc#1{,\ {\vclass #1}}
+\hw{fascinated, be}
+ \md{1}{~sokku~}\rt{|sokku|}\vc{3 intr}
+ \eg{be charmed, enchanted or absorbed in}
+ \syn{1}{~mayangku~}\wtvc{3 i}
+ \md{2}{~mayangku~}\rt{|mayangu|}\vc{3 intr}
+ \eg{be charmed or enchanted; be enamoured; be confused}
+ \md{3}{~vasappa8u~}\rt{|vasa-pa8u|}\vc{4 intr}
+ \eg{be captivated or enchanted; come under the power or influence of; lose oneself in}
+ \syn{1}{~vayappa8u~}\wtvc{4i}.
+\hw{fashion}
+ \md{1}{~sey~}\wtvc{1t}\rt{|seyyi|}\vc{2b tr}
+ \eg{make; form; shape s.t. out of s.t. else}
+ \syn{1}{~pu2ai~}\wtvc{2t}
+ \md{2}{~amaittukko9~}\wtvc{1t}\rt{|a8p8 pa33u|}\vc{3 tr}
+ \eg{adapt}.
+\hw{fashionable, be}
+ \md{1}{~naakarikamaaka iru~}\wtvc{7i}
+ \eg{be stylish, conforming to the fashion; be liked by people of fashion}
+ \syn{1}{~xpaa4a2aaka iru~}\rt{|fae4anaa iru|}\vc{7 intr}
+ \syn{2}{~s8ailaaka iru~}\rt{|s8aylaa iru|}\vc{7 intr}.
+\hw{fast}
+ \md{1}{~saappi8aamal iru~}\rt{|saappi8aame iru|}\vc{7 intr}
+ \eg{deliberately go without food; fast temporarily}
+ \md{2}{~pa88i2i ke8a~}\rt{|pa8ni ke8a|}\vc{7 intr}
+ \eg{go without food; abstain from food}
+ \md{3}{~u33aaviratam iru~}\rt{|u33aaviradam iru|}\vc{7 intr}
+ \eg{abstain from food, as a religious duty or for political and other reasons}
+ \md{4}{~noo2pu iru~}\wtvc{7i}
+ \eg{go without any or certain kinds of food, as a religious duty}
+ \syn{1}{~upavaacam iru~}\wtvc{7i}.
+\hw{fast, be}
+ \md{1}{~veekamaaka iru~}\rt{|veehamaa iru|}\vc{7 intr}
+ \eg{be rapid, quick, speedy}
+ \syn{1}{~virai~}\wtvc{2i}
+ \md{2}{~veekamaaka oo8u~}\rt{|veehamaa oo8u|}\vc{3 intr}
+ \eg{(of a watch, clock) be in advance; be ahead of time; run rapidly or quickly}
+ \md{3}{~u6utiyaaka iru~}\wtvc{7i}
+ \eg{be firm; be firmly tied, as a knot; be strong or secure}
+ \md{4}{~uutaariyaaka iru~}\rt{|uudaariyaa iru|}\vc{7 intr}
+ \eg{be a spendthrift; lead a carefree, wild life}.
+\hw{fast, become}
+ \md{1}{~u6utiyaaku~}\wtvc{3i}
+ \eg{become firm, strong or secure}.
+\hw{fasten}
+ \md{1}{~ka88u~}\rt{|ka88u|}\vc{3 tr}
+ \eg{bind; pack; tie up, as an animal to a peg}
+ \md{2}{~muu8u~}\rt{|muu8u|}\vc{3 tr}
+ \eg{close, as a window, a door, a box}
+ \md{3}{~a8ai~}\rt{|a8e|}\vc{6 tr}
+ \eg{shut, as a window or door; shut animals up in a fold; put s.t. or s.o. in a cage or enclosure}
+ \md{4}{~puu88u~}\rt{|puu88u|}\vc{3 tr}
+ \eg{lock up, as a door or a box}
+ \md{5}{~poo8u~}\rt{|poo8u|}\vc{4 tr}
+ \eg{make secure, as a shirt with buttons, a door with a bolt}
+ \syn{1}{~maa88u~}\rt{|maa88u|}\vc{3 tr}
+ \eg{hook s.t.}
+ \md{6}{~taa7 i8u~}\wtvc{4t}
+ \eg{bolt, as the door, window, etc.}
+ \md{7}{~poruttu~}\wtvc{3t}
+ \eg{fix; attach firmly; attach s.t. to s.t. else, as sewing buttons on to a shirt, fixing a lock to a door, etc.; fix (one's eyes) on s.t. or s.o.}
+ \md{8}{~to8uttuvai~}\rt{|to8uttu vayyi|}\vc{6b tr}
+ \eg{tie or fasten lightly; string together, as garlands, flowers, etc.}.
+\hw{fasten down}
+ \md{1}{~ka88u~}\rt{|ka88u|}\vc{3 tr}
+ \eg{fasten to a horizontal surface; bind; tie; batten down}.
+\hw{fasten off}
+ \md{1}{~pi3ai~}\rt{|po3e, po3e|}\vc{6 tr}
+ \eg{tie, as two pieces of thread by knotting}
+ \syn{1}{~mu8i~}\rt{|mu8i|}\vc{6b tr}
+ \eg{tie as two pieces of thread by rolling the ends together}.
+\hw{fasten on}
+ \md{1}{~pi8ittuk ko9~}\wtvc{1}\rt{|pi8iccikkoo|}\vc{4 tr}
+ \eg{seize; take a firm hold of; single s.t. or s.o. out for attack}
+ \st{~naa2 co22ataiyee ava2 pi8ittuk ko38aa2~}
+ \sr{|naan sonnadayee aven pi{\d d}iccikki{\d t}{\d t}aan|}
+ \se{He fastened (or) seized upon what I said.}.
+\hw{fasten one's eyes on}
+ \md{1}{~ve6ittup paar~}\rt{|vericci paaru|}\vc{6 tr}
+ \eg{gaze at; focus on; stare at}
+ \syn{1}{~ve6i~}\wtvc{6t}
+ \md{2}{~ka3ka3aip padi~}\rt{|ka33e padi|}\vc{6b ta}
+ \eg{fix one's eyes, as on s.o. or s.t.}
+ \st{~ava2 e2 miitu ka3ka3aip patittaa2~}
+ \sr{|avan en meele ka{\d n}{\d n}e padiccaan|}
+ \se{He fixed his eyes on me.}.
+\hw{fasten up}
+ \md{1}{~maa88u~}\rt{|maa88u|}\vc{3 tr}
+ \eg{fasten s.t. to a vertical surface}
+ \st{~intap pa8attai angkee maa88u~}
+ \sr{|indap pa{\d d}atte ange maa{\d t}{\d t}u|}
+ \se{Fasten this picture up there.}.
+\hw{fasten upon}
+ \md{1}{~pattikko9~}\wtvc{1t}
+ \eg{sieze; take hold of}
+ \st{cf. fasten on}.
+\hw{fastened, be}
+ \md{1}{~pati~}\rt{|padi|}\vc{2b intr}
+ \eg{be fixed, as one's sight or attention upon s.t.; be coupled firmly, as two planks of wood in joining}
+ \md{2}{~poruntu~}\wtvc{3i}
+ \eg{be attached firmly; dovetail}
+ \md{3}{~i3ai~}\wtvc{2i}
+ \eg{be attached or joined; be tied or made fast}.
+\hw{fat}
+ \md{1}{~paruttuvi8u~}\rt{|paruttu8u|}\vc{4 intr}
+ \eg{become fleshy, stout or heavy}
+ \syn{1}{~paru~}\wtvc{6i}
+ \md{2}{~cataipi8ittiru~}\rt{|sade pi8icc-iru|}\vc{7 intr + dat}
+ \eg{put on flesh; become plump or heavy}
+ \syn{1}{~catai poo88iru~}\rt{|sade poo88iru|}\vc{7 intr}
+ \md{3}{~e8ai kuu8u~}\rt{|e8e kuu8u|}\vc{3 intr + dat}
+ \eg{gain weight}
+ \md{4}{~ta8ittuvi8u~}\rt{|ta8icc-i8u|}\vc{4 ta}
+ \eg{become heavy or stout}
+ \syn{1}{~ta8i~}\wtvc{6i}
+ \md{5}{~ko7uttiru~}\rt{|ko7utt-iru|}\vc{7 intr}
+ \eg{be very fat; be fattened, as a animal, etc.; be thick or well-filled as a purse}
+ \syn{1}{~ko7a~}\wtvc{6i}.
+\hw{fatal, be}
+ \md{1}{~uyirukku aapattaaka iru~}\rt{|uyirukku aabattaa iru|}\vc{7 intr}
+ \eg{be a danger or risk to one's life; cause danger to one's life}
+ \syn{1}{~uyirukku aapattaaku~}\rt{|uyirukku aabatt-aahu|}\vc{3b intr}
+ \syn{2}{~ uyirukku apaayam vi3aivi~}\wtvc{6ta}
+ \syn{3}{~ uyirukku aapattu vi3aivi~}\wtvc{6ta}
+ \md{2}{~caavukkuk kaara3amaaka iru~}\rt{|saavukku kaara3amaa iru|}\vc{7 intr}
+ \eg{bring about death; be the cause of s.o.'s death.}
+ \md{3}{~naacamaakku~}\rt{|naasam aakku|}\vc{3 tr}
+ \eg{destroy, ruin, cause misfortune}
+ \syn{1}{~naacappa8uttu~}\rt{|naasa-pa8uttu|}\vc{3 tr}
+ \syn{2}{~naasamu88u~}\wtvc{3ta}
+ \md{4}{~paa7aakku~}\rt{|paa7-aakku|}\vc{3 tr}
+ \eg{cause ruin, destruction or failure}
+ \syn{1}{~paa7pa8uttu~}\rt{|paa7 pa8uttu|}\vc{3 tr}
+ \syn{2}{~naasamaakku~}\wtvc{3t}
+ \md{5}{~vitivasamaaku~}\rt{|vidivasam-aahu|}\vc{3b intr 3 pn}
+ \eg{be connected with fate or destiny; be fateful, as a meeting, an occurrence, a period}
+ \st{~anta cantippu vitivacamaa2atu~}
+ \sr{|anda sandippu vidivasamaanadu|}
+ \se{That meeting (or) encounter was fatal (fateful).}
+ \md{6}{~talaivitiyaaku~}\rt{|talevidi aahu|}\vc{3b intr 3pn}
+ \eg{be fated or destined; be so written}
+ \st{~anta vipattu ava2 talaiviti (yaakum)~}
+ \sr{|anda vibattu avan talevidi (aahum)|}
+ \se{That accident occurred because of his fate; That accident was fated to occur to him. (both used usually in an unfavourable sense)}
+ \md{7}{~kee8ukaalam pi8ittiru~}\rt{|kee8ukaalam pi8icc-iru|}\vc{7 intr + dat}
+ \eg{be in for a bad time; be on the road to ruin; be under bad stars}
+ \st{~ava2ukku kee8ukaalam pi8ittirukki6atu~}
+ \sr{|avanukku kee{\d d}ukaalam pi{\d d}iccirukku|}
+ \se{Misfortune has caught up with him; (or) He is in for a bad time; he is jinxed.}.
+\hw{fatalistic, be}
+ \md{1}{~vitiyee e26u iru~}\rt{|vidiyee-33u iru|}\vc{7 intr}
+ \eg{hold the attitude of fatality or the doctrine of fatalism; be resigned; have a negative attitude about s.t.}
+ \syn{1}{~uu7vali e26u iru~}\wtvc{7i}
+ \md{2}{~na8appatu na8akka88um e26u iru~}\rt{|na8appadu na8akka88um-33u iru|}\vc{7 intr}
+ \eg{hold the attitude that whatever will be will be; submit to circumstances as inevitable; submit passively to misfortune, calamity, etc.}
+ \syn{1}{~(ka8avu9) vi88ava7i e26u iru~}\rt{|(ka8avu9) vi88ava7i-33u iru|}\vc{7 intr}.
+\hw{fateful, be}
+ \md{1}{~vitivacamaaku~}\rt{|vidivasam-aahu|}\vc{3b intr 3pn (pres \& fut only)}
+ \eg{be connected with fate or destiny; be fatal, as an event, a period, etc.}
+ \st{~ava9 ta6kolai vitivacamaa8um~}
+ \sr{|ava9 tarkolai vidivasam aahum|}
+ \se{Hers was a fateful suicide.}
+ \syn{1}{~uuvi2aiyaaku~}\wtvc{3 3pn}
+ \md{2}{~mukkiyamaaku~}\rt{|mukkiyam aahu|}\vc{3b intr 3pn}
+ \eg{be important; be momentous}
+ \syn{1}{~si6appaaku~}\wtvc{3 3pn}
+ \syn{2}{~viseevimaaku~}\wtvc{3 3pn}.
+\hw{father}
+ \md{1}{~uruvaakku~}\rt{|uruvakku|}\vc{3 tr}
+ \eg{found, originate, as a doctrine, a sect, etc.; propound as a theory, a practice, a way of life}
+ \syn{1}{~too66uvi~}\wtvc{6t}
+ \syn{2}{~u38aakku~}\rt{|u38-aakku|}\vc{3 tr}.
+\hw{fathom}
+ \md{1}{~aa7am ka38upi8i~}\rt{|aa7am ka38u-pi8i|}\vc{6b ta}
+ \eg{find or measure the depth of river, sea, well, pit, crater, etc.}
+ \syn{1}{~aa7am (aa7attaik) ka3akki8u~}\wtvc{4ta}
+ \md{2}{~aa7am paar~}\rt{|aa7am paaru|}\vc{6 tr}
+ \eg{find or measure the depth of river, pit, etc.; test or examine s.o.'s learning, qualification, sincerity, etc.}
+ \md{3}{~parintuko9~}\wtvc{1t}\rt{|purinjikkoo|}\vc{4 tr}
+ \eg{understand, comprehend; get to the bottom of, as an event, a person's motive, etc.}
+ \syn{1}{~a6i~ (or)? ~aa7anka6i~}\wtvc{2t}.
+\hw{fatigue}
+ \md{1}{~ka9aippu u38aakku~}\rt{|ka9eppe u38-aakku|}\vc{3 ta}
+ \eg{cause fatigue; cause to feel fatigued}
+ \syn{1}{~coorvu u38aakku~}\wtvc{3ta}
+ \md{2}{~ka9aippa8aiyac cey~}\wtvc{1t}
+ \eg{cause to fatigue; cause to feel tired or weary}
+ \syn{1}{~coorva8aiyac cey~ (or) ~coorv~}\wtvc{1t}. % synonym truncated?
+\hw{fatigued, be}
+ \md{1}{~aluttup poo~}\rt{|aluttup poo|}\vc{3b intr 3pn (usu + past only)}
+ \eg{become weary; become discouraged}
+ \st{~e2akku aluttup pooyi66u~}
+ \sr{|enakku aluttu pooccu|}
+ \se{I am tired, fed up.}
+ \syn{1}{~salittup poo~}\wtvc{w. dat.}\rt{|saliccu poo|}\vc{3b intr (usu + past only)}
+ \syn{2}{~aluttuvi8u~}\wtvc{4i 3 pn}
+ \syn{3}{~salittuvi8u~}\wtvc{4i 3 pn}
+ \md{2}{~ka9aittup poo~}\rt{|ka9eccip poo|}\vc{3b intr 3pn + dat (usu + past}
+ \eg{become tired or wearied; become exhausted}
+ \syn{1}{~soorntu poo~}\rt{|soondu poo|}\vc{3 intr 3pn + dat (usu + past}
+ \syn{2}{~ayarntu poo~}\rt{|asandu poo|}\vc{3 intr 3pn + dat (usu past onl}
+ \md{3}{~ka9aippaay iru~}\rt{|ka9eppaa iru|}\vc{7 intr + dat}
+ \eg{be tired or exhausted; look or feel tired and weary}
+ \st{~ava2 ka9aippaay iruntaa2~, ~ava2ukku ka9aippaay iruntatu~}
+ \sr{|avan ka9eppaa irundaan, avanukku ka9eppaa irundadu|}
+ \se{He was (or felt) fatigued.}
+ \syn{1}{~coorvaay iru~}\rt{|soorvaa iru|}\vc{7 intr + dat}
+ \md{4}{~coorntuvi8i~}\rt{|soondu8u|}\vc{4 intr}
+ \eg{grow weary or exhausted; be tired and worn out}
+ \syn{1}{~ka9aittuvi8u~}\rt{|ka9ecc-i8u|}\vc{4 ta}
+ \syn{2}{~ayarntuvi8u~}\rt{|asandu8u|}\vc{4 intr}
+ \md{5}{~ayarvu6u~}\wtvc{1i}
+ \eg{be tired or weary}
+ \syn{1}{~ayarva8ai~}\wtvc{2i}
+ \syn{2}{~ka9appa8ai~}\wtvc{2i}
+ \syn{3}{~coorva8ai~}\wtvc{2i}
+ \syn{4}{~coorvu6u~}\wtvc{1i}
+ \md{6}{~i2aippaay iru~}\wtvc{7i}
+ \eg{be short of breath or gasp because of over exhaustion; be weak and worn out}.
+\hw{fatten}
+ \md{1}{~ko7u~}\rt{|ko7u|}\vc{6 intr}
+ \eg{grow fat; become plump}
+ \syn{1}{~paruttuvi8u~}\rt{|paattu8u|}\vc{4 intr}
+ \md{2}{~ko7ukka vai~}\rt{|ko7ukka vayyi|}\vc{6b tr}
+ \eg{make fat; fatten up, as sheep for slaughter}
+ \md{3}{~se7ikkas sey~}\wtvc{1t}
+ \eg{help grow better; nourish, as crop, people, etc.; enrich, as soil, ideas, etc.}
+ \syn{1}{~se7ikka vai~}\wtvc{6t}.
+\hw{fatty, be}
+ \md{1}{~koo7uppaay iru~}\rt{|ko7uppaa iru|}\vc{7 intr}
+ \eg{contain excessive fat, as muscle, food, meat, soup, etc.}
+ \md{2}{~ko7uppas sattu u8aiyataay iru~}\wtvc{7i}
+ \eg{contain nutrative fat, as foods etc.}
+ \syn{1}{~ko7uppus sattu no38iru ~}\wtvc{7i}.
+\hw{fatuous, be}
+ \md{1}{~ma8atta2amaaka iru~}\rt{|ma8attanamaa iru|}\vc{7 intr}
+ \eg{be silly; be inane}
+ \syn{1}{~peetaitata2amaaka iru~}\wtvc{7i}
+ \md{2}{~mu88aa9ta2amaaka iru~}\rt{|mu88aa9tanamaa iru|}\vc{7 intr}
+ \eg{be foolish; be silly}
+ \syn{1}{~ma8atta2amaaka iru~}\wtvc{7i}.
+\hw{fault}
+ \md{1}{~tappu sol~}\rt{|tappu sollu|}\vc{3c tr}
+ \eg{censure; blame; find fault with}
+ \syn{1}{~tava6u sol~}\wtvc{3t}
+ \syn{2}{~pi7ai sol~}\wtvc{3t}
+ \md{2}{~ku66am sol~}\rt{|kuttam sollu|}\vc{3c tr, ta}
+ \eg{find fault with; blame; criticise}
+ \syn{1}{~ku6ai sol~}\rt{|kore sollu|}\vc{3c tr}
+ \syn{2}{~pi7ai sol~}\wtvc{3t}.
+\hw{faulty, be}
+ \md{1}{~tappaaka iru~}\rt{|tappaa iru|}\vc{7 intr 3pn}
+ \eg{be wrong; contain faults, mistakes or errors}
+ \syn{1}{~pi7aiyaay iru~ (and) ~tavaruk~}\wtvc{7 3pn}
+ \md{2}{~pi7aiyaaka iru~}\wtvc{7i 3pn}
+ \eg{be full of faults or defects}
+ \md{3}{~ku6aipaa8u ko38iru~}\wtvc{7i}
+ \eg{contain faults or blemishes; be defective}.
+\hw{favour}
+ \md{1}{~aatari~}\rt{|aadari|}\vc{6b tr}
+ \eg{support, show favour to}
+ \syn{1}{~aataravu kaa88u~}\rt{|aadaruvu kaa88u|}\vc{3 tr + dat}
+ \syn{2}{~aataravu taa~}\rt{|aadaravu taa|}\vc{2c ta + dat}
+ \st{~avarka9 ava2ai aakarittaarka9~, ~avarka9 avarukku aataravu ko8uttaarka9~ (or) ~tantaarka9~}
+ \sr{|avanga avane aadariccaanga, avanga avanukku aadaravu ku{\d d}uttaanga (or) tandaanga|}
+ \se{They gave him the benefit of the doubt; they favoured him.}
+ \md{2}{~virumpu~}\rt{|virumbu|}\vc{3 tr}
+ \eg{prefer; like; choose}
+ \st{~naa2 ava2ai virumpuki6ee2~}
+ \sr{|naan avane virumbureen|}
+ \se{I like him.}
+ \syn{1}{~pi8i~}\rt{|pi8i|}\vc{6b tr 3pn + dat}
+ \st{~e2akku ava3aip pi8ikki6atu~}
+ \sr{|enakku avane pi{\d d}ikkidu|}
+ \se{I like him.}
+ \md{3}{~salukai kaa88u~}\rt{|saluhe kaa88u|}\vc{3 tr}
+ \eg{show partiality to; give unfair help or advantages to; give s.o. the benefit of the doubt}
+ \syn{1}{~pa8sa paatam kaa88u~}\rt{|pa8ca paadam kaa88u|}\vc{3 tr}
+ \syn{2}{~ooravanca2ai ka88u~}\wtvc{3ta}
+ \eg{act with partiality}
+ \syn{3}{~ooravanca2ai sey~}\wtvc{1}\rt{|ooravanjane pa33u|}\vc{3 tr}
+ \md{4}{~nalku~}\wtvc{3t}
+ \eg{bestow, grant, give}
+ \syn{1}{~aru9~}\wtvc{3t}
+ \md{5}{~aru9puri~}\wtvc{2ta}
+ \eg{patronise; grace; grant, as a prayer}
+ \syn{1}{~aru9 sey~}\wtvc{1ta}
+ \md{6}{~ottiru~}\rt{|ott-iru|}\vc{7 tr}
+ \eg{resemble; be like or similar to}
+ \md{7}{~caayalaaka iru~}\rt{|saayalaa iru|}\vc{7 intr}
+ \eg{have the likeness of; show the same features of}
+ \syn{1}{~caa8aiyaaka iru~}\rt{|jaa8eyaa iru|}\vc{7 intr}
+ \st{~antak ku7antai ammaavi2 caayalaaka~ (or) ~caa8aiyaaka irukki6atu~}
+ \sr{|anda ko7ende ammaa(voo{\d d}a) saayalaa (or) jaadayaa irukku|}
+ \se{The baby favours her mother}
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/wntamil/tamilize.c b/Master/texmf-dist/doc/fonts/wntamil/tamilize.c
new file mode 100644
index 00000000000..368bbd573b9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/tamilize.c
@@ -0,0 +1,323 @@
+/* Convert transliterated Tamil text to codes known to the Tamilmax.tex */
+/* set of macros using the wntml fonts */
+
+#include <stdio.h>
+#include <ctype.h>
+
+
+/* globally accessible variables */
+
+int tamilflag,t_errors,true,false,errorcount,transflag;
+char switcher,tdelim;
+char tspace[2];
+void changestate();
+FILE *input,*output;
+char filename[128];
+
+
+
+/* functions */
+
+/* void bracket_err()
+{
+ printf("\nCharacter '}' read while scanning Tamil; need to edit file.\n");
+ printf("Examine end of the output file to find location of problem.");
+ fclose(input);
+ fclose(output);
+ abort();
+} */
+
+void haccbox()
+{
+ puts("Tamilize: Tamil to TeX converter v:0.97 of 4/24/90");
+ puts("Humanities And Arts Computing Center, DR-10");
+ puts("University of Washington");
+ puts("Seattle, Washington, 98195 USA");
+ puts("phone (206)-543-4218");
+ puts("ridgeway@blake.u.washington.edu");
+ puts("Copyright 1990 Humanities and Arts Computing Center");
+ puts("You are welcome to use this work-in-progress, but please do not");
+ puts("redistribute: rather, refer other interested parties to us.");
+ puts("Since this is a work in progress, we do not want uncontrolled");
+ puts("proliferation of pre-release versions.");
+ return;
+}
+
+FILE *getopen(char *access)
+{
+ int temp;
+ FILE *handle;
+ gets(filename);
+ handle=fopen(filename,access);
+ if (handle == (FILE *) NULL) {
+ printf("Can't open file %s",filename);
+ errorcount++;
+ if (errorcount > 9) {
+ printf("\n\n\n\n\nToo many errors!\n");
+ abort();
+ }
+ }
+ return handle;
+}
+FILE *get_file(char *access,char *prompt)
+{
+ puts(prompt);
+ return getopen(access);
+}
+
+int isvowel(char thischar)
+{
+ switch (thischar) {
+ case 'a' :
+ case 'e' :
+ case 'i' :
+ case 'o' :
+ case 'u' : return true;
+ default : return false;
+ }
+}
+
+void stringout(char *string)
+{
+ fputs(string,output);
+}
+
+void charout(char thischar)
+{
+ putc(thischar,output);
+}
+
+void romanout(char thischar)
+{
+ stringout("{\\roman ");
+ charout(thischar);
+ charout('}');
+}
+
+void transcribe_err(char thischar)
+{
+ printf("Character %c encountered in Tamil environment.\n",thischar);
+ romanout(thischar);
+}
+
+void pushback(char thischar)
+{
+ ungetc(thischar,input);
+}
+
+void processtamil()
+{
+ char ch;
+ int newsyl;
+ newsyl=true;
+ for (tamilflag=true; tamilflag==true; ) {
+ ch = getc(input);
+ if (ch == EOF) abort();
+ if (ch == switcher) changestate();
+ else if (isspace(ch)) {
+ stringout(tspace);
+ charout(ch);
+ for ( ch=getc(input); isspace(ch); ch=getc(input)) charout(ch);
+ pushback(ch);
+ newsyl=true;
+ }
+ else if (ispunct(ch) ) {
+ if (ch == 125) printf("\nCharacter } encountered while scanning tamil -- probable error.\n");
+ romanout(ch);
+ newsyl=true;
+ }
+ else {
+ switch (ch) {
+ case 'a':
+ case 'e':
+ case 'i':
+ case 'o':
+ case 'u': if (newsyl==true) {
+ charout(tdelim);
+ newsyl=false;
+ }
+ charout(ch);
+ break;
+ case 'c':
+ case 't':
+ case 'p':
+ case 'm':
+ case 'y':
+ case 'r':
+ case 'l':
+ case 'v':
+ case 's':
+ case 'j':
+ case 'x':
+ case 'h': charout(tdelim);
+ charout(ch);
+ newsyl=false;
+ break;
+ case 'k': charout(tdelim);
+ ch=getc(input);
+ if (ch=='4') charout('X');
+ else {
+ charout('k');
+ pushback(ch);
+ }
+ newsyl=false;
+ break;
+ case '2': charout(tdelim);
+ charout('N');
+ newsyl=false;
+ break;
+ case '3': charout(tdelim);
+ stringout("NN");
+ newsyl=false;
+ break;
+ case '4': charout(tdelim);
+ charout('S');
+ newsyl=false;
+ break;
+ case '5': charout(tdelim);
+ stringout("NY");
+ newsyl=false;
+ break;
+ case '6': charout(tdelim);
+ charout('R');
+ newsyl=false;
+ break;
+ case '7': charout(tdelim);
+ charout('Z');
+ newsyl=false;
+ break;
+ case '8': charout(tdelim);
+ charout('T');
+ newsyl=false;
+ break;
+ case '9': charout(tdelim);
+ charout('L');
+ newsyl=false;
+ break;
+ case 'n': charout(tdelim);
+ ch=getc(input);
+ if (ch=='g') stringout("ng");
+ else {
+ charout('n');
+ pushback(ch);
+ }
+ newsyl=false;
+ break;
+ default : transcribe_err(ch);
+ newsyl=true;
+ } /* endcase */
+ } /* endif */
+ } /* endfor*/
+}
+
+void starttamil()
+{
+ stringout("{\\btam "); /* stringout("{\\starttamil\%\n"); */
+ processtamil();
+}
+
+void endtamil()
+{
+ stringout("}\\etam{}"); /* stringout("}\\endtamil\%\n"); */
+ tamilflag=false;
+}
+
+void changestate()
+{
+ if (tamilflag==true) endtamil();
+ else starttamil();
+}
+
+main(int argc, char *argv[])
+{
+ int ch,err,notdone,vowflag,initflag;
+ errorcount=0;
+ switcher='~';
+ true=1;
+ false=0;
+ tamilflag=false;
+ tdelim=1; /* i.e. control-a ::: if yah don't like it, change it */
+ tspace[0]=tdelim;
+ tspace[1]=' ';
+ haccbox();
+ vowflag=0;
+ if (argc > 1) input = fopen(argv[1],"rb");
+ if (input == (FILE *) NULL) {
+ /* prompt for and open input file */
+ for ( ; input == (FILE *) NULL ; input=get_file("rb","Enter name of input file: ")) ;
+ }
+ /* we are making these binary, as we have no guarantee what kind */
+ /* of character may be in the transcription: we don't care about */
+ /* ends of lines, as we are reading character by character */
+ if (argc > 2) output = fopen(argv[2],"wb");
+ if (output == (FILE *) NULL) {
+ for ( ; output == (FILE *) NULL ; output=get_file("wb","Enter name of output file: ")) ;
+ /* prompt for and open output file */
+ }
+ while ((ch = getc(input)) != EOF) {
+ if (ch == switcher) changestate();
+ else {
+ if (ch == '|') {
+ vowflag=1;
+ notdone=1;
+ initflag=2;
+ while (notdone) {
+ ch=getc(input);
+ if (isalnum(ch)) {
+ initflag--;
+ if (vowflag==0) {
+ if (! isvowel(ch)) stringout("\\-");
+ }
+ if (isvowel(ch)) vowflag=1;
+ else vowflag=0;
+ }
+ else {
+ vowflag=1;
+ initflag=2;
+ }
+ if (ch==EOF) notdone=0;
+ else {
+ switch(ch) {
+ case '2': stringout("\\ndot{}");
+ break;
+ case '3': stringout("\\nndot{}");
+ break;
+ case '4': stringout("\\skts{}");
+ break;
+ case '5': stringout("\\paln{}");
+ break;
+ case '6': stringout("\\rdot{}");
+ break;
+ case '7': stringout("\\rdotdot{}");
+ break;
+ case 'T': stringout("\\tdot{}");
+ break;
+ case 'D': stringout("\\dotd{}");
+ break;
+ case '8':
+ if ( initflag > 0 ) stringout("\\tdot{}");
+ else {
+ err=getc(input);
+ if (err == '8') stringout("\\tdot{}\\tdot{}");
+ else {
+ stringout("\\dotd{}");
+ pushback(err);
+ }
+ }
+ break;
+ case '9': stringout("\\dotl{}");
+ break;
+ case '|': notdone=0;
+ break;
+ default: putc(ch,output);
+ } /* endcase */
+ } /* end else */
+ } /* endwhile */
+ } /* endif */
+ else putc(ch,output);
+ } /* endelse */
+ } /* endwhile */
+ fclose(input);
+ fclose(output);
+ puts("Tamilize is done.");
+}
diff --git a/Master/texmf-dist/doc/fonts/wntamil/tamilmax.tex b/Master/texmf-dist/doc/fonts/wntamil/tamilmax.tex
new file mode 100644
index 00000000000..4d1ca5039f9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/tamilmax.tex
@@ -0,0 +1,369 @@
+\font\tmlfnt=wntml10
+\catcode`^^A=0
+\def\starttamil{\tmlfnt}
+\def\endtamil{}
+\def\thyph{\discretionary{}{}{}}
+\def\btam{\starttamil}
+\def\etam{\endtamil}
+\def\viram{\accent241}
+\def\C{\char}
+\def\zaa{\C97}
+\def\ze{\C22}
+\def\zee{\C23}
+\def\zai{\C17}
+\def\zo#1{\ze#1\zaa}
+\def\zoo#1{\zee#1\zaa}
+\def\zau#1{\ze#1\La}
+\def\a{\C0}
+\def\aa{\C1}
+\def\i{\C2}
+\def\ii{\C3}
+\def\u{\C4}
+\def\uu{\C5}
+\def\e{\C6}
+\def\ai{\C7}
+\def\au{\o\La}
+\def\k{\viram\C8\thyph}
+\def\ka{\C8}
+\def\kaa{\C8\zaa}
+\def\o{\C9}
+\def\ki{\C10}
+\def\kii{\C11}
+\def\ku{\C12}
+\def\kuu{\C13}
+\def\ke{\ze\C8}
+\def\kee{\zee\C8}
+\def\kai{\zai\C8}
+\def\ko{\zo{\C8}}
+\def\koo{\zoo{\C8}}
+\def\kau{\zau{\C8}}
+\def\oo{\C14}
+\def\ee{\C15}
+\def\ng{\viram\C16\thyph}
+\def\nga{\C16}
+\def\ngaa{\C16\zaa}
+\def\ngi{\C18}
+\def\ngii{\C19}
+\def\ngu{\C20}
+\def\nguu{\C21}
+\def\nge{\ze\C16}
+\def\ngee{\zee\C16}
+\def\ngai{\zai\C16}
+\def\ngo{\zo{\C16}}
+\def\ngoo{\zoo{\C16}}
+\def\ngau{\zau{\C16}}
+%
+\def\c{\viram\C24\thyph}
+\def\ca{\C24}
+\def\caa{\C24\zaa}
+\def\ci{\C26}
+\def\cii{\C27}
+\def\cu{\C28}
+\def\cuu{\C29}
+\def\ce{\ze\C24}
+\def\cee{\zee\C24}
+\def\cai{\zai\C24}
+\def\co{\zo{\C24}}
+\def\coo{\zoo{\C24}}
+\def\cau{\zau{\C24}}
+%
+\def\NY{\viram\C32\thyph}
+\def\NYa{\C32}
+\def\NYaa{\C32\zaa}
+\def\NYi{\C34}
+\def\NYii{\C35}
+\def\NYu{\C36}
+\def\NYuu{\C37}
+\def\NYe{\ze\C32}
+\def\NYee{\zee\C32}
+\def\NYai{\zai\C32}
+\def\NYo{\zo{\C32}}
+\def\NYoo{\zoo{\C32}}
+\def\NYau{\zau{\C32}}
+%
+\def\T{\viram\C40\thyph}
+\def\Ta{\C40}
+\def\Taa{\C40\zaa}
+\def\Ti{\C42}
+\def\Tii{\C43}
+\def\Tu{\C44}
+\def\Tuu{\C45}
+\def\Te{\ze\C40}
+\def\Tee{\zee\C40}
+\def\Tai{\zai\C40}
+\def\To{\zo{\C40}}
+\def\Too{\zoo{\C40}}
+\def\Tau{\zau{\C40}}
+%
+\def\NN{\viram\C48\thyph}
+\def\NNa{\C48}
+\def\NNaa{\C49}
+\def\NNi{\C50}
+\def\NNii{\C51}
+\def\NNu{\C52}
+\def\NNuu{\C53}
+\def\NNe{\ze\C48}
+\def\NNee{\zee\C48}
+\def\NNai{\C54}
+\def\NNo{\ze{\C49}}
+\def\NNoo{\zee{\C49}}
+\def\NNau{\zau{\C48}}
+%
+\def\t{\viram\C56\thyph}
+\def\ta{\C56}
+\def\taa{\C56\zaa}
+\def\ti{\C58}
+\def\tii{\C59}
+\def\tu{\C60}
+\def\tuu{\C61}
+\def\te{\ze\C56}
+\def\tee{\zee\C56}
+\def\tai{\zai\C56}
+\def\to{\zo{\C56}}
+\def\too{\zoo{\C56}}
+\def\tau{\zau{\C56}}
+%
+\def\n{\viram\C64\thyph}
+\def\na{\C64}
+\def\naa{\C64\zaa}
+\def\ni{\C66}
+\def\nii{\C67}
+\def\nu{\C68}
+\def\nuu{\C69}
+\def\ne{\ze\C64}
+\def\nee{\zee\C64}
+\def\nai{\zai\C64}
+\def\no{\zo{\C64}}
+\def\noo{\zoo{\C64}}
+\def\nau{\zau{\C64}}
+%
+\def\p{\viram\C72\thyph}
+\def\pa{\C72}
+\def\paa{\C72\zaa}
+\def\pi{\C74}
+\def\pii{\C75}
+\def\pu{\C76}
+\def\puu{\C77}
+\def\pe{\ze\C72}
+\def\pee{\zee\C72}
+\def\pai{\zai\C72}
+\def\po{\zo{\C72}}
+\def\poo{\zoo{\C72}}
+\def\pau{\zau{\C72}}
+%
+\def\m{\viram\C80\thyph}
+\def\ma{\C80}
+\def\maa{\C80\zaa}
+\def\mi{\C82}
+\def\mii{\C83}
+\def\mu{\C84}
+\def\muu{\C85}
+\def\me{\ze\C80}
+\def\mee{\zee\C80}
+\def\mai{\zai\C80}
+\def\mo{\zo{\C80}}
+\def\moo{\zoo{\C80}}
+\def\mau{\zau{\C80}}
+%
+\def\y{\viram\C88\thyph}
+\def\ya{\C88}
+\def\yaa{\C88\zaa}
+\def\yi{\C90}
+\def\yii{\C91}
+\def\yu{\C92}
+\def\yuu{\C93}
+\def\ye{\ze\C88}
+\def\yee{\zee\C88}
+\def\yai{\zai\C88}
+\def\yo{\zo{\C88}}
+\def\yoo{\zoo{\C88}}
+\def\yau{\zau{\C88}}
+%
+\def\r{\viram\C96\thyph}
+\def\ra{\C96}
+\def\raa{\C96\zaa}
+\def\ri{\C98}
+\def\rii{\C99}
+\def\ru{\C100}
+\def\ruu{\C101}
+\def\re{\ze\C96}
+\def\ree{\zee\C96}
+\def\rai{\zai\C96}
+\def\ro{\zo{\C96}}
+\def\roo{\zoo{\C96}}
+\def\rau{\zau{\C96}}
+%
+\def\l{\viram\C104\thyph}
+\def\la{\C104}
+\def\laa{\C104\zaa}
+\def\li{\C106}
+\def\lii{\C107}
+\def\lu{\C108}
+\def\luu{\C109}
+\def\le{\ze\C104}
+\def\lee{\zee\C104}
+\def\lai{\C110}
+\def\lo{\zo{\C104}}
+\def\loo{\zoo{\C104}}
+\def\lau{\zau{\C104}}
+%
+\def\v{\viram\C112\thyph}
+\def\va{\C112}
+\def\vaa{\C112\zaa}
+\def\vi{\C114}
+\def\vii{\C115}
+\def\vu{\C116}
+\def\vuu{\C117}
+\def\ve{\ze\C112}
+\def\vee{\zee\C112}
+\def\vai{\zai\C112}
+\def\vo{\zo{\C112}}
+\def\voo{\zoo{\C112}}
+\def\vau{\zau{\C112}}
+%
+\def\Z{\viram\C120\thyph}
+\def\Za{\C120}
+\def\Zaa{\C120\zaa}
+\def\Zi{\C122}
+\def\Zii{\C123}
+\def\Zu{\C124}
+\def\Zuu{\C125}
+\def\Ze{\ze\C120}
+\def\Zee{\zee\C120}
+\def\Zai{\zai\C120}
+\def\Zo{\zo{\C120}}
+\def\Zoo{\zoo{\C120}}
+\def\Zau{\zau{\C120}}
+%
+\def\L{\viram\C128\thyph}
+\def\La{\C128}
+\def\Laa{\C128\zaa}
+\def\Li{\C130}
+\def\Lii{\C131}
+\def\Lu{\C132}
+\def\Luu{\C133}
+\def\Le{\ze\C128}
+\def\Lee{\zee\C128}
+\def\Lai{\C134}
+\def\Lo{\zo{\C128}}
+\def\Loo{\zoo{\C128}}
+\def\Lau{\zau{\C128}}
+%
+\def\R{\viram\C136\thyph}
+\def\Ra{\C136}
+\def\Raa{\C137}
+\def\Ri{\C138}
+\def\Rii{\C139}
+\def\Ru{\C140}
+\def\Ruu{\C141}
+\def\Re{\ze\C136}
+\def\Ree{\zee\C136}
+\def\Rai{\zai\C136}
+\def\Ro{\ze{\C137}}
+\def\Roo{\zee{\C137}}
+\def\Rau{\zau{\C136}}
+%
+\def\N{\viram\C144\thyph}
+\def\Na{\C144}
+\def\Naa{\C145}
+\def\Ni{\C146}
+\def\Nii{\C147}
+\def\Nu{\C148}
+\def\Nuu{\C149}
+\def\Ne{\ze\C144}
+\def\Nee{\zee\C144}
+\def\Nai{\C150}
+\def\No{\ze{\C145}}
+\def\Noo{\zee{\C145}}
+\def\Nau{\zau{\C144}}
+%
+\def\S{\viram\C176\thyph}
+\def\Sa{\C176}
+\def\Saa{\C176\zaa}
+\def\Si{\C178}
+\def\Sii{\C179}
+\def\Su{\C176\C242}
+\def\Suu{\C176\C243}
+\def\Se{\ze\C176}
+\def\See{\zee\C176}
+\def\Sai{\zai\C176}
+\def\So{\zo{\C176}}
+\def\Soo{\zoo{\C176}}
+\def\Sau{\zau{\C176}}
+%
+\def\s{\viram\C184\thyph}
+\def\sa{\C184}
+\def\saa{\C184\zaa}
+\def\si{\C186}
+\def\sii{\C187}
+\def\su{\C184\C242}
+\def\suu{\C184\C243}
+\def\se{\ze\C184}
+\def\see{\zee\C184}
+\def\sai{\zai\C184}
+\def\so{\zo{\C184}}
+\def\soo{\zoo{\C184}}
+\def\sau{\zau{\C184}}
+%
+\def\j{\viram\C192\thyph}
+\def\ja{\C192}
+\def\jaa{\C192\zaa}
+\def\ji{\C194}
+\def\jii{\C195}
+\def\ju{\C192\C242}
+\def\juu{\C192\C243}
+\def\je{\ze\C192}
+\def\jee{\zee\C192}
+\def\jai{\zai\C192}
+\def\jo{\zo{\C192}}
+\def\joo{\zoo{\C192}}
+\def\jau{\zau{\C192}}
+%
+\def\h{\viram\C200\thyph}
+\def\ha{\C200}
+\def\haa{\C200\zaa}
+\def\hi{\C202}
+\def\hii{\C203}
+\def\hu{\C200\C242}
+\def\huu{\C200\C243}
+\def\he{\ze\C200}
+\def\hee{\zee\C200}
+\def\hai{\zai\C200}
+\def\ho{\zo{\C200}}
+\def\hoo{\zoo{\C200}}
+\def\hau{\zau{\C200}}
+%
+\def\x{\viram\C208\thyph}
+\def\xa{\C208}
+\def\xaa{\C208\zaa}
+\def\xi{\C210}
+\def\xii{\C211}
+\def\xu{\C208\C242}
+\def\xuu{\C208\C243}
+\def\xe{\ze\C208}
+\def\xee{\zee\C208}
+\def\xai{\zai\C208}
+\def\xo{\zo{\C208}}
+\def\xoo{\zoo{\C208}}
+\def\xau{\zau{\C208}}
+%
+\newbox\wnbox
+\newdimen\wndimen
+\def\wnalign#1{\leavevmode\vtop to0pt{\baselineskip0pt\lineskip.25ex%
+ \ialign{##\crcr#1\crcr}}} % put characters over each other
+\def\pstack#1#2{\leavevmode\setbox\wnbox=\hbox{#2}{\wnalign{#1\crcr\hidewidth\wndimen=\ht\wnbox\advance\wndimen by .25ex\lower\wndimen\hbox{\unhbox\wnbox}\hidewidth}}}
+%
+\def\ndot{n}
+\def\nndot{\d n}
+\def\skts{\'s}
+\def\rdot{\d r}
+\def\rdotdot{\pstack{r}{\char127}}
+\def\tdot{\d t}
+\def\dotd{\d d}
+\def\dotl{\d l}
+\def\paln{\~n}
+%
+% temporary place holders
+\def\sr{\relax}
+\def\st{\relax}
+% end of file tamilmax
diff --git a/Master/texmf-dist/doc/fonts/wntamil/tmilize.c b/Master/texmf-dist/doc/fonts/wntamil/tmilize.c
new file mode 100644
index 00000000000..f717699a177
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/wntamil/tmilize.c
@@ -0,0 +1,324 @@
+/* Convert transliterated Tamil text to codes known to the Tamilmax.tex */
+/* set of macros using the wntml fonts */
+
+#include <stdio.h>
+#include <ctype.h>
+
+
+/* globally accessible variables */
+
+int tamilflag,t_errors,true,false,errorcount,transflag;
+char switcher,tdelim;
+char tspace[2];
+void changestate();
+FILE *input,*output;
+char filename[128];
+
+
+
+/* functions */
+
+/* void bracket_err()
+{
+ printf("\nCharacter '}' read while scanning Tamil; need to edit file.\n");
+ printf("Examine end of the output file to find location of problem.");
+ fclose(input);
+ fclose(output);
+ abort();
+} */
+
+void haccbox()
+{
+ puts("Tamilize: Tamil to TeX converter v:0.97 of 4/24/90");
+ puts("Humanities And Arts Computing Center, DR-10");
+ puts("University of Washington");
+ puts("Seattle, Washington, 98195 USA");
+ puts("phone (206)-543-4218");
+ puts("ridgeway@blake.u.washington.edu");
+ puts("Copyright 1990 Humanities and Arts Computing Center");
+ puts("You are welcome to use this work-in-progress, but please do not");
+ puts("redistribute: rather, refer other interested parties to us.");
+ puts("Since this is a work in progress, we do not want uncontrolled");
+ puts("proliferation of pre-release versions.");
+ return;
+}
+
+FILE *getopen(char *access)
+{
+ int temp;
+ FILE *handle;
+ gets(filename);
+ handle=fopen(filename,access);
+ if (handle == (FILE *) NULL) {
+ printf("Can't open file %s",filename);
+ errorcount++;
+ if (errorcount > 9) {
+ printf("\n\n\n\n\nToo many errors!\n");
+ abort();
+ }
+ }
+ return handle;
+}
+FILE *get_file(char *access,char *prompt)
+{
+ puts(prompt);
+ return getopen(access);
+}
+
+int isvowel(char thischar)
+{
+ switch (thischar) {
+ case 'a' :
+ case 'e' :
+ case 'i' :
+ case 'o' :
+ case 'u' : return true;
+ default : return false;
+ }
+}
+
+void stringout(char *string)
+{
+ fputs(string,output);
+}
+
+void charout(char thischar)
+{
+ putc(thischar,output);
+}
+
+void romanout(char thischar)
+{
+ stringout("{\\roman ");
+ charout(thischar);
+ charout('}');
+}
+
+void transcribe_err(char thischar)
+{
+ printf("Character %c encountered in Tamil environment.\n",thischar);
+ romanout(thischar);
+}
+
+void pushback(char thischar)
+{
+ ungetc(thischar,input);
+}
+
+void processtamil()
+{
+ char ch;
+ int newsyl;
+ newsyl=true;
+ for (tamilflag=true; tamilflag==true; ) {
+ ch = getc(input);
+ if (ch == EOF) abort();
+ if (ch == switcher) changestate();
+ else if (isspace(ch)) {
+ stringout(tspace);
+ charout(ch);
+ for ( ch=getc(input); isspace(ch); ch=getc(input)) charout(ch);
+ pushback(ch);
+ newsyl=true;
+ }
+ else if (ispunct(ch) ) {
+ if (ch == 125) printf("\nCharacter } encountered while scanning tamil -- probable error.\n");
+ romanout(ch);
+ newsyl=true;
+ }
+ else {
+ switch (ch) {
+ case 'a':
+ case 'e':
+ case 'i':
+ case 'o':
+ case 'u': if (newsyl==true) {
+ charout(tdelim);
+ newsyl=false;
+ }
+ charout(ch);
+ break;
+ case 'c':
+ case 't':
+ case 'p':
+ case 'm':
+ case 'y':
+ case 'r':
+ case 'l':
+ case 'v':
+ case 's':
+ case 'j':
+ case 'x':
+ case 'h': charout(tdelim);
+ charout(ch);
+ newsyl=false;
+ break;
+ case 'k': charout(tdelim);
+ ch=getc(input);
+ if (ch=='4') charout('X');
+ else {
+ charout('k');
+ pushback(ch);
+ }
+ newsyl=false;
+ break;
+ case '2': charout(tdelim);
+ charout('N');
+ newsyl=false;
+ break;
+ case '3': charout(tdelim);
+ stringout("NN");
+ newsyl=false;
+ break;
+ case '4': charout(tdelim);
+ charout('S');
+ newsyl=false;
+ break;
+ case '5': charout(tdelim);
+ stringout("NY");
+ newsyl=false;
+ break;
+ case '6': charout(tdelim);
+ charout('R');
+ newsyl=false;
+ break;
+ case '7': charout(tdelim);
+ charout('Z');
+ newsyl=false;
+ break;
+ case '8': charout(tdelim);
+ charout('T');
+ newsyl=false;
+ break;
+ case '9': charout(tdelim);
+ charout('L');
+ newsyl=false;
+ break;
+ case 'n': charout(tdelim);
+ ch=getc(input);
+ if (ch=='g') stringout("ng");
+ else {
+ charout('n');
+ pushback(ch);
+ }
+ newsyl=false;
+ break;
+ default : transcribe_err(ch);
+ newsyl=true;
+ } /* endcase */
+ } /* endif */
+ } /* endfor*/
+}
+
+void starttamil()
+{
+ stringout("{\\btam "); /* stringout("{\\starttamil\%\n"); */
+ processtamil();
+}
+
+void endtamil()
+{
+ stringout("}\\etam{}"); /* stringout("}\\endtamil\%\n"); */
+ tamilflag=false;
+}
+
+void changestate()
+{
+ if (tamilflag==true) endtamil();
+ else starttamil();
+}
+
+main(int argc, char *argv[])
+{
+ int ch,err,notdone,vowflag,initflag;
+ errorcount=0;
+ switcher='~';
+ true=1;
+ false=0;
+ tamilflag=false;
+ tdelim=92; /* if we are in ASCII, that is a backslash */
+ /* if we aren't in ASCII, we just bought the farm probably */
+ tspace[0]=tdelim;
+ tspace[1]=' ';
+ haccbox();
+ vowflag=0;
+ if (argc > 1) input = fopen(argv[1],"rb");
+ if (input == (FILE *) NULL) {
+ /* prompt for and open input file */
+ for ( ; input == (FILE *) NULL ; input=get_file("rb","Enter name of input file: ")) ;
+ }
+ /* we are making these binary, as we have no guarantee what kind */
+ /* of character may be in the transcription: we don't care about */
+ /* ends of lines, as we are reading character by character */
+ if (argc > 2) output = fopen(argv[2],"wb");
+ if (output == (FILE *) NULL) {
+ for ( ; output == (FILE *) NULL ; output=get_file("wb","Enter name of output file: ")) ;
+ /* prompt for and open output file */
+ }
+ while ((ch = getc(input)) != EOF) {
+ if (ch == switcher) changestate();
+ else {
+ if (ch == '|') {
+ vowflag=1;
+ notdone=1;
+ initflag=2;
+ while (notdone) {
+ ch=getc(input);
+ if (isalnum(ch)) {
+ initflag--;
+ if (vowflag==0) {
+ if (! isvowel(ch)) stringout("\\-");
+ }
+ if (isvowel(ch)) vowflag=1;
+ else vowflag=0;
+ }
+ else {
+ vowflag=1;
+ initflag=2;
+ }
+ if (ch==EOF) notdone=0;
+ else {
+ switch(ch) {
+ case '2': stringout("\\ndot{}");
+ break;
+ case '3': stringout("\\nndot{}");
+ break;
+ case '4': stringout("\\skts{}");
+ break;
+ case '5': stringout("\\paln{}");
+ break;
+ case '6': stringout("\\rdot{}");
+ break;
+ case '7': stringout("\\rdotdot{}");
+ break;
+ case 'T': stringout("\\tdot{}");
+ break;
+ case 'D': stringout("\\dotd{}");
+ break;
+ case '8':
+ if ( initflag > 0 ) stringout("\\tdot{}");
+ else {
+ err=getc(input);
+ if (err == '8') stringout("\\tdot{}\\tdot{}");
+ else {
+ stringout("\\dotd{}");
+ pushback(err);
+ }
+ }
+ break;
+ case '9': stringout("\\dotl{}");
+ break;
+ case '|': notdone=0;
+ break;
+ default: putc(ch,output);
+ } /* endcase */
+ } /* end else */
+ } /* endwhile */
+ } /* endif */
+ else putc(ch,output);
+ } /* endelse */
+ } /* endwhile */
+ fclose(input);
+ fclose(output);
+ puts("Tamilize is done.");
+}
diff --git a/Master/texmf-dist/doc/fonts/yi4latex/FILES b/Master/texmf-dist/doc/fonts/yi4latex/FILES
new file mode 100644
index 00000000000..c4929c57cb7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/yi4latex/FILES
@@ -0,0 +1,49 @@
+## This is a list of all files belonging to the yi4LaTeX package. ##
+## This list was generated with ls -R. ##
+#####################################################################
+FILES
+README
+doc
+mfinput
+texinput
+tfm
+yi4latex.zip
+
+doc:
+yi-table.tex
+yi4latex.tex
+
+mfinput:
+yib-1.mf
+yib-2.mf
+yib-3.mf
+yib-4.mf
+yib-5.mf
+yibparms.mf
+yir-1.mf
+yir-2.mf
+yir-3.mf
+yir-4.mf
+yir-5.mf
+yirdefs.mf
+yirparms.mf
+yis-1.mf
+yis-2.mf
+yis-3.mf
+yis-4.mf
+yis-5.mf
+
+texinput:
+yi.sty
+
+tfm:
+yib-1.tfm
+yib-2.tfm
+yib-3.tfm
+yib-4.tfm
+yib-5.tfm
+yir-1.tfm
+yir-2.tfm
+yir-3.tfm
+yir-4.tfm
+yir-5.tfm
diff --git a/Master/texmf-dist/doc/fonts/yi4latex/README b/Master/texmf-dist/doc/fonts/yi4latex/README
new file mode 100644
index 00000000000..4e7c2271668
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/yi4latex/README
@@ -0,0 +1,35 @@
+This is the README file accompanying the Yi for LaTeX package.
+Please consult yi4tex.tex if you require detailed information.
+
+
+Package name: Yi for LaTeX, v. 0.1
+
+Author: Oliver Corff
+
+Description: Yi for LaTeX provides support for writing all
+ standardized Yi characters in LaTeX documents. The
+ language Yi is spoken by the Yi nationality (also
+ known as Lolo) in Southern China (namely in Sichuan,
+ Guizhou, Yunnan and Guangxi). The script is a purely
+ syllabic script which was developed on the basis of
+ an older, ideographic system.
+
+ All 1165 characters are provided in two typefaces,
+ regular and boldface and can be accessed by their
+ syllable names.
+
+Requirements: LaTeX2e. The package relies on the NFSS
+ mechanism and will probably not work with LaTeX209.
+
+Comments: The version number will increase once the following
+ things happen:
+ - Review of the character set (at present, glyph shapes
+ were defined after books, without feedback
+ from native speakers)
+ - Inclusion of the Yi syllable set in ISO 10646 and
+ Unicode. The final arrangement may differ
+ from the present arrangement.
+ - Improvement of the user interface.
+
+
+ Oliver Corff, Ulaanbaatar, September 1997
diff --git a/Master/texmf-dist/doc/fonts/yi4latex/yi-table.tex b/Master/texmf-dist/doc/fonts/yi4latex/yi-table.tex
new file mode 100644
index 00000000000..0259d88a4bf
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/yi4latex/yi-table.tex
@@ -0,0 +1,595 @@
+\documentclass[a4paper]{article}
+\usepackage{yi}
+\newcommand{\Lg}{\huge}
+\newcommand{\scr}{\scriptsize}
+\newcommand{\tsf}{\textsf}
+\addtolength{\topmargin}{-.5in}
+\setlength{\headsep}{15pt}
+\addtolength{\textheight}{1.5in}
+\begin{document}
+\thispagestyle{myheadings}
+\pagestyle{myheadings}
+\markboth{Yi Encoding Proposal: GB Streamlined Arrangement}%
+ {Yi Encoding Proposal Draft: GB Streamlined Arrangement}
+\begin{center}\Large{Table 1 --- Row A0: Yi}
+\end{center}
+\message{A few 'overfull box' messages will appear. Do not panic.}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A00 &A01 &A02 &A03 &A04 &A05 &A06 &A07\\ \hline
+0&{\Lg\Ybit} &{\Lg\Ybox} &{\Lg\Ybyrx} &{\Lg\Ybbuop} &{\Lg\Ybby} &{\Lg\Ycuop} &{\Lg\Ycy} &{\Lg\Ychet}\\
+&\tsf{\scr 0:bit} &\tsf{\scr 16:box} &\tsf{\scr 32:byrx} &\tsf{\scr 48:bbuop} &\tsf{\scr 64:bby} &\tsf{\scr 80:cuop} &\tsf{\scr 96:cy} &\tsf{\scr 112:chet}\\
+\hline
+1&{\Lg\Ybix} &{\Lg\Ybo} &{\Lg\Ybyr} &{\Lg\Ybbot} &{\Lg\Ybbyp} &{\Lg\Ycot} &{\Lg\Ycyp} &{\Lg\Ychex}\\
+&\tsf{\scr 1:bix} &\tsf{\scr 17:bo} &\tsf{\scr 33:byr} &\tsf{\scr 49:bbot} &\tsf{\scr 65:bbyp} &\tsf{\scr 81:cot} &\tsf{\scr 97:cyp} &\tsf{\scr 113:chex}\\
+\hline
+2&{\Lg\Ybi} &{\Lg\Ybop} &{\Lg\Ybbit} &{\Lg\Ybbox} &{\Lg\Ycit} &{\Lg\Ycox} &{\Lg\Ycyrx} &{\Lg\Yche}\\
+&\tsf{\scr 2:bi} &\tsf{\scr 18:bop} &\tsf{\scr 34:bbit} &\tsf{\scr 50:bbox} &\tsf{\scr 66:cit} &\tsf{\scr 82:cox} &\tsf{\scr 98:cyrx} &\tsf{\scr 114:che}\\
+\hline
+3&{\Lg\Ybip} &{\Lg\Ybex} &{\Lg\Ybbix} &{\Lg\Ybbo} &{\Lg\Ycix} &{\Lg\Yco} &{\Lg\Ycyr} &{\Lg\Ychep}\\
+&\tsf{\scr 3:bip} &\tsf{\scr 19:bex} &\tsf{\scr 35:bbix} &\tsf{\scr 51:bbo} &\tsf{\scr 67:cix} &\tsf{\scr 83:co} &\tsf{\scr 99:cyr} &\tsf{\scr 115:chep}\\
+\hline
+4&{\Lg\Ybiet} &{\Lg\Ybe} &{\Lg\Ybbi} &{\Lg\Ybbop} &{\Lg\Yci} &{\Lg\Ycop} &{\Lg\Ychat} &{\Lg\Ychux}\\
+&\tsf{\scr 4:biet} &\tsf{\scr 20:be} &\tsf{\scr 36:bbi} &\tsf{\scr 52:bbop} &\tsf{\scr 68:ci} &\tsf{\scr 84:cop} &\tsf{\scr 100:chat} &\tsf{\scr 116:chux}\\
+\hline
+5&{\Lg\Ybiex} &{\Lg\Ybep} &{\Lg\Ybbip} &{\Lg\Ybbex} &{\Lg\Ycip} &{\Lg\Ycex} &{\Lg\Ychax} &{\Lg\Ychu}\\
+&\tsf{\scr 5:biex} &\tsf{\scr 21:bep} &\tsf{\scr 37:bbip} &\tsf{\scr 53:bbex} &\tsf{\scr 69:cip} &\tsf{\scr 85:cex} &\tsf{\scr 101:chax} &\tsf{\scr 117:chu}\\
+\hline
+6&{\Lg\Ybie} &{\Lg\Ybut} &{\Lg\Ybbiet} &{\Lg\Ybbe} &{\Lg\Yciet} &{\Lg\Yce} &{\Lg\Ycha} &{\Lg\Ychup}\\
+&\tsf{\scr 6:bie} &\tsf{\scr 22:but} &\tsf{\scr 38:bbiet} &\tsf{\scr 54:bbe} &\tsf{\scr 70:ciet} &\tsf{\scr 86:ce} &\tsf{\scr 102:cha} &\tsf{\scr 118:chup}\\
+\hline
+7&{\Lg\Ybiep} &{\Lg\Ybux} &{\Lg\Ybbiex} &{\Lg\Ybbep} &{\Lg\Yciex} &{\Lg\Ycep} &{\Lg\Ychap} &{\Lg\Ychurx}\\
+&\tsf{\scr 7:biep} &\tsf{\scr 23:bux} &\tsf{\scr 39:bbiex} &\tsf{\scr 55:bbep} &\tsf{\scr 71:ciex} &\tsf{\scr 87:cep} &\tsf{\scr 103:chap} &\tsf{\scr 119:churx}\\
+\hline
+8&{\Lg\Ybat} &{\Lg\Ybu} &{\Lg\Ybbie} &{\Lg\Ybbut} &{\Lg\Ycie} &{\Lg\Ycut} &{\Lg\Ychuot} &{\Lg\Ychur}\\
+&\tsf{\scr 8:bat} &\tsf{\scr 24:bu} &\tsf{\scr 40:bbie} &\tsf{\scr 56:bbut} &\tsf{\scr 72:cie} &\tsf{\scr 88:cut} &\tsf{\scr 104:chuot} &\tsf{\scr 120:chur}\\
+\hline
+9&{\Lg\Ybax} &{\Lg\Ybup} &{\Lg\Ybbiep} &{\Lg\Ybbux} &{\Lg\Yciep} &{\Lg\Ycux} &{\Lg\Ychuox} &{\Lg\Ychyt}\\
+&\tsf{\scr 9:bax} &\tsf{\scr 25:bup} &\tsf{\scr 41:bbiep} &\tsf{\scr 57:bbux} &\tsf{\scr 73:ciep} &\tsf{\scr 89:cux} &\tsf{\scr 105:chuox} &\tsf{\scr 121:chyt}\\
+\hline
+A&{\Lg\Yba} &{\Lg\Yburx} &{\Lg\Ybbat} &{\Lg\Ybbu} &{\Lg\Ycat} &{\Lg\Ycu} &{\Lg\Ychuo} &{\Lg\Ychyx}\\
+&\tsf{\scr 10:ba} &\tsf{\scr 26:burx} &\tsf{\scr 42:bbat} &\tsf{\scr 58:bbu} &\tsf{\scr 74:cat} &\tsf{\scr 90:cu} &\tsf{\scr 106:chuo} &\tsf{\scr 122:chyx}\\
+\hline
+B&{\Lg\Ybap} &{\Lg\Ybur} &{\Lg\Ybbax} &{\Lg\Ybbup} &{\Lg\Ycax} &{\Lg\Ycup} &{\Lg\Ychuop} &{\Lg\Ychy}\\
+&\tsf{\scr 11:bap} &\tsf{\scr 27:bur} &\tsf{\scr 43:bbax} &\tsf{\scr 59:bbup} &\tsf{\scr 75:cax} &\tsf{\scr 91:cup} &\tsf{\scr 107:chuop} &\tsf{\scr 123:chy}\\
+\hline
+C&{\Lg\Ybuox} &{\Lg\Ybyt} &{\Lg\Ybba} &{\Lg\Ybburx} &{\Lg\Yca} &{\Lg\Ycurx} &{\Lg\Ychot} &{\Lg\Ychyp}\\
+&\tsf{\scr 12:buox} &\tsf{\scr 28:byt} &\tsf{\scr 44:bba} &\tsf{\scr 60:bburx} &\tsf{\scr 76:ca} &\tsf{\scr 92:curx} &\tsf{\scr 108:chot} &\tsf{\scr 124:chyp}\\
+\hline
+D&{\Lg\Ybuo} &{\Lg\Ybyx} &{\Lg\Ybbap} &{\Lg\Ybbur} &{\Lg\Ycap} &{\Lg\Ycur} &{\Lg\Ychox} &{\Lg\Ychyrx}\\
+&\tsf{\scr 13:buo} &\tsf{\scr 29:byx} &\tsf{\scr 45:bbap} &\tsf{\scr 61:bbur} &\tsf{\scr 77:cap} &\tsf{\scr 93:cur} &\tsf{\scr 109:chox} &\tsf{\scr 125:chyrx}\\
+\hline
+E&{\Lg\Ybuop} &{\Lg\Yby} &{\Lg\Ybbuox} &{\Lg\Ybbyt} &{\Lg\Ycuox} &{\Lg\Ycyt} &{\Lg\Ycho} &{\Lg\Ychyr}\\
+&\tsf{\scr 14:buop} &\tsf{\scr 30:by} &\tsf{\scr 46:bbuox} &\tsf{\scr 62:bbyt} &\tsf{\scr 78:cuox} &\tsf{\scr 94:cyt} &\tsf{\scr 110:cho} &\tsf{\scr 126:chyr}\\
+\hline
+F&{\Lg\Ybot} &{\Lg\Ybyp} &{\Lg\Ybbuo} &{\Lg\Ybbyx} &{\Lg\Ycuo} &{\Lg\Ycyx} &{\Lg\Ychop} &{\Lg\Ydit}\\
+&\tsf{\scr 15:bot} &\tsf{\scr 31:byp} &\tsf{\scr 47:bbuo} &\tsf{\scr 63:bbyx} &\tsf{\scr 79:cuo} &\tsf{\scr 95:cyx} &\tsf{\scr 111:chop} &\tsf{\scr 127:dit}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 2 --- Row A0: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A08 &A09 &A0A &A0B &A0C &A0D &A0E &A0F\\ \hline
+0&{\Lg\Ydix} &{\Lg\Ydex} &{\Lg\Yddat} &{\Lg\Yddu} &{\Lg\Yfux} &{\Lg\Ygiep} &{\Lg\Ygep} &{\Lg\Yggap}\\
+&\tsf{\scr 128:dix} &\tsf{\scr 144:dex} &\tsf{\scr 160:ddat} &\tsf{\scr 176:ddu} &\tsf{\scr 192:fux} &\tsf{\scr 208:giep} &\tsf{\scr 224:gep} &\tsf{\scr 240:ggap}\\
+\hline
+1&{\Lg\Ydi} &{\Lg\Yde} &{\Lg\Yddax} &{\Lg\Yddup} &{\Lg\Yfu} &{\Lg\Ygat} &{\Lg\Ygut} &{\Lg\Ygguot}\\
+&\tsf{\scr 129:di} &\tsf{\scr 145:de} &\tsf{\scr 161:ddax} &\tsf{\scr 177:ddup} &\tsf{\scr 193:fu} &\tsf{\scr 209:gat} &\tsf{\scr 225:gut} &\tsf{\scr 241:gguot}\\
+\hline
+2&{\Lg\Ydip} &{\Lg\Ydep} &{\Lg\Ydda} &{\Lg\Yddurx} &{\Lg\Yfup} &{\Lg\Ygax} &{\Lg\Ygux} &{\Lg\Ygguox}\\
+&\tsf{\scr 130:dip} &\tsf{\scr 146:dep} &\tsf{\scr 162:dda} &\tsf{\scr 178:ddurx} &\tsf{\scr 194:fup} &\tsf{\scr 210:gax} &\tsf{\scr 226:gux} &\tsf{\scr 242:gguox}\\
+\hline
+3&{\Lg\Ydiex} &{\Lg\Ydut} &{\Lg\Yddap} &{\Lg\Yddur} &{\Lg\Yfurx} &{\Lg\Yga} &{\Lg\Ygu} &{\Lg\Ygguo}\\
+&\tsf{\scr 131:diex} &\tsf{\scr 147:dut} &\tsf{\scr 163:ddap} &\tsf{\scr 179:ddur} &\tsf{\scr 195:furx} &\tsf{\scr 211:ga} &\tsf{\scr 227:gu} &\tsf{\scr 243:gguo}\\
+\hline
+4&{\Lg\Ydie} &{\Lg\Ydux} &{\Lg\Ydduox} &{\Lg\Yfit} &{\Lg\Yfur} &{\Lg\Ygap} &{\Lg\Ygup} &{\Lg\Ygguop}\\
+&\tsf{\scr 132:die} &\tsf{\scr 148:dux} &\tsf{\scr 164:dduox} &\tsf{\scr 180:fit} &\tsf{\scr 196:fur} &\tsf{\scr 212:gap} &\tsf{\scr 228:gup} &\tsf{\scr 244:gguop}\\
+\hline
+5&{\Lg\Ydiep} &{\Lg\Ydu} &{\Lg\Ydduo} &{\Lg\Yfix} &{\Lg\Yfyt} &{\Lg\Yguot} &{\Lg\Ygurx} &{\Lg\Yggot}\\
+&\tsf{\scr 133:diep} &\tsf{\scr 149:du} &\tsf{\scr 165:dduo} &\tsf{\scr 181:fix} &\tsf{\scr 197:fyt} &\tsf{\scr 213:guot} &\tsf{\scr 229:gurx} &\tsf{\scr 245:ggot}\\
+\hline
+6&{\Lg\Ydat} &{\Lg\Ydup} &{\Lg\Ydduop} &{\Lg\Yfi} &{\Lg\Yfyx} &{\Lg\Yguox} &{\Lg\Ygur} &{\Lg\Yggox}\\
+&\tsf{\scr 134:dat} &\tsf{\scr 150:dup} &\tsf{\scr 166:dduop} &\tsf{\scr 182:fi} &\tsf{\scr 198:fyx} &\tsf{\scr 214:guox} &\tsf{\scr 230:gur} &\tsf{\scr 246:ggox}\\
+\hline
+7&{\Lg\Ydax} &{\Lg\Ydurx} &{\Lg\Yddot} &{\Lg\Yfip} &{\Lg\Yfy} &{\Lg\Yguo} &{\Lg\Yggit} &{\Lg\Yggo}\\
+&\tsf{\scr 135:dax} &\tsf{\scr 151:durx} &\tsf{\scr 167:ddot} &\tsf{\scr 183:fip} &\tsf{\scr 199:fy} &\tsf{\scr 215:guo} &\tsf{\scr 231:ggit} &\tsf{\scr 247:ggo}\\
+\hline
+8&{\Lg\Yda} &{\Lg\Ydur} &{\Lg\Yddox} &{\Lg\Yfat} &{\Lg\Yfyp} &{\Lg\Yguop} &{\Lg\Yggix} &{\Lg\Yggop}\\
+&\tsf{\scr 136:da} &\tsf{\scr 152:dur} &\tsf{\scr 168:ddox} &\tsf{\scr 184:fat} &\tsf{\scr 200:fyp} &\tsf{\scr 216:guop} &\tsf{\scr 232:ggix} &\tsf{\scr 248:ggop}\\
+\hline
+9&{\Lg\Ydap} &{\Lg\Yddit} &{\Lg\Yddo} &{\Lg\Yfax} &{\Lg\Ygit} &{\Lg\Ygot} &{\Lg\Yggi} &{\Lg\Ygget}\\
+&\tsf{\scr 137:dap} &\tsf{\scr 153:ddit} &\tsf{\scr 169:ddo} &\tsf{\scr 185:fax} &\tsf{\scr 201:git} &\tsf{\scr 217:got} &\tsf{\scr 233:ggi} &\tsf{\scr 249:gget}\\
+\hline
+A&{\Lg\Yduox} &{\Lg\Yddix} &{\Lg\Yddop} &{\Lg\Yfa} &{\Lg\Ygix} &{\Lg\Ygox} &{\Lg\Yggiex} &{\Lg\Yggex}\\
+&\tsf{\scr 138:duox} &\tsf{\scr 154:ddix} &\tsf{\scr 170:ddop} &\tsf{\scr 186:fa} &\tsf{\scr 202:gix} &\tsf{\scr 218:gox} &\tsf{\scr 234:ggiex} &\tsf{\scr 250:ggex}\\
+\hline
+B&{\Lg\Yduo} &{\Lg\Yddi} &{\Lg\Yddex} &{\Lg\Yfap} &{\Lg\Ygi} &{\Lg\Ygo} &{\Lg\Yggie} &{\Lg\Ygge}\\
+&\tsf{\scr 139:duo} &\tsf{\scr 155:ddi} &\tsf{\scr 171:ddex} &\tsf{\scr 187:fap} &\tsf{\scr 203:gi} &\tsf{\scr 219:go} &\tsf{\scr 235:ggie} &\tsf{\scr 251:gge}\\
+\hline
+C&{\Lg\Ydot} &{\Lg\Yddip} &{\Lg\Ydde} &{\Lg\Yfox} &{\Lg\Ygip} &{\Lg\Ygop} &{\Lg\Yggiep} &{\Lg\Yggep}\\
+&\tsf{\scr 140:dot} &\tsf{\scr 156:ddip} &\tsf{\scr 172:dde} &\tsf{\scr 188:fox} &\tsf{\scr 204:gip} &\tsf{\scr 220:gop} &\tsf{\scr 236:ggiep} &\tsf{\scr 252:ggep}\\
+\hline
+D&{\Lg\Ydox} &{\Lg\Yddiex} &{\Lg\Yddep} &{\Lg\Yfo} &{\Lg\Ygiet} &{\Lg\Yget} &{\Lg\Yggat} &{\Lg\Yggut}\\
+&\tsf{\scr 141:dox} &\tsf{\scr 157:ddiex} &\tsf{\scr 173:ddep} &\tsf{\scr 189:fo} &\tsf{\scr 205:giet} &\tsf{\scr 221:get} &\tsf{\scr 237:ggat} &\tsf{\scr 253:ggut}\\
+\hline
+E&{\Lg\Ydo} &{\Lg\Yddie} &{\Lg\Yddut} &{\Lg\Yfop} &{\Lg\Ygiex} &{\Lg\Ygex} &{\Lg\Yggax} &{\Lg\Yggux}\\
+&\tsf{\scr 142:do} &\tsf{\scr 158:ddie} &\tsf{\scr 174:ddut} &\tsf{\scr 190:fop} &\tsf{\scr 206:giex} &\tsf{\scr 222:gex} &\tsf{\scr 238:ggax} &\tsf{\scr 254:ggux}\\
+\hline
+F&{\Lg\Ydop} &{\Lg\Yddiep} &{\Lg\Yddux} &{\Lg\Yfut} &{\Lg\Ygie} &{\Lg\Yge} &{\Lg\Ygga} &{\Lg\Yggu}\\
+&\tsf{\scr 143:dop} &\tsf{\scr 159:ddiep} &\tsf{\scr 175:ddux} &\tsf{\scr 191:fut} &\tsf{\scr 207:gie} &\tsf{\scr 223:ge} &\tsf{\scr 239:gga} &\tsf{\scr 255:ggu}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 3 --- Row A1: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A10 &A11 &A12 &A13 &A14 &A15 &A16 &A17\\ \hline
+0&{\Lg\Yggup} &{\Lg\Yho} &{\Lg\Yhmuox} &{\Lg\Yhmyrx} &{\Lg\Yhnot} &{\Lg\Yhla} &{\Lg\Yhlur} &{\Lg\Yhxax}\\
+&\tsf{\scr 256:ggup} &\tsf{\scr 272:ho} &\tsf{\scr 288:hmuox} &\tsf{\scr 304:hmyrx} &\tsf{\scr 320:hnot} &\tsf{\scr 336:hla} &\tsf{\scr 352:hlur} &\tsf{\scr 368:hxax}\\
+\hline
+1&{\Lg\Yggurx} &{\Lg\Yhop} &{\Lg\Yhmuo} &{\Lg\Yhmyr} &{\Lg\Yhnox} &{\Lg\Yhlap} &{\Lg\Yhlyt} &{\Lg\Yhxa}\\
+&\tsf{\scr 257:ggurx} &\tsf{\scr 273:hop} &\tsf{\scr 289:hmuo} &\tsf{\scr 305:hmyr} &\tsf{\scr 321:hnox} &\tsf{\scr 337:hlap} &\tsf{\scr 353:hlyt} &\tsf{\scr 369:hxa}\\
+\hline
+2&{\Lg\Yggur} &{\Lg\Yhex} &{\Lg\Yhmuop} &{\Lg\Yhnit} &{\Lg\Yhnop} &{\Lg\Yhluox} &{\Lg\Yhlyx} &{\Lg\Yhxap}\\
+&\tsf{\scr 258:ggur} &\tsf{\scr 274:hex} &\tsf{\scr 290:hmuop} &\tsf{\scr 306:hnit} &\tsf{\scr 322:hnop} &\tsf{\scr 338:hluox} &\tsf{\scr 354:hlyx} &\tsf{\scr 370:hxap}\\
+\hline
+3&{\Lg\Yhit} &{\Lg\Yhe} &{\Lg\Yhmot} &{\Lg\Yhnix} &{\Lg\Yhnex} &{\Lg\Yhluo} &{\Lg\Yhly} &{\Lg\Yhxuot}\\
+&\tsf{\scr 259:hit} &\tsf{\scr 275:he} &\tsf{\scr 291:hmot} &\tsf{\scr 307:hnix} &\tsf{\scr 323:hnex} &\tsf{\scr 339:hluo} &\tsf{\scr 355:hly} &\tsf{\scr 371:hxuot}\\
+\hline
+4&{\Lg\Yhiex} &{\Lg\Yhep} &{\Lg\Yhmox} &{\Lg\Yhni} &{\Lg\Yhne} &{\Lg\Yhluop} &{\Lg\Yhlyp} &{\Lg\Yhxuox}\\
+&\tsf{\scr 260:hiex} &\tsf{\scr 276:hep} &\tsf{\scr 292:hmox} &\tsf{\scr 308:hni} &\tsf{\scr 324:hne} &\tsf{\scr 340:hluop} &\tsf{\scr 356:hlyp} &\tsf{\scr 372:hxuox}\\
+\hline
+5&{\Lg\Yhie} &{\Lg\Yhmit} &{\Lg\Yhmo} &{\Lg\Yhnip} &{\Lg\Yhnep} &{\Lg\Yhlox} &{\Lg\Yhlyrx} &{\Lg\Yhxuo}\\
+&\tsf{\scr 261:hie} &\tsf{\scr 277:hmit} &\tsf{\scr 293:hmo} &\tsf{\scr 309:hnip} &\tsf{\scr 325:hnep} &\tsf{\scr 341:hlox} &\tsf{\scr 357:hlyrx} &\tsf{\scr 373:hxuo}\\
+\hline
+6&{\Lg\Yhat} &{\Lg\Yhmix} &{\Lg\Yhmop} &{\Lg\Yhniet} &{\Lg\Yhnut} &{\Lg\Yhlo} &{\Lg\Yhlyr} &{\Lg\Yhxuop}\\
+&\tsf{\scr 262:hat} &\tsf{\scr 278:hmix} &\tsf{\scr 294:hmop} &\tsf{\scr 310:hniet} &\tsf{\scr 326:hnut} &\tsf{\scr 342:hlo} &\tsf{\scr 358:hlyr} &\tsf{\scr 374:hxuop}\\
+\hline
+7&{\Lg\Yhax} &{\Lg\Yhmi} &{\Lg\Yhmut} &{\Lg\Yhniex} &{\Lg\Yhlit} &{\Lg\Yhlop} &{\Lg\Yhxit} &{\Lg\Yhxot}\\
+&\tsf{\scr 263:hax} &\tsf{\scr 279:hmi} &\tsf{\scr 295:hmut} &\tsf{\scr 311:hniex} &\tsf{\scr 327:hlit} &\tsf{\scr 343:hlop} &\tsf{\scr 359:hxit} &\tsf{\scr 375:hxot}\\
+\hline
+8&{\Lg\Yha} &{\Lg\Yhmip} &{\Lg\Yhmux} &{\Lg\Yhnie} &{\Lg\Yhlix} &{\Lg\Yhlex} &{\Lg\Yhxix} &{\Lg\Yhxox}\\
+&\tsf{\scr 264:ha} &\tsf{\scr 280:hmip} &\tsf{\scr 296:hmux} &\tsf{\scr 312:hnie} &\tsf{\scr 328:hlix} &\tsf{\scr 344:hlex} &\tsf{\scr 360:hxix} &\tsf{\scr 376:hxox}\\
+\hline
+9&{\Lg\Yhap} &{\Lg\Yhmiex} &{\Lg\Yhmu} &{\Lg\Yhniep} &{\Lg\Yhli} &{\Lg\Yhle} &{\Lg\Yhxi} &{\Lg\Yhxo}\\
+&\tsf{\scr 265:hap} &\tsf{\scr 281:hmiex} &\tsf{\scr 297:hmu} &\tsf{\scr 313:hniep} &\tsf{\scr 329:hli} &\tsf{\scr 345:hle} &\tsf{\scr 361:hxi} &\tsf{\scr 377:hxo}\\
+\hline
+A&{\Lg\Yhuot} &{\Lg\Yhmie} &{\Lg\Yhmup} &{\Lg\Yhnat} &{\Lg\Yhlip} &{\Lg\Yhlep} &{\Lg\Yhxip} &{\Lg\Yhxop}\\
+&\tsf{\scr 266:huot} &\tsf{\scr 282:hmie} &\tsf{\scr 298:hmup} &\tsf{\scr 314:hnat} &\tsf{\scr 330:hlip} &\tsf{\scr 346:hlep} &\tsf{\scr 362:hxip} &\tsf{\scr 378:hxop}\\
+\hline
+B&{\Lg\Yhuox} &{\Lg\Yhmiep} &{\Lg\Yhmurx} &{\Lg\Yhnax} &{\Lg\Yhliex} &{\Lg\Yhlut} &{\Lg\Yhxiet} &{\Lg\Yhxex}\\
+&\tsf{\scr 267:huox} &\tsf{\scr 283:hmiep} &\tsf{\scr 299:hmurx} &\tsf{\scr 315:hnax} &\tsf{\scr 331:hliex} &\tsf{\scr 347:hlut} &\tsf{\scr 363:hxiet} &\tsf{\scr 379:hxex}\\
+\hline
+C&{\Lg\Yhuo} &{\Lg\Yhmat} &{\Lg\Yhmur} &{\Lg\Yhna} &{\Lg\Yhlie} &{\Lg\Yhlux} &{\Lg\Yhxiex} &{\Lg\Yhxe}\\
+&\tsf{\scr 268:huo} &\tsf{\scr 284:hmat} &\tsf{\scr 300:hmur} &\tsf{\scr 316:hna} &\tsf{\scr 332:hlie} &\tsf{\scr 348:hlux} &\tsf{\scr 364:hxiex} &\tsf{\scr 380:hxe}\\
+\hline
+D&{\Lg\Yhuop} &{\Lg\Yhmax} &{\Lg\Yhmyx} &{\Lg\Yhnap} &{\Lg\Yhliep} &{\Lg\Yhlu} &{\Lg\Yhxie} &{\Lg\Yhxep}\\
+&\tsf{\scr 269:huop} &\tsf{\scr 285:hmax} &\tsf{\scr 301:hmyx} &\tsf{\scr 317:hnap} &\tsf{\scr 333:hliep} &\tsf{\scr 349:hlu} &\tsf{\scr 365:hxie} &\tsf{\scr 381:hxep}\\
+\hline
+E&{\Lg\Yhot} &{\Lg\Yhma} &{\Lg\Yhmy} &{\Lg\Yhnuox} &{\Lg\Yhlat} &{\Lg\Yhlup} &{\Lg\Yhxiep} &{\Lg\Yjit}\\
+&\tsf{\scr 270:hot} &\tsf{\scr 286:hma} &\tsf{\scr 302:hmy} &\tsf{\scr 318:hnuox} &\tsf{\scr 334:hlat} &\tsf{\scr 350:hlup} &\tsf{\scr 366:hxiep} &\tsf{\scr 382:jit}\\
+\hline
+F&{\Lg\Yhox} &{\Lg\Yhmap} &{\Lg\Yhmyp} &{\Lg\Yhnuo} &{\Lg\Yhlax} &{\Lg\Yhlurx} &{\Lg\Yhxat} &{\Lg\Yjix}\\
+&\tsf{\scr 271:hox} &\tsf{\scr 287:hmap} &\tsf{\scr 303:hmyp} &\tsf{\scr 319:hnuo} &\tsf{\scr 335:hlax} &\tsf{\scr 351:hlurx} &\tsf{\scr 367:hxat} &\tsf{\scr 383:jix}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 4 --- Row A1: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A18 &A19 &A1A &A1B &A1C &A1D &A1E &A1F\\ \hline
+0&{\Lg\Yji} &{\Lg\Yju} &{\Lg\Yjjie} &{\Lg\Yjjyx} &{\Lg\Ykuop} &{\Lg\Ylix} &{\Lg\Ylox} &{\Lg\Ylyrx}\\
+&\tsf{\scr 384:ji} &\tsf{\scr 400:ju} &\tsf{\scr 416:jjie} &\tsf{\scr 432:jjyx} &\tsf{\scr 448:kuop} &\tsf{\scr 464:lix} &\tsf{\scr 480:lox} &\tsf{\scr 496:lyrx}\\
+\hline
+1&{\Lg\Yjip} &{\Lg\Yjup} &{\Lg\Yjjiep} &{\Lg\Yjjy} &{\Lg\Ykot} &{\Lg\Yli} &{\Lg\Ylo} &{\Lg\Ylyr}\\
+&\tsf{\scr 385:jip} &\tsf{\scr 401:jup} &\tsf{\scr 417:jjiep} &\tsf{\scr 433:jjy} &\tsf{\scr 449:kot} &\tsf{\scr 465:li} &\tsf{\scr 481:lo} &\tsf{\scr 497:lyr}\\
+\hline
+2&{\Lg\Yjiet} &{\Lg\Yjurx} &{\Lg\Yjjuox} &{\Lg\Yjjyp} &{\Lg\Ykox} &{\Lg\Ylip} &{\Lg\Ylop} &{\Lg\Ymit}\\
+&\tsf{\scr 386:jiet} &\tsf{\scr 402:jurx} &\tsf{\scr 418:jjuox} &\tsf{\scr 434:jjyp} &\tsf{\scr 450:kox} &\tsf{\scr 466:lip} &\tsf{\scr 482:lop} &\tsf{\scr 498:mit}\\
+\hline
+3&{\Lg\Yjiex} &{\Lg\Yjur} &{\Lg\Yjjuo} &{\Lg\Ykit} &{\Lg\Yko} &{\Lg\Yliet} &{\Lg\Ylex} &{\Lg\Ymix}\\
+&\tsf{\scr 387:jiex} &\tsf{\scr 403:jur} &\tsf{\scr 419:jjuo} &\tsf{\scr 435:kit} &\tsf{\scr 451:ko} &\tsf{\scr 467:liet} &\tsf{\scr 483:lex} &\tsf{\scr 499:mix}\\
+\hline
+4&{\Lg\Yjie} &{\Lg\Yjyt} &{\Lg\Yjjuop} &{\Lg\Ykix} &{\Lg\Ykop} &{\Lg\Yliex} &{\Lg\Yle} &{\Lg\Ymi}\\
+&\tsf{\scr 388:jie} &\tsf{\scr 404:jyt} &\tsf{\scr 420:jjuop} &\tsf{\scr 436:kix} &\tsf{\scr 452:kop} &\tsf{\scr 468:liex} &\tsf{\scr 484:le} &\tsf{\scr 500:mi}\\
+\hline
+5&{\Lg\Yjiep} &{\Lg\Yjyx} &{\Lg\Yjjot} &{\Lg\Yki} &{\Lg\Yket} &{\Lg\Ylie} &{\Lg\Ylep} &{\Lg\Ymip}\\
+&\tsf{\scr 389:jiep} &\tsf{\scr 405:jyx} &\tsf{\scr 421:jjot} &\tsf{\scr 437:ki} &\tsf{\scr 453:ket} &\tsf{\scr 469:lie} &\tsf{\scr 485:lep} &\tsf{\scr 501:mip}\\
+\hline
+6&{\Lg\Yjuot} &{\Lg\Yjy} &{\Lg\Yjjox} &{\Lg\Ykip} &{\Lg\Ykex} &{\Lg\Yliep} &{\Lg\Ylut} &{\Lg\Ymiex}\\
+&\tsf{\scr 390:juot} &\tsf{\scr 406:jy} &\tsf{\scr 422:jjox} &\tsf{\scr 438:kip} &\tsf{\scr 454:kex} &\tsf{\scr 470:liep} &\tsf{\scr 486:lut} &\tsf{\scr 502:miex}\\
+\hline
+7&{\Lg\Yjuox} &{\Lg\Yjyp} &{\Lg\Yjjo} &{\Lg\Ykiex} &{\Lg\Yke} &{\Lg\Ylat} &{\Lg\Ylux} &{\Lg\Ymie}\\
+&\tsf{\scr 391:juox} &\tsf{\scr 407:jyp} &\tsf{\scr 423:jjo} &\tsf{\scr 439:kiex} &\tsf{\scr 455:ke} &\tsf{\scr 471:lat} &\tsf{\scr 487:lux} &\tsf{\scr 503:mie}\\
+\hline
+8&{\Lg\Yjuo} &{\Lg\Yjyrx} &{\Lg\Yjjop} &{\Lg\Ykie} &{\Lg\Ykep} &{\Lg\Ylax} &{\Lg\Ylu} &{\Lg\Ymiep}\\
+&\tsf{\scr 392:juo} &\tsf{\scr 408:jyrx} &\tsf{\scr 424:jjop} &\tsf{\scr 440:kie} &\tsf{\scr 456:kep} &\tsf{\scr 472:lax} &\tsf{\scr 488:lu} &\tsf{\scr 504:miep}\\
+\hline
+9&{\Lg\Yjuop} &{\Lg\Yjyr} &{\Lg\Yjjut} &{\Lg\Ykiep} &{\Lg\Ykut} &{\Lg\Yla} &{\Lg\Ylup} &{\Lg\Ymat}\\
+&\tsf{\scr 393:juop} &\tsf{\scr 409:jyr} &\tsf{\scr 425:jjut} &\tsf{\scr 441:kiep} &\tsf{\scr 457:kut} &\tsf{\scr 473:la} &\tsf{\scr 489:lup} &\tsf{\scr 505:mat}\\
+\hline
+A&{\Lg\Yjot} &{\Lg\Yjjit} &{\Lg\Yjjux} &{\Lg\Ykat} &{\Lg\Ykux} &{\Lg\Ylap} &{\Lg\Ylurx} &{\Lg\Ymax}\\
+&\tsf{\scr 394:jot} &\tsf{\scr 410:jjit} &\tsf{\scr 426:jjux} &\tsf{\scr 442:kat} &\tsf{\scr 458:kux} &\tsf{\scr 474:lap} &\tsf{\scr 490:lurx} &\tsf{\scr 506:max}\\
+\hline
+B&{\Lg\Yjox} &{\Lg\Yjjix} &{\Lg\Yjju} &{\Lg\Ykax} &{\Lg\Yku} &{\Lg\Yluot} &{\Lg\Ylur} &{\Lg\Yma}\\
+&\tsf{\scr 395:jox} &\tsf{\scr 411:jjix} &\tsf{\scr 427:jju} &\tsf{\scr 443:kax} &\tsf{\scr 459:ku} &\tsf{\scr 475:luot} &\tsf{\scr 491:lur} &\tsf{\scr 507:ma}\\
+\hline
+C&{\Lg\Yjo} &{\Lg\Yjji} &{\Lg\Yjjup} &{\Lg\Yka} &{\Lg\Ykup} &{\Lg\Yluox} &{\Lg\Ylyt} &{\Lg\Ymap}\\
+&\tsf{\scr 396:jo} &\tsf{\scr 412:jji} &\tsf{\scr 428:jjup} &\tsf{\scr 444:ka} &\tsf{\scr 460:kup} &\tsf{\scr 476:luox} &\tsf{\scr 492:lyt} &\tsf{\scr 508:map}\\
+\hline
+D&{\Lg\Yjop} &{\Lg\Yjjip} &{\Lg\Yjjurx} &{\Lg\Ykap} &{\Lg\Ykurx} &{\Lg\Yluo} &{\Lg\Ylyx} &{\Lg\Ymuot}\\
+&\tsf{\scr 397:jop} &\tsf{\scr 413:jjip} &\tsf{\scr 429:jjurx} &\tsf{\scr 445:kap} &\tsf{\scr 461:kurx} &\tsf{\scr 477:luo} &\tsf{\scr 493:lyx} &\tsf{\scr 509:muot}\\
+\hline
+E&{\Lg\Yjut} &{\Lg\Yjjiet} &{\Lg\Yjjur} &{\Lg\Ykuox} &{\Lg\Ykur} &{\Lg\Yluop} &{\Lg\Yly} &{\Lg\Ymuox}\\
+&\tsf{\scr 398:jut} &\tsf{\scr 414:jjiet} &\tsf{\scr 430:jjur} &\tsf{\scr 446:kuox} &\tsf{\scr 462:kur} &\tsf{\scr 478:luop} &\tsf{\scr 494:ly} &\tsf{\scr 510:muox}\\
+\hline
+F&{\Lg\Yjux} &{\Lg\Yjjiex} &{\Lg\Yjjyt} &{\Lg\Ykuo} &{\Lg\Ylit} &{\Lg\Ylot} &{\Lg\Ylyp} &{\Lg\Ymuo}\\
+&\tsf{\scr 399:jux} &\tsf{\scr 415:jjiex} &\tsf{\scr 431:jjyt} &\tsf{\scr 447:kuo} &\tsf{\scr 463:lit} &\tsf{\scr 479:lot} &\tsf{\scr 495:lyp} &\tsf{\scr 511:muo}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 5 --- Row A2: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A20 &A21 &A22 &A23 &A24 &A25 &A26 &A27\\ \hline
+0&{\Lg\Ymuop} &{\Lg\Ymyp} &{\Lg\Ymgep} &{\Lg\Ynap} &{\Lg\Ynur} &{\Lg\Ynbut} &{\Lg\Yndiex} &{\Lg\Yndup}\\
+&\tsf{\scr 512:muop} &\tsf{\scr 528:myp} &\tsf{\scr 544:mgep} &\tsf{\scr 560:nap} &\tsf{\scr 576:nur} &\tsf{\scr 592:nbut} &\tsf{\scr 608:ndiex} &\tsf{\scr 624:ndup}\\
+\hline
+1&{\Lg\Ymot} &{\Lg\Ymgiex} &{\Lg\Ymgut} &{\Lg\Ynuox} &{\Lg\Ynbit} &{\Lg\Ynbux} &{\Lg\Yndie} &{\Lg\Yndurx}\\
+&\tsf{\scr 513:mot} &\tsf{\scr 529:mgiex} &\tsf{\scr 545:mgut} &\tsf{\scr 561:nuox} &\tsf{\scr 577:nbit} &\tsf{\scr 593:nbux} &\tsf{\scr 609:ndie} &\tsf{\scr 625:ndurx}\\
+\hline
+2&{\Lg\Ymox} &{\Lg\Ymgie} &{\Lg\Ymgux} &{\Lg\Ynuo} &{\Lg\Ynbix} &{\Lg\Ynbu} &{\Lg\Yndat} &{\Lg\Yndur}\\
+&\tsf{\scr 514:mox} &\tsf{\scr 530:mgie} &\tsf{\scr 546:mgux} &\tsf{\scr 562:nuo} &\tsf{\scr 578:nbix} &\tsf{\scr 594:nbu} &\tsf{\scr 610:ndat} &\tsf{\scr 626:ndur}\\
+\hline
+3&{\Lg\Ymo} &{\Lg\Ymgat} &{\Lg\Ymgu} &{\Lg\Ynuop} &{\Lg\Ynbi} &{\Lg\Ynbup} &{\Lg\Yndax} &{\Lg\Yngiex}\\
+&\tsf{\scr 515:mo} &\tsf{\scr 531:mgat} &\tsf{\scr 547:mgu} &\tsf{\scr 563:nuop} &\tsf{\scr 579:nbi} &\tsf{\scr 595:nbup} &\tsf{\scr 611:ndax} &\tsf{\scr 627:ngiex}\\
+\hline
+4&{\Lg\Ymop} &{\Lg\Ymgax} &{\Lg\Ymgup} &{\Lg\Ynot} &{\Lg\Ynbip} &{\Lg\Ynburx} &{\Lg\Ynda} &{\Lg\Yngie}\\
+&\tsf{\scr 516:mop} &\tsf{\scr 532:mgax} &\tsf{\scr 548:mgup} &\tsf{\scr 564:not} &\tsf{\scr 580:nbip} &\tsf{\scr 596:nburx} &\tsf{\scr 612:nda} &\tsf{\scr 628:ngie}\\
+\hline
+5&{\Lg\Ymex} &{\Lg\Ymga} &{\Lg\Ymgurx} &{\Lg\Ynox} &{\Lg\Ynbiex} &{\Lg\Ynbur} &{\Lg\Yndap} &{\Lg\Yngiep}\\
+&\tsf{\scr 517:mex} &\tsf{\scr 533:mga} &\tsf{\scr 549:mgurx} &\tsf{\scr 565:nox} &\tsf{\scr 581:nbiex} &\tsf{\scr 597:nbur} &\tsf{\scr 613:ndap} &\tsf{\scr 629:ngiep}\\
+\hline
+6&{\Lg\Yme} &{\Lg\Ymgap} &{\Lg\Ymgur} &{\Lg\Yno} &{\Lg\Ynbie} &{\Lg\Ynbyt} &{\Lg\Yndot} &{\Lg\Yngat}\\
+&\tsf{\scr 518:me} &\tsf{\scr 534:mgap} &\tsf{\scr 550:mgur} &\tsf{\scr 566:no} &\tsf{\scr 582:nbie} &\tsf{\scr 598:nbyt} &\tsf{\scr 614:ndot} &\tsf{\scr 630:ngat}\\
+\hline
+7&{\Lg\Ymut} &{\Lg\Ymguox} &{\Lg\Ynit} &{\Lg\Ynop} &{\Lg\Ynbiep} &{\Lg\Ynbyx} &{\Lg\Yndox} &{\Lg\Yngax}\\
+&\tsf{\scr 519:mut} &\tsf{\scr 535:mguox} &\tsf{\scr 551:nit} &\tsf{\scr 567:nop} &\tsf{\scr 583:nbiep} &\tsf{\scr 599:nbyx} &\tsf{\scr 615:ndox} &\tsf{\scr 631:ngax}\\
+\hline
+8&{\Lg\Ymux} &{\Lg\Ymguo} &{\Lg\Ynix} &{\Lg\Ynex} &{\Lg\Ynbat} &{\Lg\Ynby} &{\Lg\Yndo} &{\Lg\Ynga}\\
+&\tsf{\scr 520:mux} &\tsf{\scr 536:mguo} &\tsf{\scr 552:nix} &\tsf{\scr 568:nex} &\tsf{\scr 584:nbat} &\tsf{\scr 600:nby} &\tsf{\scr 616:ndo} &\tsf{\scr 632:nga}\\
+\hline
+9&{\Lg\Ymu} &{\Lg\Ymguop} &{\Lg\Yni} &{\Lg\Yne} &{\Lg\Ynbax} &{\Lg\Ynbyp} &{\Lg\Yndop} &{\Lg\Yngap}\\
+&\tsf{\scr 521:mu} &\tsf{\scr 537:mguop} &\tsf{\scr 553:ni} &\tsf{\scr 569:ne} &\tsf{\scr 585:nbax} &\tsf{\scr 601:nbyp} &\tsf{\scr 617:ndop} &\tsf{\scr 633:ngap}\\
+\hline
+A&{\Lg\Ymup} &{\Lg\Ymgot} &{\Lg\Ynip} &{\Lg\Ynep} &{\Lg\Ynba} &{\Lg\Ynbyrx} &{\Lg\Yndex} &{\Lg\Ynguot}\\
+&\tsf{\scr 522:mup} &\tsf{\scr 538:mgot} &\tsf{\scr 554:nip} &\tsf{\scr 570:nep} &\tsf{\scr 586:nba} &\tsf{\scr 602:nbyrx} &\tsf{\scr 618:ndex} &\tsf{\scr 634:nguot}\\
+\hline
+B&{\Lg\Ymurx} &{\Lg\Ymgox} &{\Lg\Yniex} &{\Lg\Ynut} &{\Lg\Ynbap} &{\Lg\Ynbyr} &{\Lg\Ynde} &{\Lg\Ynguox}\\
+&\tsf{\scr 523:murx} &\tsf{\scr 539:mgox} &\tsf{\scr 555:niex} &\tsf{\scr 571:nut} &\tsf{\scr 587:nbap} &\tsf{\scr 603:nbyr} &\tsf{\scr 619:nde} &\tsf{\scr 635:nguox}\\
+\hline
+C&{\Lg\Ymur} &{\Lg\Ymgo} &{\Lg\Ynie} &{\Lg\Ynux} &{\Lg\Ynbot} &{\Lg\Yndit} &{\Lg\Yndep} &{\Lg\Ynguo}\\
+&\tsf{\scr 524:mur} &\tsf{\scr 540:mgo} &\tsf{\scr 556:nie} &\tsf{\scr 572:nux} &\tsf{\scr 588:nbot} &\tsf{\scr 604:ndit} &\tsf{\scr 620:ndep} &\tsf{\scr 636:nguo}\\
+\hline
+D&{\Lg\Ymyt} &{\Lg\Ymgop} &{\Lg\Yniep} &{\Lg\Ynu} &{\Lg\Ynbox} &{\Lg\Yndix} &{\Lg\Yndut} &{\Lg\Yngot}\\
+&\tsf{\scr 525:myt} &\tsf{\scr 541:mgop} &\tsf{\scr 557:niep} &\tsf{\scr 573:nu} &\tsf{\scr 589:nbox} &\tsf{\scr 605:ndix} &\tsf{\scr 621:ndut} &\tsf{\scr 637:ngot}\\
+\hline
+E&{\Lg\Ymyx} &{\Lg\Ymgex} &{\Lg\Ynax} &{\Lg\Ynup} &{\Lg\Ynbo} &{\Lg\Yndi} &{\Lg\Yndux} &{\Lg\Yngox}\\
+&\tsf{\scr 526:myx} &\tsf{\scr 542:mgex} &\tsf{\scr 558:nax} &\tsf{\scr 574:nup} &\tsf{\scr 590:nbo} &\tsf{\scr 606:ndi} &\tsf{\scr 622:ndux} &\tsf{\scr 638:ngox}\\
+\hline
+F&{\Lg\Ymy} &{\Lg\Ymge} &{\Lg\Yna} &{\Lg\Ynurx} &{\Lg\Ynbop} &{\Lg\Yndip} &{\Lg\Yndu} &{\Lg\Yngo}\\
+&\tsf{\scr 527:my} &\tsf{\scr 543:mge} &\tsf{\scr 559:na} &\tsf{\scr 575:nurx} &\tsf{\scr 591:nbop} &\tsf{\scr 607:ndip} &\tsf{\scr 623:ndu} &\tsf{\scr 639:ngo}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 6 --- Row A2: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A28 &A29 &A2A &A2B &A2C &A2D &A2E &A2F\\ \hline
+0&{\Lg\Yngop} &{\Lg\Ynzuo} &{\Lg\Ynrat} &{\Lg\Ynrur} &{\Lg\Ynjuo} &{\Lg\Ynyit} &{\Lg\Ynyux} &{\Lg\Ypuop}\\
+&\tsf{\scr 640:ngop} &\tsf{\scr 656:nzuo} &\tsf{\scr 672:nrat} &\tsf{\scr 688:nrur} &\tsf{\scr 704:njuo} &\tsf{\scr 720:nyit} &\tsf{\scr 736:nyux} &\tsf{\scr 752:puop}\\
+\hline
+1&{\Lg\Yngex} &{\Lg\Ynzox} &{\Lg\Ynrax} &{\Lg\Ynryt} &{\Lg\Ynjot} &{\Lg\Ynyix} &{\Lg\Ynyu} &{\Lg\Ypot}\\
+&\tsf{\scr 641:ngex} &\tsf{\scr 657:nzox} &\tsf{\scr 673:nrax} &\tsf{\scr 689:nryt} &\tsf{\scr 705:njot} &\tsf{\scr 721:nyix} &\tsf{\scr 737:nyu} &\tsf{\scr 753:pot}\\
+\hline
+2&{\Lg\Ynge} &{\Lg\Ynzop} &{\Lg\Ynra} &{\Lg\Ynryx} &{\Lg\Ynjox} &{\Lg\Ynyi} &{\Lg\Ynyup} &{\Lg\Ypox}\\
+&\tsf{\scr 642:nge} &\tsf{\scr 658:nzop} &\tsf{\scr 674:nra} &\tsf{\scr 690:nryx} &\tsf{\scr 706:njox} &\tsf{\scr 722:nyi} &\tsf{\scr 738:nyup} &\tsf{\scr 754:pox}\\
+\hline
+3&{\Lg\Yngep} &{\Lg\Ynzex} &{\Lg\Ynrap} &{\Lg\Ynry} &{\Lg\Ynjo} &{\Lg\Ynyip} &{\Lg\Ypit} &{\Lg\Ypo}\\
+&\tsf{\scr 643:ngep} &\tsf{\scr 659:nzex} &\tsf{\scr 675:nrap} &\tsf{\scr 691:nry} &\tsf{\scr 707:njo} &\tsf{\scr 723:nyip} &\tsf{\scr 739:pit} &\tsf{\scr 755:po}\\
+\hline
+4&{\Lg\Ynzit} &{\Lg\Ynze} &{\Lg\Ynrox} &{\Lg\Ynryp} &{\Lg\Ynjop} &{\Lg\Ynyiet} &{\Lg\Ypix} &{\Lg\Ypop}\\
+&\tsf{\scr 644:nzit} &\tsf{\scr 660:nze} &\tsf{\scr 676:nrox} &\tsf{\scr 692:nryp} &\tsf{\scr 708:njop} &\tsf{\scr 724:nyiet} &\tsf{\scr 740:pix} &\tsf{\scr 756:pop}\\
+\hline
+5&{\Lg\Ynzix} &{\Lg\Ynzux} &{\Lg\Ynro} &{\Lg\Ynryrx} &{\Lg\Ynjux} &{\Lg\Ynyiex} &{\Lg\Ypi} &{\Lg\Yput}\\
+&\tsf{\scr 645:nzix} &\tsf{\scr 661:nzux} &\tsf{\scr 677:nro} &\tsf{\scr 693:nryrx} &\tsf{\scr 709:njux} &\tsf{\scr 725:nyiex} &\tsf{\scr 741:pi} &\tsf{\scr 757:put}\\
+\hline
+6&{\Lg\Ynzi} &{\Lg\Ynzu} &{\Lg\Ynrop} &{\Lg\Ynryr} &{\Lg\Ynju} &{\Lg\Ynyie} &{\Lg\Ypip} &{\Lg\Ypux}\\
+&\tsf{\scr 646:nzi} &\tsf{\scr 662:nzu} &\tsf{\scr 678:nrop} &\tsf{\scr 694:nryr} &\tsf{\scr 710:nju} &\tsf{\scr 726:nyie} &\tsf{\scr 742:pip} &\tsf{\scr 758:pux}\\
+\hline
+7&{\Lg\Ynzip} &{\Lg\Ynzup} &{\Lg\Ynret} &{\Lg\Ynjit} &{\Lg\Ynjup} &{\Lg\Ynyiep} &{\Lg\Ypiex} &{\Lg\Ypu}\\
+&\tsf{\scr 647:nzip} &\tsf{\scr 663:nzup} &\tsf{\scr 679:nret} &\tsf{\scr 695:njit} &\tsf{\scr 711:njup} &\tsf{\scr 727:nyiep} &\tsf{\scr 743:piex} &\tsf{\scr 759:pu}\\
+\hline
+8&{\Lg\Ynziex} &{\Lg\Ynzurx} &{\Lg\Ynrex} &{\Lg\Ynjix} &{\Lg\Ynjurx} &{\Lg\Ynyuox} &{\Lg\Ypie} &{\Lg\Ypup}\\
+&\tsf{\scr 648:nziex} &\tsf{\scr 664:nzurx} &\tsf{\scr 680:nrex} &\tsf{\scr 696:njix} &\tsf{\scr 712:njurx} &\tsf{\scr 728:nyuox} &\tsf{\scr 744:pie} &\tsf{\scr 760:pup}\\
+\hline
+9&{\Lg\Ynzie} &{\Lg\Ynzur} &{\Lg\Ynre} &{\Lg\Ynji} &{\Lg\Ynjur} &{\Lg\Ynyuo} &{\Lg\Ypiep} &{\Lg\Ypurx}\\
+&\tsf{\scr 649:nzie} &\tsf{\scr 665:nzur} &\tsf{\scr 681:nre} &\tsf{\scr 697:nji} &\tsf{\scr 713:njur} &\tsf{\scr 729:nyuo} &\tsf{\scr 745:piep} &\tsf{\scr 761:purx}\\
+\hline
+A&{\Lg\Ynziep} &{\Lg\Ynzyt} &{\Lg\Ynrep} &{\Lg\Ynjip} &{\Lg\Ynjyt} &{\Lg\Ynyuop} &{\Lg\Ypat} &{\Lg\Ypur}\\
+&\tsf{\scr 650:nziep} &\tsf{\scr 666:nzyt} &\tsf{\scr 682:nrep} &\tsf{\scr 698:njip} &\tsf{\scr 714:njyt} &\tsf{\scr 730:nyuop} &\tsf{\scr 746:pat} &\tsf{\scr 762:pur}\\
+\hline
+B&{\Lg\Ynzat} &{\Lg\Ynzyx} &{\Lg\Ynrut} &{\Lg\Ynjiet} &{\Lg\Ynjyx} &{\Lg\Ynyot} &{\Lg\Ypax} &{\Lg\Ypyt}\\
+&\tsf{\scr 651:nzat} &\tsf{\scr 667:nzyx} &\tsf{\scr 683:nrut} &\tsf{\scr 699:njiet} &\tsf{\scr 715:njyx} &\tsf{\scr 731:nyot} &\tsf{\scr 747:pax} &\tsf{\scr 763:pyt}\\
+\hline
+C&{\Lg\Ynzax} &{\Lg\Ynzy} &{\Lg\Ynrux} &{\Lg\Ynjiex} &{\Lg\Ynjy} &{\Lg\Ynyox} &{\Lg\Ypa} &{\Lg\Ypyx}\\
+&\tsf{\scr 652:nzax} &\tsf{\scr 668:nzy} &\tsf{\scr 684:nrux} &\tsf{\scr 700:njiex} &\tsf{\scr 716:njy} &\tsf{\scr 732:nyox} &\tsf{\scr 748:pa} &\tsf{\scr 764:pyx}\\
+\hline
+D&{\Lg\Ynza} &{\Lg\Ynzyp} &{\Lg\Ynru} &{\Lg\Ynjie} &{\Lg\Ynjyp} &{\Lg\Ynyo} &{\Lg\Ypap} &{\Lg\Ypy}\\
+&\tsf{\scr 653:nza} &\tsf{\scr 669:nzyp} &\tsf{\scr 685:nru} &\tsf{\scr 701:njie} &\tsf{\scr 717:njyp} &\tsf{\scr 733:nyo} &\tsf{\scr 749:pap} &\tsf{\scr 765:py}\\
+\hline
+E&{\Lg\Ynzap} &{\Lg\Ynzyrx} &{\Lg\Ynrup} &{\Lg\Ynjiep} &{\Lg\Ynjyrx} &{\Lg\Ynyop} &{\Lg\Ypuox} &{\Lg\Ypyp}\\
+&\tsf{\scr 654:nzap} &\tsf{\scr 670:nzyrx} &\tsf{\scr 686:nrup} &\tsf{\scr 702:njiep} &\tsf{\scr 718:njyrx} &\tsf{\scr 734:nyop} &\tsf{\scr 750:puox} &\tsf{\scr 766:pyp}\\
+\hline
+F&{\Lg\Ynzuox} &{\Lg\Ynzyr} &{\Lg\Ynrurx} &{\Lg\Ynjuox} &{\Lg\Ynjyr} &{\Lg\Ynyut} &{\Lg\Ypuo} &{\Lg\Ypyrx}\\
+&\tsf{\scr 655:nzuox} &\tsf{\scr 671:nzyr} &\tsf{\scr 687:nrurx} &\tsf{\scr 703:njuox} &\tsf{\scr 719:njyr} &\tsf{\scr 735:nyut} &\tsf{\scr 751:puo} &\tsf{\scr 767:pyrx}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 7 --- Row A3: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A30 &A31 &A32 &A33 &A34 &A35 &A36 &A37\\ \hline
+0&{\Lg\Yxop} &{\Lg\Yqo} &{\Lg\Yra} &{\Lg\Yrurx} &{\Lg\Yrret} &{\Lg\Ysit} &{\Lg\Yso} &{\Lg\Ysyr}\\
+&\tsf{\scr 768:xop} &\tsf{\scr 784:qo} &\tsf{\scr 800:ra} &\tsf{\scr 816:rurx} &\tsf{\scr 832:rret} &\tsf{\scr 848:sit} &\tsf{\scr 864:so} &\tsf{\scr 880:syr}\\
+\hline
+1&{\Lg\Ypyr} &{\Lg\Yqop} &{\Lg\Yrap} &{\Lg\Yrur} &{\Lg\Yrrex} &{\Lg\Ysix} &{\Lg\Ysop} &{\Lg\Yssit}\\
+&\tsf{\scr 769:pyr} &\tsf{\scr 785:qop} &\tsf{\scr 801:rap} &\tsf{\scr 817:rur} &\tsf{\scr 833:rrex} &\tsf{\scr 849:six} &\tsf{\scr 865:sop} &\tsf{\scr 881:ssit}\\
+\hline
+2&{\Lg\Yqit} &{\Lg\Yqut} &{\Lg\Yruox} &{\Lg\Yryt} &{\Lg\Yrre} &{\Lg\Ysi} &{\Lg\Ysex} &{\Lg\Yssix}\\
+&\tsf{\scr 770:qit} &\tsf{\scr 786:qut} &\tsf{\scr 802:ruox} &\tsf{\scr 818:ryt} &\tsf{\scr 834:rre} &\tsf{\scr 850:si} &\tsf{\scr 866:sex} &\tsf{\scr 882:ssix}\\
+\hline
+3&{\Lg\Yqix} &{\Lg\Yqux} &{\Lg\Yruo} &{\Lg\Yryx} &{\Lg\Yrrep} &{\Lg\Ysip} &{\Lg\Yse} &{\Lg\Yssi}\\
+&\tsf{\scr 771:qix} &\tsf{\scr 787:qux} &\tsf{\scr 803:ruo} &\tsf{\scr 819:ryx} &\tsf{\scr 835:rrep} &\tsf{\scr 851:sip} &\tsf{\scr 867:se} &\tsf{\scr 883:ssi}\\
+\hline
+4&{\Lg\Yqi} &{\Lg\Yqu} &{\Lg\Yruop} &{\Lg\Yry} &{\Lg\Yrrut} &{\Lg\Ysiex} &{\Lg\Ysep} &{\Lg\Yssip}\\
+&\tsf{\scr 772:qi} &\tsf{\scr 788:qu} &\tsf{\scr 804:ruop} &\tsf{\scr 820:ry} &\tsf{\scr 836:rrut} &\tsf{\scr 852:siex} &\tsf{\scr 868:sep} &\tsf{\scr 884:ssip}\\
+\hline
+5&{\Lg\Yqip} &{\Lg\Yqup} &{\Lg\Yrot} &{\Lg\Yryp} &{\Lg\Yrrux} &{\Lg\Ysie} &{\Lg\Ysut} &{\Lg\Yssiex}\\
+&\tsf{\scr 773:qip} &\tsf{\scr 789:qup} &\tsf{\scr 805:rot} &\tsf{\scr 821:ryp} &\tsf{\scr 837:rrux} &\tsf{\scr 853:sie} &\tsf{\scr 869:sut} &\tsf{\scr 885:ssiex}\\
+\hline
+6&{\Lg\Yqiet} &{\Lg\Yqurx} &{\Lg\Yrox} &{\Lg\Yryrx} &{\Lg\Yrru} &{\Lg\Ysiep} &{\Lg\Ysux} &{\Lg\Yssie}\\
+&\tsf{\scr 774:qiet} &\tsf{\scr 790:qurx} &\tsf{\scr 806:rox} &\tsf{\scr 822:ryrx} &\tsf{\scr 838:rru} &\tsf{\scr 854:siep} &\tsf{\scr 870:sux} &\tsf{\scr 886:ssie}\\
+\hline
+7&{\Lg\Yqiex} &{\Lg\Yqur} &{\Lg\Yro} &{\Lg\Yryr} &{\Lg\Yrrup} &{\Lg\Ysat} &{\Lg\Ysu} &{\Lg\Yssiep}\\
+&\tsf{\scr 775:qiex} &\tsf{\scr 791:qur} &\tsf{\scr 807:ro} &\tsf{\scr 823:ryr} &\tsf{\scr 839:rrup} &\tsf{\scr 855:sat} &\tsf{\scr 871:su} &\tsf{\scr 887:ssiep}\\
+\hline
+8&{\Lg\Yqie} &{\Lg\Yqyt} &{\Lg\Yrop} &{\Lg\Yrrax} &{\Lg\Yrrurx} &{\Lg\Ysax} &{\Lg\Ysup} &{\Lg\Yssat}\\
+&\tsf{\scr 776:qie} &\tsf{\scr 792:qyt} &\tsf{\scr 808:rop} &\tsf{\scr 824:rrax} &\tsf{\scr 840:rrurx} &\tsf{\scr 856:sax} &\tsf{\scr 872:sup} &\tsf{\scr 888:ssat}\\
+\hline
+9&{\Lg\Yqiep} &{\Lg\Yqyx} &{\Lg\Yrex} &{\Lg\Yrra} &{\Lg\Yrrur} &{\Lg\Ysa} &{\Lg\Ysurx} &{\Lg\Yssax}\\
+&\tsf{\scr 777:qiep} &\tsf{\scr 793:qyx} &\tsf{\scr 809:rex} &\tsf{\scr 825:rra} &\tsf{\scr 841:rrur} &\tsf{\scr 857:sa} &\tsf{\scr 873:surx} &\tsf{\scr 889:ssax}\\
+\hline
+A&{\Lg\Yquot} &{\Lg\Yqy} &{\Lg\Yre} &{\Lg\Yrruox} &{\Lg\Yrryt} &{\Lg\Ysap} &{\Lg\Ysur} &{\Lg\Yssa}\\
+&\tsf{\scr 778:quot} &\tsf{\scr 794:qy} &\tsf{\scr 810:re} &\tsf{\scr 826:rruox} &\tsf{\scr 842:rryt} &\tsf{\scr 858:sap} &\tsf{\scr 874:sur} &\tsf{\scr 890:ssa}\\
+\hline
+B&{\Lg\Yquox} &{\Lg\Yqyp} &{\Lg\Yrep} &{\Lg\Yrruo} &{\Lg\Yrryx} &{\Lg\Ysuox} &{\Lg\Ysyt} &{\Lg\Yssap}\\
+&\tsf{\scr 779:quox} &\tsf{\scr 795:qyp} &\tsf{\scr 811:rep} &\tsf{\scr 827:rruo} &\tsf{\scr 843:rryx} &\tsf{\scr 859:suox} &\tsf{\scr 875:syt} &\tsf{\scr 891:ssap}\\
+\hline
+C&{\Lg\Yquo} &{\Lg\Yqyrx} &{\Lg\Yrut} &{\Lg\Yrrot} &{\Lg\Yrry} &{\Lg\Ysuo} &{\Lg\Ysyx} &{\Lg\Yssot}\\
+&\tsf{\scr 780:quo} &\tsf{\scr 796:qyrx} &\tsf{\scr 812:rut} &\tsf{\scr 828:rrot} &\tsf{\scr 844:rry} &\tsf{\scr 860:suo} &\tsf{\scr 876:syx} &\tsf{\scr 892:ssot}\\
+\hline
+D&{\Lg\Yquop} &{\Lg\Yqyr} &{\Lg\Yrux} &{\Lg\Yrrox} &{\Lg\Yrryp} &{\Lg\Ysuop} &{\Lg\Ysy} &{\Lg\Yssox}\\
+&\tsf{\scr 781:quop} &\tsf{\scr 797:qyr} &\tsf{\scr 813:rux} &\tsf{\scr 829:rrox} &\tsf{\scr 845:rryp} &\tsf{\scr 861:suop} &\tsf{\scr 877:sy} &\tsf{\scr 893:ssox}\\
+\hline
+E&{\Lg\Yqot} &{\Lg\Yrat} &{\Lg\Yru} &{\Lg\Yrro} &{\Lg\Yrryrx} &{\Lg\Ysot} &{\Lg\Ysyp} &{\Lg\Ysso}\\
+&\tsf{\scr 782:qot} &\tsf{\scr 798:rat} &\tsf{\scr 814:ru} &\tsf{\scr 830:rro} &\tsf{\scr 846:rryrx} &\tsf{\scr 862:sot} &\tsf{\scr 878:syp} &\tsf{\scr 894:sso}\\
+\hline
+F&{\Lg\Yqox} &{\Lg\Yrax} &{\Lg\Yrup} &{\Lg\Yrrop} &{\Lg\Yrryr} &{\Lg\Ysox} &{\Lg\Ysyrx} &{\Lg\Yssop}\\
+&\tsf{\scr 783:qox} &\tsf{\scr 799:rax} &\tsf{\scr 815:rup} &\tsf{\scr 831:rrop} &\tsf{\scr 847:rryr} &\tsf{\scr 863:sox} &\tsf{\scr 879:syrx} &\tsf{\scr 895:ssop}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 8 --- Row A3: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A38 &A39 &A3A &A3B &A3C &A3D &A3E &A3F\\ \hline
+0&{\Lg\Yssex} &{\Lg\Yshap} &{\Lg\Yshurx} &{\Lg\Ytax} &{\Lg\Ytu} &{\Lg\Yvot} &{\Lg\Yvyrx} &{\Lg\Yxix}\\
+&\tsf{\scr 896:ssex} &\tsf{\scr 912:shap} &\tsf{\scr 928:shurx} &\tsf{\scr 944:tax} &\tsf{\scr 960:tu} &\tsf{\scr 976:vot} &\tsf{\scr 992:vyrx} &\tsf{\scr 1008:xix}\\
+\hline
+1&{\Lg\Ysse} &{\Lg\Yshuox} &{\Lg\Yshur} &{\Lg\Yta} &{\Lg\Ytup} &{\Lg\Yvox} &{\Lg\Yvyr} &{\Lg\Yxi}\\
+&\tsf{\scr 897:sse} &\tsf{\scr 913:shuox} &\tsf{\scr 929:shur} &\tsf{\scr 945:ta} &\tsf{\scr 961:tup} &\tsf{\scr 977:vox} &\tsf{\scr 993:vyr} &\tsf{\scr 1009:xi}\\
+\hline
+2&{\Lg\Yssep} &{\Lg\Yshuo} &{\Lg\Yshyt} &{\Lg\Ytap} &{\Lg\Yturx} &{\Lg\Yvo} &{\Lg\Ywat} &{\Lg\Yxip}\\
+&\tsf{\scr 898:ssep} &\tsf{\scr 914:shuo} &\tsf{\scr 930:shyt} &\tsf{\scr 946:tap} &\tsf{\scr 962:turx} &\tsf{\scr 978:vo} &\tsf{\scr 994:wat} &\tsf{\scr 1010:xip}\\
+\hline
+3&{\Lg\Yssut} &{\Lg\Yshuop} &{\Lg\Yshyx} &{\Lg\Ytuot} &{\Lg\Ytur} &{\Lg\Yvop} &{\Lg\Ywax} &{\Lg\Yxiet}\\
+&\tsf{\scr 899:ssut} &\tsf{\scr 915:shuop} &\tsf{\scr 931:shyx} &\tsf{\scr 947:tuot} &\tsf{\scr 963:tur} &\tsf{\scr 979:vop} &\tsf{\scr 995:wax} &\tsf{\scr 1011:xiet}\\
+\hline
+4&{\Lg\Yssux} &{\Lg\Yshot} &{\Lg\Yshy} &{\Lg\Ytuox} &{\Lg\Yvit} &{\Lg\Yvex} &{\Lg\Ywa} &{\Lg\Yxiex}\\
+&\tsf{\scr 900:ssux} &\tsf{\scr 916:shot} &\tsf{\scr 932:shy} &\tsf{\scr 948:tuox} &\tsf{\scr 964:vit} &\tsf{\scr 980:vex} &\tsf{\scr 996:wa} &\tsf{\scr 1012:xiex}\\
+\hline
+5&{\Lg\Yssu} &{\Lg\Yshox} &{\Lg\Yshyp} &{\Lg\Ytuo} &{\Lg\Yvix} &{\Lg\Yvep} &{\Lg\Ywap} &{\Lg\Yxie}\\
+&\tsf{\scr 901:ssu} &\tsf{\scr 917:shox} &\tsf{\scr 933:shyp} &\tsf{\scr 949:tuo} &\tsf{\scr 965:vix} &\tsf{\scr 981:vep} &\tsf{\scr 997:wap} &\tsf{\scr 1013:xie}\\
+\hline
+6&{\Lg\Yssup} &{\Lg\Ysho} &{\Lg\Yshyrx} &{\Lg\Ytuop} &{\Lg\Yvi} &{\Lg\Yvut} &{\Lg\Ywuox} &{\Lg\Yxiep}\\
+&\tsf{\scr 902:ssup} &\tsf{\scr 918:sho} &\tsf{\scr 934:shyrx} &\tsf{\scr 950:tuop} &\tsf{\scr 966:vi} &\tsf{\scr 982:vut} &\tsf{\scr 998:wuox} &\tsf{\scr 1014:xiep}\\
+\hline
+7&{\Lg\Yssyt} &{\Lg\Yshop} &{\Lg\Yshyr} &{\Lg\Ytot} &{\Lg\Yvip} &{\Lg\Yvux} &{\Lg\Ywuo} &{\Lg\Yxuox}\\
+&\tsf{\scr 903:ssyt} &\tsf{\scr 919:shop} &\tsf{\scr 935:shyr} &\tsf{\scr 951:tot} &\tsf{\scr 967:vip} &\tsf{\scr 983:vux} &\tsf{\scr 999:wuo} &\tsf{\scr 1015:xuox}\\
+\hline
+8&{\Lg\Yssyx} &{\Lg\Yshet} &{\Lg\Ytit} &{\Lg\Ytox} &{\Lg\Yviet} &{\Lg\Yvu} &{\Lg\Ywuop} &{\Lg\Yxuo}\\
+&\tsf{\scr 904:ssyx} &\tsf{\scr 920:shet} &\tsf{\scr 936:tit} &\tsf{\scr 952:tox} &\tsf{\scr 968:viet} &\tsf{\scr 984:vu} &\tsf{\scr 1000:wuop} &\tsf{\scr 1016:xuo}\\
+\hline
+9&{\Lg\Yssy} &{\Lg\Yshex} &{\Lg\Ytix} &{\Lg\Yto} &{\Lg\Yviex} &{\Lg\Yvup} &{\Lg\Ywox} &{\Lg\Yxot}\\
+&\tsf{\scr 905:ssy} &\tsf{\scr 921:shex} &\tsf{\scr 937:tix} &\tsf{\scr 953:to} &\tsf{\scr 969:viex} &\tsf{\scr 985:vup} &\tsf{\scr 1001:wox} &\tsf{\scr 1017:xot}\\
+\hline
+A&{\Lg\Yssyp} &{\Lg\Yshe} &{\Lg\Yti} &{\Lg\Ytop} &{\Lg\Yvie} &{\Lg\Yvurx} &{\Lg\Ywo} &{\Lg\Yxox}\\
+&\tsf{\scr 906:ssyp} &\tsf{\scr 922:she} &\tsf{\scr 938:ti} &\tsf{\scr 954:top} &\tsf{\scr 970:vie} &\tsf{\scr 986:vurx} &\tsf{\scr 1002:wo} &\tsf{\scr 1018:xox}\\
+\hline
+B&{\Lg\Yssyrx} &{\Lg\Yshep} &{\Lg\Ytip} &{\Lg\Ytex} &{\Lg\Yviep} &{\Lg\Yvur} &{\Lg\Ywop} &{\Lg\Yxo}\\
+&\tsf{\scr 907:ssyrx} &\tsf{\scr 923:shep} &\tsf{\scr 939:tip} &\tsf{\scr 955:tex} &\tsf{\scr 971:viep} &\tsf{\scr 987:vur} &\tsf{\scr 1003:wop} &\tsf{\scr 1019:xo}\\
+\hline
+C&{\Lg\Yssyr} &{\Lg\Yshut} &{\Lg\Ytiex} &{\Lg\Yte} &{\Lg\Yvat} &{\Lg\Yvyt} &{\Lg\Ywex} &{\Lg\Yxyt}\\
+&\tsf{\scr 908:ssyr} &\tsf{\scr 924:shut} &\tsf{\scr 940:tiex} &\tsf{\scr 956:te} &\tsf{\scr 972:vat} &\tsf{\scr 988:vyt} &\tsf{\scr 1004:wex} &\tsf{\scr 1020:xyt}\\
+\hline
+D&{\Lg\Yshat} &{\Lg\Yshux} &{\Lg\Ytie} &{\Lg\Ytep} &{\Lg\Yvax} &{\Lg\Yvyx} &{\Lg\Ywe} &{\Lg\Yxyx}\\
+&\tsf{\scr 909:shat} &\tsf{\scr 925:shux} &\tsf{\scr 941:tie} &\tsf{\scr 957:tep} &\tsf{\scr 973:vax} &\tsf{\scr 989:vyx} &\tsf{\scr 1005:we} &\tsf{\scr 1021:xyx}\\
+\hline
+E&{\Lg\Yshax} &{\Lg\Yshu} &{\Lg\Ytiep} &{\Lg\Ytut} &{\Lg\Yva} &{\Lg\Yvy} &{\Lg\Ywep} &{\Lg\Yxy}\\
+&\tsf{\scr 910:shax} &\tsf{\scr 926:shu} &\tsf{\scr 942:tiep} &\tsf{\scr 958:tut} &\tsf{\scr 974:va} &\tsf{\scr 990:vy} &\tsf{\scr 1006:wep} &\tsf{\scr 1022:xy}\\
+\hline
+F&{\Lg\Ysha} &{\Lg\Yshup} &{\Lg\Ytat} &{\Lg\Ytux} &{\Lg\Yvap} &{\Lg\Yvyp} &{\Lg\Yxit} &{\Lg\Yxyp}\\
+&\tsf{\scr 911:sha} &\tsf{\scr 927:shup} &\tsf{\scr 943:tat} &\tsf{\scr 959:tux} &\tsf{\scr 975:vap} &\tsf{\scr 991:vyp} &\tsf{\scr 1007:xit} &\tsf{\scr 1023:xyp}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 9 --- Row A4: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A40 &A41 &A42 &A43 &A44 &A45 &A46 &A47\\ \hline
+0&{\Lg\Yxyrx} &{\Lg\Yyo} &{\Lg\Yzi} &{\Lg\Yzex} &{\Lg\Yzzix} &{\Lg\Yzzep} &{\Lg\Yzhuox} &{\Lg\Yzhur}\\
+&\tsf{\scr 1024:xyrx} &\tsf{\scr 1040:yo} &\tsf{\scr 1056:zi} &\tsf{\scr 1072:zex} &\tsf{\scr 1088:zzix} &\tsf{\scr 1104:zzep} &\tsf{\scr 1120:zhuox} &\tsf{\scr 1136:zhur}\\
+\hline
+1&{\Lg\Yxyr} &{\Lg\Yyop} &{\Lg\Yzip} &{\Lg\Yze} &{\Lg\Yzzi} &{\Lg\Yzzux} &{\Lg\Yzhuo} &{\Lg\Yzhyt}\\
+&\tsf{\scr 1025:xyr} &\tsf{\scr 1041:yop} &\tsf{\scr 1057:zip} &\tsf{\scr 1073:ze} &\tsf{\scr 1089:zzi} &\tsf{\scr 1105:zzux} &\tsf{\scr 1121:zhuo} &\tsf{\scr 1137:zhyt}\\
+\hline
+2&{\Lg\Yyit} &{\Lg\Yyut} &{\Lg\Yziex} &{\Lg\Yzep} &{\Lg\Yzzip} &{\Lg\Yzzu} &{\Lg\Yzhuop} &{\Lg\Yzhyx}\\
+&\tsf{\scr 1026:yit} &\tsf{\scr 1042:yut} &\tsf{\scr 1058:ziex} &\tsf{\scr 1074:zep} &\tsf{\scr 1090:zzip} &\tsf{\scr 1106:zzu} &\tsf{\scr 1122:zhuop} &\tsf{\scr 1138:zhyx}\\
+\hline
+3&{\Lg\Yyix} &{\Lg\Yyux} &{\Lg\Yzie} &{\Lg\Yzut} &{\Lg\Yzziet} &{\Lg\Yzzup} &{\Lg\Yzhot} &{\Lg\Yzhy}\\
+&\tsf{\scr 1027:yix} &\tsf{\scr 1043:yux} &\tsf{\scr 1059:zie} &\tsf{\scr 1075:zut} &\tsf{\scr 1091:zziet} &\tsf{\scr 1107:zzup} &\tsf{\scr 1123:zhot} &\tsf{\scr 1139:zhy}\\
+\hline
+4&{\Lg\Yyi} &{\Lg\Yyu} &{\Lg\Yziep} &{\Lg\Yzux} &{\Lg\Yzziex} &{\Lg\Yzzurx} &{\Lg\Yzhox} &{\Lg\Yzhyp}\\
+&\tsf{\scr 1028:yi} &\tsf{\scr 1044:yu} &\tsf{\scr 1060:ziep} &\tsf{\scr 1076:zux} &\tsf{\scr 1092:zziex} &\tsf{\scr 1108:zzurx} &\tsf{\scr 1124:zhox} &\tsf{\scr 1140:zhyp}\\
+\hline
+5&{\Lg\Yyip} &{\Lg\Yyup} &{\Lg\Yzat} &{\Lg\Yzu} &{\Lg\Yzzie} &{\Lg\Yzzur} &{\Lg\Yzho} &{\Lg\Yzhyrx}\\
+&\tsf{\scr 1029:yip} &\tsf{\scr 1045:yup} &\tsf{\scr 1061:zat} &\tsf{\scr 1077:zu} &\tsf{\scr 1093:zzie} &\tsf{\scr 1109:zzur} &\tsf{\scr 1125:zho} &\tsf{\scr 1141:zhyrx}\\
+\hline
+6&{\Lg\Yyiet} &{\Lg\Yyurx} &{\Lg\Yzax} &{\Lg\Yzup} &{\Lg\Yzziep} &{\Lg\Yzzyt} &{\Lg\Yzhop} &{\Lg\Yzhyr}\\
+&\tsf{\scr 1030:yiet} &\tsf{\scr 1046:yurx} &\tsf{\scr 1062:zax} &\tsf{\scr 1078:zup} &\tsf{\scr 1094:zziep} &\tsf{\scr 1110:zzyt} &\tsf{\scr 1126:zhop} &\tsf{\scr 1142:zhyr}\\
+\hline
+7&{\Lg\Yyiex} &{\Lg\Yyur} &{\Lg\Yza} &{\Lg\Yzurx} &{\Lg\Yzzat} &{\Lg\Yzzyx} &{\Lg\Yzhet} &{\Lg\Yit}\\
+&\tsf{\scr 1031:yiex} &\tsf{\scr 1047:yur} &\tsf{\scr 1063:za} &\tsf{\scr 1079:zurx} &\tsf{\scr 1095:zzat} &\tsf{\scr 1111:zzyx} &\tsf{\scr 1127:zhet} &\tsf{\scr 1143:it}\\
+\hline
+8&{\Lg\Yyie} &{\Lg\Yyyt} &{\Lg\Yzap} &{\Lg\Yzur} &{\Lg\Yzzax} &{\Lg\Yzzy} &{\Lg\Yzhex} &{\Lg\Yix}\\
+&\tsf{\scr 1032:yie} &\tsf{\scr 1048:yyt} &\tsf{\scr 1064:zap} &\tsf{\scr 1080:zur} &\tsf{\scr 1096:zzax} &\tsf{\scr 1112:zzy} &\tsf{\scr 1128:zhex} &\tsf{\scr 1144:ix}\\
+\hline
+9&{\Lg\Yyiep} &{\Lg\Yyyx} &{\Lg\Yzuox} &{\Lg\Yzyt} &{\Lg\Yzza} &{\Lg\Yzzyp} &{\Lg\Yzhe} &{\Lg\Yi}\\
+&\tsf{\scr 1033:yiep} &\tsf{\scr 1049:yyx} &\tsf{\scr 1065:zuox} &\tsf{\scr 1081:zyt} &\tsf{\scr 1097:zza} &\tsf{\scr 1113:zzyp} &\tsf{\scr 1129:zhe} &\tsf{\scr 1145:i}\\
+\hline
+A&{\Lg\Yyuot} &{\Lg\Yyy} &{\Lg\Yzuo} &{\Lg\Yzyx} &{\Lg\Yzzap} &{\Lg\Yzzyrx} &{\Lg\Yzhep} &{\Lg\Yip}\\
+&\tsf{\scr 1034:yuot} &\tsf{\scr 1050:yy} &\tsf{\scr 1066:zuo} &\tsf{\scr 1082:zyx} &\tsf{\scr 1098:zzap} &\tsf{\scr 1114:zzyrx} &\tsf{\scr 1130:zhep} &\tsf{\scr 1146:ip}\\
+\hline
+B&{\Lg\Yyuox} &{\Lg\Yyyp} &{\Lg\Yzuop} &{\Lg\Yzy} &{\Lg\Yzzox} &{\Lg\Yzzyr} &{\Lg\Yzhut} &{\Lg\Yiet}\\
+&\tsf{\scr 1035:yuox} &\tsf{\scr 1051:yyp} &\tsf{\scr 1067:zuop} &\tsf{\scr 1083:zy} &\tsf{\scr 1099:zzox} &\tsf{\scr 1115:zzyr} &\tsf{\scr 1131:zhut} &\tsf{\scr 1147:iet}\\
+\hline
+C&{\Lg\Yyuo} &{\Lg\Yyyrx} &{\Lg\Yzot} &{\Lg\Yzyp} &{\Lg\Yzzo} &{\Lg\Yzhat} &{\Lg\Yzhux} &{\Lg\Yiex}\\
+&\tsf{\scr 1036:yuo} &\tsf{\scr 1052:yyrx} &\tsf{\scr 1068:zot} &\tsf{\scr 1084:zyp} &\tsf{\scr 1100:zzo} &\tsf{\scr 1116:zhat} &\tsf{\scr 1132:zhux} &\tsf{\scr 1148:iex}\\
+\hline
+D&{\Lg\Yyuop} &{\Lg\Yyyr} &{\Lg\Yzox} &{\Lg\Yzyrx} &{\Lg\Yzzop} &{\Lg\Yzhax} &{\Lg\Yzhu} &{\Lg\Yie}\\
+&\tsf{\scr 1037:yuop} &\tsf{\scr 1053:yyr} &\tsf{\scr 1069:zox} &\tsf{\scr 1085:zyrx} &\tsf{\scr 1101:zzop} &\tsf{\scr 1117:zhax} &\tsf{\scr 1133:zhu} &\tsf{\scr 1149:ie}\\
+\hline
+E&{\Lg\Yyot} &{\Lg\Yzit} &{\Lg\Yzo} &{\Lg\Yzyr} &{\Lg\Yzzex} &{\Lg\Yzha} &{\Lg\Yzhup} &{\Lg\Yiep}\\
+&\tsf{\scr 1038:yot} &\tsf{\scr 1054:zit} &\tsf{\scr 1070:zo} &\tsf{\scr 1086:zyr} &\tsf{\scr 1102:zzex} &\tsf{\scr 1118:zha} &\tsf{\scr 1134:zhup} &\tsf{\scr 1150:iep}\\
+\hline
+F&{\Lg\Yyox} &{\Lg\Yzix} &{\Lg\Yzop} &{\Lg\Yzzit} &{\Lg\Yzze} &{\Lg\Yzhap} &{\Lg\Yzhurx} &{\Lg\Yat}\\
+&\tsf{\scr 1039:yox} &\tsf{\scr 1055:zix} &\tsf{\scr 1071:zop} &\tsf{\scr 1087:zzit} &\tsf{\scr 1103:zze} &\tsf{\scr 1119:zhap} &\tsf{\scr 1135:zhurx} &\tsf{\scr 1151:at}\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\begin{center}\Large{Table 10 --- Row A4: Yi}
+\end{center}
+\begin{center}\begin{tabular}{|c|c|c|c|c|c|c|c|c|}
+\hline
+&A48 &A49 &A4A &A4B &A4C &A4D &A4E &A4F\\ \hline
+0&{\Lg\Yax} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1152:ax} & & & & & & &\\
+\hline
+1&{\Lg\Ya} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1153:a} & & & & & & &\\
+\hline
+2&{\Lg\Yap} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1154:ap} & & & & & & &\\
+\hline
+3&{\Lg\Yuox} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1155:uox} & & & & & & &\\
+\hline
+4&{\Lg\Yuo} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1156:uo} & & & & & & &\\
+\hline
+5&{\Lg\Yuop} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1157:uop} & & & & & & &\\
+\hline
+6&{\Lg\Yot} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1158:ot} & & & & & & &\\
+\hline
+7&{\Lg\Yox} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1159:ox} & & & & & & &\\
+\hline
+8&{\Lg\Yo} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1160:o} & & & & & & &\\
+\hline
+9&{\Lg\Yop} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1161:op} & & & & & & &\\
+\hline
+A&{\Lg\Yex} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1162:ex} & & & & & & &\\
+\hline
+B&{\Lg\Ye} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1163:e} & & & & & & &\\
+\hline
+C&{\Lg\Yw} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+&\tsf{\scr 1164:w} & & & & & & &\\
+\hline
+D&{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+& & & & & & & &\\
+\hline
+E&{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+& & & & & & & &\\
+\hline
+F&{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg} &{\Lg}\\
+& & & & & & & &\\
+\hline
+\end{tabular}
+\end{center}
+
+%\newpage
+\newpage
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/yi4latex/yi4latex.tex b/Master/texmf-dist/doc/fonts/yi4latex/yi4latex.tex
new file mode 100644
index 00000000000..c7290a372a7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/yi4latex/yi4latex.tex
@@ -0,0 +1,274 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% File: yi4latex.tex
+% Date: September 2, 1997
+% Author: Oliver Corff
+% (c) 1997 Ulaanbaatar, Beijing, Berlin
+%
+% A package for providing the Yi script to LaTeX-users.
+%
+% NB: This package requires LaTeX2e!
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[11pt,a4paper]{article}
+\usepackage{yi}
+\title{\huge\textbf{\Ynuo\Ysu\Ybbur\Yma}\\
+ \vspace{.25cm}
+ \sf Yi for \LaTeX , v.~0.1}
+\author{Oliver Corff\protect\footnote{%
+ The \YiL\ package was developed while receiving
+ a DFG (German Research Council) grant to which
+ the author expresses his sincere gratitude.}}
+\date{Sep.~2nd, 1997}
+\newcommand{\YiL}{\textsf{Yi for \LaTeX}}
+\markboth{\YiL}{\YiL}
+\pagestyle{myheadings}
+\begin{document}
+\maketitle
+\thispagestyle{myheadings}
+
+\section{Introduction}
+{\YiL} is a package providing the Yi script for \LaTeX\ users.
+The Yi live mainly in Sichuan, Yunnan, Guizhou and Guangxi, and
+have a population of about 6.5 million (1990). There are various
+viewpoints on when the Yi script originated; some scholars claim
+this happened during the Tang dynasty, others say it occurred
+only during the Ming dynasty, and others again place the date
+well back by 6000 years. A detailed summary of arguments is
+presented by Ding Chunshou in his treaty (\emph{On Yi})%
+\footnote{Ding Chunshou: \emph{Yiwen Lun}. Sichuan Minzu Chubanshe,
+Chengdu 1993. ISBN 7-5409-0659-6/H.41}
+
+The historical Yi script comprised somewhere close to 10,000
+characters which were used in a way similar to Chinese, i.~e.~they
+had ideographic properties. Modern Yi, however, takes a radically
+different approach: All syllables have a unique sound but no
+intrinsic meaning whatsoever. This system was promulgated by the
+State Council as Standardized Yi in 1980 and subsequently popularized
+by a number of dictionaries, grammars etc.
+
+The \YiL\ package provides all 1165 Yi syllables as defined in the State
+Council decree of 1980, arranged by a consonant order which is a
+hybrid between the syllabic arrangement by phonetics and a pure
+alphabetical arrangement. This arrangement was not chosen by the
+author; it reflects the current status of discussions on creating
+ISO and Unicode standards for Yi. If this order is preserved,
+the only thing needed for using these fonts in 16-bit environments
+is to indicate the offset into this code space.
+
+Since the number of syllables is so large, five encodings had
+to be defined. These are labelled as local encodings: the
+series LYA, \dots\ LYE stands for [L]ocal [Y]i, [A] to [E].
+
+Regardless of the physical arrangement of the syllables in the font,
+the user always has access to all syllables via their syllable name.
+
+
+\section{How to use the Yi package}
+This section describes which files are necessary and which commands
+are needed for invoking the Yi syllables.
+
+
+\subsection{Necessary files}
+The Yi package consists of the following files:
+\begin{raggedright}
+\begin{description}
+\item [Package] The file {\tt yi.sty} provides all necessary
+ declarations and commands for selecting and entering the
+ Yi script. Place this file somewhere where your
+ \LaTeX\ installation will find it. In {\tt emtex} systems,
+ this could be the path \verb"\emtex\texinput\yi" assuming you
+ have a subdirectory named \verb"yi" which holds everything
+ necessary for Yi Language Support.
+\item [Fonts] The font files are:
+ \begin{enumerate}
+ \item {\tt yir-[1-5].mf}: These are the font drivers
+ for generating regular typeface.
+ \item {\tt yib-[1-5].mf}: These are the font drivers
+ for generating boldface.
+ \item {\tt yis-[1-5].mf}: These files contain the
+ individual syllable definitions.
+ \item {\tt yi[rb]parms.mf}: These files contain the
+ settings for different typefaces.
+ \item {\tt yirdefs.mf}: This file contains general
+ macro definitions used for
+ the syllable definitions.
+ \end{enumerate}
+ These 18 files should
+ reside in a directory where {\sc Metafont} can find them, e.~g.
+ \verb"\emtex\mfinput\yi" if using \verb"emtex", or perhaps in
+ \verb"/usr/local/tex.local/texmf/fonts/source/public/yi/" when
+ using \verb"teTeX".
+
+\item [Font Metrics] The ten font metrics files {\tt yi[rb]-[1-5].tfm}
+ go into \verb"\emtex\tfm\yi" or
+ \verb"/usr/local/tex.local/texmf/fonts/tfm/yi/".
+
+\item [Documentation] There are two files, a character table
+ named \verb"yi-table.tex" and a description of the
+ package named {\tt yi4latex.tex}. You are reading it at
+ the moment. Both files can be placed in the same
+ directory as {\tt yi.sty} or in a separate directory in the
+ \verb"\emtex\doc" branch, or in
+ \verb"/usr/local/tex.local/texmf/doc/".
+\end{description}
+\end{raggedright}
+
+\subsection{Declarations and Input Methods}
+In order to use the Yi script, the document preamble
+must contain the declaration \verb"\usepackage{yi}". This
+is the only necessary step.
+
+Entering Yi syllables into any text is straightforward. In the
+\YiL\ package, all syllable names are defined as text commands.
+The syllable names are prefixed by \verb"\Y". Two typefaces,
+regular and boldface, are supported, and they are addressed as
+in any textmode. Thus, the title
+of this paper is generated with the following commands:
+\begin{center}
+ regular: \verb"\Ynuo\Ysu\Ybbur\Yma" \\
+ \Ynuo\Ysu\Ybbur\Yma \\
+ boldface: \verb"{\textbf{\Ynuo\Ysu\Ybbur\Yma}}" \\
+ {\Large\textbf{\Ynuo\Ysu\Ybbur\Yma}}\\
+\end{center}
+
+Instead of stating \verb"\Y"\emph{syllable} it is also possible
+to use the form \verb"\Y{"\emph{syllable}\verb"}".
+
+Besides that, the Yi numbers can be entered with the commands
+\verb"\YOne", \verb"YTwo", \verb"\YThree" up to \verb"\YTen":
+\YOne, \YTwo, \YThree, \YFour, \YFive, \YSix, \YSeven, \YEight,
+\YNine\ and \YTen.
+
+Another command is useful when writing about Yi (rather than in Yi):
+The pronounciation of each syllable can be attached to that syllable
+by saying \verb"\YP{"\emph{syllable}\verb"}":
+\begin{center}
+ Input: \verb"\YP{nuo}\YP{su}\YP{bbur}\YP{ma}" \\
+ Result: \YP{nuo}\YP{su}\YP{bbur}\YP{ma} \\
+\end{center}
+The text example on the next page shows the result of applying this
+command to a whole text.
+
+The syllable reduplication mark \YP{wu} can also be entered as \YP{w}.
+This is done intentionally.
+
+\section{Known Problems}
+
+There seems to be only one genuine problem so far: In \TeX\
+environments which do not go through PostScript to generate
+printer output, e.~g.~\verb"emtex", it is possible that downloading
+a large amount of large character bitmaps into the printer can cause
+a printer memory overflow. This happened with a Hewlett-Packard
+LaserJet IV when trying to print the whole font table (comprising
+1165 characters) with Yi characters set at \verb"|\Huge". The remedy
+is simple: Print until the printer complains and gives up, and start
+a new printing job with the first page set to where the printer died
+on the last job. This will take you safely through the rest of your
+printing job.
+
+
+\section{Legal Status}
+
+The \YiL\ package is protected by copyright: it is not in the public
+domain. Non-commercial, academic and private use is permitted;
+commercial parties willing to use \YiL\ are requested to obtain a licence.
+
+You are allowed and indeed encouraged to share this software with
+others; you are not allowed to modify the software and redistribute
+the modified software under the same name. Modified versions of this
+software may only be distributed if the name is different from the
+original software and if the modified software is accompanied by
+the original software.
+
+This software package may only be distributed in complete form,
+preferably in form of the archive as which is was obtained from
+its source.
+
+\section{Desiderata}
+%\begin{sloppypar}
+The package in its present stage cannot be regarded complete.
+Some of the letter shapes still need a bit of refinement, and for
+a future research project it is desirable to encode the
+pre-standardization Yi characters (of which there are around 10,000
+or so). This, however, is work which cannot be done from books alone;
+the support of native Yi speakers is required.
+
+The punctuation marks used in Yi literature are in Chinese style;
+though the use of Western style punctuation may be permissible, a
+full set of suitable punctuation marks waits to be implemented.
+
+The input method works but can barely called a user interface; an
+input preprocessor which allows the entering of Yi text without specific
+syllable markup would be fine, and waits to be written. Either a
+small C preprocessor or a \TeX\ program are acceptable; the latter
+to be preferred since no additional user interaction would be necessary.
+
+It would be a great thing if Omega appears soon; the characters could
+then be mapped to the Unicode world simply by defining an offset into
+the 16-bit code space, and the LYA to LYE business would become obsolete.
+
+Comments and suggestions are highly appreciated and should be
+directed to the author of these lines at \verb"corff@zedat.fu-berlin.de".
+%\end{sloppypar}
+
+\pagebreak
+
+\section{A text sample%
+ \protect\footnote{See Ding:1993, p.~120}:
+ \Ypup\Yguop\Ymgu\Yxi\Yndit}
+
+\YP{ngop} \YP{ox} \YP{ge} \YP{ap} \YP{mop} \YP{su} \YP{pup}
+\YP{guop} \YP{li}, \YP{mux} \YP{pyr} \YP{a} \YP{jjy},
+\YP{ddur} \YP{lu} \YP{ax} \YP{nyi} \YP{mu} \YP{jjo},
+\YP{zzur} \YP{pup} \YP{ax} \YP{li} \YP{xip} \YP{ma}
+\YP{nge}. \YP{guop} \YP{jiet} \YP{cyx} \YP{ma} \YP{xy}
+\YP{wa} \YP{mu}, \YP{mu} \YP{wa} \YP{vo} \YP{le} \YP{ggup}
+\YP{mu} \YP{sot} \YP{go} \YP{ho} \YP{ne} \YP{kop} \YP{ggu}
+\YP{hxa} \YP{fut} \YP{ci} \YP{vat} \YP{nra} \YP{ma}
+\YP{jjo}; \YP{co} \YP{cux} \YP{vyt} \YP{nyi} \YP{nge}
+\YP{cix} \YP{nge} \YP{bbup} \YP{nra} \YP{jjo}, \YP{co}
+\YP{go} \YP{ci} \YP{vat} \YP{w} \YP{o} \YP{hmy} \YP{jjo}.
+
+\YP{ngop} \YP{pup} \YP{guop} \YP{cyx} \YP{ma} \YP{li},
+``\YP{zho} \YP{huop} \YP{vo} \YP{co} \YP{jjy} \YP{gex}
+ \YP{nzix} \YP{nyi} \YP{guop} '' \YP{hmi}. \YP{guop}
+\YP{jiet} \YP{ly} \YP{kop} \YP{rep} \YP{dde} \YP{ne}
+\YP{bip} \YP{ji} \YP{lur} \YP{kur} \YP{nge}. \YP{guop}
+\YP{jiet} \YP{gu} \YP{ho} \YP{sat} \YP{ma} \YP{nge},
+\YP{mu} \YP{jy} \YP{nge} \YP{ma} \YP{bbop} \YP{jjie}
+\YP{lap} \YP{vut} \YP{tie} \YP{nga} \YP{mop} \YP{jjip},
+\YP{ggup} \YP{lep} \YP{w} \YP{ne} \YP{che} \YP{si} \YP{nip}
+\YP{zzie} \YP{ma} \YP{sip} \YP{zhop} \YP{mga} \YP{mu} \YP{da}
+\YP{ma} \YP{nge}. \YP{guop} \YP{jiet} \YP{po} \YP{bbo}
+\YP{li}, \YP{po} \YP{bbo} \YP{a} \YP{hni} \YP{bbut} \YP{go}
+\YP{jyx} \YP{nge} \YP{rry} \YP{nge} \YP{ma} \YP{dit} \YP{da}
+\YP{bbut} \YP{nge}. \YP{guop} \YP{jiet} \YP{shyp} \YP{si}
+\YP{hmox} \YP{li} \YP{zho} \YP{guop} \YP{gop} \YP{cha}
+\YP{dax} \YP{nge}.
+
+\YP{ngop} \YP{pup} \YP{guop} \YP{mgu} \YP{xi} \YP{ndit}
+\YP{cyx} \YP{ma} \YP{li}, \YP{zzyt} \YP{mu} \YP{gax} \YP{tuo}
+\YP{guop} \YP{jiet} \YP{co} \YP{ma} \YP{ax} \YP{nyi} \YP{lop}
+\YP{ax} \YP{nyi} \YP{max} \YP{su}, \YP{mux} \YP{pyr}
+\YP{nyi} \YP{a} \YP{jjy} \YP{lop} \YP{a} \YP{jjy} \YP{suo}
+\YP{ma} \YP{su} \YP{nge}. \YP{guop} \YP{jiet} \YP{xy}
+\YP{wa} \YP{nbi} \YP{se} \YP{nyip} \YP{zi} \YP{nyix} \YP{ma},
+\YP{zyt} \YP{jie} \YP{jux} \YP{dde} \YP{qu} \YP{nge}
+\YP{ma}, \YP{lur} \YP{kur} \YP{shyp} \YP{ax} \YP{yy}
+\YP{suo} \YP{ma}, \YP{jjy} \YP{gex} \YP{mu} \YP{jux} \YP{dde}
+\YP{suo} \YP{ci} \YP{ma} \YP{mu} \YP{da}.
+
+\YP{ngop} \YP{ox} \YP{pup} \YP{guop} \YP{li}, \YP{zzur}
+\YP{pup} \YP{ax} \YP{li}, \YP{mo} \YP{nyop}, \YP{get} \YP{nyop},
+\YP{syr} \YP{nyop}, \YP{bbot} \YP{nyop}, \YP{hxe} \YP{nyop}
+\YP{cyp} \YP{xix} \YP{cyp} \YP{yiet} \YP{ap} \YP{ddur} \YP{ddu}
+\YP{ap} \YP{jjo}, \YP{syp} \YP{lu} \YP{mo} \YP{lu} \YP{get}
+\YP{lu} \YP{bbo} \YP{pat} \YP{ry} \YP{su} \YP{nyi} \YP{ax}
+\YP{nyi} \YP{mu} \YP{jjox} \YP{ma} \YP{nge}. \YP{yy} \YP{hmy}
+\YP{jox} \YP{zhy} \YP{dop} \YP{yit}, \YP{tep} \YP{yy} \YP{su}
+\YP{qu} \YP{ddie} \YP{su}, \YP{cy} \YP{mop} \YP{ddie} \YP{su}
+\YP{si} \YP{nip} \YP{tep} \YP{yy} \YP{bbur} \YP{ma} \YP{zhet}
+\YP{su} \YP{jix} \YP{po} \YP{cyx} \YP{ly} \YP{yiet} \YP{jjy}
+\YP{gex} \YP{ngop} \YP{guop} \YP{jiet} \YP{miep} \YP{lie}
+\YP{bbo} \YP{pat} \YP{shu} \YP{la} \YP{su} \YP{nge}.
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/abbr/README b/Master/texmf-dist/doc/generic/abbr/README
new file mode 100644
index 00000000000..4591aefc4d5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/abbr/README
@@ -0,0 +1,24 @@
+abbr.tex is a file containing some simple macros to support
+abbreviations in plain or latex.
+
+Usage example:
+
+=====================================================================
+\input abbr
+
+\abbr{TEX}{\TeX}{TeX}
+\abbr{LATEX}{\LaTeX}{LaTeX}
+\abbr{TEX4HT}{\TeX4HT}{TeX4ht}
+% more user-defined abbreviations here if needed
+
+I love \<TEX> and \<LATEX>, espciallly when I don't have to pay attention
+whether to espace or not to espace a space after a \<TEX> control sequence.
+I also love \<TEX4HT>, and when using it I prefer to have `TeX' and `LaTeX'
+in the html output intead of `TEX' and 'LATEX'. Using abbr.tex also frees
+me from having to remember whether I defined a \ControlSequence or
+\controlsequence or \Controlsequence, and where. Anytime when I need to use
+some abbreviation, I just write \<FOO> and if it's not defined, I add a new
+definition to abbr.tex. It also saves a lot of typing, because in fact
+what I type is not '\<FOO>' but 'foo' and some shortcut to turn it to
+\<FOO>.
+=====================================================================
diff --git a/Master/texmf-dist/doc/generic/arrayjob/README b/Master/texmf-dist/doc/generic/arrayjob/README
new file mode 100644
index 00000000000..eac512f9db6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/arrayjob/README
@@ -0,0 +1,21 @@
+ --------------------------------------------------------
+ | `arrayjob' |
+ | Version 1.03 |
+ | May 3, 2000 |
+ | |
+ | Zhuhan Jiang (University of New England - Australia) |
+ | <zhuhan@turing.une.edu.au> |
+ --------------------------------------------------------
+
+
+ The `arrayjob' package provides array data structures in (La)TeX, in the
+meaning of the classical procedural programming languages like Fortran, Ada
+or C, and macros to manipulate them. Arrays can be mono or bi-dimensional.
+
+ This is useful for applications which require high level programming
+technics, like algorithmic graphics programmed in the TeX language.
+
+ The accompanying documentation file (arrayjob.doc) was written by
+Denis Girou <Denis.Girou@idris.fr>.
+
+ This package is released under the terms of the LaTeX Project Public License.
diff --git a/Master/texmf-dist/doc/generic/arrayjob/arrayjob.doc b/Master/texmf-dist/doc/generic/arrayjob/arrayjob.doc
new file mode 100644
index 00000000000..80165e4ef75
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/arrayjob/arrayjob.doc
@@ -0,0 +1,2096 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -*- Mode: Latex -*- %%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% arrayjob.doc --- Documentation of the `arrayjob' package from Zhuhan Jiang
+%%
+%% Author : Denis GIROU (CNRS/IDRIS - France) <Denis.Girou@idris.fr>
+%% Created the : Fri Jan 7 21:13:20 2000
+%% Last mod. by : Denis GIROU (CNRS/IDRIS - France) <Denis.Girou@idris.fr>
+%% Last mod. the : Wed May 31 20:10:39 2000
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\documentclass{article}
+
+\usepackage{arrayjob} % Arrays management
+\usepackage{fancyvrb} % Fancy verbatims
+\usepackage[width=18cm]{geometry} % Page layout
+\usepackage{graphics} % Graphics LaTeX standard package
+\usepackage{ifthen} % Convenient conditionals in LaTeX
+\usepackage{mflogo} % For the MetaFont and MetaPost logos
+\usepackage{multido} % General loop macro
+\usepackage{url} % URLs convenient typesetting
+
+% For PSTricks examples
+\newif\ifpstricks
+\IfFileExists{pstricks.sty}{%
+\pstrickstrue
+\usepackage{pstcol} % PSTricks package with `color' interface
+\usepackage{pst-node} % PSTricks nodes package
+\usepackage{pst-plot} % PSTricks plots package
+\usepackage{pst-grad} % PSTricks gradients package
+\usepackage{pst-key} % PSTricks interface to the `keyval' package
+}{%
+\usepackage{color}} % Color LaTeX standard package
+
+% Definition of new colors
+\definecolor{Khaki} {rgb}{0.94,0.90,0.55}
+\definecolor{LemonChiffon}{rgb}{1.,0.98,0.8}
+
+% A unique string for TeX and LaTeX
+\newcommand{\AllTeX}{%
+{\rm(L\kern-.36em\raise.3ex\hbox{\sc a}\kern-.15em)%
+T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+% Package names
+\newcommand{\AlDraTeXPackage}{\textsf{(Al)Dra\TeX}}
+\newcommand{\ArrayJobPackage}{`\textsf{arrayjob}'}
+\newcommand{\FormLettPackage}{`\textsf{formlett}'}
+\newcommand{\IfThenPackage}{`\textsf{ifthen}'}
+\newcommand{\MetaFontPackage}{\MF}
+\newcommand{\MetaPostPackage}{\MP}
+\newcommand{\MultiDoPackage}{`\textsf{multido}'}
+\newcommand{\PSTricksPackage}{\textsf{PSTricks}}
+\newcommand{\RepeatPackage}{`\textsf{repeat}'}
+
+% Aligned labels in a description environment
+\newenvironment{Description}[1]{%
+\begin{list}{nothing}{\setlength{\leftmargin}{#1}
+\setlength{\labelwidth}{\leftmargin}\setlength{\labelsep}{1mm}}}
+{\end{list}}
+
+% If PSTricks is not available
+\newcommand{\PSTricksExampleNotShown}{%
+\vspace{2mm}
+\centerline{\fbox{\textbf{Example not shown here because PSTricks is not
+ available on this platform.}}}}
+
+% Character to define verbatim strings, with escape characters /?; (from `fancyvrb')
+\DefineShortVerb[commandchars=/?;]{\!}
+
+\VerbatimFootnotes % Allow verbatim material in footnotes (from `fancyvrb')
+
+% Some advices from Rolf Niepraschk
+\newcommand{\BS}{\texttt{\symbol{`\\}}}
+\newcommand{\Macro}[1]{\texttt{\BS#1}}
+\newcommand{\Variable}[1]{\textnormal{\textit{\(\langle\)#1\,\(\rangle\)}}}
+\newcommand{\Parameter}[1]{\texttt{\symbol{`\{}#1\symbol{`\}}}}
+
+% To format TeX macro strings
+\newcommand{\FormatTeXMacro}[1]{\Macro{#1}\hfill :}
+
+\makeatletter
+
+% Example environments
+% (do not use in them the /?; characters, that we will be used as escape characters!)
+
+% For highlighting some verbatim sequences (array names, macro names and comments)
+\def\HLReverse#1{{%
+\setlength{\fboxsep}{1pt}%
+\colorbox{black}{\textcolor{white}{\textbf{#1}}}}}
+\def\HLMacro#1{\BS{}def\HLMacro@i#1\@nil}
+\def\HLMacro@i#1def#2\@nil{{%
+\setlength{\fboxsep}{1pt}%
+\colorbox{black}{\textcolor{white}{\textbf{#2}}}}}
+\def\HLComment#1{\textit{#1}}
+
+\def\Example{\FV@Environment{}{Example}}
+\def\endExample{%
+\end{VerbatimOut}
+\Below@Example{\input{\jobname.tmp}}
+\endgroup}
+
+\def\CenterExample{\FV@Environment{}{Example}}
+\def\endCenterExample{%
+\end{VerbatimOut}%
+\begin{center}
+\Below@Example{\input{\jobname.tmp}}
+\end{center}
+\endgroup}
+
+\def\SideBySideExample{\FV@Environment{}{Example}}
+\def\endSideBySideExample{%
+\end{VerbatimOut}%
+\SideBySide@Example{\input{\jobname.tmp}}
+\endgroup}
+
+\def\FVB@Example{%
+\begingroup
+\FV@UseKeyValues
+\parindent=0pt
+\multiply\topsep by 2
+\VerbatimEnvironment
+\begin{VerbatimOut}[codes={\catcode`\Z=12}]{\jobname.tmp}}
+
+\def\Below@Example#1{%
+\VerbatimInput[gobble=0,commentchar=Z,commandchars=/?;,numbersep=3pt,
+ frame=single,numbers=left]%
+ {\jobname.tmp}
+\catcode`\Z=9\relax%
+% We suppress the effect of the highlighting macros
+\catcode`/=0\relax%
+\catcode`?=1\relax%
+\catcode`;=2\relax%
+\def\HLReverse##1{##1}%
+\def\HLMacro##1{##1}%
+\def\HLComment##1{##1}%
+#1\par}
+
+\def\SideBySide@Example#1{%
+\@tempdimb=\FV@XRightMargin
+\advance\@tempdimb -5mm
+\begin{minipage}[c]{\@tempdimb}
+ \fvset{xrightmargin=0pt}
+ \catcode`\Z=9\relax%
+ % We suppress the effect of the highlighting macros
+ \catcode`/=0\relax%
+ \catcode`?=1\relax%
+ \catcode`;=2\relax%
+ \def\HLReverse##1{##1}%
+ \def\HLMacro##1{##1}%
+ \def\HLComment##1{##1}%
+ #1
+\end{minipage}%
+\@tempdimb=\textwidth
+\advance\@tempdimb -\FV@XRightMargin
+\advance\@tempdimb 5mm
+\begin{minipage}[c]{\@tempdimb}
+ \VerbatimInput[gobble=0,commentchar=Z,commandchars=/?;,
+ numbersep=3pt,frame=single,numbers=left,
+ xleftmargin=5mm,xrightmargin=0pt]{\jobname.tmp}
+\end{minipage}}
+
+\makeatother
+
+% Source codes must be indented by 2 spaces
+\fvset{gobble=2,frame=single,numbers=left,numbersep=1mm}
+
+\begin{document}
+
+\title{The \ArrayJobPackage{} package\\Management of arrays in \AllTeX}
+\author{Zhuhan Jiang\\School of Mathematical and Computer Sciences\\
+ University of New England\\Armidale\\Australia\\
+ {\footnotesize email: zhuhan@turing.une.edu.au}\\[5mm]
+ {\footnotesize (Documentation: Denis Girou%
+ \footnote{All errors and misunderstandings are mine.}
+ \hspace{1mm}(CNRS/IDRIS -- France) --
+ Denis.Girou@idris.fr)}}
+\date{Version 1.03\\May 3, 2000\\
+ {\small Documentation revised May 31, 2000}}
+
+\maketitle
+
+\begin{abstract}
+ This package provides array data structures in \AllTeX, in the meaning of
+the classical procedural programming languages like Fortran, Ada or C, and
+macros to manipulate them. Arrays can be mono or bi-dimensional.
+
+ This is useful for applications which require high level programming
+technics, like algorithmic graphics programmed in \TeX.
+\end{abstract}
+
+\tableofcontents
+
+\section{Introduction}
+
+ One of the big advantages of the \AllTeX{} system over common interactive
+software for text processing is that it offer, also, a programming language,
+which give, to people who have some knowledge in the algorithmic and
+programming fields, an exceptional flexibility and power.
+
+ Nevertheless, \TeX{} is a rather specific programming language, based on
+macros expansion, which implement a lot of unusual constructs but not
+some ones very familiar in the classical procedural languages, as
+\emph{arrays} to store and retrieve arbitrary pieces of data, stored in a
+structured way. The main reason for which this was not integrated in \TeX{} is
+that this is mainly unuseful in a language focused on text processing (but
+\MetaFontPackage{}, for instance, has them). Nevertheless, one of the few
+applications where this is straightforward to use them is to program a mailing
+system, where nearly the same informations are to be formatted several times,
+depending of values which can be simply retrieved from an array of data. This
+was the goal of the \FormLettPackage{} package \cite{FORMLETT}, written in
+1993-1995 by Zhuhan Jiang for dealing with mass letters, invoices and similar
+tasks of some duplicative nature. It integrate a small but powerful set of
+macros to manage arrays, which have been extracted to form the present
+\ArrayJobPackage{} package. The arrays can be mono or bi-dimensional%
+\footnote{You can use more than two dimensions, but not in the meaning of the
+classical programming languages (see page \pageref{par:DataHeight}).}
+and they are dynamically allocated (so we have not to declare statically
+a dimension for them)%
+\footnote{Stephan von Bechtolsheim \cite[Volume \textsc{III}, paragraph 20.3,
+page 136]{SVB93} also demonstrate such macros for array management in the
+third volume of his huge book, but it was limited to monodimensional
+arrays.}.
+
+ Array structures are, at the opposite of text management, often very useful
+in graphic programming. This is why the \AlDraTeXPackage{} package from Eitan
+Gurari \cite{ALDRATEX} (see also \cite{Gur94}) integrate such functionality
+(but which is bundled inside this package and could not be extracted easily
+from it), and this is also the case for the \MetaPostPackage{} package
+\cite{METAPOST} (but this one do not use \TeX{} as programming language)%
+\footnote{Another required feature, used in conjunction with the managements
+of arrays, is a generic loop mechanism. \TeX{} offer the \Macro{loop} macro
+and \LaTeX{} the \Macro{whiledo} macro of the \IfThenPackage{} package (and
+also the internal \Macro{@for}, \Macro{@whilenum}, etc. macros), but a more
+high-level structure is to be preferred, as the ones defined too in the
+\AlDraTeXPackage{} or \MetaPostPackage{} packages. We will use in our examples
+the \MultiDoPackage{} package \cite{MULTIDO}, also written by Timothy van
+Zandt, but others are available, like the \RepeatPackage{} package written by
+Victor Eijkhout \cite{REPEAT}.}. This fact explain why most of our examples in
+this documentation will concern the area of \emph{graphic programming} (here
+using the \PSTricksPackage{} package from Timothy van Zandt \cite{PSTRICKS}).
+
+\section{Command reference}
+
+\begin{Description}{4cm}
+ \item[\FormatTeXMacro{newarray}] Define a new array.
+
+ Syntax: !\newarray/Macro?/Variable?ArrayName;;!
+
+ Example: !\newarray\Values!
+
+ \item[\FormatTeXMacro{delarray}] Delete an array.
+
+ Syntax: !\delarray/Macro?/Variable?ArrayName;;!
+
+ Example: !\delarray\Values!
+
+ Remarks:
+ \begin{enumerate}
+ \item obviously, elements of a deleted array could not be accessed
+ later,
+ \item take care that the elements of a deleted array are not
+ themselves deleted.\newline
+ So, \verb+\delarray\Data \newarray\Data \Data(I)+ can produce a
+ strange behavior. Just avoid to reuse deleted arrays.
+ \end{enumerate}
+
+ \item[\FormatTeXMacro{ArrayName}] Store or get the content of the array
+ element specified by the indice(s). In the last case, the content is
+ inserted at the current point.
+
+ Syntax: !/Macro?/Variable?ArrayName;;(I)=/Parameter?/Variable?Content;;! or more
+ generally\newline
+ \hspace*{1.3cm}!/Macro?/Variable?ArrayName;;(I1,...,In)=/Parameter?/Variable?Content;;!
+ to store a value
+
+ \hspace{1.3cm}!/Macro?/Variable?ArrayName;;(I)! or more generally
+ !/Macro?/Variable?ArrayName;;(I1,...,In)! to retrieve a value
+
+ Examples: !\Data(6)={Paul Adams}!
+
+ \hspace{1.75cm}!\Values(19)!
+
+ \item[\FormatTeXMacro{readarray}] Store consecutive values in an array,
+ starting from the indice one.
+
+ Syntax: !\readarray/Parameter?/Variable?ArrayName;;=/Parameter?/Variable?Content1;&...&/Variable?ContentM;;!
+
+ Example: !\readarray{Actors}{Louise Brooks&Marlene Dietrich&Clark Gable}!
+
+ Remarks:
+ \begin{enumerate}
+ \item the values must be separated by the \textbf{\&} character,
+ \item take care that the trailing spaces are significant, so the
+ previous definition is different from the following one:
+
+ !\readarray{Actors}{Louise Brooks & Marlene Dietrich & Clark Gable}!
+ \item you can use \AllTeX{} macros inside the values.
+ \end{enumerate}
+\end{Description}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \newarray\Values
+ \readarray{/HLReverse?Values;}{A&B&C&D}
+ \verb+\Values(3)+ = `\Values(3)'
+ \newarray\Actors
+ \readarray{/HLReverse?Actors;}{Louise Brooks&Marlene Dietrich&Clark Gable}
+ Z\par
+ \verb+\Actors(2)+ = `\Actors(2)'
+ \readarray{/HLReverse?Actors;}{%
+ Louise Brooks & Marlene Dietrich & Clark Gable}
+ Z\par
+ \verb+\Actors(2)+ = `\Actors(2)'
+ \Actors(4)={\textit{\underline{Ida Lupino}}}
+ Z\par
+ \verb+\Actors(4)+ = `\Actors(4)'
+\end{SideBySideExample}
+
+\vspace{3mm}
+\noindent If you realy need to trim the unnecessary left and right spaces, you must
+apply a special action, like this one:
+
+\begin{Example}
+ \def\BS{\texttt{\symbol{`\\}}}
+
+ \newarray\Strings
+ \readarray{/HLReverse?Strings;}{a& b&c c & d dd ddd }
+
+ \multido{\iString=1+1}{4}{%
+ \checkStrings(\iString)%
+ \BS\texttt{Strings(\iString)}=`\cachedata'\qquad}
+
+ \makeatletter
+
+ % /HLComment?A \TrimSpaces macro adapted from Michael J. Downes <epsmjd@ams.org>;
+ % /HLComment?(posted on c.t.t. June 19, 1998);
+ % /HLComment?\number`\x reads past one following space (expanding as it goes);
+ \long\def\TrimSpaces#1{\expandafter\TrimSpaces@i\number`\^^00#1| |}
+ % /HLComment?Remove the "0" produced by \number`\^^00, and " |" at the end.;
+ \long\def\TrimSpaces@i 0#1 |{\TrimSpaces@ii\empty#1|}
+ % /HLComment?" |" was removed by \TrimSpaces@i, now remove a trailing "||" or "| |";
+ \long\def\TrimSpaces@ii #1|#2|{#1}
+
+ \makeatother
+
+ \multido{\iString=1+1}{4}{%
+ \checkStrings(\iString)%
+ \BS\texttt{Strings(\iString)}=`\TrimSpaces{\cachedata}'\qquad}
+\end{Example}
+
+\begin{Description}{4cm}
+ \item[\FormatTeXMacro{check}] Get the content of the array element specified
+ by the indice(s) and store the result in the macro !\cachedata!
+
+ Syntax: !\check/Variable?ArrayName;(I)! or more generally
+ !\check/Variable?ArrayName;(I1,..,In)!
+
+ Example: !\checkActors(2)!
+ \item[\FormatTeXMacro{cachedata}] Macro where the content is stored after
+ a !\check! request.
+ \item[\FormatTeXMacro{ifemptydata}] True if the last \Macro{check} request
+ has given an empty result.
+\end{Description}
+
+\newarray\Values
+\readarray{Values}{A&B&C&D}
+
+\newarray\Actors
+\newarray\Dates
+\newarray\Sexes
+\readarray{Actors}{Louise Brooks&%
+ Marlene Dietrich&%
+ Clark Gable}
+\readarray{Dates}{1906--1985&%
+ 1902--1992&%
+ 1901--1960}
+\readarray{Sexes}{2&2&1}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ % /HLComment?Plain TeX usage;
+ \checkValues(2)%
+ \verb+\Values(2)+ = `\cachedata'
+ Z\par
+ \checkActors(3)%
+ \verb+\Actors(3)+ = `\cachedata'
+ Z\par
+ \checkActors(5)%
+ \ifemptydata
+ \verb+\Actors(5)+ not defined.
+ \fi
+ Z\par
+ % /HLComment?LaTeX usage;
+ \newcommand{\IsEmptyElement}[2]{%
+ \ifthenelse{\boolean{emptydata}}{#1}{#2}}
+ \checkActors(3)%
+ \verb+\Actors(3)+ = \IsEmptyElement{not defined}{`\cachedata'}
+ Z\par
+ \checkActors(5)%
+ \verb+\Actors(5)+ \IsEmptyElement{not defined}{`\cachedata'}
+\end{SideBySideExample}
+
+\begin{Description}{4cm}
+ \item[\FormatTeXMacro{ifnormalindex}] See below (Default: !\normalindexfalse!).
+
+ \item[\FormatTeXMacro{dataheight}\label{par:DataHeight}] Counter containing
+ the number of elements in the first dimension, if arrays are bi-dimensional.
+
+ Syntax: !\dataheight=/Variable?Number;!
+
+ Remarks:
+ \begin{enumerate}
+ \item arrays are monodimensional when !\dataheight!~$\leq~1$,
+ \item if !\normalindexfalse! (which is the default value), we have:
+ $$\hspace{-3cm}\Macro{\Variable{ArrayName}}(I_1,...,I_n)
+ = \Macro{\Variable{ArrayName}}(I_n + (I_{n-1}-1) *
+ \Macro{dataheight} + \cdots
+ + (I_1-1) * \Macro{dataheight}^{n-1})$$
+
+ and if !\normalindextrue!, we have:
+ $$\hspace{-3cm}\Macro{\Variable{ArrayName}}(I_1,...,I_n)
+ = \Macro{\Variable{ArrayName}}(I_1 + (I_2-1) *
+ \Macro{dataheight} + \cdots
+ + (I_n-1) * \Macro{dataheight}^{n-1})$$
+ \end{enumerate}
+\end{Description}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \newarray\Letters
+ \readarray{/HLReverse?Letters;}{A&B&C&D&E&F&G&H&I&J}
+ \dataheight=5
+
+ Z\begin{tabular}{c|c|c|c|c|c|c|c|c|}
+ Z \multicolumn{1}{c}{} & \multicolumn{1}{c}{1} & \multicolumn{1}{c}{2} &
+ Z \multicolumn{1}{c}{3} & \multicolumn{1}{c}{4} & \multicolumn{1}{c}{5} \\ \cline{2-6}
+ Z 1 & A & B & C & D & E \\ \cline{2-6}
+ Z 2 & F & G & H & I & J \\ \cline{2-6}
+ Z\end{tabular}
+ Z\\[2mm]
+ % /HLComment?Default is \normalindexfalse;
+ \verb+\Letters(1,2)=+`\Letters(1,2)'
+ Z\par
+ \verb+\Letters(2,1)=+`\Letters(2,1)'
+ Z\\[2mm]
+ Z\begin{tabular}{c|c|c|}
+ Z \multicolumn{1}{c}{} & \multicolumn{1}{c}{1} & \multicolumn{1}{c}{2} \\ \cline{2-3}
+ Z 1 & A & F \\ \cline{2-3}
+ Z 2 & B & G \\ \cline{2-3}
+ Z 3 & C & H \\ \cline{2-3}
+ Z 4 & D & I \\ \cline{2-3}
+ Z 5 & E & J \\ \cline{2-3}
+ Z\end{tabular}
+ Z\\[2mm]
+ \normalindextrue
+ \verb+\Letters(1,2)=+`\Letters(1,2)'
+ Z\par
+ \verb+\Letters(2,1)=+`\Letters(2,1)'
+\end{SideBySideExample}
+
+\begin{Description}{4cm}
+ \item[\FormatTeXMacro{ifexpandarrayelement}] Boolean macro to allow or not
+ the element to be evaluated before to be stored in the array (Default:
+ !\expandarrayelementfalse!).
+
+ Syntax: !\expandarrayelementtrue! or !\expandarrayelementfalse!
+
+ Remark: take care to the possible side effects if you store some macros
+ as values of some array elements without evaluating them, as they can
+ change of content later... (see the following examples).
+\end{Description}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \newarray\Data
+ \newcount\CounterP % /HLComment?Plain TeX usage;
+ \CounterP=3
+ \newcounter{CounterL} % /HLComment?LaTeX usage;
+ \setcounter{CounterL}{3}
+ \def\Town{Madrid}
+ \Data(1)={\the\CounterP}
+ \Data(2)={\the\value{CounterL}}
+ \Data(3)={\Town}
+
+ \expandarrayelementtrue
+ \Data(4)={\the\CounterP}
+ \Data(5)={\the\value{CounterL}}
+ \Data(6)={\Town}
+
+ \CounterP=5
+ \setcounter{CounterL}{5}
+ \def\Town{Roma}
+
+ \multido{\iData=1+1}{6}{%
+ \BS\texttt{Data(\iData)}=`\Data(\iData)'\\}
+\end{SideBySideExample}
+
+\vspace{3mm}
+\noindent Some other macros exists for monodimensional arrays (and only for
+them), but with few additive interest:
+
+\begin{Description}{4cm}
+ \item[\FormatTeXMacro{array}] Store or get the content of the array element
+ specified by the indice. In the last case, the content is inserted at the
+ current point.
+
+ Syntax: !\array/Parameter?/Variable?ArrayName;;(I)=/Parameter?/Variable?Content;;!
+ to store a value
+
+ \hspace{1.3cm}!\array/Parameter?/Variable?ArrayName;;(I)! to retrieve a value
+
+ Examples: !\array{Actors}(6)={Joan Crawford}!
+
+ \hspace{1.75cm}!\array{Actors}(3)!
+
+ \item[\FormatTeXMacro{clrarray}] Clear the content of the array element specified.
+ A following inquiry on this element will give an empty content.
+
+ Syntax: !\clrarray/Parameter?/Variable?ArrayName;;(I)!
+
+ Example: !\clrarray{Actors}(2)!
+
+ \item[\FormatTeXMacro{testarray}] Get the content of the array element specified
+ by the indice and store the result in the macro !\temp@macro!%
+ \footnote{In \LaTeX, this macro should be used inside a package or between
+ the \verb+\makeatletter+ $\cdots$ \verb+\makeatother+ macros pair.}.
+
+ Syntax: !\testarray/Parameter?/Variable?ArrayName;;(I)!
+
+ Example: !\testarray{Actors}(1)\typeout{Actors(1)=`\temp@macro'}!
+\end{Description}
+
+\section{Examples}
+
+\UndefineShortVerb{\!} % We will use the ! character in the next examples
+
+ We will first show some basic and easy examples, before to look at more
+advanced ones to solve some complex problems, which require more knowledge of
+\TeX{} programming technics.
+
+\subsection{Basic examples}
+
+ The immediate thing for which we can use arrays is to store and retrieve
+informations:
+
+\vspace{2mm}
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \newarray\Actors
+ \newarray\Dates
+ \newarray\Sexes
+
+ \readarray{/HLReverse?Actors;}{Louise Brooks&Marlene Dietrich&Clark Gable}
+ \readarray{/HLReverse?Dates;}{1906--1985&1902--1992&1901--1960}
+ \readarray{/HLReverse?Sexes;}{2&2&1}
+
+ \begin{description}
+ \item[\Actors(1)] : \Dates(1)
+ \item[\Actors(2)] : \Dates(2)
+ \item[\Actors(3)] : \Dates(3)
+ \end{description}
+\end{SideBySideExample}
+
+\vspace{2mm}
+ But we can also use a general loop macro, as the one provided by the
+\MultiDoPackage{} package, for more powerful usage and a management
+independant of the number of elements:
+
+\vspace{2mm}
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \newcommand{\NumberActors}{3}
+
+ \begin{description}
+ \multido{\iActor=1+1}{\NumberActors}{%
+ \item[\Actors(\iActor)] : \Dates(\iActor)}
+ \end{description}
+\end{SideBySideExample}
+
+\vspace{2mm}
+ This allow various usage in the formatting of texts. A common usage is for a
+\emph{mailing} process, when we must compose some similar lettters to various
+people (as we said previously, this was the reason for which these macros were
+developed in the \FormLettPackage{} package). Here, the usage of a programming
+language allow a great flexibility, using some conditionals to format the text
+differently or even to insert different pieces of text according to the person:
+
+\newcommand{\NumberActors}{3}
+
+\begin{CenterExample}
+ \newcounter{iActor}
+
+ \newcommand{\AccordingSexe}[2]{%
+ \checkSexes(\the\value{iActor})%
+ \ifthenelse{\equal{\cachedata}{1}}{#1}{#2}}
+
+ \whiledo{\value{iActor} < \NumberActors}{%
+ \stepcounter{iActor}%
+ \fbox{%
+ \begin{minipage}{0.985\textwidth}
+ Dear \AccordingSexe{Mr}{Mrs} \Actors(\the\value{iActor}),
+
+ I would like to tell you how I admire the great \AccordingSexe{actor}{actress}
+ you are, etc.
+ \end{minipage}}\\[5mm]}
+\end{CenterExample}
+
+ Nevertheless, people who know a little \TeX{} as a programming language know
+that it behaviour is full of pitfalls... For instance, the following example,
+which format a table according to the content of entries stored in external
+arrays, can't work:
+
+\begin{Verbatim}
+ \begin{tabular}{|l|c|}
+ \hline
+ \multicolumn{1}{|c}{\textbf{Actors}} & \multicolumn{1}{|c|}{\textbf{Dates}} \\ \hline
+ \multido{\iActor=1+1}{\NumberActors}{\Actors(\iActor) & \Dates(\iActor) \\ \hline}
+ \end{tabular}
+\end{Verbatim}
+
+ This is because there is an implicit grouping of each entry in a tabular
+environment and that it do not work with the grouping of the \verb+\multido+
+loop. So, this must be program in a different way, storing all the content of
+the table before really inserting it:
+
+\begin{SideBySideExample}[xrightmargin=6cm,baselinestretch=0.9]
+ \begin{tabular}{|l|c|}
+ \hline
+ \multicolumn{1}{|c}{\textbf{Actors}} &
+ \multicolumn{1}{|c|}{\textbf{Dates}} \\ \hline
+ \let\ListActors\empty
+ \begingroup
+ \let\Actors\relax
+ \let\Dates\relax
+ \let\\\relax
+ \let\hline\relax
+ \multido{\iActor=1+1}{\NumberActors}{%
+ \xdef\ListActors{\ListActors
+ \Actors(\iActor) & \Dates(\iActor) \\ \hline}}
+ \endgroup
+ \ListActors
+ \end{tabular}
+\end{SideBySideExample}
+
+\subsubsection{Plot labels}
+
+ A basic usage in graphic programming is to use arrays to retrieve the labels
+to put on a drawing, as here to label this simple plot:
+
+\ifpstricks % If PSTricks is available
+\begin{CenterExample}[baselinestretch=0.9]
+ \savedata{\Data}[(1,3)(2,1)(3,2)(4,1)(5,1)(6,3),(7,2)(8,1)(9,3)(10,3)(11,1)(12,1)]
+
+ \newcommand{\PlotData}{%
+ \begin{pspicture}(-0.5,-0.5)(13,4)
+ \psaxes[showorigin=false]{->}(13,4)
+ \dataplot[plotstyle=dots,dotstyle=o,dotsize=0.3]{\Data}
+ \end{pspicture}}
+
+ \PlotData
+
+ \newarray{\Months}
+ \readarray{/HLReverse?Months;}{January&February&March&April&May&June&July&August&September&%
+ October&November&December}
+ \newarray{\Levels}
+ \readarray{/HLReverse?Levels;}{Low&Medium&High}
+
+ \renewcommand{\pshlabel}[1]{\tiny\Months(#1)}
+ \PlotData
+
+ \renewcommand{\psvlabel}[1]{\small\Levels(#1)}
+ \PlotData
+\end{CenterExample}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+\subsubsection{Checkboard drawing}
+
+ Of course, a bi-dimensional array directly allow to store the state of a
+checkboard of one of the numberous ones existing, like the reversi game that
+we will show here (in fact, the only more difficult part to understand in this
+example concern the definition of the elementary piece, but as this is not
+related at all to the usage of \ArrayJobPackage, this point can be forgotten
+by most of the readers).
+
+\ifpstricks % If PSTricks is available
+\begin{SideBySideExample}[xrightmargin=6cm,baselinestretch=0.89]
+ /HLMacro?\def\Black;{B}
+ /HLMacro?\def\White;{W}
+
+ /HLMacro?\def\Piece;#1#2{{%
+ \psset{unit=0.8}%
+ \pspicture(0,-0.1)(1,0.8)
+ \pscustom[fillstyle=gradient,gradmidpoint=0,gradangle=90,
+ gradbegin=#2,gradend=#1]{%
+ \psbezier(0,0.2)(0.1,-0.2)(0.9,-0.2)(1,0.2)
+ \psline(1,0.2)(1,0.5)
+ \psbezier(1,0.5)(0.9,0.9)(0.1,0.9)(0,0.5)
+ \psline(0,0.5)(0,0.2)}
+ \psbezier(0,0.5)(0.1,0.1)(0.9,0.1)(1,0.5)
+ \endpspicture}}
+
+ /HLMacro?\def\PieceBlack;{\Piece{black}{gray}}
+ /HLMacro?\def\PieceWhite;{\Piece{white}{gray}}
+
+ /HLMacro?\def\CheckboardHook;{}
+
+ \newarray\Checkboard
+
+ /HLMacro?\def\ShowCheckboard;{%
+ \dataheight=8
+ \pspicture(8,8)
+ \psgrid[subgriddiv=0,gridlabels=0](8,8)
+ \CheckboardHook
+ \multido{\iColumn=1+1,\iColumnPos=0+1}{8}{%
+ \multido{\iRow=1+1,\iRowPos=7+-1}{8}{%
+ \checkCheckboard(\iRow,\iColumn)%
+ \ifx\cachedata\Black
+ \rput(\iColumnPos.5,\iRowPos.5){\PieceBlack}
+ \else
+ \ifx\cachedata\White
+ \rput(\iColumnPos.5,\iRowPos.5){\PieceWhite}
+ \fi
+ \fi}}
+ \endpspicture}
+
+ \readarray{/HLReverse?Checkboard;}{%
+ W& &B& & & & &B&%
+ &W&B& & & & &B&%
+ W&W&B& &W& & &B&%
+ W&W&B&W&W&W&B&B&%
+ B& &W&W&W&B&W&B&%
+ B&B&W&W&W&B&W&B&%
+ B&B&B&W&W&W&W&B&%
+ W&B&B&B&B&B&B&B&%
+ }
+
+ \psset{unit=0.6}
+ \ShowCheckboard
+
+ \Checkboard(2,1)={B} % /HLComment?Black move;
+ /HLMacro?\def\CheckboardHook;{%
+ \psframe[linestyle=none,fillstyle=hlines](0,6)(1,7)}
+ % /HLComment?White pieces changed by the black move;
+ \Checkboard(3,1)={B}\Checkboard(4,1)={B}
+ \Checkboard(2,2)={B}\Checkboard(3,2)={B}
+ \vspace{1cm}
+ \ShowCheckboard
+\end{SideBySideExample}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+ Note also that, if \TeX{} is obviously not well suited to implement a
+program to \emph{really} play at a game like reversi or chess, nevertheless
+it can be used to solve internally some non trivial algorithmic problems,
+where the usage of arrays help a lot. For such example (on the coloration of
+the Truchet's tiling), see \cite{EG98}.
+
+\subsection{Advanced examples}
+
+ This section will show slightly more difficult to really complex examples,
+and is mainly for \emph{advanced users} or for people who want to be able to
+program complex tasks themselves.
+
+\subsubsection{Example with recursion usage}
+
+\begin{CenterExample}
+ \makeatletter
+
+ % /HLComment?The recursion macro used (from David Carlisle);
+ /HLMacro?\def\Recursion;#1{%
+ #1\relax
+ \expandafter\@firstoftwo
+ \else
+ \expandafter\@secondoftwo
+ \fi}
+
+ \newcount\IndexRecursion
+ \IndexRecursion=\z@
+
+ /HLMacro?\def\PiFrac;#1{{%
+ \Recursion
+ {\ifnum#1>\@ne\relax}
+ {\@tempcnta=#1
+ \advance\@tempcnta\m@ne
+ \advance\IndexRecursion\@ne
+ \PiValues(\IndexRecursion)
+ +\frac{\strut\displaystyle 1}{\strut\displaystyle\PiFrac{\@tempcnta}}}
+ {\advance\IndexRecursion\@ne
+ \PiValues(\IndexRecursion)}}}
+
+ \makeatother
+
+ \newarray\PiValues
+ \readarray{/HLReverse?PiValues;}{3&7&15&1&292&1&1&1&2&1&3&1&14}
+
+ \(\pi\approx\PiFrac{/HLReverse?4;}\approx\PiFrac{/HLReverse?13;}\)
+
+ \textbf{\(\pi\) as a continued fraction}
+\end{CenterExample}
+
+\subsubsection{Structured dynamic diagrams on a grid}
+
+ A very common case is when we must use some strutured data which are to be
+drawn on a kind of abstract grid.
+
+\ifpstricks % If PSTricks is available
+ To draw a diagram like this one (such example illustrate the exchanges of
+data between processors when using applications on multiprocessors computers
+in parallel programming):
+
+\vspace{2mm}
+\begin{SideBySideExample}[xrightmargin=5.8cm]
+ \psset{linestyle=none,fillstyle=solid,subgriddiv=0,gridlabels=0}
+ \begin{pspicture}(-1,0)(4,4)
+ % /HLComment?Line 0;
+ \psframe[fillcolor=Khaki](0,3.1)(1,3.9)
+ \psframe[fillcolor=LemonChiffon](1,3.1)(4,3.9)
+ \rput(0,3.1){\psgrid[yunit=0.8](4,1)}
+ \rput(-0.5,3.5){P0}
+ \rput(0.5,3.5){A0}
+ % /HLComment?Line 1;
+ \psframe[fillcolor=Khaki](0,2.1)(2,2.9)
+ \psframe[fillcolor=LemonChiffon](2,2.1)(4,2.9)
+ \rput(0,2.1){\psgrid[yunit=0.8](4,1)}
+ \rput(-0.5,2.5){P1}
+ \rput(0.5,2.5){A0}\rput(1.5,2.5){A1}
+ % /HLComment?Line 2;
+ \psframe[fillcolor=Khaki](0,1.1)(3,1.9)
+ \psframe[fillcolor=LemonChiffon](3,1.1)(4,1.9)
+ \rput(0,1.1){\psgrid[yunit=0.8](4,1)}
+ \rput(-0.5,1.5){P2}
+ \rput(0.5,1.5){A0}\rput(1.5,1.5){A1}\rput(2.5,1.5){A2}
+ % /HLComment?Line 3;
+ \psframe[fillcolor=Khaki](0,0.1)(4,0.9)
+ \rput(0,0.1){\psgrid[yunit=0.8](4,1)}
+ \rput(-0.5,0.5){P3}
+ \rput(0.5,0.5){A0}\rput(1.5,0.5){A1}
+ \rput(2.5,0.5){A2}\rput(3.5,0.5){A3}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\vspace{2mm}
+\noindent is easy but rather painful, as we must manage a lot of coordinates.
+Nevertheless, even if we introduce a little more abstraction level using some
+minor programming with a loop structure:
+\vspace{2mm}
+
+\begin{SideBySideExample}[xrightmargin=5.8cm]
+ \psset{linestyle=none,fillstyle=solid,subgriddiv=0,gridlabels=0}
+ \begin{pspicture}(-1,0)(4,4)
+ \multido{\iLoop=1+1,\iRow=0+1,\iRowPos=3+-1}{4}{%
+ \psframe[fillcolor=Khaki](0,\iRowPos.1)(\iLoop,\iRowPos.9)
+ \psframe[fillcolor=LemonChiffon]
+ (\iLoop,\iRowPos.1)(4,\iRowPos.9)
+ \rput(0,\iRowPos.1){\psgrid[yunit=0.8](4,1)}
+ \rput(-0.5,\iRowPos.5){P\iRow}
+ \multido{\iColumn=0+1,\iLabel=1+1}{\iLoop}{%
+ \rput(\iColumn.5,\iRowPos.5){A\iColumn}}}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\vspace{2mm}
+\noindent we succeed to heavily reduce the number of lines of the code in this
+specific case, but we gain nothing in genericity. If we have several such
+diagrams to draw, with each that must be done differently according to the
+empty and full cells of the array, we must proceed in a completely different
+way, defining a \emph{generic object} which can obtain the different values of
+a data structure previously filled. For such tasks, the \ArrayJobPackage{}
+package allow to build very efficient and powerful tools.
+
+\begin{Verbatim}[commandchars=/?;]
+ % /HLComment?The grid;
+ /HLMacro?\def\ArrayGrid;#1#2#3{{%
+ % /HLComment?#1=array of data, #2=number of rows, #3=number of columns;
+ \psset{dimen=middle,xunit=0.8}
+ \dataheight=#3
+ \pspicture(-1,-#2)(#3,0)
+ \multido{\iRow=1+1,\iRowMinusOne=0+1}{#2}{%
+ \rput(-1,-\iRow){\LineGrid{#1}{\iRow}{\iRowMinusOne}{#3}}}
+ \endpspicture}}
+
+ % /HLComment?One line of the grid;
+ /HLMacro?\def\LineGrid;#1#2#3#4{%
+ \rput(0.5,0.4){\AttributeLabel{P#3}}
+ \multido{\iColumn=1+1}{#4}{%
+ \expandafter\csname check#1\endcsname(#2,\iColumn)%
+ \rput(\iColumn,0){%
+ \ifemptydata
+ \def\ColorBackground{\ColorBackgroundEmpty}%
+ \else
+ \ifx\cachedata\space
+ \def\ColorBackground{\ColorBackgroundEmpty}%
+ \else
+ \def\ColorBackground{\ColorBackgroundFull}%
+ \fi
+ \fi
+ \psframe[fillstyle=solid,fillcolor=\ColorBackground](1,0.8)
+ \rput(0.5,0.4){\AttributeElement{\cachedata}}}}}
+\end{Verbatim}
+
+% The grid
+\def\ArrayGrid#1#2#3{{%
+% #1=array of data, #2=number of rows, #3=number of columns
+\psset{dimen=middle,xunit=0.8}
+\dataheight=#3
+\pspicture(-1,-#2)(#3,0)
+\multido{\iRow=1+1,\iRowMinusOne=0+1}{#2}{%
+ \rput(-1,-\iRow){\LineGrid{#1}{\iRow}{\iRowMinusOne}{#3}}}
+\endpspicture}}
+
+% One line of the grid
+\def\LineGrid#1#2#3#4{%
+\rput(0.3,0.4){\AttributeLabel{P#3}}
+\multido{\iColumn=1+1}{#4}{%
+ \expandafter\csname check#1\endcsname(#2,\iColumn)%
+ \rput(\iColumn,0){%
+ \ifemptydata
+ \def\ColorBackground{\ColorBackgroundEmpty}%
+ \else
+ \ifx\cachedata\space
+ \def\ColorBackground{\ColorBackgroundEmpty}%
+ \else
+ \def\ColorBackground{\ColorBackgroundFull}%
+ \fi
+ \fi
+ \psframe[fillstyle=solid,fillcolor=\ColorBackground](1,0.8)
+ \rput(0.5,0.4){\AttributeElement{\cachedata}}}}}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ % /HLComment?Default attributes;
+ \def\ColorBackgroundEmpty{LemonChiffon}
+ \def\ColorBackgroundFull{Khaki}
+ \def\AttributeElement#1{\textcolor{red}{#1}}
+ \def\AttributeLabel#1{\bf #1}
+
+ % /HLComment?Example 1;
+ \newarray\ArrayA
+
+ % /HLComment?Data;
+ \readarray{/HLReverse?ArrayA;}{%
+ A0& & & &%
+ A0&A1& & &%
+ A0&A1&A2& &%
+ A0&A1&A2&A3}
+
+ \ArrayGrid{ArrayA}{4}{4}
+\end{SideBySideExample}
+
+\newarray\ArrayA
+
+% Default attributes
+\def\ColorBackgroundEmpty{LemonChiffon}
+\def\ColorBackgroundFull{Khaki}
+\def\AttributeElement#1{\textcolor{red}{#1}}
+\def\AttributeLabel#1{\bf #1}
+
+\begin{CenterExample}[baselinestretch=0.9]
+ % /HLComment?Example 2;
+ \newarray\ArrayB
+
+ % /HLComment?Data;
+ \readarray{/HLReverse?ArrayA;}{%
+ A& & & &%
+ & & & &%
+ & & & &%
+ & & & }
+ \readarray{/HLReverse?ArrayB;}{%
+ A& & & &%
+ A& & & &%
+ A& & & &%
+ A& & & }
+
+ \ArrayGrid{ArrayA}{4}{4}\hfill\ArrayGrid{ArrayB}{4}{4}
+\end{CenterExample}
+
+\newarray\ArrayB
+
+\begin{CenterExample}[baselinestretch=0.9]
+ % /HLComment?Example 3;
+ \newarray\ArrayC
+
+ % /HLComment?Data;
+ \readarray{/HLReverse?ArrayA;}{%
+ A0& & &%
+ A1& & &%
+ A2& & }
+ \readarray{/HLReverse?ArrayB;}{%
+ A0&A1&A2&%
+ A0&A1&A2&%
+ A0&A1&A2}
+ \readarray{/HLReverse?ArrayC;}{%
+ A0& & &%
+ &A1& &%
+ & &A2}
+
+ % /HLComment?Attributes;
+ \def\ColorBackgroundEmpty{green}
+ \def\ColorBackgroundFull{red}
+ \def\AttributeElement#1{\footnotesize\textcolor{white}{#1}}
+ \def\AttributeLabel#1{\small\bf #1}
+
+ \psset{unit=0.7}
+ \ArrayGrid{ArrayA}{3}{3}\hfill\ArrayGrid{ArrayB}{3}{3}\hfill\ArrayGrid{ArrayC}{3}{3}
+\end{CenterExample}
+
+\begin{CenterExample}[baselinestretch=0.9]
+ % /HLComment?Example 4;
+
+ % /HLComment?Data;
+ \readarray{/HLReverse?ArrayA;}{%
+ A0&A1&A2&A3&%
+ B0&B1&B2&B3&%
+ C0&C1&C2&C3&%
+ D0&D1&D2&D3}
+ \readarray{/HLReverse?ArrayB;}{%
+ A0&B0&C0&D0&%
+ A1&B1&C1&D1&%
+ A2&B2&C2&D2&%
+ A3&B3&C3&D3}
+
+ % /HLComment?Attributes;
+ \def\AttributeElement#1{\textcolor{red}{#1}}
+ \def\AttributeLabel#1{\Large\it #1}
+
+ \ArrayGrid{ArrayA}{4}{4}\hfill\ArrayGrid{ArrayB}{4}{4}
+\end{CenterExample}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+\vspace{5mm}
+\subsubsection{Another example of a structured dynamic diagram on a grid}
+
+ The preceding technic is in fact relevant for a lot of problems. Here we
+give another example about the drawing of linked lists (but do not miss to
+note that these ones have here no internal existence).
+
+\ifpstricks % If PSTricks is available
+\begin{CenterExample}
+ \makeatletter
+
+ \newpsstyle{LinkedListsArrowStyle}{linecolor=red,arrowscale=2} % /HLComment?Default arrow style;
+
+ /HLMacro?\def\LinkedListsDraw;{\@ifnextchar[\LinkedListsDraw@i{\LinkedListsDraw@i[]}}
+
+ /HLMacro?\def\LinkedListsDraw@i;[#1]#2#3{{%
+ \setkeys{psset}{#1}
+ \dataheight=#3
+ %
+ \pst@cnta=#3
+ \multiply\pst@cnta\tw@
+ \advance\pst@cnta\tw@
+ \pspicture(0,-#2)(\pst@cnta,0)
+ \multido{\iRow=1+1}{#2}{%
+ \rput(0,-\iRow){%
+ \psframe(1,1)
+ \psline[dimen=middle,style=LinkedListsArrowStyle]{->}(0.5,0.5)(2,0.5)}
+ \multido{\iColumn=1+1}{#3}{%
+ \checkLinkedListsTable(\iRow,\iColumn)%
+ \ifemptydata
+ \else
+ \pst@cnta=\iColumn
+ \advance\pst@cnta\@ne
+ \pst@cntb=\@ne
+ \checkLinkedListsTable(\iRow,\pst@cnta)%
+ \ifemptydata % /HLComment?We test if it is empty;
+ \else
+ \ifnum\multidocount=#3 % /HLComment?We test if it is the last one;
+ \else
+ \pst@cntb=\z@
+ \fi
+ \fi
+ %
+ \pst@cnta=\iColumn
+ \multiply\pst@cnta\tw@
+ \rput(\the\pst@cnta,-\iRow){%
+ \LinkedListsDraw@ii{\LinkedListsTable(\iRow,\iColumn)}{\the\pst@cntb}}
+ \fi}}
+ \endpspicture}}%}
+
+ /HLMacro?\def\LinkedListsDraw@ii;#1#2{{%
+ \rput(0,0.1){%
+ \psset{unit=0.8}
+ \psgrid[subgriddiv=0,gridlabels=0](2,1) % /HLComment?Element;
+ \rput(0.5,0.5){#1} % /HLComment?Label for this element;
+ \ifnum#2=\@ne
+ \psline(1,0)(2,1) % /HLComment?Mark of the end of the list;
+ \else
+ \psline[style=LinkedListsArrowStyle]{->}(1.5,0.5)(2.5,0.5) % /HLComment?Link to the next element;
+ \fi}}}
+
+ \makeatother
+
+ \newarray\LinkedListsTable
+ \readarray{/HLReverse?LinkedListsTable;}{%
+ 11&12&13&14&%
+ 21&&&&%
+ 31&32&33&&}
+
+ \LinkedListsDraw{3}{4}
+
+ \vspace{1cm}
+ \newpsstyle{LinkedListsArrowStyle}{linecolor=green,doubleline=true}
+
+ \readarray{/HLReverse?LinkedListsTable;}{%
+ a&&&&&%
+ A&B&C&D&E&%
+ 0&1&2&3&4&%
+ +&$\times$&&&&}
+
+ \LinkedListsDraw{4}{5}
+\end{CenterExample}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+\subsubsection{Management of heaps and linked lists}
+
+ Here we will demonstrate a really more complex usage, but very useful.
+In fact, if the \ArrayJobPackage{} package primarily allow to manage only
+arrays, it allow a lot more with some efforts. Above it, we can implement the
+common internal data structures frequently used in programming, like heaps,
+simple or double linked lists, trees, associative arrays, etc. Here we will
+show how to define macros to build and manage heaps and simple linked lists.
+
+\ifpstricks % If PSTricks is available
+\vspace{1cm} % Poor hack to force a page break...
+\begin{CenterExample}[baselinestretch=0.98]
+ \makeatletter
+
+ /HLMacro?\def\PstDebug;{\z@} % /HLComment?For debugging, set \def\PstDebug{1};
+
+ % /HLComment?Code for heaps management;
+ % /HLComment?-------------------------;
+
+ /HLMacro?\def\HeapMaxDepth;{100} % /HLComment?No more than 100 elements in the heap;
+
+ \newarray\Heap
+
+ % /HLComment?Add an element at top of the heap;
+ /HLMacro?\def\HeapPush;#1{%
+ \multido{\iElem=1+1}{\HeapMaxDepth}{%
+ \checkHeap(\iElem)%
+ \ifemptydata
+ \ifnum\PstDebug=\@ne\typeout{Push Heap(\iElem)=#1}\fi% /HLComment?Debug;
+ \Heap(\iElem)={#1}%
+ \multidostop
+ \fi}}
+
+ % /HLComment?Get (in the \cachedata macro) and delete the element at top of the heap;
+ /HLMacro?\def\HeapPop;{%
+ \Multido{\iElem=\HeapMaxDepth+-1}{\HeapMaxDepth}{%
+ \checkHeap(\iElem)%
+ \ifemptydata
+ \else
+ \ifnum\PstDebug=\@ne\typeout{Delete Heap(\iElem)=\cachedata}\fi% /HLComment?Debug;
+ \Heap(\iElem)={}%
+ \multidostop
+ \fi}}
+
+ % /HLComment?Print the current state of the heap;
+ /HLMacro?\def\HeapPrint;{%
+ \checkHeap(\@ne)%
+ \ifemptydata
+ \typeout{The heap is empty!}% /HLComment?Empty heap;
+ \else
+ \multido{\iElem=\HeapMaxDepth+-1}{\HeapMaxDepth}{%
+ \checkHeap(\iElem)%
+ \ifemptydata
+ \else
+ \typeout{Heap(\iElem)=\cachedata}%
+ \fi}
+ \fi
+ \typeout{}}
+
+ % /HLComment?Draw the current state of the heap;
+ /HLMacro?\def\HeapDraw;{%
+ % /HLComment?To compute the size of the picture;
+ \Multido{\iSize=0+1}{\HeapMaxDepth}{%
+ \checkHeap(\the\multidocount)%
+ \ifemptydata
+ \multidostop
+ \fi}
+ %
+ \ifnum\iSize=\z@
+ % /HLComment?Empty heap;
+ \typeout{The heap is empty!^^J}%
+ \else
+ \pspicture(1,\iSize)
+ \psgrid[subgriddiv=0,gridlabels=0](1,\iSize)
+ \multido{\iPos=0+1}{\HeapMaxDepth}{%
+ \checkHeap(\the\multidocount)%
+ \ifemptydata
+ \multidostop
+ \else
+ \rput(0.5,\iPos.5){\cachedata}
+ \fi}
+ \endpspicture%
+ \fi}
+
+ \makeatother
+
+ \psset{unit=1.5}\footnotesize
+
+ \HeapPush{Germany}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPush{France}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPush{Italy}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPush{Spain}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPop\typeout{Popped element: `\cachedata'}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPop\typeout{Popped element: `\cachedata'}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPop\typeout{Popped element: `\cachedata'}\HeapPrint\HeapDraw
+ \hfill
+ \HeapPop\typeout{Popped element: `\cachedata'}\HeapPrint\HeapDraw
+\end{CenterExample}
+
+\begin{Example}[baselinestretch=0.95]
+ \makeatletter
+
+ /HLMacro?\def\PstDebug;{\z@}% /HLComment?For debugging, set \def\PstDebug{1};
+
+ % /HLComment?Code for linked lists management;
+ % /HLComment?--------------------------------;
+
+ /HLMacro?\def\LinkedListMaxDepth;{100}% /HLComment?No more than 100 elements in the list;
+
+ \newarray\LinkedList
+
+ \dataheight=2% /HLComment?Two cells by element: the content and the pointer;
+
+ % /HLComment?Add an element at the end of the list;
+ % /HLComment?In fact, we define it here as a simple heap, but the difference is that;
+ % /HLComment?we will be able to get and to delete any element in it;
+ /HLMacro?\def\LinkedListAdd;#1{%
+ \edef\@tempa{\@ne}% /HLComment?Pointer initialization;
+ \multido{\iElem=2+1}{\LinkedListMaxDepth}{%
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the content of this element;
+ \ifemptydata
+ % /HLComment?No pointed element, so we will insert the new one here;
+ \LinkedList(\iElem,1)={#1}%
+ % /HLComment?We update the pointer for the last preceding element;
+ \expandarrayelementtrue% /HLComment?We must evaluate the content of the counter;
+ \LinkedList(\@tempa,2)={\iElem}%
+ \expandarrayelementfalse
+ \ifnum\PstDebug=\@ne
+ \typeout{Add LinkedList(\@tempa)->\iElem}% /HLComment?Debug;
+ \typeout{\space\space\space\space LinkedList(\iElem)=#1}% /HLComment?Debug;
+ \fi
+ \multidostop
+ \else
+ \edef\@tempa{\cachedata}%
+ \fi}}
+
+ % /HLComment?Get (in the \cachedata macro) the next element in the list;
+ /HLMacro?\def\LinkedListGetNext;#1{%
+ \checkLinkedList(1,2)% /HLComment?We got the pointer for the first element;
+ \edef\@tempa{\@ne}%
+ \ifx\cachedata\empty
+ \else
+ \edef\@tempc{#1}%
+ \Multido{}{\LinkedListMaxDepth}{%
+ \edef\@tempb{\@tempa}%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% /HLComment?We got the pointed element;
+ \ifx\cachedata\@tempc
+ % /HLComment?This is the element for which we want the next one: we got it pointer;
+ % /HLComment?to the next element in the list, then the content of it;
+ \checkLinkedList(\@tempa,2)%
+ \ifemptydata
+ \typeout{Element `#1' has no successor!^^J}%
+ \else
+ \checkLinkedList(\cachedata,1)%
+ \fi
+ \multidostop
+ \else
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the pointer to the next element;
+ \ifemptydata
+ % /HLComment?We have reach the end of the list without finding the element;
+ \typeout{Element `#1' not found!^^J}%
+ \multidostop% /HLComment?No pointed element: end of the list;
+ \fi
+ \fi}
+ \fi}
+
+ % /HLComment?Delete an element in the list (the code is very close to \LinkedListGetNext);
+ /HLMacro?\def\LinkedListDelete;#1{%
+ \checkLinkedList(1,2)% /HLComment?We got the pointer for the first element;
+ \edef\@tempa{\@ne}%
+ \ifx\cachedata\empty
+ \else
+ \edef\@tempc{#1}%
+ \multido{}{\LinkedListMaxDepth}{%
+ \edef\@tempb{\@tempa}%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% /HLComment?We got the pointed element;
+ \ifx\cachedata\@tempc
+ % /HLComment?This is the element to delete: we will update the pointer of;
+ % /HLComment?the preceding element to the value of the pointer of the deleted one;
+ \checkLinkedList(\@tempa,2)%
+ \expandarrayelementtrue
+ \LinkedList(\@tempb,2)={\cachedata}%
+ \expandarrayelementfalse
+ \ifnum\PstDebug=\@ne
+ \typeout{Delete LinkedList(\@tempa)=#1}% /HLComment?Debug;
+ \typeout{\space\space\space\space\space\space\space %
+ LinkedList(\@tempb)->\cachedata}% /HLComment?Debug;
+ \fi
+ \multidostop
+ \else
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the pointer to the next element;
+ \ifemptydata
+ % /HLComment?We have reach the end of the list without finding the element;
+ \typeout{Element `#1' not found and so not deleted!^^J}%
+ \multidostop% /HLComment?No pointed element: end of the list;
+ \fi
+ \fi}
+ \fi}
+
+ % /HLComment?Print the current state of the list;
+ /HLMacro?\def\LinkedListPrint;{%
+ \checkLinkedList(1,2)% /HLComment?We got the pointer for the first element;
+ \ifx\cachedata\empty
+ % /HLComment?Empty list;
+ \typeout{The list is empty!}%
+ \else
+ \multido{}{\LinkedListMaxDepth}{%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% /HLComment?We got the pointed element;
+ \typeout{LinkedList=\cachedata}%
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the pointer to the next element;
+ \ifemptydata
+ \multidostop% /HLComment?No pointed element: end of the list;
+ \fi}
+ \fi
+ \typeout{}}
+
+ % /HLComment?Draw the current state of the list;
+ /HLMacro?\def\LinkedListDraw;{{%
+ \psset{subgriddiv=0,gridlabels=0}
+ \checkLinkedList(1,2)% /HLComment?We got the pointer for the first element;
+ \ifx\cachedata\empty
+ % /HLComment?Empty list;
+ \typeout{The list is empty!^^J}%
+ \else
+ % /HLComment?To compute the size of the picture;
+ \Multido{\iSize=3+3}{\LinkedListMaxDepth}{%
+ \checkLinkedList(\cachedata,2)% /HLComment?We got the pointer to the next element;
+ \ifemptydata
+ \multidostop
+ \fi}
+ %
+ \checkLinkedList(1,2)% /HLComment?We got the pointer for the first element;
+ \pspicture(\iSize,1.5)
+ \multido{\iPos=0+3}{\LinkedListMaxDepth}{%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% /HLComment?We got the pointed element;
+ \rput(\iPos,0){%
+ \psgrid(2,1)
+ \rput(0.5,0.5){\cachedata}
+ \ifnum\iPos=\z@
+ \else
+ \rput(-1.5,0.5){\psline[linecolor=red,arrowscale=2]{->}(1.5,0)}
+ \fi}
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the pointer to the next element;
+ \ifemptydata
+ \rput(\iPos,0){\psline[linecolor=red](1,0)(2,1)} % /HLComment?End of the list;
+ \multidostop% /HLComment?No pointed element: end of the list;
+ \fi}
+ \endpspicture%
+ \fi}}
+
+ \makeatother
+
+ \psset{unit=1.5}
+
+ \LinkedListPrint\LinkedListDraw
+
+ \LinkedListAdd{Germany}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListAdd{France}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListAdd{Italy}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListAdd{Spain}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListGetNext{France}\typeout{Next element after `France' is: `\cachedata'}%
+ \LinkedListGetNext{Germany}\typeout{Next element after `Germany is: `\cachedata'}%
+ \LinkedListGetNext{Spain}
+ \LinkedListGetNext{Unknown}
+
+ \LinkedListDelete{Unknown}
+
+ \LinkedListDelete{France}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{Germany}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{Spain}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{Italy}\LinkedListPrint\LinkedListDraw
+\end{Example}
+
+\makeatletter
+
+\def\PstDebug{\z@}% For debugging, set \def\PstDebug{1}
+
+\def\LinkedListMaxDepth{100}% No more than 100 elements in the heap
+
+\newarray\LinkedList
+
+\dataheight=2% Two cells by element: the content and the pointer
+
+% Delete an element in the list
+\def\LinkedListDelete#1{%
+\checkLinkedList(1,2)% We got the pointer for the first element
+\edef\@tempa{\@ne}%
+\ifx\cachedata\empty
+\else
+ \edef\@tempc{#1}%
+ \multido{}{\LinkedListMaxDepth}{%
+ \edef\@tempb{\@tempa}%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% We got the pointed element
+ \ifx\cachedata\@tempc
+ % This is the element to delete: we will update the pointer of
+ % the preceding element to the value of the pointer of the deleted one
+ \checkLinkedList(\@tempa,2)%
+ \expandarrayelementtrue
+ \LinkedList(\@tempb,2)={\cachedata}%
+ \expandarrayelementfalse
+ \ifnum\PstDebug=\@ne
+ \typeout{Delete LinkedList(\@tempa)=#1}%Debug
+ \typeout{\space\space\space\space\space\space\space %
+ LinkedList(\@tempb)->\cachedata}%Debug
+ \fi
+ \multidostop
+ \else
+ \checkLinkedList(\@tempa,2)% We got the pointer to the next element
+ \ifemptydata
+ % We have reach the end of the list without finding the element
+ \typeout{Element `#1' not found and so not deleted!^^J}%
+ \multidostop% No pointed element: end of the list
+ \fi
+ \fi}
+\fi}
+
+% Print the current state of the list
+\def\LinkedListPrint{%
+\checkLinkedList(1,2)% We got the pointer for the first element
+\ifx\cachedata\empty
+ % Empty list
+ \typeout{The list is empty!}%
+\else
+ \multido{}{\LinkedListMaxDepth}{%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% We got the pointed element
+ \typeout{LinkedList=\cachedata}%
+ \checkLinkedList(\@tempa,2)% We got the pointer to the next element
+ \ifemptydata
+ \multidostop% No pointed element: end of the list
+ \fi}
+\fi
+\typeout{}}
+
+% Draw the current state of the list
+\def\LinkedListDraw{{%
+\psset{subgriddiv=0,gridlabels=0}
+\checkLinkedList(1,2)% We got the pointer for the first element
+\ifx\cachedata\empty
+ % Empty list
+ \typeout{The list is empty!^^J}%
+\else
+ % To compute the size of the picture
+ \Multido{\iSize=3+3}{\LinkedListMaxDepth}{%
+ \checkLinkedList(\cachedata,2)% We got the pointer to the next element
+ \ifemptydata
+ \multidostop
+ \fi}
+ %
+ \checkLinkedList(1,2)% We got the pointer for the first element
+ \pspicture(\iSize,1.5)
+ \multido{\iPos=0+3}{\LinkedListMaxDepth}{%
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)% We got the pointed element
+ \rput(\iPos,0){%
+ \psgrid(2,1)
+ \rput(0.5,0.5){\cachedata}
+ \ifnum\iPos=\z@
+ \else
+ \rput(-1.5,0.5){\psline[linecolor=red,arrowscale=2]{->}(1.5,0)}
+ \fi}
+ \checkLinkedList(\@tempa,2)% We got the pointer to the next element
+ \ifemptydata
+ \rput(\iPos,0){\psline[linecolor=red](1,0)(2,1)} % End of the list
+ \multidostop% No pointed element: end of the list
+ \fi}
+ \endpspicture%
+\fi}}
+
+\makeatother
+
+% We clear the linked list
+\multido{\iElem=1+1}{\LinkedListMaxDepth}{%
+ \checkLinkedList(\iElem,1)%
+ \ifemptydata
+ \else
+ \LinkedList(\iElem,1)={}%
+ \LinkedList(\iElem,2)={}%
+ \fi}
+
+\vspace{2mm}
+ We can write an extended version of the inclusion of an element, where we do
+not still store each element at the end of the list, but insert it at a
+special position. For instance, we can decide to use the list to sort the
+elements, inserting a new one at it sorted position. In the next example, we
+will manage integer numbers in this way (of course, we can do the same thing
+with arbitrary strings, but it would be more difficult to program in \TeX{},
+mainly if we want to be able to use accentuated letters).
+
+\vspace{2mm}
+\begin{Example}
+ \makeatletter
+
+ % /HLComment?Add an element at the end of the list, linked in it ordered place;
+ % /HLComment?(this version work only with contents as numbers);
+ /HLMacro?\def\LinkedListSortedAdd;#1{%
+ % /HLComment?Initializations;
+ \edef\@tempa{\@ne}%
+ \edef\@tempb{\@ne}%
+ \edef\@tempc{\z@}%
+ %
+ \multido{\iElem=2+1}{\LinkedListMaxDepth}{%
+ \checkLinkedList(\@tempa,2)% /HLComment?We got the pointer of this element;
+ \ifemptydata
+ % /HLComment?No pointed element, so we will insert the new one here;
+ \LinkedList(\iElem,1)={#1}%
+ % /HLComment?We update the pointer for the last element;
+ \expandarrayelementtrue
+ \LinkedList(\@tempb,2)={\iElem}%
+ \ifnum\PstDebug=\@ne
+ \typeout{Add LinkedList(\@tempb)->\iElem}% /HLComment?Debug;
+ \typeout{\space\space\space\space LinkedList(\iElem)=#1}% /HLComment?Debug;
+ \fi
+ % /HLComment?We update the pointer of the new element to the position;
+ % /HLComment?of the next greater one, if it exist;
+ \ifnum\@tempc=\z@
+ \else
+ \LinkedList(\iElem,2)={\@tempc}%
+ \ifnum\PstDebug=\@ne
+ \typeout{Update LinkedList(\iElem)->\@tempc}% /HLComment?Debug;
+ \fi
+ \fi
+ \expandarrayelementfalse
+ \multidostop
+ \else
+ \edef\@tempa{\cachedata}%
+ \checkLinkedList(\cachedata,1)%
+ \ifnum#1<\cachedata
+ \edef\@tempc{\@tempa}% /HLComment?New element less than this one;
+ \else
+ \edef\@tempb{\@tempa}% /HLComment?New element greater or equal than this one;
+ \fi
+ \fi}}
+
+ \makeatother
+
+ \LinkedListPrint
+
+ \LinkedListSortedAdd{732}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListSortedAdd{487}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListSortedAdd{718}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListSortedAdd{962}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{487}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{732}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{500}
+
+ \LinkedListDelete{962}\LinkedListPrint\LinkedListDraw
+
+ \LinkedListDelete{718}\LinkedListPrint\LinkedListDraw
+\end{Example}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+\subsubsection{Associative arrays}
+
+ To finish, we will give a complete solution to a classical problem: to count
+the number of occurrences of the various letters in a sentence. For this, we
+will first build some macros to deal with \emph{associative} arrays, as they
+have been popularized by scripting languages like \texttt{AWK} and
+\texttt{Perl}.
+
+\begin{Example}
+ \makeatletter
+
+ % /HLComment?Internally, we use two "standard" arrays to define one associative array;
+ \newarray\AssociativeArray@Names
+ \newarray\AssociativeArray@Values
+
+ \newcount\AssociativeArrayNbValues
+ \AssociativeArrayNbValues=\z@
+
+ \newif\ifAssociativeArray@ElementFound
+
+ % /HLComment?To store one element;
+ /HLMacro?\def\AssociativeArray;(#1)=#2{%
+ \expandarrayelementtrue
+ \AssociativeArray@ElementFoundfalse
+ \edef\@tempa{#1}%
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % /HLComment?This element already exist: we replace it current value;
+ % /HLComment?\checkAssociativeArray@Values(\iValue)% Debug;
+ % /HLComment?\typeout{In #1, replace `\cachedata'\space by `#2'}% Debug;
+ \AssociativeArray@Values(\iValue)={#2}%
+ \AssociativeArray@ElementFoundtrue
+ \multidostop
+ \fi}
+ \ifAssociativeArray@ElementFound
+ \else
+ % /HLComment?New element;
+ \advance\AssociativeArrayNbValues\@ne
+ \AssociativeArray@Names(\AssociativeArrayNbValues)={#1}%
+ \AssociativeArray@Values(\AssociativeArrayNbValues)={#2}%
+ \fi}
+
+ % /HLComment?To get one element;
+ /HLMacro?\def\checkAssociativeArray;(#1){%
+ \edef\@tempa{#1}%
+ \edef\@tempb{999999}%
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % /HLComment?We have found it by name;
+ \edef\@tempb{\iValue}%
+ \multidostop
+ \fi}
+ % /HLComment?We have now to get it value;
+ \checkAssociativeArray@Values(\@tempb)}
+
+ % /HLComment?Simple macro to print all the associative array;
+ /HLMacro?\def\printAssociativeArray;{%
+ \multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \iValue: \BS\texttt{FirstNames(\cachedata)}=`\AssociativeArray@Values(\iValue)'\space}}
+
+ \makeatother
+
+ \let\FirstNames\AssociativeArray
+ \let\checkFirstNames\checkAssociativeArray
+ \let\printFirstNames\printAssociativeArray
+
+ \FirstNames(Crawford)={Joan}
+ \FirstNames(Tierney)={Gene}
+ \FirstNames(Lake)={Veronika}
+
+ \printFirstNames
+
+ \checkFirstNames(Lake)
+ \verb+\FirstNames(Lake)+=`\cachedata'
+
+ \checkFirstNames(Monroe)
+ \ifemptydata
+ \verb+\FirstNames(Monroe) undefined!+
+ \else
+ \verb+\FirstNames(Monroe)+=`\cachedata'
+ \fi
+\end{Example}
+
+\makeatletter
+
+% Internally, we use two "standard" arrays to define one associative array
+\newarray\AssociativeArray@Names
+\newarray\AssociativeArray@Values
+
+\newcount\AssociativeArrayNbValues
+\AssociativeArrayNbValues=\z@
+
+\newif\ifAssociativeArray@ElementFound
+
+% To store one element
+\def\AssociativeArray(#1)=#2{%
+\expandarrayelementtrue
+\AssociativeArray@ElementFoundfalse
+\edef\@tempa{#1}%
+\Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % This element already exist: we replace it current value
+ % \checkAssociativeArray@Values(\iValue)% debug
+ % \typeout{In #1, replace `\cachedata'\space by `#2'}% Debug
+ \AssociativeArray@Values(\iValue)={#2}%
+ \AssociativeArray@ElementFoundtrue
+ \multidostop
+ \fi}
+\ifAssociativeArray@ElementFound
+\else
+ % New element
+ \advance\AssociativeArrayNbValues\@ne
+ \AssociativeArray@Names(\AssociativeArrayNbValues)={#1}%
+ \AssociativeArray@Values(\AssociativeArrayNbValues)={#2}%
+\fi}
+
+% To get one element
+\def\checkAssociativeArray(#1){%
+\edef\@tempa{#1}%
+\edef\@tempb{999999}%
+\Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % We have found it by name
+ \edef\@tempb{\iValue}%
+ \multidostop
+ \fi}
+% We have now to get it value
+\checkAssociativeArray@Values(\@tempb)}
+
+% Simple macro to print all the associative array
+\def\printAssociativeArray{%
+\multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \iValue: \BS\texttt{FirstNames(\cachedata)}=`\AssociativeArray@Values(\iValue)'}}
+
+\makeatother
+
+\vspace{2mm}
+ Now, we can define the macros to read a sentence, to cut it letter by letter,
+to count the occurrences of each of them, and finally to draw a summary plot of
+the results.
+
+\makeatletter % Problem with the \ifpstricks conditional if not set...
+
+\ifpstricks % If PSTricks is available
+\begin{CenterExample}
+ \makeatletter
+
+ % /HLComment?A \PerChar style macro adapted from Juergen Schlegelmilch;
+ % /HLComment?(<schlegel@Informatik.Uni-Rostock.de> - posted on c.t.t. January 27, 1998);
+ /HLMacro?\def\PerChar;#1#2{\DoPerChar#1#2\@nil}
+
+ /HLMacro?\def\DoPerChar;#1#2#3\@nil{%
+ #1#2%
+ \edef\@tempa{#3}%
+ \ifx\@tempa\empty
+ \else
+ \DoPerChar#1#3\@nil
+ \fi}
+
+ % /HLComment?The action to do for each character: we increase the counter;
+ % /HLComment?for this character by one;
+ /HLMacro?\def\ActionPerChar;#1{% /HLComment?#1=character;
+ \checkAssociativeArray(#1)%
+ \ifemptydata
+ \@tempcnta=\@ne
+ \else
+ \@tempcnta=\cachedata
+ \advance\@tempcnta\@ne
+ \fi
+ \AssociativeArray(#1)={\the\@tempcnta}}
+
+ % /HLComment?To store in an associative array the number of occurrences by characters;
+ % /HLComment?(spaces are not counted);
+ /HLMacro?\def\StatSentence;#1{% /HLComment?#1=sentence;
+ \AssociativeArrayNbValues=\z@
+ \PerChar{\ActionPerChar}{#1}}
+
+ % /HLComment?To draw a plot of the number of occurrences of the characters of a sentence;
+ /HLMacro?\def\DrawOccurrences;#1{% /HLComment?#1=sentence;
+ \StatSentence{#1}
+ %
+ \pst@cnta=\AssociativeArrayNbValues
+ \advance\pst@cnta\@ne
+ %
+ % /HLComment?To know the maximum of the numbers;
+ \pst@cntb=\z@
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Values(\iValue)%
+ \ifnum\cachedata>\pst@cntb
+ \pst@cntb=\cachedata
+ \fi}
+ \advance\pst@cntb\@ne
+ %
+ % /HLComment?The drawing itself;
+ \pspicture(-0.5,-0.5)(\pst@cnta,\pst@cntb)
+ \psaxes[axesstyle=frame,labels=y](\pst@cnta,\pst@cntb)
+ \multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \Draw@OneOccurrence{\iValue}}
+ \endpspicture}
+
+ % /HLComment?To draw the value for one occurrence;
+ /HLMacro?\def\Draw@OneOccurrence;#1{% /HLComment?#1=Letter;
+ \checkAssociativeArray@Values(#1)%
+ \psdot(#1,\cachedata)
+ \rput[B](\iValue,-0.5){\AssociativeArray@Names(#1)}}
+
+ \makeatother
+
+ \let\Names\AssociativeArray
+ \let\checkNames\checkAssociativeArray
+
+ \psset{dotstyle=o,dotsize=0.4}
+
+ \DrawOccurrences{We are Wednesday}
+\end{CenterExample}
+
+\makeatletter
+
+%% A \PerChar style macro adapted from Juergen Schlegelmilch
+%% (<schlegel@Informatik.Uni-Rostock.de> - posted on c.t.t. Jan. 27, 1998)
+\def\PerChar#1#2{\DoPerChar#1#2\@nil}
+
+\def\DoPerChar#1#2#3\@nil{%
+#1#2%
+\edef\@tempa{#3}%
+\ifx\@tempa\empty
+\else
+ \DoPerChar#1#3\@nil
+\fi}
+
+% The action to do for each character: we increase the counter
+% for this character by one
+\def\ActionPerChar#1{% #1=character
+\checkAssociativeArray(#1)%
+\ifemptydata
+ \@tempcnta=\@ne
+\else
+ \@tempcnta=\cachedata
+ \advance\@tempcnta\@ne
+\fi
+\AssociativeArray(#1)={\the\@tempcnta}}
+
+% To store in an associative array the number of occurrences by characters
+% (spaces are not counted)
+\def\StatSentence#1{% #1=sentence
+\AssociativeArrayNbValues=\z@
+\PerChar{\ActionPerChar}{#1}}
+
+% To draw a plot of the number of occurrences of the characters of a sentence
+\def\DrawOccurrences#1{%
+\StatSentence{#1}
+%
+\pst@cnta=\AssociativeArrayNbValues
+\advance\pst@cnta\@ne
+%
+% To know the maximum of the numbers
+\pst@cntb=\z@
+\Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Values(\iValue)%
+ \ifnum\cachedata>\pst@cntb
+ \pst@cntb=\cachedata
+ \fi}
+\advance\pst@cntb\@ne
+%
+% The drawing itself
+\pspicture(-0.5,-0.5)(\pst@cnta,\pst@cntb)
+ \psaxes[axesstyle=frame,labels=y](\pst@cnta,\pst@cntb)
+ \multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \Draw@OneOccurrence{\iValue}}
+\endpspicture}
+
+% To draw the value for one occurrence
+\def\Draw@OneOccurrence#1{%
+\checkAssociativeArray@Values(#1)%
+\psdot(#1,\cachedata)
+\rput[B](\iValue,-0.5){\AssociativeArray@Names(#1)}}
+
+\let\Names\AssociativeArray
+\let\checkNames\checkAssociativeArray
+
+\psset{dotstyle=o,dotsize=0.4}
+
+\makeatother
+
+\vspace{8mm} % Poor hack to force a page break...
+ We will now write another version, using another array to store indexes,
+to allow us to sort the letters found in the sentence read.
+
+\begin{CenterExample}
+ \makeatletter
+
+ % /HLComment?To get in #2 the ASCII code of the #1 character;
+ /HLMacro?\def\Character@AsciiCode;#1#2{\chardef#2=`#1\relax}
+
+ % /HLComment?A new "standard" array to store the sorted indexes;
+ \newarray\AssociativeArray@Indexes
+
+ % /HLComment?A simple macro to print the array of indexes (for debugging);
+ /HLMacro?\def\PrintIndexes;{%
+ \multido{\iIndexes=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Indexes(\iIndexes)%
+ \BS\texttt{indexes(\iIndexes)}=`\cachedata'\space}}
+
+ % /HLComment?We redefine the macro to store an element in the associative array,;
+ % /HLComment?to allow to sort it elements, using an additional array of indexes;
+ /HLMacro?\def\AssociativeArray;(#1)=#2{%
+ \expandarrayelementtrue
+ \AssociativeArray@ElementFoundfalse
+ \edef\@tempa{#1}%
+ \edef\@tempb{#2}%
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % /HLComment?This element already exist: we replace it current value;
+ % /HLComment?\checkAssociativeArray@Values(\iValue)% Debug;
+ % /HLComment?\typeout{In #1, replace `\cachedata'\space by `#2'}% Debug;
+ \AssociativeArray@Values(\iValue)={\@tempb}%
+ \AssociativeArray@ElementFoundtrue
+ \multidostop
+ \fi}
+ \ifAssociativeArray@ElementFound
+ \else
+ % /HLComment?New element: we must insert it at it sorted position;
+ \@tempcnta=\@ne
+ \expandafter\Character@AsciiCode\@tempa\@tempx
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \expandafter\Character@AsciiCode\cachedata\@tempy
+ \ifnum\@tempx<\@tempy
+ % /HLComment?The new element must be before this one: we will exchange their values;
+ \checkAssociativeArray@Indexes(\iValue)%
+ \@tempcntb=\cachedata
+ \advance\@tempcntb\@ne
+ \AssociativeArray@Indexes(\iValue)={\the\@tempcntb}%
+ \else
+ \advance\@tempcnta\@ne
+ \fi}
+ %
+ \advance\AssociativeArrayNbValues\@ne
+ \AssociativeArray@Names(\AssociativeArrayNbValues)={\@tempa}%
+ \AssociativeArray@Values(\AssociativeArrayNbValues)={\@tempb}%
+ \AssociativeArray@Indexes(\AssociativeArrayNbValues)={\the\@tempcnta}%
+ \fi}
+
+ % /HLComment?We change the way we draw each number of occurrences;
+ /HLMacro?\def\Draw@OneOccurrence;#1{%
+ \checkAssociativeArray@Indexes(#1)%
+ \pst@cnta=\cachedata
+ \checkAssociativeArray@Values(#1)%
+ \psdot(\the\pst@cnta,\cachedata)
+ \rput[B](\the\pst@cnta,-0.5){\AssociativeArray@Names(#1)}}
+
+ \makeatother
+
+ \DrawOccurrences{We are Wednesday}
+
+ \PrintIndexes
+\end{CenterExample}
+
+\makeatletter
+
+% To get in #2 the ASCII code of the #1 character
+\def\Character@AsciiCode#1#2{\chardef#2=`#1\relax}%
+
+% A new "standard" array to store the sorted indexes
+\newarray\AssociativeArray@Indexes
+
+% We redefine the macro to store an element in the associative array,
+% to allow to sort it elements, using an additional array of indexes
+\def\AssociativeArray(#1)=#2{%
+\expandarrayelementtrue
+\AssociativeArray@ElementFoundfalse
+\edef\@tempa{#1}%
+\edef\@tempb{#2}%
+\Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \ifx\@tempa\cachedata
+ % This element already exist: we replace it current value
+ % \checkAssociativeArray@Values(\iValue)% Debug
+ % \typeout{In #1, replace `\cachedata'\space by `#2'}% Debug
+ \AssociativeArray@Values(\iValue)={\@tempb}%
+ \AssociativeArray@ElementFoundtrue
+ \multidostop
+ \fi}
+\ifAssociativeArray@ElementFound
+\else
+ % New element: we must insert it at it sorted position
+ \@tempcnta=\@ne
+ \expandafter\Character@AsciiCode\@tempa\@tempx
+ \Multido{\iValue=\@ne+\@ne}{\AssociativeArrayNbValues}{%
+ \checkAssociativeArray@Names(\iValue)%
+ \expandafter\Character@AsciiCode\cachedata\@tempy
+ \ifnum\@tempx<\@tempy
+ % The new element must be before this one: we will exchange their values
+ \checkAssociativeArray@Indexes(\iValue)%
+ \@tempcntb=\cachedata
+ \advance\@tempcntb\@ne
+ \AssociativeArray@Indexes(\iValue)={\the\@tempcntb}%
+ \else
+ \advance\@tempcnta\@ne
+ \fi}
+ %
+ \advance\AssociativeArrayNbValues\@ne
+ \AssociativeArray@Names(\AssociativeArrayNbValues)={\@tempa}%
+ \AssociativeArray@Values(\AssociativeArrayNbValues)={\@tempb}%
+ \AssociativeArray@Indexes(\AssociativeArrayNbValues)={\the\@tempcnta}%
+\fi}
+
+% We change the way we draw each number of occurrences
+\def\Draw@OneOccurrence#1{%
+\checkAssociativeArray@Indexes(#1)%
+\pst@cnta=\cachedata
+\checkAssociativeArray@Values(#1)%
+\psdot(\the\pst@cnta,\cachedata)
+\rput[B](\the\pst@cnta,-0.5){\AssociativeArray@Names(#1)}}
+
+\makeatother
+
+\begin{CenterExample}
+ \DrawOccurrences{Tuesday 8 February}
+\end{CenterExample}
+
+\noindent Now, we can easily redefine the internal macro which plot each
+occurrence, to obtain various kinds of graphics:
+
+\begin{CenterExample}
+ \makeatletter
+
+ /HLMacro?\def\Draw@OneOccurrence;#1{%
+ \checkAssociativeArray@Indexes(#1)%
+ \pst@cnta=\cachedata
+ \checkAssociativeArray@Values(#1)
+ \psline[linestyle=dotted](\the\pst@cnta,0)(\the\pst@cnta,\cachedata)
+ \psdot(\the\pst@cnta,\cachedata)
+ \rput[B](\the\pst@cnta,-0.5){\AssociativeArray@Names(#1)}}
+
+ \makeatother
+
+ \psset{xunit=0.5,dotstyle=*,dotsize=0.3}
+ \DrawOccurrences{I do not believe that it can be correct}
+\end{CenterExample}
+
+\begin{CenterExample}
+ \makeatletter
+
+ \SpecialCoor
+
+ /HLMacro?\def\Draw@OneOccurrence;#1{%
+ \checkAssociativeArray@Indexes(#1)%
+ \pst@cnta=\cachedata
+ \checkAssociativeArray@Values(#1)%
+ \pspolygon*[linecolor=red](! \the\pst@cnta\space 0.3 sub 0)
+ (! \the\pst@cnta\space 0.3 sub \cachedata)
+ (! \the\pst@cnta\space 0.3 add \cachedata)
+ (! \the\pst@cnta\space 0.3 add 0)
+ \rput[B](\the\pst@cnta,-0.5){\AssociativeArray@Names(#1)}}
+
+ \makeatother
+
+ \psset{xunit=0.5,ticks=y}
+ \DrawOccurrences{I don't know a better solution than this one}
+\end{CenterExample}
+\else
+ \PSTricksExampleNotShown
+\fi % End \pstrickstrue
+
+\section{Thanks}
+
+ I would like to thank Rolf Niepraschk \verb+<niepraschk@ptb.de>+ to have
+carefully read a preliminary version of this document and to have sent me
+several good advices to clarify and improve some points.
+
+\begin{thebibliography}{9}
+ \bibitem{SVB93} Stephan von \textsc{Bechtolsheim}, \emph{\TeX{} in
+ Practice}, four volumes, Springer-Verlag, New York, 1993 (see also
+ \url{CTAN: macros/tip/arraymac.tip}).
+ \bibitem{REPEAT} \RepeatPackage, by Victor \textsc{Eijkhout}, University of
+ Illinois, Urbana-Champaign, USA, \url{CTAN: macros/generic/eijkhout/repeat}
+ \bibitem{EG98} Philippe \textsc{Esperet} and Denis \textsc{Girou},
+ \emph{Coloriage du pavage dit de Truchet}, Cahiers GUTenberg, Number~31,
+ December 98, pages 5-18, in french (see
+ \url{http://www.gutenberg.eu.org/pub/GUTenberg/publicationsPS/31-girou.ps.gz}).
+ \bibitem{ALDRATEX} \AlDraTeXPackage, by Eitan M. \textsc{Gurari}, Ohio State
+ University, Columbus, USA, \url{CTAN: graphics/dratex} (see also
+ \url{http://www.cis.ohio-state.edu/~gurari/systems.html}).
+ \bibitem{Gur94} Eitan M. \textsc{Gurari}, \emph{\TeX{} and \LaTeX: Drawing
+ and Literate Programming}, McGraw-Hill, New-York, 1994.
+ \bibitem{METAPOST} \MetaPostPackage, by John D. \textsc{Hobby}, AT\&T Bell
+ Laboratories, USA, \url{CTAN: graphics/metapost} (see also
+ \url{http://cm.bell-labs.com/who/hobby/MetaPost.html}).
+ \bibitem{FORMLETT} \FormLettPackage, by Zhuhan \textsc{Jiang}, University of
+ New England, Armidale, Australia, \url{CTAN: macros/generic/formlett.sty} (see
+ also \url{http://maths.une.edu.au/~zhuhan/util.html#computer}).
+ \bibitem{MULTIDO} \MultiDoPackage, by Timothy van \textsc{Zandt}, INSEAD,
+ Fontainebleau, France, \url{CTAN: macros/generic/multido}
+ \bibitem{PSTRICKS} \PSTricksPackage, by Timothy van \textsc{Zandt}, INSEAD,
+ Fontainebleau, France, \url{CTAN: graphics/pstricks} (see also
+ \url{http://www.tug.org/applications/PSTricks}).
+\end{thebibliography}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/arrayjob/arrayjob.pdf b/Master/texmf-dist/doc/generic/arrayjob/arrayjob.pdf
new file mode 100644
index 00000000000..b2a48631dfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/arrayjob/arrayjob.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/borceux/Diagram_Mode_d_Emploi b/Master/texmf-dist/doc/generic/borceux/Diagram_Mode_d_Emploi
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index 00000000000..437dd80e812
--- /dev/null
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@@ -0,0 +1,589 @@
+\documentstyle{article}
+
+\textheight532pt
+\textwidth355pt
+\footskip15pt
+
+\hoffset-35mm
+\voffset-35mm
+
+\language=1
+\hyphenation{dia-gram-me}
+\diagramlabel{Diagramme}
+
+\title{Mode d'emploi de {\em Diagram 3}\thanks{Par rapport aux versions~1 et
+~2, le dessin des flches a t amlior, la varit de directions et de
+flches disponibles a t plus que double, toutes les flches pour diagrammes
+admettent un argument optionnel de longueur, la frappe des diagrammes a t
+simplifie, des messages d'erreur et d'aide ont t introduits. Pour compiler
+avec {\em Diagram~3}, des documents prpars avec les versions~1 ou~2, lire le
+fichier {\em OldDiagram} aprs le fichier {\em Diagram}.}}
+\author{Francis Borceux, Louvain-la-Neuve}
+\date{borceux@agel.ucl.ac.be}
+
+\font\bldfc=cmmib10
+\def\boldface#1{\mbox{\bldfc#1}}
+
+\newcommand{\XA}%
+{\truex{300}%
+\begin{picture}(0,0)%
+\put(0,0){\circle{\value{x}}}%
+\end{picture}}
+
+\newcommand{\XB}%
+{\truex{500}%
+\begin{picture}(0,0)%
+\put(0,0){\circle*{\value{x}}}%
+\end{picture}}
+
+\newcommand{\V}[3]{\cross{\XB}{\movevertex(#1,#2){\scriptstyle#3}}}
+
+\begin{document}
+
+\maketitle
+
+\section{A propos de {\em Diagram}}
+
+Le fichier {\em Diagram} ralise la construction de diagrammes du type de ceux
+apparaissant dans les textes de thorie des catgories. L'utilisateur donne la
+liste des objets et des flches constituant le diagramme, comme s'il composait
+une matrice, et le programme prend soin de calculer les dimensions des flches
+et de raliser la mise en page. Tout ce que l'utilisateur doit faire en ce qui
+concerne les flches est prciser leur type (monomorphisme, paire de flches,
+\ldots) et leur direction (nord, sud-est,\ldots): 12 types de flches et 32
+directions sont disponibles; voir figures~1 et~3 pour des listes exhaustives.
+
+Un fichier {\em MultipleArrows} existe galement: il produit des flches
+triples, quadruples et quintuples, parallles ou adjointes. La taille de ces
+lments est telle que de svres restrictions s'appliquent ceux-ci.
+
+{\em Diagram} fait un usage abondant des commandes \LaTeX\ et ne peut donc
+fonctionner sans \LaTeX.
+
+Certaines implmentations de \TeX, surtout celles limites $2^{16}$ mots de
+m\-moi\-re, sont incapables de manipuler {\em Diagram}. Pour ces situations,
+deux fichiers rduits de macros ont t crs; la restriction s'applique
+uniquement aux types de flches disponibles.
+\begin{itemize}
+\item {\em MicroDiagram} ne dessine que des flches simples;
+\item {\em MiniDiagram} dessine des flches simples, des paires de flches et
+des flches adjointes.
+\end{itemize}
+La restriction est d'ailleurs plus subtile, car les flches sont produites ici
+d'une manire plus conomique.
+
+Compiler de grands diagrammes requiert beaucoup de mmoire \TeX; si vous tes
+fortement limit cet gard, esssayez de produire ces diagrammes commes
+documents spars. Pour conomiser de la mmoire, vous pouvez aussi supprimer
+du fichier les macros que vous n'envisagez pas d'utiliser. Ne copiez pas des
+macros de {\em Diagram} vers {\em MiniDiagram} ou {\em MicroDiagram}: cela ne
+fonctionnerait pas.
+
+{\em Diagram} a t conu pour fournir des rsultats optimaux sur les
+imprimantes avec une rsolution allant jusque 300dpi. Dans le cas d'imprimantes
+ plus haute rsolution, il convient d'adapter en consquence le paramtre {\em
+printerresolution} donn comme premire instruction du fichier {\em Diagram}.
+Notez en passant que diminuer ce paramtre est une autre manire d'conomiser
+de la mmoire.
+
+\section{Les flches dans les formules}
+
+Des flches peuvent tre introduites dans les formules, donc dans une ligne de
+texte entre simples dollars ou dans une formule hors-texte, entre doubles
+dollars. La commande est la mme dans les deux cas, mais l'effet produit est
+diffrent. La varit de flches disponibles est donne la figure~1.
+\begin{figure}
+\settextarrowlength{45}
+\begin{center}
+\begin{tabular}{|l|c|l|}
+\hline
+{\bf Nom}&{\bf Flche}&{\bf Code}\\
+\hline\hline
+flche simple&$\ar$&ar\\
+flche pointille&$\dotar$&dotar\\
+distributeur&$\dist$&dist\\
+monomorphisme&$\mono$&mono\\
+pimorphisme&$\epi$&epi\\
+bimorphisme&$\bimo$&bimo\\
+isomorphisme&$\iso$&iso\\
+galit&$\eql$&eql\\ & & \\
+paire de flches&$\biar$&biar\\ & & \\
+flches adjointes&$\adjar$&adjar\\ & & \\
+paire de distributeurs&$\bidist$&bidist\\ & & \\
+distributeurs adjoints&$\adjdist$&adjdist\\
+\hline
+\end{tabular}
+\hspace{5mm}
+\begin{minipage}{30mm}
+Les codes {\em iso, dist, bidist, adjdist} sont g\-n\-ri\-ques:
+les mar\-ques $\cong$, $\circ$ peu\-vent tre chan\-ges a tout mo\-ment
+par les ins\-truc\-tions \verb+\isomark{...}+, \verb+\distmark{...}+
+o \verb+...+ sont les nou\-vel\-les mar\-ques. Les mar\-ques par d\-faut sont
+\verb+\cong+ et \verb+\distcircle+.
+\end{minipage}
+\end{center}
+\caption{Les divers types de flches.}
+\settextarrowlength{20}
+\end{figure}
+\begin{itemize}
+\item Pour produire un type donn de flche dans le sens direct (comme la
+figure~1), il suffit de frapper un {\em backslash} suivi du code pour ce type
+de flche: donc
+\verb+$f \colon A \mono B$+ produit $f \colon A \mono B$.
+\item Pour produire un type donn de flche dans le sens oppos, frappez une
+commande commenant par \verb+\bk+ et se terminant par le code pour ce type de
+flche: donc
+\verb+$g \colon B \bkepi C$+ produit $g \colon B \bkepi C$.
+\item Pour donner un nom l'une des flches prcdentes, il suffit de frapper
+en majuscule la premire lettre de la commande et de donner le nom comme
+argument: donc
+\verb+$C \Dist h D$+ produit $C \Dist h D$.
+Bien entendu, dans le cas de doubles flches, il faut donner deux noms:
+d'abord celui de la flche suprieure puis celui de la flche infrieure:
+par exemple
+\verb+$D \Bkadjar ij E$+ produit $D \Bkadjar ij E$. Comme d'habitude, quand les
+noms ne sont pas des caractres uniques, utilisez des accolades pour les
+dlimiter.
+\end{itemize}
+Pour vous permettre de juger la diffrence entre les flches
+dans le texte et les flches hors-texte, voici les flches prcdentes
+produites hors-texte
+$$ A \Mono f B \Bkepi g C \Dist h D \Bkadjar ij E $$
+via les commandes
+\begin{verbatim}
+$$ A \Mono f B \Bkepi g C \Dist h D \Bkadjar ij E $$
+\end{verbatim}
+
+La longueur par dfaut d'une flche dans le texte est 20pt et son nom ventuel
+est produit en taille {\em scriptstyle}; la longueur par dfaut d'une flche
+hors-texte est 30pt et son nom ventuel est produit en taille {\em textstyle}.
+Ces longueurs par dfaut peuvent tre modifies tout moment via des
+instructions
+\begin{verbatim}
+\settextarrowlength{25}
+\setdisplayarrowlength{40}
+\end{verbatim}
+o 25 et 40 expriment les nouvelles longueurs en points.
+
+\section{Construire un diagramme}
+
+Pour construire un diagramme bi-dimensionnel, imaginez un rseau de points,
+visualis par des cercles et des ``boulets'' dans la figure~2:
+\begin{figure}
+\begin{diagram}
+\XB\XA\XB\XA\XB\XA\XB
+\XA\cross{\XA}{\sear}\cross{\XA}{\esear}\cross{\XA}{\eesear}\XA\XA\XA
+\XB\cross{\XA}{\ssear}\XB\cross{\XA}{\ear}\XB\cross{\XA}{\ear}\XB
+\XA\XA\cross{\XA}{\sar}\XA\cross{\XA}{\sar}\XA\cross{\XA}{\sar}
+\XB\XA\XB\cross{\XA}{\ear}\XB\cross{\XA}{\ear}\XB
+\end{diagram}
+\caption{Conception d'un diagramme bi-dimensionnel.}
+\end{figure}
+les boulets indiquent les points du rseau o l'on peut s'attendre trouver un
+objet. Chaque objet et chaque flche est attach par son centre en un point du
+rseau. Il suffit maintenant d'numrer les lments, ligne par ligne et
+colonne par colonne, comme pour une matrice; en particulier quand tous les
+lments non vides d'une ligne ont t numrs, on peut passer directement
+la ligne suivante. Tous les lments sont traits automatiquement en mode
+mathmatique. Le programme prend soin de choisir correctement la longueur de
+chaque flche.
+
+Un objet se frappe comme n'importe quelle formule mathmatique. Les rgles pour
+introduire une flche sont compltement analogues celles de la section~2: les
+divers types de flches sont de nouveau ceux de la figure ~1 tandis que les
+directions possibles et leur code sont donnes la figure~3.
+\begin{figure}
+\begin{diagram}[60]
+\XB\XA\V{0}{10}{nwnnw}\XA\V{0}{10}{nnnw}\XA\XB\XA\V{0}{10}{nnne}
+\XA\V{0}{10}{nenne}\XA\XB
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle nwwnw$}}\XA\XB\XA
+\V{-5}{10}{\boldface{nnw}}\XA\XB\XA\V{5}{10}{\boldface{nne}}\XA\XB\XA
+\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+neene$}}
+\XA\XA\XA\XA\cross{\XA}{\nwnnwar}\cross{\XA}{\nnnwar}\XA\cross{\XA}{\nnnear}
+\cross{\XA}{\nennear}\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+wwnw$}}\XA\V{-10}{10}{\boldface{wnw}}\cross{\XA}{\nwwnwar}
+\V{-5}{10}{\boldface{nw}}\cross{\XA}{\bold\nnwar}\V{0}{10}{\boldface{n}}
+\cross{\XA}{\bold\nnear}\V{5}{10}{\boldface{ne}}\cross{\XA}{\neenear}
+\V{10}{10}{\boldface{ene}}\XA\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+eene$}}
+\XA\XA\XA\cross{\XA}{\wwnwar}\cross{\XA}{\bold\wnwar}\cross{\XA}{\bold\nwar}
+\cross{\XA}{\bold\nar}\cross{\XA}{\bold\near}\cross{\XA}{\bold\enear}
+\cross{\XA}{\eenear}\XA\XA\XA
+\XB\XA\XB\XA\V{-10}{0}{\boldface{w}}\cross{\XA}{\bold\war}\XB
+\cross{\XA}{\bold\ear}\V{10}{0}{\boldface{e}}\XA\XB\XA\XB
+\XA\XA\XA\cross{\XA}{\wwswar}\cross{\XA}{\bold\wswar}\cross{\XA}{\bold\swar}
+\cross{\XA}{\bold\sar}\cross{\XA}{\bold\sear}\cross{\XA}{\bold\esear}
+\cross{\XA}{\eesear}\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+wwsw$}}\XA\V{-10}{-10}{\boldface{wsw}}\cross{\XA}{\swwswar}
+\V{-5}{-10}{\boldface{sw}}\cross{\XA}{\bold\sswar}\V{0}{-10}{\boldface{s}}
+\cross{\XA}{\bold\ssear}\V{5}{-10}{\boldface{se}}\cross{\XA}{\seesear}
+\V{10}{-10}{\boldface{ese}}\XA\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+eese$}}
+\XA\XA\XA\XA\cross{\XA}{\swsswar}\cross{\XA}{\ssswar}\XA\cross{\XA}{\sssear}
+\cross{\XA}{\sessear}\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+swwsw$}}\XA\XB\XA\V{-5}{-10}{\boldface{ssw}}\XA\XB\XA
+\V{5}{-10}{\boldface{sse}}\XA\XB\XA
+\V{10}{0}{\makebox[0pt][l]{$\scriptstyle seese$}}
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\XB\XA\V{0}{-10}{swssw}\XA\V{0}{-10}{sssw}\XA\XB\XA\V{0}{-10}{ssse}
+\XA\V{0}{-10}{sesse}\XA\XB
+\end{diagram}
+\caption{Les 32 directions de flches dans un diagramme.}
+\end{figure}
+Prenant une certaine libert avec la gographie et la trigonomtrie,
+les 32 directions considres ont reu les noms habituels dans
+la rose des vents.
+\begin{itemize}
+\item Pour produire un type de flche dans une direction donne, frappez un
+{\em backslash} suivi du code de la direction et du code de la flche.
+Par exemple
+\verb+\nemono+ founit un monomorphisme orient au nord-est.
+\item Pour mettre un nom au-dessus d'une flche, frappez la premire lettre de
+la commande en majuscule et donnez le nom comme argument. Par exemple
+\verb+\Ssedist f+ fournit un distributeur $f$ orient au sud-sud-est. Bien
+entendu dans le cas de doubles flches il faut donner deux noms: d'abord celui
+de la flche suprieure puis celui de la flche infrieure. Dans le cas de
+flches verticales, le nom apparat gauche de la flche.
+\item La procdure pour mettre un nom en-dessous d'une flche est analogue:
+frappez cette fois la dernire lettre de la commande en majuscule et donnez le
+nom comme argument. Donc \verb+\wbimO f+ produit un bimorphisme $f$ orient
+l'ouest. Dans le cas de flches verticales, le nom apparat cette fois
+droite. Pour les doubles flches, les deux procdures pour insrer les noms
+sont quivalentes.
+\end{itemize}
+Les 12 types de flches de la figure~1 existent dans les 16 directions
+principales, imprimes en gras la figure~3; dans les 16 autres directions,
+seules les flches simples existent.
+
+Il reste expliquer la syntaxe pour frapper un diagramme. C'est simplement
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}
+.........
+............
+............
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+\noindent o \verb+...+ indiquent les lments successifs. Donc un simple \S\
+est le dlimiteur entre deux lments d'une mme ligne, tandis qu'un double
+\S\S\ indique la fin d'une ligne\footnote{Si l'utilisation du symbole \S\ vous
+cause un problme, remplacez-le par n'importe quel symbole que vous ne risquez
+gure d'utiliser dans un diagramme, par exemple ?; vous pouvez effectuer ce
+changement de manire globale et automatique dans le fichier {\em Diagram}.}. Il
+est impratif de frapper le double \S\S\ la fin de la dernire ligne et rien ne
+peut se trouver entre ce double \S\S\ et l'instruction \verb+\end{diagram}+ (il
+y a une seule exception, expose dans la section~6). N'oubliez pas un espace
+blanc pour indiquer un lment vide, car deux \S\S\ conscutifs seraient
+interprts comme la fin de la ligne. Plusieurs blancs sont, comme toujours,
+quivalents un seul.
+
+
+Donc le diagramme~1,
+\begin{floatingdiagram}
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{floatingdiagram}
+qui a exactement la forme voque par la figure ~2, est produit
+par les instructions suivantes:
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+
+Il existe un second environnement, parfaitement analogue, pour produire des
+diagrammes; il prend la forme
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{floatingdiagram}
+.........
+............
+............
+\end{floatingdiagram}
+\end{verbatim}%
+\endgroup%
+\noindent Comme son nom l'indique, le diagramme est cette fois introduit comme
+corps flottant et se trouve numrot automatiquement (cf.~diagrammes~1 ~3). Le
+choix par dfaut est de numroter successivement les diagrammes travers tout
+le document. Vous pouvez prfrer un numro 3.12 pour, par exemple, le douzime
+diagramme du chapitre~3 (dans un style avec des chapitres!). Ceci s'obtient par
+l'instruction
+\begin{verbatim}
+\setdiagramcounter{chapter}
+\end{verbatim}
+o bien entendu {\em chapter} peut tre remplac par tout autre niveau de
+sectionnement: {\em part, section,\ldots} Pour des textes rdigs dans une
+autre langue que l'anglais, vous pouvez traduire le mot {\em Diagram}
+prcdant le numro en donnant, par exemple, l'instruction
+\begin{verbatim}
+\diagramlabel{Diagramme}
+\end{verbatim}
+n'importe o dans le texte, mais pas l'intrieur d'un diagramme.
+
+Chaque diagramme, flottant ou non, peut en outre recevoir une lgende.
+Cela se fait via une instruction
+\begin{verbatim}
+\diagramcaption{...}
+\end{verbatim}
+qui peut se donner n'importe o dans le diagramme, mais avant les derniers
+\S\S. Dans le cas d'un diagramme flottant, cette lgende complte la
+numrotation automatique, comme au diagramme~4.
+
+\section{Modifications de tailles}
+
+Le pas du rseau formel de points sous-tendant un diagramme est de 40 units,
+o l'unit par dfaut est le point. Un facteur d'chelle peut tre
+appliqu cette valeur par dfaut, via une instruction
+\begin{verbatim}
+\setdefaultscale{75}
+\end{verbatim}
+(facteur d'chelle 75\%); cette instruction s'applique tous les diagrammes
+ul\-t\-rieurs et doit tre donne en dehors de tout environnement {\em
+diagram} ou {\em floatingdiagram}. Si vous souhaitez appliquer un facteur
+d'chelle un seul diagramme, donnez ce facteur d'chelle comme argument
+optionnel de l'environnement correspondant; par exemple
+\begin{verbatim}
+\begin{diagram}[125]
+........
+\end{diagram}
+\end{verbatim}
+pour un agrandissement de 125\%, et de manire analogue pour les diagrammes
+flottants. Le facteur d'chelle donn ainsi pour un diagramme spcifique se
+subsitue la valeur par dfaut en vigueur, juste le temps du digramme
+concern. Par exemple le digramme~1 est l'chelle 100\% et le diagramme~2
+l'chelle 75\%. Observez l'effet prcis d'un tel facteur d'chelle, qui n'est
+en rien une homthtie brutale.
+\begin{floatingdiagram}[75]
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{floatingdiagram}
+
+Pour motiver les notions suivantes, considrons la conception d'un diagramme
+tri-dimensionnel, comme la figure~4. Comparez tout d'abord la dispositon
+des ``boulets'' par rapport celle de la figure~2.
+\begin{figure}
+\begin{diagram}[50]
+\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\XA
+\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA
+\cross{\XA}{\sar[130]}\XA\XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA
+ \XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB
+ \cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB\XA\cross{\XA}{\sar[130]}
+\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA
+\XA\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB
+\end{diagram}
+\caption{Conception d'un diagramme tri-dimensionnel}
+\end{figure}
+Dans ce cas non seulement il faut ``croiser'' des flches en un mme point du
+rseau formel, mais il faut aussi considrer des flches traversant plusieurs
+points du rseau avant d'atteindre les objets qu'elles relient. En fait {\em
+Diagram} suppose toujours qu'une flche relie les deux points adjacents du
+rseau dans la direction de la flche. Si ce n'est pas le cas, c'est vous de
+dterminer la longueur de la flche correspondante.
+
+Pour imposer une longueur spcifique une flche d'un diagramme, donnez
+l'tendue correspondante de la flche comme argument optionnel\footnote{Cet
+argument doit imprativement tre un nombre entier positif; toute autre chose, y
+compris la valeur d'un compteur, troublerait profondment \TeX. Les flches
+inclure dans le texte (section~2) n'admettent pas cet argument optionnel.}:
+l'tendue d'une flche horizontale ou verticale est sa longueur; l'tendue des
+autres flches est la longueur de leur projection horizontale (voir le manuel
+\LaTeX, {\em Picture environment}, pour de plus amples dtails). Donc
+\verb+\Near[60]f+ dessine une flche $f$ d'tendue 60 units, oriente au
+nord-est. Voici les valeurs par dfaut des tendues des diverses flches: 50
+dans les directions n, s, e, w; 59 dans les directions ne, nw, se, sw; 133 dans
+les directions ene, ese, wnw, wsw; 67 dans les directions nne, sse, nnw, ssw;
+211 dans les directions eene, eese, wwnw, wwsw; 71 dans les directions nnne,
+ssse, nnnw, sssw; 215 dans les direction neene, seese, nwwnw, swwsw; 143 dans
+les directions nenne, sesse, nwnnw, swssw. Dans la plupart des cas, vous
+obtiendrez l'tendue requise en augmentant la valeur par dfaut d'autant de fois
+40 que la flche traverse de points supplmentaires du rseau.
+
+En ce qui concerne les flches ``croises'', la commande
+\begin{verbatim}
+\cross{element 1}{element 2}
+\end{verbatim}
+vous permet d'introduire simultanment {\em element 1} et {\em element 2}
+en un mme point du rseau, sans perturber la construction gnrale
+du diagramme; ces deux {\em elements} peuvent tre indiffremment des
+objets ou des flches.
+Le diagramme~3, conu la figure~4, peut donc s'obtenir comme
+\begingroup
+\catcode`\=\active\def{{\S}}
+\begin{verbatim}
+\begin{floatingdiagram}[50]
+A \ear[130] B \ear[130] C
+\sear \sear \sear
+\sar[130] D \cross{\ear[130]}{\sar[130]}
+ E \cross{\ear[130]}{\sar[130]} F
+G \cross{\ear[130]}{\sar[130]} H
+ \cross{\ear[130]}{\sar[130]} I \sar[130]
+\sear \sear \sear
+ J \ear[130] K \ear[130] L
+\end{floatingdiagram}
+\end{verbatim}
+\endgroup
+\begin{floatingdiagram}[50]
+A \ear[130] B \ear[130] C
+\sear \sear \sear
+\sar[130] D \cross{\ear[130]}{\sar[130]}
+ E \cross{\ear[130]}{\sar[130]} F
+G \cross{\ear[130]}{\sar[130]} H
+ \cross{\ear[130]}{\sar[130]} I \sar[130]
+\sear \sear \sear
+ J \ear[130] K \ear[130] L
+\end{floatingdiagram}
+
+Enfin vous pouvez modifier l'paisseur du trait d'une flche en frappant
+d'abord la commande \verb+\bold+; donc \verb+\bold\nar+ produit une flche
+grasse oriente au nord. Cette option \verb+\bold+ est supprime
+automatiquement par le symbole \S\ suivant; vous pouvez aussi l'annuler plus
+tt (par exemple dans une commande \verb+\cross+) par l'instruction
+\verb+\unbold+. Voyez la figure~3 pour des exemples de flches grasses.
+
+
+\section{Les flches courbes}
+
+{\em Diagram} fournit galement huit flches courbes pouvant tre utilises
+pour relier des points distants le long d'un bord d'un diagramme;
+le code pour une flche courbe est {\em curvar}. Ces flches sont prsentes
+la figure ~5, l'chelle 50\%,
+\begin{figure}
+\begin{diagram}[50]
+\cdot\ear\cross{\XB}{\Necurvar{ne}}\ear\cdot
+\cdot\ear\cross{\XB}{\Nwcurvar{nw}}\ear\cdot
+\sar \sar \sar \sar \sar \sar
+\cross{\XB}{\Wncurvar{wn}}\ear\cdot\ear\cross{\XB}{\Escurvar{es}}
+\cross{\XB}{\Wscurvar{ws}}\ear\cdot\ear\cross{\XB}{\Encurvar{en}}
+\sar \sar \sar \sar \sar \sar
+\cdot\ear\cross{\XB}{\Swcurvar{sw}}\ear\cdot
+\cdot\ear\cross{\XB}{\Securvar{se}}\ear\cdot
+\spacing(15,0,15)
+\end{diagram}
+\caption{Les huit flches courbes.}
+\end{figure}
+avec les codes de direction correspondants. La premire lettre du code de
+direction indique la position de la flche par rapport au diagramme; la seconde
+lettre prcise l'orientation globale de la flche. Ainsi \verb+\wscurvar+
+dessine une flche courbe, l'ouest du diagramme, oriente au sud. Comme pour
+les autres flches, une premire (ou dernire) lettre majuscule permet
+d'affubler la flche d'un nom.
+
+Les flches courbes sont des exemples typiques d'lments qui sont
+g\-n\-ra\-le\-ment introduits via la commande \verb+\cross+ de la section~4, en
+un point du rseau partag avec un objet ou une autre flche. Dans la figure~5,
+les ``boulets'' indiquent le centre formel des flches courbes, c'est--dire le
+point du rseau en lequel elles sont attaches.
+
+La longueur par dfaut des flches courbes est 160 units, fournissant la
+situation de la figure~5. Comme les autres flches introduites dans un
+diagramme, une longueur arbitraire peut tre impose comme premier argument
+optionnel.
+
+Les flches courbes sont galement incluses dans {\em MiniDiagram} et {\em
+MicroDiagram}.
+
+
+\section{Corrections d'espacements}
+
+{\em Diagram} dtermine les dimensions d'un diagramme en comptant le nombre de
+lignes et de colonnes. Quand les dimensions relles diffrent sensiblement de
+celles estimes par ce procd, par exemple quand vous introduisez des flches
+courbes le long d'un diagramme, une correction d'espacement peut tre
+ncessaire. Elle se ralise via l'instruction \verb+\spacing(t,b,l)+ qui doit
+im\-p\-ra\-ti\-ve\-ment tre donne entre les derniers \S\S\ et l'instruction
+\verb+\end{diagram}+ (ou \verb+\end{floatingdiagram}+). Cette
+commande\footnote{N'abbrviez pas cette commande, cela troublerait profondment
+\TeX.} ajoute un espacement de $t$ points au dessus du diagramme, $l$ points
+gauche et $b$ points en dessous. $t$, $l$, $b$ sont des entiers positifs ou
+ngatifs.
+
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}[80]
+\diagramcaption{What a nice diagram!}
+.........
+............
+............
+\spacing(10,-15,10)
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+
+L'usage de la commande \verb+\cross+ peut provoquer des collisons
+entre une flche et le nom d'une autre flche. Ceci et d'autres situations
+inhabituelles peuvent tre corriges par les instructions suivantes,
+qui ne perturbent pas la construction gnrale du diagramme.
+\begin{itemize}
+\item \verb+\movename(n,m){f}+ dplace le nom $f$ d'une flche $n$ points vers
+la droite et $m$ points vers le haut.
+\item \verb+\movearrow(n,m){\arrow}+ dplace la flche \verb+\arrow+ (et son
+nom ventuel) $n$ points vers la droite et $m$ points vers le haut.
+\item
+\verb+\movevertex(n,m){XXX}+ dplace l'objet $XXX$ $n$ points vers la droite et
+$m$ points vers le haut.
+\item \verb+\movevertexleft{XXX}+ dplace un trop long objet $XXX$ situ
+gauche d'un diagramme de sorte que la flche horizontale suivante garde une
+longueur maximale.
+\item \verb+\movevertexright{XXX}+ dplace un trop long objet $XXX$
+situ droite d'un diagramme de sorte que la flche horizontale
+prcdente garde une longueur maximale.
+\end{itemize}
+
+Par exemple, le diagramme~4
+\begin{floatingdiagram}
+(A\oplus B)\otimes(C\oplus D) \Ear f X\oplus V
+\Sar g \saR h
+Y\oplus W \eaR i (E\oplus F)\otimes(G\oplus H)
+\movevertexleft{(A\oplus B)\otimes(C\oplus D)} \Ear f X\oplus V
+\Sar g \saR h
+Y\oplus W \eaR i \movevertexright{(E\oplus F)\otimes(G\oplus H)}
+\diagramcaption{Ajustements automatiques et manuels.}
+\end{floatingdiagram}
+a t obtenu en frappant
+\begingroup
+\catcode`\=\active\def{{\S}}
+\begin{verbatim}
+\begin{floatingdiagram}
+(A\oplus B)\otimes(C\oplus D)\Ear fX\oplus V
+\Sar g \saR h
+Y\oplus W\eaR i(E\oplus F)\otimes(G\oplus H)
+\movevertexleft{(A\oplus B)\otimes(C\oplus D)}\Ear fX\oplus V
+\Sar g \saR h
+Y\oplus W\eaR i\movevertexright{(E\oplus F)\otimes(G\oplus H)}
+\diagramcaption{Ajustements automatiques et manuels.}
+\end{floatingdiagram}
+\end{verbatim}
+\endgroup
+Le carr suprieur est donc produit automatiquement par {\em Diagram}
+tandis que le carr infrieur a t ajust par l'utilisateur. A vous de
+choisir.\vfill
+
+\mbox{}\hfill{\footnotesize An English version of this user's guide is also
+available.}
+
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/borceux/Diagram_Read_Me b/Master/texmf-dist/doc/generic/borceux/Diagram_Read_Me
new file mode 100644
index 00000000000..e811bd0fe9d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/borceux/Diagram_Read_Me
@@ -0,0 +1,580 @@
+\documentstyle{article}
+
+\textheight520pt
+\textwidth349pt
+\footskip15pt
+
+\hoffset-35mm
+\voffset-35mm
+
+\title{User's guide for {\em Diagram 3}\thanks{With respect
+to versions 1 and 2, the shape of arrows has been improved, the variety of
+directions and arrows available has been more than doubled, all diagram arrows
+admit an optional length argument, the typing of diagrams has been shortened, error
+and help messages have been introduced. To typeset with {\em Diagram~3}, diagrams
+prepared with versions~1 or~2, read the file {\em OldDiagram} after the file {\em
+Diagram}.}}
+\author{Francis Borceux, Louvain-la-Neuve}
+\date{borceux@agel.ucl.ac.be}
+
+\font\bldfc=cmmib10
+\def\boldface#1{\mbox{\bldfc#1}}
+
+\newcommand{\XA}%
+{\truex{300}%
+\begin{picture}(0,0)%
+\put(0,0){\circle{\value{x}}}%
+\end{picture}}
+
+\newcommand{\XB}%
+{\truex{500}%
+\begin{picture}(0,0)%
+\put(0,0){\circle*{\value{x}}}%
+\end{picture}}
+
+\newcommand{\V}[3]{\cross{\XB}{\movevertex(#1,#2){\scriptstyle#3}}}
+
+\begin{document}
+
+\maketitle
+
+\section{The {\em Diagram} macros}
+
+The {\em Diagram macros} realize the construction of diagrams as
+those appearing in category theory texts. The user gives the list
+of vertices and arrows to be included, just as when composing a
+matrix, and the program takes care of computing the dimensions of
+the arrows and realizing the pagesetting. All the user has to do
+about the arrows is precising their type (monomorphism, pair of
+adjoint arrows,\ldots) and their direction (north,
+south-east,\ldots): 12 types and 32 directions are available; see
+figures~1 and~3 for exhaustive lists.
+
+A file {\em MultipleArrows} exists, producing additional
+triple, quadruple and quintuple arrows, parallel or adjoint, but
+the size of those pictures is so big that severe restrictions apply
+to them.
+
+The {\em Diagram macros} make a big use of \LaTeX\ commands and
+cannot work without \LaTeX\ being loaded.
+
+Some small implementations of \TeX, essentially those limited to
+$2^{16}$ words of memory, are unable to handle the {\em Diagram
+macros}. For those cases, two levels of restricted files have been
+created, where the restriction applies just to the number of types
+of arrows:
+\begin{itemize}
+\item {\em MicroDiagram} is only able to design plain arrows;
+\item {\em MiniDiagram} designs plain arrows, pairs of
+plain arrows and adjoint pairs of plain arrows.
+\end{itemize}
+The restriction is even more subtle, since arrows are produced
+here in a more economical way.
+
+Big diagrams require much \TeX\ memory when typesetting; if you are
+badly limited, try to produce them as separate one-page documents. To save
+memory, you can also cancel from a file those macros you are not intending to
+use. Do not copy macros from {\em Diagram} to {\em MiniDiagram} or {\em
+MicroDiagram}\/: this would not work.
+
+The {\em Diagram macros} have been designed to give optimal results
+on printers with resolutions up to 300dpi. In the case of printers
+with higher resolutions, the parameter {\em printerresolution}
+given as a first instruction of the file {\em Diagram} must be changed
+accordingly. Notice that reducing this parameter is another way of
+saving \TeX\ memory. This parameter does not exist in the files
+{\em MicroDiagram} and {\em Minidiagram}.
+
+\section{Arrows in formulas}
+
+Arrows can be introduced in formulas, thus in a line of
+text between single dollars or in a displayed formula, between
+double dollars. While the command to be given is the same, the
+effect which is produced is different in the text and in a
+displayed formula. The variety of arrows available is described in
+figure~1.
+\begin{figure}
+\settextarrowlength{45}
+\begin{center}
+\begin{tabular}{|l|c|l|}
+\hline
+{\bf Name}&{\bf Arrow}&{\bf Code}\\
+\hline\hline
+plain arrow&$\ar$&ar\\
+dotted arrow&$\dotar$&dotar\\
+distributor&$\dist$&dist\\
+monomorphism&$\mono$&mono\\
+epimorphism&$\epi$&epi\\
+bimorphism&$\bimo$&bimo\\
+isomorphism&$\iso$&iso\\
+equality&$\eql$&eql\\ & & \\
+pair of arrows&$\biar$&biar\\ & & \\
+adjoint arrows&$\adjar$&adjar\\ & & \\
+pair of distributors&$\bidist$&bidist\\ & & \\
+adjoint distributors&$\adjdist$&adjdist\\
+\hline
+\end{tabular}
+\hspace{5mm}
+\begin{minipage}{30mm}
+The codes {\em iso, dist, bidist, adjdist} are generic:
+the marks $\cong$, $\circ$ can be changed anywhere in the document via the
+instructions \verb+\isomark{...}+, \verb+\distmark{...}+,
+where \verb+...+ are the new marks. The default marks are \verb+\cong+ and
+\verb+\distcircle+.
+\end{minipage}
+\end{center}
+\caption{The various types of arrows.}
+\settextarrowlength{20}
+\end{figure}
+\begin{itemize}
+\item To produce a given type of formula arrow
+in the forward direction (as in figure~1), just type a {\em
+backslash} followed by the code for this type of arrow: thus
+\verb+$f \colon A \mono B$+ will produce $f \colon A \mono B$.
+\item To produce a given type of formula arrow in the ``backward'' direction, type a
+command starting with \verb+\bk+ and ending with the code for the type of
+arrow: thus \verb+$g \colon B \bkepi C$+ produces $g \colon B \bkepi C$.
+\item To give an upper name to one of the previous arrows, just use
+a first uppercase letter and give the name as an argument: thus
+\verb+$C \Dist h D$+ will produce $C \Dist h D$. Of course, when
+the picture consists of two arrows, two names must be given, first
+the top one and next the bottom one; for example
+\verb+$D \Bkadjar ij E$+ to produce $D \Bkadjar ij E$. As usual, when
+the names are not single tokens, use curly brackets to delimit them.
+\end{itemize}
+To let you appreciate the difference between {\em textstyle} and
+{\em displaystyle}, here are the previous arrows in {\em display
+style}
+$$ A \Mono f B \Bkepi g C \Dist h D \Bkadjar ij E $$
+introduced via the commands
+\begin{verbatim}
+$$ A \Mono f B \Bkepi g C \Dist h D \Bkadjar ij E $$
+\end{verbatim}
+
+The default length of a {\em text arrow} is 20pt while the names
+are processed in {\em scriptstyle}; the default length of a {\em display
+arrow} is 30 pt and the names are processed in {\em textstyle}. The
+default lengthes can be changed at any time in the document via
+instructions of the form
+\begin{verbatim}
+\settextarrowlength{25}
+\setdisplayarrowlength{40}
+\end{verbatim}
+where 25 and 40 express the new lengthes in points.
+
+\section{Constructing a diagram}
+
+To construct a 2-dimensional diagram, imagine a pattern of
+points, visualized by circles and bullets as in figure~2:
+\begin{figure}
+\begin{diagram}
+\XB\XA\XB\XA\XB\XA\XB
+\XA\cross{\XA}{\sear}\cross{\XA}{\esear}\cross{\XA}{\eesear}\XA\XA\XA
+\XB\cross{\XA}{\ssear}\XB\cross{\XA}{\ear}\XB\cross{\XA}{\ear}\XB
+\XA\XA\cross{\XA}{\sar}\XA\cross{\XA}{\sar}\XA\cross{\XA}{\sar}
+\XB\XA\XB\cross{\XA}{\ear}\XB\cross{\XA}{\ear}\XB
+\end{diagram}
+\caption{Conceiving a 2-dimensional diagram.}
+\end{figure}
+the bullets indicate the points of this pattern where vertices
+could be expected. Each vertex and each arrow is attached by its center at a
+point of the pattern. It suffices now to enumerate the items, line by line and
+column by column, like for a matrix; in particular when all actual items of a
+line have been enumerated, you can pass directly to the next line. All items are
+processed in math mode. The program will take care of choosing correctly the
+length of each arrow.
+
+A vertex is typed as any mathematical formula. The rules for typing
+an arrow are completely analogous to those of section~2:
+the various types of arrows are again those of figure~1 while
+the possible directions and their codes are given in figure~3.
+\begin{figure}
+\begin{diagram}[60]
+\XB\XA\V{0}{10}{nwnnw}\XA\V{0}{10}{nnnw}\XA\XB\XA\V{0}{10}{nnne}
+\XA\V{0}{10}{nenne}\XA\XB
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle nwwnw$}}\XA\XB\XA
+\V{-5}{10}{\boldface{nnw}}\XA\XB\XA\V{5}{10}{\boldface{nne}}\XA\XB\XA
+\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+neene$}}
+\XA\XA\XA\XA\cross{\XA}{\nwnnwar}\cross{\XA}{\nnnwar}\XA\cross{\XA}{\nnnear}
+\cross{\XA}{\nennear}\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+wwnw$}}\XA\V{-10}{10}{\boldface{wnw}}\cross{\XA}{\nwwnwar}
+\V{-5}{10}{\boldface{nw}}\cross{\XA}{\bold\nnwar}\V{0}{10}{\boldface{n}}
+\cross{\XA}{\bold\nnear}\V{5}{10}{\boldface{ne}}\cross{\XA}{\neenear}
+\V{10}{10}{\boldface{ene}}\XA\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+eene$}}
+\XA\XA\XA\cross{\XA}{\wwnwar}\cross{\XA}{\bold\wnwar}\cross{\XA}{\bold\nwar}
+\cross{\XA}{\bold\nar}\cross{\XA}{\bold\near}\cross{\XA}{\bold\enear}
+\cross{\XA}{\eenear}\XA\XA\XA
+\XB\XA\XB\XA\V{-10}{0}{\boldface{w}}\cross{\XA}{\bold\war}\XB
+\cross{\XA}{\bold\ear}\V{10}{0}{\boldface{e}}\XA\XB\XA\XB
+\XA\XA\XA\cross{\XA}{\wwswar}\cross{\XA}{\bold\wswar}\cross{\XA}{\bold\swar}
+\cross{\XA}{\bold\sar}\cross{\XA}{\bold\sear}\cross{\XA}{\bold\esear}
+\cross{\XA}{\eesear}\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+wwsw$}}\XA\V{-10}{-10}{\boldface{wsw}}\cross{\XA}{\swwswar}
+\V{-5}{-10}{\boldface{sw}}\cross{\XA}{\bold\sswar}\V{0}{-10}{\boldface{s}}
+\cross{\XA}{\bold\ssear}\V{5}{-10}{\boldface{se}}\cross{\XA}{\seesear}
+\V{10}{-10}{\boldface{ese}}\XA\V{10}{0}{\makebox[0pt][l]{$\scriptstyle
+eese$}}
+\XA\XA\XA\XA\cross{\XA}{\swsswar}\cross{\XA}{\ssswar}\XA\cross{\XA}{\sssear}
+\cross{\XA}{\sessear}\XA\XA\XA\XA
+\V{-10}{0}{\makebox[0pt][r]{$\scriptstyle
+swwsw$}}\XA\XB\XA\V{-5}{-10}{\boldface{ssw}}\XA\XB\XA
+\V{5}{-10}{\boldface{sse}}\XA\XB\XA
+\V{10}{0}{\makebox[0pt][l]{$\scriptstyle seese$}}
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\XB\XA\V{0}{-10}{swssw}\XA\V{0}{-10}{sssw}\XA\XB\XA\V{0}{-10}{ssse}
+\XA\V{0}{-10}{sesse}\XA\XB
+\end{diagram}
+\caption{The 32 directions for {\em Diagram} arrows.}
+\end{figure}
+Taking some
+liberty with geography and trigonometry, the 32 directions considered
+by the {\em Diagram macros} are named after those of the compass card.
+\begin{itemize}
+\item To produce a type of arrow in a given direction, type a {\em
+backslash} followed by the code of the direction and the code of
+the arrow. For example \verb+\nemono+ draws a north-east
+monomorphism.
+\item To give an upper name to a diagram arrow, use a first upper case
+letter and give the name as an argument. For example
+\verb+\Ssedist f+ draws a south-sout-east distributor with upper
+name $f$. Of course, when the picture consists in two arrows,
+two names must be given: first the upper one and next the lower one.
+In the case of vertical arrows, read {\em left} instead of {\em
+upper}.
+\item The procedure for giving a lower name is analogous, but uses
+a last uppercase letter. Thus \verb+\wbimO f+ produces a west
+bimorphism with lower name $f$. In the case of vertical arrows,
+read {\em right} instead of {\em lower}. For two-arrow pictures,
+both naming procedures are equivalent.
+\end{itemize}
+All 12 types of arrows exist in all 16 principal directions printed in bold
+in figure~3; just plain arrows are provided in the 16 other
+directions.
+
+It remains to explain the syntax\footnote{This syntax uses the character \S. If
+this is a problem for you, just replace \S\ by any character you are unlikely to
+use in a digram, for example ?; you can safely make this change globally and
+automatically in the file {\em Diagram}.} for typing diagrams. This is just
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}
+.........
+............
+............
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+\noindent where \verb+...+ denote the various items of the diagram. So a
+single \S\ is the delimiter between two items of a same line, while
+a double \S\S\ indicate the end of a line. Typing the double \S\S\ at the end of the last line is
+compulsory and nothing should stand between this double \S\S\ and the
+\verb+\end{diagram}+ instruction (well, there is a single exception to this rule,
+explained in section~6). Do not forget a blank space to indicate an empty item,
+since two consecutive \S\S\ would be interpreted as an {\em end of line} symbol; of
+course several blank spaces are always equivalent to a single one.
+
+So diagram~1,
+\begin{floatingdiagram}
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{floatingdiagram}
+which has the precise shape of the diagram conceived in figure~2, is produced by
+the following commands:
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+
+There is a second, completely analogous environment for producing
+diagrams; it has the form
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{floatingdiagram}
+.........
+............
+............
+\end{floatingdiagram}
+\end{verbatim}%
+\endgroup%
+\noindent As the name indicates, the diagram is then introduced as
+a floating body and will automatically receive a numbered label
+(cf.~diagrams~1~to~3). The default is to number successively the
+diagrams through all the document. You can prefer
+a number 3.12 for, let us say, the twelfth diagram of chapter~3
+(in a style which contains chapters!). This is forced
+by the instruction
+\begin{verbatim}
+\setdiagramcounter{chapter}
+\end{verbatim}
+where, of course, {\em chapter} can be replaced by any sectioning
+level, for example {\em part, section,\ldots} For non-English texts, you
+will also want to ``translate'' the word {\em Diagram} in the label: this
+is achieved by an instruction like
+\begin{verbatim}
+\diagramlabel{Diagramme}
+\end{verbatim}
+given anywhere in the text, but not inside a diagram.
+
+Every diagram, floating or not, can be given a caption. This is done
+by the instruction
+\begin{verbatim}
+\diagramcaption{...}
+\end{verbatim}
+which can be introduced anywhere in the diagram, but before the last two
+\S\S. In the case of a floating diagram, this caption completes the automatic
+label, as in diagram~4.
+
+\section{Changing the sizes}
+
+The step of the pattern
+underlying a diagram is 40~units, where the default value of the unit is 1pt.
+This default value can be ``scaled'' at any time in the document by giving an
+instruction like
+\begin{verbatim}
+\setdefaultscale{75}
+\end{verbatim}
+(scaling factor of 75\%); this instruction applies to all subsequent diagrams
+and must be given outside a diagram environment.
+If you want to apply a scaling factor to just one specific diagram, give the
+scaling factor as an optional argument of the corresponding environment; thus
+type
+\begin{verbatim}
+\begin{diagram}[125]
+........
+\end{diagram}
+\end{verbatim}
+for an enlargement of 125\%, and correspondingly for floating diagrams. The
+scaling factor given for a specific diagram overrides the {\em defaultscale}
+value just for this specific diagram. For example, diagram~1 is not scaled and
+diagram~2 is the same diagram, scaled at 75\%. Observe the precise
+effect of the scaling option: this is by no way a brute homothetic process.
+\begin{floatingdiagram}[75]
+A
+ \Sedotar x\eseaR y \Eesear z
+ \sseaR u A \Eepi a B \Emono bC
+ \saR c \Sadjar de \seqL{1_C}
+ D \waR g D\oplus E \eaR h C
+\end{floatingdiagram}
+
+To motivate the next features, consider the conception of a
+3-dimensional diagram, as in figure~4. Compare first the subpattern of bullets
+with that of figure~2.
+\begin{figure}
+\begin{diagram}[50]
+\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\XA
+\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA
+\cross{\XA}{\sar[130]}\XA\XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA
+ \XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB
+\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA\XA
+\XB\XA\cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB
+ \cross{\XA}{\cross{\ear[130]}{\sar[130]}}\XA\XB\XA\cross{\XA}{\sar[130]}
+\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA\XA\XA\cross{\XA}{\sear}\XA
+\XA\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB\XA\cross{\XA}{\ear[130]}\XA\XB
+\end{diagram}
+\caption{Conceiving a 3-dimensional diagram}
+\end{figure}
+In this case, not only you must
+``cross'' different arrows at a same point of the pattern,
+but you must also consider arrows which cross several points
+of the pattern before reaching the objects they connect. In fact, the {\em
+Diagram macros} assume that an arrow attached at some point of the
+pattern connects the two adjacent points of the pattern, in the direction of the
+arrow. When this is not the case, it is left on you to determine the length of
+the corresponding arrow.
+
+To impose a specific length to a diagram arrow, just give the corresponding extent as
+an optional argument\footnote{This argument should be an actual positive
+integer; anything else, including the value of a counter, could put \TeX\ in
+deep trouble. The formula arrows (section~2) do not admit this optional
+argument.}:the extent of vertical and horizontal arrows is their length; the extent
+of other arrows is the length of their horizontal projection (see \LaTeX\ manual,
+{\em Picture environment}, for further explanations). Thus \verb+\Near[60]f+ draws a
+north-east arrow of horizontal extent 60 units with upper name $f$. Here are
+the basic default extents of diagram arrows: 50 in the directions n, s, e, w;
+59 in the directions ne, nw, se, sw; 133 in the directions ene, ese, wnw,
+wsw; 67 in the directions nne, sse, nnw, ssw; 211 in the directions
+eene, eese, wwnw, wwsw; 71 in the directions nnne, ssse, nnnw,
+sssw; 215 in the direction neene, seese, nwwnw, swwsw; 143 in the
+directions nenne, sesse, nwnnw, swssw. In most circumstances, you will obtain
+the required extent by augmenting the basic default extent by 40 for
+each additional point of the formal pattern crossed by the arrow.
+
+As far as ``crossing arrows'' is concerned, the command
+\begin{verbatim}
+\cross{item 1}{item 2}
+\end{verbatim}
+allows you to introduce at the same time {\em item~1} and {\em
+item~2} at the same point of the pattern; those two items can be
+indifferently vertices or arrows. Diagram~3,
+conceived in figure~4, must thus be typed as
+\begingroup
+\catcode`\=\active\def{{\S}}
+\begin{verbatim}
+\begin{floatingdiagram}[50]
+A \ear[130] B \ear[130] C
+\sear \sear \sear
+\sar[130] D \cross{\ear[130]}{\sar[130]}
+ E \cross{\ear[130]}{\sar[130]} F
+G \cross{\ear[130]}{\sar[130]} H
+ \cross{\ear[130]}{\sar[130]} I \sar[130]
+\sear \sear \sear
+ J \ear[130] K \ear[130] L
+\end{floatingdiagram}
+\end{verbatim}
+\endgroup
+\begin{floatingdiagram}[50]
+A \ear[130] B \ear[130] C
+\sear \sear \sear
+\sar[130] D \cross{\ear[130]}{\sar[130]}
+ E \cross{\ear[130]}{\sar[130]} F
+G \cross{\ear[130]}{\sar[130]} H
+ \cross{\ear[130]}{\sar[130]} I \sar[130]
+\sear \sear \sear
+ J \ear[130] K \ear[130] L
+\end{floatingdiagram}
+
+Finally you can change the thickness of a diagram arrow by typing first the command
+\verb+\bold+; thus \verb+\bold\nar+ produces a bold north arrow. This
+\verb+\bold+ option will be cancelled by the next \S\ sign; you can cancel its
+effects earlier (for example during a \verb+\cross+ command) by the
+instruction \verb+\unbold+. See figure~3 for examples of bold arrows.
+
+\section{Curved arrows}
+
+The {\em Diagram macros} provide also eight curved arrows which can be used
+for connecting two rather distant points lying on a same edge of a diagram;
+the code for curved arrows is {\em curvar}.
+These arrows are presented in figure~5, scaled at 50\%,
+\begin{figure}
+\begin{diagram}[50]
+\cdot\ear\cross{\XB}{\Necurvar{ne}}\ear\cdot
+\cdot\ear\cross{\XB}{\Nwcurvar{nw}}\ear\cdot
+\sar \sar \sar \sar \sar \sar
+\cross{\XB}{\Wncurvar{wn}}\ear\cdot\ear\cross{\XB}{\Escurvar{es}}
+\cross{\XB}{\Wscurvar{ws}}\ear\cdot\ear\cross{\XB}{\Encurvar{en}}
+\sar \sar \sar \sar \sar \sar
+\cdot\ear\cross{\XB}{\Swcurvar{sw}}\ear\cdot
+\cdot\ear\cross{\XB}{\Securvar{se}}\ear\cdot
+\spacing(15,0,15)
+\end{diagram}
+\caption{The eight curved arrows}
+\end{figure}
+together with the
+corresponding direction codes. The first
+letter of the direction code indicates the position of the arrow with respect to the
+diagram; the second letter indicates the global direction of the arrow. So
+\verb+\wscurvar+ draws a curved arrow, on the west side of the diagram, oriented
+to the south. As for the other arrows, a first (or last) upper case letter allows you
+to name the curved arrows.
+
+Curved arrows are a typical example of items which are generally introduced
+via the \verb+\cross+ command of section~4, at a formal point of the pattern
+which they share with a vertex or another arrow. In figure~5, the bullets
+indicate the formal ``center'' of the curved arrows; i.e.~the point of the
+pattern where to attach them.
+
+The default extent of curved arrows is 160 units, yielding the situation of
+figure~5. As for other diagram arrows, an arbitary extent can be imposed as a
+first optional argument (again an actual positive integer!).
+
+Curved arrows are also part of the {\em MicroDiagram} and {\em Minidiagram}
+packages.
+
+\section{Spacing adjustments}
+
+The {\em Diagram macros} determine the dimensions of a diagram by counting the
+number of rows and columns in the formal pattern. When the actual dimensions
+are rather different from those estimated in this way, for example when you
+introduce curved arrows along a diagram, a spacing correction can be needed.
+This is realized via the command \verb+\spacing(t,l,b)+
+which must imperatively be given between the \S\S\ of the last line and the
+instruction \verb+\end{diagram}+ (or \verb+\end{floatingdiagram}+). This
+command\footnote{Do not
+abbreviate that command, this would put \TeX\ in deep trouble.}
+adds $t$ points space at the top of the diagram, $l$ points space at the left and
+$b$ points space at the bottom. $t$, $l$, $b$ should be positive or negative
+integers.
+\begingroup%
+\catcode`\=\active\def{{\S}}%
+\begin{verbatim}
+\begin{diagram}[80]
+\diagramcaption{What a nice diagram!}
+.........
+............
+............
+\spacing(10,-15,10)
+\end{diagram}
+\end{verbatim}%
+\endgroup%
+
+When using the \verb+\cross+ command, it can also happen that an arrow
+collides with the name of another arrow. To take care of this and other
+unusual situations, commands exist to move elements of a diagram without
+disturbing the general construction.
+\begin{itemize}
+\item \verb+\movename(n,m){f}+ moves the name $f$ of an arrow $n$ points right
+and $m$ points up.
+\item \verb+\movearrow(n,m){\arrow}+ moves the arrow \verb+\arrow+ (and its
+name when there is one) $n$ points right and $m$ points up.
+\item \verb+\movevertex(n,m){XXX}+ moves the vertex $XXX$ $n$ points right and
+$m$ points up.
+\item \verb+\movevertexleft{XXX}+ moves a too long vertex $XXX$
+positioned on the left edge of a diagram,
+so that the next horizontal arrow keeps maximal length.
+\item \verb+\movevertexright{XXX}+ moves a too long vertex $XXX$
+positioned on the right edge of a diagram,
+so that the previous horizontal arrow keeps a maximal length.
+\end{itemize}
+
+For example, diagram~4
+\begin{floatingdiagram}
+(A\oplus B)\otimes(C\oplus D) \Ear f X\oplus V
+\Sar g \saR h
+Y\oplus W \eaR i (E\oplus F)\otimes(G\oplus H)
+\movevertexleft{(A\oplus B)\otimes(C\oplus D)} \Ear f X\oplus V
+\Sar g \saR h
+Y\oplus W \eaR i \movevertexright{(E\oplus F)\otimes(G\oplus H)}
+\diagramcaption{Automatic and manual adjustments}
+\end{floatingdiagram}
+has been obtained by just typing
+\begingroup
+\catcode`\=\active\def{{\S}}
+\begin{verbatim}
+\begin{floatingdiagram}
+(A\oplus B)\otimes(C\oplus D)\Ear fX\oplus V
+\Sar g \saR h
+Y\oplus W\eaR i(E\oplus F)\otimes(G\oplus H)
+\movevertexleft{(A\oplus B)\otimes(C\oplus D)}\Ear f X\oplus V
+\Sar g \saR h
+Y\oplus W\eaR i\movevertexright{(E\oplus F)\otimes(G\oplus H)}
+\diagramcaption{Automatic and manual adjustments}
+\end{floatingdiagram}
+\end{verbatim}
+\endgroup
+The upper square is thus produced automatically by the {\em Diagram macros},
+while the lower square has been adjusted by the user. Make your choice.
+\vfill
+
+\mbox{}\hfill{\footnotesize Une version fran\c caise de ce mode d'emploi est
+\'egalement disponible.}
+
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/c-pascal/demo1.tex b/Master/texmf-dist/doc/generic/c-pascal/demo1.tex
new file mode 100644
index 00000000000..76d349b1de2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/demo1.tex
@@ -0,0 +1,42 @@
+\input cap_c
+\magnification 1440
+
+
+\BeginC
+// this is a short demo program
+/* both kinds of comment are recognised */
+
+// some compiler directives
+#pragma hdrfile "hello.sym"
+#include <stdio.h>
+#include <sys/stat.h>
+#pragma hdrstop
+
+void hello(int n)
+{
+ // obviously, keywords inside comments or
+ // texts are not emphasized:
+ // void return switch for double
+ for (; n>0; n--)
+ printf("Hello, void world!\n");
+ /* ^ isn't that beautiful? */
+}
+
+float silly_funct()
+{
+ #define max(a,b) ((a)>(b))?(a):(b)
+ printf("%7.4lf\n", max(3.14, 012));
+}
+
+// words not recognised as keywords are considered
+// to be identifiers and are typeset in italic
+void main()
+{
+ int n;
+ hello(0x1C);
+ silly_funct();
+}
+\EndC
+
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/c-pascal/demo2.tex b/Master/texmf-dist/doc/generic/c-pascal/demo2.tex
new file mode 100644
index 00000000000..bd26d89b713
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/demo2.tex
@@ -0,0 +1,49 @@
+\input cap
+
+
+A short program in C. It was inserted directly into the \TeX\ source file.
+
+\medskip
+\BeginC
+#include <stdio.h>
+
+void main()
+{
+ a=~a;
+ printf("Hello, world!\n");
+ // printf("Hello, world!\n");
+}
+\EndC
+
+\hrule
+\bigskip
+
+And now a program inserted from a separate file.
+
+\medskip
+\InputC{prog/sun.c}
+
+\vfill\eject
+
+
+And now programs written in Pascal. This one was typed directly into this
+file.
+
+\medskip
+\BeginPascal
+program Hello_world;
+begin
+ writeln('Hello, world!');
+ { writeln('Hello, world!'); }
+end.
+\EndPascal
+
+\hrule
+\bigskip
+
+This one was imported from another file.
+
+\medskip
+\InputPascal{prog/guess.pas}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/c-pascal/prog/guess.pas b/Master/texmf-dist/doc/generic/c-pascal/prog/guess.pas
new file mode 100644
index 00000000000..743f297622e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/prog/guess.pas
@@ -0,0 +1,26 @@
+program guess;
+
+var
+ num1, num2: integer;
+
+begin
+ randomize;
+ num2 := random(100);
+
+ repeat
+ { make user guess }
+ write('Guess my number: ');
+ readln(num1);
+
+ { check the relation }
+ if num1 = num2 then
+ writeln('Very well!');
+ if num1 < num2 then
+ writeln('Too small.');
+ if num1 > num2 then
+ writeln('Too big.');
+ until num1 = num2;
+
+ { pause }
+ readln;
+end.
diff --git a/Master/texmf-dist/doc/generic/c-pascal/prog/sun.c b/Master/texmf-dist/doc/generic/c-pascal/prog/sun.c
new file mode 100644
index 00000000000..889341b5b9d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/prog/sun.c
@@ -0,0 +1,39 @@
+#include <stdio.h>
+#include <math.h>
+
+int months[]={0, 31, 28, 31, 30, 31, 30,
+ 31, 31, 30, 31, 30, 31};
+char weekdays[7][15]={"Sunday", "Monday", "Tuesday", "Wednesday",
+ "Thursday", "Friday", "Sunday"};
+
+/* this program calculates the latidude
+ where polar day begins/ends */
+void main()
+{
+ int day=24, month=6, weekday=2;
+ double angle=0;
+ double latitude;
+
+ do
+ {
+ latitude=atan(tan((23+27.0/60)*M_PI/180)*cos(angle))*180/M_PI;
+ latitude=(latitude>0)? 90-latitude : -90-latitude;
+ printf("%2d.%02d %12s : %d %02d'\n", day, month,
+ weekdays[weekday], (int)latitude,
+ (int)fabs((latitude-(int)latitude)*60));
+ if (weekday==0)
+ printf("\n");
+
+ angle+=2*M_PI/365;
+ day++;
+ if (day>months[month])
+ {
+ day=1;
+ month++;
+ if (month>12)
+ month=1;
+ }
+ if (++weekday>6)
+ weekday=0;
+ } while (month!=1);
+}
diff --git a/Master/texmf-dist/doc/generic/c-pascal/readme.eng b/Master/texmf-dist/doc/generic/c-pascal/readme.eng
new file mode 100644
index 00000000000..170acaa2a54
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/readme.eng
@@ -0,0 +1,90 @@
+======================================================================
+
+ CAP --- macro package for typesetting programs in C and Pascal
+
+======================================================================
+
+
+ Contents
+----------
+This macro package consists of three files:
+ cap_c.tex -- macros for typesetting programs in C
+ cap_pas.tex -- macros for typesetting programs in Pascal
+ cap_comm.tex -- helpful macros and declarations used for typesetting
+ programs in both languages; this file does not contain
+ any macros useful for a user
+
+
+ Programs in C
+---------------
+There are two macros available in the cap_c.tex file:
+
+ 1. \BeginC ... \EndC
+ Between these commands you may insert sorce code of any program
+ written in the C language. The text of the program will be
+ formatted using appropriate fonts. The macro recognises the
+ following elements of a program:
+ * keywords --- by default typeset in boldface
+ * texts --- everything inside single quotes; by default slanted
+ * comments --- both /*these...*/ and //these... , but not nested;
+ italic typewriter
+ * symbols --- operators, brackets, etc.; typewriter
+ * compiler directives --- typeset using slanted typewriter font
+ * identifiers --- everything that is none of the above; italic
+ The macro does not change the layout of a program. All
+ indentations are left as they are in the source program. No line
+ breaks are inserted.
+ NOTE: While compiling, the \BeginC ... \EndC macro reads the whole
+ program into TeX's memory. Therefore, you may expect problems when
+ typesetting huge programs in this way. In my configuration
+ (emTeX under DOS) everything works fine if the program is not bigger
+ than about 15KB. If you REALLY need to insert a vast program
+ directly into your TeX source file you will have to split
+ the program into smaller pieces, each inserted into a separate
+ pair \BeginC ... \EndC.
+
+ 2. \InsertC{filename}
+ Inserts a C program from a separate file. The program is formatted
+ as above. If you use DOS you need to remember that all backslashes
+ in the pathname should be replaced by slashes.
+ This macro has NO limitations for the size of the program --- it reads
+ the file line by line, so TeX should never run out of memory.
+
+The list of keywords can be easily found in the cap_c.tex file. I do not
+guarantee that it is complete, so fell free to correct it if necessary.
+
+
+ Programs in Pascal
+--------------------
+In order to typeset programs in Pascal you need to \input the cap_pas.tex
+file. It contains two macros, as well:
+
+ 1. \BeginPascal ... \EndPascal
+
+ 2. \InsertPascal{filename}
+
+They work similarly. They recognise the same elements of a Pascal program.
+Both {this} and (*this*) kind of comment is accepted, but they cannot
+be nested. In case of \BeginPascal ... \EndPascal size limitations are
+similar as in C.
+
+The list of keywords was taken from Borland Delphi Help. If you need, you
+may modify it.
+
+
+ Common
+--------
+Fonts used to typeset programs are declared in the beginning of
+the cap_comm.tex file. They are easy to redefine if necessary.
+
+
+ Note
+------
+If you modify aby of the files in any way, mark your changes, please.
+I do not want to take responsibility for other people's modifications.
+
+
+------------
+
+ Michal Gulczynski
+ mgulcz@we.tuniv.szczecin.pl
diff --git a/Master/texmf-dist/doc/generic/c-pascal/readme.pol b/Master/texmf-dist/doc/generic/c-pascal/readme.pol
new file mode 100644
index 00000000000..baa1bb3c1f5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/c-pascal/readme.pol
@@ -0,0 +1,92 @@
+Polskie robaczki w standardzie ISO-Latin2.
+=======================================================================
+
+ CAP (C albo Pascal) --- makra do skadu programw w C i Pascalu
+
+=======================================================================
+
+
+ Zawarto
+-----------
+Ten pakiet makr skada si z trzech plikw:
+ cap_c.tex --- makra do skadu programw w jzyku C
+ cap_pas.tex --- makra do skadu programw w Pascalu
+ cap_comm.tex --- pomocnicze makra i deklaracje uywane do skadania
+ programw w obu jzykach; ten plik nie zawiera
+ adnych makr poytecznych dla uytkownika
+
+
+ Programy w C
+--------------
+W pliku cap_c.tex znajduj si definicje dwch makr:
+
+ 1. \BeginC ... \EndC
+ Pomidzy te komendy naley wstawi dowolny program rdowy
+ w jzyku C. Tre programu zostanie sformatowana z wykorzystaniem
+ odpowiednich czcionek. Rozpoznawane s nastpujce elementy
+ programu:
+ * sowa kluczowe --- domylnie wyrniane s pogrubieniem
+ * teksty --- wszystko to, co wewntrz apostrofw; domylnie pochylone
+ * komentarze --- zarwno /*takie...*/ jak i //takie... ,
+ ale nie zagniedone; kursywa typewriter
+ * symbole --- operatory, nawiasy, itp.; typewriter
+ * dyrektywy kompilatora --- skadane pochylon czcionk typewriter
+ * identyfikatory --- wszystko, co nie jest adnym z powyszych;
+ kursywa
+ Makro nie ingeruje w ukad programu. Wcicia s pozostawione takie,
+ jakie s w programie rdowym. Podzia na linie rwnie nie jest
+ zmieniany.
+ UWAGA: W trakcie kompilacji makro \BeginC ... \EndC wczytuje cay
+ program do pamici TeXa. Z tego powodu mona spodziewa si kopotw
+ skadajc tym makrem bardzo duy program. W mojej konfiguracji
+ (emTeX pod DOSem) wszystko dziaa bez zarzutu jeli program jest
+ nie wikszy ni okoo 15KB. Jeli NAPRAWD konieczne jest wstawnienie
+ ogromnego programu bezporednio do pliku TeXowego, konieczny bdzie
+ podzia programu na mniejsze czci, z ktrych kada bdzie ujta
+ w komendy \BeginC ... \EndC.
+
+ 2. \InsertC{nazwapliku}
+ Wstawia program w jzyku C z pliku zewntrznego. Program zostanie
+ sformatowany jak w poprzednim przypadku. Przypomnienie dla pracujcych
+ pod DOSem: w nazwie pliku wszystkie wtyciachy naley zastpi
+ ciachami.
+ To makro nie nakada ADNYCH ogranicze na rozmiar programu --- czyta
+ wskazany plik linia po linii, wic nie grozi mu wyczerpanie pamici.
+
+Lista sw kluczowych znajduje si w pliku cap_c.tex. Nie gwarantuj, e
+jest kompletna, wic w razie potrzeby mona j poprawi.
+
+
+ Programy w Pascalu
+--------------------
+Aby skada programy w Pascalu naley zaczy plik cap_pas.tex. Zawiera
+on rwnie dwa makra:
+
+ 1. \BeginPascal ... \EndPascal
+
+ 2. \InsertPascal{nazwapliku}
+
+Dziaaj one analogicznie. W przypadku \BeginPascal ... \EndPascal
+obowizuj podobne ograniczenia na wielko formatowanego programu.
+W programie rozpoznawane s zarwno {takie} jak i (*takie*) komentarze.
+
+Lista sw kluczowych pochodzi z Pomocy Borland Delphi. W razie potrzeby
+mona j zmodyfikowa.
+
+
+ Wsplne
+---------
+Czcionki uywane do skadania programw s zadeklarowane na pocztku
+pliku cap_comm.tex. W razie potrzeby mona je atwo przedefiniowa.
+
+
+ Uwaga
+-------
+Jeli modyfikujesz ktry z plikw, zaznacz wyranie swoje zmiany. Nie
+chc bra odpowiedzialnoci na modyfikacje wprowadzone przez innych.
+
+
+------------
+
+ Micha Gulczyski
+ mgulcz@we.tuniv.szczecin.pl
diff --git a/Master/texmf-dist/doc/generic/colortab/colortab.doc b/Master/texmf-dist/doc/generic/colortab/colortab.doc
new file mode 100644
index 00000000000..d4d7e771daf
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/colortab/colortab.doc
@@ -0,0 +1,469 @@
+%% BEGIN colortab.doc
+\def\FileVersion{0.9}
+\def\FileDate{1997/03/28}
+%%
+%% Documentation for colortab.tex/colortab.sty.
+%% Run through LaTeX, with or without the NFSS.
+%%
+%% You need the file fancybox.sty, available from Princeton.EDU:/pub/tvz
+%%
+%% The color commands \gray and \lightgray must be defined if you
+%% want to see the examples. pstricks.tex will be loaded for this
+%% purpose if it is found. Otherwise, you must load your own
+%% color commands.
+%%
+%% Change these if using different size paper. You can also include the
+%% twosided style option, if desired:
+
+\def\paperwidth{8.5in}
+\def\paperheight{11in}
+
+\documentstyle[12pt,fancybox]{article}
+
+\makeatletter
+
+% Load pstricks.tex if it is found:
+\@input{pstricks.tex}
+
+% Input colortab.tex here to check file version:
+\input colortab.tex
+\ifx\FileVersion\fileversion\else
+ \@latexerr{colortab input file and documentation do not have the same
+ version}\@ehd
+\fi
+
+% DATES, VERSIONS AND TITLES:
+
+\def\expanddate#1/#2/#3/{\year=19#1 \month=#2 \day=#3}
+\begingroup
+ \expandafter\expanddate\filedate/
+ \xdef\thefiledate{\today}
+\endgroup
+
+\title{Documentation for colortab.tex/colortab.sty:\\[5pt]
+ Shading and coloring \TeX\ tables}
+\author{Timothy Van Zandt\\ tvz@Princeton.EDU}
+\date{Version \fileversion\\ \thefiledate}
+
+\def\@maketitle{%
+ \begin{center}
+ {\Large\bf \@title \par}
+ \vskip 1.2em {\lineskip .5em
+ \begin{tabular}[t]{c}\@author\end{tabular}\par}
+ \vskip .8em {\@date}%
+ \end{center}
+ \par
+ \vskip .5em}
+
+% PAGE STYLE:
+
+\pagestyle{myheadings}
+\if@twoside
+ \markboth{Documentation for colortab.tex/.sty}%
+ {Version \fileversion, \thefiledate}%
+\else
+ \markright{colortab.tex, Version \fileversion}
+\fi
+
+% TABLE OF CONTENTS
+
+\newskip\myskip
+
+\def\tableofcontents{%
+ \par\vfill
+ \begin{quote}
+ \begin{center} \Large\bf Contents \end{center}
+ \def\numberline##1{\hbox to 0pt{\hss##1\hskip 1em}}%
+ \let\oldaddvspace\addvspace
+ \def\addvspace##1{%
+ \myskip##1\relax
+ \oldaddvspace{.5\myskip}}
+ \@starttoc{toc}%
+ \end{quote}
+ \thispagestyle{empty}
+ \vfill
+ \clearpage}
+
+
+% PAGE PARAMETERS:
+
+% Paragraphs are marked by large space rather than indentation:
+\parindent 0pt
+\parskip 7pt plus 1pt minus 1pt
+
+\setlength{\topmargin}{0pt}
+\setlength{\headheight}{12pt} % height of running head
+\setlength{\headsep}{30pt} % distance between header and text
+\setlength{\textheight}{8.2in} % height of text on page
+
+% Adjust margins for different paper size:
+\@tempdima=\paperwidth
+\advance\@tempdima-8.5in
+\advance\oddsidemargin .5\@tempdima
+\advance\evensidemargin .5\@tempdima
+\@tempdima=\paperheight
+\advance\@tempdima-11in
+\advance\topmargin .5\@tempdima
+
+% VERBATIM HACKS:
+
+\VerbatimFootnotes
+
+% Short meta (works in verbatim. Can't use < for other purposes.
+\catcode`\<=13 \def<#1>{{\rm\it #1\/}} % <meta> (works in verbatim)
+
+% Short verbatim. " can appear in verbatim environments.
+\def\temp{\Verb"}
+\expandafter\def\expandafter\dospecials\expandafter{\dospecials\do\"}
+\catcode`\"=13
+\let"\temp
+
+\def\n#1{{\tt\string#1}}
+
+% Verbatim item:
+\newcommand{\vitem}{\SaveVerb[{\def\bf{}\item[\UseVerb{\MyTemp}]}]{\MyTemp}}
+
+% Verbatim section"
+
+% EXAMPLES:
+% 1. Save example verbatim to \jobname.tmp,
+% 2. Input verbatim with \catcode`\"=14 (" is a comment).
+% 3. Input again with \catcode\`"=9 (" is ignored).
+
+\renewcommand{\EveryVerbatimLine}[2]{}
+
+\renewcommand{\EveryVerbOutLine}[2]{}
+
+\newcommand{\BeginExample}{%
+ \VerbatimEnvironment\begin{VerbatimOut}{\jobname.tmp}}
+
+\newcommand{\EndExample}{%
+ \end{VerbatimOut}%.
+ \renewcommand{\EveryVerbatimLine}{}%
+ \renewcommand{\EveryVerbatimCodes}{\catcode`\"=14}%
+ \LVerbatimInput{\jobname.tmp}%
+ \catcode`\"=9}
+
+\@ifundefined{lightgray}{\@testfalse}%
+ {\@ifundefined{gray}{\@testfalse}{\@testtrue}}
+
+\if@test
+
+\newenvironment{example}{\BeginExample}{\EndExample
+ \begin{center}\leavevmode\input{\jobname.tmp}\end{center}}
+
+\else
+
+\newenvironment{example}{\VerbatimEnvironment\LVerbatim}{\endLVerbatim}
+
+\fi
+
+% END PREAMBLE:
+\makeatother
+
+\begin{document}
+
+\maketitle
+
+\begin{quote}
+"colortab.tex/colortab.sty" contains macros that let you use your color
+commands for shading and coloring cells in tables and other alignment
+environments. It is compatible with most \TeX\ macro packages.
+\end{quote}
+
+\tableofcontents
+
+\section{Introduction}
+
+Adding color to tables is fraught with difficulties, but as the examples in
+this file indicate, it can be done. In any case, consider this an advanced
+topic, and be aware that the commands in "colortab.tex" are not robust.
+
+This is meant to supplement your own color commands. There are many macro
+files that implement color for the various "dvi" drivers that can support
+color. E.g., the PSTricks package works with a variety of DVI-to-PS drivers.
+
+For example, suppose you have a macro that defines the color command "\gray".
+"colortab.tex" requires that one of the following produce a gray line:
+\begin{LVerbatim}
+ {\gray \hrule}
+ \gray{\hrule}
+\end{LVerbatim}
+if you want to use this command to color the cells in tables.
+This is probably the case if the one of the following produces gray text:
+\begin{LVerbatim}
+ {\gray I am gray!}
+ \gray{I am gray!}
+\end{LVerbatim}
+
+"colortab.tex" contains macros for \TeX's "\halign" primitive. Incorporating
+color into high-level macros based on the "\halign" primitive requires a
+case-by-case treatment. "colortab.tex" also contains macros for coloring cells
+\LaTeX's various array environments, and for the \LaTeX\ "longtable"
+environment that is defined in the "longtable" (or "longtabl") style option.
+These can serve as examples that can be accommodated to other table macros.
+See the code itself for happy hacking.
+
+\section{\TeX's halign primitive}
+
+To shade cells in an alignment, use
+\begin{LVerbatim}
+ \coloralign
+\end{LVerbatim}
+instead of "\halign". Then, to color the columns in one or more rows, type
+\begin{LVerbatim}
+ \CC
+ <row of colors>\cr
+ <rows to be colored>\cr
+ \ECC
+\end{LVerbatim}
+For example:
+\begin{example}
+ \setbox\strutbox=\hbox{\vrule height11.5pt
+ depth6.5pt width0pt}%
+ \vbox{\offinterlineskip
+ \coloralign{%
+ \vrule\strut\quad\hfil#\hfil\quad
+ &\vrule\quad\hfil#\quad\vrule\cr
+ \noalign{\hrule}%
+ \CC
+ \gray &\cr
+ Tamarind&Chiplote\cr
+ \ECC\noalign{\hrule}%
+ \CC
+ \lightgray &\gray\cr
+ Lulu&Serrano\cr\noalign{\hrule}%
+ Guanabana&Larga\cr
+ \ECC\noalign{\hrule}%
+ }}
+\end{example}
+
+"\CC" and "\ECC" stand for ``ColorCells'' and ``EndColorCells'', respectively.
+You cannot change the name of "\ECC" with "\let" or "\def" (without redefining
+"\CC"), because it is really just a delimiter. This is also true of the first
+"\cr", which marks the end of the row of color commands.
+Remember that only complete rows can go between "\CC" and "\ECC". Where you
+include horizontal lines is generally inconsequential. You can have nested
+"\coloralign" environments, but the nested environment must be enclosed in
+brackets "{}". There is no "\coloralign to" or "\coloralign spread" because
+the space inserted by "\tabskip" won't be shaded.
+
+These macros are not very robust. You can make best use of them by knowing how
+they work. "\coloralign" just saves the preamble, and otherwise is identical
+to "\halign". "\CC" finds the height of the rows that have to be colored, and
+then "\CC" draws a rectangle using \TeX's line-drawing primitives in each
+cell, colored by the color commands included in the first line that follows
+"\CC". E.g.,
+\begin{LVerbatim}
+ \yellow &&\red \cr
+\end{LVerbatim}
+draws a yellow rectangle in column 1, nothing in column 2, and a red rectangle
+in column 3. Then "\CC" goes back up the height of the rectangle, so that
+\TeX's current point is back where it was when "\CC" started. At this point,
+"\CC" has finished its work. When the next rows of the alignment environment
+are processed by "\halign", they are put down on top of the rectangles, and
+hence have colored backgrounds.
+
+"\CC" finds the height of the rows to be colored by putting the rows into an
+"\halign" environment, using the preamble that was saved by "\coloralign", and
+then measuring the height of the resulting box.
+
+\section{\LaTeX\ array environments}
+
+Cells can be colored in a \LaTeX\ array without using a special array
+environment (i.e., there is no \LaTeX\ analog to "\coloralign"). Use "\LCC"
+instead of "\CC", and use "\\" to end the row of color commands instead of
+"\cr". For example:
+\begin{example}
+ \def\arraystretch{1.5}%
+ \begin{tabular}{|l|c|}\hline
+ \LCC
+ \gray & \\
+ Tamarind & Chiplote \\ \hline
+ \ECC
+ \LCC
+ \lightgray & \gray\\
+ Lulu & Serrano\\ \hline
+ Guanabana & Larga\\ \hline
+ \ECC
+ \end{tabular}
+\end{example}
+The same caveats apply as with the "\coloralign" environment.
+
+When \n\LCC\ and \n\ECC\ are used with Frank Mittelbach's "array.sty", nested
+array-type environments and "\multicolumn" commands wipe out information
+needed by \n\ECC\. Here is a workaround: Put "\SP" (``SavePreamble'') at the
+beginning of the array-type environment (right after the column declarations),
+and put "\RP" (``RestorePreamble'') at the end of each line containing a
+"\multicolumn" command or nested array-type environment (after the "\\", and
+before the \n\ECC). For example:
+\begin{LVerbatim}
+ \begin{tabular}{|l|c|}\SP\hline
+ \LCC
+ \gray & \\
+ \multicolumn{2}{c}{Tamarind}\\ \RP \hline
+ \ECC
+ \end{tabular}
+\end{LVerbatim}
+Further nesting (e.g., an array within a "\multicolumn", or a "\multicolumn"
+or array within a nested array) sometimes works and sometimes doesn't. You
+will have to figure that one out for yourself.
+
+
+\section{longtable.sty}
+
+"longtable.sty", by David Carlisle, defines the "longtable" environment, for
+making multipage tables. "\LCC" will not work with "longtable". However,
+"colortab" contains other macros that will work, if you use "longtable.sty" in
+conjunction with Frank Mittelbach's "array.sty". These macros have been tested
+only briefly, with version 3.04 of "longtable.sty" and version 2.1b of
+"array.sty".
+
+Before every column identifier in the environment's argument (e.g., "c", "l",
+"r", "p", "m" or "b"), put
+\begin{description}
+ \vitem"!{\LC}" If none of the below applies;
+ \vitem"!{\LCi}" If the column is preceded by one or more vertical lines;
+ \vitem"!{\LCii}" If the column is followed by two vertical lines;
+ \vitem"!{\LCiii}" If the column is preceded by one or more vertical lines
+and followed by two vertical lines.
+ \vitem"!{\LCz{<len1>}{<len2>}}" If "colortab" should back up by <len1>
+before drawing the background, and should draw the background <len2> shorter
+than the width of the column.
+\end{description}
+Remember that you have to do this for every column, not just the columns that
+you want to color.
+
+Then include
+\begin{LVerbatim}
+ \LColors <color> & <color> & ... & <color>\\
+\end{LVerbatim}
+in the first row of the environment, and later on as well if you wish to
+change the colors. Here also you have to include every column, but you can
+leave an entry blank if you don't want any background color in that column.
+
+The color comes out right, or at all, only after you have run the file enough
+times for "longtable.sty" to set the alignment correctly.
+
+Here is an example. The output will appear in this documentation only if
+"longtable.sty" or "longtabl.sty" is installed on your system.
+\begingroup
+ \makeatletter
+ \catcode`\<=12
+% Modification Denis GIROU (CNRS/IDRIS - France) - &lt;Denis.Girou@idris.fr&gt; - 10 Sep. 1996
+% Can't work with LaTeX 2e
+% \@input{longtable.sty}%
+% \@input{longtabl.sty}%
+% \@input{array.sty}%
+ \@input{longtable.styX}% Avoid loading of longtable.sty...
+ \@input{longtabl.sty}%
+ \@input{array.styX}% Avoid loading of array.sty...
+ \@testtrue
+ \@ifundefined{c@LT@tables}{\@testfalse}{}%
+ \@ifundefined{d@llarbegin}{\@testfalse}{}%
+ \if@test\else
+ \renewenvironment{example}{\VerbatimEnvironment\LVerbatim}{\endLVerbatim}%
+ \fi
+ \makeatother
+\begin{example}
+ \LARGE
+ \begin{longtable}{|!{\LCiii}l||!{\LCi}c|!{\LCi}c|}\hline
+ \LColors \gray & & \\
+ Tamarind & Chiplote & Galanga\\ \hline
+ \LColors \lightgray & & \gray\\
+ Lulu & & Serrano\\ \hline
+ Guanabana & Larga &\\ \hline
+ \end{longtable}
+\end{example}
+\endgroup
+
+\section{Coloring lines}
+
+Let's begin with the "\halign" environment. Changing the color of lines is
+easy, because if you write, say, "{\gray\hrule}", then the line comes out
+gray. For example:
+\begin{example}
+ % Thicker lines and wider spacing give better view:
+ \setbox\strutbox=\hbox{%
+ \vrule height15.5pt depth8.5pt width0pt}%
+ \def\Hrule{\hrule height 2.5pt}%
+ \def\Vrule{\vrule width 2.5pt}%
+ % Now the table:
+ \vbox{\offinterlineskip
+ \halign{%
+ {\lightgray\Vrule}\strut\quad\hfil#\hfil\quad
+ &{\gray\Vrule}\quad\hfil#\quad\Vrule\cr
+ \noalign{\Hrule}%
+ Tamarind& Chiplote\cr\noalign{{\darkgray\Hrule}}%
+ Lulu& Serrano\cr\noalign{\Hrule}%
+ Guanabana& Larga\cr\noalign{{\lightgray\Hrule}}%
+ }}
+\end{example}
+
+With \LaTeX, you can add an entry like
+\begin{LVerbatim}
+ @{\hspace{\tabcolsep}{\gray\vrule}\hspace{\tabcolsep}}
+\end{LVerbatim}
+to the argument of the alignment environment, instead of "|", if you want to
+color the vertical line that is drawn. If using "array.sty", you can try:
+\begin{LVerbatim}
+ !{{\gray\vrule}}
+\end{LVerbatim}
+
+To color horizontal lines with \LaTeX, don't bother trying
+\begin{LVerbatim}
+ {\gray\hline}
+\end{LVerbatim}
+because it won't work. You write your own version of "\hline" and "\cline", or
+use the non-aligned color commands described in the next section.
+
+\section{Non-aligned color with PSTricks}
+
+Here are a few other commands that can be useful for adding color to tables.
+{\bf They only work with PSTricks, v0.93 or later.} <color> in this case is
+the name of the color, without the backslash. These fudge the color commands
+so that they do not have to be balanced with respect to \TeX\ grouping. You
+can achieve the same thing using "\special{<raw postscript>}" and "\noalign",
+if you know what you are doing. These should work with just about any
+alignment macro, include "\halign" and \LaTeX's "tabular" environment.
+
+\begin{description}
+
+\vitem"\AC{<color>} ... \EAC" \
+
+ These stand for "AlignColor" and "EndAlignColor", respectively. <color> is
+the name of the color, without a backslash, rather than a color command. This
+can be used within a cell, but they do not have to be within the same cell,
+nor do they have to be properly nested with respect to \TeX\ grouping.
+Generally, "\AC{<color>}" switches to <color>, and \n\EAC\ restores the color
+that would be in effect if the first \n\AC\ command were missing.
+
+\vitem"\NAC{<color>} ... \ENAC" \
+
+ These stand for "NoAlignColor" and "EndNoAlignColor", respectively. These
+are like \n\AC\ and \n\EAC, but the color commands are put inside a
+"\noalign". They can only appear at the end of a line, after "\\" or "\cr".
+
+\end{description}
+Actually, these do not even have to be used in pairs.
+
+Here is an example of how "\AC", etc., can be used. to color lines in \LaTeX\
+arrays. The output will appear in this documentation only if PSTricks is
+installed on your system:
+\begingroup
+\ifx\PSTricksLoaded\endinput\else
+ \renewenvironment{example}{\VerbatimEnvironment\LVerbatim}{\endLVerbatim}
+\fi
+\begin{example}
+ \arrayrulewidth 1.5pt
+ \begin{tabular}{|l|c|}\hline
+ Tamarind& Chiplote\\ \NAC{gray}\hline\ENAC
+ Lulu& Serrano\\ \cline{1-1}
+ \NAC{lightgray}\cline{2-2}\ENAC
+ Guanabana\AC{lightgray} & \EAC Larga\\ \hline
+ \end{tabular}
+\end{example}
+\endgroup
+
+\end{document}
+%% END colortab.doc
diff --git a/Master/texmf-dist/doc/generic/dratex/Examples.tex b/Master/texmf-dist/doc/generic/dratex/Examples.tex
new file mode 100644
index 00000000000..ade0a511abb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/dratex/Examples.tex
@@ -0,0 +1,2058 @@
+%\def\TexFiles{}
+\def\ext{Changeable}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Compile this file with TeX and review the document. %%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\hfill 15 Apr. 94
+\bigskip
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Code of examples and exercises from %
+% %
+% TeX and LaTeX: Drawing and Literate Programming %
+% %
+% gurari@cis.ohio-state.edu %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+
+\immediate\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+\immediate\write16{<<< tex Examples.tex <<<<<<<<<<<}
+\immediate\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %%
+ %%
+\input ProTex.sty %%%%%%%%%%%%%%%%%%%%
+
+
+\expandafter\def\csname :warn\endcsname#1{}
+\Code\top{}{\immediate\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+\immediate\write16{<<<<< \op \name.\ext}
+\immediate\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+
+% \com
+}
+
+ \ifx \TexFiles\empty %%%%%%%%%%%%%%%%%%%%%%%%
+\def\tex{tex}
+
+\def\DEFEND{\% LaTeX requires a {\tt\string\Defend} here \%}
+
+\Code\Open{}{\files
+\startInput
+}
+
+\Code\Close{}{
+\endInput
+\\bye}
+ \else %%%%%%%%%%%%%%%%%%%%%%%%
+\def\tex{latex}
+
+\Code\DEFEND{{\it LaTeX requires a {\tt\string\Defend}
+ here}}{\% LaTeX requires a \string\Defend here \%\string\Defend}
+
+\Code\Open{}{\\documentstyle{book}
+\files
+\\begin{document}
+\startInput}
+
+\Code\Close{}{
+\endInput
+\\end{document}}
+ \fi %%%%%%%%%%%%%%%%%%%%%%%%
+
+\Code\fileD{}{
+\\input DraTex.sty }
+
+\Code\fileAD{}{
+\\input DraTex.sty
+\\input AlDraTex.sty }
+
+\Code\fileP{}{
+\\input ProTex.sty }
+
+\Code\startInput{}{\\Draw}
+\Code\endInput{}{\\EndDraw}
+
+\AlProTex{\ext,<<<>>>,[],list,|,ShowFile,NoShow} %%%%%%%%%%%%%%%%%%%%
+
+\let\SC=\ShowCode
+\Code\execute{}<<<
+>>>
+
+\newcount\exron
+\def\nop#1{\ifnum \exron>0 #1 \fi}
+
+\catcode`\^^M=13 \catcode`\#=12 %
+\def\<<<{%
+ \edef\temp{%
+ \noexpand\AppendCode\noexpand\execute<<<
+ \nop#\op\space\space \name.\ext\space\space\space # \com
+ \nop#xdvi\space\space \name.dvi
+ >>>}\ShowOff\temp\ShowOn%
+ \def\ShowCode{%
+ \expandafter\OutputCode\csname\name\endcsname \def\top
+ {} \global\let\ShowCode=\SC \ShowCode}%
+ \expandafter\Code\csname\name\endcsname{}<<<
+ \top}%
+\catcode`\^^M=5 \catcode`\#=6
+
+\def\newpage{\def\newpage{\par\vfill\break}}
+\newcount\1 \newcount\2 \newcount\3
+
+\def\ForTex{tex}
+
+\def\Ex#1#2#3{\global\advance\exron by -1
+ \edef\op{#1}
+ \edef\For{for \ifx \op\ForTex \else La\fi TeX}
+ \def\com{#2}
+ \def\name{#3} \hrule
+ \medskip\noindent$\underline{\hbox{#1\quad\name.\ext}}$
+ \qquad{\it #2\/} {\rm(\For)}\medskip}
+
+\def\Exr#1#2#3{\global\exron=2
+ \setbox0=\hbox{\global\1#1 \global\2#2 \global\3#3}
+ \Ex{\tex}{Exercise \the\1.\the\2.\the\3}{exr#1#2#3}}
+
+\def\Lib#1{\newpage\hrule
+ \noindent\hfil{\bf \strut#1}\hrule}
+
+\hbadness=10000 \vbadness=10000 \hfuzz=99in \vfuzz=99in
+ %%
+ %%
+ %%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\noindent NOTES
+
+(a) If you want to get TeX files instead of LaTeX files, remove `\%'
+from the first line of file `{\tt Examples.tex}'.%%% first line of this file
+
+
+(b) If you want different extensions in the files' names,
+change the definition of {\tt\string\ext} in the second line
+of file `{\tt Examples.tex}'.%%% second line of this file
+
+(c) Files carrying names that start with `exr' have been retrieved
+from exercises. Many of these files are incomplete, and they expect
+that the reader will provide the missing code. (La)TeX will prompt you
+with `?' on incomplete files. In such cases, type `x' followed by
+RETURN.
+
+\bigskip \Lib{DraTeX} \def\files{\fileD}
+
+\Ex{tex}{First example in section 6.2}{sec62a}
+
+\<<<
+\input DraTex.sty
+\Draw
+ \LineAt(0.1, 0,-18,-10)
+ \LineAt(-18,-10,- 6, 26)
+ \LineAt(- 6, 26, 18,- 4)
+ \LineAt( 18,- 4, 12,-40)
+ \LineAt( 18,- 4, 24,-40)
+ \LineAt( 18,- 4, 58,- 4)
+ \LineAt( 58,- 4, 52,-40)
+ \LineAt(58,-4,64,-40) \LineAt(58,-4,66,4)
+\EndDraw
+\bye >>>
+
+\Ex{latex}{First example in section 6.2}{sec62b}
+
+\<<<
+\documentstyle{report}
+ \input DraTex.sty
+\begin{document}
+\Draw
+ \LineAt(0.1, 0,-18,-10)
+ \LineAt(-18,-10,- 6, 26)
+ \LineAt(- 6, 26, 18,- 4)
+ \LineAt( 18,- 4, 12,-40)
+ \LineAt( 18,- 4, 24,-40)
+ \LineAt( 18,- 4, 58,- 4)
+ \LineAt( 58,- 4, 52,-40)
+ \LineAt(58,-4,64,-40) \LineAt( 58,-4,66,4)
+\EndDraw
+\end{document}>>>
+
+
+\Ex{latex}{First example in section 6.2---second version}{sec62c}
+
+\<<<
+\documentstyle[DraTex]{report}
+\begin{document}
+\Draw
+ \LineAt(0.1, 0,-18,-10)
+ \LineAt(-18,-10,- 6, 26)
+ \LineAt(- 6, 26, 18,- 4)
+ \LineAt( 18,- 4, 12,-40)
+ \LineAt( 18,- 4, 24,-40)
+ \LineAt( 18,- 4, 58,- 4)
+ \LineAt( 58,- 4, 52,-40)
+ \LineAt(58,-4,64,-40) \LineAt(58,-4,66,4)
+\EndDraw
+\end{document}>>>
+
+
+
+\Exr672
+
+\<<<
+|Open
+ \MarkLoc(a) \Move(50,0)
+ \MarkLoc(A) \Move(50,0)
+ \MarkLoc(b) \Move(-30,30)
+ \MarkLoc(B) \Move(-30,30)
+ \MarkLoc(c) \Move(-20,-30)
+ \MarkLoc(C)
+ \Curve(A,b,b,B)
+ \Curve(B,c,c,C)
+ \Curve(C,a,a,A)
+|Close>>>
+
+
+ \Ex{tex}{First example in section 6.1}{sec61}
+
+\<<<
+\input DraTex.sty
+
+We can draw clocks of
+different styles and sizes.
+
+\Draw
+ \Move(0,20) \Line(0,-50) \Line(50,0)
+ \PenSize(1.5pt) \Line(0,50) \Line(-50,0)
+ \Move(5,-25) \Text(--9--)
+ \Move(20,-18) \Text(--6--)
+ \Move(20,18) \Text(--3--)
+ \Move(-20,18) \Text(--12--)
+ \Move(0,-18) {\RotateTo(60) \LineF(19)}
+ \RotateTo(210) \LineF(14)
+\EndDraw
+
+We can draw people of
+different shapes and looks.
+
+\Draw(0.6pt,0.6pt)
+ \DrawOvalArc(30,45)(0,180)
+ \DrawOvalArc(30,12)(180,360)
+ \DrawOvalArc(60,25)(140,400)
+ \Move(0,5)
+ \DrawOvalArc(30,60)(225,315)
+ \DrawOvalArc(20,52)(260,280)
+ \Move(-10,-37) {\Text(--$\cdotp$--)} \Text(--o--)
+ \Move(20,0) {\Text(--$\cdotp$--)} \Text(--o--)
+\EndDraw
+
+And we can produce many other
+types of drawings. \bye>>>
+
+
+
+\Ex{latex}{First example in section 6.1}{sec61a}
+
+\<<<
+\documentstyle{report}
+\input DraTex.sty
+\begin{document}
+
+We can draw clocks of
+different styles and sizes.
+
+\Draw
+ \Move(0,20) \Line(0,-50) \Line(50,0)
+ \PenSize(1.5pt) \Line(0,50) \Line(-50,0)
+ \Move(5,-25) \Text(--9--)
+ \Move(20,-18) \Text(--6--)
+ \Move(20,18) \Text(--3--)
+ \Move(-20,18) \Text(--12--)
+ \Move(0,-18) {\RotateTo(60) \LineF(19)}
+ \RotateTo(210) \LineF(14)
+\EndDraw
+
+We can draw people of
+different shapes and looks.
+
+\Draw(0.6pt,0.6pt)
+ \DrawOvalArc(30,45)(0,180)
+ \DrawOvalArc(30,12)(180,360)
+ \DrawOvalArc(60,25)(140,400)
+ \Move(0,5)
+ \DrawOvalArc(30,60)(225,315)
+ \DrawOvalArc(20,52)(260,280)
+ \Move(-10,-37) {\Text(--$\cdotp$--)} \Text(--o--)
+ \Move(20,0) {\Text(--$\cdotp$--)} \Text(--o--)
+\EndDraw
+
+And we can produce many other
+types of drawings. \end{document}>>>
+
+\Ex{latex}{First example in section 6.1---second version}{sec61b}
+
+\<<<
+\documentstyle[DraTex]{report}
+\begin{document}
+
+We can draw clocks of
+different styles and sizes.
+
+\Draw
+ \Move(0,20) \Line(0,-50) \Line(50,0)
+ \PenSize(1.5pt) \Line(0,50) \Line(-50,0)
+ \Move(5,-25) \Text(--9--)
+ \Move(20,-18) \Text(--6--)
+ \Move(20,18) \Text(--3--)
+ \Move(-20,18) \Text(--12--)
+ \Move(0,-18) {\RotateTo(60) \LineF(19)}
+ \RotateTo(210) \LineF(14)
+\EndDraw
+
+We can draw people of
+different shapes and looks.
+
+\Draw(0.6pt,0.6pt)
+ \DrawOvalArc(30,45)(0,180)
+ \DrawOvalArc(30,12)(180,360)
+ \DrawOvalArc(60,25)(140,400)
+ \Move(0,5)
+ \DrawOvalArc(30,60)(225,315)
+ \DrawOvalArc(20,52)(260,280)
+ \Move(-10,-37) {\Text(--$\cdotp$--)} \Text(--o--)
+ \Move(20,0) {\Text(--$\cdotp$--)} \Text(--o--)
+\EndDraw
+
+And we can produce many other
+types of drawings. \end{document}>>>
+
+
+\Exr732
+
+\<<<
+|Open
+\font\ARROWS=line10\space scaled\magstep5
+\font\CIRCLES=lcircle10\space scaled\magstep5
+% \newfont{\ARROWS}{line10\space scaled\magstep5}
+% \newfont{\CIRCLES}{lcircle10\space scaled\magstep5}
+
+ \Text(--\CIRCLES \char 10--)
+\Text(--\CIRCLES \char 11--) \Text(--\ARROWS \char 55--)
+\Text(--\CIRCLES \char 110--)\EntryExit(-1,0,-1,0)
+\Text(--\CIRCLES \char 114--)|Close>>>
+
+\Exr741
+
+\<<<
+|Open
+\Ragged(8)
+\Line(10,-10) \Line(10,20)
+\LineTo(0,0)
+|Close>>>
+
+
+\Ex{\tex}{First example in section 8.1}{sec81}
+
+\<<<
+|Open
+\ThreeDim(-150,-60,-600)
+ \Line(60,0,0) \Line(0,0,60)
+ \Line(-60,0,0) \Line(0,0,-60)
+ \LineTo(0,60,0) \Line(60,0,0)
+ \Line(0,-60,0)
+ \LineAt(0,60,0,0,60,60)
+ \Line(0,-60,0)
+\EndThreeDim |Close>>>
+
+
+\Ex{\tex}{Example of USA map in section 9.3}{usa}
+
+\<<<
+|Open(0.9pt,0.9pt)
+\Table\USA{ % California
+ -60,-35 & -77,-30 & -80,
+ -20 & -90,-15 & -100,40 &
+ % Oregon
+ -100,50 & -90,80 &
+ % Wash
+ -90,95 & -78,90 & -75,95 &
+ % Minn
+ 100,70 & 85,60 &
+ % Wisc-Mich
+ 95,60 & 105,65 & 102,63 & 110,60 & 125,60 & 110,55 & 110,30 &
+ 115,25 & 120,30 & 115,40 & 115,50 & 120,55 & 130,55 & 140,40 &
+ 135,25 &
+ % Ohio-NY-Vt
+ 145,25 & 155,30 & 160,45 & 175,45 & 175,55 & 180,60 & 195,65 &
+ % Maine
+ 200,75 & 200,85 & 205,90 & 210,90 & 215,80 & 220,75 & 205,60 & 205,50 &
+ % Mass--NY
+ 210,43 & 208,47 & 215,43 & 190,30 & 202,35 &
+ % NJ--Va
+ 197,25 & 190,18 & 185,20 & 190,15 & 190,5 & 182,18 & 182,0 & 185,0 &
+ % NC
+ 190,-8 & 185,-4 & 183,-6 & 186,-6 & 182,-15 &
+ 190,-18 & 190,-10 & 192,-10 &
+ 195,-18 &
+ % Ga-Fl
+ 165,-40 & 160,-50 & 175,-80 & 175,-90 & 170,-100 & 165,-100 &
+ 155,-80 & 155,-65 & 145,-60 & 140,-62 & 136,-62 & 120,-60 &
+ % Alaba--La
+ 102,-63 & 107,-67 & 107,-72 & 110,-75 & 90,-65 &
+ 78,-65 &
+ % Texas
+ 62,-78 & 57,-78 & 50,-82 & 53,-92 & 48,-90 & 25,-65 & 15,-65 &
+ 15,-68 & -10,-50 &
+ % New Mexico
+ -40,-50 &
+ % Back to California
+ -60,-35 }
+{ \USA(0,0){\MoveTo} \USA(1,99){\LineTo} } \Text(--USA--)
+\Scale(0.5,0.5) \USA(46,46){\MoveTo} \USA(47,92){\LineTo}
+\MoveTo(-30,0) \MarkLoc(a) \USA(0,0){\Move} \MarkLoc(b)
+\USA(0,46){{\LineToLoc(b)} \MarkLoc(b) \MoveToLoc(a) \Move}
+|Close>>>
+
+
+\Exr{10}1{1a}
+\<<<
+|Open
+\Text(--Government~%
+ Bonds (\%)--)
+\Table\B{Britain,9.59 &
+ Canada,7.98 & Japan,5.46 &
+ U.S., 6.84 & Mexico,14.9}
+\B(0,4){\PutBar}
+|Close >>>
+
+\Exr{10}1{1b}
+\<<<
+|Open
+\chick(0,75) \Scale(-1,1)
+\chick(0,140)
+|Close >>>
+
+\Exr{10}1{1c}
+\<<<
+|Open
+\Table\x{ 30,40
+ & 15,60 & 27,15 & 35,35
+ & 50,45 & 25,70 & 20,20
+ & 25,75 } \x(0,99){\Tr}
+|Close >>>
+
+\Exr{10}1{1d}
+\<<<
+|Open
+\sqr(-24,0)
+\sqr(0,32)
+\sqr(24,-32)
+|Close >>>
+
+\Exr{10}1{1e}
+\<<<
+|Open
+\engine(90) \MoveTo(50,0)
+\engine(180) \MoveTo(100,0)
+\engine(-30)
+|Close >>>
+
+\Exr{10}1{1f}
+\<<<
+|Open
+\MarkLoc(A)
+\spring(110) \Rotate(70)
+\spring(60) \MarkLoc(B)
+\DSeg\RotateTo(B,A)
+\LSeg\spring(B,A)
+|Close >>>
+
+\Exr{10}21
+\<<<
+|Open
+\new(BODY) \<BODY>(20)
+\LineF(20) \Rotate(55) \LineF(16)
+\new(hand) \<BODY>(140) \LineF(35)
+\new(hand) \<BODY>(90) \LineF(7)
+\new(head) \<BODY>(-60) \LineF(19)
+\new(left-leg) \<BODY>(210) \LineF(12)
+\Rotate(30) \LineF(14) \new(right-leg)
+\Do(1,11){\I+15; \<head>(\Val\I)
+\LineF(11)}
+|Close >>>
+
+
+\Exr{10}22
+
+\<<<
+|Open
+\def\DefineSymbol#1{%
+ \Indirect\Define<#1>}
+
+\def\DrawText(--#1--){%
+ \let\xNextSym=\xDrawSym \xNextSym#1{}}
+
+\def\xDrawSym#1{\def\temp{#1}%
+ \ifx \temp\empty \let \xNextSym=\relax
+ \else \Indirect<#1>\fi \xNextSym }
+
+\DefineSymbol A{{ \Line(21,60)
+ \Line(21,-60) \Move(-7,20)
+ \Line(-28,0) } \Move(52,0) }
+\DefineSymbol B{{ \DrawText(--P--)
+ \Move(-25,18)
+ \DrawOvalArc(15,18)(-90,90)
+ \Move(0,-18) \Line(-25,0)}
+ \Move(50,0) } \DefineSymbol P
+{{ \Line(0,60) \Line(25,0)
+ \Move(0,-12) \DrawOvalArc(15,12)(-90,90)
+ \Move(0,-12) \Line(-25,0) } \Move(50,0) }
+ \DefineSymbol C{{ \Move(20,30)
+ \DrawOvalArc(20,30)(45,315) } \Move(46.6,0) }
+ \DefineSymbol D{{ \Line(0,60) \Line(20,0)
+ \Move(0 ,-30) \DrawOvalArc(20,30)(-90,90) \Move(0,-30)
+ \Line(-20,0) } \Move(50,0) }
+ \DefineSymbol E{{ \DrawText(--F--) \Move(-50,0)
+ \Line(40,0) } \Move(50,0) }
+ \DefineSymbol F{{ \Line(0,60) \Line(40,0)
+ \Move(-40,-30) \Line(30,0) } \Move(50,0) }
+ \DefineSymbol G{{ \DrawText(--C--)
+ \Move(-10,30) {\Line(-20,0)} \Line(0,-30) }
+ \Move(46.6,0) }
+ \DefineSymbol H{{ \Line(0,60) \Move(40,0)
+ \Line(0,-60) \Move(0,30) \Line(-40,0) } \Move(50,0) }
+ \DefineSymbol I{{ \Line(0,60) } \Move(10,0) }
+ \DefineSymbol J{{ \Move(20,17) \DrawOvalArc(20,17)(180,360)
+ \Move(20,0) \Line(0,43) } \Move(50,0) }
+ \DefineSymbol K{{ \Line(0,60) \Move(0,-35)
+ \Line(40,35) \Move(-32,-28) \Line(32,-32) } \Move(50,0) }
+ \DefineSymbol L{{ { \Line(0,60) } \Line(40,0) } \Move(50,0) }
+ \DefineSymbol M{{ \Line(0,60) \Line(25,-60)
+ \Line(25,60) \Line(0,-60) } \Move(60,0) }
+ \DefineSymbol N{{ \Line(0,60) \Line(40,-60)
+ \Line(0,60) } \Move(50,0) }
+ \DefineSymbol O{{ \Move(22,30) \DrawOval(22,30) } \Move(54,0) }
+ \DefineSymbol P{{ \Line(0,60) \Line(25,0)
+ \Move(0,-12) \DrawOvalArc(15,12)(-90,90)
+ \Move(0,-12) \Line(-25,0) } \Move(50,0) }
+ \DefineSymbol Q{{ \DrawText(--O--) \Move(-10,-5)
+ \Line(-15,15) } \Move(55,0) }
+ \DefineSymbol R{{ \DrawText(--P--) \Move(-10,0)
+ \Line(-15,36) } \Move(50,0) }
+ \DefineSymbol S{{ \Move(20,18) \DrawOvalArc(20,18)(-140,90)
+ \Move(0,30) \DrawOvalArc(20,12)(40,270) } \Move(50,0) }
+ \DefineSymbol T{{ \Move(22,0) \Line(0,60) \Move(-22,0)
+ \Line(44,0) } \Move(54,0) }
+ \DefineSymbol U{{ \Move(20,15) \DrawOvalArc(20,15)(180,360)
+ \Move(-20,0) \Line(0,45) \Move(40,0) \Line(0,-45) }
+ \Move(50,0) }
+ \DefineSymbol V{{ \Move(0,60) \Line(22,-60)
+ \Line(22,60) } \Move(54,0) }
+ \DefineSymbol W{{ \Move(0,60) \Line(15,-60)
+ \Line(15,60) \Line(15,-60) \Line(15,60) } \Move(70,0) }
+ \DefineSymbol X{{ \Line(40,60) \Move(-40,0)
+ \Line(40,-60) } \Move(50,0) }
+ \DefineSymbol Y{{ \Move(20,0) \Line(0,34) { \Line(-20,26)}
+ \Line(20,26) } \Move(50,0) }
+ \DefineSymbol Z{{ \Move(0,60) \Line(40,0) \Line(-40,-60)
+ \Line(40,0) } \Move(50,0) }
+ \DefineSymbol 0{{ \Move(25,30) \DrawOval(25,30) } \Move(60,0) }
+ \DefineSymbol 1{{ \Line(0,60) } \Move(10,0) }
+ \DefineSymbol 2{{ \MarkLoc(a) \Move(0,10)
+ \MarkLoc(a') \Move(40,30) \MarkLoc(b)
+ \Move(0,-10) \MarkLoc(b') \Curve(a,a',b',b)
+ \Move(-20,10) \DrawOvalArc(20,20)(0,180)
+ \Move(-20,-40) \Line(40,0) } \Move(50,0) }
+ \DefineSymbol 3{{ \MarkLoc(a') \Move(0,10) \MarkLoc(a)
+ \Move(20,-10) \MarkLoc(b) \Move(-10,0) \MarkLoc(b')
+ \Curve(a,a',b',b) \Move(22,0) \MarkLoc(b')
+ \Move(8,8) \MarkLoc(a') \Move(0,10) \MarkLoc(a)
+ \Curve(a,a',b',b) \Move(0,10) \MarkLoc(a')
+ \Move(-8,8) \MarkLoc(b') \Move(-10,0)
+ \MarkLoc(b) \Curve(a,a',b',b) \Move(-5,0)
+ \MarkLoc(b') \Move(-5,-3) \MarkLoc(a')
+ \Move(0,-2) \MarkLoc(a) \Curve(a,a',b',b)
+ \Line(30,29) \Line(-40,0) } \Move(50,0) }
+\DefineSymbol 4{{ \Move(35,0) \Line(0,60)
+ \Line(-35,-35) \Line(45,0)} \Move(55,0) }
+ \DefineSymbol 5{{ \Move(15,20) \DrawOvalArc(19,20)(-140,140)
+ \Move(-15,10) \Line(0,30) \Line(30,0) } \Move(44,0) }
+ \DefineSymbol 6{{ \Move(22,30) \DrawOvalArc(22,30)(70,270)
+ \Move(0,-10) \DrawOvalArc(22,15)(0,174)
+ \DrawOvalArc(22,20)(270,360) } \Move(54,0) }
+ \DefineSymbol 7{{ \Move(0,60) \Line(40,0)
+ \MarkLoc(a) \Move(-20,-60) \MarkLoc(b)
+ \DSeg\RotateTo(b,a) \Rotate(20) \MoveF(10) \MarkLoc(b')
+ \MoveToLoc(a)
+ \DSeg\RotateTo(a,b) \Rotate(-20) \MoveF(10) \MarkLoc(a')
+ \Curve(a,a',b',b) } \Move(50,0) }
+ \DefineSymbol 8{{ \Move(20,17) \DrawOval(20,17)
+ \Move(0,30) \DrawOval(20,13) } \Move(50,0) }
+ \DefineSymbol 9{{\Move(50,60) \Scale(-1,-1) \DrawText(--6--) } \Move(54,0)
+}
+
+\Scale(0.1,0.1) \Ragged(1)
+\DrawText(--BOLD--)
+\PenSize(0.2pt) \MoveTo(0,-100)
+{ \Scale(-1,1)
+ \DrawText(--BACKWARD--) }
+\MoveTo(0,-200) \RotatedAxes(0,75) \DrawText(--SLANTED--)
+\EndRotatedAxes \MoveTo(0,-300) \RotatedAxes(-45,45)
+\DrawText(--ROTATED--) \EndRotatedAxes
+|Close>>>
+
+\Ex{\tex}{Last example in section 11.2}{boxes}
+
+\<<<
+|Open
+\Object\ch(1){\Text(--#1--)
+ \MoveToExit(-1,-1)
+ \FigSize\Q\R{\Text(--#1--)}
+ \DrawRect(\Val\Q,\Val\R) }
+\Define\chrs(1){\font\f=#1\space scaled\magstep4 \f
+ \Table\chrs{A & l & l & ~ & i & n & ~ &
+ b & o & x & e & s & .} \chrs(0,99){\ch} }
+\PenSize(0.2pt) \EntryExit(-1,-1,1,-1)
+{\chrs(cmtt10)} \Move(0,-20) \chrs(cmsl10)
+|Close>>>
+
+\Exr{11}21
+\<<<
+|Open
+\Define\side(3){
+ \ProjectedAxes(#1,#2)(#1,#3)
+ \DrawRect(1,1) \Move(0.5,0.5)
+ \DrawCircle(0.5)
+ \EndProjectedAxes }
+\ThreeDim(80,70,-40) \MarkPLoc(a)
+ \Move(0,-50,0) \MarkPLoc(b)
+ \Move(0,50,25) \MarkPLoc(c)
+ \Move(-25,0,-25) \MarkPLoc(d)
+ \side(a,b,d) \side(a,b,c) \side(a,c,d)
+\EndThreeDim
+|Close >>>
+
+
+\Exr{11}24
+
+\<<<
+|Open
+\Define\Spline(1){
+ \MarkLoc(0) \MoveTo(0,0) \MarkLoc(00)
+ \Table\P{#1} \Define\Count(1){\K+1;} \K=-4;
+ \P(0,999){\Count}
+ \Do(0,\Val\K){
+ \GetCoefficients
+ \MoveTo(\Val\Ao,\Val\Bo) \CSeg\Move(00,0)
+ \MarkLoc(o) \f \MarkLoc(x)
+ \Do(1,30){
+ \T=\DoReg; \T/30;
+ \X=\Aiii; \X*\T; \X+\Aii; \X*\T; \X+\Ai; \X*\T;
+ \Y=\Biii; \Y*\T; \Y+\Bii; \Y*\T; \Y+\Bi; \Y*\T;
+ \MoveToLoc(o) \Move(\Val\X,\Val\Y) \f
+ {\LineToLoc(x)} \MarkLoc(x) }}
+ \MoveToLoc(0)}
+
+\Define\f{}
+\DecVar\Ao \DecVar\Ai \DecVar\Aii \DecVar\Aiii \DecVar\X
+\DecVar\Bo \DecVar\Bi \DecVar\Bii \DecVar\Biii \DecVar\Y
+
+\Define\GetCoefficients{
+ \I=\DoReg; \P(\Val\I,\Val\I){\First}
+ \I+1; \P(\Val\I,\Val\I){\Second}
+ \I+1; \P(\Val\I,\Val\I){\Third}
+ \I+1; \P(\Val\I,\Val\I){\Fourth} }
+\Define\First(2){\Ao=#1; \Ai=-#1; \Aii=#1; \Aiii=-#1;
+ \Bo=#2; \Bi=-#2; \Bii=#2; \Biii=-#2;}
+\Define\Second(2){
+ \T=#1; \T* 4; \Ao +\T; \T=#2; \T* 4; \Bo +\T;
+ \T=#1; \T*-2; \Aii+\T; \T=#2; \T*-2; \Bii+\T;
+ \T=#1; \T* 3; \Aiii +\T; \T=#2; \T* 3; \Biii +\T;}
+\Define\Third(2){ \Ao +#1; \Ao /6; \Bo +#2; \Bo /6;
+ \Ai +#1; \Ai /2; \Bi +#2; \Bi /2;
+ \Aii+#1; \Aii/2; \Bii+#2; \Bii/2;
+ \T=#1; \T*-3; \Aiii+\T; \T=#2; \T*-3; \Biii+\T;}
+\Define\Fourth(2){
+ \Aiii+#1; \Aiii/6; \Biii+#2; \Biii/6;}
+
+\Spline(0,15 & 30,-70
+ & 40,-50 & 10,0 & 15,30
+ & 50,5 &60,10 & 8,45 &
+ 8,55 & 30,70 & 0,80 &
+ -30,70 &-8,55 & -8,45 &
+ -60,10 &-50,5 & -15,30 &
+ -10,0 &-40,-50 &-30,-70 &
+ 0,15 & 30,-70 & 40,-50 )
+\Define\ShowPoint(2){
+ \MoveToLoc(0) \Move(#1,#2)
+ \Text(--$\circ$--)}
+\P(0,99){\ShowPoint}
+
+\Define\TEX{
+ \Spline(0,-15 & 0,-15 &
+ 0,-15 & 0, 15 &
+ 0, 15 & 0, 15 )
+ \Spline(-10,15 &
+ -10,15 & -10,15 & 10,15 &
+ 10,15 & 10,15)
+ \Move(12,0)
+ \Spline(0,0 & 0,0 & 0,0 & 14,0 & 14,0 & 14,0)
+ \Spline( 20,15 &20,15 &20,15 & 0,15 & 0,15
+ & 0,-15 & 0,-15 & 20,-15 &20,-15&20,-15)
+ \Move(32,0) \Spline( -10,-15 & -10,-15 &
+ -10,-15 & 10,15 & 10,15 & 10,15)
+ \Spline( -10,15 &
+ -10,15 & -10,15 & 10,-15 & 10,-15 & 10,-15) }
+\TEX \MoveTo(0,0) \F
+\TEX \MoveTo(0,-35) \G
+\TEX
+|Close >>>
+
+
+\Exr{11}31
+\<<<
+|Open
+\Define\put(2){
+ \IF \EqText(,#1) \THEN
+ \top \Define\put(1){}
+ \ELSE \push(#1) \FI \put(#2)}
+\Define\stack(1){
+ {\put(#1,,)} \Move(0,-13)}
+\Table\x{ & 1& 1, 2&
+1, 2, 3& 1, 2, 3, 4&
+1, 2, 3, 4, *& 1, 2, 12&
+1, 2, 12,+& 1, 14& 1, 14,+& 15}
+\x(0,100){\stack}
+|Close >>>
+
+
+\Exr{11}32
+\<<<
+|Open
+\Table\g{
+ 16 & 8 & 4 & 2 & 1 &
+ 20 & 16 & 8 & 4 & 2 &
+ 17 & 12 & 16 & 8 & 4 &
+ 23 & 20 & 12 & 13 & 17 }
+\ThreeDim(160,75,-70)
+ \Scale(20,5,20)
+ \g(0,140){\surface}
+\EndThreeDim
+|Close >>>
+
+
+
+
+
+
+\Ex{\tex}{NEW OPTION FOR {\tt\char92}ThreeDim}{NewThreeDim}
+
+
+
+{\tt\string\ThreeDim($x_e$,$y_e$,$z_e$)} perspective projections (old option)
+
+{\tt\string\ThreeDim($\alpha_{xy}$,$\alpha_z$)} parallel projections (new additional option):
+$\alpha_{xy}$ --- direction within xy plane,
+$\alpha_z$ --- direction with respect to xy plane.
+
+ e.g., {\tt\string\ThreeDim(30,60)} or
+{\tt\string \ThreeDim(45,60)}
+
+
+\<<<
+|Open
+\Define\cube{
+ \Line(50,0,0){\Line(0,0,50)}
+ \Line(0,50,0){\Line(0,0,50)}
+ \Line(-50,0,0){\Line(0,0,50)}
+ \Line(0,-50,0) \Move(0,0,50)
+ \Move(50,0,0) \Line(0,50,0)
+ \Line(-50,0,0) }
+\ThreeDim(80,80,-100) \cube \EndThreeDim
+\MoveTo(0,-130)
+\ThreeDim(45,60) \cube \EndThreeDim
+\MoveTo(0,-260)
+\ThreeDim(30,60) \cube \EndThreeDim
+|Close>>>
+
+\Lib{AlDraTeX} \def\files{\fileAD}
+
+
+\Ex{tex}{Example in section 13.2}{sec132}
+
+\<<<
+\input DraTex.sty
+\input AlDraTex.sty
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\bye>>>
+
+\Ex{tex}{Example in section 13.2---second version}{sec132a}
+
+\<<<
+\input DraTex.sty
+ \def\AlDraTex{pie}
+\input AlDraTex.sty
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\bye>>>
+
+
+\Ex{latex}{Example in section 13.2}{sec132b}
+
+\<<<
+\documentstyle{report}
+ \input DraTex.sty
+ \input AlDraTex.sty
+\begin{document}
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\end{document}>>>
+
+\Ex{latex}{Example in section 13.2---second version}{sec132c}
+
+\<<<
+\documentstyle[DraTex,AlDraTex]{report}
+\begin{document}
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\end{document}>>>
+
+\Ex{latex}{Example in section 13.2---third version}{sec132d}
+
+\<<<
+\documentstyle{report}
+ \input DraTex.sty
+ \def\AlDraTex{pie}
+ \input AlDraTex.sty
+\begin{document}
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\end{document}>>>
+
+\Ex{latex}{Example in section 13.2---forth version}{sec132e}
+
+\<<<
+\def\AlDraTex{pie}
+\documentstyle[DraTex,AlDraTex]{report}
+\begin{document}
+\Draw
+ \Scale(1,0.5)
+ \PieChartSpec(1,50,20)()
+ \PieChart(15 & 10 & 30)
+ \Move(0,-6)
+ \DrawOvalArc(50,50)(180,360)
+\EndDraw
+\end{document}>>>
+
+\Ex{\tex}{Chemical diagram in section 16.1}{sec161}
+
+\<<<
+|Open
+\Define\ChemEdge(3){{
+ \MoveToNodeDir(#2,#1)
+ \MarkLoc(b) \MoveToNodeDir(#1,#2)
+ \MarkLoc(a) \DSeg\RotateTo(a,b)
+ \Rotate(-90)\Q=#3; \Q/2; \Q-0.5;
+ \Q*2.2; \MoveF(\Val\Q)
+ \Do(1,#3){ {\CSeg\Line(a,b)}
+ \MoveF(-2.2) } }}
+\Do(1,6){ \MoveF(30)
+ \Node(\DoReg)(--C--) \MoveF(20) \Node(x)(--H--)
+ \ChemEdge(\DoReg,x,1) \MoveTo(0,0) \Rotate(60) }
+\ChemEdge(1,2,2) \ChemEdge(2,3,1) \ChemEdge(3,4,2)
+\ChemEdge(4,5,1) \ChemEdge(5,6,2) \ChemEdge(6,1,1)
+|Close >>>
+
+
+\Ex{\tex}{Finite automaton in last example of chapter 17}{FA}
+
+\<<<
+|Open
+\NewCIRCNode(\StateNode,106,)
+\NewCIRCNode(\AStateNode,106,103)
+\Define\StateAt(3){ \MoveTo(#2,#3)
+ \StateNode(#1)(--$q_{#1}$--)}
+\Define\AStateAt(3){
+ \MoveTo(#2,#3)
+ \AStateNode(#1)(--$q_{#1}$--)}
+\DiagramSpec(\StateAt&
+ \AStateAt&\TransEdge)
+\ArrowHeads(1) \Diagram
+ ( 0,0,0 & 1,50,50 &
+ 3,90,-50 & 4,20,-50 )(2,75,0)
+ (0,1,a,b & 1,2,a, & 0,2, ,b & 2,2,0,b & 0,4,a, & 4,3,a,b )
+\CurvedEdgeAt(3,1,0,1,1,0)(20,0.3,0,0.5) \EdgeLabel[+](--a--)
+|Close>>>
+
+
+\noindent\dotfill\
+
+New commands in AlDraTeX for setting spread diagrams (add to end of ch
+17)
+
+\noindent\dotfill\
+
+\begingroup
+\leftskip= 1.5em
+\parindent = -\leftskip
+
+\def\item{\medskip\leavevmode\hbox to \leftskip{$\circ$\hss}}
+
+\item
+ `{\tt\string\DefNode}'. A prefix to a node-generating command. The
+prefix asks that the command will produce an invisble node. The
+invisible node is assigned addresses but is not drawn into the
+figure.
+
+
+\item
+ `{\tt\string\PutNode(N)}'. This command realizes, according to the current
+conditions, a specified invisible node that has been defined earlier
+by `{\tt\string\DefNode}'.
+
+\item
+ `{\tt\string\ZeroNodesDim}'. Sets the pseudovariables `{\tt\string\WidthX}',
+`{\tt\string\WidthY}', `{\tt\string\MaxX}', and `{\tt\string\MaxY}' to 0.
+
+\item
+ `{\tt\string\AddNodeDim(N)}'. Inserts the horizontal and vertical
+dimensions of node N to the pseudovariables `{\tt\string\Widthx}' and
+`{\tt\string\Widthy}', respectively. Adds these values to the
+pseudovariables `{\tt\string\WidthX}' and `{\tt\string\WidthY}',
+respectively. In addition, half the horizontal dimension of node N is
+stored in `{\tt\string\MaxX}' if the pseudovariable contains a smaller
+value, and a similar outcome holds for the vertical dimension with
+respect to the pseudovariable `{\tt\string\MaxY}'.
+\par\endgroup
+
+\Ex{\tex}{}{newA}
+
+\<<<
+|Open
+\DefNode\CircleNode(a)(--Two--)
+\MoveToNode(a,0,0) \MarkLoc(A)
+\MoveToNode(a,1,0) \MarkLoc(B)
+\LSeg\R(A,B) \MoveTo(0,0)
+\OvalNode(b)(--Touching Nodes--)
+\RotateTo(19.5) \MoveF(5) \MarkLoc(A)
+\MoveToNodeDir(b,A) \MarkLoc(A)
+\MoveToNode(b,0,0)
+\RotateTo(20.5) \MoveF(5) \MarkLoc(B)
+\MoveToNodeDir(b,B) \MarkLoc(B)
+\RotateTo(20) \MoveF(5) \MarkLoc(C)
+\MoveToNode(b,0,0) \MoveToNodeDir(b,C)
+\DSeg\RotateTo(A,B) \Rotate(-90)
+\MoveF(\Val\R) \PutNode(a)
+|Close>>>
+
+
+\Ex{\tex}{}{newB}
+
+\<<<
+|Open
+
+\def\Dist#1(#2,#3,#4){\MarkLoc(a*)%
+ \MoveToNode(#2,0,0)\MarkLoc(b*)%
+ \MoveToNode(#2,#3,#4)\MarkLoc(c*)%
+ \LSeg#1(b*,c*)\MoveToLoc(a*)}
+
+\EntryExit(1,1,1,-1.5)
+\Object\G(3){
+ \RectNode(a)(--#1--)
+ \DefNode\RectNode(b)(--#2--)
+ \DefNode\RectNode(c)(--#3--)
+ \Dist\T(a,1,0) \Dist\R(b,1,0) \Dist\Q(c,1,0)
+ \R+\Q; \T-\R; \T*2;
+ \ZeroNodesDim \AddNodeDim(b)
+ \AddNodeDim(c) \Q=\MaxY;
+ \Dist\R(a,0,1) \Q+\R;
+ \Q+20; \EntryExit(-1,0,1,0)
+ \IF \GtDec(\T,40) \THEN
+ \T+40; \T/3;
+ \SetNodes(20,\Val\T)
+ \ELSE \T=-\T; \T+60; \T/2;
+ \SetNodes(\Val\T,20) \FI
+ \Edge(b,c) \ArrowHeads(1)
+ \VHEdge(A,c) \VHEdge(B,b) }
+\Define\SetNodes(2){
+ \MoveToNode(a, 1,0) \Line( #1,0) \FcNode(A)
+ \MoveToNode(a,-1,0) \Line(-#1,0) \FcNode(B)
+ \Move(#2,-\Val\Q) \PutNode(b)
+ \Move(#2, 0) \PutNode(c) }
+\G(short~~and~~deep,d~~e~~e~~p,shallow)
+\G(very~very~long~node,shallow,d~~e~~e~~p)
+|Close>>>
+
+
+\Ex{\tex}{}{newC}
+
+
+
+
+\<<<
+|Open
+\Define\Vertex(2){
+ \IF \EqText(r,#1) \THEN \Define\NodeType{\RectNode}
+ \ELSE \IF \EqText(d,#1) \THEN \Define\NodeType{\DiamondNode}
+ \ELSE \IF \EqText(o,#1) \THEN \Define\NodeType{\OvalNode}
+ \ELSE \Define\NodeType{\Node}
+ \FI\FI\FI
+ \DefNode\NodeType(\Val\I..\Val\J)(--#2--)
+ \AddNodeDim(\Val\I..\Val\J) }
+\Define\DefRow(1){
+ \IF \EqText({},{#1}) \THEN \Define\g{\MoveToLoc(start)}
+ \ELSE \ZeroNodesDim \J=-1;
+ \Table\x{#1} \x(0,99){\J+1; \Vertex}
+ \Move( 0,-\MaxY) \MarkLoc(\Val\I) \Move(5,0) \MarkLoc(\Val\I')
+ \Move(-5,-\MaxY) \Move(0,-\Sy) \I+1;
+ \FI \g }
+
+\Define\ProjectToRow(1){
+ \MarkLoc(x) \Move(0,5) \MarkLoc(x')
+ \MoveToLL(#1,#1')(x,x') }
+
+\Define\VSpace(1){ \Define\Sy{#1} }
+\VSpace(15)
+
+\Define\DefRowDiagram{
+ \MarkLoc(start) \I=0; \Define\g{\DefRow} \g}
+
+\DefRowDiagram
+ ( o, An~ approach~~ for~ setting~~ flow~ diagrams
+ & r, Use~~ {\tt\char92DefineRowDiagram}~~
+ to~ define~~ the~ rows~~ of~ nodes
+ )( r, Derive~~ x~ coordinate~~ for~ N~ then~
+ call~~ {\tt\char92ProjectToRow}
+ & r, Choose~~ nonrealized~~ node~ N
+ & d, More~ nodes~~ to~ realize?
+ )( r, Realize~ N~~ with~ {\tt\char92PutNode}
+ & o, Done
+ )()
+\ProjectToRow(0) \EntryExit(0,0,-1,0) \PutNode(0..0)
+\ProjectToRow(2) \MarkLoc(A)
+\ProjectToRow(1) \EntryExit(-1,0,1,0) \PutNode(1..0)
+\Move(20,0) \PutNode(1..1) \Move(20,0)
+\EntryExit(-1,0,0,0) \PutNode(1..2)
+\ProjectToRow(0) \EntryExit(0,0, 0,0) \PutNode(0..1)
+\ProjectToRow(2) \EntryExit(0,0,-1,0) \PutNode(2..1)
+\MarkLoc(B) \CSeg[0.5]\Move(B,A) \PutNode(2..0)
+\ArrowHeads(1) \Edge(0..0,0..1) \Edge(0..1,1..2)
+ \Edge(1..2,1..1) \EdgeLabel(--Yes--)
+ \Edge(1..2,2..1) \EdgeLabel(--No--)
+\Edge(1..1,1..0) \VHEdge(1..0,2..0)
+\EdgeFrom(2..0,1,0,1..2)
+|Close>>>
+
+\begingroup
+ \def\startInput{}
+ \def\endInput{}
+
+\Ex{\tex}{}{newD}
+
+\<<<
+|Open
+\Define\DefNd(1){
+ \DefNode\RectNode(\Val\I)(--#1--)
+ \AddNodeDim(\Val\I) \I+1; }
+\Define\D(1){
+ \IF \EqText({},{#1}) \THEN \Define\g{}
+ \ELSE \ZeroNodesDim \J=-1;
+ \Table\x{#1} \x(0,99){\J+1; \DefNd}
+ \T=\J; \T*15; \T+\WidthX; \T/\F;
+ \Move(0,-\MaxY) \MarkLoc(a) \Move(\Val\T,0)
+ \K=\I;
+ \Do(0,\Val\J){ \K-1; \PutNode(\Val\K) \Move(-15,0) }
+ \MoveToLoc(a) \Move(0,-\MaxY) \Move(0,-15)
+ \FI \g }
+\Define\G(1){\I=0; \EntryExit(1,0,-1,0)
+ \Define\g{\D} \Define\F{#1} \g}
+
+\Draw
+\G(2)(first & diagram)
+ (centers & of~~rows~~on & vertical~~line )
+ (distance~=~15 & between~~rows)
+ ()
+\Table\x{0,2 & 0,3 & 1,3 & 1,4 & 2,5 & 3,5 & 3,6 & 4,6}
+\x(0,99){\Edge}
+\EndDraw
+
+\Draw\Move(0,-15)
+\G(1)(new~diagram)
+ (left~~margins & for~rows) ()
+\Edge(0,1) \Edge(1,2) \Edge(2,0)
+\EndDraw
+
+\Draw
+\Move(0,-15)
+\G(10000)(new~diagram)
+ (right~margins & for~~rows) ()
+\Edge(0,1) \Edge(1,2) \Edge(2,0)
+\EndDraw
+|Close>>>
+
+
+\Ex{\tex}{}{newE}
+
+\<<<
+|Open
+\Define\DefNd(1){
+ \DefNode\RectNode(\Val\I..\Val\J)(--#1--)
+ \AddNodeDim(\Val\I..\Val\J) }
+\Define\DefG(1){
+ \IF \EqText({},{#1}) \THEN \Define\g{\PutG}
+ \ELSE \ZeroNodesDim \J=-1;
+ \Table\x{#1} \x(0,99){\J+1; \DefNd}
+ \Indirect\let<\Val\I.width>=\WidthX
+ \Indirect\edef<\Val\I.size>{\Val\J}
+ \T=\J; \T*\Sx; \T+\WidthX;
+ \IF \GtDec(\T,\Q) \THEN \Q=\T; \FI
+ \Move(0,-\MaxY) \MarkLoc(\Val\I)
+ \Move(0,-\MaxY) \Move(0,-\Sy) \I+1;
+ \FI \g }
+\Define\PutG(1){ \I-1; \EntryExit(-1,0,1,0)
+ \Do(0,\Val\I){ \MoveToLoc(\DoReg)
+ \R=\Q; \Indirect{\R-}<\DoReg.width>;
+ \Indirect{\J=}<\DoReg.size>; \K=\J;
+ \DiagType
+ \IF \GtDec(\Q,\T) \THEN
+ \K+2; \R/\K; \Move(\Val\R,0)
+ \ELSE
+ \IF \GtInt(\J,0) \THEN \R/\K; \FI
+ \FI
+ \I=\DoReg;
+ \Do(0,\Val\J){ \J=\DoReg;
+ \PutNode(\Val\I..\Val\J) \Move(\Val\R,0) }
+ }
+ \Table\x{#1} \x(0,99){\Edge} }
+\Define\G{ \I=0; \Q=0;
+ \Define\g{\DefG} \g}
+
+\Define\FillDiagram{
+ \Define\DiagType{\T=\Q;}
+ \G}
+\Define\MarginsDiagram{
+ \Define\DiagType{\T=\J; \T*\Sx; \Indirect{\T+}<\DoReg.width>;}
+ \G}
+\Define\HVSpaces(2){ \Define\Sx{#1} \Define\Sy{#2} }
+\HVSpaces(15,15)
+
+\Draw
+\FillDiagram(Fill & Diagram)
+ (fixed & distances & between~~rows)
+ (uniform & spaces &within~~each &row)
+ ()
+ ( 0..0,1..0 & 0..0,1..1 & 0..1,1..1 & 0..1,1..2
+ & 1..0,2..0 & 1..0,2..1 & 1..1,2..1 & 1..1,2..2
+ & 1..2,2..2 & 1..2,2..3)
+\EndDraw
+
+\Draw \HVSpaces(25,15)
+\MarginsDiagram(Margins & Diagram)
+ (fixed & distances &between~~rows)
+ (uniform~~spaces&between~nodes&within~~each~row)
+ ()
+ ( 0..0,1..0 & 0..0,1..1 & 0..1,1..1 & 0..1,1..2
+ & 1..0,2..0 & 1..0,2..1 & 1..1,2..1 & 1..1,2..2
+ & 1..2,2..2 )
+
+\EndDraw
+|Close>>>
+
+\endgroup
+\noindent\dotfill\
+
+End new commands for setting spread diagrams (end of ch 17)
+
+\noindent\dotfill\
+
+
+
+\Ex{\tex}{Commutative diagram in last example of section 18.3}{CM}
+
+\<<<
+|Open
+\GridDiagramSpec()(\MyEdge)
+\Define\L(4){,+#1..+#2\,L\,#3\,#4}
+\Define\D(4){,+#1..+#2\,D\,#3\,#4}
+\Define\MyEdge(5){
+ \IF \EqText(#3,D) \THEN\EdgeSpec(D)
+ \ELSE \EdgeSpec(L) \FI
+ \IF \EqText(#1,#2) \THEN
+ \RotateTo(#4) \CycleEdge(#1)
+ \EdgeLabel(--$#5$--)
+ \ELSE\Edge(#1,#2)
+ \IF \EqText(,#4) \THEN \EdgeLabel(--$#5$--)
+ \ELSE \EdgeLabel[#4](--$#5$--) \FI
+ \FI}
+\ArrowHeads(1)
+\GridDiagram(3,3)()()({
+& T \D(0,1,,f) \D(2,0,,h) & N \L(2,0,,\sigma)//
+S \L(0,0,180,t) \L(-1,1,,f) \L(1,1,+,g\circ f)//
+& W \L(0,1,,f) & X \D(0,0,-45,r)//})
+|Close >>>
+
+
+\Ex{\tex}{Second example in section 20.2}{sec202}
+
+\<<<
+|Open
+\NewNode(\MyNode,\MoveToRect){
+ \Move(-24,-8) \DrawRect(48,16)
+ \Move(16,0) {\Line(0,16)}
+ \Move(16,0) \Line(0,16) }
+\Define\MyEdge(2){
+ \CSeg\FindSign(#1,#2)
+ \EdgeAt(#1,\sign 0.66,0,#2,0,1)}
+\Define\FindSign(2){
+ \IF \GtDec(#1,0) \THEN
+ \Define\sign{}
+ \ELSE \Define\sign{-} \FI}
+\TextNode(2){ \Text(--$#2$--)
+ \IF \EqInt(#1,0) \THEN {
+ \Move(-16,0) \Text(--$\Lambda$--)
+ \Move(32,0) \Text(--$\Lambda$--)
+ }\FI }
+\ArrowHeads(1)
+\TreeSpace(D,10,20)
+\TreeSpec(\MyNode)()(\MyEdge)
+\Tree()(2,2,A// 0,0,B&2,2,C// 2,2,D&0,0,E// 0,0,F&0,0,G//)
+|Close >>>
+
+
+\Ex{\tex}{Last example in section 20.2}{LR}
+
+\<<<
+|Open
+\GridDiagramSpec(\RNode)(\MyEdge)
+\GridSpace(10,10) \ArrowSpec(F,5,3,3)
+\ArrowHeads(1) \CycleEdgeSpec(-30,20)
+\NewNode(\RNode,\MoveToOval){
+ \GetNodeSize \Va+4; \Vb+4;
+ \SetMinNodeSize \Move(0,3)
+ \DrawOval(\Val\Va,\Val\Vb) }
+\Define\MyEdge(3){
+ \IF \EqText(#1,#2) \THEN
+ \RotateTo(45) \LabelPos(+0.5;,3)
+ \CycleEdge(#1)
+ \ELSE \DSeg\Q(#1,#2)
+ \IF \GtDec(\Q,180) \THEN
+ \LabelPos(+0.4;,3) \ELSE \LabelPos(0.5;,3)
+ \FI \Edge(#1,#2) \FI \EdgeLabel(--$#3$--) }
+\baselineskip=9pt \Define\NEXT(3){,#1..#2\,#3}
+\def\/#1/#2.#3;{\hbox{$\scriptstyle#1\rightarrow #2\cdotp#3$}~~}
+\GridDiagram(3,3)()()({
+& \/S'/ S. ; \/A / S.a; $I_1$ \NEXT(+0,+1,a)
+& \/A / Sa.; $I_2$
+// \/S'/ .S ; \/S / .AS; \/ / .b ;
+ \/A / .Sa; \/ / .a ; $I_0$ \NEXT(-1,+1,S) \NEXT(+0,+1,A)
+ \NEXT(+1,+1,b) \NEXT(+1,+0,a)
+& \/S /A.S ; \/S /.AS ; \/ /.b ;
+ \/A /.Sa ; \/ /.a ; $I_3$ \NEXT(+0,+1,S) \NEXT(+0,+0,A)
+& \/A/ S.a ; $I_4$ \NEXT(+1,+0,a)
+//
+ \/A/a.; $I_5$
+& \/S/ b. ; $I_6$
+& \/A/ Sa. ; $I_7$
+//
+})
+|Close >>>
+
+
+
+\Ex{\tex}{Last example in chapter 20}{TM}
+
+
+\<<<
+|Open
+\NewCIRCNode(\StateNode,104,)
+\NewCIRCNode(\AStateNode,104,102)
+\Define\StateAt(3){ \MoveTo(#2,#3)
+ \StateNode(#1)(--$q_{#1}$--)}
+\Define\AStateAt(3){\MoveTo(#2,#3)
+ \AStateNode(#1)(--$q_{#1}$--)}
+\LabelSpec(4){\PictLabel{
+ { \Move(1,-5) \Line(8,20) }
+ { \Move(4,10) { \EntryExit(1,0,0,0)
+ \Text(--\strut$#1$--) } \Move(6,0)
+ \EntryExit(-1,0,0,0) \Text(--\strut$#3$--) }
+ { \EntryExit( 1,0,0,0) \Text(--\strut$#2$--) }
+ \Move(6,0) \EntryExit(-1,0,0,0) \Text(--\strut$#4$--) }}
+\DiagramSpec(\StateAt&\AStateAt&\TransEdge) \ArrowHeads(1)
+\Diagram( 0,0,0 & 1,80,0 )(2,80,-60)(
+ 0,0,90,{a,B,+1,a{,+}1} &
+ 0,1, {a,B,+1,a{,+}1}, {b,B,0,B{,-}1} &
+ 1,2, {|DEFEND\$,B,0,B{, }0}, )
+|Close >>>
+
+
+
+
+
+\Lib{ProTeX and AlProTex} \def\files{\fileP} \def\LLL{>>>}
+
+\let\startInput=\empty
+
+\let\endInput=\empty
+
+NOTE. The La\TeX{} files of this part put the
+{\tt\string\AlProTex....} command after the
+{\tt\string\begin\string{document\string}} command. This is not a nice
+style for files.
+
+\Exr{22}2{2a}
+\<<<
+|Open
+\AlProTex{awk,<<<|LLL,@,%
+ list,title,[]}
+\catcode`\@=0
+
+An Awk program for deriving
+the distribution of words.
+
+@<dist@><<<
+BEGIN {print"words\t lines"}
+@<count the words@>
+END { i=0
+ while (i<=m)
+ {if (c[i]>0)
+ {print i "\t " c[i]}
+ i=i+1 }}
+|LLL
+
+NF is a built-in variable
+that holds the number of
+words in the current input
+line.
+
+@<count the words@><<<
+{ c[NF]=c[NF]+1
+ {if (NF>m) m=NF} }
+|LLL \OutputCode@<dist@>
+|Close >>>
+
+
+\Exr{22}2{2b}
+\<<<
+|Open
+\AlProTex{awk,<<<|LLL,@,%
+ list,title,[]}
+
+An Awk program for deriving
+the distribution of words.
+
+\<dist\><<<
+BEGIN {print"words\t lines"}
+@<count the words@>
+END { i=0
+ while (i<=m)
+ {if (c[i]>0)
+ {print i "\t " c[i]}
+ i=i+1 }}
+|LLL
+
+NF is a built-in variable
+that holds the number of
+words in the current input
+line.
+
+\<count the words\><<<
+{ c[NF]=c[NF]+1
+ {if (NF>m) m=NF} }
+|LLL \OutputCode\<dist\>
+|Close >>>
+
+
+\Exr{22}2{3}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,%
+ title,list,[]}
+
+\<prog\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+
+\<prog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+\OutputCode\<prog\>
+|Close >>>
+
+\Exr{22}2{4a}
+
+\<<<
+|Open
+\AlProTex{p,list,%
+ <<<|LLL,title,[]}
+
+\<\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+
+\<\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+\OutputCode\<\>
+|Close >>>
+
+\Exr{22}2{4b}
+
+\<<<
+|Open
+\AlProTex{p,%
+ <<<|LLL,title,[]}
+
+\<\><<<
+PROGRAM prog;|LLL
+\ShowCode-\<\>
+
+\<body\><<<
+{ comment } |LLL
+\ShowCode\<body\>
+
+\<\><<<
+BEGIN
+ \<body\>
+END.|LLL
+\ShowCode\<\>
+\OutputCode\<\>
+|Close >>>
+
+\Exr{22}2{4c}
+
+\<<<
+|Open
+\AlProTex{p,%
+ <<<|LLL,title,[]}
+
+\<\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+
+\<\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+\OutputCode\<\>
+|Close >>>
+
+
+
+\Exr{22}2{5a}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,%
+ title,list,[]}
+
+\<myprog\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+\OutputCode\<myprog\>
+
+|Close >>>
+
+\Exr{22}2{5b}
+
+\<<<
+|Open
+\AlProTex{p,title,list,[]}
+
+\<myprog\>{PROGRAM prog;}
+
+\<body\>{ \{ comment \} }
+
+\<myprog\>{BEGIN
+ \<body\>
+END.}
+\OutputCode\<myprog\>
+
+|Close >>>
+
+
+
+
+\Exr{22}2{6a}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,[],%
+ title,list}
+\<myprog\><<<
+PROGRAM prog;
+BEGIN
+ \<body\>
+END.|LLL
+
+\<body\><<<
+{ comment: \\@||` } |LLL
+|Close >>>
+
+\Exr{22}2{6b}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,[],%
+ title,list,@}
+\<myprog\><<<
+PROGRAM prog;
+BEGIN
+ @<body@>
+END.|LLL
+
+\<body\><<<
+{ comment: \@@||` } |LLL
+|Close >>>
+
+\Exr{22}2{6c}
+
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,[],%
+ title,list,||}
+\<myprog\><<<
+PROGRAM prog;
+BEGIN
+ ||<body||>
+END.|LLL
+
+\<body\><<<
+{ comment: \@||||` } |LLL
+|Close >>>
+
+
+\Exr{22}2{6d}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,[],%
+ title,list,`}
+\<myprog\><<<
+PROGRAM prog;
+BEGIN
+ `<body`>
+END.|LLL
+
+\<body\><<<
+{ comment: \@||`` } |LLL
+|Close >>>
+
+\Exr{22}2{7}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,[],%
+ title,list,||}
+
+\<temp\><<<
+\<prog\><<<
+PROGRAM prog;
+BEGIN
+ ||||<body||||>
+END.>||empty>>
+
+\<body\><<<
+{comment: \@||||||||} >||empty>>
+
+\OutputCode\<prog\> |LLL
+
+\OutputCode[prg]\<temp\>
+\input temp.prg
+|Close >>>
+
+
+\Exr{22}2{8a}
+
+\<<<
+|Open
+\Code\myprog{my
+ program}{PROGRAM prog;}
+\ShowCode-\myprog
+
+\AppendCode\myprog{BEGIN
+ \body
+END.}
+\Code\body{body}{}
+\ShowCode-\myprog
+
+\AppendCode\body{\{comment\}}
+\ShowCode\body
+
+Code of title \myprog{}
+linearized within
+the paragraph:
+`\ShowCode-\myprog'.
+
+\OutputCode\myprog
+|Close >>>
+
+\Exr{22}2{8b}
+
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,list,@}
+
+\Code\myprog{my program}<<<
+PROGRAM prog;|LLL
+
+\Code\body{body}<<<
+|LLL
+\AppendCode\myprog<<<
+BEGIN
+ @body
+END.|LLL
+
+\AppendCode\body<<<
+ {comment} |LLL
+
+Code of title \myprog{}
+linearized within the
+paragraph:
+`\ShowCode-\myprog'.
+
+\OutputCode\myprog
+|Close >>>
+
+
+\Exr{22}2{9}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,%
+ title,list,[]}
+
+\<myprog\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+\OutputCode\<myprog\>
+|Close >>>
+
+\Exr{22}2{10a}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,title,%
+ list,[],enumerate}
+
+See lines \RefLine[*].
+
+\<myprog\><<<
+PROGRAM prog;\TagLine[*] |LLL
+
+\<body\><<<
+{comment: see \RefLine[*]}|LLL
+
+\<myprog\><<<
+BEGIN
+ \<body\> \TagLine[*] |LLL
+
+\ResetLineCount
+\<myprog\><<<
+END.|LLL \OutputCode\<myprog\>
+|Close >>>
+
+\Exr{22}2{10b}
+
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,title,%
+ list,[]}
+\def\CodeRef[#1]{\Ref{#1}}
+\def\CodeTag[#1][#2]{%
+ \Tag{#1}{#2}}
+
+See lines \Ref{*}.
+
+\<myprog\><<<
+PROGRAM prog;\CodeTag[*][1]|LLL
+
+\<body\><<<
+{comment: see \CodeRef[*]}|LLL
+
+\<myprog\><<<
+BEGIN
+ \<body\> \CodeTag[*][2]|LLL
+
+\ResetLineCount \Tag{*}{3}
+\<myprog\><<<
+END.|LLL \OutputCode\<myprog\>
+|Close >>>
+
+
+
+
+\Exr{22}2{11}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,title,%
+ list,[],ShowIndex}
+
+\<myprog\><<<
+PROGRAM prog;|LLL
+
+\<body\><<<
+{ comment } |LLL
+\TextIndex{Tracing}
+\SecIndex{***}
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+\def\BeforeIndex{Index}
+\ShowIndex
+|Close >>>
+
+
+ \Exr{22}2{12}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,%
+ title,[],ShowTop}
+
+\<my prog\><<<
+PROGRAM prog;
+BEGIN \<body\>
+END.|LLL
+\<body\><<<
+{ comment 1}
+|LLL
+\<body\><<<
+\<subbody\>
+|LLL
+\<subbody\><<<
+{ comment 2 } |LLL
+\ShowTop\<body\>
+
+\def\ShowSep{(* ***** *)\par}
+\ShowTop\<body\>
+|Close >>>
+
+ \Exr{22}2{13}
+
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,title,%
+ list,[],NoShow}
+
+First piece of text.
+
+\<myprog\><<<
+PROGRAM prog; |LLL
+
+\ShowOff Second piece of text.
+
+\<body\><<<
+{ comment } |LLL
+
+\Note Third piece of
+text. \EndNote\ShowOn
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+Last piece of text.
+|Close >>>
+
+ \Exr{22}2{14}
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,title,%
+ list,ShowIndex,ClearCode}
+
+Chapter 1
+
+\<progA\><<<
+PROGRAM prog;
+|LLL
+\<progA\><<<
+BEGIN
+ { comment 1 }
+END.|LLL \ShowIndex
+ \ClearCode
+\vfil\break Chapter 2
+
+\<progB\><<<
+PROGRAM prog;
+|LLL
+\<progB\><<<
+BEGIN
+ { comment 2 }
+END.|LLL \ShowIndex
+|Close >>>
+
+\begingroup
+\def\tex{tex}\let\op=\ForTex \Exr{22}2{15}\par\nobreak
+
+\<<<
+\hsize=2.5in \noindent{\bf
+LITERATE PROGRAM IN WEB}
+\medskip We compute a
+two-dimensional view of a
+three-dimensional point.
+
+@* The mapping. The view
+ {\tt (x,y)} is on the
+ {\tt Z=0} plane.
+@<map(x,y) := mapping of
+ (X,Y,Z)@>=
+ x := X * D DIV (D + Z);
+
+@ The viewer is located
+ at {\tt (0,0,-D)}.
+@<CONST + VAR @>=
+ CONST D=100;
+ VAR X {x}, Z: INTEGER;
+
+@
+@<map...@>=
+ y := Y * D DIV (D + Z);
+
+@
+@<CON...@>=Y {y}: INTEGER;
+
+@* Main program.
+@p PROGRAM D2view;
+ @<CON...@>
+ BEGIN read(X,Y,Z);
+ @<map...@>
+ write(x,y)
+ END.
+\bye>>>
+\endgroup
+
+
+\Ex{\tex}{NEW OPTION `[[]]' FOR {\tt\char92}AlProTex}{NewAlPrOptionA}
+
+An extension of `[]' which frame also the code fragments.
+
+\<<<
+|Open
+\AlProTex{p,<<<|LLL,%
+ title,list,[[]]}
+
+Foooo...
+
+\<myprog\><<<
+PROGRAM prog;|LLL
+
+Foooo...
+
+\<body\><<<
+{ comment } |LLL
+
+Foooo...
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+Foooo...
+
+\OutputCode\<myprog\>
+|Close >>>
+
+\begingroup
+\def\tex{latex}\let\op=\ForTex
+
+
+\Ex{\tex}{NEW OPTION `basic' FOR {\tt\char92}AlProTex}{NewAlPrOptionB}
+
+
+An option that requires compilation by latex. The following
+are the only available commands.
+
+
+A. References to code segments: \hfill {\tt\string\<code title\string\>}
+
+B. Definitions of code fragments: \hfill {\tt\string\<code title\string\><<<
+
+\hfill code fragment>>>}
+
+B. Output file of code (`[{\it extension}]' is optional):
+ \hfill{\tt\string\o[{\it extention}]\string\<code title\string\>}
+
+
+C. The character `{\tt\char92}' \hfill{\tt\string\\}
+
+D. End of source program \hfill{\tt\string\e}
+
+E. Logical partitioning of prose (chapters, sections, subsections, and verbatim):
+\hfill\hbox{\tt\string\c, \string\s, \string\u, \string\v{$\cdots$}{\char92}}
+
+\noindent\phantom{E.} A title
+must be delimited by an empty line.
+
+F. Reference to {\tt\string\ClearCode} \hfill {\tt\string\c}
+
+
+
+
+\<<<
+\input ProTex.sty
+\AlProTex{foo,basic}
+
+\cFirst Chapter
+
+Foooo...
+
+\sSsssss...
+
+Foooo.
+
+\uUuuuuuu.....
+
+\vVerbatim
+verbatim\
+\<myprog\><<<
+PROGRAM prog;|LLL
+\cCccc...
+
+Foooo...
+
+\<body\><<<
+{ comment } |LLL
+
+Foooo...
+
+\<myprog\><<<
+BEGIN
+ \<body\>
+END.|LLL
+
+Foooo...
+
+\o\<myprog\>
+
+\e
+ >>>
+
+\Ex{\tex}{variant of `basic'}{NewAlPrOptionC}
+
+The options `{\tt @}', `{\tt|}', and `{\tt`}' ask that the listed
+characters will be used instead of `{\tt\char92}', respectively,
+within the commands of option `{\tt basic}'.
+
+\<<<
+\input ProTex.sty
+\AlProTex{foo,@,basic}
+
+@cFirst Chapter
+
+Foooo...
+
+@sSsssss...
+
+Foooo.
+
+@uUuuuuuu.....
+
+@vVerbatim
+verbatim@
+
+@<myprog@><<<
+PROGRAM prog;|LLL
+@cCccc...
+
+Foooo...
+
+@<body@><<<
+{ comment } |LLL
+
+Foooo...
+
+@<myprog@><<<
+BEGIN
+ @<body@>
+END.|LLL
+
+Foooo...
+
+@o@<myprog@>
+
+@e
+>>>
+
+\endgroup
+
+\newpage \OutputCode[me]\execute
+
+
+ On a Unix system containing the xdvi application, the instructions of
+ the following file can be executed with the compound command
+ `chmod 777 execute.me ; execute.me'.
+
+ \bigskip
+ \ShowFile{execute.me}
+
+\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+\write16{<< Please review the document <<}
+\write16{<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/dratex/README b/Master/texmf-dist/doc/generic/dratex/README
new file mode 100644
index 00000000000..32f9a71ce18
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/dratex/README
@@ -0,0 +1,2 @@
+Documentation can be found at
+ http://www.cis.ohio-state.edu/~gurari/systems.html
diff --git a/Master/texmf-dist/doc/generic/enctex/COPYING b/Master/texmf-dist/doc/generic/enctex/COPYING
new file mode 100644
index 00000000000..60549be514a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/COPYING
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
+authors' reputations.
+
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+ 2. You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+ a) You must cause the modified files to carry prominent notices
+ stating that you changed the files and the date of any change.
+
+ b) You must cause any work that you distribute or publish, that in
+ whole or in part contains or is derived from the Program or any
+ part thereof, to be licensed as a whole at no charge to all third
+ parties under the terms of this License.
+
+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
+ interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a
+ notice that there is no warranty (or else, saying that you provide
+ a warranty) and that users may redistribute the program under
+ these conditions, and telling the user how to view a copy of this
+ License. (Exception: if the Program itself is interactive but
+ does not normally print such an announcement, your work based on
+ the Program is not required to print an announcement.)
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
+themselves, then this License, and its terms, do not apply to those
+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
+this License, whose permissions for other licensees extend to the
+entire whole, and thus to each and every part regardless of who wrote it.
+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
+collective works based on the Program.
+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+ 3. You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
+
+ a) Accompany it with the complete corresponding machine-readable
+ source code, which must be distributed under the terms of Sections
+ 1 and 2 above on a medium customarily used for software interchange; or,
+
+ b) Accompany it with a written offer, valid for at least three
+ years, to give any third party, for a charge no more than your
+ cost of physically performing source distribution, a complete
+ machine-readable copy of the corresponding source code, to be
+ distributed under the terms of Sections 1 and 2 above on a medium
+ customarily used for software interchange; or,
+
+ c) Accompany it with the information you received as to the offer
+ to distribute corresponding source code. (This alternative is
+ allowed only for noncommercial distribution and only if you
+ received the program in object code or executable form with such
+ an offer, in accord with Subsection b above.)
+
+The source code for a work means the preferred form of the work for
+making modifications to it. For an executable work, complete source
+code means all the source code for all modules it contains, plus any
+associated interface definition files, plus the scripts used to
+control compilation and installation of the executable. However, as a
+special exception, the source code distributed need not include
+anything that is normally distributed (in either source or binary
+form) with the major components (compiler, kernel, and so on) of the
+operating system on which the executable runs, unless that component
+itself accompanies the executable.
+
+If distribution of executable or object code is made by offering
+access to copy from a designated place, then offering equivalent
+access to copy the source code from the same place counts as
+distribution of the source code, even though third parties are not
+compelled to copy the source along with the object code.
+
+ 4. You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
+otherwise to copy, modify, sublicense or distribute the Program is
+void, and will automatically terminate your rights under this License.
+However, parties who have received copies, or rights, from you under
+this License will not have their licenses terminated so long as such
+parties remain in full compliance.
+
+ 5. You are not required to accept this License, since you have not
+signed it. However, nothing else grants you permission to modify or
+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+ 6. Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+ 7. If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot
+distribute so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you
+may not distribute the Program at all. For example, if a patent
+license would not permit royalty-free redistribution of the Program by
+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
+refrain entirely from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
+circumstances.
+
+It is not the purpose of this section to induce you to infringe any
+patents or other property right claims or to contest validity of any
+such claims; this section has the sole purpose of protecting the
+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
+through that system in reliance on consistent application of that
+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+ 8. If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
+countries not thus excluded. In such case, this License incorporates
+the limitation as if written in the body of this License.
+
+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
+Software Foundation, write to the Free Software Foundation; we sometimes
+make exceptions for this. Our decision will be guided by the two goals
+of preserving the free status of all derivatives of our free software and
+of promoting the sharing and reuse of software generally.
+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
+PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED
+OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
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+TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
+PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
+REPAIR OR CORRECTION.
+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/generic/enctex/COPYING.UCD b/Master/texmf-dist/doc/generic/enctex/COPYING.UCD
new file mode 100644
index 00000000000..a5f75d395ce
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/COPYING.UCD
@@ -0,0 +1,30 @@
+The unimap.diff file contains parts of Unicode Character Database data,
+covered by following license:
+
+
+UCD Terms of Use
+
+Disclaimer
+
+The Unicode Character Database is provided as is by Unicode, Inc. No claims are
+made as to fitness for any particular purpose. No warranties of any kind are
+expressed or implied. The recipient agrees to determine applicability of
+information provided. If this file has been purchased on magnetic or optical
+media from Unicode, Inc., the sole remedy for any claim will be exchange of
+defective media within 90 days of receipt.
+
+This disclaimer is applicable for all other data files accompanying the Unicode
+Character Database, some of which have been compiled by the Unicode Consortium,
+and some of which have been supplied by other sources.
+
+Limitations on Rights to Redistribute This Data
+
+Recipient is granted the right to make copies in any form for internal
+distribution and to freely use the information supplied in the creation of
+products supporting the UnicodeTM Standard. The files in the Unicode Character
+Database can be redistributed to third parties or other organizations (whether
+for profit or not) as long as this notice and the disclaimer notice are
+retained. Information can be extracted from these files and used in
+documentation or programs, as long as there is an accompanying notice
+indicating the source.
+
diff --git a/Master/texmf-dist/doc/generic/enctex/INSTALL b/Master/texmf-dist/doc/generic/enctex/INSTALL
new file mode 100644
index 00000000000..aa3d949725a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/INSTALL
@@ -0,0 +1,131 @@
+
+ EncTeX -- rozen TeXu o monost pekdovn -- popis instalace
+ =================================================================
+ 1. 9. 1997 Petr Olk
+ 3. 1. 2003
+
+Nejprve popu postup pi instalaci encTeXu na web2c verze 7.3, kde ji
+pvodn byl originln program TeX kompilovn, nebo byl aspo sputn
+configure (podle pokyn pro instalaci web2c TeXu) a jsou pipraveny
+knihovny TeXu (*.tfm, *.tex apod.) v /usr/local/share/texmf.
+
+V balku jsou dodvn patch pro verzi web2c 7.3.7
+
+1. pejdeme do adrese, kde je tex.ch a tex.web:
+
+ $ cd source/TeX/texk/web2c
+
+2. Rozbalme enctex.tar.gz:
+
+ $ zcat /zdroj/enctex.tar.gz | tar xvf -
+
+3. Aplikujeme zmnu souboru tex.ch:
+
+ $ patch -p0 <./enctex/enctex.patch-to-7.3.7
+
+ nebo
+
+ $ patch -p0 <./enctex/enctex.patch-to-7.5
+
+ v zvislosti na verzi web2c, kterou mme.
+ Soubor enctex.patch-to-7.5 je mon pout i na web2c 7.4.5,
+ co byla aktuln stabiln verze teTeXu.
+
+ Pokud mte verzi web2c 7.5, pak mete navc
+ po aplikaci tohoto patche pout jet patch
+ enc-option.patch-to-7.5, kter pidv pepna -enc do
+ pkazovho dku (bez nho nen encTeX inicializovn) a
+ e spoluprci s TCX tabulkami. Tato dvojice patch byla zaslna
+ Olafu Weberovi k zaazen do standardn distribuce web2c.
+
+ Doporuuji pejt z verze encTeXu Feb. 2003 na verzi Jun. 2004,
+ kter opravuje nkter chyby:
+
+ $ patch -p0 <./enctex/enctex.patch-jun2004
+
+ Pokud tento krok ohls chybu pro Hunk #1, je poteba v souboru
+ tex.ch nahradit etzec "Feb. 2003" textem "Jun. 2004" manuln.
+ Ostatn sti zplaty (hunks) by mly projt bez problm.
+
+4. Pekompilujeme TeX:
+
+ $ make tex
+
+Tento povel v sob zahrnuje jednak
+tangle tex.web tex.ch
+co vytvo Pascalsk kd TeXu tex.p. Dle se provede
+./web2c/convert tex.p
+take vznikaj jednotliv moduly tex?.c v jazyce C. Potom se tyto moduly
+kompiluj kompiltorem jazyka C a nakonec linkuj do spustitelnho programu
+tex. Vsledkem je tedy nov program tex a dle nov inicializan soubor
+tex.pool.
+
+5. Instalujeme binrn program tex a soubor tex.pool do systmu
+(cesty se ve Vaem systmu mohou mrn liit):
+
+ $ strip tex
+ $ su
+ # cp tex /usr/local/bin
+ # cp tex.pool /usr/local/share/texmf/web2c
+
+6. Instalujeme vstupn tabulky *.tex z balku encTeX. Doporuuji je zaadit
+do adrese enctex:
+
+ # mkdir /usr/local/share/texmf/tex/generic/enctex
+ # cp enctex/*.tex /usr/local/share/texmf/tex/generic/enctex
+ # texhash
+
+7. Inicializujeme znovu formty. Pro verzi encTeXu z oficiln
+web2c-7.5.3 je nutn pout pi generovn formt (nikoli pi pouit
+formtu) pepna -enc. Vznam tohoto pepnae je vysvtlen
+v dokumentaci encdoc.tex|dvi|pdf.
+Pklady proto uvdm s tmto pepnaem.
+
+ # cd /usr/local/share/texmf/web2c
+ # tex -ini -enc plain
+ *\dump
+ # tex -ini -enc csplain.ini
+ # tex -ini -enc -jobname cslatex cslatex.ini
+
+Pokud chcete hned vyut novch vlastnost TeXu, zkuste instalovat
+nkter z formt plain-x-y, napklad:
+
+ # tex -ini -enc plain-1250-cs
+
+Viz soubory enctex/plain-*-*.tex a enctex/kam-latex.tex.
+
+8. Pozmnn tex.ch te tangle i pi kompilaci program pdftex a
+etex. Tyto programy budou tedy po kompilaci tak obsahovat encTeX.
+Pi poit enctex.patch-to-7.3 se krom tex.ch pozmnil v drobn
+malikosti i soubor pdftexdir/tex.pch, co je nutn pro zdrnou
+kompilaci. Sta tedy vytvoit pdftex obvyklm zpsobem:
+
+ $ make pdftex
+ $ strip pdftex
+ $ su
+ # cp pdftex /usr/local/bin
+ # cp pdftex.pool /usr/local/share/texmf/web2c
+ # cd /usr/local/share/texmf/web2c
+ # pdftex -ini -enc -jobname pdfplain plain
+ *\dump
+ # pdftex -ini -enc -jobname pdfcsplain csplain.ini
+ # pdftex -ini -enc -jobname pdfcslatex cslatex.ini
+
+9. Program Omega nen encTeXem pozmnn, protoe pi sv kompilaci
+nenat tex.ch. Taky by to nemlo dnou logiku, protoe omega m
+svj vlastn konfigurovateln input procesor.
+
+--------------
+
+Protoe encTeX pozmuje pouze velmi mlo vc ve zmnovm souboru
+tex.ch, je mon jej pi troe run prce instalovat i na jinch
+implementacch TeXu, kde jsou k dispozici zdrojov texty TeXu tex.web
+a tex.ch. Sta se podvat do souboru enctex.ch, kde je patrn, jak
+zmny se maj provst. Veker kd encTeXu se opr o standardn
+sti programu tex.web s vjimkou ukldn vektor xord a xchr do
+formtu. Zde jsem s vhodou pouil ji hotov pomocn funkce
+dump_things a undump_things napsan pro web2c pmo v jazyce C. Pokud
+by to nkdo poteboval v jin implementaci, musel by zejm pout
+analogii k dump_four_ASCII z tex.web.
+
+
diff --git a/Master/texmf-dist/doc/generic/enctex/INSTALL.eng b/Master/texmf-dist/doc/generic/enctex/INSTALL.eng
new file mode 100644
index 00000000000..5bf9db32dac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/INSTALL.eng
@@ -0,0 +1,121 @@
+
+ EncTeX -- the extension of TeX based on tex.ch --- INSTALLATION
+ ===============================================================
+ 1. Sep. 1997 Petr Ol\v s\'ak
+ 3. Jan. 2003
+
+For more information about encTeX -- read the README file.
+
+You can install the encTeX extension with no problems on web2c
+ver 7.3.
+
+We describe the installation, if the original TeX was complied already or
+if (at least) the ./configure script was run on web2c source tree and
+the TeX libraries are installed in /usr/local/share/texmf.
+
+1. Go to a directory with the tex.ch and tex.web files:
+
+ $ cd source/TeX/texk/web2c
+
+2. Unpack enctex.tar.gz:
+
+ $ zcat /somewhere/enctex.tar.gz | tar xvf -
+
+ The ./enctex directory is created with files of the package.
+
+3. Apply the patch to tex.ch file:
+
+ $ patch -p0 < ./enctex/enctex.patch-to-7.3.7
+
+ or
+
+ $ patch -p0 < ./enctex/enctex.patch-to-7.5
+
+ If you are using the web2c 7.4.5 or web2c 7.5.x then apply the
+ enctex.patch-to-7.5. If you are using web2c 7.5.x then you
+ can apply the second patch enc-option.patch-to-7.5. This second patch
+ implements the -enc commandline option (the encTeX is not
+ initialized without this option) and solves the cooperation with
+ TCX tables. The enctex.patch-to-7.5 and enc-option.patch-to-7.5
+ patches were sent to Olaf Weber in order to include the encTeX to
+ the standard web2c TeX distribution.
+
+ The next patch from encTeX Feb. 2003 to Jun. 2004 is recommended:
+
+ $ patch -p0 < ./enctex/enctex.patch-jun2004
+
+ If an error occurs in Hunk #1 then you have to replace text
+ "Feb. 2003" to new text "Jun. 2004" in file tex.ch manually.
+
+
+4. Re-compile TeX:
+
+ $ make tex
+
+ The result is the new tex binary and tex.pool file.
+
+5. Install the tex binary and tex.pool into the system (your paths may
+be different from this example):
+
+ $ strip tex
+ $ su
+ # cp tex /usr/local/bin
+ # cp tex.pool /usr/local/share/texmf/web2c
+
+6. Install the input tables of encTeX
+
+ # mkdir /usr/local/share/texmf/tex/generic/enctex
+ # cp enctex/*.tex /usr/local/share/texmf/tex/enctex
+ # texhash
+
+7. Re-install the formats. The official version web2c-7.5.3 requires
+the -enc option when format is generated (not required when format is
+used). See the encdoc-e.tex|dvi|pdf for more information about
+this option.
+
+ # cd /usr/local/share/texmf/web2c
+ # tex -ini -enc plain
+ *\dump
+ # tex -ini -enc csplain.ini
+ # mv csplain.ini.fmt csplain.fmt
+ # tex -ini -enc cslatex.ini
+ # mv cslatex.ini.fmt cslatex.fmt
+
+If you want to try the new feature of the encTeX, you can inicialize some of
+format plain-*-*.tex (see the enctex directory). For example:
+
+ # tex -i plain-1250-cs
+
+8. The patched tex.ch is read by compilation process for tex, etex and
+pdftex. You can recompile all these programs and the encTeX extension
+will infect them succesfully. The enctex.patch-to-7.3 includes a
+little patch to pdftexdir/tex.pch file in order to succesfull
+compilation of pdftex. So, it is sufficient to do:
+
+ $ make pdftex
+ $ strip pdftex
+ $ su
+ # cp pdftex /usr/local/bin
+ # cp pdftex.pool /usr/local/share/texmf/web2c
+ # cd /usr/local/share/texmf/web2c
+ # pdftex -ini -enc -jobname pdfplain plain
+ *\dump
+ # pdftex -ini -enc -jobname pdfcsplain csplain.ini
+ # pdftex -ini -enc -jobname pdfcslatex cslatex.ini
+
+9. The omega program is never infected by encTeX because it does not
+read the tex.ch file during compilation. Omega has its own input
+preprocessor.
+
+--------------
+
+The encTeX is installable on others than web2c implementation of TeX too.
+All changes are made in tex.ch file. You can see to enctex.ch file (with
+all changes of encTeX sumarized) and do the changes into your tex.ch
+manually. There is only one problem here: I used the functions
+dump_things/undump_things for dumping/undumping the xord, xchr and xprn
+vectors to/from fmt file. These functions are the part of web2c libraries
+only. If these functions are not available on your implementation, you must
+rewrite the dumping using macros similar to dump_four_ASCII from
+tex.web.
+
diff --git a/Master/texmf-dist/doc/generic/enctex/README b/Master/texmf-dist/doc/generic/enctex/README
new file mode 100644
index 00000000000..1c8fde8b6a8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/README
@@ -0,0 +1,101 @@
+
+ EncTeX - moznost prekodovani vstupu v TeXu
+ ============================================================
+ Sep. 1997, Dec. 2002 -- Jun. 2004 Petr Olsak
+
+See end of this file for English version of this text.
+
+Tento balicek je volne programove vybaveni, viz COPYING a encdoc.tex.
+Balicek se sklada z techto souboru:
+
+README ................ tento soubor
+COPYING ............... licence GPL
+INSTALL ............... navod na instalaci v ceskem jazyce
+INSTALL.eng ........... navod na isntalaci v anglickem jazyce
+enctex.patch-to-7.3.7 . zaplata zdojovych kodu pro web2c 7.3.7 (TeXlive7)
+enctex.patch-to-7.5 ... zaplata zdojovych kodu pro web2c 7.4.5 a 7.5.x
+enc-option.patch-to-7.5 zaplata pridavajici -enc option a resici
+ spolupraci s TCX tabulkami, jen pro 7.5.x
+enctex.patch-jun2004 .. zaplata z encTeXu Feb. 2003 na encTeX Jun. 2004.
+enctex.ch ............. navod na provedeni zaplaty manualne
+encdoc.tex, .pdf ...... dokumentace v ceskem jazyce
+encdoc-e.tex, .pdf .... dokumentace v anglickem jazuce
+encmacro.tex .......... pomocne makro pro tabulky *.tex
+*-csf.tex, *-t1.tex ... konverzni tabulky z kodovani systemu do
+ kodovani CSfontu resp. T1 kodovani
+plain-*-*.tex ......... inicializacni soubory pro modifikace plainu
+vlna.tex .............. ukazka pouziti encTeXu pro vyhledani
+ neslabickych predlozek
+polyset.tex ........... makro umoznujici zadavat slozitejsi
+ vyhledavaci pravidla pro encTeX
+ostatni *.tex ......... dalsi pomocna makra
+
+Balicek je k dispozici na
+
+ ftp://math.feld.cvut.cz/pub/olsak/enctex/.
+
+EncTeX byl testovan s velikou peci. Pokud byste presto v nem
+nasli nejakou chybu, prosim, poslete o tom zpravu na
+olsak@math.feld.cvut.cz.
+
+Dekuji Davidu Necasovi (Yeti) za doplneni tabulek a dalsi podpory
+pro UTF-8 kodovani. Jedna se o soubory:
+
+plain-utf8-*.tex .............. ini soubory pro generovani formatu
+utf8-csf.tex, utf8-t1.tex ..... kodovaci tabulky pro UTF-8
+utf8cseq.tex, utf8math.tex .... soubory jsou potreba v kodovacich tabulkach
+utf8raw.tex ................... generovany soubor, potrebny v utf8math.tex
+unimap.py, unimap.diff ........ skript a diff pro generovani utf8raw.tex
+math-example.tex .............. ukazka matematicke sazby v UTF-8
+
+---------------------------------------------------------
+
+ EncTeX - The Extension of TeX For Input Re-encoding
+ ============================================================
+ Sep. 1997, Dec. 2002 -- Feb. 2003 Petr Olsak
+
+This package is free software, see COPYING and encdoc-e.tex for more
+details. The package includes the following files:
+
+README ................ this file
+COPYING ............... GPL
+INSTALL.eng ........... the installation instruction in English language
+INSTALL ............... the installation instruction in Czech language
+enctex.patch-to-7.3.7 . the patch to source files in web2c 7.3.7 (TeXlive7)
+enctex.patch-to-7.5 ... the patch to source files in web2c 7.4.5 and 7.5.x
+enc-option.patch-to-7.5 this patch adds -enc option and solves the
+ cooperation with TCX tables, only for web2c 7.5.x
+enctex.patch-jun2004 .. the patch from encTeX Feb. 2003 to encTeX Jun. 2004.
+enctex.ch ............. the instruction to do the patch manually
+encdoc-e.tex, .pdf .... the English documentation
+encdoc.tex, .pdf ...... the Czech documentation
+encmacro.tex .......... the auxiliary macro for *.tex tables
+*-csf.tex, *-t1.tex ... the conversion tables from * input encoding
+ to encoding of CSfonts or T1 encoding
+vlna.tex .............. the example of another usage of encTeX: there
+ cannot be line break after non syllabus prepsositions
+polyset.tex ........... macro for more powerfull declaration of
+ encTeX's search rules
+plain-*-*.tex ......... the ini files for various plain modifications
+others *.tex .......... other macros for encTeX
+
+The package is available on:
+
+ ftp://math.feld.cvut.cz/pub/olsak/enctex/.
+
+The encTeX was carefuly tested. If you still find a bug in it, please,
+send the bug report to the address olsak@math.feld.cvut.cz.
+
+Many thanks to David Necas (Yeti) who made the tables and other
+support for UTF-8 encoding in the following files:
+
+plain-utf8-*.tex .............. the ini files for making formats
+utf8-csf.tex, utf8-t1.tex ..... the UTF-8 tables
+utf8cseq.tex, utf8math.tex .... files included from UTF-8 tables
+utf8raw.tex ................... generated file included from utf8math.tex
+unimap.py, unimap.diff ........ python program and diff for making utf8raw.tex
+math-example.tex .............. the example of math typesetting in UTF-8
+
+-------------------------------------------------------------
+
+
diff --git a/Master/texmf-dist/doc/generic/enctex/changes.txt b/Master/texmf-dist/doc/generic/enctex/changes.txt
new file mode 100644
index 00000000000..455e9b5ede8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/changes.txt
@@ -0,0 +1,27 @@
+2003/01/19 Version Jan. 2003 released
+
+2003/01/22 the enctex.patch-to-7.4 improved to the dirty trick in
+ pdftex.ch code added in new versions of pdftex.
+2003/01/23 the enctex.patch-to-7.4 keeps the pdftex.ch unchanged now
+2003/01/24 \ifx\cmd\relax can be used in \write parameters
+
+2003/02/19 encTeX Feb. 2003 released:
+ - new primitives \mubytelog, \noconvert
+ - the <byte_sequences> ABC and ABCDE are not in conflict now
+ - the utf8unkn.tex file released
+ - documentation upgraded
+2003/02/25 enc-option.patch-to-7.5: corrected the dump_int and unpump_int
+ of boolean value enc_option
+2003/03/03 - little changes in encdoc + encdoc-e.
+ - The web page http://www.olsak.net/enctex.html introduced
+ - The version Feb. 2003 is kept.
+2003/03/11 enc-option.patch-to-7.5: the link to www.olsak.net/enctex.html
+ added in --help text and man pages
+2003/09/18 polyset.tex added to encTeX distribution
+2004/05/06 little doc corrections: -i -> -ini, -fmt -> -jobname etc.
+ The version is still named Feb. 2003.
+2004/06/28 corrections in unimap.diff, utf8raw.tex and unimap.py
+ The version is still named Feb. 2003.
+
+2004/06/30 encTeX Jun 2004 released.
+ Three bugs fixed -- see enctex.patch-jun2004.
diff --git a/Master/texmf-dist/doc/generic/enctex/encdoc-e.pdf b/Master/texmf-dist/doc/generic/enctex/encdoc-e.pdf
new file mode 100644
index 00000000000..059b94e6074
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/encdoc-e.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/enctex/encdoc-e.tex b/Master/texmf-dist/doc/generic/enctex/encdoc-e.tex
new file mode 100644
index 00000000000..32a06241727
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/encdoc-e.tex
@@ -0,0 +1,947 @@
+% EncTeX documentation
+%%%%%%%%%%%%%%%%%%%%%%
+% Petr Olsak
+
+% see encdoce.tex for Czech version of this documentation
+
+
+{\nopagenumbers} % use the plain format (the command: "tex encdoc-e")
+
+\def\Red{}
+\def\Black{}
+\def\Blue{}
+\def\Green{}
+\def\beglink#1{}
+\def\endlink{}
+\def\aimlink#1{}
+\def\urllink#1{{\tt#1}}
+\def\urllinkk#1#2{{\tt#1}}
+
+\ifx\pdfoutput\undefined\else %%%% pdfTeX is used %%%%%%%%%%
+\ifnum\pdfoutput>0
+
+\ifx\pdfannotlink\undefined % Verze pdfTeXu >= 14
+ \let\pdfannotlink=\pdfstartlink
+\fi
+
+\def\beglink#1{%
+ \Green \pdfstartlink height9pt depth3pt
+ attr{/Border[0 0 0]} goto name{#1}\relax}
+\def\endlink{\pdfendlink\Black}
+
+\def\aimlink#1{%
+ \expandafter\ifx \csname aim:#1\endcsname \relax
+ \expandafter\gdef \csname aim:#1\endcsname {}%
+ \vbox to0pt{\vss\hbox{\pdfdest name{#1} fith}\kern15pt}%
+ \fi
+}
+\def\urllinkk#1#2{\pdfannotlink height 10pt depth 3pt
+ user{/Border[0 0 0]/Subtype/Link/A << /Type/Action/S/URI/URI(#2)>>}\relax
+ \Green{\tt #1}\Black\pdfendlink}
+\def\urllink#1{\urllinkk{#1}{#1}}
+
+\def\pdfsetcmykcolor#1{\special{PDF:#1 k}}
+\def\Red{\leavevmode\pdfsetcmykcolor{0.1 0.9 0.9 0}}
+\def\Black{\leavevmode\pdfsetcmykcolor{0 0 0 1}}
+\def\Green{\leavevmode\pdfsetcmykcolor{0.9 0.1 0.9 .3}}
+\def\Blue{\leavevmode\pdfsetcmykcolor{0.9 0.9 0.1 0}}
+
+\pdfcompresslevel=9
+\pdfinfo{/Author (Petr Olsak)
+ /CreationDate (Feb. 2003)
+ /ModDate (Jun. 2004)
+ /Creator (TeX)
+ /Producer (pdfTeX)
+ /Title (encTeX)
+ /Subject (Documentation)
+ /Keywords (TeX, fonts)
+}
+
+\fi\fi %%%%%%%%%%%%%%%%%%%%%%%%%%%% End of pdfTeX macros %%%%%
+
+
+\font\titulfont=\fontname\tenbf\space scaled\magstep4
+\font\bigbf=\fontname\tenbf\space scaled\magstep1
+
+\parindent=12pt
+
+\newcount\secnum \newcount\subsecnum
+
+\def\kap #1\par{\ifnum\secnum>0 \goodbreak\fi\removelastskip
+ \vskip2\baselineskip
+ \subsecnum=0 \advance\secnum by1
+ \noindent{\bigbf\llap{\the\secnum.\quad}#1}\par\nobreak\medskip}
+\def\sec #1\par{\removelastskip\bigskip
+ \advance\subsecnum by1
+ \noindent{\bf \llap{\aimlink{\the\secnum.\the\subsecnum}%
+ \the\secnum.\the\subsecnum.\quad}#1}\par\nobreak\medskip}
+\def\title #1\par{\vglue2\baselineskip
+ \centerline{\titulfont #1}\vskip2\baselineskip}
+\def\date #1\par{\bigskip#1\par}
+\def\author #1\par{\bigskip#1\par}
+
+\catcode`<=13
+\def<{\hbox\bgroup\catcode`_=\active\relax\skoba}
+\def\skoba #1>{$\langle$\it#1\/$\rangle$\egroup}
+\def\,{\thinspace}
+{\catcode`_=\active \gdef_{\_}}
+
+{\obeyspaces \gdef\activespace{\obeyspaces\let =\ }}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials}
+\def\begtt{\medskip\bgroup \setverb \activespace
+ \catcode`\"=12 \catcode`_=13
+ \def\par##1{\endgraf\ifx##1\par\leavevmode\fi ##1}
+ \obeylines \startverb}
+{\catcode`\|=0 \catcode`\\=12
+|gdef|startverb#1\endtt{|tt#1|egroup|medskip|testpar}}
+\long\def\testpar#1{\ifx\par#1\else\noindent\fi#1}
+
+\catcode`"=13
+\def"{\leavevmode\hbox\bgroup\setverb\activespace\tt\readverb}
+\def\readverb #1"{#1\egroup}
+
+\def\begitems{\medskip\bgroup \catcode`*=13 }
+{\catcode`*=13 \gdef*{\item{$\bullet$}}}
+\def\enditems{\medskip\egroup}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+{\nopagenumbers
+
+\vglue 4cm
+
+\centerline {\titulfont Enc\TeX}
+\vskip2cm
+\centerline {\titulfont The Extension of \TeX{}}
+\medskip
+\centerline {\titulfont For Input Re-encoding}
+
+\vskip3cm
+
+\centerline{\bigbf Petr Ol\v s\'ak}
+
+\vskip2cm
+
+\centerline{\urllinkk{www.olsak.net/enctex.html}{http://www.olsak.net/enctex.html}}
+
+\vfil
+
+\centerline {\bigbf This text documents the version Feb. 2003 and Jun. 2004}
+
+\vskip 4cm
+\break
+
+\null \vfil
+
+This package is free software; you can redistribute it and/or modify
+it under the terms of the GNU General Public License as published by
+the Free Software Foundation; either version 2 of the License, or
+(at your option) any later version.
+
+This package is available on
+\urllink{ftp://math.feld.cvut.cz/pub/olsak/enctex/}.
+
+This program is distributed in the hope that it will be useful,
+but WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+GNU General Public License for more details.
+
+You should have received a copy of the GNU General Public License
+along with this program; if not, write to the Free Software
+Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+\bigskip
+\copyright\quad 1997, 2002, 2003, 2004\enspace RNDr. Petr Ol\v s\'ak
+
+\bigskip
+\TeX{} is trademark of the American Mathematical Society.
+
+\bigskip
+The author of the \TeX{} is professor Donald Knuth. The \TeX{}
+is a free software with the specific license. See the documentation
+of~\TeX.
+
+\bigskip
+The original version of the enc\TeX{} documentation (in Czech language) is in
+"encdoc.tex" file.
+
+P\accent23uvodn\'\i{} \v cesk\'a dokumentace je v souboru "encdoc.tex".
+
+\break
+}
+
+\kap The basic information
+ %%%%%%%%%%%%%%%%%%%%%
+
+
+The enc\TeX{} package is a little extension of \TeX{}. You can install
+it from source files of \TeX{} by changing the "tex.ch" file in your
+distribution. The patch to "tex.ch" file for "web2c" distribution is
+supported.
+
+The enc\TeX{} is backward compatible with the original \TeX{}. It adds
+ten new primitives by which you can set or read the conversion
+tables used by input processor of \TeX{} or used during output to the
+terminal, log and "\write" files. These tables are stored to the
+format files thus, they are reinitialized to the same state as in time
+of "\dump" command when the format file is read.
+
+This extension is fully tested and it passes the TRIP test with only
+two differences:
+
+\begitems
+* The banner is different
+* The number of ``multiletter control sequences'' is
+ greater by ten.
+\enditems
+
+
+\sec The installation
+% ----------------
+
+For install instructions of enc\TeX{} -- read the "INSTALL.eng" file.
+
+\sec Versions
+% --------
+
+I released the first version of enc\TeX{} in 1997. This version
+was able to do the byte to byte conversion only by xord and xchr
+vector and to assign the characters as ``printable'' (the "\xordcode",
+"\xchrcode" and "\xprncode" primitives).
+
+The TCX tables were renoved in 1998. These tables do the same work as
+enc\TeX{} 1997 thus I closed my support of enc\TeX{}. The problem
+with the missing support of UTF-8 encoding on input processor caused
+the reinterpretation of my old decision: I implemented the UTF-8
+support to the enc\TeX{} in December 2002 and I propagate enc\TeX{} again.
+
+The new version
+``Feb.~2003'' adds seven new primitives: "\mubyte",
+"\endmubyte", "\mubytein", "\mubyteout", "\mubytelog", "\specialout"
+and "\noconvert".
+They give a possibility to set the conversion from UTF-8 encoded files.
+
+The version ``Jun.~2004'' fixes a little bugs only.
+No new features are added.
+See "enctex.patch-jun2004" file for more information
+about these bugs.
+
+Of course, the new version is backward compatible with the old one
+from 1997. I don't plan any new big changes. If a little change will
+be done then {\it the backward compatibility with the previous version
+of enc\TeX{} is guaranteed by me}.
+
+\sec Enc\TeX{} in web2c distribution, TCX tables
+% -------------------------------------------
+
+If your web2c distribution implements enc\TeX{} then you can
+initialize it by the "-enc" option in command line.
+You have to use this option during ini\TeX{} because enc\TeX{} stores
+its primitives and its data to the format file. When the format is
+used, the enc\TeX{} is initialized from format file automatically and
+you need not use the "-enc" option again. If you are using a format
+without enc\TeX{} initialized in it and you write "-enc" option then
+the warning is printed and this option is ignored.
+
+The TCX tables ("-translate-file" option) are working with the same
+xord and xchr vector as enc\TeX{} in web2c distribution. This implies
+the following little conflicts: If enc\TeX{} is used together with TCX
+table then TCX table may re-write the initial values of "\xordcode",
+"\xchrcode" and "\xprncode". These initial values are documented in
+section~2.2. If these values are stored in format by enc\TeX{} and TCX
+table is used together with such format then the values from format
+can be re-written by TCX table too. On the other hand, you can use the
+"\xordcode", "\xchrcode" and "\xprncode" primitives for reading or
+saving of these values after TCX table initialization without
+problems.
+
+\sec The \TeX{} license
+% --------------------
+
+The enc\TeX{} adds the new primitives into \TeX{} so, we cannot call
+the resulting program by name \TeX. On the other hand D.~Knuth assumed
+that \TeX{} internals are filtered always from system dependences.
+This was a reason why he implemented xord/xchr vectors in \TeX.
+D.~Knuth assumed that the parameters of filter from system
+dependences is set at source code level. Enc\TeX{} only moves this
+setting from source code level to the runtime level. This is nothing
+new: the \TeX{} memory parameters are possible to set at runtime in
+modern \TeX{} distributions too. You can set the conversion tables
+depend on your system. Then you can say "\let\xordcode=\undefined"
+etc.~(the same for other enc\TeX{} primitives) and you can do "\dump".
+The format has the conversion tables stored by the system
+specifications and the user cannot do any more changes. The using of
+this format acts the same as the using of the original \TeX{}.
+
+I think that the second line on the terminal and log file is
+sufficient information about the fact that the program is
+a modified version of \TeX. I think that if the UTF-8 encoding will be
+used more common then there is no another way than to modify the input
+processor of \TeX{} otherwise the 8bit \TeX{} will dead in short time.
+
+It is important to say that enc\TeX{} has the same default behavior as
+the original \TeX{} if the new primitives are never used.
+
+IMHO, the new web2c \TeX{} is not exactly the \TeX{} too because you can
+change its behavior by writing "%&" at the first line of the document.
+This feature is not documented in {\it Computers \& Typesetting\/}
+series.
+
+
+\kap The byte per byte conversion
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\sec The xord and xchr vectors
+% -------------------------
+
+All text inputs into \TeX{} are mapped by xord vector in input
+preprocessor (the eyes in \TeX{}book terminology). If the character
+has the code $x$ in your system, the same character has the code
+$y$ = xord[x] in \TeX.
+
+All text outputs from \TeX{} to terminal, log file and files managed
+by "\write" primitive are filtered by xchr vector and by
+``printability'' feature of the character. If the character with code
+$y$ is not ``printable'', then it outputs by "^^code" notation
+(documented in \TeX{}book, page 45). If the character with code
+$y$ is ``printable'' then the output code of this character on
+terminal and text files is $z$ = xchr[$y$].
+
+\sec The new primitives with the access to the xord and xchr vectors
+% --------------------------------------------------------------
+
+The enc\TeX{} extension introduces three new primitives with the same
+syntax as "\lccode":
+
+\begitems
+* "\xordcode" $i$ ... is xord[$i$]
+* "\xchrcode" $i$ ... is xchr[$i$]
+* the character with the code $i$ is ``printable''
+ (not "^notation" on terminal and the log is used)
+ iff \hfil\break
+ \hbox{("\xprncode" $i > 0$ )} or \hbox{( $i\in \{32,...,126\}$ )}.
+\enditems
+
+All setting to "\xordcode", "\xchrcode" and "\xprncode" are possible
+in 0...255 range and are {\it global} every time. It means
+that the setting inside group are global and it is irrelevant
+if you write "\global" prefix or you do not.
+
+The initial values at ini\TeX{} state of the mentioned vectors are:
+
+\begitems
+* "\xordcode" $i = i $ for $ i \in \{128...255\}$,
+* "\xchrcode" $i = i $ for $ i \in \{128...255\}$,
+* "\xprncode" $i = 0 $ for $ i \in \{0...31, 127...255\}$,
+* "\xprncode" $i = 1 $ for $ i \in \{32...126\}$.
+\enditems
+
+The "\xordcode" $i$ and "\xchrcode" $i$ for $i \in \{0...127\}$ are
+system dependent, but on systems with ASCII encoding holds:
+"\xordcode"~$i = i$, "\xchrcode"~$i = i$.
+
+
+\kap The multi-byte conversion
+ %%%%%%%%%%%%%%%%%%%%%%%%
+
+Since version Dec 2002, the enc\TeX{} is able to convert more bytes to
+one byte or control sequence on input processor level. This ``one byte''
+is converted back to the original ``more bytes'' when "\write" is
+processed or \TeX{} outputs to the terminal or log file.
+The main reason of this extension of \TeX{} is to serve to work with the
+UTF-8 encoded input files: we need to assign the "\catcode"s,
+"\uccode"s etc.~to the letters in our alphabet but some letters are
+encoded in two bytes in UTF-8. The enc\TeX{} is able to map other codes
+from UTF-8 to control sequences thus, the number of UTF-8 codes
+from input file examined by \TeX{} is unlimited.
+
+There are five new primitives to manage the conversion:
+"\mubytein", "\mubyteout", "\mubytelog", "\mubyte", "\endmubyte".
+The "\mubytein", "\mubyteout" and "\mubytelog" are integer registers with
+zero value by default: it means that no conversion is processed even
+if the conversion table (created by "\mubyte", "\endmubyte") is non
+empty. If "\mubytein" is positive then the conversion on input processor
+level is performed by the conversion table. If "\mubyteout"
+is positive then the conversion for output to the "\write" files
+is activated by the same conversion table. If "\mubytelog" is positive
+then the output conversion is activated for log file and terminal
+output.
+
+The conversion table is empty by default and you can add the
+new line into this table by the couple of "\mubyte", "\endmubyte"
+primitives:
+
+\begtt
+\mubyte <first_token><one_optional_space><optional_prefix><byte_sequence>\endmubyte
+\endtt
+
+Each <byte_sequence> will be converted to the <first_token> at input
+processor level. There are two possibilities for <first_token>: it may
+be a character or a control sequence. If the <first_token> is a
+character then the catcode of it is ignored and the <first_token> is
+interpreted as a <byte>. This <byte> is converted back to the
+<byte_sequence> in "\write" files, log file and terminal.
+
+If the <first_token> is a control sequence then the <byte_sequence>
+will be converted to this control sequence of the ``one token''
+form at input processor level. It means that the
+token processor never changes this control sequence.
+The token processor stays in
+middle line state after this control sequence is scanned.
+If {\catcode`\<=12 "\mubyteout<2"} then the output to the "\write"
+files is not converted back to the <byte_sequence> and
+the control sequence is expanded as usual.
+If "\mubyteout>=2" then the control sequence declared by "\mubyte" is
+converted back to the <byte_sequence> in "\write" parameters.
+This works only if the control sequence is not expanded.
+It means that the control sequence have to be non expandable or
+it have to be marked by "\noexpand". If "\mubyteout>=3" then
+enc\TeX{} suppresses the expansion of control
+sequences declared by "\mubyte" automatically. See section~3.7 for
+more details.
+
+The control sequences are never converted back to <byte_sequence>
+in log file and on the terminal output.
+
+The syntax and the meaning of <optional_prefix> will be explained in
+section~3.4.
+
+\sec The conversion table manipulation
+% ---------------------------------
+
+The data are stored into conversion table as a global assignment. On
+the other hand the assignment to "\mubytein", "\mubyteout" and
+"\mubytelog" registers are local as usually.
+
+The "\mubyte", "\endmubyte" primitives work very similar as a
+well known "\csname", "\endcsname" pair. The difference is that
+the <first_token> is not expanded and that this token can be followed
+by <one_optional_space> (after expansion). The <byte_sequence> is
+scanned with the full expansion. If the other non expandable control
+sequence than "\endmubyte" occurs during this process then the error
+message is printed:
+
+\begtt
+! Missing \endmubyte inserted.
+\begtt
+
+The "\mubyte" is not performed on the expand processor level: it is a
+assign primitive. If you write
+
+\begtt
+\edef\a{\mubyte X ABC\endmubyte}
+\endtt
+%
+then the macro "\a" includes the "\mubyte X ABC\endmubyte" tokens.
+
+Examples:
+
+\begtt
+\mubyte ^^c1 ^^c3^^81\endmubyte % \'A
+\mubyte ^^e1 ^^c3^^a1\endmubyte % \'a
+% etc. -- the UTF8 implementation
+
+\mubyte \endash ^^c4^^f6\endmubyte % the mapping to the control sequence
+\mubyte \integral INT\endmubyte % the illustrative example, see below
+
+\mubytein=1 \mubyteout=1 % conversions are activated here
+
+\def\endash {--} % this is good definition for \write files too
+\def\integral {\ifmmode \int\else $\int$\fi}
+\endtt
+
+We have written more spaces (or tabs) in <one optional space> in
+this example because these characters have the catcode of the space
+and the token processor converts them to right <one optional space>.
+
+The word ``"INTEGRAL"'' is converted to the token "\integral" followed
+by the letters ``"EGRAL"'' if the example code is used.
+The text ``"INT something"'' is converted to the token "\integral"
+followed by space and the word ``"something"''. You can write the
+following constructions: "\defINT{something}", "\let INT=\foo", etc.
+After "\show INT" we get:
+
+\begtt
+> \integral=macro:
+->\ifmmode \int \else $\int $\fi .
+l.18 \show INT
+\endtt
+%
+and "\string INT" expands to the text: "\integral".
+
+Assume the "INT" declaration from the previous example and assume that
+you write "\INT". What happens? Strictly speaking, the empty control
+sequence ("\csname\endcsname") followed by "\integral" control
+sequence would be the output from the token processor. But there is an
+exception in enc\TeX{} because to avoid the confusion with the empty control
+sequences. The "\INT" produces only the control sequence "\integral",
+the backslash is ignored in this situation. The token processor stays
+in middle state after "\INT" is scanned, the letter can follow
+immediately.
+
+\sec The features of the conversion process
+% --------------------------------------
+
+The input is converted immediately after "\mubytein" is set to the
+positive value; it means the conversion may start at the same line
+where the "\mubytein" setting occurs.
+
+The <byte_sequence> is converted only if the whole <byte_sequence> is
+included in the one line. The "\endlinechar" character can be the last
+part of the <byte_sequence>.
+
+The sequence "^^c3^^81" is not converted to the letter \'A even if the
+code from the example was used. The reason is that the "^^" conversion
+is done in token processor after the "\mubyte" conversion.
+
+The "\xordcode" conversion is performed before "\mubyte" conversion
+in input side and the "\xchrcode" conversion is done after "\mubyte"
+conversion during output to the files or to the terminal. The
+following diagram shows the sequence of the conversions:
+
+\begtt
+input text -> \xordcode -> \endlinechar appended ->
+ \mubyte -> token processor -> expand processor ...
+\write argument -> expand processor -> \mubyte -> \xchrcode -> output
+\endtt
+
+The <byte_sequence> is not converted to the "^^" form during
+output to the file even if the "\xprncode" of the bytes from
+<byte_sequence> is zero. The <byte_sequence> is not converted again
+even if there exist a character in it which is normally
+converted by another rule in conversion table.
+
+Let exist two or more <byte_sequences> in the conversion table which are
+equal or which have the same begin part and one sequence is a
+subsequence of the second. Then the conversion in input processor is
+done by maximal possible <byte_sequence>. This feature was implemented
+in version Feb.~2003. Example:
+
+\begtt
+\mubyte X A\endmubyte
+\mubyte Y ABC\endmubyte
+\mubyte \foo ABCD\endmubyte
+\endtt
+
+The letter A is normally converted to X in this example, but if the
+BC letters immediately follow then ABC is converted to Y with the
+exception ABCD which is converted to "\foo".
+
+The order of "\mubyte" settings in this example has no significance.
+
+If the same <byte_sequences> are used by "\mubyte" records then the
+last one has a precedence and the previous records are cleared.
+
+
+\sec The conversion to log file and to the terminal
+% ----------------------------------------------
+
+The output to terminal and to log file is not converted if
+"\mubytelog" is zero. If the "\xprncode" of the character is zero then
+the character is printed in "^^A" or "^^bc" form. If the "\mubytelog"
+is positive then the characters stored in conversion table are
+converted to the <byte_sequence> and the bytes from these
+<byte_sequence> are never converted to "^^" form.
+On the other hand, control sequences are keept unchanged
+in log and in terminal even if the "\mubytelog" is positive.
+
+The conversion is switched on or off by "\mubytelog" value for both:
+terminal and log file. You cannot separate these outputs. It means that
+(for example) the conversion to log and no conversion to terminal
+is not possible.
+
+There exists a special part of terminal and log output: if the complete
+line from input is reprinted (for example when the context of an error is
+shown). We call this situation as ``line-reprinting'' for the purpose
+of the following text.
+
+If the "\mubytein" is zero then line-reprinting works as usual in
+standard \TeX{}. If "\mubytein" is positive and "\mubytelog" is zero
+then line-reprinting includes the output from the input processor of
+enc\TeX{}. It means that control sequences generated by input
+processor can be shown here even if they don't actually present in the
+input line. If both "\mubytein" and "\mubytlog" are positive then
+line-reprinting works without any multi-byte conversion, only xord is
+used immediately followed by xchr. No "^^A" form is used in this
+situation. Note that the error messages can be somewhat peculiar when
+"\mubytein" and "\mubytlog" are positive:
+
+\begtt
+\mubyte \cmd ABC\endmubyte \let\cmd=\undefined
+\mubytein=1 \mubytelog=1
+This is test of ABC and another text.
+\endtt
+%
+We get the following message:
+
+\begtt
+! Undefined control sequence.
+l.3 This is test of ABC
+ and another text.
+?
+\endtt
+%
+The "\show ABC" can say you more information:
+
+\begtt
+> \cmd=undefined.
+l.3 \show ABC
+\endtt
+
+
+\sec Clearing records from the conversion table
+% ------------------------------------------
+
+There exists only the chance to clear all records which begin with
+the same first byte of <byte_sequence>. This is done by the command
+"\mubyte <char> <char>\endmubyte". For example
+
+\begtt
+\mubyte A A\endmubyte
+\endtt
+%
+clears all <byte_sequences> from conversion table which begin with the
+character A. The following code clears all conversion table:
+
+\catcode`<=12
+\begtt
+{\catcode`\^^@=12
+\gdef\clearmubytes{\bgroup \count255=1
+ \loop \uccode`X=\count255
+ \uppercase{\mubyte XX\endmubyte}%
+ \advance\count255 by1
+ \ifnum\count255<256 \repeat
+ \mubyte ^^@^^@\endmubyte
+ \egroup}
+}
+\clearmubytes
+\endtt
+\catcode`<=13
+
+
+
+\sec Input and output sides of the conversion table
+% ----------------------------------------------
+
+The conversion table consists from two independent parts: input side
+used by input processor and output side used during "\write" or
+printing to the log and terminal. You can save the record only to one
+of this parts by using the nonempty <optional_prefix>.
+If the <optional_prefix> is empty then the same record is stored
+twice: into input and output sides. If <optional_prefix> is a token of
+catcode~8 (usually the "_" character) then the record is stored only
+into input side . If <optional_prefix> is a pair of tokens catcode~8
+(usually "__") then the record is stored only into output side.
+
+If the optional prefix has a form of "__" then the following
+<byte_sequence> can be empty. Enc\TeX{} removes the record
+corresponding to the <first_token> from output side in such situation.
+
+The macro code for clearing the conversion table from previous section
+clears all records from input side but only the records concerned to
+the <first_token> in ``one byte form'' from output side. You can
+remove the record concerned to control sequence from output side
+only by "\mubyte \foo __\endmubyte".
+
+\sec Inserted control sequences
+% --------------------------
+
+If the <first_token> is the control sequence and the <optional_prefix>
+is one token of catcode~6 (usually the "#" character)
+followed by <number>
+then the <number> bytes are kept by input
+processor (it means they are no converted again)
+and the declared control sequence is inserted before
+<byte_sequence>. The example:
+
+\begtt
+\def\abc{ABC}
+\mubyte X BC\endmubyte \mubytein=1
+\mubyte \foo #3 \abc\endmubyte ABC is converted to \foo ABC
+\mubyte \foo #1 \abc\endmubyte ABC is converted to \foo AX
+\endtt
+
+The <number> has the same syntax as <number> from \TeX{}book.
+It means that ``one optional space'' can work as a separator of
+digit(s). See the previous example.
+
+If <number> is zero then the control sequence is inserted and the
+whole <byte_sequence> is unchanged. This has the same effect as if the
+<number> equals to the length of the <byte_sequence>.
+
+The <number> is accepted only in the range 0 to 50. The negative
+<numbers> are silently interpreted as zero and the numbers greater
+than 50 mean that the rest of the converted line will be unchanged
+by input processor.
+
+More practical example follows. Note, that the <number> is greater
+than the length of the <byte_sequence> here.
+
+\begtt
+\mubyte \warntwobytes #2^^c3\endmubyte
+\mubyte \warntwobytes #2^^c4\endmubyte
+\mubyte \warntwobytes #2^^c5\endmubyte
+% atd...
+\def\warntwobytes #1#2{\message{WARNING: the UTF8 code:
+ \noconvert#1\noconvert#2 is not defined i my macros.}}
+\endtt
+
+The new primitive "\noconvert" is used in this example
+(see chapter~5). The similar code is used in the file
+"utf8unkn.tex".
+
+
+\sec The virtual mark of line begin
+% ------------------------------
+
+If "\mubytein>0" and if the first byte in <byte_sequence> is equal to
+"\endlinechar" (it means <byte_sequence> has a format
+<endlinechar><rest>)
+then input processor checks the matching of the
+<rest> with the begin of every line. If it matches then the given
+conversion is done. The example:
+
+\begtt
+\bgroup \uccode`X=\endlinechar \uppercase{\gdef\echar{X}}\egroup
+\mubyte \fooB \echar ABC\endmubyte % ABC matches at begin of line
+\mubyte \fooE ABC\echar \endmubyte % ABC matches at end of line
+\mubyte \fooW \spce\space ABC\space \endmubyte
+ % ABC matches as a word with spaces before and after
+\mubyte \foo #\echar XYZ\endmubyte %
+ % if XYZ is at begin of line the \foo is inserted before them
+\endtt
+
+\sec The suppression of the expansion in write parameters
+% ----------------------------------------------------
+
+If you need to convert the control sequences back to its
+<byte_sequences> then the expansion of such control sequences is not
+welcome. You can suppress the expansion by "\let\macro=\relax" before
+"\write" starts the expansion of its parameter. But "\write" works
+asynchronously in most situations and you can manipulate with hundreds
+or thousands control sequences declared as UTF-8 codes. The enc\TeX{}
+serves a simple tool to solve this problem: If "\mubyteout>=3" then
+enc\TeX{} gives the "\relax" meaning to each control sequence declared
+in output side of the conversion table before the "\write" starts its
+expansion and it returns back these control sequences to their original
+meaning immediately after "\write" finish its work.
+Example:
+
+\begtt
+\mubyte \foo ABC\endmubyte \def\foo{macro body}
+\mubyteout=2
+\immediate\write16{testwrite: \foo} % prints "testwrite: macro body"
+\immediate\write16{testwrite: \noexpand\foo} % prints "testwrite: ABC"
+\mubyteout=3
+\immediate\write16{testwrite: \foo} % prints "testwrite: ABC"
+\message{testmessage: \foo} % prints "testmessage: macro body"
+\message{testmessage: \noexpand\foo} % prints "testmessage: \foo"
+\edef\a{testedef: \foo} % expands to macro body
+\foo % expands to macro body
+\immediate\write16{\meaning\foo} % prints "\relax"
+\message{\meaning\foo} % prints "macro:->macro body"
+\endtt
+
+Note the difference between "\message" and "\immediate\write16".
+The control sequences in "\message" parameter are always expanded and
+never converted to the <byte_sequence>.
+
+You can set the ``noexpand'' flag (for "\write" parameters only)
+to any <control_sequence> and you need not declare the <byte_sequence>
+for it. Write "\mubyte <control_sequence> \relax \endmubyte" for this
+purposes. This has the same effect as
+"\mubyte" <control_sequence>" __\string" <control_sequence>"\space\endmubyte",
+but this second solution is more memory consuming because \TeX{} has
+to store the <byte_sequence> as a string to the pool.
+
+You can write your own macros which expand to one code in normal
+situation and to different code in write parameters. The declaration
+of "\writeparameter" control sequence is recommended:
+
+\begtt
+\mubyte \writeparameter \relax \endmubyte \def\writeparameter{}
+\def\mymacro{\ifx\writeparameter\relax THIS CODE IS USED IN WRITE.
+ \else THIS CODE IS USED IN NORMAL EXPANSION.\fi}
+\endtt
+
+
+
+\sec The asynchronous write command and the mubyteout value
+% ------------------------------------------------------
+
+If you don't use "\immediate" then the "\write" command first gets its
+parameter but it expands and prints this parameter at another
+time. The "\write" command stores the actual value of the "\mubyteout"
+register when it gets its parameter. This value is used late when
+parameter is expanded and written to the file.
+
+This feature gives the possibility to write to more files, first (for
+table of contents, for example) is written with conversion to UTF-8
+and another files are written without this conversion, because (for
+example) this file is an input for a program which cannot read the
+UTF-8 encoding. You can try:
+
+\begtt
+\newwrite\tocfile \newwrite\indexfile
+\immediate\openout\tocfile=\jobname.toc
+\immediate\openout\indexfile=\jobname.idx
+\mubyteout=3
+\write\tocfile{this parameter will be converted to UTF-8}
+{\mubyteout=0 \write\indexfile{this parameter stay unchanged}}
+\write\tocfile{this parameter will be converted to UTF-8}
+\end % now, all three writes are actually done
+\endtt
+
+\sec Summary of the mubyteout values
+% -------------------------------
+
+Apart from the values 0, 1, 2 and 3, you can set the "\mubyteout"
+register to the value $-1$ or $-2$. The summary table of meanings of
+these values follows:
+
+\vbox{
+\begtt
+\mubyteout <byte>-><byte_sequence> <cs_name>-><byte_sequence> noexpanding
+----------------------------------------------------------------------------
+ 0 off off off
+ 1 on off off
+ 2 on on off
+ 3 on on on
+ -1 on off on
+ -2 off off on
+\endtt
+\par}
+
+If the <byte>"->"<byte_sequence> conversion is on then all texts
+written to the "\write" files, log file and to the terminal are converted.
+On the other hand, the <cs_name>"->"<byte_sequence> conversion and the
+noexpanding are related only to the "\write" arguments (and the
+"\special" arguments, see the following chapter).
+
+
+
+\kap The arguments of the special primitive
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+The plain texts in non-english languages can occur in
+"\special" arguments. The PDF-outlines are a good
+example of this situation. May be,
+you need to save these arguments in UTF-8 encoding.
+The enc\TeX{} gives the possibility to do it.
+
+The argument of "\special" is processed by the value of the integer
+primitive register "\specialout". This register is introduced by
+enc\TeX{} and its default value is zero.
+
+\begitems
+* "\specialout=0" -- no conversion, the same as in the original \TeX.
+* "\specialout=1" -- only the xchr conversion.
+* "\specialout=2" -- only the "\mubyteout" conversion.
+* "\specialout=3" -- the "\mubyteout" conversion followed by
+ the xchr conversion.
+\enditems
+
+The "\special" primitive expands its argument immediately. If
+"\specialout" is 2 or 3 then the expansion is done by "\mubyteout"
+value in the same manner as during the "\write" expansion.
+Moreover, "\special" saves the current values of "\specialout" and
+"\mubyteout" registers to its memory and use them at the time of the
+output to the "dvi" file.
+
+
+\kap The noconvert primitive
+ %%%%%%%%%%%%%%%%%%%%%%%
+
+The "\noconvert" primitive is introduced by enc\TeX. This primitive
+suppress the possible conversion of the following character or the
+control sequence. More exactly: the "\noconvert" is non expandable
+primitive and does nothing in typesetting output
+(the same as "\relax"). If this primitive is used in "\message" or
+"\errmessage" argument then the control sequence of this primitive is
+never printed and the following character is not converted to
+<byte_sequence> even if the "\mubytelog" is positive and the character
+is recorded in output side of conversion table.
+
+The primitive "\noconvert" does the same in "\write" and "\special"
+parameters. Moreover, if a control sequence follows then this
+control sequence is normally printed even if the "\mubyteout" is positive
+and this control sequence is recorded in output side of conversion
+table.
+
+The "\noconvert\noconvert" yields to one "\noconvert" in the output.
+
+The "\noconvert" primitive is normally printed to the log and to the
+terminal in the another situation than "\message" and "\errmessage"
+parameters. For example when "\tracing..." is used.
+
+
+\kap Summary of the enc\TeX{}'s primitives
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begitems
+* "\mubyte" --- new record to the conversion table, see chapter~3.
+* "\endmubyte" --- the "\mubyte" separator.
+* "\mubytein" --- integer register. 0: multi-byte input conversion
+ suppressed, 1 and more: multi-byte input conversion
+ activated.
+* "\mubyteout" --- integer register, the level of the output conversion
+ in "\write" and "\special" parameters, see~3.10.
+* "\mubytelog" --- integer register, 0: multi-byte output conversion
+ to log and terminal suppressed, 1 and more:
+ multi-byte output conversion activated.
+* "\specialout" --- integer register, the mode of the "\special"
+ parameter conversion, see chapter~4.
+* "\noconvert" --- similar as "\noexpand", but for conversion process.
+ See~chapter~5.
+* "\xordcode" --- access to xord vector, see 2.1.
+* "\xchrcode" --- access to xchr vector, see 2.1.
+* "\xprncode" --- access to ``printability'' vector, see 2.2.
+\enditems
+
+The summary of <optional_prefixes> in "\mubyte" primitive follows. The
+character ``"#"'' means the token of category~6 and ``"_"'' means the token of
+category~7 here.
+
+\begitems
+* no prefix --- records to the input and output side of the conversion
+ table.
+* "_" --- records only to the input side of the conversion table.
+* "__" --- records only to the output side of the conversion table.
+* "#<number>" --- records to the input side of the conversion table,
+ the control sequence will be inserted and <number>
+ bytes will be kept without conversion again.
+* "\relax" --- the control sequence will be not expand in "\write"
+ parameters.
+\enditems
+
+More prefixes may be implemented in next versions of enc\TeX. The
+prefix has its first character different from catcode 10, 11 or 12.
+This rule will be kept in next versions thus it is sufficient to use
+the first character of <byte_sequence> with this category if no prefix
+is needed.
+
+
+
+\kap The macro files
+ %%%%%%%%%%%%%%%
+
+The enc\TeX{} package includes some encoding tables inputted by
+"\input" during format generation. These tables support encodings
+widely used in Czech texts. The more information about these macro
+files are in comments of these files and in the Czech version of the
+documentation.
+
+
+
+\end
+
+
+
+
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/enctex/encdoc.pdf b/Master/texmf-dist/doc/generic/enctex/encdoc.pdf
new file mode 100644
index 00000000000..361b6cb685e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/encdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/enctex/encdoc.tex b/Master/texmf-dist/doc/generic/enctex/encdoc.tex
new file mode 100644
index 00000000000..f9007af6efa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/encdoc.tex
@@ -0,0 +1,1168 @@
+% EncTeX documentation
+%%%%%%%%%%%%%%%%%%%%%%
+% Petr Olsak
+
+% see encdoce-e.tex for English version of this documentation
+
+\chyph % zpracujte formatem csplain
+
+\def\Red{}
+\def\Black{}
+\def\Blue{}
+\def\Green{}
+\def\beglink#1{}
+\def\endlink{}
+\def\aimlink#1{}
+\def\urllink#1{{\tt#1}}
+\def\urllinkk#1#2{{\tt#1}}
+
+\ifx\pdfoutput\undefined\else %%%% pdfTeX is used %%%%%%%%%%
+\ifnum\pdfoutput>0
+
+\ifx\pdfannotlink\undefined % Verze pdfTeXu >= 14
+ \let\pdfannotlink=\pdfstartlink
+\fi
+
+
+\def\beglink#1{% % Zatek textu odkazu, #1 je kl odkazu
+ \Green \pdfstartlink height9pt depth3pt
+ attr{/Border[0 0 0]} goto name{#1}\relax}
+\def\endlink{\pdfendlink\Black}
+
+\def\aimlink#1{% % Msto cle odkazu, #1 je kl odkazu
+ \expandafter\ifx \csname aim:#1\endcsname \relax
+ \expandafter\gdef \csname aim:#1\endcsname {}%
+ \vbox to0pt{\vss\hbox{\pdfdest name{#1} fith}\kern15pt}%
+ \fi
+}
+\def\urllinkk#1#2{\pdfannotlink height 10pt depth 3pt
+ user{/Border[0 0 0]/Subtype/Link/A << /Type/Action/S/URI/URI(#2)>>}\relax
+ \Green{\tt #1}\Black\pdfendlink}
+\def\urllink#1{\urllinkk{#1}{#1}}
+
+
+\def\pdfsetcmykcolor#1{\special{PDF:#1 k}}
+\def\Red{\leavevmode\pdfsetcmykcolor{0.1 0.9 0.9 0}}
+\def\Black{\leavevmode\pdfsetcmykcolor{0 0 0 1}}
+\def\Green{\leavevmode\pdfsetcmykcolor{0.9 0.1 0.9 .3}}
+\def\Blue{\leavevmode\pdfsetcmykcolor{0.9 0.9 0.1 0}}
+
+\pdfcompresslevel=9
+\pdfinfo{/Author (Petr Olsak)
+ /CreationDate (Feb. 2003)
+ /ModDate (Jun. 2004)
+ /Creator (TeX)
+ /Producer (pdfTeX)
+ /Title (encTeX)
+ /Subject (Documentation)
+ /Keywords (TeX, fonts)
+}
+
+\fi\fi %%%%%%%%%%%%%%%%%%%%%%%%%%%% End of pdfTeX macros %%%%%
+
+
+\font\titulfont=\fontname\tenbf\space scaled\magstep4
+\font\bigbf=\fontname\tenbf\space scaled\magstep1
+
+\parindent=12pt
+
+\newcount\secnum \newcount\subsecnum
+
+\def\kap #1\par{\ifnum\secnum>0 \goodbreak\fi\removelastskip
+ \vskip2\baselineskip
+ \subsecnum=0 \advance\secnum by1
+ \noindent{\bigbf\llap{\the\secnum.\quad}#1}\par\nobreak\medskip}
+\def\sec #1\par{\removelastskip\bigskip
+ \advance\subsecnum by1
+ \noindent{\bf \llap{\aimlink{\the\secnum.\the\subsecnum}%
+ \the\secnum.\the\subsecnum.\quad}#1}\par\nobreak\medskip}
+\def\title #1\par{\vglue2\baselineskip
+ \centerline{\titulfont #1}\vskip2\baselineskip}
+\def\date #1\par{\bigskip#1\par}
+\def\author #1\par{\bigskip#1\par}
+
+\catcode`<=13
+\def<{\hbox\bgroup\catcode`_=\active\relax\skoba}
+\def\skoba #1>{$\langle$\it#1\/$\rangle$\egroup}
+\def\,{\thinspace}
+{\catcode`_=\active \gdef_{\_}}
+
+{\obeyspaces \gdef\activespace{\obeyspaces\let =\ }}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials}
+\def\begtt{\medskip\bgroup \setverb \activespace
+ \catcode`\"=12 \catcode`_=13
+ \def\par##1{\endgraf\ifx##1\par\leavevmode\fi ##1}
+ \obeylines \startverb}
+{\catcode`\|=0 \catcode`\\=12
+|gdef|startverb#1\endtt{|tt#1|egroup|medskip|testpar}}
+\long\def\testpar#1{\ifx\par#1\else\noindent\fi#1}
+
+\catcode`"=13
+\def"{\leavevmode\hbox\bgroup\setverb\activespace\tt\readverb}
+\def\readverb #1"{#1\egroup}
+
+\def\begitems{\medskip\bgroup \catcode`*=13 }
+{\catcode`*=13 \gdef*{\item{$\bullet$}}}
+\def\enditems{\medskip\egroup}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+{\nopagenumbers
+
+\vglue 4cm
+
+\centerline {\titulfont Enc\TeX}
+\vskip2cm
+\centerline {\titulfont monost pekdovn vstupu v~\TeX{}u}
+
+\vskip3cm
+
+\centerline {\bigbf Petr Olk}
+
+\vskip2cm
+
+\centerline{\urllinkk{www.olsak.net/enctex.html}{http://www.olsak.net/enctex.html}}
+
+\vfil
+
+\centerline {\bigbf Toto je dokumentace k~verzi Feb. 2003 a Jun. 2004}
+
+\vskip 4cm
+\break
+
+\null \vfil
+
+Enc\TeX{} je voln programov vybaven; mete jej dle it
+a modifikovat podle podmnek \uv{GNU General Public License}, kterou
+publikovala "Free Software Foundation"; pouijte verzi 2 tto licence
+nebo (podle Va volby) libovolnou pozdj verzi.
+
+Balek najdete na Internetu na
+\urllink{ftp://math.feld.cvut.cz/pub/olsak/enctex/}.
+
+
+Tento balek je roziovn v~nadji, e bude uiten, avak BEZJAKKOLI ZRUKY; neposkytuj se ani odvozen zruky PRODEJNOSTI anebo
+VHODNOSTI PRO URIT EL. Dal podrobnosti hledejte v~Obecn veejn
+licenci GNU.
+
+Kopii \uv{GNU General Public License} jste ml obdret spolu s~tmto
+programem; pokud se tak nestalo, napite o~ni Free Software Foundation,
+Inc., 675 Mass Ave, Cambridge, MA 02139, USA. esk peklad tto
+licence najdete na "http://www.gnu.cz/gplcz.html".
+
+\bigskip
+\copyright\quad 1997, 2002, 2003, 2004\enspace RNDr. Petr Olk
+
+\bigskip
+
+\TeX{} je ochrann znmka American Mathematical Society.
+
+\bigskip
+Autor \TeX{}u je profesor Donald Knuth. \TeX{} je voln programov
+vybaven se specifickou licenc, viz dokumentaci k~tomuto programu.
+
+\break
+}
+
+\kap Zkladn informace
+ %%%%%%%%%%%%%%%%%%
+
+Balk enc\TeX{} je jednoduch rozen \TeX{}u pro takov implementace, ve
+kterch se \TeX{} instaluje ze zdrojovho kdu "tex.web". Tuto
+podmnku napklad spluje implementace web2c, uren pro UNIXy
+a jin operan systmy s~kvalitnm pekladaem jazyka C.
+
+Rozen enc\TeX{} je zptn kompatibiln s~originlnm
+\TeX{}em. Pidv deset novch primitiv, ktermi lze st nebo
+naplovat vnitn kdovac tabulky, podle nich je znak transformovn
+na rovni vstupnho procesoru \TeX{}u nebo pi vstupu na terminl, do
+"log" souboru a "\write" soubor. Tyto tabulky se ukldaj do
+formtovch soubor, take po naten formtu se inicializuj ve
+stejnm stavu, v~jakm byly v~okamiku pkazu "\dump".
+
+Zmna \TeX{}u je dkladn testovan a prola t testem TRIP
+s~tmito dvma odlinostmi:
+
+\begitems
+* Odlin banner
+* Poet \uv{multiletter control sequences} je o~deset vt.
+\enditems
+
+\sec Instalace
+% ---------
+
+Viz soubor "INSTALL".
+
+\sec Verze
+% -----
+
+V~roce 1997 byla zveejnna prvn verze enc\TeX{}u, kter umoovala
+konverze pouze v~reimu \uv{byte na byte} a nastavovala tisknutelnost
+znak (primitivy "\xordcode", "\xchrcode", "\xprncode").
+
+V~roce 1998 obnovil nkdo z~Polska pouvn TCX tabulek ve web2c
+\TeX{}u. Protoe enc\TeX{} z~roku 1997 dlal vcemn tot a
+pouvn obou nadstaveb souasn by mohlo bt pro mnoho uivatel
+matouc, pestal jsem enc\TeX{} prosazovat. Ovem v~roce 2002
+jsem se rozhodl pidat do enc\TeX{}u podporu UTF-8 kdovn, protoe
+tato podpora nen a asi nebude v~TCX tabulkch implementovna.
+V~prosinci 2002 jsem se tedy rozhodl znovu zat propagovat enc\TeX{},
+kter navc zvldne UTF-8 kdovn.
+
+Verze enc\TeX{}u "Feb.2003" pidv dalch
+7~primitiv "\mubyte", "\endmubyte", "\mubytein", "\mubyteout",
+"\mubytelog", "\specialout" a "\noconvert". To umon definovat vstup
+pro UTF-8 kdovan soubory. Tato verze je samozejm zptn
+kompatibiln s~pvodn verz enc\TeX{}u z~roku 1997. Neplnuji do
+budoucna dn rozshlej zmny. Pokud peci jenom k~njakm zmnm
+dojde, pak vdy budou zptn kompatibiln se stvajcm eenm
+
+Verze "Jun.2004" opravuje jen nkter drobn chyby a nepdv dn
+nov funkce (podrobnji viz soubor "enctex.patch-jun2004").
+
+
+\sec Enc\TeX{} ve web2c distribuci
+% -----------------------------
+
+Enc\TeX{} se v~\TeX{}u, pdf\TeX{}u, e-\TeX{}u a pdfe\TeX{}u
+v~distribuci web2c inicializuje pomoc pepnae "-enc" na pkazov
+dce. Tento pepna je nutno pout pi inicializaci formtu.
+V~takovm ppad enc\TeX{} ulo sv primitivy a sv data do formtu. Pi
+pouit formtu u nen nutn pepna "-enc" pst znova. Enc\TeX{} se
+v~tomto ppad inicializuje z~formtu a nape o~tom zprvu na terminl
+a do log souboru. Pokud nepouijete pepna "-enc" v~dob generovn
+formtu, ale pouijete jej a pi pouit formtu, pak
+\TeX{} vype varovn o~neexistenci enc\TeX{}u ve formtu a pepna
+"-enc" je ignorovn.
+
+Ve web2c distribuci pracuj se stejnmi kdovacmi vektory xord a xchr
+(pro pekdovn byte na byte) jednak enc\TeX{} a jednak tzv. TCX tabulky
+(pi pouit pepnae "-translate-file"). Uritmu konfliktu se tedy pi
+souasnm pouvn obou rozen nevyhneme.
+Je-li v~enc\TeX{}u pouita TCX tabulka, pak pi startu \TeX{}u
+pepe hodnoty "\xordcode", "\xchrcode" a "\xprncode" podle sebe.
+Znamen to, e pi pouit ini\TeX{}u pak nemusej platit implicitn
+hodnoty tchto kd dokumentovan v~sekci 2.2 a pi pouit formtu
+s~enc\TeX{}em jsou hodnoty tchto kd, kter si do formtu uloil
+enc\TeX{}, pepsny podle TCX tabulky. O~tto skutenosti enc\TeX{}
+nleit informuje na terminlu a v~logu. Pi bhu programu pak mete
+enc\TeX{}ovmi primitivy tyto kdy dle st a mnit. Pouit TCX
+tabulky tedy nevyluuje monosti enc\TeX{}u.
+
+\sec Problm s~licenc \TeX{}u
+% -------------------------
+
+Enc\TeX{} roziuje \TeX{} o~nov primitivy, take bychom nemli tomuto
+programu kat \TeX{}. Na druh stran ale Knuth samotn pedpokld,
+e vnitnosti \TeX{}u budou odstnny od prosted operanho
+systmu. Proto implementoval xord a xchr vektory. V~enc\TeX{}u meme
+nastavit podle zvyklost operanho systmu vstupn a vstupn
+pekdovac tabulky a pak nastavit vem novm primitivm vznam
+"\undefined". Dle se bude \TeX{} modifikovan enc\TeX{}em chovat stejn,
+jako originln \TeX{}. Navc meme pekdovac tabulky nastavit pi
+generovn formtu a v~produkn verzi \TeX{}u zakzat pstup
+k~primitivm. Produkn verze \TeX{}u se pak chov zcela stejn jako
+originln \TeX{}. Knuth pedpokld, e odstnn od prosted
+operanho systmu se provede vdy pi kompilaci zdrojovho kdu
+\TeX{}u, zatmco enc\TeX{} umouje tuto otzku eit pozdji,
+napklad v~dob generovn formtu. Umonn pravy nkterch
+(napklad pamovch) parametr a za bhu \TeX{}u tak nen nic
+novho a znme to skoro u~vech distribuc \TeX{}u.
+
+Domnvm se, e druh dek na terminlu a v~logu dostaten informuje
+o~tom, e se jedn o~modifikovanou verzi \TeX{}u. Tak se domnvm, e
+pokud se velmi roz kdovn UTF-8, pak nen zbyt a takov
+konverze jsou v~8 bitov verzi \TeX{}u nezbytn.
+
+Je dleit rovn pipomenout, e implicitn chovn enc\TeX{}u je
+takov, e pokud se nepouij rozen primitivy enc\TeX{}u, pak se
+chov naprosto stejn jako originln \TeX{}.
+
+Podle mho nzoru novj implementace web2c \TeX{}u taky nen v~psnm
+slova smyslu \TeX{}. Umouje toti zmnu chovn programu, pokud na
+prvnm dku dokumentu za znaky "%&" je cosi specifickho napsno. To
+je podle mho nzoru vt pestupek oproti licenci \TeX{}u, ne
+enc\TeX{}ovmi primitivy nastavit ve formtu prosted systmu a pak tyto
+primitivy v~produkn verzi \TeX{}u zakzat.
+
+
+\kap Pekdovn byte na byte pomoc vektor xord, xchr
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+
+\sec Vektory xord a xchr
+% -------------------
+
+Vektory xord a xchr maj velikost 255 byt a obsahuj informaci
+o~pekdovn znaku vstupujcho do \TeX{}u nebo vystupujcho na
+terminl a do textovch soubor. Jedn se o~pole vestavn do
+programu, pes kter jsou filtrovny veker textov vstupn a
+vstupn informace. M-li znak na vstupu kd $x$ a chceme, aby ml
+uvnit \TeX{}u kd $y$, pak mus bt nastaven vektor xord tak, aby
+xord[$x$]=$y$. Pi zptnm vstupu znaku na terminl, do logu a do
+soubor zpracovvanch pomoc "\write" plat tato pravidla: Nen-li znak
+s~kdem $y$ oznaen jako \uv{tisknuteln}, pak vystupuje pomoc pepisu
+"^^"kd~$y$. Je-li tisknuteln, pak vystupuje s~kdem $z$=xchr[$y$].
+
+Standardn bvaj v~systmech s~kdem ASCII nastaveny hodnoty tchto
+vektor tak, e
+\medskip
+xord[$i$]=xchr[$i$]=$i$ pro vechna $i$ v~rozsahu 0~a~255.
+\medskip
+Na systmech, kter nepouvaj ASCII, se me mapovat 94
+tisknutelnch ASCII znak jinam. Mimoto je deklarovan vlastnost
+\uv{tisknutelnosti} znaku v~ASCII takto: Znak je tisknuteln, pokud m
+kd~$y$ v~rozsahu 32 a 126. Ostatn znaky se povauj za netisknuteln a
+\TeX{} je standardn pepisuje pomoc dvojit stky.
+
+Po instalaci balku enc\TeX{} je mono pmo nastavovat a st obsahy
+vektor xord a xchr prostednictvm primitiv "\xordcode"
+a "\xchrcode" a dle nastavovat vlastnost \uv{tisknutelnosti} znaku
+pomoc primitivu "\xprncode". Syntaxe vech t novch primitiv
+je naprosto stejn, jakou znme napklad u~primitiv "\lccode" a
+"\uccode". Napklad:
+
+\begtt
+\xordcode"AB="CD \xchrcode\xordcode"AB="AB \the\xchrcode200
+\endtt
+%
+nastavuje xord[0xAB]=0xCD; xchr[xord[0xAB]]=0xAB a dle vytiskne
+hodnotu xchr[200].
+
+Na rozdl od podobnch primitiv "\catcode", "\lccode", "\sfcode" a
+dalch vak nov zaveden primitivy maj jednu podstatnou vjimku.
+Reprezentuj intern registry \TeX{}u, kter vdy maj globln
+platnost. Proto je nastaven "\xordcode" a "\xchrcode" uvnit
+skupiny za vech okolnost globln, akoli to explicitn nepeme.
+stupem z~poadavku na monost loklnho deklarovn
+hodnot jsem doshl podstatn vt efektivity vslednho kdu programu.
+
+
+\sec Tisknutelnost znak nastaven pomoc {\tt\char`\\xprncode}
+% ----------------------------------------------------------
+
+Primitiv "\xprncode" umouje nastavovat vlastnost \uv{tisknutelnosti}
+znaku takto: Znak s~kdem $y$ je tisknuteln prv tehdy, kdy je
+$y$ v~rozsahu 32 a 126 nebo je "\xprncode" $y > 0$. Napeme-li napklad
+"\xprncode255=1", bude tisknuteln znak s~kdem 255. Na druh stran,
+nastaven "\xprncode`a" teba na nulu nem na chovn programu dn
+vliv, protoe kd znaku "a" je v~rozsahu 32 a 126. Tmto
+opatenm program vykazuje urit pud sebezchovy, protoe zl uivatel
+by mu mohl nastavit vechny znaky jako netisknuteln a program by ztratil
+schopnost se vyjadovat. Hodnoty "\xprncode" lze nastavit jako u~ostatnch
+novch primitiv v~rozsahu nula a 255, ovem otzka tisknutelnosti je
+toton s~otzkou na kladnou hodnotu bez ohledu na to, jak velk tato
+hodnota je.
+
+Vchoz hodnoty pro kdovn v~dob ini\TeX{}u jsou nsledujc:
+
+\vbox{
+\begitems
+* "\xordcode" $i$ = $i$ pro vechna $i$ v~rozsahu 0...255,
+* "\xchrcode" $i$ = $i$ pro vechna $i$ v~rozsahu 0...255,
+* "\xprncode" $i$ = 0 pro $i$ v~rozsahu 0...31, 127...255,
+* "\xprncode" $i$ = 1 pro $i$ v~rozsahu 32...126.
+\enditems
+}
+
+Prvn dva dky jsou pravdiv jen na operanch systmech, kter pijaly
+kdovn anglick abecedy podle ASCII. Pokud tomu tak nen, pak jsou
+vchoz hodnoty vektor xord a xchr pozmnny tak, aby mapovaly tisknuteln
+znaky podle systmu do ASCII uvnit \TeX{}u. Takov zmna se tk jen 95
+zkladnch tisknutelnch znak, kter jsou v~ASCII na pozicch
+32~a~126.
+
+
+\kap Konverze vce byt na jeden byte nebo kontroln sekvenci
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Od verze Dec 2002 enc\TeX{} um tak konvertovat na rovni vstupnho
+procesoru vce byt na jeden byte nebo kontroln sekvenci.
+Pi vstupu do logu a "\write" soubor je pak tento objekt
+zptn peveden na pvodnch vce byt. Tato vlastnost nechce nahradit
+chybjc interpret regulrnch vraz ve vstupnm procesoru \TeX{}u.
+Byla implementovna pouze z~dvodu umonit pracovat s~UTF-8 kdovanmi
+soubory v~bnm 8 bitovm \TeX{}u tak, e znaky z~UTF-8
+z~nejastji pouvan abecedy mohou bt mapovny na jeden znak,
+kter me mt svj "\catcode", "\uccode" atd. Jin znaky
+z~UTF-8 mohou bt mapovny na libovoln kontroln sekvence.
+
+Pro nastaven takov konverze jsou do \TeX{}u pidno nov pt
+primitiv: "\mubytein", "\mubyteout", "\mubytelog", "\mubyte" a "\endmubyte".
+Primitivy "\mubytein", "\mubyteout" a "\mubytelog" jsou celoseln
+registry implicitn s~nulovou hodnotou, tj. konverze vstupu a vstupu
+podle konverzn tabulky se neprovdj. Je-li "\mubytein" nastaveno na
+kladnou hodnotu, \TeX{} okamit zahj konverze vstupnho dku podle
+konverzn tabulky. Je-li "\mubyteout" nastaveno na kladnou hodnotu,
+\TeX{} zane konvertovat do vstupnch "\write" soubor podle
+stejn konverzn tabulky. Pi kladnm "\mubytelog" bude \TeX{} zptn
+konvertovat tak vstup do logu a na terminl.
+Implicitn je konverzn tabulka przdn a
+jednotliv dky se do n pidvaj pomoc dvojice primitiv
+"\mubyte", "\endmubyte" s~touto syntax:
+
+\begtt
+\mubyte <first_token><one_optional_space><optional_prefix><byte_sequence>\endmubyte
+\endtt
+
+Kad <byte_sequence> bude pevedena ve vstupnm procesoru na
+<first_token>. Je-li <first_token> znakem (tj. nen to kontroln
+sekvence), pak se ignoruje jeho kategorie, protoe konverze je
+provdna v~input procesoru podle schmatu: <byte_sequence> na jeden
+<byte>. Pi vstupu do logu a "\write" soubor se pak kad takov
+<byte> znovu pevede na <byte_sequence>.
+
+Pokud je <first_token>
+kontroln sekvence, pak se na rovni vstupnho procesoru promn
+kad <byte_sequence> na tuto kontroln sekvenci implementovanou ve form
+nemnitelnho tokenu. Token procesor tuto sekvenci tedy znovu
+neinterpretuje a zstv za n ve stavu neignorovn mezer. Pi
+{\catcode`\<=12 "\mubyteout<2"} nen pi vstupu do "\write"
+soubor tato kontroln sekvence zptn pevdna na pvodn <byte_sequenci>,
+ale podlh jen bn expanzi, jako ostatn kontroln sekvence.
+Pi "\mubyteout>=2" se i tyto kontroln sekvence pevdj do
+"\write" soubor na pvodn <byte_sequence>. Aby se ale mohly pevst,
+nesmj ped tm expandovat, tj.~musej
+mt v~dob expanze vznam neexpandovateln kontroln sekvence
+nebo musej bt oznaeny pomoc "\noexpand".
+Pi "\mubyteout>=3" enc\TeX{} potla expanzi kontrolnch sekvenc
+deklarovanch v~"\mubyte" automaticky (podrobnji viz sekci~3.8).
+Vstup do logu a na terminl, kter nen produktem pkazu "\write",
+ponechv i pi kladnm "\mubytelog" kontroln sekvence nezmnny.
+
+Vznam <optional_prefix> je vysvtlen v~sekci~3.5.
+
+\sec Zanen daj do konverzn tabulky
+% -----------------------------------
+
+Zznamy do konverzn tabulky jsou pomoc primitiv "\mubyte", "\endmubyte"
+zaneny globln, zatmco hodnoty v~registerch "\mubytein",
+"\mubyteout" a "\mubytelog" maj obvykou lokln platnost.
+
+Dvojice primitiv "\mubyte", "\endmubyte" pracuje analogicky, jako
+dvojice "\csname", "\endcsname". Rozdl je pouze v~tom, e prvn token
+<first_byte> se neexpanduje a e za nm me (po expanzi) nsledovat
+<one_optional_space>. Pi skenovn <optional_prefix> a
+<byte_sequence> ji probh pln expanze a pi n se nesm objevit na
+vstupu do hlavnho procesoru token typu kontroln sekvence, jinak
+nastane chyba, kterou u znme z~pouvn "\csname", "\endcsname":
+
+\begtt
+! Missing \endmubyte inserted.
+\endtt
+
+Primitiv "\mubyte" na rozdl od "\csname" neprovd innost na rovni
+expand procesoru, ale jedn se o~piazovac primitiv zpracovan na
+rovni hlavnho procesoru. Take po
+
+\begtt
+\edef\a{\mubyte X ABC\endmubyte}
+\endtt
+%
+bude makro "\a" obsahovat tokeny: "\mubyte X ABC\endmubyte".
+
+Pklady:
+
+\begtt
+\mubyte ^^c1 ^^c3^^81\endmubyte %
+\mubyte ^^e1 ^^c3^^a1\endmubyte %
+% atd. -- implementace UTF8
+
+\mubyte \endash ^^c4^^f6\endmubyte % pklad na kontroln sekvenci
+\mubyte \integral INT\endmubyte % pklad pro ilustraci, viz dle.
+
+\mubytein=1 \mubyteout=1 \mubytelog=1 % od tto chvle je pekdovn aktivn
+
+\def\endash {--}
+\def\integral {\ifmmode \int\else $\int$\fi}
+\endtt
+
+V~tomto pklad je v~mst <one optional space> vce mezer a
+tabultor. Protoe tabultory maj kategorii mezery, jsou vechny
+tyto znaky pemnny token procesorem na jedinou mezeru poadovanou
+v~syntaktickm pravidle pro "\mubyte", "\endmubyte".
+
+Po pouit definic z~pkladu se napklad slovo INTEGRAL promn v~token
+"\integral" okamit nsledovan psmeny \uv{EGRAL}. V~textu INT EGRAL
+bude za tokenem "\integral" mezera a teprve pak psmena
+\uv{EGRAL}. Tak jsou mon konstrukce typu "\defINT{nco}" apod.
+Kdy napeme "\show INT", dostaneme odpov:
+
+\begtt
+> \integral=macro:
+->\ifmmode \int \else $\int $\fi .
+l.18 \show INT
+\endtt
+%
+a "\string INT" se expanduje na text: "\integral".
+
+Po deklaraci INT podle pedchozho pkladu se me
+stt, e nkdo nape: "\INT". Sprvn by to mlo vst na przdnou
+kontroln sekvenci ("\csname\endcsname") nsledovanou kontroln
+sekvenc "\integral". Protoe se ale s~przdnmi kontrolnmi
+sekvencemi v~\TeX{}u moc asto nepracuje a pro uivatele by to mohlo
+bt matouc, rozhodl jsem se tuto situaci oetit tak, e "\INT" je
+pevedeno pouze na token "\integral". Pozor na skutenost,
+e za sekvenc "\INT" nen \TeX{} ve stavu ignorovn mezer
+a navc me za n okamit nsledovat psmeno.
+
+\sec Vlastnosti konverze
+% -------------------
+
+Multibytov sekvence jsou pevedeny ze vstupu pouze tehdy, pokud jsou
+cel obsaeny v~jedinm dku. Pesah do dalho dku nen
+mon. Pipojen "\endlinechar" na konci dku se me stt pedmtem
+konverze podle konverzn tabulky.
+
+Sekvence "^^c3^^81" se nepromn ani po pouit definic z~pkladu na
+byte \uv{}, protoe pevod dvojitch zobk na jednotliv byty
+probh v~token procesoru, tj. pozdji, ne pevody vce byt na
+jeden podle "\mubyte".
+
+Pevod vce byt na jeden byte nebo kontroln sekvenci
+probh pozdji ne konverze podle "\xordcode" a pi vstupu do "\write" a
+log soubor pak pevod podle "\mubyte" probh dve ne konverze podle
+"\xchrcode". <byte_sequence> tedy mus obsahovat sekvenci byt tak, jak
+jsou tyto byty konvertovny ze vstupnho souboru pomoc "\xordcode".
+
+Postupn procesy na vstupu a vstupu si meme naznait takto:
+
+\begtt
+vstupn text -> \xordcode -> pipojen \endlinechar ->
+ \mubyte -> token procesor -> expanze ...
+argument \write -> expanze -> \mubyte -> \xchrcode -> vstup
+\endtt
+
+Pi vstupu do "\write" soubor a log zptn konvertovan
+<byte_sequence> u nepodlhaj dal konverzi na formt typu
+"^^c3^^81" ani opakovan konverzi podle "\mubyte". Tyto
+<byte_sequence> se pouze pevedou podle hodnot "\xchrcode".
+
+Pokud se v~konverzn tabulce vyskytuj <byte_sequence> se spolenm
+zatkem, ale rzn dlouh, pak input procesor enc\TeX{}u (od verze
+Feb.~2003) pevd vdy podle nejdel mon <byte_sequence>, kter se
+na vstupu objev. Pklad:
+
+\begtt
+\mubyte X A\endmubyte
+\mubyte Y ABC\endmubyte
+\mubyte \foo ABCD\endmubyte
+\endtt
+
+V~tomto pklad se kad A~konvertuje na X, ale pokud nsleduje BC,
+pak se skupina ABC konvertuje na Y ovem s~tou vjimkou, e se skupina
+ABCD konvertuje na "\foo". Na poad vkldn daj do konverzn tabulky
+primitivem "\mubyte" v~tomto ppad nezle.
+
+Pokud se v~konverzn tabulce objev dv stejn <byte_sequence>, pak m
+pednost ta, kter byla zanesena do tabulky pozdji.
+
+
+\sec Konverze vstupu do logu a na terminl
+% --------------------------------------
+
+Vstup do logu a na terminl je pi nulovm "\mubytelog" ponechn bez
+konverze. Pokud je v~takovm ppad "\xprncode" znaku nulov, pak se
+znak vytiskne ve form "^^A" nebo "^^bc". Pi kladnm "\mubytelog" se
+znaky zanesen do konverzn tabulky konvertuj zpt na
+<byte_sequence>. Do logu a na terminl se ale na <byte_sequence>
+nikdy nekonvertuj kontroln sekvence.
+
+Zptn konverze do logu a na terminl je nastavovna spolen
+primitivem "\mubytelog" a nelze ji oddlit tak, e by napklad pro
+terminl byla zptn konverze potlaena a pro log soubory nikoli.
+
+Vpisy do logu a na terminl obas obsahuj kompletn pepis prv
+tenho dku, kter je napklad pi hlen chyby rozrten na dva
+dky, aby \TeX{} naznail msto, kde dolo k~problmu. Pro dal
+vklad budeme tmto stem logu kad \uv{pepisy dk}.
+
+Je-li registr "\mubytein" nulov, pak pepisy dk
+funguj jako ve standardnm \TeX{}u. Je-li "\mubytein" kladn a
+"\mubytelog" nulov, pak je v~pepisech dk zobrazen obsah dku a
+po konverzi input procesorem enc\TeX{}u, tj. v~tchto pepisech se
+mohou napklad vyskytovat kontroln sekvence, kter tam uivatel
+vbec nenapsal. Jsou-li "\mubytein" i "\mubytelog"
+kladn, pak jsou pepisy dk realizovny bez multibytov konverze
+tam ani zpt. Probh jen konverze podle xchr a xord vektor.
+Je teba si uvdomit, e v~tomto ppad mohou bt chybov vpisy
+ponkud matouc. Napklad po
+
+\begtt
+\mubyte \sekvence ABC\endmubyte \let\sekvence=\undefined
+\mubytein=1 \mubytelog=1
+Tady je test ABC a dek pokauje.
+\endtt
+%
+dostvme na vstupu:
+
+\begtt
+! Undefined control sequence.
+l.3 Tady je test ABC
+ a dek pokauje.
+?
+\endtt
+%
+Teprve "\show ABC" odhal:
+
+\begtt
+> \sekvence=undefined.
+l.3 \show ABC
+\endtt
+
+
+\sec Mazn daj v~konverz tabulce
+% -------------------------------
+
+daje v~konverzn tabulce lze mazat jen hromadn: pkaz vymae
+vechny daje zanajc na spolen prvn znak v~<byte_sequenci>.
+Provede se to pomoc pkazu "\mubyte <znak> <znak>\endmubyte".
+Napklad:
+
+\begtt
+\mubyte A A\endmubyte
+\endtt
+%
+odstran z~konverzn tabulky vechny <byte_sequence> zanajc
+psmenem A.
+
+Nsledujc kd promae celou tabulku:
+
+\catcode`<=12
+\begtt
+{\catcode`\^^@=12
+\gdef\clearmubytes{\bgroup \count255=1
+ \loop \uccode`X=\count255
+ \uppercase{\mubyte XX\endmubyte}%
+ \advance\count255 by1
+ \ifnum\count255<256 \repeat
+ \mubyte ^^@^^@\endmubyte
+ \egroup}
+}
+\clearmubytes
+\endtt
+\catcode`<=13
+
+
+\sec Vstupn a vstupn st konverzn tabulky
+% -----------------------------------------
+
+Konverzn tabulka konstruovan pomoc "\mubyte", "\endmubyte" m dv
+nezvisl sti: vstupn, se kterou pracuje input procesor a vstupn,
+kter se pouv pi zptnch konverzch. daje je mon zanst
+nezvisle do kad sti pi pouit neprzdnho <optional_prefix>
+(viz syntaktick pravidlo "\mubyte" na zatku tto kapitoly).
+Je-li <optional_prefix>
+przdn, pak se poadavek na konverzi zanese dvojmo do vstupn i
+vstupn sti. Je-li ale <optional_prefix> znak kategorie~8 (obvykle
+znak "_"), pak se daj zanese jen do vstupn sti tabulky. Obsahuje-li
+<optional_prefix> dvojici znak kategorie~8 (obvykle tedy "__"), pak
+se daj zanese jen do vstupn sti tabulky.
+
+Pi <optional_prefix> "__" (vstupn st tabulky) je dovoleno mt
+przdnou <byte_sequenci>. V~takovm ppad se pvodn
+daje z~vstupn sti tabulky, kter odpovdaj <first_token>,
+vymaou. Pokud tam dn takov daje nebyly, nestane se nic.
+
+Vrame se ke kdu na vymazn tabulky z~pedchoz sekce. Tento kd
+vymae ve ze vstupn sti tabulky a z~vstupn jen ty daje, kter
+jsou vzny na <first_token> ve tvaru <byte>. daje z~vstupn sti
+vzan na kontroln sekvence nejsou tmto zpsobem promazny.
+Promazn jednoho daje udlme pomoc:
+"\mubyte \foo __\endmubyte".
+
+
+\sec Vkldn dalch kontrolnch sekvenc
+% -------------------------------------
+
+Je-li <first_token> ve tvaru kontroln sekvence a navc
+<optional_prefix> je token kategorie~6
+(obvykle znak "#") nsledovan <slem>,
+pak input procesor ponech beze zmny <slo> znak,
+ale vlo ped n deklarovanou kontroln sekvenci.
+daj se zanese jen do vstupn sti konverzn tabulky.
+Pklad:
+
+\begtt
+\def\abc{ABC}
+\mubyte X BC\endmubyte \mubytein=1
+\mubyte \foo #3 \abc\endmubyte Nyn ABC pechz na \foo ABC
+\mubyte \foo #1 \abc\endmubyte Nyn ABC pechz na \foo AX
+\endtt
+
+Parametr <slo> m stejnou syntaxi, jako gramatick kategorie <number>
+z~\TeX{}booku. Napklad pi pmm zpisu dekadickch slic
+me nsledovat jedna nepovinn mezera, jako v~pedchoz ukzce.
+
+Je-li <slo> rovno nule, pak bude
+ponechna beze zmny cel <byte_sequence>, kter nsleduje.
+Vsledek je tedy stejn, jako kdyby <slo> mlo hodnotu dlky
+<byte_sequence>.
+
+Hodnota <sla> je akceptovna jen v~rozsahu 0 a 50. Zporn sla
+jsou interpretovna stejn jako nula a sla vt ne 50 zpsob, e
+input procesor vypne po vloen kontroln sekvence dal konverzi a
+do konce dku.
+
+Praktick pklad pouit:
+
+\begtt
+\mubyte \warntwobytes #2^^c3\endmubyte
+\mubyte \warntwobytes #2^^c4\endmubyte
+\mubyte \warntwobytes #2^^c5\endmubyte
+% atd...
+\def\warntwobytes #1#2{\message{WARNING: the UTF8 code:
+ \noconvert#1\noconvert#2 is not defined i my macros.}}
+\endtt
+
+V~tomto pklad byl pouit nov primitiv enc\TeX{}u "\noconvert",
+jeho vlastnosti jsou uvedeny pozdji v~kapitole~5. Pipomnm tak,
+e od verze Feb.~2003 nezpsobuj jednoznakov <byte_sequence> kolizi
+s~vceznakovmi <byte_sequencemi> se stejnm zatkem, take tento
+pklad neru konverzi \uv{znmch} UTF-8 kd.
+
+
+
+\sec Rozpoznn zatku dku
+% ------------------------
+
+Existuj-li v~konverzn tabulce <byte_sequence>
+s~prvnm znakem shodnm s~aktulnm "\endlinechar",
+tj.~<byte_sequence> jsou ve tvaru <endlinechar><zbytek>,
+pak input procesor navc ovuje, zda je <zbytek> shodn se
+zatkem kadho dku. Pokud ano, provede poadovanou konverzi.
+Pklad pouit:
+
+\begtt
+\bgroup \uccode`X=\endlinechar \uppercase{\gdef\echar{X}}\egroup
+\mubyte \fooB \echar ABC\endmubyte % vyhovuje ABC na zatku dku
+\mubyte \fooE ABC\echar \endmubyte % vyhovuje ABC na konci dku
+\mubyte \fooW \spce\space ABC\space \endmubyte
+ % vyhovuje ABC jako slovo s mezerami vpedu i vzadu
+\mubyte \foo #\echar ABC\endmubyte %
+ % je-li ABC na zatku dku, vlo ped nj \foo
+\endtt
+
+
+\sec Potlaen expanze v~parametrech write
+% -------------------------------------
+
+Chceme-li pevdt kontroln sekvence zptn na <byte_sequence> pi
+zpisu do "\write" soubor, musme potlait ppadnou expanzi tchto
+kontrolnch sekvenc napklad pomoc "\let\macro=\relax". Protoe ale
+"\write" asto pracuje asynchronn a kontrolnch sekvenc mapujcch
+UTF-8 meme mt stovky nebo tisce, umouje enc\TeX{} nastavit
+v~dob expanze parametr "\write" pslunm kontrolnm sekvencm
+vznam "\relax" automaticky. Dl to pi "\mubyteout>=3" a vznam
+"\relax" piad prv tm kontrolnm sekvencm, kter maj
+ve vstupn sti konverzn tabulky neprzdnou <byte_sequenci>.
+Jakkoli jin expanze mimo parametr "\write" probhaj
+normlnm zpsobem. Pklad:
+
+\begtt
+\mubyte \foo ABC\endmubyte \def\foo{macro body}
+\mubyteout=2
+\immediate\write16{testwrite: \foo} % zape "testwrite: macro body"
+\immediate\write16{testwrite: \noexpand\foo} % zape "testwrite: ABC"
+\mubyteout=3
+\immediate\write16{testwrite: \foo} % zape "testwrite: ABC"
+\message{testmessage: \foo} % zape "testmessage: macro body"
+\message{testmessage: \noexpand\foo} % zape "testmessage: \foo"
+\edef\a{testedef: \foo} % expanduje na macro body
+\foo % expanduje na macro body
+\immediate\write16{\meaning\foo} % zape "\relax"
+\message{\meaning\foo} % zape "macro:->macro body"
+\endtt
+
+Pomoc zpisu "\mubyte <control_sequence> \relax \endmubyte" je mono
+pidlit kontroln sekvenci pznak, aby se neexpandovala
+v~parametrech "\write" pi "\mubyteout>=3", ale na druh stran nebude
+konvertovna do dn <byte_sequence>, ale vype se jako obvykle.
+Uveden zpis m tedy stejn vznam jako
+"\mubyte" <control_sequence>" __\string" <control_sequence>"\space\endmubyte",
+ale navc et pamt \TeX{}u, nebo \TeX{} nen nucen ukldat
+string <byte_sequence> do poolu.
+
+Popsanou vlastnost enc\TeX{}u mete vyut k~vytven vlastnch
+maker, kter jinak expanduj v~parametrech "\write" a jinak
+\uv{normln}. Pklad:
+
+\begtt
+\mubyte \writeparameter \relax \endmubyte \def\writeparameter{}
+\def\mymacro{\ifx\writeparameter\relax Tady expanduji ve write.
+ \else Tady expanduji normln.\fi}
+\endtt
+
+
+\sec Asynchronn zpracovn pkazu write
+% ------------------------------------
+
+Je znmo, e pokud nepouijeme "\immediate", pak se argument pkazu
+"\write" expanduje a pozdji: ne v~okamiku vskytu pkazu.
+Pkaz "\write" si proto ulo do sv pamti aktuln
+hodnotu registru "\mubyteout" v~dob prvnho zpracovn a pak
+pi expanzi a zpisu do souboru tuto hodnotu pouije.
+
+Dky tto vlastnosti meme teba pro soubor s~obsahem zapisovat
+s~hodnotou "\mubyteout=3" a souasn pi zpisu do jinho souboru
+ponechme hodnotu "\mubyteout=0". To me bt douc
+napklad proto, e soubor je uren ke zpracovn programem, kter
+nem implementovnu schopnost prce s~UTF-8 kdovnm. Vyzkouejte:
+
+\begtt
+\newwrite\tocfile \newwrite\indexfile
+\immediate\openout\tocfile=\jobname.toc
+\immediate\openout\indexfile=\jobname.idx
+\mubyteout=3
+\write\tocfile{parametr se bude pozdji konvertovat do UTF-8}
+{\mubyteout=0 \write\indexfile{parametr zstane nezmnn bez konverze}}
+\write\tocfile{zde se znovu provede konverze}
+\end % a teprve v tento okamik se vechny ti zpisy provedou
+\endtt
+
+
+\sec Hodnoty registru mubyteout
+% --------------------------
+
+Krom ji zmnnch hodnot 0, 1, 2 a 3 registru "\mubyteout" me bt
+nkdy uiten nastavit tento registr na hodnoty $-1$, $-2$ a $-3$.
+Vznam tchto hodnot je vysvtlen v~nsledujc tabulce:
+
+\vbox{
+\begtt
+\mubyteout <byte>-><byte_sequence> <cs_name>-><byte_sequence> potlaen expanze
+----------------------------------------------------------------------------
+ 0 ne ne ne
+ 1 ano ne ne
+ 2 ano ano ne
+ 3 ano ano ano
+ -1 ano ne ano
+ -2 ne ne ano
+\endtt
+\relax}
+
+Je-li zapnut konverze <byte>"->"<byte_sequence>, pak se tato konverze
+provd i do logu a na terminl, zatmco konverze
+<cs_name>"->"<byte_sequence> a potlaen
+expanze se tkaj jen argument "\write" a "\special".
+
+
+\kap Argumenty primitivu special
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+V~argumentech "\special" se asto objevuj texty
+v~pirozenm jazyce (napklad texty pro zloky do PDF dokumentu).
+Pi stle astjm pouvn UTF-8 je douc, aby tyto texty byly
+kdovny v~tomto kdovn. Enc\TeX{} tuto monost nabz.
+
+Argument primitivu "\special" je zpracovn podle hodnoty celoselnho
+registru "\specialout", kter m implicitn hodnotu~0.
+
+\begitems
+* "\speialout=0" -- dn konverze argumentu se neprovede.
+* "\speialout=1" -- provede se konverze jen podle vektoru xchr.
+* "\speialout=2" -- provede se konverze jen podle hodnoty "\mubyteout".
+* "\speialout=3" -- provede se konverze podle hodnoty "\mubyteout"
+ nsledovan konverz podle xchr.
+\enditems
+
+Primitiv "\special" expanduje svj argument okamit. Pi
+"\specialout" 2 nebo 3 se expanze provede podle hodnoty "\mubyteout"
+stejn jako u~primitivu "\write". Pak si pkaz "\special" ulo do
+pamti aktuln hodnoty "\specialout" a "\mubyteout" a tyto hodnoty
+pouije jet jednou pi skutenm vstupu argumentu do "dvi" souboru.
+
+
+\kap Primitiv noconvert
+ %%%%%%%%%%%%%%%%%%
+
+Enc\TeX{} zavd primitiv "\noconvert", kter
+potla ppadnou konverzi nsledujcho znaku nebo kontroln sekvence.
+Pesnji: primitiv "\noconvert" je neexpandujc a v~sazb neudl nic
+(podobn jako "\relax"). Pokud se ale
+tento primitiv vyskytne v~argumentu "\message" nebo "\errmessage",
+pak jeho kontroln sekvence nen vbec vytitna. Navc pak nsledujc
+znak nen konvertovn na <byte_sequenci>, akoli teba je "\mubytelog"
+kladn a znak je uveden ve vstupn sti konverzn tabulky.
+
+Primitiv "\noconvert" se chov stejn i v~parametrech "\write" a
+"\special". V~tomto ppad navc me primitiv "\noconvert" potlait
+konverzi nsledujc kontroln sekvence, akoli je teba "\mubyteout"
+v ne~2.
+
+Konstrukce "\noconvert\noconvert" vytiskne jedno "\noconvert".
+
+Pokud se m primitiv "\noconvert" vypsat v~jinch situacch (napklad
+pi vpisu kontextu pi hlen o~chyb nebo pi rznch
+"\tracing..."), pak jeho kontroln sekvence nemiz a navc
+neovlivn tisk nsledujcho znaku.
+
+
+\kap Seznam primitiv enc\TeX{}u
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pro lep orientaci uvdm pehled novch primitiv enc\TeX{}u:
+
+\begitems
+* "\mubyte" --- zan daje do konverzn tabulky, viz~kap.~3.
+* "\endmubyte" --- separtor pro "\mubyte".
+* "\mubytein" --- registr integer. 0: vcebytov vstupn konverze
+ potlaena, 1 a vce: vcebytov vstupn konverze je
+ aktivovna.
+* "\mubyteout" --- registr integer, ovlivn konverzi do vstupnch
+ soubor "\write" a parametr "\special", viz~3.10.
+* "\mubytelog" --- registr integer, 0: vcebytov vstupn konverze do
+ logu a na terminl potlaena, 1 a vce: vcebytov
+ vstupn konverze je aktivovna.
+* "\specialout" --- registr integer, ovlivn zpracovn parametr
+ "\special", viz~kap.~4.
+* "\noconvert" --- podobn jako "\noexpand", ale pro konverze. Viz~kap.~5.
+* "\xordcode" --- pstup k~vektoru xord, viz 2.1.
+* "\xchrcode" --- pstup k~vektoru xchr, viz 2.1.
+* "\xprncode" --- pstup k~vektoru pro tisknutelnost znak, viz 2.2.
+\enditems
+
+Pehled prefix pi pouit
+"\mubyte"<first_token><optional_space><prefix><byte_sequence>"\endmubyte".
+Znak~"#" zde oznauje libovoln token kategorie~6 a znak~"_" oznauje
+libovoln token kategorie~7.
+
+\begitems
+* dn prefix --- zznam do vstupn i vstupn tabulky.
+* "_" --- zznam jen do vstupn sti tabulky
+* "__" --- zznam jen do vstupn sti tabulky
+* "#<slo>" --- vloen kontroln sekvence, nsledujcch <slo> znak
+ ponech input procesor beze zmny.
+* "\relax" --- kontroln sekvence nebude expandovat v~parametrech "\write"
+\enditems
+
+Dal prefixy se mohou objevit v~budoucch verzch enc\TeX{}u. Vdy
+budou mt kategorie odlin od 11 a 12, take pro zatek
+<byte_sequence> je vhodn v~makrech pout token kategorie 11 nebo 12,
+aby se pedelo ppadnmu konfliktu s~budouc vez enc\TeX{}u.
+
+
+\kap Dokumentace k~piloenm souborm maker
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Tato st dokumentace nebyla ve verzi Dec. 2002 revidovan a je
+ponechna ve stavu z~roku 1997 s~vjimkou nsledujcho odstavce.
+
+\sec Kdovn UTF-8
+% --------------
+
+Pro vstupn kdovn UTF-8 jsou pipraveny soubory "utf8-csf.tex" a
+"utf8-t1.tex". V~tomto ppad je pekdovn implementovno pomoc
+"\mubyte" a vektory xord, xchr jsou nastaveny tak, e na jejich rovni
+je zachovno identick zobrazen.
+
+\sec Formty typu {\tt plain-x-y}
+% ----------------------------
+
+V~balku jsou pipraveny inicializan soubory pro vygenerovn formtu
+podobnmu standardnmu formtu plain. Napklad pkazem
+
+\begtt
+$ tex -ini -enc plain-1250-cs
+\endtt
+
+vygenerujeme formt analogick plainu, kter te vstupn soubory
+v~kdovn CP1250 a pracuje s~CS-fonty.
+
+V~balku jsou k~dispozici tyto inicializan soubory pro plain:
+
+\begtt
+plain-il2-cs ... vstup podle ISO8859-2, textov fonty v TeXu: CS-font
+plain-kam-cs ... vstup podle Kamenickch, textov fonty v TeXu: CS-font
+plain-1250-cs ... vstup podle CP1250, textov fonty v TeXu: CS-font
+plain-852-cs ... vstup podle CP852, textov fonty v TeXu: CS-font
+plain-il2-dc ... vstup podle ISO8859-2, textov fonty v TeXu: DC
+plain-kam-dc ... vstup podle Kamenickch, textov fonty v TeXu: DC
+plain-1250-dc ... vstup podle CP1250, textov fonty v TeXu: DC
+plain-852-dc ... vstup podle CP852, textov fonty v TeXu: DC
+\endtt
+
+\sec Poznmka k~dlouhm nzvm soubor
+% ---------------------------------
+
+Vechny soubory "*.tex" v~balku spluj DOSov omezen na dlku nzvu
+8+3. Vjimkou z~tohoto pravidla jsou pouze soubory plain-x-y popsan
+ve a analogick inicializan soubory pro La\TeX{}. Pokud pouvte
+systm, kter je omezen na 8+3, doporuuji pro kad kdovn zvolit
+jedno psmeno (napklad c=cs, d=dc, i=il2, w=1250, p=852, k=kam,
+o=koi8, m=mac) a nahradit nzvy soubor v~distribuci tmito nzvy:
+
+\begtt
+plain-il2-cs.tex plain-ic.tex
+plain-kam-cs.tex plain-kc.tex
+plain-1250-cs.tex plain-wc.tex
+plain-852-cs.tex plain-pc.tex
+plain-il2-dc.tex plain-id.tex
+plain-kam-dc.tex plain-kd.tex
+plain-1250-dc.tex plain-wd.tex
+plain-852-dc.tex plain-pd.tex
+kam-latex.tex latex-ki.tex
+852-latex.tex latex-pi.tex
+\endtt
+
+Obsah "\message" v~souborech {\tt plain-x-y} nemte. Napklad formt
+"plain-wc" se po sputn pedstav svm plnm jmnem
+
+\catcode`\<=12
+\begtt
+The format: plain-1250-cs <Sep. 1997>.
+\endtt
+\catcode`\<=13
+
+\sec Kdovac tabulky
+% ----------------
+
+Protoe zmna vektor xord a xchr me totln rozhodit chovn
+\TeX{}u zcela k~nepoznn, doporuuji pouvat urit soubory, kter
+nastav poadovan kdovn, a dle s~primitivy "\xordcode",
+"\xchrcode" a "\xprncode" za bhu \TeX{}u moc nelakovat. V~balku
+enc\TeX{} jsou k~dispozici soubory, kter zmnu vektor pro bn
+kdovn definuj. Tyto soubory maj obvyklou pponu tex. kme jim
+kdovac tabulky. Rozliujeme dva typy kdovacch tabulek.
+
+
+\sec Prvn typ kdovacch tabulek
+% ----------------------------
+
+Prvn typ tabulek deklaruje vnitn kdovn \TeX{}u ve vztahu ke kdovn,
+kter je bn pouvan v~hostitelskm operanm systmu. Mme-li
+napklad v~systmu kdovn ISO-8859-2 a vnitn kdovn \TeX{}u volme
+podle Corku (kdovn je oznaovno jako T1), pak tabulka mus pedefinovat
+xord vektor tak, aby mapoval znaky z~ISO-8859-2 do T1 a vektor xchr mus
+pevdt zptky z~T1 do kdovn systmu.
+
+Tento typ tabulek je pouit v~inicializanch souborech "plain-*.tex" a
+obsahuje v~nzvu souboru vstupn i clov vnitn kdovn \TeX{}u. Podvejte
+se, jak vypad napklad tabulka "il2-t1.tex", kter definuje vnitn
+kdovn \TeX{}u podle Corku a vstupn kdovn ISO8859-2.
+
+Kad tabulka prvnho typu te soubor "encmacro.tex" s~definicemi maker
+"\setcharcode", "\expandto", "\texaccent", "\texmacro" a "\redefaccent".
+
+\begitems
+* "\setcharcode #1 #2 #3 #4 #5 #6 #7" deklaruje \TeX{}ov kdy pro jeden znak.
+ Nastav xord["#1"]="#2", xchr["#2"]="#1", "\xprncode#2"="#7" a
+ postupn nastav "\lccode", "\uccode", "\sfcode" a "\catcode" znaku
+ s~kdem "#2" na hodnoty "#3", "#4", "#5" a "#6".
+ Je-li "#1" otaznk, pak se xord a xchr nenastav.
+
+* "\expandto {<definice>}" definuje aktivn podobu znaku "#2" z~poslednho
+ "\setcharcode" tak, e tento token expanduje na <definici>. Podrobnji:
+ je-li v~"\setcharcode" uvedeno "#6=13", pak bude kad vskyt znaku "#2"
+ expandovat na <definici>. Nen-li v~"\setcharcode" eeno "#6=13", pak
+ k~expanzi znaku "#2" na <definici> dojde teprve tehdy, kdy bude
+ (teba pozdji) nastaveno "\catcode" znaku "#2" na "13".
+
+* "\texaccent" uv{zpis akcentu} pipravuje expanzi \uv{zpisu akcentu}
+ na znak s~kdem "#2" z~naposledy pouitho "\setcharcode". Napklad
+ zpis "\v C" bude po naten souboru il2-t1.tex expandovat na znak
+ s~kdem {\tt\char`\"83}. Pokud zpis pro akcent nen v~tabulce uveden,
+ zstv v~pvodnm vznamu, tj. teba "\v g" expanduje na primitiv
+ "\accent", kter usad hek nad psmeno g.
+ K~aktivaci vech \uv{zpis akcentu} dojde a po pouit makra
+ "\redefaccent" (viz ne).
+
+* "\texmacro #1" deklaruje makro "#1" tak, e bude expandovat na znak s~kdem
+ "#2" z~naposledy pouitho "\setcharcode". K~pedefinovn makra "#1"
+ dojde (na rozdl od "\texaccent") okamit. Napklad makro "\S" bude
+ po naten souboru "il2-t1.tex" expandovat na znak s~kdem "9F", protoe
+ na tto pozici je podle Corku znak paragraf.
+
+* "\redefaccent #1" aktivuje expanzi zpis podle "\texaccent" pro jeden
+ konkrtn akcent "#1".
+\enditems
+
+Krom toho je na zatku tabulky ten soubor definic zvislch na kdovn
+textovho fontu \TeX{}u. V~na ukzce jde napklad o~soubor "t1macro.tex".
+Definuj se tam sekvence "\promile", "\clqq" a dal.
+
+Me se stt, e nechceme uveden makra pout, ale hodnoty z~tabulky
+nast chceme. Pak meme pistoupit k~nsledujcmu triku: Definujeme si
+makra "\setcharcode" a "\redefaccent" sami a dle provedeme naten tabulky
+takto:
+
+\begtt
+\let\originput=\input \def\input #1 \originput il2-t1
+\let\input=\originput
+\endtt
+
+V~balku jsou pipraveny tyto tabulky prvnho druhu:
+
+\begtt
+Nzev souboru vstupn kdovn vnitn kdovn TeXu
+-------------------------------------------------------------
+il2-csf.tex ISO8859-2 CS-font
+kam-csf.tex Kamenickch CS-font
+1250-csf.tex CP1250, MS-Windows CS-font
+852-csf.tex CP852, PC Latin2 CS-font
+il2-t1.tex ISO8859-2 T1 alias Cork
+kam-t1.tex Kamenickch T1 alias Cork
+1250-t1.tex CP1250, MS-Windows T1 alias Cork
+852-t1.tex CP852, PC Latin2 T1 alias Cork
+\endtt
+
+Za zmnku stoj prvn uveden tabulka "il2-csf.tex", protoe ta
+jedin ponechv vektory xord a xchr beze zmny. Tuto tabulku
+je tedy mon pout i v~\TeX{}u, kter neobsahuje rozen
+enc\TeX{}. Vechny ostatn tabulky enc\TeX{} explicitn vyaduj.
+
+
+\sec Druh typ kdovacch tabulek
+% ----------------------------
+
+Druh typ tabulek provd pekdovn pouze na vstupn stran \TeX{}u. Poznme
+je podle toho, e nemaj na konci nzvu znaku pro vnitn kdovn \TeX{}u
+(tj. "t1" nebo "csf"), ale znaku pouvanou pro kdovn operanho systmu
+(nap. "il2", "kam"). Teba tabulka "kam-il2.tex" provd na vstupn stran
+konverzi z~kdovn kamenickch do kdovn ISO8859-2. Tento typ tabulek
+pozmuje pouze vektor xchr, ale vstupn vektor xord ponechv beze zmny.
+Takovou tabulku pouijeme, pokud \TeX{}em natme soubor, kter je v~jinm
+kdovn, ne bn pouvme na naem operanm systmu. Pitom vstup do
+log, aux apod. ponechme v~kdovn podle naeho systmu. Tyto zmny
+kdovn je mon provdt i v~prbhu zpracovn jedinho dokumentu.
+
+Druh typ tabulek navazuje na vstupn kdovn deklarovan dve
+tabulkou prvnho typu. Nastaven vnitnho kdovn \TeX{}u nen vbec
+druhm typem tabulek mnno. Uvedeme pklad. Pi generovn formtu
+jsme pouili tabulku prvnho typu "il2-t1.tex", take vnitn
+kdovn mme podle Corku. Nyn meme pi zpracovn dokumentu na
+pechodnou dobu vybrat nkterou z~tabulek "*-il2.tex", teba:
+
+\begtt
+\input kam-il2
+\input dokument
+\restoreinputencoding
+nyn mohu pracovat v pvodnm kdovn...
+\end
+\endtt
+
+V~dob, kdy probh natn souboru dokument.tex se provd
+pekdovn z~Kamenickch do T1, uvnit \TeX{}u se ve zpracovv
+v~T1 a vstup na terminl a do logu mme v~ISO8859-2. V~tomto
+kdovn je tak zapsn dal text pod "\restoreinputencoding".
+Tabulka toti deklaruje toto makro, aby byl mon nvrat k~pvodnmu
+nastaven vektoru xord.
+
+Pi pouit tabulek druhho typu musme dt velk pozor, abychom nco
+neudlali patn. V~naem pklad jsou vechny vstupy do soubor
+typu aux v~ISO-8859-2, take je pi opakovanm sputn \TeX{}u nesmme
+natat v~okamiku, kdy mme nastaven vstupn kd podle Kamenickch. To je
+tak dvod, pro nedoporuuji generovat formt pkazem "\dump" v~situaci,
+kdy mme natenou tabulku druhho typu.
+
+\end
+
+
+
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/enctex/math-example.tex b/Master/texmf-dist/doc/generic/enctex/math-example.tex
new file mode 100644
index 00000000000..24cdc0af05e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/math-example.tex
@@ -0,0 +1,23 @@
+% this file is encoded by UTF-8.
+% If your text editor supports this encoding you can see raw math
+% characters here.
+
+% You can try:
+% $ initex plain-utf8-ec
+% $ tex -fmt plain-utf8-ec math-example
+
+\mathchardef\d="0064
+$$ x∧(y∨z) ≥ (x∧y)∨(x∧z) $$
+$$ f(ξ,η) = ∑_{i=1}^m ∑_{j=1}^n f(x_iα_{ij}y_j,α_{ij}) = f(β_i,γ_j) $$
+$$ (φ,ψ) = ∫φ(x)\,ψ(x)\,\d x $$
+$$ 240° + 240° → 120° $$
+$$ A△B = (A∖B)∪(B∖A) $$
+$$ τ(E∪F) = τ\!\left(⋃_{n=1}^∞ τ(E_n)\right) = ∑_{n=1}^∞ τ(E_n) $$
+$$ ∀f_n∈F\colon ∫f_n\,\dμ↘0 $$
+$$ A≈B ⇔ B≈A $$
+$$ Ξ = X^i{∂\over∂x^i} + Y^A{∂\over∂y^A} + Z^A_i{∂\over∂y^A_i} $$
+$$ \hatΛ_c \hatΛ_{c'} ≠ 0 $$
+$$ W_{j→k}(τ_0,τ) = {2π\overℏ}|H^{\rm I}_{kj}|^2\,δ_{Δτ}(ω_{kj})\,Δτ $$
+$$ Β(β)/Γ(γ) ≪ Ζ(ζ)/Υ(υ) $$
+$$ 1\;℉ = 5/9\;℃\;,\quad 1\;Å = 10^{-4}\;µ{\rm m} $$
+\bye
diff --git a/Master/texmf-dist/doc/generic/enctex/unimap.diff b/Master/texmf-dist/doc/generic/enctex/unimap.diff
new file mode 100644
index 00000000000..2c8e2efa36f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/unimap.diff
@@ -0,0 +1,1402 @@
+--- NamesList.txt 2004-06-11 17:12:47.000000000 +0200
++++ unimap.txt 2004-06-11 13:57:46.000000000 +0200
+@@ -469,6 +469,7 @@
+ 00AC NOT SIGN
+ = angled dash (in typography)
+ x (reversed not sign - 2310)
++ \ \neg
+ 00AD SOFT HYPHEN
+ = SHY
+ = discretionary hyphen
+@@ -488,8 +489,10 @@
+ x (combining ring above - 030A)
+ x (superscript zero - 2070)
+ x (ring operator - 2218)
++ \ \degree
+ 00B1 PLUS-MINUS SIGN
+ x (minus-or-plus sign - 2213)
++ \ \pm
+ 00B2 SUPERSCRIPT TWO
+ = squared
+ * other superscript digit characters: 2070-2079
+@@ -508,6 +511,7 @@
+ # 0020 0301
+ 00B5 MICRO SIGN
+ # 03BC greek small letter mu
++ \ \mu
+ 00B6 PILCROW SIGN
+ = PARAGRAPH SIGN
+ * section sign in some European usage
+@@ -608,6 +612,7 @@
+ @ Mathematical operator
+ 00D7 MULTIPLICATION SIGN
+ = z notation Cartesian product
++ \ \times
+ @ Letters
+ 00D8 LATIN CAPITAL LETTER O WITH STROKE
+ = LATIN CAPITAL LETTER O SLASH
+@@ -688,6 +693,7 @@
+ : 006F 0308
+ @ Mathematical operator
+ 00F7 DIVISION SIGN
++ \ \div
+ @ Letters
+ 00F8 LATIN SMALL LETTER O WITH STROKE
+ = LATIN SMALL LETTER O SLASH
+@@ -853,6 +859,7 @@
+ * Turkish, Azerbaijani
+ * uppercase is 0049
+ x (latin small letter i - 0069)
++ \ \imath
+ 0132 LATIN CAPITAL LIGATURE IJ
+ # 0049 004A
+ 0133 LATIN SMALL LIGATURE IJ
+@@ -2431,37 +2438,61 @@
+ 0390 GREEK SMALL LETTER IOTA WITH DIALYTIKA AND TONOS
+ : 03CA 0301
+ 0391 GREEK CAPITAL LETTER ALPHA
++ \ \Alpha
+ 0392 GREEK CAPITAL LETTER BETA
++ \ \Beta
+ 0393 GREEK CAPITAL LETTER GAMMA
+ = gamma function
++ \ \Gamma
+ 0394 GREEK CAPITAL LETTER DELTA
+ x (increment - 2206)
++ \ \Delta
+ 0395 GREEK CAPITAL LETTER EPSILON
++ \ \Epsilon
+ 0396 GREEK CAPITAL LETTER ZETA
++ \ \Zeta
+ 0397 GREEK CAPITAL LETTER ETA
++ \ \Eta
+ 0398 GREEK CAPITAL LETTER THETA
++ \ \Theta
+ 0399 GREEK CAPITAL LETTER IOTA
+ = iota adscript
++ \ \Iota
+ 039A GREEK CAPITAL LETTER KAPPA
++ \ \Kappa
+ 039B GREEK CAPITAL LETTER LAMDA
++ \ \Lambda
+ 039C GREEK CAPITAL LETTER MU
++ \ \Mu
+ 039D GREEK CAPITAL LETTER NU
++ \ \Nu
+ 039E GREEK CAPITAL LETTER XI
++ \ \Xi
+ 039F GREEK CAPITAL LETTER OMICRON
++ \ \Omicron
+ 03A0 GREEK CAPITAL LETTER PI
+ x (n-ary product - 220F)
++ \ \Pi
+ 03A1 GREEK CAPITAL LETTER RHO
++ \ \Rho
+ 03A3 GREEK CAPITAL LETTER SIGMA
+ x (latin capital letter esh - 01A9)
+ x (n-ary summation - 2211)
++ \ \Sigma
+ 03A4 GREEK CAPITAL LETTER TAU
++ \ \Tau
+ 03A5 GREEK CAPITAL LETTER UPSILON
++ \ \Upsilon
+ 03A6 GREEK CAPITAL LETTER PHI
++ \ \Phi
+ 03A7 GREEK CAPITAL LETTER CHI
++ \ \Psi
+ 03A8 GREEK CAPITAL LETTER PSI
++ \ \Psi
+ 03A9 GREEK CAPITAL LETTER OMEGA
+ x (ohm sign - 2126)
+ x (inverted ohm sign - 2127)
++ \ \Omega
+ 03AA GREEK CAPITAL LETTER IOTA WITH DIALYTIKA
+ : 0399 0308
+ 03AB GREEK CAPITAL LETTER UPSILON WITH DIALYTIKA
+@@ -2479,51 +2510,76 @@
+ 03B1 GREEK SMALL LETTER ALPHA
+ x (latin small letter alpha - 0251)
+ x (proportional to - 221D)
++ \ \alpha
+ 03B2 GREEK SMALL LETTER BETA
+ x (latin small letter sharp s - 00DF)
+ x (latin small letter b with stroke - 0180)
++ \ \beta
+ 03B3 GREEK SMALL LETTER GAMMA
+ x (latin small letter gamma - 0263)
++ \ \gamma
+ 03B4 GREEK SMALL LETTER DELTA
++ \ \delta
+ 03B5 GREEK SMALL LETTER EPSILON
+ x (latin small letter open e - 025B)
++ \ \varepsilon
+ 03B6 GREEK SMALL LETTER ZETA
++ \ \zeta
+ 03B7 GREEK SMALL LETTER ETA
++ \ \eta
+ 03B8 GREEK SMALL LETTER THETA
+ x (latin small letter barred o - 0275)
+ x (cyrillic small letter fita - 0473)
++ \ \theta
+ 03B9 GREEK SMALL LETTER IOTA
+ x (latin small letter iota - 0269)
+ x (turned greek small letter iota - 2129)
++ \ \iota
+ 03BA GREEK SMALL LETTER KAPPA
++ \ \kappa
+ 03BB GREEK SMALL LETTER LAMDA
+ = lambda
++ \ \lambda
+ 03BC GREEK SMALL LETTER MU
+ x (micro sign - 00B5)
++ \ \mu
+ 03BD GREEK SMALL LETTER NU
++ \ \nu
+ 03BE GREEK SMALL LETTER XI
++ \ \xi
+ 03BF GREEK SMALL LETTER OMICRON
++ \ \omicron
+ 03C0 GREEK SMALL LETTER PI
+ * math constant 3.141592...
++ \ \pi
+ 03C1 GREEK SMALL LETTER RHO
++ \ \rho
+ 03C2 GREEK SMALL LETTER FINAL SIGMA
+ = stigma (the Modern Greek name for this letterform)
+ * not to be confused with the actual stigma letter
+ x (greek small letter stigma - 03DB)
++ \ \varsigma
+ 03C3 GREEK SMALL LETTER SIGMA
+ * used symbolically with a numeric value 200
++ \ \sigma
+ 03C4 GREEK SMALL LETTER TAU
++ \ \tau
+ 03C5 GREEK SMALL LETTER UPSILON
+ x (latin small letter upsilon - 028A)
+ x (latin small letter v with hook - 028B)
++ \ \upsilon
+ 03C6 GREEK SMALL LETTER PHI
+ x (latin small letter phi - 0278)
+ x (greek phi symbol - 03D5)
+ * the ordinary Greek letter, showing considerable glyph variation
+ * in mathematical contexts, the loopy glyph is preferred, to contrast with 03D5
++ \ \varphi
+ 03C7 GREEK SMALL LETTER CHI
++ \ \chi
+ 03C8 GREEK SMALL LETTER PSI
++ \ \psi
+ 03C9 GREEK SMALL LETTER OMEGA
++ \ \omega
+ 03CA GREEK SMALL LETTER IOTA WITH DIALYTIKA
+ : 03B9 0308
+ 03CB GREEK SMALL LETTER UPSILON WITH DIALYTIKA
+@@ -2542,6 +2598,7 @@
+ = GREEK SMALL LETTER SCRIPT THETA
+ * used as a technical symbol
+ # 03B8 greek small letter theta
++ \ \vartheta
+ 03D2 GREEK UPSILON WITH HOOK SYMBOL
+ = GREEK CAPITAL LETTER UPSILON HOOK
+ # 03A5 greek capital letter upsilon
+@@ -2555,11 +2612,13 @@
+ * used as a technical symbol, with a stroked glyph
+ * maps to "phi1" symbol entities
+ # 03C6 greek small letter phi
++ \ \phi
+ 03D6 GREEK PI SYMBOL
+ = GREEK SMALL LETTER OMEGA PI
+ * used as a technical symbol
+ * a variant of pi, looking like omega
+ # 03C0 greek small letter pi
++ \ \varpi
+ 03D7 GREEK KAI SYMBOL
+ * used as an ampersand
+ @ Archaic letters
+@@ -2601,10 +2660,12 @@
+ = GREEK SMALL LETTER SCRIPT KAPPA
+ * used as technical symbol
+ # 03BA greek small letter kappa
++ \ \varkappa
+ 03F1 GREEK RHO SYMBOL
+ = GREEK SMALL LETTER TAILED RHO
+ * used as technical symbol
+ # 03C1 greek small letter rho
++ \ \varrho
+ 03F2 GREEK LUNATE SIGMA SYMBOL
+ = GREEK SMALL LETTER LUNATE SIGMA
+ # 03C2 greek small letter final sigma
+@@ -2618,9 +2679,11 @@
+ = straight epsilon
+ x (small element of - 220A)
+ # 03B5 greek small letter epsilon
++ \ \epsilon
+ 03F6 GREEK REVERSED LUNATE EPSILON SYMBOL
+ = reversed straight epsilon
+ x (small contains as member - 220D)
++ \ \backepsilon
+ @ Additional archaic letters for Bactrian
+ 03F7 GREEK CAPITAL LETTER SHO
+ 03F8 GREEK SMALL LETTER SHO
+@@ -9309,6 +9372,7 @@
+ = three dot leader
+ x (vertical ellipsis - 22EE)
+ # 002E 002E 002E
++ \ \ldots
+ 2027 HYPHENATION POINT
+ @ Formatting characters
+ 2028 LINE SEPARATOR
+@@ -9662,6 +9726,7 @@
+ 2103 DEGREE CELSIUS
+ = degrees Centigrade
+ # 00B0 0043
++ \ \degreeC
+ 2104 CENTRE LINE SYMBOL
+ = clone
+ 2105 CARE OF
+@@ -9674,6 +9739,7 @@
+ 2108 SCRUPLE
+ 2109 DEGREE FAHRENHEIT
+ # 00B0 0046
++ \ \degreeF
+ 210A SCRIPT SMALL G
+ = real number symbol
+ # <font> 0067 latin small letter g
+@@ -9690,11 +9756,13 @@
+ 210F PLANCK CONSTANT OVER TWO PI
+ x (cyrillic small letter tshe - 045B)
+ # <font> 0127 latin small letter h with stroke
++ \ \hbar
+ 2110 SCRIPT CAPITAL I
+ # <font> 0049 latin capital letter i
+ 2111 BLACK-LETTER CAPITAL I
+ = imaginary part
+ # <font> 0049 latin capital letter i
++ \ \Im
+ 2112 SCRIPT CAPITAL L
+ = Laplace symbol
+ # <font> 004C latin capital letter l
+@@ -9705,6 +9773,7 @@
+ * the SI recommended symbol for liter is 006C
+ x (mathematical script small l - 1D4C1)
+ # <font> 006C latin small letter l
++ \ \ell
+ 2114 L B BAR SYMBOL
+ = pounds
+ 2115 DOUBLE-STRUCK CAPITAL N
+@@ -9719,6 +9788,7 @@
+ 2118 SCRIPT CAPITAL P
+ = Weierstrass elliptic function
+ * actually this has the form of a lowercase calligraphic p, despite its name
++ \ \wp
+ 2119 DOUBLE-STRUCK CAPITAL P
+ # <font> 0050 latin capital letter p
+ 211A DOUBLE-STRUCK CAPITAL Q
+@@ -9730,6 +9800,7 @@
+ 211C BLACK-LETTER CAPITAL R
+ = real part
+ # <font> 0052 latin capital letter r
++ \ \Re
+ 211D DOUBLE-STRUCK CAPITAL R
+ = the set of real numbers
+ # <font> 0052 latin capital letter r
+@@ -9753,12 +9824,14 @@
+ * SI unit of resistance, named after G. S. Ohm, German physicist
+ * preferred representation is 03A9
+ : 03A9 greek capital letter omega
++ \ \Omega
+ 2127 INVERTED OHM SIGN
+ = MHO
+ * archaic unit of conductance (= the SI unit siemens)
+ * typographically a turned greek capital letter omega
+ x (latin capital letter upsilon - 01B1)
+ x (greek capital letter omega - 03A9)
++ \ \mho
+ 2128 BLACK-LETTER CAPITAL Z
+ # <font> 005A latin capital letter z
+ 2129 TURNED GREEK SMALL LETTER IOTA
+@@ -9766,10 +9839,12 @@
+ x (greek small letter iota - 03B9)
+ 212A KELVIN SIGN
+ : 004B latin capital letter k
++ \ \Kelvin
+ 212B ANGSTROM SIGN
+ * non SI length unit (=0.1 nm) named after A. J. ngstrm, Swedish physicist
+ * preferred representation is 00C5
+ : 00C5 latin capital letter a with ring above
++ \ \Angstrom
+ 212C SCRIPT CAPITAL B
+ = Bernoulli function
+ # <font> 0042 latin capital letter b
+@@ -9789,6 +9864,7 @@
+ # <font> 0046 latin capital letter f
+ 2132 TURNED CAPITAL F
+ x (latin capital letter f - 0046)
++ \ \Finv
+ 2133 SCRIPT CAPITAL M
+ = M-matrix (physics)
+ = German Mark (not the current Deutsche Mark)
+@@ -9801,15 +9877,19 @@
+ 2135 ALEF SYMBOL
+ = first transfinite cardinal (countable)
+ # 05D0 hebrew letter alef
++ \ \aleph
+ 2136 BET SYMBOL
+ = second transfinite cardinal (the continuum)
+ # 05D1 hebrew letter bet
++ \ \beth
+ 2137 GIMEL SYMBOL
+ = third transfinite cardinal (functions of a real variable)
+ # 05D2 hebrew letter gimel
++ \ \gimel
+ 2138 DALET SYMBOL
+ = fourth transfinite cardinal
+ # 05D3 hebrew letter dalet
++ \ \daleth
+ @ Additional letterlike symbols
+ 2139 INFORMATION SOURCE
+ * intended for use with 20DD
+@@ -9891,68 +9971,100 @@
+ @ Roman numerals
+ 2160 ROMAN NUMERAL ONE
+ # 0049 latin capital letter i
++ \ \romannumI
+ 2161 ROMAN NUMERAL TWO
+ # 0049 0049
++ \ \romannumII
+ 2162 ROMAN NUMERAL THREE
+ # 0049 0049 0049
++ \ \romannumIII
+ 2163 ROMAN NUMERAL FOUR
+ # 0049 0056
++ \ \romannumIV
+ 2164 ROMAN NUMERAL FIVE
+ # 0056 latin capital letter v
++ \ \romannumV
+ 2165 ROMAN NUMERAL SIX
+ # 0056 0049
++ \ \romannumVI
+ 2166 ROMAN NUMERAL SEVEN
+ # 0056 0049 0049
++ \ \romannumVII
+ 2167 ROMAN NUMERAL EIGHT
+ # 0056 0049 0049 0049
++ \ \romannumVIII
+ 2168 ROMAN NUMERAL NINE
+ # 0049 0058
++ \ \romannumIX
+ 2169 ROMAN NUMERAL TEN
+ # 0058 latin capital letter x
++ \ \romannumX
+ 216A ROMAN NUMERAL ELEVEN
+ # 0058 0049
++ \ \romannumXI
+ 216B ROMAN NUMERAL TWELVE
+ # 0058 0049 0049
++ \ \romannumXII
+ 216C ROMAN NUMERAL FIFTY
+ # 004C latin capital letter l
++ \ \romannumL
+ 216D ROMAN NUMERAL ONE HUNDRED
+ # 0043 latin capital letter c
++ \ \romannumC
+ 216E ROMAN NUMERAL FIVE HUNDRED
+ # 0044 latin capital letter d
++ \ \romannumD
+ 216F ROMAN NUMERAL ONE THOUSAND
+ # 004D latin capital letter m
++ \ \romannumM
+ 2170 SMALL ROMAN NUMERAL ONE
+ # 0069 latin small letter i
++ \ \romannumi
+ 2171 SMALL ROMAN NUMERAL TWO
+ # 0069 0069
++ \ \romannumii
+ 2172 SMALL ROMAN NUMERAL THREE
+ # 0069 0069 0069
++ \ \romannumiii
+ 2173 SMALL ROMAN NUMERAL FOUR
+ # 0069 0076
++ \ \romannumiv
+ 2174 SMALL ROMAN NUMERAL FIVE
+ # 0076 latin small letter v
++ \ \romannumv
+ 2175 SMALL ROMAN NUMERAL SIX
+ # 0076 0069
++ \ \romannumvi
+ 2176 SMALL ROMAN NUMERAL SEVEN
+ # 0076 0069 0069
++ \ \romannumvii
+ 2177 SMALL ROMAN NUMERAL EIGHT
+ # 0076 0069 0069 0069
++ \ \romannumviii
+ 2178 SMALL ROMAN NUMERAL NINE
+ # 0069 0078
++ \ \romannumix
+ 2179 SMALL ROMAN NUMERAL TEN
+ # 0078 latin small letter x
++ \ \romannumx
+ 217A SMALL ROMAN NUMERAL ELEVEN
+ # 0078 0069
++ \ \romannumxi
+ 217B SMALL ROMAN NUMERAL TWELVE
+ # 0078 0069 0069
++ \ \romannumxii
+ 217C SMALL ROMAN NUMERAL FIFTY
+ # 006C latin small letter l
++ \ \romannuml
+ 217D SMALL ROMAN NUMERAL ONE HUNDRED
+ # 0063 latin small letter c
++ \ \romannumc
+ 217E SMALL ROMAN NUMERAL FIVE HUNDRED
+ # 0064 latin small letter d
++ \ \romannumd
+ 217F SMALL ROMAN NUMERAL ONE THOUSAND
+ # 006D latin small letter m
++ \ \romannumm
+ 2180 ROMAN NUMERAL ONE THOUSAND C D
+ 2181 ROMAN NUMERAL FIVE THOUSAND
+ 2182 ROMAN NUMERAL TEN THOUSAND
+@@ -9963,55 +10075,80 @@
+ @ Arrows
+ 2190 LEFTWARDS ARROW
+ x (combining leftwards arrow overlay - 20EA)
++ \ \leftarrow
+ 2191 UPWARDS ARROW
+ * IPA: egressive airflow
++ \ \uparrow
+ 2192 RIGHTWARDS ARROW
+ = z notation total function
++ \ \rightarrow
+ 2193 DOWNWARDS ARROW
+ * IPA: ingressive airflow
++ \ \downarrow
+ 2194 LEFT RIGHT ARROW
+ = z notation relation
++ \ \leftrightarrow
+ 2195 UP DOWN ARROW
++ \ \updownarrow
+ 2196 NORTH WEST ARROW
++ \ \nwarrow
+ 2197 NORTH EAST ARROW
++ \ \nearrow
+ 2198 SOUTH EAST ARROW
++ \ \searrow
+ 2199 SOUTH WEST ARROW
++ \ \swarrow
+ 219A LEFTWARDS ARROW WITH STROKE
+ * negation of 2190
+ : 2190 0338
++ \ \nleftarrow
+ 219B RIGHTWARDS ARROW WITH STROKE
+ * negation of 2192
+ : 2192 0338
++ \ \nrightarrow
+ 219C LEFTWARDS WAVE ARROW
+ 219D RIGHTWARDS WAVE ARROW
++ \ \leadsto
+ 219E LEFTWARDS TWO HEADED ARROW
++ \ \twoheadleftarrow
+ 219F UPWARDS TWO HEADED ARROW
+ 21A0 RIGHTWARDS TWO HEADED ARROW
+ = z notation total surjection
++ \ \twoheadrightarrow
+ 21A1 DOWNWARDS TWO HEADED ARROW
+ = form feed
+ 21A2 LEFTWARDS ARROW WITH TAIL
++ \ \leftarrowtail
+ 21A3 RIGHTWARDS ARROW WITH TAIL
++ \ \rightarrowtail
+ = z notation total injection
+ 21A4 LEFTWARDS ARROW FROM BAR
+ 21A5 UPWARDS ARROW FROM BAR
+ 21A6 RIGHTWARDS ARROW FROM BAR
+ = z notation maplet
++ \ \mapsto
+ 21A7 DOWNWARDS ARROW FROM BAR
+ = depth symbol
+ 21A8 UP DOWN ARROW WITH BASE
+ 21A9 LEFTWARDS ARROW WITH HOOK
++ \ \hookleftarrow
+ 21AA RIGHTWARDS ARROW WITH HOOK
++ \ \hookrightarrow
+ 21AB LEFTWARDS ARROW WITH LOOP
++ \ \looparrowright
+ 21AC RIGHTWARDS ARROW WITH LOOP
++ \ \looparrowleft
+ 21AD LEFT RIGHT WAVE ARROW
+ 21AE LEFT RIGHT ARROW WITH STROKE
+ * negation of 2194
+ : 2194 0338
++ \ \nleftrightarrow
+ 21AF DOWNWARDS ZIGZAG ARROW
+ = electrolysis
+ 21B0 UPWARDS ARROW WITH TIP LEFTWARDS
++ \ \Lsh
+ 21B1 UPWARDS ARROW WITH TIP RIGHTWARDS
++ \ \Rsh
+ 21B2 DOWNWARDS ARROW WITH TIP LEFTWARDS
+ 21B3 DOWNWARDS ARROW WITH TIP RIGHTWARDS
+ 21B4 RIGHTWARDS ARROW WITH CORNER DOWNWARDS
+@@ -10020,60 +10157,94 @@
+ * may indicate a carriage return or new line
+ x (return symbol - 23CE)
+ 21B6 ANTICLOCKWISE TOP SEMICIRCLE ARROW
++ \ \curvearrowleft
+ 21B7 CLOCKWISE TOP SEMICIRCLE ARROW
++ \ \curvearrowright
+ 21B8 NORTH WEST ARROW TO LONG BAR
+ = home
+ 21B9 LEFTWARDS ARROW TO BAR OVER RIGHTWARDS ARROW TO BAR
+ = tab with shift tab
+ 21BA ANTICLOCKWISE OPEN CIRCLE ARROW
++ \ \circlearrowleft
+ 21BB CLOCKWISE OPEN CIRCLE ARROW
++ \ \circlearrowright
+ 21BC LEFTWARDS HARPOON WITH BARB UPWARDS
++ \ \leftharpoonup
+ 21BD LEFTWARDS HARPOON WITH BARB DOWNWARDS
++ \ \leftharpoondown
+ 21BE UPWARDS HARPOON WITH BARB RIGHTWARDS
++ \ \upharpoonright
+ 21BF UPWARDS HARPOON WITH BARB LEFTWARDS
++ \ \upharpoonleft
+ 21C0 RIGHTWARDS HARPOON WITH BARB UPWARDS
++ \ \rightharpoonup
+ 21C1 RIGHTWARDS HARPOON WITH BARB DOWNWARDS
++ \ \rightharpoondown
+ 21C2 DOWNWARDS HARPOON WITH BARB RIGHTWARDS
++ \ \downharpoonright
+ 21C3 DOWNWARDS HARPOON WITH BARB LEFTWARDS
++ \ \downharpoonleft
+ 21C4 RIGHTWARDS ARROW OVER LEFTWARDS ARROW
++ \ \rightleftarrows
+ 21C5 UPWARDS ARROW LEFTWARDS OF DOWNWARDS ARROW
+ 21C6 LEFTWARDS ARROW OVER RIGHTWARDS ARROW
++ \ \leftrightarrows
+ 21C7 LEFTWARDS PAIRED ARROWS
++ \ \leftleftarrows
+ 21C8 UPWARDS PAIRED ARROWS
++ \ \upuparrows
+ 21C9 RIGHTWARDS PAIRED ARROWS
++ \ \rightrightarrows
+ 21CA DOWNWARDS PAIRED ARROWS
++ \ \downdownarrows
+ 21CB LEFTWARDS HARPOON OVER RIGHTWARDS HARPOON
++ \ \leftrightharpoons
+ 21CC RIGHTWARDS HARPOON OVER LEFTWARDS HARPOON
++ \ \rightleftharpoons
+ 21CD LEFTWARDS DOUBLE ARROW WITH STROKE
+ * negation of 21D0
+ : 21D0 0338
++ \ \nLeftarrow
+ 21CE LEFT RIGHT DOUBLE ARROW WITH STROKE
+ * negation of 21D4
+ : 21D4 0338
++ \ \nLeftrightarrow
+ 21CF RIGHTWARDS DOUBLE ARROW WITH STROKE
+ * negation of 21D2
+ : 21D2 0338
++ \ \nRightarrow
+ 21D0 LEFTWARDS DOUBLE ARROW
++ \ \Leftarrow
+ 21D1 UPWARDS DOUBLE ARROW
++ \ \Uparrow
+ 21D2 RIGHTWARDS DOUBLE ARROW
++ \ \Rightarrow
+ 21D3 DOWNWARDS DOUBLE ARROW
++ \ \Downarrow
+ 21D4 LEFT RIGHT DOUBLE ARROW
++ \ \Leftrightarrow
+ 21D5 UP DOWN DOUBLE ARROW
++ \ \Updownarrow
+ 21D6 NORTH WEST DOUBLE ARROW
+ 21D7 NORTH EAST DOUBLE ARROW
+ 21D8 SOUTH EAST DOUBLE ARROW
+ 21D9 SOUTH WEST DOUBLE ARROW
+ 21DA LEFTWARDS TRIPLE ARROW
++ \ \Lleftarrow
+ 21DB RIGHTWARDS TRIPLE ARROW
++ \ \Rrightarrow
+ 21DC LEFTWARDS SQUIGGLE ARROW
+ 21DD RIGHTWARDS SQUIGGLE ARROW
++ \ \rightsquigarrow
+ 21DE UPWARDS ARROW WITH DOUBLE STROKE
+ = page up
+ 21DF DOWNWARDS ARROW WITH DOUBLE STROKE
+ = page down
+ 21E0 LEFTWARDS DASHED ARROW
++ \ \dashleftarrow
+ 21E1 UPWARDS DASHED ARROW
+ 21E2 RIGHTWARDS DASHED ARROW
++ \ \dashrightarrow
+ 21E3 DOWNWARDS DASHED ARROW
+ 21E4 LEFTWARDS ARROW TO BAR
+ = leftward tab
+@@ -10123,27 +10294,36 @@
+ @@ 2200 Mathematical Operators 22FF
+ @ Mathematical operators
+ 2200 FOR ALL
++ \ \forall
+ 2201 COMPLEMENT
+ x (latin letter stretched c - 0297)
++ \ \complement
+ 2202 PARTIAL DIFFERENTIAL
++ \ \partial
+ 2203 THERE EXISTS
++ \ \exists
+ 2204 THERE DOES NOT EXIST
+ : 2203 0338
++ \ \nexists
+ 2205 EMPTY SET
+ = null set
+ x (latin capital letter o with stroke - 00D8)
+ x (diameter sign - 2300)
++ \ \emptyset
+ 2206 INCREMENT
+ = Laplace operator
+ = forward difference
+ x (greek capital letter delta - 0394)
+ x (white up-pointing triangle - 25B3)
++ \ \Delta
+ 2207 NABLA
+ = Laplace operator (written with superscript 2)
+ = backward difference
+ = del
+ x (white down-pointing triangle - 25BD)
++ \ \nabla
+ 2208 ELEMENT OF
++ \ \in
+ 2209 NOT AN ELEMENT OF
+ : 2208 0338
+ 220A SMALL ELEMENT OF
+@@ -10151,6 +10331,7 @@
+ x (greek lunate epsilon symbol - 03F5)
+ 220B CONTAINS AS MEMBER
+ = such that
++ \ \ni
+ 220C DOES NOT CONTAIN AS MEMBER
+ : 220B 0338
+ 220D SMALL CONTAINS AS MEMBER
+@@ -10159,77 +10340,104 @@
+ = Q.E.D.
+ x (triangular bullet - 2023)
+ x (black vertical rectangle - 25AE)
++ \ \blacksquare
+ 220F N-ARY PRODUCT
+ = product sign
+ x (greek capital letter pi - 03A0)
++ \ \prod
+ 2210 N-ARY COPRODUCT
+ = coproduct sign
++ \ \coprod
+ 2211 N-ARY SUMMATION
+ = summation sign
+ x (greek capital letter sigma - 03A3)
++ \ \sum
+ 2212 MINUS SIGN
+ x (hyphen-minus - 002D)
++ \ \utfminus
+ 2213 MINUS-OR-PLUS SIGN
+ x (plus-minus sign - 00B1)
++ \ \mp
+ 2214 DOT PLUS
++ \ \dotplus
+ 2215 DIVISION SLASH
+ * generic division operator
+ x (solidus - 002F)
+ x (fraction slash - 2044)
++ \ \utfslash
+ 2216 SET MINUS
+ x (reverse solidus - 005C)
++ \ \setminus
+ 2217 ASTERISK OPERATOR
+ x (asterisk - 002A)
++ \ \ast
+ 2218 RING OPERATOR
+ = composite function
+ = APL jot
+ x (degree sign - 00B0)
+ x (white bullet - 25E6)
++ \ \circ
+ 2219 BULLET OPERATOR
+ x (middle dot - 00B7)
+ x (bullet - 2022)
+ x (one dot leader - 2024)
++ \ \bullet
+ 221A SQUARE ROOT
+ = radical sign
+ x (check mark - 2713)
++ \ \surd
+ 221B CUBE ROOT
+ 221C FOURTH ROOT
+ 221D PROPORTIONAL TO
+ x (greek small letter alpha - 03B1)
++ \ \propto
+ 221E INFINITY
++ \ \infty
+ 221F RIGHT ANGLE
+ 2220 ANGLE
++ \ \angle
+ 2221 MEASURED ANGLE
++ \ \measuredangle
+ 2222 SPHERICAL ANGLE
+ = angle arc
++ \ \sphericalangle
+ 2223 DIVIDES
+ = such that
+ = APL stile
+ x (vertical line - 007C)
+ x (latin letter dental click - 01C0)
++ \ \mid
+ 2224 DOES NOT DIVIDE
+ : 2223 0338
++ \ \nmid
+ 2225 PARALLEL TO
+ x (latin letter lateral click - 01C1)
+ x (double vertical line - 2016)
++ \ \parallel
+ 2226 NOT PARALLEL TO
+ : 2225 0338
++ \ \nparallel
+ 2227 LOGICAL AND
+ = wedge, conjunction
+ x (n-ary logical and - 22C0)
+ x (up arrowhead - 2303)
++ \ \land
+ 2228 LOGICAL OR
+ = vee, disjunction
+ x (n-ary logical or - 22C1)
+ x (down arrowhead - 2304)
++ \ \lor
+ 2229 INTERSECTION
+ = cap, hat
+ x (n-ary intersection - 22C2)
++ \ \cap
+ 222A UNION
+ = cup
+ x (n-ary union - 22C3)
++ \ \cup
+ 222B INTEGRAL
+ x (latin small letter esh - 0283)
++ \ \intop
+ 222C DOUBLE INTEGRAL
+ # 222B 222B
+ 222D TRIPLE INTEGRAL
+@@ -10237,6 +10445,7 @@
+ # 222B 222B 222B
+ 222E CONTOUR INTEGRAL
+ x (integral around a point operator - 2A15)
++ \ \ointop
+ 222F SURFACE INTEGRAL
+ # 222E 222E
+ 2230 VOLUME INTEGRAL
+@@ -10246,9 +10455,12 @@
+ 2233 ANTICLOCKWISE CONTOUR INTEGRAL
+ * clockwise or anticlockwise arrows do not reverse during layout mirroring
+ 2234 THEREFORE
++ \ \therefore
+ 2235 BECAUSE
++ \ \because
+ 2236 RATIO
+ x (colon - 003A)
++ \ \ratio
+ 2237 PROPORTION
+ 2238 DOT MINUS
+ = symmetric difference
+@@ -10266,26 +10478,33 @@
+ x (tilde - 007E)
+ x (not sign - 00AC)
+ x (small tilde - 02DC)
++ \ \sim
+ 223D REVERSED TILDE (lazy S)
+ = lazy S
+ * reversed tilde and lazy S are glyph variants
++ \ \backsim
+ 223E INVERTED LAZY S
+ = most positive
+ 223F SINE WAVE
+ = alternating current
+ 2240 WREATH PRODUCT
++ \ \wr
+ 2241 NOT TILDE
+ : 223C 0338
++ \ \nsim
+ 2242 MINUS TILDE
+ 2243 ASYMPTOTICALLY EQUAL TO
++ \ \simeq
+ 2244 NOT ASYMPTOTICALLY EQUAL TO
+ : 2243 0338
+ 2245 APPROXIMATELY EQUAL TO
++ \ \cong
+ 2246 APPROXIMATELY BUT NOT ACTUALLY EQUAL TO
+ 2247 NEITHER APPROXIMATELY NOR ACTUALLY EQUAL TO
+ : 2245 0338
+ 2248 ALMOST EQUAL TO
+ = asymptotic to
++ \ \approx
+ 2249 NOT ALMOST EQUAL TO
+ : 2248 0338
+ 224A ALMOST EQUAL OR EQUAL TO
+@@ -10293,18 +10512,27 @@
+ 224C ALL EQUAL TO
+ * reversed tilde and lazy S are glyph variants
+ 224D EQUIVALENT TO
++ \ \asymp
+ 224E GEOMETRICALLY EQUIVALENT TO
++ \ \Bumpeq
+ 224F DIFFERENCE BETWEEN
++ \ \bumpeq
+ 2250 APPROACHES THE LIMIT
++ \ \doteq
+ 2251 GEOMETRICALLY EQUAL TO
++ \ \doteqdot
+ 2252 APPROXIMATELY EQUAL TO OR THE IMAGE OF
+ = nearly equals
++ \ \failingdoteq
+ 2253 IMAGE OF OR APPROXIMATELY EQUAL TO
++ \ \risingdoteq
+ 2254 COLON EQUALS
+ 2255 EQUALS COLON
+ 2256 RING IN EQUAL TO
++ \ \eqcirc
+ 2257 RING EQUAL TO
+ = approximately equal to
++ \ \circeq
+ 2258 CORRESPONDS TO
+ 2259 ESTIMATES
+ = corresponds to
+@@ -10313,6 +10541,7 @@
+ 225C DELTA EQUAL TO
+ = equiangular
+ = equal to by definition
++ \ \triangleq
+ 225D EQUAL TO BY DEFINITION
+ 225E MEASURED BY
+ 225F QUESTIONED EQUAL TO
+@@ -10320,40 +10549,59 @@
+ x (equals sign - 003D)
+ x (latin letter alveolar click - 01C2)
+ : 003D 0338
++ \ \neq
+ 2261 IDENTICAL TO
++ \ \equiv
+ 2262 NOT IDENTICAL TO
+ : 2261 0338
+ 2263 STRICTLY EQUIVALENT TO
+ 2264 LESS-THAN OR EQUAL TO
++ \ \leq
+ 2265 GREATER-THAN OR EQUAL TO
++ \ \geq
+ 2266 LESS-THAN OVER EQUAL TO
++ \ \leqq
+ 2267 GREATER-THAN OVER EQUAL TO
++ \ \geqq
+ 2268 LESS-THAN BUT NOT EQUAL TO
++ \ \lneqq
+ 2269 GREATER-THAN BUT NOT EQUAL TO
++ \ \gneqq
+ 226A MUCH LESS-THAN
+ x (left-pointing double angle quotation mark - 00AB)
++ \ \ll
+ 226B MUCH GREATER-THAN
+ x (right-pointing double angle quotation mark - 00BB)
++ \ \gg
+ 226C BETWEEN
+ = plaintiff, quantic
++ \ \between
+ 226D NOT EQUIVALENT TO
+ : 224D 0338
+ 226E NOT LESS-THAN
+ : 003C 0338
++ \ \nless
+ 226F NOT GREATER-THAN
+ : 003E 0338
++ \ \ngtr
+ 2270 NEITHER LESS-THAN NOR EQUAL TO
+ : 2264 0338
++ \ \nleq
+ 2271 NEITHER GREATER-THAN NOR EQUAL TO
+ : 2265 0338
++ \ \ngeq
+ 2272 LESS-THAN OR EQUIVALENT TO
++ \ \lesssim
+ 2273 GREATER-THAN OR EQUIVALENT TO
++ \ \gtrsim
+ 2274 NEITHER LESS-THAN NOR EQUIVALENT TO
+ : 2272 0338
+ 2275 NEITHER GREATER-THAN NOR EQUIVALENT TO
+ : 2273 0338
+ 2276 LESS-THAN OR GREATER-THAN
++ \ \lessgtr
+ 2277 GREATER-THAN OR LESS-THAN
++ \ \gtrless
+ 2278 NEITHER LESS-THAN NOR GREATER-THAN
+ : 2276 0338
+ 2279 NEITHER GREATER-THAN NOR LESS-THAN
+@@ -10361,33 +10609,49 @@
+ 227A PRECEDES
+ = lower rank than
+ x (precedes under relation - 22B0)
++ \ \prec
+ 227B SUCCEEDS
+ = higher rank than
+ x (succeeds under relation - 22B1)
++ \ \succ
+ 227C PRECEDES OR EQUAL TO
++ \ \preceq
+ 227D SUCCEEDS OR EQUAL TO
++ \ \succeq
+ 227E PRECEDES OR EQUIVALENT TO
++ \ \precsim
+ 227F SUCCEEDS OR EQUIVALENT TO
++ \ \succsim
+ 2280 DOES NOT PRECEDE
+ : 227A 0338
++ \ \nprec
+ 2281 DOES NOT SUCCEED
+ : 227B 0338
++ \ \nsucc
+ 2282 SUBSET OF
+ = included in set
++ \ \subset
+ 2283 SUPERSET OF
+ = includes in set
++ \ \supset
+ 2284 NOT A SUBSET OF
+ : 2282 0338
+ 2285 NOT A SUPERSET OF
+ : 2283 0338
+ 2286 SUBSET OF OR EQUAL TO
++ \ \subseteq
+ 2287 SUPERSET OF OR EQUAL TO
++ \ \supseteq
+ 2288 NEITHER A SUBSET OF NOR EQUAL TO
+ : 2286 0338
++ \ \nsubseteq
+ 2289 NEITHER A SUPERSET OF NOR EQUAL TO
+ : 2287 0338
++ \ \nsupseteq
+ 228A SUBSET OF WITH NOT EQUAL TO
++ \ \subsetneq
+ 228B SUPERSET OF WITH NOT EQUAL TO
++ \ \supsetneq
+ 228C MULTISET
+ 228D MULTISET MULTIPLICATION
+ x (n-ary union operator with dot - 2A03)
+@@ -10395,76 +10659,106 @@
+ 228E MULTISET UNION
+ = z notation bag addition
+ x (n-ary union operator with plus - 2A04)
++ \ \uplus
+ 228F SQUARE IMAGE OF
++ \ \sqsubset
+ 2290 SQUARE ORIGINAL OF
++ \ \sqsupset
+ 2291 SQUARE IMAGE OF OR EQUAL TO
++ \ \sqsubseteq
+ 2292 SQUARE ORIGINAL OF OR EQUAL TO
++ \ \sqsupseteq
+ 2293 SQUARE CAP
+ x (n-ary square intersection operator - 2A05)
++ \ \sqcap
+ 2294 SQUARE CUP
++ \ \sqcup
+ 2295 CIRCLED PLUS
+ = direct sum
+ = vector pointing into page
+ x (earth - 2641)
+ x (n-ary circled plus operator - 2A01)
++ \ \oplus
+ 2296 CIRCLED MINUS
+ = symmetric difference
+ x (circle with horizontal bar - 29B5)
++ \ \ominus
+ 2297 CIRCLED TIMES
+ = tensor product
+ = vector pointing into page
+ x (n-ary circled times operator - 2A02)
++ \ \otimes
+ 2298 CIRCLED DIVISION SLASH
++ \ \oslash
+ 2299 CIRCLED DOT OPERATOR
+ = direct product
+ = vector pointing out of page
+ x (latin letter bilabial click - 0298)
+ x (sun - 2609)
+ x (n-ary circled dot operator - 2A00)
++ \ \odot
+ 229A CIRCLED RING OPERATOR
+ x (apl functional symbol circle jot - 233E)
+ x (bullseye - 25CE)
++ \ \circledcirc
+ 229B CIRCLED ASTERISK OPERATOR
+ x (apl functional symbol circle star - 235F)
++ \ \circledast
+ 229C CIRCLED EQUALS
+ 229D CIRCLED DASH
++ \ \circleddash
+ 229E SQUARED PLUS
++ \ \boxplus
+ 229F SQUARED MINUS
++ \ \boxminus
+ 22A0 SQUARED TIMES
+ x (ballot box with x - 2612)
++ \ \boxtimes
+ 22A1 SQUARED DOT OPERATOR
++ \ \boxdot
+ 22A2 RIGHT TACK
+ = turnstile
+ = proves, implies, yields
+ = reducible
++ \ \vdash
+ 22A3 LEFT TACK
+ = reverse turnstile
+ = non-theorem, does not yield
++ \ \dashv
+ 22A4 DOWN TACK
+ = top
++ \ \top
+ 22A5 UP TACK
+ = orthogonal to
+ = perpendicular
+ = base, bottom
++ \ \bot
+ 22A6 ASSERTION
+ = reduces to
+ 22A7 MODELS
++ \ \models
+ 22A8 TRUE
+ = statement is true, valid
+ = is a tautology
+ = satisfies
+ = results in
+ 22A9 FORCES
++ \ \Vdash
+ 22AA TRIPLE VERTICAL BAR RIGHT TURNSTILE
++ \ \Vvdash
+ 22AB DOUBLE VERTICAL BAR DOUBLE RIGHT TURNSTILE
+ 22AC DOES NOT PROVE
+ : 22A2 0338
++ \ \nvdash
+ 22AD NOT TRUE
+ : 22A8 0338
++ \ \nvDash
+ 22AE DOES NOT FORCE
+ : 22A9 0338
++ \ \nVdash
+ 22AF NEGATED DOUBLE VERTICAL BAR DOUBLE RIGHT TURNSTILE
+ : 22AB 0338
++ \ \nVDash
+ 22B0 PRECEDES UNDER RELATION
+ x (precedes - 227A)
+ 22B1 SUCCEEDS UNDER RELATION
+@@ -10478,65 +10772,98 @@
+ 22B6 ORIGINAL OF
+ 22B7 IMAGE OF
+ 22B8 MULTIMAP
++ \ \multimap
+ 22B9 HERMITIAN CONJUGATE MATRIX
+ 22BA INTERCALATE
++ \ \intercal
+ 22BB XOR
++ \ \veebar
+ 22BC NAND
+ x (projective - 2305)
++ \ \barwedge
+ 22BD NOR
+ 22BE RIGHT ANGLE WITH ARC
+ 22BF RIGHT TRIANGLE
+ 22C0 N-ARY LOGICAL AND
+ x (logical and - 2227)
++ \ \bigwedge
+ 22C1 N-ARY LOGICAL OR
+ x (logical or - 2228)
++ \ \bigvee
+ 22C2 N-ARY INTERSECTION
+ = z notation generalised intersection
+ x (intersection - 2229)
++ \ \bigcap
+ 22C3 N-ARY UNION
+ = z notation generalised union
+ x (union - 222A)
++ \ \bigcup
+ 22C4 DIAMOND OPERATOR
+ x (white diamond - 25C7)
++ \ \diamond
+ 22C5 DOT OPERATOR
+ x (middle dot - 00B7)
++ \ \cdot
+ 22C6 STAR OPERATOR
+ * APL
+ x (arabic five pointed star - 066D)
+ x (black star - 2605)
++ \ \star
+ 22C7 DIVISION TIMES
++ \ \divideontimes
+ 22C8 BOWTIE
+ x (ocr bow tie - 2445)
++ \ \bowtie
+ 22C9 LEFT NORMAL FACTOR SEMIDIRECT PRODUCT
++ \ \ltimes
+ 22CA RIGHT NORMAL FACTOR SEMIDIRECT PRODUCT
++ \ \rtimes
+ 22CB LEFT SEMIDIRECT PRODUCT
++ \ \leftthreetimes
+ 22CC RIGHT SEMIDIRECT PRODUCT
+ x (caret insertion point - 2041)
++ \ \rightthreetimes
+ 22CD REVERSED TILDE EQUALS
++ \ \backsimeq
+ 22CE CURLY LOGICAL OR
++ \ \curlyvee
+ 22CF CURLY LOGICAL AND
++ \ \curlywedge
+ 22D0 DOUBLE SUBSET
++ \ \Subset
+ 22D1 DOUBLE SUPERSET
++ \ \Supset
+ 22D2 DOUBLE INTERSECTION
++ \ \Cap
+ 22D3 DOUBLE UNION
++ \ \Cup
+ 22D4 PITCHFORK
+ = proper intersection
++ \ \pitchfork
+ 22D5 EQUAL AND PARALLEL TO
+ x (viewdata square - 2317)
+ 22D6 LESS-THAN WITH DOT
++ \ \lessdot
+ 22D7 GREATER-THAN WITH DOT
++ \ \grtdot
+ 22D8 VERY MUCH LESS-THAN
++ \ \ggg
+ 22D9 VERY MUCH GREATER-THAN
++ \ \lll
+ 22DA LESS-THAN EQUAL TO OR GREATER-THAN
++ \ \lesseqqgtr
+ 22DB GREATER-THAN EQUAL TO OR LESS-THAN
++ \ \grteqqless
+ 22DC EQUAL TO OR LESS-THAN
+ 22DD EQUAL TO OR GREATER-THAN
+ 22DE EQUAL TO OR PRECEDES
+ 22DF EQUAL TO OR SUCCEEDS
+ 22E0 DOES NOT PRECEDE OR EQUAL
+ : 227C 0338
++ \ \npreceq
+ 22E1 DOES NOT SUCCEED OR EQUAL
+ : 227D 0338
++ \ \nsucceq
+ 22E2 NOT SQUARE IMAGE OF OR EQUAL TO
+ : 2291 0338
+ 22E3 NOT SQUARE ORIGINAL OF OR EQUAL TO
+@@ -10544,7 +10871,9 @@
+ 22E4 SQUARE IMAGE OF OR NOT EQUAL TO
+ 22E5 SQUARE ORIGINAL OF OR NOT EQUAL TO
+ 22E6 LESS-THAN BUT NOT EQUIVALENT TO
++ \ \lnsim
+ 22E7 GREATER-THAN BUT NOT EQUIVALENT TO
++ \ \gnsim
+ 22E8 PRECEDES BUT NOT EQUIVALENT TO
+ 22E9 SUCCEEDS BUT NOT EQUIVALENT TO
+ 22EA NOT NORMAL SUBGROUP OF
+@@ -10558,9 +10887,12 @@
+ 22EE VERTICAL ELLIPSIS
+ * these four ellipses are used for matrix row/column elision
+ x (horizontal ellipsis - 2026)
++ \ \vdots
+ 22EF MIDLINE HORIZONTAL ELLIPSIS
++ \ \cdots
+ 22F0 UP RIGHT DIAGONAL ELLIPSIS
+ 22F1 DOWN RIGHT DIAGONAL ELLIPSIS
++ \ \ddots
+ 22F2 ELEMENT OF WITH LONG HORIZONTAL STROKE
+ 22F3 ELEMENT OF WITH VERTICAL BAR AT END OF HORIZONTAL STROKE
+ 22F4 SMALL ELEMENT OF WITH VERTICAL BAR AT END OF HORIZONTAL STROKE
+@@ -10579,6 +10911,7 @@
+ @ Miscellaneous technical
+ 2300 DIAMETER SIGN
+ x (empty set - 2205)
++ \ \varemptyset
+ 2301 ELECTRIC ARROW
+ * from ISO 2047
+ * symbol for End of Transmission
+@@ -10602,12 +10935,16 @@
+ 2308 LEFT CEILING
+ = APL upstile
+ x (left corner bracket - 300C)
++ \ \lceil
+ 2309 RIGHT CEILING
+ x (combining annuity symbol - 20E7)
++ \ \rceil
+ 230A LEFT FLOOR
+ = APL downstile
++ \ \lfloor
+ 230B RIGHT FLOOR
+ x (right corner bracket - 300D)
++ \ \rfloor
+ @ Crops
+ 230C BOTTOM RIGHT CROP
+ * set of four "crop" corners, arranged facing outward
+@@ -10639,9 +10976,13 @@
+ @ Quine corners
+ 231C TOP LEFT CORNER
+ * set of four "quine" corners, for quincuncial arrangement
++ \ \ulcorner
+ 231D TOP RIGHT CORNER
++ \ \urcorner
+ 231E BOTTOM LEFT CORNER
++ \ \llcorner
+ 231F BOTTOM RIGHT CORNER
++ \ \lrcorner
+ @ Integral pieces
+ 2320 TOP HALF INTEGRAL
+ x (integral extension - 23AE)
+@@ -10649,8 +10990,10 @@
+ @ Frown and smile
+ 2322 FROWN
+ x (character tie - 2040)
++ \ \frown
+ 2323 SMILE
+ x (undertie - 203F)
++ \ \smile
+ @ Keyboard symbols
+ 2324 UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS
+ = ENTER KEY
+@@ -11527,6 +11870,7 @@
+ = trine
+ x (combining enclosing upward pointing triangle - 20E4)
+ x (increment - 2206)
++ \ \bigtriangleup
+ 25B4 BLACK UP-POINTING SMALL TRIANGLE
+ 25B5 WHITE UP-POINTING SMALL TRIANGLE
+ 25B6 BLACK RIGHT-POINTING TRIANGLE
+@@ -11535,6 +11879,7 @@
+ 25B8 BLACK RIGHT-POINTING SMALL TRIANGLE
+ x (triangular bullet - 2023)
+ 25B9 WHITE RIGHT-POINTING SMALL TRIANGLE
++ \ \triangleright
+ 25BA BLACK RIGHT-POINTING POINTER
+ 25BB WHITE RIGHT-POINTING POINTER
+ = forward arrow indicator
+@@ -11543,6 +11888,7 @@
+ 25BD WHITE DOWN-POINTING TRIANGLE
+ = Hamilton operator
+ x (nabla - 2207)
++ \ \bigtriangledown
+ 25BE BLACK DOWN-POINTING SMALL TRIANGLE
+ 25BF WHITE DOWN-POINTING SMALL TRIANGLE
+ 25C0 BLACK LEFT-POINTING TRIANGLE
+@@ -11550,6 +11896,7 @@
+ = z notation domain restriction
+ 25C2 BLACK LEFT-POINTING SMALL TRIANGLE
+ 25C3 WHITE LEFT-POINTING SMALL TRIANGLE
++ \ \triangleleft
+ 25C4 BLACK LEFT-POINTING POINTER
+ 25C5 WHITE LEFT-POINTING POINTER
+ = backward arrow indicator
+@@ -11565,6 +11912,7 @@
+ = tainome (Japanese, a kind of bullet)
+ 25CA LOZENGE
+ x (white diamond suit - 2662)
++ \ \lozenge
+ 25CB WHITE CIRCLE
+ x (combining enclosing circle - 20DD)
+ x (large circle - 25EF)
+@@ -11797,12 +12145,16 @@
+ 265F BLACK CHESS PAWN
+ @ Playing card symbols
+ 2660 BLACK SPADE SUIT
++ \ \spadesuit
+ 2661 WHITE HEART SUIT
++ \ \heartsuit
+ 2662 WHITE DIAMOND SUIT
+ x (white diamond - 25C7)
+ x (lozenge - 25CA)
++ \ \diamondsuit
+ 2663 BLACK CLUB SUIT
+ = shamrock
++ \ \clubsuit
+ 2664 WHITE SPADE SUIT
+ 2665 BLACK HEART SUIT
+ = valentine
+@@ -11818,8 +12170,11 @@
+ 266B BEAMED EIGHTH NOTES
+ 266C BEAMED SIXTEENTH NOTES
+ 266D MUSIC FLAT SIGN
++ \ \flat
+ 266E MUSIC NATURAL SIGN
++ \ \natural
+ 266F MUSIC SHARP SIGN
++ \ \sharp
+ = z notation infix bag count
+ x (number sign - 0023)
+ @ Syriac cross symbols
+@@ -12183,11 +12538,13 @@
+ = z notation left sequence bracket
+ x (left-pointing angle bracket - 2329)
+ x (left angle bracket - 3008)
++ \ \langle
+ 27E9 MATHEMATICAL RIGHT ANGLE BRACKET
+ = ket
+ = z notation right sequence bracket
+ x (right-pointing angle bracket - 232A)
+ x (right angle bracket - 3009)
++ \ \rangle
+ 27EA MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
+ = z notation left chevron bracket
+ x (left double angle bracket - 300A)
+@@ -12211,16 +12568,22 @@
+ @+ The long arrows are used for mapping whereas the short forms would be used in limits. They are also needed for MathML to complete mapping to the ASMA sets.
+ 27F5 LONG LEFTWARDS ARROW
+ x (leftwards arrow - 2190)
++ \ \longleftarrow
+ 27F6 LONG RIGHTWARDS ARROW
+ x (rightwards arrow - 2192)
++ \ \longrightarrow
+ 27F7 LONG LEFT RIGHT ARROW
+ x (left right arrow - 2194)
++ \ \longleftrightarrow
+ 27F8 LONG LEFTWARDS DOUBLE ARROW
+ x (leftwards double arrow - 21D0)
++ \ \Longleftarrow
+ 27F9 LONG RIGHTWARDS DOUBLE ARROW
+ x (rightwards double arrow - 21D2)
++ \ \Longrightarrow
+ 27FA LONG LEFT RIGHT DOUBLE ARROW
+ x (left right double arrow - 21D4)
++ \ \Longleftrightarrow
+ 27FB LONG LEFTWARDS ARROW FROM BAR
+ = maps from
+ x (leftwards arrow from bar - 21A4)
+@@ -12821,6 +13184,7 @@
+ 29EA BLACK DIAMOND WITH DOWN ARROW
+ 29EB BLACK LOZENGE
+ x (lozenge - 25CA)
++ \ \blacklozenge
+ 29EC WHITE CIRCLE WITH DOWN ARROW
+ 29ED BLACK CIRCLE WITH DOWN ARROW
+ @ Error bar symbols
+@@ -12864,17 +13228,23 @@
+ 2A00 N-ARY CIRCLED DOT OPERATOR
+ x (circled dot operator - 2299)
+ x (fisheye - 25C9)
++ \ \bigodot
+ 2A01 N-ARY CIRCLED PLUS OPERATOR
+ x (circled plus - 2295)
++ \ \bigoplus
+ 2A02 N-ARY CIRCLED TIMES OPERATOR
+ x (circled times - 2297)
++ \ \bigotimes
+ 2A03 N-ARY UNION OPERATOR WITH DOT
+ 2A04 N-ARY UNION OPERATOR WITH PLUS
++ \ \biguplus
+ x (multiset union - 228E)
+ 2A05 N-ARY SQUARE INTERSECTION OPERATOR
+ x (square cap - 2293)
++ \ \bigsqcap
+ 2A06 N-ARY SQUARE UNION OPERATOR
+ x (square cup - 2294)
++ \ \bigsqcup
+ 2A07 TWO LOGICAL AND OPERATOR
+ = merge
+ x (two intersecting logical and - 2A55)
diff --git a/Master/texmf-dist/doc/generic/enctex/unimap.py b/Master/texmf-dist/doc/generic/enctex/unimap.py
new file mode 100755
index 00000000000..7618ae84051
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/unimap.py
@@ -0,0 +1,144 @@
+#!/usr/bin/python
+###################################################################
+# unimap.py
+# Generates utf8raw.tex file containing math character definitions
+# from modified Unicode character database unimap.txt.
+#
+# Copyright (C) 2003 David Necas (Yeti)
+#
+# This program is free software; you can redistribute it and/or modify
+# it under the terms of the GNU General Public License as published by
+# the Free Software Foundation; either version 2 of the License, or
+# (at your option) any later version.
+#
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY; without even the implied warranty of
+# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+# GNU General Public License for more details.
+#
+# You should have received a copy of the GNU General Public License
+# along with this program; if not, write to the Free Software
+# Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+#
+###################################################################
+# Usage: ./unimap.py
+# It takes no arguments, input and output file names are `unimap.txt' and
+# `utf8raw.tex' and are hardcoded below (should be fixed once someone finds
+# a reason for running it on different files).
+#
+# The source file unimap.txt is basically Unicode character name list
+# http://www.unicode.org/Public/UNIDATA/NamesList.txt
+# with additional lines defining TeX expansions of particular characters.
+# These lines have format similar to other character info lines, with
+# backslash (\) as the line type mark:
+# <Tab>\<space>\TeXcontrolsequence
+# \TeXcontrolsequence is the control sequence the character should be
+# mapped to.
+#
+# The NamesList.txt file is huge and the number of supported characters is
+# still relatively small. Thus only diff NamesList.txt -> unimap.txt is
+# normally distributed (unimap.diff). Once you have NamesList.txt, you can
+# create unimap.txt with following command:
+# patch -o unimap.txt NamesList.txt unimap.diff
+
+import re
+from time import asctime, gmtime
+
+database = 'unimap.txt' # Input file
+output = 'utf8raw.tex' # Output file
+
+# Compatibility with Pyhton-2.1
+if not __builtins__.__dict__.has_key('True'):
+ True = 1; False = 0
+if not __builtins__.__dict__.has_key('file'):
+ file = open
+if not __builtins__.__dict__.has_key('dict'):
+ def dict(l):
+ d = {}
+ for x in l: d[x[0]] = x[1]
+ return d
+
+charline_re = re.compile(r'^[0-9A-F]{4,}\t')
+comsect_re = re.compile(r'^@+\t')
+line_template = '\\mubyte %s %s\\endmubyte %% U+%04X %s\n'
+
+class LineType:
+ """NamesList.txt line types. Something between an enum and a hash."""
+ Empty = 0
+ Comment = '++'
+ Section = '@@'
+ Character = 'AA'
+ IsNot = 'x'
+ Alias = '='
+ Note = '*'
+ Combining = ':'
+ Render = '#'
+ TeX = '\\'
+
+LineType.map = dict([(val, name) for name, val in LineType.__dict__.items()
+ if name[0].isupper()])
+
+def linetype(line):
+ """Determine line type of a NamesList.txt file and extract the text."""
+ if not line:
+ return LineType.Empty, None
+ if line.startswith('@'):
+ if line[1:].startswith('@') or line[1:].startswith('+'):
+ return LineType.Comment, comsect_re.sub('', line).strip()
+ return LineType.Section, comsect_re.sub('', line).strip()
+ m = charline_re.match(line)
+ if m:
+ return LineType.Character, (int(line[:m.end()], 16),
+ line[m.end():].strip().lower())
+ if not line.startswith('\t'):
+ raise ValueError, 'Queer line doesn\'t start with @ or Tab'
+ line = line.strip()
+ if not line:
+ return LineType.Empty, None
+ if not LineType.map.has_key(line[0]):
+ raise ValueError, 'Queer character info line (marker %s)' % line[0]
+ return line[0], line[1:].strip()
+
+def utf8chars(u):
+ """Format an Unicode character in a \\mubyte-friendly style.
+
+ character ordinal value should be < 0x10000."""
+ if u < 0x80:
+ return '^^%02x' % u
+ if u < 0x800:
+ return '^^%02x^^%02x' % (0xc0 | (u >> 6),
+ 0x80 | (0x3f & u))
+ return '^^%02x^^%02x^^%02x' % (0xe0 | (u >> 12),
+ 0x80 | (0x3f & (u >> 6)),
+ 0x80 | (0x3f & u))
+
+fh = file(database, 'r')
+# skip some initial noise
+while True:
+ line = fh.readline()
+ try:
+ typ, val = linetype(line)
+ except ValueError:
+ continue
+ if typ == LineType.Section:
+ break
+
+fw = file(output, 'w')
+fw.write('%% Generated from %s %s\n' % (database, asctime(gmtime())))
+while typ:
+ if typ == LineType.Section:
+ sect = val
+ elif typ == LineType.Character:
+ char = val
+ elif typ == LineType.TeX:
+ if not val.startswith('\\'):
+ raise ValueError, '%s is not a control seq (U%X)' % (val, char[0])
+ if sect:
+ fw.write('\n%% %s\n' % sect)
+ sect = None
+ fw.write(line_template % (val, utf8chars(char[0]), char[0], char[1]))
+ typ, val = linetype(fh.readline())
+fh.close()
+fw.write('\n\\endinput\n')
+fw.close()
+
diff --git a/Master/texmf-dist/doc/generic/enctex/vlna.tex b/Master/texmf-dist/doc/generic/enctex/vlna.tex
new file mode 100644
index 00000000000..fcc3e8216be
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/enctex/vlna.tex
@@ -0,0 +1,54 @@
+% Vlna implementovana jako makra v encTeXu
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Leden 2003 Petr Olsak
+
+% Toto je ukazka moznosti encTeXu. Na urovni maker muzeme
+% naprogramovat program vlna.
+
+% Pomocna makra:
+
+\def\setmu #1#2{\mubyte #1##1 #2\endmubyte} % use encTeX Feb 2003
+\bgroup \uccode`X=\endlinechar \uppercase{\gdef\endchar{X}}
+ \uccode`X=`\{ \uppercase{\gdef\leftbrace{X}}
+\egroup
+
+\def\sylabi #1{%
+ \setmu \spacesylab {\space#1} % <mezera>v lese -> <mezera>v~lese
+ \setmu \normalsylab {(#1} % (v lese -> (v~lese
+ \setmu \normalsylab {\endchar#1} % <zacatek radku>v lese -> v~lese
+ \setmu \normalsylab {[#1} % [v lese -> [v~lese
+ \setmu \specsylab {\leftbrace#1} % {v lese -> {v~lese
+}
+% dve moznosti za predlozkou: mezera nebo konec radku:
+
+\def\sylab #1{\sylabi {#1\space}\sylabi {#1\endchar}}
+
+% seznam predlozek:
+
+\sylab v \sylab k \sylab o \sylab s \sylab u \sylab z
+\sylab V \sylab K \sylab O \sylab S \sylab U \sylab Z
+\sylab A \sylab I \sylab i \sylab a
+
+% makra neudelaji nic v matematickem modu a verbatim prostredi:
+
+\def\exx{\expandafter\expandafter\expandafter}
+\def\spacesylab {\ifmmode\else\ifnum\catcode`\ =10 \exx\spacesylabP \fi\fi}
+\def\normalsylab {\ifmmode\else\ifnum\catcode`\ =10 \exx\normalsylabP \fi\fi}
+\def\specsylab {\ifmmode\else\ifnum\catcode`\ =10 \exx\specsylabP \fi\fi}
+
+\def\spacesylabP {\afterassignment\spacesylabR \let\next= }
+\def\spacesylabR {\ifhmode\unskip\fi \next \normalsylabP}
+\def\normalsylabP #1 {#1~}
+\def\specsylabP #1{{\normalsylabP #1}}
+
+\def\uv{\futurelet\next\uvR}
+\def\uvR{\ifx \next\specsylab \expandafter \uvS \else \expandafter \uvP \fi}
+\long\def\uvP #1{\clqq#1\crqq}
+\long\def\uvS \specsylab #1{\normalsylab \clqq#1\crqq}
+
+\mubytein=2 % potrebujeme i konstrukce "a v lese -> a~v~lese"
+
+\endinput
+
+
+
diff --git a/Master/texmf-dist/doc/generic/epsf/LICENSE b/Master/texmf-dist/doc/generic/epsf/LICENSE
new file mode 100644
index 00000000000..5bb543fb044
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/LICENSE
@@ -0,0 +1,5 @@
+The epsf.tex and epsf.sty files are identical, and are freely
+redistributable and placed into the public domain by Tomas Rokicki.
+The changes since their original release in 1989 are similarly in the
+public domain, as are all of the files distributed in the epsf-x.y.z
+package.
diff --git a/Master/texmf-dist/doc/generic/epsf/Makefile b/Master/texmf-dist/doc/generic/epsf/Makefile
new file mode 100644
index 00000000000..16b4c3f58ba
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/Makefile
@@ -0,0 +1,83 @@
+### ====================================================================
+### [30-Jul-2005]
+### ====================================================================
+
+prefix = /usr/local
+
+CP = /bin/cp -p
+
+INSTDIRS = $(prefix)/share/lib/tex/inputs \
+ $(prefix)/share/lib/tex/latex \
+ $(prefix)/share/lib/tex/latex2e/unpacked
+
+LATEX = latex
+LATEX = latex2e
+
+LN = /bin/ln -f
+
+LS = ls
+
+RM = /bin/rm -f
+
+SHELL = /bin/sh
+
+TEX = tex
+
+### ====================================================================
+
+LTXFILES = tepsf2.ltx
+
+TEXFILES = tepsf1.tex tepsf3.tex
+
+### ====================================================================
+
+all:
+ @echo There is nothing to build in this directory.
+
+check: check-latex check-tex
+
+check-latex:
+ for f in $(LTXFILES) ; \
+ do \
+ $(LATEX) $$f ; \
+ $(LS) -l `basename $$f .ltx`.* ; \
+ done
+
+check-tex:
+ for f in $(TEXFILES) ; \
+ do \
+ $(TEX) $$f ; \
+ $(LS) -l `basename $$f .tex`.* ; \
+ done
+
+clean:
+ -$(RM) *.aux
+ -$(RM) *.dvi
+ -$(RM) *.log
+ -$(RM) *~
+ -$(RM) \#*
+ -$(RM) a.out
+ -$(RM) core core.*
+
+clobber: distclean
+
+distclean: mostlyclean
+
+maintainer-clean: distclean
+ @echo "This command is intended for maintainers to use;"
+ @echo "it deletes files that may require special tools to rebuild."
+
+mostlyclean: clean
+
+install: uninstall
+ for d in $(INSTDIRS) ; \
+ do \
+ $(CP) epsf.tex $$d/epsf.tex ; \
+ $(LN) $$d/epsf.tex $$d/epsf.sty ; \
+ done
+
+uninstall:
+ for d in $(INSTDIRS) ; \
+ do \
+ $(RM) $$d/epsf.tex $$d/epsf.sty ; \
+ done
diff --git a/Master/texmf-dist/doc/generic/epsf/README b/Master/texmf-dist/doc/generic/epsf/README
new file mode 100644
index 00000000000..986453765a2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/README
@@ -0,0 +1,294 @@
+%% /u/sy/beebe/tex/epsf/epsf-2.7.3/README, Sat Jul 30 18:41:35 2005
+%% Edit by Nelson H. F. Beebe <beebe@math.utah.edu>
+
+============
+Introduction
+============
+
+The epsf.tex and epsf.sty (identical) files provide for
+low-level typesetting of Encapsulated PostScript (EPS)
+files, with optional suppression of the figure contents (for
+faster display and printing during document development),
+optional figure framing, and optional figure labeling.
+
+See the header comments in epsf.tex or epsf.sty files for
+usage information.
+
+LaTeX users are cautioned that the graphicx package
+documented in the LaTeX Graphics Companion and LaTeX
+Companion (2nd ed.) books provides a much more powerful and
+general facility, and allows easy switching between
+pdf(la)tex and (la)tex without document modification.
+
+Plain TeX and AmSTeX users, however, may find epsf.tex
+useful.
+
+
+===================
+Testing the package
+===================
+
+The test files in the package can be typeset on Unix systems
+with
+
+ make check
+
+You can then view or print the .dvi files to see several
+examples of what they are supposed to look like.
+
+If you are in doubt about their appearance when generated at
+your site, try the okay/*.dvi files: they were produced by
+the package maintainers to illustrate the correct behavior
+the package macros.
+
+
+=================
+Problem EPS files
+=================
+
+If you experience difficulty in positioning an EPS picture,
+and find that it appears in an unexpected location, or in an
+incorrect scale or orientation, then it is often the case
+that the PostScript is not EPSF-conformant (see the
+specification in the references below). This may be because
+it uses forbidden low-level PostScript operators that modify
+the PostScript page transformations. The fndbadps shell
+script in the distribution can be used on Unix systems to
+search for forbidden operators in EPS files. If you find
+any, you should complain to the author or vendor of the
+software that produced the bad EPS files: the EPS
+specification has been available since 1992, and is very
+clear about what operators are forbidden.
+
+It is sometimes possible to repair problem EPS files by
+converting from PostScript to PDF and back to PostScript.
+Suitable tools for PostScript to PDF conversion include
+Adobe distill, ghostscript ps2pdf, and Frank M. Siegert's
+pstill. For PDF to PostScript conversion, use Adobe
+acroread, ghostscript pdf2ps, or your PDF file viewer's
+print-to-PostScript-file option.
+
+In bad cases, the only way to deal with a problem EPS file
+may be to convert it to a high-resolution bitmap and back to
+PostScript, taking care to choose a lossless bitmap format.
+This can be done with the NetPBM tools and ghostscript.
+These utilities offer a myriad of options, so it is
+convenient to combine them in a separate tool that provides
+the commonly-needed options: pstopngtops (see the References
+section below).
+
+
+===========================
+Bounding boxes and clipping
+===========================
+
+Sometimes the only problem is that the size of the figure is
+wrong. This is usually because the %%BoundingBox comment
+that is normally present in the first few lines of the EPS
+file is wrong: indeed, most PostScript-producing software
+produces nonsensical bounding boxes.
+
+One way to fix this problem is to print your EPS file and
+the bboxgrid.ps file from this package on the SAME printer,
+overlay them against a light source, and measure the
+lower-left and upper-right corner coordinates in big points
+(72bp = 1in = 25.4mm) of the picture and then edit the EPS
+file to supply the correct coordinates as whole numbers in
+order:
+
+ %%BoundingBox: lower-left-x lower-left-y upper-right-x upper-right-y
+
+The PostScript coordinate system is right-handed Cartesian
+with the origin at the lower-left page corner. The reason
+that you need the grid provided by bboxgrid.ps is that even
+though PostScript defines the coordinate position (0,0) to
+be at the lower-left page corner, mechanical limitations
+and/or misadjustments in PostScript printers often result in
+that point being displaced by as much 1cm in any direction.
+Even two identical models of the same printer can differ in
+their true page origins! When you measure the picture
+corners of your figure using the bboxgrid.ps output on the
+same printer, you eliminate this source of confusion and
+error.
+
+A better way to obtain an accurate bounding box is to ask
+ghostscript to measure it for you:
+
+ % gs -sDEVICE=bbox -dNOPAUSE bboxgrid.ps quit.ps
+ AFPL Ghostscript 8.51 (2005-04-18)
+ Copyright (C) 2005 artofcode LLC, Benicia, CA. All rights reserved.
+ This software comes with NO WARRANTY: see the file PUBLIC for details.
+ Loading NimbusSanL-Bold font from /usr/local/share/ghostscript/fonts/n019004l.pfb... 4506264 2452117 1502816 214110 1 done.
+ Loading NimbusSanL-Regu font from /usr/local/share/ghostscript/fonts/n019003l.pfb... 4506264 2483411 1522912 220580 1 done.
+ %%BoundingBox: 15 18 610 783
+ %%HiResBoundingBox: 15.444000 18.395999 609.713981 782.045976
+
+You can then replace the faulty %%BoundingBox comment in
+your file with the correct one.
+
+The %%HiResBoundingBox comment is produced and used by some
+software, but is nonstandard, and should not be relied on.
+The epsf package ignores it, and PostScript printers ignore
+all comments (text outside strings from percent to end of
+line).
+
+If editing the EPS file is impossible, impractical, or
+undesirable, you can supply the correct bounding box as a
+square-bracketed optional argument to \epsfbox:
+
+ \epsfbox[30 50 250 270]{filename.eps}
+
+This will override any %%BoundingBox comment in the file,
+and if clipping is turned on with \epsfclipon, only material
+inside the bounding box will appear in your output.
+
+If you find that the bounding box specification near the
+start of the EPS file looks like this:
+
+ %%BoundingBox: (atend)
+
+then search backward from the end of the file to find the
+NEAREST %%BoundingBox comment, and then replace the (atend)
+comment with the one you just found. TeX has to read the
+EPS file until it finds the %%BoundingBox comment, and the
+further it is from the beginning, the longer TeX will take
+to find it. Parsing text in TeX is NOT a fast operation!
+
+Historical note: The bbox device was added to ghostscript at
+version 3.68 in April 1996 at the suggestion of Nelson
+H. F. Beebe.
+
+
+==========
+References
+==========
+
+Web resources:
+
+ LaTeX graphicx package:
+ http://ctan.tug.org/tex-archive/macros/latex/required/graphics/graphicx.dtx
+
+
+ Pstill (PostScript to PDF conversion tool):
+ http://www.wizards.de/~frank/pstill.html
+ http://www.this.net/~frank/pstill_win.html
+
+ Aladdin Ghostscript:
+ ftp://mirror.cs.wisc.edu/pub/mirrors/ghost/
+ http://prdownloads.sourceforge.net/ghostscript/
+ http://www.artifex.com/
+ http://www.cs.wisc.edu/~ghost/
+
+ GNU Ghostscript:
+ ftp://ftp.gnu.org/gnu/ghostscript
+ http://directory.fsf.org/ghostscript.html
+
+ pstopngtops:
+ ftp://ftp.math.utah.edu/pub/pstopngtops
+ http://www.math.utah.edu/pub/pstopngtops
+
+ netpbm:
+ http://netpbm.sourceforge.net/
+ http://sourceforge.net/projects/netpbm/
+ http://ii2.sourceforge.net/
+ Note: NetPBM has a nonstandard build
+ procedure and historically has been very
+ painful to build on most Unix systems. The
+ first URL listed provides pointers to binary
+ distributions for some platforms that you
+ may find easier to install. Some GNU/Linux
+ distributions already have them: if the
+ Unix command
+
+ which pngtopnm pnmcrop pnmmargin pnmtops
+
+ reports locations of each those tools, then
+ you already have the ones needed for pstopngtops.
+ Mac OS X users can most conveniently install NetPBM
+ from the ii2 link above.
+
+
+Books:
+
+@String{pub-ADOBE = "{Adobe Systems Incorporated}"}
+@String{pub-ADOBE:adr = "San Jose, CA, USA"}
+
+@String{pub-AW = "Ad{\-d}i{\-s}on-Wes{\-l}ey"}
+@String{pub-AW:adr = "Reading, MA, USA"}
+
+@Book{Adobe:1990:PLR,
+ author = "Adobe Systems Incorporated",
+ title = "{PostScript} Language Reference Manual",
+ publisher = pub-AW,
+ address = pub-AW:adr,
+ edition = "Second",
+ pages = "viii + 764",
+ year = "1990",
+ ISBN = "0-201-18127-4",
+ ISBN-13 = "978-0-201-18127-2",
+ LCCN = "QA76.73.P67 P67 1990",
+ bibdate = "Sat Oct 28 08:25:15 2000",
+ remark = "Appendix H documents the EPSF 3.0 specification.",
+}
+
+@TechReport{Adobe:1992:EPF,
+ author = "{Adobe PostScript Developer Support Group}",
+ title = "{Encapsulated PostScript Files} Specification Version
+ 3.0",
+ number = "PN LPS5002",
+ institution = pub-ADOBE,
+ address = pub-ADOBE:adr,
+ day = "1",
+ month = may,
+ year = "1992",
+ bibdate = "Sat Jul 30 18:50:43 2005",
+ URL = "http://partners.adobe.com/public/developer/en/ps/5002.EPSF_Spec.pdf",
+ note = "The specification is also published in
+ \cite[Appendix~H]{Adobe:PLR90}.",
+}
+
+@Book{Goossens:1997:LGC,
+ author = "Michel Goossens and Sebastian Rahtz and Frank
+ Mittelbach",
+ title = "The {\LaTeX} Graphics Companion: Illustrating
+ Documents with {\TeX} and {PostScript}",
+ publisher = pub-AW,
+ address = pub-AW:adr,
+ pages = "xxi + 554",
+ year = "1997",
+ ISBN = "0-201-85469-4",
+ ISBN-13 = "978-0-201-85469-5",
+ LCCN = "Z253.4.L38G663 1997",
+ bibdate = "Fri Jul 11 07:51:47 1997",
+ price = "US\$39.75",
+ series = "Tools and Techniques for Computer Typesetting",
+ acknowledgement = ack-nhfb,
+ keywords = "LaTeX (Computer file); Computerized typesetting.;
+ PostScript (Computer program language); Scientific
+ illustration --- Computer programs.; Mathematics
+ printing --- Computer programs.; Technical publishing
+ --- Computer programs.",
+}
+
+@Book{Mittelbach:2004:LC,
+ author = "Frank Mittelbach and Michel Goossens and Johannes
+ Braams and David Carlisle and Chris Rowley and
+ Christine Detig and Joachim Schrod",
+ title = "The {\LaTeX} Companion",
+ publisher = pub-AW,
+ address = pub-AW:adr,
+ edition = "Second",
+ pages = "xxvii + 1090",
+ year = "2004",
+ ISBN = "0-201-36299-6",
+ ISBN-13 = "978-0-201-36299-2",
+ LCCN = "Z253.4.L38 G66 2004",
+ bibdate = "Thu May 20 13:23:24 2004",
+ price = "US\$59.99, CAN\$86.99",
+ series = "Tools and Techniques for Computer Typesetting",
+ acknowledgement = ack-nhfb,
+ remark = "Authors listed as: Frank Mittelbach and Michel
+ Goossens with Johannes Braams, David Carlisle, and
+ Chris Rowley, and with contributions by Christine Detig
+ and Joachim Schrod.",
+}
diff --git a/Master/texmf-dist/doc/generic/epsf/bboxgrid.ps b/Master/texmf-dist/doc/generic/epsf/bboxgrid.ps
new file mode 100644
index 00000000000..7db6828817c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/bboxgrid.ps
@@ -0,0 +1,317 @@
+%!PS-Adobe
+%%BoundingBox: 0 0 612 792
+%%% ====================================================================
+%%% @PostScript-file{
+%%% author = "Nelson H. F. Beebe",
+%%% version = "1.01",
+%%% date = "22 January 1994",
+%%% time = "23:33:36 MST",
+%%% filename = "bboxgrid.ps",
+%%% address = "Center for Scientific Computing
+%%% Department of Mathematics
+%%% University of Utah
+%%% Salt Lake City, UT 84112
+%%% USA
+%%% Tel: +1 801 581 5254
+%%% FAX: +1 801 581 4148",
+%%% checksum = "57568 317 1097 8973",
+%%% email = "beebe@solitude.math.utah.edu (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "grid, measure, calibration",
+%%% supported = "yes",
+%%% docstring = "This PostScript file produces a numbered grid
+%%% measured in PostScript units of big points
+%%% for the determination of correct bounding
+%%% boxes of other PostScript files.
+%%%
+%%% Accurate bounding box measurements are
+%%% required if the PostScript is to be included
+%%% in other PostScript documents, such as via
+%%% the TeX \special{} command.
+%%%
+%%% While PostScript by default places the (0,0)
+%%% origin at the lower-left page corner,
+%%% variations of several points will be found in
+%%% different printers, even between identical
+%%% models from the same vendor.
+%%%
+%%% To correctly determine the BoundingBox of an
+%%% arbitrary PostScript figure, overlay a
+%%% printed copy of the figure on the grid
+%%% produced by this file on the SAME printer,
+%%% and measure from it the coordinates of the
+%%% lower-left and upper-right corners. These
+%%% four integers should be entered in the
+%%% PostScript file as a comment of the form
+%%%
+%%% %%BoundingBox: llx lly urx ury
+%%%
+%%% This comment should be placed near the
+%%% beginning, preferably right after the initial
+%%% line that should start %! or %!PS-Adobe...
+%%%
+%%% The checksum field above contains a CRC-16
+%%% checksum as the first value, followed by the
+%%% equivalent of the standard UNIX wc (word
+%%% count) utility output of lines, words, and
+%%% characters. This is produced by Robert
+%%% Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+
+%%% 1.01 [22-Jan-1994] add top label, and bp axis labels
+%%% 1.00 [22-Nov-1991] original version
+
+/TickSize 5 def
+/TickStep 5 def
+/TickFontSize 9 def
+
+/Frame % x y width height Frame
+{
+ /height exch def
+ /width exch def
+ /y exch def
+ /x exch def
+ newpath
+ x y moveto
+ width 0 rlineto
+ 0 height rlineto
+ width neg 0 rlineto
+ closepath
+ stroke
+
+ x y width TickStep TickSize TickX
+ x y width TickStep TickSize NumberX
+ x y height add width TickStep TickSize neg TickX
+ x y height add width TickStep TickSize neg NumberX
+ x y height TickStep TickSize TickY
+ x y height TickStep TickSize NumberY
+ x width add y height TickStep TickSize neg TickY
+ x width add y height TickStep TickSize neg NumberY
+ x y 25 25 width height Grid
+} def
+
+/Grid % x y dx dy width height Grid
+{
+ /Gheight exch def
+ /Gwidth exch def
+ /Gdy exch def
+ /Gdx exch def
+ /Gy exch def
+ /Gx exch def
+
+ Gx
+ Gdx
+ Gx Gwidth add
+ {
+ newpath
+ Gy moveto
+ 0 Gheight rlineto
+ closepath
+ stroke
+ }
+ for
+
+ Gy
+ Gdy
+ Gy Gheight add
+ {
+ newpath
+ Gx exch moveto
+ Gwidth 0 rlineto
+ closepath
+ stroke
+ }
+ for
+} def
+
+
+/NumberX % x y length dx tick NumberX
+{
+ /Helvetica findfont TickFontSize scalefont setfont
+ /Ttick exch def
+ /Tdx exch def
+ /Tlength exch def
+ /Ty exch def
+ /Tx exch def
+
+ /temp 12 string def
+ Tx
+ Tdx 5 mul
+ Tx Tlength add
+ {
+ dup
+ Ty moveto % Tx already on stack
+ Ttick 0 lt
+ { 0 TickFontSize 0.5 mul rmoveto }
+ { 0 TickFontSize -1.5 mul rmoveto }
+ ifelse
+ temp cvs
+ dup stringwidth pop -2 div 0 rmoveto
+ show
+ }
+ for
+} def
+
+/NumberY % x y length dy tick NumberY
+{
+ /Helvetica findfont TickFontSize scalefont setfont
+ /Ttick exch def
+ /Tdy exch def
+ /Tlength exch def
+ /Ty exch def
+ /Tx exch def
+
+ /temp 12 string def
+ Ty
+ Tdy 5 mul
+ Ty Tlength add
+ {
+ dup
+ Tx exch moveto % Ty already on stack
+ Ttick neg TickFontSize -2 div rmoveto
+ temp cvs
+ Ttick 0 gt
+ { dup stringwidth pop neg 0 rmoveto }
+ if
+ show
+ }
+ for
+} def
+
+/TickX % x y length dx tick TickX
+{
+ /Ttick exch def
+ /Tdx exch def
+ /Tlength exch def
+ /Ty exch def
+ /Tx exch def
+
+ Tx
+ Tdx
+ Tx Tlength add
+ {
+ dup
+ newpath
+ Ty moveto % Tx already on stack
+ cvi Tdx 5 mul cvi mod 0 eq% draw tick, double length every 5th
+ { Ttick 2 mul }
+ { Ttick }
+ ifelse
+ 0
+ exch
+ rlineto
+ closepath
+ stroke
+ }
+ for
+} def
+
+/TickY % x y length dy tick TickY
+{
+ /Ttick exch def
+ /Tdy exch def
+ /Tlength exch def
+ /Ty exch def
+ /Tx exch def
+
+ Ty
+ Tdy
+ Ty Tlength add
+ {
+ dup
+ newpath
+ Tx exch moveto % Ty already on stack
+ cvi Tdy 5 mul cvi mod 0 eq% draw tick, double length every 5th
+ { Ttick 2 mul }
+ { Ttick }
+ ifelse
+ 0
+ rlineto
+ closepath
+ stroke
+ }
+ for
+} def
+
+/inch
+{
+ 72 mul
+} def
+
+/mm
+{
+ 72 mul 25.4 div
+} def
+
+% (string) CenterCenterShow -- show centered at currentpoint
+/CenterCenterShow
+{
+ dup stringwidth pop -2 div TickFontSize -2 div rmoveto show
+} def
+
+% (string) RightCenterShow -- show right-centered at currentpoint
+/RightCenterShow
+{
+ dup stringwidth pop neg TickFontSize -2 div rmoveto show
+} def
+
+% (string) LeftCenterShow -- show right-centered at currentpoint
+/LeftCenterShow
+{
+ 0 TickFontSize -2 div rmoveto show
+} def
+
+% Select ONE of these pairs of page dimensions
+
+% ISO A4-format paper
+% /PageWidth 210 mm def
+% /PageHeight 297 mm def
+
+% US A-format paper
+/PageWidth 8.5 inch def
+/PageHeight 11.0 inch def
+
+% Make grid lines half the normal thickness
+currentlinewidth 0.5 mul setlinewidth
+
+% Title the grid
+/Helvetica-Bold findfont TickFontSize scalefont setfont
+PageWidth 2 div 25 moveto
+(bboxgrid.ps [Version 1.01] [22 January 1994]) dup
+CenterCenterShow
+
+PageWidth 2 div 780 moveto
+CenterCenterShow
+
+% You can change this line to make a different grid. The values
+% should all be multiples of 25.
+% The values 50 50 525 700 are appropriate for an Apple LaserWriter II.
+% x y width height Frame
+50 50 525 700 Frame
+
+% label bottom horizontal axis at each end
+50 30 moveto
+(bp) CenterCenterShow
+575 30 moveto
+(bp) CenterCenterShow
+
+% label top horizontal axis at each end
+50 770 moveto
+(bp) CenterCenterShow
+575 770 moveto
+(bp) CenterCenterShow
+
+% label left vertical axis at each end
+25 50 moveto
+(bp) RightCenterShow
+25 750 moveto
+(bp) RightCenterShow
+
+% label right vertical axis at each end
+600 50 moveto
+(bp) LeftCenterShow
+600 750 moveto
+(bp) LeftCenterShow
+
+showpage
diff --git a/Master/texmf-dist/doc/generic/epsf/fndbadps b/Master/texmf-dist/doc/generic/epsf/fndbadps
new file mode 100755
index 00000000000..bf91a717111
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/fndbadps
@@ -0,0 +1,18 @@
+#!/bin/sh
+# Find forbidden PostScript operators in the files specified
+# on stdin.
+# [21-May-1999] -- update with extended list for PostScript Level 3,
+# from pp. 802--803 of the PostScript Language Reference
+# Manual, 3rd edition, 1999.
+# [29-Jun-1996] -- update to show matching bad operator
+# [23-Oct-1992]
+
+# Level 2 list (19 operators):
+# /banddevice|grestoreall|nulldevice|setpageparams|copypage|initclip|quit|setsccbatch|erasepage|initgraphics|renderbands|setscreen|exitserver|initmatrix|setdevice|settransfer|framedevice|note|setmatrix/
+
+# Level 3 list (36 operators):
+nawk '
+/^%/ {next}
+match($0,/[^A-Za-z](banddevice|clear|cleardictstack|copypage|erasepage|executive|exitserver|framedevice|grestoreall|initclip|initgraphics|initmatrix|nulldevice|quit|renderbands|setblackgeneration|setcolorrendering|setcolorscreen|setcolortransfer|setflat|setglobal|setgstate|sethalftone|setmatrix|setoverprint|setpagedevice|setscreen|setshared|setsmoothness|settransfer|setundercolorremoval|startjob|statusdict|undefinefont|undefineresource|userdict)[^A-Za-z]/) {
+ print FILENAME ":" NR ": " $0 ": [" substr($0,RSTART,RLENGTH) "] illegal in EPS file"
+}' $*
diff --git a/Master/texmf-dist/doc/generic/epsf/okay/teps.eps b/Master/texmf-dist/doc/generic/epsf/okay/teps.eps
new file mode 100644
index 00000000000..9c92e663a56
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/okay/teps.eps
@@ -0,0 +1,186 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Title: psposter +x 1in +y 1in +w 2in +h 0.75in +p 20pt +fg navyblue +bd red +bg skyblue test of epsf.tex
+%%CreationDate: Sat Jul 23 17:26:56 MDT 2005
+%%Creator: psposter Version 0.11 [13-Jan-2000]
+%%For: Nelson H. F. Beebe <beebe@psi.math.utah.edu>
+%%BoundingBox: 72 72 216 126
+%%DocumentMedia: A 612 792 0 () ()
+%%DocumentData: Clean7Bit
+%%DocumentFonts: font Times-Bold
+%%DocumentNeededResources: font Times-Bold
+%%Orientation: Portrait
+%%PageOrder: Ascend
+%%Pages: 1
+%%EndComments
+%=======================================================================
+%%BeginProlog
+/psposterdict 50 dict def
+psposterdict begin
+/inch { 72 mul } def
+/BackgroundColor { 0.529412 0.807843 0.921569 } def % skyblue
+/BaselineSkipFactor 1.2 def
+/BorderColor { 1 0 0 } def % red
+/BorderMargin 0 def
+/BorderWidth 10 def
+/CapHeight
+{
+ gsave newpath 0 0 moveto (M) true charpath pathbbox
+ exch pop sub neg exch pop grestore
+} def
+/ForegroundColor { 0 0 0.501961 } def % navyblue
+/reencodePRIVATE {
+ dup length dict begin
+ {1 index /FID ne {def}{pop pop} ifelse} forall
+ %% Using default font encoding, perhaps: /Encoding StandardEncoding def
+ currentdict
+ end
+} def
+/findPRIVATE {
+ dup /FontType known {
+ dup /FontType get 3 ne {
+ dup /CharStrings known {
+ dup /CharStrings get /Thorn known {
+ true
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+} def
+/LandscapeMode false def
+/MarginWidth 0 def
+/PageHeight 792 def
+/PageWidth 612 def
+/Height 54 def
+/Width 144 def
+/PointSize 19.9253 def
+/ROTATE_0 {} def
+/ROTATE_90 {Width 0 translate 90 rotate} bind def
+/ROTATE_180 {Width Height translate 180 rotate} bind def
+/ROTATE_270 {0 Height translate 270 rotate} bind def
+/ScaleFactor 1 def
+LandscapeMode
+{
+ /TextHeight Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+{
+ /TextHeight Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+ifelse
+/XOffset 72 def
+/YOffset 72 def
+% Center and show a string at the current point, leaving
+% point at the center of the next line.
+% Usage: (string) cshow
+/cshow
+{
+ currentpoint /cpy exch def /cpx exch def
+ dup stringwidth pop 0.5 mul neg 0 rmoveto show
+ cpx cpy moveto
+ NewLine
+} def
+/max
+{
+ /a exch def
+ /b exch def
+ a b gt { a } { b } ifelse
+} def
+/min
+{
+ /a exch def
+ /b exch def
+ a b lt { a } { b } ifelse
+} def
+/TheFont /Times-Bold def
+/TheFontPRIVATE /Times-Bold-PRIVATE def
+TheFontPRIVATE TheFont findfont reencodePRIVATE definefont pop
+% Set the font size so that longest PosterLines string fills the TextWidth
+% Usage: setfontsize
+/setfontsize
+{
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ 10 scalefont setfont
+ % Set TheFontSize according to maximum string width
+ 0 PosterLines { stringwidth pop max } forall TextWidth exch div 10 mul
+ /TheFontSize exch def
+ % Adjust TheFontSize according to the number of text lines
+ LineCount TheFontSize mul BaselineSkipFactor mul
+ TextHeight div
+ dup 1 gt { TheFontSize exch div /TheFontSize exch def } { pop } ifelse
+ % NB: The following definition silently overrides the previous one
+ /TheFontSize PointSize def
+ /BaselineSkip BaselineSkipFactor TheFontSize mul def
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ TheFontSize scalefont setfont
+} def
+/NewLine {0 BaselineSkip neg rmoveto} def
+/PosterLines
+[
+ (test of epsf.tex)
+] def
+/LineCount PosterLines length 1 max def
+end % psposterdict
+%%EndProlog
+%=======================================================================
+%%BeginSetup
+/#copies 1 def
+%%EndSetup
+%=======================================================================
+%%Page: 1 1
+%%BeginPageSetup
+psposterdict begin
+XOffset YOffset translate
+ScaleFactor dup scale
+ROTATE_0
+end % psposterdict
+%%EndPageSetup
+
+psposterdict begin
+% Draw a frame box and fill it with the background color, and a border color.
+BorderWidth setlinewidth
+newpath
+MarginWidth BorderWidth 0.5 mul add dup moveto
+TextWidth BorderMargin 2 mul add BorderWidth add 0 rlineto
+0 TextHeight BorderMargin 2 mul add BorderWidth add rlineto
+TextWidth BorderMargin 2 mul add BorderWidth add neg 0 rlineto
+closepath
+BackgroundColor setrgbcolor gsave fill grestore
+BorderColor setrgbcolor stroke
+
+0 0 0 setrgbcolor % revert to black
+
+% Set the clipping path to the text region
+0 setlinewidth
+newpath
+MarginWidth BorderWidth add BorderMargin add dup moveto
+TextWidth 0 rlineto
+0 TextHeight rlineto
+TextWidth neg 0 rlineto
+closepath
+clip
+
+% Move origin to text box center, since x = 0 is a convenient
+% value for centering text.
+LandscapeMode
+ { Height 0.5 mul Width 0.5 mul translate }
+ { Width 0.5 mul Height 0.5 mul translate }
+ifelse
+% Set font size so that the longest line just fills the TextWidth.
+setfontsize
+% Center the text vertically, such that the middle line has its text
+% (rather than baseline distance) centered on a horizontal line
+% passing through the center of the picture.
+0 LineCount 0.5 mul BaselineSkip mul BaselineSkip sub moveto
+0 BaselineSkip CapHeight sub 0.5 mul rmoveto
+ForegroundColor setrgbcolor
+% Typeset the poster text.
+PosterLines { cshow } forall
+end % psposterdict
+showpage
+%%PageTrailer
+%=======================================================================
+%%Trailer
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/epsf/okay/tepsf.eps b/Master/texmf-dist/doc/generic/epsf/okay/tepsf.eps
new file mode 100644
index 00000000000..c1a3954832a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/okay/tepsf.eps
@@ -0,0 +1,186 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Title: psposter +x 1in +y 1in +w 2in +h 0.75in +p 20pt +fg navyblue +bg lightblue +bd skyblue test of epsf.tex
+%%CreationDate: Sat Jul 23 17:29:32 MDT 2005
+%%Creator: psposter Version 0.11 [13-Jan-2000]
+%%For: Nelson H. F. Beebe <beebe@psi.math.utah.edu>
+%%BoundingBox: 72 72 216 126
+%%DocumentMedia: A 612 792 0 () ()
+%%DocumentData: Clean7Bit
+%%DocumentFonts: font Times-Bold
+%%DocumentNeededResources: font Times-Bold
+%%Orientation: Portrait
+%%PageOrder: Ascend
+%%Pages: 1
+%%EndComments
+%=======================================================================
+%%BeginProlog
+/psposterdict 50 dict def
+psposterdict begin
+/inch { 72 mul } def
+/BackgroundColor { 0.678431 0.847059 0.901961 } def % lightblue
+/BaselineSkipFactor 1.2 def
+/BorderColor { 0.529412 0.807843 0.921569 } def % skyblue
+/BorderMargin 0 def
+/BorderWidth 10 def
+/CapHeight
+{
+ gsave newpath 0 0 moveto (M) true charpath pathbbox
+ exch pop sub neg exch pop grestore
+} def
+/ForegroundColor { 0 0 0.501961 } def % navyblue
+/reencodePRIVATE {
+ dup length dict begin
+ {1 index /FID ne {def}{pop pop} ifelse} forall
+ %% Using default font encoding, perhaps: /Encoding StandardEncoding def
+ currentdict
+ end
+} def
+/findPRIVATE {
+ dup /FontType known {
+ dup /FontType get 3 ne {
+ dup /CharStrings known {
+ dup /CharStrings get /Thorn known {
+ true
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+} def
+/LandscapeMode false def
+/MarginWidth 0 def
+/PageHeight 792 def
+/PageWidth 612 def
+/Height 54 def
+/Width 144 def
+/PointSize 19.9253 def
+/ROTATE_0 {} def
+/ROTATE_90 {Width 0 translate 90 rotate} bind def
+/ROTATE_180 {Width Height translate 180 rotate} bind def
+/ROTATE_270 {0 Height translate 270 rotate} bind def
+/ScaleFactor 1 def
+LandscapeMode
+{
+ /TextHeight Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+{
+ /TextHeight Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+ifelse
+/XOffset 72 def
+/YOffset 72 def
+% Center and show a string at the current point, leaving
+% point at the center of the next line.
+% Usage: (string) cshow
+/cshow
+{
+ currentpoint /cpy exch def /cpx exch def
+ dup stringwidth pop 0.5 mul neg 0 rmoveto show
+ cpx cpy moveto
+ NewLine
+} def
+/max
+{
+ /a exch def
+ /b exch def
+ a b gt { a } { b } ifelse
+} def
+/min
+{
+ /a exch def
+ /b exch def
+ a b lt { a } { b } ifelse
+} def
+/TheFont /Times-Bold def
+/TheFontPRIVATE /Times-Bold-PRIVATE def
+TheFontPRIVATE TheFont findfont reencodePRIVATE definefont pop
+% Set the font size so that longest PosterLines string fills the TextWidth
+% Usage: setfontsize
+/setfontsize
+{
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ 10 scalefont setfont
+ % Set TheFontSize according to maximum string width
+ 0 PosterLines { stringwidth pop max } forall TextWidth exch div 10 mul
+ /TheFontSize exch def
+ % Adjust TheFontSize according to the number of text lines
+ LineCount TheFontSize mul BaselineSkipFactor mul
+ TextHeight div
+ dup 1 gt { TheFontSize exch div /TheFontSize exch def } { pop } ifelse
+ % NB: The following definition silently overrides the previous one
+ /TheFontSize PointSize def
+ /BaselineSkip BaselineSkipFactor TheFontSize mul def
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ TheFontSize scalefont setfont
+} def
+/NewLine {0 BaselineSkip neg rmoveto} def
+/PosterLines
+[
+ (test of epsf.tex)
+] def
+/LineCount PosterLines length 1 max def
+end % psposterdict
+%%EndProlog
+%=======================================================================
+%%BeginSetup
+/#copies 1 def
+%%EndSetup
+%=======================================================================
+%%Page: 1 1
+%%BeginPageSetup
+psposterdict begin
+XOffset YOffset translate
+ScaleFactor dup scale
+ROTATE_0
+end % psposterdict
+%%EndPageSetup
+
+psposterdict begin
+% Draw a frame box and fill it with the background color, and a border color.
+BorderWidth setlinewidth
+newpath
+MarginWidth BorderWidth 0.5 mul add dup moveto
+TextWidth BorderMargin 2 mul add BorderWidth add 0 rlineto
+0 TextHeight BorderMargin 2 mul add BorderWidth add rlineto
+TextWidth BorderMargin 2 mul add BorderWidth add neg 0 rlineto
+closepath
+BackgroundColor setrgbcolor gsave fill grestore
+BorderColor setrgbcolor stroke
+
+0 0 0 setrgbcolor % revert to black
+
+% Set the clipping path to the text region
+0 setlinewidth
+newpath
+MarginWidth BorderWidth add BorderMargin add dup moveto
+TextWidth 0 rlineto
+0 TextHeight rlineto
+TextWidth neg 0 rlineto
+closepath
+clip
+
+% Move origin to text box center, since x = 0 is a convenient
+% value for centering text.
+LandscapeMode
+ { Height 0.5 mul Width 0.5 mul translate }
+ { Width 0.5 mul Height 0.5 mul translate }
+ifelse
+% Set font size so that the longest line just fills the TextWidth.
+setfontsize
+% Center the text vertically, such that the middle line has its text
+% (rather than baseline distance) centered on a horizontal line
+% passing through the center of the picture.
+0 LineCount 0.5 mul BaselineSkip mul BaselineSkip sub moveto
+0 BaselineSkip CapHeight sub 0.5 mul rmoveto
+ForegroundColor setrgbcolor
+% Typeset the poster text.
+PosterLines { cshow } forall
+end % psposterdict
+showpage
+%%PageTrailer
+%=======================================================================
+%%Trailer
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/epsf/teps.eps b/Master/texmf-dist/doc/generic/epsf/teps.eps
new file mode 100644
index 00000000000..9c92e663a56
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/teps.eps
@@ -0,0 +1,186 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Title: psposter +x 1in +y 1in +w 2in +h 0.75in +p 20pt +fg navyblue +bd red +bg skyblue test of epsf.tex
+%%CreationDate: Sat Jul 23 17:26:56 MDT 2005
+%%Creator: psposter Version 0.11 [13-Jan-2000]
+%%For: Nelson H. F. Beebe <beebe@psi.math.utah.edu>
+%%BoundingBox: 72 72 216 126
+%%DocumentMedia: A 612 792 0 () ()
+%%DocumentData: Clean7Bit
+%%DocumentFonts: font Times-Bold
+%%DocumentNeededResources: font Times-Bold
+%%Orientation: Portrait
+%%PageOrder: Ascend
+%%Pages: 1
+%%EndComments
+%=======================================================================
+%%BeginProlog
+/psposterdict 50 dict def
+psposterdict begin
+/inch { 72 mul } def
+/BackgroundColor { 0.529412 0.807843 0.921569 } def % skyblue
+/BaselineSkipFactor 1.2 def
+/BorderColor { 1 0 0 } def % red
+/BorderMargin 0 def
+/BorderWidth 10 def
+/CapHeight
+{
+ gsave newpath 0 0 moveto (M) true charpath pathbbox
+ exch pop sub neg exch pop grestore
+} def
+/ForegroundColor { 0 0 0.501961 } def % navyblue
+/reencodePRIVATE {
+ dup length dict begin
+ {1 index /FID ne {def}{pop pop} ifelse} forall
+ %% Using default font encoding, perhaps: /Encoding StandardEncoding def
+ currentdict
+ end
+} def
+/findPRIVATE {
+ dup /FontType known {
+ dup /FontType get 3 ne {
+ dup /CharStrings known {
+ dup /CharStrings get /Thorn known {
+ true
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+} def
+/LandscapeMode false def
+/MarginWidth 0 def
+/PageHeight 792 def
+/PageWidth 612 def
+/Height 54 def
+/Width 144 def
+/PointSize 19.9253 def
+/ROTATE_0 {} def
+/ROTATE_90 {Width 0 translate 90 rotate} bind def
+/ROTATE_180 {Width Height translate 180 rotate} bind def
+/ROTATE_270 {0 Height translate 270 rotate} bind def
+/ScaleFactor 1 def
+LandscapeMode
+{
+ /TextHeight Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+{
+ /TextHeight Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+ifelse
+/XOffset 72 def
+/YOffset 72 def
+% Center and show a string at the current point, leaving
+% point at the center of the next line.
+% Usage: (string) cshow
+/cshow
+{
+ currentpoint /cpy exch def /cpx exch def
+ dup stringwidth pop 0.5 mul neg 0 rmoveto show
+ cpx cpy moveto
+ NewLine
+} def
+/max
+{
+ /a exch def
+ /b exch def
+ a b gt { a } { b } ifelse
+} def
+/min
+{
+ /a exch def
+ /b exch def
+ a b lt { a } { b } ifelse
+} def
+/TheFont /Times-Bold def
+/TheFontPRIVATE /Times-Bold-PRIVATE def
+TheFontPRIVATE TheFont findfont reencodePRIVATE definefont pop
+% Set the font size so that longest PosterLines string fills the TextWidth
+% Usage: setfontsize
+/setfontsize
+{
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ 10 scalefont setfont
+ % Set TheFontSize according to maximum string width
+ 0 PosterLines { stringwidth pop max } forall TextWidth exch div 10 mul
+ /TheFontSize exch def
+ % Adjust TheFontSize according to the number of text lines
+ LineCount TheFontSize mul BaselineSkipFactor mul
+ TextHeight div
+ dup 1 gt { TheFontSize exch div /TheFontSize exch def } { pop } ifelse
+ % NB: The following definition silently overrides the previous one
+ /TheFontSize PointSize def
+ /BaselineSkip BaselineSkipFactor TheFontSize mul def
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ TheFontSize scalefont setfont
+} def
+/NewLine {0 BaselineSkip neg rmoveto} def
+/PosterLines
+[
+ (test of epsf.tex)
+] def
+/LineCount PosterLines length 1 max def
+end % psposterdict
+%%EndProlog
+%=======================================================================
+%%BeginSetup
+/#copies 1 def
+%%EndSetup
+%=======================================================================
+%%Page: 1 1
+%%BeginPageSetup
+psposterdict begin
+XOffset YOffset translate
+ScaleFactor dup scale
+ROTATE_0
+end % psposterdict
+%%EndPageSetup
+
+psposterdict begin
+% Draw a frame box and fill it with the background color, and a border color.
+BorderWidth setlinewidth
+newpath
+MarginWidth BorderWidth 0.5 mul add dup moveto
+TextWidth BorderMargin 2 mul add BorderWidth add 0 rlineto
+0 TextHeight BorderMargin 2 mul add BorderWidth add rlineto
+TextWidth BorderMargin 2 mul add BorderWidth add neg 0 rlineto
+closepath
+BackgroundColor setrgbcolor gsave fill grestore
+BorderColor setrgbcolor stroke
+
+0 0 0 setrgbcolor % revert to black
+
+% Set the clipping path to the text region
+0 setlinewidth
+newpath
+MarginWidth BorderWidth add BorderMargin add dup moveto
+TextWidth 0 rlineto
+0 TextHeight rlineto
+TextWidth neg 0 rlineto
+closepath
+clip
+
+% Move origin to text box center, since x = 0 is a convenient
+% value for centering text.
+LandscapeMode
+ { Height 0.5 mul Width 0.5 mul translate }
+ { Width 0.5 mul Height 0.5 mul translate }
+ifelse
+% Set font size so that the longest line just fills the TextWidth.
+setfontsize
+% Center the text vertically, such that the middle line has its text
+% (rather than baseline distance) centered on a horizontal line
+% passing through the center of the picture.
+0 LineCount 0.5 mul BaselineSkip mul BaselineSkip sub moveto
+0 BaselineSkip CapHeight sub 0.5 mul rmoveto
+ForegroundColor setrgbcolor
+% Typeset the poster text.
+PosterLines { cshow } forall
+end % psposterdict
+showpage
+%%PageTrailer
+%=======================================================================
+%%Trailer
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/epsf/tepsf.eps b/Master/texmf-dist/doc/generic/epsf/tepsf.eps
new file mode 100644
index 00000000000..c1a3954832a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/tepsf.eps
@@ -0,0 +1,186 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Title: psposter +x 1in +y 1in +w 2in +h 0.75in +p 20pt +fg navyblue +bg lightblue +bd skyblue test of epsf.tex
+%%CreationDate: Sat Jul 23 17:29:32 MDT 2005
+%%Creator: psposter Version 0.11 [13-Jan-2000]
+%%For: Nelson H. F. Beebe <beebe@psi.math.utah.edu>
+%%BoundingBox: 72 72 216 126
+%%DocumentMedia: A 612 792 0 () ()
+%%DocumentData: Clean7Bit
+%%DocumentFonts: font Times-Bold
+%%DocumentNeededResources: font Times-Bold
+%%Orientation: Portrait
+%%PageOrder: Ascend
+%%Pages: 1
+%%EndComments
+%=======================================================================
+%%BeginProlog
+/psposterdict 50 dict def
+psposterdict begin
+/inch { 72 mul } def
+/BackgroundColor { 0.678431 0.847059 0.901961 } def % lightblue
+/BaselineSkipFactor 1.2 def
+/BorderColor { 0.529412 0.807843 0.921569 } def % skyblue
+/BorderMargin 0 def
+/BorderWidth 10 def
+/CapHeight
+{
+ gsave newpath 0 0 moveto (M) true charpath pathbbox
+ exch pop sub neg exch pop grestore
+} def
+/ForegroundColor { 0 0 0.501961 } def % navyblue
+/reencodePRIVATE {
+ dup length dict begin
+ {1 index /FID ne {def}{pop pop} ifelse} forall
+ %% Using default font encoding, perhaps: /Encoding StandardEncoding def
+ currentdict
+ end
+} def
+/findPRIVATE {
+ dup /FontType known {
+ dup /FontType get 3 ne {
+ dup /CharStrings known {
+ dup /CharStrings get /Thorn known {
+ true
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+ }{ false } ifelse
+} def
+/LandscapeMode false def
+/MarginWidth 0 def
+/PageHeight 792 def
+/PageWidth 612 def
+/Height 54 def
+/Width 144 def
+/PointSize 19.9253 def
+/ROTATE_0 {} def
+/ROTATE_90 {Width 0 translate 90 rotate} bind def
+/ROTATE_180 {Width Height translate 180 rotate} bind def
+/ROTATE_270 {0 Height translate 270 rotate} bind def
+/ScaleFactor 1 def
+LandscapeMode
+{
+ /TextHeight Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+{
+ /TextHeight Height MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+ /TextWidth Width MarginWidth 2 mul sub BorderWidth 2 mul sub BorderMargin 2 mul sub def
+}
+ifelse
+/XOffset 72 def
+/YOffset 72 def
+% Center and show a string at the current point, leaving
+% point at the center of the next line.
+% Usage: (string) cshow
+/cshow
+{
+ currentpoint /cpy exch def /cpx exch def
+ dup stringwidth pop 0.5 mul neg 0 rmoveto show
+ cpx cpy moveto
+ NewLine
+} def
+/max
+{
+ /a exch def
+ /b exch def
+ a b gt { a } { b } ifelse
+} def
+/min
+{
+ /a exch def
+ /b exch def
+ a b lt { a } { b } ifelse
+} def
+/TheFont /Times-Bold def
+/TheFontPRIVATE /Times-Bold-PRIVATE def
+TheFontPRIVATE TheFont findfont reencodePRIVATE definefont pop
+% Set the font size so that longest PosterLines string fills the TextWidth
+% Usage: setfontsize
+/setfontsize
+{
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ 10 scalefont setfont
+ % Set TheFontSize according to maximum string width
+ 0 PosterLines { stringwidth pop max } forall TextWidth exch div 10 mul
+ /TheFontSize exch def
+ % Adjust TheFontSize according to the number of text lines
+ LineCount TheFontSize mul BaselineSkipFactor mul
+ TextHeight div
+ dup 1 gt { TheFontSize exch div /TheFontSize exch def } { pop } ifelse
+ % NB: The following definition silently overrides the previous one
+ /TheFontSize PointSize def
+ /BaselineSkip BaselineSkipFactor TheFontSize mul def
+ TheFont findfont
+ findPRIVATE {reencodePRIVATE TheFontPRIVATE exch definefont} if
+ TheFontSize scalefont setfont
+} def
+/NewLine {0 BaselineSkip neg rmoveto} def
+/PosterLines
+[
+ (test of epsf.tex)
+] def
+/LineCount PosterLines length 1 max def
+end % psposterdict
+%%EndProlog
+%=======================================================================
+%%BeginSetup
+/#copies 1 def
+%%EndSetup
+%=======================================================================
+%%Page: 1 1
+%%BeginPageSetup
+psposterdict begin
+XOffset YOffset translate
+ScaleFactor dup scale
+ROTATE_0
+end % psposterdict
+%%EndPageSetup
+
+psposterdict begin
+% Draw a frame box and fill it with the background color, and a border color.
+BorderWidth setlinewidth
+newpath
+MarginWidth BorderWidth 0.5 mul add dup moveto
+TextWidth BorderMargin 2 mul add BorderWidth add 0 rlineto
+0 TextHeight BorderMargin 2 mul add BorderWidth add rlineto
+TextWidth BorderMargin 2 mul add BorderWidth add neg 0 rlineto
+closepath
+BackgroundColor setrgbcolor gsave fill grestore
+BorderColor setrgbcolor stroke
+
+0 0 0 setrgbcolor % revert to black
+
+% Set the clipping path to the text region
+0 setlinewidth
+newpath
+MarginWidth BorderWidth add BorderMargin add dup moveto
+TextWidth 0 rlineto
+0 TextHeight rlineto
+TextWidth neg 0 rlineto
+closepath
+clip
+
+% Move origin to text box center, since x = 0 is a convenient
+% value for centering text.
+LandscapeMode
+ { Height 0.5 mul Width 0.5 mul translate }
+ { Width 0.5 mul Height 0.5 mul translate }
+ifelse
+% Set font size so that the longest line just fills the TextWidth.
+setfontsize
+% Center the text vertically, such that the middle line has its text
+% (rather than baseline distance) centered on a horizontal line
+% passing through the center of the picture.
+0 LineCount 0.5 mul BaselineSkip mul BaselineSkip sub moveto
+0 BaselineSkip CapHeight sub 0.5 mul rmoveto
+ForegroundColor setrgbcolor
+% Typeset the poster text.
+PosterLines { cshow } forall
+end % psposterdict
+showpage
+%%PageTrailer
+%=======================================================================
+%%Trailer
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/epsf/tepsf1.tex b/Master/texmf-dist/doc/generic/epsf/tepsf1.tex
new file mode 100644
index 00000000000..d045f167cda
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/tepsf1.tex
@@ -0,0 +1,146 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Preamble
+
+\input epsf.tex
+
+\def \bs {\char`\\}
+
+\def \heading #1{\centerline{\bf #1}}
+
+\def \myfont {%
+ \baselineskip = 9.6pt
+ \font \rm = cmr8 at 8pt
+ \rm
+}
+
+\def \noise
+{%
+ Blah blah blah blah blah blah. Blah blah blah blah blah blah. Blah
+ blah blah blah blah blah. Blah blah blah blah blah blah
+}
+
+\def \ARROWPICTURE {\llap{$\Rightarrow$}\PLAINPICTURE\rlap{$\Leftarrow$}}
+
+\def \PLAINPICTURE {\epsffile{tepsf.eps}}
+
+\parindent = 2em
+
+\parskip = 2ex plus 0.5ex minus 0.5ex
+
+%% Page size in mid-Atlantic units
+\voffset = -0.5in
+
+\vsize = 9.5in
+
+\hsize = 12.5cm
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Document body
+
+\myfont
+
+\heading{Test of {\tt epsf.tex}}
+
+\noise
+
+This figure should be centered:
+
+\centerline{\PLAINPICTURE}
+
+\noise
+
+This figure should be left-adjusted:
+
+\leftline{\PLAINPICTURE}
+
+\noise
+
+This figure should be right-adjusted:
+
+\rightline{\PLAINPICTURE}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\centerline{\ARROWPICTURE}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the baseline:
+
+\leftline{\ARROWPICTURE}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\rightline{\ARROWPICTURE}
+
+\noise
+
+\vfill
+\eject
+
+%% ---------------------------------------------------------------------
+
+\heading{Test of {\tt epsf.tex}}
+\heading{with}
+\heading{{\tt \bs epsfframetrue} and {\tt \bs epsfshowfalse} and
+ {\tt \bs epsfshowfilenametrue}}
+
+\epsfframetrue
+\epsfshowfalse
+\epsfshowfilenametrue
+\epsfverbosetrue
+
+\noise
+
+This figure should be centered:
+
+\centerline{\PLAINPICTURE}
+
+\noise
+
+This figure should be left-adjusted:
+
+\leftline{\PLAINPICTURE}
+
+\noise
+
+This figure should be right-adjusted:
+
+\rightline{\PLAINPICTURE}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\centerline{\ARROWPICTURE}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the baseline:
+
+\leftline{\ARROWPICTURE}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\rightline{\ARROWPICTURE}
+
+\noise
+
+\vfill
+\eject
+
+%% ---------------------------------------------------------------------
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/epsf/tepsf2.ltx b/Master/texmf-dist/doc/generic/epsf/tepsf2.ltx
new file mode 100644
index 00000000000..7c8fd4c071f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/tepsf2.ltx
@@ -0,0 +1,232 @@
+% -*-latex-*-
+% Document name: /u/sy/beebe/tex/epsf/new/tepsf2.ltx
+% Creator: Nelson H. F. Beebe [beebe@math.utah.edu]
+% Creation Date: Sat Jul 23 14:51:49 2005
+
+\ifx \documentclass \undefined % LaTeX 2.09
+ \documentstyle{article}
+ \input {epsf.sty}
+\else % LaTeX 2e
+ \documentclass{article}
+ \usepackage{epsf}
+\fi
+
+\newcommand{\bs}{\char`\\}
+
+\newcommand {\heading} [1] {\centerline{\bf #1}}
+
+\newcommand {\myfont}
+{
+ \baselineskip = 9.6pt
+ \font \rm = cmr8 at 8pt
+ \rm
+}
+
+\newcommand {\noise}
+{%
+ Blah blah blah blah blah blah. Blah blah blah blah blah blah. Blah
+ blah blah blah blah blah. Blah blah blah blah blah blah
+}
+
+\newcommand{\ARROWPICTURE}{%
+ \makebox[0pt][r]{$\Rightarrow$}%
+ \PLAINPICTURE
+ \makebox[0pt][l]{$\Leftarrow$}%
+}
+
+\newcommand{\PLAINPICTURE}{%
+ \epsffile{tepsf.eps}%
+}
+
+\setlength{\parindent} {2em}
+
+\setlength{\parskip} {2ex plus 0.5ex minus 0.5ex}
+
+\setlength{\topmargin} {0pt}
+
+\setlength{\headheight} {0pt}
+
+\setlength{\headsep} {0pt}
+
+\setlength{\leftmargin} {0pt}
+
+\setlength{\textheight} {9in}
+
+\setlength{\textwidth} {12.5cm}
+
+\begin{document}
+
+\myfont
+
+\heading{Test of {\tt \bs epsfbox} with {\tt \bs centerline}}
+
+\noise
+
+This figure should be centered:
+
+\centerline{\PLAINPICTURE{}}
+
+\noise
+
+This figure should be left-adjusted:
+
+\centerline{\PLAINPICTURE{}\hfill}
+
+\noise
+
+This figure should be right-adjusted:
+
+\centerline{\hfill \PLAINPICTURE{}}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\centerline{$\Rightarrow$\PLAINPICTURE{}$\Leftarrow$}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the baseline:
+
+\centerline{\hbox to 0pt{\hss$\Rightarrow$}\PLAINPICTURE{}$\Leftarrow$ \hfill}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\centerline{\hfill $\Rightarrow$\PLAINPICTURE{}\hbox to 0pt{$\Leftarrow$ \hss}}
+
+\noise
+
+%% ---------------------------------------------------------------------
+
+\newpage
+
+\heading{Test of {\tt \bs epsfbox} with {\tt center} environment}
+
+\noise
+
+This figure should be centered:
+
+\begin{center}
+ \PLAINPICTURE{}
+\end{center}
+
+\noise
+
+This figure should be left-adjusted:
+
+\begin{flushleft}
+ \PLAINPICTURE{}
+\end{flushleft}
+
+\noise
+
+This figure should be right-adjusted:
+
+\begin{flushright}
+ \PLAINPICTURE{}
+\end{flushright}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\begin{center}
+ \ARROWPICTURE{}
+\end{center}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the
+baseline:%
+
+\begin{flushleft}
+ \ARROWPICTURE{}
+\end{flushleft}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\begin{flushright}
+ \ARROWPICTURE{}
+\end{flushright}
+
+\noise
+
+%% ---------------------------------------------------------------------
+
+\newpage
+
+\heading{Test of {\tt \bs epsfbox} with {\tt center} environment}
+\heading{with}
+\heading{{\tt \bs epsfframetrue} and {\tt \bs epsfshowfalse} and
+ {\tt \bs epsfshowfilenametrue}}
+
+\epsfframetrue
+\epsfshowfalse
+\epsfshowfilenametrue
+\epsfverbosetrue
+
+\noise
+
+This figure should be centered:
+
+\begin{center}
+ \PLAINPICTURE{}
+\end{center}
+
+\noise
+
+This figure should be left-adjusted:
+
+\begin{flushleft}
+ \PLAINPICTURE{}
+\end{flushleft}
+
+\noise
+
+This figure should be right-adjusted:
+
+\begin{flushright}
+ \PLAINPICTURE{}
+\end{flushright}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\begin{center}
+ \ARROWPICTURE{}
+\end{center}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the
+baseline:%
+
+\begin{flushleft}
+ \ARROWPICTURE{}
+\end{flushleft}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\begin{flushright}
+ \ARROWPICTURE{}
+\end{flushright}
+
+\noise
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/epsf/tepsf3.tex b/Master/texmf-dist/doc/generic/epsf/tepsf3.tex
new file mode 100644
index 00000000000..24d2734b17b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/epsf/tepsf3.tex
@@ -0,0 +1,108 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Preamble
+
+\input epsf.tex
+
+\def \bs {\char`\\}
+
+\def \heading #1{\centerline{\bf #1}}
+
+\def \myfont {%
+ \baselineskip = 9.6pt
+ \font \rm = cmr8 at 8pt
+ \rm
+}
+
+\def \noise
+{%
+ Blah blah blah blah blah blah. Blah blah blah blah blah blah. Blah
+ blah blah blah blah blah. Blah blah blah blah blah blah
+}
+
+\def \ARROWPICTURE {\llap{$\Rightarrow$}\PLAINPICTURE\rlap{$\Leftarrow$}}
+
+\def \PLAINPICTURE {\epsffile{tepsf.eps}}
+
+\parindent = 2em
+
+\parskip = 2ex plus 0.5ex minus 0.5ex
+
+%% Page size in mid-Atlantic units
+\voffset = -0.5in
+
+\vsize = 9.5in
+
+\hsize = 12.5cm
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Document body
+
+\myfont
+
+\heading{Test of {\tt epsf.tex}}
+
+\noise
+
+This figure should be centered:
+
+\centerline{XXX\vbox{\PLAINPICTURE}XXX}
+
+\noise
+
+This figure should be left-adjusted:
+
+\leftline{\vbox{\PLAINPICTURE}XXX}
+
+\noise
+
+This figure should be right-adjusted:
+
+\rightline{XXX\vbox{\PLAINPICTURE}}
+
+\noise
+
+This figure should be centered:
+
+\centerline{XXX\hbox{\PLAINPICTURE}XXX}
+
+\noise
+
+This figure should be left-adjusted:
+
+\leftline{\hbox{\PLAINPICTURE}XXX}
+
+\noise
+
+This figure should be right-adjusted:
+
+\rightline{XXX\hbox{\PLAINPICTURE}}
+
+\noise
+
+This figure should be centered with abutting arrows on the baseline:
+
+\centerline{\vbox{\ARROWPICTURE}}
+
+\noise
+
+This figure should be left-adjusted with abutting arrows on the
+baseline, the leftmost of which is in the left margin on the baseline:
+
+\leftline{\vbox{\ARROWPICTURE}}
+
+\noise
+
+This figure should be right-adjusted with abutting arrows on the
+baseline, the rightmost of which is in the right margin on the
+baseline:
+
+\rightline{\vbox{\ARROWPICTURE}}
+
+\noise
+
+\vfill
+\eject
+
+%% ---------------------------------------------------------------------
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/german/00readme.1st b/Master/texmf-dist/doc/generic/german/00readme.1st
new file mode 100644
index 00000000000..7b7171a2224
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/german/00readme.1st
@@ -0,0 +1,160 @@
+%% 00readme.1st
+%%
+%% README for the `german' files, version 2.5e of 1998-07-08
+%%
+%% Copyright (C) 1998 by B.Raichle
+%% All rights reserved.
+%%
+
+Dieses Verzeichnis enthaelt Makropakete zum Schreiben
+deutschsprachiger Texte. `german.sty' unterstuetzt die
+traditionelle, `ngerman.sty' die neue Rechtschreibung.
+
+Zur Nutzung der Makropakete werden zusaetzlich die deutschen
+Silbentrennmuster benoetigt; sie sind im CTAN zu finden als:
+
+ language/hyphenation/ghyph31.tex (alte Rechtschreibung)
+ language/hyphenation/gnhyph01.tex (neue Rechtschreibung)
+
+
+
+Uebersicht
+----------
+
+Die vorliegende Verteilung enthaelt folgende Dateien:
+
+ german.sty -- das Makropaket fuer die alte Rechtschreibung
+ ngerman.sty -- das Makropaket fuer die neue Rechtschreibung,
+ hyphxmpl.cfg -- Beispiel fuer die Konfigurationsdatei
+ `hyphen.cfg' zum Laden der Trennmuster
+ in LaTeX2e (Naeheres siehe `gerdoc.dvi')
+
+ gerdoc.dvi -- deutschsprachige Anleitung
+ gerdoc.tex -- LaTeX-Quelltext
+
+ german.dtx -- Docstrip-Archiv,
+ enthaelt die Makropakete u. hyphxmpl.cfg
+ german.ins -- Installationsskript fuer Docstrip
+
+Falls Sie das Docstrip-Archiv selbst entpacken wollen, benoetigen Sie
+`docstrip.tex' v2.4 oder neuer, das in der LaTeX2e-Verteilung enthalten
+ist. Das Installationsskript laesst sich sowohl mit LaTeX als auch mit
+Plain-TeX ausfuehren.
+
+
+
+Dokumentation
+-------------
+
+Eine Anleitung zur Installation und Verwendung der Makropakete und zur
+Installation der Trennmuster finden Sie in der Datei `gerdoc.dvi'.
+Der dazugehoerigen Quelltext `gerdoc.tex' laesst sich mit LaTeX2e oder
+LaTeX 2.09 uebersetzen. Eine mit Plain-TeX uebersetzbare Version
+existiert leider nicht.
+
+
+
+Interna
+-------
+
+Die Dokumentation, die die Implementierung der Makropakete beschreibt,
+erhalten Sie durch Uebersetzen der Datei `german.dtx' mit LaTeX. Als
+`normaler' (La)TeX-Nutzer benoetigen Sie diese Dokumentation _nicht_.
+Sie ist nur zur internen Dokumentation gedacht und es werden zum
+Verstaendnis tiefergehende TeX-Kenntnisse vorausgesetzt.
+
+
+
+Fehlermeldungen
+---------------
+
+Bitte senden Sie Fehlermeldungen an:
+
+ Bernd Raichle <raichle@Informatik.Uni-Stuttgart.DE>
+oder an
+ Koordinator German-Style <german@dante.de>
+
+
+
+!!! AENDERUNGEN !!! Achtung !!! AENDERUNGEN !!! Achtung !!!
+-----------------------------------------------------------
+
+Unterschiede zwischen Version 2.5d und 2.5e:
+
+ * Fuer Texte in neuer Rechtschreibung wird zusaetzlich das Paket
+ `ngerman' bereitgestellt.
+
+ * In den then- und else-Zweigen des Befehls \iflanguage duerfen nun
+ Makros stehen, deren Argumente erst nach \iflanguage folgen.
+
+ * Dokumentation `germdoc' verbessert; Name geaendert in `gerdoc'.
+
+
+Unterschiede zwischen Version 2.5c und 2.5d:
+
+ * Die Anfuehrungszeichen "` und "' sowie "> und "< wurden mit den
+ EC-Fonts v1.0 nicht korrekt plaziert, da {} in den Definitionen ein
+ meist notwendiges Kerning verhindert haben.
+
+ * \ss ergab mit einem mit Babel 3.5 erzeugten Format eine
+ Endlosschleife -- ausser mit LaTeX2e. Dies wurde abgefangen,
+ jedoch sollte man besser Babel Version 3.6 installieren, in dem
+ dieser Fehler behoben wurde.
+
+ * "ff ergab fuer "f ohne folgendes `f' einen Fehler.
+
+ * Dokumentation `germdoc.tex' und dokumentierter Code wurden
+ verbessert und auf neuesten Stand gebracht.
+
+ * Im Entpack-Skript `german.ins' werden nun die Anweisungen von
+ `docstrip' Version 2.4 (oder neuer) verwendet, so dass die
+ Dateien gleichzeitig entpackt werden.
+
+
+Unterschiede zwischen Version 2.5a/b und 2.5c:
+
+ * Mit "ff erhaelt man nun eine ff-Ligatur.
+
+ * Die schliessenden Anfuehrungszeichen wurden mit den DC-Fonts
+ Version 1.2 zu nah an das Wort gerueckt. Dies wurde verbessert.
+
+ * Fuer das Paket `bibgerm', das ein internes Makro aus German-Style
+ umdefiniert hat und deshalb mit neueren Versionen nicht mehr
+ funktionierte, wurde in German-Style ein Patch eingebaut. Somit
+ kann man dieses Paket jetzt wieder zusammen mit German-Style
+ verwenden. (Besser waere es aber, wenn man `bibgerm' aendern und
+ "sauber" implementieren wuerde. Bitte nicht auf den Patch in
+ German-Style vertrauen, da dieser sicher in spaeteren Versionen
+ entfernt wird!)
+
+ * Verschiedene kleinere Fehler (u.a. bei Verwendung mit AMS-TeX)
+ wurden berichtigt.
+
+
+Wichtige Aenderungen im Vergleich zu Version 2.4:
+
+ * \language = 1 wird nicht mehr als Default fuer die deutschen
+ Trennmuster angenommen, falls die `control sequence' \l@german
+ nicht definiert wurde.
+ Fuer diesen Fall werden Sie beim Laden der Style-Option ``german''
+ durch eine entsprechende Warnung darauf hingewiesen.
+
+ Ist \l@german undefiniert, wird __nicht__ getrennt!!
+
+ Deshalb muessen Sie jetzt beim Installieren der deutschen
+ Trennmuster die `control sequence' \l@german definieren.
+ Dasselbe gilt auch fuer die (US-)englische Trennung. Mehr
+ dazu erfahren Sie in der Dokumentation "germdoc.tex".
+
+
+ * Nach der Installation von "german.sty" kann der erste
+ Formatierlauf Fehler beim Lesen von *.aux-, *.toc-, *.lof-,
+ *.lot-, u.a. -Datei erzeugen, da sich ein kleines Detail
+ geaendert hat.
+
+ Sie koennen diese Fehler, die nur beim Lesen dieser Dateien
+ und beim ersten Formatierlauf auftreten sollten, ignorieren oder
+ Sie loeschen einfach diese Dateien nach dem Installieren der neuen
+ Version der Style-Option ``german''.
+
+%% finis
diff --git a/Master/texmf-dist/doc/generic/german/gerdoc.tex b/Master/texmf-dist/doc/generic/german/gerdoc.tex
new file mode 100644
index 00000000000..49efee862dd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/german/gerdoc.tex
@@ -0,0 +1,1488 @@
+%% File ``gerdoc.tex'', V. 2.5e <1998-07-08>
+%%
+%% Copyright (C) 1992, 1995-1997 by B.Raichle and DANTE e.V.
+%% Copyright (C) 1998 by B.Raichle
+%% All rights reserved.
+%%
+%%
+%% "Anderungen:
+%% -- Erste Fassung: Tagungsbericht (ca. 3 Seiten) --
+%% <87/11/27> Hubert Partl
+%% Bericht "uber die Einigung auf einen "`Minimal Subset von
+%% einheitlichen deutschen \TeX-Befehlen"' auf dem 6. Treffen der
+%% deutschen \TeX-Interessenten in M"unster (Oktober 1987).
+%% <90/04/??> Hubert Partl
+%% Korrektur \selectlanguage statt \setlanguage, f"ur v2.3
+%% <92/04/12> br
+%% erste Erweiterungen und Erg"anzungen des Berichts mit einer
+%% kurzen Installationsanleitung und den "Anderungen im
+%% German-Style, f"ur v2.4a
+%% --- Neufassung: Benutzerhandbuch (ca. 20-22 Seiten) --
+%% <95/01/01> br
+%% komplett "uberarbeitete, restrukturierte und stark erweiterte
+%% Version mit ausf"uhrlicherer Benutzungs- und Installations-
+%% anleitung, f"ur v2.5a
+%% <95/01/20> br
+%% vier(!) kleinere Korrekturen, f"ur v2.5b
+%% <96/05/01> br
+%% "uberarbeitete und korrigierte Version mit Neuerungen aus v2.5c
+%% <97/05/01> br
+%% "uberarbeitete Version mit einigen Umformulierungen und
+%% Erg"anzungen, au"serdem Verweis auf neuere Pakete, fuer v2.5d
+%% <1998-07-08> Walter Schmidt
+%% Dokument in gerdoc.tex umbenannt, f"ur v2.5e.
+%% Informationen zur neuen Rechtschreibung (Paket ngerman) erg"anzt.
+%% F"ur den Begriff `Style-Option' nun `Paket' oder `Makropaket' verwendet.
+%% In Kap.1 auf die Umschaltung der Trennmuster hingewiesen.
+%% Bessere Erkl"arung des Befehls "= .
+%% Erg"anzung: Tieferlegen der Umlaut-Punkte betrifft nur OT1-Fonts.
+%% Kap. 2.2.5 ausf"uhrlicher und (hoffentlich) verst"andlicher gemacht.
+%% Installationsanleitung komplett "uberarbeitet.
+%% Das Beispiel `Laden nur einer einzigen Trennmusterdatei' entfernt.
+%% Internet-Adressen aktualisiert.
+%% *** Dank an H.Oberdiek (Freiburg) und P.Zimmermann (Eichst"att)
+%% f"ur viele Hinweise auf Schreib- und Formulierungsfehler! ***
+%%
+\ifx\documentclass\undefined % LaTeX2e?
+ \documentstyle[11pt,a4,german]{article}
+\else
+ \NeedsTeXFormat{LaTeX2e}
+ \documentclass[11pt,a4paper]{article}
+ \usepackage{german}
+ \addtolength{\textheight}{7\baselineskip}
+ \addtolength{\topmargin}{-5\baselineskip}
+ %%\usepackage[T1]{fontenc}
+\fi
+
+\title{Kurzbeschreibung\\
+{\tt german.sty} und {\tt ngerman.sty} (Version~2.5)}
+
+\author{Bernd Raichle}
+
+\date{8.~Juli 1998\\ (f"ur die Version~2.5e)}
+
+\ifx\LaTeXe\undefined
+ \newcommand{\pLaTeXe}{%
+ \mbox{\LaTeX\kern.15em\(2_{\textstyle\varepsilon}\)}}
+ \newcommand{\LaTeXe}{\protect\pLaTeXe}\fi
+\ifx\emergencystretch\undefined \else
+ \setlength{\emergencystretch}{1em}\fi
+\newenvironment{beispiel}{%
+ \begin{quote}\small \begin{tabbing}%
+ {\tt 1234Merci bien12!1234}\quad \=ergibt:\qquad\=\kill
+}{\end{tabbing}\end{quote}}
+\renewcommand\labelitemi{\(\triangleright\)}
+\renewcommand\labelitemii{\(\diamond\)}
+\renewcommand\labelitemiii{\(\circ\)}
+\newcommand\CS[1]{{\tt\symbol{`\\}#1}}
+\hyphenation{Datei-name Datei-namen}
+\makeatletter
+\def\ps@firstpage{\let\@mkboth\@gobbletwo
+ \let\@oddhead\@empty\def\@oddfoot{\reset@font%
+ \makebox[0pt][l]{{\footnotesize \copyright{} 1998 B.~Raichle}}
+ \hfil\thepage\hfil}
+ \let\@evenhead\@empty\let\@evenfoot\@oddfoot}
+\makeatother
+
+\begin{document}
+\maketitle
+\thispagestyle{firstpage}
+
+\begin{abstract}
+ Beim 6.~Treffen der deutschen \TeX-""Interessenten in M"unster
+ (Oktober 1987) wurde Einigung "uber ein "`Minimal Subset von
+ einheitlichen deutschen \TeX-Befeh\-len"' erzielt, das seitdem an
+ allen Installationen von \TeX\ und \LaTeX\ als Makropaket
+ "`german"' zur Ver"-f"u"-gung stehen und f"ur Texte in deutscher
+ Sprache verwendet werden soll. Damit wird erreicht, da"s alle
+ \TeX- und \LaTeX-Dokumente, die diese Befehle enthalten, problemlos
+ von einem Rechner zum anderen "uber"-tragen werden k"onnen.
+ In der Zwischenzeit wurde das Makropaket "`ngerman"' erg"anzt,
+ das die neue Rechtschreibung unterst"utzt.
+\end{abstract}
+
+\tableofcontents
+
+\section{Allgemeines}
+
+Die Makropakete "`german"' und "`ngerman"' dienen mehreren Zwecken:
+\begin{itemize}\tolerance=2000
+\item Sie aktivieren die der deutschen Sprache zugeordneten
+ Silbentrennmuster.
+\item Der deutsche Schriftsatz weist einige Besonderheiten auf, die
+ in \TeX{} durch neue Makros und verschiedene "Anderungen
+ unterst"utzt und dem Benutzer angeboten werden k"onnen. Beispiele
+ sind die Makros f"ur die unterschiedlichen
+ Anf"uhrungszeichen und die "Anderung des Umlautmakros f"ur
+ OT1-codierte Schriften.
+\item Zur Vereinfachung und Standardisierung der Eingabe von Umlauten
+ und des Buchstabens~"s wird die Kurznotation~\verb:"x: f"ur
+ Rechner einge"-f"uhrt, die die Eingabe dieser Zeichen nicht direkt
+ erlauben. Heutzutage unter"-st"utzen die meisten Rechnersysteme die
+ direkte Eingabe und Anzeige von Umlauten, jedoch ist die
+ Kurznotation weiterhin als Quasi-Standard zum Austausch von \TeX-
+ und \LaTeX-Dokumenten sinnvoll und f"ur deutschsprachige Texte weit
+ verbreitet.
+\item Das Umschalten zwischen den Sprachen Deutsch, Englisch und
+ Franz"osisch wird rudiment"ar unterst"utzt.
+\end{itemize}
+
+Je nachdem, ob ein deutschsprachiger Text in alter oder neuer
+Rechtschreibung verfa"st ist, m"ussen f"ur \TeX{} unterschiedliche
+Silbentrennmuster benutzt werden; au"serdem werden bestimmte Makros
+nur f"ur Sonderf"alle der "`alten"' Silbentrennung ben"otigt. Dies
+wird ber"ucksichtigt, indem f"ur die alte Rechtschreibung das Paket
+"`german"', f"ur die neue aber das Paket "`ngerman"' zur Verf"ugung
+steht. Wo im Folgenden von "`german"' die Rede ist, sind {\em beide}
+Pakete gemeint; auf Unterschiede wird explizit hingewiesen.
+
+
+\section{Verwendung}
+
+\subsection{Laden der Makropakete je nach Rechtschreibung}
+
+Je nachdem, ob ein deutschsprachiger Text nach der traditionellen
+oder der "`neuen"' Rechtschreibung verfa"st ist, mu"s entweder das
+Paket "`german"' oder das Paket "`ngerman"' benutzt werden.
+
+\paragraph{\LaTeX:} Mit \LaTeX\ (genauer: \LaTeXe) wird das
+Makropaket mit
+\begin{quote}
+ \verb:\usepackage{german}:
+\end{quote}
+oder
+\begin{quote}
+ \verb:\usepackage{ngerman}:
+\end{quote}
+%nach der Deklaration der Dokumentenklasse mit \verb:\documentclass:
+geladen. Momentan haben die Pakete keine eigenen Optionen und
+werten auch keine Dokumenten"-klassen"-optionen aus.
+
+\paragraph{\LaTeX~2.09:} Mit der alten \LaTeX-Version oder im
+\LaTeX~2.09-Kompatibi\-li\-t"ats"-modus von \LaTeXe{} wird das Paket
+als Style-Option innerhalb des optionalen Arguments des
+\verb:\documentstyle:-Befehls, beispielsweise mit
+\begin{quote}
+ \verb:\documentstyle[11pt,german]{article}:
+\end{quote}
+angegeben.
+
+\paragraph{Plain-\protect\TeX:} Unter Plain-\TeX\ wird das
+Paket als gew"ohnliche Makro"-datei mit dem \TeX-Befehl
+\begin{quote}
+ \verb:\input german.sty:
+\end{quote}
+dazugeladen.
+
+
+\subsection{Befehle}
+
+Der beim 6.~Treffen der deutschen \TeX-Interessenten in M"unster
+festgelegte Befehlssatz wurde nach"-tr"aglich um einige Befehle
+erweitert. Diese Erweiterungen werden zur Kenntlichmachung in der
+folgenden Liste mit einem~\(\dagger\) versehen.
+
+
+\subsubsection{Umlaute, Tremata und der Buchstabe "s}
+
+\begin{itemize}
+\item \verb:\"a: ergibt ein "`a"' mit einem Trema. Das Paket
+ "`german"' definiert dieses Makro so um, da"s bei Verwendung von
+ OT1-codierten Schriften die Umlautpunkte etwas
+ nach unten verschoben werden (Original: {\originalTeX \"a}, mit
+ "`german"': \"a).
+\item \verb:"a: als Kurzform f"ur \verb:\"a: (Umlaute, wie~"a) --
+ ebenso f"ur die Vokale o und~u und die entsprechenden Gro"sbuchstaben.
+\item \verb:"e: und \verb:"i: f"ur ein e und i mit Trema.
+\item \verb:"s: als Kurzform f"ur \verb:\ss: (scharfes~s:~"s),
+ \verb:"S:\(^\dagger\) ergibt "`SS"', \verb:"z:\(^\dagger\) und
+ \verb:"Z:\(^\dagger\) kann f"ur~\ss\ bzw.\ SZ verwendet werden,
+ falls man Mi"sverst"andnisse bei der Verwendung in
+ gro"sgeschriebenen W"ortern vermeiden m"ochte.
+\end{itemize}
+
+\paragraph{Verwendungsbeispiele}
+\begin{beispiel}
+\verb:sch"on: \> ergibt: \> sch"on \\
+\verb:sch\"on: \> ergibt: \>
+ sch\"on (statt: {\originalTeX sch\"on})\\[3pt]
+\verb:Citro"en: \> ergibt: \> Citro"en \\[3pt]
+\verb:Stra"se Ma"ze: \> ergibt: \> Stra"se Ma"ze \\
+\verb:STRA"SE MA"ZE: \> ergibt: \> STRA"SE MA"ZE \\
+\end{beispiel}
+
+\paragraph{Anmerkungen:}
+Die Befehle f"ur Umlaute und scharfes~s sind so definiert, da"s auch
+in Silben {\em vor\/} und {\em nach\/} dem Befehl die automatische
+Silbentrennung funktioniert. Dabei kann \TeX\ jedoch nicht mehr alle
+oder eventuell falsche Trennstellen finden (Beispiel: {\tt"ubert-ra-gen}
+statt {\tt "uber-tra-gen}). Diese fehlerhaften Trennungen treten bei
+der Verwendung von {\tt T1}-kodierten Schriften, wie beispielsweise
+den {\tt EC}-Schriften, die man unter \LaTeXe{} ohne gro"se
+Anpassungen verwenden kann, nicht auf. \TeX{}s Trennalgorithmus kann
+Trennstellen prinzip"-bedingt nicht 100\%ig fehlerfrei finden.
+Deshalb erhalten Sie, unabh"angig von der verwendeten Schrift, immer
+einige, wenn auch nur sehr wenige fehlerhafte Wort"-trennungen.
+
+
+\subsubsection{Zusammentreffen von drei gleichen Konsonanten und
+ \protect\mbox{"`ck"'} bei Silbentrennung}
+
+\begin{itemize}
+\item \verb:"ck: f"ur \mbox{"`ck"'}, das als \mbox{"`k-k"'} getrennt
+ wird.
+\item \verb:"ff: f"ur \mbox{"`ff"'}, das als \mbox{"`ff-f"'} getrennt
+ wird -- auch f"ur die anderen relevanten Konsonanten l, m, n, p, r
+ und~t.
+\end{itemize}
+%
+Diese Befehle sind nur mit der alten Rechtschreibung
+notwendig.
+ Regel~\(204\) der "`Richtlinien zur Rechtschreibung~\ldots"'~\cite{Duden}
+ bestimmte: {\it Treffen bei
+ Wortbildungen drei gleiche Konsonanten zusammen, dann setzt man nur
+ zwei, wenn ein Vokal folgt. Bei Silbentrennung tritt der dritte
+ Konsonant wieder ein.} {\it \mbox{ck} wird\/} nach Regel~\(179\) {\it
+ bei der Silbentrennung in \mbox{k-k} aufgel"ost.}
+
+\paragraph{Verwendungsbeispiele:}
+\begin{beispiel}
+\verb:Dru"cker: \> ergibt: \> Drucker bzw.\ Druk-ker \\
+\verb:Ro"lladen: \> ergibt: \> Rolladen bzw.\ Roll-laden \\
+\verb:Bettuch: \> ergibt: \> Bettuch bzw.\ Bet-tuch \\
+\verb:Be"ttuch: \> ergibt: \> Bettuch bzw.\ Bett-tuch \\
+\end{beispiel}
+
+\paragraph{Anmerkungen:}
+Da man diese besonderen F"alle der Silbentrennung nur durch den
+\TeX-Befehl \verb:\discretionary: als Trennausnahmen realisieren kann,
+wird dadurch die Trennung in den restlichen Wortteilen und die
+Ligaturbildung um diese Konsonanten beeinflu"st.
+
+\paragraph{Neue Rechtschreibung:}
+Mit der neuen Rechtschreibung wird
+das "`ck"' nicht mehr in \mbox{"`k-k"' } getrennt,
+und Dreifachkonsonanten werden immer ausgeschrieben.
+Im Paket "`ngerman"' haben diese Befehle deshalb eine ge"anderte Funktion.
+Sollten sie hier irrt"umlich benutzt werden, dann wird diejenige
+Ausgabe erzeugt, die offensichtlich gemeint ist, also ein "`ck"' mit
+einer Trennstelle davor oder die drei Konsonanten; eine entsprechende
+Warnung wird ausgegeben.
+
+
+\subsubsection{Anf"uhrungszeichen}
+
+\begin{itemize}
+\item \verb:"`: oder \verb:\glqq: f"ur untere und \verb:"': oder
+ \verb:\grqq: f"ur obere "`deutsche An\-f"uh\-rungs"-zeichen"'
+ (\glqq G"anse"-f"u"schen\grqq).
+\item \verb:\glq: f"ur untere und \verb:\grq: f"ur obere \glq
+ halbierte An\-f"uh\-rungs"-zeichen\grq{} (bitte Anmerkungen zur
+ Verwendung beachten!).
+\item \verb:"<: oder \verb:\flqq: f"ur linke und \verb:">: oder
+ \verb:\frqq: f"ur rechte "<An\-f"uh\-rungs"-zeichen"> in der
+ franz"osischen Form (\flqq\,guillemets\,\frqq).
+\item \verb:\flq: f"ur linke und \verb:\frq: f"ur rechte \flq
+ halbierte An\-f"uh\-rungs"-zeichen\frq\ in der franz"osischen Form,
+\item \verb:\dq: zum Ausdrucken des Doublequote-Zeichens~(\verb:":).
+\end{itemize}
+%
+In~\cite{Duden} findet man: {\it Im deutschen Schriftsatz werden
+ vornehmlich die An"-f"uhrungszeichen "`\ldots"' und ">\ldots"<
+ angewendet. Die franz"osische Form "<\,\ldots\,"> ist im Deutschen
+ weniger gebr"auchlich; in der Schweiz hat sie sich f"ur den
+ Antiquasatz eingeb"urgert.} Die Regeln~\(10\)ff erg"anzen diese
+ Aussagen durch: {\it Eine Anf"uhrung in einer Anf"uhrung wird durch
+ halbe Anf"uhrungszeichen deutlich gemacht.} In franz"osischen
+ Texten ist hinter dem "offnenden und vor dem schlie"senden ein
+ zus"atzlicher Leerraum einzuf"ugen und es werden keine halben
+ Anf"uhrungszeichen verwendet.
+
+\paragraph{Verwendungsbeispiele:}
+\begin{beispiel}
+\verb:"`Ja, bitte!"': \> ergibt: \> "`Ja, bitte!"' \\[3pt]
+\verb:"`Sag' doch nicht immer \glq Ja, bitte!{}\grq!"': \\
+ \> ergibt: \>
+ "`Sag' doch nicht immer \glq Ja, bitte!{}\grq!"' \\[3pt]
+\verb:">Ja, bitte!"<: \> ergibt: \> ">Ja, bitte!"< \\[3pt]
+\verb:">Sag' doch nicht immer \frq Ja, bitte!\flq!"<: \\
+ \> ergibt: \>
+ ">Sag' doch nicht immer \frq Ja, bitte!\flq!"< \\[3pt]
+\verb:"<\,Merci bien\,!\,">: \> ergibt: \> "<\,Merci bien\,!\,"> \\
+\end{beispiel}
+
+\paragraph{Anmerkungen:}
+Folgt \verb:\grq: auf ein Ausrufe- oder Fragezeichen, so sollte man
+zwischen diesen beiden Zeichen, wie im Beispiel gezeigt, ein leeres
+Klammerpaar~\verb:{}: oder \verb:{\kern0pt}: einf"ugen, um die
+Ligaturen~\verb:!`:~(!`) bzw.~\verb:?`:~(?`) zu verhindern, die sonst
+bei Verwendung von T1-kodierten Schriften gebildet w"urden.
+
+F"ur die Realisierung der Anf"uhrungszeichen existiert keine L"osung,
+die uneingeschr"ankt f"ur alle Schriften verwendbar w"are. Bei der
+momentanen Realisierung ist zu beachten, da"s bei Verwendung von
+nicht-{\tt T1}-kodierten Schriften kein {\it Kerning\/} zwischen den
+An\-f"uh\-rungs"-zeichen und den anderen Zeichen einge"-f"ugt wird.
+Bei einigen Buch\-staben-Anf"uhrungs\-zeichen-Kombi"-nationen k"onnen
+daher zu gro"-"se bzw.\ zu kleine Ab"-st"an"-de auftreten (Beispiel:
+\mbox{"`\kern0ptV} statt~\mbox{"`\negthinspace V}).
+
+Relativ h"aufig ist in Dokumenten folgender Fehler zu beobachten:
+Statt mit Hilfe von \verb:"`: und \verb:"': die Anf"uhrungszeichen
+"`\ldots"' bzw.\ mit \verb:``: und \verb:'': die im
+englischsprachigen Raum gebr"auchlichen Anf"uhrungszeichen ``\ldots''
+zu erzeugen, wird einfach der direkt auf der Tastatur zu findende
+Double\-quote~\verb:": verwendet, der das falsche Ergebnis ''\ldots''
+erzeugt. Dieser Fehler ist leider in vielen mit \LaTeX\ erstellten
+deutschsprachigen Texte zu beobachten, obwohl das Fehlen der unteren,
+"offnenden Anf"uhrungszeichen auf"|fallen m"u"ste! Bei Verwendung
+des Pakets "`german"' mit der dann ge"anderten Bedeutung des
+Double\-quote kann dies au"serdem zu verschiedenen Fehlermeldungen
+f"uhren.
+
+Ben"otigt man das Double\-quote-Zeichen, so mu"s man mit dem Paket
+"`german"' die Befehle \verb:\dq: oder~\verb:\verb+"+: verwenden. Aus
+Kompatibilit"ats"-gr"unden mit alten Versionen des Makropakets wird
+auch noch~\verb:"{}: unter"-st"utzt.
+
+
+\subsubsection{Trennhilfen f"ur die automatische Silbentrennung}
+
+\begin{itemize}
+\item \verb:\-: f"ur eine Silbentrennstelle, wobei vor und nach
+ dieser Trennstelle die Silbentrennung unter"-dr"uckt wird (dies ist
+ der Original"-befehl in \TeX{} zur Kennzeichnung von Trennstellen).
+\item \verb:"-: f"ur eine Silbentrennstelle an der angegebenen
+ Stelle; "ahnlich wie mit \verb:\-:, jedoch bleibt die automatische
+ Silbentrennung vor und nach dieser Trennstelle erhalten. Im
+ Unterschied zu \verb:\-: kann man mit \verb:"-: eine Trennstelle
+ ein"-f"ugen und alle weiteren Trennstellen werden von \TeX\ selbst
+ bestimmt, solange man dies nicht unterdr"uckt.
+\item \verb:"": f"ur eine Silbentrennstelle an der angegebenen
+ Stelle, an der im Fall einer Trennung {\it kein\/} Bindestrich
+ hinzugef"ugt wird.
+\item \verb:"|: zur Verhinderung von Ligaturen, "ahnlich wie
+ \verb:"-:, jedoch wird zu"-s"atzlich ein kleiner Zwischenraum zur
+ besseren Trennung der Einzelzeichen einer Ligatur eingef"ugt.
+%\item \verb:\allowhyphens: dient zum Einf"ugen einer Wortfuge, wobei
+% an dieser Stellen {\it keine\/} Silbentrennstelle eingef"ugt wird,
+% aber die automatische Silbentrennung vor und nach dieser Stelle
+% weiterhin erhalten bleibt.
+\item \verb:-: f"ur einen Bindestrich (Divis) bei Zusammensetzungen
+ von W"ortern und Wort"-abk"urzungen; \TeX\ erlaubt eine Trennung
+ nach dem Bindestrich und trennt nie automatisch in den Wortteilen
+ vor und nach dem Bindestrich.
+\item \verb:"~:\(^\dagger\) f"ur einen Bindestrich, an dem nicht
+ getrennt wird.
+\item \verb:"=:\(^\dagger\) f"ur einen Bindestrich, an dem die
+ Trennung erlaubt ist; au"serdem darf vor und nach dieser Stelle
+ automatisch getrennt werden.
+\end{itemize}
+
+\paragraph{Verwendungsbeispiele:}\hspace{0pt plus 1em} Die m"oglichen
+Silbentrennstellen sind in den Beispielen durch das Zeichen~\(|\)
+gekennzeichnet.
+\begin{beispiel}
+\verb:Auf"|lage: \> ergibt: \> Auf\(|\)la\(|\)ge \\
+ \> \> (formatiert: Auf"|lage statt Auflage) \\[3pt]
+
+\verb:"ubertragen: \> ergibt:
+ \> "ubert\(|\)ra\(|\)gen (falsche Trennstelle) \\
+\verb:"uber\-tragen: \> ergibt: \> "uber\(|\)tragen \\
+\verb:"uber"-tragen: \> ergibt: \> "uber\(|\)tra\(|\)gen \\[3pt]
+
+\verb:bergauf und -ab: \> ergibt:
+ \> berg\(|\)auf und -\(|\)ab (falsche Trennstelle)\\
+\verb:bergauf und "~ab: \> ergibt: \> berg\(|\)auf und "~ab \\
+\verb:I-Punkt: \> ergibt:
+ \> I-\(|\)Punkt (schlechte Trennstelle)\\
+\verb:I"~Punkt: \> ergibt: \> I"~Punkt \\
+\verb:Arbeiter"=Unfall: \> ergibt:
+ \> Ar\(|\)bei\(|\)ter-\(|\)Un\(|\)fall\(|\)ver\(|\)si\(|\)che\(|\)rungs- \\
+\verb:versicherungsgesetz: \> \> ge\(|\)setz \\
+\end{beispiel}
+
+\pagebreak[0]
+\paragraph{Tips:}
+\begin{itemize}
+\item Bei zusammengesetzten W"ortern, die falsche Trennstellen
+ aufweisen, sollte man zuerst die Trennhilfe~\verb:"-: in die
+ Wortfuge der Zusammensetzung ein"-f"ugen und nochmals testen, ob
+ danach richtig getrennt wird, bevor man weitere Trennhilfen
+ ein"-f"ugt.
+ \begin{beispiel}
+ \verb:"ubertragen: \> ergibt: \> "ubert\(|\)ra\(|\)gen \\
+ \verb:"uber"-tragen: \> ergibt: \> "uber\(|\)tra\(|\)gen \\
+ \verb:Bedienoberfl"ache: \> ergibt:
+ \> Be\(|\)dieno\(|\)ber\(|\)fl"ache \\
+ \verb:Bedien"-oberfl"ache: \> ergibt:
+ \> Be\(|\)di\(|\)en\(|\)ober\(|\)fl"ache \\
+ \verb:Be\-dien"-oberfl"ache: \> ergibt:
+ \> Be\(|\)dien\(|\)ober\(|\)fl"ache \\
+ \end{beispiel}
+\item Bei der Verwendung von Bindestrichen zur Er"-g"anzung ("`bergauf
+ und \mbox{-ab}"', "`\mbox{ein-}, zwei- oder dreimal"'), vor
+ Schr"ag"-strichen ("`\mbox{Ein-}\slash Aus\-gang"') und Klammern
+ ("`Prim"ar-\mbox{(Haupt-)}""Strom"') sollte man mit den Befehlen
+ \verb:\mbox:, \verb:"": und \verb:"~: vor den Satzzeichen die
+ Trennung unterbinden und eventuell nach den Satzzeichen wieder
+ erlauben.
+ \begin{beispiel}
+ \verb:bergauf und -ab: \> ergibt:
+ \> berg\(|\)auf und -\(|\)ab \\
+ \verb:bergauf und \mbox{-ab}: \> ergibt:
+ \> berg\(|\)auf und -ab \\
+ \verb:bergauf und "~ab: \> ergibt:
+ \> berg\(|\)auf und -ab \\
+ \verb:Ein-/Ausgang: \> ergibt: \> Ein-\(|\)/Ausgang \\
+ \verb:\mbox{Ein-}/""Ausgang: \> ergibt: \> Ein-/\(|\)Aus\(|\)gang \\
+ \verb:Ein"~/""Ausgang: \> ergibt: \> Ein-/\(|\)Aus\(|\)gang \\
+ \end{beispiel}
+\item Der Befehl~\verb:"=: erlaubt
+ in den mit dem Bindestrich verbundenen
+ Wortteilen auch nahe am Bindestrich liegende Trennstellen,
+ die oft h"a"slich oder gar sinnwidrig sind. Zusammengesetzte W"orter sollten
+ normalerweise ohne Bindestrich geschrieben werden.
+ Wenn der Bindestrich dennoch zur Vermeidung von Mi"sverst"andnissen
+ n"otig ist, oder um das Schriftbild "ubersichtlicher zu machen,
+ und man neben der Trennung am
+ Bindestrich weitere Trennstellen erlauben will, sollte man mit
+ \verb:\-: und \verb:"-: wenige, wohl"-"uber"-legte Trennhilfen
+ ein"-f"ugen.
+ \begin{beispiel}
+\verb:Arbeiter-Unfall: \> ergibt: \> Arbeiter-\(|\) \\
+\verb:versicherungsgesetz: \> \> Unfallversicherungsgesetz \\
+\verb:Arbeiter"=Unfall: \> ergibt:
+ \> Ar\(|\)bei\(|\)ter-\(|\)Un\(|\)fall\(|\) \\
+\verb:versicherungsgesetz: \>
+ \> ver\(|\)si\(|\)che\(|\)rungs\(|\)ge\(|\)setz \\
+\verb:Arbeiter-Unfall"-: \> ergibt:
+ \> Arbeiter-\(|\)Unfall\(|\) \\
+\verb:versicherungsgesetz: \>
+ \> ver\(|\)si\(|\)che\(|\)rungs\(|\)ge\(|\)setz \\
+ \end{beispiel}
+ Der Befehl~\verb:"=: ist also vorzugsweise in automatisch
+ erstellten oder konvertierten Texten zu verwenden, wo
+ manuelle Trennhilfen nicht verf"ugbar sind.
+\end{itemize}
+
+
+%\subsubsection{Erstellen deutschsprachiger Dokumente und Einbinden
+% von deutschsprachigen Texten in fremdsprachige Dokumente}
+\subsubsection{Befehle zur Sprachauswahl}
+
+\begin{itemize}
+\item \verb:\selectlanguage{:\mbox{\(\langle\)\it
+ Sprache\/\(\rangle\)}\verb:}: aktiviert
+ die der Sprache zugeordneten Trennmuster (siehe
+ auch~\ref{sec:languageundef}, S.~\pageref{sec:languageundef})
+ und schaltet zwischen deutschen,
+ "oster"-reichischen, englischen, amerikanischen und franz"osischen
+ Datumsangaben und "Uber"-schriften um.
+ F"ur~\mbox{\(\langle\)\it Sprache\/\(\rangle\)} ist einer der
+ folgenden Namen zu verwenden:
+ \begin{itemize}
+ \item Mit dem Paket "`german"':\\
+ \verb:german:, \verb:austrian:,
+ \verb:english:, \verb:USenglish: oder \verb:french:
+ \item Mit dem Paket "`ngerman"':\\
+ \verb:ngerman:, \verb:naustrian:,
+ \verb:english:, \verb:USenglish: oder \verb:french:.
+ \end{itemize}
+\item \verb:\germanTeX: zum Einschalten der deutschen \TeX-Befehle.
+ Dieser Befehl aktiviert alle \verb:"x:-Befehle, "andert das
+ \verb:\"x:-Makro, setzt durch einen Aufruf von
+ \CS{select\-language} die traditionellen deutschen Trennmuster in Kraft
+ und "andert die
+ Datumsangabe und "Uberschriften. {\em Dieser Befehl ist nur im Paket
+ "`german"' definiert.}
+\item \verb:\ngermanTeX:\(^\dagger\) dito, aber aktiviert die
+ "`neuen"' deutschen Trennmuster.
+ {\em Dieser Befehl ist nur im Paket "`ngerman"' definiert.}
+\item \verb:\originalTeX: zum Zur"uckschalten auf Original-\TeX\ bzw.\
+ \mbox{-\LaTeX}: deaktiviert alle durch \verb:\germanTeX: oder
+ \verb:\ngermanTeX: eingeschalteten Befehle.
+\end{itemize}
+Zu jeder Sprache geh"oren ein spezifisches Datumsformat und
+eigene, in den
+\LaTeX-Klassen bzw.\ \mbox{-Styles}\footnote{Anpa"sbare Klassen bzw.
+ Styles sind seit Dezember~1991 Bestandteil der offiziellen
+ \LaTeX-Verteilung.} verwendete "Uber"-schriften:
+\begin{quote}\small
+\day=1 \month=1 \year=1995 % Beispieldatum (J\"anner!)
+\begin{tabular}{@{}lll@{}}
+\mbox{\(\langle\)\it Sprache\/\(\rangle\)}&
+\verb:\today:&\verb:\chaptername:\\[3pt]
+\verb:german:, \verb:ngerman: & \selectlanguage{german}\today
+ & \selectlanguage{german}\chaptername \\
+\verb:austrian:, \verb:naustrian: & \selectlanguage{austrian}\today
+ & \selectlanguage{austrian}\chaptername \\
+\verb:english: & \selectlanguage{english}\today
+ & \selectlanguage{english}\chaptername \\
+\verb:USenglish:& \selectlanguage{USenglish}\today
+ & \selectlanguage{USenglish}\chaptername \\
+\verb:french: & \selectlanguage{french}\today
+ & \selectlanguage{french}\chaptername
+\end{tabular}
+\end{quote}
+
+\paragraph{Voreinstellung:}
+Nach dem Laden des Pakets "`german"' oder "`ngerman"' wird implizit
+der Befehl \verb:\germanTeX: bzw. \verb:\ngermanTeX :ausgef"uhrt,
+so da"s ohne weiteres Zutun
+von Seiten des Anwenders die Sprache
+\verb:german: bzw. \verb:ngerman: als Voreinstellung aktiviert wird.
+
+\paragraph{Verwendung:}
+
+\CS{selectlanguage}
+%ist nicht dazu geeignet, innerhalb eines
+%Dokuments zwischen mehreren Sprachen umzuschalten. Mit ihm bestimmt
+%man die "`Haupt\-sprache"' des Dokuments, deshalb sollte dieser
+ist prim"ar dazu bestimmt, die "`Hauptsprache"' eines Dokuments einzustellen.
+%deshalb sollte der Befehl nur ein einziges Mal in einem Dokument in der Pr"a"-ambel
+%verwendet werden. Dadurch
+So k"onnen die Befehle aus dem Paket
+"`german"' auch innerhalb eines fremdsprachigen Dokuments benutzt
+werden:
+\begin{quote}\small
+\begin{verbatim}
+\NeedsTeXFormat{latex2e}
+\documentclass{article}
+\usepackage{german}
+%\germanTeX % nicht notwendig, wird durch das Laden von
+ % `german' implizit aufgerufen
+\selectlanguage{USenglish}
+\begin{document}
+An english text with some german words, e.g., "Au"serung.
+\end{document}
+\end{verbatim}
+\end{quote}
+Benutzt man \CS{selectlanguage} zum Umschalten der Sprache
+{\em innerhalb} eines Textes, etwa f"ur fremdsprachige Zitate,
+dann ist zu beachten, da"s das Umschalten der "Uberschriften und der Datumsdarstellung
+unerw"unschte Nebenwirkungen haben kann, z.\,B. wenn das aktuelle Datum in der
+Fu"szeile erscheinen soll.\footnote{Eine zuk"unftige Version des Pakets "`german"'
+wird vsl. zus"atzliche und angemessenere Befehle f"ur mehrsprachige Dokumente
+zur Verf"ugung stellen.}
+
+Die Befehle \CS{originalTeX} und \CS{(n)germanTeX} dienen vor allem dazu,
+f"ur einen Teil eines Dokuments das Verhalten des originalen, englischsprachigen
+\LaTeX\ herzustellen, wenn dies aus Gr"unden der Kompatibilit"at mit
+anderer Software notwendig werden sollte. H"aufig gen"ugen dazu aber die Befehle
+\CS{mdqoff} und \CS{mdqon}, siehe Tab.~\ref{tab:cmds}, die nur die \verb:"x:-Makros
+aus- und einschalten.
+
+
+\begin{table}
+\setlength{\partopsep}{0pt}
+\begin{center}
+\rule[.3\baselineskip]{.3\textwidth}{.1pt}
+\renewcommand{\arraystretch}{1.1}
+%\setlength{\tabcolsep}{.5\tabcolsep}
+\begin{tabular}[b]{ll@{}}
+\multicolumn{2}{@{\strut}l}{\it
+ Befehle mit aktivem Doublequote:}\\[4pt]
+\verb:"a:, \verb:"A:, \verb:"o:, \verb:"O:, \verb:"u:, \verb:"U:
+ & Umlaute: "a, "A, "o, "O, "u, "U \\
+\verb:"s:, \verb:"S:, \verb:"z:, \verb:"Z:
+ & Buchstaben: "s, "S, "z und "Z \\
+\verb:"e:, \verb:"E:, \verb:"i:, \verb:"I:
+ & Buchstaben mit Trema: "e, "E, "i, "I \\[3pt]
+\verb:"c:, \verb:"C: & ck \(\rightarrow\) k-k \\
+\verb:"f:, \verb:"l:, \verb:"m:, \verb:"n:,
+ \verb:"p:, \verb:"r:, \verb:"t:,\\
+\verb:"F:, \verb:"L:, \verb:"M:, \verb:"N:,
+ \verb:"P:, \verb:"R:, \verb:"T:
+ & ausfallender dritter Konsonant \\[3pt]
+\verb:"`:, \verb:"': & "` "' \\
+\verb:">:, \verb:"<: & "> "< \\[3pt]
+\verb:"-:, \verb:"|:, \verb:"": & Trennhilfen \\
+\verb:"~:, \verb:"=: & Bindestriche mit besonderem Verhalten \\[5pt]
+\multicolumn{2}{p{.95\textwidth}}{%
+ Alle anderen {\tt\string"x}-Befehle, die mit keiner Bedeutung
+ belegt sind, erzeugen eine Fehlermeldung, um auf eine fehlerhafte
+ Eingabe hinzuweisen.}\\
+ \\
+\multicolumn{2}{@{}l}{\it Befehle mit ge"andertem Verhalten:}\\[4pt]
+\verb:\": & Umlautmakro mit tieferem Akzentzeichen, \\
+ & ohne Unterdr"uckung der Silbentrennung \\
+ \\[-3pt]
+\multicolumn{2}{@{}l}{\it Befehle f"ur Anf"uhrungszeichen:}\\[4pt]
+\CS{glqq}, \CS{grqq}, \CS{glq}, \CS{grq}
+ & Anf"uhrungszeichen: \glqq\ \grqq\ \glq\ \grq \\
+\CS{flqq}, \CS{frqq}, \CS{flq}, \CS{frq}
+ & dto., franz"osische Form: \flqq\ \frqq\ \flq\ \frq \\[3pt]
+\CS{dq} & Doublequote-Zeichen: \dq \\
+ \\
+\multicolumn{2}{@{}l}{\it Befehle zur Sprachumschaltung:}\\[4pt]
+\CS{selectlanguage} & Trennmuster u. "Uberschriften wechseln\\
+\CS{originalTeX}
+ & deaktiviere deutsche \TeX-Befehle \\
+\CS{germanTeX} (nur mit "`german"')
+ & aktiviere deutsche \TeX-Befehle \\
+\CS{ngermanTeX} (nur mit "`ngerman"')
+ & aktiviere deutsche \TeX-Befehle \\
+ \\
+\multicolumn{2}{@{}l}{\it Obsolete Befehle:
+ (Nicht mehr verwenden!)}\\[4pt]
+\CS{3}, \CS{ck}
+ & alte Form von \ss\ und ck\,\(\rightarrow\)\,k-k\\
+\CS{setlanguage} & ersetzt durch \CS{selectlanguage}\\
+ \\
+\multicolumn{2}{@{}l}{\it Low-Level-Befehle:}\\[4pt]
+\CS{allowhyphens} & k"unstliche, nicht trennbare Wortfuge \\
+\CS{mdqoff}, \CS{mdqon}
+ & (de-)aktiviere Doublequote-Befehle
+\end{tabular}
+\rule{.3\textwidth}{.1pt}
+\end{center}
+\caption{Befehls"ubersicht}
+ \label{tab:cmds}
+\end{table}
+
+
+\subsection{Beschr"ankungen und bekannte Fehler}\label{sec:fehler}
+
+\paragraph{Double\-quote-Mechanismus:}
+Da "`german"' das Double\-quote-Zeichen aktiviert und dessen
+urspr"ungliche Bedeutung "andert, k"onnen Probleme mit anderen
+Makropaketen und fremden Dokumenten auftreten:
+\begin{itemize}
+\item Ganzzahlige Konstanten k"onnen in \TeX\ auch in hexadezimaler
+ Notation mit einem voranstehenden Double\-quote eingegeben werden
+ (Beispiel: \verb:"FF: f"ur die Dezimalzahl~255). Beginnt die
+ Hexadezimalzahl mit einer Ziffer, so sollten mit neueren Versionen
+ des Pakets "`german"' keine Probleme auftreten. Beginnt die
+ Zahl stattdessen mit einem Buchstaben \mbox{A--F}, so tritt durch
+ die ge"-"anderte Bedeutung des Double\-quote meist der Fehler "`{\tt
+ Missing number, treated as zero}"' auf.
+
+ Abhilfe: Hexadezimalzahlen, die mit einem Buchstaben beginnen, die
+ Ziffer~\(0\) voranstellen -- statt \verb:"FF: sollte man demnach
+ \verb:"0FF: verwenden. Eine andere M"oglichkeit besteht darin, den
+ Double\-quote mit Hilfe des \TeX-Primitivs \CS{string} (Bsp:
+ \verb:\string"FF:) oder mit einem vorangestellten \CS{original\-TeX}
+ bzw.\ \CS{mdqoff} zu deaktivieren.
+\item Leerschritte nach einem aktivierten Double\-quote werden
+ ignoriert, d.\,h.\ sowohl \verb:" a: als auch~\verb:"a: erzeugen
+ dasselbe Ergebnis. Da dies eine Eigenschaft von \TeX\ selbst ist,
+ kann es nicht ohne andere Nachteile verhindert werden.
+\item Nach einem aktivierten Double\-quote sollten keine geschweiften
+ Klammern folgen. Sowohl die Kombination mit einer "offnenden
+ Klammer~\verb:"{: als auch mit einer schlie"senden Klammer~\verb:"}:
+ f"uhrt zu Fehlern.
+\end{itemize}
+%
+Treten die in den letzten beiden Punkten beschriebenen Fehler auf,
+ist dies meist auf die falsche Eingabe von An"-f"uh\-rungs"-zeichen
+zur"uckzuf"uhren. An"-f"uh\-rungs"-zeichen sind als
+\verb:"`:\ldots\verb:"': (bzw.\ als \verb:``:\ldots\verb:'':)
+einzugeben, die Verwendung eines einfachen Double\-quote f"uhrt zu
+falschen Ergebnissen!
+
+\paragraph{OT1-kodierte Schriften:}
+Bei Verwendung von Schriften in der Kodierung~{\tt OT1}, z.\,B.\ der
+CM-Familie, gibt es zu"-s"atzlich folgende
+Einschr"ankungen:
+%
+\begin{itemize}
+\item Es werden nicht alle oder falsche Silbentrennstellen in W"ortern
+ mit Umlauten gefunden, insbesondere wird nicht direkt am Umlaut
+ getrennt. Hier mu"s man bei Bedarf mit dem Befehl~\verb:"-:
+ nachhelfen.
+\item Da \TeX\ mit Hilfe der Makros im Paket "`german"' die
+ Umlaute und die An"-f"uh\-rungs"-zeichen aus mehreren Zeichen
+ aufbauen mu"s, findet {\it kein\/} Kerning und {\it keine\/}
+ Ligaturbildung mit den umgebenden Zeichen statt. Dies f"allt
+ insbesondere bei den Kombinationen \mbox{"`\kern0pt V},
+ \mbox{"`\kern0pt W} und \mbox{f\kern0pt "'} auf und wird bei
+ schr"ag"-gestellten Schriften noch ver"-st"arkt. Eine Abhilfe ist
+ auf Makroebene nur sehr schwer realisierbar, so da"s man von Hand
+ mit den Befehlen \CS{neg\-thin\-space} und~\CS{/} f"ur korrektere
+ Ab"-st"ande sorgen mu"s.
+\item Die Anf"uhrungszeichen in der franz"osischen Form "> und~"<
+ k"onnten, auch vom Aussehen, verbessert werden. Au"serdem wird nach
+ diesen An"-f"uh\-rungs"-zeichen nicht umbrochen, selbst wenn ein
+ Wortzwischenraum folgen sollte.
+\item Die Typewriter-Schriften {\tt cmtt}
+% besitzen keine Ligatur f"ur
+% die doppelten An"-f"uhrungszeichen ({\tt`\kern0pt`} statt~`` und
+% {\tt'\kern0pt'} statt~''),
+% sondern nur ein Zeichen f"ur den
+ enthalten keine deutschen Anf"uhrungszeichen, sondern nur den einfachen
+ Double\-quote~{\tt\dq}. Daher er"-h"alt man mit \LaTeXe{} f"ur die
+ Eingabe \verb:"`..."': das unerwartete Ergebnis~"`\mbox{\tt
+ \begingroup\setbox2=\hbox{,}\setbox0=\hbox{\char34}%
+ \setbox0=\hbox{\dimen0=\ht0\advance\dimen0-\ht2\lower\dimen0\box0}%
+ \ht0=\ht2\dp0=\dp2\box0\endgroup...\char92}"'.
+
+ Wer dies vermeiden will, mu"s die \LaTeXe-Deklarationen f"ur die
+ beiden Symbole \CS{text\-quote\-dblleft} und
+ \CS{text\-quote\-dblright} f"ur die OT1-Kodierung entsprechend
+ "andern.
+\end{itemize}
+
+\paragraph{T1-kodierte Schriften:}
+Die meisten der f"ur OT1-kodierte Schriften genannten Einschr"ankungen
+existieren f"ur Schriften in der Kodierung~{\tt T1}, wie
+beispielsweise die EC-Schrift\-familie, nicht, da diese Schriften
+Umlaute und An"-f"uhrungszeichen enthalten. F"ur T1-kodierte
+Schriften existiert nur die Einschr"ankung, da"s man bei Verwendung
+des halben schlie"senden An"-f"uhrungszeichens~\CS{grq} ein leeres
+Klammerpaar~\verb:{}: oder \verb:{\kern0pt}: ein"-f"ugen mu"s, wenn
+\CS{grq} auf ein Ausrufe- oder Fragezeichen folgt. Andernfalls
+er"-h"alt man sonst die Ligatur~\verb:!`:~(!`) bzw.~\verb:?`:~(?`).
+
+\paragraph{PostScript-Schriften:}
+Zur Einbindung dieser Schriften in \TeX{} und \LaTeX{} existieren
+unterschiedliche Versionen, wobei neuere Versionen die Verwendung von
+Post\-Script-Schriften sowohl in der Kodierung~{\tt OT1} als auch in
+der Kodierung~{\tt T1} und seit Anfang~1997 auch in der Kodierung~{\tt
+TS1} der Text-Companion-Schriften erlauben. F"ur die jeweilige
+Kodierung gelten die zuvor aufgez"ahlten Einschr"ankungen.
+
+Verwendet man mit \LaTeXe{} eine zu alte Version der Einbindung, so
+erh"alt man mit dem Paket "`german"' fehlerhafte Akzent- und
+Anf"uhrungszeichen. Bitte probieren Sie mit folgendem Testdokument
+aus, ob sie ein zu altes Paket zur Verwendung von
+Post\-Script-Schriften installiert haben. (Hinweis: Das Testdokument
+verwendet "`german"' {\it nicht}, da der Test nur von
+der verwendeten Einbindung der Post\-Script-Schriften abh"angt.)
+%
+\begin{quote}\small
+\begin{verbatim}
+\NeedsTeXFormat{LaTeX2e}
+\documentclass{article}
+\renewcommand\rmdefault{ptm}% oder: \usepackage{times}
+\begin{document}
+Test: \"a \"A \ss.
+\end{document}
+\end{verbatim}
+\end{quote}
+%
+Erhalten Sie fehlerhafte Umlaute oder kein scharfes~s, so besorgen Sie
+sich bitte eine neuere Version des Post\-Script-Schrift\-pakets und
+installieren Sie die darin enthaltenen \mbox{{\sc tfm}-}, \mbox{{\sc
+vf}-}, \mbox{{\sc tex}-}, {\sc fd}- und {\sc map}-Dateien nach
+Anleitung.
+
+\paragraph{\LaTeXe{} (1.~Dezember~1994 und neuer):}
+\LaTeXe{} benutzt als Standard"-schrift"-auswahlschema die
+Version~\(2\) des~\mbox{NFSS}, das den neuen Schriftparameter
+\CS{font\-encoding} zur Verf"ugung stellt. Dadurch k"onnen
+sehr einfach Schriften in unterschiedlicher Kodierung verwendet
+werden. So kann jetzt innerhalb eines Dokuments beliebig zwischen
+{\tt OT1}- und {\tt T1}-kodierten Schriften gewechselt werden.
+
+Sollen Schriften in anderen Kodierungen verwendet werden, so m"ussen
+nur die entsprechenden \LaTeXe-Deklarationen f"ur diese Kodierung mit
+den Anweisungen \CS{Declare\-Text}\ldots{} durchgef"uhrt werden, damit
+"`german"' die Lettern dieser Schrift korrekt verwenden kann.
+
+\paragraph{\LaTeXe{} (1.~Juni~1994):}
+Da die erste "offentliche \LaTeXe-Version die Verwendung von Schriften
+in unterschiedlicher Kodierung nur unvoll"-st"andig erlaubt, wird sie
+von "`german"' nicht mehr unter"-st"utzt. Ein \mbox{Update} auf die
+neueste \LaTeXe-Version ist auf alle F"alle ratsam!
+
+\paragraph{\LaTeX~2.09:}
+Mit der mittlerweile veralteten \LaTeX-Version k"on\-nen andere als
+die Schriften der Computer-Modern-Familie nur mit relativ gro"sen
+Aufwand integriert werden. Die von den Entwicklern nicht mehr
+gewartete Version~\(1\) des Schrift"-auswahlschemas~\mbox{NFSS}
+erleichtert dies zwar, jedoch unterst"utzt diese Version die
+Einbindung von Schriften in anderen Kodierungen noch nicht.
+
+Die Style-Option "`german"' unterst"utzt daher mit \LaTeX~2.09 nur
+Schriften in der Kodierung~{\tt OT1}. Sollen Schriften mit einer
+anderen Kodierung verwendet werden, so m"us\-sen die Makros \verb:\":,
+\verb:\ss:, \verb:\flqq:,\,\ldots\,\verb:\grq: entsprechend
+ge"-"andert werden. Weitere "Anderungen, insbesondere am
+Double\-quote-Mechanismus, sind nicht notwendig.
+
+\paragraph{Plain-\protect\TeX:} Hier gilt das zuvor f"ur \LaTeX~2.09
+Gesagte. Es ist geplant, \mbox{NFSS} Version~\(2\) auch f"ur
+Plain-\TeX\ verf"ugbar zu machen, so da"s man auch die unter \LaTeXe{}
+verf"ugbaren Vorteile nutzen kann. Leider ist der Zeitpunkt der
+Fertigstellung nicht absehbar.
+
+
+\subsection{Wohin melde ich Fehler?}
+
+Wenn Sie einen Fehler in dieser Version 2.5e
+der Makropakete "`german"' oder "`ngerman"' gefunden haben
+oder Vorschl"age zu deren Verbesserung haben, schreiben Sie bitte an
+\begin{quote}
+ Bernd Raichle\\
+ Stettener Str. 73\\
+ 73732 Esslingen-W"aldenbronn\\
+ Germany\\[.5ex]
+ E-Mail: {\tt raichle@Informatik.Uni-Stuttgart.DE}
+\end{quote}
+oder an
+\begin{quote}
+ DANTE, Deutschsprachige Anwendervereinigung
+ \TeX\ e.V\negthinspace. \\
+ Betreuung "`german.sty"' \\
+ Postfach 10\,18\,40 \\
+ 69008 Heidelberg \\
+ Germany\\[.5ex]
+ E-Mail: {\tt german@dante.de}
+\end{quote}
+Ein Kontakt per {\it electronic mail\/} wird bevorzugt.
+
+Der Fehlermeldung sollten Sie die komplette Eingabedatei beilegen, mit
+der dieser Fehler erzeugt werden kann. In Ihrem eigenen Interesse
+sollte diese Eingabedatei m"og"-lichst klein sein und nur die wirklich
+zur Reproduktion des Fehlers notwendigen Klassen, Pakete, Styles,
+Style-Optionen und Makrodateien laden. Andernfalls gestaltet sich die
+Fehlersuche zu aufwendig und/oder es fehlen verwendete Makrodateien,
+um den Fehler nachvollziehen zu k"onnen. F"ugen Sie auch die
+Protokolldatei f"ur diese Eingabedatei mit an, da diese weitere
+Hinweise auf die verwendeten Makros enth"alt. Um die Protokolldatei
+klein zu halten, brechen Sie bitte bei einem Fehler \TeX{} bzw.\
+\LaTeX{} mit~{\tt x} und nicht mit~{\tt q} ab.
+
+Bevor Sie einen Fehler melden, vergewissern Sie sich bitte, da"s der
+Fehler tats"achlich durch das Makropaket "`german"' und nicht durch
+eine fehlerhafte Eingabe Ihrerseits oder einen Folgefehler eines zuvor
+aufgetretenen Fehlers verursacht wird. Sehen Sie bitte auch in der
+Protokolldatei nach, ob diese eventuell Hinweise auf die Fehlerursache
+gibt. Sehr h"aufig gibt es Fehler in Zusammenhang mit Konstanten in
+hexadezimaler Schreibweise, die zur Fehlermeldung "`{\tt Missing
+number, treated as zero}"' f"uhren. Dieser "`Fehler"' ist bekannt und
+ist in dieser Anleitung in Abschnitt~\ref{sec:fehler}
+% auf Seite~\pageref{sec:fehler}
+beschrieben.
+
+
+% \condbreak{.2\textheight} -- bedingtes \newpage
+\vspace{0pt plus.2\textheight}
+\pagebreak[3]
+\vspace{0pt plus-.2\textheight}
+
+\section{Installation}
+
+F"ur die Benutzung der Pakete "`german"' und "`ngerman"' ben"otigen
+Sie folgende Dateien:
+%
+\begin{enumerate}\sloppy
+\item {\tt german.sty} und {\tt ngerman.sty}, die Makropakete selbst;
+\item {\tt ghyph31.tex}, die deutschen Trennmuster
+ f"ur die alte Rechtschreibung (nur mit {\tt german.sty}) in
+ der z.\,Z.\ aktuellen Version~3.1a vom 13.~Februar 1994;\\
+ {\em Vorsicht\/}: Auf der CD TeX\,Live\,3 hei"st diese Datei
+ {\tt dehyphen.tex};
+\item {\tt gnhyph01.tex}, die deutschen Trennmuster
+ f"ur die neue Recht\-schreibung (nur mit {\tt ngerman.sty});
+\item wahlweise weitere Dateien mit Trennmustern f"ur andere
+ Sprachen;
+\item evtl. {\tt hyphxmpl.cfg}, eine Beispieldatei f"ur die
+ Konfiguration der Trennmuster.
+\end{enumerate}
+
+
+\subsection{Vorbereitungen f"ur Benutzer}\label{sec:benutzerinit}
+
+Als gew"ohnlicher \TeX- bzw.\ \LaTeX-Benutzer m"ussen Sie nur daf"ur
+sorgen, da"s die Dateien {\tt german.sty} und {\tt ngerman.sty}
+in der neuesten Version vorhanden sind und geladen werden k"onnen.
+Dazu sind diese Dateien einfach in ein Verzeichnis zu kopieren,
+in dem \TeX{} nach Makrodateien sucht.
+
+Erscheint beim Laden des Makropakets die
+Meldung\label{sec:languageundef}
+%
+\begin{quote}\small
+\verb:\language number for German undefined, default 255 used.:
+\end{quote}
+%
+so haben Sie die deutschen Trennmuster nicht korrekt installiert und
+erhalten eventuell fehlerhafte Trennungen, oder es wird nicht
+getrennt. Wie Sie die Trennmuster installieren m"ussen, erfahren Sie
+im n"achsten Abschnitt.
+
+M"oglicherweise hat Ihre Plain-\TeX- oder \LaTeX-Version eines der
+Makropakete "`german"' oder "`ngerman"' bereits vorgeladen,
+d.\,h., Sie m"ussen es nicht explizit als \LaTeXe-Paket bzw.\ als
+Style-Option deklarieren oder die Makro\-datei laden. Sie sollten
+dies dennoch {\it nicht\/} ausnutzen: Wenn Sie Ihre Dokumente
+weitergeben wollen, vermeiden Sie dadurch un"-n"otige Probleme und
+R"uck"-fragen. Am besten "andern Sie Ihre Installation so ab, da"s
+"`german"' {\it nicht\/} vorgeladen wird, da Sie mit einem
+vorgeladenen Makropaket zu anderen \TeX-Installationen i.\,d.\,R.
+inkompatibel sind.
+
+\subsection{Vorbereitungen f"ur \protect\TeX-Administratoren}
+
+Damit Sie die Pakete "`german"' und "`ngerman"' den \TeX-Benutzern zur
+Ver"-f"ugung stellen, m"ussen diese, falls noch nicht getan,
+% ausgepackt und
+installiert werden. Au"serdem m"ussen Sie alle Format"-dateien
+mit den deutschen Trennmustern so erstellen, da"s die Makropakete
+erkennen k"onnen, wie auf diese Trennmuster umgeschaltet wird.
+Andernfalls wird nicht mehr oder falsch getrennt!
+
+\subsubsection{Installation der Makropakete}
+
+
+Die Dateien {\tt german.sty} und {\tt ngerman.sty}, sollten Sie in
+ein Verzeichnis kopieren, in dem \TeX\ nach Makrodateien sucht (Bsp:
+{\tt{}.../texmf/""tex/""generic/""german/}). "Altere
+Versionen dieser Dateien in weiteren Verzeichnissen, die
+\TeX\ durchsucht, sollten Sie l"oschen.
+
+Bitte lesen Sie nun den n"achsten Abschnitt, da es sehr
+wahrscheinlich ist, da"s die Trennmuster in Ihren bisher
+verwendeten Formatdateien nicht korrekt oder nicht
+vollst"andig installiert wurden. Ist dies der Fall, wird in
+allen Dokumenten, die diese Pakete verwenden, nicht mehr
+automatisch getrennt!
+
+\subsubsection{Installation der Trennmuster}
+
+\TeX\ kann ab Version~3.0 in einer einzigen Formatdatei
+mehrere verschiedene Trennmuster halten.
+%,so da"s mehrsprachige Dokumente mit korrekter Trennung m"oglich sind.
+Zur Auswahl der Trennmuster einer
+Sprache dient eine ganze Zahl von 0--255, die der Sprache beim Installieren der
+Trennmuster zugeordnet worden sein mu"s.
+
+Beim Laden eines Satzes von Trennmustern w"ahrend der Installation
+(Ini\TeX-Lauf) erfolgt die Zuordnung der Trennmuster zu einer
+Sprache durch Zuweisung der f"ur diese Sprache ge"-w"ahlten Zahl an
+das spezielle \TeX-Register \CS{language}. Ebenso werden sp"ater beim
+"Uber"-setzen eines Dokuments die zu verwendenden Trennmuster durch
+Zuweisung der Zahl an \CS{language} wieder aktiviert. Achtung: Weist
+man \CS{language} beim "Uber"-setzen eines Dokuments einen Wert zu,
+f"ur den Ini\TeX{} keine Trennmuster geladen hatte, so findet {\it keine\/}
+automatische Silbentrennung statt.
+
+Wie werden nun die Nummern von 0--255 an die einzelnen Sprachen
+vergeben? Als Quasi-Standard f"ur die Vergabe der Nummern hat sich
+mittlerweile das im {\it
+ Babel-System\/}~\cite{Braams91,Goossens94a,Goossens94b} verwendete
+Schema herausgebildet.
+Dabei wird jede Sprache deklariert und an diese eine Nummer in
+aufsteigender Folge von~0 an vergeben. Wichtig dabei ist, da"s die
+jeweils zugeordnete Nummer in einer {\it control sequence\/}
+\mbox{\CS{l@}\(\langle\)Sprache\(\rangle\)} abgespeichert wird.
+So kann man sp"ater auf die Sprache unter ihrem Namen
+zugreifen, also ohne die Nummer explizit angeben zu m"ussen.
+
+Der Code zum Laden der Trennmuster und zum Zuordnen der Sprachnamen
+befindet sich in einer Makrodatei, die f"ur das
+aktuelle \LaTeXe{} beispielsweise {\tt hyphen.cfg} hei"st.
+Sie mu"s normalerweise neu erstellt oder zumindest angepa"st werden,
+um festzulegen, welche Sprachen unterst"utzt werden sollen.
+
+Mit dem Babel-Paket wird eine besondere Version dieser Datei
+ausgeliefert, die die Information "uber die zu ladenden Sprachen einer
+weiteren Konfigurationsdatei {\tt language.dat} entnimmt, die ihrerseits
+einfacher aufgebaut und leichter zu bearbeiten ist.
+
+Unabh"angig davon, welche
+der beiden Methoden zur Konfiguration benutzt wird, kann das damit erzeugte
+Format sowohl mit Babel als auch mit dem Paket "`german"' benutzt werden.
+Die Version 3.6h des Babel-Pakets selbst
+kennt allerdings noch keine Option f"ur "`Deutsch mit neuer Rechtschreibung"'.
+
+Gehen Sie zum Konfigurieren der Sprachunterst"utzung wie folgt vor:
+
+\paragraph{Schritt 1\protect\(^*\protect\):}
+Sie verwenden den Konfigurationsmechanismus des Babel-Pakets;
+dies ist standardm"a"sig z.\,B. mit teTeX oder dem Web2c-\TeX{} der
+CD TeX\,Live der Fall.
+In diesem Fall m"ussen in der Konfigurationsdatei {\tt language.dat}
+die folgenden Zeilen (neben evtl. weiteren) eingetragen sein:
+\begin{quote}\small
+\begin{verbatim}
+ german ghyph31.tex
+ ngerman gnhyph01.tex
+\end{verbatim}
+\end{quote}
+Damit wird die Zuordnung von Sprachnamen und Trenn\-muster\-dateien
+festgelegt.
+Evtl. fehlende Eintr"age sind am Ende der Datei zu erg"anzen.
+(Mit der TeX\,Live-CD ist der Dateiname {\tt ghyph31.tex}
+durch {\tt dehyphen.tex} zu ersetzen.)
+
+%Bitte beachten Sie, da"s innerhalb eines Dokuments nur
+%{\em entweder} die vom Babel-Paket
+%zur Verf"ugung gestellten Sprachanpassungen (einschl. "`german"')
+%{\em oder} das Paket "`german"' benutzt werden sollen;
+%ihre gleichzeitige Verwendung kann zu Problemen f"uhren!
+
+"Uberspringen Sie
+nun die Schritte 1 und 2. Falls in Ihrem \TeX-System {\em nicht} der
+Babel-Mechanismus zur Konfiguration der Trennmuster benutzt wird,
+dann lesen Sie bitte weiter:
+
+\paragraph{Schritt 1:}
+Sie ben"otigen zum Laden der Trennmusterdateien f"ur verschiedene
+Sprachen eine Makrodatei, die (leider) je nach verwendetem
+Format einen unterschiedlichen Dateinamen besitzt. Den Namen dieser
+Datei k"onnen Sie der Tabelle in Schritt~\(2\) entnehmen, die Datei
+selbst sollte folgenden Inhalt haben:
+%
+\begin{quote}\small
+\begin{verbatim}
+%% Konfigurationsdatei -- Trennmuster: `hyphen.cfg'
+\message{== Loading hyphenation patterns:}
+
+%% american english
+\chardef\l@USenglish=\language
+%% british english als "Dialekt"
+\chardef\l@english=\l@USenglish
+\input hyphen
+
+%% german
+\newlanguage\l@german \language=\l@german
+%% oesterreichisch als "Dialekt":
+\chardef\l@austrian=\l@german
+\input ghyph31
+
+%% new german
+\newlanguage\l@ngerman \language=\l@ngerman
+%% oesterreichisch (neu) als "Dialekt"
+\chardef\l@naustrian=\l@ngerman
+\input gnhyph01
+
+%% weitere Sprachen nach folgendem Schema:
+% \newlanguage\l@SPRACHE \language=\l@SPRACHE
+% \chardef\l@DIALEKT=\l@SPRACHE
+% \input SPRACHhyphen
+
+%% Default-Trennmuster: USenglish
+\language=\l@USenglish \lefthyphenmin=2 \righthyphenmin=3
+\message{done.}
+\endinput
+\end{verbatim}
+\end{quote}
+%
+In dem gezeigten Beispiel werden die
+US-eng\-li\-schen Trennmuster, die "`alten"' und die "`neuen"'
+deutschen Trennmuster geladen, wobei f"ur die britisch-englische und
+f"ur die "oster"-reichische "`Sprache"' Synonyme deklariert werden.
+Eine Datei mit genau diesem Inhalt wird unter dem Namen
+\begin{quote}
+ {\tt hyphxmpl.cfg}
+\end{quote}
+zusammen mit dem Makropaket "`german"' verteilt.
+Wollen Sie f"ur weitere Sprachen Trennmuster laden,
+%-- beispielsweise existieren solche f"ur britisch-englische Silbentrennung --
+sollten
+Sie in der Lage sein, die dazu notwendigen Zeilen anhand des
+auskommentierten Schemas im gezeigten Beispiel zu
+vervoll"-st"andigen.
+
+Es ist wichtig, da"s Sie die beiden Parameter \CS{left\-hyphen\-min}
+und \CS{right\-hyphen\-min}, die die Mindest"-l"ange der nicht
+trennbaren Wortpr"afixe und \mbox{-suffixe} angeben, am Ende der Datei
+mit passenden Werten f"ur diejenige Sprache
+vorbesetzen, mit der \TeX{} startet. Ansonsten erhalten Sie eventuell
+Trennungen, bei denen einzelne Zeichen am Wortanfang oder \mbox{-ende}
+abgetrennt werden. Es ist jedoch {\em nicht\/} notwendig, diese
+beiden Parameter f"ur jede zu ladende Trennmusterdatei zu setzen, da
+\TeX\ die Parameterwerte sowieso nicht mit den Trennmustern abspeichert.
+
+
+\paragraph{Schritt 2:}
+Entscheiden Sie sich, f"ur welches \TeX-Format Sie eine neue
+Formatdatei erstellen wollen. Je nach zu erzeugendem Format hat die
+in Schritt~\(1\) gezeigte Konfigurationsdatei einen anderen Namen:
+%
+\begin{quote}
+\begin{tabular}{@{}ll@{}}
+\qquad {\it Format} & {\it Dateiname} \\[3pt]
+\LaTeXe{} (ab 1.~Dezember 1994) & {\tt hyphen.cfg}\\
+\LaTeXe{} (1.~Juni 1994) & {\tt lthyphen.cfg} \\
+\LaTeX 2.09 (ab Dezember 1991) & {\tt lhyphen.tex} \\
+\LaTeX 2.09 (vor Dezember 1991) & {\tt hyphen.tex} \\
+Plain-\TeX & {\tt hyphen.tex}
+\end{tabular}
+\end{quote}
+%
+Geben Sie der in Schritt~\(1\) erstellten Datei (oder dem
+Beispiel {\tt hyphxmpl.cfg}) den entsprechenden
+Dateinamen aus dieser Tabelle.
+
+{\it Zu Plain-\TeX{} und den "alteren \LaTeX-Versionen:\/} Da die
+US-englischen Trennmuster, die als Mindestausstattung jeder
+Installation beiliegen, den selben von Donald E.\ Knuth vergebenen
+Namen {\tt hyphen.tex} haben, m"us\-sen Sie diese Trennmusterdatei
+f"ur Plain-\TeX\ und die "alteren \LaTeX~2.09-Versionen in {\tt
+ushyphen.tex} umbenennen, um Namens"-kollisionen zu vermeiden.
+Vergessen Sie in diesem Fall nicht, auch in der Konfigurationsdatei
+den Namen {\tt hyphen.tex} durch {\tt ushyphen.tex} zu ersetzen!
+
+\paragraph{Schritt 3:}
+Bevor Sie nun mit Ini\TeX\ eine Formatdatei erstellen, sollten Sie
+sich vergewissern, da"s Ihre \TeX-Version gen"ugend Platz f"ur die
+Trennmuster reserviert.
+
+Um beispielsweise die amerikanischen und die beiden deutschen
+Trennmusterdateien zu laden, ben"otigen Sie einen "`Trie"'-Wert, der
+mindestens \(21547\) {\tt trie\_size} und \(625\) {\tt
+trie\_op\_size} Platz bietet. Wollen Sie Trennmuster f"ur weitere
+Sprachen, wie beispielsweise britisches Englisch, dazuladen, m"ussen
+diese Werte er"-h"oht werden. Vergessen Sie sp"ater nicht, da"s Sie
+auch bei der "Uber"-setzung der Dokumente entsprechend mehr Platz
+f"ur die Trennmuster be"-n"otigen.
+
+Ob Sie diese Werte in Ihrer \TeX-Installation "andern m"ussen, und
+wenn ja, wie, entnehmen Sie bitte der zugeh"origen
+Dokumentation.
+H"aufig kann man die
+Gr"o"se der Trennmustertabelle "uber Umgebungsvariablen, spezielle
+Konfigurationsdateien oder Optionen in der Kommandozeile festlegen.
+
+Mit emTeX beispielsweise mu"s die Voreinstellung f"ur {\tt trie\_size}
+"uber die Option {\tt -mt} erh"oht werden, wenn die o.\,g. drei
+Trennmusterdateien gleichzeitig verf"ugbar sein sollen:
+\begin{quote}
+ \begin{tabular}{ll}
+ Format erzeugen: & {\tt -mt27000} \\
+ \TeX-Lauf: & {\tt -mt23000}
+ \end{tabular}
+\end{quote}
+
+
+\paragraph{Schritt 4:}
+Erzeugen Sie durch Aufruf von Ini\TeX\ aus der Datei, die die Makros
+f"ur das \TeX-Format, z.\,B. \LaTeX, ent"-h"alt, die Formatdatei.
+%
+\iffalse
+Zum Beispiel wird die \LaTeXe-Formatdatei unter {\sc Unix} durch den
+Aufruf
+%
+\begin{quote}\small
+ \verb:initex latex.ltx:
+\end{quote}
+%
+erzeugt.
+\fi
+% Unix ist kein gutes Beispiel, weil ausgerechnet das verbreitete
+% teTeX ein Konfigurationsskript hat, so dass IniTeX normalerweise
+% nie manuell aufgerufen werden muss.
+%
+Genaueres dar"uber, wie Sie eine Formatdatei erstellen, entnehmen
+Sie bitte der zu Ihrem \TeX-System geh"orenden Beschreibung.
+
+W"ahrend Ini\TeX\ abl"auft,
+sollten Sie darauf achten, da"s auch die oben
+angegebene Konfigurationsdatei und die Trennmusterdateien eingelesen
+werden. Wenn dies nicht geschieht, haben Sie einen falschen Namen
+f"ur die Konfigurationsdatei ge"-w"ahlt. "Uber"-pr"ufen Sie nochmals
+den Dateinamen und ziehen Sie die Format"-dokumentation zu Rate.
+
+Bricht Ini\TeX\ beim Laden der Trennmusterdateien mit der
+Fehlermeldung
+%
+\begin{quote}\small
+ {\tt \TeX\ capacity exceeded, sorry
+ [pattern memory=}{\it x}{\tt ]}
+\end{quote}
+%
+ab, so haben Sie {\tt trie\_size} zu klein gew"ahlt, bei
+%
+\begin{quote}\small
+ {\tt \TeX\ capacity exceeded, sorry
+ [pattern memory ops=}{\it x}{\tt ]}
+\end{quote}
+%
+wurde {\tt trie\_op\_size} zu klein gew"ahlt. Falls dies bei Ihrer
+\TeX-Implemen"-tierung m"og"-lich ist, sollten Sie in diesen F"allen
+die Tabellen entsprechend ver"-gr"o"sern (siehe Schritt~3).
+Ansonsten k"onnen Sie nicht alle in Ihrer Konfigurationsdatei
+angegebenen Trennmusterdateien in einer einzigen Formatdatei
+verwenden.
+
+\paragraph{Schritt~5:}
+Wenn alles ohne Probleme durchlief, sollte zum Schlu"s eine Datei mit
+Endung~{\tt .fmt} und eine Protokolldatei mit Endung~{\tt .log}
+erstellt worden sein. Kopieren Sie beide Dateien in das Verzeichnis,
+wo Ihre \TeX-Implementierung nach Formatdateien sucht, falls
+dieser Schritt nicht automatisch erfolgt. Die Protokolldatei sollten
+Sie nicht l"oschen, da Sie anhand dieser Datei noch Monate sp"ater
+nachvollziehen k"onnen, wie Sie diese Formatdatei erstellt haben.
+
+Als Kontrolle, welche Trennmuster f"ur welche Sprachen geladen wurden,
+k"onnen Sie das Ende der Protokolldatei betrachten. Sie sollten beim
+Erstellen eines \LaTeXe-Formates ungef"ahr folgende Zeilen erhalten:
+%
+\begin{quote}\small
+\begin{verbatim}
+This is emTeX (tex386), Version 3.14159 [4b] (INITEX) ...
+**latex.ltx
+(latex.ltx (texsys.cfg)
+...
+(e:/texmf/tex/latex/local/hyphen.cfg
+== Loading hyphenation patterns:
+(e:/texmf/tex/generic/hyphen/hyphen.tex)
+\l@german=\language1
+
+(e:/texmf/tex/generic/hyphen/ghyph31.tex
+German Hyphenation Patterns `ghyphen' Version 3.1a <94/02/13>)
+\l@ngerman=\language2
+
+(e:/texmf/tex/generic/hyphen/gnhyph01.tex
+New German Hyphenation Patterns `gnhyph01' Rev. 22) done.)
+...
+Beginning to dump on file latex.fmt
+...
+14 hyphenation exceptions
+Hyphenation trie of length 21547 has 625 ops out of 750
+ 237 for language 2
+ 207 for language 1
+ 181 for language 0
+No pages of output.
+\end{verbatim}
+\end{quote}
+%
+Wie Sie in der vorletzten und den vorhergehenden Zeilen sehen, enth"alt die
+Formatdatei Trennmuster f"ur drei Sprachen, denen die Nummern \(0\)
+bis~\(2\) zugewiesen wurden. Zusammen be"-n"o"-tigen Sie
+\(\mbox{\tt trie\_size}=21547\) und \(\mbox{\tt trie\_op\_size}=625\)
+von \(750\)~vorhandenen Pl"atzen im "`Trie"'-Bereich. Au"serdem
+wurden mit \CS{hyphenation} zus"atzlich \(14\)~Trennungsausnahmen
+geladen. Laden Sie andere Trennmuster, unterscheiden sich Ihre Werte
+nat"urlich von den hier gezeigten Werten.
+
+\vspace{\baselineskip}
+
+In der Konfigurationsdatei, in der die Trennmuster geladen werden,
+werden die den Sprachen zugeordneten Nummern in den {\it control
+sequences\/} \mbox{\CS{l@}\(\langle\)Sprache\(\rangle\)}
+abgespeichert. Wird sp"ater beim "Uber"-setzen eines Dokuments auf
+eine Sprache gewechselt, f"ur die keine {\it control sequence\/}
+definiert wurde, so verwenden die Pakete "`german"' und "`ngerman"' die
+folgenden Default-Werte:
+%
+\begin{quote}\small
+\begin{tabular}{@{}lcl@{}}
+\multicolumn{1}{@{}c}{\it Sprache~}&\it Wert&\it oder,
+ falls gesetzt, Wert der Sprache\\[3pt]
+ \tt USenglish & 255 & \tt english\\
+ \tt english & 255 & \tt USenglish\\
+ \tt german & 255 & \tt austrian\\
+ \tt austrian & 255 & \tt german\\
+ \tt ngerman & 255 & \tt naustrian\\
+ \tt naustrian & 255 & \tt ngerman\\
+ \tt french & 255
+\end{tabular}
+\end{quote}
+%
+In "alteren Versionen der Style-Option "`german"' wurden den Sprachen
+Werte zwischen \(0\) und~\(5\) zugewiesen. Ab Version~2.5a wird der
+Wert~\(255\) verwendet, um die Trennung f"ur alle undefinierten Sprachen
+zu unterbinden. Dies funktioniert in den meisten F"allen, da im
+allgemeinen f"ur den Wert~\(255\) keine Trennmuster geladen werden.
+
+
+\section{Sonstiges}
+
+\subsection{Geschichtliches}
+
+Die Style-Option "`german"', die das Erstellen deutschsprachiger
+Texte mit \TeX\ vereinfacht, wurde von Dr.\ H.\ Partl (Technische
+Universit"at Wien) realisiert und zusammengestellt. Sie war als
+"`rasche L"osung"' entstanden, die den Vorteil hat, da"s sie keine
+"Anderungen an der \TeX-Software, den Schriftdateien und den
+Trennmustern erfordert, sondern direkt auf die Originalversion von
+\TeX\ aufgesetzt werden kann~\cite{Partl87,Partl88}. Diese "`rasche
+L"osung"' hat sich be"-w"ahrt und besitzt heutzutage ein weites
+Verbreitungsgebiet im deutschsprachigen Raum und dar"uberhinaus.
+
+Folgende Personen haben durch Ideen und Code-Beispiele zum Erfolg der
+Style-Option "`german"' beigetragen (die Liste erhebt keinen Anspruch
+auf Voll"-st"andigkeit): W.~Appelt, F.~Hommes und andere
+(Gesellschaft f"ur Mathematik und Datenverarbeitung St.~Augustin),
+T.~Hofmann ({\sc Ciba-Geigy} Basel), N.~Schwarz (Universit"at
+Bochum), J.~Schrod (TH Darmstadt), D.~Armbruster (Universit"at
+Stuttgart), R.~Sch\"opf (Universit"at Mainz, Universit"at Heidelberg,
+Zuse-Zentrum f"ur Informationsverarbeitung Berlin), F.~Mittelbach
+(Universit"at Mainz, EDS R"usselsheim), J.~Knappen (Universit"at
+Mainz), P.~Breitenlohner (Max-Planck-Institut M\"unchen),
+H.~Oberdiek (Universit"at Freiburg) und viele
+andere.
+
+F"ur die Anpassung an die neue Rechtschreibung
+war W.~Schmidt verantwortlich.
+
+Seit Version~2.3e vom 31.~Juli 1991 werden die Pakete "`german"' und "`ngerman"'
+von B.~Raichle (Universit"at Stuttgart) gepflegt und weiterentwickelt.
+
+
+
+\subsection{Verf"ugbarkeit der Makropakete}
+
+Die Makropakete "`german"' und "`ngerman"' kann man, wie fast jede andere
+\TeX-Soft\-ware, vom {\it Comprehensive \TeX\ Archive Network}, kurz
+\mbox{CTAN}, erhalten. Dieses Netzwerk besteht z.\,Z.\ aus den
+ftp-Servern {\tt ftp.dante.de}, {\tt ftp.tex.ac.uk} und {\tt ctan.tug.org},
+wobei auf
+jedem dieser Ser\-ver der gleiche Inhalt zu finden ist.
+\mbox{CTAN} dient als sogenannter "`Back\-bone"', d.\,h.\ das
+komplette Archiv oder Teile davon werden von diesen Servern auf vielen
+weiteren Ser\-ver "`gespiegelt"' vorgehalten, so da"s Sie die f"ur Sie
+g"unstigste Zugriffs"-m"oglichkeit w"ahlen k"onnen. Au"serdem ist der
+Inhalt von \mbox{CTAN} von mehreren Anbietern auch auf CD-ROM
+er"-h"altlich.
+
+Die Pakete, die zugeh"orige Dokumentation und die
+deutschen Trennmuster finden Sie auf \mbox{CTAN} in den
+Verzeichnissen
+\begin{quote}
+\begin{verbatim}
+tex-archive/language/german/
+tex-archive/language/hyphenation/
+\end{verbatim}
+\end{quote}
+
+Die Mitgliedschaft in DANTE~e.V\negthinspace.\ bietet eine weitere
+M"og"-lichkeit an die \TeX-Soft\-ware
+und viele Kontakte zu anderen \TeX-Anwendern zu gelangen.
+Informationen "uber DANTE~e.V\negthinspace.\ erhalten Sie von
+%
+\begin{quote}
+ DANTE, Deutschsprachige Anwendervereinigung
+ \TeX\ e.V\negthinspace. \\
+ Postfach 10\,18\,40 \\
+ 69008 Heidelberg \\
+ Federal Republic of Germany\\[4pt]
+ Tel.: +49 6221 2\,97\,66\\
+ Fax: +49 6221 16\,79\,06\\
+ E-Mail: {\tt dante@dante.de}\\[4pt]
+ {\sc www}: {\tt http://www.dante.de/}\\
+ ftp: {\tt ftp://ftp.dante.de/tex-archive/usergrps/dante/}
+\end{quote}
+
+
+\subsection{\protect\TeX~2.x vs.\ \protect\TeX~3.x und die
+ Style-Option "`german"'}
+
+Seit Oktober~1987 ist \TeX\ in der Version~\(3.x\) verf"ugbar. Da
+diese Version gegen"-"uber \TeX~\(2.x\) einige Erweiterungen besitzt,
+soll hier kurz auf die wichtigsten "Anderungen in der Style-Option
+"`german"' eingegangen werden.
+
+\TeX\ Version~3 f"uhrte neue {\it control sequences\/} f"ur neue
+Primitive und interne Register ein. Darunter f"allt das in "alteren
+Versionen der Style-Option "`german"' verwendete Makro
+\CS{set\-language}, das ab Version~2.3 in \CS{select\-language}
+umbenannt wurde. Da \CS{set\-language} ein \TeX~3-Primitiv ist und
+deshalb keine auf"-w"arts"-kompatible Definition angeboten werden
+kann, mu"s in "alteren Texten der alte Makroname durch den neuen Namen
+ersetzt werden.
+
+Zu \TeX{}s internen Registern kamen u.\,a.\ \CS{language},
+\CS{left\-hyphen\-min} und \CS{right\-hyphen\-min} hinzu, um
+Trennmuster f"ur mehr als eine Sprache unter"-st"utzen zu k"on\-nen.
+Diese drei Register bestimmen die zu verwendenden Trennmuster und die
+Mindest"-l"an"-ge der nicht trennbaren Wort"-pr"a"-fixe und
+\mbox{-suffixe}. Der "`normale"' \TeX-Benutzer sollte diese Register
+zum Wechsel der Trennmuster nie direkt "andern, sondern sollte dazu
+das \CS{select\-language}-Makro verwenden. Ab Version~2.4a der
+Style-Option "`german"' werden f"ur die Sprachen {\tt german} und
+{\tt austrian} zu"-s"atzlich \CS{french\-spacing} und die Werte f"ur
+\CS{left\-hyphen\-min} und \CS{right\-hyphen\-min} auf zwei gesetzt.
+
+
+\subsection{"Anderungen seit Version~2.0 (Oktober 1987)}
+
+Zus"atzlich zu den in fr"uheren Abschnitten erw"ahnten "Anderungen
+kommen folgende hinzu:
+
+\begin{itemize}\tolerance=9999\hbadness=2500
+\item In Versionen vor~2.2 fehlen die Befehle \verb:"S:, \verb:"CK:,
+ \verb:"FF: f"ur Gro"sbuchstaben und die entsprechenden Befehle f"ur
+ die Konsonanten L, M, N, P und~T.
+\item In Versionen bis~2.2 gab es die undokumentierten Makros
+ \CS{original\-@dospecials} und \CS{original\-@sanitize}, die die
+ urspr"unglichen Definitionen von \CS{do\-special} und \CS{@sanitize}
+ enthielten, und \CS{german\-@dospecials}, \CS{german\-@sanitize},
+ die zu"-s"atzlich das Double\-quote~(\verb:":) enthielten. Diese
+ Makros werden von einigen "`fremden"' Makros benutzt, obwohl sie
+ undokumentiert und nur zur internen Verwendung bestimmt waren.
+\item Bis Version~2.3e wurden bei Verwendung von~\verb:"|: zur
+ Verhinderung von Ligaturen keine weiteren Trennstellen im Wort
+ gefunden.
+\item Ab Version~2.3e werden die etwas tieferen Umlautakzente durch
+ ein ge"-"an"-der"-tes Makro erzeugt, das schneller ist und zu
+ kleineren \verb:dvi:-Dateien f"uhrt. Au"serdem werden jetzt bis auf
+ die Z"ah\-ler"-allokationen alle Definitionen und Zuweisungen lokal
+ aus\-ge\-f"uhrt.
+\item In Version~2.4a wurden durch zu"-s"atzliche \CS{/}-Anweisungen
+ "Uberschneidungen der "offnenden An"-f"uh\-rungs"-zeichen mit
+ nachfolgenden Zeichen bei Verwendung der
+ Com\-pu\-ter-Modern-Schriften f"ur viele F"alle verhindert.
+ Undefinierte \verb:"x:-Befehle f"uhren jetzt zu einer Fehlermeldung
+ -- dies f"uhrt oft dazu, da"s viele einfache Tippfehler schon beim
+ "Ubersetzen aufgedeckt werden. Die Befehle \verb:"z:, \verb:"Z:,
+ \verb:"~: und \verb:"=: kamen neu dazu.
+\item Version~2.5a ent"-h"alt Anpassungen an \LaTeXe{} zur Verwendung
+ von Schriften mit Kodierung {\tt OT1} und~{\tt T1}. Die Befehle
+ \verb:"r: und~\verb:"R: kamen hinzu. Die Defaults f"ur
+ "`undefinierte"' Sprachen sind jetzt~\(255\) mit entsprechenden
+ Warnungen, um die Benutzer zu zwingen, beim Laden der Trennmuster
+ gleich die verwendete \CS{language}-Nummer zu sichern (z.\,B.\ mit
+ dem Babel-System oder einer von Hand geschriebenen
+ Konfigurationsdatei). Intern wurden, neben der Verwendung von {\it
+ docstrip}, kleinere Optimierungen ausgef"uhrt.
+\item Bis Version~2.5b wird bei \verb:"ff: die ff-Ligatur verhindert,
+ obwohl diese bei Ausfall des dritten~"`\mbox{f}"' stehen sollte.
+ Diese "Anderung ab Version~2.5c kann zu gering"-f"ugig anderen
+ Trennungen im direkt auf \verb:"ff: folgenden Wortteil f"uhren.
+\item Version~2.5c f"ugt das explizite Kerning der oberen deutschen
+ Anf"uhrungszeichen~"' f"ur T1-kodierte Schriften nicht mehr ein, da
+ die EC-Schriften (und die DC-Schriften ab Version~1.2 als deren
+ Testversion) diese Anf"uhrungszeichen etwas weiter nach links
+ plazieren, so da"s es sonst zu "Uber"-schneidungen kommt.
+\item Version~2.5d erlaubt bei T1-kodierten Schriften das dort
+ notwendige Kerning der Anf"uhrungszeichen sowohl bei \CS{glqq},
+ \CS{grqq}, \CS{flqq} und \CS{frqq} als auch bei \verb:"`:,
+ \verb:"':, \verb:"<: und~\verb:">:.
+\item Mit Version~2.5e wird zus"atzlich das Paket "`ngerman"'
+ eingef"uhrt. Die Implementierung des undokumentierten Befehls
+ \verb:\iflanguage: wird dahingehend ge"andert, da"s in seinen
+ "`then"'- und "`else"'"~Argumenten auch Makros verwendet werden k"onnen,
+ deren Parameter erst hinter dem \verb:\iflanguage:-Befehl folgen.
+ Das erm"oglicht Konstrukte wie
+ \verb:Sto\iflanguage{german}{"}{f}ffetzen:.
+\end{itemize}
+
+
+
+\begin{thebibliography}{99}\tolerance=2000\hbadness=2000
+\bibitem[Duden, Bd.~1]{Duden} {\sc Duden},
+ Rechtschreibung der deutschen Sprache und der
+ Fremd"-w"orter. Hrsg.\ von der {\sc Duden}-Redaktion.
+ Auf der Grundlage der amtlichen Rechtschreibregeln.
+ Mannheim; Wien; Z"urich: Bibliographisches Institut,
+ 19.~Auf"|lage, 1986.
+\bibitem[Partl87]{Partl87} Hubert Partl,
+ {\it Ein "`Minimal Subset"' f"ur einheitliche deutsche
+ \TeX-Befehle}, Vortrag und Diskussion beim 6.~Treffen der
+ deutschen \TeX-""Interessenten in M"unster (1987).
+ Anm.: ver"offentlicht in einer Datei namens {\tt germdoc.tex},
+ mittlerweile ersetzt durch das Ihnen vorliegende
+ Dokument "`Kurzbeschreibung -- {\tt (n)german.sty}"'.
+\bibitem[Partl88]{Partl88} Hubert Partl,
+ German \TeX, {\em TUGboat\/} 9(1):70--72, 1988.
+\bibitem[Braams91]{Braams91} Johannes Braams,
+ Babel, a multilingual style-option system for use with \LaTeX's
+ standard document styles,
+ {\it TUGboat\/} 12(2):291--301, Juni 1991.
+\bibitem[Goossens94a]{Goossens94a} Michel Goossens, Frank Mittelbach und
+ Alexander Samarin, {\it The \LaTeX\ Companion},
+ Addison-Wesley, Reading, 2.~Auf"|lage, 1994.
+\bibitem[Goossens94b]{Goossens94b} Michel Goossens, Frank Mittelbach und
+ Alexander Samarin, {\it Der \LaTeX-Begleiter},
+ Addison-Wesley, Bonn, 1.~Auf"|lage, 1994.
+ Anm.: "uber"-arbeitete, deutsche "Uber"-setzung
+ von~\cite{Goossens94a}.
+\end{thebibliography}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/german/hyphxmpl.cfg b/Master/texmf-dist/doc/generic/german/hyphxmpl.cfg
new file mode 100644
index 00000000000..bed73ccfc1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/german/hyphxmpl.cfg
@@ -0,0 +1,45 @@
+%%
+%% This is file `hyphxmpl.cfg',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% german.dtx (with options: `hyphcfg')
+%%
+%% ----------------------------------------------
+%% Beispielkonfigurationsdatei fuer: `hyphen.cfg'
+%% Naeheres siehe Dokumentation `gerdoc.tex'.
+%% Copyleft 1995-1998 by Bernd Raichle.
+
+%% Konfigurationsdatei -- Trennmuster: `hyphen.cfg'
+\message{== Loading hyphenation patterns:}
+
+%% american english
+\chardef\l@USenglish=\language
+%% british english als "Dialekt"
+\chardef\l@english=\l@USenglish
+\input hyphen
+
+%% german
+\newlanguage\l@german \language=\l@german
+%% oesterreichisch als "Dialekt"
+\chardef\l@austrian=\l@german
+\input ghyph31
+
+%% new german
+\newlanguage\l@ngerman \language=\l@ngerman
+%% oesterreichisch (neu) als "Dialekt"
+\chardef\l@naustrian=\l@ngerman
+\input gnhyph01
+
+%% weitere Sprachen nach folgendem Schema:
+% \newlanguage\l@SPRACHE \language=\l@SPRACHE
+% \chardef\l@DIALEKT=\l@SPRACHE
+% \input SPRACHhyphen
+
+%% Default-Trennmuster: USenglish
+\language=\l@USenglish \lefthyphenmin=2 \righthyphenmin=3
+\message{done.}
+\endinput
+%%
+%% End of file `hyphxmpl.cfg'.
diff --git a/Master/texmf-dist/doc/generic/ibycus/README b/Master/texmf-dist/doc/generic/ibycus/README
new file mode 100644
index 00000000000..189e8b1935e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ibycus/README
@@ -0,0 +1,303 @@
+[This is ./doc/fonts/ibycus4/tex/README
+ 12 July, 1997. [For some of the previous history see the
+ final notes on Ibycus 3, from May 30, 1966 in README.ibycus3]
+
+ ( THIS IS A TDS-CONFORMANT PACKAGE )
+
+BE SURE THAT ibycus4.map HAS BEEN MADE ACCESSIBLE AS DESCRIBED BELOW
+
+FOR INCOMPATIBILITIES WITH IBYCUS3, SEARCH FOR %%%%%%%%%%%% on page 3.
+
+Like its predecessors, Ibycus4 is based on Silvio Levy's
+realization of a classic Didot cut of Greek type from around 1800.
+Ibycus4 is as close as possible to Ibycus3 in all possible
+respects, but there are some improved set widths and pair-kernings
+which might clobber old carefully adjusted text spacings
+such as Alexandrian shaped poetry.
+
+A sample input file is provided in iby4text.tex or ibycus4.ltx
+
+PLAIN TeX USAGE: \input iby4text
+
+ then: \setgreek10/12 (or other reasonable combination
+ of pointsize and leading)
+
+ then: Latin text \GK{}a)rxai=a gra'mmata\RM{} Latin again.
+
+ NOTE that the ) is a smooth breathing, not a parenthesis.
+
+LaTeX2e USAGE: \usepackage{ibycus4}
+
+ then: Latin text {\greek{a)rxai=a gra'mmata}} Latin again.
+ (Note the double braces, there is a font change here.)
+
+ change font size with the \fontsize macro, thus:
+
+ \fontsize{14}{17pt}\selectfont
+
+
+The TeX files in $TEXMF/tex/generic/ibycus4 together with the METAFONT
+files in $TEXMF/fonts/source/public/ibycus4 {\em especially
+ibycus4.map} are intended to provide a reasonable degree of
+compatibility between David Packard Jr.'s Ibycus/TLG system, and the
+TeX and METAFONT environment. If you are not using Karl Berry's
+path-searching or its equivalent, these TeX files may have to be moved
+to an appropriate branch directory of $TEXMF/tex/
+ continues . . .
+
+ README Page 2
+
+The TeX files are:
+
+ 1. $TEXMF/tex/generic/ibycus4/ibycus4.tex
+
+ The driver file for this package (in plain tex).
+
+ 1a. $TEXMF/tex/generic/ibycus4/ibycus4.sty
+
+ The driver file for this package (in LaTeX2e).
+
+ 2. $TEXMF/tex/generic/ibycus4/setiby4.tex
+
+ Included by ibygrk.tex unless newnep format is running
+
+ 3. $TEXMF/tex/generic/ibycus4/tlgsqq.tex
+
+ The name suggests the association with coding of the
+ Thesaurus Linguae Graecae.
+
+ This file provides uniquely named macros for all combinations
+ of letter and accent, so that any invocation of the macro will
+ produce a sequence of characters corresponding with the
+ entries put into the TFM ligature table. These sequences may
+ always be used to generate accented characters. They are
+ based, with some slight modifications where David Packard's Ibycus
+ input coding seems too misleading, on the Ibycus adaptation of
+ TLG beta-code.
+
+ For input coding, the parentheses, ) and ( are used for
+ breathings, ' (ASCII char '047--acute or single quote) and `
+ (ASCII char '140--grave) are used for oxytone and barytone (to
+ avoid preemption of the usual TeX excape character) and =
+ (ASCII char '075) is used for perispomenon to avoid preemption
+ of the active tie character in plain.tex. + is used for
+ dieresis after u or i and for some other special characters.
+ | is used for iota subscript and ! (ASCII char '041--\bang) is
+ used to call out the "dot-under" convention for partially
+ preserved letters in manuscript or epigraphical texts. Order
+ is significant. Breathings or diereses come first, after the
+ affected letter, then accents, then iota subscript or \bang.
+ These codings represent the input coding convention, not the
+ mapping in the font itself.
+
+ The digraphs, trigraphs etc. can be read from tlgsqq.tex
+ Postpositives fall into three order-dependent and
+ exclusive classes--only one from each class may be used
+ in any single accented cluster.
+
+ 1 2 3
+ nil nil nil
+ ( [asper] ' [oxytone] | [iota subscript]
+ ) [lenis] ` [barytone] ! [dot below letter]
+ + [other] = [perispomene]
+
+ continues . . .
+
+ README Page 3
+
+ Some special digraphs are K+ Koppa, k+ koppa, C+ lunate Cigma,
+ c+ lunate cigma, s+ sampi (lowercase late form only) and s| which
+ forces a medial sigma.
+ << and >> give guillemets (not guillemots as Adobe
+ ornithologically supposes) and (( )) give single parentheses
+ though care must be taken that the first ( or ) is not
+ interpreted as a breathing. {((} and {))} are safe.
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ NOTE: THE FOLLOWING CODINGS ARE NOT COMPATIBLE WITH IBYCUS3
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ I have tried to keep incompatible codings to the minimum
+ but the ibycus3 versions of the following were extremely
+ undesirable. These are all simplifications of ibycus3 coding.
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ The mark of elision is ' or {'} (the form in braces may be
+ needed to prevent ' from being read as an accent).
+ Single quotes may be provided by ` {`} and ' {'}, (isolate them
+ in braces if necessary). Double quotes are `` {``} and
+ '' {''} (isolate in braces if necessary). < and > are the
+ angle brackets used for conjectural supplements.
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ 4. ibycus4.map
+
+ This is {\em exactly} the same file as is used by METAFONT.
+ Copy $TEXMF/fonts/source/public/ibycus4/ibycus4.map
+ to the same directory as ibycus4.tex
+ or, even better, link it with a symbolic link.
+ It is so structured that it can be read by either
+ TeX or Metafont. The mapping is very close to that of GreekKeys,
+ which is distributed for the Macintosh by the American
+ Philological Association. Other mappings can be created
+ in the same manner.
+
+ 5. $TEXMF/tex/generic/ibycus4/Uibycus4.fd
+
+ Supporting fd file for LaTeX2e.
+
+ 6. $TEXMF/tex/generic/ibycus4/iby4extr.tex
+
+ Access to some editorial symbols for classical editions.
+
+ continues . . .
+
+ README Page 4
+
+ 7. $TEXMF/tex/generic/ibygrk/ibycus4.ltx
+ $TEXMF/tex/generic/ibygrk/iby4text.tex
+ The exquisite little poem by Ibycus of Rhegium, until recently
+ almost the only thing known by him. (The Ibycus system
+ developed by David Packard is only indirectly named after
+ the poet. The direct inspiration was Packard's cat.)
+
+ M E T A F O N T
+
+The METAFONT part of the package consists of a set of files which use
+the original characters of Silvio Levy's greek fonts and combine them
+in ways which reflect the increased capabilities of TeX and METAFONT
+developed since Levy did the original greek for TeX. The Levy source
+files can be got from one of the CTAN archives and placed in
+$TEXMF/fonts/source/public/levy
+ where they will automatically become
+accessible if you are using a TeX Directory Structure [TDS] layout of
+files. If you are not using a file searching system like Karl Berry's
+"kpathsea", see $TEXMF/fonts/source/public/ibycus4/ibycus4.mf for
+hints on making the Levy source available. For directions on the
+use and management of Karl Berry's path searching, consult "The TeX
+Live Guide, version 2" by Sebastian Rahtz and Michael Goosens, in
+{\it TUGboat}. Volume 18 (1997). Pages 81-112, especially pp. 87--9.
+Web2c TeX for Unix systems, Thomas Esser's teTeX, and the Solaris package
+referenced at http://smc.vnet.net/solaris_2.5.html all use Karl
+Berry's path searching.
+
+Ibycus4 METAFONT files are in $TEXMF/fonts/source/public/ibycus4
+
+The most significant changes are:
+
+ 1. The large repertory of initial/medial sigma + letter pairs
+ is suppressed from the new fonts, and the new enhanced TFM
+ ligature scheme is used instead to provide for the automatic
+ differentiation between medial and final sigma.
+
+ 2. The cells thus opened up in the font mapping are used for
+ a variety of additional characters:
+
+ a. A full repertory of vowels with breathings and
+ barytone accents (many of these were absent from the
+ original). The various forms of long epsilon and
+ omicron with perispomene accent needed for early Attic
+ and similar local scripts are provided.
+
+ b. Lunate sigma, digamma, koppa and sampi are
+ provided (the last in its lowercase late form
+ only, since earlier forms are rather problematic
+ and are virtually unused even in epigraphical texts).
+
+ c. A simple iota subscript in a 0.5em character space
+ is provided at position '174 for use in unusual
+
+ continues . . .
+
+ README Page 5
+
+ groupings. For all normal usages three additional
+ occurences of the glyph are kerned (in the traditional
+ sense) far to the left so that they will fit under
+ alpha, eta and omega respectively. These characters
+ are called out automatically through the TeX TFM
+ ligature system, for which see below. The glyph under
+ eta is shortened slightly to give better clearance
+ under the left stem of lowercase eta. The iota
+ subscript glyph retains its simple form in 300dpi
+ renditions, and in any bitmap which drops below
+ 500dpi, but it thins out and develops a slight
+ rightward hook at 600dpi and above.
+
+ d. The mechanism of drastic left kerning is also used
+ to set dots under letters which cannot be read
+ completely from the manuscript or stone. These dota
+ are likewise called out automatically through the TFM
+ ligature system. A final ! {\bang} after any letter
+ or letter with postpositive accents (except those
+ with iota subscripts) will produce the dotted form.
+
+ e. Angle brackets, half brackets, double quotes, braces,
+ a dagger and a doubledagger are now provided (see
+ iby4extr.tex).
+
+ 3. All characters have been named. The constructs
+ ASCII"A" and oct"000" appear only at lower levels
+ of programming.
+
+ 4. Character spacing has been adjusted through kerning tables,
+ particularly around lowercase iota (file ibylig4.mf).
+ There is better separation between breathings and accents
+ (this has required a redesign of almost all accents) and
+ clearance between accent and base letter has been increased.
+ The perispomene has been restored to its traditional form with
+ a thick center and tapered ends, and the breathings have been
+ given shorter, tapered tails. The deep ink trap between the
+ bulb and tail of the breathings has been eliminated. Accents
+ over epsilon have been raised and slightly shortened to give
+ better clearance. The accents with diaeresis have been shifted
+ up and laterally to clear the dot they lean toward.
+
+ 5. Font mapping is specified independently of other
+ parameters, in a distinct and separate file (file ibycus4.map).
+ In some cases it may be more effective to remap the font
+ than to struggle with TeX remapping.
+
+ continues . . .
+
+ README Page 6
+
+ 6. A programming error which produced the wrong displacement
+ value with free-standing accents has been corrected. Accents
+ before uppercase vowels are kerned (in the traditional sense)
+ out left to a negative left side bearing of about one unit
+ (1/18em) unit so that their escapement does not leave
+ excessive space after the preceding word or at the start of a
+ line. They have also been properly pair-kerned with the
+ uppercase vowels.
+
+A new naming convention uses "ibycus4" wherever possible, and
+the shorter string "iby4" where that would lead to ambiguity.
+some of the individual METAFONT character files are simply
+taged with the number 4. 8+3 filename compatibility is preserved.
+(under protest and with difficulty).
+
+The names of PK and TFM files follow Karl Berry's font name convention
+( 84 is the encoding for Ibycus 4).
+
+Foundry Facename Weights Variants Encoding_Variants DesignSize
+
+f ib [r], b r, o 84 [10], 9, 8
+
+fibr84 fibo84 fibb84
+
+ with METAFONT design-size additions
+fibr848 fibo848 fibb848
+fibr849 fibo849 fibb849
+
+Driver files for the Bold Oblique variant can be provided but their use
+is discouraged. These Didot-derived characters do not stand up well
+to either boldfacing or obliqueing, and the combination is quite
+unfortunate. The typewriter style originally offered with these
+designs is quietly forgotten, although the code for it is still
+embedded in Silvio Levy's source.
+
+ Also in the works, a type1 version.
+
+Pierre A. MacKay
+Department of Classics
+University of Washington
+mackay@cs.washington.edu
diff --git a/Master/texmf-dist/doc/generic/ibycus/ibycus3.RME b/Master/texmf-dist/doc/generic/ibycus/ibycus3.RME
new file mode 100644
index 00000000000..7f7f5672380
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ibycus/ibycus3.RME
@@ -0,0 +1,231 @@
+[This is ./doc/fonts/ibycus3/tex/README
+ May 1992, revised Apr. 1994, revised for LaTeX2e Sep-Oct. 1995
+ Final notes on Ibycus 3, May 30, 1966 ]
+
+ ( THIS IS A TDS-CONFORMANT PACKAGE )
+
+BE SURE THAT ibycus3.map HAS BEEN COPIED AS DESCRIBED BELOW
+
+A sample input file is provided in iby3text.tex or ibycus3.ltx
+
+PLAIN TeX USAGE: \input iby3text
+
+ then: \setgreek10/12 (or other reasonable combination
+ of pointsize and leading)
+
+ then: Latin text \GK{}a)rxai=a gra'mmata\RM{} Latin again.
+
+ NOTE that the ) is a smooth breathing, not a parenthesis.
+
+LaTeX2e USAGE: \usepackage{ibycus3}
+
+ then: Latin text {\greek{a)rxai=a gra'mmata}} Latin again.
+ (Note the double braces, there is a font change here.)
+
+ change font size with the \fontsize macro, thus:
+
+ \fontsize{14}{17pt}\selectfont
+
+
+The TeX files in $TEXMF/tex/generic/ibycus3 together with the
+METAFONT files in $TEXMF/fonts/source/public/ibycus3
+{\em especially ibycus3.map} are intended to provide a
+reasonable degree of compatibility between David Packard Jr.'s
+Ibycus/TLG system, and the TeX and METAFONT environment. These TeX
+files may have to be moved to an appropriate branch directory of
+$TEXMF/tex/ if you are not using Karl Berry's path-searching
+or its equivalent.
+
+The package consists of a set of METAFONT files which use the original
+characters of Silvio Levy's greek fonts (these can be got from
+one of the CTAN archives and placed in $TEXMF/fonts/source/public/levy
+if you are using a TeX Directory Structure [TDS] layout of files)
+and combine them in ways which reflect the increased capabilities of TeX
+and METAFONT developed since Levy did the original greek for TeX.
+If you are not using a file searching system like Karl Berry's
+"kpathsea", see $TEXMF/fonts/source/public/ibycus3/ibycus3.mf for
+hints on making the levy source available
+
+Ibycus3 METAFONT files are in $TEXMF/fonts/source/public/ibycus3
+
+The most significant changes are:
+
+ 1. The large repertory of initial/medial sigma + letter pairs
+ is suppressed from the new fonts, and the new enhanced TFM
+ ligature scheme is used instead to provide for the automatic
+ differentiation between medial and final sigma.
+
+ 2. The cells thus opened up in the font mapping are used for
+ a variety of additional characters:
+
+ a. A full repertory of vowels with breathings and
+ barytone accents (absent from the original).
+
+ b. Digamma, koppa and sampi (the last in lowercase
+ late form only, since earlier forms are rather
+ problematic and are virtually unused even in
+ epigraphical texts).
+ NOTE: there is still room for things like acrophonic
+ numerals, and perhaps the two markers used to
+ distinguish numeric from alphabetic use of the letters
+ ought to be provided. Another possibility is
+ special symbols for text-edition, such as double
+ brackets. (Editor supplements can be done
+ using the characters defined in iby3extr.tex).
+
+ Iota subscript retains its simple form in 300dpi
+ renditions, and in any bitmap which drops below
+ 500dpi, but it thins out and develops a slight
+ rightward hook at 600dpi and above.
+
+ 3. All characters have been named. The constructs
+ ASCII"A" and oct"000" appear only at lower levels
+ of programming.
+
+ 4. Character spacing has been adjusted through kerning tables,
+ particularly around lowercase iota (file ibylig.mf).
+ There is more that could and should be done.
+ Maybe it will yet happen.
+
+ 5. Font mapping is specified independently of other
+ parameters, in a distinct and separate file (file ibycus3.map).
+ In some cases it may be more effective to remap the font
+ than to struggle with TeX remapping.
+
+ 6. Accents have been redesigned in several cases, usually
+ in an attempt to reduce crowding among the elements of
+ accent clusters. The accents with diaeresis have been shifted
+ to clear the dot they lean toward. A programming error which
+ produced the wrong displacement value with free-standing accents
+ has been corrected. Accents before uppercase vowels are
+ pair-kerned with the vowels. Angle brackets, half brackets,
+ double quotes, braces and a dagger are now provided (see
+ ibyextra.tex).
+
+The associated TeX files are:
+
+ 1. $TEXMF/tex/generic/ibycus3/ibycus3.tex
+
+ The driver file for this package (in plain tex).
+
+ 1a. $TEXMF/tex/generic/ibycus3/ibycus3.sty
+
+ The driver file for this package (in LaTeX2e).
+
+ 2. $TEXMF/tex/generic/ibycus3/set3grk.tex
+
+ Included by ibygrk.tex unless newnep format is running
+
+ 3. $TEXMF/tex/generic/ibycus3/tlgsqq.tex
+
+ The name suggests the association with coding of the
+ Thesaurus Linguae Graecae.
+
+ This file provides uniquely named macros for all combinations
+ of letter and accent, so that any invocation of the macro will
+ produce a sequence of characters corresponding with the
+ entries put into the TFM ligature table. These sequences may
+ always be used to generate accented characters. They are
+ based, with some slight modifications where David Packard's Ibycus
+ input coding seems too misleading, on the Ibycus adaptation of
+ TLG beta-code. ) and ( are used for breathings, ' and ` are
+ used for oxytone and barytone (to avoid preemption of the
+ usual TeX excape character) and = is used for perispomenon
+ to avoid preemption of the active tie character in plain.tex.
+ | is used for iota subscript. Order is significant.
+ Breathings or diereses come first, after the affected letter, then
+ accents, then iota subscript. + is dieresis, which should
+ only appear after u or i. '' is the mark of elision
+ Single quotes may be provided by `` and '', but isolate them
+ in braces whereever the first of either pair risks being
+ interpreted as an accent.
+
+ The digraphs, trigraphs etc can be read from tlgsqq.tex
+
+ Additional digraphs are K+ Koppa, k+ koppa, C+ lunate Cigma,
+ c+ lunate cigma, s+ sampi (lowercase late form only) and s| which
+ forces a medial sigma at word end.
+ << and >> give guillemets (not guillemots as Adobe
+ ornithologically supposes) and (( )) give single parentheses
+ though care must be taken that the first ( or ) is not
+ interpreted as a breathing. {((} and {))} are safe.
+
+ 4. ibycus3.map
+
+ This is {\em exactly} the same file as is used by METAFONT.
+ Copy $TEXMF/fonts/source/public/ibycus3/ibycus3.map
+ to the same directory as ibycus3.tex
+ or, even better, link it with a symbolic link.
+ It is so structured that it can be read by either
+ TeX or Metafont. The mapping is very close to that of GreekKeys,
+ which is distributed for the Macintosh by the American
+ Philological Association. Other mappings can be created
+ in the same manner.
+
+ 5. $TEXMF/tex/generic/ibycus3/Uibycus3.fd
+
+ Supporting fd file for LaTeX2e.
+
+ 6. $TEXMF/tex/generic/ibycus3/iby3extr.tex
+
+ Some editorial symbols for classical editions.
+
+ 7. $TEXMF/tex/generic/ibygrk/ibycus3.ltx
+ $TEXMF/tex/generic/ibygrk/iby3text.tex
+ The exquisite little poem by Ibycus of Rhegium, until recently
+ almost the only thing known by him. (The Ibycus system
+ developed by David Packard is only indirectly named after
+ the poet. The direct inspiration was Packard's cat.)
+
+NOTE: Earlier users of this package may be dismayed by the new naming
+system for the fonts, but it seems the only way to provide for
+desirable results. It is necessary to keep this Ibycus package
+clearly distinct from the new package announced below. Symbolic
+links are provided to ease the transition. Ibycus4 (see below) will
+be as close as possible to Ibycus3 in all external respects, but
+there are some improved set widths which might clobber old carefully
+adjusted text spacings.
+
+The new naming convention uses "ibycus3" wherever possible, and
+the shorter string "iby3" where that would lead to ambiguity.
+some of the individual METAFONT character files are simply
+taged with the number 3. 8+3 filename compatibility is preserved.
+(with difficulty).
+
+The names of PK and TFM files follow Karl Berry's font name convention
+( 84 is the encoding for Ibycus 4, for which see below).
+
+Foundry Facename Weights Variants Encoding_Variants DesignSize
+
+f ib [r], b r, o 83, 84 [10], 9, 8
+
+fibr83 fibo83 fibb83
+
+ with METAFONT design-size additions
+fibr838 fibo838 fibb838
+fibr839 fibo839 fibb839
+
+
+
+Still in the future.
+
+ Ibycus4 will have the major epigraphical characters and conventions,
+ dotted letters, epsilon and omicron with perispomene accent
+ for pre-403 Attic orthography, uprighted italic h for aspirate and
+ a special set of TFM files for "stoichedon" inscriptions.
+ Maybe even a prime that really works for numbers.
+ The input coding for Ibycus4 is hardly changed at all from
+ Ibycus3 coding: The apostrophe and single quotes can be
+ given as ` {`} and ' {'} instead of having to be doubled
+ and <> give conjectural emendation angle brackets without
+ requiring an excursion into math mode. ! {\bang} gives
+ a dotted letter for all except iota-subscripted vowels.
+ Slight improvements in set widths, which is the chief reason
+ for keeping Ibycus3 and Ibycus4 clearly separate.
+
+ Also in the works, a type1 version.
+
+Pierre A. MacKay
+Department of Classics
+University of Washington
+mackay@cs.washington.edu
diff --git a/Master/texmf-dist/doc/generic/ibycus/ibycus4.ltx b/Master/texmf-dist/doc/generic/ibycus/ibycus4.ltx
new file mode 100644
index 00000000000..2800c5904b1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ibycus/ibycus4.ltx
@@ -0,0 +1,40 @@
+% ibycus4.ltx-- P.A. MacKay -- July 13, 1997
+% Pierre A. MacKay, Dept. of Classics, University of Washington
+% mackay@cs.washington.edu
+% ------------------------
+% An example of ibycus4 using LaTeX2e
+%
+% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148
+% accepting the emendations of Mehlhorn and Hermann.
+%
+\documentclass[11pt]{article}
+\usepackage{ibycus4}
+\pagestyle{empty}
+
+\begin{document}
+\begin{center}
+\greek{\fontsize{20.74}{17pt}\selectfont
+IBUKOU TOU RHGINOU}
+\end{center}
+
+\vspace{.5in}
+
+\greek{
+\fontsize{14}{17pt}\selectfont
+\begin{verse}
+\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai\\
+mhli'des a)rdo'menai r(oa=n\\
+e)k pota'mwn i('na Parqe'nwn\\
+kh=pos a)kh'ratos, ai(' t' oi)nanqi'des\\
+au)co'menai skie'roisin u(f' e('rnesin\\
+oi)nare'ois qale'qoisin; e)moi` d' e)'ros\\
+ou)demi'an kata'koitos w('ran.\\
+<a)ll' a(' >q' u(po` steropa=s fle'gwn\\
+Qrhi+'kios Bore'as a)i's|-\\
+\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s\\
+e)gkrate'ws pedo'qen \dagger fla'sen\dagger\\
+h(mete'ras fre'nas.
+\end{verse}}
+\end{document}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/ibycus/psibycus.RME b/Master/texmf-dist/doc/generic/ibycus/psibycus.RME
new file mode 100644
index 00000000000..0abc81d1dae
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ibycus/psibycus.RME
@@ -0,0 +1,99 @@
+This file is psibycus.RME
+
+The Type1 version of the Ibycus Greek font (regular weight only)
+available on orhan.classics.washington.edu, in the directory
+/ftp/pub/tex has been sell enough received that it is being added to
+the ibycus4 package. The font is still largely unhinted, but I am
+beginning to wonder whether that matters. I did plan to provide a
+rather thorough set of hints, since the primary purpose for making up
+this font was to get away from the crude bitmap scaling that is all
+you can get out of PDF readers. Hinting, however, is even worse than
+filing matrices. It is a soul-destroying bore, and I cannot do very
+much of it at any given session. The absence of hints will not be
+noticed at resolutions of 600dpi and above. On paper, the weight is
+just about right. In PDF files created with Adobe Distiller, the
+screen appearance is remarkably good. In xdvi it is even better. In
+ghostscript the rasterization uncontrolled by hints produces too dark
+an effect, but it does make it that much more readable. The font has
+a private UniqueID in the open range for now, but a registered
+UniqueID will be applied for.
+
+The original METAFONT realization of ibycus4 remains the controlling
+form of the font. The TeX user will see absolutely no difference
+in the set-widths of the Type1 font because the set widths in the
+TFM file are directly related (with infinitesimal roundings) to
+those in the the TFM file for the METAFONT version. NOTE: My previous
+hope that I could use exactly the same TFM for the type1 version
+and the METAFONT version failed because some renderers such as
+pdftex choke on even the slightest difference in set width.
+
+The Type1 control points have been derived from METAFONT log output
+generated by "tracingspecs". This is not impossible, as has sometimes
+been claimed, but it does take work.
+
+The additions to the METAFONT based package consist of:
+
+1. IbycusHTG-Regular.pfa ( = fibr.pfa = IBYHTGR_.PFB ).
+ The character designs are Silvio Levy's. Some small differences
+ in accent positioning and vertical positioning on the classic
+ METAFONT typeface grid have been allowed. My own lowercase lunate
+ sigma has been improved. These changes will ultimately be read
+ back into the ibycus4 METAFONT source.
+
+2. fibr.tfm (blended from the TFM file produced by afm2tfm and
+ the ligature and kerning from fibr84.tfm. The use of the Type1 font
+ is specified by calling on fibr, rather than fibr84.
+ Obliqued versions are invoked with fibo.tfm (derived in the same way).
+ Bold versions of the font are still exclusively METAFONT.
+ They will continue to be invoked as fibb84[89]?
+ until I make up Type1 versions of them (if I ever do).
+
+3. fibr.vf (fibo.vf), which serves to provide a reference into a dvips map
+ file. The raw TFM for this VF file is fibr84.tfm (fibo84.tfm), which
+ has the interesting effect of making METAFONT generated PK files a
+ fail-safe alternative in sizes above 10pt if the dvips map lookup fails.
+ The checksums for fibr.tfm fibr84.tfm and fibr.vf are identical.
+ likewise for fibo.tfm fibo84.tfm and fibo.vf.
+ This is arbitrary, since fibr.vf has integer escapement values
+ rounded from the METAFONT values in the tfm files.
+
+4. config.iby and iby.map. The iby.map file shows how to associate
+ fibr84 and fibo84 with IbycusHTG-Regular.
+ fibr84 IbycusHTG-Regular <IbycusHTG-Regular.pfa
+ fibo84 IbycusHTG-Regular ".167 SlantFont" <IbycusHTG-Regular.pfa
+ or
+ fibr84 IbycusHTG-Regular <fibr.pfa
+ fibo84 IbycusHTG-Regular ".167 SlantFont" <fibr.pfa
+ If you still use the large explicit psfonts.map from the web2c
+ days, these lines can be copied into psfonts.map for general use.
+ A better idea is to put them into a file iby.map and add the
+ line p +iby.map to the sort of psfonts.map that is provided
+ with teTeX.
+
+5. IbycusHTG-Regular.afm and IbycusHTG.enc. These are provided for
+ information only. The AFM file contains only the character info
+ and the pair-kerning data. There is no point in going further
+ since the Adobe convention for AFM is incapable of specifying the
+ ligature sequences needed for ibycus4. The encoding file could
+ supply both ligatures and pair-kerns, but to what purpose?
+
+6. Various TeX input files rewritten to use the fibr invocation in
+ place of the fibr84 invocation. (This is the only change that
+ users will need to make, other than installing the above files in
+ the TEXMF directory tree).
+
+IbycusHTG-Regular is licensed without charge for use in the creation of
+documents in all media, in accordance with the included copyright
+notice. Users are welcome and indeed encouraged to adapt the font
+to other typesetting systems. Note that iota subscript is applied to
+the affected vowel as a following zero-width character kerned
+drastically to the left. (Other well-known Polytonic Greek fonts
+do the same thing. This trick saves many, many glyph spaces for more
+constructive use.)
+
+ mackay@cs.washington.edu Pierre A. MacKay
+Smail: Department of Classics Emeritus Druid for
+ Denny Hall, Box 353110 Unix-flavored TeX
+ University of Washington
+ Seattle, WA 98195
+ (206) 543-2268 (Message recorder)
diff --git a/Master/texmf-dist/doc/generic/ibycus/psibycus.ltx b/Master/texmf-dist/doc/generic/ibycus/psibycus.ltx
new file mode 100644
index 00000000000..64ad1099b3a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ibycus/psibycus.ltx
@@ -0,0 +1,41 @@
+% psibycus.ltx-- P.A. MacKay -- July 16, 1999
+% Pierre A. MacKay, Dept. of Classics, University of Washington
+% mackay@cs.washington.edu
+% ------------------------
+% An example of ibycus4 using LaTeX2e and calling on the type1
+% font IbycusHTG-Regular in place of fibr84
+%
+% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148
+% accepting the emendations of Mehlhorn and Hermann.
+%
+\documentclass[11pt]{article}
+\usepackage{psibycus}
+\pagestyle{empty}
+
+\begin{document}
+\begin{center}
+\greek{\fontsize{20.74}{17pt}\selectfont
+IBUKOU TOU RHGINOU}
+\end{center}
+
+\vspace{.5in}
+
+\greek{
+\fontsize{14}{17pt}\selectfont
+\begin{verse}
+\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai\\
+mhli'des a)rdo'menai r(oa=n\\
+e)k pota'mwn i('na Parqe'nwn\\
+kh=pos a)kh'ratos, ai(' t' oi)nanqi'des\\
+au)co'menai skie'roisin u(f' e('rnesin\\
+oi)nare'ois qale'qoisin; e)moi` d' e)'ros\\
+ou)demi'an kata'koitos w('ran.\\
+<a)ll' a(' >q' u(po` steropa=s fle'gwn\\
+Qrhi+'kios Bore'as a)i's|-\\
+\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s\\
+e)gkrate'ws pedo'qen \dagger fla'sen\dagger\\
+h(mete'ras fre'nas.
+\end{verse}}
+\end{document}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/insbox/demo.tex b/Master/texmf-dist/doc/generic/insbox/demo.tex
new file mode 100644
index 00000000000..f2ec5e48866
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/insbox/demo.tex
@@ -0,0 +1,118 @@
+% This file contains description of \InsertBoxL, \InsertBoxR, \InsertBoxC
+% and \MoveBelowBox macros that are defined in the INSBOX package.
+% Compile it and check this source file to see how that all was done.
+
+\nopagenumbers
+
+\input insbox
+\input epsf
+
+
+% a macro for building a box with a frame around it
+\def\Frame#1{%
+ \vbox{
+ \hrule
+ \hbox{%
+ \vrule
+ \vbox{\vskip 4mm \hbox{\hskip 4mm #1 \hskip 4mm} \vskip 4mm}%
+ \vrule
+ }
+ \hrule
+ }
+}
+
+
+
+% Put an \epsfbox in the right after two lines of text:
+\InsertBoxR{2}{\epsfbox{pic1.eps}}
+Creating documents like this is quite easy. Just four easy macros
+can do all the stuff required to put pictures on the page and
+format all the neighbouring paragraphs so that they do not interfere
+with pictures. The picture you see in the right was inserted using
+the following command put just before the beginning of this paragraph:
+\hfil\break
+{\tt\string\InsertBoxR\char123 2\char125\char123\string\epsfbox\char123
+ pic1.eps\char125\char125}
+
+
+The meaning of the macro's arguments is very easy. The first
+argument should be the number of lines to be typeset ``normally'',
+that is using the whole width of the page. The second argument
+is {\it any\/} box that is to be put on the page beside the text.
+The letter {\tt R} at the end of the macro's name indicates
+that the picture should be put in the right. Of course, there is
+also a macro named {\tt\string\InsertBoxL} which works similarly,
+but puts the picture in the left. Further in this document you will
+find a description of the {\tt\string\InsertBoxC} macro. As you
+probably guessed, it inserts a picture centered in the page.
+
+
+\def\somebox{\vbox{
+ \hsize = 5cm
+ \noindent Some simple text. Some simple text. Some simple text.
+ Some\break simple text. Some simple text.
+ $$ a^2 + b^2 = c^2 $$
+ That was a simple formula. Let's put more text here to make
+ this box bigger... Some simple text. Some simple text.
+}}
+
+% as you see, you can supply the third optional parameter to
+% \InsertBoxL and \InsertBoxR macros; it may help if they
+% calculate the space for the frame incorrectly
+\InsertBoxL{2}{\Frame{\somebox}}[-2]
+I mentioned earlier that almost {\it anything\/} can be inserted
+in the document --- not only {\tt\string\epsfbox}es. You can create
+{\it any\/} box containing graphics, text, math formulas and put it
+beside your text using {\tt\string\InsertBox} macros. The simple
+example in the left should be a good proof.
+
+
+The macros are quite reliable, but you may experience some problems
+if you put displayed math formulas beside pictures. The space reserved
+for the frame may appear too little or too big. But there is an
+easy way to make neccessary correction. Check the source file
+to see how it was done in this particular situation.
+ $$ \sum_{i=1}^{n} i^3 = \left( {n(n+1) \over 2} \right)^2 $$
+Also, I do not guarrantee correct behaviour of these macros in other
+extreme conditions. It is not possible to put two {\tt\string\InsertBox}
+commands before a paragraph --- in that case you should not expect
+a paragraph squeezed between two frames.
+
+
+\def\somebox{\vbox{
+ \epsfxsize=4cm
+ \hbox{\epsfbox{pic2.eps}}
+ \hbox to 4cm{\hss Figure 2.\hss}
+}}
+
+There is also a macro for inserting boxes centered in the page. Its name
+is {\tt\string\InsertBoxC} and it requires only one argument --- the
+box to be inserted. The macro should be called from {\it inside\/}
+a paragraph (not put {\it before\/} a paragraph). The box will be put
+just below the line containing the macro. For example the picture below
+was inserted by putting
+{\tt\string\InsertBoxC\char123 \string\somebox\char125}
+after {\it this\/}\InsertBoxC{\somebox} word. The line was completed,
+the picture was inserted and the paragraph continues below the picture.
+The usage seems very simple and intuitive.
+
+
+\InsertBoxR{0}{\somebox}
+I recommend that you see the source of this document and check how
+changes to arguments of {\tt\string\InsertBox} macros affect paragraphs.
+But before I end, let me give you one more hint. Sometimes you may wish
+to generate a vertical skip like this:
+
+
+\MoveBelowBox
+In such situation you should use the {\tt\string\MoveBelowBox} command.
+It starts the next paragraph just below the current picture.
+
+
+\bigskip
+\noindent
+Micha\l{} Gulczy\'nski \hfil\break
+{\tt mgulcz@we.tuniv.szczecin.pl}
+
+
+\bye
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new file mode 100644
index 00000000000..fa512826250
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diff --git a/Master/texmf-dist/doc/generic/mfpic/README b/Master/texmf-dist/doc/generic/mfpic/README
new file mode 100644
index 00000000000..411fdfc8bce
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/README
@@ -0,0 +1,258 @@
+%%% File: README.txt
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+
+MFpic defines a command group \mfpic...\endmfpic (optionally in LaTeX
+an environment, mfpic) and drawing commands to be used inside this group.
+When TeX (or LaTeX) is run on a file containing those commands, a
+Metafont (or MetaPost) source file is created. When that file is correctly
+processed by Metafont (or MetaPost), and LaTeX or TeX is run again, the
+result is a figure in the TeX document in the location of each
+environments.
+
+See install.txt for initial setup and brief installation instructions.
+See mfpguide.pdf for a short tutorial. See below for a summary of
+features added since the previous official release (0.6c beta). See the
+manual mfpman.pdf for more detailed instructions and descriptions
+of features.
+
+This is mfpic version 0.7a beta.
+
+LEGALITIES
+----------
+
+All files of the core mfpic distribution (listed below) may be
+distributed and/or modified under the conditions of the LaTeX Project
+Public License, either version 1.2 of this license or (at your option)
+any later version. The latest version of this license is in
+ http://www.latex-project.org/lppl.txt
+and version 1.2 or later is part of all distributions of LaTeX version
+1999/12/01 or later.
+
+While every effort has been made to make mfpic useful, it comes with no
+warranty, expressed or implied.
+
+
+MANIFEST
+--------
+
+Here is a list, plus explanation of purpose, of all files in the mfpic
+distribution. Read it *before* trying to process any of the example
+files. These, and the files generated by TeXing mfpic.ins, constitute
+the mfpic distribution to which the LPPL applies.
+
+The three files marked with * below are the only ones essential
+for using all the facilities of mfpic.
+
+All the *.tex files in the src directory (except the plainTeX file
+refcard.tex) require the LaTeX style file mfpdoc.sty. The manual is
+mfpman.pdf.
+
+TeX/LaTeX code:
+--------------
+*mfpic.dtx Contains mfpic.sty and mfpic.tex
+*mfpic.ins The unpacking script, run latex on it. It reads in
+ mfpic.dtx and grafbase.dtx and produces the only
+ required files: mfpic.sty, mfpic.tex, grafbase.mf,
+ grafbase.mp, and dvipsnam.mp
+
+MetaPost/Metafont code:
+----------------------
+*grafbase.dtx Contains grafbase.mf, grafbase.mp and dvipsnam.mp
+
+Documentation:
+-------------
+
+ install.txt Basic information on installation
+ README.txt This file.
+ changes.txt Rambling history of (most) changes
+ mfpguide.pdf Precompiled tutorial
+ mfpman.pdf Precompiled manual
+ src/refcard.tex reference card, landscape, should fit on two sides
+ of either USletter or A4paper. Plain TeX source.
+ src/mfpdoc.sty LaTeX style used by the next two
+ src/mfpguide.tex tutorial (LaTeX source, requires mfpdoc.sty and mfpic)
+ src/mfpman.tex manual (LaTeX source, requires mfpdoc.sty)
+
+ examples/pictures.tex Run tex, produce pics.mf file
+ examples/lapictures.tex Run latex, produce pics.mf file (same)
+ examples/data.dat External data file needed for above two
+ examples/forfun.tex Example of \mfsrc: Run tex, produce forfun.mp
+
+
+NEW FEATURES since Version 0.6c
+-------------------------------
+ -- Mfpic is now distribution in two .dtx files and an unpacking
+ script (mfpic.ins). The manual is now supplied as a linked PDF file
+ written in LaTeX. A short introductory guide is supplied, also PDF.
+
+ -- New path modification commands that produce a subpath of a
+ given path:
+ \partpath{<frac1>,<frac2>}<path>
+ The arguments are fractions of the length of <path> indicating
+ where the subpath begins and ends.
+ \subpath{n,m}<path>
+ {n,m} are the `times' on <path> where the subpath begins and
+ ends. (See the Metafontbook for the meaning of `time'.)
+ \cutoffbefore{X}<path>
+ X is a symbolic name for a path previously defined using \store.
+ The subpath produced begins where X and <path> first intersect,
+ and ends where <path> ends.
+ \cutoffafter{X}<path>
+ Similar to \cutoffafter but starts where <path> starts and ends
+ where X and <path> _last_ intersect.
+ \trimpath{<dim1>,<dim2>}<path>
+ The dimensions are the lengths trimmed from the start and end
+ of the following path.
+
+ -- Color commands now work under Metafont in the sense that no errors
+ or even warnings are caused by the commands that set and change
+ colors, and moreover, \draw[white]<path>. will erase the pixels
+ along <path> and \gfill[<color>]<closed path> will attempt to convert
+ the color to a shade of gray and approximate that by filling with a
+ pattern of pixels. All the following: \draw, \dashed, \dotted,
+ \plot, \plotnodes, all hatching commands, \point and \plotsymbol are
+ limited to black and white. \gfill and \polkadot will produce
+ shades of gray if the color is not black or white. filling (or
+ polkadotting) with white will erase pixels.
+
+ For this to work, bare MetaPost color triples should not be used,
+ but only color functions (e.g., rgb(1,.5,0)) or names defined with
+ \mfpdefinecolor. The colors defined in dvipsnam.mp are not
+ recognized by Metafont.
+
+ -- New color setting command, \pointcolor. The \point and \plotsymbol
+ commands now draw in the color set with \pointcolor. (In Metafont
+ this can be black or white.)
+
+ -- The dashpatterns, colors, and symbols used by the \plotdata command
+ for different curves can be reconfigured by the user with
+ \reconfigureplot {dashes}{<list>},
+ \reconfigureplot {colors}{<list>}, and
+ \reconfigureplot{symbols}{<list>},
+ where <list> is a comma separated list of dash patterns, colors, or
+ symbols. The builtin defaults can be restored with
+ \defaultplot{dashes}, etc.
+
+ -- \circle now accepts an optional argument similar to \arc that
+ allows one to define the circle in different ways. For example,
+ \circle[t]{<p1>,<p2>,<p3>}, will draw the circle that passes
+ through the three given points.
+
+ -- For those curve creation commands that accept an optional tension
+ argument, the default (= 1) can be changed with the command
+ \settension. The affected commands are \curve, \cyclic, \function,
+ \plrfcn, \datafile, \plotdata, \bclosed, \sclosed, \btwnfcn,
+ \plrregion, \fcncurve, \mfbezier, and \closedmfbezier.
+
+ -- The closure commands \bclosed and \sclosed now accept an optional
+ argument for the tension to be used in the closing link. The
+ commands \sclosed\curve and \cycle have always produced the same
+ path. Now the same is true when tension is used:
+ \sclosed[1.5]\curve[1.5] = \cycle[1.5] The default tension is the
+ same as for \curve.
+
+ -- The commands to surround text with a path (\tlabelrect, \tlabeloval
+ and \tlabelellipse) now accept a second optional argument that
+ is the same as that taken by \tlabel for justification/rotation of
+ the text. In order to use it, the first optional argument must be
+ present (though it may be empty to select the default). The
+ preloaded default for this new argument is [cc]. This can be
+ changed with \tlpathjustify.
+
+ Moreover, the first optional argument of \tlabelrect (which gives
+ the radius of the rounded corners) may now consist of the keyword
+ "roundends" which tells mfpic to use the maximum reasonable radius:
+ so that the short sides of the rectangle become half-circles.
+
+ -- All commands that take an optional argument can now take an empty
+ optional argument to select the default. Useful only when a command
+ has 2 optional arguments and you want only to change the second.
+
+ -- A command \overlaylabels (or package option) is available to make
+ the behavior of labels under mplabels close to the same as without
+ mplabels: this option causes them to be added last, on top of all
+ picture elements. They are then not covered up by any drawing
+ commands and they are not clipped off under the clip option or by
+ the \gclip command.
+
+ -- A command \clearsymbols (or package option) that makes
+ \plotsymbol and \plotnodes behave like \point does when
+ \pointfillfalse: the portions of the drawing in the interior of the
+ open symbols is cleared (erased). \noclearsymbols restores the
+ previous default.
+
+ -- New figures:
+ \makesector\arc
+ Makes a sector by connecting the arc's center to the arc's
+ endpoints. Calculates the center automatically.
+ \mfbezier[<tens>]{<list>}
+ \closedmfbezier[<tens>]{<list>}
+ Connect the list of point with the standard MF connector ".."
+ or optionally with "..tension <tens>..".
+ \qbeziers{<list>}
+ \closedqbeziers{<list>}
+ Make a path by connecting the first point in the list to the
+ third, then the fifth, etc., with quadratic Bezier curves using
+ the second, fourth, etc., points as controls. The equivalent of
+ a series of LaTeX \qbezier commands.
+ \regpolygon{<n>}{<name>}{<eqn1>}{<eqn2>}
+ Makes a regular polygon with n sides, <name> being a symbolic
+ name for the array of points. The last two parameters are
+ equations that should fix the location of two of the vertices,
+ or of the center and one vertex. In the equations, <name>0 is
+ the center, <name>1 through <name><n> are the vertices
+ anticlockwise. Example:
+ \regpolygon{17}{Bob}{Bob0=(0,0)}{Bob1=(0,1)}
+ After this, the names Bob0 through Bob17 can be used in drawing
+ commands where MF or MP point data is required (but not in TeX
+ commands like \tlabel without mplabels).
+
+ -- \pairarray{<name>}{<list-of-ordered-pairs>}
+ \numericarray{<name>}{<list-of-numbers>}
+ These define <name>1, <name>2, etc., as symbolic names for the
+ elements in the list. After
+ \pairarray{Bob}{(0,1),(1,2),(3,0)}
+ one can draw a triangle with \polygon{Bob1,Bob2,Bob3}. The
+ symbolic names are only recognized by MF or MP and so can't be
+ used to position text without mplabels.
+
+ -- \hgridlines{<yspace>}: like \gridlines, but draw only horizontal
+ lines. Similarly: \vgridlines{<xspace>} . All three commands now
+ draw their lines within the margins set by \axismargin and its
+ relatives.
+
+ -- \gridarcs{<dr>}: Like \plrgrid except only the arcs are drawn.
+ Similarly: \gridrays{<dtheta>}
+
+ -- Enhanced \barchart: the data can be ordered pairs that specifiy a
+ _both_ ends of the bar (Gantt diagrams).
+
+ -- Almost all commands that set or change an mfpic variable or value
+ now arrange for the change to be global when outside an mfpic
+ environment, unconstrained by other groups, but local when inside.
+ The main exceptions are \store and \patharr, which need to be
+ inside a picture to work at all and so are always global. There may
+ be other exceptions.
+
+ -- Some backward incompatibilities have been introduced; the above
+ changes in scope is the main one. Also: a permitted but
+ undocumented syntax in \plottext is no longer permitted. Points and
+ symbols are drawn in pointcolor, where in the past the filled
+ symbols were drawn in fillcolor and unfilled symbols in drawcolor.
+
+ -- All old commands have been reexamined and most rewritten or
+ tweaked. All known bugs have been removed. (Unknown bugs might well
+ have been increased.)
+
+
+This distribution, the latest updates, and some past versions, should also be
+available at my web site:
+<http://comp.uark.edu/~luecking/tex/mfpic.html>.
+
+--
+Dan Luecking <luecking at uark dot edu>
+Department of Mathematical Sciences
+University of Arkansas
+Fayetteville, Arkansas 72701-1201
+U.S.A.
diff --git a/Master/texmf-dist/doc/generic/mfpic/changes.txt b/Master/texmf-dist/doc/generic/mfpic/changes.txt
new file mode 100644
index 00000000000..a362e6d95a1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/changes.txt
@@ -0,0 +1,3053 @@
+%%% File: changes.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+
+ Changes History.
+
+VERSION 0.0.x:
+
+Development versions. Never released.
+
+
+VERSION 0.1:
+
+First version released to network, 30 June 1992.
+
+
+VERSION 0.1.x:
+
+Test versions for new features, fixes, etc. None of them
+were released for general distribution. Many new features added, bugs
+worked out, code cleaned up.
+
+
+VERSION 0.2:
+
+Second version released to network, 7 Sept. 1992. (Still had 0.1.13.1
+version number in code---oops!)
+
+
+VERSIONS 0.2.x:
+
+Resumed serious development of TeX code: Sun 7 Nov. 1993. Much work
+done on graphbase code in meantime, especially by Geoffrey Tobin. The
+primary task at this point was a radical rewrite of the TeX code,
+including defining a prefix form for shading macros.
+
+
+VERSION 0.2.5 of Wed 10 Nov. 1993:
+
+Bug fix release Primarily work by Geoffrey Tobin.
+
+
+REVISION 0.2.(5.0.)9 of Mon 28 Feb. 1994:
+
+Intended to release as version 0.3 to network. Release delayed, as
+picture operator code is overhauled to cope with arbitrary overlays: 11
+Mar. 1994.
+
+Horizontal offset by unwanted glue is traced to missing comment
+characters: Fri 29 Apr. 1994.
+
+Vertical displacement of shading reported for MF modes with
+nonrectangular pixels: Mon 23 May 1994.
+
+
+REVISION 0.2.5.1 of Wed 13 July 1994:
+
+Bug fix release Corrected "unxconv" bug which remained in version
+0.2.5's graphbase.mf.
+
+
+Alpha Test Versions.
+
+VERSION 0.2.9 Alpha of Thu 11 August 1994:
+
+A test release prior to any official version 0.3, is ready for intrepid
+users. Introduces coordinate transforms, and other novelties.
+
+
+UPDATE 0.2.9.1 Alpha} of Thu 8 September 1994: Fixes a bug in \sclosed
+and a bug in \white, corrects some omissions and typos in the
+documentation, and adds the \shadewd, \hatchwd, \lhatch and \rhatch
+macros.
+
+
+UPDATE 0.2.9.2 Alpha of Fri 24 February 1995: Rearranges some code in
+mfpic.tex; little else to report.
+
+In 0.2.9.3 Alpha of Thu 21 March 1995:
+
+GT renamed \fill to \gfill, in order to avoid conflict with the LaTeX
+\fill macro.
+
+
+UPDATE 0.2.9.4 Alpha of Thu 13 April 1995:
+
+Contributes a test for an existing definition of each macro in
+mfpic.tex,
+
+Renaming of \label to \tlabel, and \caption to \tcaption, in order to
+avoid conflict with the LaTeX macros with those names.
+
+\white was renamed to \gclear, because \white is a likely name for a
+color macro.
+
+Also, a new macro for defining Metafont functions was introduced,
+because user-defined functions provide more power, and function plotting
+macros were added that accept Metafont function names instead of
+Metafont expressions.
+
+Renaming of graphbase.mf and graphdoc.tex to grafbase.mf and grafdoc.tex
+to emphasise incompatible upgrade of mfpic Metafont macros, and to
+provide $8+3$ filenames for ms-dos users.
+
+Added \hbox{} to start of \mfpic, for some now forgotten reason to do
+with formatting, I suppose.
+
+VERSION 0.2.9.5 Alfa of Wed 19 July 1995:
+
+Replaces TeX dimensions by font dimensions for economy.
+
+Renames \mfcmd to \mfsrc for clarity.
+
+Renames \wedge to \sector to avoid conflict with the character name
+defined in plain TeX and LaTeX.
+
+Introduces \mftitle, \tmtitle and \plr.
+
+Abolishes \plrpoint, \plrlines, \plrcurve and \plrcyclic as
+redundant specializations. The meaning of \turtle is changed to a
+Cartesian form, for flexibility.
+
+Changed objects.tex to use \tmtitle, \plr, \mfsrc, \gfill,
+\gclear, \tlabel, and \tcaption.
+
+Rendering macros redesigned, and \setrender introduced. Coordinate
+transforms in grafbase.mf made slightly more robust. Begin an attempt
+to make grafbase.mf compatible with John Hobby's MetaPost drawing
+program.
+
+Added comment in grafbase.mf about dangers of text arguments,
+
+Updated the documentation files grafdoc.tex, Acknowl.tex, README2,
+MANIFEST and mfpicdoc.tex.
+
+
+UPDATE 0.2.9.6 Alfa of Mon 24 July 1995:
+
+Contributes \thatch which provides hatching by lines at any angle.
+
+Modifications to \pen, \shadewd and \hatchwd, along with changes to
+grafbase.mf to make drawing, shading and hatching more independent.
+
+Decided that the behavior of \point inside a connect environment was
+bizarre, hazardous, and an unnecessary complication to the mfpic macros,
+so \point has reverted to its original, obvious and simple definition.
+
+Renamed \rotate to \rotatepath.
+
+Also renamed the affine transform macros, so that they no longer use the
+`s' of the present tense, which could be mistaken for a plural. (The
+sample files did not hitherto use the affine transform macros, so the
+damage may be slight.)
+
+Modified grafbase.mf to use a transform stack to implement local
+Metafont coordinate systems; this may be more robust, and extensible to
+other graphic localizations.
+
+
+UPDATE 0.2.9.7 alfa, Fri 18 August 1995:
+
+Changes to pictures.tex:
+
+Replaced version from "0.2.9.1 alpha Thu 8 September 1994" to
+"0.2.9.7 alfa Sat 5 August 1995".
+
+Added a comment containing an ASCII sketch of the commutative diagram
+example, and indicated where each arc is drawn.
+
+Replaced all uses of \label by \tlabel, \caption by \tcaption,
+\fill by \gfill, \wedge by \sector.
+
+Added some uses of \mftitle.
+
+Moved one arrow in the commutative diagram, to illustrate the b
+option of the \arrow command.
+
+Simplified Metafont algebraic expressions used in function plots, so
+that they use fewer * operators.
+
+Edited the example of \turtle to allow for the new semantics of
+rectangular coordinates.
+
+Captioned all eight figures, with figure numbers and descriptions.
+
+Deleted an instance of "\vfill\eject".
+
+Increased the complexity of the seventh figure, to illustrate use of
+hatching, closing, point, dotted curves, and so forth.
+
+Made figures seven and eight twice as large.
+
+
+Changes to lapictures.tex:
+
+Renamed version from "0.2.9.1 alpha Thu 8 September 1994" to
+"0.2.9.7 alfa Thu 17 August 1995".
+
+Magnified the LaTeX pictures document to the same scale as the plain TeX
+one, using the \mag command.
+
+Set \fboxsep to zero.
+
+Initialized arrow heads using \headshape.
+
+Commented out the center environment around the commutative diagram
+example.
+
+Placed \fbox commands around each picture.
+
+Other changes as in pictures.tex.
+
+
+Extensive changes to grafbase.mf:
+
+Turned warningcheck off.
+
+Used an explicit designsize.
+
+Debugging refined.
+
+Rearranged some code.
+
+Made ClipOn boolean (instead of numeric).
+
+Added maparr macro.
+
+Eliminated mistake of using hround in graph-to-pixel coordinate
+transformation.
+
+Remarked that clipping can distort paths by changing their points.
+
+Tried to clip on character boundary.
+
+Added Metafont vector coordinate transform, to complement affine
+transform for geometric points.
+
+Write message when drawing nominal Metafont bounding box.
+
+Changed beginmfpic Metafont macro to take only the character code as
+an argument.
+
+Introduced global Metafont transform stack, for coordinate changes.
+
+Replaced currentpen by drawpen in path stroking.
+
+Changed ourfill and ourunfill to use an undelimited path argument.
+
+Added setdotpath, ourdot.
+
+Changed onedot to use dotpath instead of a scaled shape path.
+
+Edited tightbbox and bbox to take a path described in pixel
+coordinates as their first argument, instead of one in graph
+coordinates.
+
+Added tbbox.
+
+Did some more saving of local variables in Metafont functions.
+
+Deleted lhatchf and rhatchf.
+
+Added thatchf, thatch, hhatch and xhatch.
+
+Rewrote lhatch and rhatch to use thatch.
+
+Edited dotted, renamed it dashed.
+
+Added a separate dotted Metafont macro.
+
+Changed head from a def to a vardef; edited head to clarify its
+code.
+
+Altered axis tic mark macros, xmarks and ymarks to ensure that the
+tic marks are always at right angles to their axes, irrespective of
+coordinate transforms.
+
+Added a grid command.
+
+Renamed mkellipse to ellipse, deleted old ellipse.
+
+Renamed mkarc to arc.
+
+
+UPDATE 0.2.9.8 alfa, Mon 11 September 1995:
+
+Added to Acknowl.tex.
+
+
+In mfpic.tex:
+
+Add comment about use of \ignorespaces to skip spaces in user's
+document after \mfpic command.
+
+Retain line separations of user's document's mfpic environment when
+writing Metafont file. This prevents long Metafont commands from
+exceeding Metafont's input buffer.
+
+
+UPDATE 0.2.9.9 alfa, Thu 5 October 1995:
+
+In mfpicdoc.tex:
+
+changed \wedge references to \sector, and \rotateabout to
+\rotatearound.
+
+Added some logical formatting commands to mfpicdoc.tex.
+
+Included much more information about recent changes (from 0.2.9.1 to
+0.2.9.8).
+
+
+In mfpic.tex:
+
+Renamed \@graph to \@graphfont for identifiability.
+
+
+UPDATE 0.2.9.10 alfa, Fri 6 October 1995:
+
+In grafbase.mf:
+
+Deleted spurious argument to \xyswap.
+
+Changed \store to take two arguments, and to logically bracket the
+second, which is the path description.
+
+
+UPDATE 0.2.9.11 alfa, Fri 24 November 1995:
+
+In grafbase.mf:
+
+Fixed X-coordinate rounding bug in thatchf.
+
+
+REVISION 0.2.10.0 alfa, Wed 17 January 1996:
+
+In mfpic.tex and grafbase.mf:
+
+Changed names of five Metafont macros: xslanted, yslanted, zslanted,
+boosted, and xyswapped to xslant, yslant, zslant, boost, xyswap.
+
+
+In grafbase.mf:
+
+Replaced my dash and dot code by Frank Michielsen's, modified to use
+suffix arguments instead of text for l-values.
+
+Also, the dotsize argument to dotted is now effective.
+
+Deleted the unused ourdraw, ourfill, ourunfill macros.
+
+Simplified the dotpath and onedot initialization code; it was too
+baroque.
+
+Added a pixdot macro as a shorthand for picdot(active_plane,onedot,p).
+
+Replaced the apoint (w, a) macro by bpoint (w, b) which is a
+shorthand for fullcircle scaled w shifted b.
+
+Gratuitously added Bruce Leban's overlay macros from the METAFONTbook,
+page 295.
+
+Cosmetic reformatting of source.
+
+
+In Acknowl.tex:
+
+Add Frank Michielsen's name.
+
+
+REVISION 0.2.10.1 alfa, Thu 18 January 1996:
+
+In grafbase.mf:
+
+Fixed wrong declaration in dotted of dp from path to pair.
+
+
+REVISION 0.2.10.2 alfa, Tue 23 January 1996:
+
+Editing to restore compatibility with older graphbase.mf versions used
+with xfig's (actually, transfig's fig2dev's) mf driver (genmf.c).
+
+
+In mfpic.tex:
+
+Edited writing of setting of Metafont variables xscale and yscale to
+omit factor of unitlen.
+
+Changed references to drawwd to penwd in \drawpen.
+
+
+In grafbase.mf:
+
+Add declarations and initializations of these variables: unitlen,
+xscale, yscale, xneg, xpos, yneg, ypos.
+
+Renamed drawwd to its former name, penwd.
+
+Again made penwd, hdwdr, hdten into newinternal variables, and
+assign them using interim.
+
+Definition of ztr now includes unitlen as a factor in the x and y
+scaling.
+
+mfpicenv and endmfpicenv defined as empty statements.
+
+bounds defined for setting xneg, xpos, yneg, ypos.
+
+beginchar now includes unitlen.
+
+
+REVISION 0.2.10.3 alfa, Tue 6 February 1996:
+
+In mfpicdoc.tex:
+
+Updated documentation to cover to \dotted, \dotsize and \dotspace
+on the one hand, and \dashed, \dashlen and \dashspace on the other.
+
+
+REVISION 0.2.10.4 alfa, Mon 26 February 1996:
+
+In mfpic.tex:
+
+Let internal \sim@gdef (simple global definition) stand for \gdef.
+
+Added \newgdef for new global definitions with a test for previous
+definition.
+
+Replaced use of \obeylines by \mfpicobeylines, to use \endgraf instead
+of \par, because LaTeX(2e) redefines \par with unpleasant effects on
+Metafont files when using LaTeX's center environment. (To wit, LaTeX's
+center environment would write \@@par to the Metafont file.
+
+Defined \preservelines to call \mfpicobeylines then set
+\newlinechar to control-M (carriage return).
+
+Use \preservelines in \mfsrc, thus bypassing (I hope) the mischief
+arising from LaTeX in the center environment.
+
+Wrapped replacement text of \mfsrc in a layer of braces.
+
+Added descriptive comments for \tlabel and \tcaption.
+
+Set TeX's primitives \leftskip and \rightskip to zero dimension
+inside \tcaption, so as to protect typesetting of diagrams' captions
+from unwanted effects.
+
+
+REVISION 0.2.10.5 alfa, Sat 9 March 1996:
+
+Minor reformatting of mfpic.tex, including adding spaces, adding
+comment characters at end of more lines, and renaming some internal
+register variables.
+
+Introduced \polyline as an alternative name for \lines.
+
+In order to avoid repetition of side-effects, changed \tcaption to use
+\unhbox\@textbox, instead of repeating its text argument.
+
+
+REVISION 0.2.10.6 alfa, (two hours later) on Sat 9 March 1996:
+
+Updated mfpic.tex and documentation files to incorporate improvements
+by Dan Luecking:
+
+a loading check that automatically saves and restores the catcode of
+`@';
+
+the name of the graph base is now stored in a macro near the top of
+mfpic.tex;
+
+\leavevmode is now moved [GT has, for now, commented it out
+completely];
+
+\polyline introduced as a synonym for \lines; a \polygon figure
+has been introduced;
+
+\\ specifies explicit line breaks in tlabels and tcaptions;
+
+\onelevel causes one level of expansion in an \edef;
+
+\savepic and \copypic allow saving, use and copying of an entire
+mfpic picture, including its tcaptions and tlabels.
+
+Also modified \tcaption code to prevent repeated use of the text
+argument, as that can cause side effects, as reported by Dennis
+Petrovic.
+
+
+REVISION 0.2.10.7 alfa, Sat 28 March 1996:
+
+First release via Geoffrey Tobin's School's local anon ftp site:
+
+ ftp.ee.latrobe.edu.au : pub/gt/mfpic
+
+Added skip-pix.tex file, which tests whether TeX's \leftskip
+primitive breaks up mfpic's typesetting of diagrams. Fortunately, it
+seems not.
+
+
+REVISION 0.2.10.8 alfa, Tue 26 May 1996:
+
+Second, and bug fix, release via Geoffrey Tobin's anonymous ftp area.
+
+Due to change in syntax of \store to take the path command as a second
+argument (which made coding of mfpic.tex easier), objects.tex and
+part of mfpicdoc.tex needed to be amended. Reported by Miroslav Dont
+(Thu 16 May 1996).
+
+Descriptions of LaTeX environments clarified to emphasise that mfpic's
+plain TeX command names may be used in LaTeX. This is useful to know
+when designing automatic code generators. Reported by Van Snyder (Fri
+17 May 1996).
+
+Added hyphenation to \MFbook in documentation macro file header.tex.
+
+Noticed that the method by which the line breaks in the TeX file are
+copied into the Metafont file can cause command arguments to be omitted
+from the Metafont file unless at least the left brace (immediately
+before the arguments) occurs on the same line as the command. Corrected
+objects.tex to obey this restriction. Also noted this phenomenon in
+mfpicdoc.tex. Effect reported by Miroslav Dont (Thu 16 May 1996).
+
+Updated lapictures.tex to LaTeX2e.
+
+Added LaTeX2e logo to header.tex.
+
+
+REVISION 0.3.0 alpha, 1998:
+
+Numbers jump a lot from here because I (Dan Luecking) have been lax in
+keeping track of changes. First version with support for Metapost.
+(Yes!)
+
+Translated grafbase.mf to grafbase.mp, retaining all(?)
+functionality. Now any(?) .mf file created by a recent mfpic can be
+run through Metapost to produce a PostScript picture. Lots of problems
+with Metapost capacity, especially with shading. It is apparently a lot
+more memory intensive to hold thousands of circular paths in memory than
+hundreds of thousands of pixels. Ultimately recoded the grafbase.mp
+shading macros to simply calculate a gray colored fill.
+
+Added grafbase functions sin, cos, and their inverses invsin,
+etc., that compute in radian measure. Also tan and cot.
+
+Wrote mppicdoc.tex, which can be TeX-ed alone or input from
+mfpicdoc.tex. Should probably combine the two documents. Made small
+changes to header.tex: added logos for pdfTeX and pdfLaTeX. Changed
+The macros \MF and \MP to use small capitals. Minor modifications to
+\LaTeX and \LaTeXe
+
+
+REVISION 0.3.8 alpha, 1999:
+
+Color has been added. Standard colors for lines/curves (drawcolor),
+fills (fillcolor), hatch patterns (hatchcolor), and arrowheads
+(headcolor) added to grafbase.mp. Corresponding macros in mppic.tex
+for setting these colors. Optional arguments for color added to \gfill,
+\draw, \arrow, and all the hatching macros. A new macro \polkadot
+creates polkadot fill patterns.
+
+Changed some of the commands for setting dimensions so that they
+actually worked, and so they are local to mfpic environments.
+
+Added support for LaTeX2e's \usepackage command and options. Added
+graphics inclusion code, summoning the following packages: epsf for
+plain TeX or LaTeX209, graphics for LaTeX2e and pdfLaTeX, the macro
+files supp-pdf.tex and supp-mis.tex from the ConTeXt distribution
+for plain \pdfTeX). Added code to detect which TeX format was in use.
+
+
+REVISION 0.3.9 alpha, 2000:
+
+Altered almost all messages written to the log file or the terminal to
+announce they were from mfpic. Altered format detection code to test
+against both \UndEfInEd _and_ \relax (lest some previous package
+convert certain commands to \relax using the \csname style test).
+Minor change to definition of \circle to avoid error messages in LaTeX.
+
+Changed the graphic placement code so that it tests for the existence of
+the graphic first (to avoid all those error messages from epsf,
+graphics, etc., on the first pass, or when Metapost fails to make a
+graphic).
+
+Tried to find and change code in grafbase where we could inadvertently
+divide by zero. Added another closure prefix \uclosed and its
+corresponding grafbase support, to close a path smoothly (meaning
+simply matching directions at both ends), but keep the original curve
+Unchanged. The current (\sclosed simply closes with ..cycle which
+alters the original curve.
+
+
+REVISION 0.3.10 alpha, 2000:
+
+Put mfpic version, date and package name into macros for use in
+messages. Decided the package name is "mfpic" if it is input as
+mfpic.tex or mfpic.sty, otherwise mppic, regardless of whether the
+metafont or metapost option is used. There are four files
+m[fp]ic.[sty,tex], which simply set the package name and input
+mppic.tex if necessary. Also put this version and date info into
+strings in grafbase.mf.
+
+Added changes contributed by Jaromir Kuben (Thanks!): An option
+centercaptions and command \centercaptions to center the lines in a
+\tcaption. Also \nocentercaptions; these can be used at any point to
+turn the feature on and off. Improvements (corrections?) to the code
+that positions text labels (so that) labels that extend outside the
+picture are correctly taken into account. Changes to the positioning
+parameters in \tlabel. Both c and b now take into account the
+depth of the text b puts the absolute bottom of the text in line with
+the point. A new parameter B to align the baseline of the text with
+the point. Jaromir also contributed several corrections to grafbase.mp
+(mostly inadvertently introduced by me, DHL).
+
+Added option dvipsnames to allow color names as in the dvips header
+color.pro. Requires file dvipsnam.mp. Added grafbase.mp macros:
+cmyk, RGB, gray and rgb to convert from the indicated color space
+to Metapost's internal color space (which is rgb, so the last is a
+no-op). In plain TeX the command \dvipsnames can be used in the
+preamble (before \opengraphsfile).
+
+Added macro \ConTeXt to header.tex, a macro \opt for style of
+LaTeX2e option names. Changed \prog to typeset its argument in
+sans serif font. Changed \tmtitle in mppic.tex so it _doesn't_ ignore
+following spaces (it ended with \mftitle which invokes \ignorespaces).
+
+Added functions tanh, its inverse atanh, and additional trig
+functions secd, sec, cscd, csc, atan, invtan. Made log a
+synonym for ln. Added complex variables functions Arg, cis, zexp
+and Log.
+
+Changed all trig, hyperbolic, exp, log, etc, to use syntax "vardef
+<name> primary X" so as to match (I hope) as close as possible the
+behavior of the built-in sind and cosd.
+
+Changed \do@ptparami so that it does not strip too many braces. This
+was done by changing the line \redef\@ptparami to be parameterless
+(delaying the reading of the optional parameter). The old code read the
+optional parameter, replaced it, then read it again. This strips two
+levels of braces, making two levels of bracing necessary to hide an
+enclosed bracket:
+ \draw[{{\color[cmyk]{1,1,0,0}}}]...
+(Such use of LaTeX color macros has not yet been added, but might be one
+day.) This strategy is closer to LaTeX's optional parameter handling
+technique.
+
+
+REVISION 0.3.11 alpha, 2000:
+
+Added \plot (usage \plot[<size>,<separation>]{<shape>}...) similar to
+\dotted except:
+1) explicit shape required (shapes Triangle, Square, Circle, Plus,
+ Cross, Star, SolidTriangle, SolidSquare, SolidCircle).
+2) initial size and separation are 2pt and 5pt.
+3) Size is governed by \plotsymbolsize, and separation by
+ \plotsymbolspace. The dimension \plotsymbolsize corresponds
+ roughly to the _average_ diameter of the shape.
+
+Added code to mkfcn and parafcn so that the end of the curve falls
+on the given endpoint (even if bst doesn't go evenly into bmax-bmin).
+Also ensure the loop parameter doesn't exceed infinity. Also avoid
+problems if the sign of bmax-bmin differs from that of bst.
+
+
+REVISION 0.3.12 alpha, 2000:
+
+Save and restore catcodes of certain punctuation (@.,:;!?{}`'=/- and
+parentheses), as well as spaces, setting punctuation to 12 while reading
+mppic.tex to ensure the right stuff gets written to the .log and .mp
+files.
+
+Added macro \datafile to read a file of number pairs and create the
+polygonal path connecting them. Works like the other figure macros
+(i.e., may take any prefixes).
+
+Added options clip (to clip all pictures to the specified dimensions),
+truebbox (to give the metapost output file the true bounding box rather
+than the one specified in the \mfpic arguments), and debug (write
+debugging info to terminal and log file). Command forms: \clipmfpic
+turns it on \noclipmfpic turns it off. Similarly, \usetruebbox and
+\notruebbox. For debug we can define \mfpicdebug before loading
+mfpic.tex (which will turn on debugging information written prior to
+option processing), and in the rest of a source file, \mfpicdebugtrue
+and \mfpicdebugfalse will switch it on and off.
+
+%%% Revised after here, adding spaces before and after code and math
+%%% removing blank lines, stray TeX markup, reformatting paragraphs, etc.
+Changed names of various commands to a more imperative form:
+\usingmetapost becomes \usemetapost, \usingmetafont becomes
+\usemetafont, \dvipsnames becomes \usedvipsnames, etc. Also changed
+name of option centercaptions to centeredcaptions. Changed many
+internal names, prefixing most with "mfp@", inserting "@mfp@" in the
+\if... commands.
+
+
+REVISION 0.3.13 alpha, 2000:
+
+\datafile rewritten, now ignores leading blank lines and comments, and
+won't gag on commented out EOLs. Code somewhat modularized.
+
+Went back to technique of expanding argument of \tcaption twice
+(caveat emptor).
+
+New command \plotdata reads a data file and draws one (polygonal) path
+for each non-blank sequence of lines in the data file. Exits when a pair
+of blank lines is encountered (or EOF). Cycles through six different
+drawing styles for successive curves. User may elect different colors
+(with \coloredlines), different symbols (\pointedlines), or
+different dashing patterns (\dashedlines). NOT a figure macro, (i.e.,
+no prefixes).
+
+New command \using affects what \datafile and \plotdata write to
+the .mf output. Default is \using{#1 #2 #3}{#1,#2}, meaning: of two
+or more space delimited numbers, write the first two separated by a
+comma.
+
+Brand new dashing and dotting code in grafbase. A complete
+reorganization of the code made dashing faster. That was followed by
+another reorganization and the gendashed (generalized dashes) command
+added to grafbase. Now any dashing pattern can be drawn. A dashing
+pattern, ptrn, consists of three arrays: ptrn.start[], ptrn.rep[],
+ptrn.finish[]. The command gendashed (ptrn) p; draws the path p
+beginning with ptrn.start, repeating ptrn.rep, and ending with
+ptrn.finish. The arrays are numeric and specify the lengths of dashes
+and gaps. A command
+ dashpat (suffix name) (text dims)
+takes a comma separated list dims, assigns them to the array name.rep,
+and computes reasonable name.start and name.finish.
+
+\gendashed{<pattern>}... is a generalized dashing command; <pattern>
+is the name of a dashing pattern.
+ \dashpat{<name>}{<dim1>,<dim2>,...,<dim2n>}
+will create a dashing pattern with the specified name. Here <dim1>,
+etc., are dimensions specifying the length of dashes (odd positions) and
+the length of gaps (even positions). A dash length of 0 is written as a
+dot. Patterns dashtype0 through dashtype5 are predefined and used by
+\plotdata when \dashedlines is selected.
+
+Commented out several macros in grafbase that were never used
+elsewhere, and also some that were only used once (replacing that use by
+the replacement text). I haven't done any comparisons, but for the macro
+dotted, avoiding two expansions out of four (what it used to take to
+draw a dot) might be a significant time saving when thousands of dots
+are being drawn.
+
+Added a couple of rounding commands to the .mf shading code. All dots
+now pixel aligned, looks infinitely better.
+
+Corrections to mkfcn and parafcn, they could still have overshot the
+value of bmax.
+
+Removed all spaces (commenting out EOL's) in mppic.tex. It can now be
+\input in horizontal mode without generating any spaces (even without
+switching to \nullfont). Removed \nullfont.
+
+Changed some more internal names. Added Diamond and SolidDiamond to
+the symbols available to \plot and \plotsymbol.
+
+At some point (perhaps this or the last revision) I added a command
+\fcncurve that draws a function (i.e., curve doesn't double back) if
+the x-values are unique and listed in order. It has an optional
+tension-like argument. Added an optional tension parameter to \curve,
+also.
+
+
+REVISION 0.3.14 alpha, 2000:
+
+Added \@@tlabel to write label text to output file between btex and
+etex. Added mplabels to make \tlabel use it instead of original
+\@tlabel. Commands \usemplabels and \nomplabels to turn the option
+on and off. Added third part to the optional argument of \tlabel to
+rotate the text (ignored in \@tlabel) so \tlabel[Bl45] will place
+the left baseline at the point and rotate 45 degrees around that point.
+
+New macro \mfpdatacomment so that \datafile and \plotdata can now
+have their comment character reset. A side effect is that `%'s in the
+data file will be recognized. Commands \makepercentother and
+\makepercentcomment created to allow the user to use `%' in \using
+arguments.
+
+Gave \plotdata the ability to cycle through 8 colors or 9 symbols
+(instead of only 6), but still only 6 dash patterns. (Too many makes for
+confusion. Only increased colors and symbols because it was so easy.)
+
+Added framing macro. On the first TeX run (indicated by nonexistence of
+.tfm or fig.1), now show a visible rectangle of appropriate size with
+the figure number inside. For plain TeX users, the internal code is made
+available in the user level command \framed[<fgap>]{...}. Parameters
+\framegap and \framethickness control the default appearance.
+(Internal code for undefined figures uses \framegap =-\framethickness
+so not to take up any extra space.)
+
+Added some error checking: when option mplabels is selected without
+metapost, issue error message and ignore. Same when \usemetapost is
+used after \opengraphsfile. Remove dvipsnames option, making all
+dvips color names always available to mfpic.
+
+Multiple changes to documentation: Added \GS for Ghostscript and \sc
+for small caps to header.tex. Folded all the new macros and their
+descriptions into mfpicdoc.tex. Still keeping mppicdoc.tex for more
+detail on differences between the Metafont and Metapost support.
+
+Made some small additions to MFobjs.tex and MPobjs.tex to better
+illustrate some new features. Adjusted pictures.tex and
+lapictures.tex so they produce the same output and no overfull boxes.
+Changed TeXMPobjs.tex and LTXMPobjs.tex so that they work better in
+pdfTeX and pdfLaTeX, resetting \pdfpageheight and \pdfpagewidth (which
+otherwise get magnified by \mag=1200).
+
+Replaced curves.dat with curves1.dat and curves2.dat to better
+show features of \plotdata.
+
+Changed the default for \using to \using{#1 #2 #3}{(#1,#2)},
+(redundant parentheses).
+
+Added \fdef, which seemed to be documented, but not defined! Changed
+the format slightly and adjusted the documentation to reflect that.
+
+Changed \savepic: Now use \newpic{\foo} to allocate a box,
+\savepic{\foo} to store the next picture, and \usepic{\foo} to copy
+it. Now more like LaTeX's system of save boxes.
+
+
+REVISION 0.3.15 alpha, 2000:
+
+In grafbase, changed secd and cscd so that abs(temp) <
+nottoosmall is tested instead of temp itself (which was incorrect when
+temp < -nottoosmall). Renamed dashed to DASHED to make primitive
+dashed available to power users. Added some error checking to dashing
+code. Added save in several places in *fcn commands. Changed
+hatching code in grafbase.mp so that all (even those not used by mfpic)
+respect hatchcolor.
+
+Redefined parafcn so it can call mkfcn like all the other function
+drawing commands.
+
+Added \mfpverbtex to write verbatimtex block to .mp file.
+
+Changed a few \newdef-s and \newlets to \def and \let to keep
+ConTeXt from complaining. Affected commands are \rotate, \mirror,
+\scale and \grid. Changed code for date written to output file for
+same reason.
+
+Changed \newpic to \newsavepic to more closely parallel LaTeX's
+\newsavebox command.
+
+Allow plotting of a number in a data file against its sequence position
+with \using{...}{...\sequence...}.
+
+Rename \mf@gobble to \mfp@gobble. Move the definition of \newdef
+earlier and use it more (didn't catch any new conflicts).
+
+Changed \rotatepath from a \@modmac to a \@closmac (even though it
+doesn't close anything), because that makes its behavior vis-a-vis
+rendering more in line with what one might expect. Actually, closing and
+rotating both simply accept a path, change it, and pass the result on.
+So both should be handled the same.
+
+Added contributed macro \pointdef: \pointdef{A}(1,3) makes \A expand
+to (1,3), with \Ax and \Ay expanding
+to 1 and 3, respectively.
+
+Provide a directory structure to the distribution. Rename file mppic.tex
+to mfpic.tex and provide files mppic.tex, mfpic.sty, and mppic.sty
+as wrappers to input it. Made Metapost the default when mppic.* are
+used.
+
+Add some error correction to dashpat: force an even number of
+dimensions.
+
+
+REVISION 0.3.16 alpha, 2000:
+
+In grafbase:
+
+Change name of glabel (in grafbase.mp) to gblabel so as not to
+conflict with glabel from graph.mp in the standard Metapost
+distribution. Adjusted mfpic.tex accordingly.
+
+Correct the change to dashpat made in 0.3.15: don't force dashing when
+there are fewer than 2 dimensions in the list. Instead, this is the
+signal to draw a solid curve.
+
+Save the variables dashes and dots used in the macros DASHED and
+dotted.
+
+Uncomment three macros commented out in 0.3.13: tightbbox, tbbox and
+bbox. Though these are not used in any other macro, but they might
+nevertheless be useful to users of grafbase.
+
+Change the dashtype[] arrays that mix dots and dashes so they begin
+with a dot. This will produce a dot at the ends of the curve. This just
+looks better than a partial dash.
+
+Added unbound.tex updating mfpic info in "TeX Unbound".
+
+Restored mf-revu.tex, somewhat altering its formatting and correcting a
+TeX error.
+
+Changed \endconnect so it tests for its use in LaTeX as an
+environment and if so issues \aftergroup\@startfigtrue and
+\aftergroup\@imrendtrue to bypass the LaTeX-supplied \endgroup.
+Added a similar test to \endmfpic to set \@ignoretrue.
+
+
+REVISION 0.4.0 beta, Aug 2000:
+
+Released to CTAN. Removed mppic.*, package is named mfpic regardless
+of whether MF or MP support is needed.
+
+
+REVISION 0.4.01 beta, Nov/Dec 2000:
+
+Sergei V. Znamenskii reported (and mostly solved) an incompatibility
+with AmSTeX using amsppt style if mfpic.tex is input after the
+\documentstyle[amsppt] command. The file amstex.tex loads the dummy
+font, setting 22 font dimensions. Then amsppt.sty loads some more fonts.
+It appears that if font loading intervenes, mfpic.tex cannot add extra
+font dimension parameters to dummy to use with \newfdim. Solved by
+changing
+ \font\@dummy=dummy
+to
+ \font\@dummy=dummy scaled 1002
+in mfpic.tex
+
+Also corrected code that purported to detect LaTeX when in fact AmSTeX
+was in use.
+
+Added documentation of a bug in supp-pdf.tex which requires
+\usemetapost (as well as \usepackage[metapost]{mfpic}) to come before
+\usepackage[french]{babel} when running pdfLaTeX. The conflict was
+reported by Pascal Chantriaux.
+
+Changed \tmtitle and \mftitle so they read the argument as a token
+list and write it to .mf file and .log file without expansion. Simple
+things like "\'" expand to quite long expressions in LaTeX2e.
+
+Added commands \MFPdebugwrite (to write its argument only in presence
+of debug option), \MFPmsg (as a synonym for \immediate\write16) and
+\MFPICmsg (to write its argument preceded by "MFpic: ".
+
+Added \restoreCODE to shorten all the lines in \mfpic-package that
+restore the category codes of punctuation.
+
+Added a few new debug lines in response to previous failure to detect
+\AmSTeX.
+
+Rewrote \mfp@now (which generates a time-stamp for the output file) to
+use only 2 \count registers instead of three.
+
+Added \dimendef\mfp@scratch=255 for scratch use instead having
+\dimen255 hard coded. This will make changes easier should use of
+\dimen255 cause any problem.
+
+Added \penwd as a synonym for \pen (to be more in line with
+\shadewd, etc.).
+
+Removed redundant parentheses from default \using.
+
+Changed internal command \mfp@rwdata, which is responsible for reading
+and writing in the \datafile and \plotdata commands, so that it
+outputs
+ polyline (false)((x_1,y_1),(x_2,y_2),...,(x_n,y_n));
+instead of
+ (x_1,y_1)--(x_2,y_2)--...--(x_n,y_n);
+The intent is to have a better interface if ever we get 3D support
+started. For example, polyline calls textpairs which processes the
+list of coordinates. In a hypothetical 3D environment, we'd need to
+change only \using to write triples, and then textpairs could choose
+to run some command that processes triples instead of pairs.
+
+Changed use of \unpreservelines in \plotdata, etc., to the expicit
+resetting of the category of ascii 13 (which was its only purpose
+anyway).
+
+Added macros \xaxis[<hlen>] and \yaxis[<hlen>] with the obvious
+meanings. Plan on adding something like \leftaxis, \bottomaxis, etc.,
+with changes to \xmarks and \ymarks for putting tics on them.
+(Haven't figured out the best interface yet.)
+
+Added some new error messages. Rewrote almost all error messages, adding
+linebreaks. Added command \mfp@errmsg to format error messages and set
+the \errhelp tokens.
+
+
+REVISION 0.4.02 beta, Jan 2001:
+
+Backward comparability was inadvertently destroyed when \curve was
+given an optional parameter and the definition of curve in grafbase.m?
+was changed. Any .mf file created by using \curve with an older
+version of mfpic would give curve the wrong number of parameters for the
+new grafbase files. I renamed the new curve to tcurve and gave curve
+a definition equivalent to its old one.
+
+
+REVISION 0.4.03 beta, Feb 2001:
+
+Corrected a typo in vardef thegblabel: had zz for a parameter, but
+used z in the replacement text. I am surprised \tlabel _ever_ worked
+when the mplabels option was selected.
+
+
+REVISION 0.4.04 beta, Mar 2001:
+
+Added \smoothdata[<tension>] to cause \datafile and \plotdata to
+draw smooth curves with optional tension setting. And \unsmoothdata to
+restore the default.
+
+Changed \pointedlines to work as documented (causing \plotdata to
+issue the equivalent of \plot{<symbol>}) and added \datapointsonly to
+behave as it used to (causing \plotdata to issue the equivalent of
+\plotnodes, plotting only the data points).
+
+Some documentation changes: added info that something like
+\xmarks{-4 step 2 until 6} is valid.
+
+
+REVISION 0.4.05 beta, Mar 2001:
+
+Changed vc=vt; to vc:=vt; in function clipsto. When used on an
+array of paths, the original caused an "Inconsistent equation" error
+on the second iteration. Fortunately, this does not come up in mfpic
+except for very advanced users.
+
+
+REVISION 0.4.10 beta, May 2001:
+
+Renamed \fileversion and \filedate to \mfpfileversion and
+\mfpfiledate to avoid name clashes with other packages. Most packages
+only use these macros for messages while loading, but mfpic writes the
+information as a header comment in the output file
+
+Added \mfp@ifnextchar, a clone of LaTeX's \@ifnextchar, and
+redefined the macros \do@ptparam and \alt@ptparam in terms of it.
+Copied LaTeX's code to eat one space after a command into the macro
+\eatspacedef.
+
+Added \mfp@delim as an all-purpose argument delimiter. For debugging
+purposes, its definition is to issue an error message saying it
+shouldn't ever be triggered.
+
+Slight rewrite of \mfp@now and \mfp@today.
+
+Renamed \framed and related macros by prefixing mfp or mfp@. Some
+formats and packages (ConTeXt, for example) have a \framed macro. Now
+\mfpframed _can_ be used, and _must_ be used if \framed already
+exists (as in ConTeXt). Replaced \framegap and \framethickness
+with \mfpframegap and \mfpframethickness. If \framed is already
+defined, the old version is kept and the user may not get the effect
+described.
+
+Slight change to what is printed in the .dvi file when a mfpic detects
+that Metafont or Metapost has not been run, or the figure is absent.
+
+New dimensions: \tlabel@hadj, \tlabel@vadj and \tlabel@sep for
+shifting \tlabel text. The first is a horizontal adjustment, the second
+vertical, added to every label. The third shifts the label directly away
+from the point of placement (unless optional argument "[Bc]" or
+"[cc]" is used). A label is shifted by \tlabel@sep downward when the
+`t' parameter is found, upward for `b', rightward for `l' and
+leftward for `r'. The first two dimensions can be set with a new macro
+\adjustlabels{<hadj>}{<vadj>} (name later changed to \tlabeljustify,
+and the third with \tlabelsep{<dimen>}. Need to do it this way because
+under mplabels they need to write the information to the output file.
+
+Added \expandafter before \@render\fi in several places. This now
+appears not to be needed, but the \fi following \@render caused
+problems with some experimental versions of optional argument handling.
+
+Added the following macros for drawing axes along the borders of the
+picture:
+ \leftaxis
+ \rightaxis
+ \topaxis
+ \bottomaxis
+ \bottomleftaxes
+ \borderaxes
+ \leftaxisshift
+ \rightaxisshift
+ \topaxisshift
+ \bottomaxisshift
+The first four draw the appropriate axis (no head by default), the last
+four set an amount (in graph units) to shift the axis inward.
+
+For tick marks we have:
+ \lmarks
+ \rmarks
+ \tmarks
+ \bmarks
+ \lmarksposition
+ \rmarksposition
+ \tmarksposition
+ \bmarksposition
+ \xmarksposition
+ \ymarksposition
+The first four set the positions (and optionally size) of the tick marks
+on the corresponding axis, the next six determine if the marks are
+centered, or on one side of the axis. They take an argument which must
+be one of inside, outside, centered, ontop, onbottom,
+onleft, or onright. For side axes the default is inside, while
+for x- and y-axes it is centered.
+
+For arrowheads on the side axis we have \sideaxishead which takes a
+dimension argument and sets the length of the arrowhead. To turn heads
+off again set the length to 0pt.
+
+Added \gridlines to draw a regular grid of lines. It's syntax is the
+same as that of \grid. Changed the behavior of \grid so that instead
+of starting at the left and bottom, it draws the grid centered on the
+origin of the graph coordinates.
+
+Changed most of the \if-tests so that if an incorrect optional parameter
+is used, the default behavior will be seen. For example, \function
+takes an optional argument of [s] or [p] with s the default. The
+code had been:
+ \if ##1s true\else false\fi
+and I changed it to
+ \if ##1p false\else true\fi
+so for the typographical error \function[o], the user will get the effect
+of the default s.
+
+Added the command \labeljustify to change the default justification
+of text labels. For example, \labeljustify[cr] makes the default
+[cr] instead of [Bl].
+
+When truebbox is in effect, but mfpic detects that Metapost has not
+been run, truebbox is turned off for each picture. Before, this was
+global, now it is local (so that it doesn't affect a new \opengraphsfile
+command, even though mfpic does not officially support more than one
+\opengraphsfile commands per file).
+
+Added the command \tlabels (note the plural). It has one mandatory
+argument which contains a concatenation of arguments for one or more
+\tlabel commands. These arguments may (but need not be) separated by
+spaces or new-lines.
+
+Replaced all occurrences of \@labeldim, which had been \let equal to
+\mfp@scratch, to the explicit control sequence \mfp@scratch. This was
+to avoid confusion that could have been caused by changing one of them,
+not realizing they should be the same.
+
+
+REVISIONs 0.4.11--15 beta, July 2001:
+
+Restored a lost backward comparability: I stored the (Metapost)
+primitive meaning of dashed in the command dashed_ and made dashed
+synonymous with DASHED. Power users will have to use dashed_ if they
+wish to invoke that primitive after loading grafbase.mp
+
+Added \MFPICwarn in addition to \MFPICmsg and \mfp@errmsg. Added
+"MFpic error: " to the front of all mfpic generated error messages.
+Introduced \on@line (from LaTeX) to place the line number in warnings.
+
+Removed many more spaces and eols from mfpic.tex (lest it be input
+with spaces or eols active). Added some spaces between a command and
+`!' lest the latter have category 11.
+
+Changed name of \restoreCODE (and others) to \MFPrestorecode (etc.)
+after running across a package which defined \restorecode. Introduced
+\@xp (from AMSLaTeX) for \expandafter. Removed saving of the current
+font as \@torig, since we no longer change to \nullfont.
+
+Added test for equality to \relax in \testdef. Removed \newlet
+(later put it back), \sim@def and \sim@gdef as they are not used (any
+longer). The latter two were used once each and those were changed.
+
+Changed handling of \if@mfp@metafont and \if@mfp@metapost to ensure
+they are kept mutually exclusive. Changed handling of
+\@if@mfp@beforefileopen from a simple \if...\else...\fi to saving the
+alternatives in a macro and then issuing the macro after the test.
+Changed \mfp@clip to make it global if issued before \opengraphsfile.
+Redid \mfp@truebbox to ensure it is global, but leave an out so that
+\@mfp@truebboxtrue/false could be set locally. Made similar
+changes to mplabels.
+
+Removed \unpreservelines from \mfsrc since grouping restores EOLs.
+Also made \mfsrc check that a .mf/p file has been opened.
+
+Removed the definition of \mf@bsl since it is not used (any longer).
+
+Delayed the definition of \mfp@data until \@mfpic@graf@macs.
+Introduce the hook \mfp@additions, to be expanded last in
+\@mfpic@graf@macs.
+
+Changed the name of macro \mfplinestyle to \mfplinetype and the
+\count register \mfp@linestyle to \mfp@linetype.
+Changed name of \missinggraphfileerror to \nooutputfileerror.
+Changed name of \adjustlabels to \tlabeloffset.
+Changed name of \labeljustify to \tlabeljustify.
+
+Try to support multiline labels even in the case of mplabels by writing
+appropriate definition of `\\' to the .mp.
+
+Changed definition of \mfp@scratch from \dimension255 to a register
+defined by \newdimen.
+
+Added ability to create a curve surrounding some text: macro
+\textboundary creates a rectangle, with optionally rounded corners,
+\textoval creates an ellipse with aspect ratio the same as the block of
+text, \textellipse creates an ellipse with a given aspect ratio,
+\textcircle is \textellipse with aspect ratio of 1. TeX measures
+the text and transmits the information to Metafont.
+
+New macro \axislabels. This takes a letter indicating the axis, an
+optional justification parameter (as in \tlabel) and a comma separated
+list of TeX text and numbers. The numbers indicating the position on the
+given axis to place the text. Since side axes may be offset from the
+edge of the graph, the utility \mfp@addto is used to add the boundary
+coordinate (one of the parameters of \mfpic) to the appropriate offset,
+returning the result in graph units for use in a \tlabel command. The
+default justification depends on the axis. It is chosen so that the text
+ends up outside the border axes, below the x-axis and left of the
+y-axis.
+
+Color additions: added \tlabelcolor and grafbase color variable
+tlabelcolor to control color of Metapost placed text; added
+\backgroundcolor to set the color variable background, the color used
+by \gclear and by all plain Metapost unfill operations. Had to
+rewrite the various color setting macros since, till now, all assumed
+the color variable name ended with the string "color".
+
+Changed the macros introduced in 0.4.10 or previous that controlled the
+position of the side axis. Now instead of saying
+ \leftaxisshift{<num>}
+one says
+ \axismargin{l}{<num>}.
+One can set all 4 margins at once with
+ \setaxismargins{<num>}{<num>}{<num>}{<num>}.
+or all margins to the same number with
+ \setallaxismargins{<num>}.
+
+A similar change was made to the setting of the axis marks position
+(i.e., inside, outside or centered). Instead of
+ \lmarksposition{inside}
+one writes
+ \setaxismarks{l}{inside}.
+One can also set the position of all the border marks at once with
+\setbordermarks, or all border marks to the same position with
+\setallbordermarks.
+
+Command \drawaxes added: it takes a comma separated list of
+letters chosen from x, y, l, b, r and t, and draws the specified
+axes. Later renamed to \doaxes, and commas omitted.
+
+Added optional parameter to \plotdata and \datafile which
+has the form p or s<num>. "[p]" causes a polygonal curve to be
+plotted and "[s<num>]" causes a smooth curve to be drawn, with the
+given number as the tension. The number may be omitted, and then
+grafbase's value of curvetension (default 1.0) will be used. Any
+other letter or none is the same as [p]. Internally, the optional
+parameter is passed to \mfp@rwdata, which now, of course, takes
+parameters. Along with this, \smoothdata was revamped to simply
+change the default optional parameter, rather than set a switch.
+
+When option metapost is selected, each mfpic environment writes the
+current font to the output file (in verbtimtex) to have at least the
+chance (under mplabels) to match the fonts that TeX would use in
+tlabels.
+
+Framing code: in addition to \framed or \mfpframed, we now have a
+LaTeX environment: \begin{mfpframe}...\end{mfpframe} or, in plain TeX,
+a command group \mfpframe...\endmfpframe. This is actually recommended
+(over the first form) if the user wishes to frame an mfpic environment.
+This ensures that category codes are not prematurely set by reading the
+whole picture as an argument.
+
+Changes to grafbase:
+
+Moved interim warningcheck:=0; after mode_setup because mode_setup
+sets it to 1. Now that warningcheck is correctly set, we can change
+the test of parameters in secd, etc., from comparing with nottoosmall,
+to comparing with reallysmall.
+
+Streamlined minpair and maxpair.
+
+Define transform vtr on its own in setztr rather than only the macro
+vconv being defined (in terms of ztr). Define ztr in terms of vtr
+(the "right way to do things", said the linear algebra teacher).
+Remove definition of invztr and use inverse ztr the few times necessary.
+
+Remove the "complicated zconv" entirely.
+
+Added plain Metapost's image command to grafbase.mf.
+
+Changed the command executed when clipall is true to clipto instead
+of clipsto.
+
+Added textboundary, textoval and textellipse to put paths around
+text. Only the size and center point of the text is passed by mfpic, not
+the actual text. These implement the mfpic commands \textboundary, etc.
+
+Added parameters pair label_adjust and numeric label_sep.
+These are used in grafbase.mp for shifting labels. They are also
+used there and in grafbase.mf for positioning and sizing textboundary,
+textoval and textellipse.
+
+Added test for ClipOn to dashing code, plotsymbol and plotnodes.
+
+arrowdraw now checks for hlen > 0 before drawing head.
+
+Complete rewrite of axes code and drawing of hash marks on axes. Four
+new axes added leftaxis, etc.
+
+Changed code for grid so it is fitted to the coordinates: integer
+multiples of xspace and yspace are plotted. Added gridlines.
+
+Changed arcppp in grafbase for more robustness (I hope) and better
+result on small values of sweep.
+
+
+REVISION 0.4.16 beta, July 28--30 2001:
+
+-- Changed name of \textboundary to \tlabelboundary and then
+ \tlabelrect.
+-- Changed name of \textoval to \tlabeloval.
+-- Changed name of \textellipse to \tlabelellipse.
+-- Added "star form" of each that defines the curve without placing the
+ label.
+-- Renamed grafbase command textboundary to textrect.
+
+Replaced the four commands \leftaxis, etc., with single
+command
+ \axis[<hlen>]{<one-axis>}
+(example \axis{l}) and \borderaxes, etc., with
+ \doaxes[<hlen>]{<axis-list>}
+(example \doaxes{lbrt} for the 4 borders).
+
+Recoded \mfp@now so that only 1 count register is used.
+
+
+REVISION 0.4.17 beta, July 28--Aug 10, 2001:
+
+Changed grafbase.mp commands textrect, etc., so the first two
+parameters (dimensions of some unspecified text) became one parameter,
+which could be either of type pair (the two dimensions), string, or
+picture (e.g., a btex...etex expression). In the latter two cases,
+Metapost measures it and uses those dimensions to make a rectangle, etc.
+
+Gave all commands that take a [s] smoothness specification the
+option to make it [s<tension>] to draw the curve more tightly.
+Commands affected: \function, \parafcn, \plrfcn, \btwnfcn and
+\plrregion. This necessitated changes in grafbase code to mkfcn so
+that it accepts a tension parameter. Plus changes to all the macros that
+call it: parafcn, xfcn, function, rfcn, and plrfcn. Those that
+are used by mfpic, like function, were altered as follows. The name was
+changed to tfunction, it was given a tension parameter and the call to
+mkfcn passes that parameter. A new macro named function simply calls
+tfunction with default tension. This was to make the new grafbase
+accept old files generated by mfpic. Those macros not used by mfpic
+(rfcn and xfcn) simply call mkfcn with tension equal to 1.
+
+Redid doplot, plotsymbol, and plotnodes so that the plotting symbol
+can be a picture as well as a path. If a path, it is scaled by the scale
+parameter. A picture is not scaled, since this is essentially not
+possible in Metafont and since it is expected that in Metapost it will
+be a btex...etex expression and the size is determined by the font.
+Because this is expected to be the typical case, the picture is shifted
+so that its center at the chosen position (instead of the left
+baseline). This is not done in Metafont since finding the center of a
+picture is non-trivial. In grafbase.mp the first parameter is also
+allowed to be a string, and is then converted to a picture with the
+infont operator. In all other cases it reverts to a default dot scaled
+by the second parameter.
+
+Changed the \mfpic command so both optional parameters may be omitted
+(scale 1 is then assumed). Also, the first parameter is no longer saved
+in \@param. That was not a serious problem, but I did experience a
+hard-to-debug problem from using the same temporary name in another
+command. (It seems that \@param is not expanded until \@xconv and
+\@yconv are used in tlabels, and I included a redefinition of \@param
+in a command that calls \tlabel).
+
+Added EOL, `*', `"' and `$' to the list of symbols whose catcodes
+are saved, changed while reading mfpic.tex, and restored at the end.
+`$' is put in category 12 and used then in several \if tests for empty
+arguments (previously `!' was used, then `@'. (Changed again a couple
+of times!)
+
+
+REVISION 0.4.18 beta, Aug 10--20, 2001:
+
+Added point size option to \grid.
+
+Added a macro \plottext similar to \plotsymbol except instead of a
+symbol, it takes a bit of TeX text. The macro runs entirely in TeX,
+issuing a sequence of \tlabel commands.
+
+Changed grid and gridlines so the lines and points are fitted to the
+pixel grid. We now use safedraw on
+hroundpair(zconv(p1))--hroundpair(zconv(point)) instead of on
+zconv((p1)--(p2)). When grid and gridlines are used with the same
+parameters, this seems to make the picture periodic.
+
+Added \plrgrid and \plrpatch.
+
+Added \piechart and \piewdge.
+
+Removed \d@adv, \i@mul, \i@div, \q@mul as it turns out they are
+either no longer used or unnecessary: \i@mul and \i@div, were only
+used in \q@mul and it isn't needed as \x= 1.2\x works for fdims.
+\d@adv seems to have disappeared from use.
+
+
+REVISION 0.4.19 beta, Aug 20--26, 2001:
+
+Added \mfpicnumber to set the number of the next character or figure.
+
+Removed explicit references to gcode, instead of writing
+beginmfpic(incr gcode), \mfpic now writes
+beginmfpic(\number\mfp@count). This way TeX's understanding of the
+current figure number and Metafont's understanding are guaranteed to be
+the same. The opening code of beginmfpic sets gcode in case any existing
+files make use of it. This simplifies maintenance, and such things as
+\noship and \mfpicnumber.
+
+Speaking of which, added code to \noship to set a switch so
+\endmfpic could skip placing an empty box. I hope this makes an
+mfpic environment a typesetting no-op. The only worry is that an
+invisible character or box might creep into the output. (It hasn't yet,
+that I've noticed, but checking would require testing virtually every
+macro we've defined that can be used in an mfpic.)
+
+
+REVISION 0.4.20 beta, Aug 26--Sep 1, 2001:
+
+Added \barchart (it was easy after \piechart) after seeing comments
+on gnuplot list that deprecated pie charts as a means of conveying
+quantitative information. The rectangles become available as
+\chartbar{<n>}. Where <n> is the number of the bar.
+
+Changed the code (again!) for shade in grafbase.mf. I was certain
+there had to be a faster way. The key turned out to be not to do a
+double loop. Instead, draw the bottom row of pixels in one loop, and
+then copy that row in a separate loop. The original looped O(nm) times
+if n and m are the dimensions of the rectangle. The new one loops,
+O(n+m) times. A slight extra bit of efficiency in coding is obtained
+by finding the smallest repeating pattern and repeating that (avoids
+shifting every other row). This turned out to be two dots at a 45 degree
+angle placed \shadespace apart. Then copy _that_ picture.
+
+I was worried that this algorithm had to copy a much larger picture the
+second loop, but it seemed to make little difference. The bottleneck
+seems to be the loop overhead. There was a seven-fold speed increase in
+shading a 100pt by 100pt rectangle with a \shadespace of 1.2pt
+(this is about the most dots MiKTeX's Metafont could handle). I came up
+with another algorithm that is O(m/n + \log n), when n < m. But it
+was only marginally better at the sizes Metafont could handle. Plus it
+traded memory for speed. It built a shading rectangle of size at least
+n/8 in O(\log n) iterations and then tiled with O(m/n) of them.
+This could require up to an additional 12.5% more memory, as the last
+row or column could overshoot by up to n/8.
+
+Changed timing so that \mfp@count is initialized to 1, and
+incremented only in \endmfpic (where it is in the code skipped if
+\noship is used).
+
+Changed \newdef to \def for \arrow so eplain won't generate a
+complaint.
+
+
+REVISION 0.4.21 beta, Sept 1--10, 2001:
+
+Got tired of typing "\macro" so I changed it to \mac. Also got
+tired of "\vskip\myskip", etc., so I wrote \bcd and \ecd to
+bracket the headers of command descriptions. For examples, I wrote
+\bex and \eex. Changed the font for \prog to small caps and for
+\opt to sans serif. Added \null to the end of the definition of \TeX
+for \spacefactor reasons (saw this somewhere).
+
+Wrote a \myverbatim macro for mfpicdoc.tex since header.tex's
+verbatim wouldn't work for me. Completely rewrote \head and \subhead
+for better spacing and page breaks. (One of these days I will give them
+numbers and perhaps translate everything to either LaTeX or eplain to
+provide cross references.)
+
+Added SolidStar to symbols allowed by \plot, etc. Changed grafbase
+code so that Star produces an open five-pointed star instead of the
+asterisk previously drawn. Added Asterisk in case anyone prefers the
+old way.
+
+Separated the part of \mfp@rwdata that writes the rendering code from
+the part that writes the data. This is for later enhancements. The
+wrapper that writes the rendering code is called \do@datafile. Took
+out of \mfp@rwdata the code that wraps the point in (redundant)
+parentheses. Now the parentheses _must_ be added by \using.
+
+Changed the name of \mfpic-package to MFPicpackagE, (part of
+the paranoia that catcodes of punctuation might be changed).
+
+Added code to several commands to test for empty optional arguments. The
+reason: when an optional argument has two parts, as in \plotdata[s1.2]
+the code splits it up as [#1#2] so that s is assigned to
+#1 and 1.2 is assigned to #2. If 1.2 is omitted, then #2 is
+empty, but if both parts are accidentally omitted, then the closing
+bracket is assigned to #1 and TeX searches for another right
+bracket. This can cause extremely unhelpful error messages from internal
+commands generated much later. Now, a command like \plotdata[] is
+treated as if there were no optional argument: default values are used.
+The user can deduce from incorrect output where an error occurred.
+
+Did the above for \tlabel, but only for the second part of the
+optional parameter (laziness).
+
+Added commands similar to \rotatepath: \shiftpath{p}, \scalepath{p,sc},
+\xscalepath{x,sc}, \yscalepath{y,sc} and \slantpath{y,sl}. "p" is a
+point "sc" is a scale factor, "x" is an x-coordinate, "y" is a
+y-coordinate and "sl" is a slant factor. These commands accept a
+following path and pass back the corresponding transformed path (to
+preceding prefix macros).
+
+Released to alpha testers.
+
+
+REVISION 0.4.22 beta, Sept 11--22, 2001:
+
+Added \reflectpath{p1,p2}, \xyswappath and \yslantpath{x,sl}. Added
+also \xslantpath as a synonym for \slantpath.
+
+Removed grouping in \mftitle that inadvertently caused \tmtitle's
+argument to be omitted from the .log file. Rewrote both to call a
+third macro. The third macro loads the argument in a token list and
+writes to the .mf file. \mftitle supplies the grouping to preserve
+the token variable. \tmtitle also adds the grouping, plus writes to
+the .log and to the document.
+
+Redid \tlabel so that it checks for completely empty optional
+parameter.
+
+Also avoid duplicating every \@...tlabel command. Only ever did that
+to avoid the message about rotation being ignored in the \nomplabels
+case. Somewhere along the way handling of default optional parameters
+made that moot.
+
+Now \tlabel begins a group, then sets \tlabel@rot to empty (not
+zero!) if mplabels is not in effect, then passes
+"[\tlabel@vpos\tlabel@hpos\tlabel@rot]" as the optional parameter. The
+two different commands \@tlabel and \@@tlabel ultimately end the
+group. This necessitated changing a number of commands that call for
+tlabels: I thought it more efficient to say
+
+ \if@mfp@mplabels\expandafter\@tlabels\else\@@tlabels\fi...
+
+than to call \tlabel directly. But now that would unbalance the
+grouping.
+
+Somehow I overwrote the version of mfpic.tex in which I made the above
+three paragraphs of changes with the previous version. So I did it all
+again, but now it does the following. \tlabel starts a group and calls
+two different commands: if no "[]" follows, it defines \tlabel@rot
+to be empty under \nomplabels; and if "[]" follows, it calls
+\tlabeljustify. Finally it calls either \@@tlabel or \@tlabel,
+depending on mplabels, feeding the arguments \tlabel@vpos,
+\tlabel@hpos and \tlabel@rot. This ensures that insufficient optional
+parameters produce default results, as \tlabeljustify does default
+things with empty parameters.
+
+In grafbase: push vtr in bcoords command and pop it in ecoords.
+Added vtr:=ztr shifted -zconv((0,0)); to apply_t. It seems coords
+and apply_t were broken ever since I defined vconv in terms of vtr
+instead of zconv.
+
+Added \@firstoftwo and \@secondoftwo and rewrote several commands to
+use them, including \@if@mfp@beforefileopen..
+
+REVISION 0.5.0 beta, Sept 24--Oct25, 2001:
+
+Change comment written at the top of the output file. Now includes the
+name of the output file, as well as the \jobname of the TeX source
+that produced it.
+
+Changed how \grid handles optional point size. Now it writes a command
+vgrid that takes the extra parameter (and the old grid just calls
+vgrid with default parameter).
+
+Made \mfpic and \endmfpic write the source line number to the
+output for debugging use.
+
+Added token list \every@tlabel and a command \everytlabel for
+setting it (and writing the settings to the .mp file when mplabels
+is in effect.) In order to make this local to mfpic
+environments, now \mfpic writes "verbatimtex \begingroup etex" to
+output and \endmfpic ends the group (under mplabels).
+
+Renamed \if@graphfileexists to \ifmfpicFirstTime which
+required reversing the sense of all \if... tests. This will allow the
+user to override the behavior of mfpic in unusual circumstances.
+
+Restored the command that expands to a backslash with category 12, for
+writing the outer token \newtoks to the output file.
+
+Because \mfsrc ends with \ignorespaces (should it?) commands
+can generate a space under metafont but not under metapost with
+mplabels (because they write TeX code to the output). I have therefore
+started to look out for such differences and am adding \ignorespaces
+when I notice them.
+
+Released to CTAN, Oct ??, 2001.
+
+
+REVISION 0.5.01 beta
+
+This modification actually occurred in February 2002, but I made it on
+version 0.5.0, correcting a small bug by adding some braces around the
+point arguments of \tlabel in a couple of places. The problem was that
+Metapost code in the point argument could contain parentheses or commas,
+and these had to be hidden inside braces. The code of \tlabels and
+other commands would read this argument twice so two levels of braces
+were needed, but that would cause errors in other contexts. The internal
+braces in the right places meant the user need only use one. All of this
+was only a problem with mplabels.
+
+
+REVISION 0.5.02 alpha, Oct 26--Nov 8, 2001:
+
+Put most of the catcode changes (in the "paranoia" section of
+mfpic.tex) in a command \mfp@sanitize for possible reuse.
+
+In preparation for a planned enhancement, I have divided \@figmac into
+three parts: the set-up, write, and post-write phases. The idea is that,
+e.g., \@curve[1.2] will do the setup, and write the code
+tcurve(1.2, false) but not the points or the ending semicolon, then
+close with the all-purpose macro \@figmacdata. This macro will scoop up
+the last parameter (listing the points), write them to output, adding
+the semicolon, and then issue the post-write code. Why? Ultimately I
+would like to be able to present the data in more than one form.
+\@figmacdata would detect the form and do the appropriate thing. In
+particular I would like to be able to do something like
+\curve[1.2]\datafile{file.dat} to draw a curve connecting the points
+listed in file.dat.
+
+Have actually changed the definition of \curve and \cyclic to use
+this scheme, although \@figmacdata just writes the inline data points
+to output. Shouldn't be unusually hard to make it open the file handle
+and call \mfp@rwdata. I will first try to organize the opening,
+reading, writing and closing of files into reusable modules.
+
+
+REVISION 0.5.03 alpha, Nov 8, 2001--???:
+
+Further modified \@figmacdata: Split it in two. First, \mfp@writelist
+writes the list, enclosed in parentheses and followed by a semicolon,
+then issue \@figmacend. This is because lists are also used by
+"non-figmacs", like \xmarks and \point. For these I just use
+\mfp@writelist. Perhaps it wouldn't hurt to include \@figmacend on
+those, but I wasn't prepared to chance it. Also put the common
+combination \@figmacstart\mfsrc{#1}\@figmacdata in a new macro
+\@listmac.
+
+Now all those macros that take a list as last argument (thank goodness
+it always _is_ the last argument) follow the scheme. This includes
+\xmarks, \ymarks, \lmarks, \bmarks, \rmarks, \tmarks, \point,
+\plotsymbol, \piechart, \barchart, \polyline, \polygon, \fcncurve,
+\curve, \cyclic, \qspline, \closedqspline, \cspline,
+\closedcspline, and \turtle. Ultimately, I may make \@figmacdata
+write data from a file (if the next token is \datafile) or data listed
+inline as if in a file (if the next token is \inline).
+
+I rewrote the code in \@mfpic that loads the figure into \@wholegraph
+so that when \ifmfpicdraft is true then it is skipped completely and
+\@wholegraph is just set to an empty box. Then, at the end of \@mfpic,
+if \ifmfpicdraft is true, the figure number in \tt is set as a
+\tlabel (so the size of the figure will automatically adjust to
+accommodate it).
+
+Oops! Had to change the above behavior: \tlabel doesn't expand its
+contents when writing to the .mp file in mplabels. So it is
+impossible to get \mfp@count (the picture number) written as a number.
+Rather than have to write the definition of \mfp@count to the output
+file, I changed the code that loads the figure into \@wholegraph to put
+the figure number into the box as straight text. Now, the figure number
+may again overwrite the boundaries of the box, but that's OK, I guess,
+since it's just a temporary situation.
+
+
+REVISION 0.5.04 alpha, ???--April 11, 2002:
+
+Added \@XP which expands to three \expandafters.
+
+Changed what the truebbox option writes to the .mf file. The scope
+in Metafont should now more closely match the scope in TeX.
+
+Added options draft, final, and nowrite (as well as command
+versions \mfpicdraft, \mfpicfinal, and \mfpicnowrite) which should
+avoid including the pictures (draft) or include the pictures (final),
+overriding automatic decisions. Option nowrite avoids writing anything
+to the .mf file.
+
+Made several assignments, such as \mfp@count, \@graphfont, etc.,
+global, in case the command \opengraphsfile is issued inside a group.
+
+Rewrote \tlabel and friends so that the point arguments could
+optionally be enclosed in braces. This was done by checking for a left
+parenthesis with \mfp@ifnextchar and branching on that. This allowed
+me to change the gblabel command to accept a list of points, and now
+\tlabel can, under mplabels accept a list of points in braces.
+
+Completely reorganized the data file reading macros (much smaller and
+free of \loop...\repeat constructs). Also added the previously
+mentioned capability to replace any list after a macro such as
+\curve{...} with the construct such as \curve\datafile{<file>} to
+construct the list from the data in file
+
+Changed explicit value of 5 data points per line to the value of
+\mfpdataperline when plotting data files.
+
+Added error messages \nodatafileerror and \emptydatafileerror.
+
+Added command resizedrawpen to grafbase to unclutter the
+output file.
+
+Collected the common code in \xmarks, \ymarks, etc., so that now they
+are implemented with \marks x, etc.
+
+Added aliases \lattice and \gridpoints for \grid.
+
+Changed the option handling in \tlabel so that it is translated into
+integer values and \ifcase can be used, making for simpler conditional
+code. Added \mfp@justifyerror to the \tlabeljustify command, to
+occur if an invalid letter is used.
+
+Added \extra@tlabel command at the end of \@tlabel and \@@tlabel.
+Redefining this makes it easier to write macros looping through many
+\tlabel commands.
+
+
+REVISION 0.5.05 alpha, April 16, 2002:
+
+Corrected bug in \mfpverbtex which caused # symbols to be doubled in
+the output: simply change catcode of # before reading the verbatimtex
+material into the token list.
+
+Remove \DeclareGraphicsRule commands issued in mfpic.tex so
+as not to interfere with the graphics package error checking. Instead
+the equivalent is done inside a group for each picture with
+\@namedef{Gin@rule@.\mfp@count}.
+
+Added a command index to \mfpicdoc.tex. The distribution now includes
+a recent version of eplain.tex for the indexing macros and the actual
+index mfpicdoc.ind. The makeindex style file that was used,
+mfpic.ist, is also included.
+
+
+REVISION 0.5.06 alpha, April 16--May 7, 2002:
+
+After installing new MiKTeX and forgetting to set localfont, I found
+that textrect, textoval and textellipse (in grafbase.mf) fail due
+to arithmetic overflow. This is because rather simple text can be (say)
+40pt by 40pt. Since that is 400 by 400 pixels (under mode:=ljfour),
+and we have to compute numbers on the order of their product, we exceed
+the 32K limit on numbers. Changed these commands to do computations in
+graph coordinates. That is at least resolution independent. Also change
+some formulas involving sqrt to instead use ++ or abs to minimize
+such problems.
+
+Updated most docs. Changed mfpic.ist so it will write an mfpic package
+comment to the top of mfpicdoc.ind.
+
+
+REVISION 0.5.07 alpha, May 7--June 25, 2002:
+
+Added \usingpairdefault to reset the \using specification to the
+default. Also \usingnumericdefault for commands that take a numeric
+list (equivalent to \using{#1 #2}{#1} ).
+
+Documented \marks<axis> commands.
+
+
+REVISION 0.5g alpha, June 26--July 31, 2002:
+
+Changed version numbering scheme so LaTeX file utilities like the
+snapshot package are better served.
+
+Change the graphic inclusion to use \@setmfpicgraphic which, in
+addition to executing \setmfpicgraphic, also runs any additional
+commands that may be needed and should be transparent to the user. These
+include the above setting of the graphics inclusion rule, and now also a
+scheme for recovering the bounding box (for future feature allowing
+truebbox without mplabels). The graphics package makes this hard by
+not saving it globally except in \@gtempa, which hardly seems safe to
+rely on. Nevertheless that is what I use now, though it doesn't get used
+yet.
+
+Changed \DeclareOption* to print a warning or a message (depending on
+whether graphics was already loaded or not) instead of just passing
+the option on to graphics package).
+
+The default verbatimtex stuff that was written to the out file in
+\opengraphsfile is now stored in a token register
+\mfp@commonverbatimtex and then written.
+
+\opengraphsfile now checks for the existence of a file with the
+extension of the current value of \mfp@count (default 1) in case the
+user changes its value (with \mfpicnumber) before that command.
+mfpic.tex now sets it to 1 rather than rely on \opengraphsfile to do
+so.
+
+Changed \tlabel to place its contents in a simple left aligned
+\halign. This makes it possible to right-align or center multi-line
+labels with an \hfill or \hfil on left.
+
+Corrected bugs in file read/write (\plotdata, etc.): Moved whitespace
+resetting to \@processdatafile, and changed one \def in
+\mfp@rwdataloop to \edef.
+
+Moved the LaTeX2e graphics rule stuff to \mfpic, \usemetapost now just
+saves the graphics rule signature ("eps" or "mps") for use in that
+stuff.
+
+Remove eplain.tex, substituting indexing.tex which contains only(?)
+macros necessary to process the one indexing command actually used in
+mfpicdoc.tex, and the two-column printing of the index.
+
+
+REVISION 0.5h alpha, Aug 1--6, 2002:
+
+Added code to \@setmfpicgraphic to retain the lower left corner of the
+picture under metapost. I did this by redefining \Gin@def@bp to make
+its definitions (of \Gin@llx, etc.) global. Then added that info to
+\@xconv and \@yconv. This allows truebbox to work without mplabels.
+Added code to graphbase.mp that keeps track of maximum bounding box of
+all the text labels and to adjust the figure's bounding box if that
+extends past the boundary of the mfpic environment. This allows labels
+to expand the size of the graph (as documented) in the remaining case:
+with mplabels but without truebbox.
+
+This requires that any user who redefines \setmfpicgraphic must also
+redefine a command \getmfpicoffset that stores the coordinates of the
+lower left corner in the macros \mfpicllx and \mfpiclly.
+
+Reverted to the previous \tlabel method of producing multiline
+labels. The \halign method (specifically the \let\\=\cr) produces
+an error when either of the packages latexsym or amsfonts is used. So it
+is not (yet) possible to right align or center multiline labels.
+
+Reverted back when I discovered that \def\\{\cr} did _not_ conflict
+and seems to work just as well. It is again possible to right align and
+center multiline labels.
+
+Added \gclip rendering macro (did no one ever miss this?), that clips
+the current picture to the interior of the following path. And added an
+example to *objs.tex.
+
+
+
+REVISION 0.5i alpha, Aug 7--12, 2002:
+
+Rearranged the endmfpic code of grafbase.mp so that truebbox, clip
+and mplabels interact properly, meaning that text which is clipped off
+_doesn't_ expand the bounding box.
+
+Announced to mfpic mailing list. Maybe this will become version 0.6 beta.
+(Ha!)
+
+
+REVISION 0.5j alpha, Aug 12--15, 2002:
+
+Changed name of \marks command (introduced in 0.5.04) to \axismarks
+to avoid name clash with \eTeX primitive command (reported by Guy
+Worthington).
+
+
+REVISION 0.5k alpha, Aug 15--26, 2002:
+
+Rearrangement of \begingroup-s at some point caused a problem with
+\datafile commands: the \@figmacend was issued inside a group.
+(reported by Jaromir Kuben).
+
+I moved the location of \@figmacstart and \@figmacend and that
+solved it but caused a problem with \plotdata, which reused that code.
+Solved by putting an appropriate \@figmacend in the \plotdata code.
+
+
+REVISION 0.5l alpha, Aug 26--29, 2002:
+
+Changed the code that saves the lower left corner of the picture under
+metapost. Instead of making \Gin@llx, etc., global, I redefine
+\Gread@parse@bb to store them globally in our own macros. This
+redefinition happens only in the \mfpic environment (in fact only
+inside the box where the graphic is included).
+
+I settled on this as having almost no side effects. Perhaps there is a
+reason the \Gin@* commands are local even though no one on
+comp.text.tex came up with one.
+
+Also, since now the only \begingroup/\endgroup pair in the
+file read/write code is in one place: the \@processdatafile command, I
+deleted all the \global in front of \read commands.
+
+
+REVISION 0.5m alpha, Aug 29--30, 2002:
+
+Updates to *.txt, readme.1st, and documentation.
+
+Changed \mfp@ifnextchar so that when looking for the next token, it
+will skip over \relax. This means one can put the optional argument on
+another line even when \preservelines is in effect (at which time the
+line end character is active and has been \let equal to \relax)
+
+Change \@figmaclist and \@mfp@writelist so they preserve lines.
+Since all commands that write lists of data to the output file
+ultimately run one of these, all those commands preserve lines. Then I
+removed \preservelines from \mfpic. Now we no longer need the
+caution about putting a macro and its arguments on the same line.
+
+
+REVISION 0.5n alpha, Aug 30--Sep 04, 2002:
+
+Allow \tlabelsep and \tlabeloffset to have any <dimen> argument. I
+was so stupid: it was just a matter of setting the TeX dimensions first
+and then writing their values to the output.
+
+Documented \mfpdataperline. Also changed it to a macro rather than a
+\count because LaTeX users are unfamiliar with count registers
+(\newcounter, yes, \newcount, no). I could have called it
+\c@mfpdataperline, but then it wouldn't be user-level for plain TeX.
+
+Changed "\ifnum\mfp@n=\mfpdataperline" to
+"\ifnum\mfp@n<\mfpdataperline" and exchanged the true and false clauses.
+Just in case some user sets \mfpdataperline to some number which is not a
+positive integer.
+
+Added \space to "\mfsrc{verbatimtex\endgroup\space etex}", just in
+case TeX could enter a state where it doesn't append a space when it
+writes the \endgroup.
+
+
+REVISION 0.5o alpha, Sep 04--06, 2002:
+
+Corrected LTXMFobj.tex and LTXMPobj.tex. After testing various
+combinations of mplabels and truebbox, I'd incorrectly added these
+options to the former file and failed to restore them to the latter.
+
+
+REVISION 0.5p alpha, Sep 06--09, 2002:
+
+Added commands \setpapersize and \setpagegeometry to header.tex.
+Now the preamble of almost every .tex file in the docs directory is
+reduced to using these two commands.
+
+Deleted old verbatim macros which were no longer used.
+
+Removed save piecenter; from grafbase. This variable was documented to
+be set by the piechart command, but saving it made it unavailable.
+
+Corrected the example concerning \datafile with \xmarks: the
+parameters of \using needed a space between them.
+
+
+REVISION 0.5q alpha, Sep 09--12, 2002:
+
+Multiple documentation refinements.
+
+Removed \if@mfp@metafont, using only the switch \if@mfp@metapost.
+
+Added \mfp@ifdefined: it checks if a token is neither \undefined nor
+\relax. Used in macros to detect format. Moved definition of
+\@firstoftwo and \@secondoftwo before it.
+
+Made some definitions in \usemetapost global, in case it is
+mistakenly issued inside a group.
+
+Removed \@eatspacedef since it was used only once to define something,
+and it was shorter to define it directly.
+
+Changed all \ifx in \@@arrowoption to \if in case someone wants to
+pass the the letter as a macro
+
+In axis code, changed `\x to simply `x lest \x have some
+definition and some TeX state causes it to be expanded.
+
+Gave \newsavepic a definition closer to \newsavebox, which uses
+\@ifundefined rather than strictly testing against \undefined.
+
+
+REVISION 0.6 beta, Sep 12, 2002:
+
+Uploaded to CTAN.
+
+
+REVISION 0.6a alpha, Sep 12--Nov 5, 2002.
+
+Added \let\par\relax in the definition of \@mfpic to
+nullify blank lines in user code. Needed since I stopped using
+\preservelines. (Reported by Jaromir Kuben.) Put in commands to
+restore \par to its normal meaning in labels and captions.
+
+
+REVISION 0.6b beta, Nov 6--, 2002.
+
+Incorrect sign on sinh function in grafbase.
+
+REVISION 0.6c beta, Nov 6--, 2002.
+
+Bounding box had the horizontal and vertical data reversed if all
+of the following three options were selected: metapost, mplabels and
+clip.
+
+REVISION 0.63 alpha
+
+Mfpic:
+
+Added code to write into the graphs file a test of the major version
+number (to assure that the files mfpic.tex and graphbase.mf/p are
+comparable).
+
+Added a switch \in@mfpicenv that is true inside an mfpic environment and
+false outside. This allows macros to make global changes outside and
+local changes inside, helping TeX and Metafont stay in sync. Modified
+some commands to use it (clip and truebbox options, so far). Added
+\mfp@local which expands to nothing inside and mfpic environment and
+to \global outside.
+
+Changed \@dummy to \mfp@dummy (mfpic.tex) lest its name clash with
+other packages.
+
+Added a \partialpath{a,b} command. It's argument is two fractions
+separated by a comma and produces the subpath of the following path f
+that goes from a*length(f) to b*length(f). (Hmmm...so
+\partialpath{1,0} would inefficiently reverse a path!)
+
+Also added \subpath{a,b} to give the equivalent of the MF code
+ subpath (a, b) of <following path>
+
+Added command \closed[<tension>]{<method>} where <method> is l, b,
+s, cb, or u so that, for example, \closed[2]{s} does the same as
+\sclosed, except that added or modified links will have tension equal
+to 2. Then I defined the previous commands in terms of this one (tension is
+ignored for \lclosed and \cbclosed since they specify exactly what the
+link should be.) Default for <tension> is 1.
+
+Moved \fdef to a global location and added "save #1;" to its
+definition. Functions defined with it should now be local if it is used
+in an mfpic environment and global otherwise.
+
+Redefine \+ for entire mfpic.tex. Avoids somewhat complicated
+work-around of its outerness in \usemetapost. Restore previous meaning
+at end of file.
+
+Added \@bsphack and \@esphack (as in LaTeX).
+
+Rewrote \tlabelrect, etc., so that they take a second optional
+parameter: the label justification. Made the current \tlabel defaults
+the default for \tlabel<path> also. Might change this to [cc] after
+talking to Jaromir.
+
+Changed \store to be usable as a prefix command. It still takes a
+second argument but doesn't wrap anything around it, so
+\store{m}\circle{...} is as valid as \store{m}{\circle{...}}. But now
+ \xscalepath{0,2}\store{m}\circle{...}
+is also valid, storing the untransformed circle. It is written as a
+\@rendmac so that it turns off automatic path rendering. It invokes a
+new grafbase command stored , which stores the path and passes it on
+(as the other prefix macros do). This may have restored the old behavior
+(prior to 0.2.9.10 alpha), but I can't tell, since I never had any
+experience using those versions and don't know why the change was made.
+
+Streamlined \arrow so that instead of a chain of 4 macros (that all
+did the same thing!), each calling the next, it loops until no more
+optional arguments are found.
+
+Renamed \mfpicdebugwrite to \mfpDBwrite to streamline the source
+file. Later renamed to \mfp@DBlog to remind me that it only writes to
+the .log .
+
+Change \getmfpicoffset and \preparemfpicgraphic so they take an
+argument: the name of the figure file. The default versions do nothing
+with it. Changed \@setmfpicgraphic so it calls them with the name of
+file. In case a power user needed the file name in his redefinition.
+
+Shortened \usemetapost. Defined as much as possible outside it, and
+include only what needs to be changed. E.g., we no longer redefine
+\@setmfpicgraphic inside it (nor \preparemfpicgraphic in the
+non-LaTeX version).
+
+Rearranged code so that \usemetapost is defined in three ways instead
+of two: LaTeX2e, plain pdfTeX and plain TeX. Formerly the second two
+were combined in one which contained an \ifpdf-\else-\fi construct. That
+is now moved to an outer level. Shortened the name of \if@mfp@pdftex to
+\if@mfp@pdf since pdftex could be used to produce dvi output, and we
+want this to be true only when pdf is being produced.
+
+Added \mfcmd (adds semicolon to argument) and \mflist (wraps argument
+in parentheses). Done so that we can delay reading the argument and
+therefore preserve lines. Both of these and \mfsrc now call \@mfwrite
+with an appropriate argument. It initiates \preservelines and
+continues with \@mfcmd, \@mflist, or \@mfsrc. These read the
+argument and end with \@mfsrc, which ends line preserving.
+
+Rearranged code of \@figmac. It now issues \@startfigtrue before
+writing its argument and doesn't do \@imrendtrue. This allows it to
+end with the code to read the argument, and avoids some cases of having
+to read large arguments before \preservelines is issued. There was
+only one case where the timing mattered: \connect, and there we needed
+the current order!
+
+Simplified the scheme for list macros (\mfp@writedata). The above
+rearrangement meant there was no longer any need for different treatment
+of figmacs and non-figmacs.
+
+Grafbase:
+
+Added code to grafbase file to test if the major version of mfpic
+(assuming it is input by an mfpic generated file) and that of
+grafbase.mf/p are comparable. Added a boolean MFPIC that is true if
+the test succeeds. Not used yet.
+
+Rewrote most of the arc commands in grafbase, focusing on trying to make
+any points that were explicitly specified into actual nodes of the path
+(i.e., use nothing that could result in round-off error) plus trying to
+increase robustness.
+
+"Corrected" cbclosed command in grafbase. Its code used to put in one
+cubic B-spline link and connect that to the beginning and end of the
+path f with two ordinary MF Bezier path joins. Now it connects with
+three cubic B-spline links, the middle one being the same as before.
+
+removed w, d, and h as internal variables because of another user
+name clash, this time with \fdef(h)... .
+
+Rewrote grafbase messages and error messages for consistency and
+pithiness.
+
+Changed gblabel to newlabel, but gblabel remains as an interface for old
+files, calling newlabel. There are now three parameters rather than four
+for horizontal and vertical adjustment. The first gives the fraction
+of the text left of the point of placement. The third is a
+boolean. If false, the second parameter is taken as the absolute
+fraction of the text below this point. If true, it represents the same
+except the depth of the text is ignored. This (.5,0,true) gives [Bc]
+placement, while (.5,0,false) gives [bc].
+
+Added textrectx, textellipsex and textovalx which now allow horizontal
+and vertical adjustment and rotation, just like gblabel. The original
+commands just call it with the old default (centered, not rotated).
+
+Rewrote nearly all error messages in grafbase.mf/p. Changed "GUBED" to
+"END DEBUG". (That has always bothered me.)
+
+Reintroduced "bounds" to the mfpic file. It seemed a reasonable
+shorthand, replacing four lines of code with one. And has been around
+forever.
+
+Reexamined clipping, trying to make sure that when ClipOn is true,
+nothing is written outside the clipping paths. Except there are things
+drawn for debugging purposes, so I added noclip() which executes its
+contents in a group where ClipOn is set to false. Added DoClip(v) as a
+shorthand for:
+ if ClipOn and (ClipPath > 0) : clipsto (v, ClipPath); fi
+Correspondingly changed several commands to write to a temporary picture
+variable, which is then DoClip-ed before adding to active_plane. This
+turned out to be a prescient act for the purpose of using color in MF
+(see below).
+
+Changed P1 in headpath (giving the direction of the arrowhead)
+from "direction n of g" to "point n of g - precontrol n of g".
+This gives the arrowhead from \arrow\rect{...} a reasonable direction
+without having to rotate it +/- 45 degrees.
+
+Determined that the filling commands shade , polkadot and tess (all
+these are my doing) did not respect aspect_ratio. Changed all of
+them to invoke a macro, filledwith, that returns a rectangular picture
+tiled with shifted copies of a given picture. This macro respects
+aspect_ratio (i.e, invokes .t_ where it should -- I hope).
+
+Introduced color to Metafont (gray levels only): made color synonymous
+with numeric; assigned numeric gray levels to the variables red,
+green, etc. Defined the color commands (rgb, RGB, cmyk, gray and
+named) to produce appropriate gray levels. Added macro makegray for
+this purpose. Allow black or white in drawing commands and gray
+levels in filling commands. Gray fill is implemented by a new macro
+shaded which is similar in some ways to the internal code of shade and
+may one day replace it. Right now shade uses round dots and respects
+shadewd and the spacing parameter. But shaded just builds a square
+picture which is either two black almost-squares in a white background
+(gray levels > .5) or two white almost-squares in a black background.
+Works well in simple tests so far.
+
+Changed the code executed if mode is unknown back to switching on a
+default mode, but this time ljfour instead of cx.
+
+Removed the aspect_ratio scaling from resizedrawpen, and also from
+the definition of drawpen and hatchpen. Added that scaling to
+shpath.
+
+Added partialpath and gsubpath to support mfpic's \partialpath
+and \subpath .
+
+Docs:
+
+Changed this file (changes.tex) from a .tex file to a .txt file for
+simplicity of maintenance.
+
+Transcribed mfpicdoc.tex to a LaTeX file adding mfpdoc.sty to preserve
+most of the previous formatting. Adds a table of contents; allows an index
+without the extra files indexing.tex and mfpic.ist (both now removed).
+Added hyperref, producing a linked .pdf file if pdflatex is used. Did
+the same with grafdoc.tex and mf-revu.tex, except the latter has no
+index. Have removed mppicdoc.tex since the small part of it that was
+not already covered in mfpicdoc.tex has been added in an additional
+appendix.
+
+Made mfpic.dtx, mfpic.ins and grafbase.dtx files. Processing
+mfpic.ins produces mfpic.tex and mfpic.sty from mfpic.dtx, plus
+grafbase.mf, grafbase.mp and dvipsnam.mp from grafbase.dtx.
+
+REVISION 0.64 alpha
+
+Grafbase:
+
+Rewrote the mfpic macro \polkadotwd so all it does is set the width
+(omitting the code "thepolkadot := setdot(...)"). The grafbase polkadot
+command now remakes the dot each time it is run. This is really just for
+simplicity (for the \cs{polkadotwd} macro). Same was done for \shadewd
+and shade. To change the shape of the dots used, I've added
+shadedotpath and polkadotpath in addition to dotpath. The last is
+now only used for dotted lines and grid.
+
+Added command threeangles (suffix s) (expr A, B, C) that finds the
+three angles of the triangle ABC and assigns them to the s1, s2, and
+s3. Now used in arcppp and the new command circleppp . Later
+threeangles was replaced by three calls to a new vardef: cornerangle
+(A,B,C) , which was useful on its own.
+
+Added circleppp producing the circle through three points.
+
+Added circlecp producing the circle with center at a given point, and
+passing through a given point.
+
+Added circlepps producing the circle completing the arc produced by
+the corresponding arcpps. These three form their circle from arcs,
+ensuring that the circle (a) begins at the first given point on the
+circumference, (2) has all the given points as nodes (though more may
+have to be added, of course), and (iii) it is at least as robust as the
+arc commands, into which a lot of thought was put.
+
+Added commands that produce circles related to triangle. A triangle Q
+is, by definition, required to be a closed path in the form
+Q0--Q1--Q2--cycle.
+
+circumcircle Q produces the circle through all three corners
+incircle Q produces the inscribed circle (inside the triangle
+ and tangent to all three sides)
+excircle n of Q produces the exscribed circle opposite Q[n] (tangent
+ to Q[n-1]--Q[n+1], and to the extensions of
+ Q[n]--Q[n-1] and Q[n]--Q[n+1] outside the triangle)
+ninepointcircle Q The circle through the base of all three altitudes,
+ through all three midpoints of the sides and through
+ the points on each median that is halfway
+ between the corner and the common intersection of
+ the medians.
+
+And commands that produce points related to a triangle:
+incenter Q center of incircle Q (= intersection of angle
+ bisectors)
+circumcenter Q center of circumcircle Q
+excenter n of Q center of excircle n of Q
+ninepointcenter Q center of ninepointcircle Q
+
+None of the triangle related command integrated into mfpic yet.
+
+Added command pathcenter c which obtains the center of a circle c
+(or a rectangle c!) by finding the intersection of the perpendicular
+bisectors of two chords. It will happily find the "center" of any path.
+
+Mfpic:
+
+Rewrote \function, \plrfcn and \parafcn so they all simply define
+\mfp@fcnname to the appropriate grafbase command name and call the
+same macro to write the code. As with a lot of other commands, we now
+write the old shorter commands when the new parameter (in this case the
+tension) is absent: \function {...} produces "function (true) (...)"
+while \function[s1.5]{...} produces "tfunction (true) (1.5) (...)".
+In retrospect it would have made cleaner code if I had placed the extra
+"t" at the end of the name and the tension parameter at the beginning of
+the parameters.
+
+Made similar changes to \btwnfcn and \plrregion .
+
+All the commands that have an optional argument for the color (\draw,
+\gfill, \arrow and all the hatching commands) now have an empty value
+for color as the default. When the color is empty we write the old
+simpler commands. That is, "\draw..." or "\draw[]..." produces
+"drawn ..." rather than "colordrawn (drawcolor) ..." Trying to
+streamline the output file.
+
+Added optional argument to \circle (similar to the ones for \arc). So
+the circle through three points can be easily drawn, filled, etc.
+
+Renamed \@graphdp to \@graphbot, since it is not the TeX depth, but
+the coordinate of the bottom recalculated after each \tlabel . Also
+\@graphht -> \@graphtop for the consistency.
+
+Streamlined some aspects of tlabel macros, reducing number of
+macros in the chain. Also keep track of the \@graphleft, etc.,
+calculations so that we can later set the label on the graph with only
+two kerns and no \if-clauses. \tb@moveright is the accumulated value to
+kern horizontally, and \tb@raise is the amount to move vertically.
+
+Streamlined \tlabel<path> macros, including consolidating main code into
+one, rather than two alternative macros.
+
+Added \@firstofone and use it in place of \mfp@identity . Also use it
+when passing a pair of coordinates for \tlabel : provides grouping that
+is not stripped by parameter matching, but also not written into output
+file.
+
+Assigned numbers to axes: x=0, y=1, l=2, b=3, r=4, t=5 . Defined
+\get@axisnum similar to \tlabeljustify to assign the numbers, and can
+now use \ifnum in \axis and \ifcase in \axislabels to branch on.
+This also consolidates the error message in one place.
+
+Rewrote the \endmfpic debug messages to give me information I want to
+see: compare \@graphleft and \@graphright with \wd\@wholegraph, etc.
+
+Rewrote \plottext under the assumption that all points are specified
+as in other plotting commands: pairs separated by commas (i.e., no
+braces). Changed docs to reflect it.
+
+Redid \axislabels so that it could proceed gracefully on an empty
+argument. In fact...
+
+Added \mfp@ifempty as an abbreviation for
+ \if~#1~\@xp\@firstoftwo \else \@xp\@secondoftwo\fi
+to make several such changes possible. Redid \do@mtparam using it.
+
+
+Docs:
+
+Documented some aspects of MF naming conventions (basically: no
+suffixes) and suggested only letters be used.
+
+
+REVISION 0.65 alpha
+
+Mfpic:
+
+Rename \mfp@metaposttrue to \mfp@mposttrue, etc.
+
+Since \@mfp@mposttrue is never otherwise used, we don't define it
+(i.e., remove \newif command), instead, replace its use in
+\mfp@mposttrue with \global\let\if@mfp@mpost\iftrue . Similar
+changes for the false version and for other switches: \if@mfp@clip,
+\if@mfp@centcapt (formerly \if@mfp@centercaptions), \if@mfp@mplabels
+
+Added \mfp@ifmpost{1}{2} as shorthand for \if@mfp@mpost 1\else 2\fi.
+Added \@ifmplabels{1}{2} as shorthand for \if@mfp@mplabels 1\else 2\fi.
+
+Added \xxxfalse (initializations). Though unnecessary, it provides
+documentation of the default.
+
+Renamed \@if@mfp@beforefileopen to \@if@mfp@filenotopen (since it
+could conceivably have been previously opened but then closed).
+
+Added \setdatadashes, \setdatacolors, and setdatasymbols, to allow
+the user to set the dashing style, colors and symbols used when
+\dashedlines, \coloredlines , or \pointedlines (or \datapointsonly),
+respectively, are in effect. (later removed them, see below).
+
+Added \@nameuse and \@namedef and replaced a several lines of code
+with shorter versions using them.
+
+Added \@ifmtarg (from ifmtarg.sty) and use it when possible instead
+of \mfp@ifempty
+
+Reordered much of both mfpic.dtx and grafbase.dtx (many times!) to
+make documentation more natural.
+
+Rather extensive revision of \axislabels , mainly so that braces around
+the text argument are not prematurely stripped (bug introduced when we
+tried to "gracefully" handle empty portions of the arguments).
+
+Added \@makeother and used it in \mfp@sanitize.
+
+Removed a number of \newif's : those whose values are always set by
+another command. These commands now contain \let\ifxxx\iftrue instead
+of \xxxtrue . This saves a couple of strings of pool.
+
+Added \mf@T for the frequently used string "true" , and \mf@F for
+"false" .
+
+Removed grafdoc.tex from the manifest (grafbase.dtx documents the
+grafbase macros). Also removed mf-revu.tex (because I'm lazy).
+But will add mfpguide.tex as a short intro/tutorial.
+
+Set \@mfp@verbtexfalse after writing the verbatimtex in
+\opengraphsfile (in case it a user tries to have more than one
+\opengraphsfile command in a document).
+
+The utility \mfp@gettoks that was only used in \tmtitle and
+\mftitle has now been used to abbreviate similar \afterassignment
+constructs elsewhere.
+
+Rewrote \curve and \cyclic so both call the same command (as was
+done some time ago with \polyline and \polygon though not documented
+until now).
+
+Rewrote \noship and added \stopshipping and \resumeshipping so that
+shipping can be turned off for several figures.
+
+Simplifies \mfpdatacomment so that it just sets the register
+\@datacommentchar to the character code. Then \mfp@setcomment
+changes the category of \@datacommentchar to 14 (comment).
+
+Added \transformpath , similar to \applyT except that it is a
+modification macro for figures. It's argument is a transformer
+
+Added \cutoffafter {<obj>} and \cutoffbefore {<obj>} as prefix
+macros that cut the following path after its intersection with the named
+<obj> (a name defined with \store)
+
+Added \trimpath{<dim1>,<dim2>} , a prefix macro that removes the part
+of the following path within <dim1> of its start and within <dim2>
+of its end.
+
+Grafbase:
+
+Added transformedpath (transformer) expr f that reads a path f , applies
+the transformer and returns the result. This is to supply the correct
+syntax for the \transformpath macro.
+
+Added gbcutafter and gbcutbefore . Unlike the similarly named MP
+macros, these try to cut off as much as possible. Later changed the
+names to cutoffafter and cutoffbefore, but gave them standard mfpic
+syntax: "vardef cutoffbefore (expr b) expr f =". Also reverted to
+essentially the same as the MP definitions.
+
+Added trimmedpath (expr a,b) to implement \trimpath .
+
+Rewrote textovalx and textellipsex so they now simply call a common
+command, xellipse with a switch set that affects only two lines of the
+calculations.
+
+Slightly revised MF handling of colors. Now the only real difference
+between MF and MP is in one macro, makeclr , plus the "color" keyword
+("color" still means "numeric" in MF). What makeclr does is accept
+three parameters and calculate a gray level in MF, but simply return a
+color triple in MP. Then rgb(r, g, b) means
+ makeclr(snapto(r), snapto(g), snapto(b))
+while all other color functions (except named ) call rgb .
+
+
+REVISION 0.66 alpha
+
+Grafbase:
+
+Will try to converge behavior of labels between options mplabels and
+nomplabels . Therefor, we add the labels in grafbase on top of the
+drawing, after any clipping. We do this in newgblabel (oh, yes, I
+renamed newabel to newgblabel) by adding the label to their own
+picture: currentlabels. Then currentlabels is added onto the picture
+as the very last thing in endmfpic .
+
+Added emin(x,y) and emax(x,y) as somewhat more efficient versions
+of min() and max() . They are vardefs and take two expression
+arguments rather than a text parameter with an arbitrary list.
+
+Added the possibility for textrectx to be given "maximally" rounded
+corners: each quarter circle meets the one at the nearest corner so the
+end is a semicircle. This is done by allowing the radius parameter to be
+a boolean. When it is true, maximal roundedness is used, when false the
+corners are not rounded. Provided a mfpic interface by defining the
+boolean variable roundends, which is true by default.
+
+Added TruncateWarn and NoCycleWarn , that print common warning
+messages.
+
+Added pointcolor , the color in which points are drawn by pointd and
+in which symbols are drawn by plotsymbol . Now implement pointd with
+plotsymbol . However plotnodes , being a drawing command, uses
+drawcolor .
+
+Removed "withcolor fillcolor" from the definition of interior , which
+is normally only used in grafbase.mp in some other command that has a
+color parameter. The only really "benefit" of having it there was a
+dubious one: plotsymbol produced fillcolor solid symbols and
+drawcolor open ones. Now all are in pointcolor . Also moved a couple
+of other instances of withcolor out of low level commands and into
+higher level commands.
+
+Removed the color parameter from thatchf . For MF to respond to
+hatchcolor , the color has to be invoked when the hatching is added to
+active_plane , and only the higher level command, thatch , does that.
+
+Rearranged some of grafbase.dtx for documentation purposes. I am
+trying to follow this order: bitwise operations, picture manipulation
+commands with use-motivated names, and then the rendering commands that
+use those to manipulate active_plane, finally followed by the graph
+coordinate rendering commands.
+
+Added vardefs pnt@#(f) , pre@#(f) and post@#(f) as abbreviations
+for point @# of f , precontrol @# of f and postcontrol @# of f .
+
+Changed a few "max (x,0)" to "abs(x)". These had mostly been not
+well-thought-out attempts to gracefully handle erroneous negative values
+of "x". The "abs(x)" versions avoid problems in more situations
+
+Mfpic:
+
+I will eventually move the import of the picture from the beginning of
+the environment (\mfpic) to the end (\endmfpic). Labels (when TeX is
+placing them) will be kept in a separate box, and it will be added onto
+the picture at the end.
+
+The optional parameter of \tlabelrect may now be the literal word
+"roundends". This will make the radius of the quarter circles equal to
+half the narrower dimension of the rectangle, giving the "rectangle"
+semicircular ends.
+
+Added \pointcolor for setting the color of points (for \point) and for
+symbols (\plotsymbol), but \plotnodes is interpreted as a drawing
+command, and so still uses \drawcolor.
+
+Changed (again!) the name of \@if@mfp@filenotopen, this time to
+\@if@mfp@fileisopen, reversing its sense, and reversed the order of all
+commands.
+
+Moved the undefining of \mfp@filename in \closegraphsfile outside
+the conditional (just in case).
+
+
+
+REVISION 0.67 alpha
+
+Grafbase:
+
+Added knownarray suffix arr, which returns a boolean: true if arr is
+the name of a known array (arr is numeric and a positive integer and
+arr[1] through arr[arr] are known). Added isdashpat suffix pat,
+which applies knownarray to pat.start, pat.rep and pat.finish.
+
+Added defaultdashes, defaultsymbols, and defaultcolors, which
+contains the code to define dashtype0, etc., pointtype0, etc., and
+colortype0, etc.
+
+Added setdatadashes, setdatasymbols, and setdatacolors to allow the
+user to change the definitions of the dashtype, pointtype, and
+colortype arrays.
+
+Added getdashpat, getsymbol, and getcolor which perform the modding
+operation that used to be done in TeX for reverting (for example) to
+pointtype0 after the ninth curve is drawn by \plotdata.
+
+Changed thepolkadot (in MF) so it is shaded. But we should make it
+cover other contents of a region, and we need to subtract black ones
+before we add gray ones. Done.
+
+Added regularpolygon (expr n) (suffix P) (text eqns), where n
+is the number of sides, P is the name of the array of vertices, and
+eqns is a pair of equations specifying either the center, P0, and one
+vertex, or two vertices. Vertices are numbered anticlockwise (otherwise
+two points are not enough data).
+
+Added variables default_tension and fcn_tension to be used as the
+default in path creation commands instead of the hard coded values 1 and
+1.2.
+
+Mfpic:
+
+Realized that the opening code of \mfpic no longer needs to know the
+setting of truebbox. No longer make it an error to use it in an mfpic
+environment.
+
+Replaced the three commands \setdatadashes, \setdatacolors etc., with
+a single command \reconfigureplot which takes the word `dashes',
+`colors', or `symbols' for an argument. Added \defaultplot which
+takes the same arguments and restores the builtin defaults.
+
+Changed name of \partialpath to \partpath.
+
+Added \regpolygon{n}{P}{<eqn1>}{<eqn2>} which writes
+reguralpolygon (n) (P) (<eqn1>;<eqn2>;) (see above).
+
+Moved the loading of the figure to \endmfpic. Now tlabels are added
+to a box \@alltlabels which is appended to the figure right after it
+is loaded. This helps keep most of the box loading in one place. It also
+permits the possibility of adding a write-18 capability for on-the-fly
+figure creation.
+
+Added \mpobj as a synonym for \mfobj.
+
+Added \settension to set the grafbase variable default_tension.
+and \setfcntension to set the grafbase variable fcn_tension.
+
+Docs:
+
+Started mfpguide.tex, a beginner's tutorial.
+
+Renamed mfpicdoc.tex to mfpicman.tex (can't remember why -- maybe
+because I got it confused with mfpdoc.sty).
+
+
+REVISION 0.68 alpha
+
+Grafbase:
+
+Improved fcncurve: fcncontrol does `the right thing' when two
+successive points have the same x-coordinate. This gives the curve a
+decent ending if, instead of extending the sequence by symmetry (in
+order to calculate the controls for the endpoints) we extend by making
+the additional points equal to the endpoints. Looks _so_ much better!
+That was surprising given that all I tried to do was avoid dividing by
+0!
+
+Modified plotnodes as well as plotsymbol so that both store the
+relevant pairs in an array and call dosymbols, which draws the symbol
+at each coordinate in the array. And dosymbols call another command,
+addsymbols, one or two times (once to clear).
+
+Added boolean: clearsymbols. When true, those symbols place by
+plotsymbol or plotnodes which are `clearable' (open paths that satisfy
+their first point equals their last) are first closed and filled with
+background color in MP (cleared in MF) before being drawn.
+
+Added complex function sgn Z : returns 0 if Z is (0,0) otherwise
+unitvector Z.
+
+Modified shadepic. The main point to make sure we don't divide by 0.
+But also, set dimensions for the picture by doing the lowest resolution
+first (thus ensuring both dimensions are at least 2 _pixels_).
+
+Modified the arrowhead routine so that when the head is filled, the
+extra line that closes the head is also drawn.
+
+Modified arcpps so that angles less than 45 are drawn as a single
+segment without passing through a midpoint.
+
+Modified pathcenter c so it can find the center when c is only an
+arc.
+
+Added barycenter expr t to average the points of the the path t.
+
+Added makesector expr p, where p is an arc (or any path). Connects
+pathcenter p to its endpoints. Could be a little more accurate if we
+limited it to arcpps and used arccenter.
+
+Added boolean: overlaylabels. When true, labels are added to
+current_labels, which is then overlayed at endmfpic (new behavior),
+when false, labels are added immediately to active_plane.
+
+Changed these so they produce a path (line segment); used to be they
+returned the endpoint. (You can get the point by invoking
+"point 1 of altitude n of Q".)
+
+altitude n of Q the altitude from Q[n] to the opposite side
+ (produced if necessary).
+median n of Q the median from Q[n] to the opposite side
+anglebisector n of Q the angle bisector from Q[n] to the opposite
+ side
+
+Added
+ tbezier (expr tens, cyclic) (text lst)
+which makes the simple cubic bezier (connects the points in the list
+with ..tension tens.. ), as well as its non-tense counterpart bezier.
+Also added
+ mkbezier (expr tens, cyclic) (suffix pts)
+which is called by the above after loading the text list in the
+the array pts.
+
+For quadratic Be'ziers we have qbezier, and mkqbezier.
+
+Removed fcn_tension, using instead 1.2*default_tension. This is for
+consistency, all curves responding to the same default
+
+Added verbatimtex definition to grafbase.mf. It just gobbles
+everything to the next semicolon.
+
+Redid openqbs and closedqbs so they behave like most other
+path-making commands: they call textpairs and then some common code,
+mkqbs with the name of an array. Also redid mkclosedcbs so it
+utilizes mkopencbs.
+
+
+Mfpic:
+
+Changed the axis commands so they explicitly call \arrow. The purpose
+was to ensure that the arrowhead is drawn _after_ the shaft.
+Significant only for colored heads. This turns out to make axis@# in
+grafbase unnecessary \arrow[l##1]\@figmac{axisline.##2} is all that is
+required.
+
+Added \makesector, a \@closmac prefix that can make a sector out of
+a following arc. Useful when the arc is given without a known center
+([t] or [s]).
+
+Added \let\@nl=\@activectrlM to \@mfwrite so that \@nl can
+be used for line breaks when catcodes of EOL are already fixed (e.g., in
+macro definitions)
+
+Added check to \opengraphsfile that no previous file is still open.
+
+Added \clearsymbols \noclearsymbols to interface with the grafbase
+clearsymbols boolean. Added clearsymbols LaTeX option
+
+Added \newdef\pinumber{3.14159}.
+
+Added new option: overlaylabels and commands \overlaylabels and
+\nooverlaylabels. Similar in implementation to truebbox: a TeX
+boolean is used only to communicate the setting to \opengraphsfile
+before a file is open. Otherwise a MetaPost boolean (above) is switched
+on or off.
+
+Moved \@processdatafile outside \@mfpic@graf@macs. Also moved
+\skipBlanksandComments and definition of \mfp@data since they are
+used by \@processdatafile. Also moved \skipcoomments because it
+seemed it should go along with \skipBlanksandComments. Then I rewrote
+the latter to actually call \skipcomments, so now it _has_ to go where
+it goes.
+
+Renamed \mfp@empty to \@empty.
+
+Added \pairarray{<name>}{<list-of-pairs>} and
+\numericarray{<name>}{<list-of-numbers>}. They define, respectively, an
+array of pairs and an array of numbers. They can be used outside an mfpic
+environments (unlike \patharr), and have the usual scoping properties.
+
+Added \mfbezier[<tens>]{<list>} to interface with grafbase's new
+bezier command. Also \closedmfbezier.
+
+And the equivalent of (a sequence of) LaTeX \qbezier: \qbeziers and
+\closedqbeziers.
+
+Removed \setfcntension because grafbase's fcn_tension was removed.
+Adjusted docs.
+
+Renamed \if@mfp@mpost to \ifmfpmpost so power users can use it to
+write code dependent on the figure processor. The commands to change it
+are still private: \mfp@mposttrue/false .
+
+Added the test for file being open to \setmfvariable. Saves a lot of
+tokens. It seems we never used it without \@if@mfp@fileisopen. Require
+moving it considerably earlier.
+
+Added \mfp@let as abbreviation for \mfp@local\let. Likewise
+\mfp@def.
+
+Renamed \mfp@addto to \mfpaddto for power users (i.e., me) and added
+\mfpmultiply (same syntax and similar effect).
+
+Renamed \@if@mfp@fileisopen to \@ifmfpfileisopen (it was just too
+many @'s !)
+
+Changed \everytlabel so it tests for metapost rather than mplabels.
+This allows it to be used anywhere without worrying whether \nomplabels
+might have cancelled its effect.
+
+Renamed \massage@data to \parse@data.
+
+Make sure every write of verbatimtex ... etex ends with a semicolon so
+it can be used by grafbase.mf (see above).
+
+
+Docs:
+
+First version of mfpguide.tex finished. Writing it exposed a number of
+bugs that got by the usual suite of tests. It is the first documentation
+that actually shows the code and its result together.
+
+Second version of mfpguide.tex, adds appendices. Planning to ship a
+PDF version.
+
+
+REVISION 0.69 alpha and 0.69a
+
+Mfpic:
+
+Rewrote \do@ptparam so its first parameter is the command token (e.g.,
+\do@ptparam\@draw{} instead of the old \do@ptparam{@draw}{}). Added a
+command \simple@opt to process simple optional arguments (those that
+don't need further parsing), it calls a second command to read the
+option, substitute the default if empty, and then call the command with
+the given or supplied option as a normal (brace enclosed) argument. The
+idea is to make all empty optional arguments the same as none at all.
+Added a command \null@opt which is essentially \do@ptparam with a null
+second argument. It turns out that now all commands can be handled by
+the last two: \do@ptparam and \alt@ptparam are not used anywhere
+anymore, although the bare "\mfp@ifnextchar[" does appear once or twice.
+
+Make \gridlines honor the settings of \axismargin (see grafbase
+section below).
+
+Added \hgridlines to draw only the horizontal and \vgridlines to
+draw only the vertical.
+
+Added \gridarcs and \gridrays to draw only the arcs or rays of a
+polar grid.
+
+Added \setmfboolean for \setmfvariable{boolean}.
+Added \setmfnumeric for \setmfvariable{numeric}.
+
+
+Grafbase:
+
+Rewrote gridlines to honor the axis margins (laxis, baxis, raxis,
+and taxis).
+
+Added hgridlines (expr ysp) and vgridlines (expr xsp)
+
+Corrected polargrid. How did it ever last this long without a bug
+report? The computation of rmin was wrong, and it seems a semicolon
+was missing! Added gridarcs (expr rstep) to draw only the arcs, and
+gridrays (tstep) for only the rays. Complemented plrpatch with
+patcharcs and patchrays for this purpose.
+
+Corrected polargrid again! It seems the calculation of max and min
+angles didn't take into account that angle (0,0) was undefined but
+could occur in the code.
+
+Redid resizedrawpen to save drawpen and currentpen (not just
+penwd).
+
+Removed mindiam and substituted minpenwd in the MP version (they
+were equal anyway).
+
+Added \InputIfFileExists{mfpic.cfg} in the LaTeX section just before
+\ProcessOptions. Added code to detect and input mfppatch.tex if it
+exists.
+
+Docs:
+
+Added a file plotting example to pictures.tex and lapictures.tex.
+
+Added some of the new commands to Objects.tex . Converted Objects.tex
+to use built-in \ifmfpmpost instead of the ad hoc \ifmetapost
+defined in TeXMPobj.tex and LTXMPobj.tex.
+
+Renamed mfpicman.tex to mfpman.tex.
+
+
+Distribution:
+
+Packed up for distribution in mfpic69b.zip:
+
+ mfpic.dtx
+ grafbase.dtx
+ mfpic.ins
+ README.txt
+ install.txt
+ changes.txt
+ mfpman.pdf
+ mfpguide.pdf
+ examlpes\pictures.tex
+ examlpes\lapictures.tex
+ examlpes\forfun.tex
+ examlpes\data.dat
+ scr\mfpman.tex
+ scr\mfpguide.tex
+ scr\refcard.tex
+ scr\mfpdoc.sty
+
+And placed on web site.
+
+
+REVISION 0.69c alpha
+
+Grafbase:
+
+Redid gendashed so that it balances speed versus memory: If there are
+n repeated patterns, add sqrt(_n) of them to the picture _v, then
+DoClip (_v); coloraddto (drawcolor) (active_plane, _v); <repeat>. Doing
+that for each pattern was too slow, doing it only once wasted memory.
+
+Put on web site.
+
+
+REVISION 0.69d
+
+Grafbase:
+
+Modified barchart so that the data can be pairs. Interpret (a,b)
+as an interval and creates bars that begin at a and end at b (Gantt
+diagrams).
+
+Added predirection@# (expr p) and postdirection@# (expr p) which
+give correct results *whenever* the path p is nontrivial. Based on
+the easily prove fact (which I only recently discovered) that for a
+nontrivial single knot with keypoints A, B, C and D, the direction at A
+is towards the first one of B, C or D that is not equal to A. The
+predirection[j] returns (0,0) if the path is trivial. If the path is
+trivial upto time j, it returns postdirection[j]. postdirection[j]
+is analogous.
+
+Changed headpath to use predirection[length p](p) instead of
+point length p of p - precontrol length p of p.
+
+
+Mfpic:
+
+Added \gantt (= \barchart)
+
+
+Distribution:
+
+Placed on web site, announced on c.t.t.
+
+
+REVISION 0.69e
+
+Grafbase:
+
+Somehow the last version of grafbase included failed to include a
+long-ago change to colorsafefill in which non-black fills first
+subtract the interior under MF. Corrected that.
+
+Experimented with a O(log n) loop for filledwith. Made no significant
+difference in speed in tests. Must be the extra overhead. Keeping old
+O(n) method.
+
+Experimented with using "..tension atleast tens.." in mksmooth and
+sclosed. All other tension using operations either call these or
+require different treatment. The one case in the test suite where a
+visible difference occured, it looked worse. Returned to old method.
+
+Proofed grafbase.dvi, the documentation of grafbase macros.
+
+
+Docs:
+
+Proofed mfpguide.
+
+
+REVISION 0.69f
+
+Mfpic:
+
+Made [cc] the default for \tlabelrect, etc. Added command
+\tlpathjustify to change the default.
+
+Added code to input local additions, defaults, etc., in mfpic.usr, if
+it exists.
+
+Changed \let\par\relax to \let\par\@empty at the beginning of
+\@mfpic. It isn't really necessary to use \relax, we just want
+to disable blank lines, we don't necessarily want to skip over them in
+\mfp@ifnextchar. In fact, for catching errors, it is better if a blank
+line stops \mfp@ifnextchar.
+
+Grafbase:
+
+New definition of image (writing on active_plane) prevents use of
+plain.mp macros (draw and undraw, for example) inside it. Revert
+to plain.mp version.
+
+Change patcharcs and patchrays so they draw on a suffix parameter
+This avoids the use of image and saves memory since drawing on a
+picture takes less memory (in some circumstances) than creating a
+picture and then assigning it. Actually, the least memory would be to
+clip each line as created and add that directly to active_plane.
+
+Re-examined use (or lack of use) of mono(). Added a few.
+
+
+REVISION 0.69g
+
+Packed it up in mfpic69g.zip and put it on my web site.
+
+Docs:
+
+Added documentation that several arrays become defined after a
+\piechart or \barchart command.
+
+Added documentation on \mfpicversion. Added a couple of overlooked
+\index entries and a couple of commands omitted from the "by type"
+list.
+
+Grafbase:
+
+Modified piechart and barchart so that the documentation about
+arrays was correct What was missing: pieangle and piedirection
+(without numeric suffixes) were not declared, nor given the correct
+value.
+
+Modified code of textrectx so that documentation of \tlabelrect was
+accurate: negative values of the optional argument should now produce
+indented arcs and reversed path. All that needed doing was reversing the
+order of the path connections for negative radii.
+
+Fine tune the calculation of gray level for the MP version of shade so
+that the result more closely matches the MF version on modern printers
+(600+ DPI). Formula is now gray = 1 - (.88*shadewd/sp)**2, which gives
+a lighter gray than before. We therefore rewrite the MF code to permit
+shadewd to be as high as sp/.88 before resorting to filling. The
+number .88 was empirically arrived at (i.e. I determined what number
+made most of the MP and MF shaded figures in Objects.tex look the most
+similar on two different printers; then I averaged the two values).
+
+Change pi and deg to internals (along with radians).
+
+Make plrpatch do what it used to do: draw in drawcolor. Also change
+polarpatch back to calling plrpatch.
+
+
+REVISION 0.7 beta, 14 Nov 2003
+
+Packed up and put on web page and CTAN.
+
+
+REVISION 0.7a beta, 16 Apr 2004
+
+Change one semicolon (;) in a string written by \opengraphsfile to a
+colon (:) to work around a bug in the perl scripts mptopdf and/or
+texexec.
+
+
+------------------------------------------------------------------------
+
+ Stuff To Do
+
+------------------------------------------------------------------------
+
+ Pie-in-the-sky stuff
+
+A command to obtain the boundary of a region defined by F(x,y), where
+F is a boolean valued function. Easy if the region is convex.
+
+A command to draw a path paralleling another path. Will need
+predirection and postdirection and some notion of what to do when
+they differ. Inside corners/cusps should be easy,
+
+ /\ /\
+ / \ --> / \
+ / \ / /\ \
+
+outside corners might need some limit on "mitering":
+ __ /\
+ / \ / \
+ /\ --> / /\ \ or / /\ \ or a rounded (circular?) connection.
+
+
+A command to render a path with a "photon"?
+
+Try 'write18' on-the-fly creation of figures? Most straightforward would
+be to mimic \opengraphsfile with each \mfpic. That would require
+rethinking those commands that write to the graph file _outside_ an
+mfpic figure. Maybe redo \mfsrc so it added to some macro or token list,
+and write _that_ after the file is opened.
+
+Or maybe: \opengraphsfile at beginning of document, then
+\closegraphsfile just before processing the figure, then \opengraphsfile
+again right afterwards. Then only commands we insert occur when a file
+is closed.
+
+Truebbox for MF? Might be done if every drawing command kept track of
+bounding boxes (commands that fill, hatch, etc. already get this info
+with gbbox). Would just need to add it to plotsymbol (for pointd and
+plotnodes) and to the drawing commands (drawn, gendashed, etc.). Might
+want to skip the lower-level things like safedraw, safefill, etc. (or
+maybe add it _only_ there). Don't want to do it for anything that
+doesn't add to active_plane. But some things only add pictures to
+active_plane and by then it's impossible to determine the size. Once a
+bounding box is known, endmfpic can adjust tfm dimensions. and shift the
+picture before shipout.
+
+
diff --git a/Master/texmf-dist/doc/generic/mfpic/data.dat b/Master/texmf-dist/doc/generic/mfpic/data.dat
new file mode 100644
index 00000000000..24db6380230
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/data.dat
@@ -0,0 +1,37 @@
+### File: data.dat
+### A part of mfpic 0.7a beta 2004/04/16
+###
+# A file of data to plot a function curve
+# (Sharp, not percent, must be comment character when this is read.)
+
+
+#
+-10% 11.68# This is a comment
+ -9% 9.62
+ -8.5% 8.445
+ -8% 8.28
+ -7.5% 5.865 unused: random list, of, words,,,
+ -7% 5.5
+# This is not a blank line
+ -5.5% 3.445
+ -5% 1
+ -4.5% 1.965
+ -4% 2.14
+ -3.5% 2.985
+ -2.5% -1.215
+ -2% 1.52
+ -0.5% 1.545
+ 0% 0.42
+ 0.5% -0.435
+ 1% 0.96
+ 2.5% -1.235
+ 3% 0.94
+ 3.5% 0.165
+ 4% 0.28
+ 5% 1.1
+ 5.5% 3.145
+ 6% 1.94
+ 6.5% 5.505
+ 7% 3.44
+ 9.5% 8.925
+ 10% 9.84
diff --git a/Master/texmf-dist/doc/generic/mfpic/forfun.tex b/Master/texmf-dist/doc/generic/mfpic/forfun.tex
new file mode 100644
index 00000000000..8f9279a8763
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/forfun.tex
@@ -0,0 +1,137 @@
+%%% File: forfun.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+\nopagenumbers
+\input mfpic.tex
+\usemetapost
+\usetruebbox
+\opengraphsfile{forfun}
+
+\mfpicunit=1bp
+
+\noindent
+\mfpic[1]{-1.25}{118.5}{-11.25}{40}
+
+% meta-ness:
+\mfsrc{h:=25; % height of "m"
+ s:=10; % width of stems
+}
+
+% Calculate key points:
+\mfsrc{% the "m"
+z1=(0,0);
+y1=y2=y5=y6=y9=y10;
+x2-x1=x6-x5=x10-x9=s;
+x6-x1=x10-x5=h;
+z15-z1=z3-z2=z4-z5=z7-z6=z8-z9=z11-z10=(0,h/2);
+y12=y1+h; x12=.5[x6,x9];
+y14=y12; x14=.5[x2,x5];
+z13= arcppp(z7,z14,z15) intersectionpoint arcppp(z11,z12,z4);}
+
+\mfsrc{% the "f"
+z21=z10; % start "f" where the "m" ends
+z22=z21+(s,0);
+z23=z22+(0,h-s);
+z24=z23+(3s/4,0);
+z25=z24+(0,s);
+z26=z23+(0,s);
+z27=z26+(0,s/4);
+z28=z27+(s/4,0)+ (s/4)*dir(30);
+z29=z28+s*dir(30);
+x30=x21; y30=y27;}%
+
+\mfsrc{% the "p"
+x31=x24;
+y31=y21;
+z32=z31-(0,s);
+z33=z32+(s,0);
+z35=(x33,h/2);
+z39=z31+(h,h)/2; %center of round part
+z34=(z33--z35) intersectionpoint (fullcircle scaled h shifted z39);
+z36=z39+(h/2,0);
+z37=z31+(0,h/2);}%
+
+\mfsrc{% the "i"
+z41=(x36,y31);
+z42=z41+(s,0);
+z43=z42+(0,h);
+z44=z41+(0,h);
+x45=0.5[x41,x42]; y45=y43 + s/2 +3/50;}% Center of dot
+
+\mfsrc{% the "c"
+z51=z42;
+z52=z51+(h,h)/2; %center
+z53=z52+(h/2)*dir(15);
+z54=z52-(h/2,0);
+z55=z52+(h/2)*dir(-15);
+z56=z52+(s/4)*dir(-15);
+z57=z52-(s/4,0);
+z58=z52+(s/4)*dir(15);}%
+
+\pen{2.5*\the\mfpicunit}
+
+% Calculate bounding box
+
+\mfsrc{%
+% Need to account for half the thickness of pen;
+% penwd is in absolute units so we need to convert.
+% This is a displacement, so use invvconv (not invzconv):
+begingroup
+save border,ll,ur;
+pair border,ll,ur; border:= invvconv((penwd,penwd))/2;
+ll=(0,y32)-border;
+ur=(x55,y30+(x29-x30)/2)+border;}
+
+\gfill[yellow]\rect{ll,ur}
+
+\mfsrc{endgroup;}
+
+\fillcolor{blue}
+\drawcolor{green}
+
+\mftitle{m}
+\draw\gfill\lclosed
+ \connect
+ \lines{z15,z1,z2,z3}
+ \arc[s]{z3,z4,-180}
+ \lines{z4,z5,z6,z7}
+ \arc[s]{z7,z8,-180}
+ \lines{z8,z9,z10,z11}
+ \arc[t]{z11,z12,z13}
+ \arc[t]{z13,z14,z15}
+ \endconnect
+
+
+\mftitle{f}
+\draw\gfill\lclosed
+ \connect
+ \lines{z21,z22,z23,z24,z25,z26,z27}
+ \arc[s]{z27,z28,-150}
+ \lines{z28,z29}
+ \arc[s]{z29,z30,150}
+ \endconnect
+
+\mftitle{p}
+\draw\gfill\lclosed
+ \connect
+ \lines{z31,z32,z33,z34}
+ \arc[t]{z34,z36,z37}
+ \endconnect
+
+\draw\gfill[yellow]\circle{z39,(h/2-s)}
+
+\mftitle{i}
+\draw\gfill\lclosed\lines{z41,z42,z43,z44}
+\draw\gfill\circle{z45,s/2}
+
+\mftitle{c}
+\draw\gfill\lclosed
+ \connect
+ \arc[t]{z53,z54,z55}
+ \arc[t]{z56,z57,z58}
+ \endconnect
+
+\endmfpic
+
+\closegraphsfile%{forfun}
+\bye
diff --git a/Master/texmf-dist/doc/generic/mfpic/install.txt b/Master/texmf-dist/doc/generic/mfpic/install.txt
new file mode 100644
index 00000000000..9e881942298
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/install.txt
@@ -0,0 +1,119 @@
+%%% File: instruct.txt
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+
+This is an alpha-test version of mfpic. See README.txt for a list of
+files and a brief description of each.
+
+Generating and installing the files
+-----------------------------------
+
+-- Put mfpic.ins, mfpic.dtx and grafbase.dtx in the same temporary
+ directory and change to that directory. Run latex on mfpic.ins, which
+ should produce the five files
+ mfpic.tex
+ mfpic.sty
+ grafbase.mf
+ grafbase.mp
+ dvipsnam.mp
+
+-- If you have an older version of mfpic, remove the old files with the
+ same names as the above five from your TeX directories, or ensure
+ that the following procedure overwrites them (back them up somewhere
+ else first if you wish).
+
+-- Copy mfpic.tex (and mfppatch.tex, if it exists) where TeX or LaTeX
+ will find it, and mfpic.sty where LaTeX will find it. On any TDS
+ compliant system (such as teTeX, fpTeX, TeXLive, or MiKTeX) they can
+ both be put in $TEXMF/tex/generic/mfpic/ (where $TEXMF indicates a
+ directory serving as a root of a texmf tree).
+
+-- Copy grafbase.mp and dvipsnam.mp where MetaPost will find them, for
+ example $TEXMF/metapost/mfpic/ .
+
+-- Copy grafbase.mf where Metafont will find it. For example,
+ $TEXMF/metafont/mfpic/ .
+
+-- Copy mfpguide.pdf and mfpman.pdf where documentation is kept. For
+ example, $TEXMF/doc/generic/mfpic/ . Optionally, copy src/*.* to the
+ LaTeX input path, and examples/*.* to either the same place or the
+ documentation area.
+
+-- If required by your TeX system (MiKTeX, teTeX, fpTeX, TeXLive
+ DO require it): UPDATE THE TeX FILENAME DATABASE !
+
+There is one optional step that may be useful (if you only wish to use
+mfpic to produce MetaPost pictures, you may skip this): find the file
+modes.mf on your system. Typically this will be in $TEXMF/metafont/misc/
+Find near the end a line similar to
+
+ localfont := ljfour;
+
+Replace, if necessary, the string "ljfour" by one of the modes listed in
+that file. At minimum, select one whose resolution (DPI) matches your
+printer and/or the configuration of your dvi viewer. If you make such a
+change, regenerate the mf.base file (fmtutil on teTeX, fpTeX or TeXLive;
+MiKTeX Options in MiKTeX). On some systems this may be named plain.base.
+
+Read mfpguide.pdf before trying anything further. If you are already
+familiar with mfpic, version 0.2.10.9 or later, you can probably get
+going right away.
+
+If you want to read the documented source code for mfpic, run latex on
+mfpic.dtx and grafbase.dtx (Peter Wilson's docmfp.sty is required
+for grafbase.dtx) 2 or 3 times each. Then run makeindex for each:
+
+ makeindex -s gind.ist -o mfpic.ind mfpic.idx
+ makeindex -s gind.ist -o grafbase.ind grafbase.idx
+
+and then latex again (once each). The docmfp package can be found at
+your favorite CTAN mirror. A copy of docmfp.sty is also on my web page
+(see README.txt).
+
+------------------------------------------------------------------------
+
+If you desire to remake the mfpic manual (and why in the world would you
+be wanting to do a daft thing like that?), make sure mfpman.tex and
+mfpdoc.sty are in the current directory or where LaTeX can find them.
+Edit, if you like, the paper size option in the \documentclass command
+in mfpman.tex. Make sure mfpdoc.sty is where LaTeX will find it. Then
+run pdflatex two (2) times:
+
+ pdflatex mfpman
+ pdflatex mfpman
+
+then run makeindex:
+
+ makeindex mfpman
+
+then run latex two (2) more times
+
+ pdflatex mfpman
+ pdflatex mfpman
+
+The last run is required to get the index into the table of contents.
+You can use latex instead of pdflatex, but you won't get clickable links
+in the result. (I was too lazy to work out the kinks.)
+
+You could do something similar for mfpguide.tex (but that, too, would be
+daft):
+ pdflatex mfpguide
+ mpost guide.mp
+ pdflatex mfpguide
+ pdflatex mfpguide
+
+This relies on mfpic so you should probably wait to do that until after
+you are accustomed to that process. (And then take a cold shower until
+this compulsion passes.)
+
+And finally, if you forgot:
+ ****************************************
+ * ! UPDATE THE TeX FILENAME DATABASE ! *
+ ****************************************
+
+--
+Dan Luecking (luecking at uark dot edu)
+Department of Mathematical Sciences
+University of Arkansas
+Fayetteville, Arkansas 72701-1201
+U.S.A
diff --git a/Master/texmf-dist/doc/generic/mfpic/lapictures.tex b/Master/texmf-dist/doc/generic/mfpic/lapictures.tex
new file mode 100644
index 00000000000..52a9f060d9e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/lapictures.tex
@@ -0,0 +1,199 @@
+%%% File: lapictures.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+% Magnify to same scale as pictures.tex :
+% (Use of \mag is against the law of LaTeX, but Bugs Bunny set a precedent.)
+\mag=1200
+\documentclass{article}
+
+%%!!!!!!!!!!!!!!!!!!!!!!!!!!!
+% adjust these to your liking:
+\setlength{\paperheight}{11truein}
+\setlength{\paperwidth}{8.5truein}
+
+% Default plainTeX margins
+\setlength{\textwidth}{\paperwidth}
+\addtolength{\textwidth}{-2truein}
+\setlength{\textheight}{\paperheight}
+\addtolength{\textheight}{-2.1truein}
+\setlength{\headheight}{0in}
+\setlength{\headsep}{0in}
+\setlength{\oddsidemargin}{0in}
+\setlength{\evensidemargin}{\oddsidemargin}
+\setlength{\footskip}{\baselineskip}
+
+% Add the metapost option if you prefer.
+\usepackage{mfpic}
+
+\ifx\pdfoutput\UndEfInEd
+\else
+ \setlength{\pdfpageheight}{\paperheight}
+ \setlength{\pdfpagewidth}{\paperwidth}
+\fi
+
+\opengraphsfile{pics}
+
+\setlength{\mfpframesep}{0pt}
+\headshape{1}{1}{true}
+\newcommand{\vs}{\bigskip\filbreak}
+\renewcommand\raggedright{\rightskip 0pt plus2em \spaceskip.3333em \xspaceskip.5em\relax}
+\begin{document}
+\mftitle{Commutative Diagram example.}
+
+% A-----D
+% |\ /|
+% | C-F |
+% |/ \|
+% B- - -E
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[12]{0}{10}{0}{10}
+\tlabeljustify{cc}
+\tcaption[2.0,1.0]{\raggedright{\it Figure 1:} Commutative diagram example.}
+\tlabels{(1,9){A} (1,1){B} (3,5){C} (9,9){D} (9,1){E} (7,5){F}}
+\setrender{\draw\arrow\trimpath{6pt}}
+\lines{(1,9), (1,1)} % A -> B.
+\lines{(1,9), (3,5)} % A -> C.
+\lines{(3,5), (1,1)} % C -> B.
+\lines{(1,9), (9,9)} % A -> D.
+\lines{(9,9), (9,1)} % D -> E.
+\lines{(9,9), (7,5)} % D -> F.
+\lines{(7,5), (9,1)} % F -> E.
+\lines{(3,5), (7,5)} % C -> F.
+% B- - ->E :
+%\dotted\arrow[r90][b-12pt]\arrow[b15pt]\reverse\arrow\lines{(1.5,1), (8.5,1)}
+\dotted\arrow\arrow[b10pt]\reverse\arrow\trimpath{6pt}\lines{(1,1), (9,1)}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Function Plot with Cartesian Axes.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[20]{-3}{3}{-3}{3}
+\axes
+\function{-2,2,0.1}{((x**3)-x)/3}
+\tcaption{\raggedright{\it Figure 2:} Function Plot with Cartesian Axes.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Parametric Function Plot, and Filled Circle.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[30]{-1.5}{1.5}{-1}{1}
+\parafcn{0,6,0.1}{cosd(150t)*dir(90t)}
+\gfill\circle{(0,0),0.25}
+\tcaption{\raggedright{\it Figure 3:} Parametric Function Plot, and Filled Circle.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Bar Graph.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[20]{-0.5}{4}{-0.5}{4}
+\axes
+\shade\draw\rect{(0,0),(1,0.5)}
+\darkershade
+\shade\draw\rect{(1,0),(2,1)}
+\hatch\draw\rect{(2,0),(3,2)}
+\tcaption{\raggedright{\it Figure 4:} Bar Graph.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Pie Chart.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[30]{-1.3}{1.7}{-1}{1.1}
+\gfill\sector{(0.3,0.2), 1, 0,60}
+\shade\sector{(0,0), 1, 60,105}
+\turtle{(0,0), \plr{(1,105)}}
+\sector{(0,0), 1, 60,360}
+\tcaption{\raggedright{\it Figure 5:} Pie Chart.}
+\end{mfpic}
+\end{mfpframe}
+
+\noindent Unindented text here.
+
+\vs
+
+\mftitle{Circle with Arrow.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[20]{-2}{2}{-1}{1}
+\arrow\circle{(0,0),1}
+\tcaption{\raggedright{\it Figure 6:} Circle with Arrow.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Use of hatch, draw, lclosed, connect, curve, point, lines,
+ dotted, reverse.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[20]{-3}{3}{-3}{3}
+\hatch\draw\lclosed\connect
+\curve{(1,0), (1,0.5), (1,1), (0,1.5)}
+\point{(0,0)}
+\endconnect
+\lines{(-1,1), (-1,-1), (1,-1.5)}
+\point{(0,0)}
+\dotted\reverse\lines{(-2,2), (-2,-2), (2,-3)}
+\tcaption{\rightskip= 0pt plus 3em {\it Figure 7:} Use of hatch, draw, lclosed, connect,
+ curve, point, lines, dotted, reverse.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Simpler variant of the previous figure.}
+
+\noindent
+\begin{mfpframe}
+\begin{mfpic}[40]{-1}{1}{-1}{1} % Was `[20]'.
+\tcaption{\raggedright{\it Figure 8:} Simpler variant of the previous figure.}
+\hatch\draw\lclosed\connect
+\curve{(1,0), (0.5,0.25), (0.5,0.5), (0,0.75)}
+\point{(0,0)}
+\endconnect
+\reverse\lines{(-0.5,0.5), (-0.5,-0.5), (0.5,-0.75)}
+\tcaption{\raggedright{\it Figure 8:} Simpler variant of the previous figure.}
+\end{mfpic}
+\end{mfpframe}
+
+\vs
+
+\mftitle{Graph of data from file.}
+
+\begin{mfpframe}
+\begin{mfpic}[6]{-10}{10}{-2}{12}
+ \makepercentother
+ \using{#1% #2 #3}{(#1,#2)}
+ \makepercentcomment
+ \mfpdatacomment\#
+ \fcncurve\datafile{data.dat}
+ \axes
+\end{mfpic}
+\end{mfpframe}
+
+\closegraphsfile
+
+\end{document}
+
+%%%
+%%% EOF lapictures.tex
+%%%
diff --git a/Master/texmf-dist/doc/generic/mfpic/mfpdoc.sty b/Master/texmf-dist/doc/generic/mfpic/mfpdoc.sty
new file mode 100644
index 00000000000..674dc965061
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/mfpdoc.sty
@@ -0,0 +1,172 @@
+%%% File: mfpdoc.sty
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+\ProvidesPackage{mfpdoc}[2003/11/14 v0.5 macros for mfpic documentation]
+
+\RequirePackage{ifpdf}
+
+\newcommand\mfpversion{0.7a beta}
+\newcommand\mfpdate {2004/04/16}
+
+% Text size:
+
+\textwidth 5.4167 in
+\textheight 7.4166 in
+
+% Equal LR margins
+\oddsidemargin 0.5\paperwidth
+ \advance\oddsidemargin-.5\textwidth
+ \advance\oddsidemargin-1truein
+\evensidemargin\oddsidemargin
+
+% "Equal" TB margins (if headings are ignored).
+\topmargin 0.5\paperheight
+ \advance\topmargin-0.5\textheight
+ \advance\topmargin-\headheight
+ \advance\topmargin-\headsep
+ \advance\topmargin-1truein
+
+\ifpdf
+ \pdfpageheight\paperheight
+ \pdfpagewidth\paperwidth
+\else
+ \ifx\mfpdvipdfm\UndEfInEd
+ \special{papersize=\the\paperwidth,\the\paperheight}
+ \else
+ \special{pdf: pagesize width \the\paperwidth\space height \the\paperheight}
+ \fi
+\fi
+
+\renewcommand\section{\@startsection {section}{1}{\z@}%
+ {-2.4ex \@plus -.5ex \@minus -.1ex}%
+ {1.0ex \@plus.1ex}%
+ {\normalfont\large\bfseries}}
+\renewcommand\subsection{\@startsection{subsection}{2}{\z@}%
+ {-1.8ex\@plus -.4ex \@minus -.1ex}%
+ {.75ex \@plus .1ex}%
+ {\normalfont\bfseries}}
+\renewcommand\subsubsection{\@startsection{subsubsection}{3}{\z@}%
+ {-1.2ex\@plus -.3ex \@minus -.1ex}%
+ {.5ex \@plus .1ex}%
+ {\normalfont\scshape\raggedright}}
+
+\def\mfpicversiontext{\prog{Mfpic} version: \mfpversion.}
+
+\def\@maketitle{%
+ \newpage\vspace*{-2\baselineskip}
+ \ifx\mfpicversiontext\relax
+ \else
+ {\let\p@footnote\relax\let\@thempfn\relax
+ \footnotetext{\mfpicversiontext}}%
+ \fi
+ {\centering%
+ {\Large \@title \par}%
+ \vskip 1em%
+ {\large \lineskip .5em%
+ \begin{tabular}[t]{c}%
+ \@author
+ \end{tabular}\par}%
+ \vskip .7em%
+ {\normalsize \@date}%
+ \par
+ }%
+ \vskip 1em\relax}
+
+\def\mfpindexheading{}
+\def\mfpindexpagemarks{}
+
+\renewenvironment{theindex}
+ {%
+ \@restonecoltrue
+ \columnseprule \z@
+ \columnsep 35\p@
+ \twocolumn[\mfpindexheading%
+ \vspace{1ex}]%
+ \mfpindexpagemarks
+ \parindent\z@
+ \parskip\z@ \@plus .3\p@\relax
+ \let\item\@idxitem
+ }
+ {\clearpage}
+
+% command descriptions:
+\newenvironment{cd}
+ {\def\ {\leavevmode\null\quad}% small space at beginning of line
+ \par\addvspace{1.75ex plus .3ex minus .1ex}
+ \vbox\bgroup\parindent0pt\ignorespaces}
+ {\unskip\strut\egroup\nobreak\vspace{.75ex plus .3ex minus .1ex}%
+ \@ignoretrue}
+
+% examples:
+\newenvironment{ex}
+ {\par\def\ {\leavevmode\null\quad}%
+ \addvspace{1ex plus.2ex minus.1ex}\leftskip2\parindent\relax
+ \vbox\bgroup\parindent0pt\ignorespaces}
+ {\unskip\egroup\vskip 1ex plus.2ex minus.1ex \@ignoretrue\@endpetrue}
+
+\def\pdfTeX{pdf\kern.04em\TeX}
+\def\pdfLaTeX{pdf\kern.06em\LaTeX}
+\def\ConTeXt{Con\kern-.16em \TeX \kern-0.06em t}
+\def\eTeX{e\kern-.10em \TeX}
+\def\AmSTeX{$\cal A$\kern-.1667em\lower.5ex
+ \hbox{$\cal M$}\kern-.125em$\cal S$-\TeX}
+\def\PiCTeX{P\kern-.12em\lower.5ex\hbox{I}\kern-.075emC\kern-.11em\TeX}
+
+\hyphenation{meta-font meta-post Post-Script Ghost-script}
+
+\def\MF{\prog{metafont}}
+\def\CMF{\prog{Metafont}}
+\def\MP{\prog{metapost}}
+\def\CMP{\prog{Metapost}}
+\def\PS{\prog{PostScript}}
+\def\GS{\prog{Ghostscript}}
+\def\EPS{\prog{EPS}\null}
+\def\mfp{\prog{mfpic}}
+\def\Mfp{\prog{Mfpic}}
+\def\grafbase{\prog{grafbase}}
+\def\Grafbase{\prog{Grafbase}}
+
+\def\mytt#1{\relax
+ \ifmmode \mathtt{#1}
+ \else {\upshape\mdseries\ttfamily#1}\fi}
+\def\mfc{\begingroup\mdseries\ttfamily\catcode`\_=12 \grabit}
+\def\grabit#1{#1\endgroup}
+\def\_{{\tt\char`\_}}
+\def\prog#1{{\mdseries\scshape#1}} % programs, packages
+\let\file\mytt % filenames
+\def\opt#1{{\upshape\sffamily#1}} % LaTeX option names
+\let\gbc \mfc % grafbase code
+\let\env \file % LaTeX environment names
+\let\email\file
+\let\mail \file
+\let\dim \file % TeX and Metafont dimensions
+
+\edef\otherbackslash{\expandafter\@gobble\string\\}
+\DeclareRobustCommand\cs[1]{\mytt{\char`\\#1}}
+\def\bbsl{\cs{}\cs{}}% prints "\\"
+\DeclareRobustCommand\meta[1]{%
+ \ensuremath{\langle\mbox{\rmfamily\itshape#1\/}\rangle}}
+\providecommand\marg[1]{\mytt{\char`\{#1\char`\}}}
+\providecommand\oarg[1]{\mytt{[#1]}}
+\providecommand\parg[1]{\mytt{(#1)}}
+
+\def\ps@mfpdoc{%
+ \let\@oddfoot\@empty\let\@evenfoot\@empty
+ \def\@oddhead{\small{\scshape\rightmark}\hfil\thepage}%
+ \let\@evenhead\@oddhead
+ \let\@mkboth\markboth
+ \def\sectionmark##1{\thispagestyle{plain}}
+ \def\subsectionmark##1{%
+ \markright {\thesubsection\quad##1}}%
+ \def\subsubsectionmark##1{}}
+
+\renewcommand\tableofcontents{\pagenumbering{roman}%
+ \section*{\contentsname
+ \@mkboth{\scshape\contentsname}{\scshape\contentsname}}%
+ \@starttoc{toc}\clearpage\pagenumbering{arabic}}
+
+% figures at top of float pages:
+\@fptop=-\@fpsep
+
+\frenchspacing
+\endinput
diff --git a/Master/texmf-dist/doc/generic/mfpic/mfpguide.pdf b/Master/texmf-dist/doc/generic/mfpic/mfpguide.pdf
new file mode 100644
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--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/mfpguide.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/mfpic/mfpguide.tex b/Master/texmf-dist/doc/generic/mfpic/mfpguide.tex
new file mode 100644
index 00000000000..ea0eaf04d88
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/mfpguide.tex
@@ -0,0 +1,1614 @@
+%%% File: mfpguide.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+% Tutorial on mfpic
+\documentclass[letterpaper]{article}
+
+\usepackage{pslatex}
+
+\usepackage{mfpdoc}
+\usepackage{verbatim}
+
+\makeatletter
+\def\verbatim@processline{\hspace{20pt}\the\verbatim@line\par}
+\@addtoreset{figure}{section}
+\makeatother
+
+\renewcommand{\thefigure}{\thesection.\arabic{figure}}
+
+\newenvironment{mfpfig}[1]
+{\figure[htb] \centering \refstepcounter{figure} \label{#1}}
+{\par\medskip Figure \thefigure. \endfigure}
+
+\usepackage[dvipdfm]{graphics}
+\usepackage[metapost]{mfpic}
+\opengraphsfile{guide}
+
+\ifpdf
+\usepackage[pdftex,colorlinks,pdfpagemode=none,pdfstartview=FitH,%
+plainpages=false,hypertexnames=true]{hyperref}
+\pdfstringdefDisableCommands{\def\cs#1{\otherbackslash#1}%
+ \def\opt#1{#1}\def\prog#1{#1}}
+\fi
+
+\def\theHfigure{\thefigure}
+
+\title{\Mfp: A Short Introduction}
+\author{Daniel H. Luecking\thanks{luecking at uark dot edu}}
+\date{\mfpdate}
+
+\begin{document}
+
+\maketitle
+\tableofcontents
+
+\section{Introduction}\label{sec:intro}
+
+As this document aims only to instruct the reader in the building of
+figures with \mfp{}, we will not be too concerned with the intricacies
+of running programs in various operating systems and \TeX{}
+distributions. What will be described here is the simplest case: a
+command-line system in which commands are typed at a keyboard. To
+simplify things further, we will assume that \mfp{} is used with the
+\opt{metapost} option, in a \LaTeX{} document, with \pdfLaTeX{} as the
+compiler. An appendix will discuss some of the differences when these
+assumptions are not satisfied.
+
+We will start right out with the ``Hello, world'' of \mfp{}. Construct a
+\LaTeX{} document by typing the following in a text editor and saving it
+as \file{first.tex}.
+\begin{verbatim}
+ \documentclass{article}
+ \usepackage[metapost]{mfpic}
+ \opengraphsfile{myfigs}
+ \begin{document}
+ My first figure:
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \end{mfpic}
+ \closegraphsfile
+ \end{document}
+\end{verbatim}
+Run the command
+\begin{ex}
+ \texttt{pdflatex first}
+\end{ex}
+which should create several files, the two most important being
+\file{first.pdf} and \file{myfigs.mp}. You can go ahead and open
+\file{first.pdf}. You should see a 2 inch by 2 inch square with
+something similar to `\texttt{\#1}' in the lower left corner. This shows
+where the picture will be when it has been created.
+
+Now run the command
+\begin{ex}
+ \texttt{mpost myfigs}
+\end{ex}
+which should create the file \file{myfigs.1}. This is an EPS file
+(Encapsulated PostScript) and can be opened in GhostScript or GSview or
+similar Postscript viewing program to see an ellipse.
+
+If you are viewing \file{first.pdf} in Acrobat Reader or Adobe Reader,
+you will need to close it. Now repeat the \pdfLaTeX{} step:
+\begin{ex}
+ \texttt{pdflatex first}
+\end{ex}
+and then view the file \file{first.pdf}. You should see something very
+close to figure~\ref{fig1}.
+\begin{mfpfig}{fig1}
+ My first figure:
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \end{mfpic}
+\end{mfpfig}
+
+What can go wrong? According to Murphy's Law: anything. If \mfp{} is
+not properly installed, one could obtain messages of files not found. If
+that happens, determine (from your \TeX{} system's documentation) where
+\TeX{} input files should go and make sure that \file{mfpic.tex} and
+\file{mfpic.sty} reside there. Similarly, find out where \MP{} inputs
+should go and make sure that \file{grafbase.mp} and \file{dvipsnam.mp}
+reside there. Then run whatever command your \TeX{} system might require
+to ``update the filename database''. You may safely ignore the message
+from \mfp{} itself that \file{myfigs.1} is not found (on the first run
+of \pdfLaTeX). This file should be created only after running
+\texttt{mpost}.
+
+If you get an error message from \LaTeX{}, carefully check your typing.
+Also check whether an older version of \mfp{} might have been used
+instead of the current version. If you get an error message from \MP{}
+do the same, especially within the \env{mfpic} environment. If you get a
+message from \MP{} that ``Grafbase'' believes your \mfp{} installation
+may be broken, check the log files (\file{first.log} and
+\file{myfigs.log}) to find out the locations of these input files:
+\begin{ex}
+ \file{mfpic.tex} and \file{grafbase.mp}
+\end{ex}
+and make sure that both these files are from the most recently installed
+\mfp{} package. If you are only evaluating \mfp{} without committing to
+upgrading it, just make sure all the files mentioned in the previous
+paragraphs are in the current directory.
+
+If \pdfLaTeX{} complains it can't write on the file \file{first.pdf},
+unload first.pdf from your pdf viewer and try again.
+
+If the figures look a little choppy in Acrobat Reader, turn on ``smooth
+line art'' in the edit preferences dialogue.
+
+I will assume that eventually all went well and you are now able to
+obtain the ellipse of figure~\ref{fig1}. Each time you change an
+\env{mfpic} environment or the options to the package, you potentially
+change the file \file{myfigs.mp} produced and you should repeat the
+sequence:
+\begin{verbatim}
+ pdflatex first
+ mpost myfigs
+ pdflatex first
+\end{verbatim}
+to be sure of seeing the changes.
+
+One thing you might notice about figure~\ref{fig1} is that the ellipse
+is positioned quite a bit above the base line of the text. This is
+because \mfp{} reserves the amount of space specified in the arguments
+of the \env{mfpic} environment. These arguments are
+\verb$[72]{-1}{1}{-1}{1}$, which means the each unit in the picture is
+72 times the value of \cs{mfpicunit}, that is, about one inch. the first
+pair of mandatory arguments, \verb${-1}{1}$, indicate the
+$x$-coordinates run from $-1$ to $1$. Since these differ by 2, they
+indicate a width of two inches. The second pair similarly represents a
+height of two inches. But the ellipse is centered at $(0,0)$, which is
+one inch above the bottom (bottom is at $y = -1$), and its vertical
+radius is .5. So the lowest point on the ellipse should be .5 inches
+above the bottom of the space reserved. \Mfp{} provides a way to fit the
+space reserved to the actual extent of `ink' in the picture. That is by
+the option \opt{truebbox}:
+\begin{verbatim}
+ \usepackage[metapost,truebbox]{mfpic}
+\end{verbatim}
+This would then produce something like figure~\ref{fig2}.
+From now on, this option will be in effect in our examples.
+\usetruebbox
+\begin{mfpfig}{fig2}
+ My first figure:
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \end{mfpic}
+\end{mfpfig}
+
+Even though the arguments to the \env{mfpic} environment are ignored in
+determining the size of the figure (under \opt{truebbox}), they are
+still needed in order to establish the coordinate system that the
+ordered pairs refer to (for example \texttt{(0,0)} in the \cs{ellipse}
+arguments).
+
+\section{Positioning text}\label{sec:text}
+
+By now you are probably thinking: ``This so-called `Hello, world'
+of \mfp{} doesn't say `Hello, world' anywhere!'' We correct that
+with the following example:
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \tlabel[cc](0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+This should give you figure~\ref{fig3}.
+\begin{mfpfig}{fig3}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \tlabel[cc](0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+The \cs{tlabel} command places the given text at the given position
+($(0,0)$) adjusted according to the optional argument \texttt{[cc]},
+which says to center the text (both vertically and horizontally) at that
+location. The \texttt{[cc]} is optional. Without it, the text would have
+the leftmost point of its baseline (the imaginary line that most letters
+sit on) placed at $(0,0)$.
+
+You are no doubt thinking: ``The ellipse doesn't really match the
+text. What you need is some macro that measures the text and produces an
+oval with similar domensions.'' For that we have the \cs{tlabeloval}
+command. The \cs{tlabeljustify} command in the example below is to
+communicate to both the text placement and the curve generation
+procedures that they are to be centered at the point $(0,0)$. (We'll see
+an easier way to do this later.)
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabeljustify{cc}
+ \tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+This produces figure~\ref{fig4}.
+\begin{mfpfig}{fig4}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabeljustify{cc}
+ \tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+This would be better still if a little space is left around the text so
+the ellipse doesn't touch it. The \cs{tlabelsep} command can do that:
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabeljustify{cc}
+ \tlabelsep{3pt}
+ \tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+producing figure~\ref{fig5}.
+\begin{mfpfig}{fig5}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabeljustify{cc}
+ \tlabelsep{3pt}
+ \tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+Now it would be nice to make the text pop out a bit with some color.
+Adding \verb$\gfill[yellow]$ in front of either \verb$\ellipse$ or
+\verb$\tlabeloval$ will do that:
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabelsep{3pt}
+ \tlabeljustify{cc}
+ \gfill[yellow]\tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+This will produce figure~\ref{fig6}.
+\begin{mfpfig}{fig6}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \tlabelsep{3pt}
+ \tlabeljustify{cc}
+ \gfill[yellow]\tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+Notice that now the boundary of the oval has not been drawn. This is the
+standard behavior of \mfp{}. A figure command alone will draw the
+figure. If you want some other rendering than that, you must explicitly
+provide all of it. To get the boundary back, simply add \verb$\draw$
+before the \verb$\gfill$. You can draw the curve in a color other than
+black with an optional argument. We can also make the line thicker with
+the command \verb$\penwd$:
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \penwd{1.5pt}
+ \tlabelsep{3pt}
+ \tlabeljustify{cc}
+ \draw[blue]\gfill[yellow]\tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+This will produce figure~\ref{fig7}.
+\begin{mfpfig}{fig7}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \penwd{1.5pt}
+ \tlabelsep{3pt}
+ \tlabeljustify{cc}
+ \draw[blue]\gfill[yellow]\tlabeloval(0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+This last version doesn't look too bad, but it seems that the oval ought
+to be a little fatter (slightly higher than it now is). By default,
+\verb$\tlabeloval$ will make the ratio of width to height the same as
+that of the text, or rather of the text plus the additional space
+specified by \verb$\tlabelsep$. This can be changed with an optional
+argument, a number that multiplies the width-to-height ratio. Decreasing
+this ratio will decrease the width (slightly) and increase the height.
+Here we have also omitted the \cs{tlabeljustify} command and shown that
+\cs{tlabeloval} takes a second optional argument that can be used to
+`justify' both the curve and the text. To use this, one must explicitly
+include the first optional argument; if the default is intended, an
+empty pair of brackets may be used.
+\begin{verbatim}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \penwd{1.5pt}
+ \tlabelsep{3pt}
+ \draw[blue]\gfill[yellow]\tlabeloval[.8][cc](0,0){Hello, world.}
+ \end{mfpic}
+\end{verbatim}
+This will produce figure~\ref{fig8}.
+\begin{mfpfig}{fig8}
+ \begin{mfpic}[72]{-1}{1}{-1}{1}
+ \penwd{1.5pt}
+ \tlabelsep{3pt}
+ \draw[blue]\gfill[yellow]\tlabeloval[.8][cc](0,0){Hello, world.}
+ \end{mfpic}
+\end{mfpfig}
+
+The \cs{tlabeloval} command places the label last, after the action of
+all the preceding macros; therefore the text ends up on top of
+everything else. The \cs{tlabeloval} command also has a \mbox{`*-form'} that
+does everything \emph{except} place the text. Finally, ovals are not the
+only thing that can be used to surround text. See the manual
+(\file{mfpman.pdf}) and below for others.
+
+Here is a more common use of \verb$tlabel$ commands: labeling a graph
+and axes. In the following example we have given \cs{tlabel} the option
+\texttt{[bl]} to place the bottom left corner of the text at the given
+coordinates. However, we have used \verb$\tlabelsep{3pt}$ (which has the
+additional effect of moving text away from its nominal location) to
+prevent the text from colliding with the curve.
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \tlabelsep{3pt}
+ \polyline{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \tlabel[bl](.5,1){Max output}
+ \dashed\polyline{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \tlabel[bl](1.5,.7){Max input}
+ \end{mfpic}
+\end{verbatim}
+This will produce figure~\ref{fig9}.
+\begin{mfpfig}{fig9}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \tlabelsep{3pt}
+ \polyline{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \tlabel[bl](.5,1){Max output}
+ \dashed\polyline{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \tlabel[bl](1.5,.7){Max input}
+ \end{mfpic}
+\end{mfpfig}
+
+Notice that \verb$\polyline$ alone produces a solid line while
+\verb$\dashed\polyline$ makes a dashed line. Let us close this section
+by dressing up this figure with axes, some fat dots marking the
+keypoints, and hash marks on the axes:
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \tlabelsep{3pt}
+ \polyline{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \tlabel[bl](.5,1){Max output}
+ \dashed\polyline{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \tlabel[bl](1.5,.7){Max input}
+ \axes
+ \xmarks{0,0.5,1,1.5,2}
+ \axislabels x{{$50$} .5, {$100$} 1, {$150$} 1.5, {$200$} 2}
+ \end{mfpic}
+\end{verbatim}
+This will produce figure~\ref{fig10}.
+\begin{mfpfig}{fig10}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \tlabelsep{3pt}
+ \polyline{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \tlabel[bl](.5,1){Max output}
+ \dashed\polyline{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \tlabel[bl](1.5,.7){Max input}
+ \axes
+ \xmarks{0,0.5,1,1.5,2}
+ \axislabels x{{$50$} .5, {$100$} 1, {$150$} 1.5, {$200$} 2}
+ \end{mfpic}
+\end{mfpfig}
+
+The optional argument of \verb$\point$ specifies the diameter of the
+points to draw. The command \verb$\pointfillfalse$ forces the points to
+be drawn as open circles. The axes configure themselves to the size
+specified in the argument of the \env{mfpic} environment. The
+\verb$axislabels$ command takes as arguments a letter, to specify the
+axis, and a comma separated list of labels, each of which is specified
+by some text to place (in braces) and the x-coordinate to place it at.
+
+\section{Drawing figures}
+
+\Mfp{} has several predefined figures and commands to obtain essentially
+any curve (provided one can obtain enough points on it with sufficient
+precision). We've already seen \verb$\polyline$ and \verb$\ellipse$. The
+former needs a list of points to connect with line segments and the
+latter needs the center and radii of the ellipse. The \verb$\ellipse$
+also takes an optional argument: the number of degrees to rotate the
+ellipse. Here we list some of the more common such figures. Remember
+that all of them will produce some sort of line drawing if used alone.
+They can be preceded by \verb$\dashed$ to make the lines dashed or
+\verb$dotted$ to make them dotted. If the figure is a closed curve,
+\verb$\gfill$ will fill them in.
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{4}{0}{1}
+ \rect{(0,0),(1,.75)}
+ \circle{(1.5,.5),.45}
+ \arc[s]{(3,0),(2,1),45}
+ \ellipse[20]{(3.5, 0.5), 0.6, 0.4}
+ \end{mfpic}
+\end{verbatim}
+This produces figure~\ref{fig11}. The \verb$\arc$ command has several
+forms. The optional argument picks the form to use. This one specifies
+the endpoints of the circular arc and the angle of the arc (the angle
+between the radii from the center of the circle to those two points).
+Other possibilities are a three-point form (option \texttt{[t]}), a
+polar form (option \texttt{[p]}), and a center-point-sweep form (option
+\texttt{[c]}, specify a center, starting point, and angle). See the
+manual for details. The default (what would be assumed if no optional
+argument is given) is \oarg{s} and is called the point-sweep form.
+\begin{mfpfig}{fig11}
+ \begin{mfpic}[72]{0}{4}{0}{1}
+ \rect{(0,0),(1,.75)}
+ \circle{(1.5,.5),.45}
+ \arc[s]{(3,0),(2,1),45}
+ \ellipse[20]{(3.5, 0.5), 0.6, 0.4}
+ \end{mfpic}
+\end{mfpfig}
+
+The \cs{polyline} command draws straight lines connecting points. We can
+also draw smooth curves. Lets take the same points from our
+\cs{polyline} example (figure~\ref{fig9}), but change \cs{polyline} to
+\cs{curve}, omit the text, and add the points from figure~\ref{fig10}:
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \curve{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \dashed\curve{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \end{mfpic}
+\end{verbatim}
+This should produce figure~\ref{fig12}.
+\begin{mfpfig}{fig12}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \curve{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \dashed\curve{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \end{mfpic}
+\end{mfpfig}
+
+This is somewhat unsatisfying. One could improve the result by selecting
+more points, or by increasing the `tension' in the curve.
+
+Roughly speaking, tension determines how straight the segments between
+the points are, and how sharp the turns at each point. High tension
+makes the curve look a little more like a polyline. The default tension
+is 1, a tension of about 5 makes the result look somewhat like a
+polyline with very slightly rounded corners, very high tensions make the
+curve indistinguishable from a polyline. Another effect of increased
+tension is to reduce the little wobbles we can see in the first curve.
+Let's try a tension of 1.5, which can be specified as an optional
+argument to \cs{curve}:
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \curve[1.5]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \dashed\curve[1.5]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \end{mfpic}
+\end{verbatim}
+This give figure~\ref{fig13}.
+\begin{mfpfig}{fig13}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \curve[1.5]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \point[3pt]{(0,.2),(.5,1),(1,.7),(1.5,0),(2,.3)}
+ \dashed\curve[1.5]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,.6),(1,.3),(1.5,.7),(2,.1)}
+ \end{mfpic}
+\end{mfpfig}
+
+When we use \cs{curve}, there is no way \MP{} can tell if we are just
+connecting points or if we are trying to graph a function.
+It \emph{cannot} enforce the requirement, which every function must
+satisfy, that the curve should travel left-to-right. The command
+\cs{fcncurve} does enforce this (assuming the points to be connected are
+listed in left-to-right order). This command also permits a tension
+argument. The dotted line in figure~\ref{fig14} is produced with
+\cs{curve}, the solid one with \cs{fcncurve}. One might want
+to increase the tension a bit here, too.
+\begin{verbatim}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \dotted\curve{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \fcncurve{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig14}
+ \begin{mfpic}[72]{0}{2.5}{0}{1}
+ \dotted\curve{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \fcncurve{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \pointfillfalse
+ \point[3pt]{(0,.2),(.5,0),(.85,.5),(1,1),(1.5,0),(2,.3)}
+ \end{mfpic}
+\end{mfpfig}
+
+Other figures available include\leftmargini=2\leftmargini
+\begin{description}
+\item[\cs{cyclic}] Used just like \cs{curve} but closes the path
+ (connects the last point smoothly to the starting point).
+\item[\cs{polygon}] Used just like \cs{polyline} except it connects the
+ last point to the first with a straight line.
+\item[\cs{sector}] Makes a wedge with two straight lines and an arc. The
+ arguments are almost the same as \cs{arc}\oarg{s}, but the order is
+ different: center, radius and two angles.
+\end{description}
+
+Here are some other curves that, like \cs{tlabeloval}, are proportioned
+to fit given text. All have a \texttt{*}-form that draws the path
+without placing the text.
+\begin{description}
+\item[\cs{tlabelrect}] This produces a rectangle. It has the same usage
+ as \cs{tlabeloval}, except the first optional argument specifies
+ the radius of quarter-circles used to make rounded corners.
+\item[\cs{tlabelellipse}] This is similar to \cs{tlabeloval}
+ except that instead of modifying the width-to-height ratio, the
+ first optional argument \emph{is} the width-to-height ratio. If that
+ argument is 1 (the default) you get a circle.
+\item[\cs{tlabelcircle}] This produces a circle, of course.
+\end{description}
+
+
+\section{Functions}
+
+\CMP{} is able to calculate a number of functions natively, and still
+more have been defined in \mfp{}. Also available are the usual
+arithmetic operations. Any valid \MP{} expression, containing
+one unknown \gbc{x} and producing a numerical result can be graphed.
+
+Here is an example of the graphs of $y = x^2$ and $y = \pm\sqrt{x}$.
+Note that exponentials are denoted by \texttt{**} and it is important to
+note that it has the same precedence as multiplication (denoted by
+a single \texttt{*}). That is, in a formula like \mfc{3*3**2}, the
+operations are performed in order, left to right, producing $9^2 = 81$ and
+not $3\cdot 9 = 27$. Parentheses are needed if the latter is intended:
+\mfc{3*(3**2)}.
+\begin{verbatim}
+ \setlength{\mfpicunit}{1cm}
+ \begin{mfpic}{-2.5}{2.5}{-1.5}{4}
+ \function{-2,2,.1}{x**2}
+ \function{0,2,.1}{sqrt x}
+ \function{0,2,.1}{-sqrt x}
+ \axes
+ \xmarks{-2,-1,1,2}
+ \ymarks{-1,1,2,3}
+ \tlabelsep{3pt}
+ \axislabels x{{$-2$}-2,{$-1$}-1,{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1,{$2$}2,{$3$}3}
+ \end{mfpic}
+\end{verbatim}
+This produces figure~\ref{fig15}.
+\begin{mfpfig}{fig15}
+ \setlength{\mfpicunit}{1cm}
+ \begin{mfpic}{-2.5}{2.5}{-1.5}{4}
+ \function{-2,2,.1}{x**2}
+ \function{0,2,.1}{sqrt x}
+ \function{0,2,.1}{-sqrt x}
+ \axes
+ \xmarks{-2,-1,1,2}
+ \ymarks{-1,1,2,3}
+ \tlabelsep{3pt}
+ \axislabels x{{$-2$}-2,{$-1$}-1,{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1,{$2$}2,{$3$}3}
+ \end{mfpic}
+\end{mfpfig}
+
+The command \cs{function} has two arguments. The first contains the
+starting and ending x-values of the desired graph, followed by a
+\emph{step size}. Generally the smaller the steps the better the
+accuracy, but \MP{} has a limit on the number of steps (usually about
+2000). There is also an optional argument which can be \oarg{s}, the
+default, which means the graph is to be smooth, or \oarg{p}, which means
+the graph is constructed by connecting the calculated points with
+straight lines. Here is the same example with larger step size to
+emphasize the difference (see figure~\ref{fig16})
+\begin{verbatim}
+ \setlength{\mfpicunit}{1cm}
+ \begin{mfpic}{-2.5}{2.5}{-1.5}{4}
+ \function[p]{-2,2,.5}{x**2}
+ \function[p]{0,2,.5}{sqrt x}
+ \function[p]{0,2,.5}{-sqrt x}
+ \axes
+ \xmarks{-2,-1,1,2}
+ \ymarks{-1,1,2,3}
+ \tlabelsep{3pt}
+ \axislabels x{{$-2$}-2,{$-1$}-1,{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1,{$2$}2,{$3$}3}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig16}
+ \setlength{\mfpicunit}{1cm}
+ \begin{mfpic}{-2.5}{2.5}{-1.5}{4}
+ \function[p]{-2,2,.5}{x**2}
+ \function[p]{0,2,.5}{sqrt x}
+ \function[p]{0,2,.5}{-sqrt x}
+ \axes
+ \xmarks{-2,-1,1,2}
+ \ymarks{-1,1,2,3}
+ \tlabelsep{3pt}
+ \axislabels x{{$-2$}-2,{$-1$}-1,{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1,{$2$}2,{$3$}3}
+ \end{mfpic}
+\end{mfpfig}
+
+In addition, one can increase the tension in the curve drawn by putting
+a tension value after the \gbc{s} in \oarg{s}. For a tension of 2.4:
+\cs{function}\oarg{s2.4}\marg{\dots}.
+
+The functions available include \gbc{sqrt} and all the trig functions:
+\gbc{sin x} assumes \gbc{x} is an angle in radians, \mfc{sind x} assumes
+it is in degrees, with a similar naming convention for the remaining
+trig functions. The inverses are \gbc{asin x}, \gbc{acos x}, and
+\gbc{atan x}, which produce angles in degrees, and \gbc{invsin x}, etc.,
+which produce angles in radians. There is also \gbc{ln~x} or \gbc{log~x}
+for the natural logarithm, \gbc{exp~x} for $e^x$, \gbc{logten}~\gbc{x}
+for the base 10 logarithm, \gbc{logtwo}~\gbc{x} for base 2, and
+\gbc{logbase} for other bases:
+\gbc{logbase(16)}~\gbc{x} (for example) for base 16. The general syntax of
+these functions is the following: if the argument is \gbc{x} alone or a
+pure number alone or the particular case of a number followed by \gbc{x}
+(no \gbc{*} in between!) then parentheses are not needed. Example:
+\gbc{sin~2x}. For almost anything else, parentheses are required:
+\gbc{sin(3*x)} or \gbc{sin(x**2)}.
+
+Some other functions available are the hyperbolic functions, \gbc{sinh x},
+\gbc{cosh x}, etc. (all 6 of them), and the inverses of three of them:
+\gbc{asinh x}, \gbc{acosh x}, and \gbc{atanh x}.
+
+These functions (or any \MP{} numeric expression) can also be used in
+any of the coordinates of points in drawing commands like \cs{polyline}
+(but not usually in text placement commands like \cs{tlabeloval}). For
+example (from now on the value of \cs{mfpicunit} is set to
+\texttt{1cm}):\setlength{\mfpicunit}{1cm}
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-1.5}{1.5}
+ \polyline{(2,-sqrt 2),(1,-1),(.5,- sqrt .5),(0,0),
+ (.5,sqrt .5),(1,1),(2,sqrt 2)}
+ \axes
+ \xmarks{1,2}
+ \ymarks{-1,1}
+ \tlabelsep{3pt}
+ \axislabels x{{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig17}
+ \begin{mfpic}{-.5}{2.5}{-1.5}{1.5}
+ \polyline{(2,-sqrt 2),(1,-1),(.5,- sqrt .5),(0,0),
+ (.5,sqrt .5),(1,1),(2,sqrt 2)}
+ \axes
+ \xmarks{1,2}
+ \ymarks{-1,1}
+ \tlabelsep{3pt}
+ \axislabels x{{$1$}1,{$2$}2}
+ \axislabels y{{$-1$}-1,{$1$}1}
+ \end{mfpic}
+\end{mfpfig}
+
+There are other types of functions: parametric functions, and polar
+coordinate versions. \Mfp{} provides \cs{parafcn} and \cs{plrfcn} to
+graph these. The \cs{parafcn} requires a starting value, and ending
+value and a step size just as in \cs{function}, but in the second
+argument there must be either a pair of expressions in the variable
+\gbc{t}, separated by a comma and enclosed in parentheses, or a single
+\emph{pair-valued} expression. \CMP{} and \mfp{} provide only a few
+pair-valued functions; one is used below.
+
+The second argument of \cs{plrfcn} must contain a single numeric
+expression in the variable \gbc{t}, and indicates a function of $\theta$
+to be graphed in polar coordinates: $r = f(\theta)$. In the following
+example (figure~\ref{fig22}), we draw a portion of the graph of $x =
+y^2$ by representing it as the graph of the parametric equations $x =
+t^2$, $y = t$, and a portion of a circle of radius $1.5$ by representing
+it as the graph of the pair-valued function \mfc{dir(t)}. The expression
+\mfc{dir(t)} gives the point whose distance from $(0,0)$ is $1$ in the
+direction given by the angle \mfc{t}.
+\begin{verbatim}
+ \begin{mfpic}{-2}{4}{-2}{2}
+ \parafcn{-2,2,.1}{(t**2,t)}
+ \dotted\parafcn{45,315,5}{1.5*dir(t)}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig22}
+ \begin{mfpic}{-2}{4}{-2}{2}
+ \parafcn{-2,2,.1}{(t**2,t)}
+ \dotted\parafcn{45,315,5}{1.5*dir(t)}
+ \end{mfpic}
+\end{mfpfig}
+
+
+Here is an example of a graph of the polar coordinate function
+$r=2\sin 3\theta$ (figure~\ref{fig23}). We use the degree version
+\mfc{sind} in order to work with integers.
+\begin{verbatim}
+ \begin{mfpic}{-2}{2}{-2}{2}
+ \plrfcn{0,180,5}{2*sind 3t}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig23}
+ \begin{mfpic}{-2}{2}{-2}{2}
+ \plrfcn{0,180,5}{2*sind 3t}
+ \end{mfpic}
+\end{mfpfig}
+
+
+\section{Transforming figures}
+
+\CMP{} is capable of any affine transformation (things like shifting,
+rotating, scaling, reflecting and slanting) of any path. The figures
+we've been dealing with so far (\cs{ellipse}, \cs{curve}, \cs{function},
+etc.) all produce, in the \MP{} code, the definition of some path (as
+well as a drawing of that path). \Mfp{} provides for different methods
+of `drawing' the path with \emph{prefix macros}. We've seen \cs{dashed},
+\cs{dotted}, \cs{gfill} so far, in addition to the default \cs{draw}.
+\Mfp{} also provides for modifying the shape and position of the path
+with other prefixes. Here's a simple example.
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \rotatepath{(1,.5), 45}\rect{(0,0),(2,1)}
+ \point{(1,.5)}
+ \end{mfpic}
+\end{verbatim}
+The command \cs{rotatepath} obviously rotates the path that follows, but
+it needs to know what the center of rotation will be, and how much to
+rotate. These are given in its mandatory argument, separated by a comma.
+The example above (pictured in figure~\ref{fig18}) rotates 45 degrees
+around the center of the rectangle.
+\begin{mfpfig}{fig18}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \rotatepath{(1,.5), 45}\rect{(0,0),(2,1)}
+ \point{(1,.5)}
+ \end{mfpic}
+\end{mfpfig}
+
+Notice that we have no drawing prefix. A combination of
+transformation-plus-figure is treated as a figure in its own right and
+behaves the same. If we want the figure dashed, we could write
+\begin{verbatim}
+ \dashed\rotatepath{(1,.5),45}\rect{(0,0),(2,1)}
+\end{verbatim}
+It may not be obvious, but we can also write a drawing macro between
+the rotation and the figure, producing figure~\ref{fig19}
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \rotatepath{(1,.5), 45}\draw\rect{(0,0),(2,1)}
+ \point{(1,.5)}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig19}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \rotatepath{(1,.5), 45}\draw\rect{(0,0),(2,1)}
+ \point{(1,.5)}
+ \end{mfpic}
+\end{mfpfig}
+
+This illustrates another property of \mfp{} macros: the combination of a
+rendering prefix and a figure is also treated the same as a figure in
+its own right: the same figure as the one that follows. In fact, the
+only difference between \cs{rect} and \cs{draw}\cs{rect} in this
+example is that the second one has a minor (!) side effect: the
+rectangle is drawn.
+
+Finally, try to guess what happens if we add another prefix at the
+front:
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \dotted\rotatepath{(1,.5), 45}
+ \draw\rect{(0,0),(2,1)}
+ \end{mfpic}
+\end{verbatim}
+and if we add another rotation in front of that.
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \rotatepath{(0,0),45}
+ \dotted\rotatepath{(1,.5), 45}
+ \draw\rect{(0,0),(2,1)}
+ \end{mfpic}
+\end{verbatim}
+
+Transformations availiable include \cs{scalepath},
+\cs{shiftpath}, \cs{xscalepath}, \cs{yscalepath}, \cs{slantpath}, and
+\cs{reflectpath}. See the manual for a description of what arguments are
+required for each. Here's a final example, producing figure~\ref{fig20}
+\begin{verbatim}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \shiftpath{(-1,1)}\draw[red]\slantpath{.5,1}\dotted
+ \rotatepath{(0,0), 90}\dashed\rect{(0,0),(2,1)}
+ \point{(0,0),(2,1)}
+ \tlabelsep{2pt}
+ \tlabel[tr](0,0){$(0,0)$}
+ \tlabel[bl](2,1){$(2,1)$}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig20}
+ \begin{mfpic}{-.5}{2.5}{-.5}{2.5}
+ \shiftpath{(-1,1)}\draw[red]\slantpath{.5,1}\dotted
+ \rotatepath{(0,0), 90}\dashed\rect{(0,0),(2,1)}
+ \point{(0,0),(2,1)}
+ \tlabelsep{2pt}
+ \tlabel[tr](0,0){$(0,0)$}
+ \tlabel[bl](2,1){$(2,1)$}
+ \end{mfpic}
+\end{mfpfig}
+
+\section{Rendering figures}
+
+\emph{Rendering} is the act of making a description of a figure visible.
+Examples are: drawing a solid curve, drawing a dashed curve, or filling
+its interior, For \mfp{} figure macros the default, in the absence of
+explicit commands, is to use \cs{draw}. That is,
+\begin{verbatim}
+ \rect{(0,0),(1,2)}
+\end{verbatim}
+has the same result as
+\begin{verbatim}
+ \draw\rect{(0,0),(1,2)}
+\end{verbatim}
+The default rendering can be changed. Just say
+\cs{setrender}\marg{\cs{dashed}}, and all figures afterward will be dashed
+(see figure~\ref{fig21}).
+\begin{verbatim}
+ \begin{mfpic}{0}{2}{0}{1}
+ \setrender{\dashed}
+ \rect{(0,0),(1,1)}
+ \circle{(1.5,.5),.5}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig21}
+ \begin{mfpic}{0}{2}{0}{1}
+ \setrender{\dashed}
+ \rect{(0,0),(1,1)}
+ \circle{(1.5,.5),.5}
+ \end{mfpic}
+\end{mfpfig}
+The \cs{setrender} command can be inside an \env{mfpic} environment to
+affect only later commands in that figure, or outside to affect all
+later \mfp{} figures.
+
+We give a few examples now of the renderings possible. These divide
+more-or-less into those that trace a path and those that fill in a path.
+In order to fill in a path, it must be a closed path, of course, but
+\MP{} distinguishes between closed paths and those that merely happen to
+end where they began. There is a good reason for this: \MP{} cannot,
+without human aid, know if two points are the same, or merely
+accidentally so close that the accuracy of the program sees them as the
+same. It requires human aid in the form of an explicit request to
+create a closed path. Of the \mfp{} macros we've seen so far,
+\cs{ellipse}, \cs{circle}, \cs{rect}, \cs{polygon}, and \cs{cyclic}
+produce closed paths, but \cs{polyline}, \cs{curve}, \cs{function},
+\cs{parafcn}, and \cs{plrfcn} do not. Also producing closed paths are
+\cs{tlabeloval} and its relatives.
+
+The following example illustrates filling with a hatching pattern
+(parallel lines) and an \emph{unfilling}. Clearing the interior of a
+path may not seem like rendering, it is treated in exactly the same way
+(think of it as a negative rendering). We first hatch a rectangle, then
+clear out a smaller rectangle with rounded corners to place our text
+inside. The results are in figure~\ref{fig24}.
+\begin{verbatim}
+ \begin{mfpic}{0}{2}{0}{2}
+ \draw[red]\lhatch[2pt][blue]\rect{(0,0),(2,2)}
+ \gclear\tlabelrect[6pt][cc](1,1){Hatching!}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig24}
+ \begin{mfpic}{0}{2}{0}{2}
+ \draw[red]\lhatch[2pt][blue]\rect{(0,0),(2,2)}
+ \gclear\tlabelrect[6pt][cc](1,1){Hatching!}
+ \end{mfpic}
+\end{mfpfig}
+This example illustrates that \cs{lhatch} fills with left slanting
+lines. And that it takes two optional arguments. The first is the
+distance between lines, and the second is the color to make the lines.
+There are also \cs{rhatch} which slants the lines the other way,
+\cs{xhatch} which uses both slants, and \cs{thatch} which can draw
+the lines at any angle.
+
+Here is another example of rendering (figure~\ref{fig26}). The new
+macro is \cs{polkadot}. We've repeated this example twice to
+show the effect of changing the order of the prefixes. Each prefix
+applies its rendering to the result of everything to the right of it. In
+the second example the hatching goes over the dots (and a bit of the
+dashes as well). If the \cs{gfill} were first, it would cover almost
+everything else.
+\begin{verbatim}
+ \begin{mfpic}{0}{6}{0}{2}
+ \penwd{2pt}
+ \hatchwd{2pt}
+ \drawcolor{blue}
+ \hatchcolor{red}
+ \fillcolor{green}
+ \dashed\polkadot\rhatch[5pt]\gfill[yellow]\rect{(0,0),(2.8,1.8)}
+ \rhatch[5pt]\dashed\polkadot\gfill[yellow]\rect{(3,0),(5.8,1.8)}
+ \end{mfpic}
+\end{verbatim}
+We've added a couple of other new features to this example. To emphasize
+effects, we've increased the thickness of the drawing pen (\cs{penwd})
+and the hatch lines (\cs{hatchwd}). We've also used the \cs{drawcolor}
+macro and its relatives to set the colors to be used. The \cs{polkadot}
+macro uses the color set by \cs{fillcolor}; so does \cs{gfill} if no
+optional color is given.
+\begin{mfpfig}{fig26}
+ \begin{mfpic}{0}{6}{0}{2}
+ \penwd{2pt}
+ \hatchwd{2pt}
+ \drawcolor{blue}
+ \hatchcolor{red}
+ \fillcolor{green}
+ \dashed\polkadot\rhatch[5pt]\gfill[yellow]\rect{(0,0),(2.8,1.8)}
+ \rhatch[5pt]\dashed\polkadot\gfill[yellow]\rect{(3,0),(5.8,1.8)}
+ \end{mfpic}
+\end{mfpfig}
+
+If one wants to plot several curves in a single graph, they often need
+to be rendered differently. The three methods we've seen so far,
+\cs{draw}, \cs{dashed}, and \cs{dotted}, may not be enough. The
+\cs{dashed} and \cs{dotted} commands permit an optional argument to
+adjust the length of the dashes and spaces, and size of the dots. One
+can also change the curve thickness with \cs{penwd}. But
+that may not be `different' enough. \Mfp{} provides a few solutions.
+When color is available, they may be drawn in different colors. When
+not, there are two possibilities: \cs{gendashed} and \cs{plot}.
+
+The first, \cs{gendashed}, is a generalized dashing macro. It takes one
+mandatory argument, the name of a dashing pattern. Named dashing
+patterns may be created with the \cs{dashpattern} command, as shown by
+the following example (see figure~\ref{fig27}):
+\begin{verbatim}
+ \begin{mfpic}{-3.5}{3.5}{-1}{1}
+ \dashpattern{dotdash}{0pt,4pt,3pt,4pt}
+ \gendashed{dotdash}\function{-pi,pi,.2}{sin 2x}
+ \function{-pi,pi,.2}{cos 2x}
+ \axes
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig27}
+ \begin{mfpic}{-3.5}{3.5}{-1}{1}
+ \dashpattern{dotdash}{0pt,4pt,3pt,4pt}
+ \gendashed{dotdash}\function{-pi,pi,.2}{sin 2x}
+ \function{-pi,pi,.2}{cos 2x}
+ \axes
+ \end{mfpic}
+\end{mfpfig}
+
+The \cs{dashpattern} command takes a name and an even number of lengths.
+The first, third, etc., lengths represent the lengths of dashes
+(\texttt{0pt} means a dot), and the second, fourth, etc., represent
+spaces. The given pattern is dot-space-dash-space. This pattern, when
+used in a \cs{gendashed} command, is repeated for the length of the
+curve.
+
+This last example illustrates that the predefined \MP{} variable
+\gbc{pi} (equal to 3.14159) can be used pretty much anywhere a number
+can be used (except, often, in text label commands).
+
+Another way to get more distinctive curves is to `dot' them with
+something other than tiny dots. The \cs{plot} command does that. It
+takes one mandatory argument, the name of a symbol to use instead of a
+dot. Here are the same two curves \cs{plot}-ed (figure~\ref{fig28}):
+\begin{verbatim}
+ \begin{mfpic}{-3.5}{3.5}{-1.2}{1.2}
+ \setlength{\pointsize}{2.5pt}
+ \plot{Triangle}\function{-pi,pi,.2}{sin 2x}
+ \plot[2pt,6pt]{SolidCircle}\function{-pi,pi,.2}{cos 2x}
+ \axes
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig28}
+ \begin{mfpic}{-3.5}{3.5}{-1.2}{1.2}
+ \setlength{\pointsize}{2.5pt}
+ \plot{Triangle}\function{-pi,pi,.2}{sin 2x}
+ \plot[2pt,6pt]{SolidCircle}\function{-pi,pi,.2}{cos 2x}
+ \axes
+ \end{mfpic}
+\end{mfpfig}
+
+The \cs{plot} command takes an optional argument to specify the size of
+the symbols and the spacing between them. The size of the symbols can
+also be adjusted by changing the length command \cs{pointsize} (that also
+adjusts the size of the dots placed with the \cs{point} command).
+
+In this last example, \cs{plotnodes} is similar to \cs{plot}, except it
+placed the symbols at the `nodes' defined by the path command. In the
+case of \cs{function}, these are the points $(x_k, f(x_k))$ with $x_k$
+stepping through all the $x$-values determined by the first argument of
+\cs{function} (figure~\ref{fig29}).
+\begin{verbatim}
+ \begin{mfpic}{-3.5}{3.5}{-1.2}{1.2}
+ \plotnodes[2.5pt]{Square}\function{-pi,pi,pi/16}{sin 2x}
+ \axes
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig29}
+ \begin{mfpic}{-3.5}{3.5}{-1.2}{1.2}
+ \plotnodes[2.5pt]{Square}\function{-pi,pi,pi/16}{sin 2x}
+ \axes
+ \end{mfpic}
+\end{mfpfig}
+
+See the manual for the list of predefined symbols available to the
+\cs{plot} and \cs{plotnodes} command.
+
+\section{More on text}
+
+The text positioning commands used so far in this guide are entirely
+handled by \TeX{} or \LaTeX. This is why we have occasionally had to say
+that certain things could be done ``except in text placement commands''.
+It is possible for text positioning to be done within \MP, making many
+things possible that couldn't be done otherwise. For example, text can
+be rotated about the point of placement. You are probably thinking that
+\LaTeX{} can rotate text, but it is not all that easy to arrange for the
+point on the graph where we place the text to be the center of rotation.
+Below are two examples, in which we attempt to place the text separated
+from $(0,0)$ by \texttt{5pt} and rotated 45 degrees around $(0,0)$. In
+the first we try to use \LaTeX's \cs{rotatebox} command, and in the
+second we turn on \MP{} handling of labels and use a rotation option to
+the \cs{tlabel} command.
+\begin{verbatim}
+ \begin{mfpic}{0}{1}{0}{1}
+ \point{(0,0)}
+ \polyline{(0,0),(1,1)}
+ \tlabel[Bl](0,0){\rotatebox{45}{\hspace{5pt}Test text}}
+ \end{mfpic}\renewcommand\thefigure{\thesection.\arabic{figure}a}
+\end{verbatim}
+\begin{verbatim}
+ \usemplabels
+ \begin{mfpic}{0}{1}{0}{1}
+ \point{(0,0)}
+ \polyline{(0,0),(1,1)}
+ \tlabelsep{5pt}
+ \tlabel[Bl45](0,0){Test text}
+ \end{mfpic}
+\end{verbatim}
+\begin{figure}[!hb]
+ \centering
+ \begin{minipage}{4cm}
+ \centering
+ \begin{mfpic}{0}{1}{0}{1}
+ \point{(0,0)}
+ \polyline{(0,0),(1,1)}
+ \tlabel[Bl](0,0){\rotatebox{45}{\hspace{5pt}Test text}}
+ \end{mfpic}\renewcommand\thefigure{\thesection.\arabic{figure}a}
+ \refstepcounter{figure}\label{fig30a}
+ \par\medskip (a)
+ \end{minipage}\addtocounter{figure}{-1}\qquad
+ \begin{minipage}{4cm}\usemplabels
+ \centering
+ \begin{mfpic}{0}{1}{0}{1}
+ \point{(0,0)}
+ \polyline{(0,0),(1,1)}
+ \tlabelsep{5pt}
+ \tlabel[Bl45](0,0){Test text}
+ \end{mfpic}\renewcommand\thefigure{\thesection.\arabic{figure}b}
+ \refstepcounter{figure}\label{fig30b}
+ \par\medskip (b)
+ \end{minipage}
+
+ \medskip Figure \thesection.\arabic{figure}.
+\end{figure}
+
+The first produces figure~\ref{fig30a} and the second produces
+figure~\ref{fig30b}. Our goal was to get the baseline of the text lined
+up with the reference line drawn.
+
+In the first example, \LaTeX's \cs{rotatebox} command produces the
+following result, where we put a frame around both the unrotated text
+and the rotated result to emphasize what \LaTeX{} sees as the
+boundaries:
+$$
+ \hbox{\setlength\fboxsep{0pt}%
+ \fbox{\rotatebox{45}{\fbox{\hspace{5pt}Test text}}}}
+$$
+This is then placed by the \cs{tlabel} command with the lower left
+corner of the \emph{outer} box at $(0,0)$. But \LaTeX's axis of rotation
+was at the lower left corner of the inner box. In the second case, \MP{}
+placed the label. The command \cs{tlabelsep}\marg{5pt} and the parameter
+\oarg{Bl45} explicitly request that the label be placed with its left
+baseline 5 points from $(0,0)$ and rotated 45 degrees \emph{about that
+point}.
+
+The \cs{usemplabels} command used above asks \MP{} to arrange for the
+setting of labels. Adding the option \opt{mplabels} to the
+\cs{usepackage} command that loads \mfp{} has the same effect for the
+whole document. There can be problems with using \MP{} to set labels.
+One is that \MP{} has to call a \file{tex} program to do the actual
+typesetting, and then one must either make arrangements that ensure
+\MP{} will call \LaTeX, or never use any macros in the labels that are
+not defined in plain\TeX. If one does arrange for \LaTeX{} to be used,
+one needs to arrange that a \LaTeX{} preamble is prepended to the output
+\file{.mp} file. The \cs{mfpverbtex} command can be used for this.
+
+The command \cs{nomplabels} can be used to return to having labels set
+at the document level. For the rest of this guide, we have
+\opt{mplabels} in effect.
+
+There are a few more commands that place text on the picture. All of
+them pass the final responsability for text placement to \MP{} if
+\opt{mplabels} is in effect. See the manual for more details.
+
+
+\section{Arrows}
+
+The command \cs{arrow} adds an arrowhead onto the \emph{end} of any path
+that follows. For this to have predictable effects, you need to know
+which part of a curve is the end, and which the start. Not surprisingly,
+for the commands that connect a list of points in order the first point
+in the list is the start point and the last point is the end. Except the
+closed paths (\cs{cyclic}, \cs{polygon}, etc.); for them, the start and
+the end points are the same, but the order of the points gives a
+direction to the arrowhead. The default \cs{circle} has an anticlockwise
+direction, but if the circle is defined by three points (for example)
+the direction of the circle is determined by the order in which the
+points are written.
+
+Anyway, here are a few examples, illustrating the use of \cs{arrow}, and
+some of its optional arguments.
+\begin{verbatim}
+ \begin{mfpic}{0}{4}{0}{4}
+ \arrow[r -5]\circle{(1,1),.5}
+ \arrow[b 4pt]\arrow\polyline{(3,2),(3,0)}
+ \arrow[c red]\reverse\arrow\polyline{(0,3),(2,3)}
+ \arrow[l 5pt]\rect{(4,2),(2,4)}
+ \end{mfpic}
+\end{verbatim}
+See figure~\ref{fig31} for the results of this example. There are four
+possible optional arguments, the first character inside the brackets
+tells what option the rest of the argument applies to. The first example
+above starts with `\texttt{r}', which stands for `rotate' and asks for
+the arrowhead to be rotated -5 degrees (5 degrees clockwise). The second
+starts with `\texttt{b}', which stands for `backset' and it moves the
+head back \texttt{4pt} from where it would otherwise be placed. In the
+example, this is used to put a double arrowhead on the line. In the
+third example we put an arrow at both ends by reversing the sense of the
+curve in between the two \cs{arrow} prefixes. We also used the letter
+`\texttt{c}' in the optional argument of one arrowhead. This stands for
+`color' and the requested color is `\texttt{red}'. Finally, the
+\texttt{l} option, standing for `length', changes the length of the
+arrowhead to \texttt{5pt} (from the default \texttt{3pt}). The space
+between the letter and the value in these arguments may be omitted.
+\begin{mfpfig}{fig31}
+ \begin{mfpic}{0}{4}{0}{4}
+ \arrow[r -5]\circle{(1,1),.5}
+ \arrow[b 4pt]\arrow\polyline{(3,2),(3,0)}
+ \arrow[c red]\reverse\arrow\polyline{(0,3),(2,3)}
+ \arrow[l 5pt]\rect{(4,2),(2,4)}
+ \end{mfpic}
+\end{mfpfig}
+
+The options can be combined in one command:
+\cs{arrow}\oarg{cblue}\oarg{b4pt}\oarg{r25}\oarg{l6pt} would produce a
+\texttt{6pt} long blue arrowhead rotated 25 degrees anticlockwise, set back
+\texttt{4pt}. The setting back is done in the direction determined
+\emph{after} rotation. The order of the options is not significant.
+
+The need to occasionally tweak the arrowhead with a small rotation will
+be apparent if you look closely at the circle example without any
+rotation.
+
+The shape of the arrowhead can be changed with the \cs{headshape}
+command. The following example draws the arrowhead first normally, and
+then after an instance of this command. We increase the length of head
+and the thickness of the pen to emphasize the effects.
+\begin{verbatim}
+ \begin{mfpic}{0}{4}{0}{4}
+ \setlength{\headlen}{20pt}
+ \penwd{3pt}
+ \arrow\polyline{(0,3),(4,3)}
+ \headshape{.5}{2}{true}
+ \arrow\polyline{(0,1),(4,1)}
+ \end{mfpic}
+\end{verbatim}
+The results are pictured in figure~\ref{fig32}. The first argument to
+\cs{headshape} sets the ratio of width to height for the head. We have
+cut it in half here. The second argument sets the tension in the curves
+that form the sides of the head. This reduces the curvature in the
+sides. The third argument can be only \texttt{true} or \texttt{false}
+and determines whether the head is a solid shape, or only the two
+`barbs'. The defaults correspond to \verb$\headshape{1}{1}{false}$
+\begin{mfpfig}{fig32}
+ \begin{mfpic}{0}{4}{0}{4}
+ \setlength{\headlen}{20pt}
+ \penwd{3pt}
+ \arrow\polyline{(0,3),(4,3)}
+ \headshape{.5}{2}{true}
+ \arrow\polyline{(0,1),(4,1)}
+ \end{mfpic}
+\end{mfpfig}
+
+
+\section{Color}
+
+We saw the use of color in earlier sections, and now it's time to be
+systematic about it. The several rendering commands have a color option;
+examples are \cs{draw}, \cs{gfill}, \cs{arrow}, and the hatching
+commands. However, even those commands that don't provide such an option
+can have the color of their rendering changed. \Mfp{} provides the
+following commands to change certain colors. Those commands with a
+color option can be used without that option and then they will the use
+the appropriate color described here. Each of these color-changing
+commands takes a mandatory argument containing the color to change to,
+and an optional argument to be described later.
+
+\begin{description}
+\item[\cs{backgroundcolor}] This sets the color to be used by \cs{gclear}.
+ It is the same color used by \cs{point} for the inside of the
+ points when \cs{pointfillfalse} has been used. In \MP{}, the
+ only way to clear the inside of a region is to cover it up. The
+ default color for this purpose is \mfc{white}. Use this command
+ to change that default.
+\item[\cs{drawcolor}] This sets the default color used by those rendering
+ commands that draw a path. This includes \cs{draw}, but also
+ includes \cs{dashed}, \cs{dotted}, \cs{plot} and \cs{plotnodes}.
+ It is also used by other commands that produce lines or curves:
+ figure macros used without any rendering prefix, as well as
+ \cs{axes} and related commands.
+\item[\cs{fillcolor}] This sets the default color used by \cs{gfill}. It
+ is also the color used by \cs{polkadot} (which has no color
+ option).
+\item[\cs{hatchcolor}] This sets the default color used by any hatching
+ command.
+\item[\cs{headcolor}] This sets the default color for arrowheads added
+ by the \cs{arrow} command. It is also the color of
+ arrowheads on any coordinate axis.
+\item[\cs{pointcolor}] This sets the color used by \cs{point}, \cs{grid},
+ and \cs{plotsymbol} (the last one will be described later).
+\item[\cs{tlabelcolor}] This sets the color used for all text labels if
+ the \opt{mplabels} option is turned on.
+\end{description}
+
+The color can be a common name for a color, provided that name is one of
+the following: \texttt{white}, \texttt{black}, \texttt{red},
+\texttt{green}, \texttt{blue}, \texttt{cyan}, \texttt{magenta}, or
+\texttt{yellow}. We have already seen this usage. It can also be a color
+name defined in the file \file{dvipsnam.mp} that accompanies \mfp. It can
+also be an explicit color formula, where color formulas are described in
+the \mfp{} manual.
+
+The optional argument is one of the \emph{color models}. See the manual
+for details, but the syntax is just like that of the \prog{color}
+package's \cs{color} command. For example,
+\begin{verbatim}
+ \pointcolor[rgb]{0,1,0}
+\end{verbatim}
+would use the color model \opt{rgb} with parameters 0, 1, and 0 (this is
+green). After each of these commands a certain color name is assigned a
+value. For example, a use of the \cs{pointcolor} command assigns a value
+to the color named \gbc{pointcolor}. This pattern is followed for all the
+color setting commands above (i.e., \cs{drawcolor} sets \gbc{drawcolor})
+except \cs{backgroundcolor}, which assigns its value to the color named
+\gbc{background}.
+
+Color names for \mfp{} use can be defined using the \cs{mfpdefinecolor}
+command. Here's an example (figure~\ref{fig33}). Note the use of the
+color name \gbc{pointcolor} to make arrowheads and points have the same
+color.
+\begin{verbatim}
+ \begin{mfpic}{0}{3.5}{0}{3.5}
+ \tlabelcolor{red}
+ \pointcolor{rgb(0,1,0)}% green
+ \drawcolor[rgb]{0,0,1} % blue
+ \fillcolor{Goldenrod} % from dvipsnam.mp
+ \headcolor{pointcolor} % will be green after above
+ \mfpdefinecolor{DarkerRed}{rgb}{.67,0,0}
+ \hatchcolor{DarkerRed}
+ \penwd{1pt}
+ \gfill\circle{(1,1),.5}
+ \point[3pt]{(1,.5),(1,1.5),(.5,1),(1.5,1)}
+ \hatch\rect{(2.5,2.5),(3.5,3.5)}
+ \arrow[l 5pt]\polyline{(1,1),(3,3)}
+ \tlabel[cc](1,3){Examples \\of\\colors}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig33}
+ \begin{mfpic}{0}{3.5}{0}{3.5}
+ \tlabelcolor{red}
+ \pointcolor{rgb(0,1,0)}% green
+ \drawcolor[rgb]{0,0,1} % blue
+ \fillcolor{Goldenrod} % from dvipsnam.mp
+ \headcolor{pointcolor} % will be green after above
+ \mfpdefinecolor{DarkerRed}{rgb}{.67,0,0}
+ \hatchcolor{DarkerRed}
+ \penwd{1pt}
+ \gfill\circle{(1,1),.5}
+ \point[3pt]{(1,.5),(1,1.5),(.5,1),(1.5,1)}
+ \hatch\rect{(2.5,2.5),(3.5,3.5)}
+ \arrow[l 5pt]\polyline{(1,1),(3,3)}
+ \tlabel[cc](1,3){Examples \\of\\colors}
+ \end{mfpic}
+\end{mfpfig}
+
+\section{Closing paths}
+
+There are many different ways to modify a figure. We have already seen
+\cs{arrow}, which appends an arrowhead, \cs{reverse} which reverses the
+sense, and several that apply an affine transformation
+(\cs{rotatepath}, \cs{shiftpath}, etc.). Now we will see the simple
+operation of closing a path.
+
+All methods of closing a path have to connect the end to the start, but
+simply drawing a connection is not enough. \MP{} has to be told to close
+the path, and what kind of connection is desired. We have several macros
+that can do the job, the simplest being \cs{lclosed}, which closes with
+a straight line. Putting \cs{lclosed} in front of \cs{polyline}, for
+example, produces the same result as \cs{polygon}. Another macro is
+\cs{sclosed} which produces a smooth closure. Putting it in front of
+\cs{curve} gives the same result as \cs{cyclic}. There is one other
+useful macro, \cs{bclosed}, which also informs \MP{} to make a
+smooth closure. The difference between \cs{sclosed} and
+\cs{bclosed} is that the first modifies slightly the original path (in
+order to achieve the effect that
+\cs{sclosed}${}+{}$\cs{curve}${}={}$\cs{cyclic}), the second just asks
+\MP{} to do its best to connect the ends smoothly. Here's an example
+comparing the two smooth methods (figure~\ref{fig34}).
+\begin{verbatim}
+ \begin{mfpic}{0}{4}{0}{4}
+ % an open curve:
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ % \sclosed a shifted copy:
+ \draw\gfill[green]\sclosed\shiftpath{(2,0)}
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ % \bclosed another copy:
+ \draw\gfill[yellow]\bclosed\shiftpath{(2,-2)}
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ % \cyclic with same points, shifted:
+ \draw\gfill[red]\shiftpath{(0,-2)}
+ \cyclic{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \tlabeljustify{bc}
+ \nomplabels
+ \tlabels{
+ (1,2.4){\cs{curve}}
+ (3,2.4){\cs{sclosed}}
+ (1,0.4){\cs{cyclic}}
+ (3,0.4){\cs{bclosed}}
+ }
+ % Some points to help illustrate
+ \point{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \point{(2.49,3),(2.5,3.7),(3,4),(3.5,3.7),(3.51,3)}
+ \point{(0.49,1),(.5,1.7),(1,2),(1.5,1.7),(1.51,1)}
+ \point{(2.49,1),(2.5,1.7),(3,2),(3.5,1.7),(3.51,1)}
+ \end{mfpic}
+\end{verbatim}
+\begin{mfpfig}{fig34}
+ \begin{mfpic}{0}{4}{0}{4}
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \draw\gfill[green]\sclosed\shiftpath{(2,0)}
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \draw\gfill[yellow]\bclosed\shiftpath{(2,-2)}
+ \curve{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \draw\gfill[red]\shiftpath{(0,-2)}
+ \cyclic{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \tlabeljustify{bc}
+ \nomplabels
+ \tlabels{
+ (1,2.4){\cs{curve}}
+ (3,2.4){\cs{sclosed}}
+ (1,0.4){\cs{cyclic}}
+ (3,0.4){\cs{bclosed}}
+ }
+ \point{(0.49,3),(.5,3.7),(1,4),(1.5,3.7),(1.51,3)}
+ \point{(2.49,3),(2.5,3.7),(3,4),(3.5,3.7),(3.51,3)}
+ \point{(0.49,1),(.5,1.7),(1,2),(1.5,1.7),(1.51,1)}
+ \point{(2.49,1),(2.5,1.7),(3,2),(3.5,1.7),(3.51,1)}
+ \end{mfpic}
+\end{mfpfig}
+
+A word about the labels: we turned off \opt{mplabels} with the command
+\verb$\nomplabels$, because we used a command (\verb$\cs$) defined for
+this document and not known to basic \TeX{} or \LaTeX. The labels
+therefore are position by \LaTeX{} while it assembles this document,
+instead of by \MP{} which would call a separate instance of \TeX{} or
+\LaTeX{} where \cs{cs} was unknown. We could have kept \opt{mplabels},
+provided we had used \verb$\mfpverbtex$ to write the appropriate
+\LaTeX{} preamble to the \file{.mp} output. It would need to be some
+subset of the preamble of this document.
+
+\appendix
+\section{Appendices}
+
+In addition to \pdfLaTeX, \Mfp{} works with plain \pdfTeX, \LaTeX, and
+plain \TeX{}. Instead of \MP{} as the figure processor, \MF{} can also
+be used. Let's start with the difference between using \mfp{} in a
+plain~\TeX{} document and using it in a \LaTeX{} document.
+
+\subsection{\Mfp{} in plain \TeX}
+
+Here is a sample plain \pdfTeX{} document with results the same as our
+first ``Hello, world'' example. Let's call this file \file{plfirst}
+\begin{verbatim}
+ \input mfpic
+ \usemetapost
+ \opengraphsfile{myfigs}
+ My first figure:
+ \mfpic[72]{-1}{1}{-1}{1}
+ \ellipse{(0,0),1,.5}
+ \endmfpic
+ \closegraphsfile
+ \end
+\end{verbatim}
+The main difference is the lack of \LaTeX{} commands. The crucial
+difference is in the first two lines. There we simply
+\verb$\input mfpic$ and we turn on \MP{} support with the
+\verb$\usemetapost$ command instead of an option to \verb$\usepackage$.
+
+Since \verb$\usepackage$ and its options don't exist in plain \TeX{},
+all those features that we select with options in \LaTeX{} must be
+selected by some command in plain. For example, the \opt{mplabels}
+option is replaced with the command \verb$\usemplabels$ (which can also
+be used in \LaTeX).
+
+Also, plain \TeX{} doesn't have environments, so instead of
+\verb$\begin{mfpic}$ we just use \verb$\mfpic$ and instead of
+\verb$\end{mfpic}$ we use \verb$\endmfpic$.
+
+The external processing is essentially the same:
+\begin{verbatim}
+ pdftex plfirst
+ mpost myfigs
+ pdftex plfirst
+\end{verbatim}
+should produce \texttt{plfirst.pdf} with the same picture of an ellipse.
+
+
+\subsection{\Mfp{} without PDF}
+
+If we wish to use nonPDF versions of \LaTeX{} or plain \TeX, the only
+difference is in the processing steps. To process \file{first.tex} with
+\LaTeX, run the command
+\begin{ex}
+ \texttt{latex first}
+\end{ex}
+followed by
+\begin{ex}
+ \texttt{mpost myfigs}
+\end{ex}
+followed by latex again.
+\begin{ex}
+ \texttt{latex first}
+\end{ex}
+Then run the dvi processor of your choice. It should be one that can
+successfully handle eps figures (or at least the simple eps produced by
+\MP). Certainly \prog{dvips} can do it:
+\begin{ex}
+ \texttt{dvips first}
+\end{ex}
+will produce \file{first.ps}. The file{.ps} file can be viewed with
+\prog{gsview} or printed, or converted to PDF with some distillation
+program like \prog{ps2pdf}. Also \prog{dvipdfm} (if recent, and properly
+configured) can be used convert the \file{.dvi} file to PDF.
+
+\subsection{\Mfp{} without \MP}
+
+\Mfp{} can produce figures using \MF{} instead of \MP. What it does is
+work with \MF{} to produce a made-to-order font, where each picture is a
+large character in that font.
+
+Since \pdfTeX{} and \pdfLaTeX{} do not work well with the fonts produced
+by \MF, and many PDF viewers don't display them well anyway, I do not
+recommend using \mfp{} to produce PDF without turning on \MP{} support.
+However, all dvi viewers and \prog{dvips} \emph{do} work well with such
+fonts, so it can make sense to use \mfp{} with \MF{} \emph{if} you don't
+need the features that \MP{} enables: color and rotation of labels. One
+advantage of doing this is the smaller number of files produced. If
+there are 100 \mfp{} figures in a document, \MP{} produces 100 files
+(apart from a couple of temporary files and the \file{.log} file), but
+the \MF{} procedure produces only four files no matter how many figures
+are present.
+
+To use \mfp{} without \MP{}, omit the \opt{metapost} option or the
+\verb$\usemetapost$ command. If you want a visible reminder of the fact
+that \MF{} is being used, you can use the \opt{metafont} option or the
+\verb$\usemetafont$ command. Of course, you may not use \opt{mplabels}
+without \MP. You may use the color commands and options, but the only
+colors actually produced will be black and white (and occasionally a
+pattern of pixels that simulate gray). The processing steps are
+different. After
+\begin{ex}
+ \texttt{latex first} \quad(or \texttt{tex plfirst})
+\end{ex}
+run \MF:
+\begin{ex}
+ \texttt{mf myfigs}
+\end{ex}
+This should produce three files: \texttt{myfigs.log},
+\texttt{myfigs.tfm}, and \texttt{myfigs.600gf}. The last one (which
+might have a different number on your system) is called a \emph{generic
+font} (GF) file and contains the bitmap descriptions. If the file
+produced is \texttt{myfigs.2602gf}, and the \file{.tfm} is not produced,
+that indicates a configuration problem with your system that we'll get
+to later. If this did work, one needs to convert the \file{gf} file to a
+PK font file, the standard format for bitmap fonts in the \TeX{} world.
+This may be done with
+\begin{ex}
+ \texttt{gftopk myfigs.600gf}
+\end{ex}
+Some systems may require you to name the output file on the command
+line:
+\begin{ex}
+ \texttt{gftopk myfigs.600gf myfigs.600pk}
+\end{ex}
+And some systems may require the extension to be simply \file{.pk}:
+\begin{ex}
+ \texttt{gftopk myfigs.600gf myfigs.pk}
+\end{ex}
+Finally, some systems may have a \prog{makepk} or \prog{mktexpk} command
+that can be used in place of the combination of \MF{} and \prog{gftopk}.
+You'll have to check what your system has and what its usage might be,
+and what it might do with the PK file produced.
+
+After the above, one again runs `\texttt{latex first}' (or `\texttt{tex
+plfirst}'), and then the {.dvi} can be viewed or processed with dvips.
+The two files \file{myfigs.log} and \file{myfigs.600gf} can be deleted;
+only \file{myfigs.tfm} and \file{myfigs.600pk} are needed. If the viewed
+image shows the pictures at a far different size than you expect, this can
+also indicate a configuration problem.
+
+Some systems permit on-the-fly creation of PK files by various
+\file{.dvi} processing programs. It is not wise to allow this to happen
+when working with \mfp. The problem is that this automatic creation
+process is \emph{not} repeated when a figure is edited unless the old PK
+files are deleted, and it may take some hunting to even locate them. One
+should \emph{always} follow the \MF{} step with the \prog{gftopk} step.
+You might even want to write a batch script or makefile to ensure that
+this happens.
+
+Another problem, more an annoyance, that can occur comes from the
+behavior of most dvi viewers: most will reload a \file{.dvi} file if
+they detect that it has changed (or if asked to), but will usually
+\emph{not} reload any fonts even if they have changed. So if one is
+going through a edit-compile-view cycle involving \mfp{} figures, one
+usually has to close the viewer and open it again before one can see
+changes that were made in the figures after starting the viewer.
+
+\subsection{\MF{} configuration problems}
+
+To diagnose these problems it important to know something about
+\emph{printer modes}. \CMF{} produces bitmap images of characters. This
+means a description of a block of pixels, telling which ones are black
+and which are white. If the description says that 60 pixels in a row are
+black, that produces a thin black line. How long that line is depends on
+the size of a printer's pixels. For the LaserJet IV, there are 600
+pixels to the inch, so 60 pixels makes 1/10 of an inch. The LaserJet~II,
+however, has 300 pixels to the inch, so 60 pixels is 1/5 of an inch
+long. What \MF{} needs in order to produce an image that is the correct
+size is (at a minimum) the \emph{resolution} of the intended printer.
+This is typically reported in DPI (dots per inch) and \MF{} keeps the
+value in the variable \mfc{pixels_per_inch}.
+
+As part of the configuration of your DVI viewer or of \prog{dvips} you
+may have needed to select a printer from a list, or edit a line in some
+configuration file (e.g., \file{config.ps}). What was going on then was
+the assigning of a default \MF{} printer mode. There is a file on most
+\TeX{} systems named \file{modes.mf} which assigns symbolic names to a
+set of parameters that enable \MF{} to tune its output to a particular
+printer. For example, the LaserJet~IV is given the name
+`\texttt{ljfour}' and that name is associated with the value 600 for
+\mfc{pixels_per_inch}. In order to tell \MF{} to make output for the
+LaserJet~IV, one can put that information on the command line:
+\begin{ex}
+ \texttt{mf \cs{mode}:=ljfour; input myfigs}
+\end{ex}
+Your operating system or \TeX{} distribution may require you to quote
+the backslash in the above command.
+
+There is a system for making the selection of the correct mode
+semi-automatic, not requiring a command line specification. Near the end
+of \file{modes.mf} is a line similar to
+\begin{ex}
+ \mfc{localfont:=ljfour;}
+\end{ex}
+This is intended to equate the symbolic name \mfc{localfont} with the
+user's default printer. If the LaserJet~IV is your default printer, the
+line above would be the correct one. If it is not, then that line should
+be changed. This can be done with an ordinary text editor, or your
+\TeX{} system may have a configuration utility to take care of it.
+
+If you say ``\texttt{mf myfigs}'' on an \mfp{} file \file{myfigs.mf}, \mfp's
+internal code will detect that no mode was defined on the command line.
+It will then check if \mfc{localfont} is defined and if so, use that for
+the printer mode. Finally, if that fails, it will select \mfc{ljfour}.
+If even that is unknown, \MF{} will go into \emph{proof mode} and set
+\mfc{pixels_per_inch} equal to approximately 2602 (and it will
+\emph{not} produce a \file{.tfm} file).
+
+\Mfp{} doesn't need to know all the parameters associated to a printer
+mode, only the value of \mfc{pixels_per_inch}. If you get a GF file that
+indicates an incorrect DPI value for your printer, you should arrange
+for the line in \file{modes.mf} that sets \mfc{localfont} to be
+corrected. At the very least it should equate \mfc{localfont} to a name
+defined in \file{modes.mf} and associated to a printer with the same DPI
+as yours. After changing \file{modes.mf}, you need to run whatever
+programs your \TeX{} systems requires to remake the \MF{} format.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/mfpic/mfpman.pdf b/Master/texmf-dist/doc/generic/mfpic/mfpman.pdf
new file mode 100644
index 00000000000..ac9baa1ca69
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/mfpman.pdf
@@ -0,0 +1,8730 @@
+%PDF-1.3
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+%%EOF
diff --git a/Master/texmf-dist/doc/generic/mfpic/mfpman.tex b/Master/texmf-dist/doc/generic/mfpic/mfpman.tex
new file mode 100644
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@@ -0,0 +1,4991 @@
+%%% File: mfpman.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+% Documentation of mfpic macros
+\documentclass[letterpaper]{article}
+
+\usepackage{pslatex}
+
+\usepackage{mfpdoc}
+\pagestyle{mfpdoc}
+\usepackage{verbatim}
+\usepackage{makeidx}
+\makeindex
+
+\ifpdf
+\usepackage[pdftex,colorlinks,pdfpagemode=none,pdfstartview=FitH,%
+plainpages=false,hypertexnames=true]{hyperref}
+\pdfstringdefDisableCommands{\def\cs#1{\otherbackslash#1}%
+ \def\opt#1{#1}\def\prog#1{#1}}
+\fi
+
+\title{\Mfp: Pictures in \TeX\\ with Metafont and MetaPost}
+\author{Dr Thomas E. Leathrum
+\and Geoffrey Tobin\thanks{\email{G.Tobin@latrobe.edu.au}}
+\and Daniel H. Luecking\thanks{\email {luecking@uark.edu}}}
+\date{\mfpdate}
+
+\begin{document}
+
+\pagenumbering{roman}
+\maketitle
+\tableofcontents
+
+\clearpage
+\pagenumbering{arabic}
+
+\section{Introduction}\label{introduction}
+
+\subsection{Why?}\label{why}
+
+Tom got the idea for \mfp%
+ \footnote{If you're wondering how to pronounce `\mfp': I always say
+ `em-eff-\textbf{pick}', speaking the first two letters. ---DHL.} %
+mostly out of a feeling of frustration. Different output mechanisms for
+printing or viewing \TeX{} DVI files each have their own ways to include
+pictures. More often than not, there are provisions for including
+graphic objects into a \prog{DVI} file using \TeX{} \cs{special}'s.
+However, this technique seemed far from \TeX's ideal of
+device independence because different \TeX{} output drivers recognize
+different \cs{special's}, and handle them in different ways.
+
+\LaTeX's \env{picture} environment has a hopelessly limited supply of
+available objects to draw---if you want to draw a graph of a polynomial
+curve, you're out of luck.
+
+There was, of course, \PiCTeX, which is wonderfully flexible and general,
+but its most obvious feature was its speed---or rather lack of it.
+Processing a single picture in \PiCTeX{} could often take several seconds.
+
+It occurred to Tom that it might be possible to take advantage of the
+fact that \MF{} is \emph{designed} for drawing things. The result of
+pursuing this idea is \mfp, a set of macros for \TeX{} and
+\MF{} which incorporate \MF-drawn pictures into a \TeX{} file.
+
+With the creation of \MP{} by John Hobby, and the almost universal
+availability of free \PS{} interpreters like \GS, some \mfp{} users
+wanted to run their \mfp{} output through \MP, to produce \PS{}
+pictures. Moreover, users wanted to be able to use \pdfTeX, which does
+not get along well with PK fonts, but is quite happy with \MP{}
+pictures. Unfortunately \file{grafbase.mf}, which contained the \MF{}
+macros responsible for processing \mfp's output, was far too
+pixel-oriented for \MP. A new file, \file{grafbase.mp} was created,
+based very heavily on \file{grafbase.mf} but compatible with \MP. Now
+when an \mfp{} output file says \mfc{input grafbase}, either \MF{} or
+\MP{} may be run on it, and each program will select its own macros, and
+produce (nearly) the same picture. This gets us away from device
+independence, but many users were not so much concerned with that as
+with having a convenient way to have text and pictures described in the
+same document.
+
+With the extra capabilities of \PS{} (e.g., color) and the corresponding
+abilities of \MP, there was a demand for some \mfp{} interface to
+access them. Consequently, switches (options) have been added to access
+some of them. When these are used, output files may no longer be
+compatible with \MF.
+
+\subsection{Who?}\label{author}
+
+\Mfp{} was written primarily by Tom Leathrum during the late
+(northern hemisphere) spring and summer of 1992, while at Dartmouth
+College. Different versions were being written and tested for nearly two
+years after that, during which time Tom finished his Ph.D. and took a
+job at Berry College, in Rome, GA. Between fall of 1992 and fall of
+1993, much of the development was carried out by others. Those who
+helped most in this process are credited in the Acknowledgements.
+
+Somewhere in the mid 1990's the development passed to Geoffrey Tobin who
+kept things going for several years.
+
+The addition of \MP{} support was carried out by Dan Luecking around
+1997--99. He is also responsible for all other additions and changes
+since then, with help from Geoffrey and a few others mentioned in the
+Acknowledgements.
+
+\subsection{What?}\label{manifest}
+
+See \file{README.txt} for a list and a brief explanation of each of
+the files. Only five are actually needed for full access to
+\mfp's capabilities: \file{mfpic.tex}, \file{mfpic.sty} (the
+latter needed only for \LaTeX's \cs{usepackage}), \file{grafbase.mf}
+(needed only if \MF{} will be processing the figures),
+\file{grafbase.mp} and \file{dvipsnam.mp} (needed only if \MP{} will be
+the processor).
+
+The readme file that accompanies \mfp{} gives some guidence on the
+proper location for the installation of these files.
+
+\subsection{How?}\label{process}
+
+Setting up \TeX{} and \MF{} to process these files will, to an extent,
+depend on your local installation. The biggest problem you are likely to
+have, regardless of your installation, will be convincing \TeX{} and its
+output drivers to find \MF's output files. You should do whatever is
+necessary (perhaps nothing!) to insure that \TeX{} looks in the current
+directory for \file{.tfm} files, and that your dvi driver/viewer looks
+in the current directory for \file{.pk} files. If you process your
+pictures with \MP{} there is nothing to do in this regard.
+
+Here is an example of the process: for the sample file
+\file{pictures.tex}%
+ \footnote{Read \file{mfpguide.pdf} for examples of minimal \mfp{}
+ input files.}, %
+first run \TeX{} on it (or run \LaTeX{} on \file{lapictures.tex}). You
+may see a message from \mfp{} that there is no file \file{pics.tfm}, but
+\TeX{} will continue processing the file anyway. When \TeX{} is
+finished, you will now have a file called \file{pics.mf}. This is the
+\MF{} file containing the descriptions of the pictures for
+\file{pictures.tex}. You need to run \MF{} on \file{pics.mf}, with
+\cs{mode:=localfont} set up. (Read your \MF{} manual to see how to do
+this.%
+ \footnote{If you are new to running \MF, the document
+ \textit{Metafont for Beginners}, by \hbox{Geoffrey Tobin}, is a good
+ start. Fetch \file{CTAN/info/metafont-for-beginners.tex}.
+ `\file{CTAN}' means the Comprehensive \TeX{} Archive Network. You
+ can find the mirror nearest you by pointing your browser at
+ \file{http://www.ctan.org/}.}) %
+Typically, you just type
+\begin{verbatim}
+ mf pics.mf
+\end{verbatim}
+or, to use a particular printer mode such as \texttt{ljfour}, possibly
+something like
+\begin{verbatim}
+ mf '\mode:=ljfour; input pics.mf'
+\end{verbatim}
+This produces a \file{pics.tfm} file and a GF file with a name something
+like \file{pics.600gf}. The actual number may be different and the
+extension may get truncated on some file systems. Then you run
+\prog{gftopk} on the GF file to produce a PK font file. (Read your
+\prog{gftopk} manual on how to do this.) Typically, you just run
+\begin{verbatim}
+ gftopk pics.600gf
+\end{verbatim}
+(or possibly \ \verb$gftopk pics.600gf pics.600pk$ \ or \
+\verb$gftopk pics.600gf pics.pk$ ).
+
+Now you have the font (the \file{.pk} file) and font metric file (the
+\file{.tfm}) generated by \MF, reprocess the file \file{pictures.tex}
+with \TeX. The resulting DVI file should now be complete, and you should
+be able to print and view it at your computer (assuming your viewer and
+print driver have been set up to be able to find the PK font generated
+from \file{pics.mf}). You can delete \file{pics.600gf} and
+\file{pics.log}.
+
+If you use \mfp{} with the \opt{metapost} option (this would require you
+to edit \file{pictures.tex} or \file{lapictures.tex}. See
+chapter~\ref{options} for how to do this), then \file{pics.mp} is
+produced, and you need to replace the \MF/\prog{gftopk} steps with the
+single step of running \MP. (Read your \MP{} documentation on how to do
+this.%
+ \footnote{The document \textit{Some experiences on running Metafont
+ and MetaPost}, by Peter Wilson, can be useful for beginners. Fetch
+ \file{CTAN/info/metafp.pdf}.}) %
+Typically just
+\begin{verbatim}
+ mpost pics.mp
+\end{verbatim}
+or possibly \ \verb$mp pics.mp$ .
+
+After reprocessing \file{pictures.tex} with \TeX{} you should then be
+able to run dvips on the resulting DVI file and print or view its \PS{}
+output. It \pdfTeX{} is used instead of \TeX{} on the second run, you
+should be able to view the resulting PDF file with the pictures
+included.
+
+It is not advisable to rely on automatic font generation to create the
+\file{.tfm} and \file{.pk} files. (Different systems do this in
+different ways, so here I will try to give a generic explanation.) The
+reason: later editing of a figure will require new files to be built,
+and most automatic systems will \emph{not} remake the files once they
+have been created. This is not so much a problem with the \file{.tfm},
+as \mfp{} never tries to load the font if the \file{.tfm} is absent and
+therefore no automatic \file{.tfm}-making should ever be triggered.
+However, if you forget to run \prog{gftopk}, then try to view your
+resulting file, you may have to search your system and delete some
+automatically generated \file{.pk} file (they can turn up in
+unpredictable places) before you can see any later changes. It might
+be wise to write a shell script (batch file) that (1)~runs \MF, (2)~runs
+\prog{gftopk} if step~1 returns no error, (3)~deletes the \file{.tfm} if
+the \file{.pk} file does not exist. That way, if anything goes wrong,
+the \file{.dvi} will not contain the font (\mfp{} will draw a rectangle
+and the figure number in place of the figure).
+
+These processing steps---processing with \TeX, processing with
+\MF/\prog{gftopk}, and reprocessing with \TeX---may not always be
+necessary. In particular, if you change the \TeX{} document without
+making any changes at all to the pictures, then there will be no need to
+repeat the \MF{} or \MP{} steps.
+
+There are also somewhat subtle circumstance under which you can skip the
+second \TeX{} step after editing a file that has gone through the above
+process. Listing the exact cirumstances is rather involved, so it is
+recommended that you always repeat the \TeX{} step if changes have been
+made.
+
+What makes \mfp{} work? When you run \TeX{} on the file
+\file{pictures.tex}, the \mfp{} macros issue \TeX{} \cs{write
+commands}, writing \MF{} (or \MP) commands to a file \file{pics.mf} (or
+\file{pics.mp}). The user should never have to read or change the
+file \file{pics.mf} directly---the \mfp{} macros take care of it.
+
+The enterprising user can determine by examining the \mfp{} source and
+the resulting \MF{} file, that \mfp{} drawing macros translate almost
+directly into similar \MF/\MP{} commands, defined in one of the files
+\file{grafbase.mf} or \file{grafbase.mp}. The labels and
+captions, however, are placed on the graph by \TeX{} using box
+placement techniques similar to those used in \LaTeX's \env{picture}
+environment (except when option \opt{mplabels} is in effect, in which
+case \MP{} places the labels).
+
+
+\clearpage
+\section{Options.}\label{options}
+
+There are now several options to the \mfp{} package. These can be listed
+in the standard \LaTeX{} \cs{usepackage} optional argument, or can be
+turned on with certain provided commands (the only possibility for plain
+\TeX). Some options can be switched off and on throughout the document.
+Here we merely list them and provide a general description of their
+purpose. More details may be found later in the discussion of the
+features affected. The headings below give the option name, the
+alternative macro and, if available, the command for turning off the
+option. Any option not among those given below will be passed on to the
+\prog{graphics} package, provided the \opt{metapost} option has been
+used.
+
+If the file \file{mfpic.cfg} exists, it will be input just before all
+options are processed. You can create such a file containing an
+\cs{ExecuteOptions} command to execute any options you would like to
+have as default. Actual options to \cs{usepackage} will override these
+defaults, of course. And so will any of the commands below.
+
+If the file \file{mfpic.usr} exists, it will be input at the end of the
+loading of \mfp. The user can create such a file containing any of the
+commands of this section that he would like to have as default.
+
+\subsection{\opt{metapost}, \cs{usemetapost}}\label{metapost}
+\index{metapost@\opt{metapost}}\index{usemetapost@\cs{usemetapost}}
+
+Selects \MP{} as the figure processor and makes specific features
+available. It changes the extension used on the output file to
+\file{.mp} to signal that it can no longer be processed with \MF. There
+is also a \opt{metafont} option (command \cs{usemetafont}), but it is
+redundant, as \MF{} is the default. Either command must come before the
+\cs{opengraphsfile} command (see section~\ref{files}). They should not
+be used together in the same document. (Actually, they can but one needs
+to close one output file and open another. Moreover, it hasn't ever been
+seriously tested, and it wasn't taken into consideration in writing most
+of the macros.) If the command form \cs{usemetapost} is used in a
+\LaTeXe{} document, it must come in the preamble. Because of the timing
+of actions by the \prog{babel} package and by older versions of
+\file{supp-pdf.tex} (input by \file{pdftex.def} in the \prog{graphics}
+package), when \pdfLaTeX{} is used \mfp{} should be loaded and
+\cs{usemetapost} (if used) declared before \prog{babel} is loaded.
+
+
+\subsection{\opt{mplabels}, \cs{usemplabels},
+\cs{nomplabels}}\label{mplabels}
+\index{mplabels@\opt{mplabels}}\index{usemplabels@\cs{usemplabels}}%
+\index{nomplabels@\cs{nomplabels}}
+
+Causes all label creation commands to write their contents to the output
+file. It has no effect on the \cs{tcaption} command. In this case labels
+are handled by \MP{} and can be rotated. It requires \MP, and will be be
+ignored without it (\MF{} cannot handle labels). It may also produce an
+error either from \TeX{} or \MF. Otherwise the commands can come
+anywhere and affect subsequent \cs{tlabel} commands. When this is in
+effect, the labels become part of the figure and, in the default
+handling, they may be clipped off or covered up by later drawing
+elements. But see the next section on the \opt{overlaylabels} option.
+Labels added to a picture contribute to the bounding box even if
+\opt{truebbox} is not in effect.
+
+The user is responsible for adding the appropriate \mfc{verbatimtex}
+header to the output file if necessary. For this purpose, there is the
+\cs{mfpverbtex} command, see section~\ref{labels}. If
+the label text contains only valid plain \TeX{} macros, there is
+generally no need for a \mfc{verbatimtex} preamble at all. If you add a
+\mfc{verbatimtex} preamble of \LaTeX{} code take care to make sure \MP{}
+calls \LaTeX{} (for example, by setting the environmental variable
+\texttt{TEX} to \texttt{latex} in the command shell of your operating
+system.).
+
+
+\subsection{\opt{overlaylabels}, \cs{overlaylabels}, \cs{nooverlaylabels}}
+\label{overlaylabels}
+\index{overlaylabels@\opt{overlaylabels}}%
+\index{overlaylabels@\cs{overlaylabels}}%
+\index{nooverlaylabels@\cs{nooverlaylabels}}
+
+In the past, under \opt{mplabels} all text labels created by \cs{tlabel}
+and its relatives were added to the picture by \MP{} \emph{as they
+occurred}. This made them subject to later drawing commands: they could
+be covered up, erased, or clipped. With this option (or after the
+command \cs{overlaylabels}) text labels are saved in a separate place
+from the rest of a picture. When a picture is completed, the labels that
+were saved are added on top of it. This is the way labels always behave
+under the \opt{metafont} option, because then \TeX{} must add the labels
+and there is no possibility for special effects involving clipping or
+erasing (at the \MF{} level).
+
+With the \opt{metapost} option, but without \opt{mplabels} it has been
+decided to keep the same behavior (and the same code) as under the
+\opt{metafont} option. However, when \opt{mplabels} is used, there is
+the possibility for special effects with text, and it has always been
+the behavior before this version to simply place the labels as they
+occurred. It turns out that placing the labels at the end is cleaner and
+simpler to code, so I experimented with it and rejected it as a default,
+but now offer it as an option. With this option, \mfp{} labels have
+almost the same behavior with or without \opt{mplabels}.
+
+
+\subsection{\opt{truebbox}, \cs{usetruebbox},
+\cs{notruebbox}}\label{truebbox}
+\index{truebbox@\opt{truebbox}}\index{usetruebbox@\cs{usetruebbox}}%
+\index{notruebbox@\cs{notruebbox}}
+
+Normally \MP{} outputs an EPS file with the actual bounding box of the
+figure. By default, \mfp{} \emph{overrides} this and sets the bounding
+box to the dimensions specified by the \cs{mfpic} command that produced
+it. (This used to be needed for \TeX{} is to handle \cs{tlabel} commands
+correctly. Now, it is just for backward compatability, and for
+compatability with \MF's behavior.) It is reasonable to let \MP{} have
+its way, and that is what this option does. If one of the command forms
+is used in an \env{mfpic} environment, it affects only that environment,
+otherwise it affects all subsequent figures. This option currently has
+no effect with \MF, but should cause no errors.
+
+
+\subsection{\opt{clip}, \cs{clipmfpic}, \cs{noclipmfpic}}\label{clip}
+\index{clip@\opt{clip}}\index{clipmfpic@\cs{clipmfpic}}%
+\index{noclipmfpic@\cs{noclipmfpic}}
+
+Causes all parts of the figure outside the rectangle specified by the
+\cs{mfpic} command to be removed. The commands can come anywhere. If
+issued inside an \env{mfpic} environment they affect the current figure
+only. Otherwise all subsequent figures are affected. Note: this is a
+rather rudimentary option. It has an often unexpected interaction with
+truebbox. When both are in effect, \MP{} will produce a bounding box
+that is the intersection of two rectangles: the true one \emph{without
+clipping}, and the box specified in the \cs{mfpic} command. It is
+possible that the actual figure will be much smaller (even empty!). This
+is a property of the \MP{} \gbc{clip} command and we know of no way to
+avoid it.
+
+
+\subsection{\opt{centeredcaptions}, \cs{usecenteredcaptions},
+\cs{nocenteredcaptions}}\label{centeredcaptions}
+\index{centeredcaptions@\opt{centeredcaptions}}%
+\index{usecenteredcaptions@\cs{usecenteredcaptions}}%
+\index{nocenteredcaptions@\cs{nocenteredcaptions}}
+
+Causes multiline captions created by \cs{tcaption} to have all lines
+centered. This has no effect on the normal \LaTeX{} \cs{caption}
+command.%
+ \footnote{This writer [DHL] feels that \cs{tcaption} is too limited
+ and users ought to apply the caption by other means, such as
+ \LaTeX's \cs{caption} command, outside the \env{mfpic}
+ environment.} %
+The commands can be issued anywhere. If inside an \env{mfpic}
+environment they should come before the \cs{tcaption} command and affect
+only it, otherwise they affect all subsequent figures.
+
+\subsection{\opt{debug}, \cs{mfpicdebugtrue},
+\cs{mfpicdebugfalse}}\label{debug}
+\index{debug@\opt{debug}}\index{mfpicdebugtrue@\cs{mfpicdebugtrue}}%
+\index{mfpicdebugfalse@\cs{mfpicdebugfalse}}
+
+Causes \mfp{} to write a rather large amount of information to the
+\file{.log} file and sometimes to the terminal. Debug information
+generated by \file{mfpic.tex} \emph{while loading} is probably of
+interest only to developers, but can be turned on by giving a definition
+to the command \cs{mfpicdebug} prior to loading.
+
+\subsection{\opt{clearsymbols}, \cs{clearsymbols}, \cs{noclearsymbols}}
+\index{clearsymbols@\opt{clearsymbols}}
+\index{clearsymbols@\cs{clearsymbols}}
+\index{noclearsymbols@\cs{noclearsymbols}}
+
+\Mfp{} has two commands, \cs{point} and \cs{plotsymbol} that place a
+small symbol at each of a list of points. The first can place either a
+small filled disk or an open disk, the choice being dictated by the
+setting of the boolean \cs{pointfilltrue} or \cs{pointfillfalse}. The
+behavior of \cs{point} in the case of \cs{pointfillfalse} is to erase the
+interior of the disk in addition to drawing its circumference.
+
+The second command \cs{plotsymbol} can place a variety of shapes, some
+open, some not. Its behavior until now was always simply to draw the
+shape without erasing the interior. Two other commands that placed these
+symbols, \cs{plotnodes} and \cs{plot}, had the same behavior. With this
+option, two of these, \cs{plotsymbol} and \cs{plotnodes}, will erase the
+interior of the open symbols before drawing them. Thus
+\cs{plotsymbol}\marg{SolidCircle} still works just like
+\cs{pointfilltrue}\cs{point}, and now with this option
+\cs{plotsymbol}\marg{Circle} behaves the same as
+\cs{pointfillfalse}\cs{point}. The \cs{plot} command is unaffected by
+this option.
+
+
+\subsection{\opt{draft}, \opt{final}, \opt{nowrite}, \cs{mfpicdraft},
+ \cs{mfpicfinal}, \cs{mfpicnowrite}}\label{draft}
+\index{draft@\opt{draft}}\index{final@\opt{final}}%
+\index{nowrite@\opt{nowrite}}\index{mfpicdraft@\cs{mfpicdraft}}%
+\index{mfpicfinal@\cs{mfpicfinal}}\index{mfpicnowrite@\cs{mfpicnowrite}}
+
+Under the \opt{metapost} option, the various macros that include the
+\EPS{} files emit rather large amounts of confusing error messages when
+the files don't exist (especially in \LaTeX). For this reason, before
+each picture is placed, \mfp{} checks for the existence of the
+graphic before trying to include it. However, on some systems checking
+for the existence of a nonexistent file can be very slow because the
+entire \TeX{} search path will need to be checked. Therefore, \mfp{}
+doesn't even attempt any inclusion on the first run. The first run is
+detected by the non-existence of \file{\meta{file}.1}, where \meta{file}
+is the name given in the \cs{opengraphsfile} command (but see also
+section~\ref{files}). These options can be used to override this
+automatic detection. All the command versions should come \emph{before}
+the \cs{opengraphsfile} command. The \cs{mfpicnowrite} command
+\emph{must} come before it.
+
+These options might be used if, for example, the first figure has an
+error and is not created by \MP, but you would like \mfp{} to go
+ahead and include the remaining figures. Then use \opt{final}. It can
+also be used to override a \LaTeX{} global \opt{draft} option. Or if
+\file{\meta{file}.1} exists, but other figures still have errors and you
+would like several runs to be treated as first runs until \MP{} has
+stopped issuing error messages, then use \opt{draft}. These commands
+also work under the \opt{metafont} option, but time and error messages
+are less of an issue then. If all the figures have been created and
+debugged, some time might be saved (with either \opt{metafont} or
+\opt{metapost}) by not writing the output file again, then \opt{nowrite}
+can be used.
+
+
+\subsection{Option Scoping Rules}\label{scoping}
+
+Some of these options merely change \TeX{} behavior, others write
+information to the output file for \MF{} or \MP. Changes in \TeX{}
+behavior obey the normal \TeX{} grouping rules, the information written
+to the output file obeys \MF{} grouping rules. Since each \env{mfpic}
+environment is both a \TeX{} group and (corresponds to) a \MF{} group,
+the following always holds: use of one of the command forms inside of an
+\env{mfpic} environment makes the change local to that environment.
+
+An effort has been made (as of version 0.7) to make this universal. That
+is, any of the commands listed above for turning options on and off will
+be global when issued outside an \env{mfpic} environment. The debug
+commands are exceptions; they obey all \TeX{} scoping rules.
+
+We have also tried to make all other \mfp{} commands for changing the
+various parameters follow this rule: local inside \env{mfpic}
+environment, global outside. However, as of this writing I don't
+claim to have caught every one.
+
+The following are special:
+\cs{usemetapost}\index{usemetapost@\cs{usemetapost}},
+\cs{usemetafont}\index{usemetafont@\cs{usemetafont}},
+\cs{mfpicdraft}\index{mfpicdraft@\cs{mfpicdraft}},
+\cs{mfpicfinal}\index{mfpicfinal@\cs{mfpicfinal}},
+and
+\cs{mfpicnowrite}\index{mfpicnowrite@\cs{mfpicnowrite}}.
+Their effects are always global, partly because they should occur prior
+to the initialization command \cs{opengraphsfile} (described in
+section~\ref{files}). Note that \cs{usemetapost} may cause a file of
+graphic inclusion macros to be input. If this command is issued inside a
+group, some definitions in that file may be lost, breaking the graphic
+inclusion code.
+
+\clearpage
+\section{The Macros.}\label{macros}
+
+In these descriptions we will often refer to `\MF{}' when we really mean
+`\MF{} or \MP{}'. This will especially be the case whenever we need to
+refer to commands in the two languages which are substantially the same,
+but occasionally we will even talk about running `\MF{}' when we mean
+running one or the other to process the figures. If we need to
+discriminate between the two processors, (for example when they have
+different behavior) we will make the difference explicit.
+
+A similar shorthand is used when referring to \TeX{}. It should not be
+taken to mean plain\TeX, but rather whatever version of \TeX{} is used
+to process the source file: \LaTeX, \pdfTeX, \pdfLaTeX, etc.
+
+Many of the commands of \mfp{} have optional arguments. These are
+denoted just as in \LaTeX, with square brackets. Thus, the command for
+drawing a circle can be given
+\begin{ex}
+ \cs{circle}\marg{(0,0),1}
+\end{ex}
+having only the mandatory argument, or
+\begin{ex}
+ \cs{circle}\oarg{p}\marg{(0,0),1}
+\end{ex}
+Whenever an optional argument is omitted, the behavior is equivalent to
+some choice of the optional argument. In this example, the two forms
+have exactly the same behavior, drawing a circle centered at $(0,0)$
+with radius $1$. In this case we will say that \oarg{p} is the
+\emph{default}. Another example is \cs{point}\marg{(1,0)} versus
+\cs{point}\oarg{3pt}\marg{(1,0)}. They both place a dot at the point
+$(1,0)$. The second one explicitly request that it have diameter
+\dim{3pt}; the first will examine the length command \cs{pointsize},
+which the user can change, but it is initialized to \dim{2pt}. In this
+case we will say the default is the value of \cs{pointsize},
+\emph{initially \dim{2pt}}.
+
+Optional arguments for \mfp{} commands may consist of empty brackets
+(completely empty, no spaces) and the default will be used. This is
+useful only for commands that have two optional arguments and one only
+wants to change from the defaults in the second one. An optional
+argument should normally not contain any spaces. Even when the argument
+contains more than one piece of data, spaces should not separate the
+parts. In many cases (perhaps most) this will cause no harm, but it
+would be better to avoid doing it altogether.
+
+
+\subsection{Files and Environments.}\label{files}
+
+\begin{cd}
+\cs{opengraphsfile}\marg{\meta{file}}\\
+ \ $\ldots$\\
+\cs{closegraphsfile}%
+\index{opengraphsfile@\cs{opengraphsfile}}%
+\index{closegraphsfile@\cs{closegraphsfile}}
+\end{cd}
+
+These macros open and close the \MF{} or \MP{} file which will contain
+the pictures to be included in this document. The name of the file will
+be \file{\meta{file}.mf} (or \file{\meta{file}.mp}). Do \emph{not}
+specify the extension, which is added automatically.
+
+\emph{Note}: This command will cause \file{\meta{file}.mf} or
+\file{\meta{file}.mp} to be overwritten if it already exists, so be sure
+to consider that when selecting the name. Repeating the running of
+\TeX{} will overwrite the file created on previous runs, but that should
+be harmless. For if no changes are made to \env{mfpic} environments, the
+identical file will be recreated, and if changes have been made, then
+you want the file to be replaced with the new version.
+
+It is possible (but \emph{has not} been seriously tested) to close one
+file and open another, and even to change between \opt{metapost} and
+\opt{metafont} in between. If anything goes wrong with this, contact the
+maintainer and it might be fixed in some later version.
+
+\begin{cd}
+\cs{mfpic}\oarg{\meta{xscale}}\oarg{\meta{yscale}}%
+ \marg{\meta{xmin}}\marg{\meta{xmax}}\marg{\meta{ymin}}\marg{\meta{ymax}}\\
+ \ $\ldots$\\
+\cs{endmfpic}%
+\index{mfpic@\cs{mfpic}}\index{endmfpic@\cs{endmfpic}}
+\end{cd}
+
+These macros open and close the \env{mfpic} environment in which most of
+the rest of the macros make sense. The \cs{mfpic} macro also sets up the
+local coordinate system for the picture. The \meta{xscale} and
+\meta{yscale} parameters establish the length of a coordinate system
+unit, as a multiple of the \TeX{} dimension \cs{mfpicunit}. If neither
+is specified, both are taken to be 1 (i.e., each coordinate system unit
+is 1 \cs{mfpicunit}). If only one is specified, then they are assumed to
+be equal. The \meta{xmin} and \meta{xmax} parameters establish the lower
+and upper bounds for the $x$-axis coordinates; similarly, \meta{ymin}
+and \meta{ymax} establish the bounds for the $y$-axis. These bounds are
+expressed in local units---in other words, the actual width of the
+picture will be $(\meta{xmax}-\meta{xmin})\cdot\meta{xscale}$ times
+\cs{mfpicunit}, its height $(\meta{ymax}-\meta{ymin})\cdot\meta{yscale}$
+times \cs{mfpicunit}, and its depth zero. One can scale all pictures
+uniformly by changing \cs{mfpicunit}, and scale an individual picture by
+changing \meta{xscale} and \meta{yscale}. After loading \mfp,
+\cs{mfpicunit} has the value \dim{1pt}. One \texttt{pt} is a
+\emph{printer's point}, which equals 1/72.27 inches or 0.35146
+millimeters.
+
+\emph{Note}: Changing \cs{mfpicunit} or the optional parameters will
+scale the coordinate system, but not the values of certain parameters
+that are defined in absolute units. Examples of these are the default
+width of the drawing pen, the default lengths of arrowheads, the default
+sizes of dashes and dots, etc. If you wish, you can set these to
+multiples of \cs{mfpicunit}, but it is difficult (and probably unwise)
+to get them to scale along with the scale parameters.
+
+In addition to establishing the coordinate system, these scales and
+bounds are used to establish the metric for the \MF{} character or
+bounding box for the \MP{} figure described within the environment. If
+any of these parameters are changed, the \file{.tfm} file (\MF) or the
+bounding box (\MP) will be affected, so you will have to be sure to
+reprocess the \TeX{} file after processing the \file{.mf} or \file{.mp}
+file, even if no other changes are made in the figure.
+
+\begin{cd}
+\cs{mfpicnumber}\marg{\meta{num}}%
+\index{mfpicnumber@\cs{mfpicnumber}}
+\end{cd}
+
+Normally, \cs{mfpic} assigns the number 1 to the first \env{mfpic}
+environment, after which the number is increased by one for each new
+\env{mfpic} environment. This number is used internally to include the
+picture. It is also transmitted to the output file where it is used as
+the argument to a \gbc{beginmfpic} command. In \MF{} this number becomes
+the position of the character in the font file, while in \MP{} it is the
+extension on the graphic file that is output. The above command tells
+\mfp{} to ignore this sequence and number the next \env{mfpic}
+figure with \meta{num} (and the one after that $\meta{num}+1$, etc.). It
+is up to the user to make sure no number is repeated, as no checking is
+done. Numbers greater than 255 may cause errors, as \TeX{} assumes that
+characters are represented by 8-bit numbers. If the first figure is to
+be numbered something other than $1$, then, under the \opt{metapost}
+option, this command should come before \cs{opengraphsfile}, as that
+command checks for the existence of the first numbered figure to
+determine if there are figures to be included.
+
+\begin{cd}
+\cs{begin}\marg{mfpic}\texttt{...}\cs{end}\marg{mfpic}%
+\index{begin@\cs{begin}\marg{mfpic}}
+\end{cd}
+
+In \LaTeX, instead of \cs{mfpic} and \cs{endmfpic}, you may prefer to
+use \cs{begin}\marg{mfpic} and \cs{end}\marg{mfpic}. This is by no means
+required: in \LaTeX{} \cs{begin}\marg{command} invokes \cs{command}, and
+\cs{end}\marg{command} invokes \cs{endcommand}, for any environment
+\env{command}.
+
+The sample file \file{lapictures.tex} provided with \mfp{}
+illustrates this use of an \env{mfpic} environment in \LaTeX.
+
+\medskip
+The rest of the \mfp{} macros do not affect the font metric file
+(\file{\meta{file}.tfm}), and so if these commands are changed or added
+in your document, you will not have to repeat the third step of
+processing (reprocessing with \TeX) to complete your \TeX{} document.
+The same is true when option \opt{metapost} is selected without the
+\opt{truebbox} option, except under \pdfTeX{} or \pdfLaTeX. Those \TeX{}
+programs will embed the figures right in the \file{.pdf} output. For
+normal \LaTeX{} + \prog{dvips}, the figures are embedded by
+\prog{dvips}, which must always be repeated.
+
+\medskip
+For the remainder of the macros, the numerical parameters are expressed
+in the units of the local coordinate system specified by \cs{mfpic},
+unless otherwise indicated.
+
+
+\subsection{Figures.}\label{figures}
+
+\subsubsection{\CMF{} Pairs.}\label{pairs}
+
+Since many of the arguments of the \mfp{} drawing commands are
+sent to \MF{} to be interpreted, it's useful to know something about
+\MF{} concepts.
+
+In particular, \MF{} has \mfc{pair} objects, which may be constants or
+variables. Pair constants have the form \mfc{($x$,$y$)}. Pairs are
+two-dimensional rectangular (cartesian) quantities, and are clearly
+useful for representing both points and vectors on the plane.
+
+Moreover, we herein often represent each pair by a brief name, such as
+$p$, $v$ or $c$, the meanings of which are usually obvious in the
+context of the macro. The succinctness of this notation also helps us to
+think geometrically rather than only of coordinates.
+
+\CMP{} has these same concepts, but also has color objects, which may
+also be constants or variables. Color constants have the form
+\mfc{($r$,$g$,$b$)} where $r$, $g$, and $b$ are numbers between $0$ and
+$1$ determining the relative proportions of red, green and blue in the
+color (rgb model). A color variable is a name, like \mfc{magenta} or
+\mfc{RoyalBlue} (predefined). There are also color functions like
+\mfc{cmyk($x$,$y$,$z$,$w$)} which is defined to convert cmyk values into
+\MP's native rgb model.
+
+Some commands depend on the value of separately defined parameters. All
+these parameters are initialized when \mfp{} is loaded. In the following
+descriptions we give the initial value of all the relevant parameters.
+When \MP{} output is selected, figures can be drawn in any color.
+Several of the above mentioned parameters are colors. \Mfp{} provides
+commands to change any of these parameters.
+
+
+\subsubsection{Points, Lines, and Rectangles.}\label{points}
+
+\begin{cd}
+\cs{pointdef}\marg{\meta{name}}\texttt{($x$,$y$)}%
+\index{pointdef@\cs{pointdef}}
+\end{cd}
+
+Defines a symbolic name for points and their coordinates. \meta{name} is
+any legal \TeX{} command name \emph{without} the backslash; $x$ and $y$
+are any numbers. For example, after the command
+\cs{pointdef}\marg{A}\texttt{(1,3)}, \cs{A} expands to \texttt{(1,3)}, while
+\cs{Ax} and \cs{Ay} expand to \texttt{1} and \texttt{3}, respectively. Because
+of the way \cs{tlabel} is defined (see section~\ref{labels} below), one
+cannot use \cs{A} to specify where to place a label (unless
+\opt{mplabels} is in effect), but must use \texttt{ (\cs{Ax},\cs{Ay})}. In
+most other commands, one can use \cs{A} where a pair or point is
+required.
+
+\begin{cd}
+\cs{point}\oarg{\meta{ptsize}}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{point@\cs{point}}
+\end{cd}
+
+Draws small disks centered at the points \meta{$p_0$}, \meta{$p_1$}, and
+so on. If the optional argument \meta{ptsize} is present, it determines
+the diameter of the disks, which otherwise equals the \TeX{} dimension
+\cs{pointsize}, initially \dim{2pt}. The disks have a filled interior if
+the command \cs{pointfilltrue} has been issued (the initial value),
+\cs{pointfillfalse} causes the interior to be erased and an outline
+drawn. The color of the circles is the value of the predefined variable
+\gbc{pointcolor}, and the inside of the open circles is the value of
+\mfc{background}.
+
+\begin{cd}
+\cs{plotsymbol}\oarg{\meta{size}}\marg{\meta{symbol}}%
+\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{plotsymbol@\cs{plotsymbol}}
+\end{cd}
+
+Draws small symbols centered at the points \meta{$p_0$}, \meta{$p_1$},
+and so on. The symbols must be given by name, and the available symbols
+are
+\gbc{Asterisk}\index{Asterisk@\gbc{Asterisk}},
+\gbc{Circle}\index{Circle@\gbc{Circle}},
+\gbc{Diamond}\index{Diamond@\gbc{Diamond}},
+\gbc{Square}\index{Square@\gbc{Square}},
+\gbc{Triangle}\index{Triangle@\gbc{Triangle}},
+\gbc{Star}\index{Star@\gbc{Star}},
+\gbc{SolidCircle}\index{SolidCircle@\gbc{SolidCircle}},
+\gbc{SolidDiamond}\index{SolidDiamond@\gbc{SolidDiamond}},
+\gbc{SolidSquare}\index{SolidSquare@\gbc{SolidSquare}},
+\gbc{SolidTriangle}\index{SolidTriangle@\gbc{SolidTriangle}},
+\gbc{SolidStar}\index{SolidStar@\gbc{SolidStar}},
+\gbc{Cross}\index{Cross@\gbc{Cross}} and
+\gbc{Plus}\index{Plus@\gbc{Plus}}.
+The names should be self-explanatory. Under \opt{metapost}, symbols are
+drawn in \gbc{pointcolor}. The \meta{size} defaults to \cs{pointsize} as
+in \cs{point} above. \gbc{Asterisk} consists of six
+line segments while \gbc{Star} is the standard closed, ten-sided
+polygon. The name `\cs{plotsymbol}' comes from the fact that the \cs{plot}
+command, which was written first, utilizes these same symbols. The command
+\cs{symbol} was already taken (standard \LaTeX).
+
+The difference between \cs{pointfillfalse}\cs{point}$\ldots$ and
+\cs{plotsymbol}\marg{Circle}$\ldots$ is that the inside of the circle
+will not be erased in the second version (i.e., whatever else has already
+been drawn in that area will remain visible). This is the default (for
+backward compatibility), but that can be changed with the commands
+below.
+
+\begin{cd}
+\cs{clearsymbols}\\
+\cs{noclearsymbols}%
+\index{clearsymbols@\cs{clearsymbols}}%
+\index{noclearsymbols@\cs{noclearsymbols}}
+\end{cd}
+
+After the first of these two commands, subsequent \cs{plotsymbol}
+commands will draw the open symbols with their interiors erased. After
+the second, the default behavior (described above) will be restored.
+These commands have no effect on \cs{point}. \cs{plotnodes} (see
+subsection~\ref{drawing}) also responds to the settings made by these
+commands. The \cs{plot} command (also in subsection~\ref{drawing}) does
+not.
+
+\begin{cd}
+\cs{polyline}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}\\
+\cs{lines}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{polyline@\cs{polyline}}\index{lines@\cs{lines}}
+\end{cd}
+
+Draws the line segment with endpoints at \meta{$p_0$} and \meta{$p_1$},
+then the line segment with endpoints at \meta{$p_1$} and \meta{$p_2$},
+etc. The result is an open polygonal path through the specified points,
+in the specified order. \cs{polyline} and \cs{lines} mean the same
+thing.
+
+\begin{cd}
+\cs{polygon}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{polygon@\cs{polygon}}
+\end{cd}
+
+Draws a closed polygon with vertices at the specified points in the
+specified order.
+
+\begin{cd}
+\cs{rect}\marg{\meta{$p_0$},\meta{$p_1$}}%
+\index{rect@\cs{rect}}
+\end{cd}
+
+Draws the rectangle specified by the points \meta{$p_0$} and
+\meta{$p_1$}, these being either pair of opposite corners of the
+rectangle in any order.
+
+It is occasionally helpful to know that connected paths like those
+produced by \cs{polyline} or \cs{rect} have a \emph{sense} (a
+direction). The sense of \cs{polyline} is the direction determined by
+the order of the points. For \cs{rect} the sense may be clockwise or
+anticlockwise depending on the corners used: it begins at the first of
+the two points and goes horizontally from there.
+
+\begin{cd}
+\cs{regpolygon}\marg{\meta{num}}\marg{\meta{name}}%
+\marg{\meta{eqn$_1$}}\marg{\meta{eqn$_2$}}%
+\index{regpolygon@\cs{regpolygon}}
+\end{cd}
+
+This produces a regular polygon with \meta{num} sides. The second
+argument, \meta{name} is a symbolic name. It can be used to refer to the
+vertices later. The last two arguments should be equations that position
+two of the vertices or one vertex and the center. The center is refered
+to by \meta{name}\gbc{0} and the vertices by \meta{name}\gbc{1}
+\meta{name}\gbc{2}, etc., going anticlockwise around the polygon. The
+\meta{name} itself (without a number) will be a \MF{} variable assigned
+the value of \meta{num}. For example,
+\begin{ex}
+\cs{regpolygon}\marg{5}\marg{Meg}\marg{Meg0=(0,1)}\marg{Meg1=(2,0)}
+\end{ex}
+will produce a regular pentagon with its center at $(0,1)$ and its first
+vertex at $(2,0)$. One could later draw a star inside it with
+\begin{ex}
+\cs{polygon}\marg{Meg1,Meg3,Meg5,Meg2,Meg4}
+\end{ex}
+Moreover, \gbc{Meg} will equal $5$.
+The name given becomes a \MF{} variable and care should be taken to make
+the name distinctive so as not to redefine some internal variable.
+
+\subsubsection{A Word on List Arguments}\label{list}
+
+We have seen already four \mfp{} macros that take a mandatory argument
+consisting of a list of coordinate pairs. There are many more, and some
+that take a comma-separated lists of other types of items. If the lists
+are long, especially if they are generated by a program, it might be
+more convenient if one could simply refer to an external file for the
+data. This is possible, and one does it the following way: instead of
+\cs{lines}\marg{\meta{list}}, one can write\index{datafile@\cs{datafile}}
+\begin{ex}
+\cs{lines}\cs{datafile}\marg{\meta{filename}}
+\end{ex}
+where \meta{filename} is the full name of the file containing the data.
+The required format of this file and the details of this usage can be
+found in subsection~\ref{external}. This method is available for any
+command that takes a comma-separated list of data as its last argument,
+\emph{with the exception of those commands that adds text to the
+picture}. Examples of the latter are \cs{plottext} and \cs{axislabels}
+(subsection~\ref{text}).
+
+\subsubsection{Axes, Axis Marks, and Grids.}\label{axes}
+
+\begin{cd}
+\cs{axes}\oarg{\meta{hlen}}\\
+\cs{xaxis}\oarg{\meta{hlen}}\\
+\cs{yaxis}\oarg{\meta{hlen}}%
+\index{axes@\cs{axes}}%
+\index{xaxis@\cs{xaxis}}%
+\index{yaxis@\cs{yaxis}}
+\end{cd}
+
+These are retained for backward compatibility, but there are more
+flexible alternatives below. They draw $x$- and $y$-axes for the
+coordinate system. The command \cs{axes} is equivalent to \cs{xaxis}
+followed by \cs{yaxis} which produce the obvious. The $x$- and $y$-axes
+extend the full width and height of the \env{mfpic} environment. The
+optional \meta{hlen} sets the length of the arrowhead on each axis. The
+default is the value of the \TeX{} dimension \cs{axisheadlen}, initially
+\dim{5pt}. The shape of the arrowhead is determined as in the \cs{arrow}
+macro (section~\ref{modifier}). The color of the head is the value of
+\gbc{headcolor}, the shaft is \gbc{drawcolor}.
+
+Unlike other commands that produce lines or curves, these do not respond
+to the prefix macros of sections \ref{modifier}~and \ref{rendering}.
+They always draw a solid line (with an arrowhead unless \cs{axisheadlen}
+is \dim{0pt}). They \emph{do} respond to changes in the pen thickness
+(see \cs{penwd} in section~\ref{parameters}) but that is pretty much the
+only possibility for variation.
+
+\begin{cd}
+\cs{axis}\oarg{\meta{hlen}}\marg{\meta{one-axis}}\\
+\cs{doaxes}\oarg{\meta{hlen}}\marg{\meta{axis-list}}%
+\index{axis@\cs{axis}}
+\index{doaxes@\cs{doaxes}}
+\end{cd}
+
+These produce any of 6 different axes. The parameter \meta{one-axis} can
+be \texttt{x} or \texttt{y}, to produce (almost) the equivalent of \cs{xaxis}
+and \cs{yaxis}; or it can be \texttt{l}, \texttt{b}, \texttt{r}, or \texttt{t} to
+produce an axis on the border of the picture (left, bottom, right or
+top, respectively). \cs{doaxes} takes a list of any or all of the six
+letters (with either spaces or nothing in between) and produces the
+appropriate axes. Example: \cs{doaxes}\marg{lbrt}. The optional argument
+sets the length of the arrowhead. In the case of axes on the edges, the
+default is the value of \cs{sideheadlen}, which \mfp{}
+initializes to \dim{0pt}. For the $x$- and $y$-axis the default is
+\cs{axisheadlen} as in \cs{xaxis} and \cs{yaxis} above.
+
+The commands \cs{axis}\marg{x}, \cs{axis}\marg{y}, and
+\cs{doaxes}\marg{xy} differ from the old \cs{xaxis}, \cs{yaxis} and
+\cs{axes} in that these new versions respond to changes made by
+\cs{setrender} (see subsection~\ref{default}). Moreover, prefix macros
+may be applied to \cs{axis} without error (see sections
+\ref{modifier}~and \ref{rendering}): \cs{dotted}\cs{axis}\marg{x} draws
+a dotted $x$-axis, but \cs{dotted}\cs{xaxis} produces a \MF{} error. A
+prefix macro applied to \cs{doaxes} generates no error, but only the
+first axis in the list will be affected.
+
+The side axes are drawn by default with a pen stroke along the very edge
+of the picture (as determined by the parameters to \cs{mfpic}). This can
+be changed with the command \cs{axismargin} described below.
+
+Axes on the edges are drawn so that they don't cross each other.
+\cs{doaxes}\marg{lbrt}, for example, produces a perfect rectangle. If the
+$x$- and $y$-axis are drawn with \cs{axis} or \cs{doaxis}, then they
+will not cross the side axes. For this to work properly, all the
+following margin settings have to be done before the axes are drawn.
+
+\begin{cd}
+\cs{axismargin}\marg{\meta{axis}}\marg{\meta{num}}\\
+\cs{setaxismargins}\marg{\meta{num}}\marg{\meta{num}}\marg{\meta{num}}\marg{\meta{num}}\\
+\cs{setallaxismargins}\marg{\meta{num}}%
+\index{axismargin@\cs{axismargin}}%
+\index{setaxismargins@\cs{setaxismargins}}%
+\index{setallaxismargins@\cs{setallaxismargins}}
+\end{cd}
+
+The \meta{axis} is one of the letters \texttt{l}, \texttt{b}, \texttt{r}, or \texttt{
+t}. \cs{axismargin} causes the given axis to be shifted \emph{inward} by
+the \meta{num} specified (in \emph{graph} coordinates). The second
+command \cs{setaxismargins} takes 4 arguments, using them to set the
+margins starting with the left and proceeding anticlockwise. The last
+command sets all the axis margins to the same value.
+
+A change to an axis margin affects not only the axis at that edge but
+also the three axes perpendicular to it. For example, if the margins are
+$M_{\mathrm{lft}}$, $M_{\mathrm{bot}}$, $M_{\mathrm{rt}}$ and
+$M_{\mathrm{top}}$, then
+\cs{axis b} draws a line starting $M_{\mathrm{lft}}$ graph units from the
+left edge and ending $M_{\mathrm{rt}}$ units from the right edge. Of course,
+the entire line is $M_{\mathrm{bot}}$ units above the bottom edge. The
+margins are also respected by the $x$- and $y$-axis, but only when drawn
+with \cs{axis}. The old \cs{xaxis}, \cs{yaxis} and \cs{axes} ignore
+them.
+
+Special effects can be achieved by lying to one axis about the other
+margins.
+
+\begin{cd}
+\cs{xmarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{tmarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{bmarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{ymarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{lmarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{rmarks}\oarg{\meta{len}}\marg{\meta{numberlist}}\\
+\cs{axismarks}\marg{\meta{axis}}\oarg{\meta{len}}\marg{\meta{numberlist}}%
+\index{xmarks@\cs{xmarks}}%
+\index{tmarks@\cs{tmarks}}%
+\index{bmarks@\cs{bmarks}}%
+\index{ymarks@\cs{ymarks}}%
+\index{lmarks@\cs{lmarks}}%
+\index{rmarks@\cs{rmarks}}%
+\index{axismarks@\cs{axismarks}}
+\end{cd}
+
+These macros place hash marks on the appropriate axes at the places
+indicated by the values in the list. The optional \meta{len} gives the
+length of the hash marks. If \meta{len} is not specified, the \TeX{}
+dimension \cs{hashlen}, initially \dim{4pt}, is used. The marks on the
+$x$- and $y$-axes are centered on the respective axis; the marks on the
+border axes are drawn to the inside. Both these behaviors can be
+changed (see below). The commands may be repeated as often as desired.
+(The timing of drawing commands can make a difference as outlined in
+appendix~\ref{mpconsiderations}.) The command \cs{axismarks}\marg{x} is
+equivalent to \cs{xmarks} and so on for each of the six axes. (I would
+have used \cs{marks}, but e\kern-.16em\TeX{} makes that a primitive.)
+
+The \meta{numberlist} is normally a comma-separated list of numbers. In
+place of this, one can give a starting number, an increment and an
+ending number as in the following example:
+\begin{ex}
+ \cs{xmarks}\marg{-2 step 1 until 2}
+\end{ex}
+is the equivalent of
+\begin{ex}
+ \cs{xmarks}\marg{-2,-1,0,1,2}
+\end{ex}
+
+One must use exactly the words \mfc{step} and \mfc{until}. There must be
+spaces between, but the number of spaces is not
+significant.%
+ \footnote{Experienced \MF{} programmers may recognize that anything
+ can be used that is permitted in \MF's \meta{forloop} syntax. Thus
+ the given example can also be reworded \cs{xmarks}\marg{-2 upto 2},
+ or even \cs{xmarks}\marg{2 downto -2}} %
+Users should be aware that if any of the numbers are non-integral then
+due to natural round-off effects, the last value might be overshot and a
+mark not printed there.
+
+\begin{cd}
+\cs{setaxismarks}\marg{\meta{axis}}\marg{\meta{pos}}\\
+\cs{setbordermarks}\marg{\meta{lpos}}\marg{\meta{bpos}}\marg{\meta{rpos}}\marg{\meta{tpos}}\\
+\cs{setallbordermarks}\marg{\meta{pos}}\\
+\cs{setxmarks}\marg{\meta{pos}}\\
+\cs{setymarks}\marg{\meta{pos}}%
+\index{setaxismarks@\cs{setaxismarks}}%
+\index{setbordermarks@\cs{setbordermarks}}%
+\index{setallbordermarks@\cs{setallbordermarks}}%
+\index{setxmarks@\cs{setxmarks}}%
+\index{setymarks@\cs{setymarks}}%
+\end{cd}
+
+These set the placement of the hash marks relative to the axis. The
+parameter \meta{axis} is one of the letters \texttt{x}, \texttt{y}, \texttt{l},
+\texttt{b}, \texttt{r}, or \texttt{t}, and \meta{pos} must be one of the literal
+words \gbc{inside}, \gbc{outside}, \gbc{centered}, \gbc{onleft},
+\gbc{onright}, \gbc{ontop} or \gbc{onbottom}. The second command takes
+four arguments and sets the position of the marks on each border. The
+third command sets the position on all four border axis to the same
+value. The last two commands are abbreviations for
+\cs{setaxismarks}\marg{x}\marg{\meta{pos}} and
+\cs{setaxismarks}\marg{y}\marg{\meta{pos}}, respectively.
+
+Not all combinations make sense (for example,
+\cs{setaxismarks}\marg{r}\marg{ontop}). In these cases, no error message
+is produced: \gbc{ontop} and \gbc{onleft} are considered to be
+equivalent, as are \gbc{onbottom} and \gbc{onright}. The parameters
+\gbc{inside} and \gbc{outside} make no sense for the $x$- and $y$-axes,
+but if they are used then \gbc{inside} means \gbc{ontop} for the
+$x$-axis and \gbc{onright} for the $y$-axis. These words are actually
+\MF{} numeric variables defined in the file \file{grafbase.mf}, and the
+variables \gbc{ontop} and \gbc{onleft}, for example, are given the same
+value.
+
+\begin{cd}
+\cs{grid}\oarg{\meta{ptsize}}\marg{\meta{xsep},\meta{ysep}}\\
+\cs{gridpoints}\oarg{\meta{ptsize}}\marg{\meta{xsep},\meta{ysep}}\\
+\cs{lattice}\oarg{\meta{ptsize}}\marg{\meta{xsep},\meta{ysep}}\\
+\cs{hgridlines}\marg{\meta{ysep}}\\
+\cs{vgridlines}\marg{\meta{xsep}}\\
+\cs{gridlines}\marg{\meta{xsep},\meta{ysep}}
+\index{grid@\cs{grid}}%
+\index{gridpoints@\cs{gridpoints}}%
+\index{lattice@\cs{lattice}}%
+\index{vgridlines@\cs{vgridlines}}%
+\index{hgridlines@\cs{hgridlines}}%
+\index{gridlines@\cs{gridlines}}%
+\end{cd}
+
+\cs{grid} draws a dot at every point for which the first coordinate is
+an integer multiple of the \meta{xsep} and the second coordinate is an
+integer multiple of \meta{ysep}. The diameter of the dot is determined
+by \meta{ptsize}. The default is \dim{.5bp} and is hard coded in the
+\MF{} macros that ultimately do the drawing. Under the \opt{metapost}
+option, the color of the dot is \gbc{pointcolor}. The commands
+\cs{gridpoints and \cs{lattice}} are synonyms for \cs{grid}.
+
+\cs{hgridlines} draws the horizontal and \cs{vgridlines} the vertical
+lines through these same points. \cs{gridlines} draws both sets of
+lines. The thickness of the lines is set by \cs{penwd}. Authors are
+recommended to either reduce the pen width or change \gbc{drawcolor} to
+a lighter color for grids. Or omit them entirely: well-designed graphs
+usually don't need them and almost never should both horizontals and
+verticals be used.
+
+\begin{cd}
+\cs{plrgrid}\marg{\meta{rsep},\meta{anglesep}}\\
+\cs{gridarcs}\marg{\meta{rsep}}\\
+\cs{gridrays}\marg{\meta{anglesep}}\\
+\cs{plrpatch}\marg{\meta{rmin},\meta{rmax},\meta{rsep},%
+ \meta{tmin},\meta{tmax},\meta{tsep}}\\
+\cs{plrgridpoints}\marg{\meta{rsep},\meta{anglesep}}%
+\index{plrgrid@\cs{plrgrid}}%
+\index{plrpatch@\cs{plrpatch}}%
+\index{gridarcs@\cs{gridarcs}}%
+\index{gridrays@\cs{gridrays}}%
+\index{plrgridpoints@\cs{plrgridpoints}}%
+\end{cd}
+
+\cs{plrgrid} fills the graph with circular arcs and radial lines.
+\cs{gridarcs} draws only the arcs, \cs{gridrays} only the radial lines.
+\cs{plrgridpoints} places a dot at all the places the rays and arcs
+would intersect.
+
+The arcs are centered at $(0,0)$ and the lines emanate from $(0,0)$
+(even if $(0,0)$ is not in the graph space). The corresponding \MF{}
+commands actually draw enough to cover the graph area and then clip them
+to the graph boundaries. If you don't want them clipped, use
+\cs{plrpatch}.
+
+\cs{plrpatch} draws arcs with radii starting at \meta{rmin}, stepping by
+\meta{rsep} and ending with \meta{rmax}. Each arc goes from angle
+\meta{tmin} to \meta{tmax}. It also draws radial lines with angles
+starting at \meta{tmin}, stepping by \meta{tsep} and ending with
+\meta{tmax}. Each line goes from radius \meta{rmin} to \meta{rmax}. If
+$\meta{rmax}-\meta{rmin}$ doesn't happen to be a multiple of
+\meta{rsep}, the arc with radius \meta{rmax} is drawn anyway. The same
+is true of the line at angle \meta{tmax}, so that the entire boundary is
+always drawn.
+
+If \meta{tsep} is larger than \meta{tmax}${}-{}$\meta{tmin}, then only
+the boundary rays will be drawn. If \meta{rsep} is larger than
+\meta{rmax}${}-{}$\meta{rmin}, then only the boundary arcs will be
+drawn.
+
+The color used for rays and arcs is \gbc{drawcolor}, and for dots
+\gbc{pointcolor}. The advice about \cs{gridlines} holds for \cs{plrgrid}
+as well.
+
+
+\subsubsection{Circles and Ellipses.}\label{circles}
+
+\begin{cd}
+\cs{circle}\oarg{\meta{format}}\marg{\meta{specification}}%
+\index{circle@\cs{circle}}%
+\end{cd}
+
+Draws a circle. Starting with \mfp{} version 0.7, there are 4
+different ways to specify a circle, so \cs{circle} can be given an
+optional argument that determines what data is specified in the
+mandatory argument.
+
+\begin{cd}
+\cs{circle}\oarg{p}\marg{\meta{$c$},\meta{$r$}}\\
+\cs{circle}\oarg{c}\marg{\meta{$c$},\meta{$p$}}\\
+\cs{circle}\oarg{t}\marg{\meta{$p_1$},\meta{$p_2$},\meta{$p_3$}}\\
+\cs{circle}\oarg{s}\marg{\meta{$p_1$},\meta{$p_2$},\meta{$\theta$}}%
+\index{circle@\cs{circle}}%
+\end{cd}
+
+The optional arguments produce circles according to the following
+descriptions.
+
+\begin{description}
+\item[\oarg{p}] The \textit{Polar form} is the default. The data in the
+mandatory argument should then be the center $c$ and radius $r$ of the
+circle.
+
+\item[\oarg{c}] The \textit{Center-point form}. In this case the data
+should be the center and one point on the circumference.
+
+\item[\oarg{t}] The \textit{Three-point form}. The data are three points
+that do not lie in a straight line.
+
+\item[\oarg{s}] The \textit{point-sweep}. The data are two points on the
+circle, followed by the angle of arc between them.
+\end{description}
+These optional arguments are also used in the \cs{arc} command (see
+subsection~\ref{arcs}). The \cs{circle} command draws the whole circle
+which the equivalent \cs{arc} command draws only part of. The sense of
+the circle produced is anticlockwise except in the case \texttt{[t]},
+where it is the direction determined by the order of the three points,
+and the case \texttt{[s]}, where it is determined by \meta{$\theta$}:
+clockwise if negative, anticlockwise if positive.
+
+
+\begin{cd}
+\cs{ellipse}\oarg{\meta{$\theta$}}\marg{\meta{$c$},\meta{$r_x$},\meta{$r_y$}}%
+\index{ellipse@\cs{ellipse}}%
+\end{cd}
+
+Draws an ellipse with the $x$ radius \meta{$r_x$} and $y$ radius
+\meta{$r_y$}, centered at the point \meta{$c$}. The optional parameter
+\meta{$\theta$} provides a way of rotating the ellipse by
+\meta{$\theta$} degrees anticlockwise around its center.
+
+
+\subsubsection{Curves.}\label{curves}
+
+\begin{cd}
+\cs{curve}\oarg{\meta{tension}}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{curve@\cs{curve}}%
+\end{cd}
+
+Draws a smooth path through the specified points, in the specified
+order. It is `smooth' in two ways: it never changes direction abruptly
+(no `corners' or `cusps' on the curve), and it tries to make turns that are
+not too sharp. This latter property is acheived by specifying (to \MF) that
+the tangent to the curve at each listed point is to be parallel to the
+line from that point's predecessor to its successor.
+
+The optional \meta{tension} influences \emph{how} smooth the curve is.
+The special value \mfc{infinity} (in fact, usually anything greater than
+about $10$), makes the curve not visibly different from a polyline. The
+higher the value of tension, the sharper the corners on the curve and
+the flatter the portions in between. \CMF{} requires the tension to be
+larger than 0.75. The default value of the tension is $1$ when \mfp{} is
+loaded, but that can be changed with the following command.
+
+\begin{cd}
+\cs{settension}\marg{\meta{num}}%
+\index{settension@\cs{settension}}
+\end{cd}
+
+This sets the default tension for all commands that take an optional
+tension parameter.
+
+\begin{cd}
+\cs{cyclic}\oarg{\meta{tension}}\marg{\meta{$p_0$},\meta{$p_1$},$\ldots$}%
+\index{cyclic@\cs{cyclic}}%
+\end{cd}
+
+Draws a cyclic (i.e., closed) \MF{} B\'ezier curve through the specified
+points, in the specified order. It uses the same procedure as
+\cs{curve}, but treats the first listed point as having the last as its
+predecessor and the last point has the first as its successor. The
+\meta{tension} is as in the \cs{curve} command.
+
+\medskip
+Occasionally it is necessary to specify a sequence of points with
+\emph{increasing} $x$ coordinates and draw a curve through them. One
+would then like the resulting curve both to be smooth \textit{and} to
+represent a function (that is, the curve always has increasing $x$
+coordinate, never turning leftward). This cannot be guaranteed with the
+\cs{curve} command unless the tension is \texttt{infinity}.
+
+\begin{cd}
+\cs{fcncurve}\oarg{\meta{tension}}\marg{($x_0$,$y_0$),($x_1$,$y_1$),$\ldots$}%
+\index{fcncurve@\cs{fcncurve}}%
+\end{cd}
+
+Draws a curve through the points specified. If the points are listed
+with increasing (or decreasing) $x$ coordinates, the curve will also
+have increasing (resp., decreasing) $x$ coordinates. The \meta{tension}
+is a number equal to or greater than $1.0$ which controls how tightly
+the curve is drawn. Generally, the larger it is, the closer the curve is
+to the polyline through the points. The default tension is typically $1.2$
+(actually $1.2$ times the value set with \cs{settension}). For those who
+know something about \MF, this `tension' is not the same as the \MF{}
+notion of tension, the tension in the \cs{curve} command, but it
+functions in a similar fashion. In this case it can be any positive
+number, but only values greater than or equal to $1$ guarantee the
+property of never doubling back.
+
+
+\subsubsection{Circular Arcs.}\label{arcs}
+
+\begin{cd}
+\cs{arc}\oarg{\meta{format}}\marg{\meta{specification}}%
+\index{arc@\cs{arc}}%
+\end{cd}
+
+Draws a circular arc specified as determined by the \meta{format}
+optional parameter. This macro and \cs{circle} are unusual in that the
+optional \meta{format} parameter determines the format of the other
+parameter, as indicated below. The user is responsible for ensuring that
+the parameter values make geometric sense.
+
+\begin{cd}
+\cs{arc}\oarg{s}\marg{\meta{$p_0$},\meta{$p_1$},\meta{sweep}}\\
+\cs{arc}\oarg{t}\marg{\meta{$p_0$},\meta{$p_1$},\meta{$p_2$}}\\
+\cs{arc}\oarg{p}\marg{\meta{$c$},\meta{$\theta_1$},\meta{$\theta_2$},\meta{$r$}}\\
+\cs{arc}\oarg{a}\marg{\meta{$c$},\meta{$r$},\meta{$\theta_1$},\meta{$\theta_2$}}\\
+\cs{arc}\oarg{c}\marg{\meta{$c$},\meta{$p_1$},\meta{$\theta$}}%
+\index{arc@\cs{arc}}%
+\end{cd}
+
+The optional arguments produce arcs according to the following
+descriptions.
+\begin{description}
+\item[\oarg{s}] The \textit{point-Sweep form} is the default format. It
+draws the circular arc starting from the point \meta{$p_0$}, ending at
+the point \meta{$p_1$}, and covering an arc angle of \meta{sweep}
+degrees, measured anticlockwise around the center of the circle. If,
+for example, the points \meta{$p_0$} and \meta{$p_1$} lie on a
+horizontal line with \meta{$p_0$} to the \emph{left}, and \meta{sweep}
+is between 0~and 360 (degrees), then the arc will sweep \emph{below} the
+horizontal line (in order for the arc to be anticlockwise). A
+negative value of \meta{sweep} gives a clockwise arc from \meta{$p_0$}
+to \meta{$p_1$}.
+
+\item[\oarg{t}] The \textit{Three-point form} draws the circular arc
+which passes through all three points given, in the order given.
+Internally, this is converted to two applications of the point-sweep
+form.
+
+\item[\oarg{p}] The \textit{Polar form} draws the arc of a circle with
+center \meta{$c$} starting at the angle \meta{$\theta_1$} and ending at
+the angle \meta{$\theta_2$}, with radius \meta{$r$}. Both angles are
+measured anticlockwise from the positive $x$ axis.
+
+\item[\oarg{a}] The \textit{Alternate polar form} draws the arc of a
+circle with center \meta{$c$} and radius \meta{$r$}, starting at the
+angle \meta{$\theta_1$} and ending at the angle \meta{$\theta_2$}. Both
+angles are measured anticlockwise from the positive $x$ axis. This is
+provided because it seems a more reasonable order of arguments, and
+matches the order \cs{sector} requires (see subsection~\ref{other}
+below). The \texttt{p} option is retained for backward compatibility.
+
+\item[\oarg{c}] The \textit{Center-point form} draws the circular arc with
+center \meta{$c$}, starting at the point \meta{$p_1$}, and sweeping an
+angle of \meta{$\theta$} around the center from that point. (This and
+the point sweep form are the basic methods of handling arcs---the
+previous three formats are translated to one of these two before drawing.)
+\end{description}
+
+
+\subsubsection{Other Figures.}\label{other}
+
+\begin{cd}
+\cs{turtle}\marg{\meta{$p_0$},\meta{$v_1$},\meta{$v_2$},$\ldots$}%
+\index{turtle@\cs{turtle}}%
+\end{cd}
+
+Draws a line segment, starting from the point \meta{$p_0$}, and
+extending along the (2-dimen\-sional vector) displacement \meta{$v_1$}.
+It then draws a line segment from the previous segment's endpoint, along
+displacement \meta{$v_2$}. This continues for all listed displacements,
+a process similar to `turtle graphics'.
+
+\begin{cd}
+\cs{sector}\marg{\meta{$c$},\meta{$r$},\meta{$\theta_1$},\meta{$\theta_2$}}%
+\index{sector@\cs{sector}}%
+\end{cd}
+
+Draws the sector, from the angle \meta{$\theta_1$} to the angle
+\meta{$\theta_2$} inside the circle with center at the point \meta{$c$}
+and radius \meta{$r$}, where both angles are measured in degrees
+anticlockwise from the direction parallel to the $x$ axis. The sector
+forms a closed path. \emph{Note}: \cs{sector} and \cs{arc}\oarg{p} have
+the same parameters, but \emph{in a different
+order}.%
+ \footnote{This apparently was unintended, but we now have to live
+ with it so as not to break existing \file{.tex} files.}
+
+\begin{cd}
+\cs{makesector}
+\index{makesector@\cs{makesector}}
+\end{cd}
+The \cs{sector} command requires the center of the arc as one of its
+arguments. But if one doesn't know that center (say one only knows three
+points the arc connects) then even though the arc can be drawn,
+\cs{sector} cannot. The \cs{makesector} command, when followed by any
+\cs{arc} command, will find the center and connect it to the two ends of
+the arc. It will actually attempt to do the same with any path that
+follows, but the `center' it finds (if it finds one) will usually be
+meaningless.
+
+
+\subsubsection{Bar Charts and Pie Charts.}\label{charts}
+
+\begin{cd}
+\cs{barchart}\oarg{\meta{start},\meta{sep},\meta{r}}\marg{\meta{h-or-v}}\marg{\meta{list}}\\
+\cs{bargraph}$\ldots$\\
+\cs{gantt}$\ldots$\\
+\cs{histogram}$\ldots$\\
+\cs{chartbar}\marg{\meta{num}}\\
+\cs{graphbar}\marg{\meta{num}}\\
+\cs{histobar}\marg{\meta{num}}%
+\index{barchart@\cs{barchart}}%
+\index{bargraph@\cs{bargraph}}%
+\index{histogram@\cs{histogram}}%
+\index{chartbar@\cs{chartbar}}%
+\index{graphbar@\cs{graphbar}}%
+\index{histobar@\cs{histobar}}%
+\end{cd}
+
+The macro \cs{barchart} computes a bar chart or a Gantt chart. It does
+not draw the bars, but only defines their rectangular paths which the
+user may then draw or fill or both using the \cs{chartbar} macros (see
+below). Since bar charts have many names, \cs{bargraph} and
+\cs{histogram} are provided as synonyms. The macro \cs{gantt} is also a
+synonym; whether a Gantt chart or bar chart is created depends on the
+data.
+
+\meta{h-or-v} should be \texttt{v} if you want the ends of the bars to
+be measured vertically from the $x$-axis, or \texttt{h} if they should
+be measured horizontally from the $y$-axis. \meta{list} should be a
+comma-separated list of numbers and/or pairs giving the coordinates of
+the end(s) of each bar. A number $c$ is interpreted as the pair $(0,c)$;
+a pair $(a,b)$ is interpreted as an interval giving the ends of the bar
+(for Gantt diagrams). The rest of this description refers to the
+\texttt{h} case; the \texttt{v} case is analogous.
+
+By default the bars are 1 graph unit high (thickness), from $y = n-1$ to
+$y = n$. Their width and location are determined by the data. The
+optional parameter consists of three numeric parameters separated by
+commas. \meta{start} is the $y$-coordinate of the bottom edge of the
+first bar, \meta{sep} is the distance between the bottom edges of
+successive bars, and \meta{r} is the fraction of \meta{sep} occupied by
+each bar. The default behavior corresponds to \texttt{[0,1,1]}. In
+general, bar number $n$ will be from $y = \meta{start} +
+(n-1)*\meta{sep}$ to $y = \meta{start} + (n-1 + \meta{r})*\meta{sep}$
+
+Notice the bars are numbered in order from bottom to top. You can
+reverse them by making \meta{sep} negative, and making \meta{start} the
+top edge of the first bar.
+
+The fraction \meta{r} should be between -1 and 1. A negative value
+reverses the direction from the `leading edge' of the bar to the
+`trailing edge'. For example, if one bar chart is created with
+\begin{ex}
+ \cs{barchart}\oarg{1,1,-.4}\marg{h}\marg{..}
+\end{ex}
+and another with
+\begin{ex}
+ \cs{barchart}\oarg{1,1,.4}\marg{h}\marg{..}
+\end{ex}
+both having the same number of bars, then the first will have its first
+bar from $y = 1$ to $y = 1 -.4 = .6$, while the second will have its
+first bar adjacent to that one, from $1$ to $1 + .4$. Similarly the next
+bars will be above and below $y=2$, etc. This makes it easy to draw bars
+next to one another for comparison.
+
+The macro \cs{chartbar} (synonyms \cs{graphbar}, \cs{ganttbar}, and
+\cs{histobar}) takes a number from $1$ to the number of elements in the
+\meta{list} and draws the rectangular path. This behaves just like any
+other figure macro, and the prefix macros from section~\ref{rendering}
+may be used to give adjacent bars contrasting colors, fills, etc.
+
+
+\begin{cd}
+\cs{piechart}\oarg{\meta{dir}\meta{angle}}\marg{\meta{$c$},\meta{$r$}}%
+ \marg{\meta{list}}\\
+\cs{piewedge}\oarg{\meta{spec}\meta{trans}}\marg{\meta{num}}%
+\index{piechart@\cs{piechart}}%
+\index{piewedge@\cs{piewedge}}%
+\end{cd}
+
+The macro \cs{piechart} also does not draw anything, but computes the
+\cs{piewedge} regions described below. The first part of the optional
+parameter, \meta{dir}, is a single letter which may be either \texttt{c} or
+\texttt{a} which stand for \emph{clockwise} or \emph{anticlockwise},
+respectively. It is common to draw piecharts with the largest wedge
+starting at 12 o'clock (angle 90 degrees) and successive wedges
+clockwise from there. This is the default. You can change the starting
+angle from 90 with the \meta{angle} parameter, and the change the
+direction to counter-clockwise by specifying \texttt{a} for \meta{dir}. It
+is also traditional to arrange the wedges from largest to smallest,
+except there is often a miscellaneous category which is usually last and
+may be larger than some others. Therefore \cs{piechart} makes no attempt
+to sort the data. The data is entered as a comma separated \meta{list}
+of positive numbers in the second required parameter. These are only
+used to determine the relative sizes of the wedges and are not printed
+anywhere. The first required parameter should contain a pair \meta{c}
+for the center and a positive number \meta{r} for the radius, separated
+by a comma.
+
+After a \cs{piechart} command has been issued, the individual wedges may
+be drawn, filled, etc., using \cs{piewedge}\marg{1},
+\cs{piewedge}\marg{2}, etc. Without the optional argument, the wedges
+are located according to the arguments of the last \cs{piechart}
+command. The optional argument to \cs{piewedge} can override this. The
+parameter \meta{spec} is a single letter, which can be \texttt{x}, \texttt{s}
+or \texttt{m}. The \texttt{x} stands for \emph{exploded} and it means the
+wedge is moved directly out from the center of the pie a distance
+\meta{trans}. \meta{trans} should then be a pure number and is
+interpreted as a distance in graph units. The \texttt{s} stands for
+\emph{shifted} and in this case \meta{trans} should be a pair of the
+form \texttt{(\meta{dx},\meta{dy})} indicating the wedge should be shifted
+\meta{dx} horizontally and \meta{dy} vertically (in graph units). The
+\texttt{m} stands for \emph{move to}, and \meta{trans} is then the absolute
+coordinates \texttt{(\meta{x},\meta{y})} in the graph where the point of
+the wedge should be placed.
+
+\subsubsection{Polar Coordinates to Rectangular.}\label{polar}
+
+\begin{cd}
+\cs{plr}\marg{(\meta{$r_0$},\meta{$\theta_0$}),
+(\meta{$r_1$},\meta{$\theta_1$}), $\ldots$}%
+\index{plr@\cs{plr}}%
+\end{cd}
+
+Replaces the specified list of polar coordinate pairs by the equivalent
+list of rectangular (cartesian) coordinate pairs. Through \cs{plr},
+commands designed for rectangular coordinates can be applied to data
+represented in polar coordinates---and to data containing both
+rectangular and polar coordinate pairs.
+
+
+\subsection{Colors}\label{colors}
+
+\subsubsection{Setting the Default Colors.}\label{defaultcolors}
+
+\begin{cd}
+\cs{drawcolor}\oarg{\meta{model}}\marg{\meta{colorspec}}\\
+\cs{fillcolor}$\ldots$\\
+\cs{hatchcolor}$\ldots$\\
+\cs{pointcolor}$\ldots$\\
+\cs{headcolor}$\ldots$\\
+\cs{tlabelcolor}$\ldots$\\
+\cs{backgroundcolor}$\ldots$%
+\index{drawcolor@\cs{drawcolor}}%
+\index{fillcolor@\cs{fillcolor}}%
+\index{hatchcolor@\cs{hatchcolor}}%
+\index{pointcolor@\cs{pointcolor}}%
+\index{headcolor@\cs{headcolor}}%
+\index{tlabelcolor@\cs{tlabelcolor}}%
+\index{backgroundcolor@\cs{backgroundcolor}}%
+\end{cd}
+
+These macros set the default color for various drawing
+elements. Any curve (with one exception, those drawn by \cs{plotdata}),
+whether solid, dashed, dotted, or plotted in symbols, will be in the
+color set by \cs{drawcolor}. Set the color used by \cs{gfill} with
+\cs{fillcolor}. For all the hatching commands use \cs{hatchcolor}. For
+the \cs{point}, \cs{plotsymbol} and \cs{grid} commands use
+\cs{pointcolor}, and for arrowheads, \cs{headcolor}. When \opt{mplabels}
+is in effect, the color of labels can be set with \cs{tlabelcolor}, and
+one can set the color used by \cs{gclear} with \cs{backgroundcolor} (the
+same color is used in the interior of unfilled points drawn with
+\cs{point}). The optional \meta{model} may be one of \opt{rgb},
+\opt{RGB}, \opt{cmyk}, \opt{gray}, and \opt{named}. The \meta{colorspec}
+depends on the model, as outlined below. Each of these commands sets a
+corresponding \MP{} color variable with the same name (except
+\cs{backgroundcolor} sets the color \mfc{background}). Thus one can set
+the filling color to the drawing color with
+\cs{fillcolor}\marg{drawcolor}.
+
+\subsubsection{\CMP{} Colors.}\label{mpcolors}
+
+If the optional \meta{model} specification is omitted, the color
+specification may be any expression recognized as a color by \MP. In
+\MP, a color is a triple of numbers like \mfc{(1,.5,.5)}, with the
+coordinates between 0 and 1, representing red, green and blue levels,
+respectively. White is given by \mfc{(1,1,1)} and black by
+\mfc{(0,0,0)}. \CMP{} also has color variables and several have been
+predefined: \mfc{red}, \mfc{green}, \mfc{blue}, \mfc{yellow},
+\mfc{cyan}, \mfc{magenta}, \mfc{white}, and \mfc{black}. All the names
+in the \LaTeX{} \prog{color} package's \file{dvipsnam.def} are
+predefined color variable names. Since \MP{} allows color expressions,
+colors may be added and multiplied by numerics. Moreover, several \MP{}
+color functions have been defined in \file{grafbase.mp}:
+
+\begin{cd}
+\mfc{cmyk($c$,$m$,$y$,$k$)}%
+\index{cmyk@\mfc{cmyk($c$,$m$,$y$,$k$)}}
+\end{cd}
+
+Converts a \opt{cmyk} color specification to \MP's native \opt{rgb}. For
+example, the command \mfc{cmyk(1,0,0,0)} yields \mfc{(0,1,1)}, which is
+the definition of \mfc{cyan}.
+
+\begin{cd}
+\mfc{RGB($R$,$G$,$B$)}%
+\index{RGB@\mfc{RGB($R$,$G$,$B$)}}
+\end{cd}
+
+Converts an \opt{RGB} color specification to \opt{rgb}. It essentially
+just divides each component by 255.
+
+\begin{cd}
+\mfc{gray($g$)}%
+\index{gray@\mfc{gray($g$)}}
+\end{cd}
+
+Converts a numeric $g$ (a gray level) to the corresponding multiple of
+\mfc{(1,1,1)}.
+
+\begin{cd}
+\mfc{named(\meta{name})},
+\mfc{rgb($r$,$g$,$b$)}%
+\index{named@\mfc{named(\meta{name})}}%
+\index{rgb@rgb($r$,$g$,$b$)}
+\end{cd}
+
+These are essentially no-ops. However; \mfc{rgb} will truncate the
+arguments to the 0--1 range, an unknown \meta{name} is converted to
+\mfc{black}, and an unknown numeric argument is set to 0.
+
+\medskip
+As an example of the use of these functions, one could conceivable
+write:
+\begin{ex}
+ \cs{drawcolor}\marg{0.5*RGB(255,0,0)+0.5*cmyk(1,0,0,0)}
+\end{ex}
+to have all curves drawn in a color halfway between red and cyan (which
+turns out to be the same as \gbc{gray(0.5)}).
+
+\subsubsection{Color Models.}\label{colormodels}
+
+When the optional \meta{model} is specified in the color setting
+commands, it determines the format of the color specification:
+
+\medskip
+\halign{\quad#\hfil\quad&#\hfil\cr
+{\sl Model:}& {\sl Specification:}\cr
+\opt{rgb}& Three numbers in the range 0 to 1 separated by commas.\cr
+\opt{RGB}& Three numbers in the range 0 to 255 separated by commas.\cr
+\opt{cmyk}& Four numbers in the range 0 to 1 separated by commas.\cr
+\opt{gray}& One number in the range 0 to 1, with 1 indicating
+ white, 0 black.\cr
+\opt{named}& A \MP{} color variable name either predefined by
+ \mfp{} or by the user.\cr}
+
+\medskip
+\Mfp{} translates
+\begin{ex}
+ \cs{fillcolor}\oarg{cmyk}\marg{1,.3,0,.2}
+\end{ex}
+into the equivalent of
+\begin{ex}
+ \cs{fillcolor}\marg{cmyk(1,.3,0,.2)}.
+\end{ex}
+Note that when the optional model is specified, the color
+specification must not be enclosed in parentheses. Note also that each
+model name is the name of a color function described in the previous
+subsection. That is how the models are implemented internally.
+
+
+\subsubsection{Defining a Color Name.}\label{colorname}
+
+\begin{cd}
+\cs{mfpdefinecolor}\marg{\meta{name}}\marg{\meta{model}}\marg{\meta{colorspec}}%
+\index{mfpdefinecolor@\cs{mfpdefinecolor}}
+\end{cd}
+
+This defines a color variable \meta{name} for later use, either in the
+commands \cs{drawcolor}, etc., or in the optional parameters to
+\cs{draw}, etc. The name can be used alone or in the \opt{named} model.
+The mandatory \meta{model} and \meta{colorspec} are as above.
+
+\medskip
+A final caution, the colors of an \mfp{} figure are stored in the
+\file{.mp} output file, and are not related to colors used or defined by
+the \LaTeX{} \prog{color} package. In particular a color defined only by
+\LaTeX's \cs{definecolor} command will remain unknown to \mfp.
+Conversely, \LaTeX{} commands will not recognize any color defined only
+by \cs{mfpdefinecolor}.
+
+\subsubsection{Color in \MF}
+
+\CMF{} was never meant to understand colors, but it certainly can be
+taught the difference between black and white and, to a limited extent,
+various grays. Starting with version 0.7, \mfp{} will no longer generate
+an error when a color-changing command is used under the \opt{metafont}
+option. Instead, when possible, the variables that represent colors in
+\MP{} will be converted to a numeric value between 0 and 1 in \MF. When
+possible (for example, when a region is filled) the numeric will be
+interpreted as a gray level and shading (see subsection~\ref{filling})
+will be used to approximate the gray. In other cases (drawing or dashing
+of curves, placing of points or symbols, filling with a pattern of hatch
+lines) the number will be interpreted as black or white: a value less
+than 1 will cause the figure to be rendered (in black), while a value
+equal to 1 (white) will cause pixels corresponding to the figure to be
+erased.
+
+This is still somewhat experimental and depends on adhering to certain
+restrictions. \CMF's syntax does not recognize a triple of numbers as
+any sort of data structure, but it does allow \emph{commands} to have
+any number of parameters in parentheses. So colors must be specified
+using the color commands such as \gbc{rgb(1,1,0)} or color names such as
+\gbc{yellow}, and never as a bare triple. Also, as currently written,
+the color names defined in \file{dvipsnam.mp} are not defined in \MF.
+With these provisions the same \mfp{} code can often produce either gray
+scale \MF{} pictures or \MP{} color pictures depending only on the
+\opt{metapost} option.
+
+The commands \cs{shade} and \cs{gfill}\oarg{gray(.75)} (see
+subsection~\ref{filling} for their meaning) will produce a similar shade
+of gray, but there is a difference. The first simply adds small dots on
+top of whatever is already drawn. The second, however, tries to simulate
+the \MP{} effect, which is to cover up whatever is previously drawn.
+Therefore, it first zeros all affected pixels before adding the dots to
+simulate gray. In particular, \cs{gfill}\oarg{white} should have the
+same effect as \cs{gclear}.
+
+
+\subsection{Shape-Modifier Macros.}\label{modifier}
+
+Some \mfp{} macros operate as \emph{shape-modifier} macros---for
+example, if you want to put an arrowhead on a line segment, you could
+write: \cs{arrow}\cs{lines}\marg{(0,0),(1,0)}. These are always prefixed
+to some figure drawing command, and apply only to the next following
+figure macro (which can be rather far removed) provided that only other
+prefix commands intervene. This is a rather long section, but even more
+modification prefixes are documented in subsection~\ref{transformation}.
+
+For the purposes of these macros, a distinction must be made in the
+figure macros between `open' and `closed' paths. A path that merely
+returns to its starting point is \emph{not} automatically closed; such a
+path is open, and must be explicitly closed, for example by \cs{lclosed}
+(see below). The (already) closed paths are those that have
+`\texttt{closed}' in their name plus: \cs{rect}, \cs{circle},
+\cs{ellipse}, \cs{sector}, \cs{cyclic}, \cs{polygon}, \cs{plrregion},
+\cs{chartbar}, \cs{piewedge}, \cs{tlabelrect}, \cs{tlabeloval},
+\cs{tlabelellipse}, \cs{tlabelcircle} and \cs{btwnfcn} (below).
+
+\subsubsection{Closure of Paths.}\label{closure}
+
+\begin{cd}
+\cs{lclosed}$\ldots$%
+\index{lclosed@\cs{lclosed}}
+\end{cd}
+
+Makes each open path into a closed path by adding a line segment between
+the endpoints of the path.
+
+\begin{cd}
+\cs{bclosed}\oarg{\meta{tens}}$\ldots$
+\index{bclosed@\cs{bclosed}}%
+\end{cd}
+
+This macro is similar to \cs{lclosed}, except that it closes an open
+path smoothly by drawing a B\'ezier curve. A B\'ezier is \MF's natural
+way of connecting points into a curve, and \cs{bclosed} is the simplest
+and most efficient closure next to \cs{lclosed}. Moreover it usually
+gives a reasonably aesthetic result. Sometimes, however, one might wish
+a tighter connection. If that is the case, use the optional argument
+with a value of the tension \meta{tens} greater than $1$, the default.
+The command \cs{settension} (see subsection~\ref{curves}) can be used to
+change the default.
+
+\begin{cd}
+\cs{sclosed}\oarg{\meta{tens}}$\ldots$%
+\index{sclosed@\cs{sclosed}}
+\end{cd}
+
+This closes the curve by mimicking the definition of the \cs{curve}
+command. That command tries to force the curve to pass through the $n$th
+point in a direction parallel to the line from point $(n-1)$ to point
+$(n+1)$. In order to close a curve in this way, the direction at the two
+endpoints often has to be changed, and this changes the shape of the
+first and last segments of the curve. Use \cs{bclosed} if you don't wish
+this to happen. However, \cs{sclosed}\cs{curve} produces the same result
+as \cs{cyclic} given the same points and tension valuse. The optional
+tension argument is as in the \cs{bclosed} command.
+
+
+\subsubsection{Reversal, Connection and Subpaths.}\label{reversal}
+
+\begin{cd}
+\cs{reverse}$\ldots$%
+\index{reverse@\cs{reverse}}
+\end{cd}
+
+Turns a path around, reversing its sense. This will affect both
+the direction of arrows (e.g. bi-directional arrows can be coded with
+\cs{arrow}\cs{reverse}\cs{arrow}$\ldots$, where the first \cs{arrow}
+modifier applies to the \emph{reversed} path), and the order of
+endpoints for a \cs{connect}$\ldots$\cs{endconnect} environment (below).
+
+
+\begin{cd}
+\cs{connect} $\ldots$
+\cs{endconnect}%
+\index{connect@\cs{connect}}
+\index{endconnect@\cs{endconnect}}
+\end{cd}
+
+This pair of macros, acting as an environment, adds line segments from
+the trailing endpoint of one path to the leading endpoint of the
+next path, in the given order. The result is a connected, \emph{open}
+path.
+
+\emph{Note}: In \LaTeX, this pair of macros can be used in the form of a
+\LaTeX-style environment called \env{connect} ---as in
+\cs{begin}\marg{connect}$\ldots$\cs{end}\marg{connect}.
+
+\begin{cd}
+\cs{partpath}\marg{\meta{frac1},\meta{frac2}}\dots\\
+\cs{subpath}\marg{\meta{num1},\meta{num2}}\dots%
+\index{partpath@\cs{partpath}}%
+\index{subpath@\cs{subpath}}
+\end{cd}
+
+Both produce a part of the following path. In \cs{partpath} the
+parameters \meta{frac1} and \meta{frac2} should be numbers between 0 and
+1. The path produced travels the same course as the path that follows,
+but starts at the point that is \meta{frac1} of the original length
+along it, and ends at the point \meta{frac2} of its original length. If
+\meta{frac1} is greater than \meta{frac2}, the sense of the path is
+reversed. In \cs{subpath}, the two numbers should be between 0 and the
+number of B\'ezier segments in the path. This is mainly for experienced
+\MF ers and provides an \mfp{} interface to \MF's
+`\mfc{subpath}' operation.
+
+As an example of \cs{partpath}, one can put an arrowhead (see next
+subsection) in the middle of a path with something like the following.
+
+\begin{ex}
+\cs{arrow}\cs{partpath}\marg{0,.5}\cs{draw}\dots
+\end{ex}
+
+
+\subsubsection{Arrows.}\label{arrows}
+
+\begin{cd}
+\cs{arrow}\oarg{l\meta{headlen}}\oarg{r\meta{rotate}}%
+ \oarg{b\meta{backset}}\oarg{c\meta{color}}$\ldots$%
+\index{arrow@\cs{arrow}}
+\end{cd}
+
+Draws an arrowhead at the endpoint of the open path (or at the last key
+point of the closed path) that follows. The optional parameter
+\meta{headlen} determines the length of the arrowhead. The default is
+the value of the \TeX{} dimension \cs{headlen}, initially \dim{3pt}. The
+optional parameter \meta{rotate} allows the arrowhead to be rotated
+anticlockwise around its point an angle of \meta{rotate} degrees. The
+default is 0. The optional parameter \meta{backset} allows the arrowhead
+to be `set back' from its original point, thus allowing e.g. double
+arrowheads. This parameter is in the form of a \TeX{} dimension---its
+default value is \dim{0pt}. If an arrowhead is both rotated and set
+back, the rotation affects the direction in which the arrowhead is set
+back. The optional \meta{color} defaults to \gbc{headcolor}. The
+optional parameters may appear in any order, but the indicated key
+character for each parameter must always appear.
+
+
+\subsection{Rendering macros}\label{rendering}
+
+\subsubsection{Drawing.}\label{drawing}
+
+When \mfp{} is loaded, the initial way in which figures are drawn
+is with a solid outline. That is, \cs{lines}\marg{(1,0),(1,1),(0,0)}
+will draw two solid lines connecting the points. When the macros in this
+section are used, any previously established default (see
+subsection~\ref{default} below) is overridden.
+
+\begin{cd}
+\cs{draw}\oarg{\meta{color}}$\ldots$%
+\index{draw@\cs{draw}}
+\end{cd}
+
+Draws the subsequent path using a solid outline. For an example: to both
+draw a curve and hatch its interior, \cs{draw}\cs{hatch} must be used.
+The default for \meta{color} is \gbc{drawcolor}.
+
+To save repetition, the color used for the following commands is also
+\gbc{drawcolor}: \cs{dashed}, \cs{dotted}, \cs{plot}, \cs{plotnodes},
+and \cs{gendashed},
+
+\begin{cd}
+\cs{dashed}\oarg{\meta{length},\meta{space}}$\ldots$%
+\index{dashed@\cs{dashed}}
+\end{cd}
+
+Draws dashed segments along the path specified in the next command. The
+default length of the dashes is the value of the \TeX{} dimension
+\cs{dashlen}, initially \dim{4pt}. The default space between the dashes
+is the value of the \TeX{} dimension \cs{dashspace}, initially
+\dim{4pt}. The dashes and the spaces between may be increased or
+decreased by as much as ${1\over n}$ of their value, where $n$ is the
+number of spaces appearing in the curve, in order to have the proper
+dashes at the ends. The dashes at the ends are half of \cs{dashlen}
+long.
+
+\begin{cd}
+\cs{dotted}\oarg{\meta{size},\meta{space}}$\ldots$%
+\index{dotted@\cs{dotted}}
+\end{cd}
+
+Draws dots along the specified path. The default size of the dots is the
+value of the \TeX{} dimension \cs{dotsize}, initially \dim{0.5pt}. The
+default space between the dots is the value of the \TeX{} dimension
+\cs{dotspace}, initially \dim{3pt}. The size of the spaces may be
+adjusted as in \cs{dashed}.
+
+\begin{cd}
+\cs{plot}\oarg{\meta{size},\meta{space}}\marg{\meta{symbol}}$\ldots$%
+\index{plot@\cs{plot}}
+\end{cd}
+
+Similar to \cs{dotted} except copies of \meta{symbol} are drawn along
+the path. Possible symbols are those listed under \cs{plotsymbol} in
+subsection~\ref{points}. The default \meta{size} is \cs{pointsize} and
+the default \meta{space} is \cs{symbolspace}, initially \dim{5pt}.
+
+\begin{cd}
+\cs{plotnodes}\oarg{\meta{size}}\marg{\meta{symbol}}$\ldots$%
+\index{plotnodes@\cs{plotnodes}}
+\end{cd}
+
+This places a symbol (same possibilities as in \cs{plotsymbol}, see
+subsection~\ref{points}) at each node of the path that follows. A node
+is one of the points through which \MF{} draws its curve. If one of the
+macros \cs{polyline}\marg{$\ldots$} or \cs{curve}\marg{$\ldots$}
+follows, each of the points listed is a node. In the \cs{datafile}
+command (below), each of the data points in the file is. In the function
+macros (below) the points corresponding to \meta{min}, \meta{max} and
+each step in between are nodes. The optional \meta{size} defaults to
+\cs{pointsize}. If the command \cs{clearsymbols} has been issued then
+the interiors of the open symbols are erased. The effect of something
+like the following is rather nice:
+
+\begin{verbatim}
+ \clearsymbols
+ \plotnodes{Circle}\draw\polyline{...}
+\end{verbatim}
+This will first draw the polyline with solid lines, and then the points
+listed will be plotted as open circles with the portion of the lines
+inside the circles erased. One sees a series of open circles connected
+one to the next by line segments
+
+
+\begin{cd}
+\cs{dashpattern}\marg{\meta{name}}%
+ \marg{\meta{len1},\meta{len2},$\ldots$,\meta{len2k}}%
+\index{dashpattern@\cs{dashpattern}}
+\end{cd}
+
+For more general dash patterns than \cs{dashed} and \cs{dotted} provide,
+there is a generalized dashing command. One must first establish a named
+dashing pattern with this command. \meta{name} can be any sequence of
+letters and underscores. Try to make it distinctive to avoid undoing
+some internal variable. \meta{len1} through \meta{len2k} are an even
+number of lengths. The odd ones determine the lengths of dashes, the
+even ones the lengths of spaces. A dash of length \texttt{0pt} means a
+dot. An alternating dot-dash pattern can be specified with
+
+\begin{ex}
+ \cs{dashpattern}\marg{dotdash}\marg{0pt,4pt,3pt,4pt}.
+\end{ex}
+\emph{Note}: Since pens have some thickness, dashes look a little
+longer, and spaces a little shorter, than the numbers suggest. If one
+wants dashes and space with the same length, one needs to take the size
+desired and increase the spaces by the thickness of the drawing pen
+(normally \dim{0.5pt}) and decrease the dashes by the same amount.
+
+If \cs{dashpattern} is used with an odd number of entries, a space of
+length \dim{0pt} is appended. This makes the last dash in one copy of
+the pattern abut the first dash in the next copy.
+
+\begin{cd}
+\cs{gendashed}\marg{\meta{name}}$\ldots$%
+\index{gendashed@\cs{gendashed}}
+\end{cd}
+
+Once a dashing pattern name has been defined, it can be used in this
+command to draw the curve that follows it. Using a name not previously
+defined will cause the curve to be drawn with a solid line, and generate
+a \MF{} warning, but \TeX{} will not complain. If all the dimensions in
+a dash pattern are 0, \cs{gendashed} responds by drawing a solid curve.
+The same is true if the pattern has only one entry.
+
+
+\subsubsection{Shading, Filling, Erasing, Clipping,
+Hatching.}\label{filling}
+
+These macros can all be used to fill (or unfill) the interior of closed
+paths, even if the paths cross themselves. Filling an open curve is
+technically an error, but the \MF{} code responds by drawing the path
+and not doing any filling. These macros replace the default rendering:
+when they are used the outline will not be drawn unless an explicit
+prefix to do so is present.
+
+\begin{cd}
+\cs{gfill}\oarg{\meta{color}}$\ldots$%
+\index{gfill@\cs{gfill}}
+\end{cd}
+
+Fills in the subsequent closed path. Under \MP{} it fills with
+\meta{color}, which defaults to
+\index{fillcolor@\gbc{fillcolor}}\gbc{fillcolor}. Under \MF{} it
+approximates the color with a shade of gray, clears the interior, and
+then fills with a pattern of black and white pixels simulating gray.
+
+\begin{cd}
+\cs{gclear}$\ldots$%
+\index{gclear@\cs{gclear}}
+\end{cd}
+
+Erases everything \emph{inside} the subsequent closed path (except text
+labels under some circumstances, see section~\ref{mplabels} and
+\ref{overlaylabels}). Under \MP{} it actually fills with the
+predefined color named \mfc{background}. Since \mfc{background} is normally
+white, and so are most actual backgrounds, this is usually
+indistinguishable from clearing.
+
+\begin{cd}
+\cs{gclip}$\ldots$%
+\index{gclip@\cs{gclip}}
+\end{cd}
+
+Erases everything \emph{outside} the subsequent closed path from the
+picture (except text labels under some circumstances, see
+section~\ref{mplabels} and \ref{overlaylabels}).
+
+\begin{cd}
+\cs{shade}\oarg{\meta{shadesp}}$\ldots$%
+\index{shade@\cs{shade}}
+\end{cd}
+
+Shades the interior of the subsequent closed path with dots. The
+diameter of the dots is the \MF{} variable \mfc{shadewd}, set by the
+macro \cs{shadewd}\marg{\meta{size}}. Normally this is \dim{0.5pt}. The
+optional argument specifies the spacing between (the centers of) the
+dots, which defaults to the \TeX{} dimension \cs{shadespace}, initially
+\dim{1pt}. If \cs{shadespace} is less than \mfc{shadewd}, the closed
+path is filled with black, as if with \cs{gfill}. Under \MP{} this macro
+actually fills the path's interior with a shade of gray. The shade to
+use is computed based on \cs{shadespace} and \mfc{shadewd}. The default
+values of these parameters correspond to a gray level of 75\% of white.%
+ \footnote{If \cs{shadewd} is $w$ and \cs{shadespace} is $s$, then
+ the level of gray is $1 - (w/s)^2$, where $0$ denotes black and $1$
+ white.} %
+The \MF{} version attempts to optimize the dots to the pixel grid
+corresponding to the printers resolution (to avoid generating dither
+lines). Because this involves rounding, it will happen that values of
+\cs{shadespace} that are relatively close and at the same time close to
+\mfc{shadewd} produce exactly the same shade. Most of the time, however,
+values of \cs{shadespace} that differ by at least 20\% will produce
+different patterns. The actual behavior for particular values of the
+parameters and particular printer resolutions cannot be predicted, and
+we even make no guarantee it will not change from one version of \mfp{}
+to another.
+
+\begin{cd}
+\cs{polkadot}\oarg{\meta{space}}$\ldots$%
+\index{polkadot@\cs{polkadot}}
+\end{cd}
+
+Fills the interior of a closed path with large dots. This is almost what
+\cs{shade} does, but there are several differences. \cs{shade} is
+intended solely to simulate a gray fill in \MF{} where the only color is
+black. So it is optimized for small dots aligned to the pixel grid (in
+\MF). In \MP{} all it does is fill with gray and is intended merely for
+compatibility. The macro \cs{polkadot} is intended for large dots in any
+color, and so it optimizes spacing (a nice hexagonal array) and makes no
+attempt to align at the pixel level. The \meta{space} defaults to the
+\TeX{} dimension \cs{polkadotspace}, initially \dim{10pt}. The diameter
+of the dots is the value of the \MF{} variable \mfc{polkadotwd}, which
+can be set with \cs{polkadotwd}\marg{\meta{size}}, and is initially
+\dim{5pt}. The dots are colored with
+\index{fillcolor@\gbc{fillcolor}}\gbc{fillcolor}. In \MF, nonblack
+values of \gbc{fillcolor} will produce shaded dots.
+
+\begin{cd}
+\cs{thatch}\oarg{\meta{hatchsp},\meta{angle}}\oarg{\meta{color}}$\ldots$%
+\index{thatch@\cs{thatch}}
+\end{cd}
+
+Fills a closed path with equally spaced parallel lines at the specified
+angle. The thickness of the lines is set by the macro \cs{hatchwd}. In
+the optional argument, \meta{hatchsp} specifies the space between lines,
+which defaults to the \TeX{} dimension \cs{hatchspace}, initially
+\dim{3pt}. The \meta{angle} defaults to 0. The \meta{color} defaults to
+\gbc{hatchcolor}. If \cs{hatchspace} is less than the line thickness,
+the closed path is filled with \meta{color}, as if with \cs{gfill}. If
+the first optional argument appears, both parts must be present,
+separated by a comma. For the color argument to be present, the other
+optional argument must also be present. However, if one wishes only to
+override the default color one can use an empty first optional argument
+(completely empty, no spaces).
+
+\begin{cd}
+\cs{lhatch}\oarg{\meta{hatchsp}}\oarg{\meta{color}}$\ldots$%
+\index{lhatch@\cs{lhatch}}
+\end{cd}
+
+Draws lines shading in the subsequent closed path in a left-oblique
+hatched (upper left to lower right) pattern. It is exactly the same as
+\cs{thatch}\oarg{\meta{hatchsp},-45}\oarg{\meta{color}}$\ldots$
+
+\begin{cd}
+\cs{rhatch}\oarg{\meta{hatchsp}}\oarg{\meta{color}}$\ldots$%
+\index{rhatch@\cs{rhatch}}
+\end{cd}
+
+Draws lines shading in the subsequent closed path in a right-oblique
+hatched (lower left to upper right) pattern. It is exactly the same as
+\cs{thatch}\oarg{\meta{hatchsp},45}\oarg{\meta{color}}$\ldots$
+
+\begin{cd}
+\cs{hatch}\oarg{\meta{hatchsp}}\oarg{\meta{color}}$\ldots$\\
+\cs{xhatch}\oarg{\meta{hatchsp}}\oarg{\meta{color}}$\ldots$%
+\index{hatch@\cs{hatch}}%
+\index{xhatch@\cs{xhatch}}
+\end{cd}
+
+Draws lines shading in the subsequent closed path in a cross-hatched
+pattern. It is exactly the same as \cs{rhatch} followed by \cs{lhatch}
+using the same \meta{hatchsp} and \meta{color}.
+
+Hatching should normally be used very sparingly, or never if
+alternatives are available (color, shading). Hatching at two different
+angles is, however, almost the only way to fill in two regions that
+\emph{automatically} shows the overlapping region.
+
+
+\subsubsection{Changing the Default Rendering.}\label{default}
+
+\emph{Rendering} is the process of converting a geometric description
+into a drawing. In \MF, this means producing a bitmap (\MF{} stores
+these in \mfc{picture} variables), either by stroking (drawing) a path
+using a particular pen), or by filling a closed path. In \MP{} it means
+producing a \PS{} description of strokes with pens, and fills
+
+\begin{cd}
+\cs{setrender}\marg{\meta{\TeX{} commands}}%
+\index{setrender@\cs{setrender}}
+\end{cd}
+
+Initially, \mfp{} uses the \cs{draw} command (stroking) as the default
+operation when a figure is to be rendered. However, this can be changed
+to any combination of \mfp{} rendering commands and/or other \TeX{}
+commands, by using the \cs{setrender} command. This redefinition is
+local inside an \env{mfpic} environment, so it can be enclosed in braces
+to restrict its range. Outside an \env{mfpic} environment it is a global
+redefinition.
+
+For example, after \cs{setrender}\marg{\cs{dashed}\cs{shade}} the
+command \cs{circle}\marg{(0,0),1} produces a shaded circle with a dashed
+outline. Any explicit rendering prefix overrides this default.
+
+\subsubsection{Examples.}\label{examples}
+
+It may be instructive, for the purpose of understanding the syntax of
+\emph{shape-modifier and rendering prefixes}, to consider two examples:
+\begin{ex}
+ \cs{draw}\cs{shade}\cs{lclosed}\cs{lines}\marg{...}
+\end{ex}
+which shades inside a polygon and draws its outline; and
+\begin{ex}
+ \cs{shade}\cs{lclosed}\cs{draw}\cs{lines}\marg{...}
+\end{ex}
+which draws all of the outline \emph{except} the line segment supplied
+by \cs{lclosed}, then shades the interior. Thus, in the first case the
+path is defined (by \cs{lines}) then closed, then the resulting closed
+path is shaded, then drawn; while in the second case the order is:
+defined, drawn, closed, shaded. In particular, what is drawn is the path
+not yet closed.
+
+
+\subsection{Functions and Plotting.}\label{functions}
+
+In the following macros, expressions like $f(\mathtt{x})$, $g(\mathtt{t})$
+stand for any legal \MF{} expression, in which the only unknown
+variables are those indicated (\texttt{x} in the first case, and \texttt{t} in
+the second).
+
+\subsubsection{Defining Functions}\label{defining}
+
+\begin{cd}
+\cs{fdef}\marg{\meta{fcn}}\marg{\meta{param1},\meta{param2},$\ldots$}%
+ \marg{\meta{mf-expr}}%
+\index{fdef@\cs{fdef}}
+\end{cd}
+
+Defines a \MF{} function \meta{fcn} of the parameters \meta{param1},
+\meta{param2}, $\ldots$, by the \MF{} expression \meta{mf-expr} in which
+the only free parameters are those named. The return type of the
+function is the same as the type of the expression. What is allowed for
+the function name \meta{fcn} is more restrictive than \MF's rule for
+variable names. Roughly speaking, it should consist of letters and
+underscore characters only. (In particular, for those that know what
+this means, the name should have no suffixes.) Try to make the names
+distinctive to avoid redefining internal \MF{} commands.
+
+The expression \meta{mf-expr} is passed directly into the corresponding
+\MF{} macro and interpreted there, so \MF's rules for algebraic
+expressions apply. If \cs{fdef} occurs inside an \env{mfpic}
+environment, it is local to that environment, otherwise it is available
+to all subsequent \env{mfpic} environments.
+
+As an example, after \cs{fdef}\marg{myfcn}\marg{s,t}\marg{s*t-t}, any
+place below where a \MF{} expression is required, you can use
+\mfc{myfcn(2,3)} to mean \mfc{2*3-3} and \mfc{myfcn(x,x)} to mean
+\mfc{x*x-x}.
+
+Operations available include \mfc{+}, \mfc{-}, \mfc{*}, \mfc{/}, and
+\mfc{**} (\mfc{x**y}$=x^y$), with \mfc{(} and \mfc{)} for grouping.
+Functions already available include the standard \MF{} functions
+\mfc{round}, \mfc{floor}, \mfc{ceiling}, \mfc{abs}, \mfc{sqrt},
+\mfc{sind}, \mfc{cosd}, \mfc{mlog}, and \mfc{mexp}. Note that in \MF{}
+the operations \mfc{*} and \mfc{**} have the same level of precedence,
+so \mfc{x*y**z} means $(xy)^z$. Use parentheses liberally!
+
+(\textit{Notes:} The \MF{} trigonometric functions \mfc{sind} and
+\mfc{cosd} take arguments in degrees; \mfc{mlog(x)}$=256\ln x$, and
+\mfc{mexp} is its inverse.) You can also define the function \meta{fcn}
+by cases, using the \MF{} conditional expression
+\begin{ex}
+ \mfc{if~\meta{boolean}:~\meta{expr}~elseif
+ \meta{boolean}:~$\ldots$~else:~\meta{expr}~fi}.
+\end{ex}
+Relations available for the \meta{boolean} part of the expression
+include \mfc{=}, \mfc{<}, \mfc{>}, \mfc{<=}, \mfc{<>} and \mfc{>=}.
+
+Complicated functions can be defined by a compound expression, which is
+a series of \MF{} statements, followed by an expression, all enclosed in
+the commands \mfc{begingroup} and \mfc{endgroup}. The \cs{fdef}
+command automatically supplies the grouping around the definition so
+the user need not type them if the entire \meta{mf-expr} is one such
+compound expression. \CMF{} functions can call \MF{} functions,
+even recursively.
+
+Many common functions have been predefined in \file{grafbase}. These
+include all the usual trig functions \mfc{tand}, \mfc{cotd}, \mfc{secd},
+\mfc{cscd}, which take angles in degrees, plus variants \mfc{sin},
+\mfc{cos}, \mfc{tan}, \mfc{cot}, \mfc{sec}, and \mfc{csc}, which take
+angles in radians. Some inverse trig functions are also available, the
+following produce angles in degrees: \mfc{asin}, \mfc{acos}, and
+\mfc{atan}, and the following in radians: \mfc{invsin}, \mfc{invcos},
+\mfc{invtan}. The exponential and hyperbolic functions: \mfc{exp},
+\mfc{sinh}, \mfc{cosh}, \mfc{tanh}, and their inverses \mfc{ln} (or
+\mfc{log}), \mfc{asinh}, \mfc{acosh}, and \mfc{atanh} are also defined.
+
+\subsubsection{Plotting Functions}\label{plotting}
+
+The plotting macros take two or more arguments. They have an optional
+first argument, \meta{spec}, which determines whether a function is
+drawn smooth (as a \MF{} B\'ezier curve), or polygonal (as line
+segments)---if \meta{spec} is \texttt{p}, the function will be
+polygonal. Otherwise the \meta{spec} should be \texttt{s}, followed by
+an optional positive number no smaller than 0.75. In this case the
+function will be smooth with a tension equal to the number. See the
+\cs{curve} command (subsection~\ref{curves}) for an explanation of
+tension. The default \meta{spec} depends on the purpose of the macro.
+
+One compulsory argument contains three values \meta{min}, \meta{max} and
+\meta{step} separated by commas. The independent variable of a function
+starts at the value \meta{min} and steps by \meta{step} until reaching
+\meta{max}. If \meta{max}${}-{}$\meta{min} is not a whole number of
+steps, then round$((\meta{max}-\meta{min})/\meta{step})$ equal steps are
+used. One may have to experiment with the size of \meta{step}, since
+\MF{} merely connects the points corresponding to these steps with what
+\emph{it} considers to be a smooth curve. Smaller \meta{step} gives
+better accuracy, but too small may cause the curve to exceed \MF's
+capacity or slow down its processing. Increasing the tension may help
+keep the curve in line, but at the expense of reduced smoothness.
+
+There are one or more subsequent arguments, each of which is a \MF{}
+function or expression as described above.
+
+\begin{cd}
+\cs{function}\oarg{\meta{spec}}\marg{\meta{$x_{\mathrm{min}}$},%
+ \meta{$x_{\mathrm{max}}$},\meta{$\Delta x$}}%
+ \marg{$f(\mathtt{x})$}%
+\index{function@\cs{function}}
+\end{cd}
+
+Plots $f(\mathtt{x})$, a \MF{} numeric function or expression of one
+numeric argument, which must be denoted by a literal \texttt{x}. The
+default \meta{spec} is \texttt{s}. For example
+\begin{ex}
+\cs{function}\marg{0,pi,pi/10}\marg{sin x}
+\end{ex}
+draws the graph of $\sin x$ between 0 and $\pi$.
+
+\begin{cd}
+\cs{parafcn}\oarg{\meta{spec}}\marg{\meta{$t_{\mathrm{min}}$},%
+ \meta{$t_{\mathrm{max}}$},\meta{$\Delta t$}}%
+ \marg{\meta{pfcn}}%
+\index{parafcn@\cs{parafcn}}
+\end{cd}
+
+Plots the parametric path determined by \meta{pfcn}, where \meta{pfcn}
+is a \MF{} function or expression of one numeric argument \texttt{t},
+returning a \MF{} \emph{pair}. Or a pair of numeric expressions
+$(x(\mathtt{t}),y(\mathtt{t}))$ enclosed in parentheses and separated by
+a comma. The default \meta{spec} is \texttt{s}. For example
+\begin{ex}
+\cs{parafcn}\marg{0,1,.1}\marg{(2t, t + t*t)}
+\end{ex}
+plots a smooth parabola from $(0,0)$ to $(2,2)$.
+
+\begin{cd}
+\cs{plrfcn}\oarg{\meta{spec}}\marg{\meta{$\theta_{\mathrm{min}}$},%
+ \meta{$\theta_{\mathrm{max}}$},\meta{$\Delta\theta$}}%
+ \marg{$f(\mathtt{t})$}%
+\index{plrfcn@\cs{plrfcn}}
+\end{cd}
+
+Plots the polar function determined by $r=f(\theta)$, where $f$ is a
+\MF{} numeric function or expression of one numeric argument, and
+$\theta$ varies from \meta{$\theta_{\mathrm{min}}$} to
+\meta{$\theta_{\mathrm{max}}$} in steps of \meta{$\Delta\theta$}. Each
+$\theta$ value is interpreted as an angle measured in \emph{degrees}. In
+the expression $f(\mathtt{t})$, the unknown \texttt{t} stands for
+$\theta$. The default \meta{spec} is \texttt{s}. For example
+\begin{ex}
+\cs{plrfcn}\marg{0,90,5}\marg{sind (2t)}
+\end{ex}
+draws one loop of a 4-petal rosette. If one needs radian measures, use
+something like the following.
+\begin{ex}
+\cs{plrfcn}\marg{0,pi*radian,pi*radian/18}\marg{sin (2t/radian)}
+\end{ex}
+
+
+\begin{cd}
+\cs{btwnfcn}\oarg{\meta{spec}}\marg{\meta{$x_{\mathrm{min}}$},\meta{$x_{\mathrm{max}}$},\meta{$\Delta x$}}%
+ \marg{$f(\mathtt{x})$}\marg{$g(\mathtt{x})$}%
+\index{btwnfcn@\cs{btwnfcn}}
+\end{cd}
+
+Draws the region between the two functions $f(x)$ and $g(x)$, these
+being numeric functions of one numeric argument \texttt{x}. The region is
+bounded also by the vertical lines at \meta{$x_{\mathrm{min}}$} and \meta{$x_{\mathrm{max}}$}.
+Unlike the previous function macros, the default \meta{spec} is
+\texttt{p}---this macro is intended to be used for shading between drawn
+functions, a task for which smoothness is usually unnecessary.
+For example
+\begin{ex}
+\cs{shade}\cs{btwnfcn}\marg{0,180,5}\marg{0}\marg{sind x}
+\end{ex}
+shades the area between first crest of a sine wave and the x-axis.
+
+Note: the effect of \cs{btwnfcn} could also be accomplished with
+\begin{ex}
+ \cs{lclosed}\cs{connect}\\
+ \cs{function}\marg{\meta{$x_{\mathrm{min}}$},%
+ \meta{$x_{\mathrm{max}}$},\meta{$\Delta x$}}\marg{$f(\mathtt{x})$}\\
+ \cs{reverse}\cs{function}\marg{\meta{$x_{\mathrm{min}}$},%
+ \meta{$x_{\mathrm{max}}$},\meta{$\Delta x$}}\marg{$g(\mathtt{x})$}\\
+ \cs{endconnect}
+\end{ex}
+
+\begin{cd}
+\cs{plrregion}\oarg{\meta{spec}}%
+ \marg{\meta{$\theta_{\mathrm{min}}$},\meta{$\theta_{\mathrm{max}}$},%
+ \meta{$\Delta\theta$}}\marg{$f(\mathtt{t})$}%
+\index{plrregion@\cs{plrregion}}
+\end{cd}
+
+Plots the polar region determined by $r=f(\theta)$, where $f$ is a \MF{}
+numeric function of one numeric argument \texttt{t}. The $\theta$
+values are angles (measured in \emph{degrees}), varying from
+\meta{$\theta_{\mathrm{min}}$} to \meta{$\theta_{\mathrm{max}}$} in
+steps of \meta{$\Delta\theta$}. In the expression $f(\mathtt{t})$, the
+\texttt{t} stands for $\theta$. The region is also bounded by the angles
+\meta{$\theta_{\mathrm{min}}$} and \meta{$\theta_{\mathrm{max}}$}, i.e.
+by the line segments joining the origin to the endpoints of the
+function. The default \meta{spec} is \texttt{p} ---this macro is
+intended to be used for shading a region with the boundary drawn, a task
+for which smoothness is usually unnecessary. For example
+\begin{ex}
+\cs{shade}\cs{plrregion}\marg{0,90,5}\marg{sind (2t)}
+\end{ex}
+shades one loop of the 4-petal rosette.
+
+
+\subsubsection{Plotting external data files}\label{external}
+
+\begin{cd}
+\cs{datafile}\oarg{\meta{spec}}\marg{\meta{file}}\\
+\cs{smoothdata}\oarg{\meta{tension}}\\
+\cs{unsmoothdata}%
+\index{datafile@\cs{datafile}}%
+\index{smoothdata@\cs{smoothdata}}%
+\index{unsmoothdata@\cs{unsmoothdata}}
+\end{cd}
+
+\cs{datafile} defines a curve connecting the points listed in the file
+\meta{file}. (The context makes it clear whether this meaning of
+\cs{datafile} or that of subsection~\ref{list} is meant.) The
+\meta{spec} may be \texttt{p} to produce a polygonal path, or \texttt{s}
+followed by a tension value (as in \cs{curve}) to produce a smooth path.
+If no \meta{spec} is given, the default is initially \texttt{p}, but
+\cs{smoothdata} may be used to change this. Thus, after the command
+\cs{smoothdata}\oarg{\meta{tension}} the default \meta{spec} is changed
+to \texttt{s\meta{tension}}. If the tension parameter is not supplied it
+defaults to \mfc{1.0} (or the value set by the \cs{settension} command
+if one has been used).
+
+The command \cs{unsmoothdata} restores the default \meta{spec} to
+\texttt{p}.
+
+By default, each non-blank line in the file is assumed to contain at
+least two numbers, separated by whitespace (blanks or tabs). The first
+two numbers on each line are assumed to represent the $x$- and
+$y$-coordinates of a point. Initial blank lines in the file are ignored,
+as are comments. The comment character in the data file is assumed to be
+\texttt{\%}, but it can be reset using \cs{mfpdatacomment} (below). Any
+blank line other than at the start of the file causes the curve to
+terminate. The \cs{datafile} command may be preceded by any of the
+prefix commands, so that, for example, a closed curve could be formed
+with \cs{lclosed}\cs{datafile}\marg{data.dat}.
+
+The \index{datafile@\cs{datafile}}\cs{datafile} command has another use,
+independent of the above description. We saw in subsection~\ref{list}
+that any \mfp{} command (other than one that prints text labels) that
+takes as its last argument a list of points (or numerical values)
+separated by commas, can have that list replaced with a reference to an
+external data file. For example, if a file \file{ptlist.dat} contains
+two or more numerical values per line separated by whitespace, then one
+can draw a dot at each of the points corresponding to the first pair of
+numbers on each line with the following.
+\begin{ex}
+ \cs{point}\cs{datafile}\marg{ptlist.dat}
+\end{ex}
+In fact there is no essential difference between `\cs{datafile}\oarg{p}'
+and `\cs{polyline}\cs{datafile}', and no difference between
+`\cs{datafile}\oarg{s}' and `\cs{curve}\cs{datafile}'.
+
+Here is the full list of \mfp{} macros that allow this usage of
+\cs{datafile}\index{datafile@\cs{datafile}}:
+
+ \begin{raggedright}
+\begin{itemize}
+\item Numeric data: \cs{piechart}, \cs{barchart}, \cs{numericarray}, and
+ all the axis marks commands.
+\item Point or vector data: \cs{point}, \cs{plotsymbol}, \cs{polyline},
+ \cs{polygon}, \cs{fcncurve}, \cs{curve}, \cs{cyclic}, \cs{turtle},
+ \cs{qspline}, \cs{closedqspline}, \cs{cspline}, \cs{closedcspline},
+ \cs{mfbezier}, \cs{closedmfbezier}, \cs{qbeziers},
+ \cs{closedqbeziers}, and \cs{pairarray}.
+\end{itemize}
+
+ \end{raggedright}
+
+\begin{cd}
+\cs{mfpdatacomment}\cs{}\meta{char}%
+\index{mfpdatacomment@\cs{mfpdatacomment}}
+\end{cd}
+
+Changes \meta{char} to a comment character and changes the usual \TeX{}
+comment character \texttt{\%} to an ordinary character \emph{while reading a
+datafile for drawing}.
+
+\begin{cd}
+\cs{using}\marg{\meta{in-pattern}}\marg{\meta{out-pattern}}%
+\index{using@\cs{using}}
+\end{cd}
+
+Used to change the assumptions about the format of the data file. For
+example, if there are four numbers on each line separated by commas, to
+plot the third against the second (in that order) you can say
+\cs{using}\marg{\#1,\#2,\#3,\#4}\marg{(\#3,\#2)}. This means the
+following: Everything on a line up to the first comma is assigned to
+parameter \texttt{\#1}, everything from there up to the second comma is
+assigned to parameter \texttt{\#2}, etc. Everything from the third comma
+to the end of line is assigned to \texttt{\#4}. When the line is
+processed by \TeX{} a \MF{} pair is produced representing a point on the
+curve. \CMF{} pair expressions can be used in the output portion of
+\cs{using}. For example \cs{using}\marg{\#1,\#2,\#3}\marg{(\#2,\#1)/10}
+or even \cs{using}\marg{\#1 \#2 \#3}\marg{polar(\#1,\#2)} if the data
+are polar coordinates. The default assumptions of the \cs{datafile}
+command (i.e., space separated numbers, the first two determining each
+point) correspond to the setting
+\begin{ex}
+\cs{using}\marg{\#1 \#2 \#3}\marg{(\#1,\#2)}
+\end{ex}
+The \cs{using} command cannot normally be used in the replacement text
+of another command. Or rather, it can be so used, but then each
+\texttt{\#} has to be doubled. If a \cs{using} declaration occurs in an
+\env{mfpic} environment it is local to that environment. Otherwise it
+affects all subsequent ones.
+
+\begin{cd}
+\cs{sequence}\index{sequence@\cs{sequence}}
+\index{sequence@\cs{sequence}}
+\end{cd}
+
+As a special case, you can plot any number against its sequence
+position, with something like
+\cs{using}\marg{\#1 \#2}\marg{(\cs{sequence},\#1)}. Here, the macro
+\cs{sequence} will take on the values \texttt{1}, \texttt{2}, etc. as
+lines are read from the file.
+
+\begin{cd}
+\cs{usingpairdefault}\\
+\cs{usingnumericdefault}%
+\index{usingpairdefault@\cs{usingpairdefault}}%
+\index{usingnumericdefault@\cs{usingnumericdefault}}
+\end{cd}
+
+The command \cs{usingpairdefault} restores the above default for pair
+data. The command \cs{usingnumericdefault} is the equivalent of
+\cs{using}\marg{\#1 \#2}\marg{\#1}.
+
+Note that the default value of \cs{using} appears to reference three
+arguments. If there are only two numbers on a line separated by
+whitespace, this will still work because of \TeX's argument matching
+rules. \TeX's file reading mechanism normally converts the EOL to a
+space, but there are exceptions so \mfp{} internally adds a space at
+the end of each line read in to be on the safe side. Then the default
+definition of \cs{using} reads everything up to the first space as
+\texttt{\#1} (whitespace is normally compressed to a single space by
+\TeX's reading mechanism), then everything to the second space (the one
+added at the end of the line, perhaps) is \texttt{\#2}, then everything
+to the EOL is \texttt{\#3}. This might assign an empty argument to
+\texttt{\#3}, but it is discarded anyway.
+
+If the numerical data contain percentages with explicit \texttt{\%} signs,
+then choose another comment character with \cs{mfpdatacomment}. This
+will change \texttt{\%} to an ordinary character \emph{in the data file}.
+However, in your \cs{using} command it would still be read as a comment.
+The following example shows how to overcome this:
+\begin{verbatim}
+ \makepercentother
+ \using{#1% #2 #3}{(#1/100,#2)}
+ \makepercentcomment
+\end{verbatim}
+
+
+Here\index{makepercentother@\cs{makepercentother}}%
+\index{makepercentcomment@\cs{makepercentcomment}}
+is an analysis of the meaning of this example: everything in a line, up
+to the first percent followed by a space is assigned to parameter
+\texttt{\#1}, everything from there to the next space is assigned to
+\texttt{\#2} and the rest of the line (which may be empty) is
+\texttt{\#3}. On the output side in the above example, the percentage is
+divided by 100 to convert it to a fraction, and plotted against the
+second parameter. Note: normal comments should not be used between
+\cs{makepercentother} and \cs{makepercentcomment}, for obvious reasons.
+
+\begin{cd}
+ \cs{plotdata}\oarg{\meta{spec}}\marg{\meta{file}}%
+ \index{plotdata@\cs{plotdata}}
+\end{cd}
+
+This plots several curves from a single file. The \meta{spec} and the
+command \cs{smoothdata} have the same effect on each curve as in the
+\cs{datafile} command. The data for each curve is a succession of
+nonblank lines separated from the data for the next curve by a single
+blank line. A \emph{pair} of successive blank lines is treated as the
+end of the data. No prefix macros are permitted in front of
+\cs{plotdata}.
+
+Each successive curve in the data file is drawn differently. By default,
+the first is drawn as a solid line the next dashed, the third dotted,
+etc., through a total of six different line types. A \cs{gendashed}
+command is used with predefined dash patterns named \mfc{dashtype0}
+through \mfc{dashtype5}. This behavior can be changed with:
+
+\begin{cd}
+\cs{coloredlines}\\
+\cs{pointedlines}\\
+\cs{datapointsonly}\\
+\cs{dashedlines}%
+\index{coloredlines@\cs{coloredlines}}%
+\index{pointedlines@\cs{pointedlines}}%
+\index{datapointsonly@\cs{datapointsonly}}%
+\index{dashedlines@\cs{dashedlines}}
+\end{cd}
+
+The command \cs{coloredlines} changes to cycling through eight different
+colors starting with black (hey, black is a color too). This has an
+effect only for \MP. The sole exception to the general rule that all
+curves are drawn in \gbc{drawcolor} is the \cs{plotdata} command after
+\cs{coloredlines} has been issued. The command \cs{pointedlines} causes
+\cs{plotdata} to use \cs{plot} commands, cycling through nine symbols.
+The command \cs{datapointsonly} causes \cs{plotdata} to use
+\cs{plotnodes}\marg{\meta{symbol}} commands to plot the data points
+only. (See the Appendix for more details.) The command \cs{dashedlines}
+restores the default. If, for some reason, you do not like the default
+starting line style (say you want to start with a color other than
+black), you can use one of the following commands.
+
+\begin{cd}
+\cs{mfplinetype}\marg{\meta{num}}, or\\
+\cs{mfplinestyle}\marg{\meta{num}}%
+\index{mfplinetype@\cs{mfplinetype}}%
+\index{mfplinestyle@\cs{mfplinestyle}}
+\end{cd}
+
+Here \meta{num} is a non-negative number, less than the number of
+different drawing types available. The four previous commands reset the
+number to 0, so if you use one of them, issue \cs{mfplinetype}
+\emph{after} it. The different line styles are numbered starting from
+$0$. If two or more \cs{plotdata} commands are used in the same
+\env{mfpic} environment, the numbering in each continues where the one
+before left off (unless you issue one of the commands above in between).
+\cs{mfplinestyle} means the same as \cs{mfplinetype}, and is included
+for compatibility. See the Appendix to find out what dash pattern,
+color or symbol corresponds to each number by default. The commands
+below can be used to change the default dashess, colors, or symbols.
+
+\begin{cd}
+\cs{reconfigureplot}\marg{dashes}\marg{\meta{pat$_1$},\dots,\meta{pat$_n$}}\\
+\cs{reconfigureplot}\marg{colors}\marg{\meta{clr$_1$},\dots,\meta{clr$_n$}}\\
+\cs{reconfigureplot}\marg{symbols}\marg{\meta{symb$_1$},\dots,\meta{symb$_n$}}%
+\index{reconfigureplot@\cs{reconfigureplot}}
+\end{cd}
+
+The first argument of \cs{reconfigureplot} is the rendering method to
+change: \texttt{dashes}, \texttt{colors}, or \texttt{symbols}. The
+second argument is a list of dash patterns, colors, or symbols. The dash
+patterns should be names of patterns defined through the use of
+\cs{dashpattern}. The colors can be any color names already known to
+\MP, or defined through \cs{mfpdefinecolor}. The symbols can be any of
+those listed with the \cs{plotsymbol} command (see
+subsection~\ref{points}), or any known \MF{} path variable. The colors
+can also be \MP{} expressions of type color, and the symbols can be
+expressions of type path. Within a \env{mfpic} environment, the changes
+made are local to that environment. Outside, they affect all subsequent
+environments.
+
+\begin{cd}
+\cs{defaultplot}\marg{dashes}\\
+\cs{defaultplot}\marg{colors}\\
+\cs{defaultplot}\marg{symbols}
+\index{defaultplot@\cs{defaultplot}}
+\end{cd}
+
+The command \cs{defaultplot} restores the built-in defaults for the
+indicated method of rendering in \cs{plotdata}.
+
+The commands \cs{using}, \cs{mfpdatacomment} and \cs{sequence} have the
+same meaning here (for \cs{plotdata}) as they do for \cs{datafile}
+(above). The sequence numbering for \cs{sequence} starts over with each
+new curve.
+
+\subsection{Labels and Captions.}\label{labels}
+
+\subsubsection{Setting Text.}\label{text}
+
+If option \opt{metafont} is in effect macros \cs{tlabel}, \cs{tlabels},
+\cs{axislabels} and \cs{tcaption} do not affect the \MF{} file
+(\file{\meta{file}.mf}) at all, but are added to the picture by \TeX. If
+\opt{metapost} is in effect but \opt{mplabels} is not, they do not
+affect the \MP{} file. In these cases, if these macros are the only
+changes or additions to your document, there is no need to repeat the
+processing with \MF{} or \MP{} nor the reprocessing with \TeX{} in order
+to complete your \TeX{} document.
+
+\begin{cd}
+\cs{tlabel}\oarg{\meta{just}}\parg{\meta{x},\meta{y}}\marg{\meta{labeltext}}\\
+\cs{tlabel}\oarg{\meta{just}}\marg{\meta{pair-list}}\marg{\meta{label text}}\\
+\cs{tlabels}\marg{\meta{params$_1$} \meta{params$_2$} $\ldots$}%
+\index{tlabel@\cs{tlabel}}\index{tlabels@\cs{tlabels}}
+\end{cd}
+
+Places \TeX{} labels on the graph. (Not to be confused with \LaTeX's
+\cs{label} command.) The special form \cs{tlabels} (note the plural)
+essentially just applies \cs{tlabel} to each set of parameters listed in
+its argument. That is, each \meta{params$_k$} is a valid set of
+parameters for a \cs{tlabel} command. These can be separated by spaces,
+newlines, or nothing at all. They should \emph{not} be separated by
+blank lines.
+
+The last required parameter is ordinary \TeX{} text. The pair
+\parg{\meta{x},\meta{y}} gives the coordinates of a point in the graph
+where the text will be placed. It may optionally be enclosed in braces.
+In fact, the second syntax may be used if \opt{mplabels} is in effect,
+where \meta{pair-list} is any expression recognized as a pair by \MP, or
+a comma-separated list of such pairs.
+
+The optional parameter \oarg{\meta{just}} specifies the
+\emph{justification}, the relative placement of the label with respect
+to the point \parg{\meta{x},\meta{y}}. It is a two-character sequence
+where the first character is one of \texttt{t} (top), \texttt{c} (center),
+\texttt{b} (bottom), or \texttt{B} (Baseline), to specify vertical placement,
+and the second character is one of \texttt{l} (left), \texttt{c} (center), or
+\texttt{r} (right), to specify horizontal placement. These letters specify
+what part of the \emph{text} is to be placed at the given point, so
+\texttt{r} puts the right end of the text there---which means the text will be
+left of the point. The default justification is \oarg{Bl}.
+
+When \opt{mplabels} is in effect, the two characters may optionally be
+followed by a number, specifying an angle in degrees to rotate the text
+about the point \parg{\meta{x},\meta{y}}. If the angle is supplied
+without \opt{mplabels} it is ignored after a warning. If the angle is
+absent, there is no rotation. Note that the rotation takes place after
+the placement and uses the given point as the center of rotation. For
+example, \oarg{cr} will place the text left of the point, while
+\oarg{cr180} will rotate it around to the right side of the point (and
+upsidedown, of course).
+
+There should be no spaces before, between, or after the first two
+characters. However the number, if present, is only required to be a
+valid \MP{} numerical expression containing no bracket characters; as
+such, it may contain some spaces (e.g., around operations as in
+\texttt{45 + 30}).
+
+A multiline \cs{tlabel} may be specified by explicit line breaks, which
+are indicated by the \bbsl{} command or the \cs{cr} command. This is a
+very rudimentary feature. By default it left justifies the lines and
+causes \cs{tlabel} to redefine \bbsl. One can center a line by putting
+\cs{hfil} as the first thing in the line, and right justify by putting
+\cs{hfill} there (these are \TeX{} primitives). Redefining \bbsl{} can
+interfere with \LaTeX's definition. For better control in \LaTeX{} use
+\cs{shortstack} inside the label (or a \env{tabular} environment or some
+other environment which always initializes \bbsl{} with its own
+definition).
+
+If the label goes beyond the bounds of the graph in any direction, the
+space reserved for the graph is expanded to make room for it. (Note:
+this behavior is very much different from that of the \LaTeX{}
+\env{picture} environment.)
+
+If the \opt{mplabels} option is in effect, \cs{tlabel} will write a
+\mfc{btex $\ldots$ etex} group to the output file, allowing \MP{} to
+arrange for typesetting the label. Normally, the label becomes part of
+the picture, rather than being laid on top of it, and can be covered up
+by any filling macros that follow, or clipped off by \cs{gclear} or
+\cs{gclip}. However, under the \opt{overlaylabels} option (or after the
+command \cs{overlaylabels}), labels are saved and added to the picture
+at the very end. This may prevent some special effects, but it makes the
+behavior of labels much more consistent through all the 12 permissable
+settings of the options \opt{metapost}, \opt{mplabels}, \opt{clip}, and
+\opt{truebbox}.
+
+\begin{cd}
+\cs{everytlabel}\marg{\meta{\TeX-code}}%
+\index{everytlabel@\cs{everytlabel}}
+\end{cd}
+
+One problem with multi-line \cs{tlabel}s is that each line of their
+contents constitutes a separate group. This makes it difficult to change
+the \cs{baselineskip} (for example) inside a label. The command
+\cs{everytlabel} saves it's contents in a token register and the code is
+issued in each \cs{tlabel}, as the last thing before the actual line(s)
+of text. Any switch you want to apply to every line can be supplied. For
+example
+\begin{ex}
+ \cs{everytlabel}\marg{\cs{bf}\cs{baselineskip} 10pt}
+\end{ex}
+will make every line of every \cs{tlabel}'s text come out bold with 10
+point baselines. The effect of \cs{everytlabel} is local to the
+\env{mfpic} environment, if it is issued inside one. Note that the lines
+of a tlabel are wrapped in a box, but the commands of \cs{everytlabel}
+are outside all of them, so no actual text should be produced by these
+commands.
+
+Using \cs{tlabel} without an optional argument is equivalent to
+specifying \oarg{Bl}. Use the following command to change this
+behavior.
+
+\begin{cd}
+\cs{tlabeljustify}\marg{\meta{just}}%
+\index{tlabeljustify@\cs{tlabeljustify}}
+\end{cd}
+
+After this command the placement of all subsequent labels without
+optional argument will be as specified in this command. For example,
+\cs{tlabeljustify}\marg{cr45} would cause all subsequent \cs{tlabel}
+commands lacking an optional argument to be placed as if the argument
+\oarg{cr45} were used in each. If \opt{mplabels} is not in effect at the
+time of this command, the rotation part will be saved in case that
+option is turned on later, but a warning message will be issued. Without
+\opt{mplabels}, the rotation is ignored by \cs{tlabel} .
+
+\begin{cd}
+\cs{tlabeloffset}\marg{\meta{hlen}}\marg{\meta{vlen}}\\
+\cs{tlabelsep}\marg{\meta{len}}%
+\index{tlabeloffset@\cs{tlabeloffset}}%
+\index{tlabelsep@\cs{tlabelsep}}
+\end{cd}
+
+The first command causes all subsequent \cs{tlabel} commands to shift
+the label right by \meta{hlen} and up by \meta{vlen} (negative lengths
+cause it to be shifted left and down, respectively).
+
+The \cs{tlabelsep} command causes labels to be shifted by the given
+amount in a direction that depends on the optional positioning
+parameter. For example, if the first letter is \texttt{t} the label is
+shifted down by the amount \meta{len} and if the second letter is
+\texttt{l} it is also shifted right. In all cases it is shifted \emph{away} from
+the point of placement (unless the dimension is negative). If \texttt{c} or
+\texttt{B} is the first parameter, no vertical shift takes place, and if
+\texttt{c} is the second, there is no horizontal shift. This is intended to
+be used in cases where something has been drawn at that particular
+point, in order to separate the text from the drawing, but the value is
+also written to the output file for use by \cs{tlabelrect}
+(subsection~\ref{surrounding}) and related
+commands.
+
+\begin{cd}
+\cs{axislabels}\marg{\meta{axis}}\oarg{\meta{just}}%
+ \marg{\marg{\meta{text$_1$}}\meta{$n_1$},%
+ \marg{\meta{text$_2$}}\meta{$n_2$},$\ldots$}%
+\index{axislabels@\cs{axislabels}}
+\end{cd}
+
+This command places the given \TeX{} text (\meta{text$_k$}) at the given
+positions (\meta{$n_k$}) on the given axis, \meta{axis}, which must be a
+single letter and one of \texttt{l}, \texttt{b}, \texttt{r}, \texttt{t},
+\texttt{x}, or \texttt{y}. The text is placed as in \cs{tlabels}
+(including the taking into account of \cs{tlabelsep} and
+\cs{tlableoffset}), except that the default justification depends on the
+axis (the settings of \cs{tlabeljustify} are ignored). In the case of
+the border axes, the default is to place the label outside the axis and
+centered. So, for example, for the bottom axis it is \oarg{tc}. The
+defaults for the $x$- and $y$-axis are below and left, respectively. The
+optional \meta{just} can be used to change this. For example, to place
+the labels \emph{inside} the left border axis, use \oarg{cl}. If
+\opt{mplabels} is in effect, rotations can be included in the
+justification parameter. For example, to place the text strings
+`first', `second' and `third' just below the positions 1, 2 and 3
+on the $x$-axis, rotated so they read upwards at a 90 degree angle, one
+can use \cs{axislabels}\marg{x}\oarg{cr90}\marg{\marg{first}1,
+\marg{second}2, \marg{third}3}
+
+\begin{cd}
+\cs{plottext}\oarg{\meta{just}}\marg{\meta{text}}\marg{($x_0$,$y_0$),
+ ($x_1$,$y_1$), $\ldots$}%
+\index{plottext@\cs{plottext}}
+\end{cd}
+
+Similar in effect to \cs{point} and \cs{plotsymbol} (but without
+requiring \MF), \cs{plottext} places a copy of \meta{text} at each of
+the listed points. It simply issues multiple \cs{tlabel} commands with
+the same text and optional parameter, but at the different points
+listed. This is intended to plot a set of points with a single letter or
+font symbol (instead of a \MF{} generated shape). Like \cs{axislabels},
+this does not respond to the setting of \cs{tlabeljustify}. It has a
+default setting of \oarg{cc} if the optional argument is omitted. The
+points may be MetaPost pair expressions under \opt{mplabels}, but they
+must \emph{not} be individually enclosed in braces. (This requirement is
+new with version 0.7; prior to that pairs in braces didn't work reliably
+anyway.) This command is actually unnecessary under \opt{mplabels} as
+the plain \cs{tlabel} command can then be given a list of points. The
+\cs{tlabel} command is more efficient, and \cs{plottext} is converted to
+it internally.
+
+\begin{cd}
+\cs{mfpverbtex}\marg{\meta{\TeX-cmds}}%
+\index{mfpverbtex@\cs{mfpverbtex}}
+\end{cd}
+
+This writes a \mfc{verbatimtex} block to the \file{.mp} file. It makes
+sense only if the \opt{mplabels} option is used and so only for \MP. The
+\meta{\TeX-cmds} in the argument are written to the \file{.mp} file,
+preceded by the \MP{} command \mfc{verbatimtex} and followed by
+\mfc{etex}. Line breaks within the \meta{\TeX-cmd} are preserved. The
+\cs{mfpverbtex} command must come before any \cs{tlabel} that is to be
+affected by it. Any settings common to all \env{mfpic} environments
+should be in a \cs{mfpverbtex} command preceding all such environments.
+It may be issued at any point after \mfp{} is loaded, and any number of
+times. If it issued before \cs{opengraphsfile}, its contents are saved
+and written by that command. Because of the way \MP{} handles
+\mfc{verbatimtex} material, the effects cannot be constrained by any
+grouping unless one places \TeX{} grouping commands within
+\meta{\TeX-cmds}.
+
+\begin{cd}
+\cs{tcaption}\oarg{\meta{maxwd},\meta{linewd}}\marg{\meta{caption text}}%
+\index{tcaption@\cs{tcaption}}
+\end{cd}
+
+Places a \TeX{} caption at the bottom of the graph. (Not to be confused
+with \LaTeX's similar \cs{caption} command.) The macro will
+automatically break lines which are too much wider than the graph---if
+the \cs{tcaption} line exceeds \meta{maxwd} times the width of the
+graph, then lines will be broken to form lines at most \meta{linewd}
+times the width of the graph. The default settings for \meta{maxwd} and
+\meta{linewd} are 1.2 and 1.0, respectively. \cs{tcaption} typesets its
+argument twice (as does \LaTeX's \cs{caption}), the first time to test
+its width, the second time for real. Therefore, the user is advised
+\emph{not} to include any global assignments in the caption text.
+
+If the \cs{tcaption} and graph have different widths, the two are
+centered relative to each other. If the \cs{tcaption} takes multiple
+lines, then the lines are both left- and right-justified (except for the
+last line), but the first line is not indented. If the option
+\opt{centeredcaptions} is in effect, each line of the caption will be
+centered.
+
+In a \cs{tcaption}, Explicit line breaks may be specified by using the
+\bbsl{} command. The separation between the bottom of the picture and
+the caption can be changed by increasing or decreasing the skip
+\cs{mfpiccaptionskip}\index{mfpiccaptionskip@\cs{mfpiccaptionskip}}
+(a `rubber' length in Lamport's terminology).
+
+Many \mfp{} users find the \cs{tcaption} command too limiting (one
+cannot, for example, place the caption to the side of the figure). It is
+common to use some other method (such as \LaTeX's \cs{caption} command
+in a \env{figure} environment). The dimensions \cs{mfpicheight} and
+\cs{mfpicwidth} (see section~\ref{parameters}) might be a convenience
+for plain \TeX{} users who want to roll their own caption macros.
+
+\subsubsection{Curves surrounding text}\label{surrounding}
+
+
+\begin{cd}
+\cs{tlabelrect}\oarg{\meta{rad}}\oarg{\meta{just}}%
+ \meta{pair}\marg{\meta{text}}\\
+\cs{tlabelrect*...}%
+\index{tlabelrect@\cs{tlabelrect}}
+\end{cd}
+
+This and the following two methods of surounding a bit of text with a
+curve share some common characteristics which will be described here.
+The commands all take an optional argument that can modify the shape of
+the curve. After that come arguments exactly as for the \cs{tlabel}
+command except that only a single point is permitted, not a list. (So
+\meta{pair} is either of the form \parg{\meta{x},\meta{y}} or the same
+enclosed in braces, or for \opt{mplabels} a pair expression in braces.)
+After processing the surrounding curve, a \cs{tlabel} is applied to
+those arguments unless a \texttt{*} is present. In order for the second
+optional argument to be recognized as the second, the first optional
+argument must also be present. An empty first optional argument is
+permitted, causing the default value to be used. The default for the
+justification parameter is \texttt{cc}, for compatibility with past
+\mfp{} versions in which these commands all centered the figure around
+the point and no justification parameter existed. This default can be
+changed with the \cs{tlpathjustify} command below.
+
+The plain rectangle version produces a frame separated from the text on
+all sides by the amount defined with \cs{tlabelsep}. All other versions
+produce the smallest described curve that contains this rectangle.
+
+These commands may be preceded by prefix macros (see the sections
+\ref{modifier}~and \ref{rendering}, above). They all have a
+`\texttt{*}-form' which produces the curve but omits placing the text.
+All have the effect of rendering the path \emph{before} placing any
+text. For example, \cs{gclear}\cs{tlabelrect}\dots\ will clear the
+rectangle and then place the following text in the cleared space.
+
+The optional argument of \cs{tlabelrect}, \meta{rad}, is a dimension,
+defaulting to \dim{0pt}, that produces rounded corners made from
+quarter-circles of the given radius. If the corners are rounded, the
+sides are expanded slightly so the resulting shape still encompasses the
+rectangle mentioned above. There is one special case for the optional
+argument \meta{rad}: if the keyword `\texttt{roundends}' is used instead
+of a dimension, the radius will be chosen to make the nearest quarter
+circles just meet, so the narrow side of the rectangle is a half circle.
+
+\begin{cd}
+\cs{tlabeloval}\oarg{\meta{mult}}\oarg{\meta{just}}%
+ \meta{pair}\marg{\meta{text}}\\
+\cs{tlabeloval*...}%
+\index{tlabeloval@\cs{tlabeloval}}
+\end{cd}
+
+This is similar to \cs{tlabelrect}, except it draws an ellipse. The
+ellipse is calculated to have the same ratio of width to height as the
+rectangle mentioned above. The optional \meta{mult} is a multiplier that
+increases or decreases this ratio. Values of \meta{mult} larger than 1
+increase the width and decrease the height.
+
+\begin{cd}
+\cs{tlabelellipse}\oarg{\meta{ratio}}\oarg{\meta{just}}%
+ \meta{pair}\marg{\meta{text}}\\
+\cs{tlabelellipse*...}\\
+\cs{tlabelcircle}\oarg{\meta{just}}\meta{pair}\marg{\meta{text}}\\
+\cs{tlabelcircle*...}%
+\index{tlabelellipse@\cs{tlabelellipse}}\index{tlabelcircle@\cs{tlabelcircle}}
+\end{cd}
+
+Draws the smallest ellipse centered at the point that encompasses the
+rectangle defined above, and that has a ratio of width to height equal
+to \meta{ratio} then places the text. The default ratio is $1$, which
+produces a circle. We also provide the command \cs{tlabelcircle}, which
+take only the \oarg{\meta{just}} optional argument. Internally, it just
+processes any \texttt{*} and calls \cs{tlabelellipse} with parameter 1.
+
+In the above \cs{tlabel...} curves, the optional parameter should be
+positive. If it is zero, all the curves silently revert to
+\cs{tlabelrect}. If it is negative, it is silently accepted. In the case
+of \cs{tlabelrect} this causes the quarter-circles at the corners to be
+indented rather than convex. In the other cases, there is no visible
+effect, but in all cases the sense of the curve is reversed.
+
+\begin{cd}
+\cs{tlpathjustify}\marg{\meta{just}}
+\index{tlpathjustify@\cs{tlpathjustify}}
+\end{cd}
+
+This can be used to change the default justification for \cs{tlabelrect}
+and friends. The \meta{just} parameter is exactly as in
+\cs{tlabeljustify} in subsection~\ref{text}.
+
+
+\subsection{Saving and Reusing an \mfp{} Picture.}\label{saving}
+
+These commands have been changed from versions prior to 0.3.14 in order
+to behave more like the \LaTeX's \cs{savebox}, and also to allow the
+reuse of an allocated box. Past files that use \cs{savepic} will have to
+be edited to add \cs{newsavepic} commands that allocate the \TeX{}
+boxes.
+
+\begin{cd}
+\cs{newsavepic}\marg{\meta{picname}}\\
+\cs{savepic}\marg{\meta{picname}}\\
+\cs{usepic}\marg{\meta{picname}}%
+\index{newsavepic@\cs{newsavepic}}%
+\index{savepic@\cs{savepic}}%
+\index{usepic@\cs{usepic}}
+\end{cd}
+
+\cs{newsavepic} allocates a box (like \LaTeX's \cs{newsavebox}) in which
+to save a picture. As in \cs{newsavebox}, \meta{picname} is a control
+sequence. Example: \cs{newsavepic}\marg{\cs{foo}}.
+
+\cs{savepic} saves the \emph{next} \cs{mfpic} picture in the named box,
+which should have been previously allocated with \cs{newsavepic}. (This
+command should not be used \emph{inside} an \env{mfpic} environment.)
+The next picture will not be placed, but saved in the box for later use.
+This is primarily intended as a convenience. One \emph{could} use
+\begin{ex}
+ \cs{savebox}\marg{\meta{picname}}\marg{\meta{entire \env{mfpic} environment}},
+\end{ex}
+but \cs{savepic} avoids having to place the \env{mfpic} environment in
+braces, and avoids one extra level of \TeX{} grouping. It also avoids
+reading the entire \env{mfpic} environment as a parameter, which would
+nullify \mfp's efforts to preserve line breaks in parameters
+written to the \MF{} output file. If you repeat \cs{savepic} with the
+same \meta{picname}, the old contents are replaced with the next
+picture.
+
+\cs{usepic} copies the picture that had been saved in the named box.
+This may be repeated as often as liked to create multiple copies of one
+picture.
+
+
+\subsection{Picture frames.}\label{frames}
+
+When \TeX{} is run but before \MF{} or \MP{} has been run on the output
+file, \mfp{} detects that the \file{.tfm} file is missing or that
+the first \MP{} figure file \file{\meta{file}.1} is missing. In these
+cases, the \env{mfpic} environment draws only a rectangular frame with
+dimensions equal to the nominal size of the picture, containing the
+figure name and number (and any \TeX{} labels). The command(s) used
+internally to do this are made available to the user.
+
+\begin{cd}
+\cs{mfpframe}\oarg{\meta{fsep}}%
+ \meta{ material-to-be-framed }%
+\cs{endmfpframe}\\
+\cs{mfpframed}\oarg{\meta{fsep}}\marg{\meta{material-to-be-framed}}%
+\index{mfpframed@\cs{mfpframed}}%
+\index{endmfpframe@\cs{endmfpframe}}%
+\index{mfpframe@\cs{mfpframe}}
+\end{cd}
+
+These surround their contents with a rectangular frame consisting of
+lines with thickness \cs{mfpframethickness} separated from the contents
+by the \meta{fsep} if specified, otherwise by the value of the dimension
+\cs{mfpframesep}. The default value of the \TeX{} dimensions
+\cs{mfpframesep} and \cs{mfpframethickness} are \dim{2pt} and
+\dim{0.4pt}, respectively. The \cs{mfpframe} $\ldots$ \cs{endmfpframe}
+version is preferred around \env{mfpic} environments or verbatim
+material since it avoids reading the enclosed material before
+appropriate \cs{catcode} changes go into effect. In \LaTeX, one can also
+use the \cs{begin}\marg{mfpframe} $\ldots$ \cs{end}\marg{mfpframe}
+syntax.
+
+An alternative way to frame \env{mfpic} pictures is to save them with
+\cs{savepic} (see previous section) and issue a corresponding
+\cs{usepic} command inside any framing environment/command of the user's
+choice or devising.
+
+
+\subsection{Affine Transforms.}\label{transforms}
+
+Coordinate transformations that keep parallel lines in parallel are
+called \emph{affine transforms}. These include translation, rotation,
+reflection, scaling and skewing (slanting). For the \MF{} coordinate
+system only---that is, for paths, but not for \cs{tlabel}'s (let alone
+\cs{tcaption}'s)---\mfp{} provides the ability to apply \MF{}
+affine transforms.
+
+
+\subsubsection{Affine Transforms of the \MF{} Coordinate
+System.}\label{affine}
+
+\begin{cd}
+\cs{coords} $\ldots$
+\cs{endcoords}%
+\index{coords@\cs{coords}}%
+\index{endcoords@\cs{endcoords}}
+\end{cd}
+
+All affine transforms are restricted to the innermost enclosing
+\cs{coords}$\ldots$\cs{endcoords} pair. If there is \emph{no} such
+enclosure, then the transforms will apply to the rest of the \env{mfpic}
+environment
+
+\emph{Note}: In \LaTeX, a \env{coords} environment may be used.
+
+\medskip
+Transforms provided by \mfp.
+
+\medskip
+\halign
+{#\hfil&\quad#\hfil\cr
+ \cs{rotate}\marg{\meta{$\theta$}}%
+ \index{rotate@\cs{rotate}}%
+ & Rotates around origin by \meta{$\theta$} degrees \cr
+ \cs{rotatearound}\marg{\meta{point}}\marg{\meta{$\theta$}}%
+ \index{rotatearound@\cs{rotatearound}}%
+ & Rotates around point \meta{point} by \meta{$\theta$} degrees \cr
+ \cs{turn}\oarg{\meta{point}}\marg{\meta{$\theta$}}%
+ \index{turn@\cs{turn}}%
+ & Rotates around point \meta{point} (origin is default) by
+ \meta{$\theta$} \cr
+ \cs{mirror}\marg{\meta{$p_1$}}\marg{\meta{$p_2$}}%
+ \index{mirror@\cs{mirror}}%
+ & Same as \cs{reflectabout}\cr
+ \cs{reflectabout}\marg{\meta{$p_1$}}\marg{\meta{$p_1$}}%
+ \index{reflectabout@\cs{reflectabout}}%
+ & Reflect about the line \meta{$p_1$}\texttt{--}\meta{$p_2$} \cr
+ \cs{shift}\marg{\meta{pair}}%
+ \index{shift@\cs{shift}}%
+ & Shifts origin by the vector \meta{pair} \cr
+ \cs{scale}\marg{\meta{s}}%
+ \index{scale@\cs{scale}}%
+ & Scales uniformly by a factor of \meta{s} \cr
+ \cs{xscale}\marg{\meta{s}}%
+ \index{xscale@\cs{xscale}}%
+ & Scales only the X coordinates by a factor of \meta{s} \cr
+ \cs{yscale}\marg{\meta{s}}%
+ \index{yscale@\cs{yscale}}%
+ & Scales only the Y coordinates by a factor of \meta{s} \cr
+ \cs{zscale}\marg{\meta{pair}}%
+ \index{zscale@\cs{zscale}}%
+ & Scales uniformly by magnitude of \meta{pair}, and rotates by angle
+ of \meta{pair} \cr
+ \cs{xslant}\marg{\meta{s}}%
+ \index{xslant@\cs{xslant}}%
+ & Skew in $X$ direction by the multiple \meta{s} of $Y$ \cr
+ \cs{yslant}\marg{\meta{s}}%
+ \index{yslant@\cs{yslant}}%
+ & Skew in $Y$ direction by the multiple \meta{s} of $X$ \cr
+ \cs{zslant}\marg{\meta{pair}}%
+ \index{zslant@\cs{zslant}}%
+ & See \mfc{zslanted} in \file{grafdoc.tex} \cr
+ \cs{boost}\marg{\meta{$\chi$}}%
+ \index{boost@\cs{boost}}%
+ & Special relativity boost by $\chi$, see \mfc{boost} in
+ \file{grafdoc.tex} \cr
+ \cs{xyswap}%
+ \index{xyswap@\cs{xyswap}}%
+ & Exchanges the values of $x$ and $y$. \cr}%
+
+An arbitrary \MF{} transformation can be implemented with
+
+\begin{cd}
+\cs{applyT}\marg{\meta{transformer}}%
+\index{applyT@\cs{applyT}}
+\end{cd}
+
+This is mainly for \MF{} hackers. This applies the \MF{}
+\meta{transformer} to the current coordinate system. For example, the
+\mfp{} \TeX{} macro \cs{zslant\#1} is implemented as
+\cs{applyT}\marg{zslanted \#1} where the argument \mfc{\#1} is a \MF{}
+pair, such as $(x,y)$. Any code that satisfies \MF's syntax for a
+\meta{transformer} (see D.~E.~Knuth, ``The \MF book'') is permitted,
+although no effort is made to correctly write \TeX{} special characters
+nor to preserve linebreaks in the code.
+
+When any of these commands is issued, the effect is to transform all
+subsequent figures (within the enclosing \env{coords} or \env{mfpic}
+environment). In particular, attention may need to be paid to whether
+these transformations move (part of) the figure outside the space
+allotted by the \cs{mfpic} command parameters.
+
+A not-so-obvious point is that if several of these transformations are
+applied in succession, then the most recent is applied first, so that
+figures are transformed as if the transformations were applied in the
+reverse order of their occurrence. This is similar to the application of
+prefix macros (as well as application of transformations in mathematics:
+$T_1 T_2 z$ usually means to apply $T_1$ to the result of $T_2 z$).
+
+
+\subsubsection{Transformation of Paths.}\label{transformation}
+
+In the previous section we discussed transformations of the \MF{}
+coordinate system. Those macros affect the \emph{drawing} of paths and
+other figures, but do not change the actual paths. We will explain the
+distinction after introducing two macros for storing and reusing
+figures.
+
+\begin{cd}
+\cs{store}\marg{\meta{path variable}}\marg{\meta{path}}\\
+\cs{store}\marg{\meta{path variable}}\meta{path}%
+\index{store@\cs{store}}
+\end{cd}
+
+This stores the following \meta{path} in the specified \MF{} \meta{path
+variable}. Any valid \MF{} symbolic token will do, in particular, any
+sequence of letters or underscores. You should be careful to make the
+name distinctive to avoid overwriting the definition of some internal
+variable. The stored path may later be used as a figure macro
+using \cs{mfobj} (below). The \meta{path} may be any of the figure
+macros (such as \cs{curve}\marg{(0,0),(1,0),(1,1)}) or the result of
+modifying it. For example.
+
+\begin{ex}
+\cs{store}\marg{pth}\cs{lclosed}\cs{reverse}%
+ \cs{curve}\marg{(0,0),(1,0),(1,1)})
+\end{ex}
+
+In fact, \cs{store} is a prefix macro that does nothing to the following
+curve except store it. It acts as a rendering macro with a null
+rendering, so the curve is not made visible unless other rendering
+macros appear before or after it. It is special in that it is the only
+prefix macro that allows the following path to be an argument, that is,
+enclosed in braces. This is solely to support past \mfp{} versions in
+which \cs{store} was \emph{not} defined as a prefix macro.
+
+\begin{cd}
+\cs{mfobj}\marg{\meta{path expression}}\\
+\cs{mpobj}\marg{\meta{path expression}}%
+\index{mfobj@\cs{mfobj}}\index{mpobj@\cs{mpobj}}
+\end{cd}
+
+The \meta{path expression} is a previously stored path variable, or a
+valid \MF{} (or \MP) expression combining such variables and/or constant
+paths. This allows the use of path variables or expressions as figure
+macros, permitting all prefix operations, etc.. Here's some
+oversimplified uses of \cs{store} and \cs{mfobj}:
+
+\nobreak
+\begin{verbatim}
+\store{my_f}{\circle{...}} % Store a circle.
+\dotted\mfobj{my_f} % Now draw it dotted,
+\hatch\mfobj{my_f} % and hatch its interior
+% Store two curves:
+\store{my_f}{\curve{...}}
+\store{my_g}{\curve{...}}
+% Store two combinations of them:
+\store{my_h}{\mfobj{my_f--my_g--cycle}} % a MF path expression
+\store{my_k}{%
+ \lclosed\connect % a combination path created from
+ \mfobj{my_f}\mfobj{my_g} % mfpic commands.
+ \endconnect}
+\dotted\mfobj{my_f} % Draw the first dotted,
+\dotted\mfobj{my_g} % then the second.
+\shade\mfobj{my_h} % Now shade one combination.
+\hatch\mfobj{my_k} % and hatch the other
+\end{verbatim}
+The two forms \cs{mfobj} and \cs{mpobj} are absolutely equivalent.
+
+It should be noted that every \mfp{} figure is implicitly stored in the
+object \gbc{curpath}. So you can use \cs{mfobj}\marg{curpath} and get
+the path defined by the most recent sequence of prefix macros and
+figure.
+
+Getting back to coordinate transforms, if one changes the coordinate
+system and then stores and draws a curve, say by
+\begin{verbatim}
+ \coords
+ \rotate{45 deg}
+ \store{xx}{\rect{(0,0),(1,1)}}
+ \dashed\mfobj{xx}
+ \endcoords
+\end{verbatim}
+one will get a transformed picture, but the object \cs{mfobj}\marg{xx}
+will contain the simple, unrotated rectangular path and drawing it later
+(outside the \env{coords} environment) will prove that. This is because
+the \texttt{coords} environment works at the drawing level, not at the
+definition level. In oversimplified terms, \cs{dashed} invokes the
+transformation, but not \cs{store}. More precisely, \mfp{} prefix macros
+have an input and an output and a side effect. The input is the output
+of whatever follows it, the output can be the same as the input (the
+case for rendering prefixes) or modified version of that (the closure
+prefixes). The side effect is the drawing (dashing, filling) of the path,
+appending of an arrowhead, etc.. These side effects have to know where
+to place their marks, so a computation is invoked that converts the
+user's graph coordinates into \MF's drawing coordinates. The previous
+transformation macros work by modifying the parameters used in this
+computation.
+
+The following transformation prefixes provide a means of actually
+creating and storing a transformed path. In the terms just discussed,
+their input is a path, their output is the transformed path, and they
+have no side effects (other than invoking the default rendering if no
+rendering prefix was previously provided).
+
+\begin{cd}
+\cs{rotatepath}\marg{(\meta{x},\meta{y}),\meta{$\theta$}}$\ldots$\\
+\cs{shiftpath}\marg{(\meta{dx},\meta{dy})}$\ldots$\\
+\cs{scalepath}\marg{(\meta{x},\meta{y}),\meta{s}}$\ldots$\\
+\cs{xscalepath}\marg{\meta{x},\meta{s}}$\ldots$\\
+\cs{yscalepath}\marg{\meta{y},\meta{s}}$\ldots$\\
+\cs{slantpath}\marg{\meta{y},\meta{s}}$\ldots$\\
+\cs{xslantpath}\marg{\meta{y},\meta{s}}$\ldots$\\
+\cs{yslantpath}\marg{\meta{x},\meta{s}}$\ldots$\\
+\cs{reflectpath}\marg{\meta{$p_1$},\meta{$p_2$}}$\ldots$\\
+\cs{xyswappath}$\ldots$\\
+\cs{transformpath}\marg{\meta{transformer}}$\ldots$
+\index{rotatepath@\cs{rotatepath}}\index{shiftpath@\cs{shiftpath}}%
+\index{scalepath@\cs{scalepath}}\index{xscalepath@\cs{xscalepath}}%
+\index{yscalepath@\cs{yscalepath}}\index{slantpath@\cs{slantpath}}%
+\index{xslantpath@\cs{xslantpath}}\index{yslantpath@\cs{yslantpath}}%
+\index{reflectpath@\cs{reflectpath}}\index{xyswappath@\cs{xyswappath}}%
+\index{transformpath@\cs{transformpath}}
+\end{cd}
+
+\cs{rotatepath} rotates the following path by \meta{$\theta$} degrees
+about point \mfc{(\meta{x},\meta{y})}. After the commands:
+\begin{ex}
+ \cs{store}\marg{xx}\marg{\cs{rotatepath}\marg{(0,0), 45}%
+ \cs{rect}\marg{(0,0),(1,1)}}
+\end{ex}
+the object \cs{mfobj}\marg{xx} contains an actual rotated rectangle, as
+drawing it will prove. The above macro, and the five that follow are
+extremely useful (and better than \env{coords} environments) if one
+needs to draw a figure, together with many slightly different versions
+of it.
+
+\cs{shiftpath} shifts the following path by the horizontal amount
+\meta{dx} and the vertical amount \meta{dy}.
+
+\cs{scalepath} scales (magnifies or shrinks) the following path by the
+factor \meta{s}, in such a way that the point \parg{\meta{x},\meta{y}}
+is kept fixed. That is
+\begin{ex}
+ \cs{scalepath}\marg{(0,0),2}\cs{rect}\marg{(0,0),(1,1)}
+\end{ex}
+is essentially the same as \cs{rect}\marg{(0,0),(2,2)}, while
+\begin{ex}
+ \cs{scalepath}\marg{(1,1),2}\cs{rect}\marg{(0,0),(1,1)}
+\end{ex}
+is the same as \cs{rect}\marg{(-1,-1),(1,1)}. In both cases the
+rectangle is doubled in size. In the first case the lower left corner
+stays the same, while in the second case the the upper right corner
+stays the same.
+
+\cs{xscalepath} is similar to \cs{scalepath}, but only the $x$-direction
+is scaled, and all points with first coordinate equal to \meta{x} remain
+fixed. \cs{yscalepath} is similar, except the $y$-direction is affected.
+
+\cs{slantpath} applies a slant transformation to the following path,
+keeping points with second coordinate equal to \meta{y} fixed. That is,
+a point $p$ on the path is moved right by an amount proportional to the
+height of $p$ above the line $y={}$\meta{y}, with $s$ being the
+proportionality factor. Vertical lines in the path will acquire a slope
+of $1/s$, while horizontal lines stay horizontal.
+
+\cs{xslantpath} is an alias for \cs{slantpath}
+
+\cs{yslantpath} is similar to \cs{xslantpath}, but exchanges the roles
+of $x$ and $y$ coordinates.
+
+\cs{reflectpath} returns the mirror image of the following path, where
+the line determined by the points \meta{$p_1$} and \meta{$p_2$} is the
+mirror.
+
+\cs{xyswappath} returns the path with the roles of $x$ and $y$
+exchanged. This is similar in some respects to
+\cs{reflectpath}\marg{(0,0),(1,1)}, and produces the same result if the
+$x$ and $y$ scales of the picture are the same. However,
+\cs{reflectpath} compensates for such different scales (so the path
+shape remains the same), while \cs{xyswappath} does not (so that after a
+swap, verticals become horizontal and horizontals become vertical). One
+cannot have both when the scales are different.
+
+For \MF{} or \MP{} power users, \cs{transformpath} can take any
+`transformer' and transform the following path with it. Here, a
+\emph{transformer} is anything that can follow a path and create a new
+path. Examples are \mfc{scaled}, \mfc{shifted (1,1)}, and \mfc{rotatedabout
+(0,1)}.
+
+All these prefixes change only the path that follows, not any rendering
+of it that follows. For example:
+\begin{ex}
+ \cs{gfill}\cs{rotatepath}\marg{(0,0),90}\cs{dashed}%
+ \cs{rect}\marg{(0,0),(1,1)}
+\end{ex}
+will not produce a rotated dashed rectangle. Rather the original
+rectangle will be dashed, and the rotated rectangle will be filled.
+
+
+\subsection{Parameters.}\label{parameters}
+
+There are many parameters in \mfp{} which the user can modify to
+obtain different effects, such as different arrowhead size or shape.
+Most of these parameters have been described already in the context of
+macros they modify, but they are all described together here.
+
+Many of the parameters are stored by \TeX{} as dimensions, and so are
+available even if there is no \MF{} file open; changes to them are not
+subject to the usual \TeX{} rules of scope however: they are local to
+\TeX{} groups only if set inside an \env{mfpic} environment otherwise
+they are global. This is for consistency: other parameters are stored by
+\MF{} (so the macros to change them will have no effect unless a \MF{}
+file is open) and the changes are subject to \MF's rules of scope---to
+the \mfp{} user, this means that changes inside the \cs{mfpic} $\ldots$
+\cs{endmfpic} environment are local to that environment, but other
+\TeX{} groupings have no effect on scope. Some commands (notably those
+that set the axismargins and \cs{tlabel} parameters) change both \TeX{}
+parameters and \MF{} parameters, and it is important to keep then
+consistent.
+
+\begin{cd}
+\cs{mfpicunit}%
+\index{mfpicunit@\cs{mfpicunit}}
+\end{cd}
+
+This \TeX{} dimension stores the basic unit length for \mfp{}
+pictures---the $x$ and $y$ scales in the \cs{mfpic} macro are multiples
+of this unit. The default value is \dim{1pt}.
+
+\begin{cd}
+\cs{pointsize}%
+\index{pointsize@\cs{pointsize}}
+\end{cd}
+
+This \TeX{} dimension stores the diameter of the circle drawn by the
+\cs{point} macro and the diameter of the symbols drawn by
+\cs{plotsymbol} and by \cs{plot}. The default value is \dim{2pt}.
+
+\begin{cd}
+\cs{pointfilltrue} and \cs{pointfillfalse}%
+\index{pointfilltrue@\cs{pointfilltrue}}%
+\index{pointfillfalse@\cs{pointfillfalse}}
+\end{cd}
+
+This \TeX{} boolean switch determines whether the circle drawn by
+\cs{point} will be filled or open (outline drawn, inside erased).
+The default is \texttt{true}: filled. This value is local to any \TeX{}
+group inside an \env{mfpic} environment. Outside such it is global.
+
+\begin{cd}
+\cs{pen}\marg{\meta{drawpensize}}\\
+\cs{drawpen}\marg{\meta{drawpensize}}\\
+\cs{penwd}\marg{\meta{drawpensize}}%
+\index{pen@\cs{pen}}%
+\index{drawpen@\cs{drawpen}}%
+\index{penwd@\cs{penwd}}
+\end{cd}
+
+Establishes the width of the normal drawing pen. The default is
+\dim{0.5pt}. This width is stored by \MF. The shading dots and hatching
+pen are unaffected by this. There exist three aliases for this command,
+the first two to maintain backward compatibility, the last one for
+consistency with other dimension changing commands. Publishers generally
+recommended authors to use at least a width of one-half point for
+drawings submitted for publication.
+
+\begin{cd}
+\cs{shadewd}\marg{\meta{dotdiam}}%
+\index{shadewd@\cs{shadewd}}
+\end{cd}
+
+Sets the diameter of the dots used in the shading macro. The drawing and
+hatching pens are unaffected by this. The default is \dim{0.5pt}, and
+the value is stored by \MF.
+
+\begin{cd}
+\cs{hatchwd}\marg{\meta{hatchpensize}}%
+\index{hatchwd@\cs{hatchwd}}
+\end{cd}
+
+Sets the line thickness used in the hatching macros. The drawing pen and
+shading dots are unaffected by this. The default is \dim{0.5pt}, and the
+value is stored by \MF.
+
+\begin{cd}
+\cs{polkadotwd}\marg{\meta{polkadotdiam}}%
+\index{polkadotwd@\cs{polkadotwd}}
+\end{cd}
+
+Sets the diameter of the dots used in the \cs{polkadot} macro. The
+default is \dim{5pt}, and the value is stored by \MF.
+
+\begin{cd}
+\cs{headlen}%
+\index{headlen@\cs{headlen}}
+\end{cd}
+
+This \TeX{} dimension stores the length of the arrowhead drawn by
+the \cs{arrow} macro. The default value is \dim{3pt}.
+
+\begin{cd}
+\cs{axisheadlen}%
+\index{axisheadlen@\cs{axisheadlen}}
+\end{cd}
+
+This \TeX{} dimension stores the length of the arrowhead drawn by the
+\cs{axes}, \cs{xaxis} and \cs{yaxis} macros, and by the macros \cs{axis}
+and \cs{doaxes} when applied to the parameters \texttt{x} and \texttt{y}.
+
+\begin{cd}
+\cs{sideheadlen}%
+\index{sideheadlen@\cs{sideheadlen}}
+\end{cd}
+
+This \TeX{} dimension stores the length of the arrowhead drawn by the
+\cs{axis} and \cs{doaxes} macros when applied to \texttt{l}, \texttt{b},
+\texttt{r} or \texttt{t}. The default value is \dim{0pt}.
+
+\begin{cd}
+\cs{headshape}\marg{\meta{hdwdr}}\marg{\meta{hdten}}\marg{\meta{hfilled}}%
+\index{headshape@\cs{headshape}}
+\end{cd}
+
+Establishes the shape of the arrowhead drawn by the \cs{arrow} and
+\cs{axes} macros. The value of \meta{hdwdr} is the ratio of the width of
+the arrowhead to its length; \meta{hdten} is the tension of the B\'ezier
+curves; and \meta{hfilled} is a \MF{} boolean value indicating whether
+the arrowheads are to be filled (if \mfc{true}) or open. The default
+values are $1$, $1$, \mfc{false}, respectively. The \meta{hdwdr},
+\meta{hdten} and \meta{hfilled} values are stored by \MF. Setting
+\meta{hdten} to `\mfc{infinity}' will make the sides of the arrowheads
+straight lines. These values are all stored by \MF.
+
+\begin{cd}
+\cs{dashlen}, \cs{dashspace}%
+\index{dashlen@\cs{dashlen}}
+\end{cd}
+
+These \TeX{} dimensions store, respectively, the length of dashes and
+the length of spaces between dashes, for lines drawn by the \cs{dashed}
+macro. The \cs{dashed} macro may adjust the dashes and the spaces
+between by as much as $1\over{n}$ of their value, where $n$ is the
+number of spaces appearing in the curve, in order not to have partial
+dashes at the ends. The default values are both \dim{4pt}. The dashes
+will actually be longer (and the spaces shorter) by the thickness of the
+pen used when they are drawn.
+
+\begin{cd}
+\cs{dashlineset},
+\cs{dotlineset}%
+\index{dashlineset@\cs{dashlineset}}%
+\index{dotlineset@\cs{dotlineset}}
+\end{cd}
+
+These macros provide convenient standard settings for the \cs{dashlen}
+and \cs{dashspace} dimensions. The macro \cs{dashlineset} sets both
+values to \dim{4pt}; the macro \cs{dotlineset} sets \cs{dashlen} to
+\dim{1pt} and \cs{dashspace} to \dim{2pt}.
+
+\begin{cd}
+\cs{hashlen}%
+\index{hashlen@\cs{hashlen}}
+\end{cd}
+
+This \TeX{} dimension stores the length of the axis hash marks drawn by
+the \cs{xmarks} and \cs{ymarks} macros. The default value is \dim{4pt}.
+
+\begin{cd}
+\cs{shadespace}%
+\index{shadespace@\cs{shadespace}}
+\end{cd}
+
+This \TeX{} dimension establishes the spacing between dots drawn by the
+\cs{shade} macro. The default value is \dim{1pt}.
+
+\begin{cd}
+\cs{darkershade},
+\cs{lightershade}%
+\index{darkershade@\cs{darkershade}}%
+\index{lightershade@\cs{lightershade}}
+\end{cd}
+
+These macros both multiply the \cs{shadespace} dimension by constant
+factors, $5/6=.833333$ and $6/5=1.2$ respectively, to provide convenient
+standard settings for several levels of shading.
+
+\begin{cd}
+\cs{polkadotspace}%
+\index{polkadotspace@\cs{polkadotspace}}
+\end{cd}
+
+This \TeX{} dimension establishes the spacing between the centers of the
+dots used in the macro \cs{polkadot}. The default is \dim{10pt}.
+
+\begin{cd}
+\cs{dotsize}, \index{dotspace@\cs{dotspace}}\cs{dotspace}%
+\index{dotsize@\cs{dotsize}}
+\end{cd}
+
+These \TeX{} dimensions establishes the size and spacing between the
+centers of the dots used in the \cs{dotted} macro. The defaults are
+\dim{0.5pt} and \dim{3pt}.
+
+\begin{cd}
+\cs{symbolspace}%
+\index{symbolspace@\cs{symbolspace}}
+\end{cd}
+
+Similar to \cs{dotspace}, this \TeX{} dimension establishes the space
+between symbols placed by the macro
+\cs{plot}\marg{\meta{symbol}}$\ldots\,$. Its default is \dim{5pt}.
+
+\begin{cd}
+\cs{hatchspace}%
+\index{hatchspace@\cs{hatchspace}}
+\end{cd}
+
+This \TeX{} dimension establishes the spacing between lines drawn by the
+\cs{hatch} macro. The default value is \dim{3pt}.
+
+\begin{cd}
+\cs{tlabelsep}\marg{\meta{separation}}%
+\index{tlabelsep@\cs{tlabelsep}}
+\end{cd}
+
+This macro establishes the separation between a label and its nominal
+position. It affects text written with any of the commands \cs{tlabel},
+\cs{tlabels}, \cs{axislabels} or \cs{plottext}. It also sets the
+separation between the text and the curve defined by the commands
+\cs{tlabelrect}, \cs{tlabeloval} or \cs{tlabelellipse}. The default is
+\dim{0pt}. The value is stored by both \TeX{} and \MF.
+
+\begin{cd}
+\cs{tlabeloffset}\marg{\meta{hlen}}\marg{\meta{vlen}}%
+\index{tlabeloffset@\cs{tlabeloffset}}
+\end{cd}
+
+This macro establishes a uniform offset that applies to all labels. It
+affects text written with any of the commands \cs{tlabel}, \cs{tlabels},
+\cs{axislabels} or \cs{plottext}. The default is to have both horizontal
+and vertical offsets of \dim{0pt}. The values are stored by both \TeX{}
+and \MF.
+
+\begin{cd}
+\cs{mfpdataperline}%
+\index{mfpdataperline@\cs{mfpdataperline}}
+\end{cd}
+
+When \mfp{} is reading data from files and writing it to the
+output file, this macro stores the maximum number of points that will be
+written on a single line in the output file. Its default is defined by
+\cs{def}\cs{mfpdataperline}\marg{5}.
+
+\begin{cd}
+\cs{mfpicheight},
+\cs{mfpicwidth}%
+\index{mfpicheight@\cs{mfpicheight}}%
+\index{mfpicwidth@\cs{mfpicwidth}}
+\end{cd}
+
+These \TeX{} dimensions store the height and width of the figure created
+by the most recently completed \env{mfpic} environment. This might
+perhaps be of interest to hackers or to aid in precise positioning of
+the graphics. They are meant to be read-only: the \cs{endmfpic} command
+globally sets them equal to the height and width of the picture. But
+\mfp{} does not otherwise make any use of them.
+
+
+\subsection{For Advanced Users.}\label{advanced}
+
+\subsubsection{Power Users.}\label{power}
+
+
+\begin{cd}
+\cs{qspline}\marg{\meta{list}}\\
+\cs{closedqspline}\marg{\meta{list}}\\
+\cs{cspline}\marg{\meta{list}}\\
+\cs{closedcspline}\marg{\meta{list}}\\
+\index{qspline@\cs{qspline}}%
+\index{closedqspline@\cs{closedqspline}}%
+\index{cspline@\cs{cspline}}%
+\index{closedcspline@\cs{closedcspline}}%
+\end{cd}
+
+These are alternate ways of defining curves. In each case, \meta{list}
+is a comma separated list of points. These represent not the points the
+curve passes through, but the \emph{control points}. The first two
+produce quadratic B-splines and the last two produce cubic B-splines. If
+you don't know what B-splines are, or don't know what control points
+are, it is recommended you not use these commands.
+
+\begin{cd}
+\cs{cbclosed}$\ldots$\\
+\cs{qbclosed}$\ldots$%
+\index{cbclosed@\cs{cbclosed}}%
+\index{qbclosed@\cs{qbclosed}}
+\end{cd}
+
+These are prefix macros for closing curves. The first closes with a
+cubic B-spline, the second with a quadratic B-spline. They will close
+any given curve, but the command \cs{cbclosed} is meant to close a cubic
+B-spline (see above). That is, \cs{cbclosed}\cs{cspline} should produce
+the same result as \cs{closedcspline} with the same argument. The
+corresponding statements are true of \cs{qbclosed}: it is meant to close
+a quadratic B-spline and \cs{qbclosed}\cs{qspline} should produce the
+same result as \cs{closedqspline} with the same argument.
+
+The power user, having noticed that \cs{curve} and \cs{cyclic} insert
+some direction modifiers into the path created, may have decided that
+there is no \mfp{} command to create a simple \MF{} default style path,
+for example \mfc{(1,1)..(0,1)..(0,0)..cycle}. If so, he or she has forgotten
+about \cs{mfobj}: the command
+\begin{verbatim}
+ \mfobj{(1,1)..(0,1)..(0,0)..cycle}
+\end{verbatim}
+will produce, in the \file{.mf} file, exactly this path, but surround it
+with the \TeX{} wrapping needed to make \mfp's prefix macro system work.
+However, the syntax of more complicated paths can be extremely lengthy,
+so we offer this interface:
+
+\begin{cd}
+ \cs{mfbezier}\oarg{\meta{tens}}\marg{\meta{list}}\\
+ \cs{closedmfbezier}\oarg{\meta{tens}}\marg{\meta{list}}%
+\index{mfbezier@\cs{mfbezier}}
+\index{closedmfbezier@\cs{closedmfbezier}}
+\end{cd}
+
+This connects the points in the list with the path join operator
+\mfc{..tension \meta{tens}..}. If the tension option \oarg{\meta{tens}}
+is omitted, the value set by \cs{settension} (initially 1) is used. One
+can get a cyclic path by prepending \cs{bclosed} (with matching tension
+option), but it will not produce the same result as \cs{closedmfbezier}.
+These are cubic B\'ezier's (but you know that if you are a power user).
+Quadratic B\'eziers (as in \LaTeX's picture environment) can be
+obtained with the following:
+
+\begin{cd}
+ \cs{qbeziers}\oarg{\meta{tens}}\marg{\meta{list}}\\
+ \cs{closedqbeziers}\oarg{\meta{tens}}\marg{\meta{list}}%
+\index{qbeziers@\cs{qbeziers}}
+\index{closedqbeziers@\cs{closedqbeziers}}
+\end{cd}
+
+Note the plural, to indicate that they will draw a series of quadratic
+B\'eziers. In the \meta{list}, the first, third, fifth, etc., are the
+points to connect, while the second, fourth, etc., are the control
+points. The open version requires an ending point, and so needs an odd
+number of points in the list. The closed version assumes the first point
+is the ending, and so requires an even number in the list. The curve
+will not automatically be smooth. That depends on the choice of the
+control points.
+
+
+\begin{cd}
+\cs{mfsrc}\marg{\meta{metafont code}}\\
+\cs{mfcmd}\marg{\meta{metafont code}}\\
+\cs{mflist}\marg{\meta{metafont code}}%
+\index{mfsrc@\cs{mfsrc}}%
+\index{mfcmd@\cs{mfcmd}}%
+\index{mflist@\cs{mflist}}%
+\end{cd}
+
+These all write the \meta{metafont code} directly to the \MF{} file,
+using a \TeX{} \cs{write} command. Line breaks within \meta{metafont
+code} are preserved.%
+ \footnote{Under most circumstances, but not if the command (plus its
+ argument) is part of another macro} %
+Almost all the \mfp{} drawing macros invoke one of these. Because of the
+way \TeX{} reads and processes macro arguments, not all drawing macros
+preserve line breaks (nor do they all need to). However, the ones that
+operate on long lists of pair or numeric data (for example, \cs{point},
+\cs{curve}, etc.), do preserve line breaks in that data. The difference
+in these is minor: \cs{mfsrc} writes its argument without change,
+\cs{mfcmd} appends a semicolon (`\mfc{;}') to the code, while
+\cs{mflist} surrounds its argument with parentheses and then appends a
+semicolon.
+
+Using these can have some rather bizarre consequences, though, so
+it is not recommended to the unwary. It is, however, currently the
+only way to make use of \MF's equation solving ability. Here's an
+oversimplified example:
+
+\begin{verbatim}
+\mfpic[20]{-0.5}{1.5}{0}{1.5}
+\mfsrc{z1=(0,0);
+ z2-z3=(1,2);
+ z2+2z3=(1,-1);} % z2=(1,1), z3=(0,-1)
+\arc[t]{z1,z2,z3}
+\endmfpic
+\end{verbatim}
+
+Check out the sample \file{forfun.tex} for a more realistic example.
+
+\begin{cd}
+\cs{setmfvariable}\marg{\meta{type}}\marg{\meta{name}}\marg{\meta{value}}\\
+\cs{setmpvariable}\marg{\meta{type}}\marg{\meta{name}}\marg{\meta{value}}%
+\index{setmfvariable@\cs{setmfvariable}}
+\index{setmpvariable@\cs{setmpvariable}}
+\end{cd}
+
+These formerly internal \mfp{} macros can be use to define symbolic
+names for any \MF{} or \MP{} variable type. They are interchangeable;
+you can use either one with or without the \opt{metapost} option.
+As an example of their use, since dimensions are numeric data types in
+\MF, the command
+\begin{ex}
+ \cs{setmfvariable}\marg{numeric}\verb${my_dim}$\marg{7pt}
+\end{ex}
+would set the \MF{} variable \verb$my_dim$ to the value \texttt{7pt}.
+After that, \verb$my_dim$ can be used in any \emph{drawing} command
+where a dimension is required:
+\begin{ex}
+ \cs{plotsymbol}\verb$[my_dim]$\marg{Triangle}\cs{rect}\marg{(0,0),(1,1)}
+\end{ex}
+will plot the rectangle with small triangles spaced \dim{7pt} apart.
+
+You can define paths this way
+(\cs{setmfvariable}\marg{path}\marg{X}\marg{(0,0)..(1,1)..(0,1)}), but
+the \meta{value} has to be valid \MF{} path construction syntax,
+\emph{not} something like \cs{rect}\marg{$\ldots$}. You need \cs{store}
+if you want to set a variable to an \mfp{} path. However, defined either
+way, they can be used in \cs{mfobj}.
+
+A variable defined this way is local to the \env{mfpic} environment it
+is contained in. It is in fact local to any \MF{} group. In \mfp, only
+\cs{connect} {\dots} \cs{endconnect} and \cs{mfpic} {\dots}
+\cs{endmfpic} create \MF{} groups in the graph file.
+
+\begin{cd}
+\cs{noship}\\%
+\cs{stopshipping}\\%
+\cs{resumeshipping}\\%
+\index{noship@\cs{noship}}
+\index{stopshipping@\cs{stopshipping}}
+\index{resumeshipping@\cs{resumeshipping}}
+\end{cd}
+
+\cs{stopshipping} turns off character shipping (by \MF{} to the TFM and
+GF files, or by \MP{} to appropriate \EPS{} output file) until
+\cs{resumeshipping} occurs. If you want just one character not shipped,
+just use \cs{noship} inside the mfpic environment. This is useful if all
+one wishes to do in the current \env{mfpic} environment is to make
+\emph{tiles} (see below).
+
+\begin{cd}
+\cs{patharr}\marg{\meta{pv}}$\ldots$\cs{endpatharr}%
+\index{patharr@\cs{patharr}}\index{endpatharr@\cs{endpatharr}}
+\end{cd}
+
+This pair of macros, acting as an environment, accumulate all enclosing
+paths, in order, into a path array named \meta{pv}. A path array is a
+collection of paths with a common base name indexed by integers from 1
+to the number of paths. Any path in the array can be accessed by means
+of \cs{mfobj}. For example, after
+\begin{verbatim}
+\patharr{pa}
+ \rect{(0,0),(1,1)} \circle{(.5,.5), .5}
+\endpatharr
+\end{verbatim}
+then \cs{mfobj}\marg{pa[1]} refers to the rectangle and
+\cs{mfobj}\marg{pa[2]} refers to the circle. In case explicit numbers
+are used, \MF{} allows \gbc{pa1} as an abbreviation for \gbc{pa[1]}.
+However, if a numeric variable or some expression is used (e.g.,
+\gbc{pa[n+1]}) the square brackets are required.
+
+This command can only be used in an \env{mfpic} environment. The
+definitions it makes are, however, global.
+
+\emph{Note}: In \LaTeX, this pair of macros can be used in the form of a
+\LaTeX-style environment called \env{patharr}---as in
+\cs{begin}\marg{patharr}$\ldots$\cs{end}\marg{patharr}.
+
+\begin{cd}
+\cs{pairarray}\marg{\meta{var}}{\meta{list-of-points}}\\
+\cs{numericarray}\marg{\meta{var}}{\meta{list-of-numbers}}%
+\index{pairarray@\cs{pairarray}}%
+\index{numericarray@\cs{numericarray}}
+\end{cd}
+
+These enable the simultaneous definition of pair and numeric variables.
+For example, after
+\begin{verbatim}
+ \pairarray{X}{(0,1),(1,1),(0,0),(1,0)}
+\end{verbatim}
+the variables \mfc{X1}, \mfc{X2}, \mfc{X3}, and \mfc{X4} are equal to
+the given points in that order. And then
+\begin{verbatim}
+ \polyline{X1,X2,X3,X4}
+\end{verbatim}
+will draw the lines connecting these four points. The index may
+optionally be put in square brackets and may be separated from the name
+by any number of spaces. If a numeric expression is used instead of an
+explicit number, square brackets \emph{must} surround it: \gbc{X[1+1]},
+\gbc{X[2]}, \gbc{X2} and \gbc{X 2} are all the same. The arrays are
+defined locally if these commands occur in an \env{mfpic} environment,
+global otherwise. In all arrays, the variable \gbc{X} itself (not
+followed by any digit or brackets) is a number equal to the number of
+elements in the array.
+
+Array variables may be used only where the values are processed only by
+\MF{} or \MP, they are unknown to \TeX. In particular, they cannot be
+used in commands that position text unless \opt{mplabels} is in effect.
+
+Several commands in \mfp{} define arrays of objects that can be used in
+other commands. The main ones are \cs{piechart} and \cs{barchart}. These
+arrays are always global. Using \cs{piechart} causes the following
+arrays to become defined:
+\begin{itemize}
+ \item \gbc{piewedge}, a path array describing the wedges of the chart.
+ The command \cs{piewdge}\marg{\meta{num}} (without optional
+ argument) is almost exactly the same as
+ \cs{mfobj}\marg{piewedge[\meta{num}]}.
+ \item \gbc{pieangle}, a numeric array, the starting angle of each wedge.
+ \item \gbc{piedirection}, a pair array, the unit vectors pointing in
+ the directions of the centers of the wedges. If \cs{pieangle1}
+ is 0 and \gbc{pieangle2} is 90 degrees, then \gbc{piedirection1}
+ is $(\cos 45,\sin 45)$.
+\end{itemize}
+
+Using \cs{barchart} causes the following arrays to become defined. The
+exact meaning depends on whether bars are horizontal or vertical. The
+following describes horizontal bars; interchange the roles of $x$ and
+$y$ if they are vertical:
+\begin{itemize}
+ \item \gbc{barstart}, the position on the $y$-axis of the leading edge
+ of the bars.
+ \item \gbc{barbegin}, the $x$-coordinate of the leftmost end of the
+ bars.
+ \item \gbc{barend}, the $x$-coordinate of the rightmost end of the
+ bars.
+ \item \gbc{chartbar}, the rectangular path of the bar; \gbc{chartbar1}
+ is the rectangle with corners at \gbc{(barbegin1,barstart1)} and
+ \gbc{(barend1,barstart+barwd)}, where \gbc{barwd} is the
+ width (thickness) of the bar.
+ \item \gbc{barlength}, the same as \gbc{barend}. This is for backward
+ compatibility; the was name chosen at a time when all the bars
+ had one side on an axis (i.e., \gbc{barbegin[n] = 0}).
+\end{itemize}
+
+\begin{cd}
+\cs{tile}\marg{\meta{tilename},\meta{unit},\meta{wd},\meta{ht},\meta{clip}}\\
+ \ $\ldots$\\
+\cs{endtile}%
+\index{tile@\cs{tile}}\index{endtile@\cs{endtile}}
+\end{cd}
+
+In this environment, all drawing commands contribute to a \emph{tile}. A
+\emph{tile} is a rectangular picture which may be used to fill the
+interior of closed paths. The units of drawing are given by
+\meta{unit}, which should be a dimension (like \dim{1pt} or \dim{2in}).
+The tile's horizontal dimensions are $0$ to $\meta{wd}\cdot\meta{unit}$
+and its vertical dimensions $0$ to $\meta{ht}\cdot\meta{unit}$, so
+\meta{wd} and \meta{ht} should be pure numbers. If \meta{clip} is
+\mfc{true} then all drawing is clipped to be within the tile's boundary.
+
+By using this macro, you can design your own fill patterns (to use them,
+see the \cs{tess} macro below), but please take some care with the
+\ae sthetics! The \meta{tilename} is globally defined by this command.
+
+\begin{cd}
+\cs{tess}\marg{\meta{tilename}}$\ldots$%
+\index{tess@\cs{tess}}
+\end{cd}
+
+Tile the interior of a closed path with a tessellation comprised of
+copies of the \emph{tile} specified by \meta{tilename}. There is no
+default \meta{tilename}; you must make all your own tiles. Tiling an
+open curve is technically an error, but the \MF{} code responds by
+drawing the path and not doing any tiling.
+
+Tiling large regions with complicated tiles can exceed the capacity of
+some versions of \MP. There is less of a problem with \MF. This is not
+because \MF{} has greater capacity, but because of the natural
+difference between bitmaps and vector graphics.
+
+In \MP, the tiles are copied with whatever color they are given when
+they are defined. They can be multicolored.
+
+\begin{cd}
+\cs{cutoffafter}\marg{\meta{obj}}\dots\\
+\cs{cutoffbefore}\marg{\meta{obj}}\dots\\
+\cs{trimpath}\marg{\meta{dim$_1$},\meta{dim$_2$}}\dots\\
+\cs{trimpath}\marg{\meta{dim$_1$}}\dots\\
+\index{cutoffafter@\cs{cutoffafter}}%
+\index{cutoffbefore@\cs{cutoffbefore}}%
+\index{trimpath@\cs{trimpath}}%
+\end{cd}
+
+These are prefix macros. The first two take an `object' (a variable in
+which a path was previously stored using \cs{store}) and uses it to trim
+one end off the following path. \cs{cutoffbefore} cuts off the part of
+the path before its first intersection with the object, while
+\cs{cutoffafter} cuts off the part after the last intersection. If the
+path does not intersect the object, nothing is cut off. If the object
+and the path intersect in more than one point, as little as possible
+(usually%
+ \footnote{\MF's methods for finding the `first' point of
+ intersection do not always find the actual first one.}) %
+is cut off. This is completely reliably only when there is only one
+point of intersection.
+
+The \cs{trimpath} macro takes two dimensions separated by commas and
+trims those lengths off the initial and terminal ends of the path. If
+only one dimension is given, that is used at both ends. This macro is
+essentially equivalent to applying \cs{cutoffafter} and then
+\cs{cutoffbefore} where the objects are circles which have radii equal
+to the given dimensions and which are centered at the endpoints of the
+path. Consequently, if the path is shorter than either dimension, it
+will not intersect either circle and nothing will be trimmed. Similarly,
+if the result of \cs{cutoffafter} is shorter than the first dimension,
+then \cs{cutoffbefore} will not trim any more off. The first two macros
+can be used to create a curve that starts or ends right at another
+figure without having to find the point where the two curves intersect.
+The third one can be used on the result to produce a curve that stops
+just short of the point of intersection.
+
+\begin{cd}
+\cs{mftitle}\marg{\meta{title}}%
+\index{mftitle@\cs{mftitle}}
+\end{cd}
+
+Write the string \meta{title} to the \MF{} file, and use it as a \MF{}
+message. (See \textit{The \MF{}book}, chapter 22, page 187, for two uses of
+this.)
+
+\begin{cd}
+\cs{tmtitle}\marg{\meta{title}}%
+\index{tmtitle@\cs{tmtitle}}
+\end{cd}
+
+Write the text \meta{title} to the \TeX{} document, and to the log file,
+and use it implicitly in \cs{mftitle}. This macro forms a local group
+around its argument.
+
+\medskip
+
+Since \TeX{} is limited to 256 dimension registers, and since dimensions
+are so important to typesetting and drawing, it is common to use up all
+256 when drawing packages are loaded. Therefore \mfp{} uses font
+dimensions to store dimension values. The following is the command that
+handles the allocation of these dimensions.
+
+\begin{cd}
+\cs{newfdim}\marg{\meta{fdim}}%
+\index{newfdim@\cs{newfdim}}
+\end{cd}
+
+This create a new global font dimension named \meta{fdim}, which is a
+\TeX{} control sequence (with backslash). It can be used almost like
+an ordinary \TeX{} dimension. One exception is that the \TeX{} commands
+\cs{advance}, \cs{multiply} and \cs{divide} cannot be applied directly
+to font dimensions (nor \LaTeX's \cs{addtolength}); however, the font
+dimension can be copied to a temporary \TeX{} dimension register, which
+can then be manipulated and copied back (using \cs{setlength} in \LaTeX,
+if desired). Another exception is that all changes to a font dimension
+are global in scope. Also beware that \cs{newfdim} uses font dimensions
+from a single font, the \file{dummy} font, which most \TeX{} systems
+ought to have. (You'll know if yours doesn't, because \mfp{} will fail
+upon loading!) Also, implementations of \TeX{} differ in the number of
+font dimensions allowed per font. Hopefully, \mfp{} won't exceed your
+local \TeX's limit.
+
+All of \mfp's basic dimension parameters are font dimensions. We have
+lied slightly when we called them `\TeX{} dimensions'. We arrange for
+them to be local to \env{mfpic} environments by saving their values at
+the start and restoring them at the end.
+
+\begin{cd}
+\cs{setmfpicgraphic}\marg{\meta{filename}}%
+\index{setmfpicgraphic@\cs{setmfpicgraphic}}
+\end{cd}
+
+This is the command that is invoked to place the graphic created. See
+appendix~\ref{graphics} for a discussion of its use and its default
+definition. It is a user-level macro so that it can be redefined in
+unusual cases. It operates on the output of the following macro:
+
+\begin{cd}
+\cs{setfilename}\marg{\meta{file}}\marg{\meta{num}}%
+\index{setfilename@\cs{setfilename}}
+\end{cd}
+
+\Mfp's figure inclusion code ultimately executes
+\cs{setmfpicgraphic} on the result of applying \cs{setfilename} to two
+arguments: the file name specified in the \cs{opengraphsfile} command
+and the number of the current picture. Normally \cs{setfilename} just
+puts them together with the `\texttt{.}' separator (because that is
+usually the way \MP{} names its output), but this can be redefined if
+the \MP{} output undergoes further processing or conversion to another
+format in which the name is changed. Any redefinition of
+\cs{setfilename} must come before \cs{opengraphsfile} because that
+command tests for the existence of the first figure. After any
+redefinition, \cs{setfilename} must be a macro with two arguments that
+creates the actual filename from the above two parts. It should also be
+completely expandable. See the appendices, subsection~\ref{graphics} for
+further dicussion.
+
+\begin{cd}
+\cs{preparemfpicgraphic}\marg{\meta{filename}}%
+\index{preparemfpicgraphic@\cs{preparemfpicgraphic}}
+\end{cd}
+
+This command is automatically invoked before \cs{setmfpicgraphic} to
+make any preparations needed. The default definition is to do nothing
+except when the \prog{graphics} package is used. That package provides
+no clean way to determine the bounding box of the graphic after it is
+included. Since \mfp{} needs this information, this command
+redefines an internal command of the graphics package to make the data
+available. If \cs{setmfpicgraphic} is redefined then this may also have
+to be redefined.
+
+\begin{cd}
+\cs{getmfpicoffset}\marg{\meta{filename}}%
+\index{getmfpicoffset@\cs{getmfpicoffset}}
+\end{cd}
+
+This command is automatically invoked after \cs{setmfpicgraphic} to
+store the offset of the lower left corner of the figure in the macros
+\cs{mfpicllx} and \cs{mfpiclly}. If \cs{setmfpicgraphic} is redefined
+then this may also have to be redefined.
+
+\begin{cd}
+\cs{ifmfpmpost}%
+\index{ifmfpmpost@\cs{ifmfpmpost}}
+\end{cd}
+
+Users wishing to write code that adjusts its behavior to the graph file
+processor can use this to test which option is in effect. The macro
+\cs{usemetapost} sets it true and \cs{usemetafont} sets it false. There
+are no commands \cs{mfpmposttrue} nor \cs{mfpmpostfalse}, since the user
+should not be changing the setting once it is set: a great deal of
+\mfp{} internal code depends on them, and on keeping them consistent
+with the \cs{opengraphsfile} commands reading of these booleans.
+
+\begin{cd}
+\cs{mfpicversion}
+\index{mfpicversion@\cs{mfpicversion}}
+\end{cd}
+
+This expands to the current \mfp{} version multiplied by 100. At this
+writing, it produces `\texttt{70}' because the version is 0.7. It
+can be used to test for the current version:
+\begin{verbatim}
+ \ifx\mfpicversion\undefined \def\mfpicversion{0}\fi
+ \ifnum\mfpicversion>70 ... \else ... \fi
+\end{verbatim}
+\cs{mfpicversion} was added in version 0.7.
+
+\subsubsection{Hackers.}\label{hackers}
+
+\Mfp{} employs a modified version of \LaTeX's \cs{@ifnextchar}
+that not only skips over spaces when seeking the next character, but
+also skips over \cs{relax} or tokens that have been \cs{let} equal to
+it. This is because, in contexts where we try to preserve lines, we make
+the end-of-line character active and set it equal to \cs{relax}. Since
+it is hard to predict in what context a macro will be used, this gives
+code like
+\begin{ex}
+ \cs{function}\\
+ \oarg{s1.2}\marg{0,2,.1}\marg{ x**2 }
+\end{ex}
+the same behavior in both.%
+ \footnote{Actually, because of a bug in previous versions, this was
+ not true, but it is now. I hope.}
+One consequence is that putting \cs{relax} to stop a command from seeing
+a `\texttt{[}' as the start of an optional argument will not work for
+\mfp{} commands. The same holds for the `\texttt{*}' in those few
+commands that have a star-form, and also for other commands that look
+ahead (\cs{tlabel} looks for a `\texttt{(}' starting off the location,
+and macros that operate on lists of data look ahead for
+`\cs{datafile}'). This is not a serious problem, because there is only
+one command (\cs{smoothdata}) that takes an optional arguments but
+doesn't have mandatory arguments after that. If a `\cs{relax}' appeared
+after any other \mfp{} command, it would be taken as an argument and an
+error would result. In any case, \cs{empty} will stop the looking ahead
+if it should ever be necessary.
+
+Most of \mfp's commands have arguments with parts delimited by commas
+and parentheses. In most cases this is no problem because they are
+written unchanged to the \file{.mf} and there they are parsed just fine.
+Some commands' arguments, however, have to be parsed by both \TeX{} and
+\MF. Examples are \cs{tlabel} (sometimes, under \opt{mplabels}), and
+\cs{pointdef}. One might be tempted to use \MP{} expressions there and
+that works fine as long as they do not contain commas or parentheses. In
+such cases, they can sometimes be enclosed in braces to prevent \TeX{}
+seeing these elements as delimiters, but sometimes these braces might
+get written to the \file{.mf} (or \file{.mp}) output and cause a \MF{}
+(\MP) error. In such cases the following work-around might be possible:
+
+\begin{verbatim}
+ \def\identity#1{#1}
+ \pointdef{A}(\identity{angle (1,2)},3)
+ \rect{(0,0),\A}
+\end{verbatim}
+
+The braces prevent \TeX's argument parsing from seeing the first comma
+as a delimiter, but upon writing to the \file{.mf}, the \cs{identity}
+commands are expanded and only the contents appear in the output. (\TeX{}
+parses the argument to assign meanings to \cs{Ax} and \cs{Ay}.)
+
+
+\clearpage
+
+\def\sectionmark#1{\markright {\thesection\quad#1}}%
+\def\subsectionmark#1{}
+\def\subsubsectionmark#1{}
+\thispagestyle{plain}
+\section{Appendices}\label{appendices}
+
+\subsection{Acknowledgements.}\label{acknowledgements}
+
+Tom would like to thank all of the people at Dartmouth as well as out in
+the network world for testing \mfp{} and sending him back
+comments. He would particularly like to thank:
+
+\medskip
+Geoffrey Tobin %(G.Tobin@latrobe.edu.au)
+for his many suggestions, especially about cleaning up the \MF{} code,
+enforcing dimensions, fixing the dotted line computations, and speeding
+up the shading routines (through this process, Geoffrey and Tom managed
+to teach each other many of the subtleties of \MF), and for keeping
+track of \mfp{} for nearly a year while Tom finished his thesis;
+
+\medskip
+Bryan Green %(bgreen@sanjuan.uvic.ca)
+for his many suggestions, some of which (including his rewriting the
+\cs{tcaption} macro) ultimately led to the current version's ability to
+put graphs in-line or side-by-side; and
+
+\medskip
+Uwe Bonnes %(bon@lte.e-technik.uni-erlangen.de)
+and Jarom\'\i r Kuben, % (vabo@muni.cz)
+who worked out rewrites of \mfp{} during Tom's
+working hiatus and who each contributed several valuable ideas.
+
+\medskip
+Some credit also belongs to Anthony Stark, % (ajs@merck.com)
+whose work on a FIG to \MF{} converter has had a serious impact on the
+development of many of \mfp's capabilities.
+
+\medskip
+Finally, Tom would like to thank Alan Vlach, the other \TeX{}nician at
+Berry College, for helping him decide on the format of many of the
+macros, and for helping with testing.
+
+\medskip
+Dan Luecking would like to echo Tom's thanks to all of the above,
+especially Geoffrey Tobin and Jarom\'\i r Kuben. And to add the names
+Taco Hoekwater, for comments, advice and suggestions, and Zaimi
+Sami~Alex for suggestions.
+
+But mostly, he'd like to thank Tom Leathrum for starting it all.
+
+\subsection{Changes History.}\label{changes}
+
+See the file \file{changes.txt} for a somewhat sporadic and rambling
+history of changes to \mfp. See the file \file{readme.txt} for a
+list of any known problems.
+
+%\clearpage
+\subsection{Summary of Options}\label{summary}
+
+Unless otherwise stated, any of the command forms will be local to the
+current \env{mfpic} environment if used inside. Otherwise it will affect
+all later environments.
+
+\medskip
+\def\stack#1{\everycr{}\def\\{\cr}\halign{\strut##\hfil\cr#1\crcr}}
+{\everycr{\noalign{\medskip}}
+\halign to \hsize{\opt{#}\hfil\quad\tabskip0pt plus 1fil&
+ \vtop{\stack{#}}\hfil\quad&
+ \vtop{\parindent0pt \hsize.45\hsize \rightskip0pt plus1fil\relax
+ \strut\ignorespaces#\strut}\tabskip0pt\cr
+{\rmfamily\scshape Option}:& \textsc{Command form(s)}:& \omit\textsc{Restrictions}: \hfil\cr
+\noalign{\smallskip\hrule\smallskip}
+metapost&\cs{usemetapost}& Command must come before
+ \cs{opengraphsfile}. Incompatible with \opt{metafont} option. \cr
+metafont&\cs{usemetafont}& The default. Command must come before
+ \cs{opengraphsfile}. Incompatible with \opt{metapost} option. \cr
+mplabels&\cs{usemplabels},\\ \cs{nomplabels}& Requires
+ \opt{metapost}. If command is used inside an \env{mfpic}
+ environment, it should come before \cs{tlabel} commands to be
+ affected. \cr
+overlaylabels&\cs{overlaylabels},\\ \cs{nooverlaylabels}& Has no effect
+ without \opt{metapost}. \cr
+truebbox& \cs{usetruebbox},\\ \cs{notruebbox}& Has no effect
+ without \opt{metapost}. \cr
+clip& \cs{clipmfpic},\\ \cs{noclipmfpic}& No restrictions. \cr
+clearsymbols& \cs{clearsymbols},\\ \cs{noclearsymbols}& No restrictions. \cr
+centeredcaptions& \cs{usecenteredcaptions},\\ \cs{nocenteredcaptions}&
+ No restrictions. \cr
+debug&\cs{mfpicdebugtrue},\\\cs{mfpicdebugfalse}& To turn on
+ debugging while \file{mfpic.tex} is loading, issue
+ \cs{def}\cs{mfpicdebug}\marg{true}. \cr
+\vtop{\hbox{draft\strut}
+ \hbox{final\strut}
+ \hbox{nowrite\strut}}&\cs{mfpicdraft}\\
+ \cs{mfpicfinal}\\
+ \cs{mfpicnowrite}& Should not be used
+ together. Command forms should come before
+ \cs{opengraphsfile}\cr
+}}
+
+%\clearpage
+\subsection{Plotting styles for \cs{plotdata}}\label{styles}
+
+When \cs{plotdata} passes from one curve to the next, it increments a
+counter and uses that counter to select a dash pattern, color, or symbol.
+It uses predefined dash pattern names \mfc{dashtype0} through
+\mfc{dashtype5}, or predefined color names \mfc{colortype0} through
+\mfc{colortype7}, or predefined symbols \mfc{pointtype0} through
+\mfc{pointtype8}. Here follows a description of each of these variables.
+These variables must not be used in the second argument of
+\cs{reconfigureplot}, whose purpose is to redefine these variables.
+
+\medskip
+Under \cs{dashedlines}, we have the following dash patterns:
+
+\medskip
+\indent\vbox{%
+\halign{#\hfil\qquad&#\hfil\quad&#\hfil\strut\cr
+\textsc{Name}&\textsc{Pattern}&\textsc{Meaning}\cr
+\noalign{\smallskip\hrule\smallskip}
+\mfc{dashtype0}& \dim{0bp} & solid line \cr
+\mfc{dashtype1}& \dim{3bp,4bp} & dashes \cr
+\mfc{dashtype2}& \dim{0bp,4bp} & dots \cr
+\mfc{dashtype3}& \dim{0bp,4bp,3bp,4bp} & dot-dash \cr
+\mfc{dashtype4}& \dim{0bp,4bp,3bp,4bp,0bp,4bp} & dot-dash-dot \cr
+\mfc{dashtype5}& \dim{0bp,4bp,3bp,4bp,3bp,4bp} & dot-dash-dash\cr
+}}
+
+\medskip
+Under \cs{coloredlines}, we have the following colors. Except for
+\mfc{black} and \mfc{red}, each color is altered as indicated. This is
+an attempt to make the colors more equal in visibility against a white
+background. (The success of this attempt varies greatly with the output
+or display device.)
+
+\medskip
+\indent\vbox{%
+\halign{#\hfil\qquad&#\hfil\quad&#\hfil\strut\cr
+\textsc{Name}&\textsc{Color}&\textsc{(r,g,b)}\cr
+\noalign{\smallskip\hrule\smallskip}
+\mfc{colortype0}& black & $( 0, 0, 0)$\cr
+\mfc{colortype1}& red & $( 1, 0, 0)$\cr
+\mfc{colortype2}& blue & $( .2, .2, 1)$\cr
+\mfc{colortype3}& orange & $(.66,.34, 0)$\cr
+\mfc{colortype4}& green & $( 0, .8, 0)$\cr
+\mfc{colortype5}& magenta& $(.85, 0,.85)$\cr
+\mfc{colortype6}& cyan & $( 0,.85,.85)$\cr
+\mfc{colortype7}& yellow & $(.85,.85, 0)$\cr
+}}
+
+\medskip
+
+Under \cs{pointedlines} and \cs{datapointsonly}, the following symbols
+are used. Internally each is referred to by the numeric name, but they
+are identical to the more descriptive name. Syntactically, all are \MF{}
+path variables. (The order changed between versions 0.6 and 0.7.)
+
+\medskip
+\indent\vbox{%
+\halign{#\hfil\qquad&#\hfil\strut\cr
+\textsc{Name}&\textsc{Description}\cr
+\noalign{\smallskip\hrule\smallskip}
+\mfc{pointtype0}& \mfc{Circle} \cr
+\mfc{pointtype1}& \mfc{Cross} \cr
+\mfc{pointtype2}& \mfc{SolidDiamond} \cr
+\mfc{pointtype3}& \mfc{Square} \cr
+\mfc{pointtype4}& \mfc{Plus} \cr
+\mfc{pointtype5}& \mfc{Triangle} \cr
+\mfc{pointtype6}& \mfc{SolidCircle} \cr
+\mfc{pointtype7}& \mfc{Star} \cr
+\mfc{pointtype8}& \mfc{SolidTriangle}\cr
+}}
+
+\subsection{Special considerations when using \MF}\label{mfconsiderations}
+
+The most important restriction in \MF{} is on the size of a picture.
+Coordinates in \MF{} ultimately refer to pixel units in the font that is
+output. These are required to be less than 4096, so an absolute limit on
+the size of a picture is whatever length a row of 4096 pixels is. In
+fonts prepared for a LaserJet4 (600 DPI), this means about 6.8 inches.
+For a 1200 DPI pronter, the limit is about 3.4 inches.
+
+A similar limit holds for numbers input, and the values of variables:
+\MF{} will return an error for \mfc{sin 4096}. Intermediate values can
+be greater (\mfc{sin (2*2048)} will cause no error), but final, stored
+results are subject to the limit. An \mfp{} example that generated an
+error recently was:
+\begin{verbatim}
+ \mfpicunit 1mm
+ \mfpic[10]{-3}{7}{-3.5}{5}
+ \function{-4.5,4,.1}{x*x}
+ \endmfpic
+\end{verbatim}
+The problem was the value of $(-4.5)^2=20.25$ in pixel units (after
+multiplying by the \cs{mfpic} scaling factor the \cs{mfpicunit} in
+inches and the DPI value): $20.25\times10\times0.03937\times600 > 4783$.
+The error did not occur at the point of creating the font, but merely at
+the point of storing the path in an internal variable for manipulation
+and drawing.
+
+
+\subsection{Special considerations when using \MP}\label{mpconsiderations}
+
+\subsubsection{Required support}
+
+To use \mfp{} with \MP, the following support is needed (besides a
+working \MP{} installation):
+
+\medskip
+\halign{#\hfil\quad&\vtop{\hsize 4.4 truein \raggedright \noindent
+ \strut#\strut}\hfil\cr
+Under plain\TeX &The file \file{epsf.tex}\cr
+Under \LaTeX209 &The file \file{epsf.tex} or \file{epsf.sty}\cr
+Under \LaTeXe &The package \prog{graphics} or \prog{graphicx}\cr
+Under \pdfLaTeX{} &The package \prog{graphics} or
+ \prog{graphicx} with option \opt{pdftex}\cr
+Under plain \pdfTeX{} &The files \file{supp-pdf.tex} and
+ \file{supp-mis.tex}\cr
+In all cases &The files \file{grafbase.mp} and
+ \file{dvipsnam.mp} plus, of course,
+ \file{mfpic.tex} (and \file{mfpic.sty} for
+ \LaTeX)\cr
+}
+
+\medskip
+The files \file{grafbase.mp} and \file{dvipsnam.mp} should be in a
+directory searched by \MP. The remaining files should be in directories
+searched by the appropriate \TeX{} variant. If \MP{} cannot find the
+file \file{grafbase.mp}, then by default it will try to input
+\file{grafbase.mf}, which is generally futile (or fatal).
+
+In case \pdfLaTeX{} is used, the graphics package is given the
+\opt{pdftex} option. This option requires the file \file{pdftex.def}
+which currently inputs the files \file{supp-pdf.tex} and
+\file{supp-mis.tex}. The file \file{pdftex.def} is supplied with the
+\prog{graphics} package. The other two are usually supplied with a
+\pdfTeX{} distribution, and are definitely part of the \ConTeXt{}
+distribution. Older versions had some bugs in connection with the
+\prog{babel} package. One workaround was to load the \prog{graphics}
+package and \mfp{} before \prog{babel}.
+
+If the user loads one of the above required files or packages before the
+\mfp{} macros are loaded then \mfp{} will not reload them.
+If they have not been input, \mfp{} will load whichever one it
+decides is required. In the \LaTeXe{} case, \mfp{} will load the
+\prog{graphics} package. If the user wishes \prog{graphicx}, then that
+package must be loaded before \mfp.
+
+\subsubsection{\CMP{} is not \MF}
+
+\PS{} is not a pixel oriented language and so neither is \MP. The model
+for drawing objects is completely different between \MF{} and \MP, and
+so one cannot always expect the same results. \CMP{} support in
+\mfp{} was carefully written so that files successfully printed
+with \mfp{} using \MF{} would be just as successfully printed
+using \MP. Nevertheless, it frequently choke on files that make use of
+the \cs{mfsrc} command for writing code directly to the \file{.mf} file.
+While \file{grafbase.mp} is closely based on \file{grafbase.mf}, much of
+the code had to be completely rewritten.
+
+Pictures in \MP{} are stored as (possibly nested) sequences of objects,
+where objects are things like points, paths, contours, other pictures,
+etc. In \MF, pictures are stored as a grid of pixels. Pictures that are
+relatively simple in one program might be very complex in the other and
+even exceed memory allocated for their storage. Two examples are the
+\cs{polkadot} and \cs{hatch} commands. When the polkadot space and size
+are both too small, a \cs{polkadot}-ed region has been known to exceed
+\MP{} capacity, while being well within \MF{} capacity. In \MP{} the
+memory consumed by \cs{hatch} goes up in direct proportion to the linear
+dimensions of the figure being hatched, while in \MF{} it goes up in
+proportion to the area, and then the reverse can happen, with \MF's
+capacity exeeded far sooner that \MP's.
+
+In \MP{} it is important to note that each
+prefix modifies the result of the entire following sequence. In essence
+prefixes can be viewed as being applied in the opposite order to their
+occurrence. Example:
+
+\begin{ex}
+ \cs{dashed}\cs{gfill}\cs{rect}\marg{(0,0),(1,1)}
+\end{ex}
+This adds the dashed outline to the filled rectangle. That is, first the
+rectangle is defined, then it is filled, then the outline is drawn in
+dashed lines. This makes a difference when colors other than black are
+used. Drawing is done with the center of the virtual pen stroked down
+the middle of the boundary, so half of its width falls inside the
+rectangle. On the other hand, filling is done right up to the boundary.
+In this example, the dashed lines are drawn on top of part of the fill.
+In the reverse order, the fill would cover part of the outline.
+
+\subsubsection{Graphic inclusion}\label{graphics}
+
+It may be impossible to completely cater to all possible methods of
+graphic inclusions with automatic tests. The macro that is invoked
+to include the \PS{} graphic is \cs{setmfpicgraphic} and the user
+may (carefully!) redefine this to suit special circumstances. Actually,
+\mfp{} runs the following sequence:
+
+\begin{cd}
+\cs{preparemfpicgraphic}\marg{\meta{filename}}\\
+\cs{setmfpicgraphic}\marg{\meta{filename}}\\
+\cs{getmfpicoffset}\marg{\meta{filename}}%
+\index{preparemfpicgraphic@\cs{preparemfpicgraphic}}%
+\index{setmfpicgraphic@\cs{setmfpicgraphic}}%
+\index{getmfpicoffset@\cs{getmfpicoffset}}
+\end{cd}
+
+The following are the default definitions for \cs{setmfpicgraphic}:
+
+\medskip
+\halign{#:\hfil&\quad#\hfil\cr
+In plain \TeX&
+\cs{def}\cs{setmfpicgraphic}\texttt{\#1}\marg{\cs{epsfbox}\marg{\#1}}\cr
+In \LaTeX209&
+\cs{def}\cs{setmfpicgraphic}\texttt{\#1}\marg{\cs{epsfbox}\marg{\#1}}\cr
+In \LaTeXe&
+\cs{def}\cs{setmfpicgraphic}\texttt{\#1}\marg{\cs{includegraphics}\marg{\#1}}\cr
+In \pdfLaTeX&
+\cs{def}\cs{setmfpicgraphic}\texttt{\#1}\marg{\cs{includegraphics}\marg{\#1}}\cr
+In \pdfTeX&
+\cs{def}\cs{setmfpicgraphic}\texttt{\#1}\marg{\cs{convertMPtoPDF}\marg{\#1}%
+ \marg{1}\marg{1}}\cr
+}
+\medskip
+Moreover, since \MP{} by default writes files with numeric extensions,
+we add code to each figure, so that these graphics are correctly
+recognized as \EPS{} or \prog{MPS}. For example, to the figure with
+extension \file{.1}, we add the equivalent of one of the following
+\begin{itemize}
+\item[] \cs{DeclareGraphicsRule}\marg{.1}\marg{eps}\marg{.1}\marg{} in \LaTeXe.
+\item[] \cs{DeclareGraphicsRule}\marg{.1}\marg{mps}\marg{.1}\marg{} in \pdfLaTeX.
+\end{itemize}
+
+After running the command \cs{setmfpicgraphic}, \mfp{} runs
+\cs{getmfpicoffset} to store the lower left corner of the bounding box
+of the figure in two macros \cs{mfpicllx} and \cs{mfpiclly}. All the
+above versions of \cs{setmfpicgraphic} (except \cs{includegraphics})
+make this information available; the definition of \cs{getmfpicoffset}
+merely copies it into these two macros. What \mfp{} does in the
+case of \cs{includegraphics} is to modify (locally) the definition of an
+internal command of the graphics package so that it copies the
+information to those macros, and then \cs{getmfpicoffset} does nothing.
+This internal modification is accomplished by the macro
+\cs{preparemfpicgraphic}. Changes to \cs{setmfpicgraphic} might require
+changing either or both of \cs{preparemfpicgraphic} and
+\cs{getmfpicoffset}. All three of these commands are fed the graphic's
+file name as the only argument, although only \cs{setmfpicgraphic}
+currently does anything with it.
+
+One possible reason for wanting to redefine \cs{setmfpicgraphic} might
+be to rescale all pictures. This is \emph{definitely not} a good idea
+without the option \opt{mplabels} since the \mfp{} code for
+placing labels and captions and reserving space for the picture relies
+on the picture having the dimensions given by the arguments to the
+\cs{mfpic} command. With \opt{mplabels} plus \opt{truebbox} it will
+probably work, but (i)~it has \emph{not} been considered in writing the
+\mfp{} code, (ii)~it will then scale all the text as well as the
+figure, and (iii)~it will scale all line thickness, which should
+normally be a design choice independent of the size of a picture. To
+rescale all pictures, one need only change \cs{mfpicunit} and rerun
+\TeX{} and \MP.
+
+A better reason might be to allow the conversion of your \MP{} figures
+to some other format. Then redefining \cs{setmfpicgraphic}
+could enable including the appropriate file in the appropriate format.
+
+The filename argument mentioned above is actually the result obtained by
+running the macro \cs{setfilename}\index{setfilename@\cs{setfilename}}.
+The command \cs{setfilename} gets two arguments: the name of the \MP{}
+output file (set in the \cs{opengraphsfile} command) without extension,
+and the number of the picture. The default definition of
+\cs{setfilename} merely inserts a dot between the two arguments. That is
+\cs{setfilename}\marg{fig}\marg{1} produces \file{fig.1}. You can
+redefine this behavior also. Any changes to \cs{setfilename} must come
+after the \mfp{} macros are input and before the
+\cs{opengraphsfile} command. Any changes to \cs{setmfpicgraphic} must
+come after the \mfp{} macros are input and before any \cs{mfpic}
+commands, but it is best to place it before the \cs{opengraphsfile}
+command.
+
+As \mfp{} is currently written, \cs{setfilename} must be
+\emph{completely expandable}, which means it should contain no
+definitions, no assignments such as \cs{setcounter}, and no
+calculations. To test whether a proposed definition is completely
+expandable, put
+\begin{ex}
+\cs{message}\marg{\texttt{***}%
+\cs{setfilename}\marg{file}\marg{1}\texttt{***}}
+\end{ex}
+after the definition in a \file{.tex} file and view the result on the
+terminal or in the \file{.log} file. You should see only your expected
+filename between the asterisks.
+
+
+\subsection{\prog{Mfpic} and the rest of the world}
+
+\subsubsection{The literature}
+
+There are at least two places where \mfp{} has garnered more than a
+cursory mention. The most up-to-date is a section in \textit{The
+\LaTeX{} Graphics Companion} by Michel Goossens, Sebastian Rahtz and
+Frank Mittelbach. It describes a version prior to the introduction of
+\MP{} support, but it correctly describes a subset of its current
+commands and abilities.
+
+The other is \textit{\TeX{} Unbound} by Alan Hoenig, which contains a
+chapter on \mfp. Unfortunately, it describes a version that was
+replaced in 1996 with version 0.2.10.9. The following summarizes the
+differences between the description%
+ \footnote{While I'm at it: \textit{\TeX{} Unbound} occasionally
+ refers to \mfp{} using a logo-like formatting in which the `MF' is
+ in a special font and the `I' is lowered. This `logo' may suggest
+ a relationship between \mfp{} and \PiCTeX. There is no such
+ relationship, and there is no official logo-like designation for
+ \mfp.} %
+found in Chapter 15 and \mfp{} versions 0.2.10.9 through the
+current one:
+
+\cs{wedge} is now renamed \cs{sector} to avoid conflict with the \TeX{}
+command of the same name. The syntax is slightly different from that
+given for \cs{wedge}:
+\begin{ex}
+ \cs{sector}\marg{(\meta{x},\meta{y}), \meta{radius}, \meta{angle1}, \meta{angle2}}
+\end{ex}
+
+The macro \cs{plr}\marg{(\meta{$r_0$},\meta{$\theta_0$}),%
+(\meta{$r_1$},\meta{$\theta_1$}),$\ldots$} is used to convert polar
+coordinate pairs to rectangular coordinates, so the commands
+\cs{plrcurve}, \cs{plrcyclic}, \cs{plrlines} and \cs{plrpoint} were
+dropped from \mfp. Now use
+\begin{ex}
+ \cs{curve}\marg{\cs{plr}\marg{(\meta{$r_0$},\meta{$\theta_0$}),%
+ (\meta{$r_1$},\meta{$\theta_1$}),$\ldots$}}
+\end{ex}
+instead of
+\begin{ex}
+ \cs{plrcurve}\marg{(\meta{$r_0$},\meta{$\theta_0$}),%
+ (\meta{$r_1$},\meta{$\theta_1$}),$\ldots$}
+\end{ex}
+and similarly for \cs{cyclic}, \cs{lines} and \cs{point} with respect to
+\cs{plrcyclic}, \cs{plrlines} and \cs{plrpoint}.
+
+\cs{fill} is now renamed \cs{gfill} to avoid conflict with the \LaTeX{}
+command of the same name.
+
+\cs{rotate}, which rotates a following figure about a point, is now
+renamed \cs{rotatepath} to avoid confusion with a similar name for a
+transformation (see below).
+
+\cs{white} is now renamed \cs{gclear} because \cs{white} is too likely
+to be chosen for, or confused with, a color command.
+
+\smallskip
+The following affine transform commands were changed from a third person
+indicative form (which could be confused with a plural noun) to an
+imperative form:
+
+\medskip
+\moveright\parindent
+\vbox{%
+ \halign{#\qquad\hfil&#\hfil\cr
+ Old name: & New name:\cr
+ \cs{boosts} & \cs{boost}\cr
+ \cs{reflectsabout} & \cs{reflectabout}\cr
+ \cs{rotatesaround} & \cs{rotatearound}\cr
+ \cs{rotates} & \cs{rotate}\cr
+ \cs{scales} & \cs{scale}\cr
+ \cs{shifts} & \cs{shift}\cr
+ \cs{xscales} & \cs{xscale}\cr
+ \cs{xslants} & \cs{xslant}\cr
+ \cs{xyswaps} & \cs{xyswap}\cr
+ \cs{yscales} & \cs{yscale}\cr
+ \cs{yslants} & \cs{yslant}\cr
+ \cs{zscales} & \cs{zscale}\cr
+ \cs{zslants} & \cs{zslant}\cr
+ }%
+}
+
+\medskip
+\cs{caption} and \cs{label} are now renamed \cs{tcaption} and
+\cs{tlabel} to avoid conflict with the \LaTeX{} commands.
+
+\cs{mfcmd} was renamed \cs{mfsrc} for clarity, and (in version 0.7) a
+new \cs{mfcmd} was defined, which is pretty much the same except it appends
+a semicolon to its argument.
+
+\smallskip
+There is a misprint: \cs{axisheadlin} should be \cs{axisheadlen}.
+
+Finally, in the \LaTeX{} template on page 496: \mfp{} now supports
+the \cs{usepackage} method of loading.
+
+\subsubsection{Other programs}
+
+There exists a program, \prog{fig2mfpic} that produces \mfp{} code as
+output. The code produced (as of this writing) is somewhat old and
+mostly incompatible with the description in this manual. Fortunately, it
+is accompanied by the appropriate versions of files \file{mfpic.tex} and
+\file{grafbase.mf}. Unfortunately, the names conflict with the current
+filenames and so they should only be used in circumstances where no
+substitution will occur, say in a local directory with the other sources
+for the document being produced. Moreover, the documentation in this
+manual may not apply to the code produced. However the information in
+\textit{\TeX{} Unbound} may apply.
+
+There exist a package, \prog{circuit\_macros}, that can produce a
+variety of output formats, one of which is \mfp{} code. One writes a
+file (don't ask me what it consists of) and apparently processes it with
+\prog{m4} and then \prog{dpic} to produce the output. The \mfp{} code
+produced appears to be compatible with the current \mfp.
+
+\renewcommand\mfpindexheading{%
+ \subsection{Index of commands, options and parameters by page}}
+\let\oldcs\cs
+\renewcommand{\cs}[1]{\leavevmode\mytt{\llap{\char`\\}#1}}
+
+\InputIfFileExists{mfpman.ind}{}{\mfpindexheading}
+
+\let\cs\oldcs
+
+\columnseprule 0pt
+\columnsep 35pt
+\twocolumn[\subsection{List of commands by type}]
+\parindent0pt
+\parskip0pt plus .3pt\relax
+\makeatletter
+\let\item\@idxitem
+\makeatother
+
+\subsubsection{Figures}
+
+ \item \cs{arc}
+ \item \cs{axis}
+ \item \cs{btwnfcn}
+ \item \cs{chartbar}
+ \item \cs{circle}
+ \item \cs{closedcspline}
+ \item \cs{closedmfbezier}
+ \item \cs{closedqbeziers}
+ \item \cs{closedqspline}
+ \item \cs{cspline}
+ \item \cs{curve}
+ \item \cs{cyclic}
+ \item \cs{datafile}
+ \item \cs{ellipse}
+ \item \cs{fcncurve}
+ \item \cs{function}
+ \item \cs{graphbar}
+ \item \cs{histobar}
+ \item \cs{lines}
+ \item \cs{mfbezier}
+ \item \cs{mfobj}
+ \item \cs{parafcn}
+ \item \cs{piewedge}
+ \item \cs{plrfcn}
+ \item \cs{plrregion}
+ \item \cs{polygon}
+ \item \cs{polyline}
+ \item \cs{qbeziers}
+ \item \cs{qspline}
+ \item \cs{rect}
+ \item \cs{regpolygon}
+ \item \cs{sector}
+ \item \cs{tlabelcircle}
+ \item \cs{tlabelellipse}
+ \item \cs{tlabeloval}
+ \item \cs{tlabelrect}
+ \item \cs{turtle}
+
+
+\subsubsection{Figure modifiers}
+
+ \item \cs{arrow}
+ \item \cs{bclosed}
+ \item \cs{cbclosed}
+ \item \cs{connect}, \cs{endconnect}
+ \item \cs{cutoffafter}
+ \item \cs{cutoffbefore}
+ \item \cs{lclosed}
+ \item \cs{makesector}
+ \item \cs{partpath}
+ \item \cs{qbclosed}
+ \item \cs{reflectpath}
+ \item \cs{reverse}
+ \item \cs{rotatepath}
+ \item \cs{scalepath}
+ \item \cs{sclosed}
+ \item \cs{shiftpath}
+ \item \cs{slantpath}
+ \item \cs{subpath}
+ \item \cs{transformpath}
+ \item \cs{trimpath}
+ \item \cs{xscalepath}
+ \item \cs{xslantpath}
+ \item \cs{xyswappath}
+ \item \cs{yscalepath}
+ \item \cs{yslantpath}
+
+
+\subsubsection{Figure renderers}
+
+ \item \cs{dashed}
+ \item \cs{dotted}
+ \item \cs{draw}
+ \item \cs{gclear}
+ \item \cs{gclip}
+ \item \cs{gendashed}
+ \item \cs{gfill}
+ \item \cs{hatch}
+ \item \cs{lhatch}
+ \item \cs{plot}
+ \item \cs{plotdata} (sort of)
+ \item \cs{plotnodes}
+ \item \cs{polkadot}
+ \item \cs{rhatch}
+ \item \cs{shade}
+ \item \cs{tess}
+ \item \cs{thatch}
+ \item \cs{xhatch}
+
+\subsubsection{Lengths}
+
+
+ \item \cs{axisheadlen}
+ \item \cs{dashlen}
+ \item \cs{dotsize}
+ \item \cs{dotspace}
+ \item \cs{hashlen}
+ \item \cs{hatchspace}
+ \item \cs{headlen}
+ \item \cs{mfpiccaptionskip}
+ \item \cs{mfpicheight}
+ \item \cs{mfpicunit}
+ \item \cs{mfpicwidth}
+ \item \cs{pointsize}
+ \item \cs{polkadotspace}
+ \item \cs{shadespace}
+ \item \cs{sideheadlen}
+ \item \cs{symbolspace}
+
+\subsubsection{Coordinate transformation}
+
+ \item \cs{applyT}
+ \item \cs{boost}
+ \item \cs{coords}, \cs{endcoords}
+ \item \cs{mirror}
+ \item \cs{reflectabout}
+ \item \cs{rotate}
+ \item \cs{rotatearound}
+ \item \cs{scale}
+ \item \cs{shift}
+ \item \cs{turn}
+ \item \cs{xscale}
+ \item \cs{xslant}
+ \item \cs{xyswap}
+ \item \cs{yscale}
+ \item \cs{yslant}
+ \item \cs{zscale}
+ \item \cs{zslant}
+
+\subsubsection{Axes, grids, and marks}
+
+ \item \cs{axes}
+ \item \cs{axis}
+ \item \cs{axismarks}
+ \item \cs{bmarks}
+ \item \cs{doaxes}
+ \item \cs{grid}
+ \item \cs{gridarcs}
+ \item \cs{gridlines}
+ \item \cs{gridpoints}
+ \item \cs{gridrays}
+ \item \cs{hgridlines}
+ \item \cs{lattice}
+ \item \cs{lmarks}
+ \item \cs{plotsymbol}
+ \item \cs{plrgrid}
+ \item \cs{plrgridpoints}
+ \item \cs{plrpatch}
+ \item \cs{point}
+ \item \cs{rmarks}
+ \item \cs{tmarks}
+ \item \cs{vgridlines}
+ \item \cs{xaxis}
+ \item \cs{xmarks}
+ \item \cs{yaxis}
+ \item \cs{ymarks}
+
+\subsubsection{Setting options}
+
+ \item \cs{clearsymbols}
+ \item \cs{clipmfpic}
+ \item \cs{mfpicdebugfalse}
+ \item \cs{mfpicdebugtrue}
+ \item \cs{mfpicdraft}
+ \item \cs{mfpicfinal}
+ \item \cs{mfpicnowrite}
+ \item \cs{nocenteredcaptions}
+ \item \cs{noclearsymbols}
+ \item \cs{noclipmfpic}
+ \item \cs{nomplabels}
+ \item \cs{nooverlaylabels}
+ \item \cs{noship}
+ \item \cs{notruebbox}
+ \item \cs{overlaylabels}
+ \item \cs{resumeshipping}
+ \item \cs{stopshipping}
+ \item \cs{usecenteredcaptions}
+ \item \cs{usemetafont}
+ \item \cs{usemetapost}
+ \item \cs{usemplabels}
+ \item \cs{usetruebbox}
+
+\subsubsection{Changing values}
+
+ \item \cs{axismargin}
+ \item \cs{darkershade}
+ \item \cs{dashlineset}
+ \item \cs{dashpattern}
+ \item \cs{dotlineset}
+ \item \cs{drawpen}
+ \item \cs{hatchwd}
+ \item \cs{headshape}
+ \item \cs{lightershade}
+ \item \cs{mfpicnumber}
+ \item \cs{mfplinestyle}
+ \item \cs{mfplinetype}
+ \item \cs{pen}
+ \item \cs{penwd}
+ \item \cs{polkadotwd}
+ \item \cs{setallaxismargins}
+ \item \cs{setallbordermarks}
+ \item \cs{setaxismargins}
+ \item \cs{setaxismarks}
+ \item \cs{setbordermarks}
+ \item \cs{setmfvariable}
+ \item \cs{setmpvariable}
+ \item \cs{settension}
+ \item \cs{setxmarks}
+ \item \cs{setymarks}
+ \item \cs{shadewd}
+
+\subsubsection{Changing colors}
+
+ \item \cs{backgroundcolor}
+ \item \cs{drawcolor}
+ \item \cs{fillcolor}
+ \item \cs{hatchcolor}
+ \item \cs{headcolor}
+ \item \cs{mfpdefinecolor}
+ \item \cs{pointcolor}
+ \item \cs{tlabelcolor}
+
+\subsubsection{Defining arrays}
+
+ \item \cs{barchart}
+ \item \cs{bargraph}
+ \item \cs{histogram}
+ \item \cs{numericarray}
+ \item \cs{pairarray}
+ \item \cs{patharr}, \cs{endpatharr}
+ \item \cs{piechart}
+
+\subsubsection{Changing behavior}
+
+ \item \cs{clearsymbols}
+ \item \cs{coloredlines}
+ \item \cs{dashedlines}
+ \item \cs{datapointsonly}
+ \item \cs{defaultplot}
+ \item \cs{everytlabel}
+ \item \cs{makepercentcomment}
+ \item \cs{makepercentother}
+ \item \cs{mfpdatacomment}
+ \item \cs{mfpdataperline}
+ \item \cs{mfpverbtex}
+ \item \cs{noclearsymbols}
+ \item \cs{pointedlines}
+ \item \cs{pointfillfalse}
+ \item \cs{pointfilltrue}
+ \item \cs{reconfigureplot}
+ \item \cs{setrender}
+ \item \cs{smoothdata}
+ \item \cs{tlabeljustify}
+ \item \cs{tlabeloffset}
+ \item \cs{tlabelsep}
+ \item \cs{tlpathjustify}
+ \item \cs{unsmoothdata}
+ \item \cs{using}
+ \item \cs{usingnumericdefault}
+ \item \cs{usingpairdefault}
+
+\subsubsection{Files and environments}
+
+ \item \cs{closegraphsfile}
+ \item \cs{mfpframe}, \cs{endmfpframe}
+ \item \cs{mfpic}, \cs{endmfpic}
+ \item \cs{opengraphsfile}
+
+\subsubsection{Text}
+
+ \item \cs{axislabels}
+ \item \cs{plottext}
+ \item \cs{tcaption}
+ \item \cs{tlabels}
+ \item \cs{tlabel}
+
+\subsubsection{Misc} \widowpenalty10000
+
+ \item \cs{fdef}
+ \item \cs{getmfpicoffset}
+ \item \cs{ifmfpmpost}
+ \item \cs{mfcmd}
+ \item \cs{mflist}
+ \item \cs{mfpframed}
+ \item \cs{mfpicversion}
+ \item \cs{mfpverbtex}
+ \item \cs{mfsrc}
+ \item \cs{mftitle}
+ \item \cs{newfdim}
+ \item \cs{newsavepic}
+ \item \cs{plr}
+ \item \cs{pointdef}
+ \item \cs{preparemfpicgraphic}
+ \item \cs{savepic}
+ \item \cs{setmfpicgraphic}
+ \item \cs{setfilename}
+ \item \cs{sequence}
+ \item \cs{store}
+ \item \cs{tile}, \cs{endtile}
+ \item \cs{tmtitle}
+ \item \cs{usepic}
+
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/mfpic/pictures.tex b/Master/texmf-dist/doc/generic/mfpic/pictures.tex
new file mode 100644
index 00000000000..76be74689aa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/pictures.tex
@@ -0,0 +1,204 @@
+%%% File: pictures.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+\magnification=\magstep1
+
+\newdimen\paperheight
+\newdimen\paperwidth
+%%!!!!!!!!!!!!!!!!!!!!!!!!!!!
+% adjust these to your liking:
+\paperheight 11truein
+\paperwidth 8.5truein
+
+% Default plainTeX margins
+\hsize \paperwidth
+\advance\hsize -2 truein
+\hoffset 0 truein
+%
+\vsize\paperheight
+\advance\vsize -2.1 truein
+\voffset 0 truein
+
+\input mfpic
+%% Uncomment this if you prefer metapost...
+%\usemetapost
+
+\ifx\pdfoutput\UndEfInEd
+\else
+ \pdfpageheight=\paperheight
+ \pdfpagewidth=\paperwidth
+\fi
+
+\opengraphsfile{pics}
+
+\mfpframesep0pt
+\headshape{1}{1}{true}
+
+\def\vs{\bigskip\filbreak}
+
+\mftitle{Commutative Diagram example.}
+
+% A-----D
+% |\ /|
+% | C-F |
+% |/ \|
+% B- - -E
+
+\noindent
+\mfpframe
+\mfpic[12]{0}{10}{0}{10}
+\tlabeljustify{cc}
+\tcaption[2.0,1.0]{\raggedright{\it Figure 1:} Commutative diagram example.}
+\tlabels{(1,9){A}
+ (1,1){B}
+ (3,5){C}
+ (9,9){D}
+ (9,1){E}
+ (7,5){F}}
+\setrender{\draw\arrow\trimpath{6pt}}
+\lines{(1,9), (1,1)} % A -> B.
+\lines{(1,9), (3,5)} % A -> C.
+\lines{(3,5), (1,1)} % C -> B.
+\lines{(1,9), (9,9)} % A -> D.
+\lines{(9,9), (9,1)} % D -> E.
+\lines{(9,9), (7,5)} % D -> F.
+\lines{(7,5), (9,1)} % F -> E.
+\lines{(3,5), (7,5)} % C -> F.
+% B- - ->E :
+%\dotted\arrow[r90][b-12pt]\arrow[b15pt]\reverse\arrow\lines{(1.5,1), (8.5,1)}
+\dotted\arrow\arrow[b10pt]\reverse\arrow\trimpath{6pt}\lines{(1,1), (9,1)}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Function Plot with Cartesian Axes.}
+
+\noindent
+\mfpframe
+\mfpic[20]{-3}{3}{-3}{3}
+\axes
+\function{-2,2,0.1}{((x**3)-x)/3}
+\tcaption{\raggedright{\it Figure 2:} Function Plot with Cartesian Axes.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Parametric Function Plot, and Filled Circle.}
+
+\noindent
+\mfpframe
+\mfpic[30]{-1.5}{1.5}{-1}{1}
+\parafcn{0,6,0.1}{cosd(150t)*dir(90t)}
+\gfill\circle{(0,0),0.25}
+\tcaption{\raggedright{\it Figure 3:} Parametric Function Plot, and
+Filled Circle.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Bar Graph.}
+
+\noindent
+\mfpframe
+\mfpic[20]{-0.5}{4}{-0.5}{4}
+\axes
+\shade\draw\rect{(0,0),(1,0.5)}
+\darkershade
+\shade\draw\rect{(1,0),(2,1)}
+\hatch\draw\rect{(2,0),(3,2)}
+\tcaption{{\it Figure 4:} Bar Graph.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Pie Chart.}
+
+\noindent
+\mfpframe
+\mfpic[30]{-1.3}{1.7}{-1}{1.1}
+\gfill\sector{(0.3,0.2), 1, 0,60}
+\shade\sector{(0,0), 1, 60,105}
+\turtle{(0,0), \plr{(1,105)}}
+\sector{(0,0), 1, 60,360}
+\tcaption{\raggedright{\it Figure 5:} Pie Chart.}
+\endmfpic
+\endmfpframe
+
+\noindent Unindented text here.
+
+\vs
+
+\mftitle{Circle with Arrow.}
+
+\noindent
+\mfpframe
+\mfpic[20]{-2}{2}{-1}{1}
+\arrow\circle{(0,0),1}
+\tcaption{\raggedright{\it Figure 6:} Circle with Arrow.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Use of hatch, draw, lclosed, connect, curve, point, lines,
+ dotted, reverse.}
+
+\noindent
+\mfpframe
+\mfpic[20]{-3}{3}{-3}{3}
+\hatch\draw\lclosed\connect
+\curve{(1,0), (1,0.5), (1,1), (0,1.5)}
+\point{(0,0)}
+\endconnect
+\lines{(-1,1), (-1,-1), (1,-1.5)}
+\point{(0,0)}
+\dotted\reverse\lines{(-2,2), (-2,-2), (2,-3)}
+\tcaption{\rightskip= 0pt plus 3em {\it Figure 7:} Use of hatch, draw, lclosed, connect,
+ curve, point, lines, dotted, reverse.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Simpler variant of the previous figure.}
+
+\noindent
+\mfpframe
+\mfpic[40]{-1}{1}{-1}{1} % Was `[20]'.
+\tcaption{\raggedright{\it Figure 8:} Simpler variant of the previous figure.}
+\hatch\draw\lclosed\connect
+\curve{(1,0), (0.5,0.25), (0.5,0.5), (0,0.75)}
+\point{(0,0)}
+\endconnect
+\reverse\lines{(-0.5,0.5), (-0.5,-0.5), (0.5,-0.75)}
+\tcaption{\raggedright{\it Figure 8:} Simpler variant of the previous figure.}
+\endmfpic
+\endmfpframe
+
+\vs
+
+\mftitle{Graph of data from file.}
+
+\noindent
+\mfpframe
+\mfpic[6]{-10}{10}{-2}{12}
+ \makepercentother
+ \using{#1% #2 #3}{(#1,#2)}
+ \makepercentcomment
+ \mfpdatacomment\#
+ \fcncurve\datafile{data.dat}
+ \axes
+\endmfpic
+\endmfpframe
+
+\closegraphsfile
+
+\end
+
+%%%
+%%% EOF pictures.tex
+%%%
diff --git a/Master/texmf-dist/doc/generic/mfpic/refcard.tex b/Master/texmf-dist/doc/generic/mfpic/refcard.tex
new file mode 100644
index 00000000000..7078e262e48
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/mfpic/refcard.tex
@@ -0,0 +1,651 @@
+%%% File: refcard.tex
+%%% A part of mfpic 0.7a beta 2004/04/16
+%%%
+% (Ask your driver to print so that longer dimension is horizontal)
+\newdimen\paperlongside
+ \paperlongside 11 truein
+\newdimen\papershortside
+ \papershortside 8.5 truein
+
+\ifx\pdfoutput\undefined
+\else\ifx\pdfoutput\relax
+\else\ifnum\pdfoutput>0
+ \pdfpagewidth\paperlongside
+ \pdfpageheight\papershortside
+\fi\fi\fi
+
+\font\manual=cmcsc8
+\def\MF{{\manual meta}\-{\manual font}}
+\def\MP{{\manual meta}\-{\manual post}}
+\def\TeX{{\rm T\kern-.1667em\lower.5ex\hbox{E}\kern-.125emX\null}}
+\def\plainTeX{{\rm plain\kern -.15em\TeX}}
+\def\LaTeX{{\rm L\raise.42ex\hbox{\kern-.36em \manual a}\kern-.15em\TeX}}
+%\def\LaTeXe{\LaTeX$2_{\textstyle\varepsilon}$}
+\def\gobble#1{}
+\def\dooptparam[#1]{{\tt[#1]}\futurelet\nchr\domacro}
+\def\dofixparam[#1]{{\tt\string{#1\string}}\futurelet\nchr\domacro}
+\def\doparamswap{\if?\nchr\dooptparam[\expandafter\gobble
+ \else\dofixparam[\fi}
+\def\doparam{\futurelet\nchr\doparamswap}
+\def\ddoparam{\expandafter\doparam\gobble}
+\def\domacro{\if[\nchr\expandafter\ddoparam\fi}
+\def\bsl{{\tt\char\escapechar}}
+\def\mac#1{\bsl{\tt#1}\futurelet\nchr\domacro}
+
+% logical markup to typeset filenames, program names, MF code,
+% grafbase identifiers, environment names, email addresses, and
+% emphasis.
+\def\file#1{{\tt #1}}
+\def\prog#1{{\sf #1}} % didn't want everything in \tt
+\def\mfc#1{{\tt #1}}
+\def\opt#1{{\tt #1}} % LaTeX2e option names
+\def\gbc#1{{\tt #1}}
+\def\env#1{{\tt #1}}
+\def\mail#1{{\tt #1}}
+\def\emph#1{{\it #1\/}}
+
+% Forced, Clean, Linebreak.
+
+\def\brk{\nobreak\hfil\break}
+
+\newcount\columnsperpage
+
+% Entries are too wide for 3 columns. Print 2 columns landscape
+\columnsperpage=2
+
+% The rest of this header is nicked from gnuplot (which took it from
+% Emacs) but was drastically adapted for mfpic.
+%
+% This file is intended to be processed by plainTeX.
+%
+% You will need to inform your dvi driver to print it in landscape
+% and, optionally, double sided.
+% Author of GNU Emacs Refcard:
+% Stephen Gildea
+% UUCP: mit-erl!gildea
+% Internet: gildea@erl.mit.edu
+%
+% Person who ripped off the formatter for gnuplot:
+% Alex Woo
+% NASA Ames Research Center
+% Internet: woo@ames.arc.nasa.gov
+%
+% Modified on 9 Dec 1992 by:
+% Daniel S. Lewart
+% University of Illinois
+% Internet: d-lewart@uiuc.edu
+%
+% Modified on 29 Sep 1999, 11 Jul 2002, 29 Sep 2003 %(for mfpic) by:
+% Daniel H. Luecking
+% University of Arkansas
+% luecking@uark.edu
+
+\newdimen\intercolumnskip
+\newbox\columna
+\newbox\columnb
+
+\hsize4.75truein
+\vsize 7.25truein
+
+% Equal left right, right and middle margins, about .5in on USletter
+\intercolumnskip=\paperlongside
+\advance\intercolumnskip -2\hsize
+\intercolumnskip .33333\intercolumnskip
+\hoffset\intercolumnskip
+\advance\hoffset -1truein
+
+% Equal top and bottom margins, about .4in on A4 paper
+\voffset\papershortside
+\advance\voffset-\vsize
+\voffset .5\voffset
+\advance\voffset -1truein
+
+\topskip8truept
+
+\font\manual=cmcsc10 at 8pt
+\font\titlefont=cmbx10 scaled \magstep1
+\font\headingfont=cmbx10
+\font\smallfont=cmr6
+\font\smallsy=cmsy6
+\font\eighti=cmmi8
+\font\sixi=cmmi6
+\font\eightex=cmex10 at 8pt
+\font\eightrm=cmr8
+\font\eightbf=cmbx8
+\let\subheadingfont\eightbf
+\font\sixbf=cmbx6
+\font\eightit=cmti8
+\font\eighttt=cmtt8
+\font\eightsy=cmsy8
+\font\sixsy=cmsy6
+\font\eightsf=cmss10 at 8pt
+\font\eightsl=cmsl8
+\font\tensf=cmss10
+\textfont0=\eightrm \scriptfont0=\smallfont
+\textfont1=\eighti \scriptfont1=\sixi
+\textfont2=\eightsy \scriptfont2=\sixsy
+\textfont3=\eightex \scriptfont3=\eightex \scriptscriptfont3=\eightex
+\textfont\bffam\eightbf \scriptfont\bffam\sixbf
+\def\rm{\fam0\eightrm}
+\def\bf{\fam\bffam\eightbf}
+\def\it{\eightit}
+\def\tt{\eighttt}
+\def\sf{\eightsf}
+\def\sl{\eightsl}
+\smallskipamount 2pt plus 1pt minus 0pt
+\medskipamount 5pt plus 2pt minus 2pt
+\bigskipamount 10pt plus 3pt minus 3pt
+\normalbaselineskip=10pt
+\normalbaselines
+\rm
+\setbox\strutbox=\hbox{\vrule height6.8pt depth3.2pt width0pt}
+
+\def\abc{a}
+\output={%
+ \if b\abc \multicolumnformat \global\def\abc{a}
+ \else\if a\abc
+ \global\setbox\columna\columnbox \global\def\abc{b}
+ \global\setbox\columnb\hbox to -\intercolumnskip{}
+ \fi\fi}
+\def\multicolumnformat{\shipout\vbox{%
+ \hbox{\box\columna\hskip\intercolumnskip
+ \box\columnb\hskip\intercolumnskip\columnbox}}\advancepageno}
+\def\columnbox{\leftline{\pagebody}}
+
+\def\bye{\par\vfill\supereject
+ \if a\abc \else\null\vfill\eject\fi
+ \if a\abc \else\null\vfill\eject\fi
+ \end}
+
+% Typewriter type braces (redefinitions of escaped braces) :
+\def\{{{\tt \char`\{}}
+\def\}{{\tt\char`\}}}
+
+
+\parindent 0pt
+
+\def\title#1{{\titlefont\centerline{#1}}\vskip 1ex plus .5ex}
+
+\def\section#1{\par\filbreak
+ \vskip 2.25ex plus 2ex minus 2ex {\headingfont #1}%
+ \vskip 1.25ex plus 1ex minus 1.5ex}
+
+\def\subsection#1{\ifhmode\par\fi
+ \ifdim\lastskip<1.5ex
+ \vskip -\lastskip
+ \vskip 1.5ex plus 1ex minus 1ex
+ \fi
+ \filbreak
+ {\subheadingfont #1}%
+ \vskip .75ex plus .5ex minus .5ex}
+
+\newdimen\describeindent
+\describeindent=0em
+
+\def\var#1{$\langle${\it #1\/}$\rangle$}
+\def\alt{\unskip$\;|\;$\hfilbreak}
+\def\hfilbreak{\hfil\allowbreak\hfilneg}
+
+\newdimen\secondkeyindent
+
+\def\describe#1#2{\leavevmode\vtop
+ {\hsize=\firstkeyfrac\hsize\rightskip=1em plus 1 fill\relax
+ \secondkeyindent\describeindent \advance\secondkeyindent 1em
+ \hangindent\secondkeyindent \hangafter1
+ \hskip\describeindent\relax\strut#1\nobreak\hskip0pt\strut}%
+ \vtop
+ {\hsize=\secondkeyfrac\hsize\rightskip=0pt plus 1 fill\relax
+ \leavevmode\strut#2\unskip\strut}\par}
+\def\code#1{{\sf #1}}
+
+\title{MFPIC Quick Reference}
+
+\centerline{(Copyright 2000--2003 by Daniel Luecking)}
+\medskip
+This information was prepared for version 0.7 of \prog{mfpic}.
+
+\section{Preamble commands}
+
+\def\firstkeyfrac{.4}
+\def\secondkeyfrac{.6}
+
+\describe{Load \prog{mfpic} package:}
+ {\mac{input} \file{mfpic}, or \mac{usepackage}[?\var{options}][mfpic]}
+\describe{Options}{\opt{metafont} \alt \opt{metapost}, \opt{mplabels},
+ overlaylabels \opt{centeredcaptions}, \opt{clip},
+ \opt{truebbox}, \opt{draft}, \opt{final}, \opt{nowrite}}
+\describe{Activate options (\plainTeX)}
+ {\mac{usemetafont} \alt \mac{usemetapost}, \mac{usemplabels},
+ \mac{overlaylabels} \mac{usecenteredcaptions}, \mac{clipmfpic},
+ \mac{usetruebbox}, \mac{mfpicdraft}, \mac{mfpicfinal},
+ \mac{mfpicnowrite}}
+\describe{Turn off some options}
+ {\mac{nomplabels}, \mac{nooverlaylabels}
+ \mac{nocenteredcaptions}, \mac{noclipmfpic}, \mac{notruebbox}}
+\describe{Set up/close the output file}
+ {\mac{opengraphsfile}[\var{base name}]$\ldots$\mac{closegraphsfile}}
+
+\section{The {\tensf mfpic} environment}
+
+\def\firstkeyfrac{.30}
+\def\secondkeyfrac{.70}
+
+\describe{Start an \prog{mfpic} figure}
+ {\mac{mfpic}[?\var{xscale}][?\var{yscale}]%
+ \{\var{$x_{\min}$}\}\allowbreak\{\var{$x_{ max}$}\}\allowbreak
+ \{\var{$y_{min}$}\}\allowbreak\{\var{$y_{max}$}\}\brk
+ \ \ \ \ \var{MFpic commands}\brk
+ \mac{endmfpic}}
+\describe{\quad\LaTeX{} (optional)}
+ {\mac{begin}[mfpic]${}\equiv{}$\mac{mfpic},
+ \mac{end}[mfpic]${}\equiv{}$\mac{endmfpic}}
+
+\smallskip
+The default \var{xscale} is $1$ (\mac{mfpicunit}), default \var{yscale}
+is \var{xscale}.
+
+\section{Dimensions (lengths)}
+
+\def\firstkeyfrac{.58}
+\def\secondkeyfrac{.42}
+
+\describe{\sl Purpose; where used:} {\sl Name and default value:}
+\vskip1pt
+\describe{Unit of length; \mac{mfpic}} {\mac{mfpicunit}, \tt 1pt}
+\describe{Size of a symbol; \mac{point}, \mac{plot}, and \mac{plotsymbol}}
+ {\mac{pointsize}, \tt 2pt}
+\describe{Darkness of shading; \mac{shade}} {\mac{shadespace}, \tt 1pt }
+\describe{Space between dots; \mac{polkadot}}
+ {\mac{polkadotspace}, \tt 10pt}
+\describe{Space between hatch lines; hatching macros}
+ {\mac{hatchspace}, \tt 3pt}
+\describe{Size of arrowhead; \mac{arrow}} {\mac{headlen}, \tt 3pt}
+\describe{Size of x-, y-axis arrowhead; xy-axes macros}
+ {\mac{axisheadlen}, \tt 5pt}
+\describe{Size of border axis arrowhead; side axis macros}
+ {\mac{sideheadlen}, \tt 0pt}
+\describe{Size of marks on axes; axis marks} {\mac{hashlen}, \tt 4pt}
+\describe{Size of dashes; \mac{dashed}} {\mac{dashlen}, \tt 4pt}
+\describe{Space between dashes; \mac{dashed}} {\mac{dashspace}, \tt 4pt}
+\describe{Size of dots; \mac{dotted}} {\mac{dotsize}, \tt 0.5pt}
+\describe{Space between dots; \mac{dotted}} {\mac{dotspace}, 3pt}
+\describe{Space between symbols; \mac{plot}} {\mac{symbolspace}, \tt 5pt}
+
+\medskip
+The following commands are used to change the size of some dimension
+parameters:
+
+\smallskip
+\describe{{\sl Purpose} ({\sl default\/}):} {\sl Command:}
+\vskip1pt
+\describe{Set diameter of drawing pen ({\tt 0.5pt})}
+ {\mac{penwd}[\var{dimen}]}
+\describe{Set diameter of shading dots ({\tt 0.5pt})}
+ {\mac{shadewd}[\var{dimen}]}
+\describe{Set diameter of polkadot ({\tt 5pt})}
+ {\mac{polkadotwd}[\var{dimen}]}
+\describe{Set diameter of hatching pen ({\tt 0.5pt})}
+ {\mac{hatchwd}[\var{dimen}]}
+\describe{Multiply \mac{shadespace} by 1.2} {\mac{lightershade}}
+\describe{Divide \mac{shadespace} by 1.2} {\mac{darkershade}}
+
+
+\section{Colors}
+
+\def\firstkeyfrac{.45}
+\def\secondkeyfrac{.55}
+
+\smallskip
+\describe{Set color for curves} {\mac{drawcolor}[\var{color}]}
+\describe{Set color for fills} {\mac{fillcolor}[\var{color}]}
+\describe{Set color for points, symbols} {\mac{pointcolor}[\var{color}]}
+\describe{Set color for hatching} {\mac{hatchcolor}[\var{color}]}
+\describe{Set color for arrowheads} {\mac{headcolor}[\var{color}]}
+\describe{Set color for tlabels} {\mac{tlabelcolor}[\var{color}]}
+\describe{Set color used by \mac{gclear}} {\mac{backgroundcolor}[\var{color}]}
+\describe{\quad \LaTeX{} syntax}
+ {\mac{drawcolor}[?\var{model}][\var{clrspec}], etc.}
+\describe{Define a color name} {\mac{mfpdefinecolor}[\var{name}][\var{model}][\var{clrspec}]}
+
+
+\section{Common geometric figures}
+
+Drawing commands that operate on a variable length list in braces may
+be followed by \mac{datafile}[\var{filename}] instead of the list.
+
+\subsection{Points}
+
+\def\firstkeyfrac{.42}
+\def\secondkeyfrac{.58}
+
+\describe{Place a symbol at given point(s)}
+ {\mac{plotsymbol}[?\var{size}][\var{name}]%
+ [($x_0,y_0$),($x_1,y_1$),$\ldots$]}
+\describe{\quad Available symbol names} {{\tt Triangle}, {\tt Square}, {\tt Circle}, {\tt
+ Diamond}, {\tt Star}, {\tt SolidTriangle}, {\tt SolidSquare}, {\tt SolidCircle},
+ {\tt SolidDiamond}, \tt{SolidStar}, {\tt Plus}, {\tt Cross},
+ {\tt Asterisk}}
+\describe{Points (filled or unfilled circles)}
+ {\mac{point}[?\var{size}][($x_0,y_0$),($x_1,y_1$),$\ldots$]}
+\describe{Force filled/open circles in \mac{point}:}
+ {\mac{pointfilltrue}/\mac{pointfillfalse}}
+
+\subsection{Lines}
+
+\def\firstkeyfrac{.45}
+\def\secondkeyfrac{.55}
+
+\describe{Connect points with lines}
+ {\mac{polyline}[($x_0,y_0$),($x_1,y_1$),$\ldots$],
+ or (\mac{lines})}
+\describe{Closed polygon}
+ {\mac{polygon}[($x_0,y_0$),($x_1,y_1$),$\ldots$]}
+\describe{Concatenate vectors}
+ {\mac{turtle}[\var{initialpoint},\var{$v_1$},\var{$v_2$},$\ldots$]}
+\describe{Rectangle (upright) with given corners}
+ {\mac{rect}[($x_0,y_0$),($x_1,y_1$)]}
+
+\subsection{Circles, arcs and ellipses}
+
+\def\firstkeyfrac{.55}
+\def\secondkeyfrac{.45}
+
+\describe{Circles} {}
+\describe{\qquad polar form (default):}
+ {\mac{circle}[?p][\var{center},\var{radius}]}
+\describe{\qquad three-point form:}
+ {\mac{circle}[?t][($x_0,y_0$),($x_1,y_1$),($x_2,y_2$)]}
+\describe{\qquad center-point form:}
+ {\mac{circle}[?c][\var{center},\var{point}]}
+\describe{\qquad point-sweep form:}
+ {\mac{circle}[?s][($x_0,y_0$),($x_1,y_1$),\var{angle}]}
+\describe{Arcs} {}
+\describe{\qquad polar form:}
+ {\mac{arc}[?p][\var{center},\var{$\theta_1$},\var{$\theta_2$},%
+ \var{radius}]}
+\describe{\qquad three-point form:}
+ {\mac{arc}[?t][($x_0,y_0$),($x_1,y_1$),($x_2,y_2$)]}
+\describe{\qquad center-point-angle form:}
+ {\mac{arc}[?c][\var{center},\var{point},\var{angle}]}
+\describe{\qquad point-sweep form (default):}
+ {\mac{arc}[?s][($x_0,y_0$),($x_1,y_1$),\var{angle}]}
+\describe{Ellipse, center $(x_0,y_0)$, radii \var{$r_x$}, \var{$r_y$}, angle
+\var{$\theta$}}
+ {\mac{ellipse}[?\var{$\theta$}]%
+ \tt\{($x_0,y_0$),\var{$r_x$},\var{$r_y$}\}}
+
+\section{General curves}
+
+\def\firstkeyfrac{.45}
+\def\secondkeyfrac{.55}
+
+A \var{spec} can be {\tt p} (for polyline) or {\tt s} (for smooth)
+followed by a number for the tension.
+
+\smallskip
+\describe{Smooth curve through points}
+ {\mac{curve}[?\var{tension}][($x_0,y_0$),($x_1,y_1$),$\ldots$]}
+\describe{Graph of $y=f(x)$}
+ {\mac{function}[?\var{spec}][$x_{\min}$,$x_{\max}$,%
+ $\Delta x$][$f(\hbox{\tt x})$]}
+\describe{Graph of parametric curve $(x(t),y(t))$}
+ {\mac{parafcn}[?\var{spec}][$t_{\min}$,$t_{\max}$,$\Delta t$]%
+ [($x(\hbox{\tt t})$, $y(\hbox{\tt t})$)]}
+\describe{Graph of $r = f(\theta)$}
+ {\mac{plrfcn}[?\var{spec}]%
+ [$\theta_{\min}$,$\theta_{\max}$,$\Delta\theta$][$f(\hbox{\tt t})$]}
+\describe{Interpolate with a smooth {\it function}}
+ {\mac{fcncurve}[?\var{tension}][($x_0,y_0$),($x_1,y_1$),$\ldots$]}
+\describe{Curve from data in a file*}
+ {\mac{datafile}[?\var{spec}][\var{file}]}
+\describe{\quad Set how \mac{datafile} processes a line}
+ {\mac{using}[\var{read\_pattern}][\var{write\_pattern}]\brk
+ Default is \mac{using}[\#1 \#2 \#3][(\#1,\#2)]}
+
+
+\section{Regions}
+
+\def\firstkeyfrac{.45}
+\def\secondkeyfrac{.55}
+
+Curves are not necessarily `closed' even if the start and end are the
+same. The following are closed (may be filled), as are \mac{rect},
+\mac{polygon}, \mac{circle}, and \mac{ellipse}.
+
+\smallskip
+\describe{Closed curve through given points}
+ {\mac{cyclic}[?\var{tension}][$(x_1,y_1),(x_2,y_2),\ldots$]}
+\describe{Circular sector (pie slice)}
+ {\mac{sector}[\var{center},\var{radius},\var{$\theta_1$},%
+ \var{$\theta_2$}]}
+\describe{Region between two functions} {\mac{btwnfcn}[?\var{spec}][$x_{\min}$,%
+ $x_{\max}$,$\Delta x$][$f(\hbox{\tt x})$][$g(\hbox{\tt x})$]}
+\describe{Region in polar coordinates}
+ {\mac{plrregion}[?\var{spec}][$\theta_{\min}$,$\theta_{\max}$,%
+ $\Delta \theta$][$f(\hbox{\tt t})$]}
+\describe{Curves surrounding text}
+ {\mac{tlabelrect}[?\var{radius}]{\tt(\var{x},\var{y})\{\var{text}\}}\brk
+ \mac{tlabeloval}[?\var{mult}]{\tt(\var{x},\var{y})\{\var{text}\}}\brk
+ \mac{tlabelellipse}[?\var{ratio}]{\tt(\var{x},\var{y})\{\var{text}\}}\brk
+ \var{radius}: round corners. \var{mult}: stretch horizontally.
+ \var{ratio}: width/height of ellipse}
+
+
+\section{Prefix macros}
+
+\subsection{Drawing curves}
+
+\def\firstkeyfrac{.4}
+\def\secondkeyfrac{.6}
+
+\describe{Dashed path}{\mac{dashed}[?\var{length},\var{gap}]$\ldots$}
+\describe{Dotted path}{\mac{dotted}[?\var{size},\var{gap}]$\ldots$}
+\describe{Trace a path with symbols}
+ {\mac{plot}[?\var{size},\var{gap}][\var{symbol}]$\ldots$}
+\describe{Generalized dashes}{\mac{gendashed}[\var{patname}]$\ldots$}
+\describe{\quad Define a named dash pattern}
+ {\mac{dashpattern}[\var{patname}][\var{len$_1$},\var{len$_2$},$\ldots$,%
+ \var{len$_{2n}$}]}
+\describe{Place a symbol at all nodes}
+ {\mac{plotnodes}[?\var{size}][\var{symbol}]$\ldots$}
+\describe{Solid curve*}{\mac{draw}[?\var{color}]$\ldots$}
+
+
+\subsection{Closing a curve}
+
+\def\firstkeyfrac{.45}
+\def\secondkeyfrac{.55}
+
+These turn any path into a `closed' path (result may be filled).
+
+\smallskip
+\describe{Close with a straight line,}{\mac{lclosed}$\ldots$}
+\describe{Close with a smooth join, like \mac{cycle},}{\mac{sclosed}$\ldots$}
+\describe{Close letting \MF{} choose}{\mac{bclosed}$\ldots$}
+
+\subsection{Filling closed curves}
+
+\def\firstkeyfrac{.4}
+\def\secondkeyfrac{.6}
+
+These filling prefixes turn off drawing of the curve.
+
+\smallskip
+\describe{Solid fill} {\mac{gfill}[?\var{color}]$\ldots$}
+\describe{Unfill} {\mac{gclear}$\ldots$}
+\describe{Hatched fills}
+ {\mac{thatch}[?\var{space},\var{angle}][?\var{color}]$\ldots$}
+\describe{\qquad \var{angle}${}=45\,$deg}
+ {\mac{rhatch}[?\var{space}][?\var{color}]$\ldots$}
+\describe{\qquad \var{angle}${}=-45\,$deg}
+ {\mac{lhatch}[?\var{space}][?\var{color}]$\ldots$}
+\describe{\qquad crosshatching}
+ {\mac{xhatch}[?\var{space}][?\var{color}]$\ldots$}
+\describe{} {\mac{hatch} $=$ \mac{xhatch}}
+\describe{Shading}
+ {\mac{shade}[?\var{space}]$\ldots$}
+\describe{Polkadot fill}{\mac{polkadot}[?\var{space}]$\ldots$}
+\describe{Fill with copies of a tile} {\mac{tess}[\var{tile}]$\ldots$}
+\describe{\quad Define a tile*}
+ {\mac{tile}[\var{name},\var{unit},\var{width},\var{height},\var{clip}]
+ \var{drawing commands} \mac{endtile}}
+
+\smallskip
+* Creates a mini-mfpic, clipped if \var{clip}${}={}${\tt true}.
+
+\subsection{Storing and reusing a path}
+
+\describe{Store a path} {\mac{store}[\var{name}]$\ldots$}
+\describe{\quad reusing a stored path} {\mac{mfobj}[\var{name}]}
+
+\subsection{Subpaths}
+
+\describe{Subpath by fraction of length}
+ {\mac{partpath}[\var{frac1},\var{frac2}]$\ldots$}
+\describe{Subpath by node number} {\mac{subpath}[\var{m},\var{n}]$\ldots$}
+\describe{Cutting by another path}
+ {\mac{cutoffafter}[\var{obj}]$\ldots$,
+ \mac{cutoffbefore}[\var{obj}]$\ldots$.\brk
+ \var{obj} is a name created with \mac{store}}
+\describe{Trim the ends of a path}
+ {\mac{trimpath}[\var{dim1},\var{dim2}]$\ldots$}
+
+
+\subsection{Modifying a curve}
+
+\def\firstkeyfrac{.4}
+\def\secondkeyfrac{.6}
+
+\describe{Add arrowhead to the end}
+ {\mac{arrow}[?l\var{length}][?r\var{angle}]%
+ [?b\var{backset}][?c\var{color}]$\ldots$}
+\describe{\quad Define arrowhead shape}
+ {\mac{headshape}[\var{ratio}][\var{tension}][\var{filled}]}
+\describe{Reverse a curve} {\mac{reverse}$\ldots$}
+\describe{Double arrow} {\mac{arrow}\mac{reverse}\mac{arrow}$\ldots$}
+\describe{Rotate around a point} {\mac{rotatepath}[($x_0$,$y_0$),\var{angle}]$\ldots$}
+\describe{Reflect about a line} {\mac{reflectpath}[($x_0$,$y_0$),($x_1$,$y_1$)]$\ldots$}
+\describe{Shift} {\mac{shiftpath}[($dx$,$dy$)]$\ldots$}
+\describe{Scale around a point} {\mac{scalepath}[($x_0$,$y_0$),\var{scale}]$\ldots$}
+\describe{xscale about line $x=x_0$} {\mac{xscalepath}[$x_0$,\var{scale}]$\ldots$}
+\describe{yscale about line $y=y_0$} {\mac{yscalepath}[$y_0$,\var{scale}]$\ldots$}
+\describe{slant, pivoting on line $y=y_0$} {\mac{slantpath}[$y_0$,\var{slant}]$\ldots$}
+\describe{yslant, pivoting on line $x=x_0$} {\mac{yslantpath}[$x_0$,\var{slant}]$\ldots$}
+\describe{Swap x and y} {\mac{xyswappath}$\ldots$}
+
+
+\section{Axes}
+
+\def\firstkeyfrac{.30}
+\def\secondkeyfrac{.70}
+
+\describe{Draw x- and/or y-axes} {\mac{axes}[?\var{headlen}],
+ \mac{xaxis}[?\var{headlen}], \mac{yaxis}[?\var{headlen}]}
+\describe{Draw various axes}
+ {\mac{axis}[?\var{headlen}][\var{axis}], \ \var{axis} is one of
+ {\tt x}, {\tt y}, {\tt l}, {\tt b}, {\tt r}, or {\tt t}.}
+\describe{Draw many axes} {\mac{doaxes}[?\var{headlen}][\var{list}], \
+ \var{list} of letters, no commas.}
+\describe{Shift border axis inward}
+ {\mac{axismargin}[\var{axis}][\var{amt}], \ \var{amt} is
+ in graph units.}
+\describe{Add hashmarks to axes}{%
+ \mac{axismarks}[\var{axis}][?\var{len}][$c_1$,$c_2$,$\ldots$], \
+ $c_j$ are positions.\brk Abbrev. by
+ \mac{xmarks} for \mac{axismarks}[x], etc.}
+\describe{Change position of hash marks}
+ {\mac{setaxismarks}[\var{axis}][\var{pos}] \ \var{pos} is one of
+ {\tt inside}, {\tt outside}, {\tt centered}, {\tt ontop},
+ {\tt onbottom}, {\tt onleft}, or {\tt onright}.}
+
+\section{Miscellaneous}
+
+\def\firstkeyfrac{.30}
+\def\secondkeyfrac{.70}
+
+\describe{Text labels}
+ {\mac{tlabel}[?\var{pos}\var{$\theta$}]%
+ {\tt($x$,$y$)\{\var{\TeX{} text}\}}\brk
+ \mac{tlabels}[\var{args$_1$}\var{args$_2$}$\ldots$]\brk
+ \mac{axislabels}[\var{axis}][?\var{pos}\var{$\theta$}]%
+ [\{\var{txt$_1$}\}\var{$n_1$},%
+ \{\var{txt$_2$}\}\var{$n_2$},$\ldots$]\brk
+ \var{pos} is a two-letter sequence, \var{$\theta$}* the
+ angle of rotation in degrees;
+ \var{args$_j$} is an entire set of arguments as in
+ \mac{tlabel};
+ \var{axis} is a letter, \var{txt$_j$} is label, \var{$n_j$}
+ is coordinate on axis}
+\describe{Clipping to a path} {\mac{gclip}$\ldots$}
+\describe{Polar conversion}
+ {\mac{plr}[($r_0$,$\theta_0$),($r_1$,$\theta_1$),$\ldots$]}
+\describe{Connect paths} {\mac{connect} \var{path1} \var{path2} $\ldots$
+ \mac{endconnect}}
+\describe{Draw many curves from one datafile}
+ {\mac{plotdata}[?\var{spec}][\var{file}], \ \var{spec} is {\tt
+ p} or {\tt s\var{num}} where \var{num} is the (optional) tension
+ in the smooth curve}
+\describe{Set how \mac{plotdata} draws curves$\dag$}{\mac{dashedlines}
+ \ (different dash patterns)\brk
+ \mac{coloredlines} \ (different colors, \MP{} only)\brk
+ \mac{pointedlines} \ (different symbols, like \mac{plot})\brk
+ \mac{datapointsonly} \ (different symbols, like \mac{plotnodes})}
+
+\smallskip
+* The angle is optional, and ignored unless option \opt{mplabels} is
+in effect.\brk
+$\dag$ \mac{plotdata} also respects the \mac{using} setting (see
+\mac{datafile} in section {\bf General curves}).
+
+\bye
+
+% Other commands:
+\mac{setrender}[\<\TeX{} commands\>]
+
+\mac{coords}$\ldots$\mac{endcoords}
+\mac{applyT}[\<transformer\>]
+\mac{rotate}[$\theta$]
+\mac{rotatearound}[$p$][$\theta$]
+\mac{turn}[?$p$][$\theta$]
+\mac{mirror}[$p_1$][$p_2$]
+\mac{reflectabout}[$p_1$][$p_2$]
+\mac{shift}[$p$]
+\mac{scale}[$s$]
+\mac{xscale}[$s$]
+\mac{yscale}[$s$]
+\mac{zscale}[$p$]
+\mac{xslant}[$s$]
+\mac{yslant}[$s$]
+\mac{zslant}[$s$]
+\mac{boost}[$\chi$]
+\mac{xyswap}
+
+\mac{fdef}[\<fcn\>]%
+ (\<param1\>,\<param2\>,$\ldots$)%
+ [\<mf-expr\>]
+
+\mac{tcaption}[?\<maxwd\>,\<linewd\>][\<caption text\>]
+
+\mac{savepic}\bsl\<picname\>
+\mac{newsavepic}
+\mac{usepic}
+
+\mac{dashlineset}, \mac{dotlineset}
+
+\mac{mfsrc}[\<metafont code\>]
+\mac{noship}
+
+\mac{store}[\<path variable\>][\<path\>]
+\mac{mfobj}[\<path expression\>]
+\mac{patharr}[\<pv\>]$\ldots$\mac{endpatharr}
+
+\mac{mftitle}[\<title\>]
+\mac{tmtitle}[\<title\>]
+
+\mac{newfdim}[\<fdim\>]
+
+\mac{setmfpicgraphic}
+\mac{getmfpicoffset}
+\mac{setfilename}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/border.doc b/Master/texmf-dist/doc/generic/midnight/border.doc
new file mode 100644
index 00000000000..a1ff21f1845
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/border.doc
@@ -0,0 +1,372 @@
+% border.doc --- version 1.0 (21 October 1991)
+% This is the documentation for border.tex.
+% To read this file, process it with (plain) TeX: tex border.doc
+% (To do that, you need both border.tex and manmac.tex. The latter has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- border.doc:
+
+\input border % change this to refer to border.tex on your system
+
+\def\boxelm#1%
+ {\hbox{\vrule width .2mm
+ \vbox to 10mm{\hrule height.2mm
+ \hbox to9.8mm{}\vfil
+ \hrule height.2mm}%
+ \vrule width .2mm
+ }}
+
+\def\bulletelm#1%
+ {\ifcase#1%
+ \roundcorners0%
+ \or\hbox to1cm{\hss$\bullet$\hss}%
+ \or\roundcorners2%
+ \fi
+ }
+
+\def\cloudelm#1%
+ {\hbox{\roundcorners0\roundcorners2}}
+
+\def\numberelm#1%
+ {\vbox to12pt{\vss
+ \hbox to12pt{\hss\number#1\hss}
+ \vss
+ }}
+
+\pageno=17 % follows styledef.doc
+
+\manpage border.tex
+Macros to typeset borders.
+Version: 1.0 (21 October 1991) (doc: 23 Oct 1991)
+
+\setborder[\hsize,1em,\smallskipamount]\border{\noindent
+The macros described in this manual section are used to typeset borders,
+such as the border around this paragraph. These borders are built from
+different ``characters'': in this example from quarter circles for the corners
+and straight line segments for the edges, but, given an appropriate font,
+other borders can also be typeset. (Below we explain how a border
+font must be designed in order to be useful with these macros.) Before
+any of the macros described below can be used, you must |\input|
+border.tex.*
+}
+
+There\footnote{}{* Border.tex also works with \LaTeX.}
+% if the \footnote is done within \setborder, it gets lost
+are several ways of typesetting borders, depending on the characters
+that form the border. Macros such as |\border|
+create a vbox of specified height and width (the depth is always zero),
+containing only the border. Typesetting text within a border is done by
+creating a box with the text and superimposing it on the box with the border,
+as explained later. The types of border we will now describe differ in the
+way they compose characters to build a border; the choice of the characters
+is determined by another macro (|\borderelm|). The border around the
+previous paragraph was typeset with |\border|. It is built from eight
+different characters: `\roundcorners0', `\roundcorners1', and
+`\roundcorners2' for the top; `\roundcorners3' and `\roundcorners4' for the
+center; and `\roundcorners5', `\roundcorners6', and `\roundcorners7' for the
+bottom. |\border| takes two arguments, the height and the width of the border.
+\begintt
+\border{2cm}{10cm}
+\endtt
+creates a border like this:
+$$\border{2cm}{10cm}$$
+It is a vbox with height $2$ cm, depth $0$, and width $10$ cm.
+
+In order to create a border of the exact specified dimensions, some characters
+may need to overlap. Suppose we built a border from the following character,
+a $1$ cm by $1$ cm box:
+$$\boxelm0$$
+The following is the
+border created by |\border{4.8cm}{10.5cm}|:
+$$
+\let\borderelm=\boxelm
+\border{4.8cm}{10.5cm}
+$$
+As you see, some of the boxes overlap, in order to get the specified
+dimensions. This overlap is always between the edge elements, there is never
+overlap with the corner elements (unless the size is too small).
+In fact, the overlap is always with
+the edge elements that are closest to the corners. (|\border| always sets
+at least one edge element for each edge.)
+
+|\border| works fine if the edge elements can overlap, which basically
+restricts them to be ``rule like.'' There is an alternative to |\border|,
+called |\xborder|. It is used in the same way as |\border|, but the exact
+size is obtained by putting extra space
+between the elements, rather than overlapping them. Suppose we build a
+border with the
+same corner elements as before, but with the edge built from ``bullets''
+rather than straight line segments. The top element consists of a bullet
+centered in a $1$ cm wide box. Here are the top lines obtained from
+|\border{...}{4.5cm}| and |\xborder{...}{4.5cm}|, respectively.
+\let\borderelm=\bulletelm
+$$
+\line{\hss\hborder{4.5cm}012\qquad\qquad\hxborder{4.5cm}012\hss}
+$$
+In case of |\xborder|, the proper vertical size is also obtained by spacing.
+
+Some border characters, however, need to abut in order to form
+a border. For instance, suppose we want to make a ``cloud like'' border,
+where the top corners and top edge elements are all `\cloudelm0'
+In this case, |\border{...}{1.6cm}| and |\xborder{...}{1.8cm}| give
+\let\borderelm=\cloudelm
+$$\line{\hss
+\hborder{1.6cm}012\qquad and\qquad\hxborder{1.8cm}012%
+\hss}$$
+Clearly, neither solution works very well.
+For this case there are two other macros, |\minusborder| and |\plusborder|.
+They take the same arguments as |\border|, but produce a box of rounded
+dimensions rather than of the exact size. The border is built by abutting
+the elements. |\minusborder| rounds the size down, whereas |\plusborder| rounds
+the size up. |\minusborder{...}{1.8cm}| and |\plusborder{...}{1.8cm}| give
+$$\line{\hss
+\hminusborder{1.8cm}012\qquad and\qquad\hplusborder{1.8cm}012%
+\hss}$$
+
+\setbox0=\hbox{\it width}\setbox2=\hbox{\it hspace}\setbox4=\hbox{\it vspace}
+
+The above macros all generate empty borders. Typically, one wants to put some
+text in the border. There is one macro to make that easy, |\setborder|. It
+is called as follows:
+\begintt
+\setborder[|copy0, |copy2, |copy4]\border{ ... }
+\endtt
+where the |...| stands for the text that must be boxed. In this case, |\border|
+will be used to create the border, but you can also use |\xborder| etc.
+The border will be \copy0\ wide (or a rounded value); the height of the
+border is determined by the amount of text. The text itself is first
+broken in paragraphs and lines, as usual in \TeX. The width of the lines
+is $\copy0 - 2\cdot\copy2$. The text is than put in the border with
+\copy4\ space at the top and at the bottom, and \copy2\ space at the left and
+at the right hand sides.
+For instance, the first paragraph of this manual section was set with
+\begintt
+\setborder[\hsize,1em,\smallskipamount]\border
+{\noindent The macros described ...
+ ....
+}
+\endtt
+The \copy0\ and \copy2\ must be dimensions; \copy4\ can be a dimension or
+a glue amount (without |\vskip|).
+
+\danger With |\setborder|, the text between braces, |{...}|, is read
+in the same way as when you write |\vbox {...}|. (You can use |\bgroup| and
+|\egroup| instead of the braces.) The text is {\it not\/} an argument of
+|\setborder|, which is important if it contains catcode changes. You can
+change the paragraph shape, or have more than one paragraph of text.
+\let\borderelm=\roundcorners
+$$\setborder[10cm, 1cm, 4mm]\border{
+\parindent=0pt \parfillskip=0pt
+\leftskip=0pt plus 1cm minus 5mm
+\rightskip=0pt plus 1cm minus 5mm
+For instance, the text in this paragraph is set with some extra |\leftskip|
+and |\rightskip| glue, which takes care of centering every line. This
+was done as follows:
+}
+$$
+\beginlines
+|\setborder[10cm, 1cm, 4mm]\border{|
+|\parindent=0pt \parfillskip=0pt|
+|\leftskip=0pt plus 1cm minus 5mm \rightskip=0pt plus 1cm minus 5mm|
+\goodbreak
+|For instance, the text in this paragraph ...|
+|...|
+\nobreak
+|}|
+\endlines
+
+\danger If |\setborder| does not suit your purpose, you can write your
+own equivalent. Generally, to put text in a border, you first generate
+a box containing the border of the appropriate size. Then you make a box
+containing this border box plus the text superimposed on it. Superimposing
+is done by either ``backspacing'' using negative kerns, or by making a
+zero width or height border box, in a similar way as |\llap| makes a zero
+width box. Usually, you have to use several nested levels of boxing to
+get the desired result.
+
+We have described the different ways of composing border characters, but not
+yet how to specify which characters are used. Whenever a border is typeset,
+it is assumed that a macro |\borderelm#1| exists. This macro is called with
+as argument a number in the range $0,\dots,7$; it should return the appropriate
+border element, where the elements are numbered as follows:
+\let\borderelm=\numberelm
+$$\minusborder{2cm}{5cm}$$
+|\borderelm| is called within an hbox; it should typeset a character, a
+box, or an vrule. (Since the macro is expanded within an hbox, you should be
+careful not to put extra spaces in it; doing that may cause strange
+gaps in the border.)
+
+A convenient way of writing |\borderelm| is with
+an |\ifcase| construction. For instance, assume that in font |\qc| the
+characters |a|, |b|, |c|, etc. correspond to `\roundcorners0',
+`\roundcorners1', `\roundcorners2', etc. Then you could write |\borderelm|
+as follows:
+\beginlines
+|\def\borderelm#1%|
+\nobreak
+| {{\qc \ifcase#1|
+| a\or b\or c\or d\or e\or f\or g\or h% no extra space|
+| \fi|
+| }}|
+\endlines
+In fact, a macro like this is already defined in border.tex. It is called
+|\roundcorners|, so that you can say |\let\borderelm=\roundcorners| to
+get the borders with rounded corners. The corner elements come from
+font |\manfnt|, which corresponds to the external font `manfnt.' (The
+corner elements are described on page 389 of The \TeX book.) |\roundcorners|
+scales, which means that you can say, for instance,
+\begintt
+\font\manfnt=manfnt scaled 2074
+\endtt
+to get larger corners --- provided you have the appropriately scaled
+font file (2074 corresponds to |\magstep4|).
+If you do not want to load the manfnt font (e.g., because your installation
+does not have it), you should define |\let\manfnt=\relax| before you
+|\input| border.tex.
+
+Hopefully a variety of border fonts will come available in the future. But even
+with just the quarter circles you can already vary your borders quite a bit.
+We already saw a border with half circles before, it is an easy exercise
+to define a complete border that way. The following definition defines
+a fancier corner:
+\beginlines
+|\setbox0=\hbox{\roundcorners2}|
+|\vbox{\offinterlineskip|
+| \hbox{\copy0\roundcorners0\copy0}|
+| \hbox to 3\wd0{\hfil\roundcorners7}|
+| \hbox to 3\wd0{\hfil\copy0}|
+\nobreak
+| }%|
+\endlines
+It defines the ``number 2'' (or number 5) corner:
+\setbox0=\hbox{\roundcorners2}
+\vbox{\offinterlineskip
+ \hbox{\copy0\roundcorners0\copy0}
+ \hbox to 3\wd0{\hfil\roundcorners7}
+ \hbox to 3\wd0{\hfil\copy0}
+ } ;
+the other corners can be defined similarly.
+
+\danger If you want, you can omit the corners from |\borderelm| (i.e., write
+|\borderelm| to return nothing for arguments $0$, $2$, $5$, and $7$).
+But if you do not want any edge elements, you should still put something
+with width (or height) for the top/bottom (or left/right) edges; for instance,
+|\hbox to10pt{}| is a valid top element. Border.tex uses several box and
+dimen registers. Rather than reserving private registers, which would
+make them unavailable for other purposes, border.tex uses |\box0|, |\box2|,
+|\box4|, |\dimen0|, |\dimen2|, and |\count2|. Normally, this does not cause
+problems, since they are always restored to their old value. The only time
+you should take this into account, is in |\borderelm|: this macro should
+not depend on any global values of these registers, nor should it make
+any lasting changes to them.
+
+\danger If you are a font designer, and want to define a font that can be
+used with border.tex, you should understand something of how |\border| etc.
+build the borders. A border is built from three horizontal strips. The top
+and bottom strips consist of a corner element, a number of edge elements,
+and another corner element. These elements are aligned by their baselines,
+and the width of the border(-strip) is determined by the width of the
+bounding boxes. Therefore, the ``ink'' in the border elements
+should be close to the outside edges of the bounding boxes; otherwise there
+will not be a proper relation between the actual size of the border and
+the size of the visible border. The center strip is built from an edge,
+white space (glue), and another edge. The amount of white space is chosen
+so that the width of the center strip is the width of the top strip.
+The whole border is built by vertically aligning the top strip, a
+number of center strips, and the bottom strip. This is done by aligning
+the left hand edges of the horizontal strips. The vertical size of the
+border is again determined by the vertical size of the bounding boxes.
+You may notice that the quarter circle elements described on p. 389 of The
+\TeX book (used in |\roundcorners|), do not fit properly in their bounding
+boxes for the purpose of setting borders. In fact, |\roundcorners| must go
+to considerable effort to reposition the bounding boxes. If you can, avoid
+such problems with any new fonts you design.
+
+There are two more variants of borders. First, to set only one horizontal
+strip of a border generated by |\border|, you can use |\hborder|. It takes
+four argument: the width, and the numbers of the left element, middle
+element, and right element. E.g., |\border{4cm}012| generates the top
+of the border, whereas |\border{4cm}567| generates the bottom. There
+are also |\hxborder|, |\hminusborder|, and |\hplusborder|. However, there
+are no vertical equivalents.
+
+Finally, there are macros |\minusgray| and |\plusgray|. They behave
+like their border counterparts, except that the center of the border
+is filled with an extra character (|\borderelm8|) rather than with white space.
+For use with these macros, |\borderelm| must return characters as follows:
+\let\borderelm=\numberelm
+$$\minusgray{2cm}{5cm}$$
+This is useful if you have characters that contain a ``gray'' pattern
+(a ``stipple'' or ``Ben Day'' pattern). Although a font with a gray pattern
+should not be hard to define, to the author's knowledge there is currently
+no such font in the public domain. These gray macros can also be used with
+|\setborder|.
+
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/midnight/dolines.doc b/Master/texmf-dist/doc/generic/midnight/dolines.doc
new file mode 100644
index 00000000000..782b981de2d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/dolines.doc
@@ -0,0 +1,306 @@
+% dolines.doc --- version 1.0 (15 April 1991)
+% This is the documentation for dolines.tex.
+% To read this file, process it with (plain) TeX: tex dolines.doc
+% (To do that, you need manmac.tex, which has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- dolines.doc:
+
+\pageno=9 % follows loop.doc
+
+\manpage dolines.tex
+Meta-macros to separate arguments by newlines and by empty lines.
+Version: 1.0 (15 April 1991) (doc: 15 Apr 1991)
+
+The macros in dolines.tex are intended to help you write your own
+macros, rather than to typeset text directly. Consequently, it is
+assumed that you have some experience writing macros; in other words,
+assume that this whole section is preceded by a ``dangerous bend'' symbol.
+
+Dolines.tex\footnote*{To use dolines.tex you also need Midnight/loop.tex,
+which will be |\input| when you |\input dolines|.}
+helps to write macros for which line breaks inserted
+by the user are important. When the definitions from dolines.tex
+are in effect, text consists of paragraphs separated by one
+or more empty lines (as usual). Each paragraph consist of one
+or more lines, where a line is terminated by a normal newline character,
+`|^^M|' (normally, \TeX\ treats newlines as if they are spaces). Note that,
+as far as dolines.tex is concerned, a paragraph can only be
+terminated by an empty line, not by, e.g., |\par| or |\vskip|.
+To use dolines.tex, you have to define three macros, |\beforelines|,
+|\everyline#1|, and |\afterlines|. When dolines.tex detects the beginning
+of a paragraph, |\beforelines| is called. Next, for every line,
+|\everyline| is called with as argument a single macro. That macro
+has as its expansion the line that was read. (Usually, this is almost
+the same as saying that |\everyline| is called with the line as argument.)
+After the last line of the paragraph, |\afterlines| is called.
+No output is generated, other than what is produced by your own macros.
+
+{\def\fnm{\<\rm file name>}
+There are two ways of using dolines.tex. One is to read lines from
+a file, the other is to take the lines from the current input file.
+If you say
+\begintt
+\filedolines{|fnm}
+\endtt
+dolines.tex will attempt to read the file, calling |\beforelines|,
+|\everyline|, and |\afterlines| as described above. The file is read
+inside a group, so you may need to use |\global| if you do assignments
+within, e.g., |\everyline|.
+}% \fnm
+
+As an example, we define a ``poetry environment'' which reads a poem
+from a file, preserving the poet's line breaks. We draw horizontal
+lines around the poem, and put every stanza in a vbox to prevent
+page breaks. (It is certainly possible to write better poetry environments,
+we are just illustrating dolines.tex.)
+\beginlines
+|\input dolines|
+\nobreak\smallskip\nobreak
+|\def\readpoem#1{\medskip \hrule \filedolines{#1}\hrule \medskip}|
+\smallbreak
+|\def\beforelines{\medskip \vbox\bgroup}|
+|\def\everyline#1{\hbox{\kern\parindent \it #1}}|
+|\def\afterlines{\egroup \medskip} % end of the vbox|
+\endlines
+If file ``epic.tex'' contains a poem, we can typeset it with
+|\readpoem{epic}|.
+
+However, if you are typesetting several short rhymes, it is somewhat
+inconvenient to have each of them in a separate file. This is where
+the second method of using dolines.tex is useful. You have to define
+a macro |\enddolines|, the expansion of which should be
+the text you want to use to terminate
+dolines.tex's effect. You also have to define a macro |\finishdolines|.
+When you say |\begindolines|, dolines.tex starts reading lines,
+calling |\everyline| etc. This continues until dolines.tex reads a
+line equal to the (top level) expansion of |\enddolines|. Then your
+macro |\finishdolines| is called, and \TeX\ resumes normal processing.
+|\begindolines| and the line equal to |\enddolines| form a group
+(as with |\filedolines|); |\finishdolines| is called {\sl outside}
+this group.
+
+Here is how we can extend the poetry environment with two control
+sequences |\beginpoem| and |\endpoem|. We keep the above definitions
+of |\beforelines| etc.
+\beginlines
+|\def\beginpoem{\medskip \hrule \begindolines}|
+|\def\enddolines{\endpoem}|
+|\def\finishdolines{\hrule \medskip}|
+\endlines
+Now we can typeset a poem as follows (the English stanza is from The
+\TeX book):
+\beginlines
+|\beginpoem|
+\nobreak\medskip\nobreak
+|Roses are red,|
+|\quad Violets are blue;|
+|Rhymes can be typeset|
+|\quad With boxes and glue.|
+\nobreak\medskip\nobreak
+|Blauw de viooltjes,|
+|\quad Rood zijn de rozen;|
+|Een rijm kan gezet|
+|\quad Met plaksel en dozen.|
+\nobreak
+|\endpoem|
+\endlines
+Note that we never defined |\endpoem|, as it is never expanded. In fact,
+there is no reason to terminate the poem with a control sequence. If we
+define |\def\enddolines{***}|, three stars on a single line will play
+the r\^ole of |\endpoem| above.
+
+\danger There are a few things to be careful about. First, a line
+must have properly nested |{...}| groups. (Because a line is read as
+an argument delimited by a \<return> character.) You should not use
+this to fold long lines, because that will insert an explicit \<return>
+character with catcode 12 in the line. Second, spaces at the beginning
+of a line are skipped, unless you change the catcode of `\]'. This means
+that, for instance, there can be spaces in front of |\endpoem|.
+(Spaces are skipped at the beginning
+of a line because at that point \TeX\ is in ``state N'' --- see Chapter
+8 of The \TeX book.) Third, when |\everyline| is called, the line
+that is its argument is already tokenized. This means that a catcode
+change within |\everyline| cannot effect this line. Furthermore,
+when |\beforelines| is called, the first line is already read and
+tokenized.
+
+\danger |\filedolines| and |\begindolines| treat lines in pretty much
+the same way. There is however a significant difference in the way
+comments are treated. If a line has a comment (i.e., it ends with
+`|%...|'), |\begindolines| will miss the \<return> at the end of the
+line. This is normal for \TeX, it can be used to fold long lines.
+However, if you are using |\filedolines|, comments will be skipped,
+but lines are not concatenated: |\filedolines| will not miss the
+\<return>! (This is because |\filedolines| uses \TeX's |\read| primitive.)
+A rather obscure difference
+is that a line consisting of just `|\par|' is read as an empty line
+by |\filedolines|, whereas it is read as a non-empty line by |\begindolines|.
+If you want to use |\begindolines| to read from a file, you can say
+|\expandafter\begindolines\input ...|.
+
+It is possible for |\finishdolines| to take arguments, but they have to appear
+on the line following the line with the expansion of |\enddolines|. Suppose
+we change the poem environment by defining |\finishdolines| as
+\begintt
+\def\finishdolines#1%
+ {\line{\strut \hss --- #1\hss\hss}\hrule \medskip}
+\endtt
+Hence, |\finishdolines| will print the author's name under the poem.
+The argument should be written on the line following |\endpoem|:
+\begintt
+\beginpoem
+ ...
+\endpoem
+{A.U. Thor}
+\endtt
+
+Sometimes we want to use dolines.tex to read just one paragraph by making
+|\enddolines| equal to an empty line. For instance, a macro |\address| which
+reads an address terminated by an empty line. The problem with defining
+|\def\enddolines{}| is that if there is an empty line before the address
+(or even if the rest of the line after |\address| is empty), no lines
+will be read at all. To ensure that at least one paragraph is read, we use
+|\beforelines| to define |\enddolines|:
+\begintt
+\def\beforelines{\normalbeforelines\def\enddolines{}}
+\let\enddolines=\relax
+\endtt
+Here, |\normalbeforelines| denotes whatever must be done at the beginning
+of the address. Initially |\enddolines| is equal to |\relax|, but as soon
+as the first non-empty line is found, |\enddolines|
+is redefined as an empty line. Following that, an empty line causes calls
+of |\afterlines| and |\finishdolines|. (A way to include an empty line in
+the address is to write a tie (`|~|') on a line of its own.)
+
+\danger As a more complicated example, we design a simple verbatim
+environment. The verbatim environment treats horizontal tabs as spaces,
+and considers multiple empty lines equal to a single empty line.
+We first write macros |\setupverbatim| and |\finishverbatim|. The first
+sets up the character codes for verbatim printing, the second resets
+those character codes.
+
+\beginlines
+|\def\setupverbatim|
+\nobreak
+| {\medskip \hrule \bgroup|
+| \def\do##1{\catcode`##1=12 }\dospecials|
+| \obeyspaces \tt|
+| }|
+\medskip
+|\def\finishverbatim{\egroup \hrule \medskip}|
+\medskip
+|{\obeyspaces\global\let|\]|=\|\]|}|
+\endlines
+Grouping is used to keep the catcode changes local. Plain \TeX's |\dospecials|
+macro applies the macro |\do| to all special characters (`|\|', `|$|', etc.),
+which, in this case, gives them all catcode 12 (``other''). But we don't want
+catcode 12 for spaces, because the |\tt| font has a visible space character
+`\]'. Therefore, spaces are made active with |\obeyspaces|, and in the
+last line we make an active space equal to \hbox{|\|\]}.
+
+To start setting verbatim text, we use |\beginverbatim|; |\readverbatim|
+is used to typeset a whole file in verbatim mode.
+The macros for typesetting lines and paragraphs are very straightforward.
+\beginlines
+|\def\beginverbatim{\setupverbatim\begindolines}|
+|\let\finishdolines=\finishverbatim|
+\medbreak
+|\def\readverbatim#1{\setupverbatim\filedolines{#1}\finishverbatim}|
+\medbreak
+|\def\beforelines{\smallskip}|
+|\def\everyline#1{\hbox{\strut #1}}|
+\nobreak
+|\def\afterlines{\smallskip}|
+\endlines
+
+Finally, we have to define |\enddolines|. We want to match |\beginverbatim|
+with |\endverbatim|, so we would like to do
+\begintt
+\def\enddolines{\endverbatim}
+\endtt
+The problem is that this makes |\enddolines| expand to the {\sl control
+sequence} |\endverbatim|. But while we are in verbatim mode, no control
+sequences are recognized, because `|\|' is not an escape character.
+What we really want is to make the expansion of |\enddolines| equal
+to the {\sl string} ``$\backslash$endverbatim''. This is done by
+temporarily making `|\|' a normal character and `|/|' an escape
+character:
+\beginlines
+|{\catcode`\/=0 /catcode`/\=12|
+| /gdef/enddolines{\endverbatim}|
+\nobreak
+|}|
+\endlines
+This completes the verbatim environment. Note that |\endverbatim| is
+only recognized if it appears on a line by its own and is not preceded
+by spaces. If you are not afraid of confusion, you can change the
+name |\finishverbatim| to |\endverbatim|.
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/gloss.doc b/Master/texmf-dist/doc/generic/midnight/gloss.doc
new file mode 100644
index 00000000000..602d46aa7c2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/gloss.doc
@@ -0,0 +1,283 @@
+% gloss.doc --- version 1.0 (26 November 1990)
+% This is the documentation for gloss.tex.
+% To read this file, process it with (plain) TeX: tex gloss.doc
+% (To do that, you need both gloss.tex and manmac.tex. The latter has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1990 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- gloss.doc:
+
+\input gloss % change this to refer to gloss.tex on your system
+
+\pageno=5 % follows quire.doc
+
+\manpage gloss.tex
+Macros for vertically aligning words in consecutive sentences.
+Version: 1.0 (26 November 1990) (doc: 10 November 1990)
+
+To gloss means to insert explanations or translations of words
+between the lines of a text. For ease of reading, one generally
+wants the explained word and the explanation to line up, as in
+\gloss Dit is een Nederlands voorbeeld.
+This is a Dutch example.
+\begindisplay
+\box\gline
+\enddisplay
+The macros defined in gloss.tex make it convenient to typeset
+such glossed sentences. To use the macros, you first have to
+|\input gloss|\footnote*{We have made no attempt to \LaTeX ify gloss.tex,
+but you can use the macros in \LaTeX\ just as in plain \TeX.}.
+The main macro for typesetting glossed sentences
+is |\gloss|. It should be followed by the two sentences, each
+terminated by a \<return>. The previous example was typeset with
+\begintt
+\gloss Dit is een Nederlands voorbeeld.
+This is a Dutch example.
+\endtt
+But instead of printing the glossed sentence, |\gloss| puts the
+whole construction in an hbox, called |\gline|. To actually insert
+that box in your text, you use |\box\gline| or |\unhbox\gline|.
+The text is put in a box to make it easier to handle. For instance,
+it makes it easy to put extra indentation or an example number
+in front of the sentence. (The baseline of the hbox is the baseline
+of the second line in the box.) The difference between |\box\gline|
+and |\unhbox\gline| is that the latter allows line breaks in the
+glossed sentence. That is obviously only useful if the glossed
+sentence is quite long; we will see an example later on.
+
+The |\gloss| macro splits each sentence into words, and then aligns
+the words. In this context, a word is a sequence of characters separated
+by spaces. The number of spaces between words is irrelevant, so that
+you can line up the words in your input as well. Using
+\begintt
+\gloss Dit is een Nederlands voorbeeld.
+ This is a Dutch example.
+\endtt
+gives exactly the same output as the input given before. However,
+you should not insert extra \<return> symbols. The sentences
+can have a different number of words.
+Sometimes one of the two sentences has a word without equivalent
+in the other sentence. In such cases you can insert an empty word
+with |{}|. You can also combine several words into a single word,
+by using grouping. The following example illustrates both.
+\begintt
+\gloss Dit is een voorbeeldje in het Nederlands.
+ This is a {little example} in {} Dutch.
+\endtt
+gives
+\gloss Dit is een voorbeeldje in het Nederlands.
+ This is a {little example} in {} Dutch.
+\begindisplay
+\box\gline
+\enddisplay
+Without the grouping ``example'' would have been lined up
+with ``{\it in\/}.''
+
+By default the first sentence of a glossed pair is set in italic font
+(|\it|), the second in roman font (|\rm|). You can change this by,
+for instance, setting |\let\eachwordone=\rm|, which will set
+each word in the first sentence in roman font. The font of the second
+sentence is governed by |\eachwordtwo|. This use of the |\eachword|
+macros is an instance of a more general mechanism that is explained
+later. You can insert font changes in the middle
+of a sentence, but they only apply to the next word.
+\begintt
+\gloss Dit is een Nederlands voorbeeld.
+ This is a \sl Dutch example.
+\endtt
+will set ``Dutch'' in slanted font, but ``example'' in the default
+font. The |\gloss| macro considers |\sl Dutch| to be a single word,
+and sets this word in an hbox so that the effect of the font change
+is limited. |\sl| is not considered a word by itself, because
+spaces following a macro are always skipped.
+
+{
+\let\eachwordone=\rm
+\def\sixstrut{\vrule height5pt depth1.5pt width0pt }
+\def\eachwordtwo{\let\strut=\sixstrut\sixrm}
+\baselineskip=22.5pt
+\setbox0=\hbox{ }\advance\rightskip by-\wd0
+\let\s=\string
+
+\gloss You may want to gloss more than a single sentence, maybe
+ {} verb verb {} verb {} {} {} {} noun
+\gloss a whole paragraph.
+ {} {} noun
+\gloss It would however be quite inconvenient if you had to
+ {} verb {} verb
+\gloss follow |\s\gloss| by a whole paragraph on a single line (by
+ verb macro {} {} {} noun {} {} {} noun
+\gloss terminating each line with a {|\%|-sign}), followed by a line
+ verb {} noun {} {} noun verb {} {} noun
+\gloss containing all the glosses. Especially if there are a lot of
+ verb {} {} noun {} {} {} verb {} noun
+\gloss unglossed (empty) words, it would be hard to get the sentences
+ verb? {} noun {} verb verb {} {} verb {} noun
+\gloss lined up properly. Fortunately, a paragraph like the current
+ verb {} {} {} {} noun
+\gloss one can be set quite easily. |\s\gloss| puts the created sentence
+ noun verb verb verb {} {} macro verb {} verb noun
+\gloss in |\s\gline|, and |\s\gline| is emptied by using |\s\box| or
+ {} box {} box verb verb {} verb
+\gloss |\s\unhbox|. But if you don't empty |\s\gline|, the next
+ {} {} {} {} verb verb box
+\gloss usage of |\s\gloss| will append the new sentence to the older
+ noun {} macro verb verb {} {} noun
+\gloss one. Hence, this paragraph was typeset with
+ noun {} {} noun verb verb
+\unhbox\gline
+
+}
+\beginlines
+|\gloss You may want to gloss more than a single sentence, maybe|
+\nobreak
+| {} verb verb {} verb {} {} {} {} noun|
+|\gloss a whole paragraph.|
+\nobreak
+| {} {} noun|
+\quad\vdots\ {\sevenrm(10 more)}\smallskip
+|\gloss one. Hence, this paragraph was typeset with|
+\nobreak
+| noun {} {} noun verb verb|
+\nobreak\smallskip\nobreak
+|\unhbox\gline|
+\endlines
+Of course, a few more things, like the fonts, had to be changed. We
+discuss that next. Also notice that it takes \TeX\ quite some time
+to typeset such a paragraph.
+
+\medskip
+\def\word{{\rm\<word>}}
+\danger Each word from the first line following |\gloss| is set in
+an hbox as follows
+\begintt
+\hbox{\eachwordone\strut|word|]}
+\endtt
+The macro |\eachwordone| is by default |\let| equal to |\it|, but
+can be redefined. The previous paragraph was made with
+\begintt
+\let\eachwordone=\rm
+\def\sixstrut{\vrule height5pt depth1.5pt width0pt }
+\def\eachwordtwo{\let\strut=\sixstrut\sixrm}
+\endtt
+(If |\strut| were not redefined, there would be too much space between
+the first and the second line.) Furthermore, to obtain a larger separation
+between the pairs of lines, the |\baselineskip| was set to 22.5 pt
+(|\baselineskip| governs the spacing between the glossed pairs, the
+spacing within the pair is governed by the |\strut|s.) Since a word
+does not contain spaces, and each word is followed by a space,
+the |\eachword| macros can easily be made to take the word (and the
+|\strut|) as argument. For instance, the following definition will
+underline every word in the first line.
+\begintt
+\def\eachwordone#1|]{\rm\underbar{#1}|]}
+\endtt
+The space following the word does not disappear at a line break, because
+it is hidden within an hbox. To hide this extra space between the last
+word and the right margin, the final thing needed to typeset the
+previous paragraph was
+\begintt
+\setbox0=\hbox{|]}\advance\rightskip by-\wd0
+\endtt
+This is not perfect, because the size of the space depends on the font:
+there is a {\sixrm verb} sticking out slightly.
+
+\danger The word boxes are paired together in a single vbox, and
+|\gline| consists of a sequence of these vboxes. The vboxes are separated
+by some glue, equal to |\glossglue|. Without this glue no line breaks
+would be possible, nor would the spaces between the words be stretchable.
+|gloss.tex| says |\glossglue=0pt plus2pt minus1pt|. The stretch and
+shrink components are only relevant if |\unhbox\gline| is used.
+
+Sometimes you would rather not have extra space following a word,
+for instance when parts of a word are glossed separately: In
+\gloss Dit is een voorbeeld- je in het Nederlands.
+This is an example (``little'') in {} Dutch.
+\begindisplay
+\box\gline
+\enddisplay
+it is preferable to have no space following ``{\it voorbeeld-}'' if it
+is not necessary. This can easily be achieved with a macro like
+\begintt
+\def\+#1|]{#1}
+\endtt
+which is inserted just before the word that should not have a space:
+|\+voorbeeld- je|.
+It can also be done by making the hyphen gobble up the space, as in
+\begintt
+\let\hyphen=-
+\catcode`-=\active
+\def-#1|]{\hyphen#1}
+\endtt
+However, this does not work if there is a word with a hyphen in the
+middle. To handle that situation, a more sophisticated definition
+of |-| can check what the next character is, using
+|\futurelet|. We will not do that here, as it has little to do with
+glossed sentences.
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/labels.doc b/Master/texmf-dist/doc/generic/midnight/labels.doc
new file mode 100644
index 00000000000..1cfa44d6ea6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/labels.doc
@@ -0,0 +1,234 @@
+% labels.doc --- version 1.0 (24 October 1991)
+% This is the documentation for labels.tex.
+% To read this file, process it with (plain) TeX: tex labels.doc
+% (To do that, you need manmac.tex, which has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% Doc history:
+% 10 Sep 1991: Added paragraph about centering labels.
+% 22 Apr 1991: First version
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- labels.doc:
+
+\pageno=12 % follows dolines.doc
+
+\manpage labels.tex
+Macros to print address labels and bulk letters.
+Version: 1.0 (24 October 1991) (doc: 10 Sep 1991)
+
+The macros defined in labels.tex can be used to print address labels. Such
+labels can be printed on normal paper, if you want to cut them yourself,
+or on peel-off labels. (Peel-off labels are available in various sizes for
+most types of printers and photo-copiers.)
+In order to use the macros
+you always have to start with |\input labels|, which reads
+labels.tex\footnote*{To use labels.tex you also need Midnight/dolines.tex and
+Midnight/loop.tex, which are input automatically.}.
+We will first explain how to
+typeset labels, then how to print bulk letters.
+
+There are two slightly different ways to print labels. The first one is to say
+\begintt
+\beginlabels
+...
+\endlabels
+\endtt
+where in place of `|...|' you type the labels separated by empty lines.
+The second is to simply say
+\begintt
+\labelfile{...}
+\endtt
+where `|...|' is the name of a file that contains the labels. In either case
+a label consists of several lines, and labels are separated by one
+or more empty lines. You end your file as usual, with |\bye|.
+Labels.tex does not specify which font to use, which
+in plain \TeX\ means that by default a 10 points Roman font is used.
+However, for legibility
+it is usually better to use a sans-serif font, for instance by writing
+\begintt
+\font\sf=cmss12
+\sf \baselineskip=14pt
+\endtt
+In order to typeset labels, you must define the size and other attributes
+of labels. (There are default values, but they are
+unlikely to suit your needs, especially if you want to print on
+peel-off labels.) These attributes must be set before you call
+|\beginlabels| or |\labelfile|; therefore, a typical input file has the form
+\beginlines
+|\input labels|
+\nobreak
+|\vlbls=5 \hlbls=2|
+\goodbreak
+|\vlblsize=5cm|
+|\labelfile{customers.lbl}|
+\nobreak
+|\bye|
+\endlines
+where file `customers.lbl' has the addresses that must be typeset. The
+assignments to |\vlbls|, |\hlbls|, and |\vlblsize| define certain attributes.
+Next we describe which attributes there are.
+
+First you have to tell \TeX\ how labels must appear on a page. |\vlbls|
+must denote the vertical number of labels per page, |\hlbls| the horizontal
+number. |\vfirst| specifies the amount of white space between the top of the
+page and the top of the first label; |\hfirst| is the amount of white space
+to the left of the first label. Dimensions |\vinter| and |\hinter| specify
+the white space between labels.
+
+Then you have to specify the size of each label. |\vlblsize| and |\hlblsize|
+specify the vertical and horizontal sizes of a single label. |\vindent| is
+the white space between the top of the label and the baseline of the first
+line. (|\vindent| is similar to \TeX's |\topskip| parameter.) |\hindent|
+is the amount of white space between the left edge of a label and the
+text of the label.
+
+The parameters mentioned above are sufficient to typeset labels. There
+are however a few special parameters that are sometimes useful.
+By default, there is no outline around the labels. That is suitable for
+printing on peel-off labels, but inconvenient for use with previewers or
+plain paper. You can set |\lbloutline| to the thickness of the lines
+you want around your labels, e.g., |\lbloutline=0.5pt|. The outlines
+are drawn at the outside of the label (i.e., in the space between the
+labels).
+
+If there is too much text on a label, an error message is given; for reference,
+the message contains the input text corresponding to the label. A label
+with an error is not typeset.
+When you typeset labels, by default a file `lblerror.tex' is created, which
+has the text of all the labels that did not fit. This makes it convenient to
+process those labels again, e.g., with |\labelfile|.
+However, if you set |\erroraction=0| before you start typesetting labels,
+file `lblerror.tex' is not created. Setting |\erroraction=1| does not only
+suppress generation of the error file, it also forces printing of the labels
+that have errors. Any other value of |\erroraction| causes the default
+behavior.
+
+\danger The error messages refer to the natural size of a label. If
+|\vindent| and |\hindent|, which are glue parameters, have shrink components,
+it is possible that the text will actually fit on the label. However, usually
+these indentations have no stretch or shrink components.
+
+\danger There are two token registers, |\beforelbl| and |\afterlbl|, that
+can be used to put additional text on each label.
+They contain \<vertical material> that is inserted just before and after
+the text of the label, respectively. By default, these sequences are empty.
+One can for instance specify
+\begintt
+\beforelbl={\line{---Confidential---\hfil}\smallskip}
+\endtt
+to put ``---Confidential---'' at the beginning of each address. {\sl Note:\/}
+Since addresses are normally read from bottom to top, the post office
+prefers it if you don't put text after the address, unless it is part
+of the address. E.g., using |\afterlbl={\noindent USA}| is ok, but use
+|\beforelbl| if you want to add an ``attention:\dots'' line to each label.
+
+\danger If you want to use the labels for something else than addresses, you
+may want to center the text on the label. Horizontal centering can be obtained
+with |\hindent=0pt plus1fil|. Note that this centers the text according to
+the widest line; it does not center each line separately.
+Vertical centering is a bit more complicated, because of the way \TeX\ stacks
+boxes vertically. The following centers the label text vertically:
+\begintt
+\count255=\baselineskip
+\vindent=\count255sp plus1fil
+\endtt
+This works because the actual vertical indentation is |\vindent| minus
+|\baselineskip|, since \TeX\ automatically inserts |\baselineskip| glue.
+
+Within a label, you can type `|&|' and `|#|' for
+`\&' and `\#'. (In \TeX, you usually have to type `|\&|' and `|\#|' to get
+these symbols.) You can use macros in a label, for instance for font changes.
+A line of a label must contain balanced braces; a `|%|' sign
+will concatenate the next line. (Usually, labels do not contain macros, nor
+braces, nor percentage-signs.)
+If for some reason you want an empty line in the middle of a label,
+write a `tie' (`|~|') on that line. (The |~| is replaced by a space in the
+output.)
+
+Address labels are often used to send an identical letter to each addressee.
+The command |\bulk| makes it easy to print the address on each letter. You
+need two files, one with all the addresses, and one with the standard letter.
+Say that they are called `addr.tex' and `letter.tex', respectively. The command
+\begintt
+\bulk{addr}{letter}
+\endtt
+will typeset a copy of the letter for each address. In the letter you can
+use the control sequence |\bulkaddress|. This stands for a vbox that contains
+the address to which the letter corresponds. (The vbox contains an hbox for
+each line of the address; parameters like |\vindent| and |\hlblsize| are not
+important when |\bulk| is used.) Since `letter.tex' is processed many times,
+it is best to put any definitions that apply to all letters in the file
+that contains the |\bulk| command, rather than in the letter itself.
+Each letter is read within a group, so all non-global definitions and
+assignments in the letter are local to the letter. Also note that the
+vbox containing the address is typeset before the letter is read.
+The |\bulk| command does not generate address labels; for that you have
+to use |\labelfile{addr}|.
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/loop.doc b/Master/texmf-dist/doc/generic/midnight/loop.doc
new file mode 100644
index 00000000000..ecd37bcd6a7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/loop.doc
@@ -0,0 +1,144 @@
+% loop.doc --- version 1.0 (15 April 1991)
+% This is the documentation for loop.tex.
+% To read this file, process it with (plain) TeX: tex loop.doc
+% (To do that, you need manmac.tex, which has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- loop.doc:
+
+\pageno=8 % follows gloss.doc
+
+\manpage loop.tex
+A simple looping construct (meta-macros).
+Version: 1.0 (15 April 1991) (doc: 15 Apr 1991)
+
+The macros in loop.tex are intended to help you write your own
+macros, rather than to typeset text directly. Consequently, it is
+assumed that you have some experience writing macros; In other words,
+assume that this whole section is preceded by a ``dangerous bend'' symbol.
+These macros are kept
+simple and are not very robust: if you decide
+to use them in a different way than described below you are
+entirely responsible for what happens\footnote{$^1$}{Not that the
+author assumes any responsibility even if you {\sl do\/}
+obey the rules.}.
+
+Loop.tex defines an alternative to plain \TeX's |\loop| construct.
+(It can also be used with, e.g., \LaTeX.)
+Plain \TeX's |\loop| is often awkward to use because of the
+limited form of tests in \TeX. The new construct tries to alleviate
+this problem by allowing a more flexible use of tests in the loop.
+To execute a loop, you say |\Loop ... \Pool|\footnote{$^2$}{We use
+initial capital letters to prevent confusion with plain \TeX's |\loop|.
+Although you don't need |\loop| anymore, there may still be macros
+that depend on it (e.g., plain \TeX's tabbing macros).}.
+This will normally
+execute the loop `body', i.e., the commands corresponding to the dots,
+infinitely many times.
+There are two special commands you can use within the loop,
+|\Break| and |\Continue|. When a |\Break| command is
+executed, the rest of the body is ignored, and the loop is terminated.
+Execution of a |\Continue| command also causes the rest of the body
+to be ignored, but then the loop is started again from the beginning.
+
+Both |\Break| and |\Continue| must be followed by a number. This
+number should be the number of |\if...| constructs that are terminated
+by the command. In other words, it is the number of |\fi|'s that
+has to be `executed' to get proper balancing of all |\if...| tests.
+It is somewhat unfortunate that this number has to be supplied,
+but there seems to be no way to close all |\if...| tests automatically.
+Here is an example similar to one from the \TeX book.
+\begintt
+\def\yes{Yes } \def\no{No }
+\Loop\message{Are you happy? }
+ \read-1 to\answer
+ \ifx\answer\yes \Break1
+ \else\ifx\answer\no \Continue2
+ \fi \fi
+ \message{(Please type Yes or No.)}
+\Pool
+\endtt
+At the position of |\Break| the nesting level of |\if...| tests
+is 1, at the position of |\Continue| the level is 2.
+If you forget the number you will (usually) get a `|missing number|' error
+message, but possibly at an unexpected point in the program. The
+wrong number typically results in either an `|Extra \fi|' or
+an `|\if... was incomplete|' message.
+
+There can be any number of |\Break| and |\Continue| commands in
+a loop, although it is wise to have at least one |\Break| command.
+The text following any of these commands up till the |\Pool| at the
+end of the loop must have balanced braces, and the loop body itself
+must also have balanced braces. If this causes a problem, you
+can use |\bgroup| and |\egroup| instead of |{| and |}|. If you
+want to nest two loops, you will have to enclose the inner loop within
+a group. (Incidentally, these restrictions on balancing braces and
+nesting loops also apply to plain \TeX's |\loop| construct.)
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/quire.doc b/Master/texmf-dist/doc/generic/midnight/quire.doc
new file mode 100644
index 00000000000..4360f2ecaaf
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/quire.doc
@@ -0,0 +1,448 @@
+% quire.doc --- version 1.0 (19 January 1991)
+% This is the documentation for quire.tex.
+% To read this file, process it with (plain) TeX: tex quire.doc
+% (To do that, you need manmac.tex, which has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% Doc history:
+% 10 Sep 1991: Added note about using \nofiles in LaTeX.
+% 10 Jan 1991: First public version
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- quire.doc:
+
+
+\def\picpage#1% single white page with page number
+ {\vbox to 2.7cm{\vskip 0pt plus 5fil
+ \hbox to 2.2cm{\hss #1\hss}%
+ \vskip 0pt plus 1fil
+ }%
+ }
+
+\def\fold
+ {\hbox to 0pt{\hss
+ \vbox to 2.7cm{\vss
+ \hrule height3mm depth0pt width0.5pt
+ \vss\vss
+ \hrule height3mm depth0pt width0.5pt
+ \vss
+ }%
+ \hss
+ }}
+
+\def\picdblpage#1#2% two pages with outlines and fold
+ {\vbox{\hrule
+ \hbox{\vrule
+ \picpage{#1}\fold\picpage{#2}%
+ \vrule
+ }%
+ \hrule
+ }%
+ }
+
+\pageno=1 % first set of the ``Midnight Macros''
+
+\manpage quire.tex
+Macros for making booklets, printing double pages, and printing outlines %
+and crop marks.
+Version: 1.0 (19 January 1990) (doc: 10 Sep 1991)
+
+A quire is a ``set of folded sheets (as of a book)
+fitting one within another'' [Webster's].
+Such a set of sheets forms a little booklet. Larger books usually consist
+of a number of quires, with 20 to 40 pages each. The macros
+in quire.tex help you to turn your own texts into such booklets. (The
+macros can also be used for some other things, such as printing crop
+marks.) Quire.tex is designed to minimize the interference with other
+macro packages, so that, for instance, it can be used with plain \TeX\
+as well as with \LaTeX. You do not need any special programs or special
+equipment to print quires, but it is convenient if you can print pages
+in ``landscape mode.'' Whether you can print in landscape mode depends
+on your device driver and printer (most printers support this), it is
+outside the control of \TeX. The reason for using landscape mode is that,
+because sheets are folded, two pages have to be printed next to each other
+on the same sheet. In ``portrait mode'' this allows only very narrow pages.
+Making quires is
+easier if you have a large version of \TeX\ (i.e., one with lots of memory).
+
+Before we explain what the macros do, let us emphasize what they do not do.
+Quire.tex does {\sl not} change the layout of your pages, look at page numbers,
+print odd and even pages differently, or print small pages. These are all
+things that you have to take care of with other macros or style files.
+What quire.tex does is to take your pages, reorder them, print two per
+sheet, and draw outlines around them. As an example, assume we want
+to make a booklet consisting of five sheets folded together. With two
+pages next to each other, and with double sided printing, this gives
+us a booklet consisting of 20 pages. The first page of the five folded
+sheets is page 1. When we open the booklet we get page 2,
+printed on the back of the same sheet as page 1. Page 2 occupies the
+left-hand side of that sheet. The page on the right-hand side is
+not page 3, which is printed on the next sheet, but page 19. This reordering
+of pages is the main task of quire.tex. For this example, the following
+figure depicts two of the sheets generated by quire.tex (these
+are the last two sheets that are generated).
+
+\goodbreak\midinsert
+\line{\hss\picdblpage{20}{1}\hss\picdblpage{2}{19}\hss}%
+\endinsert
+
+Once again, quire.tex does not look at the page numbers you print.
+What we call here ``page 1'' is simply what the first page of output
+would be if you were not using quire.tex. To make a booklet, the two double
+pages in the figure should be printed on the opposite sides of the same sheet
+of paper. There are two ways of doing that. One is to print all the
+sheets and then use a photocopier to make double sided prints. The second
+is to print all even sheets, walk to your printer and reinsert the
+stack of printed sheets upside down, then print all the odd sheets.
+Many device drivers can be instructed to print only even or odd sheets.
+But in case your installation does not support this, you can say
+|\shonly1| at the beginning of your file to instruct quire.tex to only
+generate odd sheets; |\shonly2| generates only even sheets; and |\shonly0|,
+which is the default, generates both.
+
+Before you can use any of the macros, you have to
+|\input quire|\footnote*{Although quire.tex can be used with \LaTeX,
+we have made no attempts to \LaTeX ify the macros. So yes, in \LaTeX\ you
+use the macros exactly as described here.}. Then
+you give values to some of the parameters (which are discussed later),
+and you can call, for instance, |\quire|. All of this should be done
+preceding the actual text of your file; in \LaTeX\ all of this should
+be put in the preamble. If you are using \LaTeX, you must say
+|\latexquire| somewhere in the preamble, regardless of
+what other macros you are using.
+The macro |\quire| is used to start typesetting
+of a quire. It takes one argument, the number of pages in the quire.
+Hence you have to \TeX\ your document at least once before you use
+|\quire|, to determine the number of pages. That also helps to separate
+errors in your input from problems caused by quire.tex. Say your document
+consists of 19 pages, numbered 1\dots19. When you say
+\begintt
+\quire{19}
+\endtt
+\TeX\ will produce 10 sheets. The first one is sheet 10 with pages 10 and 11,
+the second is sheet 9 with pages 12 and 9, etc. The last sheet has pages
+20 and 1, where page 20 is blank.
+
+This example illustrates that if there are not enough pages for a complete
+quire, \TeX\ will insert empty pages at the end of your text.
+If, on the other hand, there are more pages than fit in a quire,
+\TeX\ will just generate more than one quire. For instance,
+a 250-page book can be printed in 13 quires with |\quire{20}|.
+The mechanism through which \TeX\ supplies extra blank pages at the end
+of your text is called \TeX's ``endgame.'' These extra pages
+are passed to \TeX's output routine, which usually means
+that they will have headlines and footlines. You can bypass the output routine
+by saying |\endquire| at the end of your text, in which case the blank
+pages will really be blank pages (you can say |\endquire| even if you are
+not using |\quire|). In \LaTeX\ you should {\sl not} use
+|\endquire|, it is implied by the |\end{document}| that terminates your file.
+Sometimes you may want to start your text with an empty page. Here are
+two simple ways of generating an empty starting page (in plain \TeX).
+\begintt
+\line{}\vfill\eject % or:
+\shipout\vbox{}
+\endtt
+The method with |\shipout| bypasses the output routine.
+
+Let us turn to the parameters that determine the output of quire.tex.
+You have to take care that you indeed generate small pages.
+The page size is normally determined by |\hsize| and |\vsize|, but
+depending on the macro package you are using, other parameters may
+also be important. However, quire.tex does not look at the values of these
+parameters, they only serve to determine the size of the text area (i.e.,
+the printed part of the page). In the following, ``page'' refers to
+the small pages you print, ``sheet'' refers to the actual sheets of
+paper. We start with the parameters related to pages, which are all
+dimen parameters.
+First there are |\htotal| and |\vtotal|, which should be
+equal to the horizontal and vertical size of the small pages you want.
+For instance, a pocket book has
+$|\htotal| \approx$ 10.5 cm, $|\vtotal| \approx$ 17 cm. Then there are
+|\horigin| and |\vorigin| which describe the ``natural'' offset of the
+text area from the top left corner of the page. These offsets are added
+to the \TeX\ offsets |\hoffset| and |\voffset|. You may wonder why
+there are four parameters to describe the offsets, \TeX\ itself only
+has the latter two. The reason is that, unfortunately, \TeX\ has built in
+extra offsets of 1 inch. That may be right for American ``letter'' size
+paper, but on smaller pages it is generally too
+much. To make scaling of these offsets possible we had to introduce
+two extra parameters for them.
+
+The names of parameters related to sheets all start with \hbox{``|sh|''};
+all but one are dimen parameters.
+Quire.tex draws a number of lines to denote where the actual pages
+are on the sheet. As in the previous figure, lines are drawn around
+pairs of pages. The width is |\shoutline|, so you can make them disappear
+with |\shoutline=0pt|. The two pages are separated by two ``staples,''
+with width |\shstaplewidth| and length |\shstaplelength|. You can make
+them disappear by making the width |0pt|; setting the length to
+|0.5\vtotal| will give you a solid line instead of two staples.
+The outlines are drawn exactly around the pages, the staples on top
+of the two pages. The widths of these lines does not influence the
+width of the pages. Finally, quire.tex draws ``crop marks'' of width
+|\shcrop|. Crop marks are lines that indicate the outlines and center
+of the pages, without actually touching the pages. When you are cutting
+the paper, crop marks are sometimes more convenient than outlines.
+The crop marks are drawn so that, if they were extended, they would
+just be on the page. So they fall within the outlines that are drawn,
+which is easily observable if you make the widths excessive, say 1 cm.
+
+The distance of the top of the sheet to the top of the pages is
+|\shvoffset| plus 1 inch. The pages are centered horizontally,
+therefore there is no parameter for horizontal offset.
+Under the pages, a footline is printed. The footline is determined
+by token register |\shfootline|. By default the sheet number and the
+numbers of the two pages are printed (more about page numbers later),
+as well as the filename.
+The next paragraph explains the remaining four parameters,
+but if you are lucky you don't have to
+set them yourself: They describe the printer you are using, so they
+need only be determined once. Your local installation may have
+macros that set these parameters automatically. Local macros are
+described at the end of this manual section.
+
+\danger In order to center the pages, |\shhtotal| must be set to the
+horizontal size of the sheets. The size is usually not a nice number,
+like 8.5 inch (216 mm), but more likely
+something like 220.1 mm. It is important to get this size right, since
+double sided printing requires properly centered pages. You probably
+have to experiment a bit with double sided pages to get this right,
+because often the printer introduces small inaccuracies.
+If a photocopier is used to turn single sided print into double sided print,
+you may need the parameters |\shhcorrection| and |\shvcorrection|.
+These denote extra offsets which are applied to odd numbered sheets only,
+to compensate for shifts introduced by ``smart'' copiers.
+|\shhcorrection| can sometimes be used to compensate for a wrong value
+of |\shhtotal|, but the author recommends that |\shhtotal| is set
+properly for the printer, and that the correction offsets are only used
+for copiers. If you take a stack of sheets and fold them, the
+outer sheets will have a longer way to go around the bend than the
+inner ones. In an attempt to compensate for that, the pages on each
+sheet are shifted
+outwards with respect to the pages on the next inner sheet, by an
+amount equal to |\shthickness|. Naturally, this parameter should have a
+rather small value.
+
+Consider printing a quire of 20 pages. The first sheet that can be
+printed is sheet number 10 with pages 10 and 11. That means that
+\TeX\ has to store 10 complete pages in memory. If your \TeX\ version
+is small, there may not be enough memory for this, resulting in
+an error message
+\begintt
+TeX capacity exceeded, sorry.
+\endtt
+Luckily, there are some ways to reduce the number of pages that have to
+be stored. We already mentioned the use of |\shonly| to restrict
+output to odd or even sheets only. Doing that halves the number of
+pages that have to be stored. If that is not enough, you
+can use the macro |\makequire| instead of |\quire|. |\makequire|
+takes three arguments. The first argument is the same as for |\quire|,
+namely the number of pages per quire. Let $s$ and $r$ be the second
+and third arguments, respectively. Let $n$ be the number of a sheet
+in the first quire. Then that sheet is only printed if
+$s \leq n < s+r$ (and similarly for following quires).
+This means that at most $r$ pages need to be stored
+(or about half that if you also use |\shonly|). As an example, our
+20 page quire can be printed in three runs with, respectively,
+\begintt
+\makequire{20}{1}{4}
+\makequire{20}{5}{4}
+\makequire{20}{9}{4}
+\endtt
+The runs result in sheets 4\dots 1, 8\dots 5, and 10\dots 9. In the
+last run, the range $r$ is larger than the actual number of sheets,
+but that causes no problems. Also, sheet $s$ need not exist. In fact,
+|\quire{20}| is just an abbreviation for |\makequire{20}{0}{1000}|.
+
+For previewing it is often inconvenient to use |\quire|, because of
+the reordering of pages. But you may still want to see how your
+text fits on the smaller pages. There are two macros which you
+can use instead of |\quire|. |\qtwopages| prints two pages per sheet,
+just like quire, but does not reorder the pages. All parameters mentioned
+before remain valid, except for |\shthickness|. Of course, you can also
+use this if you are not previewing a quire.
+For instance, if you have appropriately scaled
+fonts and you print in landscape mode, the following preamble
+will print your file two pages per sheet.
+\begintt
+\input quire
+\mag=500 % works in LaTeX too
+\qtwopages
+\endtt
+Finally, there is |\qonepage|, which prints just one page per
+sheet as usual. It does however draw outlines (no staples) and crop marks,
+and |\shonly| can also be used.
+
+We claimed that quire.tex would work together with most other
+macro packages. But there is one type of macro that doesn't go well
+with quires, and usually you will have to switch them off when you
+are typesetting a quire. \TeX's primitives for file handling, such
+as |\write|, are only performed when a page is actually shipped out.
+That is often used for the creation of an index or a contents page,
+in order to get the page numbers right. But quire.tex prints two pages
+per sheet, and a sheet has only one ``page number,'' so that such
+methods will most likely get all the page numbers wrong. Worse,
+the pages are shipped out in an unusual order, so that for instance
+a |\write| may take place before the file has been opened. Therefore,
+you should avoid generation of an index or contents page when you are using
+|\quire|. In \LaTeX\ this is done by inserting |\nofiles| in the preamble.
+(For all but the final run you can use |\qonepage|, which
+does not change the page numbers.) Of course, if you want your booklet
+to start with a contents page, then that page has to be generated before
+the final \TeX\ run, since you cannot just rearrange the printed pages.
+
+In |\shfootline|, |\pageno| refers to the sheet number (if you are
+using plain \TeX's definitions); |\firstpageno| is the number
+of the first of the two pages (i.e., the page that was finished first,
+that can be either the left-hand or the right-hand page), and |\secondpageno|
+is the number of the other page. These three numbers are also shipped
+to the |dvi| file, as |\count0|, |\count1|, and |\count2|, respectively.
+When a page is finished but not yet printed on a sheet, the page number
+is displayed on your terminal between parentheses, as in |[(1)]|.
+When sheet number 7 with pages 11 and 14 is finished, |[7.11.14]| is
+displayed.
+
+\ddanger Quire.tex does its job by redefining |\shipout|. Since |\shipout|
+is a \TeX\ primitive, such redefinition is not recommended; normally one
+would redefine the output routine instead. However,
+important parts of the typesetting of a text are often done in the
+output routine, which may well be different for different pages of
+a book. Since quire.tex is supposed to handle the whole book, and since
+it only handles complete pages without changing
+their layout, it seemed that in this particular case redefinition of
+|\shipout| was justified. The new |\shipout| can be used in the same
+way as the original one, except that you should not try to ship out a
+void box (which is a pretty meaningless thing to do anyway).
+Doing that will most likely result in a, seemingly unrelated,
+error message somewhere later in the text. The dangers of using
+|\openout|, |\closeout| and |\write|, without |\immediate|, were
+already explained. Like these file operations, |\special| works
+with ``whatsits'' which are handled when the page is shipped out.
+But as the argument of |\special|
+is expanded immediately, rather than when the page is shipped out, this
+is less likely to cause problems.
+
+\ddanger Quire.tex uses mostly \TeX's primitives, but also a few
+macros defined in plain.tex. The latter are |\newbox|, |\newcount|,
+|\newdimen|, |\newif|, |\newtoks|, |\nointerlineskip|, and
+|\offinterlineskip|, none of which are likely to be redefined by
+other macros. As mentioned before, quire.tex relies on \TeX's endgame
+to generate complete quires. Although the endgame is built in,
+a really devious macro package may disable it.
+This is in fact exactly what happens in \LaTeX's |\end| command,
+which is why we need |\latexquire| (which inserts an implicit
+|\endquire| at the end of the text).
+
+% Note: The next subsection serves as example only. Do NOT change it, even
+% if you have different local definitions. Change the local definitions
+% in the file quire.tex, and see below.
+\subsection Printer definitions. It is convenient if the parameters
+that depend (only) on the
+printer are predefined. As an example, here are some of the
+local definitions for the author's installation. When someone
+wants to use the printer called ``maser,'' all he or she has to
+do to set up those parameters is to say |\Pmaser| or
+|\Pmaserlandscape|. Note that this does not put any information in the
+|dvi| file, the user is still responsible for printing on the correct
+output device. There are similar definitions for other available printers.
+The next subsection lists the local definitions for your installation,
+if any.
+
+\beginlines
+|\def\Pmaser|
+| {\shhtotal=220.02true mm|
+| \shthickness=0.21true mm|
+\goodbreak
+| \message{maser: flip paper so that short sides remain in place, %|
+| align closest right-hand corner in tray.}%|
+| }|
+\medskip
+|\def\Pmaserlandscape|
+| {\shhtotal=281true mm|
+\goodbreak
+| \shthickness=0.21true mm|
+| \message{maser landscape: ...}|
+| }|
+\endlines
+
+% Note: If you have your own local definitions, change the following
+% subsection.
+\subsection Local Caltech definitions. The following macros will set
+the appropriate printer parameters: |\Pmaser|, |\Pmaserlandscape|,
+|\Plaser|, |\Plaserlandscape|, |\Phaser|, |\Phaserlandscape|,
+|\canon| (for the copier). For double-sided printing on maser, flip
+the pages so that the short edges remain in place. Align the closest
+right-hand corner in the tray. But for printing in landscape mode,
+flip the pages so that the long edges remain in place. On haser, you
+should rotate the pages 180$^\circ$, but keep the text side up. You
+have to reorder the pages (or print the second time with |gtex -t|). Haser
+seems to have problems keeping the paper straight, which makes
+double-sided printing hard.
+
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/midnight/styledef.doc b/Master/texmf-dist/doc/generic/midnight/styledef.doc
new file mode 100644
index 00000000000..c2991cbc598
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/midnight/styledef.doc
@@ -0,0 +1,309 @@
+% styledef.doc --- version 1.0 (16 April 1991)
+% This is the documentation for styledef.tex.
+% To read this file, process it with (plain) TeX: tex styledef.doc
+% (To do that, you need manmac.tex, which has
+% the macros for typesetting the TeXbook, as explained in appendix E.
+% It comes free with the standard distribution of TeX.)
+%
+% NOTE: Processing this file with TeX will create empty files
+% index.tex and answers.tex in your directory. And if you
+% have a file pages.tex in your directory, TeX will probably
+% get very confused.
+% The manmac format will try to load a font called cmman; if
+% TeX complains that it cannot find that font you can savely
+% ignore that, since the font is not actually used.
+%
+% This file: copyright (c) 1991 Marcel van der Goot.
+% You may redistribute this file and printed versions of it.
+%
+% original: csvax.cs.caltech.edu [131.215.131.131] in pub/tex
+% (use anonymous ftp). Also in various archives.
+%
+% Marcel van der Goot
+% marcel@cs.caltech.edu
+% Caltech 256--80
+% Pasadena, CA 91125
+% (818) 356--4603
+
+% ------ definitions for manual pages:
+% The documentation is typeset using Knuth's ``manmac'' macros, with a
+% few additional things defined here. You are free to use or adapt these
+% extra definitions.
+
+\input manmac % the macros used for typesetting The TeXbook (appendix E)
+\catcode`^=7 % manmac makes ^ active for creating an index
+ % we don't make an index, and we need ^ to be non-active
+
+{\catcode`\^^M=12 \endlinechar=-1 % 12 = other
+\long\gdef\manpagehead#1^^M#2^^M#3^^M^^M% tex-file, description, version
+ {\egroup % matches \bgroup in \manpage
+ \par\vfill\eject
+ \edef\rhead{\manualname: #1\unskip}%
+ \setbox1=\hbox{\titlefont #1\quad}%
+ \setbox3=\vtop{\advance\hsize by-\wd1 \parindent=0pt \raggedright
+ #2\par
+ #3\par
+ \cnotice
+ }%
+ \line{\box1\box3}%
+ \bigskip\bigskip\bigskip\noindent
+ }%
+} % restore \catcode`\^^M
+
+\outer\def\manpage
+ {\bgroup\catcode`\^^M=12
+ \manpagehead
+ }
+
+\hsize=6.5in\vsize=8.9in % default plain TeX values
+\pagewidth=\hsize \pageheight=\vsize
+
+\def\cnotice{Copyright \copyright\ 1991 Marcel R. van der Goot}
+\def\manualname{Midnight Macros}
+
+% LaTeX logo, from latex.tex (except for the capital `A': manmac
+% doesn't have a real smallcaps font)
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc A}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+\tenpoint
+
+% (end of extra definitions)
+
+% -------------------- styledef.doc:
+
+\pageno=14 % follows labels.doc
+
+\manpage styledef.tex
+styledef.tex: Macros to selectively input parts of a file.
+Version: 1.0 (16 April 1991) (doc: 19 Sep 1991)
+
+Consider the following situation: You write a set of \TeX\ macros
+to typeset letters. These macros must set fonts, margins, offsets, etc.
+However, you want to use different styles for different types of letters.
+For instance, a short letter may need extra white space at the top to
+get a full page, whereas this is not needed for a letter several pages
+long. And a business letter has a standard header, with subject and
+references, whereas a small note to a friend only has a date. Probably
+the macros for the different styles have a lot in common, a reason to put
+them all in one file. But the different styles may have some conflicting
+definitions, of which you only want to include one.
+Styledef.tex\footnote*{You also need Midnight/dolines.tex and
+Midnight/loop.tex, which will be |\input| automatically.}
+provides
+some macros to |\input| from a file only parts belonging to a particular
+``style.'' (Partial inclusion can also be useful for other things than
+styles; see the end of this manual section for an example.)
+
+Before we explain the macros from styledef.tex, let us look at two other
+solutions. First, say the only difference between styles ``wide'' and
+``narrow'' is the width of the text. Then we can write macros |\widestyle|
+and |\narrowstyle| that set the appropriate width. As long as the differences
+between styles are small and easily parametrized, this method works fine.
+If there are many differences, however, the macros for setting the style
+soon get very large. Furthermore, it is hard too share parts of styles.
+
+A second method is the one used by \LaTeX. One makes one file ``letter.sty''
+with all the common definitions for letters; an additional file is made
+for each style. \LaTeX's |\documentstyle| macro is then used to include
+the proper files. E.g., one could write
+\begintt
+\documentstyle[business,narrow]{letter}
+\endtt
+to write a letter with the ``business'' and ``narrow'' style options.
+This method allows sharing of common definitions, and also allows the
+combination of different style options. The disadvantage is that it soon
+leads to a very large number of files, many of them with only a few
+definitions.
+
+With the macros in styledef.tex, you would use only one or two files.
+Typical would be to have one file, ``letter.tex,'' with all the common
+definitions for letters, and one file, ``letter.style,'' with all the
+different styles. Only some parts of the latter file are included,
+through the macros below. Alternatively, everything can be put in a single
+file. (Using two files has the advantage that ``letter.tex'' can be shared
+by several users, who each have there own personalized ``letter.style.'')
+Styledef.tex is of course especially useful with plain \TeX, since that does
+not have an equivalent mechanism. However, the macros can also be used
+with \LaTeX; later on we describe how to
+make the |\documentstyle| command interact with the styledef macros.
+
+First we describe how to |\input| only parts of a file. In order to use
+any of these macros, you first have to |\input styledef|. Then you have to
+allocate one or more ``style registers'': a style register called
+``|\myst|'' is allocated with the command
+\begintt
+\newstyle\myst
+\endtt
+
+You can give a new value to a style register through the |\setstyle| command.
+It takes a style register and a list of styles as arguments. E.g.,
+\begintt
+\setstyle\myst{business, narrow}
+\endtt
+For this command, as for all others, a style list is a list of style names
+separated by spaces and/or commas; the whole list must be enclosed in braces.
+The style names
+themselves can be any names that are meaningful to the macro package you are
+using. The |\addstyle| command is used in the same way as |\setstyle|, but
+it adds one or more styles to the style register without removing the old
+contents. You can use |\the\myst| to get the contents of the style register,
+and style registers can be assigned to each other using `|=|'.
+The last operation involving style registers is |\readstyle|. It takes
+a style register and a file name: The command
+\begintt
+\readstyle\myst{letter.style}
+\endtt
+will |\input| file letter.style, but includes only those parts of it that
+belong to one of the styles in register |\myst|. That is all that is needed
+to selectively |\input| a file. The other macros from styledef.tex and the
+remainder of this manual section describe how to indicate in a file like
+letter.style which parts belong to which styles. If you don't intend to
+create such files yourself, there is no need to read on.
+
+There are only three commands that govern which parts of a file belong
+to a particular style: |\styledef|, |\negstyledef|, and |\endstyle|.
+The first two are followed by a brace-enclosed list of styles (but not
+by a style register). When a file is read with |\readstyle|, the file
+is just |\input| by \TeX. However, when in that file a command
+\begintt
+\styledef{business, long}
+\endtt
+is encountered, \TeX\ checks whether the style register that is used
+with |\readstyle| contains style ``business'' or style ``long.'' If at
+least one of them is contained in the register, \TeX\ continues to input
+the file. But if none of the styles match, \TeX\ skips lines of the file until
+an |\endstyle| command is encountered. |\negstyledef| has exactly the
+opposite effect: if any style matches, the file is skipped till the next
+|\endstyle| command; only if no style matches is this part of the file
+included. The |\endstyle| command must occur on a line by itself, with nothing,
+not even a comment, following it. The |\endstyle| command stops \TeX\ from
+skipping text; if it is encountered when \TeX\ is not skipping text, it
+is equivalent to |\relax|.
+
+Text that is not enclosed by a |\styledef| \dots |\endstyle| (or |\negstyledef|
+equivalent) is always included. |\styledef| commands can be used within
+each other's range, but they do not actually nest: when part of the text is
+skipped, skipping always stops at the first |\endstyle|; any intervening
+|\styledef| commands are also skipped. E.g.,
+\begintt
+\styledef{business}
+\negstyledef{narrow}
+ ...
+\endstyle
+\endtt
+The text corresponding to `|...|' (which does not include any |\endstyle|)
+is only included if the style register contains style ``business'' and does
+not contain ``narrow.'' If style ``business'' is not contained in the
+register, the |\negstyledef| command as well as the `|...|' are skipped.
+As a catch-all you may want to put an |\endstyle| at the end of the included
+file: if you missed an |\endstyle| somewhere, this catch-all will at
+least restrict the effects to this file.
+
+\danger The |\readstyle| command uses an internal style register to store
+which styles must be included. Therefore, if a file which is being read with
+|\readstyle|, uses |\readstyle| to read yet another file, the original list
+of styles will be lost. Although this situation seldomly occurs, there
+is a command |\savereadstyle| which takes a style register as argument and
+saves the internal style list in this register. Of course, if the second
+file should be read with exactly the same style list, you should just use
+|\input| instead of |\readstyle|. To restore the original style list, you
+use |\setreadstyle|, which also takes a style register as argument.
+|\setreadstyle| can also be used instead of |\readstyle|, if you want to
+select certain parts of the current file rather than |\input| a different
+file.
+
+\danger Style names can be built from any characters, except for spaces,
+commas, dots, and some characters with a special meaning to \TeX\ (e.g.,
+braces, hash signs (|#|), and percentage signs).
+Also, characters in a style name must have the same catcode in the
+|\styledef| command as in the |\setstyle| command.
+When a |\styledef| or
+|\negstyledef| command is encountered, the following conditions must hold:
+The only escape character (catcode 0) is `|\|'; the only grouping characters
+(catcodes 1 and 2) are `|{|' and `|}|'; the only parameter character (catcode
+6) is `|#|'; and the only comment character (catcode 14) is `|%|'. After the
+|\styledef| command these catcodes may be changed, as long as the conditions
+hold again when the next |\styledef| is encountered. These particular
+catcode assignments are so standard that this rule is unlikely to ever cause
+problems.
+
+Suppose you have written a file letter.tex, which is to be used by several
+people. You also have a file letter.style with some standard styles; people
+can copy and change this file to suit their own needs. To make life
+easier for those who only want to use your standard styles, you may not want
+to force them to learn about styledef.tex. Instead, you can define a macro
+|\style| which always reads a file with name letter.style. Its usage would
+be:
+\begintt
+\input letter
+\style business, long, narrow.
+ ...
+\endtt
+so that users need not be concerned about style registers etc. Here is
+part of an appropriate letter.tex:
+\beginlines
+|\input styledef|
+\nobreak
+|\newstyle\letterstyle|
+\medskip
+|\def\style#1.% terminate the argument with a dot|
+\nobreak
+| {\setstyle\letterstyle{#1}|
+| \readstyle\letterstyle{letter.style}|
+\nobreak
+| }|
+\endlines
+
+\ddanger Something similar can be done with \LaTeX's |\documentstyle|, provided
+you know which styles can appear in letter.style. This is done as follows:
+first, rename letter.tex to letter.sty, so that \LaTeX\ can read it. Then
+add the following to the end of that file:
+\begintt
+\newstyle\lst
+\def\ds@business{\addstyle\lst{business}}
+\def\ds@narrow{\addstyle\lst{narrow}}
+ ... % same for every style
+\@options
+\readstyle\lst{letter.style}
+\endtt
+You can then write |\documentstyle[narrow]{letter}|. \LaTeX\ takes this
+as a command to read letter.sty. The |\@options| command causes \LaTeX\ to
+execute, for every option `xyz,' the command |\ds@xyz|, if it exists. All
+options for which this command does not exist lead to the input of a file
+xyz.sty, so that standard \LaTeX\ options can still be used. Note that
+letter.sty is here the main style file (only there can |\@options| be used);
+be warned that it is not easy to write a main style file that satisfies all
+of \LaTeX's assumptions.
+
+Although we have suggested that these macros are suitable to handle different
+``styles,'' selective inclusion can also be useful in contexts unrelated
+to styles. For instance, you may write a paper which has some details and
+speculations which are not relevant for every reader.
+You can write the paper like this:
+\beginlines
+| ... % relevant thoughts|
+\goodbreak
+|\styledef{details}|
+| ... % messy details|
+|\endstyle|
+\goodbreak
+|\negstyledef{details}|
+|Details are left as an exercise for the reader.|
+|\endstyle|
+\goodbreak
+| ... % important stuff|
+|\styledef{speculations}|
+| ... % wild fantasies|
+|\endstyle|
+\endlines
+If you want to print a version with speculations but without details, you
+can start the file with
+\begintt
+\newstyle\print
+\setstyle\print{speculations}
+\setreadstyle\print
+ ...
+\endtt
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/multido/multido-test.tex b/Master/texmf-dist/doc/generic/multido/multido-test.tex
new file mode 100644
index 00000000000..7cf8c1de267
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/multido/multido-test.tex
@@ -0,0 +1,27 @@
+
+\listfiles\errorcontextlines=100
+\documentclass{article}
+
+%\usepackage{fp}
+%\input{multido}
+\usepackage{multido}[2004/05/15]
+\usepackage{fp}
+
+\begin{document}
+
+\typeout{\meaning\FPadd}
+\typeout{\meaning\FPsub}
+\typeout{\meaning\fpAdd}
+\typeout{\meaning\fpSub}
+
+\setlength{\unitlength}{1cm}
+
+\begin{picture}(8,1)(0,-.5)
+ \small
+ \put(0,0){\vector(1,0){8}}
+ \multido{\i=0+1,\n=0+0.25}{8}{%
+ \put(\i,-.1){\line(0,1){.2}}
+ \put(\i,-.2){\makebox(0,0)[t]{\n}}}
+\end{picture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/multido/multido.doc b/Master/texmf-dist/doc/generic/multido/multido.doc
new file mode 100644
index 00000000000..a1c419175c7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/multido/multido.doc
@@ -0,0 +1,277 @@
+%% BEGIN multido.doc
+%%
+%% Documentation for multido.tex/multido.sty.
+%% Run through LaTeX, with or without the NFSS.
+%%
+
+\documentclass[12pt]{article}
+\usepackage{multido}
+\usepackage{url}
+
+\makeatletter
+
+%% PAGE PARAMETERS:
+\setlength{\parindent}{0pt} % paragraph indent
+\setlength{\parskip}{4pt plus 1pt minus 1pt}
+\setlength{\topmargin}{-2.5pc}
+\setlength{\headheight}{12pt} % height of running head
+\setlength{\headsep}{30pt} % distance between header and text
+\setlength{\textheight}{54pc} % height of text on page
+%%
+%% DATES, VERSIONS AND TITLES:
+%%
+\def\expanddate#1/#2/#3/{\year=#1 \month=#2 \day=#3}
+\begingroup
+ \expandafter\expanddate\filedate/
+ \xdef\thefiledate{\today}
+\endgroup
+\date{Version \fileversion\\ \thefiledate}
+\def\@maketitle{%
+ \begin{center}
+ {\Large\bf \@title \par}
+ \vskip 1.2em {\lineskip .5em
+ \begin{tabular}[t]{c}\@author\end{tabular}\par}
+ \vskip .8em {\@date}%
+ \end{center}
+ \par
+ \vskip .5em}
+%%
+%% PAGE STYLE:
+%%
+\pagestyle{myheadings}
+\markright{Documentation for multido.tex \hfill
+ v.\fileversion\hskip 1em \thefiledate\hfill}%
+%%
+%% VERBATIM:
+%%
+\begingroup
+ \catcode`\{=12 \catcode`\}=12
+ \catcode`\(=1 \catcode`\)=2
+ \catcode`\+=0 \catcode`\\=12
+ +gdef+|(\) % \| = character \
+ +gdef+{({) % \{ = character {
+ +gdef+}(}) % \} = character }
++endgroup
+\def\Backslash{\protect\|}
+%%
+%% Define some functional font commands:
+%%
+\def\MainFont{\tt} % For macro definitions.
+\def\UsageFont{\tt} % For in-line macro names.
+\def\InlineFont{\tt} % For other in-line snipets of code.
+\def\MetaFont{\rm\it} % For meta arguments.
+%%
+%% Short-cuts for font commands:
+%%
+\def\s#1{\string#1}
+\def\t#1{{\InlineFont\string#1}} % For other in-line code.
+\def\m#1{{\MetaFont #1\/}} % For just putting things in italics
+\def\M#1{{\InlineFont\{\m{#1}\}}} % Arg is in italic, enclosed in tt braces.
+\let\N\t % For in-line macro names.
+\catcode`\<=13 \def<#1>{\m{#1}} % <meta>
+%%
+%% This is for listing macro definitions in a quote-like environment.
+%%
+\begingroup
+ \catcode`\[=1 \catcode`\]=2
+ \catcode`\{=13 \catcode`\}=12
+ \gdef\@MD[%
+ \catcode`\{=13 \catcode`\}=12
+ \def{##1}[\{[\MetaFont ##1]\}]]
+\endgroup
+\def\MD{%
+ \quote
+ \begingroup
+ \@MD
+ \def\end{\endgroup\end}%
+ \def\\{\@centercr\s}%
+ \MainFont
+ \s}
+\def\endMD{\endquote}
+%%
+%% END PREAMBLE:
+%%
+\catcode`\"=13
+\def"{\verb"}
+\catcode`\@=12
+\begin{document}
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\title{Documentation for multido.tex:\\[2pt]
+ A loop macro for Generic \protect\TeX}
+\author{Timothy Van Zandt%
+ \thanks{Author's address: Department of Economics, Princeton University,
+ Princeton, NJ 08544-1021, USA. Internet: \protect\url{tvz@Princeton.EDU}.
+ This document was edited by Rolf Niepraschk \protect\url{Rolf.Niepraschk@ptb.de} and
+ Herbert Voss \protect\url{voss@perce.de} to get it run with LaTeX2e (2004-05-21)}}
+\maketitle
+
+"multido.tex"/"multido.sty" contains the \N\multido\ macro, which is a loop
+facility for Generic TeX. This macro happens to be useful for drawing
+pictures, and was originally developed for the PSTricks
+package,\footnote{PSTricks is an extensive collection of PostScript-based
+macros for Generic TeX. It is available from \url{CTAN://graphics/pstricks/}.}
+but you can use it for other purposes as well.
+
+A special feature is support of fixed-point addition. For example, PSTricks
+uses the \N\multido\ to put numbers on axes, much like in the following
+\LaTeX\ example:
+\begin{verbatim}
+ \setlength{\unitlength}{1cm}
+ \small
+ \begin{picture}(8,1)(0,-.5)
+ \put(0,0){\vector(1,0){8}}
+ \multido{\i=0+1,\n=0+0.25}{8}{%
+ \put(\i,-.1){\line(0,1){.2}}
+ \put(\i,-.2){\makebox(0,0)[t]{\n}}}
+ \end{picture}
+\end{verbatim}
+\begin{center}
+ \setlength{\unitlength}{1cm}
+ \small
+ \begin{picture}(8,1)(0,-.5)
+ \put(0,0){\vector(1,0){8}}
+ \multido{\i=0+1,\n=0+0.25}{8}{%
+ \put(\i,-.1){\line(0,1){.2}}
+ \put(\i,-.2){\makebox(0,0)[t]{\n}}}
+ \end{picture}
+\end{center}
+
+The general syntax for \N\multido\ is:
+\begin{MD}
+ \multido{variables}{repetitions}{stuff}
+\end{MD}
+<stuff> is whatever you want repeated; it can be any balanced \TeX\ input.
+<repetitions> is the number times <stuff> is repeated.
+
+The first argument is the interesting one. <variables> is a comma-separated
+list of variable declarations.\footnote{Don't use commas to mark the decimal
+point within the \protect<variables> argument, as they will be confused for
+delimiters.} Each variable declaration is of the form:
+\begin{center}\tt
+ <variable> = <initial value> + <increment>
+\end{center}
+<variable> is a command sequence that can be used in <stuff>. It is initially
+set to <initial value>, and is then incremented by <increment> with each
+repetition.
+
+The first letter of the variable name determines the variable type. There are
+four variable types:
+\begin{description}
+\item[Dimension (d or D)] The initial value and the increment should be
+dimensions (lengths, in \LaTeX\ parlance). The substitution text is a
+dimension, with "sp" units. E.g., "\dx=4cm+5pt".\footnote{For PSTricks users,
+the unit is optional.}
+
+\item[Number (n or N)] The initial value and increment should be integers or
+numbers with the same number of digits to the right of the decimal. The one
+exception is that it is always OK for the initial value to be an integer.
+There can be at most 8 digits on each side of the decimal. The substitution
+text is a number, with fixed-point addition. E.g., "\n=3+7.05",
+"\Nx=5.30+-1.25".
+
+\item[Integer (i or I)] The initial value and increment should be integers.
+This gives the same result as using a number variable, but it is faster. E.g.,
+"\I=2+-1".
+
+\item[Real (r or R)] The initial value and increment should be integers or
+numbers with at most 4 digits on each side of the decimal. The substitution
+text is a number, but with floating point addition and occasional small
+errors. This gives a less satisfactory result than using a number variable,
+but it is faster. E.g., "\ry=4.2+1.05".
+\end{description}
+
+Here are some examples that illustrate how the substitution text is
+determined:
+\begin{quote}
+ "\multido{}{10}{\TeX\ }"\\[3pt]
+ \hbox to 2em{}\multido{}{10}{\TeX\ }{}\\[8pt]
+ "\multido{\d=2pt+3pt}{5}{\d, }"\\[3pt]
+ \hbox to 2em{}\multido{\d=2pt+3pt}{5}{\d, }{}\\[8pt]
+ "\multido{\n=2+3}{10}{\n, }"\\[3pt]
+ \hbox to 2em{}\multido{\n=2+3}{10}{\n, }{}\\[8pt]
+ "\multido{\i=2+-3}{10}{\i, }"\\[3pt]
+ \hbox to 2em{}\multido{\i=2+-3}{10}{\i, }{}\\[8pt]
+ "\multido{\r=2+3.05}{6}{\r, }"\\[3pt]
+ \hbox to 2em{}\multido{\r=2+3.05}{6}{\r, }{}\\[8pt]
+ "\multido{\n=2.00+-3.05}{8}{\n, }"\\[3pt]
+ \hbox to 2em{}\multido{\n=2.00+-3.05}{8}{\n, }{}
+\end{quote}
+
+Here are some details about the choice of names:
+\begin{itemize}
+\item Your computer won't explode if you use names that conflict with \TeX\
+internal commands, but you might want to check name conflicts if you get
+inexplicable errors. The command \N\MultidoCheckNames\ can be useful in this
+case. It causes \N\multido\ to report an error whenever you use a variable
+name that is already defined. But see the next item.
+\item The whole \N\multido\ loop is grouped. This means, e.g., that although
+"\i" is a Plain \TeX\ command sequence (giving a dotless ``\i''), you can use
+the variable "\i" if you do not use any dotless i's in <stuff> (and if you do
+not use \N\MultidoCheckNames).
+\end{itemize}
+
+Here are a few more details:
+\begin{itemize}
+\item \N\Multido\ commands can be nested.
+\item Spaces after a \N\multido\ command are ignored. This makes \N\multido\
+more hospitable for pictures.
+\item Spaces between the various parts of the <variables> argument are
+ignored.
+\end{itemize}
+
+And finally here a few special features, some of which are of interest mainly
+macro writers and other \TeX nicians:
+\begin{itemize}
+\item The material that is repeated is not grouped, so that you can insert
+your own recursive routines.
+\item There is a variant, "\mmultido", which works just like "\multido" except
+that the variables are all incremented once before starting.
+\item If you use "\Multido" or "\MMultido" instead of "\multido" or
+"\mmultido", resp., then the whole loop is not grouped. This can be useful,
+e.g., for making entries in an alignment environment. However, these cannot be
+nested within any "\multido" macro.
+\item If the number of repetitions is a negative number, the variables are
+incremented backwards.
+\item The count register "\multidocount" keeps track of the number of current
+iteration.
+\item The command "\multidostop" causes the "\multido" loop to quit at the end
+of the current iteration.
+\item Fixed point addition is performed by \N\FPadd\ and \N\FPsub:
+\begin{MD}
+ \FPadd{num1}{num2}{command}\\
+ \FPsub{num1}{num2}{command}
+\end{MD}
+<num2> is added to or subtracted from <num1>, and the answers is stored in the
+command sequence given as the third argument. The rules about decimals and so
+on that apply to number variables apply here as well. E.g., after
+\begin{verbatim}
+ \FPsub{1.75}{-0.15}{\answer}
+\end{verbatim}
+the definition of "\answer" is 1.90.
+\end{itemize}
+
+\subsection*{Changes:}
+
+\begin{description}
+\item[V1.1] Fixed bug in \N\FPadd\ that gave wrong answer for, e.g., $3.4 +
+-0.2.$
+
+\item[V1.2] Made unit optional for dimension variables when using PSTricks.
+
+\item[V1.3] Now 0 repetitions really gets 0 repetitions. "\def\multido@"
+changed to "\long\def\multido@".
+
+% RN modification begin
+%\end{description}
+% RN modification end
+
+\item[V1.4] Small change to make it compatible with PSTricks v0.93 and later.
+
+\item[V1.41] Fix bug when using the fp-package (same macroname) and small
+changes to this documentation (RN/HV)
+\end{description}
+
+\end{document}
+%% END multido.doc
diff --git a/Master/texmf-dist/doc/generic/multido/multido.pdf b/Master/texmf-dist/doc/generic/multido/multido.pdf
new file mode 100644
index 00000000000..668b503f6c2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/multido/multido.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/musictex/aa_readm.tex b/Master/texmf-dist/doc/generic/musictex/aa_readm.tex
new file mode 100644
index 00000000000..e983d73d7b5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/aa_readm.tex
@@ -0,0 +1,43 @@
+Dear music lover:
+
+Here are the tools to write music with MusicTeX under TeX.
+The useful macros are MUSIC*.TEX and the *.STY for LaTeX.
+The MUSICTEX.ZIP contains a complete distribution to be un`zipped'
+on a PC (with pkunzip).
+
+Starting from November 1st, 1992, examples are stored in a distinct ZIP file,
+namely MUSICEXA.ZIP. Therefore, if you only need the new release, you can take
+only MUSICTEX.ZIP, but trying the examples is still strongly recommended to
+MusicTeX beginners...
+
+The MUSICTEX.BCK file is a VMS saveset.
+
+Fonts are readily given in 300 dpi as *.PK and *.TFM. The MUSICPK.ZIP
+file contains other dpi implementations.
+
+If you have problems printing or viewing the MUSICDOC.DVI file, think of:
+ --- transferring all the given *.TFM in the right directory, whose name
+ depends on your installation of TeX,
+ --- transferring all the given *.PK in the "pk" right directory, whose name
+ depends on your installation of TeX,
+ --- check whether your installation does not need *.PK files named *.300pk
+ rather than *.pk (often in unix systems...)
+
+Other *.TEX files are examples.
+
+IMPORTANT: use the ftp "ASCII" command to transfer the *.TEX,
+the *.STY, the *.PS and the *.MF files. But use the ftp "BINARY" command
+to transfer the *.ZIP, *.DVI, *.TFM and *.PK files. If you have a VMS,
+use "IMAGE" to transfer the *.BCK file. Transferring the *.ZIP
+or the *.BCK provides you with all the needed files, then you
+do not need to transfer other files (unless some error happens).
+
+My suggestion is that you tranfer all MUSI*.* files and
+the needed fonts (the *.PK and the *.TFM), and
+then try to run TeX upon HADAGIO.TEX and to LaTeX MUSICDOC.TEX
+
+MUSICDOC gives a supposedly (LaTeX) complete notice about how to use MusicTeX.
+ Daniel TAUPIN
+ 33 (1) 69 41 60 79
+ Physique des Solides
+ F-91405 ORSAY
diff --git a/Master/texmf-dist/doc/generic/musictex/adagio.tex b/Master/texmf-dist/doc/generic/musictex/adagio.tex
new file mode 100644
index 00000000000..462d5ee2477
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/adagio.tex
@@ -0,0 +1,438 @@
+\title{Adagio}
+\subtitle{(pour orgue)}
+\headtitle{I. Adagio}
+\csname titremorceautoc\endcsname
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\organiste Gif-sur-Yvette}
+\othermention{Compos en 1989}
+%
+%
+\vsize=264mm
+\hsize=18.5cm
+
+\maketitle
+\parindent 18mm
+%
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\def\znotes{\vnotes 0\elemskip}%
+
+
+\tracingstats=1\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{16', 8'}
+ \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee
+\vskip -10pt\centerline{fl\^ute 8'}}}%
+%\check
+\elemskip=10pt\relax
+\normal
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+\debutmorceau
+\hyphenpenalty -50\relax
+\global\cleftoksii={{0}{0}{0}{0}}%
+\changeclefs\zglu
+\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes
+% mesure 1
+\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenu0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 2
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 3
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 4
+\etroit
+\alaligne\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes
+\temps\Notes&\zq f\qu h|\sk\cu e\enotes
+\temps\NOTes&\zq f\qu h|\qup d\enotes
+\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes
+% mesure 5
+\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu j\enotes
+% mesure 6
+\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes
+\temps\NOTes&\zq f\rq g\qu i\enotes
+\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes
+\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes
+% mesure 7
+\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes
+\temps\NOTes&\zq e\qu h|\enotes
+\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes
+\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes
+% mesure 8
+\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes
+% mesure 9
+\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes
+\temps\Notes&\zq d\qu f|\sk\cu e\enotes
+\temps\NOTes&\zq d\qu f|\qup d\enotes
+\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes
+% mesure 10
+\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 11
+\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes
+\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes
+%\check
+% mesure 12
+\alaligne\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes
+\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes
+\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes
+%\check
+% mesure 13
+\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes
+\temps\Notes&\zq g\qu i|\sk\cu h\enotes
+\temps\NOTes&\zq g\qu i|\qup g\enotes
+\temps\Notes&\zq g\qu i|\sk\ds \enotes
+%\check
+% mesure 14
+\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote
+ n{\Trille{2\noteskip}}\relax
+\zcharnote q{\ \ (*)}\enotes
+\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans
+terminaison sur la note suivante.}\relax
+ \temps\NOTes&\zq e\qu h\enotes
+\temps\NOTes&\zq e\qu h|\ql j\enotes
+\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes
+%\check
+% mesure 15
+\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql k\enotes
+\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes
+%\check
+% mesure 16
+\alapage\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes
+\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes
+\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes
+%\check
+% mesure 17
+\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 18
+\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}%
+\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql m\enotes
+\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes
+%\check
+% mesure 19
+\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\NOTes&\zq g\qu i|\ql n\enotes
+\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes
+%\check
+% mesure 20
+\alaligne\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes
+\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes
+%\check
+% mesure 21
+\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes
+\temps\Notes&\zq g\qu i|\sk\cl o\enotes
+\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 22
+\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes
+\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes
+\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes
+\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes
+%\check
+% mesure 23
+\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl k\enotes
+\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes
+%\check
+% mesure 24
+\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 25
+\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes
+% mesure 26
+\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes
+\Notes&|\tbl0\itenl0k\qb0k\enotes
+\NOTes&\zq f\qu h|\tten0\hl k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes
+% mesure 27
+\barre\NOtes\wh{=I}&\rlap{\zw d}\zq f\rqu g|\hl m\enotes
+\temps\NOtes&\zq f\rqu g\enotes
+\temps\NOtes&\zq f\rqu g|\soupir\enotes
+\temps\Notes&\zq f\rqu g|\ibl0m3\qb0m\enotes
+\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes
+% mesure 28
+\alaligne\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes
+\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+% mesure 29
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 30
+\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes
+\temps\NOTes&\zq f\qu h&\enotes
+\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes
+\NOTes&\zq f\qu h|\ql{^m}\enotes
+% mesure 31
+\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes
+\temps\NOTes&\zq d\qu g|\enotes
+\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes
+\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes
+%\check
+% mesure 32
+\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes
+%\check
+% mesure 33
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 34
+\barre\nspace
+\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes
+\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes
+% mesure 35
+\barre
+\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes
+\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 36
+\alapage%
+\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes
+\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes
+% mesure 37
+\barre
+\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes
+\temps\Notes&\zq f\qu h|\dqb3mn\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 38
+\barre
+\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes
+\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes
+% mesure 39
+%\check
+\barre
+\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu i|\dqb3hi\enotes
+%\check
+% mesure 40
+\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 41
+\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 42
+\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 43
+\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 44
+\alaligne\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes
+\temps\NOTes&\zq d\qu g\enotes
+\temps\NOTes&\zq d\qu g|\soupir\enotes
+\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes
+% mesure 45
+\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+%\check
+% mesure 46
+\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes
+\temps\Notes&\zq c\qu f|\sk\cu g\enotes
+\temps\NOTes&\zq c\qu f|\qup h\enotes
+\temps\Notes&\zq c\qu f|\sk\ds\enotes
+% mesure 47
+%\check
+\large
+\alaligne\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes
+\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes
+\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes
+\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes
+% mesure 48
+%\check
+\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes
+\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes
+\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes
+\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes
+% mesure 49
+%\check
+\alaligne\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes
+\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes
+\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes
+\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes
+% mesure 50
+%\check
+\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes
+\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes
+\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes
+\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes
+% mesure 51
+%\check
+\normal
+\alapage\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl n\enotes
+\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes
+\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+% mesure 52
+%\check
+\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes
+\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes
+\notes&|\tbbl0\tbl0\qb0k\enotes
+% mesure 53
+%\check
+\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes
+% mesure 54
+\cleftoksii={{3}{0}{0}{0}}\changeclefs
+\alaligne\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 55
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 56
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 57
+\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup f\enotes
+\temps\Notes&\zq f\qu h|\sk\cu g\enotes
+\temps\NOTes&\zq f\qu h|\qup h\enotes
+\temps\Notes&\zq f\qu h|\sk\ds \enotes
+% mesure 58
+\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes
+\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes
+\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes
+\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes
+% mesure 59
+%\check
+\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes
+\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes
+\temps\NOTes&\zq d\qu f|\qu f\enotes
+\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 60
+%\check
+\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes
+\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes
+% mesure 61
+%\check
+\cleftoksii={{6}{0}{0}{0}}%
+\zchangeclefs
+\barre
+\elemskip=1.1\elemskip
+\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes
+\temps\NOTes&\zq M\ql a|\enotes
+\temps\NOTes&\zq N\ql b|\enotes
+\temps\NOTes&\zq L\ql N|\enotes
+% mesure 62
+\barre\nspace
+\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+\finmorceau
+\bigskip
+\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/aria.tex b/Master/texmf-dist/doc/generic/musictex/aria.tex
new file mode 100644
index 00000000000..fedcb23c40b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/aria.tex
@@ -0,0 +1,563 @@
+\title{Aria}
+\fulltitle{ VII. \titremorceau}
+\othermention{Compos\'e en 1992}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\csname titremorceautoc\endcsname
+\maketitle
+%
+\parindent 13mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+\def\interfacteur{9}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\nbporteesi=1\relax%
+\nbporteesii=1\relax%
+\nbporteesiii=1\relax%
+\signaturegenerale{1}\relax
+%\check
+\def\instrumenti{P\'ed. 16'}%
+\def\instrumentii{Fl\^ute 8'}%
+\def\instrumentiii{\vbox{\hsize=\parindent
+ \centerline{Nasard}\smallskip\centerline{Tremblant}}}%
+%\check
+%
+% formes frequentes
+\def\doubler{\multiply\noteskip by 2\relax}%
+\def\halfskip{\divide\noteskip by 2\relax}%
+\def\Pause{\sk\sk\qsk\pause}%
+\def\deuxc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\tqh0#2}
+\def\troisc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2}
+\def\quatrec#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2}
+\def\cpdcl#1#2{\Ibl1{#1}{#2}{3}\qbp1{#1}\sk\sk\tbbl1\tqb1{#2}}
+%
+%\check
+%
+\generalmeter{\meterfrac 44}%
+%
+\debutmorceau
+\linesinpage=0\relax
+\def\barperline{4}\ifnum\musicsize<17\relax\def\barperline{5}\fi
+\autolines{18}{\barperline}5\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&&\zcharnote{w}{\kern -20mm\moyen Andante
+\bf(\metron{\qu}{55})}\enotes
+%
+%\check
+%
+\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
+% mesure 1
+\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
+% mesure 2
+\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+\halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 3
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 4
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\qlp n\sk\sk\sk\sk\sk\Ibbl1{^m}l2\qb1m\tqb1l\enotes
+\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
+ \troisc gi&\qlp k\sk\sk\ds\enotes
+%\check
+% mesure 5
+\barre\autolines{16}{\barperline}5\relax
+\NOtes\hu{^G}&\zw e\raise\Interligne\ds \bigsh g\troisc gi&\hl l\enotes
+\temps\NOtes\hu H&\raise\Interligne\ds
+ \troisc hj&\hl j\sk\sk\cbreath\enotes
+% mesure 6
+\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes
+\temps\NOtes\hu{=G}&\raise\Interligne\ds
+ \bigna g\troisc gi&\hl i\sk\sk\cbreath\enotes
+% mesure 7
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc hj&\cpdcl hi\cpdcl jl\enotes
+\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
+ \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0j{_i}1\qb0j\tqb0i\enotes
+% mesure 8
+%\check
+\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
+ \troisc fh&\hup h\enotes
+\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
+ \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
+&\sk\sk\soupir\enotes
+% mesure 9
+\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
+% mesure 10
+\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+ \halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 11
+\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 12
+\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
+ \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\hl{m}\enotes
+% mesure 13
+\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
+\temps\NOtes\hu J&\zhl e\raise\Interligne\ds \troisc gj&\hl l\enotes
+% mesure 14
+\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
+\temps\NOtes\hu I&\zhl d\raise\Interligne\ds \troisc gi&\hl k\enotes
+% mesure 15
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
+ \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
+% mesure 16
+%\check
+\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\hup h\enotes
+\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
+ \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
+&\sk\sk\soupir\enotes
+% mesure 17
+\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec gi&\ql i\sk\ql k\enotes
+% mesure 18
+\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+ \halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 19
+\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 20
+\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
+ \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
+\temps\NOtes\qsk\hu K&\qsk\zhl a\raise\Interligne\ds
+ \na f\troisc df&\qsk\bigna m\qlp{m}\sk\sk\ds\enotes
+% mesure 21
+\barre\NOtes\hu{_I}&\zhl e\raise\Interligne\ds\fl i\troisc gi&\hl n\enotes
+\temps\NOtes\hu H&\zhl{^c}\raise\Interligne\ds
+ \troisc eh&\hl l\sk\sk\cbreath\enotes
+% mesure 22
+\barre\NOtes\wh K&\zw d\raise\Interligne\ds
+ \troisc fh&\bigna m\hl m\enotes
+\temps\notes&\doubler\fl i\deuxc fi\deuxc fh&\Ibl2kl3\qbp2k\sk\sk\tbbl2\tqb2l\relax
+ \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes
+%\check
+% mesure 23
+\barre\notes\doubler\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc hj&\qlp l\sk\sk\sk\sk\sk\bigna m\Ibbl2ml1\qb2m\tqb2l\enotes
+\temps\NOtes\hu G&\zhl d\raise\Interligne\ds
+\Ibu0ji2\zq g\qh0j\zq g\qh0{=i}\zq g\tqh0i&\qlp k\sk\sk\ds\enotes
+% mesure 24
+\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
+ \troisc eg&\hl j\enotes
+\temps\NOtes&\quatrec eg&\ql l\sk\ql n\enotes
+% mesure 25
+\barre\NOtes\wh I&\zhl d\raise\Interligne\ds
+ \troisc gi&\qlpp n\sk\sk\halfskip\sk\bigna m\ccl m\enotes
+\temps\NOtes&\na f\Ibu0ih3\zq f\qh0i\zq f\qh0i\zq f\qh0h\zq f\tqh0h\relax
+ &\hl k\sk\sk\cbreath\enotes
+%\check
+% mesure 26
+\barre\NOtes\wh J&\zw c\raise\Interligne\ds
+ \troisc eg&\ql j\sk\ql l\enotes
+\temps\NOtes&\quatrec eg&\ql n\sk\ql{_p}\enotes
+% mesure 27
+\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
+ \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
+\temps\NOtes\qsk\hu K&\qsk\zhl d\raise\Interligne\ds
+ \sh f\troisc fh&\qsk\qlp{^m}\sk\sk\ds\enotes
+% mesure 28
+\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
+\temps\NOtes\hu J&\zhl e\raise\Interligne\ds
+ \troisc gj&\hl l\sk\sk\cbreath\enotes
+% mesure 29
+\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
+\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
+ \troisc gi&\hl k\sk\sk\cbreath\enotes
+% mesure 30
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
+ \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
+% mesure 31
+%\check
+\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\hup h\enotes
+\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
+ \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
+&\sk\sk\soupir\enotes
+% mesure 32
+\barre\NOtes\wh I&\zhl b\raise\Interligne\ds
+ \bigsh d\troisc df&\hl i\enotes
+\temps\notes&\doubler\zhl d\raise\Interligne\ds
+ \troisc fi&\Ibl2ik3\qbp2i\sk\sk\bigsh k\tbbl2\tqb2{k}\relax
+ \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes
+% mesure 33
+\barre \notes\hu L&\doubler\zhl e\raise\Interligne\ds
+ \troisc gi&\Ibl2nm3\qbp2n\sk\sk\tbbl2\tqb2m\relax
+ \ql l\enotes
+\temps\notes\hu H&\doubler\bigsh c\zhl c\raise\Interligne\ds
+ \troisc eh&\Ibl2hj3\qbp2h\sk\sk\bigsh j\tbbl2\tqb2j\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+% mesure 34
+\barre \notes\hup K&\doubler\zwh{=d}\raise\Interligne\ds
+ \troisc fh&\cpdcl ml\hl k\enotes
+\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds
+\zq f\cu h&\sk\sk\soupir\enotes
+%\check
+% mesure 35
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
+ \troisc gi&\hl n\enotes
+\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes
+% mesure 36
+\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds
+ \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax
+ \cpdcl op\enotes
+\temps\notes&\doubler
+ \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax
+ \cpdcl sq\enotes
+% mesure 37
+\barre\notes\wh K&\doubler\zhl b\raise\Interligne\ds
+ \troisc dg&\qlp p\sk\sk\sk\sk\sk\Ibbl0qp1\qb0q\tqb0p\enotes
+\temps\NOtes&\zhl d\raise\Interligne\ds
+ \troisc fh&\qlp o\sk\sk\ds\enotes
+% mesure 38
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
+ \troisc gi&\hl n\enotes
+\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes
+\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes
+% mesure 39
+\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
+ \troisc eg&\hl l\enotes
+\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax
+ &\soupir\sk\ql o\enotes
+% mesure 40
+\barre\notes\bigsh J\hu J&\doubler\zhl{^c}\raise\Interligne\ds
+ \troisc eg&\cpdcl lm\cpdcl nl\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\itenu0m\hl m\enotes
+% mesure 41
+\barre\notes\hu J&\doubler\zwh d\raise\Interligne\ds
+ \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
+\temps\NOtes\hu I&\quatrec gi&\ql n\sk\qu g\enotes
+% mesure 42
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\cpdcl hi\cpdcl jl\enotes
+\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
+ \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
+% mesure 43
+\barre\NOtes\hup K&\zhlp d\raise\Interligne\ds
+ \troisc fh&\hup h\enotes
+\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds
+ \zq f\cu h&\sk\sk\soupir\enotes
+%\check
+% mesure 44
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
+ \troisc gi&\hl n\enotes
+\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes
+% mesure 45
+\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds
+ \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax
+ \cpdcl op\enotes
+\temps\notes&\doubler
+ \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax
+ \cpdcl sq\enotes
+% mesure 46
+\barre\NOtes\wh K&\zwh d\raise\Interligne\ds
+ \troisc gi&\qlp p\sk\sk\cl q\enotes
+\temps\notes&\doubler
+ \quatrec gi&\cpdcl po\cpdcl np\enotes
+% mesure 47
+\barre\NOtes\hup K&\zhl d\raise\Interligne\ds\troisc fh&\zcharnote
+ q{\Trille{6\noteskip}}\relax\hl o\enotes
+\temps\NOtes\sk\sk\soupir&\zhl c\raise\Interligne\ds
+ \troisc fh&\sk\sk\sk\noteskip=0.6\noteskip
+ \Ibbl1no1\qb1n\tqb1o\enotes
+% mesure 48
+\barre\notes\wh I&\doubler\zhl{^d}\raise\Interligne\ds
+ \troisc fi&\qlpp p\sk\sk\sk\sk\sk\sk\ccl q\enotes
+\temps\notes&\doubler
+ \quatrec fi&\cpdcl po\cpdcl nm\enotes
+%\check
+% mesure 49
+\barre\notes\wh L&\doubler\zhlp e\raise\Interligne\ds
+ \troisc gi&\qlpp n\sk\sk\sk\sk\sk\sk\ccl m\enotes
+\temps\notes&\doubler
+ \deuxc gi\zql c\raise\Interligne\ds
+ \zq g\cu i&\cpdcl nl\cpdcl mn\enotes
+%\check
+% mesure 50
+\barre\notes\wh H&\doubler\zwh{^c}\raise\Interligne\ds
+ \troisc eh&\cpdcl on\cpdcl op\enotes
+\temps\notes&\doubler\quatrec eh&\cpdcl on\cpdcl ml\enotes
+% mesure 51
+\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\hlp m\enotes
+\temps\notes\hu J&\doubler\zhl d\raise\Interligne\ds
+ \troisc fh&\sk\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
+% mesure 52
+\barre\NOtes\hu I&\zhl d\raise\Interligne\ds
+ \troisc gi&\ql n\sk\qu g\enotes
+\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\cpdcl hi\cpdcl jl\enotes
+% mesure 53
+\barre\kern -0.6\Interligne
+\NOtes\itenu0K\wh K&\zhl d\raise\Interligne\ds
+ \troisc gi&\hu g\sk\sk
+ \noteskip=0.3\noteskip
+ \tinynotesize\Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
+\temps\NOtes&\itenl3d\zhl d\raise\Interligne\ds
+ \troisc fh&\zcharnote
+ q{\Trille{8\noteskip}}\itenl1h\hu h\sk\enotes
+% mesure 54
+\barre\NOtes\tten0\hl K&\tten3\zql d\deuxc fh\zql c\raise\Interligne\ds
+ \zq f\cu h&\tten1\qup h\sk\sk
+ \divide \noteskip by 2\relax
+ \Ibbu2hg1\qh2h\tqh2g\enotes
+\temps\NOtes\hu G&\zhl b\raise\Interligne\ds
+ \troisc dg&\qlp g\sk\sk\ds\enotes
+% mesure 55
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
+ \troisc gi&\hl n\enotes
+\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes
+\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes
+% mesure 56
+\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
+ \troisc eg&\hl l\enotes
+\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax
+ &\soupir\sk\ql o\enotes
+% mesure 57
+\barre\notes\bigsh J\hu J&\doubler\zhl{e}\raise\Interligne\ds
+ \bigsh j\troisc gj&\cpdcl lm\cpdcl nl\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\itenu0m\hl m\enotes
+% mesure 58
+\barre\notes\hu J&\doubler\zhl d\raise\Interligne\ds
+ \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
+\temps\NOtes\hl I&\zhl{^d}\raise\Interligne\ds
+ \troisc fi&\qlpp p\sk\sk\divide\noteskip by 2\relax\sk\ccl q\enotes
+% mesure 59
+\barre\notes\hl L&\doubler\zhl e\raise\Interligne\ds
+ \troisc gi&\cpdcl po\cpdcl nl\enotes
+\temps\notes\doubler\hl{^J}&\doubler\zhl{e}\raise\Interligne\ds
+ \sh j\troisc hj&\cpdcl op\cpdcl on\enotes
+% mesure 60
+\barre\notes\doubler\hl K&\doubler\zhl{=c}\raise\Interligne\ds
+ \troisc fh&\cpdcl ml\cpdcl mk\enotes
+\temps\NOtes\hl I&\zqlp d\raise\Interligne\ds
+ \deuxc gi\rlap{\clp c}\zq e\cu h&\qlp n\sk\sk\cl q\enotes
+% mesure 61
+\barre\autolines{16}55\bigaccid
+\NOtes\hl K&\zhl d\raise\Interligne\ds
+ \troisc fh&\zcharnote q{\Trille{3\noteskip}}\qlp o\sk\sk\cl n\enotes
+\temps\NOtes\hu G&\zhl d\raise\Interligne\ds
+ \troisc gi&\qlp n\sk\sk\ds\enotes
+% mesure 62
+\barre\NOtes\wh G&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec dg&\ql{_i}\sk\ql k\enotes
+% mesure 63
+\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+\halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 64
+\barre\NOtes\wh{_I}&\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\qu g\sk\qu{_i}\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 65
+\barre\notes\hu J&\doubler\zhl{_e}\raise\Interligne\ds
+ \troisc gj&\qlp n\sk\sk\sk\sk\sk
+ \noteskip=1.5\noteskip\bigna m\varaccid\Ibbl1ml2\qb1m\fl l\tqb1l\enotes
+\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\qlp k\sk\sk\ds\enotes
+%\check
+% mesure 66
+\barre\autolines{16}{\barperline}5\varaccid
+\NOtes\hu{G}&\zw{_e}\raise\Interligne\ds
+ \fl i\troisc gi&\hl{_l}\enotes
+\temps\NOtes\hu H&\raise\Interligne\ds
+ \troisc hj&\hl j\sk\sk\cbreath\enotes
+% mesure 67
+\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes
+\temps\NOtes\hu{G}&\raise\Interligne\ds
+ \fl i\troisc gi&\fl i\hl i\sk\sk\cbreath\enotes
+% mesure 68
+\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds
+ \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes
+\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\qup g\sk\sk\sk\sk\sk\Ibbu0hg1\qh0h\tqh0g\enotes
+% mesure 69
+%\check
+\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
+ \troisc fh&\hup f\enotes
+\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
+ \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
+&\sk\sk\soupir\enotes
+% mesure 70
+\barre\NOtes\wh N&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec dg&\fl i\ql i\sk\ql k\enotes
+% mesure 71
+\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+ \halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 72
+\barre\NOtes\wh N&\zwh d\raise\Interligne\ds
+ \fl i\troisc gi&\qu g\sk\qu{_i}\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 73
+\barre\NOtes\hu{^J}&\zhl{^c}\raise\Interligne\ds
+ \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip
+ \Ibbl1ok3\qb1{onm}\tqb1l\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\qlp m\sk\sk\ds\enotes
+% mesure 74
+\elemskip=0.98\elemskip
+\barre\NOtes\hu I&\zhl b\raise\Interligne\ds\troisc dg&\hl n\enotes
+\temps\NOtes\hu J&\zhl c\raise\Interligne\ds
+ \troisc eg&\hl l\sk\sk\cbreath\enotes
+% mesure 75
+\barre\NOtes\hu H&\zhl a\raise\Interligne\ds\troisc cf&\hl m\enotes
+\temps\NOtes\hu I&\zhl b\raise\Interligne\ds
+ \troisc dg&\hl k\sk\sk\cbreath\enotes
+% mesure 76
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+\temps\NOtes\hl K&\zhl d\raise\Interligne\ds
+ \troisc gi&\hu g\sk\sk
+ \noteskip=0.3\noteskip\tinynotesize
+ \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
+% mesure 77
+\autolines{16}{\barperline}5\relax
+\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\zcharnote
+ q{\Trille{3\noteskip}}\qup h\sk\sk\noteskip=0.5\noteskip
+ \Ibbu2gh1\qh2g\tqh2h\enotes
+\temps\NOtes\hu I&\zhl{^d}\raise\Interligne\ds
+ \troisc fi&\hu i\enotes
+% mesure 78
+\barre\NOtes\hu H&\sh d\zhl d\raise\Interligne\ds
+ \troisc fi&\ds\ibl0i0\qb0i\qb0i\tqb0i\enotes
+\temps\notes\hu G&\doubler\zhl b\raise\Interligne\ds
+ \troisc eg&\cpdcl ij\cpdcl ij\enotes
+% mesure 79
+\barre\NOtes\hu F&\zhl{^d}\raise\Interligne\ds
+ \troisc fh&\ibl0i0\qb0i\qb0m\qb0{^k}\tqb0i\enotes
+\temps\NOtes\hu E&\zhl{e}\raise\Interligne\ds
+ \troisc gi&\ql n\sk\Ibl0ml1\qb0m\tqb0l\enotes
+% mesure 80
+\barre\NOtes\hu F&\zhl f\raise\Interligne\ds
+ \na k\troisc hk&\bigna k\ql k\noteskip=0.25\noteskip
+ \sk{\tinynotesize\Ibbl0lj2\qb0l\qb0k\tqb0{^j}}\doubler\doubler
+ \Ibl0km1\qb0k\tqb0m\enotes
+\temps\NOtes\hu H&\zhl e\raise\Interligne\ds
+ \sh j\troisc gj&\Ibl0mj3\qb0{mlk}\tqb0{^j}\enotes
+% mesure 81
+\autolines{16}{\barperline}5\relax
+\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
+ \troisc fh&\hlpp k\enotes
+\temps\NOtes\hu I&\zhl{d}\raise\Interligne\ds
+ \fl i\troisc fi&\sk\sk\sk\noteskip=0.6\noteskip\qs\ccl k\enotes
+% mesure 82
+\barre\NOtes\hu H&\zhl e\raise\Interligne\ds
+ \sh j\troisc gj&\sh j\Ibl1jm3\qb1{j=m}\qbp1l\noteskip=0.5\noteskip
+ \sk\tbbl1\tqb1m\enotes
+\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
+ \bigna f\Ibu0hj2\zq f\qh0h\zq f\qh0{=i}\zq f\tqh0{=j}\relax
+ &\Ibl1km3\qb1{ko^n}\nbbl1\noteskip=0.6\noteskip\qb1o\tqb1{=n}\enotes
+% mesure 83
+\barre\NOtes\hl J&\zhl{_e}\raise\Interligne\ds
+ \sh f\troisc fh&\Ibl1ml3\qb1{^m=ml}\tqb1{_l}\enotes
+\temps\NOtes\hl{_I}&\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\Ibl1ko3\qb1{k^m}\qbp1n\noteskip=0.5\noteskip
+ \sk\tbbl1\tqb1o\enotes
+% mesure 84
+\barre\NOtes\hl K&\zhl d\raise\Interligne\ds
+ \troisc fh&\hl{m}\sk\sk\cbreath\qsk\enotes
+\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\ql n\sk\qu g\enotes
+% mesure 85
+\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds
+ \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \fl i\troisc gi&\hu g\sk\sk
+ \noteskip=0.3\noteskip\tinynotesize
+ \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
+% mesure 86
+\barre\autolines{17}55\bigaccid
+\NOtes\hl K&\zhl d\raise\Interligne\ds\troisc fh\relax
+ &\upperfl p\zcharnote o{\Trille{3\noteskip}}\qup h\sk\sk\cu g\enotes
+\temps\NOtes\qup G\sk\sk\ds&\zqlp d\raise\Interligne\ds
+ \rlap{\sk\sk\raise -3\Interligne\ds}\na i\troisc gi&\qup g\sk\sk\ds\enotes
+% mesure 87
+\barre\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
+\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
+% mesure 88
+\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
+\halfskip\sk\ccl j\enotes
+\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
+% mesure 89
+\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
+\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
+% mesure 90
+\barre\autolines{14}55\bigaccid
+\NOtes\hu H&\zhl{^c}\raise\Interligne\ds
+ \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip
+ \Ibbl1ok3\qb1{onm}\tqb1l\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\qlp m\sk\sk\ds\enotes
+% mesure 91
+\barre\autolines{16}45\bigaccid
+\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
+\temps\NOtes\hu J&\zhl e\raise\Interligne\ds
+ \troisc gj&\hl l\sk\sk\cbreath\enotes
+% mesure 92
+\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
+\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
+ \troisc gi&\hl k\sk\sk\cbreath\enotes
+% mesure 93
+\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+\temps\NOtes\hl K&\zhl d\raise\Interligne\ds
+ \troisc gi&\hu g\sk\sk
+ \noteskip=0.3\noteskip\tinynotesize
+ \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
+% mesure 94
+\barre\NOtes\wh K&\zhl d\raise\Interligne\ds
+ \troisc fh&\zcharnote
+ q{\Trille{7\noteskip}}\hupp h\enotes
+\temps\NOtes&\zhl d\raise\Interligne\ds
+ \troisc fh&\sk\sk\sk\noteskip=0.5\noteskip
+ \Ibbu2gh1\qh2g\tqh2h\enotes
+% mesure 95
+\barre\NOtes\hu I&\zhl{^d}\raise\Interligne\ds
+ \troisc fi&\qup i\sk\sk\enotes
+\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds
+ \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
+ \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
+% mesure 96
+\barre\NOtes\hl K&\zhl d\raise\Interligne\ds
+ \troisc gi&\hu g\sk\sk
+ \noteskip=0.3\noteskip\tinynotesize
+ \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
+\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
+ \troisc fh&\zcharnote
+ q{\Trille{7\noteskip}}\itenl0h\hu h\enotes
+% mesure 97
+\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
+ \troisc fh&\tten0\qup h\sk\sk\cu g\enotes
+\temps\NOtes\itenl0G\hu G&\itenl3d\zhl d\raise\Interligne\ds
+ \troisc gi&\itenl2g\hu g\enotes
+% mesure 98
+\barre\NOtes\tten0\wh G&\tten3\zwh d\ibu0i0\zq g\qh0i\zq e\qh0j\zq f\qh0h\relax
+ \itenl0g\zq g\itenu1i\tqh0i&\tten2\wh g\enotes
+\temps\NOtes&\tten0\tten1\zh g\hu i\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/avemario.tex b/Master/texmf-dist/doc/generic/musictex/avemario.tex
new file mode 100644
index 00000000000..55305aec630
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/avemario.tex
@@ -0,0 +1,1007 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\fulltitle{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : cornet ou cromorne\\P\'edale : 16', acc.
+G.O.}
+ \title{Ave Maria}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\autolines{25}{3}{5}%
+ %\check
+%Takt 1
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 2
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 3
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 4
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 5
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 6
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
+\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
+\barre
+ %\check
+%Takt 7
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 8
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 9
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
+\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
+\barre
+ %\check
+%Takt 10
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \qlp d&ple\rlap{---}&\qup d&&&&\enotes
+\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
+\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \ql d&na,&\qu d&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 11
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\qh5a&&&&\enotes
+\OrgNotes&\qb2k\tqb2n&\oct
+ \tqb4b&nus&\tqh5b&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 12
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \qlp c&te\rlap{---}&\qup c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \cl d&&\cu d&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \ql c&cum,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+%
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 13
+\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 14
+\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
+\OrgNotes&\qh2f\tqh2j&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql d&\rlap{---}&\qu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a&&&&\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \hl b&tu&\hu b&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 16
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g&&&&\enotes
+\barre
+ %\check
+%Takt 17
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
+\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql a&bus&\qu a&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 18
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\qh5e&&&&\enotes
+\OrgNotes&\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\tqh5f&&&&\enotes
+\barre
+ %\check
+%Takt 19
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{dic---}&\hu g&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \qu N&tus&\qu N&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 20
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 21
+\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 22
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp i&tu--&\qlp i&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl h&i,&\cl h&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&\rlap{Je---}&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 23
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \hlp e&sus.&\hup e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 24
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
+\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \ql e&ta&\qu e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
+\barre
+ %\check
+%Takt 25
+\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl h&ri\rlap{---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql a&a,&\qu a&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 26
+\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \ql c&ta&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
+\barre
+ %\check
+%Takt 27
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
+\barre
+ %\check
+%Takt 28
+\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d&a!&\qu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 29
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\qh5c&&&&\enotes
+\OrgNotes&\qh2b\tqh2d&\oct
+ \tqb4b&pro&\tqh5 b&&&&\enotes
+\barre
+ %\check
+%Takt 30
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \qlp g&no\rlap{---}&\qup g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
+\OrgNotes&\qh2c\tqh2e&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \ql c&bis,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 31
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\qh5e&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\tqh5d&&&&\enotes
+\barre
+ %\check
+%Takt 32
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp k&to\rlap{---}&\qlp k&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl i&ri-&\cl i&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&bus,&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 33
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4j&in&\tqh5j&&&&\enotes
+\barre
+ %\check
+%Takt 34
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2g&\oct
+ \tqb4e&in&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 35
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 36
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N&&&&\enotes
+\barre
+ %\check
+%Takt 37
+\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 38
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl e&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 39
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
+\barre
+ %\check
+%Takt 40
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl g\hup n&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
+\barre
+ %\check
+%Takt 41
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
+ g&\zhlp g\hup l&&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 42
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
+ {\roffset{0.3}{\zhu h}}\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
+\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 43
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
+\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d&na,&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 44
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a&&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b&&&&&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 45
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d&&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c&cum,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
+%
+\barre
+ %\check
+%Takt 46
+\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
+ \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
+ \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 47
+\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &&\bigaccid\zw{^f}\oct
+ \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2j&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \qu a&ta&\qu a&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 48
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
+ {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \qu d&in&\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 49
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
+ \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qh5f&&\qh4f&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh5g&&\tqh4g&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 50
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
+ \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
+\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
+ \oct \cu h&bus&\qu a&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 51
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qh4e&&\tqh5e&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2i&&\oct
+ \tqh4f&ne-&\cu f&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 52
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
+n&{\zhlp j}\oct
+ \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \tten4\cu g&tus&\qu N&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 53
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
+q&{\zw h}\oct
+ \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4d&&\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 54
+\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
+ {\zw j}\oct
+ \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4g&&\qh5g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&\tqh5h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 55
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
+g&{\zqlp n}\oct
+ \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
+ \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qu d&&\tleg5\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 56
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
+ \hup e&sus.&\hup e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 57
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
+ &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
+\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \qu e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl e&&&&&&\enotes
+\barre
+ %\check
+%Takt 58
+\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
+h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
+j&\tten2\zq j\ql h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 59
+\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&{\bigfl l\zh l}\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
+o&{\zq h}\oct
+ \ql c&ta&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 60
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
+n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
+ \tten2\zq j\ql{_l}&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 61
+\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+k&{\zhp j}\oct
+ \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 62
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+i&{\zhl f}\oct
+ \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
+ \qh4c&&\tqh5c&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2d&&\oct
+ \tqh4b&pro&\cu b&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 63
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
+g&{\tten4\zw g}\oct
+ \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2e&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \qu c&bis,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 64
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
+f&{\zhl j}\oct
+ \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4e&pec-&\cu e&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4d&ca-&\cu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 65
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
+i&{\zh m}\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
+k&{\zhl i}\oct
+ \ql g&bus,&\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \raise2\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 66
+\def\atnextline{\autolines{25}25}\relax
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 67
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
+ \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
+ \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
+ \qh4g&ra,&\cu g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2g&&\oct
+ \tqh4e&in&\cu e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 68
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
+k&{\zhl f}\oct
+ \itenu5d\hu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
+h&{\zhl h}\oct
+ \tten5\cu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4hh4\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4i&&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&&&&&&&\enotes
+\alaligne
+ %\check
+%Takt 69
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
+g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \tqh4d&&&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \qh4h&&\tqh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
+ \qh4f&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\relax
+ \tqh4d&&&&&&\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
+ &&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\def\atnextline{\autolines{20}35}\relax
+\alaligne
+ %\check
+%Takt 71
+\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
+c&\tten4\wh c&&&&&&&&&\enotes
+\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
+\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 72
+\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
+\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
+\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
+\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
+\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 73
+\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &&\pointdorgue f\wh c&&&&&&&&\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musictex/carillon.tex b/Master/texmf-dist/doc/generic/musictex/carillon.tex
new file mode 100644
index 00000000000..548231278ee
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/carillon.tex
@@ -0,0 +1,1296 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\shortauthor{D. Taupin}
+\title{Carillon triste}
+\fullauthor{Daniel TAUPIN}
+\othermention{Improvis\'e vers 1960\\Compos\'e en 1991}
+\maketitle
+\vsize 275mm
+
+\def\testpgs{5}%
+%
+\parindent 12mm
+%
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-3}\relax % trois bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\deuxtemps
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\ff{{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%\check
+% au moins deux croches basses et hautes
+\def\dqbl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqbh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%
+% trois doubles croches hautes
+\def\tqbbl#1#2#3#4{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}%
+\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\Tqbbh{\Tqbbu}%
+\def\Tqbh{\Tqbu}%
+\def\tqbbL#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}%
+\def\tqbbH#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}%
+\def\tqbL#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}%
+\def\tqbH#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}%
+%au moins quatre croches basses et hautes
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tqb0{#5}}%
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3#4#5}\tqb0{#6}}%
+\def\qqbu{\qqbh}\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tqh0{#5}}%
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3#4#5}\tqh0{#6}}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% octave basse en blanche
+\def\bohl#1{\zh{`#1}\hl{'#1}}%
+\def\bohu#1{\zh{`#1}\hu{'#1}}%
+\def\sohl#1{\zh{'#1}\hl{`#1}}%
+\def\sohu#1{\zh{'#1}\hu{`#1}}%
+%
+\def\bozh#1{\zh{`#1'#1}}%
+\def\bozq#1{\zq{`#1'#1}}%
+\def\boql#1{\zq{`#1}\ql{'#1}}%
+\def\boqu#1{\zq{`#1}\qu{'#1}}%
+% octave sup. en croches u
+\def\soqh#1{\zq{'#1}\qh0{`#1}}%
+\def\soqb#1{\zq{'#1}\qb0{`#1}}%
+\def\soqu#1{\zq{'#1}\qu{`#1}}%
+\def\soql#1{\zq{'#1}\ql{`#1}}%
+%\check
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne %
+\def\sfhu#1{\lsf #1\hu #1}%
+\def\sfwu#1{\lsf #1\wh #1}%
+\def\sfhl#1{\usf #1\hl #1}%
+\def\sfwl#1{\usf #1\wh #1}%
+\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}%
+\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}%
+\def\LPED{\kern -\internote\PED\kern \internote}%
+\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
+\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
+\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
+%
+\debutmorceau\autolines {10}56\global\advance\linesinpage by 1\relax
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Largo \rm(\metron{\qu}{60})}\enotes
+\vnotes 0.2\elemskip\zmidtwotext{\kern -5mm\ppff\fff}\enotes
+\zglu\notes\PEDDEP|\sfhu N\enotes
+\temps\notes\PEDpDEP|\sfhu a\enotes
+% mesure 2
+\barre\notes\PEDDEP|\sfhu c\enotes
+\temps\notes\PEDpDEP|\sfhu d\enotes
+% mesure 3
+\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes
+% mesure 4
+\barre\notes\PEDDEP|\sfhu N\enotes
+\temps\notes\PEDpDEP|\sfhu a\enotes
+% mesure 5
+\barre\notes\PEDDEP|\sfhu c\enotes
+\temps\notes\PEDpDEP|\sfhu d\enotes
+% mesure 6
+\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes
+% mesure 7
+\barre\notes\PEDDEP|\sfhu N\enotes
+\temps\notes\PEDpDEP|\sfhu a\enotes
+% mesure 8
+\barre\notes\PEDDEP|\sfhu c\enotes
+\temps\notes\PEDpDEP|\sfhu d\enotes
+% mesure 9
+\barre\NOtes\PED\sk\sk\pause\sk\DEP\sk|\sfwu e\enotes
+% mesure 10
+\troistemps\changecontext\notes\PEDDEP|\sfhu d\enotes
+\temps\notes\PEDpDEP|\sfhu e\enotes
+\temps\notes\PEDpDEP|\sfhu c\enotes
+% mesure 11
+\deuxtemps\changecontext\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes
+% mesure 12
+\barre\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes
+% mesure 13
+\def\bassC{\kern -\internote\PED\kern \internote\soupir\sk\boqu C\DEP\sk}%
+\def\bassG{\kern -\internote\PED\kern \internote\soupir\sk\boqu G\DEP\sk}%
+\def\BassC{\bohu C\sk\DEP}%
+\def\BassG{\bohu G\sk\DEP}%
+%
+\barre\notes\kern -\internote\PED\kern \internote\soupir\uptext{\ppff pp \it il basso}|\pointdorgue m\sfwu N\enotes
+\temps\notes\BassC\enotes
+\temps\notes\pointdorgue d\soupir|\enotes
+% mesure 14
+\autolines 856\relax
+\barre\notes\bassC|\uptext{\ppff\fff}\sfhu N\enotes
+\temps\notes\bassC|\sfhu a\enotes
+% mesure 15
+\barre\notes\bassC|\sfhu c\enotes
+\temps\notes\bassC|\sfhu d\enotes
+% mesure 16
+\troistemps\changecontext\notes\kern -\internote\PED\kern \internote\soupir|\sfwu N\enotes
+\temps\notes\BassC\sk\soupir\enotes
+\temps\notes\hpause\sk|\hpause\enotes
+% mesure 17
+\deuxtemps\changecontext\notes\uptext{\ppff pp}\bassC|\uptext{\ppff\fff}\sfhu N\enotes
+\temps\notes\bassC|\sfhu a\enotes
+% mesure 18
+\barre\notes\bassC|\sfhu c\enotes
+\temps\notes\bassC|\sfhu d\enotes
+% mesure 19
+\barre\notes\LPED\soupir|\sfwu e\enotes
+\temps\notes\BassC\enotes
+\temps\notes\soupir\enotes
+\advance\barsinline by 1\relax
+% mesure 20
+\troistemps\changecontext\notes\bassC|\sfhu d\enotes
+\temps\notes\bassC|\sfhu e\enotes
+\temps\notes\bassC|\sfhu c\enotes
+% mesure 21
+\deuxtemps\changecontext\notes\LPED\soupir|\sfwu N\enotes
+\temps\notes\BassG\enotes
+\temps\notes\soupir|\enotes
+% mesure 22
+\barre\notes\LPED\soupir|\sfwu N\enotes
+\temps\notes\BassG\enotes
+\temps\notes\soupir|\enotes
+% mesure 23
+\troistemps\changecontext\notes\LPED\soupir|\pointdorgue m\sfwu N\enotes
+\temps\notes\pointdorgue a\BassC\enotes
+\temps\notes\soupir\hpause|\sk\hpause\enotes
+\advance\barsinline by 1\relax
+% mesure 24
+\deuxtemps\changecontext\autolines{14}36\relax
+\notes\PED\zcharnote H{\ppff fff}\sfwl N|\dsoupir
+\uptext{\ppff p}\ibu0c5\qh0N\tqh0e\enotes
+\temps\notes|\tqbH5fcge\enotes
+\temps\notes|\tqbL5hjgn\enotes
+\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
+% mesure 25
+\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes
+\temps\notes|\tqbH5eafc\enotes
+\temps\notes|\tqbL5ehfj\enotes
+\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes
+% mesure 26
+\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
+\temps\notes|\tqbH5gchf\enotes
+\temps\notes|\tqbL5ijhm\enotes
+\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes
+% mesure 27
+\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
+\temps\notes|\tqbH5gchf\enotes
+\temps\notes|\tqbL5ikhm\enotes
+\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes
+% mesure 28
+\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0a5\qh0L\tqh0c\enotes
+\temps\notes|\tqbH5eNec\enotes
+\temps\notes|\Tqbh gej\enotes
+\temps\notes\sk\DEP|\Tqbl glj\enotes
+% mesure 29
+\barre\notes\PED\tten0\wh N|\Tqbl nsq\enotes
+\temps\notes|\tqbL{-9}mnlj\enotes
+\temps\notes|\Tqbl gjg\enotes
+\temps\notes\sk\DEP|\tqbH{-5}fegc\enotes
+% mesure 30
+\barre\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
+\temps\notes|\tqbH5fcge\enotes
+\temps\notes|\tqbL5gjgn\enotes
+\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
+% mesure 31
+\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes
+\temps\notes|\tqbH5eafc\enotes
+\temps\notes|\tqbL5ehfj\enotes
+\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes
+% mesure 32
+\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
+\temps\notes|\tqbH5gchf\enotes
+\temps\notes|\tqbL5hjhm\enotes
+\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes
+% mesure 33
+\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
+\temps\notes|\tqbH5gchf\enotes
+\temps\notes|\tqbL5hkhm\enotes
+\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes
+% mesure 34
+\barre\notes\PED\itenu0e\sfwl e|\dsoupir\ibu0e9\qh0c\tqh0g\enotes
+\temps\notes|\tqbH5iejg\enotes
+\temps\notes|\tqbH5kljn\enotes
+\temps\notes\sk\DEP|\Tqbl lqn\enotes
+% mesure 35
+\barre\notes\tten0\wh e|\Tqbl sus\enotes
+\temps\notes|\Tqbl qsq\enotes
+\temps\notes|\tqbL{-3}mnlq\enotes
+\temps\notes|\tqbL{-9}lnlj\enotes
+% mesure 36
+\troistemps\autolines{17}26\relax
+\changecontext\notes\PED\usf d\hl d|\dsoupir\qsk\ibu0h{-5}\qh0h\tqh0f\enotes
+\temps\notes\sk\DEP|\Tqbh khf\enotes
+\temps\notes\PED\usf e\hl e|\dsoupir\qsk\na i\ibu0i{-5}\qh0i\tqh0g\enotes
+\temps\notes\sk\DEP|\Tqbh lig\enotes
+\temps\notes\PED\usf c\hl c|\dsoupir\qsk\ibu0h{-5}\qh0g\tqh0e\enotes
+\temps\notes\sk\DEP|\Tqbh jge\enotes
+% mesure 37
+\deuxtemps
+\changecontext
+\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
+\temps\notes|\tqbH5fcge\enotes
+\temps\notes|\tqbL5gjgn\enotes
+\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
+% mesure 38
+\barre\autolines{14}36\relax
+\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0d\enotes
+\temps\notes|\bigna b\tqbH5fbgd\enotes
+\temps\notes|\bigna i\tqbL5gign\enotes
+\temps\notes\sk\DEP|\tqbL{-9}jkig\enotes
+% mesure 39
+\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
+\temps\notes|\tqbH5gcge\enotes
+\temps\notes|\tqbH5jjgl\enotes
+\temps\notes|\tqbL5jjnl\enotes
+% mesure 40
+\barre\notes\tten0\pointdorgue c\wh N|\Tqbl qsq\enotes
+\temps\notes|\tqbL{-9}mnlj\enotes
+\temps\notes|\Tqbl gjg\enotes
+\temps\notes\sk\DEP|\rlap{\sk\sk\pointdurgue b}\tqbH{-4}gegc\qsk\enotes
+% mesure 41
+%
+\def\motif#1#2#3#4{\zbarre\notes|\lsf{#1}\qqbbu{-9}{#1}{#2}{#3}{#4}\enotes
+\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`#1}{#2}{#3}{#4}\enotes}%
+\def\cinqx#1{\rlap{\sk\zcharnote{#1}{\it 5}}}%
+%
+\alapage\autolines{9}66\relax
+\notes\uptext{\ppff pp}\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes
+\temps\notes\qqbbl9JLNc\enotes
+\motif gecN\relax
+% mesure 42
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 43
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 44
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif khfd\relax
+% mesure 45
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\ccl e\tqbbu gjl\enotes
+% mesure 46
+\barre\notes|\tten0\zhl N\Qqbbl nljg\enotes
+\temps\notes|\qqbbu{-9}gecN\enotes
+\zbarre\notes|\qqbbu{-9}gecN\enotes
+\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
+% mesure 47
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes
+\temps\notes\qqbbl9JLNc\enotes
+\motif gecN\relax
+% mesure 48
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 49
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 50
+ \def\atnextline{\autolines{8}76}\relax
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif khfd\relax
+% mesure 51
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\sfwu e\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 52
+\barre\notes|\tten0\zhl e\qqbbl{-9}qnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
+\temps\notes\sk\sk\DEP|\qqbbl{-4}gedc\enotes
+% mesure 53
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif khfd\relax
+% mesure 54
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJLN}|\sfwu e\enotes
+\temps\notes\qqbbl9{=I}LN{=b}\enotes
+\zbarre\notes|\lsf l\qqbbu{-9}l{=i}ge\enotes
+\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`l}ige\enotes
+% mesure 55
+\def\atnextline{\autolines966}%
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 56
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}K}|\sfwu N\enotes
+\temps\notes\qqbbl9G{=I}KN\enotes
+\zbarre\notes|\lsf g\qqbbu{-9}gd{=b}N\enotes
+\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`g}dbN\enotes
+% mesure 57
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}L}|\sfwu N\enotes
+\temps\notes\qqbbl9G{=I}LN\enotes
+\zbarre\notes|\lsf g\qqbbu{-9}ge{=b}N\enotes
+\temps\notes\qqbbu{-9}{!`g}ebN\enotes
+% mesure 58
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 59
+\troistemps\changecontext\notes|\tten0\zw N\qqbbl{-9}qnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\temps\notes|\qqbbu{-9}gecN\enotes
+\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
+\temps\Notes\BassC\sk|\qsk\hpause\enotes
+%
+% mesure 60
+\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}%
+%
+\alapage\autolines{9}66\relax
+\notes\uptext{\ppff mf}\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes
+\temps\notes\qqbbl9JLNc\enotes
+\motif gecN\relax
+% mesure 61
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 62
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 63
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 64
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JCJL}|\itenu1g\itenl0N\Sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\ccl e\tqbbu gjl\enotes
+% mesure 65
+\barre\notes|\tten0\tten1\zh g\zhl N\qqbbh{-9}nljg\enotes
+\temps\notes|\qqbbu{-9}gecN\enotes
+\zbarre\notes|\qqbbu{-9}gecN\enotes
+\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
+% mesure 66
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes
+\temps\notes\qqbbl9JLNc\enotes
+\motif gecN\relax
+% mesure 67
+\barre\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 68
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 69
+ \def\atnextline{\autolines{8}76}\relax
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 70
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\itenu1l\Sfwu e\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 71
+\barre\notes|\tten0\tten1\zh l\zhl e\qqbbH{-9}oqnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbl{-4}gedc\enotes
+% mesure 72
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 73
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJLN}|\Sfwu e\enotes
+\temps\notes\qqbbl9{=I}LN{=b}\enotes
+\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}%
+\motif l{=i}ge\relax
+% mesure 74
+\def\atnextline{\autolines966}%
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 75
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes
+\temps\notes\qqbbl9G{=I}KN\enotes
+\zbarre\notes|\usf{!'g}\qqbbl{-9}gd{=b}N\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}d{=b}N\enotes
+% mesure 76
+\barre\advance\elemskip 1pt\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes
+\temps\notes\qqbbl9G{=I}LN\enotes
+\zbarre\notes|\lsf{!'g}\qqbbu{-9}ge{=b}N\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}ebN\enotes
+% mesure 77
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 78
+\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\zbarre\notes|\qqbbu{-9}gecN\enotes
+\temps\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
+\temps\notes\BassC\qsk|\qsk\hpause\enotes
+%
+% mesure 79
+\alapage
+\autolines{25}2{\testpgs}\relax
+\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne
+\llap{\moyen appassionato\kern -1.5cm}\uptext{\kern -\internote\rm(\metron{\qu}{80})}\enotes
+%
+%\check
+\newif\ifsupa\supafalse
+\def\accord#1#2#3#4#5#6#7{\normalnotesize
+\notes\rlap{\qsk\whp{!`#1}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{`#1!#1#2}\tqh0{#3}\relax
+|\normalnotesize\zwp{#5}\zwp{#6}\zwp{#7}\relax
+\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes
+ %\check 1
+\temps\smallnotesize\notes
+\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
+%\check 1
+\temps\notes
+|\rlap{\ibbl0{!''#2}8\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{!'''#2}}\relax
+\ibbu0{!''#5}7\qh0{!''#5}\qh0{#5}\qh0{#6}\tbu0\qh0{#7}\enotes
+%\check 1
+\temps\notes|\rlap{\ibbl0{!'''#3}{-9}\qb0{!'''#3#2`#4}\tqb0{!''#3}}\relax
+\ibbu0{!'''#5}{-9}\qh0{!'''#5`#7#6}\tqh0{#5}\enotes
+%\check 1
+\temps\notes
+\ifsupa|\rlap{\ibbl0{!'#4}{-9}\qb0{!''#2`#4#3}\tqb0{#2}}\relax
+\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi
+\ibbu0{!''#5}{-9}\qh0{!''#5`#7#6}\tqh0{#5}\enotes
+%\check 1
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{#4}{-9}\qh0{#4#3#2}\tqh0{!`#4}\relax
+|\ibbu0{!'#5}{-9}\qh0{!'#5`#7#6}\tqh0{#5}\enotes
+}%
+%
+%\check
+\accord CEGJNce\relax
+% mesure 80
+\barre\accord CFHJacf\relax
+% mesure 81
+\barre\supatrue\accord CFHJcfh\relax
+% mesure 82
+\barre\accord CFHJdfh\relax
+% mesure 83
+\def\Accord#1#2#3#4#5#6#7{\normalnotesize
+\notes\rlap{\qsk\whp{!`#1}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{!`#1!#1#2}\tqh0{#3}\relax
+|\zwp{#5#6#7}\relax
+\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes
+%\check 1
+\smallnotesize\temps\notes\ibbu0{'#2}9\qh0{!#4'#2#3}\tqh0{!'#4}\relax
+|\ibbu0{!'#5}8\qh0{!'#5#5#6}\tqh0{#7}\enotes
+%\check 1
+\temps\notes|\rlap{\ibbl0{!''#2}8\qb0{#2#3#4}\tqb0{!'''#2}}\relax
+\ibbu0{!''#5}7\qh0{!''#5#5#6}\tqh0{#7}\enotes}\relax
+%
+\barre\Accord CEGJNce\relax
+\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes
+\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
+\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
+% mesure 84
+\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
+\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
+\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
+\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
+\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
+\normalnotesize\temps\notes\boqu C\DEP\qsk|\qu J\enotes
+% mesure 85
+\barre\supafalse\notes\zmidtwotext{\ppff ff}\enotes
+\accord CEGJNce\relax
+% mesure 86
+\barre\accord CFHJacf\relax
+% mesure 87
+\barre\supatrue\accord CFHJcfh\relax
+% mesure 88
+\barre\accord CFHJdfh\relax
+% mesure 89
+\barre\Accord CEGJegj\relax
+\temps\notes|\qsk\octfin {20}{8}\rlap{\qqbbl0gljg}\qqbbH0qsnsq\enotes
+\temps\notes|\rlap{\qqbbl{-9}ecNL}\qqbbu{-9}nljg\enotes
+\temps\notes|\rlap{\qqbbl{-9}{!'c}NLJ}\qqbbu{-9}{!'l}jge\enotes
+% mesure 90
+\barre\notes\qqbbu{-9}gecN|\qqbbu{-9}qnlj\enotes
+\temps\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
+\temps\notes\qqbbu{-9}cNLJ|\zcharnote{c}{\DIMin}\qqbbu{-9}ljge\enotes
+\temps\notes\qqbbu{-9}NLJG|\qqbbu{-9}jgec\enotes
+\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
+\normalnotesize\temps\notes\rlap{\qu J}\boqu C\DEP\sk|\enotes
+% mesure 91
+\barre\normalnotesize
+\addspace{ -0.25\elemskip}\notes\rlap{\qsk\whp{!`C}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{`C!CF}\tqh0{H}\relax
+|\zwp{d}\zwp{f}\zwp{h}\relax
+\usf{!'d}\whp{!'d}\smallnotesize\ibbu0{!d}9\qh0{df}\tqh0{h}\enotes
+%\check
+\temps\smallnotesize\notes
+\ibbu0{K}9\qh0{!K'FH}\tqh0{!'K}\relax
+|\ibbu0{!'d}8\qh0{!'d}\qh0{d}\qh0{f}\tqh0{h}\enotes
+%\check
+\temps\notes
+|\qsk\octfin{20}8\rlap{\ibbl0{!'F}8\qb0{F}\qb0{H}\qb0{K}\tqb0{!''F}}\relax
+\ibbu0{!'d}7\qh0{!'d}\qh0{d}\qh0{f}\tbu0\qh0{h}\enotes
+%\check
+\temps\notes|\rlap{\ibbl0{!''H}{-9}\qb0{!''HF`K}\tqb0{!'H}}\relax
+\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\qsk\enotes
+%\check
+\temps\notes
+\ifsupa|\rlap{\ibbl0{!'K}{-9}\qb0{!''F`KH}\tqb0{F}}\relax
+\else\ibbu0{!''H}{-9}\qh0{!''HF`K}\tqh0{H}|\fi
+\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\enotes
+%\check
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{K}{-9}\qh0{KHF}\tqh0{!`K}\relax
+|\ibbu0{!'d}{-9}\qh0{!'d`hf}\tqh0{d}\enotes
+% mesure 92
+\barre\normalnotesize\notes\rlap{\qsk\whp{!`C}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{!`C!CG}\tqh0{=I}\relax
+|\bigna i\zwp{e}\zwp{g}\zwp{i}\relax
+\usf l\whp l\smallnotesize\Ibbu0{!e}{!i}3\qh0{eg}\tqh0{=i}\enotes
+%\check
+\temps\smallnotesize\notes
+\ibbu0{!'G}9\qh0{!L'G=I}\tqh0{!'L}\relax
+|\ibbu0{!'e}8\qh0{!'e}\qh0{e}\qh0{g}\tqh0{=i}\enotes
+%\check
+\temps\notes
+|\qsk\octfin{!'s}8\rlap
+{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{L}\tqb0{!''G}}\relax
+\ibbu0{!'e}7\qh0{!'e}\qh0{e}\qh0{g}\tbu0\qh0{=i}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IG`L}\tqb0{!'I}}\relax
+\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\qsk\enotes
+%\check
+\temps\notes
+\ifsupa|\rlap{\ibbl0{!'L}{-9}\qb0{!''G`LI}\tqb0{G}}\relax
+\else\ibbu0{!''I}{-9}\qh0{!''IG`L}\tqh0{I}|\fi
+\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\enotes
+%\check
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{L}{-9}\qh0{LIG}\tqh0{!`L}\relax
+|\ibbu0{!'e}{-9}\qh0{!'e`ig}\tqh0{e}\enotes
+% mesure 93
+\barre\accord CFHJcfh\relax
+% mesure 94
+\barre\normalnotesize\supafalse
+\notes\rlap{\qsk\whp{!`G}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0B9\qh0{!`G!=BD}\tqh0{G}\relax
+|\normalnotesize\bigna b\zwp{N}\zwp{b}\zwp{d}\relax
+\usf{!'N}\whp{!'N}\smallnotesize\ibbu0{!N}9\qh0{Nb}\tqh0{d}\enotes
+%\check
+\smallnotesize\temps\notes
+\ibbu0{!'D}9\qh0{!'=BDG}\tqh0{!''=B}\relax
+|\ibbu0{!'N}8\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{d}\enotes
+%\check
+\temps\notes
+|\rlap{\ibbl0{!''D}8\qb0{D}\qb0{G}\qb0{!'''=B}\tqb0{D}}\relax
+\ibbu0{!''N}7\qh0{!''N}\qh0{N}\qh0{=b}\tbu0\qh0{d}\enotes
+%\check
+\temps\notes|\rlap{\ibbl0{!'''G}{-9}\qb0{!'''GDB}\tqb0{!''G}}\relax
+\ibbu0{!'''N}{-9}\qh0{!'''N`db}\tqh0{N}\enotes
+%\check
+\temps\notes\ibbu0{!''D}{-9}\qh0{!''DB`G}\tqh0{D}\relax
+|\ibbu0{!''N}{-9}\qh0{!''N`db}\tqh0{N}\enotes
+%\check
+\temps\notes\raise -1.5\Interligne\rlap
+{\sk\sk\DEP}\ibbu0{!'B}{-9}\qh0{!'B`GD}\tqh0{B}\relax
+|\ibbu0{!'N}{-9}\qh0{!'N`db}\tqh0{N}\enotes
+% mesure 95
+\def\atnextline{\autolines{25}1{\testpgs}}\relax
+\barre\supafalse\normalnotesize
+\notes\rlap{\qsk\whp{!`G}}\llap{\LPED\off{0.5\noteskip}}\smallnotesize
+\Ibbu0{!`G}{!G}3\qh0{!`G!=BE}\tqh0{G}\relax
+|\zwp{N}\bigna b\zwp{b}\zwp{e}\relax
+\usf{!'N}\whp{!'N}\smallnotesize\Ibbu0{!N}{!e}2\qh0{!Nb}\tqh0{e}\enotes
+%\check
+\smallnotesize\temps\notes
+\Ibbu0{!'B}{!''B}3\qh0{!'=BEG}\tqh0{!''=B}\relax
+|\Ibbu0{!'N}{!'e}3\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{e}\enotes
+%\check
+\temps\notes
+|\rlap{\Ibbl0{!''E}{!'''E}3\qb0{!''EG}\qb0{!'''=B}\tqb0{E}}\relax
+\Ibbu0{!''N}{!''e}3\qh0{!''NN=b}\tbu0\qh0{e}\enotes
+%\check
+\temps\notes|\rlap{\Ibbl0{!'''G}{!''G}3\qb0{!'''GEB}\tqb0{!''G}}\relax
+\Ibbu0{!'''N}{!''N}3\qh0{!'''N`eb}\tqh0{N}\enotes
+%\check
+\temps\notes\Ibbu0{!''E}{!'E}3\qh0{!''EB`G}\tqh0{E}|\relax
+\Ibbu0{!''N}{!'N}3\qh0{!''N`eb}\tqh0{N}\enotes
+%\check
+\temps\notes\raise -1.5\Interligne\rlap
+{\sk\sk\DEP}\Ibbu0{!'B}{!B}3\qh0{!'B`GE}\tqh0{B}\relax
+|\Ibbu0{!'N}{!N}3\qh0{!'N`eb}\tqh0{N}\enotes
+% mesure 96
+\def\atnextline{\autolines{23}2{\testpgs}}\relax
+\barre\znotes\zcharnote{e}{\rlap{\DIMin}\kern 12\elemskip\DIMin}\enotes\relax
+\Accord CEGJNce\relax
+\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes
+\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
+\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
+% mesure 97
+\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
+\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
+\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
+\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
+\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
+\normalnotesize
+\temps\notes\pointdorgue N\itenu0{!`C}\transpose=0\relax\boqu C\DEP\qsk
+ |\pointdorgue m\qu J\enotes
+\suspmorceau
+% mesure 98
+\def\interfacteur{9}\computewidths
+\preprmorceau\normalnotesize\autolines{18}36\relax
+\Notes\tten0\zmidtwotext{\ppff mf}\qqbH9C{!`C}{!C}GJ|\uptext{\it
+ espressivo}\enotes
+\temps\Notes\qqbH9MLNce\enotes
+\temps\Notes|\ibu0j5\qh0g\lsf j\qh0j\lsf l\qh0l\lsf m\tqh0m\enotes
+% mesure 99
+\barre\Notes\qqbH9E{!`E}{!E}IL|\Ilegu2q\usf n\whp n\enotes
+\temps\Notes|\qqbl9Nbeg\enotes
+\temps\Notes|\qqbl7ilmn\enotes
+% mesure 100
+\deuxtemps
+\changecontext\Notes\qqbH9I{!`I}{!I}KM|\hl m\enotes
+\temps\Notes\qqbl8N{=b}df|\hl n\enotes
+% mesure 101
+\barre\autolines{14}46\relax
+\Notes\qqbl{-9}gecN|\zcharnote s{\vrule width 0pt height 7pt}\hl l\enotes
+\temps\Notes\qqbl6a{_b}df|\hl m\enotes
+% mesure 102
+\barre\Notes\qqbl{-7}ecba|\wh n\enotes
+\temps\Notes\qqbL{8}LNLef|\sk\sk\sk\tleg2\enotes
+% mesure 103
+\barre\Notes\qqbL{-9}egdbN|\Ilegu2r\hl p\enotes
+\temps\Notes\bigna a\qqbl6aceg|\hl q\enotes
+% mesure 104
+\troistemps\changecontext\Notes\bigaccid\sh f\qqbl{-9}fd{=a}{^M}\relax
+|\tleg2\bigna o\wh o\enotes
+\temps\Notes\qqbu3KJKM\enotes
+\temps\Notes\qqbl6acd{f}|\hpause\enotes
+% mesure 105
+\deuxtemps\changecontext\Notes\qqbu{-9}ebNK|\Ilegu2p\wh n\enotes
+\temps\Notes\qqbH9NLNbe\enotes
+% mesure 106
+\barre\Notes\bigaccid\qqbl{-9}fd{=b}a|\hl m\enotes
+\temps\Notes\bigaccid\qqbl{-9}NK{=I}G|\hl n\enotes
+% mesure 107
+\barre\autolines{13}46\Notes\qqbl9HLac|\hl l\enotes
+\temps\Notes\qqbl9KM{_b}d|\hl m\enotes
+% mesure 108
+\barre\Notes\qqbl{-7}ecbN|\tleg2\wh n\enotes
+\temps\Notes\qqbl{9}KN{=b}h\enotes
+% mesure 109
+\barre\autolines{13}56\relax
+\Notes\qqbl{-8}fd{=b}a|\Ilegu2q\hl m\enotes
+\temps\Notes\qqbl8Ndfg|\hl n\enotes
+% mesure 110
+\barre\Notes\Qqbl ecaL|\tleg2\wh j\enotes
+\temps\Notes\usf e\Qqbl ecNL\enotes
+% mesure 111
+\barre\Notes\usf f\Qqbl fdaM|\sk\sk\sk\pause\enotes
+\temps\Notes\usf g\Qqbl gd{=b}N\enotes
+% mesure 112
+\barre\Notes\sk\sk\sk\pause|\lsf h\Qqbu hfca\enotes
+\temps\Notes|\lsf f\Qqbu fdaM\enotes
+% mesure 113
+\barre\Notes\zcharnote{c}{\CREsc}\sk\sk\sk\pause|\lsf g\Qqbu ge{=b}N\enotes
+\temps\Notes\zmidtwotext{\it rit.}|\lsf g\Qqbu gdbN\enotes
+% mesure 114
+\troistemps\alaligne\autolines{25}26\relax
+\znotes\zmidtwotext{\kern -7mm\ppff ff}|\raise 8\Interligne
+\llap{\moyen appassionato\kern -2cm}\uptext{\kern -7mm\rm
+(\metron{\qu}{75--80})}\enotes
+%
+\supafalse
+%\check
+\accord CEGJNce\relax
+% mesure 115
+\barre\accord CFHJacf\relax
+% mesure 116
+\barre\supatrue\accord CFHJcfh\relax
+% mesure 117
+\barre\accord CFHJdfh\relax
+\suspmorceau
+% mesure 118
+\def\interfacteur{11}\computewidths
+\preprmorceau\normalnotesize\notes\rlap{\qsk\whp{!`E}}\smallnotesize
+\raise -3\Interligne\llap{\LPED\sk}\ibbu0{F}9\qh0{!`E!EI}\tqh0{L}\relax
+|\zwp{g}\zwp{i}\zwp{l}\relax
+\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
+%\check
+\temps\smallnotesize\notes
+\ibbu0{!'I}9\qh0{!'GI'E}\tqh0{!''G}\relax
+|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
+%\check
+\temps\notes|\qsk
+\octfin{!'r}{8}\rlap{\ibbl0{!'I}8\qb0{I}\qb0{L}\qb0{!''G}\tqb0{I}}\relax
+\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''L}{-9}\qb0{!''LIG}\tqb0{!'L}}\relax
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\qsk
+\ifsupa|\qsk\rlap{\ibbl0{!''G}{-9}\qb0{!''IG`L}\tqb0{I}}\relax
+\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{!'G}{-9}\qh0{!'G`LI}\tqh0{G}\relax
+|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
+%
+% mesure 119
+\normalnotesize\deuxtemps\changecontext\notes\smallnotesize\qqbbH9FBF{=I}K\relax
+|\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\smallnotesize\qqbbH0kk{=i}ki\enotes
+\temps\notes\smallnotesize
+ \qqbbl4M{=b}db|\llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kkiki\enotes
+\temps\notes\smallnotesize
+ \qqbbl{-9}caLJ|\llap{\zq e\zql l\kern 1.5pt}\smallnotesize\qqbbH0jjhjh\enotes
+\temps\notes\smallnotesize
+ \qqbbu{-9}MK{_I}F|\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{_i}ki\enotes
+%
+% mesure 120
+\autolines{20}2{\testpgs}\relax
+\normalnotesize\troistemps\changecontext\notes\rlap{\qsk\whp{!`E}}\smallnotesize
+\raise -3\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{`E!EG}\tqh0{I}\relax
+|\zwp{g}\zwp{i}\zwp{l}\relax
+\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
+%\check
+\smallnotesize\temps\notes
+\ibbu0{!'G}9\qh0{!'EGI}\tqh0{!''E}\relax
+|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
+%\check
+\temps\notes|\qsk
+\octfin{!'r}{8}\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{!''E}\tqb0{G}}\relax
+\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IGE}\tqb0{!'I}}\relax
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\qsk
+\ifsupa|\qsk\rlap{\ibbl0{!''E}{-9}\qb0{!''GE`I}\tqb0{G}}\relax
+\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\raise -3\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{!'E}{-9}\qh0{!'E`IG}\tqh0{E}\relax
+|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
+%
+% mesure 121
+\normalnotesize\generalmeter{\meterfrac{1}{2}}\changecontext
+\notes\smallnotesize\qqbbH9C{!`G}{!D}GI|\llap{\zq i\zql p\kern 1.5pt}\smallnotesize\qqbbH0nnknk\enotes
+\temps\notes\smallnotesize\qqbbl9JLNc|\llap{\zq j\zql q\kern 1.5pt}\smallnotesize\qqbbH0nnlnl\enotes
+%
+% mesure 122
+\normalnotesize\troistemps\changecontext\autolines{27}2{\testpgs}\relax
+\notes\rlap{\qsk\whp{!`D}}\smallnotesize
+\llap{\LPED\sk}\ibbu0{D}9\qh0{`D!D^F}\tqh0{H}\relax
+|\normalnotesize\bigsh m\zwp{h}\zwp{k}\zwp{m}\relax
+\usf{!'h}\whp{!'h}\smallnotesize\ibbu0{!h}9\qh0{hk}\tqh0{m}\enotes
+%\check
+\smallnotesize\temps\notes
+\ibbu0{!'F}9\qh0{!'D^FH}\tqh0{!''D}\relax
+|\ibbu0{!'h}8\qh0{!'h}\qh0{h}\qh0{k}\tqh0{^m}\enotes
+%\check
+\temps\notes
+|\qsk\octfin{22}8\rlap{\ibbl0{!'F}8\qb0{^F}\qb0{H}\qb0{!''D}\tqb0{^F}}\relax
+\ibbu0{!'h}7\qh0{!'h}\qh0{h}\qh0{k}\tbu0\qh0{^m}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''H}{-9}\qb0{!''HFD}\tqb0{!'H}}\relax
+\ibbu0{!''h}{-9}\qh0{!''h`mk}\tqh0{h}\qsk\enotes
+%\check
+\temps\notes
+\ifsupa|\rlap{\ibbl0{!''D}{-9}\qb0{!''FD`H}\tqb0{F}}\relax
+\else\ibbu0{!''F}{-9}\qh0{!''FD`H}\tqh0{F}|\fi
+\ibbu0{!''h}{-9}\qh0{!''h`mk}\tqh0{h}\enotes
+%\check
+\temps\notes\rlap{\sk\sk\DEP}\ibbu0{!'D}{-9}\qh0{!'D`HF}\tqh0{D}\relax
+|\ibbu0{!'h}{-9}\qh0{!'h`mk}\tqh0{h}\enotes
+%
+% mesure 123
+\barre\notes\rlap{\qsk\whp{!`E}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{!`E!EG}\tqh0{I}\relax
+|\normalnotesize\zwp{g}\zwp{i}\zwp{l}\relax
+\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
+%\check
+\smallnotesize\temps\notes
+\ibbu0{!'G}9\qh0{!'EGI}\tqh0{!''E}\relax
+|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
+%\check
+\temps\notes|\qsk
+\octfin{!'s}{8}\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{!''E}\tqb0{G}}\relax
+\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IGE}\tqb0{!'I}}\relax
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\qsk
+\ifsupa|\qsk\rlap{\ibbl0{!''E}{-9}\qb0{!''GE`I}\tqb0{G}}\relax
+\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\raise -3\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{!'E}{-9}\qh0{!'E`IG}\tqh0{E}\relax
+|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
+%
+% mesure 124
+\deuxtemps\changecontext
+\autolines{20}3{\testpgs}\relax
+\notes\smallnotesize\qqbbH9FBF{=I}K\relax
+|\normalnotesize\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{=i}ki\enotes
+\temps\notes\smallnotesize\qqbbl4M{=b}db|\normalnotesize
+ \llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kkiki\enotes
+\temps\notes\smallnotesize\qqbbl{-9}caLJ|\normalnotesize
+ \llap{\zq e\zql l\kern 1.5pt}\smallnotesize\qqbbH0jjhjh\enotes
+\temps\notes\smallnotesize\qqbbu{-9}MK{_I}F|\normalnotesize
+ \llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{_i}ki\enotes
+%
+% mesure 125
+\normalnotesize\xbarre\notes\rlap{\qsk\whp{!`E}}\smallnotesize
+\raise -2\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{!`E!EG}\tqh0{I}\relax
+|\zwp{g}\zwp{i}\zwp{l}\relax
+\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
+%\check
+\smallnotesize\temps\notes
+\ibbu0{!'G}9\qh0{!L'GI}\tqh0{!'L}\relax
+|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
+%\check
+\temps\notes
+|\qsk\octfin{!'s}8\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{L}\tqb0{!''G}}\relax
+\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
+%\check
+\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IG`L}\tqb0{!'I}}\relax
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\qsk\enotes
+%\check
+% mesure 126
+\xbarre\notes
+\ifsupa|\rlap{\ibbl0{!'L}{-9}\qb0{!''G`LI}\tqb0{G}}\relax
+\else\ibbu0{!''I}{-9}\qh0{!''IG`L}\tqh0{I}|\fi
+\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
+%\check
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\ibbu0{L}{-9}\qh0{LIG}\tqh0{!`L}\relax
+|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
+%
+\temps\notes\qqbbH9HDHKM|\normalnotesize
+ \llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kkhkh\enotes
+\temps\notes\qqbbl{-9}{=b}NLI|\normalnotesize
+ \llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kk{=i}ki\enotes
+%
+% mesure 127
+\troistemps\changecontext\autolines{25}2{\testpgs}\relax
+\Accord CGJLceg\relax
+\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\Qqbbu qnqs\enotes
+\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
+\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
+% mesure 128
+\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
+\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
+\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
+\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
+\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
+\normalnotesize
+\temps\notes\boqu C\DEP\qsk|\qu J\enotes
+%
+% mesure 129
+\deuxtemps\pchangecontext\autolines876\relax\addspace{-0.25\elemskip}%
+\notes
+\uptext{\kern -6mm\ppff mf}\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff f}\Sfwu N\enotes
+\temps\notes\qqbbl9JLNc\zmidtwotext{\it diminuendo}\enotes
+\motif gecN\relax
+% mesure 130
+\xbarre\addspace{ -0.3\elemskip}\relax
+\notes\LPED\qsoupir\zmidtwotext{\it poco\ \ a\ \ poco}\relax
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 131
+\xbarre\addspace{-0.3\elemskip}\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 132
+\xbarre\addspace{-0.3\elemskip}\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 133
+\barre\notes\LPED\qsoupir
+{\transpose=-7\Tqbbu CJL}|\itenu1g\itenl0N\Sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\ccl e\Tqbbu gjl\enotes
+% mesure 134
+\barre\notes|\tten0\tten1\zh g\zhl N\qqbbh{-9}nljg\enotes
+\temps\notes|\qqbbu{-9}gecN\enotes
+\zbarre\notes|\qqbbu{-9}gecN\enotes
+\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
+% mesure 135
+\barre\notes\LPED\qsoupir\uptext{\ppff mp}\relax
+\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff mf}\Sfwu N\enotes
+\temps\notes\qqbbl9JLNc\enotes
+\motif gecN\relax
+% mesure 136
+\alaligne\autolines966\notes\LPED\qsoupir
+\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif hfca\relax
+% mesure 137
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 138
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 139
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\itenu1l\Sfwu e\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 140
+\barre\notes|\tten0\tten1\zh l\zhl e\qqbbH{-9}oqnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
+\temps\notes\sk\sk\sk\DEP|\qqbbl{-4}gedc\enotes
+% mesure 141
+\barre\notes\LPED\zmidtwotext{\ppff mp}\qsk\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
+\temps\notes\qqbbl9KMad\enotes
+\motif khfd\relax
+% mesure 142
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJLN}|\Sfwu e\enotes
+\temps\notes\qqbbl9{=I}LN{=b}\enotes
+\motif l{=i}ge\relax
+% mesure 143
+\barre\notes\LPED\qsoupir
+\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
+\temps\notes\qqbbl9JMac\enotes
+\motif jhfc\relax
+% mesure 144
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes
+\temps\notes\qqbbl9G{=I}KN\enotes
+\motif gd{=b}N\relax
+% mesure 145
+\barre\notes\LPED\qsoupir
+{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes
+\temps\notes\qqbbl9G{=I}LN\enotes
+\motif ge{=b}N\relax
+% mesure 146
+\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes
+\temps\notes\qqbbl9GJLN\enotes
+\zbarre\notes|\qqbbl9cegj\enotes
+\temps\notes|\qqbbl{4}lnus\enotes
+% mesure 147
+\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes
+\temps\notes|\qqbbH0ngnlj\enotes
+\temps\notes|\qqbbu{-9}gecN\enotes
+\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
+\temps\notes\qu C\DEP\soupir\qsk|\qsk\hpause\enotes
+%
+% mesure 148
+\deuxtemps\pchangecontext\autolines{16}36\notes\LPED\qsoupir
+\zmidtwotext{\ppff p}\Tqbbh CJL|\qsk\wh g\enotes
+\temps\notes\cu N|\sk\transpose=7\Tqbbh JLN\enotes
+\temps\notes|\transpose=7\Qqbbu cNLJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
+%
+% mesure 149
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh h\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
+\temps\notes|\transpose=7\Qqbbu caMJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 150
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh j\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
+\temps\notes|\transpose=7\Qqbbu caMJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 151
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh k\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu KMa\enotes
+\temps\notes|\transpose=7\Qqbbu daMK\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 152
+\barre\notes\LPED\qsoupir\Tqbbh{!`C}{!C}E|\qsk\itenu1g\wh g\enotes
+\temps\notes\Qqbbu GJLN\enotes
+\temps\notes|\Qqbbu cegj\enotes
+\temps\notes|\Qqbbu ljge\enotes
+%
+% mesure 153
+\barre\notes|\tten1\pt g\zhl g\Qqbbu jgec\enotes
+\temps\notes|\Qqbbu gecN\enotes
+\temps\notes\Qqbbu ecNL\enotes
+\temps\notes\cu J\DEP\dsoupir|\soupir\enotes
+%
+% mesure 154
+\barre\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
+\temps\notes\cu N|\sk\transpose=7\Tqbbu JLN\enotes
+\temps\notes|\transpose=7\Qqbbu cNLJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
+%
+% mesure 155
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh h\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
+\temps\notes|\transpose=7\Qqbbu caMJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 156
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh j\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
+\temps\notes|\transpose=7\Qqbbu caMJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 157
+\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh k\enotes
+\temps\notes\cu a|\sk\transpose=7\Tqbbu KMa\enotes
+\temps\notes|\transpose=7\Qqbbu daMK\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
+%
+% mesure 158
+\barre\notes\LPED\qsoupir\Tqbbh{!`C}{!C}E|\qsk\itenu1l\wh l\enotes
+\temps\notes\Qqbbu GJLN\enotes
+\temps\notes|\Qqbbu cegj\enotes
+\temps\notes|\Qqbbu ljge\enotes
+%
+% mesure 159
+\barre\notes|\tten1\pt l\zhl l\Qqbbu jgec\enotes
+\temps\notes|\Qqbbu gecN\enotes
+\temps\notes\Qqbbu ecNL\enotes
+\temps\notes\cu J\DEP\dsoupir|\soupir\enotes
+%
+% mesure 160
+\troistemps\changecontext\autolines{22}26\relax
+\notes\LPED\qsoupir\Tqbbh CJM|\qsk\hl k\enotes
+\temps\notes\cu a\sk\DEP|\sk\transpose=7\Tqbbu JMa\enotes
+\temps\notes\LPED\qsoupir\Tqbbh CJN|\qsk\hl l\enotes
+\temps\notes\bigna b\cu b\sk\DEP|\sk\transpose=7\bigaccid\Tqbbu LN{=b}\enotes
+\temps\notes\LPED\qsoupir\Tqbbh CJL|\qsk\hl j\enotes
+\temps\notes\bigsh M\cu M\sk\DEP|\sk\Tqbbu ace\enotes
+%
+% mesure 161
+\deuxtemps\changecontext
+\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
+\temps\notes\cu N|\sk\transpose=7\Tqbbh JLN\enotes
+\temps\notes|\transpose=7\qqbbh{-9}cNLJ\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
+% mesure 162
+\barre\autolines{16}36\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
+\temps\notes\cu N|\sk\transpose=7\bigna I\Tqbbh {I}LN\enotes
+\temps\notes|\transpose=7\bigaccid\qqbbh{-9}{=b}NLI\enotes
+\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
+%
+% mesure 163
+\barre\notes\LPED\qsoupir\cinqx b\qqbbH9C{!`C}{!C}EG|\qsk\itenu1g\wh g\enotes
+\temps\notes\qqbbH9LJLNc\enotes
+\temps\notes\qqbbh{-9}ecNL\enotes
+\temps\notes\qqbbh{-9}cNLJ\enotes
+%
+% mesure 164
+\barre\notes\qqbbh{-9}NLJG|\tten1\hup g\enotes
+\temps\notes\qqbbh{-9}LJGE\enotes
+\temps\Notes\qu C\DEP\enotes
+\temps\Notes\soupir|\soupir\enotes
+%
+% mesure 165
+\suspmorceau
+\def\interfacteur{10}\computewidths
+\preprmorceau\autolines{14}46\relax
+\notes\LPED\uptext{\it pi\`u dolce}\wh N|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes\sk\DEP|\tqbH6ljnl\enotes
+% mesure 166
+\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes
+\temps\notes|\tqbH6echf\enotes
+\temps\notes|\Tqbh jhm\enotes
+\temps\notes\sk\DEP|\tqbH6ljom\enotes
+% mesure 167
+\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes
+\temps\notes|\tqbH6gfjh\enotes
+\temps\notes|\Tqbh mjo\enotes
+\temps\notes\sk\DEP|\tqbH6pmqo\enotes
+% mesure 168
+\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes
+\temps\notes|\tqbH6gfkh\enotes
+\temps\notes|\Tqbh mko\enotes
+\temps\notes\sk\DEP|\tqbH6pmro\enotes
+% mesure 169
+\barre\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes|\Tqbh jnl\enotes
+% mesure 170
+\barre\notes\tten0\hlp N|\tqbL6nqns\enotes
+\temps\notes|\Tqbl qus\enotes
+\temps\notes\sk\DEP|\Tqbl qsq\enotes
+\temps\notes\soupir|\Tqbl nlj\enotes
+% mesure 171
+\barre\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes\sk\DEP|\tqbH6ljnl\enotes
+% mesure 172
+\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes
+\temps\notes|\tqbH6echf\enotes
+\temps\notes|\Tqbh jhm\enotes
+\temps\notes\sk\DEP|\tqbH6ljom\enotes
+% mesure 173
+\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes
+\temps\notes|\tqbH6gfjh\enotes
+\temps\notes|\Tqbh mjo\enotes
+\temps\notes\sk\DEP|\tqbH6pmqo\enotes
+% mesure 174
+\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes
+\temps\notes|\tqbH6gfkh\enotes
+\temps\notes|\Tqbh mko\enotes
+\temps\notes\sk\DEP|\tqbH6pmro\enotes
+% mesure 175
+\barre\notes\LPED\itenl0e\wh e|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes|\tqbH6ljnl\enotes
+% mesure 176
+\barre\notes\tten0\wh e|\tqbL5nqns\enotes
+\temps\notes|\Tqbl qus\enotes
+\temps\notes|\Tqbl qsq\enotes
+\temps\notes\sk\DEP|\Tqbl nlj\enotes
+% mesure 177
+\troistemps\changecontext\autolines{15}36\relax
+\addspace{-0.3\elemskip}\relax
+\notes\LPED\hl d|\dsoupir\dqbh dh\enotes
+\temps\notes\sk\DEP|\tqbH5ifkh\enotes
+\temps\notes\LPED\hl e|\dsoupir\dqbh cg\enotes
+\temps\notes\sk\DEP|\tqbH5ie{=i}g\enotes
+\temps\notes\LPED\hl c|\dsoupir\dqbh ch\enotes
+\temps\notes\sk\DEP|\tqbH5h{^f}jh\enotes
+% mesure 178
+\deuxtemps\changecontext \addspace{-0.5\elemskip}\relax
+\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes\sk\DEP|\tqbH6ljnl\enotes
+% mesure 179
+\barre\notes\LPED\wh N|\dsoupir\dqbh Nd\enotes
+\temps\notes|\tqbH6e{=b}gd\enotes
+\temps\notes|\Tqbh {=i}gk\enotes
+\temps\notes\sk\DEP|\tqbH6link\enotes
+% mesure 180
+\alaligne\autolines{15}46\relax
+\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes
+\temps\notes|\tqbH6ecge\enotes
+\temps\notes|\Tqbh jgl\enotes
+\temps\notes|\tqbH6ljnl\enotes
+% mesure 181
+\barre\notes\pointdorgue b\tten0\wh N|\tqbL6nqns\enotes
+\temps\notes|\Tqbl qsq\enotes
+\temps\notes|\tqbL0lnln\enotes
+\temps\notes\sk\DEP|\pointdorgue m\ql j\sk\enotes
+% mesure 182
+\barre\autolines{12}66\relax
+\notes\zcharnote c{\ppff pp}\bassC|\hu N\enotes
+\temps\notes\bassC|\hu a\enotes
+% mesure 183
+\barre\notes\bassC|\hu c\enotes
+\temps\notes\bassC|\hu d\enotes
+% mesure 184
+\troistemps\changecontext
+\notes\LPED\soupir|\wh N\enotes
+\temps\notes\BassC\sk\soupir\enotes
+\temps\notes\hpause\sk|\hpause\enotes
+% mesure 185
+\deuxtemps\changecontext\notes\bassC|\hu N\enotes
+\temps\notes\bassC|\hu a\enotes
+% mesure 186
+\alaligne\autolines{11}66\relax
+\notes\bassC|\hu c\enotes
+\temps\notes\bassC|\hu d\enotes
+% mesure 187
+\barre\notes\LPED\soupir|\wh E\enotes
+\temps\notes\BassC\enotes
+\temps\notes\soupir\enotes
+% mesure 188
+\troistemps\changecontext\notes\bassC|\hu d\enotes
+\temps\notes\bassC|\hu e\enotes
+\temps\notes\bassC|\hu c\enotes
+% mesure 189
+\deuxtemps\changecontext \addspace{-0.3\elemskip}\relax
+\notes\LPED\soupir|\Uptext{\it senza rallentare}\wh N\enotes
+\temps\notes\BassG|\enotes
+\temps\notes\soupir|\enotes
+% mesure 190
+\barre\notes\LPED\soupir|\wh N\enotes
+\temps\notes\zmidtwotext{\DImin}\BassG\enotes
+\temps\notes\soupir|\enotes
+% mesure 191
+\barre\notes\LPED\soupir|\wh N\enotes
+\temps\notes\BassC\enotes
+\temps\notes\soupir|\enotes
+%
+\finmorceau \rightline{\sl \aujourdhui}\eject
+\endinput
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/choral.tex b/Master/texmf-dist/doc/generic/musictex/choral.tex
new file mode 100644
index 00000000000..7ebb61f5f07
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/choral.tex
@@ -0,0 +1,900 @@
+\title{Choral vari\'e}
+\fulltitle{IV. \titremorceau}
+\csname titremorceautoc\endcsname
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+
+\parindent 18mm
+%
+\bigskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % un dieze a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.--Pos}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm Pos.: 8'+4' ou 8'+4'+2' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}%
+\smallskip
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%
+\catcodesmusic\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%
+\debutmorceau
+%
+\autolines 775\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\znotes&|\uptext{\raise 1.5\Interligne
+ \hbox{\kern -10mm\moyen Andante \bf(\metron{\qu}{65})}}\enotes
+%
+%\advance\barsinline by 1\relax
+\advance\linesinpage by 1\relax
+%
+% mesure 1
+\nspace
+\NOtes\hu G&\zh N\hl b|\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
+%\check
+% mesure 2
+\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
+\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
+\temps\Notes\qu G&\ql N|\zql g\qu i\enotes
+\resp
+%\check
+% mesure 3
+\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
+\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
+\temps\NOtes\qu D&|\qu k\enotes
+%\check
+% mesure 4
+\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\Notes\qu I&|\qu g\enotes
+\def\atnextline{\autolines775}\resp
+% mesure 5
+\barre\NOtes\qu J&\zql c\qu e|\qu g\enotes
+\temps\NOtes\qu I&\zql b\hu d|\zq g\qu i\enotes
+\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes
+% mesure 6
+\barre\NOtes\hu G&\hlp b|\zqu k\zhp g\hlp i\enotes
+\temps\NOtes&|\qu k\enotes
+\temps\NOtes\qu{=F}&|\qu k\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu E&\hlp b|\zhp{^g}\zhl i\qup l\enotes
+\temps\notes\qu{^G}&|\enotes
+\temps\notes&|\cu k\enotes
+\temps\notes\qu E&|\dqh{-2}ji\enotes
+%\check
+% mesure 8
+\barre\NOtes\qu H&\hlp a|\zhu j\zh c\hl e\enotes
+\temps\NOtes\qu{^G}&|\enotes
+\temps\NOtes\qu{=G}&|\soupir\enotes
+% mesure 9
+\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
+\temps\NOtes\qu E&|\qu j\enotes
+\temps\NOtes\qu F&|\qu k\enotes
+% mesure 10
+\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\Notes\qu I&|\qu g\enotes
+\resp
+% mesure 11
+\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes
+\temps\notes\qu I&\zq b\qu d|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu J&\zq c\qu e|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+\advance\barsinline by -1\relax
+\def\atnextline{\autolines675}%
+% mesure 12
+\barre\NOTes\hu K&\zhp a\hlp d|\zhp f\hup h\enotes
+\temps\NOtes\qu D&|\enotes
+% mesure 13
+\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%
+% mesure 14
+\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
+\temps\NOtes\qu G&|\qu k\enotes
+\temps\NOtes\qu{=F}&|\qu k\enotes
+%\check
+% mesure 15
+\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
+\temps\notes\qu{^G}&|\enotes
+\temps\notes&|\cu k\enotes
+\temps\notes\qu E&|\dqh{-2}ji\enotes
+%\check
+% mesure 16
+\barre\NOtes\qu H&\itenu1a\hlp a|\zhp e\itenl0h\rlap{\hlp h}\qu j\enotes
+\temps\NOtes\qu G&|\qu j\enotes
+\temps\NOtes\qu{^F}&|\qu j\enotes
+%\check
+% mesure 17
+\barre\NOtes\qu D&\tten1\hlp a|\tten0\zhp f\zhl h\qup k\enotes
+\temps\notes\qu E&|\enotes
+\temps\notes&|\cu j\enotes
+\temps\notes\qu F&|\dqh{-2}ih\enotes
+%\check
+% mesure 18
+\barre\NOtes\qu G&\zh b\hl d|\zhl g\hu i\enotes
+\temps\NOtes\qu K&|\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 19
+\barre\NOtes\hu I&\itenl0N\zhp N\hlp b|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu G&|\qu f\enotes
+% mesure 20
+\barre\NOtes\qu J&\tten0\zhp N\hlp c|\hu e\enotes
+\temps\notes\qu I&|\sk\sk\enotes
+\temps\NOtes\qu J&|\qu e\enotes
+% mesure 21
+\barre\NOtes\qu H&\itenl0a\zhp a\hlp c|\qu e\enotes
+\temps\NOtes\qu I&|\qu h\enotes
+\temps\NOtes\qu J&|\qu g\enotes
+% mesure 22
+\barre\NOtes\qu K&\tten0\itenl0a\zhp a\hlp d|\hu f\enotes
+\temps\NOtes\qu J&|\enotes
+\temps\NOtes\qu K&|\qu f\enotes
+% mesure 23
+\barre\NOtes\qu H&\tten0\zqu c\hlp a|\qu f\enotes
+\temps\NOtes\qu K&\qu d|\qu i\enotes
+\temps\NOtes\qu J&\ql M|\qu h\enotes
+% mesure 24
+\barre\NOtes\qu I&\ql b|\zhl e\qup g\enotes
+\temps\notes\qu J&\zhl a\qu c|\sk\cu h\enotes
+\temps\NOtes\qu K&\qu d|\qu f\enotes
+% mesure 25
+\barre\NOTes\hu G&\zhl b\hl d|\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%
+% mesure 26
+\barre\NOtes\hu L&\zhp b\itenu0e\hlp e|\itenl1g\zqu i\hlp g\enotes
+\temps\NOtes&|\qu i\enotes
+\temps\NOtes\qu K&|\qu i\enotes
+% mesure 27
+\barre\NOtes\qu J&\zhp c\tten0\hlp e|\tten1\zhl g\qup l\enotes
+\temps\notes\qu E&|\sk\cu k\enotes
+\temps\notes\qu{^G}&|\zql{^g}\dqh{-2}ji\enotes
+% mesure 28
+\barre\NOtes\hu H&\itenu0a\hlp a|\zqu j\zhp e\hlp h\enotes
+\temps\NOtes&|\qu j\enotes
+\temps\NOtes\qu G&|\qu j\enotes
+% mesure 29
+\barre\notes\qu F&\tten0\zhp a|\rlap{\zhp d\hlp f}\dqh{-2}kj\enotes
+\temps\notes\qu D&|\dqh{2}kl\enotes
+\temps\notes\qu F&|\dqh2jk\enotes
+% mesure 30
+\barre\NOtes\qu G&\zhp b|\zhp d\rlap{\hlp g}\hu i\enotes
+\temps\NOtes\qu H&|\enotes
+\temps\NOtes\qu I&|\raise 2\Interligne\soupir\enotes
+% mesure 31
+\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
+% mesure 32
+\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
+\temps\notes&|\sk\cu e\enotes
+\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
+% mesure 33
+\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
+\temps\NOtes\qu J&\hu c|\qu e\enotes
+\temps\NOtes\qu H&\ql a|\qu f\enotes
+% mesure 34
+\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
+\temps\notes\qu J&\zq e\ql c|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu I&\zq d\ql b|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+% mesure 35
+\barre\NOtes\qu H&\zq e\zqu c\hlp a|\zcharnote q{\Trille
+ {5\elemskip}}\hu h\enotes
+\temps\NOtes\qu K&\zh d\hu f\enotes
+\temps\NOtes\qu D&|\qu h\enotes
+% mesure 36
+\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\Suspmorceau
+%
+%
+\csname ORchoralb\endcsname
+\troistemps \autolines 755\relax
+\cleftoksii={{0}{0}{0}{0}}%
+\def\instrumenti{P\'ed. 8'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{Positif}}}%
+\debutmorceau\notes&\zmidtwotext{claviers s\'epar\'es}|\Uptext{\moyen Stesso tempo}\enotes
+% mesure 37
+\def\atnextline{\autolines655}%
+\notes\hu G&\dqh3bc|\qu d\enotes
+\temps\notes&\dqh5dg|\qu g\enotes
+\temps\notes\qu H&\dqh{-3}fe|\qu f\enotes
+%\check
+% mesure 38
+\barre\notes\qu I&\dqh7dg|\qup g\enotes
+\temps\notes\qu H&\dqh3ef|\sk\cu h\enotes
+\temps\notes\qu G&\dqh3gi|\qu i\enotes
+%\check
+% mesure 39
+\barre\notes\qu E&\dqh{-5}he|\qu j\enotes
+\temps\notes\qu F&\dqh3fg|\qu j\enotes
+\temps\notes\qu D&\dqh3hi|\qu k\enotes
+%\check
+% mesure 40
+\barre\notes\qu G&\dqh3gh|\qup i\enotes
+\temps\notes\qu H&\dqh3ij|\sk\cu h\enotes
+\temps\notes\qu I&\dqh3kl|\qu g\enotes
+% mesure 41
+\barre\notes\qu J&\dqh{-3}jh|\qu g\enotes
+\temps\notes\qu I&\dqh{-3}gf|\qu i\enotes
+\temps\notes\qu H&\dqh{-5}ec|\qu j\enotes
+% mesure 42
+\bigaccid
+\barre\notes\qu G&\dqh5bd|\qu k\enotes
+\temps\notes\qu I&\dqh3gh|\qu k\enotes
+\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes
+%\check
+% mesure 43
+\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes
+\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes
+\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes
+%\check
+% mesure 44
+\barre\notes\qu H&\dqh{-3}ji|\hu h\enotes
+\temps\notes\qu J&\dqh{-3}h{=g}|\enotes
+\temps\notes\qu H&\dqh3fg|\soupir\enotes
+% mesure 45
+\barre\notes\qu F&\dqh{-3}hg|\qu j\enotes
+\temps\notes\qu D&\dqh5fh|\qu j\enotes
+\temps\notes\qu F&\dqh3ij|\qu k\enotes
+%\check
+% mesure 46
+\barre\notes\qu G&\dqh3kl|\qup i\enotes
+\temps\notes\qu H&\dqh{-3}kj|\sk\cu h\enotes
+\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes
+% mesure 47
+\barre\notes\qu J&\dqh3ef|\qu g\enotes
+\temps\notes\qu I&\dqh{-5}db|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu J&\dqh5ce|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+% mesure 48
+\barre\notes\hu K&\dqh3fg|\hup h\enotes
+\temps\notes&\dqh{-5}hf|\enotes
+\temps\notes\qu D&\dqh{-3}dc|\enotes
+% mesure 49
+\barre\notes\hu G&\dqh5bd|\hu g\enotes
+\temps\notes&\dqh3ef|\enotes
+\temps\notes\soupir&\dqh3gh|\soupir\enotes
+%
+% mesure 50
+\barre\notes\qu G&\dqh3ij|\qu k\enotes
+\temps\notes\qu I&\dqh{-3}kj|\qu k\enotes
+\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes
+%\check
+% mesure 51
+\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes
+\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes
+\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes
+%\check
+% mesure 52
+\barre\notes\qu H&\dqh3jk|\qu j\enotes
+\temps\notes\qu G&\dqh{-3}lk|\qu j\enotes
+\temps\notes\qu{^F}&\dqh{-5}jh|\qu j\enotes
+%\check
+% mesure 53
+\barre\notes\qu D&\dqh{-3}ih|\qup k\enotes
+\temps\notes\qu E&\dqh{-5}{=g}e|\sk\cu j\enotes
+\temps\notes\qu F&\dqh{-3}dc|\dqh{-2}ih\enotes
+%\check
+% mesure 54
+\barre\notes\qu G&\dqh3bc|\hu i\enotes
+\temps\notes\qu K&\dqh5de|\enotes
+\temps\notes\qu J&\dqh{-5}fd|\soupir\enotes
+%\check
+% mesure 55
+\barre\notes\qu I&\dqh5gi|\qu d\enotes
+\temps\notes\qu G&\dqh{-3}kj|\qu g\enotes
+\temps\notes\qu I&\dqh{-3}ih|\qu f\enotes
+% mesure 56
+\barre\notes\qu J&\dqh7gj|\hu e\enotes
+\temps\notes\qu I&\dqh{-3}lk|\enotes
+\temps\notes\qu J&\dqh{-3}ji|\qu e\enotes
+% mesure 57
+\barre\notes\qu H&\dqh{-5}hf|\qu e\enotes
+\temps\notes\qu J&\dqh{-3}ed|\qu h\enotes
+\temps\notes\qu L&\dqh5ce|\qu g\enotes
+% mesure 58
+\barre\notes\qu K&\dqh5fh|\hu f\enotes
+\temps\notes\qu J&\dqh{-3}fe|\enotes
+\temps\notes\qu K&\dqh{-3}dc|\qu f\enotes
+% mesure 59
+\barre\notes\qu{^K}&\dqh5b{^d}|\qu f\enotes
+\temps\notes\qu{^J}&\dqh5fh|\qu i\enotes
+\temps\notes\qu K&\dqh{-3}gf|\qu h\enotes
+% mesure 60
+\barre\notes\qu L&\dqh{-3}ed|\qup g\enotes
+\temps\notes\qu{=J}&\dqh{-5}ca|\sk\cu h\enotes
+\temps\notes\qu{=K}&\dqh3bc|\qu f\enotes
+% mesure 61
+\barre\notes\hu G&\qup b\sk|\hu g\enotes
+\temps\notes&\sk\cl j|\enotes
+\temps\notes\soupir&\dqb{-3}ih|\soupir\enotes
+%
+% mesure 62
+\barre\notes\hu L&\dqh{-3}gf|\qu i\enotes
+\temps\notes&\dqh3gh|\qu i\enotes
+\temps\notes\qu K&\dqh{-3}g{=f}|\qu i\enotes
+% mesure 63
+\barre\notes\qu J&\dqh5eg|\qup l\enotes
+\temps\notes\qu E&\dqh{-6}i{=f}|\sk\cu k\enotes
+\temps\notes\qu{^G}&\dqh{-3}ed|\dqh{-2}ji\enotes
+% mesure 64
+\barre\notes\hu H&\dqh3e{^f}|\qu j\enotes
+\temps\notes&\dqh7eh|\qu j\enotes
+\temps\notes\qu G&\dqh{-3}ji|\qu j\enotes
+%\check
+% mesure 65
+\barre\notes\qu F&\dqh{-2}hg|\dqh{-2}kj\enotes
+\temps\notes\qu D&\dqh{-2}fe|\dqh3kl\enotes
+\temps\notes\qu F&\dqh5fh|\dqh2jk\enotes
+% mesure 66
+\barre\notes\qu G&\dqh3de|\hu i\enotes
+\temps\notes\qu H&\dqh5fh|\enotes
+\temps\notes\qu I&\dqh{-3}g{=f}|\soupir\enotes
+\def\atnextline{\autolines665\elemskip=1.03\elemskip}%
+% mesure 67
+%\check
+\barre\notes\hu J&\dqh5eg|\qu g\enotes
+\temps\notes&\dqh{-3}ji|\qu g\enotes
+\temps\notes\qu H&\dqh{-3}hg|\qu f\enotes
+% mesure 68
+\barre\notes\hu K&\dqh{-7}he|\qup f\enotes
+\temps\notes&\dqh{-3}dc|\sk\cu e\enotes
+\temps\notes\qu J&\dqh{-3}ba|\qu d\enotes
+%\check
+% mesure 69
+\barre\notes\qu I&\dqh{-3}NM|\qu d\enotes
+\temps\notes\qu J&\dqh5Nb|\qu e\enotes
+\temps\notes\qu H&\dqh3cd|\qu f\enotes
+% mesure 70
+\barre\notes\qu I&\dqh5bd|\qu g\enotes
+\temps\notes\hu J&\dqh{-5}ec|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes&\dqh3de|\trioskip\ibu0g7\qhp0g\sk\tbbu0\tqh0j\enotes
+%\check
+% mesure 71
+%
+\barre\notes\hu K&\dqh3fg|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes
+\temps\notes&\dqh{-5}hf|\enotes
+\temps\notes\qu D&\dqh{-3}dc|\enotes
+% mesure 72
+\barre\NOTes\hu G&\hu b|\hu g\enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+\Suspmorceau
+%
+%\check
+\csname ORchoralc\endcsname
+\def\instrumentii{G.O.-Pos.}
+\cleftoksii={{6}{0}{0}{0}}
+\def\instrumenti{\vbox{\hsize=\parindent
+ \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
+\debutmorceau
+\autolines 795\relax
+%
+% mesure 1
+\znotes&|\Uptext{\moyen Stesso tempo}\enotes
+\relax\NOtes\hu G&\zh N\hl b\relax
+ |\zqu d\qsk\itenl0c\hlp d\enotes
+\def\atnextline{\autolines 695}\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
+%\check
+% mesure 2
+\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
+\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
+\temps\Notes\qu G&\ql N|\zql g\qu i\enotes
+\resp
+%\check
+% mesure 3
+\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
+\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
+\temps\NOtes\qu D&|\qu k\enotes
+%\check
+% mesure 4
+\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\Notes\qu I&|\qu g\enotes
+\resp
+% mesure 5
+\barre\NOtes\qu J&\ql c|\zql e\qu g\enotes
+\temps\NOtes\qu I&\ql b|\zhl d\zq g\qu i\enotes
+\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes
+% mesure 6
+\barre\NOtes\qu G&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
+\temps\NOtes\qu{^F}&|\qu k\enotes
+\temps\NOtes\qu{=F}&|\qu k\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
+\temps\notes\qu{^F}&|\enotes
+\temps\notes&|\cu k\enotes
+\temps\notes\qu{^G}&|\dqh{-2}ji\enotes
+%\check
+% mesure 8
+\barre\NOtes\qu{H}&\hlp{a}|\zhu h\zhp{^c}\hlp e\enotes
+\temps\NOtes\qu{^G}&|\enotes
+\temps\NOtes\qu{=G}&|\soupir\enotes
+% mesure 9
+\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
+\temps\NOtes\qu E&|\qu j\enotes
+\temps\NOtes\qu F&|\qu k\enotes
+% mesure 10
+\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\Notes\qu I&|\qu g\enotes
+\resp
+% mesure 11
+\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes
+\temps\notes\qu I&|\trioskip\zq b\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu J&|\trioskip\zq c\zql e\ibu0g2\qhp0g\sk\tbbu0\tqh0h\enotes
+% mesure 12
+\barre\NOtes\qu K&\hl a|\rlap{\hlp d}\hu f\enotes
+\temps\NOtes\qu J&|\enotes
+\temps\NOtes\qu I&\ql b|\qu g\enotes
+% mesure 13
+\barre\NOtes\hu H&\zh a\hl c|\zhl e\qu h\enotes
+\temps\NOtes&|\qu h\enotes
+\temps\NOtes\qu {^G}&\zq b\ql d|\zql{^g}\qu i\enotes
+%\check
+% mesure 14
+\barre\NOtes\qu H&\hlp a|\zh e\zhl h\qup j\enotes
+\temps\notes\qu G&|\sk\cu i\enotes
+\temps\notes\qu F&|\trioskip\zq d\zql f\ibu0j2\qhp0j\sk\tbbu0\tqh0k\enotes
+% mesure 15
+\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\Notes\qu I&|\qu g\enotes
+\resp
+% mesure 16
+\barre\NOtes\qu L&\ql c|\zql e\qu g\enotes
+\temps\notes\qu K&\ql b|\trioskip\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+% mesure 17
+\barre\Notes\qu K&\itenu0d\hlp d|\zhp f\hup h\enotes
+\temps\Notes\qu J&|\enotes
+\temps\Notes\qu K&|\enotes
+% mesure 18
+\barre\NOtes\hu G&\tten0\zhl b\hl d|\hu g\enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+\Suspmorceau
+%
+% mesure 1
+%\check
+\csname ORchorald\endcsname
+\troistemps
+\cleftoksii={{0}{0}{0}{0}}
+\def\instrumenti{P\'ed. 8'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{Positif}}}%
+\autolines 755\relax
+\debutmorceau
+\notes\qu E&\zmidtwotext{claviers s\'epar\'es}\dqh6be\relax
+ |\Uptext{\moyen Un poco pi\`u lento \bf(\metron{\qu}{60})}\qu e\enotes
+\temps\notes\qu I&\dqh{-5}ge|\qu g\enotes
+\temps\notes\qu {^K}&\dqh{-3}{^d}{^c}|\qu f\enotes
+% mesure 2
+\barre\notes\qu L&\dqh5b{^d}|\qup g\enotes
+\temps\notes\qu J&\dqh3ef|\sk\cu h\enotes
+\temps\notes\qu I&\dqh5gi|\qu i\enotes
+% mesure 3
+\barre\notes\qu H&\dqh{-5}hf|\qu j\enotes
+\temps\notes\qu G&\dqh5eg|\qu j\enotes
+\temps\notes\qu F&\dqh{-5}jh|\qu l\enotes
+% mesure 4
+\barre\notes\qu G&\dqh{-3}ih|\qup k\enotes
+\temps\notes\qu I&\dqh3gh|\sk\cu j\enotes
+\temps\notes\qu{^K}&\dqh{-3}gf|\dqh{-3}ih\enotes
+% mesure 5
+\barre\notes\qu L&\dqh{-5}ge|\hu i\enotes
+\temps\notes\qu {=K}&\dqh{-5}{=f}d|\enotes
+\temps\notes\qu J&\dqh3e{^f}|\qu g\enotes
+% mesure 6
+\barre\autolines 665\notes\qu I&\dqh{-5}ge|\qu i\enotes
+\temps\notes\qu H&\dqh5{=f}h|\qu k\enotes
+\temps\notes\qu G&\dqh{-3}gf|\qu{=m}\enotes
+% mesure 7
+\barre\notes\qu{^G}&\dqh5e{^g}|\qup l\enotes
+\temps\notes\qu E&\dqh{-7}i{=f}|\sk\cu k\enotes
+\temps\notes\qu G&\dqh{-3}ed|\dqh{-3}ji\enotes
+% mesure 8
+\barre\notes\qu H&\dqh{-3}ed|\qu j\enotes
+\temps\notes\qu J&\dqh3cd|\qu h\enotes
+\temps\notes\qu H&\dqh5e{=g}|\dqh5jl\enotes
+% mesure 9
+\barre\notes\qu K&\dqh{-5}h{^f}|\qup{^m}\enotes
+\temps\notes\qu J&\dqh3ef|\sk\cu k\enotes
+\temps\notes\qu I&\dqh3gh|\dqh{-3}lm\enotes
+% mesure 10
+\barre\notes\qu L&\dqh{-3}ih|\dqb{-2}nm\enotes
+\temps\notes\qu K&\dqh3ij|\dqb2no\enotes
+\temps\notes\qu I&\dqh{-5}ki|\dqb{-5}pn\enotes
+% mesure 11
+\barre\notes\qu H&\dqh{-3}hg|\dqb{-3}qp\enotes
+\temps\notes\qu K&\dqh{-3}fe|\hl o\sk\enotes
+\temps\notes\qu D&\dqh{-3}dc|\sk\sk\enotes
+% mesure 12
+\barre\autolines675\elemskip=1.03\elemskip
+\notes\hu E&\qup b|\qlp n\sk\enotes
+\temps\notes&\dsoupir|\sk\cl p\enotes
+\temps\notes\qu F&\qu{^c}|\dqb{-3}on\enotes
+% mesure 13
+\barre\notes\qu I&\qu{^d}|\dqb{-3}ml\enotes
+\temps\notes\qu J&\qu h|\dqb3mn\enotes
+\temps\notes\qu I&\qu f|\dqb3op\enotes
+%\check
+% mesure 14
+\barre\notes\qu J&\qu g|\dqb3lm\enotes
+\temps\notes\qu I&\dqh{-2}ed|\dqb3no\enotes
+\temps\notes\qu G&\qu e|\dqb{-5}pn\enotes
+%\check
+% mesure 15
+\barre\notes\qu H&\qu c|\dqb{-3}qp\enotes
+\temps\notes\qu J&\qu e|\dqb{-3}on\enotes
+\temps\notes\qu{^K}&\qu h|\dqb{-3}ml\enotes
+%\check
+% mesure 16
+\barre\notes\hu I&\qu f|\dqb{-3}{^k}{^j}\enotes
+\temps\notes&\qu g|\dqb{-5}ki\enotes
+\temps\notes\qu J&\qu e|\dqb3no\enotes
+%\check
+% mesure 17
+\barre\NOtes\qu I&\qu{^d}|\nTrille p3\hl m\enotes
+\temps\NOtes\qu J&\qu b|\sk\enotes
+\temps\notes\qu I&\qu d|\dqb{-3}ml\enotes
+%\check
+% mesure 18
+\def\atnextline{\autolines665}%
+\barre\Notes\hu E&\hu e|\hl l\sk \enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 19
+\barre\notes\hu E&\dqh3Na|\qu b\enotes
+\temps\notes&\dqh7be|\qu e\enotes
+\temps\notes\qu F&\dqh5fh|\qu{^d}\enotes
+%\check
+% mesure 20
+\barre\notes\qu G&\dqh5gi|\qup e\enotes
+\temps\notes\qu F&\dqh{-5}hf|\sk\cu f\enotes
+\temps\notes\qu E&\dqh5eg|\qu g\enotes
+%\check
+% mesure 21
+\barre\notes\qu{^D}&\dqh{-3}fe|\qu h\enotes
+\temps\notes\qu F&\dqh{-3}{^d}b|\qu h\enotes
+\temps\notes\qu G&\dqh3{^c}d|\qu i\enotes
+%\check
+% mesure 22
+\barre\notes\qu E&\dqh5eg|\qup g\enotes
+\temps\notes\qu F&\dqh5fh|\sk\cu f\enotes
+\temps\notes\qu G&\dqh{-3}gf|\qu e\enotes
+%\check
+% mesure 23
+\barre\notes\qu J&\dqh3gh|\qu e\enotes
+\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes
+\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes
+%\check
+% mesure 24
+\barre\notes\qu G&\dqh{-3}db|\qu i\enotes
+\temps\notes\qu I&\dqh3ef|\qu i\enotes
+\temps\notes\qu G&\dqh{-5}ge|\qu i\enotes
+%\check
+% mesure 25
+\barre\notes\qu F&\dqh{-3}hg|\qup j\enotes
+\temps\notes\qu H&\dqh{-3}fe|\sk\cu i\enotes
+\temps\notes\qu J&\dqh{-3}fe|\dqh{-3}hg\enotes
+%\check
+% mesure 26
+\barre\notes\hup K&\dqh3de|\hu f\enotes
+\temps\notes&\dqh3fg|\enotes
+\temps\notes&\dqh3hi|\soupir\enotes
+% mesure 27
+\barre\notes\qu F&\dqh{-5}jh|\qu h\enotes
+\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes
+\temps\notes\qu{^K}&\dqh3fg|\qu i\enotes
+%\check
+% mesure 28
+\barre\notes\qu L&\dqh3cd|\qup g\enotes
+\temps\notes\qu I&\dqh3ef|\sk\cu f\enotes
+\temps\notes\qu G&\dqh5gi|\qu e\enotes
+%\check
+% mesure 29
+\barre\notes\qu H&\dqh{-5}jh|\qu e\enotes
+\temps\notes\qu I&\dqh{-3}gf|\trioskip\ibu0e{-2}\qhp0e\sk\tbbu0\tqh0{^d}\enotes
+\temps\notes\qu J&\dqh{-5}ge|\trioskip\ibu0e5\qhp0e\sk\tbbu0\tqh0h\enotes
+% mesure 30
+\barre\NOTes\hu I&\hu{^d}|\hu f\enotes
+\temps\NOTes\soupir&\soupir|\soupir\enotes
+\Suspmorceau
+%
+\csname ORchorale\endcsname
+\cleftoksii={{6}{0}{0}{0}}
+\def\instrumentii{G.O.-Pos.}
+\cleftoksii={{6}{0}{0}{0}}
+\def\instrumenti{\vbox{\hsize=\parindent
+ \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
+\troistemps
+\autolines 755\relax
+\debutmorceau
+% mesure 1
+%\check
+\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Tempo primo (andante)
+\bf(\metron{\qu}{65})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
+\def\atnextline{\elemskip=1.12\elemskip}%
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
+%\check
+% mesure 2
+\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
+\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
+\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes
+\resp
+%\check
+% mesure 3
+\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
+\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
+\temps\NOtes\qu D&|\qu k\enotes
+%\check
+% mesure 4
+\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\NOtes\qu I&|\qu g\enotes
+\resp
+% mesure 5
+\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
+\temps\NOtes\qu G&|\qu k\enotes
+\temps\NOtes\qu{=F}&|\qu k\enotes
+%\check
+% mesure 6
+\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
+\temps\notes\qu{^G}&|\enotes
+\temps\notes&|\cu k\enotes
+\temps\notes\qu E&|\dqh{-2}ji\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu H&\hlp a|\zhu j\zhp c\hlp e\enotes
+\temps\NOtes\qu G&|\enotes
+\temps\NOtes\qu H&|\soupir\enotes
+% mesure 8
+\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
+\temps\NOtes\qu E&|\qu j\enotes
+\temps\NOtes\qu F&|\qu k\enotes
+% mesure 9
+\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\NOtes\qu I&|\qu g\enotes
+\resp
+% mesure 10
+\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
+% mesure 11
+\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
+\temps\notes&|\sk\cu e\enotes
+\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
+% mesure 12
+\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
+\temps\NOtes\qu J&\hu c|\qu e\enotes
+\temps\NOtes\qu H&\ql a|\qu f\enotes
+% mesure 13
+\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
+\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu I&\ql b|\trioskip\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+% mesure 14
+\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes
+\temps\NOtes\qu K&\zh f\hl d|\enotes
+\temps\NOtes\qu D&|\enotes
+% mesure 15
+\barre\NOTEs\hu G&\hl b|\zhl d\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\Suspmorceau \varaccid
+\eject
+%
+\csname ORchoralf\endcsname
+% mesure 1
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{Cornet ou}
+\centerline{G.O.(mix.)}\vskip 20pt
+ \centerline{Positif}\centerline{(mixtures)}}}%
+\cleftoksii={{0}{0}{0}{0}}\linesinpage=0\relax\barsinline=0\relax
+\def\instrumenti{\vbox{\hsize=\parindent
+ \centerline{P\'ed. 16'}\centerline{/G.O./Pos.}}}
+\autolines {14}35\relax
+%\check
+\troistemps % \vskip -5mm
+\debutmorceau\notes\hu G&\zh b\hu d|\Uptext{\moyen\kern -16mm
+ Allegro moderato \rm\metron{\qu}{80}}\qqbbh0gdef\enotes
+\temps\notes&\qu g|\qqbbh4ghij\enotes
+\temps\notes\qu H&\zq a\zq c\qu f|\qqbbl0klmk\enotes
+%\check
+% mesure 2
+\barre\notes\qu I&\zqp b\zqp d\pt g\qu g|\qqbbl{-5}nlkj\enotes
+\temps\notes\qu H&\sk\sk\zq c\zq f\cu h|\qqbbh0ijhi\enotes
+\temps\notes\qu G&\zq d\zq g\qu i|\qqbbH0ghig\enotes
+%\check
+% mesure 3
+\barre\notes\qu E&\zq e\zq h\qu j|\qqbbh0jihi\enotes
+\temps\notes\qu F&\zh f\zhl h\qu j|\qqbbh4jklm\enotes
+\temps\notes\qu D&\qu k|\qqbbH0kmkj\enotes
+%\check
+% mesure 4
+\autolines {12}35\relax
+\barre\notes\qu G&\itenl2d\zhl d\zqp g\qup i|\ibbu0l0\qh0{inm}\tqh0l\enotes
+\temps\notes\qu H&\sk\sk\cu h|\qqbbh{-4}kjih\enotes
+\temps\notes\qu I&\tten2\zq b\zq d\qu g|\qqbbH0ghig\enotes
+% mesure 5
+\barre\notes\qu J&\zq c\zq e\qu g|\qqbbH0jlkj\enotes
+\temps\notes\qu I&\zhl d\zq g\qu i|\qqbbh3ijkl\enotes
+\temps\notes\qu H&\zq f\qu j|\qqbbl0mnom\enotes
+% mesure 6
+\barre\notes\qu G&\zhl g\zq i\qu k|\qqbbH0knml\enotes
+\temps\notes\qu F&\zq i\qu k|\qqbbH0klkj\enotes
+\temps\notes\qu{=F}&\na f\zq{fik}\rqu g|\qqbbh6ikl{=m}\enotes
+%\check
+% mesure 7
+\barre\notes\qu E&\zh {^g}\zhl i\qup l|\qqbbh{-2}l{=m}kl\enotes
+\temps\notes\qu{^G}&\sk\sk\cu k|\qqbbh{-2}jkij\enotes
+\temps\notes\qu H&\zq{eh}\qu j|\qqbbh{-2}high\enotes
+%\check
+% mesure 8
+\barre\notes\qu D&\zq f\zq h\qu j|\qqbbh3fghi\enotes
+\temps\notes\qu E&\zq e\zq g\qu j|\qqbbh{-1}jghi\enotes
+\temps\notes\qu{^F}&\zq d\zq f\qu k|\qqbbH0jlkj\enotes
+% mesure 9
+\barre\notes\qu G&\itenl2g\zhl g\zqp i\qup k|\qqbbh4ijkl\enotes
+\temps\notes\qu H&\sk\sk\cu j|\qqbbh{-4}kjih\enotes
+\temps\NOTes\qu I&\tten2\zq d\zq g\qu i|\qu g\enotes
+%\check
+% mesure 10
+\barre\notes\qu J&\itenl2c\zq e\zqu g\zhl c|\qqbbh0jihi\enotes
+\temps\notes\qu I&\zq e\qu g|\qqbbl6jkln\enotes
+\temps\notes\qu H&\tten2\itenl1a\zq{ac}\qu f|\qqbbl{-6}qoml\enotes
+%\check
+% mesure 11
+\barre\notes\qu D&\itenl2a\zhl a\tten1\zqp d\qup f|\qqbbH0konm\enotes
+\temps\notes\qu E&\sk\sk\cu e|\qqbbh{-4}lkji\enotes
+\temps\notes\qu F&\tten2\zq{Ma}\qu d|\qqbbH0hjih\enotes
+%\check
+% mesure 12
+\barre\notes\qu G&\zhl N\zq b\qu d|\qqbbh4gijk\enotes
+\temps\notes\qu J&\zq c\qu e|\qqbbl4lmno\enotes
+\temps\notes\qu H&\zq{ac}\qu f|\qqbbl0mnom\enotes
+% mesure 13
+\barre\notes\qu I&\zq d\zq b\qu g|\qqbbh{-4}kjih\enotes
+\temps\notes\qu J&\zq c\zql e\ibu1g{-2}\qh1g\sk\tqh1f|\qqbbh0ghfg\enotes
+\temps\notes\qu I&\zq b\zql d\ibu1g6\qh1g\sk\tqh1j|\qqbbH5dghi\enotes
+% mesure 14
+\barre\notes\qu H&\zhl c\zhp f\hup h|\qqbbl0jklk\enotes
+\temps\notes\qu I&|\qqbbh{-4}jihg\enotes
+\temps\notes\qu J&\ql d|\qqbbh{-4}hg{^f}e\enotes
+% mesure 15
+\barre\notes\qu I&\zq i\zqu k\hlp g|\qqbbH3dfgh\enotes
+\temps\notes\qu G&\zq i\qu k|\qqbbh0ihij\enotes
+\temps\notes\qu{=F}&\zq i\qu k|\qqbbh0kijk\enotes
+% mesure 16
+\barre\notes\qu E&\bigaccid\zh{^g}\zhl i\qup l|\qqbbl0lklm\enotes
+\temps\notes\bigaccid\qu{^G}&\sk\sk\cu k|\qqbbl{-2}lkji\enotes
+\temps\notes\qu E&\bigaccid\zq e\zq{^g}\qu j|\qqbbH{-2}jihi\enotes
+% mesure 17
+\barre\notes\qu H&\zhl e\pt e\zq h\qu j|\qqbbh{-3}jih{=g}\enotes
+\temps\notes\bigna G\qu{G}&\zq h\qu j|\qqbbh{-3}jihg\enotes
+\temps\notes\qu F&\zq h\qu j|\qqbbh0jhij\enotes
+% mesure 18
+\barre\notes\qu D&\zh f\zhl h\qup k|\qqbbh{-2}khij\enotes
+\temps\notes\qu E&\sk\sk\cu j|\qqbbl0kljk\enotes
+\temps\notes\qu F&\zql d\ibu1i{-2}\zq g\qh1i\sk\zq f\tqh1h|\qqbbl3ijkl\enotes
+% mesure 19
+\barre\notes\hu G&\zh d\zh g\hu i|\qqbbh{-4}kjih\enotes
+\temps\notes&|\qqbbh0gdef\enotes
+\temps\notes\soupir&\soupir|\qqbbh2gfgh\enotes
+%
+% mesure 20
+\barre\notes\hu G&\zh N\zhl b\qu d|\qqbbh0ifgh\enotes
+\temps\notes&\qu g|\qqbbh3ijkl\enotes
+\temps\notes\qu H&\zq{ac}\qu f|\qqbbl2mnon\enotes
+% mesure 21
+\barre\notes\hu K&\itenl2a\zhl a\zqp d\qup f|\qqbbl{-3}mlkj\enotes
+\temps\notes&\sk\sk\cu e|\qqbbh{-4}ihgf\enotes
+\temps\notes\qu J&\tten2\zq M\zq a\qu d|\qqbbh{-4}gfed\enotes
+% mesure 22
+\barre\elemskip=0.85\elemskip\notes\qu I&\zhl N\zq b\qu d|\qqbbh3defg\enotes
+\temps\notes\qu J&\zhl c\qu e|\qqbbh4hijk\enotes
+\temps\notes\qu H&\zq a\qu f|\qqbbh4l{^m}no\enotes
+% mesure 23
+\advance\barsinline by -1\relax
+\barre\notes\qu I&\zq b\zq d\qu g|\qqbbl3klmn\enotes
+\temps\notes\qu J&\zq c\zql e\ibu0g{-2}\qh0g\sk\tqh0f|\qqbbh{-2}lmkj\enotes
+\temps\notes\qu I&\zq b\zql d\ibu0g6\qh0g\sk\tqh0j|\qqbbH7imnq\enotes
+% mesure 24
+\barre\notes\qu H&\zq c\zql e\hup h|\qqbbl{-6}onml\enotes
+\temps\notes\qu K&\zh d\zhl f|\qqbbh{-2}khij\enotes
+\temps\notes\qu D&|\qqbbH0kljk\enotes
+% mesure 25
+\barre\NOTes\hu G&\zh b\zh d\hu g|\hu i\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\finmorceau
+% mesure 161
+\def\instrumentii{Mix. \ppff ff}
+\cleftoksii={{6}{0}{0}{0}}
+\def\instrumenti{\vbox{\hsize=\parindent
+ \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
+\debutmorceau
+\autolines 755\relax
+\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Maestoso \bf(\metron{\qu}{60})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\def\atnextline{\autolines655}%
+\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
+%\check
+% mesure 162
+\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
+\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
+\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes
+\resp
+%\check
+% mesure 163
+\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
+\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
+\temps\NOtes\qu D&|\qu k\enotes
+%\check
+% mesure 164
+\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
+\temps\notes\qu H&|\sk\cu h\enotes
+\temps\NOtes\qu I&|\qu g\enotes
+% mesure 165
+\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
+% mesure 166
+\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
+\temps\notes&|\sk\cu e\enotes
+\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
+% mesure 167
+\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
+\temps\NOtes\qu J&\hu c|\qu e\enotes
+\temps\NOtes\qu H&\ql a|\qu f\enotes
+% mesure 168
+\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
+\temps\notes\qu J&\ql c|\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
+\temps\notes\qu I&\ql b|\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
+% mesure 169
+\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {5\elemskip}}\hup h\enotes
+\temps\NOtes\qu K&|\zh d\hl f\enotes
+\temps\NOtes\qu D&|\enotes
+% mesure 170
+\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/euromtex.tex b/Master/texmf-dist/doc/generic/musictex/euromtex.tex
new file mode 100644
index 00000000000..380c845340f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/euromtex.tex
@@ -0,0 +1,814 @@
+%
+\def\text#1{\hbox{\rm #1}}%
+%\check
+\def\ital#1{{\sl #1\/}}%
+\def\mutex{M\raise 2pt\hbox{\kern -1pt u\kern -1pt}\TeX}
+\def\bslash{{\tt\char'134}}%
+\def\|{{\tt\char'174}}%
+\def\#{{\tt\char'043}}%
+\def\{{{\char'173}}%
+\def\}{{\char'175}}%
+\def\@{{\char'100}}%
+\def\musictex{Music\TeX}%
+\def\musicxx{\musictwenty}
+\def\keyindex#1{{\tt\bslash #1}\index{#1 \&\&\protect\tt\protect\bslash #1}}
+\def\zkeyindex#1{\index{#1 \&\&\protect\tt\protect\bslash #1}}
+\def\ixem#1{#1\index{#1}}
+\def\itxem#1{\ital{#1}\index{#1}}
+\def\aujourdhui{\today}
+\def\vboxit#1{\vbox{\hrule\hbox{\vrule\kern3pt
+ \vbox{\kern3pt#1\kern3pt}\kern3pt\vrule}\hrule}}
+\def\hboxit#1{\hbox{\vrule\vbox{\hrule\kern3pt
+ \hbox{\kern3pt\small\it #1\kern3pt}\kern3pt\hrule}\vrule}}
+%
+%\check
+\tracingstats=1
+%
+\input musicext
+\documentstyle[musictex,musictrp,euro92]{article}
+%% local commands
+\tolerance 10000
+\font\mf=logo10 \hyphenchar\mf=-1 \newcommand{\METAFONT}{{\mf METAFONT}}
+\begin{document}
+
+\title{\musictex : using \TeX\ to write\\polyphonic or
+instrumental music}
+\titlehead{\musictex -- Euro\TeX{}~92}
+
+\author{Daniel {\sc Taupin}$^{\dag}$}
+\authorhead{Taupin}
+
+\affiliation{$\dag$ Universit\'e de Paris-Sud\\
+Laboratoire de Physique des Solides\\
+b\^atiment 510\\
+F-91405 ORSAY Cedex, France}
+
+\maketitle
+
+\begin{abstract} \musictex\ is a set of \TeX\ or La\TeX\ macros which are
+fit to typeset polyphonic, instrumental or orchestral music. It is able to
+handle an important number of instruments or voices (up to nine) and staffs
+(up to four for each instrument). Many usual ornaments have been provided, including
+several note sizes which can handle grace notes or extra music like cadenzas.
+
+Except the risk of typing errors due to a sophisticated set of macros,
+the major difficulty still resides in glue and line breaking in the case of
+irregular music and slurs.
+ \end{abstract}
+
+\begin{resume}{R\'esum\'e}
+\musictex\ est un jeu de macro-instructions \TeX\ ou La\TeX\ adapt\'ees \`a
+l'\'ecriture de partitions polyphoniques, instrumentales ou orchestrales.
+\musictex\ est capable de g\'erer un nombre important d'instruments ou de voix
+(jusqu'\`a neuf) et de port\'ees (jusqu'\`a quatre par instrument).
+En outre, beaucoup d'ornements sont maintenant disponibles, notamment les notes
+de petite taille our indiquer les ornements explicites ou les cadences.
+
+\`A part les risques d'erreurs li\'ees \`a la difficult\'e d'usage de
+certaines proc\'edures, la principale difficult\'e est celle des coupures de
+lignes dans le cas o\`u d'une musique irr\'eguli\`ere et la r\'alisation de
+liaisons ou de phras\'es esth\'etiques. \end{resume}
+
+\begin{keywords}
+music typesetting, orchestral music, polyphonic music.
+\end{keywords}
+
+\section{What is \musictex\ ?}
+ \musictex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or
+polyphonic music. Therefore, it is mainly supposed to be used to type wide
+scores -- just because true musicians seldom like to have to frequently turn
+pages -- and this is not really compatible with La\TeX's standard page
+formats, even the {\tt A4.sty} whose {\tt\bslash textheight} and {\tt\bslash
+textwidth} are too small for musician needs.
+
+ However, a La\TeX\ style has been also provided (and it is used for the
+typing of the present paper) but this {\tt musictex} style is fit for
+musicographic books rather than for normal scores to be actually played.
+
+ It is to be emphasized that \musictex\ is not intended to be a
+compiler which would translate into \TeX\ some \ixem{standard musical
+notation}s, nor to decide by itself about aesthetic problems in music typing.
+\musictex\ only typesets staves, notes, chords, beams, slurs and ornaments as
+requested by the composer. Since it makes very few typesetting decisions,
+\musictex\ appears to be a versatile and rather powerful tool. However, due
+to the important amount of informations to be provided to the typesetting
+process, coding \musictex\ might appear to be awfully complicated, just as
+the real keyboard or orchestral music. It should be interfaced therefore by
+some pre-compiler in the case of the composer/typesetter wanting aesthetic
+decisions to be automatically made by somebody (or something) else.
+
+\section{\musictex\ pricipal features}
+\subsection{Music typesetting is two-dimensional}
+
+ Most of the people who just learnt a bit of music at college probably think
+that music is a linear sequence of symbols, just as literary texts to be
+\TeX-ed. In fact, with the exception of strictly monodic instruments like
+most orchestral wind instruments and solo voices, one should be aware that
+reading music actually is a matricial operation~: the non-soloist musician
+successively reads \ital{columns} of simultaneous notes which he actually plays
+if he is a pianist, clavichordist or organist, which he actually reads and
+watches if he conducts an orchertra, and which he is supposed to check and
+partially play when he is a soloist who wants to play in time with the
+accompanying instrument or choir.
+
+ In fact, our personal experience of playing piano and organ as well as
+sometimes helping as an alternate Kapellmeister leads us to think that actual
+music reading and composing is a slightly more complicated intellectual
+process~: music reading, music composing and music thinking seems to be a
+three layer process. The musician usually reads or thinks several consecutive
+notes (typically a long \ital{beat} or a group of logically connected notes), then
+he goes down to the next instrument or voice and finally assembles the whole
+to build a part of music lasting roughly a few seconds. Then he handles the
+next \ital{beat} or \ital{bar} of his score.
+
+ Thus, it appears that the humanly logical way of coding music consists
+in horizontaly accumulating a set of \ital{vertical combs} with
+\ital{horizontal teeth} as described in Table \ref{readtable}.
+
+ \begin{table}
+ \begin{center}
+ \begin{tabular}{|ll|ll|}\hboxit{note sequence one}
+ &\hboxit{note seq.\ four}
+ &\hboxit{note seq.\ seven}
+ &\hboxit{note seq.\ ten}\\\hboxit{note sequence two}
+ &\hboxit{note seq.\ five}
+ &\hboxit{note seq.\ eight}
+ &\hboxit{note seq.\ eleven}\\\hboxit{note seqence three}
+ &\hboxit{note seq.\ six}
+ &\hboxit{note seq.\ nine}
+ &\hboxit{note seq.\ twelve}\\
+ \end{tabular}
+ \end{center}
+ \caption{The order in which a musician reads music}\label{readtable}
+ \end{table}
+
+This is the reason
+why, in {\bf \musictex} the fundamental \ital{macro} is of the form
+
+\begin{center}
+{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes}
+\end{center}
+
+\noindent where the character {\tt\&} is used to separate the notes to be
+typeset on respective staffs of the various instruments, starting from the
+bottom.
+
+In the case of an instrument whose score has to be written with
+several staffs, these staffs are separated by the
+character \|. Thus, a score written for a keyboard instrument and
+a monodic instrument (for example piano and violin)
+will be coded as follows~:
+
+\begin{center}
+{\tt \bslash notes \dots\ \| \dots\ \& \dots\ \bslash enotes}
+\end{center}
+\noindent for each column of simultaneous \ital{groups of notes}.
+It is worth emphasizing that we actually said \ital{``groups of notes''}:
+this means that in each section of the previous macro, the music typesetter is
+welcome to insert, not only chord notes to be played at once, but small
+sequences of consecutive notes which build something he understands as a
+musical phrase. This is why note typing macros are of two kinds in \musictex,
+namely the note macros which are not followed by spacing afterwards, and those
+which induce horizontal spacing afterwards.
+
+\subsection{The spacing of the notes}
+
+It seems that many books have dealt with this problem.
+Although it can lead to interesting algorithms, we think it is
+in practice a rather minor one.
+
+In fact, each column of notes has not necessarily the same spacing
+and, in principle, this \itxem{spacing} should depend on the shortest
+duration of the simultaneous notes. But this cannot be established as a rule,
+for at least two reasons~:
+
+\begin{enumerate}
+ \item spacing does not depend only of the local notes,
+but also on the context, at least in the same bar.
+\item in the case of polyphonic music, exceptions can easily be found.
+Here is an example~:
+
+
+ \begin{music}
+\computewidths
+\def\nbinstruments{1}\relax
+\generalmeter{\meterfrac{4}{4}}\relax
+\debutextrait
+\normal\elemskip=0.110\hsize
+\temps\Notes\qsk\qsk\rlap{\hu j}\ql h\enotes
+\temps\Notes\hl g\enotes
+\temps\Notes\hu k\enotes
+\temps\Notes\ql f\enotes
+\finextrait
+ \end{music}
+
+%\check
+
+\noindent where it can be clearly seen that the half notes at beats 2 and 3
+must be spaced as if they were quarter notes since they overlap, which is
+obvious only because of the presence of the indication of the \itxem{meter} 4/4.
+\end{enumerate}
+%
+
+Therefore, we prefered to provide the composer/typesetter with a
+set of macros, the spacing of which increases by a factor of $\sqrt 2$
+(incidentally, this can be adjusted)~:
+
+\begin{center}
+{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 1 spatial unit\hss}}
+\\
+{\tt \bslash Notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 1.4 spacial unit\hss}}
+\\
+{\tt \bslash NOtes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 2 spatial units\hss}}
+\\{\tt \bslash NOTes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 2.8 spatial units\hss}}
+\\{\tt \bslash NOTEs \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 4 spatial units\hss}}
+\\{\tt \bslash NOTES \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
+\hbox to 2.5cm{\rm 5.6 spatial units\hss}}
+\end{center}
+
+%\check
+ The size of the spatial unit (\keyindex{elemskip}) can be freely adjusted.
+In addition, \musictex\ provides a means of adjusting the note spacing
+according to an average number of elementary spaces within a line (macro
+\keyindex{autolines}).
+
+\subsection{Music tokens, rather than a readymade generator}
+%\check
+
+The tokens provided by \musictex\ are~:
+
+\begin{itemize}
+\item the note symbols \ital{without stem}~;
+\item the note symbols \ital{with stems, and hooks for eighth notes and
+beyond}~;
+\item the indications of beam beginnings and beam ends~;
+\item the indications of beginnings and ends of ties and slurs~;
+\item the indications of accidentals~;
+\item the ornaments~: arpeggios, trills, mordents, pinc\'es, turns, staccatos
+and pizzicatos, fermatas~;
+\item the bars, the meter and signature changes, etc.
+\end{itemize}
+
+ Thus, {\tt\bslash wh g} produces an \ital{A (445~Hz)} whose
+duration is a \ital{whole note}. In the same way, {\tt\bslash qu~c} produces
+a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with stem
+up}, {\tt \bslash cl J} produces a \ital{C (125~Hz approx.)} whose duration
+is an \ital{eighth note with stem down}, etc.
+
+ To generate quarter, eighth, sixteenth, etc. chords, the macro
+\keyindex{zq} can be used~: it produces a quarter note head whose position is
+memorized and recalled when another stemmed note (possibly with a hook) is
+coded~; then the stem is adjusted to link all simultaneous notes. Thus, the
+perfect C-major chord, i.e.
+
+%\check
+{\def\nbinstruments{1}\relax
+\cleftoksi={{0}{0}{0}{0}}\generalmeter{}\relax
+\debutextrait
+\normal
+\NOTes\qsk\zq c\zq e\zq g\qu j\enotes
+\finextrait}
+
+%\check
+\noindent is coded
+ \hbox{\tt\bslash zq~c\bslash zq~e\bslash zq~g\bslash qu~j}
+or, in a more concise way, \hbox{\tt\bslash zq\{ceg\}\bslash qu~j} (stem up)~:
+in fact, single notes are treated\dots\ like one-note chords.
+
+\subsection{Beams}
+ \ital{Beams}\index{beams} are generated using macros which define their
+beginning (at the current horizontal position), together with their altitude,
+their sense (upper of lower), their multiplicity, their slope and their
+reference number. This latter feature -- the reference number -- appears to
+be necessary, since one may want to write beams whose horizontal extents
+overlap~: therefore, it is necessary to specify which beam the notes hang on
+and which beam is terminated at a given position.
+
+%\check
+\subsection{Setting anything on the score}
+
+A general macro (\keyindex{zcharnote}) provides a means of
+putting any sequence of symbols (in fact, some {\tt \bslash hbox\{...\}}) at any
+pitch of any staff of any instrument. Thus, any symbol defined in a font
+(letters, math symbols, etc.) can be used to typeset music.
+
+\subsection{A simple example}
+
+ Before entering other details, we give below an example of the two first
+bars of the sonata in C-major K545 by {\sc\ixem{Mozart}}~:
+
+\begin{music}
+\parindent 1cm
+\def\nbinstruments{1}\relax
+\def\instrumenti{Piano}%
+\nbporteesi=2\relax
+\generalmeter{\meterfrac{4}{4}}\relax
+\debutextrait
+\normal
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
+\barre
+\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
+\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
+\finextrait
+\end{music}
+%\check
+
+ The \ital{coding} is set as follows~:
+
+\begin{quote}\begin{verbatim}
+\begin{music}
+\parindent 1cm
+\def\nbinstruments{1}\relax % a single instrument
+\def\instrumenti{Piano}% % whose name is Piano
+\nbporteesi=2\relax % with two staffs
+\generalmeter{\meterfrac{4}{4}}\relax % 4/4 meter choosen
+\debutextrait % starting real score
+\normal % normal 12 pt note spacing
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
+\barre % bar
+\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
+\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
+\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
+\finextrait % terminate excerpt
+\end{music}
+ \end{verbatim}\end{quote}
+
+\begin{itemize}
+\item {\tt\bslash ibu0f0} begins an upper beam, aligned on the
+\ital{f}, reference number 0, slope 0
+\item {\tt\bslash tbu0} terminates this beam before writing
+the second \ital{g} by means of {\tt\bslash qh0g}
+\item {\tt\bslash qh..} indicates a note hanging on a beam.
+ \item {\tt\bslash sk } sets a space between the two quarters at the right
+hand, so that the second is aligned with the third eighth of the left hand.
+ \item{\tt\bslash qlp} is a quarter with a point.
+ \item{\tt\bslash ibbl1j3} begins
+a double beam, aligned on the \ital{C} ({\tt j} at this pitch)
+of slope 0.15.
+\end{itemize}
+
+\subsection{Signatures}
+
+Signatures are stated either for all instruments, such as~:
+\keyindex{generalsignature}{\tt=-2} which sets two flats on each staff, but
+this can be partly overrided by \keyindex{signatureii}{\tt=1} which puts one
+sharp on the staffs of \itxem{instrument number} 2 (ii). Of course, the
+current signature may change at any time as well as meters and clefs.
+
+\subsection{Transposition}
+
+ An important question is~: \ital{``can \musictex\ transpose a score~?''}.
+The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register
+named \keyindex{transpose} the default value of which is zero, but it may be
+set to any positive of negative reasonable value. Then, it offsets all
+symbols pitched with letter symbols by that number of pitch steps. However,
+it will neither change the signature nor the local accidentals, and if -- for
+example -- you transpose by 1 pitch a piece written in $C$, \musictex\ will
+not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might
+become tricky if accidentals occur within the piece, which might have to be
+converted into flats, naturals, sharps or double sharps, depending on the new
+choosen signature. To circumvent this trouble, \ital{relative} accidentals
+have been implemented, the actual output of which depends of the pitch of
+this accidental and of the current signature.\index{relative accidentals}
+
+\subsection{Grace notes and cadenzas}
+
+In addition to its facility of generating either sixteen point or twenty point
+staffs with note heads of corresponding size, \musictex\ also allows the user
+to type smaller notes, in order to represent either \ital{grace notes},
+\ital{cadenzas} or a proposed realization of a \ital{figured bass}. This may
+give something like~:
+
+\begin{music}
+\def\DS{\hbox{\ds}}
+\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
+\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
+\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
+\def\nbinstruments{2}%
+\generalmeter{\meterfrac{4}{4}}%
+\signaturegenerale{0}%
+\nbporteesii=1\relax
+\nbporteesii=2\relax
+\cleftoksi={{6}{0}{0}{0}}
+\cleftoksii={{6}{0}{0}{0}}
+\etroit
+\debutextrait
+\NOTes\soupir&\soupir|\qu g\enotes
+% mesure 1
+\advance\barno by -1\relax
+\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes
+\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize
+\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes
+\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
+\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
+% mesure 2
+\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
+ \zq c\qb1e\zq c\qb1e\relax
+ \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
+\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
+ \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
+\finextrait
+\end{music}
+
+\subsection{Selecting special instrument scores}
+
+Another question is~: \ital{``can I write an orchestral score and extract the
+separate scores for individual instruments~?''} The answer is 95~\%
+\ital{yes}~: in fact, you can define your own macros {\tt \bslash
+mynotes...\bslash enotes}, {\tt \bslash myNotes...\bslash enotes} with as
+many arguments as there are in the orchestral score (hope this is less or
+equal to 9, but \TeX perts know how to work around) and change its definition
+depending on the selected instrument (or insert a test on the value of some
+selection register). But the limitation is that the numbering of instruments
+may change, so that {\tt \bslash signatureiii} may have to become {\tt
+\bslash signaturei} if instrument $iii$ is alone. But, in turn, this is not a
+serious problem for average \TeX\ wizard apprentices.
+
+ \section{How to get it}
+
+ The whole \itxem{distribution} fits into a single 1.2Mbyte or
+1.44Mbyte diskette. It can also be obtained through an \ital{anonymous ftp}
+at {\tt rsovax.ups.circe.fr} (130.84.128.100), after selecting the
+subdirectory {\tt [.musictex]}. All sources (including fonts) are provided,
+either separately or ``zipped'' or as VMS `savesets''.
+
+%\check
+\section{Implementation, restrictions and enhancement possibilities}
+
+The macroinstruction file \musictex\ contains approximately 2500 lines of
+code, that is 80~000 bytes approximately. This requires your score to be
+compiled by the most extended versions of \TeX\ (65~000 words of working
+memory). In desperate situations, we recommend using the
+``Big\TeX''\index{Big\protect\TeX} processors which, unfortunately, perform
+a great deal of disk input/outputs (on PCs) which make them awfully slow.
+
+In particular, the number of registers it uses can hinder its compatibility
+with some La\TeX\ styles or with La\TeX\ itself in case of restricted memory
+availability\index{La\protect\TeX}.
+
+\subsection{Recent easy enhancements}
+
+Many enhancements have been asked for, and this is a proof thet \musictex\ is
+considered as useful by many people. Some of these enhancements which seemed
+hard were in fact rather easy to implement, for example small notes to represent
+grace notes and cadenzas. But others may induce heavy problems, for example
+the need of having \ital{nice} slurs and ties.
+
+\subsection{The tie/slur problem}
+
+While typesetting notes and even beams is a rather simple problem because is
+is a \ital{local typesetting}, ties and slurs are much more difficult to handle.
+
+Or course there is little problem in case of a typesetter wanting a slur or a
+tie binding two consecutive notes, not separated by a bar. In practice this
+\ital{very restricted} use of slurs or ties can easily be solved by putting
+some symbols extracted from the {\tt slur16} or {\tt slurn16}/{\tt slurn20}
+fonts somewhere on the staffs using the general use \keyindex{zcharnote}
+macro.
+
+ But serious music typesetters or composers know that many ties are supposed
+to link notes which are on both sides of a bar, which is a likely place to
+insert line breakings, so that the \itxem{tie} coding must have various
+versions and sizes to resist that possible line breaking. What has been said
+about ties is still more serious in the case of \itxem{phrasing slurs} which
+may extend over several bars, lines and sometimes pages. In this case, their
+shape is not only a question of producing a long curved symbol of nice
+looking shape, it also has to cope with \itxem{glue}. An then the worst is
+that music way of typing does not accept \itxem{ragged lines} but equal
+length lines, even for the last line of a music piece. Thus, long distance
+slurs and ties need to be cut into separate parts (beginning, continuing(s),
+endings) which \TeX\ can only link using \ital{horizontal line overlaps}
+or \keyindex{leaders} to insure slur continuity over this unavoidable glue.
+
+
+
+Therefore and up to now, ties and slurs have been implemented in a way which
+may look rather ugly, but we think it is the only way of implementing
+\ital{in one pass} ties and slurs which run \ital{across glue}. The principle
+is to have tie/slur symbols with a rather long part of horizontal stuff.
+Then, at each time a glue occurs and at each time a group of notes is coded
+while a slur or tie is pending, an \keyindex{hrule} is issued which overlaps
+the preceeding tie/slur symbol so that the final output seems to contain a
+continuous line. Unfortunately, this is possible only in the glue expansion
+direction, namely in the horizontal direction.
+
+ It could be requested -- and this is thought of -- to have variable size
+initial and final curved slur symbols which the user would choose according
+to his intention to have short or long range slur symbols. This has not been
+\ital{yet} implemented for several reasons~:
+
+ \begin{itemize}
+
+ \item The author's natural lazyness (!)
+
+ \item More seriously~: this would require using some more registers (at
+least a dozen) to record the initial sizes (horizontal and vertical) of this
+symbol \ital{for each slur/tie} in order to make adequate links over glue and
+to close it with the symmetrical symbol. Unfortunately, \TeX\ registers are
+not numerous (256 of each kind) and we are afraid such a feature would make
+\TeX\ stupidly crash even when typesetting reasonable scores.
+
+ \item We do not think it wise to introduce in \musictex\ itself a great
+number of macros which would be pooly used by most users~: the reason is that
+\TeX\ memory is hardly limited and that unused macros may occupy some \TeX\
+storage which could make things crash because of {\tt TeX capacity
+exceeded}...
+
+ \end{itemize}
+
+\section{Acknowledgements}
+
+The idea of implementing the present package is due to the previous work
+(\mutex)\index{mutex\&\%\protect\mutex} of Andrea {\sc Steinbach} and Angelika
+{\sc Schofer}[1]. This work
+provided the basis of the Metafont codes and some line breaking procedures,
+which both are still used here... with 99\% corrections and
+updates.\index{Schofer, A.}\index{Steinbach, A.}
+
+
+\section{Some examples}
+
+Many examples can be typeset from the \musictex\ distribution, but they are
+not included here because of their need to be compiled with \TeX\ rather than
+La\TeX\ and because they need output paper of the extended
+291$\times$297~mm$^2$ european size. However we chose to produce a small type
+size version of {\sc Haydn}'s \ital{aria} from the Creation and a piece of a
+personal composition heavily using beams.
+
+\vspace{.5cm}
+\begin{thebibliography}{Taupin 92}
+\bibitem[1]{} Andrea {\sc Steinbach} and Angelika
+{\sc Schofer}, {\em Theses} (1987, 1988),
+Rheinische Friedrich-Wilhelms Universit\"at, Bonn, Germany.
+
+\end{thebibliography}
+
+\newpage
+
+\begin{center}
+{\Large\bf Aria No. 24}
+\\{\large\bf (The Creation)}
+\\{\large Joseph {\sc Haydn}}
+\\Transcription for organ and tenor, D. {\sc Taupin} (1990)
+\end{center}
+
+\begin{music}
+\musicsize=16\relax
+\def\nbinstruments{2}%
+\generalmeter{\meterfrac{4}{4}}%
+\signaturegenerale{0}%
+\nbporteesii=2\relax
+\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
+\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
+\def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
+\cleftoksi={{6}{0}{0}{0}}
+\cleftoksii={{6}{0}{0}{0}}
+\debutmorceau
+\autolines {16}24\relax
+\NOTes\soupir&\rlap{\rmidtwotext{\bf II}}\relax
+\soupir\relax|\qu g\enotes
+% mesure 1
+\advance\barno by -1\relax
+\advance\barsinline by -1\relax
+\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\itenl0j\ibu1l0\qh1j\enotes
+\notes&\qbl0c0|\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes
+\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
+\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
+% mesure 2
+\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
+ \zq c\qb1e\zq c\qb1e\relax
+ \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
+\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
+ \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
+% mesure 3
+\autolines {14}24\relax
+\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds
+|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes
+\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes
+\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes
+\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes
+\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes
+% mesure 4
+\barre\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax
+ \zq{bd}\qb1f\zq{bd}\qb1f\relax
+ \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes
+\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax
+ \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
+\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes
+% mesure 5
+\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax
+ |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes
+\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax
+ |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes
+%\check
+% mesure 6
+\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax
+ |\rlap{\hl g}\ppt j\qu j\enotes
+\notes&\tbl0\qb0c|\sk\ccu l\enotes
+\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes
+\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes
+%\check
+% mesure 7
+\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax
+ |\rlap{\hlp h}\qu k\sk\qu m\enotes
+\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes
+\notes&\zq d\qb0f\sk
+\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax
+ \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes
+%\check
+% mesure 8
+\barre\Notes\hu G&\lcharnote c{\bf I}\relax
+\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes
+\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax
+ |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes
+%\check
+% mesure 9
+\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes
+\notes&\nbbl0\qb0b\tqb0c\enotes
+\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes
+\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes
+\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes
+\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes
+%\check
+% mesure 10
+\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes
+\notes&|\nbbl1\qb1n\tqb1{^m}\enotes
+\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes
+\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes
+\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes
+\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes
+%\check
+\suspmorceau
+\def\nbinstruments{4}%
+\nbporteesiii=0\relax
+% mesure 11
+\reprmorceau
+\autolines {11}23\relax
+\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes
+\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes
+\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes
+\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes
+% mesure 12
+\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes
+\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes
+\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes
+\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes
+% mesure 13
+\autolines {12}23\relax
+\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes
+\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes
+\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes
+\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes
+\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes
+% mesure 14
+\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax
+ &Sch\"on-&\ql k\enotes
+\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes
+\temps\Notes\pause&\hpause|\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes
+\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes
+\suspmorceau
+\end{music}
+%\removelastskip\rightline{\sl\aujourdhui}
+\newpage
+
+\def\testpgs{4}%
+\begin{music}
+%
+\resettens
+\musicsize=16\relax
+\nbporteesi=2\relax
+\def\nbinstruments{1}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-3}\relax % trois bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}%
+%\check
+\def\instrumenti{Piano}
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\ff{{f}\kern -1pt{f}}%
+% formes frequentes
+%
+%\check
+%
+\def\Tqbbh{\Tqbbu}%
+\def\Tqbh{\Tqbu}%
+%
+%\check
+% octave basse en blanche
+\def\bohl#1{\zh{`#1}\hl{'#1}}%
+\def\bohu#1{\zh{`#1}\hu{'#1}}%
+\def\sohl#1{\zh{'#1}\hl{`#1}}%
+\def\sohu#1{\zh{'#1}\hu{`#1}}%
+%
+\def\bozh#1{\zh{`#1'#1}}%
+\def\bozq#1{\zq{`#1'#1}}%
+\def\boql#1{\zq{`#1}\ql{'#1}}%
+\def\boqu#1{\zq{`#1}\qu{'#1}}%
+% octave sup. en croches u
+\def\soqh#1{\zq{'#1}\qh0{`#1}}%
+\def\soqb#1{\zq{'#1}\qb0{`#1}}%
+\def\soqu#1{\zq{'#1}\qu{`#1}}%
+\def\soql#1{\zq{'#1}\ql{`#1}}%
+%\check
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne %
+\def\sfhu#1{\lsf #1\hu #1}%
+\def\sfwu#1{\lsf #1\wh #1}%
+\def\sfhl#1{\usf #1\hl #1}%
+\def\sfwl#1{\usf #1\wh #1}%
+\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}%
+\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}%
+%
+\parindent 1cm\debutmorceau
+%
+\autolines{28}14\relax
+\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne
+\llap{\moyen
+ appassionnato\kern -1.5cm}\uptext{\kern -1mm\rm(\metron{\qu}{80})}\enotes
+%
+%\check
+\newif\ifsupa
+\supafalse
+\def\accord#1#2#3#4#5#6#7{\notes
+\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{!`#1!#1#2}\tqh0{#3}\relax
+|\pt{#5}\pt{#6}\pt{#7}\zw{#5}\zw{#6}\zw{#7}\relax
+\usf{!'#5}\pt{!'#5}\wh{!'#5}\Ibbu0{!#5}{!#7}3\qh0{!#5#6}\tqh0{#7}\enotes
+%\check 1
+\temps\notes
+\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
+%\check 1
+\temps\notes
+|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax
+\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes
+%\check 1
+\temps\notes|\rlap{\Qqbbl{!'''#3}{!'''#2}{!''#4}{!''#3}}\relax
+\Qqbbu{!'''#5}{!''#7}{!''#6}{!''#5}\enotes
+%\check 1
+\temps\notes
+\ifsupa|\rlap{\Qqbbl{!'#4}{!'#4}{!'#3}{!'#2}}\relax
+\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi
+\Qqbbu{!''#5}{!'#7}{!'#6}{!'#5}\enotes
+%\check 1
+\temps\notes\raise -2\Interligne
+\rlap{\sk\sk\DEP}\Ibbu0{!#4}{!`#4}3\qh0{!#4#3#2}\tqh0{!`#4}\relax
+|\Ibbu0{!'#5}{!#5}3\qh0{!'#5`#7#6}\tqh0{#5}\enotes
+}%
+%
+%\check
+\accord CEGJNce\relax
+% mesure 2
+\autolines{25}1{\testpgs}\relax
+\barre\accord CFHJacf\relax
+% mesure 3
+\barre\supatrue\accord CFHJcfh\relax
+% mesure 4
+\barre
+\accord CFHJdfh\relax
+% mesure 5
+\def\Accord#1#2#3#4#5#6#7{\notes
+\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{`#1!#1#2}\tqh0{#3}\relax
+|\pt{#5}\pt{#6}\pt{#7}\zw{#5#6#7}\relax
+\usf{!'#5}\whp{!'#5}\Tqbbu{!#5}{!#6}{!#7}\enotes
+%\check 1
+\temps\notes\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}\relax
+|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
+%\check 1
+\temps\notes|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax
+\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes}\relax
+%
+%\check
+\barre\Accord CEGJNce\relax
+\temps\notes|\qsk\octfin{22}{12}\rlap{\Qqbbl gjln}\Qqbbu nnqs\enotes
+\temps\notes|\rlap{\Qqbbl qnlj}\Qqbbu usqn\enotes
+\temps\notes|\rlap{\Qqbbl gecN}\Qqbbu nljg\enotes
+% mesure 6
+\barre\notes\Qqbbu ecNL|\Qqbbu nljg\enotes
+\temps\notes\Qqbbu cNLJ|\Qqbbu ljge\enotes
+\temps\notes\Qqbbu NLJG|\zcharnote{a}{\DIMin}\Qqbbu jgec\enotes
+\temps\notes\Qqbbu LJGE|\Qqbbu gecN\enotes
+\temps\notes\Qqbbu JGEC|\Qqbbu ecNL\enotes
+\temps\notes\boqu C\DEP\qsk|\qu J\enotes
+% mesure 7
+\barre\supafalse\znotes\zmidtwotext{\llap{\ppff ff}}\enotes
+\accord CEGJNce\relax
+% mesure 8
+\barre\accord CFHJacf\relax
+\suspmorceau
+
+
+
+\end{music}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/musictex/extras.tex b/Master/texmf-dist/doc/generic/musictex/extras.tex
new file mode 100644
index 00000000000..7091f6ff76d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/extras.tex
@@ -0,0 +1,302 @@
+% A logo
+\def\musictex{\leavevmode\hbox{Music\TeX}}
+
+% Here I define an extra font for the dynamics, at 10pt.
+\font\ppffx=\fonthdg mbxti10
+
+% I like the size of the bold italic to depend on the size of the music, so
+% I define this. It would be better for this to be defined in
+% \computespecifics however.
+\def\ppffs{\ifnum\musicsize=20\ppff\else\ppffx\fi}
+
+% \dyn {pitch}{text} inserts a dynamic
+\def\dyn#1#2{\zcharnote{#1}{{\ppffs #2}}}
+
+% \nobarnumbers prevents bar numbering
+\def\nobarnumbers{\def\wbarno{\relax}}
+
+% \barnumbers restores bar numbering
+\def\barnumbers{\def\wbarno{\w@barno}}
+
+% \tab is defined as a tab character, so that I can still use tabs.
+\catcode`\@=4
+\let\tab=@
+\catcode`\@=11
+
+% The next few sections define some extra macros to produce notes.
+% They are sometimes useful, but you may not want to use them.
+
+\def\nqu#1{\rlap{\qu{#1}}}
+\def\nql#1{\rlap{\ql{#1}}}
+\def\nhu#1{\rlap{\hu{#1}}}
+\def\nhl#1{\rlap{\hl{#1}}}
+\def\nw#1{\rlap{\wh{#1}}}
+\def\nwh#1{\rlap{\wh{#1}}}
+\def\nqup#1{\rlap{\qup{#1}}}
+\def\nqlp#1{\rlap{\qlp{#1}}}
+\def\nhup#1{\rlap{\hup{#1}}}
+\def\nhlp#1{\rlap{\hlp{#1}}}
+\def\ncl#1{\rlap{\cl{#1}}}
+\def\ncu#1{\rlap{\cu{#1}}}
+
+% shifted dotted whole notes
+\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip}
+\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip}
+
+% Half-shifted notes. I sometimes use these for close intervals: for instance
+% \zlqu g\zrql f
+
+\def\zrwh{\zrw}
+\def\zlwh{\zlw}
+\def\zrw#1{\kern .52\wd@skip\nw{#1}\kern -.52\wd@skip}
+\def\zlw#1{\kern -.52\wd@skip\nw{#1}\kern .52\wd@skip}
+\def\zrhu#1{\kern .45\hn@width\nhu{#1}\kern -.45\hn@width}
+\def\zlhu#1{\kern -.45\hn@width\nhu{#1}\kern .45\hn@width}
+\def\zrhl#1{\kern .45\hn@width\nhl{#1}\kern -.45\hn@width}
+\def\zlhl#1{\kern -.45\hn@width\nhl{#1}\kern .45\hn@width}
+\def\zrhup#1{\kern .45\hn@width\nhup{#1}\kern -.45\hn@width}
+\def\zlhup#1{\kern -.45\hn@width\nhup{#1}\kern .45\hn@width}
+\def\zrhlp#1{\kern .45\hn@width\nhlp{#1}\kern -.45\hn@width}
+\def\zlhlp#1{\kern -.45\hn@width\nhlp{#1}\kern .45\hn@width}
+\def\zrqu#1{\kern .45\qd@skip\nqu{#1}\kern -.45\qd@skip}
+\def\zlqu#1{\kern -.45\qd@skip\nqu{#1}\kern .45\qd@skip}
+\def\zrql#1{\kern .45\qd@skip\nql{#1}\kern -.45\qd@skip}
+\def\zlql#1{\kern -.45\qd@skip\nql{#1}\kern .45\qd@skip}
+\def\zrqup#1{\kern .45\qd@skip\nqup{#1}\kern -.45\qd@skip}
+\def\zlqup#1{\kern -.45\qd@skip\nqup{#1}\kern .45\qd@skip}
+\def\zrqlp#1{\kern .45\qd@skip\nqlp{#1}\kern -.45\qd@skip}
+\def\zlqlp#1{\kern -.45\qd@skip\nqlp{#1}\kern .45\qd@skip}
+\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip}
+\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip}
+\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip}
+\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip}
+%
+% half left shifted accidentals - for putting before half shifted notes
+%
+\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise
+ \pl@llap{\f@lat\kern 0.45\qd@skip}%
+}%
+\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise
+ \pl@llap{\df@lat\hskip 0.45\qd@skip}%
+}%
+\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise
+ \pl@llap{\s@harp\hskip 0.45\qd@skip}%
+}%
+\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@
+ \pl@llap{\ds@harp\hskip 0.45\qd@skip}}%
+\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise
+ \pl@llap{\n@at\hskip 0.45\qd@skip}}%
+%
+% cautionary accidentals
+% A cautionary accidental is a small one surrounded by parentheses, used for
+% reminders. Type the usual accidental name preceded by "c"
+%
+\def\caution#1#2{\kern -.4\qd@skip\zcharnote{#2}{\raise
+-.45\Interligne\hbox{\ttyeight\kern -1.4\qd@skip
+ \rlap{(}\kern1.2\qd@skip)}}#1#2\kern .4\qd@skip}
+
+\def\cfl{\caution{\smallfl}}
+\def\csh{\caution{\smallsh}}
+\def\cna{\caution{\smallna}}
+\def\cdfl{\caution{\smalldfl}}
+\def\cdsh{\caution{\smalldsh}}
+\def\cFl{\caution{\smallFl}}
+\def\cSh{\caution{\smallSh}}
+\def\cNa{\caution{\smallNa}}
+\def\cdFl{\caution{\smalldFl}}
+\def\cdSh{\caution{\smalldSh}}
+
+% The following macros can be used to surround a note by parentheses. They
+% are also used as ornaments by J.P. Rameau.
+% \lpar p produces a left parenthesis, or "port de voix" at pitch p
+% \rpar p produces a right parenthesis, or "pinc\'e"
+
+\def\lpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern -.9\Interligne (}}}
+\def\rpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern 1.1\Interligne )}}}
+
+\newdimen\tmp@dimen
+\def\bracketshrink{0.17\Interligne}
+
+% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th
+% whose lowest note is p.
+
+\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne
+ \divide\tmp@dimen by2\relax
+ \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink
+ \advance\tmp@dimen by-\lthick
+ \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne
+ \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax
+ \rlap{\vbox{\hrule width .5\Interligne}}\relax
+ \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}}
+
+\newdimen\tmp@dimenc
+\newdimen\z@iii\newdimen\z@iv\newdimen\z@v
+
+% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and
+% height h. This will cause an unrecorded space so it should be used within
+% \rlap. Note that this macro is a hack and probably gobbles up resources!
+% This macro is used by some of the others which follow.
+
+\def\oblique#1#2#3{\relax % length slope height
+\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax
+\else\q@antum=25\lthick\divide\q@antum by #2\relax
+\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi
+\global\z@iv=0pt\relax
+\loop\ifdim\z@iv<#1\relax
+ {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax
+ \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax
+ \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by
+ -0.5\internote
+ \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi
+ \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax
+ \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi
+ \advance\z@iii by 0.6\internote\relax
+ \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth
+ .5\lthick}\relax
+ \global\advance\z@iv by \q@antum\relax
+}\repeat
+\fi
+}
+
+\newdimen\tmp@dimenb\newcount\tmp@ct
+\def\crescwidth{1.8\Interligne}
+
+% These macros produce variable size crescendo and diminuendo marks.
+% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing
+% no space.
+\def\varcresc#1#2{\relax% height (note), length (dimen)
+ \tmp@dimenb \crescwidth\tmp@dimen #2\multiply
+ \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
+ \ifnum 0=\tmp@ct\relax
+ \tmp@ct 1\fi
+ \getn@i{#1}\tmp@dimen\n@i\internote
+ \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax
+ \advance\tmp@dimen by-\lthick
+ \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}}
+
+% \vardim{p}{l} draws a diminuendo at pitch p, and of length l, causing
+% no space.
+\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply
+ \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
+ \ifnum 0=\tmp@ct\relax
+ \tmp@ct 1\fi
+ \getn@i{#1}\tmp@dimen\n@i\internote
+ \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax
+ \advance\tmp@dimen by\tmp@dimenb
+ \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax
+ \advance\tmp@dimen by \lthick
+ \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen
+ by-.02\tmp@dimenb
+ \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}}
+
+% \overbracket{p}{l}{s} draws a bracket over the music starting at the
+% current position at pitch p, width l and slope s percent, causing no space.
+\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
+ \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
+ \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
+ \raise\n@i\internote\rlap{\vrule width\lthick height \lthick
+ depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
+ \advance\tmp@dimenb by.5\lthick\relax
+ \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick
+ depth.8\Interligne}}}
+
+% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the
+% bracket to cover n notes (note however that glue inserted by \temps
+% commands will expand the space between the notes but will not affect the
+% bracket).
+% I use this macro to indicate triplets, for instance.
+
+\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
+ \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
+ by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}}
+
+% \underbracket and \unbkt are similar to the above, but produce
+% brackets under the music.
+\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
+ \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
+ \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
+ \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick
+ height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
+ \advance\tmp@dimenb by.5\lthick\relax
+ \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick
+ height\Interligne}}}
+\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
+ \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
+ by -\noteskip\advance\tmp@dimen by\lthick
+ \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick}
+
+% Here are several macros to make use of the alternative note graphics found
+% in the font files. I copied the idea from the usual note macros in
+% MusicTeX.
+
+% \gu produces grace notes (acciacaturas), stems up
+% \gl produces grace notes, stems down
+% \smqu,\smql,\smhu,\smhl,\smwh produce small versions of \qu,\ql,\hu,\hl,\wh
+% respectively.
+
+\def\gu@raise{\lthick}\def\gl@raise{\lthick}\def\br@raise{\lthick}%
+\def\g@u{{\musicxx\char"45}}%
+\def\g@l{{\musicxx\char"46}}%
+\def\gu#1{\getn@i{#1}\def\n@fon{\gu}\global\n@raise=\gu@raise\def\n@sym{\g@u}\g@
+gr}%
+\def\gl#1{\getn@i{#1}\def\n@fon{\gl}\global\n@raise=\gl@raise\def\n@sym{\g@l}\g@
+gr}%
+\def\g@all#1{\ifnum\n@i<100\relax
+ \h@lines{#1}\global\stem@skip=\hd@skip
+ \def\s@tem{\relax}\pl@note\raise@note{\n@sym\hss}\ss@uite\fi}%
+\def\g@gr{\g@all{1.15\interligne}}%
+\def\sm@qu{{\musicxx\char"25\vrule height 2\Interligne depth\z@}}
+\def\sm@ql{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"25}}
+\def\sm@hu{{\musicxx\char"26\vrule height 2\Interligne depth\z@}}
+\def\sm@hl{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"26}}
+\def\sm@wh{{\musicxx\char"27}}
+\let\sm@raise\lthick
+\def\g@sm{\g@all{1.1\interligne}}%
+\def\g@smw{\g@all{1.3\interligne}}%
+\def\smqu#1{\getn@i{#1}\def\n@fon{\smqu}\global\n@raise=\sm@raise\def\n@sym{\sm@
+qu}\g@sm}%
+\def\smql#1{\getn@i{#1}\def\n@fon{\smql}\global\n@raise=\sm@raise\def\n@sym{\sm@
+ql}\g@sm}%
+\def\smhu#1{\getn@i{#1}\def\n@fon{\smhu}\global\n@raise=\sm@raise\def\n@sym{\sm@
+hu}\g@sm}%
+\def\smhl#1{\getn@i{#1}\def\n@fon{\smhl}\global\n@raise=\sm@raise\def\n@sym{\sm@
+hl}\g@sm}%
+\def\smwh#1{\getn@i{#1}\def\n@fon{\smwh}\global\n@raise=\sm@raise\def\n@sym{\sm@
+wh}\g@smw}%
+%
+% This skip aligns some ornaments which appear not to be centred precisely
+% on the notes
+\def\o@skp{\hskip-.5\hd@skip}
+
+% \turn p makes a turn symbol at pitch p, causing no space
+% \backturn p makes a backward turn symbol at pitch p, causing no space
+% \ttrill p makes a terminated trill ...
+% \coda p makes a coda ...
+% \segno p makes the special "S" ...
+\def\turn#1{\zcharnote{#1}{\o@skp\musicxx\char"44}}
+\def\backturn#1{\zcharnote{#1}{\o@skp\musicxx\char"43}}
+\def\ttrill#1{\zcharnote{#1}{\o@skp\musicxx\char"58\dimen@4.6pt%
+ \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}}
+\def\coda#1{\zcharnote{#1}{\o@skp\musicxx\char"55}}
+\def\segno#1{\zcharnote{#1}{\o@skp\musicxx\char"56}}
+
+% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the
+% note stems.
+% \downarpeg p is written just before the note at pitch p with its stem
+% pointing up in order to indicate a descending arpeggio
+% \uparpeg p is written just before the note at pitch p with its stem
+% pointing down in order to indicate an ascending arpeggio
+
+\font\linew=linew10 %would be nice to have slightly shorter lines...
+\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote
+ \rlap{\linew\char"61}}
+\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote
+ \rlap{\linew\char"21}}
+
+% \qqs is a demi-semiquaver rest
+\def\qqs{\charnote0{{\musicxx\char"41}}}
+
+% These macros change context while forbidding line breaks
+\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}}
+\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}}
+
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisc.tex b/Master/texmf-dist/doc/generic/musictex/fantaisc.tex
new file mode 100644
index 00000000000..7a965a73507
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/fantaisc.tex
@@ -0,0 +1,4 @@
+\def\ftranspose{-1}
+\def\fsignature{-3}
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisd.tex b/Master/texmf-dist/doc/generic/musictex/fantaisd.tex
new file mode 100644
index 00000000000..7bb931e0917
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/fantaisd.tex
@@ -0,0 +1,2 @@
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisi.tex b/Master/texmf-dist/doc/generic/musictex/fantaisi.tex
new file mode 100644
index 00000000000..0ab988e5cc1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/fantaisi.tex
@@ -0,0 +1,1183 @@
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\shorttitle{Fantaisie en style romantique}
+\title{Fantaisie en style romantique}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1992\\r\'evis\'e en 1995}
+\maketitle
+
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-1}\fi
+
+\parindent 18mm
+\tracingstats=2\relax
+%
+% formes fr\'equentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}%
+\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
+\smallskip
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\quatretemps
+\staffbotmarg=10pt
+\debutmorceau
+\relativeaccidentals
+\bigaccid
+\autolines{9}55\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso
+ \bf(\metron{\qu}{55})}}\enotes
+\advance\linesinpage by 1\relax
+\kern -\Interligne
+%\check
+% mesure 1
+\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes
+%\check
+% mesure 2
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 3
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 4
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\check
+% mesure 5
+%\check
+\quatretemps\changecontext
+\NOTEs\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 6
+%\check
+\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 7
+%\check
+\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 8
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 9
+%\check
+\quatretemps\changecontext
+\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 10
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 11
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 12
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 13
+%\check
+\quatretemps\changecontext
+\NOTEs\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax
+ |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 14
+%\check
+\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 15
+%\check
+\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+%\check
+% mesure 16
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 17
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 18
+%\check
+\quatretemps\changecontext
+\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 19
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 20
+\barre\autolines{16}45\relax
+\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 21
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 22
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 23
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 24
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 26
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 27
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 28
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 29
+\barre\bigaccid
+\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 30
+\barre\autolines{10}55\relax
+\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%\check
+% mesure 31
+%\check
+\barre\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\varaccid
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 32
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 33
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 34
+%\check
+\deuxtemps\changecontext\autolines{9}55\relax
+\addspace{-\afterruleskip}%
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 35
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 36
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 37
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes
+%\check
+% mesure 38
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 39
+\quatretemps\changecontext
+\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un
+poco pi\`u vivo}\zqp a\qup d\enotes
+\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes
+\zalaligne\autolines{15}45\relax
+%\check
+\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes
+\temps\notes&\Qqbb KaMa|\ql o\enotes
+%\check
+% mesure 40
+\def\atnextline{\autolines{17}35}\relax
+\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 41
+\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\enotes
+\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes
+\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes
+%\check
+% mesure 42
+\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes
+\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes
+\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes
+%\check
+% mesure 43
+\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes
+\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes
+\temps\notes&\Qqbb KaMa|\qu o\enotes
+%\check
+% mesure 44
+\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 45
+\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes
+\temps\notes&\Qqbb KbNb|\enotes
+\temps\notes&\Qqbb KbNb|\qu n\enotes
+\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes
+%\check
+% mesure 46
+\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes
+\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+%\check
+% mesure 47
+\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes
+\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes
+\temps\notes&\Qqbb KbNb|\Ilegu0s\ql r\enotes
+\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes
+\def\atnextline{}%
+%\check
+% mesure 48
+\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes
+\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes
+\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes
+\temps\notes&\Qqbb LcNc|\ql n\enotes
+%\check
+% mesure 49
+\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes
+\temps\notes&\Qqbb Mcac\enotes
+\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes
+\temps\notes&\Qqbb Mcac|\qu o\enotes
+%\check
+% mesure 50
+\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu r\enotes
+\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes
+\temps\notes&\Qqbb LcNc|\qu p\enotes
+%\check
+%\check
+% mesure 51
+\barre\def\atnextline{\autolines{14}45}\relax
+\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes
+\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes
+\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu p\enotes
+%\check
+% mesure 52
+\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes
+\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes
+\temps\notes&\Qqbb LcNc|\qu n\enotes
+%\check
+% mesure 53
+\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes
+\temps\notes&\Qqbb Mdad\enotes
+\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes
+\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes
+%\check
+% mesure 54
+\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes
+\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes
+%\check
+% mesure 55
+\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes
+\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes
+\temps\zalaligne
+\notes\Ilegu0a\ql a&\sQqbb Mdad|\uptext{\it Positif ad lib.}\qs\sTqbb fhf\enotes
+\temps\notes\ql a&\smallnotesize\Qqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 56
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+%\check
+% mesure 57
+\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs
+ \bigaccid\Tqbb h{^j}h\enotes
+\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jgjg\enotes
+%\check
+% mesure 58
+\barre\def\atnextline{\autolines{17}35}\relax
+\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs
+ \Tqbb hkh\enotes
+\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb khkh\enotes
+\temps\notes\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
+%\check
+% mesure 59
+\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs
+ \bigSh j\Tqbb jlj\enotes
+\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
+%\check
+% mesure 60
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
+\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
+\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
+%\check
+% mesure 61
+\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
+\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
+\temps\notes\ql b&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
+%\check
+% mesure 62
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes
+\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes
+\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hkhk\enotes
+\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes
+%\check
+% mesure 63
+\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+%\check
+% mesure 64
+\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb igig\enotes
+%\check
+% mesure 65
+\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
+%\check
+% mesure 66
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql d&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
+\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes
+\temps\notes\ql b&\sQqbb LcNc|\smallnotesize\Qqbb gjgj\enotes
+%\check
+% mesure 67
+\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
+%\check
+% mesure 68
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes
+%\check
+% mesure 69
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+%\check
+% mesure 70
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes
+%\check
+% mesure 71
+\def\uppzql#1{\uppz #1\ql #1}%
+\barre\notes\hu K\tleg0&\sk\hpause
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes
+\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+%\check
+% mesure 72
+\barre\notes\hu K&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes&\zq M\uppzql a\relax
+|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\hu I&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+\temps\notes&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+%\check
+% mesure 73
+\barre\notes\qu H&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\qu H&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes\qu H&\zq K\uppzql M\relax
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes\qu H&\zq{^J}\uppzql L\relax
+ |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes
+%\check
+% mesure 74
+\barre\notes\Ilegl2G\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqh ML&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\qu K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+%\check
+% mesure 75
+\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes
+\temps\notes\qu M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes\hu K\tleg2&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
+%\check
+% mesure 76
+\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\doubler\dqb aN&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\doubler\dqb LM&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+%\check
+% mesure 77
+\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\ql a&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\hl M\tleg2&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
+\cleftoksii={0000}\changeclefs
+%\check
+% mesure 78
+\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+%\check
+% mesure 79
+\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax
+ |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes
+\temps\notes\ql c&\sqqHH eigi|\smallnotesize\Qqbb nlnl\enotes
+\temps\notes\ql a\tleg2&\sqqHH ejhj\relax
+ |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes
+\temps\notes\ql e&\sqqHH ejhj|\smallnotesize\Qqbb olol\enotes
+%\check
+% mesure 80
+%\cleftoksii={6000}\changeclefs
+\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes
+\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
+\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
+\temps\notes\doubler\dqb ed&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
+%\check
+% mesure 81
+\barre\notes\hlp e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
+%\check
+% mesure 82
+\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
+\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
+\temps\notes\doubler \dqb cb&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
+%\check
+% mesure 83
+\barre\notes\hlp c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\uptext{\it non legato}&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
+\temps\notes\ql M&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
+% mesure 84
+\barre\notes\ql b&\sqqHH bgdg|\smallnotesize\qqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\smallnotesize\qqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\smallnotesize\qqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\smallnotesize\qqBB kiki\enotes
+%\check
+% mesure 85
+\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
+%\check
+% mesure 86
+\cleftoksii={6000}\changeclefs
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+%\check
+% mesure 87
+\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+%\check
+% mesure 88
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+%\check
+% mesure 89
+\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes
+\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes
+%
+% mesure 90
+\def\octp{\advance\transpose by 7\relax}%
+\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 91
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\advance\linesinpage by 1\relax
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%\check
+% mesure 92
+\barre\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes
+\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 93
+\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 94
+\barre\notes\wh H&\qsk\sqqHH{^c}heh|\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
+\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 95
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 96
+\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes
+\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 97
+\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+%\check
+% mesure 98
+\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH dfdf|\qqbb komo\enotes
+\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+%\check
+% mesure 99
+\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes
+\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes
+%
+% mesure 100
+\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes
+\temps\notes&\sqqHH afcf|\qqbb momo\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+%\check
+% mesure 101
+\cleftoksii={6000}\changeclefs
+\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes
+\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes
+%
+% mesure 102
+\advance\linesinpage by 1\relax
+\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes
+\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes
+\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+%\check
+% mesure 103
+\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes
+\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes
+%
+% mesure 104
+\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\qqbb momo\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+%
+% mesure 105
+\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes
+\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 106
+\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes
+\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes
+\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 107
+\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 108
+\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes
+\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 109
+\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+% mesure 110
+%\check
+\barre\autolines{9}55\relax
+\NOtes&\pointdorgue l\hpause
+ |\pointdorgue l\hpause\enotes
+\temps\NOtes\pointdorgue a\pause
+ &\soupir|\soupir\enotes
+\cleftoksii={6000}\changeclefs
+\varaccid
+\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 111
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 112
+%\check
+\barre
+\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 113
+%\check
+\deuxtemps\changecontext
+\def\atnextline{\autolines{9}55\relax}\relax
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 114
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 115
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+% mesure 116
+%\check
+\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+% mesure 117
+%\check
+\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+% mesure 118
+\def\atnextline{\autolines{16}45\relax}\relax
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 119
+%\check
+\quatretemps\changecontext
+\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 120
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler
+ \bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 121
+\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 122
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 123
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 124
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 125
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 126
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 127
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 128
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 129
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 130
+\barre\autolines{17}35\relax
+\bigaccid
+\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 131
+\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%
+% mesure 132
+\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes
+\temps\notes&\Qqbb HMKM|\enotes
+\temps\notes\uptext{\it a tempo}\sk\hpause
+ &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+%\check
+%
+% mesure 133
+\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes
+%
+% mesure 134
+\def\octm{\advance\transpose by -7\relax}%
+\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes
+\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes
+\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+%\check
+% mesure 135
+\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 136
+\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
+\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 137
+\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 138
+\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 139
+\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes
+\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes
+%\check
+% mesure 140
+\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes
+%\check
+% mesure 141
+\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
+%\check
+% mesure 142
+\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+%\check
+% mesure 143
+\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes
+\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes
+\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes
+%\check
+% mesure 144
+\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
+%\check
+% mesure 145
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
+%\check
+% mesure 146
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 147
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
+%\check
+% mesure 148
+\barre\autolines{8}65\relax
+\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax
+ |\pointdorgue m\smallnotesize\zh{fh}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 149
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 150
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+% mesure 151
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\advancebottom{-2\Interligne}%
+%\check
+% mesure 152
+\quatretemps\changecontext\varaccid
+\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 153
+\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 154
+\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 155
+\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 156
+\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+%\check
+% mesure 157
+\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 158
+\barre\autolines{16}35\relax
+\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 159
+\staffbotmarg=2pt
+\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 160
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 161
+\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes
+\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 162
+\barre\autolines{8}65\relax
+\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes
+%\check
+% mesure 163
+\barre\NOtes\pointdorgue N\hpause
+ &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes
+\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes
+% mesure 164
+\barre
+\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp
+ \uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp
+ \uppz f\zq{ad}\ql f\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp
+ \uppz e\zq{a^c}\ql e\enotes
+% mesure 165
+\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes
+\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes
+\cleftoksii={6000}\changeclefs
+% mesure 166
+\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes
+\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes
+\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes
+% mesure 167
+\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes
+\finmorceau
+\staffbotmarg=0pt
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/fugue.tex b/Master/texmf-dist/doc/generic/musictex/fugue.tex
new file mode 100644
index 00000000000..7c1c7f77c2c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/fugue.tex
@@ -0,0 +1,677 @@
+\parindent 18mm
+%
+\centerline{\moyen FUGUE}\bigskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % sol majeur
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: mixtures, fonds 8'}%
+\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}%
+\smallskip
+%
+\generalmeter{\meterfrac 68}%
+%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {12}45\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+\def\ptsoupir{\pt 5\soupir}% soupir pointe
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% formes frequentes
+% trois croches hautes
+\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+%\check
+\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+%\check
+%
+% formes frequentes
+% trois croches hautes pizzicato
+\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+%
+\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}%
+%
+\def\upzqb#1{\upz{#1}\qb0{#1}}%
+\def\lpzqh#1{\lpz{#1}\qh0{#1}}%
+%
+\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% croche pointee et 3 doubles croches
+\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}%
+\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}%
+%\check
+% croche et 4 doubles croches
+\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}%
+\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% mesure 1
+\Notes&|\pztql0iki\enotes
+\temps\notes\pause&\pause|\cpdddl lkji\enotes
+%\check
+% mesure 2
+\barre\Notes&|\pztqU0hjh\enotes
+\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 3
+\barre\Notes&|\pztqU0gig\enotes
+\temps\Notes\pause&\pause|\pztqu0jhj\enotes
+%
+% mesure 4
+\barre\Notes&|\lpztqu0khk\enotes
+\temps\notes\pause&\pause|\cddddu2ighij\enotes
+%\check
+% mesure 5
+\barre\autolines {10}55\relax
+\Notes&\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes
+%\check
+% mesure 6
+\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes
+\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes
+%\check
+% mesure 7
+\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes
+\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes
+% mesure 8
+\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes
+\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes
+% mesure 9
+\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes
+\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes
+%\check
+% mesure 10
+\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes
+\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes
+% mesure 11
+\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes
+\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes
+% mesure 12
+\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes
+\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes
+%\check
+\cleftoksii={{0}{0}{0}{0}}\changeclefs %
+% mesure 13
+\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes
+\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes
+%\check
+% mesure 14
+\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes
+\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes
+%\check
+\def\atnextline{\autolines{10}45}\relax
+% mesure 15
+\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes
+\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes
+%\check
+% mesure 16
+\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes
+\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid
+ \rlap{\qup n}\cpdddl l{=k}ji\enotes
+%\check
+% mesure 17
+\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes
+\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes
+%\check
+% mesure 18
+\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes
+\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes
+%
+% mesure 19
+\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes
+\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes
+%\check
+% mesure 20
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 21
+\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+\def\atnextline{\autolines{10}55}\relax
+% mesure 22
+\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes
+% mesure 23
+\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes
+\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes
+%\check
+% mesure 24
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 25
+\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+% mesure 26
+\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes
+% mesure 27
+\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes
+\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes
+\signaturegenerale{0}%
+% mesure 28
+\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes
+\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 29
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 30
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 31
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 32
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes
+% mesure 33
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes
+% mesure 34
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 35
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\transpose=0\relax % retour a la normale
+\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes
+\signaturegenerale{-3}%
+% mesure 36
+\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes
+% mesure 37
+\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes
+\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes
+% mesure 38
+\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes
+\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes
+% mesure 39
+\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes
+\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes
+% mesure 40
+\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes
+\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes
+% mesure 41
+\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes
+\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes
+% mesure 42
+\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes
+\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes
+% mesure 43
+\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes
+\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes
+% mesure 44
+\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes
+\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes
+% mesure 45
+\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes
+\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes
+% mesure 46
+\signaturegenerale{-2}%
+\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes
+% mesure 47
+\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 48
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 49
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 50
+\barre\Notes\sh F\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes
+% mesure 51
+\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes
+\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes
+%\check
+% mesure 52
+\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes
+\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 53
+\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes
+%
+% mesure 54
+\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes
+\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes
+%\check
+% mesure 55
+\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid
+ \cpdddl n{=m}lk\enotes
+%\check
+% mesure 56
+\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes
+%\check
+% mesure 57
+\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes
+\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes
+% mesure 58
+\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes
+\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes
+% mesure 59
+\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes
+\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes
+%\check
+% mesure 60
+\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes
+% mesure 61
+\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes
+\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes
+% mesure 62
+\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes
+\temps\Notes\qup C&\pztql2LMN|\qup g\enotes
+% mesure 63
+\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes
+%\check
+% mesure 64
+\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 65
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 66
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 67
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 68
+\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 69
+\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 70
+\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 71
+\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes
+\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes
+% mesure 72
+\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes
+\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes
+% mesure 73
+\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes
+\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes
+% mesure 74
+\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes
+\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes
+% mesure 75
+\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes
+\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes
+% mesure 76
+\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes
+\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes
+% mesure 77
+\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes
+\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax
+|\pztqu0jhj\enotes
+% mesure 78
+\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes
+\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes
+% mesure 79
+\signaturegenerale{1}%
+\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes
+% mesure 80
+\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 81
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 82
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 83
+\barre\Notes\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+% mesure 84
+\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes
+\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes
+%\check
+% mesure 85
+\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes
+\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 86
+\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes
+%
+% mesure 87
+\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes
+\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes
+% mesure 88
+\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes
+%\check
+\signaturegenerale{-2}%
+% mesure 89
+\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 90
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 91
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 92
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes
+% mesure 93
+\barre\Notes&\Pztql0bdb\enotes
+\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes
+% mesure 94
+\barre\Notes&\fl a\Pztql0aca|\enotes
+\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes
+% mesure 95
+\barre\Notes&\Pztql2N{_a}b\enotes
+\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes
+% mesure 96
+\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes
+\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes
+% mesure 97
+\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes
+\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes
+\def\atnextline{\autolines{9}65}\relax
+% mesure 98
+\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes
+\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes
+% mesure 99
+\barre\Notes&\qup K|\lpztqL0kik\enotes
+\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes
+% mesure 100
+\def\atnextline{\autolines{10}55}\relax
+\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes
+\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes
+%\check
+% mesure 101
+\barre\Notes&\cna a\Pztql0aca\enotes
+\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes
+% mesure 102
+\barre\Notes&\lPztql2Nab\enotes
+\temps\Notes\pause&\Pztql0cec|\pause\enotes
+%\check
+% mesure 103
+\barre\Notes&\lPztql2MNa\enotes
+\temps\Notes\pause&\Pztql0bdb|\pause\enotes
+% mesure 104
+\barre\Notes&\lPztql2LMN\enotes
+\temps\Notes\pause&\Pztql0aca|\pause\enotes
+% mesure 105
+\barre\Notes&\lPztql2K{=L}{^M}\enotes
+\temps\Notes\pause&\Pztql0NbN|\pause\enotes
+%\check
+% mesure 106
+\barre
+\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes
+% mesure 107
+\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes
+\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes
+% mesure 108
+\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes
+\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes
+%\check
+% mesure 109
+\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes
+\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes
+% mesure 110
+\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes
+\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes
+% mesure 111
+\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes
+\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes
+%\check
+% mesure 112
+\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes
+\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes
+% mesure 113
+\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes
+\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes
+\def\atnextline{\autolines {13}45}\relax
+% mesure 114
+\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes
+\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes
+%\check
+% mesure 115
+\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes
+% mesure 116
+\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes
+% mesure 117
+\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes
+\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes
+%\check
+% mesure 118
+\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext
+ {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes
+\temps\NOtes\pointdorgue N\qu G\sk\dsoupir
+ &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes
+\signaturegenerale{-3}%
+% mesure 119
+\setdoublebar
+\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+\temps\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+%\check
+% mesure 120
+\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+\temps\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+% mesure 121
+\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes
+\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes
+% mesure 122
+\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes
+\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes
+%\check
+% mesure 123
+\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir
+ |\zq{=ik}\ql n\sk\dsoupir\enotes
+\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+% mesure 124
+\barre\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+%\check
+% mesure 125
+\def\atnextline{\autolines {12}45}\relax
+\signaturegenerale{-2}\relax
+\changecontext\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax
+ \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes
+% mesure 126
+\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes
+\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes
+% mesure 127
+\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes
+\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir
+ |\qu g\sk\dsoupir\enotes
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude
+%\check
+% mesure 128
+\barre\def\atnextline{\autolines{12}35}\relax
+\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes
+%\check
+% mesure 129
+\barre
+\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes
+%\check
+% mesure 130
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax
+ \trqu0igi\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes
+% mesure 131
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax
+ \trqu0hfh\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes
+%\check
+% mesure 132
+\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes
+%\check
+% mesure 133
+\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 134
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes
+% mesure 135
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes
+%\check
+% mesure 136
+\barre\notes\doubler\qu G\sk\dsoupir
+ &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes
+\temps\notes\doubler\qu J\sk\dsoupir
+ &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes
+%\check
+% mesure 137
+\barre\notes\doubler\qu F\sk\dsoupir
+ &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes
+\temps\notes\doubler\qu I\sk\dsoupir
+ &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 138
+\barre\notes\doubler\qu E\sk\dsoupir
+ &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes
+\temps\notes\doubler\qu H\sk\dsoupir
+ &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes
+% mesure 139
+\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes
+% mesure 140
+\barre% \advance\barsinline by -1\relax
+\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes
+\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes
+\temps\Notes&|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes
+%\check
+% mesure 141
+\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax
+ \ibl0{#1}0\advance\transpose by-3\relax
+ \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax
+ \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax
+ \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}%
+\setdoublebar\signaturegenerale{1}\changecontext
+\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 142
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 143 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 144 %
+\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes
+\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax
+ \doubler\zq{gi}\ql e\sk\dsoupir\enotes
+% mesure 145
+\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 146
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 147
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 148 %
+\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes
+\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax
+ \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes
+% mesure 149 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 150 %
+\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler
+ \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes
+\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax
+\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes
+% mesure 151
+\advance\barsinline by -1\relax
+ \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp
+b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes
+ \finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musictex/gymnoman.tex b/Master/texmf-dist/doc/generic/musictex/gymnoman.tex
new file mode 100644
index 00000000000..ef6c30e9be4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/gymnoman.tex
@@ -0,0 +1,568 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\title{Gymnomanie}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN}
+%
+\othermention{Compos\'e en 1994}
+\maketitle
+
+\parindent 12mm
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\troistemps
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\ff{{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%\check
+% au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%
+% trois doubles croches hautes
+\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\tqbbh{\tqbbu}%
+\def\tqbbb{\tqbbl}%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax
+%\check
+% octave basse en blanche
+\def\bohl#1{\zh{!`#1}\hl{!#1}}%
+\def\bohu#1{\zh{!`#1}\hu{!#1}}%
+\def\sohl#1{\zh{!'#1}\hl{!#1}}%
+\def\sohu#1{\zh{!'#1}\hu{!#1}}%
+% octave basse en blanche pointee
+\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}%
+\def\bohup#1{\zhp{!`#1}\hup{!#1}}%
+\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}%
+\def\sohup#1{\zhp{!'#1}\hup{!#1}}%
+%
+\def\bozh#1{\zh{!`#1!#1}}%
+\def\bozq#1{\zq{!`#1!#1}}%
+\def\boql#1{\zq{!`#1}\ql{!#1}}%
+\def\boqu#1{\zq{!`#1}\qu{!#1}}%
+% octave sup. en croches u
+\def\soqh#1{\zq{!'#1}\qh0{!#1}}%
+\def\soqb#1{\zq{!'#1}\qb0{!#1}}%
+\def\soqu#1{\zq{!'#1}\qu{!#1}}%
+\def\soql#1{\zq{!'#1}\ql{!#1}}%
+%\check
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne %
+\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
+\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
+\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
+\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}}
+%
+\debutmorceau
+% call \autolines with musiCtex, not with musiXtex !!!
+\ifx\mxversion\undefined\autolines {6}55\relax\fi
+\advance\barsinline by 1\relax
+\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff
+ p}|\zcharnote a{\kern -5mm\ppff mp}\enotes
+ %
+\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 2
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 3
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 4
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 5
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 6
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 7
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 8
+\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu o\enotes
+ % mesure 9
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes
+ % mesure 10
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{a^c}\qu e|\qu g\enotes
+\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes
+ % mesure 11
+\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes
+\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes
+\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes
+ %\check
+ % mesure 12
+\barre\NOtes \upsoupir2\bohup F|\hu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\enotes
+\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes
+ %\check
+ % mesure 13
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes
+ %\check
+ % mesure 14
+\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes
+\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes
+ %\check
+ % mesure 15
+\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes
+\temps\NOtes\zq{LNc}\qu{e}|\enotes
+\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes
+ %\check
+ % mesure 16
+\barre\NOtes \upsoupir2\bohup D|\hu m\enotes
+\temps\NOtes\zq{KMa}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu f|\qu m\enotes
+ %\check
+ % mesure 17
+\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes
+\temps\NOtes\zq{LN_b}\qu e\enotes
+\temps\NOtes\zq{Nbe}\qu g|\enotes
+ %\check
+ % mesure 18
+\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes
+ %\check
+ % mesure 19
+\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes
+\temps\NOtes\zq{L^Nb}\qu e\enotes
+\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes
+ %\check
+ % mesure 20
+\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes
+\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes
+ %\check
+ % mesure 21
+\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes
+\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes
+\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes
+ %\check
+ % mesure 22
+\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes
+\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes
+\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes
+ %\check
+ % mesure 23
+\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes
+\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes
+ %\check
+ % mesure 24
+\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 25
+\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes
+\temps\NOtes\zq{^Mad}|\ql{^f}\enotes
+\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes
+ %\check
+ % mesure 26
+\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes
+\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 27
+\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes
+\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes
+\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes
+ %\check
+ % mesure 28
+\barre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes
+ %\check
+ % mesure 29
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 30
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 31
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes
+ %\check
+ % mesure 32
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes
+\temps\NOtes\zq{L^Nb}|\ql{e}\enotes
+\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes
+ %\check
+ % mesure 33
+\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes
+\temps\NOtes\zq{a^ce}|\ql{h}\enotes
+\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes
+ %\check
+ % mesure 34
+\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes
+\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes
+\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes
+ %\check
+ % mesure 35
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes
+\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes
+\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes
+ %\check
+ % mesure 36
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 37
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes
+\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes
+\temps\NOtes\zq{ac}|\zql e\boqu n\enotes
+ %\check
+ % mesure 38
+\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes
+\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes
+ %\check
+ % mesure 39
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes
+ %\check
+ % mesure 40
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes
+\temps\NOtes\zq{KNb}\ql{d}|\enotes
+\temps\NOtes\zq{Nbd}|\zql g\enotes
+ %\check
+ % mesure 41
+\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\ql h\enotes
+ %\check
+ % mesure 42
+\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes
+\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes
+\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes
+ %\check
+ % mesure 43
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes
+\temps\NOtes\zq{LN}\ql{c}|\enotes
+\temps\NOtes\zq{Nc}\ql e\enotes
+ %\check
+ % mesure 44
+\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes
+\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes
+\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes
+ %\check
+ % mesure 45
+\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes
+\temps\NOtes\zq{LNc}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes
+ %\check
+ % mesure 46
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes
+\temps\NOtes\zq{Nb}\ql e|\enotes
+\temps\NOtes\zq{Nb}\ql d|\enotes
+ %\check
+ % mesure 47
+\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes
+\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes
+\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes
+ %\check
+ % mesure 48
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nbd}|\ql g|\enotes
+ %\check
+ % mesure 49
+\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes
+\temps\NOtes\zq{La^c}\ql e|\enotes
+\temps\NOtes\zq{ac}\ql e|\boqu n\enotes
+ %\check
+ % mesure 50
+\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes
+ % mesure 51
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes
+\temps\NOtes\zq{LN^c}\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq h\ql e\enotes
+ %\check
+ % mesure 52
+\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes
+ % mesure 53
+\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes
+\temps\NOtes\zq{LN=c}|\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq g\ql e\enotes
+ % mesure 54
+\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes
+\temps\NOtes\zq{Mac}|\zql f\enotes
+\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes
+ % mesure 55
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes
+\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes
+ % mesure 56
+ %\check
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes
+\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes
+\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes
+ % mesure 57
+\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes
+ % mesure 58
+\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes
+\temps\NOtes\zq{KN_b}\qu{d}|\enotes
+\temps\NOtes\zq{Nbd}|\ql g\enotes
+ % mesure 59
+ %\check
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes
+\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes
+\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes
+ % mesure 60
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 61
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ %\check
+ % mesure 62
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ % mesure 63
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes
+\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes
+\temps\NOtes\zq {acf}|\zql h\enotes
+ % mesure 64
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes
+\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes
+ % mesure 65
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes
+\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes
+\temps\NOtes\zq {adf}\zql{_h}|\enotes
+ % mesure 66
+ %\check
+\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes
+\temps\NOtes\zq {Nb}\zql{=d}|\enotes
+\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes
+ % mesure 67
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes
+\temps\NOtes|\zq {ceh}\ql{j}|\enotes
+ % mesure 68
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes
+\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes
+ % mesure 69
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}\enotes
+\temps\NOtes\zq {Nbe}|\ql{g}\enotes
+ % mesure 70
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 71
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 72
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 73
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes
+\temps\NOtes\zq {Nbe}|\zql g\enotes
+ % mesure 74
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 75
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 76
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 77
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes
+\temps\NOtes\zq {=LNc}\zql{=e}|\enotes
+\temps\NOtes\zq {Nce}|\zql g\enotes
+ % mesure 78
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes
+\temps\NOtes\zq {M_a_d}\ql{f}|\enotes
+\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes
+ % mesure 79
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\ql{_e}|\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 80
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes
+\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes
+\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes
+ % mesure 81
+ %\check
+\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes
+\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes
+\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes
+ %\check
+ % mesure 82
+\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ %\check
+ % mesure 83
+\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\enotes
+ %\check
+ % mesure 84
+\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes
+\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes
+\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes
+ % mesure 85
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ % mesure 86
+\barre\NOtes\uptext{\kern -\Interligne\ppff
+ p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes
+\temps\NOtes\zq{=Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 87
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 88
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 89
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 90
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 91
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 92
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 93
+\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex
+\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 94
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 95
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 96
+\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes
+\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes
+ % mesure 97
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 98
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 99
+\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes
+\temps\NOtes\zq{Lae}\qu{^c}\enotes
+\temps\NOtes\zq{ace}|\ql g\enotes
+ % mesure 100
+\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax
+ |\pointdorgue n\hup k\enotes
+\temps\NOtes\zq{Mad}|\ql f\enotes
+\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes
+\finmorceau
+ \rightline{\sl \aujourdhui}\eject
+\bye
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/howtoget.tex b/Master/texmf-dist/doc/generic/musictex/howtoget.tex
new file mode 100644
index 00000000000..476cb790f5e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/howtoget.tex
@@ -0,0 +1,45 @@
+%\input genpctex
+\def\musictex{Music\TeX}%
+\font\gros=cmssbx10 scaled \magstep 4
+\font\enorme= cmssbx10 scaled \magstep 6
+\font \moyen=cmssbx10 scaled \magstep 3
+\font\tt=cmtt10 scaled \magstep 3
+\advance\baselineskip by 4pt
+\ \vfil
+\centerline{\gros How to get}
+\bigskip
+\centerline{\enorme\musictex}
+\bigskip
+\bigskip
+\moyen
+A PC diskette is sufficient (5'1/4, 1.2Mb) or (3'1/2, MSDos, 1.44Mb).
+Send it (formatted) to~:
+
+\centerline{\gros Daniel TAUPIN,}
+\centerline{\gros btiment 510,}
+\centerline{\gros Centre Universitaire,}
+\centerline{\gros 91405-ORSAY, France.}
+
+\bigskip
+Or, better :
+\bigskip
+{\tt ftp 193.55.39.100} \quad {\tt(rsovax.lps.u-psud.fr)}
+
+user : {\tt anonymous}
+
+{\tt cwd musictex}
+\bigskip
+
+ The whole distribution is available as a ``.ZIP'' file but also
+all individual files, including notices.
+\bigskip
+ Now, be PATIENT : the line is limited to 9600~bauds, and the path is awfully
+complicated, so that it works only 80~\% of the time on the average, with
+m.t.b.f. of a few hours and faults lasting minutes, hours and even days.
+This will change in the (hopefully) next future.
+\bigskip
+E-mail : {\tt TAUPIN{\char 64}rsovax.lps.u-psud.fr}\vfil
+\eject
+\bye
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/lines.tex b/Master/texmf-dist/doc/generic/musictex/lines.tex
new file mode 100644
index 00000000000..e331dc9e060
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/lines.tex
@@ -0,0 +1,75 @@
+% Cut Here - line.tex
+
+% These macros maintain the box of lines used for the leaders
+
+\newbox\@linbox
+\global\setbox\@linbox\hbox{}
+\def\@uplinbox{\global\setbox\@linbox\hbox{}\global\n@l=0\relax
+\@uplinboxes}
+\def\@uplinboxes{\ifnum\n@l<4\relax\selectligne{\n@l}\ifnum
+\l@s=0\relax\else\up@linbox\fi
+\global\advance\n@l by 1\relax\@uplinboxes\else\fi}%
+\def\up@linbox{\y@ii\l@z\advance\y@ii by-\linthick\relax
+\global\setbox\@linbox\hbox{\unhbox\@linbox
+\kern-\tenboxwidth\vrule width\tenboxwidth height\l@z depth-\y@ii\relax}}
+
+% This macro makes the leaders
+\def\@tenleader#1{\@tenuskip=#1\advance\@tenuskip by2\tenboxwidth\relax
+\nobreak\kern-\tenboxwidth\nobreak\cleaders\hbox{\unhcopy\@linbox
+\unhcopy\@tenubox}\hskip\@tenuskip\kern-\tenboxwidth\nobreak}
+
+% Everything that follows is similar to the tie macros, except that there is
+% no need to place a special character at each end of a line.
+
+% positions x et z de debut des lignes
+\newdimen\l@xi\newdimen\l@zi
+\newdimen\l@xii\newdimen\l@zii
+\newdimen\l@xiii\newdimen\l@ziii
+\newdimen\l@xiv\newdimen\l@ziv
+% etat des lignes (0= inactive, 1= actif)
+%
+\newcount\l@si
+\newcount\l@sii
+\newcount\l@siii
+\newcount\l@siv
+\newdimen\linthick\linthick0.2pt
+%
+\def\selectligne#1{{\n@i=#1\relax
+\ifnum\n@i<1\relax\n@i=4\fi
+\xdef\l@x{\csname l@x\romannumeral\n@i\endcsname}%
+\xdef\l@z{\csname l@z\romannumeral\n@i\endcsname}%
+\xdef\l@s{\csname l@s\romannumeral\n@i\endcsname}}%
+}%
+%
+% continuation des lignes
+\def\clignes{\locx@skip=\x@skip\advance\locx@skip by \n@skip\global\n@l
+=0\relax\c@lignes}%
+\def\c@lignes{\ifnum\n@l<5\relax\selectligne{\n@l}\ifnum
+\l@s=0\relax\else\c@ligne\fi
+\global\advance\n@l by 1\relax\c@lignes\fi}%
+%
+\def\ilin#1#2#3{\selectligne{#1}\global\l@s=1\relax
+ \global\l@x=\locx@skip\global\advance\l@x by#2\relax
+ \global\l@z=#3\global\advance\l@z by\altportee\relax\up@linbox}
+\def\tlin#1{\selectligne{#1}\t@ligne\global\l@s=0\@uplinbox\relax}
+%
+\def\c@ligne{\y@ii=\x@skip\advance\y@ii by -\l@x
+\ifnum\l@s=1\relax
+ \raise\l@z\llap{\hbox to\y@ii{\leaders
+ \hrule height\z@ depth\linthick\hss}}\relax
+ \global\l@x=-1pt
+\fi}
+%
+\def\t@ligne{\y@i=\l@z\relax
+\advance\y@i by -\altportee\relax
+\y@ii=\locx@skip\advance\y@ii by-\wd@skip\relax
+\advance\y@ii by -\l@x\relax
+ \ifnum\l@s=1\relax
+ \raise\y@i\llap{\vrule height\z@ depth\linthick width\y@ii\hskip\wd@skip}%
+\fi}
+
+% The lines are activated by adding \clignes to the \ctenuti macro.
+
+\let\ctenuti@=\ctenuti\def\ctenuti{\ctenuti@\clignes}
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/magnific.tex b/Master/texmf-dist/doc/generic/musictex/magnific.tex
new file mode 100644
index 00000000000..2d067dd6184
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/magnific.tex
@@ -0,0 +1,654 @@
+\title{Magnificat}
+\fulltitle{X. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1992--1994}
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+
+\csname titremorceautoc\endcsname
+
+\parindent 18mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+%\signaturegenerale{-1}\relax % un bemol a la clef
+\generalsignature{-1}\relax % un bemol a la clef
+\def\nbinstruments{2}
+\nbporteesii=2\relax
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\qqtemps{\generalmeter{\meterfrac{3:4}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{Manuel}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\noteskip=2\noteskip}%
+\def\tripler{\noteskip=3\noteskip}%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+ %au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+ %au moins six doubles croches basses
+\def\sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1#2#3#4#5}\tqb0{#6}}%
+\def\Sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1}\off \internote
+ \qb0{#2#3#4#5}\tqb0{#6}}%
+%
+\medskip\noindent{\rm {\bf I} G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm {\bf II} Pos.: 8'+4' ou 8'+4'+2' doux}%
+\par\noindent{\rm {\bf III} R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}%
+\smallskip
+%
+\qqtemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\ifx\mxversion\undefined
+ \vnotes 0.2\elemskip\nextinstrument\nextstaff\cbreath\enotes
+ \else
+ \vnotes 0.66\elemskip\nextinstrument\nextstaff\cbreath\enotes
+ \fi }%
+\def\mpause{\divide\noteskip by 2\relax\sk\pause}%
+%
+\debutmorceau
+\autolines755\relax
+\advance\linesinpage by 1\relax
+\NOtes\soupir&\zmidtwotext{\kern -\interligne\bf II}\ql M|\uptext{\moyen
+ Andante}\zq{cf}\qu h\enotes
+%\check
+% mesure 2
+\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes
+\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes
+\temps\NOtes&\ql M|\zq{f}\qu h\enotes
+%\check
+% mesure 3
+\barre\NOtes&\ql K|\zq{ad}\qu f\enotes
+\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes
+\temps\NOtes&\ql M|\zq{f}\qu h\enotes
+%\check
+% mesure 4
+\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes
+\temps\NOtes&\ql M|\zhl c\tten0\zq{f}\qu h\enotes
+\temps\NOtes\pause&\ql J|\zql e\qup g\enotes
+\temps\notes&\ql K|\zq b\ql d\cu f\enotes
+%\check
+% mesure 5
+\barre\NOtes\sk\mpause&\hl M|\zh{ac}\hu f\enotes
+\resp
+\temps\NOtes&\ql a|\itenl0f\zq{fh}\ql j\enotes
+%\check
+% mesure 6
+\barre\autolines665\relax
+\NOtes&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes
+\temps\NOtes\pause&\ql{^M}|\tten0\zq{^fh}\ql k\enotes
+%\check
+% mesure 7
+\barre\NOtes&\ql N|\zhlp d\zq{g}\qu i\enotes
+\temps\NOtes\mpause&\ql a|\zq{=f}\qu h\enotes
+\temps\NOtes&\ql N|\zq{g}\qu i\enotes
+%\check
+% mesure 8
+\barre\NOtes&\ql J|\zq{f}\lq g\ql j\enotes
+\temps\Notes\sk\pause&\hl L|\zh{eg}\hl j\enotes
+\resp
+\temps\NOtes&\ql M|\zq{cf}\qu h\enotes
+%\check
+% mesure 9
+\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes
+\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes
+\temps\NOtes&\ql M|\zq{f}\qu h\enotes
+%\check
+% mesure 10
+\barre\NOtes&\ql K|\zq{ad}\qu f\enotes
+\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes
+\temps\NOtes&\ql M|\zq{f}\qu h\enotes
+%\check
+% mesure 11
+\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes
+\temps\NOtes&\ql M|\tten0\itenu0f\zq{cf}\qu h\enotes
+\temps\NOtes\pause&\ql{^J}|\tten0\itenu0c\zq{^c}\zql f\qsk\qup g\enotes
+\temps\notes&\qu H|\tten0\zq a\ql c\cu f\enotes
+%\check
+% mesure 12
+\barre\Notes\sk\mpause&\hl K|\zh{ad}\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+%\check
+% mesure 13
+\barre\NOtes&\hl{^M}|\zhlp{^f}\zq h\qu k\enotes
+\temps\NOtes\mpause&|\zq h\qu k\enotes
+\temps\NOtes&\ql K|\zq h\qu j\enotes
+%\check
+% mesure 14
+\barre\NOtes&\ql L|\zhlp d\zq{dg}\qu i\enotes
+\temps\NOtes\mpause&\ql{=M}|\zq{=f}\qu h\enotes
+\temps\NOtes&\ql K|\zq{df}\qu i\enotes
+%\check
+% mesure 15
+\barre\NOtes&\ql L|\zhp e\zhlp g\qu j\enotes
+\temps\NOtes\pause&\hu J|\hu j\enotes
+\resp
+%\check
+% mesure 16
+\barre\NOtes&\ql M|\zhl c\zq{f}\qu h\enotes
+\temps\NOtes\mpause&\ql M|\zq{e}\qu h\enotes
+\temps\NOtes&\qu I|\zq{bd}\qu g\enotes
+%\check
+% mesure 17
+\barre\NOtes&\qsk\hu G|\zql a\qsk\zhl b\qup d\enotes
+\temps\notes&|\ql N\itenl0f\cu f\enotes
+\temps\NOtes\pause&\hu F|\zh{ac}\tten0\hu f\enotes
+\cleftoksii={0000}\resp\changeclefs
+\def\atnextline{\def\nbinstruments{3}%
+\nbporteesii=1\relax}%
+%\check
+% mesure 18
+\barre\autolines{11}45\relax
+\notes\ql M&\uptext{\kern -\interligne\bf II}\Tqh hgh&\uptext{\kern
+ -\interligne\bf III}\ql h\enotes
+\temps\notes\ql K&\Tqh fgh&\ql h\enotes
+\temps\notes\ql J&\Tqh ihg&\qu g\enotes
+\temps\notes\ql M&\Tqh hgf&\qu h\enotes
+%\check
+% mesure 19
+\barre\notes\ql K&\Tqh efg&\qu f\enotes
+\temps\notes\ql J&\Tqh ihg&\qu g\enotes
+\temps\notes\ql M&\Tqh fed&\qu h\enotes
+%\check
+% mesure 20
+\barre\notes\ql a&\Tqh cba&\qu j\enotes
+\temps\notes\ql M&\Tqh Nab&\qu h\enotes
+\temps\notes\ql J&\Tqh cde&\qup g\enotes
+\temps\notes\ql K&\Tqh fgi&\noteskip=1.5\noteskip\sk\cu f\enotes
+%\check
+% mesure 21
+\barre\notes\hl M&\Tqh hgf&\hu f\enotes
+\temps\notes&\Tqh edc&\sk\cbreath\enotes
+\temps\notes\soupir&\Tqh ace&\ql j\enotes
+%\check
+% mesure 22
+\barre\notes\ql M&\Tqh hgh&\ql j\enotes
+\temps\notes\ql J&\bigaccid\Tqh {^f}gh&\ql k\enotes
+%\check
+% mesure 23
+\barre\notes\ql N&\Tqh ige&\ql i\enotes
+\temps\notes\ql a&\bigna f\Tqh fgh&\ql h\enotes
+\temps\notes\ql N&\Tqh gef&\ql i\enotes
+%\check
+% mesure 24
+\barre\notes\ql L&\Tqh ged&\ql j\enotes
+\temps\notes\hl J&\Tqh efg&\hl j\enotes
+\temps\Notes&\qu c\enotes
+\resp
+\temps\notes\itenu0M\ql M&\Tqh fef&\qu h\enotes
+%\check
+% mesure 25
+\barre\notes\tten0\ql M&\Tqh def&\qu h\enotes
+\temps\notes\ql J&\Tqh ghi&\qu g\enotes
+\temps\notes\ql M&\Tqh hgf&\qu h\enotes
+%\check
+% mesure 26
+\barre\notes\ql K&\Tqh efg&\qu f\enotes
+\temps\notes\ql J&\Tqh ihg&\qu g\enotes
+\temps\notes\ql M&\Tqh fde&\qu h\enotes
+%\check
+% mesure 27
+\barre\notes\ql a&\Tqh cba&\qu j\enotes
+\temps\notes\ql M&\Tqh Na{=b}&\qu h\enotes
+\temps\notes\bigsh J\ql J&\bigaccid\Tqh{^c}de&\qup g\enotes
+\temps\notes\qu H&\Tqh fde&\sk\cu f\enotes
+%\check
+% mesure 28
+\barre\notes\hl K&\Tqh fed&\hu f\enotes
+\temps\notes&\Tqh cbc\enotes
+\temps\NOtes\soupir&\qu a&\soupir\enotes
+%\check
+% mesure 29
+\barre\notes\bigaccid\hl{^M}&\Tqh jh{^f}&\ql k\enotes
+\temps\notes&\Tqh def&\ql k\enotes
+\temps\notes\ql K&\Tqh hgf&\ql j\enotes
+%\check
+% mesure 30
+\barre\notes\ql L&\Tqh ghi&\qu i\enotes
+\temps\notes\bigaccid\ql{=M}&\Tqh hg{=f}&\qu h\enotes
+\temps\notes\ql K&\Tqh ghi&\qu i\enotes
+%\check
+% mesure 31
+\barre\notes\ql L&\Tqh gih&\ql j\enotes
+\temps\notes\hu J&\Tqh ghi&\hl j\enotes
+\temps\NOtes&\qu g\enotes
+\resp
+%\check
+% mesure 32
+\barre\notes\ql M&\Tqh hgf&\qu h\enotes
+\temps\notes\ql M&\Tqh edc&\qu h\enotes
+\temps\notes\qu I&\Tqh bdg&\qu g\enotes
+%\check
+% mesure 33
+\barre\notes\qu G&\Tqh ihg&\qup d\enotes
+\temps\notes\qu J&\Tqh def&\noteskip=1.5\noteskip\sk\itenl0f\cu f\enotes
+\temps\notes\hu F&\Tqh ihg&\tten0\hu f\enotes
+\temps\NOtes&\qu h&\enotes
+\resp
+\cleftoksii={6000}\changeclefs
+%
+\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax}%
+% mesure 34
+\barre\autolines665\relax
+\NOtes\hl M&\zmidtwotext{\kern -\interligne\bf I}\zw c\hl a|\zq{f}\qu h\enotes
+\temps\NOtes&|\zq{f}\qu h\enotes
+\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes
+\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
+%\check
+% mesure 35
+\barre\NOtes \ql K&\ql M|\zq{ad}\qu f\enotes
+\temps\NOtes \ql J&\ql L|\zhl c\zq{e}\qu g\enotes
+\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
+%\check
+% mesure 36
+\barre\NOtes \ql L&\ql N|\zq{eg}\qu j\enotes
+\temps\NOtes \ql M&\ql a|\zhl c\zq{f}\qu h\enotes
+\temps\NOtes \ql J&\ql N|\zql e\qup g\enotes
+\temps\notes \ql K&\ql M|\zq b\ql d\cu f\enotes
+%\check
+% mesure 37
+\barre\NOtes \hl M&\hl M|\zh{ac}\hu f\enotes
+\resp
+\temps\NOtes \ql M&\ql a|\itenl0f\zq{fh}\ql j\enotes
+%\check
+% mesure 38
+\barre\autolines665\relax
+\NOtes \ql J&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes
+\temps\NOtes\ql K&\ql{^M}|\tten0\zq{^fh}\ql k\enotes
+%\check
+% mesure 39
+\def\atnextline{\autolines655}\relax
+\barre\NOtes \ql N&\ql b|\zhlp d\zq{g}\qu i\enotes
+\temps\NOtes \ql K&\ql a|\zq{=f}\qu h\enotes
+\temps\NOtes \ql I&\ql N|\zq{g}\qu i\enotes
+%\check
+% mesure 40
+\barre\NOtes \ql J&\ql M|\zq{f}\lq g\ql j\enotes
+\temps\NOtes \hl L&\hl N|\zh{eg}\hl j\enotes
+\resp
+\temps\NOtes \ql M&\zq{c}\ql a|\zq{f}\qu h\enotes
+%\check
+% mesure 41
+\barre\NOtes \ql M&\zhup c\ql a|\zq{f}\qu h\enotes
+\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes
+\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
+%\check
+% mesure 42
+\barre\NOtes \ql K&\zq a\ql M|\zq{d}\qu f\enotes
+\temps\NOtes \ql J&\zhu c\ql L|\zq{e}\qu g\enotes
+\temps\NOtes \ql M&\itenu2a\ql a|\zq{f}\qu h\enotes
+%\check
+% mesure 43
+\barre\NOtes \ql a&\tten2\hl a|\itenl0f\zq{fh}\qu j\enotes
+\temps\NOtes \ql M&\qu c|\tten0\zq{f}\qu h\enotes
+\temps\NOtes \ql{^J}&\zh{^c}\hl N|\zql e\qup g\enotes
+\temps\notes \qu H&\qu a|\sk\cu f\enotes
+%\check
+% mesure 44
+\barre\NOTes \hl K&\zh a\hl M|\zh{d}\hu f\enotes
+\temps\NOtes \soupir&\soupir|\soupir\enotes
+%\check
+% mesure 45
+\barre\NOtes \hl{^M}&\hlp a|\zhlp{^f}\zq h\qu k\enotes
+\temps\NOtes &|\zq h\qu k\enotes
+\temps\NOtes \ql K&|\zq h\qu j\enotes
+%\check
+% mesure 46
+\barre\NOtes \ql L&\ql N|\zhlp d\zq{g}\qu i\enotes
+\temps\NOtes \ql{=M}&\ql a|\zq{=f}\qu h\enotes
+\temps\NOtes \ql K&\ql M|\zq{f}\qu i\enotes
+%\check
+% mesure 47
+\barre\NOtes \ql L&\hlp N|\zhp e\zhlp g\qu j\enotes
+\temps\NOTes \hu J&|\hu j\enotes
+\resp
+%\check
+% mesure 48
+\barre\NOtes \ql M&\zh c\hl a|\zq{f}\qu h\enotes
+\temps\NOtes \ql M&|\zq{f}\qu h\enotes
+\temps\NOtes \qu I&\zq b\ql N|\zq{d}\qu g\enotes
+%\check
+% mesure 49
+\barre\NOtes \hu G&\zw M\qu a|\zhl b\qup d\enotes
+\temps\notes &\qu N|\sk\itenl0f\cu f\enotes
+\temps\NOTes \hu F&\hu a|\zh{c}\tten0\hu f\enotes
+ %
+\def\atnextline{\def\nbinstruments{3}\nbporteesii=1\relax
+\nbporteesiii=1\relax\autolines{14}45}%
+% mesure 50
+\barre\notes\hu K&\zmidtwotext{\kern -\interligne\bf II}\Qqbb afdf&\relax
+ \zmidtwotext{\kern -\interligne\bf III}\qu h\enotes
+\temps\notes &\Qqbb afdf&\qu h\enotes
+\temps\notes\bigaccid \qu {^J}&\Qqbb Ne{^c}e&\qu g\enotes
+\temps\notes \qu K&\Qqbb afdf&\qu h\enotes
+%\check
+% mesure 51
+\barre\notes\bigaccid \qu {=I}&\Qqbb Nd{=b}d&\qu f\enotes
+\temps\notes\bigaccid \qu{^J}&\Qqbb Ne{^c}e&\qu g\enotes
+\temps\notes \qu K&\Qqbb afdf&\qu h\enotes
+%\check
+% mesure 52
+\barre\notes\bigaccid \qu {=J}&\Qqbb af{=c}f&\qu j\enotes
+\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
+\temps\notes \hu H&\Qqbb L{^c}Nc&\qup g\enotes
+\temps\notes &\Qqbb LcNc&\sk\sk\cu f\enotes
+%\check
+% mesure 53
+\barre\notes \hu K&\Qqbb Mdad&\qup f\enotes
+\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes
+\temps\notes \qu H&\Qqbb L{=c}ac&\ql j\enotes
+%\check
+% mesure 54
+\barre\notes \qu J&\Qqbb Mcac&\ql j\enotes
+\temps\notes \qu K&\Qqbb{^M}dad&\ql k\enotes
+%\check
+% mesure 55
+\barre\notes \qu G&\Qqbb Ndbd&\qu i\enotes
+\temps\notes \qu K&\Qqbb {=M}dad&\qu h\enotes
+\temps\notes \qu G&\Qqbb KbNb&\qu i\enotes
+%\check
+% mesure 56
+\barre\notes \hlp J&\Qqbb LcNc&\ql j\enotes
+\temps\notes &\Qqbb Lcac&\qlp j\enotes
+\temps\notes &\Qqbb LcNc&\sk\sk\ds\enotes
+\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
+%\check
+% mesure 57
+\barre\notes \qu J&\Qqbb Mcac&\qu h\enotes
+\temps\notes \qu H&\Qqbb L{^c}ac&\qu g\enotes
+\temps\notes \doubler\dqh {=I}{^J}&\Qqbb LcNc&\qu h\enotes
+%\check
+% mesure 58
+\barre\notes \qu K&\Qqbb Mdad&\qu f\enotes
+\temps\notes\bigaccid \qu{^J}&\Qqbb L{^c}Nc&\qu g\enotes
+\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
+%\check
+% mesure 59
+\barre\notes\bigaccid \qu{=J}&\Qqbb M{=c}ac&\cna j\qu j\enotes
+\temps\notes \qu H&\Qqbb Lcac&\qu h\enotes
+\temps\notes\doubler \qu {=I}&\Qqbb L{^c}Nc&\qup g\enotes
+\temps\notes \qu H&\Qqbb Lcac&\sk\sk\cu f\enotes
+%\check
+% mesure 60
+\barre\notes \hu K&\Qqbb Mdad&\hu f\enotes
+\temps\notes &\Qqbb Mdad&\enotes
+\temps\notes \soupir&\Qqbb Mdad&\soupir\enotes
+%\check
+% mesure 61
+\barre\notes \hu K&\bigaccid\Qqbb {^M}dad&\ql k\enotes
+\temps\notes &\Qqbb Mdad&\ql k\enotes
+\temps\notes\bigaccid \ql{^M}&\Qqbb Mcac&\ql j\enotes
+%\check
+% mesure 62
+\barre\notes \ql N&\Qqbb Ndbd&\qu i\enotes
+\temps\notes \ql L&\Qqbb LcNc&\qu h\enotes
+\temps\notes \ql K&\Qqbb Kb{=M}b&\qu i\enotes
+%\check
+% mesure 63
+\barre\notes \qu J&\Qqbb LcNc&\qu j\enotes
+\temps\notes \hu H&\Qqbb Mcac&\qup j\enotes
+\temps\notes &\Qqbb Lcbc&\sk\sk\ds\enotes
+%\check
+% mesure 64
+\barre\notes \qu K&\Qqbb Mdad&\qu h\enotes
+\temps\notes \qu J&\Qqbb Lcac&\qu h\enotes
+\temps\notes \qu I&\Qqbb KbNb&\qu g\enotes
+%\check
+% mesure 65
+\barre\notes \hu G&\Qqbb KbNb&\qup d\enotes
+\temps\notes &\Qqbb KbNb&\sk\sk\itenl0f\cu f\enotes
+\temps\notes \hu D&\Qqbb Mdad&\tten0\qup f\enotes
+\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes
+\def\atnextline{\autolines{22}35}%
+% mesure 66
+\barre\notes\hu K&\uptext{\kern -\interligne\bf I}\zqu
+M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb
+ Madfda&\uptext{\kern -\interligne\bf III}\qu h\enotes
+\temps\notes &\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes
+\temps\notes \qu H&\zqu N\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Na{^c}eca&\qu g\enotes
+\temps\notes \qu K&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes
+%\check
+% mesure 67
+\barre\notes\bigaccid \qu {=I}&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\Sqbb M{=b}dfdb&\qu f\enotes
+\temps\notes\bigaccid \qu{^J}&\zqu N\sqbb Na{^c}eca&\qu g\enotes
+\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
+%\check
+% mesure 68
+\barre\notes \qu H&\zqu M\sqbb Macfca&\qu j\enotes
+\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
+\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qup g\enotes
+\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\sk\sk\sk\cu f\enotes
+%\check
+% mesure 69
+\barre\notes \hu K&\zqu M\sqbb Madfda&\hu f\enotes
+\temps\notes &\zqu M\sqbb Madfda&\enotes
+\temps\notes \qu H&\zqu M\sqbb Madfda&\ds\sk\sk\cu h\enotes
+%\check
+% mesure 70
+\barre\notes \hu K&\bigsh M\zqu M\sqbb Mad{^f}da&\ql k\enotes
+\temps\notes &\zqu M\sqbb Ma{=c}fca&\cna j\ql j\enotes
+\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\qu i\enotes
+\temps\notes \qu I&\zqu N\sqbb Nbdgdb&\tripler\dqh hg\enotes
+% mesure 71
+\barre\notes \hu H&\bigna M\zqu M\sqbb Mad{=f}ca&\qup h\enotes
+\temps\notes &\zqu M\sqbb Madfca&\tripler\sk\cu h\enotes
+\temps\notes \qu I&\zqu N\sqbb Nbdedb&\qu f\enotes
+\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\tripler\dqh ge\enotes
+% mesure 72
+\barre\notes \hu H&\zqu a\sqbb adfhfd&\hu d\enotes
+\temps\notes &\zqu a\sqbb adfhfd&\enotes
+\temps\notes &\zqu a\Sqbb a{^c}egec&\bigaccid\qu {^c}\enotes
+% mesure 73
+\barre\notes \hu D&\zqu M\sqbb Madfda&\qup d\enotes
+\temps\notes &\zqu M\sqbb Madfdb&\tripler\sk\cu d\enotes
+\temps\notes \hu K&\zqu a\sqbb acd{^f}dc&\tripler\qu{^f}\enotes
+\temps\notes &\zqu a\sqbb acdfdc&\tripler\dqh ff\enotes
+% mesure 74
+\barre\notes \hu I&\zqu N\sqbb Nbdgdb&\tripler\dqh gh\enotes
+\temps\notes &\zqu N\sqbb Nbdedb&\tripler\dqh ig\enotes
+\temps\notes \hu J&\zqu N\sqbb Nbcecb&\tripler\qu e\enotes
+\temps\notes &\zqu N\sqbb Nbcecb&\tripler\dqh ee\enotes
+\def\atnextline{\autolines{20}35}%
+% mesure 75
+\barre\notes \hu K&\na M\zqu M\sqbb Madfda&\tripler\na f\dqh fg\enotes
+\temps\notes &\zqu M\sqbb Madfdb&\tripler\dqh hf\enotes
+\temps\notes \hu I&\zqu K\sqbb KNbdbN&\tripler\qu d\enotes
+\temps\notes &\zqu K\sqbb KNbdbN&\tripler\dqh dd\enotes
+% mesure 76
+\barre\notes \hu H&\zqu N\sqbb Na{^c}eca&\tripler\qu g\enotes
+\temps\notes &\zqu N\sqbb Naceca&\uptext{\moyen rit.}\tripler\dqh gg\enotes
+% mesure 77
+\barre\notes\hu K&\zqu M\sqbb Madfda&\uptext{\moyen a tempo}\qu h\enotes
+\temps\notes &\zqu M\sqbb Madfda&\qu h\enotes
+\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qu g\enotes
+\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
+%\check
+% mesure 78
+\barre\notes\bigaccid \qu {=I}&\zqu K\sqbb KM{=b}dbM&\qu f\enotes
+\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes
+\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
+%\check
+% mesure 79
+\barre\notes\bigaccid \qu {=J}&\zqu M\sqbb Ma{=c}fca&\qu j\enotes
+\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
+\temps\notes \qu H&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes
+%\check
+% mesure 80
+\barre\notes \hu K&\zqu K\sqbb KMadaM&\qup f\enotes
+\temps\notes &\zqu K\sqbb KMadaM&\sk\sk\ds\enotes
+\temps\notes \qu H&\zqu L\sqbb La{=c}eca&\ql j\enotes
+%\check
+% mesure 81
+\barre\notes \qu J&\zqu L\sqbb Laceca&\ql j\enotes
+\temps\notes \qu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes
+%\check
+% mesure 82
+\barre\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes
+\temps\notes \qu K&\zqu K\Sqbb K{=M}adaM&\qu h\enotes
+\temps\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes
+%\check
+% mesure 83
+\barre\notes \hlp J&\zqu M\sqbb MNcecN&\ql j\enotes
+\temps\notes &\zqu L\sqbb LNcecN&\qlp j\enotes
+\temps\notes &\zqu L\sqbb LNcecN&\sk\sk\ds\enotes
+\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
+%\check
+% mesure 84
+\barre\notes \qu J&\zqu M\sqbb Macfca&\qu h\enotes
+\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\qu g\enotes
+\temps\notes \tripler\dqh {=I}{^J}&\zqu L\sqbb LNcecN&\qu h\enotes
+%\check
+% mesure 85
+\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu f\enotes
+\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes
+\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
+%\check
+% mesure 86
+\barre\notes\bigaccid \qu{=J}&\zqu M\sqbb Ma{=c}fca&\cna j\qu j\enotes
+\temps\notes \qu H&\zqu L\sqbb Laceca&\qu h\enotes
+\temps\notes\tripler \dqh {=I}{^J}&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes
+%\check
+% mesure 87
+\barre\notes \hu K&\zqu K\sqbb KMadaM&\hu f\enotes
+\temps\notes &\zqu K\sqbb KMadaM&\enotes
+\temps\notes \soupir&\zqu K\sqbb KMadaM&\soupir\enotes
+%\check
+% mesure 88
+\barre\notes \hu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes
+\temps\notes &\zqu K\sqbb KMadaM&\ql k\enotes
+\temps\notes\bigaccid \ql{^M}&\zqu M\sqbb Macfca&\ql j\enotes
+%\check
+% mesure 89
+\barre\notes \ql N&\zqu K\sqbb KNbdbN&\qu i\enotes
+\temps\notes \ql L&\zqu L\sqbb LNbebN&\qu h\enotes
+\temps\notes \ql K&\zqu K\Sqbb K{=M}bdbM&\qu i\enotes
+%\check
+% mesure 90
+\barre\notes \qu J&\zqu L\sqbb LNcecN&\qu j\enotes
+\temps\notes \hu H&\zqu M\sqbb Macfca&\qup j\enotes
+\temps\notes &\zqu L\sqbb Laceca&\sk\sk\ds\enotes
+%\check
+% mesure 91
+\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
+\temps\notes \qu J&\zqu L\sqbb Laceca&\qu h\enotes
+\temps\notes \qu I&\zqu K\sqbb KNbdbN&\qu g\enotes
+%\check
+% mesure 92
+\barre\notes \hu G&\zqu K\sqbb KNbdbN&\qup d\enotes
+\temps\notes &\zqu K\sqbb KNbdbN&\sk\sk\sk\cu f\enotes
+\temps\notes \hu F&\zqu M\sqbb Macfca&\pointdorgue l\hu f\enotes
+\temps\notes &\zqu M\ibbl0M1\qb0M\zqu a\qb0a\zqu c\tqb0c\pointdurgue F\cl f&\enotes
+\advance\linesinpage by 1\relax
+%\check
+\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax
+ \def\interfacteur{11}\autolines{14}45}%
+% mesure 93
+\def\ddb#1#2#3{\Ibl0{#1}{#3}3\qb0{#1}\sk\nbbl0\qb0{#2}\tqb0{#3}}%
+\def\ddh#1#2#3{\Ibu0{#1}{#3}3\qh0{#1}\sk\nbbu0\qh0{#2}\tqh0{#3}}%
+\barre\notes\hl M&\zmidtwotext{\kern -2\interligne\bf I}\ql c|\relax
+ \Uptext{\moyen Maestoso}\zqu h\ddb fed\enotes
+\temps\NOtes&\ql a|\zqu h\dqb cd\enotes
+\temps\NOtes \ql J&\ql N|\zqu g\dqb ec\enotes
+\temps\notes \ql M&\ql a|\zqu h\qqbb fedc\enotes
+%\check
+% mesure 94
+\barre\notes \ql K&\ql M|\zqu f\ddb dcb\enotes
+\temps\NOtes \ql J&\ql L|\zqu g\dqb ce\enotes
+\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes
+%\check
+% mesure 95
+\barre\NOtes \ql L&\zql N\dqh ce|\zq{g}\qu j\enotes
+\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes
+\temps\NOtes \ql J&\ql N|\zqup g\dqb ec\enotes
+\temps\notes \qu G&\zql M\ddh bab|\sk\sk\cu f\enotes
+%\check
+% mesure 96
+\barre\notes \hu F&\zhl M\ddh aab|\zhu f\enotes
+\temps\notes &\ddh cde\enotes
+%\check
+% mesure 97
+\barre\notes \ql M&\zql a\ddh fed|\zq{h}\qu j\enotes
+\temps\notes \ql J&\zql M\qqhh cbab|\zq{h}\qu j\enotes
+\temps\notes\ql K&\bigaccid\zql{^M}\ddh abc|\zq{h}\qu k\enotes
+%\check
+% mesure 98
+\barre\NOtes \ql N&\zql b\dqh de|\zq{g}\qu i\enotes
+\temps\notes \ql K&\ql a|\bigna f\zqu h\ddb fed\enotes
+\temps\notes \ql I&\ql N|\zqu i\qqbb edef\enotes
+%\check
+% mesure 99
+\barre\NOtes \ql J&\ql M|\zqu j\dqb gf\enotes
+\temps\notes \hl L&\hl N|\zh{g}\zhu j\ddb ede\enotes
+\temps\Notes&|\ql c\cbreath\enotes
+%\check
+% mesure 100
+\barre\notes \hl M&\qqbb abcb|\zcl{c}\zq{f}\qu h\enotes
+\temps\notes &\qqbb aNaM|\zhlp c\zq{f}\qu h\enotes
+\temps\notes \ql J&\qqbb NLMN|\zq{e}\qu g\enotes
+\temps\notes \ql M&\qqbb abaN|\zq{f}\qu h\enotes
+\def\atnextline{\autolines{12}45}\relax
+%\check
+% mesure 101
+\barre\notes \ql K&\zqu a\ddb MNM|\zq{d}\qu f\enotes
+\temps\notes \ql J&\ddb LMN|\zq{ce}\qu g\enotes
+\temps\notes \ql M&\qqbb abcd|\zq{f}\qu h\enotes
+%\check
+% mesure 102
+\barre\notes \ql a&\ddb cbc|\zq{fh}\qu j\enotes
+\temps\notes \ql M&\qqbb abca|\zcl c\zq{f}\qu h\enotes
+\temps\notes \bigaccid\qu{^J}&\qqbb NbaN|\bigaccid\zhl{^c}\zql e\qup g\enotes
+\temps\notes \qu H&\ddb MNL|\sk\cu f\enotes
+%\check
+% mesure 103
+\barre\notes \ddh KJI&\zqp a\qlp M|\zqp{d}\qup f\enotes
+\temps\notes \qqhh HGFE&\sk\sk\ds|\sk\sk\ds\enotes
+%\check
+% mesure 104
+\barre\notes \qup D&\hl a|\bigaccid\zhl{^f}\zq h\ddh kji\enotes
+\temps\notes &|\zql h\qqhh kjih\enotes
+%\check
+% mesure 105
+\barre\notes \qu G&\ddb Nab|\zhlp d\zq{dg}\qu i\enotes
+\temps\notes \qu J&\qqbb cabc|\bigaccid\zq{_e}\qu h\enotes
+\temps\notes \ddh KJK&\ql M|\zql d\zq{=f}\qu i\enotes
+%\check
+% mesure 106
+\barre\notes \bigfl L\ddh LKL&\ql N|\bigfl e\zq e\zq g\qu j\enotes
+\temps\notes \ddh JJI&\hl M|\zqp {fh}\qup j\enotes
+\temps\notes \ddh HGH&\sk\sk\ds|\sk\sk\ds\enotes
+%\check
+% mesure 107
+\barre\notes \qu F&\zhl a\qu d|\zqu h\ddb ff{=e}\enotes
+\temps\notes \qu K&\ddh dcd|\zq{f}\qu h\enotes
+\temps\notes \ddh IHI&\zqu b\ql N\zmidtwotext{\it rall.}|\zq{d}\qu g\enotes
+%\check
+% mesure 108
+\advance\barsinline -1\relax
+\barre\NOtes \qu G&\zhlp N\qu b|\qu d\enotes
+\temps\NOtes \hu J&\qu c|\qup e\enotes
+\temps\notes &\qu b|\sk\cu f\enotes
+% mesure 109
+\barre\NOTes \wh F&\zw M\wh a|\zw{c}\wh f\enotes
+\finmorceau
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/marcellx.tex b/Master/texmf-dist/doc/generic/musictex/marcellx.tex
new file mode 100644
index 00000000000..98c563df159
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/marcellx.tex
@@ -0,0 +1,314 @@
+\title{Adagio}
+\fulltitle{Adagio}
+\csname titremorceautoc\endcsname
+\subtitle{(extrait du Concerto pour Hautbois)}
+\othermention{R\'ecit: cornet ou cromorne\\G.O.
+ bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+\def\interfacteur{9}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\nbporteesi=1\relax%
+\nbporteesii=1\relax%
+\nbporteesiii=1\relax%
+\signaturegenerale{-3}\relax
+%\check
+\def\instrumenti{P\'ed}%
+\def\instrumentii{G.O.}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+% formes frequentes
+\def\Pause{\sk\sk\qsk\pause}%
+%
+%\check
+%
+\generalmeter{\meterfrac 34}%
+%
+\debutmorceau
+\linesinpage=0\relax
+\autolines{19}35\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio
+\bf(\metron{\cu}{84})}\enotes
+%
+%\check
+%
+% mesure 1
+%\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0&\qb0j&\Pause\enotes
+\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause&\Pause\enotes
+\advance\linesinpage by 1
+% mesure 2
+\barre\NOTes\Pause
+&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes
+% mesure 3
+\def\motif{\zq i\qh0k}%
+\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif
+\motif\motif\motif\motif\tbu0\motif&\Pause\enotes
+% mesure 4
+\def\motif{\zq j\qh0 l}%
+\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax
+&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax
+&\Ibl1jl1\qb1j\tqb1l\enotes
+\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes
+\NOTes&\motif&\ibl1n0\qb1n\enotes
+\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes
+% mesure 5
+\def\motif{\zq h\qh0j}%
+\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax
+\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes
+\NOTes&\zql d\motif\motif\enotes
+\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes
+% mesure 6
+\def\motif{\zq h\qh0k}%
+\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes
+\NOTes&\motif&\Ibl1kl2\qb1k\enotes
+\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes
+\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes
+% mesure 7
+\def\motif{\zq g\qh0i}%
+\barre\autolines{20}35\relax
+\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif
+\motif&\qsk\mordant p\zhl n\enotes
+\NOTes&\zql c\motif\motif\enotes
+\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes
+% mesure 8
+\def\motif{\zq h\qh0j}%
+\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif
+&\Ibbl1hi3\qb1{hij}\tqb1i\enotes
+\NOtes&\motif\sk\motif
+&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes
+\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif
+&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes
+% mesure 9
+\def\motif{\zq f\qh0h}%
+\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif
+\tbu0\motif&\qsk\mordant o\zhl m\enotes
+\def\motif{\zq f\qh0i}%
+\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes
+\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes
+% mesure 10
+\def\motif{\zq i\qh0k}%
+\barre\autolines{28}25\relax
+\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax
+\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes
+\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes
+% mesure 11
+%\check
+\def\motif{\zq g\qh0 j}%
+\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif
+&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes
+\NOtes&&\tbl1\qbp1l\enotes
+\NOTes\itenl0J\tqh2J&\motif&\enotes
+\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes
+% mesure 12
+%\check
+\barre
+\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax
+&\mordant q\ql k\sk\enotes
+\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir
+\Ibbl1km2\qb1{kn}\tqb1m\enotes
+\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes
+\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes
+% mesure 13
+\barre
+\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax
+\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
+\NOtes&&\tbl1\qbp1j\enotes
+\NOTes&\zq e\tqh0g&\enotes
+\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax
+&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes
+\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax
+\triolet M\qb1{jk}\tqb1j\enotes
+% mesure 14
+%\check
+\def\motif{\zq g\qh0 i}%
+\barre\autolines{21}35\relax
+\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq
+f\rlap{\qsk\itenl0f}\bigna i\motif
+&\bigna i\hl i\enotes
+\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes
+% mesure 15
+\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax
+&\ibl1l0\bigna l\qb1l\qb1n\enotes
+\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes
+\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes
+% mesure 16
+\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes
+\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes
+\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax
+\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes
+% mesure 17
+\def\motif{\zq h\qh0 k}%
+\barre\autolines{24}35\relax
+\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif
+&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
+\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
+\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk
+&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes
+% mesure 18
+\barre
+\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes
+\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
+&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes
+% mesure 19
+\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax
+&\tten1\ibl1l0\qb1l\enotes
+\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes
+\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes
+\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes
+\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes
+% mesure 20
+\barre\autolines{28}35\relax
+\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax
+&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes
+\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes
+\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes
+% mesure 21
+\barre
+\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes
+\Notes&&\nbbbl1\qb1m\tqb1l\enotes
+\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax
+&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes
+\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax
+\pince l\qb1j\enotes
+\NOtes&&\itenu0i\tqb1i\enotes
+% mesure 22
+\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax
+&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
+\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
+\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbu1k0\qh1{flk}\tqh1j\enotes
+% mesure 23
+\barre\autolines{21}35\relax
+\Notes\hu I&\doubler
+\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes
+\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes
+% mesure 24
+\barre
+\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes
+\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes
+\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax
+&\qlp m\sk\sk\cl l\enotes
+% mesure 25
+\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes
+\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk
+&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes
+% mesure 26
+\barre\autolines{23}35\relax
+\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes
+\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk
+&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes
+% mesure 27
+\barre
+\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax
+&\bigfl k\ibl1j0\itenu1k\qb1k\enotes
+\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
+\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
+\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax
+&\Ibbl1ol3\qb1{onm}\tqb1l\enotes
+% mesure 28
+\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax
+&\itenu1m\ql m\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes
+\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax
+&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
+% mesure 29
+\barre\autolines{23}35\relax
+\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax
+&\ibbl1l0\qb1{lom}\tqb1k\enotes
+\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax
+&\qlp{=i}\sk\sk\cl j\enotes
+% mesure 30
+%\check
+\barre
+\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax
+&\itenl1f\hu f\enotes
+\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes
+% mesure 31
+%\check
+\barre
+\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk
+&\Ibbu1fe3\qh1{fed}\tqh1e\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes
+\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes
+% mesure 32
+%\check
+\barre\autolines{21}35\relax
+\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax
+&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes
+\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax
+&\qlp k\sk\sk\cl j\enotes
+% mesure 33
+%\check
+\def\motif{\zq h\qh0 j}%
+\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif
+\motif\tbu0\motif
+&\bigsh m\itenu1m\hl m\enotes
+\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax
+&\tten1\Ibl1nk1\qb1n\tqb1k\enotes
+% mesure 34
+%\check
+\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes
+\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes
+\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote
+n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes
+% mesure 35
+%\check
+\barre\autolines{17}35\relax
+\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes
+\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes
+\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes
+% mesure 36
+%\check
+\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq
+{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes
+% mesure 37
+%\check
+\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax
+\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax
+&\sk\sk\qsk\pause\enotes
+% mesure 38
+%\check
+\barre\autolines{16}45\relax
+\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes
+\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes
+\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes
+% mesure 39
+%\check
+\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax
+\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax
+&\sk\sk\qsk\pause\enotes
+\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes
+% mesure 40
+%\check
+\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes
+\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes
+% mesure 41
+%\check
+\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre
+\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\eject
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.bat b/Master/texmf-dist/doc/generic/musictex/musicdoc.bat
new file mode 100644
index 00000000000..4a471efec92
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/musicdoc.bat
@@ -0,0 +1,10 @@
+rem cm-ltx2e = latex2e based on cm* fonts
+call cm-ltx2e musicdoc
+call cm-ltx2e musicdoc
+makeindx -s musicdoc.ist musicdoc.idx
+call cm-ltx2e musicdoc
+makeindx -s musicdoc.ist musicdoc.idx
+call cm-ltx2e musicdoc
+c:\emtex\bin\dvips386 musicdoc -o musicdoc.ps -P386
+prthplj musicdoc musicdoc.lj
+
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.inx b/Master/texmf-dist/doc/generic/musictex/musicdoc.inx
new file mode 100644
index 00000000000..7913308cea9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/musicdoc.inx
@@ -0,0 +1,547 @@
+\indexentry{*}{21}
+\indexentry{a4wide}{50}
+\indexentry{\tty \bslash absoluteaccidentals}{23}
+\indexentry{\tty \bslash active}{9}
+\indexentry{acute accent}{23}
+\indexentry{\tty \bslash advancebottom}{43}
+\indexentry{\tty \bslash alaligne}{27, 28, 30, 31, 34}
+\indexentry{\tty \bslash alapage}{28, 30, 34}
+\indexentry{\tty \bslash allabreve}{12}
+\indexentry{\tty \bslash altitude}{42}
+\indexentry{alto clef}{12, 29, 45}
+\indexentry{\tty \bslash altportee}{42}
+\indexentry{anonymous ftp}{51}
+\indexentry{\tty \bslash arpeggio}{33}
+\indexentry{\tty \bslash atnextline}{34, 43}
+\indexentry{\tty \bslash autolines}{6, 14, 26, 27, 28, 34, 35}
+\indexentry{\tty \bslash backturn}{33}
+\indexentry{bar numbering}{27}
+\indexentry{\tty \bslash barno}{27}
+\indexentry{baroque}{45}
+\indexentry{\tty \bslash barre}{26, 28, 30, 31, 35}
+\indexentry{basic files}{51}
+\indexentry{bass clef}{12, 29}
+\indexentry{beams}{7, 11, 29, 35}
+\indexentry{\tty \bslash begin{\char '173}music{\char '175}}{13}
+\indexentry{\tty \bslash bigaccid}{22}
+\indexentry{\tty \bslash bigdFl}{23}
+\indexentry{\tty \bslash bigdSh}{23}
+\indexentry{\tty \bslash bigfl}{22}
+\indexentry{\tty \bslash bigFl}{23}
+\indexentry{Big\LaTeX}{49, 50}
+\indexentry{\tty \bslash bigNa}{23}
+\indexentry{\tty \bslash bigsh}{22}
+\indexentry{\tty \bslash bigSh}{23}
+\indexentry{Big\protect\TeX}{27, 50}
+\indexentry{\tty \bslash bottomfacteur}{42, 43}
+\indexentry{Brahms}{29, 35}
+\indexentry{\tty \bslash break}{27}
+\indexentry{Brouard, N.}{49}
+\indexentry{cadenzas}{36}
+\indexentry{\tty \bslash carpg}{38}
+\indexentry{\tty \bslash carqg}{38}
+\indexentry{\tty \bslash carrg}{38}
+\indexentry{\tty \bslash catcode}{11, 49, 50}
+\indexentry{\tty \bslash catcodes}{49}
+\indexentry{\tty \bslash catcodesmusic}{50}
+\indexentry{cautionary accidental}{22, 23}
+\indexentry{\tty \bslash ccccl}{15, 21}
+\indexentry{\tty \bslash ccccu}{15}
+\indexentry{\tty \bslash cccl}{15}
+\indexentry{\tty \bslash cccu}{15}
+\indexentry{\tty \bslash ccl}{15}
+\indexentry{\tty \bslash ccu}{15}
+\indexentry{\tty \bslash cdfl}{22}
+\indexentry{\tty \bslash cdFl}{23}
+\indexentry{\tty \bslash cdsh}{22}
+\indexentry{\tty \bslash cdSh}{23}
+\indexentry{\tty \bslash cfl}{22}
+\indexentry{\tty \bslash cFl}{23}
+\indexentry{\tty \bslash changeclefs}{29}
+\indexentry{\tty \bslash changecontext}{28, 30}
+\indexentry{\tty \bslash Changecontext}{28, 30}
+\indexentry{\tty \bslash changesignature}{28}
+\indexentry{\tty \bslash charnote}{32}
+\indexentry{chords}{11, 16}
+\indexentry{\tty \bslash cl}{15, 37}
+\indexentry{clef d'ut}{12, 29}
+\indexentry{clef de fa}{12, 29}
+\indexentry{clef de sol}{12, 29}
+\indexentry{\tty \bslash clefdefa}{46}
+\indexentry{\tty \bslash clefdefasymbol}{46}
+\indexentry{\tty \bslash clefdesol}{46}
+\indexentry{\tty \bslash clefdesolsymbol}{46}
+\indexentry{\tty \bslash clefdut}{45, 46}
+\indexentry{\tty \bslash clefdutsymbol}{46}
+\indexentry{clefs (empty)}{46}
+\indexentry{\tty \bslash cleftoks$r$}{12, 28, 29, 34}
+\indexentry{\tty \bslash cleftoksi}{12}
+\indexentry{\tty \bslash cna}{22}
+\indexentry{\tty \bslash cNa}{23}
+\indexentry{\tty \bslash coda}{32}
+\indexentry{\tty \bslash computespecifics}{39, 43}
+\indexentry{\tty \bslash computewidths}{43}
+\indexentry{\tty \bslash csh}{22}
+\indexentry{\tty \bslash cSh}{23}
+\indexentry{\tty \bslash cu}{15, 37}
+\indexentry{\tty \bslash dccu}{39}
+\indexentry{\tty \bslash dcl}{39}
+\indexentry{\tty \bslash dcu}{39}
+\indexentry{\tty \bslash dcup}{39}
+\indexentry{\tty \bslash debutextrait}{44, 50}
+\indexentry{\tty \bslash debutmorceau}{13, 28, 31, 43, 44, 50}
+\indexentry{\tty \bslash DEP}{34}
+\indexentry{\tty \bslash dfl}{22, 23}
+\indexentry{\tty \bslash dFl}{23}
+\indexentry{\tty \bslash diamg}{38}
+\indexentry{\tty \bslash diamw}{38}
+\indexentry{\tty \bslash dimen}{10}
+\indexentry{distribution}{9}
+\indexentry{\tty \bslash documentstyle}{49}
+\indexentry{dpi}{51}
+\indexentry{drum clef}{46}
+\indexentry{\tty \bslash drumclefsymbol}{46}
+\indexentry{\tty \bslash ds}{20}
+\indexentry{\tty \bslash dsh}{22, 23}
+\indexentry{\tty \bslash dSh}{23}
+\indexentry{\tty \bslash dsoupir}{20}
+\indexentry{Egler, A.}{10, 33}
+\indexentry{\tty \bslash eject}{28}
+\indexentry{\tty \bslash elemskip}{6, 13, 14, 26}
+\indexentry{em\TeX}{50}
+\indexentry{\tty \bslash endcatcodesmusic}{50}
+\indexentry{\tty \bslash etroit}{13}
+\indexentry{\tty \bslash everystaff}{24, 34}
+\indexentry{\tty \bslash exhpause}{21}
+\indexentry{\tty \bslash expause}{21}
+\indexentry{Faur\'e, G.}{59}
+\indexentry{fermata}{33}
+\indexentry{\tty \bslash finextrait}{44, 50}
+\indexentry{\tty \bslash finmorceau}{28, 30, 43, 50}
+\indexentry{\tty \bslash finrightrepeat}{30}
+\indexentry{\tty \bslash fl}{22, 23}
+\indexentry{\tty \bslash Fl}{23}
+\indexentry{flats}{12}
+\indexentry{fonts}{51}
+\indexentry{format}{51}
+\indexentry{french.sty}{49, 50}
+\indexentry{\tty \bslash freqbarno}{27}
+\indexentry{full rest}{20}
+\indexentry{Gaulle, B.}{50}
+\indexentry{general staff size}{39}
+\indexentry{\tty \bslash generalmeter}{12}
+\indexentry{\tty \bslash generalsignature}{8, 12, 23, 28}
+\indexentry{glue}{9, 26}
+\indexentry{Gounod, C.}{40, 59}
+\indexentry{grave accent}{23}
+\indexentry{\tty \bslash grcl}{37}
+\indexentry{\tty \bslash grcu}{37}
+\indexentry{gregorian music}{38, 44, 45}
+\indexentry{guillemets}{50}
+\indexentry{GUTenberg}{50}
+\indexentry{half rest}{20}
+\indexentry{harmonic notes}{47}
+\indexentry{Haydn, J.}{36}
+\indexentry{\tty \bslash hb}{19}
+\indexentry{\tty \bslash hbox}{26}
+\indexentry{\tty \bslash hfil}{26}
+\indexentry{\tty \bslash hh}{19}
+\indexentry{\tty \bslash hl}{14, 15, 16, 21}
+\indexentry{\tty \bslash hoffset}{59}
+\indexentry{\tty \bslash hpause}{20}
+\indexentry{\tty \bslash hrule}{10, 26}
+\indexentry{\tty \bslash hs}{20}
+\indexentry{\tty \bslash hsize}{14}
+\indexentry{\tty \bslash hskip}{21}
+\indexentry{\tty \bslash hu}{15, 21}
+\indexentry{\tty \bslash huitsoupir}{20}
+\indexentry{\tty \bslash hup}{16}
+\indexentry{\tty \bslash ibbbbbl}{17}
+\indexentry{\tty \bslash Ibbbbbl}{20}
+\indexentry{\tty \bslash ibbbbbu}{17}
+\indexentry{\tty \bslash Ibbbbbu}{20}
+\indexentry{\tty \bslash ibbbbl}{17}
+\indexentry{\tty \bslash Ibbbbl}{20}
+\indexentry{\tty \bslash ibbbbu}{17}
+\indexentry{\tty \bslash Ibbbbu}{20}
+\indexentry{\tty \bslash ibbbl}{17}
+\indexentry{\tty \bslash Ibbbl}{20}
+\indexentry{\tty \bslash ibbbu}{17, 18}
+\indexentry{\tty \bslash Ibbbu}{20}
+\indexentry{\tty \bslash ibbl}{17}
+\indexentry{\tty \bslash Ibbl}{20}
+\indexentry{\tty \bslash ibbu}{17}
+\indexentry{\tty \bslash Ibbu}{20}
+\indexentry{\tty \bslash ibl}{17, 18}
+\indexentry{\tty \bslash Ibl}{20}
+\indexentry{\tty \bslash ibu}{17}
+\indexentry{\tty \bslash Ibu}{20}
+\indexentry{\tty \bslash ilegl}{24}
+\indexentry{\tty \bslash Ilegl}{24, 25}
+\indexentry{\tty \bslash ilegu}{24}
+\indexentry{\tty \bslash Ilegu}{24, 25}
+\indexentry{INITEX}{51}
+\indexentry{\tty \bslash input}{59}
+\indexentry{instrument}{12}
+\indexentry{instrument number}{8}
+\indexentry{\tty \bslash instrument$r$}{13}
+\indexentry{\tty \bslash interbeam}{42}
+\indexentry{\tty \bslash interfacteur}{42, 43, 44}
+\indexentry{\tty \bslash interinstrument}{42, 44, 45}
+\indexentry{\tty \bslash interligne}{41}
+\indexentry{\tty \bslash Interligne}{41, 42, 43}
+\indexentry{\tty \bslash internote}{41}
+\indexentry{\tty \bslash Internote}{41}
+\indexentry{\tty \bslash interportee}{42, 44}
+\indexentry{\tty \bslash Interportee}{42}
+\indexentry{\tty \bslash Invertslur}{25}
+\indexentry{\tty \bslash Itenl}{25}
+\indexentry{\tty \bslash ITenl}{25}
+\indexentry{\tty \bslash itenl}{24, 25}
+\indexentry{\tty \bslash itenu}{24, 25}
+\indexentry{\tty \bslash Itenu}{25}
+\indexentry{\tty \bslash ITenu}{25}
+\indexentry{\tty \bslash kb}{48}
+\indexentry{\tty \bslash kccccl}{48}
+\indexentry{\tty \bslash kccccu}{48}
+\indexentry{\tty \bslash kcccl}{48}
+\indexentry{\tty \bslash kcccu}{48}
+\indexentry{\tty \bslash kccl}{48}
+\indexentry{\tty \bslash kccu}{39, 48}
+\indexentry{\tty \bslash kcl}{39, 48}
+\indexentry{\tty \bslash kclp}{48}
+\indexentry{\tty \bslash kclpp}{48}
+\indexentry{\tty \bslash kcu}{39, 48}
+\indexentry{\tty \bslash kcup}{39, 48}
+\indexentry{\tty \bslash kcupp}{48}
+\indexentry{\tty \bslash kern}{21}
+\indexentry{\tty \bslash kh}{48}
+\indexentry{\tty \bslash kl}{48}
+\indexentry{\tty \bslash klp}{48}
+\indexentry{\tty \bslash klpp}{48}
+\indexentry{\tty \bslash ku}{48}
+\indexentry{\tty \bslash kup}{48}
+\indexentry{\tty \bslash kupp}{48}
+\indexentry{\tty \bslash large}{13}
+\indexentry{largemusic}{49}
+\indexentry{\tty \bslash larpeggio}{33}
+\indexentry{\LaTeX }{13, 49}
+\indexentry{\tty \bslash lcharnote}{32}
+\indexentry{\tty \bslash ldfl}{22}
+\indexentry{\tty \bslash ldsh}{22}
+\indexentry{\tty \bslash leaders}{9}
+\indexentry{\tty \bslash leftrepeat}{31}
+\indexentry{\tty \bslash leftrepeatsymbol}{30, 31}
+\indexentry{\tty \bslash leftrightrepeat}{31}
+\indexentry{\tty \bslash leftrightrepeatsymbol}{30}
+\indexentry{\tty \bslash lfl}{22}
+\indexentry{\tty \bslash lh}{16}
+\indexentry{\tty \bslash lhl}{16}
+\indexentry{\tty \bslash lhu}{16}
+\indexentry{\tty \bslash liftslur}{25}
+\indexentry{\tty \bslash lna}{22}
+\indexentry{\tty \bslash lowersonginstrum}{13}
+\indexentry{\tty \bslash Lpince}{33}
+\indexentry{\tty \bslash lppz}{33}
+\indexentry{\tty \bslash lpz}{33}
+\indexentry{\tty \bslash lq}{16}
+\indexentry{\tty \bslash lql}{16}
+\indexentry{\tty \bslash lqu}{16}
+\indexentry{\tty \bslash lsf}{33}
+\indexentry{\tty \bslash lsh}{22}
+\indexentry{\tty \bslash lst}{33}
+\indexentry{\tty \bslash lthick}{41}
+\indexentry{\tty \bslash lw}{16}
+\indexentry{lyrics}{12, 42, 44, 50}
+\indexentry{\tty \bslash maxbarsinline}{28}
+\indexentry{\tty \bslash maxlinesinpage}{28}
+\indexentry{meter}{6, 12}
+\indexentry{\tty \bslash meterC}{12}
+\indexentry{\tty \bslash metertoks$i$}{12}
+\indexentry{\tty \bslash metron}{32}
+\indexentry{\tty \bslash midtwotext}{32}
+\indexentry{\tty \bslash mordant}{33}
+\indexentry{Mozart}{7}
+\indexentry{MS-DOS}{51}
+\indexentry{musicadd.tex}{11}
+\indexentry{musicnft.tex}{11}
+\indexentry{musicper}{48}
+\indexentry{musicper.sty}{48}
+\indexentry{musicper.tex}{48}
+\indexentry{\tty \bslash musicsize}{11, 39, 41, 44}
+\indexentry{musictex.bck}{51}
+\indexentry{musictex.sty}{49}
+\indexentry{musictex.tex}{11}
+\indexentry{musictex.zip}{51}
+\indexentry{musictrp}{49}
+\indexentry{\protect\mutex}{10}
+\indexentry{\tty \bslash na}{22, 23}
+\indexentry{\tty \bslash Na}{23}
+\indexentry{name of the instrument}{13}
+\indexentry{name of the voice}{13}
+\indexentry{\tty \bslash nbbbbbl}{18}
+\indexentry{\tty \bslash nbbbbbu}{18}
+\indexentry{\tty \bslash nbbbbu}{18}
+\indexentry{\tty \bslash nbbbu}{18}
+\indexentry{\tty \bslash nbbl}{18}
+\indexentry{\tty \bslash nbbu}{18}
+\indexentry{\tty \bslash nbinstruments}{11}
+\indexentry{\tty \bslash nbportees$r$}{12, 44}
+\indexentry{\tty \bslash nbporteesiii}{12}
+\indexentry{neumes}{38, 45}
+\indexentry{\tty \bslash nextinstrument}{50}
+\indexentry{\tty \bslash nextstaff}{50}
+\indexentry{\tty \bslash normal}{13, 14}
+\indexentry{\tty \bslash normalnotesize}{36}
+\indexentry{\tty \bslash normalstems}{42}
+\indexentry{\tty \bslash normaltranspose}{23}
+\indexentry{\tty \bslash noteskip}{13, 14, 17, 20, 21, 24, 32}
+\indexentry{\tty \bslash nspace}{21}
+\indexentry{\tty \bslash ntrille}{33}
+\indexentry{\tty \bslash nTrille}{33}
+\indexentry{\tty \bslash nullthick}{41}
+\indexentry{octaviation}{23}
+\indexentry{\tty \bslash octfin}{23, 24}
+\indexentry{\tty \bslash octline}{24}
+\indexentry{\tty \bslash octsup}{24}
+\indexentry{\tty \bslash off}{21}
+\indexentry{ornament codings}{45}
+\indexentry{ornaments}{36}
+\indexentry{\tty \bslash oxb}{48}
+\indexentry{\tty \bslash oxccccl}{48}
+\indexentry{\tty \bslash oxccccu}{48}
+\indexentry{\tty \bslash oxcccl}{48}
+\indexentry{\tty \bslash oxcccu}{48}
+\indexentry{\tty \bslash oxccl}{48}
+\indexentry{\tty \bslash oxccu}{39, 48}
+\indexentry{\tty \bslash oxcl}{39, 48}
+\indexentry{\tty \bslash oxclp}{48}
+\indexentry{\tty \bslash oxclpp}{48}
+\indexentry{\tty \bslash oxcu}{39, 48}
+\indexentry{\tty \bslash oxcup}{39, 48}
+\indexentry{\tty \bslash oxcupp}{48}
+\indexentry{\tty \bslash oxh}{48}
+\indexentry{\tty \bslash oxl}{48}
+\indexentry{\tty \bslash oxlp}{48}
+\indexentry{\tty \bslash oxlpp}{48}
+\indexentry{\tty \bslash oxu}{48}
+\indexentry{\tty \bslash oxup}{48}
+\indexentry{\tty \bslash oxupp}{48}
+\indexentry{\tty \bslash parindent}{13}
+\indexentry{\tty \bslash pause}{20}
+\indexentry{\tty \bslash PAUSe}{20}
+\indexentry{\tty \bslash PAuse}{20}
+\indexentry{\tty \bslash PED}{34}
+\indexentry{percussion music}{38, 39, 44, 46}
+\indexentry{phrasing slurs}{9}
+\indexentry{\tty \bslash Pince}{33}
+\indexentry{\tty \bslash pince}{33}
+\indexentry{\tty \bslash Pincene}{33}
+\indexentry{\tty \bslash Pincenw}{33}
+\indexentry{\tty \bslash Pincesw}{33}
+\indexentry{pizzicato}{33}
+\indexentry{\tty \bslash pointdorgue}{33}
+\indexentry{\tty \bslash pointdurgue}{34}
+\indexentry{portato}{33}
+\indexentry{port\relax \'{e}es}{12}
+\indexentry{\tty \bslash pt $p$}{16}
+\indexentry{punctum}{38}
+\indexentry{\tty \bslash qb}{18, 21}
+\indexentry{\tty \bslash qh}{14, 18, 21}
+\indexentry{\tty \bslash qhp}{16}
+\indexentry{\tty \bslash qhpp}{16}
+\indexentry{\tty \bslash ql}{15}
+\indexentry{\tty \bslash qlp}{16}
+\indexentry{\tty \bslash qlpp}{16}
+\indexentry{\tty \bslash qqs}{20}
+\indexentry{\tty \bslash qs}{20}
+\indexentry{\tty \bslash qsk}{21, 33}
+\indexentry{\tty \bslash qu}{14, 15}
+\indexentry{\tty \bslash quartsoupir}{20}
+\indexentry{\tty \bslash qup}{16}
+\indexentry{\tty \bslash qupp}{16}
+\indexentry{\tty \bslash quppp}{16}
+\indexentry{ragged lines}{9}
+\indexentry{\tty \bslash raggedlinestrue}{26}
+\indexentry{\tty \bslash raise}{20}
+\indexentry{relative accidentals}{8}
+\indexentry{\tty \bslash relativeaccidentals}{23}
+\indexentry{\tty \bslash relax}{50}
+\indexentry{repeated patterns}{19}
+\indexentry{\tty \bslash reprmorceau}{28, 31, 43}
+\indexentry{\tty \bslash resetfacteurs}{44}
+\indexentry{\tty \bslash rh}{16}
+\indexentry{\tty \bslash rhu}{16}
+\indexentry{\tty \bslash rightrepeat}{31}
+\indexentry{\tty \bslash rightrepeatsymbol}{30}
+\indexentry{rimshot}{38}
+\indexentry{\tty \bslash rq}{16}
+\indexentry{\tty \bslash rqu}{16}
+\indexentry{\tty \bslash rw}{16}
+\indexentry{\tty \bslash saveclefs}{29}
+\indexentry{savesets}{9}
+\indexentry{Schofer, A.}{10}
+\indexentry{\tty \bslash segno}{32}
+\indexentry{\tty \bslash seizsoupir}{20}
+\indexentry{\tty \bslash sepbarrules}{27}
+\indexentry{\tty \bslash setdoublebar}{28}
+\indexentry{\tty \bslash setleftrepeat}{30}
+\indexentry{\tty \bslash setleftrightrepeat}{30}
+\indexentry{\tty \bslash Setprimavolta}{31}
+\indexentry{\tty \bslash setprimavolta}{31}
+\indexentry{\tty \bslash setrightrepeat}{30, 31}
+\indexentry{\tty \bslash setsecondavolta}{31}
+\indexentry{\tty \bslash Setsecondavolta}{31}
+\indexentry{sforzando}{33}
+\indexentry{\tty \bslash sh}{22, 23}
+\indexentry{\tty \bslash Sh}{23}
+\indexentry{shaker}{38}
+\indexentry{\tty \bslash shaker}{38}
+\indexentry{sharps}{12}
+\indexentry{\tty \bslash sign$n$}{23}
+\indexentry{signatures}{11}
+\indexentry{\tty \bslash signii}{8}
+\indexentry{sizes}{11}
+\indexentry{\tty \bslash sk}{15, 21, 22}
+\indexentry{\tty \bslash smallaccid}{22}
+\indexentry{\tty \bslash smalldFl}{23}
+\indexentry{\tty \bslash smalldSh}{23}
+\indexentry{\tty \bslash smallFl}{23}
+\indexentry{\tty \bslash smallfl}{22}
+\indexentry{\tty \bslash smallNa}{23}
+\indexentry{\tty \bslash smallnotesize}{36}
+\indexentry{\tty \bslash smallsh}{22}
+\indexentry{\tty \bslash smallSh}{23}
+\indexentry{\tty \bslash soupir}{20}
+\indexentry{spacing}{5}
+\indexentry{spacing note}{14}
+\indexentry{staccato}{33}
+\indexentry{staff size}{39}
+\indexentry{\tty \bslash staffbotmarg}{42, 43, 44, 45}
+\indexentry{\tty \bslash stafflinesnb}{44}
+\indexentry{\tty \bslash staffspacing$r$}{39, 40, 41}
+\indexentry{\tty \bslash stafftopmarg}{42, 43, 44}
+\indexentry{standard musical notation}{4}
+\indexentry{\tty \bslash stdbarrules}{27}
+\indexentry{Steinbach, A.}{10}
+\indexentry{\tty \bslash stemfactor}{42}
+\indexentry{stems}{11}
+\indexentry{style}{49}
+\indexentry{\tty \bslash suspmorceau}{28, 30, 31, 43, 50}
+\indexentry{\tty \bslash systemheight}{42}
+\indexentry{tabulation}{50}
+\indexentry{\tty \bslash tbbbbbl}{19}
+\indexentry{\tty \bslash tbbbbbu}{19}
+\indexentry{\tty \bslash tbbbbl}{19}
+\indexentry{\tty \bslash tbbbbu}{19}
+\indexentry{\tty \bslash tbbbl}{18, 19}
+\indexentry{\tty \bslash tbbbu}{18, 19}
+\indexentry{\tty \bslash tbbl}{18}
+\indexentry{\tty \bslash tbbu}{18}
+\indexentry{\tty \bslash tbl}{18}
+\indexentry{\tty \bslash tbu}{17, 18}
+\indexentry{\tty \bslash temps}{22, 26, 27}
+\indexentry{tenor violin clef}{34}
+\indexentry{ties}{9, 25}
+\indexentry{\tty \bslash tinynotesize}{36}
+\indexentry{\tty \bslash tleg}{24, 25}
+\indexentry{\tty \bslash transpose}{8, 22, 23}
+\indexentry{\tty \bslash tremolord}{38}
+\indexentry{\tty \bslash Trille}{33}
+\indexentry{\tty \bslash trille}{33}
+\indexentry{\tty \bslash tten}{24}
+\indexentry{\tty \bslash turn}{33}
+\indexentry{\tty \bslash upperfl}{22}
+\indexentry{\tty \bslash upperna}{22}
+\indexentry{\tty \bslash uppersh}{22}
+\indexentry{\tty \bslash uppersonginstrum}{13}
+\indexentry{\tty \bslash uppz}{33}
+\indexentry{\tty \bslash Uptext}{32}
+\indexentry{\tty \bslash uptext}{32}
+\indexentry{\tty \bslash upz}{33}
+\indexentry{\tty \bslash usf}{33}
+\indexentry{\tty \bslash ust}{33}
+\indexentry{\tty \bslash vadjust}{34}
+\indexentry{\tty \bslash varaccid}{22}
+\indexentry{\tty \bslash vbox}{45}
+\indexentry{violin clef}{12, 29}
+\indexentry{violin harmonic notes}{39}
+\indexentry{virga}{38}
+\indexentry{VMS}{51}
+\indexentry{\tty \bslash vnotes}{14}
+\indexentry{\tty \bslash voffset}{59}
+\indexentry{voices}{42}
+\indexentry{\tty \bslash wh}{15, 21}
+\indexentry{\tty \bslash whp}{16}
+\indexentry{Widor, C.-M.}{24, 59}
+\indexentry{\tty \bslash xb}{48}
+\indexentry{\tty \bslash xbarre}{28}
+\indexentry{\tty \bslash xbeambarre}{35}
+\indexentry{\tty \bslash xccccl}{48}
+\indexentry{\tty \bslash xccccu}{48}
+\indexentry{\tty \bslash xcccl}{48}
+\indexentry{\tty \bslash xcccu}{48}
+\indexentry{\tty \bslash xccl}{48}
+\indexentry{\tty \bslash xccu}{39, 48}
+\indexentry{\tty \bslash xcl}{39, 48}
+\indexentry{\tty \bslash xclp}{48}
+\indexentry{\tty \bslash xclpp}{48}
+\indexentry{\tty \bslash xcu}{39, 48}
+\indexentry{\tty \bslash xcup}{39, 48}
+\indexentry{\tty \bslash xcupp}{48}
+\indexentry{\tty \bslash xh}{48}
+\indexentry{\tty \bslash xl}{48}
+\indexentry{\tty \bslash xlp}{48}
+\indexentry{\tty \bslash xlpp}{48}
+\indexentry{\tty \bslash xtrille}{33}
+\indexentry{\tty \bslash xTrille}{33}
+\indexentry{\tty \bslash xu}{48}
+\indexentry{\tty \bslash xup}{48}
+\indexentry{\tty \bslash xupp}{48}
+\indexentry{\tty \bslash yccu}{39}
+\indexentry{\tty \bslash ycl}{39}
+\indexentry{\tty \bslash ycu}{39}
+\indexentry{\tty \bslash ycup}{39}
+\indexentry{\tty \bslash zalapage}{28}
+\indexentry{\tty \bslash zbarre}{24, 28}
+\indexentry{\tty \bslash zbv}{16}
+\indexentry{\tty \bslash zcarpg}{38}
+\indexentry{\tty \bslash zcarqg}{38}
+\indexentry{\tty \bslash zcarrg}{38}
+\indexentry{\tty \bslash zcharnote}{7, 9, 32, 34, 45}
+\indexentry{\tty \bslash zcl}{16}
+\indexentry{\tty \bslash zclp}{17}
+\indexentry{\tty \bslash zcu}{16}
+\indexentry{\tty \bslash zcup}{17}
+\indexentry{\tty \bslash zdiamg}{38}
+\indexentry{\tty \bslash zdiamw}{38}
+\indexentry{\tty \bslash zexhpause}{21}
+\indexentry{\tty \bslash zexpause}{21}
+\indexentry{\tty \bslash zfinextrait}{44}
+\indexentry{\tty \bslash zh}{15}
+\indexentry{\tty \bslash zhl}{16}
+\indexentry{\tty \bslash zhlp}{17}
+\indexentry{\tty \bslash zhp}{16}
+\indexentry{\tty \bslash zhu}{16}
+\indexentry{\tty \bslash zhup}{17}
+\indexentry{\tty \bslash zk}{48}
+\indexentry{\tty \bslash zmidtwotext}{32}
+\indexentry{\tty \bslash zox}{48}
+\indexentry{\tty \bslash zq}{6, 15}
+\indexentry{\tty \bslash zqb}{16}
+\indexentry{\tty \bslash zqh}{16}
+\indexentry{\tty \bslash zql}{16}
+\indexentry{\tty \bslash zqlp}{17}
+\indexentry{\tty \bslash zqp}{16}
+\indexentry{\tty \bslash zqu}{16}
+\indexentry{\tty \bslash zqup}{17}
+\indexentry{\tty \bslash zsb}{16}
+\indexentry{\tty \bslash zshaker}{38}
+\indexentry{\tty \bslash zsuspmorceau}{28}
+\indexentry{\tty \bslash ztremolord}{38}
+\indexentry{\tty \bslash zw}{16}
+\indexentry{\tty \bslash zwp}{16}
+\indexentry{\tty \bslash zwq}{16}
+\indexentry{\tty \bslash zx}{48}
+\indexentry{\&}{50}
+\indexentry{\|}{50}
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ist b/Master/texmf-dist/doc/generic/musictex/musicdoc.ist
new file mode 100644
index 00000000000..e194963fa22
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/musicdoc.ist
@@ -0,0 +1,65 @@
+%%
+%% This is file `gind.ist', generated
+%% on <1994/8/14> with the docstrip utility (2.2h).
+%%
+%% The original source files were:
+%%
+%% doc.dtx (with options: `gind')
+%%
+%% This file is part of LaTeX2e.
+%% -----------------------------
+%%
+%% Copyright (C) 1992-1994 Frank Mittelbach. All rights reserved.
+%%
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%%
+%% Package `doc' to use with LaTeX 2e
+%% Copyright (C) 1989-1994 Frank Mittelbach, all rights reserved.
+%% This is a MAKEINDEX style file which should be used to
+%% generate the formatted index for use with the doc
+%% package. The TeX commands used below are defined in
+%% doc.sty. The commands for MAKEINDEX like `level'
+%% `item_x1' are described in `` Makeindex, A General
+%% Purpose, Formatter-Independent Index Processor'' by
+%% Pehong Chen.
+
+actual '='
+quote '!'
+level '>'
+encap '#'
+preamble
+"\n \\begin{theindex} \n \\makeatletter\n"
+postamble
+"\n\n \\end{theindex}\n \\makeatother\n"
+item_x1 "\\efill \n \\subitem "
+item_x2 "\\efill \n \\subsubitem "
+delim_0 "\\rm~: "
+delim_1 "\\rm~: "
+delim_2 "\\rm~: "
+symhead_positive "Symbols"
+symhead_negative "Symbols"
+% The next lines will produce some warnings when
+% running Makeindex as they try to cover two different
+% versions of the program:
+lethead_prefix "{\\bfseries\\hfil "
+lethead_suffix "\\hfil}\\nopagebreak\n"
+lethead_flag 1
+heading_prefix "{\\bfseries\\hfil "
+heading_suffix "\\hfil}\\nopagebreak\n"
+headings_flag 1
+%%
+%% End of file `gind.ist'.
diff --git a/Master/texmf-dist/doc/generic/musictex/musictex.ins b/Master/texmf-dist/doc/generic/musictex/musictex.ins
new file mode 100644
index 00000000000..1a0a0e8435c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/musictex.ins
@@ -0,0 +1,9 @@
+\input musicnft
+\input musictex
+\input musicvbm
+\input musictrp
+\input musicsty
+\tracingstats=2\relax
+\dump
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/ostinato.tex b/Master/texmf-dist/doc/generic/musictex/ostinato.tex
new file mode 100644
index 00000000000..46feebddc1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/ostinato.tex
@@ -0,0 +1,450 @@
+\title{Adagio con basso ostinato}
+\fulltitle{VIII. \titremorceau}
+\csname titremorceautoc\endcsname
+\subtitle{(pour orgue)}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+
+\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou
+8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}%
+
+\maketitle
+
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\pzqu#1{\lpz{#1}\qu{#1}}%
+\def\pzql#1{\upz{#1}\ql{#1}}%
+%
+\parindent 18mm
+%
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O. fonds}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%
+\debutmorceau
+%
+\autolines 765\relax
+%\check
+%
+\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante
+ \bf(\metron{\qu}{65})}}\enotes
+\advance\linesinpage by 1\relax
+% mesure 1
+\nspace\NOtes\pzql M&&\enotes
+\temps \NOtes\pzql M&\pause&\pause\enotes
+\temps \NOtes\pzql M&\enotes
+%\check
+% mesure 2
+\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 3
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 4
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+\def\atnextline{\autolines765}%
+% mesure 5
+\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes
+% mesure 6
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 7
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 8
+\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 9
+\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&&\soupir\enotes
+% mesure 10
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 11
+\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 12
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 13
+\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\qu g&\soupir\enotes
+% mesure 14
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 15
+\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&&\dqb hi\enotes
+% mesure 16
+\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl k\enotes
+\temps\notes\pzqu I&\ql d&\dqb ij\enotes
+% mesure 17
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+%\check
+% mesure 18
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 19
+\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 20
+\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes
+%\check
+% mesure 21
+\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax
+ &\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 22
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 23
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+% mesure 24
+\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes
+% mesure 25
+\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes
+\temps\NOtes\pzqu H&\hl c&\enotes
+\temps\NOtes\pzqu{^F}&&\ql k\enotes
+% mesure 26
+\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\soupir&\soupir\enotes
+% mesure 27
+\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes
+\temps\NOtes\pzqu L&&\enotes
+\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes
+% mesure 28
+\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes
+\temps\NOtes\pzqu H&\hu f&\enotes
+\temps\NOtes\pzqu F&&\soupir\enotes
+% mesure 29
+\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes
+\temps\notes\pzqu G&&\sk\cu i\enotes
+\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes
+%\check
+% mesure 30
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes
+\temps\NOtes\pzqu H&&\qu h\enotes
+\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes
+% mesure 31
+\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes
+\temps\notes\pzqu H&&\sk\cl m\enotes
+\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes
+%\check
+% mesure 32
+\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes
+\temps\NOtes\pzqu H&&\ql l\enotes
+\temps\NOtes\pzqu I&\qu h&\ql h\enotes
+%\check
+% mesure 33
+\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes
+\temps\notes\pzqu G&\hl b&\dqh gf\enotes
+\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes
+%\check
+% mesure 34
+\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes
+\temps\NOtes\pzqu G&&\qu e\enotes
+\temps\NOtes\pzqu F&&\qu h\enotes
+% mesure 35
+\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes
+\temps\notes\pzqu I&&\sk\cu g\enotes
+\temps\notes\pzqu H&\qu e&\dqh ef\enotes
+% mesure 36
+\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes
+\temps\NOtes\pzqu K&\zh a\hu f&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 37
+%\check
+\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 38
+%\check
+\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 39
+%\check
+\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes
+\temps\NOtes\pzqu G\enotes
+\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes
+% mesure 40
+%\check
+\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes
+\temps\NOtes\pzqu H\enotes
+\temps\NOtes\pzqu H&\soupir&\soupir\enotes
+% mesure 41
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 42
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 43
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 44
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 45
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 46
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu h\enotes
+% mesure 47
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 48
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 49
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 50
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 51
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 52
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 53
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 54
+\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 55
+\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu L&\ql g&\dqb kl\enotes
+% mesure 56
+\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 57
+\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes
+%\check
+% mesure 58
+\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 59
+\bigaccid
+\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes
+\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes
+\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes
+% mesure 60
+\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes
+\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes
+\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes
+%\check
+% mesure 61
+\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes
+\temps\notes\pzqu I&&\sk\cl n\enotes
+\temps\notes\pzqu I&\qu g&\dqb mn\enotes
+%\check
+% mesure 62
+\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes
+\temps\NOtes\pzqu I\enotes
+\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes
+%\check
+% mesure 63
+\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes
+\temps\NOtes\pzqu I&\qu e\enotes
+\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes
+% mesure 64
+\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes
+\temps\notes\pzqu H&&\sk\cl n\enotes
+\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes
+% mesure 65
+\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 66
+\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 67
+\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\qu i\enotes
+%\check
+% mesure 68
+\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip
+ \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+%\check
+% mesure 69
+\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 70
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 71
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 72
+\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl{k}\enotes
+\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 73
+\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\qu f&\soupir\enotes
+% mesure 74
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 75
+\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes
+% mesure 76
+\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 77
+\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes
+\temps\NOtes\pzqu H&\qu h&\enotes
+\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes
+% mesure 78
+\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 79
+\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes
+% mesure 80
+\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl k\enotes
+\temps\notes\pzqu G&\ql d&\dqb ij\enotes
+% mesure 81
+\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\ql f&\soupir\enotes
+%\check
+% mesure 82
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 83
+\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 84
+\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes
+\temps\NOtes\pzqu F&\ql e&\enotes
+\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex
new file mode 100644
index 00000000000..d039da83204
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex
@@ -0,0 +1,1102 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\musicsize=16\relax
+\def\lppage{7}%
+ %
+ %
+\newdimen\pageheight
+\vsize=290mm
+\parindent 12mm
+%
+% sortie de page
+%
+\pageheight=\vsize\advance\pageheight by 2cm
+
+\musicsize=16\relax
+\def\lppage{7}%
+\ifx\gros\undefined\font\gros=\fonthdg\fonthdge bx10 scaled \magstep2\fi
+ %
+ %
+\voffset-30mm
+%
+\def\outmorc{\shipout\vbox to \pageheight{\vfil\pagecontents\vfil\line{%
+\ifodd\pageno\sl Pacifique (D. Taupin) \rm$\copyright$\hss \number\pageno
+\else\rm\number\pageno\hss\sl Pacifique (D. Taupin) \rm$\copyright$\fi}}%
+\global\advance\count0 by 1\relax
+ \ifnum\outputpenalty>-20000 \else\dosupereject\fi}%
+%
+\output{\outmorc}%
+%
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\centerline{\gros Pacifique}
+\medskip
+\line{Compos\'e en 1972, \sl San Jose (Calif.)\hss Daniel TAUPIN}
+\smallskip
+\line{\sl r\'ev. mai 1981, janvier 1990\hss\`a Christiane}
+\bigskip
+%\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
+\def\noteskipLarge{\def\scalenoteskip{1.2}}%
+\def\noteskiplarge{\def\scalenoteskip{1.1}}%
+\def\noteskipnormal{\def\scalenoteskip{1.0}}%
+%
+\generalsignature{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\normal% \noteskipLarge
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\vnotes 0.2\elemskip
+ \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
+\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff
+ \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau\autolines 95{\lppage}\relax
+%
+\advance\linesinpage by 1\relax
+%
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\zcharnote{-5}{\Ped\ \it simile}\zh{Mb}\hl d|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre
+\ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
+\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\notes\dsoqb3J{=K}|\enotes
+\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\cbreath\enotes
+\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs
+\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes
+% mesure 91
+%\check
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+%\check
+% mesure 93
+\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre
+ \ppff \fff}\zq M\cu f|\zq m\cl t\enotes
+\znotes|\zbreath\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\autolines 95{\lppage}\relax
+\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\cbreath\enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+%\check
+\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+%\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+%
+\advance\linesinpage by 1\relax
+%
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\barre\motif cfh\temps\motif dgi\relax
+% mesure 122
+\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\barre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\barre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\relax\changecontext
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\motif {=e}gjegj\relax
+% mesure 126
+\barre\motif fhjfhj\relax
+% mesure 127
+\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\barre\motif fikfik\relax
+% mesure 129
+\barre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+%
+\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\transpose=0\relax\alaligne
+%\autolines 95{\lppage}\relax
+\notes\rlap{\bohu F}%
+\ifx\mxversion\undefined\Ilegu0g\else\isluru0h\fi\qqh3MNab\relax
+|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+%\check
+\Invertslur0\relax
+\barre\notes
+ \bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\bohu H\ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0b\relax
+ \fi|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\barre\autolines {17}4{\lppage}\relax\bigaccid
+\ifx\mulooseness\undefined\else\mulooseness=-2\fi
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\autolines {18}4{\lppage}\relax
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 142
+\barre\motif kjik\temps\motif jihj\nspace
+% mesure 143
+\barre\motif ihgi\temps\motif hgfh\nspace
+%\check
+% mesure 144
+\barre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 146
+\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace
+% mesure 147
+\barre\motif m{_l}{_k}j\temps\motif iijk\nspace
+% mesure 148
+\barre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\barre\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\nspace
+% mesure 150
+\barre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\nspace
+% mesure 151
+\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip
+\centerline{a piacere }\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\ifx\mulooseness\undefined\else\mulooseness=0\fi
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\varaccid
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\transpose=0\relax
+\barre\autolines {25}2{\lppage}\relax
+\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\barre
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\temps\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\temps\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+%\normal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre
+\autolines {27}2{\lppage}\relax
+\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\temps\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\temps\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext
+\autolines {25}2{\lppage}\relax
+\def\serre{\def\scalenoteskip{0.8}}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\temps\notes|\octline r\motif\enotes
+\temps\notes\souffldim|\motif\enotes
+\temps\notes\hpause|\motif\enotes
+\temps\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\temps\notes\zmidtwotext{\ppff p}|\motif\enotes
+\temps\notes\Ibu0fg4\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\octline t\Motif qpom\enotes
+\autolines {23}2{\lppage}\relax
+\temps\notes\Ibu0jh4\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\temps\notes\Ibu0ig4\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\Ibu0hf4\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext
+\autolines {26}2{\lppage}\relax
+\notes\Ibu0hf4\bsqh i|\octline t\motif ponk\enotes
+\notes\tbsqh g|\motif ponk\enotes
+\temps\notes\Ibu0ge4\bsqh h|\motif onmj\enotes
+\notes\tbsqh f|\motif onmj\enotes
+\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpo{_l}\enotes
+\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\autolines {25}2{\lppage}\noautolines\serre
+\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\temps\notes\Ibu0jl4\bsqh j|\motif srqm\enotes
+\Notes\fl g\tbsqh l|\multnoteskip{.8}\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\Notes\zq f\qu k\sk\Ibu0ik1\bsqh i\tbsqh k|\Motif rqpm\enotes
+\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\autolines{11}5{\lppage}\noautolines
+\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes
+% mesure 170
+\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes
+% mesure 171
+\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes
+ \suspmorceau
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+% mesure 200
+\linesinpage=0\relax
+\barno=200\relax\autolines 95{\lppage}\relax
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegu0j\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegu0h\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegu0h\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject\bye
+
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex
new file mode 100644
index 00000000000..6edf5faa51c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex
@@ -0,0 +1,1113 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+%
+\parindent 12mm
+%
+\title{Pacifique}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\\`a Christiane}
+ \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
+janvier 1990}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
+\def\noteskipLarge{\def\scalenoteskip{1.2}}%
+\def\noteskiplarge{\def\scalenoteskip{1.1}}%
+\def\noteskipnormal{\def\scalenoteskip{1.0}}%
+%
+\signaturegenerale{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\normal\noteskipLarge
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\vnotes 0.2\elemskip
+ \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
+\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff
+ \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau
+%
+\noteskipLarge
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\def\interfacteur{12}%
+\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
+\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\advancebottom{\Interligne}\relax
+\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax
+ \ifx\mxversion\undefined\Ilegu0s\relax
+ \else\Ilegu0q\relax
+ \fi
+ \dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax
+ \ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0o\relax
+ \fi
+ \zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\advancebottom{-\Interligne}\relax \def\interfacteur{10}%
+\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes
+\temps\uarpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\def\interfacteur{9}%
+\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\cbreath\enotes
+\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else
+ \Ilegu0d\fi
+ \dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0b\fi
+ \ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs\def\interfacteur{11}%
+\advancebottom{\Interligne}\relax
+\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax
+ \ifx\mxversion\undefined\octsup v9\relax
+ \else \ioctfinup v\relax
+ \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax
+ \ifx\mxversion\undefined\octfin v9\fi
+ \zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax
+ \ifx\mxversion\undefined\else\toctfin\fi
+ \enotes
+% mesure 91
+%\check
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+%\check
+% mesure 93
+\barre\noteskipLarge\def\scalenoteskip{1.05}\relax
+\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi
+ \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\staffbotmarg=3\Interligne\def\interfacteur{11}%
+\zalapage\notes\midtwotext{\kern -6mm\it sempre
+ \ppff \fff}\enotes
+\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi
+ \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\alaligne\noteskipLarge
+\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi
+ \qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi
+ \qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax
+ \ifx\mxversion\undefined\else\toctfin\fi \enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+\advancebottom{-2\Interligne}%
+%\check
+\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi
+ \qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs %\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\staffbotmarg=5\Interligne
+\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\alaligne\motif cfh\temps\motif dgi\relax
+% mesure 122
+\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\xbarre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\xbarre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\relax\lchangecontext
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\noteskipLarge\relax
+\motif {=e}gjegj\relax
+% mesure 126
+\xbarre\motif fhjfhj\relax
+% mesure 127
+\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\alaligne\motif fikfik\relax
+% mesure 129
+\xbarre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\noteskipLarge\transpose=0\relax\barre
+\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi
+ \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen
+ tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+\ifx\mxversion\undefined
+ \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}%
+\else
+ \def\atnextline{\Invertslur0\relax}%
+\fi
+%\show\Invertslur
+%\show\liftslur
+\alaligne\notes\bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\ifx\mxversion\undefined\Tleg0\else\tslur0L\fi
+ \bohu H|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk
+ \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\alaligne\noteskiplarge\bigaccid
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\noteskipnormal\def\scalenoteskip{0.75}\relax
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 142
+\xbarre\motif kjik\temps\motif jihj\relax
+% mesure 143
+\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax
+%\check
+% mesure 144
+\xbarre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 146
+\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax
+% mesure 147
+\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax
+% mesure 148
+\xbarre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\alaligne\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\relax
+% mesure 150
+\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\relax
+% mesure 151
+\noteskipLarge\varaccid
+\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip
+\centerline{a piacere
+}\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\staffbotmarg=3\Interligne
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax
+\transpose=0\relax
+\alapage\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\alaligne
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\zbarre\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+\noteskipnormal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\zbarre\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\zbarre\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne
+\def\serre{\def\scalenoteskip{0.8}}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\def\atnextline{\serre}\relax
+\ifx\mxversion\undefined
+ \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax
+\fi
+\zalapage
+\ifx\mxversion\undefined\else
+ \znotes|\ioctfinup t\enotes
+\fi
+\notes|\motif\enotes
+\zbarre\notes\souffldim|\motif\enotes
+\zbarre\notes\hpause|\motif\enotes
+\zbarre\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes
+\zbarre\notes\ibu0f1\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\Motif qpom\enotes
+\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext\serre
+\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes
+\Notes\tbsqh g|\motif ponk\enotes
+\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes
+\Notes\tbsqh f|\motif onmj\enotes
+\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpol\enotes
+\notes\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\notes\ibu0j1\bigna h\bsqh h\relax
+|\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\notes\ibu0j1\bsqh j|\motif srqm\enotes
+\notes\bigfl g\tbsqh l|\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
+\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|
+\Motif onmj\enotes
+% mesure 170
+\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zh a\hu f|\Motif onmj\enotes
+%\check
+% mesure 171
+\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes
+\suspmorceau\def\everystaff{}\relax
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+ \eject\staffbotmarg=3\Interligne\relax
+\def\interfacteur{11}%
+\def\scalenoteskip{1.0}%
+% mesure 200
+\barno=200\relax
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\noteskipLarge\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegl0E\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegl0E\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegl0F\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject
+\bye
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/praetori.tex b/Master/texmf-dist/doc/generic/musictex/praetori.tex
new file mode 100644
index 00000000000..91b8dc1d1f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/praetori.tex
@@ -0,0 +1,18 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{3}\relax % trois diezes a la clef
+\input praetorx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{1}\relax % un dieze a la clef
+\input praetorx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input praetorx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musictex/praetorx.tex b/Master/texmf-dist/doc/generic/musictex/praetorx.tex
new file mode 100644
index 00000000000..86df23daf8e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/praetorx.tex
@@ -0,0 +1,162 @@
+\fulltitle{Dans une \'etable obscure}
+\shorttitle{Dans une \'etable obscure}
+ \fullauthor{Praetorius 1571(env.) -- 1621\\Version fran\c caise d'A.
+Mahot\\Transposition Daniel Taupin}
+ \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage
+priv\'e}
+ \shortauthor{Praetorius}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+%
+\parindent 15mm
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{3}\resetsignatures
+\barsinline=0\relax\linesinpage=0\relax
+\global\nbporteesii=0
+\global\nbporteesi=1\relax
+\global\nbporteesiii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{3} % to be used to make heavy bars at staff left
+%
+\signaturegenerale{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{12}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentiii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+%\check
+\def\instrumentii{}%
+\def\respire{\notes&&\cbreath\enotes}%
+%
+\def\eightpoint{\Tenpoint}%
+%\check
+\catcode`\@=13
+\catcodesmusic
+\def@#1|#2|#3&{&\vbox to 0pt{\vss
+\parindent 0pt\parskip 0pt\hsize=1.5\Interligne
+\centerline{\vphantom{\'EQ}#1}\centerline{\vphantom{\'EQ}#2}\relax
+\centerline{\vphantom{\'EQ}#3}\vskip -2\Interligne\vss}&}%
+%
+\debutmorceau
+\autolines 754\relax
+\transpose=\Transpose
+\notes&&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes
+ %
+\znotes\zcharnote C{\ppff pp}&&\Uptext{\kern -2\Interligne
+ \ppff pp \it et myst\'erieux}\enotes
+\temps\NOtes\zhl a\hu c@Dans|Tan -|Plein&\zhl h\hu l\enotes
+%\advance\barsinline by 1\relax
+%
+\barre\Notes\zql a\qu c@une|dis|d'u -&\zql h\qu l\enotes
+\temps\Notes\zql a\qu c@\'e -|que|ne&\zql h\qu l\enotes
+\temps\Notes\Soufflcr C\zql K\qu d@table|les|foi&\Soufflcr t\zql h\qu m\enotes
+\temps\Notes\zql a\qu c@obs -|Rois|pro -&\zql h\qu l\enotes
+%
+%\check
+\barre\Notes\zhl L\hu b@cu -|ma -|fon -&\zhl g\hu l\enotes
+\temps\notes\souffldim C&&\souffldim t\enotes
+\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes
+%
+%\check
+\barre\NOtes\zcharnote C{\ppff ppp}\zhl I\hu f@Sous|Tan
+-|Le&\Uptext{\ppff ppp}\zhl i\hu k\enotes
+\temps\Notes\zql J\qu e@le|dis|monde&\zql f\qu j\enotes
+\temps\Notes\zql K\qu d@ciel|que|est&\zql f\qu i\enotes
+%
+%\check
+\barre\NOtes\zhl L\hu c@\'e -|les|\`a&\zhl e\hu h\enotes
+\temps\NOtes\zhl L\hu b@toi -|ber -|ge -&\zhl e\hu g\enotes
+%
+%\check
+\barre\NOtes\pointdurgue C\zhl H\hu c@l\'e !|gers|noux !&\pointdorgue m\zhl e\hu h\enotes
+\temps\NOtes\zhl a\hu c@Et|Lui|Toi&\zhl h\hu l\enotes
+%
+\barre\Notes\zql a\qu c@d'u -|por|sou -&\zql h\qu l\enotes
+\temps\Notes\zql a\qu c@ne|tent|ve -&\zql h\qu l\enotes
+\temps\Notes\Soufflcr C\zql K\qu d@Vier -|leurs|rain&\Soufflcr t\zql h\qu m\enotes
+\temps\Notes\zql a\qu c@ge|hom -|du&\zql h\qu l\enotes
+%
+%\check
+\barre\Notes\zhl L\hu b@pu -|ma -|mon -&\zhl g\hu l\enotes
+\temps\notes\souffldim C&&\souffldim t\enotes
+\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes
+%
+%\check
+\barre\NOtes\zcharnote C{\ppff p}\zhl I\hu f@Un|Por
+-|\'E -&\Uptext{\ppff p}\zhl i\hu k\enotes
+\temps\Notes\zql J\qu e@doux|tons -|tends&\zql f\qu j\enotes
+\temps\Notes\zql K\qu d@Sau -|Lui|les&\zql f\qu i\enotes
+%
+%\check
+\barre\NOtes\zhl L\hu c@veur|nos|mains&\zhl e\hu h\enotes
+\temps\NOtes\zhl L\hu b@est|bai -|sur&\zhl e\hu g\enotes
+%
+%\check
+% \autolines 654
+\barre\NOTes\pointdurgue C\zhl H\hu c@n\'e.|sers !|nous !&\pointdorgue m\zhl e\hu h\enotes
+\Changecontext
+\temps\Notes\zcharnote C{\ppff mf}\soupir&&\uptext{\ppff mf}\soupir\enotes
+\temps\notes\zcl H\cu a@Le|Le|\^O&\zcl e\cu j\enotes%
+\temps\notes\zcl H\cu a@Sei -|Sei -|J\'e&\zcl e\cu j\enotes%
+%
+%\check
+\barre\Notes\itenl0I\itenu1c\zql I\qu M@gneur|gneur|sus---
+ &\itenl3d\itenu4i\zql{^d}\qu i\enotes
+\Notes\Souffldim C\tten0\tten1\zql J\qu c&&\relax
+ \tten3\tten4\Souffldim t\zql e\qu g\enotes
+\temps\Notes\zql M\qu c@J\'e -|J\'e -|tout&\zql f\qu h\enotes
+\temps\Notes\zql I\qu a@sus|sus|pe -&\zql d\qu f\enotes
+%
+%\check
+\barre\NOTes\rlap{\hlp L}\hup N@Christ|Christ|tit !&\relax
+\rlap{\hlp e}\hup e\enotes
+\temps\Notes\zcharnote C{\ppff f}\zql a\qu c\relax
+ @Est|Sau -|Le&\Uptext{\ppff f}\zql h\qu l\enotes
+%
+%\check
+%\autolines 754
+\barre\Notes\zql N\qu d@n\'e|ra|monde&\zql i\qu l\enotes
+\temps\Notes\zql a\qu c@dans|bien|en -&\zql h\qu l\enotes
+\temps\Notes\zql K\qu d@u -|nous|tier&\zql h\qu m\enotes
+\temps\Notes\zql a\qu c@ne|sou -|T'ac -&\zql h\qu l\enotes
+%
+%\check
+\barre\Notes\zhl L\hu b@cr\`e -|ri -|cla -&\zhl g\hu l\enotes
+\temps\notes\souffldim C&&\souffldim t\enotes
+\temps\NOtes\zhl M\hu a@che,|re,|me,&\zhl h\hu j\enotes
+%
+%\check
+\barre\NOtes\zcharnote C{\ppff pp}\zhl I\hu f@Quand|En|Dans&\Uptext{\ppff
+ pp}\zhl i\hu k\enotes
+\temps\Notes\zql J\qu e@a|cette|l'a -&\zql f\qu j\enotes
+\temps\Notes\zql K\qu d@son -|heu -|do -&\zql f\qu i\enotes
+%
+%\check
+\barre\NOtes\zhl L\hu c@n\'e|reu -|ra -&\zhl e\hu h\enotes
+\temps\Notes\itenu0d\zh E\zhl L\qu b\tten0\qu d@mi -|se|ble&\zhl e\hu g\enotes
+%
+%\check
+\barre\temps\NOtes\pointdurgue C\zh L\zhl H\hu c@nuit.|nuit.|nuit.&\relax
+ \pointdorgue m\zhl e\hu h\enotes
+\temps
+\finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/prelude.tex b/Master/texmf-dist/doc/generic/musictex/prelude.tex
new file mode 100644
index 00000000000..2f07abcc0f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/prelude.tex
@@ -0,0 +1,704 @@
+\title{Pr\'elude et fugue}
+\fulltitle{\enorme VI. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\csname titremorceautoc\endcsname
+\maketitle
+
+\parindent 18mm
+%
+\bigskip
+\centerline{\moyen PR\'ELUDE}\medskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % sol mineur
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Mordant{\mordant{10}}%
+\def\Pince{\pince{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps%
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {17}35\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+%
+% mesure 1
+\smallnotesize\bigaccid
+\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 2
+\barre\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 3
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\Notes\hpause&|\cl n\qsoupir\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps
+\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 4
+\autolines {16}35\relax
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 5
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 6
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps
+\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 7
+\barre\autolines 775\relax
+\smallnotesize\bigaccid
+\notes&\qqbbH8FD{^F}HJ\enotes
+\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes
+\zbarre\notes&\qqbbl3K{^M}N{_b}\enotes
+\temps\notes&\qqbbL3aabcd\enotes
+% mesure 8
+\barre\notes&|\qqbbH3dec{^f}g\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes
+\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes
+\temps\notes&|\qqbbl2{^m}non\enotes
+% mesure 9
+\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes
+\normalnotesize
+\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes
+\smallnotesize\bigaccid
+\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes
+\temps\notes&\qqbbL3LNKba\enotes
+% mesure 10
+\barre\notes&\qqbbL2abNdc\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes
+\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+%\check
+% mesure 11
+\normalnotesize
+\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes
+\temps\notes&|\qqbbH2hh{^f}ji\enotes
+% mesure 12
+\barre\notes&|\qqbbH3jjhlk\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes
+\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes
+\temps\notes&|\qqbbh{-4}dc{=b}a\enotes
+% mesure 13
+\normalnotesize
+\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes
+\smallnotesize\bigaccid
+\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes
+\temps\notes&|\qqbbh3dbfe\enotes
+%\check
+% mesure 14
+\barre\notes&|\off{-2\Interligne}\qqbbh3fd{_h}g\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes
+\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+% mesure 15
+\normalnotesize
+\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes
+\smallnotesize\bigaccid
+\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes
+\temps\notes&|\qqbbh3gei{_h}\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\notes&|\off{-2.4\Interligne}\qqbbL5hig{=l}m\enotes
+\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes
+\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes
+% mesure 17
+\quatretemps\normalnotesize
+\changecontext\Notes
+\off{-\Interligne}\qu F&\off{-1.4\Interligne}\zq {M_ac}\ql f|\off{-\Interligne}\qu{_h}\enotes
+\smallnotesize\bigaccid
+\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes
+\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes
+\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes
+%\check
+% mesure 18
+\normalnotesize
+\barre\autolines {16}35\relax
+\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes
+\smallnotesize\bigaccid
+\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes
+\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes
+\temps\notes&|\qqbbu3{=i}gik\enotes
+%\check
+% mesure 19
+\barre\notes&|\qqbbl{-2}m{_o}nm\enotes
+\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes
+\normalnotesize
+\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+% mesure 20
+\normalnotesize
+\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 21
+\normalnotesize
+\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 22
+\normalnotesize
+\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes
+\normalnotesize
+\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes
+\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes
+% mesure 23
+\barre\notes&|\qqbbl3qosr\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes
+\temps\notes&|\qqbbl{-3}qpon\enotes
+\temps\notes&|\qqbbl{-3}{^m}lkj\enotes
+%\check
+% mesure 24
+\autolines {17}35\relax
+\normalnotesize\varaccid
+\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato
+ \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes
+% mesure 25
+%\check
+\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes
+%\check
+% mesure 26
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 27
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-3}\qh0j\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes
+%\check
+% mesure 28
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-3}\qh0i\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes
+% mesure 29
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-3}\qh0h\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 30
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 31
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 32
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 33
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 34
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 35
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 36
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 37
+\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 38
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 39
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 40
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 41
+\generalmeter{\meterfrac 54}\changecontext
+\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes
+\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 42
+\quatretemps\changecontext
+\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 43
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 44
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 45
+\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+% mesure 46
+\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 47
+\generalmeter{\meterfrac 32}\changecontext
+\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes
+\smallnotesize\bigaccid
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\notes&\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 48
+\quatretemps
+\changecontext\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 49
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl n\qsoupir\sk\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+\autolines {16}35\relax
+% mesure 50
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 51
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 52
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 53
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7KJM{_a}b\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes
+\temps\notes&\qqbbl7Mac{=e}\enotes
+\temps\notes&\qqbbL{-4}cfcbc\enotes
+%\check
+% mesure 54
+% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes
+\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes
+\temps\notes&|\qqbbH7ecfhi\enotes
+\temps\notes&|\qqbbL0hjhgh\enotes
+%\check
+% mesure 55
+\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes
+\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes
+% mesure 56
+%\check
+\normalnotesize
+\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes
+\smallnotesize\bigaccid
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes
+\temps\notes&|\qqbbh{-2}fdcd\enotes
+%\check
+% mesure 57
+\barre\notes&|\qqbbH7bb{_d}fh\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes
+\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes
+\temps\notes&|\qqbbL{-2}kmkjk\enotes
+%
+% mesure 58
+\barre\notes&|\qqbbl5ikmo\enotes
+\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes
+\normalnotesize
+\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 59
+\smallnotesize\bigaccid
+\barre\notes&\ibbl0L7\qb0L\qb0b\enotes
+\notes&|\qb0e\tqb0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes
+\temps\notes&|\qqbbH6dce{g}j\enotes
+\temps\notes&|\qqbbL{-2}jljij\enotes
+% mesure 60
+\barre\notes&|\qqbbl5{=h}jl{_n}\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes
+\temps\notes&|\qqbbl{-3}o{=n}ml\enotes
+\temps\notes&|\qqbbl{-3}{_k}jih\enotes
+% mesure 61
+\normalnotesize
+\barre\nspace\autolines{18}35\relax
+\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax
+\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH3gidih\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 62
+\barre\nspace
+\normalnotesize
+\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes
+\temps\notes\soupir&|\qqbbH3ffdih\enotes
+\normalnotesize
+\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 63
+\normalnotesize
+\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeji\enotes
+\normalnotesize\nspace
+\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+% mesure 64
+\normalnotesize
+\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize\nspace
+\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfji\enotes
+% mesure 65
+\normalnotesize
+\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize
+\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes
+% mesure 66
+\normalnotesize
+\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes
+\smallnotesize\bigaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH5higik\enotes
+\autolines {17}35\relax
+%\check
+% mesure 67
+\normalnotesize
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne
+{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax
+ \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 68
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-5}\qh0m\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes
+%\check
+% mesure 69
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-5}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes
+% mesure 70
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-5}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 71
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 72
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 73
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 74
+\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 75
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 76
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 77
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 78
+\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 79
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes
+%\check
+% mesure 80
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 81
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 82
+\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes
+\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk
+ \raise -3\internote\dsoupir}\zqp i\qup k\enotes
+\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes
+% mesure 83
+\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes
+\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes
+% mesure 84
+\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk
+\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes
+\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+% mesure 85
+\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 86
+\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes
+\temps\NOTEs\soupir&\soupir|\soupir\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\advance\barsinline by -1\relax
+% mesure 87
+\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes
+\temps\NOTES\soupir&\soupir|\soupir\enotes
+%
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/purcellx.tex b/Master/texmf-dist/doc/generic/musictex/purcellx.tex
new file mode 100644
index 00000000000..2fc2789d0da
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/purcellx.tex
@@ -0,0 +1,211 @@
+\fulltitle{Andante cantabile}
+\title{Andante cantabile}
+\author{Daniel PURCELL (1660--1717)\\transcription pour orgue Daniel TAUPIN}
+\shortauthor{D. Purcell, D. Taupin}
+ \othermention{R\'ecit: fl\^utes 8', 4', nasard \sl(ad lib.)\\G.O.:
+bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
+ \maketitle
+
+\csname titremorceautoc\endcsname
+%
+\parindent 13mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+%
+\signaturegenerale{-1}\relax
+%\check
+\def\instrumenti{P\'ed}%
+\def\instrumentii{G.O.}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+%\check
+%
+\generalmeter{\meterfrac 44}%
+%
+\debutmorceau
+\autolines{19}34\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&&\zcharnote{w}{\kern -20mm\moyen Andante cantabile
+\bf(\metron{\qu}{52})}\enotes
+%
+%\check
+%
+% mesure 1
+\NOTes\qlp M&\zhl a\zq{c}\qu f&\ust m\ql m\enotes
+\temps\NOtes\sk\cl L&\zq{c}\qu f&\ust m\ql m\enotes
+\temps\NOtes\Ibu0KH3\qh0{KJI}\tqh0H&\zhl c\zq{f}\qu h\sk\zq{f}\qu h\sk
+&\ust m\ql m\sk\ql m\enotes
+% mesure 2
+%\check
+\barre\NOtes\ibu0I{-2}\qh0I\tqh0G&\zq f\zql d\qsk\zhu g&\ust n\ql n\enotes
+\temps\NOtes\ibu0J0\qh0J&\zhl c\qu e&\ust n\ql n\enotes
+\Notes\nbbu0\qh0I\tqh0J\enotes
+\temps\Notes\qu H&\zq f\qu h&\ust o\ql o\cbreath\enotes
+\temps\NOTes\qu F&\itenl0f\zq h\zql f\itenu1m\zqu m&\ql q\enotes
+% mesure 3
+\barre\NOtes\qu G&\tten0\tten1\zq h\zql f\ibu1m{-2}\qh1m\tqh1k&\ql p\enotes
+\temps\NOtes\qu H&\zhu j\ibl1f{1}\qb1f&\ust o\ql o\enotes
+\Notes&\nbbl1\qb1g\tqb1h\enotes
+\temps\NOtes\ibu0I0\qh0{IGH}\tqh0I&\qlp d\sk\ibu1i{-1}\qh1i\zcl f\tqh1h\relax
+&\ibl2m{-2}\qb2{nmn}\tqb2k\enotes
+% mesure 4
+\barre\autolines{15}44\relax
+\NOtes\qu J&\zql e\qu g&\ibl2l{-2}\qb2l\tqb2j\enotes
+\temps\NOtes\qu K&\rlap{\kern -0.4\internote\zhl f}\ibu1a{-2}\qh1a\tqh1M&\hl m\enotes
+\temps\NOTes\qu I&\ql d\enotes
+\temps\NOTes\qu J&\zql c\qu e&\ql l\enotes
+% mesure 5
+\barre\Notes\qu F&\zq a\qu f&\ql m\cbreath\enotes
+\temps\NOTes\soupir&\soupir&\ust q\ql q\enotes
+\temps\NOTes\soupir&\soupir&\ust m\ql m\enotes
+\temps\NOTes\ql d&\zql f\itenl0f\qu m&\itenu1p\ql p\enotes
+% mesure 6
+\barre\NOTes\ql N&\tten0\zqu i\qlp f&\tten1\ql p\enotes
+\temps\NOtes\ql a&\qu j\cl e&\itenu1o\ql o\enotes
+\temps\NOtes\qlp b&\zhl d\qu k&\tten1\ibl1o0\qb1o\enotes
+\Notes&&\nbbl1\qb1p\tqb1o\enotes
+\temps\NOtes\sk\cl N&\itenu0g\qu g&\ibl1n{-1}\qb1n\tqb1m\enotes
+% mesure 7
+\barre\NOtes\ql J&\tten0\zql e\qu g&\ibl1l{-3}\ust l\qb1l\enotes
+\notes&&\cbreath\enotes
+\NOtes&&\tqb1j\enotes
+\temps\NOTes\qu H&\itenl1c\zql c\qu j&\hl q\enotes
+\temps\NOtes\ql K&\tten1\ibl0d{-3}\zhu f\qb0c\tqb0a\enotes
+\temps\NOTes\qu G&\na b\ql b&\ql{=p}\enotes
+% mesure 8
+\barre
+\autolines{26}24\relax
+\NOtes\qu J&\zql c\qu e&\ibl1q{-4}\ust q\qb1q\tqb1n\enotes
+\temps\NOtes\ql L&\zhu g\hlp c&\ibl1o0\qb1q\enotes
+\notes&&\nbbl1\fl p\qbp1p\sk\tbbbl1\tqb1q\enotes
+\temps\notes\ql M&&\ibbl1n0\qbp1o\sk\tbbbl1\tbbl1\qb1p\enotes
+\notes&&\nbbl1\qbp1n\sk\tbbbl1\tqb1o\enotes
+\temps\notes\qu H&\itenl2f\qu f&\ibbl1l0\qbp1m\sk\tbbbl1\tbbl1\qb1n\enotes
+\notes&&\ibbl1j0\qbp1l\sk\tbbbl1\tqb1m\enotes
+% mesure 9
+\barre\NOtes\ibl0I3\qb0I&\tten2\zq f\ibu1k0\qh1k&\upz l\cl k\enotes
+\notes\nbbl0\qbp0a\sk\tbbbl0\tqb0b&\nbbu1\qhp1j\sk\tbbbu1\tqh1k&\ql r\enotes
+\temps\notes
+\ibbl0M0\qbp0N\sk\tbbbl0\tbbl0\qb0a\sh M\nbbl0\qbp0M\sk\tbbbl0\tqb0N\relax
+&\ibbu0i0\qhp0i\sk\tbbbu0\tbbu0\qh0j\nbbu0\qhp0h\sk\tbbbu0\tqh0i\relax
+&\sk\sk\sk\cl q\enotes
+\temps\notes\ql L&\qu g\relax
+&\ibbl0o0\qbp0p\sk\tbbbl0\tbbl0\qb0q\nbbl0\qbp0o\sk\tbbbl0\tqb0p\enotes
+\temps\notes\ql K&\bigna f\zq f\qu i\relax
+&\ibbl0m0\qbp0n\sk\tbbbl0\tbbl0\qb0o\nbbl0\qbp0m\sk\tbbbl0\tqb0n\enotes
+% mesure 10
+\barre\autolines{24}24\relax
+\NOtes\qu J&\rlap{\qup i}\ibl0d0\qb0e&\ibl1l1\ust l\qb1l\enotes
+\notes&&\cbreath\enotes
+\notes&\nbbl0\qbp0d\sk\tbbbl0\tqb0e&\qb1n\enotes
+\NOTes\ql L&\itenl0c\ql c\cu j&\qb1q\tqb1n\enotes
+\temps\NOtes\ql M&\zhup h\tten0\Ibl0ca1\qb0c&\ibl1l0\qb1o\enotes
+\notes&&\cbreath\enotes
+\NOTes&\tqb0a&\qb1m\enotes
+\NOTes\qu I&\ql d&\qb1 k\enotes
+\Notes&\Ibbu0gf1\qh0g\tqh0f&\tqb1p\enotes
+% mesure 11
+\barre
+\notes\Ibbu2JI3\qhp2J\sk\tbbbu2\tbbu2\qh2K\nbbu2\qhp2I\sk\tbbbu2\tqh2J\relax
+&\zqu e\qlp c&\ibl1k0\qb1n\sk\rlap{\cbreath}\sk\qb1l\enotes
+\NOTes\qu H&\itenu0f\qu f\cl M&\qb1j\tqb1m\enotes
+\temps\NOTes\qu G&\tten0\rlap{\qlp b}\Ibu0fd3\qh0f&\Ibl1kp1\qb1l\enotes
+\Notes&\nbbu0\qh0e\tqh0d&\tqb1p\enotes
+\temps\NOTes\Ibu2JH1\qh2J\tqh2H&\qu e\cl c&\Ibl1po1\qb1p\tqb1o\enotes
+% mesure 12
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\barre\autolines{20}24\relax
+\NOtes\qup I&\zhl K\qu d&\Ibl1on1\qb1o\tqb1n\enotes
+\temps\NOtes&\itenu1N\qu N&\Ibl1nm1\qb1n\enotes
+\Notes\Ibbu2HI1\qh2H\tqh2{=I}&&\tqb1m\enotes
+\temps\NOtes\qu J&\zql L\tten1\cu N\qu c&\Ibl1lq1\qb1l\tqb1q\enotes
+\temps\NOtes\qu D&\ql M&\Ibl1qp1\qb1q\enotes
+\NOtes&\itenu2b\cu{_b}&\tqb1p\enotes
+% mesure 13
+\barre
+\NOtes\Ibu2EF1\qh2E\tqh2F&\tten2\zql J\Ibu0ba1\qh0b\tqh0a&\Ibl0po1\qb0p\tqb0o\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\temps\NOtes\ql M&\zq{cf}\qu a&\ibl0o0\qb0o\enotes
+\Notes&&\nbbl0\qb0p\tqb0o\enotes
+\temps\NOtes\ql L&\zq{eg}\qu j&\ibl0n0\qb0n\enotes
+\Notes&&\nbbl0\qb0o\tqb0n\enotes
+\temps\NOtes\ql K&\zq{fh}\qu k&\ibl0m0\qb0m\enotes
+\Notes&&\nbbl0\qb0n\tqb0m\enotes
+% mesure 14
+\barre\autolines{19}34\relax
+\NOTes\hu J&\zhl e\qup h&\ql l\enotes
+\notes&&\cbreath\enotes
+\temps\NOtes&&\itenu0o\ql o\enotes
+\temps\Notes&\Ibbu0ij1\bigna i\qh0i\tqh0j\enotes
+\temps\NOTes\hu I&\zhu k\qlp d\cu{^f}\qu g\cl e&\tten0\ibl0k0\qb0{okn}\tqb0l\enotes
+% mesure 15
+\barre\NOtes\qup H&\zq e\qu{^j}&\Ibl0jh1\ust j\qb0{^j}\ust h\tqb0h\enotes
+\temps\NOtes&\zh f\itenl1k\zhl m\hup k&\qlp k\enotes
+\temps\Notes\Ibbu0GH1\qh0G\tqh0H\enotes
+\temps\NOtes\qup I\enotes
+\temps\Notes&&\Ibbl0lm1\qb0l\tqb0m\enotes
+\temps\Notes\sk\sk\Ibbu2HG1\qh2H\tqh2G\relax
+ &\zq g\itenu2l\ql l&\ibbl0m0\qb0{nom}\tqb0n\enotes
+% mesure 16
+\barre
+\NOtes\hu H&\tten2\zh h\zhu l\qsk\tten1\Ibl0ki1\qb0k\tqb0{=i}&\qlp l\enotes
+\temps\NOtes&\ql{^j}&\sk\cl k\enotes
+\temps\NOtes\qu D&\zq{fh}\qu k&\cl k\enotes
+\notes&&\cbreath\enotes
+\temps\NOtes\sk\soupir&\sk\soupir&\Ibl0lh2\qb0{lm}\tqb0h\enotes
+% mesure 17
+\barre\autolines{17}34\relax
+\NOtes\hl d&\fl i\zhl i\zq k\qu m&\Ibl1ik3\qb1i\enotes
+\notes&&\cbreath\enotes
+\NOtes&\sk\zh l\hu n&\qb1{mn}\tqb1k\enotes
+\temps\NOtes\itenu1c\hl c&\hl h&\Ibl1ln3\qb1l\enotes
+\notes&&\cbreath\enotes
+\NOtes&\sk\Ibl0ol1\qb0o\tqb0l&\qb1{nq}\tqb1n\enotes
+% mesure 18
+\barre\NOtes\tten1\ibl2M0\qb2{cMN}\tqb2a&\zhlp f\zqp k\qu m\sk\qu l\cl j\relax
+ &\Ibl1ol3\qb1{oqm}\tqb1o\enotes
+\temps\NOtes\ql b&\zq k\qu k&\Ibl1kn1\qb1k\tqb1n\enotes
+\temps\NOtes\ql b&\zq{ce}\qu g&\Ibl1lj2\qb1l\enotes
+\Notes&&\nbbl1\qb1k\tqb1j\enotes
+% mesure 19
+\barre\NOtes\ql a&\rlap{\qlp f}\Ibu0jm1\qh0j\tqh0m&\qlp m\enotes
+\temps\NOtes\ql N&\itenu0i\qu i\enotes
+\Notes&\cl d&\Ibbl1nm1\qb1n\tqb1m\enotes
+\NOTes\ql J&\itenl1c\zh c\zhl e\tten0\qup i&\xTrille n{1.5\noteskip}\ql l\enotes
+\temps\NOtes\qu C&\sk\cu h&\sk\cl m\enotes
+% mesure 20
+\barre\autolines{16}34\relax
+\NOTes\qu F&\tten1\zq{cf}\qu h&\ql m\enotes
+\notes&&\cbreath\enotes
+\temps\NOTes\qu H&\zq c\zql j\hu f&\ql q\enotes
+\temps\NOtes\itenu2I\hu I&\zhl d\qu k&\Ibl1pm3\qb1p\qb1o\enotes
+\NOtes&\itenl1g\qu g&\qb1n\tqb1m\enotes
+% mesure 21
+\barre\NOtes\tten2\Ibu2IJ1\qh2I&\tten1\zhl c\zq e\qu g&\Ibl1lk1\qb1l\enotes
+\Notes\tqh2J&&\nbbl1\qb1k\tqb1j\enotes
+\temps\NOTes\qu H&\itenl1f\zq f\qu j&\qlp m\enotes
+\temps\NOtes\Ibu2KI1\qh2K&\tten1\zql d\Ibu0fg1\qh0f\enotes
+\Notes\tqh2I&\tqh0g&\Ibbl1nm1\qb1n\tqb1m\enotes
+\temps\NOtes\qu J&\Ibl0cb1\zq e\zqu g\qb0c\tqb0b&\ql l\enotes
+% mesure 22
+\barre\NOTes\pointdurgue F\wh F\relax
+&\zhu f\zql c\qsk\qup a&\pointdorgue m\wh m\enotes
+\temps\NOtes&\ql d\cu N\enotes
+\temps\NOTES&\zh c\zh a\pointdorgue m\hu f\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\eject
+
diff --git a/Master/texmf-dist/doc/generic/musictex/racine.tex b/Master/texmf-dist/doc/generic/musictex/racine.tex
new file mode 100644
index 00000000000..f547ba468e3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/racine.tex
@@ -0,0 +1,590 @@
+% \input musixtex
+\hsize 190mm \vsize 280mm
+\hoffset -1.84cm
+
+
+\fulltitle{Cantique de Jean Racine}
+\shorttitle{Cantique de Jean Racine}
+\shortauthor{G. Faur\'e}
+\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin}
+\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51}
+\maketitle
+
+%
+\parindent 14mm
+\musicsize=20
+
+\def\quatreinstruments{\def\nbinstruments{4}\relax
+\nbporteesi=1\relax
+\nbporteesii=2\relax
+\nbporteesiii=1\relax
+\nbporteesiv=1\relax
+\cleftoksi{6000}\relax
+\cleftoksii{6000}\relax
+\cleftoksiii{6000}\relax
+\cleftoksiv{0000}\relax
+\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax
+\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax
+\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax
+\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax
+}
+ %
+\def\sanspedale{\def\nbinstruments{3}\relax
+\nbporteesi=2\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+\cleftoksi{6000}\relax
+\cleftoksii{6000}\relax
+\cleftoksiii{0000}\relax
+\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax
+\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax
+\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax
+}
+ %
+\font\gros=\fonthdg\fonthdge bx12 scaled \magstep2
+\font\paroles=\fonthdg\fonthdge r8
+
+%\paroles
+% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e}
+% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel
+%Taupin }
+% \line{R\'ecit ({\bf III}) : 8'+4'\hss... }
+% \line{P\'edale : 16'+8', acc. Positif\hss }
+
+\quatreinstruments
+\normal
+\def\instrumenti{Pdale}
+\def\instrumentii{Manuel}
+\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}}
+\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}}
+\generalmeter{\meterC}%
+%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}}
+\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}}
+\def\sdqh{\ds\dqh}
+\def\lsdqb{\raise-3\Internote\ds\dqb}
+\def\sdqb{\ds\dqb}
+\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}}
+\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}}
+\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}}
+\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}}
+\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh}
+\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb}
+\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh}
+\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb}
+\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}%
+\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}%
+\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}%
+\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}%
+\def\dnl{\dnb}\def\Dnl{\Dnb}
+\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}}
+\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}}
+\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}}
+\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}}
+\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}}
+\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}}
+\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}}
+\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}}
+\def\Pause{\sk\sk\sk\sk\sk\pause}
+\def\Hpause{\sk\sk\hpause}
+%
+\def\zmid#1{\zcharnote{12}{\paroles #1}}
+%
+\staffbotmarg\Interligne
+
+\generalsignature{-5}
+\def\nbinstruments{2}%
+\debutmorceau
+\autolines{14}{4}{4}%
+%Takt 1
+\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne
+ \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes
+\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes
+%Takt 2
+\barre\notes\hu F&\Sqb acdfda|\hu h\enotes
+\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes
+%Takt 3
+\autolines{13}{4}{4}%
+\barre\notes\hu K&\Qqb acdaM|\hup f\enotes
+\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes
+%Takt 4
+\def\atnextline{\autolines{13}44}%
+\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes
+\temps\notes\qu H&\sdqb fc|\qu j\enotes
+\temps\notes\qu G&\sdqb cd|\qu i\enotes
+\temps\notes\qu F&\sdqb da|\qu h\enotes
+%Takt 5
+\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes
+\temps\notes &\Tqb eca|\qu g\enotes
+\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes
+\temps\notes\qu F&\Tqb daM|\qu f\enotes
+%Takt 6
+\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes
+\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes
+%Takt 7
+\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes
+\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes
+%Takt 8
+\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes
+\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes
+%Takt 9
+\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes
+\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes
+%Takt 10
+\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes
+\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes
+%Takt 11
+\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes
+\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes
+%Takt 12
+\advance\linesinpage by -1\relax
+ %
+\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes
+\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes
+\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}%
+ %
+%Takt 13
+\barre\notes\zcharnote B{\kern -2\Interligne\rm(Pd.)}\zhl K\relax
+ \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes
+\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes
+\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax
+ \zmid{Verbe -}\clp M\sk\ccl M\enotes
+%Takt 14
+\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes
+\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{Trs-}\sk\cl N\enotes
+%Takt 15
+\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes
+\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes
+%Takt 16
+\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes
+\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes
+\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes
+\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes
+ %\check
+%Takt 17
+\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}%
+\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes
+\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes
+ %\check
+%Takt 18
+\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes
+\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes
+ %\check
+%Takt 19
+\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes
+\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk
+ \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes
+ %\check
+%Takt 20
+\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk
+ \zmid{pai-}\qu h\enotes
+\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk
+ \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk
+ \zmid{ble}\qu g\enotes
+ %\check
+%Takt 21
+\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes
+\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk
+ \zq f\qu h\enotes
+ %\check
+%Takt 22
+\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk
+ \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes
+\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk
+ \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes
+ %\check
+%Takt 23
+\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes
+\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk
+ \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes
+ %\check
+%Takt 24
+\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes
+\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes
+ %\check
+%Takt 25
+\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax
+ &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes
+\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax
+\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes
+ %\check
+%Takt 26
+\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax
+ &\zhl f\qu i\sk\sk\qu i\enotes
+\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes
+ %\check
+%Takt 27
+\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes
+\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax
+ &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes
+ %\check
+%Takt 28
+\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax
+ &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes
+\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax
+ \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes
+ %\check
+%Takt 29
+\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk
+ \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes
+\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk
+ \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes
+ %\check
+%Takt 30
+\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes
+\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes
+ %\check
+%Takt 31
+\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes
+\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause
+ &\Hpause\enotes
+ %\check
+%Takt 32
+\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes
+\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes
+\def\atnextline{\sanspedale\def\nbinstruments{1}}%
+ %\check
+%Takt 33
+\advance\linesinpage by -1\relax
+ %
+\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes
+\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes
+ %\check
+%Takt 34
+\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes
+\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes
+ %\check
+%Takt 35
+\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes
+\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes
+ %\check
+%Takt 36
+\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes
+\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes
+ %\check
+\def\atnextline{\quatreinstruments\savemeters}%
+ %\check
+%Takt 37
+\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause
+ &\Pause\enotes
+\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes
+ %\check
+%Takt 38
+\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes
+\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes
+ %\check
+%Takt 39
+\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes
+\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk
+ \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes
+ \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX
+\cleftoksii{0000}\changeclefs
+ %\check
+%Takt 40
+\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes
+\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes
+ %\check
+%Takt 41
+\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax
+ \zmid{nous}\qll J{=L}\sk\sk
+ \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes
+\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll
+Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk
+ \sk\zq{=e}\cu h\sk\zq e\cu h\enotes
+ %\check
+%Takt 42
+\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{gr-}\zhl
+M\qu a\sk\sk\ql f&\huu fh\enotes
+\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk
+ \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes
+ %\check
+%Takt 43
+\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes
+\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir
+ &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes
+ %\check
+%Takt 44
+\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes
+\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes
+ %\check
+%Takt 45
+\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk
+ \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes
+\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk
+ \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes
+ %\check
+%Takt 46
+\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk
+ \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes
+\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk
+ \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes
+ %\check
+%Takt 47
+\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax
+ &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax
+ \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes
+\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk
+ \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes
+\cleftoksii{6000}\changeclefs
+ %\check
+%Takt 48
+\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk
+ \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes
+\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax
+ \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes
+\def\atnextline{\sanspedale\savemeters}%
+ %\check
+%Takt 49
+\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax
+ |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax
+ &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax
+ &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes
+\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir
+ &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes
+ %\check
+%Takt 50
+\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir
+ \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes
+\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax
+ &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes
+ %\check
+%Takt 51
+\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax
+ |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip
+ =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip
+ \dqh{=h}i\enotes
+\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk
+ \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes
+ %\check
+%Takt 52
+\barre\notes\Hu b|\Qqh dfifd&\hl b\sk
+ \zmid{qui}\sk\qu b&\hpause\enotes
+\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk
+ \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes
+ %\check
+%Takt 53
+\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax
+ &\hlp i\sk\sk\qu i\enotes
+\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax
+ &\qu m\sk\sk\qlu ii\enotes
+ %\check
+%Takt 54
+\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip
+ =1.5\noteskip\rq j\cu i\rq j\cu i\enotes
+\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip
+ \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip
+ \zq h\cu k\zq h\cu l\enotes
+ %\check
+%Takt 55
+\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax
+ &\quu{=h}l\sk\sk\quu ik\enotes
+\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax
+ \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes
+ %\check
+%Takt 56
+\barre\notes\Hu K\zcharnote I{(+Pd.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk
+ \zmid{qui}\sk\qu b&\hpause\enotes
+\temps\notes\Hu J\zcharnote I{(+Pd.)}|\tten1\zqu i\raise -2\Interligne\ds
+ \dqb bf\zqu {_h}\qsk
+ \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes
+ \def\atnextline{\quatreinstruments}%
+ %\check
+%Takt 57
+\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax
+ &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes
+\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax
+ &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes
+ %\check
+%Takt 58
+\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds
+ \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip
+ \zq h\cu l\zq h\cu l\enotes
+\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds
+ \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk
+ \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes
+ %\check
+%Takt 59
+\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds
+ \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes
+\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk
+ \sk\sk\zmid{\^O}\ql M&\Hpause\enotes
+\def\atnextline{\sanspedale}%
+ %\check
+%Takt 60
+\barre\notes\Pause
+ &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes
+\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes
+ %\check
+%Takt 61
+\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes
+\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu
+a\sk\cu a\enotes
+ %\check
+%Takt 62
+\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk
+ \sk\qu c&\Pause\enotes
+\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes
+\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes
+ %\check
+%Takt 63
+\barre\notes\hu H|\sdqh ac\Tqh eca&\relax
+ \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes
+\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes
+\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes
+ %\check
+%Takt 64
+\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes
+\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes
+ %\check
+%Takt 65
+\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes
+\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax
+ \soupir\sk\sk\zmid{Re-}\qu f\enotes
+%Takt 66
+\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax
+ \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes
+\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax
+ \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk
+ \zmid{qu'il}\ql g\enotes
+ %\check
+%Takt 67
+\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax
+ \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes
+\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk
+ \sk\zmid{Re-}\qu h\enotes
+ %\check
+%Takt 68
+\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne
+ \soupir\sk\sk
+ \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes
+\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax
+ \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes
+ %\check
+%Takt 69
+\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk
+ \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes
+\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk
+ \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{}\qu i\enotes
+ %\check
+%Takt 70
+\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax
+ &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax
+ &\zhlp g\qu l\sk\sk\qu k\enotes
+\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk
+ \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes
+ %\check
+%Takt 71
+\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk
+ \ql J&\zh f\hu i\enotes
+\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax
+ \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes
+ %\check
+%Takt 72
+\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk
+ \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes
+\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk
+ \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes
+ %\check
+%Takt 73
+\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk
+ \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes
+\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk
+ \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes
+ %\check
+%Takt 74
+\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax
+ &\huu ej\enotes
+\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds
+ \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk
+ \sk\sk\zq e\cu i\enotes
+ %\check
+%Takt 75
+\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax
+ &\hll Ja&\zh e\hup h\enotes
+\temps\notes|\zcharnote n{\bf II}\sk\enotes
+\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk
+ \sk\ql h\enotes
+ %\check
+%Takt 76
+\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax
+ \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk
+ \sk\zq{=d}\qu f\enotes
+\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds
+ \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax
+ \zq d\qu g\sk\sk\zq{=f}\qu i\enotes
+ %\check
+%Takt 77
+\def\atnextline{\quatreinstruments\savemeters}%
+ %
+\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds
+ \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk
+ \dfl i\quu il\enotes
+\temps\notes\Pause&\dnu F{=G}\relax
+ |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax
+ \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes
+ %\check
+%Takt 78
+\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes
+\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk
+ \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes
+ %\check
+ %Takt 79
+\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III
+ \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax
+ &\hup d\enotes
+\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir
+ &\sk\sk\sk\soupir \enotes
+ %\check
+ %Takt 80
+\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes
+\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes
+ %\check
+ %Takt 81
+\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes
+\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk
+\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes
+ %\check
+ %Takt 82
+\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes
+\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes
+ %\check
+ %Takt 83
+\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes
+\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir
+ &\sk\sk\sk\soupir\enotes
+ %\check
+ %Takt 84
+\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes
+\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes
+ %\check
+ %Takt 85
+\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes
+\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir
+ &\zmid{qu'il}\qll F{=a}\sk\sk
+ \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes
+ %\check
+ %Takt 86
+\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes
+\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes
+ %\check
+ %Takt 87
+\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax
+ \zhlp H\hup N&\zhp c\hup e\enotes
+\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax
+ &\sk\sk\quu dd\enotes
+ %\check
+ %Takt 88
+\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax
+ \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes
+\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes
+ \advance\barsinline by -1\relax % accepter une mesure de plus
+ %\check
+ %Takt 89
+\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk
+ &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musictex/recit.tex b/Master/texmf-dist/doc/generic/musictex/recit.tex
new file mode 100644
index 00000000000..a5b93c29128
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/recit.tex
@@ -0,0 +1,413 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\title{R\'ecit}
+\fulltitle{II. R\'ecit}
+\csname titremorceautoc\endcsname
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\fullauthor{Daniel TAUPIN\\organiste Gif-sur-Yvette}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+%
+\autolines 855\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+% mesure 1
+\advance\linesinpage by 1\relax
+%
+\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+%\check
+% mesure 2
+\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes
+%\check
+% mesure 3
+\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-2}hg\enotes
+\temps\notes\qu J&|\dqh{-2}ji\enotes
+%\check
+% mesure 4
+\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 5
+\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes
+% mesure 6
+\autolines 755\relax
+\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu I&|\qu k\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes
+\temps\notes&\qu{=f}|\sk\cu l\enotes
+\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes
+%\check
+% mesure 8
+\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes&\ql a|\qu j\enotes
+% mesure 9
+\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes\ql J&|\dqh{-3}ih\enotes
+% mesure 10
+\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes
+\temps\notes&|\sk\cu i\enotes
+\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes
+% mesure 11
+\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes
+\temps\notes&|\dsoupir\cu d\enotes
+\temps\notes\qu J&\ql e|\dqh7gj\enotes
+% mesure 12
+\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\ql c|\relax\enotes
+% mesure 13
+\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%
+% mesure 14
+\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes
+%\check
+% mesure 15
+\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\itenl2N\ql N|\qu i\enotes
+%\check
+% mesure 16
+\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes
+\temps\NOtes&\qu{=f}|\relax\enotes
+\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes
+%\check
+% mesure 17
+\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes\qu H&\ql a|\qu l\enotes
+%\check
+% mesure 18
+\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+% mesure 19
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes
+\temps\notes&|\dqb3no\enotes
+\temps\notes&|\dqb{-5}pn\enotes
+% mesure 20
+\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes
+\temps\notes&|\dqb3op\enotes
+\temps\notes&|\dqb{-5}qo\enotes
+% mesure 21
+\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes
+\temps\notes&|\dqb3pq\enotes
+\temps\notes&|\dqb{-5}rp\enotes
+% mesure 22
+\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes
+\temps\notes&\qu{=f}|\dqb{-3}nm\enotes
+\temps\notes&\qu d|\dqb{-3}lk\enotes
+% mesure 23
+\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes
+\temps\notes\qu H&|\sk\cl k\enotes
+\temps\notes\qu J&|\dqb{-5}lj\enotes
+% mesure 24
+\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 25
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu h\enotes
+\temps\notes&|\dqh3ij\enotes
+%
+% mesure 26
+\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes
+% mesure 27
+\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes
+\temps\notes\hu I&|\sk\cl l\enotes
+\temps\notes&|\dqb5m{_o}\enotes
+% mesure 28
+\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&\ql N|\dqb{-3}j{=i}\enotes
+% mesure 29
+\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes
+\temps\notes&|\ql j\enotes
+\resp
+\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 30
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 31
+\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes
+\temps\notes\sk\cu H&|\relax\enotes
+\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes
+% mesure 32
+\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes
+\temps\notes&|\sk\cu d\enotes
+\temps\notes\qu J&\ql c|\dqh7gj\enotes
+% mesure 33
+\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes
+% mesure 34
+\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+% mesure 35
+\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb3kl\enotes
+% mesure 36
+\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 37
+\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes
+\temps\notes&\qu{^f}|\dqh3{^f}g\enotes
+\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes
+%\check
+% mesure 38
+\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes
+\temps\NOtes&|\qu j\enotes
+\resp
+\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 39
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 40
+\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3{_i}k\enotes
+%\check
+% mesure 41
+\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+% mesure 42
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes&|\dqh5hj\enotes
+% mesure 43
+\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 44
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes
+\temps\notes&|\dqh8gj\enotes
+%
+% mesure 45
+\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+%\check
+% mesure 46
+\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes
+%\check
+% mesure 47
+\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}{=l}k\enotes
+%\check
+% mesure 48
+\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes
+%\check
+% mesure 49
+\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes
+\temps\notes&|\dqb{-3}m{_l}\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 50
+\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes
+% mesure 51
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes
+\temps\notes&|\dqb3jk\enotes
+\temps\notes&|\dqb{-5}lj\enotes
+%\check
+% mesure 52
+\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes
+\temps\notes&|\dqb{-3}hg\enotes
+\temps\notes&|\dqb5hj\enotes
+%\check
+% mesure 53
+\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb{-5}ki\enotes
+% mesure 54
+\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes
+\temps\notes&|\dqh{-3}g{^f}\enotes
+\temps\notes&|\dqh5gi\enotes
+% mesure 55
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+\temps\notes&|\dqb{-5}jh\enotes
+% mesure 56
+\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes
+\temps\notes&|\dqh3ef\enotes
+\temps\notes&|\dqh3gh\enotes
+% mesure 57
+\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3hi\enotes
+% mesure 58
+\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes
+\temps\notes&|\dqh5{^f}g\enotes
+\temps\notes&|\dqh3ij\enotes
+% mesure 59
+\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes&|\dqh{-3}i{_h}\enotes
+%\check
+% mesure 60
+\generalmeter{\meterfrac 24}%
+\advance\elemskip by 1.5pt
+\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes
+\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes
+%\check
+% mesure 61
+\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes
+\temps\notes&|\ccl n\enotes
+%\check
+% mesure 62
+\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes
+\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes
+%\check
+% mesure 63
+\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes
+% mesure 64
+\troistemps
+\advance\elemskip by -1.5pt
+\changecontext\NOtes\hu I&\soupir|\soupir\enotes
+\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes
+\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes
+% mesure 65
+\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes
+\temps\notes&\qu j|\dqb{-3}hg\enotes
+% mesure 66
+\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes
+\temps\notes\soupir&\soupir|\soupir\enotes
+% mesure 67
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+% mesure 68
+\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes
+% mesure 69
+\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes
+% mesure 70
+\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 71
+\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\notes\qu H&|\dqh5ik\enotes
+%
+% mesure 72
+\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes
+\temps\notes&|\sk\cl m\enotes
+\temps\notes\qu{=I}&|\dqb{-3}lk\enotes
+% mesure 73
+\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes
+\temps\Notes&|\relax\enotes
+\temps\NOtes&\zq{^f}\qu h|\ql k\enotes
+\autolines {12}45\relax
+% mesure 74
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes
+\temps\notes&|\qqbbl{-3}kjih\enotes
+\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes
+% mesure 75
+\autolines{14}35\relax
+\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes
+\temps\notes&|\qqbbl{-3}lkji\enotes
+\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes
+% mesure 76
+\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes
+\temps\notes&|\qqbbl{-4}mlkj\enotes
+\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes
+% mesure 77
+\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes
+\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes
+\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes
+\quatretemps
+% mesure 78
+\autolines {10}35\relax
+\changecontext\barsinline=0\relax
+\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes
+\temps\NOtes&|\dsoupir\cl d\enotes
+\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes
+% mesure 79
+\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\notes\qu D&|\dqh{-3}hg\enotes
+% mesure 80
+\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\finmorceau
+\medskip\rightline{\it \aujourdhui}
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/recueil.tex b/Master/texmf-dist/doc/generic/musictex/recueil.tex
new file mode 100644
index 00000000000..d8c18ca5a83
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/recueil.tex
@@ -0,0 +1,128 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\vsize 270mm
+\hyphenation{re-gis-tra-tion}
+\csname french\endcsname
+\tracingstats=2\relax
+\line{\ \hss}
+\font \geant=\fonthdg\fonthdge bx12 scaled \magstep 6
+\vskip 15mm
+\font\assezgros=\fonthdg\fonthdge r17 scaled \magstep 1
+\centerline{\assezgros Daniel TAUPIN}
+\vfil
+{\baselineskip 20mm
+\centerline{\geant PETITES}
+\centerline{\geant PI\`ECES}\centerline{\geant POUR}
+\centerline{\geant PLAIRE}
+}
+\vskip 15mm
+\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue}
+\smallskip
+\centerline{\sl \`a deux claviers et p\'edalier}
+\vfil
+\centerline{Orsay, \aujourdhui}
+\eject
+%\check
+\null
+\vfil
+\hbox to \hsize{\hss\vbox{\hsize 12cm
+\centerline{\moyen PR\'EFACE ET AVERTISSEMENT}
+ \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur
+\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve
+d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e
+infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est
+capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques
+qu'on lui propose.
+ \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut
+se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui
+est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a
+la gastronomie.
+ \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces
+Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la
+musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', qui aurait
+pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par
+des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur
+simple objectif est de charmer les oreilles d'auditeurs de culture classique,
+tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus
+d'orgues classiques, \`a savoir les \'eglises.
+ \medskip
+\centerline{\vrule height 0.4pt width 0.5\hsize}
+\vskip 1mm
+ \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent
+l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de
+ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des
+pianistes d'un niveau moyen.
+ \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la
+Romance sans Paroles)
+mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent
+\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier.
+ \vskip 15mm
+ \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel
+TAUPIN}\smallskip \centerline{\sl \aujourdhui}}}
+
+ \bigskip
+ \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es}
+ \centerline{\rm All rights of commercial distribution reserved}
+ \bigskip
+ \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}}
+ \input recueil.toc
+}\hss}\vfil
+\eject
+ \def\titremorceautoc{\write\toc{\noexpand\tocitem{\titremorceau}{\the\pageno}}}
+ \newwrite\toc
+ \immediate\openout\toc=recueil.toc
+%
+%
+\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
+\nbporteesii=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\signaturegenerale{0}\savesignature
+\resetfacteurs
+\computewidths}%
+%
+\misazero
+\input adagio
+%
+\misazero
+\input recit
+%
+\misazero
+\input tierce
+%
+\misazero
+\input choral
+%
+\misazero
+\input reves
+%
+\misazero
+\input prelude
+%
+\misazero
+\input fugue
+%
+\misazero
+\input aria
+%
+\misazero
+\input ostinato
+%
+\misazero
+\input romances
+%
+\misazero
+\input magnific
+%
+\misazero
+\input marcellx
+%
+\misazero
+\input purcellx
+%
+\misazero
+\input avemario
+%
+\closeout\toc
+\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/reves.tex b/Master/texmf-dist/doc/generic/musictex/reves.tex
new file mode 100644
index 00000000000..d955c73811b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/reves.tex
@@ -0,0 +1,529 @@
+\title{R\^eves}
+\fulltitle{V. \titremorceau}
+\subtitle{(pour orgue)}
+\csname titremorceautoc\endcsname
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+\parindent 18mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % pas d'armature
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Mordant{\mordant{10}}%
+\def\Pince{\pince{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\multnoteskip 2\relax}%
+\def\tripler{\multnoteskip 3\relax}%
+% formes frequentes
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+% croche pointee et double croche meme hauteur
+\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
+\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
+%
+% croche et deux doubles croches (1ere = 3eme)
+\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip
+ \nbbu0\qh0{#2}\tqh0{#1}}%
+\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip
+ \nbbl0\qb0{#2}\tqb0{#1}}%
+%
+\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}%
+\par\noindent{\rm R\'ec.: nasard, tremblant}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\generalmeter{\meterfrac 44\meterfrac 54}%
+%
+\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+\autolines {10}45\relax
+\footnote{}{\noteskip=18pt\altportee=0pt\resetstem
+\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}%
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes
+\advance\linesinpage by 1\relax
+% \advance\barsinline by 1\relax
+%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
+\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
+\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
+%\check
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+%
+% mesure 1
+\temps\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes
+\temps\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes
+\temps\Notes&\qu g|\pause\enotes
+\temps\Notes&\qu{_h}\enotes
+\temps\Notes&\qu{_i}\enotes
+% mesure 2
+\barre\nspace\nspace
+ \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax
+ \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes
+\temps\notes&\dqu3ef\enotes
+\temps\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax
+ \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes
+\temps\NOtes&|\qu c\enotes
+% mesure 3
+\def\atnextline{\autolines {9}45}\relax
+\barre\nspace
+\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes
+\temps\Notes&|\qu g\enotes
+\temps\Notes&|\qu{_h}\enotes
+\temps\Notes&|\qu{_i}\enotes
+% mesure 4
+\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax
+ |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes
+\temps\notes&|\dqu3{_e}f\enotes
+\temps\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes
+\temps\NOtes&\qu{_h}|\qu j\enotes
+% mesure 5
+%\barre
+\alaligne
+\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax
+ |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes
+\temps\notes&|\dqh3ef\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes&|\qu{_h}\enotes
+% mesure 6
+\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes
+\temps\NOtes&|\qu j\enotes
+\temps\NOtes&|\qu k\enotes
+\temps\notes&|\dql3l{^m}\enotes
+% mesure 7
+\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes
+\temps\NOtes&|\ql l\enotes
+\temps\notes&|\cddcu i{^j}\enotes
+\temps\notes&|\dqu3{^g}h\enotes
+\temps\NOtes&|\qu i\enotes
+% mesure 8
+\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes
+\temps\NOtes&|\qu{=g}\enotes
+\temps\notes&|\cddcu e{^f}\enotes
+\temps\notes&|\dqu3cd\enotes
+\temps\NOtes&|\qu e\enotes
+% mesure 9
+\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes
+\temps\Notes&|\qu{^g}\enotes
+\temps\Notes&|\qu{^h}\enotes
+\temps\notes&|\dql3jk\enotes
+%\check
+% mesure 10
+\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\notes&|\na g\cddcu g{=h}\enotes
+\temps\notes&|\dqu3e{=f}\enotes
+\temps\NOtes&|\qu g\enotes
+% mesure 11
+\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes
+\temps\NOtes&|\qu{_i}\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\notes&\itenl0b\hu b|\dql3kl\enotes
+\temps\NOtes&|\ql{^m}\enotes
+% mesure 12
+\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes
+\temps\Notes&|\ql l\enotes
+\temps\notes&|\cddcu i{^j}\enotes
+\temps\notes&|\dqu3{^g}{^h}\enotes
+\temps\NOtes&\qu{^b}|\qu{^i}\enotes
+\def\atnextline{\autolines {11}45}\relax
+% mesure 13
+\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes
+\temps\NOtes&|\qu{^g}\enotes
+\temps\notes&\hu d|\na e\cddcu e{^f}\enotes
+\temps\notes&|\dqu3{^c}d\enotes
+\temps\NOtes&\qu e|\qu e\enotes
+% mesure 14
+\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu f\enotes
+\temps\NOtes&|\qu{=c}\enotes
+\temps\notes&|\dqu3de\enotes
+\temps\NOtes&\qu{_d}|\qu f\enotes
+% mesure 15
+\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes
+\temps\NOtes&|\qu{_d}\enotes
+\temps\notes&|\bigfl e\dqu3{e}f\enotes
+\temps\NOtes&\qu{=d}|\qu g\enotes
+% mesure 16
+\advance\barsinline by -1\relax
+\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes
+\temps\NOtes&|\qu{=e}\enotes
+\temps\notes&|\bigfl g\dqu3{g}{_h}\enotes
+\temps\NOtes&\qu f|\qu{_i}\enotes
+% mesure 17
+\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes
+\temps\NOtes&|\qu{=g}\enotes
+\temps\notes&|\cddcu ef\enotes
+\temps\notes&|\dqu3cd\enotes
+\temps\NOtes&|\qu e\enotes
+% mesure 18
+\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes
+\temps\notes&|\dqu{3}de\enotes
+\temps\notes&|\dqu{3}cd\enotes
+\temps\notes&|\dqu{3}ef\enotes
+% mesure 19
+\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes
+\temps\notes&|\cddcu d{_e}\enotes
+\temps\Notes&|\dqu3bc\enotes
+\temps\Notes&|\qu d\enotes
+% mesure 20
+\advance\barsinline by -1\relax
+\autolines {22}25\relax
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax
+ \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}%
+%\check
+\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax
+ \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}%
+%\check
+% croche et deux doubles croches (1ere = 3eme)
+\def\duoskip{\tripler\relax
+ \divide\noteskip by 2\relax}%
+\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk
+ \nbbu0\qh0{#2}\tqh0{#1}}%
+\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk
+ \nbbl0\qb0{#2}\tqb0{#1}}%
+%
+\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes
+\temps\notes&\sxtl{N}ad{e}da|\qu f\enotes
+\temps\notes&\sxtl{N}ad{e}da|\qu g\enotes
+\temps\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes
+% mesure 21
+\autolines {29}25\relax
+\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes
+\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes
+\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes
+\temps\notes&\sxtl M{a}d{e}da|\qu g\enotes
+% mesure 22
+\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes
+\temps\notes&\sxtl KMbcbM|\qu i\enotes
+\temps\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes
+\temps\notes&\sxtl KMbcbM|\ql l\enotes
+\temps\notes&\sxtl KMbcbM|\ql m\enotes
+\autolines {27}25\relax
+% mesure 23
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes
+\temps\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes
+\temps\notes&\sxtu Ncefec|\cddcu gh\enotes
+\temps\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes
+\temps\notes&\sxtu Ncefec|\qu g\enotes
+% mesure 24
+\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes
+\temps\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes
+\temps\notes&\sxtu Ncefec|\tripler\dql4ln\enotes
+\temps\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes
+% mesure 25
+\autolines {31}25\relax
+\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes
+\temps\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes
+\temps\notes&\sxtu acefec|\cddcu gh\enotes
+\temps\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes
+\temps\notes&\sxtu acegec|\qu g\enotes
+% mesure 26
+\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip
+\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes
+\temps\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes
+\temps\notes&\sxtu Naefea|\tripler\dql2kl\enotes
+\temps\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes
+\temps\notes&\sxtu Naefea|\tripler\ql{_p}\enotes
+% mesure 27
+\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes
+\temps\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes
+\temps\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes
+\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes
+\temps\notes&\sxtu Ncegec|\ql l\enotes
+%\check
+% mesure 28
+\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes
+\temps\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes
+\temps\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes
+\temps\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes
+% mesure 29
+\autolines {24}25\relax
+\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes
+\temps\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes
+\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes
+\temps\notes&\sxtu Ncegec|\tripler\dql4ln\enotes
+%\check
+% mesure 30
+\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes
+\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes
+\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes
+\temps\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes
+%\check
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+% mesure 31
+\autolines {25}25\relax
+\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes
+\temps\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes
+\temps\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes
+\temps\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler
+ \itenl1e\qu{_e}\enotes
+%\check
+% mesure 32
+\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl
+N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes
+\temps\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes
+\temps\notes&\sxtl Nadeda|\enotes
+\temps\notes&\sxtl Nadeda|\enotes
+%\check
+% mesure 33
+\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes
+\temps\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes
+\temps\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes
+\temps\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes
+%\check
+% mesure 34
+\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip
+ \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes
+\temps\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes
+\temps\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes
+\temps\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes
+%\check
+% mesure 35
+\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes
+\temps\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes
+\temps\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes
+\temps\notes&\sxtl Madfda|\qu f\enotes
+%\check
+% mesure 36
+\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes
+\temps\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes
+\temps\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes
+\temps\notes&\sxtl MNbebN|\qu j\enotes
+%\check
+% mesure 37
+\autolines{30}25\relax
+\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes
+\temps\notes&\sxtl M{_a}dfda|\enotes
+\temps\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes
+\temps\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes
+%\check
+\barre\autolines{15}35\relax
+% mesure 38
+\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes
+\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes
+\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes
+\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes
+% mesure 39
+\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes
+\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes
+\temps\NOtes&\itenl3L\hl L\enotes
+\temps\NOtes\itenl2J\qu J&|\enotes
+%\check
+% mesure 40
+\barre\nspace\autolines{11}45\relax
+\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes
+\temps\NOtes&\wh{=N}|\qu{_d}\enotes
+\temps\NOtes&\itenu2c\hup c|\qu g\enotes
+\temps\NOtes&|\qu{_h}\enotes
+\temps\NOtes&|\qu{_i}\enotes
+% mesure 41
+%
+% croche et deux doubles croches (1ere = 3eme)
+\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip
+ \nbbu0\qh0{#2}\tqh0{#1}}%
+\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip
+ \nbbl0\qb0{#2}\tqb0{#1}}%
+%
+\barre
+\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax
+\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes
+\temps\notes&|\dqu3{_e}f\enotes
+\temps\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes
+\temps\NOtes&\ql{a}|\qu j\enotes
+% mesure 42
+\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax
+ |\cddcu gf\enotes
+\temps\notes&|\dqh3ef\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes&|\qu{_h}\enotes
+% mesure 43
+\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes
+\temps\NOtes&|\qu j\enotes
+\temps\NOtes&|\qu k\enotes
+\temps\notes&|\dql3l{^m}\enotes
+% mesure 44
+\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes
+\temps\NOtes&|\ql l\enotes
+\temps\notes&|\cddcu i{^j}\enotes
+\temps\notes&|\dqu3{^g}h\enotes
+\temps\NOtes&|\qu i\enotes
+% mesure 45
+\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes
+\temps\NOtes&|\qu{=g}\enotes
+\temps\notes&|\cddcu e{^f}\enotes
+\temps\notes&|\dqu3cd\enotes
+\temps\NOtes&|\qu e\enotes
+% mesure 46
+\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes
+\temps\NOtes&|\qu{^g}\enotes
+\temps\NOtes&|\qu{^h}\enotes
+\temps\notes&|\dql3jk\enotes
+%\check
+% mesure 47
+\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\notes&\hl{_a}|\na g\cddcu g{=h}\enotes
+\temps\notes&|\dqu3e{=f}\enotes
+\temps\NOtes&\ql N|\qu g\enotes
+% mesure 48
+\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes
+\temps\NOtes&|\qu{_i}\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\notes&|\dql3kl\enotes
+\temps\NOtes&|\ql{^m}\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+% mesure 49
+\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes
+\temps\NOtes&|\ql l\enotes
+\temps\notes&|\cddcu i{^j}\enotes
+\temps\notes&|\dqu3{^g}{^h}\enotes
+\temps\NOtes&\qu{^d}|\qu{^i}\enotes
+% mesure 50
+\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes
+\temps\NOtes&|\qu{^g}\enotes
+\temps\notes&\hu d|\bigna e\cddcu e{^f}\enotes
+\temps\notes&|\dqu3{^c}d\enotes
+\temps\NOtes&\qu e|\qu e\enotes
+% mesure 51
+\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes
+\temps\NOtes&|\qu{=c}\enotes
+\temps\notes&|\dqu3de\enotes
+\temps\NOtes&\qu{_d}|\qu f\enotes
+% mesure 52
+\barre\autolines{10}35\nspace
+\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes
+\temps\NOtes&|\qu{_d}\enotes
+\temps\notes&|\bigfl e\dqu3{e}f\enotes
+\temps\NOtes&\qu{_e}|\qu g\enotes
+% mesure 53
+\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes
+\temps\NOtes&|\qu{=e}\enotes
+\temps\notes&|\dqu3{_g}{_h}\enotes
+\temps\NOtes&\qu f|\qu{_i}\enotes
+% mesure 54
+\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes
+\temps\notes&|\cddcu gf\enotes
+\temps\notes&|\dqu{-2}ed\enotes
+\temps\notes&|\dqu2cd\enotes
+\temps\NOtes&\qu{_h}|\qu e\enotes
+% mesure 55
+\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes
+\temps\notes&|\dqu{-2}gf\enotes
+\temps\notes&|\dqu{-2}ih\enotes
+\temps\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax
+\qh0{^f}\tqh0{=f}\enotes
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+% mesure 56
+\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes
+\temps\notes&|\bigsh f\dqu{-2}{f}e\enotes
+\temps\notes&|\dqu3{^g}{^h}\enotes
+\temps\notes&|\dqu3jk\enotes
+%\check
+% mesure 57
+\barre\bigaccid
+\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\notes&|\cddcu gh\enotes
+\temps\notes&|\dqu{-2}{^f}e\enotes
+\temps\notes&|\dqu{-2}dc\enotes
+%\check
+% mesure 58
+\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes
+\temps\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes
+\temps\notes&|\dqu2ef\enotes
+\temps\notes&|\dqu2de\enotes
+% mesure 59
+\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes
+\temps\notes&|\dqu{-2}{=f}e\enotes
+\temps\notes&|\dqu4gi\enotes
+\temps\notes&|\dqu4jl\enotes
+% mesure 60
+\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes
+\temps\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes
+\temps\notes&|\dqb{-2}kj\enotes
+\temps\notes&|\dqu{-2}{_i}{_h}\enotes
+% mesure 61
+\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes
+\temps\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes
+\temps\notes&|\dqu2de\enotes
+\temps\notes&|\dqu6fi\enotes
+% mesure 62
+\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes
+\temps\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes
+\temps\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes
+\resp
+% mesure 63
+\barre\NOtes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes
+\temps\notes&|\qu{_e}\enotes
+\temps\notes&|\qu h\enotes
+\temps\notes&|\qu{_i}\enotes
+\temps\notes&|\qu j\enotes
+% mesure 64
+\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes
+\temps\notes&|\dqu2{^f}g\enotes
+\temps\NOTEs&\itenl0M\zhu a\hlp{^M}|\qu h\enotes
+\temps\NOtes&\qu{_b}|\ql k\enotes
+%\check
+% mesure 65
+\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes
+\temps\notes&|\dqu2{^f}g\enotes
+\temps\NOtes&|\qu h\enotes
+\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes
+\temps\notes&|\dqu2gh\enotes
+% mesure 66
+\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes
+\temps\NOtes&|\qu d\enotes
+\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes
+\temps\notes&|\dqu2gh\enotes
+% mesure 67
+\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes
+\temps\NOtes&|\qu d\enotes
+\temps\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes
+\temps\notes&|\dqu2gh\enotes
+% mesure 68
+\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes
+\temps\NOtes&|\ql j\enotes
+\temps\NOtes&|\sh j\ql j\enotes
+% mesure 69
+\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes
+\temps\NOTes&\tten2\zh N\hu {_b}\enotes
+\temps\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\varaccid
diff --git a/Master/texmf-dist/doc/generic/musictex/romances.tex b/Master/texmf-dist/doc/generic/musictex/romances.tex
new file mode 100644
index 00000000000..c337b1192b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/romances.tex
@@ -0,0 +1,499 @@
+\title{Romance sans paroles}
+\fulltitle{IX. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1992--93}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+
+\csname titremorceautoc\endcsname
+
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+\def\doubler{\noteskip=2\noteskip}%
+\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir}
+%
+\parindent 18mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}%
+\def\troistemps{\generalmeter{\meterfrac{9}{8}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{Positif ({\bf II})}%
+\def\instrumentiii{R\'ecit ({\bf III})}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}%
+\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}%
+\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}%
+\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}%
+\smallskip
+%
+\deuxtemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax
+ \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax
+\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax
+\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\tqb0{#7}}\relax
+\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax
+ \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax
+%
+\debutmorceau
+%
+\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi
+\autolines {6}{\barperline}5\relax
+%\check
+%
+\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
+% mesure 1
+\ifx\mxversion\undefined\kern -\internote\fi
+\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto
+ \bf(\metron{\qup}{60})}}\enotes
+\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes
+%\check
+% mesure 2
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes
+\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes
+%\check
+% mesure 3
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 4
+\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler
+ \qup{^j}\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 5
+\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler
+ \Ilegu3o\Tqh{=i}hg\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 6
+\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler
+ \qu{^f}\sk\cu{=e}\enotes
+\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk
+ \cbreath\sk\Ilegu3o\cu d\enotes
+%\check
+% mesure 7
+\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 8
+\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler
+ \qlp{=l}\enotes
+\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax
+ \ql k\tleg3\sk
+ \cbreath\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 9
+\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler
+ \ql i\sk\cl j\enotes
+\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler
+ \ql h\sk\cl i\enotes
+%\check
+% mesure 10
+\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes
+\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 11
+\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 12
+\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes
+\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes
+%\check
+% mesure 13
+\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{i}hg\enotes
+%\check
+% mesure 14
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes
+\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes
+%\check
+% mesure 15
+\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes
+\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes
+%\check
+% mesure 16
+\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes
+\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes
+%\check
+% mesure 17
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes
+\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir
+ \Ilegu3p\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes
+%\check
+% mesure 18
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 19
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes
+%\check
+% mesure 20
+\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler
+ \zqlp d\zq g\Tqh ihg\enotes
+\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler
+ \zqlp{=e}\zq g\Tqh ihg\enotes
+%\check
+% mesure 21
+\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler
+ \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes
+\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk
+ \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 22
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk
+ \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes
+%\check
+% mesure 23
+\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler
+ \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes
+\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax
+ \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 24
+\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \uptext{\bf III}\Ilegu3p\cu d\enotes
+%\check
+% mesure 26
+\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax
+\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes
+\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax
+\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes
+%\check
+% mesure 27
+\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax
+ \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes
+\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes
+%\check
+% mesure 28
+\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler
+ \Tqb lkj\enotes
+\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 29
+\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax
+ \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes
+\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax
+ \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 30
+\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler
+ \Tqh ghi\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 31
+\barre\notes\doubler
+ \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler
+ \ql n\sk\cl {=m}\enotes
+%\check
+% mesure 32
+\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler
+ \Tqb {_l}kj\enotes
+\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh ihg\enotes
+%\check
+% mesure 33
+\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler
+ \Tqh ihg\enotes
+\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 34
+\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax
+ \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes
+\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 35
+\barre\notes\doubler
+ \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler
+ \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler
+ \ql n\sk\cl m\enotes
+% mesure 36
+\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler
+ \Tqb {=l}kj\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler
+ \Tqb {_i}hg\enotes
+% mesure 37
+\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax
+ \sqbbH cc.{^c}egeca&\doubler
+ \ql{^j}\tleg3\sk\ds\enotes
+\cleftoksii={6000}\changeclefs
+\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax
+ \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o
+ \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes
+%\check
+% mesure 38
+\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 39
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir
+ &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \Ilegu3q\cu k\enotes
+%\check
+% mesure 40
+\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler
+ \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler
+ \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes
+%\check
+% mesure 41
+\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes
+\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler
+ \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes
+%\check
+% mesure 42
+\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler
+ \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes
+\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler
+ \zqp k\zqlp{^m}\qu o\sk\cu p\enotes
+% mesure 43
+\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler
+ \zq{ik}\ql n\tleg3\sk\ds\enotes
+\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler
+ \Ilegu3r\ql k\sk\itenl0k\cl k\enotes
+%\check
+% mesure 44
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler
+ \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk
+ \tten0\tten1\zq n\zq p\cl r\enotes
+%\check
+% mesure 45
+\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk
+ \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler
+ \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes
+%\check
+% mesure 46
+\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler
+ \zqlp k\zq n\Tqh pon\enotes
+\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler
+ \zqlp{=l}\zq n\Tqh pon\enotes
+%\check
+% mesure 47
+\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler
+ \zqp {k^m}\qlp o\enotes
+\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3r\itenl0k\cu k\enotes
+%\check
+% mesure 48
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zq k\zq n\ql p\sk\cl n\enotes
+%\check
+% mesure 49
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler
+ \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes
+%\check
+% mesure 50
+\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler
+ \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes
+\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler
+ \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes
+%\check
+% mesure 51
+\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir
+ &\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\cl c&\cu d\enotes
+%\check
+% mesure 52
+\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes
+\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes
+%\check
+% mesure 53
+\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes
+\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes
+%\check
+% mesure 54
+\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes
+\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes
+% check
+% mesure 55
+\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler
+ \zqp{^f}\zqlp h\qu k\sk\cu k\enotes
+\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler
+ \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes
+%\check
+% mesure 56
+\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes
+\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes
+%\check
+% mesure 57
+\barre\notes\qup I&\sqbbL aa.babNab&\doubler
+ \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes
+%\check
+% mesure 58
+\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes
+\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes
+%\check
+% mesure 59
+\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler
+ \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler
+ \zq e\zql g\Tqh {_i}hg\enotes
+%\check
+% mesure 60
+\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes
+\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir
+ \enotes
+\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 61
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 62
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes
+%\check
+% mesure 63
+\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler
+ \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes
+\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler
+ \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes
+%\check
+% mesure 64
+\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler
+ \zhp {bd}\hup g\enotes
+\ifnum\musicsize<17\relax\autolines695\relax\fi
+\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax
+ \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes
+%\check
+% mesure 65
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 66
+\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax
+ \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes
+\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes
+%\check
+% mesure 67
+\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax
+ \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes
+\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax
+ \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes
+%\check
+% mesure 68
+\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes
+\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes
+%\check
+% mesure 69
+\advance\maxbarsinline by 1\relax
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 70
+\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes
+\zbarre
+\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes
+%\check
+% mesure 71
+\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax
+ \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes
+\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax
+ \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes
+% mesure 72
+\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax
+ \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes
+\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/screatim.tex b/Master/texmf-dist/doc/generic/musictex/screatim.tex
new file mode 100644
index 00000000000..e4ae7e68d9f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/screatim.tex
@@ -0,0 +1,139 @@
+\input musicnft
+\input musictex
+\input musicsty
+%
+\def\nbinstruments{2}%
+\generalmeter{\meterfrac{4}{4}}%
+\signaturegenerale{0}%
+\hsize 190mm
+\vsize 275mm
+\centerline{\enorme Aria No. 24}
+\medskip\centerline{\moyen (La Cr\'eation)}
+\medskip\centerline{\moyen Joseph HAYDN}
+%
+\rightline{Transcription pour Orgue et T\'enor, D. Taupin (1990)}
+\medskip
+\nbporteesii=1\relax
+\nbporteesii=2\relax
+\def\instrumenti{P\'ed.}\def\instrumentii{Manuel}
+\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
+\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
+\etroit \def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
+\cleftoksi={{6}{0}{0}{0}}
+\cleftoksii={{6}{0}{0}{0}}
+\debutmorceau
+\NOTes\soupir\relax
+&\rlap{\rmidtwotext{\bf II}}\relax
+\soupir\relax
+|\relax
+\qu g\relax
+\enotes
+% mesure 1
+\advance\barno by -1\relax
+\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\smallnotesize
+\itenl0j\relax
+\ibu1l0\relax
+\qh1j\relax
+\enotes
+\notes&\qbl0c0|\smallnotesize\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes
+\Notes&\qb0e\tbl0\qb0c|\smallnotesize\qu j\enotes
+\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
+% mesure 2
+\smallnotesize
+\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
+ \zq c\qb1e\zq c\qb1e\relax
+ \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
+\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
+ \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
+% mesure 3
+\normalnotesize
+\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds
+|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes
+\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes
+\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes
+\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes
+\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes
+% mesure 4
+\alaligne\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax
+ \zq{bd}\qb1f\zq{bd}\qb1f\relax
+ \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes
+\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax
+ \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
+\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes
+% mesure 5
+\tinynotesize
+\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax
+ |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes
+\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax
+ |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes
+%\check
+% mesure 6
+\normalnotesize
+\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax
+ |\rlap{\hl g}\ppt j\qu j\enotes
+\notes&\tbl0\qb0c|\sk\ccu l\enotes
+\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes
+\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes
+%\check
+% mesure 7
+\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax
+ |\rlap{\hlp h}\qu k\sk\qu m\enotes
+\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes
+\notes&\zq d\qb0f\sk
+\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax
+ \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes
+%\check
+% mesure 8
+\alaligne\tinynotesize
+\Notes\hu G&\lcharnote c{\bf I}\relax
+\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes
+\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax
+ |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes
+%\check
+% mesure 9
+\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes
+\notes&\nbbl0\qb0b\tqb0c\enotes
+\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes
+\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes
+\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes
+\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes
+%\check
+% mesure 10
+\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes
+\notes&|\nbbl1\qb1n\tqb1{^m}\enotes
+\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes
+\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes
+\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes
+\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes
+%\check
+\suspmorceau
+\def\nbinstruments{4}%
+\nbporteesiii=0\relax
+% mesure 11
+\reprmorceau
+\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes
+\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes
+\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes
+\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes
+% mesure 12
+\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes
+\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes
+\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes
+\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes
+% mesure 13
+\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes
+\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes
+\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes
+\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes
+\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes
+% mesure 14
+\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax
+ &Sch\"on-&\ql k\enotes
+\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes
+\temps\Notes\pause&\hpause|\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes
+\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes
+\suspmorceau
+\removelastskip\rightline{\sl\aujourdhui}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/souvenir.tex b/Master/texmf-dist/doc/generic/musictex/souvenir.tex
new file mode 100644
index 00000000000..5210a58558d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/souvenir.tex
@@ -0,0 +1,29 @@
+\ifx\Smalltype\undefined \def\Smalltype{\ninepoint}\fi
+ %
+\def\Transpose{0}%
+\def\Signature{-3}\relax % trois bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-4}%
+\def\Signature{-4}\relax % quatre bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\bye
+
+\def\Transpose{-4}\relax
+\def\Signature{3}\relax % trois diezes a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-3}\relax
+\def\Signature{-2}\relax % deux bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musictex/souvenix.tex b/Master/texmf-dist/doc/generic/musictex/souvenix.tex
new file mode 100644
index 00000000000..6d69a70f29d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/souvenix.tex
@@ -0,0 +1,475 @@
+
+\fulltitle{Un souvenir...}
+\shortauthor{Rossi/Capitani}
+\title{Un souvenir}
+\othermention{Paroles d'Oreste ROSSI}
+\fullauthor{Musique de Fernand CAPITANI}%
+\maketitle
+
+\ifx\Transpose\undefined\def\Transpose{0}\fi
+\ifx\Signature\undefined\def\Signature{-3}\fi
+
+\tracingstats=1\relax
+%\check
+%
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{2}
+\setstaffs12\relax
+\setstaffs21\relax
+\setclefs1{6000}%
+\setclefs2{0000}%
+%
+\generalsignature{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{10}%
+\parindent 15mm
+\def\instrumenti{Piano}%
+\def\instrumentii{Chant}%
+\setinterinstrument1{4\Interligne}
+%\check
+\def\respire{\notes\nextinstrument\cbreath\enotes}%
+%
+%\check
+\catcode`\@=13
+%
+\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}%
+\def\doctu#1#2{{\advance\transpose by 7\relax
+\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}%
+%
+\def\nbinstruments{1}\computewidths
+\debutmorceau
+\autolines {10}44\relax
+\transpose=\Transpose
+\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes
+%
+\def\rchone{\lq q\zq{lnp}\ql s}%
+\def\Lchone{\lh c\zh{be}\hl g}%
+\def\lchone{\lq c\zq{be}\ql g}%
+\def\Lchtwo{\zh{bd}\hl g}%
+\def\lchtwo{\zq{bd}\ql g}%
+%\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}%
+\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\zcharnote{H}{\soupir}}%
+\znotes\zmidtwotext{\kern -2\Interligne\ppff p}\enotes
+\temps\NOtes\octs E|\soupir\enotes
+\temps\NOtes\Lchone|\rchone\enotes
+\temps\NOtes|\rchone\enotes
+\temps\NOtes\lchone|\rchone\enotes
+ %\check
+% mesure 2
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 3
+%
+\def\lchthree{\lq f\zq{ce}\ql h}%
+\def\Lchthree{\lh f\zh{ce}\hl h}%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes
+\temps\notes\Lchthree|\doct jk\enotes
+\temps\NOtes|\zq{lnq}\ql s\enotes
+\temps\notes\lchthree|\doct kj\enotes
+%
+ %\check
+% mesure 4
+\def\lchfour{\zq{be}\ql g}%
+\def\Lchfour{\zh{be}\hl g}%
+\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes
+\temps\NOtes\Lchfour|\ql l\enotes
+\temps\NOtes|\ql k\enotes
+\temps\NOtes\lchfour|\Fl k\ql k\enotes
+%
+ %\check
+% mesure 5
+%
+\def\lchfive{\lq e\zq c\ql f}%
+\def\Lchfive{\lh e\zh c\hl f}%
+\def\uchfive{\lq m\zq{hl}\ql o}%
+\barre\autolines 854\relax
+\NOtes\octs F|\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive\enotes
+\temps\NOtes|\uchfive\enotes
+\temps\notes\lchfive|\lq m\zq l\doct hh\enotes
+%
+ %\check
+% mesure 6
+%
+\def\lchsix{\lq c\zq{Nb}\ql e}%
+\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}%
+\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes
+\temps\NOtes\Lchsix|\ql l\enotes
+\temps\NOtes|\ql j\enotes
+\temps\NOtes\lchsix|\ql i\enotes
+%
+ %\check
+% mesure 7
+\def\lchseven{\zq{Ma}\ql c}%
+\def\Lchseven{\Fl c\zh{Mac}\hl e}%
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes
+\temps\notes\bigaccid\Lchseven|\doctu fg\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes
+\temps\notes\lchseven|\doctu ef\enotes
+%
+ %\check
+% mesure 8
+\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause
+ |\Na j\rh j\zh{egi}\hu l\enotes
+\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes
+%
+ %\check
+% mesure 9
+\xbarre\notes\qsk\enotes
+\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax
+ |\lw p\zw{lnq}\wh s\enotes
+\setdoublebar\suspmorceau
+%
+ %\check
+% mesure 10
+\def\nbinstruments{2}\generalmeter{}\savemeters
+ %\computewidths
+ %\advance\linesinpage by 1
+ \lreprmorceau
+{\leftrepeatsymbol}%
+\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 10pt
+\vss\hrule width \elemskip height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}}}}%
+\znotes\zmidtwotext{\ppff p}&\enotes
+%
+\znotes\rlap{\arpeggio E6}\arpeggio c6\enotes
+\notes\zw{EILNb}|\wh g&\ds\enotes
+\hardlyrics{\txt Se |De &}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt sou-|la &}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt ve-|mer-&}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt nir |veil-&}\notes&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt c'est |leuse &}\notes&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt croire |a-&}\notes&\hsong\thelyrics\cu j\enotes
+\hardlyrics{\txt en |ven-&}\notes&\hsong\thelyrics\cu j\enotes
+ %\check
+% mesure 11
+\xbarre\znotes\arpeggio G5|\arpeggio d4\enotes
+\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\hsong{\txt co-|tu-&}\hl k\enotes
+\temps\znotes\arpeggio M8|\arpeggio i4\enotes
+\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\hsong{\txt re |re &}\hl k\enotes
+%
+ %\check
+% mesure 12
+\xbarre
+\znotes\rlap{\arpeggio D8}\arpeggio b7\enotes
+\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes
+\hardlyrics{\txt Que |Qui &}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt tout |un &}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt vient |jour &}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt de |a &}\notes|\zhl e&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt re-|pu &}\notes&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt com-|nous &}\notes&\hsong\thelyrics\cu j\enotes
+\hardlyrics{\txt men-|u-&}\notes&\hsong\thelyrics\cu j\enotes
+ %\check
+% mesure 13
+\xbarre\znotes\arpeggio E6|\arpeggio c4\enotes
+\nspace
+\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\hsong{\txt cer |nir &}\wh k\enotes
+\temps\NOtes|\hl g\enotes
+%
+ %\check
+% mesure 14
+\alaligne
+\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes
+\hardlyrics{\txt\kern -\Interligne C'est |Je &}\notes&\hsong\thelyrics\cl l\enotes
+\hardlyrics{\txt re-|gar-&}\notes&\hsong\thelyrics\cl k\enotes
+\hardlyrics{\txt voir |de &}\notes&\hsong\thelyrics\cu j\enotes
+\hardlyrics{\txt
+ l'\^e-|mal-&}\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt tre |gr\'e &}\notes&\hsong\thelyrics\cu i\enotes
+\hardlyrics{\txt qu'on |mes &}\notes|\bigaccid\Na h\ql h&\hsong\thelyrics\cu j\enotes
+\hardlyrics{\txt a-|bles-&}\notes&\hsong\thelyrics\cu j\enotes
+ %\check
+% mesure 15
+\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\hsong{\txt do-|su-&}\hu g\enotes
+\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\hsong{\txt re |res &}\hu g\enotes
+%
+ %\check
+% mesure 16
+\xbarre
+\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes
+\hardlyrics{\txt Et |L'in-&}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt re-|ef-&}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt trou-|fa-&}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt ver |\c ca-&}\notes&\hsong\thelyrics\cu f\enotes
+\hardlyrics{\txt tout |ble &}\notes&\hsong\thelyrics\cu f\enotes
+\hardlyrics{\txt le |sou-&}\notes&\hsong\thelyrics\cu g\enotes
+\hardlyrics{\txt pas-|ve-&}\notes&\hsong\thelyrics\cu g\enotes
+ %\check
+% mesure 17
+\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\zsong{\txt s\'e... |nir... &}\wh i\enotes
+\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes
+\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes
+%
+ %\check
+% mesure 18
+\setdoublebar\alaligne
+%
+\autolines {10}44\relax
+\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes
+\temps\NOtes\octs E|\soupir\enotes
+%\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
+\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
+ %\check
+% mesure 19
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{\txt|nir &}\wh k\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 20
+%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -\Interligne C'est l'i-&}\cl j\cl k\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\dhsong{\txt|\kern -\Interligne ge d'un &}\cl k\cl j\enotes
+%\temps\Notes\lchthree|\doct kj&\dhsong{ge d'un }\cl k\cl j\enotes
+%
+ %\check
+% mesure 21
+\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{\txt|r\^e-&}\hl i\enotes
+\temps\NOtes\Lchfour|\enotes
+\temps\NOtes|\zh{inl}\hl p&\hsong{\txt|ve &}\hl i\enotes
+\temps\NOtes\lchfour|\enotes
+%
+ %\check
+% mesure 22
+%
+\def\lchttwo{\zq a\zq c\ql e}%
+\def\Lchttwo{\zh a\zh c\hl e}%
+\def\uchttwo{\zq{hjl}\ql o}%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\Lchttwo|\uchttwo&\hsong{\txt|\kern -5pt D'une &}\qu h\enotes
+\temps\NOtes|\uchttwo&\hsong{\txt|\kern -\internote heu-&}\qu h\enotes
+\temps\Notes\lchttwo|\zq j\zq l\doct hh&\dhsong{\txt|re trop &}\cu h\cu h\enotes
+%
+ %\check
+% mesure 23
+%
+\def\Lchtthree{\lh c\zh{Nb}\hl e}%
+\def\lchtthree{\lq c\zq{Nb}\ql e}%
+\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{\txt|br\`e-&}\hu g\enotes
+\temps\NOtes\Lchtthree|\enotes
+\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{\txt|ve &}\hu g\enotes
+\temps\NOtes\lchsix|\enotes
+%
+ %\check
+% mesure 24
+\def\Lchtfour{\zh{Mac}\hl e}%
+\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes
+\temps\Notes\Lchtfour|\doctu fg&\dhsong{\txt|Qui ne &}\cu f\cu g\enotes
+\temps\NOtes|\zq f\qu m&\hsong{\txt|veut &}\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes
+%
+ %\check
+% mesure 25
+\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{\txt|nir &}\hu g\enotes
+\temps\NOtes\lchtthree\enotes
+\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{\txt|---&}\hu i\enotes
+\temps\NOtes\qu I\enotes
+%
+ %\check
+% mesure 26
+\barre\temps\NOtes\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
+\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
+%
+ %\check
+% mesure 27
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 28
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -2\Interligne C'est tou-&}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|te &}\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\dhsong{\txt|la ten-&}\cl{kj}\enotes
+%
+ %\check
+% mesure 29
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|dres-&}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|se &}\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 30
+%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\txt|Des &}\qu h\enotes
+\hardlyrics{\txt|beaux &}\notes|\uchfive&\hsong\thelyrics\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|jours d'i-&}\cu{hh}\enotes
+%
+ %\check
+% mesure 31
+%
+\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|vres-&}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|se &}\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 32
+\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\zsong{\kern -2\internote\txt|Que l'on &}\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt voit |croit&}\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\dhsong{\txt re- ve-|re- te-&}\cu e\cu f\enotes
+%
+ %\check
+% mesure 33
+\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\hsong{\txt nir |nir &}\wh e\enotes
+\temps\NOtes\qu N\enotes
+\temps\NOtes\qu a\enotes
+\temps\NOtes\Sh a\qu a\enotes
+%
+ %\check
+% mesure 34
+\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes
+\hardlyrics{\txt|Un &}\notes&\hsong\thelyrics\Ibu0eh2\qh0d\enotes
+\hardlyrics{\txt|soir &}\notes&\hsong\thelyrics\qh0g\enotes
+\notes&\hsong{\txt|tu &}\bigaccid\Sh h\tqh0h\enotes
+\temps\notes\zh I\hu N|\zh k\hl g&\hsong{\txt|as &}\ibu0j0\qh0i\enotes
+\hardlyrics{\txt|pu &}\notes&\hsong\thelyrics\qh0k\enotes
+\notes&\hsong{\txt|te &}\qh0j\enotes
+\notes&\hsong{\txt|re-&}\tqh0i\enotes
+ %\check
+% mesure 35
+\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{\txt|pren-&}\hl k\enotes
+\temps\NOTes|\hu j&\hsong{\txt|dre &}\hl j\enotes
+ %\check
+% mesure 36
+\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes
+\hardlyrics{\txt|\kern -\internote Tout &}\notes&\hsong\thelyrics\ibu0j0\qh0j\enotes
+\hardlyrics{\txt|bri-&}\notes&\hsong\thelyrics\qh0j\enotes
+\hardlyrics{\txt|ser, &}\notes&\hsong\thelyrics\tqh0j\enotes
+\hardlyrics{\txt|tout &}\notes&\hsong\thelyrics\Ibu0kh4\qh0k\enotes
+\notes&\hsong{\txt|a-&}\qh0k\enotes
+\notes&\hsong{\txt|n\'e-&}\bigaccid\Sh h\qh0h\enotes
+\notes&\hsong{\txt|an-&}\tqh0h\enotes
+ %\check
+% mesure 37
+\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{\txt|tir &}\wh i\enotes
+\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes
+ %\check
+% mesure 38
+\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes
+\hardlyrics{\txt|\kern -3\internote Mais &}\notes&\hsong\thelyrics\Ibu0gj3\qh0f\enotes
+\hardlyrics{\txt|pour &}\notes&\hsong\thelyrics\qh0i\enotes
+\hardlyrics{\txt|moi &}\notes&\hsong\thelyrics\tqh0j\enotes
+\hardlyrics{\txt|qui &}\notes\zh K\hl b|\zh f\hl i&\hsong\thelyrics\Ibu0ki3\qh0k\enotes
+\hardlyrics{\txt|ne &}\notes&\hsong\thelyrics\qh0k\enotes
+\hardlyrics{\txt|sais &}\notes&\hsong\thelyrics\qh0j\enotes
+\hardlyrics{\txt|com-&}\notes&\hsong\thelyrics\tqh0i\enotes
+ %\check
+% mesure 39
+\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{\txt|pren-&}\hu k\enotes
+\temps\NOTes&\hsong{\txt|dre &}\hu j\enotes
+ %\check
+% mesure 40
+\barre\Notes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes
+\temps\NOtes&\hsong{\txt|\kern -\internote Qu'on &}\ql j\enotes
+\temps\NOtes|\Sh h\hl h&\hsong{\txt|peut &}\ql k\enotes
+\temps\NOtes&\hsong{\txt|men-&}\ql l\enotes
+ %\check
+% mesure 41
+\barre\Notes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{\txt|tir &}\wh m\enotes
+\temps\Notes\qu c|\qu j\enotes
+\temps\Notes\Sh c\qu c|\Sh i\qu i\enotes
+\temps\Notes\qu d|\Na i\qu i\enotes
+ %\check
+% mesure 42
+\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
+\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
+ %\check
+% mesure 43
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 44
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\thsong{\txt|\kern -\Interligne C'est l'i-&}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\dhsong{\txt|ge d'un &}\cl{kj}\enotes
+%
+ %\check
+% mesure 45
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|r\^e-&}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|ve &}\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 46
+%
+\barre\autolines {9}54\relax
+\NOtes\octs F|\soupir&\soupir\enotes
+\temps\hardlyrics{\txt|\kern -\internote D'une &}\notes\lFl c\Lchfive|\uchfive&\hsong\thelyrics\qu h\enotes
+\temps\hardlyrics{\txt|\kern -\internote heu-&}\notes|\uchfive&\hsong\thelyrics\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|\kern -\internote re trop &}\cu{hh}\enotes
+%
+ %\check
+% mesure 47
+%
+\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|br\`e-&}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|ve &}\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 48
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\dhsong{\txt|\kern -\internote Qui ne &}\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt|\kern -\internote veut &}\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes
+%
+ %\check
+% mesure 49
+\xbarre\NOTes\itenl1E\itenl2L\octs E\relax
+|\Na j\rh j\zh{egi}\hu l&\hsong{\txt|nir...&}\wh e\enotes
+\temps\NOTes
+ \ifnum\transpose<-2\relax
+ \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi
+|\ifnum\transpose<-2\else
+ \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi
+ \zh{il}\rh m\hu p\relax
+\enotes
+ %\check
+% mesure 50
+\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk
+\lh q\zh l\zh n\zh p\hl s\enotes
+\temps\NOtes\qu E|\hpause&\pause\enotes
+\temps\NOtes\soupir\enotes
+\setrightrepeat\finpartition
+\medskip\rightline{\it le \aujourdhui}
+\eject
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musictex/tierce.tex b/Master/texmf-dist/doc/generic/musictex/tierce.tex
new file mode 100644
index 00000000000..ecfc89d98e5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musictex/tierce.tex
@@ -0,0 +1,367 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\title{Tierce en taille}
+\fulltitle{III. \titremorceau}
+\csname titremorceautoc\endcsname
+%
+\parindent 18mm
+
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{3}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % un dieze a la clef
+\def\quatretemps{\generalmeter{\allabreve}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+\def\Mordant{\mordant{10}}%
+\def\Pince{\pince{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+%
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+% croche pointee et double croche meme hauteur
+\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
+\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+\advancebottom{4\internote}%
+\autolines {8}44\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+\advance\barsinline by 1\relax
+\advance\linesinpage by 1\relax
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
+\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
+\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
+%\check
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+%
+% mesure 1
+\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
+% mesure 2
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 3
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 4
+\autolines{9}44\relax
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 5
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 6
+\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes
+\temps\notes&|\cu c\enotes
+\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes
+\temps\notes&\qu j|\sk\cu b\enotes
+% mesure 7
+\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu N\enotes
+% mesure 8
+\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\trioskip\dqbbh3Na\enotes
+% mesure 9
+\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes
+\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes
+\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes
+\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes
+% mesure 10
+\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu a\enotes
+% mesure 11
+\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes
+\temps\notes&|\Pince\dql{-3}dc\enotes
+% mesure 12
+\troistemps
+\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 13
+\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes
+% mesure 14
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 15
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes
+\temps\notes\qu D&\zql c|\sk\cu N\enotes
+\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes
+\resp
+% mesure 17
+\deuxtemps
+\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes
+\temps\NOTes&|\hl d\enotes
+\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
+% mesure 18
+\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes
+\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes
+% mesure 19
+\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes
+\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes
+\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes
+\temps\notes&\qu g|\sk\cl d\enotes
+% mesure 20
+\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes
+\resp
+\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes
+% mesure 21
+\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes
+\temps\notes&\itenl1d\ql d|\Pince\dql{-2}dc\enotes
+% mesure 22
+\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes
+\notes&|\tten1\trioskip\qqbbl3bbcd\enotes
+\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes
+\temps\notes&|\dql{-6}ea\enotes
+% mesure 23
+\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes
+\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes
+\temps\notes&|\cu c\enotes
+% mesure 24
+\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes
+\resp
+% mesure 25
+\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes
+% mesure 26
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 27
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 28
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes
+% mesure 29
+\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 31
+\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
+% mesure 31
+\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 32
+\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 33
+\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes
+\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes
+\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 34
+\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes
+\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes
+%\check
+% mesure 35
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes
+\temps\notes&|\cu h\enotes
+\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes
+\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes
+% mesure 36
+\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu b\enotes
+% mesure 37
+\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+% mesure 38
+\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-3}hg\enotes
+\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes
+\temps\NOtes&|\qu d\enotes
+% mesure 39
+\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes
+\temps\notes&|\dqu{-8}gd\enotes
+\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes
+\temps\NOtes&|\pince o\qu e\enotes
+% mesure 40
+\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-8}he\enotes
+\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes
+\temps\NOtes&|\pince o\qu f\enotes
+%\check
+% mesure 41
+\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+%\check
+% mesure 42
+\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes
+\temps\notes&|\dqu{-3}ji\enotes
+\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes
+\temps\notes&|\dqu{-3}fe\enotes
+% mesure 43
+\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes
+\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes
+\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes
+\temps\notes&|\cu h\enotes
+% mesure 44
+\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes
+\resp
+% mesure 45
+\cleftoksii={{0}{3}{0}{0}}\changeclefs
+\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
+% mesure 46
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 47
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 48
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 49
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 50
+\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes
+\resp
+% mesure 51
+\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes
+% mesure 52
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 53
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 54
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+% mesure 55
+\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 56
+\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes
+% mesure 57
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 58
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 59
+\advance\barsinline by -1\relax
+\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes
+\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+% mesure 60
+\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/CHANGES b/Master/texmf-dist/doc/generic/musixtex/CHANGES
new file mode 100644
index 00000000000..984f109f364
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/CHANGES
@@ -0,0 +1,31 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.13
+
+ 19-February-2003
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+19-February-2003
+ + Fix a problem that xslz20 disappears with Acrobat 5.
+
+15-July-2002
+ + Fix broken fonts, xslhd11, xslhd11d, xslhd13, xslhd13d, xslhd16d,
+ xslhd24, xslhd29d.
+
+28-August-2001
+ + Fix wrong width of musix13.pfb.
+ + Fix wrong width of xslhu11-29 and xslhu11d-29d.
+
+30-July-2001
+ + Reducing control points.
+ + Hinted automatically with Fontographer.
+ + Upgrade from T101 to T102 (musix11 - 29, xslhz20, xslhz20d)
+ + PostScript names were changed.
+ Ex. TeX-musix20 --> TeXMUSIX20-Regular
+ + typo correction.
+ musix.tex --> musix.map
+
+13-July-2001
+ + First release.
+
+[End of CHANGES]
diff --git a/Master/texmf-dist/doc/generic/musixtex/README b/Master/texmf-dist/doc/generic/musixtex/README
new file mode 100644
index 00000000000..3490a07d215
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/README
@@ -0,0 +1,114 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.13
+
+ 19-February-2003
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+1. DESCRIPTION
+
+This package provides PostScript (type 1) fonts (PFB format), and dvips and
+dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT
+sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts
+provided here may be used to produce printer-independent Postscript files. PDF
+files generated using type 1 fonts are well displayed by the Acrobat Reader and
+xpdf.
+
+The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July
+using TeXtrace 0.45 or mftrace 1.0.12 but musix11-20, xslhz20 and xslhz20d
+were upgraded to those in musixtex-T102.tar.gz.
+
+Here is a list of the 71 generated fonts.
+
+musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb
+musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb
+musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb
+musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb
+musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb
+musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb
+musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb
+musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb
+xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb
+xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb
+xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb
+xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb
+
+Note: musix25 and xgreg25 were not generated because they are not used in
+ musixgre.tex or musixtex.tex.
+
+
+The control points were reduced with Fontographer.
+The fonts were hinted automatically with Fontographer. musix11 - 29 were
+hand tuned by Takanori Uchiyama.
+
+2. METHOD
+
+Most of fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4.
+xslz20 was generated using mftrace 1.0.12 running on Mac OS X 10.2.3.
+Thirty-two fonts were generated with the original traceall.sh script. Others
+were generated with traceall.sh modified by Takanori Uchiyama. The modification
+involved reducing resolution, corresponding to enlargement of "1 thou" in
+traceall.sh. The following are lists of fonts that were generated with N-fold
+thou scripts.
+
+twofold
+ musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d,
+ xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d,
+ xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d,
+ xslu13, xslu13d, xslu16, xslu16d, xslud20
+
+threefold
+ musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d
+
+fivefold
+ xslhz20, xslhz20d, xtie20
+
+The reason for reducing resolution is that METAFONT supports only limited
+values of real numbers and so cannot generate very high resolution MusiXTeX
+fonts.
+
+3. INSTALLATION
+
+ 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs.
+ 2) Copy all PFBs to the above directory; they should be readable by all users.
+ 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as
+ $TEXMF/dvips/config
+ 4) Add a line
+
+ p +musix.map
+
+ to a suitable config.xxx file or, in a tetex-based distribution, add
+ musix.map to the list of map files for Type1 fonts with Metafont
+ equivalents in the updmap script, which should then be executed
+ by doing "./updmap".
+ 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as
+ $TEXMF/dvipdfm/config
+ 6) Add a line
+
+ f musix.map
+
+ to the config file.
+ 7) Do mktexlsr or texhash or whatever is necessary on your system to
+ re-generate the TeX database.
+
+When these fonts are used, type 1 fonts should also be used for non-music text;
+for example, type 1 versions of the Computer Modern fonts are available.
+
+4. TODO
+
+ + Hinting
+ + Modifying METAFONT sources to get high resolution outputs
+
+5. LICENSE
+
+ The license of this package is LPPL.
+
+6. ACKNOWLEDGEMENTS
+
+ Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their
+MusiXTeX package, to Dr. Peter Szabo for his excellent TeXtrace tool,
+and to Dr. Han-Wen Nienhuys for his smart mftrace tool.
+And thanks to Dr. Bob Tennent for his helpful comments, and to Mr. David
+Fritzsche for his suggestions.
+
+[End of README]
diff --git a/Master/texmf-dist/doc/generic/musixtex/README.psfonts b/Master/texmf-dist/doc/generic/musixtex/README.psfonts
new file mode 100644
index 00000000000..5285b7dcc30
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/README.psfonts
@@ -0,0 +1,111 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.11
+
+ 28-August-2001
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+1. DESCRIPTION
+
+This package provides PostScript (type 1) fonts (PFB format), and dvips and
+dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT
+sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts
+provided here may be used to produce printer-independent Postscript files. PDF
+files generated using type 1 fonts are well displayed by the Acrobat Reader and
+xpdf.
+
+The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July
+using TeXtrace 0.45 but musix11-20, xslhz20 and xslhz20d were upgraded to those
+in musixtex-T102.tar.gz.
+
+Here is a list of the 71 generated fonts.
+
+musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb
+musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb
+musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb
+musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb
+musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb
+musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb
+musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb
+musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb
+xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb
+xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb
+xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb
+xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb
+
+Note: musix25 and xgreg25 were not generated because they are not used in
+ musixgre.tex or musixtex.tex.
+
+
+The control points were reduced with Fontographer.
+The fonts were hinted automatically with Fontographer. musix11 - 29 were
+hand tuned by Takanori Uchiyama.
+
+2. METHOD
+
+All fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4.
+Thirty-two fonts were generated with the original traceall.sh script. Others
+were generated with traceall.sh modified by Takanori Uchiyama. The modification
+involved reducing resolution, corresponding to enlargement of "1 thou" in
+traceall.sh. The following are lists of fonts that were generated with N-fold
+thou scripts.
+
+twofold
+ musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d,
+ xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d,
+ xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d,
+ xslu13, xslu13d, xslu16, xslu16d, xslud20
+
+threefold
+ musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d
+
+fivefold
+ xslhz20, xslhz20d, xtie20
+
+The reason for reducing resolution is that METAFONT supports only limited
+values of real numbers and so cannot generate very high resolution MusiXTeX
+fonts.
+
+3. INSTALLATION
+
+ 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs.
+ 2) Copy all PFBs to the above directory; they should be readable by all users.
+ 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as
+ $TEXMF/dvips/config
+ 4) Add a line
+
+ p +musix.map
+
+ to a suitable config.xxx file or, in a tetex-based distribution, add
+ musix.map to the list of map files for Type1 fonts with Metafont
+ equivalents in the updmap script, which should then be executed
+ by doing "./updmap".
+ 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as
+ $TEXMF/dvipdfm/config
+ 6) Add a line
+
+ f musix.map
+
+ to the config file.
+ 7) Do mktexlsr or texhash or whatever is necessary on your system to
+ re-generate the TeX database.
+
+When these fonts are used, type 1 fonts should also be used for non-music text;
+for example, type 1 versions of the Computer Modern fonts are available.
+
+4. TODO
+
+ + Hinting
+ + Modifying METAFONT sources to get high resolution outputs
+
+5. LICENSE
+
+ The license of this package is LPPL.
+
+6. ACKNOWLEDGEMENTS
+
+ Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their
+MusiXTeX package, and to Dr. Peter Szabo for his excellent TeXtrace tool.
+And thanks to Dr. Bob Tennent for his helpful comments.
+
+[End of README]
diff --git a/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty
new file mode 100644
index 00000000000..0c06073ad95
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty
@@ -0,0 +1,320 @@
+%%% backgrnd.sty = background.sty
+%%% Experimental version 24 march 1996
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% This macro file aims at implementing marking of text,
+%%% either by a grey background or by a change bar
+%%% using TeX's own resoureces only,
+%%% (i.e., without resorting to any pstricks).
+%%% Grey background uses a shade font defined using MetaFont
+%%% The macros seem to work satisfactory under plain TeX,
+%%% however, I have also tried (rudimentarily) to integrate it with
+%%% LaTeX, too. It seems to work with (simple) LaTeX 2.09, at least.
+%%%
+%%% commands :
+%%% \RuleOn and \RuleOff : changebar
+%%% \RuleON : backs up to mark current line, too
+%%% \RuleStyle { ( dimension ) % width of rule
+%%% % rule offset on pages
+%%% [ # dimension | % with even pagenumbers
+%%% # dimension ] } % with odd pagenumbers
+%%% % # is either < : left margin
+%%% % or > : right margin
+%%% e.g.: default values are set by
+%%% \RuleStyle { (2pt)[<18pt|>18pt] }
+%%%
+%%%
+%%% \ShadeON ( backs up to mark current line, too ) and
+%%% \ShadeOn and \ShadeOff : grey background, requires shade.sty
+%%% therefore, by default,
+ \let\ifUseGrey\iffalse % grey background will not be installed
+%%% - and will be replaced by rules
+%%% if grey background is required then
+%%% remove comment signs %%% from next line :
+%%% \let\ifUseGrey\iftrue
+%%%
+%%% (At present) it is not possible to use both commands
+%%% in the same document !
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% Peter Schmitt %%%
+%%% Institut f\"ur Mathematik, Universit\"at Wien %%%
+%%% Strudlhofgasse 4, A-1090 Wien, Austria %%%
+%%% email: schmitt@awirap.bitnet %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\catcode`\: 11 % make internal macros private
+\countdef\int: 255 % scratch registers
+\dimendef\dim: 0
+\skipdef\skip: 0
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% commands and options %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\def \RuleOn {\bg:ini \bg:rule
+ \RuleStyle { (2pt)[<18pt|>18pt] }
+ \bg:commands \RuleOn \RuleON \RuleOff
+ \RuleOn
+ }
+\def \RuleStyle #1{\set:hsize #1(\bg:hsize)\\%
+ \set:offsets #1[*|*]\iftrue]\iffalse\\%
+ }
+
+\def \bg:rule {\leaders\vrule width\bg:hsize\vskip}
+\def \bg:empty {\vskip}
+\let \bg:offset \relax
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% interface tools %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\def\bg:commands #1#2#3{\def #1{\bg:option {\vbox{}\pos:on}}
+ \def #2{\bg:option {\nobreak\vskip-\baselineskip
+ \vbox{}\pos:on
+ \nobreak\vskip\baselineskip }
+ }
+ \def #3{\bg:option {\vbox{}\pos:off}}
+ }
+\def \bg:ini {\output{\bg:output} % should be followed by desired \bg:style
+ \zero:pos
+ \global\let \bg:skip \bg:empty
+ \let \bg:style
+ }
+\def\bg:option #1{\ifvmode #1\else \vadjust{#1}\fi }
+
+\def \set:hsize #1(#2)#3\\{\edef\bg:hsize{#2}}
+\def \set:offsets #1[#2#3|#4#5]#6]#7#8\\{#7
+ \def\bg:shift{}
+ \set:offset #2#3
+ \set:offset #4#5
+ \expandafter \set:shifts \bg:shift
+ \fi }
+\def\set:offset #1#2 {\setbox0\hbox{\dim:
+#2\bg:offset\xdef\bg:offset{\the\dim:}}
+ \dim:\bg:offset
+ \expandafter\expandafter\expandafter
+ \set:shift \csname bg:#1\endcsname
+ }
+\def\set:shift #1#2{\dim: \bg:offset \advance\dim: #2%
+ \edef\bg:shift {\bg:shift {#1\the\dim:}}
+ }
+\expandafter\def \csname bg:<\endcsname {\moveleft \bg:hsize}
+\expandafter\def \csname bg:>\endcsname {\moveright \hsize}
+\def \set:shifts #1#2{\def\bg:shift{\ifodd\pageno #2\else #1\fi}}
+
+%%% not used :
+\def\bg:err #1{\errmessage {%
+ Warning ! Background mode \noexpand#1 already active ! }
+ }
+%%% saving position without eject yields not always correct result
+%%% \def\bg:on {\switch:to \bg:style } \def\bg:off {\switch:to \bg:empty }
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% grey background %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\ifUseGrey
+
+\def\ShadeOn {\bg:ini \bg:grey
+ \let\bg:shift\relax
+ \let\bg:hsize\hsize
+ \setbox\grey:line
+ \vbox{\shade{\line:{\vphantom{\grey:\char0}\hfil}}}
+ \bg:commands \ShadeOn \ShadeON \ShadeOff
+ \ShadeOn
+ }
+\csname newbox\endcsname\grey:line % allow \newbox in conditional text
+\def\bg:grey {\leaders\copy\grey:line\vskip}
+\let\line:\line
+\input shade
+
+\else
+ \def\ShadeOn{\RuleOn} \def\ShadeOff{\RuleOff} \def\ShadeON{\RuleON}
+ \fi
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% output routine %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ \newbox \bg:page
+ \newdimen \v:size
+ \newskip \v:pos
+ \newcount \true:penalty
+ \chardef \the:page 255
+
+\def\option: #1{\advance\int: -1
+ \edef#1{\penalty\the\int: }
+ \expandafter\def\csname\the\int:\endcsname
+ } \int: -12345
+\def\bg:output{\expandafter\ifx\csname\the\outputpenalty\endcsname\relax
+ \global\true:penalty\outputpenalty
+ \expandafter\bg:pagecontents
+ \else \expandafter\expandafter
+ \csname\the\outputpenalty\endcsname
+ \fi }
+\option: \pos:on {\bg:switch \bg:style }
+\option: \pos:off {\bg:switch \bg:empty }
+\option: \bg:top {\save:pos \add:bg\bg:empty\v:skip{}
+ \repeat:page \unvbox\the:page }
+\option: \bg:bot {\save:pos \repeat:page \unvbox\the:page }
+\option: \fg:end {\save:pos \add:bg\bg:empty{}\v:skip \bg:makepage }
+
+\def \bg:switch #1{\setbox\the:page
+ \vbox{\unvbox\the:page \setbox0\lastbox }
+ \ifdim \pagetotal=\topskip
+ \global\let \bg:skip #1
+ \unvbox\the:page
+ \else \switch:to #1
+ \repeat:page\repeat:inserts \unvbox\the:page
+ \fi
+ }
+\def\switch:to #1{\save:pos
+ \add:bg \bg:skip{}\v:skip
+ \global\let \bg:skip #1}
+\def\bg:pagecontents {\switch:to \bg:skip
+ \setbox\the:page \vbox
+ {\vbox{}\bg:top \unvbox\the:page \bg:bot }
+ \zero:pos \repeat:page
+ \pagecontents \fg:end
+ }
+\def\bg:makepage {\global\v:size\vsize \advance\v:size \dp\the:page
+ \def\pagecontents{%
+ \bg:shift
+ \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss}
+ \unvbox\the:page }
+ \outputpenalty\true:penalty
+ \plainoutput
+ \zero:pos \reset:inserts
+ }
+
+%%%%%%%%%%%%%%%%%
+%%% tools %%%
+%%%%%%%%%%%%%%%%%
+
+\def\repeat:page {\vbox{}\nobreak\kern-\topskip }
+\def\add:bg #1#2#3{\let\bg:vskip #1
+ \global\setbox\bg:page \vbox{#2\unvbox\bg:page#3}
+ }
+
+\newdimen \v:fil
+\newdimen \v:fill
+\newdimen \v:filll
+\def\zero:pos {\global \v:pos 0pt
+ \global \v:fil 0pt
+ \global \v:fill 0pt
+ \global \v:filll 0pt
+ }
+\def\save:pos {\skip: -\v:pos % save -last:pos
+ \global \v:pos \pagetotal
+ \global\advance \v:pos \pagedepth
+ \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi
+ \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink
+ \save:skip
+ }
+\def\save:pos {\skip: -\v:pos % save -last:pos
+ \global \v:pos \pagetotal
+ \global\advance \v:pos \pagedepth
+ \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi
+ \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink
+ \save:skip
+ \global\skip\ins:size \vsize
+ \global\advance\skip\ins:size -\pagegoal
+ \global\advance\skip\ins:size -\ins:skip
+ }
+\def\save:skip {\advance\skip:\v:pos % v:pos - last:pos
+ \let\bg:vskip\relax
+ \edef\v:skip{\bg:vskip\the\skip:}
+ \fil:skip l \fil:skip ll \fil:skip lll
+ }
+\def\fil:skip #1 {\set:fil {\csname v:fi#1\endcsname}
+ {\csname pagefi#1stretch\endcsname}
+ \edef\v:skip{\v:skip \bg:vskip0ptplus\the:pt \dim: fi#1 }
+ }
+\def\set:fil #1#2{\dim: -#1
+ \advance \dim: #2
+ \global #1 #2
+ }
+\def\the:pt {\expandafter\PT:\the}
+ { \catcode`p 12 \catcode`t 12
+\gdef\PT: #1pt{#1} }% \catcode`p 11 \catcode`t 11
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% insert handling %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newcount\ins:
+\newinsert\ins:size
+\newdimen\ins:skip
+
+\let\do:insert \insert
+\def\inserts:{}
+\def\insert {\afterassignment\adjust:pos\ins:}
+\def\adjust:pos {\csname ins:\the\ins:\endcsname\csname iftrue\endcsname
+ \add:plus \ins: \add:minus \ins:
+ \advance\ins:skip\skip\ins:
+ \let\temp:\relax
+ \edef\inserts:{\inserts: \temp:{\the\ins:}}
+ \fi
+ \global\expandafter\let\csname ins:\the\ins:\endcsname \iffalse
+ \do:insert\ins: }
+\def\repeat:inserts{\def\temp:##1{\do:insert##1{}}\inserts: }
+\def\reset:inserts{%
+ \def\temp: ##1{\global\expandafter\let\csname ins:##1\endcsname \relax }
+ \inserts: \gdef\inserts:{}\global\ins:skip 0pt }
+
+%%% tools for insert handling %%%
+
+ \catcode `L12 \catcode `N12 \catcode `S12 \catcode `U12 \lowercase{
+\def\plus: #1LUS #2 #3\\{#2}
+\def\Plus: #1{\expandafter\plus:\the#1 LUS 0.0pt \\}
+\def\minus: #1NUS #2 #3\\{#2}
+\def\Minus: #1{\expandafter\minus:\the#1 NUS 0.0pt \\}
+ } \catcode `L11 \catcode `N11 \catcode `S11 \catcode `U11
+
+\def\set:int {\afterassignment\set:frac\int: }
+\def\set:frac #1{\afterassignment\csname\count0 }
+\def\adv:pos #1{\global\advance#1\the\int:.\the\count0 pt }
+\def \pt:p {\adv:pos {\v:pos 0ptplus}}
+\def \pt:m {\adv:pos {\v:pos 0ptminus}}
+\def \fil:p {\adv:pos \v:fil }
+\def \fill:p {\adv:pos \v:fill }
+\def\filll:p {\adv:pos \v:filll }
+
+\def\add:plus #1{{\expandafter\set:int \Plus: {\skip#1}:p\endcsname }}
+\def\add:minus #1{{\expandafter\set:int \Minus:{\skip#1}:m\endcsname }}
+
+%%%%%%%%%%%%%%%%%%%%%%%%
+%%% LaTeX extras %%%
+%%%%%%%%%%%%%%%%%%%%%%%%
+
+\catcode`@ 11
+\ifx \@outputbox\undefined \endinput \catcode`@12 \catcode`: 12 \fi
+
+\newtoks\latex:output \latex:output \output
+\newdimen\v:ht % possibly \textheight could be used
+
+\def\bg:@makecol {\switch:to \bg:skip
+ \setbox\the:page \vbox
+ {\vbox{}\bg:top \unvbox\the:page \bg:bot }
+ \@makecol
+ \global\v:ht\ht\@outputbox \global\v:size\v:ht
+ \global\advance\v:size\dp\@outputbox
+ \zero:pos \outputpenalty\true:penalty
+ \repeat:page \unvbox\@outputbox \fg:end
+ }
+\def\bg:@makepage {\setbox\@outputbox \vbox to \v:ht {%
+ \bg:shift
+ \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss}
+ \unvbox\the:page }
+ \outputpenalty\true:penalty
+ \let\@makecol\relax \the\latex:output
+ \zero:pos \reset:inserts
+ }
+\let \bg:makepage \bg:@makepage
+\let \bg:pagecontents \bg:@makecol
+\def \line: {\hbox to\textwidth}
+\let \pageno \c@page
+
+\catcode`@ 12 \catcode`: 12
+
+\endinput %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% end : background.sty [ 0.3 ] %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
new file mode 100644
index 00000000000..7fb253826fa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
@@ -0,0 +1,445 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Adagio}
+\subtitle{(pour orgue)}
+\headtitle{I. Adagio}
+\csname titremorceautoc\endcsname
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\organiste Gif-sur-Yvette}
+\othermention{Compos en 1989}
+%
+%
+
+\maketitle
+\parindent 18mm
+%
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\def\znotes{\vnotes 0\elemskip}%
+
+
+\tracingstats=1\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{16', 8'}
+ \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee
+\vskip -10pt\centerline{fl\^ute 8'}}}%
+%\check
+%\elemskip=10pt\relax
+%\normal
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+\noautolines
+\quatretemps
+%
+\debutmorceau
+\hyphenpenalty -50\relax
+\global\cleftoksii={{0}{0}{0}{0}}%
+\changeclefs\zglu
+\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes
+% mesure 1
+\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenu0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 2
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 3
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 4
+%\etroit
+\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes
+\temps\Notes&\zq f\qu h|\sk\cu e\enotes
+\temps\NOTes&\zq f\qu h|\qup d\enotes
+\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes
+% mesure 5
+\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu j\enotes
+% mesure 6
+\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes
+\temps\NOTes&\zq f\rq g\qu i\enotes
+\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes
+\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes
+% mesure 7
+\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes
+\temps\NOTes&\zq e\qu h|\enotes
+\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes
+\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes
+% mesure 8
+\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes
+% mesure 9
+\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes
+\temps\Notes&\zq d\qu f|\sk\cu e\enotes
+\temps\NOTes&\zq d\qu f|\qup d\enotes
+\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes
+% mesure 10
+\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 11
+\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes
+\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes
+%\check
+% mesure 12
+\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes
+\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes
+\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes
+%\check
+% mesure 13
+\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes
+\temps\Notes&\zq g\qu i|\sk\cu h\enotes
+\temps\NOTes&\zq g\qu i|\qup g\enotes
+\temps\Notes&\zq g\qu i|\sk\ds \enotes
+%\check
+% mesure 14
+\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote
+ n{\Trille{2\noteskip}}\relax
+\zcharnote q{\ \ (*)}\enotes
+\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans
+terminaison sur la note suivante.}\relax
+ \temps\NOTes&\zq e\qu h\enotes
+\temps\NOTes&\zq e\qu h|\ql j\enotes
+\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes
+%\check
+% mesure 15
+\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql k\enotes
+\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes
+%\check
+% mesure 16
+\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes
+\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes
+\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes
+%\check
+% mesure 17
+\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 18
+\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}%
+\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql m\enotes
+\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes
+%\check
+% mesure 19
+\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\NOTes&\zq g\qu i|\ql n\enotes
+\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes
+%\check
+% mesure 20
+\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes
+\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes
+%\check
+% mesure 21
+\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes
+\temps\Notes&\zq g\qu i|\sk\cl o\enotes
+\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 22
+\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes
+\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes
+\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes
+\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes
+%\check
+% mesure 23
+\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl k\enotes
+\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes
+%\check
+% mesure 24
+\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 25
+\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes
+% mesure 26
+\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes
+\Notes&|\tbl0\itenl0k\qb0k\enotes
+\NOTes&\zq f\qu h|\tten0\hl k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes
+% mesure 27
+\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes
+\temps\NOtes&\rq g\qu f\enotes
+\temps\NOtes&\rq g\qu f|\soupir\enotes
+\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes
+\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes
+% mesure 28
+\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes
+\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+% mesure 29
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 30
+\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes
+\temps\NOTes&\zq f\qu h&\enotes
+\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes
+\NOTes&\zq f\qu h|\ql{^m}\enotes
+% mesure 31
+\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes
+\temps\NOTes&\zq d\qu g|\enotes
+\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes
+\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes
+%\check
+% mesure 32
+\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes
+%\check
+% mesure 33
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 34
+\barre\nspace
+\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes
+\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes
+% mesure 35
+\barre
+\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes
+\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 36
+\barre%
+\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes
+\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes
+% mesure 37
+\barre
+\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes
+\temps\Notes&\zq f\qu h|\dqb3mn\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 38
+\barre
+\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes
+\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes
+% mesure 39
+%\check
+\barre
+\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu i|\dqb3hi\enotes
+%\check
+% mesure 40
+\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 41
+\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 42
+\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 43
+\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 44
+\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes
+\temps\NOTes&\zq d\qu g\enotes
+\temps\NOTes&\zq d\qu g|\soupir\enotes
+\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes
+% mesure 45
+\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+%\check
+% mesure 46
+\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes
+\temps\Notes&\zq c\qu f|\sk\cu g\enotes
+\temps\NOTes&\zq c\qu f|\qup h\enotes
+\temps\Notes&\zq c\qu f|\sk\ds\enotes
+% mesure 47
+%\check
+\large
+\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes
+\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes
+\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes
+\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes
+% mesure 48
+%\check
+\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes
+\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes
+\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes
+\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes
+% mesure 49
+%\check
+\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes
+\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes
+\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes
+\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes
+% mesure 50
+%\check
+\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes
+\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes
+\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes
+\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes
+% mesure 51
+%\check
+\normal
+\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl n\enotes
+\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes
+\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+% mesure 52
+%\check
+\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes
+\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes
+\notes&|\tbbl0\tbl0\qb0k\enotes
+% mesure 53
+%\check
+\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes
+% mesure 54
+%\cleftoksii={{3}{0}{0}{0}}\changeclefs
+\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 55
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 56
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 57
+\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes
+\temps\Notes&\zq f\qu h|\sk\cu g\enotes
+\temps\NOTes&\zq f\qu h|\qup h\enotes
+\temps\Notes&\zq f\qu h|\sk\ds \enotes
+% mesure 58
+\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes
+\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes
+\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes
+\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes
+% mesure 59
+%\check
+\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes
+\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes
+\temps\NOTes&\zq d\qu f|\qu f\enotes
+\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 60
+%\check
+\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes
+\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes
+% mesure 61
+%\check
+\cleftoksii={{6}{0}{0}{0}}%
+\zchangeclefs
+\barre
+\elemskip=1.1\elemskip
+\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes
+\temps\NOTes&\zq M\ql a|\enotes
+\temps\NOTes&\zq N\ql b|\enotes
+\temps\NOTes&\zq L\ql N|\enotes
+% mesure 62
+\barre\nspace
+\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+\mulooseness -2\relax
+\finmorceau
+\bigskip
+\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex
new file mode 100644
index 00000000000..9b30fd3bb7a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex
@@ -0,0 +1,614 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \input musixadd
+ \title{Adagio (Albinoni)}
+\csname titremorceautoc\endcsname
+\fulltitle{Adagio per archi ed organo}
+\title{Adagio per archi ed organo}
+ \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel
+Taupin}
+ \shortauthor{Albinoni}
+ \subtitle{\relax}
+ \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte
+ \\R\'ecit (III): fl\^utes
+8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupls.\\Gif :
+2-4/9-11-13/19-22/33-37/46-47-48-49-54}
+ \maketitle
+
+
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\bigaccid
+\def\nbinstruments{4}
+\def\instrumenti{P\'edale}
+\def\instrumentii{Positif}
+\def\instrumentiii{Positif}
+\def\instrumentiv{Clarinette}
+\def\staffspacingiv{0.64}
+\generalmeter{\meterfrac34}%
+\cleftoksi{6000}
+\cleftoksii{6000}
+\cleftoksiii{0000}
+\cleftoksiv{0000}
+\generalsignature{-2}
+ %
+ \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}%
+ \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}%
+ \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}}
+ \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}}
+ \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}}
+ \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}}
+ \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}}
+ %
+ \def\grnotes{\vnotes0.7\elemskip}% 16th
+ \def\ggrnotes{\vnotes0.5\elemskip}% 16th
+ %
+ \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+ \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+ \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+ %
+\debutmorceau
+\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G
+ &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes
+ \barre %2
+\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql
+M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes
+ \barre %3
+\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes
+\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes
+\Notes&\qu E&\sk\cu g\enotes
+ \barre %4
+\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes
+ \barre %5
+\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes
+\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes
+ \barre %6
+\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes
+\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes
+ \barre %7
+\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes
+\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes
+\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes
+ \barre %8
+\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes
+ \setclef2\treble \changeclefs
+ \barre %9
+ \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fltes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes
+ \notes&&\ccu N&\tbbl1\tqb1i\enotes
+ \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes
+ %\check
+ \barre %10
+ \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes
+ \notes\ql a&&\qpqu ed\enotes
+ \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes
+ \barre %11
+ \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes
+ \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes
+ \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes
+ \barre %12
+ \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes
+ \notes\ql b&&\qpqu {^f}d\enotes
+ \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes
+ \barre %13
+ \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes
+ \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes
+ \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes
+ \barre %14
+ \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes
+ \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes
+ \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes
+ \barre %15
+ \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes
+ \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes
+ \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes
+ \barre %16
+ \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes
+ \Notes\ql b&&\qqh bc\enotes
+ \Notes\qu I&\soupir&\qqqh abN\enotes
+ \barre %17
+ \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes
+ \Notes\ql N&&&\qqb kl\enotes
+ \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes
+ \barre %18
+ \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes
+ \Notes\ql a&&\qqh ab\enotes
+ \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes
+ \barre %19
+ \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes
+ \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes
+ \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes
+ \barre %20
+ \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue
+ m\tslur3l\hl k\enotes
+ \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes
+ \barre %21
+ \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes
+ \barre %22
+ \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes
+ \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq
+e\qh0g\zq d\tqh0f\enotes
+ \barre %23
+ \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes
+ \Notes\ql c&&\hu g&\sk\cl j\enotes
+ \notes\qu J&&&\qpql ln\enotes
+ \barre %24
+ \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes
+ \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes
+ \notes\qu I&&&\qpql kn\enotes
+ \barre %25
+ \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes
+ \notes\qu H&\zcharnote a{(III -- fltes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq
+i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes
+ \barre %26
+ \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes
+ \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq
+h\qh0j\zq g\tqh0i\enotes
+ \barre %27
+ \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes
+ \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq
+g\qh0i\zq f\tqh0h\enotes
+ \barre %28
+ \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \barno 1\relax
+ \barre %2
+\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql
+M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes
+ \barre %3
+\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes
+\NOtes\ql L&&\tten0\qup i&\pause\enotes
+\Notes\qu E&&\sk\cu g\enotes
+ \barre %4
+\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes
+ \barre %5
+\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes
+\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes
+ \barre %6
+\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes
+\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes
+ \barre %7
+\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes
+\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes
+\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes
+ \barre %8
+\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes
+ \barre %9
+ \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III --
+fltes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql
+k\Ibl1ji1\qbp 1j\enotes
+ \notes&&\ccu N&\tbbl1\tqb1i\enotes
+ \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes
+ %\check
+ \barre %10
+ \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes
+ \notes\ql a&&\qpqu ed\enotes
+ \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes
+ \barre %11
+ \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes
+ \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes
+ \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes
+ \barre %12
+ \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes
+ \notes\ql b&&\qpqu {^f}d\enotes
+ \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes
+ \barre %13
+ \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes
+ \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes
+ \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes
+ \barre %14
+ \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes
+ \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes
+ \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes
+ \barre %15
+ \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes
+ \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes
+ \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes
+ \barre %16
+ \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes
+ \Notes\ql b&&\qqh bc\enotes
+ \Notes\qu I&\soupir&\qqqh abN\enotes
+ \barre %17
+ \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes
+ \Notes\ql N&&&\qqb kl\enotes
+ \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes
+ \barre %18
+ \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes
+ \Notes\ql a&&\qqh ab\enotes
+ \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes
+ \barre %19
+ \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes
+ \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes
+ \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes
+ \barre %20
+ \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue
+ m\tslur3l\hl k\enotes
+ \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes
+ \barre %21
+ \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes
+ \barre %22
+ \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes
+ \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq
+e\qh0g\zq d\tqh0f\enotes
+ \barre %23
+ \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes
+ \Notes\ql c&&\hu g&\sk\cl j\enotes
+ \notes\qu J&&&\qpql ln\enotes
+ \barre %24
+ \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes
+ \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes
+ \notes\qu I&&&\qpql kn\enotes
+ \barre %25
+ \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes
+ \notes\qu H&\zcharnote a{(III --
+fltes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq
+i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes
+ \barre %26
+ \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes
+ \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq
+h\qh0j\zq g\tqh0i\enotes
+ \barre %27
+ \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes
+ \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq
+g\qh0i\zq f\tqh0h\enotes
+ \barno 29\relax
+ \barre %30
+ \znotes&&&\tslur3l\enotes
+ \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes
+ \barre %31
+ \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes
+ \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes
+ \zalapage
+ \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+ \def\qqqqh{\qqqq}%
+ \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+ \notes&&\zcharnote n{\kern -4mm{\bf III} -- fltes}&\ds\cu g\qqqq{_h}g{^f}g\enotes
+ \barre %32
+ \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm
+\it reprendre au III}\zcharnote n{\kern -2mm
+\it l'accord du II accoupl}\enotes
+ \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp
+g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes
+ \barre %33
+ \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes
+ \cleftoksii{6000}\zchangeclefs
+ \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes
+ \barre %34
+ \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes
+ \Notes&&\uptext{{\bf III} - fltes}&\ds\cu g\enotes
+ \notes&\hpause&&\qqqq{_h}g{^f}g\enotes
+ \barre %35
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup
+g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes
+ \barre %36
+ \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup
+e&\pointdorgue m\qu c\enotes
+ \Notes&&&\ds\cu N\qqh ce\enotes
+ \barre %37
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq
+gecN\qqqq cegj\qqqq ljge\enotes
+ \barre %38
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq
+gjln\qqqq qnlj\qqqq lnqs\enotes
+ \barre %39
+ \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes
+ \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I --
+\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes
+ \barre %40
+ \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes
+ \Notes&\soupir&\uptext{{\bf III} - fltes}&\ds\cl j\enotes
+ \notes&&&\qqqq{_k}j{^i}j\enotes
+ \barre %41
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}%
+ &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes
+ \barre %42
+ \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes
+ \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq
+b\rq c\ccu {^e}&\soupir\enotes
+ \barre %43
+ \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes
+ \Notes&&\uptext{{\bf III} - fltes}&\ds\cu j\enotes
+ \notes&\hpause&&\qqqq{_k}j{^i}j\enotes
+ \barre %44
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup
+f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes
+ \barre %45
+ \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup
+c&\pointdorgue m\qu f\enotes
+ \Notes&&&\ds\cu {_a}\qqh cf\enotes
+ \barre %46
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq
+{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes
+ \barre %47
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq
+{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes
+ \barre %48
+ \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes
+ \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl
+M&\uptext{\kern -5mm\bf I --
+\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes
+ \barre %49
+ \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes
+ \Notes&\soupir&\uptext{{\bf III} - fltes}&\ds\cl j\enotes
+ \Notes&&&\qqb kl\enotes
+ \barre %50
+ \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}%
+ &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes
+ \barre %51
+ \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes
+ \NOtes\upz N\ql N&&&\tten0\qlp k\enotes
+ \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes
+ \barre %52
+ \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp
+c\hup e&\hlp j\enotes
+ \barre %53
+ \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp
+c\hup e\uptext{\bf II}&\sk\pause\enotes
+ \barre %54
+\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes
+\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes
+\Notes\qu H&&\sk\cu j\enotes
+ \barre %55
+\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes
+ \barre %56
+\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes
+\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes
+ \barre %57
+\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes
+\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes
+ \barre %58
+\notes\qu G&\hl c&\zhlp g\pto kjk\enotes
+\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes
+\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes
+ \barre %59
+\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes
+ \barre %60
+ \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes
+ \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes
+ \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes
+ \barre %61
+ \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes
+ \Notes\qu K&&\qpqu {_h}g\enotes
+ \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes
+ \barre %62
+ \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes
+ \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes
+ \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes
+ \barre %63
+ \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes
+ \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes
+ \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes
+ \barre %64
+ \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes
+ \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes
+ \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes
+ \barre %65
+ \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes
+ \Notes\ql M&\qqb fg&\enotes
+ \Notes\qu F&\qqqb efd\enotes
+ \barre %66
+ \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes
+ \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes
+ \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes
+ \barre %67
+ \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes
+ \Notes\ql L&\qqb ef\enotes
+ \Notes\qu E&\qqqb dec\enotes
+ \barre %68
+ \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes
+ \Notes\qu J&&\sk\cu h\enotes
+ \Notes\qu C&&\qpqu ij\enotes
+ \barre %69
+ \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes
+ \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes
+ \Notes\qu D&&&\qpql ki\enotes
+ \barre %70
+ \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes
+ \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes
+ \Notes\qu E&&\qqh ge&\qpql ij\enotes
+ \barre %71
+ \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes
+ \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes
+ \Notes\qu D&\ql M&\qpqu db&\soupir\enotes
+ \barre %72
+ \NOtes\qu E&\hl N&\qup b\enotes
+ \Notes\qu L&&\ds\cu a&\pause\enotes
+ \Notes\qu E&\ql N&\qpqu bc\enotes
+ \barre %73
+ \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup
+b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes
+ \barre %74
+ \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes
+ \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes
+ \notes&&\qu i&\qqqqb lkji\enotes
+ \barre %75
+ \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes
+ \NOtes&&\zhl c&\enotes
+ \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes
+ \barre %76
+ \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes
+ \barre %77
+ \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes
+ \NOtes\upz K\ql K&\hl b&&\enotes
+ \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes
+ \barre %78
+ \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes
+ \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes
+ \notes\qu E&&\qpqu bN\enotes
+ \barre %79
+ \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes
+ \Notes\qu K&&&\ds\cu {^b}\enotes
+ \notes\qu D&\ql M&&\qpqu cd\enotes
+ \barre %80
+ \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes
+ \Notes\ql L&&\ds\cl q\enotes
+ \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes
+% \def\grace{\catcodesmusic\grnotes&&&\grcu}%
+ \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}%
+ \barre %81
+ \grace{_a}\enotes
+ \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes
+ \Notes\ql M&&\ds\cu {^i}\enotes
+ \notes\qu F&&\qpqu jk\enotes
+ \barre %82
+ \grace{N}\enotes
+ \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes
+ \Notes\ql L&&&\sk\cl j\enotes
+ \notes\qu E&&&\qpqu ge\enotes
+ \barre %83
+ \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes
+ \Notes\ql M&&&\sk\cu {^b}\enotes
+ \notes\qu F&&&\qpqu cd\enotes
+ \barre %84
+ \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes
+ \Notes\soupir\sk\cu
+E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes
+ \barre %85
+ \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes
+ \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk
+ \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes
+ %\check
+ \barre %86
+ \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu
+j&\sk\pointdorgue l\hpause\enotes
+ \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes
+ \barre %87
+ \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes
+ \barre %88
+ \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes
+ \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq
+h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes
+ \barre %89
+ \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes
+ \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes
+ \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes
+ \barre %90
+ \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes
+ \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes
+ \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes
+ \barre %91
+ \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes
+ \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes
+ \barre %92
+ \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes
+ \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes
+ \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes
+ \barre %93
+ \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes
+ \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes
+ \barre %94
+ \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes
+ \barre %95
+ \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes
+ \NOtes\ql N&\tten0\hl e\enotes
+ \NOtes\qu G\enotes
+ \barre %96
+ \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}%
+ \grace e\enotes
+ \notesp\pointdurgue E\hu
+{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0
+k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes
+ \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql
+e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes
+ \advance\mulooseness -1\relax
+ \zalapage
+ \alldsp\grace{j}\enotes
+ \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff
+Solenne }}\enotes
+ \barre %97
+ \grace j\enotes
+ \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes
+ \grace{^i}\enotes
+ \NOTes&\hl{^b}&&\hl k\enotes
+ \barre %98
+ \grace k\enotes
+ \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes
+ \alldsp\grace{k}\enotes
+ \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes
+ \barre %99
+ \grace k\enotes
+ \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes
+ \grace j\enotes
+ \NOTes&\hl c&&\hl l\enotes
+ \barre %100
+ \grace{^l}\enotes
+ \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes
+ \alldsp\grace{l}\enotes
+ \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes
+ \barre %101
+ \grace{^l}\enotes
+ \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes
+ \grace k\enotes
+ \NOTes&\zh f\hl d&&\hl m\enotes
+ \barre %102
+ \grace{i}\enotes
+ \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes
+ \alldsp\grace i\enotes
+ \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes
+ \barre %103
+ \grace i\enotes
+ \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes
+ \notes&&&\enotes
+ \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes
+ \grace h\enotes
+ \Notes&&\qu h&\ibl0j0\qb0j\enotes
+ \grace g\enotes
+ \Notes&&&\tqb0j\enotes
+ \barre %104
+ \grace f\enotes
+ \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes
+ \barre %105
+ \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes
+ \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace j\enotes
+ \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes
+ \barre %106
+ \grace j\enotes
+ \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes
+ \barre %107
+ \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes
+ \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace h\enotes
+ \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes
+ \barre %108
+ \grace g\enotes
+ \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes
+ \barre %109
+ \grace{g}\enotes
+ \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace {=e}\enotes
+ \notes\ccu {^C}&&\ccl g&\ccl i\enotes
+ \barre %110
+ \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes
+ \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes
+ \barre %111
+ \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes
+ \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes
+ \barre %112
+ \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes
+ \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes
+ \barre %113
+ \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes
+ \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes
+ \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes
+ \barre %114
+ \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes
+ \notes&&&\cu N\islurd5c\qqqq bdgi\enotes
+ \barre %115
+ \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup
+b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes
+ \barre %116
+ \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup
+g&\pointdurgue e\tslur5u\hlp u\enotes
+\mulooseness 1\relax
+\finmorceau
+\bigskip\rightline{\sl\aujourdhui}
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex
new file mode 100644
index 00000000000..f2b915632f1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex
@@ -0,0 +1,19 @@
+\advance\staffbotmarg by 7\Interligne
+%
+% option pas d'accompagnement
+\newcount\orgue
+\orgue=0\relax
+%
+\def\Transpose{0}%
+\def\Signature{1}\relax % un dieze a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input angescax
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex
new file mode 100644
index 00000000000..e2a7b34bcef
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex
@@ -0,0 +1,24 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+
+\advance\staffbotmarg by 4\Interligne
+%
+% option accompagnement
+\newcount\orgue
+\orgue=1\relax
+%
+\interinstrument=41pt
+\def\Transpose{0}%
+\def\Signature{1}\relax % un dieze a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input angescax
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex
new file mode 100644
index 00000000000..6dcab817c75
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex
@@ -0,0 +1,366 @@
+\tenpoint
+%
+\catcodesmusic
+\ifnum\orgue=1\relax
+ \def\org#1&#2\\{#1&#2&}\relax
+% \def\cadrage{\vrule width 0pt height 40mm}\relax
+ \def\cadrage{\vrule width 0pt height 1mm}\relax
+\else
+ \def\org#1&#2\\{}\relax
+ \def\cadrage{\vrule width 0pt height 10mm}\relax
+\fi
+%
+\title{Les anges dans nos campagnes}
+\subtitle{No\"el du XIII\umero\ si\`ecle}
+\fullauthor{Harmonisation
+ Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\
+ Partition d'orgue Daniel TAUPIN\fi}
+\shortauthor{F.-A. Gevaert, D. Taupin}
+\maketitle
+%
+\parindent 12mm
+\sepbarrules
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+%\bigskip
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}%
+%
+%\check
+\ifnum\orgue=0\relax
+ \def\nbinstruments{4}\global\nbporteesi=1\relax
+ \global\nbporteesii=1\relax
+ \global\nbporteesiii=1\relax
+ \global\nbporteesiv=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiv={{0}{0}{0}{0}}\relax
+ \def\instrumenti{Basses}\relax
+ \def\instrumentii{T\'enors}\relax
+ \def\instrumentiii{Altos}\relax
+ \def\instrumentiv{Sopran.}\relax
+ \interinstrument=30pt
+ \songbottom{1} % to be used to make heavy bars at staff left
+ \songtop{4} % to be used to make heavy bars at staff left
+\else
+ \interinstrument=25pt
+ \def\interinstrumenti{0pt}
+ \def\nbinstruments{6}\global\nbporteesi=1\relax
+ \global\nbporteesii=2\relax
+ \global\nbporteesiii=1\relax
+ \global\nbporteesiv=1\relax
+ \global\nbporteesv=1\relax
+ \global\nbporteesvi=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiii={{6}{0}{0}{0}}\relax
+ \global\cleftoksiv={{0}{0}{0}{0}}\relax
+ \global\cleftoksv={{0}{0}{0}{0}}\relax
+ \global\cleftoksvi={{0}{0}{0}{0}}\relax
+ \def\instrumenti{P\'edale}\relax
+ \def\instrumentii{Manuel}\relax
+ \def\instrumentiii{Basses}\relax
+ \def\instrumentiv{T\'enors}\relax
+ \def\instrumentv{Altos}\relax
+ \def\instrumentvi{Sopran.}\relax
+ \def\staffspacingiii{0.7}\relax
+ \def\staffspacingiv{0.7}\relax
+ \def\staffspacingv{0.7}\relax
+ \def\staffspacingvi{0.7}\relax
+ \songbottom{3} % to be used to make heavy bars at staff left
+ \songtop{6} % to be used to make heavy bars at staff left
+\fi
+%\check
+%
+\signaturegenerale{\Signature}%
+\relativeaccidentals
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{9}%
+%\check
+\def\respire{\notes\org&\\&&&\zbreath\enotes}%
+%
+%\check
+\catcode`\@=13
+%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi
+
+\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm
+ \vss\lineskiplimit=0pt
+\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3}
+\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax
+\vss}}}%
+%
+\barsinline=0\relax
+\linesinpage=0\relax
+\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}%
+\ifnum\orgue=0\relax
+ \autolines {8}42\relax
+\else
+ \autolines {8}42\relax
+ \advance\linesinpage 1\relax
+\fi
+\transpose=\Transpose
+\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes
+%
+\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax
+ &\txt\ql n&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax
+ &\txt\qu g&\txt\ql i\enotes
+\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause
+ &\txt\ql l&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax
+ &\txt\dqu3gi&\txt\dql3ik\enotes
+%
+%\check
+% mesure 2
+\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax
+ &\txt\qu i&\txt\qlp k\enotes
+\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause
+ &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes
+\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp
+ &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes
+\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax
+ &\txt\ql i&\txt\qu d&\txt\ql g\enotes
+%
+%\check
+% mesure 3
+\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax
+ &\txt\ql k&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax
+ &\txt\cl k&\txt\cu g&\txt\cl i\enotes
+\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax
+ &\txt\cl k&\txt\cu g&\txt\cl h\enotes
+\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax
+ &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes
+\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax
+ &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes
+%
+%\check
+% mesure 4
+\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax
+ &\txt\ql h&\txt\qu d&\txt\qlp k\enotes
+\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk
+ &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes
+\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause
+ &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax
+ &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes
+\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax
+ &\txt\cl l&\soupir&\soupir\enotes
+\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax
+ &\txta\cl m&&\enotes
+%
+%\check
+% mesure 5
+\def\txtb{@vos-|lui|cho*}%
+\ifnum\orgue=0\relax
+ \barre
+\else
+ \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre
+\fi
+\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes
+\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes
+\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause
+ &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes
+\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax
+ &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes
+%
+%\check
+% mesure 6
+\barre
+\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax
+ &\txt\qu i&\txt\qlp k\enotes
+\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause
+ &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes
+\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause
+ &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir
+ &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes
+\def\txta{@Fas-|Et|Re-*}\relax
+\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax
+ &\txt\ql i&\txt\qu d&\txt\ql g\enotes
+%
+%\check
+% mesure 7
+\def\txtb{@\!sent|de|dit*}%
+\barre
+ \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax
+ &\txta\qu d&\txta\ql i\enotes
+\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax
+ &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes
+\dmtp\notes\org&|\\\relax
+ &\txt\cu h&\txt\cu d&\txt\cl h\enotes
+\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause
+ &\dql{-2}ML|\qu i\cl e\\\relax
+ \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes
+\dmtp\def\txt{@tir--|et--|m\'e--*}\notes
+ \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax
+ &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes
+%
+%\check
+% mesure 8
+\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax
+ &\txt\ql i&\txt\qu e&\txt\qlp k\enotes
+\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk
+ &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes
+\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax
+ &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes
+\temps\Notes\org&\soupir|\soupir\\\soupir\relax
+ &\soupir&\soupir&\soupir\enotes
+\ifnum\orgue=0\relax
+\else
+ \global\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\fi
+\suspmorceau
+%\eject
+\catcodesmusic
+%
+%\check
+\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt
+\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3}
+\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax
+\vss}}}
+\ifnum\orgue=0\relax
+ \autolines {8}43\relax
+\linesinpage=0\relax
+\barsinline=0\relax
+ \interinstrument=6pt
+\else
+ \interinstrument=5pt
+ \def\interinstrumenti{0pt}
+\fi
+%
+%
+% mesure 9
+\def\xx{@|---|*}%
+\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause
+ |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes
+\temps\notes\org\pause&\hu g\relax
+ |\qqbl{-2}lkji\\\pause&\pause
+ &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes
+%
+% mesure 10
+\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes
+\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes
+%
+% mesure 11
+\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes
+\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause
+ &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes
+%
+% mesure 12
+%\check
+\barre\def\txta{@|a|*}\def\Txta{@|a--|*}%
+\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax
+ &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes
+\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause
+ &\xx\sk\sk\Ri\cl j\txta\cl j\relax
+ &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes
+\ifnum\orgue=0\relax
+\else
+ \global\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\fi
+%
+% mesure 13
+\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax
+ &\xx\qu d&\In\lpz g\qu g\enotes
+\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax
+ &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes
+\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax
+ &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes
+\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax
+ &\txt\upz j\ql j\enotes
+%
+% mesure 14
+\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax
+ &\De\ql k&\tten0\qu h&\De\hl i\enotes
+\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes
+\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax
+ &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes
+%
+% mesure 15
+\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause
+ &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes
+\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax
+ &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes
+%\check
+% mesure 16
+%
+\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax
+ \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax
+ &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes
+\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax
+ \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax
+ &\xx\rlap{\qqbl{-2}kjih}\enotes
+\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes
+%
+% mesure 17
+\barre
+%\autolines 753
+\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax
+ \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax
+ &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes
+\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax
+ \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax
+ &\xx\rlap{\qqbh{-2}jihg}\enotes
+\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes
+%
+% mesure 18
+\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax
+ |\bigaccid\Sh c\zhl c\zqp f\qup h\relax
+ \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax
+ &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax
+ &\xx\qup h\sk\sk\Ri\cu h\enotes
+\def\txt{@|a--|*}%
+\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx
+\qqbl0MNaM&\qqbH0ihi{=j}h\relax
+ &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes
+%
+%mesure 19
+\barre\def\Ex{@|ex-|*}\relax
+\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid
+\zq{=c}\zq f\upz h\ql h\relax
+ \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax
+ &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax
+ &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes
+\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax
+ \\\Ri\ql N&\Cel\upz k\ql k\relax
+ &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes
+\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax
+ &\qu L|\zq e\zq h\upz j\ql j\relax
+ \\@|a|*\qu J&\Sis\upz l\ql l\relax
+ &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes
+% mesure 20
+\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax
+ \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes
+\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes
+\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax
+ \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes
+% mesure 21
+\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax
+ &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax
+ \\\txt\pointdorgue a\hl N\relax
+ &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax
+ &\txt\pointdorgue m\hu g\enotes
+\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes
+%
+\finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex
new file mode 100644
index 00000000000..85bd6861b34
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex
@@ -0,0 +1,19 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\tracingstats=2\relax
+\hsize=185mm
+\vsize=270mm
+\hoffset -1.70cm
+\voffset -1.54cm
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+%
+\input avemarix
+\bye
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex
new file mode 100644
index 00000000000..e190c1201ff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex
@@ -0,0 +1,1016 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\generalsignature{2}
+\transpose=1
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\autolines{25}{3}{5}%
+ %\check
+%Takt 1
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 2
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 3
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 4
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 5
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 6
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
+\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
+\barre
+ %\check
+%Takt 7
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 8
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 9
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
+\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
+\barre
+ %\check
+%Takt 10
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \qlp d&ple\rlap{---}&\qup d&&&&\enotes
+\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
+\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \ql d&na,&\qu d&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 11
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\qh5a&&&&\enotes
+\OrgNotes&\qb2k\tqb2n&\oct
+ \tqb4b&nus&\tqh5b&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 12
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \qlp c&te\rlap{---}&\qup c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \cl d&&\cu d&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \ql c&cum,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+%
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 13
+\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 14
+\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
+\OrgNotes&\qh2f\tqh2j&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql d&\rlap{---}&\qu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a&&&&\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \hl b&tu&\hu b&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 16
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g&&&&\enotes
+\barre
+ %\check
+%Takt 17
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
+\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql a&bus&\qu a&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 18
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\qh5e&&&&\enotes
+\OrgNotes&\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\tqh5f&&&&\enotes
+\barre
+ %\check
+%Takt 19
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{dic---}&\hu g&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \qu N&tus&\qu N&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 20
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 21
+\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 22
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp i&tu--&\qlp i&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl h&i,&\cl h&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&\rlap{Je---}&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 23
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \hlp e&sus.&\hup e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 24
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
+\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \ql e&ta&\qu e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
+\barre
+ %\check
+%Takt 25
+\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl h&ri\rlap{---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql a&a,&\qu a&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 26
+\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \ql c&ta&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
+\barre
+ %\check
+%Takt 27
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
+\barre
+ %\check
+%Takt 28
+\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d&a!&\qu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 29
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\qh5c&&&&\enotes
+\OrgNotes&\qh2b\tqh2d&\oct
+ \tqb4b&pro&\tqh5 b&&&&\enotes
+\barre
+ %\check
+%Takt 30
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \qlp g&no\rlap{---}&\qup g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
+\OrgNotes&\qh2c\tqh2e&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \ql c&bis,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 31
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\qh5e&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\tqh5d&&&&\enotes
+\barre
+ %\check
+%Takt 32
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp k&to\rlap{---}&\qlp k&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl i&ri-&\cl i&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&bus,&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 33
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4j&in&\tqh5j&&&&\enotes
+\barre
+ %\check
+%Takt 34
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2g&\oct
+ \tqb4e&in&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 35
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 36
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N&&&&\enotes
+\barre
+ %\check
+%Takt 37
+\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 38
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 39
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
+\barre
+ %\check
+%Takt 40
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
+\barre
+ %\check
+%Takt 41
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
+ g&\zhlp g\hup l&&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 42
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
+\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 43
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
+\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d&na,&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 44
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a&&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b&&&&&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 45
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d&&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c&cum,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
+%
+\barre
+ %\check
+%Takt 46
+\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
+ \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
+ \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 47
+\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &&\bigaccid\zhlp h\oct
+ \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2j&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \zql a\qu a&ta&\qu a&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 48
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
+ {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \qu d&in&\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 49
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
+ \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qh5f&&\qh4f&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh5g&&\tqh4g&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 50
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
+ \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
+\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
+ \oct \cu h&bus&\qu a&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 51
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qh4e&&\tqh5e&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2i&&\oct
+ \tqh4f&ne-&\cu f&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 52
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
+n&{\zhlp j}\oct
+ \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \tten4\cu g&tus&\qu N&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 53
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
+q&{\zw h}\oct
+ \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4d&&\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 54
+\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
+ {\zw j}\oct
+ \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4g&&\qh5g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&\tqh5h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 55
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
+g&{\zqlp n}\oct
+ \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
+ \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qu d&&\tleg5\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 56
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
+ \hup e&sus.&\hup e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 57
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
+ &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
+\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \qu e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl e&&&&&&\enotes
+\barre
+ %\check
+%Takt 58
+\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
+h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
+j&\tten2\zq j\ql h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 59
+\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&{\bigfl l\zh l}\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
+o&{\zq h}\oct
+ \ql c&ta&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 60
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
+n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
+ \tten2\zq j\ql{_l}&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 61
+\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+k&{\zhp l}\oct
+ \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 62
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+i&{\zhl f}\oct
+ \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
+ \qh4c&&\tqh5c&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2d&&\oct
+ \tqh4b&pro&\cu b&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 63
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
+g&{\tten4\zhlp g}\oct
+ \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2e&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \qu c&bis,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 64
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
+f&{\zhl j}\oct
+ \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4e&pec-&\cu e&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4d&ca-&\cu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 65
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
+i&{\zh m}\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
+k&{\zq i}\oct
+ \ql g&bus,&\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 66
+\def\atnextline{\autolines{25}25}\relax
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 67
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
+ \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
+ \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
+ \qh4g&ra,&\cu g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2g&&\oct
+ \tqh4e&in&\cu e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 68
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
+k&{\zhl f}\oct
+ \itenu5d\hu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
+h&{\zhl h}\oct
+ \tten5\cu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4hh4\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4i&&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&&&&&&&\enotes
+\alaligne
+ %\check
+%Takt 69
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
+g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \tqh4d&&&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \qh4h&&\tqh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
+ \qh4f&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\relax
+ \tqh4d&&&&&&\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
+ &&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\def\atnextline{\autolines{20}35}\relax
+%\cleftoksii{6000}\changeclefs
+\alaligne
+ %\check
+%Takt 71
+\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
+c&\tten4\zw a\wh c&&&&&&&&&\enotes
+\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
+\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
+\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
+\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
+\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
+\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 73
+\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &&\pointdorgue f\wh c&&&&&&&&\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex
new file mode 100644
index 00000000000..ac2d11f3e4d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex
@@ -0,0 +1,20 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\tracingstats=2\relax
+\hsize=185mm
+\vsize=270mm
+\hoffset -1.70cm
+\voffset -1.54cm
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+\musicsize 29
+%
+\input avemarix
+\bye
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex
new file mode 100644
index 00000000000..747452c4a43
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex
@@ -0,0 +1,1014 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\autolines{25}{3}{5}%
+ %\check
+%Takt 1
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 2
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 3
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 4
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 5
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 6
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
+\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
+\barre
+ %\check
+%Takt 7
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 8
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 9
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
+\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
+\barre
+ %\check
+%Takt 10
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \qlp d&ple\rlap{---}&\qup d&&&&\enotes
+\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
+\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \ql d&na,&\qu d&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 11
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\qh5a&&&&\enotes
+\OrgNotes&\qb2k\tqb2n&\oct
+ \tqb4b&nus&\tqh5b&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 12
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \qlp c&te\rlap{---}&\qup c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \cl d&&\cu d&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \ql c&cum,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+%
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 13
+\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 14
+\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
+\OrgNotes&\qh2f\tqh2j&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql d&\rlap{---}&\qu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a&&&&\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \hl b&tu&\hu b&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 16
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g&&&&\enotes
+\barre
+ %\check
+%Takt 17
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
+\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql a&bus&\qu a&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 18
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\qh5e&&&&\enotes
+\OrgNotes&\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\tqh5f&&&&\enotes
+\barre
+ %\check
+%Takt 19
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{dic---}&\hu g&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \qu N&tus&\qu N&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 20
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 21
+\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 22
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp i&tu--&\qlp i&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl h&i,&\cl h&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&\rlap{Je---}&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 23
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \hlp e&sus.&\hup e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 24
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
+\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \ql e&ta&\qu e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
+\barre
+ %\check
+%Takt 25
+\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl h&ri\rlap{---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql a&a,&\qu a&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 26
+\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \ql c&ta&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
+\barre
+ %\check
+%Takt 27
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
+\barre
+ %\check
+%Takt 28
+\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d&a!&\qu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 29
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\qh5c&&&&\enotes
+\OrgNotes&\qh2b\tqh2d&\oct
+ \tqb4b&pro&\tqh5 b&&&&\enotes
+\barre
+ %\check
+%Takt 30
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \qlp g&no\rlap{---}&\qup g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
+\OrgNotes&\qh2c\tqh2e&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \ql c&bis,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 31
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\qh5e&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\tqh5d&&&&\enotes
+\barre
+ %\check
+%Takt 32
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp k&to\rlap{---}&\qlp k&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl i&ri-&\cl i&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&bus,&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 33
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4j&in&\tqh5j&&&&\enotes
+\barre
+ %\check
+%Takt 34
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2g&\oct
+ \tqb4e&in&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 35
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 36
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N&&&&\enotes
+\barre
+ %\check
+%Takt 37
+\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 38
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 39
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
+\barre
+ %\check
+%Takt 40
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
+\barre
+ %\check
+%Takt 41
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
+ g&\zhlp g\hup l&&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 42
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
+\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 43
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
+\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d&na,&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 44
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a&&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b&&&&&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 45
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d&&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c&cum,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
+%
+\barre
+ %\check
+%Takt 46
+\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
+ \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
+ \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 47
+\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &&\bigaccid\zhlp h\oct
+ \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2j&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \zql a\qu a&ta&\qu a&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 48
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
+ {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \qu d&in&\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 49
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
+ \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qh5f&&\qh4f&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh5g&&\tqh4g&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 50
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
+ \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
+\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
+ \oct \cu h&bus&\qu a&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 51
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qh4e&&\tqh5e&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2i&&\oct
+ \tqh4f&ne-&\cu f&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 52
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
+n&{\zhlp j}\oct
+ \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \tten4\cu g&tus&\qu N&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 53
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
+q&{\zw h}\oct
+ \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4d&&\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 54
+\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
+ {\zw j}\oct
+ \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4g&&\qh5g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&\tqh5h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 55
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
+g&{\zqlp n}\oct
+ \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
+ \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qu d&&\tleg5\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 56
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
+ \hup e&sus.&\hup e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 57
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
+ &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
+\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \qu e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl e&&&&&&\enotes
+\barre
+ %\check
+%Takt 58
+\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
+h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
+j&\tten2\zq j\ql h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 59
+\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&{\bigfl l\zh l}\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
+o&{\zq h}\oct
+ \ql c&ta&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 60
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
+n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
+ \tten2\zq j\ql{_l}&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 61
+\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+k&{\zhp l}\oct
+ \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 62
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+i&{\zhl f}\oct
+ \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
+ \qh4c&&\tqh5c&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2d&&\oct
+ \tqh4b&pro&\cu b&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 63
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
+g&{\tten4\zhlp g}\oct
+ \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2e&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \qu c&bis,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 64
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
+f&{\zhl j}\oct
+ \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4e&pec-&\cu e&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4d&ca-&\cu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 65
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
+i&{\zh m}\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
+k&{\zq i}\oct
+ \ql g&bus,&\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 66
+\def\atnextline{\autolines{25}25}\relax
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 67
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
+ \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
+ \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
+ \qh4g&ra,&\cu g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2g&&\oct
+ \tqh4e&in&\cu e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 68
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
+k&{\zhl f}\oct
+ \itenu5d\hu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
+h&{\zhl h}\oct
+ \tten5\cu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4hh4\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4i&&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&&&&&&&\enotes
+\alaligne
+ %\check
+%Takt 69
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
+g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \tqh4d&&&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \qh4h&&\tqh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
+ \qh4f&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\relax
+ \tqh4d&&&&&&\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
+ &&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\def\atnextline{\autolines{20}35}\relax
+%\cleftoksii{6000}\changeclefs
+\alaligne
+ %\check
+%Takt 71
+\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
+c&\tten4\zw a\wh c&&&&&&&&&\enotes
+\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
+\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
+\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
+\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
+\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
+\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 73
+\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &&\pointdorgue f\wh c&&&&&&&&\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex
new file mode 100644
index 00000000000..c6a57cca4ba
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex
@@ -0,0 +1,951 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\fulltitle{M\'editation -- Ave Maria}
+\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel
+ Taupin\\\& Markus Veittes}
+\shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \title{Ave Maria}
+ \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4'
+[+2']\\P\'edale : 16', acc. positif}
+ \maketitle
+
+\parindent 13mm
+\ifnum\musicsize=0\musicsize=20\fi
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{4}
+\def\instrumenti{Positif}
+\def\staffspacingii{0.64}
+\def\staffspacingiv{0.64}
+\def\instrumentii{Violon}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiv{Chant}
+\nbporteesi=2\relax
+\nbporteesiii=0\relax
+%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiv{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+\def\nbinstruments{1}%
+\debutmorceau
+\autolines{25}{3}{4}%
+%Takt 1
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+%Takt 2
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\barre
+%Takt 3
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+%
+\suspmorceau
+%
+%
+\def\nbinstruments{4}%
+\debutmorceau
+\barno=4\relax
+%Takt 4
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+%Takt 5
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes
+\barre
+%Takt 6
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\enotes
+\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes
+\barre
+%Takt 7
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes
+\barre
+%Takt 8
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes
+\barre
+%Takt 9
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes
+\Notes|\ibbl0j3\qb0h\tqb0l\enotes
+\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
+\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes
+\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes
+\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes
+\barre
+%Takt 10
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes
+\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2f\enotes
+\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \ql d&na,&\qu d\enotes
+\Notes|\ibbu1g3\qh1f\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes
+\barre
+%Takt 11
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\tqh5N\enotes
+\Notes|\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\cu a\enotes
+\Notes|\qb2k\tqb2n&\oct
+ \tqb4b&nus&\cu b\enotes
+\def\atnextline{\autolines{25}34}\relax
+\barre
+%Takt 12
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct
+ \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \cl d&&\tleg4\cu d\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct
+ \ql c&\rlap{cum,}&\qu c\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes
+%
+\def\atnextline{\autolines{25}34}\relax
+\barre
+%Takt 13
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\tqh5c\enotes
+\Notes|\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 14
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes
+\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes|\ibbu2i0\qh2j\qh2d\enotes
+\Notes|\qh2f\tqh2j&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \ql d&\rlap{---}&\qu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f\enotes
+\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a\enotes
+\barre
+%Takt 15
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct
+ \hl b&tu&\hu b\enotes
+\Notes|\ibbu1f3\qh1d\tqh1g\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes
+\Notes|\ibbu1f3\qh1d\tqh1g\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d\enotes
+\barre
+%Takt 16
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes
+\Notes|\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g\enotes
+\barre
+%Takt 17
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h\enotes
+\Notes|\ibbu1g3\qh1d\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes|\tqh2k&&ri-&\ccu a\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \ql a&bus&\qu a\enotes
+\Notes|\ibbu1g3\qh1d\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes
+\barre
+%Takt 18
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes|\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\tqh5e\enotes
+\Notes|\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\cu f\enotes
+\barre
+%Takt 19
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \hl g&\rlap{dic---}&\hu g\enotes
+\Notes|\ibbu1f3\qh1c\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \qu N&tus&\qu N\enotes
+\Notes|\ibbu1f3\qh1c\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes
+\barre
+%Takt 20
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\ibu5d1\qh5c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 21
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\ibu5g1\qh5f\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 22
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \cl h&i,&\tleg4\cl h\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\tleg5\qu d\enotes
+\barre
+%Takt 23
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \hlp e&sus.&\hup e\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ &&\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ &&\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp\enotes
+\barre
+%Takt 24
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g\enotes
+\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \ql e&ta&\qu e\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes
+\barre
+%Takt 25
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \hl h&ri\rlap{---}&\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \ql a&a,&\qu a\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 26
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct
+ \ql c&ta&\qu c\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes
+\barre
+%Takt 27
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes
+\barre
+%Takt 28
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \ql d&a!&\qu d\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp\enotes
+\barre
+%Takt 29
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\ibu5d{-1}\qh5d\enotes
+\Notes|\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\tqh5c\enotes
+\Notes|\qh2b\tqh2d&\oct
+ \tqb4b&pro&\cu b\enotes
+\barre
+%Takt 30
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\enotes
+\Notes|\qh2c\tqh2e&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \ql c&bis,&\qu c\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 31
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\cu f\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\cu e\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\cu d\enotes
+\barre
+%Takt 32
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \cl i&ri-&\tleg4\cl i\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ql g&bus,&\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 33
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\tqh5i\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4j&in&\cl j\enotes
+\barre
+%Takt 34
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\tqh5j\enotes
+\Notes|\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\cu g\enotes
+\Notes|\qh2c\tqh2g&\oct
+ \tqb4e&in&\cu e\enotes
+\barre
+%Takt 35
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 36
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes
+\Notes|\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N\enotes
+\suspmorceau
+\eject
+%
+%Takt 37
+\def\instrumenti{P\'ed. 16'}
+\def\instrumentii{Positif}
+\def\instrumentiii{(Pos.)}
+\def\instrumentiv{Violon}
+\def\instrumentvi{Chant}
+\def\nbinstruments{6}
+\linesinpage=0\relax
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+\nbporteesiv=1\relax
+\nbporteesv=0\relax
+\nbporteesvi=1\relax
+\cleftoksi={6000}\relax
+\cleftoksii={6000}\relax
+\cleftoksiii={0000}\relax
+\cleftoksiv={0000}\relax
+\cleftoksvi={0000}\relax
+\def\interinstrumenti{0pt}
+\def\interinstrumentii{0pt}
+%\def\interinstrumentiv{-2\Interligne}
+\def\staffspacingi{1}%
+\def\staffspacingii{1}%
+\def\staffspacingiii{1}%
+\def\staffspacingiv{0.64}%
+\def\staffspacingvi{0.64}%
+\debutmorceau\barno=37\relax
+\autolines{26}33\relax
+\def\atnextline{\autolines{24}33}\relax
+%
+\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c\enotes
+\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes
+\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes
+\Notes&&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes
+\cleftoksii={0000}\changeclefs
+\barre
+%Takt 38
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes
+\barre
+%Takt 39
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes
+\barre
+%Takt 40
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes
+\barre
+%Takt 41
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes
+\barre
+%Takt 42
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes
+\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes
+\barre
+%Takt 43
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct
+ \ql d&na,&\qu d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes
+\barre
+%Takt 44
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct
+ \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a\enotes
+\Notes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b\enotes
+\def\atnextline{\autolines{25}33}\relax
+\barre
+%Takt 45
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct
+ \ql c&\rlap{cum,}&\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes
+%
+\def\atnextline{\autolines{25}33}\relax
+\barre
+%Takt 46
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \qb4c&\rlap{---}&\tqh5c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct
+ \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 47
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \ql d&\rlap{---}&\qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \ql a&ta&\qu a\enotes
+\barre
+%Takt 48
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct
+ \hl b&tu&\hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \ql d&in&\qu d\enotes
+\barre
+%Takt 49
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qb5f&&\qh4f\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \tqb5g&&\tqh4g\enotes
+\barre
+%Takt 50
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k&&&ri-&\ccu a\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct
+ \ql a&bus&\qu a\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes
+\barre
+%Takt 51
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qb4e&&\tqh5e\enotes
+\Notes&\qh2f\tqh2i&&\oct
+ \tqb4f&ne-&\cu f\enotes
+\barre
+%Takt 52
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct
+ \hl g&\rlap{dic---}&\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \qu N&tus&\qu N\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes
+\barre
+%Takt 53
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \qb4c&tus&\ibu5d1\qh5c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4d&&\qh5d\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 54
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \qb4f&ris&\ibu5g1\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4g&&\qh5g\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 55
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct
+ \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \cl h&i,&\tleg4\cl h\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct
+ \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \ql d&&\tleg5\qu d\enotes
+\barre
+%Takt 56
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct
+ \hlp e&sus.&\hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\cl e&&\qp\enotes
+\barre
+%Takt 57
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax
+ \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes
+\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \ql e&ta&\qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes
+\barre
+%Takt 58
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct
+ \hl h&ri\rlap{---}&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct
+ \ql a&a,&\qu a\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 59
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&\oct
+ \hl h&\rlap{sanc---}&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct
+ \ql c&ta&\qu c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes
+\barre
+%Takt 60
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid
+ \ql{_e}&a,&\bigaccid\qu{_e}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes
+\barre
+%Takt 61
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp\enotes
+\barre
+%Takt 62
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \qb4d&ra&\ibu5d{-1}\qh5d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&&\oct
+ \qb4c&&\tqh5c\enotes
+\Notes&\qh2b\tqh2d&&\oct
+ \tqb4b&pro&\cu b\enotes
+\barre
+%Takt 63
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct
+ \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \ql c&bis,&\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 64
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4f&bis&\cu f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qb4e&pec-&\cu e\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4d&ca-&\cu d\enotes
+\barre
+%Takt 65
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct
+ \ql g&bus,&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 66
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j\enotes
+\barre
+%Takt 67
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct
+ \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4j&---&\tqh5j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&&\oct
+ \qb4g&ra,&\cu g\enotes
+\Notes&\qh2c\tqh2g&&\oct
+ \tqb4e&in&\cu e\enotes
+\barre
+%Takt 68
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4h&&\tqh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 69
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \usf g\qb4g&&\tqh5k\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \usf d\tqb4d&&\tqh5g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \lsf h\qh4h&&\tqh5d\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes
+\Notes&\qh2b\tqh2f&&\relax
+ \lsf d\tqh4d&&\tqh5N\enotes
+\barre
+\autolines{19}43\relax
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%Takt 70
+\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c
+ &A\rlap{---}&\wh c\enotes
+\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\barre
+%Takt 71
+\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c
+ &\rlap{\kern -\interligne men!}&\hu c\enotes
+\Notes&\ibbu1a3\qh1M\tqh1a\enotes
+\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes
+\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct
+ &&\hpause\enotes
+\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes
+\barre
+%Takt 72
+\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N
+ &A\rlap{---}&\wh g\enotes
+\Notes&\ibbl1h3\qb1g\tqb1i\enotes
+\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes
+\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes
+\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes
+\barre
+%Takt 73
+\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex
new file mode 100644
index 00000000000..520d5f05307
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex
@@ -0,0 +1,858 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \input avemaria.reg
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+ %\check
+%Takt 1
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 2
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 3
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 4
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 5
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 6
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m&\cu f\enotes
+\barre
+ %\check
+%Takt 7
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes
+\barre
+ %\check
+%Takt 8
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes
+\barre
+ %\check
+%Takt 9
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes
+\Notes&\qb1l\tqb1o&\tqh5c\enotes
+\barre
+ %\check
+%Takt 10
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&\cu e\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes
+\barre
+ %\check
+%Takt 11
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes
+\Notes&\qb2k\tqb2n&\tqh5b\enotes
+\barre
+ %\check
+%Takt 12
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&\cu d\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes
+%
+\barre
+ %\check
+%Takt 13
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes
+\Notes&\qh2g\tqh2j&\tqh5e\enotes
+\barre
+ %\check
+%Takt 14
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&\cu e\enotes
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes
+\barre
+ %\check
+%Takt 16
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes
+\Notes&\qh2g\tqh2j&\tqh4g\enotes
+\barre
+ %\check
+%Takt 17
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k&\ccu a\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes
+\barre
+ %\check
+%Takt 18
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes
+\Notes&\qh2f\tqh2i&\tqh5f\enotes
+\barre
+ %\check
+%Takt 19
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes
+\barre
+ %\check
+%Takt 20
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes
+\Notes&\qh2c\tqh2f&\tqh5e\enotes
+\barre
+ %\check
+%Takt 21
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes
+\Notes&\qh2c\tqh2f&\tqh5h\enotes
+\barre
+ %\check
+%Takt 22
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\cl h\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes
+\barre
+ %\check
+%Takt 23
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 24
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes
+\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes
+\Notes&\tqh2e&\ccu e\enotes
+\barre
+ %\check
+%Takt 25
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 26
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes
+\Notes&\tqh2e&\ccu h\enotes
+\barre
+ %\check
+%Takt 27
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes
+\Notes&\tqh2e&\ccl j\enotes
+\barre
+ %\check
+%Takt 28
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes
+\barre
+ %\check
+%Takt 29
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes
+\Notes&\qh2b\tqh2d&\tqh5 b\enotes
+\barre
+ %\check
+%Takt 30
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&\cu e\enotes
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 31
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes
+\Notes&\qh2c\tqh2f&\tqh5d\enotes
+\barre
+ %\check
+%Takt 32
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\cl i\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes
+\barre
+ %\check
+%Takt 33
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes
+\Notes&\qh2c\tqh2f&\tqh5j\enotes
+\barre
+ %\check
+%Takt 34
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes
+\Notes&\qh2c\tqh2g&\tqh5e\enotes
+\barre
+ %\check
+%Takt 35
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes
+\Notes&\qh2c\tqh2f&\tqh5h\enotes
+\barre
+ %\check
+%Takt 36
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes
+\Notes&\qh2b\tqh2f&\tqh5g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes
+\Notes&\qh2b\tqh2f&\tqh5N\enotes
+\barre
+ %\check
+%Takt 37
+\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 38
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 39
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 40
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes
+\barre
+ %\check
+%Takt 41
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes
+\barre
+ %\check
+%Takt 42
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes
+\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes
+\barre
+ %\check
+%Takt 43
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct
+ \qlp d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&\oct \cl e\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes
+\barre
+ %\check
+%Takt 44
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes
+\barre
+ %\check
+%Takt 45
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct
+ \qlp c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \cl d\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes
+%
+\barre
+ %\check
+%Takt 46
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct
+ \tten5\cu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\oct
+ \Ibu4ce4\qh4c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct
+ \qh4d\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \tqh4e\enotes
+\barre
+ %\check
+%Takt 47
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &\bigaccid\zhlp h\oct
+ \qup{^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&\oct \cu e\enotes
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \zql a\qu a\enotes
+\barre
+ %\check
+%Takt 48
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax
+ {\zw g}\oct \hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax
+ \raise\Interligne\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \qu d\enotes
+\barre
+ %\check
+%Takt 49
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct
+ \itenu5e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\cu e&\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\oct
+ \Ibu5eg4\qh5e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\oct
+ \qh5f\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \tqh5g\enotes
+\barre
+ %\check
+%Takt 50
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&
+ \rlap{\hlp k}\oct \itenu4h\hu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k\enotes
+\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax
+ \oct \cu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes
+\barre
+ %\check
+%Takt 51
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&\oct
+ \Ibu4df4\qh4d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&\oct
+ \qh4e\enotes
+\Notes&\qh2f\tqh2i&\oct
+ \tqh4f\enotes
+\barre
+ %\check
+%Takt 52
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct
+ \itenu4g\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \tten4\cu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes
+\barre
+ %\check
+%Takt 53
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct
+ \itenu5c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\oct
+ \Ibu4ce4\qh4c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qh4d\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4e\enotes
+\barre
+ %\check
+%Takt 54
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax
+ {\zw j}\oct
+ \itenu5f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\oct
+ \Ibu4fh4\qh4f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qh4g\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4h\enotes
+\barre
+ %\check
+%Takt 55
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct
+ \qup i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\oct \cu h\enotes
+\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax
+ \rlap{\roff{\hl m}}\oct \qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qu d&\enotes
+\barre
+ %\check
+%Takt 56
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct
+ \hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\ccl e\enotes
+\barre
+ %\check
+%Takt 57
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes
+\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes
+\Notes&\tqh2e&\oct \ccl e\enotes
+\barre
+ %\check
+%Takt 58
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes
+\barre
+ %\check
+ %Takt 59
+ \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp
+J&\ds&{\bigfl l\zh l}\oct \hl h\enotes
+ \Notes&\ibbu1b3\qh1a\tqh1c\enotes
+ \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+ \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes
+\Notes&\tqh2e&\oct \ccl h\enotes
+\barre
+ %\check
+%Takt 60
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid
+ \tten2\zq j\ql{_l}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds\enotes
+\Notes&\tqh2e&\oct
+ \ccl j\enotes
+\barre
+ %\check
+%Takt 61
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct
+ \hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d\enotes
+\barre
+ %\check
+%Takt 62
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct
+ \itenu5d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\oct
+ \Ibu4db4\qh4d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct
+ \qh4c\enotes
+\Notes&\qh2b\tqh2d&\oct
+ \tqh4b\enotes
+\barre
+ %\check
+%Takt 63
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct
+ \qup g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&\oct
+ \cu e\enotes
+\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct
+ \qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \raise\Interligne\qp\enotes
+\barre
+ %\check
+%Takt 64
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct
+ \itenu5f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct
+ \tten5\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4fd4\qh4f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4e\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4d\enotes
+\barre
+ %\check
+%Takt 65
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct
+ \qlp k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\oct
+ \cl i\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct
+ \ql g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes
+\barre
+ %\check
+%Takt 66
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&\oct
+ \Ibl4hj4\qb4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqb4j\enotes
+\barre
+ %\check
+%Takt 67
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds
+&{\zhl n}\oct \itenu5l\hu l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct
+ \tten5\cu l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4je4\qh4j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes
+\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes
+\barre
+ %\check
+%Takt 68
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct
+ \itenu5d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4hh4\qh4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4i\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4h\enotes
+\barre
+ %\check
+%Takt 69
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4f\enotes
+\Notes&\qh2b\tqh2f&\oct
+ \tqh4d\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ {\zhl d}\ibu4i{-3}\qh4i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\relax
+ \qh4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\relax
+ \qh4f\enotes
+\Notes&\qh2b\tqh2f&\relax
+ \tqh4d\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes
+\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+%\cleftoksii{6000}\changeclefs
+\barre
+ %\check
+%Takt 71
+\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes
+\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes
+\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes
+\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes
+\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes
+\Notes&\ibbl1h3\qb1g\tqb1i\enotes
+\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes
+\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes
+\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes
+\barre
+ %\check
+%Takt 73
+\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &\pointdorgue f\wh c\enotes
+ \linegoal 19
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex
new file mode 100644
index 00000000000..3d29ea6f48e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex
@@ -0,0 +1,3 @@
+\def\chorale{\relax}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex
new file mode 100644
index 00000000000..7480111e5f4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex
@@ -0,0 +1,4 @@
+\def\Signature{-5}
+\def\Transpose{-1}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex
new file mode 100644
index 00000000000..be83ce5730b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex
@@ -0,0 +1,4 @@
+\def\Signature{0}
+\def\Transpose{-2}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex
new file mode 100644
index 00000000000..329d5ac4c82
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex
@@ -0,0 +1,4 @@
+\def\Signature{2}
+\def\Transpose{-1}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
new file mode 100644
index 00000000000..f2a22bd51b6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
@@ -0,0 +1,297 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Verum}
+ \author{Charles Gounod}
+ \shortauthor{C. Gounod}
+ \subtitle{\relax}
+ \maketitle
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\nbinstruments{1}
+\def\instrumenti{Orgue}
+\def\instrumentii{Basse}
+\def\instrumentiii{Tnor}
+\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}}
+\nbporteesi=2\relax
+\generalmeter{\allabreve}
+\setinterinstrument1{10pt}
+\setinterinstrument2{10pt}
+\setinterinstrument3{10pt}
+\cleftoksi{6000}
+\cleftoksii{6000}
+\cleftoksiii{6000}
+
+\ifx\Transpose\undefined
+ \def\Transpose{0}
+ \def\Signature{-3}
+\fi
+\generalsignature{\Signature}
+
+\ifx\chorale\undefined
+ \setsize1{\normalvalue}
+ \setsize2{\smallvalue}
+ \setsize3{\smallvalue}
+ \setsize4{\smallvalue}
+\else
+ \setsize1{\smallvalue}
+ \setsize2{\normalvalue}
+ \setsize3{\normalvalue}
+ \setsize4{\normalvalue}
+\fi
+\ninepoint
+
+\def\Zsong{\zsong}
+
+\stemcut
+
+\transpose=\Transpose
+\debutmorceau
+\qspace
+\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes
+\NOtes\hu N|\zh b\hu e\enotes
+\barre % 2
+\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes
+\NOtes\hu N|\hu g\enotes
+\barre %3
+\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes
+\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes
+\barre %4
+\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes
+\NOtes\zhl H\zh J\hu a|\hu e\enotes
+\barre %5
+\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes
+\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes
+\barre %6
+\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes
+\NOtes|\zh b\hu d\enotes
+\barre %7
+\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes
+\Notes\soupir|\soupir\enotes
+\suspmorceau
+\def\nbinstruments{4}%
+\debutmorceau %8
+\barno 8\relax
+\qspace
+\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\H LNei{A--}%
+\Hqhq I{ba}d{gf}{ve}%
+\barre %9
+\H JNee{ve--}%
+\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl
+N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %10
+\H Hacj{Cor--}%
+\Hqhq I{NM}{=d}{ih}{pus }%
+\barre %11
+\Hh Lceh{na--}%
+\Hh Lbeg{tum }%
+\barre %12
+\H LNgi{de }%
+\Hqhq K{^a^b}f{jk}{Ma--}%
+\barre %13
+\H Jcel{ri--}%
+\H Lcgg{a }%
+\barre %14
+\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax
+ &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax
+ &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax
+ &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes
+\barre %15
+\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw
+ d\hu {ji}\enotes
+\barre %16
+\H LNei{Ve-}%
+\Hqhq I{ba}d{gf}{re}%
+\barre %17
+\H JNee{pas-}%
+\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl
+N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %18
+\H Hacj{im-}%
+\Hqhq I{NM}{=d}{ih}{mo-}%
+\barre %19
+\Hh Lceh{la-}%
+\Hh Lbeg{tum }%
+\barre %20
+\H Kbfi{In }%
+\H Ibfk{cru-}%
+\barre %21
+\Hhhq Lbe{g^f}{ce }%
+\Hhhq JLe{g^h}{pro }%
+\barre %22
+\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl
+d&\Zsong{ho-}\zhl g\hu i\enotes
+\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes
+\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl
+c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes
+\barre %23
+\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}%
+\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\Hp Nbgg{ne }%
+\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes
+\barre %24
+\H Nbei{Cu-}%
+\Qhhq {ML}be{=hg}{jus }%
+\barre %25
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl
+b&\Zsong{la-}\zhl d\hu g\enotes
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl
+b&\Zsong{tus }\zhl d\hu f\enotes
+\barre %26
+\H Nbei{per-}%
+\Qhhq {ML}be{hg}{fo-}%
+\barre %27
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl
+b&\Zsong{ra-}\zhl d\hu g\enotes
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl
+b&\Zsong{tum }\zhl d\hu f\enotes
+\barre %28
+\H Nbee{flu-}%
+\Hhhq Kbf{ih}{xit}%
+\barre %29
+\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}%
+\H Lbgg{un-}%
+\Qqqq L{^b}gk{da }%
+\Qqqq Lcgj{et }%
+\barre %30
+\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl
+e\qu{g=h}\relax
+ &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax
+ &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax
+ &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes
+\barre %31
+\Hp Ibdi{ne, }%
+\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes
+\barre %32
+\H LNei{Es-}%
+\Hqhq I{ba}d{gf}{to }%
+\barre %33
+\H JNee{no-}%
+\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl
+b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %34
+\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}%
+\Qqhh {aN}{cb}cj{pr\ae{}-}%
+\Qqqh {ML}{aN}{=de}j{gus-}%
+\barre %35
+\H Kafj{ta-}%
+\H Kafi{tum }%
+\barre %36
+\H LNei{Mor-}%
+\Hh Jegj{tis }%
+\barre %37
+\Hhhq Mcf{ih}{in }%
+\Hqhq H{ba}c{gf}{ex-}%
+\barre %38
+\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup
+I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes
+\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl
+a&\Zsong{mi-}\hu d\ql b\enotes
+\barre %39
+\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne
+}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes
+\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %40
+\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl
+e\hu h\enotes
+\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su
+}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes
+\barre %41
+\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\H Lacg{dul-}%
+\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis
+}\hl a&\Zsong{cis }\zhl c\hu f\enotes
+\barre %42
+\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl
+h\hu j\enotes
+\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su
+}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes
+\barre %43
+\H Lcfi{pi-}%
+\H Lcfh{e }%
+\barre %44
+\H b{=d}hm{Je-}%
+\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl
+f&\Zsong{su, }\zhl h\hu l\enotes
+\barre %45
+\H bfhk{Je-}%
+\H begj{su }%
+\barre %46
+\Hhhq Idf{ji}{fi-}%
+\Qqqq Icej{li }%
+\Qqqq Ibdh{Ma-}%
+\barre %47
+\H Lbeh{ri-}%
+\Qqqq Lbeg{\ae{} }%
+\Qqqq bbeg{In }%
+\barre %48
+\Qqqq aceg{no-}%
+\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql
+e}\qu f\enotes
+\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql
+e}\qu f\enotes
+\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql
+d\qu j\enotes
+\barre %49
+\H Nbej{re-}%
+\Qqqq Nbei{re }%
+\Qqqq Nbei{O }%
+\barre %50
+\Qqqq {Lb}{bd}{gh}{nm}{Je-}%
+\Qqqq cegl{su }%
+\Qqqq N{^b}fk{In }%
+\barre %51
+\Qqqq acej{no-}%
+\Qqqq {^L}{_d}gi{bis }%
+\Qqqq Mcfh{mi-}%
+\Qqqq Hacf{se-}%
+\barre %52
+\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}%
+\Whhh I{Na}{eb}{id}{re-}%
+\barre %53
+\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %54
+\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh
+c&\Zsong{A-}\zw g\wh l\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %55
+\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %56
+\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh
+{^a}&\Zsong{A-}\zw {^f}\wh j\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %57
+\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %58
+\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh
+c&\Zsong{A-}\zw e\wh h\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %59
+\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes
+\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes
+\barre %60
+\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh
+a&\Zsong{A-}\zw d\hu{gf}\enotes
+\barre %61
+\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh
+b&\pointdorgue l\Zsong{men.}\wh e\enotes
+\ifnum\Signature<-3\relax
+\mulooseness1\relax
+\else
+\mulooseness2\relax
+\fi
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex
new file mode 100644
index 00000000000..7e3bb3e70b1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex
@@ -0,0 +1,23 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{1}\relax % trois diezes a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % deux diezes a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-3}\relax
+\def\Signature{2}\relax % un bemol a la clef
+\input canticox
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex
new file mode 100644
index 00000000000..795204a8c4b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex
@@ -0,0 +1,156 @@
+\fulltitle{Canticorum jubilo}
+\shorttitle{Canticorum jubilo}
+ \fullauthor{Georg Friedrich Hndel\\Transposition
+Daniel Taupin}
+ \shortauthor{G.-F. Hndel}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\allabreve}
+ %\check
+\def\interfacteur{18}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -6pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+ \transpose=\Transpose
+ \qspace
+ %
+ \NOtes\zhl N\hu b&\hsong{Can-}\zhl g\hu k\enotes
+ \Notes\islurd0b\zqlp b\isluru1d\qup d&\zsong{ti- }\islurd2g\zqlp g\isluru3i\qup i\enotes
+ \notes\tslur0a\zcl a\tslur1c\cu c&\hsong{---}\tslur2f\zcl f\tslur3j\cu j\enotes
+ %
+ %\check
+ \barre %2
+ \NOtes\zhl N\hu b&\hsong{co-}\zhl g\hu k\enotes
+ \NOtes\zhl b\hu d&\hsong{rum}\zhl d\hu g\enotes
+ %
+ %\check
+ \barre %3
+ \notes\zqlp a\qu c&\zsong{ju-}\Ibl0fi3\Ibu1hk3\zqb0f\qh1h\enotes
+ \notes&\hsong{- }\zqb0g\qh1i\enotes
+ \notes\qu a&\hsong{- }\zqb0h\qh1j\enotes
+ \notes\cl N&\hsong{- }\tbl0\zqb0i\tqh1k\enotes
+ \Notes\zql M\qu d&\hsong{- }\zql h\qu j\enotes
+ \Notes\zql N\qu d&\zsong{bi- }\zql g\qu i\enotes
+ %
+ %\check
+ \barre %4
+ \NOTEs\zw K\wh d&\hsong{lo}\zw f\wh h\enotes
+ %
+ %\check
+ \barre %5
+ \notes\Ibl0bc3\zhup d\qb0b&\hsong{Re-}\zhlp g\Ibu1kl3\qh1k\enotes
+ \notes\qb0a&\hsong{- }\qh1j\enotes
+ \notes\qb0b&\hsong{- }\qh1k\enotes
+ \notes\tqb0c&\hsong{- }\tqh1l\enotes
+ \Notes\ql b&\hsong{- }\qu k\enotes
+ \Notes\zql b\qu d&\hsong{gi }\zql g\qu k\enotes
+ %
+ %\check
+ \barre %6
+ \NOtes\zhl b\hu d&\hsong{ma-}\zhl g\hu n\enotes
+ \NOtes\zhl N\hu b&\hsong{gno }\zhl g\hu k\enotes
+ %
+ %\check
+ \barre %7
+ \Notes\zql a\isluru0c\qu c&\zsong{psal-}\islurd1f\isluru2j\zql f\qu j\enotes
+ \notes\tslur0d\zhu d\Ibl0bc1\qb0b\tqb0c&\tslur1g\tslur2i\hsong{- }\zhl g\qu i\enotes
+ \Notes\ql d\zql K\qu c&\hsong{- }\hu h\hsong{li-}\ql f\enotes
+ %
+ %\check
+ \barre %8
+ \NOTes\zw N\wh b&\hsong{te !}\roff{\zw g}\wh g\enotes
+ \setrightrepeat
+ %
+ %\check
+ \barre %9
+ \notes\zhlp N\hup d&\zsong{\txt Per-|Jam-&}\Ibl0gh3\Ibu1ij3\zqb0g\qh1i\zqb0f\qh1h\zqb0g\qh1i\tbl0\tbu1\zqb0h\qh1j\enotes
+ \Notes&\hsong{\txt - |- &}\zql g\qu i\enotes
+ \Notes\zql N\qu d&\hsong{\txt so- |re- &}\zql g\qu i\enotes
+ %
+ %\check
+ \barre %10
+ \NOtes\zhl K\hu c\zhl L\hu b&\hsong{\txt nan-|sul-&}\zhl f\hu h\hsong{\txt
+tes |tent &}\zhl e\hu g\enotes
+ %
+ %\check
+ \barre %11
+ \Notes\islurd0M\isluru1d\zql M\qu{^d}&\hsong{\txt or-|mu-&}\islurd2h\isluru3j\zql h\qu j\enotes
+ \Notes\zql N\qu e&\hsong{\txt - |- &}\zql g\qu i\enotes
+ \Notes\tslur0a\tslur1c\zql a\qu c&\hsong{\txt - |- &}\tslur2f\tslur3h\zql f\qu h\enotes
+ \Notes\zql L\qu b&\hsong{\txt ga-|si-&}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %12
+ \NOTes\roff{\zw b}\wh b&\hsong{\txt nis,!|ca, &}\zw{^d}\wh f\enotes
+ %
+ %\check
+ \barre %13
+ \notes\zhlp L\hup b&\zsong{\txt Ju-|Un-&}\Ibl0ef3\Ibu1gh3\zqb0e\qh1g\zqb0{^d}\qh1f\zqb0e\qh1g\tbl0\tbu1\zqb0f\qh1h\enotes
+ \Notes&\hsong{\txt - |- &}\zql e\qu g\enotes
+ \Notes\loff{\zql d}\qu b&\hsong{\txt bi- |da, &}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %14
+ \NOtes\zhl{^c}\hu c&\hsong{\txt la-|tel-&}\zhlp g\hu l\enotes
+ \Notes\zhl a\hu e&\hsong{\txt te, |lus, &}\hu{^j}\ql g\enotes
+ %
+ %\check
+ \barre %15
+ \Notes\zql b\qu d&\hsong{\txt plau-|si-&}\zql f\qu k\enotes
+ \notes\zql N\qu b&\hsong{\txt - |- &}\Ibl0gf1\Ibu1lk1\zqb0g\qh1l\tbl0\tbu1\zqb0f\qh1k\enotes
+ %\check
+ \Notes\zql a\qu e&\hsong{\txt - |- &}\zql e\qup{^j}\enotes
+ \notes\zql a\qu e&\hsong{\txt di-|de-&}\ql h\cu k\enotes
+ %
+ %\check
+ \barre %16
+ \NOTes\zw K\wh f&\hsong{\txt te.|ra.&}\zw h\wh k\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
new file mode 100644
index 00000000000..6b5fd30052b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
@@ -0,0 +1,318 @@
+\ifx
+\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Chanson innocente}
+\subtitle{(pour orgue)}
+\fulltitle{XII. Chanson innocente}
+\csname titremorceautoc\endcsname
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\organiste Gif-sur-Yvette}
+\othermention{Compos en 1996-1999}
+%
+%
+
+\maketitle
+\parindent 18mm
+
+\instrumentnumber{3}
+\setname1{Flte 16, 8'}
+\setname2{Flte 8'}
+\setname3{Sesquialtera}
+\generalmeter{\meterfrac68}
+
+%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}}
+
+%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}}
+
+\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}}
+\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}}
+ %\check
+\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}
+\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}}
+ %\check
+\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+ %\check
+\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+ %\check
+\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk}
+\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk}
+\noautolines
+\setname1{Pdale}\setname2{Flte}\setname3{Sesquialtera}
+\generalsignature{1}
+\setclef1{\bass}\setclef2{\treble}\setclef3{\treble}
+\def\tripler{\noteskip=3\noteskip}
+\def\doubler{\noteskip=2\noteskip}
+\debutmorceau
+\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes
+\Notes\qup H&\sextou ceg&\pause\enotes
+\barre %2
+\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes
+\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %3
+\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %4
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %5
+\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes
+\barre %6
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes
+\barre %7
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes
+\barre %8
+\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %9
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes
+\barre %10
+\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes
+\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %11
+\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %12
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %13
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes
+\barre %14
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes
+\barre %15
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes
+\barre %16
+\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes
+\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %17
+\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes
+\barre %18
+\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes
+\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %19
+\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes
+\barre %20
+\Notes\qup L&\sextou egi&\triopl nml\enotes
+\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes
+\barre %21
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes
+\barre %22
+\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes
+\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes
+\barre %23
+\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes
+\barre %24
+\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %25
+\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes
+\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes
+\barre %26
+\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes
+\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %27
+\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes
+\barre %28
+\Notes\qup I&\sextou dgi&\triopl nml\enotes
+\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes
+\barre %29
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes
+\generalmeter{\meterfrac 98}%
+\changecontext %30
+\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\Notes\qup G&\sextou dgi&\triopu iji\enotes
+\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes
+\generalmeter{\meterfrac 68}%
+\changecontext %31
+\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes
+\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\generalsignature{-2}%
+\changecontext %32
+\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes
+\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes
+\barre %33
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %34
+\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes
+\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes
+\barre %35
+\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes
+\barre %36
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes
+\barre %37
+\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %38
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes
+\barre %39
+\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %40
+\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes
+\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes
+\barre %41
+\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes
+\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes
+\barre %42
+ %\check
+\Notes\qup K&\sextou dgi&\triopl iji\enotes
+\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes
+\barre %43
+\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %44
+\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\sextou fik&\triopl mlk\enotes
+\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes
+\barre %45
+\Notes\qlp N&\sextou dgi&\triopl iji\enotes
+\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\barre %46
+\Notes\qlp N&\sextou dgi&\triopu iji\enotes
+\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes
+\barre %47
+\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes
+\generalsignature{1}%
+\changecontext %48
+\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes
+\Notes\qlp K&\sextou dfh&\triopl opo\enotes
+\barre %49
+\Notes\qlp L&\sextou beg&\triopl nml\enotes
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes
+\barre %50
+\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes
+\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes
+\barre %51
+\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes
+\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes
+\barre %52
+\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes
+\Notes\qup H&\sextou acf&\triopu jih\enotes
+\barre %53
+\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes
+\barre %54
+\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %55
+\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes
+\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes
+\barre %56
+\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes
+\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes
+\barre %57
+\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes
+\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes
+\barre %58
+\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes
+\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes
+\barre %59
+\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes
+\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes
+\barre %60
+\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes
+\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes
+\barre %61
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes
+\Notes\qlp N&\sextou dgi&\triopl iji\enotes
+\barre %62
+\Notes\qup K&\sextou dfh&\triopu hih\enotes
+\Notes\qup L&\sextou egi&\triopu gfe\enotes
+\barre %63
+\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes
+\Notes\qup I&\sextou beg&\triopu gfe\enotes
+\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes
+\barre %64
+\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %65
+\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes
+\Notes\qup I&\sextou bdg&\triopl kji\enotes
+\barre %66
+\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes
+\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes
+\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes
+\barre %67
+\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %68
+\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %69
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %70
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes
+\barre %71
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes
+\barre %72
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes
+\barre %73
+\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %74
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes
+\barre %75
+\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes
+\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %76
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes
+\barre %77
+\Notes\qup L&\sextou egi&\triopl nml\enotes
+\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes
+\barre %78
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes
+\barre %79
+\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\Notes\qup G&\sextou dgi&\triopu iji\enotes
+\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes
+\barre %80
+\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes
+\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes
+\barre %81
+\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes
+\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes
+\barre %82
+\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes
+\Notes&\Sextou Nbdbdf\enotes
+\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes
+%\linegoal 28
+\mulooseness -7
+\finmorceau
+
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\ifx\toc\undefined
+ \let\finishpiece \end
+\else
+ \let\finishpiece\relax
+\fi
+\finishpiece
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex
new file mode 100644
index 00000000000..021607ab3f9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex
@@ -0,0 +1,947 @@
+\title{Fantaisie aigre-douce}
+\subtitle{(pour orgue)}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN}
+\othermention{Compos\'e en 1993}
+\maketitle
+
+\tracingstats=2\relax
+%
+% formes frquentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%
+\def\qlppz#1{\uppz #1\ql #1}
+\def\zlppz#1{\lppz #1\zq #1}
+\def\quppz#1{\lppz #1\qu #1}
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % ut majeur
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale}%
+\def\instrumentii{G.O.}%
+%\check
+\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
+\smallskip
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\troistemps
+\debutmorceau
+\bigaccid
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro
+ \bf(\metron{\hup}{50})}}\enotes
+\advance\linesinpage by 1\relax
+\ifx\mxversion\undefined\kern -\Interligne\fi
+%\check
+% mesure 1
+\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 2
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 3
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes
+%\check
+% mesure 4
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 5
+\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes
+%\check
+% mesure 6
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 7
+\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes
+%\check
+% mesure 8
+\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 9
+\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes
+\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes
+\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes
+%\check
+% mesure 10
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 11
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+% mesure 12
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 13
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 14
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes
+%\check
+% mesure 15
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes
+ \nspace
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 16
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes
+%\check
+% mesure 17
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 18
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes
+%\check
+% mesure 19
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 20
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes
+\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes
+%\check
+% mesure 21
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 22
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 23
+\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes
+\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+%\check
+% mesure 24
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+% mesure 25
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 26
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 27
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 28
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 29
+\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes
+%\check
+% mesure 30
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 31
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 32
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 33
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 34
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes
+%\check
+% mesure 35
+\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 36
+\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes
+\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes
+%\check
+% mesure 37
+\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes
+%\check
+% mesure 38
+\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk
+ \zlppz e\zq{g}\qu{=k}\enotes
+\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes
+\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes
+%\check
+% mesure 39
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 40
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 41
+\barre
+\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it
+ a tempo}\Qqbb Nece|\Uptext{\it bien
+ sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+%\check
+% mesure 42
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 43
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 44
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 45
+\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+%\check
+% mesure 46
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 47
+\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 48
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 49
+\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 50
+\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 51
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 52
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 53
+\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes
+%\check
+% mesure 54
+\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 55
+\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes
+%\check
+% mesure 56
+\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 57
+\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes
+%\check
+% mesure 58
+\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes
+%\check
+% mesure 59
+\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 60
+\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 61
+\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+%\check
+% mesure 62
+\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes
+% mesure 63
+\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 64
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 65
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 66
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 67
+\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+%\check
+% mesure 68
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+% mesure 69
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 70
+\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 71
+\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 72
+\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes
+%\check
+% mesure 73
+\barre
+ \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 74
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 75
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes
+%\check
+% mesure 76
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 77
+\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes
+%\check
+% mesure 78
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 79
+\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes
+%\check
+% mesure 80
+\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 81
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes
+\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes
+\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes
+%\check
+% mesure 82
+\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 83
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+% mesure 84
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 85
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 86
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes
+%\check
+% mesure 87
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes
+ \nspace
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 88
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes
+%\check
+% mesure 89
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax
+ \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 90
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes
+%\check
+% mesure 91
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes
+\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 92
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes
+\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes
+%\check
+% mesure 93
+\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 94
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 95
+\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes
+\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+%\check
+% mesure 96
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+% mesure 97
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 98
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 99
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 100
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 101
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 102
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 103
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 104
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 105
+\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes
+%\check
+% mesure 106
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 107
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 108
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 109
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 110
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes
+ %\check
+% mesure 111
+\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes
+ %\check
+% mesure 112
+\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes
+\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes
+ %\check
+% mesure 113
+\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes
+ %\check
+% mesure 114
+\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes
+\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+ %\check
+% mesure 115
+\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes
+\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+ %\check
+% mesure 116
+\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+% mesure 117
+\barre
+\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it
+ a tempo}\Qqbb Nece|\Uptext{\it bien
+ sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+%\check
+% mesure 118
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 119
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 120
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 121
+\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+%\check
+% mesure 122
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+% mesure 123
+\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 124
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 125
+\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 126
+\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 127
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 128
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 129
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 130
+\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+%\check
+% mesure 131
+\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+% mesure 132
+\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 133
+\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 134
+\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes
+%\check
+% mesure 135
+\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes
+%\check
+% mesure 136
+\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 137
+\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 138
+\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes
+%\check
+% mesure 139
+\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 140
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 141
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 142
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 143
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes
+%\check
+% mesure 144
+\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 145
+\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes
+\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes
+%\check
+% mesure 146
+\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes
+%\check
+% mesure 147
+\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk
+ \zlppz e\zq{g}\qu{=k}\enotes
+\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes
+\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes
+%\check
+% mesure 148
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 149
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 150
+\def\sQqbb{\smallnotesize\Qqbb}%
+\def\sqqBB{\smallnotesize\qqBB}%
+\def\sQqhh{\smallnotesize\Qqhh}%
+\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax
+ \ibbl0i0\qb0{lgj}\tqb0g\enotes
+\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes
+%\check
+% mesure 151
+\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 152
+\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes
+\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 153
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 154
+\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax
+ \sqqBB ojmj\enotes
+\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes
+\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes
+%\check
+% mesure 155
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 156
+\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk
+ \normalnotesize\hu q}\sqqBB qmom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 157
+\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes
+\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 158
+\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax
+ \sqqBB kgig\enotes
+\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes
+\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes
+%\check
+% mesure 159
+\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax
+ \sqqBB lgjg\enotes
+\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 160
+\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 161
+\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes
+\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 162
+\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 163
+\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax
+ \sqqBB qmom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+%\check
+% mesure 164
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+% mesure 165
+\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes
+\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 166
+\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax
+ \sqqBB kgig\enotes
+\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes
+\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+%\check
+% mesure 167
+\barre\notes\hu J&\sQqbb
+LcNc|\normalnotesize\roff{\zhu j}\relax
+ \sqqBB jege\enotes
+\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes
+\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax
+ \sqqBB gege\enotes
+% mesure 168
+\barre
+\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes
+\temps\Notes&\enotes
+\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes
+% mesure 169
+\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes
+\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes
+\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes
+%\check
+% mesure 170
+\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes
+\temps\Notes&\enotes
+\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes
+%\check
+% mesure 171
+\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes
+%\check
+% mesure 172
+\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes
+%\mulooseness 1\relax
+\mulooseness -4\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex
new file mode 100644
index 00000000000..7a965a73507
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex
@@ -0,0 +1,4 @@
+\def\ftranspose{-1}
+\def\fsignature{-3}
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex
new file mode 100644
index 00000000000..7bb931e0917
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex
@@ -0,0 +1,2 @@
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
new file mode 100644
index 00000000000..8b74bc93760
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
@@ -0,0 +1,1238 @@
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-1}\fi
+
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\shorttitle{Fantaisie en style romantique}
+\title{Fantaisie en style romantique}
+\transpose=\ftranspose\relax
+\newif\iffiveoctaves
+\ifnum\transpose=0\relax
+ \subtitle{(pour orgue 5 octaves)}
+ \fiveoctavestrue
+ \else\ifnum\transpose=-1\relax
+ \subtitle{(pour orgue 4 octaves et demi, do--sol)}
+ \fiveoctavesfalse
+ \else
+ \subtitle{(pour orgue)}
+ \fiveoctavesfalse
+ \fi
+\fi
+
+\othermention{Compos\'e en 1992\\r\'evis\'e en 1995}
+\maketitle
+
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-1}\fi
+
+\parindent 18mm
+\tracingstats=2\relax
+%
+% formes fr\'equentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}%
+\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
+\smallskip
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\quatretemps
+\staffbotmarg=10pt
+\debutmorceau
+\relativeaccidentals
+\bigaccid
+\autolines{9}55\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso
+ \bf(\metron{\qu}{55})}}\enotes
+\advance\linesinpage by 1\relax
+%\check
+% mesure 1
+\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes
+%\check
+% mesure 2
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 3
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 4
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\check
+% mesure 5
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 6
+%\check
+\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 7
+%\check
+\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 8
+%\check
+\deuxtemps\changecontext
+\addspace{-0.5\afterruleskip}%
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 9
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 10
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 11
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 12
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 13
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax
+ |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 14
+%\check
+\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 15
+%\check
+\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+%\check
+% mesure 16
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 17
+%\check
+\deuxtemps\changecontext
+\addspace{-0.5\afterruleskip}%
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 18
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 19
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 20
+\barre\autolines{16}45\relax
+\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 21
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 22
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 23
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 24
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 26
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 27
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 28
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 29
+\barre\bigaccid
+\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 30
+\barre\autolines{10}55\relax
+\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%\check
+% mesure 31
+%\check
+\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\varaccid
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 32
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 33
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 34
+%\check
+\deuxtemps\changecontext\autolines{9}55\relax
+\addspace{-\afterruleskip}%
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 35
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 36
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 37
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes
+%\check
+% mesure 38
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 39
+\quatretemps\changecontext\stemcut
+\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un
+poco pi\`u vivo}\zqp a\qup d\enotes
+\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes
+\zalaligne\autolines{15}45\relax
+%\check
+\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes
+\temps\notes&\Qqbb KaMa|\ql o\enotes
+%\check
+% mesure 40
+\def\atnextline{\autolines{17}35}\relax
+\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 41
+\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\enotes
+\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes
+\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes
+%\check
+% mesure 42
+\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes
+\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes
+\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes
+%\check
+% mesure 43
+\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes
+\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes
+\temps\notes&\Qqbb KaMa|\qu o\enotes
+%\check
+% mesure 44
+\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 45
+\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes
+\temps\notes&\Qqbb KbNb|\enotes
+\temps\notes&\Qqbb KbNb|\qu n\enotes
+\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes
+%\check
+% mesure 46
+\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes
+\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+%\check
+% mesure 47
+\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes
+\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes
+\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes
+\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes
+\def\atnextline{}%
+%\check
+% mesure 48
+\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes
+\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes
+\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes
+\temps\notes&\Qqbb LcNc|\ql n\enotes
+%\check
+% mesure 49
+\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes
+\temps\notes&\Qqbb Mcac\enotes
+\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes
+\temps\notes&\Qqbb Mcac|\qu o\enotes
+%\check
+% mesure 50
+\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu r\enotes
+\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes
+\temps\notes&\Qqbb LcNc|\qu p\enotes
+%\check
+%\check
+% mesure 51
+\barre\def\atnextline{\autolines{14}45}\relax
+\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes
+\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes
+\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu p\enotes
+%\check
+% mesure 52
+\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes
+\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes
+\temps\notes&\Qqbb LcNc|\qu n\enotes
+%\check
+% mesure 53
+\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes
+\temps\notes&\Qqbb Mdad\enotes
+\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes
+\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes
+%\check
+% mesure 54
+\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes
+\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes
+%\check
+% mesure 55
+\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes
+\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes
+\temps\zalaligne
+\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne
+ les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}%
+ \qs\sTqbb fhf\enotes
+\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 56
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 57
+\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs
+ \bigaccid\Tqbb h{^j}h\enotes
+\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes
+\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes
+%\check
+% mesure 58
+\barre\def\atnextline{\autolines{17}35}\relax
+\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs
+ \Tqbb hkh\enotes
+\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes
+\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes
+%\check
+% mesure 59
+\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs
+ \bigSh j\Tqbb jlj\enotes
+\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+%\check
+% mesure 60
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes
+\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes
+%\check
+% mesure 61
+\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes
+\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes
+\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes
+%\check
+% mesure 62
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes
+\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes
+\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes
+%\check
+% mesure 63
+\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 64
+\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
+%\check
+% mesure 65
+\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes
+%\check
+% mesure 66
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes
+\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes
+%\check
+% mesure 67
+\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
+%\check
+% mesure 68
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
+%\check
+% mesure 69
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 70
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
+%\check
+% mesure 71
+\def\uppzql#1{\uppz #1\ql #1}%
+\barre\notes\hu K\tleg0&\sk\hpause
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes
+\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+%\check
+% mesure 72
+\barre\notes\hu K&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes&\zq M\uppzql a\relax
+|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\hu I&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+\temps\notes&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+%\check
+% mesure 73
+\barre\notes\qu H&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\qu H&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes\qu H&\zq K\uppzql M\relax
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes\qu H&\zq{^J}\uppzql L\relax
+ |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes
+%\check
+% mesure 74
+\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 75
+\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes
+\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 76
+\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes
+%\check
+% mesure 77
+\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes
+\cleftoksii={0000}\changeclefs
+%\check
+% mesure 78
+\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes
+%\check
+% mesure 79
+\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax
+ |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes
+\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes
+\temps\notes\ql a\tleg2&\sqqHH ejhj\relax
+ |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes
+\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes
+%\check
+% mesure 80
+%\cleftoksii={6000}\changeclefs
+\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes
+\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes
+\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes
+\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes
+%\check
+% mesure 81
+\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes
+%\check
+% mesure 82
+\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes
+\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes
+\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes
+%\check
+% mesure 83
+\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes
+\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes
+\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes
+% mesure 84
+\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
+%\check
+% mesure 85
+\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
+%\check
+% mesure 86
+\cleftoksii={6000}\changeclefs
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+%\check
+% mesure 87
+\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+%\check
+% mesure 88
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+%\check
+% mesure 89
+\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes
+\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes
+%
+% mesure 90
+\def\octp{\advance\transpose by 7\relax}%
+\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 91
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\advance\linesinpage by 1\relax
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%\check
+% mesure 92
+\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes
+\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 93
+\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 94
+\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes
+\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 95
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 96
+\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves
+ \octp\zh i\zhu p\roff{\qqbb inkn}\relax
+ \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax
+ \fi\enotes
+ \nspace
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\qqbb knkn\relax
+ \else\octp\qqbb gkik\relax
+ \fi\enotes
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\zq g\zqu n\qqbb gkik\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+\temps\notes&\sqqHH eigi|\iffiveoctaves
+ \octp\zq i\zqu p\qqbb inln\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+%\check
+% mesure 97
+\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+%\check
+% mesure 98
+\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH dfdf|\qqbb komo\enotes
+\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+%\check
+% mesure 99
+\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes
+\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes
+%
+% mesure 100
+\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes
+\temps\notes&\sqqHH afcf|\qqbb momo\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+%\check
+% mesure 101
+\cleftoksii={6000}\changeclefs
+\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes
+\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes
+%
+% mesure 102
+\advance\linesinpage by 1\relax
+\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes
+\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes
+\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+%\check
+% mesure 103
+\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes
+\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes
+%
+% mesure 104
+\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\qqbb momo\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+%
+% mesure 105
+\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes
+\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 106
+\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes
+\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes
+\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 107
+\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 108
+\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes
+\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 109
+\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+% mesure 110
+%\check
+\xbarre\autolines{9}55\relax
+\NOtes&\pointdorgue l\hpause
+ |\pointdorgue l\hpause\enotes
+\zalapage\nostemcut
+\temps\NOtes\pointdorgue a\pause
+ &\soupir|\soupir\enotes
+\cleftoksii={6000}\changeclefs
+\varaccid
+\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 111
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 112
+%\check
+\barre
+\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 113
+%\check
+\deuxtemps\changecontext
+\def\atnextline{\autolines{9}55\relax}\relax
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 114
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 115
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+% mesure 116
+%\check
+\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+% mesure 117
+%\check
+\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+% mesure 118
+\def\atnextline{\autolines{16}45\relax}\relax
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 119
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 120
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler
+ \bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 121
+\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 122
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 123
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 124
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 125
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 126
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 127
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 128
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 129
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 130
+\barre\autolines{17}35\relax
+\bigaccid
+\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 131
+\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%
+% mesure 132
+\stemcut
+\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes
+\temps\notes&\Qqbb HMKM|\enotes
+\temps\notes\uptext{\it a tempo}\sk\hpause
+ &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+%\check
+%
+% mesure 133
+\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes
+%
+% mesure 134
+\def\octm{\advance\transpose by -7\relax}%
+\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes
+\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes
+\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+%\check
+% mesure 135
+\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 136
+\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
+\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 137
+\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 138
+\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 139
+\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes
+\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes
+%\check
+% mesure 140
+\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes
+%\check
+% mesure 141
+\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
+%\check
+% mesure 142
+\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+%\check
+% mesure 143
+\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes
+\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes
+\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes
+%\check
+% mesure 144
+\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
+%\check
+% mesure 145
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
+%\check
+% mesure 146
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 147
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
+%\check
+% mesure 148
+\barre\autolines{8}65\relax
+\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax
+ |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 149
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 150
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+% mesure 151
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\advancebottom{-2\Interligne}%
+%\check
+% mesure 152
+\quatretemps\changecontext\varaccid
+\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 153
+\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 154
+\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 155
+\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 156
+\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+%\check
+% mesure 157
+\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 158
+\barre\autolines{16}35\relax
+\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 159
+\staffbotmarg=2pt
+\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 160
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 161
+\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves
+ \octp\zh i\zhu p\roff{\qqbb inkn}\relax
+ \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax
+ \fi\enotes
+ \nspace
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\qqbb knkn\relax
+ \else\octp\qqbb gkik\relax
+ \fi\enotes
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\zq g\zqu n\qqbb gkik\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+\temps\notes&\sqqHH eigi|\iffiveoctaves
+ \octp\zq i\zqu p\qqbb inln\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+%\check
+% mesure 162
+\barre\autolines{8}65\relax
+\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes
+%\check
+% mesure 163
+\barre\NOtes\pointdorgue N\hpause
+ &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes
+\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes
+% mesure 164
+\barre
+\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp
+ \uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp
+ \uppz f\zq{ad}\ql f\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp
+ \uppz e\zq{a^c}\ql e\enotes
+% mesure 165
+\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes
+\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes
+\cleftoksii={6000}\changeclefs
+% mesure 166
+\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes
+\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes
+\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes
+% mesure 167
+\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes
+\finmorceau
+\staffbotmarg=0pt
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
new file mode 100644
index 00000000000..0a1d3956e32
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
@@ -0,0 +1,626 @@
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\fulltitle{XI. Fantaisie et fugue en style baroque}
+\shorttitle{Fantaisie et fugue en style baroque}
+\csname titremorceautoc\endcsname
+\shorttitle{Fantaisie en style baroque}
+\subtitle{{\frtbf Fantaisie}}
+\othermention{Compos\'e en 1995}
+\maketitle
+
+ % if transpose not defined outside assume 0 and three flats
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-3}\fi
+
+
+\parindent 18mm
+\tracingstats=2\relax
+ %
+ % formes fr\'equentes
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+ %au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+ %au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+ %
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={6000}%
+\global\cleftoksi={6000}%
+%
+\noautolines
+ %
+\generalsignature{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+ %\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+ %\check
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
+\smallskip
+ %
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\generalmeter{\meterfrac 34}
+\staffbotmarg=10pt
+\stafftopmarg=0pt
+\interstaff{10}
+\debutmorceau
+%\noautolines
+\relativeaccidentals
+\bigaccid
+%\autolines{9}55\relax
+\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro
+ \bf(\metron{\qu}{55})}}\enotes
+ %\advance\linesinpage by 1\relax
+ %\check
+ % mesure 1
+\notes&\sqqhh JKLM|\sqqhh cdef\enotes
+\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes
+\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes
+ %\check
+ % mesure 2
+\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes
+\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes
+\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes
+ %\check
+ % mesure 3
+\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes
+\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes
+\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes
+ %\check
+ % mesure 4
+\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes
+\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes
+\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes
+ %\check
+ % mesure 5
+\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes
+\temps\notes&\sqqbb NabN|\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 6
+\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes
+\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes
+\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes
+ %\check
+ % mesure 7
+\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 8
+\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 9
+\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes
+\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes
+\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes
+ %\check
+ % mesure 10
+\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes
+ %\check
+ % mesure 11
+\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes
+ %\check
+ % mesure 12
+\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes
+\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes
+\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes
+ %\check
+ % mesure 13
+\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes
+\temps\notes&\qu b|\sqqbb nlkj\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 14
+\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes
+\temps\notes&\qu b|\sqqbb n{^l}kj\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 15
+\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes
+\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes
+\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes
+ %\check
+ % mesure 16
+\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes
+ %\check
+ % mesure 17
+\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes
+ %\check
+ % mesure 18
+\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes
+\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes
+\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes
+ %\check
+ % mesure 19
+\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes
+\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes
+\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes
+ %\check
+ % mesure 20
+\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes
+\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes
+\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes
+ %\check
+ % mesure 21
+\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes
+\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes
+\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes
+ %\check
+ % mesure 22
+\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes
+\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes
+\temps\notes&\ql N|\sqqbb jhij\enotes
+ %\check
+ % mesure 23
+\generalsignature{2}\changecontext
+\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes
+\temps\notes&\sqqbb KMNa|\enotes
+\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes
+ %\check
+ % mesure 24
+\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes
+\temps\notes&\sqqbb cbaN|\enotes
+\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes
+ %\check
+ % mesure 25
+\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes
+\temps\notes&\sqqbb babN|\qu n\enotes
+\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes
+ %\check
+ % mesure 26
+\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes
+\temps\notes&|\sqqbb omlk|\enotes
+\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn|\enotes
+ %\check
+ % mesure 27
+\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon|\enotes
+\temps\notes&|\sqqbb monm|\enotes
+\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk|\enotes
+ %\check
+ % mesure 28
+\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm|\enotes
+\temps\notes&|\sqqbb nlon|\enotes
+\temps\notes&\qu g|\sqqbb {_m}lkj|\enotes
+ %\check
+ % mesure 29
+\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes
+\temps\notes&\sqqbb aNaM|\enotes
+\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes
+ %\check
+ % mesure 30
+\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes
+\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes
+\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes
+ %\check
+ % mesure 31
+\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes
+\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes
+\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes
+ %\check
+ % mesure 32
+\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes
+\temps\notes&|\sqqbb mkji\enotes
+\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes
+ %\check
+ % mesure 33
+\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes
+\temps\notes&|\sqqbb km{^o}p\enotes
+\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes
+ %\check
+ % mesure 34
+\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes
+\temps\notes&|\sqqbb klm{=o}\enotes
+\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes
+ %\check
+ % mesure 35
+\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes
+\temps\notes&\sqqbb bNML|\enotes
+\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes
+ %\check
+ % mesure 36
+\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes
+\temps\notes&\sqqbb bNML|\enotes
+\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes
+ %\check
+ % mesure 37
+\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes
+\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes
+\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes
+ %\check
+ % mesure 38
+\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes
+\temps\notes&|\sqqhh ljih\enotes
+\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes
+ %\check
+ % mesure 39
+\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes
+\temps\notes&|\sqqhh jhjk\enotes
+\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes
+ %\check
+ % mesure 40
+\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes
+\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes
+\temps\notes&\ql {=a}|\sqqhh ponm\enotes
+ %\check
+ % mesure 41
+\generalsignature{3}\relax
+\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes
+\temps\notes&\sqqbb cbaN\enotes
+\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes
+ %\check
+ % mesure 42
+\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes
+\temps\notes&\sqqbb decd\enotes
+\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes
+ %\check
+ % mesure 43
+\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes
+\temps\notes&|\sqqhh kihg\enotes
+\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes
+ %\check
+ % mesure 44
+\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes
+\temps\notes&|\sqqhh jhjk\enotes
+\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes
+ %\check
+ % mesure 45
+\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl
+ j\itenu1m\hup m\enotes
+\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes
+\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes
+ %\check
+ % mesure 46
+\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes
+\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes
+\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes
+ %\check
+ % mesure 47
+\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq
+i\zq k\ql m\enotes
+\temps\notes\qu K&\advance\transpose -7\relax\sqqbb
+{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes
+\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq
+j\zq{^l}\ql n\enotes
+ %\check
+ % mesure 48
+\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes
+\temps\notes&|\sqqbb qpqo\enotes
+\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes
+ %\check
+ % mesure 49
+\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes
+\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 50
+\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes
+\temps\notes\qu J&\ql b|\sqqhh jihg\enotes
+\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes
+ % mesure 51
+\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes
+\temps\notes&\sqqbb c{^d}{^e}c\enotes
+\temps\notes&\sqqbb f{=e}{=d}c\enotes
+ %\check
+ % mesure 52
+\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes
+\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes
+\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes
+ %\check
+ % mesure 53
+\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes
+\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes
+\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes
+ % mesure 54
+ %\check
+\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes
+\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes
+\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes
+ % mesure 55
+ %\check
+\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes
+\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes
+\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes
+ % mesure 56
+ %\check
+\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes
+\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes
+\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes
+ % mesure 57
+ %\check
+\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes
+\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes
+\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes
+ % mesure 58
+ %\check
+\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes
+\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes
+\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes
+ % mesure 59
+ %\check
+\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes
+\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes
+\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes
+ % mesure 60
+ %\check
+\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes
+\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes
+\temps\notes&|\zqu n\sqqBB nlkl\enotes
+ % mesure 61
+ %\check
+\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes
+\temps\notes&|\zqu o\sqqbb omlm\enotes
+\temps\notes&|\zqu j\sqqBB jmlm\enotes
+ % mesure 62
+ %\check
+\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes
+\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes
+\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes
+ % mesure 63
+ %\check
+\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes
+\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes
+\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes
+ % mesure 64
+ %\check
+\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes
+\temps\notes&\sqqbb NabN\enotes
+\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes
+ % mesure 65
+ %\check
+\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes
+\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes
+\temps\notes&\sqqbb Lcbc\enotes
+ % mesure 66
+ %\check
+\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes
+\temps\notes&\sqqbb Mcac\enotes
+\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes
+ % mesure 67
+ %\check
+\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes
+\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes
+\temps\notes&\sqqbb afef\enotes
+ % mesure 68
+ %\check
+\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes
+\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes
+\temps\notes&\sqqbb MaNM\enotes
+ % mesure 69
+ %\check
+\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes
+\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes
+\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes
+ % mesure 70
+ %\check
+\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes
+\temps\notes&|\sqqbb srsq\enotes
+\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes
+ % mesure 71
+ %\check
+\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes
+\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes
+\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes
+ \generalsignature{0}\relax
+% mesure 72
+\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes
+\temps\notes&\sqqbb ecba\enotes
+\temps\notes&\sqqbb hfed|\zq r\qu t\enotes
+ %\check
+ %mesure 73
+\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes
+\temps\notes&\sqqbb ecba\enotes
+\temps\notes&\sqqbb hfed|\zq r\qu t\enotes
+ %\check
+ %mesure 74
+\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes
+\temps\notes&\sqqbb cdbc\enotes
+\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes
+ %\check
+ %mesure 75
+\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes
+\temps\notes&|\sqqbb pqrp\enotes
+\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes
+ %\check
+ %mesure 76
+\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes
+\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes
+\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes
+ %\check
+ %mesure 77
+\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes
+\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes
+\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes
+ %\check
+ %mesure 78
+\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes
+\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 79
+\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes
+\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 80
+\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes
+\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes
+ %\check
+ % mesure 81
+\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes
+\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 82
+\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes
+\temps\notes&\sqqbb NabN|\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 83
+\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes
+\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes
+\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes
+ %\check
+ % mesure 84
+\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 85
+\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 86
+\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes
+\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes
+\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes
+ %\check
+ % mesure 87
+\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes
+ %\check
+ % mesure 88
+\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes
+ %\check
+ % mesure 89
+\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes
+\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes
+\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes
+ %\check
+ % mesure 90
+\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes
+\temps\notes&\qu {_b}|\sqqbb nlkj\enotes
+\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 91
+\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes
+\temps\notes&\qu {_b}|\sqqbb nlkj\enotes
+\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 92
+\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes
+\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes
+\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes
+ %\check
+ % mesure 93
+\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {_e}caN|\enotes
+ %\check
+ % mesure 94
+\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes
+ %\check
+ % mesure 95
+\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes
+\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes
+\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes
+ %\check
+ % mesure 96
+\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes
+\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes
+\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes
+ %\check
+ % mesure 97
+ \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes
+ \temps\notes&|\sqqbb nlkj\enotes
+ \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes
+ %\check
+ % mesure 98
+ \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes
+ \temps\notes&|\sqqbb n{_l}kj\enotes
+ \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes
+ %\check
+ % mesure 99
+ \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes
+ \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes
+ \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes
+ %\check
+ % mesure 100
+ \barre
+\znotes&|\Sh m\enotes
+ \nspace
+ \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes
+ \temps\notes&\sqqbb acbc\enotes
+ \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes
+ %\check
+ % mesure 101
+ \barre\znotes&|\lFl l\Sh m\enotes
+ \nspace
+ \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes
+ \temps\notes&\sqqbb MaNa\enotes
+ \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes
+ %\check
+ % mesure 102
+ \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes
+ \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes
+ \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes
+ %\check
+ % mesure 103
+ \barre\nspace
+ \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes
+ \temps\notes&\sqqbb aece\enotes
+ \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes
+ %\check
+ % mesure 104
+ \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes
+ \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes
+ \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes
+ %\check
+ % mesure 105
+ \barre\nspace
+ \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes
+ \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes
+ %\check
+ % mesure 106
+ \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes
+ \mulooseness -4\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex
new file mode 100644
index 00000000000..d44cb7558ed
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex
@@ -0,0 +1,18 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+%
+\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
+\nbporteesii=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\signaturegenerale{0}\savesignature
+\resetfacteurs
+\computewidths}%
+%
+\misazero
+\input fantcmol.tex
+\misazero
+\input fugcmoll.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex
new file mode 100644
index 00000000000..922cfac945b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex
@@ -0,0 +1,517 @@
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\fulltitle{{\frtbf Fugue}}
+\shorttitle{Fugue en style baroque}
+\subtitle{}
+\othermention{}
+\maketitle
+
+ % if transpose not defined outside assume 0 and three flats
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-3}\fi
+
+ %
+ % formes fr\'equentes
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+ %au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+ %au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+ %
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={6000}%
+\global\cleftoksi={6000}%
+ %
+\generalsignature{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+ %\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+ %\check
+\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: mixtures, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}%
+\smallskip
+\generalmeter{\meterfrac 32}
+\staffbotmarg=10pt
+\stafftopmarg=0pt
+\interstaff{10}
+\debutmorceau
+\relativeaccidentals
+\varaccid
+\nspace
+ \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern
+-8mm\moyen Andante
+ \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes
+ %\check
+ % mesure 2
+\barre\Notes&\zhl L\qu N\hu e\hl M\enotes
+\temps\notes\pause&\dqh dc\enotes
+\temps\Notes&\zhl K\qu {^b}\enotes
+\temps\notes&\dqh cd\enotes
+ %\check
+ % mesure 3
+\barre\Notes&\zhl L\qu N\hu c\enotes
+\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes
+\temps\notes&\dqh Na\enotes
+ %\check
+ % mesure 4
+\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes %
+\temps\Notes&\zhl G\qu N\enotes
+\temps\notes&\dqh ML\enotes
+ %\check
+ % mesure 5
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes
+\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes
+ %\check
+ % mesure 6
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes
+\temps\notes\pause&|\dqh hg\enotes
+\temps\Notes&\hl K|\zhl c\qu{^f}\enotes
+\temps\notes&|\dqh gh\enotes
+ %\check
+ % mesure 7
+\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes
+\temps\notes&\dqb {=I}J|\dqh de\enotes
+ %\check
+ % mesure 8
+\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes
+\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes
+ %\check
+ % mesure 9
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes
+\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes
+ %\check
+ % mesure 10
+\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes
+\temps\notes&|\dqh gf\enotes
+ %\check
+ % mesure 11
+\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes
+\temps\notes\sk\pause&|\dqh fg\enotes
+\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes
+ %\check
+ % mesure 12
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes
+\temps\notes\pause&|\dqh ji\enotes
+\temps\Notes&\hl {_K}|\zhl f\qu h\enotes
+\temps\notes&|\dqh ij\enotes
+ %\check
+ % mesure 13
+\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes
+\temps\notes&|\dqh fg\enotes
+\temps\Notes\pause&\hl I|\zhl a\qu c\enotes
+\temps\notes&|\dqh de\enotes
+\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes
+ %\check
+ % mesure 14
+\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes
+\temps\Notes&\zw N\hl{^I}|\enotes
+\temps\notes\pause&|\dqh nm\enotes
+\temps\Notes&\hl {^H}|\qu l\enotes
+\temps\notes&|\dqh kj\enotes
+ %\check
+ % mesure 15
+\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes
+\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes
+ %\check
+ % mesure 16
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes
+\temps\notes\dqh KL&|\enotes
+ %\check
+ % mesure 17
+\barre\Notes\qu M\qu K&|\sk\hpause\enotes
+\temps\Notes\hu L&\pause|\soupir\qu h\enotes
+ %\check
+ % mesure 18
+\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes
+\temps\notes&|\dqh{^i}j\enotes
+ %\check
+ % mesure 19
+\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes
+\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes
+ %\check
+ % mesure 20
+\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes
+\temps\Notes\hu {_K}&\enotes
+\temps\notes&\dqh{=b}c\enotes
+ %\check
+ % mesure 21
+\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes
+\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes
+ %\check
+ % mesure 22
+\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes
+\temps\Notes\sk&|\qu m\enotes
+\temps\notes\dqb Na&|\dqh lk\enotes
+ %\check
+ % mesure 23
+\barre\Notes\ql N&\ql b|\hu j\enotes
+\temps\Notes\ql M&\ql a\enotes
+\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes
+\temps\notes\dqb KJ&\dqb ab\enotes
+ %\check
+ % mesure 24
+\barre\Notes\ql M&\ql c|\zql h\qu m\enotes
+\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes
+\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes
+ %\check
+ % mesure 25
+\barre\Notes\hu H&|\ql c\hl h\enotes
+\temps\Notes\hu I&\pause|\sk\enotes
+\temps\notes&|\dqb gh\enotes
+ %\check
+ % mesure 26
+\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes
+\temps\Notes\hu J&\hpause|\hl h\qu j\enotes
+ %\check
+ % mesure 27
+\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes
+\temps\Notes\hu I&|\sk\enotes
+\temps\notes&|\dqh kl\enotes
+ %\check
+ % mesure 28
+\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes
+\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes
+\temps\notes&|\dqh kj\enotes
+ %\check
+ % mesure 29
+\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes
+\temps\notes&|\bigNa l\dqh l{_k}\enotes
+\temps\notes\hu G&\hu{^e}|\dqh ji\enotes
+\temps\notes&|\dqh hg\enotes
+ %\check
+ % mesure 30
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes
+\temps\notes&|\dqh gf\enotes
+\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes
+\temps\Notes\hu F&\zql M\hu a|\hu f\enotes
+\temps\Notes&\qu M|\sk\enotes
+ %\check
+ % mesure 31
+\barre\Notes\hu K&\qu a\hu{^I}\enotes
+\temps\Notes\hu G&\enotes
+\temps\notes&\dqh JK|\pause\enotes
+\temps\Notes\qu {LK}&\qu N\qu M\enotes
+ %\check
+ %mseure 32
+\barre\Notes\hu J&\qu L\enotes
+\temps\notes&\dqh KL\enotes
+\temps\notes\hu H&\dqh ML|\pause\enotes
+\temps\notes&\dqh KJ\enotes
+\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes
+ %\check
+ % mesure 33
+\barre\Notes\hu H&\hu M|\qu c\hu h\enotes
+\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes
+\temps\notes&|\dqh gf\enotes
+\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes
+\temps\notes&|\dqh dc\enotes
+ %\check
+ % mesure 34
+ \generalmeter{\meterfrac 22}%
+\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes
+\temps\notes&|\dqh ed\enotes
+\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes
+ %\check
+ % mesure 35
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes
+\temps\Notes\hu K&\zw{^M}\hu d|\enotes
+\temps\notes&|\dqh kj\enotes
+\temps\notes\hu{^F}&\hu c|\dqh kj\enotes
+\temps\notes&|\dqh ih\enotes
+ %\check
+ % mesure 36
+\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes
+\temps\notes&|\dqh {^h}i\enotes
+\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes
+\temps\Notes&|\qu e\enotes
+\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes
+\temps\notes&\qu a|\dqh {^e}{^f}\enotes
+ %\check
+ % mesure 37
+\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes
+\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes
+\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes
+\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes
+\temps\notes&\soupir|\dqh g{^h}\enotes
+ %\check
+ % mesure 38
+ \generalmeter{\meterfrac 22}%
+\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes
+\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes
+\temps\notes&|\dqh fg\enotes
+ %\check
+ % mesure 39
+\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes
+\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes
+\temps\notes&\dqh LK\enotes
+ %\check
+ % mesure 40
+\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes
+\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes
+\temps\notes&\dqh NM\enotes
+ %\check
+ % mesure 41
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes
+\temps\notes&\dqh KJ\enotes
+\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes
+\temps\notes&\dqh LK\enotes
+\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes
+\temps\Notes&\soupir|\qu h\enotes
+ %\check
+ % mesure 42
+\barre\Notes\hl K&|\qu f\enotes
+\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes
+\temps\notes&\pause|\dqh{^j}{^i}\enotes
+\temps\Notes\hu{^H}&|\qu j\enotes
+\temps\notes&|\dqh k{^l}\enotes
+ %\check
+ % mesure 43
+\barre\Notes\hu F&|\qu h\enotes
+\temps\Notes\sk\hu I&|\hu k\sk\enotes
+\temps\Notes&\pause|\qu j\enotes
+\temps\Notes\hu J&|\qu {=i}\enotes
+\temps\notes&|\dqh hi\enotes
+ %\check
+ % mesure 44
+\barre\Notes\qu{^J}&|\qu {^h}\enotes
+\temps\Notes\cNa I\qu I&|\qu g\enotes
+\temps\Notes\qu H&|\qu f\enotes
+\temps\Notes\qu G&\pause|\qu g\enotes
+\temps\Notes\qu F&|\qu {^h}\enotes
+\temps\notes\qu G&|\dqh gf\enotes
+ %\check
+ % mesure 45
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes
+\temps\Notes&\hpause|\sk\enotes
+\temps\Notes\hu D&\soupir|\hu d\enotes
+\temps\Notes&\ql{^a}|\sk\enotes
+ %\check
+ % mesure 46
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes
+\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes
+\temps\notes&\dqb{^c}{^b}\enotes
+\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes
+\temps\notes&\dqb d{^e}\enotes
+ %\check
+ % mesure 47
+ \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes
+ \temps\notes&\dqb{^e}d\enotes
+ \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes
+ \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes
+ %\check
+ % mesure 48
+ \barre\Notes\hu G&\qu K|\ql p\enotes
+ \temps\notes&\dqh{^L}M|\hl n\enotes
+ \temps\Notes\hu J&\qu L|\enotes
+ \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes
+ %\check
+ % mesure 49
+ \barre\Notes\hu H&\ql M|\ql o\enotes
+ \temps\notes&\dqb Na|\dqb nm\enotes
+ \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes
+ \temps\notes&\dqb Nb|\dqb mn\enotes
+ %\check
+ % mesure 50
+ \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes
+ \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes
+ \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes
+ %\check
+ % mesure 51
+ \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes
+ \temps\Notes\sk&|\hu o\enotes
+ \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes
+ \temps\notes\sk&|\dqh nm\enotes
+ \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes
+ \temps\notes\sk&|\dqh mn\enotes
+ %\check
+ % mesure 52
+ \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes
+ \temps\Notes\sk&|\hu m\enotes
+ \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes
+ \temps\Notes\sk&|\qu{=l}\enotes
+ \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes
+ \temps\notes\sk&|\dqh jk\enotes
+ %\check
+ % mesure 53
+ \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes
+ \temps\Notes\qu I&|\qu{^l}\enotes
+ \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes
+ \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes
+ \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes
+ \temps\Notes\qu I&\ql N|\qu {^l}\enotes
+ %\check
+ % mesure 54
+ \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes
+ \temps\Notes\sk&|\qu {=l}\enotes
+ \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes
+ \temps\notes\sk&|\dqh jk\enotes
+ \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes
+ \temps\notes\sk&|\dqh kj\enotes
+ %\check
+ % mesure 55
+ \generalmeter{\meterfrac 22}%
+ \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes
+ \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes
+ \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes
+ \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes
+ %\check
+ % mesure 56
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes
+\temps\notes&\dqh dc|\dqh ml\enotes
+\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes
+\temps\notes&\dqh cd|\dqh lm\enotes
+ %\check
+ % mesure 57
+\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes
+\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes
+\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes
+ %\check
+ % mesure 58
+\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu
+d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes %
+\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes
+\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes
+ %\check
+ % mesure 59
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes
+\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes
+ %\check
+ % mesure 60
+ \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes
+ \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes
+ \temps\notes\dqh H{^I}&|\enotes
+ \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes
+ \temps\notes\dqh KL&|\enotes
+ %\check
+ % mesure 61
+ \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes
+ \temps\notes\dqb Na&|\enotes
+ \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes
+ \temps\notes\dqb ML&|\enotes
+ \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes
+ \temps\Notes\ql N&|\enotes
+ %\check
+ % mesure 62
+ \setclef2{0000}\changeclefs
+ \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes
+ \temps\Notes\sk&|\hu l\enotes
+ \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes
+ \temps\Notes\sk&|\qu n\enotes
+ \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes
+ \temps\Notes\sk&|\ql k\enotes
+ %\check
+ % mesure 63
+ \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes
+ \temps\notes\sk&|\dqh nm\enotes
+ \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes
+ \temps\Notes\sk&\qu g|\enotes
+ \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes
+ \temps\Notes\sk&\itenu1h\qu h|\enotes
+ %\check
+ % mesure 64
+ \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes
+ \temps\notes\sk&\dqh gf|\enotes
+ \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes
+ \temps\Notes\sk&\hu j|\enotes
+ \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes
+ \temps\Notes\sk&\qu i|\enotes
+ %\check
+ % mesure 65
+ \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes
+ \temps\notes\sk&\dqb gf|\enotes
+ \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes
+ \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes
+ \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes
+ \temps\Notes\sk&\qu h|\ql m\enotes
+ %\check
+ % mesure 66
+ \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes
+ \temps\Notes\qu H&|\qu m\enotes
+ \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes
+ \temps\Notes\sk&|\enotes
+ \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes
+ \temps\Notes\sk&\soupir|\qu j\enotes
+ %\check
+ % mesure 67
+ \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes
+ \temps\Notes\sk&|\hl {^i}\enotes
+ \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes
+ \temps\notes\sk&|\dqb jk\enotes
+ \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes
+ \temps\notes\sk&|\dqb nm\enotes
+ %\check
+ % mesure 68
+ \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes
+ \temps\notes\sk&|\dqb mn\enotes
+ \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes
+ \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes
+ \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes
+ \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes
+ %\check
+ % mesure 69
+ \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes
+ \temps\Notes\sk&|\ql n\enotes
+ \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes
+ \temps\notes\sk&|\dqb kj\enotes
+ \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes
+ \temps\notes\sk&|\dqb nm\enotes
+ %\check
+ \generalmeter{\meterfrac 22}%
+ % mesure 70
+ \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes
+ \temps\Notes\sk&|\hl n\enotes
+ \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes
+ \temps\notes\sk&|\dqb ml\enotes
+ %\check
+ % mesure 71
+ \generalmeter{\meterfrac 32}%
+ \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes
+ \temps\Notes\qu H&|\enotes
+ \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes
+ \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes
+ %\check
+ % mesure 72
+ \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes
+\mulooseness 5\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex
new file mode 100644
index 00000000000..d6065f3651e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex
@@ -0,0 +1,677 @@
+\parindent 18mm
+%
+\centerline{\moyen FUGUE}\bigskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % sol majeur
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: mixtures, fonds 8'}%
+\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}%
+\smallskip
+%
+\generalmeter{\meterfrac 68}%
+%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {12}45\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+\def\ptsoupir{\pt 5\soupir}% soupir pointe
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% formes frequentes
+% trois croches hautes
+\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+%\check
+\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+%\check
+%
+% formes frequentes
+% trois croches hautes pizzicato
+\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+%
+\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}%
+%
+\def\upzqb#1{\upz{#1}\qb0{#1}}%
+\def\lpzqh#1{\lpz{#1}\qh0{#1}}%
+%
+\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% croche pointee et 3 doubles croches
+\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}%
+\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}%
+%\check
+% croche et 4 doubles croches
+\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}%
+\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% mesure 1
+\Notes&|\pztql0iki\enotes
+\temps\notes\pause&\pause|\cpdddl lkji\enotes
+%\check
+% mesure 2
+\barre\Notes&|\pztqU0hjh\enotes
+\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 3
+\barre\Notes&|\pztqU0gig\enotes
+\temps\Notes\pause&\pause|\pztqu0jhj\enotes
+%
+% mesure 4
+\barre\Notes&|\lpztqu0khk\enotes
+\temps\notes\pause&\pause|\cddddu2ighij\enotes
+%\check
+% mesure 5
+\barre\autolines {10}55\relax
+\Notes&\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes
+%\check
+% mesure 6
+\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes
+\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes
+%\check
+% mesure 7
+\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes
+\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes
+% mesure 8
+\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes
+\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes
+% mesure 9
+\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes
+\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes
+%\check
+% mesure 10
+\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes
+\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes
+% mesure 11
+\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes
+\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes
+% mesure 12
+\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes
+\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes
+%\check
+\cleftoksii={{0}{0}{0}{0}}\changeclefs %
+% mesure 13
+\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes
+\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes
+%\check
+% mesure 14
+\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes
+\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes
+%\check
+\def\atnextline{\autolines{10}45}\relax
+% mesure 15
+\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes
+\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes
+%\check
+% mesure 16
+\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes
+\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid
+ \rlap{\qup n}\cpdddl l{=k}ji\enotes
+%\check
+% mesure 17
+\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes
+\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes
+%\check
+% mesure 18
+\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes
+\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes
+%
+% mesure 19
+\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes
+\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes
+%\check
+% mesure 20
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 21
+\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+\def\atnextline{\autolines{10}55}\relax
+% mesure 22
+\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes
+% mesure 23
+\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes
+\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes
+%\check
+% mesure 24
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 25
+\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+% mesure 26
+\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes
+% mesure 27
+\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes
+\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes
+\signaturegenerale{0}%
+% mesure 28
+\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes
+\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 29
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 30
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 31
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 32
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes
+% mesure 33
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes
+% mesure 34
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 35
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\transpose=0\relax % retour a la normale
+\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes
+\signaturegenerale{-3}%
+% mesure 36
+\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes
+% mesure 37
+\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes
+\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes
+% mesure 38
+\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes
+\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes
+% mesure 39
+\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes
+\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes
+% mesure 40
+\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes
+\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes
+% mesure 41
+\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes
+\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes
+% mesure 42
+\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes
+\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes
+% mesure 43
+\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes
+\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes
+% mesure 44
+\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes
+\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes
+% mesure 45
+\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes
+\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes
+% mesure 46
+\signaturegenerale{-2}%
+\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes
+% mesure 47
+\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 48
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 49
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 50
+\barre\Notes\sh F\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes
+% mesure 51
+\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes
+\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes
+%\check
+% mesure 52
+\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes
+\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 53
+\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes
+%
+% mesure 54
+\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes
+\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes
+%\check
+% mesure 55
+\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid
+ \cpdddl n{=m}lk\enotes
+%\check
+% mesure 56
+\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes
+%\check
+% mesure 57
+\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes
+\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes
+% mesure 58
+\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes
+\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes
+% mesure 59
+\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes
+\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes
+%\check
+% mesure 60
+\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes
+% mesure 61
+\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes
+\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes
+% mesure 62
+\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes
+\temps\Notes\qup C&\pztql2LMN|\qup g\enotes
+% mesure 63
+\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes
+%\check
+% mesure 64
+\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 65
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 66
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 67
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 68
+\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 69
+\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 70
+\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 71
+\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes
+\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes
+% mesure 72
+\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes
+\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes
+% mesure 73
+\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes
+\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes
+% mesure 74
+\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes
+\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes
+% mesure 75
+\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes
+\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes
+% mesure 76
+\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes
+\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes
+% mesure 77
+\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes
+\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax
+|\pztqu0jhj\enotes
+% mesure 78
+\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes
+\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes
+% mesure 79
+\signaturegenerale{1}%
+\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes
+% mesure 80
+\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 81
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 82
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 83
+\barre\Notes\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+% mesure 84
+\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes
+\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes
+%\check
+% mesure 85
+\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes
+\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 86
+\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes
+%
+% mesure 87
+\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes
+\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes
+% mesure 88
+\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes
+%\check
+\signaturegenerale{-2}%
+% mesure 89
+\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 90
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 91
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 92
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes
+% mesure 93
+\barre\Notes&\Pztql0bdb\enotes
+\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes
+% mesure 94
+\barre\Notes&\fl a\Pztql0aca|\enotes
+\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes
+% mesure 95
+\barre\Notes&\Pztql2N{_a}b\enotes
+\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes
+% mesure 96
+\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes
+\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes
+% mesure 97
+\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes
+\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes
+\def\atnextline{\autolines{9}65}\relax
+% mesure 98
+\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes
+\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes
+% mesure 99
+\barre\Notes&\qup K|\lpztqL0kik\enotes
+\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes
+% mesure 100
+\def\atnextline{\autolines{10}55}\relax
+\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes
+\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes
+%\check
+% mesure 101
+\barre\Notes&\cna a\Pztql0aca\enotes
+\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes
+% mesure 102
+\barre\Notes&\lPztql2Nab\enotes
+\temps\Notes\pause&\Pztql0cec|\pause\enotes
+%\check
+% mesure 103
+\barre\Notes&\lPztql2MNa\enotes
+\temps\Notes\pause&\Pztql0bdb|\pause\enotes
+% mesure 104
+\barre\Notes&\lPztql2LMN\enotes
+\temps\Notes\pause&\Pztql0aca|\pause\enotes
+% mesure 105
+\barre\Notes&\lPztql2K{=L}{^M}\enotes
+\temps\Notes\pause&\Pztql0NbN|\pause\enotes
+%\check
+% mesure 106
+\barre
+\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes
+% mesure 107
+\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes
+\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes
+% mesure 108
+\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes
+\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes
+%\check
+% mesure 109
+\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes
+\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes
+% mesure 110
+\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes
+\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes
+% mesure 111
+\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes
+\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes
+%\check
+% mesure 112
+\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes
+\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes
+% mesure 113
+\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes
+\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes
+\def\atnextline{\autolines {13}45}\relax
+% mesure 114
+\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes
+\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes
+%\check
+% mesure 115
+\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes
+% mesure 116
+\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes
+% mesure 117
+\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes
+\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes
+%\check
+% mesure 118
+\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext
+ {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes
+\temps\NOtes\pointdorgue N\qu G\sk\dsoupir
+ &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes
+\signaturegenerale{-3}%
+% mesure 119
+\setdoublebar
+\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+\temps\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+%\check
+% mesure 120
+\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+\temps\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+% mesure 121
+\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes
+\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes
+% mesure 122
+\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes
+\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes
+%\check
+% mesure 123
+\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir
+ |\zq{=ik}\ql n\sk\dsoupir\enotes
+\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+% mesure 124
+\barre\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+%\check
+% mesure 125
+\def\atnextline{\autolines {12}45}\relax
+\signaturegenerale{-2}\relax
+\changecontext\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax
+ \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes
+% mesure 126
+\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes
+\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes
+% mesure 127
+\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes
+\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir
+ |\qu g\sk\dsoupir\enotes
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude
+%\check
+% mesure 128
+\barre\def\atnextline{\autolines{12}35}\relax
+\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes
+%\check
+% mesure 129
+\barre
+\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes
+%\check
+% mesure 130
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax
+ \trqu0igi\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes
+% mesure 131
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax
+ \trqu0hfh\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes
+%\check
+% mesure 132
+\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes
+%\check
+% mesure 133
+\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 134
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes
+% mesure 135
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes
+%\check
+% mesure 136
+\barre\notes\doubler\qu G\sk\dsoupir
+ &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes
+\temps\notes\doubler\qu J\sk\dsoupir
+ &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes
+%\check
+% mesure 137
+\barre\notes\doubler\qu F\sk\dsoupir
+ &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes
+\temps\notes\doubler\qu I\sk\dsoupir
+ &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 138
+\barre\notes\doubler\qu E\sk\dsoupir
+ &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes
+\temps\notes\doubler\qu H\sk\dsoupir
+ &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes
+% mesure 139
+\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes
+% mesure 140
+\barre% \advance\barsinline by -1\relax
+\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes
+\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes
+\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes
+%\check
+% mesure 141
+\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax
+ \ibl0{#1}0\advance\transpose by-3\relax
+ \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax
+ \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax
+ \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}%
+\setdoublebar\signaturegenerale{1}\changecontext
+\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 142
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 143 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 144 %
+\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes
+\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax
+ \doubler\zq{gi}\ql e\sk\dsoupir\enotes
+% mesure 145
+\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 146
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 147
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 148 %
+\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes
+\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax
+ \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes
+% mesure 149 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 150 %
+\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler
+ \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes
+\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax
+\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes
+% mesure 151
+\advance\barsinline by -1\relax
+ \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp
+b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes
+ \finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex
new file mode 100644
index 00000000000..2b455cee38a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex
@@ -0,0 +1,314 @@
+%\input musixtex
+%\input musixcpt
+%\input musixsty
+\ifx\qh\undefined\let\qh\qb\fi %
+\ifx\qhp\undefined\let\qhp\qbp\fi %
+\ifx\qhpp\undefined\let\qhpp\qbpp\fi %
+\parindent 15mm
+ %
+\title{Gloria}
+\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN}
+\shortauthor{G. Boussion}
+\maketitle
+
+\tracingstats=1\relax
+ %
+
+\def\nbinstruments{3}
+\setsize3{\tinyvalue}
+\setstaffs22\relax
+\setclef2{6000}%
+\setclef1{6000}%
+\setclef3{0000}%
+ %
+\generalsignature{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+ %\check
+\def\instrumenti{P\'edale}
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}}
+\def\instrumentiii{}\def\instrumentiv{Chant}
+ %\check
+\elemskip=7pt\relax
+\setinterinstrument2{3\Interligne}
+ %
+ \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est
+pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre
+jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un
+jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef
+de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan
+sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par
+l'assembl\'ee (I) et par une chorale (II).
+}%
+ %
+ %\check
+\geometricskipscale
+\eightrm
+\sepbarrules
+\startpiece
+\def\respire{\notes&&\cbreath\enotes}%
+\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes
+\notes &| &\hsong{\`a }\cu c\enotes
+\barre
+\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes
+\notes &|&\hsong{au~}\cu f\enotes
+\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes
+\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\zsong{des~}\cu g\enotes
+\barre
+\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes
+\notes&&\hsong{et~}\cu h\enotes
+\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes
+\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes
+\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes
+\barre
+\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes
+\notes&&\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes
+\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes
+\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes
+\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes
+\barre
+\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes
+\Notes\qu C&|\ql b&\enotes
+\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes
+ %\check
+\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes
+\barre
+\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes
+\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes
+\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes
+ %\check
+\barre
+\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes
+\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes
+ %\check
+\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes
+ %\check
+\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes
+\Notes&|\hl b&\enotes
+\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes
+\barre
+\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes
+ %\check
+\znotes&\cmidstaff{\bf I}\enotes
+\respire
+\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+ %\check
+\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\hsong{ri-~}\cu g\enotes
+\barre
+\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes
+ %\chec
+\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes
+\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes
+\notes&&\hsong{ces }\cu g\enotes
+\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes
+\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes
+\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes
+\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes
+ %\check
+\barre
+\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes
+\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes
+\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes
+\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes
+\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes
+\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes
+ %\check
+\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes
+\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes
+ %\check
+\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes
+\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes
+ %\check
+\barre
+\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq
+f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes
+\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes
+\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes
+\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes
+\notes&\cmidstaff{\bf I}\enotes
+\respire
+\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes
+ %\check
+\barre
+\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes
+\notes&&\hsong{u-~}\cu g\enotes
+\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes
+\notes&&\hsong{que~}\cu f\enotes
+\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes
+\notes&&\hsong{sus~}\cu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes
+\respire
+\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes
+\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes
+\notes\soupir&\soupir|\ds&\ds\enotes
+\notes&|\cu h&\hsong{a-~}\cu h\enotes
+\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes
+\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes
+\barre
+\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes
+\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes
+\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes
+\Notes&|\qu g&\hsong{du~}\qu g\enotes
+\barre
+\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes
+\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes
+\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes
+\barre
+\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes
+\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes
+\notes&&\hsong{en-~}\cu g\enotes
+\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes
+\notes&&\hsong{ves~}\cu h\enotes
+\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes
+\notes&&\hsong{p\'e-~}\cl i\enotes
+\barre
+\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes
+\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes
+\Notes\soupir&\soupir|\soupir&\soupir\enotes
+\barre
+\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes
+\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes
+\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes
+\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes
+\barre
+\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes
+\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes
+ %\check
+\barre
+\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes
+\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes
+\notes&&\hsong{en-~}\cu g\enotes
+\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes
+\notes&&\hsong{ves~}\cu h\enotes
+\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes
+\notes&&\hsong{p\'e-~}\cl i\enotes
+\barre
+\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes
+\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes
+\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes
+\notes\soupir&\soupir|\ds&\ds\enotes
+\notes&|\cu h&\hsong{en-~}\cu h\enotes
+\barre
+\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes
+\notes&&\hsong{no-~}\cu f\enotes
+\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes
+\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes
+\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes
+\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes
+\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes
+\barre
+\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes
+\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes
+\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes
+\notes&&\hsong{as-~}\cu k\enotes
+\barre
+\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes
+\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes
+\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes
+\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes
+\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes
+\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes
+\barre
+\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes
+\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes
+\Notes\soupir&\soupir|\soupir&\soupir\enotes
+ %\check
+ %\check
+\barre
+\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes
+\notes&|\cu h&\hsong{pi-~}\cu h\enotes
+\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes
+\notes&|\cu h&\hsong{de~}\cu h\enotes
+ %\check
+\barre
+\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes
+\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir
+ &\Uptext{\bigfont plus anim\'e}\soupir\enotes
+\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes
+\notes&&\hsong{Toi~}\cu c\enotes
+ %\check
+\barre
+\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes
+\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes
+\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes
+\notes&|\qs&\qs\enotes
+\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes
+\barre
+\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes
+\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes
+\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes
+\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes
+\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes
+\respire
+\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes
+ %\check
+\barre
+\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern
+ -4pt seul~}\cu h\enotes
+\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes
+\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes
+\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes
+\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes
+\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes
+\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes
+ %\check
+\barre
+\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes
+\notes&|\cu h&\hsong{a-}\cu h\enotes
+\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes
+\notes&&\hsong{le~}\cu f\enotes
+\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\hsong{Es-~}\cu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes
+\notes&\cmidstaff{\bf I}\enotes
+\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes
+\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes
+\barre
+\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes
+\notes&|&\hsong{re~}\cu h\enotes
+\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes
+\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes
+\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes
+\barre
+\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes
+\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes
+\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes
+\barre
+\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre
+\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes
+\notes\soupir&\soupir|\soupir&\soupir\enotes
+\mulooseness 2
+\Stoppiece
+\medskip\rightline{\it le \aujourdhui}
+\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex
new file mode 100644
index 00000000000..6d5bad41fbc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex
@@ -0,0 +1,286 @@
+%\input musixtex
+%\input musixcpt
+%\input musixsty
+%
+\parindent 15mm
+%
+\title{Gloria}
+\fullauthor{M\'elodie~: Guy BOUSSION}
+\shortauthor{G. Boussion}
+\maketitle
+\tracingstats=1\relax
+%
+\bigskip
+\def\nbinstruments{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+%\check
+%
+\geometricskipscale
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\def\respire{\notes\cbreath\enotes}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+%
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\Notes\hsong{ai-}\hu g\enotes
+\Notes\hsong{}\enotes
+\Notes\hsong{me.}\hu f\enotes
+%\check
+\respire\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+%\check
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+%\check
+\NOTes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+%\check
+\Notes\hsong{t'a-}\hu g\enotes
+\Notes\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+%\check
+\respire\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+%\check
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+%\chec
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+%\check
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\respire\notes\uptext{\bf II}\enotes
+\notes\hsong{Sei-}\cu h\enotes
+\notes\zsong{gneur~}\thelyrics\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+%\check
+\notes\hsong{Roi~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{Ciel,~}\qu h\enotes
+%\check
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+%\check
+\barre
+\notes\hsong{P\`e-~}\itied1h\cu h\enotes
+\notes\hsong{re~}\ttie1\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\Notes\hsong{sant~!}\qup h\enotes
+\respire\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+%\check
+\barre
+\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes
+\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes
+\notes\hsong{u-}\cu g\enotes
+\notes\hsong{ni-}\cu f\enotes
+\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes
+\notes\hsong{J\'e-}\cu g\enotes
+\notes\zsong{sus~}\cu g\enotes
+%\check
+\barre
+\NOtes\hsong{Christ,}\hu h\enotes
+\respire
+\Notes\hsong{Sei-}\qu h\enotes
+\Notes\zsong{gneur}\qu g\enotes
+%\check
+\barre
+\NOtes\hsong{Dieu,}\hu h\enotes
+\notes\hsong{}\ds\enotes
+\notes\hsong{a-}\cu h\enotes
+\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{de~}\cu i\enotes
+\barre
+\NOtes\hsong{Dieu,}\qup g\enotes
+\notes\hsong{le~}\cu f\enotes
+\Notes\hsong{Fils~}\qu g\enotes
+\Notes\zsong{du~}\qu g\enotes
+\barre
+\NOTes\hsong{P\`e-}\hu h\enotes
+\Notes\hsong{re~}\qu h\enotes
+\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes
+\barre
+\Notes\hsong{Toi~}\qu f\enotes
+\notes\hsong{qui~}\cu g\enotes
+\notes\hsong{en-}\cu g\enotes
+\notes\hsong{l\`e-}\cu h\enotes
+\notes\hsong{ves~}\cu h\enotes
+\notes\hsong{le~}\cl i\enotes
+\notes\zsong{p\'e-}\cl i\enotes
+\barre
+\notes\hsong{ch\'e~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{mon-}\qu h\enotes
+\NOtes\hsong{de,}\qu g\enotes
+\Notes\hsong{}\soupir\enotes
+\barre
+\NOtes\hsong{prends~}\qup f\enotes
+\notes\hsong{pi-}\cu g\enotes
+\NOtes\hsong{ti\'e~}\qup g\enotes
+\notes\zsong{de~}\cu f\enotes
+\barre
+\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes
+\Notes\hsong{}\soupir\enotes
+%\check
+\barre
+\Notes\hsong{Toi~}\qu f\enotes
+\notes\hsong{qui~}\cu g\enotes
+\notes\hsong{en-}\cu g\enotes
+\notes\hsong{l\`e-}\cu h\enotes
+\notes\hsong{ves~}\cu h\enotes
+\notes\hsong{le~}\cl i\enotes
+\notes\zsong{p\'e-}\cl i\enotes
+\barre
+\notes\hsong{ch\'e~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{mon-}\qu h\enotes
+\NOtes\hsong{de,}\qu g\enotes
+\notes\hsong{}\ds\enotes
+\notes\zsong{en-}\cu h\enotes
+\barre
+\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes
+\notes\hsong{no-}\cu f\enotes
+\notes\hsong{tre~}\cu g\enotes
+\notes\hsong{pri-}\cu g\enotes
+\Notes\hsong{\`e-}\qu h\enotes
+\Notes\hsong{re~!}\qu g\enotes
+\respire\notes\uptext{\bf II}\enotes
+\barre
+\NOTEs\hsong{Toi~}\hu j\enotes
+\Notes\hsong{qui~}\qu j\enotes
+\notes\hsong{es~}\cu k\enotes
+\notes\zsong{as-}\cu k\enotes
+\barre
+\Notes\hsong{sis~}\ql j\enotes
+\notes\hsong{ \`a~}\cl i\enotes
+\notes\hsong{la~}\cl h\enotes
+\Notes\hsong{droi-}\qu g\enotes
+\notes\hsong{te~}\cu f\enotes
+\notes\zsong{du~}\cu g\enotes
+\barre
+\NOTes\hsong{P\`e-}\hu h\enotes
+\Notes\hsong{re~}\qu g\enotes
+\Notes\hsong{}\soupir\enotes
+%\check
+%\check
+\barre
+\NOtes\hsong{prends~}\qup h\enotes
+\notes\hsong{pi-}\cu h\enotes
+\NOtes\hsong{ti\'e~}\qup g\enotes
+\notes\zsong{de~}\cu h\enotes
+%\check
+\barre
+\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes
+\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\
+ plus anim\'e\kern 5pt}}}\soupir\enotes
+\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes
+\notes\zsong{Toi~}\cu c\enotes
+%\check
+\barre
+\Notes\hsong{seul~}\qu f\enotes
+\Notes\hsong{es~}\qu g\enotes
+\Notes\zsong{saint~!}\qup h\enotes
+\notes\zsong{\sk Toi~}\qs\ccu h\enotes
+\barre
+\Notes\hsong{seul~}\qu h\enotes
+\notes\hsong{es~}\cup g\enotes
+\notes\hsong{Sei-}\ccu h\enotes
+\NOtes\hsong{gneur~!}\qup h\enotes
+\respire\notes\uptext{\bf II }\enotes
+\notes\zsong{Toi~}\cu h\enotes
+%\check
+\barre
+\notes\hsong{\kern -4pt seul~}\cu h\enotes
+\notes\hsong{es~}\cu g\enotes
+\notes\hsong{le~}\cu h\enotes
+\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes
+\Notes\hsong{haut,}\ql j\enotes
+\notes\hsong{J\'e-}\cl j\enotes
+\notes\zsong{sus-}\cl i\enotes
+%\check
+\barre
+\NOtes\hsong{Christ,}\qlp j\enotes
+\notes\hsong{a-}\cu h\enotes
+\notes\hsong{vec~}\cu f\enotes
+\notes\hsong{le~}\cu f\enotes
+\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes
+\notes\zsong{Es-}\cu g\enotes
+%\check
+\barre
+\NOtes\hsong{prit~!}\hu h\enotes
+\notes\uptext{\bf I}\enotes
+\Notes\hsong{dans~}\qu f\enotes
+\notes\zsong{la~}\qu g\enotes
+\barre
+\Notes\hsong{gloi-}\qu h\enotes
+\notes\hsong{re~}\cu h\enotes
+\notes\hsong{de~}\cu g\enotes
+\Notes\hsong{Dieu~}\qu h\enotes
+\Notes\zsong{le~}\qu i\enotes
+\barre
+\Notes\hsong{P\`e-}\hu g\enotes
+\NOtes\zsong{re.}\hu f\enotes
+\respire
+\barre
+\Notes\zsong{A - - - - - }\wh g\enotes
+\barre
+\NOtes\hsong{men~!}\hup h\enotes
+\notes\hsong{}\soupir\enotes
+\mulooseness 4%
+\Stoppiece
+\medskip\rightline{\it le \aujourdhui\ \ \ \ }
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex
new file mode 100644
index 00000000000..509b8dea32e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex
@@ -0,0 +1,283 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+\sepbarrules
+\def\tempz{\temps}%
+%
+\vsize=28.2cm
+\hsize=18.5cm
+\parindent 15mm
+%
+\vbox{%
+\centerline{\enorme Gloria}
+\medskip
+\rightline{\cmbx M\'elodie~: Guy BOUSSION}
+}%
+\tracingstats=1\relax
+%
+\bigskip
+\def\nbinstruments{2}
+\global\nbporteesi=0
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+%\check
+%\check
+
+%
+\def\eightpoint{\Tenpoint}%
+%
+%\check
+\catcode`\@=11
+\newdimen\lyricskip
+\def\varskip#1{%
+ \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box}
+\catcode`\@=12
+
+\normal\elemskip=15pt
+\def\gluemaxskip{6pt}%
+\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne
+\debutmorceau
+%
+\def\respire{\notes&\cbreath\enotes}%
+\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+%
+\def\Varnotes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+%
+\def\VarNotes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+ \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+%
+\def\VarNOtes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+ \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+\temps\Varnotes \kern-5pt Gloire &\cu c\enotes
+\temps\Varnotes \`a &\cu c\enotes
+\barre\NOTes Dieu~&\hu f\enotes
+\tempz\Varnotes au&\cu f\enotes
+\temps\Varnotes plus~&\cu f\enotes
+\temps\Varnotes haut~&\cu g\enotes
+\temps\Varnotes des &\cu g\enotes
+\barre\VarNOtes cieux~&\qup h\enotes
+\temps\Varnotes et~&\cu h\enotes
+\tempz\VarNotes paix~&\qu i\enotes
+\temps\Varnotes sur~&\cu h\enotes
+\temps\Varnotes la~&\cu g\enotes
+\barre\VarNotes ter-&\qu f\enotes
+\temps\Varnotes re~&\cu f\enotes
+\temps\Varnotes aux~&\cu f\enotes
+\tempz\VarNotes hom~-&\qu g\enotes
+\temps\Varnotes mes~&\cu h\enotes
+\temps\Varnotes qu'il~&\cu i\enotes
+\alaligne\VarNotes ai-&\hu g\enotes
+\temps\VarNotes &\enotes
+\tempz\VarNotes me.&\hu f\enotes
+%\check
+\temps\respire\VarNotes&\uptext{\bf II }\enotes
+\barre\VarNotes Nous~&\qu h\enotes
+\temps\Varnotes Te~&\cu g\enotes
+\temps\Varnotes lou-&\cu g\enotes
+\tempz\VarNOtes ons,&\hu h\enotes
+%\check
+\barre\Varnotes nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+\temps\Varnotes b\'e-&\cu j\enotes
+\temps\Varnotes nis-&\cu j\enotes
+%\check
+\tempz\NOTes sons,&\hu h\enotes
+\barre\VarNotes nous~&\qu h\enotes
+%\check
+\temps\VarNotes t'a-&\hu g\enotes
+\tempz\VarNotes&\enotes
+\temps\VarNotes do-&\qu f\enotes
+\alaligne\VarNOtes rons,~&\hu f\enotes
+%\check
+\temps\respire\Varnotes&\uptext{\bf I}\enotes
+\tempz\Varnotes nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+%\check
+\temps\Varnotes glo-&\cu g\enotes
+\temps\Varnotes ri-&\cu g\enotes
+\barre\NOTEs fions,~&\hu h\enotes
+%\chec
+\tempz\Varnotes \kern -4pt nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+\temps\Varnotes ren-&\cu h\enotes
+\temps\Varnotes dons~&\cu i\enotes
+\barre\VarNOtes gr\^a~-&\qu g\enotes
+\temps\Varnotes ces&\cu g\enotes
+\temps\Varnotes pour&\cu g\enotes
+\tempz\Varnotes Ton~&\cu h\enotes
+\temps\Varnotes im-&\cu i\enotes
+\temps\Varnotes men&\cu j\enotes
+\temps\Varnotes se~&\cu k\enotes
+%\check
+\alaligne\VarNotes gloi-&\ql j\enotes
+\temps\VarNotes -&\ql i\enotes
+\temps\VarNotes re~!&\qu h\enotes
+\temps\respire\Varnotes&\uptext{\bf II}\enotes
+\temps\Varnotes Sei-&\cu h\enotes
+\temps\Varnotes gneur~&\cu i\enotes
+\barre\VarNotes Dieu,~&\qu j\enotes
+%\check
+\temps\Varnotes Roi~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\tempz\VarNotes Ciel,~&\qu h\enotes
+%\check
+\temps\Varnotes Dieu~&\cu h\enotes
+\temps\Varnotes le~&\cu g\enotes
+%\check
+\barre\Varnotes P\`e-~&\cu h\enotes
+\temps\Varnotes re~&\cu i\enotes
+\temps\Varnotes tout-&\cu g\enotes
+\temps\Varnotes puis-&\cu h\enotes
+\tempz\VarNOtes sant~!&\qup h\enotes
+\temps\respire\Varnotes&\uptext{\bf I}\enotes
+\temps\Varnotes Sei-&\cu h\enotes
+%\check
+\barre\VarNotes gneur,~&\qu h\enotes
+\temps\Varnotes Fils~&\cu g\enotes
+\temps\Varnotes u-&\cu g\enotes
+\tempz\Varnotes ni-&\cu f\enotes
+\temps\Varnotes que-&\cu f\enotes
+\temps\Varnotes J\'e-&\cu g\enotes
+\temps\Varnotes sus~&\cu g\enotes
+%\check
+\barre\VarNOtes Christ,&\hu h\enotes
+\temps\respire
+\tempz\VarNotes Sei-&\qu h\enotes
+\temps\VarNotes gneur&\qu g\enotes
+%\check
+\barre\VarNOtes Dieu,&\hu h\enotes
+\tempz\notes &\ds\enotes
+\temps\Varnotes a-&\cu h\enotes
+\temps\Varnotes \kern -4pt gneau~&\cu h\enotes
+\temps\Varnotes de~&\cu i\enotes
+\alaligne
+\temps\VarNOtes Dieu,&\qup g\enotes
+\temps\Varnotes le~&\cu f\enotes
+\tempz\VarNotes Fils~&\qu g\enotes
+\temps\VarNotes du~&\qu g\enotes
+\barre\NOTes P\`e-&\hu h\enotes
+\tempz\VarNotes re~&\qu h\enotes
+\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes
+\barre\VarNotes Toi~&\qu f\enotes
+\temps\Varnotes qui~&\cu g\enotes
+\temps\Varnotes en-&\cu g\enotes
+\tempz\Varnotes l\`e-&\cu h\enotes
+\temps\Varnotes ves~&\cu h\enotes
+\temps\Varnotes le~&\cl i\enotes
+\temps\Varnotes p\'e-&\cl i\enotes
+\barre\Varnotes ch\'e~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\temps\VarNotes mon-&\qu h\enotes
+\tempz\VarNOtes de,&\qu g\enotes
+\temps\Notes &\soupir\enotes
+\alaligne\VarNOtes prends~&\qup f\enotes
+\temps\Varnotes pi-&\cu g\enotes
+\tempz\VarNOtes ti\'e~&\qup g\enotes
+\temps\Varnotes de~&\cu f\enotes
+\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes
+\temps\Notes &\soupir\enotes
+%\check
+\barre\VarNotes Toi~&\qu f\enotes
+\temps\Varnotes qui~&\cu g\enotes
+\temps\Varnotes en-&\cu g\enotes
+\tempz\Varnotes l\`e-&\cu h\enotes
+\temps\Varnotes ves~&\cu h\enotes
+\temps\Varnotes le~&\cl i\enotes
+\temps\Varnotes p\'e-&\cl i\enotes
+\barre\Varnotes ch\'e~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\temps\VarNotes mon-&\qu h\enotes
+\tempz\VarNOtes de,&\qu g\enotes
+\temps\notes &\ds\enotes
+\temps\Varnotes en-&\cu h\enotes
+\barre\Varnotes tends~&\cu f\enotes
+\temps\Varnotes no-&\cu f\enotes
+\temps\Varnotes tre~&\cu g\enotes
+\temps\Varnotes pri-&\cu g\enotes
+\tempz\VarNotes \`e-&\qu h\enotes
+\temps\VarNotes re~!&\qu g\enotes
+\temps\respire\Varnotes&\uptext{\bf II}\enotes
+\barre\NOTEs Toi~&\hu j\enotes
+\tempz\VarNotes qui~&\qu j\enotes
+\tempz\Varnotes es~&\cu k\enotes
+\tempz\Varnotes as-&\cu k\enotes
+\barre\VarNotes sis~&\ql j\enotes
+\temps\Varnotes \`a~&\cl i\enotes
+\temps\Varnotes la~&\cl h\enotes
+\tempz\VarNotes droi-&\qu g\enotes
+\tempz\Varnotes te~&\cu f\enotes
+\temps\Varnotes du~&\cu g\enotes
+\alaligne\NOTes P\`e-&\hu h\enotes
+\tempz\VarNotes re~&\qu g\enotes
+\temps\Notes &\soupir\enotes
+%\check
+%\check
+\barre\VarNOtes prends~&\qup h\enotes
+\temps\Varnotes pi-&\cu h\enotes
+\tempz\VarNOtes ti\'e~&\qup g\enotes
+\temps\Varnotes de~&\cu h\enotes
+%\check
+\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes
+\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes
+\temps\Varnotes Car~&\cu c\enotes
+\temps\Varnotes Toi~&\cu c\enotes
+%\check
+\barre\VarNotes seul~&\qu f\enotes
+\temps\VarNotes es~&\qu g\enotes
+\tempz\VarNotes saint~!&\qup h\enotes
+\temps\notes \sk&\qsoupir\enotes
+\temps\Varnotes Toi~&\ccu h\enotes
+\alaligne\VarNotes seul~&\qu h\enotes
+\temps\Varnotes es~&\cup g\enotes
+\temps\Varnotes Sei-&\ccu h\enotes
+\tempz\VarNOtes gneur~!&\qup h\enotes
+\temps\respire\Varnotes&\uptext{\bf II }\enotes
+\temps\Varnotes Toi~&\cu h\enotes
+%\check
+\barre\Varnotes seul~&\cu h\enotes
+\temps\Varnotes es~&\cu g\enotes
+\temps\Varnotes le~&\cu h\enotes
+\temps\Varnotes Tr\`es-&\cu i\enotes
+\tempz\VarNotes haut,&\ql j\enotes
+\temps\Varnotes J\'e-&\cl j\enotes
+\temps\Varnotes sus-&\cl i\enotes
+%\check
+\barre\VarNOtes Christ,&\qlp j\enotes
+\temps\Varnotes a-&\cu h\enotes
+\tempz\Varnotes vec~&\cu f\enotes
+\temps\Varnotes le~&\cu f\enotes
+\temps\Varnotes \kern -4pt Saint-&\cu g\enotes
+\temps\Varnotes Es-&\cu g\enotes
+%\check
+\barre\VarNOtes prit~!&\hu h\enotes
+\tempz\Varnotes&\uptext{\bf I}\enotes
+\temps\VarNotes dans~&\qu f\enotes
+\temps\Varnotes la~&\qu g\enotes
+\barre\VarNotes gloi-&\qu h\enotes
+\temps\Varnotes re~&\cu h\enotes
+\temps\Varnotes de~&\cu g\enotes
+\tempz\VarNotes Dieu~&\qu h\enotes
+\temps\VarNotes le~&\qu i\enotes
+\barre\VarNotes P\`e-&\hu g\enotes
+\tempz\VarNOtes re.&\hu f\enotes
+\temps\respire
+\barre\VarNotes A - - - - - &\wh g\enotes
+\barre\VarNOtes men~!&\hup h\enotes
+\tempz\notes &\soupir\enotes
+%\mulooseness -2\relax
+\finmorceau
+\medskip\rightline{\it le \aujourdhui\ \ \ \ }
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex
new file mode 100644
index 00000000000..07f1ac9966a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex
@@ -0,0 +1,569 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\title{Gymnomanie}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN}
+%
+\othermention{Compos\'e en 1994}
+\maketitle
+
+\parindent 12mm
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\troistemps
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\ff{{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%\check
+% au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%
+% trois doubles croches hautes
+\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\tqbbh{\tqbbu}%
+\def\tqbbb{\tqbbl}%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax
+%\check
+% octave basse en blanche
+\def\bohl#1{\zh{!`#1}\hl{!#1}}%
+\def\bohu#1{\zh{!`#1}\hu{!#1}}%
+\def\sohl#1{\zh{!'#1}\hl{!#1}}%
+\def\sohu#1{\zh{!'#1}\hu{!#1}}%
+% octave basse en blanche pointee
+\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}%
+\def\bohup#1{\zhp{!`#1}\hup{!#1}}%
+\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}%
+\def\sohup#1{\zhp{!'#1}\hup{!#1}}%
+%
+\def\bozh#1{\zh{!`#1!#1}}%
+\def\bozq#1{\zq{!`#1!#1}}%
+\def\boql#1{\zq{!`#1}\ql{!#1}}%
+\def\boqu#1{\zq{!`#1}\qu{!#1}}%
+% octave sup. en croches u
+\def\soqh#1{\zq{!'#1}\qh0{!#1}}%
+\def\soqb#1{\zq{!'#1}\qb0{!#1}}%
+\def\soqu#1{\zq{!'#1}\qu{!#1}}%
+\def\soql#1{\zq{!'#1}\ql{!#1}}%
+%\check
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne %
+\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
+\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
+\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
+\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}}
+%
+\debutmorceau
+% call \autolines with musiCtex, not with musiXtex !!!
+\ifx\mxversion\undefined\autolines {6}55\relax\fi
+\advance\barsinline by 1\relax
+\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff
+ p}|\zcharnote a{\kern -5mm\ppff mp}\enotes
+ %
+\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 2
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 3
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 4
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 5
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 6
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 7
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 8
+\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu o\enotes
+ % mesure 9
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes
+ % mesure 10
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{a^c}\qu e|\qu g\enotes
+\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes
+ % mesure 11
+\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes
+\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes
+\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes
+ %\check
+ % mesure 12
+\barre\NOtes \upsoupir2\bohup F|\hu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\enotes
+\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes
+ %\check
+ % mesure 13
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes
+ %\check
+ % mesure 14
+\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes
+\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes
+ %\check
+ % mesure 15
+\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes
+\temps\NOtes\zq{LNc}\qu{e}|\enotes
+\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes
+ %\check
+ % mesure 16
+\barre\NOtes \upsoupir2\bohup D|\hu m\enotes
+\temps\NOtes\zq{KMa}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu f|\qu m\enotes
+ %\check
+ % mesure 17
+\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes
+\temps\NOtes\zq{LN_b}\qu e\enotes
+\temps\NOtes\zq{Nbe}\qu g|\enotes
+ %\check
+ % mesure 18
+\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes
+ %\check
+ % mesure 19
+\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes
+\temps\NOtes\zq{L^Nb}\qu e\enotes
+\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes
+ %\check
+ % mesure 20
+\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes
+\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes
+ %\check
+ % mesure 21
+\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes
+\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes
+\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes
+ %\check
+ % mesure 22
+\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes
+\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes
+\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes
+ %\check
+ % mesure 23
+\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes
+\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes
+ %\check
+ % mesure 24
+\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 25
+\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes
+\temps\NOtes\zq{^Mad}|\ql{^f}\enotes
+\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes
+ %\check
+ % mesure 26
+\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes
+\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 27
+\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes
+\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes
+\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes
+ %\check
+ % mesure 28
+\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes
+ %\check
+ % mesure 29
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 30
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 31
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes
+ %\check
+ % mesure 32
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes
+\temps\NOtes\zq{L^Nb}|\ql{e}\enotes
+\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes
+ %\check
+ % mesure 33
+\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes
+\temps\NOtes\zq{a^ce}|\ql{h}\enotes
+\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes
+ %\check
+ % mesure 34
+\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes
+\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes
+\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes
+ %\check
+ % mesure 35
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes
+\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes
+\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes
+ %\check
+ % mesure 36
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 37
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes
+\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes
+\temps\NOtes\zq{ac}|\zql e\boqu n\enotes
+ %\check
+ % mesure 38
+\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes
+\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes
+ %\check
+ % mesure 39
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes
+ %\check
+ % mesure 40
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes
+\temps\NOtes\zq{KNb}\ql{d}|\enotes
+\temps\NOtes\zq{Nbd}|\zql g\enotes
+ %\check
+ % mesure 41
+\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\ql h\enotes
+ %\check
+ % mesure 42
+\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes
+\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes
+\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes
+ %\check
+ % mesure 43
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes
+\temps\NOtes\zq{LN}\ql{c}|\enotes
+\temps\NOtes\zq{Nc}\ql e\enotes
+ %\check
+ % mesure 44
+\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes
+\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes
+\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes
+ %\check
+ % mesure 45
+\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes
+\temps\NOtes\zq{LNc}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes
+ %\check
+ % mesure 46
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes
+\temps\NOtes\zq{Nb}\ql e|\enotes
+\temps\NOtes\zq{Nb}\ql d|\enotes
+ %\check
+ % mesure 47
+\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes
+\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes
+\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes
+ %\check
+ % mesure 48
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nbd}|\ql g|\enotes
+ %\check
+ % mesure 49
+\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes
+\temps\NOtes\zq{La^c}\ql e|\enotes
+\temps\NOtes\zq{ac}\ql e|\boqu n\enotes
+ %\check
+ % mesure 50
+\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes
+ % mesure 51
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes
+\temps\NOtes\zq{LN^c}\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq h\ql e\enotes
+ %\check
+ % mesure 52
+\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes
+ % mesure 53
+\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes
+\temps\NOtes\zq{LN=c}|\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq g\ql e\enotes
+ % mesure 54
+\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes
+\temps\NOtes\zq{Mac}|\zql f\enotes
+\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes
+ % mesure 55
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes
+\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes
+ % mesure 56
+ %\check
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes
+\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes
+\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes
+ % mesure 57
+\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes
+ % mesure 58
+\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes
+\temps\NOtes\zq{KN_b}\qu{d}|\enotes
+\temps\NOtes\zq{Nbd}|\ql g\enotes
+ % mesure 59
+ %\check
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes
+\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes
+\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes
+ % mesure 60
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 61
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ %\check
+ % mesure 62
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ % mesure 63
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes
+\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes
+\temps\NOtes\zq {acf}|\zql h\enotes
+ % mesure 64
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes
+\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes
+ % mesure 65
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes
+\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes
+\temps\NOtes\zq {adf}\zql{_h}|\enotes
+ % mesure 66
+ %\check
+\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes
+\temps\NOtes\zq {Nb}\zql{=d}|\enotes
+\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes
+ % mesure 67
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes
+\temps\NOtes|\zq {ceh}\ql{j}|\enotes
+ % mesure 68
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes
+\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes
+ % mesure 69
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}\enotes
+\temps\NOtes\zq {Nbe}|\ql{g}\enotes
+ % mesure 70
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 71
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 72
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 73
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes
+\temps\NOtes\zq {Nbe}|\zql g\enotes
+ % mesure 74
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 75
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 76
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 77
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes
+\temps\NOtes\zq {=LNc}\zql{=e}|\enotes
+\temps\NOtes\zq {Nce}|\zql g\enotes
+ % mesure 78
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes
+\temps\NOtes\zq {M_a_d}\ql{f}|\enotes
+\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes
+ % mesure 79
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\ql{_e}|\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 80
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes
+\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes
+\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes
+ % mesure 81
+ %\check
+\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes
+\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes
+\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes
+ %\check
+ % mesure 82
+\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ %\check
+ % mesure 83
+\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\enotes
+ %\check
+ % mesure 84
+\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes
+\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes
+\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes
+ % mesure 85
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ % mesure 86
+\barre\NOtes\uptext{\kern -\Interligne\ppff
+ p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes
+\temps\NOtes\zq{=Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 87
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 88
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 89
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 90
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 91
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 92
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 93
+\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex
+\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 94
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 95
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 96
+\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes
+\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes
+ % mesure 97
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 98
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 99
+\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes
+\temps\NOtes\zq{Lae}\qu{^c}\enotes
+\temps\NOtes\zq{ace}|\ql g\enotes
+ % mesure 100
+\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax
+ |\pointdorgue n\hup k\enotes
+\temps\NOtes\zq{Mad}|\ql f\enotes
+\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes
+\mulooseness 1\relax
+\finmorceau
+ \rightline{\sl \aujourdhui}\eject
+\bye
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex
new file mode 100644
index 00000000000..c304a1eca58
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex
@@ -0,0 +1,13 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}\relax
+\def\Signature{1}\relax % un dieze a la clef
+\input ilestnex
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input ilestnex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex
new file mode 100644
index 00000000000..64da5c3b21e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex
@@ -0,0 +1,201 @@
+\fulltitle{Il est n, le divin enfant}
+\title{Il est n, le divin enfant}
+\author{traditionnel\\Harmonisation Pierre Darmon}
+\maketitle
+
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+%
+\bigskip
+% au moins deux croches basses et hautes
+\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{2}\resetsignatures
+\barsinline=0\relax\linesinpage=0\relax
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+%
+\ifx\Signature\undefined\def\Signature{1}\fi
+\ifx\Transpose\undefined\def\Transpose{0}\fi
+%
+\signaturegenerale{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{12}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+%\check
+\def\respire{\notes&\cbreath\enotes}%
+%
+\def\eightpoint{\Tenpoint}%
+%\check
+\catcodesmusic
+
+\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #3\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -12pt}}}%
+ %
+\def\interfacteur{16}%
+%
+\debutmorceau
+\autolines 784\relax
+\transpose=\Transpose
+\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes
+ %
+%
+\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes
+\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes
+%
+%\check
+\barre\Notes\zql N\qu b&\hsong{\txt |n|&}\qu g\enotes
+\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes
+%
+%\check
+\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes
+\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes
+%
+%\check
+\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes
+\temps\Notes\soupir&\soupir\enotes
+%
+%\check
+\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes
+\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes
+%
+%\check
+\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes
+\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |rson-|&}\dql ji\enotes
+%
+%\check
+\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes
+\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes
+%
+%\check
+\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes
+\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes
+\temps\notes\ds&\ds\enotes
+%
+%\check
+\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes
+\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes
+%
+%\check
+\barre\notes\zql N\qu b&\hsong{\txt |n |&}\zql g\dqu lk\enotes
+\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}%
+ \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes
+%
+%\check
+\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes
+\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes
+%
+%\check
+\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes
+\temps\Notes\soupir&\soupir\enotes
+%
+%\check
+\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes
+\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes
+%
+%\check
+\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes
+\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes
+%
+%\check
+\barre\Notes\zql K\qu d&\hsong{\txt |v-|&}\zql h\qu m\enotes
+\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes
+%
+%\check
+\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes
+\setdoublebar
+%
+%\check
+\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes
+\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes
+\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes
+\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes
+%
+%\check
+\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes
+\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes
+\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes
+\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes
+%
+%\check
+\barre\Notes\tten0\qlp N&\hsong{\txt |ph-|&}\zql g\qu i\enotes
+\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes
+\temps\notes\ds&\ds\enotes
+%
+%\check
+\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes
+\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes
+\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes
+%
+%\check
+\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes
+\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes
+%
+%\check
+\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes
+%
+%\check
+\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes
+\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes
+\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes
+%
+%\check
+\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes
+\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes
+%
+%\check
+\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes
+%
+\finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex
new file mode 100644
index 00000000000..25a596e9286
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex
@@ -0,0 +1,18 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{0}\relax %
+\input ilfaitdx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-2}\relax % deux diezes a la clef
+\input ilfaitdx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{+3}\relax % un bemol a la clef
+\input ilfaitdx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex
new file mode 100644
index 00000000000..009d000f547
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex
@@ -0,0 +1,171 @@
+\fulltitle{Il fait danser les mondes}
+\shorttitle{Il fait danser les mondes}
+ \fullauthor{Jean-Sbastien Bach\\Transposition
+Daniel Taupin\\paroles Jacques Tournier}
+ \shortauthor{J.-S. Bach}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\meterC}
+ %\check
+\def\interfacteur{20}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #3\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -12pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+ \transpose=\Transpose
+ \qspace
+ %
+ \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes
+ \barre %1
+\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes
+ \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes
+ \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes
+ \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes
+ %
+ %\check
+ \barre %2
+ \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes
+ \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes
+ %
+ %\check
+ \barre %3
+ \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes
+ \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes
+ \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes
+ \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes
+ %
+ %\check
+ \barre %4
+ \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes
+ \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes
+ %
+ %\check
+ \barre %5
+ \Notes\zql L\qu N&\hsong{\txt y |cen-|p-&}\zql c\qu g\enotes
+ \Notes\zql J\qu c&\hsong{\txt p-|tre |se &}\zql e\qu g\enotes
+ \hardlyrics{\txt ntre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes
+ \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes
+ %
+ %\check
+ \barre %6
+ \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes
+ \Notes\zql a\qu c&\hsong{\txt L'- |Au |Ren-&}\zql h\qu l\enotes
+ %
+ %\check
+ \barre %7
+ \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes
+ \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes
+ \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes
+ \Notes\zql G\qu N&\hsong{\txt con-|c-|pri-&}\zql d\qu i\enotes
+ %
+ %\check
+ \barre %8
+ \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes
+ \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes
+ %
+ %\check
+ \barre %9
+ \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes
+ \notes\zqu c\dqb aN&\zsong{\txt |ger-|ce &}\zql h\qu l\enotes
+ \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes
+ \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes
+ %
+ %\check
+ \barre %10
+ \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes
+ \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes
+ \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes
+ \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes
+ %
+ %\check
+ \barre %11
+ \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes
+ \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes
+ \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes
+ \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes
+ %
+ %\check
+ \barre %12
+ \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes
+ \Notes\zql I\qu N&\hsong{\txt Et |Fait |D-&}\zql d\qu g\enotes
+ %
+ %\check
+ \barre %13
+ \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes
+ \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes
+ \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes
+ \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %14
+ \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes
+ \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes
+ \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes
+ %
+ %\check
+ \barre %15
+ \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes
+ \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes
+ \Notes\cNa F\zql F\qu a&\hsong{\txt le |les | &}\roff{\zql c}\qu d\enotes
+ \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes
+ %
+ %\check
+ \barre %16
+ \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex
new file mode 100644
index 00000000000..390d5d0030a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex
@@ -0,0 +1,827 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre}
+\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin}
+\shortauthor{W. A. Mozart / D. Taupin}
+\maketitle
+
+\parindent 2cm
+\generalsignature{0}
+\instrumentnumber{3}
+ %\setname1{P\'edale 16'}
+\setname1{Orgue}
+\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}}
+\setname3{Fl\^ute}
+\setstaffs12
+\setclef1{6000}
+\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi
+\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi
+\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi
+\generalmeter{\meterfrac 24}
+\def\dble{\multnoteskip 2}
+
+\debutmorceau
+\zbarre
+\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes
+%
+\barre %2
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %3
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %4
+\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax
+ |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax
+ \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes
+%
+\barre %5
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq
+h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax
+ &\dble\dble\sk\pause
+ &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk
+ \ibbl0o0\tten0\qbp0q\relax
+ {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax
+ \Ibbl0po1\qb0p\tqb0o\enotes
+%
+\barre %6
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax
+ \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds
+ \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %7
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq
+f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes
+%
+\barre %8
+\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax
+ &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes
+\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause
+ &\ql k\sk\enotes
+\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax
+ |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax
+ &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes
+%
+\barre %9
+\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax
+ |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax
+ &\dble\dble\sk\pause
+ &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax
+ \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes
+%
+\barre %10
+\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax
+ |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax
+ &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax
+ &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds
+ \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %11
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax
+ \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\ql j\sk\ds\cl j\relax
+ &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax
+ \dble\ql m\sk\cl m\enotes
+%
+\barre %12
+\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds
+ |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds
+ &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds
+ &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes
+\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes
+%
+\barre %13
+\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax
+ &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax
+ &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes
+\Notes\dble\ibl0N0\qb0N\tqb0N\relax
+ |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax
+ &\sk\sk\soupir
+ &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk
+ \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes
+%
+\barre %14
+\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax
+ |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs
+ \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk
+ \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes
+%
+\barre %15
+\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax
+ &\dble\ds\isluru0m\ql k\relax
+ &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes
+\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax
+ &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax
+ &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes
+%
+\barre %16
+\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq
+n\tqb0p\itenl1g\cu g\relax
+ &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax
+ &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk
+ \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes
+%
+\barre %17
+\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq
+{^m}\tqb0o\zq d\cu {^f}\relax
+ &\tten2\dble\cu i\ds\ds\cu h\relax
+ &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk
+ \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes
+%
+\barre %18
+\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax
+ |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax
+ &\dble\qu i\sk\soupir\relax
+ &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes
+%
+\barre %19
+\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax
+ |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax
+ &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax
+ &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes
+%
+\barre %20
+\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds
+ |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds
+ &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds
+ &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax
+ \cl k\ds\enotes
+%
+\barre %21
+\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds
+ &\cu g\ds\cu h\ds&\sk\sk\pause\enotes
+%
+\barre %22
+\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax
+ &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes
+\notes\upz b\zq I\tqb0b\sk\ds
+ |\zq d\tqh1g\sk\ds
+ &\tqb2k\sk\ds
+ &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes
+%
+\barre %23
+\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax
+ &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes
+%
+\barre %24
+\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax
+ |\ibl0k0\qb0{kk}\tqb0k\relax
+ &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax
+ \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax
+ \qb0p\tqb0q\relax
+ &\tten5\itenu5r\ql r\sk
+ \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax
+ \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes
+\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes
+%
+\barre %25
+\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax
+ &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes
+\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes
+%
+\barre %26
+\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax
+ &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes
+\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes
+%
+\barre %27
+\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\sk\sk\sk\pause
+ &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes
+\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+ &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes
+%
+\barre %28
+\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax
+ &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes
+\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax
+ &\pause
+ &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes
+%
+\barre %29
+\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax
+ &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes
+\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax
+ &\dble\sk\ds\cu{^g}\relax
+ &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes
+%
+\barre %30
+\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax
+ &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax
+ &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes
+\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax
+ &\dble\Ibu0jl1\qh0j\tqh0l\relax
+ &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes
+%
+\barre %31
+\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax
+ &\ds
+ &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes
+\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax
+ &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax
+ &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes
+%
+\barre %32
+\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds
+ |\qs\ibbu0g0\qh0{gg}\tqh0g\relax
+ &\itenl2h\qu h\relax
+ &\zhl o\xTrille q{8\noteskip}\enotes
+\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax
+ \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax
+ |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax
+ &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax
+ &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes
+%
+\barre %33
+\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax
+ |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax
+ &\Ibbbl0no3\qb0{nop}\tqb0o\relax
+ &\ql n\enotes
+\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax
+ |\dble\qu g\sk\cu{^f}\relax
+ &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax
+ &\dble\sk\soupir\enotes
+%
+\barre %34
+\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax
+ |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax
+ &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax
+ &\enotes
+\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax
+ |\dble\qu e\sk\cu d\relax
+ &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax
+ &\dble\sk\pause\enotes
+%
+\barre %35
+\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax
+ |\Ibbbu0cd3\qh0{cde}\tqh0d\relax
+ &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax
+ &\enotes
+\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax
+ |\dble\qu c\sk\cu b\relax
+ &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax
+ &\dble\sk\pause\enotes
+%
+\barre %36
+\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax
+ &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes
+\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax
+ |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax
+ &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax
+ &\sk\pause\enotes
+%
+\barre %37
+\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds
+ &\cu g\sk\ds
+ &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes
+\notes\soupir|\soupir&\soupir
+ &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz
+m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes
+%
+\barre %38
+\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk
+ &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes
+%
+\barre %39
+\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax
+ |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax
+ &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax
+ &\tten0\itenu0r\ql r\enotes
+\notes\upz b\zq N\tqb1{_b}\sk\ds
+ |\lpz d\zq{dg}\tqh2{_i}\sk\ds
+ &\lpz i\tqh3{_i}\sk\ds
+ &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes
+%
+\barre %40
+\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax
+ |\ds\sk\qs\itenl0c\ccu c\relax
+ &\relax
+ &\dble\dble\isluru1s\ql{_s}\enotes
+ \nspace
+\notes
+ |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax
+ &\pause
+ &\tslur1m\ql{^m}\enotes
+%
+\barre %41
+\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds
+ |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds
+ &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds
+ &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds
+ \enotes
+%
+\barre %42
+\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes
+\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax
+ &\sk\pause
+ &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes
+%
+\barre %43
+\notes\dble\zql N\hu d\sk\ql{=M}\relax
+ |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax
+ \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes
+%
+\barre %44
+\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax
+ |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax
+ \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax
+ &\dble\sk\sk\pause
+ &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes
+%
+\barre %45
+\notes\dble\qu{^J}\sk\qu K\relax
+ |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq
+e\qh0{=g}\zq d\tqh0f\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk
+ \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes
+%
+\barre %46
+\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax
+ |\ds\sk\qs\itenl0N\ccu N\relax
+ &\relax
+ &\dble\dble\isluru1p\ql{_p}\enotes
+ \nspace
+\notes
+ |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax
+ &\pause
+ &\tslur1j\ql{^j}\enotes
+%
+\barre %47
+\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds
+ |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds
+ &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds
+ &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds
+ \enotes
+%
+\barre %48
+\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes
+\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax
+ &\pause
+ &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes
+%
+\barre %49
+\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax
+ |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes
+%
+\barre %50
+\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax
+ |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax
+ &\dble\sk\pause
+ &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes
+%
+\barre %51
+\notes\dble\zq H\ql a\sk\zq F\qu M\relax
+ |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax
+ &\dble\sk\sk\pause
+ &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk
+ \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes
+\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes
+%
+\barre %52
+\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds
+ |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq
+ {be}\cu g\ds
+ &\dble\dble\pause
+ &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes
+%
+\barre %53
+\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax
+ |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax
+ &\qs\ibbu0i0\qh0{ii}\tqh0i\relax
+ &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes
+\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds
+ |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes
+%
+\barre %54
+\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax
+ |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax
+ &\qs\ibbu0i0\qh0{ii}\tqh0i\relax
+ &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes
+\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds
+ |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes
+%
+\barre %55
+\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes
+%
+\barre %56
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %57
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %58
+\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax
+ |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax
+ \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes
+%
+\barre %59
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq
+h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax
+ &\dble\dble\sk\pause
+ &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk
+ \ibbl0o0\tten0\qbp0q\relax
+ {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax
+ \Ibbl0po1\qb0p\tqb0o\enotes
+%
+\barre %60
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax
+ \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds
+ \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %61
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq
+f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes
+%
+\barre %62
+\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax
+ &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes
+\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause
+ &\ql k\sk\enotes
+\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax
+ |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax
+ &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes
+%
+\barre %63
+\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax
+ |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax
+ &\dble\dble\sk\pause
+ &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax
+ \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes
+%
+\barre %64
+\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax
+ |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax
+ &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax
+ &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds
+ \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes
+%
+\barre %65
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax
+ \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\ql j\sk\ds\cl j\relax
+ &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax
+ \dble\ql m\sk\cl m\enotes
+%
+\barre %66
+\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds
+ |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds
+ &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds
+ &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes
+\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes
+%
+\barre %67
+\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax
+ &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax
+ &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes
+\Notes\dble\ibl0N0\qb0N\tqb0N\relax
+ |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax
+ &\sk\sk\soupir
+ &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk
+ \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes
+%
+\barre %68
+\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax
+ |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs
+ \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk
+ \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes
+%
+\barre %69
+\Notes\zhl J\qu a\relax
+ |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax
+ &\relax
+ &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes
+\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax
+ &\pause
+ &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes
+%
+\barre %70
+\Notes\zhl J\qu N\relax
+ |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax
+ &\relax
+ &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes
+\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax
+ &\pause
+ &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes
+%
+\barre %71
+\Notes\ql J\relax
+ |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax
+ &\relax
+ &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes
+\Notes\ql c\relax
+ |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax
+ &\pause
+ &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes
+%
+\barre %72
+\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax
+ |\dble\ibu0g0\qh0{fef}\tqh0g\relax
+ &\dble\sk\pause
+ &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes
+%
+\barre %73
+\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax
+ |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax
+ &\dble\dble\dble\pause
+ &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax
+ \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes
+%
+\barre %74
+\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax
+ |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax
+ &\sk\sk\sk\pause
+ &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes
+\Notes\cl N\ds|\tten0\zcl d\cu g\ds
+ &\relax
+ &\cl i\ds\enotes
+%
+\barre %75
+\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds
+ &\cl j\ds\cl k\ds
+ &\sk\sk\pause\enotes
+%
+\barre %76
+\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax
+ |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax
+ &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax
+ &\soupir\enotes
+\notes\lpz E\zq E\tqh1L\sk\ds
+ |\upz j\zq g\tqh2j\sk\ds
+ &\upz n\tqb3n\relax
+ &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes
+%
+\barre %77
+\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax
+ &\qu i\qu j\relax
+ &\itenu3n\hl n\enotes
+%
+\barre %78
+\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax
+ |\ibu2g0\qh2{gg}\relax
+ &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax
+ &\tten3\itenu3n\ql n\enotes
+\notes\upz b\zq{Nb}\tqb1K\sk\ds
+ |\tqh2g\sk\ds
+ &\tqb3m\sk\ds
+ &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes
+%
+\barre %79
+\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax
+ &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes
+\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes
+%
+\barre %80
+\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax
+ &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes
+\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes
+%
+\barre %81
+\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax
+ &\sk\sk\sk\pause
+ &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes
+\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
+ &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes
+%
+\barre %82
+\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax
+ |\ds\zql e\ibu2i0\qh2j\relax
+ &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes
+\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax
+ |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax
+ &\pause
+ &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes
+%
+\barre %83
+\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax
+ &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes
+\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq
+f\qb0h\zq e\tqb0{^g}\relax
+ &\dble\sk\ds\cu j\relax
+ &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes
+%
+\barre %84
+\notes\ibu1L0\zq F\qh1M\relax
+ |\ibu2i0\zq f\qh2h\relax
+ &\ibu3h0\qh3j\relax
+ &\Ibbl0no1\qb0{^n}\tqb0o\enotes
+\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax
+ |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax
+ &\dble\qh3h\qh3f\tqh3h\relax
+ &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax
+ \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax
+ \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes
+%
+\barre %85
+\notes\dble\zq G\qu N\sk\zq G\qu N\relax
+ |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax
+ \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax
+ &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax
+ &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes
+%
+\barre %86
+\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds
+ |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax
+ &\itenl2d\qu d\relax
+ &\zhl k\xTrille q{8\noteskip}\enotes
+\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax
+ |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax
+ &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax
+ &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes
+%
+\barre %87
+\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax
+ |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax
+ &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax
+ &\ql j\enotes
+\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax
+ |\dble\advance\transpose 7\ql j\sk\cl i\relax
+ &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax
+ &\dble\sk\soupir\enotes
+%
+\barre %88
+\Notes\zql F\ibbu1N0\qh1M\qh1a\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax
+ &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax
+ &\enotes
+\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax
+ |\dble\advance\transpose 7\ql h\sk\cl g\relax
+ &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax
+ &\dble\sk\pause\enotes
+%
+\barre %89
+\Notes\zql D\ibbu1a0\qh1K\qh1a\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax
+ &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax
+ &\enotes
+\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax
+ |\dble\advance\transpose 7\ql f\sk\cl e\relax
+ &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax
+ &\dble\sk\pause\enotes
+%
+\barre %90
+\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax
+ &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax
+ &\enotes
+\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax
+ |\dble\zq h\ql k\sk\zq h\cl{_l}\relax
+ &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax
+ &\sk\sk\pause\enotes
+%
+\barre %91
+\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax
+ |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax
+ &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax
+ &\dble\dble\sk\pause\enotes
+%
+\barre %92
+\notes\dble\pointdurgue F\zq G\qu N\sk\soupir
+ |\dble\pointdorgue n\zq{n}\ql j\sk\soupir
+ &\dble\pointdorgue m\qu{=e}\sk\soupir
+ &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes
+%
+\barre %93
+\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax
+ &\ql j\ql i&\ql j\soupir\enotes
+%
+\barre %94
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %95
+ %\check
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %96
+ %\check
+\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax
+ |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax
+ &\relax
+ &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes
+ %\check
+\Notes\sk|\zq e\tqh2g\relax
+ &\relax
+ &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes
+ %\check
+\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax
+ |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax
+ &\pause
+ &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax
+ \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes
+%
+\barre %97
+ %\check
+\notes\ibl1J0\zcu L\qb1J\relax
+ |\zq c\ibu2f0\qh2g\relax
+ &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes
+\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax
+ |\nbbbu2\qh2{gfe}\tqh2d\relax
+ &\sk\pause
+ &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes
+ %\check
+\NOtes\qb1N\zq G\tqb1N\relax
+ |\cu c\zq{df}\cu i\relax
+ &\relax
+ &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes
+ %\check
+%
+\barre %98
+\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds
+ &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes
+%
+\ifx\orgue\undefined
+ \ifx\flute\undefined
+ \ifx\oboe\undefined
+ \linegoal24\relax
+ \else\linegoal19\fi
+ \else\linegoal20\fi % flute
+\else\linegoal20\fi % orgue
+\finmorceau
+
+\rightline{\sl \today}
+\eject
+
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex
new file mode 100644
index 00000000000..5ea4c9b67c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex
@@ -0,0 +1,2 @@
+\def\flute{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex
new file mode 100644
index 00000000000..a502fc3a89c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex
@@ -0,0 +1,2 @@
+\def\oboe{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex
new file mode 100644
index 00000000000..4f71bd55366
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex
@@ -0,0 +1,2 @@
+\def\orgue{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
new file mode 100644
index 00000000000..4506fc8d1f6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
@@ -0,0 +1,319 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Adagio (B. Marcello)}
+\csname titremorceautoc\endcsname
+\title{Adagio}
+\fulltitle{Adagio}
+\subtitle{(extrait du Concerto pour Hautbois)}
+\othermention{R\'ecit: cornet ou cromorne\\G.O.
+ bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+\def\interfacteur{9}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\nbporteesi=1\relax%
+\nbporteesii=1\relax%
+\nbporteesiii=1\relax%
+\signaturegenerale{-3}\relax
+%\check
+\def\instrumenti{P\'ed}%
+\def\instrumentii{G.O.}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+% formes frequentes
+\def\Pause{\sk\sk\qsk\pause}%
+%
+%\check
+%
+\generalmeter{\meterfrac 34}%
+%
+\debutmorceau
+\linesinpage=0\relax
+\autolines{19}35\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio
+\bf(\metron{\cu}{84})}\enotes
+%
+%\check
+%
+% mesure 1
+\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes
+\advance\linesinpage by 1
+% mesure 2
+\barre\NOTes\Pause
+&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes
+% mesure 3
+\def\motif{\zq i\qh0k}%
+\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif
+\motif\motif\motif\motif\tbu0\motif&\Pause\enotes
+% mesure 4
+\def\motif{\zq j\qh0 l}%
+\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax
+&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax
+&\Ibl1jl1\qb1j\tqb1l\enotes
+\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes
+\NOTes&\motif&\ibl1n0\qb1n\enotes
+\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes
+% mesure 5
+\def\motif{\zq h\qh0j}%
+\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax
+\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes
+\NOTes&\zql d\motif\motif\enotes
+\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes
+% mesure 6
+\def\motif{\zq h\qh0k}%
+\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes
+\NOTes&\motif&\Ibl1kl2\qb1k\enotes
+\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes
+\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes
+% mesure 7
+\def\motif{\zq g\qh0i}%
+\barre\autolines{20}35\relax
+\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif
+\motif&\qsk\mordant p\zhl n\enotes
+\NOTes&\zql c\motif\motif\enotes
+\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes
+% mesure 8
+\def\motif{\zq h\qh0j}%
+\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif
+&\Ibbl1hi3\qb1{hij}\tqb1i\enotes
+\NOtes&\motif\sk\motif
+&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes
+\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif
+&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes
+% mesure 9
+\def\motif{\zq f\qh0h}%
+\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif
+\tbu0\motif&\qsk\mordant o\zhl m\enotes
+\def\motif{\zq f\qh0i}%
+\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes
+\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes
+% mesure 10
+\def\motif{\zq i\qh0k}%
+\barre\autolines{28}25\relax
+\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax
+\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes
+\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes
+% mesure 11
+%\check
+\def\motif{\zq g\qh0 j}%
+\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif
+&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes
+\NOtes&&\tbl1\qbp1l\enotes
+\NOTes\itenl0J\tqh2J&\motif&\enotes
+\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes
+% mesure 12
+%\check
+\barre
+\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax
+&\mordant q\ql k\sk\enotes
+\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir
+\Ibbl1km2\qb1{kn}\tqb1m\enotes
+\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes
+\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes
+% mesure 13
+\barre
+\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax
+\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
+\NOtes&&\tbl1\qbp1j\enotes
+\NOTes&\zq e\tqh0g&\enotes
+\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax
+&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes
+\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax
+\triolet M\qb1{jk}\tqb1j\enotes
+% mesure 14
+%\check
+\def\motif{\zq g\qh0 i}%
+\barre\autolines{21}35\relax
+\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq
+f\rlap{\qsk\itenl0f}\bigna i\motif
+&\bigna i\hl i\enotes
+\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes
+% mesure 15
+\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax
+&\ibl1l0\bigna l\qb1l\qb1n\enotes
+\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes
+\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes
+% mesure 16
+\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes
+\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes
+\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax
+\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes
+% mesure 17
+\def\motif{\zq h\qh0 k}%
+\barre\autolines{24}35\relax
+\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif
+&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
+\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
+\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk
+&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes
+% mesure 18
+\barre
+\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes
+\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
+&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes
+% mesure 19
+\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax
+&\tten1\ibl1l0\qb1l\enotes
+\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes
+\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes
+\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes
+\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes
+% mesure 20
+\barre\autolines{28}35\relax
+\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax
+&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes
+\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes
+\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes
+% mesure 21
+\barre
+\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes
+\Notes&&\nbbbl1\qb1m\tqb1l\enotes
+\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax
+&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes
+\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax
+\pince l\qb1j\enotes
+\NOtes&&\itenu0i\tqb1i\enotes
+% mesure 22
+\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax
+&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
+\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
+\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbu1k0\qh1{flk}\tqh1j\enotes
+% mesure 23
+\barre\autolines{21}35\relax
+\Notes\hu I&\doubler
+\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes
+\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes
+% mesure 24
+\barre
+\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes
+\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes
+\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax
+&\qlp m\sk\sk\cl l\enotes
+% mesure 25
+\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes
+\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk
+&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes
+% mesure 26
+\barre\autolines{23}35\relax
+\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes
+\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk
+&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes
+% mesure 27
+\barre
+\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax
+&\bigfl k\ibl1j0\itenu1k\qb1k\enotes
+\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
+\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
+\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax
+&\Ibbl1ol3\qb1{onm}\tqb1l\enotes
+% mesure 28
+\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax
+&\itenu1m\ql m\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes
+\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax
+&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
+% mesure 29
+\barre\autolines{23}35\relax
+\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax
+&\ibbl1l0\qb1{lom}\tqb1k\enotes
+\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax
+&\qlp{=i}\sk\sk\cl j\enotes
+% mesure 30
+%\check
+\barre
+\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax
+&\itenl1f\hu f\enotes
+\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes
+% mesure 31
+%\check
+\barre
+\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk
+&\Ibbu1fe3\qh1{fed}\tqh1e\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes
+\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes
+% mesure 32
+%\check
+\barre\autolines{21}35\relax
+\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax
+&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes
+\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax
+&\qlp k\sk\sk\cl j\enotes
+% mesure 33
+%\check
+\def\motif{\zq h\qh0 j}%
+\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif
+\motif\tbu0\motif
+&\bigsh m\itenu1m\hl m\enotes
+\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax
+&\tten1\Ibl1nk1\qb1n\tqb1k\enotes
+% mesure 34
+%\check
+\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes
+\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes
+\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote
+n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes
+% mesure 35
+%\check
+\barre\autolines{17}35\relax
+\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes
+\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes
+\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes
+% mesure 36
+%\check
+\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq
+{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes
+% mesure 37
+%\check
+\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax
+\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax
+&\sk\sk\qsk\pause\enotes
+% mesure 38
+%\check
+\barre\autolines{16}45\relax
+\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes
+\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes
+\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes
+% mesure 39
+%\check
+\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax
+\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax
+&\sk\sk\qsk\pause\enotes
+\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes
+% mesure 40
+%\check
+\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes
+\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes
+% mesure 41
+%\check
+\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre
+\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\eject
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
new file mode 100644
index 00000000000..ba0073d59eb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
@@ -0,0 +1,729 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- allegro}
+\fulltitle{Concerto pour hautbois --- allegro}
+\othermention{Transcription pour hautbois, flte et orgue\\{\bf
+ \ifFlute Partition flte\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- allegro}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\def\OrgelManual{\ifOrgue
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=2\relax%
+ \fi
+}
+\def\OrgelPedal{\ifOrgue
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \def\interinstrumentii{-\Interligne}%
+ \def\interinstrumenti{-\Interligne}%
+ \nbporteesi=3\relax%
+ \fi
+}
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Flte}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Flte}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 5mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% formes frequentes
+%
+\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}%
+\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}%
+\def\PauseSoliste{\Pause}%
+%
+ \def\oct{\advance\transpose 7\relax}%
+%
+%
+\def\clpz#1{\upz{#1}\cl{#1}}
+\def\cupz#1{\lpz{#1}\cu{#1}}
+\def\qlpz#1{\upz{#1}\ql{#1}}
+\def\qupz#1{\lpz{#1}\qu{#1}}
+%
+ \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\tqb0{#4}}%
+%
+ \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\tqh0{#4}}%
+%
+ \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}}
+ \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}}
+%
+ \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}}
+ \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}}
+%
+ \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+ \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}}
+ \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}}
+
+\catcodesmusic
+\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi}
+\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes}
+\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes}
+%
+%\check
+%
+\generalmeter{\meterC}%
+\sepbarrules
+%
+\OrgelPedal
+\debutmorceau
+\GO
+\notes\org|\relax
+ &\ifFlute\zcharnote N{\sl (orgue solo)}\fi
+ &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes
+%
+%\check
+% mesure 1
+\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ |\Pause
+ |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ \else\PauseSoliste\fi
+ &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ \else\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 2
+\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ |\Pause
+ |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\PauseSoliste\fi
+ &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 3
+\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause
+ |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 4
+ \Pos
+\notes\org \doubler\Pause
+ |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax
+ |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax
+ &\ifFlute\zcharnote N{\sl flte}\fi
+ \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax
+ &\ifOboe\zcharnote N{\sl hautbois}\fi
+ \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes
+ %\check
+ \barre % mesure 5
+\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes
+\GO
+\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ |\soupir\sk\sk\hpause
+ |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\soupir\sk\sk\hpause\fi
+ &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\soupir\sk\sk\hpause\fi
+ \enotes
+ %\check
+ \barre % mesure 6
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause
+ |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 7
+ \Pos
+\notes\org \doubler\Pause
+ |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax
+ |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax
+ &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax
+ &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes
+ %\check
+ \barre % mesure 8
+ \notes\org\doubler\Pause
+ |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax
+ |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax
+ &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax
+ &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll
+lkkn\fourlll nknk\enotes
+ %\check
+ \barre % mesure 9
+ \notes\org&\relax&\grcu l\enotes
+ \notes\org\doubler\Pause
+ |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax
+ |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq
+c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax
+ &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax
+ &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes
+ %\check
+ \barre % mesure 10
+ \notes\org\doubler\Pause
+ |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax
+ |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax
+ &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax
+ &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes
+ %\check
+ \barre % mesure 11
+ \notes\org\doubler\Pause
+ |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax
+ |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq
+g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax
+ &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax
+ &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl
+n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 12
+ \notes\org\doubler\Pause
+ |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax
+ |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu
+h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax
+ &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax
+ &\doubler\ql j\sk\soupir\sk\hpause\enotes
+ %\check
+ \barre % mesure 13
+ \notes\org\doubler\Pause
+ |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax
+ |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu
+m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax
+ &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax
+ &\doubler\Pause\enotes
+ %\check
+ \barre % musure 14
+ \notes\org\doubler\Pause
+ |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax
+ |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu
+gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax
+ &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax
+ &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll
+ lnn{_i}\enotes
+ %\check
+ \barre % mesure 15
+ \notes\org\doubler\Pause
+ |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax
+ |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax
+ \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax
+ &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax
+ &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes
+ \barre % mesure 16
+ \notes\org\doubler\Pause
+ |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax
+ |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax
+ \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax
+ &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax
+ &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes
+ \barre % mesure 17
+ \notes\org\doubler\Pause
+ |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax
+ |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax
+ &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax
+ &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes
+ %\check
+ \barre % mesure 18
+ \notes\org\doubler\Pause
+ |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax
+ |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax
+ &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax
+ &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ %\check
+ \barre % mesure 19
+ \notes\org\doubler\Pause
+ |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax
+ |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax
+ &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax
+ &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes
+ %\check
+ \barre % mesure 20
+ \notes\org\doubler\Pause
+ |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax
+ |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax
+ &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax
+ &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes
+ %\check
+ \barre % mesure 21
+ \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax
+ |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax
+ |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax
+ &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir
+ \ifFlute\tinynotesize\cu e\fi
+ &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince
+n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir
+ \ifOboe\tinynotesize\cu e\fi\enotes
+ %\check
+ \barre % mesure 22
+ \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}%
+ \Notes\org\orgel|\Pause|\oct\orgel\relax
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi\enotes
+ \barre % mesure 23
+ \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}%
+ \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi\enotes
+ \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax
+ &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi
+ &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ %\check
+ \barre % mesure 24
+ \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}%
+ \notes\org|\orgel|\oct\orgel
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\doubler\sk\hpause\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\doubler\sk\hpause\fi\enotes
+ \nspace\Pos\nspace
+ \notes\org\pause
+ |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql
+b\twobu eg\relax
+ &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax
+ &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes
+ %\check
+ \barre % mesure 25
+ \notes\org\doubler\Pause
+ |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax
+ |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax
+ &{\doubler\qu i\sk\ds\cu
+f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax
+ &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes
+ %\check
+ \barre % mesure 26
+ \notes\org\doubler\Pause
+ |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax
+ |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax
+ &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax
+ &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax
+ \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax
+ \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes
+ %\check
+ \barre % mesure 27
+ \notes\org\doubler\Pause
+ |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax
+ |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax
+ &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax
+ &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax
+ \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax
+ \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes
+ %\check
+ \barre % mesure 28
+ \notes\org\doubler\Pause
+ |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax
+ |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax
+ &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax
+ &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax
+ \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax
+ \fourlll lnnl\fourlll ljj{=h}\enotes
+ %\check
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ \barre % mesure 29
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql M\soupir\ql L\soupir
+ |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax
+ &\doubler\doubler\ql {=hkil}\relax
+ &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes
+ %\check
+ \barre % mesure 30
+ \notes\org\doubler\Pause
+ |\doubler\doubler\qu K\soupir\qu G\soupir
+ |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax
+ &\doubler\doubler\ql {j^mkn}\relax
+ &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes
+ %\check
+ \barre % mesure 31
+ \notes\org\doubler\sk\sk\hpause
+ |\doubler\qu J\sk
+ |\doubler\zq{eg}\qu j\sk\soupir
+ &\doubler\doubler\ql l\soupir
+ &\fourlll lnnl\fourlll ljj{^m}\enotes
+ \GO
+ \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax
+ |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax
+ &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax
+ &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes
+ %\check
+ \barre % mesure 32
+ \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax
+ |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax
+ |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax
+ &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax
+ &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes
+ \Notes\org\ds\cl e|\soupir|\ds\cl l\relax
+ &\soupir\ifFlute\tinynotesize\cl l\fi
+ &\soupir\ifOboe \tinynotesize\cl l\fi\enotes
+ %\check
+\barre % mesure 33
+ \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax
+ |\sk\sk\hpause\sk\soupir
+ |\ibu0h0\qh0{fke}\tqh0j\qu d\relax
+ &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax
+ \else\rlap{\PauseSoliste}\fi
+ &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax
+ \else\rlap{\PauseSoliste}\fi\enotes
+ %\check
+ \notes\org\sk\soupir
+ |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax
+ |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax
+ &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi
+ &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes
+ %\check
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ \barre % mesure 34
+ \notes\org
+ |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax
+ |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ \else\rlap{\doubler\Pause}\fi
+ &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ \else\sk\sk\hpause\fi\enotes
+ \Notes\org
+ |\twobl dK\relax
+ |\twobu kd\relax
+ &\ifFlute\tinynotesize\twobu kd\fi
+ &\ifOboe \tinynotesize\twobu kd\fi\enotes
+ \notes\org\pause
+ |\doubler\ql N\sk\soupir
+ |\doubler\qu g\sk\soupir
+ &\ifFlute\tinynotesize\qu g\fi
+ &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi
+ \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes
+ \Pos
+ %\check
+ \barre % mesure 35
+ \notes\org\rlap{\doubler\Pause}\relax
+ |\doubler\zq G\qu N\sk\soupir
+ |\doubler\zq n\zq{=i}\ql k\sk\soupir
+ &\sk\sk\hpause
+ &\fourlll g{=i}ik\fourlll knn{=l}\enotes
+ %\check
+ \Notes\org
+ |\hu J\relax % fourbu JJJJ\relax
+ |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax
+ &\ibl0l0\na l\qb0{lll}\tqb0l\relax
+ &\doubler\ql l\soupir\enotes
+ %\check
+ \barre % mesure 36
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql M\soupir\zq M\qu F\soupir
+ |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir
+ &\doubler\doubler\ql m\soupir\hpause
+ &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax
+ \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes
+ \barre % mesure 37
+ \nspace
+ \Notes\org
+ |\hu I\relax % \fourbu IIII\relax
+ |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax
+ &\ibl0m0\qb0{mmm}\tqb0m\relax
+ &\doubler\ql k\soupir\enotes
+ \notes\org\pause
+ |\doubler\ql L\sk\soupir
+ |\doubler\zq {il}\ql g\sk\soupir
+ &\doubler\ql n\sk\soupir
+ &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes
+ %\check
+ \barre % mesure 38
+ \notes\org\rlap{\doubler\Pause}\relax
+ |\doubler\zq E\qu L\sk\soupir
+ |\doubler\zq {Nbe}\qu g\sk\soupir
+ &\sk\sk\hpause
+ &\fourllu eggi\fourlll illj\enotes
+ %\check
+ \Notes\org
+ |\hu H\relax % \fourbu HHHH\relax
+ |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax
+ &\fourbl llll\relax
+ &\doubler\ql j\soupir\enotes
+ %\check
+ \barre % mesure 39
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql K\soupir\zq K\qu D\soupir
+ |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir
+ &\doubler\doubler\ql m\soupir\hpause
+ &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax
+ \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes
+ %\check
+ \barre % mesure 40
+ \notes\org\doubler\Pause
+ |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax
+ |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax
+ \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax
+ &\doubler\fourbl mmmm\na l\fourbl llll\relax
+ &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes
+ %\check
+ \barre % mesure 41
+ \notes\org\doubler\Pause
+% |\doubler\fourbl MMMM\fourbl bbbb\relax
+ |\doubler\hl M\sk\sk\sk\hl b\relax
+ |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax
+ \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax
+ &\doubler\fourbl {_l}lll\fourbl kkkk\relax
+ &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ \barre % mesure 42
+ \notes\org\doubler\Pause
+% |\doubler\fourbl LLLL\fourbl aaaa\relax
+ |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax
+ |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax
+ \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax
+ &\doubler\fourbl {_k}kkk\fourbl jjjj\relax
+ &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes
+ %\check
+ \barre % mesure 43
+ \notes\org\doubler\Pause
+% |\doubler\fourbl MMMM\fourbl MMMM\relax
+ |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax
+ |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax
+ \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax
+ &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax
+ &\itenu1m\wh m\enotes
+ \barre % mesure 44
+ \notes\org\doubler\sk\sk\hpause\relax
+ |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax
+ |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax
+ &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax
+ &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince
+n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes
+ %\check
+ \Notes\org\soupir\sk\ds\cl a\relax
+ |\qu J\zmidtwotext{\bf I}\sk\soupir
+ |\zq e\qu c\sk\ds\cu h\relax
+ &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi
+ &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes
+ %\check
+ \barre % mesure 45
+ \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}%
+ \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\rlap{\PauseSoliste}\fi
+ &\ifOboe \tinynotesize\oct\orgel
+ \else\rlap{\PauseSoliste}\fi
+ \enotes
+ %\check
+ \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}%
+ \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax
+ &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi
+ &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ %\check
+ \barre % mesure 46
+ \notes\org|\fourbbu JKLM|\fourbbu cdef\relax
+ &\ifFlute\tinynotesize\fourbbu cdef\fi
+ &\ifOboe \tinynotesize\fourbbu cdef\relax
+ \else\sk\sk\sk\hpause\fi\enotes
+ \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu
+c\sk\ds\zq g\cu{_i}\relax
+ &\ifFlute\tinynotesize\twobu gN\qu c\relax
+ \else\sk\pause\fi
+ &\ifOboe \tinynotesize\twobu gN\qu c\relax
+ \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes
+ %\check
+ \barre % mesure 47
+ \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0
+i\zq h\qh0 j\zq g\tqh0i\relax
+ &&\fourlll m{=l}lm\fourlll mllm\enotes
+ \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax
+ &\pause&\twobl ml\ds\cl{^m}\enotes
+ %\check
+ \barre % mesure 48
+ \notes\org\doubler\Pause
+ |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax
+ |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax
+ \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax
+ &\doubler\Pause
+ &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes
+ %\check
+ \barre % mesure 49
+ \notes\org\doubler\Pause
+ |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax
+ |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ &\doubler\Pause
+ &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes
+ %\check
+ \barre % mesure 50
+ \Notes\org|\Ibl1JH3\qb1{JM}\relax
+ |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax
+ &&\ibu2i0\qh2{_ej}\enotes
+ \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax
+ |\zql{=b}\fourbbu gfed\relax
+ &\hpause
+ &\doubler\qh2d\tqh2{=i}\enotes
+ \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax
+ |\zq{Nc}\qu e\sk\ds\cu g\relax
+ &\soupir\sk\ds\cl{=l}\relax
+ &\qup c\sk\sk\ds\enotes
+ %\check
+ \barre % mesure 51
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax
+ |\fourllu hggh\fourllu hggh\relax
+ &\fourlll m{=l}lm\fourlll mllm\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax
+ |\twobu hg\ds\cu{=h}\relax
+ &\twobl ml\ds\cl{^m}&\enotes
+ %\check
+ \barre % mesure 52
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax
+ |\fourllu i{=h}hi\fourllu ihhi\relax
+ &\fourlll n{^m}mn\fourlll nmmn\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ %\check
+ \notes\org|\doubler\zqu d\ql N\sk
+ |\multnoteskip{1.2}\fourlll i{=i}ij\relax
+ &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes
+ %\check
+ \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax
+ |\fourlll jiij\relax
+ &\fourlll lkkl&\enotes
+ %\check
+ \barre % mesure 53
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax
+ |\fourlll jgg{_h}\fourlll h{=l}lm\relax
+ &\fourlll l{=l}l{=m}\fourlll mnno\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax
+ |\ql m\sk\ql{=i}\relax
+ &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes
+ %\check
+ \barre % mesure 54
+ \notes\org\doubler\sk\sk\sk\pause
+ |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax
+ |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax
+ &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax
+ &\doubler\sk\sk\hpause\enotes
+ \Notes\org|\zql J\fourbu JKLJ\relax
+ |\ql j\sk\ds\cu e\relax
+ &\ql j\sk\ds\cl j\relax
+ &\soupir\sk\ds\cl l\enotes
+ %\check
+ \barre % mesure 55
+ \notes\org\doubler\Pause
+ |\itenu1N\wh N\relax
+ |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax
+ &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax
+ &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes
+ %\check
+ \barre % mesure 56
+ \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax
+ &\twobl j{=i}\ql j\relax
+ &\twobl lk\ds\cu g\enotes
+ \notes\org\pause
+ |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax
+ |\doubler\zq c\qu c\sk\twobu ef\relax
+ &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax
+ &\fourlll h{=i}ij\fourlll jkkl\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ %\check
+ \barre % mesure 57
+ \notes\org\doubler\Pause
+ |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax
+ |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq
+c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax
+ &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax
+ &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes
+ %\check
+ \barre % mesure 58
+ \notes\org\doubler\sk\sk\hpause
+ |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax
+ |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax
+ &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax
+ &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes
+ \Notes\org\fourbu JKLJ\relax
+ |\qlp c\sk\sk\cl N\relax
+ |\fourbu efge\relax
+ &\fourbl lmnl\relax
+ &\ql j\sk\soupir\enotes
+ %\check
+ \barre % mesure 59
+ \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause
+ |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax
+ |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax
+ &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax
+ &\doubler\Pause\enotes
+ %\check
+ \barre % mesure 60
+ \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax
+ |\ql c\sk\twobl{=b}d\relax
+ |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax
+ &\ibl0m0\qb0{omk}\tqb0n\enotes
+ \notes\org\ibu1M0\doubler\qh1{JM}\relax
+ |\zq c\ql N\relax
+ |\fourbbu fedc\relax
+ &\fourbbl mlkj&\pause\enotes
+ \Notes\org\qh1N\tqh1G\relax
+ |\twobl bN|\qu g\relax
+ &\twobl n{=i}\enotes
+ %\check
+ \barre % mesure 61
+ \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax
+ &\pointdorgue m\wh j&\pointdorgue m\pause\enotes
+% \ifOrgue\advance\mulooseness 1\fi
+ \ifOrgue\linegoal 19\fi
+ \finmorceau
+
+
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
new file mode 100644
index 00000000000..fb5efe87b62
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
@@ -0,0 +1,723 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- adagio}
+\fulltitle{Concerto pour hautbois --- adagio}
+\othermention{Transcription pour hautbois, flte et orgue\\{\bf
+ \ifFlute Partition flte\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- adagio}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\def\OrgelManual{%
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=2\relax%
+}
+\def\OrgelPedal{%
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=3\relax%
+}
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Flte}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Flte}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 8mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% formes frequentes
+%
+\def\Pause{\sk\sk\qsk\pause}%
+%
+ \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\tqb0{#4}}%
+%
+ \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\tqh0{#4}}%
+%
+ \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}
+ \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}
+%
+ \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}}
+ \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}}
+
+%
+%\check
+%
+\catcodesmusic
+\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi}
+%
+\generalmeter{\meterfrac 34}%
+\sepbarrules
+%
+\debutmorceau
+%\check
+%
+\notes\org\relax
+ |&&\zcharnote{w}{\kern -20mm\moyen Adagio
+\bf(\metron{\cu}{84})}\enotes
+%
+%\check
+%
+% mesure 1
+\NOTes\org\Pause\relax
+ |\Pause\relax
+ |\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ &\ifFlute\zcharnote N{\sl (orgue solo)}\fi
+ \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ \else\Pause
+ \fi\relax
+ &\ifOboe\zcharnote N{\sl (orgue solo)}\fi
+ \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ \else\Pause\fi\enotes
+% mesure 2
+\barre\NOTes\org\Pause
+ |\Pause\relax
+ |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
+ &\ifFlute\zcharnote N{\sl flte}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax
+ &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
+ \else\Pause\fi\enotes
+% mesure 3
+\barre\NOTes\org\hup G\relax
+ |\roff{\pt g}\rh g\hup f\relax
+ |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax
+ &\ibl0k0\qb0{kkkkk}\tqb0k\relax
+ &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax
+ \else\Pause\fi\enotes
+% mesure 4
+\def\motif{\zq j\qh0 l}%
+\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax
+ |\itenl1e\zhp c\zhp g\hlp e\relax
+ |\ibl3j0\qb3{jj}\relax
+ &\ibl4l0\qb4{ll}\relax
+ &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes
+\NOTes\org\tten5\hu J\relax
+ |\relax
+ |\qb3{jj}\relax
+ &\qb4{ll}\relax
+ &\twolbl ln\enotes
+\NOTes\org\relax
+ |\relax
+ |\qb3j\relax
+ &\qb4l\relax
+ &\isluru5n\ibl5n0\qb5n\enotes
+\NOtes\org\relax
+ |\relax
+ |\tqb3j\relax
+ &\tqb4l\relax
+ &\nbbl5\qb5o\tslur5n\tqb5n\enotes
+% mesure 5
+\barre\NOTes\org\hup F\relax
+ |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax
+ |\ibu3h0\qh3{hhhhh}\tqh3h\relax
+ &\ibl4j0\qb4{jjjjj}\tqb4j\relax
+ &\mordant q\hl o\sk\sk\sk\soupir\enotes
+% mesure 6
+\barre\temps\NOTes\org\hup I\relax
+ |\zhl b\hup f\relax
+ |\ibu3h0\qh3{hh}\relax
+ &\ibl4k0\qh4{kk}\relax
+ &\twolbl ik\enotes
+\NOTes\org\relax
+ |\relax
+ |\qh3{h}\relax
+ &\qh4k\relax
+ &\Ibl5kl2\isluru5k\qb5k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3h\relax
+ &\qb4k\relax
+ &\nbbl5\qb5m\tslur5l\tqb5l\enotes
+\NOtes\org\relax
+ |\itenl2d\ql d\relax
+ |\qb3h\sk\tqh3h\relax
+ &\qb4k\sk\tqb4k\relax
+ &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes
+% mesure 7
+\barre
+\NOTes\org\hup E\relax
+ |\tten2\qu d\sk\qu c\sk\qu b\relax
+ |\sixbu gggggg\relax
+ &\sixbu iiiiii\relax
+ &\doubler\mordant p\hl n\sk\soupir\enotes
+% mesure 8
+\def\motif{\zq h\qh0j}%
+\barre\NOtes\org\hup H\relax
+ |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax
+ |\doubler\sixbu hhhhhh\relax
+ &\doubler\sixbl jjjjjj\relax
+ &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes
+% mesure 9
+\def\motif{\zq f\qh0h}%
+\def\motifa{\zq f\qh0i}%
+\barre\NOTes\org\hup K\relax
+ |\doubler\tten2\qu c\qu b\qu a\relax
+ |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax
+ &\sixbl kkkkkk\relax
+ &\doubler\mordant o\hl m\sk\soupir\enotes
+% mesure 10
+\barre
+\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax
+ |\hup f\relax
+ |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax
+ &\doubler\doubler\ibl4k0\qb4k\qb4k\relax
+ &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes
+\Notes\org\tten1\hu G\relax
+ |\relax
+ |\doubler\doubler\qh3{ii}\relax
+ &\doubler\doubler\qb4{kk}\relax
+ &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes
+\NOtes\org\relax
+ |\relax
+ |\doubler\qh3i\tqh3i\relax
+ &\doubler\qb4k\tqb4k\relax
+ &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes
+% mesure 11
+%\check
+\def\motif{\zq e\qh3 g}%
+\barre\notes\org\Ibu1CJ5\qh1C\relax
+ |\hup c\relax
+ |\ibu3g0\motif\relax
+ &\ibl4j0\qb4j\relax
+ &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes
+\NOtes\org\relax
+ |\relax
+ |\relax
+ &\relax
+ &\tbl5\tslur5l\qbp5l\enotes
+\NOTes\org\itenl1J\tqh1J\relax
+ |\relax
+ |\motif\relax
+ &\qb4j\relax
+ &\enotes
+\NOtes\org\tten1\itenl1J\hu J\relax
+ |\relax
+ |\motif\sk\motif\relax
+ &\qb4j\sk\qb4j\relax
+ &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes
+\NOtes\org\relax
+ |\relax
+ |\motif\sk\tbu3\motif\relax
+ &\qb4j\sk\tqb4j\relax
+% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes
+ &\fourlll omml\enotes
+% mesure 12
+%\check
+\barre
+\NOTes\org\tten1\qu J\relax
+ |\roff{\zql c}\hu d\relax
+ |\ibu3f0\qh3f\tqh3f\relax
+ &\ibu4h0\qh4h\tqh4h\relax
+ &\mordant p\ql k\sk\enotes
+\NOtes\org\itenl1I\hu I\relax
+ |\hl b\relax
+ |\ibu0g0\qh0g\sk\tqh0g\relax
+ &\ibu0i0\qh0i\sk\tqh0i\relax
+ &\qsoupir
+ \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes
+\NOtes\org\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\sk\relax
+ &\ibu4j0\qh4j\sk\relax
+ &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes
+\Notes\org\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqh4j\relax
+ &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes
+% mesure 13
+\barre
+\notes\org\tten1\qu I\relax
+ |\roff{\zql b}\hu c\relax
+ |\ibu3e0\qh3e\relax
+ &\ibu4g0\qh4g\relax
+ &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax
+\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
+\NOtes\org\relax
+ |\relax
+ |\relax
+ &\relax
+ &\tslur5k\tbl1\qbp1j\enotes
+\NOTes\org\relax
+ |\relax
+ |\tqh3e\relax
+ &\tqh4g\relax
+ &\enotes
+\temps\Notes\org\hu H\relax
+ |\hl a\relax
+ |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax
+ &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax
+ &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes
+\temps\Notes\org\relax
+ |\qu d\relax
+ |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax
+ &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax
+ &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax
+\triolet n\qb1{jk}\tslur5k\tqb1j\enotes
+% mesure 14
+%\check
+\def\motif{\rq g\qh3f}%
+\barre
+\NOTes\org\hup G\relax
+ |\hup b\relax
+ |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif
+ &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax
+ &\bigna i\hl i\sk\sk\sk\soupir\enotes
+% mesure 15
+\barre\NOTes\org\hup J\relax
+ |\hup c\relax
+ |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax
+ &\twobu jg\relax
+ &\bigna l\twolbl ln\enotes
+\NOTes\org\relax
+ |\relax
+ |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax
+ &\twobu gg\relax
+ &\twolbl nl\enotes
+\NOtes\org\relax
+ |\relax
+ |\doubler\twobu ee\relax
+ &\doubler\twobl jj\relax
+ &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes
+% mesure 16
+\barre\NOTes\org\hlp M\relax
+ |\qu c\relax
+ |\ibu3g0\qh3g\relax
+ &\ibl4j0\qb4j\relax
+ &\ibu5k0\itenl5i\qh5i\enotes
+\Notes\org\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqb4j\relax
+ &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes
+\temps\NOTes\org\relax
+ |\hu f\relax
+ |\ibu0h0\qh0{hhh}\tqh0h\relax
+ &\ibl0j0\qb0{jjj}\tqb0j\relax
+ &\qu h\sk\soupir\enotes
+% mesure 17
+\def\motif{\zq h\qh0 k}%
+\barre
+\NOtes\org\hup K\relax
+ |\hup {^f}\relax
+ |\ibu3h0\na h\qh3h\sk\qh3h\relax
+ &\ibl4k0\qb0k\sk\qb0k\relax
+ &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax
+ &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax
+ &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax
+ &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax
+ &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes
+% mesure 18
+ \barre
+\NOTes\org\hup G\relax
+ |\qu d\relax
+ |\twobu gg\relax
+ &\twobl kk\relax
+ &\twolbl ji\enotes
+\NOTes\org\relax
+ |\itenl2e\hu e\relax
+ |\ibu3g0\qh3{ggg}\tqh3g\relax
+ &\ibl4i0\qb4{iii}\tqb4i\relax
+ &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes
+% mesure 19
+\barre\NOTes\org\hl M\relax
+ |\tten2\qu e\relax
+ |\ibu3h0\qh3{_h}\relax
+ &\ibl4j0\qh4j\relax
+ &\tten5\isluru5m\ibl5l0\qb5l\enotes
+\NOtes\org\relax
+ |\relax
+ |\tqh3h\relax
+ &\tqb4j\relax
+ &\nbbl5\qb5m\tqb5l\enotes
+\NOTes\org\relax
+ |\hu d\relax
+ |\ibu3f0\qh3f\relax
+ &\ibu4h0\qh4h\relax
+ &\ibl5k0\qb5k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3f\relax
+ &\qh4h\relax
+ &\nbbl5\qb5l\tslur5k\tqb5j\enotes
+\NOTes\org\qu F\relax
+ |\relax
+ |\qh3f\tqh3f\relax
+ &\qh4h\tqh4h\relax
+ &\itenu5k\mordant m\ql k\enotes
+% mesure 20
+\barre
+\NOtes\org\hu E\relax
+ |\qu d\relax
+ |\doubler\twobu gg\relax
+ &\doubler\twobu ii\relax
+ &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes
+\temps\NOtes\org\relax
+ |\hu c\relax
+ |\ibu3e0\qh3{e*e}\relax
+ &\ibu4g0\qh4{g*g}\relax
+ &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes
+\NOTes\org\ql L\relax
+ |\relax
+ |\qh3e\sk\tqh3e\relax
+ &\qh4g\sk\tqh4g\relax
+ &\upperna j\mordant o\itenu5j\ql j\enotes
+% mesure 21
+\barre
+\NOtes\org\hup K\relax
+ |\hu b\relax
+ |\doubler\twobu ff\relax
+ &\doubler\twobu fh\relax
+ &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes
+\Notes\org\relax
+ |\relax
+ |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax
+ &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax
+ &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes
+\NOtes\org\relax
+ |\qu a\relax
+ |\qh3d\sk\tqh3d\relax
+ &\qh4f\sk\tqh4f\relax
+ &\Ibbl5mi3\qb5{mk}\relax
+\pince l\qb5j\enotes
+\NOtes\org\relax
+ |\relax
+ &\relax
+ &\tslur5k\itenu5i\tqb5i\enotes
+% mesure 22
+\barre
+\Notes\org\hup J\relax
+ |\qu N\relax
+ |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax
+ &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax
+ &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
+\Notes\org\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax
+ &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax
+ &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
+\temps\NOtes\org\relax
+ |\qu e\relax
+ |\ibu3f0\qh3f\sk\tqh3f\relax
+ &\ibu4h0\qh4h\sk\zq f\tqh4h\relax
+ &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes
+% mesure 23
+\barre
+\NOTes\org\hu I\relax
+ |\hu d\relax
+ |\ibu3f0\qh3{fff}\relax
+ &\ibu4h0\qh4{hhh}\relax
+ &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes
+\NOtes\org
+ |\relax
+ |\tqh3f\relax
+ &\tqh4h\relax
+ &\sk\tbbl5\tqb5i\enotes
+\NOTes\org\qu J\relax
+ |\qu c\relax
+ |\twobu ee\relax
+ &\twobu gg\relax
+ &\itenu5l\ql l\enotes
+% mesure 24
+\barre
+\NOTes\org\qu{H}\relax
+ |\relax
+ |\ibu3h0\zq e\qh3h\relax
+ &\ql j\relax
+ &\tten5\ibl5i0\itenu5l\qb5l\enotes
+\Notes\org\relax
+ |\relax
+ |\zq e\tqh3h\relax
+ &\relax
+ &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes
+\NOTes\org\hu I\relax
+ |\hpause
+ |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax
+ &\hl i\relax
+ &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi
+ \qlp m\sk\sk\tslur5m\cl l\enotes
+% mesure 25
+\barre\NOTes\org\hlp M\relax
+ |\relax
+ |\zhlp f\ibu3h0\qh3{hhh}\relax
+ &\Ibl4hk6\qb4h\qb4{_kk}\relax
+ &\Uptext{\pp}\bigfl k\qlp k\enotes
+\NOtes\org\relax
+ |\pause
+ |\doubler\qh3{hh}\tqh3h\relax
+ &\doubler\qb4{kk}\tqb4k\relax
+ &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes
+% mesure 26
+\barre
+\NOTes\org\hlp N\relax
+ |\relax
+ |\zhlp e\ibu3g0\qh3{gg}\relax
+ &\ibu4i0\qh4{ii}\relax
+ &\itenu5k\ql{_k}\enotes
+\NOtes\org\relax
+ |\sk\pause
+ |\doubler\qh3{ggg}\tqh3g\relax
+ &\doubler\qh4{iii}\tqh4i\relax
+ &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes
+% mesure 27
+\barre
+\NOTes\org\hl a\relax
+ |\hu e\relax
+ |\ibu3h0\qh3h\relax
+ &\ibl4j0\qb4j\relax
+ &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\relax
+ &\qh4j\relax
+ &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3h\sk\tqh3h\relax
+ &\qb4j\sk\tqb4j\relax
+ &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
+\NOtes\org\qu H\relax
+ |\itenl2f\qu f\relax
+ |\ibu3h0\qh3h\sk\tqh3h\relax
+ &\ibl4j0\qb4j\sk\tqb4j\relax
+ &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes
+% mesure 28
+\barre\NOTes\org\hu G\relax
+ |\tten2\hu f\relax
+ |\ibu3g0\qh3{gg}\relax
+ &\ibl4i0\bigna i\qb4{ii}\relax
+ &\itenu5m\ql m\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3g\sk\tqh3g\relax
+ &\qb4i\sk\tqb4i\relax
+ &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes
+\NOtes\org\qu{H}\relax
+ |\itenl2f\qu f\relax
+ |\itenu3h\qu h\relax
+ &\itenu4j\ql j\relax
+ &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
+% mesure 29
+\barre
+\NOtes\org\qu F\relax
+ |\tten2\qu f\relax
+ |\doubler\tten3\twobu hh\relax
+ &\doubler\tten4\twobl jk\relax
+ &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes
+\temps\NOTes\org\hu G\relax
+ |\qup d\sk\sk\cu e\relax
+ |\ibu0g0\qh0{ggg}\tqh0g\relax
+ &\qlp{=i}\sk\sk\cl j\relax
+ &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi
+ \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes
+% mesure 30
+%\check
+\barre
+\NOTes\org\hup{H}\relax
+ |\hup c\relax
+ |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax
+ &\ibl4j0\qb4{jjjj}\relax
+ &\itenl5f\hu f\enotes
+\NOtes\org\relax
+ |\relax
+ |\zq f\qh3h\sk\zq f\tqh3h\relax
+ &\qb4j\sk\tqb4j\relax
+ &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes
+% mesure 31
+%\check
+\barre
+\NOtes\org\hu G\relax
+ |\hu d\sk
+ |\doubler\ibu3g0\qh3{gggg}\relax
+ &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax
+ &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes
+\Notes\org\ql L\relax
+ |\qu c\relax
+ |\doubler\doubler\qh3g\tqh3g\relax
+ &\doubler\doubler\twobl jj\relax
+ &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes
+% mesure 32
+%\check
+\barre
+\NOtes\org\bigaccid\zql{a}\relax
+ |\qu c\relax
+ |\ibu0f0\qh0f\sk\tqh0f\relax
+ &\doubler\twobu hh\relax
+ &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes
+\NOTes\org\hl N\relax
+ |\qup d\sk\sk\cu e\relax
+ |\twobu ff\twobu gg\relax
+ &\qlp{=i}\sk\sk\cl j\relax
+ &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi
+ \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes
+% mesure 33
+%\check
+\barre\NOTes\org\hu K\relax
+ |\zhu{^f}\hlp d\relax
+ |\na h\ibu3h0\qh3{hhh}\tqh3h\relax
+ &\ibl4j0\qb4{jjj}\tqb4j\relax
+ &\bigsh m\isluru5n\hl m\enotes
+\NOTes\org\qu G\relax
+ |\raise 2\internote\soupir
+ |\twobu gg\relax
+ &\bigna i\twobu ii\relax
+ &\tslur5o\isluru5o\twobl nk\enotes
+% mesure 34
+%\check
+\barre\NOTes\org\Ibl1JG5\qb1J\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\relax
+ &\ibl4j0\qb4j\relax
+ &\tslur5m\Ibl5lj2\qb5l\enotes
+\NOtes\org\qb1L\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqb4j\relax
+ &\nbbl5\qb5k\tqb5j\enotes
+\NOTes\org\qb1{NMN}\tqb1G\relax
+ |\hu d\relax
+ |\hu g\relax
+ &\na i\qup i\sk\sk\cu j\relax
+ &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes
+ \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi
+% mesure 35
+%\check
+\barre
+\NOTes\org\hup J\relax
+ |\rlap{\sk\itenl2N}\twobl cN\relax
+ |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax
+ &\Ibl4jl5\qh4{jl}\relax
+ &\hlp j\enotes
+\NOTes\org\relax
+ |\tten2\hl N\relax
+ |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax
+ &\qb4{lll}\tqb4l\enotes
+% mesure 36
+%\check
+\barre\NOTes\org\hup G\relax
+ |\hlp N\relax
+ |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq
+{_b}\qh3d\zq b\tqh3d\relax
+ &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax
+ &\sk\sk\qsk\pause\enotes
+% mesure 37
+%\check
+\barre\NOTes\org\hup J\relax
+ |\hlp N
+ |\na e\ibu3e0\relax
+\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax
+ &\na l\ibl4l0\qb4{lllll}\tqb4l\relax
+ &\sk\sk\qsk\pause\enotes
+% mesure 38
+%\check
+\barre
+\NOTes\org\hlp M\relax
+ |\zql b\relax
+ |\ibu3f0\zq c\qh3f\zq c\qh3f\relax
+ &\ibl4m0\qb4m\qb4m\enotes
+\NOTes\org\relax
+ |\itenu2a\ql a\relax
+ |\zq c\qh3f\zq c\tqh3f\relax
+ &\qb4m\tqb4m\relax
+ &\sk\pause\enotes
+\temps\NOTes\org\relax
+ |\tten2\ql a\relax
+ |\zq {c}\rq f\qu e\relax
+ &\ql m\sk
+ &\enotes
+% mesure 39
+%\check
+\barre
+\NOTes\org\hl N\relax
+ |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax
+ |\qup f\sk\sk\Ibu3gc2\qh3g\relax
+ &\qlp m\sk\sk\Ibl4nj2\qb4n\relax
+ &\sk\sk\qsk\pause\enotes
+\NOTes\org\ql a\relax
+ |\ql c\relax
+ |\qh3e\tqh3d\relax
+ &\qb4l\tqb4k\enotes
+% mesure 40
+%\check
+\barre
+\NOTes\org\ql M\relax
+ |\zq c\ql a\sk\relax
+ |\twobu ef\relax
+ &\twobl lm\enotes
+\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax
+ |\hl{=b}\relax
+ |\hu d\relax
+ &\hl k\sk\sk\relax
+ &\qsk\pause\enotes
+% mesure 41
+%\check
+%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi
+\barre
+\NOTES\org\hup J\relax
+ |\zhp{LN}\hlp c\relax
+ |\sk\pause
+ &\hlp j\relax
+ &\sk\pause\enotes
+\ifOrgue \linegoal 9\relax
+\else \linegoal 12\relax
+\fi
+\finmorceau
+
+\endinput
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
new file mode 100644
index 00000000000..52b1989bb06
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
@@ -0,0 +1,1106 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- finale}
+\fulltitle{Concerto pour hautbois --- finale}
+\othermention{Transcription pour hautbois, flte et orgue\\{\bf
+ \ifFlute Partition flte\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- finale}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Flte}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Flte}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 5mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+% formes frequentes
+\def\Pause{\sk\sk\qsk\pause}%
+%
+%
+\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4%
+\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}%
+\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}%
+%
+\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4%
+\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}%
+\upz{#4}\tqb0{#4}\sk}%
+%
+\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2%
+\isluru0{#1}\qb0{#1}%
+\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}%
+%
+\def\threell#1#2#3{\Ibbl0{#1}{#3}2%
+\isluru0{#1}\qb0{#1}%
+\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}%
+%
+\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4%
+\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}%
+\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}%
+%
+\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4%
+\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}%
+\lpz{#4}\tqh0{#4}\sk}%
+%
+\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2%
+\islurd0{#1}\qh0{#1}%
+\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}%
+%
+\def\threelu#1#2#3{\Ibbu0{#1}{#3}2%
+\islurd0{#1}\qh0{#1}%
+\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}%
+%
+\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}%
+\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2%
+\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}%
+%
+\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2%
+\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}%
+%
+\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}%
+\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}%
+%
+\def\clpz#1{\upz{#1}\cl{#1}}
+\def\cupz#1{\lpz{#1}\cu{#1}}
+% Siciliano : O. oO
+\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk}
+\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk}
+
+\catcodesmusic
+\def\org#1&{\ifOrgue #1\relax
+ &\relax\fi}
+%
+%\check
+%
+\generalmeter{\meterfrac 38}%
+\sepbarrules
+%
+\debutmorceau
+\notes\org\relax
+ &\relax
+ &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes
+%
+%\check
+% mesure 1
+\notes\org\Pause
+ |\zmidtwotext{\llap{\bf II}}\qlp c\relax
+ |\zqp e\qup g\relax
+ &\qlp j\relax
+ &\uptext{\p}\sixlpl jgjklj\enotes
+%\check
+ \barre % mesure 2
+\notes\org\Pause
+ |\qlp{=b}\relax
+ |\zqp d\qup g\relax
+ &\qlp k\relax
+ &\sixlpl kgklmk\enotes
+%\check
+ \barre % mesure 3
+\notes\org\Pause
+ |\doubler\cl c\ql a\relax
+ |\doubler\zq e\cu g\zq c\qu f\relax
+ &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax
+ &\sixppl lkjklm\enotes
+%\check
+ \barre % mesure 4
+\Notes\org\sk\pause
+ |\qlp N\relax
+ |\zqp d\qup g\relax
+ &\qup{=i}\relax
+ &\isluru0n\ql n\sk\tslur0g\cl g\enotes
+%\check
+ \barre % mesure 5
+\notes\org\Pause
+ |\qup J\relax
+ |\sixppl lkj{_i}hg\relax
+ &\sixppl nmlkj{_i}\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 6
+\notes\org\Pause
+ |\sixppl MNMLKJ\relax
+ |\qu f\sk\sk\sk\ds\relax
+ &\threeppl hjm\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 7
+\notes\org\Pause
+ |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax
+ |\sixppu kjihgf\relax
+ &\sixppl mlkjih\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 8
+\notes\org\Pause
+ |\sixppl LMLKJI\relax
+ |\qu e\sk\sk\sk\ds\relax
+ &\threeppl gil\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 9
+\notes\org\Pause
+ |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax
+ |\sixppu jihgfe\relax
+ &\sixppl lkjihg\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 10
+\notes\org\Pause
+ |\sixppl KLKJIH\relax
+ |\qu d\sk\sk\sk\ds\relax
+ &\threeppl fhk\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 11
+\notes\org\Pause
+ |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax
+ |\sixppu {=i}hgfed\relax
+ &\relax
+ \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi
+ \relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 12
+\notes\org\Pause
+ |\sicu JKL\relax
+ |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax
+ &\relax
+ \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk
+ \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk
+ \fi\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 13
+\notes\org\Pause
+ |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax
+ |\doubler
+\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax
+ &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes
+%\check
+ \barre % mesure 14
+\notes\org\qup J\relax
+ |\zmidtwotext{\llap{\bf I}}\qlp c\relax
+ |\zqp e\qup g\relax
+ &\qlp j\relax
+ &\sixlpl jgjklj\enotes
+%\check
+ \barre % mesure 15
+\notes\org\doubler\qup {=I}\relax
+ |\doubler\qlp{=b}\relax
+ |\zqp d\qup g\relax
+ &\qlp k\relax
+ &\sixlpl kgklmk\enotes
+%\check
+ \barre % mesure 16
+\notes\org\doubler\cu J\qu H\relax
+ |\doubler\cl c\ql a\relax
+ |\doubler\zq e\cu g\zq c\qu f\relax
+ &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax
+ &\sixppl lkjklm\enotes
+%\check
+ \barre % mesure 17
+\notes\org\qup G\relax
+ |\qlp N\relax
+ |\zqp d\qup g\relax
+ &\fourplpl{=i}kji\relax
+ &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes
+%\check
+ \barre % mesure 18
+\notes\org\doubler\qu J\sk\lpz H\cu H\relax
+ |\doubler\ql c\sk\upz a\cl a\relax
+ |\doubler\zq e\qu g\sk\ds\relax
+ &\fourplpl llkj\relax
+ &\sixlpl nljlom\enotes
+ %\check
+ \barre % mesure 19
+\notes\org\doubler\qu I\sk\lpz G\cu G\relax
+ |\doubler\ql b\sk\upz N\cl N\relax
+ |\qu d\sk\ds\relax
+ &\fiveplpl iklmn\relax
+ &\threelpl kmp\sk\ds\enotes
+%\check
+ \barre % mesure 20
+\notes\org\doubler\qu H\sk\lpz F\cu F\relax
+ |\doubler\ql a\sk\upz M\cl M\relax
+ |\doubler\zq c\qu e\sk\ds\relax
+ &\fourplpl jjih\relax
+ &\sixlpl ljhjlj\enotes
+ %\check
+ \barre % mesure 21
+\notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\qu {=b}\sk\ds\relax
+ &\fiveplpl gh{=i}jk\relax
+ &\threelpl {=i}kn\sk\ds\enotes
+ %\check
+ \barre % mesure 22
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\fourplpl jlkj\relax
+ &\sixlpl lkjklj\enotes
+ %\check
+ \barre % mesure 23
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax
+ &\fourplpl imlk\relax
+ &\sixlpl mlklmk\enotes
+ %\check
+ \barre % mesure 24
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\fourplpl inml\relax
+ &\sixlpl nmlmnl\enotes
+ %\check
+ \barre % mesure 25
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+ &\fourplpl ionm\relax
+ &\sixlpl pnmlkj\enotes
+ %\check
+ \barre % mesure 26
+\notes\org \Pause
+ |\Pause
+ |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax
+ &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax
+ &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes
+ %\check
+ \barre % mesure 27
+\notes\org\Pause
+ |\doubler\ql c\sk\cl b\relax
+ |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax
+ &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax
+ &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes
+ %\check
+ \barre % mesure 28
+ \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax
+ |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl
+b\relax
+ |\sixppu iilmnl\relax
+ &\sixppl lilmnl\relax
+ &\doubler\ql l\sl\ds\enotes
+ %\check
+ \barre % mesure 29
+ \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax
+ |\tten1\tten2\doubler\zql b\cu e\qu
+d\cl b\relax
+ |\sixppu miklmk\relax
+ &\sixppl mimnom\relax
+ &\relax\Pause\enotes
+ %\check
+ \barre % mesure 30
+ \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax
+ |\doubler\ibl0c0\qb0{be}\tqb0b\relax
+ |\sixppl lkjklm\relax
+ &\sixppl nmlmno\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 31
+ \notes\org\qup I\relax
+ |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax
+ |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax
+ &\doubler\ql p\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 32
+ \notes\org\Pause
+ |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz
+L\tqb0L\relax
+ |\doubler\zq g\qu i\sk\zq g\cu i\relax
+ &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax
+ &\uptext{\mf}\sixlpl lilmnl\enotes
+ %\check
+ \barre % mesure 33
+ \notes\org\Pause
+ |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax
+ |\doubler
+\zq f\qu i\sk\zq k\cu i\relax
+ &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax
+ &\Sixlpl mimnom\enotes
+ %\check
+ \barre % mesure 34
+ \notes\org\Pause
+ |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz
+L\tqb0L\relax
+ |\doubler\zq i\ql l\sk\zq i\cl l\relax
+ &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax
+ &\sixlpl nmlmno\enotes
+ %\check
+ \barre % mesure 35
+ \notes\org\Pause
+ |\doubler\ql b\sk\ds\relax
+ |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax
+ &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax
+ &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes
+ %\check
+ \barre % mesure 36
+ \notes\org\Pause
+ |\doubler\ql L\sk\ds\relax
+ |\doubler\zq e\zq g\ql i\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\Sixlpl ligili\enotes
+ %\check
+ \barre % mesure 37
+ \notes\org\Pause
+ |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax
+ |\Pause\relax
+ &\sixlpl ljhjlj\relax
+ &\threelpl jlo\sk\ds\enotes
+ %\check
+ \barre % mesure 38
+ \notes\org\Pause
+ |\doubler\zq M\ql c\sk\ds\relax
+ |\doubler\qu{=h}\sk\ds\relax
+ &\threelpl {=h}jm\sk\ds\relax
+ &\Sixlpl mj{=h}jmj\enotes
+ %\check
+ \barre % mesure 39
+ \notes\org\Pause
+ |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax
+ |\Pause\relax
+ &\sixlpl mkikmk\relax
+ &\threelpl kmp\sk\ds\enotes
+ %\check
+ \barre % mesure 40
+ \notes\org\Pause
+ |\doubler\zq N\ql d\sk\ds\relax
+ |\doubler\qu{=i}\sk\ds\relax
+ &\threelpl {=i}kn\sk\ds\relax
+ &\Sixlpl nk{=i}knk\enotes
+ %\check
+ \barre % mesure 41
+ \notes\org\doubler\qu J\sk\cupz F\relax
+ |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax
+ |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax
+ &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax
+ &\sixlpl lnlj{_o}m\enotes
+ %\check
+ \barre % mesure 42
+ \notes\org\doubler\qu I\sk\cupz E\relax
+ |\doubler
+ \ql b\sk\clpz L\relax
+ |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax
+ &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax
+ &\sixlpl kmkinl\enotes
+ %\check
+ \barre % mesure 43
+ \notes\org\doubler\qu H\sk\cupz D\relax
+ |\doubler
+ \ql a\sk\clpz K\relax
+ |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax
+ &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax
+ &\sixlpl jljhmk\enotes
+ %\check
+ \barre % mesure 44
+ \notes\org\doubler\qu G\sk\cupz C\relax
+ |\doubler\ql N\sk\clpz J\relax
+ |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax
+ &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax
+ &\sixlpl ikiglj\enotes
+ %\check
+ \barre % mesure 45
+ \notes\org\doubler\qu F\sk\cupz I\relax
+ |\doubler\ql M\sk\clpz b\relax
+ |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax
+ &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax
+ &\sixlpu hjhfki\enotes
+ %\check
+ \barre % mesure 46
+ \notes\org\doubler\qu E\sk\cupz C\relax
+ |\doubler\ql L\sk\clpz J\relax
+ |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax
+ &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax
+ &\sixlpu gigej{=h}\enotes
+ %\check
+ \barre % mesure 47
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\doubler\ql K\sk\ds\relax
+ |\zq c\rq d\qu{^f}\sk\ds\relax
+ &\doubler\qu {=h}\sk\ds\relax
+ &\sixlpu {^f}df{=h}kh\enotes
+ %\check
+ \barre % mesure 48
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\ql N\sk\ds\doubler\relax
+ |\doubler\zq {bd}\qu g\sk\ds\relax
+ &\doubler\qu i\sk\ds\relax
+ &\sixlpl igiknk\enotes
+ %\check
+ \barre % mesure 49
+ \notes\org\doubler\qu J\sk\ds\relax
+ |\doubler\ql c\sk\ds\relax
+ |\doubler\zq e\qu g\sk\ds\relax
+ &\doubler\ql j\sk\ds \relax
+ &\sixlpl ljlnqn\enotes
+ %\check
+ \barre % mesure 50
+ \notes\org\doubler\qu K\sk\cupz L\relax
+ |\doubler\ql{=a}\sk\ds\relax
+ |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax
+ &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax
+ &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes
+ %\check
+ \barre % mesure 51
+ \notes\org\doubler\qu J\sk\cupz G\relax
+ |\doubler\ql c\sk\cupz N\relax
+ |\doubler
+ \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax
+ &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax
+ &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes
+ %\check
+ \barre % mesure 52
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\zq {bd}\qu g\sk\ds\relax
+ &\doubler\qu i\sk\ds\relax
+ &\sixlpl nknkik\enotes
+ %\check
+ \barre % mesure 53
+ \notes\org\qup G\relax
+ |\qlp N\relax
+ |\sixppu i{=h}gfed\relax
+ &\advance\transpose 7\relax\sixppl kji{=h}gf\relax
+ &\doubler\qu g\sk\ds\enotes
+ %\check
+ \barre % mesure 54
+ \notes\org\doubler\qu E\sk\ds\relax
+ |\sixppu JKJI{=H}G\relax
+ |\doubler\qu c\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl egj\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 55
+ \notes\org\qup F\relax
+ |\threeppu {=H}JM\sk\ds\relax
+ |\sixppu {=h}gfedc\relax
+ &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 56
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\sixppu IJI{=H}GF\relax
+ |\doubler\qu b\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax
+ &\pause\enotes
+ %\check
+ \barre % mesure 57
+ \notes\org\qup E\relax
+ |\threeppu GIL\sk\ds\relax
+ |\sixppu gfedcb\relax
+ &\advance\transpose 7\relax \sixppl i{=h}gfed\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 58
+ \notes\org\doubler\qu C\sk\ds\relax
+ |\sixppu {=H}IHGF{=E}\relax
+ |\doubler\qu {=a}\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 59
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\threeppu{^F}{=H}K\sk\ds\relax
+ |\sixppu {^f}{_e}dcb{=a}\relax
+ &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 60
+ \notes\org\sicu G{=H}I\relax
+ |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax
+ |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax
+ &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 61
+ \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax
+ |\doubler
+ \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax
+ |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax
+ &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 62
+ \notes\org\qup G\relax
+ |\zqp{=b}\qlp N\relax
+ |\doubler\qup g\relax
+ &\relax\advance\transpose 7\relax
+ \qlp g\relax
+ &\Pause\enotes
+ \ifOrgue
+ \setrightrepeat
+ \alapage % mesure 63
+ \addspace{-\afterruleskip}%
+ \leftrepeatsymbol
+ \else
+ \setleftrightrepeat
+ \barre % mesure 63
+ \fi
+ \notes\org\triou GIG\relax
+ |\zmidtwotext{\llap{\bf I}}\triol NbN\relax
+ |\doubler\zq d\qu g\sk\zq d\cu g\relax
+ &\fourplpl ikji\relax
+ &\sixlpl nknopn\enotes
+ %\check
+ \barre % mesure 64
+ \notes\org\triou JIH\relax
+ |\triol cba\relax
+ |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax
+ &\doubler\ql n\sk\itenu1 j\cl j\relax
+ &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes
+ %\check
+ \barre % mesure 65
+ \notes\org\triou IJJ\relax
+ |\triol bcc\relax
+ |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax
+ &\doubler\tten1\ql j\sk\cl j\relax
+ &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes
+ %\check
+ \barre % mesure 66
+ \notes\org\qu F\sk\ds\relax
+ |\triol MaM\relax
+ |\doubler\qu h\sk\ds\relax
+ &\Sixlpl mjmnom\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 67
+ \notes\org\Pause
+ |\doubler\qu I\sk\cu J\relax
+ |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax
+ &\doubler\ql k\sk\clpz l\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 68
+ \notes\org\Pause
+ |\triou HII\relax
+ |\ibbl0h0\qb0{flflf}\tqb0k\relax
+ &\triopl mmm\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 69
+ \notes\org\Pause
+ |\triopl LNL\relax
+ |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax
+ &\doubler\ql l\sk\clpz l\relax
+ &\sixlpl lilmnl\enotes
+ %\check
+ \barre % mesure 70
+ \notes\org\Pause
+ |\triopl IKI\relax
+ |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz
+d\zq d\zq f\tqh0i\relax
+ &\doubler\ql l\sk\clpz m\relax
+ &\Sixlpl mimnom\enotes
+ %\check
+ \barre % mesure 71
+ \notes\org\Pause
+ |\triopl LNL\relax
+ |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz
+g\zq g\zq i\tqh0l\relax
+ &\doubler\ql n\sk\clpz n\relax
+ &\sixlpl nmlmno\enotes
+ %\check
+ \barre % mesure 72
+ \Notes\org\sl\qsk\pause
+ |\ql b\sk\ds\relax
+ |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax
+ &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax
+ &\isluru0p\ql p\sk\tslur0i\cl i\enotes
+ %\check
+ \barre % mesure 73
+%
+ \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+ \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+ \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}%
+%
+ \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}%
+%
+ \notes\org\Pause
+ |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax
+ |\doubler\zq e\zq g\ql i\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\uptext{\p}\sixllpl liij{_k}k\enotes
+ %\check
+ \barre % mesure 74
+ \notes\org\Pause
+ |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax
+ |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax
+ &\sixllpu ihhijj\relax
+ &\usf m\threell {_k}jj\enotes
+ %\check
+ \barre % mesure 75
+ \notes\org\Pause
+ |\doubler\zq M\ql{=a}\sk\ds\relax
+ |\qu e\sk\ds\relax
+ &\doubler\ql j\sk\ds\relax
+ &\sixllpl mjj{=k}ll\enotes
+ %\check
+ \barre % mesure 76
+ \notes\org\Pause
+ |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax
+ |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax
+ &\sixllpl jiijkk\relax
+ &\usf m\threell lkk\enotes
+ %\check
+ \barre % mesure 77
+ \notes\org\Pause
+ |\doubler\zq N\ql{=b}\sk\ds\relax
+ |\doubler\qu f\sk\ds\relax
+ &\doubler\ql k\sk\ds\relax
+ &\sixllpl nkklmm\enotes
+ %\check
+ \barre % mesure 78
+ \notes\org\Pause
+ |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax
+ |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax
+ &\sixllpl kjjkll\relax
+ &\usf n\threell mll\enotes
+ %\check
+ \barre % mesure 79
+ \notes\org\Pause
+ |\doubler\zq a\ql c\sk\ds\relax
+ |\doubler\qu {_g}\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\sixllpl ollm{_n}n\enotes
+ %\check
+ \barre % mesure 80
+ \notes\org\Pause
+ |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax
+ |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax
+ &\sixllpl l{_k}klmm\relax
+ &\sixlpl {_n}mm{=n}op\enotes
+ %\check
+ \barre % mesure 81
+ \notes\org\doubler\soupir\sk\cu J\relax
+ |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax
+ |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax
+ &\doubler\ql l\sk\clpz o\relax
+ &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes
+ %\check
+ \barre % mesure 82
+ \notes\org\triopl {_K}LE\relax
+ |\triopl {_d}eL\relax
+ |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax
+ &\triopl oon\relax
+ &\uptext{\f}%
+ \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes
+ %\check
+ \barre % mesure 83
+ \notes\org\triopu HJH\relax
+ |\triopl aca\relax
+ |\zq h\sixppu jehijh\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax
+ &\relax\doubler\qu h\sk\ds\enotes
+ %\check
+ \barre % mesure 84
+ \notes\org\triopu EGE\relax
+ |\triopu LNL\relax
+ |%\rlap{\roff{\ql h}\sk\ql g}%
+ \sixppu ieij{_k}i\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 85
+ \notes\org\doubler\qu H\sk\cupz H\relax
+ |\doubler\ql a\sk\clpz a\relax
+ |\sixppu hgfghi\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 86
+ \Notes\org\qup E\relax
+ |\qlp L\relax
+ |\zq g\qu i\sk\cu e\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax
+ &\sk\qsk\pause\enotes
+ %\check
+ \barre % mesure 87
+ \notes\org\qup J\relax
+ |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax
+ |\zqp e\zqp h\qlp l\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax
+ &\sixlpl ljhjlh\enotes
+ %\check
+ \barre % mesure 88
+ \notes\org\Pause
+ |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax
+ |\Pause\relax
+ &\sixlpl om{_k}mom\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 89
+ \notes\org\Pause
+ |\doubler\zq I\ql a\sk\ds\relax
+ |\doubler\ql i\sk\ds\relax
+ &\doubler\ql{=k}\sk\ds\relax
+ &\sixlpl mkikmi\enotes
+ %\check
+ \barre % mesure 90
+ \notes\org\Pause
+ |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax
+ |\Pause\relax
+ &\sixlpl pnlnpn\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 91
+ \notes\org\Pause
+ |\doubler\zq J\ql N\sk\ds\relax
+ |\doubler\ql j\sk\ds\relax
+ &\doubler\ql{=l}\sk\ds\relax
+ &\sixlpl n{=l}jlnj\enotes
+ %\check
+ \barre % mesure 92
+ \notes\org\Pause
+ |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq
+a\tqb0c\relax
+ |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax
+ &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes
+ %\check
+ \barre % mesure 93
+ \notes\org\Pause
+ |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax
+ |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax
+ &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax
+ &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes
+ %\check
+ \barre % mesure 94
+ \notes\org\triopu MFF\relax
+ |\zmidtwotext{\bf I}\triopl aMM\relax
+ |\sixlpu jhfhjf\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 95
+ \notes\org\qup I\relax
+ |\triopl bbb\relax
+ |\doubler\ql {_k}\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax
+ &\sixlpl m{_k}ikmi\enotes
+ %\check
+ \barre % mesure 96
+ \notes\org\triopu EEE\relax
+ |\qup L\relax
+ |\sixlpu igegie\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 97
+ \notes\org\qup H\relax
+ |\triopl aaa\relax
+ |\doubler\ql j\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax
+ &\sixlpl ljhjlh\enotes
+ %\check
+ \barre % mesure 98
+ \notes\org\triopu {_D}DD\relax
+ |\qup {_K}\relax
+ |\sixlpu hf{_d}fhd\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 99
+ \notes\org\qup G\relax
+ |\triopl NNN\relax
+ |\doubler\ql i\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax
+ &\sixlpl {_k}igikg\enotes
+ %\check
+ \barre % mesure 100
+ \notes\org\triopu CCC\relax
+ |\qup J\relax
+ |\sixlpu g{=e}cegc\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 101
+ \notes\org\triopu FFF\relax
+ |\zqup c\triopl MMM\relax
+ |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax
+ &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax
+ \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi
+ &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 102
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\zql
+N\cu{=b}\sk\ds\relax
+ |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax
+ &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax
+ &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes
+ %\check
+ \barre % mesure 103
+ \notes\org\doubler\qu J\sk\cu{=I}\relax
+ |\doubler\ql c\sk\cl{=b}\relax
+ |\doubler\ibu0g0\zq
+e\qh0g\zq e\qh0g\zq d\tqh0 g\relax
+ &\triopl jjk\relax
+ &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes
+ %\check
+ \barre % mesure 104
+ \notes\org\sicu J{_I}H\relax
+ |\sicl c{_b}a\relax
+ |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq
+f\zq j\tqh0h\relax
+ &\triopl llm\relax
+ &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes
+ %\check
+ \barre % mesure 105
+ \notes\org\doubler\qu G\sk\cupz J\relax
+ |\doubler\ql N\sk\clpz c\relax
+ |\doubler\ibl0h0\zq
+g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax
+ &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax
+ &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 106
+ \notes\org\triopu MNG\relax
+ |\triopl ffN\relax
+ |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax
+ &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax
+ &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes
+ %\check
+ \barre % mesure 107
+ \notes\org\qup J\relax
+ |\triopl eec\relax
+ |\doubler\ql j\sk\ds\relax
+ &\sixppu jgjklj\relax
+ &\doubler\ql j\sk\ds\enotes
+ %\check
+ \barre % mesure 108
+ \notes\org\qup G\relax
+ |\qlp N\relax
+ |\doubler\cl j\ql{=i}\relax
+ &\sixppu kgklmk\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 109
+ \notes\org\qup J\relax
+ |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax
+ |\sixppl j{=i}jklm\relax
+ &\sixppl lklmno\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 110
+ \notes\org\qup G\relax
+ |\sixppl NaNMLK\relax
+ |\doubler\zqlp d\qu {=i}\sk\cu g\relax
+ &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 111
+ \notes\org\doubler\qu J\sk\ds\relax
+ |\doubler\ql c\sk\ds\relax
+ |\doubler\ibl0h0\zq g\upz j\qb0j\upz
+j\qb0j\upz g\tqb0g\relax
+ &\triopl ljn\relax
+ &\uptext{\mf}\sixppl nmlkji\enotes
+ %\check
+ \barre % mesure 112
+ \notes\org\qup F\relax
+ |\sixppl MNMLKJ\relax
+ |\sixppu hihgfe\relax
+ &\sixppl oponml\relax
+ &\threell hjm\sk\ds\enotes
+ %\check
+ \barre % mesure 113
+ \notes\org\doubler\qu I\sk\ds\relax
+ |\doubler\ql b\sk\ds\relax
+ |\threelu dfi\sk\ds\relax
+ &\threell kmp\sk\ds\relax
+ &\sixppl mlkjih\enotes
+ %\check
+ \barre % mesure 114
+ \notes\org\qup E\relax
+ |\sixppl LMLKJI\relax
+ |\sixppu ghgfed\relax
+ &\sixppl nonmlk\relax
+ &\threell gil\sk\ds\enotes
+ %\check
+ \barre % mesure 115
+ \notes\org\doubler\qu H\sk\ds\relax
+ |\doubler\ql a\sk\ds\relax
+ |\threelu ceh\sk\ds\relax
+ &\threell jlo\sk\ds\relax
+ &\sixppl lkjihg\enotes
+ %\check
+ \barre % mesure 116
+ \notes\org\doubler\qup D\relax
+ |\sixppl KLKJIH\relax
+ |\sixppu fgfedc\relax
+ &\sixppl mnmlkj\relax
+ &\threell fhk\sk\ds\enotes
+ %\check
+ \barre % mesure 117
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\threelu {=b}dg\sk\ds\relax
+ &\threell {=i}kn\sk\ds\relax
+ &\sixppl kj{=i}hgf\enotes
+ %\check
+ \barre % mesure 118
+ \notes\org\sicu JKL\relax
+ |\doubler\zq N\cl c\soupir\relax
+ |\Ibbu0eg4\lpz e\qh0e\lpz
+d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax
+ &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz
+d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax
+ &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes
+ %\check
+ \barre % mesure 119
+ \notes\org\triopu MNG\relax
+ |\triopl c{=b}N\relax
+ |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz
+d\zq d\qh0g\lpz d\zq d\tqh0f\relax
+ &\triopl onm\relax
+ &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 120
+ \notes\org\doubler\qu J\sk\cupz I\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\zq c\qu e\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\sixllll joonnm\enotes
+ %\check
+ \barre % mesure 121
+ \notes\org\doubler\qu H\sk\cupz F\relax
+ |\doubler\ql a\sk\clpz M\relax
+ |\triou cff\relax
+ &\sixlllu fjkjj{=i}\relax
+ &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 122
+ \notes\org\qup G\relax
+ |\doubler\ql N\sk\clpz N\relax
+ |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax
+ &\triopu {=i}ii\relax
+ &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes
+ %\check
+ \barre % mesure 123
+ \notes\org\doubler\qu J\sk\cupz{=I}\relax
+ |\doubler\ql c\sk\clpz {=b}\relax
+ |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax
+ &\triopl jjk\relax
+ &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes
+ %\check
+ \barre % mesure 124
+ \notes\org\sicu J{_I}H\relax
+ |\doubler\ql c\sk\clpz a\relax
+ |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax
+ &\triopl llm\relax
+ &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes
+ %\check
+ \barre % mesure 125
+ \notes\org\doubler\qu G\sk\cupz H\relax
+ |\doubler\cl N\sk\clpz c\relax
+ |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax
+ &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax
+ &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 126
+ \notes\org\triopu FGG\relax
+ |\doubler\ql a\qu d\zq N\cl N\relax
+ |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax
+ &\Ibbl0lm1\qb0l\tqb0m\ql k\relax
+ &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ \setvoltabox{1}%\check
+ \barre % mesure 127
+ \Notes\org\qu J\sk\ds\relax
+ |\ql c\sk\ds\relax
+ |\zq e\zq g\qu j\sk\ds\relax
+ &\ql j\sk\ds\relax
+ &\ql j\sk\ds\enotes
+ \endvoltabox
+ \nspace
+\setrightrepeat
+ \setvoltabox{2}\setrightrepeat%\check
+ \barre % mesure 128
+ \NOtes\org\qup J\relax
+ |\qlp c\relax
+ |\zqp e\zqp g\qup j\relax
+ &\qlp j\relax
+ &\qlp j\enotes
+ \endvoltabox
+\ifOrgue \advance\mulooseness -1\relax
+\else \advance\mulooseness 1\relax
+\fi
+\finmorceau
+
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex
new file mode 100644
index 00000000000..048ab60276e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex
@@ -0,0 +1,21 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguefalse
+\newif\ifFlute
+\Flutetrue
+\newif\ifOboe
+\Oboefalse
+%\def\Quer{z} % define Querfl\"ote
+%
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex
new file mode 100644
index 00000000000..fa7aa315332
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex
@@ -0,0 +1,20 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguefalse
+\newif\ifFlute
+\Flutefalse
+\newif\ifOboe
+\Oboetrue
+%\def\Quer{z} % define Querfl\"ote
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex
new file mode 100644
index 00000000000..eb28d9a12e2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex
@@ -0,0 +1,19 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguetrue
+\newif\ifFlute
+\Flutefalse
+\newif\ifOboe
+\Oboefalse
+%\def\Quer{z} % define Querfl\"ote
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex
new file mode 100644
index 00000000000..28add2aca77
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex
@@ -0,0 +1,18 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{3}\relax % trois diezes a la clef
+\input onuitbrx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{1}\relax
+\def\Signature{-2}\relax % deux diezes a la clef
+\input onuitbrx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{2}\relax
+\def\Signature{0}\relax % un bemol a la clef
+\input onuitbrx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex
new file mode 100644
index 00000000000..2a07b1c619d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex
@@ -0,0 +1,12 @@
+%
+
+%
+\def\Transpose{0}%
+\def\Signature{3}\relax % trois diezes a la clef
+\input onuitbrx
+\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{1}\relax % un dieze a la clef
+\input onuitbrx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex
new file mode 100644
index 00000000000..eb3f97b0b89
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex
@@ -0,0 +1,174 @@
+\fulltitle{\^O nuit brillante}
+\shorttitle{\^O nuit brillante}
+ \fullauthor{Nol ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition
+Daniel Taupin}
+ \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage
+priv\'e}
+ \shortauthor{Traditionnel -- A. Sala}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\meterfrac68}
+ %\check
+\def\interfacteur{18}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -6pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+\transpose=\Transpose
+\znotes&\Uptext{\moyen Lent}\enotes
+ %
+\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes
+\qspace
+\NOtes\zqlp M\qup a&\hsong{}\zqlp c\qup f\enotes
+\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes
+\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes
+ %
+ \barre
+ \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes
+ \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes
+ \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes
+ \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes
+ \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes
+ \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes
+ \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes
+ %
+ \barre
+ \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes
+ \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes
+ \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes
+ \hardlyrics{\kern -4pt mire }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes
+ \notes\zcl M\cu d&\hsong{-}\zcl g\cu i\enotes
+ \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes
+ %
+ \barre
+ \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes
+ \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes
+ \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes
+ \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes
+ \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes
+ \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes
+ \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes
+ %
+ \barre
+ \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes
+ \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes
+ \notes&\uptext{\sl FIN}\enotes
+ \setdoublebar
+ \barre
+ \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes
+ \qspace
+ \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu
+j\enotes
+ %
+ \barre
+ \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes
+ \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes
+ \respire
+ \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes
+ \notes&\hsong{--}\tslur2h\cu h\enotes
+ \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes
+ \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes
+ \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes
+ \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes
+ \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes
+ \barre
+ \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui
+!&}\itenl2e\itenu3j\zqlp e\qup j\enotes
+ \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes
+ \respire
+ \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes
+ \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu
+j\enotes
+ \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu
+i\enotes
+ \notes\zcl L\cu d&\hsong{\txt r-|bles &}\zcl g\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes
+ \notes&\hsong{--}\tslur2h\cu h\enotes
+ \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt
+Paix |Vient &}\zql c\qu h\enotes
+ \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur | &}\zcl c\cu h\enotes
+ \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes
+ \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes
+ \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes
+ %
+ \barre
+ \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt
+ lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes
+ \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes
+ \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex
new file mode 100644
index 00000000000..46feebddc1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex
@@ -0,0 +1,450 @@
+\title{Adagio con basso ostinato}
+\fulltitle{VIII. \titremorceau}
+\csname titremorceautoc\endcsname
+\subtitle{(pour orgue)}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+
+\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou
+8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}%
+
+\maketitle
+
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\pzqu#1{\lpz{#1}\qu{#1}}%
+\def\pzql#1{\upz{#1}\ql{#1}}%
+%
+\parindent 18mm
+%
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O. fonds}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%
+\debutmorceau
+%
+\autolines 765\relax
+%\check
+%
+\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante
+ \bf(\metron{\qu}{65})}}\enotes
+\advance\linesinpage by 1\relax
+% mesure 1
+\nspace\NOtes\pzql M&&\enotes
+\temps \NOtes\pzql M&\pause&\pause\enotes
+\temps \NOtes\pzql M&\enotes
+%\check
+% mesure 2
+\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 3
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 4
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+\def\atnextline{\autolines765}%
+% mesure 5
+\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes
+% mesure 6
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 7
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 8
+\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 9
+\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&&\soupir\enotes
+% mesure 10
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 11
+\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 12
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 13
+\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\qu g&\soupir\enotes
+% mesure 14
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 15
+\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&&\dqb hi\enotes
+% mesure 16
+\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl k\enotes
+\temps\notes\pzqu I&\ql d&\dqb ij\enotes
+% mesure 17
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+%\check
+% mesure 18
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 19
+\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 20
+\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes
+%\check
+% mesure 21
+\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax
+ &\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 22
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 23
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+% mesure 24
+\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes
+% mesure 25
+\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes
+\temps\NOtes\pzqu H&\hl c&\enotes
+\temps\NOtes\pzqu{^F}&&\ql k\enotes
+% mesure 26
+\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\soupir&\soupir\enotes
+% mesure 27
+\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes
+\temps\NOtes\pzqu L&&\enotes
+\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes
+% mesure 28
+\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes
+\temps\NOtes\pzqu H&\hu f&\enotes
+\temps\NOtes\pzqu F&&\soupir\enotes
+% mesure 29
+\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes
+\temps\notes\pzqu G&&\sk\cu i\enotes
+\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes
+%\check
+% mesure 30
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes
+\temps\NOtes\pzqu H&&\qu h\enotes
+\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes
+% mesure 31
+\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes
+\temps\notes\pzqu H&&\sk\cl m\enotes
+\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes
+%\check
+% mesure 32
+\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes
+\temps\NOtes\pzqu H&&\ql l\enotes
+\temps\NOtes\pzqu I&\qu h&\ql h\enotes
+%\check
+% mesure 33
+\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes
+\temps\notes\pzqu G&\hl b&\dqh gf\enotes
+\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes
+%\check
+% mesure 34
+\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes
+\temps\NOtes\pzqu G&&\qu e\enotes
+\temps\NOtes\pzqu F&&\qu h\enotes
+% mesure 35
+\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes
+\temps\notes\pzqu I&&\sk\cu g\enotes
+\temps\notes\pzqu H&\qu e&\dqh ef\enotes
+% mesure 36
+\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes
+\temps\NOtes\pzqu K&\zh a\hu f&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 37
+%\check
+\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 38
+%\check
+\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 39
+%\check
+\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes
+\temps\NOtes\pzqu G\enotes
+\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes
+% mesure 40
+%\check
+\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes
+\temps\NOtes\pzqu H\enotes
+\temps\NOtes\pzqu H&\soupir&\soupir\enotes
+% mesure 41
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 42
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 43
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 44
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 45
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 46
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu h\enotes
+% mesure 47
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 48
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 49
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 50
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 51
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 52
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 53
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 54
+\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 55
+\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu L&\ql g&\dqb kl\enotes
+% mesure 56
+\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 57
+\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes
+%\check
+% mesure 58
+\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 59
+\bigaccid
+\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes
+\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes
+\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes
+% mesure 60
+\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes
+\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes
+\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes
+%\check
+% mesure 61
+\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes
+\temps\notes\pzqu I&&\sk\cl n\enotes
+\temps\notes\pzqu I&\qu g&\dqb mn\enotes
+%\check
+% mesure 62
+\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes
+\temps\NOtes\pzqu I\enotes
+\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes
+%\check
+% mesure 63
+\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes
+\temps\NOtes\pzqu I&\qu e\enotes
+\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes
+% mesure 64
+\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes
+\temps\notes\pzqu H&&\sk\cl n\enotes
+\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes
+% mesure 65
+\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 66
+\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 67
+\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\qu i\enotes
+%\check
+% mesure 68
+\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip
+ \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+%\check
+% mesure 69
+\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 70
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 71
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 72
+\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl{k}\enotes
+\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 73
+\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\qu f&\soupir\enotes
+% mesure 74
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 75
+\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes
+% mesure 76
+\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 77
+\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes
+\temps\NOtes\pzqu H&\qu h&\enotes
+\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes
+% mesure 78
+\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 79
+\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes
+% mesure 80
+\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl k\enotes
+\temps\notes\pzqu G&\ql d&\dqb ij\enotes
+% mesure 81
+\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\ql f&\soupir\enotes
+%\check
+% mesure 82
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 83
+\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 84
+\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes
+\temps\NOtes\pzqu F&\ql e&\enotes
+\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex
new file mode 100644
index 00000000000..7354d7b7e8a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex
@@ -0,0 +1,1063 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+%
+\parindent 12mm
+%
+\title{Pacifique}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\\`a Christiane}
+ \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
+janvier 1990}
+\maketitle
+
+\musicsize=16\relax
+\def\lppage{7}%
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\generalsignature{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes}
+\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau\autolines 95\lppage
+%
+\advance\linesinpage by 1\relax
+%
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre
+\ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\zbreath\enotes
+\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\notes\dsoqb3J{=K}|\enotes
+\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\zbreath\enotes
+\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs
+\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes
+% mesure 91
+%\check
+\advance\elemskip by -1pt
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+%\check
+% mesure 93
+\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre
+ \ppff \fff}\zq M\cu f|\zq m\cl t\enotes
+\rlap{\notes|\zbreath\enotes}\relax
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\autolines 95\lppage\relax
+\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\zbreath\enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+%\check
+\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c\sk\sk\tleg0|\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\zchangeclefs
+%\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+%
+\advance\linesinpage by 1\relax
+%
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\barre\motif cfh\temps\motif dgi\relax
+% mesure 122
+\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\barre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\barre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\hyphenpenalty -5000\relax\changecontext
+\hyphenpenalty -10\relax
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\motif {=e}gjegj\relax
+% mesure 126
+\barre\motif fhjfhj\relax
+% mesure 127
+\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\barre\motif fikfik\relax
+% mesure 129
+\barre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+\normal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\transpose=0\relax\barre
+\autolines 95\lppage
+\notes\rlap{\bohu F}\Ilegu0g\qqh3MNab\relax
+|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+%\check
+\barre\notes\Tslurbreak0c\Islurdbreak0c\bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\tslur0d\bohu H|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\barre\autolines {17}4\lppage\relax\bigaccid
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\autolines {18}4\lppage
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 142
+\barre\motif kjik\temps\motif jihj\nspace
+% mesure 143
+\barre\motif ihgi\temps\motif hgfh\nspace
+%\check
+% mesure 144
+\barre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 146
+\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace
+% mesure 147
+\barre\motif m{_l}{_k}j\temps\motif iijk\nspace
+% mesure 148
+\barre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\barre\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\nspace
+% mesure 150
+\barre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\nspace
+% mesure 151
+\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip
+\centerline{a piacere }\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\varaccid
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\transpose=0\relax
+\barre\autolines {25}2\lppage
+\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\barre
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\temps\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\temps\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+\normal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\temps\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\temps\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext
+\def\serre{\normal\elemskip=8pt}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\temps\notes|\octline r\motif\enotes
+\temps\notes\souffldim|\motif\enotes
+\temps\notes\hpause|\motif\enotes
+\temps\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\temps\notes\zmidtwotext{\ppff p}|\motif\enotes
+\temps\notes\ibu0f1\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\ibbbl2{#1}{-6}\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\ibbbl1#1{-6}\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\octline t\Motif qpom\enotes
+\autolines {23}2\lppage
+\temps\notes\ibu0j{-4}\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\temps\notes\ibu0i{-4}\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext\serre
+\notes\ibu0h{-6}\bsqh i|\octline t\motif ponk\enotes
+\notes\tbsqh g|\motif ponk\enotes
+\temps\notes\ibu0g{-6}\bsqh h|\motif onmj\enotes
+\notes\tbsqh f|\motif onmj\enotes
+\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpo{_l}\enotes
+\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\autolines {25}2\lppage\noautolines
+\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\temps\notes\ibu0j1\bsqh j|\motif srqm\enotes
+\Notes\fl g\tbsqh l|\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\Notes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
+\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\autolines{11}5\lppage\noautolines
+\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes
+% mesure 170
+\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes
+% mesure 171
+\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes
+ \suspmorceau
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+% mesure 200
+\linesinpage=0\relax
+\barno=200\relax\autolines 95\lppage
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegl0E\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegl0E\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegl0F\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex
new file mode 100644
index 00000000000..554314e05e4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex
@@ -0,0 +1,1113 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+%
+\parindent 12mm
+%
+\title{Pacifique}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\\`a Christiane}
+ \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
+janvier 1990}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
+\def\noteskipLarge{\def\scalenoteskip{1.2}}%
+\def\noteskiplarge{\def\scalenoteskip{1.1}}%
+\def\noteskipnormal{\def\scalenoteskip{1.0}}%
+%
+\signaturegenerale{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\normal\noteskipLarge
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes}
+\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau
+%
+\noteskipLarge
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\def\interfacteur{12}%
+\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
+\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\advancebottom{\Interligne}\relax
+\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax
+ \ifx\mxversion\undefined\Ilegu0s\relax
+ \else\Ilegu0q\relax
+ \fi
+ \dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax
+ \ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0o\relax
+ \fi
+ \zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\advancebottom{-\Interligne}\relax \def\interfacteur{10}%
+\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes
+\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\def\interfacteur{9}%
+\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\cbreath\enotes
+\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else
+ \Ilegu0d\fi
+ \dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0b\fi
+ \ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs\def\interfacteur{11}%
+\advancebottom{\Interligne}\relax
+\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax
+ \ifx\mxversion\undefined\octsup v9\relax
+ \else \ioctfinup v\relax
+ \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax
+ \ifx\mxversion\undefined\octfin v9\fi
+ \zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax
+ \ifx\mxversion\undefined\else\toctfin\fi
+ \enotes
+% mesure 91
+%\check
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+%\check
+% mesure 93
+\barre\noteskipLarge\def\scalenoteskip{1.05}\relax
+\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi
+ \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\staffbotmarg=3\Interligne\def\interfacteur{11}%
+\zalapage\notes\midtwotext{\kern -6mm\it sempre
+ \ppff \fff}\enotes
+\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi
+ \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\alaligne\noteskipLarge
+\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi
+ \qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi
+ \qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax
+ \ifx\mxversion\undefined\else\toctfin\fi \enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+\advancebottom{-2\Interligne}%
+%\check
+\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi
+ \qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\zchangeclefs
+ %\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\staffbotmarg=5\Interligne
+\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\alaligne\motif cfh\temps\motif dgi\relax
+% mesure 122
+\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\xbarre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\xbarre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\relax\lchangecontext
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\noteskipLarge\relax
+\motif {=e}gjegj\relax
+% mesure 126
+\xbarre\motif fhjfhj\relax
+% mesure 127
+\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\alaligne\motif fikfik\relax
+% mesure 129
+\xbarre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\noteskipLarge\transpose=0\relax\barre
+\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi
+ \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen
+ tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+\ifx\mxversion\undefined
+ \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}%
+\else
+ \def\atnextline{\Invertslur0\relax}%
+\fi
+%\show\Invertslur
+%\show\liftslur
+\alaligne\notes\bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\tslur0L\bohu H|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk
+ \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\alaligne\noteskiplarge\bigaccid
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\noteskipnormal\def\scalenoteskip{0.75}\relax
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 142
+\xbarre\motif kjik\temps\motif jihj\relax
+% mesure 143
+\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax
+%\check
+% mesure 144
+\xbarre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 146
+\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax
+% mesure 147
+\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax
+% mesure 148
+\xbarre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\alaligne\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\relax
+% mesure 150
+\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\relax
+% mesure 151
+\noteskipLarge\varaccid
+\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip
+\centerline{a piacere
+}\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\staffbotmarg=3\Interligne
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax
+\transpose=0\relax
+\alapage\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\alaligne
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\zbarre\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+\noteskipnormal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\zbarre\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\zbarre\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne
+\def\serre{\def\scalenoteskip{0.8}}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\def\atnextline{\serre}\relax
+\ifx\mxversion\undefined
+ \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax
+\fi
+\zalapage
+\ifx\mxversion\undefined\else
+ \znotes|\ioctfinup t\enotes
+\fi
+\notes|\motif\enotes
+\zbarre\notes\souffldim|\motif\enotes
+\zbarre\notes\hpause|\motif\enotes
+\zbarre\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes
+\zbarre\notes\ibu0f1\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\Motif qpom\enotes
+\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext\serre
+\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes
+\Notes\tbsqh g|\motif ponk\enotes
+\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes
+\Notes\tbsqh f|\motif onmj\enotes
+\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpol\enotes
+\notes\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\notes\ibu0j1\bigna h\bsqh h\relax
+|\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\notes\ibu0j1\bsqh j|\motif srqm\enotes
+\notes\bigfl g\tbsqh l|\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
+\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|
+\Motif onmj\enotes
+% mesure 170
+\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zh a\hu f|\Motif onmj\enotes
+%\check
+% mesure 171
+\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes
+\suspmorceau\def\everystaff{}\relax
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+ \eject\staffbotmarg=3\Interligne\relax
+\def\interfacteur{11}%
+\def\scalenoteskip{1.0}%
+% mesure 200
+\barno=200\relax
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\noteskipLarge\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegl0E\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegl0E\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegl0F\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject
+\bye
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex
new file mode 100644
index 00000000000..decd8797a87
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex
@@ -0,0 +1,132 @@
+%format musix
+
+\input musixtex
+
+\catcode`@=11
+\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}%
+ \def\beamst@m{\getcurpos\advance\y@v-\b@x
+ \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@
+ \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}%
+ \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}%
+\def\DS{\zchar4\ds}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% TEX translation of MIDI File :
+% o.MID
+%
+% Written by Hans Kuykens
+% this translation of date : 1-9-1993
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip
+\rightline{\medtype Claude Debussy}\medskip
+\musicparskip
+\parindent10mm
+
+\generalmeter{\meterfrac44}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass
+\startmuflex\startpiece\systemnumbers
+%%% bar 1
+\scale\tinyvalue
+\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}%
+ \itied0C\tinynotesize\stdstemfalse\grcu C%
+ |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en
+\scale\normalvalue
+\notes\tslur0H\isslurd0J\lst J\wh J%
+ |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en
+\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en
+\notes|\ibbu0e0\qb0{fab}\tqh0f\en
+%%% bar 2
+\bar
+\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en
+\notes|\ibbu0f0\qb0{gbc}\tqh0g\en
+\notes|\ibbu0e0\qb0{fac}\tqh0f\en
+\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en
+%%% bar 3
+\bar
+\notes\zchar4\qp\ttie0\ql J%
+ |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en
+\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c%
+ |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en
+\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en
+\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en
+%%% bar 4
+\bar
+\notes\ttie1\zqu c\rql b%
+ |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en
+\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en
+\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en
+\notes\midslur{-5}\tdbslur0a\ql a%
+ |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en
+%%% bar 5
+\bar
+\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en
+\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en
+\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}%
+ |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en
+\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}%
+ |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en
+%%% bar 6
+\bar
+\notes\uptext{\llap\p}\issluru0N\ql N%
+ |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en
+\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en
+\setclef1{\bass\bass}\changeclefs
+\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en
+\notes\curve236\tsslur0K\ql K%
+ |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en
+%%% bar 7
+\bar
+\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 8
+\bar
+\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 9
+\bar
+\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 10
+\bar
+\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}66\tubslur0{-10}\en
+%%% bar 11
+\bar
+\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en
+\notes|\qb0L\tqb0{^N}\en
+\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en
+\notes|\qb0N\tqb0b\en
+\notes\ibbu0L3\qb0L\en
+\znotes\qb0{^N}\en
+\setclef1\bass\changeclefs
+\notes|\qb0b\tqb0e\en
+\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en
+%%% bar 12
+\bar
+\qspace
+\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{%
+ \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc
+ |\curve{16}33\tubslur0{-10}\en
+\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece
+\eject\endmuflex\end
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex
new file mode 100644
index 00000000000..a1e6928ae7d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex
@@ -0,0 +1,4 @@
+\input prelude.tex
+\barsinline=0\relax\linesinpage=0\relax
+\input fugue.tex
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex
new file mode 100644
index 00000000000..160d9d5e7b9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex
@@ -0,0 +1,715 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Pr\'elude et fugue}
+\fulltitle{\enorme VI. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\csname titremorceautoc\endcsname
+\maketitle
+
+\parindent 18mm
+%
+\bigskip
+\centerline{\moyen PR\'ELUDE}\medskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % sol mineur
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Mordant{\mordant{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps%
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {17}35\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+%
+% mesure 1
+\smallnotesize\varaccid
+\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 2
+\barre\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 3
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\Notes\hpause&|\cl n\qsoupir\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps
+\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 4
+\autolines {16}35\relax
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 5
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 6
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps
+\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 7
+\barre\autolines 775\relax
+\smallnotesize
+\notes&\qqbbH8FD{^F}HJ\enotes
+\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes
+\zbarre\notes&\qqbbl3K{^M}Nb\enotes
+\temps\notes&\qqbbL3aabcd\enotes
+% mesure 8
+\barre\notes&|\qqbbH3dec{^f}g\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes
+\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes
+\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes
+% mesure 9
+\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes
+\normalnotesize
+\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes
+\smallnotesize\varaccid
+\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes
+\temps\notes&\qqbbL3LNKba\enotes
+% mesure 10
+\barre\notes&\qqbbL2abNdc\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes
+\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+%\check
+% mesure 11
+\normalnotesize
+\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes
+\temps\notes&|\qqbbH2hh{^f}ji\enotes
+% mesure 12
+\barre\varaccid\notes&|\qqbbH3jjhlk\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes
+\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes
+\temps\notes&|\qqbbh{-4}dc{=b}a\enotes
+% mesure 13
+\normalnotesize\bigaccid
+\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes
+\temps\notes&|\qqbbh3dbfe\enotes
+%\check
+% mesure 14
+\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex
+ \qqbbh3fd{_h}g\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes
+\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+% mesure 15
+\normalnotesize\bigaccid
+\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes
+\temps\notes&|\qqbbh3gei{_h}\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex
+ \qqbbL5hig{=l}m\enotes
+\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes
+\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes
+% mesure 17
+\quatretemps\normalnotesize
+\changecontext\Notes
+ \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex
+\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex
+\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex
+ \qu{_h}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes
+\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes
+\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes
+%\check
+% mesure 18
+\normalnotesize
+\barre\autolines {16}35\relax\bigaccid
+\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes
+\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes
+\temps\notes&|\qqbbu3{=i}gik\enotes
+%\check
+% mesure 19
+\barre\notes&|\qqbbl{-2}m{_o}nm\enotes
+\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes
+\normalnotesize
+\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes
+\smallnotesize
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+% mesure 20
+\normalnotesize\bigaccid
+\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 21
+\normalnotesize\bigaccid
+\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 22
+\normalnotesize\bigaccid
+\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes
+\normalnotesize
+\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes
+\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes
+% mesure 23
+\barre\notes&|\qqbbl3qosr\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes
+\temps\notes&|\qqbbl{-3}qpon\enotes
+\temps\notes&|\qqbbl{-3}{^m}lkj\enotes
+%\check
+% mesure 24
+\autolines {17}35\relax
+\normalnotesize\varaccid
+\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato
+ \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes
+% mesure 25
+%\check
+\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes
+%\check
+% mesure 26
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 27
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-3}\qh0j\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes
+%\check
+% mesure 28
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-3}\qh0i\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes
+% mesure 29
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-3}\qh0h\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 30
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 31
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 32
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 33
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 34
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 35
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 36
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 37
+\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 38
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 39
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 40
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 41
+\generalmeter{\meterfrac 54}\changecontext
+\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes
+\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 42
+\quatretemps\changecontext
+\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 43
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 44
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 45
+\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+% mesure 46
+\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 47
+\generalmeter{\meterfrac 32}\changecontext
+\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes
+\smallnotesize\bigaccid
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\notes&\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 48
+\quatretemps
+\changecontext\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 49
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl n\qsoupir\sk\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+\autolines {16}35\relax
+% mesure 50
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 51
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 52
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 53
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7KJM{_a}b\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes
+\temps\notes&\qqbbl7Mac{=e}\enotes
+\temps\notes&\qqbbL{-4}cfcbc\enotes
+%\check
+% mesure 54
+% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes
+\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes
+\temps\notes&|\qqbbH7ecfhi\enotes
+\temps\notes&|\qqbbL0hjhgh\enotes
+%\check
+% mesure 55
+\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes
+\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes
+% mesure 56
+%\check
+\normalnotesize
+\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes
+\smallnotesize\bigaccid
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes
+\temps\notes&|\qqbbh{-2}fdcd\enotes
+%\check
+% mesure 57
+\barre\notes&|\qqbbH7bb{_d}fh\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes
+\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes
+\temps\notes&|\qqbbL{-2}kmkjk\enotes
+%
+% mesure 58
+\barre\notes&|\qqbbl5ikmo\enotes
+\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes
+\normalnotesize
+\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 59
+\smallnotesize\bigaccid
+\barre\notes&\ibbl0L7\qb0L\qb0b\enotes
+\notes&|\qb0e\tqb0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes
+\temps\notes&|\qqbbH6dce{g}j\enotes
+\temps\notes&|\qqbbL{-2}jljij\enotes
+% mesure 60
+\barre\notes&|\qqbbl5{=h}jl{_n}\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes
+\temps\notes&|\qqbbl{-3}o{=n}ml\enotes
+\temps\notes&|\qqbbl{-3}{_k}jih\enotes
+% mesure 61
+\normalnotesize
+\barre\nspace\autolines{18}35\relax
+\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax
+\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH3gidih\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 62
+\barre\nspace
+\normalnotesize
+\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes
+\temps\notes\soupir&|\qqbbH3ffdih\enotes
+\normalnotesize
+\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 63
+\normalnotesize
+\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeji\enotes
+\normalnotesize\nspace
+\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+% mesure 64
+\normalnotesize
+\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize\nspace
+\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfji\enotes
+% mesure 65
+\normalnotesize
+\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize
+\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes
+% mesure 66
+\normalnotesize
+\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH5higik\enotes
+\autolines {17}35\relax
+%\check
+% mesure 67
+\normalnotesize
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne
+{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax
+ \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 68
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-5}\qh0m\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes
+%\check
+% mesure 69
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-5}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes
+% mesure 70
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-5}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 71
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 72
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 73
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 74
+\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 75
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 76
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 77
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 78
+\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 79
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes
+%\check
+% mesure 80
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 81
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 82
+\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes
+\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk
+ \raise -3\internote\dsoupir}\zqp i\qup k\enotes
+\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes
+% mesure 83
+\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes
+\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes
+% mesure 84
+\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk
+\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes
+\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+% mesure 85
+\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 86
+\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes
+\temps\NOTEs\soupir&\soupir|\soupir\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\advance\barsinline by -1\relax
+% mesure 87
+\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes
+\temps\NOTES\soupir&\soupir|\soupir\enotes
+%
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
new file mode 100644
index 00000000000..4d178610460
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
@@ -0,0 +1,415 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{R\'ecit}
+\fulltitle{II. R\'ecit}
+\csname titremorceautoc\endcsname
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\fullauthor{Daniel TAUPIN\\organiste Gif-sur-Yvette}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+%
+\autolines 855\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+% mesure 1
+\advance\linesinpage by 1\relax
+%
+\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+%\check
+% mesure 2
+\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes
+%\check
+% mesure 3
+\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-2}hg\enotes
+\temps\notes\qu J&|\dqh{-2}ji\enotes
+%\check
+% mesure 4
+\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 5
+\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes
+% mesure 6
+\autolines 755\relax
+\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu I&|\qu k\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes
+\temps\notes&\qu{=f}|\sk\cu l\enotes
+\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes
+%\check
+% mesure 8
+\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes&\ql a|\qu j\enotes
+% mesure 9
+\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes\ql J&|\dqh{-3}ih\enotes
+% mesure 10
+\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes
+\temps\notes&|\sk\cu i\enotes
+\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes
+% mesure 11
+\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes
+\temps\notes&|\dsoupir\cu d\enotes
+\temps\notes\qu J&\ql e|\dqh7gj\enotes
+% mesure 12
+\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\ql c|\relax\enotes
+% mesure 13
+\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%
+% mesure 14
+\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes
+%\check
+% mesure 15
+\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\itenl2N\ql N|\qu i\enotes
+%\check
+% mesure 16
+\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes
+\temps\NOtes&\qu{=f}|\relax\enotes
+\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes
+%\check
+% mesure 17
+\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes\qu H&\ql a|\qu l\enotes
+%\check
+% mesure 18
+\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+% mesure 19
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes
+\temps\notes&|\dqb3no\enotes
+\temps\notes&|\dqb{-5}pn\enotes
+% mesure 20
+\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes
+\temps\notes&|\dqb3op\enotes
+\temps\notes&|\dqb{-5}qo\enotes
+% mesure 21
+\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes
+\temps\notes&|\dqb3pq\enotes
+\temps\notes&|\dqb{-5}rp\enotes
+% mesure 22
+\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes
+\temps\notes&\qu{=f}|\dqb{-3}nm\enotes
+\temps\notes&\qu d|\dqb{-3}lk\enotes
+% mesure 23
+\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes
+\temps\notes\qu H&|\sk\cl k\enotes
+\temps\notes\qu J&|\dqb{-5}lj\enotes
+% mesure 24
+\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 25
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu h\enotes
+\temps\notes&|\dqh3ij\enotes
+%
+% mesure 26
+\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes
+% mesure 27
+\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes
+\temps\notes\hu I&|\sk\cl l\enotes
+\temps\notes&|\dqb5m{_o}\enotes
+% mesure 28
+\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&\ql N|\dqb{-3}j{=i}\enotes
+% mesure 29
+\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes
+\temps\notes&|\ql j\enotes
+\resp
+\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 30
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 31
+\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes
+\temps\notes\sk\cu H&|\relax\enotes
+\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes
+% mesure 32
+\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes
+\temps\notes&|\sk\cu d\enotes
+\temps\notes\qu J&\ql c|\dqh7gj\enotes
+% mesure 33
+\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes
+% mesure 34
+\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+% mesure 35
+\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb3kl\enotes
+% mesure 36
+\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 37
+\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes
+\temps\notes&\qu{^f}|\dqh3{^f}g\enotes
+\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes
+%\check
+% mesure 38
+\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes
+\temps\NOtes&|\qu j\enotes
+\resp
+\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 39
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 40
+\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3{_i}k\enotes
+%\check
+% mesure 41
+\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+% mesure 42
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes&|\dqh5hj\enotes
+% mesure 43
+\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 44
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes
+\temps\notes&|\dqh8gj\enotes
+%
+% mesure 45
+\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+%\check
+% mesure 46
+\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes
+%\check
+% mesure 47
+\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}{=l}k\enotes
+%\check
+% mesure 48
+\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes
+%\check
+% mesure 49
+\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes
+\temps\notes&|\dqb{-3}m{_l}\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 50
+\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes
+% mesure 51
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes
+\temps\notes&|\dqb3jk\enotes
+\temps\notes&|\dqb{-5}lj\enotes
+%\check
+% mesure 52
+\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes
+\temps\notes&|\dqb{-3}hg\enotes
+\temps\notes&|\dqb5hj\enotes
+%\check
+% mesure 53
+\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb{-5}ki\enotes
+% mesure 54
+\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes
+\temps\notes&|\dqh{-3}g{^f}\enotes
+\temps\notes&|\dqh5gi\enotes
+% mesure 55
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+\temps\notes&|\dqb{-5}jh\enotes
+% mesure 56
+\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes
+\temps\notes&|\dqh3ef\enotes
+\temps\notes&|\dqh3gh\enotes
+% mesure 57
+\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3hi\enotes
+% mesure 58
+\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes
+\temps\notes&|\dqh5{^f}g\enotes
+\temps\notes&|\dqh3ij\enotes
+% mesure 59
+\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes&|\dqh{-3}i{_h}\enotes
+%\check
+% mesure 60
+\generalmeter{\meterfrac 24}%
+\advance\elemskip by 1.5pt
+\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes
+\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes
+%\check
+% mesure 61
+\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes
+\temps\notes&|\ccl n\enotes
+%\check
+% mesure 62
+\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes
+\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes
+%\check
+% mesure 63
+\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes
+% mesure 64
+\troistemps
+\advance\elemskip by -1.5pt
+\changecontext\NOtes\hu I&\soupir|\soupir\enotes
+\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes
+\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes
+% mesure 65
+\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes
+\temps\notes&\qu j|\dqb{-3}hg\enotes
+% mesure 66
+\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes
+\temps\notes\soupir&\soupir|\soupir\enotes
+% mesure 67
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+% mesure 68
+\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes
+% mesure 69
+\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes
+% mesure 70
+\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 71
+\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\notes\qu H&|\dqh5ik\enotes
+%
+% mesure 72
+\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes
+\temps\notes&|\sk\cl m\enotes
+\temps\notes\qu{=I}&|\dqb{-3}lk\enotes
+% mesure 73
+\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes
+\temps\Notes&|\relax\enotes
+\temps\NOtes&\zq{^f}\qu h|\ql k\enotes
+\autolines {12}45\relax
+% mesure 74
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes
+\temps\notes&|\qqbbl{-3}kjih\enotes
+\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes
+% mesure 75
+\autolines{14}35\relax
+\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes
+\temps\notes&|\qqbbl{-3}lkji\enotes
+\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes
+% mesure 76
+\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes
+\temps\notes&|\qqbbl{-4}mlkj\enotes
+\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes
+% mesure 77
+\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes
+\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes
+\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes
+\quatretemps
+% mesure 78
+\autolines {10}35\relax
+\changecontext\barsinline=0\relax
+\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes
+\temps\NOtes&|\dsoupir\cl d\enotes
+\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes
+% mesure 79
+\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\notes\qu D&|\dqh{-3}hg\enotes
+% mesure 80
+\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\finmorceau
+\medskip\rightline{\it \aujourdhui}
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex
new file mode 100644
index 00000000000..2a704a09cfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex
@@ -0,0 +1,149 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\hyphenation{re-gis-tra-tion}
+\csname french\endcsname
+\tracingstats=2\relax
+\line{\ \hss}
+\vskip 15mm
+\message{Font name: \fontname\the\font}
+\iflongDCfontnames
+ \font\geant=\fontid bx3583
+ \font\assezgros=\fontid r2074
+\else\iflongECfontnames
+ \font\geant=\fontid bx3583
+ \font\assezgros=\fontid rm2074
+ \else
+ \font\geant=\fontid bx12 scaled \magstep 6
+ \font\assezgros=\fontid r17 scaled \magstep 1
+ \fi
+\fi
+\centerline{\assezgros Daniel TAUPIN}
+\vfil
+{\baselineskip 20mm
+\centerline{\geant PETITES}
+\centerline{\geant PI\`ECES}\centerline{\geant POUR}
+\centerline{\geant PLAIRE}
+}
+\vskip 15mm
+\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue}
+\smallskip
+\centerline{\sl \`a deux claviers et p\'edalier}
+\vfil
+\centerline{Orsay, \aujourdhui}
+\eject
+%\check
+\null
+\vfil
+\hbox to \hsize{\hss\vbox{\hsize 12cm
+\centerline{\moyen PR\'EFACE ET AVERTISSEMENT}
+ \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur
+\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve
+d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e
+infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est
+capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques
+qu'on lui propose.
+ \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut
+se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui
+est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a
+la gastronomie.
+ \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces
+Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la
+musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', et qui aurait
+pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par
+des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur
+simple objectif est de charmer les oreilles d'auditeurs de culture classique,
+tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus
+d'orgues classiques, \`a savoir les \'eglises.
+ \medskip
+\centerline{\vrule height 0.4pt width 0.5\hsize}
+\vskip 1mm
+ \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent
+l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de
+ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des
+pianistes d'un niveau moyen.
+ \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la
+Romance sans Paroles)
+mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent
+\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier.
+ \vskip 15mm
+ \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel
+TAUPIN}\smallskip \centerline{\sl \aujourdhui}}}
+
+ \bigskip
+ \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es}
+ \centerline{\rm All rights of commercial distribution reserved}
+ \bigskip
+ \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}}
+ \input recueil.toc
+}\hss}\vfil
+\eject
+ \def\titremorceautoc{\edef\zetitre{\titremorceau}%
+ \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}}
+ \newwrite\toc
+ \immediate\openout\toc=recueil.toc
+%
+%
+\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
+\nbporteesii=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\signaturegenerale{0}\savesignature
+\resetfacteurs
+\computewidths}%
+%
+\misazero
+\input adagio
+%
+\misazero
+\input recit
+%
+\misazero
+\input tierce
+%
+\misazero
+\input choral
+%
+\misazero
+\input reves
+%
+\misazero
+\input prelude
+%
+\misazero
+\input fugue
+%
+\misazero
+\input aria
+%
+\misazero
+\input ostinato
+%
+\misazero
+\input romances
+%
+\misazero
+\input magnific
+%
+\misazero
+\input fantcmol
+%
+\misazero
+\input fugcmoll
+%
+\misazero
+\input chanson
+%
+\misazero
+\input marcello
+%
+\misazero
+\input purcellx
+%
+\misazero
+\input avemario
+%
+\closeout\toc
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex
new file mode 100644
index 00000000000..c337b1192b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex
@@ -0,0 +1,499 @@
+\title{Romance sans paroles}
+\fulltitle{IX. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1992--93}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+
+\csname titremorceautoc\endcsname
+
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+\def\doubler{\noteskip=2\noteskip}%
+\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir}
+%
+\parindent 18mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}%
+\def\troistemps{\generalmeter{\meterfrac{9}{8}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{Positif ({\bf II})}%
+\def\instrumentiii{R\'ecit ({\bf III})}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}%
+\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}%
+\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}%
+\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}%
+\smallskip
+%
+\deuxtemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax
+ \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax
+\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax
+\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\tqb0{#7}}\relax
+\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax
+ \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax
+%
+\debutmorceau
+%
+\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi
+\autolines {6}{\barperline}5\relax
+%\check
+%
+\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
+% mesure 1
+\ifx\mxversion\undefined\kern -\internote\fi
+\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto
+ \bf(\metron{\qup}{60})}}\enotes
+\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes
+%\check
+% mesure 2
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes
+\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes
+%\check
+% mesure 3
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 4
+\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler
+ \qup{^j}\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 5
+\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler
+ \Ilegu3o\Tqh{=i}hg\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 6
+\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler
+ \qu{^f}\sk\cu{=e}\enotes
+\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk
+ \cbreath\sk\Ilegu3o\cu d\enotes
+%\check
+% mesure 7
+\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 8
+\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler
+ \qlp{=l}\enotes
+\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax
+ \ql k\tleg3\sk
+ \cbreath\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 9
+\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler
+ \ql i\sk\cl j\enotes
+\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler
+ \ql h\sk\cl i\enotes
+%\check
+% mesure 10
+\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes
+\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 11
+\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 12
+\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes
+\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes
+%\check
+% mesure 13
+\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{i}hg\enotes
+%\check
+% mesure 14
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes
+\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes
+%\check
+% mesure 15
+\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes
+\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes
+%\check
+% mesure 16
+\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes
+\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes
+%\check
+% mesure 17
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes
+\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir
+ \Ilegu3p\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes
+%\check
+% mesure 18
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 19
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes
+%\check
+% mesure 20
+\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler
+ \zqlp d\zq g\Tqh ihg\enotes
+\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler
+ \zqlp{=e}\zq g\Tqh ihg\enotes
+%\check
+% mesure 21
+\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler
+ \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes
+\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk
+ \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 22
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk
+ \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes
+%\check
+% mesure 23
+\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler
+ \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes
+\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax
+ \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 24
+\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \uptext{\bf III}\Ilegu3p\cu d\enotes
+%\check
+% mesure 26
+\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax
+\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes
+\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax
+\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes
+%\check
+% mesure 27
+\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax
+ \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes
+\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes
+%\check
+% mesure 28
+\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler
+ \Tqb lkj\enotes
+\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 29
+\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax
+ \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes
+\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax
+ \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 30
+\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler
+ \Tqh ghi\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 31
+\barre\notes\doubler
+ \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler
+ \ql n\sk\cl {=m}\enotes
+%\check
+% mesure 32
+\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler
+ \Tqb {_l}kj\enotes
+\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh ihg\enotes
+%\check
+% mesure 33
+\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler
+ \Tqh ihg\enotes
+\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 34
+\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax
+ \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes
+\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 35
+\barre\notes\doubler
+ \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler
+ \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler
+ \ql n\sk\cl m\enotes
+% mesure 36
+\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler
+ \Tqb {=l}kj\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler
+ \Tqb {_i}hg\enotes
+% mesure 37
+\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax
+ \sqbbH cc.{^c}egeca&\doubler
+ \ql{^j}\tleg3\sk\ds\enotes
+\cleftoksii={6000}\changeclefs
+\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax
+ \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o
+ \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes
+%\check
+% mesure 38
+\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 39
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir
+ &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \Ilegu3q\cu k\enotes
+%\check
+% mesure 40
+\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler
+ \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler
+ \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes
+%\check
+% mesure 41
+\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes
+\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler
+ \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes
+%\check
+% mesure 42
+\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler
+ \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes
+\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler
+ \zqp k\zqlp{^m}\qu o\sk\cu p\enotes
+% mesure 43
+\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler
+ \zq{ik}\ql n\tleg3\sk\ds\enotes
+\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler
+ \Ilegu3r\ql k\sk\itenl0k\cl k\enotes
+%\check
+% mesure 44
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler
+ \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk
+ \tten0\tten1\zq n\zq p\cl r\enotes
+%\check
+% mesure 45
+\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk
+ \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler
+ \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes
+%\check
+% mesure 46
+\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler
+ \zqlp k\zq n\Tqh pon\enotes
+\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler
+ \zqlp{=l}\zq n\Tqh pon\enotes
+%\check
+% mesure 47
+\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler
+ \zqp {k^m}\qlp o\enotes
+\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3r\itenl0k\cu k\enotes
+%\check
+% mesure 48
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zq k\zq n\ql p\sk\cl n\enotes
+%\check
+% mesure 49
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler
+ \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes
+%\check
+% mesure 50
+\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler
+ \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes
+\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler
+ \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes
+%\check
+% mesure 51
+\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir
+ &\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\cl c&\cu d\enotes
+%\check
+% mesure 52
+\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes
+\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes
+%\check
+% mesure 53
+\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes
+\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes
+%\check
+% mesure 54
+\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes
+\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes
+% check
+% mesure 55
+\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler
+ \zqp{^f}\zqlp h\qu k\sk\cu k\enotes
+\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler
+ \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes
+%\check
+% mesure 56
+\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes
+\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes
+%\check
+% mesure 57
+\barre\notes\qup I&\sqbbL aa.babNab&\doubler
+ \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes
+%\check
+% mesure 58
+\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes
+\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes
+%\check
+% mesure 59
+\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler
+ \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler
+ \zq e\zql g\Tqh {_i}hg\enotes
+%\check
+% mesure 60
+\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes
+\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir
+ \enotes
+\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 61
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 62
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes
+%\check
+% mesure 63
+\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler
+ \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes
+\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler
+ \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes
+%\check
+% mesure 64
+\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler
+ \zhp {bd}\hup g\enotes
+\ifnum\musicsize<17\relax\autolines695\relax\fi
+\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax
+ \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes
+%\check
+% mesure 65
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 66
+\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax
+ \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes
+\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes
+%\check
+% mesure 67
+\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax
+ \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes
+\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax
+ \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes
+%\check
+% mesure 68
+\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes
+\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes
+%\check
+% mesure 69
+\advance\maxbarsinline by 1\relax
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 70
+\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes
+\zbarre
+\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes
+%\check
+% mesure 71
+\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax
+ \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes
+\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax
+ \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes
+% mesure 72
+\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax
+ \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes
+\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex
new file mode 100644
index 00000000000..9ab7f02a6a9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex
@@ -0,0 +1,31 @@
+\input musixtex
+\input musixsty
+\input musixcpt
+%
+\def\Transpose{0}%
+\def\Signature{-3}\relax % trois bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-4}%
+\def\Signature{-4}\relax % quatre bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\bye
+
+\def\Transpose{-4}\relax
+\def\Signature{3}\relax % trois diezes a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-3}\relax
+\def\Signature{-2}\relax % deux bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex
new file mode 100644
index 00000000000..a9ce439bf1b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex
@@ -0,0 +1,474 @@
+
+\fulltitle{Un souvenir...}
+\shortauthor{Rossi/Capitani}
+\title{Un souvenir}
+\othermention{Paroles d'Oreste ROSSI}
+\fullauthor{Musique de Fernand CAPITANI}%
+\maketitle
+
+\ifx\Transpose\undefined\def\Transpose{0}\fi
+\ifx\Signature\undefined\def\Signature{-3}\fi
+
+\tracingstats=1\relax
+%\check
+%
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{2}
+\setstaffs12\relax
+\setstaffs21\relax
+\setclefs1{6000}%
+\setclefs2{0000}%
+%
+\generalsignature{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{10}%
+\parindent 15mm
+\def\instrumenti{Piano}%
+\def\instrumentii{Chant}%
+\setinterinstrument1{4\Interligne}
+%\check
+\def\respire{\notes\nextinstrument\cbreath\enotes}%
+%
+%\check
+\catcode`\@=13
+%
+\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}%
+\def\doctu#1#2{{\advance\transpose by 7\relax
+\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}%
+%
+\def\nbinstruments{1}\computewidths
+\debutmorceau
+\autolines {10}44\relax
+\transpose=\Transpose
+\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes
+%
+\def\rchone{\lq q\zq{lnp}\ql s}%
+\def\Lchone{\lh c\zh{be}\hl g}%
+\def\lchone{\lq c\zq{be}\ql g}%
+\def\Lchtwo{\zh{bd}\hl g}%
+\def\lchtwo{\zq{bd}\ql g}%
+\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}%
+\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes
+\temps\NOtes\octs E|\soupir\enotes
+\temps\NOtes\Lchone|\rchone\enotes
+\temps\NOtes|\rchone\enotes
+\temps\NOtes\lchone|\rchone\enotes
+ %\check
+% mesure 2
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 3
+%
+\def\lchthree{\lq f\zq{ce}\ql h}%
+\def\Lchthree{\lh f\zh{ce}\hl h}%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes
+\temps\notes\Lchthree|\doct jk\enotes
+\temps\NOtes|\zq{lnq}\ql s\enotes
+\temps\notes\lchthree|\doct kj\enotes
+%
+ %\check
+% mesure 4
+\def\lchfour{\zq{be}\ql g}%
+\def\Lchfour{\zh{be}\hl g}%
+\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes
+\temps\NOtes\Lchfour|\ql l\enotes
+\temps\NOtes|\ql k\enotes
+\temps\NOtes\lchfour|\Fl k\ql k\enotes
+%
+ %\check
+% mesure 5
+%
+\def\lchfive{\lq e\zq c\ql f}%
+\def\Lchfive{\lh e\zh c\hl f}%
+\def\uchfive{\lq m\zq{hl}\ql o}%
+\barre\autolines 854\relax
+\NOtes\octs F|\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive\enotes
+\temps\NOtes|\uchfive\enotes
+\temps\notes\lchfive|\lq m\zq l\doct hh\enotes
+%
+ %\check
+% mesure 6
+%
+\def\lchsix{\lq c\zq{Nb}\ql e}%
+\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}%
+\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes
+\temps\NOtes\Lchsix|\ql l\enotes
+\temps\NOtes|\ql j\enotes
+\temps\NOtes\lchsix|\ql i\enotes
+%
+ %\check
+% mesure 7
+\def\lchseven{\zq{Ma}\ql c}%
+\def\Lchseven{\Fl c\zh{Mac}\hl e}%
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes
+\temps\notes\bigaccid\Lchseven|\doctu fg\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes
+\temps\Notes\lchseven|\doctu ef\enotes
+%
+ %\check
+% mesure 8
+\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause
+ |\Na j\rh j\zh{egi}\hu l\enotes
+\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes
+%
+ %\check
+% mesure 9
+\xbarre\notes\qsk\enotes
+\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax
+ |\lw p\zw{lnq}\wh s\enotes
+\setdoublebar\suspmorceau
+%
+ %\check
+% mesure 10
+\def\nbinstruments{2}\generalmeter{}\savemeters
+ %\computewidths
+ %\advance\linesinpage by 1
+ \lreprmorceau
+\llap{\leftrepeatsymbol}%
+\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt
+\vss\hrule width \noteskip height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}}}}%
+\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes
+%
+\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}%
+\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}%
+%
+\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes
+\notes\zw{EILNb}|\wh g&\ds\enotes
+\temps\notes&\txt Se |De &\cu g\enotes
+\temps\notes&\txt sou-|la &\cu g\enotes
+\temps\notes&\txt ve-|mer-&\cu g\enotes
+\temps\notes&\txt nir |veil-&\cu i\enotes
+\temps\notes&\txt c'est |leuse &\cu i\enotes
+\temps\notes&\txt croire |a-&\cu j\enotes
+\temps\notes&\txt en |ven-&\cu j\enotes
+ %\check
+% mesure 11
+\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes
+\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes
+\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes
+\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes
+%
+ %\check
+% mesure 12
+\xbarre
+\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes
+\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes
+\temps\notes&\txt Que |Qui &\cu g\enotes
+\temps\notes&\txt tout |un &\cu g\enotes
+\temps\notes&\txt vient |jour &\cu g\enotes
+\temps\notes|\hl e&\txt de |a &\cu i\enotes
+\temps\notes&\txt re-|pu &\cu i\enotes
+\temps\notes&\txt com-|nous &\cu j\enotes
+\temps\notes&\txt men-|u-&\cu j\enotes
+ %\check
+% mesure 13
+\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes
+\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes
+\temps\NOtes|\hl g\enotes
+%
+ %\check
+% mesure 14
+\alaligne
+\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes
+\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes
+\temps\notes&\txt re-|gar- &\cl k\enotes
+\temps\notes&\txt voir-|de &\cu j\enotes
+\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt
+ l'\^e-|mal-&\cu i\enotes
+\temps\notes&\txt tre |gr\'e &\cu i\enotes
+\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes
+\temps\notes&\txt a- |bles-&\cu j\enotes
+ %\check
+% mesure 15
+\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes
+\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes
+%
+ %\check
+% mesure 16
+\xbarre
+\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes
+\temps\notes&\txt Et |L'in-&\cu g\enotes
+\temps\notes&\txt re-|ef-&\cu g\enotes
+\temps\notes&\txt trou-|fa-&\cu g\enotes
+\temps\notes&\txt ver |\c ca-&\cu f\enotes
+\temps\notes&\txt tout |ble &\cu f\enotes
+\temps\notes&\txt le |sou-&\cu g\enotes
+\temps\notes&\txt pas-|ve-&\cu g\enotes
+ %\check
+% mesure 17
+\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes
+\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes
+\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes
+%
+ %\check
+% mesure 18
+\setdoublebar\alaligne
+%
+\autolines {10}44\relax
+\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes
+\temps\NOtes\octs E|\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes
+ %\check
+% mesure 19
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 20
+%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes
+%
+ %\check
+% mesure 21
+\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes
+\temps\NOtes\Lchfour|\enotes
+\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes
+\temps\NOtes\lchfour|\enotes
+%
+ %\check
+% mesure 22
+%
+\def\lchttwo{\zq a\zq c\ql e}%
+\def\Lchttwo{\zh a\zh c\hl e}%
+\def\uchttwo{\zq{hjl}\ql o}%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes
+\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes
+\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes
+%
+ %\check
+% mesure 23
+%
+\def\Lchtthree{\lh c\zh{Nb}\hl e}%
+\def\lchtthree{\lq c\zq{Nb}\ql e}%
+\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes
+\temps\NOtes\Lchtthree|\enotes
+\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes
+\temps\NOtes\lchsix|\enotes
+%
+ %\check
+% mesure 24
+\def\Lchtfour{\zh{Mac}\hl e}%
+\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes
+\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes
+\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes
+%
+ %\check
+% mesure 25
+\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes
+\temps\NOtes\lchtthree\enotes
+\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes
+\temps\NOtes\qu I\enotes
+%
+ %\check
+% mesure 26
+\barre\temps\NOtes\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes
+%
+ %\check
+% mesure 27
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 28
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes
+%
+ %\check
+% mesure 29
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 30
+%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes
+\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes
+%
+ %\check
+% mesure 31
+%
+\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 32
+\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes
+%
+ %\check
+% mesure 33
+\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes
+\temps\NOtes\qu N\enotes
+\temps\NOtes\qu a\enotes
+\temps\NOtes\Sh a\qu a\enotes
+%
+ %\check
+% mesure 34
+\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes
+\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes
+\notes&\hsong{soir }\qh0g\enotes
+\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes
+\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes
+\notes&\hsong{pu }\qh0k\enotes
+\notes&\hsong{te }\qh0j\enotes
+\notes&\hsong{re-}\tqh0i\enotes
+ %\check
+% mesure 35
+\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes
+\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes
+ %\check
+% mesure 36
+\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes
+\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes
+\notes&\hsong{bri-}\qh0j\enotes
+\notes&\hsong{ser, }\tqh0j\enotes
+\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes
+\notes&\hsong{a-}\qh0k\enotes
+\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes
+\notes&\hsong{an-}\tqh0h\enotes
+ %\check
+% mesure 37
+\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes
+\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes
+ %\check
+% mesure 38
+\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes
+\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes
+\notes&\hsong{pour }\qh0i\enotes
+\notes&\hsong{moi }\tqh0j\enotes
+\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes
+\notes&\hsong{ne }\qh0k\enotes
+\notes&\hsong{sais }\qh0j\enotes
+\notes&\hsong{com-}\tqh0i\enotes
+ %\check
+% mesure 39
+\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes
+\temps\NOTes&\hsong{dre }\hu j\enotes
+ %\check
+% mesure 40
+\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes
+\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes
+\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes
+\temps\NOtes&\hsong{men-}\ql l\enotes
+ %\check
+% mesure 41
+\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes
+\temps\NOtes\qu c|\qu j\enotes
+\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes
+\temps\NOtes\qu d|\Na i\qu i\enotes
+ %\check
+% mesure 42
+\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes
+ %\check
+% mesure 43
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 44
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes
+%
+ %\check
+% mesure 45
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 46
+%
+\barre\autolines {9}54\relax
+\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes
+\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes
+%
+ %\check
+% mesure 47
+%
+\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 48
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes
+%
+ %\check
+% mesure 49
+\xbarre\NOTes\itenl1E\itenl2L\octs E\relax
+|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes
+\temps\NOTes
+ \ifnum\transpose<-2\relax
+ \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi
+|\ifnum\transpose<-2\else
+ \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi
+ \zh{il}\rh m\hu p\relax
+\enotes
+ %\check
+% mesure 50
+\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk
+\lh q\zh l\zh n\zh p\hl s\enotes
+\temps\NOtes\qu E|\hpause&\pause\enotes
+\temps\NOtes\soupir\enotes
+\setrightrepeat\finpartition
+\medskip\rightline{\it le \aujourdhui}
+\eject
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex
new file mode 100644
index 00000000000..1a17a982d6a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex
@@ -0,0 +1,376 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Tierce en taille}
+\fulltitle{III. \titremorceau}
+\csname titremorceautoc\endcsname
+%
+\parindent 18mm
+
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{3}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % un dieze a la clef
+\def\quatretemps{\generalmeter{\allabreve}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+\def\Mordant{\mordant{10}}%
+\def\tenPince{\pince{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+%
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+% croche pointee et double croche meme hauteur
+\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
+\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+\noautolines
+\advancebottom{4\internote}%
+%\autolines {8}44\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
+\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
+\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
+%\check
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+%
+% mesure 1
+\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 2
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 3
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 4%\autolines{9}44\relax
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 5
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 6
+\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes
+\temps\notes&|\cu c\enotes
+\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes
+\temps\notes&\qu j|\sk\cu b\enotes
+% mesure 7
+\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu N\enotes
+% mesure 8
+\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\trioskip\dqbbh3Na\enotes
+% mesure 9
+\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes
+\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes
+\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes
+\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes
+% mesure 10
+\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu a\enotes
+% mesure 11
+\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes
+\temps\notes&|\tenPince\dql{-3}dc\enotes
+% mesure 12
+\troistemps
+\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 13
+\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes
+% mesure 14
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 15
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes
+\temps\notes\qu D&\zql c|\sk\cu N\enotes
+\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes
+\resp
+% mesure 17
+\deuxtemps
+\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes
+\temps\NOTes&|\hl d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 18
+\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes
+\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes
+% mesure 19
+\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes
+\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes
+\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes
+\temps\notes&\qu g|\sk\cl d\enotes
+% mesure 20
+\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes
+\resp
+\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes
+% mesure 21
+\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes
+\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes
+% mesure 22
+\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes
+\notes&|\tten1\trioskip\qqbbl3bbcd\enotes
+\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes
+\temps\notes&|\dql{-6}ea\enotes
+% mesure 23
+\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes
+\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes
+\temps\notes&|\cu c\enotes
+% mesure 24
+\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes
+\resp
+% mesure 25
+\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes
+% mesure 26
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 27
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 28
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes
+% mesure 29
+\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 31
+\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 31
+\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 32
+\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 33
+\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes
+\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes
+\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 34
+\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes
+\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes
+%\check
+% mesure 35
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes
+\temps\notes&|\cu h\enotes
+\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes
+\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes
+% mesure 36
+\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu b\enotes
+% mesure 37
+\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+% mesure 38
+\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-3}hg\enotes
+\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes
+\temps\NOtes&|\qu d\enotes
+% mesure 39
+\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes
+\temps\notes&|\dqu{-8}gd\enotes
+\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes
+\temps\NOtes&|\pince o\qu e\enotes
+% mesure 40
+\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-8}he\enotes
+\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes
+\temps\NOtes&|\pince o\qu f\enotes
+%\check
+% mesure 41
+\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+%\check
+% mesure 42
+\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes
+\temps\notes&|\dqu{-3}ji\enotes
+\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes
+\temps\notes&|\dqu{-3}fe\enotes
+% mesure 43
+\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes
+\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes
+\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes
+\temps\notes&|\cu h\enotes
+% mesure 44
+\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes
+\resp
+% mesure 45
+\cleftoksii={{0}{3}{0}{0}}\changeclefs
+\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 46
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 47
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 48
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 49
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 50
+\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes
+\resp
+% mesure 51
+\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes
+% mesure 52
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 53
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 54
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+% mesure 55
+\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 56
+\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes
+% mesure 57
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 58
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 59
+\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes
+\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+% mesure 60
+\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes
+\mulooseness 3\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\ifx\toc\undefined
+ \let\finishpiece \end
+\else
+ \let\finishpiece\relax
+\fi
+\finishpiece
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex
new file mode 100644
index 00000000000..f97c8f85630
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex
@@ -0,0 +1,299 @@
+%format musix
+
+\input musixtex
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% TEX translation of MIDI File :
+% b.MID
+%
+% Written by Hans Kuykens
+% this translation of date : 1-9-1993
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\musicparskip
+
+\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}%
+ \rlap{\varline{#1}{#2\noteskip}{#4}}}%
+
+\def\liftqp#1{\raise#1\Interligne\rlap\qp}
+\def\liftds#1{\raise#1\Interligne\rlap\ds}
+\def\raiseped{-6}
+
+\nopagenumbers\parindent10mm
+
+\centerline{\BIGfont Tr\"aumerei}\bigskip
+\rightline{\medtype Robert Schumann}\smallskip
+
+\generalsignature{-1}
+\generalmeter\meterC
+\setstaffs12
+\interstaff{12}
+\setclef1\bass
+\meterskip\Interligne
+\relativeaccid
+\startbarno0\startmuflex\startpiece\systemnumbers
+%%% bar 0
+\nspace
+\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en
+%%% bar 1
+\leftrepeat
+\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\ttie2\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 2
+\bar
+\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en
+\znotes|\tubslur5j\tqh1m\en
+\qspace
+\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en
+\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en
+\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en
+%%% bar 3
+\bar
+\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a%
+ |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en
+\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en
+\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}%
+ \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N%
+ |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en
+%%% bar 4
+\bar
+\Notes\tdbslur0M\zql M\qu a%
+ |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en
+\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K%
+ |\tubslur3g\zhl c\zh g\hu e\en
+\Notes\ibl0J{-1}\qb0J\qb0I\en
+\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en
+\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}%
+%%% bar 5
+\bar
+\NOtes\zchar{-7}\sPed\tsslur0M%
+ \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\tubslur2f\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 6
+\bar
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en
+\znotes|\tubslur5l\tqh1o\en
+\qspace
+\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en
+\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e%
+ |\islurd2g\lpt g\lh g\zhlp h\qup o\en
+\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en
+%%% bar 7
+\bar
+\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d%
+ |\tsslur2h\zqlp h\ibu4l0\qb4m\en
+\Notes|\qb4o\en
+\Notes|\qb4k\en
+\nspace
+\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en
+\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en
+\Notes|\qb3j\en
+\Notes|\qb3e\en
+\nspace
+\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en
+%%% bar 8
+\bar
+\nspace
+\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en
+\Notes\qb1g\en
+\Notes\DEP\qb1a|\qu{=l}\en
+\notes\tqh1b\en
+\notes|\tinynotesize\grcu j\en
+\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J%
+ |\curve105\tslur3g\zql e\hu j\en
+\Notes\liftds3\qb0K\en
+\nspace
+\Notes\liftqp3\qb0{=I}|\liftds{-2}\en
+\Notes\tqb0G|\isluru2j\cu c\en
+%%% bar 9
+\rightrepeat
+\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F%
+ |\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\ttie2\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\tubslur5g\en
+%%% bar 10
+\bar
+\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j%
+ \rlap{\varline{14}{1.5\noteskip}8}%
+ \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en
+\nspace
+\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J%
+ |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en
+\nspace
+\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en
+\Notes\tqh2a\en
+\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en
+\Notes|\tqb2{^f}\en
+\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K%
+ |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en
+\Notes\tqb1M|\tqh5j\en
+%%% bar 11
+\bar
+\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en
+\Notes|\qb3k\en
+\Notes|\qb3g\en
+\nspace
+\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en
+\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en
+\Notes|\tdbslur3M\qb2g&\en
+\Notes|\ibslurd3e\qb2b\en
+\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en
+%%% bar 12
+\bar
+\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en
+\Notes\qb0d\en
+\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en
+\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a%
+ |\roff{\islurd3c}\issluru5d\rcl c\cu d\en
+\qspace
+\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a%
+ |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en
+\Notes\zqb0N\qb1N\en
+\Notes\zqb0G\qb1G|\ds\en
+\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en
+%%% bar 13
+\bar
+\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B%
+ |\liftqp{-3}\itieu2i\hu i\en
+\Notes\zhp d\hlp M|\zhp f\hlp b\en
+\Notes|\ttie3\ttie2\cu i\en
+\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en
+\Notes|\qb0i\en
+\Notes|\tqh0k\en
+%%% bar 14
+\bar
+\Notes\ds|\zqu m\ibu4m{5}\qb4m\en
+\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d%
+ |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en
+\nspace
+\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en
+\Notes\tqh2e\en
+\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en
+\Notes|\tqb2{^j}\en
+\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a%
+ |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en
+\Notes\tqb1c|\tqh5n\en
+\def\atnextline{\Liftslur02\Liftslur4{-2}}%
+%%% bar 15
+\bar
+\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en
+\Notes|\qb3o\en
+\Notes|\qb3k\en
+\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en
+\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en
+\Notes|\tdbslur3b\qb2k&\en
+\Notes|\ibslurd3h\qb2f\en
+\Notes\islurd0L\cl b|\zcu l\tqb2g\en
+%%% bar 16
+\bar
+\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en
+\notes|\qb3h\en
+\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en
+\nspace
+\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en
+\qspace
+\Notes\tsslur1a\ibl0b2\zqb0a\qu d%
+ |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en
+\Notes\islurd2a\tqb0b\en
+\nspace
+\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}%
+ |\ibsluru2g\zql e\qu g\en
+\qspace
+\Notes\zchar{-7}\Dep\liftds2\tqb0J%
+ |\roff{\stdstemfalse\tinynotesize\grcu c}\en
+%%% bar 17
+\bar
+\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p
+ \roff{\isslurd0F\zw F}%
+ |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en
+\Notes|\ttie1\tslur2e\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 18
+\bar
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en
+\znotes|\tubslur5j\tqh1m\en
+\qspace
+\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en
+\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en
+\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en
+%%% bar 19
+\bar
+\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a%
+ |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en
+\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en
+\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}%
+ \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N%
+ |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en
+%%% bar 20
+\def\atnextline{\Liftslur04}\bar
+\Notes\tdbslur0M\zql M%
+ \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}%
+ \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a%
+ |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en
+\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K%
+ |\tubslur3g\zhl c\zh g\hu e\en
+\Notes\ibl0J{-1}\qb0J\qb0I\en
+\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en
+%%% bar 21
+\bar
+\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}%
+ |\liftqp{-4}\issluru1g\hu f\en
+\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en
+\Notes|\ttie1\tubslur2f\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 22
+\bar
+\def\tx#1{\cchar{14}{\twelveit #1}}%
+\def\rtx#1{\zchar{14}{\twelveit #1}}%
+\def\ctx{\cchar{14}{\twelveit --}}%
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en
+\Notes|\tubslur5l\tqh1o\en
+\nspace
+\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp
+ \isslurd0G\zhp{G^I}\hlp{^b}%
+ |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en
+\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en
+%%% bar 23
+\bar
+\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c%
+ |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en
+\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\en
+\qspace
+\Notes\tqh0a|\tqh3h\en
+\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}%
+ |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en
+\nspace
+\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en
+%%% bar 24
+\bar
+\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en
+\Notes\ctx|\tubslur3k\tqh1k\en
+\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J%
+ |\isluru2i\zql N\zq b\ibu1c2\qb1d\en
+\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en
+\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J%
+ |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en
+%\mulooseness-2\relax
+\mulooseness-1\relax
+\Endpiece\eject\endmuflex\end
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex
new file mode 100644
index 00000000000..25e4d9304a8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex
@@ -0,0 +1,786 @@
+\title{Toccata}
+\shortauthor{Ch.-M. Widor}
+\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)}
+\fullauthor{Charles-Marie WIDOR}
+\maketitle
+\parindent 13mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{0}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax
+\def\Mordant{\mordant{10}}%
+%\check
+\def\instrumenti{Manuel}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause}
+\def\tnotes{\temps\notes}
+\def\zbnotes{\zbarre\notes}
+\def\doubler{\multiply\noteskip by 2\relax}%
+\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}%
+% formes frequentes
+%
+\def\qbupz#1{\upz{#1}\qb0{#1}}
+\def\qhlpz#1{\lpz{#1}\qh0{#1}}
+%\check
+\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by 2\ibbl0{#9}0}\relax
+\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}%
+\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}%
+%\check
+\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by -2\ibbu0{#1}0}\relax
+\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}%
+\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}%
+\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5}
+\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5}
+%\check
+%
+\def\culpz#1{\lpz{#1}\cu{#1}}%
+\def\clupz#1{\upz{#1}\cl{#1}}%
+%
+%\check
+% double accord de 4 + soupir
+\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk
+\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}%
+\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk
+\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}%
+%
+\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk
+\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}%
+\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk
+\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}%
+%
+%\check
+% double accord de 3 + soupir
+\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk
+\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}%
+\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk
+\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}%
+\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk
+\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}%
+%
+\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}%
+\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk
+\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}%
+\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk
+\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}%
+%
+%\check
+% double accord de 2 + soupir
+\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk
+\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}%
+\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk
+\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}%
+%
+% double accord de 3 doubles croches
+\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}%
+\lpz{#3}\zq{#1#2}\tqh0{#3}}%
+\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}%
+\upz{#1}\zq{#1#2}\tqb0{#3}}%
+%
+% double accord de 2 doubles croches
+\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}%
+\lpz{#2}\zq{#1}\tqh0{#2}}%
+\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}%
+\upz{#1}\zq{#1}\tqb0{#2}}%
+%
+% double accord de 3 + soupir
+\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}%
+%
+% double accord de 2 + soupir
+\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk
+\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}%
+%
+% double accord de 3 doubles croches
+\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}%
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}%
+\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}%
+\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}%
+%
+% double accord de 2 doubles croches
+\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax
+\lpz{#2}\rq{#1}\tqh0{#2}}%
+%
+% accord de 4, 3 doubles croches inf
+\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbut{#2}{#3}{#4}}%
+%\check
+%
+% accord de 4, 2 doubles croches sup
+\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbud{#1}{#2}}%
+%\check
+%
+% accord de 4, 2 doubles croches med
+\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbud{#2}{#3}}%
+%\check
+%
+% accord de 2, 2 doubles croches med
+\def\lmotbbd#1#2#3{\dbud{#1}{#2}%
+\ddbud{#2}{#3}}%
+%\check
+%
+\def\bld#1#2{\zq{#2}\clupz{#1}}%
+\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}%
+\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}%
+\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}%
+\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}%
+%
+\def\bud#1#2{\zq{#1}\culpz{#2}}%
+\def\budr#1#2{\rq{#1}\culpz{#2}}%
+\def\but#1#2#3{\zq{#1#2}\culpz{#3}}%
+\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}%
+\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}%
+\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}%
+\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}%
+\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}%
+\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}%
+\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}%
+\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}%
+%\check
+%
+\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}%
+%\check
+%
+% accord de 3, final croche
+\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}%
+\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}%
+%\check
+%
+\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}%
+\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}%
+%\check
+%
+% accord de 2, final croche
+\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}%
+\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}%
+%\check
+%
+\def\register#1{\boxit{\hbox{\bf #1}}}
+%
+\generalmeter{\meterfrac 42}%
+%
+\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi
+\debutmorceau
+%
+\ifnum\musicsize=16\relax
+ \autolines{19}47\else
+ \autolines{19}36\fi
+%\check
+%
+\bigaccid
+\hyphenpenalty -50\relax
+\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro
+\bf(\metron{\qu}{100})}\enotes
+%
+%\check
+%
+% mesure 1
+\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+% mesure 2
+\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\ifnum\musicsize=16\relax
+ \autolines {17}47\else
+ \autolines {17}36\fi
+\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes
+% mesure 3
+\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes
+% mesure 4
+\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes
+% mesure 5
+\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes
+\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes
+\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+% mesure 6
+\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes
+\qspace
+\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes
+\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes
+\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes
+% mesure 7
+\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes
+\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes
+\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes
+\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes
+% mesure 8
+% increase the number of instruments at the next line change
+\def\manuale{}% nothing until changed
+\def\pedalepause{}%
+\def\atnextline{\nbporteesii=2\relax
+ \nbporteesi=1\relax
+ \def\nbinstruments{2}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax
+ \def\pedalepause{\Pause}\def\manuale{&}\relax
+ \signaturegenerale{-1}}\relax
+%
+\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes
+\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes
+%
+\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes
+\tnotes\manuale\na c\na l\tbuq ligc\relax
+ |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes
+% mesure 9
+%\check
+% modification de la liaison initiale en pizz.
+\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}%
+\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}%
+%\check
+\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}%
+\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}%
+%
+%\check
+\bnotes\zcharnote{E}{\llap{\ff}}\relax
+\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+% mesure 10
+\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes
+% mesure 11
+\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\hpause&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+% mesure 12
+\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes
+% mesure 13
+\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes
+\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes
+\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes
+\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+% mesure 14
+\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif
+o^n!l^j!h\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes
+\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif
+p!m!m!k=i\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif
+q!o!o!n^j\enotes
+% mesure 15
+\ifnum\musicsize=16\relax
+ \autolines{17}46\else
+ \autolines{17}35\relax
+\fi
+\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes
+\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes
+\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes
+\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes
+% mesure 16
+\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut
+ifd|\na p\umotif p^o^m^k=i\enotes
+\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes
+\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif
+q!n!n!l^j\enotes
+\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\sh f\tbutr ihf|\sh r\umotif
+r!p!p!o^k\enotes
+%\check
+% mesure 17
+\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif
+s^r=p!n!l\enotes
+\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes
+\zbnotes\tten1\hl L&\tbut jge|\umotif q!p!p!n!l\enotes
+\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes
+% mesure 18
+\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes
+\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif
+r^q!o!m!k\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\tbuqr ljig\relax
+ |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes
+% mesure 19
+\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes
+\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif
+r!q!o!m!l\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif
+q!o!o!l!j\enotes
+% mesure 20
+\bnotes\doubler\qlp K\sk\sk\cu D&\tbutr ihd|\umotif p!o!o!m!i\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes
+\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif
+o!n!n!l!h\enotes
+\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes
+% mesure 21
+\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes
+\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes
+\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes
+\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes
+%\check
+% mesure 22
+\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes
+\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes
+\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes
+\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes
+% mesure 23
+\global\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes
+\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes
+\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes
+\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt
+oki\na p\blt pki\enotes
+% mesure 24
+\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes
+\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes
+\qspace
+\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes
+\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes
+% mesure 25
+\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes
+\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes
+\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes
+\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax
+ \sh h\sh n\dblt njh\sh o\blt ojh\enotes
+% mesure 26
+\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt
+ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes
+\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes
+\qspace
+\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif
+ j!i!i!g!e\enotes
+\global\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif
+ n^m!j!i!g\enotes
+% mesure 27
+\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes
+\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes
+\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes
+\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes
+% mesure 28
+%\check
+\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif
+ p^o^m^k=i\enotes
+\tnotes\sk\hpause&\sh h\tbut hfd|\umotif o!m!m!k!i\enotes
+\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes
+\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif
+ r!o!o!m!k\enotes
+% mesure 29
+%\check
+\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif
+ r^q!p!m!k\enotes
+\tnotes\doubler\soupir\sk\dsoupir\cu I\relax
+&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes
+\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif
+ r^q!o!m!k\enotes
+\tnotes\doubler\soupir\sk\dsoupir\cu I\relax
+&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif
+ s!o!o_n_l\enotes
+% mesure 30
+%\check
+\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes
+\tnotes\sk\hpause
+&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+% mesure 31
+%\check
+\bnoteP&\zcharnote N{\llap{\register{II} }}%
+\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}%
+\umotif r^q!o!m!k\enotes
+\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+% mesure 32
+%\check
+\bnoteP&\qsk\zcharnote a{\llap{(II)}}%
+\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}%
+\umotif r^q^n!m!k\enotes
+\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+% mesure 33
+%\check
+\signaturegenerale{2}\Changecontext
+\ifnum\musicsize=16\relax
+ \def\atnextline{\nbporteesi=2\relax
+ \def\nbinstruments{1}\relax
+ \global\cleftoksi={{0}{0}{0}{0}}\relax
+ \def\pedalepause{}\def\manuale{}}\fi
+%
+\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes
+\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes
+\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes
+\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes
+\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes
+%
+% mesure 34
+\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes
+\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes
+\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes
+\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes
+%
+%\check
+% mesure 35
+\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes
+\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes
+\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes
+\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes
+%
+%\check
+% mesure 36
+\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi
+%
+\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes
+\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes
+\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes
+\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes
+%
+%\check
+% mesure 37
+\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes
+\qspace
+\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes
+\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes
+\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes
+%
+%\check
+% mesure 38
+\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes
+\qspace
+\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid
+ \lsh n\lsh i\sh k\sh g\tblq nkig\enotes
+\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes
+\qspace
+\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes
+%\check
+% mesure 39
+\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes
+\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes
+\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes
+\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes
+%
+%\check
+% mesure 40
+\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes
+\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes
+\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes
+\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}%
+\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes
+\ifnum\nbinstruments=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\else
+ \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi
+\changeclefs
+%\check
+% mesure 41
+\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk
+ \mmotif j!i!i^g^e\enotes
+\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes
+\qspace
+\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes
+\qspace
+\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes
+\ifnum\nbinstruments=1\relax
+ \global\cleftoksi={{0}{0}{0}{0}}\else
+ \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi
+\addspace{-\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes
+%\check
+% mesure 42
+\bnotes\pedalepause\manuale
+\zcharnote o{\it cresc.}\relax
+ \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes
+\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes
+\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes
+\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes
+%
+%\check
+% mesure 43
+\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes
+\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes
+\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes
+\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes
+%
+% mesure 44
+\barre
+\def\atnextline{\nbporteesii=2\relax
+ \nbporteesi=1\relax
+ \def\nbinstruments{2}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax
+ \def\pedalepause{\Pause}\def\manuale{&}\relax
+ \signaturegenerale{2}}\relax
+%
+\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk
+ \umotif r=o!o^m!k\enotes
+\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes
+\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes
+\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes
+%
+%\check
+% mesure 45
+\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax
+\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk
+ \bigsh s\umotif s>r!q!p^l\enotes
+\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes
+\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\ddbudr ji|\umotif s!r^q!p!l\enotes
+\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes
+%
+%\check
+% mesure 46
+\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid
+\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes
+\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes
+\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes
+\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes
+%
+% mesure 47
+\generalsignature{-1}\Changecontext
+\notes\doubler\pt 5\soupir\sk\sk
+ \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes
+\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes
+\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes
+\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes
+%
+%\check
+% mesure 48
+\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl
+b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk
+ \zmidtwotext{\llap{\ff}}\bigaccid
+\dbltl mhi\budr ih|\qsk\qsk
+\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes
+\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes
+\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+%\check
+%
+% mesure 49
+\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax
+ \zcharnote a{\llap{(I)}}\bigaccid
+\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk
+ \umotif t!s_r_q!m\enotes
+\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes
+%\check
+%
+% mesure 50
+\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+% mesure 51
+\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes
+% mesure 52
+\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes
+\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes
+\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes
+\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes
+% mesure 53
+\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes
+\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes
+\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes
+% mesure 54
+\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes
+\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes
+\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes
+\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes
+% mesure 55
+\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif
+o^n!l^j!h\enotes
+\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes
+\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif
+p!m!m!k=i\enotes
+\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif
+q!o!o!n^j\enotes
+% mesure 56
+\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes
+\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes
+\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes
+\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes
+% mesure 57
+\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut
+ifd|\na p\umotif p^o^m^k=i\enotes
+\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes
+\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif
+q!n!n!l^j\enotes
+\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif
+r!p!p!o^k\enotes
+%\check
+% mesure 58
+\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif
+s^r=p!n!l\enotes
+\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes
+\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q!p!p!n!l\enotes
+\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes
+% mesure 59
+\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes
+\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif
+r^q!o!m!k\enotes
+\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax
+ |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes
+% mesure 60
+\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes
+\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes
+\zbnotes\doubler\zh M\hu F&\tbut khf|\sh q\umotif
+r!q!o!m!l\enotes
+\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif
+q!o!o!l!j\enotes
+% mesure 61
+\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes
+\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes
+\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif
+o!n!n!l!h\enotes
+\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes
+% mesure 62
+\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes
+\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes
+\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes
+\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes
+%\check
+% mesure 63
+\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes
+\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes
+\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes
+\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes
+%\check
+% mesure 64
+\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes
+\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes
+\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes
+\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes
+%
+% mesure 65
+\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax
+ \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes
+\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes
+\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes
+\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes
+%
+% mesure 66
+\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax
+ \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes
+\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes
+\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes
+%
+% mesure 67
+\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes
+\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes
+\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes
+%
+% mesure 68
+\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes
+\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes
+\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre
+ diminuendo}\mmotif j!i!i!f!c\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax
+ |\mmotif j!h!h!f!c\enotes
+%
+% mesure 69
+\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes
+\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes
+%
+% mesure 70
+\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax
+\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes
+\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes
+\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes
+\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes
+%
+% mesure 71
+\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler
+ \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes
+\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\sk\hpause&\Mmotif hgfda|\doubler
+ \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes
+%
+% mesure 72
+\bnotes\doubler\upz M\ql M\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes
+\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes
+\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes
+%
+% mesure 73
+\bnotes\doubler\qsk\upz f\ql f\sk\soupir
+ &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes
+\tnotes\doubler\upz f\ql f\sk\soupir
+ &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes
+\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes
+\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes
+%
+% mesure 74
+\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax
+\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid
+\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax
+|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}%
+%\check
+\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler
+ \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax
+ |\Mmotif jhhfc\enotes
+\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc.
+ }}\Xmotif j=i!h!f!c\enotes
+\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes
+\tnotes&\Xmotif o^n!m!j!h\enotes
+%
+% mesure 75
+\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes
+\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes
+\tnotes&\Xmotif m!l!j!h!f\enotes
+\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes
+\tnotes&\Xmotif q=p!o!m!j\enotes
+%
+% mesure 76
+\ifnum\musicsize=16\relax
+ \elemskip=0.66\elemskip\advance\barsinline by -1\fi
+\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes
+\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes
+\temps\NOTEs\wh F|\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes
+%
+% mesure 77
+\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk
+ \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes
+\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk
+|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes
+% mesure 78
+\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi
+ \tinynotesize\itenl2F\cu F&\tinynotesize
+ \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes
+\NOTES\tten2\pointdurgue E\zbv F\zbv M|\relax
+ \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes
+\temps\temps\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\varaccid
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex
new file mode 100644
index 00000000000..4a0b638da01
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex
@@ -0,0 +1,17 @@
+%\input musicnft
+%\input musictex
+%\input musicsty
+
+\musicsize=16\relax
+\vsize 275mm
+\tracingstats=2\relax
+
+\barsinline=0\relax
+\linesinpage=0\relax
+\staffbotmarg\Interligne
+\resetfacteurs
+\computewidths
+%
+\input widor
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex
new file mode 100644
index 00000000000..9b39f6417c5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex
@@ -0,0 +1,11 @@
+\musicsize=20\relax\hyphenation{re-gis-tra-tion}
+\csname french\endcsname
+\tracingstats=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+%
+\input widor
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/license.txt b/Master/texmf-dist/doc/generic/musixtex/license.txt
new file mode 100644
index 00000000000..180cc2345b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/license.txt
@@ -0,0 +1,20 @@
+
+
+ MusiXTeX may be freely copied, duplicated and used. However, since it is
+intended to be a "no cost software" you are not allowed to sell it, and the fee
+you may ask for distributing it must be limited to maintenance, support and
+duplication costs. You may take it or parts of it to include in other
+packages, but no packages called MusiXTeX may be distributed under this name
+if different from the original distribution (except obvious bug corrections).
+
+ Adaptations for specific implementations (e.g. fonts) should be provided as
+separate additional TeX or LaTeX files which override original definition.
+
+ MusiXTeX may be included in further commercial packages, provided that no
+additional fee is charged for MusiXTeX itself.
+
+ Daniel Taupin
+ mailto:taupin@lps.u-psud.fr
+ Laboratoire de Physique des solides
+ batiment 510, centre universitaire
+ F - 91405 ORSAY cedex
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat
new file mode 100644
index 00000000000..fea551442f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat
@@ -0,0 +1,16 @@
+rem cm-ltx2e = latex2e based on cm* fonts
+del musixdoc.mx*
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+musixflx musixdoc
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+makeindx musixdoc.idx
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+makeindx musixdoc.idx
+call cm-ltx2e musixdoc
+call prthplj musixdoc musixdoc.lj
+%emtexdir%\bin\dvips32 musixdoc -o musixdoc.ps -P300 -ta4
+:end
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1 b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1
new file mode 100644
index 00000000000..61ad824438c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1
@@ -0,0 +1,937 @@
+0.83
+S
+284.52756pt
+0.0pt
+0.0pt
+8.0pt
+5.99998pt
+15.99998pt
+16.99997pt
+0 0 14.75002pt
+0 1 47.99988pt
+0 1 0.0pt
+0 0 0.4pt
+b 1
+1 1 55.99988pt
+1 1 0.0pt
+1 0 0.4pt
+b 2
+2 1 67.99985pt
+2 1 0.0pt
+2 0 0.4pt
+b 3
+r
+3 1 55.99988pt
+3 1 0.0pt
+3 0 0.4pt
+b 4
+* 0 0
+4 1 55.99988pt
+4 1 0.0pt
+4 0 0.4pt
+b 5
+5 1 79.99982pt
+5 1 0.0pt
+5 0 0.4pt
+b 6
+r
+6 1 85.9998pt
+6 1 0.0pt
+6 0 0.4pt
+b 7
+* 0 0
+7 1 55.99988pt
+7 1 0.0pt
+7 0 0.4pt
+b 8
+r
+8 1 55.99988pt
+8 1 0.0pt
+8 0 4.90004pt
+b 9
+* 0 0
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+\lineset{ 27}{ 7}{ 4.25785pt}{ 5.67715pt}{-1.41929pt}% 1 - 7
+\lineset{ 28}{ 5}{ 5.22278pt}{ 6.96373pt}{ 0.00000pt}% 0 - 4
+\lineset{ 29}{ 5}{ 5.81698pt}{ 7.75599pt}{ 0.00000pt}% 4 - 8
+\lineset{ 30}{ 4}{ 4.17787pt}{ 5.57051pt}{ 0.00000pt}% 1 - 4
+\lineset{ 31}{ 4}{ 4.25498pt}{ 5.67332pt}{ 0.00000pt}% 1 - 4
+\lineset{ 32}{ 1}{ 9.84386pt}{ 3.28130pt}{ 0.00000pt}% 1 - 1
+\lineset{ 33}{ 1}{ 9.84386pt}{ 3.28130pt}{ 0.00000pt}% 2 - 2
+\lineset{ 34}{ 1}{ 8.40486pt}{ 2.80163pt}{ 0.00000pt}% 3 - 3
+\lineset{ 35}{ 1}{10.00640pt}{ 3.33548pt}{ 0.00000pt}% 4 - 4
+\lineset{ 36}{ 1}{10.03562pt}{ 3.34522pt}{ 0.00000pt}% 5 - 5
+\lineset{ 37}{ 1}{12.78253pt}{ 4.26086pt}{ 0.00000pt}% 0 - 0
+\lineset{ 38}{ 1}{11.11860pt}{ 3.70621pt}{ 0.00000pt}% 6 - 6
+\lineset{ 39}{ 1}{11.85004pt}{ 3.95003pt}{ 0.00000pt}% 7 - 7
+\lineset{ 40}{ 5}{10.89547pt}{ 3.63184pt}{ 0.00000pt}% 8 - 12
+\lineset{ 41}{ 4}{14.36894pt}{ 4.78966pt}{ 0.00000pt}% 13 - 16
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf b/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf
new file mode 100644
index 00000000000..e4082800e8a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty
new file mode 100644
index 00000000000..269cd551814
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty
@@ -0,0 +1,107 @@
+%
+% This file is part of MusiXTeX
+%
+% MusiXTeX is free software; you can redistribute it and/or modify
+% it under the terms of the GNU General Public License as published by
+% the Free Software Foundation; either version 2, or (at your option)
+% any later version.
+%
+% MusiXTeX is distributed in the hope that it will be useful,
+% but WITHOUT ANY WARRANTY; without even the implied warranty of
+% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+% GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with MusiXTeX; see the file COPYING. If not, write to
+% the Free Software Foundation, Inc., 59 Temple Place - Suite 330,
+% Boston, MA 02111-1307, USA.
+%
+% american people perhaps may want to change the paper size
+
+\textheight= 50\baselineskip
+\textwidth= 210mm \advance\textwidth-2in %
+
+\input musixtex
+\input musixbm
+\input musixcho
+\input musixdat
+\input musixext
+\input musixgre
+\input musixgui
+\input musixlit
+\input musixltx
+\input musixper
+\input musixmad
+
+% we don't need margin
+\oddsidemargin\z@ \evensidemargin\z@
+\marginparwidth\z@ \marginparsep\z@ \marginparpush\z@
+
+\topmargin-15pt \headheight12pt
+\headsep25pt \footskip25pt
+\columnsep10pt \columnseprule\z@ \parskip\smallskipamount
+
+\nobarnumbers
+
+% for usage of notes inside text
+\let\nblines\z@
+
+\long\def\theindex{\chapter{Index}\parindent\z@
+ \parskip\z@ plus.3\p@\relax \let\item\@idxitem \columnseprule\z@
+ \columnsep35\p@ \begin{multicols}{2}}
+
+\def\endtheindex{\end{multicols}}
+
+% saves paper
+\def\@listI{\leftmargin\leftmargini \parsep 4.5\p@ plus2\p@ minus\p@
+\topsep 1\p@ plus2\p@ minus1\p@
+\itemsep 4.5\p@ plus2\p@ minus\p@}
+
+% more place for digits in \tableofcontents
+\def\l@subsection{\@dottedtocline{2}{3.8em}{3.4em}}%original 2 3.8 3.2
+
+\def\tty{\csname normalshape\endcsname\csname mediumseries\endcsname\tt}
+\def\mutex{M\raise\tw@\p@\hbox{\kern\m@ne\p@ u\kern\m@ne\p@}\TeX}
+\def\Bslash{\tt\char'134}
+\def\|{{\tt\char'174}}
+\def\LBR{{\tt\char'173}}
+\def\RBR{{\tt\char'175}}
+\def\keyindex#1{\leavevmode
+ \hbox{\Bslash #1}\index{#1@{\protect\Bslash #1}}}
+\def\zkeyindex#1{\index{#1@{\protect\Bslash #1}}}
+\def\ixem#1{#1\index{#1}}
+\def\itxem#1{\ital{#1}\index{#1}}
+\def\ttxem#1{{\tt #1}\index{#1@{\tt #1}}}
+\def\ital#1{{\sl #1\/}}
+
+\newfont{\mflogo}{logo10 scaled 1200}
+\def\MF{{\mflogo METAFONT}}
+\def\unix{{\sc unix}}
+
+\iflongDCfontnames
+ \font\tentt=\fontid tt1000
+\else\iflongECfontnames
+ \font\tentt=\fontid tt1000
+\else
+ \font\tentt=\fontid tt10
+\fi\fi
+% It's under construction
+\tolerance10000\hbadness10000
+
+\def\printindex{\@input{\jobname.ind}}
+
+\def\underscoreSymbol{\leavevmode \kern.06em \vbox{\hrule width.3em}}%
+
+\def\_{\protect\underscoreSymbol}
+
+\def\remark{\par\noindent\sl REMARK:}
+\def\endremark{\leavevmode\/}
+
+\def\important{\par\noindent\sl IMPORTANT:}
+\def\endimportant{\leavevmode\/}
+
+\def\caution{\par\noindent\sl CAUTION:}
+\def\endcaution{\leavevmode\/}
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
new file mode 100644
index 00000000000..68d837a6ae5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
@@ -0,0 +1,8180 @@
+%
+% This file is part of MusiXTeX
+%
+% MusiXTeX is free software; you can redistribute it and/or modify
+% it under the terms of the GNU General Public License as published by
+% the Free Software Foundation; either version 2, or (at your option)
+% any later version.
+%
+% MusiXTeX is distributed in the hope that it will be useful,
+% but WITHOUT ANY WARRANTY; without even the implied warranty of
+% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+% GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with MusiXTeX; see the file COPYING. If not, write to
+% the Free Software Foundation, Inc., 59 Temple Place - Suite 330,
+% Boston, MA 02111-1307, USA.
+%
+
+\ifx\documentclass\undefined
+ \documentstyle[twoside,11pt,musixdoc,multicol,backgrnd]{report}
+\else
+ \documentclass[twoside,11pt]{report}
+ \usepackage{multicol}
+ \usepackage{musixdoc}
+ \usepackage{backgrnd}
+% \usepackage{amsmath}
+% \usepackage[emtex]{changebar}
+\fi
+\def\musictex{Music\TeX{}}
+
+\ifx\setendvolta\undefined\def\setendvolta{\endvolta}\fi
+\ifx\setendvoltabox\undefined\def\setendvoltabox{\endvoltabox}\fi
+
+\startmuflex\makeindex
+
+\begin{document}
+
+%\changebarsep 10 pt
+\title{\Huge\bf\musixtex\raise1.5ex\hbox{\large\copyright}\\[\bigskipamount]
+\LARGE\bf Using \TeX{} to write polyphonic\\or
+instrumental music\\\Large\sl Version T.104~-- \today}
+\author{\Large\rm Daniel \sc Taupin\\\large\sl
+ Laboratoire de Physique des Solides\\\normalsize\sl
+ (associ\'e au CNRS)\\\normalsize\sl
+ b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\ E-mail : {\tt
+taupin@lps.u-psud.fr}\\\medskip
+ \\\Large\rm Ross \sc Mitchell\\\large\sl
+ CSIRO Division of Atmospheric Research,\\\normalsize\sl
+ Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip
+ \\\Large\rm Andreas \sc Egler\ddag\\\large\sl
+ (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum}
+\date{}
+%\show\maketitle
+\let\endtitleORI\endtitlepage
+ \def\endtitlepage{\vfill\noindent $^\ddag$ {\it For personal reasons, Andreas
+Egler decided to retire from authorship of this work. Nevertherless, he has
+done an important work about that, and I decided to keep his name on this
+first page. {\sc D. Taupin}}\endtitleORI}
+ \maketitle
+\clearpage
+ %\check
+
+\thispagestyle{empty}
+
+\null
+\vfill
+
+\begin{flushright}\it
+%.. All the possible is done,\\
+%the impossible is being done,\\
+%for miracles I ask for some delay.\\[\smallskipamount]
+%{\sc N.N.}\\[\bigskipamount]
+%...~time after time~...\\[\smallskipamount]
+%{\sc Cindy Lauper}\\[\bigskipamount]
+ If you are not familiar with \TeX{} at all\\
+I would recommend to find another software\\
+package to do musical typesetting.\\
+Setting up \TeX{} and \musixtex\\
+on your machine and mastering it\\
+is an awesome job which gobbles up\\
+a lot of your time and disk space.\\[\medskipamount]
+But, once you master it...\\[\smallskipamount]
+{\sc Hans Kuykens}
+\end{flushright}
+
+\begin{center}
+ Although one of the authors contested that point once the common work had
+begun, \musixtex{} may be freely copied, duplicated and used in conformance to
+the GNU General Public License (Version 2, 1991, see included file {\tt
+copying})\footnote{Thanks to Free Software Foundation for advising us. See
+{\tt http://www.gnu.org}}.
+
+You may take it or parts of it to include in other packages, but no packages
+called \musixtex{} without specific suffix may be distributed under the name
+\musixtex{} if different from the original distribution (except obvious bug
+corrections).
+
+ Adaptations for specific implementations (e.g. fonts) should be provided as
+separate additional TeX or LaTeX files which override original definition.
+
+ \end{center}
+
+\clearpage
+
+\setcounter{page}1
+\tableofcontents
+\setcounter{secnumdepth}3
+\pagestyle{headings}
+
+\chapter{What is \musixtex{} ?}
+
+\hrule\smallskip
+\section*{Preface}
+
+\noindent Dear user,
+
+This is still an imperfect version, which means that some features will be
+added or corrected. However our intent is to avoid removing existing commands,
+in order to spare your own adaptation problems or your typing time correcting
+scores you already have in your archive.
+
+
+Sections marked with a star, or paragraphs marked ``???'' or ``.!.'', indicate
+either that text is partly missing, or that something might change at a
+next release.
+
+ \smallskip
+ \noindent{\bf Remarque, Bemerkung, Cuidado, etc.:} If you have problems
+understanding technical musical terms in english, please look at:
+
+\begin{center} ftp://ftp.gmd.de/music/lists/glossary/glossary.ps \end{center}
+which gives the translation of most terms into French, German, Dutch, Danish
+and Swedish. This file {\tt glossary.eps.gz} is also included in the
+distribution.
+\index{glossary}\index{glossaire}\index{lexique}\index{traduction}\index{dictionnaire}
+
+ \smallskip\hrule\medskip
+
+ \musixtex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or
+polyphonic music. Therefore, it is mainly supposed to be used to type wide
+scores -- just because true musicians seldom like to have to frequently turn
+pages -- and this is not really compatible with \LaTeX's standard page
+formats. Even with \verb|A4.sty|, the \verb|\textheight| and \verb|\textwidth|
+are too small for musician needs.
+
+
+However, a \LaTeX\ style has also been provided (and it is used for the
+typing of the present paper) but this \verb|musixtex| style is fit for
+musicographic books rather than for normal scores to be actually played.
+
+ It should be emphasized that \musixtex\ is not intended to be a
+compiler which would translate some \ixem{standard musical
+notation}s into \TeX\, nor to decide by itself about aesthetic problems in music typing.
+\musixtex\ only typesets staves, notes, chords, beams, slurs and ornaments as
+requested by the composer. Since it makes very few typesetting decisions,
+\musixtex\ appears to be a versatile and rather powerful tool. However, due
+to the important amount of information to be provided to the typesetting
+process, coding \musixtex\ might appear to be as awfully complicated as
+the real keyboard or orchestral music. It should therefore be interfaced by
+some pre-compiler in the case of the composer/typesetter wanting aesthetic
+decisions to be automatically made by somebody (or something) else.
+%
+%\footnote{A short description to all known compilers for \musixtex\ can be
+%found on page \pageref{compiler}f.}.
+
+\section{\musixtex\ principal features}
+ %\check
+ \subsection{Music typesetting is two-dimensional} Most people who have just
+learned a bit of music at college, probably think that music is a linear
+sequence of symbols, similar to literary texts to be \TeX-ed. On the contrary,
+with the exception of strictly monodic instruments like most orchestral wind
+instruments and solo voices, one should be aware that
+reading music is actually a matricial operation: the non-soloist musician
+successively reads \ital{columns} of simultaneous notes which he
+plays if he is a pianist, clavichordist or organist, which he reads
+and watches if he
+conducts an orchestra, and which he is supposed to check and partially play
+when he is a soloist who wants to play in time with the accompanying
+instrument or choir.
+
+ In fact, our personal experience of playing piano and organ as well as
+sometimes helping as an alternate Kapellmeister leads us to think that music
+reading and composing is actually a slightly more complicated intellectual
+process: music reading, music composing and music thinking seem to be a three
+layer process. The musician usually reads or thinks several consecutive notes
+(typically a long \ital{beat} or a group of logically connected notes), then
+he goes down to the next instrument or voice and finally assembles the whole
+to build a sequence of music lasting roughly a few seconds. He then proceeds
+to the next \ital{beat} or \ital{bar} of his score.
+
+ Thus, it appears that the humanly logical way of coding music consists
+in horizontally accumulating a set of \ital{vertical combs} with
+\ital{horizontal teeth} as described in Table \ref{readtable}.
+\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}}
+ \begin{table}
+ \begin{center}
+ \begin{tabular}{|ll|ll|}\hboxit{note sequence one}
+ &\hboxit{note seq.\ four}
+ &\hboxit{note seq.\ seven}
+ &\hboxit{note seq.\ ten}\\\hboxit{note sequence two}
+ &\hboxit{note seq.\ five}
+ &\hboxit{note seq.\ eight}
+ &\hboxit{note seq.\ eleven}\\\hboxit{note sequence three}
+ &\hboxit{note seq.\ six}
+ &\hboxit{note seq.\ nine}
+ &\hboxit{note seq.\ twelve}\\
+ \end{tabular}
+ \end{center}
+ \caption{The order in which a musician reads music}\label{readtable}
+ \end{table}
+This is the reason
+why, in \musixtex\ the fundamental \ital{macro} is of the form
+\begin{center}
+\verb|\notes ... & ... & ... \enotes|\footnote{Also
+available for \keyindex{enotes} is the abbreviation \keyindex{en}.}
+\end{center}\index{\&}
+\noindent where the character \verb|&| is used to separate the notes to be
+typeset on respective staffs of the various instruments, starting from the
+bottom.
+
+In the case of an instrument whose score has to be written with
+several staffs, these staffs are separated by the
+character \|. \index{"|@{\tt\char'174}}
+Thus, a score written for a keyboard instrument and
+a monodic instrument (for example piano and violin)
+will be coded as follows:
+\begin{center}
+\verb=\notes ... | ... & ...\enotes=
+\end{center}
+\noindent for each column of simultaneous \ital{groups of notes}.
+It is worth emphasizing that we actually said \ital{``groups of notes''}:
+this means that in each section of the previous macro, the music typesetter is
+welcome to insert, not only chord notes to be played at once, but small
+sequences of consecutive notes which build something he understands as a
+musical phrase. This is why note typing macros are of two kinds in \musixtex,
+namely the note macros which are not followed by spacing afterwards, and those
+which induce horizontal spacing afterwards.
+ \subsection{The spacing of the notes} It seems that many books have dealt
+with this problem. Although it can lead to interesting algorithms, we think it
+is not an important point in practice.
+
+In fact, each column of notes has not necessarily the same spacing
+and, in principle, this \itxem{spacing} should depend on the shortest
+duration of the simultaneous notes. But this cannot be established as a rule,
+for at least two reasons:
+\begin{enumerate}
+ \item spacing does not depend only on the local notes,
+but also on the context, at least in the same bar.
+ \item in the case of polyphonic music, exceptions can easily be found.
+Here is an example:
+
+\begin{music}
+\generalmeter{\meterfrac44}
+\startextract\NOtes\zhu j\ql h\hl g\hu k\ql f\enotes\endextract
+\end{music}
+\noindent where it can be clearly seen that the half notes at beats 2 and 3
+must be spaced as if they were quarter notes since they overlap, which is
+obvious only because of the presence of the indication of the
+\itxem{meter} 4/4.
+\end{enumerate}
+So the typesetter has to take care of good readable spacings on his own.
+Therefore, we preferred to provide the composer/typesetter with a
+set of macros which can be found in \ref{newspacings}.
+ \subsection{Music tokens, rather than a ready-made generator}
+The tokens provided by \musixtex\ are:
+\begin{itemize}
+ \item the note symbols \ital{without stem};
+ \item the note symbols \ital{with stems, and hooks for eighth notes and
+shorter};
+ \item the indication of beam beginnings and beam ends;
+ \item the indication of beginnings and ends of ties and slurs;
+ \item the indication of accidentals;
+ \item the ornaments: arpeggios, trills, mordents, pinc\'es, turns, staccatos
+and pizzicatos, fermatas, etc.;
+ \item the bars, the meter and signature changes, etc.
+\end{itemize}
+ Thus, \verb|\wh a| produces an \ital{A (of nominal frequency 222.5~Hz,
+unless transposed)} of duration being a
+\ital{whole note}. In the same way, \verb|\wh h| produces an \ital{A
+(445~Hz)} of duration represented by a \ital{whole note}, \verb|\qu c|
+produces a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with
+stem up}, \verb|\cl J| produces a \ital{C (125~Hz approx.)} of
+duration equal to an \ital{eighth note with stem down}, etc.
+
+ To generate quarter, eighth, sixteenth, etc. chords, the macro \keyindex{zq}
+can be used: it produces a quarter note head, the vertical position of which
+is memorized and recalled when another stemmed note (possibly with a hook) is
+coded; then the stem is adjusted to link all simultaneous notes. Thus, the
+perfect C-major chord, i.e.
+
+\begin{music}
+\startextract\NOtes\zq{ceg}\qu j\en\endextract
+\end{music}
+ \noindent is coded \verb|\zq c\zq e\zq g\qu j| or, in a more concise way,
+\verb|\zq{ceg}\qu j| (stem up): in fact, single notes are treated\dots\ like
+one-note chords.
+ %\check
+
+ \subsection{Beams}
+\ital{Beams}\index{beams} are generated using macros which define their
+beginning (at the current horizontal position), together with their altitude,
+their direction (upper or lower), their multiplicity, their slope and their
+reference number. This latter feature -- the reference number -- appears to
+be necessary, since one may want to write beams whose horizontal extents
+overlap: therefore, it is necessary to specify which beam the notes belong to
+and which beam is terminated at a given position.
+ \subsection{Setting anything on the score}
+A general macro (\keyindex{zcharnote}) provides a means of
+putting any sequence of symbols (in fact, some \verb|\hbox{...}|) at any
+pitch of any staff of any instrument. Thus, any symbol defined in a font
+(letters, math symbols, etc.) can be used to typeset music.
+\section{A simple example}
+ Before giving more details, we give below an example of the two first
+bars of the sonata in C-major KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc
+Mozart, W.A.}}:
+
+\begin{music}
+\parindent10mm
+\setname1{Piano}
+\setstaffs12
+\generalmeter{\meterfrac44}
+\startextract
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en
+\bar
+\Notes\ibu0f0\qb0{dgf}|\qlp i\en
+\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\endextract
+\end{music}
+ The \ital{coding} is set as follows:
+\begin{quote}\begin{verbatim}
+\begin{music}
+\parindent10mm
+\instrumentnumber{1} % a single instrument
+\setname1{Piano} % whose name is Piano
+\setstaffs1{2} % with two staffs
+\generalmeter{\meterfrac44}% 4/4 meter chosen
+\startextract % starting real score
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en
+\bar
+\Notes\ibu0f0\qb0{dgf}|\qlp i\en
+\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\endextract % terminate excerpt
+\end{music}
+ \end{verbatim}\end{quote}
+\begin{itemize}
+ \item \verb|\ibu0f0| begins an upper beam, aligned on the
+\ital{f}, reference number 0, slope 0
+ \item \verb|\tbu0| terminates this beam before writing
+the second \ital{g} by means of \verb|\qb0g|
+ \item \verb|\qb..| indicates a note belonging to a beam.
+ \item \verb|\sk| sets a space between the two quarters in the right
+hand, so that the second is aligned with the third eighth of the left hand.
+ \item\verb|\qlp| is a quarter with a point.
+ \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C}
+(\verb|j| at this pitch) of slope 15\%.
+\end{itemize}
+
+\section{The three pass system}
+\TeX's line-breaking procedure implicitly assumes
+that a normal line of text will contain many words, so that inter-word
+glue need not stretch or shrink too much to justify the line.
+This strategy does not work very well for music. If each bar of music
+is treated as a word, in the sense that inter-bar glue is placed
+at the end of each bar, then the usual result is the appearance of
+unsightly gaps before each bar rule. This follows naturally from the
+fact that the number of bars per line is normally many fewer
+than the number of words in a line of text.
+
+To address the above aim, a three pass system was developed.
+On the first pass, information about each bar is written to
+an external file, by default \verb|jobname.mx1|.
+This file begins with a header listing parameters
+such as line width, paragraph indentation, clef, sign and meter widths,
+and the first-pass elemental spacing \keyindex{elemskip}.
+Width information within the bars is classified either as ``soft'' or ``hard'':
+``soft'' widths are those amenable to subsequent rescaling (e.g. a note box),
+while ``hard'' widths represent unscalable material such as clef symbols,
+key signatures and bar rules.\index{soft width}\index{hard width}
+
+After the first pass, an external routine is run to
+determine optimal values of the elemental spacing (\verb|\elemskip|)
+for each line, so as to properly fill each line, and to lead to
+the piece filling an integral number of lines. This routine was written
+in FORTRAN and now converted to C rather than \TeX, the main reason
+being the lack of an array
+handling capability in \TeX, and the concern that if such a routine
+were added to \musixtex, storage problems might be exacerbated.
+
+The resulting routine reads in the file \verb|jobname.mx1|, and writes its
+output to \verb|jobname.mx2|. The latter file contains a single entry for
+each line of music in the reformatted output. The key piece of information
+is the revised value of \keyindex{elemskip} for each line.
+
+Next, the file is re-\TeX-ed. On this third pass,
+the \verb|jobname.mx2| file is read in, and the information
+used as described above.
+
+To give an easy example: after pass 1 you get the following output:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\setsign1{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\raggedstoppiece\contpiece% this is cheated, the problem was to get
+% pass 1 and pass 3 at the same time
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\raggedstoppiece\contpiece
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\setdoubleBAR\raggedstoppiece
+\end{music}
+After running \verb|musixflx| and \TeX-ing the second time you'll get:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\Endpiece
+\end{music}
+which was coded as:
+\begin{verbatim}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\en\bar
+\NOtes\qu{gh}\en\bar
+\NOtes\qu{=b}\en
+\Notes\ds\cu g\en\bar
+\NOtes\qu{^f=f}\en\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\en\bar
+\Notes\ttie0\Qqbu ed{_d}c\en\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\en\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar
+\NOtes\qu c\qp\en\Endpiece
+\end{verbatim}
+The biggest advantage of using a 3-pass system is the very easy and fast
+alteration to the layout which is possible, especially of a long masterpiece,
+by changing only one parameter, namely \keyindex{mulooseness}. This value
+acts analogous to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you
+end a paragraph and state \verb|\looseness=-1| somewhere inside, then
+\TeX\ will try to make this paragraph one line shorter than it normally would.
+
+\musixtex\ does the same, but instead for paragraphs, for \ital{sections}.
+What is a \ital{section}? As long as you don't force a line break, this means
+the whole piece. When you force a line break with either
+\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece},
+\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne}
+\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage} you start a
+new \ital{section}. Somewhere\footnote{Advisably, at the beginning or
+at the end of the section, for the sake of clarity.}
+before the end of the \ital{section}, you can change the value of
+\keyindex{mulooseness} to something different from the default of 0.
+
+To give an easy example, changing the last line in the previous example to:
+\begin{verbatim}
+\NOtes\qu c\qp\en\mulooseness=1\Endpiece
+\end{verbatim}
+yields:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\mulooseness1\Endpiece
+\end{music}
+or:
+\begin{verbatim}
+\NOtes\qu c\qp\en\mulooseness=-1\Endpiece
+\end{verbatim}
+yields (a little bit tight, but only for the sake of
+demonstration of \keyindex{mulooseness}):
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\mulooseness-1\Endpiece
+\end{music}
+Here is the fastest way to get a satisfactory output:
+\begin{enumerate}
+ \item build up the piece bar\footnote{Or two or three,
+whatever you prefer.} by bar. Pay much attention to correct spacings, and go
+on only when you are really satisfied with them.
+ \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX.
+ \item Look at the output and decide if you want to have more or fewer
+systems lines, e.g.~to fill the page or to get an even number of
+pages.\index{musixflx@{\tt musixflx}}
+ \item Adjust \keyindex{mulooseness}. However, {\large\bf beware~:}
+\verb|\mulooseness| increases the target number of lines by its value. This is
+of no serious trouble for large pieces, but if you say \verb|\mulooseness=3|
+in a piece or in a section which only has 3 bars (three in the musical sense,
+i.e. two \verb|\bar| in the text), then {\tt musixflx} will not be able to split
+3 bars into 4 lines... and it will hopefully result in a diagnostic by {\tt
+musixflx}, but possibly also in an arithmetic fault...
+ \item Delete the \verb|jobname.mx2| and again\\
+\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX
+\quad\ital{(For hackers: watch the difference in {\tt jobname.mx1}!)}
+\end{enumerate}
+
+\begin{remark}
+Instead of looking at the output of the previous run and modifying the
+number of systems using \keyindex{mulooseness} one can directly specify
+the number of lines in a section by assigning a positive number to
+\keyindex{linegoal}. Use \keyindex{linegoal} in the same way as
+\keyindex{mulooseness} somewhere in a section, preferable at start
+or end. \keyindex{mulooseness} must be zero for \keyindex{linegoal}
+to work. Both are automatically set to zero after processing the end
+of a section e.g. by \keyindex{stoppiece}. \keyindex{linegoal}
+requires the latest version of musixflx (0.83).
+\end{remark}
+
+ \noindent If you have really followed this step by step, then your whole
+layout will be ready and you will not have to generate \verb|jobname.mx2|
+again. This only holds as long as you don't change any spacings.
+
+If you get the warning: \verb|You can't use \raise ...|, than read the upper
+paragraph again and follow the instruction of point 5.
+
+There are some more advantages. Without using \ital{glue},
+every horizontal position in a line can be computed. This enables using,
+e.g.~octave lines, without specifying a dimension, but by saying
+\verb|\i...| and \verb|\t...|.
+
+
+ \subsection{External executable {\tt musixflx}}
+One drawback affecting portability between computers is the executable
+{\tt musixflx}\index{musixflx@{\tt musixflx}}. We are still searching for
+people who are able to compile the C-source and maintain it.
+
+On most computers, the executable is invoked by typing the name of the program
+and the name of the file to be acted upon. \ital{i.e.}
+
+\verb|musixflx jobname.mx1|
+
+Optionally, you can add a letter to indicate one of the debug modes, which are:
+\begin{quote}
+\verb|d | for debug information to screen\\
+\verb|f | for debug information to file \verb|jobname.mxl|\\
+\verb|s | to get the computed lines immediately on screen
+\end{quote}
+To allow for ease of use with a batch file, \verb|musixflx| can either be fed
+with \verb|jobname.mx1|, \verb|jobname.tex| or only
+\verb|jobname|, all of which opens \verb|jobname.mx1|.
+
+ \medskip For large scores (more than 4 pages approximately), having
+only one section and an overall value of \verb|\mulooseness| becomes
+impractical since one wants not only to have nicely spaced systems, but one
+also usually wants to have completely filled pages to avoid empty top and
+bottom margins on the last page. It is then wise to force the total number of
+pages and maybe the line breaks in each page, which can be done by either using
+explicit \keyindex{alapage} and \keyindex{alaligne}, or more automatically by
+means of the \keyindex{autolines} command borrowed from \musictex\ and
+implemented in the additional {\ttxem{musixcpt.tex}} file.
+ \subsection{Restrictions and warnings} If you have worked with \musictex\
+before, you must be aware that two main things have changed, namely the
+spacing (and spacing commands) and the line breaking, see section~\ref{spacing},
+p.~\pageref{spacing} and section~\ref{linebreak} p.~\pageref{linebreak}.
+
+ %\check
+ A serious practical problem concerns the effect of unrecorded spaces, such as
+those created by source lines not ended by \verb|%| \index{%@{\tt\char37}} or
+\keyindex{relax} or another control sequence ending in a letter. These will
+result in the dreadful {\bf Overfull hbox} messages appearing during pass 3.
+
+\medskip
+\centerline{\boxit{Considerable discipline is needed to avoid this problem!}}
+
+When you start using this software package, you will spend a lot of time
+searching for the cause of over/underfull-hbox warnings, which will appear during
+pass 3. You may ignore them during pass 1,
+but \ital{you must} find their cause when they
+appear during pass 3.
+
+In \musixtex\ there is no glue (only $\pm$ 1pt behind \verb|\writesignatures|),
+so it works only if every space is recorded in the correct way. As a result,
+never use
+\verb|\hskip| or \verb|\kern| with the exception of \ital{zero}-boxes, like
+\verb|\rlap|, \verb|\llap|, \verb|\zcharnote|, \verb|\uptext|, etc., or
+(apparently) fixed length boxes like \verb|\hsong|. But that is not all---all
+spacing commands\footnote{Except {\Bslash hardspace} which is an exception and has
+the opposite purpose.} must be fed with scalable values
+(\ital{e.g.} \verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip| and
+\verb|\beforeruleskip|, optionally preceded by an integer or decimal number).
+
+\verb|musixflx| can't work if the values of \verb|\noteskip|,
+\verb|\afterruleskip|, \verb|\beforeruleskip|, are directly assigned
+``hard''\footnote{Hard values are all values which are not scalable}
+values in between
+\verb|\startpiece| and \verb|\stoppiece|\footnote{{\Bslash endpiece} has the
+same meaning}.\index{hard spacing}
+
+These restrictions make it hardly compatible with most sources designed for
+\musictex\footnote{Most examples provided by D. {\sc Taupin} in
+\musictex's distribution can be run with \musixtex\ without serious
+problems... However, they will eventually have to be corrected for the sake of
+compatibility.}. Most of them have to be adjusted to get things going.
+
+Some values are much more important than in \musictex,
+namely \verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|.
+The ratio between them is especially very important if you use
+\keyindex{mulooseness} often to adjust the number of lines:
+all of them are multiplied by the same factor in each section.
+ %\check
+ \subsection{\musixtex's laws}
+\begin{enumerate}
+ \item Never have a line that doesn't finish either with a control sequence
+or with a \verb|%|
+inside of \verb|\startpiece...\stoppiece|
+
+\begin{center}
+\Large\bf !!! \musixtex\ forgives NOTHING !!!
+\end{center}
+ (a space in the default font (using plain-\TeX) causes 3.33pt of unrecorded space,
+ but there is only $\pm$ 1pt of glue in \musixtex)
+ \item \verb|\off| must be used with relative values, like
+ \verb|\noteskip|, \verb|\elemskip|, \verb|\after[before]ruleskip|
+ \item \verb|\qsk| and \verb|\hqsk| are now scalable, e.g. \verb|\qsk|
+ doesn't mean exactly one note head width (it depends on \verb|\elemskip|
+ and \verb|flex_factor|)
+ \item Text of songs and any non-\musixtex\ text must be put in zero boxes, like
+ \verb|\zcharnote|, \verb|zchar|, \verb|rlap|, \verb|lrlap|, \verb|llap|,
+\verb|uptext|, \verb|zsong...|. However, specific features are now provided,
+namely \verb|\hardlyrics| and \verb|\hsong| (see \ref{lyrics},
+p.~\pageref{lyrics}).
+ \item Don't touch either \verb|\noteskip| with hard values,
+ or \verb|\after[before]ruleskip| at all inside of
+ \verb|\startpiece (\debutmorceau) ... \stop[end]piece (\susp[fin]morceau)|
+\end{enumerate}
+\section{Some highlights}
+ %\check
+ \subsection{Signatures}
+Signatures can be stated either for all instruments, for example by
+\keyindex{generalsignature}\verb|{-2}| which sets two flats on each staff, or
+separately for each instrument.
+
+Thus, the \keyindex{generalsignature}
+can be partly overridden by
+\keyindex{setsign}\verb|2{1}| which puts one
+sharp on the staffs of \itxem{instrument number} 2. Of course, the
+current signature may change at any time as well as the meters and clefs.
+ \subsection{Transposition}
+ An important question is: \ital{``can \musixtex\ transpose a score~?''}.
+The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register
+named \keyindex{transpose} the default value of which is zero, but it may be
+set to any reasonable positive or negative value. In that case, it offsets all
+symbols pitched with letter symbols by that number of pitch steps. However,
+it will neither change the signature nor the local accidentals, and if -- for
+example -- you transpose a piece written in $C$ by 1 pitch, \musixtex\ will
+not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might
+become tricky if accidentals occur within the piece, which might have to be
+converted into flats, naturals, sharps or double sharps, depending on the new
+chosen signature. To avoid this trouble, \ital{relative} accidentals
+have been implemented, the actual output of which depends on the pitch of
+this accidental and on the current signature.\index{relative accidentals}
+ %\check
+ \subsection{Selecting special instrument scores}
+Another question is: \ital{``can I write an orchestral score and extract the
+separate scores for individual instruments~?''} The answer is 95~\%
+\ital{yes}: in fact, you can define your own macros
+\verb|\mynotes...\enotes|, \verb|\myNotes...\enotes| with as many
+arguments as there are in the orchestral score (hopefully this
+is less than, or equal to
+9, but \TeX perts know how to work around) and change its definition
+depending on the selected instrument (or insert a test dependent
+on the value of some
+selection register). But the limitation is that the numbering of instruments
+may change, so that \verb|\setsign3| may have to become \verb|\setsign1| if
+instrument 3 is alone. But, in turn, this is not a serious problem for
+average \TeX\ wizard apprentices.
+ %\check
+ \subsection{Variable staff and note sizes}
+ Although the standard staff size is 20pt, \musixtex\ allows scores of 16pt
+and 24pt staff sizes. In addition, any instrument may have a special staff
+size (usually smaller than the overall staff size) and special commands
+\verb|\smallnotesize| or \verb|\tinynotesize| enable notes (and also beams or
+accidentals) to be of a smaller size, in order to quote optional notes or
+\ital{cadenzas}.
+ %\check
+\section{How to get it}
+Primary site is {\tt hprib.lps.u-psud.fr} (anonymous {\tt ftp}); say:
+
+ \verb|cd pub/musixtex|
+
+ \verb|mget musix*.tex| (to get the macros)
+
+ \verb|cd /pub/musixtex/mf|
+
+ \verb|mget *.mf| (to get the source of the fonts)
+
+ \verb|cd /pub/musixtex/tfm|
+
+ \verb|binary|
+
+ \verb|mget *.tfm| (to get the font metrics)
+
+\noindent or:
+
+ \verb|cd /pub/music\_zips|
+
+ \verb|binary|
+
+ \verb|mget musix*.zip| (to get the zipped packages specific to \musixtex)
+
+\medskip\noindent Official mirrors are
+the CTAN servers. To get it you have tou say:
+
+ \verb|cd ctan| (to go to the CTAN server)
+
+ \verb|cd macros/musixtex/taupin|
+
+ \verb|binary|
+
+ \verb|mget *.zip| (to get the zipped packages)
+
+\medskip The whole \itxem{distribution} can fit into a single 1.2Mbyte or
+1.44Mbyte diskette. All sources (including fonts) are provided,
+either separately or ``zipped''.
+
+{\sl REMARK: normally, the {\tt musixtex.zip} file expands into binary files
+valid for any system, and text files (the \TeX{} and \MF{} sources) in the
+\unix{} representation, namely with a ``LF'' character between each record. PC
+users might complain that their own coding is ``CR+LF'' (``CR'' usually
+appears as a ``{\tt \^{}M}''), but we checked that:
+ \begin{itemize}
+ \item the \ixem{MS-DOS} editor handles both denotations,
+ \item the ``emacs'' and ``microemacs'' also do,
+ \item the \TeX{} and \MF{} executable routines (et least the emTeX ones)
+also accept both representations.
+ \end{itemize}
+ However, for the sake of compatibility, we now provide two routines for PC's,
+namely {\tt dtou.exe} and {\tt utod.exe}, which convert text/source files
+from/to the MS-DOS denotation to/from the \unix{} denotation.
+}
+
+ %\check
+\section{Enhancements}
+ \subsection{Recent easy enhancements} Many enhancements have been asked for,
+to the ``father'' of \musixtex, namely \musictex, and this is a proof that it
+is considered as useful by many people. Some of these enhancements which
+seemed hard were in fact rather easy to implement, for example small notes to
+represent grace notes and cadenzas, or gregorian chant features.
+
+ Some of them were more difficult, such as handling of lyrics now provided
+since version T.40.
+ %\check
+ \subsection{Enhancement limitations}
+Many requested improvements have not been
+\ital{yet} implemented for several reasons:
+ \begin{itemize}
+ \item The authors' natural laziness (!)
+ \item More seriously: many of them would require using some more
+registers; unfortunately, \TeX\ registers are not numerous (256 of each
+kind and the limit of \keyindex{dimen} registers is nearly reached
+(especially using \LaTeX), but we do our best).
+ \item We do not think it is wise to introduce in \musixtex\ itself a great
+number of macros which would be poorly used by most users: the reason is that
+\TeX\ memory and --- moreover --- \TeX\ registers are severely limited and that
+unused macros may occupy many of these, leading to things crashing
+because of \verb|TeX capacity exceeded|.
+
+ Therefore, many additional library files are now provided, which may be
+invoked or not, depending on the user's specific needs. Most of them are used
+to compile this \LaTeXe\ manual... except the {\tt musixadd.tex} and {\tt
+musixmad.tex}.
+ \end{itemize}
+ %\check
+ \section{Acknowledgements} The idea of implementing the present package is
+due to the previous work (\mutex)\index{mutex@\protect\mutex} of \mbox{Andrea
+{\sc Steinbach}} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer
+A., \ital{Theses} (1987, 1988), Rheinische Friedrich-Wilhelms Universit\"at,
+Bonn, Germany.}. This work provided the basis of the Metafont codes which are
+still used here... with 100\% corrections and updates.\index{Schofer, A.@{\sc
+Schofer, A.}}\index{Steinbach, A.@{\sc Steinbach, A.}}
+
+
+ English language is progressively checked thanks to Cecil {\sc Churms} from
+National Accelerator Center (South Africa).
+
+ %\check
+\chapter{Practical use}
+\section{Heading statements}
+Before any reference to \musixtex\ macros:
+
+\verb|\input musixtex|\footnote{It is highly recommended to build up a format.
+If you don't know how to do, you can refer to the same instruction you
+perhaps heard or read before: ``Ask you local \TeX-wizard.''. Otherwise
+it might be a good idea to look at chapter \ref{installation}
+(``Installation'') where some hints are given to build a \musixtex\ format
+(ref{formatbuild}).}
+
+ %\check
+ \noindent which may be followed by \verb|\input musixadd| in the case you
+have more than six instruments or more than 6 simultaneous beams
+or ties or slurs.\index{musixtex.tex@{\tt musixtex.tex}}
+\index{musixadd.tex@{\tt musixadd.tex}}
+
+ %\check
+ After that, you may write a complete book of \TeX\ provided that you do not
+use \verb|&| as a tabulation character (its \keyindex{catcode} has been
+changed) inside the music score and that you do not overwrite \musixtex's
+definitions. This means that no special macros have been designed to help you
+write titles, author names, comments, literature excerpts, etc., unless you
+use \LaTeX\ with the \verb|musixtex| style.\index{\&}
+ %\check
+ \section{Before you
+begin to write notes}
+ \subsection{Warnings for the non \TeX pert}
+\begin{quote}
+
+ %\check
+When \TeX\ reads a parameter, it inputs one \ital{token}. This means
+\ital{one} figure or \ital{one} character or \ital{one}
+command\footnote{Syntactically, a \ital{command} is made of a
+\ital{backslash} (``{\Bslash}'') immediately followed by sequence of
+\ital{letters}.}. If you want to give more than one char or e.g. a negative
+number(`-' is one token and a digit is one) or a command which reads another
+parameter, then you have to use braces to transfer the parameter correctly.
+For example, the command \verb|\meterfrac| reads two parameters; if you want
+to declare a $\frac{8}{12}$ timing and you code: \verb|\meterfrac812|, then
+you will get a $\frac{8}{1}$ timing and a misplaced ``\verb|2|''. The correct
+coding is \verb|\meterfrac{8}{12}| or \verb|\meterfrac8{12}|.
+
+
+ %\check
+ The next problem is due to spaces. Spaces are ignored at the
+beginning of a line. Spaces are ignored immediately behind a \TeX-command
+(they indicate the end of that command unless \TeX\ finds characters which are
+not \ital{letters}). All other spaces insert \ital{unexpected} space and
+they will cause a lot of trouble during third pass. Same remark holds for end
+of lines. Thus \verb|\bar| or \verb|\enotes| as last statement in current line
+cause no trouble, because an end of line indicates to \TeX\ the end of a
+command.
+
+ %\check
+ If you state \verb|\qu g| and start a new line, then you get into trouble, but
+if you say \hbox{\verb|\qu g%|\relax
+ $<new line><spaces>$}, you have no more problem
+and this is better readable.
+
+If this sounds complicated, remember that \TeX\ was designed to typeset
+text and not music...
+
+ \end{quote}
+ %\check
+ \subsection{What you have to specify}\label{whatspecify}
+ \leavevmode
+ You should first specify whether you want to typeset music in ``normal'' size
+(20pt\index{sizes} per staff) or ``small'' size (16pt) or ``large'' size
+(24pt). This is only optional, the default setting is
+\keyindex{normalmusicsize}. If you want the smaller size, then you have to
+say\footnote{This sets up not only the size of staff, but also the elementary
+spacing and the space behind the bar rule.} \keyindex{smallmusicsize},
+\keyindex{largemusicsize}, and \keyindex{Largemusicsize} to have the larger
+sizes of 24pt and 28.8pt.
+
+
+
+ Then, the first compulsory declaration is:
+
+ \keyindex{instrumentnumber}\verb|{|$n$\verb|}|
+
+ \noindent where $n$ is the number of instruments, used by
+\musixtex\ to performs loops building staffs, setting signatures, meters,
+etc. Therefore, it must be defined before any other statements.
+If not then default value is one. An instrument
+may consist of several staffs, e.g.~the piano. The difference between one
+instrument of several staffs and several instruments is as follows:
+\begin{itemize}
+ \item distinct instruments may have distinct \itxem{signatures}, distinct
+staffs of a unique instrument share the same signature.
+ \item \itxem{stems} may be hung to \itxem{beams} belonging to differents
+staffs of the same instrument.
+ \item \itxem{chords} may extend across several staffs of the same
+instrument.
+ \item staffs of a unique \itxem{instrument} are tied together
+with a big brace at the beginning of each line.
+\end{itemize}
+ If the number of staffs is not
+equal to one, this number must be specified by:
+
+ \keyindex{setstaffs} $n$\verb|{|$p$\verb|}|
+
+ \noindent where $p$ is the number of staffs, and where $n$ is the
+number of the instrument considered (e.g.~\verb|setstaffs3|
+for the 3rd instrument, starting from the bottom).
+
+ %\check
+ Unless all your instruments only use the \ital{violin} clef, you
+have to specify all the clefs used for all the instruments. This is done by
+coding:
+
+\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%|
+
+\noindent where $n$ is the number of the instrument, $s_1$ is one figure
+specifying the clef of the lower staff, $s_2$ the clef of the second staff,
+etc.
+
+ The value $s_1=0$ means the \ital{violin} clef (G clef or \itxem{clef de
+sol} in French) for the lower staff, $s_2=0$ means the violin clef for the
+second staff, etc. If $s_2$, $s_3$ or $s_4$ are omitted in the second argument
+of the \verb|\setclef|, these staffs have de default clef, namely 0, i.e. the
+violin clef.
+
+ The values $s_1=1$ through $s_1=4$
+mean the \ital{alto} clef (\itxem{clef d'ut} in French) set on first (lower)
+through fourth (next to upper) line of the staff.
+
+ The value $s_1=5$ means the \ital{bass} clef at third (middle) line,
+$s_1=6$ means the usual \ital{bass} clef (F clef or \itxem{clef de fa} in
+French) at the usual fourth line, and $s_1=7$ means the \ital{bass}
+(\itxem{subbass}) clef (F clef or \itxem{clef de fa} in
+French) at the fifth line.
+
+ The value $s_1=8$ is not used.
+
+ The value $s_1=9$ means the \itxem{french violin clef}, an ancient feature
+which sets the G clef (\ital{clef de sol} in French) at the fist line of the
+staff.
+
+ If remembering the digits associated with usual clefs seems too difficult,
+one can also say
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{treble}\verb|}|
+
+\noindent to get the \ixem{violin clef} on all staffs of the specified
+instrument. In the same way the most used \itxem{alto clef} (alto clef on 3rd
+line) can also be called with
+
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{alto}\verb|}|
+
+\noindent which sets the lower staff of thet instrument to the alto clef, but
+sets other staffs above to the violin clef.
+The usual \itxem{bass clef} on fourth line
+can also be called with
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{bass}\verb|}|
+
+\noindent {\sl IMPORTANT: the commands \verb|\alto| and \verb|\bass| only set
+these clefs at the first staff. Other staffs still have the default value of
+violin clef.}
+As an example, a standard piano score
+should include:
+
+ \keyindex{setclef}\verb|1{\bass}%| \quad or\quad
+ \keyindex{setclef}\verb|1\bass|
+
+\noindent taking account of the fact that the bass clef is set on the lower
+staff, but the upper one has the default value of violin clef.
+If the signature is not void, one should code:
+
+ \keyindex{generalsignature}\verb|{|$s$\verb|}|
+
+\noindent where $s>0$ indicates the number of \itxem{sharps} in the
+signature and $s<0$ the number of \itxem{flats}\footnote{We have seen once a
+score in G-minor where the signature consisted of two flats (B and E) plus
+one sharp (F). This is not directly supported by \musixtex.}
+
+ If a \itxem{meter} indication is to be posted, it should be
+specified using the macro
+
+ \keyindex{generalmeter}\verb|{|$m$\verb|}%|
+
+ %\check
+ \noindent where $m$ is the description of the meter indication which should
+appear on each staff. If it is a \ital{fraction} (e.g.~3/4) on should code
+
+ \verb|\generalmeter{\meterfrac{3}{4}}%|
+
+\noindent or, in a simpler way (if the numbers are less than 10):
+
+ \verb|\generalmeter{\meterfrac34}%|
+
+You can suppress the beginning vertical rule with saying \keyindex{nostartrule}
+and restore the default with \keyindex{startrule} after that.
+
+ Special denotations can be used, such as \keyindex{meterC},
+\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve} and
+\keyindex{meterplus}.
+
+ %\check
+\begin{music}
+\generalmeter\meterC
+\nostartrule
+\parindent0pt\startpiece
+\NOtes\qa{cegj}\enotes
+\generalmeter\allabreve\changecontext
+\NOTes\ha{ce}\enotes
+\generalmeter\reverseC\changecontext
+\NOTEs\zbreve g\enotes
+\generalmeter\reverseallabreve\changecontext
+\NOTEs\zwq g\enotes
+\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext
+\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes
+\endpiece
+\end{music}
+which was coded as:
+\begin{quote}\begin{verbatim}
+\generalmeter\meterC
+\nostartrule
+\parindent0pt\startpiece
+\NOtes\qa{cegj}\enotes
+\generalmeter\allabreve\changecontext
+\NOTes\ha{ce}\enotes
+\generalmeter\reverseC\changecontext
+\NOTEs\zbreve g\enotes
+\generalmeter\reverseallabreve\changecontext
+\NOTEs\zwq g\enotes
+\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext
+\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes
+\endpiece
+\end{verbatim}\end{quote}
+ However, not all music scores have the same meter in each staff.
+Especially, some staffs may have \ital{ternary} meters while others have
+\ital{binary}. This can be specified by using the \keyindex{generalmeter} macro
+to set the meter for most of the scores and overriding it by:
+
+\keyindex{setmeter}\verb|2{{\meterfrac{12}8}\allabreve}%|
+
+ \noindent which sets the meter to 12/8 for the first (lower)
+staff, and \ital{alla breve} for the second staff of the instrument number 2.
+
+Sometimes it might be useful to insert additional space before the meter is
+written. This is possible by assigning a value to \keyindex{meterskip} in the
+preamble. It is reset to zero after first meter indication.
+ \subsection{Instrument names} If you want the \itxem{name of the instrument}s
+(or the \itxem{name of the voice}s) to be displayed in front of their
+respective staffs at the beginning, you may code:
+
+\keyindex{setname} $n$\verb|{|\ital{name of the instrument}\verb|}%|
+
+ %\check
+ \noindent where $n$ is the number of the instrument
+considered. In this case, you should also adjust the \keyindex{parindent}
+dimension so that the long name of an instrument does not spill too far into
+the left margin.
+ \subsection{Polyphonic songs}
+Except staffs of a unique instrument tied together with a big brace, staffs
+normally begin on the left with a thin vertical rule. However, it is usual to
+tie all human voices together with a left heavy and right thin vertical rule.
+
+ \subsubsection{Case of only one choir}
+ In the usual case where you have only one choir, this can be specified
+by:
+ \begin{quote}
+\keyindex{songtop}\verb|{|$n$\verb|}|\\
+\keyindex{songbottom}\verb|{|$m$\verb|}|
+\end{quote}
+\noindent where $m$ and $n$ are the instrument numbers of the first
+and last choral voices. Example is shown in \ref{song}.
+
+ No heavy square brace is produced when the bottom instrument has a number
+greater than the top one. This feature can be used to remove choir heavy
+braces between distinct parts of the same score.
+
+ \subsubsection{Case of several choirs or several orchestras}
+ Your may divide your instruments into up to three groups linked together with
+a left square brace. Each of these groups is specified with:
+ \begin{quote}
+\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\
+\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}|
+\end{quote}
+\noindent where $m$ and $n$ are the instrument numbers of the first
+and last choral voices of group number $g$. \musixtex{} allows up to three
+groups, numbered from 1 to 3, plus the ``zero'' group consisting of the voices
+or instruments which belong to no declared group. \verb|\songtop| is equivalent
+to \verb|\grouptop 1| and \verb|\songbottom| is equivalent to
+\verb|\groupbottom 1|.
+
+ With {\tt musixadd.tex}, this number of groups is raised to four.
+
+ This grouping feature can also be used to collect not only voices but also
+instruments with one or several staffs. In that case the normal brace is
+shifted left of the square havy brace.
+
+ \subsection{Removing square choir braces}
+
+ Previously defined square choir braces can be removed by stating a
+\verb|\songtop| less than the \verb|\songbottom|. The same applies to
+\verb|\grouptop| and \verb|\groupbottom| of the same group number.
+
+ \subsection{Specifying all brackets together}
+
+ Alternatively, you can use the following command for specifying all
+required brackets together:
+\begin{quote}
+ \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}%
+ \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|%
+ {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}|
+\end{quote}
+\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument
+numbers that denote the span of bracket number $n$. For
+setting fewer than three brackets, just omit all unneeded
+\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs;
+\verb|\akkoladen{}| cancels all brackets.
+
+Example:
+\begin{quote}
+ \verb|\instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}|
+\end{quote}
+yields:\par\nopagebreak
+\begin{music}
+ % just to avoid wasting space ...
+ \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue
+ \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue
+ \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}
+ \startextract \hardspace{2cm}\zendextract
+\end{music}
+which was coded as:
+
+\begin{verbatim}
+ \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue
+ \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue
+ \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}
+ \startextract \hardspace{2cm}\zendextract
+\end{verbatim}
+
+
+
+ %\check
+\section{Starting your masterpiece}
+ \subsection{Typing the first system}
+Just code
+\keyindex{startmuflex}
+
+\noindent which opens the \ital{jobname}{\tt .mx1} during \TeX ing the first
+time your masterpiece. All informations are now written to it. During pass 3
+it will be open for read in and all computed values are used to set the
+lines\footnote{The files must be closed before leaving \TeX, preferably before
+\keyindex{bye} or \keyindex{end}, with \keyindex{endmuflex}. Normally \TeX\
+closes all open files on his own when terminating the program, but it is still
+wiser to do this explicitly.}.
+
+\begin{remark} do not worry too much if you forget \verb|\startmuflex|; in
+most cases --- since version T.39 --- the \verb|\startpiece| command will do
+it, if necessary. Conversely, only the first \verb|\startmuflex| is effective,
+the others are inefficient... for safety. \end{remark}
+
+Then code
+
+ %\check
+\keyindex{startpiece}
+
+\noindent which will initiate (with indentation \keyindex{parindent})
+the first set of staffs for all instruments you have previously defined. But
+that is not sufficient to begin writing notes and silences. In fact, you
+must also choose the spacing of the notes.
+ \subsection{Easy selecting note spacing}\label{newspacings}
+Therefore, we preferred to provide the composer/typesetter with a
+set of macros (incidentally, this can be adjusted):
+\begin{center}
+\tinynotesize
+\renewcommand{\arraystretch}{1.5}% I hate LaTeX
+\begin{tabular}{|l|l|l@{~~~~}l|}
+\multicolumn{1}{c}{usage}&
+\multicolumn{1}{c}{spacing}&
+\multicolumn{2}{c}{suggested use for}\\\hline
+\keyindex{znotes}\verb| ... & ... & ... \enotes|&(non spacing)
+ &&specials\\
+\keyindex{notes}\verb| ... & ... & ... \enotes|&\verb=2=\keyindex{elemskip}
+ &\ccu1&16th\\
+\keyindex{notesp}\verb| ... & ... & ... \enotes|&\verb=2.5\elemskip=
+ &\pt1\ccu1&16th pointed, 8th triplet\\
+\keyindex{Notes}\verb| ... & ... & ... \enotes|&\verb=3\elemskip=
+ &\cu1&8th\\
+\keyindex{Notesp}\verb| ... & ... & ... \enotes|&\verb=3.5\elemskip=
+ &\cup1&8th pointed, 4th triplet\\
+\keyindex{NOtes}\verb| ... & ... & ... \enotes|&\verb=4\elemskip=
+ &\qu1&4th\\
+\keyindex{NOtesp}\verb| ... & ... & ... \enotes|&\verb=4.5\elemskip=
+ &\qup1&4th pointed, 2th triplet\\
+\keyindex{NOTes}\verb| ... & ... & ... \enotes|&\verb=5\elemskip=
+ &\hu1&2th\\
+\keyindex{NOTesp}\verb| ... & ... & ... \enotes|&\verb=5.5\elemskip=
+ &\hup1&2th pointed\\
+\keyindex{NOTEs}\verb| ... & ... & ... \enotes|&\verb=6\elemskip=
+ &\wh1&1th\\\hline
+\end{tabular}\end{center}
+\noindent
+If you don't like them, define your own using e.g.:
+
+\verb|\def\NOtes{\vnotes5.34\elemskip}|
+
+ %\check
+\noindent
+which means, when you use this \keyindex{NOtes} definition, that all
+\ital{spacing} notes and commands, results a spacing of 5.34 $\times$
+\keyindex{elemskip}.
+The size of the spatial unit (\keyindex{elemskip}) can be freely
+adjusted (it shows only effect outside \verb|\startpiece...\endpiece|).
+
+ In practice, the choice of the macro \verb|\notes|, \verb|\Notes|,
+\verb|\NOtes|, etc., to initiate of column of notes sets an
+internal dimension register, named \keyindex{noteskip} to the given multiple
+of \keyindex{elemskip}. Thus, each \itxem{spacing note} (\keyindex{qu},
+\keyindex{qb}, \keyindex{hl}, etc.) will be followed by a spacing of
+\keyindex{noteskip}. Then, the advantage of the definition of \verb|\elemskip|
+is that, whenever it is changed, all subsequent \verb|\noteskip|s
+will be updated proportionally so that a simple change of \verb|\elemskip|
+can expand or shrink all consecutive note spacings as a whole.
+
+\medskip
+{\bf All said above counts only for first pass.}
+
+\medskip If the arthmetic progression of note spacings does not meet your
+wishes, your may force a geometric progression, where {\Bslash Notes} is
+$\sqrt{2}$ times wider as {\Bslash notes}, {\Bslash NOtes} is $\sqrt{2}$
+times wider as {\Bslash Notes}, etc. In that case, {\Bslash Notesp} is
+approximately $\sqrt{\sqrt{2}}=1.189$ times wider as {\Bslash Notes} and so
+on. The geometric progression if forced by the command
+\keyindex{geometricskipscale}, and the original arithmetic progression is
+restored by \keyindex{arithmeticskipscale}.
+
+ Inside the pair \verb|\notes...\enotes| you may freely change the value of
+\verb|\noteskip| (not \verb|\elemskip|) provided you keep it scalable in the
+normal situation\footnote{But: provided you keep it \ital{not scalable} if
+you use the {\Bslash hardnotes} or {\Bslash hardlyrics} features (see
+\ref{lyrics}).}. \verb|\noteskip| can be changed with a command like
+
+\verb|\noteskip=2.4\noteskip|
+
+\noindent which obviously keeps it scalable, or by means of
+
+\keyindex{multnoteskip}\verb|{2.4}|
+
+\noindent which performs the same multiplication in a smarter way. You can
+also force all \verb|\noteskip|s to be re-scaled by a factor of 3.1415 using
+
+\keyindex{scale}\verb|{2.4}|
+
+\noindent or \verb|\def|\keyindex{scalenoteskip}\verb|{2.4}| which is more
+dangerous and not advises although compatible with \musictex.
+
+\medskip
+
+To fill the music line (system) without glue, the values of \verb|\elemskip|,
+\verb|\afterruleskip| and \verb|\beforeruleskip| are adjusted from the
+external program {\tt musixflx}\index{musixflx@{\tt musixflx}}. So what
+spacing you really get, depends on the internal line-breaking routine.
+
+Spacings for advanced \musixtex'ers: a `normal' bar (slightly~!) magnified:
+\medskip
+
+ %\check
+\begin{music}
+\afterruleskip7pt
+\beforeruleskip2pt
+\parindent0pt
+\setclefsymbol1\empty
+% special problems afford special solutions
+\makeatletter\global\clef@skip\z@ \makeatother
+\startpiece
+\zchar{16}{\hbox to\afterruleskip{\downbracefill}}%
+\zchar{19}{\hbox to\afterruleskip{\hss a\hss}}%
+\addspace\afterruleskip
+\zchar{16}{\hbox to2\elemskip{\downbracefill}}%
+\zchar{19}{\hbox to2\elemskip{\hss b\hss}}%
+\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}%
+\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}%
+\notes\qa l\en
+\znotes\en
+\zchar{16}{\hbox to4\elemskip{\downbracefill}}%
+\zchar{19}{\hbox to4\elemskip{\hss c\hss}}%
+\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}%
+ \hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}%
+\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}%
+ \hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}%
+\NOtes\qa l\en
+\znotes\en
+\zchar{16}{\hbox to\beforeruleskip{\downbracefill}}%
+\zchar{19}{\hbox to\beforeruleskip{\hss d\hss}}%
+\endpiece
+\end{music}
+\begin{quote}\begin{tabular}{l@{~$\rightarrow$~}l}
+a&\keyindex{afterruleskip}\\
+b&\keyindex{notes}\verb| = \vnotes 2\elemskip|\\
+c&\keyindex{NOtes}\verb| = \vnotes 4\elemskip|\\
+d&\keyindex{beforeruleskip}\\
+e&\keyindex{elemskip}
+\end{tabular}\end{quote}
+As default the values are set up as follows:
+\begin{quote}\begin{tabular}{lrrr}\hline
+\ital{using}&\keyindex{elemskip}&\keyindex{afterruleskip}
+ &\keyindex{beforeruleskip}\\\hline
+\keyindex{normalmusicsize}&6pt&8pt&0pt\\
+\keyindex{smallmusicsize}&4.8pt&6pt&0pt\\\hline
+\end{tabular}\end{quote}
+\begin{quote}
+If you want to change upper values, you have to do that behind
+\verb|\normalmusicsize| or \verb|\smallmusicsize| and before
+\verb|\startpiece|.
+\end{quote}
+
+ %\check
+\section{Note pitch specification}
+ Note pitches are usually specified by letters ranging from \verb|a| to
+\verb|z| for those which are usually written under the G-clef (\verb|a|
+corresponds to the $A$ of nominal frequency 222.5~Hz; the \ital{G} of the
+G-clef is denoted \verb|g|). Lower pitch notes are specified using upper
+case letters ranging from \verb|A| to \verb|N| (the \ital{F} of the F-clef
+is denoted \verb|M|, and \verb|F| is one octave below).
+
+ If necessary, a numeric symbol can be used to place a symbol
+independently of the active clef, which has the drawback not to be
+transposable.
+
+ Besides, notes below \verb|A| (i.e. the $A$ of nominal frequency 55.625~Hz),
+namely the lowest octave of the modern pianos, can only be coded using the
+transposition features (see below: \ital{transposition} and
+\ital{octaviation}) or in absolute vertical position using numbers.
+ \section{Writing notes}
+There are two major kinds of note macros: \begin{enumerate} \item those
+which terminate a note/chord stem and are followed by a horizontal spacing of
+value \keyindex{noteskip},
+ \item those which initiate or extend a note/chord stem and do not cause
+horizontal spacing.
+\end{enumerate}
+ The first kind is used to type a melody, the second kind is used to
+type chords.
+ \subsection{Single spacing notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{breve}~$p$ :]breve note (\hbox to 8pt{\zbreve1\hss}) at pitch $p$.
+ \item[\keyindex{longa}~$p$ :]longa note
+ (\hbox to8pt{\zlonga1\hss}) at pitch $p$.
+ \item[\keyindex{longaa}~$p$ :]same as \verb|\longa|, with an ``automatic''
+stem up or down.
+ \item[\keyindex{zmaxima}~$p$ :]maxima note
+ (\hbox to16pt{\zmaxima1\hss}) at pitch $p$.
+ \item[\keyindex{wq}~$p$ :]arbitrary duration note (also used as alternate
+representation of \ital{breve} note)
+ (\hbox to8pt{\zwq1\hss}) at pitch $p$.
+ \item[\keyindex{wqq}~$p$ :]long arbitrary duration note (also used as alternate
+representation of \ital{longa} note)
+ (\hbox to8pt{\zwqq1\hss}) at pitch $p$.
+ \item[\keyindex{wh}~$p$ :]whole note at pitch $p$.
+ \item[\keyindex{hu}~$p$ :]half note at pitch $p$ with stem up.
+ \item[\keyindex{hl}~$p$ :]half note at pitch $p$ with stem down.
+ \item[\keyindex{ha}~$p$ :]half note at pitch $p$ with automatic
+stem\footnote{This
+means all stems belonging to notes below the third line are stemmed up,
+the other down, they work with every clef, but only for single notes.} choice.
+ \item[\keyindex{qu}~$p$ :]quarter note at pitch $p$ with stem up.
+ \item[\keyindex{ql}~$p$ :]quarter note at pitch $p$ with stem down.
+ \item[\keyindex{qa}~$p$ :]quarter note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{cu}~$p$ :]eighth note\footnote{The {\Bslash c} of this macro
+ name is taken from the French word ``croche'' which is by the way one
+ half of the english ``crotchet''; {\Bslash cc...}, {\Bslash ccc...}
+ are standing for ``double croche'', ``triple croche'', etc.}
+ at pitch $p$ with stem up.
+ \item[\keyindex{cl}~$p$ :]eighth note at pitch $p$ with stem down.
+ \item[\keyindex{ca}~$p$ :]eighth note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{ccu}~$p$ :]sixteenth note at pitch $p$ with stem up.
+ \item[\keyindex{ccl}~$p$ :]sixteenth note at pitch $p$ with stem down.
+ \item[\keyindex{cca}~$p$ :]sixteenth note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{cccu}~$p$ :]32-th note at pitch $p$ with stem up.
+ \item[\keyindex{cccl}~$p$ :]32-th note at pitch $p$ with stem down.
+ \item[\keyindex{ccca}~$p$ :]32-th note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{ccccu}~$p$ :]64-th note at pitch $p$ with stem up.
+ \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with stem down.
+ \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with ``automatic'' stem.
+\end{description}\end{quote}
+ As an example, the sequence:
+
+ %\check
+\begin{music}
+\startextract
+\Notes\cu c\cl j\enotes\bar
+\Notes\ccu c\ccl j\enotes\bar
+\Notes\cccu c\cccl j\enotes\bar
+\Notes\ccccu c\ccccl j\enotes
+\endextract
+\end{music}
+ \noindent was coded as:
+\begin{quote}\begin{verbatim}
+\Notes\cu c\cl j\enotes\bar
+\Notes\ccu c\ccl j\enotes\bar
+\Notes\cccu c\cccl j\enotes\bar
+\Notes\ccccu c\ccccl j\enotes
+\end{verbatim}\end{quote}
+ If these notes are preceded by \ital{non-spacing} notes (i.e.
+macros \keyindex{zq} or \keyindex{zh}) their stem is extended up or down so
+as to join all notes into a single chord.
+ \subsection{Non-spacing (chord) notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{zq}~$p$ :]quarter (or shorter) note head at pitch $p$ with no
+spacing after.
+ \item[\keyindex{zh}~$p$ :]half note head at pitch $p$ with no spacing after.
+\end{description}\end{quote}
+ It must be pointed out that the pitch $p$ of these notes is
+memorized so that the stem of the further spacing note will join them into
+a chord. This stem top and bottom pitch is \ital{reset} at each spacing
+note.
+
+ \begin{remark} Notes of duration longer than whole notes are
+always non-spacing. This saves one useless definition, since these notes are
+always longer than other simultaneous ones. If needed they can be followed by
+\keyindex{sk} to force spacing.
+\end{remark}
+
+ \subsection{Shifted non-spacing (chord) heads} These symbols are used mainly
+in chords where \ital{second} intervals are present. It is the
+responsibility of the typist to choose which heads should be shifted left or
+right.
+
+\begin{quote}\begin{description}
+\item[\keyindex{rw}~$p$ :]whole note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lw}~$p$ :]whole note head shifted left by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{rh}~$p$ :]half note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lh}~$p$ :]half note head shifted left by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{rq}~$p$ :]quarter note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lq}~$p$ :]quarter note head shifted left by
+one note width ($\approx$ 6pt), no spacing.
+\end{description}\end{quote}
+ %\check
+
+ Except that they are shifted left of right, these macros act like
+\verb|\z...| macros for stem building.
+ \subsection{Single non-spacing notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{zhu} :]half note with stem up but no spacing. It acts like
+\verb|\hu| for stem building.
+ \item[\keyindex{zhl} :]half note with stem down but no spacing. It acts like
+\keyindex{hl} for stem building.
+ \item[\keyindex{zqu} :]quarter note with stem up but no spacing. It acts like
+\verb|\qu| for stem building.
+ \item[\keyindex{zql} :]quarter note with stem down but no spacing. It acts
+like \verb|\ql| for stem building.
+ \item[\keyindex{zcu}, \keyindex{zccu}, \keyindex{zcccu}, \keyindex{zccccu}
+:]eighth, ..., note with stem up but no spacing. It acts like
+\verb|\cu| for stem building.
+ \item[\keyindex{zcl}, \keyindex{zccl}, \keyindex{zcccl}, \keyindex{zccccl}
+:]eighth, ..., note with stem down but no spacing. It acts
+like \verb|\cl| for stem building.
+ \item[\keyindex{zqb} :]note belonging to a beam but no spacing.
+ \item[\keyindex{rhu}, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql},
+ \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|,
+ but the note is shifted one note width on the right, other analogous.
+ \item[\keyindex{lhu}, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql},
+ \keyindex{lcu}, \keyindex{lcl} :]same
+ as above, but the whole of the note is shifted one note width on the left.
+ \item[\keyindex{zw}~$p$ :]whole note at pitch $p$ with no spacing after.
+ \item[\keyindex{zwq}~$p$ :]arbitrary duration note
+ (\hbox to8pt{\zwq1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zbreve}~$p$ :]breve note
+ (\hbox to8pt{\zbreve1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zlonga}~$p$ :]longa note
+ (\hbox to8pt{\zlonga1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zmaxima}~$p$ :]maxima note
+ (\hbox to16pt{\zmaxima1\hss}) at pitch $p$ with no spacing after.
+\end{description}\end{quote}
+ %\check
+
+
+\subsection{Single (spacing) stemless notes}
+
+ Although not standard in real music scores, one may need to have stemless
+quarter and half note heads posted in the same way as whole notes. This can be
+done with the following commands:
+
+\begin{quote}\begin{description}
+\item[\keyindex{nh}~$p$ :]half note head at pitch $p$.
+\item[\keyindex{nq}~$p$ :]quarter note head at pitch $p$.
+\end{description}\end{quote}
+
+\medskip As an example, the sequence:
+
+\begin{music}
+ \startextract
+\notes\nq c\nq j\enotes\barre
+\Notes\nh c\nh j\enotes\barre
+\notes\nq {cdef}\enotes
+\endextract
+\end{music}
+
+\medskip \noindent was coded as:
+
+%\check
+\begin{quote}\begin{verbatim}
+\notes\nq c\nq j\enotes\barre
+\Notes\nh c\nh j\enotes\barre
+\notes\nq {cdef}\enotes
+\end{verbatim}\end{quote}
+
+ In case of special need, non spacing variants have been provided, namely
+\keyindex{znh} and \keyindex{znq}.
+
+
+ \subsection{Pointed notes}
+One simple way of doing consists in putting \keyindex{pt
+$p$} to get a \ital{dot} after the normal note head at pitch $p$. Thus a
+quarter note with one point can be coded \verb|\pt h\qu h|, with two points
+as \keyindex{ppt}\verb|\qu h| and with three points as
+\keyindex{pppt}\verb|\qu h|.
+
+ A simpler way of doing consists in using compact macros, namely:
+\keyindex{whp}, \keyindex{whpp},
+\keyindex{zwp}, \keyindex{zwpp},
+\keyindex{hup}, \keyindex{hupp},
+\keyindex{hlp}, \keyindex{hlpp},
+\keyindex{zhp}, \keyindex{zhpp},
+\keyindex{qup}, \keyindex{qupp},
+\keyindex{qlp}, \keyindex{qlpp},
+\keyindex{zqp}, \keyindex{zqpp},
+\keyindex{cup}, \keyindex{cupp},
+\keyindex{clp}, \keyindex{clpp},
+\keyindex{qbp} and \keyindex{qbpp}.
+Where all \verb|\z...p| are useful in chords.
+
+ You may also introduce pointed notes, especially in groups by coding
+a \ital{period} before (not after) the letter representing the pitch:
+\verb|\qu{.a.^b.c}| which is equivalent to:
+\begin{quote}\begin{verbatim}
+\pt{a}\qu{a}\pt{b}\sh{b}\qu{b}\pt{c}\qu{c}
+\end{verbatim}\end{quote}
+Finally, pointed notes can also be produced without spacing after, using
+\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp},
+\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp},
+and the same with two \verb|p|'s for
+double-pointed notes, like \keyindex{zhupp}, \keyindex{zhlpp},
+\keyindex{zqupp}, \keyindex{zqlpp},
+\keyindex{zcupp}, \keyindex{zclpp} and \keyindex{zqbpp}.
+
+If two voices share one staff, the points of the lower voice are lowered,
+if the note is on a note line. Therefore you can use \keyindex{lpt}~$p$ and
+\keyindex{lppt}~$p$.
+
+ %\check
+\section{Beams}
+
+ Beams are not automatically handled, but they must be declared explicitely,
+\ital{before} the first spacing note involving them is coded. Two kinds of
+macros are provided:
+
+\begin{enumerate}
+
+ \item fixed slope beams have an arbitrary slope chosen by the user in
+the range -45\% to +45\% (by multiples of 5\%);
+
+ \item semi-automatic beams have their slope computed knowing the number
+of \keyindex{noteskip} over which they are supposed to extend, and knowing the
+initial and final pitch of the notes they are supposed to link.
+\end{enumerate}
+ %\check
+ \subsection{Fixed slope beams}
+ \subsubsection{Beam initiation}
+\begin{quote}\begin{description}
+ \item[\keyindex{ibu}~$nps$ :]initiates an \ital{upper beam} 3 horizontal
+line spacings above the pitch $p$~; $n$ is its reference number, which must be
+in the range [0-5] ([0-8] if \verb|musixadd| file has been \verb|\input|);
+$s$ is the slope of the beam.
+\end{description}\end{quote}
+ $s$ is an integer in the range [-9,9].
+$s=1$ means a slope of 5\%, $s=9$ means a slope of 45\%,
+$s=-3$ means a slope of -15\%, etc.
+With usual spacings a slope of 2 or 3 is fit for ascending scales. A slope of
+6 to 9 is fit for ascending arpeggios.
+
+\begin{quote}\begin{description}
+
+ \item[\keyindex{ibl}~$nps$ :]initiates a \ital{lower beam} 3 horizontal line
+spacings below the pitch $p$. Other parameters as above.
+
+ \item[\keyindex{ibbu}~$nps$ :]initiates a \ital{double upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbl}~$nps$ :]initiates a \ital{double lower beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbu}~$nps$ :]initiates a \ital{triple upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbl}~$nps$ :]initiates a \ital{triple lower beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbbu}~$nps$ :]initiates a \ital{quadruple upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbbl}~$nps$ :]initiates a \ital{quadruple lower beam} (same
+parameter meaning).
+\end{description}\end{quote}
+
+Notes belonging to beams are coded in the form \keyindex{qb}~$np$ where $n$ is
+the beam number and $p$ the pitch of the note head. \musixtex\ adjusts the
+length of the note stem to link the bottom of the chord to a beam.
+
+ \subsubsection{Beam termination}
+ Beam termination is also not automatic. The termination of a given
+beam must be explicitely declared \ital{before} coding the last spacing note
+connected to that beam.
+\begin{quote}\begin{description}
+ \item[\keyindex{tbu}~$n$ :]terminates upper beam number $n$ at current
+position. \item[\keyindex{tbl}~$n$ :]terminates lower beam number $n$ at
+current position.
+\end{description}\end{quote}
+\keyindex{tbu} and \keyindex{tbl} terminate beams of any
+multiplicity. Therefore 32-th notes hanging on a triple beam are initiated by
+\keyindex{ibbbu}~$nps$ and terminated by \keyindex{tbu}~$n$.
+
+ Since beams usualy finish with a \verb|\qb| to link the last note, shorter
+macros have been provided:
+
+ \begin{itemize}
+
+ \item \keyindex{tqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\qb| $np$
+
+ \item \keyindex{tqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\qb| $np$
+
+ \item \keyindex{ztqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\zqb| $np$
+(no spacing after)
+
+ \item \keyindex{ztqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\zqb| $np$
+(no spacing after)
+
+ \end{itemize}
+
+ \subsubsection{Beams of increasing multiplicity}
+ It is also possible to code beams whose multiplicity is not the same
+at the beginning. The multiplicity can be increased at any position. For
+instance, \keyindex{nbbu}~$n$ which sets the multiplicity of upper beam
+number $n$ to 2 starting at the current position, \keyindex{nbbbu}~$n$ sets
+its multiplicity to 3 and \keyindex{nbbbbu}~$n$ sets its multiplicity to 4.
+\keyindex{nbbl}~$n$ \dots
+\keyindex{nbbbbl}~$n$ perform the same functions for lower beams.
+
+
+ Note that the difference between upper and lower beams does not
+mainly consist in the beam being above or below the note heads; rather, it
+specifies whether the abscissa of the beginning and the end of this beam is
+aligned on the right (upper beam) or on the left (lower) beam. Thus, the
+sequence:
+
+\begin{music}
+\startextract
+\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent has been coded as
+\begin{quote}\begin{verbatim}
+\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes
+\end{verbatim}\end{quote}
+
+ It is quite possible to terminate with \keyindex{tbu} a beam initiated
+with \keyindex{ibl}. This may give:
+
+\begin{music}
+\startextract
+\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent which has been coded as
+\begin{quote}\begin{verbatim}
+\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes
+\end{verbatim}\end{quote}
+ \subsubsection{Beams of decreasing multiplicity}
+ Partial termination of beams is also possible, by using \keyindex{tbbu}
+or \keyindex{tbbl}~: these macros terminate the current beam except that of
+order 1 (eighths). \keyindex{tbbbu} or \keyindex{tbbbl} terminate the current
+beam except those of order 1 and 2, etc.
+
+\begin{music}
+\startextract
+\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent has been coded as
+
+\begin{quote}\begin{verbatim}
+\startextract
+\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+The macros \keyindex{tbbu} and \keyindex{tbbl} and higher order
+may also be invoked when only
+a single beam is active. Then, a second beam or third or ...
+(upper or lower according
+the initiating procedure) is opened \ital{one note width before
+the current position, and closed immediately}. Thus the following sequences
+
+\begin{music}
+\let\extractline\hbox
+\hbox to \hsize{%
+\hss
+ \startextract
+ \Notes\ibu0e0\qbp0e\tbbu0\tbu0\qb0e\en
+ \endextract
+\hss\hss
+ \startextract
+ \Notes\ibu0e0\qbpp0e\tbbbu0\tbbu0\tbu0\qb0e\en
+ \endextract
+\hss}
+\end{music}
+\noindent are coded:
+\hspace*{\fill}\begin{minipage}{.4\textwidth}\begin{verbatim}
+\Notes\ibu0e0\qbp0e%
+ \tbbu0\tbu0\qb0e\en
+\end{verbatim}\end{minipage}\hfill
+\begin{minipage}{.4\textwidth}\begin{verbatim}
+\Notes\ibu0e0\qbpp0e%
+ \tbbbu0\tbbu0\tbu0\qb0e\en
+\end{verbatim}\end{minipage}\hfill
+
+\noindent The same behaviour occurs in the case of \keyindex{tbbbu},
+\keyindex{tbbbl}, \keyindex{tbbbbu} and \keyindex{tbbbbl}.
+ The symmetrical pattern is also possible. For example:
+
+\begin{music}
+\startextract
+\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes
+\end{verbatim}\end{quote}
+ \begin{remark} these codings may seem complicated. In fact,
+it is the responsibility of the user to define macros which perform the most
+common sequences in his masterpiece. For example, one could define sets of
+four sixteenths by the macro:
+
+\verb|\def\qqh#1#2#3#4#5{\ibbl0#2#1\qb#2\qb#3\qb#4\tbl0\qb#5}|
+
+\noindent where the first argument is the slope and the other four
+arguments are the pitches of the four consecutive sixteenths wanted.
+\end{remark}
+
+
+\noindent A slightly more complicated example is:
+
+\begin{music}
+\startextract
+\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en
+\notesp\tbbu0\qbp0f\en
+\Notes\tbu0\qb0f\en
+\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en
+\Notes\qb0f\en
+\notes\tbbbu0\tbbu0\tbu0\qb0f\en
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en
+\notesp\tbbu0\qbp0f\en
+\Notes\tbu0\qb0f\en
+\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en
+\Notes\qb0f\en
+\notes\tbbbu0\tbbu0\tbu0\qb0f\en
+\end{verbatim}\end{quote}
+ %\check
+ \subsection{Repeated pattern beams}\index{repeated patterns}
+Note heads hanging on beams are not necessarily quarter (or higher order)
+note heads. It is possible to hang half note heads on beams
+using \keyindex{hb} macro, e.g.:
+
+\begin{music}
+\startextract
+\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
+\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
+\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes
+\end{verbatim}\end{quote}
+
+
+It is also possible to write
+
+\begin{music}
+\startextract
+\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
+\end{verbatim}\end{quote}
+\noindent However, a better look could be obtained in a more sophisticated
+way\footnote{You are suggested to make your own macro if you have to type many
+of these, or better: use a pre-compiler.}:
+
+\begin{music}
+\startextract
+\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace
+\endextract
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}
+\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace
+\end{verbatim}\end{quote}
+
+ Single repeated notes can also be made --- in a much more sophisticated
+way\footnote{But you can write your own macro, thinking of using
+{\tt\char92transpose} to lift the oblique beams.}, for example:
+
+ \begin{music}
+\startextract
+\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibu0j0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar
+\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j%
+ \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en
+\endextract
+ \end{music}
+ \noindent whose coding (due to W. {\sc Icking}) is;
+
+\begin{quote}\begin{verbatim}
+\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibu0j0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar
+\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j%
+ \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en
+\end{verbatim}\end{quote}
+
+ \subsection{Beams across bars}
+The usual way most composers wrote their scores was beams inside bars,
+at least until the beginning of the XIX-th
+century. Unfortunately, later composers ({\sc Brahms}, {\sc Scriabin},
+{\sc Grieg}, etc.) wanted to write beams jumping across bars.
+This is possible without any problems.
+We give an example from {\sc Brahms}'s Intermezzo op.~118,1 provided by
+Miguel {\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip
+
+\begin{music}
+\interstaff{12}
+\setstaffs1{2}
+\setclef1\bass
+\generalmeter\allabreve
+\startextract
+\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes
+\bar
+\nspace
+\Notes\ibu0L2\qb0{CEJLcL}%
+ \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
+\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes
+\bar
+\Notes\ttie1\zh{.L.a}\hl{.e}%
+ \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
+\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes
+\endextract
+\end{music}
+ %\check
+\noindent whose coding is:
+\begin{verbatim}
+\interstaff{13}
+\instrumentnumber{1}
+\setstaffs1{2}
+\setclef1\bass
+\generalmeter\allabreve
+\startextract
+\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes
+\bar
+\nspace
+\Notes\ibu0a1\qb0{CEJLcL}%
+ \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
+\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes
+\bar
+\Notes\ttie1\zh{.L.a}\hl{.e}%
+ \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
+\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes
+\endextract
+\end{verbatim}
+Still to be done manually is the cut and prolongation across line breaks, which
+can be easily be done with shifting using \keyindex{roff} and/or
+\keyindex{loff}, or with insert of a spacing command (here done with
+\keyindex{hsk}). We give an example from {\sc Grieg}'s ``Hochzeit auf
+Troldhaugen'':\index{Grieg, E.@{\sc Grieg, E.}}\medskip
+
+\begin{music}
+\parindent0pt
+\def\rqs{\lower\Interligne\rlap\qs}
+\def\snotes{\vnotes1\elemskip}
+\setstaffs1{2}
+\generalsignature{2}
+\setclef1{\bass}
+\interstaff{12}
+\startpiece
+%%% bar 1
+\addspace\afterruleskip
+\snotes|\tinynotesize\ibsluru0n\ibbu0m5\qb0{=m}\tqh0n\en
+\qspace
+\Notes\zchar{-7}\sPed\loffset{.3}{\fl E}\zq E\qu{_I}%
+ |\zql g\ibu2l0\busf2\qb2{=m}\en
+\Notes|\tubslur0o\qb2{_l}\en
+\Notes\loffset{.3}{\fl L}\zq L\ibl0L0\qb0{_b}%
+ |\ibl1h0\zqb1g\bupz2\qb2l\en
+\Notes\zq L\tqb0b|\tbl1\zqb1g\bupz2\tqh2l\en
+\NOtes\zq L\ql b|\zql g\qu l\en
+\notes\zchar{-7}\sPed\zchar{-7}{\eightit ~~~sempre}%
+ \zchar{14}{\pp\eightit~sempre}\zq I\ibbu1J0\qb1L|\qs\en
+\notes\qs|\zq N\ibbu3d0\qb3{_d}\en
+\notes\qb1E|\rqs\en
+\notes\qs|\fl e\zq N\rq e\qb3d\en
+%%% bar 2
+\bar
+\notes\loffset{.3}{\fl I}\zq I\qb1{_L}|\rqs\en
+\qspace
+\notes\qs|\lfl d\zq d\zq {=f}\qb3N\en
+\notes\tqh1{_E}|\rqs\en
+\notes\qs|\zq d\zq g\tqh3N\en
+\notes\zq I\ibbu0J0\qb0L|\rqs\en
+\notes\qs|\zq d\ibbu1d0\qb1N\en
+\notes\qb0E|\rqs\en
+\notes\qs|\fl e\rq e\zq d\qb1N\en
+\notes\zq I\qb0L|\rqs\en
+\notes\qs|\zq f\zq d\qb1N\en
+\notes\tqh0E|\rqs\en
+\notes\qs|\zq g\zq d\tqh1N\en
+\notes\zq I\ibbu0J0\qb0L|\rqs\en
+\notes\qs|\zq d\ibbu1d0\qb1N\en
+\notes\qb0E|\rqs\en
+\notes\rlap\qs\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en
+\endpiece
+\end{music}
+\noindent where the prolongation was coded as:
+\begin{verbatim}
+\notes\rlap{\qs}\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en
+\end{verbatim}
+ %\check
+ \subsection{Semi-automatic beams}
+In order to avoid tedious checks to adjust the slope (and even the starting
+pitch) of beams in music with a lot of steep beams, a set of automatically
+slope computing has recently been implemented. If
+you say \verb|\Ibu2gj3| \musixtex\ will understand that`you want to
+build an upper beam (beam number 2) horizontally extending \verb|3\noteskip|,
+the first note of which is a \verb|g| and the last note is a \verb|j|.
+Knowing these parameters it will choose the highest slope number which
+corresponds to a slope not more than $(\hbox{\tt j}-\hbox{\tt
+g})/(3\keyindex{noteskip})$. Moreover, if there is no sufficiently steep beam
+slope available, then it will raise the starting point.
+
+ Eight such macros are available: \keyindex{Ibu}, \keyindex{Ibbu},
+\keyindex{Ibbbu}, \keyindex{Ibbbbu}, \keyindex{Ibl}, \keyindex{Ibbl},
+\keyindex{Ibbbl} and \keyindex{Ibbbbl}.
+
+Also available are ready definitions for often needed sets of double,
+triple and quadruple notes with computed slopes. These are:
+\keyindex{Dqbu}, \keyindex{Dqbl}, \keyindex{Dqbbu}, \keyindex{Dqbbl},
+\keyindex{Tqbu}, \keyindex{Tqbl}, \keyindex{Tqbbu}, \keyindex{Tqbbl},
+\keyindex{Qqbu}, \keyindex{Qqbl}, \keyindex{Qqbbu} and \keyindex{Qqbbl}.
+ %\check
+
+
+\medskip
+\begin{music}
+\parindent0pt\startpiece
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en
+\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en
+\notes\Qqbbu fgge\Qqbbl jhgi\en
+\end{verbatim}\end{quote}
+ %\check
+
+\section{Rests}
+ Except that difference that they have no specific pitch, rests are coded in a
+very simple way.
+ \subsection{Ordinary rests}
+ Full bar rests (also called ``pauses'') are coded as
+\keyindex{pause}, with a point behind as \keyindex{pausep};
+smaller rests are
+\keyindex{hpause} (of duration equal to a \ital{half note}),
+with a point behind as \keyindex{hpausep},
+\keyindex{qp} (duration equal to a \ital{quarter note},
+ also \keyindex{soupir}),
+\keyindex{ds} (duration equal to an \ital{eighth note}),
+\keyindex{qs} (duration equal to an \ital{sixteenth note}),
+\keyindex{hs} (duration equal to an \ital{thirty second note}),
+\keyindex{qqs} (duration equal to an \ital{sixty fourth note}).
+
+ Long rests (lasting several bars) can be coded as \keyindex{PAuse}
+and \keyindex{PAUSe}, which respectively yield:
+
+\begin{music}
+\generalmeter{\meterfrac44}
+\startextract
+\def\atnextbar{\znotes\centerbar\PAuse\en}%
+\NOTEs\en\bar
+\def\atnextbar{\znotes\centerbar\PAUSe\en}%
+\NOTEs\en\endextract
+\end{music}
+ %\check
+
+ \subsection{Lifted rests}\index{lifting rests}\index{rest lifting} All the
+previous rests with exception of \keyindex{pausep} (pause with a point) and
+\keyindex{hpausep} (half rest with a point) are \ital{hboxes}; this means that
+they can be vertically offset to meet polyphonic music requirements using the
+standard \TeX\ command \keyindex{raise}. For example:
+
+ \begin{quote}
+ \begin{verbatim}
+ \raise 2\Interligne\qp
+ \raise 3mm\qq
+ \end{verbatim}
+ \end{quote}
+
+ \noindent{\sl{\bfseries CAUTION:} do not try to lift rests (or notes but this
+looks so silly that...) using codings like
+\verb|\raise2mm|\keyindex{hbox}\verb|{\qp}|. The reason is that the rest
+symbol (e.g. \verb|\qp|) is embedded in braces, so that local counting of
+spaces (register \verb|\loc@skip|) will be lost, resulting in turn in
+overfull/undfull boxes, beam errors, erratic slurring, etc. In general, all
+rests and all notes should be coded at the brace level of the \verb|\notes|
+command, unless they are deliberately embedded in \keyindex{rlap} or
+\keyindex{llap} which actually overlook spacing counting but finally force no
+horizontal spacing, a behaviour which compensates the forgotten spacing count.}
+
+ In addition, two symbols have been provided to put a \itxem{full rest} or a
+\itxem{half rest} above or below the staff. Then the ordinary \verb|\pause| or
+\verb|\hpause| cannot be used since there is a need for small horizontal line
+to distinguish between the full and the half rest. They are:
+ \begin{itemize}
+ \item \keyindex{liftpause}~$n$ (non spacing) to get a
+ \hbox to10pt{\liftpause{-2}\hss}
+ raised from original position by $n$ staff line intervals,
+ \item \keyindex{lifthpause}~$n$ (non spacing) to get
+ \hbox to10pt{\lifthpause{-1}\hss} raised the same way.
+ \item \keyindex{liftpausep}~$n$ (non spacing) to get a
+ \hbox to10pt{\liftpausep{-2}\hss}
+ raised from original position by $n$ staff line intervals,
+ \item \keyindex{lifthpausep}~$n$ (non spacing) to get
+ \hbox to10pt{\lifthpausep{-1}\hss} raised the same way.
+ \end{itemize}
+ %\check
+
+ \subsection{Bar centered rests}\label{barcentered}
+Sometimes it is necessary to place a rest (or other) exactly in the middle
+of a bar. This can be done with more sophisticated commands:
+%\keyindex{atnextbar}
+\keyindex{centerbar},
+\keyindex{centerPAUSe},
+\keyindex{centerPAuse},
+\keyindex{centerpause},
+\keyindex{centerhpause}.
+For example:
+
+\begin{music}
+\generalmeter\meterC
+\setclef1\bass
+\setstaffs1{2}
+\parindent0pt
+\startpiece\addspace\afterruleskip
+\NOtes|\qa{cegj}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\NOtes|\qa{jgec}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\Notes\ca{`jihgfedc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\NOTes\ha{Nc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\addspace{10\elemskip}%
+\def\atnextbar{\znotes\centerbar\duevolte|\centerbar\duevolte\en}\endpiece
+\end{music}
+\begin{verbatim}
+\generalmeter\meterC
+\setclef1\bass
+\setstaffs1{2}
+\parindent0pt
+\startpiece\addspace\afterruleskip
+\NOtes|\qa{cegj}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\NOtes|\qa{jgec}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\Notes\ca{`jihgfedc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\NOTes\ha{Nc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\addspace{10\elemskip}%
+\def\atnextbar{\znotes\centerbar{\duevolte}|\centerbar{\duevolte}\en}\endpiece
+\end{verbatim}
+ %\check
+
+\section{Phantom notes and spacing commands}\label{spacing}
+It may be interesting, when coding a sequence of notes within a unique pair
+\verb|\notes...\enotes|, to skip one note place in order -- for
+example -- to set the third note of one staff at the same abscissa as that of
+the second note of another staff. This can be done by inserting \keyindex{sk}
+which causes a spacing of one \keyindex{noteskip}\footnote{Never use
+\keyindex{kern} nor \keyindex{hskip}~: in fact \keyindex{sk} not only causes
+a space but also records that space for correct handling of beams, slurs,
+trills, octaviation dashed lines, line-breaking, etc.}. Sometimes it is useful
+to \ital{skip back} one noteskip, this can be done with \keyindex{bsk}. The
+spacing of a half \verb|\noteskip| can be yielded with \keyindex{hsk}.
+
+ %\check
+
+ If you just want to shift a note or a symbol by one note head width,
+you may write \keyindex{roff}\verb|{|\ital{note/symbol}\verb|}| (shift right)
+or \keyindex{loff}\verb|{|\ital{note/symbol}\verb|}| (shift left).
+ If you just want to shift a note or a symbol by one half note head width,
+you may write \keyindex{hroff}\verb|{|\ital{note/symbol}\verb|}| (shift right)
+or \keyindex{hloff}\verb|{|\ital{note/symbol}\verb|}| (shift left).
+For example, to get
+ %\check
+
+
+\begin{music}
+\startextract
+\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes
+\endextract
+\end{music}
+you code:
+
+ %\check
+
+\begin{quote}\begin{verbatim}
+\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes
+\end{verbatim}\end{quote}
+
+If you want to shift notes or symbols right by more or less than one note head
+width, then you can use \keyindex{roffset} (or \keyindex{loffset} in the other
+direction) which has an additional first argument which is the number of note
+head widths the second argument should be shifted by. For example
+
+\begin{music}
+\startextract
+\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes
+\endextract
+\end{music}
+was coded:
+
+\begin{quote}\begin{verbatim}
+\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes
+\end{verbatim}\end{quote}
+
+\begin{important} the offset specified or implicitly specified in
+\verb|\roff|, \verb|\loff|, \verb|\roffset| and \verb|loffset| does not add to
+the total spacing amount; in other words this is just an offset, not a
+spacing. Conversely, the possible spacing of commands included in the argument
+of \verb|\roff|/\verb|\loff| and in the second argument
+of \verb|\roffset|/\verb|\loffset| actually adds to the total spacing in that
+bar of the current staff. Therefore, the symbol/note argument of these offset
+commands should usually produce no spacing, i.e. begin with \verb|\z|.
+
+ Besides, it is not advised to insert several consecutive spacing notes in
+the \verb|\roff|/\verb|\loff| or \verb|\roffset|/\verb|\loffset| arguments,
+since it could mess up the global spacing accounting.
+ \end{important}
+
+ %\check
+
+
+To insert spacing of \ital{nearly} one \ital{note head width}, you can use
+\keyindex{qsk}(which has the drawback, that it is scalable, so what spacing
+you really get depends on the computed \verb|\elemskip| from \verb|musixflx|
+and the user chosen value of \verb|\elemskip|). The half of this spacing can
+be forced with \keyindex{hqsk}. Note that these two latter macros must be used
+inside a pair \verb|\notes...\enotes|.
+
+ If you want to insert additional spacing before a group of notes, especially
+to avoid a collision with an accidental, you can write \keyindex{nspace} ---
+outside the \verb|\notes...\enotes| group --- and this will produces an
+additional spacing of a half note head width; in the same way,
+\keyindex{qspace} will yield a spacing of a note head width. Note that
+\verb|\nspace| and \verb|\qspace| are ``hard'' spacings, whose general
+feature is \verb|\hardspace|, described below.
+
+Sometimes the additional space behind \keyindex{changecontext}
+disturbs the eye of a typesetter, but this ugly spacing can be reduced with:
+
+\keyindex{addspace}\verb|{-|\keyindex{afterruleskip}\verb|}%|
+
+It should be emphasized that all these spacing commands work correctly, only
+when their dimension arguments are \itxem{scalable values} and not fixed
+dimensions; the scalable dimensions are \keyindex{elemskip},
+\keyindex{beforeruleskip}, \keyindex{afterruleskip}, \keyindex{noteskip} and
+their multiples.
+
+The only spacing command which can work with ``normal'' (that is,
+\ital{not scalable}) dimensions is:\label{hardspace}\index{hard spacing}
+
+
+\keyindex{hardspace}\verb|{|\ital{any \TeX~dimension}\verb|}%|
+
+\noindent but both \verb|\addspace| and \verb|\hardspace| can only be used
+outside of \verb|\notes...\enotes|.
+
+Conversely, a more general spacing is allowed within the
+\verb|\notes...\enotes| pairs, namely:
+
+\keyindex{off}\verb|{|$D$\verb|}%|
+
+\noindent where $D$ is a \itxem{scalable dimension}, for example
+\verb|\noteskip| or \verb|\elemskip|. In fact, if you look to the
+\musixtex\ source, you will find that \verb|\off| is the basic control
+sequence used to define \keyindex{sk}, \keyindex{qsk}, etc.
+
+ %\check
+
+\section{Collective coding: sequences of notes}
+
+As seen in the {\sc Mozart} example, it is not necessary to write a macro
+sequence \verb|\notes...\enotes| for each column\footnote{Although
+the compiler compiles it faster.}. If, on all
+staffs of all instruments, spacings are equal or multiple of a unique value,
+the notes may be concatenated in each staff: each note in each staff makes
+the current position horizontally advance by the elementary spacing specified
+by the choice of \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc.
+
+ The major interest of this feature resides in that fact that
+the note macros are able to write several items; for instance
+\verb|\qu{cdefghij}| writes the \ital{C-major} scale in quarters with
+stem up. In the same way \verb|\cl{abcdef^gh}| writes the
+\ital{A-minor} scale in eighths. Not all note generating macros can be
+used to perform collective coding, but most of them can.
+
+ If necessary a void space\footnote{same behaviour as {\Bslash sk}}
+can be inserted in a collective coding by using \verb|*|\index{*}.
+
+ %\check
+
+\section{Accidentals}
+
+Accidentals can be introduced in two ways.
+
+ The first way, the \ital{manual} way of coding them, consists for
+example in coding \keyindex{fl}\verb|a| to put a \ital{flat} at the
+pitch $a$, supposedly before the further note of that pitch.
+There is no control upon the fact that a note will be put at this position
+and at this pitch.
+Naturals, sharps, double flats and double sharps are coded \keyindex{na}~$p$,
+\keyindex{sh}~$p$, \keyindex{dfl}~$p$ and \keyindex{dsh}~$p$ respectively.
+
+Alternate procedures \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh},
+\keyindex{ldfl} and \keyindex{ldsh}
+place the same accidentals, but their abscissa is shifted one note head width
+on the left. The purpose of this is to avoid collision of accidentals
+in a chord with narrow intervals.
+
+ The second way of coding accidentals consists in putting the symbol
+\verb|^| (sharp), the symbol \verb|_| (flat), the symbol \verb|=| (natural), the
+symbol \verb|>| (double sharp), or the symbol \verb|<| (double
+flat) within the coding of the note, e.g.: \verb|\qb{^g}| yields a
+$G\sharp$. This may very well be combined with collective coding, e.g.:
+\verb|\qu{ac^d}|.
+
+ Two sizes are available for accidentals. They revert to the small
+version when notes are supposed to be too close to each other. These two
+sizes can be forced by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or
+\keyindex{smallfl}, \keyindex{smallsh}, etc. If one does not want to have any
+small accidentals, then one can declare \keyindex{bigaccid} (conversely
+\keyindex{smallaccid} or \keyindex{varaccid} -- the latter restoring variable
+sizes).
+
+ Small accidentals can also be put \ital{above} the note
+heads. This is done using \keyindex{uppersh}~$p$, \keyindex{upperna}~$p$ or
+\keyindex{upperfl}~$p$:
+
+\begin{music}
+\startextract
+\NOtes\uppersh l\qa l\enotes
+\NOtes\upperna m\qa m\enotes
+\NOtes\upperfl l\qa l\enotes
+\endextract
+\end{music}
+ It also possible to introduce \ital{\ixem{cautionary accidental}s} on a
+score, i.e.\ small size accidentals between parentheses. This done by preceding
+the name of the accidental keyword by a \verb|c|,\label{cautionary}
+ e.g.~by coding \keyindex{cfl}~$p$ to get a cautionary flat.
+ Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, \keyindex{cna},
+\keyindex{cdfl} and \keyindex{cdsh}, which give:
+
+\begin{music}
+\startextract
+\NOtes\csh g\qa g\enotes
+\NOtes\cfl h\qa h\enotes
+\NOtes\cna i\qa i\enotes
+\NOtes\cdfl j\qa j\enotes
+\NOtes\cdsh k\qa k\enotes
+\endextract
+\end{music}
+\noindent
+Besides, the distance between note and accidental is influenced by
+
+\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension}
+
+\noindent
+positive values shift to left, negative to right, default is \verb|0pt|.
+ \section{Transposition and octaviation}
+An important feature is the existence of a special register
+\keyindex{transpose} the normal value of which is 0. If you say
+
+\verb|\transpose=3|
+
+\noindent all subsequent pitches specified by
+upper or lower case letters\footnote{Pitches specified with figures are
+absolute and not transposed.} will be transposed 3 positions. If you set
+\keyindex{transpose} to 7 you may write your music one octave below its final
+pitch. Thus, you can define \ital{octaviation} macros like
+
+\verb|\def\soqu#1{\zq{#1}{\transpose=7 \qu{#1}}}|
+
+\noindent to build quarter note octaves in a single call. Note
+that the octaviated note is coded within braces so that the transposition
+is only local.
+
+ \ital{Octaviation}\index{octaviation} can also be performed in another
+way, namely using special codes to transpose by multiples of 7 intervals.
+For example \verb|\qu{'ab}| is equivalent to \verb|\qu{hi}| and
+\verb|\qu{`kl}| is equivalent to \verb|\qu{de}|. It should be
+emphasized here that the \verb|'| (\itxem{acute accent}) and the \verb|`|
+(\itxem{grave accent}) have cumulative effects, so that \verb|\qu{''A'A}|
+is equivalent to \verb|\qu{ah}| and that the \verb|\transpose|
+parameter is only reset to its initial value (not necessarily zero) when
+changing staff or instrument (i.e. \| or \verb|&|) or at \verb|\enotes|.
+ Since this may be confusing, it is useful to use the \verb|!| prefix
+to reset the \verb|\transpose| register explicitely to the value it had
+when entering \verb|\notes|\footnote{This value is saved in another
+register named \keyindex{normaltranspose}.}. Thus \verb|\qu{!a'a}| always
+gives the note \verb|a| and its upper octave \verb|h| \ital{shifted by the
+value of {\Bslash transpose} at the beginning of the current} \noindent
+\verb|\notes...\enotes| group (or \verb|\Notes...\enotes|,
+etc.) whatever the number of previous grave and acute accents occurring
+inbetween.
+ \subsection{Typical piano octave transposition}
+ \subsubsection{Local octave transposition of fixed length}
+\begin{music}
+\startextract
+\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en
+\endextract
+\end{music}
+\noindent can be coded as
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en
+\endextract
+\end{verbatim}\end{quote}\zkeyindex{octfinup}
+\noindent that is, the dashed line extends 3.5$\times${\Bslash noteskip}.
+Conversely, lower octaviation can also be coded, for example:
+
+\begin{music}
+\startextract
+\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en
+\endextract
+\end{music}
+\noindent which is coded as
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en
+\endextract
+\end{verbatim}\end{quote}\zkeyindex{octfindown}
+If a more sophisticated posting is wanted, this can be achieved refefining
+the macro \keyindex{octnumber}, e.g.:
+
+\begin{music}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en
+\endextract
+\end{music}
+\noindent whose coding is
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en
+\endextract
+\end{verbatim}\end{quote}
+\noindent or
+
+\begin{music}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}\octfindown{-5}4\ql l\ql k\ql j\en
+\endextract
+\end{music}
+\noindent coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}%
+ \octfindown{-5}4\ql l\ql k\ql j\en
+\endextract
+\end{verbatim}\end{quote}
+
+\subsubsection{Long or variable range octave transposition}
+Long range octave transpositions are better handled using
+\keyindex{Ioctfinup},
+\keyindex{Ioctfindown} and
+\keyindex{Toctfin} whose effect extends over line breaks.
+
+{\Bslash Ioctfinup}~$np$ starts an octave transposition of reference number
+$n$ (with $0\le n<6\equiv$\keyindex{maxoctlines}) dashed line at pitch $p$
+(usually $p>10$ but it can also be an alphabetic pitch specification),
+{\Bslash Ioctfindown}~$np$ starts a lower octave transposition at pitch $p$
+(usually $p<-2$), and both extend until terminated with {\Bslash toctfin}. The
+difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is
+the relative position of the ``8'' figure with respect to the dashed line, and
+the sense of the terminating hook (note that {\Bslash Ioctfinup} has a hook
+under the dashed line, and conversely).
+
+For the sake of backward compatibility, \keyindex{ioctfinup} is equivalent to
+\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to
+\verb|\Ioctfindown 0|.
+For example:
+
+\medskip
+ \begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes
+\bar
+\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes
+\bar
+\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes
+\endextract
+\end{music}
+whose coding is
+\begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes
+\bar
+\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes
+\bar
+\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+ %\check
+
+
+%\begin{changebar}
+
+ The elevation of octaviation lines may be raised/lowered using
+\keyindex{Liftoctline}~$n$~$p$ where $n$ is the reference number of the
+ wanted ocave line, and $n$ a number (possibly negative) number of
+\verb|\internote| by which the dashed line should be lifted. This is
+particularly useful when octaviation lines last several systems and need to be
+lifted in the systems occuring farther than the initiation.
+
+%\end{changebar}
+
+ \subsection{Transposition of accidentals}
+ The above processes indeed change the vertical position of the note heads
+and associated symbols (note stems, accents and beams) but they do not take
+care of the necessary changes of accidentals when transposing, i.e. the fact
+that an $F\sharp$ occurring with a zero signature should become a $B\natural$
+when transposing from the tonality of $C$ major to $F$ major where the normal
+$B$ is the $B\flat$. Since the intent of the composer is not obvious -- he
+may want to shift a group of notes within the same tonality or conversely to
+transpose it in another tonality -- this is not done automatically. Thus the
+\keyindex{sh}, \keyindex{fl}, \keyindex{na}, \keyindex{dsh} and
+\keyindex{dfl} symbols \ital{are not affected} by a change of the
+\keyindex{transpose} register.
+
+ But the composer/typesetter may ask \musixtex\ to do that work. In this
+case, he should code \keyindex{relativeaccid}. In that case, a \verb|\sh|
+command means that the corresponding pitch\footnote{The musical output note,
+not the typesetting position.} has to be raised by \ital{one half pitch}
+with respect to its normal value \ital{according to the current signature}.
+Thus \verb|\sh b| (using \keyindex{relativeaccid}) means a $B\sharp$ if the
+signature is zero or positive, and a $B\natural$ if it is negative. The same
+logic applies for all accidentals using \keyindex{relativeaccid}.
+
+In the same way, the compact codes \verb|^|, \verb|_|, \verb|=| are normally
+not affected by transposition and signatures, but their behaviour will be
+changed by saying \keyindex{relativeaccid} and reset by
+\keyindex{absoluteaccid} (the default situation)\footnote{Note that the
+behaviour of {\Bslash sh}, {\Bslash na} and {\Bslash fl} with \musixtex\
+corresponds to the behaviour of {\Bslash Sh}, {\Bslash Na} and {\Bslash Fl}
+with \musictex+{musictrp.tex}. But the {\tt musixcpt.tex} file forces the same
+behaviour as \musixtex\ in that respect, see page \pageref{compatibility}.}.
+
+ Although \ital{relative accidental coding} is an easy and safe way of
+coding \ital{transposable} scores, care should be exercised in getting rid
+of the habit of saying \verb|\na b| to raise the pitch of a $B$ when the
+tonality is $F$ major (i.e. with \keyindex{setsign$n$}\verb|=-1| or
+\keyindex{generalsignature}\verb|{-1}|). An example of sophisticated
+transposition is given in the score \verb|souvenir.tex| (which \verb|\input|s
+\verb|souvenix.tex|).
+
+ %\check
+
+\section{Slurs and ties}
+The slurs and ties provided by \musixtex\ can be divided into two categories:
+\label{simpleslur}
+\begin{itemize}
+ \item Those where the complete slur symbol is composed of a single
+ character from one of the slur fonts, and
+ \item those where the slur symbol is composed three discrete
+ characters, to form the beginning, middle and end of the slur.
+\end{itemize}
+The former are called \ital{simple slurs} and the latter are called
+\ital{compound slurs}. To some extent the division between the two is
+invisible to the user, in that a number of the macros described below will
+select between the two types automatically. However, other macros are
+provided to
+enable simple slurs to be specified. Note that slurs of both types must be
+coded within the pair \verb|\notes...\enotes|.
+ \subsection{General slur coding}
+This section describes the usual method of slur coding, where the
+choice between simple or compound slurs is made automatically.
+In this case, slurs are initiated and terminated by separate macros,
+as is the case for beams.
+ \subsubsection{Slur initiation}
+The slur must be initiated {\em before}
+the spacing note at which the slur begins, and terminated {\em before} the
+note at which the slur ends. The simplest slur initiation macro is
+
+
+\keyindex{isluru}~$np$
+
+\noindent which initiates an upper slur, with reference
+number $n$, beginning at pitch $p$. The starting point of the slur is
+centred above an imaginary quarter note head at pitch $p$.
+As for beams, the reference number $n$ takes values from 0 to 5, or
+0 to 8 if \ttxem{musixadd.tex} is included.
+Similarly, \keyindex{islurd}~$np$ initiates a lower slur.
+These slurs are terminated by coding
+\keyindex{tslur}~$np$ where $n$ is the reference number and $p$ is the
+termination pitch. To illustrate with a simple example, the following
+passage
+
+\begin{music}
+\startextract
+\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en
+\bar
+\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en
+\NOTes\hu g\en
+\endextract
+\end{music}
+
+\noindent was coded as:
+\begin{quote}\begin{verbatim}
+\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en
+\bar
+\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en
+\NOTes\hu g\en
+\end{verbatim}\end{quote}
+
+Other macros are provided to change the starting and ending point of the slur
+in relation to the initial and final notes. Thus, \keyindex{issluru}~$np$
+initiates a ``short'' upper slur suitable for linking notes involved in chords. The
+starting point is shifted to the right, and is vertically aligned with the
+centre of an imaginary quarter note head at pitch $p$. If a lower short slur
+is wanted, one should use \keyindex{isslurd}~$np$.
+
+
+Sometimes, busy scores call for slurs which are vertically aligned with the
+ends of note stems rather than note heads. These ``beam'' slurs --- so called
+because the slur is written at usual beam height --- are provided by the
+macros \keyindex{ibsluru}~$np$ and \keyindex{ibslurd}~$np$. These macros
+initiate slurs raised or lowered by the current stem height to accommodate
+stems or beams above or below.
+ %\check
+
+ \subsubsection{Slur termination}\label {slurtermin}
+Termination of slurs can be achieved in two ways. First, macros matching
+each of the initialization macros are provided, as shown below.\\
+\begin{center}
+ \begin{tabular}{ll}
+ Initiation & Termination \\
+ \hline
+ \keyindex{isluru}, \keyindex{islurd} & \keyindex{tslur} \\
+ \keyindex{issluru}, \keyindex{isslurd} & \keyindex{tsslur} \\
+ \keyindex{ibsluru} & \keyindex{tbsluru}\\
+ \keyindex{ibslurd} & \keyindex{tbslurd}\\
+ \hline
+ \end{tabular} \end{center} These specific termination macros enable slurs
+started in one way to be terminated in another. For example, a slur beginning
+as a ``beam'' slur may be terminated as a normal slur. This would be achieved
+using the macro pair \verb|\ibslur...\tslur|.
+ \subsubsection{Ties} The coding of \itxem{ties} follows from the above
+discussion as a special case of slurs, i.e. when there is no pitch change.
+Upper ties are initiated by \keyindex{itieu}~$np$ which starts an upper tie of
+reference number $n$ at pitch $p$.
+Lower ties are initiated by \keyindex{itied}~$np$ which starts an lower tie of
+reference number $n$ at pitch $p$.
+
+The starting position of the tie is the same as \verb|\issluru| and
+\verb|\isslurd| respectively. The tie is terminated by coding
+\keyindex{ttie}~$n$.
+
+Some simple examples of slurs and ties are illustrated below.
+
+\begin{music}
+\startextract
+\NOTes\isluru0g\hl g\tslur0h\hl h\en
+\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en
+\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en
+\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en
+\endextract
+\end{music}
+\noindent This was coded as:
+\begin{quote}\begin{verbatim}
+\begin{music}
+\startextract
+\NOTes\isluru0g\hl g\tslur0h\hl h\en
+\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en
+\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en
+\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+ \subsubsection{Short ties} Usual music coding makes ties not different of
+slurs, i.e. a tie is typed exactly like a slur linking two notes of same pitch.
+However, this traditional way of doing has two the drawback:
+ \begin{itemize}
+ \item in some special cases, a slur might be confused with a tie and
+conversely,
+ \item chord ties cannot be implemented with the slur starting above or below
+the note, but only starting just right of the noetead and finishing just left
+of the other note head.
+ \end{itemize}
+ This can be done using \verb|\issluru| (\ref{slurtermin}, p.
+\pageref{slurtermin}) or \keyindex{itenu}~$np$, \keyindex{itenl}~$np$ for tie
+initiation, and \keyindex{tten}~$n$ to terminate it. As an example:
+
+ \begin{music}
+ \startextract
+ \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes
+ \bar
+ \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes
+ \endextract
+ \end{music}
+ \noindent was coded as:
+ \begin{quote}\begin{verbatim}
+ \begin{music}
+ \startextract
+ \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes
+ \bar
+ \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes
+ \endextract
+ \end{music}
+ \end{verbatim}\end{quote}
+ %\check
+
+
+ \subsubsection{Slur limitations}
+ The vertical gap between slur initiation and slur termination is limited to
+16\verb|\Internote|. Thus exceedingly ascending slurs lead to unfortunate
+results, such as~:
+
+ \begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac34}
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract
+
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract
+ \end{music}
+ whose coding was:
+ \begin{quote}\begin{verbatim}
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract
+
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract
+ \end{music}
+ \end{verbatim}\end{quote}
+
+ Besides, tentative slurs of excessive slope may also yield unexpected shapes,
+such as:
+ \begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac34}
+\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes
+ \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes
+ \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes
+ \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes
+ \endextract
+ \end{music}
+
+ \subsection{Dotted slurs} Compound and simple slurs (\ref{simpleslur},
+p.\pageref{simpleslur}) may be drawn dotted\footnote{Thanks to Werner {\sc
+Icking}.} specifying \keyindex{dotted} just before slur initiation.
+
+\begin{music}
+\startextract
+\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar
+\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en
+\NOTes\hu g\en
+\endextract
+\end{music}
+
+\noindent This was coded as:
+\begin{quote}\begin{verbatim}
+\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar
+\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en
+\NOTes\hu g\en
+\end{verbatim}\end{quote}
+
+ \subsection{*Modifying slur properties}
+Several macros are provided to modify the shape of slurs already initiated.
+These macros must be coded before the slur termination. Note that only
+compound slurs can be modified. Hence, calling any modification macro forces
+the slur type to be compound.
+ \subsubsection{*Changing the rise or fall}
+ By default, the arch of a slur rises and falls from its original height by
+three times the vertical note spacing. This can be changed using the macro
+\keyindex{midslur}~$h$ where $h$ is the revised vertical displacement. For
+example, \verb|\midslur{6}| coded before \verb|\tslur| causes an upper slur to
+rise to a maximum height of \verb|6\internote| above the starting position.
+Note that \verb|\midslur| must be coded {\em immediately} before the slur
+termination (eg, \verb|\tslur|). Coding \verb|\midslur| before setting a
+simple slur causes problems and should be avoided.\\[20pt]
+
+\begin{music}
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\midslur7\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru2g\ql g\en
+\notes\midslur{11}\tslur2g\ql g\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\midslur7\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru2g\ql g\en
+\notes\midslur{11}\tslur2g\ql g\en
+\endextract
+\end{verbatim}\end{quote}
+ \subsubsection{*Changing the curvature}
+The degree of curvature depends primarily on the initial and terminal
+gradient of the slur, relative to its mean slope. The macro
+\keyindex{curve}~$hij$ allows these to be modified. The first parameter $h$
+is the vertical deviation as for \verb|\midslur| described above. The second
+parameter $i$ sets the initial gradient, while the third parameter $j$ sets
+the
+final gradient. The latter parameters are defined as the horizontal distance
+required to attain maximum vertical deviation. Thus smaller numbers for $i$
+and $j$ lead to more extreme gradients.
+The default setting is \verb|\curve344|. Hence, coding \verb|\curve322|
+doubles the initial and final gradient relative to the default.
+As with \verb|\midslur|, \verb|\curve| must be coded {\em immediately} before
+the slur termination.
+Likewise, coding \verb|\curve| before
+a simple slur causes problems and should be avoided.
+
+The example below illustrates the use of \verb|\curve| more clearly.
+
+
+
+\begin{music}
+\startextract
+\NOtes\multnoteskip8\itieu0g\ql g\en
+\notes\ttie0\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu1g\ql g\en
+\notes\curve 322\ttie1\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu2g\ql g\en
+\notes\curve 111\ttie2\ql g\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOtes\multnoteskip8\itieu0g\ql g\en
+\notes\ttie0\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu1g\ql g\en
+\notes\curve 322\ttie1\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu2g\ql g\en
+\notes\curve 111\ttie2\ql g\en
+\endextract
+\end{verbatim}\end{quote}
+ %\check
+
+
+
+ \subsubsection{*Breaking slurs across a line}
+Two macros are provided to control the behaviour of slurs which extend across
+line breaks. Normally, the part of the slur before the line break is
+treated as a tie. This can be changed using \keyindex{breakslur}~$np$,
+which sets the termination height of
+the broken slur at the line break to pitch $p$, for slur reference number $n$.
+
+After the line break, the slur is normally resumed at the initial pitch
+reference, the one coded in \verb|\islur|. To change this, the macro
+\keyindex{Liftslur}~$np$ may be used. Here $n$ is again the slur reference
+number and $p$ is the change in height relative to the initialization height.
+This macro is normally used following line breaks, in which case it is best
+coded using the \verb|\atnextline| macro. For example, coding
+\verb|\def\atnextline{\Liftslur06}| raises the continuation of slur zero
+by \verb|6\internote| relative to its initialization height.
+
+These macros are illustrated by the following example.
+%%
+% Example
+%%
+ %\check
+
+ \subsubsection{*Inverting slur termination}
+Occasionally in keyboard works one needs to begin a slur in one
+stave but end it in another. This can be done using the macro
+\keyindex{invertslur}~$n$ which is best described by reference to the example
+shown below.
+
+% Finding the final pitch is try and error, sorry, no way out.
+
+\begin{music}
+\setstaffs1{2}
+\setclef1\bass
+\startextract
+\NOtes\multnoteskip5\isluru0a\ql a\en
+\notes\invertslur0\curve311\tslur0g|\qu d\en
+\NOtes\multnoteskip{10}\isluru0a\ql a\en
+\notes\invertslur0\curve333\tslur0g|\qu d\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\setstaffs1{2}
+\setclef1{\bass}
+\startextract
+\NOtes\multnoteskip5\isluru0a\ql a\en
+\notes\invertslur0\curve311\tslur0g|\qu d\en
+\NOtes\multnoteskip{10}\isluru0a\ql a\en
+\notes\invertslur0\curve333\tslur0g|\qu d\en
+\endextract
+\end{verbatim}\end{quote}
+
+ \begin{remark}
+ Slur inversion is achieved at a place where its slope ise zero~; therefore it
+only works with ascending slurs started with \verb|\isluru|, and with
+descending slurs started with \verb|\islurd|. Otherwise no horizontal place
+can be found and the result is erratic.
+
+ This second situation can be solved manually, stopping the slur at a
+reasonable place with \verb|\tslur| and restarting in the other sense at the
+same place. Stopping and restarting obviously refer to virtual note pitches (a
+vertical position without actual note) which should be adjusted to have the
+minimum discontinuity.
+ \end{remark}
+
+ To make this drawing easier, three commands have been provided:
+ \begin{itemize}
+ \item \keyindex{Tslurbreak}$np$ stops slur number $n$ exactly at pitch $p$,
+not above or below the virtual note head.
+ \item \keyindex{Islurubreak}$np$ restarts an upper slur at the same position,
+not above a virtual note head.
+ \item \keyindex{Islurdbreak}$np$ restarts an lower slur at the same position,
+not below a virtual note head.
+ \end{itemize}
+ Thus, the following pattern
+
+ \begin{music}
+\setclef1\treble
+\startextract
+\NOTes\multnoteskip 3\isluru0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\NOTes\multnoteskip 3\islurd0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\endextract
+\end{music}
+was coded as
+\begin{quote}\begin{verbatim}
+ \begin{music}
+\setclef1\treble
+\startextract
+\NOTes\multnoteskip 3\isluru0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\NOTes\multnoteskip 3\islurd0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+
+
+
+
+ \subsection{Simple slurs}
+Simple slurs and ties have the advantage
+of optimal aesthetics and simple coding, but are limited in length to 68pt
+for slurs and 220pt for
+ties. Also, the maximum vertical extent of simple slurs is 8 times the
+internote spacing, and the slurs may not extend across a line break.
+Despite all these limitations, simple slurs are extremely useful in many
+applications where the slurs are short and contained within a bar.
+
+Simple slurs extend to the right of the note immediately following.
+Hence they must be coded {\em before} the note at which the slur begins.
+The primary macro call is
+\keyindex{slur}~$p_1p_2sl$
+where $p_1$ and $p_2$ are respectively the initial and final pitches,
+$s$ is the sense, either {\tt u} or {\tt d}, and $l$ is the length,
+in units of the current value of {\tt noteskip}.
+Thus, thirds slured in pairs can be coded:
+
+ %\check
+
+\begin{quote}\begin{verbatim}
+\NOtes\slur ced1\qu{ce}\en
+\NOtes\slur dfd1\qu{df}\en
+\NOtes\slur egd1\qu{eg}\en
+\NOtes\slur{'e}cu1\ql{ec}\en
+\NOtes\slur{'d}bu1\ql{db}\en
+\NOtes\slur{'c}au1\ql{ca}\en
+\end{verbatim}\end{quote}
+which yields:
+
+\begin{music}
+\startextract
+\NOtes\slur ced1\qu{ce}\en
+\NOtes\slur dfd1\qu{df}\en
+\NOtes\slur egd1\qu{eg}\en
+\NOtes\slur{'e}cu1\ql{ec}\en
+\NOtes\slur{'d}bu1\ql{db}\en
+\NOtes\slur{'c}au1\ql{ca}\en
+\endextract
+\end{music}
+%%
+Similarly, ties may be set using
+\keyindex{tie}~$psl$ where $p$ is the (single) pitch, and the other
+parameters are as described above.
+
+Variants on these macros are provided to change the slur length
+and vertical offset relative to the starting note, as follows.
+\begin{itemize}
+ \item \keyindex{sslur}~$p_1p_2sl$, which sets a `short' slur,
+ designed for the case when a slur is required to link notes which
+ form part of a chord (see \verb|\isslur| above).
+ The macro \keyindex{stie}~$psl$ sets analagous ties.
+%! \item \keyindex{bslur}~$p_1p_2sl$, which sets a `beam' slur, raised or
+%! lowered so that the slur links the ends of note stems rather than
+%! note heads.
+\end{itemize}
+ %\check
+
+ \subsection{Restrictions}
+Generation of some of the slur fonts is problematic for \MF.
+In particular, the long ties tend to exceed \MF's
+maximum dimension for high resolution printers. However, for normal 300 dpi
+printers there is no problem. A solution to this limitation is planned
+for Postscript\raise1.5ex\hbox{\small\copyright} printers using
+DVIPS \verb|\special| commands.
+
+\section{Bars}
+ \subsection{Bars and spacing}
+ Ordinary \ital{bars} are coded using the macro \keyindex{bar}. Its drawback
+is that it does not differ from \verb|\bar| which is already defined in
+\TeX's mathematical mode. \index{bar (original meaning)@{\Bslash bar}
+\ital{(original meaning)}} Therefore, inside \verb|\startpiece...\endpiece|
+\ital{our} \verb|\bar| means a musician \ital{bar}\footnote{\ital{Mesure} in
+French, \ital{Takt} in German.} and outside, it keeps its original meaning.
+If you \ital{really} need the original \verb|\bar| inside, you can say
+\verb|\endcatcodesmusic...\bar...\catcodesmusic|.
+ %\check
+
+ \subsection{Bar numbering}
+Unless otherwise specified, \index{bar numbering}bars are
+numbered. This is a good means of finding errors provided that the \musixtex\
+user has put comments in his source text recording the (expected) bar number.
+However, this can look unpleasant for final outputs, since the habit is to
+number bars only each other five or ten bars. This is not a serious problem
+since the frequency of bar numbering is defined as:
+
+ \verb|\def|\keyindex{freqbarno}\verb|{1}|
+
+If you replace the {\tt1} by {\tt5}, bar numbering will occur each other five
+bars. You can also inhibit any bar number\footnote{default inside this manual}
+printing by telling:
+
+\keyindex{nobarnumbers}
+
+\noindent If you want to restore bar numbering after \verb|\nobarnumbers|,
+you can say
+
+\keyindex{barnumbers}
+
+ The bar counter is also accessible, its name is \keyindex{barno}.
+You can change it without any dramatic consequence.
+
+Sometimes there is need for to start with a \verb|\barno| value which differs
+from 1. Perhaps the piece starts with an \ital{upbeat}, then you can code
+
+\keyindex{startbarno}\verb|=0|
+
+\noindent in front of \verb|\startpiece|; or you may want to typeset only an
+excerpt starting for example with bar number
+198, then you can code \verb|\startbarno=198|. Pay attention because
+saying \verb|\startbarno=|$n$ has a global meaning. So if you want to
+\verb|\input| several pieces whose starting bar numbers differ, you have to
+adjust the value of \verb|\startbarno| each time.\label{startbarno}
+
+ %\check
+
+The best compromise between information of the bar number and a pleasant
+lookout is the command \keyindex{systemnumbers} which draws the bar numbers
+only at the left top of every system (or staff? then the command will
+be renamed to \verb|\staffnumbers| or \verb|\staffbarnumbers|).
+
+You can influence the height of the system numbers by coding
+
+\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}|
+
+\noindent whose default is set to \verb|4\internote| to fit above
+a violin clef. You can influence its horizontal position with
+
+\verb|\def|\keyindex{shiftbarno}\verb|{|\ital{any \TeX~dimension}\verb|}|
+
+\noindent which default value is \verb|0pt|. If you don't like the box around
+the bar number or its font, you can redefine the macro which sets the system
+bar number; its default is
+
+\verb|\def|\keyindex{writebarno}%
+ \verb|{\boxit{\eightbf\the\barno\barnoadd}}|
+
+ \noindent where \keyindex{boxit} is a utility macro provided by \musixtex{}
+whose purpose is to enclose its argument in a \raise-\boxitsep\hbox{\boxit{box}}.
+
+
+\medskip
+\begin{music}
+\let\extractline\hbox
+\startbarno=36
+\hbox to \hsize{%
+\hss
+ \raise20pt\hbox{(a) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss
+ \def\writebarno{\tenrm\the\barno\barnoadd}%
+ \def\raisebarno{2\internote}%
+ \def\shiftbarno{2.5\Interligne}%
+ \raise20pt\hbox{(b) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss
+ \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}%
+ \def\raisebarno{2\internote}%
+ \def\shiftbarno{1.3\Interligne}%
+ \raise20pt\hbox{(c) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss}
+\end{music}
+which was coded as
+\begin{itemize}
+ \item[(a)] (default)
+ \item[(b)]
+ \begin{verbatim}
+\def\writebarno{\tenrm\the\barno\barnoadd}%
+\def\raisebarno{2\internote}%
+\def\shiftbarno{2.5\Interligne}%
+ \end{verbatim}
+ \item[(c)]
+ \begin{verbatim}
+\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}%
+\def\raisebarno{2\internote}%
+\def\shiftbarno{1.3\Interligne}%
+ \end{verbatim}
+\end{itemize}
+If the previous line does not stop with a bar rule to the next system bar number
+is added the \keyindex{writezbarno} whose default setting is the lower
+character {\tt'a'}. If you want a {\tt'+}' instead, you can say
+
+\verb|\def|\keyindex{writezbarno}\verb|{+}|
+
+ Besides, you can change the font and anything in the format of current bar
+numbers by changing the original definition of the macro
+\keyindex{writethebarno} or the font in \keyindex{fontbarno}, where the
+defaults are:
+
+ \verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}|
+
+ \verb|\def\fontbarno{\it}|
+
+
+ \noindent For example:
+
+ \medskip
+\begin{music}\barnumbers
+\parindent0pt\startpiece
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\def\fontbarno{\bf}%
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en\bar
+\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}\barnumbers
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\def\fontbarno{\bf}%
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en\bar
+\notes\Qqbbu fgge\Qqbbl jhgi\en
+\end{verbatim}\end{quote}
+ %\check
+
+
+
+ %\check
+
+\noindent Besides, you can suppress the messages of bar numbers on
+\verb|stdout| (normally screen) with \keyindex{nobarmessage}. In the same way,
+you can suppress the messages abour new lines (new systems) with
+\keyindex{nolinemessages}.
+ %\check
+
+ \subsection{Full and instrument divided bars}
+Normally, bars (as well as double bars, final bars and repeat bars) are
+drawn as a continuous line, starting for the bottom of the lower staff of the
+lower instrument, and ending at the top of the upper staff of the upper
+instrument. However, one may want to have discontinuous bars, that is, one
+continuous bar for all the staffs of a unique instrument. This is done by
+issuing the command \keyindex{sepbarrules}. An example of this is given in the
+{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the
+example of section \ref{avemaria}.
+
+ The initial situation can be forced or restored by \keyindex{stdbarrules}. In
+the extension library are some more types of bar rules, mainly for very old
+music, see \ref{otherbars}.
+
+ \subsection{Instruments with no coherent bar division}
+
+ In some special scores with several instruments, it may happen that distinc
+instruments, not only have different meters (e.g. 2/4 and 6/8 to avoid
+printing triolet codes for some instrument), but also have bar lines not
+synchronized. Obviously, this can be implemented \ital{{\bfseries only if}}
+\keyindex{sepbarrules} has been stated. Then, five specific commands can be issued~:
+
+\begin{itemize}
+\item\keyindex{hidebarrule} $n$ hides the bar rule for instrument $n$, until
+this is changed by \verb|\showbarrule|~$n$.
+\item\keyindex{showbarrule} $n$ stops hiding the bar rule for instrument $n$, until
+this is changed by \verb|\hidebarrule|~$n$.
+\item\keyindex{Hidebarrule} $n$ hides the bar rule for instrument $n$, only
+for the next bar.
+\item\keyindex{Showbarrule} $n$ exceptionally shows the bar rule for instrument $n$,
+and then resets intrument $n$ to \verb|Hidebarrule|.
+\item\keyindex{showallbarrules} resets all defined instruments to
+\verb|showbarrule|~$n$. This command is automatically inserted with double
+bars, final bars and repeats.
+\end{itemize}
+
+Thus, the following example~:
+
+\begin{music}
+\instrumentnumber3
+\setmeter3{{\meterfrac{3}{4}}}
+\setmeter2{{\meterfrac{2}{4}}}
+\setmeter1{{\meterfrac{3}{8}}}
+\nobarnumbers
+\sepbarrules
+
+\startextract
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\hidebarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\hidebarrule3\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setdoublebar
+\bar\hidebarrule3
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\message{Showbarrule3 coming}%
+\Hidebarrule2\Showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setrightrepeat
+\endextract
+\end{music}
+
+\noindent was obtained with the following coding
+\begin{quote}\begin{verbatim}
+\instrumentnumber3
+\setmeter3{{\meterfrac{3}{4}}}
+\setmeter2{{\meterfrac{2}{4}}}
+\setmeter1{{\meterfrac{3}{8}}}
+\nobarnumbers
+\sepbarrules
+
+\startextract
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\hidebarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\hidebarrule3\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setdoublebar
+\bar\hidebarrule3
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\message{Showbarrule3 coming}%
+\Hidebarrule2\Showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setrightrepeat
+\endextract
+\end{verbatim}\end{quote}
+
+
+\section{Managing the layout of your score}
+\subsection{Line and page breaking}\label{linebreak}
+
+Those who usually worked with \musictex\ before must be aware that this has
+been deeply changed in \musixtex. All line-breaking decisions\footnote{With
+exception of the \musictex\ command {\Bslash autolines}, which is provided in
+the file {\tt musixcpt.tex}, see page \pageref{compatibility}.} are done by
+the external program \verb|musixflx|. Then you get the most even results when
+you insert the fewest \ital{manual} line breaks possible. But sometimes
+there is really need for them, e.g. page break should preferably occur when
+the musician has one hand free to turn the sheet.
+
+You can force a line break with \keyindex{alaligne} instead of \keyindex{bar}.
+In the same way, you can code \keyindex{alapage} to force an \keyindex{eject}
+with proper reinitialization of staffs, clefs and signatures.
+
+ %\check
+
+ On the other hand, you may want to forbid line-breaking at a bar,
+then you should replace \verb|\bar| with \keyindex{xbar}.
+
+ Conversely, you may want to break a line \ital{not at a bar}\footnote{For
+example, you may prefer to turn the page at a place where the pianist has one
+hand free, in the middle of a bar.}. This is allowed by \keyindex{zbar}
+(optional line break) or forced by \keyindex{zalaligne} or
+\keyindex{zalapage}.
+
+The heavy final double bar of a piece is provided by \keyindex{Endpiece} or
+\keyindex{Stoppiece}. If you just want to terminate the text with a simple
+bar, you say \keyindex{stoppiece} or \keyindex{endpiece}. If you want to
+terminate it without a bar, you code \keyindex{zstoppiece}.
+
+ Once you have stopped the score by any of these means, you can restart it
+using \keyindex{contpiece}. If you want to restart indenting the next line
+(system) by the dimension \keyindex{parindent}, then you should rather use
+\keyindex{Contpiece}, which is recommended when changing the
+the number of instruments within a single piece.
+
+ However, neither \verb|\contpiece| nor \verb|\Contpiece| can be used if you
+change the signature (i.e. using \keyindex{generalsignature}) between
+\verb|stoppiece| and \verb|\contpiece|), since the space used by signatures is
+not constant and it has to be taken in account, e.g. by some
+\keyindex{changecontext}. In that case, you have to restart your score using
+\keyindex{startpiece}, which in turn requires you to save \verb|\barno| to its
+furtner starting value \verb|\startbarno| if you do not want it reset at 1,
+and to manage the instrument names and/or the \verb|\parindent| if necessary.
+
+ If you want the next vertical bar to be a double bar, you have to
+declare \keyindex{doublebar} or \keyindex{setdoublebar} before the
+\keyindex{bar} (or the \keyindex{stoppiece} or \keyindex{alaligne} or
+\keyindex{alapage}) to be marked with a double thin bar. In the same way you
+can declare \keyindex{setdoubleBAR} if you want to have a heavy double bar
+(the same as \verb|\Stoppiece|) and even \keyindex{setemptybar} to make the
+next \verb|\bar| invisible\footnote{These latter features are given for your
+information, but they should be used only in case of emergency.}.
+
+ %\check
+
+\subsection{How to manage individual page layout}
+\begin{enumerate}
+ \item You write your own output routine, which centers the contents in the
+middle of the page. Most important are then the values of
+\keyindex{stafftopmarg} and \keyindex{staffbotmarg}, because they decide of
+the amount of margin between successive systems.
+ \item If you say \keyindex{raggedbottom}, the vertical glue is removed and
+the score is rather compacted at the top of page.
+ \item You change the value of \keyindex{parskip} and say
+\keyindex{normalbottom} (which behaves like \LaTeX's \keyindex{flushbottom}
+and which is done by default working with \verb|plain.tex|). Then the
+vertical space between the staffs is changed to get the first staff on page
+on top and the last staff on page to bottom (depends on \keyindex{vsize}).
+It might be clever to insert a \keyindex{eject} before the \keyindex{bye}.
+\keyindex{musicparskip} set between two systems no extra distance, but the
+possibility to increase the distance up to \verb|5\Interligne|.
+\end{enumerate}
+\noindent
+Besides, following values of e.g.~paper size are changed
+(only if you \ital{do not} work with \LaTeX) to:
+\begin{quote}\begin{verbatim}
+\parindent= 0pt
+\hoffset= -15.4mm
+\voffset= -10mm
+\hsize= 190mm
+\vsize= 260mm
+\end{verbatim}\end{quote}
+\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset}
+\zkeyindex{hsize}\zkeyindex{vsize}
+
+ %\check
+
+\subsection{How to adjust the global line and page layout}\index{page and line
+layout (global)}
+
+ Once you have made your whole score, you will probably find out that all
+systems (all ``lines'') have a correct layout with nice beams, nice slurs, and
+others. But it is likely that:
+ \begin{itemize}
+ \item The result takes too many or too few pages and you estimate a more or
+less compact score would be suitable.
+ \item The results takes a convenient number of pages, but the last page
+exhibits a widow line or an ugly blank space at the end.
+ \end{itemize}
+
+ To solve this, you may revert to two strategies:
+ \begin{enumerate}
+ \item Explicitely force line and page breaking at the very places you like;
+ this can be done using \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne|
+or \verb|\zalapage| commands. This can also be done using the
+\verb|\autolines| command imported from \musictex\ and provided in the {\tt
+musixcpt.tex} additional file. But this way of doing may result in
+unfortunately uneven distribution of the notes in the score, which is therefore
+not very smart.
+ \item Adapt both the \keyindex{mulooseness} and the global value of
+\keyindex{elemskip}: increasing \verb|\mulooseness| (whose default is 0)
+increases the total number of systems, and if you are clever you may be able
+to fill an integer number of pages. Besides, increasing the stated
+\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) also
+makes note spacing wider, and its advantage is that you can tune it by half a
+percent if needed.
+
+\begin{remark} \verb|\elemskip| can be retrieved in both the first and the third
+pass (second \TeX-ing pass), but any assignment of a value (a dimension value)
+to \verb|\elemskip| will be of no effect at third pass, since it is taken from
+the {\tt *.mx2} file yielded by {\tt musixflx}. On the contrary, assigning a
+value to \keyindex{noteskip} within \verb|\notes...\enotes| is efficient in
+both passes, and cause some weird errors if you mix up scalable and not
+scalable dimensions.
+ \end{remark}
+ \end{enumerate}
+ %\check
+
+\section{Changing score attributes}
+
+ As seen before, you can change the signature of the whole set of instruments
+by \keyindex{generalsignature}~$n$ where $n>0$ means a number of sharps, $n<0$
+means a number of flats. Or, you may prefer to change the signature of only
+one or two instruments by the statement:
+
+\keyindex{setsign} $n$\verb|{|$s$\verb|}|
+
+ %\check
+
+\noindent
+ where $n$ is the number of the instrument considered, and $s$ its
+specific signature. Since you may change simultaneously (with respect to the
+score) but consecutively (with respect to your code) the signatures of
+several instruments, this change takes place only when you say
+\keyindex{changesignature} (within a bar) or \keyindex{changecontext} (after
+a single vertical rule) or \keyindex{Changecontext} (after a double vertical
+rule) or \keyindex{zchangecontext} (without a bar rule\footnote{Old composers
+uses the bar rules very rarely}).
+
+ Normally, changing a signature from flats to sharps or sharps to flats or
+reducing the number of sharps/flats will produce the convenient set of
+naturals to emphasise what is suppressed. This standard feature can be
+temporarily inhibited by the command \keyindex{ignorenats} to be issued before
+the next {\Bslash changecontext} or {\Bslash changesignature}.
+
+
+ In the same way, you may want to change the active clefs.
+This is done by
+
+\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%|
+
+ %\check
+
+\noindent where $r$ is the number of the instrument, $s_1$ specifies the clef
+of the lower staff, $s_2$ the clef of the second staff, etc. $s_1=6$ means the
+\ital{bass} clef (\ixem{clef de fa} in French), $s_1=0$ means the \ital{violin}
+clef (\ixem{clef de sol} in French), $s_1=1$ through $s_1=4$ mean the
+\ital{alto} clef (\ixem{clef d'ut} in French) set on first (lower) through
+fourth (next to upper line of the staff), $s_1=5$ or $s_1=6$ mean the bass clef
+on the third or fourth line respectively.\index{violin clef}\index{bass
+clef}\index{alto clef}
+
+ As seen above in the case of signatures, several clefs may be changed at the
+same time; thus all the clef changes become operational only when the macro
+\keyindex{changeclefs} is coded. Normal usage consists in issuing this
+command before the bar, not after (this helps the music player when the
+change happens across a line break).
+ %\check
+
+ The \verb|\changeclefs| command normally takes some horizontal space to put
+one of more clef symbols, but it may happen that you have no notes
+immediately before on the staff whose clef is changed. In that case, you can
+use \keyindex{zchangeclefs} which performs the same posting, overwritten left on
+the last part of the score in that staff. Of course it is your responsibility
+to ensure that no notes will collide with the clef change symbols.
+ %\check
+
+The \musictex\ problem if a clef change is coded while one or several beams
+are pending has been removed in \musixtex. As an enhanced example, we provide
+an excerpt of {\sc Brahms}'s Intermezzo op.~117,1 initially coded by Miguel
+{\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip
+
+\begin{music}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass % F- and G-clefs
+\generalsignature{-3}% 3 flats
+\parindent-4mm
+\advance\hsize8mm
+\startpiece
+\qspace\nspace
+\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N%
+ \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes
+\setclef1\treble\zchangeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\curve{-4}22\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass\changeclefs
+\notes\islurd0k\zq E\cu I\nextstaff
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\bar
+\Notes\ibu0L{-2}\zq{EI}\qb0M\zqb0L%
+ \nextstaff{\stemlength4\zql N}\ibu1f{-2}\qb1f\tbu1\zqb1e\hsk\enotes
+\setclef1\treble\changeclefs
+\nspace
+\Notes\tbu0\zq{Me}\qb0g\nextstaff\zq{ln}\cl s\en
+\notes\curve{-4}22\invertslur0\tslur0q\zq{be}\qu i\nextstaff\zq{ln}\ql s\en
+\setclef1\bass\changeclefs
+\notes\islurd0m\zq G\cu L\nextstaff
+ \ibbu1j3\zq c\qb1j\tbu1\zq d\qb1k\enotes
+\bar
+\Notes\zq G\qu L%
+ \nextstaff\ibl0e{-2}\zq{ei}\qb0l\zq d\zqb0k\enotes
+\setclef1\treble\changeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\curve{-5}22\invertslur0\tslur0o\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass \changeclefs
+\notes\zq B\cu I\nextstaff\ibsluru0j%
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\bar
+\Notes\zq{IL}\ql N\nextstaff\zql b\ibu0i{-2}\qb0i\enotes
+\scale{.5}%
+\Notes\nextstaff\qb0e\enotes
+\Notes\nextstaff\tinynotesize\isluru1f\grcu g\enotes
+\scale\normalvalue
+\Notes\zq B\cu I\nextstaff\zcl a\tslur1f\tbu0\zq d\qb0f\enotes
+\Notesp\zq E\qu I\nextstaff\tslur0e\zq N\zql e\ibu0g6\qbp0e\enotes
+\notes\sk\icresc\cu E\sk\zmidstaff\tcresc\nextstaff
+ \ibsluru0i\nbbu0\qb0g\zq i\zcl g\qb0i\tbu0\qb0n\tubslur0k\enotes
+\endpiece
+\end{music}
+
+
+\noindent The first bar of this excerpt was coded as:
+
+ \begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass % F- and G-clefs
+\generalsignature{-3}% 3 flats
+\parindent0pt
+\startpiece
+\qspace\nspace
+\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N%
+ \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes
+\setclef1\treble\zchangeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass \changeclefs
+\notes\islurd0k\zq E\cu I\nextstaff
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\end{music}\end{verbatim}%
+\ital{Meter} changes are implemented in following way:
+
+\keyindex{setmeter} $n$%
+ \verb|{{|$m1$\verb|}{|$m2$\verb|}{|$m3$\verb|}{|$m4$\verb|}}%|
+
+\noindent
+ where $n$ is the number of the instrument, $m1$ specifies the meter
+of the lower staff, $m2$ the meter of the second staff, etc. (if necessary!).
+
+Since meter changes
+are meaningful only across bars, they are actually taken in account with
+\keyindex{changecontext} or \keyindex{Changecontext} or
+\keyindex{zchangecontext} or \keyindex{alaligne} or \keyindex{alapage}.
+
+\section{Repeats}
+
+To insert a \ital{repeat bar} you can use following sets of procedures,
+namely \keyindex{leftrepeat}, \keyindex{rightrepeat} and
+\keyindex{leftrightrepeat}, which are substitute the \keyindex{bar}.
+For example:
+
+\begin{music}
+\startextract
+\NOTes\ha g\enotes
+\leftrepeat
+\NOTes\ha h\enotes
+\leftrightrepeat
+\NOTes\ha i\enotes
+\rightrepeat
+\NOTEs\wh j\enotes
+\endextract
+\end{music}
+ \noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\NOTes\ha g\enotes
+\leftrepeat
+\NOTes\ha h\enotes
+\leftrightrepeat
+\NOTes\ha i\enotes
+\rightrepeat
+\NOTEs\wh j\enotes
+\end{verbatim}\end{quote}
+Special cases are forced line breaks:
+if you want to force a new line at a repeat, you should code
+respectively:
+
+\begin{quote}
+\noindent\keyindex{setrightrepeat}\keyindex{alaligne}\\
+\keyindex{setrightrepeat}\keyindex{endpiece}\\
+\keyindex{alaligne}\keyindex{leftrepeat}\\
+\keyindex{contpiece}\keyindex{leftrepeat}\\
+\keyindex{startpiece}\keyindex{leftrepeat}
+\end{quote}
+
+\noindent or the combination of two of these in the case of a left/right
+repeat.
+
+ A second way of coding consists in saying \keyindex{setleftrepeat},
+\keyindex{setrightrepeat} or \keyindex{setleftrightrepeat} before a bar
+(\keyindex{bar}), \keyindex{stoppiece} or \keyindex{changecontext}). In
+this case, the next single vertical bar will be replaced with the selected
+repeat bar. This meets the traditional music typesetting conventions in the
+only case of the \ital{right repeat} but, unfortunately, left and left/right
+repeats use to behave in a different manner when in the middle of a line and
+at a line break.
+
+ \subsection{Specific first and second pass scoring}
+
+\RuleOn
+A frequent situation consists in a long part of score repeated two or several
+times, but its last few bars are different at first pass and at second pass.
+This can be specified by saying
+\keyindex{setvolta}\verb|{|\ital{text}\verb|}| before the \keyindex{bar}
+beginning the part specific to that first or second part\footnote{The word
+``volta'' comes from Italian, it means ``time'' in the sense of ``first
+time'', ``second time'' or ``pass'' in that case.}.
+
+ Then, only one bar has a horizontal rule above. No termination command is
+needed since termination is implied by the following \verb|\bar| or repeat
+symbol. For example:
+
+\medskip \begin{music}
+ \parindent0pt \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat
+ \NOTEs\wh d\en\bar
+ \NOTEs\wh e\en\Endpiece
+\end{music}
+which was coded as:
+ \begin{quote}\begin{verbatim}
+ \parindent0pt \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat
+ \NOTEs\wh d\en\bar
+ \NOTEs\wh e\en\Endpiece
+\end{verbatim}\end{quote}
+
+
+
+ If the music typesetter wants to include more than one bar in the first
+pass[es] section and he wants all these to have a continuous line above, then
+he can code \keyindex{Setvolta}\verb|{|\ital{text}\verb|}| before the bar he
+wants the ``volta'' to begin, and put \keyindex{setendvolta} or
+\keyindex{setendvoltabox} before the bar they should end.
+\keyindex{setendvoltabox} makes the upper line to be terminated with a
+descending hook, symmetrical to the opening small vertical bar.
+
+
+\medskip \begin{music}
+ \parindent0pt
+ \startpiece
+ \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvoltabox{1.-3}\bar
+ \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat
+ \NOTEs\wh d\en\doublebar
+ \NOTEs\wh e\en\bar
+ \NOTEs\wh f\en\leftrepeat
+ \NOTEs\wh g\en\bar
+ \NOTEs\wh h\en\Setvolta1\bar
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh h\en\setendvoltabox
+ \Endpiece
+ \end{music}
+ \noindent has been
+coded as:
+ \begin{quote}\begin{verbatim}
+ \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvoltabox{1.-3}\bar
+ \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat
+ \NOTEs\wh d\en\doublebar
+ \NOTEs\wh e\en\bar
+ \NOTEs\wh f\en\leftrepeat
+ \NOTEs\wh g\en\bar
+ \NOTEs\wh h\en\Setvolta1\bar
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh h\en\setendvoltabox
+ \Endpiece
+\end{verbatim}\end{quote}
+ \zkeyindex{leftrepeat}\zkeyindex{rightrepeat} The
+``volta'' symbols are normally set at \verb|4\internote| above the upper line
+of the staff and one bar(length?) wide.
+
+ The final down hook is stated, either by \keyindex{setendvoltabox} at the end,
+or \keyindex{setvoltabox} at the beginning.
+
+\begin{important}
+ You are no more allowed to open \verb|\Setvolta| or \verb|\setvoltabox| whan
+another of these multi-bar volta is pending. To re-open a \verb|\Setvolta| at
+the ens of another one, you must explicitly order the first one to be closed
+at the end of the bar where the second one is opened. Given examples had to be
+corrected in order to meet this new safety requirement.
+
+\end{important}
+
+ For the sake of portability, \keyindex{endvolta} is identical ti
+\verb|\setendvolta|, and \keyindex{endvoltabox} is identical to
+\verb|\setendvoltabox|. Theses changes in the names ar intended to recall that
+these commant take effect only at the next bar, repeat or line break.
+
+
+\RuleOff
+
+ The altitude of the ``volta'' above the upper staff can
+be changed, redefining \keyindex{raisevolta}, e.g.:
+
+ \verb|\def\raisevolta{7\internote}|
+
+ \noindent or define it to be any other valid dimension.
+
+ \medskip\noindent{\sl REMARK: the dot after "volta" numbering can be removed,
+simply by saying:}
+
+ \verb|\def|\keyindex{voltadot}\verb| {}|
+
+\noindent {\sl and reset by:}
+
+ \verb|\def|\keyindex{voltadot}\verb| {.}|
+
+ \subsection{Large scope repeats and orientation marks}
+
+Large scope repeats have also been provided
+with special symbols, namely \keyindex{coda}~$p$, \keyindex{Coda}~$p$,
+\keyindex{segno}~$p$, where $p$ specifies the pitch. A bigger symbol is
+\keyindex{Segno} with no argument. For example, the following figure
+
+\begin{music}
+\startextract
+\NOtes\segno n\enotes
+\bar
+\NOtes\coda n\enotes
+\NOtes\Segno\enotes
+\bar
+\NOtes\Coda n\enotes
+\endextract
+\end{music}
+\noindent has been coded:
+\begin{quote}\begin{verbatim}
+\NOtes\segno m\enotes\bar
+\NOtes\coda m\enotes
+\NOtes\Segno\enotes\bar
+\NOtes\Coda m\enotes
+\end{verbatim}\end{quote}
+Orientation marks are set more often above larger orchestral pieces for
+easy come together of all instruments for exercise reasons. Often used are
+circled or boxed uppercase characters or digits. This can be done with
+
+\keyindex{boxit}\verb|{|\ital{text}\verb|}|~~~or\\
+\indent\keyindex{circleit}\verb|{|\ital{text}\verb|}|
+
+\noindent The distance between the box and the including text is influenced by
+
+\keyindex{boxitsep}\verb|=|\ital{any \TeX\ dimension}
+
+\noindent which is setup by default to \verb|3pt|. The usage is recommended
+with \keyindex{Uptext}, \keyindex{zcharnote}, \keyindex{zchar} or
+\keyindex{ccharnote}.
+
+\subsection{Repeating the last bar}
+ This can be done using the symbol \keyindex{duevolte} (often used with
+\verb|\centerbar|, see example in \ref{barcentered}, p.
+\pageref{barcentered}), e.g.:
+
+\begin{music}
+\generalmeter\meterC
+\setclef1\bass\setstaffs1{2}
+\startextract
+\NOtes\sk\sk\pause|\qa{cegj}\en
+\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en
+\endextract
+\end{music}
+whose coding is:
+\begin{quote}\begin{verbatim}
+\generalmeter\meterC
+\setclef1\bass\setstaffs1{2}
+\startextract
+\NOtes\sk\sk\pause|\qa{cegj}\en
+\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en
+\endextract
+\end{verbatim}\end{quote}
+
+ %\check
+
+\section{Miscellaneous}
+ \subsection{Putting anything anywhere}
+\noindent Special macros are provided to help the composer to set any \TeX\
+text on the staffs. The macro
+
+\keyindex{zcharnote}~$p$\verb|{|text\verb|}|
+
+\noindent
+sets the given text with its base line at pitch $p$ of the current staff
+(this means it must be coded inside \verb|\notes...\enotes|).
+Whatever the length of the text, no spacing occurs.
+If you want the possible spilling text to expand on the left rather than
+on the right, then you can use \keyindex{lcharnote}.
+If you want the possible spilling text centered to current position,
+then you can use \keyindex{ccharnote} which causes no space.
+
+The macro \keyindex{zcharnote} is fit for coding special notations like
+accents above or below the notes. Also available are \keyindex{zchar},
+\keyindex{lchar} and \keyindex{cchar}, which
+allows only numbers for pitch, but enables the use of floats too.
+
+To place some text at the mid-position between the two staffs of
+a keyboard instrument, you may code:
+\begin{quote}
+\keyindex{zmidstaff}\verb|{|{\it text}\verb|}%| (to right)\\
+\keyindex{lmidstaff}\verb|{|{\it text}\verb|}%| (to left)\\
+\keyindex{cmidstaff}\verb|{|{\it text}\verb|}%| (centred)
+\end{quote}
+\noindent being however
+careful, a) to put it inside \verb|\notes...\enotes|, b) to code it in the
+text of the lower staff.
+
+ A text to be put above the current staff is introduced by
+\keyindex{uptext}\verb|{...}|.
+This may however cause some collision with bar
+numbering or notes above the staff; it is then wise to use
+\keyindex{Uptext}\verb|{...}|
+which puts the text two note line distances higher (recommended to post
+the tempo).
+ \subsection{Fonts} The text fonts loaded by \musixtex\ come in six different
+type sizes and three styles. The type sizes are 8\,pt, 10\,pt, 12\,pt, 14\,pt,
+17\,pt and 25\,pt, while the three styles are roman, bold and italic. The
+three smaller type sizes are available in all three styles, while the larger
+three sizes, which are intended for titles, are available only in bold style.
+The size selection macros are respectively \keyindex{smalltype},
+\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype},
+\keyindex{Bigtype} ,
+\keyindex{BIgtype} and \keyindex{BIGtype}. Following the size selection, the
+style may be selected or changed using \keyindex{rm} (roman), \keyindex{bf}
+(bold) or \keyindex{it} (italic). If no style selection is made, roman style
+will result for the sizes smaller than \verb|\medtype|. For the larger sizes,
+style selection is not required since only bold style is provided. Thus,
+selection of eight point italic is done using \verb|\smalltype\it|, while
+twelve point roman is selected using \verb|\medtype\rm| or simply
+\verb|\medtype|. To change between styles while maintaining the same size,
+code \verb|\rm|, \verb|\it| or \verb|\bf| as in Plain \TeX. This information
+is summarized in the following table.
+
+\begin{center}
+ \begin{tabular}{clc}
+ \hline
+ Size, pt & Size selection & Style selection \\
+ \hline
+ 8 & \verb|\smalltype| & \verb|\rm, \bf, \it| \\
+ 10 & \verb|\normtype| & \verb|\rm, \bf, \it| \\
+ 12 & \verb|\medtype| & \verb|\rm, \bf, \it| \\
+ 14 & \verb|\bigtype| & \verb| (\bf) | \\
+ 17 & \verb|\Bigtype| & \verb| (\bf) | \\
+ 20 & \verb|\BIgtype| & \verb| (\bf) | \\
+ 25 & \verb|\BIGtype| & \verb| (\bf) | \\
+ \hline
+ \end{tabular} \end{center} Two other text fonts are provided for dynamic
+markings. These are \keyindex{ppffsixteen}, \keyindex{ppfftwenty} and
+\keyindex{ppfftwentyfour}, suitable for dynamic markings with staff sizes of
+16\,pt, 20\,pt and 24\,pt respectively. The appropriate font for the current
+staff size may be selected by coding \keyindex{ppff}.
+
+Naturally other fonts may be loaded by the user if required.
+When \musixtex\ is started, the default text font is
+ten point roman, equivalent to \verb|\normtype\rm|.
+ \subsubsection{Examples}
+\begin{center}
+ \begin{tabular}{ll}
+ \hline
+ Size and style & Example \\
+ \hline
+ \verb|\smalltype| & {\smalltype small roman} \\
+ \verb|\smalltype\bf| & {\smalltype\bf small bold} \\
+ \verb|\smalltype\it| & {\smalltype\it small italic} \\
+ \verb|\normtype| & {\normtype normal roman} \\
+ \verb|\normtype\bf| & {\normtype\bf normal bold} \\
+ \verb|\normtype\it| & {\normtype\it normal italic}\\
+ \verb|\medtype| & {\medtype medium roman} \\
+ \verb|\medtype\bf| & {\medtype\bf medium bold} \\
+ \verb|\medtype\it| & {\medtype\it medium italic}\\
+ \verb|\bigtype| & {\bigtype big bold} \\
+ \verb|\Bigtype| & {\Bigtype Big bold} \\
+ \verb|\BIgtype| & {\BIgtype BIg bold} \\
+ \verb|\BIGtype| & {\BIGtype BIG bold} \\
+ \verb|\ppffsixteen| & {\ppffsixteen pp ff diminuendo}\\
+ \verb|\ppfftwenty| & {\ppfftwenty pp ff crescendo}\\
+ \verb|\ppfftwentyfour| & {\ppfftwentyfour pp ff crescendo}\\
+ \hline
+ \end{tabular}
+\end{center}
+ \subsection{Metronomic indications}
+Metronomic indication deserves a special macro. The mention:
+
+\medskip
+\centerline{\def\nbinstruments{0}\metron{\hup}{60}}\smallskip\noindent
+is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in
+\keyindex{Uptext} which is in turn embedded within \verb|\notes...\enotes|).
+ \subsection{Accents}
+\begin{itemize}
+ \item \keyindex{upz}~$p$ (upper \ital{pizzicato}) to put a dot above a note
+head at pitch $p$,
+ \item \keyindex{lpz}~$p$ (lower \ital{pizzicato}) to put a dot below a note
+head at pitch $p$,
+ \item \keyindex{usf}~$p$ (upper \itxem{sforzando}) to put a $>$ accent above
+a note head at pitch $p$,
+ \item \keyindex{lsf}~$p$ (lower \itxem{sforzando}) to put a $>$ accent below
+a note head at pitch $p$,
+ \item \keyindex{ust}~$p$ (upper \itxem{staccato} or \itxem{portato}) to put a
+hyphen above a note head at pitch $p$,
+ \item \keyindex{lst}~$p$ (lower \ital{staccato} or \ital{portato}) to put a
+hyphen below a note head at pitch $p$,
+ \item \keyindex{uppz}~$p$ (upper strong \ital{pizzicato}) to put an
+apostrophe above a note head at pitch $p$,
+ \item \keyindex{lppz}~$p$ (lower strong \ital{pizzicato}) to put a reversed
+apostrophe below a note head at pitch $p$.
+ \item \keyindex{usfz}~$p$ (upper \ital{sforzato}) to put a
+`roof' above a note head at pitch $p$,
+ \item \keyindex{lsfz}~$p$ (lower \ital{sforzato}) to put a reversed
+`roof' below a note head at pitch $p$.
+ \item \keyindex{upzst}~$p$ (upper \ital{portato/staccato}) to put a
+combined portato/staccato sign above a note head at pitch $p$,
+ \item \keyindex{lpzst}~$p$ (lower \ital{portato/staccato}) to put a
+combined portato/staccato sign below a note head at pitch $p$.
+ \item \keyindex{flageolett}~$p$ to put a
+thin circle above a note head at pitch $p$.
+ \item \keyindex{upbow} to indicate a bowing for strings in upper direction.
+ \item \keyindex{downbow} opposite to {\Bslash upbow}.
+\end{itemize}
+Because whole notes (breve, arbitrary, ...) have a different note head width
+the accents appear not centered above them. Therefore you can use
+\keyindex{wholeshift}\verb|{|\ital{text}\verb|}| which centers accents
+and others
+which are centered above a quarter note head to appear centered above
+a whole note. This is used for e.g.~\verb|\Fermataup|.
+
+Also available are the variants\footnote{Thanks to Klaus {\sc Bechert}'s
+corrections.} of the most used accents which will be automatically positioned
+above or below a beam. Therefore the known accents are preceeded with the
+letter `b' and, instead of the pitch, the beam reference number is appended as
+an argument. Thus
+
+\medskip
+\begin{music}
+\startextract
+\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h%
+ \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en
+\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j%
+ \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en
+\endextract
+\end{music}
+\noindent was coded as:
+\begin{verbatim}
+\startextract
+\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h%
+ \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en
+\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j%
+ \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en
+\endextract
+\end{verbatim}
+\zkeyindex{busfz}
+\zkeyindex{bupz}
+\zkeyindex{bust}
+\zkeyindex{buppz}
+\zkeyindex{busf}
+\zkeyindex{butext}
+\zkeyindex{blsfz}
+\zkeyindex{blpz}
+\zkeyindex{blst}
+\zkeyindex{blppz}
+\zkeyindex{blsf}
+\zkeyindex{bltext}
+ \subsection{*Indication of \ital{x}-tuplets}
+
+ Triplets and other $x$-tuplets --- in practice the italic numbers \ital{3},
+\ital{4}, \ital{5}, etc. can be set at the right horizontal/vertical position
+invoking the \keyindex{triolet} or \keyindex{xtuplet} macros at the leftmost
+position of the group, i.e. before the first note is coded.
+
+ {\Bslash triolet} has only one argument, the pitch of the bottom of the
+figure 3, {\Bslash xtuplet} has two arguments: the figure and its pitch.
+
+If the figure has to be put above an upper beam or below a lower beam, using
+the macros \keyindex{butext} (above) and \keyindex{bltext} (below) is advisable
+to post the figure above or below the given beam. {\Bslash butext}
+and {\Bslash bltext} have one argument, namely the beam number (namely the
+same as the first argument of commands such as {\Bslash ibu} or {\Bslash
+Ibu}). If the group of notes is not a triolet, the actual figure has to be
+changed, redefining the macro \keyindex{txt} which is set up by default to:
+
+\verb|\def\txt{\eightit 3}%|
+
+\begin{music}
+\parindent0mm
+\generalmeter{\meterfrac24}
+\startpiece
+\addspace\afterruleskip
+\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar
+\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en
+\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar
+\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar
+\Notesp\uptrio o16\ql l\en\notesp\cl n\en
+\Notesp\uptrio p16\ql m\en\notesp\cl o\en
+\endpiece
+\begin{quote}\begin{verbatim}
+\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar
+\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en
+\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar
+\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar
+\Notesp\uptrio o16\ql l\en\notesp\cl n\en
+\Notesp\uptrio p16\ql m\en\notesp\cl o\en
+\end{verbatim}\end{quote}
+\end{music}
+\zkeyindex{xtuplet}\zkeyindex{triolet}
+%\xtuplet{text}{pitch}
+% centers text(3 on second note, 4 between second and thirdnote,
+% 5 on third note) on notes (-> \triolet{pitch})
+ \subsection{*Usual ornaments}
+
+ \subsubsection{Arpeggios}
+\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro
+
+\keyindex{arpeggio} $pm$
+
+\noindent where $p$ is the pitch of
+the base of the arpeggio symbol and $m$ is its multiplicity (one period is
+equal to one space between staff lines, i.e. 5 points). This macro causes
+no spacing. If should be issued before the concerned
+chords. Its variant \keyindex{larpeggio} sets the arpeggio symbol nearly
+one note head width on the left, in order to avoid collision with accidentals
+in front of the chords.
+
+ \subsubsection{Trills}
+ Trills\index{trills} can be coded in several ways.
+\keyindex{trille}~$pl$ (where $p$ is the pitch and $l$ is a number of current
+\ital{noteskip}) yields \hbox to 1cm{\noteskip1cm\trille11\hss} while
+\keyindex{Trille}~$pl$ yields \hbox to 2cm{\noteskip1cm\Trille12\hss}.
+
+ For longer trills expanding over bars and line breaks, a better way consists
+in specifying the beginning with \keyindex{Itrille}~$np$ where $n$ is the
+trill reference number ($0\le n<6=$\keyindex{maxtrills}) and terminate it with
+the command \keyindex{Ttrille}~$n$. If one wants the {\it tr} mention at the
+beginning, then one should use \keyindex{ITrille}~$np$. The ancient commands
+\keyindex{itrille}, \keyindex{ttrille}~$p$ and \keyindex{tTrille}~$p$ still
+work but beware that their syntax is different, that the opening and the
+closing must be in the same bar and that the use the same registers as
+\verb|\Itrille 0|.
+
+\medskip
+\begin{remark} \verb|trille| and \verb|Trille| also exist in \musictex.
+Unfortunately, the same macro names do not have the same syntax and the same
+semantic in both packages and {\ttxem{musixcpt.tex}} forces the behaviour and
+the syntax of \musictex. A solution to this problem consists in using
+\keyindex{trilleC} and \keyindex{TrilleC} to have the \musictex{} behaviour,
+and \keyindex{trilleX} and \keyindex{TrilleX} to have the \musixtex{}
+behaviour, even when {\tt musixcpt} is invoked.
+\end{remark}
+
+For example:
+
+\medskip
+ \begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes
+\bar
+\notes\Itrille 2A\itenu2E\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes
+\bar
+\Notes\tten2\itenu2E\whp E|\ql{nmlkji}\enotes
+\bar
+\Notes\tten2\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes
+\endextract
+\end{music}
+whose coding is
+\begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes
+\bar
+\notes\Itrille 2A\itenu1e\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes
+\bar
+\Notes\tten1\itenu1E\whp E|\ql{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\tten1\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+ \subsubsection{Piano pedal commands}
+ \keyindex{PED} inserts the piano pedal command below the staff; pedal release
+is specified by \keyindex{DEP}; also available are shorter variants of the
+pedal signs which are invoked with \keyindex{sPED} and \keyindex{sDEP}; thus
+the following example
+
+\begin{music}
+\setclef1\bass
+\setstaffs1{2}
+\startextract
+\NOtes\PED\wh J|\qu h\enotes
+\NOtes|\qu g\enotes
+\NOtes|\hu k\enotes
+\Notes\DEP\enotes
+\bar
+\NOtes\sPED\wh J|\qu h\enotes
+\NOtes|\qu g\enotes
+\NOtes|\hu k\enotes
+\Notes\sDEP\enotes
+\endextract
+\end{music}
+ \noindent was coded as: \begin{quote}\begin{verbatim}
+ \NOtes\PED\wh J|\qu
+h\enotes
+ \NOtes|\qu g\enotes
+ \NOtes|\hu k\enotes
+ \Notes\DEP\enotes \bar
+ \NOtes\sPED\wh J|\qu h\enotes
+ \NOtes|\qu g\enotes
+ \NOtes|\hu k\enotes
+ \Notes\sDEP\enotes
+ \end{verbatim}\end{quote}
+
+ The vertical position of
+\keyindex{PED}, \keyindex{sPED}, \keyindex{DEP} and \keyindex{sDEP} can be
+globally changed by redefining its elevation, which is setup by default to
+
+\verb|\def|\keyindex{raiseped}\verb|{-5}%|
+
+If you only want to change a few of them, you can use the more fundamental
+macros \keyindex{Ped}, \keyindex{sPed}, \keyindex{Dep} and \keyindex{sDep}
+in combination with \keyindex{zchar} or \keyindex{zcharnote}.
+
+ Since the \hbox to 1cm{ \Ped\hss} symbol is rather wide, it might collide
+with bass notes in an ugly way. Then a solution consists in shifting if to the
+left, by coding \verb|\loff{\PED}|.
+
+ \subsubsection{Other ornaments}\index{ornaments}
+
+ \begin{itemize}
+ \item \keyindex{mordent}~$p$ for \hbox to .75em{\mordent 0\hss},
+ \item \keyindex{Mordent}~$p$ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss},
+ \item \keyindex{shake}~$p$ for \hbox to .75em{\shake 0\hss},
+ \item \keyindex{Shake}~$p$ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss},
+ \item \keyindex{Shakel}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss},
+ \item \keyindex{Shakesw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss},
+ \item \keyindex{Shakene}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss},
+ \item \keyindex{Shakenw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss},
+ \item \keyindex{turn}~$p$ for \hbox to 1.5em{\kern 0.6em\turn 0\hss},
+ \item \keyindex{backturn}~$p$ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss},
+ \item \keyindex{fermataup}~$p$ puts a \itxem{fermata} at pitch $p$.
+No spacing occurs.
+ \item \keyindex{fermatadown}~$p$ puts a reverse \ital{fermata} at the same
+place.
+ \item \keyindex{Fermataup}~$p$ puts a \itxem{fermata} at pitch $p$ centered
+above a whole note. No spacing occurs.
+ \item \keyindex{Fermatadown}~$p$ puts a reverse \ital{fermata} at the same
+place.
+ \item A big \itxem{breathing} comma can be put above the staff --- to
+indicate where the singer is welcome to breath, or to indicate a short rest
+--- using \keyindex{zbreath} (no spacing) or \keyindex{cbreath} (centred in a
+\verb|\noteskip| space). The \musictex\ \keyindex{breath} is no more available
+since it involved a ``hard'' spacing of the width of that character, which
+resulted in troubles with \musixtex.
+
+ \item The \keyindex{caesura} command can also be used to insert a small
+slash, such as
+
+\begin{music}
+\startextract
+\NOTes\zhu j\hl{^e}\caesura\en
+\Notes\zcu j\cl e\en
+\endextract
+\end{music}
+
+ \end{itemize}
+
+ \subsection{Dynamic signs} Various
+dynamic signs can be posted with
+\keyindex{crescendo}\verb|{|$l$\verb|}| or
+\keyindex{decrescendo}\verb|{|$l$\verb|}|, to be used as arguments to
+\verb|\zcharnote|, \verb|\zchar|, \verb|\uptext|, \verb|\zmidstaff|, etc.
+
+Note: The biggest sign is $\simeq$ 68 mm long.
+
+Alternately they can be produced using the pair of \keyindex{icresc} and
+\keyindex{tcresc} or \keyindex{tdecresc}. Saying one time \verb|\icresc| you
+can force several \verb|\tcresc| or \verb|\tdecresc| with the same starting
+abscissa. Tha altitude of the [de]crescendo symbol is specified, not by the
+\verb|\icresc| macro which only defines the stating abscissa, but by the
+\verb|\tcresc| or \verb|\tdecresc| which is normally lifted up or down by
+means of a \verb|\zmidstaff| or a \verb|\zcharnote| command whose first
+argument has to be adjusted according to your visual needs.
+
+\begin{music}
+\parindent0pt
+\generalmeter{\meterfrac{12}8}
+\setstaffs1{2}
+\startextract
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{verbatim}
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en
+\end{verbatim}
+
+\begin{music}
+\parindent0pt
+\generalmeter{\meterfrac{12}8}
+\setstaffs1{2}
+\startextract
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{verbatim}
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en
+\end{verbatim}
+
+
+ Intensity conventional signs are: \keyindex{ppp},
+\keyindex{pppp},
+\keyindex{ppp},
+\keyindex{pp},
+\keyindex{p},
+\keyindex{mp},
+\keyindex{mf},
+\keyindex{f},
+\keyindex{fp},
+\keyindex{sF},
+\keyindex{ff},
+\keyindex{fff},
+\keyindex{ffff}, resulting in \pppp, \ppp, \pp,
+\p,
+\mezzopiano,
+\mf,
+\f,
+\fp,
+\sF,
+\ff,
+\fff\ and
+\ffff.
+
+
+ \subsection{Length of note stems}
+
+%\begin{changebar}
+
+Normally, the length of note stems is the distance of one octave, i.e.
+\verb|7\internote|. This is equivalent to 4.66 \keyindex{interbeam}. The
+length of the stems may be changed using the macro \keyindex{stemlength}, e.g.:
+
+ \verb|\stemlength{5.2}|
+
+ \noindent which will set the stemlength to 5.2 \verb|\interbeam|. The default
+ is
+\keyindex{stemlength}\verb|{4.66}|.
+
+Choral music with four voices is often typeset into two staffs. Thus, each
+staff holds two voices, one being typeset with stems up, the other with stems
+down. If the command \keyindex{stemcut} has been previously issued, stems that
+are outside the staff are cut depending on the pitch of the notes. If this is
+not wanted, this feature may be suppressed with the command
+\keyindex{nostemcut}. The default behaviour is \keyindex{stemcut} in plain
+\musixtex, and \keyindex{nostemcut} when {\ttxem{musixcpt.tex}} is invoked.
+
+Normally, down stems never end above the middle line of the staff and up stems
+never below that line. This extension of the stems may be inhibited for the
+next generated stem using the command \keyindex{stdstemfalse}. There is no
+\keyindex{stdstemtrue} since \keyindex{stdstemfalse} is reset after
+generating each new stem.
+
+%\end{changebar}
+
+
+ \subsection{*Brackets and parentheses}
+
+
+Several brackets and parentheses have been provided for musical typesetting
+needs. These are:
+ \begin{itemize}
+ \item \keyindex{lpar}\verb|{|$p$\verb|}| and
+\keyindex{rpar}\verb|{|$p$\verb|}| which yield small
+parenthesis to enclose notes. These are used for \ital{cautionary} accidentals
+but more comprehensive macros fulfill that specific purpose (see \ref{cautionary})
+ \item \keyindex{bracket}\verb|{|$p$\verb|}{|$n$\verb|}| to post square
+brackets of width $n$-internotes at left of a chord. Usually these brackets
+are used on keyboard instruments to specify, either two neighbouring notes
+played with a single finger, or some chord notes to be played with the
+alternate hand.
+ \item \keyindex{doublethumb}\verb|{|$p$\verb|}|, to indicate a bracket of
+height 2\verb|\internote|.
+ \item \keyindex{ovbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and
+\keyindex{unbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}|
+draw a bracket over the music starting at the current position at pitch $p$,
+width $n\times$\verb|noteskip| and slope $s$ (1 $\sim$ 1.125[degree]).
+causing no space.
+ \item \keyindex{uptrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and
+\keyindex{downtrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}|, which are like
+\verb|\ovbkt| but with free definable \keyindex{txt} centers in the middle.
+
+ \item \keyindex{varline} $h$ $\ell$ $s$ builds an oblique line of height $h$ (a
+dimension), of length $\ell$ and of slope $s$. Used to build oblique brackets.
+
+This feature is particularly useful for people who want to typeset
+\itxem{baroque} music using the ancient \itxem{ornament codings} rather than
+the modern equivalents. As a compromise, some macros kindly provided by Ian
+{\sc Collier} in Great Britain have slightly been updated and provided.
+ \end{itemize}
+
+
+For example:
+
+\begin{music}
+\setstaffs1{2}
+\setclef1\bass
+\startextract
+\NOtes\bracket C8\zq C\qu J\en
+\NOtes|\doublethumb g\rq h\qu g\en
+\NOtes\lpar c\rpar c\qu c\en
+\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en
+\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en
+\endextract
+\end{music}
+\noindent
+\begin{quote}\begin{verbatim}
+\begin{music}
+\setstaffs1{2}
+\setclef1{\bass}
+\startextract
+\NOtes\bracket C8\zq C\qu J\en
+\NOtes|\doublethumb g\rq h\qu g\en
+\NOtes\lpar c\rpar c\qu c\en
+\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en
+\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+\begin{remark} if you used \verb|\input musicext| before, pay attention to the
+commands \keyindex{ovbkt} and \keyindex{unbkt}, their parameter meaning has
+changed from \musictex{} to \musixtex.
+ \end{remark}
+
+ \subsection{New line synchronization of coding}
+ The procedure named \keyindex{everystaff} is executed each time a new system
+is typed. It is normally void, but it can be defined (simply by \verb|\def|%
+\keyindex{everystaff}\verb|{...}|) to tell \musixtex\ to post anything
+reasonable at the beginning of each system. It was used in the example
+{NWIDOR} to post octaviation dashed lines at the end of the piece.
+
+Caution should be exercised to call \verb|\everystaff| before
+\verb|\startpiece| if its effect is needed for the first system of the score.
+
+ The procedure named \keyindex{atnextline}, normally void, is executed at the
+next computed or forced line break (using
+\keyindex{alaligne} or \keyindex{alapage}). More precisely, it is executed
+after the break and before the next system is typed. Thus it is fit for
+posting new definitions of layout parameters, when no system is
+pending\footnote{Its logic is similar to plain \TeX's \keyindex{vadjust}
+command.}.
+
+ \index{tenor violin clef}In some scores, tenor parts are not coded using the
+\ital{bass} clef, but using rather the \ital{violin clef} subscripted by a
+{\tt8}. This is not directly supported by the \keyindex{setclef}
+command, but it can be handled using \keyindex{everystaff} and
+\keyindex{zcharnote}.
+As an example the following score
+
+\begin{music}
+\instrumentnumber{4}
+\setclef1\bass
+\def\everystaff{%
+ \znotes&\zchar{-6}{\eightrm\kern-2\Interligne8}%
+ &\zchar{-6}{\eightrm\kern-2\Interligne8}\en}%
+\startextract
+\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en
+\endextract
+\end{music}
+\noindent was coded as:
+\begin{quote}\begin{verbatim}
+\instrumentnumber{4}
+\setclef1\bass
+\def\everystaff{%
+ \znotes&\zchar{-6}{\eightrm \kern -2\Interligne 8}%
+ &\zchar{-6}{\eightrm \kern -2\Interligne 8}\en}%
+\startextract
+\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en
+\endextract
+\end{verbatim}\end{quote}
+
+\noindent{\sl{\bfseries Caution:} the \verb|\everystaff| must be called before
+\verb|startpiece| in order to have that subscript at the first staff.}
+\section{Small and tiny notes}
+Before entering details, let us point out that we are presently concerned with
+typing notes of smaller size than the normal one, without attempting to change
+the interval between the five lines building a single staff. Changing staff
+line interval will be treated in a further section.
+ \subsection{Cadenzas and explicit ornaments}
+ Ornaments and \itxem{cadenzas} usually need to be written using smaller
+notes\footnote{This is independent of the staff size.}. This can be done
+everywhere by stating \keyindex{smallnotesize} or \keyindex{tinynotesize}.
+Normal note size is restored by \keyindex{normalnotesize}.\index{ornaments}
+
+ These macros only have a local scope. Thus, if these macros are invoked
+outside the \verb|\notes...\enotes| pair, the change is valid for
+the rest of the piece unless explicitely modified but, if they are invoked
+inside, their effect is local to the current staff of the current
+\verb|\notes...\enotes| pair.
+As an example, the following excerpt (beginning
+of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.@{\sc
+Haydn, J.}}
+
+\begin{music}
+\instrumentnumber{2}
+\generalmeter{\meterfrac44}
+\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}
+\setstaffs2{2}
+\setclef1\bass
+\setclef2\bass
+\startbarno0
+\startextract
+\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
+% mesure 1
+\bar
+\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
+\notes&\qbl0c0|\multnoteskip\tinyvalue\tinynotesize
+ \Ibbu1ki2\qb1{kj}\tqh1i\hqsk\en
+\Notes&\qb0e\tbl0\qb0c|\qu j\en
+\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
+% mesure 2
+\bar
+\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
+ \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
+\notes&|\sk\ccu h\en
+\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
+ \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
+\endextract
+\end{music}
+\noindent can be coded as:
+\begin{quote}\begin{verbatim}
+\instrumentnumber{2}
+\generalmeter{\meterfrac44}
+\setstaffs2{2}
+\setclef2{\bass}
+\setclef1{\bass}
+\startbarno=0
+\startextract
+\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
+% mesure 1
+\bar
+\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
+\notes&\ibl0c0\qb0c|\multnoteskip\tinyvalue\tinynotesize
+ \Ibbu1ki2\qb1{kj}\tqh1i\en
+\Notes&\qb0e\tbl0\qb0c|\qu j\en
+\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
+% mesure 2
+\bar\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
+ \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
+\notes&|\sk\ccu h\en
+\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
+ \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
+\endextract
+\end{verbatim}\end{quote}
+ \subsection{Grace notes}
+ Grace notes are a special case of small and tiny notes: the difference is
+that they are always coded as eighth notes with an oblique bar over the flag.
+To perform this, special variants of \keyindex{cu} and \keyindex{cl} have been
+provided, namely \keyindex{grcu} and \keyindex{grcl}, with the only difference
+that the flag has been slashed. Using this together with the note reduction
+macro, grace notes (optionally chord grace notes) can be easily coded:
+
+\begin{music}
+\startextract
+\NOTes\hu h\enotes
+\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes
+\NOTes\hu i\enotes
+\bar
+\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes
+\NOTEs\wh i\enotes
+\endextract
+\end{music}
+The previous example was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTes\hu h\enotes
+\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes
+\NOTes\hu i\enotes
+\bar
+\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes
+\NOTEs\wh i\enotes
+\endextract
+\end{verbatim}\end{quote}
+ \subsection{Other note shapes}\label{othernotes} The classical note heads
+given above --- namely \raise.5ex\hbox{\musixchar7}~~, \raise.5ex
+\hbox{\musixchar8}~~ and \raise.5ex\hbox{\musixchar9}~~~
+--- can be replaced with less classical note heads, for example to code
+special \itxem{violin harmonic notes} or \itxem{percussion music}. See an
+example in \ref{abnormalscores}.
+
+ At present time, alternate available note heads can be found in the
+extension library, see \ref{diam}, \ref{perc}, \ref{gregnotes} and \ref{litu}.
+
+\section{Staff size} \index{staff size}
+ \subsection{Moving from 20pt to 16pt, 24pt or 29pt staff sizes and
+conversely}
+ You also want to write some parts of your score in 20pt
+staff size and others in 16pt or 24pt or 28.8pt staff size, namely
+for distinct parts of pieces. Changing the \ixem{general staff size}
+is done by saying:
+
+\keyindex{smallmusicsize}, or \keyindex{normalmusicsize}, or
+\keyindex{largemusicsize}, or \keyindex{Largemusicsize}.
+
+\noindent respectively.
+ \subsection{Changing staff size for certain instruments}\label{staffspacing}
+Regardless of the general choice of \verb|\smallmusicsize| or
+\verb|\normalmusicsize|, it is now possible to assign certain instruments --
+not separate staffs belonging to a same instrument -- to have narrower or larger
+\itxem{staff size}, i.e. narrower or larger \itxem{staff spacing}. This is done using
+
+\keyindex{setsize} $n$\verb|{|\ital{size}\verb|}|
+
+\noindent where $n$ is the number of the instrument considered. Five different
+\ital{sizes} are available as standards: \keyindex{normalvalue}, which is
+the default, \keyindex{smallvalue} (0.80 times narrower),
+\keyindex{tinyvalue} (0.64 times narrower), \keyindex{largevalue} (1.2 times
+larger) and \keyindex{Largevalue} (1.44
+times larger). But, if you know perfectly what
+you are doing, you can also say:
+
+\verb|\setsize 3{2.0}|
+
+\noindent which will provide the third instrument with staffs of spacing
+twice the standard value. In that case, \musixtex\ will use the nearest
+symbol size available, but this is likely to be rather ugly.
+
+ An alternate
+and equivalent coding --- a remnant from \musictex\ --- could be:
+
+\verb|\def\staffspacingiii{2.0}|\zkeyindex{staffspacing}
+
+
+
+\verb|\setsize| must be invoked before the starting command
+\verb|\startpiece|, since this statement does not only change the vertical
+spacing between staff lines, but it also changes the size of the key,
+accidental and note symbols to fit the modified staff line spacing.
+
+ However, it must be emphasized that non-standard staff spacings use the
+nearest available font size. This make no serious problem for notes and
+accidentals which may be slightly too small or too big, but clefs and rests
+may appear to be shifted upwards or downwards. This trouble is progressively
+removed, but it requires changing the {\tt musix*} fonts, with some possible
+characters forgotten... or the fact that user uses a font older than T.60
+version.
+
+As an example, we give two bars of the \ital{Ave Maria} by Charles {\sc
+Gounod}\index{Gounod, C.@{\sc Gounod, C.}}, based on the first prelude of
+Johann-Sebastian Bach's \ital{Well Tempered Clavier} (transcription for
+organ, violin and voice, thanks to Markus {\sc Veittes}):\label{avemaria}
+
+\begin{music}
+\def\oct{\advance\transpose by 7}
+\def\liftqs#1{\raise#1\Interligne\qs}
+\parindent0pt
+\sepbarrules
+\instrumentnumber{3}
+\generalmeter{\meterC}
+\setinterinstrument2{3\Interligne}
+\setsize3\tinyvalue
+\setsize2\tinyvalue
+\setclef1\bass
+\setstaffs1{2}
+\startpiece\addspace\afterruleskip
+%Takt 9
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l\enotes
+\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes
+\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes
+\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes
+\bar
+%Takt 10
+\notes\zhl c\liftqs6\qupp d|\ds&\oct
+ \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes
+\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes
+\notes|\ibbu2i0\qb2k\qb2f\enotes
+\notes|\qb2h\tqh2k&\oct\cl e&\tubslur4f\cu e\enotes
+\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes
+\notes|\ibbu1g3\qb1f\tqh1h\enotes
+\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes
+\endpiece
+\end{music}
+ This example was coded as:
+\begin{quote}\begin{verbatim}
+\def\oct{\advance\transpose by 7}
+\def\liftqs#1{\raise#1\Interligne\qs}
+\parindent0pt
+\sepbarrules
+\instrumentnumber{3}
+\generalmeter{\meterC}
+\setinterinstrument2{3\Interligne}
+\setsize3\tinyvalue
+\setsize2\tinyvalue
+\setclef1\bass
+\setstaffs1{2}
+\startpiece\addspace\afterruleskip
+%Takt 9
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l\enotes
+\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes
+\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes
+\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes
+\bar
+%Takt 10
+\notes\zhl c\liftqs6\qupp d|\ds&\oct
+ \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes
+\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes
+\notes|\ibbu2i0\qb2k\qb2f\enotes
+\notes|\qb2h\tqh2k&\oct\cl e&\curve222\tubslur4f\cu e\enotes
+\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes
+\notes|\ibbu1g3\qb1f\tqh1h\enotes
+\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes
+\endpiece
+\end{verbatim}\end{quote}
+\section{Layout parameters}
+ Most layout parameters are set by \musixtex\ to reasonable default values.
+However, sophisticated scores\footnote{To our knowledge, the most complicated
+scores are those written for the piano, during the romantic and post-romantic
+periods.} may need more place below the lowest staff, between staves, etc.
+\def\nochange{(\ital{NOT to be changed})} We give below a short list of the
+most significant parameters.
+ \subsection{List of layout parameters}
+ \begin{remark} the mention ``\nochange'' does not mean that this parameter
+cannot be changed, but that it should not be modified directly, e.g.\ by
+saying something like \verb|\Interligne=14pt|. In other words, changing these
+parameters must be performed using more comprehensive macros which not only
+update them but also perform some other compulsory related changes.
+ \end{remark}
+
+\begin{description}
+ \item[\keyindex{Interligne} :]vertical distance between the base of staff
+lines of the current instrument, taking no account of a possible specification
+of \keyindex{setsize$n$} \nochange.
+ \item[\keyindex{internote} :]the vertical spacing of contiguous notes of
+the current instrument, taking account of a possible specification of
+\keyindex{setsize$n$} \nochange.
+ \item[\keyindex{Internote} :]the vertical spacing of contiguous notes of
+the instrument(s) whose \keyindex{setsize$n$} has the \ital{default
+value} of one (\keyindex{normalvalue}),
+i.e.\ the half of \verb|\Interligne| \nochange
+
+ \item[\keyindex{staffbotmarg} :]margin below the first staff of the lowest
+instrument. Changes are recognized at the next system and default is
+\verb|3\Interligne|.
+ \item[\keyindex{stafftopmarg} :]margin above the upper staff of the upper
+instrument. Changes are recognized at the next system and default is
+\verb|3\Interligne|.
+ \item[\keyindex{interbeam} :]vertical distance between beams. \nochange.
+ \item[\keyindex{interportee} :]the distance between the bottom of one staff and
+the bottom of the next one. It is set to
+\verb|2|\keyindex{interstaff}\verb|\internote| at the next system.
+Therefore, trying to change \verb|\interportee| will have no effect.
+ %\check
+ \item[\keyindex{interinstrument} :]the additional vertical distance between
+two different instruments. This means that the distance between the upper
+staff of the previous instrument and the lowest line of the current
+instrument is equal to \keyindex{interportee+\Bslash interinstrument}. This
+value is normally zero, but it helps putting additional space between
+distinct instruments for the sake of clarity. This is a general dimension
+register which holds for each of the vertical spaces between instruments,
+except above the upper one, in which case this interval is irrelevant.
+As usual in \TeX, it can be set using a command such as
+
+ \verb|\interinstrument=10pt|
+
+ \noindent or
+
+ \verb|\interinstrument=6\internote|
+
+
+ However, this general parameter can be overridden for the space above a
+specific instrument. For example (see the example {\tt angescao.tex}) one can
+state:
+
+\keyindex{setinterinstrument} $n$\verb|{1\Interligne}|
+
+\noindent to force an additional spacing of one \verb|\Interligne|
+above instrument $n$, whatever the value of \keyindex{interinstrument}.
+ This feature can usefully be used to have more space before instruments
+representing \itxem{voices}, in order to have enough place to put
+\itxem{lyrics} without assigning these lyrics a zero staff specific instrument
+(useful to avoid having too many declared instruments in a choir score).
+
+ The \verb|\setinterinstrument| is identical to the ancient --- and still
+working --- \musictex\ command:
+
+ \verb|\def|\keyindex{interinstrumentiii}\verb|{5\interligne}|
+
+ \noindent to add 5\verb|\interligne| above the 3rd instrument.
+ %\check
+
+
+ \item[\keyindex{systemheight} :]the distance from the bottom of the
+lowest staff to the top of the highest staff of the upper instrument. This is
+the height of the vertical bars (single, double, repeats, etc.) \nochange.
+\end{description}
+ In addition, when handling notes of a given staff of a given instrument, the
+following dimensions are available (note these are not true registers, but
+\ital{equivalenced symbols} through a \verb|\def|):
+\begin{itemize}
+ \item\keyindex{altplancher} : the altitude of the lowest line of the lowest
+instrument \nochange.
+ \item\keyindex{altitude} : the altitude of the lowest line of the lowest
+staff of the current instrument \nochange.
+ \item\keyindex{altportee} : the altitude of the lowest line of the current
+staff \nochange.
+
+ %??? Next perhaps will change to steps of \verb|\internote|.
+
+ \item\keyindex{stemfactor} : a parameter defining the size of half, quarter
+and hooked eighth notes stems. Normally a stem has the length of one octave,
+i.e. 3.5\keyindex{Interligne}. However, this is not valid for small size
+notes and, therefore, the stem size is related to the \keyindex{interbeam}
+dimensions which, in turn, is \ital{normally} equal to 0.75
+\keyindex{Interligne}. Thus the normal value of \keyindex{stemfactor} is
+4.66, but it can be shortened for any purpose by saying, for example:
+
+ \keyindex{stemlength}\verb|{3.5}|
+\end{itemize}
+ \subsection{Changing layout parameters}
+ Most of these values can be changed, but only between the end of the
+previous system and the beginning of the next one. This can be inserted
+between a \keyindex{stoppiece} (or a \keyindex{endpiece})
+and a \keyindex{contpiece} (or a \keyindex{startpiece}), but it is
+wiser to say, for example:
+
+\verb|\def\atnextline{\stafftopmarg=5\Interligne}|
+
+ The user may prefer to change \keyindex{staffbotmarg} or
+to feed \keyindex{interstaff} with a
+given integer number, but this can be done only between a
+\keyindex{stoppiece} (or a \keyindex{endpiece}) and a
+\keyindex{contpiece} (or a \keyindex{startpiece}), but it is wiser to use
+\keyindex{atnextline} as previously.
+
+ It is also wise to use \keyindex{atnextline} to change the
+number of instruments, the staff spacings, the number of staffs at the next
+line... provided that the coding of the notes \ital{resists} an unexpected
+line change executing the \keyindex{atnextline}.
+ \subsection{Changing the staff distance within systems} The vertical
+distance of instruments with more than one staff can be changed, either
+outside \verb|\startpiece|...\verb|\endpiece| or using \keyindex{atnextline},
+by saying:
+
+\keyindex{interstaff}\verb|{|$n$\verb|}|
+
+ Then the spacing between the staffs of the instruments will be
+$n$\verb|\internote|. Note that \verb|\interstaff| applies to all the
+instruments, but each distinct instrument may have a different
+\verb|\internote| (see \ref{staffspacing}).
+
+ Note that this command is equivalent to an existing remnant of \musictex,
+namely:
+
+ \verb|\def|\keyindex{interfacteur}\verb|{|$n$\verb|}|
+
+
+ \medskip The distance between two different
+instruments can be increased by saying
+
+\keyindex{interinstrument}\verb|=|\ital{any \TeX-dimension}
+
+\noindent for all additional inter-instrument distances, or
+
+\keyindex{setinterinstrument} $n$\verb|{|\ital{any \TeX-dimension}\verb|}|
+
+\noindent for single distances.
+ \subsection{Changing the number of lines in staffs}\index{staff line number}
+\label{stafflinenumber}
+Unless explicitely specified, staffs consist of five lines, in accordance to
+the normal way of coding music scores. However, exceptions might be
+preferred when using \musixtex~:
+
+\begin{itemize}
+ \item \itxem{gregorian music} is often written using staff of
+four lines instead of five\footnote{German: \ital{Quadratnotation}.},
+ \item \itxem{percussion music} (e.g.~drums, triangle) needs one, two, three
+ or five lines, since the pitch cannot change but the number of percussion
+ instruments.
+ \item \itxem{guitar tablature} needs six lines. Although \ital{real} guitar
+ players hate guitar tablature,
+ for beginners they are a big help. Not ready yet. The lines
+ are, but not the additional macros.
+
+ \item Early baroque music sometimes uses staffs with 6, 7, or 8 lines.
+
+ \end{itemize}
+
+ Therefore \musixtex\ allows for choosing the number of lines of
+the staffs of an instrument. This is done by
+\keyindex{setlines}~$n$\verb|{|$N$\verb|}| --- where $n$ is the number of the
+wanted instrument as usual --- and $N$ the number of lines of the specific
+staff. Allowed numbers are up to 9 lines. For example:\label{gregorian}
+
+\keyindex{setlines}\verb|2{4}|
+
+\noindent will make the instrument number 2 to have staffs of four
+lines, that is, fit for gregorian music.
+ \subsection{Resetting normal layout parameters}
+ Except the general size which
+has to be explicitely changed if needed using \keyindex{smallmusicsize},
+\keyindex{normalmusicsize}, \keyindex{largemusicsize}, or
+\keyindex{Largemusicsize}, all layout registers are reset to \ixem{default
+values} by \keyindex{resetlayout}, which are explicitly:
+
+ \begin{itemize}
+ \item \keyindex{staffbotmarg} and \keyindex{stafftopmarg} are set to
+\verb|3\Interligne|.
+ \item \keyindex{interstaff} is set to \verb|9|.
+ \item The number of lines of all instruments are reset to 5.
+ \item All clef symbols are standard clef symbols.
+\end{itemize}
+\noindent
+Besides, saying \keyindex{begin\LBR music\RBR} invokes \verb|\resetlayout|.
+ \subsection{Typesetting one-line excerpts rather than large scores}
+Very often, what is wanted is not to typeset a large comprehensive score of
+several lines and pages, but an excerpt of one or two bars, preferably
+centered such as the various examples of this manual. This can be done simply
+by replacing \keyindex{startpiece} with
+\keyindex{startextract} and \verb|\endpiece| or \verb|\stoppiece| with
+\keyindex{endextract}. It is sometimes useful to get more than one excerpt in
+one line, this can be done with redefining of \keyindex{extractline}.
+
+With saying:
+
+\keyindex{let\Bslash extractline\Bslash hbox}
+
+\noindent you can put more than one example in one line. Helpful for getting
+\itxem{musical footnotes}, which explain the playing of special trills or
+give alternative ways of playing, is the redefining to:
+
+\keyindex{let\Bslash extractline\Bslash leftline}
+
+Besides, all changes inbetween
+\keyindex{begin\LBR music\RBR}...\keyindex{end\LBR music\RBR} are local,
+means not global.
+
+ If you want to terminate it without a bar, you code
+\keyindex{zendextract} which acts like \verb|\zstoppiece|.
+ \subsection{*Lyrics}\index{lyrics}\label{lyrics}
+ While they pose nearly no problem with \musictex\ which works using the glue
+facility of \TeX, lyrics raise several serious difficulties with \musixtex.
+The reason for that is that lyrics usually consist of \ital{text} which in
+turn consists of characters whose width is definitely not stretchable nor
+shrinkable proportionally to \verb|\noteskip| or \verb|\elemskip|.
+
+ Thus the width of a sequence of notes like
+
+ \begin{music}
+ \startextract
+ \NOTEs\zcharnote{-5}{Words }\qu h\en
+ \endextract
+ \end{music}
+
+ \noindent may be either the width of ``{\tt Words }'' with the current font,
+or it may be \verb|1\elemskip|, whatever the largest. In the first case, the
+width is fixed (see \keyindex{hardspace}), in the second its width is not the
+same at \musixtex's first and second passes. But the unfortunate situation is that
+\musixtex\ \ital{must} know whether this feature has a \ital{hard} (not scalable)
+or a \ital{scalable} width \ital{at the first pass}, while the inequality
+is solved only at the second.
+
+ This means that, in addition to the three pass system, the user must run
+trial and errors to find out whether some lyrics are wider than the final note
+spacing, or smaller. In that case a wrong decision might lead to questionable
+``\verb|Underfull hbox|''-es filled with ugly glue, or it may result in
+awful ``\verb|Overfull hbox|'' with its heavy bar punishment and possible
+over writings.
+
+ However, before discussing this problem, we first describe the various ways of
+inserting lyrics under --- or above --- a staff.
+
+ \subsubsection{Getting enough vertical space for lyrics} Since songs are
+usually equivalent to a one-staff instrument (possibly with several voices)
+the recommended solution consists in adjusting the distance between
+instruments using either \keyindex{interinstrument}\verb|=|\ital{any
+\TeX-dimension} to give more place below all instruments or using
+\keyindex{setinterinstrument} to make more space above. Note that {\Bslash
+setinterinstrument} defines spacing above and not below an instrument. Since
+lyrics are usually set below the staff, the first argument of a
+\verb|\setinterinstrument| should be the song instrument number \ital{minus
+one}.
+
+ In the case of a single staff tune, or if the song instrument is the lowest
+one, then additional place can be provided using \keyindex{staffbotmarg}.
+
+ \subsubsection{Posting lyrics}
+ Lyrics can be introduced in several ways.
+ \begin{enumerate}
+ \item One archaic solution could be to define a special instrument for the lyrics
+text, without effective staff, namely using the command
+\keyindex{setstaffs}~$n$\verb|{|$p$\verb|}| described in \ref{whatspecify}.
+The inconvenience of this solution is that it increases the number of
+instruments, which is limited to 6 in standard \musixtex, although it can be
+increased to 9 using {\tt musixadd.tex} and 12 with {\tt musixmad.tex}.
+
+ \medskip
+ Therefore, better solutions consist is posting the lyrics in the same
+instrument as the tune, provided that inter-instrument spacing has been
+adapted.
+
+ \item Another simple obvious solution consists in using the command
+\keyindex{zcharnote} to post the text at any position (computed in
+\verb|\internote|s) with respect to the lower line of the current staff.
+The pitch should be usually negative to have the text below the staff. It
+could also be specified like a note pitch, for example ``{\tt a}'' if the song
+is in G-clef. The drawback is that the pitch has to be repeated for each text
+of each note, which is tideous unless a special macro has been defined.
+
+ \item Rather than \verb|\zcharnote| and other \verb|\?charnote| commands, one
+should rather use \keyindex{zchar}, \keyindex{cchar} (centered) or
+\keyindex{lchar} (expanded to left) which only allow absolute numbers
+(internally multiplied by {\Bslash internote}). These command have the same
+drawback as above, namely the vertical position has to be repeated each time.
+
+ \item Of easier use are the commands \keyindex{zsong} (right of the note),
+\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics
+at the lower staff line \ital{minus} the previous
+\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These
+commands only have one argument, namely the lyrics text:
+
+
+\begin{center}
+\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad
+\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad
+\keyindex{csong}\verb|{|\ital{text}\verb|}|
+\end{center}
+
+ Depending on the values of the inter-instrument spacings and margins, the
+resulting vertical position might be inappropriate. Then it can be changed for
+any specific $n$-th instrument until further change using
+
+\begin{quote}
+\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}|
+\end{quote}
+
+ \medskip As an example, the following French song
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \NOtes\zsong{Au }\qu g\en
+ \NOtes\zsong{clair }\qu g\en
+ \NOtes\zsong{de }\qu g\en
+ \NOtes\zsong{la }\qu h\en
+ \bar
+ \NOTes\zsong{lu- }\hu i\en
+ \NOTes\zsong{ne, }\hu h\en
+ \bar
+ \NOtes\zsong{mon }\qu g\en
+ \NOtes\zsong{a- }\qu i\en
+ \NOtes\zsong{mi }\qu h\en
+ \NOtes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+\noindent was coded as:
+
+\begin{quote}\begin{verbatim}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \NOtes\zsong{Au }\qu g\en
+ \NOtes\zsong{clair }\qu g\en
+ \NOtes\zsong{de }\qu g\en
+ \NOtes\zsong{la }\qu h\en
+ \bar
+ \NOTes\zsong{lu- }\hu i\en
+ \NOTes\zsong{ne, }\hu h\en
+ \bar
+ \NOtes\zsong{mon }\qu g\en
+ \NOtes\zsong{a- }\qu i\en
+ \NOtes\zsong{mi }\qu h\en
+ \NOtes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+\end{verbatim}\end{quote}
+
+
+ You can also use the macros from \verb|musixcho.tex|, which result in the
+same vertical positionning as \keyindex{zsong} and other \verb|\?song| do, but
+the text of the lyrics are better justified around the related note.
+
+ \end{enumerate}
+
+ \subsubsection{Handling lyrics width versus scalable note spacings}
+
+ If one uses either \verb|\zsong| or \verb|\csong| or \verb|\lsong| without
+caution, one will probably get awful things such as:
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \Notes\zsong{Au }\qu g\en
+ \Notes\zsong{clair }\qu g\en
+ \Notes\zsong{de }\qu g\en
+ \Notes\zsong{la }\qu h\en
+ \bar
+ \NOtes\zsong{lu- }\hu i\en
+ \NOtes\zsong{ne, }\hu h\en
+ \bar
+ \Notes\zsong{mon }\qu g\en
+ \Notes\zsong{a- }\qu i\en
+ \Notes\zsong{mi }\qu h\en
+ \Notes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+ \noindent which is the same example as above, with all spacings divided by
+1.41. Although locating ``overfull'' lyrics seems easy, it might be wiser to
+force their visibility, which is done replacing \verb|\zsong| with
+\keyindex{hsong} which encloses the hazardous text in a \verb|\hbox| of width
+\verb|\noteskip|, whose overfilling is diagnosed as usual by Plain \TeX\ or
+(especially in \LaTeX) by means of the \verb|\overfullrule=...| command:
+
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \overfullrule 3pt%
+ \geometricskipscale
+ \Notes\hsong{Au }\qu g\en
+ \Notes\hsong{clair }\qu g\en
+ \Notes\hsong{de }\qu g\en
+ \Notes\hsong{la }\qu h\en
+ \bar
+ \NOtes\hsong{lu- }\hu i\en
+ \NOtes\hsong{ne, }\hu h\en
+ \bar
+ \Notes\hsong{mon }\qu g\en
+ \Notes\hsong{a- }\qu i\en
+ \Notes\hsong{mi }\qu h\en
+ \Notes\hsong{Pier- }\qu h\en
+ \bar
+ \NOTes\hsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+ Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed
+length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is
+\verb|3\noteskip|. These are useful when the text is set below (or above) a
+collective coding of two or three notes.
+
+ Once one has diagnosed --- in the tentative final layout --- which lyrics
+lead to overfull texts, several corrections may be tried:
+
+\begin{enumerate}
+ \item Increase the \keyindex{mulooseness} to have wider note spacing. This
+may work, but the inconvenience is that all notes would be stretched, and not
+only the faulty notes.
+ \item Increase specific note spacings, replacing for example \verb|\Notes|
+with \verb|\NOtes| or \verb|\Notesp|. This is the easiest solution which may
+require several trials and errors since an increase of a few notes in a system
+may lead to a small shrinking of the others, to keep the total length
+constant.
+ \item Decide that some notes --- only ``some'' notes, not all notes of the
+score, neither all the notes of a given system --- would have a \itxem{hard
+spacing} and not a scalable spacing. This is done using the command
+
+ \begin{quote}
+ \keyindex{hardnotes}\ital{ any hard \TeX\ dimension }\verb|\notes|\ital{
+normal note specif. }\verb|\en|
+ \end{quote}
+ \noindent which ends the \verb|\notes...\en| with a \itxem{hard spacing} (see
+\verb|\hardspace| in \ref{hardspace}, p. \pageref{hardspace}) rather than a
+scalable spacing.
+
+ A more practical variant has been provided especially for lyrics, namely
+
+ \begin{quote}
+ \keyindex{hardlyrics}\ital{ any text }\verb|\notes|\ital{
+normal note specif. }\verb|\en|
+ \end{quote}
+ \noindent which computes the width of ``any text'' by putting it in a
+\verb|\hbox| and reverting to \verb|\hardnotes| to perform the remainder of the
+task. In order to save repetitions, the text of the lyrics which has been used
+to compute the hard note spacing can be retrieved under the command name
+\keyindex{thelyrics}. \verb|\hardlyrics| must be followed by \verb|\notes|
+(with the lyrics text inbetween), not by \verb|\Notes| nor \verb|\NOtes|, etc.
+
+
+ Besides, since moving the lyrics text between \verb|\hardlyrics| and
+\verb|\notes|\footnote{{\Bslash notes}, neither {\Bslash Notes} nor {\Bslash
+NOtes} nor {\Bslash NOTes} etc.} together with replacing it with
+\keyindex{thelyrics} at the initial location is a rather tedious operation
+with text editors, another command has been provided, namely
+\keyindex{softlyrics}:
+
+ \verb|\softlyrics{|\ital{ any text }\verb|}|
+
+ \noindent defines \verb|\thelyrics| to be ``\ital{ any text }'', so that
+going from \verb|\hardlyrics| to the default scalable behaviour of
+\verb|\noteskip| and inversely can easily be done by changing \verb|\hard|
+into \verb|\soft| in the source text, with optional change of the number of
+uppercase letters in \verb|\notes|.
+
+
+
+ \medskip\begin{important} since \/\verb|\hardlyrics| computes
+\/\verb|\noteskip|, its argument (before \/\verb|\notes|) may not refer to
+\/\verb|\noteskip|... which is not already computed.
+ \end{important}
+ \end{enumerate}
+
+ \subsubsection{A more comprehensive example of lyrics}
+ Here is an example taken from the French catholic liturgy (a French
+translation of the traditional \ital{Gloria in excelsis Deo}). We give first
+the adapted source of a part of the score:
+
+
+\begin{quote}\begin{verbatim}
+\overfullrule 3pt
+\instrumentnumber{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % one flat
+\generalmeter{\meterfrac{2}{2}}
+%
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\NOtes\hsong{ai-}\hu g\enotes
+\Notes\hsong{me.}\hu f\enotes
+\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+\NOtes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+\NOtes\hsong{t'a-}\hu g\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\notes\uptext{\bf II}\enotes
+\notes\hardlyrics{Sei-}\hsong\thelyrics\cu h\enotes
+\notes\zsong{gneur~}\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{Ciel,~}\qu h\enotes
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+\barre
+\hardlyrics{P\`e-~}\notes\thelyrics\hsong\cu h\enotes
+\notes\hsong{re~}\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes
+\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+\mulooseness 2%
+\stoppiece
+\end{verbatim}\end{quote}
+
+ The result clearly shows the inequality between note spacings,
+some of them forced by lyrics length, some others related to the
+value of \verb|\elemskip| choosen by {\tt musixflx} according to the
+given value of \keyindex{mulooseness}. Note that \verb|\zsong| still has been
+used for lyrics followed by a bar, since their extension across the bar is
+usually harmless.
+
+\begin{music}
+\small
+\overfullrule 3pt
+\instrumentnumber{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % one flat
+\generalmeter{\meterfrac{2}{2}}
+%
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\NOtes\hsong{ai-}\hu g\enotes
+\Notes\hsong{me.}\hu f\enotes
+\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+\NOtes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+\NOtes\hsong{t'a-}\hu g\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\notes\uptext{\bf II}\enotes
+\hardlyrics{Sei-}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{gneur~}\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\hardlyrics{Ciel,~}\notes\hsong\thelyrics\qu h\enotes
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+\barre
+\hardlyrics{P\`e-~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{re~}\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes
+\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+\mulooseness 2%
+\stoppiece
+\end{music}
+
+
+ The complete score of this carol --- with slightly different layout
+due to different page size --- is given in example {\tt glorias.tex} and in
+{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the
+organ accompaniment
+(both require {\tt musixsty.tex}).
+
+
+\section{Abnormal music coding}
+ \subsection{Gregorian chant: staffs and clefs} \index{gregorian
+music}Gregorian chant is often coded using four line staffs (see sections
+\ref{gregorian} and \ref{stafflinenumber}) and using special notes (called
+\itxem{neumes}) which are described in section \ref{gregnotes}. But the
+gregorian chant also needs special clefs which are in fact the ancestors of
+the modern ones. The \itxem{gregorian clefs} can be invoked instead of the
+modern ones by:
+
+\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef|
+
+\keyindex{setbassclefsymbol}\verb|3\gregorianFclef|
+
+\noindent will cause the instrument number 3 to exhibit the chosen gregorian
+clefs. The standard clefs can be restored for every instrument with
+\keyindex{resetclefsymbols}.
+
+It is to be emphasized that, since version T.40 of \musixtex, one should
+specify whether one wants to change the bass clef symbol or the alto clef
+symbol (also the treble clef symbol, but there is no treble clef in gregorian
+chant). The reason is that \musixtex\ (as well as \musictex) selects and
+raises differently the F, G and C clefs according to the arguments of the
+\keyindex{setclef} command. Therefore, if one had substituted any F clef
+symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear
+on the staff, but it would have been set at the position of an alto clef, thus
+seriously misleading the musician.
+
+ However, for compatibility with what was previously choosen\footnote{By A.
+{\sc Egler}...}, the \keyindex{setclefsymbol} still exists, but it substitutes
+the given second argument \ital{to all clef symbols} of that instrument,
+regardless of the actual musical meaning of this symbol. \verb|\setclefsymbol|
+is therefore discouraged, unless one changes the design of the clef symbol of
+an instrument for the whole of the score.
+
+ As an example, the same gregorian scale has been written with a gregorian C
+clef on all four lines of the staff:
+
+ \begin{music}
+ \parindent 19mm
+ \instrumentnumber{4}
+ \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line}
+ \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4}
+ \sepbarrules
+ \generalmeter{\empty}
+ \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000}
+ \setaltoclefsymbol1\gregorianCclef
+ \setaltoclefsymbol2\gregorianCclef
+ \setaltoclefsymbol3\gregorianCclef
+ \setaltoclefsymbol4\gregorianCclef
+\startextract
+\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes
+\endextract
+\end{music}
+
+ The coding was:
+ \begin{verbatim}
+ \instrumentnumber{4}
+ \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line}
+ \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4}
+ \sepbarrules
+ \generalmeter{\empty}
+ \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000}
+ \setaltoclefsymbol1\gregorianCclef
+ \setaltoclefsymbol2\gregorianCclef
+ \setaltoclefsymbol3\gregorianCclef
+ \setaltoclefsymbol4\gregorianCclef
+\startextract
+\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes
+\endextract
+ \end{verbatim}
+
+
+ \subsection{Music score without clefs or with special clefs}
+
+ \subsubsection{Empty clefs}
+\index{clefs (empty)}
+ Regardless of the number of lines of the staffs, an instrument may
+have no clefs, e.g.~for \itxem{percussion music} but also for any weird
+purpose. This is done by declaring the following item:
+
+\keyindex{setclefsymbol}~$n$\verb|\empty|
+
+\noindent Normal symbols for these clefs can be restored by:
+
+\keyindex{resetclefsymbols}
+
+ \subsubsection{Octave clefs}\index{octave clefs}
+
+ Octave treble clefs and octave bass clefs are provided. They can replace the usual
+ treble and bass clefs by saying:
+
+ \keyindex{setclefsymbol}~$n$\keyindex{bassoct}
+
+ \keyindex{setclefsymbol}~$n$\keyindex{trebleoct}
+
+ \noindent for upper octaviation, and
+
+ \keyindex{setclefsymbol}~$n$\keyindex{basslowoct}
+
+ \keyindex{setclefsymbol}~$n$\keyindex{treblelowoct}
+
+ \noindent for lower octaviation.
+
+ \begin{music}
+ \parindent 19mm
+ \instrumentnumber{4}
+ \generalmeter{\empty}
+ \setclef1\bass \setclef2\bass \setclef3\treble \setclef4\treble
+ \setbassclefsymbol1\basslowoct
+ \setbassclefsymbol2\bassoct
+ \settrebleclefsymbol3\treblelowoct
+ \settrebleclefsymbol4\trebleoct
+\startextract
+\Notes\qu{`abcdefghi}&\qu{`abcdefghi}&\qu{abcdefghi}&\qu{abcdefghi}&\enotes
+\endextract
+\end{music}
+
+{\noindent\sl REMARKS: \begin{itemize} \item The \keyindex{setclefsymbol},
+\keyindex{settrebleclefsymbol}, \keyindex{setaltoclefsymbol} and
+\keyindex{setbassclefsymbol} commands only change the symbol posted, not the
+altitude of the note head. Thus, if you say \verb|\setclef1\bass| and then
+|\setbassclefsymbol1\trebleclef|, your score will be definitely wrong. In the
+same way, \keyindex{trebleoct} and similar octave clefs will only change the
+symbol, but a note coded {\tt a} wiull have the same vertical position,
+regardless of the clef symbol chosen.
+ \item Changing clef symbols also affect clef changes within the score, but
+this clef changes will be posted by large symbols, not smaller clefs as usual.
+Anyway, it can be remarked that clef changes only concern scores with standard
+treble, alto and bass clefs...
+\end{itemize}
+}
+
+ \subsubsection{Drum clef}
+ A special \itxem{drum clef} (two heavy vertical bars) can
+replace for the $n$-th intrument any of the standard clefs by saying:
+
+\keyindex{setclefsymbol}~$n$\keyindex{drumclef}\label{sectiondrum}
+
+\noindent However, since the vertical position of the clef depends on the
+previously stated clef, it is not wise to replace any clef symbol with the
+drum clef, but to have the instrument previously configured with the default
+violin clef, i.e. \verb|{0000}|.
+
+ It is to be emphasised that these features are specific to one
+instrument --- not one staff of a several staff instrument --- so that some
+weird score for \ital{monks}, \ital{drum} and \ital{electronic keyboard}
+such as
+
+\begin{music}
+\parindent 19mm
+\instrumentnumber{3}
+\setname1{keyboard} \setname2{drum} \setname3{monks}
+\setlines2{1}
+\setlines3{4}
+\setinterinstrument1{-2\Interligne}% less vertical space above
+\setinterinstrument2{-2\Interligne}% and below the percussion
+\sepbarrules
+\setsign1{-1} % one flat at keyboard
+\generalmeter{\meterfrac24}
+\setmeter3\empty
+\setclef3\alto
+\setclef1\bass
+\setstaffs12 % 2 staffs at keyboard
+\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3
+\setclefsymbol2\drumclef % cancel G clef at instrument 2
+\startextract
+\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar
+\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes
+\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\enotes\bar
+\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes
+\endextract
+\end{music}
+\noindent could be coded as follows, regardless this is relevant (see remark
+in \ref{gregoriancappella}, p. \pageref{gregoriancappella}):
+\begin{verbatim}
+\parindent 19mm
+\instrumentnumber{3}
+\setname1{keyboard} \setname2{drum} \setname3{monks}
+\setlines2{1}
+\setlines3{4}
+\setinterinstrument1{-2\Interligne}% less vertical space above
+\setinterinstrument2{-2\Interligne}% and below the percussion
+\sepbarrules
+\setsign1{-1} % one flat at keyboard
+\generalmeter{\meterfrac24}
+\setmeter3{\empty}
+\setclef3{\alto}
+\setclef1{\bass}
+\setstaffs1{2} % 2 staffs at keyboard
+\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3
+\setclefsymbol2{\drumclef} % cancel G clef at instrument 2
+\startextract
+\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar
+\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes
+\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc f\enotes\bar
+\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes
+\end{verbatim}
+In the same way, a possible violin score with \itxem{harmonic notes} (see
+\ref{othernotes}) could be:\label{abnormalscores}
+
+\begin{music}
+\parindent0pt
+\generalsignature{-2}
+\generalmeter\allabreve
+\startextract
+\NOTes\dzq o\zh d\hu h\enotes
+\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\bar
+\NOTes\dzq o\zh d\hl h\enotes
+\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\endextract
+\end{music}
+It was coded as follows:
+\begin{quote}\begin{verbatim}
+\generalsignature{-2}
+\generalmeter\allabreve
+\startextract
+\NOTes\dzq o\zh d\hu h\enotes
+\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\bar
+\NOTes\dzq o\zh d\hl h\enotes
+\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+ \subsection{Usual percussion music}
+Besides single percussion scores usually
+written using one-line staffs, percussion music involving several instruments
+is often writen on five-line staffs with a \ital{drum clef}, where the
+instruments are distinguished by the type of the note heads and the apparent
+pitch of the note on the staff. We give an example --- kindly provided by
+Agusti {\sc Mart\'in Domingo}:
+
+\medskip
+\begin{music}
+\generalmeter{\meterfrac44}
+\setclefsymbol1\drumclef
+\parindent0pt\startpiece
+\leftrepeat
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\setrightrepeat\endpiece
+\end{music}
+ Its coding was:
+ \begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac44}
+\setclefsymbol1\drumclef
+\parindent0pt\startpiece
+\leftrepeat
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\setrightrepeat\endpiece
+\end{music}
+ \end{verbatim}\end{quote}
+ To use these different note heads, one must
+ \begin{itemize}
+ \item either include a specific percussion file namely\index{percussion
+music} \ttxem{musixper.tex} after the usual \verb|\input musixtex|;
+ \item use special macro names to replace the usual elliptic black note head
+with other available note heads. Today only the most used note types are
+supported.
+ \end{itemize}
+
+
+\section{Writing your own macros: the {\Bslash catcode} problems}
+As seen before, the \keyindex{catcodes} of the \| and \verb|&| symbols
+are modified by \musixtex, in the range of the actual scores but not
+in the whole of the \TeX\ source.
+Thus, if you define your own macros to make
+your writing easier, you are likely to invoke the \| or \verb|&|
+symbols in a part of text where their \keyindex{catcode}s are not correctly set.
+\index{"|@{\tt\char'174}}
+This may result typically in a diagnostic like:
+
+\verb|! Misplaced alignment tab character &.|
+
+\noindent when you attempt, not to define, but to use your macro using the
+\verb|&| symbol to change the instrument. Smart \TeX ers know that the
+\keyindex{catcode}s are attached to the characters \ital{when they are input}
+and not when they are used; thus you must be sure that \| and \verb|&|
+have the correct \musixtex\ \keyindex{catcode} when the macro is defined,
+which may well occur outside the actual score.
+
+It is also worth pointing out that the same problem may occur with other
+punctuation marks like ``\verb|<|'', ``\verb|>|'', ``\verb|^|,
+etc., if their \keyindex{catcode} has been changed by some other set of
+macros, like \ttxem{french.sty}.
+
+\section{\LaTeX~and \musixtex}
+ \subsection{The {\tt musixtex.sty} style}\label{musixltx}
+ As said before, the amount of memory and registers used by \musixtex\ makes
+it hardly compatible with \LaTeX. However, Nicolas {\sc
+Brouard}\index{Brouard, N.@{\sc Brouard, N.}} succeeded in building a
+\ttxem{musixltx.tex} which is now included in the distribution. This is
+not recommended to make separate music scores. Its purpose is rather to
+provide a means of inserting short musical excerpts in books or articles
+written with \LaTeX. Then, the \keyindex{documentstyle} command should
+include {\tt musixtex} in the options.
+
+The \LaTeX\ \index{LaTeX@\LaTeX}style file \ttxem{musixtex.sty}
+simply \verb|\input|s the following files (in that very order):
+\begin{itemize}
+ \item \verb|musixtex.tex|
+ \item \verb|musixltx.tex|
+\end{itemize}
+ In case of \verb|TeX capacity exceeded...|, use a ``Bigla\TeX'' (after
+checking there is no visible error in the source
+code).\index{BigLaTeX@Big\LaTeX}
+ \subsection{Wide music in \LaTeX}\label{musixblx}
+ Another difficulty appears with \LaTeX: internal \LaTeX\ macros handle the
+page size in a way which is not supposed to be changed within a given document.
+This means that text horizontal and vertical sizes are somewhat frozen so that
+one can hardly insert pieces of music of page size different from the size
+specified by the \LaTeX{} \itxem{style}.
+Although a \ttxem{musixblx.tex} has been provided, which makes the
+\ital{environment} \verb|bigmusic| available.
+\zkeyindex{begin\LBR bigmusic\RBR}
+The main drawback is an unpredictable behaviour of top and bottom
+printouts, especially page numberings.
+
+ If the whole of a document has wide pages, it can be handled with the
+\ttxem{a4wide} style option, or any derivate of it.
+ \subsection{The {\Bslash catcode} problems}
+ The \verb|musixltx.tex| file merely overrides the \keyindex{catcode}s of the
+\| and \verb|&| symbols which are modified by \musixtex. To have access to
+these symbols when coding music, you should enclose the scores or excerpts
+within \verb|\begin{music}| and \verb|\end{music}|. But there is also another
+possibility, i.e.\ to say \keyindex{nextinstrument} instead of
+\verb|&|\index{\&} and \keyindex{nextstaff} instead of \|.
+\index{"|@{\tt\char'174}}
+
+ Another problem comes from the {\tt\ixem{french.sty}} written by Bernard
+{\sc Gaulle}\index{Gaulle, B.@{\sc Gaulle, B.}} which is the standard of the
+\ixem{GUTenberg} French association. This style changes many
+\keyindex{catcode}s which lead \musixtex\ to fail in many cases. Therefore
+the \keyindex{catcode}s of all are forced to the adequate value at
+\keyindex{startpiece}, \keyindex{startextract} and restored at their original
+value at \keyindex{endpiece}, \keyindex{stoppiece} and \keyindex{endextract}.
+This means that some facilities like the \itxem{guillemets} or the
+\itxem{tabulation} character are inhibited within music scores (possible
+problem with sophisticated \itxem{lyrics}) but perfectly available within the
+normal text.
+
+ Anyway, in case of emergency, one can invoke \keyindex{catcodesmusic} to
+establish the \keyindex{catcode}s at their value fit for music, and
+\keyindex{endcatcodesmusic} to reset them at their external value, for example
+those chosen by \verb|french.sty|.
+
+\section{Implementation and restrictions}
+
+ The macroinstruction file \musixtex\ contains approximately 4200 lines of
+code, that is 98~000 bytes approximately. This requires your score to be
+compiled by the most extended versions of \TeX\ (65~000 words of working
+memory). It is therefore wise to say \verb|\tracingsstats=2| in
+order to have an information about the memory used in each page. In desperate
+situations, we recommend using the ``Big\TeX'' processors which,
+unfortunately, performed a great deal of disk input/outputs (on PCs with i286
+processors) which made them awfully slow. Of course, using i386 or i486 or Pentium
+processors, this problem disappears with the specific version of
+{\tt emTeX}, namely {\tt tex386}.\index{BigTeX@Big\TeX}\index{emTeX@em\TeX}
+
+In particular, the number of registers it uses and the amount of memory used
+by \LaTeX\ macros makes it doubtfully compatible with \LaTeX, unless using
+Big\LaTeX.\index{BigLaTeX@Big\LaTeX}
+
+Other precautions are necessary: beware of end-of-line spaces; they corrupt
+layout and cause {\tt underfull/overfull hbox} warnings during third pass.
+To avoid that, it is recommended
+to use \verb|%| at the end of source lines.
+
+
+%\subsection{ABC2MTeX}
+% Generally: yes
+%\subsection{MIDI2TeX}
+% s.a.a. (I already use a modified one, Thanx to C)
+%\subsection{SceX}
+% next time
+
+\section{From \musictex~to \musixtex: {\tt musixcpt}}
+\label{compatibility}
+
+This file is intended to run `{\bf old}' input files with as less changes
+(read \verb|musicdoc| {\bf and} \musixtex's laws~!) as possible. It slows
+down the speed and makes it impossible to use some\footnote{This was the will
+of one of the authors (A.E.) but we (we=D.T.) are now tending to remove any
+incompatibilities of {\tt musixcpt} with plain \musixtex.} of \musixtex\
+commands.
+
+ To run \musictex\ examples --- not withstanding restrictions related to
+glue and ``hard'' spacings forbidden with
+\musixtex\ --- just replace all previous \verb|\input music*| by:
+
+ \verb|\input musixtex|
+
+ \verb|\input musixcpt|
+
+\noindent and, optionally
+
+ \verb|\input musixsty|
+
+\subsection{Compatibility restrictions}
+
+The \ttxem{musixcpt.tex} file holds up
+compatibility to \musictex's sources, but there are some restrictions, which
+are caused either by missing glue in \musixtex\ --- sometimes ugly, but
+generally harmless --- or by some hard spacings such as \verb|\hbox|es
+containing lyrics exceeding the \keyindex{noteskip} dimension, and resulting
+in ``overfull hbox[es]'' that is, notes and symbols outside the score limits,
+with the heavy vertical bar as a standard \TeX\ punishment.
+
+The easiest way to avoid this consists in ending systematically
+\ital{all}\footnote{ALL lines, not ``most of them''.} input
+lines between \keyindex{startpiece}...\keyindex{stoppiece}\footnote{or
+\keyindex{Stoppiece} or \keyindex{endpiece} or \keyindex{Endpiece}.}
+with a comment sign\footnote{For \TeX perts: every line
+which does not end with a command}, namely a ``\verb|%|''.
+
+\medskip Besides, one might want to have a unique source file to be compiled
+with both the \musictex\ format and the \musixtex\ format, and\footnote{This
+might be considered as an excessive requirement, but we (D.T.) think it is a
+good way of including \musixtex's new facilities...} taking advantage of some
+specific possibilities of \musixtex. The leads to a need of testing whether
+the source file is compiled with one format or the other. In fact this test is
+easy:\zkeyindex{mxversion}
+
+\verb|\ifx\mxversion\undefined|
+
+\ \ \ the specific \musictex\ code
+
+\verb|\else|
+
+\ \ \ the specific \musixtex\ code, taking advantage of new features
+
+\verb|\fi|
+
+\medskip Several examples are now included in \musictex's examples, for
+example {\tt pacifiqn.tex}. Of course this would fail if the user
+inadvertently decided to define the command {\Bslash mxversion} in his source
+text.
+ %\check
+
+\subsection{Additional commands in {\tt musixcpt.tex}}
+
+The tentative user looking in given examples might find commands not described
+in the \musixtex\ manual (this one). Most frequent are (in case of missing
+description, revert to \musictex's manual, namely {\tt musicdoc.tex}, {\tt
+musicdoc.dvi}, {\tt musicdoc.ps}, {musicdoc.lj}, etc.):
+
+\begin{itemize}
+ \item\keyindex{qh} : same as \verb|\qb|, but was different with \musictex,
+since it distinguished notes hanging above (\verb|\qb|) and below (\verb|\qh|)
+the beam(s).
+ \item\keyindex{debutmorceau} : nearly but not exactly the same as
+\verb|\startpiece|.
+ \item\keyindex{suspmorceau} : suspends the score at the end of the line, in
+order to permit inserting ordinary \TeX\ commands. Similar to
+\keyindex{stoppiece} but performs line counting necessary then using
+\musictex's \verb|\autolines| feature.
+ \item \keyindex{reprmorceau} is synonym of \verb|\contpiece|.
+ \item \keyindex{lreprmorceau} is synonym of \verb|\contpiece|.
+ \item \keyindex{preprmorceau} ejects a newpage and performs \verb|\contpiece|.
+ \item \keyindex{finmorceau} is synonym of \verb|\Stoppiece|, i.e. with heavy
+ending double bar..
+
+ \item\keyindex{barre} : same as \verb|\bar|.
+ \item\keyindex{dsoupir} : same as \verb|\ds|.
+ \item\keyindex{qsoupir} : same as \verb|\qs|.
+ \item\keyindex{demisoupir} : same as \verb|\ds|.
+ \item\keyindex{temps} : was glue in \musictex, now equivalent to
+\verb|\empty|.
+ \item\keyindex{autolines} is fit for scores with
+bars of regular length: after \keyindex{startpiece}, you code the
+following macro:
+
+
+\medskip\Bslash autolines $tml$
+
+\medskip\noindent\rm where $t$ is the number of \ital{elementary spacings}
+(the length of {\Bslash notes...\Bslash enotes}) in an average bar, $m$ is the
+number of bars you wish in a line and $l$ is the number of lines you wish in a
+page. This sets some parameters, namely \keyindex{maxbarsinline} and
+\keyindex{maxlinesinpage} which are simply used to count the bars (counter is
+\keyindex{barsinline}), optionally perform \keyindex{alaligne} or
+\keyindex{alapage} (counter is \keyindex{linesinpage}) instead of the normal
+\verb|barre| or \verb|bar|. You may freely alter the values of these
+parameters, once they have been established by \keyindex{autolines}. Moreover,
+you can still force line-breaking of page ejection using {\Bslash alaligne} or
+\keyindex{alapage} without problem since these macros actually reset the bar
+counters appropriately.
+
+ \end{itemize}
+
+ %\check
+% \subsection{Often reported problems}
+
+ %\check
+\section{Extension Library}
+All following files are invoked with saying \keyindex{input} \ital{filename}
+ \subsection{musixadd}
+Increases the number of instruments, slurs and beams up to nine.
+ \subsection{musixbm}
+ Provides 128th notes, either with hooks or with beams, namely the
+\keyindex{ibbbbbu},
+\keyindex{ibbbbbl},
+\keyindex{nbbbbbu},
+\keyindex{nbbbbbl},
+\keyindex{tbbbbbu},
+\keyindex{tbbbbbl},
+\keyindex{Ibbbbbu},
+\keyindex{Ibbbbbl},
+\keyindex{cccccu},
+\keyindex{ccccca},
+\keyindex{zcccccu},
+\keyindex{cccccl} and
+\keyindex{zcccccl} commands.
+ \subsection{musixbbm}
+ Provides 256th notes, only with beams, namely the
+\keyindex{ibbbbbbu},
+\keyindex{ibbbbbbl},
+\keyindex{nbbbbbbu},
+\keyindex{nbbbbbbl},
+\keyindex{tbbbbbbu},
+\keyindex{tbbbbbbl},
+\keyindex{Ibbbbbbu} and
+\keyindex{Ibbbbbbl} commands.
+ \subsection{*musixcho}\label{song}
+ These are some macros fit for chorus music. Provides following commands:
+\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight},
+\keyindex{Dtx} and \keyindex{Drtx} for double text, \keyindex{Ttx} and
+\keyindex{Trtx} for triple text, \keyindex{Qtx} and \keyindex{Qrtx} for
+quadruple text.
+
+\keyindex{tx}\verb|{|$text$\verb|}|,
+\keyindex{rtx}\verb|{|$text$\verb|}| for text of songs, with text extending
+to right instead centered.
+ \keyindex{hf}\verb|{|$m$\verb|}| sets text
+continuation rule of width $m$ \verb|\noteskip|.
+
+
+\begin{music}
+\tenrm
+\parindent11.5mm
+\braceheight5.4\Interligne\relax
+%\rightline{Arr.: H.~W.~Eichholz}
+\instrumentnumber2
+\generalsignature{-2}
+\generalmeter{\meterfrac22}
+\setclef1\bass
+\relativeaccid
+\setinterinstrument1{11\Interligne}
+\songtop2
+\songbottom1
+\setname2{\vbox{\hsize\parindent\centerline{Sopran}\centerline{Alt}}}
+\setname1{\vbox{\hsize\parindent\centerline{Tenor}\centerline{Bass}}}
+\sepbarrules\nobarnumbers
+\beforeruleskip-2pt
+\startpiece
+%% bar 1
+\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en
+\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b%
+ &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en
+\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en
+\NOtes&\tsslur0g\qu g\en
+%%% bar 2
+\bar
+\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en
+\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en
+%%% bar 3
+\bar
+\nspace
+\NOTes\sslur JMd1\sslur bau1\zhl J\hu b%
+ &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en
+\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en
+\NOtes&\tsslur0k\qu k\en
+%%% bar 4
+\bar
+\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en
+\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en
+%%% bar 5
+\bar
+\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b%
+ &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en
+\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en
+%%% bar 6
+\bar
+\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en
+\NOtes\zql J\qu b&\zqu i\ql e\en
+\NOtes\zql I\qu b&\rlap{\kernm2\Internote\bigrbrace}\rtx~~~over*\zqu i\ql d\en
+\NOtes\zql G\qu b&\zqu k\ql f\en
+%%% bar 7
+\bar
+\nspace
+\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en
+\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en
+\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en
+\endpiece
+\end{music}
+
+ See {\tt musixdoc.tex} source to get the coding of this long example.
+
+ Note that, since vertion T.89, multiple line texts are vertically justified
+ with a \keyindex{ChroirStrut} macro defined as \verb|\vphantom{\^Wgjpqy}| to
+eliminate zigzagging lyrics lines.
+
+ %\check
+ \subsection{musixdat}
+Here is the command \keyindex{today} defined for several languages.
+The default is \keyindex{dateUSenglish}, but this can freely be changed at
+end of \ttxem{musixdat.tex}.
+Also available are \keyindex{dategerman}, \keyindex{dateaustrian},
+\keyindex{dateenglish} and \keyindex{datefrench}, which yields:
+\begin{quote}\begin{tabular}{ll}\hline
+\verb|\dateUSenglish|&\dateUSenglish\today\\
+\verb|\dateaustrian|&\dateaustrian\today\\
+\verb|\dateenglish|&\dateenglish\today\\
+\verb|\datefrench|&\datefrench\today\\
+\verb|\dategerman|&\dategerman\today\\\hline
+\end{tabular}\end{quote}
+ \subsection{*musixdia}\label{diam}
+These file is automatically loaded, if you use {\tt musixper.tex}.
+Here is the list of notes it provides:
+ \begin{itemize}
+ \item The \raise.5ex\hbox to 1em{\musixchar37} symbol is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|y|''
+(think of ``dyamond''). Available are \keyindex{yqu}, \keyindex{yqup},
+\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp},
+\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb},
+\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu},
+\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl},
+\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. The
+symbol without a stem can be obtained by saying \keyindex{ynq} and the
+non-spacing variant with \keyindex{zynq}.
+ \item The \raise.5ex\hbox to 1em{\musixchar38} symbol is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|d|''
+(think of \ital{diamond}). Available are \keyindex{dqu}, \keyindex{dqup},
+\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp},
+\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb},
+\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu},
+\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl},
+\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. The
+symbol without a stem can be obtained by saying \keyindex{dnq} and the
+non-spacing variant with \keyindex{dznq}.
+ \end{itemize}
+ %\check
+ \subsection{*musixeng}
+ This package is made for music typesetters who are allergic to rest names
+taken from French, German or Italian\footnote{By the way, note that a
+\ital{whole rest} is called \ital{pause} in French, \ital{ganze Pause} in
+German, and \ital{pausa} in Italian.}. It does not provide new features, only
+new command names.
+ \begin{quote}\begin{tabular}{ll}\hline
+\ital{original}&\ital{alternative}\\\hline
+\keyindex{PAUSe}&\keyindex{Qwr}\\
+\keyindex{PAuse}&\keyindex{Dwr}\\
+\keyindex{liftpause}&\keyindex{liftwr}\\
+\keyindex{pausep}&\keyindex{wrp}\\
+\keyindex{pause}&\keyindex{wr}\\
+\keyindex{lifthpause}&\keyindex{lifthr}\\
+\keyindex{hpausep}&\keyindex{hrp}\\
+\keyindex{hpause}&\keyindex{hr}\\
+\keyindex{qp}&\keyindex{qr}\\
+\keyindex{ds}&\keyindex{er}\\
+\keyindex{qs}&\keyindex{eer}\\
+\keyindex{hs}&\keyindex{eeer}\\
+\keyindex{qqs}&\keyindex{eeeer}\\\hline
+\end{tabular}\end{quote}
+ \subsection{musixext}
+
+\keyindex{slide}\verb|{|pitch\verb|}{|elements\verb|}{|slope[-8 to 8]\verb|}|~:
+ glissando.
+
+\keyindex{raggedstoppiece} :
+ provides a ragged last line.
+ %\check
+
+ \subsection{musixf{}l{}l}
+ \input musixfll
+ \ttxem{musixfll.tex} may be used to modify the automatic
+generation of \ixem{ledger lines}. Ledger lines --- German Hilfslinien
+--- are generated for notes placed above or below normal staff lines.
+Ledger lines normally exceed the note head by a quarter of the width of
+the note head. If notes are set very narrowly, the ledger lines of
+consecutive notes may meet. In this case a player may misread the
+ledger lines as normal lines. Therefore \musixtex{} shortens the
+ledger lines if notes are set so narrowly that the ledger lines may
+meet. Because \musixtex{} does not know whether consecutive notes need
+ledger lines, this automatic shortening may be superfluous. So this
+automatism may be switched off and on. After including
+\ttxem{musixfll.tex} the automatic shortening of ledger lines is
+switched off. Afterwards it may be switched on again using
+\keyindex{autoledgerlines} and switched off again using
+\keyindex{longledgerlines}. Both macros have global effect.
+
+ The following example shows that narrowly set scales look better with
+\keyindex{autoledgerlines}, while single notes requiring ledger lines
+look better with \keyindex{longledgerlines}.
+
+\begin{music}
+\startextract
+\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines
+ \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b%
+ \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b%
+ \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a%
+ \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en
+ \bar
+\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines
+ \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b%
+ \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b%
+ \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a%
+ \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en
+\endextract
+\autoledgerlines
+\end{music}
+
+ \subsection{*musixgre}\label{gregnotes}
+
+
+ Provided that four line staffs (see \ref{stafflinenumber}) are used,
+\itxem{gregorian music} is frequently quoted using specific \itxem{neumes},
+established in the thirteenth century, and this way of coding has been
+commonly used for the coding of liturgical chant in the Catholic Church until
+the middle of the twentieth century. Nevertheless, gregorian chant coding is
+not really an antique feature, since it has been codified in 1905 with recent
+quasi-official updates in the eightties.
+
+
+{\noindent\sl REMARK:\label{gregoriancappella} strictly writing, including
+gregorian chant coding in \musixtex{} is a pure nonsense. Of course, many
+people find it interesting to have the possibility of coding gregorian neumes
+together with modern music, but having a score with both a gregorian chant and
+a choir or instruments is definitely \ital{heretic}. The reason is that
+grogorian chant must be sung \ital{a cappella}, without instrument and without
+underlying polyphony. As a matter of fact, serious music schools ceased to
+teach how to accompany gregorian chant approximately 20 years ago.
+
+ However, there are still some pseudo-gregorian chants in the Catholic
+repertoire which deserve organ or orchestra accompaniment: these are latine
+speaking gregorian imitations composed in the eighteenth century, such as the
+famous \ital{Angel's mass} of the \ital{Messe royale de Du Mont} which were
+printed using gregorian neumes by official catholic publishers instead of
+using the music denotations fit for renaissance and baroque pieces...}
+
+
+ Symbols available in \musixtex\ are
+mainly those of the 1905 standard, as provided by Beda {\sc
+Szukics}\index{Szukics, B.@{\sc Szukics, B.}}:
+
+\subsubsection{The clefs}
+
+\begin{itemize}
+ \item The gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~=
+ \keyindex{gregorianCclef}, normally activated for instrument $n$ with the
+command:
+ \begin{quote}
+ \keyindex{setaltoclefsymbol} $n$ \keyindex{gregorianCclef}
+ \end{quote}
+ \item The gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~=
+\keyindex{gregorianFclef}, normally activated with the
+\verb|\setbassclefsymbol| command.
+ \end{itemize}
+
+ \subsubsection{The basic elementary symbols}
+ \begin{itemize}
+
+ \item Diamond shaped \itxem{punctum} (of different shape compared to the
+percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ =
+\keyindex{diapunc}~$p$~.
+ \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ =
+\keyindex{squ}~$p$ or \keyindex{punctum}~$p$~.
+ \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise
+2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}~$p$~.
+ \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ =
+\keyindex{rsqu}~$p$ or \keyindex{virga}~$p$~.
+ \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ =
+\keyindex{apostropha}~$p$~.
+ \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ =
+\keyindex{oriscus}~$p$~.
+
+ \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ =
+\keyindex{quilisma}~$p$~.
+ \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar9}~ =
+\keyindex{punctumauctup}~$p$~.
+ \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar8}~ =
+\keyindex{punctumauctdown}~$p$~.
+ \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}:
+\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}~$p$~.
+ \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise
+2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}~$p$~.
+ \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise
+2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}~$p$~.
+
+
+\end{itemize}
+ All non-\ital{liquescens} symbols have a non-spacing variant, which are
+\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu},
+\keyindex{zapostropha} and \keyindex{zoriscus}.
+
+\subsubsection{The plain complex neumes}
+Other \itxem{neumes} can be obtained by combining two or more of these
+symbols. Since \itxem{neumes} have a special note head width, an additional
+shifting macro is provided, namely \keyindex{groff}. It is similar to
+\verb|\roff|, but the offset is smaller; to implement also triple symbol neumes,
+another shifting macro is provided, namely \keyindex{dgroff} which performs an
+offset twice the offset of \verb|\groff|..
+
+ Since most of these symbols depend on relative pitches of their components,
+one could not provide all compact combinations as single symbols. Following
+compound symbols are:
+
+\begin{description}
+ \item[\keyindex{bivirga} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bivirga ab\enotes
+ \notes \bivirga cc\enotes
+ \endextract
+ \end{music}
+ This example was coded as:
+ \begin{quote}\begin{verbatim}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bivirga ab\enotes
+ \notes \bivirga cc\enotes
+ \endextract
+ \end{verbatim}\end{quote}
+
+ \item[\keyindex{trivirga} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \trivirga abc\enotes
+ \Notes \trivirga cca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{bistropha} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bistropha ab\enotes
+ \notes \bistropha cc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{tristropha} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \tristropha abc\enotes
+ \Notes \tristropha cca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{clivis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivis ba\enotes
+ \notes \clivis ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lclivis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lclivis ba\enotes
+ \notes \lclivis ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatus ab\enotes
+ \notes \podatus ac\enotes
+ \notes \podatus cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatusinitiodebilis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusinitiodebilis ab\enotes
+ \notes \podatusinitiodebilis ac\enotes
+ \notes \podatusinitiodebilis cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lpodatus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lpodatus ab\enotes
+ \notes \lpodatus ce\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{pesquassus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \pesquassus ab\enotes
+ \notes \pesquassus ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{quilismapes} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \quilismapes ab\enotes
+ \notes \quilismapes ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculus aba\enotes
+ \notes \torculus cfd\enotes
+ \notes \torculus afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusinitiodebilis} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusinitiodebilis aba\enotes
+ \notes \torculusinitiodebilis cfd\enotes
+ \notes \torculusinitiodebilis afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectus bab\enotes
+ \notes \Porrectus bac\enotes
+ \notes \Porrectus bNd\enotes
+ \notes \Porrectus bMe\enotes
+ \notes \Porrectus bLe\enotes
+ \endextract
+ \end{music}
+\noindent coded:
+ \begin{quote}\begin{verbatim}
+ \notes \Porrectus bab\enotes
+ \notes \Porrectus bac\enotes
+ \notes \Porrectus bNd\enotes
+ \notes \Porrectus bMe\enotes
+ \notes \Porrectus bLe\enotes
+ \end{verbatim}\end{quote}
+
+ \verb|\Porrectus| exists in four different shapes, depending on the
+difference between first and second argument. The constraint is that
+ $$ n-4 \leq p \leq n-1 $$ otherwise a diagnostic occurs. Note also that
+\keyindex{bporrectus} provides the first curved part of the \verb|porrectus|
+command, if you need it... It has two arguments, the starting pitch, the lower
+pitch.
+
+ \item[\keyindex{Porrectusflexus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusflexus bacN\enotes
+ \notes \Porrectusflexus bNdb\enotes
+ \notes \Porrectusflexus bMeb\enotes
+ \notes \Porrectusflexus bLea\enotes
+ \endextract
+ \end{music}
+\noindent coded:
+ \begin{quote}\begin{verbatim}
+ \notes \Porrectusflexus bacN\enotes
+ \notes \Porrectusflexus bNdb\enotes
+ \notes \Porrectusflexus bMeb\enotes
+ \notes \Porrectusflexus bLea\enotes
+ \end{verbatim}\end{quote}
+
+
+ \item[\keyindex{climacus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacus cbN\enotes
+ \Notes \climacus cba\enotes
+ \Notes \climacus dbN\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusresupinus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusresupinus cbNa\enotes
+ \Notes \climacusresupinus cbab\enotes
+ \Notes \climacusresupinus dbNb\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lclimacus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lclimacus cbN\enotes
+ \notes \lclimacus cfd\enotes
+ \notes \lclimacus afc\enotes
+ \endextract
+ \end{music}
+
+
+ \item[\keyindex{scandicus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicus abe\enotes
+ \notes \scandicus ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicus abe\enotes
+ \Notes \salicus ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicusflexus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicusflexus abec\enotes
+ \Notes \salicusflexus cegd\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{trigonus} $n$ $p$ $q$], for example\footnote{The second
+example is in principle irrelevant, but it shows the possibilities, in case
+of.}:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \trigonus aaN\enotes
+ \Notes \trigonus cef\enotes
+ \endextract
+ \end{music}
+
+\end{description}
+
+\subsubsection{The liquescens complex neumes}\index{liquescens neumes}
+\begin{description}
+ \item[\keyindex{clivisauctup} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisauctup ba\enotes
+ \notes \clivisauctup ca\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{clivisauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisauctdown ba\enotes
+ \notes \clivisauctdown ca\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{podatusauctup} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusauctup ab\enotes
+ \notes \podatusauctup ac\enotes
+ \notes \podatusauctup cf\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{podatusauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusauctdown ab\enotes
+ \notes \podatusauctdown ac\enotes
+ \notes \podatusauctdown cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{pesquassusauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \pesquassusauctdown ab\enotes
+ \notes \pesquassusauctdown ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{quilismapesauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \quilismapesauctdown ab\enotes
+ \notes \quilismapesauctdown ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusauctdown aba\enotes
+ \notes \torculusauctdown cfd\enotes
+ \notes \torculusauctdown afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusauctdown bac\enotes
+ \notes \Porrectusauctdown bNd\enotes
+ \notes \Porrectusauctdown bMe\enotes
+ \notes \Porrectusauctdown bLe\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusauctdown cbN\enotes
+ \Notes \climacusauctdown caM\enotes
+ \Notes \climacusauctdown aNM\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{scandicusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicusauctdown abe\enotes
+ \notes \scandicusauctdown ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicusauctdown abe\enotes
+ \Notes \salicusauctdown ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{clivisdeminut} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisdeminut ba\enotes
+ \notes \clivisdeminut ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatusdeminut} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusdeminut ab\enotes
+ \notes \podatusdeminut ac\enotes
+ \notes \podatusdeminut cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusdeminut aba\enotes
+ \notes \torculusdeminut cfd\enotes
+ \notes \torculusdeminut afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusdebilis} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusdebilis aba\enotes
+ \notes \torculusdebilis cfd\enotes
+ \notes \torculusdebilis afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusdeminut bac\enotes
+ \notes \Porrectusdeminut bNd\enotes
+ \notes \Porrectusdeminut bMe\enotes
+ \notes \Porrectusdeminut bLe\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusdeminut cbN\enotes
+ \Notes \climacusdeminut caM\enotes
+ \Notes \climacusdeminut aML\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{scandicusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicusdeminut abe\enotes
+ \notes \scandicusdeminut ceg\enotes
+ \endextract
+ \end{music}
+\end{description}
+
+ %\check
+ \subsection{musixgui} \ttxem{musixgui.tex} provides some macros for
+typesetting \itxem{guitar tablatures}. Most times they are used above modern
+music. To give an example:
+
+\begin{music}
+\hsize130mm
+\tenrm
+\parindent0pt
+\generalmeter{\meterfrac34}
+\generalsignature1
+\startbarno0
+\def\txh{-6.5}
+\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}}
+\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}}
+\stafftopmarg10\Interligne
+\raiseguitar{20}
+\nostartrule
+\startpiece
+\addspace{.5\afterruleskip}%
+\NOtes\tx We*\qa d\en
+\bar
+\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en
+\Notes\tx you*\ca g\en
+\Notes\tx a*\ca h\en
+\Notes\zchar\txh{merry}\ca g\en
+\Notes\ca f\en
+\bar
+\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en
+\NOtes\qa e\en
+\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en
+\bar
+\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en
+\Notes\tx you*\ca h\en
+\Notes\tx a*\ca i\en
+\Notes\zchar\txh{merry}\ca h\en
+\Notes\ca g\en
+\bar
+\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en
+\NOtes\qa d\en
+\zbar
+\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en
+\bar
+\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en
+\Notes\tx you*\ca i\en
+\Notes\tx a*\ca j\en
+\Notes\tx ~mer-*\ca i\en
+\Notes\tx ry*\ca h\en
+\bar
+\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en
+\NOtes\tx mas*\qa e\en
+\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en
+\Notes\tx a*\ca d\en
+\bar
+\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en
+\NOtes\tx py*\qa h\en
+\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en
+\bar
+\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en
+\setdoublebar\endpiece
+\end{music}
+
+\medskip
+\keyindex{guitar} sets the grid, the chord name, the relative barre and play
+indicators. As example the first chord in upper example was coded as:
+
+\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44|
+
+where the first argument is put above the grid to indicate the chord name, the
+second is empty (relative barre) and the other six indicates if the string
+is played with either \verb|x|, \verb|o| or \verb|-|. The dots are set with
+\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The
+rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the barre.
+
+The whole chord may be vertically shifted with
+\keyindex{raiseguitar}\verb|{|$n$\verb|}|, where $n$ is a number
+in units of \keyindex{internote}. It might be useful to reserve additional
+space above the chord by advancing \keyindex{stafftopmarg} to
+something like \verb|stafftopmarg=10\Interligne|.
+
+If you need the chords more often, it might be useful to define your own
+macros, e.g.~saying:
+
+\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%|
+ \subsection{*musixlit}\label{litu}\label{otherbars}
+ Provides a way of coding intermediate between gregorian and baroque/romantic,
+still used\footnote{Was written by A. {\sc Egler}. To my knowledge (D. T.),
+liturgical works are either written with modern music quotation, or using the
+gregorian \itxem{neumes} which have been normalized in 1905.} for liturgical
+works!
+
+\makeatletter
+\catcodesmusic
+%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip
+% \not@s}
+
+%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose
+% \check@nopen\notes@open\@ne
+% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip
+% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument}
+
+%\def\en{\@ndstaff\notes@open\z@
+% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi}
+
+\def\double#1{\roffset{1.2}{\advancefalse#1}#1}
+\makeatother
+
+ % Don't know if this example correct ??? But looks nice...
+\begin{music}
+\parindent0pt
+\instrumentnumber{2}
+\interstaff{11}
+\generalsignature2
+\setclefsymbol2\oldGclef
+\setstaffs1{2}
+\setclef1\bass
+\setinterinstrument1{-\Interligne}
+\startpiece
+\shortbarrules
+\addspace\afterruleskip
+\hardlyrics{Il nous a sign\'es de son
+ }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en
+\qspace\qspace
+\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en
+\bar
+\hardlyrics{Et nous avons \'e-
+ }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en
+\qspace\qspace
+\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en
+\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en
+\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en
+\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en
+\bar
+\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en
+\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en
+\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en
+\bar
+\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en
+\sepbarrules
+\endpiece
+
+\startpiece
+\interbarrules
+\addspace\afterruleskip
+\hardlyrics{Il nous a sign\'es de son
+ }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en
+\qspace\qspace
+\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en
+\bar
+\hardlyrics{Et nous avons \'e
+ }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en
+\qspace\qspace
+\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en
+\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en
+\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en
+\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en
+\bar
+\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en
+\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en
+\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en
+\bar
+\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en
+\sepbarrules
+\endpiece
+\end{music}
+
+ This package provides:
+ \begin{itemize}
+ \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one,
+using (for instrument 2 as an example):
+ \verb|\settrebleclefsymbol2\oldGclef|
+
+ \item\keyindex{cqu} $p$ provides a square headed quarter note with stem up at
+pitch $p$.
+
+ \item\keyindex{cql} $p$ provides a square headed quarter note with stem down at
+pitch $p$.
+
+ \item\keyindex{chu} $p$ provides a square headed half note with stem up at
+pitch $p$.
+
+ \item\keyindex{chl} $p$ provides a square headed half note with stem down at
+pitch $p$.
+
+ \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square headed
+quarter note at pitch $p$.
+
+ \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square
+headed half note at pitch $p$.
+
+ \item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch
+$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above
+example, this feature has been used to denote an arbitrary length note rather
+than a rest!
+
+ \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch
+$p$ and of length $n$ \keyindex{noteskip}.
+This feature has been used to denote an arbitrary length note in the second of
+the above examples.
+
+ \item\keyindex{shortbarrules} has been used to provide bar rules shorter than
+the staff vertical width.
+
+ \item\keyindex{interbarrules} has been used to provide bars between the
+staffs, rather that over them. This is an arbitrary question of taste...
+ \end{itemize}
+
+
+
+ \subsection{musixmad} \ttxem{musixmad.tex} increases the number of
+instruments, slurs and beams up to twelve.
+ \subsection{musixper}\label{perc}
+
+ Provides specific percussion symbols, especially \keyindex{drumclef}
+(used in section \ref{sectiondrum}). These definitions cause problems
+since drum and percussion notation is not standardized.
+So it might be clever to specifiy the names of instruments for each
+used symbol.
+
+
+ %\check
+ \begin{itemize}
+ \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|dc|'' (think of \ital{DiagonalCross} for e.g. closed \itxem{hihat}).
+Available are
+\keyindex{dcqu},
+\keyindex{dcql},
+\keyindex{dcqb},
+\keyindex{dczq},
+\keyindex{dccu},
+\keyindex{dcccu},
+\keyindex{dccl} and
+\keyindex{dcccl}.
+
+ \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|dh|''
+(think of \ital{DiagonalcrossHalfcircle} for e.g. half open \itxem{hihat}).
+Available are
+\keyindex{dhqu},
+\keyindex{dhql},
+\keyindex{dhqb},
+\keyindex{dhzq},
+\keyindex{dhcu},
+\keyindex{dhccu},
+\keyindex{dhcl} and
+\keyindex{dhccl}.
+
+ \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|do|''
+(think of \ital{DiagonalCross and O for circle} for open \itxem{hihat}).
+Available are
+\keyindex{doqu},
+\keyindex{doql},
+\keyindex{doqb},
+\keyindex{dozq},
+\keyindex{docu},
+\keyindex{doccu},
+\keyindex{docl} and
+\keyindex{doccl}.
+
+ \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|x|'' (e.g. for spoken text of songs).
+Available are
+\keyindex{xqu},
+\keyindex{xql},
+\keyindex{xqb},
+\keyindex{xzq},
+\keyindex{xcu},
+\keyindex{xccu},
+\keyindex{xcl} and
+\keyindex{xccl}.
+
+ \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|ox|'' (.!.).
+Available are
+\keyindex{oxqu},
+\keyindex{oxql},
+\keyindex{oxqb},
+\keyindex{oxzq},
+\keyindex{oxcu},
+\keyindex{oxccu},
+\keyindex{oxcl} and
+\keyindex{oxccl}.
+
+ \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|ro|'' (think of \ital{RhOmbus} for e.g.~shaker).
+Available are
+\keyindex{roqu},
+\keyindex{roql},
+\keyindex{roqb},
+\keyindex{rozq},
+\keyindex{rocu},
+\keyindex{roccu},
+\keyindex{rocl} and
+\keyindex{roccl}.
+
+ \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|tg|'' (think of \ital{TrianGle} for e.g.~rattle).
+Available are
+\keyindex{tgqu},
+\keyindex{tgql},
+\keyindex{tgqb},
+\keyindex{tgzq},
+\keyindex{tgcu},
+\keyindex{tgccu},
+\keyindex{tgcl} and
+\keyindex{tgccl}.
+
+ \item The \raise.5ex\hbox to 1em{\musixchar117\hfil} symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded with a
+``\verb|k|'' (for bongos).
+Available are
+\keyindex{kqu},
+\keyindex{kql},
+\keyindex{kqb},
+\keyindex{kzq},
+\keyindex{kcu},
+\keyindex{kccu},
+\keyindex{kcl} and
+\keyindex{kccl}.
+ \end{itemize}
+ \subsection{musixpoi}
+ Adds pointed compact definitions of notes.
+Available are
+\keyindex{ccup},
+\keyindex{zccup},
+\keyindex{cclp},
+\keyindex{zcclp},
+\keyindex{ccupp},
+\keyindex{zccupp},
+\keyindex{cclpp},
+\keyindex{zcclpp},
+\keyindex{cccup},
+\keyindex{zcccup},
+\keyindex{ccclp},
+\keyindex{zccclp},
+\keyindex{cccupp},
+\keyindex{zcccupp},
+\keyindex{ccclpp},
+\keyindex{zccclpp},
+\keyindex{ccccup},
+\keyindex{zccccup},
+\keyindex{cccclp},
+\keyindex{zcccclp},
+\keyindex{ccccupp},
+\keyindex{zccccupp},
+\keyindex{cccclpp} and
+\keyindex{zcccclpp}.
+
+ %\check
+ \subsection{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}}
+ This file provides a set of indications for \itxem{string instruments} (e.g.
+\ixem{violin}) execution, provided by Werner {\sc Icking}\index{Icking,
+W.@{\sc Icking, W.}}.
+
+
+ {\input musixstr
+ The symbols described below should be posted at the wanted place using
+ \verb|\zcharnote|$p$\verb|{|$<command-name>$\verb|}|.
+
+\begin{quote}\begin{description}
+
+ \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow
+
+
+ \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow
+
+
+ \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow
+
+ \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow
+
+ \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow
+
+ \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow
+
+ \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow
+
+ \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow
+
+ \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow
+
+ \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow
+
+ \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill
+
+ \end{description}\end{quote}
+ }
+ %\check
+ \subsection{musixsty}\index{musixsty@{\tt musixsty.tex}}
+
+ This file is made for non \TeX perts and/or lazy score typesetters. Although
+related to \musixtex, it has little to see with music, but it helps writing
+all surrounding texts, like \itxem{titles}, \itxem{author names}, historical
+comments, etc. It provides
+ \begin{itemize}
+ \item a set of font definitions of common use, such as \verb|\tenrm|,
+\verb|\eightrm|, etc.,
+ \item a reasonable setting of \keyindex{hsize}, \keyindex{vsize},
+\keyindex{hoffset}, \keyindex{voffset} dimensions in order to have a good
+layout fit for European A4 paper\footnote{People addicted to \itxem{legal} or
+other paper sizes should correct it for their own purpose.}
+ \item a set of text size commands:
+
+ \begin{description}
+ \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm},
+\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 8 point font size;
+ \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm},
+\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 10 point font size;
+ \item[\keyindex{twlpoint}] to get 12 point font size;
+ \item[\keyindex{frtpoint}] to get 14.4 point font size;
+ \item[\keyindex{svtpoint}] to get 17.28 point font size;
+ \item[\keyindex{twtypoint}] to get 20.74 point font size;
+ \item[\keyindex{twfvpoint}] to get 24.88 point font size;
+ \end{description}
+ \item a set of commands to make easy piece titles:
+ \begin{itemize} \item \keyindex{author} or
+\keyindex{fullauthor} to be put at the right of the first page, below the
+title of the piece; the calling sequence is, for example:
+
+ \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}|
+
+ \noindent where the \verb|\\| makes the author's name displayed on two or
+several lines.
+
+
+ \item \keyindex{shortauthor} to be put at the bottom of each page,
+ \item \keyindex{fulltitle} which is the big main title of the piece,
+ \item \keyindex{subtitle} is displayed below the main title of the piece,
+ \item \keyindex{shorttitle} or \keyindex{title}
+ which is the title repeated at the bottom of each page,
+ \item \keyindex{othermention} which is displayed on the left of the page, in
+front of the author's name (it may contain several \verb|\\| to display it on
+several lines,
+ \item \keyindex{maketitle} which displays all the previous stuff.
+ \end{itemize}
+
+ \item Some additional commands to make \itxem{footnotes}.
+ These commands are
+ \begin{itemize}
+ \item The normal Plain-\TeX\ \keyindex{footnote} command which has two
+arguments --- not only one as in \LaTeX\index{LaTeX@\protect\LaTeX} --- namely
+the label of the footnote, i.e. any sequence of characters and not only
+figures, and the text of the footnote.
+
+\begin{important} the \verb|\footnote| command does not work inside
+boxes\footnote{This is not a \TeX-bug, this is a feature!}, therefore this
+command must not be issued within music. But another alternate feature is
+provided (see below).
+ \end{important}
+
+ \item The \keyindex{Footnote} command, which counts the footnotes and uses a
+number as the label of the foot note (equivalent to \LaTeX's \verb|\footnote|
+command). The same restriction applies concerning footnotes within the music
+coding.
+
+ \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which
+makes the footnote itself at the bottom of the current page, but does not put
+the footnote label at the place it is referred in the main text.
+
+ Thus, if a footnote is needed whose reference lies inside the music itself,
+the music typesetter must perform it in two steps:
+ \begin{enumerate}
+ \item quote the reference inside the music, using \verb|zcharnote| for
+example,
+ \item post the footnote itself, using \verb|\vfootnote| outside the music,
+either before \keyindex{startpiece} (or \verb|\debutmorceau| with {\tt
+musixcpt.tex}) or between \keyindex{stoppiece} and
+\keyindex{piececont} or equivalent commands.
+ \end{enumerate}
+
+ \end{itemize}
+
+ \end{itemize}
+
+ Note that \verb|musixsty| should not be used with \LaTeX.
+ \subsection{musixtri}\index{musixtri@{\tt musixtri.tex}}
+Provides triple pointed note symbols.
+Available are:
+\keyindex{lpppt},
+\keyindex{whppp},
+\keyindex{zwppp},
+\keyindex{huppp},
+\keyindex{hlppp},
+\keyindex{zhppp},
+\keyindex{zhuppp},
+\keyindex{zhlppp},
+\keyindex{quppp},
+\keyindex{qlppp},
+\keyindex{zquppp},
+\keyindex{zqlppp},
+\keyindex{zqppp},
+\keyindex{cuppp},
+\keyindex{zcuppp},
+\keyindex{clppp},
+\keyindex{zclppp},
+\keyindex{qbppp} and
+\keyindex{zqbppp}.
+
+\section{Often reported problems and discussion faxilities}
+
+\subsection{Newsgroups}\index{newsgroups} No specific newsgroup exist
+concerning \mutex, \musictex{} or \musixtex; nevertheless W. Icking saw
+articles on this topic in {\tt comp.text.tex} as well as in {\tt
+de.comp.text.tex}.
+
+\subsection{Mailing list} A mailing-list does exist which was formerly
+dedicated to \mutex, and now to \musictex{} and mostly to \musixtex.
+You can subscribe to it by
+sending an e-mail to {\tt mutex-request@gmd.de}
+with the message line\index{mailing list}
+
+{\tt subscribe}
+
+\subsection{FAQs}\index{FAQ}
+
+{\tt gmd.de}, too, has a FAQ which is presently out-of-date and quite unusable
+since it displays many questions and comments without giving the answer.
+However, it will be probably enhanced in a near future. This
+FAQ can be accessed using {\tt
+ftp}:
+
+{\tt ftp://ftp.gmd.de/music/mutex/faq}
+
+\noindent and the archive of the mailing list may be accessed also by {\tt
+ftp}:
+
+{\tt ftp://ftp.gmd.de/music/mutex/archive}
+
+\noindent or:
+
+{\tt http://www.gmd.de/Mail/}
+
+ {\tt ftp.gmd.de} also contains a lot of stuff concerning music and
+typesetting music, which can be accessed by WWW at:
+
+{\tt http://www.gmd.de/Misc/Music/}
+
+
+
+\chapter{Installation}\label{installation}
+
+\section{*Getting the stuff}
+
+As seen before, all the files are available at \itxem{anonymous ftp}
+\verb|hprib.lps.u-psud.fr| (193.55.39.152) in the directory
+
+ {\tt /pub/musixtex}
+
+ The {\tt *.mf} source files are in
+
+ {\tt /pub/musixtex/mf}
+
+\noindent and the {\tt *.tfm} files are in
+
+ {\tt /pub/musixtex/tfm}
+
+\noindent Besides, this manual is in
+
+ {\tt /pub/musixtex/musixdoc.ps}
+
+ Another directory, namely {\tt /pub/music\_zips} normally contains {\tt
+musixtex.zip} which contains all the distribution for PC (\ixem{MS-DOS})
+computers. This is only for {\tt ftp}-ing convenience since all source files
+are directly available in the general directory and subdirectories. In
+addition a set of examples (i.e. the files whose name does not begin with
+``\verb|musix|'') is packed into \ttxem{musixexa.zip} and this manual is also in
+\ttxem{musixdoc\_ps.zip} (the PostScript version) and
+\ttxem{musixdoc\_lj.zip} (the PCL version for Laserjets).
+Finally the PK files of specific fonts are provided in \ttxem{musixpk.zip},
+\ttxem{musixpk3.zip} (300 and 360 dpi) and \ttxem{musixpk6.zip} (600 dpi);
+getting these files is useless if you are able to \MF{} the files whose {\tt
+*.mf} are provided in the main package.
+
+{\sl\noindent CAUTION: the zipped files are provided in the PC line coding,
+i.e. with {\tt <cr><lf>} at line ends, rather than single {\tt <lf>} as in the
+\unix{} coding. This means that \unix{} users must carefully unzip these files
+using the ``{\tt-a}'' (our ``{\tt-aa}'' options of {\tt unzip} to get correct
+coding of the source files. Other wise they would find a lot of ``{\tt\^{}M}'' in
+their files, which may cause further troubles.}\index{PC end of line
+coding}\index{\^{}M}
+
+
+ Besides, /unix{} users can also --- when in directory {\tt /pub} --- ask for:
+
+ {\tt get musixtex.tar}\quad or
+
+ {\tt get musixtex.tar.Z}\quad or
+
+ {\tt get musixtex.tar.gz}\quad and even
+
+ {\tt get musixtex.zip}
+
+ Then, the {\tt hprib.lps.u-psud.fr} server will perform required collection
+and/or compression ``on-the-fly''. Note that in that case the source files
+will be in the \unix{} coding rather than PC coding of end of lines. Usually,
+this is harmless for PC editors and \TeX{} motors, but who knows...
+
+
+\ital{Fonts}\index{fonts} are provided in {\tt musixtex.zip} as {\tt *.mf}
+files but also as {\tt *.tfm} and {\tt*.pk} files for 300~dpi printers or
+previewers. Other values of the \ixem{dpi} parameter are also provided in
+\verb|musixpk*.zip|.
+
+Needed fonts are {\tt musix20}, {\tt musix16}, {\tt musix13}, {\tt musix11},
+{\tt musix24}, {\tt musix29}, {\tt musixspx}\footnote{Inside this file are two
+types of piano brackets available. The default you can see printing this doc,
+the other you can see printing {\tt musicdoc}. If you prefer the other, which
+are designed by Stanislav Kneifl, follow the instruction inside {\tt
+musixsps.mf}},\index{Kneifl, S.@{\sc Kneifl, S.}}
+ {\tt xslhu20}, {\tt xslhu16}, {\tt xslhu24}, {\tt xslhu29},
+{\tt xslhd20}, {\tt xslhd16}, {\tt xslhd24}, {\tt xslhd29},
+{\tt xslu20}, {\tt xslu16}, {\tt xslu24}, {\tt xslu29},
+{\tt xsld20}, {\tt xsld16}, {\tt xsld24}, {\tt xsld29},
+{\tt xslz20} and {\tt xslhz20}.
+
+\section{Installing the fonts}
+\ital{All} files with the extension {\tt .tfm}\footnote{\TeX\ font metric,
+needed directly from binary for \TeX ing the examples or the doc.} must
+be copied in that directory, in which the other {\tt .tfm}'s are.
+
+If you get the error message:
+
+{\tt! Font ... not loadable: Metric (TFM) file not found.}
+
+\index{Metric (TFM) not found}\noindent this means you have not succeeded to
+install the {\tt .tfm}'s in the right directory. This is not a \musixtex\
+error, but a local \TeX\ implementation error/misunderstanding. Then read or
+re-read your \TeX\ installation doc, put the {\tt tfm}'s at the very right
+place and start again.
+
+The {\tt .tfm} only contains the width, height and depth of every character of
+a font and is the only needed font-file for \TeX ing. For previewing and/or
+printing you need the pixel fonts. On most systems they are packed and have
+the extension \verb|.pk|(but perhaps you need the \verb|.gf|-files or
+\verb|.300|-files or other: Ask your local \TeX-wizard\footnote{I have read a
+mail from somebody, who has said, that he is able --- because he is a
+professional --- to write an \verb|install| for installation of packages like
+\musixtex. Really? Do it.}!) Most needed and spreaded are fonts for
+\verb|dvi|-driver with resolution of 300dpi. Using em\TeX{} associated drivers
+the \verb|.pk|-fonts have to be copied in \verb|...\pixel.lj\300dpi\| as a
+default, and in general in a directory specified by the environment variable
+{\tt DVIDRVFONTS}\footnote{Look at {\tt dvidrv.doc} for more information.}. For
+other resolution refer your local manual or \TeX-wizard.
+
+\section{Building a format}\label{formatbuild}
+
+Introducing these files in a \itxem{format} (with \ixem{INITEX}) is a mean of
+saving computer time and memory. Besides, if you include {\tt musixcpt.tex} in
+your format, you will have a format compatible with \musictex\ and ---
+provided you made the symmetrical format for \musictex\ --- you can compile
+exactly the same source files with both \musictex\ and \musixtex, which is a
+good means of finding whether some strange behaviour is specific to one
+implementation of the other, or whether you made some general
+mistake\footnote{Not all authors have the same opinion :-). But I was told,
+that my opinion doesn't count, so forget it -- A.E.}...
+
+However, although having a \musixtex{} format saves much time, it can also
+lead to time wasting weird things in case of updates~: if you update your
+source of {\tt musixtex.tex} but not the format {\tt musixtex.fmt}, then
+running the command {\tt musixtex} will invoke the old unmodified format...
+
+\subsection{Starting from nil}
+\begin{enumerate}
+ \item Build up a file called \verb|musixtex.ini| with following content:\\
+\begin{verbatim}
+\input plain % or dcplain or eplain or see later a safer way of doing
+\input musixtex
+% here can you add your most needed files from extension lib
+% musixcpt at very last !
+\end{verbatim}
+\verb|\def\fmtname{musixtex}\def\fmtversion{|{\tt\mxversion}\verb|}|
+\verb|\dump|
+ \item \verb|initex musixtex.ini|\footnote{depends on your implementation}.
+ \item \verb|tex &musixtex| \ital{jobname}\footnote{depends on your
+implementation}.
+\end{enumerate}
+\vfill
+
+\subsection{Starting from your usual plain format}
+\begin{enumerate}
+ \item First, try to find --- on your favourite system --- whether \verb|tex|
+is an executable routine, or a \verb|tex.bat| command in MS-DOS or a
+\ital{shell} procedure under \unix.
+ \item If \verb|tex| is a command try to find the ``{\tt initex}'' local
+command: usually it is either \verb|initex| or \verb|tex -i|.
+ \item Try to find the name of the ``plain \TeX'' format (usually posted
+when \TeX ing anything).
+ \item Then, \ital{mutatis mutandis}, assuming the ``{\tt initex}'' command
+has the name \verb|initex| and the ``plain \TeX'' format is \verb|plain|, run
+the shell command:
+
+ \medskip
+ \verb|initex \&plain musixtex.ins|
+
+ \medskip\noindent which will produce a format file {\tt musixtex.fmt} which
+you shall put in the same directory as the others formats (hoping you have
+the access rights...). Note --- in \unix{} systems --- the backslash before
+the \verb|&| which tells the system to consider this character as a member of
+the command, not a batch execution indication. Once this is done, you can
+\musixtex\ any score you have written using a command such as:
+
+ \medskip
+ \verb|tex \&musixtex my-score.tex|
+
+ \medskip\noindent that is, specifying your new format {\tt musixtex.fmt}
+instead of the usual {\tt plain.fmt}.
+
+ For \ixem{MS-DOS}/{\tt emTeX} users the format building command is:
+
+ \verb|tex386 -i &plain musixtex.ins|
+
+ \noindent (you can change \verb|plain| into \verb|dc-plain| or any other
+plain-like format you have) then:
+
+ \verb|copy musixtex.fmt \emtex\btexfmts\*.*|
+
+ \noindent and the {\tt musixtex.bat} command can be
+
+% It makes no sense to state -mt20000, perhaps this is useful for MusicTeX,
+% (it uses hyphenation to break a line) but not for MusiXTeX (it uses musixflx)
+\begin{quote}\begin{verbatim}
+if exist %1.tex goto tex
+goto end
+
+:tex
+if exist %1.mx1 del %1.mx1
+if exist %1.mx2 del %1.mx2
+tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9
+
+if errorlevel 2 goto end
+musixflx %1
+
+if errorlevel 1 goto end
+tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9
+
+:end
+ \end{verbatim}\end{quote}
+\end{enumerate}
+
+\begin{flushright}\it
+Don't expect a perfect package or miracles.\\
+There will be enough unexpected miracles.\\[\smallskipamount]
+{\sc Eberhard Mattes}
+\end{flushright}
+
+\chapter{Examples}
+ Due to compatibility problems with \LaTeX\ (used to produce this notice)
+large examples must be \TeX -ed separately, i.e.\ using plain \TeX{} and not
+\LaTeX. Therefore, the \musixtex\ future user is suggested to produce some of
+the following examples and to look carefully at the way some special features
+have been coded.
+
+ When producing this examples, care should be taken about the fact
+that several given files are supposed to be included (by means of
+\keyindex{input}) in other files. Thus the only good files to be directly
+\TeX-ed are those which begin with \verb|\input musixtex| or
+ \verb|% \input musixtex|. This latter command is often commented out so that
+the examples can be run either using a \musixtex\ format including {\tt
+musixcpt.tex} and {\tt musixsty.tex} --- namely the format generated by {\tt
+musixtex.ins} --- or using a \musictex\ format including {\tt musictrp.tex},
+{\tt musicvbm.tex} and {\tt musicsty.tex} --- namely the format generated by
+{\tt musixtex.ins}.
+
+In addition, it must be noted that most DVI previewers and laser printers have
+their origin at one inch below and one inch right of the right upper corner
+of the paper, while the musical examples have their upper left significant
+corner only at one centimeter right and below the left top of the paper.
+Therefore, special parameters have to be given to the DVI transcription
+programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\
+commands are introduced within the source \TeX\ text.
+
+\section{Clean \musixtex\ examples}
+
+\begin{itemize}
+ \item{\tt avemaria.tex} to get the ``M\'editation'' (alias ``Ave Maria'') by
+Charles {\sc Gounod} for organ and violin or song in clean \musixtex-input.
+\index{Gounod, C.@{\sc Gounod, C.}}
+ \item{\tt traeumer.tex} to get the famous ``Tr\"aumerei'' by
+Robert {\sc Schumann} for piano, in genuine \musixtex-input but with some
+additions to perform ascending \itxem{crescendos}.
+\index{Schumann, R.@{\sc Schumann, R.}}
+ \item{\tt parnasum.tex} to get the first page of ``Doctor gradus ad
+Parnassum'' by Claude {\sc Debussy} for piano.\index{Debussy,
+C.@{\sc Debussy, C.}}
+ \item{\tt glorias.tex} to get a local melody for the French version of
+\ital{Gloria in excelsis Deo}, showing use of lyrics commands. {\tt
+gloriab.tex} is the same, with organ accompaniment.
+ \item Other clean \musixtex\ examples seem to be no more compatible with
+the present version, but they should be updated in a near future.
+\end{itemize}
+
+These examples are packed (zipped) in the {\ttxem{musixexa.zip}} file of the
+\musixtex\ distribution.
+
+\section{Nearly compatible \musictex\ examples}
+
+These are examples using not only {\tt musixtex} but also {\tt musixcpt} and
+{\tt musixsty}, which means their coding is easily understandable for
+\musictex{} previous users. However, they cannot be run as is with \musictex,
+since a few specific commands have been included, either for spacing, or for
+oblique slurs. They are given in {\tt musixexa.zip}, for example:
+
+ \begin{itemize}
+ \item {\tt gymnoman}~: an imitation of Erik {\sc Satie}'s
+\ital{Gymnop\'edies}\index{Satie, E.@{\sc Satie, E.}},
+ \item {\tt canticor.tex}/{\tt canticox.tex}~:
+a famous tune by Georg Friedrich {\sc Haendel}\index{Haendel, G.F.@{\sc
+Haendel, G.F.}},
+ \item {\tt ilfaitda.tex}/{\tt ilfaitdx.tex}~: a famous choral by J.-S.
+{\sc Bach}\index{Bach, J.S.@{\sc Bach, J.S.}} adapted with French lyrics for
+French churches,
+ \item {\tt widor\_20.tex}~: the famous toccata for organ by Charles-Marie {\sc
+Widor}\index{Widor, C.M.@{\sc Widor, C.M.}} in 10 pages (more compact than
+commercial editions, and easier to play if nobody can turn the pages), and
+{\tt widor\_16.tex} which is the same in 16~pt size, i.e. more compact.
+ \item{\tt souveni*.tex}~: a nice French tune of the fifties, by Oreste {\sc
+Rossi} and Fernand {\sc Capitani} with several transpositions.
+ \item {\tt marcello.tex}~: the adagio of Benedetto {\sc
+Marcello}\index{Marcello, B.@{\sc Marcello, B.}}'s oboe concerto, transcribed
+for organ.
+ \item {\tt hymnepas.tex}~: a modern Eastern canticle by A. {\sc Gouzes} and
+{\sc Palestrina}, showing heavy use of \keyindex{hardlyrics} for choral
+music.\index{Gouzes, A.@{\sc Gouzes, A.}}
+
+ \end{itemize}
+
+\section{Compatible \musictex\ examples}
+
+They are all the examples provided in the \musictex\ distribution. To run them
+the easiest way is to have both a {\tt musictex} and a {\tt musixtex} format as
+described in \ref{formatbuild}. Otherwise, insert
+
+ \verb|\input musixtex|
+
+ \verb|\input musixcpt|
+
+ \verb|\input musixsty|
+
+ \noindent at the beginning of each example, and \TeX\ it.
+
+ \section{Looking at examples before installing \musixtex}
+
+ Most of the above examples (and some others) are posted, ready to print, as
+PostScript files in:
+ \begin{itemize}
+ \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.zip/*/*/*.zip} (zipped
+PostScript 300dpi files)
+ \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.gz/*/*/*.ps.gz} (gzipped
+PostScript 300dpi files)
+ \end{itemize}
+
+ Printing them on any PostScript printer (needs A4 paper) is a good means of
+getting an overview of \musixtex's capabilities.
+
+
+\printindex
+
+\clearpage
+{\parindent0pt
+\hoffset-15.4mm
+\voffset-42mm
+\hsize190mm
+\vsize285mm
+\parskip0pt plus 2pt
+% not fine, not clean, but works
+% !!! don't look at this !!!
+%>>>
+\makeatletter
+\textheight\vsize
+\@colht\vsize
+\@colroom\vsize
+\makeatother
+%<<<
+\let\MYTEMP\addcontentsline
+\def\addcontentsline#1#2#3{}
+\chapter{}
+\let\addcontentsline\MYTEMP
+\addcontentsline{toc}{chapter}{%
+ \protect\numberline\thechapter{Summary of denotations}}
+\vglue-20mm
+\centerline{\bigfont Pitches}
+\medskip
+\tentt
+\def\bs{\tentt\char92}
+\setclef1\bass
+\afterruleskip2pt
+\startpiece
+%
+% Pitches
+%
+\addspace\afterruleskip
+\notes\wh{`ABCDEFG}\wh{!ABCDEFG}\wh{HIJKLMNabcde}\off{-26\noteskip}%
+ \zchar{14}{\llap`A}\sk
+ \zchar{14}{\llap`B}\sk
+ \zchar{14}{\llap`C}\sk
+ \zchar{14}{\llap`D}\sk
+ \zchar{14}{\llap`E}\sk
+ \zchar{14}{\llap`F}\sk
+ \zchar{14}{\llap`G}\sk
+ \zchar{14}A\sk
+ \zchar{14}B\sk
+ \zchar{14}C\sk
+ \zchar{14}D\sk
+ \zchar{14}E\sk
+ \zchar{14}F\sk
+ \zchar{14}G\sk
+ \zchar{-5}{\llap'A}\zchar{14}H\sk
+ \zchar{-5}{\llap'B}\zchar{14}I\sk
+ \zchar{-5}{\llap'C}\zchar{14}J\sk
+ \zchar{-5}{\llap'D}\zchar{14}K\sk
+ \zchar{-5}{\llap'E}\zchar{14}L\sk
+ \zchar{-5}{\llap'F}\zchar{14}M\sk
+ \zchar{-5}{\llap'G}\zchar{14}N\sk
+ \zchar{14}a\sk
+ \zchar{14}b\sk
+ \zchar{14}c\sk
+ \zchar{14}d\sk
+ \zchar{14}e\sk\en
+\stoppiece\vskip-3\Interligne\setclef1\treble\contpiece
+\notes\wh{abcdefg}\wh{hijklmno}\wh{pqrstuvwxyz}\off{-26\noteskip}%
+ \zchar{-8}a\sk
+ \zchar{-8}b\sk
+ \zchar{-8}c\sk
+ \zchar{-8}d\sk
+ \zchar{-8}e\sk
+ \zchar{-8}f\sk
+ \zchar{-8}g\sk
+ \zchar{-8}h\zchar{-4}{\llap'a}\sk
+ \zchar{-8}i\zchar{-4}{\llap'b}\sk
+ \zchar{-8}j\zchar{-4}{\llap'c}\sk
+ \zchar{-8}k\zchar{-4}{\llap'd}\sk
+ \zchar{-8}l\zchar{-4}{\llap'e}\sk
+ \zchar{-8}m\zchar{-4}{\llap'f}\sk
+ \zchar{-8}n\zchar{-4}{\llap'g}\sk
+ \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk
+ \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk
+ \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk
+ \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk
+ \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk
+ \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk
+ \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk
+ \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk
+ \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk
+ \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk
+ \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk
+ \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en
+\stoppiece
+\medskip
+\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests}
+\medskip
+%
+% Notes& Accidentals
+%
+\contpiece
+\Notes
+ \zchar{-4}{Accidentals:}%
+ \zchar9{\bs maxima}\maxima i\relax
+ \zchar{12}{\bs longa}\longa i%
+ \zchar9{\bs breve}\breve i%
+ \zchar{12}{\bs wq}\wq i%
+ \zchar{12}{\bs wqq}\wqq i%
+ \zchar{12}{\bs wh}\wh i%
+ \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}%
+ \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l%
+ \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}%
+ \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l%
+ \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}%
+ \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l%
+ \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}%
+ \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l%
+ \zchar{12}{\bs cccu}\zchar{-4}<\cccu{<f}%
+ \zchar{12}{\bs cccl}\loff{\zchar{-4}{\bs cdfl}}\cdfl l\cccl l%
+\multnoteskip{1.2}%
+ \zchar{12}{\bs ccccu}\ccccu f%
+ \zchar{12}{\bs ccccl}\ccccl l%
+\multnoteskip{.8}%
+ \zchar{12}{\bs grcu}\grcu f%
+ \zchar{12}{\bs grcl}\grcl l\en
+\stoppiece
+%
+% various note heads
+%
+\contpiece
+\Notes
+\multnoteskip{1.1}%
+ \zchar{10}{\bs dqu$^{123}$}%
+ \zchar{-3}{\eightrm 1 musixdia.tex~~2 musixper.tex~~3 musixgre.tex%
+ ~~4 musixlit.tex~~5 musixext.tex}\dqu g%
+ \zchar{10}{\bs yqu$^{123}$}\yqu g%
+\multnoteskip{.9}%
+ \zchar{10}{\bs dcqu$^2$}\dcqu g%
+ \zchar{10}{\bs dhqu$^2$}\dhqu g%
+ \zchar{10}{\bs doqu$^2$}\doqu g%
+ \zchar{10}{\bs xqu$^2$}\xqu g%
+ \zchar{10}{\bs oxqu$^2$}\oxqu g%
+ \zchar{10}{\bs roqu$^2$}\roqu g%
+ \zchar{10}{\bs tgqu$^2$}\tgqu f%
+ \zchar{10}{\bs kqu$^2$}\kqu f%
+ \zchar{10}{\bs squ$^3$}\squ g%
+ \zchar{10}{\bs lsqu$^3$}\lsqu j%
+ \zchar{10}{\bs rsqu$^3$}\rsqu k%
+ \zchar{10}{\bs cqu$^4$}\cqu g%
+ \zchar{10}{\bs cql$^4$}\cql k%
+ \zchar{10}{\bs chu$^4$}\chu g%
+ \zchar{10}{\bs chl$^4$}\chl k\en
+%
+% Pointed Notes and Accents
+%
+\stoppiece
+\medskip
+\contpiece
+\Notes
+ \zchar{-5}{\eightrm Accent on beam with prefix {\tt b} and beam reference
+number instead of the pitch}%
+ \zchar{13}{\bs lpz}\lpz f\qu f%
+ \zchar{13}{\bs upz}\upz l\ql l%
+ \zchar{13}{\bs lsf}\lsf f\qu f%
+ \zchar{13}{\bs usf}\usf l\ql l%
+ \zchar{13}{\bs lst}\lst f\qu f%
+ \zchar{13}{\bs ust}\ust l\ql l%
+ \zchar{13}{\bs lppz}\lppz f\qu f%
+ \zchar{13}{\bs uppz}\uppz l\ql l%
+ \zchar{13}{\bs lsfz}\lsfz f\qu f%
+ \zchar{13}{\bs usfz}\usfz l\ql l%
+ \zchar{13}{\bs lpzst}\lpzst f\qu f%
+ \zchar{13}{\bs upzst}\upzst l\ql l%
+ \zchar{16}{\bs downbow}\zchar9\downbow\ql l%
+ \zchar{13}{\bs upbow}\zchar9\upbow\ql l%
+ \zchar{16}{\bs flageolett}\flageolett l\ql l%
+ \zchar{13}{\bs whp}\whp i%
+ \zchar{13}{\bs qupp}\qupp h\en
+\stoppiece
+\medskip
+%
+% clefs
+%
+\setclefsymbol1\empty \nostartrule\contpiece
+\NOtes
+ \zchar{13}{\bs trebleclef}\zchar0\trebleclef\sk
+ \zchar9{\bs altoclef}\zchar0\altoclef\sk
+ \zchar{13}{\bs bassclef}\zchar0\bassclef\sk
+ \zchar9{\bs smalltrebleclef}\zchar0\smalltrebleclef\sk
+ \zchar{13}{\bs smallaltoclef}\zchar0\smallaltoclef\sk
+ \zchar9{\bs smallbassclef}\zchar0\smallbassclef\sk
+ \zchar{13}{\bs drumclef$^2$}\zchar0\drumclef\sk
+ \zchar9{\bs gregorianCclef$^3$}\zchar0\gregorianCclef\sk
+ \zchar{13}{\bs gregorianFclef$^3$}\zchar0\gregorianFclef\sk
+ \zchar9{\bs oldGclef$^4$}\zchar0\oldGclef\sk\en
+\zstoppiece\smallskip
+%
+% Rests
+%
+\resetclefsymbols\startrule\contpiece
+\NOtes
+\multnoteskip{.5}%
+ \zchar{13}{\bs qqs}\qqs
+ \zchar{13}{\bs hs}\hs
+ \zchar{13}{\bs qs}\qs
+ \zchar{13}{\bs ds}\ds
+ \zchar{13}{\bs qp}\qp
+\multnoteskip2%
+ \zchar{13}{\bs hpause}\hpause
+ \zchar{13}{\bs hpausep}\hpausep
+ \zchar{9}{\bs lifthpause}\roff{\lifthpause5}\sk
+ \zchar{13}{\bs pause}\pause
+ \zchar{13}{\bs pausep}\pausep
+ \zchar{9}{\bs liftpause}\roff{\liftpause4}\sk
+ \zchar{13}{\bs PAuse}\PAuse
+ \zchar{13}{\bs PAUSe}\PAUSe
+ \zchar{13}{\bs Hpause$^4$}\Hpause i{.8}\sk\en
+\stoppiece\vskip-2\Interligne
+%
+\centerline{\bigfont Other Symbols}
+\medskip
+%
+% more Symbols
+%
+\contpiece
+\NOtes
+ \zchar{14}{\bs Trille}\zchar{-4}{\bs allabreve}\Trille n1%
+ \zchar0\allabreve\sk
+ \zchar{14}{\bs trille}\zchar{-4}{\bs meterC}\trille n1\zchar0\meterC\sk
+ \zchar{14}{\bs shake}\zchar{-4}{\bs reverseC}\shake n\zchar0\reverseC\sk
+ \zchar{14}{\bs Shake}\zchar{-4}{\bs reverseallabreve}\Shake n%
+ \zchar0\reverseallabreve\sk
+ \zchar{14}{\bs mordent}\mordent n\sk
+ \zchar{14}{\bs Mordent}\Mordent n\zchar{-4}{\bs meterplus}%
+ \zchar0{\meterfrac{3\meterplus2\meterplus3}8}\sk
+\multnoteskip{.66}%
+ \zchar{14}{\bs turn}\turn n\sk
+\multnoteskip{1.25}%
+ \zchar{14}{\bs backturn}\backturn n\zchar{-4}{\bs duevolte}\duevolte\sk
+ \zchar{14}{\bs Shakel}\Shakel n\sk
+ \zchar{14}{\bs Shakesw}\Shakesw n\zchar{-4}{\bs l[r]par}%
+ \lpar f\rpar f{\stemlength4\qu f}%
+ \zchar{14}{\bs Shakene}\Shakene n\sk
+ \zchar{14}{\bs Shakenw}\Shakenw n\sk\en
+\stoppiece
+\medskip
+%
+% again
+%
+\contpiece
+\NOtes\zchar9{\bs metron}\zchar{13}{\metron\qu{99}}\sk\en
+\setvoltabox1\bar
+\NOtes\loffset2{\zchar{17}{\bs setvoltabox}}\en
+\setvolta2\setendvolta\rightrepeat
+\NOtes\loff{\zchar{17}{\bs setvolta}}\en
+\doublebar
+\notes\zchar{17}{\kern-\afterruleskip\bs coda}\coda n\en\bar
+\notes\zchar{17}{\kern-\afterruleskip\bs Coda}\Coda n\en
+\NOtes
+ \zchar{17}{\bs segno}\segno n\sk
+ \zchar{17}{\kern-2\afterruleskip\bs Segno}\Segno\hsk
+ \zchar{17}{\bs caesura}\sk\caesura
+ \zchar{17}{\bs cbreath}\cbreath\sk
+\multnoteskip{.66}%
+ \zchar{17}{\bs PED}\PED\sk
+ \zchar{17}{\bs sPED}\sPED\sk
+ \zchar{17}{\bs DEP}\DEP\sk
+ \zchar{17}{\bs sDEP}\sDEP\sk\en
+\stoppiece
+\medskip
+%
+% and again ...
+%
+\contpiece
+\Notes
+ \zchar{17}{\bs fermataup}\fermataup l%
+ \zchar{-8}{\bs fermatadown}\fermatadown f{\stemlength3\ql i}%
+ \zchar{13}{\bs Fermataup}\Fermataup l%
+ \zchar{-4}{\kern8pt\bs Fermatadown}\Fermatadown f\wh i%
+ \loff{\zchar{17}{\bs arpeggio d5}}\arpeggio d5\sk
+\multnoteskip{.66}%
+ \loff{\zchar{13}{\bs bracket}}\bracket e{10}\zq n\ql e\en
+\notes\stemlength3%
+ \zchar{17}{\bs uptrio}\uptrio{11}16\ql l\ql n\bsk\bsk
+ \zchar{-8}{\bs downtrio}\downtrio{-5}17\qu c\qu e\en
+\Notes
+ \zchar{17}{\bs octfinup}\octfinup n{.8}%
+ \zchar{-4}{\bs octfindown}\octfindown K{.8}\sk\hsk
+ \zchar{17}{\bs slide$^5$}%
+ \slide i58\slide i57\slide i56\slide i55\slide i54%
+ \slide i53\slide i52\slide i51\slide i5{-1}%
+ \slide i5{-2}\slide i5{-3}\slide i5{-4}\slide i5{-5}%
+ \slide i5{-6}\slide i5{-7}\slide i5{-8}\sk\en
+\leftrepeat
+\Notes
+ \loffset2{\zchar{-4}{\bs leftrepeat}}%
+ \boxitsep=2pt\zchar{17}{\bs boxit A}\zchar9{\boxit A}\en
+\leftrightrepeat
+\Notes
+ \loffset2{\zchar{-8}{\bs leftrightrepeat}}%
+ \zchar{17}{\bs circleit B}\uptext{\circleit B}\en
+\rightrepeat
+\NOtes
+ \loffset2{\zchar{-4}{\bs rightrepeat}}\en
+\endpiece\eject}%
+\endmuflex
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixflx.1 b/Master/texmf-dist/doc/generic/musixtex/musixflx.1
new file mode 100644
index 00000000000..6b6c7ae50a1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixflx.1
@@ -0,0 +1,36 @@
+.\" musixflx.1
+.\" Written by Andreas Tille <tille@debian.org> for the Debian GNU/Linux
+.\" distribution but might be useful for others, too.
+.\" This manpage is licensed under the GNU Public License
+.TH MUSIXFLX 1
+
+.SH NAME
+musixflx \- preprocess mx1 files
+
+.SH SYNOPSIS
+.B musixflx
+.I "[debugmode] jobname.mx1"
+
+.SH "DESCRIPTION"
+
+Optionally, you can add a letter to indicate one of the debug modes, which are:
+
+ d for debug information to screen
+.br
+ f for debug information to file jobname.mxl
+.br
+ s to get the computed lines immediately on screen
+
+To allow for ease of use with a batch file, \fB musixflx\fR
+can either be fed with \fI jobname.mx1\fP, \fI jobname.tex\fP
+or only \fI jobname\fP, all of which opens \fI jobname.mx1\fP.
+
+.SH SEE ALSO
+musixtex(1)
+.br
+/usr/share/doc/musixtex/musixdoc.ps on a Debian GNU/Linux system
+
+
+.SH AUTHOR
+This manual page was written by Andreas Tille <tille@debian.org>
+for the Debian GNU/Linux system (but may be used by others).
diff --git a/Master/texmf-dist/doc/generic/ofs/changes.txt b/Master/texmf-dist/doc/generic/ofs/changes.txt
new file mode 100644
index 00000000000..45e710ccdb3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/changes.txt
@@ -0,0 +1,54 @@
+
+2001/08/24 OFS released
+2001/08/27 \ifknownfam added
+ files allfonts.tex, allfonts.sty added
+2001/08/30 \dots and \ldotp definitions added in ofsdef.tex
+2001/09/10 a little changes in comments
+ readme.ofs released
+2001/11/15 Bug removing: \warnT <-> \warnF in ofs.tex
+ macros in ofsdoc.tex work now with PDFTeX version 14
+2002/06/10 Bug in a35.tex fixed: pgk.. -> pbk.. (one Bookman metric).
+ ofs.tex: \savefontid + \restorefontid added.
+ ofsmtdef.tex: new file for MathTimes support included.
+2002/06/18 ofsmtdef.tex: bugfix \mathcode`=="2244 -> \mathcode`=="3244
+2002/06/26 ofs.tex: bug in \savefontid fixed: \relax added after fontmetric
+2002/10/27 ofs.tex: The (Variant) in \loadtextfam introduced
+ \addcmd introduced
+ \def\relax{} in \setfosize macro added
+ \ifx\sgfamily\newfamily added in \setfontfamily
+ ofs.sty: \addcmd introduced
+ ofsdef.tex: The (Variants) for Times+Helvetica added.
+ a35.tex: The (Variants) added.
+ ofscatal.tex: a new macro package ofscatal.tex introduced
+ ofsdoc.tex,ps,pdf: The documentation upgraded.
+2003/02/25 ofs.sty: \setfonts sets catcode of "-" (bug fixed by Z. Wagner)
+ ofsdoc-e.tex,ps,pdf: (English documentation) released
+ ofsdoc.tex,ps,pdf: little corrections
+2003/03/27 ofsmtdef.tex: \skewchar settings, if Times then mtmi loaded
+ ofsdef.tex: \skewchar settings, warning for bad \fomenc added
+2004/02/* ofs for plain very improved: \loadingenc,
+ \modifyenc, \modifydef, \modifylist,
+ \registerenc, \ofshexbox, \ofshexboxdef,
+ \defaultextraenc, \extraenc, \tryloadenc,
+ \knownfam, \registeredfam, \knownchar,
+ \printaccentwarn, \printcharacterwarn, \characterdel, \accentdel,
+ support for EC fonts for plain added,
+ support for 8c encoding added,
+ you can re-declare declared font family,
+ \sum, \int, \prod in displaystyle redefined in PS math. encoding.
+ The interactive ofstest.tex macro introduced,
+ Czech documentation upgraded.
+2004/03/12 ofs-8c.tex: \text.. prefixes added to math names from plain.
+2004/03/13 ofs.tex: \characterdef does not re-define macros,
+ \tryloadenc is called from \loadtextfam
+ \showfonts + \listfamilies reimplemented
+ ofs-{8z,8t,8c,6s}.tex: changes according to new \characterdef
+ slido.tex: changes according to new \characterdef
+2004/05/12 ofs.tex: many new features (see ofs.tex or ofsdoc.tex)
+ ofsdef.tex: upgraded
+ ofsdoc.tex: upgraded
+ ofsdoc-e.tex: upgraded
+ many ofs-<encoding>.tex files added
+ a117.tex, amsfn.tex, mtfn.tex, txfn.tex, pantyk.tex added
+ ofsmtdef.tex is only wrapper file to mtfn.tex
+2004/05/20 ofs.tex: \catcode`\|=12 set temporary to avoid ConTeXt conflict
diff --git a/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.pdf b/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.pdf
new file mode 100644
index 00000000000..8b2c08b4427
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.tex b/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.tex
new file mode 100644
index 00000000000..1a6601da376
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/eurotex2003-ofs.tex
@@ -0,0 +1,1089 @@
+
+\chyph % use csplain
+
+\newcount\firstpage \firstpage=1
+\newcount\numpages \numpages=14
+
+\def\addcmd #1#2{\expandafter\def\expandafter\tmpa\expandafter{#1}%
+ \def\tmpb{#1}%
+ \ifx\tmpa\tmpb % the #1 is not a macro
+ \expandafter\let\csname \string#1-original\endcsname =#1%
+ \expandafter\def\expandafter #1\expandafter{%
+ \csname\string#1-original\endcsname #2}%
+ \else % the #1 is a macro
+ \expandafter\def\expandafter #1\expandafter{#1#2}%
+ \fi}
+
+
+\input ofs [ffonts] % Charter je ve skupin free fonts
+
+\setfonts [Charter/10pt] % vchoz rodina
+\setmath[//] % inicializace matematiky
+\fontdef\tt [CMTypewriter/mag1.1] % strojopis, korekce stedn vky
+\fontdef\verbtt [CMTypewriter-rm/8] % strojopis pro display ukzky
+\fontdef\small [!/9] % zmenen pro abstrakt a zhlav
+\addcmd \small {\baselineskip11pt \rm \def\mathversion{normal}\setmath[//]}
+\fontdef\fontsekce [!/12] % pro nadpisy sekc
+\addcmd \fontsekce {\bf \let\it=\bi \def\mathversion{bold}\setmath[//]}
+\fontdef\fonttitul [!-bf/14.4] % titul
+
+\hsize=12,2cm
+\vsize=19,3cm
+\hoffset=63pt
+\voffset=43pt
+\parindent=14pt
+
+\lineskiplimit=-10pt
+\raggedbottom
+
+\exhyphenpenalty=10000
+\widowpenalty=10000
+\clubpenalty=10000
+
+\showboxdepth=10 \showboxbreadth=50
+
+\def\starthead{\global\headline=
+ {\small \ifodd\pageno \hfil \thetitul \headspace \the\pageno
+ \else \the\pageno \headspace \theauthor \hfil \fi}}
+\headline={\hfil\starthead}
+\def\headspace{\hskip2.5em\relax}
+\def\makeheadline{\vbox to0pt{\vskip-25pt
+ \line{\vbox to8.5pt{}\the\headline}\vss}\nointerlineskip}
+\footline={\setfonts[/7]\setmath[//]\baselineskip=9pt
+ \vbox{\hbox{\copytext}\hbox{\copykonvoj}}\hfil
+ \global\footline={}}
+\def\lastpage{\advance\firstpage by\numpages \advance\firstpage by-1
+ \the\firstpage}
+
+\def\copytext{Euro\TeX{} 2003}
+\def\copykonvoj{}
+
+\newcount\subnum
+
+\def\kap #1\par{\advance\subnum by1
+ \removelastskip %\goodbreak
+ \vskip17pt plus2pt minus1pt\noindent{\fontsekce
+ \ifnum\subnum>1 \the\subnum\enspace\enspace\fi #1}%
+ \par\nobreak\vskip11pt plus2pt minus1pt
+ \everypar{\setbox0=\lastbox \everypar={}}}
+\def\reference {\subnum=-1 \kap Reference\par \small}
+\def\bib{\par\advance\subnum by1 \leftskip=\parindent
+ \noindent\llap{\the\subnum.\enspace}\ignorespaces}
+
+\let\orifootnote=\footnote
+\newcount\footnotenum
+\def\footnote#1{\global\advance\footnotenum by1
+ \orifootnote{$\setmath[//]^\the\footnotenum$}{\small
+ \hangindent=\parindent #1\par}}
+\def\footnoterule{\kern-3pt \hrule width 2cm \kern2.6pt }
+
+\def\titul #1 \par{\def\thetitul{#1}\pageno=\firstpage
+ \centerline{\fonttitul #1}\vskip20pt\relax}
+\def\autor #1 \par{\def\theauthor{#1}
+ \centerline{#1}\vskip10pt\relax}
+\def\institut #1 \par{\centerline{\small #1}}
+\def\email #1 \par{\centerline{\small Email: \tt #1}\vskip20pt\relax}
+\def\abstrakt {\bgroup \small
+ \leftskip=3em \rightskip=3em
+ \noindent{\bf Abstract:}\enspace}
+\def\endabstrakt {\par\egroup\bigskip}
+\def\url#1{{\tt#1}}
+
+\def\begitems{\medskip\bgroup\catcode`\*=13 \narrower}
+\def\enditems{\par\egroup\medskip}
+{\catcode`\*=13 \gdef*{\par\noindent\llap{$\bullet$\kern.6em }\ignorespaces}
+\gdef\numerate{% \numerate napsat tsn za \begitems
+ \def*{\par\advance\itemnum by1\noindent
+ \llap{\bf\the\itemnum.\kern.6em }\ignorespaces}}}
+
+
+\font\mflogo=logo10 % METAFONT logo
+\font\boldsy=cmbsy10 at12pt % Tun \CS, \AMS.
+\font\bboldsy=cmbsy10 scaled\magstep2 % Tun \CS v titulu
+
+\def\CS{$\cal C\kern-.1667em\lower.5ex\hbox{$\cal S$}\kern-.075em $}
+\def\bCS{{\boldsy C\kern-.1667em\lower.5ex\hbox{S}\kern-.04em}}
+\def\CSTeX{\CS\TeX}
+\def\CSTUG{\CS TUG}
+\def\CSfont{\CS\kern.1em font}
+\def\csplain{\CS\kern.1em plain} \let\CSplain=\csplain
+\def\mf{{\mflogo META}\-{\mflogo FONT}}
+\def\mp{{\mflogo META}\-{\mflogo POST}}
+\def\LaTeX{L\kern-.2em\raise.45ex\hbox{\setfonts[/mag.7] A}\kern-.05em\TeX}
+\def\twoe{$2_{\textstyle\varepsilon}$}
+\def\LaTeXe{\LaTeX\thinspace\twoe}
+\def\cslatex{\CS\kern.05em\LaTeX} \let\CSLaTeX=\cslatex
+\def\twoe{$2_{\textstyle\varepsilon}$}
+\def\LaTeXe{\LaTeX\thinspace\twoe}
+\def\AMS{$\cal A\kern-.166em\lower.5ex\hbox{$\cal M$}\kern-.075em S$}
+\def\bAMS{{\boldsy A\kern-.166em\lower.5ex\hbox{M}\kern-.075em S}}
+\def\ps{Post\-Script}
+\def\SLT{S\kern-0.025em\lower.5ex\hbox{L}\kern-.2emT}
+\def\DOS{\hbox{DOS}}
+
+%% Definice verbatim prosted %% !verb.
+\catcode`\"=13
+\def"{\hbox\bgroup\let"=\egroup\setverb\tt}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials\obeyspaces}
+\def\begtt{\medskip\bgroup
+ \nobreak\setverb \parskip=0pt %\parindent=0pt
+ \catcode`\"=12\catcode`\~=13 \obeylines
+ \baselineskip=10pt
+ \let\tt=\verbtt \startverb}
+{\catcode`\|=0 \catcode`\\=12
+ |gdef|startverb#1\endtt{%
+ |tt#1|nobreak|egroup|penalty0|medskip|scannexttoken}}
+{\obeyspaces\gdef {\ }}
+\long\def\scannexttoken#1{\ifx#1\par\else\noindent#1\fi}
+
+\def\citeref #1 #2 {\expandafter\def\csname cit:#1\endcsname{#2}}
+\citeref wwwstorm 1
+\citeref pismolijna 2
+\citeref stormtex 3
+\citeref slido 4
+\citeref ofsftp 5
+\citeref ofsdoc 6
+\citeref stormcl 7
+\citeref berry 8
+\def\cite#1{\expandafter\ifx \csname cit:#1\endcsname\relax
+ \message{Warning: cite{#1} is not defined}[??]%
+ \else [\csname cit:#1\endcsname]\fi}
+
+%-------------------------------------------------------------------------
+
+This version of the paper is only draft! It waits to Petr Sojka's corrections.
+\bigskip
+
+\titul The font management with the OFS
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\autor Petr Ol\v s\'ak, Petr Sojka
+
+\institut Faculty of Electro Engineering CVUT, Prague,
+ Faculty of Informatics MU, Brno
+
+\email petr@olsak.net, sojka@fi.muni.cz
+
+\abstrakt
+
+The widely used New Font Selection System (NFSS) has its pros and cons.
+To have uniform platform for large font set management and selection for
+both plain and \LaTeX\ users, and to extend the possibilities
+of the NFSS, an Ol\v{s}\'ak's Font System (OFS) has been designed
+and implemented.
+
+The user interface of this macro is the same for plain and
+\LaTeX, with two independent implementations. First implementation
+is based on plain.tex macros only; the second one for \LaTeX\ users
+is implemented as an additional layer over NFSS macros, and is
+slightly less elaborate (support for math font families is missing).
+
+The main features of the system:
+
+\begitems
+* The OFS defines declarative language to define the mapping from
+ the original full names of fonts to the tfm names (in plain) or
+ to NFSS short names of the font families (in \LaTeX).
+ The user do not need to remember the short names of tfm files
+ and/or the short names of NFSS font families. This allows for
+ user-defined logical font markup: one can use the real font
+ (foundry) names from font (catalog).
+* The user of the OFS can use a font separated into two \TeX{} metrics
+ (basic and extended tfm). The font is from the user perspective seen
+ as one font only. The mapping works even for fonts with more than 256
+ characters (if one does not want to kern between all characters).
+* One can choose the \TeX{} internal encoding of fonts for your
+ language at the beginning of your document. This feature is commonly
+ used for Czech and Slovak languages: there are \TeX{} fonts which
+ encode the alphabets of these languages by Cork (T1 encoding) or by
+ ISO-8859-2 (IL2 encoding), or even others.
+* There are at least four independent parameters of fonts
+ (family, size, encoding, variant). Possibility to switch one
+ font parameter independently on the others is important under
+ plain.tex where NFSS is not implemented.
+* The OFS for plain includes the support of the math fonts manipulation
+ when the PostScript fonts and/or fonts at the different sizes are used.
+* One can use the "\fontusage" command which lists the short usage
+ about OFS macros on the screen and to the log file.
+* The "\showfonts" macro lists all available font families
+ on the screen and to the log file.
+* One can print the short catalogue of the all installed fonts by
+ using "\input ofscatal.tex".
+\enditems
+
+The macro is available at ftp://math.feld.cvut.cz/pub/olsak/ofs .
+The declaration and support OFS files for all of the fonts offered
+by the Storm Type Foundry (www.stormtype.com), and e.g. MathTimes
+fonts have been created. The macro is in use by CSTUG users since 2001.
+The English documentation (in addition to the current
+Czech one) will be released in January 2003.
+
+The full paper will discuss in detail the features of OFS listed
+above, will give examples of usage and pros and cons over current
+macro packages for font switching and handling in \TeX{}.
+
+\endabstrakt
+
+
+\kap Historical notes, plain\TeX{} and \LaTeX{} version of OFS
+
+In 2000, Petr Ol\v s\'ak got whole set of fonts from Storm Type Foundry
+(made by Franti\v sek \v Storm) in order to make the \TeX{} support for
+these fonts. The number of fonts was very large (many hundreds) and the
+names used in Typo-catalog was a bit different from pfb file names and
+they was {\it very} different from new tfm names used in \TeX{} support
+because these names follow the Karl Berry's recommendation~\cite{berry}.
+
+There was a presumption that the user will want to choose individual
+fonts and to make his/her own font collections for document
+design. The simple solution like "\usepackage{times}" is not possible
+because the user have to choose the sans serif variants, serif
+variants etc. from a big offer by Storm Type Foundry. There are big
+number of such combinations---we are not able to support a style file
+for each such combination. Moreover, there are a great font collection
+for titles and posters in \v Storm's package. The conclusion is: the user
+needs to manage with individual fonts with the same names as in
+Typo-catalog provided by Storm Type Foundry. The usage of tfm names or
+short names for font families provided by NFSS are not acceptable at
+user level. The support for managing of large sets of fonts
+implemented at macro level is needed. This was an inspiration of OFS.
+
+The OFS was written by Petr Ol\v s\'ak primary for plain\TeX{} because he
+is a plain\TeX{} user. He never used \LaTeX{} nor NFSS. Thus the
+first version of OFS was usable only in plain\TeX{} environment
+without NFSS. This version substitutes some features solved in NFSS
+already: an independency of encoding/size/family/variant font
+setting at user level, declaration of encoding-de\-pendent commands,
+more comfortable declaration of math fonts (but plain\TeX{} approach of
+math fonts declarations is kept because this is more understandable for
+plain\TeX{} users than NFSS approach).
+
+The \LaTeX{} users asked the similar environment as OFS for
+plain\TeX{} after OFS for plain was released. This was a reason why
+Petr Ol\v s\'ak made the same user environment of OFS for \LaTeX{} (but
+never used it:-).
+This work was done by totally different macro code because the NFSS
+features was used in this situation. The OFS for \LaTeX{} is only the
+new macro level over NFSS. Roughly speaking, the OFS for
+\LaTeX{} implements only the dictionary from long names of fonts used
+in Font-catalog to the short family names used in NFSS and defines
+the same ``user level environment'' as in OFS for plain\TeX{}.
+
+Because the OFS for plain\TeX{} is more powerful and includes more
+interesting subjects in its implementation, we will describe only the
+plain\TeX{} version of OFS in this paper.
+
+The OFS macro is released with \TeX{}-like license. It means, that the
+names of the files and its content cannot be changed if this macro is
+re-distributed. Only Petr Ol\v s\'ak can do changes.
+There are no more restrictions for distributors and there are no
+restrictions for users.
+
+The macro is released in~\cite{ftpofs} and the same version
+is included in \TeX{} support of fonts from Storm Type
+Foundry~\cite{stormtex}. The \TeX{} font metrics and fd files
+are included in this support. The real fonts (implemented in pfb files)
+are not free. If you take up your interest
+in these fonts you have to buy them. See~\cite{wwwstorm} for more details.
+One family called Lido is offered as free for non-commercial use
+by Storm Type Foundry. There is the special \TeX{} support only for
+this family~\cite{slido} including the OFS.
+
+The first release of OFS macro (September 2000) had only Czech
+documentation. The English version of the documentation was released
+in February 2003 with help of Mat\v ej Cepl. The concept of OFS was not
+changed since its first release and Petr Ol\v s\'ak does not plan any changes
+to the future. He is ready only to remove bugs, if any occur.
+
+The documentation can be found at the same place as the OFS macro.
+It is a bit more technical than this paper.
+
+
+\kap Basics of user environment
+%------------------------------
+
+The user environment is the same in both: OFS for plain\TeX{} and
+\LaTeX{}. Of course, you have to include the OFS macro in plain\TeX{}
+by little bit different way:
+
+\begtt
+\input ofs [fonts, collections]
+\endtt
+%
+than in \LaTeX{}:
+
+\begtt
+\usepackage [fonts, collections] {ofs}
+\endtt
+%
+All other user-level commands have the same syntax and meaning.
+
+You can use the command "\fontusage". This command prints to the
+terminal and to the log file the basic usage of OFS:
+
+\begtt
+$ tex ofs \\fontusage
+This is TeX, Version 3.14159 (Web2C 7.3beta5)
+(/usr/local/share/texmf/tex/csplain/ofs.tex
+OFS (Olsak's Font System) based on plain initialized. <Oct. 2002>
+(/usr/local/share/texmf/tex/csplain/ofsdef.tex))
+\fontusage: ============== Olsak's Font System, usage: =================
+\input ofs [sjannon, sdynamo, a35] ... for example
+\showfonts ... shows all loaded font families (by previous \input)
+\setfonts [Family/] ... local switch to the new family, after this, the
+ \rm, \bf, \it, bi will switch to the variants. The current size is used.
+\setfonts [/size] ... local switch to the new size of fonts, the family is
+ not changed. The "size" has the following possible formats:
+ at<dimen> ... the same as \font\something=file at<dimen>
+ <dimen> ... the same as at<dimen>
+ <number> ... the same as at<number>pt
+ scaled<number> ... the same as \font\something=file scaled<number>
+ mag<decimal-number> fonts will be magnified by given coefficient
+ depend on current size of the fonts.
+\setfonts [Family/size] ... switch to the new family at given size
+\setfonts [Family-vr/] ... switch to the specified font, the current size
+ is used. The "vr" is acronym for variant (bf for example).
+\setfonts [Family-vr/size] ... switch to the specified font.
+\fontdef\name [Family/size] ... same as \gdef\name{\setfonts[Family/size]}
+ The "Family" or "size" parameter may be empty.
+\fontdef\name [Family-vr/size] ... \name is fixed-font switch iff:
+ "size" is no empty and no mag<dec-number>.
+ Fixed-font switch "\name" is implemented as \global\font\name=file.
+\setmath [size/size/size] ... set math it/rm as current it/rm + use PS Symbol
+\nofontmessages, \logfontmessages, \displayfontmessages, \detailfontmessages
+ ... the levels of log.
+*
+\endtt
+
+The "\showfonts" prints the used font collections. You can include the
+OFS macro without additional font collections in square brackets (it means
+use only "\input ofs"). The basic font collection is initialised in
+such situation:
+
+\begtt
+*\showfonts
+OFS (l.0): The list of known font families:
+defaults:
+ [CMRoman/] \rm, \bf, \it, \bi, \sl
+ [CMSans/] \rm, \bf, \it, -
+ [CMTypewriter/] \rm, - , \it, - , \sl
+ [Times/] \rm, \bf, \it, \bi
+ [Helvetica/] \rm, \bf, \it, \bi, \nrm, \nbf, \nit, \nbi
+ [Courier/] \rm, \bf, \it, \bi
+\endtt
+%
+The family names are printed in square brackets here and followed by varinat
+switches usable for such font family.
+
+The basic fonts from Computer Moder family (by Donald Knuth) are
+collected into three families here: "CMRoman", "CMSans" and
+"CMTypewriter". This is sel explanatory. Note that the common
+varinat "BoldItalic" ("\bi") is missing in "CMSans" and
+"CMTypewriter". On the other hand the
+``special'' variant "\sl" (slanted) is available in
+"CMRoman" and "CMTypewriter" families.
+
+The declaration of another families are stored in ``declaration
+files'' (the extension "tex" is used in OFS for plain\TeX{} and "sty"
+in OFS for \LaTeX{}. It is recommended to manage the file
+"allfonts.tex" in all \TeX{} distribution. This file includes the
+"\input"s to the declaration files of all fonts installed in such
+distribution. The "allfonts.tex" file may look like:
+
+\begtt
+$ cat `kpsewhich allfonts.tex`
+%%% All OFS families declared on this TeX
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% Petr Olsak
+\input a35 % PostScript 35
+\input ffonts % Another free fonts
+\input btfonts % Bitstream fonts
+\input skatalog % Stromtype foundry, 89 families
+\endtt
+%
+When we write "$ tex allfonts \\showfonts \\end | less", we get the
+listing of all font families available on \TeX{} distribution. This
+listing includes cca three hundred font families on the computer of
+one of the author of this article. He need not remember the tfm file
+names of thousands of fonts. The part of the listing follows:
+
+\begtt
+OFS (l.0): The list of known font families:
+defaults:
+ [CMRoman/] \rm, \bf, \it, \bi, \sl
+ [CMSans/] \rm, \bf, \it, -
+ [CMTypewriter/] \rm, - , \it, - , \sl
+ [Times/] \rm, \bf, \it, \bi
+ [Helvetica/] \rm, \bf, \it, \bi, \nrm, \nbf, \nit, \nbi
+ [Courier/] \rm, \bf, \it, \bi
+a35.tex:
+ [AvantGarde/] \rm, \bf, \it, \bi
+ [Bookman/] \rm, \bf, \it, \bi
+ [NewCentury/] \rm, \bf, \it, \bi
+ [Palatino/] \rm, \bf, \it, \bi
+ [ZapfChancery/] \rm, - , \it, -
+ [ZapfDingbats/] \rm, - , - , -
+ [Symbol/] \rm, - , \it, -
+ffonts.tex:
+ [Charter/] \rm, \bf, \it, \bi
+...
+sjannon.tex:
+ [JannonAntikva/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonText/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonCaps/] \rm, \bf, \it, \bi
+...
+sdynamo.tex:
+...
+ [DynaGroteskLE/] \rm, \bf, \it, \bi
+ [DynaGroteskD/] \rm, \bf, \it, \bi
+ [DynaGroteskR/] \rm, \bf, \it, \bi
+...
+stitul.tex:
+ [Alcoholica/] \rm, \bf, \it, -
+ [Monarchia/] \rm, \bf, - , -
+ [MonarchiaText/] \rm, \bf, - , -
+ [Clichee/] \rm, \bf, \it, \bi
+ [Regula/] \rm, - , \it, -
+ [Splendid/] \rm, \bf, \it, - , \script, \sans
+ [Cobra/] \rm, \bf, - , -
+ [ExcelScript/] \rm, - , - , - , \ext
+ [ExcelScriptText/] \rm, - , - , - , \ext
+ [Zeppelin/] \rm, \bf, - , - , \lr, \coll
+ [Negro/] \rm, - , - , -
+ [Farao/] \rm, \bf, - , - , \kr, \coll
+...
+slido.tex:
+ [Lido/] \rm, \bf, \it, \bi, \crm, \cbf
+\endtt
+
+If you need recall what the special variant switches means
+("\mr" and "\mi" in JannonText family, for instance), you can try
+to switch to this family and look to the log file
+(or to the terminal if "\displayfontmessages" is set):
+
+\begtt
+*\displayfontmessages \setfonts [JannonText/]
+OFS (l.0): Font family JannonText at10pt (enc=8z) activated:
+OFS (l.0): \rm () \bf (Bold) \it (Italic) \bi (BoldItalic)
+OFS (l.0): \mr (Medium) \mi (MediumItalic)
+*
+\endtt
+
+Aha, "\mr" means MediumItalic variant of JannonText family.
+The "\it" means sometimes "Italic" variant and sometimes "Oblique"
+variant. You can try:
+
+\begtt
+*\setfonts[Helvetica/]
+OFS (l.0): Font family Helvetica at10pt (enc=8z) activated:
+OFS (l.0): \rm () \bf (Bold) \it (Oblique) \bi (BoldOblique)
+OFS (l.0): \nrm (Narrow) \nbf (NarrowBold) \nit (NarrowItalic)
+ \nbi (NarrowBoldItalic)
+*
+\endtt
+
+The declaration file name is mentioned in the listing of all families
+(see above). For example the file "a35.tex" declares the font families
+from standard PostScript ``35 fonts collection'' from Adobe (no all
+ten families are declared here because three families of them are
+declared in basic OFS font collection).
+
+You can write "\input a35" instead of "\input ofs [a35]". The second
+alternative is recommended if more font collections are used together,
+for example: "\input ofs [a35, sdynamo, slido]". You can use
+
+\begtt
+\input ofs [allfonts]
+\endtt
+%
+(or simply "\input allfonts") in your document
+if all font collections are needed or if you need not use the
+names of individual font collections.
+
+OFS provides the printing of simple font catalog. For example, you can
+write on your command line:
+
+\begtt
+$ pdfcsplain ofscatal [sjannon, sdynamo, stitul] ; acroread ofscatal.pdf
+\endtt
+
+
+\kap The setfonts command
+
+You can select the font family and/or font size by "\setfonts"
+command. Two parameters are separated by slash in square brackets.
+The first parameter is the font family name and the second one is the
+font size. If one of the parameters is missing then this aspect stay
+unchanged. After the font family is selected, you can use the variant
+switches. Most common switches are "\rm", "\bf", "\it", "\bi", but
+another switches can be available for some font family. See the
+listing produced by "\showfonts" for more detail.
+
+The "\setfonts" command keeps the variant from previous family
+unchanged after setting of the new family if the current variant is
+available in new font family. If not then the "\rm" variant is
+initialized. All families have to support at least the "\rm" variant.
+
+Examples:
+
+\begtt
+\setfonts [JannonText/10.5] % the normal font
+\setfonts [/14]\bf % used for titles
+\setfonts [/8]\rm % for footnotes
+\setfonts [DynagroteskR/]\it % for citations
+\setfonts [CMTypewriter/] % monospaced font
+ % if you use \setfonts [CMTypewriter/] when
+ % it is active then Typewriter italics is used.
+\endtt
+
+The main advantage is that you can use the same names of font families
+as in Typo-catalog and you need not remember the cryptical names of tfm
+files or abbreviations of family names in NFSS.
+
+If the family name is not present in the internal OFS dictionary
+(perhaps misspelling) then "\setfonts" command prints warning plus
+all available families to log and to the terminal (the same as the
+"\showfonts" command).
+
+The font size can be specified as decimal number without unit
+(the unit "pt" is appended automatically) or you can type number with
+arbitrary \TeX{} unit ("mm" for example). Moreover you can use the
+keyword "scaled" before number with the same meaning as in "\font"
+primitive. OFS introduces the new keyword "mag" followed by decimal
+number (decimal point is required). This number denotes the fraction
+for the current font size. For example:
+
+\begtt
+\def\smaller{\setfonts [/mag0.8]}
+This text is {\smaller typeset by small \smaller and more small
+\smaller and more more small characters} and the normal size is used
+here.
+\endtt
+%
+yields to:
+
+\medskip
+\def\smaller{\setfonts [/mag0.8]}
+This text is {\smaller typeset by small \smaller and more small
+\smaller and more more small characters} and the normal size is used
+here.
+\medskip
+
+We can use this feature in \LaTeX{} logo, for example:
+
+\begtt
+\def\LaTeX{L\kern-.2em\raise.45ex\hbox{\setfonts[/mag.7] A}\kern-.05em\TeX}
+\endtt
+
+This solution works in titles (the raised A is bod in this situation),
+in normal text, footnotes, italics etc and in all font families.
+This feature is not implemented in NFSS thus the \LaTeX{} logo has its
+A implemented as superscript math font in \LaTeX{} kernel. I mean that
+this is not a best idea.
+
+The another usage of mag keyword is to make a corrections of not
+perfectly the same visual ex height of used font. This problem arises
+if you combine the CMTypewriter family with some common PostScript
+font families for instance. The CMTypewriter font seems to be smaller
+if you use exactly the same design size. This is no problem:
+you can define "\tt" as "\setfonts [CMTypewriter/mag1.1]" and the ex
+height is balanced. This definition works in all sizes and font
+variants.
+
+The NFSS keeps another aspect of fonts: the font weight. The main reason of
+this feature is to boldify all text (in titles, for example) including
+its italics part. I decided that this feature is not needed in OFS
+because plain user can define titles in the following way:
+
+\begtt
+\def\chapterfont {\setfonts[/14]\bf \let\it=\bi}
+\endtt
+%
+Moreover you can simply define the macros which keeps more than five
+aspects (NFSS keeps exactly five aspects). You can find the examples
+in \TeX{} support of \v Storm's font where the big Dynagrotesk family implements
+the special font selector which keeps the level of ``condensation of
+the font'' in addition to the weight, variant (normal/italics), size
+and encoding.
+
+You can declare you own font-switches in OFS by "\fontdef" command.
+The code "\fontdef\fontswitch [Family/size]" declares the
+"\fontswitch" similar as "\gdef\fontswitch{\setfonts[Family/size]}".
+Example:
+
+\begtt
+\input ofs [ffonts] % font Charter is in free fonts
+\setfonts [Charter/10pt] % default family
+\fontdef\tt [CMTypewriter/mag1.1] % monospaced font
+\fontdef\verbtt [CMTypewriter/8] % monospaced font in verbatim
+\fontdef\headfont [Charter/9] % the font+size for headers
+\endtt
+
+It would be more convenient to write the word ``Charter'' only once
+(this word seems to be redundant in declaration of "\headfont"). But the
+macro code "\fontdef \headfont [/9]" cannot work everywhere because the
+"\headfont" can be used for headers in output routine and this header have
+to be in Charter every time, no in CMTypewriter, if CMTypewriter family
+is the current when output routine is called out.
+
+You can solve this problem by using the ``"!"''
+character for the family parameter in "\fontdef". This character is
+substituted by the current family in the time of "\fontdef" declaration:
+
+\begtt
+\fontdef\headfont [!/9] \addcmd\small {\rm} % the font for headers
+\endtt
+%
+Moreover the "\addcmd" is used here. This command adds the additional
+code to the macro "\headfont" thus, the example above has the same effect
+as:
+
+\begtt
+\gdef\headfont {\setfonts[Charter/9]\rm} % the font for headers
+\endtt
+%
+but the word Charter is not used here. Now, you can change the default
+family only on one place and the new default family will be used in
+headers too.
+
+The whole font declaration for your plain\TeX{} document can be
+localized in one place in your macro code and it can be look
+like the following code:
+
+\begtt
+\input ofs [ffonts] % font Charter is in free fonts
+\setfonts [Charter/10pt] % default family
+\fontdef \tt [CMTypewriter/mag1.1] % monospaced font
+\fontdef \verbtt [CMTypewriter-rm/8] % monospaced font in verbatim
+\fontdef \headfont [!/9] \addcmd \headfont {\rm}
+\fontdef \abstractfont [!/9] \addcmd \abstractfont {\baselineskip11pt\rm}
+\fontdef \sectionfont [!/12] \addcmd \sectionfont {\bf \let\it=\bi}
+\fontdef \titlefont [!-bf/14.4] % for the title of the document
+\endtt
+
+If the ``"-vs"'' (where "\vs" is the variant switch) is used in
+parameter of "\fontdef" or "\setfonts" then the whole family is not
+initialized but only the single font is used as the current font.
+The "\fontdef\name" is the equivalent of "\global\font\name" in such
+situation. This convention is used in the example above for title font
+because no variant switches is used in text of
+title.
+
+
+\kap Font encoding
+%-----------------
+
+OFS for plain\TeX{}%
+ \footnote{OFS for \LaTeX{} does not solve font encoding,
+ use NFSS tools for font encoding manipulation}
+initializes the CSfont encoding by default.
+This does no matter for English users because CSfonts have absolutely
+the same encoding(s) as Computer Modern in slots 0 to 127.
+The users of T1 encoded fonts have to set the default font encoding by
+the code: "\def\fotenc{8t}" before OFS is loaded. The macro "\fotenc"
+includes a part of used metric file names. If this macro is not
+defined then OFS define it as "8z"---it means CSfont encoding.
+
+If "\fotenc" has the value "8z" then the families "CMRoman",
+"CMTypewriter" and "CMSans" will work with CSfonts and the font
+metrics with "8z" encoding is used for another font families. If
+"\fotenc" is set to "8t" then DC fonts are used in "CMRoman",
+"CMTypewriter" and "CMSans" families. The EC fonts can be used instead
+DC fonts, but you have to write the declaration file for OFS and for
+EC fonts. This file does not exist now, sorry.
+
+Theoretically, you can switch between encoding inside the
+document but this is not common used practice:
+
+\begtt
+\input ofs
+\setfonts [Times/] text 1 % used metric: ptmr8z, CSfont encoding
+\def\fotenc{8t}
+\setfonts [/] text 2 % used metric: ptmr8t, T1 encoding
+\endtt
+%
+If you are using another font encoding with metric names "*8x" (for
+example) then you can do "\def\fotenc{8x}". No problem.
+
+You can find the files "ofs-8z.tex" and "ofs-8t.tex" in OFS
+package. The accents declaration and another encoding-dependent macros
+are included here. By default, no of these files is read, it means
+that the accent macros keep its original meaning from plain\TeX{}.
+You can use "\input" of one of these files or "\input" both files
+(there are no conflicts in these files). Assume that both files are
+read. Then accent macros (such as "\v", "\'" etc.) followed by
+a character expands to the new character code of CSfonts
+(if "\fotenc" is "8z") or to the new code of T1 encoding
+(if "\fotenc" is "8t"). Another encoding dependent macros (such as
+"\promile") work in the chosen encoding by "\fotenc".
+
+We can look into the parts of "ofs-8z.tex" and "ofs-8t.tex" files:
+
+\begtt
+%%% Default accents in CM
+\accentdef \` * 8z {\accent 18 } % grave
+\accentdef \' * 8z {\accent 19 } % acute
+\accentdef \v * 8z {\accent 20 } % caron
+\accentdef \u * 8z {\accent 21 } % breve
+...
+%%% Standard characters in plain (redefined here)
+\def\aa{\r a}
+\def\AA{\r A}
+\characterdef \i 8z 16
+\characterdef \j 8z 17
+\characterdef \SS 8z {SS}
+\characterdef \AE 8z 29
+...
+%%% Extra characters from CS fonts
+\characterdef \promile 8z 141
+\characterdef \varhyphen 8z 156
+\characterdef \flqq 8z 158
+\characterdef \frqq 8z 159
+\characterdef \clqq 8z 254
+\characterdef \crqq 8z 255
+...
+%%% Accented letters from CS fonts
+\accentdef \` A 8z 152
+\accentdef \' A 8z 193
+\accentdef \" A 8z 196
+\accentdef \` a 8z 184
+\accentdef \' a 8z 225
+...
+%%% Default accents in Cork
+\accentdef \` * 8t {\accent 0 }
+\accentdef \' * 8t {\accent 1 }
+\accentdef \^ * 8t {\accent 2 }
+\accentdef \~ * 8t {\accent 3 }
+\accentdef \" * 8t {\accent 4 }
+...
+%%% Standard characters in plain (redefined here)
+\def\aa{\r a}
+\def\AA{\r A}
+\characterdef \i 8t 25
+\characterdef \j 8t 26
+\characterdef \SS 8t 223
+\characterdef \AE 8t 198
+...
+\characterdef \promile 8t {\%\char 24 }
+\characterdef \textpertenthousand 8t {\%\char 24\char 24 }
+...
+%%% Accented letters from T1 encoding
+\accentdef \. i 8t `\i
+\accentdef \u A 8t 128
+\accentdef \k A 8t 129
+\accentdef \' C 8t 130
+\accentdef \v C 8t 131
+...
+\endtt
+
+This example is self explanatory and illustrates the language for
+accents and encoding-dependent macro declarations. You can find more
+information in documentation~\cite{ofsdoc}.
+
+The \LaTeX{} user can be familiar with the commands with similar
+meaning: "\DeclareTextSymbol", "\DeclareTextComposite", etc.
+
+OFS calculates with the possibility of existence of a special metric
+with extra characters (such us "\euro"). Each basic metric can be
+connected with such ``extra metric'' to the couple. These couples are
+used in \TeX{} support of Storm Type Foundry because these fonts have
+more than 256 characters. There is prepared an extra metric "*6s"
+for each basic metric "*8z" or "*8t" in \TeX{} support of \v Storm's
+fonts. The "*6s"-encoding specific macros are declared in
+"stormenc.tex" by "\accentdef" and "\characterdef" commands. If the
+current metric has declared an extra metric and user calls the
+macro declared by "\characterdef" or "\accentdef" and this macro is
+not declared for current encoding but only for the encoding of the
+extra metric then the extra metric is temporary used without any user
+intervene. Example:
+
+\begtt
+\characterdef \euro 6s 136
+Now the \euro{} works in all fonts with extra metric *6s
+\endtt
+
+
+
+\kap Declaration files
+%---------------------
+
+Look into "a35.tex" now for an example of language of
+the declaration files:
+
+\begtt
+%%% Times, Helvetica, Courier is in OFS defaults
+
+\ofsdeclarefamily [AvantGarde] {% -------------------- AvantGarde
+ \loadtextfam (Book) pagk\fotenc;% \rm
+ (Demi) pagd\fotenc;% \bf
+ (BookOblique) pagko\fotenc;% \it
+ (DemiOblique) pagdo\fotenc;;% \bi
+ \def\TeX{T\kern-.08em\lower.3333ex\hbox{E}\kern-0.09emX}%
+}
+\ofsdeclarefamily [NewCentury] {% -------------------- NewCenturySchlbk
+ \loadtextfam (Roman) pncr\fotenc;% \rm
+ pncb\fotenc;% \bf
+ pncri\fotenc;% \it
+ pncbi\fotenc;;% \bi
+ \def\TeX{T\kern-.1667em\lower.5ex\hbox{E}\kern-.125emX}%
+}
+...
+\endtt
+%
+The mapping between font family names and metric files is defined
+here.%
+\footnote{OFS for \LaTeX{} uses other declaration files:
+ the mapping between family names and NFSS short names
+ are defined here.
+}
+Each family declares four metrics for four common variants "\rm",
+"\bf", "\it" and "\bi". Empty parameter means that the variant
+is missing. The metric names are saved by "\fotenc" macro in order
+to possibility of changing the used encoding. The extra metric can be
+written before the last semicolon (not used in this example).
+The commands from parameter of the "\ofsdeclarefamily" are processed
+when "\setfonts" is used. You can see the alternative definition of
+\TeX{} logo for each family in "a35.tex" file on order to optimize the
+visual aspect of this logo.
+
+The optional parameters of "\loadtextfam" macro is written in brackets
+and these parameters declares mapping of short variant switches and
+the full variant names printed to the log and terminal. For example,
+BookOblique is a "\it" variant in AvantGarde font family. If the
+common name is used (Bold/Italics/BoldItalics) then this parameter can
+be missing (see NewCentury family, for instance).
+
+How the special variants are declared? Look into the file
+"sjannon.tex", for example:
+
+\begtt
+\ofsdeclarefamily [JannonAntikva] {% -------- Jannon Antikva
+ \loadtextfam sjnr\fotenc;%
+ sjnb\fotenc;%
+ sjnri\fotenc;%
+ sjnbi\fotenc;6s;%
+ \newvariant2 \mr (Medium) sjnm\fotenc;6s;%
+ \newvariant3 \mi (MediumItalic) sjnmi\fotenc;6s;%
+}
+\ofsdeclarefamily [JannonText] {% ------------ Jannon Text
+ \loadtextfam sjnrg\fotenc;%
+ sjnbg\fotenc;%
+ sjnrig\fotenc;%
+ sjnbig\fotenc;6s;%
+ \newvariant2 \mr (Medium) sjnmg\fotenc;6s;%
+ \newvariant3 \mi (MediumItalic) sjnmig\fotenc;6s;%
+}
+...
+\endtt
+%
+Note that there is declared the extra metric with~"6s" encoding here.
+See the documentation~\cite{ofsdoc} for more information.
+
+How the "CMRoman" etc. families are declared? These families have two
+special subjects. First: the metrics file names do not include the "8z" or
+"8t" acronym for encoding. Second: the different metrics are used
+for different font sizes. Both problems are solved by the OFS command
+"\registertfm" (see the "ofsdef.tex" file):
+
+\begtt
+\registertfm cmr8z - csr10 % metric for all sizes
+\registertfm cmr8z 0pt-6pt csr5
+\registertfm cmr8z 6pt-7pt csr6
+\registertfm cmr8z 7pt-8pt csr7
+\registertfm cmr8z 8pt-9pt csr8
+\registertfm cmr8z 9pt-10pt csr9
+\registertfm cmr8z 10pt-12pt csr10
+\registertfm cmr8z 12pt-17pt csr12
+\registertfm cmr8z 17pt-* csr17
+...
+\registertfm cmr8t - dcr10 % metris for all sizes
+...
+\ofsdeclarefamily [CMRoman] {% ------------ Computer Modern Roman
+ \loadtextfam cmr\fotenc;%
+ cmbx\fotenc;%
+ cmti\fotenc;%
+ cmbxti\fotenc;;%
+ \newvariant8 \sl (Slanted) cmsl\fotenc;;%
+}
+\endtt
+
+
+\kap Math fonts
+%--------------
+
+The math fonts are collected in math families (three fonts
+per one family)
+by "\textfont", "\scriptfont" and "\scriptscriptfont" primitives. The
+math families with number 0, 1, 2, 3 have special meaning in math
+typesetting. The declaration of new math family by \TeX{} primitives
+is not too comfortable. Plain\TeX{} user can declare the new math
+family by OFS macro "\loadmathfam". This command will be described
+below.
+
+Plain\TeX{} user have to initialize the math fonts in OFS by
+"\setmath" command. The math fonts are in the same state as declared
+in plain\TeX{} macro until the "\setmath" command is used. It means
+that the Computer Modern at 10/7/5 pt size are used.
+The "\setmath" command have three parameters in square brackets
+separated by slashes. These parameters means the
+text/script/scriptscript size of the math fonts. The empty parameter
+means that the mag1.0/mag.7/mag.5 (relatively to the current size of
+textual font) is substituted:
+
+\begtt
+\setmath [//] is the same as \setmath [mag1.0/mag.7/mag.5]
+\endtt
+
+The "\setmath" command calculates the needed sizes from given
+parameters and starts the "\mathfonts" macro followed by macro
+"\mathchars". The plain\TeX{} user can define these macros in
+his own opinion but OFS gives the reasonable default values of these
+macros. These macros run the variant part of the code depend on the
+values of the "\fomenc" and "\mathversion" macros.
+
+If "\def\fomenc{PS}" is used (it is default value in OFS) then "\setmath"
+initializes math fonts by the following way: math italic is loaded
+from text italics of the current text font family, family~0 is loaded
+from "\rm" variant of the current family. The math symbols are loaded
+(if it is possible) from common PostScript font Symbol. The rest
+(what is not included in Symbol font) is realized from Computer Modern
+fonts. The math encoding is redefined (by "\mathchardef" etc. primitives)
+for many symbols in order we keep the accessibility of all math
+characters declared in plain\TeX{}. For example the lower letter greek
+characters are loaded from the slanted variant of PostScript Symbol font.
+
+If you use "\def\fomenc{CM}" then "\setmath" loads the math fonts from
+Computer Modern family and does not change the math encoding.
+In this case, the "\setmath[//]" command only sets the actual sizes of these fonts
+depend on current text font size.
+
+If you buy the MathTimes family, you can "\input" the "ofsmtdef.tex"
+file (this is a part of OFS package) and you can use "\def\fomenc{MT}".
+Then the "\setmath" command loads the math italics from current "\it"
+font and family~0 from current "\rm" font. Moreover, it loads the
+MathTimes fonts for all math symbols. Unlike "\def\fotens{PS}" mode
+there is no ``rest'': no symbols needs to be realized from Computer
+Modern family.
+
+You can control the math families collection loaded by "\setmath" by
+the value of "\mathversion" macro. OFS declares two
+math families collections: "\def\mathversion{normal}"
+and "bold". You can declare more collections if you need it.
+The "bold" collection is the same as "normal", but bold variants of
+italics, family~0 and math symbols (if accessible) are loaded.
+
+The example from "ofsdef.tex" file illustrates the language of
+declarations of the math fonts:
+
+\begtt
+\def\defaultmathfonts{\csname load\fomenc\mathversion math\endcsname}
+\def\defaultmathchars{\csname set\fomenc mathchars\endcsname}
+\def\mathfonts{\defaultmathfonts}
+\def\mathchars{\defaultmathchars
+ \let\mathchars=\relax % to protect the twice math-setting
+}
+\def\loadPSnormalmath{%
+ \loadmathfam 0[tenrm/]% Actual Roman font
+ \loadmathfam 1[tenit/]% Actual Italic font
+ \loadmathfam 2[/cmsy]% Standard symbols from CM
+ \noindexsize\loadmathfam 3[tenex/]% Standard extra symbols from CM
+ \chardef\itfam=1 \chardef\bifam=5
+ \loadmathfam \bffam [tenbf/]% Actual Bold font
+ \loadmathfam \bifam [tenbi/]% Actual Bold Italic
+ \newmathfam\symbfam
+ \loadmathfam \symbfam [/psyr]% PostScript Symbol
+ \newmathfam\symbofam
+ \loadmathfam \symbofam [/psyro]% PostScript Symbol Oblique
+}
+\def\loadPSboldmath{%
+ \loadmathfam 0[tenbf/]% Actual Bold font
+ \loadmathfam 1[tenbi/]% Actual Bold-Italic font
+...
+}
+\def\loadCMnormalmath{%
+ \loadmathfam 0[/cmr8z]% Roman font
+ \loadmathfam 1[/cmmi]% Math Italic font
+ \loadmathfam 2[/cmsy]% Standard symbols from CM
+ \noindexsize\loadmathfam 3[/cmex10]% Standard extra symbols from CM
+...
+}
+\def\loadCMboldmath{%
+ \loadmathfam 0[/cmbx8z]% Roman font
+ \loadmathfam 1[/cmmib10]% Math Italic font
+...
+}
+\def\setPSmathchars{%
+ \fontmessage{\ofsmessageheader Math codes are set for PS encoding}%
+ \mathcode`\,="602C
+ \mathcode`\.="002E
+ \delcode`\<="\hex\symbfam E130A
+ \delcode`\>="\hex\symbfam F130B
+ \delcode`\|="\hex\symbfam 7C30C
+ \edef\langle{\delimiter"4\hex\symbfam E130A }%
+ \edef\rangle{\delimiter"5\hex\symbfam F130B }%
+ \mathchardef\alpha "0\hex\symbofam 61
+ \mathchardef\beta "0\hex\symbofam 62
+ \mathchardef\gamma "0\hex\symbofam 67
+...
+}
+\endtt
+
+If you need to add next math families (math alphabets in NFSS
+terminology) then you can use the cod similar as the following:
+
+\begtt
+\def\mathfonts{\defaultmathfonts
+ \newmathfam\bbfam
+ \loadmathfam \bbfam [/bbold12]% Dvojit vertikln kresba
+ \def\bb{\fam\bbfam}%
+}
+\def\mathchars{\defaultmathchars
+ \mathchardef\balpha "0\hex\bbfam 0B
+ \mathchardef\bbeta "0\hex\bbfam 0C
+ ...
+}
+\endtt
+
+We re-write the example from section~3 in order to support the math
+typesetting:
+
+\begtt
+\input ofs [ffonts] % font Charter is in free fonts
+\setfonts [Charter/10pt] % default family
+\setmath[//] % math initialisation
+\fontdef\tt [CMTypewriter/mag1.1] % monospaced font
+\fontdef\verbtt [CMTypewriter-rm/8] % monospaced font in verbatim
+\fontdef\headfont [!/9] % running heads
+\addcmd \headfont {\baselineskip11pt\rm\def\mathversion{normal}\setmath[//]}
+\fontdef\sectionfont [!/12] % section font
+\addcmd \sectionfont {\bf \let\it=\bi \def\mathversion{bold}\setmath[//]}
+\fontdef\titlefont [!-bf/14.4] % for the title of the document
+\endtt
+
+The math fonts works in all sizes in our virtual example. The math
+formulae are in bold variant and in right size in section headers.
+
+\reference
+
+\bib \url{www.stormtype.com}
+
+\bib \url{www.pismolijna.cz},
+
+\bib \url{www.cstug.cz/stormtype}.
+
+\bib \url{www.cstug.cz/stormtype/slido.html}.
+
+\bib \url{ftp://math.feld.cvut.cz/pub/olsak/ofs}.
+
+\bib Petr Olk. {\it OFS: Olkv fontov systm}. 2001.
+ The English documentation is in files "ofsdoc-e.tex", "ofsdoc-e.pdf"
+
+\bib Petr Olk. {\it Jak \TeX{} k~fontm ze Steovic piel}. Bulletin
+ of CSTUG, number 4/2001, pp~153--180.
+
+\bib Karl Berry. {\it Fontname}, March 1999. The documentation is included
+ in {\tt web2c} \TeX, file {\tt fontname.texi}, {\tt fontname.pdf}
+
+
+\bye
+
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@@ -0,0 +1,2394 @@
+% A documentation for OFS package (pseudo English, sorry)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% July 2001 Petr Olsak
+
+\magnification\magstephalf % use plain or csplain
+
+\headline={\llap{\tt May 2004}\hfil See the ofsdoc.tex for Czech version
+ of this documentation.\global\headline={\hfil}}
+
+\hoffset=4pc
+\voffset=1pc
+\hsize=31.6pc
+\vsize=49pc
+\raggedbottom
+\parindent=15pt
+\emergencystretch=2em
+
+\font\smallbf=csb10 at7pt
+\font\smalltt=cstt8
+\font\smallit=csti8
+\font\smallrm=csr8
+\font\titulfont=\fontname\tenbf\space scaled\magstep4
+\font\bigbf=\fontname\tenbf\space scaled\magstep1
+
+\def\Red{}
+\def\Black{}
+\def\Blue{}
+\def\Green{}
+\def\beglink#1{}
+\def\endlink{}
+\def\aimlink#1{}
+
+\def\uv#1{``#1''}
+
+\ifx\pdfoutput\undefined\else %%%% pdfTeX is used %%%%%%%%%%
+\ifnum\pdfoutput>0
+
+\ifx \pdfstartlink\undefined %%% PDFTeX version <= 13
+ \let\pdfstartlink=\pdfannotlink
+\fi
+
+\def\beglink#1{% % Zatek textu odkazu, #1 je kl odkazu
+ \Green \pdfstartlink height9pt depth3pt
+ attr{/Border[0 0 0]} goto name{#1}\relax}
+\def\endlink{\pdfendlink\Black}
+
+\def\aimlink#1{% % Msto cle odkazu, #1 je kl odkazu
+ \expandafter\ifx \csname aim:#1\endcsname \relax
+ \expandafter\gdef \csname aim:#1\endcsname {}%
+ \vbox to0pt{\vss\hbox{\pdfdest name{#1} fith}\kern15pt}%
+ \fi
+}
+\def\pdfsetcmykcolor#1{\special{PDF:#1 k}}
+\def\Red{\leavevmode\pdfsetcmykcolor{0.1 0.9 0.9 0}}
+\def\Black{\leavevmode\pdfsetcmykcolor{0 0 0 1}}
+\def\Green{\leavevmode\pdfsetcmykcolor{0.9 0.1 0.9 .3}}
+\def\Blue{\leavevmode\pdfsetcmykcolor{0.9 0.9 0.1 0}}
+
+\pdfcompresslevel=9
+\pdfinfo{/Author (Petr Olsak)
+ /CreationDate (July 2001)
+ /ModDate (May 2004)
+ /Creator (TeX)
+ /Producer (pdfTeX)
+ /Title (OFS: Olsak's Font System)
+ /Subject (Documentation)
+ /Keywords (TeX, fonts)
+}
+
+\fi\fi %%%%%%%%%%%%%%%%%%%%%%%%%%%% End of pdfTeX macros %%%%%
+
+
+\def\PLAIN #1:{{\smallbf \Red PLAINTEX\Black\if|#1|\else\space#1\fi}:}
+\def\LATEX #1:{{\smallbf \Red LATEX\Black \if|#1|\else\space#1\fi}:}
+\def\OBA #1:{{\smallbf \Red PLAINTEX+LATEX\Black \if|#1|\else\space#1\fi}:}
+
+\newcount\secnum \newcount\subsecnum
+
+\def\sec #1\par{\ifnum\secnum>0 \goodbreak\fi\removelastskip
+ \vskip2\baselineskip
+ \subsecnum=0 \advance\secnum by1
+ \noindent{\bigbf\llap{\the\secnum.\quad}#1}\par\nobreak\medskip}
+\def\subsec #1\par{\removelastskip\bigskip
+ \advance\subsecnum by1
+ \noindent{\bf \llap{\aimlink{\the\secnum.\the\subsecnum}%
+ \the\secnum.\the\subsecnum.\quad}#1}\par\nobreak\medskip}
+\def\title #1\par{\vglue2\baselineskip
+ \centerline{\titulfont #1}\vskip2\baselineskip}
+
+\def\LaTeX{La\TeX}
+
+\catcode`<=13
+\def<#1>{\hbox{$\langle$\it#1\/$\rangle$}}
+\def\,{\thinspace}
+
+{\obeyspaces \gdef\activespace{\obeyspaces\let =\ }}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials}
+\def\begtt{\medskip\bgroup \setverb \catcode`@=0 \activespace
+ \parindent=0pt \catcode`\"=12
+ \def\par##1{\endgraf\ifx##1\par\leavevmode\fi ##1}
+ \obeylines \startverb}
+{\catcode`\|=0 \catcode`\\=12
+|gdef|startverb#1\endtt{|tt#1|egroup|medskip|testpar}}
+\long\def\testpar#1{\ifx\par#1\else\noindent\fi#1}
+
+\catcode`"=13
+\def"{\hbox\bgroup\setverb\activespace\tt\readverb}
+\def\readverb #1"{#1\egroup}
+
+\def\begitems{\medskip\bgroup \catcode`*=13 }
+{\catcode`*=13 \gdef*{\item{$\bullet$}}}
+\def\enditems{\medskip\egroup}
+
+\newwrite\indout
+\immediate\openout\indout=\jobname.ind
+\def\inl[#1]{\strut
+ \write\indout{\noexpand\indexentry{#1}{\the\pageno}}%
+ \vadjust{\vbox to0pt{\vss
+ \hbox to\hsize{\llap{{\aimlink{#1}\smalltt\Blue\char`\\ #1%
+ \ifx\extratext\empty\else\space\extratext\fi\Black}%
+ \kern2pt\quad}\strut\hfil}%
+ \hrule height0pt}}\def\extratext{}}
+\def\inll[#1 #2]{\def\extratext{#2}\inl[#1]}
+\def\indexentry #1#2{\expandafter \ifx \csname ind:#1\endcsname \relax
+ \expandafter \def \csname ind:#1\endcsname {#2}%
+ \else
+ \expandafter \edef \csname ind:#1\endcsname {%
+ \csname ind:#1\endcsname, #2}%
+ \fi
+}
+\def\pg[#1]{\csname ind:#1\endcsname}
+
+\chardef\back=`\\
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+
+\title OFS: The Ol\v s\'ak's Font System
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+The OFS is a \TeX{} macro for managing large sets of fonts. You can
+select the appropriate fonts comfortably by the names from font
+catalog used by a font foundry. It means you don't have to remember short
+names of tfm files and/or short names of NFSS font families. The user
+interface of this macro is the same in \LaTeX{} and in plain but there
+are two independent implementations of this macro: first and more
+elaborate: based only on plain macros; second: based on NFSS macros
+for \LaTeX{} users.
+
+If a text in this documentation is applicable only for the plain\TeX{}
+version of the OFS then the text is introduced by the word \PLAIN:.
+If a text is applicable only for OFS version based on NFSS then it is
+introduced by the word \LATEX:.
+
+After the OFS macro is loaded, the following message is printed:
+
+\begtt
+@PLAIN: OFS (Olsak's Font System) based on plain initialized. @char`<ver.>
+@LATEX: OFS (Olsak's Font System) based on NFSS initialized. @char`<ver.>
+\endtt
+Main features of the OFS:
+
+\begitems
+* The user interface is the same for plain and for \LaTeX.
+* You can use the "\fontusage" command which displays a short description
+ of OFS macros in terminal and in the log file.
+* You can use the real font names from font catalog.
+* You can use the font divided into two \TeX{} metrics (basic and
+ extended tfm) and they seem from the user's point of view to be only one
+ font. This is useful for fonts with more than 256 characters if you
+ don't want to use Omega.
+* You can choose the \TeX{} internal encoding of fonts for your
+ language in the beginning of your document. This feature is commonly used
+ for Czech and Slovak languages: there are \TeX{} fonts which encode
+ the alphabets of these languages by Cork (T1 encoding) or by
+ ISO-8859-2 (IL2 encoding). T1 font encoding is common in LaTeX
+ world, whereas IL2 encoding is widely used in the Czech and Slovak
+ \TeX{} community.
+* The OFS defines the language of declaration files. These files
+ define mapping of full names of fonts to \PLAIN: tfm
+ names or \LATEX: NFSS short names of the font families.
+* \PLAIN: You can use individual variants of fonts in an indepent manner
+ in similar way as in NFSS (family, size, encoding, variant).
+* \PLAIN: You can declare different fonts for different sizes
+ in the declaration files (usable for Computer Modern family first
+ of all).
+* \PLAIN: The OFS includes support of the math fonts manipulation
+ when the PostScript fonts and/or fonts at different sizes are
+ used.
+* Interactive macro "ofstex.tex" enables printing the paragraph samples
+ in the chosen font families, printing the font table, font registers,
+ samples of the mathematic and the lists of characters, including
+ their \TeX\ sequences. All to do is to write "tex ofstest [allfonts]"
+ or "csplain ofstest [allfonts]" on the command line and to follow
+ the orders on the terminal.
+\enditems
+
+\sec The font families
+%%%%%%%%%%%%%%%%%%%%%%
+
+The most current font families have the four commonly used variants:
+normal: ("\rm"), bold ("\bf"), italic ("\it")
+and bold italic ("\bi")\inll[rm \back bf \back it \back bi].
+These variants are called \uv{standard variants} in OFS.
+After the font family is activated by "\setfonts" command (see
+bellow), you can use the commands "\rm", "\bf", "\it" a "\bi"
+as a variant switches for the current font family. The first three
+commands are well known in plain and the fourth command switches into
+BoldItalic variant and it is introduced in the OFS.
+
+Additional \uv{nonstandard variants} can be declared in some font families
+and vice versa some \uv{standard variants} can be missing in
+other font families. Only the "\rm" variant has to be present in all
+families.
+
+The original names of fonts can be a little different from the names mentioned
+above in some font families but the font switches names "\rm", "\bf",
+"\it", "\bi" can be unchanged. For example the family Helvetica has
+the variant \uv{Oblique}, but we are still using the "\it" switch
+for this variant.
+
+If you want to use the font switches from another font families
+at the same time, these switches can be declared by the "\fontdef"
+command (see bellow).
+
+The font families are declared in the declaration files. These files
+have the similar meaning in the plain\TeX{} as {\tt fd} files in NFSS. The
+recommended suffix for the files are \PLAIN:~{\tt tex} (they map the
+family names to \TeX{} metrics) or \LATEX: {\tt sty} (they map the
+family names to the NFSS short family names). These files can include
+more than one font family declaration. The names of these files are
+chosen in order to you can recognize which families are declared
+here. Examples:
+
+\begtt
+@PLAIN: @LATEX:
+sjannon.tex, sjannon.sty ... the big Jannon family by stormtype.com
+a35.tex, a35.sty ... the basic 35 fonts by Adobe
+\endtt
+
+The user chooses from these files only such files needed by his/her
+document and writes the names of these files into the header of
+the document. For more simplicity, \uv{global} files
+include the \PLAIN: "\input" or \LATEX: the "\RequirePackage"
+command for the single declaration files. Examples:
+
+\begtt
+skatalog.tex, skatalog.sty ... all fonts by stormtype.com
+allfonts.tex, allfonts.sty ... all fonts at your TeX installation
+\endtt
+
+\sec The user interface
+%%%%%%%%%%%%%%%%%%%%%%%
+
+\subsec The header
+%%%%%%%%%%%%%%%%%%
+
+For example, let us suppose that we will use fonts from Jannon and
+DynaGrotesk family by Storm Type Foundry. Their
+declaration files are included in the "storm" directory. You can get
+the \TeX{} metrics plus the OFS macro package from
+"www.cstug.cz/stormtype". You can buy the real fonts from Storm Type
+Foundry. See "www.stormtype.com" for more details.
+We need to use
+\PLAIN: "sjannon.tex", "sdynamo.tex";
+or \LATEX: "sjannon.sty", "sdynamo.sty".
+declaration files. The first letter "s"
+in their file name means that the fonts are made
+by Storm Type Foundry. We can use the following line in the header of
+our document:
+
+\begtt
+@PLAIN: \input ofs [sjannon, sdynamo] % space before "[" is necessary
+@LATEX: \usepackage [sjannon,sdynamo]{ofs}
+\endtt
+
+Now we can use the families declared in "sjannon" and "sdynamo"
+declaration files.
+The "\showfonts"\inl[showfonts] command writes a list of available
+families on terminal and to a log file. In the above case, the
+"\showfonts" lists the following text:
+
+\begtt
+OFS (l.1): The list of known font families:
+defaults:
+ [CMRoman/] \rm, \bf, \it, \bi, \sl
+ [CMSans/] \rm, \bf, \it, -
+ [CMTypewriter/] \rm, - , \it, - , \sl
+ [Times/] \rm, \bf, \it, \bi
+ [Helvetica/] \rm, \bf, \it, \bi, \nrm, \nbf, \nit, \nbi
+ [Courier/] \rm, \bf, \it, \bi
+sjannon.tex:
+ [JannonAntikva/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonText/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonCaps/] \rm, \bf, \it, \bi
+sdynamo.tex:
+ [DynaGroteskDXE/] \rm, \bf, \it, \bi
+ [DynaGroteskRXE/] \rm, \bf, \it, \bi
+ [DynaGroteskLXE/] \rm, \bf, \it, \bi
+ ... <next 15 families of DynaGrotesk> ...
+\endtt
+
+The first 6 families are declared in OFS internally (you need not write
+any declaration file to use them). The next families are declared in
+specified declaration files.
+
+Beside each family are listed option switches. The first
+four switches set \uv{standard variants}. If a standard
+variant is not available then a dash sign is listed instead of
+the switch. The fifth and any other switches correspond to the
+\uv{nonstandard variants}, if these exists. For example,
+the JannonAntikva and JannonText families have the extra variants
+medium and medium-italic ("\mr" and "\mi" switches are used here).
+
+If you use the "\fontusage"\inl[fontusage] command, then short
+description of OFS use is printed to the terminal and into the log file.
+
+We mentioned the header in the form:
+
+\begtt
+@PLAIN: \input ofs [<file>, <file>, ...]
+@LATEX: \usepackage [<file>,<file>,...]{ofs}
+\endtt
+%
+Instead of the header of this type you can also include definition
+files directly. In such case, the "ofs.tex"
+or "ofs.sty" do not have to be explicitly mentioned:
+
+\begtt
+@PLAIN: \input <file> \input <file> ...
+@LATEX: \usepackage {<file>} \usepackage {<file>} ...
+\endtt
+%
+Example:
+
+\begtt
+@PLAIN: \input sjannon \input sdynamo
+@LATEX: \usepackage {sjannon} \usepackage {sdynamo}
+\endtt
+%
+We don't recommend to mix the both variants of the header (in \LaTeX{}
+specially).
+
+\subsec The {\tt\back setfonts} command
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Let us suppose\inl[setfonts]
+that the "sjannon" and "sdynamo"
+declaration files were given in the header for the next examples.
+For example,
+the command:
+
+\begtt
+\setfonts [JannonText/12pt]
+\endtt
+%
+sets the switches "\rm", "\bf", "\it", "\bi", "\mr" and "\mi".
+These switches set variants of the JannonText family to
+12pt font size.
+
+The current variant used before "\setfonts" command is saved, but the
+family/size parameters of the current font are changed by this
+command. For example, if the BoldItalic variant for the TimesRoman was a
+current then the BoldItalic of JannonText family of size 12pt is
+current font set by "\setfonts [JannonText/12pt]". If the new family
+has the current variant switch undeclared then the "\rm" variant is
+used.
+
+The "\setfonts" makes all changes locally, so that \TeX{} returns to
+the previous font and font family after the group is ended.
+
+The parameters of the "\setfonts[<FamName>/<size>]" command can be empty:
+the "\setfonts[<FamName>/]" switches to the new font family but keeps
+the current font size and the "\setfonts[/<size>]" changes the font
+size for all corresponded variant switches but keeps the current
+family unchanged. The command "\setfonts[/]" is syntactically correct
+but without any effect.
+
+The CMRoman/10pt is default <FamName>/<size> after OFS for plain\TeX{}
+is initialized.
+
+The parameter <FamName>, unless not empty has to be the same as the
+name of a family listed by the "\showfonts". This parameter is case
+sensitive. If the parameter does not match any font family from given
+declaration files, the "\setfonts" command acts the same as the
+"\showfonts" command: all available families are listed. Thus, you can
+use the "\setfonts [?/]" with the same effect as the
+"\showfonts".
+
+\LATEX: The <FamName> parameter can be not only the \uv{long-named}
+font family from "\showfonts" list, but the short name from NFSS can
+be used too. For example, the "\setfonts[Times/]" and the
+"\setfonts[ptm/]" has the same effect in \LaTeX.
+
+\OBA:
+The parameter <size> can be written in more ways:
+
+\begitems
+* <number> \dots{} example: "12", "17.4",
+* <number><unit> \dots{} example: "12pt", "17.4pt", "10dd",
+* "at"<number><unit> \dots{} example: "at12pt", "at17.4pt", "at10dd",
+* "scaled"<integer> \dots{} example: "scaled1200", "scaled\magstep3",
+* "mag"<decimal number> \dots{} example: "mag1.2", "mag.7", "mag2.0".
+\enditems
+
+The first three possibilities have the same meaning. The keyword "at" is
+optional and if you omit the keyword and the unit, the "at<number>pt"
+is used. We can use the "true.." unit if we need not the relative unit
+associated by current "\magnification" factor: for example:
+"17truept". If the "at" keyword is present then the unit can't be
+omitted---it means: "at12" is not correct, but
+"at12pt" or simply "12" are correct values.
+
+The "scaled" keyword has the same meaning as in \TeX{} primitive
+"\font". For example, if the design size of the font is
+"10pt" (this is a common value) then "scaled1200" is the same as
+"at12pt".
+
+The last possibility (keyword "mag") is a new feature in OFS.
+The new font size is calculated from the current font size by
+multiplying by <decimal number>.
+For example, by the command "\setfonts[/12pt]" followed by "\setfonts[/mag2.]"
+the current font size is changed to 24\,pt.
+The decimal point is required in the <decimal number>.
+Another example:
+
+\begtt
+\def\small{\setfonts[/mag.7]}
+The text {\small is smaller \small and smaller \small and more smaller}
+and the normal size is used here.
+\endtt
+
+Note: the <size> parameter in "\setfonts" command changes only the
+font size but not the "\baselineskip". The user has to do the
+"\baselineskip" setting by another way.
+\LATEX: The "\setfonts" sets the "\baselineskip" to the current value
+stored in NFSS. It means that if you want to change the
+"\baselineskip" register for your goal, you have to do it
+{\it after} "\setfonts" command in \LaTeX{}.
+
+You can set only one variant of a font family (not the whole family) by
+the "\setfonts" command. This is done if the ``"-<variant>"'' is appended
+to the <FamName> parameter. In such case, the switches of the current
+family are not changed and only the new font is set. The
+<variant> means the name of variant switch here. Examples:
+
+\begtt
+\setfonts [JannonText-it/12] ..... sets the italics of the JannonText
+ at 12 pt as the current font.
+ The \rm, \bf, etc. are unchanged
+\setfonts [JannonText-rm/] ....... sets the normal variant of the
+ JannonText at the current size.
+\setfonts [CMTypeWriter-sl/] ..... sets the cmsltt font as the current
+ font at the current size.
+\endtt
+
+You can omit the family name even if the "-<variant>" is present.
+The actual family is substituted in such case. Examples:
+
+\begtt
+\setfonts [JannonText/12]
+\setfonts [-bf/17] ... variant Bold of JannonText, size 17pt.
+ Selectors \rm, \bf, \it and \bi keeps its
+ original meaning: they switches between
+ variants of JannonText in 12pt size. For
+ example, the next command \setfonts[Times/]
+ sets the Times family in 12pt size.
+BUT:
+\setfonts [/17]\bf ... variant Bold of current family, size 17pt.
+ Selectors \rm, \bf, \it and \bi switches
+ in 17pt size now.
+\endtt
+
+\LATEX: The text above about the keeping of original
+meaning of variant switches is not true in \LaTeX{} because it may
+break the NFSS philosophy. Thus, the commands
+"\setfonts [-bf/17]" and "\setfonts [/17]\bf" has the same meaning in
+\LaTeX.
+
+
+\subsec The commands {\tt\back fontdef} and {\tt\back addcmd}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+The "\fontdef"\inl[fontdef] command declares a new font switch.
+
+\begtt
+\fontdef \<fontswitch> [<FamName>/<size>]
+\endtt
+%
+This declaration is roughly similar to
+
+\begtt
+\gdef \<fontswitch> {\setfonts [<FamName>/<size>]}
+\endtt
+
+\PLAIN: If the ``"-<variant>"'' is appended in <FamName> and the
+parameter <size> is not empty and it is not specified by "mag" keyword
+then the new declared control sequence "\<fontswitch>" is not a macro
+but it is implemented by "\global\font\<fontswitch>".
+It is called \uv{fixed font} in an~OFS terminology.
+The user can implement his/her native "\<fontswitch>" by "\fontdef"
+without a knowledge about "tfm" filename.
+
+\LATEX: The declared "\<fontswitch>" is always implemented as a macro
+including the "\setfonts" command. The reason is that the user access
+to native "\<fontswitch>" is not simply possible in NFSS.
+
+\OBA:
+You can type the exclamation mark \uv{!} instead of <FamName> and the
+family current in the moment the "\fontdef" command was used is substituted.
+On the other hand the empty <FamName> means that the family current in the moment
+the "\<fontswitch>" command was used is substituted. You can use the
+exclamation mark \uv{!} instead of <size> parameter with the same meaning.
+Examples:
+
+\begtt
+\setfonts [JannonAntikva/]
+\fontdef \small [/7] % \small = \setfonts [/7pt]
+\fontdef \sffam [DynaGroteskR/] % \sffam = \setfonts [DynagroteskR/]
+\fontdef \bigf [Times/17] % \bigf = \setfonts [Times/17pt]
+\fontdef \ttfam [Courier/] % \ttfam = \setfonts [Courier/]
+\fontdef \mylogo [Times-rm/mag.8] % \mylogo = \setfonts [Times-rm/mag.8]
+ % the fontsize will be always
+ % 0.8 times of the current size.
+\fontdef \timbf [Times-bf/12] % \timbf = fixed-font, the same as:
+ % \global\font\timbf=ptmb8z at12pt
+\fontdef \jansmall [!/7] % \jansmall=\setfonts[JannonAntikva/7]
+\fontdef \janbi [!-bi/17] % \janbi = fixed-font, the same as:
+ % \global\font\janbi=sjnbi8z at17pt
+\fontdef \tt [Courier-rm/!] % \tt = fixed-font, the same as
+ % \global\font\tt=pcrr8u at10pt
+\endtt
+
+The declaration of the "\<fontswitch>" by "\fontdef" command is global
+but the "\<fontswitch>" itself has a local effect in the place where it is
+used.
+
+Since OFS version Oct.~2002, the "\addcmd"\inl[addcmd] command is
+supported, which makes possible to concentrate whole font
+management in one place. The format of "\addcmd" is:
+
+\begtt
+\addcmd \<fontswitch> {<commands>}
+\endtt
+%
+The meaning is same as
+
+\begtt
+\def\<fontswitch> {<the original meaning of fontswitch><commands>}
+\endtt
+%
+You can include new <commands> into the original content of the macro
+"\<fontswitch>". The control sequence "\<fontswitch>" has to be
+defined as a macro without parameters or as unexpandable control
+sequence (by "\font", "\chardef" etc.) before "\addcmd" is used.
+The "\addcmd" redefines "\<fontswitch>" as a macro without parameters in
+all cases. You can apply "\addcmd" on the same "\<fontswitch>"
+more than once.
+
+Examples:
+
+\begtt
+\setfonts [JannonText/]
+\fontdef \footnotefont [!/7]
+\addcmd \footnotefont {\rm \baselineskip=9pt \relax}
+\fontdef \sectionfont [!/12]
+\addcmd \sectionfont {\bf \let\it=\bi}
+\endtt
+
+\subsec Test of a family name existence
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\PLAIN:
+ You are able to test the font family declaration in your own marcos,
+ it means whether the font is loaded from the file of declarations.
+ The sequence "\knownfam <FamilyName>? \iftrue"\inl[knownfam]
+ is used for such test.
+ This sequence expands to "\iftrue", if the font family is declared
+ otherwise expands to "\iffalse". The parameter <FamilyName> has to be
+ brought in without the variant specification.
+
+\OBA: By reason of the backward compatibility with the older version of OFS
+ the "\ifknownfam [<FamilyName>]"\inl[ifknownfam] does the same as
+ "\knownchar" macro.
+ Since the version Feb.~2004 of the OFS for plain it is recommended
+ to use "\knownfam", because of correct alignment of the primitives
+ "\if*", "\else", "\fi". La\TeX\ user can define "\knownfam" quite easily.
+
+\subsec \LATEX: OFS and NFSS
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+This section is intended only for \LaTeX{} users.
+The command\inl[OFSfamily]
+
+\begtt
+\OFSfamily [<FamName>]
+\endtt
+%
+converts the long family name to internal short NFSS family name.
+For example
+
+\begtt
+\OFSfamily [Times]
+\endtt
+%
+expands to "ptm". The macro works only on expand processor level thus
+we don't get the error message if the <FamName> is not known. The
+"\OFSfamily" expands to the text ``"unknown"'' in such case.
+If you are using the "\OFSfamily" in your macro files and the
+NFSS try to substitute the "unknown" family then you can be sure that
+some misspelling occurs in <FamName> parameter or the required family
+is not known.
+
+The example:
+
+\begtt
+\usepackage [sjannon, sdynamo] {ofs}
+\edef\rmdefault {\OFSfamily [JannonAntikva]}
+\edef\sfdefault {\OFSfamily [DynaGroteskR]}
+\edef\ttdefault {\OFSfamily [Courirer]}
+\endtt
+
+The meaning of the macros "\rmdefault", "\sfdefault", "\ttdefault" is
+described in the NFSS documentation.
+
+OFS defines the command\inl[OFSfamilydefault]
+
+\begtt
+\OFSfamilydefault [<FamName>]
+\endtt
+%
+which sets the basic family of the whole document. This family is used
+in the plain text and in the chapter headers etc. too (if the used class
+file is made by common \LaTeX{} conventions). The command
+"\OFSfamilydefault" internally does:
+
+\begtt
+\edef\familydefault {\OFSfamily [<FamName>]}
+\endtt
+%
+and moreover it also cares for the case of the unknown <FamName>.
+If the <FamName> is not known then the list of the supported families is
+printed.
+
+\subsec The font encoding
+%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: The font encoding switching is the subject to the NFSS and OFS
+defines nothing more (i.e., packages "fontenc" and "inputenc"
+work as expected).
+
+\PLAIN (to the end of this section):
+OFS sets the font encoding into CSfonts encoding by default.
+If you need to use fonts encoded in another encoding (T1 by Cork,
+for example) then you write "\def\fotenc{8t}"\inl[fotenc]
+before the OFS is included and OFS will operate the fonts with this encoding.
+The name ``"8t"'' is an example of T1 encoding.
+
+You can even switch the encoding inside the document:
+
+\begtt
+\def\fotenc{8z} \setfonts[/] ... fonts in CSfont encoding
+\def\fotenc{8t} \setfonts[/] ... fonts in encoding by Cork
+\endtt
+
+Moreover there are tools in OFS for correct macros expansion,
+that are dependent upon the font encoding (for example "\v", "\'", "\ae").
+
+By default, OFS set "\loadingenc=0"\inl[loadingenc],
+which means, that font encoding change nor the command "\setfonts" does not
+change of the macros of the type "\v", "\ae". These macros hold their
+original \hbox{plain} meaning. Such a feature will welcome plain users,
+who dislikes too inteligent packages.
+
+But, if the document starts with "\loadingenc=1", for example:
+
+\begtt
+\input ofs [a35,sjannon] \loadingenc=1
+\endtt
+%
+then \TeX{} checks during every run of the "\setfont" command,
+whether all necessary files named "ofs-<encoding>.tex" are loaded.
+These files contain macro definitions dependent on the preset font encoding.
+If these files are not loaded, \TeX{} loads them during the run of "\setfonts".
+More informations on this topic can be found in the sections~\beglink{3.3}3.3\endlink{}
+to~\beglink{3.5}3.5\endlink.
+
+The OFS package contains three basic files with macros definitions dependent
+on the encoding: "ofs-8z.tex", "ofs-8t.tex" and "ofs-8c.tex". If you use another
+font encoding, you can create a new similar file. Commands "\accentdef"
+and "\characterdef" used in these files are described in details in the
+\beglink{3.4}section~3.4\endlink.
+
+\subsec The fonts in mathematics
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: OFS for \LaTeX{} does nothing with the issue of math fonts.
+You need to use some \LaTeX{} package or build on the capabilities of NFSS.
+
+\PLAIN (to the end of this section):
+The command "\setfonts" and the control sequences declared by "\fontdef"
+switch fonts in text mode only. Until you use the
+"\setmath" command, all text between dollars is in Computer Modern in
+10\,pt/7\,pt/5\,pt sizes (text/index/index of index).
+
+The "\setmath"\inl[setmath] command has the following syntax:
+
+\begtt
+\setmath [<text size>/<index size>/<indexindex size>]
+\endtt
+%
+The parameters set sizes of mathematical fonts and they
+have same syntax as in the "\setfonts" command.
+The keyword "mag" means the magnification to the size of
+the current textual font. The empty parameter means the following
+substitution:
+
+\begitems
+* text size: "mag1.0"
+* index size: "mag0.7"
+* indexindex size: "mag0.5"
+\enditems
+
+It means that "\setmath[//]" has the same effect as
+"\setmath[mag1./mag.7/mag.5]". The
+"\setsimplemath"\inl[setsimplemath]
+command is defined in OFS as the equivalent of the
+"\setmath[//]" command.
+
+The "\setmath" sets the mathematical fonts depending on the values of the
+macros "\fomenc" and "\mathversion". The "\fomenc"\inl[fomenc] means the
+mathematical encoding and the "\mathversion" means
+the version of the math-families set.
+
+Mathematical encoding is set by the value of the macro
+"\fomenc".\inl[fomenc].
+There exist following possibilities:
+
+\begitems
+* If the default value "\def\fomenc{PS}" (PostScript fonts) is used
+ then "\setmath" sets the
+ italic from the current font family as a mathematical italic ("\fam1").
+ It uses "\rm" from the current font family for
+ digits and a some other symbols. The variant selectors
+ "\rm", "\it", "\bf" and "\bi" work in math mode too.
+%
+ Moreover, when "\def\fomenc{PS}" is used then the math symbols from "\fam2" and Greek
+ symbols (originally located in "\fam1") are used from PostScript
+ Symbol font. This font is much better visual compatible with most
+ Postscript fonts than the Computer Modern symbols. Other symbols (e.\,g.,~big operators
+ and big braces) stay in Computer Modern font because unfortunately
+ there is no common alternative for these glyphs.
+
+* If "\def\fomenc{CM}" is used then "\setmath" command keeps the Computer Modern
+ fonts in math formulae. It sets only the desired sizes given in the
+ parameters.
+
+* It is possible to use "\def\fomenc{AMS}" after loading the file "amsfn.tex".
+ Mathematic symbols are the same as while using "CM", but in addition
+ you can use all mathematics symbols from~AMS\TeX{}.
+
+* After loading the file "txfn.tex", you can use two new encodings:
+ "\def\fomenc{TX}" or "\def\fomenc{PX}".
+ In both cases the free TXfonts are used for mathematics, they are compatible
+ with the font families Times and Helvetica. If you choose the value "TX" then
+ pure TXfonts are used for all mathematic symbols, whereas
+ the value "PX" means that TXfonts
+ are going to be combined with italics and with the basic fontface of the actual
+ font family (similar to "PS" encoding). OFS supports all control sequences
+ of the mathematic symbols, as is mentioned in the TXfonts reference. There are
+ all symbols from the AMS\TeX{} and many more there. There are
+ hunderts sybols from TXfonts.
+
+* After loading the file "mtfn.tex", it is possible to use "\def\fomenc{MT}".
+ Mathematics will contain italics and basic fontface of the actual font family
+ as well. And it will be combined with the characters of the commercial version
+ of the mathematics fonts MathTimes.
+\enditems
+
+OFS supports two versions of math formulae as default: normal and
+bold version. The user can define another versions---see
+\beglink{3.6}section 3.6\endlink.
+The current version is set by the contents
+of the "\mathversion"\inl[mathversion]
+macro. You can say "\def\mathversion{normal}" or "\def\mathversion{bold}"
+before "\setmath" command. The "normal" version is used as
+default. Examples:
+
+\begtt
+\setmath [//] $formula$ % formula in "normal" version
+$\def\mathversion{bold}\setmath[//] formula$ % formula in "bold" version
+\endtt
+
+\sec The inside of OFS for insiders
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: All auxiliary macros of OFS are defined in "ofs.sty" file with
+the name "\ofs@macroname" in order to avoid the confusion with other
+style files. The macros used in declaration files have the name
+"\OFSmacroname". Moreover OFS defines user-level macros "\fontdef", "\showfonts",
+"\fontusage", "\rm", "\bf", "\it" and "\bi".
+
+\PLAIN: All auxiliary macros of OFS are defined in "ofs.tex" file and
+they are listed in index at the end of this document. The convention
+with the~"@" character is not used because I personally hate this character in
+macro names.
+
+\subsec Debugging
+%%%%%%%%%%%%%%%%%
+
+\LATEX: Use the standard NFSS package "tracefnt" for tracing purposes.
+
+\medskip
+\PLAIN: There are four commands for tracing OFS:
+\begitems
+* "\nofontmessages"\inl[nofontmessages] sets no tracing info.
+* "\logfontmessages"\inl[logfontmessages] sets the tracing info to log file only.
+* "\displayfontmessages"\inl[displayfontmessages] sets the tracing
+ info to log file and to terminal.
+* "\detailfontmessages"\inl[detailfontmessages] sets the detailed
+ tracing info to log and to terminal (all "\font" primitives are traced).
+\enditems
+The "\logfontmessages" is initialized by default.
+
+The warnings about unaccessible characters or encodings are always displayed
+on the terminal and they are written into the log file. If you want log output only,
+you can write "\let\displaymessage=\wlog"\inl[displaymessage],
+because OFS uses this sequence for displaying messages on the terminal.
+
+\subsec The robust and fragile commands
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: \LaTeX{}2e has its conventions to define robust commands.
+The command "\setfonts" and the "\<fontswitches>" declared by
+"\fontdef" are robust, of course. They can be used in texts for table
+of contents, indexes etc.
+
+\PLAIN (to the end of this section):
+Plain\TeX{} does not solve the problem of fragile commands and its
+users have their own solutions without any standardization. One
+solution is used in OFS.
+
+What is a fragile command? We sometimes need to send some part of
+text to auxiliary file (for table of contents, index, etc.). We
+are doing it by "\write" primitive and in second run of \TeX{} this
+file is "\input"-ted. The problem is that the "\write" primitive prints
+the text to the file after all macro expansions and it may cause
+problems. For example, if the font switch is implemented as a
+complicated macro and it is used in "\write" parameter then the macro
+is stored in the file after its expansion.
+The error can occurs in most cases during the "\input" of such file.
+We say that the \uv{fragile}
+command was used in "\write" parameter and that this command
+\uv{was got spilt} in auxiliary file.
+
+If the (potentially) fragile command defined in OFS is being
+sent to the file then the
+following message is printed on the terminal and to the log file during the
+"\input" of the file:
+
+\begtt
+ERROR !! The fragile command in the toc/ind/aux or similar file.
+You can solve this problem by the following steps:
+1. Remove the auxiliary file with this command.
+2. Include the following macro code into your document header:
+ \let\orishipout=\shipout
+ \def\shipout#1#2{\setbox0=#1{#2}\bgroup
+ \let\expandaction=\noexpand \orishipout\box0 \egroup}
+3. Run TeX on your document again and again...
+See the OFS documentation for more info.
+! The fragile command in auxiliary file
+\endtt
+
+You can follow this hint to remove the problem.
+
+The detail explanation of this behavior follows. The "\setfonts" and
+other (potentially) fragile macros are implemented in OFS by the
+following way:
+
+\begtt
+\def\macro {%
+ \ifx\expandaction\noexpand
+ \noexpand\macro
+ \else
+ \csname fragilecommand!\endcsname
+ <the macro code>
+ \fi
+}
+\endtt
+
+If "\expandaction"\inl[expandaction] does not have the meaning
+"\noexpand" then the "\else" part of the macro
+code is performed. The
+"\csname fragilecommand!\endcsname"\inl[fragilecommand!]
+expands to "\fragilecomand!" and this text occurs in auxiliary file.
+If this file is included in next \TeX{} run then the
+"\fragilecomand"\inl[fragilecommand]
+runs and this command prints the
+message with the hint mentioned above.
+
+If the user follows the hint then the "\expandaction"
+has the meaning of "\noexpand" when the "\shipout" is active
+(it means during the no-immediate "\write" parameter expansion).
+The "\macro" expands to "\macro" and this text is stored in
+auxiliary file.
+
+The "\shipout" is not re-defined in OFS by default---only a suggestion
+is printed if fragile command in the "\write" parameter occurs. The
+reason is that a plain\TeX{}
+user may have his/her own redefinitions of "\output" routine or
+"\shipout" primitive thus OFS for plain does not do any redefinitions at
+this level itself. Unlike \LaTeX{} users the plain user needs exactly
+to know how his macros work.
+
+The code above illustrate the definition of an abstract macro
+"\macro". The similar code is used for the following actual macros in
+OFS: "\setfonts" (\beglink{2.2}section~2.2\endlink),
+"\setmath" (\beglink{2.7}section~2.7\endlink),
+"\<fontswitches>" declared by "\fontdef"
+macro (\beglink{2.3}section~2.3\endlink),
+"\setextrafont", "\printcharacter", "\printaccent"
+(\beglink{3.4}section~3.4\endlink),
+"\accentabove" and "\accentbelow" (\beglink{3.6}section~3.6\endlink).
+If you use the hint above then these macros become \uv{robust}
+in \LaTeX{} sense of this word.
+
+\subsec Declaration files
+%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: The declaration files for OFS are common \LaTeX{} style files
+which includes mapping from long family names to NFSS family names
+of one or more font families. These NFSS families are declared in
+common~"fd" files. Use NFSS documentation to create "fd" files.
+You can use the following commands in the OFS declaration files:
+
+\begitems
+* "\OFSprocessoptions"\inl[OFSprocessoptions]:
+ This macro is undefined by default but it has the meaning "\relax"
+ during "ofs.sty" file is scanned and its options are included.
+ You can test by "\ifx" the value of this control sequence in order
+ to skip the "\RequirePackage{ofs}".
+* "\OFSextraencoding {<extra encoding>}"\inl[OFSextraencoding]:
+ The macro stores the <extra encoding> into memory and does
+ "\input {<extra encoding>ini.def}".
+ We assume that the corresponding definitions for <extra encoding>
+ are included in this file. See "se1ini.def". This file includes the
+ declarations for extra encoding SE1 for fonts by Storm Type Foundry.
+ If the "<extra encoding>ini.def" file was included already it is not
+ included again. Attention: use uppercase letters for <extra encoding>
+ parameter but use lowercase letters in filename.
+* "\OFSputfamlist {<text>}"\inl[OFSputfamlist]:
+ The macro adds the <text> into the list of family names.
+ This list is printed by "\showfonts" command or if unknown family is
+ used in "\setfonts".
+* "\OFSdeclarefamily [<FamName>] {<NFSS-name>}"\inl[OFSdeclarefamily]
+ This macro does an actual mapping from <FamName> (long family name)
+ to the <NFSS-name> (short NFSS family name). Moreover, it stores the
+ line about this family name to the list of family names which is
+ printed by "\showfonts" command.
+* "\OFSnormalvariants"\inl[OFSnormalvariants]:
+ This macro stores the list of standard switches
+ "\rm,"~"\bf," "\it," "\bi" into the list of family names which is
+ printed by "\showfonts" command.
+\enditems
+
+\PLAIN (to the end of this section):
+The declaration files have the extension "tex" and we assume that there is
+a locking code in them so that the file will not be read twice.
+If the "ofs.tex" is not included already then it have to be included at the
+begin of declaration file.
+
+You have to define the mapping from long family names to "tfm" names in
+the declaration files. You can use the following commands:
+
+\begitems
+* "\protectreading <filename><space>"\inl[protectreading] ---
+ the flag about the <file> reading is saved in the memory.
+ If the command is run with the same parameter once more,
+ the "\endinput" is executed. It means
+ that next declarations are protected against the multiple reading.
+* "\ofsputfamlist {<text>}"\inl[ofsputfamlist]:
+ The macro adds the <text> into the list of family names.
+ This list is printed by "\showfonts" command or if unknown family is
+ used in "\setfonts".
+* "\ofsdeclarefamily [<FamName>] {<commands>}"\inl[ofsdeclarefamily]:
+ This macro declares the new font family with the name <FamName>.
+ The <FamName> is stored into the list of family names which is
+ printed by "\showfonts" command. If this family is used by
+ "\setfonts" then the <commands> are performed. We assume that the
+ <commands> include "\loadtextfam" command and (zero or more)
+ "\newvariant" commands.
+* "\loadtextfam"\inl[loadtextfam]:
+ This macro loads four fonts with given metrics. See below for the syntax and
+ the detail explanation of this command.
+* "\newvariant<digit> \<switch> (<Variant>) <space> <metric>;<extra-enc>;"\inl[newvariant]:
+ \null\space This macro sets the \uv{nonstandard} variant for given font family.
+ See below for the detail explanation of this command.
+* "\modifyenc <encoding>:<identifier>;"\inl[modifyenc] --- the exceptions
+ are added with respect to the basic encoding, see~\beglink{3.5}section~3.5\endlink.
+* "\fosize"\inl[fosize]:
+ The information about the actual font size of the last selected font
+ family is stored in this macro. The value of this macro can be in
+ one of the two forms: "at<dimen>" or "scaled<number>". This depends
+ on the form of <size> parameter given in "\setfonts" command.
+* "\fotenc"\inl[fotenc]:
+ The actual encoding is stored in this macro. The common values are:
+ "8z" for encoding by CS-fonts (by ISO-8859-2) or "8t" for encoding
+ by Cork. The part of "tfm" name (where encoding is specified)
+ is recommended for values of "\fotenc" macro.
+ If "\fotenc" is undefined at the time of OFS is initializing, the
+ OFS makes "\def\fotenc{8z}" else the "\fotenc" is unchanged.
+* "\extranec"\inl[extraenc] --- macro, that stores the information
+ about the extra encoding. This information is copied from the parameter
+ <extra-enc>, that is located in the "\laodatextfam" command.
+* "\defaultextraenc"\inl[defaultextraenc] --- if you redefine this macro, the
+ extra encoding of the basic families and the families from~"a35.tex" can be
+ changed. The default value of this macro is "8c".
+* "\setfontshook"\inl[setfontshook]:
+ This macro is called from "\setfonts" macro before <commands> from
+ "\ofsdeclarefamily" are performed.
+* "\registertfm <symbolic name> <from>-<to> <real metric>"\inl[registertfm]:
+ You can declare different "tfm" names for different font sizes.
+ See \beglink{3.7}section~3.7\endlink{} for more details.
+* "\registerenc <FamilyName>: <encoding> <space>"\inl[registerenc]
+ --- enables the limitation of usage the font families only for
+ certain encodings. See~\beglink{3.9}section~3.9\endlink.
+\enditems
+
+The "\loadtextfam" command used in declaration files
+has the following syntax:
+
+\begtt
+\loadtextfam (<Variant-rm>) <space> <metric-rm>;%
+ (<Variant-bf>) <space> <metric-bf>;%
+ (<Variant-it>) <space> <metric-it>;%
+ (<Variant-bi>) <space> <metric-bi>;<extra-enc>;%
+\endtt
+%
+The percent characters at the ends of lines here mean that no spaces are
+allowed after semicolons.
+You can save the long name of the used variant by "(<Variant-..>)" parameter.
+This name us used only when the OFS is traced by "\logfontmessages" or
+others commands. The parameters ``"(<Variant-..>) <space>"'' are optional.
+If this parameter is omitted then default value is stored:
+"rm: ()", "bf: (Bold)", "it: (Italic)", "bi: (BoldItalic)".
+
+The parameters <metric-..> are the names of the "tfm" files for the
+appropriate variants. The "\loadtextfam"\inl[loadtextfam]
+does roughly the following work:
+
+\begtt
+\font\tenrm=<metric-rm> \fosize
+\font\tenbf=<metric-bf> \fosize
+\font\tenit=<metric-it> \fosize
+\font\tenbi=<metric-bi> \fosize
+\endtt
+%
+We assume that all <metric-..> parameters are written with the
+"\fotenc" macro in order to make the switching to others
+encodings possible.
+
+The <extra-enc> parameter is the name of the extra encoding. If this
+parameter is non-empty then the "\loadtextfam" command redefines
+temporally the "\fotenc" macro: "\def\fotenc{<extra-enc>}" and it
+expands all parameters <metric-rm>, <metric-bf>, <metric-it> and
+<metric-bi> again. The results of these expansions are stored into
+memory. They are the \uv{extra metrics} connected to the
+\uv{basic metrics}.
+If the <extra-enc> parameter is empty then there are no
+\uv{extra metrics} connected to \uv{basic metrics}.
+One can use a macro which can need the access
+to the extra metric concerned to the basic metric of the current font.
+The macro for "\euro" character is the good example of these needs.
+
+Some <metric-..> (except of <metric-rm>) can be omitted. When the
+<metric-XX> is empty then the "\loadtextfam" command
+does roughly the following work:
+
+\begtt
+\def\tenXX{\message{WARNING: the needed font variant is missings}}
+\endtt
+%
+It means that if the user needs the omitted variant then the message
+is printed to the log file and to the terminal and no font change is done.
+
+The "\setfonts"\inl[setfonts] command does not change the meaning of
+the macros "\rm", "\bf", "\it" and "\bi". It only changes the font
+switches "\tenrm", "\tenbf", "\tenit",\inll[tenrm \back tenbf \back tenit]
+and "\tenbi" respectively\inl[tenbi]. The first three font switches are known in
+plain and the last one is introduced in OFS.
+The macros "\rm", "\bf", "\it" and "\bi" store the information about
+last selected variant into control sequence "\currentvariant"\inl[currentvariant].
+This information has the form of the letter "M" (for "\rm"), "F" (for "\bf"),
+"T" (for "\it") and "I" (for "\bi"). It is stored by
+"\let\currentvariant=<letter>"
+because this code is not expanded. Thus we need not to implement a
+special \uv{robust} code to the macros for variant switches.
+
+Note that the "\loadtextfam" command sets the font switches
+"\tenrm", "\tenbf", "\tenit" and "\tenbi" to the fonts of arbitrary
+size given by the contents of the "\fosize" macro. The word ``"ten"''
+in names of font switches is used only for the historical reasons and it does
+not mean that the font is loaded at 10\,pt size.
+
+You can object that the repetitive calls of "\setfonts" runs the
+font loading on the four fonts in given font family again and again.
+This can be time consuming operation. But you are not right. \TeX{}
+stores the font information from font loading in its internal memory
+and if the "\font" primitive is applied again to the same font then
+\TeX{} uses the information stored before and it needs not to load the
+font again.
+
+If "\loadingenc>0"\inl[loadingenc] the command "\loadtextfam" reads
+the file "ofs-\fotenc.tex" before fonts loading.
+If the parameter <extra-enc> is non-empty, it loads moreover the file
+"ofs-<extra-enc>.tex". These files are read only once. Empty lines
+and ends of lines are ignored during reading. Reading is performed inside the
+group. The character categories are locally set in accordance to
+plain\TeX{} (and~"\catcode`@=11"). The "\globaldefs=1" is set. It means,
+that all macros and values from the file "ofs-<encoding>.tex" are
+defined globally.
+That does not matter, because newly loaded encoding files do not conflict
+with the previous ones (see the commands "\characterdef" and "\accentdef"
+in~\beglink{3.4}section~3.4\endlink). It does not matter at all, if there
+are loaded more files, than is necessary at a given instant. It is not wise
+to read the encoding file repeatedly, when the command "{...\setfonts...}"
+is executed. This is the reason of the global definition.
+If the user dislikes the global predefined macros (he/she wants to add the
+article into the proceedings, where such a predefined macros can collide with
+other articles), he lets the "\loadingenc=0". In this case, the
+declaration files have to be loaded manually by "\input" command at
+the beginning of the article.
+
+You can declare a nonstandard variant in <commands> of the
+"\ofsdeclarefamily" by the "\newvariant"\inl[newvariant] command.
+The "\newvariant" command does roughly the following:
+
+\begtt
+\font\ten<switch>=<metric> \fosize
+\def \<switch> {\let\currentvariant=<digit> \ten<switch>}
+\endtt
+%
+Moreover the "\newvariant" stores the \uv{extended metric}
+connected to the \uv{basic metric} if the <extra-enc> is not empty.
+
+If the OFS needs to return to the last \uv{nonstandard variant} then
+it does it by the value of the "\currentvariant". If the new family
+has the \uv{nonstandard variant} with the same <digit> as a previous
+family then this variant is used and OFS does not switch to the "\rm"
+variant. You can declare the variants of various families but the
+similar \uv{type} with the same <digit>.
+There are only ten digits thus we can distinguish only ten different
+\uv{types} of \uv{nonstandard variants}.
+
+The macro "\setfonts" can change the meaning of the macros
+"\loadtextfam" and "\newvariant" if the
+"-<variant>" is specified in <FamName> parameter of "\setfonts".
+It is sufficient to load only one font in such case but not the whole
+family. If the ``"-<variant>"'' is \uv{standard} then "\newvariant" is
+redefined so that it do nothing and "\loadtextfam" is redefined in
+order to load only one font of the variant specified.
+If the "-<variant>" is is \uv{nonstandard} then "\loadtextfam" do
+nothing and "\newvariant" loads the font only if it loads the variant
+specified.
+
+We describe the operations of "\setfonts [<FamName>/<size>]"\inl[setfonts]
+command here in detail. This command calculates and defines the
+"\fosize" macro by the <size> parameter. If the <FamName> is not empty
+and the "-<variant>" is not given then "\setfonts" performs
+"\def\currentfamily{<FamName>}"\inl[currentfamily]. On the other hand,
+if the <FamName> is empty then the "\currentfamily" is used for
+restoring the family name. If the "-<variant>" is given then
+"\setfonts" redefines the "\loadtextfam" and "\newvariant" macros at
+the temporary time. This behavior is described in previous paragraph.
+Then the "\setfonts" runs "\setfontshook" and <commands>
+specified as a parameter of "\ofsdeclarefamily" of the
+appropriate <FamName>. It also runs macro "\runmodifylist"\inl[runmodifylist],
+that at certain circumstances sets the exceptions from the chosen encodings
+(see~\beglink{3.5}section~3.5\endlink). Finally the "\setfonts" runs
+"\ignorespaces" at the end of its run in order to ignoring the possibly
+forgotten space after ``"]"''.
+
+\subsec The font encoding and the character declaration
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\PLAIN: You can use the macro "\setextrafont"\inl[setextrafont] to
+switch to the extra metric of the current font. If the extra metric
+connected to the metric of current font is stored in \TeX{} memory (by
+"\loadtexfam" or "\newvariant" command) then "\setextrafont" do roughly
+the following work:
+
+\begtt
+\font\extrafont=<extra metric connected to the current metric> \extrafont@inl[extrafont]
+\endtt
+
+\LATEX: You can use the macro "\setextrafont" to switch to the extra
+encoding declared by "\OFSextraencoding" command. If this encoding is
+declared then "\setextrafont" do roughly
+the following work:
+
+\begtt
+\fontencoding{<extra encoding>}\selectfont
+\endtt
+
+\OBA:
+If you need to print the character from extra metric/encoding from
+slot of <number> position then you can use the macro
+"\extchar <number>"\inl[extchar].
+
+\PLAIN (to the end of this section):
+You can use the commands "\characterdef" and "\accentdef" to declare
+the macros which depend on font encoding. See the "ofs-8t.tex" and
+"ofs-8z.tex" for a good illustration.
+
+The "\characterdef"\inl[characterdef] has the following syntax:
+
+\begtt
+\characterdef \<sequence> <encoding> <space> <number>
+% example:
+\characterdef \promile 8z 141
+% or
+\characterdef \<sequence> <encoding> <space> {<commands>}
+% example:
+\characterdef \promile 8t {\%\char24 }
+\characterdef \promile * {\vrule height1ex width1ex\relax}
+ % in another encodings
+\endtt
+
+If the current encoding is the same as <encoding> then "\<sequence>"
+will expand to the token of category~12 with the code <number>
+or it expands to the <commands>.
+All work is done at expand processor level when "\<sequence>" is used.
+You can declare the same "\<sequence>"
+for more encodings, see the "\promile" declarations in previous examples:
+
+\begtt
+\def\fotenc{8z} \promile % expands to the token with the code 141
+\def\fotenc{8t} \promile % expands to the commands \%\char24
+\endtt
+
+Moreover you can simply declare the access to the extra encoding:
+
+\begtt
+\characterdef \euro 8z 134
+\characterdef \euro 6s 37
+
+\def\fotenc{8z} \euro % expands to the token of the code 134
+\def\fotenc{8t} \euro % expands to: {\setextrafont <token with 37 code>}
+\endtt
+
+The second example is working only if the extra metric connected to
+the current metric exists (see "\loadtextfam" and "\newvariant" commands)
+and the extra metric has the "6s" encoding. If this is not valid then
+the "\euro" prints the warning about inaccessibility of the "\euro"
+character to the terminal and to the log file.
+
+Now, we explain the behavior of the "\characterdef"ed macros
+in more details. The "\characterdef" command defines
+the "\<sequence>" as "\printcharacter{<sequence>}",\inl[printcharacter]
+it means that "\promile" expands to "\printcharacter{promile}" and "\euro" to
+"\printcharacter{euro}" in our examples.
+If you use the "\characterdef" twice to the same "\<sequence>" then it
+does not matter because the definition is still the same.
+Moreover, "\characterdef" defines the special macro
+"\<sequence>:-<encoding>" in order to this macro expands to the
+token of given <number> code or to the given <commands>.
+The more work is done by the "\printcharacter" macro.
+This macro checks if the "\<sequence>:-\fotenc" is defined.
+If it is true then "\printcharacter" expands to the contents of this
+macro. Else "\printcharacter" checks if the extra metric is connected
+to the current font. If it is true then "\printcharacter" checks if the
+"\<sequence>:-<extra-enc>" is defined where <extra-enc> is the
+encoding of the extra metric. If it is true then
+"\printcharacter" expands to
+{\hbadness=1110\par}
+
+\begtt
+{\setextrafont \<sequence>:-<extra-enc>}
+\endtt
+%
+If all attempts fail then the "\printcharacter" try to print the default character
+independent on encoding. It means, the "\printcharacter" checks if the
+"\<sequence>:-*" is defined and if true, it expands to this macro.
+
+If this is false then the "\printcharacterwarn{<sekvence>}"
+is run.\inl[printcharacterwarn]
+The implicit value of this macro prints out a warning, that the
+character <sequence> is not available. It is printed on the
+terminal and into the log file.
+No character is printed to "dvi" output.
+
+If we want to omit the warning printing, we can redefine the
+"\printcharacterwarn" for example by following way:
+
+\begtt
+\def\printcharacterwarn #1{?(#1)?}
+\endtt
+
+The "\characterdef" does not redefine the defined control
+sequences since the version OFS Mar. 2004. It defines only sequences,
+that have the meaning "\undefined" or "\relax". Otherwise
+(and also if the sequence is not defined by previous "\characterdef")
+it prints the warning, that the definition is ignored.
+The reason is that the encoding files declares by "\characterdef" command
+enormous amount of new control sequences. But the programmer
+have not to know all of them. It is possible, that he/she uses the same name
+for his/her own macro. In this case, the "\characterdef" keeps the macro
+defined by the programmer and lets the appropriate character unaccessible.
+You have to write "\let\<sequence>=\relax" befor of the "\characterdef" command
+if it is really necessary to redefine some control sequences
+(this procedure is needed for macros dependent on the encoding and
+defined in plain\TeX).
+
+The macro "\safelet"\inl[safelet] has been added into OFS for the same reasons.
+It acts similar to "\let", but resists to redefine the predefined control
+sequences. The warning is printed by "\safeletwarn"\inl[safeletwarn]
+macro instead of redefinition.
+
+You can use "\accentdef"\inl[accentdef] command to declaration of the
+accent macros "\'", "\v", etc. depend on encoding.
+This command has the following syntax:
+
+\begtt
+\accentdef \<sequence> <char> <optional space> <encoding> <space> <number>
+% example:
+\accentdef \v E 8z 204 % Ecaron
+\accentdef \v e 8z 233 % ecaron
+% or
+\accentdef \<sequence> <char> <optional space> <encoding> <space> {<commands>}
+% example:
+\accentdef \v * 8z {\accent20 } % default caron in 8z
+\accentdef \v * * {\blackbox } % default caron
+\endtt
+
+If the current encoding is the same as <encoding> then "\<sequence>"
+followed by <char> expands to the token of category~12 with the code
+<number> or to the <commands>. This work is done at expand processor
+level. If the declared <char> is "*" then the "\<sequence>"
+expands to the token of given <number> code or to the
+given <commands> in the case of the
+actual <char> does not match with all declared <chars>.
+
+The possibility of the use of the extra metric is the same in
+"\accentdef"-ed macros as in the "\characterdef"-ed macros.
+
+Now, we explain the functionality of the "\accentdef"-ed macros
+in more details. The "\accentdef" command defines the "\<sequence>"
+as a macro with one non separated parameter~"#1" which expands to the
+"\printaccent{<sequence>}{#1}"\inl[printaccent]. For example, "\v E"
+expands to "\printaccent{v}{E}". Moreover, "\accentdef" defines the
+macro "\<sequence>:<char>:-<encoding>" in order to this macro expands to the
+token of given <number> code or to the given <commands>.
+The more work is done by the "\printaccent" macro.
+This command checks if the "\<sequence>:<char>:-\fotenc" is
+defined. If it is true then "\printaccent" expands to the contents of
+this macro. Else the "\printaccent" checks if the extra metric is connected
+to the current font. If it is true and if this extra metric has
+<extra-enc> encoding then "\printaccent" checks if the
+"\<sequence>:<char>:-<extra-enc>" is defined. If it is true then
+"\printaccent" expands to "{\setextrafont \<sequence>:<char>:-<extra-enc>}".
+Else "\printaccent" checks if the macros "\<sequence>:*:-\fotenc"
+and "\<sequence>:*:-<extra-enc>" are defined in this order.
+If the first one is defined then "\printaccent" expands to this macro
+and appends the <char>. If only the second one is defined then
+"\printaccent" expands to:
+
+\begtt
+{\setextrafont \<sequence>:*:-<extra-enc> <normalfont> <char>}
+\endtt
+%
+where <normalfont> is the font switch to the current font at the start
+of "\printaccent" macro. If all attempts fail so far then
+"\printaccent" try to use the macros "\<sequence>:<char>:-*"
+or "\<sequence>:*:-* <char>" in this order. If all the previous commands
+fail, the "\printaccentwarn{<sequence>}{<character>}"\inl[printaccentwarn] is run.
+The default value of this macro prints out on the terminal and into the log
+file the warning about the unaccessibility of the accented character
+and no character is printed on "dvi" output.
+
+Note that the character from extra metric inside the word breaks the
+kerning around this character and breaks the possibility of
+hyphenation of this word. It is extremely recommended that a basic
+metric encodes all alphabet used in current language in order to
+minimize switching to extra metric. For example, the "8t" and
+"8z" encodings are good choice as basic metric for Czech and Slovak
+languages.
+
+If we want to take out predeclared character\inl[characterdel]
+(see so called <exceptions> in the next section), we can use the
+commands"\characterdel" and "\accentdel".\inl[accentdel]
+These commands have to have the same parameters like "\characterdef" and
+"\accentdef" respectively and they take out the command definition
+"\<sequence>:-<encoding>" and "\<sequence>:<char>:-<encoding>"
+respectively.
+
+%The last part of this section is applied to the example of the inteligent
+%"\Uppercase" definition:
+%
+%\begtt
+%\def\Uppercase #1{\bgroup
+% \let\expandaction=\noexpand % \euro stays unchanged
+%
+% \u{g} unchanged as well
+% \def\ss{SS}\def\l{\L}\def\o{\O}\def\ae{\AE}\def\oe{\OE}%
+% \edef\tmp{#1}\expandafter
+% \egroup \expandafter\uppercase\expandafter{\tmp}%
+%} % \uppercase changes \u{g} to \u{G}.
+%\endtt
+
+\subsec \PLAIN: Macro files dependent on the encoding and encoding exceptions
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Commands "\characterdef" and "\accentdef" described in the previous
+section redefines macros dependent on the encoding ("\v", "\ae", etc.).
+In this section, we are going to describe the conception of placement
+these macros.
+
+Macros declarations by means of "\characterdef" and "\accentdef"
+have to be written into the files called "ofs-<encoding>.tex"
+(so called~{\it encoding files\/}). The command "\loadtextfam" (called
+from the "\setfonts" macro) reads these declarations from these files while
+"\loadingenc=1"\inl[loadingenc] is set.
+
+Every encoding contains its own basic set of characters and accented types.
+This set is registered in the encoding file by the
+"\characterdef" and "\accentdef" commands. Particular font families can contain
+some additional characters or some characters can be missing in reference
+to that basic set. These exceptions are declared by means of the command
+"\modifydef"\inl[modifydef]:
+
+\begtt
+\modifydef <encoding>:<identifier>; {<exceptions>}
+\endtt
+%
+The <exceptions> contain the commands "\characterdef", "\accentdef",
+"\characterdel" and "\accentdel". The "\*del" commands have to contain
+the the same value of the character in the argument as in basic encoding set.
+If any character has to be redefined, the commands "\*del" and "\*def" corresponding
+to this character must be written one after another.
+
+The command "\modifyenc"\inl[modifyenc] used in the pearameter of the
+"\ofsdeclarefamily" macro is a ``link to <exceptions>''. You can mark
+by "\modifyenc" command that the family
+contains <exceptions> with respect to the basic encoding set.
+The command has following notation:
+
+\begtt
+\modifyenc <encoding>:<identifier>;%
+\endtt
+%
+You can list more of one command for every font family
+(these commands can contain different <encoding> as well).
+Nothing is done, if this command links to <exceptions>, that were not
+yet declared.
+
+An example of the exceptions declaration "8z:csfonts" can be
+found in the file "ofs-8z.tex" and links to them are used in families "CM*"
+in the file "ofsdef.tex".
+
+Commands "\modifyenc" are run at each "\setfonts". As the matter of fact
+these commands only stores their parameters into so called ``list of links''
+(to the macro "\newmodifylist"\inl[newmodifylist]). At each start of the "\setfonts",
+the new list of links is created. The "\modifyenc" command stores its
+parameter into this list
+only if <encoding> is equal to "\fotenc" or "\extraenc". The exception handling provides
+the command "\runmodifylist" that is run on the end of the "\setfonts" command.
+Its activity is an object of the next paragraphs.
+
+The macro "\runmodifylist"\inl[runmodifylist] compares the ``list of links''
+of the previous family ("\modifylist"\inl[modifylist]) with the ``list
+of links'' of the newly
+set family ("\newmodifylist"). The "\runmodifylist" finishes its activity,
+if both lists are the same or "\modifylist" has the meaning "\relax".
+Otherwise, the setting of exceptions is run: At first, meanings of
+"\characterdef"$\leftrightarrow$"\characterdel" and
+"\accentdef"$\leftrightarrow$"\accentdel" are exchanged and "\modifylist" is run.
+In other words, the macros dependent on the encoding are returned
+to the initial state (without exceptions). During this activity,
+the deleting of the character is ignored,
+if the character was declared immediatelly before
+(see the rule about character redefinition above).
+Next, the command "\runmodifylist" returns
+the "\characterdef" and "\accentdef" into the initial state and run "\newmodifylist".
+All the redefinitions, that takes place during this activity, are just local.
+The mechanism of two lists ensures, that for example:
+
+\begtt
+\setfonts [Family1/] ... \setfonts [Family2/] ...
+\endtt
+%
+the exceptions of the actual encoding will be correctly set even
+for the Family2, eventhough the Family1 has another set of exceptions
+than Family2.
+
+The control sequence "\modifylist" has the meaning of the empty
+macro after the OFS startup. The macro programmer can set
+"\let\modifylist=\relax" to override every set of exceptions.
+Note, that declaration commands "\modifydef" store <exceptions> into the memory
+and execute them in order to define all declared sequences corresponding to
+"\printcharacter" and "\printaccent" respectively. It means, that every
+control sequence from all exceptions is defined (the message {\tt undefined
+control sequence} is not displayed). Moreover OFS has perfect view whether the
+control sequence is available or not in the actual family. The macro programmer
+can then redefine macros "\print*warn".
+
+The command "\modifydef" slightly changes commands
+"\accentdef", "\accentdel", etc. for a temporary time and then
+it executes the
+<exceptions>. The control sequence "\skipfirststep"\inl[skipfirststep] forbids the
+execution of the macros in the <exceptions> during the activity of "\modifydef".
+It acts just like "\relax", but during the execution of the <exceptions> by means
+of "\modifydef" the whole part of <exceptions> behind this sequence is omited.
+
+Identifiers "<encoding>:lccodes" and "<encoding>:ienc" are reserved for usage
+in the macros out of OFS. OFS does not consider the setting of the characters
+"\lccode", "\uccode". A macro package taking care of these values can properly
+define commands "\lccodes"\inl[lccodes] and "\lccodesloop" and runs
+"\csname <encoding>:lccodes\endcsname". These above mentioned commands are
+not defined in OFS at all.\inl[lccodesloop]
+The declarations "<encoding>:lccodes" are loceted in the files "ofs-8t.tex" and
+"ofs-8z.tex", eventhough they are not used in OFS. It bears upon the text
+fonts encoding. An example of "<encoding>:lccodes" usage is placed in the
+macro called "lang.tex". Macro "inec.tex" uses "<encoding>:ienc". More
+informations can be found in the appropriate documentation.
+{\hbadness=1617 \par}
+
+The declarations of the most commonly used exceptions are written directly
+into the encoding files. The declarations of the less usual exceptions
+(related only to some font families) can be written behind "\endinput"
+of the declaration files.
+You can use a command "\modifyread"\inl[modifyread]
+in <commands> of "\ofsdeclarefamily":
+
+\begtt
+\modifyread <filename>;%
+\endtt
+%
+This command reads the file from the first apperance
+of the sequence "\modifytext"\inl[modifytext], but only if
+the "\loadingenc" is positive. It is suitable to place the "\modifytext"
+sequence behind "\endinput", so the "\modifyread" command
+reads only that part of the file, which has not been read before.
+Assigning is global during the reading, the empty lines and
+ends of lines are omited. The file is not loaded repeatedly.
+
+This command gives you chance to concentrate the font families
+declarations and encoding exceptions declarations into the single file.
+\TeX\ reads the exceptions in the time it needs them, so the \TeX\ memory
+is spared. An example is placed in the file "slido.tex".
+
+OFS offers testing macro as well, whether the control sequence corresponds
+to the character, that is available in the font or not:\inl[knownchar]
+
+\begtt
+\knownchar <character or accent+character>? \iftrue character is available
+ \else character is unavailable or undefined \fi
+% example:
+\def\tryeuro{\knownchar \euro? \iftrue \euro \else Euro\fi}
+\endtt
+
+
+\subsec The auxiliary macros for accents and characters
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+You can declare the default accents in OFS\inl[accentabove]
+not only by the "\accent"
+primitive but by the macros "\accentabove" and "\accentbelow" too.
+The syntax follows:\inl[accentbelow]
+
+\begtt
+\accentabove {<accent char>}{<vertical skip>}{<base char>}
+\accentbelow {<accent char>}{<vertical skip>}{<base char>}
+\endtt
+
+The "\accentabove" command put the <accent char> above the
+<base char> with the <vertical skip> between them. The "\accentbelow"
+command does the same work, but put the <accent char> below the
+<base char>. In both cases characters are placed on the joint vertical axis
+and if the font is slanted then this axis is slanted too. The width of
+the resulting character is derived from the width of the <base char>
+only. The macros are implemented by the "\vbox", "\vtop" and "\halign"
+primitives with the calculation of the (possibly) slanted axis.
+
+The accented characters for accent above are commonly designed in the
+height 1\,ex for most fonts. It means, that placing such character by
+"\accentabove" command needs the "-1ex" compensation:
+
+\begtt
+\accentabove {<accent char>}{-1ex}{<base char>}
+\endtt
+
+In such case, the "\accentabove" has the same behavior as the "\accent"
+primitive. The difference is that you can compose more than one accent
+by "\accentabove" and "\accentbelow" macros. You can try:
+
+\begtt
+\it \accentabove {.}{.1ex}{\accentabove {,}{.1ex}{\v A}}
+\endtt
+
+\PLAIN:
+Unfortunately, the declaration macro "\accentdef" is not able to
+declare a macros which construct more than two accents. Moreover, the
+first accent has to be to join to the <base char> as one compact
+character in the font. If you needs more accents then you can use the
+macros "\accentabove" and "\accentbelow" directly in the document.
+
+\PLAIN:
+Since the version OFS Feb. 2004, the macro "\ofshexbox"\inl[ofshexbox]
+is available. It acts very similar to the plain one "\mathhexbox",
+furthermore it can set the font in accordance to actual version.
+You can declare the family of four metrics by means of the
+command "\ofshexboxdef"\inl[ofshexboxdef]:
+
+\begtt
+\ofshexboxdef <family>{<metrics-rm>}{<metrics-bf>}{<metrics-it>}{<metrics-bi>}
+% example:
+\ofshexboxdef 2 {cmsy}{cmbsy10}{cmsy}{cmbsy10} % an examle
+\endtt
+%
+The command "\ofshexbox <family><hexa-code>" prints out the requested
+character. Its font is one of four declared ones and its size is defined by
+the command "\fosize". The font choice depends on the actual version. If the
+version is different than "\bf", "\it", "\bi", the <metrics-rm> is used.
+
+OFS declares only <family> = 2 by default, because plain uses
+only "\mathhexbox2..". The purpose of this macro was to define characters
+"\S", "\dag", "\ddag", "\P" for CMfonts/CSfonts. The way of the definition
+has to be independent on actual setting of mathematical fonts, but dependent
+on actual size and version. See the file "ofs-8z.tex".
+
+We can easily define the "\euro" symbol by means of "\ofshexbox" for
+every font encoding, where it is unavailable:
+
+\begtt
+\ofshexboxdef {TS1}{tcrm1000}{tcbx1000}{tcti1000}{tcbi1000}
+\characterdef \euro * {\ofshexbox{TS1}BF}
+\endtt
+
+\subsec \PLAIN: The fonts in mathematics (the second apperance)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+The user interface to the math fonts was described in
+\beglink{2.7}section 2.7\endlink. Now, it is the time to describe the principles of
+math fonts in detail.
+
+The "\setmath"\inl[setmath] command calculates the text, index and
+indexindex sizes from its parameters.
+The results are stored into
+macros "\textfosize"\inl[textfosize],
+"\scriptfosize" and "\scriptscriptfosize"\inl[scriptfosize].
+The values are in the form
+"at<dimen>" or "scaled<number>" depending on
+the format of the parameters.\inl[scriptscriptfosize]
+Then the "\setmath" runs the macro
+"\mathfonts".\inl[mathfonts]
+You can define the math fonts loading here but some
+conventions are recommended, see below.
+If the macro "\setmath" is run for the first time or the value "\fomenc"
+has been changed, then the "\setmath"
+runs the macro "\mathchars".\inl[mathchars]
+You can define the math encoding by the
+"\matchcode", "\mathchardef" etc. primitives here but some conventions
+are recommended, see below. The OFS serves the default values of the
+"\mathfonts" and "\mathchars" macros, see below.
+
+You can load a whole math family (text, index and indexindex size of
+one font) in "\mathfonts" macro by the
+"\loadmathfam"\inl[loadmathfam] command. This command has the
+following syntax possibilities:
+
+\begtt
+%% % font is declared by::
+\loadmathfam <family>[/<metrics>] % metrics
+\loadmathfam <family>[-<version>/] % actual family version
+\loadmathfam <family>[<switch>/] % textual font switch
+\loadmathfam <family>[X<switch>/] % extending switch metrics
+\endtt
+%
+Examples:
+
+\begtt
+\loadmathfam 0[tenrm/] % metrics is in accordance to the switch \tenrm
+\loadmathfam 5[-bi/] % actual text family metrics, version bi
+\newmathfam \symbfam
+\loadmathfam \symbfam [/psyr] % psyr metrics
+\newmathfam \extitfam
+\loadmathfam \extitfam [Xtenit/] % extending metrics for tenit switch
+\endtt
+%
+This example shows, that the textual font with the "\tenrm" font
+switch is used for math family~0. In the family~5, fonts are initiated
+just like in the case of "\setfonts [-bi/]". A new family "\symbfam"
+is declared as well. Fonts of the metric "psyr" are initiated into it.
+
+There exist a slight difference between usage of "\loadmathfam 5[tenbi/]" and
+"\loadmathfam 5[-bi/]" command. In the first case, OFS finds out a metrics
+of the "\tenbi" switch and the same metrics is then used for
+all font sizes. The only modification is done by the key word "at<dimen>".
+The other case means, that different sizes can use different metrics, but only if
+such a font ability is declared (see \beglink{3.8}section~3.8\endlink).
+
+The new family was in the example declared by means of the
+"\newmathfam"\inl[newmathfam]. It is an alternative commnd to~"\newfam".
+The reason for such a solution is evident. The plain macro "\newfam" is
+defined as "\outer" one. It means that it is not possible to use it inside
+any definition. Moreover the macro "\newmathfam" is local, so it spares some
+place for user families, than plain one "\newfam".
+New mathematical families are in the basic mathematical encodings
+defided exactly by "\chardef". The command
+"\lastfam=<number>"\inl[lastfam] sets the maximal
+used value. Such a structure guarantees, that user can use "\newmathfam" later on
+and the new family numbers are alocated with numbers greater than "\lastfam".
+
+Lets check out the the principle of the "\loadmathfam" macro activity. This macro
+finds out a metrics, that corresponds to a given parameter. Next, the primitive "\font"
+is executed three times:
+
+\begtt
+\font \<name>-Mt = <metric> \textfosize
+\font \<name>-Ms = <metric> \scriptfosize
+\font \<name>-Mss = <metric> \scriptscriptfosize
+\textfont <math fam> = \<name>-Mt
+\scriptfont <math fam> = \<name>-Ms
+\scriptscriptfont <math fam> = \<name>-Mss
+\endtt
+%
+Nevertheless <name> is the text of the parameter "\loadmathfam", that
+declares metrics (switch, version or metrics).
+
+The <name> is generated as name of the <fontswitch> or the name of the
+<metric> if only the <metric> is given as parameter of the "\loadmathfam".
+
+The fonts of math family 3 are loaded without of the size changes
+of index and indexindex fonts in plain\TeX. If you need this
+feature then you can use the prefix "\noindexsize"\inl[noindexsize]
+before "\loadmathfam". The macro "\loadmathfam" loads all three fonts
+at the same "\textfosize" size. Example:
+
+\begtt
+\noindexsize\loadmathfam 3[tenex/]% Standard extra symbols from CM
+\endtt
+
+OFS defines four different macros for math font loading. Look at
+"ofsdef.tex" file for these definitions. Which of these four macros is
+used depends on the contents of macros "\fomenc" and "\mathversion"
+We assume two possibilities of "\fomenc": "CM" or "PS" and two
+possibilities of "\mathversion": "normal" and "bold".
+OFS defines two macros with mathcodes. Which macro is used depends on
+the contents of the macro "\fomenc". The list of these macros follows:
+
+\begitems
+* "\loadCMnormalmath"\inl[loadCMnormalmath]
+ --- loads CM fonts in \uv{normal} version.
+* "\loadCMboldmath"\inl[loadCMboldmath]
+ --- loads CM fonts in \uv{bold} version.
+* "\loadPSnormalmath"\inl[loadPSnormalmath]
+ --- loads PostScript fonts in \uv{normal} version.
+* "\loadPSboldmath"\inl[loadPSboldmath]
+ --- loads PostScript fonts in \uv{bold} version.
+* "\setCMmathchars"\inl[setCMmathchars]
+ --- keeps the mathcodes from plain.
+* "\setPSmathchars"\inl[setPSmathchars]
+ --- sets the mathcodes in order to some characters
+ are used from Symbol font.
+\enditems
+
+OFS sets the following defaults in the "ofsdef.tex" file:
+
+\begtt
+\ifx \fomenc\undefined \def\fomenc{PS}\fi
+\def\mathversion{normal}
+\def\defaultmathfonts{\csname load\fomenc\mathversion math\endcsname}@inl[defaultmathfonts]
+\def\defaultmathchars{\csname set\fomenc mathchars\endcsname}@inl[defaultmathchars]
+\def\mathfonts{\defaultmathfonts}
+\def\mathchars{\defaultmathchars}
+\endtt
+
+It is possible to add the another math families to the list of loaded
+math families in "\loadmath" and "\mathchars" macros. You can do it, for example, by the
+following code:
+
+The example how to add the Euler fraktur from AMS follows:
+
+\begtt
+\input amsfn % here are declared metrics eufm and eufb
+\addcmd\mathfonts{\def\tmpa{bold}%
+ \ifx\mathversion\tmpa \def\tmpa{b}\else\def\tmpa{b}\fi
+ \newmathfam\frakfam \loadmathfam\frakfam [/euf\tmpa]}
+\def\frak#1{{\fam\frakfam#1}}
+\endtt
+%
+Another examples of mathematical families declaration are located
+in files "amsfn.tex", "txfn.tex" and "mtfn.tex". These files define
+the implicit groups of the mathematical fonts for "AMS", "TX", "PX", "MT"
+encodings. Finally they also contain comments (including examples), how to
+load additional font families by means of the command "\addcmd".
+
+I would like to load all OFS font declarations in the~ini\TeX\ (see the Ok\TeX\ project),
+but I want to spare the \TeX\ memory as much as possible too. So I suggest not to load
+the large definitions containing declarations of mathematical fonts encodings by means
+of "\mathchardef", etc. immediately, but during the first use in the document.
+So the OFS version Apr. 2004 contains redefined macro "\setPSmathchars":
+
+\begtt
+\def\setPSmathchars{\mathencread ofs-ps;}
+\endtt
+%
+The command "\mathencread <file>;"\inl[mathencread] loads the encoding
+commands included in the file <file.tex>. The file "ofs-ps.tex" contains encoding
+commands for "PS" encoding, "ofs-ams.tex" contains encoding
+commands for "AMS" encoding, etc.
+
+The files "ofs-ps.tex", "ofs-tx.tex" etc. contain encoding commands
+``packed'' into groups and defined by the "\mathencdef"\inl[mathencdef]
+command. By default, this command acts this way: ``define, run and forget''. Such a model
+spares the memory, but a disadvantage of its procedure is, that during repeated
+changes, encoding files are read over and over again. Mostly it does not matter at all,
+because the mathematical encoding is the same for the whole document.
+If this model is for somebody not suitable, the solution can be found in the macros
+"\mathencread" and "\mathencdef". They can be redefined by the way, that
+the files are read only once and during new execution of "\mathchars",
+encoding commands are read out of remembered macros.
+
+The command "\mathencread <file>;" works in group. The catcodes
+are set in accordance to plain\TeX\ ("\catcode`@=11" excluded) and the
+"<file>.tex" is read. The "\globaldefs=1" are during the reading, the empty lines
+and ends of lines are ignored. The commands "\mathencdef" run and forget defined
+macros after group enclosure. It means, that these macros run the "\mathchardef"
+commands in the sense of local settings.
+
+Let us explain an ensurance of restoring the delault values during
+switching between mathematical encodings. The command "\setmath"
+runs the macro "\mathcharsback"\inl[mathcharsback] in a time instant
+before "\mathchars". It serves the restoring of the mathematical
+encoding to the default state in accordance to plain\TeX{}.
+This macro is set to "\relax" by default, because the mathematical
+encoding is set in accordance to plain\TeX{}.
+If the command "\set<fomenc>mathchars" changes the values preset in
+the plain\TeX{}, it should also define the "\mathcharsback" macro.
+A procedure of setting the values into the initial
+state have to be stored in it.
+A command "\mathencread ofs-cm;" can be used in the macro
+"\mathcharsback", because the file "ofs-cm.tex" contains declarations
+of the mathematical encoding in accordance to plain\TeX{}.
+
+If we insist on declaring our own mathematical encodings (different
+from preprepared "PS", "CM", "AMS" etc.), the next principle has to be
+fullfiled: in all versions of mathematical fonts (normal/bold/etc.) should be
+set the numbers of the mathematical families by the same way
+and ended by the same "\lastfam". Such a principle is necessary, because
+after the version switching, the macro "\mathchars" is not run again.
+It is not recomended to change especially the family numbers, that are linked
+with the macro "\set<encoding>mathchars".
+
+Let us now descibe another macros, that helps us with the mathematical
+encoding declaration.
+Macro "\hex"\inl[hex] converts a number to a singledigit hexadeximal
+number. The usage of such a macro can be found in the files "ofs-ps.tex",
+"ofs-tx.tex", etc.
+
+You can define the control sequences which are working in both: text
+mode and math mode. You can use the
+"\safemathchardef"\inl[safemathchardef] macro instead
+"\mathchardef" primitive in "\mathchars" macro for this purpose:
+
+\begtt
+\safemathchardef \<sequence> <number>
+\endtt
+
+If the "\<sequence>" is not defined then "\safemathchardef" does the
+same work as "\mathchardef" primitive. If the "\<sequence>" is defined
+(we assume that this definition is used in text mode) then
+"\safemathchardef" saves the meaning of "\<sequence>" in
+"\T<sequence>", it performs "\mathchardef \M<sequence> = <number>"
+and it defines "\<sequence>" by the following way:
+
+\begtt
+\def \<sequence> {\ifmmode \expandafter \M<sequence>
+ \else \expandafter \T<sequence> \fi}
+\endtt
+%
+Now, the "\<sequence>" works in both: text and math mode.
+If the "\safemathchardef" is applied on the same "\<sequence>"
+repetitively, then the second and another use of "\safemathchardef"
+does nothing.
+
+We assume that all declarations of characters in text mode are
+performed before the first use of "\setmath" and that the
+"\safemathchardef" macros are used in "\mathchars" macro.
+
+The "\safemathaccentdef"\inl[safemathaccentdef] performs similar as
+"\safemathchardef". Only the "\mathaccentdef"\inl[mathaccentdef]
+macro is used instead
+"\mathchardef" primitive. This macro does roughly the following:
+
+\begtt
+\def \<sequence> {\mathaccent<number> }
+\endtt
+
+If you do not want to declare the whole new math family for only one
+character or a few characters (the number of math families is
+restricted to~16 for one formula in \TeX) then you can use the
+"\pickmathfont"\inl[pickmathfont] macro. This macro has the following
+syntax:
+
+\begtt
+\pickmathfont {<metric>}{<text>}
+% example:
+\mathbin {\pickmathfont {psybo}{\char"C4}}
+\endtt
+%
+The "\pickmathfont" command uses the "\font" primitive with the given
+<metric> and it prints the <text> in this font. The result is an atom
+of type Ord in the math list. The appropriate size is set
+(text/index/indexindex) because the "\mathchoice" primitive is used by
+"\pickmathfont" macro and the "\font" is loaded three times for each size.
+
+\subsec The different metrics for different sizes of font
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: This problem is solved in NFSS, see the syntax of the "fd"
+files in NFSS documentation. OFS for \LaTeX{} does no more things.
+
+\PLAIN (to the end of this section):
+There exist special font families (Computer Modern, for instance)
+where the different metrics are used for the different font sizes.
+This feature is implemented in OFS too. The <metric> parameter of the
+commands "\loadtextfam", "\loadmathfam" and "\pickmathfont" can be
+only the <symbolic name> and not the name of "tfm" file exactly.
+In such case, the <real metric> is calculated from the font size and
+from the data stored by a set of "\registertfm"\inl[registertfm]
+commands. The
+"\registertfm" has a following syntax:
+
+\begtt
+\registertfm <symbolic name> <space> <from>-<to> <space> <real metric> <space>
+\endtt
+
+The <from> and <to> parameters have to include the unit and they
+declares the interval of sizes with the following property: if the
+desired size of font is in interval <from>-<to> then the <real metric>
+is used instead the <symbolic name>. You need to use more
+"\registertfm" commands to the same <symbolic name> in order to use different
+<real metric> for different <from>-<to> intervals.
+The <from>-<to> interval is closed interval (including the boundary
+values) but the next "\registertfm" has a precedence over previous
+one. Then you can construct the non closed intervals by the choose of
+the right order of "\registertfm" commands. See the "ofsdef.tex" file
+for an example.
+
+If the both parameters <from> and <to> are empty then the
+<real metric> is used when the "scaled" keyword is given in desired
+font size or if desired font size does not lie in any declared
+interval. You can use the "*" symbol in <to> parameter---it
+means the infinity.
+
+The command "\registertfm <name> <space> - <space> - <space>"
+erases the previous registrations for a given <name>. Moreover, it marks
+<name> as an unavailable font. OFS then acts, as if the corresponding
+variant has not been declared at all. It gives us a possibility to mark
+nonexisting variants of a declared family, but only for certain encodings
+(see "cmssbxti" in the file "ofsdef.tex").
+
+The parameters <symbolic name> and <real metric> are expanded during
+the command "\registertfm" is working. Thus the "\fotenc"
+macro should not be used in these parameters. But you can use an "\edef"
+construction if necessary.
+
+The macro "\registerECfont"\inl[registerECfont] is an abbreviation
+of the repeated execution of the command "\registertfm" to all EC fonts
+sizes between "0500" up to "3583".
+The macro "\registerECTTfont"\inl[registerECTTfont] is an abbreviation
+for sizes "0800" do "3583", that are used for the typewriter fonts.
+Definitions and usage of these macros are located in the file "ofsdef.tex".
+Macros can be used for another fonts as well. But they have to have similarly
+scaled sizes like EC fonts (LH fonts with Russian alphabet or the fonts
+derived from CM~super).
+
+\subsec The limitations of usage the font family for certain encodings
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: The usage of a family in a given encoding is dependent on the
+existence of "fd" file. It is all controlled by NFSS.
+
+\PLAIN (to the end of this section):
+The OFS version Feb.~2004 introduces a command
+"\registerenc"\inl[registerenc]. This command limits the usage of a declared font
+family only for a certain encoding. If the user writes "\setfonts" and
+requires the family in an unregistered encoding, the OFS prints out a
+warning on the terminal and does not switch to the requested family.
+It avoids an attempt to loading a nonexisting font metrics. The
+command "\registerenc" has two parameters.
+
+\begtt
+\registerenc <FamilyName>: <encoding><space>
+\registerenc Times: 8t % example
+\registerenc Times: 8z % Times is registered for two encodings
+\endtt
+%
+If the family is not registered for any encoding, OFS then suggests, that
+it is available in every encoding (dingbats fonts for example).
+
+The family usage is limited for a certain encoding by
+"\registerenc" in declaration files. The user can add another
+encoding by the command "\registerenc". The command
+"\registerenc <FamilyName>: * " means, that the family is available
+for arbitrary encodings.
+
+The parameter <FamilyName> can remain empty. In such case,
+the "\registerenc" uses the family declared in the last
+command "\ofsdeclarefamily".
+
+It is possible to find out, whether the family is registered
+for actual value of the "\fotenc":\inl[registeredfam]
+
+\vbox \bgroup
+\begtt
+\registeredfam <Family Name>? \iftrue
+ Family has the \fotenc registered or any encoding is enabled
+ or is not declared at all.
+ \else Family has registered the encoding,
+ but \fotenc is not among them
+ \fi
+\endtt \egroup
+
+If "\setfonts[<FamilyName>/]" is run for an undeclared family or for a family
+with unavailable encoding then OFS prints out a warning on the terminal and
+returns the "\setfontsOK"\inl[setfontsOK] with the value "\undefined".
+The "\setfontsOK" has asigned the value "\relax", whenever the font is successfully
+set.
+
+
+\sec The license
+%%%%%%%%%%%%%%%%
+
+The OFS package may be used by everybody without any license fees.
+Everybody can re-distribute this package, if no changes in files
+"readme.ofs", "ofs.tex", "ofsdef.tex", "ofs.sty", "ofs-8z.tex",
+"ofs-8t.tex", "a35.tex", "a35.sty", "ofsdoc.tex", "ofsdoc-e.tex",
+"ofsmtdef.tex" are done and
+all these files are included in the re-distribution. Only
+the author has a right to change these files and to change
+version of this package. If you need to change the content of any
+file mentioned above, you have to rename it. This package is
+distributed in the hope that it will be useful, but WITHOUT ANY
+WARRANTY.
+
+\bigskip
+Prague 08/16/2001 \hfill the author: Petr Ol\v s\'ak
+\bigskip
+
+\sec History
+%%%%%%%%%%%%
+
+\noindent
+8/16/2001 --- the first version introduced
+
+\noindent
+10/24/2002 --- some petty changes realized in documentation,
+considering the changes in the version OFS Oct.~2002.
+The command "\addcmd" has been added. The optional
+parameters "(<Variant>)" in the command "\loadtextfam"
+were enabled.
+
+\bigskip
+\noindent
+12/29/2002: the English documentation in the file "ofsdoc-e.tex" is
+written. This is more or less the translation of the Czech original
+documentation from the file "ofsdoc.tex". Sorry for my poor English.
+
+I want to say a word of thanks to Mat\v ej Cepl (www.ceplovi.cz)
+who has made a proofreading of this English version.
+
+\bigskip
+\noindent
+2/10/2004 --- All modifications consider only OFS for plain:
+
+\def\bod{\hangindent=1.2em \hangafter=1 \noindent + }
+
+\bod Handling the macro declarations dependent on encoding has been
+ improved as well as the exception declarations and registering of the
+ encoding for a chosen family.
+ See~\beglink{3.5}section~3.5\endlink{} and \beglink{3.9}section~3.9\endlink.
+
+\bod Added the possibility to redefine the family (by the additional loading
+ the declaring file, that modifies the properties of the default families).
+
+\bod Declaration of CMRoman, CMSans and CMTypewriter for 8t encoding
+ by means of EC fonts.
+
+\bod Added the support for extended encoding 8c.
+
+\bod Modified the declaration of the mathematical encoding called PS.
+ "\int", "\sum" and "\prod" produces greater characters
+ in the display mode.
+
+\bod Defined a macro "\ofshexbox" and "\ofshexboxdef".
+
+\bod A new version of the interactive macro "ofstest.tex".
+
+\bod Introduced the directory "\examples/". There will be continuously added
+ the exaples of OFS usage there.
+
+\noindent
+3/12/2004 --- OFS for plain:
+
+\bod Encoding files are read directly from the "\loadtextfam".
+ That means the possibility to place the mapping metrics into the
+ encoding files by means of the command "\registerenc"
+ (I will use this ability for LANG).
+
+\bod "\characterdef" respects predefined macro an does not redefines it.
+
+\bod "\showfonts" reimplemented. It spares the memory and time, when
+ operates with the large font lists. Warning: if you have used macros,
+ that plays upon the internal macro "\listfamilies", this will not
+ operate any more. Since this version is not the obsolete "ofscatal.tex"
+ functional too. Instead of it is possible to use "ofstest.tex".
+
+\bod "ofstest.tex" modified. It operates with the newly imlemented list of
+ families "\ofslistfamilies".
+
+\noindent
+4/2/2004 --- "\plaincatcodes" added before reading the files
+"ofs-<encoding>.tex".
+
+\bod "\safelet" and "\protectreading" introduced.
+
+\bod The space behind the <character> in the "\accentdef" is optional.
+
+\bod Added the option "\loadmathfam <family>[-<version>/]". The
+ declaration for mathematical encodings "CM", "PS", "AMS",
+ "TX", "PX", "MT" has been extended and remade.
+
+\bod English documentation upgraded. Thaks to Tom\'a\v s Kom\'arek.
+
+
+\sec Index of macros defined in OFS
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+This index includes only the pointers to the pages where the macro is
+introduced (not only mentioned). The macro name is written in the
+margin on that place. The index is generated after first run of
+\TeX{}.
+
+The internal or auxiliary macros in "ofs.tex" are listed here too
+but they are not mentioned in the text, thus they have no pointer to
+the page in this index. Only a short comment is appended here. The
+version of OFS ({\smallbf PLAIN} or {\smallbf LATEX}) is listed near
+the each macro name in this index.
+
+\bigskip
+\immediate\closeout\indout
+\input \jobname.ind
+
+\begingroup
+\let\tt=\smalltt \let\it=\smallit \let\rm=\smallrm \rm
+\baselineskip=10.3pt
+
+\def\inr #1 #2 #3;{\noindent{\tt
+ \expandafter \ifx \csname ind:#2\endcsname \relax
+ \back#1%
+ \else
+ \beglink{#2}\back#1\endlink
+ \fi}\quad
+ #3 \quad\pg[#2]\par}
+\def\\#1 #2;{\inr #1 #1 #2;}
+\def\pl{{\sevenrm (PLAIN)}}
+\def\la{{\sevenrm (LATEX)}}
+\def\oba{{\sevenrm (PLAIN+LATEX)}}
+
+\\accentabove \pl\vadjust{\nobreak};
+\par\nobreak
+\\accentbelow \pl;
+\\accentdef \pl;
+\\accentdel \pl;
+\\accentdefori \unskip, {\tt\back accentdelori} \pl~internal,
+ stores the default macro purport;
+\\accentnodef \pl~internal, {\tt\back def\back <macro>\#1%
+ \char`\{\back printaccent\char`\{<macro>\char`\}\char`\{\#1\char`\}\char`\}};
+\\addcmd \oba;
+\inr bf rm \oba;
+\inr bi rm \oba;
+\\bifam \pl~internal, math family for BoldItalic;
+\\calculatemetricfile \pl~internal, defines {\tt\back metricfile}
+ by fontsize;
+\\catcodesloop \pl~internal, sets the character categ. according to a given num.;
+\\characterdef \pl;
+\\characterdel \pl;
+\\characterdefori \unskip, {\tt\back characterdelori} \pl~internal,
+ stores default macro purport;
+\\characternodef \pl~internal, {\tt\back def\back <macro>%
+ \char`\{\back printcharacter\char`\{<macro>\char`\}\char`\}};
+\\currentfamily \pl;
+\\currentfomenc \pl~internal, the name of last used math. encoding;
+\\currentvariant \pl;
+\\declaredfamily \pl~internal, contains the name of the last declared family;
+\\defaultextraenc \pl;
+\\defaultmathchars \pl;
+\\defaultmathfonts \pl;
+\\defpttotmpa \pl~internal, does {\tt\back def\back tmpa\char`\{pt\char`\}},
+ if the unit is omited;
+\\detailfontmessages \pl;
+\\displayfontmessages \pl;
+\\displaymessage \pl~internal;
+\\docharacterdef \pl~internal, for use of {\tt\back characterdef} macro;
+\\doextchar \pl~internal, for use of {\tt\back extchar} macro;
+\\dosafemathdef \pl~internal, for use of {\tt\back safemath*def} macros;
+\\donumbercharacterdef \pl~internal, for use of {\tt\back characterdef} macro;
+\\endOFSmacro \pl~internal, the reading of {\tt[<file>, ...]}
+ after {\tt\back input ofs};
+\\expandaction \pl;
+\\extchar \oba;
+\\extraenc \pl;
+\\extrafont \pl;
+\\fontdef \oba;
+\\fontloadmessage \pl~internal, the tracing of {\tt\back font} primitives;
+\\fontmessage \pl~internal, three values: nothing,
+ {\tt\back wlog} or {\tt\back displaymessage};
+\\fontprefix \pl~internal, two values: nothing or {\tt\back global};
+\\fontusage \oba;
+\\fosize \pl;
+\\fomenc \pl;
+\\fotenc \pl;
+\\fragilecommand \pl;
+\\fragilecommand! \pl;
+\\hex \pl;
+\\ifknownfam \oba;
+\\isunitpresent \pl~internal, solves the case of empty unit;
+\inr it rm \oba;
+\\knownchar pl;
+\\knownfam pl;
+\\lastfam pl;
+\\lccodes \unskip, {\tt\back lccodesloop} \pl;
+\\loadCMboldmath \pl;
+\\loadCMnormalmath \pl;
+\\loadingenc \pl;
+\\loadmathfam \pl;
+\\loadPSboldmath \pl;
+\\loadPSnormalmath \pl;
+\\loadtextfam \pl;
+\\logfontmessages \pl;
+\\mathaccentdef \pl;
+\\mathchars \pl;
+\\mathcharsback \pl;
+\\mathencdef \pl;
+\\mathencread \pl;
+\\mathfonts \pl;
+\\mathversion \pl;
+\\metricfile \pl~internal, the metric name if {\tt\back font}
+primitive is used;
+\\metrictmpa \pl~internal, expands to the metric of {\tt\back tmpa} font;
+\\modifydef \pl;
+\\modifyenc \pl;
+\\modifylist \pl;
+\\modifyread \pl;
+\\newfamily \pl~auxiliary, the given family name;
+\\newmathfam \pl;
+\\newmodifylist \pl;
+\\newvariant \pl;
+\\nofontmessages \pl;
+\\noindexsize \pl;
+\\noPT \pl~internal, removes {\tt pt} from~{\tt\back the<dimen>} [TBN, pg.~80];
+\\ofsaddenctolist \pl~internal, adds parameter into the list {\tt\back newmodifylist};
+\\OFSdeclarefamily \la;
+\\ofsdeclarefamily \pl;
+\\OFSextraencoding \la;
+\\OFSfamily \la;
+\\OFSfamilydefault \la;
+\\ofshexbox \pl;
+\\ofshexboxdef \pl;
+\\ofsinput \pl~internal, reads file with {\tt\back globaldefs=1}, ignores endlinechars;
+\\ofslistfamilies \pl~internal, family list for {\tt\back showfonts};
+\\ofslistfamily \pl~internal, envokes the family in {\tt\back listfamilies};
+\\ofslistvariants \pl~internal, text for listing of variants to the log;
+\\ofslisttext \pl~intern, envokes the text in {\tt\back listfamilies};
+\\ofsloadfont \pl~internal, loads one font;
+\\ofsloadfontori \pl~internal, loads one font;
+\\ofsmeaning \pl~internal, removes the word {\tt letter}/{\tt character}
+ from {\tt \back meaning};
+\\ofsmessageheader \pl~internal, header of the messages;
+\\OFSnormalvariants \la;
+\\OFSprocessoptions \la;
+\\OFSputfamlist \la;
+\\ofsputfamlist \pl;
+\\ofsremovefromlist \pl~internal, erases the family from the list;
+\\OFSversion \oba~internal, date and version of OFS;
+\\orifosize \pl~auxiliary, saves {\tt\back fosize} value;
+\\origTeX \pl~internal, original definition of \TeX{} logo;
+\\oriloadfam \pl~auxiliary, saves {\tt loadtextfam} value;
+\\pickmathfont \pl;
+\\plaincatcodes \pl~internal, sets the chars categories according to plain\TeX{};
+\\printaccent \pl;
+\\printaccentwarn \pl;
+\\printcharacter \pl;
+\\printcharacterwarn \pl;
+\\processOFSoption \pl~internal, for use of {\back endOFSmacro};
+\\protectreading \pl;
+\\readfamvariant \pl~internal, checks if the variant is given;
+\\readfirsttoken \pl~internal, returns the first token of text separed
+by {\tt:\back end};
+\\readfosize \pl~internal, inserts the {\tt\back fosize} value to
+ {\tt\back dimen0};
+\\readmag \pl~internal, calculates {\tt\back fosize} if
+ {\tt mag}<decimal number> is given;
+\\readOFSoptions \pl~internal, for use of {\tt\back endOFSmacro};
+\\readothertokens \pl~internal, returns the second and other tokens to
+{\tt:\back end};
+\\readsixdigits \pl~internal, for rounding algorithm;
+\\registeredfam \pl;
+\\registerECfont \pl;
+\\registerECTTfont \pl;
+\\registerenc \pl;
+\\registertfm \pl;
+\\restorefontid \pl~internal, restores font name, see {\tt\back savefontid};
+\\rm \oba;
+\\runmodifylist \pl;
+\\safelet \pl;
+\\safeletwarn \pl;
+\\safemathaccentdef \pl;
+\\safemathchardef \pl;
+\\savefontid \pl~internal, saves font name for Overfull messages;
+\\savetokenname \pl~internal, similar to {\tt\back string} without backslash;
+\\scriptfosize \pl;
+\\scriptscriptfosize \pl;
+\\separeofsvariant \pl~internal, separes the "(<Variant>)" in {\tt\back loadtextfam};
+\\setextrafont \oba;
+\\setCMmathchars \pl;
+\\setfonts \oba;
+\\setfontshook \pl;
+\\setfontsOK \pl;
+\\setfontfamily \pl~internal, {\tt\back setfonts},
+ if variant is not given;
+\\setfosize \pl~internal, calculate the value of {\tt\back fosize};
+\\setmath \pl;
+\\setPSmathchars \pl;
+\\setsimplemath \pl;
+\\setsinglefont \pl~internal, {\tt\back setfonts},
+ if the variant is given;
+\\setsinglefontname \pl~internal, removes the possible "at<dimen>" from <metric>;
+\\sgfamily \pl~internal, the information about the family name;
+\\sgvariant \pl~internal, the information about the variant;
+\\showfonts \oba;
+\\singlefont \pl~internal;
+\\singlefontname \pl~internal, removes the {\tt at<dimen>} from metric name;
+\\skipfirststep \pl;
+\\slantcorrection \pl~internal, for use of
+ {\tt\back accentabove} and {\tt\back accentbelow};
+\\storeofsvariant \pl~internal, separes optional parameter of {\tt\back loadtextfam};
+\\switchdeftodel \pl~internal, switches {\tt\back accent/characterdef}
+ with~{\tt\back *del};
+\\tenbi \pl;
+\inr tenbf tenrm \pl;
+\inr tenit tenrm \pl;
+\\tenrm \pl;
+\\testOFSoptions \pl~internal, for use of {\tt\back endOFSmacro};
+\\testtfmsize \pl~internal, for use of {\tt\back registertfm} macro;
+\\testtfmsizeat \pl~internal, the auxiliary value of {\tt\back testtfmsize};
+\\testtfmsizescaled \pl~internal, the auxiliary value of {\tt\back testtfmsize};
+\\textfosize \pl;
+\\tryloadenc \pl~internal, loads encoding files;
+\\tmpa \oba~temporary;
+\\tmpb \oba~temporary;
+\\tmpc \pl~temporary;
+\\warnmissingfont \pl~internal, message about missing variant;
+\\warnM \unskip, {\tt\back warnF}, {\tt\back warnT}, {\tt\back warnI},
+\pl~internal, message about missing variant;
+\\warnunregistered \pl~internal, print out, disabled encoding of a chosen family;
+
+\endgroup
+
+\sec References
+%%%%%%%%%%%%%%%
+
+\noindent \hangindent=2\parindent
+[TBN] Petr Ol\v s\'ak {\it \TeX{}book naruby}, Konvoj
+1.~ed. 1997 (ISBN 80-7302-007-6),
+2.~ed. 2001 (ISBN 80-85615-64-9), Brno, 466 pages.
+Czech language.
+PDF version of this book is free available on
+{\tt http://math.feld.cvut.cz/olsak/tbn.html}.
+
+
+\end
+
+
+
+
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/ofs/ofsdoc.pdf b/Master/texmf-dist/doc/generic/ofs/ofsdoc.pdf
new file mode 100644
index 00000000000..f6707b23b84
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/ofsdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/ofs/ofsdoc.tex b/Master/texmf-dist/doc/generic/ofs/ofsdoc.tex
new file mode 100644
index 00000000000..6d6fe9e42b0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/ofsdoc.tex
@@ -0,0 +1,2402 @@
+% A documentation for OFS package
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% July 2001 Petr Olsak
+% February 2004
+
+% See the ofsdoce.tex for English version of this documentation
+
+\chyph % pouijte csplain
+
+\headline={\llap{\tt May 2004}\hfil See the ofsdoc-e.tex for English version
+ of this documentation.\global\headline={\hfil}}
+
+\magnification\magstephalf
+
+\hoffset=4pc
+\voffset=1pc
+\hsize=31.6pc
+\vsize=49pc
+\raggedbottom
+\parindent=15pt
+\emergencystretch=2em
+
+\font\smallbf=csb10 at7pt
+\font\smalltt=cstt8
+\font\smallit=csti8
+\font\smallrm=csr8
+\font\titulfont=\fontname\tenbf\space scaled\magstep4
+\font\bigbf=\fontname\tenbf\space scaled\magstep1
+
+\def\Red{}
+\def\Black{}
+\def\Blue{}
+\def\Green{}
+\def\beglink#1{}
+\def\endlink{}
+\def\aimlink#1{}
+
+\ifx\pdfoutput\undefined\else %%%% pdfTeX is used %%%%%%%%%%
+\ifnum\pdfoutput>0
+
+\ifx \pdfstartlink\undefined %%% PDFTeX version <= 13
+ \let\pdfstartlink=\pdfannotlink
+\fi
+
+\def\beglink#1{% % Zatek textu odkazu, #1 je kl odkazu
+ \Green \pdfstartlink height9pt depth3pt
+ attr{/Border[0 0 0]} goto name{#1}\relax}
+\def\endlink{\pdfendlink\Black}
+
+\def\aimlink#1{% % Msto cle odkazu, #1 je kl odkazu
+ \expandafter\ifx \csname aim:#1\endcsname \relax
+ \expandafter\gdef \csname aim:#1\endcsname {}%
+ \vbox to0pt{\vss\hbox{\pdfdest name{#1} fith}\kern15pt}%
+ \fi
+}
+\def\pdfsetcmykcolor#1{\special{PDF:#1 k}}
+\def\Red{\leavevmode\pdfsetcmykcolor{0.1 0.9 0.9 0}}
+\def\Black{\leavevmode\pdfsetcmykcolor{0 0 0 1}}
+\def\Green{\leavevmode\pdfsetcmykcolor{0.9 0.1 0.9 .3}}
+\def\Blue{\leavevmode\pdfsetcmykcolor{0.9 0.9 0.1 0}}
+
+\pdfcompresslevel=9
+\pdfinfo{/Author (Petr Olsak)
+ /CreationDate (July 2001)
+ /ModDate (March 2004)
+ /Creator (TeX)
+ /Producer (pdfTeX)
+ /Title (OFS: Olsak's Font System)
+ /Subject (Documentation)
+ /Keywords (TeX, fonts)
+}
+
+\fi\fi %%%%%%%%%%%%%%%%%%%%%%%%%%%% End of pdfTeX macros %%%%%
+
+
+\def\PLAIN #1:{{\smallbf \Red PLAIN\Black\if|#1|\else\space#1\fi}:}
+\def\LATEX #1:{{\smallbf \Red LATEX\Black \if|#1|\else\space#1\fi}:}
+\def\OBA #1:{{\smallbf \Red PLAIN+LATEX\Black \if|#1|\else\space#1\fi}:}
+
+\newcount\secnum \newcount\subsecnum
+
+\def\sec #1\par{\ifnum\secnum>0 \goodbreak\fi\removelastskip
+ \vskip2\baselineskip
+ \subsecnum=0 \advance\secnum by1
+ \noindent{\bigbf\llap{\the\secnum.\quad}#1}\par\nobreak\medskip}
+\def\subsec #1\par{\removelastskip\bigskip
+ \advance\subsecnum by1
+ \noindent{\bf \llap{\aimlink{\the\secnum.\the\subsecnum}%
+ \the\secnum.\the\subsecnum.\quad}#1}\par\nobreak\medskip}
+\def\title #1\par{\vglue2\baselineskip
+ \centerline{\titulfont #1}\vskip2\baselineskip}
+
+\def\LaTeX{La\TeX}
+
+\catcode`<=13
+\def<#1>{\hbox{$\langle$\it#1\/$\rangle$}}
+\def\,{\thinspace}
+
+{\obeyspaces \gdef\activespace{\obeyspaces\let =\ }}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials}
+\def\begtt{\medskip\bgroup \setverb \catcode`@=0 \activespace
+ \parindent=0pt \catcode`\"=12
+ \def\par##1{\endgraf\ifx##1\par\leavevmode\fi ##1}
+ \obeylines \startverb}
+{\catcode`\|=0 \catcode`\\=12
+|gdef|startverb#1\endtt{|tt#1|egroup|medskip|testpar}}
+\long\def\testpar#1{\ifx\par#1\else\noindent\fi#1}
+
+\catcode`"=13
+\def"{\hbox\bgroup\setverb\activespace\tt\readverb}
+\def\readverb #1"{#1\egroup}
+
+\def\begitems{\medskip\bgroup \catcode`*=13 }
+{\catcode`*=13 \gdef*{\item{$\bullet$}}}
+\def\enditems{\medskip\egroup}
+
+\newwrite\indout
+\immediate\openout\indout=\jobname.ind
+\def\inl[#1]{\strut
+ \write\indout{\noexpand\indexentry{#1}{\the\pageno}}%
+ \vadjust{\vbox to0pt{\vss
+ \hbox to\hsize{\llap{{\aimlink{#1}\smalltt\Blue\char`\\ #1%
+ \ifx\extratext\empty\else\space\extratext\fi\Black}%
+ \kern2pt\quad}\strut\hfil}%
+ \hrule height0pt}}\def\extratext{}}
+\def\inll[#1 #2]{\def\extratext{#2}\inl[#1]}
+\def\indexentry #1#2{\expandafter \ifx \csname ind:#1\endcsname \relax
+ \expandafter \def \csname ind:#1\endcsname {#2}%
+ \else
+ \expandafter \edef \csname ind:#1\endcsname {%
+ \csname ind:#1\endcsname, #2}%
+ \fi
+}
+\def\pg[#1]{\csname ind:#1\endcsname}
+
+\chardef\back=`\\
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\title OFS: Olkv fontov systm
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+OFS je makro, kter umon pehledn
+v~\TeX{}u vybrat rodiny font, jejich nzvy jsou v~souladu s~nzvy
+z~psmovho katalogu. Toto makro je z~uivatelskho
+pohledu stejn v~plainu i \LaTeX{}u. Vklad pouit OFS bude tedy
+spolen pro ob skupiny uivatel. Pokud nkter text plat jen
+pro csplain (a podobn formty), bude uveden slovem \PLAIN: a pokud
+je text uren pro uivatele \LaTeX{}u2e, je uveden slovem \LATEX:.
+
+Pod skupinu \PLAIN: pat nejen csplain, plain a odvozen formty, ale
+t dnes u nepouvan \LaTeX2.09 bez NFSS. Pod skupinu \LATEX: bychom
+mohli zaadit vechny formty, kter pracuj s~NFSS~2, pedevm tedy
+\LaTeX 2e.
+
+Po zaveden pslunch maker v~zhlav dokumentu (viz ne) se na
+terminlu mimo jin objev:
+
+\begtt
+@PLAIN: OFS (Olsak's Font System) based on plain initialized. @char`<verze>
+@LATEX: OFS (Olsak's Font System) based on NFSS initialized. @char`<verze>
+\endtt
+Vhody OFS:
+
+\begitems
+* Sjednocuje rozhran pro uivatele \LaTeX{}u i plainu.
+* Pomoc pkazu "\fontusage" dostaneme na terminl a do logu strunou
+ informaci o~pouit maker z~OFS.
+* Umouje pracovat se skutenmi nzvy psmovch rodin tak,
+ jak jsou uvedeny v~psmovm katalogu a tm
+ nenut uivatele si krom tchto nzv pamatovat jet
+ intern zkratky pouit v~NFSS nebo v~nzvech metrik font.
+* Umon pracovat s~fontem rozloenm do dvou metrik
+ (zkladn a roziujc) jakoby se jednalo o~jedin font.
+* Umon na zatku dokumentu vybrat oblben kdovn zkladn
+ metriky, jsou-li metriky pipraveny v~rznch kdovnch
+ (typicky kdovn IL2 a T1).
+* Definuje rozhran pro vytven pomocnch soubor, kter
+ obsahuj konverzn informace mezi \uv{dlouhmi nzvy} font
+ z~katalogu a \PLAIN: nzvy metrik
+ nebo \LATEX: zkratkami pouvanmi v~NFSS.
+* \PLAIN: Umouje podobnou nezvislost vbru jednotlivch
+ paramet font, jako NFSS v~\LaTeX{}u.
+* \PLAIN: Definuje deklaran pkazy pro podchycen kdovn font.
+* \PLAIN: Je mon pro rzn velikosti registrovat rzn metriky, co
+ vyuijeme zejmna u~rodiny Computer Modern.
+* \PLAIN: Obsahuje nstroje na pouit PostScriptovch font
+ i v~matematick sazb.
+* Interaktivn makro "ofstest.tex" umon tisknout vzorky odstavc ve
+ zvolench psmovch rodinch, tisknout tabulky font, katalogy font,
+ vzorky matematick sazby a seznamy znak ve fontech vetn jejich
+ \TeX{}ovch sekvenc. Sta napsat na pkazov dek
+ "tex ofstest [allfonts]" nebo "csplain ofstest [allfonts]"
+ a dit se pokyny na terminlu.
+\enditems
+
+
+\sec lenn psmovch rodin
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Makro OFS vychz z~toho, e vtina dnes dodvanch psmovch rodin
+obsahuje tyi ezy: zkladn ("\rm"), tun ("\bf"), kurzvu ("\it"),
+a tunou kurzvu ("\bi")\inll[rm \back bf \back it \back bi].
+Tmto ezm budeme kat \uv{standardn varianty}.
+Po zaveden rodiny pkazem "\setfonts" (viz ne) lze pak
+pepnat pomoc "\rm", "\bf", "\it" a "\bi" mezi variantami v~dan
+rodin. Prvn ti uveden pepnae jsou znm z~plainu
+(v~\LaTeX{}u petrvvaj z~dob zal slvy LaTeXu2.09)
+a tvrt pepn do varianty BoldItalic.
+
+Nkter rodiny mohou deklarovat pepnae dalch
+\uv{nadstandardnch variant} a u~nkterch rodin naopak
+me chybt i nkter ze standardnch variant.
+
+Varianty v~nkterch rodinch se mrn li od zde uvedench
+nzv pro standardn varianty. Msto tunho psma me bt
+teba ptomno jen polotun a msto kurzvy teba sklonn psmo.
+Pepnae "\rm", "\bf", "\it" a "\bi" zstvaj pokud mono
+zachovny, take by ns nemlo vyvst z~rovnovhy, e v~nkter rodin
+teba "\it" pepn do sklonnho psma a ne do kurzvy.
+
+Pokud chceme souasn pracovat s~dalmi pepnai font jin rodiny
+(napklad "\tt" pro strojopis), je mon takov pepnae deklarovat pomoc
+pkazu "\fontdef".
+
+lenn font do rodin je deklarovno v~souborech, kter
+maj v~plainu podobn vznam, jako {\tt fd} (Font Definition) soubory
+z~\LaTeX{}u. Doporuen ppona souboru je pro plain {\tt tex} a
+pro \LaTeX{} {\tt sty}. Tmto souborm budeme kat \uv{deklaran soubory}.
+Podle nzvu deklaranch soubor by mlo bt uivateli zejm, kter rodiny
+jsou v~nm deklarovny. Pklady:
+
+\begtt
+@PLAIN: @LATEX:
+sjannon.tex, sjannon.sty ... souhrnn rodina Jannon ze Steovic
+a35.tex, a35.sty ... zkladn skupina 35 font od Adobe
+\endtt
+
+Vidme, e deklaran soubory (na rozdl od {\tt fd} soubor z~\LaTeX{}u)
+obsahuj obvykle definice vce souvisejcch rodin. Mezi tmito
+soubory uivatel vybr ty, kter bude potebovat a uvede jejich jmna
+pi zaveden makra OFS v~zhlav svho dokumentu.
+Aby ml uivatel zjednoduenou prci, zakldme obvykle t souhrn
+soubory, kter obsahuj "\input" nebo "\RequirePackage" na jednotliv
+deklaran soubory:
+
+\begtt
+skatalog.tex, skatalog.sty ... vechny fonty ze Steovic
+allfonts.tex, allfonts.sty ... vechny fonty na TeXov instalaci
+\endtt
+
+
+\sec Uivatelsk pkazy
+%%%%%%%%%%%%%%%%%%%%%%%%
+
+\subsec Zaveden OFS
+%%%%%%%%%%%%%%%%%%%%
+
+Pro pklad pedpokldejme, e budeme chtt pracovat
+s~fonty ze souhrnn rodiny Jannon a
+DynaGrotesk. Protoe se jedn o~rodiny ze Steovick psmolijny od pana
+torma, najdeme odpovdajc deklaran soubory v~adresi
+"storm". Na Internetu je zskme spolen s~makrem OFS
+napklad na "www.cstug.cz/stormtype".
+Souhrnn rodiny Jannon a Dyna\-Grotesk jsou deklarovny v~tchto souborech:
+\PLAIN: "sjannon.tex", "sdynamo.tex";
+\LATEX: "sjannon.sty", "sdynamo.sty".
+Psmeno "s" na zatku nzv znamen,
+e fonty pochzej ze Steovick psmolijny. Jmna tchto soubor bez
+ppony je nutn uvst v~hranat zvorce pi zaveden makra OFS takto:
+
+\begtt
+@PLAIN: \input ofs [sjannon, sdynamo] % mezera ped "[" je nutn!
+@LATEX: \usepackage [sjannon, sdynamo] {ofs}
+\endtt
+
+Dle meme pracovat s~rodinami, kter jsou obsaeny v~souhrnnch
+rodinch Jannon a DynaGrotesk.
+Napeme-li do dokumentu pkaz "\showfonts"\inl[showfonts],
+zobraz se na \hbox{terminl} (a~zape do logu) seznam nzv jednotlivch
+rodin, kter dle meme pouvat. Po zaveden "sjannon" a
+"sdynamo", jak bylo uvedeno ve, zobraz pkaz "\showfonts" tento seznam:
+
+\begtt
+OFS (l.1): The list of known font families:
+defaults:
+ [CMRoman/] \rm, \bf, \it, \bi, \sl
+ [CMSans/] \rm, \bf, \it, -
+ [CMTypewriter/] \rm, - , \it, - , \sl
+ [Times/] \rm, \bf, \it, \bi
+ [Helvetica/] \rm, \bf, \it, \bi, \nrm, \nbf, \nit, \nbi
+ [Courier/] \rm, \bf, \it, \bi
+sjannon.tex:
+ [JannonAntikva/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonText/] \rm, \bf, \it, \bi, \mr, \mi
+ [JannonCaps/] \rm, \bf, \it, \bi
+sdynamo.tex:
+ [DynaGroteskDXE/] \rm, \bf, \it, \bi
+ [DynaGroteskRXE/] \rm, \bf, \it, \bi
+ [DynaGroteskLXE/] \rm, \bf, \it, \bi
+ ... <a dalch 15 rodin DynaGrotesk> ...
+\endtt
+
+Prvnch 6 rodin (oznaen jako defaults) je definovno v~OFS.
+Teprve dal rodiny jsou deklarovny v~pouitch souborech.
+
+Vedle nzv rodin jsou uvedeny pepnae variant, kter pro danou
+rodinu meme pout. Prvn tyi pepnae jsou pro standardn
+varianty a pokud v~nkter rodin takov varianta nen pstupn,
+je zde na mst odpovdajcho pepnae pomlka.
+Pt a ppadn dal pepnae se vztahuj k~ppadnm nadstandardnm
+variantm. Zde napklad rodina Helvetica m navc pepnae
+pro varianty \uv{Narrow} a rodiny Jannon maj pepnae pro
+varianty \uv{Medium}.
+
+Napeme-li do dokumentu pkaz "\fontusage"\inl[fontusage],
+zobraz se na terminl a
+do logu strun informace o~pouit pkaz z~balku OFS.
+
+Krom ve uvedenho zpsobu zaveden:
+
+\begtt
+@PLAIN: \input ofs [<soubor>, <soubor>, ...]
+@LATEX: \usepackage [<soubor>, <soubor>, ...] {ofs}
+\endtt
+%
+existuje jet monost pmo zavst poadovan soubory. Pak nen nutn
+v~dokumentu explicitn zavdt soubor "ofs.tex" resp. "ofs.sty":
+
+\begtt
+@PLAIN: \input <soubor> \input <soubor> ...
+@LATEX: \usepackage {<soubor>} \usepackage {<soubor>} ...
+\endtt
+%
+Pklad:
+
+\begtt
+@PLAIN: \input sjannon \input sdynamo
+@LATEX: \usepackage {sjannon} \usepackage {sdynamo}
+\endtt
+%
+Nedoporuuje se (zvlt v~\LaTeX{}u) oba tyto zpsoby zaveden
+makra OFS mchat.
+
+
+\subsec Pkaz {\tt\back setfonts}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+V~dalch pkladech pedpokldme,\inl[setfonts]
+e jsme zavedli pouze potebn
+rodiny, napklad ze soubor {\tt sjannon} a {\tt sdynamo}.
+Nyn teba po pouit pkazu
+
+\begtt
+\setfonts [JannonText/12pt]
+\endtt
+%
+lze pepnat do jednotlivch variant tto rodiny JannonText ve
+velikosti 12pt. Je mon pout pepnae
+"\rm", "\bf", "\it", a "\bi" a speciln pro tuto
+rodinu jet "\mr" a "\mi".
+
+Pkaz "\setfonts [<JmnoRodiny>/<velikost>]"
+pepn do nov rodiny a ct
+naposledy zapnutou variantu.
+Pokud ped tmto pkazem
+byla zapnut teba varianta BoldItalic, pak po tomto pkazu zstv
+zapnut tato varianta i v~nov rodin.
+Pokud v nov rodin naposledy zapnut
+varianta neexistuje, pepn se do "\rm". Tato varianta mus bt
+deklarovna v~kad rodin.
+
+Pkaz "\setfonts" vymezuje vechny zmny pouze
+lokln. Po ukonen skupiny se sazba vrac k~rodin a variant, kter
+byla aktuln pi zahjen skupiny.
+
+Parametry pkazu "\setfonts" mohou bt przdn:
+"\setfonts [<JmnoRodiny>/]" pepne do nov
+rodiny a ct naposledy nastavenou velikost a
+"\setfonts [/<velikost>]" nastav novou velikost
+a ponech aktuln vybranou rodinu. Po inicializaci OFS je (pro
+ppad pouit przdnho parametru) defaultn nastavena rodina
+"CMRoman" a velikost 10\,pt. Pkaz "\setfonts [/]"
+je syntakticky korektn, ale neudl krom zpisu
+do logu vbec nic.
+
+Parametr <JmnoRodiny>, je-li uveden, mus pesn odpovdat jmnu
+rodiny podle seznamu znmch rodin (viz nahoe pkaz "\showfonts").
+Je teba dodrovat mal a velk psmena a cel jmno pst bez mezer.
+Pokud se tento parametr neshoduje s~dnou znmou rodinou, vype \TeX{}
+varovn a pipoj seznam vech znmch rodin. Take napklad
+"\setfonts [?/]" lze pout se stejnm efektem,
+jako pkaz "\showfonts".
+
+\LATEX: <JmnoRodiny> me bt nejen jmno podle seznamu znmch rodin
+(dlouh nzev), ale je dovoleno pout i zkratku z~NFSS. Take
+napklad "\setfonts [Times/]" a "\setfonts [ptm/]" je v~\LaTeX{}u tot.
+
+\OBA:
+Parametr <velikost> m tyto monosti:
+
+\begitems
+* <slo> .... nap. "12", "17.4",
+* <slo><jednotka> .... nap. "12pt", "17.4pt", "10dd",
+* "at"<slo><jednotka> .... nap. "at12pt", "at17.4pt", "at10dd",
+* "scaled"<cel slo> .... nap. "scaled1200", "scaled\magstep3",
+* "mag"<desetinn slo> .... nap. "mag1.2", "mag.7", "mag2.0".
+\enditems
+
+Prvn ti monosti se vznamov shoduj. Klov slovo "at" je
+nepovinn a nen-li uvedeno ani "at" ani jednotka, dopln se
+automaticky "at<slo>pt". Font se zavede pesn v~poadovan
+velikosti. Samozejm pi globlnm "\magnification" celho dokumentu
+se jedn o~relativn a nikoli absolutn rozmry, pokud nepouijeme
+jednotku uvozenou slovem "true" (nap. "17truept").
+Jestlie peme klov slovo "at", nesmme vynechat jednotku.
+Nesprvn: "at12", sprvn: "at12pt" nebo jenom "12".
+
+tvrt monost ("scaled") je shodn s~pouitm slova "scaled" pi zavdn
+fontu pomoc primitivu "\font". Nap. "scaled1200" je font, jeho zkladn
+velikost je pronsobena koeficientem 1,2. Je-li zkladn velikost
+fontu 10\,pt (co je obvykl), pak je "scaled1200" shodn s~"at12pt".
+
+Posledn monost ("mag") pronsob aktuln velikost font danm
+koeficientem. Na rozdl od "scaled" se tedy vztahuje k~aktuln
+velikosti a nikoli k~zkladn velikosti fontu. Je-li nejprve pouito
+teba "\setfonts[/12]" a v~zpt "\setfonts[/mag2.]", rodina font
+bude nyn szena ve velikosti 24\,pt. Pklad:
+
+\begtt
+\def\small{\setfonts[/mag.7]}
+Text {\small je men \small a men \small a jet men} a tady je
+zase v normln velikosti.
+\endtt
+
+Upozornn: Zmna velikosti font pomoc "\setfonts" nijak nemn
+vzdlenost a ("\baselineskip"). To si mus uivatel nastavit sm.
+
+Pomoc "\setfonts" meme nastavit nejen celou rodinu (to ovlivn
+pepnae variant "\rm", "\bf", "\it", "\bi" a ppadn dal), ale tak
+jen zvolenou variantu v~dan rodin. V~takovm ppad
+"\setfonts" nemn vznam pepna variant ani aktuln
+velikost ostatnch font. Pi specifikaci varianty je nutno
+v~parametru "\setfonts" za nzev rodiny napsat znak mnus nsledovan
+zkratkou pro variantu. Pklady:
+
+\begtt
+\setfonts [JannonText-it/12] ..... nastav kurzvu dan rodiny ve
+ velikosti 12pt
+\setfonts [JannonText-rm/] ....... nastav zkladn ez dan rodiny
+ v aktuln velikosti.
+\setfonts [CMTypeWriter-sl/] ..... nastav zkladn variantu \sl
+ v aktuln velikosti.
+\endtt
+
+I~pi specifikaci varianty je mon v~parametru vynechat nzev rodiny,
+pak se pouije aktuln rodina. Napklad
+
+\begtt
+\setfonts [JannonText/12]
+\setfonts [-bf/17] ... varinata Bold JannonText, velikost 17pt.
+ Pepnae \rm, \bf, \it a \bi zstanou
+ nezmnny, v tomto pklad pepnaj
+ JannonText ve velikosti 12pt.
+ Nsledn pouit teba \setfonts [Times/]
+ nastav rodinu Times ve velikosti 12pt.
+ALE:
+\setfonts [/17]\bf ... Varinata Bold aktuln rodiny, velikost 17pt.
+ Pepnae \rm, \bf, \it a \bi nyn
+ pepnaj ve velikosti 17pt. Aktuln
+ velikost font je nyn 17pt.
+\endtt
+
+\LATEX: Co zde bylo eeno o~ponechn vznamu pepna variant
+pi specifikovn varianty v~\LaTeX{}u nen pravda,
+protoe by to naruilo logiku NFSS.
+V~\LaTeX{}u tedy je "\setfonts [-bf/17]" zcela shodn
+s~pkazy "\setfonts [/17]\bf".
+
+
+\subsec Pkazy {\tt\back fontdef} a {\tt\back addcmd}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pkaz "\fontdef"\inl[fontdef] umouje deklarovat nov fontov pepnae.
+
+\begtt
+\fontdef \<pepna> [<JmnoRodiny>/<velikost>]
+\endtt
+%
+Tato deklarace se zhruba shoduje s{}
+
+\begtt
+\gdef \<pepna> {\setfonts [<JmnoRodiny>/<velikost>]}
+\endtt
+
+\PLAIN: Pokud je specifikovna rodina vetn varianty a
+parametr <velikost> nen przdn ani nen zadn pomoc klovho slova
+"mag", pak "\<pepna>" nen implementovn jako makro obsahujc
+"\setfonts", ale jedn se o nativn pepna fontu implementovan
+pomoc "\global\font\<pepna>" (tzv.~fixed font).
+Tak me uivatel deklarovat vlastn nativn pepna
+fontu bez znalosti nzvu metriky.
+
+\LATEX: Deklarovan pepna je ve vech ppadech implementovn jako
+makro obsahujc "\setfonts". Pstup k~nativnm pepnam je ped
+uivatelem v~NFSS skryt.
+
+\OBA:
+Msto jmna rodiny me bt uveden vykink.
+Pak se dopln jmno rodiny aktuln v~mst pkazu
+"\fontdef". Na druh stran, pokud je jmno rodiny przdn,
+pak se jmno rodiny dopln podle aktuln rodiny
+v~mst pouit deklarovanho pepnae. Analogick vlastnost plat
+pro parametr <velikost>. Pklady:
+
+\begtt
+\setfonts [JannonAntikva/]
+\fontdef \small [/7] % \small = \setfonts [/7pt]
+\fontdef \sffam [DynaGroteskR/] % \sffam = \setfonts [DynagroteskR/]
+\fontdef \velky [Times/17] % \velky = \setfonts [Times/17pt]
+\fontdef \ttfam [Courier/] % \ttfam = \setfonts [Courier/]
+\fontdef \mylogo [Times-rm/mag.8] % \mylogo = \setfonts [Times-rm/mag.8]
+ % velikost fontu bude vdy rovna
+ % 0.8 nsobku aktuln velikosti.
+\fontdef \timbf [Times-bf/12] % \timbf = fixed-font pepna, jako:
+ % \global\font\timbf=ptmb8z at12pt
+\fontdef \jansmall [!/7] % \jansmall=\setfonts[JannonAntikva/7]
+\fontdef \janbi [!-bi/17] % \janbi = fixed-font pepna, jako:
+ % \global\font\janbi=sjnbi8z at17pt
+\fontdef \tt [Courier-rm/!] % \tt = fixed-font pepna, jako
+ % \global\font\tt=pcrr8u at10pt
+\endtt
+
+Pkaz "\fontdef" deklaruje pepna globln, ovem tento pepna je
+sm o~sob lokln. Jinmi slovy "\global\fontdef\jmeno" je tot jako
+"\fontdef\jmeno", ale pepna "\jmeno" nastav font (nebo celou
+rodinu) jen lokln.
+
+Od verze OFS Oct.~2002 je podporovn pkaz
+"\addcmd"\inl[addcmd], kter umon spolen s~pkazem "\fontdef"
+soustedit problematiku font do jedinho msta v souboru maker.
+Pkaz m formt:
+
+\begtt
+\addcmd \<pepna> {<pkazy>}
+\endtt
+%
+a chov se, jako "\def\<pepna> {<pvodn vznam pepnae> <pkazy>}".
+Pomoc "\addcmd" tedy meme \uv{rozit} obsah makra "\<pepna>"
+o~dal pkazy. Sekvence "\<pepna>" mus bt (ped pouitm
+"\addcmd") definovna jako makro bez parametr nebo mus bt
+ve vznamu neexpandovan kontroln sekvence deklarovan napklad
+pomoc "\font", "\chardef" apod. Po pouit "\addcmd" je sekvence
+"\<pepna>" definovna vdy jako makro bez parametru. Opakovan
+pouit "\addcmd" na stejn "\<pepna>" je mon.
+
+Pklad pouit:
+
+\begtt
+\setfonts [JannonText/]
+\fontdef \footnotefont [!/7]
+\addcmd \footnotefont {\rm \baselineskip=9pt \relax}
+\fontdef \sectionfont [!/12]
+\addcmd \sectionfont {\bf \let\it=\bi}
+\endtt
+
+
+\subsec Test ptomnosti rodiny
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\PLAIN: Ve svch makrech meme testovat, zda je rodina font deklarovan,
+tj.~zda je natena jej deklarace z~deklaranho souboru. Pouijeme
+k~tomu konstrukci "\knownfam <JmnoRodiny>? \iftrue", kter expanduje
+na "\iftrue", pokud je rodina deklarovan a na "\iffalse", pokud
+deklarovan nen. Parametr <JmnoRodiny> musme uvst bez specifikace varianty.
+
+\OBA: Z dvod zptn kompatibility se star verz OFS~dl stejnou prci jako
+"\knownchar" makro "\ifknownfam [<JmnoRodiny>]"\inl[ifknownfam].
+V~OFS pro plain se ale
+od verze Feb.~2004 doporuuje pouvat "\knownfam", protoe to udruje
+sprvn sprovan primitivy "\if*", "\else", "\fi". La\TeX{}ov uivatel
+si me "\knownfam" snadno definovat.
+
+\subsec \LATEX: Propojen OSF s~NFSS
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Tato sekce je urena pouze pro \LaTeX{}isty. Pkaz\inl[OFSfamily]
+
+\begtt
+\OFSfamily [<JmnoRodiny>]
+\endtt
+%
+konvertuje dlouh nzev rodiny podle katalogu na intern nzev rodiny
+zanesen do NFSS. Napklad
+
+\begtt
+\OFSfamily [JannonText]
+\endtt
+%
+expanduje na "sjng". Makro pracuje jen na rovni expandprocesoru,
+proto nedostaneme pi peklepu v~nzvu rodiny chybov hlen.
+Pi neexistujc rodin makro expanduje na text "unknown".
+Pouijeme-li napklad "\OFSfamily" ve svch stylovch souborech
+a zpozorujeme, e se NFSS sna substituovat rodinu "unknown",
+meme si bt jisti, e mme peklep v~nzvu rodiny nebo nemme
+sprvn pouit "\usepackage".
+
+Pklad pouit:
+
+\begtt
+\usepackage [sjannon, sdynamo] {ofs}
+\edef\rmdefault {\OFSfamily [JannonAntikva]}
+\edef\sfdefault {\OFSfamily [DynaGroteskR]}
+\edef\ttdefault {\OFSfamily [Courirer]}
+\endtt
+
+Vznam maker "\rmdefault", "\sfdefault", "\ttdefault" je popsn
+v~dokumentaci NFSS.
+
+Dle OFS definuje pkaz\inl[OFSfamilydefault]
+
+\begtt
+\OFSfamilydefault [<JmnoRodiny>]
+\endtt
+%
+kter nastav zkladn rodinu celho dokumentu. Tato rodina se v~pslunch
+velikostech a variantch objev nejen v~textu, ale i v~zhlav
+kapitol, sekc a podobn (jsou-li makra v~pouitm class souboru udlna
+rozumn). Pkaz intern provede
+
+\begtt
+\edef\familydefault {\OFSfamily [<JmnoRodiny>]}
+\endtt
+%
+s~tm, e navc oet ppad neexistujc rodiny chybovm hlenm
+s~vpisem vech aktuln dostupnch rodin.
+
+
+\subsec Kdovn font
+%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Pepnn mezi kdovnm font probh zcela v~reii NFSS. OFS
+v~tto vci nepidv nic novho.
+
+\PLAIN (a do konce sekce):
+Implicitn se pedpokld kdovn CSfont. Pokud ale potebujeme
+pout fonty napklad v kdovn T1, pak pouijeme
+"\def\fotenc{8t}"\inl[fotenc]
+a OFS bude pracovat s~fonty v~tomto kdovn.
+
+Meme dokonce uvnit dokumentu pepnat:
+
+\begtt
+\def\fotenc{8z} \setfonts[/] ... fonty v kdovn CSfont
+\def\fotenc{8t} \setfonts[/] ... fonty v kdovn podle Corku.
+\endtt
+
+Krom toho OFS obsahuje nstroje, aby makra zvisl na kdovn
+font (napklad "\v", "\'", "\ae") expandovala sprvn
+na znak ve zvolenm kdovn.
+Implicitn je v~OFS nastaveno "\loadingenc=0"\inl[loadingenc],
+co znamen, e zmnou kdovn font ani pkazem "\setfonts" se
+nemn makra typu "\v", "\ae". Tato makra si ponechaj svj
+originln vznam z~\hbox{plainu}. To uvtaj ortodoxn plainist,
+kte nemaj rdi, kdy m pouit balek zbyten velkou inteligenci.
+
+Je-li ale na zatku dokumentu uvedeno "\loadingenc=1", napklad:
+
+\begtt
+\input ofs [a35,sjannon] \loadingenc=1
+\endtt
+%
+pak pi kadm pkazu "\setfonts" si \TeX{} zkontroluje, zda m
+nateny vechny potebn soubory se jmnem "ofs-<kdovn>.tex".
+Tyto soubory obsahuj pedefinovn maker zvislch na nastavenm kdovn font.
+Pokud tyto soubory nateny nejsou, \TeX{} je bhem "\setfonts"
+nate. Podrobnji viz sekce~\beglink{3.3}3.3\endlink{} a
+\beglink{3.5}3.5\endlink.
+
+Balek OFS obsahuje ti soubory s~deklaracemi maker zvislmi na
+kdovn: "ofs-8z.tex", "ofs-8t.tex" a "ofs-8c.tex". Pi pouit jinho kdovn
+font si mete vytvoit dal soubor analogickho nzvu.
+Pkazy "\accentdef" a "\characterdef" pouvan v~tchto
+souborech jsou podrobn vysvtleny v~\beglink{3.4}sekci~3.4\endlink.
+
+
+\subsec Fonty v~matematice
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: OFS pro \LaTeX{} vbec nee otzku font pro matematiku.
+Je poteba vyut nabdku monost NFSS.
+
+\PLAIN (a do konce sekce):
+Pkaz "\setfonts" a pepnae deklarovan pomoc "\fontdef"
+pepnaj jen psmo v~textovm reimu.
+Pokud nepouijeme pkaz "\setmath", zstv ve,
+co je ve vstupnm souboru mezi dolary, vytitno v~Computer
+Modern ve velikostech 10\,pt/7\,pt/5\,pt (velikost:
+zkladn/indexov/indexindexov). To nemus bt vdy douc.
+
+Pkaz "\setmath" m tento tvar:\inl[setmath]
+
+\begtt
+\setmath [<zkladn velikost>/<indexov velikost>/<indexindexov velikost>]
+\endtt
+%
+V~parametrech pkazu dvme najevo, v~jakch velikostech chceme matematick
+fonty nastavit. Je mon pout libovoln zpis velikosti, jako
+u~pkazu "\setfonts". Je-li pouita monost "mag<slo>", je
+velikost vypotna jako <slo> krt velikost aktulnho
+textovho fontu. Je-li parametr przdn, dopln se takto:
+
+\begitems
+* zkladn velikost --- "mag1.0"
+* indexov velikost --- "mag0.7"
+* indexindexov velikost --- "mag0.5"
+\enditems
+
+Take "\setmath [//]" udl tot jako
+"\setmath [mag1./mag.7/mag.5]". OFS definuje makro
+"\setsimplemath"\inl[setsimplemath] jako "\setmath [//]".
+
+Pkaz "\setmath" nastav matematick fonty podle
+aktuln situace. Jeho innost zvis na obsahu maker
+"\fomenc" a "\mathversion".
+
+Matematick kdovn je ureno hodnotou makra
+"\fomenc".\inl[fomenc]
+Existuj tyto monosti:
+
+\begitems
+* Implicitn hodnota je "\def\fomenc{PS}" (PostScript-Symbol).
+ Pkaz "\setmath" pak
+ pevezme kurzvu aktuln rodiny a pouije ji jako matematickou
+ kurzvu. Dle pevezme zkladn variantu aktuln rodiny a pouije ji
+ pro slice a dal symboly, kter jsou psny i v~matematice jako
+ "\rm". Standardn pepnae variant "\rm", "\it", "\bf" a "\bi"
+ zanou pepnat do odpovdajcch font i v~matematick sazb.
+ %
+ Pi "\def\fomenc{PS}" se navc chybjc matematick znaky,
+ kter obvykle nejsou ptomny v~PostScriptovch fontech
+ (napklad psmena eck abecedy), nahrad z~Post\-Script\-ovho fontu
+ Symbol. Tento font se toti ke vtin
+ PostScriptovm psmm hod daleko lpe ne Computer Modern. Ostatn
+ znaky (napklad zvtujc zvorky a velk opertory) zstvj
+ v~Computer Modern.
+
+* Je-li "\def\fomenc{CM}" (Computer Modern), pak "\setmath" ponech
+ matematickm vzorekm Computer Modern fonty, jen se ppadn
+ pizpsob poadovan velikosti.
+
+* Po zaveden souboru "amsfn.tex" je mon pout "\def\fomenc{AMS}".
+ Matematika se pak chov stejn jako pi "CM", ale navc jsou k~dispozici
+ veker symboly z~AMS\TeX{}u.
+
+* Po zaveden souboru "txfn.tex" meme pout dv nov kdovn:
+ "\def\fomenc{TX}" nebo "\def\fomenc{PX}".
+ V obou ppadech se pro matematiku pouij
+ voln dostupn TXfonty, kter vychzej z ez rodin Times a
+ Helvetica. Pi hodnot "TX" se v~matematice pouij vhradn
+ TXfonty, zatmco pi hodnot "PX" budou TXfonty kombinovny
+ s~kurzvou a zkladnm ezem aktuln textov rodiny font (podobn
+ jako pi kdovn "PS"). OFS podporuje vechny kontroln sekvence na
+ matematick symboly podle manulu k TXfontm. Jsou zde veekr
+ symboly z AMS\TeX{}u a mnoho dalch. Symbol z TXfont je nkolik stovek.
+ {\hbadness=1015\par}
+
+* Po zaveden souboru "mtfn.tex" je mon pout
+ "\def\fomenc{MT}". Matematika bude obsahovat kurzvu a zkladn ez
+ aktuln rodiny font kombinovanou se znaky~komern verze
+ matematickch font MathTimes.
+\enditems
+
+Podobn jako v~NFSS jsou podporovny dv verze vzorek: normal a
+bold. Poadovan verze se nastavuje v~makru "\mathversion"\inl[mathversion]
+pomoc "\def\mathversion{normal}" nebo "\def\mathversion{bold}".
+Makro "\setmath" pak pizpsob zaveden matematickch font poadovan
+verzi. Implicitn je nastaveno "\def\mathversion{normal}".
+Nastaven "\mathversion" je poteba provst ped vyvolnm pkazu
+"\setmath". Pklady:
+
+\begtt
+\setmath [//] $vzoreek$ % vzoreek je ve verzi "normal"
+$\def\mathversion{bold}\setmath[//] vzoreek$ % vzoreek ve verzi "bold"
+\endtt
+
+
+\sec Jak je to udlno, aneb pohled do hloubky
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Vechna makra, kter jsou jen pomocn, jsou ve stylu "ofs.sty"
+definovna se jmnem "\ofs@jmnomakra", aby nedolo ke zmaten s~jinmi
+styly. Makra, kter se pouvaj v~deklaranch souborech, maj nzev
+"\OFSjmnomakra". Dle styl definuje uivatelsk pkazy "\setfonts",
+"\fontdef", "\showfonts", "\fontusage", a pedefinovv pepnae
+"\rm", "\bf", "\it", "\bi".
+
+\PLAIN: Vechna makra definovan v~"ofs.tex" jsou uvedena v~rejstku na
+konci tohoto dokumentu. Pi nvrhu nzv maker jsem nevyuil konvenci
+se znakem "@", protoe tento znak v~nzvech maker osobn nenvidm.
+
+
+\subsec Vpisy do logu
+%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Pro trasovn makra NFSS se pouije balek "tracefnt".
+
+\PLAIN: Pokud nkoho ru pi astm pepnn rodin font pkazem
+"\setfonts" vpisy v~logu, me pout pkaz
+"\nofontmessages"\inl[nofontmessages].
+Pokud naopak chceme tyto vpisy vidt i na terminlu, pime
+"\displayfontmessages"\inl[displayfontmessages]. Implicitn je zapnut vpis
+pouze do logu pkazem "\logfontmessages"\inl[logfontmessages].
+Pokud chceme pesn vidt, kter metriky font se zavdj primitivnm
+pkazem "\font", pouijeme "\detailfontmessages"\inl[detailfontmessages].
+
+Varovn o~nepstupnch znacch nebo kdovnch se vdy vypisuj na
+terminl i do logu. Chceme-li je mt jen v~logu, meme napsat
+"\let\displaymessage=\wlog"\inl[displaymessage], protoe tato sekvence
+je v~OFS pouvna na zobrazen zprv na terminl.
+
+
+\subsec Robustn a kehk pkazy
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: \LaTeX{}2e m zaveden postupy na definovn robustnch
+pkaz. Vznam tchto pojm je vysvtlen v~dokumentaci k~\LaTeX{}u.
+Pkaz "\setfonts" a pepnae deklarovan pomoc "\fontdef" jsou
+samozejm definovny jako robustn, take se mohou vyskytovat
+v~textech pro obsahy, rejsky apod. bez toho, aby zpsobily obte.
+
+\PLAIN (a do konce sekce):
+Makro plainu problematiku kehkch pkaz nee
+a uivatel plainu, pokud naraz na tento problm, pouvaj rzn sv
+vlastn een, kter nejsou standardizovna. Jedno takov een je i
+v~OFS.
+
+Nejprve strun nazname, v~em spov problm s~kehkmi pkazy.
+Obas potebujeme (pro generovn obsahu, rejstku apod.) poslat
+njak text do pomocnho souboru (primitivem "\write"), aby byl tento
+soubor v~zpt (pi dalm zpracovn \TeX{}em) znovu naten.
+Problm je, e primitiv "\write" zape do souboru text po expanzi
+maker, co nemus vdy vyhovovat. Pokud je napklad fontov pepna
+implementovn jako sloit makro a je pouit v~textu zpracovanm
+primitivem "\write", v~souboru se objev cel makro po expanzi.
+Pi optovnm naten takovho souboru dojde vtinou k~havrii;
+kme, e byl pouit kehk (fragile) pkaz v~textu poslanm do
+souboru a v~souboru se nm tento pkaz \uv{rozsypal}.
+
+Pokud se dostane (potenciln) kehk pkaz z~maker OFS do souboru,
+pak se pi novm naten takovho souboru automaticky pi havrii
+zobraz na terminlu a v~logu nvod jak postupovat, aby se uivatel
+tohoto problmu zbavil. Text nvodu po pekladu do etiny vypad
+takto:
+
+\begtt
+CHYBA !! kehk pkaz v toc/ind/aux nebo podobnm souboru.
+Tento problm mete eit nsledujcmi kroky:
+1. Vymate pomocn soubor s tmto kehkm pkazem.
+2. Vlote nsledujc kd do zhlav svho dokumentu:
+ \let\orishipout=\shipout
+ \def\shipout#1#2{\setbox0=#1{#2}\bgroup
+ \let\expandaction=\noexpand \orishipout\box0 \egroup}
+3. Znovu TeXujte svj dokument nejmn dvakrt za sebou.
+Dal informace najdete v dokumentaci k OFS.
+\endtt
+
+Vysvtlme si, jak je to udlno. Makro, kter me v~parametru
+primitivu "\write" psobit pote, je v~OFS definovno zhruba takto:
+
+\begtt
+\def\makro {%
+ \ifx\expandaction\noexpand
+ \noexpand\makro
+ \else
+ \csname fragilecommand!\endcsname
+ <vlastn kd makra>
+ \fi
+}
+\endtt
+
+Pokud se nenastav "\expandaction"\inl[expandaction]
+na hodnotu "\noexpand", pak se
+provede st kdu za "\else". Protoe pkaz
+"\csname fragilecommand!\endcsname"\inl[fragilecommand!]
+nen definovn, realizuje se v~hlavnm procesoru jako "\relax"
+[TBN, strana 349]. Pi expanzi primitivem "\write" se do souboru
+zape "\fragilecommand!". Pi dalm ten soboru se spust pkaz
+"\fragilecommand"\inl[fragilecommand],
+kter vype na terminl ji zmnnou npovdu.
+
+Jestlie uivatel pouije kd z~npovdy v~zhlav svho dokumentu,
+pak v~dob innosti primitivu "\shipout" (tj.~v~dob, kdy expanduj
+argumenty primitiv "\write") je nastaveno "\let\expandaction=\noexpand".
+V~makru "\makro" se provede prvn st ped "\else", take do souboru
+se zape jen "\makro". To je pesn to, co potebujeme.
+
+V~OFS nen kd, kter pedefinovv "\shipout", pmo zahrnut. Msto
+toho pouze doporume uivateli, aby to udlal sm. Uivatel plainu toti
+potebuje mt vci pod vlastn kontrolou a neml by asi dvru k~makru,
+kter bez jeho vdom pedefinuje tak zsadn vc, jako je primitiv
+"\shipout". Tak je mon, e uivatel plainu pouije na rzn sti
+textu ve svch makrech "\edef" a potebuje vdt, e je v~takovm
+ppad vhodn nejpve nastavit "\let\expandaction=\noexpand".
+
+Podobn jako zde v~ukzce definice pkazu "\makro" jsou
+v~OFS definovny
+pkazy "\setfonts" (\beglink{2.2}sekce~2.2\endlink),
+"\setmath" (\beglink{2.7}sekce~2.7\endlink),
+"\setextrafont", "\printcharacter", "\printaccent"
+(\beglink{3.4}sekce~3.4\endlink),
+"\accentabove", "\accentbelow" a "\ofshexbox" (\beglink{3.6}sekce~3.6\endlink).
+Po pouit kdu z~npovdy se tato makra stvaj \uv{robustnmi}
+v~\LaTeX{}ovm smyslu tohoto slova.
+
+
+\subsec Deklaran soubory
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Deklaran soubory v~\LaTeX{}u jsou bn stylov soubory,
+kter shrnuj nkolik rodin font ve smyslu NFSS. Tyto rodiny jsou
+deklarovny bnm zpsobem ve~"fd" souborech. V~deklaranch souborech
+je mono pout nsledujc pkazy:
+
+\begitems
+* "\OFSprocessoptions"\inl[OFSprocessoptions]
+ --- m vtinou hodnotu "\undefined". Pokud ale
+ je stylov soubor natn ze souboru "ofs.sty" jako parametr,
+ m "\OFSprocessoptions" hodnotu "\relax". Test na tuto
+ sekvenci pouvme v~zhlav stylovho souboru, abychom vynachali
+ \LaTeX{}ovsk "\RequirePackage{ofs}", pokud to nen poteba (a
+ pouze by to zlobilo).
+* "\OFSextraencoding {<roziujc kdovn>}"\inl[OFSextraencoding]
+ --- Toto makro si poznamen do pamti <roziujc kdovn> a
+ provede "\input {<roziujc kdovn>ini.def}".
+ Pedpokld se, e tam jsou odpovdajc definice pro
+ <roziujc kdovn>, viz napklad soubor "se1ini.def", kter obsahuje
+ deklarace pro roziujc kdovn SE1 font ze Steovick psmolijny.
+ Pokud u byl soubor "<roziujc kdovn>ini.def" naten, makro jej
+ nenat znovu. Pozor: <roziujc kdovn> je nutno pst
+ velkmi psmeny, akoli v~nzvu souboru mus bt naopak tato psmena mal.
+* "\OFSputfamlist {<text>}"\inl[OFSputfamlist]
+ --- vlo <text> do seznamu rodin, kter
+ se vypisuje pi "\showfonts" nebo pi neznm rodin.
+* "\OFSdeclarefamily [<JmnoRodiny>] {<NFSS-jmno>}"\inl[OFSdeclarefamily]
+ --- poznamen si
+ do pamti, e <JmnoRodiny> je ve skutenosti <NFSS-jmno>.
+ Tato pam se vyuije napklad v~pkazu "\OFSfamily".
+ Navc zanese <JmnoRodiny> do seznamu rodin vypisovanm pi
+ "\showfonts".
+* "\OFSnormalvariants"\inl[OFSnormalvariants]
+ --- do textu, kter se vypisuje pi "\showfonts"
+ nebo pi neznm rodin vlo, seznam standardnch pepna,
+ tj.~"\rm,"~"\bf,"~"\it,"~"\bi".
+\enditems
+
+\PLAIN (a do konce sekce):
+Deklaran soubory maj pponu "tex" a pedpokld se o~nich,
+e maj pojistku proti opakovanmu naten. Pokud nen jet naten
+soubor "ofs.tex", je nutno jej ped dal innost nast. Rovn je
+vhodn zde nast soubor definic znak podle pouitch kdovn
+(viz~\beglink{3.4}sekce~3.4\endlink).
+
+V~deklaranm souboru je nutno vytvoit vazbu mezi nzvy rodin a pouitmi
+metrikami. K~tomu se pouvaj nsledujc pkazy:
+
+\begitems
+* "\protectreading <soubor><mezera>"\inl[protectreading] --- poznamen
+ si do pamti, e je peten <soubor>. Pokud je pkaz se stejnm
+ parametrem ten podruh, provede "\endinput", take nsledujc deklarace jsou
+ chrnny proti vcensobnmu ten.
+* "\ofsputfamlist {<text>}"\inl[ofsputfamlist]
+ --- vlo <text> do seznamu rodin, kter
+ se vypisuje pi "\showfonts" nebo pi neznm rodin.
+* "\ofsdeclarefamily [<JmnoRodiny>] {<pkazy>}"\inl[ofsdeclarefamily]
+ --- deklarace nov
+ rodiny se jmnem <JmnoRodiny>. Toto jmno se zanese do seznamu
+ znmch rodin vypisovanch pomoc "\showfonts". Pokud se tato rodina
+ pouije pi "\setfonts", pak se provedou <pkazy>. Mezi <pkazy> se
+ pouije prv jeden pkaz "\loadtextfam", kter zavede fonty dan
+ rodiny do pamti \TeX{}u.
+* "\loadtextfam"\inl[loadtextfam]
+ --- Zavede tyi fonty s~danmi metrikami. Tento pkaz vyaduje
+ podrobnj vysvtlen, kter je vetn parametr pkazu uvedeno ne.
+* "\newvariant<slice> \<pepna> (<Varianta>) <mezera> <metrika>;<extra-enc>;"\inl[newvariant]
+ \null\penalty0 --- Dekla\-ruje nov pepna varianty.
+ Podrobnj vysvtlen je uvedeno ne.
+* "\modifyenc <kdovn>:<identifiktor>;"\inl[modifyenc] --- pidn
+ vjimek vzhledem k~zkladnmu kdovn, viz~\beglink{3.5}sekce~3.5\endlink.
+* "\fosize"\inl[fosize]
+ --- makro, kter uchovv informaci o~aktuln velikosti
+ font v~naposledy vybran rodin. Obsah "\fosize" me mt dv
+ podoby: "at<dimen>" nebo "scaled<number>" podle toho, jak tvar
+ parametru <velikost> byl pouit v~pkazu "\setfonts".
+* "\fotenc"\inl[fotenc]
+ --- makro, kter uchovv informaci o~aktulnm kdovn.
+ Nejastj monosti jsou "\def\fotenc{8z}" (kdovn podle CS-font) nebo
+ "\def\fotenc{8t}" (kdovn podle Corku). Je-li pi naten souboru
+ "ofs.tex" makro "\fotenc" u znm, ponech se beze zmny, jinak se
+ definuje jako "8z".
+* "\extranec"\inl[extraenc]
+ --- makro, kter uchovv informaci o~roziujcm kdovn.
+ Tuto informaci tam kopruje z~parametru <extra-enc> makro "\laodatextfam".
+* "\defaultextraenc"\inl[defaultextraenc]
+ --- makro, jeho pedefinovnm meme zmnit roziujc kdovn zkladnch
+ rodin a rodin z~"a35.tex". Vchoz hodnota makra~"8c".
+* "\setfontshook"\inl[setfontshook]
+ --- makro, kter se spust vdy pi innosti pkazu "\setfonts"
+ tsn ped tm, ne jsou vykonny <pkazy> z~"\ofsdeclarefamily".
+* "\registertfm <jmno> <od>-<do> <skuten metrika>"\inl[registertfm]
+ --- umouje pracovat pi rznch velikostech font s~rznmi
+ metrikami. Podrobnosti viz \beglink{3.8}sekce~3.8\endlink.
+* "\registerenc <JmnoRodiny>: <kdovn> <mezera>"\inl[registerenc]
+ --- umouje omezit pouit rodiny font jen pro vymezen
+ kdovn. Podrobnosti viz \beglink{3.9}sekce~3.9\endlink.
+\enditems
+
+Pkaz "\loadtextfam" pouvan v deklaranch
+souborech mezi <pkazy> makra "\ofsdeclarefamily" m parametry:
+
+\begtt
+\loadtextfam (<Varianta-rm>) <mezera> <metrika-rm>;%
+ (<Varianta-bf>) <mezera> <metrika-bf>;%
+ (<Varianta-it>) <mezera> <metrika-it>;%
+ (<Varianta-bi>) <mezera> <metrika-bi>;<extra-enc>;%
+\endtt
+%
+Procenta na koncch dk v tto ukzce oznauj, e za stednky nem
+bt mezera.
+daje "(<Varianta-XX>)" slou jako komente o variantch zapisovan do
+logu a je mono je kompletn vetn zvorek a <mezery> vynechat (teba jen
+nkter). Ve verzch OFS do Sep~2002 nebyl tento parametr vbec
+podporovn. Pi vynechn tohoto parametru se pedpokldaj
+nsledujc implicitn hodnoty: "rm: ()", "bf: (Bold)",
+"it: (Italic)", "bi: (BoldItalic)".
+
+daje <metrika-XX> odpovdaj nzvm metrik, kter se pro uveden
+varianty font makrem "\loadtextfam" zavedou. Makro zhruba provede toto:
+
+\begtt
+\font\tenrm=<metrika-rm> \fosize
+\font\tenbf=<metrika-bf> \fosize
+\font\tenit=<metrika-it> \fosize
+\font\tenbi=<metrika-bi> \fosize
+\endtt
+%
+Pedpokld se, e vechny <metriky-XX> jsou
+v~deklaranm souboru napsny tak, e
+obsahuj makro "\fotenc". %\inl[fotenc]
+Tm je zaruena zmna nzvu metriky pi
+pechodu na jin kdovn (tj. pi pedefinovn makra "\fotenc").
+
+Konen daj <extra-enc> udv nzev extra kdovn. Pokud je tento parametr
+neprzdn, pak "\loadtextfam" provede na pechodnou dobu
+"\def\fotenc{<extra-enc>}" a znovu expanduje
+parametry <metrika-rm>, <metrika-bf>, <metrika-it> a <metrika-bi>.
+Vsledky tchto expanz si poznamen do pamti. Jedn se o~roziujc
+metriky k~zkladnm metrikm. Je-li parametr <extra-enc> przdn,
+poznmka o roziujcch metrikch se nekon.
+Kdy pak njak makro pro pstup ke specilnmu znaku tuto
+metriku potebuje, objev se na terminlu varovn, e aktuln
+zvolen metrika nem roziujc variantu.
+
+Nkter metriky v~pkazu "\loadtextfam" s vjimkou <metrika-rm>
+mohou bt vynechny. Je-li napklad przdn parametr
+<metrika-XX>, pak se zhruba provede
+\begtt
+\def\tenXX{\message{varovn o neexistujc variant na terminlu}}
+\endtt
+%
+take pi pechodu na takovou variantu se objev na terminlu
+a v~logu hlen o~ne\-existujc variant a font se nezmn.
+
+Pkaz "\setfonts"\inl[setfonts]
+nemn vznam maker "\rm", "\bf", "\it" a "\bi",
+ale mn vznam pepna font "\tenrm", "\tenbf", "\tenit" a "\tenbi".
+Dl to navc zprostedkovan tm, e spust <pkazy> deklarovan pro
+poadovanou rodinu v~"\ofsdeclarefamily" a mezi tmito <pkazy>
+se vyskytuje pkaz "\loadtextfam".
+
+Makra "\rm", "\bf", "\it", resp. "\bi" pouvaj fontov pepnae
+"\tenrm", "\tenbf", "\tenit",\inll[tenrm \back tenbf \back tenit]
+resp. "\tenbi". Prvn ti jsou znmy z~plainu
+a tvrt\inl[tenbi] je zaveden nov.
+Navc makra "\rm", "\bf", "\it" a "\bi" ukldaj
+do kontroln sekvence "\currentvariant"\inl[currentvariant]
+informaci o~naposledy aktivovan variant. Tato informace m podobu
+psmene ("M", "F", "T", resp. "I"), protoe jedin konstrukce
+"\let\currentvariant=<psmeno>" je odoln vi expanzi. lo o~to, aby
+makra pepna variant byla robustn i bez pedefinovn "\shipout".
+
+Vimneme si, e "\loadtextfam" nastavuje pepnae
+"\tenrm", "\tenbf", "\tenit" a "\tenbi"
+na fonty v~libovoln velikosti. in tak podle aktuln
+hodnoty makra "\fosize", kter mn makro "\setfonts" podle toho, jak
+je zadn parametr <velikost>.
+Slovo {\clqq"ten"\crqq} v~nzvech fontovch pepna tedy
+nemus znamenat, e se jedn o~font ve velikosti 10\,pt. Povaujme
+tyto nzvy za historick a z~hlediska OFS mon trochu
+kurizn. Nen pitom nutn pro pepnae textovch font vymlet
+nzvy nov.
+
+Nkdo me namtnout, e opakovan pouvn makra "\setfonts" vdy
+znovu a znovu spout tveici pkaz "\font", co me zpsobit
+vt nroky na pam a as. Nen to pravda, protoe \TeX{} si eviduje
+intern tabulku u zavedench metrik a pi opakovanm pouit
+primitivu "\font" na stejnou metriku se u neobtuje metriku vbec
+otevrat. Jen inicializuje pslun fontov pepna asi stejn rychle,
+jako by se to provedlo pomoc "\let".
+
+Pkaz "\loadtextfam" jet ped zavedenm font nate
+pi "\loadingenc>0"\inl[loadingenc]
+soubor "ofs-\fotenc.tex". Pi neprzdnm parametru <extra-enc>
+navc nate soubor "ofs-<extra-enc>.tex".
+Tyto soubory jsou teny jen jednou a v dob ten jsou
+ignorovny przdn dky, konce dk. ten probh uvnit
+skupiny, kde jsou pro jistotu lokln nastaveny
+kategorie znak podle plain\TeX{}u (a~"\catcode`@=11")
+a je nastaveno "\globaldefs=1", tj.~vechna
+pedefinovn ze souboru "ofs-<kdovn>.tex" se provedou globln.
+To nm nevad, protoe nov naten kdovac soubory nejsou v~konfliktu
+s~pedchozmi (viz vlastnosti pkaz "\characterdef" a "\accentdef"
+v~\beglink{3.4}sekci~3.4\endlink). Naten vtho mnostv tchto
+soubor ne je v~dan chvli poteba, rovn neohroz funkcionalitu
+maker zvislch na kdovn. Dvod globln definice je v~tom, e
+nen vhodn, aby pi opakovanm "{...\setfonts...}" musel bt
+kdovac soubor natn neustle znovu a znovu.
+
+Pokud uivateli vad, e je pedefinovn maker globln
+(chce napklad svj lnek zaadit do sbornku, kde by
+pedefinovn mohlo vadit jinm lnkm), pak ponech "\loadingenc=0" a
+mus nast soubory s~deklaracemi maker manuln pomoc
+"\input" na zatku lnku. V~takovm ppad se provede
+deklarace jen lokln.
+
+V~parametru <pkazy> makra "\ofsdeclarefamily" se me deklarovat
+nadstandardn varianta rodiny pomoc pkazu "\newvariant".\inl[newvariant]
+Tento pkaz provede:
+
+\begtt
+\font\ten<pepna>=<metrika> \fosize
+\def \<pepna> {\let\currentvariant=<slice> \ten<pepna>}
+\endtt
+%
+Dle pkaz "\newvariant" zanese do pamti informaci o~ppadn
+roziujc metrice podle <ext-enc>.
+
+Pokud OFS potebuje dodret pi pechodu na novou rodinu naposledy
+zvolenou nadstandardn variantu, in tak podle hodnoty
+"\currentvariant". Pokud tedy nov rodina m deklarovnu
+nadstandardn variantu pod stejnnou <slic>, bude pouita tato
+varianta a OFS nebude pepnat do defaultn varianty "\rm".
+Je proto vhodn deklarovat varianty rznch rodin ale
+\uv{stejnho typu} pod stejnou <slic>.
+Z principu vci vidme, e v~OFS existuje omezen v~potu
+nadstandardnch variant jedn rodiny na maximln 10.
+To by nemlo vadit, protoe kdykoli meme rozdlit rozshlou
+rodinu na vce rodin (napklad tormovy rodiny DynamoGrotesk).
+
+Makro "\setfonts" me mnit vznam maker "\loadtextfam" a
+"\newvariant". Udl to prv tehdy, kdy je v parametru <Rodina>
+specifikovan varianta. V takovm ppad sta zavst jeden font a
+nen poteba zavdt celou rodinu. Pi specifikaci standardn varianty
+"\newvariant" nebude dlat nic a "\loadtextfam" zavede jedin font.
+Pi specifikaci nadstandardn varianty "\loadtextfam" nebude dlat nic
+a "\newvariant" zavede font jen tehdy, pokud se jedn o font
+specifikovan varianty.
+
+Na zvr tto sekce si podrobnji vysvtlme innost
+pkazu "\setfonts".\inl[setfonts]
+Tento pkaz \uv{vypot} a definuje podle parametru <velikost> hodnotu
+makra "\fosize". Dle pi neprzdnm pamaretru <JmnoRodiny> a pi
+neuveden varianty tento pkaz provede
+"\def\currentfamily{<JmnoRodiny>}"\inl[currentfamily],
+zatmco pi przdnm parametru
+hod\-notu z~"\currentfamily" pouze pouije.
+Je-li v~parametrech uvedena varianta
+rodiny, pozmn "\setfonts" na pechodnou dobu makra "\loadtextfam" a
+"\newvariant" tak, aby msto
+cel rodiny font byl zaveden jen jeden font. Dle spust
+"\setfontshook" a pak <pkazy> z~odpovdajcho "\ofsdeclarefamily".
+Potom vrt hodnoty maker
+"\loadtextfam" a "\newvariant" do pvodnho stavu, pokud byly
+tyto hodnoty mnny. Nakonec spust makro
+"\runmodifylist"\inl[runmodifylist], kter nastav za jistch okolnost
+vjimky ze zvolenho kdovn (podrobnji viz~\beglink{3.5}sekci~3.5\endlink).
+Konen pkaz "\setfonts" spust "\ignorespaces", aby ppadn
+zapomenut mezera za zvorkou~\clqq"]"\crqq nebyla v~horizonlnm mdu
+vytitna.
+
+
+\subsec Kdovn font a deklarace znak
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\PLAIN: Pro pepnn do roziujc metriky slou makro
+"\setextrafont"\inl[setextrafont].
+Toto makro se podv, zda k~aktulnmu fontu existuje v~pamti poznmka
+o~roziujc metrice (viz pkaz "\loadtextfam" a "\newvariant"
+\beglink{3.3}v~pedchoz sekci\endlink).
+Pokud takov poznmka existuje, pkaz "\setextrafont" provede zhruba toto:
+
+\begtt
+\font\extrafont=<roziujc metrika ve velikosti zkladn metriky> \extrafont@inl[extrafont]
+\endtt
+
+\LATEX: Pro pepnn do roziujcho kdovn, kter je deklarovno
+pkazem "\OFSextraencoding", slou (stejn jako v plainu)
+makro "\setextrafont". Toto makro se podv, zda bylo
+roziujc kdovn deklarovno, a pokud ano, provede zhruba toto:
+
+\begtt
+\fontencoding{<roziujc kdovn>}\selectfont
+\endtt
+
+\OBA: Chceme-li vytisknout z~roziujc metriky (roziujcho
+kdovn) njak znak s~kdem <slo>, je mon pout
+makro "\extchar <slo>"\inl[extchar].
+
+\PLAIN (a do konce sekce):
+Pro definice maker zvislch na aktulnm kdovn
+je mon v~OFS pout dva deklaran pkazy:
+"\characterdef" a "\accentdef". Prvn z~nich\inl[characterdef]
+m tyto parametry:
+
+\begtt
+\characterdef \<sekvence> <kdovn> <mezera> <slo>
+% pklad:
+\characterdef \promile 8z 141
+% nebo
+\characterdef \<sekvence> <kdovn> <mezera> {<pkazy>}
+% pklad:
+\characterdef \promile 8t {\%\char24 }
+\characterdef \promile * {\vrule height1ex width1ex\relax}
+ % in another encodings
+\endtt
+
+V~prvnm ppad se bude "\<sekvence>" pi aktulnm kdovn font
+shodnm s~<kdovnm> expandovat na token kategorie 12 s~kdem
+rovnm <slu>. V~druhm ppad "\<sekvence>" expanduje pi
+shodnosti <kdovn> na <pkazy>. Ve probhne na rovni
+expand procesoru. Pokud pouijeme oba ve zmnn pklady
+pro definici "\promile", pak plat:
+
+\begtt
+\def\fotenc{8z} \promile % expanduje na znak s kdem 141
+\def\fotenc{8t} \promile % expanduje na pkazy \%\char24
+\endtt
+
+Mimoto je mon deklarovat pstup k~rozenmu kdovn, pokud je
+toto kdovn specifikovno jako parametr <extra-enc> v~pkazu
+"\loadtextfam". Pklad:
+
+\begtt
+\characterdef \euro 8z 134
+\characterdef \euro 6s 37
+
+\def\fotenc{8z} \euro % expanduje na znak s kdem 134
+\def\fotenc{8t} \euro % expanduje na: {\setextrafont znak s kdem 37}
+\endtt
+
+V~tomto pklad se pi "\def\fotenc{8t}" me stt, e aktuln font
+nem poznmku o~roziujc metrice, nebo m poznmku o~roziujc
+metrice jin ne "6s". Pak "\euro" vype varovn na terminl
+o~nedostupnosti znaku "\euro".
+
+Vysvtlme nyn podrobnji, jak makra deklarovan pomoc
+"\characterdef" funguj. Pkaz "\characterdef"
+definuje "\<sekvenci>"
+jako "\printcharacter{<sekvence>}"\inl[printcharacter],
+take napklad "\promile" expanduje nejprve na "\printcharacter{promile}".
+a "\euro" na "\printcharacter{euro}".
+Pokud se "\characterdef" pouije opakovan na stejnou "\<sekvenci>",
+pak se vdy znovu definuje stejn, take nedochz ke ztrt pedchoz
+informace. Krom toho ale "\characterdef" definuje dal makro
+"\<sekvence>:-<kdovn>" tak, e toto makro expanduje na znak se
+specifikovanm kdem nebo na <pkazy>. Dal inteligence je schovna
+v~pkazu "\printcharacter". Ten ov, zda je definovno makro
+"\<sekvence>:-\fotenc". Pokud ano, expanduje na obsah tohoto makra.
+Jinak ov, zda existuje poznmka o~roziujc metrice vztaen
+k~aktulnmu fontu. Pokud ano, zjist kdovn tto roziujc
+metriky <extra-enc> a podv se, zda je definovno makro
+"\<sekvence>:-<extra-enc>". Pokud ano, expanduje na
+
+\begtt
+{\setextrafont \<sekvence>:-<extra-enc>}
+\endtt
+%
+Pokud se stle nepodailo realizovat poadovan znak,
+pokus se vytisknout defaultn znak nezvisl na kdovn
+"\<sekvence>:-*". Pokud ani to nen mon,
+spust se "\printcharacterwarn{<sekvence>}".\inl[printcharacterwarn]
+Implicitn hodnota tohoto makra vype varovn
+o~nedostupnm znaku <sekvence> na terminl a do logu a do vstupu
+nevytiskne nic.
+
+Chceme-li se vyhnout vpisu varovn, meme "\printcharacterwarn"
+pedefinovat, teba takto:
+
+\begtt
+\def\printcharacterwarn #1{?(#1)?}
+\endtt
+
+Od verze OFS Mar. 2004 "\characterdef" odmt pedefinovat u
+definovan kontroln sekvence. Definuje pouze sekvence, kter maj
+zatm vznam "\undefined" nebo "\relax". V jinm ppad (a pokud nen
+sekvence u pomoc "\characterdef" definovna) vype
+varovn o ignorovan definici do log souboru. Dvod tohoto opaten
+je ten, e kdovac soubory deklaruj obrovsk mnostv novch
+kontrolnch sekvenc pomoc "\characterdef", a pitom programtor
+maker nemus vechny znt. Me se tedy stt, e pouije pro sv vlastn makro
+stejn jmno. V takovm ppad "\characterdef" respektuje makro
+definovan programtorem a pslun znak ponech nepstupn.
+Pokud potebujeme pomoc "\characterdef" skuten nkter
+kontroln sekvence pedefinovat (u~maker zvislch na kdovn z~plainu to je
+nutn), pak musme ped pouitm "\characterdef" napsat
+"\let\<sekvence>=\relax".
+
+Ze~stejnch dvod bylo do OFS pidno makro "\safelet"\inl[safelet],
+kter se chov jako "\let", ale odmt pedefinovat u definovan
+kontroln sekvence. Msto toho pouze vype varovn, definovan
+v~makru "\safeletwarn"\inl[safeletwarn].
+
+Krom deklarace znak pomoc "\characterdef" je k~dispozici monost
+deklarace akcentovch pkaz prostednictvm
+"\accentdef"\inl[accentdef], kter m
+tyto parametry:
+
+\begtt
+\accentdef \<sekvence> <znak> <nepovinn mezera> <kdovn> <mezera> <slo>
+% Pklad:
+\accentdef \v E 8z 204 % Ecaron
+% nebo
+\accentdef \<sekvence> <znak> <nep. mezera> <kdovn> <mezera> {<pkazy>}
+% Pklad:
+\accentdef \v * 8z {\accent20 } % default caron in 8z
+\accentdef \v * * {\blackbox } % default caron
+\endtt
+
+Pokud je aktuln kdovn font toton s~<kdovnm>, pak "\<sekvence>"
+nsledovan znakem <znak> expanduje na token kategorie 12 s~kdem
+<slo>, respektive expanduje na <pkazy>. To ve se dje jen na
+rovni expand procesoru. Pokud je pi deklaraci
+pomoc "\accentdef" jako <znak> uvedena hvzdika, pak se deklarovan
+<pkazy> nebo kd <slo> pouije vdy, kdy znak nsledujc
+"\<sekvenci>" nen nikde prostednictvm "\accentdef"
+deklarovn. Jedn se tedy o~defaultn realizaci akcentu, pokud ve
+fontu neexistuje pmo akcentovan znak.
+
+Krom toho maj akcenty deklarovan pomoc "\accentdef" stejnou
+inteligenci tkajc se monosti vyuit roziujc metriky, jako
+znaky deklarovan v~"\characterdef".
+
+Vysvtlme si nyn podrobnji, jak akcenty deklarovan pomoc
+"\accentdef" funguj. Pkaz "\accentdef"
+definuje "\<sekvenci>" jako makro s~jednm neseparovanm parametrem
+"#1", kter v~prvn ad expanduje
+na "\printaccent{<sekvence>}{#1}"\inl[printaccent],
+take napklad "\v E" expanduje na "\printaccent{v}{E}". Dle
+"\accentdef" definuje makro "\<sekvence>:<znak>:-<kdovn>" jako znak
+s~danm kdem <slo> nebo jako <pkazy>. Dal prci udl
+pkaz "\printaccent". Tento pkaz zjist, zda je definovno makro
+"\<sekvence>:<znak>:-\fotenc". Pokud ano, expanduje na toto makro.
+Pokud ne, tak si ov, zda je k~aktulnmu fontu poznamenna
+roziujc metrika a zjist jej kdovn <extra-enc>. Jestlie je
+definovno makro "\<sekvence>:<znak>:-<extra-enc>", pak se expanduje na
+"{\setextrafont \<sekvence>:<znak>:-<extra-enc>}". Pokud zatm ve
+selhalo, zkus "\printaccent" postupn zjistit, zda jsou definovna
+makra "\<sekvence>:*:-\fotenc" a "\<sekvence>:*:-<extra-enc>". Pokud je
+definovno prvn z~nich, expanduje a pipoj na konec expanze <znak>.
+Pokud je definovno jen druh z~nich, expanduje na
+
+\begtt
+{\setextrafont \<sekvence>:*:-<extra-enc> <normalfont> <znak>}
+\endtt
+%
+kde <normalfont> oznauje pepna do aktulnho fontu. Jestlie
+dosud ve selhalo, pokus se jet o~realizaci akcentu nezvislho na
+kdovn, tj.~pokus se tisknout "\<sekvence>:<znak>:-*" nebo konen
+"\<sekvence>:*:-* <znak>". Teprve kdy i toto selhalo,
+spust se "\printaccentwarn{<sekvence>}{<znak>}".\inl[printaccentwarn]
+Implicitn hodnota tohoto makra vype se na terminl a do
+logu varovn o~nedostupnosti akcentovanho znaku a do vstupu
+nevytiskne nic.
+
+Je teba si uvdomit, e pechod ke znaku v~roziujc metrice uvnit
+slova znamen ztrtu vyrovnvacho kernu kolem tohoto znaku a
+nemonost pout na takov slovo vzory dlen slov. Proto doporuujeme
+pout zkladn metriku kdovanou tak, aby pechod na roziujc
+metriku byl jen vjimen. Pro esk a slovensk jazyk jsou v~tomto smyslu
+vhodn kdovn "8z" i "8t", protoe ob zahrnuj kompletn eskou a
+slovenskou abecedu.
+
+Chceme-li odstranit u deklarovan znak\inl[characterdel]
+(viz t tzv.~<vjimky> v~nsledujc sekci), meme pout pkazy
+"\characterdel" a "\accentdel".\inl[accentdel]
+Tyto pkazy maj stejn parametry
+jako "\characterdef" resp. "\accentdef" a odstran definici pkazu
+"\<sekvence>:-<kdovn>" resp. "\<sekvence>:<znak>:-<kdovn>".
+
+%Na zvr tto sekce uvedeme pklad definice inteligentnho
+%"\Uppercase":
+%
+%\begtt
+%\def\Uppercase #1{\bgroup
+% \let\expandaction=\noexpand % \euro zstane po expanzi bez zmny
+% % \u{g} taky zstane beze zmny
+% \def\ss{SS}\def\l{\L}\def\o{\O}\def\ae{\AE}\def\oe{\OE}%
+% \edef\tmp{#1}\expandafter
+% \egroup \expandafter\uppercase\expandafter{\tmp}%
+%} % \uppercase promn \u{g} na \u{G}. O to lo.
+%\endtt
+
+
+\subsec \PLAIN: Soubory maker zvislch na kdovn a vjimky z~kdovn
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pkazy "\characterdef" a "\accentdef" popsan v~pedchoz sekci
+pedefinovvaj makra zvisl na kdovn ("\v", "\ae", atd.). V~tto
+sekci popeme koncepci, kam tato makra zapisovat, aby OFS pi
+"\loadingenc=1" udrovalo konzistentn definice tchto maker
+v~zvislosti na zvolenm kdovn a na mnoin vjimek
+pouit rodiny font.
+
+Deklarace maker pomoc "\characterdef" a "\accentdef"
+se zapisuj do soubor s~nzvem "ofs-<kdovn>.tex" (tzv.~{\it
+kdovacch soubor\/}),
+protoe pkaz "\loadtextfam" (volan z~makra "\setfonts")
+tyto deklarace pi nastavenm "\loadingenc=1"\inl[loadingenc] odtud te.
+
+Kad kdovn m svou zkladn sadu znak a akcentovanch psmen.
+Tato sada je v~kdovacm souboru zanesena pomoc pkaz
+"\characterdef" a "\accentdef". Vzhledem k tto zkladn sad mohou
+jednotliv rodiny font obsahovat njak znaky navc nebo naopak njak
+znaky mohou chybt. Tyto vjimky se deklaruj
+pomoc pkazu "\modifydef"\inl[modifydef] takto:
+
+\begtt
+\modifydef <kdovn>:<identifiktor>; {<vjimky>}
+\endtt
+%
+Pitom <vjimky> obsahuj pkazy "\characterdef", "\accentdef",
+"\characterdel" a "\accentdel". Pkazy "\*del" musej obsahovat
+v~argumentu hodnotu znaku podle zkladn sady danho kdovn.
+Pokud m bt njak znak vzhledem k zkladn sad pedefinovn, musej
+pkazy "\*del" a "\*def" k tomuto znaku nsledovat tsn za sebou.
+
+V parametru pkazu "\ofsdeclarefamily" meme pomoc \uv{odkazu na
+<vjimky>} pkazem "\modifyenc"\inl[modifyenc]
+vyznait, e dan rodina obsahuje vzhledem k~zkladn sad kdovn
+odpovdajc <vjimky>. Pkaz m tvar:
+
+\begtt
+\modifyenc <kdovn>:<identifiktor>;%
+\endtt
+%
+Takovch pkaz me bt pro kadou rodinu font uvedeno vce
+(a samozejm tyto pkazy mohou obsahovat rzn <kdovn>).
+Odkazuje-li tento pkaz na <vjimky>, kter jet
+nebyly deklarovny, neprovede se nic.
+
+Pklad deklarace vjimek kdovn "8z:csfonts" najdete v~souboru
+"ofs-8z.tex" a odkazy na n pak najdete u~rodin "CM*"
+v~souboru "ofsdef.tex".
+
+Pkazy "\modifyenc" jsou sputny pi kadm "\setfonts". Ve
+skutenosti tyto pkazy pouze ukdaj do tzv.~{\it seznamu odkaz}
+(do makra "\newmodifylist"\inl[newmodifylist])
+sv parametry. Pi startu "\setfonts" se zakld przdn seznam odkaz.
+"\modifyenc" ukld do tohoto seznamu svj parametr jen tehdy, pokud
+<kdovn> je rovno "\fotenc" nebo "\extraenc". Vlastn prci
+(nastaven vjimek) provede a pkaz "\runmodifylist", kter je sputn
+na konci "\setfonts" a jeho innost si nyn podrobn popeme.
+
+Makro "\runmodifylist"\inl[runmodifylist] porovn seznam
+odkaz na vjimky pedchoz rodiny ("\modifylist"\inl[modifylist])
+se seznamem odkaz nov nastaven rodiny ("\newmodifylist"). Pokud jsou oba seznamy
+stejn nebo "\modifylist" m vznam "\relax", pak "\runmodifylist"
+ukon innost. Jinak se pust do nastaven vjimek. Nejprve prohod vznamy
+"\characterdef"$\leftrightarrow$"\characterdel" a
+"\accentdef"$\leftrightarrow$"\accentdel" a spust "\modifylist"
+Jinmi slovy vrt stav maker vzanch na
+kdovn do vchozho stavu. Pi tto innosti je ignorovno mazn
+znaku, pokud tsn ped tm byl znak deklarovn (viz pravidlo
+o~pedefinovn znaku na zatku tto sekce). Pak pkaz "\runmodifylist"
+vrt "\characterdef" a "\accentdef" do pvodnho stavu a spust
+"\newmodifylist". Veker pedefinovn, kter se pi tto innosti provdj,
+jsou jen lokln. Mechanismus dvou seznam odkaz zaruuje,
+e napklad pi
+
+\begtt
+\setfonts [Rodina1/] ... \setfonts [Rodina2/] ...
+\endtt
+%
+budou sprvn nastaveny vjimky aktulnho kdovn i pro
+Rodinu2, akoli Rodina1 m jinou mnoinu vjimek ne
+Rodina2.
+
+Kontroln sekvence "\modifylist" m po inicializaci OFS vznam
+przdnho makra. Programtor maker me pout
+"\let\modifylist=\relax" a tm potla veker nastavovn vjimek.
+
+Poznamenejme jet, e deklaran pkazy "\modifydef" nejene ukldaj
+<vjimky> do pamti, ale projdou tak
+jejich obsah a definuj vechny zde deklarovan sekvence jako odpovdajc
+"\printcharacter" resp. "\printaccent". Tm mme zarueno, e kad
+kontroln sekvence ze vech vjimek je definovna (nedojde ke zprv
+{\tt undefined control sequence}) a navc OFS m
+dokonal pehled o tom, zda je v~aktuln rodin tato kontroln
+sekvence pouiteln nebo nikoli. Tvrce maker si pak me podle
+poteby pedefinovat makra "\print*warn".
+
+Pkaz "\modifydef" prochz <vjimky> tak, e na pechodnou dobu
+pozmn pkazy "\accentdef", "\accentdel", atd. a <vjimky> spust.
+Pokud nechceme, aby se makra ve <vjimkch> spoutla u v~dob
+innosti "\modifydef", uvedeme ped tato makra sekvenci
+"\skipfirststep".\inl[skipfirststep]
+Ta se chov jako "\relax", ale pi spoutn
+<vjimek> pkazem "\modifydef" zpsob, e ve za touto sekvenc a
+do konce <vjimek> bude peskoeno.
+
+Identifiktory "<kdovn>:lccodes" a "<kdovn>:ienc" jsou rezervovny
+pro pouit mimo OFS v~dalch makrech. OFS napklad vbec nee nastaven
+"\lccode", "\uccode" znak podle pouitho kdovn. Makro, kter
+se o toto star, me vhodn definovat pkazy "\lccodes"\inl[lccodes]
+a "\lccodesloop"
+a spust "\csname <kdovn>:lccodes\endcsname". OFS uveden pkazy
+vbec nedefinuje.\inl[lccodesloop]
+Deklarace "<kdovn>:lccodes" jsou uvedeny
+v~souborech "ofs-8t.tex" a "ofs-8z.tex" akoli nejsou v OFS vyuity,
+protoe to souvis s~kdovnm textovch font. Pklad pouit
+"<kdovn>:lccodes" je v makru "lang.tex" a makro "inec.tex"
+pouv "<kdovn>:ienc". V dokumentaci~k tmto makrm je
+eeno vce.
+
+Deklarace nejastji pouvanch vjimek se zapisuj pmo do
+kdovacch soubor. Deklarace mn obvyklch vjimek (vztahujcch se
+jen na urit rodiny font) meme pst za "\endinput" deklaranch
+soubor. Mezi <pkazy> makra "\ofsdeclarefamily" pak
+pouijeme pkaz\inl[modifyread]
+
+\begtt
+\modifyread <jmno souboru>;%
+\endtt
+%
+Tento pkaz pi kladnm "\loadingenc" nate dan soubor
+od vskytu sekvence "\modifytext"\inl[modifytext].
+Tuto sekvenci je vhodn umstit za "\endinput", aby "\modifyread"
+peetl tu st souboru, kter zatm nebyla tena.
+Piazen je v dob ten globln a ignoruj se konce
+dk a przdn dky. Opakovan se soubor nenat.
+
+Dky tomuto pkazu meme soustedit deklarace rodin font a
+deklarace vjimek z~kdovn do spolenho souboru. Vjimky
+\TeX{} pete a v dob, kdy to potebuje. et se tm pam \TeX{}u.
+Pklad pouit je v~souboru "slido.tex".
+
+OFS nabz tak testovac
+makro, zda kontroln sekvence odpovd znaku, kter je ve fontu
+pstupn i nikoli:\inl[knownchar]
+
+\begtt
+\knownchar <znak nebo akcent+znak>? \iftrue znak je pstupn
+ \else znak je nepstupn nebo nedefinovan \fi
+% pklad:
+\def\tryeuro{\knownchar \euro? \iftrue \euro \else Euro\fi}
+\endtt
+
+
+\subsec Pomocn makra pro akcenty a znaky
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pro pohodln deklarovn defaultnch akcent jsou v~OFS\inl[accentabove]
+pipravena dv makra: "\accentabove" a "\accentbelow",
+kter se pouvaj takto:\inl[accentbelow]
+
+\begtt
+\accentabove {<znak akcentu>}{<vertikln mezera>}{<zkladn znak>}
+\accentbelow {<znak akcentu>}{<vertikln mezera>}{<zkladn znak>}
+\endtt
+
+Pkaz "\accentabove" resp. "\accentbelow" pisad
+<znak akcentu> nad resp. pod <zkladn znak>, piem mezi tmito
+znaky bude <vertikln mezera>. Oba znaky budou na spolen vertikln
+ose a pi sklonnm psmu na spolen sklonn ose. ka vslednho
+sloenho znaku je odvozena od ky zkladnho znaku. Makra jsou
+implementovna jako "\vbox" resp. "\vtop" spolen s~"\halign" a
+s~vpotem usazen na ppadn sklonn ose.
+
+Znaky pro akcent nahoe jsou ve fontech vesms kresleny ve vce
+odpovdajc zkladnmu znaku o~vce 1\,ex. Proto usazen
+takovho akcentu vyaduje kompenzaci:
+
+\begtt
+\accentabove {<znak akcentu>}{-1ex}{<zkladn znak>}
+\endtt
+
+V~tomto ppad se akcent umst naprosto stejn, jako pi pouit
+primitivu "\accent". Na rozdl od tohoto primitivu ale makra
+"\accentabove" a "\accentbelow" umonuj vzjemn skldn,
+m meme doshnout nkolikansobnho akcentu. Vyzkouejte:
+
+\begtt
+\it \accentabove {.}{.1ex}{\accentabove {,}{.1ex}{\v A}}
+\endtt
+
+\PLAIN:
+Bohuel, makra deklarovan pomoc "\accentdef" nejsou uzpsobena na
+vce ne dvoj akcent. Navc dvoj akcent je mon jen
+v~tom ppad, e se vnitn akcent
+se zkladnm znakem realizuje jako jedin znak. Pokud potebujeme
+vcensobn akcent, meme vdy pout pmo v~textu makro
+"\accentabove" nebo "\accentbelow".
+
+\PLAIN:
+Od verze OFS Feb. 2004 je k dispozici makro
+"\ofshexbox"\inl[ofshexbox], kter pracuje podobn jako
+plainov "\mathhexbox", ale navc dovede nastavit font podle
+aktuln varianty. Nejprve pomoc pkazu
+"\ofshexboxdef"\inl[ofshexboxdef] nastavme \uv{rodinu} ty metrik:
+
+\begtt
+\ofshexboxdef <rodina>{<metrika-rm>}{<metrika-bf>}{<metrika-it>}{<metrika-bi>}
+\ofshexboxdef 2 {cmsy}{cmbsy10}{cmsy}{cmbsy10} % napklad takto
+\endtt
+%
+Pak pkaz "\ofshexbox <rodina><hexa-kd>" vytiskne znak s~<hexa-kdem>
+z jednoho ze ty deklarovanch font a v aktuln velikosti "\fosize"
+Volba fontu zvis na aktuln variant. Pokud je varianta jin ne
+"\bf", "\it", "\bi", pouije se <metrika-rm>. OFS implicitn deklaruje
+jen <rodinu> = 2, protoe plain pouv jen "\mathhexbox2..".
+Clem tohoto makra bylo definovat pro CMfonty/CSfonty znaky
+"\S", "\dag", "\ddag", "\P" zpsobem, kter je nezvisl na aktulnm
+nastaven matematickch font, ale je zvisl na aktuln velikosti a
+variant. Viz soubor "ofs-8z.tex".
+
+Pomoc "\ofshexbox" meme snadno definovat napklad symbol
+"\euro" pro vechna kdovn font, ve kterch je tento
+symbol neptupn:
+
+\begtt
+\ofshexboxdef {TS1}{tcrm1000}{tcbx1000}{tcti1000}{tcbi1000}
+\characterdef \euro * {\ofshexbox{TS1}BF}
+\endtt
+
+
+\subsec \PLAIN: Fonty v~matematice podruh
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Nastal as podrobnji vysvtlit innost pkazu "\setmath"\inl[setmath].
+Ten pevezme parametry a vypot z~nich
+zkladn\inl[textfosize],
+indexovou a index-indexovou velikost font. Vsledky ulo do maker
+"\textfosize"\inl[scriptfosize],
+"\scriptfosize" a "\scriptscriptfosize". V~nich jsou
+daje o~velikosti uloeny ve tvaru
+"at<dimen>" nebo "scaled<slo>"\inl[scriptscriptfosize]
+podobn jako v~makru "\fosize". Pak pkaz "\setmath" spust makro
+"\mathfonts"\inl[mathfonts].
+V~nm se pedpokld zaveden a nastaven
+matematickch font.
+Pokud je "\setmath" sputno poprv nebo pokud dolo ke zmn
+hodnoty "\fomenc", tak "\setmath" jet spust
+makro "\mathchars"\inl[mathchars].
+Tam se obvykle nastavuj kdy matematickch znak pomoc
+"\mathcode", "\mathchardef" a pbuznch primitiv.
+Makra "\mathfonts" a "\mathchars" maj sice v~OFS svou
+implicitn hodnotu, ale zkuen uivatel je me podle sv
+poteby mnit.
+
+Pro pohodln zavdn a nastavovn matematickch font je pipraveno
+makro "\loadmathfam"\inl[loadmathfam],
+kter se pouv v~definici makra "\mathfonts".
+Makro "\loadmathfam" m tyto monosti parametr:
+
+\begtt
+%% % font je deklarovn:
+\loadmathfam <rodina>[/<metrika>] % metrikou
+\loadmathfam <rodina>[-<varianta>/] % variantou aktuln rodiny
+\loadmathfam <rodina>[<pepna>/] % pepnaem textovho fontu
+\loadmathfam <rodina>[X<pepna>/] % roziujc metrikou pepnae
+\endtt
+%
+Pklady:
+
+\begtt
+\loadmathfam 0[tenrm/]% metrika podle pepnae \tenrm
+\loadmathfam 5[-bi/]% metrika z akuln textov rodiny, varianta bi
+\newmathfam \symbfam
+\loadmathfam \symbfam [/psyr]% metrika psyr
+\newmathfam \extitfam
+\loadmathfam \extitfam [Xtenit/]% roziujc metrika k pepnai tenit
+\endtt
+%
+V~pklad jsou do rodiny 0 zavedeny fonty stejn, jako v~aktulnm
+textovm fontu "\tenrm". V~rodin 5 jsou zavedeny fonty
+jako pi~"\setfonts [-bi/]".
+Dle je deklarovna nov rodina "\symbfam",
+do kter jsou zavedeny fonty z~metriky "psyr".
+
+Existuje nepatrn rozdl nap.~mezi pouitm pkazu "\loadmathfam 5[tenbi/]"
+a "\loadmathfam 5[-bi/]". V~prvnm ppad OFS zjist metriku
+k~pepnai "\tenbi" a tuto metriku pouije ve vech velikostech
+stejnou pouze modifikovanou klovm slovem "at<dimen>".
+Ve druhm ppad se me pro rzn velikosti pout rzn metrika,
+pokud je tato vlastnost pro danou variantu fontu
+deklarovna (viz~\beglink{3.8}sekce~3.8\endlink).
+
+Pro deklaraci nov
+rodiny se v pkladu pouila alternativa k~"\newfam" s~nzvem
+"\newmathfam"\inl[newmathfam],
+protoe makro "\newfam" z~plainu je definovno jako "\outer"
+a nelze je tedy pout uvnit definice. Navc makro
+"\newmathfam" pracuje lokln a tud et vce msta pro uivatelsk
+rodiny ne plainovsk "\newfam".
+V~deklaracch zkladnch matematickch kdovn se nov matematick
+rodiny definuj pmo pomoc "\chardef" a je tam pomoc pkazu
+"\lastfam=<slo>"\inl[lastfam]
+nastavena maximln pouit hodonta. To zaru, e uivatel me
+pozdji pout "\newmathfam" a zane alokovat dal
+rodiny s~sly tsn vtmi ne "\lastfam".
+
+Popeme nyn princip innosti makra "\loadmathfam". Toto makro
+zjist metriku, kter odpovd zadanmu parametru.
+Pak provede tikrt primitiv "\font" zhruba takto:
+
+\begtt
+\font \<nzev>-Mt = <metrika> \textfosize
+\font \<nzev>-Ms = <metrika> \scriptfosize
+\font \<nzev>-Mss = <metrika> \scriptscriptfosize
+\textfont <rodina> = \<nzev>-Mt
+\scriptfont <rodina> = \<nzev>-Ms
+\scriptscriptfont <rodina> = \<nzev>-Mss
+\endtt
+%
+Pitom <nzev> je text parametru "\loadmathfam", kter deklaruje
+metriku (pepna, varianta nebo metrika).
+
+Fonty matematick rodiny~3 jsou v~plain\TeX{}u obvykle zavedeny bez
+zmenovn pro indexy a indexy index. Pokud poadujeme
+pi zavdn matematick rodiny
+nezmenovat fonty pro indexy, uvedeme tsn ped "\loadmathfam"
+prefix "\noindexsize"\inl[noindexsize].
+Makro "\loadmathfam" pak zavede font jen ve velikosti "\textfosize"
+a pouije ho i pro indexovou a indexindexovou velikost.
+Pklad:
+
+\begtt
+\noindexsize\loadmathfam 3[tenex/]% Standard extra symbols from CM
+\endtt
+
+OFS definuje v~souboru "ofsdef.tex" pro zavdn matematickch font
+tyi rzn makra. Ta se pouij podle toho, zda je "\fomenc"
+nastaveno na "CM" nebo "PS" a "\mathversion" na "normal" nebo "bold".
+Dle OFS definuje dv makra s~deklaracemi matematickch kd,
+kter se pouij podle aktuln nastaven hodnoty "\fomenc".
+
+\begitems
+* "\loadCMnormalmath"\inl[loadCMnormalmath]
+ --- zavede CM fonty ve verzi \uv{normal}.
+* "\loadCMboldmath"\inl[loadCMboldmath]
+ --- zavede CM fonty ve verzi \uv{bold}.
+* "\loadPSnormalmath"\inl[loadPSnormalmath]
+ --- zavede PostScriptov fonty ve verzi \uv{normal}.
+* "\loadPSboldmath"\inl[loadPSboldmath]
+ --- zavede PostScriptov fonty ve verzi \uv{bold}.
+* "\setCMmathchars"\inl[setCMmathchars]
+ --- ponech matematick kdy z~plainu.
+* "\setPSmathchars"\inl[setPSmathchars]
+ --- nastav matematick kdy tak, aby se nahradily
+ nkter znaky z~fontu Symbol.
+\enditems
+
+Dle je v~OFS implicitn nastaveno:
+
+\begtt
+\ifx \fomenc\undefined \def\fomenc{PS}\fi
+\def\mathversion{normal}
+\def\defaultmathfonts{\csname load\fomenc\mathversion math\endcsname}@inl[defaultmathfonts]
+\def\defaultmathchars{\csname set\fomenc mathchars\endcsname}@inl[defaultmathchars]
+\def\mathfonts{\defaultmathfonts}
+\def\mathchars{\defaultmathchars}
+\endtt
+
+Je mon pidvat k~implicitn nastavenm matematickm fontm
+dal matematick rodiny (v~terminologii NFSS matematick abecedy)
+pozmnnm maker "\mathfonts" a ppadn "\mathchars".
+Ne je pklad pidn fraktury z~Eulerovch font od AMS:
+
+\begtt
+\input amsfn % tam je deklarovna metrika eufm a eufb
+\addcmd\mathfonts{\def\tmpa{bold}%
+ \ifx\mathversion\tmpa \def\tmpa{b}\else\def\tmpa{b}\fi
+ \newmathfam\frakfam \loadmathfam\frakfam [/euf\tmpa]}
+\def\frak#1{{\fam\frakfam#1}}
+\endtt
+
+Dal pklady deklarac matematickch rodin
+jsou uvedeny v~souborech "amsfn.tex",
+"txfn.tex" a "mtfn.tex". Soubory definuj vchoz skupiny
+matematickch font pro kdovn "AMS", "TX", "PX", "MT".
+Na konci tchto soubor jsou komente vetn ukzek, jak
+doplujc rodiny font je mono pomoc "\addcmd" zavst.
+
+Protoe chci umonit naten vech fontovch deklarac OFS
+v~ini\TeX{}u (viz projekt Ok\TeX{}), ale pitom etit pokud
+mono pamt \TeX{}u, rozhodl jsem se nenatat rozshl definice
+obsahujc deklarace kdovn matematickch font pomoc
+"\mathchardef" atd. okamit, ale a v dob, kdy to uivatel
+v dokumentu skuten potebuje.
+Proto jsem od verze OFS Apr. 2004 pedefinoval napklad makro
+"\setPSmathchars" takto:
+
+\begtt
+\def\setPSmathchars{\mathencread ofs-ps;}
+\endtt
+%
+Pkaz "\mathencread <soubor>;"\inl[mathencread]
+nate kdovac pkazy ze souboru
+<soubor.tex>. Nap. v~souboru "ofs-ps.tex" jsou kdovac pkazy pro
+kdovn "PS", v~"ofs-ams.tex" jsou kdovac pkazy pro kdovn
+"AMS"~atd.
+
+V~souborech "ofs-ps.tex", "ofs-tx.tex" atd.
+jsou kdovac pkazy \uv{baleny} do skupin a
+definovny pkazem "\mathencdef"\inl[mathencdef]. Tento pkaz
+pracuje implicitn jako \uv{definuj, spus a zapome}. Tento model
+et pam, ale pi astch zmnch matematickho kdovn budou
+kdovac soubory teny opakovan znovu. To vtinou nevad, protoe
+vtinou bv pro cel dokument nastaveno jedin matematick kdovn.
+Pokud ale tento model nkomu nevyhovuje, me si jako cvien zkusit
+pedefinovat "\mathencread" a "\mathencdef" tak, aby se soubory etly
+jen jednou a pi opakovanm sputn "\mathchars" se kdovac pkazy
+etly ze zapamatovanch maker.
+
+Pkaz "\mathencread <soubor>;" zalo skupinu, ve kter pro jistotu
+nastav kategorie vech znak podle plain\TeX{}u
+(s~vjimkou "\catcode`@=11") a pete "<soubor>.tex".
+Pi ten je "\globaldefs=1" a ignoruj se konce dk a przdn dky.
+Rovn je ignorovno makro "\protectreading", take soubor me bt
+ten opakovan. Pkazy "\mathencdef" spust a zapomenou
+nadefinovan makra a po uzaven skupiny,
+take tato makra spout pkazy "\mathchardef" atd. u jen
+s~loklnmi piazenmi.
+
+Vysvtlme, jak je zajitno obnovovn vchozch hodnot
+pi pepnn mezi matematickmi kdovnmi.
+Pkaz "\setmath" spout tsn ped "\mathchars" makro
+"\mathcharsback"\inl[mathcharsback], aby uvedl matematick kdovn
+do vchozho stavu podle plain\-\TeX{}u.
+Toto makro m implicitn vznam
+"\relax", protoe implicitn je matematick kdovn
+podle plain\TeX{}u nastaveno.
+Mn-li ale pkaz "\set<fomenc>mathchars" hodnoty nastaven
+v~plain\TeX{}u, ml by tak definovat makro
+"\mathcharsback", do kterho ulo postup, jak
+vrtit nastaven do pvodnho stavu.
+V definici makra "\mathcharsback" meme mimo jin pout
+pkaz "\mathencread ofs-cm;", protoe v~souboru "ofs-cm.tex"
+jsou uloeny deklarace metamatickho kdovn podle plain\TeX{}u
+
+Pokud si budeme deklarovat vlastn matematick kdovn (rzn od
+pipravench "PS", "CM", "AMS" atd.), pak je poteba myslet na
+nsledujc zsadu: ve vech verzch matematickch font
+(normal/bold/atd.) by mla bt sla matematickch rodin alokovna
+stejn a ukonena stejnm "\lastfam", protoe makro "\mathchars" se po
+pepnut do jin verze nespout znovu. Zvlt nesmme mnit
+sla tch rodin, na kter se odvolvme v~makru
+"\set<kdovn>mathchars".
+
+Nyn popeme dal makra ulehujc deklaraci matematickho kdovn.
+Makro "\hex"\inl[hex]
+konvertuje slo na jednocifern hexadecimln
+slo. Vyuit tohoto makra najdeme v~souborech "ofs-ps.tex",
+"ofs-tx.tex" a dalch.
+
+Pro definovn sekvenc, kter budou pracovat v textovm i
+matematickm mdu souasn, slou makro
+"\safemathchardef"\inl[safemathchardef].
+Toto makro m stejn zpsob pouit, jako primitivn "\mathchardef":
+
+\begtt
+\safemathchardef \<sekvence> <slo>
+\endtt
+
+Pokud nen "\<sekvence>" v~okamiku pouit "\safemathchardef"
+definovna, pkaz pracuje zcela stejn jako "\mathchardef".
+Pokud ale je "\<sekvence>" u definovna, ulo pkaz
+"\safemathchardef" jej vznam do "\T<sekvence>", dle provede
+"\mathchardef \M<sekvence> = <slo>" a konen "\<sekvenci>"
+pedefinuje nsledujcm zpsobem:
+
+\begtt
+\def \<sekvence> {\ifmmode \expandafter \M<sekvence>
+ \else \expandafter \T<sekvence> \fi}
+\endtt
+%
+Od tto chvle "\<sekvence>" pracuje v textovm i matematickm mdu.
+Pro ppad opakovanho pouit "\safemathchardef" na stejnou
+"\<sekvenci>" makro kontroluje, zda u nen definovna "\M<sekvence>".
+Pokud ano, pak "\safemathchardef" neprovede nic.
+
+Je poteba, aby byly soubory s~pkazy "\characterdef"
+nateny ped prvnm pouitm "\setmath". Pak lze v~rmci
+"\setmath" (pesnji v~makru "\mathchars") pout
+"\safemathchardef" na pedefinovn nkterch sekvenc,
+kter byly dve deklarovny pomoc "\characterdef". Tyto sekvence pak
+budou pracovat v textovm i matematickm mdu.
+
+Naprosto stejn, jako "\safemathchardef" pracuje pkaz
+"\safemathaccentdef"\inl[safemathaccentdef].
+Pouze msto primitivu "\mathchardef" pouije
+makro "\mathaccentdef"\inl[mathaccentdef],
+kter pete za "\<sekvenc>" "<slo>" separovan mezerou
+a provede:
+
+\begtt
+\def \<sekvence> {\mathaccent<slo> }
+\endtt
+
+Pokud nechceme deklarovat novou matematickou rodinu pro nkolik
+mlo znak (poet matematickch rodin je toti v~\TeX{}u
+omezen na 16), meme pout makro
+"\pickmathfont"\inl[pickmathfont], kter m tyto
+parametry:
+
+\begtt
+\pickmathfont {<metrika>}{<text>}
+% pklad pouit:
+\mathbin {\pickmathfont {psybo}{\char"C4}}
+\endtt
+%
+Makro "\pickmathfont" pouije primitiv "\font" na specifikovanou
+<metriku> a v~tomto fontu zape <text>, kter v~matematickm seznamu
+tvo atom typu Ord. Dleit je, e je pouit font v~odpovdajc
+velikosti (zkladn, indexov, indexindexov), take to vypad, jako
+by byl pouita nov matematick rodina font. Pitom to nen pravda,
+protoe "\pickmathfont" je implementovn pomoc primitivu "\mathchoice".
+Pouit pkazu "\pickmathfont" najdeme v~souboru "ofsdef.tex"
+v~definici makra "\setPSmathchars".
+
+
+
+\subsec Registrovn metrik pro rzn velikosti
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Registrovn rznch metrik pro rzn velikosti se dl
+ve~"fd" souborech a je to dokonale vyeeno v~NFSS.
+
+\PLAIN (a do konce sekce):
+Existuj speciln rodiny font (napklad Computer Modern), kde se
+pro rzn velikosti font pouvaj rzn metriky. I~tato vlastnost je
+implementovna v~OFS. Dosud jsme zatajili, e v~parametrech pkaz
+"\loadtextfam", "\loadmathfam" a "\pickmathfont" je mon msto nzv
+metrik uvst smylen <jmno>, kter je registrovno pkazem
+"\registertfm"\inl[registertfm].
+V~takovm ppad se skuten metrika pro zaveden primitivem "\font"
+vypot z~poadovan velikosti fontu a z~daj, kter byly zadny
+pomoc skupiny pkaz "\registertfm". Upesnme nyn parametry
+pkazu "\registertfm":
+
+\begtt
+\registertfm <jmno> <mezera> <od>-<do> <mezera> <skuten metrika> <mezera>
+\endtt
+
+Parametry <od> a <do> musej obsahovat jednotku a vymezuj uzaven
+interval, pro kter plat: jestlie je poadovan velikost fontu
+ve tvaru "at"<dimen> a souasn <dimen> le
+v~intervalu "<od>-<do>", pak se msto <jmna> pouije
+"<skuten metrika> at<dimen>".
+Pkaz "\registertfm" je poteba pro vymezen rznch
+interval pout opakovan na stejn <jmno>.
+Akoli jsou intervaly "<od>-<do>" uzaven, pozdji
+deklarovan interval m pednost ped dve deklarovanm, take nakonec
+je kladn reln osa rozdlena na polouzaven intervaly. Pklad
+pouit je v~souboru "ofsdef.tex".
+
+Jsou-li oba parametry <od> a <do> przdn, je pkazem "\registertfm"
+deklarovna metrika, kter se pouije pi specifikaci velikosti pomoc
+"scaled<slo>" nebo v~ppad, kdy <dimen> nele v~dnm
+specifikovanm intervalu. Hvzdika msto parametru <do> zna
+\uv{nekonenou velikost}.
+
+Pkaz "\registertfm <jmno> <mezera> - <mezera> - <mezera>"
+vymae z~pamti pedchoz registrace pro dan <jmno> a navc vyzna
+<jmno> jako nepstupn font. OFS se pak chov stejn, jakoby odpovdajc
+varianta nebyla vbec deklarovna. Dv nm to
+monost vyznait neexistujc varianty deklarovan rodiny
+jen pro nkter kdovn (viz napklad "cmssbxti"
+v~souboru "ofsdef.tex").
+
+Parametry <jmno> a <skuten metrika> se expanduj v~okamiku
+innosti pkazu "\registertfm". Nen proto obvykl v~nich pouvat
+makro "\fotenc". Nicmn toto makro meme v~uvedench parametrech
+pout, pokud zahrneme potebnou skupinu pkaz "\registertfm"
+do vlastnho makra a toto makro spustme opakovan pro rzn
+hodnoty "\fotenc".
+
+Makro "\registerECfont"\inl[registerECfont]
+je zkratkou za opakovan pouit pkazu
+"\registertfm" na vechny velikosti EC font od "0500"
+a po "3583". Stejn makro
+"\registerECTTfont"\inl[registerECTTfont]
+je zkratkou pro velikosti EC font od "0800" do "3583" pouvan pro
+strojopis. Definice a pouit tchto maker najdeme v souboru
+"ofsdef.tex". Makra meme pout i na jin fonty, kter maj stejn
+odstupovan velikosti jako EC fonty (nap. LH fonty s~azbukou nebo
+fonty odvozen z~CM-super).
+
+
+\subsec Omezen pouit rodiny font pro urit kdovn
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\LATEX: Pouit rodiny v~danm kdovn je zvisl na existenci
+"fd" souboru, tj.~ve je v~reii NFSS.
+
+\PLAIN (a do konce sekce):
+OFS od verze Feb.~2004 zavd pkaz "\registerenc",\inl[registerenc]
+kterm meme omezit pouit deklarovan rodiny font
+jen pro vymezen kdovn.
+Pokud pak uivatel nape "\setfonts" a vyaduje rodinu
+v~neregistrovanm kdovn, OFS vype varovn na obrazovku
+a vbec do poadovan rodiny nepepne. Tm se vyhne pokusu zavst
+pravdpodobn neexistujc metriky font. Pkaz "\registerenc"
+m dva parametry:
+
+\begtt
+\registerenc <JmnoRodiny>: <kdovn><mezera>
+\registerenc Times: 8t % napklad
+\registerenc Times: 8z % nyn m Times registrovna dv kdovn
+\endtt
+
+Pokud nem rodina registrovno dn kdovn, pak OFS pedpokld, e
+je pouiteln v~jakmkoli kdovn (napklad fonty znaek).
+
+V~deklaranch souborech tedy meme pomoc "\registerenc" omezit
+pouit rodiny jen na vymezen kdovn. Uivatel ale me
+pkazem "\registerenc" pidat k~rodin dal povolen kdovn. Nebo
+tak me naznait, e rodina m povoleno libovoln kdovn
+pkazem "\registerenc <JmnoRodiny>: * ".
+
+Abychom v~deklaranch souborech nemuseli opisovat <JmnoRodiny>, me
+bt tento parametr przdn. V~takovm ppad "\registerenc" pouije
+rodinu z~poslednho pkazu "\ofsdeclarefamily".
+
+Ve svch makrech se mete zeptat, zda je rodina pro aktuln hodnotu
+"\fotenc" registrovan:\inl[registeredfam]
+
+\vbox \bgroup
+\begtt
+\registeredfam <JmnoRodiny>? \iftrue
+ Rodina m \fotenc registrovno nebo m povoleno jakkoli kdovn
+ nebo vbec nen deklarovna.
+\else Rodina m registovna kdovn, ale \fotenc mezi nimi nen.
+\fi
+\endtt \egroup
+
+Pokud spustme "\setfonts[<JmnoRodiny>/]" pro nedeklarovanou rodinu
+nebo pro rodinu s~nedovolenm kdovnm,
+pak OFS nape varovn na terminl a vrt "\setfontsOK"\inl[setfontsOK]
+jako "\undefined". Po spnm nastaven fontu m sekvence
+"\setfontsOK" hodnotu "\relax".
+
+
+\sec Licence
+%%%%%%%%%%%%
+
+Balek OFS me pouvat kdokoli bez licennch poplatk. Kdokoli jej
+rovn me distribuovat, pokud nezmn obsah souboru "readme.ofs"
+"ofs.tex", "ofsdef.tex", "ofs.sty", "ofs-8z.tex",
+"ofs-8t.tex", "a35.tex", "a35.sty", "ofsdoc.tex", "ofsdoce-e.tex",
+"ofsmtdef.tex" a
+vechny tyto soubory budou v distribuci ptomny.
+Prvo na zmnu tchto soubor a
+tm zmnu verz zstv vhradn autorovi. Pokud potebujete zmnit
+obsah nkterho z~uvedench soubor, nazvte jej jinak. Balek je
+poskytovn s~pnm, aby byl uiten, ale BEZ JAKKOLI ZRUKY.
+
+\bigskip
+V~Praze dne 16. 8. 2001 \hfill autor: Petr Olk
+
+
+\sec Historie
+%%%%%%%%%%%%%
+
+\noindent
+16. 8. 2001 --- uvedena prvn verze
+
+\noindent
+24. 10. 2002 --- provedeny drobn pravy respekutjc zmny
+ve verzi OFS Oct.~2002.
+V tto verzi byl pidn pkaz "\addcmd" a byly
+umonny nepovinn parametry
+"(<Varianta>)" v pkazu "\loadtextfam".
+
+\noindent
+10. 2. 2004 --- Vechny pravy se tkaj jen OFS pro plain:
+
+\def\bod{\hangindent=1.2em \hangafter=1 \noindent + }
+
+\bod Vylepena manipulace s deklaracemi maker
+zvislch na kdovn, deklarace vjimek a registrovn kdovn pro
+zvolenou rodinu.
+Viz~\beglink{3.5}sekce~3.5\endlink{} a \beglink{3.9}sekce~3.9\endlink.
+
+\bod Pidna monost pedefinovn rodiny (nap. dodatenm natenm
+souboru deklaranho souboru, kter modifikuje vlastnosti implicitnch rodin).
+
+\bod Deklarace CMRoman, CMSans a CMTypewriter pro kdovn 8t
+pouitm EC font.
+
+\bod Pidna podpora roziujcho kdovn 8c.
+
+\bod Upravena deklarace matematickho kdovn PS, aby "\int",
+"\sum" a "\prod" pracovaly v~display mdu s~vtmi znaky.
+
+\bod Definovno makro "\ofshexbox" a "\ofshexboxdef".
+
+\bod Nov zveejnno interaktivn makro "ofstest.tex".
+
+\bod Zaveden adres "examples/", kde prbn budu dvat
+pklady pouit OFS.
+
+\noindent
+12. 3. 2004 --- OFS pro plain:
+
+\bod Kdovac soubory jsou teny pmo z "\loadtextfam".
+Tm je umonno dvat do kdovacch soubor mapovn metrik pkazem
+"\registerenc" (vyuiju pro LANG).
+
+\bod "\characterdef" respektuje definovan makro a nepedefinuje jej.
+
+\bod Reimplementovno "\showfonts". Nyn et vrazn pam i as na
+rozshlch seznamech font. Pozor: pokud jste mli makra vyuvajc
+intern makro "\listfamilies", pak toto pestane
+fungovat. Nap. nefunguje od tto verze zastaral "ofscatal.tex".
+Msto nj je mono pout "ofstest.tex"
+
+\bod Modifikovno "ofstest.tex", aby pracovalo s novou implementac
+seznamu rodin "\ofslistfamilies".
+
+\noindent
+2. 4. 2004 --- pidno "\plaincatcodes" ped tenm soubor "ofs-<kdovn>.tex".
+
+\bod Zavedeno "\safelet" a "\protectreading".
+
+\bod Mezera za <znakem> v "\accentdef" je nepovinn.
+
+\bod Pidna monost "\loadmathfam <rodina>[-<varianta>/]" a rozena
+a pepracovna deklarace pro matematick kdovn "CM", "PS", "AMS",
+"TX", "PX", "MT".
+
+
+\sec Rejstk vech maker definovanch v~OFS
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Rejstk obsahuje odkazy pouze na msta v~textu, kde je k~makru
+vysvtlujc koment. V~tom mst je t uveden pro snadnj orientaci
+nzev makra v~levm okraji. V~rejstku nejsou odkazy na
+vechny zmnky o~makru v~textu. Rejstk je sprvn vygenerovn hned
+po prvnm prchodu zpracovn tohoto dokumentu pkazem "csplain ofsdoc".
+
+Nkter makra definovan v~"ofs.tex" jsou intern nebo pomocn
+a nen o~nich zmnka v~textu. Pak odkaz na stranu zmrn chyb a je
+pipojena jen krtk poznmka o~takovm makru. Rovn jsou pipojeny
+poznmky o~tom, zda je makro pouito ve verzi pro
+{\smallbf PLAIN} nebo {\smallbf LATEX}.
+
+
+\bigskip
+\immediate\closeout\indout
+\input \jobname.ind
+
+\begingroup
+\let\tt=\smalltt \let\it=\smallit \let\rm=\smallrm \rm
+\baselineskip=10.3pt
+
+\def\inr #1 #2 #3;{\noindent{\tt
+ \expandafter \ifx \csname ind:#2\endcsname \relax
+ \back#1%
+ \else
+ \beglink{#2}\back#1\endlink
+ \fi}\quad
+ #3 \quad\pg[#2]\par}
+\def\\#1 #2;{\inr #1 #1 #2;}
+\def\pl{{\sevenrm (PLAIN)}}
+\def\la{{\sevenrm (LATEX)}}
+\def\oba{{\sevenrm (PLAIN+LATEX)}}
+
+\\accentabove \pl;
+\par\nobreak
+\\accentbelow \pl;
+\\accentdef \pl;
+\\accentdel \pl;
+\\accentdefori \unskip, {\tt\back accentdelori} \pl~intern,
+ udruj pvodn vznam maker;
+\\accentnodef \pl~intern, {\tt\back def\back <makro>\#1%
+ \char`\{\back printaccent\char`\{<makro>\char`\}\char`\{\#1\char`\}\char`\}};
+\\addcmd \oba;
+\inr bf rm \oba;
+\inr bi rm \oba;
+\\bifam \pl~intern, matematick rodina pro BoldItalic;
+\\calculatemetricfile \pl~intern, definuje {\tt\back metricfile}
+ podle velikosti;
+\\catcodesloop \pl~intern, nastav kategorie znak v cyklu podle danho sla;
+\\characterdef \pl;
+\\characterdel \pl;
+\\characterdefori \unskip, {\tt\back characterdelori} \pl~intern,
+ udruj pvodn vznam maker;
+\\characternodef \pl~intern, {\tt\back def\back <makro>%
+ \char`\{\back printcharacter\char`\{<makro>\char`\}\char`\}};
+\\currentfamily \pl;
+\\currentfomenc \pl~intern, jmno naposledy pouitho matemat. kdovn;
+\\currentvariant \pl;
+\\declaredfamily \pl~intern, obsahuje jmno naposledy deklarovan rodiny;
+\\defaultextraenc \pl;
+\\defaultmathchars \pl;
+\\defaultmathfonts \pl;
+\\defpttotmpa \pl~intern, udl {\tt\back def\back tmpa\char`\{pt\char`\}},
+ pokud chyb jednotka;
+\\detailfontmessages \pl;
+\\displayfontmessages \pl;
+\\displaymessage \pl;
+\\docharacterdef \pl~intern, pro poteby makra {\tt\back characterdef};
+\\doextchar \pl~intern, pro poteby makra {\tt\back extchar};
+\\dosafemathdef \pl~intern, pro poteby maker {\tt\back safemath*def};
+\\donumbercharacterdef \pl~intern, pro poteby makra {\tt\back characterdef};
+\\endOFSmacro \pl~intern, monost ten {\tt[<file>, ...]} za
+ {\tt\back input ofs};
+\\expandaction \pl;
+\\extchar \oba;
+\\extraenc \pl;
+\\extrafont \pl;
+\\fontdef \oba;
+\\fontloadmessage \pl~intern, vpis informace o~proveden {\tt\back font};
+\\fontmessage \pl~intern, std hodnoty nic,
+ {\tt\back wlog} a {\tt\back displaymessage};
+\\fontprefix \pl~intern, std hodnotu nic a {\tt\back global};
+\\fontusage \oba;
+\\fosize \pl;
+\\fomenc \pl;
+\\fotenc \pl;
+\\fragilecommand \pl;
+\\fragilecommand! \pl;
+\\hex \pl;
+\\ifknownfam \oba;
+\\isunitpresent \pl~intern, e ppad absence jednotky;
+\inr it rm \oba;
+\\knownchar pl;
+\\knownfam pl;
+\\lastfam pl;
+\\lccodes \unskip, {\tt\back lccodesloop} \pl;
+\\loadCMboldmath \pl;
+\\loadCMnormalmath \pl;
+\\loadingenc \pl;
+\\loadmathfam \pl;
+\\loadPSboldmath \pl;
+\\loadPSnormalmath \pl;
+\\loadtextfam \pl;
+\\logfontmessages \pl;
+\\mathaccentdef \pl;
+\\mathchars \pl;
+\\mathcharsback \pl;
+\\mathencdef \pl;
+\\mathencread \pl;
+\\mathfonts \pl;
+\\mathversion \pl;
+\\metricfile \pl~intern, jmno metriky pi pouit {\tt\back font};
+\\metrictmpa \pl~intern, expanduje na metriku fontu {\tt\back tmpa};
+\\modifydef \pl;
+\\modifyenc \pl;
+\\modifylist \pl;
+\\modifyread \pl;
+\\newfamily \pl~pechodn, zadan jmno rodiny;
+\\newmathfam \pl;
+\\newmodifylist \pl;
+\\newvariant \pl;
+\\nofontmessages \pl;
+\\noindexsize \pl;
+\\noPT \pl~intern, odstran {\tt pt} z~{\tt\back the<dimen>} [TBN, str.~80];
+\\ofsaddenctolist \pl~intern, pid parametr do seznamu {\tt\back newmodifylist};
+\\OFSdeclarefamily \la;
+\\ofsdeclarefamily \pl;
+\\OFSextraencoding \la;
+\\OFSfamily \la;
+\\OFSfamilydefault \la;
+\\ofshexbox \pl;
+\\ofshexboxdef \pl;
+\\ofsinput \pl~intern, te soubor pi {\tt\back globaldefs=1}, ignoruje konce dk;
+\\ofslistfamilies \pl~intern, seznam rodin pro {\tt\back showfonts};
+\\ofslistfamily \pl~intern, uvozuje rodinu v {\tt\back listfamilies};
+\\ofslistvariants \pl~intern, text pro vpis variant do logu;
+\\ofslisttext \pl~intern, uvozuje text v {\tt\back listfamilies};
+\\ofsloadfont \pl~intern, zavede jeden font;
+\\ofsloadfontori \pl~intern, zavede jeden font;
+\\ofsmeaning \pl~intern, vykost z~vstupu {\tt \back meaning} slovo
+ {\tt letter}/{\tt character};
+\\ofsmessageheader \pl~intern, hlavika hlen do logu a na terminl;
+\\OFSnormalvariants \la;
+\\OFSprocessoptions \la;
+\\OFSputfamlist \la;
+\\ofsputfamlist \pl;
+\\ofsremovefromlist \pl~intern, odstran rodinu ze seznamu;
+\\OFSversion \oba~intern, datum verze makra;
+\\orifosize \pl~pechodn, podr hodnotu {\tt\back fosize};
+\\origTeX \pl~intern, originln definice loga \TeX;
+\\oriloadfam \pl~pechodn, podr hodnotu {\tt loadtextfam};
+\\pickmathfont \pl;
+\\plaincatcodes \pl~intern, nastav kategorie znak podle plain\TeX{}u;
+\\printaccent \pl;
+\\printaccentwarn \pl;
+\\printcharacter \pl;
+\\printcharacterwarn \pl;
+\\processOFSoption \pl~intern, pro poteby makra {\back endOFSmacro};
+\\protectreading \pl;
+\\readfamvariant \pl~intern, testuje, zda je zadna varianta rodiny;
+\\readfirsttoken \pl~intern, vrt prvn token textu ukonenho {\tt:\back end};
+\\readfosize \pl~intern, vlo hodnotu {\tt\back fosize}
+ do {\tt\back dimen0};
+\\readmag \pl~intern, pot {\tt\back fosize}, je-li dno
+ {\tt mag}<desetinn slo>;
+\\readOFSoptions \pl~intern, pro poteby makra {\tt\back endOFSmacro};
+\\readothertokens \pl~intern, vrt druh a dal tokeny a po {\tt:\back end};
+\\readsixdigits \pl~intern, vyuito pro zaokrouhlovn;
+\\registeredfam \pl;
+\\registerECfont \pl;
+\\registerECTTfont \pl;
+\\registerenc \pl;
+\\registertfm \pl;
+\\restorefontid \pl~intern, obnoven jmna fontu, viz {\tt\back savefontid};
+\\rm \oba;
+\\runmodifylist \pl;
+\\safelet \pl;
+\\safeletwarn \pl;
+\\safemathaccentdef \pl;
+\\safemathchardef \pl;
+\\savefontid \pl~intern, pro udren jmna fontu ve vpisech Overfull;
+\\savetokenname \pl~intern, nco jako {\tt\back string} bez backslashe;
+\\scriptfosize \pl;
+\\scriptscriptfosize \pl;
+\\separeofsvariant \pl~intern, separace nepovinnho parametru
+ {\tt\back loadtextfam};
+\\setextrafont \oba;
+\\setCMmathchars \pl;
+\\setfonts \oba;
+\\setfontshook \pl;
+\\setfontsOK \pl;
+\\setfontfamily \pl~intern, {\tt\back setfonts},
+ pokud nen dna varianta;
+\\setfosize \pl~intern, vypot hodnotu {\tt\back fosize};
+\\setmath \pl;
+\\setPSmathchars \pl;
+\\setsimplemath \pl;
+\\setsinglefont \pl~intern, {\tt\back setfonts},
+ pokud je dna varianta;
+\\setsinglefontname \pl~intern, vykost z nzvu metriky ppadn "at<dimen>";
+\\sgfamily \pl~intern, pro uloen informace o~rodin;
+\\sgvariant \pl~intern, pro uloen informace o~variant;
+\\showfonts \oba;
+\\singlefont \pl;
+\\singlefontname \pl~intern, odstran {\tt at<dimen>} z~nzvu metriky;
+\\skipfirststep \pl;
+\\slantcorrection \pl~intern, pro poteby
+ {\tt\back accentabove} a {\tt\back accentbelow};
+\\storeofsvariant \pl~intern, separace nepovinnho parametru
+ u~{\tt\back loadtextfam};
+\\switchdeftodel \pl~intern, prohod {\tt\back accent/characterdef}
+ s~{\tt\back *del};
+\\tenbi \pl;
+\inr tenbf tenrm \pl;
+\inr tenit tenrm \pl;
+\\tenrm \pl;
+\\testOFSoptions \pl~intern, pro poteby makra {\tt\back endOFSmacro};
+\\testtfmsize \pl~intern, pro poteby {\tt\back registertfm};
+\\testtfmsizeat \pl~intern, pechodn hodnota {\tt\back testtfmsize};
+\\testtfmsizescaled \pl~intern, pechodn hodnota {\tt\back testtfmsize};
+\\textfosize \pl;
+\\tryloadenc \pl~intern, nate kdovac soubory;
+\\tmpa \oba~pechodn;
+\\tmpb \oba~pechodn;
+\\tmpc \pl~pechodn;
+\\warnmissingfont \pl~intern, vpis o~chybjc variant;
+\\warnM \unskip, {\tt\back warnF}, {\tt\back warnT}, {\tt\back warnI}
+\pl~intern, vpis o~chybjc standardn variant;
+\\warnunregistered \pl~intern, vpis o~nedovolenm kdovn zvolen rodiny;
+
+\endgroup
+
+\sec Reference
+
+\noindent \hangindent=2\parindent
+[TBN] Petr Olk {\it \TeX{}book naruby}, Konvoj
+1.~vyd. 1997 (ISBN 80-7302-007-6),
+2.~vyd. 2001 (ISBN 80-85615-64-9), Brno, 466 stran.
+PDF verze knihy je voln k~dispozici na
+{\tt http://math.feld.cvut.cz/olsak/tbn.html}.
+
+
+
+\end
+
+
+
diff --git a/Master/texmf-dist/doc/generic/ofs/ofsmtdef.tex b/Master/texmf-dist/doc/generic/ofs/ofsmtdef.tex
new file mode 100644
index 00000000000..4e1a31bdd4f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/ofsmtdef.tex
@@ -0,0 +1,15 @@
+% This is only wrapper file to mtfn.tex (for backward compatibility)
+
+\input mtfn.tex
+
+\endinput
+
+
+
+
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/ofs/ofstest.tex b/Master/texmf-dist/doc/generic/ofs/ofstest.tex
new file mode 100644
index 00000000000..e3a38d32400
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/ofstest.tex
@@ -0,0 +1,811 @@
+%% This file does many tests with fonts installed in OFS
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% February 2004 Petr Olsak
+% April 2004
+
+% You can print probe-texts or tables of fonts of choosen families.
+% The interactive mode is activated if you type on command prompt:
+
+% Usage: tex ofstest [file1, file2, ...]
+% or: csplain ofstest [file1, file2, ...]
+% or: tex ofstest
+% * <enter>
+%
+% and follow the notices on the screen.
+%
+% You can \input this macro in your document.
+% The interactive mode is disabled automatically in this situation. Example:
+%
+% \input ofstest [a35]
+% \cfam Times \tables \text \mixed
+% \cfam Courier \tables \text \mixed
+% \end
+
+{\nopagenumbers} % usage: tex ofstest [a35] or csplain ofstest [a35]
+
+\ifx\setfonts\undefined \input ofs \relax \fi
+
+\ifx\protectreading\undefined
+ \errmessage{Sorry, I need the OFS version <May 2004> at least.}
+\endinput \fi
+
+\let\displaymessage=\wlog
+
+\loadingenc=1
+
+\let\stmath=\relax
+
+\ifx\chyph\undefined
+ \def\textlang{en}
+ \def\fotenc{8t}
+\else
+ \chyph
+ \def\textlang{cz}
+ \def\fotenc{8z}
+\fi
+
+\fontdef\rmfont [CMRoman-rm/10]
+\fontdef\itfont [CMRoman-it/10]
+\fontdef\boldfont [CMRoman-bf/10]
+\fontdef\nttfont [CMTypewriter-rm/10]
+\fontdef\lttfont [Courier-rm/7pt]
+
+\parindent=10pt
+\emergencystretch=3em
+\advance\hoffset by22mm
+
+\hsize=143mm
+
+\lineskiplimit=-5pt
+
+\headline={\lttfont \spaceskip=0pt
+ OFS test \csname datum:\textlang\endcsname \ \dotfill \ \the\pageno}
+\footline={}
+
+%%% Main loop of the program
+
+\def\runtest {\versiontext \testinteractive \readfamily \onestep}
+
+\def\testinteractive{\ifnum\inputlineno=0 \else \let\readfamily=\relax
+ \let\onestep=\relax \let\trydeclare=\relax \fi}
+
+\def\onestep {
+ \message{^^J*** What to do with family \thisfamily\space?^^J
+ \space\space\space (type command or \string\help): }
+ \read-1 to \command
+ \if \relax \expandafter\expandafter\expandafter \noexpand
+ \expandafter \readfirsttoken \command:\end
+ \else \expandafter \def\expandafter \command
+ \expandafter {\expandafter \cfam \command}
+ \fi
+ \ifx \thisfamily\astik
+ \def\loopcommands{}
+ \expandafter \pickuploopcommands \command ^^X
+ \ifx \loopcommands\empty \else
+ \bgroup
+ \def\ofslistfamily ##1{%
+ \def\tmpa ####1!.####2/{\def\thisfamily{####2}}%
+ \expandafter\tmpa\string##1/%
+ \loopcommands\relax
+ }%
+ \def\ofslisttext ##1{\if^^J\readfirsttoken ##1:\end
+ \edef\fromfile{\readothertokens ##1:\end}%
+ \else \edef\fromfile{##1}\fi}
+ \ofslistfamilies
+ \egroup
+ \fi
+ \fi
+ \command \relax
+ \onestep
+}
+\long\def\pickuploopcommands #1#2^^X{%
+ \ifx \list #1 \addloopcommand #1 \fi
+ \ifx \table #1 \addloopcommand #1 \fi
+ \ifx \text #1 \addloopcommand #1 \fi
+ \ifx \mixed #1 \addloopcommand #1 \fi
+ \ifx \math #1 \addloopcommand #1 \fi
+ \ifx \abet #1 \addloopcommand #1 \fi
+ \ifx \chars #1 \addloopcommand #1 \fi
+ \ifx \all #1 \addloopcommand #1 \fi
+ \def\tmpa{#2}
+ \let\next=\pickuploopcommands
+ \ifx \tmpa\empty \def\next^^X{}\fi
+ \ifx \tmpa\space \def\next ##1^^X{}\fi
+ \next #2^^X
+}
+\def\addloopcommand #1{\expandafter\def
+ \expandafter\loopcommands \expandafter{\loopcommands#1}}
+
+%%% \cfam
+
+\def\thisfamily{*}
+
+\def\readfamily {\message{^^J*** Type family name without brackets (or ? or *): }
+ \read-1 to \response
+ \expandafter \testfirsttoken \response ^^X
+ \if \noexpand\nextchar \relax \let\nextread=\readfamily
+ \ifx\nextchar\par \showfonts \hint \fi
+ \expandafter \response \expandafter \relax
+ \else \expandafter \reset \response \to\thisfamily
+ \expandafter \testfamily \fi
+ \nextread
+}
+\def\testfamily {
+ \knownfam \thisfamily? \iftrue \let\nextread=\relax
+ \else \ifx\thisfamily\onequestion \showfonts \hint
+ \let\nextread=\readfamily
+ \else \ifx\thisfamily\astik
+ \let\nextread=\relax
+ \else \message{ ... Sorry, unknown family.^^J
+ ... use exactly upper/lower letters^^J} \hint
+ \let\nextread=\readfamily
+ \fi \fi \fi
+}
+\def\nreadfamily #1 {\edef\tmpa{#1}%
+ \ifx\tmpa\onequestion \help
+ \else
+ \knownfam #1? \iftrue \edef\thisfamily{#1}
+ \else \ifx\tmpa\astik \edef\thisfamily{#1}\else
+ \message{ ... Sorry, unknown family "#1".^^J}\fi \fi \fi
+}
+\def\cfam{\let\interact=\readfamily \let\nointeract=\nreadfamily
+ \futurelet \nextchar \donextchar}
+
+\def\donextchar {\if \noexpand\nextchar \relax
+ \expandafter \interact
+ \else \expandafter \nointeract \fi}
+
+\def\reset #1 \to #2{\def#2{#1}}
+
+\def\testfirsttoken{\futurelet \nextchar \ignorerest}
+\long\def\ignorerest #1^^X{}
+
+\let\famlist=\showfonts
+
+\def\onequestion{?} \def\astik{*}
+\def\hint{\immediate\write16
+ { ... you can read more declaration files by \string\decl}}
+
+%%% Help texts
+
+\def\help {\message{commands:^^J
+ \noexpand\list ..... List all variants of the family \thisfamily^^J
+ \string \table(s) . Tables of all variants of the family \thisfamily^^J
+ \noexpand\abet ..... One line alphabet/digits sample for each variant^^J
+ \noexpand\chars .... Print list of available characters including TeX sequences^^J
+ \noexpand\text ..... One paragraph in all variants of the family \thisfamily^^J
+ \noexpand\mixed .... Paragraph with fonts combined from
+ \string\rm, \string\bf, \string\it \space and \string\bi^^J
+ \noexpand\math ..... Mathematics text combined by fonts from \thisfamily^^J
+ \noexpand\all ...... The same as \noexpand\list \noexpand\table \noexpand\abet
+ \noexpand\chars \noexpand\text \noexpand\mixed \noexpand\math^^J
+ \noexpand\setsize .. Set size of fonts (current size is "\fosize")^^J
+ \noexpand\cfam ..... Change current family^^J
+ FamName ... The same as \noexpand\cfam FamName^^J
+ \noexpand\rem ...... Remove current family or family given in parameter from \string\famlist^^J
+ -----------------------------^^J
+ \noexpand\famlist .. Show list of all declared families (the same as \string\showfonts)^^J
+ \noexpand\decl ..... Input next declaration file^^J
+ \noexpand\remdecl .. Remove all families of given declaration file from famlist^^J
+ \noexpand\help ..... This text^^J
+ \noexpand\morehelp . Show more help information^^J
+ \noexpand\fontusage \space The help screen of the OFS^^J
+ \noexpand\end ...... End of this session
+}}
+\def\morehelp {\message{
+ You can type the group of commands on the one "command" prompt.^^J
+ For example: \noexpand\list\noexpand\tables\noexpand\text \end^^J
+ -- program lists all variants, prints tables and texts and exits.^^J
+ ---------------------------^^J
+ If the family is choosen as * then the commands^^J
+ \string\list, \string\table, \string\abet, \string\text,
+ \string\mixed, \string\math^^J
+ will be applied to all families actually declared. Others^^J
+ commands will be run only once after the loop over families is done.^^J
+ ---------------------------^^J
+ The commands
+ \string\cfam, \string\setsize, \string\decl, \string\rem, \string\remdecl^^J
+ can be typed alone (interactive dialog will be started)^^J
+ OR with one parameter separed by space or endline (no dialog is used)^^J
+ Example: \noexpand\cfam Times \noexpand\setsize 12pt \string\table^^J
+ ---------------------------^^J
+ You can type other TeX commands on the "command" prompt.^^J
+ Examples: \string\def\string\fotenc{8t} (another font encoding,
+ current: "\fotenc")^^J
+ \space\space \baselineskip 11pt (another baselineskip,
+ current: "\the\baselineskip")^^J
+ \space\space \string\def\string\fomenc{CM} (another math enconding,
+ current: "\fomenc")^^J
+ \space\space \string\def\string\textlang{en} (another language of samples,
+ current: "\textlang")^^J
+ \space\space \noexpand\notables (the \noexpand\all command will not
+ print tables)
+}}
+\def\versiontext {\message{This is ofstest macro, version <May. 2004>}}
+
+\def\notables {\let\table=\relax}
+
+%%% \list
+
+\def\list {\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \gdef\newmodifylist{}
+ \message{^^J [\thisfamily/\fosize], encoding: \fotenc, variants:}
+ {\let\modifyenc=\ofsaddenctolist \def\modifyread ##1;{}\scanvariants \listvariant }
+ \expandafter \ifx \csname ffe?\thisfamily:\endcsname \relax
+ \immediate\write16 { \space\space All font encodings are allowed.
+ \ifx\eenc\empty\else Extra: \eenc.\fi}
+ \else
+ \immediate\write16 { \space\space Registered font encodings:
+ \csname ffe?\thisfamily:\endcsname.
+ \ifx\eenc\empty\else Extra: \eenc.\fi}
+ \fi
+ \ifx\newmodifylist\empty \else
+ \immediate\write16 { \space\space Modifications: { \modlist}}
+ \fi
+ \else \warnaboutskip {list}
+ \fi \fi
+}
+\def\listvariant {%
+ \calculatemetricfile \fontfile\fosize
+ \if|\eenc|\else
+ {\edef\fotenc{\eenc}
+ \calculatemetricfile \fontfile \fosize
+ \xdef\efontfile{\metricfile}}
+ \fi
+ \immediate\write16{ \space\space
+ \texvariant\space (\fontvariant) \space\space\space\metricfile\fosize
+ \if|\eenc|\else \space + \efontfile\fosize\fi}
+}
+
+\def\scanvariants #1{%
+ {\let\loadtextfam=\testloadtextfam
+ \let\newvariant=\testnewvariant
+ \let\addtoenc=\ofsaddenctolist
+ \def\runvariant{%
+ \expandafter \ifx \csname reg!.\fontfile\endcsname \empty
+ \else #1\fi}
+ \csname fam!.\thisfamily\endcsname
+ \expandafter \gdef\expandafter \newmodifylist\expandafter {\newmodifylist}%
+ \escapechar=-1
+ \expandafter \savelist \meaning \newmodifylist^^X}
+}
+\def\testloadtextfam #1;#2;#3;#4;#5;{\tryloadenc{#5}%
+ \if|#1|\else \savevariant {}#1;\rm {#5} \runvariant \fi
+ \if|#2|\else \savevariant {Bold}#2;\bf {#5} \runvariant \fi
+ \if|#3|\else \savevariant {Italic}#3;\it {#5} \runvariant \fi
+ \if|#4|\else \savevariant {BoldItalic}#4;\bi {#5} \runvariant \fi
+}
+\def\testnewvariant #1#2#3(#4) #5;#6;{%
+ \def\texvariant{\string #2}\def\fontvariant{#4}%
+ \def\fontfile{#5}\edef\eenc{#6}%
+ \runvariant}
+
+\let\oriloadtextfam=\loadtextfam
+\let\orinewvariant=\newvariant
+
+\def\savevariant #1#2#3;#4#5{\def\texvariant{\string #4}\xdef\eenc{#5}%
+ \if(#2 \savethisvariant #2#3;\else \savethisvariant (#1) #2#3;\fi}
+\def\savethisvariant (#1) #2;{\def\fontvariant{#1}\def\fontfile{#2}}
+
+\def\savelist #1->#2^^X{\gdef\modlist{#2}}
+
+\def\warnaboutskip #1{\wlog {The \noexpand\fotenc "\fotenc"
+ is unregistered in \thisfamily.
+ \expandafter\noexpand\csname#1\endcsname skipped.}}
+
+%%% \setsize
+
+\def\isetsize {\message{%
+ *** Type the new font size (in OFS fortmat)^^J
+ \space\space\space (Examples: "12", "12pt", "4mm", "scaled1200", "mag1.2"): }
+ \read -1 to\response
+ \expandafter \ifx \response\par \else
+ \expandafter \reset \response \to\response
+ \expandafter \setfosize \expandafter \fosize \response:\fi}
+
+\def\setsize {\let\interact=\isetsize
+ \def\nointeract ##1 {\setfosize\fosize ##1:}
+ \futurelet \nextchar \donextchar}
+
+%%% \decl
+
+\def\declare {\message{^^J*** Type declaration file name (allfonts for example): }
+ \read-1 to \infile
+ \input \infile
+}
+\def\ndeclare #1 {\input #1
+ \ifx \thisfamily\onequestion \expandafter \readfamily \fi
+}
+\def\decl {\let\interact=\declare \let\nointeract=\ndeclare
+ \futurelet \nextchar \donextchar}
+
+\let\trydeclare=\declare
+
+\def\rundeclare {\versiontext \testinteractive \trydeclare \readfamily \onestep}
+
+
+%%% \rem
+
+\def\removecode {\ifx\removefamily\astik
+ \message{ ... Sorry, you cannot remove * (all) families.^^J
+ ... use \noexpand\cfam to declare the family name^^J
+ ... use \noexpand\undecl to remove more families.^^J
+ ... use \noexpand\remove FamilyName to remove FamilyName}
+ \else \doremovefam \fi
+}
+\def\doremovefam {
+ \knownfam \removefamily? \iftrue
+ \edef\act{\def\noexpand\tmpa
+ ####1\noexpand\ofslistfamily
+ \expandafter\noexpand\csname fam!.\removefamily\endcsname
+ ####2^^X{\gdef\noexpand\ofslistfamilies{####1####2}}}\act
+ \expandafter \tmpa\ofslistfamilies^^X%
+ \global \expandafter \let \csname fam!.\removefamily\endcsname = \relax
+ \message{ ... \removefamily\space is removed from declaration famlist}
+ \ifx\removefamily\thisfamily \def\thisfamily{*} \fi
+ \ifx\removefamily\savefamily \def\savefamily{*} \fi
+ \else
+ \message{ ... Sorry, the family \removefamily\space is not declared^^J}
+ \fi
+}
+\def\rem {\def\interact{\edef\removefamily{\thisfamily}\removecode}
+ \def\nointeract ##1 {\def\removefamily{##1}\removecode}
+ \futurelet \nextchar \donextchar
+}
+
+
+%%% \remdecl
+
+\def\remdeclcode {%
+ \ifx\response\defaultstext \def\thisdecl{defaults:}
+ \else \edef\thisdecl{\response.tex:}
+ \fi
+ \bgroup
+ \def\ofslisttext ##1##2\ofslisttext{\if^^J\readfirsttoken ##1:\end
+ \edef\tmpa{\readothertokens ##1:\end}%
+ \else \edef\tmpa{##1}\fi
+ \ifx\tmpa\thisdecl ##2\def\ofslisttext ####1####2^^X{}\fi
+ \ofslisttext}
+ \def\ofslistfamily ##1{\def\tmpa ####1!.####2/{####2}%
+ \edef\removefamily{\expandafter\tmpa\string ##1/}%
+ \doremovefam}
+ \expandafter \ofslistfamilies \expandafter \ofslisttext
+ \expandafter {\thisdecl}%
+ \message { ... Sorry, the \thisdecl\space is not present
+ in declaration list}\ofslisttext{}^^X%
+ \egroup
+}
+\def\defaultstext{defaults}
+
+\def\iremdeclcode {\message{%
+ *** What part of famlist should be removed ?^^J
+ \space\space\space (type "defaults" or declaration file name without ".tex"): }
+ \read-1 to\response
+ \expandafter \ifx \response\par \else
+ \expandafter \reset \response \to\response
+ \remdeclcode
+ \fi
+}
+\def\remdecl {\let\interact=\iremdeclcode
+ \def\nointeract ##1 {\def\response{##1}\remdeclcode}
+ \futurelet \nextchar \donextchar
+}
+
+%%% \text
+
+\def\text{\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \expandafter \ifx \csname ffe?\thisfamily:\endcsname \relax
+ \warnaboutnontext \text
+ \else
+ \message{^^J} \message{ [\thisfamily/\fosize]:}
+ \scanvariants \runtext
+ \fi
+ \else \warnaboutskip {text}
+ \fi\fi
+}
+\def\runtext {%
+ \message{\texvariant\space text}
+ \calculatemetricfile \fontfile \fosize
+ {\let\loadtextfam=\oriloadtextfam
+ \let\newvariant=\orinewvariant
+ \setfonts [\thisfamily/]
+ \font\ttfont=cmtt10 \fosize\relax
+ \bgroup \let\string=\egroup \texvariant
+ {\escapechar=-1 \xdef\tmp{\texvariant}}
+ \fontdef\fn [\thisfamily-\tmp/!] \fn
+ \nofontmessages
+ \startparagraph 1 \indent \csname text:\textlang\endcsname
+ \medskip\penalty-200}}
+
+\def\actualfont #1{{\def\texvariant{rm} \xdef\act{%
+ \noexpand\fontdef \noexpand #1[\thisfamily-\texvariant/!]}}
+ \act #1}
+
+\def\startparagraph #1{\par
+ \ifdim\fontdimen3\the\font=0pt \raggedright \fi
+ \ifdim\fontdimen2\the\font=0pt \rightskip=0pt plus \hsize\fi
+ \noindent\llap {\lttfont \vtop{\hsize=5cm
+ \noindent\hfill\thisfamily
+ \if1#1\space\texvariant\fi
+ \if2#1\space(\fomenc)\break \null\hfill
+ \mathsizes \vskip-\baselineskip \else
+ \if3#1\else \break \null\hfill \thesize/\theskip
+ \vskip-\baselineskip\fi\fi
+ }\kern12pt}\ignorespaces
+}
+\def\theskip{\the\baselineskip}
+\def\thesize{\expandafter\ignoreat\fosize:}
+\def\ignoreat at#1:{#1}
+\def\mathsizes{[%
+ \expandafter\ignoreat\textfosize:/%
+ \expandafter\ignoreat\scriptfosize:/%
+ \expandafter\ignoreat\scriptscriptfosize:]}
+
+\def\famplusvariant{\thisfamily\if|\fontvariant|\else-\fontvariant\fi}
+
+%%% \abet
+
+\def\abet {\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \removelastskip
+ \message{^^J} \message{ [\thisfamily/\fosize]:}
+ \noindent{\lttfont [\thisfamily/\thesize] (enc: \fotenc),
+ declared in
+ \ifx\fromfile\undefined \findfromfile \else \fromfile\fi}\par
+ \scanvariants \runabet
+ \medskip \penalty-200
+ \else \warnaboutskip {abet}
+ \fi\fi
+}
+\def\runabet {%
+ \message{\texvariant\space abet}
+ \calculatemetricfile \fontfile \fosize
+ {{\escapechar=-1 \xdef\tmp{\texvariant}}
+ \fontdef\fn [\thisfamily-\tmp/!] \fn
+ \hbox{\llap{\lttfont (\fontvariant) \texvariant\kern12pt}%
+ \csname abet:\textlang\endcsname}
+}}
+\def\findfromfile {\bgroup
+ \def\fromfile{??}%
+ \def\ofslisttext ##1{\if^^J\readfirsttoken ##1:\end
+ \edef\fromfile{\readothertokens ##1:\end}%
+ \else \edef\fromfile{##1}\fi}%
+ \def\ofslistfamily ##1{\expandafter
+ \ifx \csname fam!.\thisfamily\endcsname ##1%
+ \def\tmpa####1^^X{}%
+ \expandafter \tmpa
+ \fi}%
+ \ofslistfamilies^^X\fromfile
+ \egroup
+}
+\def\all {\list \abet \chars \table \text \mixed \math \vfil\break}
+
+\def\chars {\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \expandafter \ifx \csname ffe?\thisfamily:\endcsname \relax
+ \warnaboutnontext \chars
+ \else
+ \message{^^J} \message{ [\thisfamily/]: \string\chars}
+ \bgroup
+ \setfonts[\thisfamily-rm/]
+ \let\characterdef=\listcharacter
+ \let\characterdel=\characternodef
+ \let\accentdef=\listaccent
+ \let\accentdel=\accentnodef
+ \def\modifydef##1;##2{}
+ \def\protectreading##1 {}
+ \let\printcharacterwarn=\boxik
+ \let\printaccentwarn=\boxikdbl
+ \raggedright \rightskip=0pt plus 10em
+ \noindent \llap{\lttfont \thisfamily~(\fotenc)\kern12pt}%
+ \expandafter \let\csname enc:ofs-\fotenc\endcsname =\relax
+ {\def\par{}\endlinechar=-1 \input ofs-\fotenc.tex }
+ \if |\extraenc|\else \par
+ \noindent \llap{\lttfont Extra metric~(\extraenc)\kern12pt}%
+ \expandafter \let\csname enc:ofs-\extraenc\endcsname =\relax
+ {\def\par{}\endlinechar=-1 \input ofs-\extraenc.tex }
+ \fi
+ \ifx\newmodifylist\empty \else \par
+ {\escapechar=-1 \expandafter \savelist \meaning \newmodifylist^^X}
+ \noindent \llap{\lttfont Modifications\kern12pt}%
+ {\lttfont\char`\{\ \modlist\char`\}} \newmodifylist
+ \fi
+ \medskip \penalty-200
+ \egroup \fi
+ \else \warnaboutskip {chars}
+ \fi \fi
+}
+\def\listcharacter #1#2#3 {\def\tmpa{#2#3}%
+% \message{\string#1}%
+ \ifx\tmpa\astik \hbox{\lttfont \string#1:}~{\print#1{}{}}\spc \fi
+ \ifx\tmpa\fotenc \hbox{\lttfont \string#1:}~{\print#1{}{}}\spc \fi
+ \ifx\tmpa\extraenc \hbox{\lttfont \string#1:}~{\print#1{}{}}\spc \fi
+ \def\tmpa{tmpa}\futurelet \tmpb \docharacterdef}
+\def\print #1{{\savetokenname#1\tmpb\global\let\tmpb=\tmpb}\printcharacter{\tmpb}}
+\def\listaccent #1#2#3#4 {\def\tmpa{#3#4}%
+% \message{\string#1 \string#2}%
+ \ifx\tmpa\astik \hbox{\lttfont \string#1~\string#2:}~{#1 #2{}{}}\spc \fi
+ \ifx\tmpa\fotenc \hbox{\lttfont \string#1~\string#2:}~{#1 #2{}{}}\spc \fi
+ \ifx\tmpa\extraenc \hbox{\lttfont \string#1~\string#2:}~{#1 #2{}{}}\spc \fi
+ \def\tmpa{tmpa}\futurelet \tmpb \docharacterdef}
+\def\boxik#1{\lower1.7pt\vbox{\hrule\hbox{\vrule height6pt depth2pt
+ \kern.2em\lttfont?\kern.2em\vrule}\hrule}}
+\def\boxikdbl#1#2{\boxik.}
+\def\spc{\hskip.8em\relax}
+
+%%% \mixed \math
+
+\def\mixed{\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \expandafter \ifx \csname ffe?\thisfamily:\endcsname \relax
+ \warnaboutnontext \mixed
+ \else
+ \message{^^J} \message{ [\thisfamily/\fosize]: mixed text}
+ {\setfonts [\thisfamily/]
+ \nofontmessages
+ \startparagraph 0 \noindent
+ \csname mix:\textlang\endcsname
+ \medskip\penalty-200}
+ \fi
+ \else \warnaboutskip {mixed}
+ \fi \fi
+}
+\def\math{\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \expandafter \ifx \csname ffe?\thisfamily:\endcsname \relax
+ \warnaboutnontext \math
+ \else
+ {\setfonts [\thisfamily/]
+ \def\mathfonts{\defaultmathfonts}
+ \def\mathchars{\defaultmathchars \let\mathchars=\relax}
+ \stmath \setmath[//] \lineskiplimit=-.5pt
+ \message{^^J} \message{ [\thisfamily/\fosize]
+ (\string\fomenc: \fomenc) \mathsizes: math text}
+ \nofontmessages
+ \startparagraph 2 \noindent
+ \ifx\vecfam\undefined \else \def\bi{\fam\vecfam}\fi
+ \ifx\msbmfam\undefined \def\N{{\bf N}}\else \def\N{{\fam\msbmfam N}}\fi
+ \ifx\varmathbb\undefined \else \def\N{\varmathbb{N}}\fi
+ \delimiterfactor=950
+ \csname math:\textlang\endcsname
+ \medskip\penalty-200}
+ \fi
+ \else \warnaboutskip {math}
+ \fi \fi
+}
+\def\psenc{PS}
+
+\def\warnaboutnontext #1{%
+ \message{ [\thisfamily/] is probably non text font, \string#1 skipped.^^J
+ \space\space (The family has no registered text encodings.)}%
+}
+
+
+%%% \table
+
+\def\table{\ifx\thisfamily\astik \else
+ \registeredfam \thisfamily? \iftrue
+ \message{^^J} \message{ [\thisfamily/\fosize]:}
+ \scanvariants \runtable
+ \else \warnaboutskip {table}
+ \fi \fi
+}
+\let\tables=\table
+
+\def\runtable {\onetable
+ \if |\eenc|\else {\edef\fotenc{\eenc}\onetable} \fi}
+
+\def\onetable{
+ \calculatemetricfile \fontfile \fosize
+ \vfil\break
+ \noindent
+ {\rmfont Table of {\boldfont \famplusvariant},
+ \hfil\break E\ifx\fotenc\eenc xtra e\fi ncoding: \fotenc,
+ fontfile: {\nttfont\metricfile\fosize},\hfil\break
+ command: {\nttfont \string\selectfont [\thisfamily/\fosize]\texvariant
+ \ifx\fotenc\eenc \string\setextrafont\fi}}\par
+ \message{\texvariant\space \ifx\fotenc\eenc ex-\fi table}
+ {\font \fn=\metricfile\fosize\relax \fn \knuthstable}
+ \vfil\break
+}
+
+%% Z Knuthova testfont:
+
+\newcount\mm \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+\def\oct#1{\hbox{\rmfont'{}\kern-.2em\itfont#1\/\kern.05em}} % octal constant
+\def\hexx#1{\hbox{\nttfont"#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \mm=\n \divide\mm by 64 \xdef\0{\the\mm}%
+ \multiply\mm by-64 \advance\mm by\n \divide\mm by 8 \xdef\1{\the\mm}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hexx{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \mm=\n \divide\mm 16 \chardef\next=\mm
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule\penalty5000}
+ \chartline \oddline \mm=\1 \advance\mm 1 \xdef\1{\the\mm}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\knuthstable{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hexx 8&&\hexx 9&&\hexx A&&\hexx B&
+ &\hexx C&&\hexx D&&\hexx E&&\hexx F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+%%% texts in various languages
+
+\def\langdef #1 {\expandafter\def \csname#1\endcsname}
+
+\characternodef \textbullet * 0
+\characternodef \ellipsis * 0
+\characternodef \fullbar * 0
+\characternodef \brokenbar * 0
+\characternodef \onequarter * 0
+\characternodef \onehalf * 0
+\characternodef \threequarters * 0
+\characternodef \trademark * 0
+\characternodef \registered * 0
+\characternodef \ligct * 0
+\characternodef \ligst * 0
+\characternodef \ligft * 0
+\characternodef \longs * 0
+\characternodef \longst * 0
+\characternodef \sterling * 0
+\characternodef \euro * 0
+\characternodef \franc * 0
+\characternodef \cent * 0
+\characternodef \yen * 0
+\characternodef \degree * 0
+\characternodef \vardigits * 0
+\characternodef \textbraceleft * 0
+\characternodef \textbraceright * 0
+
+
+\langdef datum:cz {\the\day.~\the\month. \the\year}
+
+\langdef datum:en {\the\year/\the\month/\the\day}
+
+\langdef text:cz {%
+ Tento text je naps\'an p\'ismem \famplusvariant \space
+ za pou\v zit\'i \TeX{}ov\-sk\'e metriky
+ {\ttfont \fontname\fn}. V\v s\'imejme si m\'en\v e
+ obvykl\'ych slov, jako je slovo \v s\v tast\-n\'y (p\'ismeno \v t uprost\v red slova),
+ nebo t\v reba slovensk\'e ko\v lko. V\v e\v rme, \v ze v\'ysledn\'y text p\r ujde nejen
+ p\v re\v c\'ist, ale bude i typograficky pokud mo\v zno v~po\v r\'adku. Tak\'e je t\v reba
+ \clqq sledovat chov\'an\'i\crqq{} na\v sich \clqq{}uvozovek\crqq. A~co takhle \frqq
+ francouzsk\'e uvozovky po \v cesk\'em zp\r usobu\flqq?
+ \par
+ 0123456789,
+ \knownchar\vardigits? \iftrue{\vardigits 0123456789}, \fi
+ ligatury: fi, fl, ffi, ffl, --, ---,
+ kerny: Tel, T\v el, T\'el, VLTAVA.
+
+ Znaky: \dag, \ddag, \textbullet,
+ \P, \ellipsis,
+ \textbraceleft, \fullbar, \brokenbar, \textbraceright,
+ \onequarter, \onehalf, \threequarters,
+ \trademark, \copyright, \registered,
+ \ligct, \ligst, \ligft, \longs, \longst,
+ \S, \sterling, \euro, \franc, \cent,
+ \yen, \degree C.
+ \par\nobreak\medskip
+ {\spaceskip=.3em minus .2em \relax
+ \'A \'a \"A \"a \v C \v c \v D \v d \'E \'e \v E \v e \'I \'i \'L \'l \v L \v l \v N \v n \'O \'o \^O \^o \"O \"o \v R \v r \'R \'r
+ \v S \v s \v T \v t \'U \'u \r U \r u \"U~\"u~\'Y~\'y~\v Z~\v z.}
+}
+\langdef text:en {%
+ This text is written by the font \famplusvariant.
+ The \TeX{} font metric {\ttfont \fontname\fn} is used here.
+ Notice how this font looks in the current paragraph.
+ We try to write somethink in ``english quotes''.
+ Digits: 0123456789, {\vardigits 0123456789}
+ ligatures: fi, fl, ffi, ffl, --, ---,
+ kerning: Te, Ti, AVA.
+
+ Characters: \dag, \ddag, \textbullet,
+ \P, \ellipsis,
+ \textbraceleft, \fullbar, \brokenbar, \textbraceright,
+ \onequarter, \onehalf, \threequarters,
+ \trademark, \copyright, \registered,
+ \ligct, \ligst, \ligft, \longs, \longst,
+ \S, \pound, \euro, \franc, \cent,
+ \yen, \degree C.
+}
+\langdef abet:cz {%
+ ABCDEOPQRSVWXYZ 0123456789 \&\%?!-\v Z\v z\v s\v c\v e\'a\'e\v t\r u,
+ acbdefghijklmnopqrstuvwxyz%
+}
+\langdef abet:en {%
+ ABCDEOPQRSVWXYZ 0123456789 \&\%?!- ``--'' ---:
+ acbdefghijklmnopqrstuvwxyz%
+}
+\langdef mix:cz {%
+ {\bf P\v r\'iklad.} Nyn\'i zjist\'ime, zda je mo\v zn\'e kombinovat z\'akladn\'i \v rez s~tu\v cn\'ym
+ (resp. polotu\v cn\'ym) \v rezem a s~kurz\'ivou
+ v~rodin\v e p\'isma {\it\thisfamily}. Pro vyzna\v cov\'an\'i je vhodn\'e pou\v z\'it {\it kurz\'ivu\/} a
+ u\v z m\'en\v e {\bf tu\v cnou variantu} a prakticky v\r ubec se nehod\'i pou\v z\'it
+ {\bi tu\v cnou a sklon\v enou variantu}.
+ Zcela nevhodn\'e je vyzna\v covat podtr\v zen\'im nebo prostrk\'an\'im.
+ To lid\'e s~dobr\'ym vychov\'an\'im ned\v elaj\'i.
+ {\it Vyzna\v cen\'i m\'a b\'yt takov\'e, aby p\v ri \v cten\'i bylo vyzna\v cen\'e m\'isto z\v reteln\v e
+ odli\v sn\'e, ale p\v ri pohledu z~d\'alky z\r ustal text odstavce stejnom\v ern\v e \v sed\'y.}
+ Tomu nejl\'epe vyhovuje kurz\'iva, ale ne ve v\v sech rodin\'ach p\'isma je zda\v ril\'a
+ kuz\'iva k~dispozici.
+}
+\langdef mix:en {%
+ {\bf Example.} We try to combine the normal variant with the bold
+ (semibold) and italic variants in the font family {\it\thisfamily}.
+ The best selection to mark the text is the {\it italic}, not so good
+ one is the {\bf bold variant} and somewhat unsuitable
+ one is the {\bi bold italic variant}. The marking of the text by
+ underline or by letter spacing is totally unsiutable.
+ {\it The marked text have to be good distinguised while reading
+ but if you look at the paragraph from more distance the best is to
+ view the uniform-gray area.} The best solution of this task is to
+ use the italic, if this variant is ready in used font family.
+}
+\langdef math:cz {%
+ {\bf Pozn\'amka.} Funkci Gamma v bod\v e $x$ zna\v c\'ime $\Gamma(x)$ a
+ po\v c\'it\'ame ji podle vzorce:
+ $$ \Gamma(x) = \int_0^\infty e^{-t} t^{x-1} {\rm d}t \quad (x>0).$$
+ Speci\'aln\v e pro $x=n\in\N$ je $\Gamma(n) = (n-1)\,!$ a pro
+ $\alpha\in(0,1)$ je
+ $$ \Gamma(\alpha)\,\Gamma(1-\alpha) = {\pi \over \sin \pi \alpha}.$$
+ {\bf Definice.} Nech\v t $\bi A$ je \v ctvercov\'a matice s~$n$ sloupci a
+ \v r\'adky a s~prvky $a_{i,j}$. Pak \v c\'islo
+ $$ \mathop{\rm det}{\bi A} = \left|{\bi A}\right| =
+ \sum_{\Pi=(j_1,j_2,\ldots,j_n)} \mathop{\rm sgn}\Pi\cdot
+ a_{1,j_1}\,a_{2,j_2}\cdots a_{n,j_n} $$
+ naz\'yv\'ame {\it determinantem\/} matice $\bi A$.
+}
+\langdef math:en {%
+ {\bf Notice.} The value of the function Gamma in the real
+ number~$x$ can be calculaded by:
+ $$ \Gamma(x) = \int_0^\infty e^{-t} t^{x-1} {\rm d}t \quad (x>0).$$
+ Especially, for $n\in\N$ is $\Gamma(n) = (n-1)\,!$ and for
+ $\alpha\in(0,1)$ is
+ $$ \Gamma(\alpha)\,\Gamma(1-\alpha) = {\pi \over \sin \pi \alpha}.$$
+ {\bf Definition.} Let $\bi A$ is a square matrix with $n$ columns
+ and rows and with elements $a_{i,j}$. The number
+ $$ \mathop{\rm det}{\bi A} = \left|{\bi A}\right| =
+ \sum_{\Pi=(j_1,j_2,\ldots,j_n)} \mathop{\rm sgn}\Pi\cdot
+ a_{1,j_1}\,a_{2,j_2}\cdots a_{n,j_n} $$
+ is called {\it determinant\/} of the matrix $\bi A$.
+}
+
+%%% Brackets after \input ofstest
+
+\def\processOFSoption #1,{\if ^^X#1\let\next=\runtest
+ \else \input #1 \fi \next}
+\def\testOFSoptions {\ifx [\tmpa \expandafter \readOFSoptions
+ \else \expandafter \rundeclare \fi}
+
+\endOFSmacro
+
diff --git a/Master/texmf-dist/doc/generic/ofs/readme.ofs b/Master/texmf-dist/doc/generic/ofs/readme.ofs
new file mode 100644
index 00000000000..12b204039f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/ofs/readme.ofs
@@ -0,0 +1,104 @@
+
+The OFS Macro - Olsak's Font System
+===================================
+
+Files:
+------
+readme.ofs ... this file
+ofsdoc-e.tex, pdf, ps ... documentation (English)
+ofsdoc.tex, pdf, ps ... documentation (Czech language)
+ofs.tex ... the OFS macro for plain
+ofsdef.tex ... default declaration file (for plain)
+ofs-8z.tex, ofs-8t.tex ... encodings declaration files (for plain)
+ofs-<encoding>.tex ... another encodings declaration files (for plain)
+ofstest.tex ... interactive macro to print samples,
+ font catalogues, tables etc.
+a35.tex ... declaration file for standard 35 fonts
+ by Adobe (for plain)
+a117.tex ... declaration file for standard 117 Adobe fonts
+ofs.sty ... the OFS macro for LaTeX
+a35.sty ... declaration file for standard 35 fonts
+ by Adobe (for LaTeX)
+amsfn.tex ... math declaration file for AMS fonts
+mtfn.tex, txfn.tex ... math declaration files for MathTimes and TXfonts
+ofs-slt.tex,ps,pdf ... the article about OFS from SLT 2002 proceedings
+examples/ ... directory with examples for OFS (for plain)
+storm/ ... new declaration files for Storm fonts support
+
+License:
+-------
+
+The OFS package may be used by everybody without any licension fees.
+Everybody can re-distribute this package, if no changes in files
+"readme.ofs", "ofs.tex", "ofsdef.tex", "ofs.sty", "ofs-8z.tex",
+"ofs-8t.tex", "a35.tex", "a35.sty", "ofsdoc.tex", "ofsdoc-e.tex",
+are done and all these files are included in the new
+distribution. Only the author has a right to change of these files and
+to change of version of this package. If you need to change the
+contents of some file mentioned above, you have to rename it. This
+package is distributed in the hope that it will be useful, but WITHOUT
+ANY WARRANTY.
+
+Prague 08/16/2001 Petr Olsak
+ the author
+
+The master source of this package maintained by author:
+-------------------------------------------------------
+
+ftp://math.feld.cvut.cz/pub/olsak/ofs/
+
+Bug report will be welcome on:
+olsak@math.feld.cvut.cz
+
+.............................................................................
+
+
+Makro OFS - Olsakuv Fontovy system
+==================================
+
+Soubory:
+-------
+readme.ofs ... tento soubor
+ofsdoc.tex, pdf, ps ... dokumentace (cesky)
+ofsdoc-e.tex, pdf, ps ... dokumentace (anglicky)
+ofs.tex ... makro OFS pro plain
+ofsdef.tex ... defaultni deklaracni soubor (pro plain)
+ofs-8z.tex, ofs-8t.tex ... deklaracni soubory kodovani (pro plain)
+ofs-<kodovani>.tex ... dalsi deklaracni soubory kodovani (pro plain)
+ofstest.tex ... interaktivni makro na tisk vzorku, fontovych
+ katalogu, tabulek atd.
+a35.tex ... deklaracni soubor pro standardnich 35 fontu
+ od Adobe pritomnych v kazdem RIPu (pro plain)
+a117.tex ... deklaracni soubor pro standardnich 117 Adobe fontu
+ofs.sty ... makro OFS pro LaTeX
+a35.sty ... deklaracni soubor pro standardnich 35 fontu
+ od Adobe pritomnych v kazdem RIPu (pro LaTeX)
+amsfn.tex ... deklarace matematiky pro AMS fonty
+mtfn.tex, txfn.tex ... deklarace matematiky pro MathTimes a TX fonty
+ofs-slt.tex,ps,pdf ... clanek o OFS ze sborniku SLT 2002
+examples/ ... adresar s priklady pro OFS (pro plain)
+storm/ ... nove deklaracni soubory pro Stormovy fonty
+
+Licence:
+-------
+
+Balicek OFS muze pouzivat kdokoli bez licencnich poplatku. Kdokoli je
+rovnez muze distribuovat, pokud nezmeni obsah zadneho ze souboru
+"readme.ofs", "ofs.tex", "ofsdef.tex", "ofs.sty", "ofs-8z.tex",
+"ofs-8t.tex", "a35.tex", "a35.sty", "ofsdoc.tex", "ofsdoc-e.tex" a
+vsechny tyto soubory budou v distribuci pritomny.
+Pravo na zmenu uvedenych souboru a tim zmenu verzi zustava vyhradne
+autorovi. Pokud potrebujete zmenit obsah nektereho z uvedenych
+souboru, nazvete jej jinak. Balicek je poskytovan s pranim,
+aby byl uzitecny, ale BEZ JAKEKOLI ZARUKY.
+
+V Praze dne 16. 8. 2001 autor: Petr Olsak
+
+
+Tento balicek je autorem udrzovan na URL:
+-----------------------------------------
+
+ftp://math.feld.cvut.cz/pub/olsak/ofs/
+
+Prpominky a upozorneni na chyby jsou vitany na:
+olsak@math.feld.cvut.cz
diff --git a/Master/texmf-dist/doc/generic/pgf/AUTHORS b/Master/texmf-dist/doc/generic/pgf/AUTHORS
new file mode 100644
index 00000000000..b8f40d8805f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/AUTHORS
@@ -0,0 +1 @@
+Till Tantau <tantau@users.sourceforge.net>
diff --git a/Master/texmf-dist/doc/generic/pgf/ChangeLog b/Master/texmf-dist/doc/generic/pgf/ChangeLog
new file mode 100644
index 00000000000..b0b37b6b538
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/ChangeLog
@@ -0,0 +1,214 @@
+2005-10-23 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 1.00:
+
+ - There have not been any real changes since 0.99.
+
+
+2005-10-11 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.99:
+
+ - Added vtex support (finally!).
+ - Added multi part mechanism to nodes.
+ - Added very simple pgflibraryautomata.
+ - Changed coordinate shape such that it now never produces a
+ text label.
+ - Renamed \pgfshapebox to \pgfnodeparttextbox (made necessary
+ by the node part mechanism).
+
+2005-09-20 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.98:
+
+ - Added transparency to PGF (quite nice...).
+ - Added foreach option to child path operation (also nice...).
+ - Fixed problem with \\ in centered text.
+ - Fixed problem with hyperlinks in nodes.
+ - Fixed wrong arrows in trees.
+
+2005-09-08 Till Tantau <tantua@users.sourceforge.net>
+
+ Version 0.97:
+
+ - Reorganised directory structure of documentation.
+ - Added tree mechanism.
+ - Added snake mechanism.
+ - Added layer mechanism.
+ - Added new shapes: cross out, strike out, forbidden sign.
+ - Added some more documentation.
+ - Added "none" drawing and filling colors.
+ - Added pgflibrarytikzbackgrounds.
+ - Changed syntax of \pgfqbox.
+ - Changed syntax of several \pgfsys@xxxx commands.
+ - Added SVG support / a tex4ht backend. (Complicated text
+ inside svg graphics is not supported well, but that's mainly
+ a shortcoming of the svg specification.)
+
+2005-07-06 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.96:
+
+ This is a beta version. Version 1.00 will be the first stable
+ version of TikZ/pgf.
+
+ - Fixed spacing problem in dvips.
+ - Changed syntax of plot and plot marks.
+ - Changed syntax of ellipse and elliptical arc options.
+ - Fixed baseline bug in tikz.
+ - Fixed bug in pgfpages.
+ - Introduced "every xxxx" styles, got rid of shape actions option.
+ - Added "intersection of" syntax for coordinates.
+ - Started revising the documentation.
+ - Changed names of some pgfpages commands.
+ - Changed syntax of parabola command.
+ - Proof read documentation.
+
+2005-06-12 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.95:
+
+ This is an *alpha* prerelease version. Syntax changes
+ are still possible before the beta version. Version 1.00
+ will be the stable version.
+
+ Changes (this is almost a new program):
+ - Introduced three layers: system, basic, frontends.
+ - Wrote two frontends: TikZ (*most* useful!) and pgfpict2e (a
+ demonstration).
+ - Largely rewrote the basic layer.
+ - Largely rewrote the system layer.
+ - Completely rewrote the documentation.
+ - Added two utilities: pgfpages and pgffor.
+ - Made macro naming more consistent.
+ - Added plain tex support.
+ - Added dvipdfm support.
+ - Restructured directory structure.
+ - Zillions of small bugfixes.
+
+2004-10-20 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.65:
+ - Fixed bug in pgfshade.sty that arises in conjunction with
+ calc.sty and latex+dvips.
+
+2004-10-08 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.64:
+ - Fixed missing depth of \pgfnodebox.
+ - Fixed bug that caused infinite stack loop with pictures inside
+ nodes.
+
+2004-07-08 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.63:
+ - Added \pgfextractx, \pgfextracty, \pgfcorner.
+ - Added some documentation on masks and images.
+ - Fixed a somewhat obscure bug having to do with the modification
+ of \spaceskip.
+ - \pgfex and \pgfem no loner needed. Use 1ex etc. once more.
+ - calc.sty is now supported.
+
+2004-07-06 Till Tantau <tantau@users.sourceforge.net>
+
+ Version 0.62:
+ - Fixed problem in xxcolor with option "gray" and xcolor.
+ - Switched to xcolor version 2.00.
+ - Added eofill and eofillstroke commands.
+ - Added option to shadings, so that they are automatically
+ recalculated upon color changes.
+ - Changed names of example images to start with pgf.
+
+2004-04-07 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.61:
+ - Added \pgfex and \pgfem dimensions.
+ - Fixed bug that causes pgfshade to fail to work if xcolor
+ is called with option "gray".
+ - Fixed PostScript code for radial shadings.
+ - xxcolor now works with xcolor 1.10 (and only 1.10).
+
+2004-02-18 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.60:
+ - Replaced some commands for the postscript code by shorter
+ versions for smaller file size.
+ - Fixed bug in pgfbox command that caused incorrect kerning in
+ postscript output.
+ - Fixed bug in pgfsys@defineimage that made page inclusion
+ impossible.
+ - Fixed bug in pgfshading that did not reset dash patterns in
+ shadings in the PostScript version.
+ - Spaces are now allowed inside the pgfpicture environment.
+ - Added \pgfgrid command.
+
+2004-01-13 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.50:
+ - Switched to version 1.06 of xcolor.
+ - Core pgf no longer relies on xxcolor.
+ - The syntax of the mechanism for choosing alternate images and
+ shadings is more flexible now. The syntax has been changed
+ (mainly, you now have to have a dot between the original name and
+ the alternate extension).
+ - Some xxcolor commands have been removed.
+
+2003-12-02 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.43:
+ - Fixed \normalcolor, so that it works also in preamble.
+
+2003-11-20 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.42:
+ - Documented masks.
+ - Fixed bug in pgf.sty for nested pictures.
+
+2003-11-18 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.41:
+ - Added masks (not yet documented).
+
+2003-11-12 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.40:
+ - Changed syntax of \pgfdeclareimage. Uses key=value scheme
+ now. All parameters may now be omitted.
+ - Added \pgfimage command.
+ - Option for selecting a specific page from an image file.
+ - Fixed bug in xxcolor.sty having to do with \@ifempty command.
+ - Reworked the formatting of the user's guide.
+
+2003-10-29 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.34:
+ - Shadings now work together with color mix-ins.
+ - Shadings can now take color names as parameters.
+
+2003-10-24 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.33:
+ - Fixed problem with missing \leavevmode in \pgfuseimage.
+ - Reworked code for image inclusion.
+ - "Draft" option is now supported. Supresses reading of images.
+ - Added xxcolor package.
+ - pgfpictures will now inherit the color from their surroundings.
+
+2003-10-20 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.32:
+ - Updated installation procedure information.
+
+2003-09-18 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.31:
+ - One parameter for \pgfdeclareimage may now be omitted. It will
+ be computed automatically.
+
+2003-08-21 Till Tantau <tantau@cs.tu-berlin.de>
+
+ Version 0.30:
+ - Created ChangeLog
+ - Added pgfshade.sty
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/FILES b/Master/texmf-dist/doc/generic/pgf/FILES
new file mode 100644
index 00000000000..9a9c7a9d985
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/FILES
@@ -0,0 +1,919 @@
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+pgf-1.00/doc/pgf/ChangeLog
+pgf-1.00/doc/pgf/FILES
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+pgf-1.00/doc/pgf/README
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+pgf-1.00/plain/pgf/basiclayer/pgfbaseplot.tex
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+pgf-1.00/plain/pgf/basiclayer/pgfcore.tex
+pgf-1.00/plain/pgf/frontendlayer/tikz.tex
+pgf-1.00/plain/pgf/libraries/pgflibraryautomata.tex
+pgf-1.00/plain/pgf/libraries/pgflibraryarrows.tex
+pgf-1.00/plain/pgf/libraries/pgflibraryplothandlers.tex
+pgf-1.00/plain/pgf/libraries/pgflibraryplotmarks.tex
+pgf-1.00/plain/pgf/libraries/pgflibraryshapes.tex
+pgf-1.00/plain/pgf/libraries/pgflibrarysnakes.tex
+pgf-1.00/plain/pgf/libraries/pgflibrarytikzbackgrounds.tex
+pgf-1.00/plain/pgf/libraries/pgflibrarytikztrees.tex
+pgf-1.00/plain/pgf/systemlayer/pgfsys.tex
+pgf-1.00/plain/pgf/utilities/pgffor.tex
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diff --git a/Master/texmf-dist/doc/generic/pgf/INSTALL b/Master/texmf-dist/doc/generic/pgf/INSTALL
new file mode 100644
index 00000000000..dc1409fe836
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/INSTALL
@@ -0,0 +1,11 @@
+Installing pgf:
+---------------
+
+For the impatient:
+- Put the whole pgf directory somewhere where TeX can find them.
+- Install the xcolor package version 2.00.
+
+Long version:
+In the manual, which you find in the file
+doc/pgf/version-for-pdftex/en/pgfmanual.pdf, you will find a
+detailed explanation on how to install pgf.
diff --git a/Master/texmf-dist/doc/generic/pgf/README b/Master/texmf-dist/doc/generic/pgf/README
new file mode 100644
index 00000000000..1b8e3e27366
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/README
@@ -0,0 +1,13 @@
+pgf -- A Portable Graphic Format for TeX
+
+See the directory doc/pgf for more information. See the
+file doc/pgf/version-for-pdftex/en/pgfmanual.pdf or
+doc/pgf/version-for-text4ht/html/pgfmanual.html
+for a manual. This documentation also explains the
+installation.
+
+Please go to http://sourceforge.net/projects/pgf/
+to submit bug reports, request new features, etc.
+
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/TODO b/Master/texmf-dist/doc/generic/pgf/TODO
new file mode 100644
index 00000000000..c8f7d95b223
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/TODO
@@ -0,0 +1,6 @@
+1) option to reference nodes defined in other pictures
+2) Honor \graphicspath command.
+3) Allow midway placement of nodes on arcs.
+4) Write TiesZ (TiesZ ist ein schoenes Zeichenprogramm), a Java-GUI for TikZ.
+ (Good students's project!!!)
+
diff --git a/Master/texmf-dist/doc/generic/pgf/images/pgf-apple.jpg b/Master/texmf-dist/doc/generic/pgf/images/pgf-apple.jpg
new file mode 100644
index 00000000000..cea4d4c2177
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/images/pgf-apple.jpg
Binary files differ
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new file mode 100644
index 00000000000..fe82742d707
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/images/pgf-apple.mask.jpg
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.25.eps b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.25.eps
new file mode 100644
index 00000000000..db8d18d67ce
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.25.eps
@@ -0,0 +1,812 @@
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+ZiC((rr2rrrr*`3qtp6dqtp<gr;?Nlr;?HhqYL$`qYL*gr;Z`mrojB4~>
+%%EndData
+showpage
+%%Trailer
+end
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.jpg b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.jpg
new file mode 100644
index 00000000000..321f15ca53a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.jpg
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.mask.jpg b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.mask.jpg
new file mode 100644
index 00000000000..693877d65b7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/images/pgf-tu-logo.mask.jpg
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pgf/macros/pgfmanual-en-macros.tex b/Master/texmf-dist/doc/generic/pgf/macros/pgfmanual-en-macros.tex
new file mode 100644
index 00000000000..5a044d2a64d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/macros/pgfmanual-en-macros.tex
@@ -0,0 +1,466 @@
+% $Header: /cvsroot/pgf/pgf/doc/pgf/macros/pgfmanual-en-macros.tex,v 1.3 2005/10/06 13:16:07 tantau Exp $
+
+% Copyright 2003, 2004 by Till Tantau <tantau@users.sourceforge.net>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+
+\providecommand\href[2]{\texttt{#1}}
+
+\colorlet{examplefill}{yellow!80!black}
+\definecolor{graphicbackground}{rgb}{0.96,0.96,0.8}
+\definecolor{codebackground}{rgb}{0.8,0.8,1}
+
+\newenvironment{pgfmanualentry}{\list{}{\leftmargin=2em\itemindent-\leftmargin\def\makelabel##1{\hss##1}}}{\endlist}
+\newcommand\pgfmanualentryheadline[1]{\itemsep=0pt\parskip=0pt\item\strut#1\par\topsep=0pt}
+\newcommand\pgfmanualbody{\parskip3pt}
+
+
+
+\newenvironment{pgflayout}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{\texttt{\string\pgfpagesuselayout\char`\{\declare{#1}\char`\}}\oarg{options}}
+ \index{#1@\protect\texttt{#1} layout}%
+ \index{Page layouts!#1@\protect\texttt{#1}}%
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+
+\newenvironment{command}[1]{
+ \begin{pgfmanualentry}
+ \extractcommand#1\@@
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+\def\extractcommand#1#2\@@{%
+ \pgfmanualentryheadline{\declare{\texttt{\string#1}}#2}%
+ \removeats{#1}%
+ \index{\strippedat @\protect\myprintocmmand{\strippedat}}}
+
+
+\renewenvironment{environment}[1]{
+ \begin{pgfmanualentry}
+ \extractenvironement#1\@@
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+\def\extractenvironement#1#2\@@{%
+ \pgfmanualentryheadline{{\ttfamily\char`\\begin\char`\{\declare{#1}\char`\}}#2}%
+ \pgfmanualentryheadline{{\ttfamily\ \ }\meta{environment contents}}%
+ \pgfmanualentryheadline{{\ttfamily\char`\\end\char`\{\declare{#1}\char`\}}}%
+ \index{#1@\protect\texttt{#1} environment}%
+ \index{Environments!#1@\protect\texttt{#1}}}
+
+
+\newenvironment{plainenvironment}[1]{
+ \begin{pgfmanualentry}
+ \extractplainenvironement#1\@@
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+\def\extractplainenvironement#1#2\@@{%
+ \pgfmanualentryheadline{{\ttfamily\declare{\char`\\#1}}#2}%
+ \pgfmanualentryheadline{{\ttfamily\ \ }\meta{environment contents}}%
+ \pgfmanualentryheadline{{\ttfamily\declare{\char`\\end#1}}}%
+ \index{#1@\protect\texttt{#1} environment}%
+ \index{Environments!#1@\protect\texttt{#1}}}
+
+
+\newenvironment{shape}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{Shape {\ttfamily\declare{#1}}}%
+ \index{#1@\protect\texttt{#1} shape}%
+ \index{Shapes!#1@\protect\texttt{#1}}
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+\newenvironment{snake}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{Snake {\ttfamily\declare{#1}}}%
+ \index{#1@\protect\texttt{#1} snake}%
+ \index{Snakes!#1@\protect\texttt{#1}}
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+\def\pgfmanualbar{\char`\|}
+\makeatletter
+\newenvironment{pathoperation}[3][]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{\textcolor{gray}{{\ttfamily\char`\\path}\
+ \ \dots}
+ \declare{\texttt{#2}}#3\ \textcolor{gray}{\dots\texttt{;}}}%
+ \def\pgfmanualtest{#1}%
+ \ifx\pgfmanualtest\@empty%
+ \index{#2@\protect\texttt{#2} path operation}%
+ \index{Path operations!#2@\protect\texttt{#2}}%
+ \fi%
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+\makeatother
+
+\def\extractcommand#1#2\@@{%
+ \pgfmanualentryheadline{\declare{\texttt{\string#1}}#2}%
+ \removeats{#1}%
+ \index{\strippedat @\protect\myprintocmmand{\strippedat}}}
+
+
+\newenvironment{package}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{{\ttfamily\char`\\usepackage\char`\{\declare{#1}\char`\}\space\space \char`\%\space\space \LaTeX}}
+ \index{#1@\protect\texttt{#1} package}%
+ \index{Packages and files!#1@\protect\texttt{#1}}%
+ \pgfmanualentryheadline{{\ttfamily\char`\\input \declare{#1}.tex\space\space\space \char`\%\space\space plain \TeX}}
+ \pgfmanualentryheadline{{\ttfamily\char`\\input \declare{#1}.tex\space\space\space \char`\%\space\space Con\TeX t}}
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+
+
+\newenvironment{filedescription}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{File {\ttfamily\declare{#1}}}%
+ \index{#1@\protect\texttt{#1} file}%
+ \index{Packages and files!#1@\protect\texttt{#1}}%
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+
+\newenvironment{packageoption}[1]{
+ \begin{pgfmanualentry}
+ \pgfmanualentryheadline{{\ttfamily\char`\\usepackage[\declare{#1}]\char`\{pgf\char`\}}}
+ \index{#1@\protect\texttt{#1} package option}%
+ \index{Package options for \textsc{pgf}!#1@\protect\texttt{#1}}%
+ \pgfmanualbody
+}
+{
+ \end{pgfmanualentry}
+}
+
+
+
+\newcommand\opt[1]{{\color{black!50!green}#1}}
+\newcommand\ooarg[1]{{\ttfamily[}\meta{#1}{\ttfamily]}}
+
+\def\opt{\afterassignment\pgfmanualopt\let\next=}
+\def\pgfmanualopt{\ifx\next\bgroup\bgroup\color{black!50!green}\else{\color{black!50!green}\next}\fi}
+
+
+
+\def\beamer{\textsc{beamer}}
+\def\pdf{\textsc{pdf}}
+\def\pgfname{\textsc{pgf}}
+\def\tikzname{Ti\emph{k}Z}
+\def\pstricks{\textsc{pstricks}}
+\def\prosper{\textsc{prosper}}
+\def\seminar{\textsc{seminar}}
+\def\texpower{\textsc{texpower}}
+\def\foils{\textsc{foils}}
+
+{
+ \makeatletter
+ \global\let\myempty=\@empty
+ \global\let\mygobble=\@gobble
+ \catcode`\@=12
+ \gdef\getridofats#1@#2\relax{%
+ \def\getridtest{#2}%
+ \ifx\getridtest\myempty%
+ \expandafter\def\expandafter\strippedat\expandafter{\strippedat#1}
+ \else%
+ \expandafter\def\expandafter\strippedat\expandafter{\strippedat#1\protect\printanat}
+ \getridofats#2\relax%
+ \fi%
+ }
+
+ \gdef\removeats#1{%
+ \let\strippedat\myempty%
+ \edef\strippedtext{\stripcommand#1}%
+ \expandafter\getridofats\strippedtext @\relax%
+ }
+
+ \gdef\stripcommand#1{\expandafter\mygobble\string#1}
+}
+
+\def\printanat{\char`\@}
+
+\def\declare{\afterassignment\pgfmanualdeclare\let\next=}
+\def\pgfmanualdeclare{\ifx\next\bgroup\bgroup\color{red!75!black}\else{\color{red!75!black}\next}\fi}
+
+
+\let\textoken=\command
+\let\endtextoken=\endcommand
+
+\def\myprintocmmand#1{\texttt{\char`\\#1}}
+
+\def\example{\par\smallskip\noindent\textit{Example: }}
+\def\themeauthor{\par\smallskip\noindent\textit{Theme author: }}
+
+\def\itemoption#1{\item \declare{\texttt{#1}}%
+ \indexoption{#1}%
+}
+
+\def\indexoption#1{%
+ \index{#1@\protect\texttt{#1} option}%
+ \index{Graphic options!#1@\protect\texttt{#1}}%
+}
+
+\def\itemstyle#1{\item \texttt{style=}\declare{\texttt{#1}}%
+ \index{#1@\protect\texttt{#1} style}%
+ \index{Styles!#1@\protect\texttt{#1}}%
+}
+
+
+
+\def\class#1{\list{}{\leftmargin=2em\itemindent-\leftmargin\def\makelabel##1{\hss##1}}%
+\extractclass#1@\par\topsep=0pt}
+\def\endclass{\endlist}
+\def\extractclass#1#2@{%
+\item{{{\ttfamily\char`\\documentclass}#2{\ttfamily\char`\{\declare{#1}\char`\}}}}%
+ \index{#1@\protect\texttt{#1} class}%
+ \index{Classes!#1@\protect\texttt{#1}}}
+
+\def\partname{Part}
+
+\makeatletter
+\def\index@prologue{\section*{Index}\addcontentsline{toc}{section}{Index}
+ This index only contains automatically generated entries. A good
+ index should also contain carefully selected keywords. This index is
+ not a good index.
+ \bigskip
+}
+\c@IndexColumns=2
+ \def\theindex{\@restonecoltrue
+ \columnseprule \z@ \columnsep 35\p@
+ \twocolumn[\index@prologue]%
+ \parindent -30pt
+ \columnsep 15pt
+ \parskip 0pt plus 1pt
+ \leftskip 30pt
+ \rightskip 0pt plus 2cm
+ \small
+ \def\@idxitem{\par}%
+ \let\item\@idxitem \ignorespaces}
+ \def\endtheindex{\onecolumn}
+\def\noindexing{\let\index=\@gobble}
+
+
+\newcommand\symarrow[1]{
+ \index{#1@\protect\texttt{#1} arrow tip}%
+ \index{Arrow tips!#1@\protect\texttt{#1}}
+ \texttt{#1}& yields thick
+ \begin{tikzpicture}[arrows={#1-#1},thick,baseline]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0pt,.5ex) -- (1cm,.5ex);
+ \end{tikzpicture} and thin
+ \begin{tikzpicture}[arrows={#1-#1},thin,baseline]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0pt,.5ex) -- (1cm,.5ex);
+ \end{tikzpicture}
+}
+
+\newcommand\sarrow[2]{
+ \index{#1@\protect\texttt{#1} arrow tip}%
+ \index{Arrow tips!#1@\protect\texttt{#1}}
+ \index{#2@\protect\texttt{#2} arrow tip}%
+ \index{Arrow tips!#2@\protect\texttt{#2}}
+ \texttt{#1-#2}& yields thick
+ \begin{tikzpicture}[arrows={#1-#2},thick,baseline]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0pt,.5ex) -- (1cm,.5ex);
+ \end{tikzpicture} and thin
+ \begin{tikzpicture}[arrows={#1-#2},thin,baseline]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0pt,.5ex) -- (1cm,.5ex);
+ \end{tikzpicture}
+}
+
+\newcommand\carrow[1]{
+ \index{#1@\protect\texttt{#1} arrow tip}%
+ \index{Arrow tips!#1@\protect\texttt{#1}}
+ \texttt{#1}& yields for line width 1ex
+ \begin{tikzpicture}[arrows={#1-#1},line width=1ex,baseline]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1.5cm,2ex);
+ \draw (0pt,.5ex) -- (1.5cm,.5ex);
+ \end{tikzpicture}
+}
+\def\myvbar{\char`\|}
+\newcommand\plotmarkentry[1]{%
+ \index{#1@\protect\texttt{#1} plot mark}%
+ \index{Plot marks!#1@\protect\texttt{#1}}
+ \texttt{\char`\\pgfuseplotmark\char`\{\declare{#1}\char`\}} &
+ \tikz\draw[color=black!25] plot[mark=#1,mark options={fill=examplefill,draw=black}] coordinates{(0,0) (.5,0.2) (1,0) (1.5,0.2)};\\
+}
+\newcommand\plotmarkentrytikz[1]{%
+ \index{#1@\protect\texttt{#1} plot mark}%
+ \index{Plot marks!#1@\protect\texttt{#1}}
+ \texttt{mark=\declare{#1}} & \tikz\draw[color=black!25]
+ plot[mark=#1,mark options={fill=examplefill,draw=black}]
+ coordinates {(0,0) (.5,0.2) (1,0) (1.5,0.2)};\\
+}
+
+
+
+\ifx\scantokens\@undefined
+ \PackageError{pgfmanual-macros}{You need to use extended latex
+ (elatex) or (pdfelatex) to process this document}{}
+\fi
+
+\begingroup
+\catcode`|=0
+\catcode`[= 1
+\catcode`]=2
+\catcode`\{=12
+\catcode `\}=12
+\catcode`\\=12 |gdef|find@example#1\end{codeexample}[|endofcodeexample[#1]]
+|endgroup
+
+\begingroup
+\catcode`\^=7
+\catcode`\^^M=13
+\catcode`\ =13%
+\gdef\returntospace{\catcode`\ =13\def {\space}\catcode`\^^M=13\def^^M{}}%
+\endgroup
+
+\begingroup
+\catcode`\%=13
+\catcode`\^^M=13
+\gdef\commenthandler{\catcode`\%=13\def%{\@gobble@till@return}}
+\gdef\@gobble@till@return#1^^M{}
+\gdef\typesetcomment{\catcode`\%=13\def%{\@typeset@till@return}}
+\gdef\@typeset@till@return#1^^M{{\def%{\char`\%}\textsl{\char`\%#1}}\par}
+\endgroup
+
+\define@key{codeexample}{width}{\setlength\codeexamplewidth{#1}}
+\define@key{codeexample}{graphic}{\colorlet{graphicbackground}{#1}}
+\define@key{codeexample}{code}{\colorlet{codebackground}{#1}}
+\define@key{codeexample}{execute code}{\csname code@execute#1\endcsname}
+\define@key{codeexample}{code only}[]{\code@executefalse}
+
+\newdimen\codeexamplewidth
+\newif\ifcode@execute
+\newbox\codeexamplebox
+\def\codeexample[#1]{%
+ \code@executetrue
+ \setlength\codeexamplewidth{4cm+7pt}
+ \setkeys{codeexample}{#1}%
+ \parindent0pt
+ \begingroup%
+ \par%
+ \medskip%
+ \let\do\@makeother%
+ \dospecials%
+ \obeylines%
+ \@vobeyspaces%
+ \catcode`\%=13%
+ \catcode`\^^M=13%
+ \find@example}
+\def\endofcodeexample#1{%
+ \endgroup%
+ \ifcode@execute%
+ \setbox\codeexamplebox=\hbox{%
+ {%
+ {%
+ \returntospace%
+ \commenthandler%
+ \xdef\code@temp{#1}% removes returns and comments
+ }%
+ \colorbox{graphicbackground}{\color{black}\ignorespaces%
+ \expandafter\scantokens\expandafter{\code@temp\ignorespaces}\ignorespaces}%
+ }%
+ }%
+ \ifdim\wd\codeexamplebox>\codeexamplewidth%
+ \def\code@start{\par}%
+ \def\code@flushstart{}\def\code@flushend{}%
+ \def\code@mid{\parskip2pt\par\noindent}%
+ \def\code@width{\linewidth-6pt}%
+ \def\code@end{}%
+ \else%
+ \def\code@start{%
+ \linewidth=\textwidth%
+ \parshape \@ne 0pt \linewidth
+ \leavevmode%
+ \hbox\bgroup}%
+ \def\code@flushstart{\hfill}%
+ \def\code@flushend{\hbox{}}%
+ \def\code@mid{\hskip6pt}%
+ \def\code@width{\linewidth-12pt-\codeexamplewidth}%
+ \def\code@end{\egroup}%
+ \fi%
+ \code@start%
+ \noindent%
+ \begin{minipage}[t]{\codeexamplewidth}\raggedright
+ \hrule width0pt%
+ \footnotesize\vskip-1em%
+ \code@flushstart\box\codeexamplebox\code@flushend%
+ \vskip-1ex
+ \leavevmode%
+ \end{minipage}%
+ \else%
+ \def\code@mid{\par}
+ \def\code@width{\linewidth-6pt}
+ \def\code@end{}
+ \fi%
+ \code@mid%
+ \colorbox{codebackground}{%
+ \begin{minipage}[t]{\code@width}%
+ {%
+ \let\do\@makeother
+ \dospecials
+ \frenchspacing\@vobeyspaces
+ \normalfont\ttfamily\footnotesize
+ \typesetcomment%
+ \@tempswafalse
+ \def\par{%
+ \if@tempswa
+ \leavevmode \null \@@par\penalty\interlinepenalty
+ \else
+ \@tempswatrue
+ \ifhmode\@@par\penalty\interlinepenalty\fi
+ \fi}%
+ \obeylines
+ \everypar \expandafter{\the\everypar \unpenalty}%
+ #1}
+ \end{minipage}}%
+ \code@end%
+ \par%
+ \medskip
+ \end{codeexample}
+}
+
+\def\endcodeexample{}
+
+
+\makeatother
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "beameruserguide"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-actions.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-actions.tex
new file mode 100644
index 00000000000..f0e0f45c061
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-actions.tex
@@ -0,0 +1,465 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Using Paths}
+
+\subsection{Overview}
+
+Once a path has been constructed, it can be \emph{used} in different
+ways. For example, you can draw the path or fill it or use it for
+clipping.
+
+Numerous graph parameters influence how a path will be rendered. For
+example, when you draw a path, the line width is important as well as
+the dashing pattern. The options that govern how paths are rendered
+can all be set with commands starting with |\pgfset|. \emph{All
+ options that influence how a path is rendered always influence the
+ complete path.} Thus, it is not possible to draw part of a path
+using, say, a red color and drawing another part using a green
+color. To achieve such an effect, you must use two paths.
+
+In detail, paths can be used in the following ways:
+
+\begin{enumerate}
+\item
+ You can \emph{stroke} (also known as \emph{draw}) a path.
+\item
+ You can \emph{fill} a path with a uniform color.
+\item
+ You can \emph{clip} subsequent renderings against the path.
+\item
+ You can \emph{shade} a path.
+\item
+ You can \emph{use the path as bounding box} for the whole picture.
+\end{enumerate}
+You can also perform any combination of the above, though it makes no
+sense to fill and shade a path at the same time.
+
+To perform (a combination of) the first three actions, you can use the
+following command:
+\begin{command}{\pgfusepath\marg{actions}}
+ Applies the given \meta{actions} to the current path. Afterwards,
+ the current path is (globally) empty. The following actions are
+ possible:
+ \begin{itemize}
+ \item \declare{|fill|}
+ fills the path. See Section~\ref{section-fill} for further details.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+ \item \declare{|stroke|}
+ strokes the path. See Section~\ref{section-stroke} for further details.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+ \item \declare{|clip|}
+ clips all subsequent drawings against the path. See
+ Section~\ref{section-clip} for further details.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke,clip}
+ \pgfpathcircle{\pgfpoint{1cm}{1cm}}{0.5cm}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+ \item \declare{|discard|}
+ discards the path, that is, it is not used at all. Giving this
+ option (alone) has the same effect as giving an empty options
+ list.
+ \end{itemize}
+ When more than one of the first three actions are given, they are
+ applied in the above ordering, regardless of their ordering in
+ \meta{actions}. Thus, |{stroke,fill}| and |{fill,stroke}| have the
+ same effect.
+\end{command}
+
+To shade a path, use the |\pgfshadepath| command, which is explained
+in Section~\ref{section-shadings}.
+
+
+
+\subsection{Stroking a Path}
+\label{section-stroke}
+
+When you use |\pgfusepath{stroke}| to stroke a path, several graphic
+parameters influence how the path is drawn. The commands for setting
+these parameters are explained in the following.
+
+Note that all graphic parameters apply to the path as a whole, never
+only to a part of it.
+
+All graphic parameters are local to the current |{pgfscope}|, but they
+persists past \TeX\ groups, \emph{except} for the interior rule
+(even-odd or nonzero) and the arrow tip kinds. The latter graphic
+parameters only persist till the end of the current \TeX\ group, but
+this may change in the future, so do not count on this.
+
+\subsubsection{Graphic Parameter: Line Width}
+
+\begin{command}{\pgfsetlinewidth\marg{line width}}
+ This command sets the line width for subsequent strokes (in the
+ current |pgfscope|). The line width is given as a normal \TeX\
+ dimension like |0.4pt| or |1mm|.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetlinewidth{1mm}
+ \pgfpathmoveto{\pgfpoint{0mm}{0mm}}
+ \pgfpathlineto{\pgfpoint{2cm}{0mm}}
+ \pgfusepath{stroke}
+ \pgfsetlinewidth{2\pgflinewidth} % double in size
+ \pgfpathmoveto{\pgfpoint{0mm}{5mm}}
+ \pgfpathlineto{\pgfpoint{2cm}{5mm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{textoken}{\pgflinewidth}
+ You can access the current line width via the \TeX\ dimension
+ |\pgflinewidth|. It will be set to the correct line width, that is,
+ even when a \TeX\ group closed, the value will be correct since it
+ is set globally, but when a |{pgfscope}| closes, the value is set to
+ the correct value it had before the scope.
+\end{textoken}
+
+
+\subsubsection{Graphic Parameter: Caps and Joins}
+
+\begin{command}{\pgfsetbuttcap}
+ Sets the line cap to a butt cap. See Section~\ref{section-cap-joins}
+ for an explanation of what this is.
+\end{command}
+\begin{command}{\pgfsetroundcap}
+ Sets the line cap to a round cap. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+\begin{command}{\pgfsetrectcap}
+ Sets the line cap to a square cap. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+\begin{command}{\pgfsetroundjoin}
+ Sets the line join to a round join. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+\begin{command}{\pgfsetbeveljoin}
+ Sets the line join to a bevel join. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+\begin{command}{\pgfsetmiterjoin}
+ Sets the line join to a miter join. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+\begin{command}{\pgfsetmiterlimit\marg{miter limit factor}}
+ Sets the miter limit to \meta{miter limit factor}. See again
+ Section~\ref{section-cap-joins}.
+\end{command}
+
+\subsubsection{Graphic Parameter: Dashing}
+
+\begin{command}{\pgfsetdash\marg{list of even length of dimensions}\marg{phase}}
+ Sets the dashing of a line. The first entry in the list specifies
+ the length of the first solid part of the list. The second entry
+ specifies the length of the following gap. Then comes the length of
+ the second solid part, following by the length of the second gap,
+ and so on. The \meta{phase} specifies where the first solid part
+ starts relative to the beginning of the line.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0cm}
+ \pgfpathmoveto{\pgfpoint{0mm}{0mm}}
+ \pgfpathlineto{\pgfpoint{2cm}{0mm}}
+ \pgfusepath{stroke}
+ \pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0.1cm}
+ \pgfpathmoveto{\pgfpoint{0mm}{1mm}}
+ \pgfpathlineto{\pgfpoint{2cm}{1mm}}
+ \pgfusepath{stroke}
+ \pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0.2cm}
+ \pgfpathmoveto{\pgfpoint{0mm}{2mm}}
+ \pgfpathlineto{\pgfpoint{2cm}{2mm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ Use |\pgfsetdash{}{0pt}| to get a solid dashing.
+\end{command}
+
+\subsubsection{Graphic Parameter: Stroke Color}
+
+\begin{command}{\pgfsetstrokecolor\marg{color}}
+ Sets the color used for stroking lines to \meta{color}, where
+ \meta{color} is a \LaTeX\ color like |red| or |black!20!red|. Unlike
+ the |\color| command, the effect of this command lasts till the end
+ of the current |{pgfscope}| and not till the end of the current
+ \TeX\ group.
+
+ The color used for stroking may be different from the color used for
+ filling. However, a |\color| command will always ``immediately
+ override'' any special settings for the stroke and fill colors.
+
+ In plain \TeX, this command will also work, but the problem of
+ \emph{defining} a color arises. After all, plain \TeX\ does not
+ provide \LaTeX\ colors. For this reason, \pgfname\ implements a
+ minimalistic ``emulation'' of the |\definecolor|, |\colorlet|, and
+ |\color| commands. Only gray-scale and rgb colors are supported. For
+ most cases this turns out to be enough.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetlinewidth{1pt}
+ \color{red}
+ \pgfpathcircle{\pgfpoint{0cm}{0cm}}{3mm} \pgfusepath{fill,stroke}
+ \pgfsetstrokecolor{black}
+ \pgfpathcircle{\pgfpoint{1cm}{0cm}}{3mm} \pgfusepath{fill,stroke}
+ \color{red}
+ \pgfpathcircle{\pgfpoint{2cm}{0cm}}{3mm} \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetcolor\marg{color}}
+ Sets both the stroke and fill color. The difference to the normal
+ |\color| command is that the effect lasts till the end of the
+ current |{pgfscope}|, not only till the end of the current \TeX\
+ group.
+\end{command}
+
+
+\subsubsection{Graphic Parameter: Stroke Opacity}
+
+\begin{command}{\pgfsetstrokeopacity\marg{value}}
+ Sets the opacity of stroking operations. The \meta{value} should be
+ a number between |0| and |1|, where |1| means ``fully opaque'' and
+ |0| means ``fully transparent.'' A value like |0.5| will cause paths
+ to be stroked in a semitransparent way.
+
+ \emph{Note:} For PostScript output, opacity is rendered correctly
+ only with the most recent versions of GhostScript. Printers and
+ other programs will ignore the opacity setting.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetlinewidth{5mm}
+ \color{red}
+ \pgfpathcircle{\pgfpoint{0cm}{0cm}}{10mm} \pgfusepath{stroke}
+ \color{black}
+ \pgfsetstrokeopacity{0.5}
+ \pgfpathcircle{\pgfpoint{1cm}{0cm}}{10mm} \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsubsection{Graphic Parameter: Arrows}
+
+After a path has been drawn, \pgfname\ can add arrow tips at the
+ends. Currently, it will only add arrows correctly at the end of paths
+that consist of a single open part. For other paths, like closed paths
+or path consisting of multiple parts, the result is not defined.
+
+\begin{command}{\pgfsetarrowsstart\marg{arrow kind}}
+ Sets the arrow tip kind used at the start of a (possibly curved)
+ path. When this option is used, the line will often be slightly
+ shortened to ensure that the tip of the arrow will exactly ``touch''
+ the ``real'' start of the line.
+
+ To ``clear'' the start arrow, say |\pgfsetarrowsstart{}|.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetarrowsstart{latex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke}
+ \pgfsetarrowsstart{to}
+ \pgfpathmoveto{\pgfpoint{0cm}{2mm}}
+ \pgfpathlineto{\pgfpoint{1cm}{2mm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ The effect of this command persists only till the end of the current
+ \TeX\ scope.
+
+ The different possible arrow kinds are explained in
+ Section~\ref{section-arrows}.
+\end{command}
+
+\begin{command}{\pgfsetarrowsend\marg{arrow kind}}
+ Sets the arrow tip kind used at the end of a path.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetarrowsstart{latex}
+ \pgfsetarrowsend{to}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetarrows{\texttt{\char`\{}}\meta{start kind}|-|\meta{end kind}{\texttt{\char`\}}}}
+ Sets the start arrow kind to \meta{start kind} and the end kind to
+ \meta{end kind}.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetarrows{latex-to}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetshortenstart\marg{dimension}}
+ This command will shortened the start of every stroked path by the
+ given dimension. This shortening is done in addition to automatic
+ shortening done by a start arrow, but it can be used even if no
+ start arrow is given.
+
+ This command is useful if you wish arrows or lines to ``stop shortly
+ before'' a given point.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathcircle{\pgfpointorigin}{5mm}
+ \pgfusepath{stroke}
+ \pgfsetarrows{latex-}
+ \pgfsetshortenstart{4pt}
+ \pgfpathmoveto{\pgfpoint{5mm}{0cm}} % would be on the circle
+ \pgfpathlineto{\pgfpoint{2cm}{0cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetshortenend\marg{dimension}}
+ Works like |\pgfsetshortenstart|.
+\end{command}
+
+
+
+\subsection{Filling a Path}
+\label{section-fill}
+
+Filling a path means coloring every interior point of the path with
+the current fill color. It is not always obvious whether a point is
+``inside'' a path when the path is self-intersecting and/or consists
+or multiple parts. In this case either the nonzero winding number rule
+or the even-odd crossing number rule is used to decide, which points
+lie ``inside.'' These rules are explained in
+Section~\ref{section-rules}.
+
+\subsubsection{Graphic Parameter: Interior Rule}
+
+You can set which rule is used using the following commands:
+
+\begin{command}{\pgfseteorule}
+ Dictates that the even-odd rule is used in subsequent fillings in
+ the current \emph{\TeX\ scope}. Thus, for once, the effect of this
+ command does not persist past the current \TeX\ scope.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfseteorule
+ \pgfpathcircle{\pgfpoint{0mm}{0cm}}{7mm}
+ \pgfpathcircle{\pgfpoint{5mm}{0cm}}{7mm}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetnonzerorule}
+ Dictates that the nonzero winding number rule is used in subsequent
+ fillings in the current \TeX\ scope. This is the default.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetnonzerorule
+ \pgfpathcircle{\pgfpoint{0mm}{0cm}}{7mm}
+ \pgfpathcircle{\pgfpoint{5mm}{0cm}}{7mm}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\subsubsection{Graphic Parameter: Filling Color}
+
+\begin{command}{\pgfsetfillcolor\marg{color}}
+ Sets the color used for filling paths to \meta{color}. Like the
+ stroke color, the effect lasts only till the next use of |\color|.
+\end{command}
+
+
+\subsubsection{Graphic Parameter: Fill Opacity}
+
+\begin{command}{\pgfsetfillopacity\marg{value}}
+ Sets the opacity of filling operations. As for stroking, the
+ \meta{value} should be a number between |0| and~|1|.
+
+ The ``filling transparency'' will also be used for text and images.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \pgfsetfillopacity{0.5}
+ \fill[red] (90:1cm) circle (11mm);
+ \fill[green] (210:1cm) circle (11mm);
+ \fill[blue] (-30:1cm) circle (11mm);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\subsection{Clipping a Path}
+\label{section-clip}
+
+When you add the |clip| option, the current path is used for
+clipping subsequent drawings. The same rule as for filling is used to
+decide whether a point is inside or outside the path, that is, either
+the even-odd rule or the nonzero rule.
+
+Clipping never enlarges the clipping area. Thus, when you clip against
+a certain path and then clip again against another path, you clip
+against the intersection of both.
+
+The only way to enlarge the clipping path is to end the |{pgfscope}|
+in which the clipping was done. At the end of a |{pgfscope}| the
+clipping path that was in force at the beginning of the scope is
+reinstalled.
+
+\subsection{Using a Path as a Bounding Box}
+\label{section-using-bb}
+
+When you add the |use as bounding box| option, the bounding box of the
+picture will be enlarged such that the path in encompassed, but any
+\emph{subsequent} paths of the current \TeX\ scope will not have any
+effect on the size of the bounding box. Typically, you use this
+command at the very beginning of a |{pgfpicture}| environment.
+
+\begin{codeexample}[]
+Left
+\begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{use as bounding box} % draws nothing
+
+ \pgfpathcircle{\pgfpointorigin}{2ex}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+right.
+\end{codeexample}
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-arrows.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-arrows.tex
new file mode 100644
index 00000000000..078a929d4e3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-arrows.tex
@@ -0,0 +1,677 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Arrow Tips}
+\label{section-arrows}
+
+
+\subsection{Overview}
+
+\subsubsection{When Does PGF Draw Arrow Tips?}
+
+\pgfname\ offers an interface for placing \emph{arrow tips} at the end
+of lines. The interface works as follows:
+
+\begin{enumerate}
+\item
+ You (or someone else) assigns a name to a certain kind of arrow
+ tips. For example, the
+ arrow tip |latex| is the arrow tip used by the standard \LaTeX\
+ picture environment; the arrow tip |to| looks like the tip of the
+ arrow in \TeX's |\to| command; and so on.
+
+ This is done once at the beginning of the document.
+\item
+ Inside some picture, at some point you specify that in the current
+ scope from now on you would like tips of, say, kind |to| to be added
+ at the end and/or beginning of all paths.
+
+ When an arrow kind has been installed and when \pgfname\ is about to
+ stroke a path, the following things happen:
+ \begin{enumerate}
+ \item
+ The beginning and/or end of the path is shortened appropriately.
+ \item
+ The path is stroked.
+ \item
+ The arrow tip is drawn at the beginning and/or end of the path,
+ appropriately rotated and appropriately resized.
+ \end{enumerate}
+\end{enumerate}
+
+In the above description, there are a number of ``appropriately.''
+The exact details are not quite trivial and described later on.
+
+\subsubsection{Meta-Arrow Tips}
+
+In \pgfname, arrows are ``meta-arrows'' in the same way that fonts in
+\TeX\ are ``meta-fonts.'' When a meta-arrow is resized, it is not
+simply scaled, but a possibly complicated transformation is applied to
+the size.
+
+A meta-font is not one particular font at a specific size with a
+specific stroke width (and with a large number of other parameters
+being fixed). Rather, it is a ``blueprint'' (actually, more like a
+program) for generating such a font at a particular size and
+width. This allows the designer of a meta-font to make sure that, say,
+the font is somewhat thicker and wider at very small sizes. To
+appreciate the difference: Compare the following texts: ``Berlin'' and
+``\tikz{\node [scale=2,inner sep=0pt,outer sep=0pt]{\tiny
+ Berlin};}''. The first is a ``normal'' text, the second is the tiny
+version scaled by a factor of two. Obviously, the first look
+better. Now, compare ``\tikz{\node [scale=.5,inner sep=0pt,outer
+ sep=0pt]{Berlin};}'' and ``{\tiny Berlin}''. This time, the normal
+text was scaled down, while the second text is a ``normal'' tiny
+text. The second text is easier to read.
+
+\pgfname's meta-arrows work in a similar fashion: The shape of an
+arrow tip can vary according to the line width of the arrow tip is
+used. Thus, an arrow tip drawn at a line width of 5pt will typically
+\emph{not} be five times as large as an arrow tip of line width
+1pt. Instead, the size of the arrow will get bigger only slowly as the
+line width increases.
+
+To appreciate the difference, here are the |latex| and |to| arrows, as
+drawn by \pgfname\ at four different sizes:
+
+\medskip
+\begin{tikzpicture}
+ \draw[-latex,line width=0.1pt] (0pt,0ex) -- +(3,0) node[thin,right] {line width is 0.1pt};
+ \draw[-latex,line width=0.4pt] (0pt,-2em) -- +(3,0) node[thin,right] {line width is 0.4pt};
+ \draw[-latex,line width=1.2pt] (0pt,-4em) -- +(3,0) node[thin,right] {line width is 1.2pt};
+ \draw[-latex,line width=5pt] (0pt,-6em) -- +(3,0) node[thin,right] {line width is 5pt};
+
+ \draw[-to,line width=0.1pt] (6cm,0ex) -- +(3,0) node[thin,right] {line width is 0.1pt};
+ \draw[-to,line width=0.4pt] (6cm,-2em) -- +(3,0) node[thin,right] {line width is 0.4pt};
+ \draw[-to,line width=1.2pt] (6cm,-4em) -- +(3,0) node[thin,right] {line width is 1.2pt};
+ \draw[-to,line width=5pt] (6cm,-6em) -- +(3,0) node[thin,right] {line width is 5pt};
+\end{tikzpicture}
+
+\medskip
+Here, by comparison, is the same arrow when it is simply ``resized''
+(as done by most programs):
+
+\pgfarrowsdeclare{bad latex}{bad latex}
+{
+ \pgfarrowsleftextend{-1\pgflinewidth}
+ \pgfarrowsrightextend{9\pgflinewidth}
+}
+{
+ \pgfpathmoveto{\pgfpoint{9\pgflinewidth}{0pt}}
+ \pgfpathcurveto
+ {\pgfpoint{6.3333\pgflinewidth}{.5\pgflinewidth}}
+ {\pgfpoint{2\pgflinewidth}{2\pgflinewidth}}
+ {\pgfpoint{-1\pgflinewidth}{3.75\pgflinewidth}}
+ \pgfpathlineto{\pgfpoint{-1\pgflinewidth}{-3.75\pgflinewidth}}
+ \pgfpathcurveto
+ {\pgfpoint{2\pgflinewidth}{-2\pgflinewidth}}
+ {\pgfpoint{6.3333\pgflinewidth}{-.5\pgflinewidth}}
+ {\pgfpoint{9\pgflinewidth}{0pt}}
+ \pgfusepathqfill
+}
+
+\pgfarrowsdeclare{bad to}{bad to}
+{
+ \pgfarrowsleftextend{-2\pgflinewidth}
+ \pgfarrowsrightextend{\pgflinewidth}
+}
+{
+ \pgfsetlinewidth{0.8\pgflinewidth}
+ \pgfsetdash{}{0pt}
+ \pgfsetroundcap
+ \pgfsetroundjoin
+ \pgfpathmoveto{\pgfpoint{-3\pgflinewidth}{4\pgflinewidth}}
+ \pgfpathcurveto
+ {\pgfpoint{-2.75\pgflinewidth}{2.5\pgflinewidth}}
+ {\pgfpoint{0pt}{0.25\pgflinewidth}}
+ {\pgfpoint{0.75\pgflinewidth}{0pt}}
+ \pgfpathcurveto
+ {\pgfpoint{0pt}{-0.25\pgflinewidth}}
+ {\pgfpoint{-2.75\pgflinewidth}{-2.5\pgflinewidth}}
+ {\pgfpoint{-3\pgflinewidth}{-4\pgflinewidth}}
+ \pgfusepathqstroke
+}
+
+\medskip
+\begin{tikzpicture}
+ \draw[-bad latex,line width=0.1pt] (0pt,0ex) -- +(3,0) node[thin,right] {line width is 0.1pt};
+ \draw[-bad latex,line width=0.4pt] (0pt,-2em) -- +(3,0) node[thin,right] {line width is 0.4pt};
+ \draw[-bad latex,line width=1.2pt] (0pt,-4em) -- +(3,0) node[thin,right] {line width is 1.2pt};
+ \draw[-bad latex,line width=5pt] (0pt,-6em) -- +(3,0) node[thin,right] {line width is 5pt};
+
+ \draw[-bad to,line width=0.1pt] (6cm,0ex) -- +(3,0) node[thin,right] {line width is 0.1pt};
+ \draw[-bad to,line width=0.4pt] (6cm,-2em) -- +(3,0) node[thin,right] {line width is 0.4pt};
+ \draw[-bad to,line width=1.2pt] (6cm,-4em) -- +(3,0) node[thin,right] {line width is 1.2pt};
+ \draw[-bad to,line width=5pt] (6cm,-6em) -- +(3,0) node[thin,right] {line width is 5pt};
+\end{tikzpicture}
+
+\bigskip
+As can be seen, simple scaling produces arrow tips that are way too
+large at larger sizes and way too small at smaller sizes.
+
+
+
+\subsection{Declaring an Arrow Tip Kind}
+
+To declare an arrow kind ``from scratch,'' the following command is
+used:
+
+\begin{command}{\pgfarrowsdeclare\marg{start name}\marg{end
+ name}\marg{extend code}\marg{arrow tip code}}
+ This command declares a new arrow kind. An arrow kind has two names,
+ which will typically be the same. When the arrow tip needs to be
+ drawn, the \meta{arrow tip code} will be invoked, but the canvas
+ transformation is setup beforehand to a rotation such that when an
+ arrow tip pointing right is specified, the arrow tip that is
+ actually drawn points in the direction of the line.
+
+ \medskip
+ \textbf{Naming the arrow kind.}
+ The \meta{start name} is the name
+ used for the arrow tip when it is at the start of a path, the \meta{end
+ name} is the name used at the end of a path. For example, the
+ arrow kind that looks like a parenthesis has the \meta{start
+ name} |(| and the \meta{end name} |)| so that you can say
+ |\pgfsetarrows{(-)}| to specify that you want parenthesis arrows and
+ both ends.
+
+ The \meta{end name} and \meta{start name} can be quite arbitrary and
+ may contain spaces.
+
+ \medskip
+ \textbf{Basics of the arrow tip code.}
+ Let us next have a look at the \meta{arrow tip code}. This code will
+ be used to draw the arrow tip when \pgfname\ thinks this is
+ necessary. The code should draw an arrow that ``points right,''
+ which means that is should draw an arrow at the end of a line coming
+ from the left and ending at the origin.
+
+ As an example, suppose we wanted to declare an arrow tip consisting
+ of two arcs, that is, we want the arrow tip to look more or less
+ like the red part of the following picture:
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=3pt]
+ \draw (-2,0) -- (0,0);
+ \draw[red,join=round,cap=round]
+ (-10pt,10pt) arc (180:270:10pt) arc (90:180:10pt);
+\end{tikzpicture}
+\end{codeexample}
+
+ We could use the following as \meta{arrow tip code} for this:
+\begin{codeexample}[code only]
+\pgfarrowsdeclare{arcs}{arcs}{...}
+{
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-10pt}{10pt}}
+ \pgfpatharc{180}{270}{10pt}
+ \pgfpatharc{90}{180}{10pt}
+ \pgfusepathqstroke
+}
+\end{codeexample}
+
+ Indeed, when the |...| is set appropriately (in a moment), we can
+ write the following:
+\pgfarrowsdeclare{arcs}{arcs}{\pgfarrowsleftextend{0pt}\pgfarrowsrightextend{0pt}}
+{
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-10pt}{10pt}}
+ \pgfpatharc{180}{270}{10pt}
+ \pgfpatharc{90}{180}{10pt}
+ \pgfusepathqstroke
+}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[-arcs,line width=3pt] (-2,0) -- (0,0);
+ \draw[arcs-arcs,line width=1pt] (-2,-1.5) -- (0,-1);
+ \useasboundingbox (-2,-2) rectangle (0,0.75);
+\end{tikzpicture}
+\end{codeexample}
+
+ As can be seen in the second example, the arrow tip is automatically
+ rotated as needed when the arrow is drawn. This is achieved by a
+ canvas rotation.
+
+ \medskip
+ \textbf{Special considerations about the arrow tip code.}
+ There are several things you need to be aware of when designing
+ arrow tip code:
+ \begin{itemize}
+ \item
+ Inside the code, you may not use the |\pgfusepath|
+ command. The reason is that this command internally calls arrow
+ construction commands, which is something you obviously do not want
+ to happen.
+
+ Instead of |\pgfusepath|, use the quick versions. Typically, you
+ will use |\pgfusepathqstroke|, |\pgfusepathqfill|, or
+ |\pgfusepathqfillstroke|.
+ \item
+ The code will be executed only once, namely the first time the
+ arrow tip needs to be drawn. The resulting low-level driver
+ commands are protocoled and stored away. In all subsequent
+ uses of the arrow tip, the protocoled code is directly inserted.
+ \item
+ However, the code will be executed anew for each line width. Thus,
+ an arrow of line width 2pt may result in a different protocol than
+ the same arrow for a line width of 0.4pt.
+ \item
+ If you stroke the path that you construct, you should first set
+ the dashing to solid and setup fixed joins and caps, as
+ needed. This will ensure that the arrow tip will always look the
+ same.
+ \item
+ When the arrow tip code is executed, it is automatically put
+ inside a low-level scope, so nothing will ``leak out'' from the
+ scope.
+ \item
+ The high-level coordinate transformation matrix will be set to the
+ identity matrix when the code is executed for the first time.
+ \end{itemize}
+
+ \medskip
+ \textbf{Designing meta-arrows.}
+ The \meta{arrow tip code} should adjust the size of the arrow in
+ accordance with the line width. For a small line width, the arrow
+ tip should be small, for a large line width, it should be
+ larger. However, the size of the arrow typically \emph{should not}
+ grow in direct proportion to the line width. On the other hand, the
+ size of the arrow head typically \emph{should} grow ``a bit'' with
+ the line width.
+
+ For these reasons, \pgfname\ will not simply executed your arrow
+ code within a scaled scope, where the scaling depends on the line
+ width. Instead, your \meta{arrow tip code} is reexecuted again for
+ each different line width.
+
+ In our example, we could use the following code for the new arrow
+ tip kind |arc'| (note the prime):
+\begin{codeexample}[code only]
+\newdimen\arrowsize
+\pgfarrowsdeclare{arcs'}{arcs'}{...}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}
+ \pgfpatharc{180}{270}{4\arrowsize}
+ \pgfpatharc{90}{180}{4\arrowsize}
+ \pgfusepathqstroke
+}
+\end{codeexample}
+\newdimen\arrowsize
+\pgfarrowsdeclare{arcs'}{arcs'}{\pgfarrowsleftextend{0pt}\pgfarrowsrightextend{0pt}}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}
+ \pgfpatharc{180}{270}{4\arrowsize}
+ \pgfusepathqstroke
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpatharc{90}{180}{4\arrowsize}
+ \pgfusepathqstroke
+}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[-arcs',line width=3pt] (-2,0) -- (0,0);
+ \draw[arcs'-arcs',line width=1pt] (-2,-1.5) -- (0,-1);
+ \useasboundingbox (-2,-1.75) rectangle (0,0.5);
+\end{tikzpicture}
+\end{codeexample}
+
+ However, sometimes, it can also be useful to have arrows that do not
+ resize at all when the line width changes. This can be achieved by
+ giving absolute size coordinates in the code, as done for |arc|. On
+ the other hand, you can also have the arrow resize linearly with the
+ line width by specifying all coordinates as multiples of
+ |\pgflinewidth|.
+
+ \textbf{The left and right extend.}
+ Let us have another look at the exact left and right ``ends'' of our
+ arrow tip. Let us draw the arrow tip |arc'| at a very large size:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (-2,-1) grid (1,1);
+ \draw[line width=10pt,-arcs'] (-2,0) -- (0,0);
+ \draw[line width=2pt,white] (-2,0) -- (0,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ As one can see, the arrow tip does not ``touch'' the origin as it
+ should, but protrudes a little over the origin. One remedy to this
+ undesirable effect is to change the code of the arrow tip such that
+ everything is shifted half an |\arrowsize| to the left. While this
+ will cause the arrow tip to touch the origin, the line itself will
+ then interfere with the arrow: The arrow tip will be partly
+ ``hidden'' by the line itself.
+
+ \pgfname\ uses a different approach to solving the problem: The
+ \meta{extend code} argument can be used to ``tell'' \pgfname\ how
+ much the arrow protrudes over the origin. The argument is also used
+ to tell \pgfname\ where the ``left'' end of the arrow is. However,
+ this number is important only when the arrow is being reversed or
+ composed with other arrow tips.
+
+ Once \pgfname\ knows the right extend of an arrow kind, it can
+ \emph{shorten} lines by this amount when drawing arrows.
+
+ Here is a picture that shows what the visualizes the extends. The
+ arrow tip itself is shown in red once more:
+
+ \medskip
+ \begin{tikzpicture}
+ \draw[line width=1cm,-arcs',red] (-6,0) -- (0,0);
+ \draw[line width=1cm,black] (-6,0) -- (0,0);
+ \draw[help lines] (-6,0) -- (2,0) (0,-3) -- (0,3) coordinate (a);
+ \draw[help lines,xshift=0.5cm] (0,-3) -- (0,3) coordinate (b);
+ \draw[help lines,xshift=-2.5cm-0.8pt] (0,-3) -- (0,3) coordinate (c);
+
+ \coordinate (xline 1) at (0,1.5);
+ \coordinate (xline 2) at (0,2.8);
+
+ \draw[|->|] (xline 1 -| a) -- node[above=2pt] {right extend} (xline 1 -| b);
+ \draw[|<-|] (xline 2 -| c) -- node[above=2pt] {left extend} (xline 2 -| a);
+
+ \draw (0,0) -- (1,-1) node[below right] {origin};
+ \end{tikzpicture}
+
+
+ The \meta{extend code} is normal \TeX\ code that is executed
+ whenever \pgfname\ wants to know how far the arrow tip will protrude
+ to the right and left. The code should call the following two
+ commands: \declare{|\pgfarrowsrightextend|} and
+ \declare{|\pgfarrowsleftextend|}. Both arguments take one argument
+ that specifies the size. Here is the final code for the |arc''| arrow
+ tip:
+\begin{codeexample}[]
+\pgfarrowsdeclare{arcs''}{arcs''}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfarrowsleftextend{-4\arrowsize-.5\pgflinewidth}
+ \pgfarrowsrightextend{.5\pgflinewidth}
+}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}
+ \pgfpatharc{180}{270}{4\arrowsize}
+ \pgfusepathqstroke
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpatharc{90}{180}{4\arrowsize}
+ \pgfusepathqstroke
+}
+\begin{tikzpicture}
+ \draw[help lines] (-2,-1) grid (1,1);
+ \draw[line width=10pt,-arcs''] (-2,0) -- (0,0);
+ \draw[line width=2pt,white] (-2,0) -- (0,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\pgfarrowsdeclare{arcs''}{arcs''}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfarrowsleftextend{-4\arrowsize-.5\pgflinewidth}
+ \pgfarrowsrightextend{.5\pgflinewidth}
+}
+{
+ \arrowsize=0.2pt
+ \advance\arrowsize by .5\pgflinewidth
+ \pgfsetdash{}{0pt} % do not dash
+ \pgfsetroundjoin % fix join
+ \pgfsetroundcap % fix cap
+ \pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}
+ \pgfpatharc{180}{270}{4\arrowsize}
+ \pgfusepathqstroke
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpatharc{90}{180}{4\arrowsize}
+ \pgfusepathqstroke
+}
+
+
+\subsection{Declaring a Derived Arrow Tip Kind}
+
+It is possible to declare arrow kinds in terms of existing ones. For
+these command to work correctly, the left and right extends must be
+set correctly.
+
+\begin{command}{\pgfarrowsdeclarealias\marg{start name}\marg{end
+ name}\marg{old start name}\marg{old end name}}
+ This command can be used to create an alias (another name) for an
+ existing arrow kind.
+
+\begin{codeexample}[]
+\pgfarrowsdeclarealias{<}{>}{arcs''}{arcs''}%
+\begin{tikzpicture}
+ \pgfsetarrows{<->}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfarrowsdeclarereversed\marg{start name}\marg{end
+ name}\marg{old start name}\marg{old end name}}
+ This command creates a new arrow kind that is the ``reverse'' of an
+ existing arrow kind. The (automatically cerated) code of the new
+ arrow kind will contain a flip of the canvas and the meanings of the
+ left and right extend will be reversed.
+
+\begin{codeexample}[]
+\pgfarrowsdeclarereversed{arcs reversed}{arcs reversed}{arcs''}{arcs''}%
+\begin{tikzpicture}
+ \pgfsetarrows{arcs reversed-arcs reversed}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+
+\begin{command}{\pgfarrowsdeclarecombine\opt{|*|}\opt{\oarg{offset}}\marg{start
+ name}\marg{end name}\marg{first start name}\marg{first end
+ name}\penalty0\marg{second start name}\marg{second end name}}
+ This command creates a new arrow kind that combines two existing
+ arrow kinds. The first arrow kind is the ``innermost'' arrow kind,
+ the second arrow kind is the ``outermost.''
+
+ The code for the combined arrow kind will install a canvas
+ translation before the innermost arrow kind in drawn. This
+ translation is calculated such that the right tip of the innermost
+ arrow touches the right end of the outermost arrow. The optional
+ \meta{offset} can be used to increase (or decrease) the distance
+ between the inner and outermost arrow.
+
+\begin{codeexample}[]
+\pgfarrowsdeclarecombine[\pgflinewidth]
+ {combined}{combined}{arcs''}{arcs''}{latex}{latex}%
+\begin{tikzpicture}
+ \pgfsetarrows{combined-combined}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+
+ In the star variant, the end of the line is not in the outermost
+ arrow, but inside the innermost arrow.
+
+\begin{codeexample}[]
+\pgfarrowsdeclarecombine*[\pgflinewidth]
+ {combined'}{combined'}{arcs''}{arcs''}{latex}{latex}%
+\begin{tikzpicture}
+ \pgfsetarrows{combined'-combined'}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfarrowsdeclaredouble\opt{\oarg{offset}}\marg{start
+ name}\marg{end name}\marg{old start name}\marg{old end
+ name}}
+ This command is a shortcut for combining an arrow kind with itself.
+
+\begin{codeexample}[]
+\pgfarrowsdeclaredouble{<<}{>>}{arcs''}{arcs''}%
+\begin{tikzpicture}
+ \pgfsetarrows{<<->>}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfarrowsdeclaretriple\opt{\oarg{offset}}\marg{start
+ name}\marg{end name}\marg{old start name}\marg{old end
+ name}}
+ This command is a shortcut for combining an arrow kind with itself
+ and then again.
+
+\begin{codeexample}[]
+\pgfarrowsdeclaretriple{<<<}{>>>}{arcs''}{arcs''}%
+\begin{tikzpicture}
+ \pgfsetarrows{<<<->>>}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+
+
+
+\subsection{Using an Arrow Tip Kind}
+
+The following commands install the arrow kind that will be used when
+stroking is done.
+
+\begin{command}{\pgfsetarrowsstart\marg{start arrow kind}}
+ Installs the given \meta{start arrow kind} for all subsequent
+ strokes in the in the current \TeX-group. If \meta{start arrow kind}
+ is empty, no arrow tips will be drawn at the start of the last
+ segment of paths.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \pgfsetarrowsstart{latex}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetarrowsend\marg{start arrow kind}}
+ Like |\pgfsetarrowsstart|, only for the end of the arrow.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \pgfsetarrowsend{latex}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\emph{Warning:} If the compatibility mode is active (which is the
+default), there also exist old commands called |\pgfsetstartarrow| and
+|\pgfsetendarrow|, which are incompatible with the meta-arrow
+management.
+
+
+\begin{command}{\pgfsetarrows\texttt{\char`\{}\meta{start kind}|-|\meta{end kind}\texttt{\char`\}}}
+ Calls |\pgfsetarrowsstart| for \meta{start kind} and
+ |\pgfsetarrowsend| for \meta{end kind}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \pgfsetarrows{latex-to}
+ \pgfsetlinewidth{1ex}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3.5cm}{2cm}}
+ \pgfusepath{stroke}
+ \useasboundingbox (-0.25,-0.25) rectangle (3.75,2.25);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsection{Predefined Arrow Tip Kinds}
+
+\label{standard-arrows}
+
+The following arrow tip kinds are always defined:
+
+{
+\bigskip
+\catcode`\|=12
+\begin{tabular}{ll}
+ \sarrow{stealth}{stealth} \\
+ \sarrow{stealth reversed}{stealth reversed} \\
+ \sarrow{to}{to} \\
+ \sarrow{to reversed}{to reversed} \\
+ \sarrow{latex}{latex} \\
+ \sarrow{latex reversed}{latex reversed} \\
+ \index{*vbar@\protect\texttt{\protect\myvbar} arrow tip}%
+ \index{Arrow tips!*vbar@\protect\texttt{\protect\myvbar}}
+ \texttt{|-|}& yields thick
+ \begin{tikzpicture}[arrows={|-|},thick]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0,0) -- (1,0);
+ \end{tikzpicture} and thin
+ \begin{tikzpicture}[arrows={|-|},thin]
+ \useasboundingbox (0pt,-0.5ex) rectangle (1cm,2ex);
+ \draw (0,0) -- (1,0);
+ \end{tikzpicture}
+\end{tabular}
+}
+
+For further arrow tips, see page~\pageref{section-library-arrows}.
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-design.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-design.tex
new file mode 100644
index 00000000000..1318c780235
--- /dev/null
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+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Design Principles}
+
+This section describes the basic layer of \pgfname. This layer is
+build on top of the system layer. Whereas the system layer just
+provides the absolute minimum for drawing graphics, the basic
+layer provides numerous commands that make it possible to create
+sophisticated graphics easily and also quickly.
+
+The basic layer does not provide a convenient syntax for describing
+graphics, which is left to frontends like \tikzname. For this reason, the
+basic layer is typically used only by ``other programs.'' For example,
+the \textsc{beamer} package uses the basic layer extensively, but does
+not need a convenient input syntax. Rather, speed and flexibility are
+needed when \textsc{beamer} creates graphics.
+
+The following basic design principles underlie the basic layer:
+\begin{enumerate}
+\item Structuring into a core and several optional packages.
+\item Consistently named \TeX\ macros for all graphics commands.
+\item Path-centered description of graphics.
+\item Coordinate transformation system.
+\end{enumerate}
+
+
+
+\subsection{Core and Optional Packages}
+
+The basic layer consists of a \emph{core package}, called |pgfcore|,
+which provides the most basic commands, and several optional package
+like |pgfbaseshade| that offer more special-purpose commands.
+
+You can include the core by saying |\usepackage{pgfcore}| or, as a
+plain \TeX\ user, |\input pgfcore.tex|.
+
+The following optional packages are provided by the basic layer:
+\begin{itemize}
+\item
+ |pgfbaseplot| provides commands for plotting functions.
+\item
+ |pgfbaseshapes| provides commands for drawing shapes and
+ nodes.
+\item
+ |pgfbaseimage| provides commands for including external
+ images. The |graphicx| package does a much better job at this than
+ the |pgfbaseimage| package does, so you should normally use
+ |\includegraphics| and not |\pgfimage|. However, in some situations
+ (like when masking is needed or when plain \TeX\ is used) this
+ package is needed.
+\item
+ |pgfbaselayers| provides commands for creating layered
+ graphics. Using layers you can later on say that a certain path
+ should be behind a path that was specified earlier.
+\item
+ |pgfbasesnakes| provides commands for adding snaked lines to the
+ path. Such lines are not straight but rather wind in some specific
+ fashion.
+\end{itemize}
+
+If you say |\usepackage{pgf}| or |\input pgf.tex|, all of the optional
+packages are loaded (as well as the core and the system layer).
+
+
+\subsection{Communicating with the Basic Layer via Macros}
+
+In order to ``communicate'' with the basic layer you use long
+sequences of commands that start with |\pgf|. You are only allowed to
+give these commands inside a |{pgfpicture}| environment. (Note that
+|{tikzpicture}| opens a |{pgfpicture}| internally, so you can freely
+mix \pgfname\ commands and \tikzname\ commands inside a
+|{tikzpicture}|.) It is possible to ``do other things'' between the
+commands. For example, you might use one command to move to a certain
+point, then have a complicated computation of the next point, and then
+move there.
+
+\begin{codeexample}[]
+\newdimen\myypos
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpoint{0cm}{\myypos}}
+ \pgfpathlineto{\pgfpoint{1cm}{\myypos}}
+ \advance \myypos by 1cm
+ \pgfpathlineto{\pgfpoint{1cm}{\myypos}}
+ \pgfpathclose
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+The following naming conventions are used in the basic layer:
+
+\begin{enumerate}
+\item
+ All commands and environments start with |pgf|.
+\item
+ All commands that specify a point (a coordinate) start with |\pgfpoint|.
+\item
+ All commands that extend the current path start with |\pgfpath|.
+\item
+ All commands that set/change a graphics parameter start with |\pgfset|.
+\item
+ All commands that use a previously declared object (like a path,
+ image or shading) start with |\pgfuse|.
+\item
+ All commands having to do with coordinate transformations start with
+ |\pgftransform|.
+\item
+ All commands having to do with arrow tips start with |\pgfarrows|.
+\item
+ All commands for ``quickly'' extending or drawing a path start with
+ |\pgfpathq| or |\pgfusepathq|.
+\end{enumerate}
+
+
+\subsection{Path-Centered Approach}
+
+In \pgfname\ the most important entity is the \emph{path}. All
+graphics are composed of numerous paths that can be stroked,
+filled, shaded, or clipped against. Paths can be closed or open, they
+can self-intersect and consist of unconnected parts.
+
+Paths are first \emph{constructed} and then \emph{used}. In order to
+construct a path, you can use commands starting with |\pgfpath|. Each
+time such a command is called, the current path is extended in some
+way.
+
+Once a path has been completely constructed, you can use it using the
+command |\pgfusepath|. Depending on the parameters given to this
+command, the path will be stroked (drawn) or filled or subsequent
+drawings will be clipped against this path.
+
+
+
+
+\subsection{Coordinate Versus Canvas Transformations}
+
+\label{section-design-transformations}
+
+\pgfname\ provides two transformation systems: \pgfname's own
+\emph{coordinate} transformation matrix and \pdf's or PostScript's
+\emph{canvas} transformation matrix. These two systems are quite
+different. Whereas a scaling by a factor of, say, $2$ of the canvas
+causes \emph{everything} to be scaled by this factor (including
+the thickness of lines and text), a scaling of two in the coordinate
+system causes only the \emph{coordinates} to be scaled, but not the
+line width nor text.
+
+By default, all transformations only apply to the coordinate
+transformation system. However, using the command |\pgflowlevel|
+it is possible to apply a transformation to the canvas.
+
+Coordinate transformations are often preferable over canvas
+transformations. Text and lines that are transformed using canvas
+transformations suffer from differing sizes and lines whose thickness
+differs depending on whether the line is horizontal or vertical. To
+appreciate the difference, consider the following two ``circles'' both
+of which have been scaled in the $x$-direction by a factor of $3$ and
+by a factor of $0.5$ in the $y$-direction. The left circle uses a
+canvas transformation, the right uses \pgfname's coordinate
+transformation (some viewers will render the left graphic incorrectly
+since they do no apply the low-level transformation the way they
+should):
+
+\begin{tikzpicture}[line width=5pt]
+ \useasboundingbox (-1.75,-1) rectangle (14,1);
+
+ \begin{scope}
+ \pgflowlevel{\pgftransformxscale{3}}
+ \pgflowlevel{\pgftransformyscale{.5}}
+
+ \draw (0,0) circle (0.5cm);
+ \draw (.55cm,0pt) node[right] {canvas};
+ \end{scope}
+ \begin{scope}[xshift=9cm,xscale=3,yscale=.5]
+ \draw (0,0) circle (0.5cm);
+ \draw (.55cm,0pt) node[right] {coordinate};
+ \end{scope}
+\end{tikzpicture}
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-images.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-images.tex
new file mode 100644
index 00000000000..ebadb54e5ff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-images.tex
@@ -0,0 +1,278 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Declaring and Using Images}
+\label{section-images}
+
+
+This section describes the |pgfbaseimage| package.
+
+\begin{package}{pgfbaseimage}
+ This package offers an abstraction of the image inclusion
+ process. It is loaded automatically by |pgf|, but you can load it
+ manually if you have only included |pgfcore|.
+\end{package}
+
+\subsection{Overview}
+
+To be quite frank, \LaTeX's |\includegraphics| is designed better than
+|pgfbaseimage|. For this reason, \emph{I recommend that you use the
+ standard image inclusion mechanism of your format}. Thus, \LaTeX\
+users are encouraged to use |\includegraphics| to include images.
+
+However, there are reasons why you might need to use the image
+inclusion facilities of \pgfname:
+\begin{itemize}
+\item
+ There is no standard image inclusion mechanism in your format. For
+ example, plain \TeX\ does not have one, so \pgfname's inclusion
+ mechanism is ``better than nothing.''
+
+ However, this applies only to the |pdftex| backend. For all other
+ backends, \pgfname\ currently maps its commands back to the |graphicx|
+ package. Thus, in plain \TeX, this does not really help. It might be
+ a good idea to fix this in the future such that \pgfname\ becomes
+ independent of \LaTeX, thereby providing a uniform image abstraction
+ for all formats.
+\item
+ You wish to use masking. This is a feature that is only supported by
+ \pgfname, though I hope that someone will implement this also for
+ the graphics package in \LaTeX\ in the future.
+\end{itemize}
+
+Whatever your choice, you can still use the usual image inclusion
+facilities of the |graphics| package.
+
+The general approach taken by \pgfname\ to including an image is the
+following: First, |\pgfdeclareimage| declares the
+image. This must be done prior to the first use of the image. Once you
+have declared an image, you can insert it into the text using
+|\pgfuseimage|. The advantage of this two-phase approach is that, at
+least for \textsc{pdf}, the image data will only be included once in the
+file. This can drastically reduce the file size if you use an image
+repeatedly, for example in an overlay. However, there is also a
+command called |\pgfimage| that declares and then immediately uses the
+image.
+
+To speedup the compilation, you may wish to use the following class
+option:
+\begin{packageoption}{draft}
+ In draft mode boxes showing the image name replace the
+ images. It is checked whether the image files exist, but they are
+ not read. If either height or width is not given, 1cm is used
+ instead.
+\end{packageoption}
+
+\subsection{Declaring an Image}
+
+\begin{command}{\pgfdeclareimage\oarg{options}\marg{image
+ name}\marg{filename}}
+ Declares an image, but does not paint anything. To draw the image,
+ use |\pgfuseimage{|\meta{image name}|}|. The \meta{filename} may not
+ have an extension. For \textsc{pdf}, the extensions |.pdf|, |.jpg|,
+ and |.png| will automatically tried. For PostScript, the extensions
+ |.eps|, |.epsi|, and |.ps| will be tried.
+
+ The following options are possible:
+ \begin{itemize}
+ \item
+ \declare{|height=|\meta{dimension}} sets the height of the
+ image. If the width is not specified simultaneously, the aspect
+ ratio of the image is kept.
+ \item
+ \declare{|width=|\meta{dimension}} sets the width of the
+ image. If the height is not specified simultaneously, the aspect
+ ratio of the image is kept.
+ \item
+ \declare{|page=|\meta{page number}} selects a given page number
+ from a multipage document. Specifying this option will have the
+ following effect: first, \pgfname\ tries to find a file named
+ \begin{quote}
+ \meta{filename}|.page|\meta{page number}|.|\meta{extension}
+ \end{quote}
+ If such a file is found, it will be used instead of the originally
+ specified filename. If not, \pgfname\ inserts the image stored in
+ \meta{filename}|.|\meta{extension} and if a recent version of
+ |pdflatex| is used, only the selected page is inserted. For older
+ versions of |pdflatex| and for |dvips| the complete document is
+ inserted and a warning is printed.
+ \item
+ \declare{|interpolate=|\meta{true or false}} selects whether the
+ image should ``smoothed'' when zoomed. False by default.
+ \item
+ \declare{|mask=|\meta{mask name}} selects a transparency mask. The
+ mask must previously be declared using |\pgfdeclaremask| (see
+ below). This option only has an effect for |pdf|. Not all viewers
+ support masking.
+ \end{itemize}
+
+\begin{codeexample}[code only]
+\pgfdeclareimage[interpolate=true,height=1cm]{image1}{pgf-tu-logo}
+\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]{image2}{pgf-tu-logo}
+\pgfdeclareimage[interpolate=true,height=1cm]{image3}{pgf-tu-logo}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfaliasimage\marg{new image name}\marg{existing image name}}
+ The \marg{existing image name} is ``cloned'' and the \marg{new image
+ name} can now be used whenever original image is used. This
+ command is useful for creating aliases for alternate extensions
+ and for accessing the last image inserted using |\pgfimage|.
+
+ \example |\pgfaliasimage{image.!30!white}{image.!25!white}|
+\end{command}
+
+
+\subsection{Using an Image}
+
+\begin{command}{\pgfuseimage\marg{image name}}
+ Inserts a previously declared image into the \emph{normal text}. If
+ you wish to use it in a |{pgfpicture}| environment, you must put a
+ |\pgftext| around it.
+
+ If the macro |\pgfalternateextension| expands to some nonempty
+ \meta{alternate extension}, \pgfname\ will first try to use the image
+ names \meta{image name}|.|\meta{alternate extension}. If this
+ image is not defined, \pgfname\ will next check whether \meta{alternate
+ extension} contains a |!| character. If so, everything up to this
+ exclamation mark and including it is deleted from \meta{alternate
+ extension} and the \pgfname\ again tries to use the image \meta{image
+ name}|.|\meta{alternate extension}. This is repeated until
+ \meta{alternate extension} no longer contains a~|!|. Then the
+ original image is used.
+
+ The |xxcolor| package sets the alternate extension to the current
+ color mixin.
+
+\begin{codeexample}[]
+\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]{image1}{pgf-tu-logo}
+\pgfdeclareimage[interpolate=true,width=1cm]{image2}{pgf-tu-logo}
+\pgfdeclareimage[interpolate=true,height=1cm]{image3}{pgf-tu-logo}
+\begin{pgfpicture}
+ \pgftext[at=\pgfpoint{1cm}{5cm},left,base]{\pgfuseimage{image1}}
+ \pgftext[at=\pgfpoint{1cm}{3cm},left,base]{\pgfuseimage{image2}}
+ \pgftext[at=\pgfpoint{1cm}{1cm},left,base]{\pgfuseimage{image3}}
+
+ \pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ The following example demonstrates the effect of using
+ |\pgfuseimage| inside a color mixin environment.
+
+\begin{codeexample}[]
+\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]
+ {image1.!25!white}{pgf-tu-logo.25}
+\pgfdeclareimage[interpolate=true,width=1cm]
+ {image2.25!white}{pgf-tu-logo.25}
+\pgfdeclareimage[interpolate=true,height=1cm]
+ {image3.white}{pgf-tu-logo.25}
+\begin{colormixin}{25!white}
+\begin{pgfpicture}
+ \pgftext[at=\pgfpoint{1cm}{5cm},left,base]{\pgfuseimage{image1}}
+ \pgftext[at=\pgfpoint{1cm}{3cm},left,base]{\pgfuseimage{image2}}
+ \pgftext[at=\pgfpoint{1cm}{1cm},left,base]{\pgfuseimage{image3}}
+
+ \pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{colormixin}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfalternateextension}
+ You should redefine this command to install a different alternate
+ extension.
+
+ \example |\def\pgfalternateextension{!25!white}|
+\end{command}
+
+
+\begin{command}{\pgfimage\oarg{options}\marg{filename}}
+ Declares the image under the name |pgflastimage| and
+ immediately uses it. You can ``save'' the image for later usage by
+ invoking |\pgfaliasimage| on |pgflastimage|.
+
+\begin{codeexample}[]
+\begin{colormixin}{25!white}
+\begin{pgfpicture}
+ \pgftext[at=\pgfpoint{1cm}{5cm},left,base]
+ {\pgfimage[interpolate=true,width=1cm,height=1cm]{pgf-tu-logo}}
+ \pgftext[at=\pgfpoint{1cm}{3cm},left,base]
+ {\pgfimage[interpolate=true,width=1cm]{pgf-tu-logo}}
+ \pgftext[at=\pgfpoint{1cm}{1cm},left,base]
+ {\pgfimage[interpolate=true,height=1cm]{pgf-tu-logo}}
+
+ \pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{colormixin}
+\end{codeexample}
+\end{command}
+
+
+
+\subsection{Masking an Image}
+
+
+\begin{command}{\pgfdeclaremask\oarg{options}\marg{mask name}\marg{filename}}
+ Declares a transparency mask named \meta{mask name} (called a
+ \emph{soft mask} in the \textsc{pdf} specification). This mask is
+ read from the file \meta{filename}. This file should contain a
+ grayscale image that is as large as the actual image. A white
+ pixel in the mask will correspond to ``transparent,'' a black pixel
+ to ``solid,'' and gray values correspond to intermediate values. The
+ mask must have a single ``color channel.'' This means that the
+ mask must be a ``real'' grayscale image, not an \textsc{rgb}-image
+ in which all \textsc{rgb}-triples happen to have the same
+ components.
+
+ You can only mask images the are in a ``pixel format.'' These are
+ |.jpg| and |.png|. You cannot mask |.pdf| images in this way. Also,
+ again, the mask file and the image file must have the same size.
+
+ The following options may be given:
+ \begin{itemize}
+ \item |matte=|\marg{color components} sets the so-called
+ \emph{matte} of the actual image (strangely, this has to be
+ specified together with the mask, not with the image itself). The
+ matte is the color that has been used to preblend the image. For
+ example, if the image has been preblended with a red background,
+ then \meta{color components} should be set to |{1 0 0}|. The
+ default is |{1 1 1}|, which is white in the rgb model.
+
+ The matte is specified in terms of the parent's image color
+ space. Thus, if the parent is a grayscale image, the matte has to
+ be set to |{1}|.
+ \end{itemize}
+ \example
+\begin{codeexample}[]
+%% Draw a large colorful background
+\pgfdeclarehorizontalshading{colorful}{5cm}{color(0cm)=(red);
+color(2cm)=(green); color(4cm)=(blue); color(6cm)=(red);
+color(8cm)=(green); color(10cm)=(blue); color(12cm)=(red);
+color(14cm)=(green)}
+\hbox{\pgfuseshading{colorful}\hskip-14cm\hskip1cm
+\pgfimage[height=4cm]{pgf-apple}\hskip1cm
+\pgfimage[height=4cm]{pgf-apple.mask}\hskip1cm
+\pgfdeclaremask{mymask}{pgf-apple.mask}
+\pgfimage[mask=mymask,height=4cm,interpolate=true]{pgf-apple}}
+\end{codeexample}
+\end{command}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-layers.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-layers.tex
new file mode 100644
index 00000000000..db8136e87de
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-layers.tex
@@ -0,0 +1,142 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Layered Graphics}
+
+\label{section-layers}
+
+\begin{package}{pgfbaselayers}
+ This package provides a commands and environments for composing a
+ picture from multiple layers. The package is loaded automatically by
+ |pgf|, but you can load it manually if you have only included
+ |pgfcore|.
+\end{package}
+
+
+
+\subsection{Overview}
+
+\pgfname\ provides a layering mechanism for composing graphics from
+multiple layers. (This mechanism is not be confused with the
+conceptual ``software layers'' the \pgfname\ system is composed of.)
+Layers are often used in graphic programs. The idea is that you can
+draw on the different layers in any order. So you might start drawing
+something on the ``background'' layer, then something on the
+``foreground'' layer, then something on the ``middle'' layer, and then
+something on the background layer once more, and so on. At the end, no
+matter in which ordering you drew on the different layers, the layers
+are ``stacked on top of each other'' in a fixed ordering to produce
+the final picture. Thus, anything drawn on the middle layer would come
+on top of everything of the background layer.
+
+Normally, you do not need to use different layers since you will have
+little trouble ``ordering'' your graphic commands in such a way that
+layers are superfluous. However, in certain situations you only
+``know'' what you should draw behind something else after the
+``something else'' has been drawn.
+
+For example, suppose you wish to draw a yellow background behind your
+picture. The background should be as large as the bounding box of the
+picture, plus a little border. If you know the size of the bounding box
+of the picture at its beginning, this is easy to accomplish. However,
+in general this is not the case and you need to create a
+``background'' layer in addition to the standard ``main'' layer. Then,
+at the end of the picture, when the bounding box has been established,
+you can add a rectangle of the appropriate size to the picture.
+
+
+
+\subsection{Declaring Layers}
+
+In \pgfname\ layers are referenced using names. The standard layer,
+which is a bit special in certain ways, is called |main|. If nothing
+else is specified, all graphic commands are added to the |main|
+layer. You can declare a new layer using the following command:
+
+\begin{command}{\pgfdeclarelayer\marg{name}}
+ This command declares a layer named \meta{name} for later
+ use. Mainly, this will setup some internal bookkeeping.
+\end{command}
+
+The next step toward using a layer is to tell \pgfname\ which layers
+will be part of the actual picture and which will be their
+ordering. Thus, it is possible to have more layers declared than are
+actually used.
+
+\begin{command}{\pgfsetlayers\marg{layer list}}
+ This command, which should be used \emph{outside} a |{pgfpicture}|
+ environment, tells \pgfname\ which layers will be used in
+ pictures. They are stacked on top of each other in the order
+ given. The layer |main| should always be part of the list. Here is
+ an example:
+\begin{codeexample}[code only]
+\pgfdeclarelayer{background}
+\pgfdeclarelayer{foreground}
+\pgfsetlayers{background,main,foreground}
+\end{codeexample}
+\end{command}
+
+
+\subsection{Using Layers}
+
+Once the layers of your picture have been declared, you can start to
+``fill'' them. As said before, all graphics commands are normally
+added to the |main| layer. Using the |{pgfonlayer}| environment, you
+can tell \pgfname\ that certain commands should, instead, be added to
+the given layer.
+
+\begin{environment}{{pgfonlayer}\marg{layer name}}
+ The whole \meta{environment contents} is added to the layer with the
+ name \meta{layer name}. This environment can be used anywhere inside
+ a picture. Thus, even if it is used inside a |{pgfscope}| or a \TeX\
+ group, the contents will still be added to the ``whole'' picture.
+ Using this environment multiple times inside the same picture will
+ cause the \meta{environment contents} to accumulate.
+
+ \emph{Note:} You can \emph{not} add anything to the |main| layer
+ using this environment. The only way to add anything to the main
+ layer is to give graphic commands outside all |{pgfonlayer}|
+ environments.
+
+\begin{codeexample}[]
+\pgfdeclarelayer{background layer}
+\pgfdeclarelayer{foreground layer}
+\pgfsetlayers{background layer,main,foreground layer}
+\begin{tikzpicture}
+ % On main layer:
+ \fill[blue] (0,0) circle (1cm);
+
+ \begin{pgfonlayer}{background layer}
+ \fill[yellow] (-1,-1) rectangle (1,1);
+ \end{pgfonlayer}
+
+ \begin{pgfonlayer}{foreground layer}
+ \node[white] {foreground};
+ \end{pgfonlayer}
+
+ \begin{pgfonlayer}{background layer}
+ \fill[black] (-.8,-.8) rectangle (.8,.8);
+ \end{pgfonlayer}
+
+ % On main layer again:
+ \fill[blue!50] (-.5,-1) rectangle (.5,1);
+\end{tikzpicture}
+\end{codeexample}
+\end{environment}
+
+\begin{plainenvironment}{{pgfonlayer}\marg{layer name}}
+ This is the plain \TeX\ version of the environment.
+\end{plainenvironment}
+
+
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-nodes.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-nodes.tex
new file mode 100644
index 00000000000..c2231219113
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-nodes.tex
@@ -0,0 +1,987 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Nodes and Shapes}
+
+\label{section-shapes}
+
+This section describes the |pgfbaseshapes| package.
+
+\begin{package}{pgfbaseshapes}
+ This package defines commands both for creating nodes and for
+ creating shapes. The package is loaded automatically by |pgf|, but
+ you can load it manually if you have only included |pgfcore|.
+\end{package}
+
+
+\subsection{Overview}
+
+\pgfname\ comes with a sophisticated set of commands for creating
+\emph{nodes} and \emph{shapes}. A \emph{node} is a graphical object
+that consists (typically) of (one or more) text labels and some
+additional stroked or filled paths. Each node has a certain
+\emph{shape}, which may be something simple like a |rectangle| or a
+|circle|, but it may also be something complicated like a
+|uml class diagram| (this shape is currently not implemented,
+though). Different nodes that have the same shape may look quite
+different, however, since shapes (need not) specify whether the shape
+path is stroked or filled.
+
+
+\subsubsection{Creating and Referencing Nodes}
+
+You create a node by calling the macro |\pgfnode| or the more general
+|\pgfmultipartnode|. These macro takes several parameters and draws
+the requested shape at a certain position. In addition, it will
+``remember'' the node's position within the current
+|{pgfpicture}|. You can then, later on, refer to the
+node's position. Coordinate transformations are ``fully supported,''
+which means that if you used coordinate transformations to shift or
+rotate the shape of a node, the node's position will still be correctly
+determined by \pgfname. This is \emph{not} the case if you use canvas
+transformations, instead.
+
+
+\subsubsection{Anchors}
+
+An important property of a node or a shape in general are its
+\emph{anchors}. Anchors are ``important'' positions in a shape. For
+example, the |center| anchor lies at the center of a shape, the
+|north| anchor is usually ``at the top, in the middle'' of a shape,
+the |text| anchor is the lower left corner of the shape's text label
+(if present), and so on.
+
+Anchors are important both when you create a node and when you
+reference it. When you create a node, you specify the node's
+``position'' by asking \pgfname\ to place the shape in such a way that
+a certain anchor lies at a certain point. For example, you might ask
+that the node is placed such that the |north| anchor is at the
+origin. This will effectively cause the node to be placed below the
+origin.
+
+When you reference a node, you always reference an anchor of the
+node. For example, when you request the ``|north| anchor of the node
+just placed'' you will get the origin. However, you can also request
+the ``|south| anchor of this node,'' which will give you a point
+somewhere below the origin. When a coordinate transformation was in
+force at the time of creation of a node, all anchors are also
+transformed accordingly.
+
+\subsubsection{Layers of a Shape}
+
+The simplest shape, the |coordinate|, has just one anchor, namely the
+|center|, and a label (which is usually empty). More complicated
+shapes like the |rectangle| shape also have a \emph{background
+ path}. This is a \pgfname-path that is defined by the shape. The
+shape does not prescribe what should happen with the path: When a node
+is created this path may be stroked (resulting in a frame around the
+label), filled (resulting in a background color for the text), or just
+discarded.
+
+Although most shapes consist just of a background path plus some label
+text, when a shape is drawn, up to seven different layers are drawn:
+
+\begin{enumerate}
+\item
+ The ``behind the background layer.'' Unlike the background path,
+ which be used in different ways by different nodes, the graphic
+ commands given for this layer will always stroke or
+ always fill the path they construct. They might also insert some
+ text that is ``behind everything.''
+\item
+ The background path layer. How this path is used depends on how the
+ arguments of the |\pgfnode| command.
+\item
+ The ``before the background path layer.'' This layer works like the
+ first one, only the commands of this layer are executed after the
+ background path has been used (in whatever way the creator of the
+ node chose).
+\item
+ The label layer. This layer inserts the node's text box(es).
+\item
+ The ``behind the foreground layer.'' This layer, like the
+ first layer, once more contains graphic commands that are ``simply
+ executed.''
+\item
+ The foreground path layer. This path is treated in the same way as the
+ background path, only it is drawn only after the label text has been
+ drawn.
+\item
+ The ``before the foreground layer.''
+\end{enumerate}
+
+Which of these layers are actually used depends on the shape.
+
+
+
+\subsubsection{Node Parts}
+
+A shape typically does not consist only of different background and
+foreground paths, but it may also have text labels. Indeed, for many
+shapes the text labels are the more important part of the shape.
+
+Most shapes will have only one text label. In this case, this text
+label is simply passed as a parameter to the |\pgfnode| command. When
+the node is drawn, the text label is shifted around such that its
+lower left corner is at the |text| anchor of the node.
+
+More complicated shapes may have more than one text label. Nodes of
+such shapes are called \emph{multipart nodes}. The different
+\emph{node parts} are simply the different text labels. For example, a
+|uml class| shape might have a |class name| part, a |method| part and
+an |attributes| part. Indeed, single part nodes are a special case of
+multipart nodes: They only have one part named |text|.
+
+When a shape is declared, you must specify the node parts. There is a
+simple command called |\nodeparts| that takes a list of the part names
+as input. When you create a node of a multipart shape, for each part
+of the node you must have setup a \TeX-box containing the text of the
+part. For a part named |XYZ| you must setup the box
+|\pgfnodepartXYZbox|. The box will be placed at the anchor |XYZ|. See
+the description of |\pgfmultipartnode| for more details.
+
+
+\subsection{Creating Nodes}
+
+You create a node using on of the following commands:
+
+\begin{command}{\pgfnode\marg{shape}\marg{anchor}\marg{label
+ text}\marg{name}\marg{path usage command}}
+ This command creates a new node. The \meta{shape} of the node must
+ have been declared previously using |\pgfdeclareshape|.
+
+ The shape is shifted such that the \meta{anchor} is at the
+ origin. In order to place the shape somewhere else, use the
+ coordinate transformation prior to calling this command.
+
+ The \meta{name} is a name for later reference. If no name is given,
+ nothing will be ``saved'' for the node, it will just be drawn.
+
+ The \meta{path usage command} is executed for the background and the
+ foreground path (if the shape defines them).
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (4,3);
+ {
+ \pgftransformshift{\pgfpoint{1cm}{1cm}}
+ \pgfnode{rectangle}{north}{Hello World}{hellonode}{\pgfusepath{stroke}}
+ }
+ {
+ \color{red!20}
+ \pgftransformrotate{10}
+ \pgftransformshift{\pgfpoint{3cm}{1cm}}
+ \pgfnode{rectangle}{center}
+ {\color{black}Hello World}{hellonode}{\pgfusepath{fill}}
+ }
+\end{tikzpicture}
+\end{codeexample}
+
+ As can be seen, all coordinate transformations are also applied to
+ the text of the shape. Sometimes, it is desirable that the
+ transformations are applied to the point where the shape will be
+ anchored, but you do not wish the shape itself to the
+ transformed. In this case, you should call
+ |\pgftransformresetnontranslations| prior to calling the |\pgfnode|
+ command.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (4,3);
+ {
+ \color{red!20}
+ \pgftransformrotate{10}
+ \pgftransformshift{\pgfpoint{3cm}{1cm}}
+ \pgftransformresetnontranslations
+ \pgfnode{rectangle}{center}
+ {\color{black}Hello World}{hellonode}{\pgfusepath{fill}}
+ }
+\end{tikzpicture}
+\end{codeexample}
+
+ The \meta{label text} is typeset inside the \TeX-box
+ |\pgfnodeparttextbox|. This box is shown at the |text| anchor of the
+ node, if the node has a |text| part. See the description of
+ |\pgfmultipartnode| for details.
+\end{command}
+
+\begin{command}{\pgfmultipartnode\marg{shape}\marg{anchor}\marg{name}\marg{path
+ usage command}}
+ This command is the more general (and less user-friendly) version of
+ the |\pgfnode| command. While the |\pgfnode| command can only be
+ used for shapes that have a single part (which is the case for most
+ shapes), this command can also be used with multi-part nodes.
+
+ When this command is called, for each node part of the node you must
+ have setup one \TeX-box. Suppose the shape has two parts: The |text|
+ part and the |output| part. Then, prior to calling
+ |\pgfmultipartnode|, you must have setup the boxes
+ |\pgfnodeparttextbox| and |\pgfnodepartoutputbox|. These boxes may
+ contain any \TeX-text. The shape code will then compute the
+ positions of the shape's anchors based on the sizes of the these
+ shapes. Finally, when the node is drawn, the boxes are placed at the
+ anchor positions |text| and |output|.
+
+\begin{codeexample}[]
+\setbox\pgfnodeparttextbox=\hbox{$q_1$}
+\setbox\pgfnodepartoutputbox=\hbox{01}
+\begin{pgfpicture}
+ \pgfmultipartnode{state with output}{center}{my state}{\pgfusepath{stroke}}
+\end{pgfpicture}
+\end{codeexample}
+
+ \emph{Note:\/} Be careful when using the |\setbox| command inside a
+ |{pgfpicture}| command. You will have to use |\pgfinterruptpath| at
+ the beginning of the box and |\endpgfinterruptpath| at the end of
+ the box to make sure that the box is typeset correctly. In the above
+ example this problem was sidestepped by moving the box construction
+ outside the environment.
+
+ \emph{Note:\/} It is not necessary to use |\newbox| for every node
+ part name. Although you need a different box for each part of a
+ single shape, two different shapes may very well use the same box
+ even when the names of the parts are different. Suppose you have a
+ |state with output| shape that has an |output| part and you have a
+ |uml class| shape that has a |methods| part. Then, in order to avoid
+ exhausting \TeX's limited number of box registers, you can say
+\begin{codeexample}[code only]
+\newbox\pgfnodepartoutputbox
+\let\pgfnodepartmethodsbox=\pgfnodepartoutputbox
+\end{codeexample}
+ Also, when you have a node part name with spaces like |class name|,
+ it may be useful to create an alias:
+\begin{codeexample}[code only]
+\newbox\mybox
+\expandafter\let\csname pgfnodepartclass namebox\endcsname=\mybox
+\end{codeexample}
+\end{command}
+
+There are a number of values that have an influence on the size of a
+node. These parameters can be changed using the following commands:
+
+\begin{command}{\pgfsetshapeminwidth\marg{dimension}}
+ This command sets the macro \declare{|\pgfshapeminwidth|} to
+ \meta{dimension}. This dimension is the \emph{recommended} minimum
+ width of a shape. Thus, when a shape is drawn and when the shape's
+ width would be smaller than \meta{dimension}, the shape's width is
+ enlarged by adding some empty space.
+
+ Note that this value is just a recommendation. A shape may choose to
+ ignore the value of |\pgfshapeminwidth|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (-2,0) grid (2,1);
+
+ \pgfsetshapeminwidth{3cm}
+ \pgfnode{rectangle}{center}{Hello World}{}{\pgfusepath{stroke}}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetshapeminheight\marg{dimension}}
+ Works like |\pgfsetshapeminwidth|.
+\end{command}
+
+
+\begin{command}{\pgfsetshapeinnerxsep\marg{dimension}}
+ This command sets the macro \declare{|\pgfshapeinnerxsep|} to
+ \meta{dimension}. This dimension is the \emph{recommended} horizontal
+ inner separation between the label text and the background path. As
+ before, this value is just a recommendation and a shape may choose
+ to ignore the value of |\pgfshapeinnerxsep|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (-2,0) grid (2,1);
+
+ \pgfsetshapeinnerxsep{1cm}
+ \pgfnode{rectangle}{center}{Hello World}{}{\pgfusepath{stroke}}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetshapeinnerysep\marg{dimension}}
+ Works like |\pgfsetshapeinnerysep|.
+\end{command}
+
+
+
+\begin{command}{\pgfsetshapeouterxsep\marg{dimension}}
+ This command sets the macro \declare{|\pgfshapeouterxsep|} to
+ \meta{dimension}. This dimension is the recommended horizontal
+ outer separation between the background path and the ``outer
+ anchors.'' For example, if \meta{dimension} is |1cm| then the
+ |east| anchor will be 1cm to the right of the right border of the
+ background path.
+
+ As before, this value is just a recommendation.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (-2,0) grid (2,1);
+
+ \pgfsetshapeouterxsep{.5cm}
+ \pgfnode{rectangle}{center}{Hello World}{x}{\pgfusepath{stroke}}
+
+ \pgfpathcircle{\pgfpointanchor{x}{north}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{south}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{east}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{west}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{north east}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetshapeouterysep\marg{dimension}}
+ Works like |\pgfsetshapeouterysep|.
+\end{command}
+
+
+\subsection{Using Anchors}
+
+Each shape defines a set of anchors. We saw already that the anchors
+are used when the shape is drawn: the shape is placed in such a way
+that the given anchor is at the origin (which in turn is typically
+translated somewhere else).
+
+One has to look up the set of anchors of each shape, there is no
+``default'' set of anchors, except for the |center| anchor, which
+should always be present. Also, most shapes will declare anchors like
+|north| or |east|, but this is not guaranteed.
+
+Once a node has been defined, you can refer to its anchors using the
+following commands:
+
+\begin{command}{\pgfpointanchor\marg{node}\marg{anchor}}
+ This command is another ``point command'' like the commands
+ described in Section~\ref{section-points}. It returns the coordinate
+ of the given \meta{anchor} in the given \meta{node}. The command can
+ be used in commands like |\pgfpathmoveto|.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgftransformrotate{30}
+ \pgfnode{rectangle}{center}{Hello World!}{x}{\pgfusepath{stroke}}
+
+ \pgfpathcircle{\pgfpointanchor{x}{north}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{south}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{east}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{west}}{2pt}
+ \pgfpathcircle{\pgfpointanchor{x}{north east}}{2pt}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+
+ In the above example, you may have noticed something curious: The
+ rotation transformation is still in force when the anchors are
+ invoked, but it does not seem to have an effect. You might expect
+ that the rotation should apply to the already rotated points once
+ more.
+
+ However, |\pgfpointanchor| returns a point that takes the current
+ transformation matrix into account: \emph{The inverse transformation
+ to the current coordinate transformation is applied to an anchor
+ point before returning it.}
+
+ This behavior may seem a bit strange, but you will find it very
+ natural in most cases. If you really want to apply a transformation
+ to an anchor point (for example, to ``shift it away'' a little bit),
+ you have to invoke |\pgfpointanchor| without any transformations in
+ force. Here is an example:
+
+\makeatletter
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgftransformrotate{30}
+ \pgfnode{rectangle}{center}{Hello World!}{x}{\pgfusepath{stroke}}
+
+ {
+ \pgftransformreset
+ \pgfpointanchor{x}{east}
+ \xdef\mycoordinate{\noexpand\pgfpoint{\the\pgf@x}{\the\pgf@y}}
+ }
+
+ \pgfpathcircle{\mycoordinate}{2pt}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointshapeborder\marg{node}\marg{point}}
+ This command returns the point on the border of the shape that lies
+ on a straight line from the center of the node to \meta{point}. For
+ complex shapes it is not guaranteed that this point will actually
+ lie on the border, it may be on the border of a ``simplified''
+ version of the shape.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \begin{pgfscope}
+ \pgftransformrotate{30}
+ \pgfnode{rectangle}{center}{Hello World!}{x}{\pgfusepath{stroke}}
+ \end{pgfscope}
+ \pgfpathcircle{\pgfpointshapeborder{x}{\pgfpoint{2cm}{1cm}}}{2pt}
+ \pgfpathcircle{\pgfpoint{2cm}{1cm}}{2pt}
+ \pgfpathcircle{\pgfpointshapeborder{x}{\pgfpoint{-1cm}{1cm}}}{2pt}
+ \pgfpathcircle{\pgfpoint{-1cm}{1cm}}{2pt}
+ \pgfusepath{fill}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+
+
+\subsection{Declaring New Shapes}
+
+Defining a shape is, unfortunately, a not-quite-trivial process. The
+reason is that shapes need to be both very flexible (their size will
+vary greatly according to circumstances) and they need to be
+constructed reasonably ``fast.'' \pgfname\ must be able to handle
+pictures with several hundreds of nodes and documents with thousands
+of nodes in total. It would not do if \pgfname\ had to compute and
+store, say, dozens of anchor positions for every node.
+
+
+\subsubsection{What Must Be Defined For a Shape?}
+
+In order to define a new shape, you must provide:
+\begin{itemize}
+\item
+ a \emph{shape name},
+\item
+ code for computing the \emph{saved anchors} and \emph{saved
+ dimensions},
+\item
+ code for computing \emph{anchor} positions in terms of the saved anchors,
+\item
+ optionally code for the \emph{background path} and \emph{foreground path},
+\item
+ optionally code for \emph{things to be drawn before or behind} the
+ background and foreground paths.
+\item
+ optionally a list of node parts.
+\end{itemize}
+
+
+\subsubsection{Normal Anchors Versus Saved Anchors}
+
+Anchors are special places in shape. For example, the |north east|
+anchor, which is a normal anchor, lies at the upper right corner of
+the |rectangle| shape, as does |\northeast|, which is a saved
+anchor. The difference is the following: \emph{saved anchors are
+ computed and stored for each node, anchors are only computed as
+ needed.} The user only has access to the normal anchors, but a
+normal anchor can just ``copy'' or ``pass through'' the location of a
+saved anchor.
+
+The idea behind all this is that a shape can declare a very large
+number of normal anchors, but when a node of this shape is created,
+these anchors are not actually computed. However, this causes a
+problem: When we wish to reference an anchor of a node at some later
+time, we must still able to compute the position of the anchor. For
+this, we may need a lot of information: What was the transformation
+matrix that was in force when the node was created? What was the size
+of the text box? What were the values of the different separation
+dimensions? And so on.
+
+To solve this problem, \pgfname\ will always compute the locations of
+all \emph{saved anchors} and store these positions. Then, when an
+normal anchor position is requested later on, the anchor position can
+be given just from knowing where the locations of the saved anchors.
+
+As an example, consider the |rectangle| shape. For this shape two
+anchors are saved: The |\northeast| corner and the |\southwest|
+corner. A normal anchor like |north west| can now easily be expressed
+in terms of these coordinates: Take the $x$-position of the
+|\southwest| point and the $y$-position of the |\northeast| point.
+The |rectangle| shape currently defines 13 normal anchors, but needs
+only two saved anchors. Adding new anchors like a |south south east|
+anchor would not increase the memory and computation requirements of
+pictures.
+
+All anchors (both saved and normal) are specified in a local
+\emph{shape coordinate space}. This is also true for the background
+and foreground paths. The |\pgfnode| macro will automatically apply
+appropriate transformations to the coordinates so that the shape is
+shifted to the right anchor or otherwise transformed.
+
+
+\subsubsection{Command for Declaring New Shapes}
+
+The following command declares a new shape:
+\begin{command}{\pgfdeclareshape\marg{shape name}\marg{shape
+ specification}}
+ This command declares a new shape named \meta{shape name}. The shape
+ name can later be used in commands like |\pgfnode|.
+
+ The \meta{shape specification} is some \TeX\ code containing calls
+ to special commands that are only defined inside the \meta{shape
+ specification} (similarly to commands like |\draw| that are only
+ available inside the |{tikzpicture}| environment).
+
+ \example Here is the code of the |coordinate| shape:
+\begin{codeexample}[code only]
+\pgfdeclareshape{coordinate}
+{
+ \savedanchor\centerpoint{%
+ \pgf@x=.5\wd\pgfnodeparttextbox%
+ \pgf@y=.5\ht\pgfnodeparttextbox%
+ \advance\pgf@y by -.5\dp\pgfnodeparttextbox%
+ }
+ \anchor{center}{\centerpoint}
+ \anchorborder{\centerpoint}
+}
+\end{codeexample}
+
+ The special commands are explained next. In the examples given for
+ the special commands a new shape will be constructed, which we might
+ call |simple rectangle|. It should behave like the normal rectangle
+ shape, only without bothering about the fine details like inner and
+ outer separations. The skeleton for the shape is the following.
+\begin{codeexample}[code only]
+\pgfdeclareshape{simple rectangle}{
+ ...
+}
+\end{codeexample}
+
+ \begin{command}{\nodeparts\marg{list of node parts}}
+ This command declares which parts make up nodes of this shape. A
+ \emph{node part} is a (possibly empty) text label that is drawn
+ when a node of the shape is created.
+
+ By default, a shape has just one node part called |text|. However,
+ there can be several node parts. For example, the
+ |state with output| shape has two parts: the |text| part, which
+ shows that state's name, and an |output| part, which shows the
+ output produced when the state is reached. For the
+ |state with output| shape the |\nodeparts| command was called with
+ the argument |{text,output}|.
+
+ When a multipart node is created, the text labels are drawn in the
+ sequences listed in the \meta{list of node parts}. For each node
+ part there you must have declared one anchor and the \TeX-box of
+ the part is placed at this anchor. For a node part called |XYZ|
+ the \TeX-box |\pgfnodepartXYZbox| is placed at anchor |XYZ|.
+ \end{command}
+
+ \begin{command}{\savedanchor\marg{command}\marg{code}}
+ This command declares a saved anchor. The argument \meta{command}
+ should be a \TeX\ macro name like |\centerpoint|.
+
+ The \meta{code} will be executed each time |\pgfnode| (or
+ |\pgfmultipartnode|) is called to create a node of the shape
+ \meta{shape name}. When the \meta{code}
+ is executed, the \TeX-boxes of the node parts will contain the
+ text labels of the node. Possibly, these box are void. For
+ example, if there is just a |text| part, the node
+ |\pgfnodeparttextbox| will be setup when the \meta{code} is
+ executed.
+
+ The \meta{code} can use the width, height, and depth of the
+ box(es) to compute the location of the saved anchor. In addition,
+ the \meta{code} can take into account the values of dimensions like
+ |\pgfshapeminwidth| or |\pgfshapeinnerxsep|. Furthermore, the
+ \meta{code} can take into consideration the values of any further
+ shape-specific variables that are set at the moment when
+ |\pgfnode| is called.
+
+ The net effect of the \meta{code} should be to set the two \TeX\
+ dimensions |\pgf@x| and |\pgf@y|. One way to achieve this is to
+ say |\pgfpoint{|\meta{x value}|}{|\meta{y value}|}| at the end of
+ the \meta{code}, but you can also just set these variables.
+ The values that |\pgf@x| and |\pgf@y| have after the code has been
+ executed, let us call them $x$ and $y$, will be recorded and
+ stored together with the node that is created by the command
+ |\pgfnode|.
+
+ The macro \meta{command} is defined to be
+ |\pgfpoint{|$x$|}{|$y$|}|. However, the \meta{command} is only
+ locally defined while anchor positions are being computed. Thus,
+ it is possible to use very simple names for \meta{command}, like
+ |\center| or |\a|, without causing a name-clash. (To be precise,
+ very simple \meta{command} names will clash with existing names,
+ but only locally inside the computation of anchor positions; and
+ we do not need the normal |\center| command during these
+ computations.)
+
+ For our |simple rectangle| shape, we will need only one saved
+ anchor: The upper right corner. The lower left corner could either
+ be the origin or the ``mirrored'' upper right corner, depending on
+ whether we want the text label to have its lower left corner at
+ the origin or whether the text label should be centered on the
+ origin. Either will be fine, for the final shape this will make no
+ difference since the shape will be shifted anyway. So, let us
+ assume that the text label is centered on the origin (this will be
+ specified later on using the |text| anchor). We get
+ the following code for the upper right corner:
+\begin{codeexample}[code only]
+\savedanchor{\upperrightcorner}{
+ \pgf@y=.5\ht\pgfnodeparttextbox % height of the box, ignoring the depth
+ \pgf@x=.5\wd\pgfnodeparttextbox % width of the box
+}
+\end{codeexample}
+
+ If we wanted to take, say, the |\pgfshapeminwidth| into account,
+ we could use the following code:
+
+\begin{codeexample}[code only]
+\savedanchor{\upperrightcorner}{
+ \pgf@y=.\ht\pgfnodeparttextbox % height of the box
+ \pgf@x=.\wd\pgfnodeparttextbox % width of the box
+ \setlength{\pgf@xa}{\pgfshapeminwidth}
+ \ifdim\pgf@x<.5\pgf@xa
+ \pgf@x=.5\pgf@xa
+ \fi
+}
+\end{codeexample}
+ Note that we could not have written |.5\pgfshapeminwidth| since
+ the minium width is stored in a ``plain text macro,'' not as a
+ real dimension. So if |\pgfshapeminwidth| depth were
+ 2cm, writing |.5\pgfshapeminwidth| would yield the same as |.52cm|.
+
+ In the ``real'' |rectangle| shape the code is somewhat more
+ complex, but you get the basic idea.
+ \end{command}
+ \begin{command}{\saveddimen\marg{command}\marg{code}}
+ This command is similar to |\savedanchor|, only instead of setting
+ \meta{command} to |\pgfpoint{|$x$|}{|$y$|}|, the \meta{command} is
+ set just to (the value of) $x$.
+
+ In the |simple rectangle| shape we might use a saved dimension to
+ store the depth of the shape box.
+
+\begin{codeexample}[code only]
+\shapedimen{\depth}{
+ \pgf@x=\dp\pgfnodeparttextbox
+}
+\end{codeexample}
+ \end{command}
+ \begin{command}{\anchor\marg{name}\marg{code}}
+ This command declares an anchor named \meta{name}. Unlike for saved
+ anchors, the \meta{code} will not be executed each time a node is
+ declared. Rather, the \meta{code} is only executed when the anchor
+ is specifically requested; either for anchoring the node during
+ its creation or as a position in the shape referenced later on.
+
+ The \meta{name} is a quite arbitrary string that is not ``passed
+ down'' to the system level. Thus, names like |south| or |1| or
+ |::| would all be fine.
+
+ A saved anchor is not automatically also a normal anchor. If you
+ wish to give the users access to a saved anchor you must declare a
+ normal anchor that just returns the position of the saved anchor.
+
+ When the \meta{code} is executed, all saved anchor macros will be
+ defined. Thus, you can reference them in your \meta{code}. The
+ effect of the \meta{code} should be to set the values of |\pgf@x|
+ and |\pgf@y| to the coordinates of the anchor.
+
+ Let us consider some example for the |simple rectangle|
+ shape. First, we would like to make the upper right corner
+ publicly available, for example as |north east|:
+
+\begin{codeexample}[code only]
+\anchor{north east}{\upperrightcorner}
+\end{codeexample}
+
+ The |\upperrightcorner| macro will set |\pgf@x| and |\pgf@y| to
+ the coordinates of the upper right corner. Thus, |\pgf@x| and
+ |\pgf@y| will have exactly the right values at the end of the
+ anchor's code.
+
+ Next, let us define a |north west| anchor. For this anchor, we can
+ negate the |\pgf@x| variable:
+
+\begin{codeexample}[code only]
+\anchor{north west}{
+ \upperrightcorner
+ \pgf@x=-\pgf@x
+}
+\end{codeexample}
+
+ Finally, it is a good idea to always define a |center| anchor,
+ which will be the default location for a shape.
+
+\begin{codeexample}[code only]
+\anchor{center}{\pgfpointorigin}
+\end{codeexample}
+
+ You might wonder whether we should not take into consideration
+ that the node is not placed at the origin, but has been shifted
+ somewhere. However, the anchor positions are always specified in
+ the shape's ``private'' coordinate system. The ``outer''
+ transformation that has been applied to the shape upon its
+ creation is applied automatically to the coordinates returned by
+ the anchor's \meta{code}.
+
+ Out |simple rectangle| only has one text label (node
+ part) called |text|. This is the default situation, so we need not
+ do anything. For the |text| node part we must setup a |text|
+ anchor. This anchor is used upon creation of a node to determine
+ the lower left corner of the text label (within the private
+ coordinate system of the shape). By default, the |text| anchor is
+ at the origin, but you may change this. For example, we would say
+\begin{codeexample}[code only]
+\anchor{text}{%
+ \upperrightcorner%
+ \pgf@x=-\pgf@x%
+ \pgf@y=-\pgf@y%
+}
+\end{codeexample}
+ to center the text label on the origin in the shape coordinate
+ space. Note that we could \emph{not} have written the following:
+
+\begin{codeexample}[code only]
+\anchor{text}{\pgfpoint{-.5\wd\pgfnodeparttextbox}{-.5\ht\pgfnodeparttextbox}}
+\end{codeexample}
+ Do you see why this is wrong? The problem is that the box
+ |\pgfnodeparttextbox| will most likely not have the correct size
+ when the anchor is computed. After all, the anchor position might
+ be recomputed at a time when several other nodes have been created.
+
+ If a shape has several node parts, we would have to define an
+ anchor for each part.
+ \end{command}
+ \begin{command}{\anchorborder\marg{code}}
+ A \emph{border anchor} is an anchor point on the border of the
+ shape. What exactly is considered as the ``border'' of the shape
+ depends on the shape.
+
+ When the user request a point on the border of the shape using the
+ |\pgfpointshapeborder| command, the \meta{code} will be executed
+ to discern this point. When the execution of the \meta{code}
+ starts, the dimensions |\pgf@x| and |\pgf@y| will have been set to
+ a location $p$ in the shape's coordinate system. It is now the job of
+ the \meta{code} to setup |\pgf@x| and |\pgf@y| such that they
+ specify the point on the shape's border that lies on a straight
+ line from the shape's center to the point $p$. Usually, this is a
+ somewhat complicated computation, involving many case distinctions
+ and some basic math.
+
+ For our |simple rectangle| we must compute a point on the border
+ of a rectangle whose one corner is the origin (ignoring the depth
+ for simplicity) and whose other corner is |\upperrightcorner|. The
+ following code might be used:
+\begin{codeexample}[code only]
+\anchorborder{%
+ % Call a function that computes a border point. Since this
+ % function will modify dimensions like \pgf@x, we must move them to
+ % other dimensions.
+ \@tempdima=\pgf@x
+ \@tempdimb=\pgf@y
+ \pgfpointborderrectangle{\pgfpoint{\@tempdima}{\@tempdimb}}{\upperrightcorner}
+}
+\end{codeexample}
+ \end{command}
+ \begin{command}{\backgroundpath\marg{code}}
+ This command specifies the path that ``makes up'' the background
+ of the shape. Note that the shape cannot prescribe what is going
+ to happen with the path: It might be drawn, shaded, filled, or
+ even thrown away. If you want to specify that something should
+ ``always'' happen when this shape is drawn (for example, if the
+ shape is a stop-sign, we \emph{always} want it to be filled with a
+ red color), you can use commands like |\beforebackgroundpath|,
+ explained below.
+
+ When the \meta{code} is executed, all saved anchors will be in
+ effect. The \meta{code} should contain path construction
+ commands.
+
+ For our |simple rectangle|, the following code might be used:
+\begin{codeexample}[code only]
+\backgroundpath{
+ \pgfpathrectanglecorners
+ {\upperrightcorner}
+ {\pgfpointscale{-1}{\upperrightcorner}}
+}
+\end{codeexample}
+ As the name suggests, the background path is used ``behind'' the
+ text labels. Thus, this path is used first, then the text labels are
+ drawn, possibly obscuring part of the path.
+ \end{command}
+ \begin{command}{\foregroundpath\marg{code}}
+ This command works like |\backgroundpath|, only it is invoked
+ after the text labels have been drawn. This means that this path can
+ possibly obscure (part of) the text labels.
+ \end{command}
+ \begin{command}{\behindbackgroundpath\marg{code}}
+ Unlike the previous two commands, \meta{code} should not only
+ construct a path, it should also use this path in whatever way is
+ appropriate. For example, the \meta{code} might fill some area
+ with a uniform color.
+
+ Whatever the \meta{code} does, it does it first. This means that
+ any drawing done by \meta{code} will be even behind the background
+ path.
+
+ Note that the \meta{code} is protected with a |{pgfscope}|.
+ \end{command}
+ \begin{command}{\beforebackgroundpath\marg{code}}
+ This command works like |\behindbackgroundpath|, only the
+ \meta{code} is executed after the background path has been used,
+ but before the texts label are drawn.
+ \end{command}
+ \begin{command}{\behindforegroundpath\marg{code}}
+ The \meta{code} is executed after the text labels have been drawn,
+ but before the foreground path is used.
+ \end{command}
+ \begin{command}{\beforeforegroundpath\marg{code}}
+ This \meta{code} is executed at the very end.
+ \end{command}
+ \begin{command}{\inheritsavedanchors|[from=|\marg{another shape name}|]|}
+ This command allows you to inherit the code for saved anchors from
+ \meta{another shape name}. The idea is that if you wish to create
+ a new shape that is just a small modification of a another shape,
+ you can recycle the code used for \meta{another shape name}.
+
+ The effect of this command is the same as if you had called
+ |\savedanchor| and |\saveddimen| for each saved anchor or saved
+ dimension declared in \meta{another shape name}. Thus, it is not
+ possible to ``selectively'' inherit only some saved anchors, you
+ always have to inherit all saved anchors from another
+ shape. However, you can inherit the saved anchors of more than one
+ shape by calling this command several times.
+ \end{command}
+ \begin{command}{\inheritbehindbackgroundpath|[from=|\marg{another shape name}|]|}
+ This command can be used to inherit the code used for the
+ drawings behind the background path from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritbackgroundpath|[from=|\marg{another shape name}|]|}
+ Inherits the background path code from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritbeforebackgroundpath|[from=|\marg{another shape name}|]|}
+ Inherits the before background path code from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritbehindforegroundpath|[from=|\marg{another shape name}|]|}
+ Inherits the behind foreground path code from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritforegroundpath|[from=|\marg{another shape name}|]|}
+ Inherits the foreground path code from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritbeforeforegroundpath|[from=|\marg{another shape name}|]|}
+ Inherits the before foreground path code from \meta{another shape name}.
+ \end{command}
+ \begin{command}{\inheritanchor|[from=|\marg{another shape name}|]|\marg{name}}
+ Inherits the code of one specific anchor named \meta{name} from
+ \meta{another shape name}. Thus, unlike saved anchors, which must
+ be inherited collectively, normal anchors can and must be
+ inherited individually.
+ \end{command}
+ \begin{command}{\inheritanchorborder|[from=|\marg{another shape name}|]|}
+ Inherits the border anchor code from \meta{another shape name}.
+ \end{command}
+
+ The following example shows how a shape can be defined that relies
+ heavily on inheritance:
+\makeatletter
+\begin{codeexample}[]
+\pgfdeclareshape{document}{
+ \inheritsavedanchors[from=rectangle] % this is nearly a rectangle
+ \inheritanchorborder[from=rectangle]
+ \inheritanchor[from=rectangle]{center}
+ \inheritanchor[from=rectangle]{north}
+ \inheritanchor[from=rectangle]{south}
+ \inheritanchor[from=rectangle]{west}
+ \inheritanchor[from=rectangle]{east}
+ % ... and possibly more
+ \backgroundpath{% this is new
+ % store lower right in xa/ya and upper right in xb/yb
+ \southwest \pgf@xa=\pgf@x \pgf@ya=\pgf@y
+ \northeast \pgf@xb=\pgf@x \pgf@yb=\pgf@y
+ % compute corner of ``flipped page''
+ \pgf@xc=\pgf@xb \advance\pgf@xc by-5pt % this should be a parameter
+ \pgf@yc=\pgf@yb \advance\pgf@yc by-5pt
+ % construct main path
+ \pgfpathmoveto{\pgfpoint{\pgf@xa}{\pgf@ya}}
+ \pgfpathlineto{\pgfpoint{\pgf@xa}{\pgf@yb}}
+ \pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yb}}
+ \pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@yc}}
+ \pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@ya}}
+ \pgfpathclose
+ % add little corner
+ \pgfpathmoveto{\pgfpoint{\pgf@xc}{\pgf@yb}}
+ \pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yc}}
+ \pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@yc}}
+ \pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yc}}
+ }
+}\hskip-1.2cm
+\begin{tikzpicture}
+ \node[shade,draw,shape=document,inner sep=2ex] (x) {Remark};
+ \node[fill=examplefill,draw,ellipse,double]
+ at ([shift=(-80:3cm)]x) (y) {Use Case};
+
+ \draw[dashed] (x) -- (y);
+\end{tikzpicture}
+\end{codeexample}
+
+\end{command}
+
+
+
+
+\subsection{Predefined Shapes}
+
+\begin{shape}{coordinate}
+ The |coordinate| is mainly intended to be used to store locations
+ using the node mechanism. This shape does not have any background
+ path and options like |draw| have no effect on it. Also, it does not
+ have any node parts, so no text is drawn when this shape is used.
+
+ \tikzname\ handles this shape in a special way, see
+ Section~\ref{section-tikz-coordinate-shape}.
+\end{shape}
+
+\begin{shape}{rectangle}
+ This shape is a rectangle tightly fitting the text box. Use inner or
+ outer separation to increase the distance between the text box and
+ the border and the anchors. The following figure shows the anchors
+ defined by this shape; the anchors |10| and |130| are example of border
+ anchors.
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=rectangle,style=shape example] {Rectangle\vrule width 1pt height 2cm};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/above, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, 10/right, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates {(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+\begin{shape}{circle}
+ This shape is a circle tightly fitting the text box.
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=circle,style=shape example] {Circle\vrule width 1pt height 2cm};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/above, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, 10/right, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates {(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-paths.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-paths.tex
new file mode 100644
index 00000000000..4117a63eff7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-paths.tex
@@ -0,0 +1,667 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Constructing Paths}
+
+\subsection{Overview}
+
+The ``basic entity of drawing'' in \pgfname\ is the \emph{path}. A
+path consists of several parts, each of which is either a closed or
+open curve. An open curve has a starting point and an end point and,
+in between, consists of several \emph{segments}, each of which is
+either a straight line or a Bzier curve. Here is an example of a
+path (in red) consisting of two parts, one open, one closed:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=2]
+ \draw[thick,red]
+ (0,0) coordinate (a)
+ -- coordinate (ab) (1,.5) coordinate (b)
+ .. coordinate (bc) controls +(up:1cm) and +(left:1cm) .. (3,1) coordinate (c)
+ (0,1) -- (2,1) -- coordinate (x) (1,2) -- cycle;
+
+ \draw (a) node[below] {start part 1}
+ (ab) node[below right] {straight segment}
+ (b) node[right] {end first segment}
+ (c) node[right] {end part 1}
+ (x) node[above right] {part 2 (closed)};
+\end{tikzpicture}
+\end{codeexample}
+
+A path, by itself, has no ``effect,'' that is, it does not leave any
+marks on the page. It is just a set of points on the plane. However,
+you can \emph{use} a path in different ways. The most natural actions
+are \emph{stroking} (also known as \emph{drawing}) and
+\emph{filling}. Stroking can be imagined as picking up a pen of a
+certain diameter and ``moving it along the path.'' Filling means that
+everything ``inside'' the path is filled with a uniform
+color. Naturally, the open parts of a path must first be closed before
+a path can be filled.
+
+In \pgfname, there are numerous commands for constructing paths, all
+of which start with |\pgfpath|. There are also commands for
+\emph{using} paths, though most operations can be performed by calling
+|\pgfusepath| with an appropriate parameter.
+
+As a side-effect, the path construction commands keep track of two
+bounding boxes. One is the bounding box for the current path, the
+other is a bounding box for all paths in the current picture. See
+Section~\ref{section-bb} for more details.
+
+Each path construction command extends the current path in some
+way. The ``current path'' is a global entity that persists across
+\TeX\ groups. Thus, between calls to the path construction commands
+you can perform arbitrary computations and even open and closed \TeX\
+groups. The current path only gets ``flushed'' when the |\pgfusepath|
+command is called (or when the soft-path subsystem is used directly,
+see Section~\ref{section-soft-paths}).
+
+\subsection{The Move-To Path Operation}
+
+The most basic operation is the move-to operation. It must be given at
+the beginning of paths, though some path construction command (like
+|\pgfpathrectangle|) generate move-tos implicitly. A move-to operation
+can also be used to start a new part of a path.
+
+\begin{command}{\pgfpathmoveto\marg{coordinate}}
+ This command expects a \pgfname-coordinate like |\pgfpointorigin| as
+ its parameter. When the current path is empty, this operation will
+ start the path at the given \meta{coordinate}. If a path has already
+ been partly constructed, this command will end the current part of
+ the path and start a new one.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{2cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{3cm}{0.5cm}}
+ \pgfpathlineto{\pgfpoint{3cm}{0cm}}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{2cm}{1cm}}
+ \pgfpathmoveto{\pgfpoint{2cm}{1cm}} % New part
+ \pgfpathlineto{\pgfpoint{3cm}{0.5cm}}
+ \pgfpathlineto{\pgfpoint{3cm}{0cm}}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply the current coordinate transformation matrix
+ to \meta{coordinate} before using it.
+
+ The command will update the bounding box of the current path and
+ picture, if necessary.
+\end{command}
+
+
+\subsection{The Line-To Path Operation}
+
+\begin{command}{\pgfpathlineto\marg{coordinate}}
+ This command extends the current path in a straight line to the
+ given \meta{coordinate}. If this command is given at the beginning
+ of path without any other path construction command given before (in
+ particular without a move-to operation), the \TeX\ file may compile
+ without an error message, but a viewer application may display an
+ error message when trying to render the picture.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{2cm}{1cm}}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply the current coordinate transformation matrix
+ to \meta{coordinate} before using it.
+
+ The command will update the bounding box of the current path and
+ picture, if necessary.
+\end{command}
+
+
+\subsection{The Curve-To Path Operation}
+
+\begin{command}{\pgfpathcurveto\marg{support 1}\marg{support 2}\marg{coordinate}}
+ This command extends the current path with a Bzier curve from the
+ last point of the path to \meta{coordinate}. The \meta{support 1}
+ and \meta{support 2} are the first and second support point of the
+ Bzier curve. For more information on Bzier curve, please consult a
+ standard textbook on computer graphics.
+
+ Like the line-to command, this command may not be the first path
+ construction command in a path.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathcurveto
+ {\pgfpoint{1cm}{1cm}}{\pgfpoint{2cm}{1cm}}{\pgfpoint{3cm}{0cm}}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply the current coordinate transformation matrix
+ to \meta{coordinate} before using it.
+
+ The command will update the bounding box of the current path and
+ picture, if necessary. However, the bounding box is simply made
+ large enough such that it encompasses all of the support points and
+ the \meta{coordinate}. This will guarantee that the curve is
+ completely inside the bounding box, but the bounding box will
+ typically be quite a bit too large. It is not clear (to me) how this
+ can be avoided without resorting to ``some serious math'' in order
+ to calculate a precise bounding box.
+\end{command}
+
+
+\subsection{The Close Path Operation}
+
+\begin{command}{\pgfpathclose}
+ This command closes the current part of the path by appending a
+ straight line to the start point of the current part. Note that there
+ \emph{is} a difference between closing a path and using the line-to
+ operation to add a straight line to the start of the current
+ path. The difference is demonstrated by the upper corners of the triangles
+ in the following example:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfsetlinewidth{5pt}
+ \pgfpathmoveto{\pgfpoint{1cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{0cm}{-1cm}}
+ \pgfpathlineto{\pgfpoint{1cm}{-1cm}}
+ \pgfpathclose
+ \pgfpathmoveto{\pgfpoint{2.5cm}{1cm}}
+ \pgfpathlineto{\pgfpoint{1.5cm}{-1cm}}
+ \pgfpathlineto{\pgfpoint{2.5cm}{-1cm}}
+ \pgfpathlineto{\pgfpoint{2.5cm}{1cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsection{Arc, Ellipse and Circle Path Operations}
+
+The path construction commands that we have discussed up to now are
+sufficient to create all paths that can be created ``at all.''
+However, it is useful to have special commands to create certain
+shapes, like circles, that arise often in practice.
+
+In the following, the commands for adding (parts of) (transformed)
+circles to a path are described.
+
+\begin{command}{\pgfpatharc\marg{start angle}\marg{end
+ angle}\marg{radius}}
+ This command appends a part of a circle (or an ellipse) to the current
+ path. Imaging the curve between \meta{start angle} and \meta{end
+ angle} on a circle of radius \meta{radius} (if $\meta{start angle}
+ < \meta{end angle}$, the curve goes around the circle
+ counterclockwise, otherwise clockwise). This curve is now moved such
+ that the point where the curve starts is the previous last point of the
+ path. Note that this command will \emph{not} start a new part of the
+ path, which is important for example for filling purposes.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{0cm}{1cm}}
+ \pgfpatharc{180}{90}{.5cm}
+ \pgfpathlineto{\pgfpoint{3cm}{1.5cm}}
+ \pgfpatharc{90}{-45}{.5cm}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+
+ Saying |\pgfpatharc{0}{360}{1cm}| ``nearly'' gives you a full
+ circle. The ``nearly'' refers to the fact that the circle will not
+ be closed. You can close it using |\pgfpathclose|.
+
+ The \meta{radius} need not always be a single \TeX\
+ dimension. Instead, it can also contain a slash, in which case it
+ must consist of two dimensions separated by this slash. In this
+ case the first dimension is the $x$-radius and the second the
+ $y$-radius of the ellipse from which the curve is taken:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpatharc{180}{45}{2cm/1cm}
+ \pgfusepath{draw}
+\end{tikzpicture}
+\end{codeexample}
+
+ The axes of the circle or ellipse from which the arc is ``taken''
+ always point up and right. However, the current coordinate
+ transformation matrix will have an effect on the arc. This can be
+ used to, say, rotate an arc:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformrotate{30}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpatharc{180}{45}{2cm/1cm}
+ \pgfusepath{draw}
+\end{tikzpicture}
+\end{codeexample}
+
+ The command will update the bounding box of the current path and
+ picture, if necessary. Unless rotation or shearing transformations
+ are applied, the bounding box will be tight.
+\end{command}
+
+\begin{command}{\pgfpathellipse\marg{center}\marg{first
+ axis}\marg{second axis}}
+ The effect of this command is to append an ellipse to the current
+ path (if the path is not empty, a new part is started). The
+ ellipse's center will be \meta{center} and \meta{first axis} and
+ \meta{second axis} are the axis \emph{vectors}. The same effect as
+ this command can also be achieved using an appropriate sequence of
+ move-to, arc, and close operations, but this command is easier and
+ faster.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathellipse{\pgfpoint{1cm}{0cm}}
+ {\pgfpoint{1.5cm}{0cm}}
+ {\pgfpoint{0cm}{1cm}}
+ \pgfusepath{draw}
+ \color{red}
+ \pgfpathellipse{\pgfpoint{1cm}{0cm}}
+ {\pgfpoint{1cm}{1cm}}
+ {\pgfpoint{-0.5cm}{0.5cm}}
+ \pgfusepath{draw}
+\end{tikzpicture}
+\end{codeexample}
+
+ The command will apply coordinate transformations to all coordinates
+ of the ellipse. However, the coordinate transformations are applied
+ only after the ellipse is ``finished conceptually.'' Thus, a
+ transformation of 1cm to the right will simply shift the ellipse one
+ centimeter to the right; it will not add 1cm to the $x$-coordinates
+ of the two axis vectors.
+
+ The command will update the bounding box of the current path and
+ picture, if necessary.
+\end{command}
+
+\begin{command}{\pgfpathcirlce\marg{center}\marg{radius}}
+ A shorthand for |\pgfpathellipse| applied to \meta{center} and the
+ two axis vectors $(\meta{radius},0)$ and $(0,\meta{radius})$.
+\end{command}
+
+
+\subsection{Rectangle Path Operations}
+
+Another shape that arises frequently is the rectangle. Two commands
+can be used to add a rectangle to the current path. Both commands will
+start a new part of the path.
+
+
+\begin{command}{\pgfpathrectangle\marg{corner}\marg{diagonal vector}}
+ Adds a rectangle to the path whose one corner is \meta{corner} and
+ whose opposite corner is given by $\meta{corner} + \meta{diagonal
+ vector}$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathrectangle{\pgfpoint{1cm}{0cm}}{\pgfpoint{1.5cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{1.5cm}{0.25cm}}{\pgfpoint{1.5cm}{1cm}}
+ \pgfpathrectangle{\pgfpoint{2cm}{0.5cm}}{\pgfpoint{1.5cm}{1cm}}
+ \pgfusepath{draw}
+\end{tikzpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes tightly.
+\end{command}
+
+
+\begin{command}{\pgfpathrectanglecorners\marg{corner}\marg{opposite corner}}
+ Adds a rectangle to the path whose two opposing corners are
+ \meta{corner} and \meta{opposite corner}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathrectanglecorners{\pgfpoint{1cm}{0cm}}{\pgfpoint{1.5cm}{1cm}}
+ \pgfusepath{draw}
+\end{tikzpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes tightly.
+\end{command}
+
+
+
+\subsection{The Grid Path Operation}
+
+\begin{command}{\pgfpathgrid\oarg{options}\marg{lower left}\marg{upper right}}
+ Appends a grid to the current path. That is, a (possibly large)
+ number of parts are added to the path, each part consisting of a
+ single horizontal or vertical straight line segment.
+
+ Conceptually, the origin is part of the grid and the grid is clipped
+ to the rectangle specified by the \meta{lower left} and
+ the \meta{upper right} corner. However, no clipping occurs (this
+ command just adds parts to the current path). Rather, the points
+ where the lines enter and leave the ``clipping area'' are computed
+ and used to add simple lines to the current path.
+
+ Allowed \meta{options} are:
+ \begin{itemize}
+ \itemoption{stepx}|=|\meta{dimension}
+ Sets the horizontal stepping to \meta{dimension}. Default is 1cm.
+ \itemoption{stepy}|=|\meta{dimension}
+ Sets the vertical stepping to \meta{dimension}. Default is 1cm.
+ \itemoption{step}|=|\meta{vector}
+ Sets the horizontal stepping to the $x$-coordinate of
+ \meta{vector} and the vertical stepping to its $y$-coordinate.
+ \end{itemize}
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetlinewidth{0.8pt}
+ \pgfpathgrid[step={\pgfpoint{1cm}{1cm}}]
+ {\pgfpoint{-3mm}{-3mm}}{\pgfpoint{33mm}{23mm}}
+ \pgfusepath{stroke}
+ \pgfsetlinewidth{0.4pt}
+ \pgfpathgrid[stepx=1mm,stepy=1mm]
+ {\pgfpoint{-1.5mm}{-1.5mm}}{\pgfpoint{31.5mm}{21.5mm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes tightly. As for ellipses, the transformations are
+ applied to the ``conceptually finished'' grid.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgftransformrotate{10}
+ \pgfpathgrid[stepx=1mm,stepy=2mm]{\pgfpoint{0mm}{0mm}}{\pgfpoint{30mm}{30mm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsection{The Parabola Path Operation}
+
+\begin{command}{\pgfpathparabola\marg{bend vector}\marg{end vector}}
+ This command appends two half-parabolas to the current path. The
+ first starts at the current point and ends at the current point plus
+ \meta{bend vector}. At his point, it has its bend. The second half
+ parabola starts at that bend point and end at point that is given by
+ the bend plus \meta{end vector}.
+
+ If you set \meta{end vector} to the null vector, you append only a
+ half parabola that goes from the current point to the bend; by
+ setting \meta{bend vector} to the null vector, you append only a
+ half parabola that goes to current point plus \meta{end vector} and
+ has its bend at the current point.
+
+ It is not possible to use this command to draw a part of a parabola
+ that does not contain the bend.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ % Half-parabola going ``up and right''
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathparabola{\pgfpointorigin}{\pgfpoint{2cm}{4cm}}
+ \color{red}
+ \pgfusepath{stroke}
+
+ % Half-parabola going ``down and right''
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathparabola{\pgfpoint{-2cm}{4cm}}{\pgfpointorigin}
+ \color{blue}
+ \pgfusepath{stroke}
+
+ % Full parabola
+ \pgfpathmoveto{\pgfpoint{-2cm}{2cm}}
+ \pgfpathparabola{\pgfpoint{1cm}{-1cm}}{\pgfpoint{2cm}{4cm}}
+ \color{orange}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes.
+\end{command}
+
+
+\subsection{Sine and Cosine Path Operations}
+
+Sine and cosine curves often need to be drawn and the following commands
+may help with this. However, they only allow you to append sine and
+cosine curves in intervals that are multiples of $\pi/2$.
+
+\begin{command}{\pgfpathsine\marg{vector}}
+ This command appends a sine curve in the interval $[0,\pi/2]$ to the
+ current path. The sine curve is squeezed or stretched such that the
+ curve starts at the current point and ends at the current point plus
+ \meta{vector}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,1);
+ \pgfpathmoveto{\pgfpoint{1cm}{0cm}}
+ \pgfpathsine{\pgfpoint{1cm}{1cm}}
+ \pgfusepath{stroke}
+
+ \color{red}
+ \pgfpathmoveto{\pgfpoint{1cm}{0cm}}
+ \pgfpathsine{\pgfpoint{-2cm}{-2cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes.
+\end{command}
+
+\begin{command}{\pgfpathcosine\marg{vector}}
+ This command appends a cosine curve in the interval $[0,\pi/2]$ to the
+ current path. The curve is squeezed or stretched such that the
+ curve starts at the current point and ends at the current point plus
+ \meta{vector}. Using several sine and cosine operations in sequence
+ allows you to produce a complete sine or cosine curve
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpoint{0cm}{0cm}}
+ \pgfpathsine{\pgfpoint{1cm}{1cm}}
+ \pgfpathcosine{\pgfpoint{1cm}{-1cm}}
+ \pgfpathsine{\pgfpoint{1cm}{-1cm}}
+ \pgfpathcosine{\pgfpoint{1cm}{1cm}}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{fill,stroke}
+\end{pgfpicture}
+\end{codeexample}
+ The command will apply coordinate transformations and update the
+ bounding boxes.
+\end{command}
+
+
+\subsection{Plot Path Operations}
+
+There exist several commands for appending
+plots to a path. These
+commands are available through the package |pgfbaseplot|. They are
+documented in Section~\ref{section-plots}.
+
+
+\subsection{Rounded Corners}
+
+Normally, when you connect two straight line segments or when you
+connect two curves that end and start ``at different angles'' you get
+``sharp corners'' between the lines or curves. In some cases it is
+desirable to produce ``rounded corners'' instead. Thus, the lines
+or curves should be shortened a bit and then connected by arcs.
+
+\pgfname\ offers an easy way to achieve this effect, by calling the
+following two commands.
+
+\begin{command}{\pgfsetcornersarced\marg{point}}
+ This command causes all subsequent corners to be replaced by little
+ arcs. The effect of this command lasts till the end of the current
+ \TeX\ scope.
+
+ The \meta{point} dictates how large the corner arc will be. Consider
+ a corner made by two lines $l$ and~$r$ and assume that the line $l$
+ comes first on the path. The $x$-dimension of the \meta{point}
+ decides by how much the line~$l$ will be shortened, the
+ $y$-dimension of \meta{point} decides by how much the line $r$ will
+ be shortened. Then, the shortened lines are connected by an arc.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+
+ \pgfsetcornersarced{\pgfpoint{5mm}{5mm}}
+ \pgfpathrectanglecorners{\pgfpointorigin}{\pgfpoint{3cm}{2cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+
+ \pgfsetcornersarced{\pgfpoint{10mm}{5mm}}
+ % 10mm entering,
+ % 5mm leaving.
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{0cm}{2cm}}
+ \pgfpathlineto{\pgfpoint{3cm}{2cm}}
+ \pgfpathcurveto
+ {\pgfpoint{3cm}{0cm}}
+ {\pgfpoint{2cm}{0cm}}
+ {\pgfpoint{1cm}{0cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+ If the $x$- and $y$-coordinates of \meta{point} are the same and the
+ corner is a right angle, you will get a perfect quarter circle
+ (well, not quite perfect, but perfect up to six decimals). When the
+ angle is not $90^\circ$, you only get a fair approximation.
+
+ More or less ``all'' corners will be rounded, even the corner
+ generated by a |\pgfpathclose| command. (The author is a bit proud
+ of this feature.)
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetcornersarced{\pgfpoint{4pt}{4pt}}
+ \pgfpathmoveto{\pgfpointpolar{0}{1cm}}
+ \pgfpathlineto{\pgfpointpolar{72}{1cm}}
+ \pgfpathlineto{\pgfpointpolar{144}{1cm}}
+ \pgfpathlineto{\pgfpointpolar{216}{1cm}}
+ \pgfpathlineto{\pgfpointpolar{288}{1cm}}
+ \pgfpathclose
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ To return to normal (unrounded) corners, use
+ |\pgfsetcornersarced{\pgfpointorigin}|.
+
+ Note that the rounding will produce strange and undesirable effects
+ if the lines at the corners are too short. In this case the
+ shortening may cause the lines to ``suddenly extend over the other
+ end'' which is rarely desirable.
+\end{command}
+
+
+
+
+\subsection{Internal Tracking of Bounding Boxes for Paths and Pictures}
+
+\label{section-bb}
+
+\makeatletter
+
+The path construction commands keep track of two bounding boxes: One
+for the current path, which is reset whenever the path is used and
+thereby flushed, and a bounding box for the current |{pgfpicture}|.
+
+The bounding boxes are not accessible by ``normal'' macros. Rather,
+two sets of four dimension variables are used for this, all of which
+contain the letter~|@|.
+
+\begin{textoken}{\pgf@pathminx}
+ The minimum $x$-coordinate ``mentioned'' in the current
+ path. Initially, this is set to $16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@pathmaxx}
+ The maximum $x$-coordinate ``mentioned'' in the current
+ path. Initially, this is set to $-16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@pathminy}
+ The minimum $y$-coordinate ``mentioned'' in the current
+ path. Initially, this is set to $16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@pathmaxy}
+ The maximum $y$-coordinate ``mentioned'' in the current
+ path. Initially, this is set to $-16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@picminx}
+ The minimum $x$-coordinate ``mentioned'' in the current
+ picture. Initially, this is set to $16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@picmaxx}
+ The maximum $x$-coordinate ``mentioned'' in the current
+ picture. Initially, this is set to $-16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@picminy}
+ The minimum $y$-coordinate ``mentioned'' in the current
+ picture. Initially, this is set to $16000$pt.
+\end{textoken}
+
+\begin{textoken}{\pgf@picmaxy}
+ The maximum $y$-coordinate ``mentioned'' in the current
+ picture. Initially, this is set to $-16000$pt.
+\end{textoken}
+
+
+Each time a path construction command is called, the above variables
+are (globally) updated. To facilitate this, you can use the following
+command:
+
+\begin{command}{\pgf@protocolsizes\marg{x-dimension}\marg{y-dimension}}
+ Updates all of the above dimension in such a way that the point
+ specified by the two arguments is inside both bounding boxes. For
+ the picture's bounding box this updating occurs only if
+ |\ifpgf@relevantforpicturesize| is true, see below.
+\end{command}
+
+For the bounding box of the picture it is not always desirable that
+every path construction command affects this bounding box. For
+example, if you have just used a clip command, you do not want anything
+outside the clipping area to affect the bounding box. For this reason,
+there exists a special ``\TeX\ if'' that (locally) decides whether
+updating should be applied to the picture's bounding box. Clipping
+will set this if to false, as will certain other commands.
+
+\begin{command}{\pgf@relevantforpicturesizefalse}
+ Suppresses updating of the picture's bounding box.
+\end{command}
+
+\begin{command}{\pgf@relevantforpicturesizetrue}
+ Causes updating of the picture's bounding box.
+\end{command}
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-plots.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-plots.tex
new file mode 100644
index 00000000000..5c5a1738bc8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-plots.tex
@@ -0,0 +1,365 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Creating Plots}
+
+\label{section-plots}
+
+This section describes the |pgfbaseplot| package.
+
+\begin{package}{pgfbaseplot}
+ This package provides a set of commands that are intended to make it
+ reasonably easy to plot functions using \pgfname. It is loaded
+ automatically by |pgf|, but you can load it manually if you have
+ only included |pgfcore|.
+\end{package}
+
+\subsection{Overview}
+
+\subsubsection{When Should One Use PGF for Generating Plots? }
+
+There exist many powerful programs that produce plots, examples are
+\textsc{gnuplot} or \textsc{mathematica}. These programs can produce
+two different kinds of output: First, they can output a complete plot
+picture in a certain format (like \pdf) that includes all low-level
+commands necessary for drawing the complete plot (including axes and
+labels). Second, they can usually also produce ``just plain data'' in
+the form of a long list of coordinates. Most of the powerful programs
+consider it a to be ``a bit boring'' to just output tabled data and
+very much prefer to produce fancy pictures. Nevertheless, when coaxed,
+they can also provide the plain data.
+
+The plotting mechanism described in the following deals only with
+plotting data given in the form of a list of coordinates. Thus, this
+section is about using \pgfname\ to turn lists of coordinates into
+plots.
+
+\emph{Note that is often not necessary to use \pgfname\ for this.}
+Programs like \textsc{gnuplot} can produce very sophisticated plots
+and it is usually much easier to simply include these plots as a
+finished \textsc{pdf} or PostScript graphics.
+
+However, there are a number of reasons why you may wish to invest time
+and energy into mastering the \pgfname\ commands for creating plots:
+
+\begin{itemize}
+\item
+ Virtually all plots produced by ``external programs'' use different
+ fonts from the one used in your document.
+\item
+ Even worse, formulas will look totally different, if they can be
+ rendered at all.
+\item
+ Line width will usually be too large or too small.
+\item
+ Scaling effects upon inclusion can create a mismatch between sizes
+ in the plot and sizes in the text.
+\item
+ The automatic grid generated by most programs is mostly
+ distracting.
+\item
+ The automatic ticks generated by most programs are cryptic
+ numerics. (Try adding a tick reading ``$\pi$'' at the right point.)
+\item
+ Most programs make it very easy to create ``chart junk'' in a most
+ convenient fashion. All show, no content.
+\item
+ Arrows and plot marks will almost never match the arrows used in the
+ rest of the document.
+\end{itemize}
+
+The above list is not exhaustive, unfortunately.
+
+
+\subsubsection{How PGF Handles Plots}
+
+\pgfname\ (conceptually) uses a two-stage process for generating
+plots. First, a \emph{plot stream} must be produced. This stream
+consists (more or less) of a large number of coordinates. Second a
+\emph{plot handler} is applied to the stream. A plot handler ``does
+something'' with the stream. The standard handler will issue
+line-to operations to the coordinates in the stream. However, a
+handler might also try to issue appropriate curve-to operations in
+order to smooth the curve. A handler may even do something else
+entirely, like writing each coordinate to another stream, thereby
+duplicating the original stream.
+
+Both for the creation of streams and the handling of streams different
+sets of commands exist. The commands for creating streams start with
+|\pgfplotstream|, the commands for setting the handler start with
+|\pgfplothandler|.
+
+
+
+\subsection{Generating Plot Streams}
+
+\subsubsection{Basic Building Blocks of Plot Streams}
+A \emph{plot stream} is a (long) sequence of the following three
+commands:
+\begin{enumerate}
+\item
+ |\pgfplotstreamstart|,
+\item
+ |\pgfplotstreampoint|, and
+\item
+ |\pgfplotstreamend|.
+\end{enumerate}
+Between calls of these commands arbitrary other code may be
+called. Obviously, the stream should start with the first command and
+end with the last command. Here is an example of a plot stream:
+\begin{codeexample}[code only]
+\pgfplotstreamstart
+\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+\newdimen\mydim
+\mydim=2cm
+\pgfplotstreampoint{\pgfpoint{\mydim}{2cm}}
+\advance \mydim by 3cm
+\pgfplotstreampoint{\pgfpoint{\mydim}{2cm}}
+\pgfplotstreamend
+\end{codeexample}
+
+\begin{command}{\pgfplotstreamstart}
+ This command signals that a plot stream starts. The effect of this
+ command is to call the internal command |\pgf@plotstreamstart|,
+ which is set by the current plot handler to do whatever needs to be
+ done at the beginning of the plot.
+\end{command}
+
+\begin{command}{\pgfplotstreampoint\marg{point}}
+ This command adds a \meta{point} to the current plot stream. The
+ effect of this command is to call the internal command |\pgf@plotstreampoint|,
+ which is also set by the current plot handler. This command should
+ now ``handle'' the point in some sensible way. For example, a
+ line-to command might be issued for the point.
+\end{command}
+
+\begin{command}{\pgfplotstreamend}
+ This command signals that a plot stream ends. It calls
+ |\pgf@plotstreamend|, which should now do any necessary ``cleanup.''
+\end{command}
+
+Note that plot streams are not buffered, that is, the different points
+are handled immediately. However, using the recording handler, it is
+possible to record a stream.
+
+\subsubsection{Commands That Generate Plot Streams}
+
+Plot streams can be created ``by hand'' as in the earlier
+example. However, most of the time the coordinates will be produced
+internally by some command. For example, the |\pgfplotxyfile| reads a
+file and converts it into a plot stream.
+
+\begin{command}{\pgfplotxyfile\marg{filename}}
+ This command will try to open the file \meta{filename}. If this
+ succeeds, it will convert the file contents into a plot stream as
+ follows: A |\pgfplotstreamstart| is issued. Then, each nonempty line
+ of the file should start with two numbers separated by a space, such
+ as |0.1 1| or |100 -.3|. Anything following the numbers is ignored.
+
+ Each pair \meta{x} and \meta{y} of numbers is converted into one
+ plot stream point in the xy-coordinate system. Thus, a line like
+\begin{codeexample}[code only]
+2 -5 some text
+\end{codeexample}
+ is turned into
+\begin{codeexample}[code only]
+\pgfplotstreampoint{\pgfpointxy{2}{-5}}
+\end{codeexample}
+
+ The two characters |%| and |#| are also allowed in a file and they
+ are both treated as comment characters. Thus, a line starting with
+ either of them is empty and, hence, ignored.
+
+ When the file has been read completely, |\pgfplotstreamend| is
+ called.
+\end{command}
+
+
+\begin{command}{\pgfplotxyzfile\marg{filename}}
+ This command works like |\pgfplotxyfile|, only \emph{three} numbers
+ are expected on each non-empty line. They are converted into points
+ in the xyz-coordinate system. Consider, the following file:
+\begin{codeexample}[code only]
+% Some comments
+# more comments
+2 -5 1 first entry
+2 -.2 2 second entry
+2 -5 2 third entry
+\end{codeexample}
+ It is turned into the following stream:
+\begin{codeexample}[code only]
+\pgfplotstreamstart
+\pgfplotstreampoint{\pgfpointxyz{2}{-5}{1}}
+\pgfplotstreampoint{\pgfpointxyz{2}{-.2}{2}}
+\pgfplotstreampoint{\pgfpointxyz{2}{-5}{2}}
+\pgfplotstreamend
+\end{codeexample}
+\end{command}
+
+
+Currently, there is no command that can decide automatically whether
+the xy-coordinate system should be used or whether the xyz-system
+should be used. However, it would not be terribly difficult to write a
+``smart file reader'' that parses coordinate files a bit more
+intelligently.
+
+
+\begin{command}{\pgfplotgnuplot\oarg{prefix}\marg{function}}
+ This command will ``try'' to call the \textsc{gnuplot} program to
+ generate the coordinates of the \meta{function}. In detail, the
+ following happens:
+
+ This command works with two files: \meta{prefix}|.gnuplot| and
+ \meta{prefix}|.table|. If the optional argument \meta{prefix} is
+ not given, it is set to |\jobname|.
+
+ Let us start with the situation where none of these files
+ exists. Then \pgfname\ will first generate the file
+ \meta{prefix}|.gnuplot|. In this file it writes
+\begin{codeexample}[code only]
+set terminal table; set output "#1.table"; set format "%.5f"
+\end{codeexample}
+ where |#1| is replaced by \meta{prefix}. Then, in a second line, it
+ writes the text \meta{function}.
+
+ Next, \pgfname\ will try to invoke the program |gnuplot| with the
+ argument \meta{prefix}|.gnuplot|. This call may or may not succeed,
+ depending on whether the |\write18| mechanism (also known as
+ shell escape) is switched on and whether the |gnuplot| program is
+ available.
+
+ Assuming that the call succeeded, the next step is to invoke
+ |\pgfplotxyfile| on the file \meta{prefix}|.table|; which is exactly
+ the file that has just been created by |gnuplot|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,-1) grid (4,1);
+ \pgfplothandlerlineto
+ \pgfplotgnuplot[plots/pgfplotgnuplot-example]{plot [x=0:3.5] x*sin(x)}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+ The more difficult situation arises when the |.gnuplot| file exists,
+ which will be the case on the second run of \TeX\ on the \TeX\
+ file. In this case \pgfname\ will read this file and check whether
+ it contains exactly what \pgfname\ ``would have written'' into
+ this file. If this is not the case, the file contents is overwritten
+ with what ``should be there'' and, as above, |gnuplot| is invoked to
+ generate a new |.table| file. However, if the file contents is ``as
+ expected,'' the external |gnuplot| program is \emph{not}
+ called. Instead, the \meta{prefix}|.table| file is immediately
+ read.
+
+ As explained in Section~\ref{section-tikz-gnuplot}, the net effect
+ of the above mechanism is that |gnuplot| is called as little as
+ possible and that when you pass along the |.gnuplot| and |.table|
+ files with your |.tex| file to someone else, that person can
+ \TeX\ the |.tex| file without having |gnuplot| installed and without
+ having the |\write18| mechanism switched on.
+\end{command}
+
+
+
+\subsection{Plot Handlers}
+
+\label{section-plot-handlers}
+
+A \emph{plot handler} prescribes what ``should be done'' with a
+plot stream. You must set the plot handler before the stream starts.
+The following commands install the most basic plot handlers; more plot
+handlers are defined in the file |pgflibraryplothandlers|, which is
+documented in Section~\ref{section-library-plothandlers}.
+
+All plot handlers work by setting redefining the following three
+macros: |\pgf@plotstreamstart|, |\pgf@plotstreampoint|, and
+|\pgf@plotstreamend|.
+
+\begin{command}{\pgfplothandlerlineto}
+ This handler will issue a |\pgfpathlineto| command for each point of
+ the plot, \emph{except} possibly for the first. What happens with
+ the first point can be specified using the two commands described
+ below.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfplothandlerlineto
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{1cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{3cm}{2cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{2cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetmovetofirstplotpoint}
+ Specifies that the line-to plot handler (and also some other plot
+ handlers) should issue a move-to command for the
+ first point of the plot instead of a line-to. This will start a new
+ part of the current path, which is not always, but often,
+ desirable. This is the default.
+\end{command}
+
+\begin{command}{\pgfsetlinetofirstplotpoint}
+ Specifies that plot handlers should issue a line-to command for the
+ first point of the plot.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfsetlinetofirstplotpoint
+ \pgfplothandlerlineto
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{1cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{3cm}{2cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{2cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfplothandlerdiscard}
+ This handler will simply throw away the stream.
+\end{command}
+
+\begin{command}{\pgfplothandlerrecord\marg{macro}}
+ When this handler is installed, each time a plot stream command is
+ called, this command will be appended to \meta{macros}. Thus, at
+ the end of the stream, \meta{macro} will contain all the
+ commands that were issued on the stream. You can then install
+ another handler and invoke \meta{macro} to ``replay'' the stream
+ (possibly many times).
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfplothandlerrecord{\mystream}
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{1cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{3cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{2cm}}
+ \pgfplotstreamend
+ \pgfplothandlerlineto
+ \mystream
+ \pgfplothandlerclosedcurve
+ \mystream
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-points.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-points.tex
new file mode 100644
index 00000000000..9c1a821e26c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-points.tex
@@ -0,0 +1,452 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Specifying Coordinates}
+
+\label{section-points}
+
+\subsection{Overview}
+
+Most \pgfname\ commands expect you to provide the coordinates of a
+\emph{point} (also called \emph{coordinate}) inside your
+picture. Points are always ``local'' to your picture, that is, they
+never refer to an absolute position on the page, but to a position
+inside the current |{pgfpicture}| environment. To specify a coordinate
+you can use commands that start with |\pgfpoint|.
+
+\subsection{Basic Coordinate Commands}
+
+The following commands are the most basic for specifying a
+coordinate.
+
+\begin{command}{\pgfpoint\marg{x coordinate}\marg{y coordinate}}
+ Yields a point location. The coordinates are given as \TeX\
+ dimensions.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathcircle{\pgfpoint{1cm}{1cm}} {2pt}
+ \pgfpathcircle{\pgfpoint{2cm}{5pt}} {2pt}
+ \pgfpathcircle{\pgfpoint{0pt}{.5in}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointorigin}
+ Yields the origin. Same as |\pgfpoint{0pt}{0pt}|.
+\end{command}
+
+\begin{command}{\pgfpointpolar\marg{degree}\marg{radius}}
+ Yields a point location given in polar coordinates. You can specify
+ the angle only in degrees, radians are not supported, currently.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+
+ \foreach \angle in {0,10,...,90}
+ {\pgfpathcircle{\pgfpointpolar{\angle}{1cm}}{2pt}}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+
+\subsection{Coordinates in the Xy- and Xyz-Coordinate Systems}
+
+Coordinates can also be specified as multiples of an $x$-vector and a
+$y$-vector. Normally, the $x$-vector points one centimeter in the
+$x$-direction and the $y$-vector points one centimeter in the
+$y$-direction, but using the commands |\pgfsetxvec| and
+|\pgfsetyvec| they can be changed. Note that the $x$- and
+$y$-vector do not necessarily point ``horizontally'' and
+``vertically.''
+
+It is also possible to specify a point as a multiple of three vectors,
+the $x$-, $y$-, and $z$-vector. This is useful for creating simple
+three dimensional graphics.
+
+\begin{command}{\pgfpointxy\marg{$s_x$}\marg{$s_y$}}
+ Yields a point that is situated at $s_x$ times the
+ $x$-vector plus $s_y$ times the $y$-vector.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointxy{1}{0}}
+ \pgfpathlineto{\pgfpointxy{2}{2}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointxyz\marg{$s_x$}\marg{$s_y$}\marg{$s_z$}}
+ Yields a point that is situated at $s_x$ times the
+ $x$-vector plus $s_y$ times the $y$-vector plus $s_z$ times the
+ $z$-vector.
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfsetarrowsend{to}
+
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpointxyz{0}{0}{1}}
+ \pgfusepath{stroke}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpointxyz{0}{1}{0}}
+ \pgfusepath{stroke}
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpointxyz{1}{0}{0}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfsetxvec\marg{point}}
+ Sets that current $x$-vector for usage in the $xyz$-coordinate
+ system.
+ \example
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+
+ \pgfpathmoveto{\pgfpointxy{1}{0}}
+ \pgfpathlineto{\pgfpointxy{2}{2}}
+ \pgfusepath{stroke}
+
+ \color{red}
+ \pgfsetxvec{\pgfpoint{0.75cm}{0cm}}
+ \pgfpathmoveto{\pgfpointxy{1}{0}}
+ \pgfpathlineto{\pgfpointxy{2}{2}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsetyvec\marg{point}}
+ Works like |\pgfsetyvec|.
+\end{command}
+
+\begin{command}{\pgfsetzvec\marg{point}}
+ Works like |\pgfsetzvec|.
+\end{command}
+
+
+
+
+\subsection{Building Coordinates From Other Coordinates}
+
+Many commands allow you to construct a coordinate in terms of other
+coordinates.
+
+
+\subsubsection{Basic Manipulations of Coordinates}
+
+\begin{command}{\pgfpointadd\marg{$v_1$}\marg{$v_2$}}
+ Returns the sum vector $\meta{$v_1$} + \meta{$v_2$}$.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathcircle{\pgfpointadd{\pgfpoint{1cm}{0cm}}{\pgfpoint{1cm}{1cm}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointscale\marg{factor}\marg{coordinate}}
+ Returns the vector $\meta{factor}\meta{coordinate}$.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathcircle{\pgfpointscale{1.5}{\pgfpoint{1cm}{0cm}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointdiff\marg{start}\marg{end}}
+ Returns the difference vector $\meta{end} - \meta{start}$.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathcircle{\pgfpointdiff{\pgfpoint{1cm}{0cm}}{\pgfpoint{1cm}{1cm}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfpointnormalised\marg{point}}
+ This command returns a normalized version of \meta{point}, that is,
+ a vector of length 1pt pointing in the direction of \meta{point}. If
+ \meta{point} is the $0$-vector or extremely short, a vector of
+ length 1pt pointing upwards is returned.
+
+ This command is \emph{not} implemented by calculating the length of
+ the vector, but rather by calculating the angle of the vector and
+ then using (something equivalent to) the |\pgfpointpolar|
+ command. This ensures that the point will really have length 1pt,
+ but it is not guaranteed that the vector will \emph{precisely} point
+ in the direction of \meta{point} due to the fact that the polar
+ tables are accurate only up to one degree. Normally, this is not a
+ problem.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathcircle{\pgfpoint{2cm}{1cm}}{2pt}
+ \pgfpathcircle{\pgfpointscale{20}
+ {\pgfpointnormalised{\pgfpoint{2cm}{1cm}}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsubsection{Points Traveling along Lines and Curves}
+
+\label{section-pointsattime}
+
+The commands in this section allow you to specify points on a line or
+a curve. Imaging a point ``traveling'' along a curve from some point
+$p$ to another point $q$. At time $t=0$ the point is at $p$ and at
+time $t=1$ it is at $q$ and at time, say, $t=1/2$ it is ``somewhere in
+the middle.'' The exact location at time $t=1/2$ will not necessarily
+be the ``halfway point,'' that is, the point whose distance on the
+curve from $p$ and $q$ is equal. Rather, the exact location will
+depend on the ``speed'' at which the point is traveling, which in
+turn depends on the lengths of the support vectors in a complicated
+manner. If you are interested in the details, please see a good book
+on Bzier curves.
+
+
+
+\begin{command}{\pgfpointlineattime\marg{time $t$}\marg{point $p$}\marg{point $q$}}
+ Yields a point that is the $t$th fraction between $p$
+ and~$q$, that is, $p + t(q-p)$. For $t=1/2$ this is the middle of
+ $p$ and $q$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{2cm}{2cm}}
+ \pgfusepath{stroke}
+ \foreach \t in {0,0.25,...,1.25}
+ {\pgftext[at=
+ \pgfpointlineattime{\t}{\pgfpointorigin}{\pgfpoint{2cm}{2cm}}]{\t}}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointlineatdistance\marg{distance}\marg{start point}\marg{end point}}
+ Yields a point that is located \meta{distance} many units removed
+ from the start point in the direction of the end point. In other
+ words, this is the point that results if we travel \meta{distance}
+ steps from \meta{start point} towards \meta{end point}.
+ \example
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathlineto{\pgfpoint{3cm}{2cm}}
+ \pgfusepath{stroke}
+ \foreach \d in {0pt,20pt,40pt,70pt}
+ {\pgftext[at=
+ \pgfpointlineatdistance{\d}{\pgfpointorigin}{\pgfpoint{3cm}{2cm}}]{\d}}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpointcurveattime\marg{time $t$}\marg{point
+ $p$}\marg{point $s_1$}\marg{point $s_2$}\marg{point $q$}}
+ Yields a point that is on the Bzier curve from $p$ to $q$ with the
+ support points $s_1$ and $s_2$. The time $t$ is used to determine
+ the location, where $t=0$ yields $p$ and $t=1$ yields $q$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathcurveto
+ {\pgfpoint{0cm}{2cm}}{\pgfpoint{0cm}{2cm}}{\pgfpoint{3cm}{2cm}}
+ \pgfusepath{stroke}
+ \foreach \t in {0,0.25,0.5,0.75,1}
+ {\pgftext[at=\pgfpointcurveattime{\t}{\pgfpointorigin}
+ {\pgfpoint{0cm}{2cm}}
+ {\pgfpoint{0cm}{2cm}}
+ {\pgfpoint{3cm}{2cm}}]{\t}}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\subsubsection{Points on Borders of Objects}
+
+The following commands are useful for specifying a point that lies on
+the border of special shapes. They are used, for example, by the shape
+mechanism to determine border points of shapes.
+
+\begin{command}{\pgfpointborderrectangle\marg{direction point}\marg{corner}}
+ This command returns a point that lies on the intersection of a line
+ starting at the origin and going towards the point \meta{direction
+ point} and a rectangle whose center is in the origin and whose
+ upper right corner is at \meta{corner}.
+
+ The \meta{direction point} should have length ``about 1pt,'' but it
+ will be normalized automatically. Nevertheless, the ``nearer'' the
+ length is to 1pt, the less rounding errors.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (2,1.5);
+ \pgfpathrectanglecorners{\pgfpoint{-1cm}{-1.25cm}}{\pgfpoint{1cm}{1.25cm}}
+ \pgfusepath{stroke}
+
+ \pgfpathcircle{\pgfpoint{5pt}{5pt}}{2pt}
+ \pgfpathcircle{\pgfpoint{-10pt}{5pt}}{2pt}
+ \pgfusepath{fill}
+ \color{red}
+ \pgfpathcircle{\pgfpointborderrectangle
+ {\pgfpoint{5pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}
+ \pgfpathcircle{\pgfpointborderrectangle
+ {\pgfpoint{-10pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfpointborderellipse\marg{direction point}\marg{corner}}
+ This command works like the corresponding command for rectangles,
+ only this time the \meta{corner} is the corner of the bounding
+ rectangle of an ellipse.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (2,1.5);
+ \pgfpathellipse{\pgfpointorigin}{\pgfpoint{1cm}{0cm}}{\pgfpoint{0cm}{1.25cm}}
+ \pgfusepath{stroke}
+
+ \pgfpathcircle{\pgfpoint{5pt}{5pt}}{2pt}
+ \pgfpathcircle{\pgfpoint{-10pt}{5pt}}{2pt}
+ \pgfusepath{fill}
+ \color{red}
+ \pgfpathcircle{\pgfpointborderellipse
+ {\pgfpoint{5pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}
+ \pgfpathcircle{\pgfpointborderellipse
+ {\pgfpoint{-10pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}
+ \pgfusepath{fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsubsection{Points on the Intersection of Lines}
+
+
+\begin{command}{\pgfpointintersectionoflines\marg{$p$}\marg{$q$}\marg{$s$}\marg{$t$}}
+ This command returns the intersection of a line going through $p$
+ and $q$ and a line going through $s$ and $t$. If the lines do not
+ intersection, an arithmetic overflow will occur.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (2,2);
+ \draw (.5,0) -- (2,2);
+ \draw (1,2) -- (2,0);
+ \pgfpathcircle{%
+ \pgfpointintersectionoflines
+ {\pgfpointxy{.5}{0}}{\pgfpointxy{2}{2}}
+ {\pgfpointxy{1}{2}}{\pgfpointxy{2}{0}}}
+ {2pt}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\subsection{Extracting Coordinates}
+
+There are two commands that can be used to ``extract'' the $x$- or
+$y$-coordinate of a coordinate.
+
+\begin{command}{\pgfextractx\marg{dimension}\marg{point}}
+ Sets the \TeX-\meta{dimension} to the $x$-coordinate of the point.
+
+\begin{codeexample}[code only]
+\newdimen\mydim
+\pgfextractx{\mydim}{\pgfpoint{2cm}{4pt}}
+%% \mydim is now 2cm
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfextracty\marg{dimension}\marg{point}}
+ Like |\pgfextractx|, except for the $y$-coordinate.
+\end{command}
+
+
+
+
+\subsection{Internals of How Point Commands Work}
+
+As a normal user of \pgfname\ you do not need to read this section. It
+is relevant only if you need to understand how the point commands work
+internally.
+
+When a command like |\pgfpoint{1cm}{2pt}| is called, all that happens
+is that the two \TeX-dimension variables |\pgf@x| and |\pgf@y| are set
+to |1cm| and |2pt|, respectively. A command like |\pgfpathmoveto| that
+takes a coordinate as parameter will just execute this parameter and
+then use the values of |\pgf@x| and |\pgf@y| as the coordinates to
+which it will move the pen on the current path.
+
+since commands like |\pgfpointnormalised| modify other variables
+besides |\pgf@x| and |\pgf@y| during the computation of the final values of
+|\pgf@x| and |\pgf@y|, it is a good idea to enclose a call of a
+command like |\pgfpoint| in a \TeX-scope and then make the changes of
+|\pgf@x| and |\pgf@y| global as in the following example:
+\begin{codeexample}[code only]
+...
+{ % open scope
+ \pgfpointnormalised{\pgfpoint{1cm}{1cm}}
+ \global\pgf@x=\pgf@x % make the change of \pgf@x persist past the scope
+ \global\pgf@y=\pgf@y % make the change of \pgf@y persist past the scope
+}
+% \pgf@x and \pgf@y are now set correctly, all other variables are
+% unchanged
+\end{codeexample}
+
+\makeatletter
+Since this situation arises very often, the macro |\pgf@process| can
+be used to perform the above code:
+\begin{command}{\pgf@process\marg{code}}
+ Executes the \meta{code} in a scope and then makes |\pgf@x| and
+ |\pgf@y| global.
+\end{command}
+
+Note that this macro is used often internally. For this reason, it is
+not a good idea to keep anything important in the variables |\pgf@x|
+and |\pgf@y| since they will be overwritten and changed
+frequently. Instead, intermediate values can ge stored in the
+\TeX-dimensions |\pgf@xa|, |\pgf@xb|, |\pgf@xc| and their
+|y|-counterparts |\pgf@ya|, |\pgf@yb|, |pgf@yc|. For example, here is
+the code of the command |\pgfpointadd|:
+\begin{codeexample}[code only]
+\def\pgfpointadd#1#2{%
+ \pgf@process{#1}%
+ \pgf@xa=\pgf@x%
+ \pgf@ya=\pgf@y%
+ \pgf@process{#2}%
+ \advance\pgf@x by\pgf@xa%
+ \advance\pgf@y by\pgf@ya}
+\end{codeexample}
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-quick.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-quick.tex
new file mode 100644
index 00000000000..8f773b5df24
--- /dev/null
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@@ -0,0 +1,166 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Quick Commands}
+
+This section explains the ``quick'' commands of \pgfname. These
+commands are executed more quickly than the normal commands of
+\pgfname, but offer less functionality. You should use these commands
+only if you either have a very large number of commands that need to
+be processed or if you expect your commands to be executed very often.
+
+
+
+\subsection{Quick Path Construction Commands}
+
+The difference between the quick and the normal path commands is that
+the quick path commands
+\begin{itemize}
+\item
+ do not keep track of the bounding boxes,
+\item
+ do not allow you to arc corners,
+\item
+ do not apply coordinate transformations.
+\end{itemize}
+
+However, they do use the soft-path subsystem (see
+Section~\ref{section-soft-paths} for details), which allows you to mix
+quick and normal path commands arbitrarily.
+
+All quick path construction commands start with |\pgfpathq|.
+
+\begin{command}{\pgfpathqmoveto\marg{x dimension}\marg{y dimension}}
+ Either starts a path or starts a new part of a path at the coordinate
+ $(\meta{x dimension},\meta{y dimension})$. The coordinate is
+ \emph{not} transformed by the current coordinate transformation
+ matrix. However, any low-level transformations apply.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformxshift{1cm}
+ \pgfpathqmoveto{0pt}{0pt} % not transformed
+ \pgfpathqlineto{1cm}{1cm} % not transformed
+ \pgfpathlineto{\pgfpoint{2cm}{0cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpathqlineto\marg{x dimension}\marg{y dimension}}
+ The quick version of the line-to operation.
+\end{command}
+
+\begin{command}{\pgfpathqcurveto\marg{$s^1_x$}\marg{$s^1_y$}\marg{$s^2_x$}\marg{$s^2_y$}\marg{$t_x$}\marg{$t_y$}}
+ The quick version of the curve-to operation. The first support point
+ is $(s^1_x,s^1_y)$, the second support point is $(s^2_x,s^2_y)$,
+ and the target is $(t_x,t_y)$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathqmoveto{0pt}{0pt}
+ \pgfpathqcurveto{1cm}{1cm}{2cm}{1cm}{3cm}{0cm}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpathqcircle\marg{radius}}
+ Adds a radius around the origin of the given \meta{radius}. This
+ command is orders of magnitude faster than
+ |\pgfcircle{\pgfpointorigin}{|\meta{radius}|}|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (1,1);
+ \pgfpathqcircle{10pt}
+ \pgfsetfillcolor{examplefill}
+ \pgfusepath{stroke,fill}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+
+\subsection{Quick Path Usage Commands}
+
+The quick path usage commands perform similar tasks as |\pgfusepath|,
+but they
+\begin{itemize}
+\item
+ do not add arrows,
+\item
+ do not modify the path in any way, in particular,
+\item
+ ends are not shortened,
+\item
+ corners are not replaced by arcs.
+\end{itemize}
+
+Note that you \emph{have to} use the quick versions in the code of
+arrow tip definitions since, inside these definition, you obviously do
+not want arrows to be drawn.
+
+\begin{command}{\pgfusepathqstroke}
+ Strokes the path without further ado. No arrows are drawn, no
+ corners are arced.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathqcircle{5pt}
+ \pgfusepathqstroke
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfusepathqfill}
+ Fills the path without further ado.
+\end{command}
+
+\begin{command}{\pgfusepathqfillstroke}
+ Fills and then strokes the path without further ado.
+\end{command}
+
+\begin{command}{\pgfusepathqclip}
+ Clips all subsequent drawings against the current path. The path is
+ not processed.
+\end{command}
+
+
+\subsection{Quick Text Box Commands}
+
+\begin{command}{\pgfqbox\marg{box number}}
+ This command inserts a \TeX\ box into a |{pgfpicture}| by
+ ``escaping'' to \TeX, inserting the box number \meta{box number} at
+ the origin, and then returning to the typesetting the picture.
+\end{command}
+
+\begin{command}{\pgfqboxsynced\marg{box number}}
+ This command works similarly to the |\pgfqbox| command. However,
+ before inserting the text in \meta{box number}, the current
+ coordinate transformation matrix is applied to the current canvas
+ transformation matrix (is it ``synced'' with this matrix, hence the
+ name).
+
+ Thus, this command basically has the same effect as if you first
+ called |\pgflowlevelsynccm| followed by |\pgfqbox|. However, this
+ command will use |\hskip| and |\raise| commands for the
+ ``translational part'' of the coordinate transformation matrix,
+ instead of adding the translational part to the current
+ canvas transformation matrix directly. Both methods have the same
+ effect (box \meta{box number} is translated where it should), but
+ the method used by |\pgfqboxsynced| ensures that hyperlinks are
+ placed correctly. Note that scaling and rotation will not (cannot,
+ even) apply to hyperlinks.
+\end{command}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-scopes.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-scopes.tex
new file mode 100644
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@@ -0,0 +1,601 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section[Hierarchical Structures: Package, Environments, Scopes, and Text]
+{Hierarchical Structures:\\
+ Package, Environments, Scopes, and Text}
+
+
+\subsection{Overview}
+
+\pgfname\ uses two kinds of hierarchical structuring: First, the
+package itself is structured hierarchically, consisting of different
+packages that are built on top of each other. Second, \pgfname\ allows you
+to structure your graphics hierarchically using environments and scopes.
+
+\subsubsection{The Hierarchical Structure of the Package}
+
+The \pgfname\ system consists of several layers:
+
+\begin{description}
+\item[System layer.]
+ The lowest layer is called the \emph{system layer}, though it might
+ also be called ``driver layer'' or perhaps ``backend layer.'' Its
+ job is to provide an abstraction of the details of which driver
+ is used to transform the |.dvi| file. The system layer is
+ implemented by the package |pgfsys|, which will load appropriate
+ driver files as needed.
+
+ The system layer is documented in Part~\ref{part-system}.
+\item[Basic layer.]
+ The basic layer is loaded by the package |pgf|. Some
+ applications do not need all of the functionality of the basic
+ layer, so it is possible to load only the |pgfcore| and some other
+ packages starting with |pgfbase|.
+
+ The basic layer is documented in the present part.
+\item[Frontend layer.]
+ The frontend layer is not loaded by a single packages. Rather,
+ different packages, like \tikzname\ or \textsc{pgfpict2e}, are
+ different frontends to the basic layer.
+
+ The \tikzname\ frontend is documented in Part~\ref{part-tikz}.
+\end{description}
+
+Each layer will automatically load the necessary files of the layers below
+it.
+
+In addition to the packages of these layers, there are also some
+library packages. These packages provide additional definitions of
+things like new arrow tips or new plot handlers.
+
+The library packages are documented in Part~\ref{part-libraries}.
+
+
+
+
+\subsubsection{The Hierarchical Structure of Graphics}
+
+Graphics in \pgfname\ are typically structured
+hierarchically. Hierarchical structuring can be used to identify
+groups of graphical elements that are to be treated ``in the same
+way.'' For example, you might group together a number of paths, all of
+which are to be drawn in red. Then, when you decide later on that you
+like them to be drawn in, say, blue, all you have to do is to change
+the color once.
+
+The general mechanism underlying hierarchical structuring is known as
+\emph{scoping} in computer science. The idea is that all changes to
+the general ``state'' of the graphic that are done inside a scope are
+local to that scope. So, if you change the color inside a scope, this
+does not affect the color used outside the scope. Likewise, when you
+change the line width in a scope, the line width outside is not
+changed, and so on.
+
+There are different ways of starting and ending scopes of graphic
+parameters. Unfortunately, these scopes are sometimes ``in conflict''
+with each other and it is sometimes not immediately clear which scopes
+apply. In essence, the following scoping mechanisms are available:
+
+\begin{enumerate}
+\item
+ The ``outermost'' scope supported by \pgfname\ is the |{pgfpicture}|
+ environment. All changes to the graphic state done inside a
+ |{pgfpicture}| are local to that picture.
+
+ In general, it is \emph{not} possible to set graphic parameters
+ globally outside any |{pgfpicture}| environments. Thus, you can
+ \emph{not} say |\pgfsetlinewidth{1pt}| at the beginning of your
+ document to have a default line width of one point. Rather, you have
+ to (re)set all graphic parameters inside each |{pgfpicture}|. (If
+ this is too bothersome, try defining some macro that does the job
+ for you.)
+\item
+ Inside a |{pgfpicture}| you can use a |{pgfscope}| environment to
+ keep changes of the graphic state local to that environment.
+
+ The effect of commands that change the graphic state are local to
+ the current |{pgfscope}| but not always to the current \TeX\
+ group. Thus, if you open a \TeX\ group (some text in curly braces)
+ inside a |{pgfscope}|, and if you change, for example, the dash
+ pattern, the effect of this changed dash pattern will persist till
+ the end of the |{pgfscope}|.
+
+ Unfortunately, this is not always the case. \emph{Some} graphic
+ parameters only persist till the end of the current \TeX\ group. For
+ example, when you use |\pgfsetarrows| to set the arrow tip
+ inside a \TeX\ group, the effect lasts only till the end of the
+ current \TeX\ group.
+\item
+ Some graphic parameters are not scoped by |{pgfscope}| but
+ ``already'' by \TeX\ groups. For example, the effect of coordinate
+ transformation commands is always local to the current \TeX\
+ group.
+
+ Since every |{pgfscope}| automatically creates a \TeX\ group, all
+ graphic parameters that are local to the current \TeX\ group are
+ also local to the current |{pgfscope}|.
+\item
+ Some graphic parameters can only be scoped using \TeX\ groups, since
+ in some situations it is not possible to introduce a
+ |{pgfscope}|. For example, a path always has to be completely
+ constructed and used in the same |{pgfscope}|. However, we might
+ wish to have different coordinate transformations apply to different
+ points on the path. In this case, we can use \TeX\ groups to keep
+ the effect local, but we could not use |{pgfscope}|.
+\item
+ The |\pgftext| command can be used to create a scope in which \TeX\
+ ``escapes back'' to normal \TeX\ mode. The text passed to the
+ |\pgftext| is ``heavily guarded'' against having any effect on the
+ scope in which it is used. For example, it is possibly to use
+ another |{pgfpicture}| environment inside the argument of
+ |\pgftext|.
+\end{enumerate}
+
+
+Most of the complications can be avoided if you stick to the following
+rules:
+
+\begin{itemize}
+\item
+ Give graphic commands only inside |{pgfpicture}| environments.
+\item
+ Use |{pgfscope}| to structure graphics.
+\item
+ Do not use \TeX\ groups inside graphics, \emph{except} for keeping
+ the effect of coordinate transformations local.
+\end{itemize}
+
+
+
+\subsection{The Hierarchical Structure of the Package}
+
+Before we come to the structuring commands provided by \pgfname\ to
+structure your graphics, let us first have a look at the structure of
+the package itself.
+
+\subsubsection{The Main Package}
+
+To use \pgfname, include the following package:
+
+\begin{package}{pgf}
+ This package loads the complete ``basic layer'' of \pgfname. That
+ is, it will load all of the commands described in the current part
+ of this manual, but it will not load frontends like \tikzname.
+
+ In detail, this package will load the following packages, each of
+ which can also be loaded individually:
+ \begin{itemize}
+ \item
+ |pgfsys|, which is the lowest layer of \pgfname\ and which is
+ always needed. This file will read |pgf.cfg| to discern which
+ driver is to be used. See Section~\ref{section-pgfsys} for
+ details.
+ \item
+ |pgfcore|, which is the central core of \pgfname\ and which is
+ always needed unless you intend to write a new basic layer from
+ scratch.
+ \item
+ |pgfbaseimage|, which provides commands for declaring and
+ using images. An example is |\pgfuseimage|.
+ \item
+ |pgfbaseshapes|, which provides commands for declaring and using
+ shapes. An example is |\pgfdeclareshape|.
+ \item
+ |pgfbaseplot|, which provides commands for plotting functions.
+ \end{itemize}
+
+ Including any of the last three packages will automatically load the
+ first two.
+\end{package}
+
+In \LaTeX, the package takes two options:
+\begin{packageoption}{draft}
+ When this option is set, all images will be replaced by empty
+ rectangles. This can speedup compilation.
+\end{packageoption}
+
+\begin{packageoption}{version=\meta{version}}
+ Indicates that the commands of version \meta{version} need to be
+ defined. If you set \meta{version} to |0.65|, then a large bunch of
+ ``compatibility commands'' are loaded. If you set \meta{version} to
+ |0.96|, then these compatibility commands will not be loaded.
+
+ If this option is not given at all, then the commands of all
+ versions are defined.
+\end{packageoption}
+
+
+\subsubsection{The Core Package}
+
+\begin{package}{pgfcore}
+ This package defines all of the basic layer's commands, except for
+ the commands defined in the additional packages like
+ |pgfbaseplot|. Typically commands defined by the core include
+ |\pgfusepath| or |\pgfpoint|. The core is internally structured
+ into several subpackages, but the subpackages cannot be loaded
+ individually since they are all ``interrelated.''
+\end{package}
+
+
+\subsubsection{The Optional Basic Layer Packages}
+
+The |pgf| package automatically loads the following packages, but you
+can also load them individually (all of them automatically include the
+core):
+
+\begin{itemize}
+ \item |pgfbaseshapes|
+ This package provides commands for drawing nodes and shapes. These
+ commands are explained in Section~\ref{section-shapes}.
+
+ \item |pgfbaseplot|
+ This package provides commands for plotting function. The
+ commands are explained in Section~\ref{section-plots}.
+
+ \item |pgfbaseimage|
+ This package provides commands for including (external) images. The
+ commands are explained in Section~\ref{section-images}.
+\end{itemize}
+
+
+
+
+
+\subsection{The Hierarchical Structure of the Graphics}
+
+\subsubsection{The Main Environment}
+
+
+Most, but not all, commands of the \pgfname\ package must be given
+within a |{pgfpicture}| environment. The only commands that (must) be
+given outside are commands having to do with including images (like
+|\pgfuseimage|) and with inserting complete shadings (like
+|\pgfuseshading|). However, just to keep life entertaining, the
+|\pgfshadepath| command must be given \emph{inside} a |{pgfpicture}|
+environment.
+
+\begin{environment}{{pgfpicture}}
+ This environment will insert a \TeX\ box containing the graphic drawn by
+ the \meta{environment contents} at the current position.
+
+ \medskip
+ \textbf{The size of the bounding box.}
+ The size of the box is determined in the following
+ manner: While \pgfname\ parses the \meta{environment contents}, it
+ keeps track of a bounding box for the graphic. Essentially, this
+ bounding box is the smallest box that contains all coordinates
+ mentioned in the graphics. Some coordinates may be ``mentioned'' by
+ \pgfname\ itself; for example, when you add circle to the current
+ path, the support points of the curve making up the circle are also
+ ``mentioned'' despite the fact that you will not ``see'' them in
+ your code.
+
+ Once the \meta{environment contents} has been parsed completely, a
+ \TeX\ box is created whose size is the size of the computed bounding
+ box and this box is inserted at the current position.
+
+\begin{codeexample}[]
+Hello \begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{stroke}
+\end{pgfpicture} World!
+\end{codeexample}
+
+ Sometimes, you may need more fine-grained control over the size of
+ the bounding box. For example, the computed bounding box may be too
+ large or you intensionally wish the box to be ``too small.'' In
+ these cases, you can use the command
+ |\pgfusepath{use as bounding box}|, as described in
+ Section~\ref{section-using-bb}.
+
+
+ \medskip
+ \textbf{The baseline of the bounding box.}
+ When the box containing the graphic is inserted into the normal
+ text, the baseline of the graphic is normally at the bottom of the
+ graphic. For this reason, the following two sets of code lines have
+ the same effect, despite the fact that the second graphic uses
+ ``higher'' coordinates than the first:
+
+\begin{codeexample}[]
+Rectangles \begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{stroke}
+\end{pgfpicture} and \begin{pgfpicture}
+ \pgfpathrectangle{\pgfpoint{0ex}{1ex}}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{stroke}
+\end{pgfpicture}.
+\end{codeexample}
+
+ You can change the baseline using the |\pgfsetbaseline| command, see
+ below.
+
+\begin{codeexample}[]
+Rectangles \begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{stroke}
+ \pgfsetbaseline{0pt}
+\end{pgfpicture} and \begin{pgfpicture}
+ \pgfpathrectangle{\pgfpoint{0ex}{1ex}}{\pgfpoint{2ex}{1ex}}
+ \pgfusepath{stroke}
+ \pgfsetbaseline{0pt}
+\end{pgfpicture}.
+\end{codeexample}
+
+ \medskip
+ \textbf{Including text and images in a picture.}
+ You cannot directly include text and images in a picture. Thus, you
+ should \emph{not} simply write some text in a |{pgfpicture}| or use
+ a command like |\includegraphics| or even |\pgfimage|. In all these
+ cases, you need to place the text inside a |\pgftext| command. This
+ will ``escape back'' to normal \TeX\ mode, see
+ Section~\ref{section-text-command} for details.
+\end{environment}
+
+\begin{plainenvironment}{{pgfpicture}}
+ The plain \TeX\ version of the environment. Note that in this
+ version, also, a \TeX\ group is created around the environment.
+\end{plainenvironment}
+
+\makeatletter
+\begin{command}{\pgfsetbaseline\marg{dimension}}
+ This command specifies a $y$-coordinate of the picture that should
+ be used as the baseline of the whole picture. When a \pgfname\
+ picture has been typeset completely, \pgfname\ must decide at which
+ height the baseline of the picture should lie. Normally, the
+ baseline is set to the $y$-coordinate of the bottom of the picture,
+ but it is often desirable to use another height.
+
+\begin{codeexample}[]
+Text \tikz{\pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},
+ \tikz{\pgfsetbaseline{0pt}
+ \pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},
+ \tikz{\pgfsetbaseline{.5ex}
+ \pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},
+ \tikz{\pgfsetbaseline{-1ex}
+ \pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}}.
+\end{codeexample}
+\end{command}
+
+\subsubsection{Graphic Scope Environments}
+
+Inside a |{pgfpicture}| environment you can substructure your picture
+using the following environment:
+
+\begin{environment}{{pgfscope}}
+ All changes to the graphic state done inside this environment are
+ local to the environment. The graphic state includes the following:
+ \begin{itemize}
+ \item
+ The line width.
+ \item
+ The stroke and fill colors.
+ \item
+ The dash pattern.
+ \item
+ The line join and cap.
+ \item
+ The miter limit.
+ \item
+ The canvas transformation matrix.
+ \item
+ The clipping path.
+ \end{itemize}
+ Other parameters may also influence how graphics are rendered, but they
+ are \emph{not} part of the graphic state. For example, the arrow tip
+ kind is not part of the graphic state and the effect of commands
+ setting the arrow tip kind are local to the current \TeX\ group, not
+ to the current |{pgfscope}|. However, since |{pgfscope}| starts and
+ ends a \TeX\ group automatically, a |{pgfscope}| can be used to
+ limit the effect of, say, commands that set the arrow tip kind.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \begin{pgfscope}
+ {
+ \pgfsetlinewidth{2pt}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{2ex}}
+ \pgfusepath{stroke}
+ }
+ \pgfpathrectangle{\pgfpoint{3ex}{0ex}}{\pgfpoint{2ex}{2ex}}
+ \pgfusepath{stroke}
+ \end{pgfscope}
+ \pgfpathrectangle{\pgfpoint{6ex}{0ex}}{\pgfpoint{2ex}{2ex}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \begin{pgfscope}
+ {
+ \pgfsetarrows{-to}
+ \pgfpathmoveto{\pgfpointorigin}\pgfpathlineto{\pgfpoint{2ex}{2ex}}
+ \pgfusepath{stroke}
+ }
+ \pgfpathmoveto{\pgfpoint{3ex}{0ex}}\pgfpathlineto{\pgfpoint{5ex}{2ex}}
+ \pgfusepath{stroke}
+ \end{pgfscope}
+ \pgfpathmoveto{\pgfpoint{6ex}{0ex}}\pgfpathlineto{\pgfpoint{8ex}{2ex}}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ At the start of the scope, the current path must be empty, that is,
+ you cannot open a scope while constructing a path.
+
+ It is usually a good idea \emph{not} to introduce \TeX\ groups
+ inside a |{pgfscope}| environment.
+\end{environment}
+
+\begin{plainenvironment}{{pgfscope}}
+ Plain \TeX\ version of the |{pgfscope}| environment.
+\end{plainenvironment}
+
+
+The following scopes also encapsulate certain properties of the
+graphic state. However, they are typically not used directly by the
+user.
+
+\begin{environment}{{pgfinterruptpath}}
+ This environment can be used to temporarily interrupt the
+ construction of the current path. The effect will be that the path
+ currently under construction will be ``stored away'' and restored at
+ the end of the environment. Inside the environment you can construct
+ a new path and do something with it.
+
+ An example application of this environment is the arrow tip
+ caching. Suppose you ask \pgfname\ to use a specific arrow tip
+ kind. When the arrow tip needs to be rendered for the first time,
+ \pgfname\ will ``cache'' the path that makes up the arrow tip. To do
+ so, it interrupts the current path construction and then protocols
+ the path of the arrow tip. The |{pgfinterruptpath}| environment is
+ used to ensure that this does not interfere with the path to which
+ the arrow tips should be attached.
+
+ This command does \emph{not} install a |{pgfscope}|. In particular,
+ it does not call any |\pgfsys@| commands at all, which would,
+ indeed, be dangerous in the middle of a path construction.
+\end{environment}
+
+\begin{environment}{{pgfinterruptpicture}}
+ This environment can be used to temporarily interrupt a
+ |{pgfpicture}|. However, the environment is intended only to be used
+ at the beginning and end of a box that is (later) inserted into a
+ |{pgfpicture}| using |\pgfqbox|. You cannot use this environment
+ directly inside a |{pgfpicture}|.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfpathmoveto{\pgfpoint{0cm}{0cm}} % In the middle of path, now
+ \newbox\mybox
+ \setbox\mybox=\hbox{
+ \begin{pgfinterruptpicture}
+ Sub-\begin{pgfpicture} % a subpicture
+ \pgfpathmoveto{\pgfpoint{1cm}{0cm}}
+ \pgfpathlineto{\pgfpoint{1cm}{1cm}}
+ \pgfusepath{stroke}
+ \end{pgfpicture}-picture.
+ \end{pgfinterruptpicture}
+ }
+ \pgfqbox{\mybox}%
+ \pgfpathlineto{\pgfpoint{0cm}{1cm}}
+ \pgfusepath{stroke}
+\end{pgfpicture}\hskip3.9cm
+\end{codeexample}
+\end{environment}
+
+
+\subsubsection{Inserting Text and Images}
+
+\label{section-text-command}
+
+Often, you may wish to add normal \TeX\ text at a certain point inside
+a |{pgfpicture}|. You cannot do so ``directly,'' that is, you cannot
+simply write this text inside the |{pgfpicture}| environment. Rather,
+you must pass the text as an argument to the |\pgftext| command.
+
+You must \emph{also} use the |\pgftext| command to insert an image or
+a shading into a |{pgfpicture}|.
+
+\begin{command}{\pgftext\opt{\oarg{options}}\marg{text}}
+ This command will typeset \meta{text} in normal \TeX\ mode and
+ insert the resulting box into the |{pgfpicture}|. The bounding box
+ of the graphic will be updated so that all of the text box is
+ inside. Be default, the text box is centered at the origin, but this
+ can be changed either by giving appropriate \meta{options} or by
+ applying an appropriate coordinate transformation beforehand.
+
+ The \meta{text} may contain verbatim text. (In other words, the
+ \meta{text} ``argument'' is not a normal argument, but is put in a
+ box and some |\aftergroup| hackery is used to find the end of the
+ box.)
+
+ \pgfname's current (high-level) coordinate transformation is
+ synchronized with the canvas transformation matrix temporarily
+ when the text box is inserted. The effect is that if there is
+ currently a high-level rotation of, say, 30 degrees, the \meta{text}
+ will also be rotated by thirty degrees. If you do not want this
+ effect, you have to (possibly temporarily) reset the high-level
+ transformation matrix.
+
+ The following \meta{options} may be given as conveniences:
+ \begin{itemize}
+ \itemoption{left}
+ causes the text box to be placed such that its left border is on the origin.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[left] {lovely}}
+\end{codeexample}
+ \itemoption{right}
+ causes the text box to be placed such that its right border is on the origin.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[right] {lovely}}
+\end{codeexample}
+ \itemoption{top}
+ causes the text box to be placed such that its top is on the
+ origin. This option can be used together with the |left| or
+ |right| option.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[top] {lovely}}
+\end{codeexample}
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[top,right] {lovely}}
+\end{codeexample}
+ \itemoption{bottom}
+ causes the text box to be placed such that its bottom is on the
+ origin.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[bottom] {lovely}}
+\end{codeexample}
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[bottom,right] {lovely}}
+\end{codeexample}
+ \itemoption{base}
+ causes the text box to be placed such that its baseline is on the
+ origin.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[base] {lovely}}
+\end{codeexample}
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[base,right] {lovely}}
+\end{codeexample}
+ \itemoption{at}|=|\meta{point}
+ Translates the origin (that is, the point where the text is
+ shown) to \meta{point}.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[base,at={\pgfpoint{1cm}{0cm}}] {lovely}}
+\end{codeexample}
+ \itemoption{x}|=|\meta{dimension}
+ Translates the origin by \meta{dimension} along the $x$-axis.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[base,x=1cm,y=-0.5cm] {lovely}}
+\end{codeexample}
+ \itemoption{y}|=|\meta{dimension}
+ works like the |x| option.
+ \itemoption{rotate}|=|\meta{degree}
+ Rotates the coordinate system by \meta{degree}. This will also
+ rotate the text box.
+\begin{codeexample}[]
+\tikz{\draw[help lines] (-1,-.5) grid (1,.5);
+ \pgftext[base,x=1cm,y=-0.5cm,rotate=30] {lovely}}
+\end{codeexample}
+ \end{itemize}
+
+\end{command}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-shadings.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-shadings.tex
new file mode 100644
index 00000000000..873d9a823ff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-shadings.tex
@@ -0,0 +1,326 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Declaring and Using Shadings}
+
+\label{section-shadings}
+
+\subsection{Overview}
+
+A shading is an area in which the color changes smoothly between different
+colors. Similarly to an image, a shading must first be declared before
+it can be used. Also similarly to an image, a shading is put into a
+\TeX-box. Hence, in order to include a shading in a |{pgfpicture}|,
+you have to use |\pgftext| around it.
+
+There are three kinds of shadings: horizontal, vertical, and radial
+shadings. However, you can rotate and clip shadings like any other
+graphics object, which allows you to create more complicated
+shadings. Horizontal shadings could be created by rotating a vertical
+shading by 90 degrees, but explicit commands for creating both
+horizontal and vertical shadings are included for convenience.
+
+Once you have declared a shading, you can insert it into text using
+the command |\pgfuseshading|. This command cannot be used directly in
+a |{pgfpicture}|, you have to put a |\pgftext| around it. The second
+command for using shadings, |\pgfshadepath|, on the other hand, can
+only be used inside |{pgfpicture}| environments. It will ``fill'' the
+current path with the shading.
+
+A horizontal shading is a horizontal bar of a certain height whose
+color changes smoothly. You must at least specify the colors at the
+left and at the right end of the bar, but you can also add color
+specifications for points in between. For example, suppose you
+which to create a bar that is red at the left end, green in the
+middle, and blue at the end. Suppose you would like the bar to be 4cm
+long. This could be specified as follows:
+\begin{codeexample}[code only]
+rgb(0cm)=(1,0,0); rgb(2cm)=(0,1,0); rgb(4cm)=(0,0,1)
+\end{codeexample}
+This line means that at 0cm (the left end) of the bar, the color
+should be red, which has red-green-blue (rgb) components (1,0,0). At
+2cm, the bar should be green, and at 4cm it should be blue.
+Instead of |rgb|, you can currently also specify |gray| as
+color model, in which case only one value is needed, or |color|,
+in which case you must provide the name of a color in parentheses. In
+a color specification the individual specifications must
+be separated using a semicolon, which may be followed by a whitespace
+(like a space or a newline). Individual specifications must be given
+in increasing order.
+
+\subsection{Declaring Shadings}
+
+\begin{command}{\pgfdeclarehorizontalshading\oarg{color list}\marg{shading
+ name}\marg{shading height}\marg{color specification}}
+ Declares a horizontal shading named \meta{shading name} of the specified
+ \meta{height} with the specified colors. The length of the bar is
+ deduced automatically from the maximum dimension in the specification.
+
+\begin{codeexample}[]
+\pgfdeclarehorizontalshading{myshadingA}
+ {1cm}{rgb(0cm)=(1,0,0); color(2cm)=(green); color(4cm)=(blue)}
+\pgfuseshading{myshadingA}
+\end{codeexample}
+
+ The effect of the \meta{color list}, which is a
+ comma-separated list of colors, is the following: Normally, when
+ this list is empty, once a shading has been declared, it becomes
+ ``frozen.'' This means that even if you change a color that was used
+ in the declaration of the shading later on, the shading will not
+ change. By specifying a \meta{color list} you can specify
+ that the shading should be recalculated whenever one of the colors
+ listed in the list changes (this includes effects like color
+ mixins). Thus, when you specify a \meta{color list},
+ whenever the shading is used, \pgfname\ first converts the colors in the
+ list to \textsc{rgb} triples using the current values of the
+ colors and taking any mixins and blends into account. If the
+ resulting \textsc{rgb} triples have not yet been used, a new
+ shading is internally created and used. Note that if the
+ option \meta{color list} is used, then no shading is created until
+ the first use of |\pgfuseshading|. In particular, the colors
+ mentioned in the shading need not be defined when the declaration is
+ given.
+
+ When a shading is recalculated because of a change in the
+ colors mentioned in \meta{color list}, the complete shading
+ is recalculated. Thus even colors not mentioned in the list will be
+ used with their current values, not with the values they had upon
+ declaration.
+
+\begin{codeexample}[]
+\pgfdeclarehorizontalshading[mycolor]{myshadingB}
+ {1cm}{rgb(0cm)=(1,0,0); color(2cm)=(mycolor)}
+\colorlet{mycolor}{green}
+\pgfuseshading{myshadingB}
+\colorlet{mycolor}{blue}
+\pgfuseshading{myshadingB}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfdeclareverticalshading\oarg{color list}\marg{shading
+ name}\marg{shading width}\marg{color specification}}
+ Declares a vertical shading named \meta{shading name} of the
+ specified \meta{width}. The height of the bar is deduced
+ automatically. The effect of \meta{color list} is the same as for
+ horizontal shadings.
+
+\begin{codeexample}[]
+\pgfdeclareverticalshading{myshadingC}
+ {4cm}{rgb(0cm)=(1,0,0); rgb(1.5cm)=(0,1,0); rgb(2cm)=(0,0,1)}
+\pgfuseshading{myshadingC}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfdeclareradialshading\oarg{color list}\marg{shading
+ name}\marg{center point}\marg{color specification}}
+ Declares an radial shading. A radial shading is a circle whose inner
+ color changes as specified by the color specification. Assuming that
+ the center of the shading is at the origin, the color of the center
+ will be the color specified for 0cm and the color of the border of
+ the circle will be the color for the maximum dimension given in
+ the \meta{color specified}. This maximum will also be the radius of
+ the circle. If the \meta{center point} is not at the
+ origin, the whole shading inside the circle (whose size remains
+ exactly the same) will be distorted such that the given center now
+ has the color specified for 0cm. The effect of \meta{color list} is
+ the same as for horizontal shadings.
+
+\begin{codeexample}[]
+\pgfdeclareradialshading{sphere}{\pgfpoint{0.5cm}{0.5cm}}%
+ {rgb(0cm)=(0.9,0,0);
+ rgb(0.7cm)=(0.7,0,0);
+ rgb(1cm)=(0.5,0,0);
+ rgb(1.05cm)=(1,1,1)}
+\pgfuseshading{sphere}
+\end{codeexample}
+\end{command}
+
+
+\subsection{Using Shadings}
+\label{section-shading-a-path}
+
+\begin{command}{\pgfuseshading\marg{shading name}}
+ Inserts a previously declared shading into the text. If you wish to
+ use it in a |pgfpicture| environment, you should put a |\pgfbox|
+ around it.
+
+\begin{codeexample}[]
+\begin{pgfpicture}
+ \pgfdeclareverticalshading{myshadingD}
+ {20pt}{color(0pt)=(red); color(20pt)=(blue)}
+ \pgftext[at=\pgfpoint{1cm}{0cm}] {\pgfuseshading{myshadingD}}
+ \pgftext[at=\pgfpoint{2cm}{0.5cm}]{\pgfuseshading{myshadingD}}
+\end{pgfpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfshadepath\marg{shading name}\marg{angle}}
+ This command must be used inside a |{pgfpicture}| environment. The
+ effect is a bit complex, so let us go over it step by step.
+
+ First, \pgfname\ will setup a local scope.
+
+ Second, it uses the current path to clip everything inside this
+ scope. However, the current path is once more available after the
+ scope, so it can be used, for example, to stroke it.
+
+ Now, the \meta{shading name} should be a shading whose width and
+ height are 100\,bp, that is, 100 big points. \pgfname\ has a look at
+ the bounding box of the current path. This bounding box is computed
+ automatically when a path is computed; however, it can sometimes be
+ (quite a bit) too large, especially when complicated curves are
+ involved.
+
+ Inside the scope, the low-level transformation matrix is modified.
+ The center of the shading is translated (moved) such that it lies on
+ the center of the bounding box of the path. The low-level coordinate
+ system is also scaled such that the shading ``covers'' the shading (the
+ details are a bit more complex, see below). Finally, the coordinate
+ system is rotated by \meta{angle}.
+
+ After everything has been set up, the shading is inserted. Due to
+ the transformations and clippings, the effect will be that the
+ shading seems to ``fill'' the path.
+
+ If both the path and the shadings were always rectangles and if
+ rotation were never involved, it would be easy to scale shadings
+ such they always cover the path. However, when a vertical shading is
+ rotated, it must obviously be ``magnified'' so that it
+ still covers the path. Things get worse when the path is not a
+ rectangle itself.
+
+ For these reasons, things work slightly differently ``in reality.''
+ The shading is scaled and translated such that the
+ the point $(50\mathrm{bp},50\mathrm{bp})$, which is the middle of
+ the shading, is at the middle of the path and such that the the
+ point $(25\mathrm{bp},25\mathrm{bp})$ is at the lower left corner of
+ the path and that $(75\mathrm{bp},75\mathrm{bp})$ is at upper
+ right corner.
+
+ In other words, only the center quarter of the shading will actually
+ ``survive the clipping'' if the path is a rectangle. If the path is
+ not a rectangle, but, say, a circle, even less is seen of the
+ shading. Here is an example that demonstrates this effect:
+
+\begin{codeexample}[]
+\pgfdeclareverticalshading{myshadingE}{100bp}
+ {color(0bp)=(red); color(25bp)=(green); color(75bp)=(blue); color(100bp)=(black)}
+\pgfuseshading{myshadingE}
+\hskip 1cm
+\begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgfshadepath{myshadingE}{0}
+ \pgfusepath{stroke}
+ \pgfpathrectangle{\pgfpoint{3cm}{0cm}}{\pgfpoint{1cm}{2cm}}
+ \pgfshadepath{myshadingE}{0}
+ \pgfusepath{stroke}
+ \pgfpathrectangle{\pgfpoint{5cm}{0cm}}{\pgfpoint{2cm}{2cm}}
+ \pgfshadepath{myshadingE}{45}
+ \pgfusepath{stroke}
+ \pgfpathcircle{\pgfpoint{9cm}{1cm}}{1cm}
+ \pgfshadepath{myshadingE}{45}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+ As can be seen above in the last case, the ``hidden'' part of the
+ shading actually \emph{can} become visible if the shading is
+ rotated. The reason is that it is scaled as if no rotation took
+ place, then the rotation is done.
+
+ The following graphics show which part of the shading are actually
+ shown:
+
+\begin{codeexample}[]
+\pgfdeclareverticalshading{myshadingF}{100bp}
+ {color(0bp)=(red); color(25bp)=(green); color(75bp)=(blue); color(100bp)=(black)}
+\begin{tikzpicture}
+ \draw (50bp,50bp) node {\pgfuseshading{myshadingF}};
+ \draw[white,thick] (25bp,25bp) rectangle (75bp,75bp);
+ \draw (50bp,0bp) node[below] {first two applications};
+
+ \begin{scope}[xshift=5cm]
+ \draw (50bp,50bp) node{\pgfuseshading{myshadingF}};
+ \draw[rotate around={45:(50bp,50bp)},white,thick] (25bp,25bp) rectangle (75bp,75bp);
+ \draw (50bp,0bp) node[below] {third application};
+ \end{scope}
+
+ \begin{scope}[xshift=10cm]
+ \draw (50bp,50bp) node{\pgfuseshading{myshadingF}};
+ \draw[white,thick] (50bp,50bp) circle (25bp);
+ \draw (50bp,0bp) node[below] {fourth application};
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+ An advantage of this approach is that when you rotate a radial
+ shading, no distortion is introduced:
+
+\begin{codeexample}[]
+\pgfdeclareradialshading{ballshading}{\pgfpoint{-10bp}{10bp}}
+ {color(0bp)=(red!15!white); color(9bp)=(red!75!white);
+ color(18bp)=(red!70!black); color(25bp)=(red!50!black); color(50bp)=(black)}
+\pgfuseshading{ballshading}
+\hskip 1cm
+\begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{1cm}{1cm}}
+ \pgfshadepath{ballshading}{0}
+ \pgfusepath{}
+ \pgfpathcircle{\pgfpoint{3cm}{0cm}}{1cm}
+ \pgfshadepath{ballshading}{0}
+ \pgfusepath{}
+ \pgfpathcircle{\pgfpoint{6cm}{0cm}}{1cm}
+ \pgfshadepath{ballshading}{45}
+ \pgfusepath{}
+\end{pgfpicture}
+\end{codeexample}
+
+ If you specify a rotation of $90^\circ$
+ and if the path is not a square, but an elongated rectangle, the
+ ``desired'' effect results: The shading will exactly vary between
+ the colors at the 25bp and 75bp boundaries. Here is an example:
+
+\begin{codeexample}[]
+\pgfdeclareverticalshading{myshadingG}{100bp}
+ {color(0bp)=(red); color(25bp)=(green); color(75bp)=(blue); color(100bp)=(black)}
+\begin{pgfpicture}
+ \pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgfshadepath{myshadingG}{0}
+ \pgfusepath{stroke}
+ \pgfpathrectangle{\pgfpoint{3cm}{0cm}}{\pgfpoint{2cm}{1cm}}
+ \pgfshadepath{myshadingG}{90}
+ \pgfusepath{stroke}
+ \pgfpathrectangle{\pgfpoint{6cm}{0cm}}{\pgfpoint{2cm}{1cm}}
+ \pgfshadepath{myshadingG}{45}
+ \pgfusepath{stroke}
+\end{pgfpicture}
+\end{codeexample}
+
+
+ As a final example, let us define a ``rainbow spectrum'' shading for
+ use with \tikzname.
+\begin{codeexample}[]
+\pgfdeclareverticalshading{rainbow}{100bp}
+ {color(0bp)=(red); color(25bp)=(red); color(35bp)=(yellow);
+ color(45bp)=(green); color(55bp)=(cyan); color(65bp)=(blue);
+ color(75bp)=(violet); color(100bp)=(violet)}
+\begin{tikzpicture}[shading=rainbow]
+ \shade (0,0) rectangle node[white] {\textsc{pride}} (2,1);
+ \shade[shading angle=90] (3,0) rectangle +(1,2);
+\end{tikzpicture}
+\end{codeexample}
+
+ Note that rainbow shadings are \emph{way} to colorful in almost all
+ applications.
+\end{command}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-snakes.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-snakes.tex
new file mode 100644
index 00000000000..6c23140fbe7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-snakes.tex
@@ -0,0 +1,391 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Snakes}
+
+\label{section-base-snakes}
+
+\subsection{Overview}
+
+A \emph{snake} is a ``way of adding a winding line to a path.'' To be
+a bit more precise, you use snakes to extend the path and the
+commands for using snakes start with |\pgfpath|. However, snakes do
+not necessarily extend the path using line-to and curve-to operations;
+rather, they can also contain move-to operations and, thereby, cause
+the path to be split into many subpaths.
+
+As an example, let us consider a simple snake like the |zigzag|
+snake. It looks like this:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[snake=zigzag] (0,0) -- (3,0);
+ \draw[snake=zigzag] (0,-.5) -- (3,-1);
+\end{tikzpicture}
+\end{codeexample}
+
+The above example demonstrates the two key features of snakes:
+\begin{enumerate}
+\item
+ Snakes are made up from little segments that are repeated several
+ times. For the |zigzag| snake these segements look like this:
+ \tikz{\draw[snake=zigzag] (0,0) -- (\pgfsnakesegmentlength+0.1pt,0pt);}.
+\item
+ Snakes ``follow along a straight to the target point.'' Thus, when
+ the target point is not to the right of the start point, the snake
+ is rotated appropriately.
+\end{enumerate}
+
+
+In order to use snakes, they first have to be \emph{declared}. This
+declaration contains a detailed description of how each segement of
+the snake looks like and in what ordering the different possible
+segments are used.
+
+Once a snake has been declared, it can be used. For this you specify a
+target point and a snaked line will be added from the last point
+current point to the target point.
+
+
+\subsection{Declaring a Snake}
+
+
+\subsubsection{Segments}
+
+When you declare a snake, you provide a description of how the
+different segments of the snake will be rendered. The description of
+each segment should be given in a way as if the target of the snaked
+line where at $(+\infty,0)$ and as if the segment's start where at the
+origin. Thus, for example, the segment of the |zigzag| might be
+defined using the following code:
+\begin{codeexample}[code only]
+\pgfpathlineto{\pgfpoint{5pt}{5pt}}
+\pgfpathlineto{\pgfpoint{15pt}{-5pt}}
+\pgfpathlineto{\pgfpoint{20pt}{0pt}}
+\end{codeexample}
+
+\pgfname\ will ensure that an appropriate coordinate transformation
+is in place when the snake segment is added to the path such that
+the snake segment actually points in the right direction. Also
+subsequent snake segments will be transformed such that they are
+``further along the line'' toward the target. All transformations
+are setup automatically.
+
+Note that we did not use a |\pgfpathmoveto{\pgfpointorigin}| at the
+beginning of the segment code. Doing so would subdivide the path into
+numerous subpath. Rather, we assume that the previous segment caused
+the current point to be at the origin.
+
+While we can now describe segments, we still need a way to ``stop''
+the snake. Also, \pgfname\ needs to know the width of the different
+snake segments such that it can translate the next segment correctly.
+Even though it would be possible to compute all this information
+automatically, \pgfname\ does not do so and you have to provide the
+information ``by hand'' for each segment.
+
+
+\subsubsection{Snake Automata}
+
+Up to now our snakes only have one segment that is repeated again and
+again. However, we might also like to have \emph{different} segments
+and use rules to describe which segment should be used where. For
+example, we might have special segments at the start and at the end.
+
+For snakes we use a mechanism known in computer science as
+\emph{finite automata} to describe which segment is used in each part
+of the snake. The idea is the following: For the first segment we
+start in a special \emph{state} called the \emph{initial state}. In
+this state, and also in all other state later, \pgfname\ first
+computes how much space is left on the snake. That is, \pgfname\ keeps
+track of the distance to the target. Attached to each state there is a
+set of rules of the following form: ``If the remaining distance is
+less than $x$, switch to state~$q$.'' \pgfname\ checks for each of
+these rules whether it applies and, if so, immediately switches to
+state~$q$.
+
+Only if none of the rules tell us to switch to another
+state, \pgfname\ will execute the state's code. This code will add a
+segment to the path. In addition to the rules there is also width
+parameter attached to each state. \pgfname\ then translates the
+coordinate system by this width and reduces the remaining distance.
+Then, \pgfname\ either stays in the current state or switches to
+another state, depending on yet another property attached of the
+state.
+
+The whole process stops when a special state called |final| is
+reached. The segment of this state is added to the path immediately
+(it is often empty, though) and the process ends.
+
+\subsubsection{The Snake Declaration Command}
+
+\begin{command}{\pgfdeclaresnake\marg{name}\marg{initial
+ state}\marg{states}}
+ This command declares a new snake called \meta{name}. The
+ \meta{states} argument contains a description of the snake
+ automaton's states and the transitions between them. The
+ \meta{initial state} is the state in which the automaton starts.
+
+ The \meta{states} argument should consist of |\state| commands, one
+ for each state of the snake automaton. The |\state| command is
+ defined only when the \meta{states} argument is executed.
+
+\begin{codeexample}[]
+\pgfdeclaresnake{example snake}{initial}
+{
+ \state{initial}[width=10pt]
+ {
+ \pgfpathlineto{\pgfpoint{0pt}{5pt}}
+ \pgfpathlineto{\pgfpoint{5pt}{5pt}}
+ \pgfpathlineto{\pgfpoint{5pt}{-5pt}}
+ \pgfpathlineto{\pgfpoint{10pt}{-5pt}}
+ \pgfpathlineto{\pgfpoint{10pt}{0pt}}
+ }
+ \state{final}
+ {
+ \pgfpathlineto{\pgfpoint{\pgfsnakeremainingdistance}{0pt}}
+ }
+}
+\tikz{\draw[snake=example snake] (0,0) -- (3,0);
+ \draw[snake=example snake] (0,-1) -- (3,-3);}
+\end{codeexample}
+
+ The |\state| command works as follows:
+ \begin{command}{\state\marg{name}\oarg{options}\marg{code}}
+ This command declares a new state inside the current snake
+ automaton. The state is names \meta{name}.
+
+ When \pgfname\ is in state \meta{name}, the following things
+ happen:
+ \begin{enumerate}
+ \item
+ The \meta{options} are parsed. This may lead, see below, to a
+ state switch. When this happens, the following steps are not
+ executed. The \meta{options} are executed one after the other in
+ the given order. If an option causes a state switch, the switch
+ is immediate, even if later options might cause a different
+ state switch.
+ \item
+ The \meta{code} is executed. When this happens, the coordinate
+ transformation will be setup such that the origin is at the
+ start of the segment and such that the target lies in the
+ direction ``east.''
+ \item
+ After the \meta{code} has been executed, the state switches to
+ whatever state has been specified inside the \meta{options}
+ using the |next state| option. If no |next state| has been
+ specified, the state stays the same.
+ \end{enumerate}
+
+ The following options are allowed inside the \meta{options}:
+ \begin{itemize}
+ \itemoption{switch if less than}|=|\meta{dimension}| to |\meta{new state}
+ When this option is encountered, \pgfname\ checks whether the
+ remaining distance to the target is less than
+ \meta{dimension}. If so, an immediate state switch to \meta{new
+ state} occurs.
+ \itemoption{width}|=|\meta{dimension}
+ This option tells \pgfname\ the width of the segment if it is
+ appended to the path. The coordinate system will, afterward, be
+ translated by \meta{dimension} to ensure that the next segment
+ starts where the current one ended.
+
+ In addition, this option will cause an immediate switch to the
+ state |final| if the remaining distance is less than
+ \meta{dimension}. The effect is the same as if you had said
+ |switch if less than=|\meta{dimension}| to final| just before
+ the |width| option.
+ \itemoption{next state}=\meta{new state}
+ After the segment has been added to the path, a state switch to
+ \meta{new state} is performed. If this option is not given, the
+ next state is the same as the current state.
+ \end{itemize}
+
+ There are two dimensions that are useful inside snake automata:
+ \begin{command}{\pgfsnakeremainingdistance}
+ This \TeX\ dimension holds the remaining distance to the target.
+ \end{command}
+ \begin{command}{\pgfsnakecompleteddistance}
+ This \TeX\ dimension holds the distance already completed on the
+ snake.
+ \end{command}
+ \end{command}
+
+ As a final example we present a more complicated snake that makes
+ use of the different options:
+\begin{codeexample}[]
+\pgfdeclaresnake{complicated example snake}{initial}
+{
+ \state{initial}[width=5pt,next state=up]
+ { \pgfpathlineto{\pgfpoint{5pt}{0pt}} }
+
+ \state{up}[width=5pt,next state=down]
+ {
+ \ifdim\pgfsnakeremainingdistance>\pgfsnakecompleteddistance
+ % Growing
+ \pgfpathlineto{\pgfpoint{0pt}{\pgfsnakecompleteddistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{\pgfsnakecompleteddistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{0pt}}
+ \else
+ % Shrinking
+ \pgfpathlineto{\pgfpoint{0pt}{\pgfsnakeremainingdistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{\pgfsnakeremainingdistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{0pt}}
+ \fi%
+ }
+ \state{down}[width=5pt,next state=up]
+ {
+ \ifdim\pgfsnakeremainingdistance>\pgfsnakecompleteddistance
+ % Growing
+ \pgfpathlineto{\pgfpoint{0pt}{-\pgfsnakecompleteddistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{-\pgfsnakecompleteddistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{0pt}}
+ \else
+ % Shrinking
+ \pgfpathlineto{\pgfpoint{0pt}{-\pgfsnakeremainingdistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{-\pgfsnakeremainingdistance}}
+ \pgfpathlineto{\pgfpoint{5pt}{0pt}}
+ \fi%
+ }
+ \state{final}
+ {
+ \pgfpathlineto{\pgfpoint{\pgfsnakeremainingdistance}{0pt}}
+ }
+}
+\begin{tikzpicture}[snake=complicated example snake]
+ \draw[snake] (0,0) -- (3,0);
+ \fill[red!50,snake,rounded corners=2pt] (.5,-2) -- ++(2.5,-2.5)
+ [snake=none] -- ++(0,-.5) -| (0,-2) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsubsection{Predefined Snakes}
+
+Only two very simple and basic snakes are predefined when you load
+\pgfname. For more interesting snakes you can use the package
+|pgflibrarysnakes|.
+
+\begin{snake}{lineto}
+ This most trivial of all snakes is simply a straight line. This
+ snake is typically not used in a ``stand alone'' fashion. Rather, it
+ is useful as a ``subsnake'' of the |\pgfsnakesto| command.
+\end{snake}
+
+\begin{snake}{moveto}
+ Arguably, this snake is even simpler than the previous snake. This
+ snake consists of a simple move-to operation. Like the |lineto|
+ snake, it is useful as a ``subsnake'' of the |\pgfsnakesto|
+ command.
+\end{snake}
+
+
+
+\subsection{Using Snakes}
+
+Three commands can be used to use a snake.
+
+\begin{command}{\pgfpathsnakealongvector\marg{snake}\marg{length}\marg{vector}}
+ This command will append the \meta{snake} to the current path. The
+ length of the snake is given by \meta{length}. The \meta{vector}
+ should be a normalizes vector (a vector having length |1pt|)
+ pointing in the direction in which the snake should grow.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpoint{1cm}{1cm}}
+ \pgfpathsnakealongvector{zigzag}{2cm}{\pgfpointpolar{30}{1pt}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfpathsnakesto\marg{snake list}\marg{target}}
+ This command will append the snakes in the \meta{snake list} to the
+ current path such that it ends at \meta{point}. This command calls the previous
+ one (repeatedly, possibly) after having computed the distance from
+ the current point to \meta{target} and normalized the vector
+ connecting the current point to the target.
+
+ The \meta{snake list} is a comma-separated list of pairs consisting
+ of a snake name in curly braces and a distance in curly braces. For
+ example, a snake list might be |{lineto}{1cm},{moveto}{2cm}|. This
+ is interpreted as follows: Use a |lineto| snake for the first
+ centimeter of the way to the \meta{target}, then use the |moveto|
+ snake for the next two centimeters.
+
+ No attempt is made to check or ensure that the distances of the
+ ``subsnakes' add up to the distnace from the current point to the
+ \meta{target}. However, it is possible to refer to this distance
+ inside the \meta{snake list}: While the snake list is processed, the
+ two \TeX-dimensions |\pgfsnakeremainingdistance| and
+ |\pgfsnakecompleteddistance| will be set to the correct values. For
+ example, consider the example from a above, consisting of a |lineto|
+ and a |moveto| snake. Suppose the distance to \meta{target} where
+ 5cm. Then, when the length of the first subsnake is computed, the
+ remaining distance willbe set to 5cm and the completed distance to
+ 0cm. When the length of the second subsnake is computed, the
+ remaining distance wil be 4cm and the completed distance will be
+ 1cm.
+
+ Here are some useful examles: |{zigzag}{\pgfsnakeremainingdistance}|
+ is a \meta{snake list} that consists only of a |zigzag| snake whose
+ length is the total distance from the current point to the
+ \meta{target}. Next, to get a snake that is a |zigzag| snake that is
+ preceeded and succeeded by 3mm of |lineto|, you can use the
+ following:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines](0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpointorigin}
+ \pgfpathsnakesto{%
+ {lineto}{3mm},%
+ {zigzag}{\pgfsnakeremainingdistance-6mm},%
+ {lineto}{3mm}}
+ {\pgfpoint{3cm}{2cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+ Note that the computation of the distance may be imprecise. In
+ general, the placement precision of the snakes will not be perfect.
+\end{command}
+
+\begin{command}{\pgfpathsnaketo\marg{snake}\marg{target}}
+ This command is just a shortcut for calling |\pgfpathsnakesto| for a
+ single snake whose length is |\pgfsnakeremainingdistance|.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfpathmoveto{\pgfpoint{1cm}{1cm}}
+ \pgfpathsnaketo{zigzag}{\pgfpoint{3cm}{2cm}}
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+As was already mentioned, when each segment of the snake is added to
+the path, an appropriate coordinate transformation will be in
+force. It is sometimes useful to add an additional transformation
+locally. For example, by reflecting everything around the $x$-axis
+right before each segment is added, the snake will effectively be
+mirrored along the path. The following command allows you to install
+such a ``last minute transformation.''
+
+\begin{command}{\pgfsetsnakesegmenttransformation\marg{code}}
+ The \meta{code} will be executed at the very beginning of each
+ segment. Normally, this be a transformation command that changes the
+ $y$-axis in some way.
+\end{command}
+
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "~/texmf/tex/generic/pgf/doc/pgf/version-for-pdftex/en/pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-transformations.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-transformations.tex
new file mode 100644
index 00000000000..991c7edfc45
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-base-transformations.tex
@@ -0,0 +1,537 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Coordinate and Canvas Transformations}
+
+\subsection{Overview}
+
+\pgfname\ offers two different ways of scaling, shifting, and rotating
+(these operations are generally known as \emph{transformations})
+graphics: You can apply \emph{coordinate transformations} to all
+coordinates and you can apply \emph{canvas transformations} to the
+canvas on which you draw. (The names ``coordinate'' and ``canvas''
+transformations are not standard, I introduce them only for the
+purposes of this manual.)
+
+The difference is the following:
+
+\begin{itemize}
+\item
+ As the name ``coordinate transformation'' suggests, coordinate
+ transformations apply only to coordinates. For example, when you
+ specify a coordinate like |\pgfpoint{1cm}{2cm}| and you wish to
+ ``use'' this coordinate---for example as an argument to a
+ |\pgfpathmoveto| command---then the coordinate transformation matrix
+ is applied to the coordinate, resulting in a new
+ coordinate. Continuing the example, if the current coordinate
+ transformation is ``scale by a factor of two,'' the coordinate
+ |\pgfpoint{1cm}{2cm}| actually designates the point
+ $(2\mathrm{cm},4\mathrm{cm})$.
+
+ Note that coordinate transformations apply \emph{only} to
+ coordinates. They do not apply to, say, line width or shadings or
+ text.
+\item
+ The effect of a ``canvas transformation'' like ``scale by a factor
+ of two'' can be imagined as follows: You first draw your picture on
+ a ``rubber canvas'' normally. Then, once you are done, the whole
+ canvas is transformed, in this case stretched by a factor of
+ two. In the resulting image \emph{everything} will be larger: Text,
+ lines, coordinates, and shadings.
+\end{itemize}
+
+In many cases, it is preferable that you use coordinate
+transformations and not canvas transformations. When canvas
+transformations are used, \pgfname\ looses track of the coordinates of
+nodes and shapes. Also, canvas transformations often cause undesirable
+effects like changing text size. For these reasons, \pgfname\ makes it
+easy to setup the coordinate transformation, but a bit harder to
+change the canvas transformation.
+
+
+\subsection{Coordinate Transformations}
+
+\subsubsection{How PGF Keeps Track of the Coordinate Transformation
+ Matrix}
+
+\pgfname\ has an internal coordinate transformation matrix. This
+matrix is applied to coordinates ``in certain situations.'' This means
+that the matrix is not always applied to every coordinate ``no matter
+what.'' Rather, \pgfname\ tries to be reasonably smart at when and how
+this matrix should be applied. The most prominent examples are the
+path construction commands, which apply the coordinate transformation
+matrix to their inputs.
+
+The coordinate transformation matrix consists of four numbers $a$,
+$b$, $c$, and $d$, and two dimensions $s$ and $t$. When the coordinate
+transformation matrix is applied to a coordinate $(x,y)$ the new
+coordinate $(ax+by+s,cx+dy+t)$ results. For more details on how
+transformation matrices work in general, please see, for example, the
+\textsc{pdf} or PostScript reference or a textbook on computer
+graphics.
+
+The coordinate transformation matrix is equal to the identity matrix
+at the beginning. More precisely, $a=1$, $b=0$, $c=0$, $d=1$,
+$s=0\mathrm{pt}$, and $t=0\mathrm{pt}$.
+
+The different coordinate transformation commands will modify the
+matrix by concatenating it with another transformation matrix. This
+way the effect of applying several transformation commands will
+\emph{accumulate}.
+
+The coordinate transformation matrix is local to the current \TeX\
+group (unlike the canvas transformation matrix, which is local to the
+current |{pgfscope}|). Thus, the effect of adding a coordinate
+transformation to the coordinate transformation matrix will last only
+till the end of the current \TeX\ group.
+
+
+
+
+\subsubsection{Commands for Relative Coordinate Transformations}
+
+The following commands add a basic coordinate transformation to the
+current coordinate transformation matrix. For all commands, the
+transformation is applied \emph{in addition} to any previous
+coordinate transformations.
+
+\begin{command}{\pgftransformshift\marg{point}}
+ Shifts coordinates by \meta{point}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformshift{\pgfpoint{1cm}{1cm}}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgftransformxshift\marg{dimensions}}
+ Shifts coordinates by \meta{dimension} along the $x$-axis.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformxshift{.5cm}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgftransformyshift\marg{dimensions}}
+ Like |\pgftransformxshift|, only for the $y$-axis.
+\end{command}
+
+\begin{command}{\pgftransformscale\marg{factor}}
+ Scales coordinates by \meta{factor}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformscale{.75}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgftransformxscale\marg{factor}}
+ Scales coordinates by \meta{factor} in the $x$-direction.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformxscale{.75}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformyscale\marg{factor}}
+ Like |\pgftransformxscale|, only for the $y$-axis.
+\end{command}
+
+
+\begin{command}{\pgftransformxslant\marg{factor}}
+ Slants coordinates by \meta{factor} in the $x$-direction. Here, a
+ factor of |1| means $45^\circ$.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformxslant{.5}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformyslant\marg{factor}}
+ Slants coordinates by \meta{factor} in the $y$-direction.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformyslant{-1}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+
+\begin{command}{\pgftransformrotate\marg{degrees}}
+ Rotates coordinates counterclockwise by \meta{degrees}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformrotate{30}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformcm\marg{a}\marg{b}\marg{c}\marg{d}\marg{point}}
+ Applies the transformation matrix given by $a$, $b$, $c$, and $d$
+ and the shift \meta{point} to coordinates (in addition to any
+ previous transformations already in force).
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformcm{1}{1}{0}{1}{\pgfpoint{.25cm}{.25cm}}
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformarrow\marg{start}\marg{end}}
+ Shift coordinates to the end of the line going from \meta{start}
+ to \meta{end} with the correct rotation.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (3,1);
+ \pgftransformarrow{\pgfpointorigin}{\pgfpoint{3cm}{1cm}}
+ \pgftext{tip}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformlineattime\marg{time}\marg{start}\marg{end}}
+ Shifts coordinates by a specific point on a line at a specific
+ time. The point by which the coordinate is shifted is calculated by
+ calling |\pgfpointlineattime|, see
+ Section~\ref{section-pointsattime}.
+
+ In addition to shifting the coordinate, a rotation \emph{may} also
+ be applied. Whether this is the case depends on whether the \TeX\ if
+ |\ifpgfslopedattime| is set to true or not.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1);
+ \pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (2,1);
+ \pgfslopedattimetrue
+ \pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+
+ There is another \TeX\ if that influences this command. If you set
+ |\ifpgfresetnontranslationattime| to true, then, between
+ shifting the coordinate and (possibly) rotating/sloping the
+ coordinate, the command |\pgftransformresetnontranslations| is
+ called. See the description of this command for details.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformscale{1.5}
+ \draw (0,0) -- (2,1);
+ \pgfslopedattimetrue
+ \pgfresetnontranslationattimefalse
+ \pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformscale{1.5}
+ \draw (0,0) -- (2,1);
+ \pgfslopedattimetrue
+ \pgfresetnontranslationattimetrue
+ \pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformcurveattime\marg{time}\marg{start}\marg{first
+ support}\marg{second support}\marg{end}}
+ Shifts coordinates by a specific point on a curve at a specific
+ time, see Section~\ref{section-pointsattime} once more.
+
+ As for the line-at-time transformation command, |\ifpgfslopedattime|
+ decides whether an additional rotation should be applied.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) .. controls (0,2) and (1,2) .. (2,1);
+ \pgftransformcurveattime{.25}{\pgfpointorigin}
+ {\pgfpoint{0cm}{2cm}}{\pgfpoint{1cm}{2cm}}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) .. controls (0,2) and (1,2) .. (2,1);
+ \pgfslopedattimetrue
+ \pgftransformcurveattime{.25}{\pgfpointorigin}
+ {\pgfpoint{0cm}{2cm}}{\pgfpoint{1cm}{2cm}}{\pgfpoint{2cm}{1cm}}
+ \pgftext{Hi!}
+\end{tikzpicture}
+\end{codeexample}
+ The value of |\ifpgfresetnontranslationsattime| is also taken into account.
+\end{command}
+
+
+{
+ \let\ifpgfslopedattime=\relax
+ \begin{textoken}{\ifpgfslopedattime}
+ Decides whether the ``at time'' transformation commands also
+ rotate coordinates or not.
+ \end{textoken}
+}
+{
+ \let\ifpgfresetnontranslationsattime=\relax
+ \begin{textoken}{\ifpgfresetnontranslationsattime}
+ Decides whether the ``at time'' transformation commands should
+ reset the non-translations between shifting and rotating.
+ \end{textoken}
+}
+
+
+\subsubsection{Commands for Absolute Coordinate Transformations}
+
+The coordinate transformation commands introduced up to now are always
+applied in addition to any previous transformations. In contrast, the
+commands presented in the following can be used to change the
+transformation matrix ``absolutely.'' Note that this is, in general,
+dangerous and will often produce unexpected effects. You should use
+these commands only if you really know what you are doing.
+
+\begin{command}{\pgftransformreset}
+ Resets the coordinate transformation matrix to the identity
+ matrix. Thus, once this command is given no transformations are
+ applied till the end of the scope.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformrotate{30}
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransformreset
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransformresetnontranslations}
+ This command sets the $a$, $b$, $c$, and $d$ part of the coordinate
+ transformation matrix to $a=1$, $b=0$, $c=0$, and $d=1$. However,
+ the current shifting of the matrix is not modified.
+
+ The effect of this command is that any rotation/scaling/slanting is
+ undone in the current \TeX\ group, but the origin is not ``moved
+ back.''
+
+ This command is mostly useful directly before a |\pgftext| command
+ to ensure that the text is not scaled or rotated.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformscale{2}
+ \pgftransformrotate{30}
+ \pgftransformxshift{1cm}
+ {\color{red}\pgftext{rotated}}
+ \pgftransformresetnontranslations
+ \pgftext{shifted only}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgftransforminvert}
+ Replaces the coordinate transformation matrix by a coordinate
+ transformation matrix that ``exactly undoes the original
+ transformation.'' For example, if the original transformation was
+ ``scale by 2 and then shift right by 1cm'' the new one is ``shift
+ left by 1cm and then scale by $1/2$.''
+
+ This command will produce an error if the determinant of
+ the matrix is too small, that is, if the matrix is near-singular.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgftransformrotate{30}
+ \draw (0,0) -- (2,1) -- (1,0);
+ \pgftransforminvert
+ \draw[red] (0,0) -- (2,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\subsubsection{Saving and Restoring the Coordinate Transformation
+ Matrix}
+
+There are two commands for saving and restoring coordinate
+transformation matrices.
+
+\begin{command}{\pgfgettransform\marg{macro}}
+ This command will (locally) define \meta{macro} to a representation
+ of the current coordinate transformation matrix. This matrix can
+ later on be reinstalled using |\pgfsettransform|.
+\end{command}
+
+
+\begin{command}{\pgfsettransform\marg{macro}}
+ Reinstalls a coordinate transformation matrix that was previously
+ saved using |\pgfgettransform|.
+\end{command}
+
+
+
+\subsection{Canvas Transformations}
+
+The canvas transformation matrix is not managed by \pgfname, but by
+the output format like \pdf\ or PostScript. All the \pgfname\ does is
+to call appropriate low-level |\pgfsys@| commands to change the canvas
+transformation matrix.
+
+Unlike coordinate transformations, canvas transformations apply to
+``everything,'' including images, text, shadings, line thickness, and
+so on. The idea is that a canvas transformation really stretches and
+deforms the canvas after the graphic is finished.
+
+Unlike coordinate transformations, canvas transformations are local to
+the current |{pgfscope}|, not to the current \TeX\ group. This is due
+to the fact that they are managed by the backend driver, not by \TeX\
+or \pgfname.
+
+Unlike the coordinate transformation matrix, it is not possible to
+``reset'' the canvas transformation matrix. The only way to change it
+is to concatenate it with another canvas transformation matrix or to
+end the current |{pgfscope}|.
+
+Unlike coordinate transformations, \pgfname\ does not ``keep track''
+of canvas transformations. In particular, it will not be able to
+correctly save the coordinates of shapes or nodes when a canvas
+transformation is used.
+
+\pgfname\ does not offer a whole set of special commands for modifying
+the canvas transformation matrix. Instead, different commands allow
+you to concatenate the canvas transformation matrix with a coordinate
+transformation matrix (and there are numerous commands for specifying
+a coordinate transformation, see the previous section).
+
+\begin{command}{\pgflowlevelsynccm}
+ This command concatenates the canvas transformation matrix with the
+ current coordinate transformation matrix. Afterward, the coordinate
+ transformation matrix is reset.
+
+ The effect of this command is to ``synchronize'' the coordinate
+ transformation matrix and the canvas transformation matrix. All
+ transformations that were previously applied by the coordinate
+ transformations matrix are now applied by the canvas transformation
+ matrix.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfsetlinewidth{1pt}
+ \pgftransformscale{5}
+ \draw (0,0) -- (0.4,.2);
+ \pgftransformxshift{0.2cm}
+ \pgflowlevelsynccm
+ \draw[red] (0,0) -- (0.4,.2);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgflowlevel\marg{transformation code}}
+ This command concatenates the canvas transformation matrix with the
+ coordinate transformation specified by \meta{transformation code}.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfsetlinewidth{1pt}
+ \pgflowlevel{\pgftransformscale{5}}
+ \draw (0,0) -- (0.4,.2);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgflowlevelobj\marg{transformation code}\marg{code}}
+ This command creates a local |{pgfscope}|. Inside this scope,
+ |\pgflowlevel| is first called with the argument
+ \meta{transformation code}, then the \meta{code} is inserted.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfsetlinewidth{1pt}
+ \pgflowlevelobj{\pgftransformscale{5}} {\draw (0,0) -- (0.4,.2);}
+ \pgflowlevelobj{\pgftransformxshift{-1cm}}{\draw (0,0) -- (0.4,.2);}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{environment}{{pgflowlevelscope}\marg{transformation code}}
+ This environment first surrounds the \meta{environment contents} by
+ a |{pgfscope}|. Then it calls |\pgflowlevel| with the argument
+ \meta{transformation code}.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \pgfsetlinewidth{1pt}
+ \begin{pgflowlevelscope}{\pgftransformscale{5}}
+ \draw (0,0) -- (0.4,.2);
+ \end{pgflowlevelscope}
+ \begin{pgflowlevelscope}{\pgftransformxshift{-1cm}}
+ \draw (0,0) -- (0.4,.2);
+ \end{pgflowlevelscope}
+\end{tikzpicture}
+\end{codeexample}
+\end{environment}
+
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-drivers.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-drivers.tex
new file mode 100644
index 00000000000..c59ee5fbeb3
--- /dev/null
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@@ -0,0 +1,313 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Input and Output Formats}
+\label{section-formats}
+
+
+\TeX\ was designed to be a flexible system. This is true both for the
+\emph{input} for \TeX\ as well as for the \emph{output}. The present
+section explains which input formats there are and how they are
+supported by \pgfname. It also explains which different output formats
+can be produced.
+
+
+
+\subsection{Supported Input Formats}
+
+\TeX\ does not prescribe exactly how your input should be
+formatted. While it is \emph{customary} that, say, an opening brace
+starts a scope in \TeX, this is by no means necessary. Likewise, it is
+\emph{customary} that environments start with |\begin|, but \TeX\
+could not really care less about the exact command name.
+
+Even though \TeX\ can be reconfigured, users can not. For this reason,
+certain \emph{input formats} specify a set of commands and conventions
+how input for \TeX\ should be formatted. There are currently three
+``major'' formats: Donald Knuth's original |plain| \TeX\ format,
+Leslie Lamport's popular \LaTeX\ format, and Hans Hangen's Con\TeX t
+format.
+
+
+\subsubsection{Using the \LaTeX\ Format}
+
+Using \pgfname\ and \tikzname\ with the \LaTeX\ format is easy: You
+say |\usepackage{pgf}| or |\usepackage{tikz}|. Usually, that is all
+you need to do, all configuration will be done automatically and
+(hopefully) correctly.
+
+The style files used for the \LaTeX\ format reside in the subdirectory
+|latex/pgf/| of the \pgfname-system. Mainly, what these files do is to
+include files in the directory |generic/pgf|. For example, here is the
+content of the file |latex/pgf/frontends/tikz.sty|:
+
+\begin{codeexample}[code only]
+% Copyright 2005 by Till Tantau <tantau@users.sourceforge.net>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+\RequirePackage{pgf,calc,pgffor,pgflibraryplothandlers,xkeyval}
+
+\input{tikz.code}
+
+\endinput
+\end{codeexample}
+
+The files in the |generic/pgf| directory do the actual work.
+
+
+
+\subsubsection{Using the Plain \TeX\ Format}
+
+When using the plain \TeX\ format, you say |\input{pgf.tex}| or
+|\input{tikz.tex}|. Instead of |\begin{pgfpicture}| and
+ |\end{pgfpicture}| you use |\pgfpicture| and |\endpicture|.
+
+Unlike for the \LaTeX\ format, \pgfname\ is not as good at discerning
+the appropriate configuration for the plain \TeX\ format. In
+particular, it can only automatically determine the correct output
+format if you use |pdftex| or |tex| plus |dvips|. For all other output
+formats you need to set the macro |\pgfsysdriver| to the correct
+value. See the description of using output formats later on.
+
+\pgfname\ was originally written for use with \LaTeX\ and this shows
+in a number of places. Nevertheless, the plain \TeX\ support is
+reasonably good.
+
+Like the \LaTeX\ style files, the plain \TeX\ files like |tikz.tex|
+also just include the correct |tikz.code.tex| file.
+
+
+
+\subsubsection{Using the Con\TeX t Format}
+
+Currently, there is no special support for the Con\TeX t
+format. Rather, you have to use \pgfname\ and \tikzname\ as if you
+were using the plain \TeX\ format when using Con\TeX t. This may
+change in the future.
+
+
+
+
+
+\subsection{Supported Output Formats}
+\label{section-drivers}
+
+An output format is a format in which \TeX\ outputs the text it has
+typeset. Producing the output is (conceptually) a two-stage process:
+\begin{enumerate}
+\item
+ \TeX\ typesets your text and graphics. The result of this
+ typesetting is mainly a long list of letter--coordinate pairs, plus
+ (possibly) some ``special'' commands. This long list of pairs
+ is written to something called a |.dvi|-file.
+\item
+ Some other program reads this |.dvi|-file and translates the
+ letter--coordinate pairs into, say, PostScript commands for placing
+ the given letter at the given coordinate.
+\end{enumerate}
+
+The classical example of this process is the combination of |latex|
+and |dvips|. The |latex| program (which is just the |tex| program
+called with the \LaTeX-macros preinstalled) produces a |.dvi|-file as
+its output. The |dvips| program takes this output and produces a
+|.ps|-file (a PostScript) file. Possibly, this file is further
+converted using, say, |ps2pdf|, whose name is supposed to mean
+``PostScript to PDF.'' Another example of programs using this
+process is the combination of |tex| and |dvipdfm|. The |dvipdfm|
+program takes a |.dvi|-file as
+input and translates the letter--coordinate pairs therein into
+\pdf-commands, resulting in a |.pdf| file directly. Finally, the
+|tex4ht| is also a program that takes a |.dvi|-file and produces an
+output, this time it is a |.html| file. The programs |pdftex| and
+|pdflatex| are special: They directly produce a |.pdf|-file without
+the intermediate |.dvi|-stage. However, from the programmer's point of
+view they behave exactly as if there where an intermediate stage.
+
+Normally, \TeX\ only produces letter--coordinate pairs as its
+``output.'' This obviously makes is difficult tho draw, say, a
+curve. For this, ``special'' commands can be used. Unfortunately,
+these special commands are not the same for the different programs
+that process the |.dvi|-file. Indeed, every program that takes a
+|.dvi|-file as input has a totally different syntax for the special
+commands.
+
+One of the main jobs of \pgfname\ is to ``abstract way'' the
+difference in the syntax of the different programs. However, this
+means that support for each program has to be ``programmed,'' which is
+a time-consuming and complicated process.
+
+
+\subsubsection{Selecting the Backend Driver}
+
+When \TeX\ typesets your document, it does not know which program
+you are going to use to transform the |.dvi|-file. If your |.dvi|-file
+does not contain any special commands, this would be fine; but these
+days almost all |.dvi|-files contain lots of special commands. It is
+thus necessary to tell \TeX\ which program you are going to use later
+on.
+
+Unfortunately, there is no ``standard'' way of telling this to
+\TeX. For the \LaTeX\ format a sophisticated mechanism exists inside
+the |graphics| package and \pgfname\ plugs into this mechanism. For
+other formats and when this plugging does not work as expected, it is
+necessary to tell \pgfname\ directly which program you are going to
+use. This is done by redefining the macro |\pgfsysdriver| to an
+appropriate value \emph{before} you load |pgf|. If you are going to
+use the |dvips| program, you set this macro to the value
+|pgfsys-dvips.def|; if you use |pdftex| or |pdflatex|, you set it to
+|pgfsys-pdftex.def|; and so on. In the following, details of the
+support of the different programs are discussed.
+
+
+\subsubsection{Producing PDF Output}
+
+\pgfname\ supports three programs that produce \pdf\ output (\pdf\ means
+``portable document format'' and was invented by the Adobe company):
+|dvipdfm|, |pdftex|, and |vtex|. The |pdflatex| program is the same as the
+|pdftex| program: it uses a different input format, but the output is
+exactly the same.
+
+\begin{filedescription}{pgfsys-pdftex.def}
+ This is the driver file for use with pdf\TeX, that is, with the
+ |pdftex| or |pdflatex| command. It includes
+ |pgfsys-common-pdf.def|.
+
+ This driver has the ``complete'' functionality. This means,
+ everything \pgfname\ ``can do at all'' is implemented in this
+ driver.
+\end{filedescription}
+
+\begin{filedescription}{pgfsys-dvipdfm.def}
+ This is a driver file for use with (|la|)|tex| followed by |dvipdfm|. It
+ includes |pgfsys-common-pdf.def|.
+
+ This driver supports most of \pgfname's features, but there are some
+ restrictions:
+ \begin{enumerate}
+ \item
+ In \LaTeX\ mode it uses |graphicx| for the graphics
+ inclusion and does not support masking.
+ \item
+ In plain \TeX\ mode it does not support image inclusion.
+ \end{enumerate}
+\end{filedescription}
+
+\begin{filedescription}{pgfsys-vtex.def}
+ This is the driver file for use with the commercial \textsc{vtex}
+ program. Even though is will produce \textsc{pdf} output, it
+ includes |pgfsys-common-postscript.def|. Note that the
+ \textsc{vtex} program can produce \emph{both} Postscript and
+ \textsc{pdf} output, depending on the command line
+ parameters. However, whether you produce Postscript or
+ \textsc{pdf} output does not change anything with respect to the
+ driver.
+
+ This driver supports most of \pgfname's features, except for
+ the following restrictions:
+ \begin{enumerate}
+ \item
+ In \LaTeX\ mode it uses |graphicx| for the graphics
+ inclusion and does not support masking.
+ \item
+ In plain \TeX\ mode it does not support image inclusion.
+ \item
+ Shading is fully implemented, but yields the same quality as the
+ implementation for |dvips|.
+ \item
+ Opacity is not implemented at all.
+ \end{enumerate}
+\end{filedescription}
+
+It is also possible to produce a |.pdf|-file by first producing a
+PostScript file (see below) and then using a PostScript-to-\pdf\
+conversion program like |ps2pdf| or the Acrobat Distiller.
+
+
+\subsubsection{Producing PostScript Output}
+
+\begin{filedescription}{pgfsys-dvips.def}
+ This is a driver file for use with (|la|)|tex| followed by
+ |dvips|. It includes |pgfsys-common-postscript.def|.
+
+ This driver also supports most of \pgfname's features, except for
+ the following restrictions:
+ \begin{enumerate}
+ \item
+ In \LaTeX\ mode it uses |graphicx| for the graphics
+ inclusion and does not support masking.
+ \item
+ In plain \TeX\ mode it does not support image inclusion.
+ \item
+ Shading is fully implemented, but the results will not be
+ as good as with a driver producing |.pdf| as output.
+ \item
+ Opacity works only in conjunction with newer versions of
+ GhostScript.
+ \end{enumerate}
+\end{filedescription}
+
+You can also use the |vtex| program together with |pgfsys-vtex.def| to
+produce Postscript output.
+
+
+
+\subsubsection{Producing HTML / SVG Output}
+
+The |tex4ht| program converts |.dvi|-files to |.html|-files. While the
+\textsc{html}-format cannot be used to draw graphics, the
+\textsc{svg}-format can. Using the following driver, you can ask
+\pgfname\ to produce an \textsc{svg}-picture for each \pgfname\
+graphic in your text.
+
+\begin{filedescription}{pgfsys-tex4ht.def}
+ This is a driver file for use with the |tex4ht| program. It includes
+ |pgfsys-common-svg.def|.
+
+ When using this driver you should be aware of the following
+ restrictions:
+ \begin{enumerate}
+ \item
+ In \LaTeX\ mode it uses |graphicx| for the graphics
+ inclusion.
+ \item
+ In plain \TeX\ mode it does not support image inclusion.
+ \item
+ Text inside |pgfpicture|s is not supported very well. The reason
+ is that the \textsc{svg} specification currently does not support
+ text very well and it is also not possible to correctly ``escape
+ back'' to \textsc{html}. All these problems will hopefully
+ disappear in the future, but currently only two kinds of text work
+ reasonably well: First, plain text without math mode, special
+ characters or anything else special. Second, \emph{very} simple
+ mathematical text that contains subscripts or superscripts. Even
+ then, variables are not correctly set in italics and, in general,
+ text simple does not look very nice.
+ \item
+ If you use text that contains anything special, even something as
+ simple as |$\alpha$|, this may corrupt the graphic since |text4ht|
+ does not always produce valid \textsc{xml} code. So, once more,
+ \emph{stick to very simple node text inside graphics.} Sorry.
+ \item
+ Unlike for other output formats, the bounding box of a picture
+ ``really crops'' the picture.
+ \end{enumerate}
+
+ The driver basically works as follows: When a |{pgfpicture}| is
+ started, appropriate |\special| commands are used to directed the
+ output of |tex4ht| to a new file called |\jobname-xxx.svg|, where
+ |xxx| is a number that is increased for each graphic. Then, till the
+ end of the picture, each (system layer) graphic command creates a
+ specials that insert appropriate \textsc{svg} literal text into the
+ output file. The exact details are a bit complicated since the
+ imaging model and the processing model of PostScript/\pdf\ and
+ \textsc{svg} are not quite the same; but they are ``close enough''
+ for \pgfname's purposes.
+\end{filedescription}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-guidelines.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-guidelines.tex
new file mode 100644
index 00000000000..06088165c75
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-guidelines.tex
@@ -0,0 +1,771 @@
+% $Header: /cvsroot/pgf/pgf/doc/pgf/text-en/pgfmanual-en-guidelines.tex,v 1.1 2005/09/02 16:05:42 tantau Exp $
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+
+
+\section{Guidelines on Graphics}
+
+The present section is not about \pgfname\ or \tikzname, but about
+general guidelines and principles concerning the creation of
+graphics for scientific presentations, papers, and books.
+
+The guidelines in this section come from different sources. Many of
+them are just what I would like to claim is ``common sense,'' some
+reflect my personal experience (though, hopefully, not my personal
+preferences), some come from books (the bibliography is still missing,
+sorry) on graphic design and typography.
+The most influential source are the brilliant books
+by Edward Tufte. While I do not agree with everything written in these
+books, many of Tufte's arguments are so convincing that I decided to
+repeat them in the following guidelines.
+
+
+
+
+\subsection{Should You Follow Guidelines?}
+
+The first thing you should ask yourself when someone presents a bunch of
+guidelines is: Should I really follow these guidelines? This is an
+important questions, because there are good reasons not to follow
+general guidelines.
+\begin{itemize}
+\item
+ The person who setup the guidelines may have had other
+ objectives than you do. For example, a guideline might say ``use the
+ color red for emphasis.'' While this guideline makes perfect sense
+ for, say, a presentation using a projector, red ``color'' has the
+ \emph{opposite} effect of ``emphasis'' when printed using a
+ black-and-white printer.
+
+ Guidelines were almost always setup to address a specific
+ situation. If you are not in this situation, following a guideline
+ can do more harm than good.
+\item
+ The basic rule of typography is: ``Every rule can be broken, as long
+ as you are \emph{aware} that you are breaking a rule.'' This rule
+ also applies to graphics. Phrased differently, the basic rule
+ states: ``The only mistakes in typography are things done is
+ ignorance.''
+
+ When you are aware of a rule and when you decide that breaking the
+ rule has a desirable effect, break the rule.
+\item
+ Some guidelines are simply \emph{wrong}, but everyone follows them
+ out of tradition or is forced to do so. My favorite example is a
+ guideline a software company I used to work for has set in a big
+ project: All programmers had to declare the parameters of functions
+ in \emph{increasing order of size}. So, one-byte
+ parameters should come first, then two-byte parameters, and so on.
+
+ This guideline is total nonsense. An (arguably) sensible guideline
+ is ``parameters must be declared alphabetically'' so that parameters
+ are easier to find. Another (arguably) sensible guideline is
+ ``parameters must be declared in decreasing order of size'' so that
+ less byte-alignment cache misses occur when the stack is
+ accessed. The guideline the company used maximized cache misses and
+ resulted in a more or less random ordering so that programmers
+ constantly had to look up the parameter ordering.
+\end{itemize}
+
+So, before you apply a guideline or choose not to apply it, ask
+yourself these questions:
+\begin{enumerate}
+\item
+ Does this guideline really address my situation?
+\item
+ If you do the opposite a guideline says you should do, will the
+ advantages outweigh the disadvantages this guideline was supposed to
+ prevent?
+\end{enumerate}
+
+
+
+\subsection{Planning the Time Needed for the Creation of Graphics}
+
+When you create a paper with numerous graphics, the time needed to
+create these graphics becomes an important factor. How much time
+should you calculate for the creation of graphics?
+
+As a general rule, assume that a graphic will need as much time to
+create as would a text of the same length. For example, when I
+write a paper, I need about one hour per page for
+the first draft. Later, I need between two and four hours per page
+for revisions. Thus, I expect to need about half an hour for the
+creation of \emph{a first draft} of a half page graphic. Later on, I
+expect another one to two hours before the final graphic is finished.
+
+In many publications, even in good journals, the authors and editors
+have obviously invested a lot of time on the text, but seem to
+have spend about five minutes to create all of the
+graphics. Graphics often seem to have been added as an
+``afterthought'' or look like a screen shot of whatever the authors's
+statistical software shows them. As will be argued later on, the
+graphics that programs like \textsc{gnuplot} produce by default are of
+poor quality.
+
+Creating informative graphics that help the reader and that fit
+together with the main text is a difficult, lengthy process.
+\begin{itemize}
+\item
+ Treat graphics as first-class citizens of your papers. They deserve
+ as much time and energy as the text does.
+\item
+ Arguably, the creation of graphics deserves \emph{even more} time
+ than the writing of the main text since more attention will be paid
+ to the graphics and they will be looked at first.
+\item
+ Plan as much time for the creation and revision of a graphic as you
+ would plan for text of the same size.
+\item
+ Difficult graphics with a high information density may require even
+ more time.
+\item
+ Very simple graphics will require less time, but most likely you do
+ not want to have ``very simple graphics'' in your paper, anyway;
+ just as you would not like to have a ``very simple text'' of the
+ same size.
+\end{itemize}
+
+
+
+\subsection{Workflow for Creating a Graphic}
+
+When you write a (scientific) paper, you will most likely follow the
+following pattern: You have some results/ideas that you would
+like to report about. The creation of the paper will typically start
+with compiling a rough outline. Then, the different sections are
+filled with text to create a first draft. This draft is then revised
+repeatedly until, often after substantial revision, a final paper
+results. In a good journal paper there is typically not be a single
+sentence that has survived unmodified from the first draft.
+
+Creating a graphics follows the same pattern:
+\begin{itemize}
+\item
+ Decide on what the graphic should communicate. Make this a conscious
+ decision, that is, determine ``What is the graphic supposed to tell
+ the reader?''
+\item
+ Create an ``outline,'' that is, the rough overall ``shape'' of the
+ graphic, containing the most crucial elements. Often, it is
+ useful to do this using pencil and paper.
+\item
+ Fill out the finer details of the graphic to create a first
+ draft.
+\item
+ Revise the graphic repeatedly along with the rest of the paper.
+\end{itemize}
+
+
+
+
+\subsection{Linking Graphics With the Main Text}
+
+Graphics can be placed at different places in a text. Either, they can
+be inlined, meaning they are somewhere ``in the middle of the text''
+or they can be placed in standalone ``figures.'' Since printers (the
+people) like to have their pages ``filled,'' (both for aesthetic and
+economic reasons) standalone figures may traditionally be placed on
+pages in the document far removed from the main text that refers to
+them. \LaTeX\ and \TeX\ tend to encourage this ``drifting away'' of
+graphics for technical reasons.
+
+When a graphic is inlined, it will more or less automatically be
+linked with the main text in the sense that the labels of the graphic
+will be implicitly explained by the surrounding text. Also, the main
+text will typically make it clear what the graphic is about and what
+is shown.
+
+Quite differently, a standalone figure will often be viewed at a time
+when the main text that this graphic belongs to either has not yet
+been read or has been read some time ago. For this reason, you should
+follow the following guidelines when creating standalone figures:
+\begin{itemize}
+\item
+ Standalone figures should have a caption than should make them
+ ``understandable by themselves.''
+
+ For example, suppose a graphic shows an example of the different
+ stages of a quicksort algorithm. Then the figure's caption should,
+ at the very least, inform the reader that ``The figure shows the
+ different stages of the quicksort algorithm introduced on page
+ xyz.'' and not just ``Quicksort algorithm.''
+\item
+ A good caption adds as much context information as possible. For
+ example, you could say: ``The figure shows the different stages of
+ the quicksort algorithm introduced on page xyz. In the first line,
+ the pivot element 5 is chosen. This causes\dots'' While this
+ information can also be given in the main text, putting it in the
+ caption will ensure that the context is kept. Do not feel afraid of
+ a 5-line caption. (Your editor may hate you for this. Consider
+ hating them back.)
+\item
+ Reference the graphic in your main text as in ``For an example of
+ quicksort `in action,' see Figure~2.1 on page xyz.''
+\item
+ Most books on style and typography recommend that you do not use
+ abbreviations as in ``Fig.~2.1'' but write ``Figure 2.1.''
+
+ The main argument against abbreviations is that ``a period is too
+ valuable to waste it on an abbreviation.'' The idea is that a period
+ will make the reader assume that the sentence ends after ``Fig'' and
+ it takes a ``conscious backtracking'' to realize that the sentence
+ did not end after all.
+
+ The argument in favor of abbreviations is that they save space.
+
+ Personally, I am not really convinced by either argument. On the one
+ hand, I have not yet seen any hard evidence that abbreviations slow
+ readers down. On the other hand, abbreviating all ``Figure'' by
+ ``Fig.''\ is most unlikely to save even a single line in most
+ documents.
+
+ I avoid abbreviations.
+\end{itemize}
+
+
+
+\subsection{Consistency Between Graphics and Text}
+
+Perhaps the most common ``mistake'' people do when creating graphics
+(remember that a ``mistake'' in design is always just ``ignorance'')
+is to have a mismatch between the way their graphics look and the way
+their text looks.
+
+It is quite common that authors use several different programs for
+creating the graphics of a paper. An author might produce some plots
+using \textsc{gnuplot}, a diagram using \textsc{xfig}, and include an
+|.eps| graphic a coauthor contributed using some unknown program. All
+these graphics will, most likely, use different line widths, different
+fonts, and have different sizes. In addition, authors often use
+options like |[height=5cm]| when including graphics to scale them to
+some ``nice size.''
+
+If the same approach were taken to writing the main text, every
+section would be written in a different font at a different size. In
+some sections all theorems would be underlined, in another they would
+be printed all in uppercase letters, and in another in red. In
+addition, the margins would be different on each page.
+
+Readers and editors would not tolerate a text if it were written in
+this fashion, but with graphics they often have to.
+
+To create consistency between graphics and text, stick to the
+following guidelines:
+\begin{itemize}
+\item
+ Do not scale graphics.
+
+ This means that when generating graphics using an external program,
+ create them ``at the right size.''
+\item
+ Use the same font(s) both in graphics and the body text.
+\item
+ Use the same line width in text and graphics.
+
+ The ``line width'' for normal text is the width of the stem of
+ letters like T{}. For \TeX, this is usually
+ $0.4\,\mathrm{pt}$. However, some journals will not accept graphics
+ with a normal line width below $0.5\,\mathrm{pt}$.
+\item
+ When using colors, use a consistent color coding in the text and in
+ graphics. For example, if red is supposed to alert the reader to
+ something in the main text, use red also in graphics for important
+ parts of the graphic. If blue is used for structural elements like
+ headlines and section titles, use blue also for structural elements
+ of your graphic.
+
+ However, graphics may also use a logical intrinsic color
+ coding. For example, no matter what colors you normally use, readers
+ will generally assume, say, that the color green as ``positive, go,
+ ok'' and red as ``alert, warning, action.''
+\end{itemize}
+
+Creating consistency when using different graphic programs is almost
+impossible. For this reason, you should consider sticking to a single
+graphic program.
+
+
+\subsection{Labels in Graphics}
+
+Almost all graphics will contain labels, that is, pieces of text that
+explain parts of the graphics. When placing labels, stick to the
+following guidelines:
+
+\begin{itemize}
+\item
+ Follow the rule of consistency when placing labels. You should do
+ so in two ways: First, be consistent with the main text, that is,
+ use the same font as the main text also for labels. Second, be
+ consistent between labels, that is, if you format some labels in
+ some particular way, format all labels in this way.
+\item
+ In addition to using the same fonts in text and graphics, you should
+ also use the same notation. For example, if you write $1/2$ in your
+ main text, also use ``$1/2$'' as labels in graphics, not
+ ``0.5''. A $\pi$ is a ``$\pi$'' and not ``$3.141$''. Finally,
+ $\mathrm e^{-\mathrm i \pi}$ is ``$\mathrm e^{-\mathrm i \pi}$'',
+ not ``$-1$'', let alone ``-1''.
+\item
+ Labels should be legible. They should not only have a reasonably
+ large size, they also should not be obscured by lines or other
+ text. This also applies to of lines and text \emph{behind} the
+ labels.
+\item
+ Labels should be ``in place.'' Whenever there is enough space,
+ labels should be placed next to the thing they label. Only if
+ necessary, add a (subdued) line from the label to the labeled
+ object. Try to avoid labels that only reference explanations in
+ external legends. Reader have to jump back and forth between the
+ explanation and the object that is described.
+\item
+ Consider subduing ``unimportant'' labels using, for example, a gray
+ color. This will keep the focus on the actual graphic.
+\end{itemize}
+
+
+
+\subsection{Plots and Charts}
+
+One of the most frequent kind of graphics, especially in scientific
+papers, are \emph{plots}. They come in a large variety, including
+simple line plots, parametric plots, three dimensional plots, pie
+charts, and many more.
+
+Unfortunately, plots are notoriously hard to get right. Partly, the
+default settings of programs like \textsc{gnuplot} or Excel are to
+blame for this since these programs make it very convenient to create
+bad plots.
+
+The first question you should ask yourself when creating a plot is the
+following:
+\begin{itemize}
+\item
+ Are there enough data points to merit a plot?
+\end{itemize}
+
+If the answer is ``not really,'' use a table.
+
+A typical situation where a plot is unnecessary is when people present
+a few numbers in a bar diagram. Here is a real-life example: At the
+end of a seminar a lecturer asked the participants for feedback. Of
+the 50 participants, 30 returned the feedback form. According to the
+feedback, three participants considered the seminar ``very good,''
+nine considered it ``good,'' ten ``ok,'' eight ``bad,'' and no one thought
+that the seminar was ``very bad.''
+
+A simple way of summing up this information is the following table:
+
+\medskip
+\begin{tabular}{lp{3.75cm}r}
+ \emph{Rating given} & \raggedright\emph{Participants (out of 50) who gave this rating} &
+ \emph{Percentage} \\[1.75em]
+ ``very good'' & \hfil\hphantom{0}3\hfil & \hphantom{0}6\% \\
+ ``good'' & \hfil\hphantom{0}9\hfil & 18\% \\
+ ``ok'' & \hfil10\hfil & 20\% \\
+ ``bad'' & \hfil\hphantom{0}8\hfil & 16\% \\
+ ``very bad'' & \hfil\hphantom{0}0\hfil & \hphantom{0}0\% \\[2mm]
+ none & \hfil20\hfil & 40\% \\
+\end{tabular}
+
+\bigskip
+What the lecturer did was to visualize the data using a 3D bar
+diagram. It looked like this:
+
+\bigskip
+\par
+\begin{tikzpicture}[y=0.03cm,z=3mm]
+ \foreach \y in {0,20,40,60,80,100}
+ \draw[dashed] (0,\y,0) node[left] {\y} -- (0,\y,1) -- (6,\y,1);
+
+ \draw (0,0,0) -- (0,100,0) (0,0,1) -- (0,100,1);
+ \draw (0,0,0) -- (6,0,0);
+
+ \foreach \x/\xtext/\height in {1/very good/10,2/good/30,3/ok/33,4/bad/27,5/very bad/0}
+ {
+ \draw (\x,0) node[rotate=90,anchor=east] {\xtext};
+
+ \begin{scope}[xshift=\x cm]
+
+ \filldraw[fill=blue!50] (-.3,0,0) rectangle (.3,\height,0);
+ \filldraw[fill=blue!30] (.3,0,0) -- (.3,0,1) -- (.3,\height,1) -- (.3,\height,0) --cycle;
+ \filldraw[fill=blue!20] (-.3,\height,0) -- (.3,\height,0) --
+ (.3,\height,1) -- (-.3,\height,1) --cycle;
+ \end{scope}
+ }
+\end{tikzpicture}
+\bigskip
+
+Both the table and the ``plot'' have about the same size. If your first
+thought is ``the graphic looks nicer than the table,'' try to answer
+the following questions based on the information in the table or in
+the graphic:
+\begin{enumerate}
+\item
+ How many participants where there?
+\item
+ How many participants returned the feedback form?
+\item
+ What percentage of the participants returned the feedback form?
+\item
+ How many participants checked ``very good''?
+\item
+ What percentage out of all participants checked ``very good''?
+\item
+ Did more than a quarter of the participants check ``bad'' or ``very bad''?
+\item
+ What percentage of the participants that returned the form checked ``very good''?
+\end{enumerate}
+
+Sadly, the graphic does not allow us to answer \emph{a single one of these
+ questions}. The table answers all of them directly, except for the last
+one. In essence, the information density of the graphic is very
+nearly zero. The table has a much higher information density; despite
+the fact that it uses quite a lot of white space to present a few numbers.
+
+Here is the list of things that went wrong with the 3D-bar diagram:
+\begin{itemize}
+\item
+ The whole graphic is dominated by irritating background lines.
+\item
+ It is not clear what the numbers at the left mean; presumably
+ percentages, but it might also be the absolute number of
+ participants.
+\item
+ The labels at the bottom are rotated, making them hard to read.
+
+ (In the real presentation that I saw, the text was rendered at a very
+ low resolution with about 10 by 6 pixels per letter with wrong
+ kerning, making the rotated text almost impossible to read.)
+\item
+ The third dimension adds complexity to the graphic without adding
+ information.
+\item
+ The three dimensional setup makes it much harder to gauge the height
+ of the bars correctly. Consider the ``bad'' bar. It the number this
+ bar stands for more than 20 or less? While the front of the bar is
+ below the 20 line, the back of the bar (which counts) is above.
+\item
+ It is impossible to tell which numbers are represented by the
+ bars. Thus, the bars needlessly hide the information these bars are
+ all about.
+\item
+ What do the bar heights add up to? Is it 100\% or 60\%?
+\item
+ Does the bar for ``very bad'' represent 0 or~1?
+\item
+ Why are the bars blue?
+\end{itemize}
+
+You might argue that in the example the exact numbers are not
+important for the graphic. The important things is the ``message,''
+which is that there are more ``very good'' and ``good'' ratings than
+``bad'' and ``very bad.'' However, to convey this message either use a
+sentence that says so or use a graphic that conveys this message more
+clearly:
+
+\medskip
+\par
+\begin{tikzpicture}
+ \colorlet{good}{green!75!black}
+ \colorlet{bad}{red}
+ \colorlet{neutral}{black!60}
+ \colorlet{none}{white}
+
+ \node[text centered,text width=3cm]{Ratings given by 50~participants};
+
+ \begin{scope}[line width=4mm,rotate=270]
+ \draw[good] (-123:2cm) arc (-123:-101:2cm);
+ \draw[good!60!white] (-36:2cm) arc (-36:-101:2cm);
+ \draw[neutral] (-36:2cm) arc (-36:36:2cm);
+ \draw[bad!60!white] (36:2cm) arc (36:93:2cm);
+
+ \newcount\mycount
+ \foreach \angle in {0,72,...,3599}
+ {
+ \mycount=\angle\relax
+ \divide\mycount by 10\relax
+ \draw[black!15,thick] (\the\mycount:18mm) -- (\the\mycount:22mm);
+ }
+
+ \draw (0:2.2cm) node[below] {``ok'': 10 (20\%)};
+ \draw (165:2.2cm) node[above] {none: 20 (40\%)};
+ \draw (-111:2.2cm) node[left] {``very good'': 3 (6\%)};
+ \draw (-68:2.2cm) node[left] {``good'': 9 (18\%)};
+ \draw (65:2.2cm) node[right] {``bad'': 8 (16\%)};
+ \draw (93:2.2cm) node[right] {``very bad'': 0 (0\%)};
+ \end{scope}
+ \draw[gray] (0,0) circle (2.2cm) circle (1.8cm);
+\end{tikzpicture}
+
+\bigskip
+The above graphic has about the same information density as the table
+(about the same size and the same numbers are shown). In addition, one
+can directly ``see'' that there are more good or very good ratings
+than bad ones. One can also ``see'' that the number of people who gave
+no rating at all is not negligible, which is quite common for feedback
+forms.
+
+Charts are not always a good idea. Let us look at an example
+that I redrew from a pie chart in \emph{Die Zeit}, June 4th, 2005:
+
+\bigskip
+\par
+\begin{tikzpicture}
+ \begin{scope}[xscale=3.2,yscale=1.2]
+
+ \sffamily
+ \coordinate (right border) at (2.0cm,-1.7cm);
+ \coordinate (left border) at (-2.5cm,2.1cm);
+
+ \fill[black!25] ([xshift=-2mm,yshift=1.1cm]left border) rectangle ([xshift=2mm,yshift=-.3cm]right border);
+
+ \node[below right,text width=10cm,inner sep=0pt] at ([yshift=.9cm,xshift=-1mm]left border)
+ { {\color{black!75} \Large Kohle ist am wichtigsten}\\
+ Energiemix bei der deutschen Stromerzeugung 2004};
+
+ \filldraw[draw=gray,fill=white] ([xshift=-1mm]left border) node[below right,black]
+ {\footnotesize Gesamte Netto-Stromerzeugung in Prozent, in
+ Milliarden Kilowattstunden (Mrd.\ kWh)}
+ rectangle ([xshift=1mm]right border);
+
+ % The 3D stuff
+ \pgfdeclarehorizontalshading{zeit}{100bp}
+ {color(0pt)=(black);
+ color(25bp)=(black);
+ color(37bp)=(white);
+ color(50bp)=(black);
+ color(62bp)=(white);
+ color(75bp)=(black);
+ color(100bp)=(black)}
+
+ \shadedraw[very thin,shading=zeit,yshift=-1.5mm] (0,0) circle (1cm);
+
+ \fill[green!20!gray] (0,0) -- (90:1cm) arc (90:-5:1cm);
+ \fill[white!20!gray] (0,0) -- (-5:1cm) arc (-5:-105:1cm);
+ \fill[orange!20!gray] (0,0) -- (-105:1cm) arc (-105:-180:1cm);
+ \fill[orange!60!white] (0,0) -- (180:1cm) arc (180:150:1cm);
+ \fill[black!75!white] (0,0) -- (150:1cm) arc (150:145:1cm);
+ \fill[blue!90!white] (0,0) -- (145:1cm) arc (145:135:1cm);
+ \fill[blue!50!white] (0,0) -- (135:1cm) arc (135:92:1cm);
+ \fill[yellow!50!black] (0,0) -- (92:1cm) arc (92:90:1cm);
+
+ \begin{scope}[very thin]
+ \draw (0,0) -- (90:1cm);
+ \draw (0,0) -- (-5:1cm);
+ \draw (0,0) -- (-105:1cm);
+ \draw (0,0) -- (-180:1cm);
+ \draw (0,0) -- (150:1cm);
+ \draw (0,0) -- (145:1cm);
+ \draw (0,0) -- (135:1cm);
+ \draw (0,0) -- (92:1cm);
+
+ \draw(0,0) circle (1cm);
+ \end{scope}
+
+ \node (Regenerative) at (115:.75cm) {\bfseries 9,4\%};
+ \node (Kernenergie) at (30:.5cm) {\bfseries 27,8\%};
+ \node (Braunkohle) at (-45:.6cm) {\bfseries 25,6\%};
+ \node (Steinkohle) at (-135:.6cm) {\bfseries 22,3\%};
+ \node (Erdgas) at (168:.75cm) {\bfseries 10,4\%};
+ \coordinate (Mineral) at (147:.9cm);
+ \coordinate (Sonstige) at (140:.9cm);
+
+ \small
+ \draw (Regenerative.north) |- ([yshift=.25cm]Regenerative.north -| right border) coordinate (Regenerative label);
+ \draw (91:.9cm) |- (Regenerative label);
+ \node[above left] at (Regenerative label) {Regenerative\
+ {\footnotesize (53,7 kWh)/davon} Wind \textbf{4,4\%} \footnotesize (25,0 kWh)};
+
+ \draw (Kernenergie.base east) -- (Kernenergie.base east -| right border) coordinate (Kernenergie label);
+ \node[above left] at (Kernenergie label) {Kernenergie};
+ \node[below left] at (Kernenergie label) {\footnotesize (158,4 kWh)};
+
+ \draw (Braunkohle.south) |- ([yshift=-.75cm]Braunkohle.south -| right border) coordinate (Braunkohle label);
+ \node[above left] at (Braunkohle label) {Braunkohle\ \ \footnotesize (146,0 kWh)};
+
+ \draw (Steinkohle.south) |- ([yshift=-.75cm]Steinkohle.south -| left border) coordinate (Steinkohle label);
+ \node[above right] at (Steinkohle label) {Steinkohle\ \ \footnotesize (127,1 kWh)};
+
+ \draw (Erdgas.base west) -- (Erdgas.base west -| left border) coordinate (Erdgas label);
+ \node[above right] at (Erdgas label) {Erdgas\ \ \footnotesize (59,2 kWh)};
+
+ \draw (Mineral) -- (Mineral -| left border) coordinate (Mineral label);
+ \node[above right] at (Mineral label) {Mineral\"olprodukte\ \
+ \footnotesize (9,2 kWh) \ \ \normalsize\textbf{1,6\%}};
+
+ \draw (Sonstige) |- (Regenerative label -| left border) coordinate (Sonstige label);
+ \node[above right] at (Sonstige label) {Sonstige\ \
+ \footnotesize (16,5 kWh) \hskip1.5cm\
+ \normalsize\textbf{2,9\%}};
+ \end{scope}
+\end{tikzpicture}
+
+This graphic has been redrawn in \tikzname, but the original looks very
+similar.
+
+At first sight, the graphic looks ``nice and informative,'' but there
+are a lot of things that went wrong:
+
+\begin{itemize}
+\item
+ The chart is three dimensional. However, the shadings add
+ nothing ``information-wise,'' at best, they distract.
+\item
+ In a 3D-pie-chart the relative sizes are very strongly
+ distorted. For example, the area taken up by the gray color of ``Braunkohle''
+ is larger than the area taken up by the green color of
+ ``Kernenergie'' \emph{despite the fact that the percentage of
+ Braunkohle is less than the percentage of Kernenergie}.
+\item
+ The 3D-distortion gets worse for small areas. The area of
+ ``Regenerative'' somewhat larger than the area of ``Erdgas.''
+ The area of ``Wind'' is slightly smaller than the area of
+ ``Mineral\"olprodukte'' \emph{although the percentage of Wind is
+ nearly three times larger than the percentage of
+ Mineral\"olprodukte.}
+
+ In the last case, the different sizes are only partly due to
+ distortion. The designer(s) of the original graphic have also made
+ the ``Wind'' slice too small, even taking distortion into
+ account. (Just compare the size of ``Wind'' to ``Regenerative'' in
+ general.)
+\item
+ According to its caption, this chart is supposed to inform us that
+ coal was the most important energy source in Germany in
+ 2004. Ignoring the strong distortions caused by the superfluous and
+ misleading 3D-setup, it takes quite a while for this message to get
+ across.
+
+ Coal as an energy source is split up into two slices: one for
+ ``Steinkohle'' and one for ``Braunkohle'' (two different kinds of
+ coal). When you add them up, you see that the whole lower half of
+ the pie chart is taken up by coal.
+
+ The two areas for the different kinds of coal are not visually
+ linked at all. Rather, two different colors are used, the labels are
+ on different sides of the graphic. By comparison, ``Regenerative''
+ and ``Wind'' are very closely linked.
+\item
+ The color coding of the graphic follows no logical pattern at
+ all. Why is nuclear energy green? Regenerative energy is light blue,
+ ``other sources'' are blue. It seems more like a joke that the area
+ for ``Braunkohle'' (which literally translates to ``brown coal'') is
+ stone gray, while the area for ``Steinkohle'' (which literally
+ translates to ``stone coal'') is brown.
+\item
+ The area with the lightest color is used for ``Erdgas.'' This area
+ stands out most because of the brighter color. However, for this
+ chart ``Erdgas'' is not really important at all.
+\end{itemize}
+Edward Tufte calls graphics like the above ``chart junk.''
+
+Here are a few recommendations that may help you avoid producing chart junk:
+\begin{itemize}
+\item
+ Do not use 3D pie charts. They are \emph{evil}.
+\item
+ Consider using a table instead of a pie chart.
+\item
+ Due not apply colors randomly; use them to direct the readers's
+ focus and to group things.
+\item
+ Do not use background patterns, like a crosshatch or diagonal
+ lines, instead of colors. They distract. Background patterns in
+ information graphics are \emph{evil}.
+\end{itemize}
+
+
+
+\subsection{Attention and Distraction}
+
+Pick up your favorite fiction novel and have a look at a typical
+page. You will notice that the page is very uniform. Nothing is there
+to distract the reader while reading; no large headlines, no bold
+text, no large white areas. Indeed, even when the author does wish to
+emphasize something, this is done using italic letters. Such letters
+blend nicely with the main text---at a distance you will not be able to
+tell whether a page contains italic letters, but you would notice a
+single bold word immediately. The reason novels are typeset this way
+is the following paradigm: Avoid distractions.
+
+Good typography (like good organization) is something you do
+\emph{not} notice. The job of typography is to make reading the text,
+that is, ``absorbing'' its information content, as effortless as
+possible. For a novel, readers absorb the content by reading the text
+line-by-line, as if they were listening to someone telling the
+story. In this situation anything on the page that distracts the eye
+from going quickly and evenly from line to line will make the text
+harder to read.
+
+Now, pick up your favorite weekly magazine or newspaper and have a
+look at a typical
+page. You will notice that there is quite a lot ``going on'' on the
+page. Fonts are used at different sizes and in different arrangements,
+the text is organized in narrow columns, typically interleaved with
+pictures. The reason magazines are typeset in this way is another
+paradigm: Steer attention.
+
+Readers will not read a magazine like a novel. Instead of reading a
+magazine line-by-line, we use headlines and short abstracts to check
+whether we want to read a certain article or not. The job of
+typography is to steer our attention to these abstracts and headlines,
+first. Once we have decided that we want to read an article, however,
+we no longer tolerate distractions, which is why the main text of
+articles is typeset exactly the same way as a novel.
+
+The two principles ``avoid distractions'' and ``steer attention'' also
+apply to graphics. When you design a graphic, you should eliminate
+everything that will ``distract the eye.'' At the same time, you
+should try to actively help the reader ``through the graphic'' by
+using fonts/colors/line widths to highlight different parts.
+
+Here is a non-exhaustive list of things that can distract readers:
+\begin{itemize}
+\item
+ Strong contrasts will always be registered first by the eye. For
+ example, consider the following two grids:
+
+ \medskip\par
+ \begin{tikzpicture}[x=40pt,y=40pt]
+ \draw[step=10pt,gray] (0,0) grid +(1,1);
+ \draw[step=2pt] (2,0) grid +(1,1);
+ \end{tikzpicture}
+
+ \medskip
+ Even though the left grid comes first in our normal reading order,
+ the right one is much more likely to be seen first: The
+ white-to-black contrast is higher than the gray-to-white
+ contrast. In addition, there are more ``places'' adding to the
+ overall contrast in the right grid.
+
+ Things like grids and, more generally, help lines usually should not
+ grab the attention of the readers and, hence, should be typeset with
+ a low contrast to the background. Also, a loosely-spaced grid is
+ less distracting than a very closely-spaced grid.
+\item
+ Dashed lines create many points at which there is black-to-white
+ contrast. Dashed or dotted lines can be very distracting and, hence,
+ should be avoided in general.
+
+ Do not use different dashing patterns to differentiate curves in
+ plots. You loose data points this way and the eye is not
+ particularly good at ``grouping things according to a dashing
+ pattern.'' The eye is \emph{much} better at grouping things
+ according to colors.
+\item
+ Background patterns filling an area using diagonal lines or
+ horizontal and vertical lines or just dots are almost always
+ distracting and, usually, serve no real purpose.
+\item
+ Background images and shadings distract and only seldom add
+ anything of importance to a graphic.
+\item
+ Cute little cliparts can easily draw attention away from the
+ data.
+\end{itemize}
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-installation.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-installation.tex
new file mode 100644
index 00000000000..e925f6a599f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-installation.tex
@@ -0,0 +1,182 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Installation}
+
+There are different ways of installing \pgfname, depending
+on your system and needs, and you may need to install other
+packages as well as, see below. Before installing, you may wish to
+review the \textsc{gpl} license under which the package is
+distributed, see Section~\ref{section-license}.
+
+Typically, the package will already be installed on your
+system. Naturally, in this case you do not need to worry about the
+installation process at all and you can skip the rest of this
+section.
+
+
+\subsection{Package and Driver Versions}
+
+This documentation is part of version \pgfversion\ of the \pgfname\
+package. In order to run \pgfname, you need a reasonably recent
+\TeX\ installation. When using \LaTeX, you need the following packages
+installed (newer versions should also work):
+\begin{itemize}
+\item
+ |xcolor| version \xcolorversion.
+\item
+ |xkeyval| version \xkeyvalversion, if you wish to use \tikzname.
+\end{itemize}
+With plain \TeX, |xcolor| is not needed, but you obviously do not
+get its (full) functionality.
+
+Currently, \pgfname\ supports the following backend drivers:
+\begin{itemize}
+\item
+ |pdftex| version 0.14 or higher. Earlier versions do not work.
+\item
+ |dvips| version 5.94a or higher. Earlier versions may also work.
+\item
+ |dvipdfm| version 0.13.2c or higher. Earlier versions may also work.
+\item
+ |tex4ht| version 2003-05-05 or higher. Earlier versions may also work.
+\item
+ |vtex| version 8.46a or higher. Earlier versions may also work.
+\end{itemize}
+
+Currently, \pgfname\ supports the following formats:
+\begin{itemize}
+\item
+ |latex| with complete functionality.
+\item
+ |plain| with complete functionality, except for graphics inclusion,
+ which works only for pdf\TeX.
+\item
+ |context| should work as |plain|, but I have not tried it.
+\end{itemize}
+
+For more details, see Section~\ref{section-formats}.
+
+
+
+\subsection{Installing Prebundled Packages}
+
+I do not create or manage prebundled packages of \pgfname, but,
+fortunately, nice other people do. I cannot give detailed instructions
+on how to install these packages, since I do not manage them, but I
+\emph{can} tell you were to find them. If you have a problem with
+installing, you might wish to have a look at the Debian page or the
+Mik\TeX\ page first.
+
+
+\subsubsection{Debian}
+
+The command ``|aptitude install pgf|'' should do the trick. Sit back
+and relax. In detail, the following packages are installed:
+\begin{verbatim}
+http://packages.debian.org/pgf
+http://packages.debian.org/latex-xcolor
+\end{verbatim}
+
+
+\subsubsection{MiKTeX}
+
+For MiK\TeX, use the update wizard to install the (latest versions of
+the) packages called |pgf|, |xcolor|, and |xkeyval|.
+
+
+
+
+\subsection{Installation in a texmf Tree}
+
+For a permanent installation, you place the files of the
+the \textsc{pgf} package in an appropriate |texmf| tree.
+
+When you ask \TeX\ to use a certain class or package, it usually looks
+for the necessary files in so-called |texmf| trees. These trees
+are simply huge directories that contain these files. By default,
+\TeX\ looks for files in three different |texmf| trees:
+\begin{itemize}
+\item
+ The root |texmf| tree, which is usually located at
+ |/usr/share/texmf/| or |c:\texmf\| or somewhere similar.
+\item
+ The local |texmf| tree, which is usually located at
+ |/usr/local/share/texmf/| or |c:\localtexmf\| or somewhere similar.
+\item
+ Your personal |texmf| tree, which is usually located in your home
+ directory at |~/texmf/| or |~/Library/texmf/|.
+\end{itemize}
+
+You should install the packages either in the local tree or in
+your personal tree, depending on whether you have write access to the
+local tree. Installation in the root tree can cause problems, since an
+update of the whole \TeX\ installation will replace this whole tree.
+
+
+\subsubsection{Installation that Keeps Everything Together}
+
+Once you have located the right texmf tree, you must decide whether
+you want to install \pgfname\ in such a way that ``all its files are
+kept in one place'' or whether you want to be
+``\textsc{tds}-compliant,'' where \textsc{tds} means ``\TeX\ directory
+structure.''
+
+If you want to keep ``everything in one place,'' inside the |texmf|
+tree that you have chosen create a sub-sub-directory called
+|texmf/tex/generic/pgf| or
+|texmf/tex/generic/pgf-|\texttt{\pgfversion}, if you prefer. Then
+place all files of the |pgf| package in this directory. Finally,
+rebuild \TeX's filename database. This is done by running the command
+|texhash| or |mktexlsr| (they are the same). In Mik\TeX, there is a
+menu option to do this.
+
+
+\subsubsection{Installation that is TDS-Compliant}
+
+While the above installation process is the most ``natural'' one and
+although I would like to recommend it since it makes updating and
+managing the \pgfname\ package easy, it is not
+\textsc{tds}-compliant. If you want to be \textsc{tds}-compliant,
+proceed as follows: (If you do not know what \textsc{tds}-compliant
+means, you probably do not want to be \textsc{tds}-compliant.)
+
+The |.tar| file of the |pgf| package contains the following files and
+directories at its root: |README|, |doc|, |generic|, |plain|, and
+|latex|. You should ``merge'' each of the four directories with the
+following directories |texmf/doc|, |texmf/tex/generic|,
+|texmf/tex/plain|, and |texmf/tex/latex|. For example, in the |.tar|
+file the |doc| directory contains just the directory |pgf|, and this
+directory has to be moved to |texmf/doc/pgf|. The root |README| file
+can be ignored since it is reproduced in |doc/pgf/README|.
+
+You may also consider keeping everything in one place and using
+symbolic links to point from the \textsc{tds}-compliant directories to
+the central installation.
+
+\vskip1em
+For a more detailed explanation of the standard installation process
+of packages, you might wish to consult
+\href{http://www.ctan.org/installationadvice/}{|http://www.ctan.org/installationadvice/|}.
+However, note that the \pgfname\ package does not come with a
+|.ins| file (simply skip that part).
+
+
+\subsection{Updating the Installation}
+
+To update your installation from a previous version, all you need to
+do is to replace everything in the directory |texmf/tex/generic/pgf|
+with the files of the new version (or in all the directories where
+|pgf| was installed, if you chose a \textsc{tds}-compliant
+installation). The easiest way to do this is to first delete the old
+version and then proceed as described above. Sometimes, there are
+changes in the syntax of certain command from version to version. If
+things no longer work that used to work, you may wish to have a look
+at the release notes and at the change log.
+
+
+\input{pgfmanual-en-license}
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-introduction.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-introduction.tex
new file mode 100644
index 00000000000..fd67dafc38c
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@@ -0,0 +1,236 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+
+\section{Introduction}
+
+The \pgfname\ package, where ``\pgfname'' is supposed to mean ``portable
+graphics format'' (or ``pretty, good, functional'' if you
+prefer\dots), is a package for creating graphics in an ``inline''
+manner. The package defines a number of \TeX\ commands that draw
+graphics. For example, the code |\tikz \draw (0pt,0pt) -- (20pt,6pt);|
+yields the line \tikz \draw (0pt,0pt) -- (20pt,6pt); and the code
+|\tikz \fill[orange] (1ex,1ex) circle (1ex);| yields \tikz
+\fill[orange] (1ex,1ex) circle (1ex);.
+
+In a sense, when using \pgfname\ you ``program'' your graphics, just as you
+``program'' your document when using \TeX. This means that you get
+the advantages of the ``\TeX-approach to typesetting'' also for your
+graphics: quick creation of simple graphics, precise positioning, the
+use of macros, often superior typography. You also inherit all the
+disadvantages: steep learning curve, no \textsc{wysiwyg}, small
+changes require a long recompilation time, and the code does not
+really ``show'' how things will look like.
+
+
+
+\subsection{Structure of the System}
+
+The \pgfname\ system consists of different layers:
+
+\begin{description}
+\item[System layer:] This layer provides a complete abstraction of what is
+ going on ``in the driver.'' The driver is a program like |dvips| or
+ |dvipdfm| that takes a |.dvi| file as input and generates a |.ps| or
+ a |.pdf| file. (The |pdftex| program also counts as a driver, even
+ though it does not take a |.dvi| file as input. Never mind.) Each
+ driver has its own syntax for the generation of graphics, causing
+ headaches to everyone who wants to create graphics in a portable
+ way. \pgfname's system layer ``abstracts away'' these
+ differences. For example, the system command
+ |\pgfsys@lineto{10pt}{10pt}| extends the current path to the coordinate
+ $(10\mathrm{pt},10\mathrm{pt})$ of the current
+ |{pgfpicture}|. Depending on whether |dvips|,
+ |dvipdfm|, or |pdftex| is used to process the document, the system
+ command will be converted to different |\special| commands.
+
+ The system layer is as ``minimalistic'' as possible since each
+ additional command makes it more work to port \pgfname\ to a new
+ driver. Currently, only drivers that produce PostScript or
+ \textsc{pdf} output are supported and only few of these (hence the
+ name \emph{portable} graphics format is currently a bit
+ boastful). However, in principle, the system layer could be ported
+ to many different drivers quite easily. It should even be possible
+ to produce, say, \textsc{svg} output in conjunction with
+ \textsc{tex4ht}.
+
+ As a user, you will not use the system layer directly.
+\item[Basic layer:]
+ The basic layer provides a set of basic commands that allow
+ you to produce complex graphics in a much easier way than by using
+ the system layer directly. For example, the system layer provides
+ no commands for creating circles since circles can be composed from
+ the more basic Bzier curves (well, almost). However, as a user you
+ will want to have a simple command to create circles
+ (at least I do) instead of having to write down half a page of
+ Bzier curve support coordinates. Thus, the basic layer provides a
+ command |\pgfpathcircle| that generates the necessary curve
+ coordinates for you.
+
+ The basic layer is consists of a \emph{core}, which consists of
+ several interdependent packages that can only be loaded \emph{en
+ bloc,} and additional packages that extend the core by more
+ special-purpose commands like node management or a plotting
+ interface. For instance, the \textsc{beamer} package uses the core,
+ but not all of the additional packages of the basic layer.
+\item[Frontend layer:]
+ A frontend (of which there can be several) is a set of commands
+ or a special syntax that makes using the basic layer easier. A
+ problem with directly using the basic layer is that code written for
+ this layer is often too ``verbose.'' For example, to draw a simple
+ triangle, you may need as many as five commands when using the basic
+ layer: One for beginning a path at the first corner of the triangle,
+ one for extending the path to the second corner, one for going to
+ the third, one for closing the path, and one for actually painting
+ the triangle (as opposed to filling it). With the |tikz| frontend
+ all this boils down to a single simple \textsc{metafont}-like
+ command:
+\begin{verbatim}
+\draw (0,0) -- (1,0) -- (1,1) -- cycle;
+\end{verbatim}
+
+ There are different frontends:
+ \begin{itemize}
+ \item
+ The \tikzname\ frontend is the ``natural'' frontend for \pgfname. It gives
+ you access to all features of \pgfname, but it is intended to be
+ easy to use. The syntax is a mixture of \textsc{metafont} and
+ \textsc{pstricks} and some ideas of myself. This frontend is
+ \emph{neither} a complete \textsc{metafont} compatibility layer nor
+ a \textsc{pstricks} compatibility layer and it is not intended to
+ become either.
+ \item
+ The |pgfpict2e| frontend reimplements the standard \LaTeX\
+ |{picture}| environment and commands like |\line| or |\vector|
+ using the \pgfname\ basic layer. This layer is not really ``necessary''
+ since the |pict2e.sty| package does at least as good a job at
+ reimplementing the |{picture}| environment. Rather, the idea
+ behind this package is to have a simple demonstration of how a
+ frontend can be implemented.
+ \end{itemize}
+
+ It would be possible to implement a |pgftricks| frontend that maps
+ \textsc{pstricks} commands to \pgfname\ commands. However, I have not
+ done this and even if fully implemented, many things that work in
+ \pstricks\ will not work, namely whenever some \pstricks\ command
+ relies too heavily on PostScript trickery. Nevertheless, such a
+ package might be useful in some situations.
+\end{description}
+
+As a user of \pgfname\ you will use the commands of a
+frontend plus perhaps some commands of the basic layer. For this
+reason, this manual explains the frontends first, then the basic
+layer, and finally the system layer.
+
+
+
+\subsection{Comparison with Other Graphics Packages}
+
+There were two main motivations for creating \pgfname:
+\begin{enumerate}
+\item
+ The standard \LaTeX\ |{picture}| environment is not powerful enough to
+ create anything but really simple graphics. This is certainly not
+ due to a lack of knowledge or imagination on the part of
+ \LaTeX's designer(s). Rather, this is the price paid for the
+ |{picture}| environment's portability: It works together with all
+ backend drivers.
+\item
+ The |{pstricks}| package is certainly powerful enough to create
+ any conceivable kind of graphic, but it is not portable at all. Most
+ importantly, it does not work with |pdftex| nor with any other
+ driver that produces anything but PostScript code.
+\end{enumerate}
+
+The \pgfname\ package is a trade-off between portability and expressive
+power. It is not as portable as |{picture}| and perhaps not quite as
+powerful as |{pspicture}|. However, it is more powerful than
+|{picture}| and more portable than |{pspicture}|.
+
+\subsection{Utilities: Page Management}
+
+The \pgfname\ package include a special subpackage called |pgfpages|,
+which is used to assemble several pages into a single page. This
+package is not really about creating graphics, but it is part of \pgfname\
+nevertheless, mostly because its implementation uses \pgfname\ heavily.
+
+The subpackage |pgfpages| provides commands for assembling several
+``virtual pages'' into a single ``physical page.'' The idea is that
+whenever \TeX\ has a page ready for ``shipout,'' |pgfpages| interrupts
+this shipout and instead stores the page to be shipped out in a
+special box. When enough ``virtual pages'' have been accumulated in
+this way, they are scaled down and arranged on a ``physical page,''
+which then \emph{really} shipped out. This mechanism allows you to
+create ``two page on one page'' versions of a document directly inside
+\LaTeX\ without the use of any external programs.
+
+However, |pgfpages| can do quite a lot more than that. You can use it
+to put logos and watermark on pages, print up to 16 pages on one page,
+add borders to pages, and more.
+
+
+
+
+\subsection{How to Read This Manual}
+
+This manual describes both the design of the \pgfname\ system and
+its usage. The organization is very roughly according to
+``user-friendliness.'' The commands and subpackages that are easiest
+and most frequently used are described first, more low-level and
+esoteric features are discussed later.
+
+If you have not yet installed \pgfname, please read the installation
+first. Second, it might be a good idea to read the tutorial. Finally,
+you might wish to skim through the description of \tikzname. Typically,
+you will not need to read the sections on the basic layer. You will
+only need to read the part on the system layer if you intend to write
+your own frontend or if you wish to port \pgfname\ to a new driver.
+
+The ``public'' commands and environments provided by the |pgf| package
+are described throughout the text. In each such description, the
+described command, environment or option is printed in red. Text shown
+in green is optional and can be left out.
+
+
+
+\subsection{Getting Help}
+
+When you need help with \pgfname\ and \tikzname, please do the
+following:
+
+\begin{enumerate}
+\item
+ Read the manual, at least the part that has to do with your problem.
+\item
+ If that does not solve the problem, try having a look at the
+ sourceforge development page for \pgfname\ and \tikzname\ (see the
+ title of this document). Perhaps someone has already reported a
+ similar problem and someone has found a solution.
+\item
+ On the website you will find numerous forums for getting
+ help. There, you can write to help forums, file bug reports, join
+ mailing lists, and so on.
+\item
+ Before you file a bug report, especially a bug report concerning the
+ installation, make sure that this is really a bug. In particular,
+ have a look at the |.log| file that results when you \TeX\ your
+ files. This |.log| file should show that all the right files are
+ loaded from the right directories. Nearly all installation problems
+ can be resolved by looking at the |.log| file.
+\item
+ \emph{As a last resort} you can try to email me (the author). I do
+ not mind getting emails, I simply get way too many of them. Because
+ of this, I cannot guarantee that your emails will be answered timely
+ or even at all. Your chances that your problem will be fixed are
+ somewhat higher if you mail to the \pgfname\ mailing list
+ (naturally, I read this list and answer questions when I have the
+ time).
+\item
+ Please, do not phone me in my office. If you need a hotline, buy a
+ commercial product.
+\end{enumerate}
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-libraries.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-libraries.tex
new file mode 100644
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--- /dev/null
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@@ -0,0 +1,1094 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Libraries}
+
+\subsection{Arrow Tip Library}
+\label{section-library-arrows}
+
+\begin{package}{pgflibraryarrows}
+ The package defines additional arrow tips, which are described
+ below. See page~\pageref{standard-arrows} for the arrows tips that
+ are defined by default. Note that neither the standard packages nor
+ this package defines an arrow name containing |>| or |<|. These are
+ left for the user to defined as he or she sees fit.
+\end{package}
+
+\subsubsection{Triangular Arrow Tips}
+
+\begin{tabular}{ll}
+ \symarrow{latex'} \\
+ \symarrow{latex' reversed} \\
+ \symarrow{stealth'} \\
+ \symarrow{stealth' reversed}\\
+ \symarrow{triangle 90} \\
+ \symarrow{triangle 90 reversed} \\
+ \symarrow{triangle 60} \\
+ \symarrow{triangle 60 reversed} \\
+ \symarrow{triangle 45} \\
+ \symarrow{triangle 45 reversed} \\
+ \symarrow{open triangle 90} \\
+ \symarrow{open triangle 90 reversed} \\
+ \symarrow{open triangle 60} \\
+ \symarrow{open triangle 60 reversed} \\
+ \symarrow{open triangle 45} \\
+ \symarrow{open triangle 45 reversed} \\
+\end{tabular}
+
+\subsubsection{Barbed Arrow Tips}
+
+\begin{tabular}{ll}
+ \symarrow{angle 90} \\
+ \symarrow{angle 90 reversed} \\
+ \symarrow{angle 60} \\
+ \symarrow{angle 60 reversed} \\
+ \symarrow{angle 45} \\
+ \symarrow{angle 45 reversed} \\
+ \symarrow{hooks} \\
+ \symarrow{hooks reversed} \\
+\end{tabular}
+
+
+\subsubsection{Bracket-Like Arrow Tips}
+
+\begin{tabular}{ll}
+ \sarrow{[}{]} \\
+ \sarrow{]}{[} \\
+ \sarrow{(}{)} \\
+ \sarrow{)}{(}
+\end{tabular}
+
+\subsubsection{Circle and Diamond Arrow Tips}
+
+
+\begin{tabular}{ll}
+ \symarrow{o} \\
+ \symarrow{*} \\
+ \symarrow{diamond} \\
+ \symarrow{open diamond} \\
+\end{tabular}
+
+
+\subsubsection{Partial Arrow Tips}
+
+\begin{tabular}{ll}
+ \symarrow{left to} \\
+ \symarrow{left to reversed} \\
+ \symarrow{right to} \\
+ \symarrow{right to reversed} \\
+ \symarrow{left hook} \\
+ \symarrow{left hook reversed} \\
+ \symarrow{right hook} \\
+ \symarrow{right hook reversed}
+\end{tabular}
+
+
+\subsubsection{Line Caps}
+
+\begin{tabular}{ll}
+ \carrow{round cap} \\
+ \carrow{butt cap} \\
+ \carrow{triangle 90 cap} \\
+ \carrow{triangle 90 cap reversed} \\
+ \carrow{fast cap} \\
+ \carrow{fast cap reversed} \\
+\end{tabular}
+
+
+\subsection{Snake Library}
+
+\label{section-library-snakes}
+
+\begin{package}{pgflibrarysnakes}
+ This library package defines basic
+ snakes. Section~\ref{section-tikz-snakes} explains how snakes are
+ used in \tikzname, Section~\ref{section-base-snakes} explains how
+ new snakes can be defined.
+
+ The snakes are influenced by the current values of parameters like
+ |\pgfsnakesegmentamplitude|. Only this parameter and
+ |\pgfsnakesegmentlength| are proper \TeX\ dimensions, all other
+ parameters are \TeX\ macros.
+
+ In \tikzname, each parameter can be set using an option having the
+ parameters name minus the |\pgfsnake| part.
+\end{package}
+
+
+\begin{snake}{border}
+ This snake adds straight lines the path that are at a specific angle
+ to the line toward the target. The idea is to add these little lines
+ to indicate the ``border'' or an area. The following parameters
+ influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentlength|
+ determines the distance between consecutive ticks.
+ \item |\pgfsnakesegmentamplitude|
+ determines the length of the ticks.
+ \item |\pgfsnakesegmentangle|
+ determines the angle between the ticks and the line toward the
+ target.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw (0,0) rectangle (3,1)
+ [snake=border,segment angle=-45] (0,0) rectangle (3,1);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{brace}
+ This snake adds a long brace to the path. The left and right end of
+ the brace will be exactly on the start and endpoint of the
+ snake. The following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines how much the brace rises above the path.
+ \item |\pgfsnakesegmentaspect|
+ determines the fraction of the total length where the ``middle
+ part'' of the brace will be.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=brace,segment aspect=0.25] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+\begin{snake}{bumps}
+ This snake consists of little half ellipses. The following parameters
+ influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines the height of the half ellipse.
+ \item |\pgfsnakesegmentlength|
+ determines the width of the half ellipse.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=bumps] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{coil}
+ This snake adds a coil to the path. To understand how this works,
+ imagine a three-dimensional spring. The spring's axis points along
+ the line toward the target. Then, we ``view'' the spring from a
+ certain angle. If we look ``straight from the side'' we will see a
+ perfect sine curve, if we look ``more from the front'' we will see a
+ coil. The following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines how much the coil rises above the path and falls below
+ it. Thus, this is the radius of the coil.
+ \item |\pgfsnakesegmentlength|
+ determines the distance between two consecutive ``curls.'' Thus,
+ when the spring is see ``from the side'' this will be the wave
+ length of the sine curve.
+ \item |\pgfsnakesegmentaspect|
+ determines the ``viewing direction.'' A value of |0| means
+ ``looking from the side'' and a value of |0.5|, which is the
+ default, means ``look more from the front.''
+ \end{itemize}
+\begin{codeexample}[]
+\begin{tikzpicture}[segment amplitude=10pt]
+ \draw[snake=coil] (0,1) -- (3,1);
+ \draw[snake=coil,segment aspect=0] (0,0) -- (3,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{expanding waves}
+ This snake adds arcs to the path that get bigger along the line
+ towards the target. The following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentlength|
+ determines the distance between consecutive arcs.
+ \item |\pgfsnakesegmentangle|
+ determines the opening angle below and above the path. Thus, the
+ total opening angle is twice this angle.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=expanding waves] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{saw}
+ This snake looks like the blade of a saw. The following parameters
+ influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines how much each spike raises above the straight line.
+ \item |\pgfsnakesegmentlength|
+ determines the length each spike.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=saw] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{snake}
+ This snake is the ``architypical'' snake: It looks like a snake seen
+ from above. More precisely, the snake is a sine wave with a
+ ``softened'' start and ending. The following parameters influence
+ the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines the sine wave's amplitude.
+ \item |\pgfsnakesegmentlength|
+ determines the sine wave's wave length.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=snake] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{ticks}
+ This snake adds straight lines the path that are orthogonal to the
+ line toward the target. The following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentlength|
+ determines the distance between consecutive ticks.
+ \item |\pgfsnakesegmentamplitude|
+ determines half the length of the ticks.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=ticks] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+\begin{snake}{triangles}
+ This snake adds triangles to the path that point toward the
+ target. The following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentlength|
+ determines the distance between consecutive triangles.
+ \item |\pgfsnakesegmentamplitude|
+ determines half the length of the triangle side that is orthogonal
+ to the path.
+ \item |\pgfsnakesegmentobjectlength|
+ determines the height of the triangle.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=triangles] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{waves}
+ This snake adds arcs to the path that have a constant size. The
+ following parameters influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentlength|
+ determines the distance between consecutive arcs.
+ \item |\pgfsnakesegmentangle|
+ determines the opening angle below and above the path. Thus, the
+ total opening angle is twice this angle.
+ \item |\pgfsnakesegmentamplitude|
+ determines the radius of each arc.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=waves] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+\begin{snake}{zigzag}
+ This snake looks like a zig-zag line. The following parameters
+ influence the snake:
+ \begin{itemize}
+ \item |\pgfsnakesegmentamplitude|
+ determines how much the zig-zag lines raises above and falls below
+ a straight line to the target point.
+ \item |\pgfsnakesegmentlength|
+ determines the length of a complete ``up-down'' cycle.
+ \end{itemize}
+\begin{codeexample}[]
+\tikz{\draw[snake=zigzag] (0,0) -- (3,0);}
+\end{codeexample}
+\end{snake}
+
+
+
+\subsection{Plot Handler Library}
+\label{section-library-plothandlers}
+
+\begin{package}{pgflibraryplothandlers}
+ This library packages defines additional plot handlers, see
+ Section~\ref{section-plot-handlers} for an introduction to plot
+ handlers. The additional handlers are described in the following.
+\end{package}
+
+
+\subsubsection{Curve Plot Handlers}
+
+\begin{command}{\pgfplothandlercurveto}
+ This handler will issue a |\pgfpathcurveto| command for each point of
+ the plot, \emph{except} possibly for the first. As for the line-to
+ handler, what happens with the first point can be specified using
+ |\pgfsetmovetofirstplotpoint| or |\pgfsetlinetofirstplotpoint|.
+
+ Obviously, the |\pgfpathcurveto| command needs, in addition to the
+ points on the path, some control points. These are generated
+ automatically using a somewhat ``dumb'' algorithm: Suppose you have
+ three points $x$, $y$, and $z$ on the curve such that $y$ is between
+ $x$ and $z$:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlercurveto
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+ In order to determine the control points of the curve at the point
+ $y$, the handler computes the vector $z-x$ and scales it by the
+ tension factor (see below). Let us call the resulting vector
+ $s$. Then $y+s$ and $y-s$ will be the control points around $y$. The
+ first control point at the beginning of the curve will be the
+ beginning itself, once more; likewise the last control point is the
+ end itself.
+\end{command}
+
+\begin{command}{\pgfsetplottension\marg{value}}
+ Sets the factor used by the curve plot handlers to determine the
+ distance of the control points from the points they control. The
+ higher the curvature of the curve points, the higher this value
+ should be. A value of $1$ will cause four points at quarter
+ positions of a circle to be connected using a circle. The default is
+ $0.5$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfsetplottension{0.75}
+ \pgfplothandlercurveto
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfplothandlerclosedcurve}
+ This handler works like the curve-to plot handler, only it will
+ add a new part to the current path that is a closed curve through
+ the plot points.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlerclosedcurve
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\subsubsection{Comb Plot Handlers}
+
+There are three ``comb'' plot handlers. There name stems from the fact
+that the plots they produce look like ``combs'' (more or less).
+
+\begin{command}{\pgfplothandlerxcomb}
+ This handler converts each point in the plot stream into a line from
+ the $y$-axis to the point's coordinate, resulting in a ``horizontal
+ comb.''
+
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlerxcomb
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfplothandlerycomb}
+ This handler converts each point in the plot stream into a line from
+ the $x$-axis to the point's coordinate, resulting in a ``vertical
+ comb.''
+
+ This handler is useful for creating ``bar diagrams.''
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlerycomb
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfplothandlerpolarcomb}
+ This handler converts each point in the plot stream into a line from
+ the origin to the point's coordinate.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlerpolarcomb
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\subsubsection{Mark Plot Handler}
+
+\label{section-plot-marks}
+
+\begin{command}{\pgfplothandlermark\marg{mark code}}
+ This command will execute the \meta{mark code} for each point of the
+ plot, but each time the coordinate transformation matrix will be
+ setup such that the origin is at the position of the point to be
+ plotted. This way, if the \meta{mark code} draws a little circle
+ around the origin, little circles will be drawn at each point of the
+ plot.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlermark{\pgfpathcircle{\pgfpointorigin}{4pt}\pgfusepath{stroke}}
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+
+ Typically, the \meta{code} will be |\pgfuseplotmark{|\meta{plot mark
+ name}|}|, where \meta{plot mark name} is the name of a
+ predefined plot mark.
+\end{command}
+
+\begin{command}{\pgfuseplotmark\marg{plot mark name}}
+ Draws the given \meta{plot mark name} at the origin. The \meta{plot
+ mark name} must previously have been declared using
+ |\pgfdeclareplotmark|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlermark{\pgfuseplotmark{pentagon}}
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfdeclareplotmark\marg{plot mark name}\marg{code}}
+ Declares a plot mark for later used with the |\pgfuseplotmark|
+ command.
+
+\begin{codeexample}[]
+\pgfdeclareplotmark{my plot mark}
+ {\pgfpathcircle{\pgfpoint{0cm}{1ex}}{1ex}\pgfusepathqstroke}
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfplothandlermark{\pgfuseplotmark{my plot mark}}
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\pgfsetplotmarksize\marg{dimension}}
+ This command sets the \TeX\ dimension |\pgfplotmarksize| to
+ \meta{dimension}. This dimension is a ``recommendation'' for plot
+ mark code at which size the plot mark should be drawn; plot mark
+ code may choose to ignore this \meta{dimension} altogether. For
+ circles, \meta{dimension} should be the radius, for other shapes it
+ should be about half the width/height.
+
+ The predefined plot marks all take this dimension into account.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[gray] (0,0) node {x} (1,1) node {y} (2,.5) node {z};
+ \pgfsetplotmarksize{1ex}
+ \pgfplothandlermark{\pgfuseplotmark{*}}
+ \pgfplotstreamstart
+ \pgfplotstreampoint{\pgfpoint{0cm}{0cm}}
+ \pgfplotstreampoint{\pgfpoint{1cm}{1cm}}
+ \pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}
+ \pgfplotstreamend
+ \pgfusepath{stroke}
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+\begin{textoken}{\pgfplotmarksize}
+ A \TeX\ dimension that is a ``recommendation'' for the size of plot
+ marks.
+\end{textoken}
+
+The following plot marks are predefined (the filling color has been
+set to yellow):
+
+\medskip
+\begin{tabular}{lc}
+ \plotmarkentry{*}
+ \plotmarkentry{x}
+ \plotmarkentry{+}
+\end{tabular}
+
+
+\subsection{Plot Mark Library}
+
+\begin{package}{pgflibraryplotmarks}
+ When this package is loaded, the following plot marks are defined in
+ addition to |*|, |x|, and |+| (the filling color has been set to a
+ dark yellow):
+
+ \catcode`\|=12
+ \medskip
+ \begin{tabular}{lc}
+ \plotmarkentry{-}
+ \index{*vbar@\protect\texttt{\protect\myvbar} plot mark}%
+ \index{Plot marks!*vbar@\protect\texttt{\protect\myvbar}}
+ \texttt{\char`\\pgfuseplotmark\char`\{\declare{|}\char`\}} &
+ \tikz\draw[color=black!25] plot[mark=|,mark options={fill=yellow,draw=black}]
+ coordinates {(0,0) (.5,0.2) (1,0) (1.5,0.2)};\\
+ \plotmarkentry{o}
+ \plotmarkentry{asterisk}
+ \plotmarkentry{star}
+ \plotmarkentry{oplus}
+ \plotmarkentry{oplus*}
+ \plotmarkentry{otimes}
+ \plotmarkentry{otimes*}
+ \plotmarkentry{square}
+ \plotmarkentry{square*}
+ \plotmarkentry{triangle}
+ \plotmarkentry{triangle*}
+ \plotmarkentry{diamond}
+ \plotmarkentry{diamond*}
+ \plotmarkentry{pentagon}
+ \plotmarkentry{pentagon*}
+ \end{tabular}
+\end{package}
+
+
+
+\subsection{Shape Library}
+
+\begin{package}{pgflibraryshapes}
+ This library packages defines additional shapes, which are
+ described in the following.
+\end{package}
+
+\begin{shape}{cross out}
+ This shape ``crosses out'' the node. Its foreground path are simply
+ two diagonal lines that between the corners of the node's bounding
+ box. Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \node [cross out,draw=red] at (1.5,1) {cross out};
+\end{tikzpicture}
+\end{codeexample}
+
+ A useful application is inside text as in the following example:
+\begin{codeexample}[]
+Cross \tikz[baseline] \node [cross out,draw,anchor=text] {me}; out!
+\end{codeexample}
+
+ This shape inherits all anchors from the |rectangle| shape, see also
+ the following figure:
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=cross out,style=shape example] {cross out\vrule width 1pt height 2cm};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/above, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, 10/right, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates{(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+\begin{shape}{ellipse}
+ This shape is an ellipse tightly fitting the text box, if no inner
+ separation is given. The following figure shows the anchors this
+ shape defines; the anchors |10| and |130| are example of border anchors.
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=ellipse,style=shape example] {Ellipse\vrule width 1pt height 2cm};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/above, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, 10/right, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates{(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+\begin{shape}{forbidden sign}
+ This shape places the node inside a circle with a diagonal from the
+ lower left to the upper right added. The circle is part of the
+ background, the diagonal line part of the foreground path; thus, the
+ diagonal line is on top of the text.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node [forbidden sign,line width=1ex,draw=red,fill=white] {Smoking};
+\end{tikzpicture}
+\end{codeexample}
+
+ The shape inherits all anchors from the |circle| shape, see also the
+ following figure:
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=forbidden sign,style=shape example] {Forbidden\vrule width 1pt height 2cm};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/above, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, 10/right, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates{(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+
+\begin{shape}{strike out}
+ This shape is idential to the |cross out| shape, only its foreground
+ path consists of a single line from the lower left to the upper
+ right.
+
+\begin{codeexample}[]
+Strike \tikz[baseline] \node [strike out,draw,anchor=text] {me}; out!
+\end{codeexample}
+
+ See the |cross out| shape for the anchors.
+\end{shape}
+
+
+
+\subsection{Tree Library}
+
+\label{section-tree-library}
+
+
+\begin{package}{pgflibrarytikztrees}
+ This packages defines styles to be used when drawing trees.
+\end{package}
+
+\subsubsection{Growth Functions}
+
+The package |pgflibrarytikztrees| defines two new growth
+functions. They are installed using the following options:
+
+\begin{itemize}
+ \itemoption{grow via three points}|=one child at (|\meta{x}%
+ |) and two children at (|\meta{y}|) and (|\meta{z}|)|
+ This option installs a growth function that works as follows: If a
+ parent node has just one child, this child is placed at \meta{x}. If
+ the parent node has two children, these are placed at \meta{y} and
+ \meta{z}. If the parent node has more than two children, the
+ children are placed at points that are linearly extrapolated from
+ the three points \meta{x}, \meta{y}, and \meta{z}. In detail, the
+ position is $x + \frac{n-1}{2}(y-x) + (c-1)(z-y)$, where $n$ is the
+ number of children and $c$ is the number of the current child
+ (starting with~$1$).
+
+ The net effect of all this is that if you have a certain ``linear
+ arrangement'' in mind and use this option to specify the placement
+ of a single child and of two children, then any number of children
+ will be placed correctly.
+
+ Here are some arrangements based on this growth function. We start
+ with a simple ``above'' arrangement:
+\begin{codeexample}[]
+\begin{tikzpicture}[grow via three points={%
+ one child at (0,1) and two children at (-.5,1) and (.5,1)}]
+ \node at (0,0) {one} child;
+ \node at (0,-1.5) {two} child child;
+ \node at (0,-3) {three} child child child;
+ \node at (0,-4.5) {four} child child child child;
+\end{tikzpicture}
+\end{codeexample}
+
+ The next arrangement places children above, but ``grows only to the
+ right.''
+\begin{codeexample}[]
+\begin{tikzpicture}[grow via three points={%
+ one child at (0,1) and two children at (0,1) and (1,1)}]
+ \node at (0,0) {one} child;
+ \node at (0,-1.5) {two} child child;
+ \node at (0,-3) {three} child child child;
+ \node at (0,-4.5) {four} child child child child;
+\end{tikzpicture}
+\end{codeexample}
+
+ In the final arrangement, the children are placed along a line going
+ down and right.
+\begin{codeexample}[]
+\begin{tikzpicture}[grow via three points={%
+ one child at (-1,-.5) and two children at (-1,-.5) and (0,-.75)}]
+ \node at (0,0) {one} child;
+ \node at (0,-1.5) {two} child child;
+ \node at (0,-3) {three} child child child;
+ \node at (0,-4.5) {four} child child child child;
+\end{tikzpicture}
+\end{codeexample}
+
+ These examples should make it clear how you can create new styles to
+ arrange your children along a line.
+
+ \itemstyle{grow cyclic}
+ This style causes the children to be arranged ``on a circle.'' For
+ this, the children are placed at distance |\tikzleveldistance| from
+ the parent node, but not on a straight line, but points on a
+ circle. Instead of a sibling distance, there is a |sibling angle|
+ that denotes the angle between two given children.
+ \begin{itemize}
+ \itemoption{sibling angle}|=|\meta{angle}
+ Sets the angle between siblings in the |grow cyclic| style.
+ \end{itemize}
+ Note that this function will rotate the coordinate system of the
+ children to ensure that the grandchildren will grow in the right
+ direction.
+\begin{codeexample}[]
+\begin{tikzpicture}[grow cyclic]
+ \tikzstyle{level 1}=[level distance=8mm,sibling angle=60]
+ \tikzstyle{level 2}=[level distance=4mm,sibling angle=45]
+ \tikzstyle{level 3}=[level distance=2mm,sibling angle=30]
+ \coordinate [rotate=-90] % going down
+ child foreach \x in {1,2,3}
+ {child foreach \x in {1,2,3}
+ {child foreach \x in {1,2,3}}};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+\subsubsection{Edges From Parent}
+
+The following styles can be used to modify how the edges from parents
+are drawn:
+
+\begin{itemize}
+ \itemstyle{edge from parent fork down}
+ This style will draw a line from the parent downwards (for half the
+ level distance) and then on to the child using only horizontal and
+ vertical lines.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ [edge from parent fork down]
+ child {node {left}}
+ child {node {right}
+ child[child anchor=north east] {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+ \itemstyle{edge from parent fork right}
+ This style behaves similarly, only it will first draw its edge to
+ the right.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ [edge from parent fork right,grow=right]
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+ \itemstyle{edge from parent fork left}
+ behaves similary.
+ \itemstyle{edge from parent fork up}
+ behaves similary.
+\end{itemize}
+
+
+
+\subsection{Background Library}
+
+\label{section-tikz-backgrounds}
+
+\begin{package}{pgflibrarytikzbackgrounds}
+ This packages defines ``backgrounds'' for pictures. This does not
+ refer to background pictures, but rather to frames drawn around and
+ behind pictures. For example, this package allows you to just add
+ the |framed| option to a picture to get a rectangular box around
+ your picture or |gridded| to put a grid behind your picture.
+\end{package}
+
+When this package is loaded, the following styles become available:
+\begin{itemize}
+ \itemstyle{show background rectangle}
+ This style causes a rectangle to be drawn behind your graphic. This
+ style option must be given to the |{tikzpicture}| environment or to
+ the |\tikz| command.
+\begin{codeexample}[]
+\begin{tikzpicture}[show background rectangle]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ The size of the background rectangle is determined as follows:
+ We start with the bounding box of the picture. Then, a certain
+ separator distance is added on the sides. This distance can be
+ different for the $x$- and $y$-directions and can be set using the
+ following options:
+ \begin{itemize}
+ \itemoption{inner frame xsep}|=|\meta{dimension}
+ Sets the additional horizontal separator distance for the
+ background rectangle. The default is |1ex|.
+ \itemoption{inner frame ysep}|=|\meta{dimension}
+ Same for the vertical separator distance.
+ \itemoption{inner frame sep}|=|\meta{dimension}
+ sets the horizontal and vertical separator distances
+ simultaneously.
+ \end{itemize}
+ The following two styles make setting the inner separator a bit
+ easier to remember:
+ \begin{itemize}
+ \itemstyle{tight background} Sets the inner frame separator to
+ 0pt. The background rectangle will have the size of the bounding
+ box.
+ \itemstyle{loose background} Sets the inner frame separator to 2ex.
+ \end{itemize}
+
+ You can influence how the background rectangle is rendered by setting
+ the following style:
+ \begin{itemize}
+ \itemstyle{background rectangle}
+ This style dictates how the background rectangle is drawn or
+ filled. By default this style is set to |draw|, which causes the
+ path of the background rectangle to be drawn in the usual
+ way. Setting this style to, say, |fill=blue!20| causes a light
+ blue background to be added to the picture. You can also use more
+ fancy settings as shown in the following example:
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=
+ [double,ultra thick,draw=red,top color=blue,rounded corners]
+\begin{tikzpicture}[show background rectangle]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ Naturally, no one in their right mind would use the above, but
+ here is a nice background:
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=
+ [draw=blue!50,fill=blue!20,rounded corners=1ex]
+\begin{tikzpicture}[show background rectangle]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+ \itemstyle{framed}
+ This is a shorthand for |show background rectangle|.
+ \itemstyle{show background grid}
+ This style behaves similarly to the |show background rectangle|
+ style, but it will not use a rectangle path, but a grid. The lower
+ left and upper right corner of the grid is computed in the same way
+ as for the background rectangle:
+\begin{codeexample}[]
+\begin{tikzpicture}[show background grid]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ You can influence the background grid by setting
+ the following style:
+ \begin{itemize}
+ \itemstyle{background grid}
+ This style dictates how the background grid path is drawn. The
+ default is |draw,help lines|.
+\begin{codeexample}[]
+\tikzstyle{background grid}=[thick,draw=red,step=.5cm]
+\begin{tikzpicture}[show background grid]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ This option can be combined with the |framed| option (use the
+ |framed| option first):
+\begin{codeexample}[]
+\tikzstyle{background grid}=[thick,draw=red,step=.5cm]
+\tikzstyle{background rectangle}=[rounded corners,fill=yellow]
+\begin{tikzpicture}[framed,gridded]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ \itemstyle{gridded}
+ This is a shorthand for |show background grid|.
+ \end{itemize}
+ \itemstyle{show background top}
+ This style causes a single line to be drawn at the top of the
+ background rectangle. Normally, the line coincides exactly with the
+ top line of the background rectangle:
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=[fill=yellow]
+\begin{tikzpicture}[framed,show background top]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ The following option allows you to lengthen (or shorten) the line:
+ \begin{itemize}
+ \itemoption{outer frame xsep}|=|\meta{dimension}
+ The \meta{dimension} is added at the left and right side of the
+ line.
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=[fill=yellow]
+\begin{tikzpicture}
+ [framed,show background top,outer frame xsep=1ex]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{outer frame ysep}|=|\meta{dimension}
+ This option does not apply to the top line, but to the left and
+ right lines, see below.
+ \itemoption{outer frame sep}|=|\meta{dimension}
+ Sets both the $x$- and $y$-separation.
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=[fill=blue!20]
+\begin{tikzpicture}
+ [outer frame sep=1ex,%
+ show background top,%
+ show background bottom,%
+ show background left,%
+ show background right]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+ You can influence how the line is drawn grid by setting
+ the following style:
+ \begin{itemize}
+ \itemstyle{background top}
+ Default is |draw|.
+\begin{codeexample}[]
+\tikzstyle{background rectangle}=[fill=blue!20]
+\tikzstyle{background top}=[draw=blue!50,line width=1ex]
+\begin{tikzpicture}[framed,show background top]
+ \draw (0,0) ellipse (10mm and 5mm);
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+ \itemstyle{show background bottom}
+ works like the style for the top line.
+ \itemstyle{show background left}
+ works like the style for the top line.
+ \itemstyle{show background right}
+ works like the style for the top line.
+\end{itemize}
+
+
+\subsection{Automata Drawing Library}
+
+\begin{package}{pgflibraryautomata}
+ This packages, which is still under construction, provides shapes
+ and styles for drawing automata.
+\end{package}
+
+
+\begin{shape}{state}
+ This shape is currently just an alias for the |circle|
+ shape. However, it is useful to have another shape |state| since one
+ can then say, for example, the the style |every state shape| should
+ be set to some special value.
+\end{shape}
+
+\begin{shape}{state with output}
+ This shape is a multi-part shape. The main part (the text part) is
+ the name of the state as in the |state| shape. The second part is
+ called |output|. This node part is drawn in the lower part of the
+ node, separated from the upper part by a line.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node [state with output,draw,double,fill=red!20]
+ {
+ $q_1$
+ \nodepart{output}
+ $00$
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+ The shape inherits all anchors from the |circle| shape and defines
+ the |output| anchor in addition. See also the
+ following figure:
+\begin{codeexample}[]
+\Huge
+\begin{tikzpicture}
+ \node[name=s,shape=state with output,style=shape example] {state name\nodepart{output}output};
+ \foreach \anchor/\placement in
+ {north west/above left, north/above, north east/above right,
+ west/left, center/below, east/right,
+ mid west/right, mid/above, mid east/left,
+ base west/left, base/below, base east/right,
+ south west/below left, south/below, south east/below right,
+ text/left, output/left, 130/above}
+ \draw[shift=(s.\anchor)] plot[mark=x] coordinates{(0,0)}
+ node[\placement] {\scriptsize\texttt{(s.\anchor)}};
+\end{tikzpicture}
+\end{codeexample}
+\end{shape}
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual-pdftex-version"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-license.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-license.tex
new file mode 100644
index 00000000000..16b158e11a2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-license.tex
@@ -0,0 +1,326 @@
+% $Header: /cvsroot/pgf/pgf/doc/pgf/text-en/pgfmanual-en-license.tex,v 1.1 2005/09/02 16:05:42 tantau Exp $
+
+% Copyright 2003, 2004 by Till Tantau <tantau@users.sourceforge.net>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+
+\subsection{License: The GNU Public License, Version 2}
+\label{section-license}
+
+The \pgfname\ package is distributed under the \textsc{gnu} public
+license, version 2. In detail, this means the following (the following
+text is copyrighted by the Free Software Foundation):
+
+\subsubsection{Preamble}
+
+The licenses for most software are designed to take away your freedom to
+share and change it. By contrast, the \textsc{gnu} General Public License is
+intended to guarantee your freedom to share and change free software---to
+make sure the software is free for all its users. This General Public
+License applies to most of the Free Software Foundation's software and to
+any other program whose authors commit to using it. (Some other Free
+Software Foundation software is covered by the \textsc{gnu} Library General Public
+License instead.) You can apply it to your programs, too.
+
+When we speak of free software, we are referring to freedom, not price.
+Our General Public Licenses are designed to make sure that you have the
+freedom to distribute copies of free software (and charge for this service
+if you wish), that you receive source code or can get it if you want it,
+that you can change the software or use pieces of it in new free programs;
+and that you know you can do these things.
+
+To protect your rights, we need to make restrictions that forbid anyone to
+deny you these rights or to ask you to surrender the rights. These
+restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+For example, if you distribute copies of such a program, whether gratis or
+for a fee, you must give the recipients all the rights that you have. You
+must make sure that they, too, receive or can get the source code. And
+you must show them these terms so they know their rights.
+
+We protect your rights with two steps: (1) copyright the software, and (2)
+offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+Also, for each author's protection and ours, we want to make certain that
+everyone understands that there is no warranty for this free software. If
+the software is modified by someone else and passed on, we want its
+recipients to know that what they have is not the original, so that any
+problems introduced by others will not reflect on the original authors'
+reputations.
+
+Finally, any free program is threatened constantly by software patents.
+We wish to avoid the danger that redistributors of a free program will
+individually obtain patent licenses, in effect making the program
+proprietary. To prevent this, we have made it clear that any patent must
+be licensed for everyone's free use or not licensed at all.
+
+The precise terms and conditions for copying, distribution and
+modification follow.
+
+\subsubsection{Terms and Conditions For Copying, Distribution and
+ Modification}
+
+\begin{enumerate}
+
+\addtocounter{enumi}{-1}
+
+\item
+This License applies to any program or other work which contains a notice
+placed by the copyright holder saying it may be distributed under the
+terms of this General Public License. The ``Program'', below, refers to
+any such program or work, and a ``work based on the Program'' means either
+the Program or any derivative work under copyright law: that is to say, a
+work containing the Program or a portion of it, either verbatim or with
+modifications and/or translated into another language. (Hereinafter,
+translation is included without limitation in the term ``modification''.)
+Each licensee is addressed as ``you''.
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+\item You may copy and distribute verbatim copies of the Program's source
+ code as you receive it, in any medium, provided that you conspicuously
+ and appropriately publish on each copy an appropriate copyright notice
+ and disclaimer of warranty; keep intact all the notices that refer to
+ this License and to the absence of any warranty; and give any other
+ recipients of the Program a copy of this License along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and you
+may at your option offer warranty protection in exchange for a fee.
+
+\item
+You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+\begin{enumerate}
+
+\item
+You must cause the modified files to carry prominent notices stating that
+you changed the files and the date of any change.
+
+\item
+You must cause any work that you distribute or publish, that in
+whole or in part contains or is derived from the Program or any
+part thereof, to be licensed as a whole at no charge to all third
+parties under the terms of this License.
+
+\item
+If the modified program normally reads commands interactively
+when run, you must cause it, when started running for such
+interactive use in the most ordinary way, to print or display an
+announcement including an appropriate copyright notice and a
+notice that there is no warranty (or else, saying that you provide
+a warranty) and that users may redistribute the program under
+these conditions, and telling the user how to view a copy of this
+License. (Exception: if the Program itself is interactive but
+does not normally print such an announcement, your work based on
+the Program is not required to print an announcement.)
+
+\end{enumerate}
+
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
+themselves, then this License, and its terms, do not apply to those
+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
+this License, whose permissions for other licensees extend to the
+entire whole, and thus to each and every part regardless of who wrote it.
+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
+collective works based on the Program.
+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+\item
+You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
+
+\begin{enumerate}
+
+\item
+Accompany it with the complete corresponding machine-readable
+source code, which must be distributed under the terms of Sections
+1 and 2 above on a medium customarily used for software interchange; or,
+
+\item
+Accompany it with a written offer, valid for at least three
+years, to give any third party, for a charge no more than your
+cost of physically performing source distribution, a complete
+machine-readable copy of the corresponding source code, to be
+distributed under the terms of Sections 1 and 2 above on a medium
+customarily used for software interchange; or,
+
+\item
+Accompany it with the information you received as to the offer
+to distribute corresponding source code. (This alternative is
+allowed only for noncommercial distribution and only if you
+received the program in object code or executable form with such
+an offer, in accord with Subsubsection b above.)
+
+\end{enumerate}
+
+
+The source code for a work means the preferred form of the work for
+making modifications to it. For an executable work, complete source
+code means all the source code for all modules it contains, plus any
+associated interface definition files, plus the scripts used to
+control compilation and installation of the executable. However, as a
+special exception, the source code distributed need not include
+anything that is normally distributed (in either source or binary
+form) with the major components (compiler, kernel, and so on) of the
+operating system on which the executable runs, unless that component
+itself accompanies the executable.
+
+If distribution of executable or object code is made by offering
+access to copy from a designated place, then offering equivalent
+access to copy the source code from the same place counts as
+distribution of the source code, even though third parties are not
+compelled to copy the source along with the object code.
+
+\item
+You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
+otherwise to copy, modify, sublicense or distribute the Program is
+void, and will automatically terminate your rights under this License.
+However, parties who have received copies, or rights, from you under
+this License will not have their licenses terminated so long as such
+parties remain in full compliance.
+
+\item
+You are not required to accept this License, since you have not
+signed it. However, nothing else grants you permission to modify or
+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+\item
+Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+\item
+If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot
+distribute so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you
+may not distribute the Program at all. For example, if a patent
+license would not permit royalty-free redistribution of the Program by
+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
+refrain entirely from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
+circumstances.
+
+It is not the purpose of this section to induce you to infringe any
+patents or other property right claims or to contest validity of any
+such claims; this section has the sole purpose of protecting the
+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
+through that system in reliance on consistent application of that
+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+\item
+If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
+countries not thus excluded. In such case, this License incorporates
+the limitation as if written in the body of this License.
+
+\item
+The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and ``any
+later version'', you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+\item
+If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
+Software Foundation, write to the Free Software Foundation; we sometimes
+make exceptions for this. Our decision will be guided by the two goals
+of preserving the free status of all derivatives of our free software and
+of promoting the sharing and reuse of software generally.
+
+\end{enumerate}
+
+\subsubsection{No Warranty}
+
+\begin{enumerate}
+
+\addtocounter{enumi}{9}
+
+\item
+Because the program is licensed free of charge, there is no warranty
+for the program, to the extent permitted by applicable law. Except when
+otherwise stated in writing the copyright holders and/or other parties
+provide the program ``as is'' without warranty of any kind, either expressed
+or implied, including, but not limited to, the implied warranties of
+merchantability and fitness for a particular purpose. The entire risk as
+to the quality and performance of the program is with you. Should the
+program prove defective, you assume the cost of all necessary servicing,
+repair or correction.
+
+\item
+In no event unless required by applicable law or agreed to in writing
+will any copyright holder, or any other party who may modify and/or
+redistribute the program as permitted above, be liable to you for damages,
+including any general, special, incidental or consequential damages arising
+out of the use or inability to use the program (including but not limited
+to loss of data or data being rendered inaccurate or losses sustained by
+you or third parties or a failure of the program to operate with any other
+programs), even if such holder or other party has been advised of the
+possibility of such damages.
+\end{enumerate}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "beameruserguide"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-main.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-main.tex
new file mode 100644
index 00000000000..992375bc778
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-main.tex
@@ -0,0 +1,352 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\def\xcolorversion{2.00}
+\def\xkeyvalversion{1.8}
+
+\usepackage[version=0.96]{pgf}
+\usepackage{tikz}
+\usepackage{pgflibraryarrows}
+\usepackage{pgflibraryshapes}
+\usepackage{pgflibrarysnakes}
+\usepackage{pgflibraryautomata}
+\usepackage{pgflibraryplotmarks}
+\usepackage{pgflibrarytikzbackgrounds}
+\usepackage{pgflibrarytikztrees}
+\usepackage[left=2.25cm,right=2.25cm,top=2.5cm,bottom=2.5cm,nohead]{geometry}
+\usepackage{amsmath,amssymb}
+\usepackage{xxcolor}
+\usepackage{pifont}
+\usepackage{makeidx}
+\usepackage[latin1]{inputenc}
+\usepackage{amsmath}
+
+\input{../../macros/pgfmanual-en-macros}
+
+\makeindex
+
+\makeatletter
+\renewcommand*\l@subsection{\@dottedtocline{2}{1.5em}{2.8em}}
+\renewcommand*\l@subsubsection{\@dottedtocline{3}{4.3em}{3.2em}}
+\makeatother
+
+%\includeonly{pgfmanual-en-tikz-shapes}
+
+% Global styles:
+\tikzstyle{every plot}=[prefix=plots/pgf-]
+\tikzstyle{shape example}=[color=black!30,draw,fill=yellow!30,line width=.5cm,inner xsep=2.5cm,inner ysep=0.5cm]
+
+\index{Options for graphics|see{Graphic options}}
+\index{Options for packages|see{Package options}}
+\index{File|see{Packages and files}}
+\index{Layout|see{Page layout}}
+
+\begin{document}
+
+{
+ \parindent0pt
+\vbox{}
+\vskip 3.5cm
+\Huge
+\tikzname\ and \pgfname
+
+\Large
+Manual for Version \pgfversion
+
+\vskip 3cm
+
+\begin{codeexample}[graphic=white]
+\tikzstyle{level 1}=[sibling angle=120]
+\tikzstyle{level 2}=[sibling angle=60]
+\tikzstyle{level 3}=[sibling angle=30]
+\tikzstyle{every node}=[fill]
+\tikzstyle{edge from parent}=[snake=expanding waves,segment length=1mm,segment angle=10,draw]
+
+\tikz [grow cyclic,shape=circle,very thick,level distance=13mm,cap=round]
+ \node {} child [color=\A] foreach \A in {red,green,blue}
+ { node {} child [color=\A!50!\B] foreach \B in {red,green,blue}
+ { node {} child [color=\A!50!\B!50!\C] foreach \C in {black,gray,white}
+ { node {} }
+ }
+ };
+\end{codeexample}
+\vskip 0cm plus 1.5fill
+\vbox{}
+\clearpage
+}
+
+{
+ \vbox{}
+ \vskip0pt plus 1fill
+ Fr meinen Vater, damit er noch viele schne \TeX-Graphiken erschaffen kann.
+ \vskip0pt plus 3fill
+ \vbox{}
+ \clearpage
+}
+
+
+\title{The \tikzname\ and \pgfname\ Packages\\
+ Manual for Version \pgfversion\\[1mm]
+\large\href{http://sourceforge.net/projects/pgf}{\texttt{http://sourceforge.net/projects/pgf}}}
+\author{Till Tantau\\
+ \href{mailto:tantau@users.sourceforge.net}{\texttt{tantau@users.sourceforge.net}}}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+
+\part{Getting Started}
+
+This part is intended to help you get started with the \pgfname\
+package. First, the installation process is explained; however, the
+system will typically be already installed on your system, so this can
+often be skipped. Next, a short tutorial is given that explains the
+most often used commands and concepts of \tikzname, without going into
+any of the glorious details. At the end of this section you will find
+some, hopefully useful, hints on how to create ``good'' graphics in
+general. The information in this section is not specific to
+\pgfname.
+
+\vskip3cm
+
+\begin{codeexample}[graphic=white,width=0pt]
+\tikz \draw[thick,rounded corners=8pt]
+ (0,0) -- (0,2) -- (1,3.25) -- (2,2) -- (2,0) -- (0,2) -- (2,2) -- (0,0) -- (2,0);
+\end{codeexample}
+
+\include{pgfmanual-en-introduction}
+\include{pgfmanual-en-installation}
+\include{pgfmanual-en-tutorial}
+\include{pgfmanual-en-guidelines}
+\include{pgfmanual-en-drivers}
+
+
+\part{Ti\emph{k}Z ist \emph{kein} Zeichenprogramm}
+\label{part-tikz}
+
+\vskip3cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[fill=yellow] (0,0) -- (60:.75cm) arc (60:180:.75cm);
+ \draw(120:0.4cm) node {$\alpha$};
+
+ \draw[fill=green!30] (0,0) -- (right:.75cm) arc (0:60:.75cm);
+ \draw(30:0.5cm) node {$\beta$};
+
+ \begin{scope}[shift={(60:2cm)}]
+ \draw[fill=green!30] (0,0) -- (180:.75cm) arc (180:240:.75cm);
+ \draw (30:-0.5cm) node {$\gamma$};
+
+ \draw[fill=yellow] (0,0) -- (240:.75cm) arc (240:360:.75cm);
+ \draw (-60:0.4cm) node {$\delta$};
+ \end{scope}
+
+ \begin{scope}[thick]
+ \draw (60:-1cm) node[fill=white] {$E$} -- (60:3cm) node[fill=white] {$F$};
+ \draw[red] (-2,0) node[left] {$A$} -- (3,0) node[right]{$B$};
+ \draw[blue,shift={(60:2cm)}] (-3,0) node[left] {$C$} -- (2,0) node[right]{$D$};
+
+ \draw[shift={(60:1cm)},xshift=4cm]
+ node [right,text width=6cm,rounded corners,fill=red!20,inner sep=1ex]
+ {
+ When we assume that $\color{red}AB$ and $\color{blue}CD$ are
+ parallel, i.\,e., ${\color{red}AB} \mathbin{\|} \color{blue}CD$,
+ then $\alpha = \delta$ and $\beta = \gamma$.
+ };
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+\include{pgfmanual-en-tikz-design}
+\include{pgfmanual-en-tikz-scopes}
+\include{pgfmanual-en-tikz-coordinates}
+\include{pgfmanual-en-tikz-paths}
+\include{pgfmanual-en-tikz-actions}
+\include{pgfmanual-en-tikz-shapes}
+\include{pgfmanual-en-tikz-trees}
+\include{pgfmanual-en-tikz-transformations}
+
+
+
+\part{Libraries and Utilities}
+\label{part-libraries}
+
+In this part the library and utility packages are documented. The
+library packages provide additional predefined graphic objects like
+new arrow heads, or new plot marks. These are not loaded by default
+since many users will not need them.
+
+The utility packages are not directly involved in creating graphics,
+but you may find them useful nonetheless. All of them either directly
+depend on \pgfname\ or they are designed to work well together with
+\pgfname\ even though they can be used in a stand-alone way.
+\vskip2cm
+\medskip
+\noindent
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}[scale=2]
+ \shade[top color=blue,bottom color=gray!50] (0,0) parabola (1.5,2.25) |- (0,0);
+ \draw (1.05cm,2pt) node[above] {$\displaystyle\int_0^{3/2} \!\!x^2\mathrm{d}x$};
+
+ \draw[style=help lines] (0,0) grid (3.9,3.9)
+ [step=0.25cm] (1,2) grid +(1,1);
+
+ \draw[->] (-0.2,0) -- (4,0) node[right] {$x$};
+ \draw[->] (0,-0.2) -- (0,4) node[above] {$f(x)$};
+
+ \foreach \x/\xtext in {1/1, 1.5/1\frac{1}{2}, 2/2, 3/3}
+ \draw[shift={(\x,0)}] (0pt,2pt) -- (0pt,-2pt) node[below] {$\xtext$};
+
+ \foreach \y/\ytext in {1/1, 2/2, 2.25/2\frac{1}{4}, 3/3}
+ \draw[shift={(0,\y)}] (2pt,0pt) -- (-2pt,0pt) node[left] {$\ytext$};
+
+ \draw (-.5,.25) parabola bend (0,0) (2,4) node[below right] {$x^2$};
+\end{tikzpicture}
+\end{codeexample}
+
+\include{pgfmanual-en-libraries}
+\include{pgfmanual-en-pgffor}
+\include{pgfmanual-en-pages}
+\include{pgfmanual-en-xxcolor}
+
+
+
+\part{The Basic Layer}
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[gray,very thin] (-1.9,-1.9) grid (2.9,3.9)
+ [step=0.25cm] (-1,-1) grid (1,1);
+ \draw[blue] (1,-2.1) -- (1,4.1); % asymptote
+
+ \draw[->] (-2,0) -- (3,0) node[right] {$x(t)$};
+ \draw[->] (0,-2) -- (0,4) node[above] {$y(t)$};
+
+ \foreach \pos in {-1,2}
+ \draw[shift={(\pos,0)}] (0pt,2pt) -- (0pt,-2pt) node[below] {$\pos$};
+
+ \foreach \pos in {-1,1,2,3}
+ \draw[shift={(0,\pos)}] (2pt,0pt) -- (-2pt,0pt) node[left] {$\pos$};
+
+ \fill (0,0) circle (0.064cm);
+ \draw[thick,parametric,domain=0.4:1.5,samples=200]
+ % The plot is reparameterised such that there are more samples
+ % near the center.
+ plot[id=asymptotic-example] function{(t*t*t)*sin(1/(t*t*t)),(t*t*t)*cos(1/(t*t*t))}
+ node[right] {$\bigl(x(t),y(t)\bigr) = (t\sin \frac{1}{t}, t\cos \frac{1}{t})$};
+
+ \fill[red] (0.63662,0) circle (2pt)
+ node [below right,fill=white,yshift=-4pt] {$(\frac{2}{\pi},0)$};
+\end{tikzpicture}
+\end{codeexample}
+
+
+\include{pgfmanual-en-base-design}
+\include{pgfmanual-en-base-scopes}
+\include{pgfmanual-en-base-points}
+\include{pgfmanual-en-base-paths}
+\include{pgfmanual-en-base-snakes}
+\include{pgfmanual-en-base-actions}
+\include{pgfmanual-en-base-arrows}
+\include{pgfmanual-en-base-nodes}
+\include{pgfmanual-en-base-transformations}
+\include{pgfmanual-en-base-images}
+\include{pgfmanual-en-base-shadings}
+\include{pgfmanual-en-base-plots}
+\include{pgfmanual-en-base-layers}
+\include{pgfmanual-en-base-quick}
+
+
+
+
+\part{The System Layer}
+\label{part-system}
+
+This part describes the low-level interface of \pgfname, called the
+\emph{system layer}. This interface provides a complete abstraction of
+the internals of the underlying drivers.
+
+Unless you intend to port \pgfname\ to another driver or unless you intend
+to write your own optimized frontend, you need not read this part.
+
+In the following it is assumed that you are familiar with the basic
+workings of the |graphics| package and that you know what
+\TeX-drivers are and how they work.
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}[shorten >=1pt,->]
+ \tikzstyle{vertex}=[circle,fill=black!25,minimum size=17pt,inner sep=0pt]
+
+ \foreach \name/\x in {s/1, 2/2, 3/3, 4/4, 15/11, 16/12, 17/13, 18/14, 19/15, t/16}
+ \node[vertex] (G-\name) at (\x,0) {$\name$};
+
+ \foreach \name/\angle/\text in {P-1/234/5, P-2/162/6, P-3/90/7, P-4/18/8, P-5/-54/9}
+ \node[vertex,xshift=6cm,yshift=.5cm] (\name) at (\angle:1cm) {$\text$};
+
+ \foreach \name/\angle/\text in {Q-1/234/10, Q-2/162/11, Q-3/90/12, Q-4/18/13, Q-5/-54/14}
+ \node[vertex,xshift=9cm,yshift=.5cm] (\name) at (\angle:1cm) {$\text$};
+
+ \foreach \from/\to in {s/2,2/3,3/4,3/4,15/16,16/17,17/18,18/19,19/t}
+ \draw (G-\from) -- (G-\to);
+
+ \foreach \from/\to in {1/2,2/3,3/4,4/5,5/1,1/3,2/4,3/5,4/1,5/2}
+ { \draw (P-\from) -- (P-\to); \draw (Q-\from) -- (Q-\to); }
+
+ \draw (G-3) .. controls +(-30:2cm) and +(-150:1cm) .. (Q-1);
+ \draw (Q-5) -- (G-15);
+\end{tikzpicture}
+\end{codeexample}
+
+\include{pgfmanual-en-pgfsys-overview}
+\include{pgfmanual-en-pgfsys-commands}
+\include{pgfmanual-en-pgfsys-paths}
+\include{pgfmanual-en-pgfsys-protocol}
+
+
+
+\part{References and Index}
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[line width=0.3cm,color=red!30,cap=round,join=round] (0,0)--(2,0)--(2,5);
+ \draw[help lines] (-2.5,-2.5) grid (5.5,7.5);
+ \draw[very thick] (1,-1)--(-1,-1)--(-1,1)--(0,1)--(0,0)--
+ (1,0)--(1,-1)--(3,-1)--(3,2)--(2,2)--(2,3)--(3,3)--
+ (3,5)--(1,5)--(1,4)--(0,4)--(0,6)--(1,6)--(1,5)
+ (3,3)--(4,3)--(4,5)--(3,5)--(3,6)
+ (3,-1)--(4,-1);
+ \draw[below left] (0,0) node(s){$s$};
+ \draw[below left] (2,5) node(t){$t$};
+ \fill (0,0) circle (0.06cm) (2,5) circle (0.06cm);
+ \draw[->,rounded corners=0.2cm,shorten >=2pt]
+ (1.5,0.5)-- ++(0,-1)-- ++(1,0)-- ++(0,2)-- ++(-1,0)-- ++(0,2)-- ++(1,0)--
+ ++(0,1)-- ++(-1,0)-- ++(0,-1)-- ++(-2,0)-- ++(0,3)-- ++(2,0)-- ++(0,-1)--
+ ++(1,0)-- ++(0,1)-- ++(1,0)-- ++(0,-1)-- ++(1,0)-- ++(0,-3)-- ++(-2,0)--
+ ++(1,0)-- ++(0,-3)-- ++(1,0)-- ++(0,-1)-- ++(-6,0)-- ++(0,3)-- ++(2,0)--
+ ++(0,-1)-- ++(1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+\printindex
+
+\end{document}
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "~/texmf/tex/generic/pgf/doc/pgf/version-for-pdftex/en/pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pages.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pages.tex
new file mode 100644
index 00000000000..3b6480b4f8e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pages.tex
@@ -0,0 +1,670 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Page Management}
+
+This section describes the |pgfpages| packages. Although this package
+is not concerned with creating pictures, its implementation relies so
+heavily on \pgfname\ that it is documented here. Currently, |pgfpages|
+only works with \LaTeX, but if you are adventurous, feel free to hack
+the code so that it also works with plain \TeX.
+
+The aim of |pgfpages| is to provide a flexible way of putting multiple
+pages on a single page \emph{inside \TeX}. Thus, |pgfpages| is quite
+different from useful tools like |psnup| or |pdfnup| insofar as it
+creates its output in a single pass. Furthermore, it works uniformly
+with both |latex| and |pdflatex|, making it easy to put multiple pages
+on a single page without any fuss.
+
+A word of warning: \emph{using |pgfpages| will destroy
+ hyperlinks}. Actually, the hyperlinks are not destroyed, only they
+will appear at totally wrong positions on the final output. This is
+due to a fundamental flaw in the \pdf\ specification: In \pdf\ the
+bounding rectangle of a hyperlink is given in ``absolute
+page coordinates'' and translations or rotations do not affect
+them. Thus, the transformations applied by |pgfpages| to put the pages
+where you want them are (cannot, even) be applied to the coordinates
+of hyperlinks. It is unlikely that this will change in the foreseeable
+future.
+
+
+\subsection{Basic Usage}
+
+The internals of |pgfpages| are complex since the package can do all
+sorts of interesting tricks. For this reason, so-called \emph{layouts}
+are predefined that setup all option in appropriate ways.
+
+You use a layout as follows:
+\begin{codeexample}[code only]
+\documentclass{article}
+
+\usepackage{pgfpages}
+\pgfpagesuselayout{2 on 1}[a4paper,landscape,border shrink=5mm]
+
+\begin{document}
+This text is shown on the left.
+\clearpage
+This text is shown on the right.
+\end{document}
+\end{codeexample}
+
+The layout |2 on 1| puts two pages on a single page. The option
+|a4paper| tells |pgfpages| that the \emph{resulting} page (called the
+\emph{physical} page in the following) should be |a4paper| and it
+should be landscape (which is quite logical since putting two portrait
+pages next to each other gives a landscape page). Normally, the
+\emph{logical} pages, that is, the pages that \TeX\ ``thinks'' that it
+is typesetting, will have the same sizes, but this need not be the
+case. |pgfpages| will automatically scale down the logical pages such
+that two logical pages fit next to each other inside a DIN A4 page.
+
+The |border shrink| tells |pgfpages| that it should add an additional
+5mm to the shrinking such that a 5mm-wide border is shown around the
+resulting logical pages.
+
+As a second example, let us put two pages produced by the
+\textsc{beamer} class on a single page:
+
+\begin{codeexample}[code only]
+\documentclass{beamer}
+
+\usepackage{pgfpages}
+\pgfpagesuselayout{2 on 1}[a4paper,border shrink=5mm]
+
+\begin{document}
+\begin{frame}
+ This text is shown at the top.
+\end{frame}
+\begin{frame}
+ This text is shown at the bottom.
+\end{frame}
+\end{document}
+\end{codeexample}
+
+Note that we do not use the |landscape| option since \textsc{beamer}'s
+logical pages are already in landscape mode and putting two landscape
+pages on top of each other results in a portrait page. However, if you
+had used the |4 on 1| layout, you would have had to add |landscape|
+once more, using the |8 on 1| you must not, using |16 on 1| you need
+it yet again. And, no, there is no |32 on 1| layout.
+
+Another word of caution: \emph{using |pgfpages| will produce wrong
+ page numbers in the |.aux| file}. The reason is that \TeX\
+instantiates the page numbers when writing an |.aux| file only when
+the physical page is shipped out. Fortunately, this problem is easy to
+fix: First, typeset our file normally without using the
+|\pgfpagesuselayout| command (just put the comment marker |%| before it)
+Then, rerun \TeX\ with the |\pgfpagesuselayout| command included and add
+the command |\nofiles|. This command ensures that the |.aux| file is
+not modified, which is exactly what you want. So, to typeset the above
+example, you should actually first \TeX\ the following file:
+
+\begin{codeexample}[code only]
+\documentclass{article}
+
+\usepackage{pgfpages}
+%%\pgfpagesuselayout{2 on 1}[a4paper,landscape,border shrink=5mm]
+%%\nofiles
+
+\begin{document}
+This text is shown on the left.
+\clearpage
+This text is shown on the right.
+\end{document}
+\end{codeexample}
+and then typeset
+\begin{codeexample}[code only]
+\documentclass{article}
+
+\usepackage{pgfpages}
+\pgfpagesuselayout{2 on 1}[a4paper,landscape,border shrink=5mm]
+\nofiles
+
+\begin{document}
+This text is shown on the left.
+\clearpage
+This text is shown on the right.
+\end{document}
+\end{codeexample}
+
+The final basic example is the |resize to| layout (it works a bit like
+a hypothetical |1 on 1| layout). This layout resizes the logical page
+such that is fits the specified physical size. Since this does not
+change the page numbering, you need not worry about the |.aux| files
+with this layout. For example, adding the following lines will ensure
+that the physical output will fit on DIN A4 paper:
+\begin{codeexample}[code only]
+\usepackage{pgfpages}
+\pgfpagesuselayout{resize to}[a4paper]
+\end{codeexample}
+
+This can be very useful when you have to handle lots of papers that
+are typeset for, say, letter paper and you have an A4 printer or the
+other way round. For example, the following article will be fit for
+printing on letter paper:
+\begin{codeexample}[code only]
+\documentclass[a4paper]{article}
+%% a4 is currently the logical size and also the physical size
+
+\usepackage{pgfpages}
+\pgfpagesuselayout{resize to}[letterpaper]
+%% a4 is still the logical size, but letter is the physical one
+
+\begin{document}
+ \title{My Great Article}
+...
+\end{document}
+\end{codeexample}
+
+
+
+\subsection{The Predefined Layouts}
+
+This section explains the predefined layouts in more detail. You
+select a layout using the following command:
+\begin{command}{\pgfpagesuselayout\marg{layout}\oarg{options}}
+ Installs the specified \meta{layout} with the given \meta{options}
+ set. The predefined layouts and their permissible options are
+ explained below.
+
+ If this function is called multiple times, only the last call
+ ``wins.'' You can thereby overwrite any previous settings. In
+ particular, layouts \emph{do not} accumulate.
+
+ \example |\pgfpagesuselayout{resize to}[a4paper]|
+\end{command}
+
+\begin{pgflayout}{resize to}
+ This layout is used to resize every logical page to a specified
+ physical size. To determine the target size, the following options
+ may be given:
+ \begin{itemize}
+ \item
+ \declare{|physical paper height=|\meta{size}} sets the
+ height of the physical pape size to \meta{size}.
+ \item
+ \declare{|physical paper width=|\meta{size}} sets the
+ width of the physical pape size to \meta{size}.
+ \item
+ \declare{|a0paper|} sets the physical page size to DIN A0 paper.
+ \item
+ \declare{|a1paper|} sets the physical page size to DIN A1 paper.
+ \item
+ \declare{|a2paper|} sets the physical page size to DIN A2 paper.
+ \item
+ \declare{|a3paper|} sets the physical page size to DIN A3 paper.
+ \item
+ \declare{|a4paper|} sets the physical page size to DIN A4 paper.
+ \item
+ \declare{|a5paper|} sets the physical page size to DIN A5 paper.
+ \item
+ \declare{|a6paper|} sets the physical page size to DIN A6 paper.
+ \item
+ \declare{|letterpaper|} sets the physical page size to the
+ American letter paper size.
+ \item
+ \declare{|legalpaper|} sets the physical page size to the
+ American legal paper size.
+ \item
+ \declare{|executivepaper|} sets the physical page size to the
+ American executive paper size.
+ \item
+ \declare{|landscape|} swaps the height and the width of the
+ physical paper.
+ \item
+ \declare{|border shrink=|\meta{size}} additionally reduces the
+ size of the logical page on the physical page by \meta{size}.
+ \end{itemize}
+\end{pgflayout}
+
+\begin{pgflayout}{2 on 1}
+ Puts two logical pages alongside each other on each physical page if
+ the logical height is larger than the logical width (logical pages
+ are in portrait mode). Otherwise, two
+ logical pages are put on top of each other (logical pages are in
+ landscape mode). When using this layout, it is advisable to use the
+ |\nofiles| command, but this is not done automatically.
+
+ The same \meta{options} as for the |resize to| layout an be used,
+ plus the following option:
+ \begin{itemize}
+ \item
+ \declare{|odd numbered pages right|}
+ places the first page on the right.
+ \end{itemize}
+\end{pgflayout}
+
+
+\begin{pgflayout}{4 on 1}
+ Puts four logical pages on a single physical page.
+ The same \meta{options} as for the |resize to| layout an be used.
+\end{pgflayout}
+
+\begin{pgflayout}{8 on 1}
+ Puts eight logical pages on a single physical page. As for |2 on 1|,
+ the orientation depends on whether the logical pages are in
+ landscape mode or in portrait mode.
+\end{pgflayout}
+
+\begin{pgflayout}{16 on 1}
+ This is for the \textsc{ceo}.
+\end{pgflayout}
+
+\begin{pgflayout}{rounded corners}
+ \label{layout-rounded-corners}
+ This layout adds ``rounded corners'' to every page, which,
+ supposedly, looks nicer during presentations with projectors
+ (personally, I doubt this). This is done by (possibly) resizing the
+ page to the physical page size. Then four black rectangles are
+ drawn in each corner. Next, a clipping region is set up that
+ contains all of the logical page except for little rounded
+ corners. Finally, the logical page is draw, clipped against the
+ clipping region.
+
+ Note that every logical page should fill its background for this to
+ work.
+
+ In addition to the \meta{options} that can be given to |resize to|
+ the following options may be given.
+ \begin{itemize}
+ \item \declare{|corner width=|\meta{size}} specifies the size of
+ the corner.
+ \end{itemize}
+
+ \begin{codeexample}[code only]
+\documentclass{beamer}
+\usepackage{pgfpages}
+\pgfpagesuselayout{rounded corners}[corner width=5pt]
+\begin{document}
+...
+\end{document}
+\end{codeexample}
+\end{pgflayout}
+
+\begin{pgflayout}{two screens with lagging second}
+ This layout puts two logical pages alongside each other. The second
+ page always shows what the main
+ page showed on the previous physical page. Thus, the second page
+ ``lags behind'' the main page. This can be useful when you have to
+ projectors attached to your computer and can show different parts of
+ a physical page on different projectors.
+
+ The following \meta{options} may be given:
+ \begin{itemize}
+ \item \declare{|second right|} puts the second page right of the
+ main page. This will make the physical pages twice as wide
+ as the logical pages, but it will retain the height.
+ \item \declare{|second left|} puts the second page left,
+ otherwise it behave the same as |second right|.
+ \item \declare{|second bottom|} puts the second page below the main
+ page. This make the physical pages twice as high as the logical
+ ones.
+ \item \declare{|second top|} works like |second bottom|.
+ \end{itemize}
+\end{pgflayout}
+
+\begin{pgflayout}{two screens with optional second}
+ This layout works similarly to
+ |two screens with lagging second|. The difference is that the
+ contents of the second screen only changes when one of the commands
+ |\pgfshipoutlogicalpage{2}|\marg{box} or
+ |\pgfcurrentpagewillbelogicalpage{2}| is called. The first puts the
+ given \meta{box} on the second page. The second specifies that the
+ current page should be put there, once it is finished.
+
+ The same options as for |two screens with lagging second| may be
+ given.
+\end{pgflayout}
+
+
+
+You can define your own predefined layouts using the following
+command:
+
+\begin{command}{\pgfpagesdeclarelayout\marg{layout}\marg{before
+ actions}\marg{after actions}}
+ This command predefines a \meta{layout} that can later be installed
+ using the |\pgfpagesuselayout| command.
+
+ When |\pgfpagesuselayout|\marg{layout}\oarg{options} is called, the
+ following happens: First, the \meta{before actions} are
+ executed. They can be used, for example, to setup default values for
+ keys. Next, |\setkeys{pgfpagesuselayoutoption}|\marg{options} is
+ executed. Finally, the \meta{after actions} are executed.
+
+ Here is an example:
+\begin{codeexample}[code only]
+\pgfpagesdeclarelayout{resize to}
+{
+ \def\pgfpageoptionborder{0pt}
+}
+{
+ \pgfpagesphysicalpageoptions
+ {%
+ logical pages=1,%
+ physical height=\pgfpageoptionheight,%
+ physical width=\pgfpageoptionwidth%
+ }
+ \pgfpageslogicalpageoptions{1}
+ {%
+ resized width=\pgfphysicalwidth,%
+ resized height=\pgfphysicalheight,%
+ border shrink=\pgfpageoptionborder,%
+ center=\pgfpoint{.5\pgfphysicalwidth}{.5\pgfphysicalheight}%
+ }%
+}
+\end{codeexample}
+\end{command}
+
+
+
+
+\subsection{Defining a Layout}
+
+If none of the predefined layouts meets your problem or if you wish to
+modify them, you can create layouts from scratch. This section
+explains how this is done.
+
+Basically, |pgfpages| hooks into \TeX's |\shipout| function. This
+function is called whenever \TeX\ has completed typesetting a page and
+wishes to send this page to the |.dvi| or |.pdf| file. The |pgfpages|
+package redefines this command. Instead of sending the page to the output
+file, |pgfpages| stores it in an internal box and then acts as if the
+page had been output. When \TeX\ tries to output the next page using
+|\shipout|, this call is once more intercepted and the page is stored
+in another box. These boxes are called \emph{logical pages}.
+
+At some point, enough logical pages have been accumulated such that a
+\emph{physical page} can be output. When this happens, |pgfpages|
+possibly scales, rotates, and translates the logical pages (and
+possibly even does further modifications) and then puts them at
+certain positions of the \emph{physical} page. Once this page is fully
+assembled, the ``real'' or ``original'' |\shipout| is called to
+send the physical page to the output file.
+
+In reality, things are slightly more complicated. First, once a
+physical page has been shipped out, the logical pages are usually
+voided, but this need not be the case. Instead, it is possible that
+certain logical page just retain their contents after the physical
+page has been shipped out and these pages need not be filled once more
+before a physical shipout can occur. However, the contents of these
+logical pages can still be changed using special commands. It is also
+possible that after a shipout certain logical pages are filled with
+the contents of \emph{other} logical pages.
+
+A \emph{layout} defines for each logical page where it will go on the
+physical page and which further modifications should be done. The
+following two commands are used to define the layout:
+
+\begin{command}{\pgfpagesphysicalpageoptions\marg{options}}
+ This command sets the characteristic of the ``physical'' page. For
+ example, it is used to specify how many logical pages there are and
+ how many logical pages must be accumulated before a physical page is
+ shipped out. How each individual logical page is typeset is
+ specified using the command |\pgfpageslogicalpageoptions|, described
+ later.
+
+ \example A layout for putting two portrait pages on a single
+ landscape page:
+\begin{codeexample}[code only]
+\pgfpagesphysicalpageoptions
+{%
+ logical pages=2,%
+ physical height=\paperwidth,%
+ physical width=\paperheight,%
+}
+
+\pgfpageslogicalpageoptions{1}
+{%
+ resized width=.5\pgfphysicalwidth,%
+ resized height=\pgfphysicalheight,%
+ center=\pgfpoint{.25\pgfphysicalwidth}{.5\pgfphysicalheight}%
+}%
+\pgfpageslogicalpageoptions{2}
+{%
+ resized width=.5\pgfphysicalwidth,%
+ resized height=\pgfphysicalheight,%
+ center=\pgfpoint{.75\pgfphysicalwidth}{.5\pgfphysicalheight}%
+}%
+\end{codeexample}
+
+ The following \meta{options} may be set:
+ \begin{itemize}
+ \item \declare{|logical pages=|\meta{logical pages}} specified how many
+ logical pages there are, in total. These are numbered 1 to
+ \meta{logical pages}.
+ \item \declare{|first logical shipout=|\meta{first}}. See the the
+ next option. By default, \meta{first} is 1.
+ \item \declare{|last logical shipout=|\meta{last}}. Together
+ with the previous option, these two options define an interval of
+ pages inside the range 1 to \meta{logical pages}. Only this range
+ is used to store the pages that are shipped out by \TeX. This
+ means that after a physical shipout has just occured (or at the
+ beginning), the first time \TeX\ wishes to perform a shipout, the
+ page to be shipped out is stored in logical page \meta{first}. The
+ next time \TeX\ performs a shipout, the page is stored in logical
+ page $\meta{first} +1$ and so on, until the logical page
+ \meta{last} is also filled. Once this happens, a physical shipout
+ occurs and the process starts once more.
+
+ Note that logical pages that lie outside the interval between
+ \meta{first} and \meta{last} are filled only indirectly or when
+ special commands are used.
+
+ By default, \meta{last} equals \meta{logical pages}.
+ \item \declare{|current logical shipout=|\meta{current}} changes
+ an internal counter such that \TeX's next logical shipout will be
+ stored in logical page \meta{current}.
+
+ This option can be used to ``warp'' the logical page filling
+ mechanism to a certain page. You can both skip logical pages and
+ overwrite already filled logical pages. After the logical page
+ \meta{current} has been filled, the internal counter is
+ incremented normally as if the logical page \meta{current} had
+ been ``reached'' normally. If you specify a \meta{current} larger
+ to \meta{last}, a physical shipout will occur after the logical
+ page \meta{current} has been filled.
+ \item
+ \declare{|physical height=|\meta{height}}
+ specifies the height of the physical pages. This height is
+ typically different from the normal |\paperheight|, which is used
+ by \TeX\ for its typesetting and page breaking purposes.
+ \item
+ \declare{|physical width=|\meta{width}}
+ specifies the physical width.
+ \end{itemize}
+\end{command}
+
+
+\begin{command}{\pgfpageslogicalpageoptions\marg{logical page number}\marg{options}}
+ This command is used to specify where the logical page number
+ \meta{logical page number} will be placed on the physical page. In
+ addition, this command can be used to install additional ``code'' to
+ be executed when this page is put on the physical page.
+
+ The number \meta{logical page number} should be between 1 and
+ \meta{logical pages}, which has previously been installed using the
+ |\pgfpagesphysicalpageoptions| command.
+
+ The following \meta{options} may be given:
+ \begin{itemize}
+ \item
+ \declare{|center=|\meta{pgf point}}
+ specifies the center of the logical page inside the physical page
+ as a \pgfname-point. The origin of the coordinate system of the
+ physical page is at the \emph{lower} left corner.
+
+\begin{codeexample}[code only]
+\pgfpageslogicalpageoptions{1}
+{% center logical page on middle of left side
+ center=\pgfpoint{.25\pgfphysicalwidth}{.5\pgfphysicalheight}%
+ resized width=.5\pgfphysicalwidth,%
+ resized height=\pgfphysicalheight,%
+}
+\end{codeexample}
+
+ \item
+ \declare{|resized width=|\meta{size}}
+ specifies the width that the logical page should have \emph{at
+ most} on the physical page. To achieve this width, the pages is
+ scaled down appropriately \emph{or more}. The ``or more'' part
+ can happen if the |resize height| option is also used. In this
+ case, the scaling is chosen such that both the specified height
+ and width are met. The aspect ratio of a logical page is not
+ modified.
+ \item
+ \declare{|resized height=|\meta{height}}
+ specifies the maximum height of the logical page.
+ \item
+ \declare{|original width=|\meta{width}}
+ specifies the width the \TeX\ ``thinks'' that the logical page
+ has. This width is |\paperwidth| at the point of invocation, by
+ default. Note that setting this width to something different from
+ |\paperwidth| does \emph{not} change the |\pagewidth| during
+ \TeX's typesetting. You have to do that yourself.
+
+ You need this option only for special logical pages that have
+ a height or width different from the normal one and for which you
+ will (later on) set these sizes yourself.
+ \item
+ \declare{|original height=|\meta{height}}
+ works like |original width|.
+ \item
+ \declare{|scale=|\meta{factor}}
+ scales the page by at least the given \meta{factor}. A
+ \meta{factor} of |0.5| will half the size of the page, a factor or
+ |2| will double the size. ``At least'' means that if options like
+ |resize height| are given and if the scaling required to meet that
+ option is less than \meta{factor}, that other scaling is used
+ instead.
+ \item
+ \declare{|xscale=|\meta{factor}}
+ scales the logical page along the $x$-axis by the given
+ \meta{factor}. This scaling is done independently of any other
+ scaling. Mostly, this option is useful for a factor of |-1|, which
+ flips the page along the $y$-axis. The aspect ratio is not kept.
+ \item
+ \declare{|yscale=|\meta{factor}}
+ works like |xscale|, only for the $y$-axis.
+ \item
+ \declare{|rotation=|\meta{degree}}
+ rotates the page by \meta{degree} around its center. Use a degree
+ of |90| or |-90| to go from portrait to landscape and back. The
+ rotation need not be a multiple of |90|.
+ \item
+ \declare{|copy from=|\meta{logical page number}}.
+ Normally, after a physical shipout has occured, all logical pages
+ are voided in a loop. However, if this option is given, the
+ current logical page is filled with the contents of the old
+ logical page number \meta{logical page number}.
+
+ \example Have logical page 2 retain its contents:
+\begin{codeexample}[code only]
+\pgfpageslogicalpageoptions{2}{copy from=2}
+\end{codeexample}
+
+ \example Let logical page 2 show what logical page 1 showed on the
+ just-shipped-out physical page:
+\begin{codeexample}[code only]
+\pgfpageslogicalpageoptions{2}{copy from=1}
+\end{codeexample}
+ \item
+ \declare{|border shrink|=\meta{size}}
+ specifies an addition reduction of the size to which the page is
+ page is scaled down.
+ \item
+ \declare{|border code|=\meta{code}}.
+ When this option is given, the \meta{code} is executed before the
+ page box is inserted with a path preinstalled that is a rectangle
+ around the current logical page. Thus, setting \meta{code} to
+ |\pgfstroke| draws a rectangle around the logical page. Setting
+ \meta{code} to |\pgfsetlinewidth{3pt}\pgfstroke| results in a
+ thick (ugly) frame. Adding dashes and filling can result in
+ arbitrarily funky and distracting borders.
+
+ You can also call |\pgfdiscardpath| and add your own path
+ construction code (for example to paint a rectangle with rounded
+ corners). The coordinate system is setup in such a way that a
+ rectangle starting at the origin and having the height and width
+ of \TeX-box 0 will result in a rectangle filling exactly the
+ logical page currently being put on the physical page. The logical
+ page is inserted \emph{after} these commands have been executed.
+
+ \example Add a rectangle around the page:
+\begin{codeexample}[code only]
+\pgfpageslogicalpageoptions{1}{border code=\pgfstroke}
+\end{codeexample}
+ \item
+ \declare{|corner width|=\meta{size}}
+ adds black ``rounded corners'' to the page. See the description of
+ the predefined layout |rounded corners| on
+ page~\pageref{layout-rounded-corners}.
+ \end{itemize}
+\end{command}
+
+
+
+
+\subsection{Creating Logical Pages}
+
+Logical pages are created whenever a \TeX\ thinks that a page is full
+and performs a |\shipout| command. This will cause |pgfpages| to store
+the box that was supposed to be shipped out internally until enough
+logical pages have been collected such that a physical shipout can
+occur.
+
+Normally, whenever a logical shipout occurs that current page is
+stored in logical page number \meta{current logical page}. This
+counter is then incremented, until it is larger than \meta{last
+ logical shipout}. You can, however, directly change the value of
+\meta{current logical page} by calling |\pgfpagesphysicalpageoptions|.
+
+Another way to set the contents of a logical page is to use the
+following command:
+
+\begin{command}{\pgfpagesshipoutlogicalpage\marg{number}\meta{box}}
+ This command sets to logical page \meta{number} to \meta{box}. The
+ \meta{box} should be the code of a \TeX\ box command. This command
+ does not influence the counter \meta{current logical page} and does
+ not cause a physical shipout.
+
+\begin{codeexample}[code only]
+\pgfpagesshipoutlogicalpage{0}\vbox{Hi!}
+\end{codeexample}
+
+ This command can be used to set the contents of logical pages that
+ are normally not filled.
+\end{command}
+
+The final way of setting a logical page is using the following
+command:
+
+\begin{command}{\pgfpagescurrentpagewillbelogicalpage\marg{number}}
+ When the current \TeX\ page has been typeset, it will be become the given
+ logical page \meta{number}. This command ``interrupts'' the normal
+ order of logical pages, that is, it behaves like the previous
+ command and does not update the \meta{current logical page}
+ counter.
+
+\begin{codeexample}[code only]
+\pgfpagesuselayout{two screens with optional second}
+...
+Text for main page.
+\clearpage
+
+\pgfpagescurrentpagewillbelogicalpage{2}
+Text that goes to second page
+\clearpage
+
+Text for main page.
+\end{codeexample}
+\end{command}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgffor.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgffor.tex
new file mode 100644
index 00000000000..566464c5ea0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgffor.tex
@@ -0,0 +1,275 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{Repeating Things: The Foreach Statement}
+\label{section-foreach}
+
+In this section the package |pgffor.sty| is described. It can be used
+independently of \pgfname, but it works particularly well together with
+\pgfname\ and \tikzname.
+
+When you say |\usepackage{pgffor}|, two commands are defined:
+|\foreach| and |\breakforeach|. Their behaviour is described in the
+following:
+
+\begin{command}{\foreach| |\meta{variables}| in |\marg{list}
+ \meta{commands}}
+ The syntax of this command is a bit complicated, so let us go
+ through it step-by-step.
+
+ In the easiest case, \meta{variables} is a single \TeX-command like
+ |\x| or |\point|. (If you want to have some fun, you can also use
+ active characters. If you do not know what active characters are,
+ you are blessed.)
+
+ Still in the easiest case, \meta{list} is a comma-separated list of
+ values. Anything can be used as a value, but numbers are most
+ likely.
+
+ Finally, in the easiest case, \meta{commands} is some \TeX-text in
+ curly braces.
+
+ With all these assumptions, the |\foreach| statement will execute
+ the \meta{commands} repeatedly, once for every element of the
+ \meta{list}. Each time the \meta{commands} are executed, the
+ \meta{variable} will be set to the current value of the list item.
+
+\begin{codeexample}[]
+\foreach \x in {1,2,3,0} {[\x]}
+\end{codeexample}
+
+ \medskip
+ \textbf{Syntax for the commands.}
+ Let use move on to a more complicated setting. The first
+ complication occurs when the \meta{commands} are not some text in
+ curly braces. If the |\foreach| statement does not encounter an
+ opening brace, it will instead scan everything up to the next
+ semicolon and use this as \meta{commands}. This is most useful in
+ situations like the following:
+
+\begin{codeexample}[]
+\tikz
+ \foreach \x in {0,1,2,3}
+ \draw (\x,0) circle (0.2cm);
+\end{codeexample}
+
+ However, the ``reading till the next semicolon'' is not the whole
+ truth. There is another rule: If a |\foreach| statement is directly
+ followed by another |\foreach| statement, this second foreach
+ statement is collected as \meta{commands}. This allows you to write
+ the following:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \foreach \x in {0,1,2,3}
+ \foreach \y in {0,1,2,3}
+ {
+ \draw (\x,\y) circle (0.2cm);
+ \fill (\x,\y) circle (0.1cm);
+ }
+\end{tikzpicture}
+\end{codeexample}
+
+ \medskip
+ \textbf{The dots notation.}
+ The second complication concerns the \meta{list}. If this
+ \meta{list} contains the list item ``|...|'', this list item is replaced
+ by the ``missing values.'' More precisely, the following happens:
+
+ Normally, when a list item |...| is encountered, there should
+ already have been \emph{two} list items before it, which where
+ numbers. Examples of \emph{numbers} are |1|, |-10|, or
+ |-0.24|. Let us call these numbers $x$ and $y$ and let $d := y-x$ be
+ their difference. Next, there should also be one number following
+ the three dots, let us call this number~$z$.
+
+ In this situation, the part of the list reading
+ ``$x$|,|$y$|,...,|$z$'' is replaced by ``$x$, $x+d$, $x+2d$, $x+3d$,
+ \dots, $x+md$,'' where the last dots are semantic dots, not
+ syntactic dots. The value $m$ is the largest number such that $x +
+ md \le z$ if $d$ is positive or such that $x+md \ge z$ if $d$ is
+ negative.
+
+ Perhaps it is best to explain this by some examples: The following
+ \meta{list} have the same effects:
+
+ |\foreach \x in {1,2,...,6} {\x, }| yields \foreach \x in {1,2,...,6} {\x, }
+
+ |\foreach \x in {1,2,3,...,6} {\x, }| yields \foreach \x in {1,2,3,...,6} {\x, }
+
+ |\foreach \x in {1,3,...,11} {\x, }| yields \foreach \x in {1,3,...,11} {\x, }
+
+ |\foreach \x in {1,3,...,10} {\x, }| yields \foreach \x in {1,3,...,10} {\x, }
+
+ |\foreach \x in {0,0.1,...,0.5} {\x, }| yields \foreach \x in {0,0.1,...,0.5} {\x, }
+
+ |\foreach \x in {a,b,9,8,...,1,2,2.125,...,2.5} {\x, }| yields \foreach \x in {a,b,9,8,...,1,2,2.125,...,2.5} {\x, }
+
+ As can be seen, for fractional steps that are not multiples of
+ $2^{-n}$ for some small $n$, rounding errors can occur pretty
+ easily. Thus, in the second last case, |0.5| should probably be
+ replaced by |0.501| for robustness.
+
+ There is yet another special case for the |...| statement: If the
+ |...| is used right after the first item in the list, that is, if
+ there is an $x$, but no $y$, the difference $d$ obviously cannot be
+ computed and is set to $1$ if the number $z$ following the dots is
+ larger than $x$ and is set to $-1$ if $z$ is smaller:
+
+ |\foreach \x in {1,...,6} {\x, }| yields \foreach \x in {1,...,6} {\x, }
+
+ |\foreach \x in {9,...,3.5} {\x, }| yields \foreach \x in {9,...,3.5} {\x, }
+
+ \medskip
+ \textbf{Special handling of pairs.}
+ Different list items are separated by commas. However, this causes a
+ problem when the list items contain commas themselves as pairs like
+ |(0,1)| do. In this case, you should put the items containing commas
+ in braces as in |{(0,1)}|. However, since pairs are such a natural
+ and useful case, they get a special treatment by the |\foreach|
+ statement. When a list item starts with a |(| everything up to the
+ next |)| is made part of the item. Thus, we can write things like
+ the following:
+
+\begin{codeexample}[]
+\tikz
+ \foreach \position in {(0,0), (1,1), (2,0), (3,1)}
+ \draw \position rectangle +(.25,.5);
+\end{codeexample}
+
+ \medskip
+ \textbf{Using the foreach-statement inside paths.}
+ \tikzname\ allows you to use a |\foreach| statement inside a path
+ construction. In such a case, the \meta{commands} must be path
+ construction commands. Here are two examples:
+
+\begin{codeexample}[]
+\tikz
+ \draw (0,0)
+ \foreach \x in {1,...,3}
+ { -- (\x,1) -- (\x,0) }
+ ;
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \draw \foreach \p in {1,...,3} {(\p,1)--(\p,3) (1,\p)--(3,\p)};
+\end{codeexample}
+
+ \medskip
+ \textbf{Multiple variables.}
+ You will often wish to iterate over two variables at the same
+ time. Since you can nest |\foreach| loops, this is normally
+ straight-forward. However, you sometimes wish variables to
+ iterate ``simultaneously.'' For example, we might be given a list of
+ edges that connect two coordinates and might wish to iterate over
+ these edges. While doing so, we would like the source and target of
+ the edges to be set to two different variables.
+
+ To achieve this, you can use the following syntax: The
+ \meta{variables} may not only be a single \TeX-variable. Instead, it
+ can also be a list of variables separated by slashes (|/|). In this
+ case the list items can also be lists of values separated by
+ slashes.
+
+ Assuming that the \meta{variables} and the list items are lists of
+ values, each time the \meta{commands} are executed, each of the
+ variables in \meta{variables} is set to one part of the list making
+ up the current list item. Here is an example to clarify this:
+
+ \example |\foreach \x / \y in {1/2,a/b} {``\x\ and \y''}| yields
+ \foreach \x / \y in {1/2,a/b} {``\x\ and \y''}.
+
+ If some entry in the \meta{list} does not have ``enough'' slashes,
+ the last entry will be repeated. Here is an example:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \foreach \x/\xtext in {0,...,3,2.72 / e}
+ \draw (\x,0) node{$\xtext$};
+\end{tikzpicture}
+\end{codeexample}
+
+ Here are more useful examples:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ % Define some coordinates:
+ \tikzstyle{every node}=[draw,fill]
+ \path[shape=circle,fill=examplefill]
+ (0,0) node(a) {a}
+ (2,0.55) node(b) {b}
+ (1,1.5) node(c) {c}
+ (2,1.75) node(d) {d};
+
+ % Draw some connections:
+ \foreach \source/\target in {a/b, b/c, c/a, c/d}
+ \draw (\source) .. controls +(.75cm,0pt) and +(-.75cm,0pt)..(\target);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ % Let's draw circles at interesting points:
+ \foreach \x / \y / \diameter in {0 / 0 / 2mm, 1 / 1 / 3mm, 2 / 0 / 1mm}
+ \draw (\x,\y) circle (\diameter);
+
+ % Same effect
+ \foreach \center/\diameter in {{(0,0)/2mm}, {(1,1)/3mm}, {(2,0)/1mm}}
+ \draw[yshift=2.5cm] \center circle (\diameter);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}[cap=round,line width=3pt]
+ \filldraw [fill=examplefill] (0,0) circle (2cm);
+
+ \foreach \angle / \label in
+ {0/3, 30/2, 60/1, 90/12, 120/11, 150/10, 180/9,
+ 210/8, 240/7, 270/6, 300/5, 330/4}
+ {
+ \draw[line width=1pt] (\angle:1.8cm) -- (\angle:2cm);
+ \draw (\angle:1.4cm) node{\textsf{\label}};
+ }
+
+ \foreach \angle in {0,90,180,270}
+ \draw[line width=2pt] (\angle:1.6cm) -- (\angle:2cm);
+
+ \draw (0,0) -- (120:0.8cm); % hour
+ \draw (0,0) -- (90:1cm); % minute
+\end{tikzpicture}%
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz[shading=ball]
+ \foreach \x / \cola in {0/red,1/green,2/blue,3/yellow}
+ \foreach \y / \colb in {0/red,1/green,2/blue,3/yellow}
+ \shade[ball color=\cola!50!\colb] (\x,\y) circle (0.4cm);
+\end{codeexample}
+\end{command}
+
+
+\begin{command}{\breakforeach}
+ If this command is given inside a |\foreach| command, no further
+ executions of the \meta{commands} will occur. However, the current
+ execution of the \meta{commands} is continued normally, so it is
+ probably best to use this command only at the end of a |\foreach|
+ command.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \foreach \x in {1,...,4}
+ \foreach \y in {1,...,4}
+ {
+ \fill[red!50] (\x,\y) ellipse (3pt and 6pt);
+
+ \ifnum \x<\y
+ \breakforeach
+ \fi
+ }
+\end{tikzpicture}
+\end{codeexample}
+
+\end{command}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-commands.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-commands.tex
new file mode 100644
index 00000000000..743e357485c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-commands.tex
@@ -0,0 +1,865 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{Commands of the System Layer}
+
+\makeatletter
+
+\subsection{Beginning and Ending a Stream of System Commands}
+
+A ``user'' of the \pgfname\ system layer (like the basic layer or a
+frontend) will interface with the system layer by calling a stream of
+commands starting with |\pgfsys@|. From the system layer's point of
+view, these commands form a long stream. Between calls to the system
+layer, control goes back to the user.
+
+The driver files implement system layer commands by inserting
+|\special| commands that implement the desired operation. For example,
+|\pgfsys@stroke| will be mapped to |\special{pdf: S}| by the driver
+file for |pdftex|.
+
+For many drivers, when such a stream of specials starts, it is
+necessary to install an appropriate transformation and perhaps perform
+some more bureaucratic tasks. For this reason, every stream will start
+with a |\pgfsys@beginpicture| and will end with a corresponding ending
+command.
+
+\begin{command}{\pgfsys@beginpicture}
+ Called at the beginning of a |{pgfpicture}|. This command should
+ ``setup things.''
+
+ Most drivers will need to implement this command.
+\end{command}
+
+\begin{command}{\pgfsys@endpicture}
+ Called at the end of a pgfpicture.
+
+ Most drivers will need to implement this command.
+\end{command}
+
+\begin{command}{\pgfsys@typesetpicturebox\marg{box}}
+ Called \emph{after} a |{pgfpicture}| has been typeset. The picture
+ will have been put in box \meta{box}. This command should insert the
+ box into the normal text. The box \meta{box} will still be a ``raw''
+ box that contains only the |\special|'s that make up the description
+ of the picture. The job of this command is to resize and shift
+ \meta{box} according to the baseline shift and the size of the
+ box.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+\begin{command}{\pgfsys@beginpurepicture}
+ This version of the |\pgfsys@beginpicture| picture command can be
+ used for pictures that are guaranteed not to contain any escaped
+ boxes (see below). In this case, a driver might provide a more
+ compact version of the command.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+\begin{command}{\pgfsys@endpurepicture}
+ Called at the end of a ``pure'' |{pgfpicture}|.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+Inside a stream it is sometimes necessary to ``escape'' back into
+normal typesetting mode; for example to insert some normal text, but
+with all of the current transformations and clippings being in
+force. For this escaping, the following command is used:
+
+\begin{command}{\pgfsys@hbox\marg{box number}}
+ Called to insert a (horizontal) TeX box inside a
+ |{pgfpicture}|.
+
+ Most drivers will need to (re-)implement this command.
+\end{command}
+
+\begin{command}{\pgfsys@hboxsynced\marg{box number}}
+ Called to insert a (horizontal) TeX box inside a
+ |{pgfpicture}|, but with the current coordiante transformation
+ matrix synced with the canvas transformation matrix.
+
+ This command should do the same as if you used
+ |\pgflowlevelsynccm| followed by |\pgfsys@hbox|. However, the default
+ implementation of this command will use a ``TeX-translation'' for
+ the translation part of the transformation matrix. This will ensure
+ that hyperlinks ``survive'' at least translations. On the other
+ hand, a driver may choose to revert to a simpler
+ implementation. This is done, for example, for the \textsc{svg}
+ implementation, where a \TeX-translation makes no sense.
+\end{command}
+
+
+
+\subsection{Path Construction System Commands}
+
+\begin{command}{\pgfsys@moveto\marg{x}\marg{y}}
+ This command is used to start a path at a specific point
+ $(x,y)$ or to move the current point of the current path to $(x,y)$
+ without drawing anything upon stroking (the current path is
+ ``interrupted'').
+
+ Both \meta{x} and \meta{y} are given as \TeX\ dimensions. It is the
+ driver's job to transform these to the coordinate system of the
+ backend. Typically, this means converting the \TeX\ dimension into a
+ dimensionless multiple of $\frac{1}{72}\mathrm{in}$. The function
+ |\pgf@sys@bp| helps with this conversion.
+
+ \example Draw a line from $(10\mathrm{pt},10\mathrm{pt})$ to the
+ origin of the picture.
+\begin{codeexample}[code only]
+\pgfsys@moveto{10pt}{10pt}
+\pgfsys@lineto{0pt}{0pt}
+\pgfsys@stroke
+\end{codeexample}
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@lineto\marg{x}\marg{y}}
+ Continue the current path to $(x,y)$ with
+ a straight line.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@curveto\marg{$x_1$}\marg{$y_1$}\marg{$x_2$}\marg{$y_2$}\marg{$x_3$}\marg{$y_3$}}
+ Continue the current path to $(x_3,y_3)$
+ with a Bzier curve that has the two control points $(x_1,y_1)$ and $(x_2,y_2)$.
+
+ \example Draw a good approximation of a quarter circle:
+\begin{codeexample}[code only]
+\pgfsys@moveto{10pt}{0pt}
+\pgfsys@curveto{10pt}{5.55pt}{5.55pt}{10pt}{0pt}{10pt}
+\pgfsys@stroke
+\end{codeexample}
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@rect\marg{x}\marg{y}\marg{width}\marg{height}}
+ Append a rectangle to the current path whose lower left corner is
+ at $(x,y)$ and whose width and height in
+ big points are given by \meta{width} and \meta{height}.
+
+ This command can be ``mapped back'' to |\pgfsys@moveto| and
+ |\pgfsys@lineto| commands, but it is included since \pdf\ has a
+ special, quick version of this command.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@closepath}
+ Close the current path. This results in joining the current point of
+ the path with the point specified by the last |\pgfsys@moveto|
+ operation. Typically, this is preferable over using |\pgfsys@lineto|
+ to the last point specified by a |\pgfsys@moveto|, since the line
+ starting at this point and the line ending at this point will be
+ smoothly joined by |\pgfsys@closepath|.
+
+ \example Consider
+\begin{codeexample}[code only]
+\pgfsys@moveto{0pt}{0pt}
+\pgfsys@lineto{10bp}{10bp}
+\pgfsys@lineto{0bp}{10bp}
+\pgfsys@closepath
+\pgfsys@stroke
+\end{codeexample}
+ and
+\begin{codeexample}[code only]
+\pgfsys@moveto{0bp}{0bp}
+\pgfsys@lineto{10bp}{10bp}
+\pgfsys@lineto{0bp}{10bp}
+\pgfsys@lineto{0bp}{0bp}
+\pgfsys@stroke
+\end{codeexample}
+
+ The difference between the above will be that in the second triangle
+ the corner at the origin will be wrong; it will just be the overlay
+ of two lines going in different directions, not a sharp pointed
+ corner.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+
+
+\subsection{Canvas Transformation System Commands}
+
+\begin{command}{\pgfsys@transformcm\marg{a}\marg{b}\marg{c}\marg{d}\marg{e}\marg{f}}
+ Perform a concatenation of the canvas transformation matrix with the
+ matrix given by the values \meta{a} to \meta{f}, see the \pdf\ or
+ PostScript manual for details. The values \meta{a} to \meta{d} are
+ dimensionless factors, \meta{e} and \meta{f} are \TeX\ dimensions
+
+ \example |\pgfsys@transformcm{1}{0}{0}{1}{1cm}{1cm}|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@transformshift\marg{x displacement}\marg{y displacement}}
+ This command will change the origin of the canvas to $(x,y)$.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@transformxyscale\marg{x scale}\marg{y scale}}
+ This command will scale the canvas (and everything that is drawn)
+ by a factor of \meta{x scale} in the $x$-direction and \meta{y
+ scale} in the $y$-direction. Note that this applies to
+ everything, including lines. So a scaled line will have a different
+ width and may even have a different width when going along the
+ $x$-axis and when going along the $y$-axis, if the scaling is
+ different in these directions. Usually, you do not want this.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\subsection{Stroking, Filling, and Clipping System Commands}
+
+\begin{command}{\pgfsys@stroke}
+ Stroke the current path (as if it were drawn with a pen). A number
+ of graphic state parameters influence this, which can be
+ set using appropriate system commands described later.
+
+ \begin{description}
+ \item[Line width]
+ The ``thickness'' of the line. A width of 0 is the thinnest width
+ renderable on the device. On a high-resolution printer this may
+ become invisible and should be avoided. A good choice is 0.4pt,
+ which is the default.
+
+ \item[Stroke color]
+ This special color is used for stroking. If it is not set, the
+ current color is used.
+
+ \item[Cap]
+ The cap describes how the endings of lines are drawn. A round cap
+ adds a little half circle to these endings. A butt cap ends the
+ lines exactly at the end (or start) point without anything
+ added. A rectangular cap ends the lines like the butt cap, but the
+ lines protrude over the endpoint by the line thickness. (See also
+ the \pdf\ manual.) If the path has been closed, no cap
+ is drawn.
+
+ \item[Join]
+ This describes how a bend (a join) in a path is rendered. A round
+ join draws bends using small arcs. A bevel join just draws the two
+ lines and then fills the join minimally so that it becomes
+ convex. A miter join extends the lines so that they form a single
+ sharp corner, but only up to a certain miter limit. (See the \pdf\
+ manual once more.)
+
+ \item[Dash]
+ The line may be dashed according to a dashing pattern.
+
+ \item[Clipping area]
+ If a clipping area is established, only those parts of the path
+ that are inside the clipping area will be drawn.
+ \end{description}
+
+ In addition to stroking a path, the path may also be used for
+ clipping after it has been stroked. This will happen if the
+ |\pgfsys@clipnext| is used prior to this command, see there for
+ details.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@closestroke}
+ This command should have the same effect as first closing the path
+ and then stroking it.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@fill}
+ This command fills the area surrounded by the current path. If the
+ path has not yet been closed, it is closed prior to filling. The
+ path itself is not stroked. For self-intersecting paths or paths
+ consisting of multiple parts, the nonzero winding number rule is
+ used to determine whether a point is inside or outside the
+ path, except if |\ifpgfsys@eorule| holds -- in which case the
+ even-odd rule should be used. (See the \pdf\ or PostScript manual
+ for details.)
+
+ The following graphic state parameters influence the filling:
+
+ \begin{description}
+ \item[Interior rule]
+ If |\ifpgfsys@eorule| is set, the even-odd rule is used, otherwise
+ the non-zero winding number rule.
+
+ \item[Fill color]
+ If the fill color is not especially set, the current color is
+ used.
+
+ \item[Clipping area]
+ If a clipping area is established, only those parts of the filling
+ area that are inside the clipping area will be drawn.
+ \end{description}
+
+ In addition to filling the path, the path will also be used for
+ clipping if |\pgfsys@clipnext| is used prior to this command.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@fillstroke}
+ First, the path is filled, then the path is stroked. If the fill and
+ stroke colors are the same (or if they are not specified and the
+ current color is used), this yields almost the same as a
+ |\pgfsys@fill|. However, due to the line thickness of the stroked
+ path, the fill-stroked area will be slightly larger.
+
+ In addition to stroking and filling the path, the path will also be
+ used for clipping if |\pgfsys@clipnext| is used prior to this command.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@discardpath}
+ Normally, this command should ``throw away'' the current path.
+ However, after |\pgfsys@clipnext| has been called, the current path
+ should subsequently be used for clipping. See |\pgfsys@clipnext| for
+ details.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+\begin{command}{\pgfsys@clipnext}
+ This command should be issued after a path has been constructed, but
+ before it has been stroked and/or filled or discarded. When the
+ command is used, the next stroking/filling/discarding command will
+ first be executed normally. Then, afterwards, the just-used path
+ will be used for subsequent clipping. If there has already been a
+ clipping region, this region is intersected with the new clipping
+ path (the clipping cannot get bigger). The nonzero winding number
+ rule is used to determine whether a point is inside or outside the
+ clipping area or the even-odd rule, depending on whether
+ |\ifpgfsys@eorule| holds.
+\end{command}
+
+
+
+
+\subsection{Graphic State Option System Commands}
+
+\begin{command}{\pgfsys@setlinewidth\marg{width}}
+ Sets the width of lines, when stroked, to \meta{width}, which must
+ be a \TeX\ dimension.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@buttcap}
+ Sets the cap to a butt cap. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@roundcap}
+ Sets the cap to a round cap. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@rectcap}
+ Sets the cap to a rectangular cap. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@miterjoin}
+ Sets the join to a miter join. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@setmiterlimit\marg{factor}}
+ Sets the miter limit of lines to \meta{factor}. See
+ the \pdf\ or PostScript for details on what the miter limit is.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@roundjoin}
+ Sets the join to a round join. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@beveljoin}
+ Sets the join to a bevel join. See |\pgfsys@stroke|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@setdash\marg{pattern}\marg{phase}}
+ Sets the dashing patter. \meta{pattern} should be a list of \TeX\
+ dimensions lengths separated by commas. \meta{phase} should be a
+ single dimension.
+
+ \example |\pgfsys@setdash{3pt,3pt}{0pt}|
+
+ The list of values in \meta{pattern} is used to determine the
+ lengths of the ``on'' phases of the dashing and of the ``off''
+ phases. For example, if \meta{pattern} is |3bp,4bp|, then the dashing
+ pattern is ``3bp on followed by 4bp off, followed by 3bp on,
+ followed by 4bp off, and so on.'' A pattern of |.5pt,4pt,3pt,1.5pt| means
+ ``.5pt on, 4pt off, 3pt on, 1.5pt off, .5pt on, \dots'' If the
+ number of entries is odd, the last one is used twice, so |3pt| means
+ ``3pt on, 3pt off, 3pt on, 3pt off, \dots'' An empty list
+ means ``always on.''
+
+ The second argument determines the ``phase'' of the pattern. For
+ example, for a pattern of |3bp,4bp| and a phase of |1bp|, the pattern
+ would start: ``2bp on, 4bp off, 3bp on, 4bp off, 3bp on, 4bp off,
+ \dots''
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+{\let\ifpgfsys@eorule=\relax
+\begin{command}{\ifpgfsys@eorule}
+ Determines whether the even odd rule is used for filling and
+ clipping or not.
+\end{command}
+}
+
+\begin{command}{\pgfsys@stroke@opacity\marg{value}}
+ Sets the opacity of stroking operations.
+\end{command}
+
+\begin{command}{\pgfsys@fill@opacity\marg{value}}
+ Sets the opacity of filling operations.
+\end{command}
+
+
+\subsection{Color System Commands}
+
+The \pgfname\ system layer provides a number of system commands for
+setting colors. These command coexist with commands from the |color|
+and |xcolor| package, which perform similar functions. However, the
+|color| package does not support having two different colors for
+stroking and filling, which is a useful feature that is supported by
+\pgfname. For this reason, the \pgfname\ system layer offers commands for
+setting these colors separatedly. Also, plain \TeX\ profits from the
+fact that \pgfname\ can set colors.
+
+For \pdf, implementing these color commands is easy since \pdf\
+supports different stroking and filling colors directly. For
+PostScript, a more complicated approach is needed in which the colors
+need to be stored in special PostScript variables that are set
+whenever a stroking or a filling operation is done.
+
+\begin{command}{\pgfsys@color@rgb\marg{red}\marg{green}\marg{blue}}
+ Sets the color used for stroking and filling operations to the given
+ red/green/blue tuple (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@rgb@stroke\marg{red}\marg{green}\marg{blue}}
+ Sets the color used for stroking operations to the given
+ red/green/blue tuple (numbers between 0 and 1).
+
+ \example Make stroked text dark red: |\pgfsys@color@rgb@stroke{0.5}{0}{0}|
+
+ The special stroking color is only used if the stroking color has
+ been set since the last |\color| or |\pgfsys@color@xxx|
+ command. Thus, each |\color| command will reset both the stroking
+ and filling colors by calling |\pgfsys@color@reset|.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@rgb@fill\marg{red}\marg{green}\marg{blue}}
+ Sets the color used for filling operations to the given
+ red/green/blue tuple (numbers between 0 and 1). This color may be
+ different from the stroking color.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmyk\marg{cyan}\marg{magenta}\marg{yellow}\marg{black}}
+ Sets the color used for stroking and filling operations to the given
+ cymk tuple (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmyk@stroke\marg{cyan}\marg{magenta}\marg{yellow}\marg{black}}
+ Sets the color used for stroking operations to the given cymk tuple
+ (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmyk@fill\marg{cyan}\marg{magenta}\marg{yellow}\marg{black}}
+ Sets the color used for filling operations to the given cymk tuple
+ (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmy\marg{cyan}\marg{magenta}\marg{yellow}}
+ Sets the color used for stroking and filling operations to the given
+ cym tuple (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmy@stroke\marg{cyan}\marg{magenta}\marg{yellow}}
+ Sets the color used for stroking operations to the given cym tuple
+ (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@cmy@fill\marg{cyan}\marg{magenta}\marg{yellow}}
+ Sets the color used for filling operations to the given cym tuple
+ (numbers between 0 and 1).
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@gray\marg{black}}
+ Sets the color used for stroking and filling operations to the given
+ black value, where 0 means black and 1 means white.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@gray@stroke\marg{black}}
+ Sets the color used for stroking operations to the given black value,
+ where 0 means black and 1 means white.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@gray@fill\marg{black}}
+ Sets the color used for filling operations to the given black value,
+ where 0 means black and 1 means white.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@color@reset}
+ This command will be called when the |\color| command is used. It
+ should purge any internal settings of stroking and filling
+ color. After this call, till the next use of a command like
+ |\pgfsys@color@rgb@fill|, the current color installed by the
+ |\color| command should be used.
+
+ If the \TeX-if |\pgfsys@color@reset@inorder| is set to true, this
+ command may ``assume'' that any call to a color command that sets
+ the fill or stroke color came ``before'' the call to this command
+ and may try to optimize the output accordingly.
+
+ An example of an incorrect ``out of order'' call would be using
+ |\pgfsys@color@reset| at the beginning of a box that is constructed
+ using |\setbox|. Then, when the box is constructed, no special fill
+ or stroke color might be in force. However, when the box is later on
+ inserted at some point, a special fill color might already have been
+ set. In this case, this command is not guaranteed to reset the color
+ correctly.
+\end{command}
+
+\begin{command}{\pgfsys@color@reset@inordertrue}
+ Sets the optimized ``in order'' version of the color resetting. This
+ is the default.
+\end{command}
+
+\begin{command}{\pgfsys@color@reset@inorderfalse}
+ Switches off the optimized color resetting.
+\end{command}
+
+\begin{command}{\pgfsys@color@unstacked\marg{\LaTeX\ color}}
+ This slightly obscure command causes the color stack to be
+ tricked. When called, this command should set the current color to
+ \meta{\LaTeX\ color} without causing any change in the color stack.
+
+ \example |\pgfsys@color@unstacked{red}|
+\end{command}
+
+
+\subsection{Scoping System Commands}
+
+The scoping commands are used to keep changes of the graphics state
+local.
+
+\begin{command}{\pgfsys@beginscope}
+ Saves the current graphic state on a graphic state stack. All
+ changes to the graphic state parameters mentioned for |\pgfsys@stroke|
+ and |\pgfsys@fill| will be local to the current graphic state and
+ the old values will be restored after |\pgfsys@endscope| is used.
+
+ \emph{Warning:} \pdf\ and PostScript differ with respect to the
+ question of whether the current path is part of the graphic state or
+ not. For this reason, you should never use this command unless the
+ path is currently empty. For example, it might be a good idea to use
+ |\pgfsys@discardpath| prior to calling this command.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@endscope}
+ Restores the last saved graphic state.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+
+
+
+
+
+\subsection{Image System Commands}
+
+The system layer provides some commands for image inclusion.
+
+\begin{command}{\pgfsys@imagesuffixlist}
+ This macro should expand to a list of suffixes, separated by `:',
+ that will be tried when searching for an image.
+
+ \example |\def\pgfsys@imagesuffixlist{eps:epsi:ps}|
+\end{command}
+
+
+\begin{command}{\pgfsys@defineimage}
+ Called, when an image should be defined.
+
+ This command does not take any parameters. Instead, certain macros
+ will be preinstalled with appropriate values when this command is
+ invoked. These are:
+
+ \begin{itemize}
+ \item\declare{|\pgf@filename|}
+ File name of the image to be defined.
+
+ \item\declare{|\pgf@imagewidth|}
+ Will be set to the desired (scaled) width of the image.
+
+ \item\declare{|\pgf@imageheight|}
+ Will be set to the desired (scaled) height of the image.
+
+ If this macro and also the height macro are empty, the image
+ should have its ``natural'' size.
+
+ If exactly only of them is specified, the undefined value the
+ image is scaled so that the aspect ratio is kept.
+
+ If both are set, the image is scaled in both directions
+ independently, possibly changing the aspect ratio.
+ \end{itemize}
+
+ The following macros presumable mostly make sense for drivers that
+ can handle \pdf:
+
+ \begin{itemize}
+ \item \declare{|\pgf@imagepage|}
+ The desired page number to be extracted from a multi-page
+ ``image.''
+
+ \item\declare{|\pgf@imagemask|}
+ If set, it will be set to |/SMask x 0 R| where |x| is the \pdf\
+ object number of a soft mask to be applied to the image.
+
+ \item\declare{|\pgf@imageinterpolate|}
+ If set, it will be set to |/Interpolate true| or
+ |/Interpolate false|, indicating whether the image should be
+ interpolated in \pdf.
+ \end{itemize}
+
+ The command should now setup the macro |\pgf@image| such that calling
+ this macro will result in typesetting the image. Thus, |\pgf@image| is
+ the ``return value'' of the command.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+
+\begin{command}{\pgfsys@definemask}
+ This command declares a mask for usage with images. It works similar
+ to |\pgfsys@defineimage|: Certain macros are set when the command is
+ called. The result should be to set the macro |\pgf@mask| to a pdf
+ object count that can subsequently be used as a soft mask. The
+ following macros will be set when this command is invoked:
+
+ \begin{itemize}
+ \item \declare{|\pgf@filename|}
+ File name of the mask to be defined.
+
+ \item \declare{|\pgf@maskmatte|}
+ The so-called matte of the mask (see the \pdf\ documentation for
+ details). The matte is a color specification consisting of 1, 3 or
+ 4 numbers between 0 and 1. The number of numbers depends on the
+ number of color channels in the image (not in the mask!). It will
+ be assumed that the image has been preblended with this color.
+ \end{itemize}
+\end{command}
+
+
+\subsection{Shading System Commands}
+
+
+\begin{command}{\pgfsys@horishading\marg{name}\marg{height}\marg{specification}}
+ Declares a horizontal shading for later use. The effect of this
+ command should be the definition of a macro called |\@pgfshading|\meta{name}|!|
+ (or |\csname @pdfshading|\meta{name}|!\endcsname|, to be
+ precise). When invoked, this new macro should insert a shading at
+ the current position.
+
+ \meta{name} is the name of the shading, which is also used in the
+ output macro name. \meta{height} is the height of the shading and
+ must be given as a TeX dimension like |2cm| or
+ |10pt|. \meta{specification} is a shading color
+ specification as specified in Section~\ref{section-shadings}. The
+ shading specification implicitly fixes the width of the shading.
+
+ When |\@pgfshading|\meta{name}|!| is invoked, it should insert a box
+ of height \meta{height} and the width implicit in the shading
+ declaration.
+\end{command}
+
+
+\begin{command}{\pgfsys@vertshading\marg{name}\marg{width}\marg{specification}}
+ Like the horizontal version, only for vertical shadings. This time,
+ the height of the shading is implicit in \meta{specification} and
+ the width is given as \meta{width}.
+\end{command}
+
+\begin{command}{\pgfsys@radialshading\marg{name}\marg{starting point}\marg{specification}}
+ Declares a radial shading. Like the previous macros, this command
+ should setup the macro |\@pgfshading|\meta{name}|!|, which upon
+ invocation should insert a radial shading whose size is implicit in
+ \meta{specification}.
+
+ The parameter \meta{starting point} is a \pgfname\ point
+ specifying the inner starting point of the shading.
+\end{command}
+
+
+\subsection{Reusable Objects System Commands}
+
+\begin{command}{\pgfsys@invoke\marg{literals}}
+ This command gets protocoled literals and should insert them into
+ the |.pdf| or |.dvi| file using an appropriate |\special|.
+\end{command}
+
+\begin{command}{\pgfsys@defobject\marg{name}\marg{lower
+ left}\marg{upper right}\marg{code}}
+ Declares an object for later use. The idea is that the object can be
+ precached in some way and then be rendered more quickly when used
+ several times. For example, an arrow head might be defined and
+ prerendered in this way.
+
+ The parameter \meta{name} is the name for later use. \meta{lower
+ left} and \meta{upper right} are \pgfname\ points specifying a bounding
+ box for the object. \meta{code} is the code for the object. The code
+ should not be too fancy.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+\begin{command}{\pgfsys@useobject\marg{name}\marg{extra code}}
+ Renders a previously declared object. The first parameter is the
+ name of the the object. The second parameter is extra code that
+ should be executed right \emph{before} the object is
+ rendered. Typically, this will be some transformation code.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+\end{command}
+
+
+\subsection{Invisibility System Commands}
+
+All drawing or stroking or text rendering between calls of the
+following commands should be suppressed. A similar effect can be
+achieved by clipping against an empty region, but the following
+commands do not open a graphics scope and can be opened and closed
+``orthogonally'' to other scopes.
+
+\begin{command}{\pgfsys@begininvisible}
+ Between this command and the closing |\pgfsys@endinvisible| all
+ output should be suppressed. Nothing should be drawn at all, which
+ includes all paths, images and shadings. However, no groups (neither
+ \TeX\ groups nor graphic state groups) should be opened by this
+ command.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+\begin{command}{\pgfsys@endinvisible}
+ Ends the invisibility section, unless invisibility blocks have been
+ nested. In this case, only the ``last'' one restores visibility.
+
+ This command has a default implementation and need not be
+ implemented by a driver file.
+
+ This command is protocoled, see Section~\ref{section-protocols}.
+\end{command}
+
+
+
+
+\subsection{Internal Conversion Commands}
+
+The system commands take \TeX\ dimensions as input, but the dimensions
+that have to be inserted into \pdf\ and PostScript files need to be
+dimensionless values that are interpreted as multiples of
+$\frac{1}{72}\mathrm{in}$. For example, the \TeX\ dimension $2bp$
+should be inserted as |2| into a \pdf\ file and the \TeX\ dimension
+$10\mathrm{pt}$ as |9.9626401|. To make this conversion easier, the following
+command may be useful:
+
+\begin{command}{\pgf@sys@bp\marg{dimension}}
+ Inserts how many multiples of $\frac{1}{72}\mathrm{in}$ the
+ \meta{dimension} is into the current protocol stream (buffered).
+
+ \example |\pgf@sys@bp{\pgf@x}| or |\pgf@sys@bp{1cm}|.
+\end{command}
+
+Note that this command is \emph{not} a system command that can/needs
+to be overwritten by a driver.
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-overview.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-overview.tex
new file mode 100644
index 00000000000..091afdc9e80
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-overview.tex
@@ -0,0 +1,79 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{Design of the System Layer}
+
+\makeatletter
+
+
+\subsection{Driver Files}
+\label{section-pgfsys}
+
+The \pgfname\ system layer mainly consists of a large number of
+commands starting with |\pgfsys@|. These commands will be called
+\emph{system commands} in the following. The higher layers
+``interface'' with the system layer by calling these commands. The
+higher layers should never use |\special| commands directly or even
+check whether |\pdfoutput| is defined. Instead, all drawing requests
+should be ``channeled'' through the system commands.
+
+The system layer is loaded and setup by the following package:
+
+\begin{package}{pgfsys}
+ This file provides ``default implementations'' of all system
+ commands, but most simply produce a warning that they are not
+ implemented. The actual implementations of the system commands for a
+ particular driver like, say, |pdftex| reside in files called
+ |pgfsys-xxxx.sty|, where |xxxx| is the driver name. These will be
+ called \emph{driver files} in the following.
+
+ When |pgfsys.sty| is loaded, it will try to determine which driver
+ is used by loading |pgf.cfg|. This file should setup the macro
+ |\pgfsysdriver| appropriately. The, |pgfsys.sty| will input the
+ appropriate |pgfsys-|\meta{drivername}|.sty|.
+\end{package}
+
+\begin{command}{\pgfsysdriver}
+ This macro should expand to the name of the driver to be used by
+ |pgfsys|. The default from |pgf.cfg| is |pgfsys-\Gin@driver|. This
+ is very likely to be correct if you are using \LaTeX. For plain
+ \TeX, the macro will be set to |pgfsys-pdftex.def| if |pdftex| is
+ used and to |pgfsys-dvips.def| otherwise.
+\end{command}
+
+\begin{filedescription}{pgf.cfg}
+ This file should setup the command |\pgfsysdriver| correctly. If
+ |\pgfsysdriver| is already set to some value, the driver normally
+ should not change it. Otherwise, it should make a ``good guess'' at
+ which driver will be appropriate.
+\end{filedescription}
+
+
+The currently supported backend drivers are discussed in
+Section~\ref{section-drivers}.
+
+
+\subsection{Common Definition Files}
+
+Some drivers share many |\pgfsys@| commands. For the reason, files
+defining these ``common'' commands are available. These files are
+\emph{not} usable alone.
+
+\begin{filedescription}{pgfsys-common-postscript}
+ This file defines some |\pgfsys@| commands so that they produce
+ appropriate PostScript code.
+\end{filedescription}
+
+\begin{filedescription}{pgfsys-common-pdf}
+ This file defines some |\pgfsys@| commands so that they produce
+ appropriate \textsc{pdf} code.
+\end{filedescription}
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-paths.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-paths.tex
new file mode 100644
index 00000000000..0b87a7d108b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-paths.tex
@@ -0,0 +1,235 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{The Soft Path Subsystem}
+
+\label{section-soft-paths}
+
+\makeatletter
+
+
+This section describes a set of commands for creating \emph{soft
+ paths} as opposed to the commands of the previous section, which
+created \emph{hard paths}. A soft path is a path that can still be
+``changed'' or ``molded.'' Once you (or the \pgfname\ system) is
+satisfied with a soft path, it is turned into a hard path, which can
+be inserted into the resulting |.pdf| or |.ps| file.
+
+Note that the commands described in this section are ``high-level'' in
+the sense that they are not implemented in driver files, but rather
+directly by the \pgfname-system layer. For this reason, the commands for
+creating soft paths do not start with |\pgfsys@|, but rather with
+|\pgfsyssoftpath@|. On the other hand, as a user you will never use
+these commands directly, so they are described as part of the
+low-level interface.
+
+
+
+\subsection{Path Creation Process}
+
+When the user writes a command like |\draw (0bp,0bp) -- (10bp,0bp);|
+quite a lot happens behind the scenes:
+\begin{enumerate}
+\item
+ The frontend command is translated by \tikzname\ into commands
+ of the basic layer. In essence, the command is translated to
+ something like
+\begin{codeexample}[code only]
+\pgfpathmoveto{\pgfpoint{0bp}{0bp}}
+\pgfpathlineto{\pgfpoint{10bp}{0bp}}
+\pgfusepath{stroke}
+\end{codeexample}
+\item
+ The |\pgfpathxxxx| command do \emph{not} directly call ``hard''
+ commands like |\pgfsys@xxxx|. Instead, the command |\pgfpathmoveto|
+ invokes a special command called |\pgfsyssoftpath@moveto| and
+ |\pgfpathlineto| invokes |\pgfsyssoftpath@lineto|.
+
+ The |\pgfsyssoftpath@xxxx| commands, which are described below,
+ construct a soft path. Each time such a command is used, special
+ tokens are added to the end of an internal macro that stores the
+ soft path currently being constructed.
+\item
+ When the |\pgfusepath| is encountered, the soft path stored in
+ the internal macro is ``invoked.'' Only now does a special macro
+ iterate over the soft path. For each line-to or move-to
+ operation on this path it calls an appropriate |\pgfsys@moveto| or
+ |\pgfsys@lineto| in order to, finally, create the desired hard path,
+ namely, the string of literals in the |.pdf| or |.ps| file.
+\item
+ After the path has been invoked, |\pgfsys@stroke| is called to
+ insert the literal for stroking the path.
+\end{enumerate}
+
+Why such a complicated process? Why not have |\pgfpathlineto| directly
+call |\pgfsys@lineto| and be done with it? There are two reasons:
+\begin{enumerate}
+\item
+ The \pdf\ specification requires that a path is not interrupted by
+ any non-path-construction commands. Thus, the following code will
+ result in a corrupted |.pdf|:
+\begin{codeexample}[code only]
+\pgfsys@moveto{0}{0}
+\pgfsys@setlinewidth{1}
+\pgfsys@lineto{10}{0}
+\pgfsys@stroke
+\end{codeexample}
+ Such corrupt code is \emph{tolerated} by most viewers, but not
+ always. It is much better to create only (reasonably) legal code.
+\item
+ A soft path can still be changed, while a hard path is fixed. For
+ example, one can still change the starting and end points of a soft
+ path or do optimizations on it. Such transformations are not possible
+ on hard paths.
+\end{enumerate}
+
+
+\subsection{Starting and Ending a Soft Path}
+
+No special action must be taken in order to start the creation of a
+soft path. Rather, each time a command like |\pgfsyssoftpath@lineto|
+is called, a special token is added to the (global) current soft path
+being constructed.
+
+However, you can access and change the current soft path. In this way,
+it is possible to store a soft path, to manipulate it, or to invoke
+it.
+
+\begin{command}{\pgfsyssoftpath@getcurrentpath\marg{macro name}}
+ This command will store the current soft path in \meta{macro name}.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@setcurrentpath\marg{macro name}}
+ This command will set the current soft path to be the path stored in
+ \meta{macro name}. This macro should store a path that has
+ previously been extracted using the |\pgfsyssoftpath@getcurrentpath|
+ command and has possibly been modified subsequently.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@invokecurrentpath}
+ This command will turn the current soft path in a ``hard'' path. To
+ do so, it iterates over the soft path and calls an appropriate
+ |\pgfsys@xxxx| command for each element of the path. Note that the
+ current soft path is \emph{not changed} by this command. Thus, in
+ order to start a new soft path after the old one has been invoked
+ and is no longer needed, you need to set the current soft path to be
+ empty. This may seems strange, but it is often useful to immediately
+ use the last soft path again.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@flushcurrentpath}
+ This command will invoke the current soft path and then set it to be
+ empty.
+\end{command}
+
+
+
+\subsection{Soft Path Creation Commands}
+
+\begin{command}{\pgfsyssoftpath@moveto\marg{x}\marg{y}}
+ This command appends a ``move-to'' segment to the current soft
+ path. The coordinates \meta{x} and \meta{y} are given as normal
+ \TeX\ dimensions.
+
+ \example One way to draw a line:
+\begin{codeexample}[code only]
+\pgfsyssoftpath@moveto{0pt}{0pt}
+\pgfsyssoftpath@lineto{10pt}{10pt}
+\pgfsyssoftpath@flushcurrentpath
+\pgfsys@stroke
+\end{codeexample}
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@lineto\marg{x}\marg{y}}
+ Appends a ``line-to'' segment to the current soft path.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@curveto\marg{a}\marg{b}\marg{c}\marg{d}\marg{x}\marg{y}}
+ Appends a ``curve-to'' segment to the current soft path with controls
+ $(a,b)$ and $(c,d)$.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@rect\marg{lower left x}\marg{lower left y}\marg{width}\marg{height}}
+ Appends a rectangle segment to the current soft path.
+\end{command}
+
+\begin{command}{\pgfsyssoftpath@closepath}
+ Appends a ``close-path'' segment to the current soft path.
+\end{command}
+
+
+
+
+\subsection{The Soft Path Data Structure}
+
+A soft path is stored in a standardized way, which makes it possible to
+modify it before it becomes ``hard.'' Basically, a soft path is a long
+sequence of triples. Each triple starts with a \emph{token} that
+identifies what is going on. This token is followed by two dimensions in
+braces. For example, the following is a soft path that means ``the
+path starts at $(0\mathrm{bp}, 0\mathrm{bp})$ and then
+continues in a straight line to $(10\mathrm{bp},
+0\mathrm{bp})$.''
+
+\begin{codeexample}[code only]
+\pgfsyssoftpath@movetotoken{0bp}{0bp}\pgfsyssoftpath@linetotoken{10bp}{0bp}
+\end{codeexample}
+
+A curve-to is hard to express in this way since we need six numbers to
+express it, not two. For this reasons, a curve-to is expressed using
+three triples as follows: The command
+\begin{codeexample}[code only]
+\pgfsyssoftpath@curveto{1bp}{2bp}{3bp}{4bp}{5bp}{6bp}
+\end{codeexample}
+\noindent
+results in the following three triples:
+\begin{codeexample}[code only]
+\pgfsyssoftpath@curvetosupportatoken{1bp}{2bp}
+\pgfsyssoftpath@curvetosupportbtoken{3bp}{4bp}
+\pgfsyssoftpath@curvetotoken{5bp}{6bp}
+\end{codeexample}
+
+These three triples must always ``remain together.'' Thus, a lonely
+|supportbtoken| is forbidden.
+
+In details, the following tokens exist:
+\begin{itemize}
+\item
+ \declare{|\pgfsyssoftpath@movetotoken|} indicates a move-to
+ operation. The two following numbers indicate the position to which
+ the current point should be moved.
+\item
+ \declare{|\pgfsyssoftpath@linetotoken|} indicates a line-to
+ operation.
+\item
+ \declare{|\pgfsyssoftpath@curvetosupportatoken|} indicates the first
+ control point of a curve-to operation. The triple must be followed
+ by a |\pgfsyssoftpath@curvetosupportbtoken|.
+\item
+ \declare{|\pgfsyssoftpath@curvetosupportbtoken|} indicates the second
+ control point of a curve-to operation. The triple must be followed
+ by a |\pgfsyssoftpath@curvetotoken|.
+\item
+ \declare{|\pgfsyssoftpath@curvetotoken|} indicates the target
+ of a curve-to operation.
+\item
+ \declare{|\pgfsyssoftpath@rectcornertoken|} indicates the corner of
+ a rectangle on the soft path. The triple must be followed
+ by a |\pgfsyssoftpath@rectsizetoken|.
+\item
+ \declare{|\pgfsyssoftpath@rectsizetoken|} indicates the size of
+ a rectangle on the soft path.
+\item
+ \declare{|\pgfsyssoftpath@closepath|} indicates that the subpath
+ begun with the last move-to operation should be closed. The parameter
+ numbers are currently not important, but if set to anything
+ different from |{0pt}{0pt}|, they should be set to the coordinate of
+ the original move-to operation to which the path ``returns'' now.
+\end{itemize}
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-protocol.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-protocol.tex
new file mode 100644
index 00000000000..53e78421957
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-pgfsys-protocol.tex
@@ -0,0 +1,87 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{The Protocol Subsystem}
+
+\label{section-protocols}
+
+\makeatletter
+
+This section describes commands for \emph{protocolling} literal text
+created by \pgfname. The idea is that some literal text, like the string
+of commands used to draw an arrow head, will be used over and over
+again in a picture. It is then much more efficient to compute the
+necessary literal text just once and to quickly insert it ``in a
+single sweep.''
+
+When protocolling is ``switched on,'' there is a ``current protocol''
+to which literal text gets appended. Once all commands that needed to
+be protocoled have been issued, the protocol can be obtained and
+stored using |\pgfsysprotocol@getcurrentprotocol|. At any point, the
+current protocol can be changed using a corresponding setting
+command. Finally, |\pgfsysprotocol@invokecurrentprotocol| is used to
+insert the protocoled commands into the |.pdf| or |.dvi| file.
+
+Only those |\pgfsys@| commands can be protocolled that use the
+command |\pgfsysprotocol@literal| interally. For example, the
+definition of |\pgfsys@moveto| in |pgfsys-common-pdf.def| is
+\begin{codeexample}[code only]
+\def\pgfsys@moveto#1#2{\pgfsysprotocol@literal{#1 #2 m}}
+\end{codeexample}
+All ``normal'' system-level commands can be protocolled. However,
+commands for creating or invoking shadings, images, or whole pictures
+require special |\special|'s and cannot be protocolled.
+
+\begin{command}{\pgfsysprotocol@literalbuffered\marg{literal text}}
+ Adds the \meta{literal text} to the current protocol, after it has
+ been ``|\edef|ed.'' This command will always protocol.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@literal\marg{literal text}}
+ First calls |\pgfsysprotocol@literalbuffered| on \meta{literal
+ text}. Then, if protocolling is currently switched off, the
+ \meta{literal text} is passed on to |\pgfsys@invoke|.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@bufferedtrue}
+ Turns on protocolling. All subsequent calls of
+ |\pgfsysprotocol@literal| will append their argument to the current
+ protocol.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@bufferedfalse}
+ Turns off protocolling. Subsequent calls of
+ |\pgfsysprotocol@literal| directly insert their argument into the
+ current |.pdf| or |.ps|.
+
+ Note that if the current protocol is not empty when protocolling is
+ switched off, the next call to |\pgfsysprotocol@literal| will first
+ flush the current protocol, that is, insert it into the file.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@getcurrentprotocol\marg{macro name}}
+ Stores the current protocol in \meta{macro name} for later use.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@setcurrentprotocol\marg{macro name}}
+ Sets the current protocol to \meta{macro name}.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@invokecurrentprotocol}
+ Inserts the text stored in the current protocol into the |.pdf| or
+ |.dvi| file. This does \emph{not} change the current protocol.
+\end{command}
+
+\begin{command}{\pgfsysprotocol@flushcurrentprotocol}
+ First inserts the current protocol, then sets the current protocol
+ to the empty string.
+\end{command}
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-actions.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-actions.tex
new file mode 100644
index 00000000000..4539f7be0fb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-actions.tex
@@ -0,0 +1,1126 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Actions on Paths}
+
+Once a path has been constructed, different things can be done with
+it. It can be drawn (or stroked) with a ``pen,'' it can be filled with
+a color or shading, it can be used for clipping subsequent drawing, it
+can be used to specify the extend of the picture---or any
+combination of these actions at the same time.
+
+To decide what is to be done with a path, two methods can be
+used. First, you can use a special-purpose command like |\draw| to
+indicate that the path should be drawn. However, commands like |\draw|
+and |\fill| are just abbreviations for special cases of the more
+general method: Here, the |\path| command is used to specify the
+path. Then, options encountered on the path indicate what should be
+done with the path.
+
+For example, |\path (0,0) circle (1cm);| means ``This is a path
+consisting of a circle around the origin. Do not do anything with it
+(throw it away).'' However, if the option |draw| is encountered
+anywhere on the path, the circle will be drawn. ``Anywhere'' is any
+point on the path where an option can be given, which is everywhere
+where a path command like |circle (1cm)| or |rectangle (1,1)| or even
+just |(0,0)| would also be allowed. Thus, the following commands all
+draw the same circle:
+\begin{codeexample}[code only]
+\path [draw] (0,0) circle (1cm);
+\path (0,0) [draw] circle (1cm);
+\path (0,0) circle (1cm) [draw];
+\end{codeexample}
+Finally, |\draw (0,0) circle (1cm);| also draws a path, because
+|\draw| is an abbreviation for |\path [draw]| and thus the command
+expands to the first line of the above example.
+
+Similarly, |\fill| is an abbreviation for |\path[fill]| and
+|\filldraw| is an abbreviation for the command
+|\path[fill,draw]|. Since options accumulate, the following commands
+all have the same effect:
+\begin{codeexample}[code only]
+\path [draw,fill] (0,0) circle (1cm);
+\path [draw] [fill] (0,0) circle (1cm);
+\path [fill] (0,0) circle (1cm) [draw];
+\draw [fill] (0,0) circle (1cm);
+\fill (0,0) [draw] circle (1cm);
+\filldraw (0,0) circle (1cm);
+\end{codeexample}
+
+In the following subsection the different actions are explained that
+can be performed on a path. The following commands are abbreviations for
+certain sets of actions, but for many useful combinations there are no
+abbreviations:
+
+\begin{command}{\draw}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[draw]|.
+\end{command}
+
+\begin{command}{\fill}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[fill]|.
+\end{command}
+
+\begin{command}{\filldraw}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[fill,draw]|.
+\end{command}
+
+\begin{command}{\shade}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[shade]|.
+\end{command}
+
+\begin{command}{\shadedraw}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[shade,draw]|.
+\end{command}
+
+\begin{command}{\clip}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[clip]|.
+\end{command}
+
+\begin{command}{\useasboundingbox}
+ Inside |{tikzpicture}| this is an abbreviation for |\path[use as bounding box]|.
+\end{command}
+
+\begin{command}{\node}
+ Inside |{tikzpicture}| this is an abbreviation for |\path node|. Note
+ that, for once, |node| is not an option but a path operation.
+\end{command}
+
+\begin{command}{\coordinate}
+ Inside |{tikzpicture}| this is an abbreviation for |\path coordinate|.
+\end{command}
+
+
+
+\subsection{Specifying a Color}
+
+The most unspecific option for setting colors is the following:
+
+\begin{itemize}
+ \itemoption{color}|=|\meta{color name}%
+ \indexoption{color option}%
+ This option sets the color that is used for fill, drawing, and text
+ inside the current scope. Any special settings for filling colors or
+ drawing colors are immediately ``overruled'' by this option.
+
+ The \meta{color name} is the name of a previously defined color. For
+ \LaTeX\ users, this is just a normal ``\LaTeX-color'' and the
+ |xcolor| extensions are allows. Here is an example:
+
+\begin{codeexample}[]
+\tikz \fill[color=red!20] (0,0) circle (1ex);
+\end{codeexample}
+
+ It is possible to ``leave out'' the |color=| part and you can also
+ write:
+\begin{codeexample}[]
+\tikz \fill[red!20] (0,0) circle (1ex);
+\end{codeexample}
+ What happens is that every option that \tikzname\ does not know, like
+ |red!20|, gets a ``second chance'' as a color name.
+
+ For plain \TeX\ users, it is not so easy to specify colors since
+ plain \TeX\ has no ``standardized'' color naming
+ mechanism. Because of this, \pgfname\ emulates the |xcolor| package,
+ though the emulation is \emph{extremely basic} (more precisely, what
+ I could hack together in two hours or so). The emulation allows you
+ to do the following:
+ \begin{itemize}
+ \item Specify a new color using |\definecolor|. Only the two color
+ models |gray| and |rgb| are supported.
+ \example |\definecolor{orange}{rgb}{1,0.5,0}|
+ \item Use |\colorlet| to define a new color based on an old
+ one. Here, the |!| mechanism is supported, though only ``once''
+ (use multiple |\colorlet| for more fancy colors).
+ \example |\colorlet{lightgray}{black!25}|
+ \item Use |\color|\marg{color name} to set the color in the current
+ \TeX\ group. |\aftergroup|-hackery is used to restore the color
+ after the group.
+ \end{itemize}
+\end{itemize}
+
+As pointed out above, the |color=| option applies to ``everything''
+(except to shadings), which is not always what you want. Because of
+this, there are several more specialized color options. For example,
+the |draw=| option sets the color used for drawing, but does not
+modify the color used for filling. These color options are documented
+where the path action they influence is described.
+
+
+\subsection{Drawing a Path}
+
+You can draw a path using the following option:
+\begin{itemize}
+ \itemoption{draw}\opt{|=|\meta{color}}
+ Causes the path to be drawn. ``Drawing'' (also known as
+ ``stroking'') can be thought of as picking up a pen and moving it
+ along the path, thereby leaving ``ink'' on the canvas.
+
+ There are numerous parameters that influence how a line is drawn,
+ like the thickness or the dash pattern. These options are explained
+ below.
+
+ If the optional \meta{color} argument is given, drawing is done
+ using the given \meta{color}. This color can be different from the
+ current filling color, which allows you to draw and fill a path with
+ different colors. If no \meta{color} argument is given, the last
+ usage of the |color=| option is used.
+
+ If the special color name |none| is given, this option causes
+ drawing to be ``switched off.'' This is useful if a style has
+ previously switched on drawing and you locally wish to undo this
+ effect.
+
+ Although this option is normally used on paths to indicate that the
+ path should be drawn, it also makes sense to use the option with a
+ |{scope}| or |{tikzpicture}| environment. However, this will
+ \emph{not} cause all path to drawn. Instead, this just sets the
+ \meta{color} to be used for drawing paths inside the environment.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \path[draw=red] (0,0) -- (1,1) -- (2,1) circle (10pt);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+The following subsections list the different options that influence
+how a path is drawn. All of these options only have an effect if the
+|draw| options is given (directly or indirectly).
+
+\subsubsection{Graphic Parameters: Line Width, Line Cap, and Line Join}
+
+\label{section-cap-joins}
+
+\begin{itemize}
+ \itemoption{line width}|=|\meta{dimension}
+ Specifies the line width. Note the space. Default: |0.4pt|.
+
+\begin{codeexample}[]
+ \tikz \draw[line width=5pt] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+\end{itemize}
+
+There are a number of predefined styles that provide more ``natural''
+ways of setting the line width. You can also redefine these
+styles. Remember that you can leave out the |style=| when setting a
+style.
+
+\begin{itemize}
+ \itemstyle{ultra thin}
+ Sets the line width to 0.1pt.
+\begin{codeexample}[]
+ \tikz \draw[ultra thin] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{very thin}
+ Sets the line width to 0.2pt.
+\begin{codeexample}[]
+ \tikz \draw[very thin] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{thin}
+ Sets the line width to 0.4pt.
+\begin{codeexample}[]
+ \tikz \draw[thin] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{semithick}
+ Sets the line width to 0.6pt.
+\begin{codeexample}[]
+ \tikz \draw[semithick] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{thick}
+ Sets the line width to 0.8pt.
+\begin{codeexample}[]
+ \tikz \draw[thick] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{very thick}
+ Sets the line width to 1.2pt.
+\begin{codeexample}[]
+ \tikz \draw[very thick] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+
+ \itemstyle{ultra thick}
+ Sets the line width to 1.6pt.
+\begin{codeexample}[]
+ \tikz \draw[ultra thick] (0,0) -- (1cm,1.5ex);
+\end{codeexample}
+\end{itemize}
+
+\begin{itemize}
+ \itemoption{cap}|=|\meta{type}
+ Specifies how lines ``end.'' Permissible \meta{type} are |round|,
+ |rect|, and |butt| (default). They have the following effects:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \begin{scope}[line width=10pt]
+ \draw[cap=rect] (0,0 ) -- (1,0);
+ \draw[cap=butt] (0,.5) -- (1,.5);
+ \draw[cap=round] (0,1 ) -- (1,1);
+ \end{scope}
+ \draw[white,line width=1pt]
+ (0,0 ) -- (1,0) (0,.5) -- (1,.5) (0,1 ) -- (1,1);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{join}|=|\meta{type}
+ Specifies how lines ``join.'' Permissible \meta{type} are |round|,
+ |bevel|, and |miter| (default). They have the following effects:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=10pt]
+ \draw[join=round] (0,0) -- ++(.5,1) -- ++(.5,-1);
+ \draw[join=bevel] (1.25,0) -- ++(.5,1) -- ++(.5,-1);
+ \draw[join=miter] (2.5,0) -- ++(.5,1) -- ++(.5,-1);
+ \useasboundingbox (0,1.5); % make bounding box bigger
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{miter limit}|=|\meta{factor}
+ When you use the miter join and there is a very sharp corner (a
+ small angle), the miter join may protrude very far over the actual
+ joining point. In this case, if it were to protrude by
+ more than \meta{factor} times the line width, the miter join is
+ replaced by a bevel join. Default value is |10|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=5pt]
+ \draw (0,0) -- ++(5,.5) -- ++(-5,.5);
+ \draw[miter limit=25] (6,0) -- ++(5,.5) -- ++(-5,.5);
+ \useasboundingbox (14,0); % make bounding box bigger
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+\subsubsection{Graphic Parameters: Dash Pattern}
+
+\begin{itemize}
+ \itemoption{dash pattern}|=|\meta{dash pattern}
+ Sets the dashing pattern. The syntax is the same as in
+ \textsc{metafont}. For example |on 2pt off 3pt on 4pt off 4pt| means ``draw
+ 2pt, then leave out 3pt, then draw 4pt once more, then leave out 4pt
+ again, repeat''.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[dash pattern=on 2pt off 3pt on 4pt off 4pt]
+ \draw (0pt,0pt) -- (3.5cm,0pt);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{dash phase}|=|\meta{dash phase}
+ Shifts the start of the dash pattern by \meta{phase}.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[dash pattern=on 20pt off 10pt]
+ \draw[dash phase=0pt] (0pt,3pt) -- (3.5cm,3pt);
+ \draw[dash phase=10pt] (0pt,0pt) -- (3.5cm,0pt);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+As for the line thickness, some predefined styles allow you to set the
+dashing conveniently.
+
+\begin{itemize}
+\itemstyle{solid}
+ Shorthand for setting a solid line as ``dash pattern.'' This is the default.
+
+\begin{codeexample}[]
+\tikz \draw[solid] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{dotted}
+ Shorthand for setting a dotted dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[dotted] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{densely dotted}
+ Shorthand for setting a densely dotted dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[densely dotted] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{loosely dotted}
+ Shorthand for setting a loosely dotted dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[loosely dotted] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{dashed}
+ Shorthand for setting a dashed dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[dashed] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{densely dashed}
+ Shorthand for setting a densely dashed dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[densely dashed] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+
+ \itemstyle{loosely dashed}
+ Shorthand for setting a loosely dashed dash pattern.
+
+\begin{codeexample}[]
+\tikz \draw[loosely dashed] (0pt,0pt) -- (50pt,0pt);
+\end{codeexample}
+\end{itemize}
+
+
+\subsubsection{Graphic Parameters: Draw Opacity}
+
+When a line is drawn, it will normally ``obscure'' everything behind
+it as if you has used perfectly opaque ink. It is also possible to ask
+\tikzname\ to use an ink that is a little bit (or a big bit)
+transparent. To do so, use the following option:
+
+\begin{itemize}
+ \itemoption{draw opacity}|=|\meta{value}
+ This option sets ``how transparent'' lines should be. A value of |1|
+ means ``fully opaque'' or ``not transparent at all,'' a value of |0|
+ means ``fully transparent'' or ``invisible.'' A value of |0.5|
+ yields lines that are semitransparent.
+
+ Note that when you use PostScript as your output format,
+ this option works only with recent versions of GhostScript.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=1ex]
+ \draw (0,0) -- (3,1);
+ \filldraw [fill=examplefill,draw opacity=0.5] (1,0) rectangle (2,1);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+Note that the |draw opacity| options only sets the opacity of drawn
+lines. The opacity of fillings is set using the option
+|fill opacity| (documented in Section~\ref{section-fill-opacity}. The
+option |opacity| sets both at the same time.
+
+\begin{itemize}
+ \itemoption{opacity}|=|\meta{value}
+ Sets both the drawing and filling opacity to \meta{value}.
+
+ The following predefined styles make it easier to use this option:
+ \begin{itemize}
+ \itemstyle{transparent}
+ Makes everything totally transparent and, hence, invisible.
+
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[transparent,red] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{ultra nearly transparent}
+ Makes everything, well, ultra nearly transparent.
+
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[ultra nearly transparent] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{very nearly transparent}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[very nearly transparent] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{nearly transparent}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[nearly transparent] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{semitransparent}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[semitransparent] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{nearly opaque}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[nearly opaque] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{very nearly opaque}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[very nearly opaque] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{ultra nearly opaque}
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[ultra nearly opaque] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \itemstyle{opaque}
+ This yields completely opaque drawings, which is the default.
+\begin{codeexample}[]
+\tikz{\fill[red] (0,0) rectangle (1,0.5);
+ \fill[opaque] (0.5,0) rectangle (1.5,0.25); }
+\end{codeexample}
+ \end{itemize}
+\end{itemize}
+
+
+
+
+\subsubsection{Graphic Parameters: Arrow Tips}
+
+When you draw a line, you can add arrow tips at the ends. It is
+only possible to add one arrow tip at the start and one at the end. If
+the path consists of several segments, only the last segment gets
+arrow tips. The behavior for paths that are closed is not specified
+and may change in the future.
+
+\begin{itemize}
+\itemoption{arrows}\opt{|=|\meta{start arrow kind}|-|\meta{end arrow kind}}
+ This option sets the start and end arrow tips (an empty value as in |->|
+ indicates that no arrow tip should be drawn at the start).%
+ \indexoption{arrows}
+
+ \emph{Note: Since the arrow option is so often used, you can leave
+ out the text |arrows=|.} What happens is that every option that
+ contains a |-| is interpreted as an arrow specification.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[->] (0,0) -- (1,0);
+ \draw[o-stealth] (0,0.3) -- (1,0.3);
+\end{tikzpicture}
+\end{codeexample}
+
+ The permissible values are all predefined arrow tips, though
+ you can also define new arrow tip kinds as explained in
+ Section~\ref{section-arrows}. This is often necessary to obtain
+ ``double'' arrow tips and arrow tips that have a fixed size. Since
+ |pgflibraryarrows| is loaded by default, all arrow tips described in
+ Section~\ref{section-library-arrows} are available.
+
+ One arrow tip kind is special: |>| (and all arrow tip kinds containing the
+ arrow tip kind such as |<<| or \verb!>|!). This arrow tip type is not
+ fixed. Rather, you can redefine it using the |>=| option, see
+ below.
+
+ \example You can also combine arrow tip types as in
+\begin{codeexample}[]
+\begin{tikzpicture}[thick]
+ \draw[to reversed-to] (0,0) .. controls +(.5,0) and +(-.5,-.5) .. +(1.5,1);
+ \draw[[-latex reversed] (1,0) .. controls +(.5,0) and +(-.5,-.5) .. +(1.5,1);
+ \draw[latex-)] (2,0) .. controls +(.5,0) and +(-.5,-.5) .. +(1.5,1);
+ \useasboundingbox (-.1,-.1) rectangle (3.1,1.1); % make bounding box bigger
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{>}|=|\meta{end arrow kind}
+ This option can be used to redefine the ``standard'' arrow tip |>|. The
+ idea is that different people have different ideas what arrow tip kind
+ should normally be used. I prefer the arrow tip of \TeX's |\to| command
+ (which is used in things like $f\colon A \to B$). Other people will
+ prefer \LaTeX's standard arrow tip, which looks like this: \tikz
+ \draw[-latex] (0,0) -- (10pt,1ex);. Since the arrow tip kind |>| is
+ certainly the most ``natural'' one to use, it is kept free of any
+ predefined meaning. Instead, you can change it by saying |>=to| to
+ set the ``standard'' arrow tip kind to \TeX's arrow tip, whereas |>=latex|
+ will set it to \LaTeX's arrow tip and |>=stealth| will use a
+ \textsc{pstricks}-like arrow tip.
+
+ Apart from redefining the arrow tip kind |>| (and |<| for the start),
+ this option also redefines the following arrow tip kinds: |>| and |<| as
+ the swapped version of \meta{end arrow kind}, |<<| and |>>| as
+ doubled versions, |>>| and |<<| as swapped doubled versions, %>>
+ and \verb!|<! and \verb!>|! as arrow tips ending with a vertical bar.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=2]
+ \begin{scope}[>=latex]
+ \draw[->] (0pt,6ex) -- (1cm,6ex);
+ \draw[>->>] (0pt,5ex) -- (1cm,5ex);
+ \draw[|<->|] (0pt,4ex) -- (1cm,4ex);
+ \end{scope}
+ \begin{scope}[>=diamond]
+ \draw[->] (0pt,2ex) -- (1cm,2ex);
+ \draw[>->>] (0pt,1ex) -- (1cm,1ex);
+ \draw[|<->|] (0pt,0ex) -- (1cm,0ex);
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{shorten >}|=|\meta{dimension}
+ This option will shorten the end of lines by the given
+ \meta{dimension}. If you specify an arrow tip, lines are already
+ shortened a bit such that the arrow tip touches the specified endpoint
+ and does not ``protrude over'' this point. Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=20pt]
+ \useasboundingbox (0,-1.5) rectangle (3.5,1.5);
+ \draw[red] (0,0) -- (3,0);
+ \draw[gray,->] (0,0) -- (3,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ The |shorten >| option allows you to shorten the end on the line
+ \emph{additionally} by the given distance. This option can also be
+ useful if you have not specified an arrow tip at all.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=20pt]
+ \useasboundingbox (0,-1.5) rectangle (3.5,1.5);
+ \draw[red] (0,0) -- (3,0);
+ \draw[-to,shorten >=10pt,gray] (0,0) -- (3,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{shorten <}|=|\meta{dimension} works like |shorten >|,
+ but for the start.
+\end{itemize}
+
+
+
+\subsubsection{Graphic Parameters: Double Lines and Bordered Lines}
+
+\begin{itemize}
+ \itemoption{double}\opt{|=|\meta{core color}}
+ This option causes ``two'' lines to be drawn instead of a single
+ one. However, this is not what really happens. In reality, the path
+ is drawn twice. First, with the normal drawing color, secondly with
+ the \meta{core color}, which is normally |white|. Upon the second
+ drawing, the line width is reduced. The net effect is that it
+ appears as if two lines had been drawn and this works well even with
+ complicated, curved paths:
+
+\begin{codeexample}[]
+\tikz \draw[double]
+ plot[smooth cycle] coordinates{(0,0) (1,1) (1,0) (0,1)};
+\end{codeexample}
+
+ You can also use the doubling option to create an effect in which a
+ line seems to have a certain ``border'':
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- (1,1);
+ \draw[draw=white,double=red,very thick] (0,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{double distance}|=|\meta{dimension}
+ Sets the distance the ``two'' lines are spaced apart (default is
+ 0.6pt). In reality, this is the thickness of the line that is used
+ to draw the path for the second time. The thickness of the
+ \emph{first} time the path is drawn is twice the normal line width
+ plus the given \meta{dimension}. As a side-effect, this option
+ ``selects'' the |double| option.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[very thick,double] (0,0) arc (180:90:1cm);
+ \draw[very thick,double distance=2pt] (1,0) arc (180:90:1cm);
+ \draw[thin,double distance=2pt] (2,0) arc (180:90:1cm);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+
+
+
+
+
+\subsection{Filling a Path}
+\label{section-rules}
+To fill a path, use the following option:
+\begin{itemize}
+ \itemoption{fill}\opt{|=|\meta{color}}
+ This option causes the path to be filled. All unclosed parts of the
+ path are first closed, if necessary. Then, the area enclosed by the
+ path is filled with the current filling color, which is either the
+ last color set using the general |color=| option or the optional
+ color \meta{color}. For self-intersection paths and for paths
+ consisting of several closed areas, the ``enclosed area'' is
+ somewhat complicated to define and two different definitions exist,
+ namely the nonzero winding number rule and the even odd rule, see
+ the explanation of these options, below.
+
+ Just as for the |draw| option, setting \meta{color} to |none|
+ disables filling locally.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \fill (0,0) -- (1,1) -- (2,1);
+ \fill (4,0) circle (.5cm) (4.5,0) circle (.5cm);
+ \fill[even odd rule] (6,0) circle (.5cm) (6.5,0) circle (.5cm);
+ \fill (8,0) -- (9,1) -- (10,0) circle (.5cm);
+\end{tikzpicture}
+\end{codeexample}
+
+ If the |fill| option is used together with the |draw| option (either
+ because both are given as options or because a |\filldraw| command
+ is used), the path is filled \emph{first}, then the path is drawn
+ \emph{second}. This is especially useful if different colors are
+ selected for drawing and for filling. Even if the same color is
+ used, there is a difference between this command and a plain
+ |fill|: A ``filldrawn'' area will be slightly larger than a filled
+ area because of the thickness of the ``pen.''
+
+\begin{codeexample}[]
+\begin{tikzpicture}[fill=examplefill,line width=5pt]
+ \filldraw (0,0) -- (1,1) -- (2,1);
+ \filldraw (4,0) circle (.5cm) (4.5,0) circle (.5cm);
+ \filldraw[even odd rule] (6,0) circle (.5cm) (6.5,0) circle (.5cm);
+ \filldraw (8,0) -- (9,1) -- (10,0) circle (.5cm);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+\subsubsection{Graphic Parameters: Interior Rules}
+
+The following two options can be used to decide how interior points
+should be determined:
+\begin{itemize}
+ \itemoption{nonzero rule}
+ If this rule is used (which is the default), the following method is
+ used to determine whether a given point is ``inside'' the path: From
+ the point, shoot a ray in some direction towards infinity (the
+ direction is chosen such that no strange borderline cases
+ occur). Then the ray may hit the path. Whenever it hits the path, we
+ increase or decrease a counter, which is initially zero. If the ray
+ hits the path as the path goes ``from left to right'' (relative to
+ the ray), the counter is increased, otherwise it is decreased. Then,
+ at the end, we check whether the counter is nonzero (hence the
+ name). If so, the point is deemed to lie ``inside,'' otherwise it is
+ ``outside.'' Sounds complicated? It is.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \filldraw[fill=examplefill]
+ % Clockwise rectangle
+ (0,0) -- (0,1) -- (1,1) -- (1,0) -- cycle
+ % Counter-clockwise rectangle
+ (0.25,0.25) -- (0.75,0.25) -- (0.75,0.75) -- (0.25,0.75) -- cycle;
+
+ \draw[->] (0,1) (.4,1);
+ \draw[->] (0.75,0.75) (0.3,.75);
+
+ \draw[->] (0.5,0.5) -- +(0,1) node[above] {crossings: $-1+1 = 0$};
+
+ \begin{scope}[yshift=-3cm]
+ \filldraw[fill=examplefill]
+ % Clockwise rectangle
+ (0,0) -- (0,1) -- (1,1) -- (1,0) -- cycle
+ % Clockwise rectangle
+ (0.25,0.25) -- (0.25,0.75) -- (0.75,0.75) -- (0.75,0.25) -- cycle;
+
+ \draw[->] (0,1) (.4,1);
+ \draw[->] (0.25,0.75) (0.4,.75);
+
+ \draw[->] (0.5,0.5) -- +(0,1) node[above] {crossings: $1+1 = 2$};
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+\itemoption{even odd rule}
+ This option causes a different method to be used for determining the
+ inside and outside of paths. While it is less flexible, it turns out
+ to be more intuitive.
+
+ With this method, we also shoot rays from the point for which we
+ wish to determine whether it is inside or outside the filling
+ area. However, this time we only count how often we ``hit'' the path
+ and declare the point to be ``inside'' if the number of hits is odd.
+
+ Using the even-odd rule, it is easy to ``drill holes'' into a path.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \filldraw[fill=examplefill,even odd rule]
+ (0,0) rectangle (1,1) (0.5,0.5) circle (0.4cm);
+ \draw[->] (0.5,0.5) -- +(0,1) [above] node{crossings: $1+1 = 2$};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+
+\subsubsection{Graphic Parameters: Fill Opacity}
+
+\label{section-fill-opacity}
+Analogously to the |draw opacity|, you can also set the filling
+opacity:
+
+\begin{itemize}
+ \itemoption{fill opacity}|=|\meta{value}
+ This option sets the opacity of fillings. In addition to filling
+ operations, this opacity also applies to text and images.
+
+ Note, again, that when you use PostScript as your output format,
+ this option works only with recent versions of GhostScript.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[thick,fill opacity=0.5]
+ \filldraw[fill=red] (0:1cm) circle (12mm);
+ \filldraw[fill=green] (120:1cm) circle (12mm);
+ \filldraw[fill=blue] (-120:1cm) circle (12mm);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \fill[red] (0,0) rectangle (3,2);
+
+ \node at (0,0) {\huge A};
+ \node[fill opacity=0.5] at (3,2) {\huge B};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+\subsection{Shading a Path}
+
+You can shade a path using the |shade| option. A shading is like a
+filling, only the shading changes its color smoothly from one color to
+another.
+
+\begin{itemize}
+ \itemoption{shade}
+ Causes the path to be shaded using the currently selected shading
+ (more on this later). If this option is used together with the
+ |draw| option, then the path is first shaded, then drawn.
+
+ It is not an error to use this option together with the |fill|
+ option, but it makes no sense.
+
+\begin{codeexample}[]
+\tikz \shade (0,0) circle (1ex);
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \shadedraw (0,0) circle (1ex);
+\end{codeexample}
+\end{itemize}
+
+For some shadings it is not really clear how they can ``fill'' the
+path. For example, the |ball| shading normally looks like this: \tikz
+\shade[shading=ball] (0,0) circle (0.75ex);. How is this supposed to
+shade a rectangle? Or a triangle?
+
+To solve this problem, the predefined shadings like |ball| or |axis|
+fill a large rectangle completely in a sensible way. Then, when the
+shading is used to ``shade'' a path, what actually happens is that the
+path is temporarily used for clipping and then the rectangular shading
+is drawn, scaled and shifted such that all parts of the path are
+filled.
+
+
+\subsubsection{Choosing a Shading Type}
+
+The default shading is a smooth transition from gray
+to white and from above to bottom. However, other shadings are also
+possible, for example a shading that will sweep a color from the
+center to the corners outward. To choose the shading, you can use the
+|shading=| option, which will also automatically invoke the |shade|
+option. Note that this does \emph{not} change the shading color, only
+the way the colors sweep. For changing the colors, other options are
+needed, which are explained below.
+
+\begin{itemize}
+ \itemoption{shading}|=|\meta{name}
+ This selects a shading named \meta{name}. The following shadings are
+ predefined:
+ \begin{itemize}
+ \item \declare{|axis|}
+ This is the default shading in which the color changes gradually
+ between three horizontal lines. The top line is at the top
+ (uppermost) point of the path, the middle is in the middle, the
+ bottom line is at the bottom of the path.
+
+\begin{codeexample}[]
+\tikz \shadedraw [shading=axis] (0,0) rectangle (1,1);
+\end{codeexample}
+
+ The default top color is gray, the default bottom color is white,
+ the default middle is the ``middle'' of these two.
+ \item \declare{|radial|}
+ This shading fills the path with a gradual sweep from a certain
+ color in the middle to another color at the border. If the path is
+ a circle, the outer color will be reached exactly at the
+ border. If the shading is not a circle, the outer color will
+ continue a bit towards the corners. The default inner color is
+ gray, the default outer color is white.
+
+\begin{codeexample}[]
+\tikz \shadedraw [shading=radial] (0,0) rectangle (1,1);
+\end{codeexample}
+ \item \declare{|ball|}
+ This shading fills the path with a shading that ``looks like a
+ ball.'' The default ``color'' of the ball is blue (for no
+ particular reason).
+
+\begin{codeexample}[]
+\tikz \shadedraw [shading=ball] (0,0) rectangle (1,1);
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \shadedraw [shading=ball] (0,0) circle (.5cm);
+\end{codeexample}
+ \end{itemize}
+ \itemoption{shading angle}|=|\meta{degrees}
+ This option rotates the shading (not the path!) by the given
+ angle. For example, we can turn a top-to-bottom axis shading into a
+ left-to-right shading by rotating it by $90^\circ$.
+
+\begin{codeexample}[]
+\tikz \shadedraw [shading=axis,shading angle=90] (0,0) rectangle (1,1);
+\end{codeexample}
+\end{itemize}
+
+
+You can also define new shading types yourself. However, for this, you
+need to use the basic layer directly, which is, well, more basic and
+harder to use. Details on how to create a shading appropriate for
+filling paths are given in Section~\ref{section-shading-a-path}.
+
+
+
+\subsubsection{Choosing a Shading Color}
+
+The following options can be used to change the colors used for
+shadings. When one of these options is given, the |shade| option is
+automatically selected and also the ``right'' shading.
+
+\begin{itemize}
+ \itemoption{top color}|=|\meta{color}
+ This option prescribes the color to be used at the top in an |axis|
+ shading. When this option is given, several things happen:
+ \begin{enumerate}
+ \item
+ The |shade| option is selected.
+ \item
+ The |shading=axis| option is selected.
+ \item
+ The middle color of the axis shading is set to the average of the
+ given top color \meta{color} and of whatever color is currently
+ selected for the bottom.
+ \item
+ The rotation angle of the shading is set to 0.
+ \end{enumerate}
+
+\begin{codeexample}[]
+\tikz \draw[top color=red] (0,0) rectangle (2,1);
+\end{codeexample}
+
+ \itemoption{bottom color}|=|\meta{color}
+ This option works like |top color|, only for the bottom color.
+
+ \itemoption{middle color}|=|\meta{color}
+ This option specifies the color for the middle of an axis
+ shading. It also sets the |shade| and |shading=axis| options, but it
+ does not change the rotation angle.
+
+ \emph{Note:} Since both |top color| and |bottom color| change the
+ middle color, this option should be given \emph{last} if all of
+ these options need to be given:
+
+\begin{codeexample}[]
+\tikz \draw[top color=white,bottom color=black,middle color=red]
+ (0,0) rectangle (2,1);
+\end{codeexample}
+
+ \itemoption{left color}|=|\meta{color}
+ This option does exactly the same as |top color|, except that the
+ shading angle is set to $90^\circ$.
+
+ \itemoption{right color}|=|\meta{color}
+ Works like |left color|.
+
+ \itemoption{inner color}|=|\meta{color}
+ This option sets the color used at the center of a |radial|
+ shading. When this option is used, the |shade| and |shading=radial|
+ options are set.
+
+\begin{codeexample}[]
+\tikz \draw[inner color=red] (0,0) rectangle (2,1);
+\end{codeexample}
+
+ \itemoption{outer color}|=|\meta{color}
+ This option sets the color used at the border and outside of a
+ |radial| shading.
+
+\begin{codeexample}[]
+\tikz \draw[outer color=red,inner color=white]
+ (0,0) rectangle (2,1);
+\end{codeexample}
+
+ \itemoption{ball color}|=|\meta{color}
+ This option sets the color used for the ball shading. It sets the
+ |shade| and |shading=ball| options. Note that the ball will never
+ ``completely'' have the color \meta{color}. At its ``highlight'' spot
+ a certain amount of white is mixed in, at the border a certain
+ amount of black. Because of this, it also makes sense to say
+ |ball color=white| or |ball color=black|
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \shade[ball color=white] (0,0) circle (2ex);
+ \shade[ball color=red] (1,0) circle (2ex);
+ \shade[ball color=black] (2,0) circle (2ex);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+
+
+\subsection{Establishing a Bounding Box}
+
+\pgfname\ is reasonably good at keeping track of the size of your picture
+and reserving just the right amount of space for it in the main
+document. However, in some cases you may want to say things like
+``do not count this for the picture size'' or ``the picture is
+actually a little large.'' For this you can use the option
+|use as bounding box| or the command |\useasboundingbox|, which is just
+a shorthand for |\path[use as bounding box]|.
+
+\begin{itemize}
+ \itemoption{use as bounding box}
+ Normally, when this option is given on a path, the bounding box of
+ the present path is used to determine the size of the picture and
+ the size of all \emph{subsequent} paths are
+ ignored. However, if there were previous path operations that have
+ already established a larger bounding box, it will not be made
+ smaller by this operation.
+
+ In a sense, |use as bounding box| has the same effect as clipping
+ all subsequent drawing against the current path---without actually
+ doing the clipping, only making \pgfname\ treat everything as if it
+ were clipped.
+
+ The first application of this option is to have a |{tikzpicture}|
+ overlap with the main text:
+
+\begin{codeexample}[]
+Left of picture\begin{tikzpicture}
+ \draw[use as bounding box] (2,0) rectangle (3,1);
+ \draw (1,0) -- (4,.75);
+\end{tikzpicture}right of picture.
+\end{codeexample}
+
+ In a second application this option can be used to get better
+ control over the white space around the picture:
+
+\begin{codeexample}[]
+Left of picture
+\begin{tikzpicture}
+ \useasboundingbox (0,0) rectangle (3,1);
+ \fill (.75,.25) circle (.5cm);
+\end{tikzpicture}
+right of picture.
+\end{codeexample}
+
+ Note: If this option is used on a path inside a \TeX\ group (scope),
+ the effect ``lasts'' only till the end of the scope. Again, this
+ behavior is the same as for clipping.
+\end{itemize}
+
+There is a node that allows you to get the size of the current
+bounding box. The |current bounding box| node has the |rectangle|
+shape |rectangle| shape and its size is always the size of the current
+bounding box.
+
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[red] (0,0) circle (2pt);
+ \draw[red] (2,1) circle (3pt);
+
+ \draw (current bounding box.south west) rectangle
+ (current bounding box.north east);
+
+ \draw[red] (3,-1) circle (4pt);
+
+ \draw[thick] (current bounding box.south west) rectangle
+ (current bounding box.north east);
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+
+
+\subsection{Using a Path For Clipping}
+
+To use a path for clipping, use the |clip| option.
+
+\begin{itemize}
+ \itemoption{clip}
+ This option causes all subsequent drawings to be clipped against the
+ current path and the size of subsequent paths will not be important
+ for the picture size. If you clip against a self-intersecting path,
+ the even-odd rule or the nonzero winding number rule is used to
+ determine whether a point is inside or outside the clipping region.
+
+ The clipping path is a graphic state parameter, so it will be reset
+ at the end of the current scope. Multiple clippings accumulate, that
+ is, clipping is always done against the intersection of all clipping
+ areas that have been specified inside the current scopes. The only
+ way of enlarging the clipping area is to end a |{scope}|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[clip] (0,0) circle (1cm);
+ \fill[red] (1,0) circle (1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+ It is usually a \emph{very} good idea to apply the |clip| option only
+ to the first path command in a scope.
+
+ If you ``only wish to clip'' and do not wish to draw anything, you can
+ use the |\clip| command, which is a shorthand for |\path[clip]|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \clip (0,0) circle (1cm);
+ \fill[red] (1,0) circle (1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+ To keep clipping local, use |{scope}| environments as in the
+ following example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- ( 0:1cm);
+ \draw (0,0) -- (10:1cm);
+ \draw (0,0) -- (20:1cm);
+ \draw (0,0) -- (30:1cm);
+ \begin{scope}[fill=red]
+ \fill[clip] (0.2,0.2) rectangle (0.5,0.5);
+
+ \draw (0,0) -- (40:1cm);
+ \draw (0,0) -- (50:1cm);
+ \draw (0,0) -- (60:1cm);
+ \end{scope}
+ \draw (0,0) -- (70:1cm);
+ \draw (0,0) -- (80:1cm);
+ \draw (0,0) -- (90:1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+ There is a slightly annoying catch: You cannot specify certain graphic
+ options for the command used for clipping. For example, in the above
+ code we could not have moved the |fill=red| to the |\fill|
+ command. The reasons for this have to do with the internals of the
+ \pdf\ specification. You do not want to know the details. It is best
+ simply not to specify any options for these
+ commands.
+\end{itemize}
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+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Specifying Coordinates}
+
+
+\subsection{Coordinates and Coordinate Options}
+
+A \emph{coordinate} is a position in a picture. \tikzname\ uses a
+special syntax for specifying coordinates. Coordinates are always put
+in round brackets. The general syntax is
+\declare{|(|\opt{|[|\meta{options}|]|}\meta{coordinate specification}|)|}.
+
+It is possible to give options that apply only to a single
+coordinate, although this makes sense for transformation options
+only. To give transformation options for a single coordinate, give
+these options at the beginning in brackets:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1);
+ \draw[red] (0,0) -- ([xshift=3pt] 1,1);
+ \draw (1,0) -- +(30:2cm);
+ \draw[red] (1,0) -- +([shift=(135:5pt)] 30:2cm);
+\end{tikzpicture}
+\end{codeexample}
+
+\subsection{Simple Coordinates}
+
+The simplest way to specify coordinates is as a comma-separated pair
+of \TeX\ dimensions as in |(1cm,2pt)| or |(2cm,\textheight)|. As can
+be seen, different units can be mixed. The coordinate specified in
+this way means ``1cm to the right and 2pt up from the origin of the
+picture.'' You can also write things like |(1cm+2pt,2pt)| since the
+|calc| package is used.
+
+
+\subsection{Polar Coordinates}
+
+You can also specify coordinates in polar coordinates. In this case,
+you specify an angle and a distance, separated by a colon as in
+|(30:1cm)|. The angle must always be given in degrees and should be
+between $-360$ and $720$.
+
+\begin{codeexample}[]
+\tikz \draw (0cm,0cm) -- (30:1cm) -- (60:1cm) -- (90:1cm)
+ -- (120:1cm) -- (150:1cm) -- (180:1cm);
+\end{codeexample}
+
+Instead of an angle given as a number you can also use certain
+words. For example, |up| is the same as |90|, so that you can write
+|\tikz \draw (0,0) -- (2ex,0pt) -- +(up:1ex);|
+and get \tikz \draw (0,0) -- (2ex,0pt) -- +(up:1ex);. Apart from |up|
+you can use |down|, |left|, |right|, |north|, |south|, |west|, |east|,
+|north east|, |north west|, |south east|, |south west|, all of which
+have their natural meaning.
+
+
+
+\subsection{Xy- and Xyz-Coordinates}
+
+You can specify coordinates in \pgfname's $xy$-coordinate system. In
+this case, you provide two unit-free numbers, separated by a comma as
+in |(2,-3)|. This means ``add twice the current \pgfname\ $x$-vector and
+subtract three times the $y$-vector.'' By default, the $x$-vector
+points 1cm to the right, the $y$-vector points 1cm upwards, but this
+can be changed arbitrarily using the |x| and~|y| graphic options.
+
+Similarly, you can specify coordinates in the $xyz$-coordinate
+system. The only difference to the $xy$-coordinates is that you
+specify three numbers separated by commas as in |(1,2,3)|. This is
+interpreted as ``once the $x$-vector plus twice the $y$-vector plus
+three times the $z$-vector.'' The default $z$-vector points to
+$\bigl(-\frac{1}{\sqrt2}
+\textrm{cm},-\frac{1}{\sqrt2}\textrm{cm}\bigr)$. Consider the
+following example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[->]
+ \draw (0,0,0) -- (1,0,0);
+ \draw (0,0,0) -- (0,1,0);
+ \draw (0,0,0) -- (0,0,1);
+\end{tikzpicture}
+\end{codeexample}
+
+
+\subsection{Node Coordinates}
+\label{section-node-coordinates}
+
+In \pgfname\ and in \tikzname\ it is quite easy to define a node that you
+wish to reference at a later point. Once you have defined a node,
+there are different ways of referencing points of the node.
+
+
+\subsubsection{Named Anchor Coordinates}
+
+An \emph{anchor coordinate} is a point in a node that you have
+previously defined using the node operation. The syntax is
+|(|\meta{node name}|.|\meta{anchor}|)|, where \meta{node name} is
+the name that was previously used to name the node using the
+|name=|\meta{node name} option or the special node name syntax. Here is
+an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (shape) at (0,2) [draw] {|class Shape|};
+ \node (rect) at (-2,0) [draw] {|class Rectangle|};
+ \node (circle) at (2,0) [draw] {|class Circle|};
+ \node (ellipse) at (6,0) [draw] {|class Ellipse|};
+
+ \draw (circle.north) |- (0,1);
+ \draw (ellipse.north) |- (0,1);
+ \draw[-open triangle 90] (rect.north) |- (0,1) -| (shape.south);
+\end{tikzpicture}
+\end{codeexample}
+
+Section~\ref{section-the-shapes} explain which anchors are available
+for the basic shapes.
+
+
+
+
+\subsubsection{Angle Anchor Coordinates}
+
+In addition to the named anchors, it is possible to use the syntax
+\meta{node name}|.|\meta{angle} to name a point of the node's
+border. This point is the coordinate where a ray shot from the center
+in the given angle hits the border. Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (start) [draw,shape=ellipse] {start};
+ \foreach \angle in {-90, -80, ..., 90}
+ \draw (start.\angle) .. controls +(\angle:1cm) and +(-1,0) .. (2.5,0);
+ \end{tikzpicture}
+\end{codeexample}
+
+
+\subsubsection{Anchor-Free Node Coordinates}
+
+It is also possible to just ``leave out'' the anchor and have \tikzname\
+calculate an appropriate border position for you. Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[fill=blue!20]
+ \draw[style=help lines] (-1,-2) grid (6,3);
+ \path (0,0) node(a) [ellipse,rotate=10,draw,fill] {An ellipse}
+ (3,-1) node(b) [circle,draw,fill] {A circle}
+ (2,2) node(c) [rectangle,rotate=20,draw,fill] {A rectangle}
+ (5,2) node(d) [rectangle,rotate=-30,draw,fill] {Another rectangle};
+ \draw[thick] (a) -- (b) -- (c) -- (d);
+ \draw[thick,red,->] (a) |- +(1,3) -| (c) |- (b);
+ \draw[thick,blue,<->] (b) .. controls +(right:2cm) and +(down:1cm) .. (d);
+\end{tikzpicture}
+\end{codeexample}
+
+\tikzname\ will be reasonably clever at determining the border points that
+you ``mean,'' but, naturally, this may fail in some situations. If
+\tikzname\ fails to determine an appropriate border point, the center will
+be used instead.
+
+Automatic computation of anchors works only with the line-to operations
+|--|, the vertical/horizontal versions \verb!|-! and \verb!-|!, and
+with the curve-to operation |..|. For other path commands, such as
+|parabola| or |plot|, the center will be used. If this is not desired,
+you should give a named anchor or an angle anchor.
+
+Note that if you use an automatic coordinate for both the start and
+the end of a line-to, as in |--(b)--|, then \emph{two} border
+coordinates are computed with a move-to between them. This is usually
+exactly what you want.
+
+If you use relative coordinates together with automatic anchor
+coordinates, the relative coordinates are always computed relative to
+the node's center, not relative to the border point. Here is an
+example:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) node(x) [draw] {Text}
+ rectangle (1,1)
+ (x) -- +(1,1);
+\end{codeexample}
+
+Similarly, in the following examples both control points are $(1,1)$:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) node(x) [draw] {X}
+ (2,0) node(y) {Y}
+ (x) .. controls +(1,1) and +(-1,1) .. (y);
+\end{codeexample}
+
+
+\subsection{Intersection Coordinates}
+
+
+\subsubsection{Intersection of Two Lines}
+
+Often you wish to specify a point that is on the
+intersection of two lines. The first way to specify such an
+intersection is the following: You can use the special syntax
+\declare{|(intersection of |\meta{$p_1$}|--|\meta{$p_2$}%
+ | and |\meta{$q_1$}|--|\meta{$q_2$}|)|}. This will yield the
+intersection point of the line going through $p_1$ and $p_2$ and the
+line through $q_1$ and $q_2$. If the lines do not meet or if they are
+identical and arithmetical overflow error will result.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (0,0) coordinate (A) -- (3,2) coordinate (B)
+ (1,2) -- (3,0);
+
+ \fill[red] (intersection of A--B and 1,2--3,0) circle (2pt);
+\end{tikzpicture}
+\end{codeexample}
+
+\subsubsection{Intersection of Horizontal and Vertical Lines}
+
+A frequent special case of intersections is the intersection of a
+vertical line going through a point $p$ and a horizontal line going
+through some other point $q$. For this situation there is a special,
+shorter, syntax: You can say either
+\declare{|(|\meta{p}\verb! |- !\meta{q}|)|} or
+\declare{|(|\meta{q}\verb! -| !\meta{p}|)|}.
+
+For example, \verb!(2,1 |- 3,4)! and \verb!(3,4 -| 2,1)! both yield
+the same as \verb!(2,4)! (provided the $xy$-coordinate system has not
+been modified).
+
+The most useful application of the syntax is to draw a line up to some
+point on a vertical or horizontal line. Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \path (30:1cm) node(p1) {$p_1$} (75:1cm) node(p2) {$p_2$};
+
+ \draw (-0.2,0) -- (1.2,0) node(xline)[right] {$q_1$};
+ \draw (2,-0.2) -- (2,1.2) node(yline)[above] {$q_2$};
+
+ \draw[->] (p1) -- (p1 |- xline);
+ \draw[->] (p2) -- (p2 |- xline);
+ \draw[->] (p1) -- (p1 -| yline);
+ \draw[->] (p2) -- (p2 -| yline);
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+\subsection{Relative and Incremental Coordinates}
+
+You can prefix coordinates by |++| to make them ``relative.'' A
+coordinate such as |++(1cm,0pt)| means ``1cm to the right of the
+previous position.'' Relative coordinates are often useful in
+``local'' contexts:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- ++(1,0) -- ++(0,1) -- ++(-1,0) -- cycle;
+ \draw (2,0) -- ++(1,0) -- ++(0,1) -- ++(-1,0) -- cycle;
+ \draw (1.5,1.5) -- ++(1,0) -- ++(0,1) -- ++(-1,0) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+Instead of |++| you can also use a single |+|. This also specifies a
+relative coordinate, but it does not ``update'' the current point for
+subsequent usages of relative coordinates. Thus, you can use this
+notation to specify numerous points, all relative to the same
+``initial'' point:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- +(1,0) -- +(1,1) -- +(0,1) -- cycle;
+ \draw (2,0) -- +(1,0) -- +(1,1) -- +(0,1) -- cycle;
+ \draw (1.5,1.5) -- +(1,0) -- +(1,1) -- +(0,1) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+There is one special situation, where relative coordinates are
+interpreted differently. If you use a relative coordinate as a control
+point of a Bzier curve, the following rule applies: First, a relative
+first control point is taken relative to the beginning of the
+curve. Second, a relative second control point is taken relative to
+the end of the curve. Third, a relative end point of a curve is taken
+relative to the start of the curve.
+
+This special behavior makes it easy to specify that a curve should
+``leave or arrives from a certain direction'' at the start or end. In
+the following example, the curve ``leaves'' at $30^\circ$ and
+``arrives'' at $60^\circ$:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (1,0) .. controls +(30:1cm) and +(60:1cm) .. (3,-1);
+ \draw[gray,->] (1,0) -- +(30:1cm);
+ \draw[gray,<-] (3,-1) -- +(60:1cm);
+\end{tikzpicture}
+\end{codeexample}
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-design.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-design.tex
new file mode 100644
index 00000000000..1207f029c38
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-design.tex
@@ -0,0 +1,248 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Design Principles}
+
+This section describes the design principles behind the \tikzname\
+frontend, where \tikzname\ means ``\tikzname\ ist \emph{kein}
+Zeichenprogramm.'' To use \tikzname, as a \LaTeX\ user say
+|\usepackage{tikz}| somewhere in the preamble, as a plain \TeX\ user
+say |\input tikz.tex|. \tikzname's job is to make your life easier by
+providing an easy-to-learn and easy-to-use syntax for describing
+graphics.
+
+The commands and syntax of \tikzname\ were influenced by several
+sources. The basic command names and the notion of path operations is
+taken from \textsc{metafont}, the option mechanism comes from
+\textsc{pstricks}, the notion of styles is reminiscent of
+\textsc{svg}. To make it all work together, some compromises were
+necessary. I also added some ideas of my own, like meta-arrows and
+coordinate transformations.
+
+The following basic design principles underlie \tikzname:
+\begin{enumerate}
+\item Special syntax for specifying points.
+\item Special syntax for path specifications.
+\item Actions on paths.
+\item Key-value syntax for graphic parameters.
+\item Special syntax for nodes.
+\item Special syntax for trees.
+\item Grouping of graphic parameters.
+\item Coordinate transformation system.
+\end{enumerate}
+
+
+
+\subsection{Special Syntax For Specifying Points}
+
+\tikzname\ provides a special syntax for specifying points and
+coordinates. In the simplest case, you provide two \TeX\ dimensions,
+separated by commas, in round brackets as in |(1cm,2pt)|.
+
+You can also specify a point in polar coordinates by using a colon
+instead of a comma as in |(30:1cm)|, which means ``1cm in a 30
+degrees direction.''
+
+If you do not provide a unit, as in |(2,1)|, you specify a point in
+\pgfname's $xy$-coordinate system. By default, the unit $x$-vector
+goes 1cm to the right and the unit $y$-vector goes 1cm upward.
+
+By specifying three numbers as in |(1,1,1)| you specify a point in
+\pgfname's $xyz$-coordinate system.
+
+It is also possible to use an anchor of a previously defined shape
+as in |(first node.south)|.
+
+You can add two plus signs before a coordinate as in
+|++(1cm,0pt)|. This means ``1cm to the right of the last point
+used.'' This allows you to easily specify relative movements. For
+example, |(1,0) ++(1,0) ++(0,1)| specifies the three coordinates
+|(1,0)|, then |(2,0)|, and |(2,1)|.
+
+Finally, instead of two plus signs, you can also add a single
+one. This also specifies a point in a relative manner, but it does
+not ``change'' the current point used in subsequent relative
+commands. For example, |(1,0) +(1,0) +(0,1)| specifies the three
+coordinates |(1,0)|, then |(2,0)|, and |(1,1)|.
+
+\subsection{Special Syntax For Path Specifications}
+
+When creating a picture using \tikzname, your main job is the
+specification of \emph{paths}. A path is a series of straight or curved
+lines, which need not be connected. \tikzname\ makes it easy to
+specify paths, partly using the syntax of \textsc{metapost}. For
+example, to specify a triangular path you use
+\begin{codeexample}[code only]
+(5pt,0pt) -- (0pt,0pt) -- (0pt,5pt) -- cycle
+\end{codeexample}
+and you get \tikz \draw (5pt,0pt) -- (0pt,0pt) -- (0pt,5pt) -- cycle;
+when you draw this path.
+
+\subsection{Actions on Paths}
+
+A path is just a series of straight and curved lines, but it is not
+yet specified what should happen with it. One can \emph{draw} a
+path, \emph{fill} a path, \emph{shade} it, \emph{clip} it, or do any
+combination of these. Drawing (also known as \emph{stroking}) can be
+thought of as taking a pen of a certain thickness and moving it
+along the path, thereby drawing on the canvas. Filling means that
+the interior of the path is filled with a uniform color. Obviously,
+filling makes sense only for \emph{closed} paths and a path is
+automatically closed prior to filling, if necessary.
+
+Given a path as in |\path (0,0) rectangle (2ex,1ex);|, you can draw
+it by adding the |draw| option as in
+|\path[draw] (0,0) rectangle (2ex,1ex);|, which yields \tikz \path[draw]
+(0,0) rectangle (2ex,1ex);. The |\draw| command is just an abbreviation for
+|\path[draw]|. To fill a path, use the |fill| option or the |\fill|
+command, which is an abbreviation for |\path[fill]|. The
+|\filldraw| command is an abbreviation for
+|\path[fill,draw]|. Shading is caused by the |shade| option (there
+are |\shade| and |\shadedraw| abbreviations) and clipping by the
+|clip| option. There is is also a |\clip| command, which does the
+same as |\path[clip]|, but not commands like |\drawclip|. Use, say,
+|\draw[clip]| or |\path[draw,clip]| instead.
+
+All of these commands can only be used inside |{tikzpicture}|
+environments.
+
+\tikzname\ allows you to use different colors for filling and
+stroking.
+
+\subsection{Key-Value Syntax for Graphic Parameters}
+Whenever \tikzname\ draws or fills a path, a large number of graphic
+parameters influenced the rendering. Examples include the colors
+used, the dashing pattern, the clipping area, the line width, and
+many others. In \tikzname, all these options are specified as lists
+of so called key-value pairs, as in |color=red|, that are
+passed as optional parameters to the path drawing and filling
+commands. This usage is similar to \textsc{pstricks}. For
+example, the following will draw a thick, red triangle;
+\begin{codeexample}[]
+\tikz \draw[line width=2pt,color=red] (1,0) -- (0,0) -- (1,0) -- cycle;
+\end{codeexample}
+
+\subsection{Special Syntax for Specifying Nodes}
+\tikzname\ introduces a special syntax for adding text or, more
+generally, nodes to a graphic. When you specify a path, add nodes as
+in the following example:
+\begin{codeexample}[]
+\tikz \draw (1,1) node {text} -- (2,2);
+\end{codeexample}
+Nodes are inserted at the current position of
+the path, but only \emph{after} the path has been rendered. When
+special options are given, as in
+|\draw (1,1) node[circle,draw] {text};|, the text is not just put
+at the current position. Rather, it is surrounded by a circle and
+this circle is ``drawn.''
+
+You can add a name to a node for later reference either by using the
+option |name=|\meta{node name} or by stating the node name in
+parentheses outside the text as in |node[circle](name){text}|.
+
+Predefined shapes include |rectangle|, |circle|, and |ellipse|, but
+it is possible (though a bit challenging) to define new shapes.
+
+\subsection{Special Syntax for Specifying Trees}
+
+In addition to the ``node syntax,'' \tikzname\ also introduces a
+special syntax for drawing trees. The syntax is intergrated with the
+special node syntax and only few new commands need to be remebered.
+In essence, a |node| can be followed by any number of children, each
+introduced by the keyword |child|. The children are nodes themselves,
+each of which may have children in turn.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+Since trees are made up from nodes, it is possible to use options to
+modify the way trees are drawn. Here are two examples of the above tree,
+redrawn with different options:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[edge from parent fork down]
+ \tikzstyle{every node}=[fill=red!30,rounded corners]
+ \tikzstyle{edge from parent}=[red,-o,thick,draw]
+ \node {root}
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ [parent anchor=east,child anchor=west,grow=east]
+ \tikzstyle{every node}=[ball color=red,circle,text=white]
+ \tikzstyle{edge from parent}=[draw,dashed,thick,red]
+ \node {root}
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+\subsection{Grouping of Graphic Parameters}
+
+Graphic parameters should often apply to several path drawing or
+filling commands. For example, we may wish to draw numerous lines all
+with the same line width of 1pt. For this, we put these commands
+in a |{scope}| environment that takes the desired graphic options
+as an optional parameter. Naturally, the specified graphic
+parameters apply only to the drawing and filling commands inside the
+environment. Furthermore, nested |{scope}| environments or
+individual drawing commands can override the graphic parameters of
+outer |{scope}| environments. In the following example, three red
+lines, two green lines, and one blue line are drawn:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \begin{scope}[color=red]
+ \draw (0mm,10mm) -- (10mm,10mm);
+ \draw (0mm, 8mm) -- (10mm, 8mm);
+ \draw (0mm, 6mm) -- (10mm, 6mm);
+ \end{scope}
+ \begin{scope}[color=green]
+ \draw (0mm, 4mm) -- (10mm, 4mm);
+ \draw (0mm, 2mm) -- (10mm, 2mm);
+ \draw[color=blue] (0mm, 0mm) -- (10mm, 0mm);
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+The |{tikzpicture}| environment itself also behaves like a
+|{scope}| environment, that is, you can specify graphic parameters
+using an optional argument. These optional apply to all commands in
+the picture.
+
+
+\subsection{Coordinate Transformation System}
+
+\tikzname\ relies entirely on \pgfname's \emph{coordinate} transformation
+system to perform transformations. \pgfname\ also supports
+\emph{canvas} transformations, a more low-level transformation system,
+but this system is not accessible from \tikzname. There are two reasons
+for this: First, the canvas transformation must be used with great
+care and often results in ``bad'' graphics with changing line width
+and text in wrong sizes. Second, \pgfname\ looses track of where nodes
+and shapes are positioned when canvas transformations are used.
+
+For more details on the difference between coordinate transformations
+and canvas transformations see
+Section~\ref{section-design-transformations}.
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-paths.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-paths.tex
new file mode 100644
index 00000000000..9eaffdcd086
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-paths.tex
@@ -0,0 +1,1266 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Syntax for Path Specifications}
+
+A \emph{path} is a series of straight and curved line segments. It is
+specified following a |\path| command and the specification must
+follow a special syntax, which is described in the subsections of the
+present section.
+
+
+\begin{command}{\path\meta{specification}|;|}
+ This command is available only inside a |{tikzpicture}| environment.
+
+ The \meta{specification} is a long stream of \emph{path
+ operations}. Most of these path operations tell \tikzname\ how the path
+ is build. For example, when you write |--(0,0)|, you use a
+ \emph{line-to operation} and it means ``continue the path from
+ wherever you are to the origin.''
+
+ At any point where \tikzname\ expects a path operation, you can also
+ give some graphic options, which is a list of options in brackets,
+ such as |[rounded corners]|. These options can have different
+ effects:
+ \begin{enumerate}
+ \item
+ Some options take ``immediate'' effect and apply to all subsequent
+ path operations on the path. For example, the |rounded corners|
+ option will round all following corners, but not the corners
+ ``before'' and if the |sharp corners| is given later on the path
+ (in a new set of brackets), the rounding effect will end.
+
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (1,1)
+ [rounded corners] -- (2,0) -- (3,1)
+ [sharp corners] -- (3,0) -- (2,1);
+\end{codeexample}
+ Another example are the transformation options, which also apply
+ only to subsequent coordinates.
+ \item
+ The options that have immediate effect can be ``scoped'' by
+ putting part of a path in curly braces. For example, the above
+ example could also be written as follows:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (1,1)
+ {[rounded corners] -- (2,0) -- (3,1)}
+ -- (3,0) -- (2,1);
+\end{codeexample}
+ \item
+ Some options only apply to the path as a whole. For example, the
+ |color=| option for determining the color used for, say, drawing
+ the path always applies to all parts of the path. If several
+ different colors are given for different parts of the path, only
+ the last one (on the outermost scope) ``wins'':
+
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (1,1)
+ [color=red] -- (2,0) -- (3,1)
+ [color=blue] -- (3,0) -- (2,1);
+\end{codeexample}
+
+ Most options are of this type. In the above example, we would have
+ had to ``split up'' the path into several |\path| commands:
+\begin{codeexample}[]
+\tikz{\draw (0,0) -- (1,1);
+ \draw [color=red] (2,0) -- (3,1);
+ \draw [color=blue] (3,0) -- (2,1);}
+\end{codeexample}
+ \end{enumerate}
+
+ By default, the |\path| command does ``nothing'' with the
+ path, it just ``throws it away.'' Thus, if you write
+ |\path(0,0)--(1,1);|, nothing is drawn
+ in your picture. The only effect is that the area occupied by the
+ picture is (possibly) enlarged so that the path fits inside the
+ area. To actually ``do'' something with the path, an option like
+ |draw| or |fill| must be given somewhere on the path. Commands like
+ |\draw| do this implicitly.
+
+ Finally, it is also possible to give \emph{node specifications} on a
+ path. Such specifications can come at different locations, but they
+ are always allowed when a normal path operation could follow. A node
+ specification starts with |node|. Basically, the effect is to
+ typeset the node's text as normal \TeX\ text and to place
+ it at the ``current location'' on the path. The details are explained
+ in Section~\ref{section-nodes}.
+
+ Note, however, that the nodes are \emph{not} part of the path in any
+ way. Rather, after everything has been done with the path what is
+ specified by the path options (like filling and drawing the path due
+ to a |fill| and a |draw| option somewhere in the
+ \meta{specification}), the nodes are added in a post-processing
+ step.
+
+ The following style influences scopes:
+ \begin{itemize}
+ \itemstyle{every path}
+ This style is installed at the beginning of every path. This can
+ be useful for (temporarily) adding, say, the |draw| option to
+ everything in a scope.
+\begin{codeexample}[]
+\begin{tikzpicture}[fill=examplefill] % only sets the color
+ \tikzstyle{every path}=[draw] % all paths are drawn
+ \fill (0,0) rectangle +(1,1);
+ \shade (2,0) rectangle +(1,1);
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+\end{command}
+
+
+
+
+\subsection{The Move-To Operation}
+
+The perhaps simplest operation is the move-to operation, which is
+specified by just giving a coordinate where a path operation is
+expected.
+
+\begin{pathoperation}[noindex]{}{\meta{coordinate}}
+ \index{empty@\protect\meta{empty} path operation}%
+ \index{Path operations!empty@\protect\texttt{\meta{empty}}}%
+ The move-to operation normally starts a path at a certain
+ point. This does not cause a line segment to be created, but it
+ specifies the starting point of the next segment. If a path is
+ already under construction, that is, if several segments have
+ already been created, a move-to operation will start a new part of the
+ path that is not connected to any of the previous segments.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) --(2,0) (0,1) --(2,1);
+\end{tikzpicture}
+\end{codeexample}
+
+ In the specification |(0,0) --(2,0) (0,1) --(2,1)| two move-to
+ operations are specified: |(0,0)| and |(0,1)|. The other two
+ operations, namely |--(2,0)| and |--(2,1)| are line-to operations,
+ described next.
+\end{pathoperation}
+
+
+\subsection{The Line-To Operation}
+
+
+\subsubsection{Straight Lines}
+
+\begin{pathoperation}{--}{\meta{coordinate}}
+ The line-to operation extends the current path from the current
+ point in a straight line to the given coordinate. The ``current
+ point'' is the endpoint of the previous drawing operation or the point
+ specified by a prior move-to operation.
+
+ You use two minus signs followed by a coordinate in round
+ brackets. You can add spaces before and after the~|--|.
+
+ When a line-to operation is used and some path segment has just been
+ constructed, for example by another line-to operation, the two line
+ segments become joined. This means that if they are drawn, the point
+ where they meet is ``joined'' smoothly. To appreciate the difference,
+ consider the following two examples: In the left example, the path
+ consists of two path segments that are not joined, but that happen to
+ share a point, while in the right example a smooth join is shown.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=10pt]
+ \draw (0,0) --(1,1) (1,1) --(2,0);
+ \draw (3,0) -- (4,1) -- (5,0);
+ \useasboundingbox (0,1.5); % make bounding box higher
+\end{tikzpicture}
+\end{codeexample}
+
+\end{pathoperation}
+
+
+\subsubsection{Horizontal and Vertical Lines}
+
+Sometimes you want to connect two points via straight lines that are
+only horizontal and vertical. For this, you can use two path
+construction operations.
+
+{\catcode`\|=12
+\begin{pathoperation}[noindex]{-|}{\meta{coordinate}}
+ \index{--1@\protect\texttt{-\protect\pgfmanualbar} path operation}%
+ \index{Path operations!--1@\protect\texttt{-\protect\pgfmanualbar}}%
+ This operation means ``first horizontal, then vertical.''
+
+ \begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) node(a) [draw] {A} (1,1) node(b) [draw] {B};
+ \draw (a.north) |- (b.west);
+ \draw[color=red] (a.east) -| (2,1.5) -| (b.north);
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+\begin{pathoperation}[noindex]{|-}{\meta{coordinate}}
+ \index{--2@\protect\texttt{\protect\pgfmanualbar-} path operation}%
+ \index{Path operations!--2@\protect\texttt{\protect\pgfmanualbar-}}%
+ This operations means ``first vertical, then horizontal.''
+\end{pathoperation}
+}
+
+
+\subsubsection{Snaked Lines}
+\label{section-tikz-snakes}
+
+The line-to operation can not only be used to append straight lines to
+the path, but also ``snaked'' lines (called thus because they look a
+little bit like snakes seen from above).
+
+\tikzname\ and \pgfname\ use a concept that I termed \emph{snakes}
+for appending such ``squiggly'' lines. A snake specifies a way of
+extending a path between two points in a ``fancy manner.''
+
+Normally, a snake will just connect the start point to the end point
+without starting new subpaths. Thus, a path containing a snaked line
+can, nevetheless, still be used for filling. However, this is not
+always the case. Some snakes consist of numerous unconnected
+segments. ``Lines'' consisting of such snakes cannot be used as the
+borders of enclosed areas.
+
+Here are some examples of snakes in action:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[thick]
+ \draw (0,3) -- (3,3);
+ \draw[snake=zigzag] (0,2.5) -- (3,2.5);
+ \draw[snake=brace] (0,2) -- (3,2);
+ \draw[snake=triangles] (0,1.5) -- (3,1.5);
+ \draw[snake=coil,segment length=4pt] (0,1) -- (3,1);
+ \draw[snake=coil,segment aspect=0] (0,.5) -- (3,.5);
+ \draw[snake=expanding waves,segment angle=7] (0,0) -- (3,0);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \filldraw[fill=red!20,snake=bumps] (0,0) rectangle (3,2);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \filldraw[fill=blue!20] (0,3)
+ [snake=saw] -- (3,3)
+ [snake=coil,segment aspect=0] -- (2,1)
+ [snake=bumps] -| (0,3);
+\end{tikzpicture}
+\end{codeexample}
+
+No special path operation is needed to use a snake. Instead, you use
+the following option to ``switch on'' snaking:
+
+\begin{itemize}
+ \itemoption{snake}\opt{|=|\meta{snake name}}
+ This option causes the snake \meta{snake name} to be used for
+ subsequent line-to operations. So, whenever you use the |--| syntax
+ to specify that a straight line should be added to the path, a snake
+ to this path will be added instead. Snakes will also be used when
+ you use the \verb!-|! and \verb!|-! syntax and also when you use the
+ |rectangle| operation. Snakes will \emph{not} be used when you use
+ the curve-to operation nor when any other ``curved'' line is added
+ to the path.
+
+ This option has to be given anew for each path. However, you can
+ also leave out the \meta{snake name}. In this case, the enclosing
+ scope's \meta{snake name} is used. Thus, you can specify a
+ ``standard'' snake name for scope and then just say |\draw[snake]|
+ every time this snake should actually be used.
+
+ The \meta{snake name} |none| is special. It can be used to switch
+ off snaking after it has been switched on on a path.
+
+ A bit strangely, no valid \meta{snake names} are defined by
+ \tikzname\ by default. Instead, you have to include the library
+ package |pgflibrarysnakes|. This package defines numerous snakes,
+ see Section~\ref{section-library-snakes} for the complete list.
+\end{itemize}
+
+Most snakes can be configured. For example, for a snake that looks
+like a sine curve, you might wish to change the amplitude or the
+frequency. There are numerous options that influence these
+parameters. Not all options apply to all snakes, see
+Section~\ref{section-library-snakes} once more for details.
+
+\begin{itemize}
+ \itemoption{gap before snakes}|=|\meta{dimension}
+ This option allows you to add a certain ``gap'' to the snake at its
+ beginning. The snake will not start at the current point; instead
+ the start point of the snake is move be \meta{dimension} in the
+ direction of the target.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw[snake=zigzag] (0,1) -- ++(3,1);
+ \draw[snake=zigzag,gap before snake=1cm] (0,0) -- ++(3,1);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{gap after snake}|=|\meta{dimension}
+ This option has the same effect as |gap before snake|, only it
+ affects the end of the snake, which will ``end early.''
+ \itemoption{gap around snake}|=|\meta{dimension}
+ This option sets the gap before and after the gap to
+ \meta{dimension}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw[snake=brace] (0,1) -- ++(3,1);
+ \draw[snake=brace,gap around snake=5mm] (0,0) -- ++(3,1);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{line before snake}|=|\meta{dimension}
+ This option works like |gap before snake|, only it will connect the
+ current point with a straight line to the start of the snake.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw[snake=zigzag] (0,1) -- ++(3,1);
+ \draw[snake=zigzag,line before snake=1cm] (0,0) -- ++(3,1);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{line after snake}|=|\meta{dimension}
+ Works line |gap after snake|, only it adds a straight line.
+ \itemoption{line around snake}|=|\meta{dimension}
+ Works line |gap around snake|, only it adds straight lines.
+ \itemoption{raise snake}|=|\meta{dimension}
+ This option can be used with all snakes. It will offset the snake by
+ ``raising'' it by \meta{dimension}. A negative \meta{dimension} will
+ lower the snake. Raising and lowering is always relative to the line
+ along which the snake is drawn. Here is an example:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A};
+ \node (b) at (2,1) {B};
+ \draw (a) -- (b);
+ \draw[snake=brace] (a) -- (b);
+ \draw[snake=brace,raise snake=5pt,red] (a) -- (b);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{mirror snake}
+ This option causes the snake to be ``reflected along the path.''
+ This is best understood by looking at an example:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A};
+ \node (b) at (2,1) {B};
+ \draw (a) -- (b);
+ \draw[snake=brace] (a) -- (b);
+ \draw[snake=brace,mirror snake,red,thick] (a) -- (b);
+\end{tikzpicture}
+\end{codeexample}
+ This option can be used with every snake and can be combined with
+ the |raise snake| option.
+ \itemoption{segment amplitude}|=|\meta{dimension}
+ This option sets the ``amplitude'' of the snake. For a snake that is
+ a sine wave this would be the amplitude of this line. For other
+ snakes this value typically describes how far the snakes ``rises
+ above'' or ``falls below'' the path. For some snakes, this value is
+ ignored.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A} node (b) at (2,1) {B} node (c) at (2,-1) {C};
+ \draw[snake=zigzag] (a) -- (b);
+ \draw[snake=zigzag,segment amplitude=5pt,red,thick] (a) -- (c);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{segment length}|=|\meta{dimension}
+ This option sets the length of each ``segment'' of a snake. For a
+ sine wave this would be the wave length, for other snakes it is the
+ length of each ``repetitive part'' of the snake.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A} node (b) at (2,1) {B} node (c) at (2,-1) {C};
+ \draw[snake=zigzag] (a) -- (b);
+ \draw[snake=zigzag,segment length=20pt,red,thick] (a) -- (c);
+\end{tikzpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A} node (b) at (2,1) {B} node (c) at (2,-1) {C};
+ \draw[snake=bumps] (a) -- (b);
+ \draw[snake=bumps,segment length=20pt,red,thick] (a) -- (c);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{segment object length}|=|\meta{dimension}
+ This option sets the length of the objects inside each segment of a
+ snake. This option is only used for snakes in which each segment
+ contains an object like a triangle or a star.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (a) {A} node (b) at (2,1) {B} node (c) at (2,-1) {C};
+ \draw[snake=triangles] (a) -- (b);
+ \draw[snake=triangles,segment object length=8pt,red,thick] (a) -- (c);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{segment angle}|=|\meta{degrees}
+ This option sets an angle that is interpreted in a snake-specific
+ way. For example, the |waves| and |expanding waves| snakes interpret
+ this as (half the) opening angle of the wave. The |border| snake
+ uses this value for the angle of the little ticks.
+\begin{codeexample}[]
+\begin{tikzpicture}[segment amplitude=10pt]
+ \node (a) {A} node (b) at (2,0) {B};
+ \draw[snake=border] (a) -- (b);
+ \draw[snake=border,segment angle=20,red,thick] (a) -- (b);
+\end{tikzpicture}
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}[segment amplitude=10pt]
+ \node (a) {A} node (b) at (2,0) {B};
+ \node (a') at (0,-1) {A} node (b') at (2,-1) {B};
+ \draw[snake=expanding waves] (a) -- (b);
+ \draw[snake=expanding waves,segment angle=20,red,thick] (a') -- (b');
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{segment aspect}|=|\meta{ratio}
+ This option sets an aspect ratio that is interpreted in a
+ snake-specific way. For example, for the |coils| snake this
+ describes the ``direction'' from which the coil is viewed.
+\begin{codeexample}[]
+\begin{tikzpicture}[segment amplitude=5pt,segment length=5pt]
+ \node (a) {A} node (b) at (2,1) {B} node (c) at (2,-1) {C};
+ \draw[snake=coil] (a) -- (b);
+ \draw[snake=coil,segment aspect=0,red,thick] (a) -- (c);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+It is possible to define new snakes, but this cannot be done inside
+\tikzname. You need to use the command |\pgfdeclaresnake| from the
+basic level directly, see Section~\ref{section-base-snakes}.
+
+The following styles define combinations of segment settings that may
+be useful:
+\begin{itemize}
+ \itemstyle{snake triangles 45}
+ Installs a snake the consists of little triangles with an opening
+ angle of $45^\circ$.
+ \itemstyle{snake triangles 60}
+ Installs a snake the consists of little triangles with an opening
+ angle of $60^\circ$.
+ \itemstyle{snake triangles 90}
+ Installs a snake the consists of little triangles with an opening
+ angle of $90^\circ$.
+\end{itemize}
+
+
+
+\subsection{The Curve-To Operation}
+
+The curve-to operation allows you to extend a path using a Bzier
+curve.
+
+\begin{pathoperation}{..}{\declare{|controls|}\meta{c}\opt{|and|\meta{d}}\declare{|..|\meta{y}}}
+ This operation extends the current path from the current
+ point, let us call it $x$, via a curve to a the current point~$y$.
+ The curve is a cubic Bzier curve. For such a curve,
+ apart from $y$, you also specify two control points $c$ and $d$. The
+ idea is that the curve starts at $x$, ``heading'' in the direction
+ of~$c$. Mathematically spoken, the tangent of the curve at $x$ goes
+ through $c$. Similarly, the curve ends at $y$, ``coming from'' the
+ other control point,~$d$. The larger the distance between $x$ and~$c$
+ and between $d$ and~$y$, the larger the curve will be.
+
+ If the ``|and|\meta{d}'' part is not given, $d$ is assumed to be
+ equal to $c$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[line width=10pt] (0,0) .. controls (1,1) .. (4,0)
+ .. controls (5,0) and (5,1) .. (4,1);
+ \draw[color=gray] (0,0) -- (1,1) -- (4,0) -- (5,0) -- (5,1) -- (4,1);
+\end{tikzpicture}
+\end{codeexample}
+
+ As with the line-to operation, it makes a difference whether two curves
+ are joined because they resulted from consecutive curve-to or line-to
+ operations, or whether they just happen to have the same ending:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=10pt]
+ \draw (0,0) -- (1,1) (1,1) .. controls (1,0) and (2,0) .. (2,0);
+ \draw (3,0) -- (4,1) .. controls (4,0) and (5,0) .. (5,0);
+ \useasboundingbox (0,1.5); % make bounding box higher
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+
+\subsection{The Cycle Operation}
+
+\begin{pathoperation}{--cycle}{}
+ This operation adds a straight line from the current
+ point to the last point specified by a move-to operation. Note that
+ this need not be the beginning of the path. Furthermore, a smooth join
+ is created between the first segment created after the last move-to
+ operation and the straight line appended by the cycle operation.
+
+ Consider the following example. In the left example, two triangles are
+ created using three straight lines, but they are not joined at the
+ ends. In the second example cycle operations are used.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=10pt]
+ \draw (0,0) -- (1,1) -- (1,0) -- (0,0) (2,0) -- (3,1) -- (3,0) -- (2,0);
+ \draw (5,0) -- (6,1) -- (6,0) -- cycle (7,0) -- (8,1) -- (8,0) -- cycle;
+ \useasboundingbox (0,1.5); % make bounding box higher
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+
+
+\subsection{The Rectangle Operation}
+
+A rectangle can obviously be created using four straight lines and a
+cycle operation. However, since rectangles are needed so often, a
+special syntax is available for them.
+
+\begin{pathoperation}{rectangle}{\meta{corner}}
+ When this operation is used, one corner will be the current point,
+ another corner is given by \meta{corner}, which becomes the new
+ current point.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) rectangle (1,1);
+ \draw (.5,1) rectangle (2,0.5) (3,0) rectangle (3.5,1.5) -- (2,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+
+\subsection{Rounding Corners}
+
+All of the path construction operations mentioned up to now are
+influenced by the following option:
+\begin{itemize}
+ \itemoption{rounded corners}\opt{|=|\meta{inset}}
+ When this option is in force, all corners (places where a line is
+ continued either via line-to or a curve-to operation) are replaced by
+ little arcs so that the corner becomes smooth.
+
+\begin{codeexample}[]
+\tikz \draw [rounded corners] (0,0) -- (1,1)
+ -- (2,0) .. controls (3,1) .. (4,0);
+\end{codeexample}
+
+ The \meta{inset} describes how big the corner is. Note that the
+ \meta{inset} is \emph{not} scaled along if you use a scaling option
+ like |scale=2|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[color=gray,very thin] (10pt,15pt) circle (10pt);
+ \draw[rounded corners=10pt] (0,0) -- (0pt,25pt) -- (40pt,25pt);
+\end{tikzpicture}
+\end{codeexample}
+
+ You can switch the rounded corners on and off ``in the middle of
+ path'' and different corners in the same path can have different
+ corner radii:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) [rounded corners=10pt] -- (1,1) -- (2,1)
+ [sharp corners] -- (2,0)
+ [rounded corners=5pt] -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+Here is a rectangle with rounded corners:
+\begin{codeexample}[]
+\tikz \draw[rounded corners=1ex] (0,0) rectangle (20pt,2ex);
+\end{codeexample}
+
+ You should be aware, that there are several pitfalls when using this
+ option. First, the rounded corner will only be an arc (part of a
+ circle) if the angle is $90^\circ$. In other cases, the rounded
+ corner will still be round, but ``not as nice.''
+
+ Second, if there are very short line segments in a path, the
+ ``rounding'' may cause inadverted effects. In such case it may be
+ necessary to temporarily switch off the rounding using
+ |sharp corners|.
+
+ \itemoption{sharp corners}
+ This options switches off any rounding on subsequent corners of the
+ path.
+\end{itemize}
+
+
+
+\subsection{The Circle and Ellipse Operations}
+
+A circle can be approximated well using four Bzier curves. However,
+it is difficult to do so correctly. For this reason, a special syntax
+is available for adding such an approximation of a circle to the
+current path.
+
+\begin{pathoperation}{circle}{|(|\meta{radius}|)|}
+ The center of the circle is given by the current point. The new
+ current point of the path will remain to be the center of the
+ circle.
+\end{pathoperation}
+
+\begin{pathoperation}{ellipse}{|(|\meta{half width}| and |\meta{half height}|)|}
+ Note that you can add spaces after |ellipse|, but you have to place
+ spaces around |and|.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (1,0) circle (.5cm);
+ \draw (3,0) ellipse (1cm and .5cm) -- ++(3,0) circle (.5cm)
+ -- ++(2,-.5) circle (.25cm);
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+
+\subsection{The Arc Operation}
+
+The \emph{arc operation} allows you to add an arc to the current
+path.
+\begin{pathoperation}{arc}{|(|\meta{start angle}|:|\meta{end
+ angle}|:|\meta{radius}\opt{|/|\meta{half height}}|)|}
+ The arc operation adds a part of a circle of the given radius
+ between the given angles. The arc will start at the current point
+ and will end at the end of the arc.
+
+ \begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) arc (180:90:1cm) -- (2,.5) arc (90:0:1cm);
+ \draw (4,0) -- +(30:1cm) arc (30:60:1cm) -- cycle;
+ \draw (8,0) arc (0:270:1cm/.5cm) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (-1,0) -- +(3.5,0);
+ \draw (1,0) ++(210:2cm) -- +(30:4cm);
+ \draw (1,0) +(0:1cm) arc (0:30:1cm);
+ \draw (1,0) +(180:1cm) arc (180:210:1cm);
+ \path (1,0) ++(15:.75cm) node{$\alpha$};
+ \path (1,0) ++(15:-.75cm) node{$\beta$};
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+
+\subsection{The Grid Operation}
+
+You can add a grid to the current path using the |grid| path
+operation.
+
+\begin{pathoperation}{grid}{\opt{\oarg{options}}\meta{corner}}
+ This operations adss a grid filling a rectangle whose two corners
+ are given by \meta{corner} and by the previous coordinate. Thus, the
+ typical way in which a grid is drawn is |\draw (1,1) grid (3,3);|,
+ which yields a grid filling the rectangle whose corners are at
+ $(1,1)$ and $(3,3)$. All coordinate transformations apply to the grid.
+
+\begin{codeexample}[]
+\tikz[rotate=30] \draw[step=1mm] (0,0) grid (2,2);
+\end{codeexample}
+
+ The stepping of the grid is governed by the following options:
+
+\begin{itemize}
+ \itemoption{step}|=|\meta{dimension} sets the stepping in both the
+ $x$ and $y$-direction.
+ \itemoption{xstep}|=|\meta{dimension} sets the stepping in the
+ $x$-direction.
+ \itemoption{ystep}|=|\meta{dimension} sets the stepping in the
+ $y$-direction.
+\end{itemize}
+
+ It is important to note that the grid is always ``phased'' such that
+ it contains the point $(0,0)$ if that point happens to be inside the
+ rectangle. Thus, the grid does \emph{not} always have an intersection
+ at the corner points; this occurs only if the corner points are
+ multiples of the stepping. Note that due to rounding errors, the
+ ``last'' lines of a grid may be omitted. In this case, you have to
+ add an epsilon to the corner points.
+
+ The following style is useful for drawing grids:
+\begin{itemize}
+ \itemstyle{help lines}
+ This style makes lines ``subdued'' by using thin gray lines for
+ them. However, this style is not installed automatically and you
+ have to say for example:
+\begin{codeexample}[]
+\tikz \draw[style=help lines] (0,0) grid (3,3);
+\end{codeexample}
+\end{itemize}
+\end{pathoperation}
+
+
+
+\subsection{The Parabola Operation}
+
+The |parabola| path operation continues the current path with a
+parabola. A parabola is a (shifted and scaled) curve defined by the
+equation $f(x) = x^2$ and looks like this: \tikz \draw (-1ex,1.5ex)
+parabola[parabola height=-1.5ex] +(2ex,0ex);.
+
+\begin{pathoperation}{parabola}{\opt{\oarg{options}|bend|\meta{bend
+ coordinate}}\meta{coordinate}}
+ This operation adds a parabola through the current point and the
+ given \meta{coordinate}. If the |bend| is given, it specifies where
+ the bend should go; the \meta{options} can also be used to specify
+ where the bend is. By default, the bend is at the old current point.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) rectangle (1,1.5)
+ (0,0) parabola (1,1.5);
+ \draw[xshift=1.5cm] (0,0) rectangle (1,1.5)
+ (0,0) parabola[bend at end] (1,1.5);
+ \draw[xshift=3cm] (0,0) rectangle (1,1.5)
+ (0,0) parabola bend (.75,1.75) (1,1.5);
+\end{tikzpicture}
+\end{codeexample}
+
+ The following options influence parabolas:
+\begin{itemize}
+ \itemoption{bend}|=|\meta{coordinate}
+ Has the same effect as saying |bend|\meta{coordinate} outside the
+ \meta{options}. The option specifies that the bend of the parabola
+ should be at the given \meta{coordinate}. You have to take care
+ yourself that the bend position is a ``valid'' position; which means
+ that if there is no parabola of the form $f(x) = a x^2 + b x + c$
+ that goes through the old current point, the given bend, and the new
+ current point, the result will not be a parabola.
+
+ There is one special property of the \meta{coordinate}: When a
+ relative coordinate is given like |+(0,0)|, the position relative
+ to which this coordinate is ``flexible.'' More precisely, this
+ position lies somewhere on a line from the old current point to the
+ new current point. The exact position depends on the next
+ option.
+
+ \itemoption{bend pos}|=|\meta{fraction}
+ Specifies where the ``previous'' point is relative to which the bend
+ is calculated. The previous point will be at the \meta{fraction}th
+ part of the line from the old current point to the new current
+ point.
+
+ The idea is the following: If you say |bend pos=0| and
+ |bend +(0,0)|, the bend will be at the old current point. If you say
+ |bend pos=1| and |bend +(0,0)|, the bend will be at the new current
+ point. If you say |bend pos=0.5| and |bend +(0,2cm)| the bend will
+ be 2cm above the middle of the line between the start and end
+ point. This is most useful in situations such as the following:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (-1,0) parabola[bend pos=0.5] bend +(0,2) +(3,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ In the above example, the |bend +(0,2)| essentially means ``a
+ parabola that is 2cm high'' and |+(3,0)| means ``and 3cm wide.''
+ Since this situation arises often, there is a special shortcut
+ option:
+ \itemoption{parabola height}|=|\meta{dimension} This option has the
+ same effect as if you had written the following instead:
+ |[bend pos=0.5,bend={+(0pt,|\meta{dimension}|)}]|.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[help lines] (0,0) grid (3,2);
+ \draw (-1,0) parabola[parabola height=2cm] +(3,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+The following styles are useful shortcuts:
+\begin{itemize}
+ \itemstyle{bend at start} This places the bend at the start of a
+ parabola. It is a shortcut for the following options:
+ |bend pos=0,bend={+(0,0)}|.
+ \itemstyle{bend at end} This places the bend at the end of a
+ parabola.
+\end{itemize}
+\end{pathoperation}
+
+
+\subsection{The Sine and Cosine Operation}
+
+The |sin| and |cos| operations are similar to the |parabola|
+operation. They, too, can be used to draw (parts of) a sine or cosine
+curve.
+
+\begin{pathoperation}{sin}{\meta{coordinate}}
+ The effect of |sin| is to draw a scaled and shifted version of a sine
+ curve in the interval $[0,\pi/2]$. The scaling and shifting is done in
+ such a way that the start of the sine curve in the interval is at the
+ old current point and that the end of the curve in the interval is at
+ \meta{coordinate}. Here is an example that should clarify this:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) rectangle (1,1) (0,0) sin (1,1)
+ (2,0) rectangle +(1.57,1) (2,0) sin +(1.57,1);
+\end{codeexample}
+\end{pathoperation}
+
+\begin{pathoperation}{cos}{\meta{coordinate}}
+ This operation works similarly, only a cosine in the interval
+ $[0,\pi/2]$ is drawn. By correctly alternating |sin| and |cos|
+ operations, you can create a complete sine or cosine curve:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[xscale=1.57]
+ \draw (0,0) sin (1,1) cos (2,0) sin (3,-1) cos (4,0) sin (5,1);
+ \draw[color=red] (0,1.5) cos (1,0) sin (2,-1.5) cos (3,0) sin (4,1.5) cos (5,0);
+\end{tikzpicture}
+\end{codeexample}
+\end{pathoperation}
+
+Note that there is no way to (conveniently) draw an interval on a sine
+or cosine curve whose end points are not multiples of $\pi/2$.
+
+
+
+\subsection{The Plot Operation}
+
+The |plot| operation can be used to append a line or curve to the path
+that goes through a large number of coordinates. These coordinates are
+either given in a simple list of coordinates or they are read from
+some file.
+
+The syntax of the |plot| comes in different versions.
+
+\begin{pathoperation}{--plot}{\meta{further arguments}}
+ This operation plots the curve through the coordinates specified in
+ the \meta{further arguments}. The current (sub)path is simply
+ continued, that is, a line-to operation to the first point of the
+ curve is implicitly added. The details of the \meta{further
+ arguments} will be explained in a moment.
+\end{pathoperation}
+
+\begin{pathoperation}{plot}{\meta{further arguments}}
+ This operation plots the curve through the coordinates specified in
+ the \meta{further arguments} by first ``moving'' to the first
+ coordinate of the curve.
+\end{pathoperation}
+
+The \meta{further arguments} are used in three different ways to
+specifying the coordinates of the points to be plotted:
+
+\begin{enumerate}
+\item
+ \opt{|--|}|plot|\oarg{local options}\declare{|coordinates{|\meta{coordinate
+ 1}\meta{coordinate 2}\dots\meta{coordinate $n$}|}|}
+\item
+ \opt{|--|}|plot|\oarg{local options}\declare{|file{|\meta{filename}|}|}
+\item
+ \opt{|--|}|plot|\oarg{local options}\declare{|function{|\meta{gnuplot formula}|}|}
+\end{enumerate}
+
+These different ways are explained in the following.
+
+
+\subsubsection{Plotting Points Given Inline}
+
+In the first two cases, the points are given directly in the \TeX-file
+as in the following example:
+
+\begin{codeexample}[]
+\tikz \draw plot coordinates {(0,0) (1,1) (2,0) (3,1) (2,1) (10:2cm)};
+\end{codeexample}
+
+Here is an example showing the difference between |plot| and |--plot|:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- (1,1) plot coordinates {(2,0) (4,0)};
+ \draw[color=red,xshift=5cm]
+ (0,0) -- (1,1) -- plot coordinates {(2,0) (4,0)};
+\end{tikzpicture}
+\end{codeexample}
+
+
+\subsubsection{Plotting Points Read From an External File}
+
+The second way of specifying points is to put them in an external
+file named \meta{filename}. Currently, the only file format that
+\tikzname\ allows is the following: Each line of the \meta{filename}
+should contain one line starting with two numbers, separated by a
+space. Anything following the two numbers on the line is
+ignored. Also, lines starting with a |%| or a |#| are ignored as well
+as empty lines. (This is exactly the format that \textsc{gnuplot}
+produces when you say |set terminal table|.) If necessary, more
+formats will be supported in the future, but it is usually easy to
+produce a file containing data in this form.
+
+\begin{codeexample}[]
+\tikz \draw plot[mark=x,smooth] file {plots/pgfmanual-sine.table};
+\end{codeexample}
+
+The file |plots/pgfmanual-sine.table| reads:
+\begin{codeexample}[code only]
+#Curve 0, 20 points
+#x y type
+0.00000 0.00000 i
+0.52632 0.50235 i
+1.05263 0.86873 i
+1.57895 0.99997 i
+...
+9.47368 -0.04889 i
+10.00000 -0.54402 i
+\end{codeexample}
+It was produced from the following source, using |gnuplot|:
+\begin{codeexample}[code only]
+set terminal table
+set output "../plots/pgfmanual-sine.table"
+set format "%.5f"
+set samples 20
+plot [x=0:10] sin(x)
+\end{codeexample}
+
+The \meta{local options} of the |plot| operation are local to each
+plot and do not affect other plots ``on the same path.'' For example,
+|plot[yshift=1cm]| will locally shift the plot 1cm upward. Remember,
+however, that most options can only be applied to paths as a
+whole. For example, |plot[red]| does not have the effect of making the
+plot red. After all, you are trying to ``locally'' make part of the
+path red, which is not possible.
+
+\subsubsection{Plotting a Function}
+\label{section-tikz-gnuplot}
+
+Often, you will want to plot points that are given via a function like
+$f(x) = x \sin x$. Unfortunately, \TeX\ does not really have enough
+computational power to generate the points on such a function
+efficiently (it is a text processing program, after all). However,
+if you allow it, \TeX\ can try to call external programs that can
+easily produce the necessary points. Currently, \tikzname\ knows how to
+call \textsc{gnuplot}.
+
+When \tikzname\ encounters your operation
+|plot[id=|\meta{id}|] function{x*sin(x)}| for
+the first time, it will create a file called
+\meta{prefix}\meta{id}|.gnuplot|, where \meta{prefix} is |\jobname.| by
+default, that is, the name of you main |.tex| file. If no \meta{id} is
+given, it will be empty, which is alright, but it is better when each
+plot has a unique \meta{id} for reasons explained in a moment. Next,
+\tikzname\ writes some initialization code into this file followed by
+|plot x*sin(x)|. The initialization code sets up things
+such that the |plot| operation will write the coordinates into another
+file called \meta{prefix}\meta{id}|.table|. Finally, this table file
+is read as if you had said |plot file{|\meta{prefix}\meta{id}|.table}|.
+
+For the plotting mechanism to work, two conditions must be met:
+\begin{enumerate}
+\item
+ You must have allowed \TeX\ to call external programs. This is often
+ switched off by default since this is a security risk (you might,
+ without knowing, run a \TeX\ file that calls all sorts of ``bad''
+ commands). To enable this ``calling external programs'' a command
+ line option must be given to the \TeX\ program. Usually, it is
+ called something like |shell-escape| or |enable-write18|. For
+ example, for my |pdflatex| the option |--shell-escape| can be
+ given.
+\item
+ You must have installed the |gnuplot| program and \TeX\ must find it
+ when compiling your file.
+\end{enumerate}
+
+Unfortunately, these conditions will not always be met. Especially if
+you pass some source to a coauthor and the coauthor does not have
+\textsc{gnuplot} installed, he or she will have trouble compiling your
+files.
+
+For this reason, \tikzname\ behaves differently when you compile your
+graphic for the second time: If upon reaching
+|plot[id=|\meta{id}|] function{...}| the file \meta{prefix}\meta{id}|.table|
+already exists \emph{and} if the \meta{prefix}\meta{id}|.gnuplot| file
+contains what \tikzname\ thinks that it ``should'' contain, the |.table|
+file is immediately read without trying to call a |gnuplot|
+program. This approach has the following advantages:
+\begin{enumerate}
+\item
+ If you pass a bundle of your |.tex| file and all |.gnuplot| and
+ |.table| files to someone else, that person can \TeX\ the |.tex|
+ file without having to have |gnuplot| installed.
+\item
+ If the |\write18| feature is switched off for security reasons (a
+ good idea), then, upon the first compilation of the |.tex| file, the
+ |.gnuplot| will still be generated, but not the |.table|
+ file. You can then simply call |gnuplot| ``by hand'' for each
+ |.gnuplot| file, which will produce all necessary |.table| files.
+\item
+ If you change the function that you wish to plot or its
+ domain, \tikzname\ will automatically try to regenerate the |.table|
+ file.
+\item
+ If, out of laziness, you do not provide an |id|, the same |.gnuplot|
+ will be used for different plots, but this is not a problem since
+ the |.table| will automatically be regenerated for each plot
+ on-the-fly. \emph{Note: If you intend to share your files with
+ someone else, always use an id, so that the file can by typeset
+ without having \textsc{gnuplot} installed.} Also, having unique ids
+ for each plot will improve compilation speed since no external
+ programs need to be called, unless it is really necessary.
+\end{enumerate}
+
+When you use |plot function{|\meta{gnuplot formula}|}|, the \meta{gnuplot
+ formula} must be given in the |gnuplot| syntax, whose details are
+beyond the scope of this manual. Here is the ultra-condensed
+essence: Use |x| as the variable and use the C-syntax for normal
+plots, use |t| as the variable for parametric plots. Here are some examples:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[domain=0:4]
+ \draw[very thin,color=gray] (-0.1,-1.1) grid (3.9,3.9);
+
+ \draw[->] (-0.2,0) -- (4.2,0) node[right] {$x$};
+ \draw[->] (0,-1.2) -- (0,4.2) node[above] {$f(x)$};
+
+ \draw[color=red] plot[id=x] function{x} node[right] {$f(x) =x$};
+ \draw[color=blue] plot[id=sin] function{sin(x)} node[right] {$f(x) = \sin x$};
+ \draw[color=orange] plot[id=exp] function{0.05*exp(x)} node[right] {$f(x) = \frac{1}{20} \mathrm e^x$};
+\end{tikzpicture}
+\end{codeexample}
+
+
+The following options influence the plot:
+
+\begin{itemize}
+ \itemoption{samples}|=|\meta{number}
+ sets the number of samples used in the plot. The default is 25.
+ \itemoption{domain}|=|\meta{start}|:|\meta{end}
+ sets the domain between which the samples are taken. The default is
+ |-5:5|.
+ \itemoption{parametric}\opt{|=|\meta{true or false}}
+ sets whether the plot is a parametric plot. If true, then |t| must
+ be used instead of |x| as the parameter and two comma-separated
+ functions must be given in the \meta{gnuplot formula}. An example is
+ the following:
+\begin{codeexample}[]
+\tikz \draw[scale=0.5,domain=-3.141:3.141,smooth]
+ plot[parametric,id=parametric-example] function{t*sin(t),t*cos(t)};
+\end{codeexample}
+
+ \itemoption{id}|=|\meta{id}
+ sets the identifier of the current plot. This should be a unique
+ identifier for each plot (though things will also work if it is not,
+ but not as well, see the explanations above). The \meta{id} will be
+ part of a filename, so it should not contain anything fancy like |*|
+ or |$|.%$
+ \itemoption{prefix}|=|\meta{prefix}
+ is put before each plot file name. The default is |\jobname.|, but
+ if you have many plots, it might be better to use, say |plots/| and
+ have all plots placed in a directory. You have to create the
+ directory yourself.
+ \itemoption{raw gnuplot}
+ causes the \meta{gnuplot formula} to be passed on to
+ \textsc{gnuplot} without setting up the samples or the |plot|
+ operation. Thus, you could write
+\begin{codeexample}[code only]
+plot[raw gnuplot,id=raw-example] function{set samples 25; plot sin(x)}
+\end{codeexample}
+ This can be
+ useful for complicated things that need to be passed to
+ \textsc{gnuplot}. However, for really complicated situations you
+ should create a special external generating \textsc{gnuplot} file
+ and use the |file|-syntax to include the table ``by hand.''
+\end{itemize}
+
+The following styles influence the plot:
+\begin{itemize}
+ \itemstyle{every plot}
+ This style is installed in each plot, that is, as if you always said
+\begin{codeexample}[code only]
+ plot[style=every plot,...]
+\end{codeexample}
+ This is most useful for globally setting a prefix for all plots by saying:
+\begin{codeexample}[code only]
+\tikzstyle{every plot}=[prefix=plots/]
+\end{codeexample}
+\end{itemize}
+
+
+
+\subsubsection{Placing Marks on the Plot}
+
+As we saw already, it is possible to add \emph{marks} to a plot using
+the |mark| option. When this option is used, a copy of the plot
+mark is placed on each point of the plot. Note that the marks are
+placed \emph{after} the whole path has been drawn/filled/shaded. In
+this respect, they are handled like text nodes.
+
+In detail, the following options govern how marks are drawn:
+\begin{itemize}
+ \itemoption{mark}|=|\meta{mark mnemonic}
+ Sets the mark to a mnemonic that has previously been defined using
+ the |\pgfdeclareplotmark|. By default, |*|, |+|, and |x| are available,
+ which draw a filled circle, a plus, and a cross as marks. Many more
+ marks become available when the library |pgflibraryplotmarks| is
+ loaded. Section~\ref{section-plot-marks} lists the available plot
+ marks.
+
+ One plot mark is special: the |ball| plot mark is available only
+ it \tikzname. The |ball color| determines the balls's color. Do not use
+ this option with large number of marks since it will take very long
+ to render in PostScript.
+
+ \begin{tabular}{lc}
+ Option & Effect \\\hline \vrule height14pt width0pt
+ \plotmarkentrytikz{ball}
+ \end{tabular}
+
+ \itemoption{mark size}|=|\meta{dimension}
+ Sets the size of the plot marks. For circular plot marks,
+ \meta{dimension} is the radius, for other plot marks
+ \meta{dimension} should be about half the width and height.
+
+ This option is not really necessary, since you achieve the same
+ effect by specifying |scale=|\meta{factor} as a local option, where
+ \meta{factor} is the quotient of the desired size and the default
+ size. However, using |mark size| is a bit faster and more natural.
+
+ \itemoption{mark options}|=|\meta{options}
+ These options are applied to marks when they are drawn. For example,
+ you can scale (or otherwise transform) the plot mark or set its
+ color.
+\begin{codeexample}[]
+\tikz \fill[fill=blue!20]
+ plot[mark=triangle*,mark options={color=blue,rotate=180}]
+ file{plots/pgfmanual-sine.table} |- (0,0);
+\end{codeexample}
+\end{itemize}
+
+
+
+\subsubsection{Smooth Plots, Sharp Plots, and Comb Plots}
+
+There are different things the |plot| operation can do with the points
+it reads from a file or from the inlined list of points. By default,
+it will connect these points by straight lines. However, you can also
+use options to change the behavior of |plot|.
+
+\begin{itemize}
+ \itemoption{sharp plot}
+ This is the default and causes the points to be connected by
+ straight lines. This option is included only so that you can
+ ``switch back'' if you ``globally'' install, say, |smooth|.
+
+ \itemoption{smooth}
+ This option causes the points on the path to be connected using a
+ smooth curve:
+
+\begin{codeexample}[]
+\tikz\draw plot[smooth] file{plots/pgfmanual-sine.table};
+\end{codeexample}
+
+ Note that the smoothing algorithm is not very intelligent. You will
+ get the best results if the bending angles are small, that is, less
+ than about $30^\circ$ and, even more importantly, if the distances
+ between points are about the same all over the plotting path.
+
+ \itemoption{tension}|=|\meta{value}
+ This option influences how ``tight'' the smoothing is. A lower value
+ will result in sharper corners, a higher value in more ``round''
+ curves. A value of $1$ results in a circle if four points at
+ quarter-positions on a circle are given. The default is $0.55$. The
+ ``correct'' value depends on the details of plot.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[smooth cycle]
+ \draw plot[tension=0.2]
+ coordinates{(0,0) (1,1) (2,0) (1,-1)};
+ \draw[yshift=-2.25cm] plot[tension=0.5]
+ coordinates{(0,0) (1,1) (2,0) (1,-1)};
+ \draw[yshift=-4.5cm] plot[tension=1]
+ coordinates{(0,0) (1,1) (2,0) (1,-1)};
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{smooth cycle}
+ This option causes the points on the path to be connected using a
+ closed smooth curve.
+
+\begin{codeexample}[]
+\tikz[scale=0.5]
+ \draw plot[smooth cycle] coordinates{(0,0) (1,0) (2,1) (1,2)}
+ plot coordinates{(0,0) (1,0) (2,1) (1,2)} -- cycle;
+\end{codeexample}
+
+ \itemoption{ycomb}
+ This option causes the |plot| operation to interpret the plotting
+ points differently. Instead of connecting them, for each point of
+ the plot a straight line is added to the path from the $x$-axis to the point,
+ resulting in a sort of ``comb'' or ``bar diagram.''
+
+\begin{codeexample}[]
+\tikz\draw[ultra thick] plot[ycomb,thin,mark=*] file{plots/pgfmanual-sine.table};
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}[ycomb]
+ \draw[color=red,line width=6pt]
+ plot coordinates{(0,1) (.5,1.2) (1,.6) (1.5,.7) (2,.9)};
+ \draw[color=red!50,line width=4pt,xshift=3pt]
+ plot coordinates{(0,1.2) (.5,1.3) (1,.5) (1.5,.2) (2,.5)};
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{xcomb}
+ This option works like |ycomb| except that the bars are horizontal.
+
+\begin{codeexample}[]
+\tikz \draw plot[xcomb,mark=x] coordinates{(1,0) (0.8,0.2) (0.6,0.4) (0.2,1)};
+\end{codeexample}
+
+ \itemoption{polar comb}
+ This option causes a line from the origin to the point to be added
+ to the path for each plot point.
+
+\begin{codeexample}[]
+\tikz \draw plot[polar comb,
+ mark=pentagon*,mark options={fill=white,draw=red},mark size=4pt]
+ coordinates {(0:1cm) (30:1.5cm) (160:.5cm) (250:2cm) (-60:.8cm)};
+\end{codeexample}
+
+
+ \itemoption{only marks}
+ This option causes only marks to be shown; no path segments are
+ added to the actual path. This can be useful for quickly adding some
+ marks to a path.
+
+\begin{codeexample}[]
+\tikz \draw (0,0) sin (1,1) cos (2,0)
+ plot[only marks,mark=x] coordinates{(0,0) (1,1) (2,0) (3,-1)};
+\end{codeexample}
+\end{itemize}
+
+
+
+
+
+\subsection{The Scoping Operation}
+
+When \tikzname\ encounters and opening or a closing brace (|{| or~|}|) at
+some point where a path operation should come, it will open or close a
+scope. All options that can be applied ``locally'' will be scoped
+inside the scope. For example, if you apply a transformation like
+|[xshift=1cm]| inside the scoped area, the shifting only applies to
+the scope. On the other hand, an option like |color=red| does not have
+any effect inside a scope since it can only be applied to the path as
+a whole.
+
+
+\subsection{The Node Operation}
+
+You can add nodes to a path using the |node| operation. Since this
+operation is quite complex and since the nodes are not really part of
+the path itself, there is a separate section dealing with nodes, see
+Section~\ref{section-nodes}.
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-scopes.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-scopes.tex
new file mode 100644
index 00000000000..5339e802d4a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-scopes.tex
@@ -0,0 +1,364 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section[Hierarchical Structures: Package, Environments, Scopes, and Styles]
+{Hierarchical Structures:\\
+ Package, Environments, Scopes, and Styles}
+
+The present section explains how your files should be structured when
+you use \tikzname. On the top level, you need to include the |tikz|
+package. In the main text, each graphic needs to be put in a
+|{tikzpicture}| environment. Inside these environments, you can use
+|{scope}| environments to create internal groups. Inside the scopes
+you use |\path| commands to actually draw something. On all levels
+(except for the package level), graphic options can be given that
+apply to everything within the environment.
+
+
+
+\subsection{Loading the Package}
+
+\begin{package}{tikz}
+ This package does not have any options.
+
+ This will automatically load the \pgfname\ package and several other
+ stuff that \tikzname\ needs (like the |xkeyval| package).
+
+ \pgfname\ needs to know what \TeX\ driver you are intending to use. In
+ most cases \pgfname\ is clever enough to determine the correct driver
+ for you; this is true in particular if you \LaTeX. Currently, the only
+ situation where \pgfname\ cannot know the driver ``by itself'' is when
+ you use plain \TeX\ or Con\TeX t together with |dvipdfm|. In this case,
+ you have to write |\def\pgfsysdriver{pgfsys-dvipdfm.def}|
+ \emph{before} you input |tikz.tex|.
+\end{package}
+
+
+
+\subsection{Creating a Picture}
+
+\subsubsection{Creating a Picture Using an Environment}
+
+The ``outermost'' scope of \tikzname\ is the |{tikzpicture}|
+environment. You may give drawing commands only inside this
+environment, giving them outside (as is possible in many other
+packages) will result in chaos.
+
+In \tikzname, the way graphics are rendered is strongly influenced by
+graphic options. For example, there is an option for setting the color used
+for drawing, another for setting the color used for filling, and also
+more obscure ones like the option for setting the prefix used in the
+filenames of temporary files written while plotting functions using an
+external program. The graphic options are nearly always specified in a
+so-called key-value style. (The ``nearly always'' refers to the name
+of nodes, which can also be specified differently.) All graphic
+options are local to the |{tikzpicture}| to which they apply.
+
+\begin{environment}{{tikzpicture}\opt{\oarg{options}}}
+ All \tikzname\ commands should be given inside this
+ environment, except for the |\tikzstyle| command. Unlike other
+ packages, it is not possible to use, say, |\pgfpathmoveto| outside
+ this environment and doing so will result in chaos. For \tikzname,
+ commands like |\path| are only defined inside this environment, so
+ there is little chance that you will do something wrong here.
+
+ When this environment is encountered, the \meta{options} are
+ parsed. All options given here will apply to the whole
+ picture.
+
+ Next, the contents of the environment is processed and the graphic
+ commands therein are put into a box. Non-graphic text is suppressed
+ as well as possible, but non-\pgfname\ commands inside a
+ |{tikzpicture}| environment should not produce any ``output'' since
+ this may totally scramble the positioning system of the backend
+ drivers. The suppressing of normal text, by the way, is done by
+ temporarily switching the font to |\nullfont|. You can, however,
+ ``escape back'' to normal \TeX\ typesetting. This happens, for
+ example, when you specify a node.
+
+ At the end of the environment, \pgfname\ tries to make a good guess
+ at a good guess at the bounding box of the graphic and
+ then resizes the box such that the box has this size. To ``make its
+ guess,'' everytime \pgfname\ encounters a coordinate, it updates the
+ bound box's size such that it encompasses all these
+ coordinates. This will usually give a good
+ approximation at the bounding box, but will not always be
+ accurate. First, the line thickness is not taken into
+ account. Second, controls points of a curve often lie far
+ ``outside'' the curve and make the bounding box too large. In this
+ case, you should use the |[use as bounding box]| option.
+
+ The following option influences the baseline of the resulting
+ picture:
+ \begin{itemize}
+ \itemoption{baseline}\opt{|=|\meta{dimension}}
+ Normally, the lower end of the picture is put on the baseline of
+ the surrounding text. For example, when you give the code
+ |\tikz\draw(0,0)circle(.5ex);|, \pgfname\ will find out that the
+ lower end of the picture is at $-.5\mathrm{ex}$ and that the upper
+ end is at $.5\mathrm{ex}$. Then, the lower end will be put on the
+ baseline, resulting in the following: \tikz\draw(0,0)circle(.5ex);.
+
+ Using this option, you can specify that the picture should be
+ raised or lowered such that the height \meta{dimension} is on the
+ baseline. For example, |tikz[baseline=0pt]\draw(0,0)circle(.5ex);|
+ yields \tikz[baseline=0pt]\draw(0,0)circle(.5ex); since, now, the
+ baseline is on the height of the $x$-axis. If you omit the
+ \meta{dimensions}, |0pt| is assumed as default.
+
+ This options is often useful for ``inlined'' graphics as in
+\begin{codeexample}[]
+$A \mathbin{\tikz[baseline] \draw[->>] (0pt,.5ex) -- (3ex,.5ex);} B$
+\end{codeexample}
+
+ \itemoption{execute at begin picture}|=|\meta{code}
+ This option can be used to install some code that will be executed
+ at the beginning of the picture. This option must be
+ given in the argument of the |{tikzpicture}| environment itself
+ since this option will not have an effect otherwise. After all,
+ the picture has already ``started'' later on.
+
+ This option is mainly used in styles like the |every picture|
+ style to execute certain code at the start of a picture.
+
+ \itemoption{execute at end picture}|=|\meta{code}
+ This option installs some code that will be executed
+ at the end of the picture. Using this option multiple times will
+ cause the code to accumulate. This option must also be given in
+ the optional argument of the |{tikzpicture}| environment.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[execute at end picture=%
+ {
+ \begin{pgfonlayer}{background}
+ \path[fill=yellow,rounded corners]
+ (current bounding box.south west) rectangle
+ (current bounding box.north east);
+ \end{pgfonlayer}
+ }]
+ \node at (0,0) {X};
+ \node at (2,1) {Y};
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+
+ All options ``end'' at the end of the picture. To set an option
+ ``globally'' you can use the following style:
+ \begin{itemize}
+ \itemstyle{every picture}
+ This style is installed at the beginning of each picture.
+\begin{codeexample}[code only]
+\tikzstyle{every picture}=[semithick]
+\end{codeexample}
+ \end{itemize}
+\end{environment}
+
+In plain \TeX, you should use instead the following commands:
+
+\begin{plainenvironment}{{tikzpicture}\opt{\oarg{options}}}
+\end{plainenvironment}
+
+
+\subsubsection{Creating a Picture Using a Command}
+
+The following two commands are used for ``small'' graphics.
+
+\begin{command}{\tikz\opt{\oarg{options}}\marg{commands}}
+ This command places the \meta{commands} inside a
+ |{tikzpicture}| environment and adds a semicolon at the end. This is
+ just a convenience.
+
+ The \meta{commands} may not contain a paragraph (an empty
+ line). This is a precaution to ensure that users really use this
+ command only for small graphics.
+
+ \example |\tikz{\draw (0,0) rectangle (2ex,1ex)}| yields
+ \tikz{\draw (0,0) rectangle (2ex,1ex);}
+\end{command}
+
+
+\begin{command}{\tikz\opt{\oarg{options}}\meta{text}|;|}
+ If the \meta{text} does not start with an opening brace, the end of
+ the \meta{text} is the next semicolon that is encountered.
+
+ \example |\tikz \draw (0,0) rectangle (2ex,1ex);| yields
+ \tikz \draw (0,0) rectangle (2ex,1ex);
+\end{command}
+
+
+
+\subsubsection{Adding a Background}
+
+By default, pictures do not have any background, that is, they are
+``transparent'' on all parts on which you do not draw
+anything. You may instead wish to have a colored background behind
+your picture or a black frame around it or lines above and below it or
+some other kind of decoration.
+
+Since backgrounds are often not needed at all, the definition of
+styles for adding backgrounds has been put in the library package
+|pgflibrarytikzbackgrounds|. This package is documented in
+Section~\ref{section-tikz-backgrounds}.
+
+
+\subsection{Using Scopes to Structure a Picture}
+
+Inside a |{tikzpicture}| environment you can create scopes
+using the |{scope}| environment. This environment is available only
+inside the |{tikzpicture}| environment, so once more, there is little
+chance of doing anything wrong.
+
+\begin{environment}{{scope}\opt{\oarg{options}}}
+ All \meta{options} are local to the \meta{environment
+ contents}. Furthermore, the clipping path is also local to the
+ environment, that is, any clipping done inside the environment
+ ``ends'' at its end.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \begin{scope}[red]
+ \draw (0mm,0mm) -- (10mm,0mm);
+ \draw (0mm,1mm) -- (10mm,1mm);
+ \end{scope}
+ \draw (0mm,2mm) -- (10mm,2mm);
+ \begin{scope}[green]
+ \draw (0mm,3mm) -- (10mm,3mm);
+ \draw (0mm,4mm) -- (10mm,4mm);
+ \draw[blue] (0mm,5mm) -- (10mm,5mm);
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+ The following style influences scopes:
+ \begin{itemize}
+ \itemstyle{every scope}
+ This style is installed at the beginning of every scope. I do not
+ know really know what this might be good for, but who knows?
+ \end{itemize}
+
+ The following options are useful for scopes:
+ \begin{itemize}
+ \itemoption{execute at begin scope}|=|\meta{code}
+ This option install some code that will be executed
+ at the beginning of the scope. This option must be
+ given in the argument of the |{scope}| environment.
+
+ The effect applies only to the current scope, not to subscopes.
+
+ \itemoption{execute at end scope}|=|\meta{code}
+ This option installs some code that will be executed
+ at the end of the current scope. Using this option multiple times
+ will cause the code to accumulate. This option must also be given
+ in the optional argument of the |{scope}| environment.
+
+ Again, the effect applies only to the current scope, not to subscopes.
+ \end{itemize}
+\end{environment}
+
+
+In plain \TeX, you use the following commands instead:
+
+\begin{plainenvironment}{{scope}\opt{\oarg{options}}}
+\end{plainenvironment}
+
+
+
+\subsection{Using Scopes Inside Paths}
+
+The |\path| command, which is described in much more detail in later
+sections, also takes graphic options. These options are local to the
+path. Furthermore, it is possible to create local scopes within a
+path simply by using curly braces as in
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (1,1)
+ {[rounded corners] -- (2,0) -- (3,1)}
+ -- (3,0) -- (2,1);
+\end{codeexample}
+
+Note that many options apply only to the path as a whole and cannot be
+scoped in this way. For example, it is not possible to scope the
+|color| of the path. See the explanations in the section on paths for
+more details.
+
+Finally, certain elements that you specify in the argument to the
+|\path| command also take local options. For example, a node
+specification takes options. In this case, the options apply only to
+the node, not to the surrounding path.
+
+
+
+\subsection{Using Styles to Manage How Pictures Look}
+
+There is a way of organizing sets of graphic options ``orthogonally''
+to the normal scoping mechanism. For example, you might wish all your
+``help lines'' to be drawn in a certain way like, say, gray and thin
+(do \emph{not} dash them, that distracts). For this, you can use
+\emph{styles}.
+
+A style is simply a set of graphic options that is predefined at some
+point. Once a style has been defined, it can be used anywhere using
+the |style| option:
+
+\begin{itemize}
+ \itemoption{style}|=|\meta{style name}
+ invokes all options that are currently set in the \meta{style
+ name}. An example of a style is the predefined |help lines| style,
+ which you should use for lines in the background like grid lines or
+ construction lines. You can easily define new styles and modify
+ existing ones.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) grid +(2,2);
+ \draw[style=help lines] (2,0) grid +(2,2);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+\begin{command}{\tikzstyle\meta{style name}\opt{|+|}|=[|\meta{options}|]|}
+ This command defines the style \meta{style name}. Whenever it is
+ used using the |style=|\meta{style name} command, the \meta{options}
+ will be invoked. It is permissible that a style invokes another
+ style using the |style=| command inside the \meta{options}, which
+ allows you to build hierarchies of styles. Naturally, you should
+ \emph{not} create cyclic dependencies.
+
+ If the style already has a predefined meaning, it will
+ unceremoniously be redefined without a warning.
+\begin{codeexample}[]
+\tikzstyle{help lines}=[blue!50,very thin]
+\begin{tikzpicture}
+ \draw (0,0) grid +(2,2);
+ \draw[style=help lines] (2,0) grid +(2,2);
+\end{tikzpicture}
+\end{codeexample}
+
+ If the optional |+| is given, the options are \emph{added} to the
+ existing definition:
+\begin{codeexample}[]
+\tikzstyle{help lines}+=[dashed]% aaarghhh!!!
+\begin{tikzpicture}
+ \draw (0,0) grid +(2,2);
+ \draw[style=help lines] (2,0) grid +(2,2);
+\end{tikzpicture}
+\end{codeexample}
+\end{command}
+
+It is also possible to set a style using an option:
+\begin{itemize}
+ \itemoption{set style}|={|\marg{style name}\opt{|+|}|=[|\meta{options}|]}|
+ This option has the same effect as saying |\tikzstyle| before the
+ argument of the option.
+\begin{codeexample}[]
+\begin{tikzpicture}[set style={{help lines}+=[dashed]}]
+ \draw (0,0) grid +(2,2);
+ \draw[style=help lines] (2,0) grid +(2,2);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-shapes.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-shapes.tex
new file mode 100644
index 00000000000..e118bf98449
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-shapes.tex
@@ -0,0 +1,832 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Nodes}
+
+\label{section-nodes}
+
+\subsection{Nodes and Their Shapes}
+
+\tikzname\ offers an easy way of adding so-called \emph{nodes} to your
+pictures. In the simplest case, a node is just some text that is
+placed at some coordinate. However, a node can also have a border
+drawn around it or have a more complex background and
+foreground. Indeed, some nodes do not have a text at all, but consist
+solely of the background. You can name nodes so that you can reference
+their coordinates later in the picture. However, \emph{nodes cannot be
+ referenced across different pictures}.
+
+There are no special \TeX\ commands for adding a node to a picture; rather,
+there is path operation called |node| for this. Nodes are created
+whenever \tikzname\ encounters |node| or |coordinate| at a point on a
+path where it would expect a normal path operation (like |-- (1,1)| or
+|sin (1,1)|). It is also possible to give node specifications
+\emph{inside} certain path operations as explained later.
+
+The node operation is typically followed by some options, which apply
+only to the node. Then, you can optionally \emph{name} the node by
+providing a name in round braces. Lastly, for the |node| operation you
+must provide some label text for the node in curly braces, while for
+the |coordinate| operation you may not. The node is placed at the
+current position of the path \emph{after the path has been
+ drawn}. Thus, all nodes are drawn ``on top'' of the path and
+retained until the path is complete. If there are several nodes on a
+path, they are drawn on top of the path in the order they are
+encountered.
+
+\begin{codeexample}[]
+\tikz \fill[fill=examplefill]
+ (0,0) node {first node}
+ -- (1,1) node {second node}
+ -- (0,2) node {third node};
+\end{codeexample}
+
+The syntax for specifying nodes is the following:
+\begin{pathoperation}{node}{\opt{|[|\meta{options}|]|}\opt{|(|\meta{name}|)|}%
+ \opt{|at(|\meta{coordinate}|)|}\opt{\marg{text}}}
+ The effect of |at| is to place the node at the coordinate given
+ after |at| and not, as would normally be the case, at the last
+ position. The |at| syntax is not available when a node is given
+ inside a path operation (it would not make any sense, there).
+
+ The |(|\meta{name}|)| is a name for later reference and it is
+ optional. You may also add the option |name=|\meta{name} to the
+ \meta{option} list; it has the same effect.
+
+ \begin{itemize}
+ \itemoption{name}|=|\meta{node name}
+ assigns a name to the node for later reference. Since this is a
+ ``high-level'' name (drivers never know of it), you can use spaces,
+ number, letters, or whatever you like when naming a node. Thus, you
+ can name a node just |1| or perhaps |start of chart| or even
+ |y_1|. Your node name should \emph{not} contain any punctuation like
+ a dot, a comma, or a colon since these are used to detect what kind
+ of coordinate you mean when you reference a node.
+ \end{itemize}
+
+ The \meta{options} is an optional list of options that \emph{apply
+ only to the node} and have no effect outside. The other way round,
+ most ``outside'' options also apply to the node, but not all. For
+ example, the ``outside'' rotation does not apply to nodes (unless some
+ special options are used, sigh). Also, the outside path action, like
+ |draw| or |fill|, never applies to the node and must be given in the
+ node (unless some special other options are used, deep sigh).
+
+ As mentioned before, we can add a border and even a background to a
+ node:
+\begin{codeexample}[]
+\tikz \fill[fill=examplefill]
+ (0,0) node {first node}
+ -- (1,1) node[draw] {second node}
+ -- (0,2) node[fill=red!20,draw,double,rounded corners] {third node};
+\end{codeexample}
+
+ The ``border'' is actually just a special case of a much more general
+ mechanism. Each node has a certain \emph{shape} which, by default, is
+ a rectangle. However, we can also ask \tikzname\ to use a circle shape
+ instead or an ellipse shape (you have to include |pgflibraryshapes| for
+ the latter shape):
+
+\begin{codeexample}[]
+\tikz \fill[fill=examplefill]
+ (0,0) node{first node}
+ -- (1,1) node[ellipse,draw] {second node}
+ -- (0,2) node[circle,fill=red!20] {third node};
+\end{codeexample}
+
+ In the future, there might be much more complicated shapes available
+ such as, say, a shape for a resistor or a shape for a state of a
+ finite automaton or a shape for a \textsc{uml} class. Unfortunately,
+ creating new shapes is a bit tricky and makes it necessary to use the
+ basic layer directly. Life is hard.
+
+ To select the shape of a node, the following option is used:
+ \begin{itemize}
+ \itemoption{shape}|=|\meta{shape name}
+ select the shape either of the current node or, when this option is
+ not given inside a node but somewhere outside, the shape of all
+ nodes in the current scope.%
+ \indexoption{\meta{shape name}}
+
+ Since this option is used often, you can leave out the
+ |shape=|. When \tikzname\ encounters an option like |circle|
+ that it does not know, it will, after everything else has failed,
+ check whether this option is the name of some shape. If so, that
+ shape is selected as if you had said |shape=|\meta{shape name}.
+
+ By default, the following shapes are available: |rectangle|,
+ |circle|, |coordinate|, and, when the package |pgflibraryshapes| is
+ loaded, also |ellipse|. Details of these shapes, like their anchors
+ and size options, are discussed in Section~\ref{section-the-shapes}.
+ \end{itemize}
+
+ The following styles influences how nodes are rendered:
+ \begin{itemize}
+ \itemstyle{every node}
+ This style is installed at the beginning of every node.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{every node}=[draw]
+ \draw (0,0) node {A} -- (1,1) node {B};
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemstyle{every \meta{shape} node}
+ These styles are installed at the beginning of a node of a given
+ \meta{shape}. For example, |every rectangle node| is used for
+ rectangle nodes, and so on.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{every rectangle node}=[draw]
+ \tikzstyle{every circle node}= [draw,double]
+ \draw (0,0) node[rectangle] {A} -- (1,1) node[circle] {B};
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+\end{pathoperation}
+
+The is a special syntax for specifying ``light-weighed'' nodes:
+
+\begin{pathoperation}{coordinate}{\opt{|[|\meta{options}|]|}|(|\meta{name}|)|\opt{|at(|\meta{coordinate}|)|}}
+ This has the same effect as
+
+ |node[shape=coordinate][|\meta{options}|](|\meta{name}|)at(|\meta{coordinate}|){}|,
+
+ where the |at| part might be missing.
+\end{pathoperation}
+
+
+
+\subsection{Multi-Part Nodes}
+
+Most nodes just have a single simple text label. However, nodes of a
+more complicated shapes might be made up from several \emph{node
+ parts}. For example, in automata theory a so-called Moore state has
+a state name, drawn in the upper part of the state circle, and an
+output text, drawn in the lower part of the state circle. These two
+parts are quite independent. Similarly, a \textsc{uml} class shape
+would have a name part, a method part, and an attributes
+part. Different molecule shape might use parts for the different atoms
+to be drawn at the different positions, and so on.
+
+Both \pgfname\ and \tikzname\ support such multipart nodes. On the
+lower level, \pgfname\ provides a system for specifying that a shape
+consists of several parts. On the \tikzname\ level, you specify the
+different node parts by using the following command:
+
+\begin{command}{\nodepart\marg{part name}}
+ This command can only be used inside the \meta{text} argument of a
+ |node| path operation. It works a little bit like a |\part| command
+ in \LaTeX. It will stop the typesetting of whatever node part was
+ typeset until now and then start putting all following text into the
+ node part named \meta{part name}---until another |\partname| is
+ encountered or until the node \meta{text} ends.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node [state with output,draw,double,fill=red!20]
+ {
+ % No \nodepart has been used, yet. So, the following is put in the
+ % ``text'' node part by default.
+ $q_1$
+ \nodepart{output} % Ok, end ``text'' part, start ``output'' part
+ $00$
+ }; % output part ended.
+\end{tikzpicture}
+\end{codeexample}
+
+ You will have to lookup which parts are defined by a shape.
+
+ The following styles influences node parts:
+ \begin{itemize}
+ \itemstyle{every \meta{part name} node part}
+ This style is installed at the beginning of every node part named
+ \meta{part name}.
+\begin{codeexample}[]
+\tikzstyle{every output node part}=[red]
+\tikz \node [state with output,draw] {$q_1$ \nodepart{output} $00$};
+\end{codeexample}
+ \end{itemize}
+\end{command}
+
+
+
+\subsection{Options for the Text in Nodes}
+
+The simplest option for the text in nodes is its color. Normally, this
+color is just the last color installed using |color=|, possibly
+inherited from another scope. However, it is possible to specificly
+set the color used for text using the following option:
+
+\begin{itemize}
+ \itemoption{text}|=|\meta{color}
+ Sets the color to be used for text labels. A |color=| option
+ will immediately override this option.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[red] (0,0) -- +(1,1) node[above] {red};
+ \draw[text=red] (1,0) -- +(1,1) node[above] {red};
+ \draw (2,0) -- +(1,1) node[above,red] {red};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+Next, you may wish to adjust the font used for the text. Use the
+following option for this:
+\begin{itemize}
+ \itemoption{font}|=|\meta{font commands}
+ Sets the font used for text labels.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[font=\itshape] (1,0) -- +(1,1) node[above] {italic};
+\end{tikzpicture}
+\end{codeexample}
+ A perhaps more useful example is the following:
+
+\begin{codeexample}[]
+\tikzstyle{every text node part}=[font=\itshape]
+\tikzstyle{every output node part}=[font=\footnotesize]
+\tikzstyle{every state with output node}=[draw]
+\tikz \node [state with output] {state \nodepart{output} output};
+\end{codeexample}
+\end{itemize}
+
+
+Normally, when a node is typeset, all the text you give in the braces
+is but in one long line (in an |\hbox|, to be precise) and the node
+will become as wide as necessary.
+
+You can change this behaviour using the following options. They allow
+you to limit the width of a node (naturally, at the expense of its
+height).
+
+\begin{itemize}
+ \itemoption{text width}|=|\meta{dimension}
+ This option will put the text of a node in a box of the given width
+ (more precisely, in a |{minipage}| of this width; for plain \TeX\ a
+ rudimentary ``minipage emulation'' is used).
+
+ If the node text is not as wide as \meta{dimension}, it will
+ nevertheless be put in a box of this width. If it is larger, line
+ breaking will be done.
+
+ By default, when this option is given, a ragged right border will be
+ used. This is sensible since, typically, these boxes are narrow and
+ justifying the text looks ugly.
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+ \itemoption{text justified}
+ causes the text to be justified instead of (right)ragged. Use this
+ only with pretty broad nodes.
+{%
+\hbadness=10000
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm,text justified]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+}
+ In the above example, \TeX\ complains (rightfully) about three very
+ badly typeset lines. (For this manual I asked \TeX\ to stop
+ complaining by using |\hbadness=10000|, but this is a foul deed,
+ indeed.)
+ \itemoption{text ragged}
+ causes the text to be typeset with a ragged right. This uses the
+ original plain \TeX\ definition of a ragged right border, in which
+ \TeX\ will try to balance the right border as well as possible. This
+ is the default.
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm,text ragged]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+ \itemoption{text badly ragged}
+ causes the right border to be ragged in the \LaTeX-style, in which
+ no balancing occurs. This looks ugly, but it may be useful for very
+ narrow boxes and when you wish to avoid hyphenations.
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm,text badly ragged]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+ \itemoption{text centered}
+ centers the text, but tries to balance the lines.
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm,text centered]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+ \itemoption{text badly centered}
+ centers the text, without balancing the lines.
+\begin{codeexample}[]
+\tikz \draw (0,0) node[fill=examplefill,text width=3cm,text badly centered]
+ {This is a demonstration text for showing how line breaking works.};
+\end{codeexample}
+\end{itemize}
+
+
+
+\subsection{Placing Nodes Using Anchors}
+
+When you place a node at some coordinate, the node is centered on this
+coordinate by default. This is often undesirable and it would be
+better to have the node to the right or above the actual coordinate.
+
+\pgfname\ uses a so-called anchoring mechanism to give you a very fine
+control over the placement. The idea is simple: Imaging a node of
+rectangular shape of a certain size. \pgfname\ defines numerous anchor
+positions in the shape. For example to upper right corner is called,
+well, not ``upper right anchor,'' but the |north east| anchor of the
+shape. The center of the shape has an anchor called |center| on top of
+it, and so on. Here are some examples (a complete list is given in
+Section~\ref{section-the-shapes}).
+
+\medskip\noindent
+\begin{tikzpicture}
+ \path node[minimum height=2cm,minimum width=5cm,fill=blue!25](x) {Big node};
+ \fill (x.north) circle (2pt) node[above] {|north|}
+ (x.north east) circle (2pt) node[above] {|north east|}
+ (x.north west) circle (2pt) node[above] {|north west|}
+ (x.west) circle (2pt) node[left] {|west|}
+ (x.east) circle (2pt) node[right] {|east|}
+ (x.base) circle (2pt) node[below] {|base|};
+\end{tikzpicture}
+
+Now, when you place a node at a certain coordinate, you can ask \tikzname\
+to place the node shifted around in such a way that a certain
+anchor is at the coordinate. In the following example, we ask \tikzname\
+to shift the first node such that its |north east| anchor is at
+coordinate |(0,0)| and that the |west| anchor of the second node is at
+coordinate |(1,1)|.
+
+\begin{codeexample}[]
+\tikz \draw (0,0) node[anchor=north east] {first node}
+ rectangle (1,1) node[anchor=west] {second node};
+\end{codeexample}
+
+Since the default anchor is |center|, the default behaviour is to
+shift the node in such a way that it is centered on the current
+position.
+
+\begin{itemize}
+ \itemoption{anchor}|=|\meta{anchor name}
+ causes the node to be shifted such that it's anchor \meta{anchor
+ name} lies on the current coordinate.
+
+ The only anchor that is present in all shapes is |center|. However,
+ most shapes will at least define anchors in all ``compass
+ directions.'' Furthermore, the standard shapes also define a |base|
+ anchor, as well as |base west| and |base east|, for placing things on
+ the baseline of the text.
+
+ The standard shapes also define a |mid| anchor (and |mid west| and
+ |mid east|). This anchor is half the height of the character ``x''
+ above the base line. This anchor is useful for vertically centering
+ multiple nodes that have different heights and depth. Here is an
+ example:
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3,transform shape]
+ % First, center alignment -> wobbles
+ \draw[anchor=center] (0,1) node{x} -- (0.5,1) node{y} -- (1,1) node{t};
+ % Second, base alignment -> no wobble, but too high
+ \draw[anchor=base] (0,.5) node{x} -- (0.5,.5) node{y} -- (1,.5) node{t};
+ % Third, mid alignment
+ \draw[anchor=mid] (0,0) node{x} -- (0.5,0) node{y} -- (1,0) node{t};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+Unfortunately, while perfectly logical, it is often rather
+counter-intuitive that in order to place a node \emph{above} a given
+point, you need to specify the |south| anchor. For this reason, there
+are some useful options that allow you to select the standard anchors
+more intuitively:
+\begin{itemize}
+ \itemoption{above}\opt{|=|\meta{offset}}
+ does the same as |anchor=south|. If the \meta{offset} is specified,
+ the node is additionally shifted upwards by the given
+ \meta{offset}.
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[above] {above};
+\end{codeexample}
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[above=2pt] {above};
+\end{codeexample}
+ \itemoption{above left}\opt{|=|\meta{offset}}
+ does the same as |anchor=south east|. If the \meta{offset} is
+ specified, the node is additionally shifted upwards and right by
+ \meta{offset}.
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[above left] {above left};
+\end{codeexample}
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[above left=2pt] {above left};
+\end{codeexample}
+ \itemoption{above right}\opt{|=|\meta{offset}}
+ does the same as |anchor=south west|.
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[above right] {above right};
+\end{codeexample}
+ \itemoption{left}\opt{|=|\meta{offset}}
+ does the same as |anchor=east|.
+\begin{codeexample}[]
+\tikz \fill (0,0) circle (2pt) node[left] {left};
+\end{codeexample}
+ \itemoption{right}\opt{|=|\meta{offset}}
+ does the same as |anchor=west|.
+ \itemoption{below}\opt{|=|\meta{offset}}
+ does the same as |anchor=north|.
+ \itemoption{below left}\opt{|=|\meta{offset}}
+ does the same as |anchor=north east|.
+ \itemoption{below right}\opt{|=|\meta{offset}}
+ does the same as |anchor=north west|.
+\end{itemize}
+
+
+\subsection{Transformations}
+
+It is possible to transform nodes, but, by default, transformations do
+not apply to nodes. The reason is that you usually do \emph{not} want
+your text to be scaled or rotated even if the main graphic is
+transformed. Scaling text is evil, rotating slightly less so.
+
+However, sometimes you \emph{do} wish to transform a node, for
+example, it certainly sometimes makes sense to rotate a node by
+90 degrees. There are two ways in which you can achieve this:
+
+\begin{enumerate}
+\item
+ You can use the following option:
+ \begin{itemize}
+ \itemoption{transform shape}
+ causes the current ``external'' transformation matrix to be
+ applied to the shape. For example, if you said
+ |\tikz[scale=3]| and then say |node[transform shape] {X}|, you
+ will get a ``huge'' X in your graphic.
+ \end{itemize}
+\item
+ You can give transformation option \emph{inside} the option list of
+ the node. \emph{These} transformations always apply to the node.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{every node}=[draw]
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (1,0) node{A}
+ (2,0) node[rotate=90,scale=1.5] {B};
+ \draw[rotate=30] (1,0) node{A}
+ (2,0) node[rotate=90,scale=1.5] {B};
+ \draw[rotate=60] (1,0) node[transform shape] {A}
+ (2,0) node[transform shape,rotate=90,scale=1.5] {B};
+\end{tikzpicture}
+\end{codeexample}
+\end{enumerate}
+
+
+
+\subsection{Placing Nodes on a Line or Curve}
+
+Until now, we always placed node on a coordinate that is mentioned in
+the path. Often, however, we wish to place nodes on ``the middle'' of
+a line and we do not wish to compute these coordinates ``by hand.''
+To facilitate such placements, \tikzname\ allows you to specify that a
+certain node should be somewhere ``on'' a line. There are two ways of
+specifying this: Either explicitly by using the |pos| option or
+implicitly by placing the node ``inside'' a path operation. These two
+ways are described in the following.
+
+
+
+\subsubsection{Explicit Use of the Position Option}
+
+\label{section-pos-option}
+
+\begin{itemize}
+ \itemoption{pos}|=|\meta{fraction}
+ When this option is given, the node is not anchored on the last
+ coordinate. Rather, it is anchored on some point on the line from
+ the previous coordinate to the current point. The \meta{fraction}
+ dictates how ``far'' on the line the point should be. A
+ \meta{fraction} or 0 is the previous coordinate, 1 is the current
+ one, everything else is in between. In particular, 0.5 is the
+ middle.
+
+ Now, what is ``the previous line''? This depends on the previous
+ path construction operation.
+
+ In the simplest case, the previous path operation was a ``line-to''
+ operation, that is, a |--|\meta{coordinate} operation:
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (3,1)
+ node[pos=0]{0} node[pos=0.5]{1/2} node[pos=0.9]{9/10};
+\end{codeexample}
+
+ The next case is the curve-to operation (the |..| operation). In this
+ case, the ``middle'' of the curve, that is, the position |0.5| is
+ not necessarily the point at the exact half distance on the
+ line. Rather, it is some point at ``time'' 0.5 of a point traveling
+ from the start of the curve, where it is at time 0, to the end of
+ the curve, which it reaches at time 0.5. The ``speed'' of the point
+ depends on the length of the support vectors (the vectors that
+ connect the start and end points to the control points). The exact
+ math is a bit complicated (depending on your point of view, of
+ course); you may wish to consult a good book on computer graphics
+ and Bzier curves if you are intrigued.
+\begin{codeexample}[]
+ \tikz \draw (0,0) .. controls +(right:3.5cm) and +(right:3.5cm) .. (0,3)
+ \foreach \p in {0,0.125,...,1} {node[pos=\p]{\p}};
+\end{codeexample}
+
+ Another interesting case are the horizontal/vertical line-to operations
+ \verb!|-! and \verb!-|!. For them, the position (or time) |0.5| is
+ exactly the corner point.
+
+\begin{codeexample}[]
+\tikz \draw (0,0) |- (3,1)
+ node[pos=0]{0} node[pos=0.5]{1/2} node[pos=0.9]{9/10};
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \draw (0,0) -| (3,1)
+ node[pos=0]{0} node[pos=0.5]{1/2} node[pos=0.9]{9/10};
+\end{codeexample}
+
+ For all other path construction operations, \emph{the position
+ placement does not work}, currently. This will hopefully change in
+ the future (especially for the arc operation).
+ \itemoption{sloped}
+ This option causes the node to be rotated such that a horizontal
+ line becomes a tangent to the curve. The rotation will always be
+ done in such a way that text is never ``upside down.'' If you really
+ need upside down text, use |[rotate=180]|.
+\begin{codeexample}[]
+\tikz \draw (0,0) .. controls +(up:2cm) and +(left:2cm) .. (1,3)
+ \foreach \p in {0,0.25,...,1} {node[sloped,above,pos=\p]{\p}};
+\end{codeexample}
+\begin{codeexample}[]
+\begin{tikzpicture}[->]
+ \draw (0,0) -- (2,0.5) node[midway,sloped,above] {$x$};
+ \draw (2,-.5) -- (0,0) node[midway,sloped,below] {$y$};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+There exist styles for specifying positions a bit less ``technically'':
+\begin{itemize}
+ \itemstyle{midway}
+ is set to |pos=0.5|.
+\begin{codeexample}[]
+\tikz \draw (0,0) .. controls +(up:2cm) and +(left:3cm) .. (1,5)
+ node[at end] {|at end|}
+ node[very near end] {|very near end|}
+ node[near end] {|near end|}
+ node[midway] {|midway|}
+ node[near start] {|near start|}
+ node[very near start] {|very near start|}
+ node[at start] {|at start|};
+\end{codeexample}
+ \itemstyle{near start}
+ is set to |pos=0.25|.
+ \itemstyle{near end}
+ is set to |pos=0.75|.
+ \itemstyle{very near start}
+ is set to |pos=0.125|.
+ \itemstyle{very near end}
+ is set to |pos=0.875|.
+ \itemstyle{at start}
+ is set to |pos=0|.
+ \itemstyle{at end}
+ is set to |pos=1|.
+\end{itemize}
+
+
+\subsubsection{Implicit Use of the Position Option}
+
+When you wish to place a node on the line |(0,0) -- (1,1)|,
+it is natural to specify the node not following the |(1,1)|, but
+``somewhere in the middle.'' This is, indeed, possible and you can
+write |(0,0) -- node{a} (1,1)| to place a node midway between |(0,0)| and
+|(1,1)|.
+
+What happens is the following: The syntax of the line-to path
+operation is actually |--|
+\opt{|node|\meta{node specification}}\meta{coordinate}. (It is even
+possible to give multiple nodes in this way.) When the optional
+|node| is encountered, that is,
+when the |--| is directly followed by |node|, then the
+specification(s) are read and ``stored away.'' Then, after the
+\meta{coordinate} has finally been reached, they are inserted again,
+but with the |pos| option set.
+
+There are two things to note about this: When a node specification is
+``stored,'' its catcodes become fixed. This means that you cannot use
+overly complicated verbatim text in them. If you really need, say, a
+verbatim text, you will have to put it in a normal node following the
+coordinate and add the |pos| option.
+
+Second, which |pos| is chosen for the node? The position is inherited
+from the surrounding scope. However, this holds only for nodes
+specified in this implicit way. Thus, if you add the option
+|[near end]| to a scope, this does not mean that \emph{all} nodes given
+in this scope will be put on near the end of lines. Only the nodes
+for which an implicit |pos| is added will be placed near the
+end. Typically, this is what you want. Here are some examples that
+should make this clearer:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[near end]
+ \draw (0cm,4em) -- (3cm,4em) node{A};
+ \draw (0cm,3em) -- node{B} (3cm,3em);
+ \draw (0cm,2em) -- node[midway] {C} (3cm,2em);
+ \draw (0cm,1em) -- (3cm,1em) node[midway] {D} ;
+\end{tikzpicture}
+\end{codeexample}
+
+Like the line-to operation, the curve-to operation |..| also allows you to
+specify nodes ``inside'' the operation. After both the first |..| and
+also after the second |..| you can place node specifications. Like for
+the |--| operation, these will be collected and then reinserted after
+the operation with the |pos| option set.
+
+
+\subsection{Connecting Nodes}
+
+Once you have defined a node and given it a name, you can use this
+name to reference it. This can be done in two ways, see also
+Section~\ref{section-node-coordinates}. Suppose you have said
+|\path(0,0) node(x) {Hello World!};| in order to define a node named |x|.
+\begin{enumerate}
+\item
+ Once the node |x| has been defined, you can use
+ |(x.|\meta{anchor}|)| wherever you would normally use a normal
+ coordinate. This will yield the position at which the given
+ \meta{anchor} is in the picture. Note that transformations do not
+ apply to this coordinate, that is, |(x.north)| will be the northern
+ anchor of |x| even if you have said |scale=3| or |xshift=4cm|. This
+ is usually what you would expect.
+\item
+ You can also just use |(x)| as a coordinate. In most cases, this
+ gives the same coordinate as |(x.center)|. Indeed, if the |shape| of
+ |x| is |coordinate|, then |(x)| and |(x.center)| have exactly the
+ same effect.
+
+ However, for most other shapes, some path construction operations like
+ |--| try to be ``clever'' when this they are asked to draw a line
+ from such a coordinate or to such a coordinate. When you say
+ |(x)--(1,1)|, the |--| path operation will not draw a line from the center
+ of |x|, but \emph{from the border} of |x| in the direction going
+ towards |(1,1)|. Likewise, |(1,1)--(x)| will also have the line
+ end on the border in the direction coming from |(1,1)|.
+
+ In addition to |--|, the curve-to path operation |..| and the path
+ operations \verb!-|! and \verb!|-! will also handle nodes without
+ anchors correctly. Here is an example, see also
+ Section~\ref{section-node-coordinates}:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \path (0,0) node (x) {Hello World!}
+ (3,1) node[circle,draw](y) {$\int_1^2 x \mathrm d x$};
+
+ \draw[->,blue] (x) -- (y);
+ \draw[->,red] (x) -| node[near start,below] {label} (y);
+ \draw[->,orange] (x) .. controls +(up:1cm) and +(left:1cm) .. node[above,sloped] {label} (y);
+\end{tikzpicture}
+\end{codeexample}
+\end{enumerate}
+
+
+
+
+
+\subsection{Predefined Shapes}
+\label{section-the-shapes}
+
+\pgfname\ and \tikzname\ define three shapes, by default:
+\begin{itemize}
+\item
+ |rectangle|,
+\item
+ |circle|, and
+\item
+ |coordinate|.
+\end{itemize}
+By loading library packages, you can define more shapes. Currently,
+the package |pgflibraryshapes| defines
+\begin{itemize}
+\item
+ |ellipse|.
+\end{itemize}
+
+The exact behaviour of these shapes differs, shapes defined for more
+special purposes (like a, say, transistor shape) will have even more
+custom behaviors. However, there are some options that apply to most
+shapes:
+\begin{itemize}
+ \itemoption{inner sep}|=|\meta{dimension}
+ An additional (invisible) separation space of \meta{dimension} will
+ be added inside the shape, between the text and the shape's
+ background path. The effect is as if you had added appropriate
+ horizontal and vertical skips at the beginning and end of the text
+ to make it a bit ``larger.'' The default |inner sep| is the size of
+ a normal space.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) node[inner sep=0pt,draw] {tight}
+ (0cm,2em) node[inner sep=5pt,draw] {loose}
+ (0cm,4em) node[fill=examplefill] {default};
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{inner xsep}|=|\meta{dimension}
+ Specifies the inner separation in the $x$-direction, only.
+ \itemoption{inner ysep}|=|\meta{dimension}
+ Specifies the inner separation in the $y$-direction, only.
+
+ \itemoption{outer sep}|=|\meta{dimension}
+ This option adds an additional (invisible) separation space of
+ \meta{dimension} outside the background path. The main effect of
+ this option is that all anchors will move a little ``to the
+ outside.''
+
+ The default for this option is half the line width. When the default
+ is used and when the background path is draw, the anchors will lie
+ exactly on the ``outside border'' of the path (not on the path
+ itself). When the shape is filled, but not drawn, this may not be
+ desirable. In this case, the |outer sep| should be set to zero
+ point.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[line width=5pt]
+ (0,0) node[outer sep=0pt,fill=examplefill] (f) {filled}
+ (2,0) node[inner sep=.5\pgflinewidth+2pt,draw] (d) {drawn};
+
+ \draw[->] (1,-1) -- (f);
+ \draw[->] (1,-1) -- (d);
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{outer xsep}|=|\meta{dimension}
+ Specifies the outer separation in the $x$-direction, only.
+ \itemoption{outer ysep}|=|\meta{dimension}
+ Specifies the outer separation in the $y$-direction, only.
+
+ \itemoption{minimum height}|=|\meta{dimension}
+ This option ensures that the height of the shape (including the
+ inner, but ignoring the outer separation) will be at least
+ \meta{dimension}. Thus, if the text plus the inner separation is not
+ at least as large as \meta{dimension}, the shape will be enlarged
+ appropriately. However, if the text is already larger than
+ \meta{dimension}, the shape will not be shrunk.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) node[minimum height=1cm,draw] {1cm}
+ (2,0) node[minimum height=0cm,draw] {0cm};
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{minimum width}|=|\meta{dimension}
+ same as |minimum height|, only for the width.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) node[minimum height=2cm,minimum width=3cm,draw] {$3 \times 2$};
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{minimum size}|=|\meta{dimension}
+ sets both the minimum height and width at the same time.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) node[minimum size=2cm,draw] {square};
+ \draw (0,-2) node[minimum size=2cm,draw,circle] {circle};
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+\label{section-tikz-coordinate-shape}
+The |coordinate| shape is handled in a special way by \tikzname. When
+a node |x| whose shape is |coordinate| is used as a coordinate |(x)|,
+this has the same effect as if you had said |(x.center)|. None of the
+special ``line shortening rules'' apply in this case. This can be
+useful since, normally, the line shortening causes paths to be
+segmented and they cannot be used for filling. Here is an example that
+demonstrates the difference:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{every node}=[draw]
+ \path[yshift=1.5cm,shape=rectangle]
+ (0,0) node(a1){} (1,0) node(a2){}
+ (1,1) node(a3){} (0,1) node(a4){};
+ \filldraw[fill=examplefill] (a1) -- (a2) -- (a3) -- (a4);
+
+ \path[shape=coordinate]
+ (0,0) coordinate(b1) (1,0) coordinate(b2)
+ (1,1) coordinate(b3) (0,1) coordinate(b4);
+ \filldraw[fill=examplefill] (b1) -- (b2) -- (b3) -- (b4);
+\end{tikzpicture}
+\end{codeexample}
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-transformations.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-transformations.tex
new file mode 100644
index 00000000000..874d1682df9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-transformations.tex
@@ -0,0 +1,337 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Transformations}
+
+\pgfname\ has a powerful transformation mechanism that is similar to
+the transformation capabilities of \textsc{metafont}. The present
+section explains how you can access it in \tikzname.
+
+
+\subsection{The Different Coordinate Systems}
+
+It is a long process from a coordinate like, say, $(1,2)$ or
+$(1\mathrm{cm},5\,mathrm{pt})$, to the position a point is finally
+placed on the display or paper. In order to find out where the point
+should go, it is constantly ``transformed,'' which means that it is
+mostly shifted around and possibly rotated, slanted, scaled, and
+otherwise mutilated.
+
+In detail, (at least) the following transformations are applied to a
+coordinate like $(1,2)$ before a point on the screen is chosen:
+\begin{enumerate}
+\item
+ \pgfname\ interprets a coordinate like $(1,2)$ in its
+ $xy$-coordinate system as ``add the current $x$-vector once and the
+ current $y$-vector twice to obtain the new point.''
+\item
+ \pgfname\ applies its coordinate transformation matrix to the
+ resulting coordinate. This yields the final position of the point
+ inside the picture.
+\item
+ The backend driver (like |dvips| or |pdftex|) adds transformation
+ commands such the coordinate is shifted to the correct position in
+ \TeX's page coordinate system.
+\item
+ \textsc{pdf} (or PostScript) apply the canvas transformation
+ matrix to the point, which can once more change the position on the
+ page.
+\item
+ The viewer application or the printer applies the device
+ transformation matrix to transform the coordinate to its final pixel
+ coordinate on the screen or paper.
+\end{enumerate}
+
+In reality, the process is even more involved, but the above should
+give the idea: A point is constantly transformed by changes of the
+coordinate system.
+
+In \tikzname, you only have access to the first two coordinate systems:
+The $xy$-coordinate system and the coordinate transformation matrix
+(these will be explained later). \pgfname\ also allows you to change
+the canvas transformation matrix, but you have to use commands of
+the core layer directly to do so and you ``better know what you are
+doing'' when you do this. The moment you start modifying the
+canvas matrix, \pgfname\ immediately looses track of all
+coordinates and shapes, anchors, and bounding box computations will no
+longer work.
+
+
+\subsection{The Xy- and Xyz-Coordinate Systems}
+
+The first and easiest coordinate systems are \pgfname's $xy$- and
+$xyz$-coordinate systems. The idea is very simple: Whenever you
+specify a coordinate like |(2,3)| this means $2v_x + 3v_y$, where
+$v_x$ is the current \emph{$x$-vector} and $v_y$ is the current
+\emph{$y$-vector}. Similarly, the coordinate |(1,2,3)| means $v_x +
+2v_y + 3v_z$.
+
+Unlike other packages, \pgfname\ does not insist that $v_x$ actually
+has a $y$-component of $0$, that is, that it is a horizontal
+vector. Instead, the $x$-vector can point anywhere you
+want. Naturally, \emph{normally} you will want the $x$-vector to point
+horizontally.
+
+One undesirable effect of this flexibility is that it is not possible
+to provide mixed coordinates as in $(1,2\mathrm{pt})$. Life is hard.
+
+To change the $x$-, $y$-, and $z$-vectors, you can use the following
+options:
+
+\begin{itemize}
+\itemoption{x}|=|\meta{dimension}
+ Sets the $x$-vector of \pgfname's $xyz$-coordinate system to point
+ \meta{dimension} to the right, that is, to
+ $(\meta{dimension},0pt)$. The default is 1cm.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- +(1,0);
+ \draw[x=2cm,color=red] (0,0.1) -- +(1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \draw[x=1.5cm] (0,0) grid (2,2);
+\end{codeexample}
+
+The last example shows that the size of steppings in grids, just like
+all other dimensions, are not affected by the $x$-vector. After all,
+the $x$-vector is only used to determine the coordinate of the upper
+right corner of the grid.
+\itemoption{x}|=|\meta{coordinate}
+ Sets the $x$-vector of \pgfname's $xyz$-coordinate system to the
+ specified \meta{coordinate}. If \meta{coordinate} contains a comma,
+ it must be put in braces.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) -- (1,0);
+ \draw[x={(2cm,0.5cm)},color=red] (0,0) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ You can use this, for example, to exchange the meaning of the $x$- and
+ $y$-coordinate.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[smooth]
+ \draw plot coordinates{(1,0) (2,0.5) (3,0) (3,1)};
+ \draw[x={(0cm,1cm)},y={(1cm,0cm)},color=red]
+ plot coordinates{(1,0) (2,0.5) (3,0) (3,1)};
+\end{tikzpicture}
+\end{codeexample}
+
+\itemoption{y}|=|\meta{value}
+ Works like the |x=| option, only if \meta{value} is a dimension, the
+ resulting vector points to $(0,\meta{value})$.
+\itemoption{z}|=|\meta{value}
+ Works like the |z=| option, but now a dimension is means the point
+ $(\meta{value},\meta{value})$.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[z=-1cm,->,thick]
+ \draw[color=red] (0,0,0) -- (1,0,0);
+ \draw[color=blue] (0,0,0) -- (0,1,0);
+ \draw[color=orange] (0,0,0) -- (0,0,1);
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+
+\subsection{Coordinate Transformations}
+
+\pgfname\ and \tikzname\ allow you to specify \emph{coordinate
+ transformations}. Whenever you specify a coordinate as in |(1,0)| or
+|(1cm,1pt)| or |(30:2cm)|, this coordinate is first
+``reduced'' to a position of the form ``$x$ points to the right and
+ $y$ points upwards.'' For example, |(1in,5pt)| is reduced to
+``$72\frac{72}{100}$ points to the right and 5 points upwards'' and
+|(90:100pt)| means ``0pt to the right and 100 points upwards.''
+
+The next step is to apply the current \emph{coordinate transformation
+ matrix} to the coordinate. For example, the coordinate
+transformation matrix might currently be set such that it adds a
+certain constant to the $x$ value. Also, it might be setup such that
+it, say, exchanges the $x$ and $y$ value. In general, any
+``standard'' transformation like translation, rotation, slanting, or
+scaling or any combination thereof is possible. (Internally, \pgfname\
+keeps track of a coordinate transformation matrix very much like the
+concatenation matrix used by \textsc{pdf} or PostScript.)
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) rectangle (1,0.5);
+ \begin{scope}[xshift=1cm]
+ \draw [red] (0,0) rectangle (1,0.5);
+ \draw[yshift=1cm] [blue] (0,0) rectangle (1,0.5);
+ \draw[rotate=30] [orange] (0,0) rectangle (1,0.5);
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+The most important aspect of the coordinate transformation matrix is
+\emph{that it applies to coordinates only!} In particular, the
+coordinate transformation has no effect on things like the line width
+or the dash pattern or the shading angle. In certain cases, it is not
+immediately clear whether the coordinate transformation matrix
+\emph{should} apply to a certain dimension. For example, should the
+coordinate transformation matrix apply to grids? (It does.) And what
+about the size of arced corners? (It does not.) The general rule is
+``If there is no `coordinate' involved, even `indirectly,' the matrix
+is not applied.'' However, sometimes, you simply have to try or look
+it up in the documentation whether the matrix will be applied.
+
+Setting the matrix cannot be done directly. Rather, all you can do is
+to ``add'' another transformation to the current matrix. However, all
+transformations are local to the current \TeX-group. All
+transformations are added using graphic options, which are described
+below.
+
+Transformations apply immediately when they are encountered ``in the
+middle of a path'' and they apply only to the coordinates on the path
+following the transformation option.
+
+\begin{codeexample}[]
+\tikz \draw (0,0) rectangle (1,0.5) [xshift=2cm] (0,0) rectangle (1,0.5);
+\end{codeexample}
+
+A final word of warning: You should refrain from using ``aggressive''
+transformations like a scaling of a factor of 10000. The reason is
+that all transformations are done using \TeX, which has a fairly low
+accuracy. Furthermore, in certain situations it is necessary that
+\tikzname\ \emph{inverts} the current transformation matrix and this will
+fail if the transformation matrix is badly conditioned or even
+singular (if you do not know what singular matrices are, you are blessed).
+
+\begin{itemize}
+ \itemoption{shift}|={|\meta{coordinate}|}|
+ adds the \meta{coordinate} to all coordinates.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[shift={(1,1)},blue] (0,0) -- (1,1) -- (1,0);
+ \draw[shift={(30:1cm)},red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{xshift}|=|\meta{dimension}
+ adds \meta{dimension} to the $x$ value of all coordinates.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[xshift=2cm,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[xshift=-10pt,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{yshift}|=|\meta{dimension}
+ adds \meta{dimension} to the $y$ value of all coordinates.
+
+ \itemoption{scale}|=|\meta{factor}
+ multiplies all coordinates by the given \meta{factor}. The
+ \meta{factor} should not be excessively large in absolute terms or
+ very near to zero.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[scale=2,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[scale=-1,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{xscale}|=|\meta{factor}
+ multiplies only the $x$-value of all coordinates by the given
+ \meta{factor}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[xscale=2,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[xscale=-1,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{yscale}|=|\meta{factor}
+ multiplies only the $y$-value of all coordinates by \meta{factor}.
+
+ \itemoption{xslant}|=|\meta{factor}
+ slants the coordinate horizontally by the given \meta{factor}:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[xslant=2,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[xslant=-1,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{yslant}|=|\meta{factor}
+ slants the coordinate vertically by the given \meta{factor}:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[yslant=2,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[yslant=-1,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{rotate}|=|\meta{degree}
+ rotates the coordinate system by \meta{degree}:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[rotate=40,blue] (0,0) -- (1,1) -- (1,0);
+ \draw[rotate=-20,red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{rotate around}|={|\meta{degree}|:|\meta{coordinate}|}|
+ rotates the coordinate system by \meta{degree} around the point
+ \meta{coordinate}.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[rotate around={40:(1,1)},blue] (0,0) -- (1,1) -- (1,0);
+ \draw[rotate around={-20:(1,1)},red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{cm}|={|\meta{$a$}|,|\meta{$b$}|,|\meta{$c$}|,|\meta{$d$}|,|\meta{coordinate}|}|
+ applies the following transformation to all coordinates: Let $(x,y)$
+ be the coordinate to be transformed and let \meta{coordinate}
+ specify the point $(t_x,t_y)$. Then the new coordinate is given by
+ $\left(\begin{smallmatrix} a & b \\ c & d\end{smallmatrix}\right)
+ \left(\begin{smallmatrix} x \\ y \end{smallmatrix}\right) +
+ \left(\begin{smallmatrix} t_x \\ t_y
+ \end{smallmatrix}\right)$. Usually, you do not use this option
+ directly.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[style=help lines] (0,0) grid (3,2);
+ \draw (0,0) -- (1,1) -- (1,0);
+ \draw[cm={1,1,0,1,(0,0)},blue] (0,0) -- (1,1) -- (1,0);
+ \draw[cm={0,1,1,0,(1cm,1cm)},red] (0,0) -- (1,1) -- (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{reset cm}
+ completely resets the coordinate transformation matrix to the
+ identity matrix. This will destroy not only the transformations
+ applied in the current scope, but also all transformations inherited
+ from surrounding scopes. Do not use this option.
+\end{itemize}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-trees.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-trees.tex
new file mode 100644
index 00000000000..fb53ead11d1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tikz-trees.tex
@@ -0,0 +1,745 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\section{Making Trees Grow}
+
+\label{section-trees}
+
+
+\subsection{Introduction to the Child Operation}
+
+\emph{Trees} are a common way of visualizing hierarchical
+structures. A simple tree looks like this:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+Admittedly, in reality trees are more likely to grow \emph{upward} and
+not downward as above. You can tell whether the author of a paper is a
+mathematician or a computer scientist by looking at the direction
+their trees grow. A computer scientist's trees will grow downward
+while a mathematician's tree will grow upward. Naturally, the
+\emph{correct} way is the mathematician's way, which can be specify as
+follows:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root} [grow'=up]
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+In \tikzname, trees are specified by adding \emph{children} to a
+node on a path using the |child| operation:
+
+\begin{pathoperation}{child}{\opt{\oarg{options}}%
+ \opt{|foreach|\meta{variables}|in|\marg{values}}\opt{\marg{child path}}}
+ This operation should directly follow a completed |node| operation
+ or another |child| operation, although it is permissible that the
+ first |child| operation is preceded by options (we will come to
+ that).
+
+ When a |node| operation like |node {X}| is followed by |child|,
+ \tikzname\ starts counting the number of child nodes that follow the
+ original |node {X}|. For this, it scans the input and stores away each
+ |child| and its arguments until it reaches a path operation that is
+ not a |child|. Note that this will fix the character codes of all
+ text inside the child arguments, which means, in essence, that you
+ cannot use verbatim text inside the nodes inside a |child|. Sorry.
+
+ Once the children have been collected and counted, \tikzname\ starts
+ generating the child nodes. For each child of a parent node
+ \tikzname\ computes an appropriate position where the child is
+ placed. For each child, the coordinate system is transformed so that
+ the origin is at this position. Then the \meta{child path} is
+ drawn. Typically, the child path just consists of a |node|
+ specification, which results in a node being drawn at the child's
+ position. Finally, an edge is drawn from the first node in the
+ \meta{child path} to the parent node.
+
+ The optional |foreach| part (note that there is no backslash before
+ |foreach|) allows you to specify multiple children in a single
+ |child| command. The idea is the following: A |\foreach| statement
+ is (internally) used to iterate over the list of \meta{values}. For
+ each value in this list, a new |child| is added to the node. The
+ syntax for \meta{variables} and for \meta{values} is the same as for
+ the |\foreach| statement, see Section~\ref{section-foreach}. For
+ example, when you say
+\begin{codeexample}[code only]
+node {root} child [red] foreach \name in {1,2} {node {\name}}
+\end{codeexample}
+ the effect will be the same as if you had said
+\begin{codeexample}[code only]
+node {root} child[red] {node {1}} child[ref] {node {2}}
+\end{codeexample}
+ When you write
+\begin{codeexample}[code only]
+node {root} child[\pos] foreach \name/\pos in {1/left,2/right} {node[\pos] {\name}}
+\end{codeexample}
+ the effect will be the same as for
+\begin{codeexample}[code only]
+node {root} child[left] {node[left] {1}} child[right] {node[right] {2}}
+\end{codeexample}
+
+ You can nest things as in the following example:
+\begin{codeexample}[]
+\begin{tikzpicture}[level distance=4mm]
+ \tikzstyle{level 1}=[sibling distance=8mm]
+ \tikzstyle{level 2}=[sibling distance=4mm]
+ \tikzstyle{level 3}=[sibling distance=2mm]
+ \coordinate
+ child foreach \x in {0,1}
+ {child foreach \y in {0,1}
+ {child foreach \z in {0,1}}};
+\end{tikzpicture}
+\end{codeexample}
+
+ The details and options for this operation are described in the rest
+ of this present section.
+\end{pathoperation}
+
+
+
+\subsection{Child Paths and the Child Nodes}
+
+For each |child| of a root node, its \meta{child path} is inserted at
+a specific location in the picture (the placement rules are discussed
+in Section~\ref{section-tree-placement}). The first node in the
+\meta{child path}, if it exists, is special and called the \emph{child
+ node}. If there is no first node in the \meta{child path}, that is,
+if the \meta{child path} is missing (including the curly braces) or if
+it does not start with |node| or with |coordinate|, then an empty
+child node of shape |coordinate| is automatically added.
+
+Consider the example |\node {x} child {node {y}} child;|. For the
+first child, the \meta{child path} has the child node |node {y}|. For
+the second child, no child node is specified and, thus, it is just
+|coordinate|.
+
+As for any normal node, you can give the child node a name, shift it
+around, or use options to influence how it is rendered.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node[rectangle,draw] {root}
+ child {node[circle,draw] (left node) {left}}
+ child {node[ellipse,draw] (right node) {right}};
+ \draw[dashed,->] (left node) -- (right node);
+\end{tikzpicture}
+\end{codeexample}
+
+In many cases, the \meta{child path} will just consist of a
+specification of a child node and, possibly, children of this child
+node. However, the node specification may be followed by arbitrary
+other material that will be added to the picture, transformed to the
+child's coordinate system. For your convenience, a move-to |(0,0)|
+operation is inserted automatically at the beginning of the path. Here
+is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ child {[fill] circle (2pt)}
+ child {[fill] circle (2pt)};
+\end{tikzpicture}
+\end{codeexample}
+
+
+At the end of the \meta{child path} you may add a special path
+operation called |edge from parent|. If this operation is not given by
+yourself somewhere on the path, it will be automatically added at the
+end. This option causes a connecting edge from the parent node to the
+child node to be added to the path. By giving options to this
+operation you can influence how the edge is rendered. Also, nodes
+following the |edge from parent| operation will be placed on this
+edge, see Section~\ref{section-edge-from-parent} for details.
+
+To sum up:
+\begin{enumerate}
+\item
+ The child path starts with a node specification. If it is not there,
+ it is added automatically.
+\item
+ The child path ends with a |edge from parent| operation, possibly
+ followed by nodes to be put on this edge. If the operation is not
+ given at the end, it is added automatically.
+\end{enumerate}
+
+
+
+\subsection{Naming Child Nodes}
+
+Child nodes can be named like any other node using either the |name|
+option or the special syntax in which the name of the node is placed
+in round parentheses between the |node| operation and the node's
+text.
+
+If you do not assign a name to a child node, \tikzname\ will
+automatically assign a name as follows: Assume that the name of the
+parent node is, say, |parent|. (If you did not assign a
+name to the parent, \tikzname\ will do so itself, but that name will
+not be user-accessible.) The first child
+of |parent| will be named |parent-1|, the second child is named
+|parent-2|, and so on.
+
+This naming convention works recursively. If the second child
+|parent-2| has children, then the first of these children will be
+called |parent-2-1| and the second |parent-2-2| and so on.
+
+If you assign a name to a child node yourself, no name is generated
+automatically (the node does not have two names). However, ``counting
+continues,'' which means that the third child of |parent| is called
+|parent-3| independently of whether you have assigned names to the
+first and/or second child of |parent|.
+
+Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node (root) {root}
+ child
+ child {
+ child {coordinate (special)}
+ child
+ };
+ \node at (root-1) {root-1};
+ \node at (root-2) {root-2};
+ \node at (special) {special};
+ \node at (root-2-2) {root-2-2};
+\end{tikzpicture}
+\end{codeexample}
+
+\subsection{Specifying Options for Trees and Children}
+
+Each |child| may have its own \meta{options}, which apply to ``the
+whole child,'' including all of its grandchildren. Here is an
+example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[thick]
+ \tikzstyle{level 2}=[sibling distance=10mm]
+ \coordinate
+ child[red] {child child}
+ child[green] {child child[blue]};
+\end{tikzpicture}
+\end{codeexample}
+
+The options of the root node have no effect on the children since
+the options of a node are always ``local'' to that node. Because of
+this, the edges in the following tree are black, not red.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[thick]
+ \node [red] {root}
+ child
+ child;
+\end{tikzpicture}
+\end{codeexample}
+ This raises the problem of how to set options for \emph{all}
+ children. Naturally, you could always set options for the whole path
+ as in |\path [red] node {root} child child;| but this is bothersome
+ in some situations. Instead, it is easier to give the options
+ \emph{before the first child} as follows:
+\begin{codeexample}[]
+\begin{tikzpicture}[thick]
+ \node [red] {root}
+ [green] % option applies to all children
+ child
+ child;
+\end{tikzpicture}
+\end{codeexample}
+
+Here is the set of rules:
+\begin{enumerate}
+\item
+ Options for the whole tree are given before the root node.
+\item
+ Options for the root node are given directly to the |node| operation
+ of the root.
+\item
+ Options for all children can be given between the root node and the
+ first child.
+\item
+ Options applying to a specific child path are given as options to
+ the |child| operation.
+\item
+ Options applying to the node of a child, but not to the whole child
+ path, are given as options to the |node| command inside the
+ \meta{child path}.
+\end{enumerate}
+
+\begin{codeexample}[code only]
+\begin{tikzpicture}
+ \path
+ [...] % Options apply to the whole tree
+ node[...] {root} % Options apply to the root node only
+ [...] % Options apply to all children
+ child[...] % Options apply to this child and all its children
+ {
+ node[...] {} % Options apply to the child node only
+ ...
+ }
+ child[...] % Options apply to this child and all its children
+ ;
+\end{tikzpicture}
+\end{codeexample}
+
+There are additional styles that influence how children are rendered:
+\begin{itemize}
+ \itemstyle{every child}
+ This style is used at the beginning of each child, as if you had
+ given the options to the |child| operation.
+ \itemstyle{every child node}
+ This style is used at the beginning of each child node in addition
+ to the |every node| style.
+ \itemstyle{level \meta{number}}
+ This style is used at the beginning of each set of children, where
+ \meta{number} is the current level in the current tree. For example,
+ when you say |\node {x} child child;|, then the style |level 1| is
+ used before the first |child|. If this first |child| has children
+ itself, then |level 2| would be used for them.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{level 1}=[sibling distance=20mm]
+ \tikzstyle{level 2}=[sibling distance=5mm]
+ \node {root}
+ child { child child }
+ child { child child child };
+\end{tikzpicture}
+\end{codeexample}
+\end{itemize}
+
+
+
+
+\subsection{Placing Child Nodes}
+
+\label{section-tree-placement}
+
+Perhaps the most difficult part in drawing a tree is the correct
+layout of the children. Typically, the children have different sizes
+and it is not easy to arrange them in such a manner that not too much
+space is wasted, the children do not overlap, and they are either
+evenly spaced or their centers are evenly distributed. Calculating
+good positions is especially difficult since a good position for the
+first child may depend on the size of the last child.
+
+In \tikzname, a comparatively simple approach is taken to placing the
+children. In order to compute a child's position, all that is taken
+into account is the number of the current child in the list of
+children and the number of children in this list. Thus, if a node has
+five children, then there is a fixed position for the first child, a
+position for the second child, and so on. These positions \emph{do not
+ depend on the size of the children} and, hence, children can easily
+overlap. However, since you can use options to shift individual
+children a bit, this is not as great a problem as it may seem.
+
+Although the placement of the children only depends on their number in
+the list of children and the total number of children, everything else
+about the placement is highly configurable. You can change the
+distance between children (appropriately called the
+|sibling distance|) and the distance between levels of the tree. These
+distances may change from level to level. The direction in which the
+tree grows can be changed globally and for parts of the tree. You can
+even specify your own ``growth function'' to arrange children on a
+circle or along special lines or curves.
+
+The default growth function works as follows: Assume that we are given
+a node and five children. These children will be placed on a line with
+their centers (or, more generally, with their anchors) spaced apart by
+the current |sibling distance|. The line is
+orthogonal to the current \emph{direction of growth}, which is set
+with the |grow| and |grow'| option (the latter option reverses the
+ordering of the children). The distance from the line to the parent node
+is given by the |level distance|.
+
+{\catcode`\|=12
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \path [help lines]
+ node (root) {root}
+ [grow=-10]
+ child {node {1}}
+ child {node {2}}
+ child {node {3}}
+ child {node {4}};
+
+ \draw[|<->|,thick] (root-1.center)
+ -- node[above,sloped] {sibling distance} (root-2.center);
+
+ \draw[|<->|,thick] (root.center)
+ -- node[above,sloped] {level distance} +(-10:\tikzleveldistance);
+\end{tikzpicture}
+\end{codeexample}
+}
+
+Here is a detailed description of the options:
+\begin{itemize}
+ \itemoption{level distance}|=|\meta{distance}
+ This option allows you to change the distance between different
+ levels of the tree, more precisely, between the parent and the line
+ on which its children are arranged. When given to a single child,
+ this will set the distance for this child only.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ [level distance=20mm]
+ child
+ child {
+ [level distance=5mm]
+ child
+ child
+ child
+ }
+ child[level distance=10mm];
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{level 1}=[level distance=10mm]
+ \tikzstyle{level 2}=[level distance=5mm]
+ \node {root}
+ child
+ child {
+ child
+ child[level distance=10mm]
+ child
+ }
+ child;
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{sibling distance}|=|\meta{distance}
+ This option specifies the distance between the anchors of the
+ children of a parent node.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[level distance=4mm]
+ \tikzstyle{level 1}=[sibling distance=8mm]
+ \tikzstyle{level 2}=[sibling distance=4mm]
+ \tikzstyle{level 3}=[sibling distance=2mm]
+ \coordinate
+ child {
+ child {child child}
+ child {child child}
+ }
+ child {
+ child {child child}
+ child {child child}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}[level distance=10mm]
+ \tikzstyle{every node}=[fill=red!60,circle,inner sep=1pt]
+ \tikzstyle{level 1}=[sibling distance=20mm,
+ set style={{every node}+=[fill=red!45]}]
+ \tikzstyle{level 2}=[sibling distance=10mm,
+ set style={{every node}+=[fill=red!30]}]
+ \tikzstyle{level 3}=[sibling distance=5mm,
+ set style={{every node}+=[fill=red!15]}]
+ \node {31}
+ child {node {30}
+ child {node {20}
+ child {node {5}}
+ child {node {4}}
+ }
+ child {node {10}
+ child {node {9}}
+ child {node {1}}
+ }
+ }
+ child {node {20}
+ child {node {19}
+ child {node {1}}
+ child[fill=none] {edge from parent[draw=none]}
+ }
+ child {node {18}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{grow}|=|\meta{direction}
+ This option is used to define the \meta{direction} in which the tree
+ will grow. The \meta{direction} can either be an angle in degrees or
+ one of the following special text strings: |down|, |up|, |left|,
+ |right|, |north|, |south|, |east|, |west|, |north east|,
+ |north west|, |south east|, and |south west|. All of these have
+ ``their obvious meaning,'' so, say, |south west| is the same as the
+ angle $-135^\circ$.
+
+ As a side effect, this option installs the default growth function.
+
+ In addition to setting the direction, this option also has a
+ seemingly strange effect: It sets the sibling distance for the
+ current level to |0pt|, but leaves the sibling distance for later
+ levels unchanged.
+
+ This somewhat strange behaviour has a highly desirable effect: If
+ you give this option before the list of children of a node starts,
+ the ``current level'' is still the parent level. Each child will be
+ on a later level and, hence, the sibling distance will be as
+ specified originally. This will cause the children to be neatly
+ aligned in a line orthogonal to the given \meta{direction}. However,
+ if you give this option locally to a single child, then ``current
+ level'' will be the same as the child's level. The zero sibling
+ distance will then cause the child to be placed exactly at a point
+ at distance |level distance| in the direction
+ \meta{direction}. However, the children of the child will be placed
+ ``normally'' on a line orthogonal to the \meta{direction}.
+
+ These placement effects are best demonstrated by some examples:
+\begin{codeexample}[]
+\tikz \node {root} [grow=right] child child;
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \node {root} [grow=south west] child child;
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}[level distance=10mm,sibling distance=5mm]
+ \node {root}
+ [grow=down]
+ child
+ child
+ child[grow=right] {
+ child child child
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}[level distance=2em]
+ \node {C}
+ child[grow=up] {node {H}}
+ child[grow=left] {node {H}}
+ child[grow=down] {node {H}}
+ child[grow=right] {node {C}
+ child[grow=up] {node {H}}
+ child[grow=right] {node {H}}
+ child[grow=down] {node {H}}
+ edge from parent[double]
+ coordinate (wrong)
+ };
+ \draw[<-,red] ([yshift=-2mm]wrong) -- +(0,-1)
+ node[below]{This is wrong!};
+\end{tikzpicture}
+\end{codeexample}
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node[rectangle,draw] (a) at (0,0) {start node};
+ \node[rectangle,draw] (b) at (2,1) {end};
+
+ \draw (a) -- (b)
+ node[coordinate,midway] {}
+ child[grow=100,<-] {node[above] {the middle is here}};
+\end{tikzpicture}
+\end{codeexample}
+
+ \itemoption{grow'}|=|\meta{direction}
+ This option has the same effect as |grow|, only the children are
+ arranged in the opposite order.
+ \itemoption{growth function}|=|\meta{macro name}
+ This rather low-level option allows you to set a new growth
+ function. The \meta{macro name} must be the name of a macro without
+ parameters. This macro will be called for each child of a node.
+
+ The effect of executing the macro should be the following: It should
+ transform the coordinate system in such a way that the origin
+ becomes the place where the current child should be anchored. When
+ the macro is called, the current coordinate system will be setup
+ such that the anchor of the parent node is in the origin. Thus, in
+ each call, the \meta{macro name} must essentially do a shift to the
+ child's origin. When the macro is called, the \TeX\ counter
+ |\tikznumberofchildren| will be set to the total number of children
+ of the parent node and the counter |\tikznumberofcurrentchild| will
+ be set to the number of the current child.
+
+ The macro may, in addition to shifting the coordinate system, also
+ transform the coordinate system further. For example, it could be
+ rotated or scaled.
+
+ Additional growth functions are defined in the library, see
+ Section~\ref{section-tree-library}.
+\end{itemize}
+
+
+
+\subsection{Edges From the Parent Node}
+
+\label{section-edge-from-parent}
+
+Every child node is connected to its parent node via a special kind of
+edge called the |edge from parent|. This edge is added to the
+\meta{child path} when the following path operation is encountered:
+
+\begin{pathoperation}{edge from parent}{\opt{\oarg{options}}}
+ This path operation can only be used inside \meta{child paths} and
+ should be given at the end, possibly followed by node specifications
+ (we will come to that). If a \meta{child path} does not contain this
+ operation, it will be added at the end of the \meta{child path}
+ automatically.
+
+ This operation has several effects. The most important is that it
+ inserts the current ``edge from parent path'' into the child
+ path. The edge from parent path can be set using the following
+ option:
+ \begin{itemize}
+ \itemoption{edge from parent path}|=|\meta{path}
+ This options allows you to set the edge from parent path to a new
+ path. The default for this path is the following:
+ \begin{codeexample}[code only]
+(\tikzparentnode\tikzparentanchor) -- (\tikzchildnode\tikzchildanchor)
+ \end{codeexample}
+ The |\tikzparentnode| is a macro that will expand to the name of
+ the parent node. This works even when you have not assigned a name
+ to the parent node, in this case an internal name is automatically
+ generated. The |\tikzchildnode| is a macro that expands to the
+ name of the child node. The two |...anchor| macros are empty by
+ default. So, what is essentially inserted is just the path segment
+ |(\tikzparentnode) -- (\tikzchildnode)|; which is exactly an edge
+ from the parent to the child.
+
+ You can modify this edge from parent path to achieve all sorts of
+ effects. For example, we could replace the straight line by a
+ curve as follows:
+\begin{codeexample}[]
+\begin{tikzpicture}[edge from parent path=
+ {(\tikzparentnode.south) .. controls +(0,-1) and +(0,1)
+ .. (\tikzchildnode.north)}]
+ \node {root}
+ child {node {left}}
+ child {node {right}
+ child {node {child}}
+ child {node {child}}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+ Further useful edge from parent paths are defined in the tree
+ library, see Section~\ref{section-tree-library}.
+
+ As said before, the anchors in the default edge from parent path
+ are empty. However, you can set them using the following options:
+ \begin{itemize}
+ \itemoption{child anchor}|=|\meta{anchor}
+ Specifies the anchor where the edge from parent meets the child
+ node by setting the macro |\tikzchildanchor| to
+ |.|\meta{anchor}.
+
+ If you specify |border| as the \meta{anchor}, then the macro
+ |\tikzchildanchor| is set to the empty string. The effect of
+ this is that the edge from the parent will meet the child on the
+ border at an automatically calculated position.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ [child anchor=north]
+ child {node {left} edge from parent[dashed]}
+ child {node {right}
+ child {node {child}}
+ child {node {child} edge from parent[draw=none]}
+ };
+\end{tikzpicture}
+\end{codeexample}
+ \itemoption{parent anchor}|=|\meta{anchor}
+ This option works the same way as the |child anchor|, only for
+ the parent.
+ \end{itemize}
+ \end{itemize}
+
+ Besides inserting the edge from parent path, the |edge from parent|
+ operation has another effect: The \meta{options} are inserted
+ directly before the edge from parent path and the following style is
+ also installed prior to inserting the path:
+ \begin{itemize}
+ \itemstyle{edge from parent}
+ This style is inserted right before the edge from parent path and
+ before the \meta{options} are inserted. By default, it just draws
+ the edge from parent, but you can use it to make the edge look
+ different.
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \tikzstyle{edge from parent}=[draw,red,thick]
+ \node {root}
+ child {node {left} edge from parent[dashed]}
+ child {node {right}
+ child {node {child}}
+ child {node {child} edge from parent[draw=none]}
+ };
+\end{tikzpicture}
+\end{codeexample}
+ \end{itemize}
+
+ Note: The \meta{options} inserted before the edge from parent path
+ is added \emph{apply to the whole child path}. Thus, it is not
+ possible to, say, draw a circle in red as part of the child path and
+ then have an edge to parent in blue. However, as always, the child
+ node is a node and can be drawn in a totally different way.
+
+ Finally, the |edge from parent| operation has one more effect: It
+ causes all nodes \emph{following} the operation to be placed on the
+ edge. This is the same effect as if you had added the |pos| option
+ to all these nodes, see also Section~\ref{section-pos-option}.
+
+ As an example, consider the following code:
+\begin{codeexample}[code only]
+\node (root) {} child {node (child) {} edge to parent node {label}};
+\end{codeexample}
+ The |edge to parent| operation and the following |node| operation
+ will, together, have the same effect as if we had said:
+\begin{codeexample}[code only]
+(root) -- (child) node [pos=0.5] {label}
+\end{codeexample}
+
+ Here is a more complicated example:
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \node {root}
+ child {
+ node {left}
+ edge from parent
+ node[left] {a}
+ node[right] {b}
+ }
+ child {
+ node {right}
+ child {
+ node {child}
+ edge from parent
+ node[left] {c}
+ }
+ child {node {child}}
+ edge from parent
+ node[near end] {x}
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+\end{pathoperation}
+
+
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "pgfmanual-pdftex-version"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tutorial.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-tutorial.tex
new file mode 100644
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@@ -0,0 +1,1417 @@
+\section{Tutorial: A Picture for Karl's Students}
+
+This tutorial is intended for new users of \pgfname\ and \tikzname. It
+does not give an exhaustive account of all the features of \tikzname\ or
+\pgfname, just of those that you are likely to use right away.
+
+Karl is a math and chemistry high-school teacher. He used to create
+the graphics in his worksheets and exams using \LaTeX's |{picture}|
+environment. While the results were acceptable, creating the graphics
+often turned out to be a lengthy process. Also, there tended to be
+problems with lines having slightly wrong angles and circles also
+seemed to be hard to get right. Naturally, his students could not care
+less whether the lines had the exact right angles and they find
+Karl's exams too difficult no matter how nicely they were drawn. But
+Karl was never entirely satisfied with the result.
+
+Karl's son, who was even less satisfied with the results (he did not
+have to take the exams, after all), told Karl that he might wish
+to try out a new package for creating graphics. A bit confusingly,
+this package seems to have two names: First, Karl had to download and
+install a package called \pgfname. Then it turns out that inside this
+package there is another package called \tikzname, which is supposed to
+stand for ``\tikzname\ ist \emph{kein} Zeichenprogramm.'' Karl finds this
+all a bit strange and \tikzname\ seems to indicate that the package
+does not do what he needs. However, having used \textsc{gnu}
+software for quite some time and ``\textsc{gnu} not being Unix,''
+there seems to be hope yet. His son assures him that \tikzname's name is
+intended to warn people that \tikzname\ is not a program that you can
+use to draw graphics with your mouse or tablet. Rather, it is more
+like a ``graphics language.''
+
+
+\subsection{Problem Statement}
+
+Karl wants to put a graphic on the next worksheet for his
+students. He is currently teaching his students about sine and
+cosine. What he would like to have is something that looks like this
+(ideally):
+
+\noindent
+\begin{tikzpicture}[scale=3,cap=round]
+ % Local definitions
+ \def\costhirty{0.8660256}
+
+ % Colors
+ \colorlet{anglecolor}{green!50!black}
+ \colorlet{sincolor}{red}
+ \colorlet{tancolor}{orange!80!black}
+ \colorlet{coscolor}{blue}
+
+ % Styles
+ \tikzstyle axes=[]
+ \tikzstyle important line=[very thick]
+ \tikzstyle information text=[rounded corners,fill=red!10,inner sep=1ex]
+
+ % The graphic
+ \draw[style=help lines,step=0.5cm] (-1.4,-1.4) grid (1.4,1.4);
+
+ \draw (0,0) circle (1cm);
+
+ \begin{scope}[style=axes]
+ \draw[->] (-1.5,0) -- (1.5,0) node[right] {$x$};
+ \draw[->] (0,-1.5) -- (0,1.5) node[above] {$y$};
+
+ \foreach \x/\xtext in {-1, -.5/-\frac{1}{2}, 1}
+ \draw[xshift=\x cm] (0pt,1pt) -- (0pt,-1pt) node[below,fill=white] {$\xtext$};
+
+ \foreach \y/\ytext in {-1, -.5/-\frac{1}{2}, .5/\frac{1}{2}, 1}
+ \draw[yshift=\y cm] (1pt,0pt) -- (-1pt,0pt) node[left,fill=white] {$\ytext$};
+ \end{scope}
+
+ \filldraw[fill=green!20,draw=anglecolor] (0,0) -- (3mm,0pt) arc(0:30:3mm);
+ \draw (15:2mm) node[anglecolor] {$\alpha$};
+
+ \draw[style=important line,sincolor]
+ (30:1cm) -- node[left=1pt,fill=white] {$\sin \alpha$} +(0,-.5);
+
+ \draw[style=important line,coscolor]
+ (0,0) -- node[below=2pt,fill=white] {$\cos \alpha$} (\costhirty,0);
+
+ \draw[style=important line,tancolor] (1,0) --
+ node [right=1pt,fill=white]
+ {
+ $\displaystyle \tan \alpha \color{black}=
+ \frac{{\color{sincolor}\sin \alpha}}{\color{coscolor}\cos \alpha}$
+ } (intersection of 0,0--30:1cm and 1,0--1,1) coordinate (t);
+
+ \draw (0,0) -- (t);
+
+ \draw[xshift=1.85cm] node [right,text width=6cm,style=information text]
+ {
+ The {\color{anglecolor} angle $\alpha$} is $30^\circ$ in the
+ example ($\pi/6$ in radians). The {\color{sincolor}sine of
+ $\alpha$}, which is the height of the red line, is
+ \[
+ {\color{sincolor} \sin \alpha} = 1/2.
+ \]
+ By the Theorem of Pythagoras we have ${\color{coscolor}\cos^2 \alpha} +
+ {\color{sincolor}\sin^2\alpha} =1$. Thus the length of the blue
+ line, which is the {\color{coscolor}cosine of $\alpha$}, must be
+ \[
+ {\color{coscolor}\cos\alpha} = \sqrt{1 - 1/4} = \textstyle
+ \frac{1}{2} \sqrt 3.
+ \]%
+ This shows that {\color{tancolor}$\tan \alpha$}, which is the
+ height of the orange line, is
+ \[
+ {\color{tancolor}\tan\alpha} = \frac{{\color{sincolor}\sin
+ \alpha}}{\color{coscolor}\cos \alpha} = 1/\sqrt 3.
+ \]%
+ };
+\end{tikzpicture}
+
+
+\subsection{Setting up the Environment}
+
+In \tikzname, to draw a picture, at the start of the picture
+you need to tell \TeX\ or \LaTeX\ that you want to start a picture. In
+\LaTeX\ this is done using the environment |{tikzpicture}|, in plain
+\TeX\ you just use |\tikzpicture| to start the picture and
+|\endtikzpicture| to end it.
+
+\subsubsection{Setting up the Environment in \LaTeX}
+
+Karl, being a \LaTeX\ user, thus sets up his file as follows:
+
+\begin{codeexample}[code only]
+\documentclass{article} % say
+\usepackage{tikz}
+\begin{document}
+We are working on
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+\end{tikzpicture}.
+\end{document}
+\end{codeexample}
+
+When executed, that is, run via |pdflatex| or via |latex| followed by
+|dvips|, the resulting will contain something that looks like this:
+
+\begin{codeexample}[width=7cm]
+We are working on
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+\end{tikzpicture}.
+\end{codeexample}
+
+Admittedly, not quite the whole picture, yet, but we
+do have the axes established. Well, not quite, but we have the lines
+that make up the axes drawn. Karl suddenly has a sinking feeling
+that the picture is still some way off.
+
+Let's have a more detailed look at the code. First, the package
+|tikz| is loaded. This package is a so-called ``frontend'' to the
+basic \pgfname\ system. The basic layer, which is also described in this
+manual, is somewhat more, well, basic and thus harder to use. The
+frontend makes things easier by providing a simpler syntax.
+
+Inside the environment there are two |\draw| commands. They mean:
+``The path, which is specified following the command up to the
+semicolon, should be drawn.'' The first path is specified
+as |(-1.5,0) -- (0,1.5)|, which means ``a straight line from the point
+at position $(-1.5,0)$ to the point at position $(0,1.5)$.'' Here, the
+positions are specified within a special coordinate system in which,
+initially, one unit is 1cm.
+
+Karl is quite pleased to note that the environment automatically
+reserves enough space to encompass the picture.
+
+
+\subsubsection{Setting up the Environment in Plain \TeX}
+
+Karl's wife Gerda, who also happens to be a math teacher, is not a
+\LaTeX\ user, but uses plain \TeX\ since she prefers to do things
+``the old way.'' She can also use \tikzname. Instead of
+|\usepackage{tikz}| she has to write |\input tikz.tex| and instead of
+|\begin{tikzpicture}| she writes |\tikzpicture| and instead of
+ |\end{tikzpicture}| she writes |\endtikzpicture|.
+
+Thus, she would use:
+\begin{codeexample}[code only]
+%% Plain TeX file
+\input tikz.tex
+\baselineskip=12pt
+\hsize=6.3truein
+\vsize=8.7truein
+We are working on
+\tikzpicture
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+\endtikzpicture.
+\bye
+\end{codeexample}
+
+Gerda can typeset this file using either |pdftex| or |tex| together
+with |dvips|. \tikzname\ will automatically discern which driver she is
+using. If she wishes to use |dvipdfm| together with |tex|, she
+either needs to modify the file |pgf.cfg| or can write
+|\def\pgfsysdriver{pgfsys-dvipdfm.def}| somewhere \emph{before} she
+inputs |tikz.tex| or |pgf.tex|.
+
+
+
+
+\subsection{Straight Path Construction}
+
+The basic building block of all pictures in \tikzname\ is the path.
+A \emph{path} is a series of straight lines and curves that are
+connected (that is not the whole picture, but let us ignore the
+complications for the moment). You start a path by specifying the
+coordinates of the start position as a point in round brackets, as in
+|(0,0)|. This is followed by a series of ``path extension
+operations.'' The simplest is |--|, which we used already. It must be
+followed by another coordinate and it extends the path in a straight
+line to this new position. For example, if we were to turn the two
+paths of the axes into one path, the following would result:
+
+\begin{codeexample}[]
+\tikz \draw (-1.5,0) -- (1.5,0) -- (0,-1.5) -- (0,1.5);
+\end{codeexample}
+
+Karl is a bit confused by the fact that there is no |{tikzpicture}|
+environment, here. Instead, the little command |\tikz| is used. This
+command either takes one argument (starting with an opening brace as in
+|\tikz{\draw (0,0) -- (1.5,0)}|, which yields \tikz{\draw (0,0)
+ --(1.5,0);}) or collects everything up to the next semicolon and
+puts it inside a |{tikzpicture}| environment. As a rule of thumb, all
+\tikzname\ graphic drawing commands must occur as an argument of |\tikz|
+or inside a |{tikzpicture}| environment. Fortunately, the command
+|\draw| will only be defined inside this environment, so there is
+little chance that you will accidentally do something wrong here.
+
+
+
+\subsection{Curved Path Construction}
+
+The next thing Karl wants to do is to draw the circle. For this,
+straight lines obviously will not do. Instead, we need some way to
+draw curves. For this, \tikzname\ provides a special syntax. One or two
+``control points'' are needed. The math behind them is not quite
+trivial, but here is the basic idea: Suppose you are at point $x$ and
+the first control point is $y$. Then the curve will start ``going in
+the direction of~$y$ at~$x$,'' that is, the tangent of the curve at $x$
+will point toward~$y$. Next, suppose the curve should end at $z$ and
+the second support point is $w$. Then the curve will, indeed, end at
+$z$ and the tangent of the curve at point $z$ will go through $w$.
+
+Here is an example (the control points have been added for clarity):
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \filldraw [gray] (0,0) circle (2pt)
+ (1,1) circle (2pt)
+ (2,1) circle (2pt)
+ (2,0) circle (2pt);
+ \draw (0,0) .. controls (1,1) and (2,1) .. (2,0);
+\end{tikzpicture}
+\end{codeexample}
+
+The general syntax for extending a path in a ``curved'' way is
+|.. controls| \meta{first control point} |and| \meta{second control
+ point} |..| \meta{end point}. You can leave out the |and|
+\meta{second control point}, which causes the first one to be used
+twice.
+
+So, Karl can now add the first half circle to the picture:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (-1,0) .. controls (-1,0.555) and (-0.555,1) .. (0,1)
+ .. controls (0.555,1) and (1,0.555) .. (1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+Karl is happy with the result, but finds specifying circles in this
+way to be extremely awkward. Fortunately, there is a much simpler way.
+
+
+\subsection{Circle Path Construction}
+
+In order to draw a circle, the path construction operation |circle| can
+be used. This operation is followed by a radius in round brackets as in
+the following example: (Note that the previous position is used as the
+\emph{center} of the circle.)
+
+\begin{codeexample}[]
+\tikz \draw (0,0) circle (10pt);
+\end{codeexample}
+
+You can also append an ellipse to the path using the |ellipse|
+operation. Instead of a single radius you can specify two of them, one
+for the $x$-direction and one for the $y$-direction, separated by
+|and|:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) ellipse (20pt and 10pt);
+\end{codeexample}
+
+To draw an ellipse whose axes are not horizontal and vertical, but
+point in an arbitrary direction (a ``turned ellipse'' like \tikz
+\draw[rotate=30] (0,0) ellipse (6pt and 3pt);) you can use
+transformations, which are explained later. The code for the little
+ellipse is |\tikz \draw[rotate=30] (0,0) ellipse (6pt and 3pt);|, by
+the way.
+
+So, returning to Karl's problem, he can write
+|\draw (0,0) circle (1cm);| to draw the circle:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+
+At this point, Karl is a bit alarmed that the circle is so small when
+he wants the final picture to be much bigger. He is pleased to learn
+that \tikzname\ has powerful transformation options and scaling
+everything by a factor of three is very easy. But let us leave the
+size as it is for the moment to save some space.
+
+
+
+
+\subsection{Rectangle Path Construction}
+
+The next things we would like to have is the grid in the background.
+There are several ways to produce it. For example, one might draw lots of
+rectangles. Since rectangles are so common, there is a special syntax
+for them: To add a rectangle to the current path, use the |rectangle|
+path construction operation. This operation should be followed by another
+coordinate and will append a rectangle to the path such that the
+previous coordinate and the next coordinates are corners of the
+rectangle. So, let us add two rectangles to the picture:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw (0,0) rectangle (0.5,0.5);
+ \draw (-0.5,-0.5) rectangle (-1,-1);
+\end{tikzpicture}
+\end{codeexample}
+
+While this may be nice in other situations, this is not really leading
+anywhere with Karl's problem: First, we would need an awful lot of
+these rectangles and then there is the border that is not ``closed.''
+
+So, Karl is about to resort to simply drawing four vertical and four
+horizontal lines using the nice |\draw| command, when he learns that
+there is a |grid| path construction operation.
+
+
+
+\subsection{Grid Path Construction}
+
+The |grid| path operation adds a grid to the current path. It will add
+lines making up a grid that fills the rectangle whose one corner is
+the current point and whose other corner is the point following the
+|grid| operation. For example, the code
+|\tikz \draw[step=2pt] (0,0) grid (10pt,10pt);| produces \tikz
+\draw[step=2pt] (0,0) grid (10pt,10pt);. Note how the optional
+argument for |\draw| can be used to specify a grid width (there are
+also |xstep| and |ystep| to define the steppings independently). As
+Karl will learn soon, there are \emph{lots} of things that can be
+influenced using such options.
+
+For Karl, the following code could be used:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw[step=.5cm] (-1.4,-1.4) grid (1.4,1.4);
+\end{tikzpicture}
+\end{codeexample}
+
+Having another look at the desired picture, Karl notices that it would
+be nice for the grid to be more subdued. (His son told him that grids
+tend to be distracting if they are not subdued.) To subdue the grid,
+Karl adds two more options to the |\draw| command that draws the
+grid. First, he uses the color |gray| for the grid lines. Second, he
+reduces the line width to |very thin|. Finally, he swaps the ordering
+of the commands so that the grid is drawn first and everything else on
+top.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+
+\subsection{Adding a Touch of Style}
+
+Instead of the options |gray,very thin| Karl could also have
+said |style=help lines|. \emph{Styles} are predefined sets of options
+that can be used to organize how a graphic is drawn. By saying
+|style=help lines| you say ``use the style that I (or someone else)
+has set for drawing help lines.'' If Karl decides, at some later
+point, that grids should be drawn, say, using the color |blue!50|
+instead of |gray|, he could say the following:
+\begin{codeexample}[code only]
+\tikzstyle help lines=[color=blue!50,very thin]
+\end{codeexample}
+Alternatively, he could have said the following:
+\begin{codeexample}[code only]
+\tikzstyle help lines+=[color=blue!50]
+\end{codeexample}
+This would have added the |color=blue!50| option. The |help lines|
+style would now contain \emph{two} color options, but
+the second would override the first.
+
+Using styles makes your graphics code more flexible. You can
+change the way things look easily in a consistent manner.
+
+To build a hierarchy of styles you can have one style use
+another. So in order to define a style |Karl's grid| that is based on
+the |grid| style Karl could say
+\begin{codeexample}[code only]
+\tikzstyle Karl's grid=[style=help lines,color=blue!50]
+...
+\draw[style=Karl's grid] (0,0) grid (5,5);
+\end{codeexample}
+
+You can also leave out the |style=|. Thus, whenever \tikzname\ encounters
+an options that it does not know about, it will check whether this
+option happens to be the name of a style. If so, the style is
+used. Thus, Karl could also have written:
+\begin{codeexample}[code only]
+\tikzstyle Karl's grid=[help lines,color=blue!50]
+...
+\draw[Karl's grid] (0,0) grid (5,5);
+\end{codeexample}
+
+For some styles, like the |very thin| style, it is pretty clear what
+the style does and there is no need to say |style=very thin|. For
+other styles, like |help lines|, it seems more natural to me to say
+|style=help lines|. But, mainly, this is a matter of taste.
+
+
+\subsection{Drawing Options}
+
+Karl wonders what other options there are that influence how a path is
+drawn. He saw already that the |color=|\meta{color} option can be used
+to set the line's color. The option |draw=|\meta{color} does nearly
+the same, only it sets the color for the lines only and a different
+color can be used for filling (Karl will need this when he fills the
+arc for the angle).
+
+He saw that the style |very thin| yields very thin lines. Karl is not
+really surprised by this and neither is he surprised to learn that |thin|
+yields thin lines, |thick| yields thick lines, |very thick| yields
+very thick lines, |ultra thick| yields really, really thick lines and
+|ultra thin| yields lines that are so thin that low-resolution printers
+and displays will have trouble showing them. He wonders what gives
+lines of ``normal'' thickness. It turns out that |thin| is the correct
+choice. This seems strange to Karl, but his son explains him that
+\LaTeX\ has two commands called |\thinlines| and |\thicklines| and
+that |\thinlines| gives the line width of ``normal'' lines, more
+precisely, of the thickness that, say, the stem of a letter like ``T''
+or ``i'' has. Nevertheless, Karl would like to know whether there is
+anything ``in the middle'' between |thin| and |thick|. There is:
+|semithick|.
+
+Another useful thing one can do with lines is to dash or dot them. For
+this, the two styles |dashed| and |dotted| can be used, yielding
+\tikz \draw[dashed] (0,0) -- (10pt,0pt); and \tikz \draw[dotted] (0,0)
+-- (10pt,0pt);. Both options also exist in a loose and a dense
+version, called |loosely dashed|, |densely dashed|, |loosely dotted|,
+and |closely dotted|. If he really, really needs to, Karl can also
+define much more complex dashing patterns with the |dash pattern|
+option, but his son insists that dashing is to be used with utmost
+care and mostly distracts. Karl's son claims that complicated dashing
+patterns are evil. Karl's students do not care about dashing patterns.
+
+
+
+\subsection{Arc Path Construction}
+
+Our next obstacle is to draw the arc for the angle. For this, the
+|arc| path construction operation is useful, which draws part of a
+circle or ellipse. This |arc| operation must be followed by a triple in
+rounded brackets, where the components of the triple are separated by
+colons. The first two components are angles, the last one is a
+radius. An example would be |(10:80:10pt)|, which means ``an arc from
+10 degrees to 80 degrees on a circle of radius 10pt.'' Karl obviously
+needs an arc from $0^\circ$ to $30^\circ$. The radius should be
+something relatively small, perhaps around one third of the circle's
+radius. This gives: |(0:30:3mm)|.
+
+When one uses the arc path construction operation, the specified arc will
+be added with its starting point at the current position. So, we first
+have to ``get there.''
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw (3mm,0mm) arc (0:30:3mm);
+\end{tikzpicture}
+\end{codeexample}
+
+Karl thinks this is really a bit small and he cannot continue unless
+he learns how to do scaling. For this, he can add the |[scale=3]|
+option. He could add this option to each |\draw| command, but that
+would be awkward. Instead, he adds it to the whole environment, which
+causes this option to apply to everything within.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw (3mm,0mm) arc (0:30:3mm);
+\end{tikzpicture}
+\end{codeexample}
+
+As for circles, you can specify ``two'' radii in order to get an
+elliptical arc.
+
+\begin{codeexample}[]
+ \tikz \draw (0,0) arc (0:315:1.75cm and 1cm);
+\end{codeexample}
+
+
+\subsection{Clipping a Path}
+
+In order to save space in this manual, it would be nice to clip Karl's
+graphics a bit so that we can focus on the ``interesting''
+parts. Clipping is pretty easy in \tikzname. You can use the |\clip|
+command clip all subsequent drawing. It works like |\draw|, only it
+does not draw anything, but uses the given path to clip everything
+subsequently.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw (3mm,0mm) arc (0:30:3mm);
+\end{tikzpicture}
+\end{codeexample}
+
+You can also do both at the same time: Draw \emph{and} clip a
+path. For this, use the |\draw| command and add the |clip|
+option. (This is not the whole picture: You can also use the |\clip|
+command and add the |draw| option. Well, that is also not the whole
+picture: In reality, |\draw| is just a shorthand for |\path[draw]|
+and |\clip| is a shorthand for |\path[clip]| and you could also say
+|\path[draw,clip]|.) Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip[draw] (0.5,0.5) circle (.6cm);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \draw (3mm,0mm) arc (0:30:3mm);
+\end{tikzpicture}
+\end{codeexample}
+
+
+\subsection{Parabola and Sine Path Construction}
+
+Although Karl does not need them for his picture, he is pleased to
+learn that there are |parabola| and |sin| and |cos| path operations for
+adding parabolas and sine and cosine curves to the current path. For the
+|parabola| operation, the current point will lie on the parabola as
+well as the point given after the parabola operation. Consider
+the following example:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) rectangle (1,1) (0,0) parabola (1,1);
+\end{codeexample}
+
+It is also possible to place the bend somewhere else:
+
+\begin{codeexample}[]
+\tikz \draw[x=1pt,y=1pt] (0,0) parabola bend (4,16) (6,12);
+\end{codeexample}
+
+The operations |sin| and |cos| add a sine or cosine curve in the interval
+$[0,\pi/2]$ such that the previous current point is at the start of
+the curve and the curve ends at the given end point. Here are two
+examples:
+\begin{codeexample}[]
+A sine \tikz \draw[x=1ex,y=1ex] (0,0) sin (1.57,1); curve.
+\end{codeexample}
+
+\begin{codeexample}[]
+\tikz \draw[x=1.57ex,y=1ex] (0,0) sin (1,1) cos (2,0) sin (3,-1) cos (4,0)
+ (0,1) cos (1,0) sin (2,-1) cos (3,0) sin (4,1);
+\end{codeexample}
+
+
+
+\subsection{Filling and Drawing}
+
+Returning to the picture, Karl now wants the angle to be ``filled''
+with a very light green. For this he uses |\fill| instead of
+|\draw|. Here is what Karl does:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \fill[green!20!white] (0,0) -- (3mm,0mm) arc (0:30:3mm) -- (0,0);
+\end{tikzpicture}
+\end{codeexample}
+
+The color |green!20!white| means 20\% green and 80\% white mixed
+together. Such color expression are possible since \pgfname\ uses Uwe
+Kern's |xcolor| package, see the documentation of that package for
+details on color expressions.
+
+What would have happened, if Karl had not ``closed'' the path using
+|--(0,0)| at the end? In this case, the path is closed automatically,
+so this could have been omitted. Indeed, it would even have been
+better to write the following, instead:
+\begin{codeexample}[code only]
+ \fill[green!20!white] (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+\end{codeexample}
+The |--cycle| causes the current path to be closed (actually the
+current part of the current path) by smoothly joining the first and
+last point. To appreciate the difference, consider the following
+example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[line width=5pt]
+ \draw (0,0) -- (1,0) -- (1,1) -- (0,0);
+ \draw (2,0) -- (3,0) -- (3,1) -- cycle;
+ \useasboundingbox (0,1.5); % make bounding box higher
+\end{tikzpicture}
+\end{codeexample}
+
+You can also fill and draw a path at the same time using the
+|\filldraw| command. This will first draw the path, then fill it. This
+may not seem too useful, but you can specify different colors to be
+used for filling and for stroking. These are specified as optional
+arguments like this:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \filldraw[fill=green!20!white, draw=green!50!black]
+ (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+\subsection{Shading}
+
+Karl briefly considers the possibility of making the angle ``more
+fancy'' by \emph{shading} it. Instead of filling the with a uniform
+color, a smooth transition between different colors is used. For this,
+|\shade| and |\shadedraw|, for shading and drawing at the same time,
+can be used:
+
+\begin{codeexample}[]
+ \tikz \shade (0,0) rectangle (2,1) (3,0.5) circle (.5cm);
+\end{codeexample}
+The default shading is a smooth transition from gray to white. To
+specify different colors, you can use options:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[rounded corners,ultra thick]
+ \shade[top color=yellow,bottom color=black] (0,0) rectangle +(2,1);
+ \shade[left color=yellow,right color=black] (3,0) rectangle +(2,1);
+ \shadedraw[inner color=yellow,outer color=black,draw=yellow] (6,0) rectangle +(2,1);
+ \shade[ball color=green] (9,.5) circle (.5cm);
+\end{tikzpicture}
+\end{codeexample}
+
+For Karl, the following might be appropriate:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \shadedraw[left color=gray,right color=green, draw=green!50!black]
+ (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+However, he wisely decides that shadings usually only distract without
+adding anything to the picture.
+
+
+\subsection{Specifying Coordinates}
+
+Karl now wants to add the sine and cosine lines. He knows already that
+he can use the |color=| option to set the lines's colors. So, what is
+the best way to specify the coordinates?
+
+There are different ways of specifying coordinates. The easiest way is
+to say something like |(10pt,2cm)|. This means 10pt in $x$-direction
+and 2cm in $y$-directions. Alternatively, you can also leave out the
+units as in |(1,2)|, which means ``one times the current $x$-vector
+plus twice the current $y$-vector.'' These vectors default to 1cm in
+the $x$-direction and 1cm in the $y$-direction, respectively.
+
+In order to specify points in polar coordinates, use the notation
+|(30:1cm)|, which means 1cm in direction 30 degree. This is obviously
+quite useful to ``get to the point $(\cos 30^\circ,\sin 30^\circ)$ on
+the circle.''
+
+You can add a single |+| sign in front of a coordinate or two of
+them as in |+(1cm,0cm)| or |++(0cm,2cm)|. Such coordinates are interpreted
+differently: The first form means ``1cm upwards from the previous
+specified position'' and the second means ``2cm to the right of the
+previous specified position, making this the new specified position.''
+For example, we can draw the sine line as follows:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \filldraw[fill=green!20,draw=green!50!black]
+ (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+ \draw[red,very thick] (30:1cm) -- +(0,-0.5);
+\end{tikzpicture}
+\end{codeexample}
+
+Karl used the fact $\sin 30^\circ = 1/2$. However, he very much
+doubts that his students know this, so it would be nice to have a way
+of specifying ``the point straight down from |(30:1cm)| that lies on
+the $x$-axis.'' This is, indeed, possible using a special syntax: Karl
+can write \verb!(30:1cm |- 0,0)!. In general, the meaning of
+|(|\meta{p}\verb! |- !\meta{q}|)| is ``the intersection of a vertical
+line through $p$ and a horizontal line through $q$.''
+
+Next, let us draw the cosine line. One way would be to say
+\verb!(30:1cm |- 0,0) -- (0,0)!. Another way is the following: we
+``continue'' from where the sine ends:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,0.75);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw (-1.5,0) -- (1.5,0);
+ \draw (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \filldraw[fill=green!20,draw=green!50!black] (0,0) -- (3mm,0mm) arc
+ (0:30:3mm) -- cycle;
+ \draw[red,very thick] (30:1cm) -- +(0,-0.5);
+ \draw[blue,very thick] (30:1cm) ++(0,-0.5) -- (0,0);
+\end{tikzpicture}
+\end{codeexample}
+
+Note the there is no |--| between |(30:1cm)| and |+(0,-0.5)|. In
+detail, this path is interpreted as follows: ``First, the |(30:1cm)|
+tells me to move by pen to $(\cos 30^\circ,1/2)$. Next, there comes
+another coordinate specification, so I move my pen there without drawing
+anything. This new point is half a unit down from the last position,
+thus it is at $(\cos 30^\circ,0)$. Finally, I move the pen to the
+origin, but this time drawing something (because of the |--|).''
+
+To appreciate the difference between |+| and |++| consider the
+following example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \def\rectanglepath{-- ++(1cm,0cm) -- ++(0cm,1cm) -- ++(-1cm,0cm) -- cycle}
+ \draw (0,0) \rectanglepath;
+ \draw (1.5,0) \rectanglepath;
+\end{tikzpicture}
+\end{codeexample}
+
+By comparison, when using a single |+|, the coordinates are different:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \def\rectanglepath{-- +(1cm,0cm) -- +(1cm,1cm) -- +(0cm,1cm) -- cycle}
+ \draw (0,0) \rectanglepath;
+ \draw (1.5,0) \rectanglepath;
+\end{tikzpicture}
+\end{codeexample}
+
+
+Naturally, all of this could have been written more clearly and more
+economically like this (either with a single of a double |+|):
+\begin{codeexample}[]
+\tikz \draw (0,0) rectangle +(1,1) (1.5,0) rectangle +(1,1);
+\end{codeexample}
+
+
+
+Karl is left with the line for $\tan \alpha$, which seems difficult to
+specify using transformations and polar coordinates. For this he needs
+another way of specifying coordinates: Karl can specify intersections
+of lines as coordinates. The line for $\tan \alpha$ starts at $(1,0)$
+and goes upward to a point that is at the intersection of a line going
+``up'' and a line going from the origin through |(30:1cm)|. The syntax
+for this point is the following:
+
+\begin{codeexample}[code only]
+\draw[very thick,orange] (1,0) -- (intersection of 1,0--1,1 and 0,0--30:1cm);
+\end{codeexample}
+
+In the following, two final examples of how to use relative
+positioning are presented. Note that the transformation options,
+which are explained later, are often more useful for shifting than
+relative positioning.
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=0.5]
+ \draw (0,0) -- (90:1cm) arc (90:360:1cm) arc (0:30:1cm) -- cycle;
+ \draw (60:5pt) -- +(30:1cm) arc (30:90:1cm) -- cycle;
+
+ \draw (3,0) +(0:1cm) -- +(72:1cm) -- +(144:1cm) -- +(216:1cm) --
+ +(288:1cm) -- cycle;
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+\subsection{Adding Arrow Tips}
+
+Karl now wants to add the little arrow tips at the end of the axes. He has
+noticed that in many plots, even in scientific journals, these arrow tips
+seem to missing, presumably because the generating programs cannot
+produce them. Karl thinks arrow tips belong at the end of axes. His
+son agrees. His students do not care about arrow tips.
+
+It turns out that adding arrow tips is pretty easy: Karl adds the option
+|->| to the drawing commands for the axes:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,1.51);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \draw[->] (-1.5,0) -- (1.5,0);
+ \draw[->] (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+ \filldraw[fill=green!20,draw=green!50!black] (0,0) -- (3mm,0mm) arc
+ (0:30:3mm) -- cycle;
+ \draw[red,very thick] (30:1cm) -- +(0,-0.5);
+ \draw[blue,very thick] (30:1cm) ++(0,-0.5) -- (0,0);
+ \draw[orange,very thick] (1,0) -- (intersection of 1,0--1,1 and 0,0--30:1cm);
+\end{tikzpicture}
+\end{codeexample}
+
+If Karl had used the option |<-| instead of |->|, arrow tips would
+have been put at the beginning of the path. The option |<->| puts
+arrow tips at both ends of the path.
+
+There are certain restrictions to the kind of paths to which arrow tips
+can be added. As a rule of thumb, you can add arrow tips only to a
+single open ``line.'' For example, you should not try to add tips to,
+say, a rectangle or a circle. (You can try, but no guarantees as to what
+will happen now or in future versions.) However, you can add arrow
+tips to curved paths and to paths that have several segments, as in
+the following examples:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw [<->] (0,0) arc (180:30:10pt);
+ \draw [<->] (1,0) -- (1.5cm,10pt) -- (2cm,0pt) -- (2.5cm,10pt);
+\end{tikzpicture}
+\end{codeexample}
+
+Karl has a more detailed look at the arrow that \tikzname\ puts at the
+end. It looks like this when he zooms it: \tikz { \useasboundingbox
+ (0pt,-.5ex) rectangle (10pt,.5ex); \draw[->,line width=1pt] (0pt,0pt) --
+ (10pt,0pt); }. The shape seems vaguely familiar and, indeed, this is
+exactly the end of \TeX's standard arrow used in something like
+$f\colon A \to B$.
+
+
+Karl likes the arrow, especially since it is not ``as thick'' as the
+arrows offered by many other packages. However, he expects that,
+sometimes, he might need to use some other kinds of arrow.
+To do so, Karl can say |>=|\meta{right arrow tip kind}, where
+\meta{right arrow tip kind} is a special arrow tip specification. For
+example, if Karl says |>=stealth|, then he tells \tikzname\
+that he would like ``stealth-fighter-like'' arrow tips:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[>=stealth]
+ \draw [->] (0,0) arc (180:30:10pt);
+ \draw [<<-,very thick] (1,0) -- (1.5cm,10pt) -- (2cm,0pt) -- (2.5cm,10pt);
+\end{tikzpicture}
+\end{codeexample}%>>
+
+Karl wonders whether such a military name for the arrow type is really
+necessary. He is not really mollified when his son tells him that
+Microsoft's PowerPoint uses the same name. He decides to have his
+students discuss this at some point.
+
+In addition to |stealth| there are several other predefined arrow tip
+kinds Karl can choose from, see
+Section~\ref{section-library-arrows}. Furthermore, he can define
+arrows types himself, if he needs new ones.
+
+
+
+
+\subsection{Scoping}
+
+Karl saw already that there are numerous graphic options that affect how
+paths are rendered. Often, he would like to apply certain options to
+a whole set of graphic commands. For example, Karl might wish to draw
+three paths using a |thick| pen, but would like everything else to
+be drawn ``normally.''
+
+If Karl wishes to set a certain graphic option for the whole picture,
+he can simply pass this option to the |\tikz| command or to the
+|{tikzpicture}| environment (Gerda would pass the options to
+|\tikzpicture|). However, if Karl wants to apply graphic options to a
+local group, he put these commands inside a |{scope}| environment
+(Gerda uses |\scope| and |\endscope|). This environment takes graphic
+options as an optional argument and these options apply to everything
+inside the scope, but not to anything outside.
+
+Here is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[ultra thick]
+ \draw (0,0) -- (0,1);
+ \begin{scope}[thin]
+ \draw (1,0) -- (1,1);
+ \draw (2,0) -- (2,1);
+ \end{scope}
+ \draw (3,0) -- (3,1);
+\end{tikzpicture}
+\end{codeexample}
+
+Scoping has another interesting effect: Any changes to the clipping
+area are local to the scope. Thus, if you say |\clip| somewhere inside
+a scope, the effect of the |\clip| command ends at the end of the
+scope. This is useful since there is no other way of ``enlarging'' the
+clipping area.
+
+Karl has also already seen that giving options to commands like
+|\draw| apply only to that command. In turns out that the situation is
+slightly more complex. First, options to a command like |\draw| are
+not really options to the command, but they are ``path options'' and
+can be given anywhere on the path. So, instead of
+|\draw[thin] (0,0) -- (1,0);| one can also write
+|\draw (0,0) [thin] -- (1,0);| or |\draw (0,0) -- (1,0) [thin];|; all
+of these have the same effect. This might seem strange since in the
+last case, it would appear that the |thin| should take effect only
+``after'' the line from $(0,0)$ to $(1,0)$ has been draw. However,
+most graphic options only apply to the whole path. Indeed, if you say
+both |thin| and |thick| on the same path, the last option given will
+``win.''
+
+When reading the above, Karl notices that only ``most'' graphic
+options apply to the whole path. Indeed, all transformation options do
+\emph{not} apply to the whole path, but only to ``everything following
+them on the path.'' We will have a more detailed look at this in a
+moment. Nevertheless, all options given during a path construction
+apply only to this path.
+
+
+
+\subsection{Transformations}
+
+When you specify a coordinate like |(1cm,1cm)|, where is that
+coordinate placed on the page? To determine the position, \tikzname,
+\TeX, and \textsc{pdf} or PostScript all apply certain transformations
+to the given coordinate in order to determine the finally position on
+the page.
+
+\tikzname\ provides numerous options that allow you to transform
+coordinates in \pgfname's private coordinate system. For example, the
+|xshift| option allows you to shift all subsequent points by a certain
+amount:
+
+\begin{codeexample}[]
+\tikz \draw (0,0) -- (0,0.5) [xshift=2pt] (0,0) -- (0,0.5);
+\end{codeexample}
+
+It is important to note that you can change transformation ``in the
+middle of a path,'' a feature that is not supported by \pdf\
+or PostScript. The reason is that \pgfname\ keeps track of its own
+transformation matrix.
+
+Here is a more complicated example:
+\begin{codeexample}[]
+\begin{tikzpicture}[even odd rule,rounded corners=2pt,x=10pt,y=10pt]
+ \filldraw[fill=examplefill] (0,0) rectangle (1,1)
+ [xshift=5pt,yshift=5pt] (0,0) rectangle (1,1)
+ [rotate=30] (-1,-1) rectangle (2,2);
+\end{tikzpicture}
+\end{codeexample}
+
+The most useful transformations are |xshift| and |yshift| for
+shifting, |shift| for shifting to a given point as in |shift={(1,0)}|
+or |shift={+(0,0)}| (the braces are necessary so that \TeX\ does not
+mistake the comma for separating options), |rotate| for rotating by a
+certain angle (there is also a |rotate around| for rotating around a
+given point), |scale| for scaling by a certain factor, |xscale| and
+|yscale| for scaling only in the $x$- or $y$-direction (|xscale=-1| is
+a flip), and |xslant| and |yslant| for slanting. If these
+transformation and those that I have not mentioned are not
+sufficient, the |cm| option allows you to apply an arbitrary
+transformation matrix. Karl's students, by the way, do not know what a
+transformation matrix is.
+
+
+
+\subsection{Repeating Things: For-Loops}
+
+Karl's next aim is to add little ticks on the axes at positions $-1$,
+$-1/2$, $1/2$, and $1$. For this, it would be nice to use some kind of
+``loop,'' especially since he wishes to do the same thing at each of
+these positions. There are different packages for doing this. \LaTeX\
+has its own internal command for this, |pstricks| comes along with the
+powerful |\mulitdo| command. All of these can be used together with
+\pgfname\ and \tikzname, so if you are familiar with them, feel free to
+use them. \pgfname\ introduces yet another command, called |\foreach|,
+which I introduced since I could never remember the syntax of the other
+packages. |\foreach| is defined in the package |pgffor| and can be used
+independently of \pgfname. \tikzname\ includes it automatically.
+
+In its basic form, the |\foreach| command is easy to use:
+\begin{codeexample}[]
+\foreach \x in {1,2,3} {$x =\x$, }
+\end{codeexample}
+
+The general syntax is |\foreach| \meta{variable}| in {|\meta{list of
+ values}|} |\meta{commands}. Inside the \meta{commands}, the
+\meta{variable} will be assigned to the different values. If the
+\meta{commands} do not start with a brace, everything up to the
+next semicolon is used as \meta{commands}.
+
+For Karl and the ticks on the axes, he could use the following code:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.1,-0.2) rectangle (1.1,1.51);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \filldraw[fill=green!20,draw=green!50!black] (0,0) -- (3mm,0mm) arc
+ (0:30:3mm) -- cycle;
+ \draw[->] (-1.5,0) -- (1.5,0);
+ \draw[->] (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+
+ \foreach \x in {-1cm,-0.5cm,1cm}
+ \draw (\x,-1pt) -- (\x,1pt);
+ \foreach \y in {-1cm,-0.5cm,0.5cm,1cm}
+ \draw (-1pt,\y) -- (1pt,\y);
+\end{tikzpicture}
+\end{codeexample}
+
+As a matter of fact, there are many different ways of creating the
+ticks. For example, Karl could have put the |\draw ...;| inside curly
+braces. He could also have used, say,
+\begin{codeexample}[code only]
+\foreach \x in {-1,-0.5,1}
+ \draw[xshift=\x cm] (0pt,-1pt) -- (0pt,1pt);
+\end{codeexample}
+
+Karl is curious what would happen in a more complicated situation
+where there are, say, 20 ticks. It seems bothersome to explicitly
+mention all these numbers in the set for |\foreach|. Indeed, it is
+possible to use |...| inside the |\foreach| statement to iterate over
+a large number of values (which must, however, be dimensionless
+real numbers) as in the following example:
+
+\begin{codeexample}[]
+\tikz \foreach \x in {1,...,10}
+ \draw (\x,0) circle (0.4cm);
+\end{codeexample}
+
+If you provide \emph{two} numbers before the |...|, the |\foreach|
+statement will use their difference for the stepping:
+
+\begin{codeexample}[]
+\tikz \foreach \x in {-1,-0.5,...,1}
+ \draw (\x cm,-1pt) -- (\x cm,1pt);
+\end{codeexample}
+
+We can also nest loops to create interesting effects:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \foreach \x in {1,2,...,5,7,8,...,12}
+ \foreach \y in {1,...,5}
+ {
+ \draw (\x,\y) +(-.5,-.5) rectangle ++(.5,.5);
+ \draw (\x,\y) node{\x,\y};
+ }
+\end{tikzpicture}
+\end{codeexample}
+
+The |\foreach| statement can do even trickier stuff, but the above
+gives the idea.
+
+
+
+
+\subsection{Adding Text}
+
+Karl is, by now, quite satisfied with the picture. However, the most
+important parts, namely the labels, are still missing!
+
+\tikzname\ offers an easy-to-use and powerful system for adding text and,
+more generally, complex shapes to a picture at specific positions. The
+basic idea is the following: When \tikzname\ is constructing a path and
+encounters the keyword |node| in the middle of a path, it
+reads a \emph{node specification}. The keyword |node| is typically
+followed by some options and then some text between curly braces. This
+text is put inside a normal \TeX\ box (if the node specification
+directly follows a coordinate, which is usually the case, \tikzname\ is
+able to perform some magic so that it is even possible to use verbatim
+text inside the boxes) and then placed at the current position, that
+is, at the last specified position (possibly shifted a bit, according
+to the given options). However, all nodes are drawn only after the
+path has been completely drawn/filled/shaded/clipped/whatever.
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) rectangle (2,2);
+ \draw (0.5,0.5) node [fill=examplefill]
+ {Text at \verb!node 1!}
+ -- (1.5,1.5) node {Text at \verb!node 2!};
+\end{tikzpicture}
+\end{codeexample}
+
+Obviously, Karl would not only like to place nodes \emph{on} the last
+specified position, but also to the left or the
+right of these positions. For this, every node object that you
+put in your picture is equipped with several \emph{anchors}. For
+example, the |north| anchor is in the middle at the upper end of the shape,
+the |south| anchor is at the bottom and the |north east| anchor is in
+the upper right corner. When you given the option |anchor=north|, the
+text will be placed such that this northern anchor will lie on the
+current position and the text is, thus, below the current
+position. Karl uses this to draw the ticks as follows:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.6,-0.2) rectangle (0.6,1.51);
+ \draw[step=.5cm,style=help lines] (-1.4,-1.4) grid (1.4,1.4);
+ \filldraw[fill=green!20,draw=green!50!black]
+ (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+ \draw[->] (-1.5,0) -- (1.5,0); \draw[->] (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+
+ \foreach \x in {-1,-0.5,1}
+ \draw (\x cm,1pt) -- (\x cm,-1pt) node[anchor=north] {$\x$};
+ \foreach \y in {-1,-0.5,0.5,1}
+ \draw (1pt,\y cm) -- (-1pt,\y cm) node[anchor=east] {$\y$};
+\end{tikzpicture}
+\end{codeexample}
+
+This is quite nice, already. Using these anchors, Karl can now add
+most of the other text elements. However, Karl thinks that, though
+``correct,'' it is quite counter-intuitive that in order to place something
+\emph{below} a given point, he has to use the \emph{north} anchor. For
+this reason, there is an option called |below|, which does the
+same as |anchor=north|. Similarly, |above right| does the same as
+|anchor=south east|. In addition, |below| takes an optional
+dimension argument. If given, the shape will additionally be shifted
+downwards by the given amount. So, |below=1pt| can be used to put
+a text label below some point and, additionally shift it 1pt
+downwards.
+
+Karl is not quite satisfied with the ticks. He would like to have
+$1/2$ or $\frac{1}{2}$ shown instead of $0.5$, partly to show off the
+nice capabilities of \TeX\ and \tikzname, partly because for positions
+like $1/3$ or $\pi$ it is certainly very much preferable to have the
+``mathematical'' tick there instead of just the ``numeric'' tick.
+His students, on the other hand, prefer $0.5$ over $1/2$
+since they are not too fond of fractions in general.
+
+Karl now faces a problem: For the |\foreach| statement, the position
+|\x| should still be given as |0.5| since \tikzname\ will not know where
+|\frac{1}{2}| is supposed to be. On the other hand, the typeset text
+should really be |\frac{1}{2}|. To solve this problem, |\foreach|
+offers a special syntax: Instead of having one variable |\x|, Karl can
+specify two (or even more) variables separated by a slash as in
+|\x / \xtext|. Then, the elements in the set over which |\foreach|
+iterates must also be of the form \meta{first}|/|\meta{second}. In
+each iteration, |\x| will be set to \meta{first} and |\xtext| will be
+set to \meta{second}. If no \meta{second} is given, the \meta{first}
+will be used again. So, here is the new code for the ticks:
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-0.6,-0.2) rectangle (0.6,1.51);
+ \draw[step=.5cm,style=help lines] (-1.4,-1.4) grid (1.4,1.4);
+ \filldraw[fill=green!20,draw=green!50!black]
+ (0,0) -- (3mm,0mm) arc (0:30:3mm) -- cycle;
+ \draw[->] (-1.5,0) -- (1.5,0); \draw[->] (0,-1.5) -- (0,1.5);
+ \draw (0,0) circle (1cm);
+
+ \foreach \x/\xtext in {-1, -0.5/-\frac{1}{2}, 1}
+ \draw (\x cm,1pt) -- (\x cm,-1pt) node[anchor=north] {$\xtext$};
+ \foreach \y/\ytext in {-1, -0.5/-\frac{1}{2}, 0.5/\frac{1}{2}, 1}
+ \draw (1pt,\y cm) -- (-1pt,\y cm) node[anchor=east] {$\ytext$};
+\end{tikzpicture}
+\end{codeexample}
+
+Karl is quite pleased with the result, but his son points out that
+this is still not perfectly satisfactory: The grid and the circle
+interfere with the numbers and decrease their legibility. Karl is not
+very concerned by this (his students do not even notice), but his son
+insists that there is an easy solution: Karl can add the
+|[fill=white]| option to fill out the background of the text shape
+with a white color.
+
+The next thing Karl wants to do is to add the labels like $\sin
+\alpha$. For this, he would like to place a label ``in the middle of
+line.'' To do so, instead of specifying the label
+|node {$\sin\alpha$}| directly after one of the endpoints of the line
+(which would place
+the label at that endpoint), Karl can give the label directly after
+the |--|, before the coordinate. By default, this places the label in
+the middle of the line, but the |pos=| options can be used to modify
+this. Also, options like |near start| and |near end| can be used to
+modify this position:
+
+
+\begin{codeexample}[]
+\begin{tikzpicture}[scale=3]
+ \clip (-2,-0.2) rectangle (2,0.8);
+ \draw[step=.5cm,gray,very thin] (-1.4,-1.4) grid (1.4,1.4);
+ \filldraw[fill=green!20,draw=green!50!black] (0,0) -- (3mm,0mm) arc
+ (0:30:3mm) -- cycle;
+ \draw[->] (-1.5,0) -- (1.5,0) coordinate (x axis);
+ \draw[->] (0,-1.5) -- (0,1.5) coordinate (y axis);
+ \draw (0,0) circle (1cm);
+
+ \draw[very thick,red]
+ (30:1cm) -- node[left=1pt,fill=white] {$\sin \alpha$} (30:1cm |- x axis);
+ \draw[very thick,blue]
+ (30:1cm |- x axis) -- node[below=2pt,fill=white] {$\cos \alpha$} (0,0);
+ \draw[very thick,orange] (1,0) -- node [right=1pt,fill=white]
+ {$\displaystyle \tan \alpha \color{black}=
+ \frac{{\color{red}\sin \alpha}}{\color{blue}\cos \alpha}$}
+ (intersection of 0,0--30:1cm and 1,0--1,1) coordinate (t);
+
+ \draw (0,0) -- (t);
+
+ \foreach \x/\xtext in {-1, -0.5/-\frac{1}{2}, 1}
+ \draw (\x cm,1pt) -- (\x cm,-1pt) node[anchor=north,fill=white] {$\xtext$};
+ \foreach \y/\ytext in {-1, -0.5/-\frac{1}{2}, 0.5/\frac{1}{2}, 1}
+ \draw (1pt,\y cm) -- (-1pt,\y cm) node[anchor=east,fill=white] {$\ytext$};
+\end{tikzpicture}
+\end{codeexample}
+
+You can also position labels on curves and, by adding the |sloped|
+option, have them rotated such that they match the line's slope. Here
+is an example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \draw (0,0) .. controls (6,1) and (9,1) ..
+ node[near start,sloped,above] {near start}
+ node {midway}
+ node[very near end,sloped,below] {very near end} (12,0);
+\end{tikzpicture}
+\end{codeexample}
+
+It remains to draw the explanatory text at the right of the
+picture. The main difficulty here lies in limiting the width of the
+text ``label,'' which is quite long, so that line breaking is
+used. Fortunately, Karl can use the option |text width=6cm| to get the
+desired effect. So, here is the full code:
+
+\begin{codeexample}[code only]
+\begin{tikzpicture}[scale=3,cap=round]
+ % Local definitions
+ \def\costhirty{0.8660256}
+
+ % Colors
+ \colorlet{anglecolor}{green!50!black}
+ \colorlet{sincolor}{red}
+ \colorlet{tancolor}{orange!80!black}
+ \colorlet{coscolor}{blue}
+
+ % Styles
+ \tikzstyle{axes}=[]
+ \tikzstyle{important line}=[very thick]
+ \tikzstyle{information text}=[rounded corners,fill=red!10,inner sep=1ex]
+
+ % The graphic
+ \draw[style=help lines,step=0.5cm] (-1.4,-1.4) grid (1.4,1.4);
+
+ \draw (0,0) circle (1cm);
+
+ \begin{scope}[style=axes]
+ \draw[->] (-1.5,0) -- (1.5,0) node[right] {$x$} coordinate(x axis);
+ \draw[->] (0,-1.5) -- (0,1.5) node[above] {$y$} coordinate(y axis);
+
+ \foreach \x/\xtext in {-1, -.5/-\frac{1}{2}, 1}
+ \draw[xshift=\x cm] (0pt,1pt) -- (0pt,-1pt) node[below,fill=white] {$\xtext$};
+
+ \foreach \y/\ytext in {-1, -.5/-\frac{1}{2}, .5/\frac{1}{2}, 1}
+ \draw[yshift=\y cm] (1pt,0pt) -- (-1pt,0pt) node[left,fill=white] {$\ytext$};
+ \end{scope}
+
+ \filldraw[fill=green!20,draw=anglecolor] (0,0) -- (3mm,0pt) arc(0:30:3mm);
+ \draw (15:2mm) node[anglecolor] {$\alpha$};
+
+ \draw[style=important line,sincolor]
+ (30:1cm) -- node[left=1pt,fill=white] {$\sin \alpha$} (30:1cm |- x axis);
+
+ \draw[style=important line,coscolor]
+ (30:1cm |- x axis) -- node[below=2pt,fill=white] {$\cos \alpha$} (0,0);
+
+ \draw[style=important line,tancolor] (1,0) -- node[right=1pt,fill=white] {
+ $\displaystyle \tan \alpha \color{black}=
+ \frac{{\color{sincolor}\sin \alpha}}{\color{coscolor}\cos \alpha}$}
+ (intersection of 0,0--30:1cm and 1,0--1,1) coordinate (t);
+
+ \draw (0,0) -- (t);
+
+ \draw[xshift=1.85cm]
+ node[right,text width=6cm,style=information text]
+ {
+ The {\color{anglecolor} angle $\alpha$} is $30^\circ$ in the
+ example ($\pi/6$ in radians). The {\color{sincolor}sine of
+ $\alpha$}, which is the height of the red line, is
+ \[
+ {\color{sincolor} \sin \alpha} = 1/2.
+ \]
+ By the Theorem of Pythagoras ...
+ };
+\end{tikzpicture}
+\end{codeexample}
+
+
+\subsection{Nodes}
+
+Placing text at a given position is just a special case of a more
+general underlying mechanism. When you say |\draw (0,0) node{text};|,
+what actually happens is that a rectangular node, anchored at its center, is
+put at position $(0,0)$. On top of the rectangular node the text
+|text| is drawn. Since no action is specified for the rectangle (like
+|draw| or |fill|), the rectangle is actually discarded and only the
+text is shown. However, by adding |fill| or |draw|, we can make the
+underlying shape visible. Furthermore, we can \emph{change} the
+shape using for example |shape=circle| or just |circle|. If we include
+the package |pgflibraryshapes| we also get |ellipse|:
+
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \path (0,0) node[ellipse,fill=examplefill,draw]
+ (h1) {hello world}
+ (0.5,2) node[circle,shade,ball color=examplefill]
+ (h2) {hello world};
+ \draw [->,shorten >=2pt] (h1.north) -- (h2.south);
+\end{tikzpicture}
+\end{codeexample}
+
+As the above example shows, we can add the a name to a node by
+putting it in parentheses between |node| and the |{|\meta{text}|}|
+(you can also use the |name=| option). This will make \tikzname\ remember your node and all
+its anchors. You can then refer to these anchors when specifying
+coordinates. The syntax is |(|\meta{node
+ name}|.|\meta{anchor}|)|. Currently, and also in the near future,
+\emph{this will not work across pictures since \tikzname\ looses track
+ of the positions when it returns control to \TeX.} Magic hackery is
+possible for certain drivers, but a portable implementation seems
+impossible (just think of a possible \textsc{svg} driver).
+
+The option |shorten >| causes lines to be shortened by 2pt at the
+end. Similarly, |shorten <| can be used to shorten (or even lengthen)
+lines at the beginning. This is possible even if no arrow is drawn.
+
+It is not always necessary to specify the anchor. If you do not give
+an anchor, \tikzname\ will try to determine a reasonable border anchor by
+itself (if \tikzname\ fails to find anything useful, it will use the
+center instead). Here is a typical example:
+
+\begin{codeexample}[]
+\begin{tikzpicture}
+ \begin{scope}[shape=circle,minimum size=1cm,fill=examplefill]
+ \tikzstyle{every node}=[draw,fill]
+ \node (q_A) at (0,0) {$q_A$};
+ \node (q_E) at (6,0) {$q_E$};
+ \node (q_1) at (2,0) {$q_1$};
+ \node (q_2) at (4,2) {$q_2$};
+ \end{scope}
+ \draw (q_A) -- (q_1) -- (q_2) -| (q_E);
+ \draw[->,shorten >=2pt] (q_A) .. controls +(75:1.4cm) and +(105:1.4cm) .. node[above] {$x$} (q_A);
+\end{tikzpicture}
+\end{codeexample}
+
+In the example, we used the |\node| command, which is an abbreviation
+for |\path node|.
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-xxcolor.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-xxcolor.tex
new file mode 100644
index 00000000000..3e093a58174
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-en-xxcolor.tex
@@ -0,0 +1,87 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\section{Extended Color Support}
+
+This section documents the package \texttt{xxcolor}, which is
+currently distributed as part of \pgfname. This package extends the
+\texttt{xcolor} package, written by Uwe Kern, which in turn extends
+the \texttt{color} package. I hope that the commands in
+\texttt{xxcolor} will some day migrate to \texttt{xcolor}, such that
+this package becomes superfluous.
+
+The main aim of the \texttt{xxcolor} package is to provide an
+environment inside which all colors are ``washed out'' or ``dimmed.''
+This is useful in numerous situations and must typically be achieved
+in a roundabout manner if such an environment is not available.
+
+\begin{environment}{{colormixin}\marg{mix-in specification}}
+ The mix-in specification is applied to all colors inside
+ the environment. At the beginning of the environment, the mix-in is
+ applied to the current color, i.\,e., the color that was in effect
+ before the environment started. A mix-in specification is a number
+ between 0 and 100 followed by an exclamation mark and a color
+ name. When a |\color| command is
+ encountered inside a mix-in environment, the number states what
+ percentage of the desired color should be used. The rest is
+ ``filled up'' with the color given in the mix-in
+ specification. Thus, a mix-in specification like |90!blue|
+ will mix in 10\% of blue into everything, whereas |25!white| will
+ make everything nearly white.
+
+\begin{codeexample}[width=4cm]
+\begin{minipage}{3.5cm}\raggedright
+\color{red}Red text,%
+\begin{colormixin}{25!white}
+ washed-out red text,
+ \color{blue} washed-out blue text,
+ \begin{colormixin}{25!black}
+ dark washed-out blue text,
+ \color{green} dark washed-out green text,%
+ \end{colormixin}
+ back to washed-out blue text,%
+\end{colormixin}
+and back to red.
+\end{minipage}%
+\end{codeexample}
+\end{environment}
+
+Note that the environment only changes colors that have been installed
+using the standard \LaTeX\ |\color| command. In particular,
+the colors in images are not changed. There is, however, some support
+offered by the commands |\pgfuseimage| and
+|\pgfuseshading|. If the first command is invoked
+inside a |colormixin| environment with the parameter, say,
+|50!black| on an image with the name |foo|, the command
+will first check whether there is also a defined image with the name
+|foo.!50!black|. If so, this image is used instead. This allows
+you to provide a different image for this case. If you nest
+|colormixin| environments, the different mix-ins are all appended. For
+example, inside the inner environment of
+the above example, |\pgfuseimage{foo}| would first check whether
+there exists an image named |foo.!50!white!25!black|.
+
+\begin{command}{\colorcurrentmixin}
+ Expands to the current accumulated mix-in. Each nesting of a
+ |colormixin| adds a mix-in to this list.
+\begin{codeexample}[]
+\begin{minipage}{\linewidth-6pt}\raggedright
+\begin{colormixin}{75!white}
+ \colorcurrentmixin\ should be ``!75!white''\par
+ \begin{colormixin}{75!black}
+ \colorcurrentmixin\ should be ``!75!black!75!white''\par
+ \begin{colormixin}{50!white}
+ \colorcurrentmixin\ should be ``!50!white!75!black!75!white''\par
+ \end{colormixin}
+ \end{colormixin}
+\end{colormixin}
+\end{minipage}
+\end{codeexample}
+\end{command}
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-main.tex b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-main.tex
new file mode 100644
index 00000000000..d2ea9300f71
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/pgfmanual-main.tex
@@ -0,0 +1,335 @@
+% Copyright 2003 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\def\xcolorversion{2.00}
+\def\xkeyvalversion{1.8}
+
+\usepackage[version=0.96]{pgf}
+\usepackage{tikz}
+\usepackage{pgflibraryarrows}
+\usepackage{pgflibraryshapes}
+\usepackage{pgflibraryplotmarks}
+\usepackage{pgflibrarytikzbackgrounds}
+\usepackage{pgflibrarytikztrees}
+\usepackage[left=2.25cm,right=2.25cm,top=2.5cm,bottom=2.5cm,nohead]{geometry}
+\usepackage{amsmath,amssymb}
+\usepackage{xxcolor}
+\usepackage{pifont}
+\usepackage{makeidx}
+\usepackage[latin1]{inputenc}
+\usepackage{amsmath}
+
+\input{../../macros/pgfmanual-macros}
+
+\makeindex
+
+\makeatletter
+\renewcommand*\l@subsection{\@dottedtocline{2}{1.5em}{2.8em}}
+\renewcommand*\l@subsubsection{\@dottedtocline{3}{4.3em}{3.2em}}
+\makeatother
+
+%\includeonly{pgfmanual-libraries}
+
+% Global styles:
+\tikzstyle{every plot}=[prefix=plots/pgf-]
+\tikzstyle{shape example}=[color=black!30,draw,fill=yellow!30,line width=.5cm,inner xsep=2.5cm,inner ysep=0.5cm]
+
+\index{Options for graphics|see{Graphic options}}
+\index{Options for packages|see{Package options}}
+\index{File|see{Packages and files}}
+\index{Layout|see{Page layout}}
+
+\begin{document}
+
+{
+ \parindent0pt
+\vbox{}
+\vskip 3.5cm
+\Huge
+\tikzname\ and \pgfname
+
+\Large
+Manual for Version \pgfversion
+
+\vskip 3cm
+
+\begin{codeexample}[graphic=white]
+\tikz[rotate=30]
+ \foreach \x / \xcolor in {0/blue,1/cyan,2/green,3/yellow,4/red}
+ \foreach \y / \ycolor in {0/blue,1/cyan,2/green,3/yellow,4/red}
+ \shade[ball color=\xcolor!50!\ycolor] (\x,\y) circle (7.5mm);
+\end{codeexample}
+\vskip 0cm plus 1.5fill
+\vbox{}
+\clearpage
+}
+
+{
+ \vbox{}
+ \vskip0pt plus 1fill
+ Fr meinen Vater, damit er noch viele schne \TeX-Graphiken erschaffen kann.
+ \vskip0pt plus 3fill
+ \vbox{}
+ \clearpage
+}
+
+
+\title{The \tikzname\ and \pgfname\ Packages\\
+ Manual for Version \pgfversion\\[1mm]
+\large\href{http://sourceforge.net/projects/pgf}{\texttt{http://sourceforge.net/projects/pgf}}}
+\author{Till Tantau\\
+ \href{mailto:tantau@users.sourceforge.net}{\texttt{tantau@users.sourceforge.net}}}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+
+\part{Getting Started}
+
+This part is intended to help you get started with the \pgfname\
+package. First, the installation process is explained; however, the
+system will typically be already installed on your system, so this can
+often be skipped. Next, a short tutorial is given that explains the
+most often used commands and concepts of \tikzname, without going into
+any of the glorious details. At the end of this section you will find
+some, hopefully useful, hints on how to create ``good'' graphics in
+general. The information in this section is not specific to
+\pgfname.
+
+\vskip3cm
+
+\begin{codeexample}[graphic=white,width=0pt]
+\tikz \draw[thick,rounded corners=8pt]
+ (0,0) -- (0,2) -- (1,3.25) -- (2,2) -- (2,0) -- (0,2) -- (2,2) -- (0,0) -- (2,0);
+\end{codeexample}
+
+\include{pgfmanual-introduction}
+\include{pgfmanual-installation}
+\include{pgfmanual-tutorial}
+\include{pgfmanual-guidelines}
+\include{pgfmanual-drivers}
+
+
+\part{Ti\emph{k}Z ist \emph{kein} Zeichenprogramm}
+\label{part-tikz}
+
+\vskip3cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[fill=yellow] (0,0) -- (60:.75cm) arc (60:180:.75cm);
+ \draw(120:0.4cm) node {$\alpha$};
+
+ \draw[fill=green!30] (0,0) -- (right:.75cm) arc (0:60:.75cm);
+ \draw(30:0.5cm) node {$\beta$};
+
+ \begin{scope}[shift={(60:2cm)}]
+ \draw[fill=green!30] (0,0) -- (180:.75cm) arc (180:240:.75cm);
+ \draw (30:-0.5cm) node {$\gamma$};
+
+ \draw[fill=yellow] (0,0) -- (240:.75cm) arc (240:360:.75cm);
+ \draw (-60:0.4cm) node {$\delta$};
+ \end{scope}
+
+ \begin{scope}[thick]
+ \draw (60:-1cm) node[fill=white] {$E$} -- (60:3cm) node[fill=white] {$F$};
+ \draw[red] (-2,0) node[left] {$A$} -- (3,0) node[right]{$B$};
+ \draw[blue,shift={(60:2cm)}] (-3,0) node[left] {$C$} -- (2,0) node[right]{$D$};
+
+ \draw[shift={(60:1cm)},xshift=4cm]
+ node [right,text width=6cm,rounded corners,fill=red!20,inner sep=1ex]
+ {
+ When we assume that $\color{red}AB$ and $\color{blue}CD$ are
+ parallel, i.\,e., ${\color{red}AB} \mathbin{\|} \color{blue}CD$,
+ then $\alpha = \delta$ and $\beta = \gamma$.
+ };
+ \end{scope}
+\end{tikzpicture}
+\end{codeexample}
+
+
+
+\include{pgfmanual-tikz-design}
+\include{pgfmanual-tikz-scopes}
+\include{pgfmanual-tikz-coordinates}
+\include{pgfmanual-tikz-paths}
+\include{pgfmanual-tikz-actions}
+\include{pgfmanual-tikz-shapes}
+\include{pgfmanual-tikz-trees}
+\include{pgfmanual-tikz-transformations}
+
+
+
+\part{Libraries and Utilities}
+\label{part-libraries}
+
+In this part the library and utility packages are documented. The
+library packages provide additional predefined graphic objects like
+new arrow heads, or new plot marks. These are not loaded by default
+since many users will not need them.
+
+The utility packages are not directly involved in creating graphics,
+but you may find them useful nonetheless. All of them either directly
+depend on \pgfname\ or they are designed to work well together with
+\pgfname\ even though they can be used in a stand-alone way.
+\vskip2cm
+\medskip
+\noindent
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}[scale=2]
+ \shade[top color=blue,bottom color=gray!50] (0,0) parabola (1.5,2.25) |- (0,0);
+ \draw (1.05cm,2pt) node[above] {$\displaystyle\int_0^{3/2} \!\!x^2\mathrm{d}x$};
+
+ \draw[style=help lines] (0,0) grid (3.9,3.9)
+ [step=0.25cm] (1,2) grid +(1,1);
+
+ \draw[->] (-0.2,0) -- (4,0) node[right] {$x$};
+ \draw[->] (0,-0.2) -- (0,4) node[above] {$f(x)$};
+
+ \foreach \x/\xtext in {1/1, 1.5/1\frac{1}{2}, 2/2, 3/3}
+ \draw[shift={(\x,0)}] (0pt,2pt) -- (0pt,-2pt) node[below] {$\xtext$};
+
+ \foreach \y/\ytext in {1/1, 2/2, 2.25/2\frac{1}{4}, 3/3}
+ \draw[shift={(0,\y)}] (2pt,0pt) -- (-2pt,0pt) node[left] {$\ytext$};
+
+ \draw (-.5,.25) parabola bend (0,0) (2,4) node[below right] {$x^2$};
+\end{tikzpicture}
+\end{codeexample}
+
+\include{pgfmanual-libraries}
+\include{pgfmanual-pgffor}
+\include{pgfmanual-pages}
+\include{pgfmanual-xxcolor}
+
+
+
+\part{The Basic Layer}
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[gray,very thin] (-1.9,-1.9) grid (2.9,3.9)
+ [step=0.25cm] (-1,-1) grid (1,1);
+ \draw[blue] (1,-2.1) -- (1,4.1); % asymptote
+
+ \draw[->] (-2,0) -- (3,0) node[right] {$x(t)$};
+ \draw[->] (0,-2) -- (0,4) node[above] {$y(t)$};
+
+ \foreach \pos in {-1,2}
+ \draw[shift={(\pos,0)}] (0pt,2pt) -- (0pt,-2pt) node[below] {$\pos$};
+
+ \foreach \pos in {-1,1,2,3}
+ \draw[shift={(0,\pos)}] (2pt,0pt) -- (-2pt,0pt) node[left] {$\pos$};
+
+ \fill (0,0) circle (0.064cm);
+ \draw[thick,parametric,domain=0.4:1.5,samples=200]
+ % The plot is reparameterised such that there are more samples
+ % near the center.
+ plot[id=asymptotic-example] function{(t*t*t)*sin(1/(t*t*t)),(t*t*t)*cos(1/(t*t*t))}
+ node[right] {$\bigl(x(t),y(t)\bigr) = (t\sin \frac{1}{t}, t\cos \frac{1}{t})$};
+
+ \fill[red] (0.63662,0) circle (2pt)
+ node [below right,fill=white,yshift=-4pt] {$(\frac{2}{\pi},0)$};
+\end{tikzpicture}
+\end{codeexample}
+
+
+\include{pgfmanual-base-design}
+\include{pgfmanual-base-scopes}
+\include{pgfmanual-base-points}
+\include{pgfmanual-base-paths}
+\include{pgfmanual-base-actions}
+\include{pgfmanual-base-arrows}
+\include{pgfmanual-base-nodes}
+\include{pgfmanual-base-transformations}
+\include{pgfmanual-base-images}
+\include{pgfmanual-base-shadings}
+\include{pgfmanual-base-plots}
+\include{pgfmanual-base-layers}
+\include{pgfmanual-base-quick}
+
+
+
+
+\part{The System Layer}
+\label{part-system}
+
+This part describes the low-level interface of \pgfname, called the
+\emph{system layer}. This interface provides a complete abstraction of
+the internals of the underlying drivers.
+
+Unless you intend to port \pgfname\ to another driver or unless you intend
+to write your own optimized frontend, you need not read this part.
+
+In the following it is assumed that you are familiar with the basic
+workings of the |graphics| package and that you know what
+\TeX-drivers are and how they work.
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}[shorten >=1pt,->]
+ \tikzstyle{vertex}=[circle,fill=black!25,minimum size=17pt,inner sep=0pt]
+
+ \foreach \name/\x in {s/1, 2/2, 3/3, 4/4, 15/11, 16/12, 17/13, 18/14, 19/15, t/16}
+ \node[vertex] (G-\name) at (\x,0) {$\name$};
+
+ \foreach \name/\angle/\text in {P-1/234/5, P-2/162/6, P-3/90/7, P-4/18/8, P-5/-54/9}
+ \node[vertex,xshift=6cm,yshift=.5cm] (\name) at (\angle:1cm) {$\text$};
+
+ \foreach \name/\angle/\text in {Q-1/234/10, Q-2/162/11, Q-3/90/12, Q-4/18/13, Q-5/-54/14}
+ \node[vertex,xshift=9cm,yshift=.5cm] (\name) at (\angle:1cm) {$\text$};
+
+ \foreach \from/\to in {s/2,2/3,3/4,3/4,15/16,16/17,17/18,18/19,19/t}
+ \draw (G-\from) -- (G-\to);
+
+ \foreach \from/\to in {1/2,2/3,3/4,4/5,5/1,1/3,2/4,3/5,4/1,5/2}
+ { \draw (P-\from) -- (P-\to); \draw (Q-\from) -- (Q-\to); }
+
+ \draw (G-3) .. controls +(-30:2cm) and +(-150:1cm) .. (Q-1);
+ \draw (Q-5) -- (G-15);
+\end{tikzpicture}
+\end{codeexample}
+
+\include{pgfmanual-pgfsys-overview}
+\include{pgfmanual-pgfsys-commands}
+\include{pgfmanual-pgfsys-paths}
+\include{pgfmanual-pgfsys-protocol}
+
+
+
+\part{References and Index}
+
+\vskip1cm
+\begin{codeexample}[graphic=white]
+\begin{tikzpicture}
+ \draw[line width=0.3cm,color=red!30,cap=round,join=round] (0,0)--(2,0)--(2,5);
+ \draw[help lines] (-2.5,-2.5) grid (5.5,7.5);
+ \draw[very thick] (1,-1)--(-1,-1)--(-1,1)--(0,1)--(0,0)--
+ (1,0)--(1,-1)--(3,-1)--(3,2)--(2,2)--(2,3)--(3,3)--
+ (3,5)--(1,5)--(1,4)--(0,4)--(0,6)--(1,6)--(1,5)
+ (3,3)--(4,3)--(4,5)--(3,5)--(3,6)
+ (3,-1)--(4,-1);
+ \draw[below left] (0,0) node(s){$s$};
+ \draw[below left] (2,5) node(t){$t$};
+ \fill (0,0) circle (0.06cm) (2,5) circle (0.06cm);
+ \draw[->,rounded corners=0.2cm,shorten >=2pt]
+ (1.5,0.5)-- ++(0,-1)-- ++(1,0)-- ++(0,2)-- ++(-1,0)-- ++(0,2)-- ++(1,0)--
+ ++(0,1)-- ++(-1,0)-- ++(0,-1)-- ++(-2,0)-- ++(0,3)-- ++(2,0)-- ++(0,-1)--
+ ++(1,0)-- ++(0,1)-- ++(1,0)-- ++(0,-1)-- ++(1,0)-- ++(0,-3)-- ++(-2,0)--
+ ++(1,0)-- ++(0,-3)-- ++(1,0)-- ++(0,-1)-- ++(-6,0)-- ++(0,3)-- ++(2,0)--
+ ++(0,-1)-- ++(1,0);
+\end{tikzpicture}
+\end{codeexample}
+
+\printindex
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.gnuplot
new file mode 100644
index 00000000000..4c854afda9f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-asymptotic-example.table"; set format "%.5f"
+set samples 200; set parametric; plot [t=0.4:1.5] (t*t*t)*sin(1/(t*t*t)),(t*t*t)*cos(1/(t*t*t))
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.table
new file mode 100644
index 00000000000..173ab5e9c77
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-asymptotic-example.table
@@ -0,0 +1,204 @@
+#Curve 0, 200 points
+#x y type
+0.00530 -0.06378 i
+0.04363 -0.05043 i
+0.06711 -0.01790 i
+0.06896 0.02170 i
+0.05014 0.05606 i
+0.01712 0.07631 i
+-0.02110 0.07849 i
+-0.05579 0.06337 i
+-0.08032 0.03512 i
+-0.09097 -0.00029 i
+-0.08696 -0.03664 i
+-0.06987 -0.06850 i
+-0.04284 -0.09192 i
+-0.00982 -0.10460 i
+0.02515 -0.10585 i
+0.05841 -0.09629 i
+0.08703 -0.07749 i
+0.10892 -0.05162 i
+0.12282 -0.02111 i
+0.12828 0.01163 i
+0.12547 0.04436 i
+0.11507 0.07518 i
+0.09810 0.10255 i
+0.07579 0.12534 i
+0.04948 0.14280 i
+0.02048 0.15454 i
+-0.00995 0.16043 i
+-0.04065 0.16063 i
+-0.07063 0.15545 i
+-0.09905 0.14536 i
+-0.12521 0.13092 i
+-0.14860 0.11273 i
+-0.16882 0.09143 i
+-0.18562 0.06764 i
+-0.19885 0.04197 i
+-0.20848 0.01500 i
+-0.21454 -0.01276 i
+-0.21712 -0.04083 i
+-0.21637 -0.06879 i
+-0.21247 -0.09627 i
+-0.20565 -0.12295 i
+-0.19613 -0.14858 i
+-0.18415 -0.17294 i
+-0.16996 -0.19585 i
+-0.15379 -0.21718 i
+-0.13589 -0.23682 i
+-0.11647 -0.25471 i
+-0.09576 -0.27080 i
+-0.07396 -0.28508 i
+-0.05126 -0.29753 i
+-0.02783 -0.30819 i
+-0.00384 -0.31707 i
+0.02057 -0.32421 i
+0.04526 -0.32967 i
+0.07011 -0.33350 i
+0.09502 -0.33576 i
+0.11989 -0.33651 i
+0.14463 -0.33582 i
+0.16917 -0.33376 i
+0.19345 -0.33040 i
+0.21741 -0.32580 i
+0.24100 -0.32003 i
+0.26418 -0.31315 i
+0.28691 -0.30524 i
+0.30918 -0.29634 i
+0.33096 -0.28653 i
+0.35222 -0.27585 i
+0.37297 -0.26437 i
+0.39318 -0.25213 i
+0.41285 -0.23918 i
+0.43197 -0.22557 i
+0.45056 -0.21134 i
+0.46860 -0.19654 i
+0.48611 -0.18119 i
+0.50309 -0.16535 i
+0.51954 -0.14904 i
+0.53547 -0.13229 i
+0.55090 -0.11514 i
+0.56582 -0.09761 i
+0.58026 -0.07972 i
+0.59422 -0.06150 i
+0.60772 -0.04298 i
+0.62076 -0.02416 i
+0.63336 -0.00508 i
+0.64554 0.01425 i
+0.65729 0.03382 i
+0.66864 0.05361 i
+0.67960 0.07361 i
+0.69018 0.09381 i
+0.70039 0.11420 i
+0.71024 0.13475 i
+0.71975 0.15548 i
+0.72892 0.17636 i
+0.73778 0.19739 i
+0.74632 0.21857 i
+0.75456 0.23989 i
+0.76251 0.26134 i
+0.77018 0.28291 i
+0.77759 0.30461 i
+0.78473 0.32643 i
+0.79162 0.34837 i
+0.79826 0.37042 i
+0.80468 0.39258 i
+0.81087 0.41485 i
+0.81684 0.43723 i
+0.82261 0.45972 i
+0.82817 0.48232 i
+0.83354 0.50502 i
+0.83872 0.52782 i
+0.84372 0.55073 i
+0.84855 0.57374 i
+0.85321 0.59686 i
+0.85772 0.62009 i
+0.86206 0.64342 i
+0.86626 0.66685 i
+0.87032 0.69040 i
+0.87423 0.71405 i
+0.87801 0.73781 i
+0.88167 0.76169 i
+0.88520 0.78567 i
+0.88861 0.80977 i
+0.89191 0.83398 i
+0.89510 0.85831 i
+0.89818 0.88276 i
+0.90115 0.90733 i
+0.90403 0.93202 i
+0.90682 0.95683 i
+0.90951 0.98177 i
+0.91211 1.00683 i
+0.91463 1.03202 i
+0.91707 1.05735 i
+0.91942 1.08280 i
+0.92171 1.10839 i
+0.92391 1.13411 i
+0.92605 1.15998 i
+0.92812 1.18598 i
+0.93012 1.21213 i
+0.93205 1.23842 i
+0.93393 1.26485 i
+0.93575 1.29143 i
+0.93751 1.31817 i
+0.93921 1.34505 i
+0.94086 1.37209 i
+0.94246 1.39929 i
+0.94401 1.42664 i
+0.94552 1.45415 i
+0.94697 1.48183 i
+0.94838 1.50967 i
+0.94975 1.53767 i
+0.95108 1.56584 i
+0.95236 1.59418 i
+0.95361 1.62270 i
+0.95482 1.65138 i
+0.95600 1.68025 i
+0.95713 1.70928 i
+0.95824 1.73850 i
+0.95931 1.76790 i
+0.96035 1.79748 i
+0.96136 1.82725 i
+0.96234 1.85720 i
+0.96329 1.88735 i
+0.96422 1.91768 i
+0.96511 1.94820 i
+0.96598 1.97892 i
+0.96683 2.00983 i
+0.96765 2.04094 i
+0.96845 2.07225 i
+0.96922 2.10376 i
+0.96998 2.13547 i
+0.97071 2.16739 i
+0.97142 2.19952 i
+0.97211 2.23185 i
+0.97278 2.26439 i
+0.97344 2.29714 i
+0.97407 2.33010 i
+0.97469 2.36328 i
+0.97529 2.39667 i
+0.97588 2.43028 i
+0.97644 2.46411 i
+0.97700 2.49817 i
+0.97754 2.53244 i
+0.97806 2.56694 i
+0.97857 2.60166 i
+0.97906 2.63661 i
+0.97955 2.67179 i
+0.98001 2.70720 i
+0.98047 2.74284 i
+0.98092 2.77871 i
+0.98135 2.81482 i
+0.98177 2.85117 i
+0.98218 2.88775 i
+0.98258 2.92457 i
+0.98297 2.96163 i
+0.98335 2.99894 i
+0.98372 3.03649 i
+0.98408 3.07428 i
+0.98443 3.11232 i
+0.98477 3.15061 i
+0.98511 3.18914 i
+0.98543 3.22793 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.gnuplot
new file mode 100644
index 00000000000..1d34e313af8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-exp.table"; set format "%.5f"
+set samples 25; plot [x=0:4] 0.05*exp(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.table
new file mode 100644
index 00000000000..8e728570397
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-exp.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.05000 i
+0.16667 0.05907 i
+0.33333 0.06978 i
+0.50000 0.08244 i
+0.66667 0.09739 i
+0.83333 0.11505 i
+1.00000 0.13591 i
+1.16667 0.16056 i
+1.33333 0.18968 i
+1.50000 0.22408 i
+1.66667 0.26472 i
+1.83333 0.31274 i
+2.00000 0.36945 i
+2.16667 0.43646 i
+2.33333 0.51561 i
+2.50000 0.60912 i
+2.66667 0.71960 i
+2.83333 0.85010 i
+3.00000 1.00428 i
+3.16667 1.18641 i
+3.33333 1.40158 i
+3.50000 1.65577 i
+3.66667 1.95606 i
+3.83333 2.31082 i
+4.00000 2.72991 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.gnuplot
new file mode 100644
index 00000000000..e1c3f3b52f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-parametric-example.table"; set format "%.5f"
+set samples 25; set parametric; plot [t=-3.141:3.141] t*sin(t),t*cos(t)
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.table
new file mode 100644
index 00000000000..de0c383ddde
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-parametric-example.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00186 3.14100 i
+0.74672 2.78074 i
+1.30987 2.26617 i
+1.66651 1.66503 i
+1.81387 1.04628 i
+1.76998 0.47361 i
+1.57050 -0.00047 i
+1.26407 -0.33904 i
+0.90663 -0.52368 i
+0.55517 -0.55534 i
+0.26171 -0.45339 i
+0.06773 -0.25283 i
+0.00000 -0.00000 i
+0.06773 0.25283 i
+0.26171 0.45339 i
+0.55517 0.55534 i
+0.90663 0.52368 i
+1.26407 0.33904 i
+1.57050 0.00047 i
+1.76998 -0.47361 i
+1.81387 -1.04628 i
+1.66651 -1.66503 i
+1.30987 -2.26617 i
+0.74672 -2.78074 i
+0.00186 -3.14100 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.gnuplot
new file mode 100644
index 00000000000..884d534bf4a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-sin.table"; set format "%.5f"
+set samples 25; plot [x=0:4] sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.table
new file mode 100644
index 00000000000..9ab8f2c8d56
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-sin.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.00000 i
+0.16667 0.16590 i
+0.33333 0.32719 i
+0.50000 0.47943 i
+0.66667 0.61837 i
+0.83333 0.74018 i
+1.00000 0.84147 i
+1.16667 0.91944 i
+1.33333 0.97194 i
+1.50000 0.99749 i
+1.66667 0.99541 i
+1.83333 0.96573 i
+2.00000 0.90930 i
+2.16667 0.82766 i
+2.33333 0.72309 i
+2.50000 0.59847 i
+2.66667 0.45727 i
+2.83333 0.30340 i
+3.00000 0.14112 i
+3.16667 -0.02507 i
+3.33333 -0.19057 i
+3.50000 -0.35078 i
+3.66667 -0.50128 i
+3.83333 -0.63788 i
+4.00000 -0.75680 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.gnuplot
new file mode 100644
index 00000000000..bb95994cd89
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-x.table"; set format "%.5f"
+set samples 25; plot [x=0:4] x
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.table
new file mode 100644
index 00000000000..329b9fa56b5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgf-x.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.00000 i
+0.16667 0.16667 i
+0.33333 0.33333 i
+0.50000 0.50000 i
+0.66667 0.66667 i
+0.83333 0.83333 i
+1.00000 1.00000 i
+1.16667 1.16667 i
+1.33333 1.33333 i
+1.50000 1.50000 i
+1.66667 1.66667 i
+1.83333 1.83333 i
+2.00000 2.00000 i
+2.16667 2.16667 i
+2.33333 2.33333 i
+2.50000 2.50000 i
+2.66667 2.66667 i
+2.83333 2.83333 i
+3.00000 3.00000 i
+3.16667 3.16667 i
+3.33333 3.33333 i
+3.50000 3.50000 i
+3.66667 3.66667 i
+3.83333 3.83333 i
+4.00000 4.00000 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.gnuplot
new file mode 100644
index 00000000000..8e3f24b9172
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.gnuplot
@@ -0,0 +1,5 @@
+set terminal table
+set output "pgfmanual-sine.table"
+set format "%.5f"
+set samples 20
+plot [x=0:10] sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.table
new file mode 100644
index 00000000000..9d5d248a561
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfmanual-sine.table
@@ -0,0 +1,24 @@
+#Curve 0, 20 points
+#x y type
+0.00000 0.00000 i
+0.52632 0.50235 i
+1.05263 0.86873 i
+1.57895 0.99997 i
+2.10526 0.86054 i
+2.63158 0.48819 i
+3.15789 -0.01630 i
+3.68421 -0.51638 i
+4.21053 -0.87669 i
+4.73684 -0.99970 i
+5.26316 -0.85212 i
+5.78947 -0.47390 i
+6.31579 0.03260 i
+6.84211 0.53027 i
+7.36842 0.88441 i
+7.89474 0.99917 i
+8.42105 0.84348 i
+8.94737 0.45948 i
+9.47368 -0.04889 i
+10.00000 -0.54402 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.gnuplot
new file mode 100644
index 00000000000..3bd81ae92d1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgfplotgnuplot-example.table"; set format "%.5f"
+plot [x=0:3.5] x*sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.table b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.table
new file mode 100644
index 00000000000..a4e517898a8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/text-en/plots/pgfplotgnuplot-example.table
@@ -0,0 +1,104 @@
+#Curve 0, 100 points
+#x y type
+0.00000 0.00000 i
+0.03535 0.00125 i
+0.07071 0.00500 i
+0.10606 0.01123 i
+0.14141 0.01993 i
+0.17677 0.03108 i
+0.21212 0.04466 i
+0.24747 0.06062 i
+0.28283 0.07893 i
+0.31818 0.09954 i
+0.35354 0.12240 i
+0.38889 0.14745 i
+0.42424 0.17463 i
+0.45960 0.20387 i
+0.49495 0.23509 i
+0.53030 0.26822 i
+0.56566 0.30318 i
+0.60101 0.33986 i
+0.63636 0.37817 i
+0.67172 0.41803 i
+0.70707 0.45932 i
+0.74242 0.50194 i
+0.77778 0.54577 i
+0.81313 0.59069 i
+0.84848 0.63660 i
+0.88384 0.68337 i
+0.91919 0.73086 i
+0.95455 0.77896 i
+0.98990 0.82753 i
+1.02525 0.87643 i
+1.06061 0.92554 i
+1.09596 0.97471 i
+1.13131 1.02381 i
+1.16667 1.07269 i
+1.20202 1.12121 i
+1.23737 1.16923 i
+1.27273 1.21661 i
+1.30808 1.26320 i
+1.34343 1.30886 i
+1.37879 1.35345 i
+1.41414 1.39682 i
+1.44949 1.43884 i
+1.48485 1.47937 i
+1.52020 1.51826 i
+1.55556 1.55537 i
+1.59091 1.59059 i
+1.62626 1.62376 i
+1.66162 1.65477 i
+1.69697 1.68348 i
+1.73232 1.70977 i
+1.76768 1.73353 i
+1.80303 1.75463 i
+1.83838 1.77296 i
+1.87374 1.78841 i
+1.90909 1.80089 i
+1.94444 1.81028 i
+1.97980 1.81650 i
+2.01515 1.81946 i
+2.05051 1.81906 i
+2.08586 1.81524 i
+2.12121 1.80792 i
+2.15657 1.79704 i
+2.19192 1.78252 i
+2.22727 1.76433 i
+2.26263 1.74240 i
+2.29798 1.71671 i
+2.33333 1.68720 i
+2.36869 1.65386 i
+2.40404 1.61667 i
+2.43939 1.57560 i
+2.47475 1.53066 i
+2.51010 1.48184 i
+2.54545 1.42915 i
+2.58081 1.37260 i
+2.61616 1.31223 i
+2.65152 1.24805 i
+2.68687 1.18011 i
+2.72222 1.10845 i
+2.75758 1.03312 i
+2.79293 0.95418 i
+2.82828 0.87170 i
+2.86364 0.78576 i
+2.89899 0.69642 i
+2.93434 0.60380 i
+2.96970 0.50797 i
+3.00505 0.40904 i
+3.04040 0.30713 i
+3.07576 0.20235 i
+3.11111 0.09482 i
+3.14646 -0.01533 i
+3.18182 -0.12796 i
+3.21717 -0.24292 i
+3.25253 -0.36007 i
+3.28788 -0.47926 i
+3.32323 -0.60032 i
+3.35859 -0.72308 i
+3.39394 -0.84739 i
+3.42929 -0.97305 i
+3.46465 -1.09990 i
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/Makefile b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/Makefile
new file mode 100644
index 00000000000..03339db36ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/Makefile
@@ -0,0 +1,19 @@
+rerun = "(There were undefined references|Rerun to get (cross-references|the bars) right)"
+doc = pgfmanual
+latex = elatex
+
+all: $(doc).pdf
+
+pgfmanual.idx:
+ touch pgfmanual.idx
+
+pgfmanual.ind: pgfmanual.idx
+ makeindex $(doc).idx
+
+pgfmanual.pdf: $(doc).tex $(doc).ind
+ ($(latex) $(doc).tex) || true
+ (egrep -q $(rerun) $(doc).log && $(latex) $(doc).tex) || true
+ dvipdfm $(doc)
+
+clean:
+ rm -f *.aux *.log *.bbl *.blg *.ps *.dvi *.pdf *.toc *.out *.snm
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/pgfmanual.tex b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/pgfmanual.tex
new file mode 100644
index 00000000000..3041815f062
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/en/pgfmanual.tex
@@ -0,0 +1,13 @@
+\documentclass{ltxdoc}
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\input{../pgfmanual-dvipdfm.cfg}
+\input{../../text-en/pgfmanual-en-main.tex}
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/pgfmanual-dvipdfm.cfg b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/pgfmanual-dvipdfm.cfg
new file mode 100644
index 00000000000..c200ff058db
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvipdfm/pgfmanual-dvipdfm.cfg
@@ -0,0 +1,12 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% Nothing to be done...
+
+\usepackage[dvipdfm]{graphics}
+% This will tell everyone which driver we are using.
+
+% Make sure to compile this using elatex + dvipdfm.
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/Makefile b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/Makefile
new file mode 100644
index 00000000000..d6ec37364e7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/Makefile
@@ -0,0 +1,20 @@
+rerun = "(There were undefined references|Rerun to get (cross-references|the bars) right)"
+doc = pgfmanual
+latex = elatex
+
+all: $(doc).ps
+
+pgfmanual.idx:
+ touch pgfmanual.idx
+
+pgfmanual.ind: pgfmanual.idx
+ makeindex $(doc).idx
+
+pgfmanual.ps: $(doc).tex $(doc).ind
+ $(latex) $(doc).tex
+ (egrep -q $(rerun) $(doc).log && $(latex) $(doc).tex) || true
+ dvips -o $(doc).ps $(doc).dvi
+ gs -dNOPAUSE -sDEVICE=pdfwrite -dBATCH -dCompatibilityLevel=1.4 -sOutputFile=$(doc).pdf $(doc).ps
+
+clean:
+ rm -f *.aux *.log *.bbl *.blg *.ps *.dvi *.pdf *.toc *.out *.snm
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/pgfmanual.tex b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/pgfmanual.tex
new file mode 100644
index 00000000000..1dce39ba66e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/en/pgfmanual.tex
@@ -0,0 +1,13 @@
+\documentclass{ltxdoc}
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\input{../pgfmanual-dvips.cfg}
+\input{../../text-en/pgfmanual-en-main.tex}
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-dvips/pgfmanual-dvips.cfg b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/pgfmanual-dvips.cfg
new file mode 100644
index 00000000000..de20c4135aa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-dvips/pgfmanual-dvips.cfg
@@ -0,0 +1,10 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\usepackage[dvips]{graphics}
+\usepackage{hyperref}
+
+% Just make sure that you compile this using elatex + dvips
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/Makefile b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/Makefile
new file mode 100644
index 00000000000..477c9e37103
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/Makefile
@@ -0,0 +1,18 @@
+rerun = "(There were undefined references|Rerun to get (cross-references|the bars) right)"
+doc = pgfmanual
+latex = pdfelatex
+
+all: $(doc).pdf
+
+pgfmanual.idx:
+ touch pgfmanual.idx
+
+pgfmanual.ind: pgfmanual.idx
+ makeindex $(doc).idx
+
+pgfmanual.pdf: $(doc).tex $(doc).ind
+ $(latex) $(doc).tex
+ (egrep -q $(rerun) $(doc).log && $(latex) $(doc).tex) || true
+
+clean:
+ rm -f *.aux *.log *.bbl *.blg *.ps *.dvi *.pdf *.toc *.out *.snm
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/pgfmanual.pdf b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/pgfmanual.pdf
new file mode 100644
index 00000000000..aa87bce608b
--- /dev/null
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+trailer
+<<
+/Size 4260
+/Root 4258 0 R
+/Info 4259 0 R
+/ID [<350E1558C128F37A0E3E20364AB254223C333530> <350E1558C128F37A0E3E20364AB254223C333530>]
+>>
+startxref
+1734523
+%%EOF
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/pgfmanual.tex b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/pgfmanual.tex
new file mode 100644
index 00000000000..489a510bf91
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/en/pgfmanual.tex
@@ -0,0 +1,13 @@
+\documentclass{ltxdoc}
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\input{../pgfmanual-pdftex.cfg}
+\input{../../text-en/pgfmanual-en-main.tex}
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/pgfmanual-pdftex.cfg b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/pgfmanual-pdftex.cfg
new file mode 100644
index 00000000000..339f4e108de
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-pdftex/pgfmanual-pdftex.cfg
@@ -0,0 +1,10 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+
+\usepackage[pdfborder={0 0 0}]{hyperref}
+
+% Just make sure to compile this using pdfelatex.
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/Makefile b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/Makefile
new file mode 100644
index 00000000000..a1dea1c4d33
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/Makefile
@@ -0,0 +1,15 @@
+doc = pgfmanual
+
+all: $(doc).html
+
+pgfmanual.idx:
+ touch pgfmanual.idx
+
+pgfmanual.ind: pgfmanual.idx
+ makeindex $(doc).idx
+
+pgfmanual.html: $(doc).tex $(doc).ind
+ htlatex $(doc).tex
+
+clean:
+ rm -f *.aux *.log *.bbl *.blg *.ps *.dvi *.pdf *.toc *.out *.snm *.html *.svg
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-232.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-232.svg
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+<!--l. 1--><p class="noindent">This
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+<!--l. 1--><p class="noindent">This is a
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+ </g>
+ </g>
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+ <g transform="matrix(1.0,0.0,0.0,1.0,82.85823,-12.9774)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(2.5pt,0pt)" text-anchor="middle" font-size="10">
+1</text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 3.0 -85.35823 L -3.0 -85.35823 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M -27.08809 -92.3301 h 23.88809 v 13.94373 h -23.88809 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-23.75511,-88.16379)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(8.61107pt,0pt)" text-anchor="middle" font-size="10">
+ <tspan font-family="cmsy" font-size="10">- </tspan>1</text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 3.0 -42.6791 L -3.0 -42.6791 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M -28.4742 -51.96048 h 25.2742 v 18.56277 h -25.2742 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-25.14122,-45.17911)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(9.30412pt,0pt)" text-anchor="middle" font-size="10">
+ <tspan font-family="cmsy" font-size="10">-</tspan> <img
+src="pgfmanual1x.gif" alt="12" class="frac" align="middle"></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 3.0 42.6791 L -3.0 42.6791 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M -16.25206 33.3977 h 13.05206 v 18.56277 h -13.05206 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-12.91908,40.17908)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(3.19305pt,0pt)" text-anchor="middle" font-size="10">
+<img
+src="pgfmanual2x.gif" alt="12" class="frac" align="middle"></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 3.0 85.35823 L -3.0 85.35823 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M -14.86595 78.80304 h 11.66595 v 13.11038 h -11.66595 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-11.53297,82.13602)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(2.5pt,0pt)" text-anchor="middle" font-size="10">
+1</text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <g>
+ <g fill="rgb(80.0003%,100.0%,80.0003%)">
+ <g stroke="rgb(0.0%,50.0%,0.0%)">
+ <path d=" M 0.0 0.0 L 25.60744 0.0 C 25.60744 4.60936 24.48138 8.8119 22.17673 12.8037 " />
+ </g>
+ </g>
+ </g>
+ <path d=" M 16.48993 4.41843 " style="fill:none"/>
+ <g>
+ <g stroke="rgb(0.0%,50.0%,0.0%)">
+ <g fill="rgb(0.0%,50.0%,0.0%)">
+ <g>
+ <g stroke="rgb(0.0%,50.0%,0.0%)">
+ <g fill="rgb(0.0%,50.0%,0.0%)">
+ </g>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,13.27292,2.26566)">
+ <g fill="rgb(0.0%,50.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(3.21701pt,0pt)" text-anchor="middle" font-size="10">
+<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <g>
+ <g stroke-width="1.2pt">
+ <g stroke="rgb(100.0%,0.0%,0.0%)">
+ <g fill="rgb(100.0%,0.0%,0.0%)">
+ <path d=" M 73.92256 42.6791 L 73.92256 0.0 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M 43.61154 14.6673 h 28.71103 v 13.34454 h -28.71103 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,46.94452,18.00027)">
+ <g fill="rgb(100.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(11.02254pt,0pt)" text-anchor="middle" font-size="10">
+ sin<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <g>
+ <g stroke-width="1.2pt">
+ <g stroke="rgb(0.0%,0.0%,100.0%)">
+ <g fill="rgb(0.0%,0.0%,100.0%)">
+ <path d=" M 0.0 0.0 L 73.92256 0.0 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M 22.05019 -13.57149 h 29.82214 v 10.9715 h -29.82214 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,25.38316,-10.23851)">
+ <g fill="rgb(0.0%,0.0%,100.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(11.5781pt,0pt)" text-anchor="middle" font-size="10">
+ cos <tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <g>
+ <g stroke-width="1.2pt">
+ <g stroke="rgb(80.0003%,39.99939%,0.0%)">
+ <g fill="rgb(80.0003%,39.99939%,0.0%)">
+ <path d=" M 85.35823 0.0 L 85.37032 49.28746 " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <g>
+ <g fill="rgb(100.0%,100.0%,100.0%)">
+ <path d=" M 86.96426 11.15915 h 68.1005 v 26.96912 h -68.1005 Z " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,90.29724,21.35162)">
+ <g fill="rgb(80.0003%,39.99939%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(30.71727pt,0pt)" text-anchor="middle" font-size="10">
+ tan <tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> = <img
+src="pgfmanual3x.gif" alt="sina
+cosa-" class="frac" align="middle"></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 0.0 0.0 L 85.36116 49.28215 " style="fill:none"/>
+ <path d=" " style="fill:none"/>
+ <g>
+ <g fill="rgb(100.0%,89.99939%,89.99939%)">
+ <g>
+ <g fill="rgb(100.0%,89.99939%,89.99939%)">
+ <path d=" M 333.44092 63.50197 L 162.11331 63.50197 C 159.89334 63.50197 158.11331 61.72194 158.11331 59.50197 L 158.11331 -59.50197 C 158.11331 -61.72194 159.89334 -63.50197 162.11331 -63.50197 L 333.44092 -63.50197 C 335.66089 -63.50197 337.44092 -61.72194 337.44092 -59.50197 L 337.44092 59.50197 C 337.44092 61.72194 335.66089 63.50197 333.44092 63.50197 Z M 158.11331 54.89088 " style="stroke:none"/>
+ </g>
+ </g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,162.41885,59.19643)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(85.35826pt,0pt)" text-anchor="middle" font-size="10">
+<!--l. 92--><p class="noindent">The angle <tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> is 30<tspan baseline-shift="sub"><tspan font-family="cmsy" font-size="7"><span class="htf-cmbx">o</span></tspan>
+ </tspan> in the example
+(<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</tspan>6 in radians). The sine of <tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan>,
+which is the height of the red line,
+is sin<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> = 1<tspan font-family="cmmi" font-size="10">/</tspan>2<tspan font-family="cmmi" font-size="10">. </tspan>By the Theorem of
+Pythagoras we have cos<tspan baseline-shift="sub"><tspan font-family="cmr" font-size="7">2</tspan></tspan><tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan>+sin<tspan baseline-shift="sub"><tspan font-family="cmr" font-size="7">2</tspan></tspan><tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> = 1.
+Thus the length of the blue line,
+which is the cosine of <tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan>, must be
+cos<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> = <img
+src="pgfmanual4x.gif" alt=" V~ 1---1/4" class="sqrt" > = <img
+src="pgfmanual5x.gif" alt="1
+2" class="frac" align="middle"><img
+src="pgfmanual6x.gif" alt=" V~ 3" class="sqrt" ><tspan font-family="cmmi" font-size="10">.</tspan>This shows
+that tan<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan>, which is the height of the
+orange line, is tan<tspan font-family="cmmi" font-size="10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></tspan> = <img
+src="pgfmanual7x.gif" alt="sina-
+cosa" class="frac" align="middle"> = 1<tspan font-family="cmmi" font-size="10">/</tspan><img
+src="pgfmanual8x.gif" alt=" V~ 3" class="sqrt" ><tspan font-family="cmmi" font-size="10">.</tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+
+ </g>
+</svg>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-50.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-50.svg
new file mode 100644
index 00000000000..978e8e0088b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-50.svg
@@ -0,0 +1,25 @@
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+<g stroke="rgb(0.0%,0.0%,0.0%)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
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+ <g stroke-width="0.4pt">
+ <g>
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+ </g>
+ </g>
+ </g>
+
+ </g>
+</svg>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-500.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-500.svg
new file mode 100644
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-501.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-501.svg
new file mode 100644
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+ <g fill="rgb(0.0%,0.0%,0.0%)">
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-502.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-502.svg
new file mode 100644
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-559.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-559.svg
new file mode 100644
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-56.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-56.svg
new file mode 100644
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new file mode 100644
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new file mode 100644
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new file mode 100644
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-591.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-591.svg
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+ <g transform="matrix(1.0,0.0,0.0,1.0,24.50188,5.31355)">
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+ <g transform="matrix(1.0,0.0,0.0,1.0,-53.55252,-17.70811)">
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+ </g>
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+ </g>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-81.71777,2.10194)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
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+<tspan font-family="cmssbx" font-size="10">10,4%</tspan></text>
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+ <g>
+ </g>
+ <path d=" M -1.43036 30.72397 L -1.43036 39.55156 L 182.07927 39.55156 " style="fill:none"/>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-33.92917,44.83453)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(106.36273pt,0pt)" text-anchor="middle" font-size="9">
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+ <g>
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+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,133.20633,10.34601)">
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+ <text style="stroke:none" transform="scale(1,-1) translate(22.79498pt,0pt)" text-anchor="middle" font-size="9">
+<tspan font-family="cmss" font-size="9">Kernenergie</tspan></text>
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+ </g>
+ </g>
+ </g>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,133.42065,-3.96994)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(22.68782pt,0pt)" text-anchor="middle" font-size="9">
+<tspan font-family="cmss" font-size="8">(158,4 kWh)</tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ <path d=" M 38.62715 -22.29561 L 38.62715 -47.90302 L 182.08835 -47.90302 " style="fill:none"/>
+ <g>
+ </g>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,81.57391,-42.61786)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(48.61119pt,0pt)" text-anchor="middle" font-size="9">
+<tspan font-family="cmss" font-size="9">Braunkohle</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="8">(146,0 kWh)</tspan></text>
+</g>
+ </g>
+ </g>
+ </g>
+ <path d=" M -38.62715 -22.29561 L -38.62715 -47.90302 L -227.61041 -47.90302 " style="fill:none"/>
+ <g>
+ </g>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-224.31607,-42.61786)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(46.73274pt,0pt)" text-anchor="middle" font-size="9">
+<tspan font-family="cmss" font-size="9">Steinkohle</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="8">(127,1 kWh)</tspan></text>
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+ </g>
+ </g>
+ </g>
+ <path d=" M -85.24649 2.10184 L -227.61041 2.10184 " style="fill:none"/>
+ <g>
+ </g>
+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-224.31607,7.3847)">
+ <g fill="rgb(0.0%,0.0%,0.0%)">
+ <text style="stroke:none" transform="scale(1,-1) translate(37.88069pt,0pt)" text-anchor="middle" font-size="9">
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+ </g>
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+ </g>
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+ <g>
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+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,-224.31607,22.01724)">
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+ <text style="stroke:none" transform="scale(1,-1) translate(75.16644pt,0pt)" text-anchor="middle" font-size="9">
+<tspan font-family="cmss" font-size="9">Mineral</tspan><tspan font-family="cmss" font-size="9">&ouml;lprodukte</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="9">&nbsp;</tspan><tspan font-family="cmss" font-size="8">(9,2 kWh) </tspan><tspan font-family="cmss" font-size="8">&nbsp;</tspan><tspan font-family="cmss" font-size="8">&nbsp;</tspan><tspan font-family="cmssbx" font-size="10">1,6%</tspan></text>
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+ <g transform="matrix(1.0,0.0,0.0,1.0,-224.31607,44.83273)">
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+ <text style="stroke:none" transform="scale(1,-1) translate(77.90063pt,0pt)" text-anchor="middle" font-size="9">
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+</svg>
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-630.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-630.svg
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+
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-631.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-631.svg
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-632.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-632.svg
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+ <g clip-path="url(#pgfcp102)">
+ <g transform="matrix(1,0,0,1,28.45274,14.22636)">
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-633.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-633.svg
new file mode 100644
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+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-633.svg
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+<svg width="100.375pt" height="100.375pt" viewBox="0.0 0.0 100.375 100.375 ">
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+ <g>
+ <linearGradient id="pgfsh106" gradientTransform="rotate(90)">
+ <stop offset=" 0.0" stop-color=" rgb(100.0%,0.0%,0.0%) "/>
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-634.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-634.svg
new file mode 100644
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+<svg width="100.375pt" height="100.375pt" viewBox="0.0 0.0 100.375 100.375 ">
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+ </linearGradient>
+ <rect width="100.375pt" height="100.375pt" style="fill:url(#pgfsh106); stroke:none"/>
+ </g>
+ </g>
+</svg>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-635.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-635.svg
new file mode 100644
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diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-636.svg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual-636.svg
new file mode 100644
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+ <g fill="rgb(100.0%,100.0%,100.0%)">
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+ <g>
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+third application</text>
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+<tspan font-family="cmmi" font-size="10">F</tspan></text>
+</g>
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+<tspan font-family="cmmi" font-size="10">A</tspan></text>
+</g>
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+ <text style="stroke:none" transform="scale(1,-1) translate(4.0434pt,0pt)" text-anchor="middle" font-size="10">
+<tspan font-family="cmmi" font-size="10">B</tspan></text>
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+ </g>
+ <g>
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+ <text style="stroke:none" transform="scale(1,-1) translate(3.93124pt,0pt)" text-anchor="middle" font-size="10">
+<tspan font-family="cmmi" font-size="10">C</tspan></text>
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+ <g>
+ <g>
+ <g transform="matrix(1.0,0.0,0.0,1.0,89.0912,45.86508)">
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+ <text style="stroke:none" transform="scale(1,-1) translate(4.27847pt,0pt)" text-anchor="middle" font-size="10">
+<tspan font-family="cmmi" font-size="10">D</tspan></text>
+</g>
+ </g>
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+ </g>
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+ </g>
+ </g>
+ <path d=" " style="fill:none"/>
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+src="cmmi10-e.gif" alt="d" class="10x-x-e" /></tspan>
+and <tspan font-family="cmmi" font-size="10"><img
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+</g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+ </g>
+
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+class="cmtt-8">&nbsp;[color=\A]</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\A</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{red,green,blue}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;[color=\A!50!\B]</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\B</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{red,green,blue}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;[color=\A!50!\B!50!\C]</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\C</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{black,gray,white}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+<!--l. 87--><p class="indent"> F&uuml;r meinen Vater, damit er noch viele sch&ouml;ne <span class="TEX">T<span
+class="E">E</span>X</span>-Graphiken erschaffen kann.
+
+
+<!--l. 100--><p class="indent">
+
+
+<!--l. 100--><p class="indent">
+
+
+<div class="center"
+>
+<!--l. 100--><p class="noindent">
+<span
+class="cmr-17">The Ti</span><span
+class="cmti-12x-x-144">k</span><span
+class="cmr-17">Z</span><span
+class="cmr-17">&nbsp;and </span><span
+class="cmcsc-10x-x-172"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span><span
+class="cmr-17">&nbsp;Packages</span><br>
+<span
+class="cmr-17">Manual for Version 1.00</span><br>
+<span
+class="cmtt-12">http://sourceforge.net/projects/pgf</span>
+<div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-2-" ><colgroup id="TBL-2-1g"><col
+id="TBL-2-1"></colgroup><tr
+ valign="baseline" id="TBL-2-1-"><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-2-1-1"
+class="td11"> <span
+class="cmr-12">Till Tantau </span></td>
+</tr><tr
+ valign="baseline" id="TBL-2-2-"><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-2-2-1"
+class="td11"> <span
+class="cmtt-12">mailto:tantau@users.sourceforge.net </span></td>
+</tr></table>
+</div>
+<!--l. 100--><p class="noindent"><span
+class="cmr-12">October 23, 2005</span></div>
+ <h3 class="likesectionHead"><a
+ id="x1-1000"></a>Contents</h3>
+ <div class="tableofcontents">
+ <span class="partToc">I&nbsp;&nbsp;<a
+href="#x1-2000I" id="QQ2-1-2">Getting Started</a></span>
+<br> <span class="sectionToc">1 <a
+href="pgfmanualse1.html#x2-30001" id="QQ2-2-3">Introduction</a></span>
+<br> &nbsp;<span class="subsectionToc">1.1 <a
+href="pgfmanualse1.html#x2-40001.1" id="QQ2-2-4">Structure of the System</a></span>
+<br> &nbsp;<span class="subsectionToc">1.2 <a
+href="pgfmanualse1.html#x2-50001.2" id="QQ2-2-5">Comparison with Other Graphics Packages</a></span>
+<br> &nbsp;<span class="subsectionToc">1.3 <a
+href="pgfmanualse1.html#x2-60001.3" id="QQ2-2-6">Utilities: Page Management</a></span>
+<br> &nbsp;<span class="subsectionToc">1.4 <a
+href="pgfmanualse1.html#x2-70001.4" id="QQ2-2-7">How to Read This Manual</a></span>
+<br> &nbsp;<span class="subsectionToc">1.5 <a
+href="pgfmanualse1.html#x2-80001.5" id="QQ2-2-8">Getting Help</a></span>
+<br> <span class="sectionToc">2 <a
+href="pgfmanualse2.html#x3-90002" id="QQ2-3-9">Installation</a></span>
+<br> &nbsp;<span class="subsectionToc">2.1 <a
+href="pgfmanualse2.html#x3-100002.1" id="QQ2-3-10">Package and Driver Versions</a></span>
+<br> &nbsp;<span class="subsectionToc">2.2 <a
+href="pgfmanualse2.html#x3-110002.2" id="QQ2-3-11">Installing Prebundled Packages</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.2.1 <a
+href="pgfmanualse2.html#x3-120002.2.1" id="QQ2-3-12">Debian</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.2.2 <a
+href="pgfmanualse2.html#x3-130002.2.2" id="QQ2-3-13">MiKTeX</a></span>
+<br> &nbsp;<span class="subsectionToc">2.3 <a
+href="pgfmanualse2.html#x3-140002.3" id="QQ2-3-14">Installation in a texmf Tree</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.3.1 <a
+href="pgfmanualse2.html#x3-150002.3.1" id="QQ2-3-15">Installation that Keeps Everything Together</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.3.2 <a
+href="pgfmanualse2.html#x3-160002.3.2" id="QQ2-3-16">Installation that is TDS-Compliant</a></span>
+<br> &nbsp;<span class="subsectionToc">2.4 <a
+href="pgfmanualse2.html#x3-170002.4" id="QQ2-3-17">Updating the Installation</a></span>
+<br> &nbsp;<span class="subsectionToc">2.5 <a
+href="pgfmanualse2.html#x3-180002.5" id="QQ2-3-18">License: The GNU Public License, Version 2</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.5.1 <a
+href="pgfmanualse2.html#x3-190002.5.1" id="QQ2-3-19">Preamble</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.5.2 <a
+href="pgfmanualse2.html#x3-200002.5.2" id="QQ2-3-20">Terms and Conditions For Copying, Distribution and Modification</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">2.5.3 <a
+href="pgfmanualse2.html#x3-210002.5.3" id="QQ2-3-21">No Warranty</a></span>
+<br> <span class="sectionToc">3 <a
+href="pgfmanualse3.html#x4-220003" id="QQ2-4-22">Tutorial: A Picture for Karl&#8217;s Students</a></span>
+<br> &nbsp;<span class="subsectionToc">3.1 <a
+href="pgfmanualse3.html#x4-230003.1" id="QQ2-4-23">Problem Statement</a></span>
+<br> &nbsp;<span class="subsectionToc">3.2 <a
+href="pgfmanualse3.html#x4-240003.2" id="QQ2-4-24">Setting up the Environment</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">3.2.1 <a
+href="pgfmanualse3.html#x4-250003.2.1" id="QQ2-4-25">Setting up the Environment in <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span></a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">3.2.2 <a
+href="pgfmanualse3.html#x4-260003.2.2" id="QQ2-4-26">Setting up the Environment in Plain TEX</a></span>
+<br> &nbsp;<span class="subsectionToc">3.3 <a
+href="pgfmanualse3.html#x4-270003.3" id="QQ2-4-27">Straight Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.4 <a
+href="pgfmanualse3.html#x4-280003.4" id="QQ2-4-28">Curved Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.5 <a
+href="pgfmanualse3.html#x4-290003.5" id="QQ2-4-29">Circle Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.6 <a
+href="pgfmanualse3.html#x4-300003.6" id="QQ2-4-30">Rectangle Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.7 <a
+href="pgfmanualse3.html#x4-310003.7" id="QQ2-4-31">Grid Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.8 <a
+href="pgfmanualse3.html#x4-320003.8" id="QQ2-4-32">Adding a Touch of Style</a></span>
+<br> &nbsp;<span class="subsectionToc">3.9 <a
+href="pgfmanualse3.html#x4-330003.9" id="QQ2-4-33">Drawing Options</a></span>
+<br> &nbsp;<span class="subsectionToc">3.10 <a
+href="pgfmanualse3.html#x4-340003.10" id="QQ2-4-34">Arc Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.11 <a
+href="pgfmanualse3.html#x4-350003.11" id="QQ2-4-35">Clipping a Path</a></span>
+<br> &nbsp;<span class="subsectionToc">3.12 <a
+href="pgfmanualse3.html#x4-360003.12" id="QQ2-4-36">Parabola and Sine Path Construction</a></span>
+<br> &nbsp;<span class="subsectionToc">3.13 <a
+href="pgfmanualse3.html#x4-370003.13" id="QQ2-4-37">Filling and Drawing</a></span>
+
+
+<br> &nbsp;<span class="subsectionToc">3.14 <a
+href="pgfmanualse3.html#x4-380003.14" id="QQ2-4-38">Shading</a></span>
+<br> &nbsp;<span class="subsectionToc">3.15 <a
+href="pgfmanualse3.html#x4-390003.15" id="QQ2-4-39">Specifying Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">3.16 <a
+href="pgfmanualse3.html#x4-400003.16" id="QQ2-4-40">Adding Arrow Tips</a></span>
+<br> &nbsp;<span class="subsectionToc">3.17 <a
+href="pgfmanualse3.html#x4-410003.17" id="QQ2-4-41">Scoping</a></span>
+<br> &nbsp;<span class="subsectionToc">3.18 <a
+href="pgfmanualse3.html#x4-420003.18" id="QQ2-4-42">Transformations</a></span>
+<br> &nbsp;<span class="subsectionToc">3.19 <a
+href="pgfmanualse3.html#x4-430003.19" id="QQ2-4-43">Repeating Things: For-Loops</a></span>
+<br> &nbsp;<span class="subsectionToc">3.20 <a
+href="pgfmanualse3.html#x4-440003.20" id="QQ2-4-44">Adding Text</a></span>
+<br> &nbsp;<span class="subsectionToc">3.21 <a
+href="pgfmanualse3.html#x4-450003.21" id="QQ2-4-45">Nodes</a></span>
+<br> <span class="sectionToc">4 <a
+href="pgfmanualse4.html#x5-460004" id="QQ2-5-46">Guidelines on Graphics</a></span>
+<br> &nbsp;<span class="subsectionToc">4.1 <a
+href="pgfmanualse4.html#x5-470004.1" id="QQ2-5-47">Should You Follow Guidelines?</a></span>
+<br> &nbsp;<span class="subsectionToc">4.2 <a
+href="pgfmanualse4.html#x5-480004.2" id="QQ2-5-48">Planning the Time Needed for the Creation of Graphics</a></span>
+<br> &nbsp;<span class="subsectionToc">4.3 <a
+href="pgfmanualse4.html#x5-490004.3" id="QQ2-5-49">Workflow for Creating a Graphic</a></span>
+<br> &nbsp;<span class="subsectionToc">4.4 <a
+href="pgfmanualse4.html#x5-500004.4" id="QQ2-5-50">Linking Graphics With the Main Text</a></span>
+<br> &nbsp;<span class="subsectionToc">4.5 <a
+href="pgfmanualse4.html#x5-510004.5" id="QQ2-5-51">Consistency Between Graphics and Text</a></span>
+<br> &nbsp;<span class="subsectionToc">4.6 <a
+href="pgfmanualse4.html#x5-520004.6" id="QQ2-5-52">Labels in Graphics</a></span>
+<br> &nbsp;<span class="subsectionToc">4.7 <a
+href="pgfmanualse4.html#x5-530004.7" id="QQ2-5-53">Plots and Charts</a></span>
+<br> &nbsp;<span class="subsectionToc">4.8 <a
+href="pgfmanualse4.html#x5-540004.8" id="QQ2-5-54">Attention and Distraction</a></span>
+<br> <span class="sectionToc">5 <a
+href="pgfmanualse5.html#x6-550005" id="QQ2-6-55">Input and Output Formats</a></span>
+<br> &nbsp;<span class="subsectionToc">5.1 <a
+href="pgfmanualse5.html#x6-560005.1" id="QQ2-6-56">Supported Input Formats</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.1.1 <a
+href="pgfmanualse5.html#x6-570005.1.1" id="QQ2-6-57">Using the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>Format</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.1.2 <a
+href="pgfmanualse5.html#x6-580005.1.2" id="QQ2-6-58">Using the Plain TEX Format</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.1.3 <a
+href="pgfmanualse5.html#x6-590005.1.3" id="QQ2-6-59">Using the ConTEXt Format</a></span>
+<br> &nbsp;<span class="subsectionToc">5.2 <a
+href="pgfmanualse5.html#x6-600005.2" id="QQ2-6-60">Supported Output Formats</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.2.1 <a
+href="pgfmanualse5.html#x6-610005.2.1" id="QQ2-6-61">Selecting the Backend Driver</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.2.2 <a
+href="pgfmanualse5.html#x6-620005.2.2" id="QQ2-6-62">Producing PDF Output</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.2.3 <a
+href="pgfmanualse5.html#x6-630005.2.3" id="QQ2-6-63">Producing PostScript Output</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">5.2.4 <a
+href="pgfmanualse5.html#x6-640005.2.4" id="QQ2-6-64">Producing HTML / SVG Output</a></span>
+<br> <span class="partToc">II&nbsp;&nbsp;<a
+href="#x1-65000II" id="QQ2-1-65">Ti<span
+class="cmti-10">k</span>Z ist <span
+class="cmti-10">kein </span>Zeichenprogramm</a></span>
+<br> <span class="sectionToc">6 <a
+href="pgfmanualse6.html#x7-660006" id="QQ2-7-66">Design Principles</a></span>
+<br> &nbsp;<span class="subsectionToc">6.1 <a
+href="pgfmanualse6.html#x7-670006.1" id="QQ2-7-67">Special Syntax For Specifying Points</a></span>
+<br> &nbsp;<span class="subsectionToc">6.2 <a
+href="pgfmanualse6.html#x7-680006.2" id="QQ2-7-68">Special Syntax For Path Specifications</a></span>
+<br> &nbsp;<span class="subsectionToc">6.3 <a
+href="pgfmanualse6.html#x7-690006.3" id="QQ2-7-69">Actions on Paths</a></span>
+<br> &nbsp;<span class="subsectionToc">6.4 <a
+href="pgfmanualse6.html#x7-700006.4" id="QQ2-7-70">Key-Value Syntax for Graphic Parameters</a></span>
+<br> &nbsp;<span class="subsectionToc">6.5 <a
+href="pgfmanualse6.html#x7-710006.5" id="QQ2-7-71">Special Syntax for Specifying Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">6.6 <a
+href="pgfmanualse6.html#x7-720006.6" id="QQ2-7-72">Special Syntax for Specifying Trees</a></span>
+<br> &nbsp;<span class="subsectionToc">6.7 <a
+href="pgfmanualse6.html#x7-730006.7" id="QQ2-7-73">Grouping of Graphic Parameters</a></span>
+<br> &nbsp;<span class="subsectionToc">6.8 <a
+href="pgfmanualse6.html#x7-740006.8" id="QQ2-7-74">Coordinate Transformation System</a></span>
+<br> <span class="sectionToc">7 <a
+href="pgfmanualse7.html#x8-750007" id="QQ2-8-75">Hierarchical Structures: Package, Environments, Scopes, and Styles</a></span>
+<br> &nbsp;<span class="subsectionToc">7.1 <a
+href="pgfmanualse7.html#x8-760007.1" id="QQ2-8-76">Loading the Package</a></span>
+<br> &nbsp;<span class="subsectionToc">7.2 <a
+href="pgfmanualse7.html#x8-770007.2" id="QQ2-8-77">Creating a Picture</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">7.2.1 <a
+href="pgfmanualse7.html#x8-780007.2.1" id="QQ2-8-78">Creating a Picture Using an Environment</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">7.2.2 <a
+href="pgfmanualse7.html#x8-790007.2.2" id="QQ2-8-79">Creating a Picture Using a Command</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">7.2.3 <a
+href="pgfmanualse7.html#x8-800007.2.3" id="QQ2-8-80">Adding a Background</a></span>
+<br> &nbsp;<span class="subsectionToc">7.3 <a
+href="pgfmanualse7.html#x8-810007.3" id="QQ2-8-81">Using Scopes to Structure a Picture</a></span>
+<br> &nbsp;<span class="subsectionToc">7.4 <a
+href="pgfmanualse7.html#x8-820007.4" id="QQ2-8-82">Using Scopes Inside Paths</a></span>
+<br> &nbsp;<span class="subsectionToc">7.5 <a
+href="pgfmanualse7.html#x8-830007.5" id="QQ2-8-83">Using Styles to Manage How Pictures Look</a></span>
+<br> <span class="sectionToc">8 <a
+href="pgfmanualse8.html#x9-840008" id="QQ2-9-84">Specifying Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">8.1 <a
+href="pgfmanualse8.html#x9-850008.1" id="QQ2-9-85">Coordinates and Coordinate Options</a></span>
+<br> &nbsp;<span class="subsectionToc">8.2 <a
+href="pgfmanualse8.html#x9-860008.2" id="QQ2-9-86">Simple Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">8.3 <a
+href="pgfmanualse8.html#x9-870008.3" id="QQ2-9-87">Polar Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">8.4 <a
+href="pgfmanualse8.html#x9-880008.4" id="QQ2-9-88">Xy- and Xyz-Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">8.5 <a
+href="pgfmanualse8.html#x9-890008.5" id="QQ2-9-89">Node Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">8.5.1 <a
+href="pgfmanualse8.html#x9-900008.5.1" id="QQ2-9-90">Named Anchor Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">8.5.2 <a
+href="pgfmanualse8.html#x9-910008.5.2" id="QQ2-9-91">Angle Anchor Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">8.5.3 <a
+href="pgfmanualse8.html#x9-920008.5.3" id="QQ2-9-92">Anchor-Free Node Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">8.6 <a
+href="pgfmanualse8.html#x9-930008.6" id="QQ2-9-93">Intersection Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">8.6.1 <a
+href="pgfmanualse8.html#x9-940008.6.1" id="QQ2-9-94">Intersection of Two Lines</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">8.6.2 <a
+href="pgfmanualse8.html#x9-950008.6.2" id="QQ2-9-95">Intersection of Horizontal and Vertical Lines</a></span>
+
+
+<br> &nbsp;<span class="subsectionToc">8.7 <a
+href="pgfmanualse8.html#x9-960008.7" id="QQ2-9-96">Relative and Incremental Coordinates</a></span>
+<br> <span class="sectionToc">9 <a
+href="pgfmanualse9.html#x10-970009" id="QQ2-10-97">Syntax for Path Specifications</a></span>
+<br> &nbsp;<span class="subsectionToc">9.1 <a
+href="pgfmanualse9.html#x10-980009.1" id="QQ2-10-98">The Move-To Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.2 <a
+href="pgfmanualse9.html#x10-990009.2" id="QQ2-10-99">The Line-To Operation</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.2.1 <a
+href="pgfmanualse9.html#x10-1000009.2.1" id="QQ2-10-100">Straight Lines</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.2.2 <a
+href="pgfmanualse9.html#x10-1010009.2.2" id="QQ2-10-101">Horizontal and Vertical Lines</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.2.3 <a
+href="pgfmanualse9.html#x10-1020009.2.3" id="QQ2-10-102">Snaked Lines</a></span>
+<br> &nbsp;<span class="subsectionToc">9.3 <a
+href="pgfmanualse9.html#x10-1030009.3" id="QQ2-10-103">The Curve-To Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.4 <a
+href="pgfmanualse9.html#x10-1040009.4" id="QQ2-10-104">The Cycle Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.5 <a
+href="pgfmanualse9.html#x10-1050009.5" id="QQ2-10-105">The Rectangle Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.6 <a
+href="pgfmanualse9.html#x10-1060009.6" id="QQ2-10-106">Rounding Corners</a></span>
+<br> &nbsp;<span class="subsectionToc">9.7 <a
+href="pgfmanualse9.html#x10-1070009.7" id="QQ2-10-107">The Circle and Ellipse Operations</a></span>
+<br> &nbsp;<span class="subsectionToc">9.8 <a
+href="pgfmanualse9.html#x10-1080009.8" id="QQ2-10-108">The Arc Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.9 <a
+href="pgfmanualse9.html#x10-1090009.9" id="QQ2-10-109">The Grid Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.10 <a
+href="pgfmanualse9.html#x10-1100009.10" id="QQ2-10-110">The Parabola Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.11 <a
+href="pgfmanualse9.html#x10-1110009.11" id="QQ2-10-111">The Sine and Cosine Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.12 <a
+href="pgfmanualse9.html#x10-1120009.12" id="QQ2-10-112">The Plot Operation</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.12.1 <a
+href="pgfmanualse9.html#x10-1130009.12.1" id="QQ2-10-113">Plotting Points Given Inline</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.12.2 <a
+href="pgfmanualse9.html#x10-1140009.12.2" id="QQ2-10-114">Plotting Points Read From an External File</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.12.3 <a
+href="pgfmanualse9.html#x10-1150009.12.3" id="QQ2-10-115">Plotting a Function</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.12.4 <a
+href="pgfmanualse9.html#x10-1160009.12.4" id="QQ2-10-116">Placing Marks on the Plot</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">9.12.5 <a
+href="pgfmanualse9.html#x10-1170009.12.5" id="QQ2-10-117">Smooth Plots, Sharp Plots, and Comb Plots</a></span>
+<br> &nbsp;<span class="subsectionToc">9.13 <a
+href="pgfmanualse9.html#x10-1180009.13" id="QQ2-10-118">The Scoping Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">9.14 <a
+href="pgfmanualse9.html#x10-1190009.14" id="QQ2-10-119">The Node Operation</a></span>
+<br> <span class="sectionToc">10 <a
+href="pgfmanualse10.html#x11-12000010" id="QQ2-11-120">Actions on Paths</a></span>
+<br> &nbsp;<span class="subsectionToc">10.1 <a
+href="pgfmanualse10.html#x11-12100010.1" id="QQ2-11-121">Specifying a Color</a></span>
+<br> &nbsp;<span class="subsectionToc">10.2 <a
+href="pgfmanualse10.html#x11-12200010.2" id="QQ2-11-122">Drawing a Path</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.2.1 <a
+href="pgfmanualse10.html#x11-12300010.2.1" id="QQ2-11-123">Graphic Parameters: Line Width, Line Cap, and Line Join</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.2.2 <a
+href="pgfmanualse10.html#x11-12400010.2.2" id="QQ2-11-124">Graphic Parameters: Dash Pattern</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.2.3 <a
+href="pgfmanualse10.html#x11-12500010.2.3" id="QQ2-11-125">Graphic Parameters: Draw Opacity</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.2.4 <a
+href="pgfmanualse10.html#x11-12600010.2.4" id="QQ2-11-126">Graphic Parameters: Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.2.5 <a
+href="pgfmanualse10.html#x11-12700010.2.5" id="QQ2-11-127">Graphic Parameters: Double Lines and Bordered Lines</a></span>
+<br> &nbsp;<span class="subsectionToc">10.3 <a
+href="pgfmanualse10.html#x11-12800010.3" id="QQ2-11-128">Filling a Path</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.3.1 <a
+href="pgfmanualse10.html#x11-12900010.3.1" id="QQ2-11-129">Graphic Parameters: Interior Rules</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.3.2 <a
+href="pgfmanualse10.html#x11-13000010.3.2" id="QQ2-11-130">Graphic Parameters: Fill Opacity</a></span>
+<br> &nbsp;<span class="subsectionToc">10.4 <a
+href="pgfmanualse10.html#x11-13100010.4" id="QQ2-11-131">Shading a Path</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.4.1 <a
+href="pgfmanualse10.html#x11-13200010.4.1" id="QQ2-11-132">Choosing a Shading Type</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">10.4.2 <a
+href="pgfmanualse10.html#x11-13300010.4.2" id="QQ2-11-133">Choosing a Shading Color</a></span>
+<br> &nbsp;<span class="subsectionToc">10.5 <a
+href="pgfmanualse10.html#x11-13400010.5" id="QQ2-11-134">Establishing a Bounding Box</a></span>
+<br> &nbsp;<span class="subsectionToc">10.6 <a
+href="pgfmanualse10.html#x11-13500010.6" id="QQ2-11-135">Using a Path For Clipping</a></span>
+<br> <span class="sectionToc">11 <a
+href="pgfmanualse11.html#x12-13600011" id="QQ2-12-136">Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">11.1 <a
+href="pgfmanualse11.html#x12-13700011.1" id="QQ2-12-137">Nodes and Their Shapes</a></span>
+<br> &nbsp;<span class="subsectionToc">11.2 <a
+href="pgfmanualse11.html#x12-13800011.2" id="QQ2-12-138">Multi-Part Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">11.3 <a
+href="pgfmanualse11.html#x12-13900011.3" id="QQ2-12-139">Options for the Text in Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">11.4 <a
+href="pgfmanualse11.html#x12-14000011.4" id="QQ2-12-140">Placing Nodes Using Anchors</a></span>
+<br> &nbsp;<span class="subsectionToc">11.5 <a
+href="pgfmanualse11.html#x12-14100011.5" id="QQ2-12-141">Transformations</a></span>
+<br> &nbsp;<span class="subsectionToc">11.6 <a
+href="pgfmanualse11.html#x12-14200011.6" id="QQ2-12-142">Placing Nodes on a Line or Curve</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">11.6.1 <a
+href="pgfmanualse11.html#x12-14300011.6.1" id="QQ2-12-143">Explicit Use of the Position Option</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">11.6.2 <a
+href="pgfmanualse11.html#x12-14400011.6.2" id="QQ2-12-144">Implicit Use of the Position Option</a></span>
+<br> &nbsp;<span class="subsectionToc">11.7 <a
+href="pgfmanualse11.html#x12-14500011.7" id="QQ2-12-145">Connecting Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">11.8 <a
+href="pgfmanualse11.html#x12-14600011.8" id="QQ2-12-146">Predefined Shapes</a></span>
+<br> <span class="sectionToc">12 <a
+href="pgfmanualse12.html#x13-14700012" id="QQ2-13-147">Making Trees Grow</a></span>
+<br> &nbsp;<span class="subsectionToc">12.1 <a
+href="pgfmanualse12.html#x13-14800012.1" id="QQ2-13-148">Introduction to the Child Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">12.2 <a
+href="pgfmanualse12.html#x13-14900012.2" id="QQ2-13-149">Child Paths and the Child Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">12.3 <a
+href="pgfmanualse12.html#x13-15000012.3" id="QQ2-13-150">Naming Child Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">12.4 <a
+href="pgfmanualse12.html#x13-15100012.4" id="QQ2-13-151">Specifying Options for Trees and Children</a></span>
+<br> &nbsp;<span class="subsectionToc">12.5 <a
+href="pgfmanualse12.html#x13-15200012.5" id="QQ2-13-152">Placing Child Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">12.6 <a
+href="pgfmanualse12.html#x13-15300012.6" id="QQ2-13-153">Edges From the Parent Node</a></span>
+
+
+<br> <span class="sectionToc">13 <a
+href="pgfmanualse13.html#x14-15400013" id="QQ2-14-154">Transformations</a></span>
+<br> &nbsp;<span class="subsectionToc">13.1 <a
+href="pgfmanualse13.html#x14-15500013.1" id="QQ2-14-155">The Different Coordinate Systems</a></span>
+<br> &nbsp;<span class="subsectionToc">13.2 <a
+href="pgfmanualse13.html#x14-15600013.2" id="QQ2-14-156">The Xy- and Xyz-Coordinate Systems</a></span>
+<br> &nbsp;<span class="subsectionToc">13.3 <a
+href="pgfmanualse13.html#x14-15700013.3" id="QQ2-14-157">Coordinate Transformations</a></span>
+<br> <span class="partToc">III&nbsp;&nbsp;<a
+href="#x1-158000III" id="QQ2-1-158">Libraries and Utilities</a></span>
+<br> <span class="sectionToc">14 <a
+href="pgfmanualse14.html#x15-15900014" id="QQ2-15-159">Libraries</a></span>
+<br> &nbsp;<span class="subsectionToc">14.1 <a
+href="pgfmanualse14.html#x15-16000014.1" id="QQ2-15-160">Arrow Tip Library</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.1 <a
+href="pgfmanualse14.html#x15-16100014.1.1" id="QQ2-15-161">Triangular Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.2 <a
+href="pgfmanualse14.html#x15-16200014.1.2" id="QQ2-15-162">Barbed Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.3 <a
+href="pgfmanualse14.html#x15-16300014.1.3" id="QQ2-15-163">Bracket-Like Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.4 <a
+href="pgfmanualse14.html#x15-16400014.1.4" id="QQ2-15-164">Circle and Diamond Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.5 <a
+href="pgfmanualse14.html#x15-16500014.1.5" id="QQ2-15-165">Partial Arrow Tips</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.1.6 <a
+href="pgfmanualse14.html#x15-16600014.1.6" id="QQ2-15-166">Line Caps</a></span>
+<br> &nbsp;<span class="subsectionToc">14.2 <a
+href="pgfmanualse14.html#x15-16700014.2" id="QQ2-15-167">Snake Library</a></span>
+<br> &nbsp;<span class="subsectionToc">14.3 <a
+href="pgfmanualse14.html#x15-16800014.3" id="QQ2-15-168">Plot Handler Library</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.3.1 <a
+href="pgfmanualse14.html#x15-16900014.3.1" id="QQ2-15-169">Curve Plot Handlers</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.3.2 <a
+href="pgfmanualse14.html#x15-17000014.3.2" id="QQ2-15-170">Comb Plot Handlers</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.3.3 <a
+href="pgfmanualse14.html#x15-17100014.3.3" id="QQ2-15-171">Mark Plot Handler</a></span>
+<br> &nbsp;<span class="subsectionToc">14.4 <a
+href="pgfmanualse14.html#x15-17200014.4" id="QQ2-15-172">Plot Mark Library</a></span>
+<br> &nbsp;<span class="subsectionToc">14.5 <a
+href="pgfmanualse14.html#x15-17300014.5" id="QQ2-15-173">Shape Library</a></span>
+<br> &nbsp;<span class="subsectionToc">14.6 <a
+href="pgfmanualse14.html#x15-17400014.6" id="QQ2-15-174">Tree Library</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.6.1 <a
+href="pgfmanualse14.html#x15-17500014.6.1" id="QQ2-15-175">Growth Functions</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">14.6.2 <a
+href="pgfmanualse14.html#x15-17600014.6.2" id="QQ2-15-176">Edges From Parent</a></span>
+<br> &nbsp;<span class="subsectionToc">14.7 <a
+href="pgfmanualse14.html#x15-17700014.7" id="QQ2-15-177">Background Library</a></span>
+<br> &nbsp;<span class="subsectionToc">14.8 <a
+href="pgfmanualse14.html#x15-17800014.8" id="QQ2-15-178">Automata Drawing Library</a></span>
+<br> <span class="sectionToc">15 <a
+href="pgfmanualse15.html#x16-17900015" id="QQ2-16-179">Repeating Things: The Foreach Statement</a></span>
+<br> <span class="sectionToc">16 <a
+href="pgfmanualse16.html#x17-18000016" id="QQ2-17-180">Page Management</a></span>
+<br> &nbsp;<span class="subsectionToc">16.1 <a
+href="pgfmanualse16.html#x17-18100016.1" id="QQ2-17-181">Basic Usage</a></span>
+<br> &nbsp;<span class="subsectionToc">16.2 <a
+href="pgfmanualse16.html#x17-18200016.2" id="QQ2-17-182">The Predefined Layouts</a></span>
+<br> &nbsp;<span class="subsectionToc">16.3 <a
+href="pgfmanualse16.html#x17-18300016.3" id="QQ2-17-183">Defining a Layout</a></span>
+<br> &nbsp;<span class="subsectionToc">16.4 <a
+href="pgfmanualse16.html#x17-18400016.4" id="QQ2-17-184">Creating Logical Pages</a></span>
+<br> <span class="sectionToc">17 <a
+href="pgfmanualse17.html#x18-18500017" id="QQ2-18-185">Extended Color Support</a></span>
+<br> <span class="partToc">IV&nbsp;&nbsp;<a
+href="#x1-186000IV" id="QQ2-1-186">The Basic Layer</a></span>
+<br> <span class="sectionToc">18 <a
+href="pgfmanualse18.html#x19-18700018" id="QQ2-19-187">Design Principles</a></span>
+<br> &nbsp;<span class="subsectionToc">18.1 <a
+href="pgfmanualse18.html#x19-18800018.1" id="QQ2-19-188">Core and Optional Packages</a></span>
+<br> &nbsp;<span class="subsectionToc">18.2 <a
+href="pgfmanualse18.html#x19-18900018.2" id="QQ2-19-189">Communicating with the Basic Layer via Macros</a></span>
+<br> &nbsp;<span class="subsectionToc">18.3 <a
+href="pgfmanualse18.html#x19-19000018.3" id="QQ2-19-190">Path-Centered Approach</a></span>
+<br> &nbsp;<span class="subsectionToc">18.4 <a
+href="pgfmanualse18.html#x19-19100018.4" id="QQ2-19-191">Coordinate Versus Canvas Transformations</a></span>
+<br> <span class="sectionToc">19 <a
+href="pgfmanualse19.html#x20-19200019" id="QQ2-20-192">Hierarchical Structures: Package, Environments, Scopes, and Text</a></span>
+<br> &nbsp;<span class="subsectionToc">19.1 <a
+href="pgfmanualse19.html#x20-19300019.1" id="QQ2-20-193">Overview</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.1.1 <a
+href="pgfmanualse19.html#x20-19400019.1.1" id="QQ2-20-194">The Hierarchical Structure of the Package</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.1.2 <a
+href="pgfmanualse19.html#x20-19500019.1.2" id="QQ2-20-195">The Hierarchical Structure of Graphics</a></span>
+<br> &nbsp;<span class="subsectionToc">19.2 <a
+href="pgfmanualse19.html#x20-19600019.2" id="QQ2-20-196">The Hierarchical Structure of the Package</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.2.1 <a
+href="pgfmanualse19.html#x20-19700019.2.1" id="QQ2-20-197">The Main Package</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.2.2 <a
+href="pgfmanualse19.html#x20-19800019.2.2" id="QQ2-20-198">The Core Package</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.2.3 <a
+href="pgfmanualse19.html#x20-19900019.2.3" id="QQ2-20-199">The Optional Basic Layer Packages</a></span>
+<br> &nbsp;<span class="subsectionToc">19.3 <a
+href="pgfmanualse19.html#x20-20000019.3" id="QQ2-20-200">The Hierarchical Structure of the Graphics</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.3.1 <a
+href="pgfmanualse19.html#x20-20100019.3.1" id="QQ2-20-201">The Main Environment</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.3.2 <a
+href="pgfmanualse19.html#x20-20200019.3.2" id="QQ2-20-202">Graphic Scope Environments</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">19.3.3 <a
+href="pgfmanualse19.html#x20-20300019.3.3" id="QQ2-20-203">Inserting Text and Images</a></span>
+<br> <span class="sectionToc">20 <a
+href="pgfmanualse20.html#x21-20400020" id="QQ2-21-204">Specifying Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">20.1 <a
+href="pgfmanualse20.html#x21-20500020.1" id="QQ2-21-205">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">20.2 <a
+href="pgfmanualse20.html#x21-20600020.2" id="QQ2-21-206">Basic Coordinate Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">20.3 <a
+href="pgfmanualse20.html#x21-20700020.3" id="QQ2-21-207">Coordinates in the Xy- and Xyz-Coordinate Systems</a></span>
+<br> &nbsp;<span class="subsectionToc">20.4 <a
+href="pgfmanualse20.html#x21-20800020.4" id="QQ2-21-208">Building Coordinates From Other Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">20.4.1 <a
+href="pgfmanualse20.html#x21-20900020.4.1" id="QQ2-21-209">Basic Manipulations of Coordinates</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">20.4.2 <a
+href="pgfmanualse20.html#x21-21000020.4.2" id="QQ2-21-210">Points Traveling along Lines and Curves</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">20.4.3 <a
+href="pgfmanualse20.html#x21-21100020.4.3" id="QQ2-21-211">Points on Borders of Objects</a></span>
+
+
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">20.4.4 <a
+href="pgfmanualse20.html#x21-21200020.4.4" id="QQ2-21-212">Points on the Intersection of Lines</a></span>
+<br> &nbsp;<span class="subsectionToc">20.5 <a
+href="pgfmanualse20.html#x21-21300020.5" id="QQ2-21-213">Extracting Coordinates</a></span>
+<br> &nbsp;<span class="subsectionToc">20.6 <a
+href="pgfmanualse20.html#x21-21400020.6" id="QQ2-21-214">Internals of How Point Commands Work</a></span>
+<br> <span class="sectionToc">21 <a
+href="pgfmanualse21.html#x22-21500021" id="QQ2-22-215">Constructing Paths</a></span>
+<br> &nbsp;<span class="subsectionToc">21.1 <a
+href="pgfmanualse21.html#x22-21600021.1" id="QQ2-22-216">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">21.2 <a
+href="pgfmanualse21.html#x22-21700021.2" id="QQ2-22-217">The Move-To Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.3 <a
+href="pgfmanualse21.html#x22-21800021.3" id="QQ2-22-218">The Line-To Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.4 <a
+href="pgfmanualse21.html#x22-21900021.4" id="QQ2-22-219">The Curve-To Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.5 <a
+href="pgfmanualse21.html#x22-22000021.5" id="QQ2-22-220">The Close Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.6 <a
+href="pgfmanualse21.html#x22-22100021.6" id="QQ2-22-221">Arc, Ellipse and Circle Path Operations</a></span>
+<br> &nbsp;<span class="subsectionToc">21.7 <a
+href="pgfmanualse21.html#x22-22200021.7" id="QQ2-22-222">Rectangle Path Operations</a></span>
+<br> &nbsp;<span class="subsectionToc">21.8 <a
+href="pgfmanualse21.html#x22-22300021.8" id="QQ2-22-223">The Grid Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.9 <a
+href="pgfmanualse21.html#x22-22400021.9" id="QQ2-22-224">The Parabola Path Operation</a></span>
+<br> &nbsp;<span class="subsectionToc">21.10 <a
+href="pgfmanualse21.html#x22-22500021.10" id="QQ2-22-225">Sine and Cosine Path Operations</a></span>
+<br> &nbsp;<span class="subsectionToc">21.11 <a
+href="pgfmanualse21.html#x22-22600021.11" id="QQ2-22-226">Plot Path Operations</a></span>
+<br> &nbsp;<span class="subsectionToc">21.12 <a
+href="pgfmanualse21.html#x22-22700021.12" id="QQ2-22-227">Rounded Corners</a></span>
+<br> &nbsp;<span class="subsectionToc">21.13 <a
+href="pgfmanualse21.html#x22-22800021.13" id="QQ2-22-228">Internal Tracking of Bounding Boxes for Paths and Pictures</a></span>
+<br> <span class="sectionToc">22 <a
+href="pgfmanualse22.html#x23-22900022" id="QQ2-23-229">Snakes</a></span>
+<br> &nbsp;<span class="subsectionToc">22.1 <a
+href="pgfmanualse22.html#x23-23000022.1" id="QQ2-23-230">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">22.2 <a
+href="pgfmanualse22.html#x23-23100022.2" id="QQ2-23-231">Declaring a Snake</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">22.2.1 <a
+href="pgfmanualse22.html#x23-23200022.2.1" id="QQ2-23-232">Segments</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">22.2.2 <a
+href="pgfmanualse22.html#x23-23300022.2.2" id="QQ2-23-233">Snake Automata</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">22.2.3 <a
+href="pgfmanualse22.html#x23-23400022.2.3" id="QQ2-23-234">The Snake Declaration Command</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">22.2.4 <a
+href="pgfmanualse22.html#x23-23500022.2.4" id="QQ2-23-235">Predefined Snakes</a></span>
+<br> &nbsp;<span class="subsectionToc">22.3 <a
+href="pgfmanualse22.html#x23-23600022.3" id="QQ2-23-236">Using Snakes</a></span>
+<br> <span class="sectionToc">23 <a
+href="pgfmanualse23.html#x24-23700023" id="QQ2-24-237">Using Paths</a></span>
+<br> &nbsp;<span class="subsectionToc">23.1 <a
+href="pgfmanualse23.html#x24-23800023.1" id="QQ2-24-238">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">23.2 <a
+href="pgfmanualse23.html#x24-23900023.2" id="QQ2-24-239">Stroking a Path</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.1 <a
+href="pgfmanualse23.html#x24-24000023.2.1" id="QQ2-24-240">Graphic Parameter: Line Width</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.2 <a
+href="pgfmanualse23.html#x24-24100023.2.2" id="QQ2-24-241">Graphic Parameter: Caps and Joins</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.3 <a
+href="pgfmanualse23.html#x24-24200023.2.3" id="QQ2-24-242">Graphic Parameter: Dashing</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.4 <a
+href="pgfmanualse23.html#x24-24300023.2.4" id="QQ2-24-243">Graphic Parameter: Stroke Color</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.5 <a
+href="pgfmanualse23.html#x24-24400023.2.5" id="QQ2-24-244">Graphic Parameter: Stroke Opacity</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.2.6 <a
+href="pgfmanualse23.html#x24-24500023.2.6" id="QQ2-24-245">Graphic Parameter: Arrows</a></span>
+<br> &nbsp;<span class="subsectionToc">23.3 <a
+href="pgfmanualse23.html#x24-24600023.3" id="QQ2-24-246">Filling a Path</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.3.1 <a
+href="pgfmanualse23.html#x24-24700023.3.1" id="QQ2-24-247">Graphic Parameter: Interior Rule</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.3.2 <a
+href="pgfmanualse23.html#x24-24800023.3.2" id="QQ2-24-248">Graphic Parameter: Filling Color</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">23.3.3 <a
+href="pgfmanualse23.html#x24-24900023.3.3" id="QQ2-24-249">Graphic Parameter: Fill Opacity</a></span>
+<br> &nbsp;<span class="subsectionToc">23.4 <a
+href="pgfmanualse23.html#x24-25000023.4" id="QQ2-24-250">Clipping a Path</a></span>
+<br> &nbsp;<span class="subsectionToc">23.5 <a
+href="pgfmanualse23.html#x24-25100023.5" id="QQ2-24-251">Using a Path as a Bounding Box</a></span>
+<br> <span class="sectionToc">24 <a
+href="pgfmanualse24.html#x25-25200024" id="QQ2-25-252">Arrow Tips</a></span>
+<br> &nbsp;<span class="subsectionToc">24.1 <a
+href="pgfmanualse24.html#x25-25300024.1" id="QQ2-25-253">Overview</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">24.1.1 <a
+href="pgfmanualse24.html#x25-25400024.1.1" id="QQ2-25-254">When Does PGF Draw Arrow Tips?</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">24.1.2 <a
+href="pgfmanualse24.html#x25-25500024.1.2" id="QQ2-25-255">Meta-Arrow Tips</a></span>
+<br> &nbsp;<span class="subsectionToc">24.2 <a
+href="pgfmanualse24.html#x25-25600024.2" id="QQ2-25-256">Declaring an Arrow Tip Kind</a></span>
+<br> &nbsp;<span class="subsectionToc">24.3 <a
+href="pgfmanualse24.html#x25-25700024.3" id="QQ2-25-257">Declaring a Derived Arrow Tip Kind</a></span>
+<br> &nbsp;<span class="subsectionToc">24.4 <a
+href="pgfmanualse24.html#x25-25800024.4" id="QQ2-25-258">Using an Arrow Tip Kind</a></span>
+<br> &nbsp;<span class="subsectionToc">24.5 <a
+href="pgfmanualse24.html#x25-25900024.5" id="QQ2-25-259">Predefined Arrow Tip Kinds</a></span>
+<br> <span class="sectionToc">25 <a
+href="pgfmanualse25.html#x26-26000025" id="QQ2-26-260">Nodes and Shapes</a></span>
+<br> &nbsp;<span class="subsectionToc">25.1 <a
+href="pgfmanualse25.html#x26-26100025.1" id="QQ2-26-261">Overview</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.1.1 <a
+href="pgfmanualse25.html#x26-26200025.1.1" id="QQ2-26-262">Creating and Referencing Nodes</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.1.2 <a
+href="pgfmanualse25.html#x26-26300025.1.2" id="QQ2-26-263">Anchors</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.1.3 <a
+href="pgfmanualse25.html#x26-26400025.1.3" id="QQ2-26-264">Layers of a Shape</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.1.4 <a
+href="pgfmanualse25.html#x26-26500025.1.4" id="QQ2-26-265">Node Parts</a></span>
+<br> &nbsp;<span class="subsectionToc">25.2 <a
+href="pgfmanualse25.html#x26-26600025.2" id="QQ2-26-266">Creating Nodes</a></span>
+<br> &nbsp;<span class="subsectionToc">25.3 <a
+href="pgfmanualse25.html#x26-26700025.3" id="QQ2-26-267">Using Anchors</a></span>
+<br> &nbsp;<span class="subsectionToc">25.4 <a
+href="pgfmanualse25.html#x26-26800025.4" id="QQ2-26-268">Declaring New Shapes</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.4.1 <a
+href="pgfmanualse25.html#x26-26900025.4.1" id="QQ2-26-269">What Must Be Defined For a Shape?</a></span>
+
+
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.4.2 <a
+href="pgfmanualse25.html#x26-27000025.4.2" id="QQ2-26-270">Normal Anchors Versus Saved Anchors</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">25.4.3 <a
+href="pgfmanualse25.html#x26-27100025.4.3" id="QQ2-26-271">Command for Declaring New Shapes</a></span>
+<br> &nbsp;<span class="subsectionToc">25.5 <a
+href="pgfmanualse25.html#x26-27200025.5" id="QQ2-26-272">Predefined Shapes</a></span>
+<br> <span class="sectionToc">26 <a
+href="pgfmanualse26.html#x27-27300026" id="QQ2-27-273">Coordinate and Canvas Transformations</a></span>
+<br> &nbsp;<span class="subsectionToc">26.1 <a
+href="pgfmanualse26.html#x27-27400026.1" id="QQ2-27-274">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">26.2 <a
+href="pgfmanualse26.html#x27-27500026.2" id="QQ2-27-275">Coordinate Transformations</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">26.2.1 <a
+href="pgfmanualse26.html#x27-27600026.2.1" id="QQ2-27-276">How PGF Keeps Track of the Coordinate Transformation Matrix</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">26.2.2 <a
+href="pgfmanualse26.html#x27-27700026.2.2" id="QQ2-27-277">Commands for Relative Coordinate Transformations</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">26.2.3 <a
+href="pgfmanualse26.html#x27-27800026.2.3" id="QQ2-27-278">Commands for Absolute Coordinate Transformations</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">26.2.4 <a
+href="pgfmanualse26.html#x27-27900026.2.4" id="QQ2-27-279">Saving and Restoring the Coordinate Transformation Matrix</a></span>
+<br> &nbsp;<span class="subsectionToc">26.3 <a
+href="pgfmanualse26.html#x27-28000026.3" id="QQ2-27-280">Canvas Transformations</a></span>
+<br> <span class="sectionToc">27 <a
+href="pgfmanualse27.html#x28-28100027" id="QQ2-28-281">Declaring and Using Images</a></span>
+<br> &nbsp;<span class="subsectionToc">27.1 <a
+href="pgfmanualse27.html#x28-28200027.1" id="QQ2-28-282">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">27.2 <a
+href="pgfmanualse27.html#x28-28300027.2" id="QQ2-28-283">Declaring an Image</a></span>
+<br> &nbsp;<span class="subsectionToc">27.3 <a
+href="pgfmanualse27.html#x28-28400027.3" id="QQ2-28-284">Using an Image</a></span>
+<br> &nbsp;<span class="subsectionToc">27.4 <a
+href="pgfmanualse27.html#x28-28500027.4" id="QQ2-28-285">Masking an Image</a></span>
+<br> <span class="sectionToc">28 <a
+href="pgfmanualse28.html#x29-28600028" id="QQ2-29-286">Declaring and Using Shadings</a></span>
+<br> &nbsp;<span class="subsectionToc">28.1 <a
+href="pgfmanualse28.html#x29-28700028.1" id="QQ2-29-287">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">28.2 <a
+href="pgfmanualse28.html#x29-28800028.2" id="QQ2-29-288">Declaring Shadings</a></span>
+<br> &nbsp;<span class="subsectionToc">28.3 <a
+href="pgfmanualse28.html#x29-28900028.3" id="QQ2-29-289">Using Shadings</a></span>
+<br> <span class="sectionToc">29 <a
+href="pgfmanualse29.html#x30-29000029" id="QQ2-30-290">Creating Plots</a></span>
+<br> &nbsp;<span class="subsectionToc">29.1 <a
+href="pgfmanualse29.html#x30-29100029.1" id="QQ2-30-291">Overview</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">29.1.1 <a
+href="pgfmanualse29.html#x30-29200029.1.1" id="QQ2-30-292">When Should One Use PGF for Generating Plots? </a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">29.1.2 <a
+href="pgfmanualse29.html#x30-29300029.1.2" id="QQ2-30-293">How PGF Handles Plots</a></span>
+<br> &nbsp;<span class="subsectionToc">29.2 <a
+href="pgfmanualse29.html#x30-29400029.2" id="QQ2-30-294">Generating Plot Streams</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">29.2.1 <a
+href="pgfmanualse29.html#x30-29500029.2.1" id="QQ2-30-295">Basic Building Blocks of Plot Streams</a></span>
+<br> &nbsp;&nbsp;<span class="subsubsectionToc">29.2.2 <a
+href="pgfmanualse29.html#x30-29600029.2.2" id="QQ2-30-296">Commands That Generate Plot Streams</a></span>
+<br> &nbsp;<span class="subsectionToc">29.3 <a
+href="pgfmanualse29.html#x30-29700029.3" id="QQ2-30-297">Plot Handlers</a></span>
+<br> <span class="sectionToc">30 <a
+href="pgfmanualse30.html#x31-29800030" id="QQ2-31-298">Layered Graphics</a></span>
+<br> &nbsp;<span class="subsectionToc">30.1 <a
+href="pgfmanualse30.html#x31-29900030.1" id="QQ2-31-299">Overview</a></span>
+<br> &nbsp;<span class="subsectionToc">30.2 <a
+href="pgfmanualse30.html#x31-30000030.2" id="QQ2-31-300">Declaring Layers</a></span>
+<br> &nbsp;<span class="subsectionToc">30.3 <a
+href="pgfmanualse30.html#x31-30100030.3" id="QQ2-31-301">Using Layers</a></span>
+<br> <span class="sectionToc">31 <a
+href="pgfmanualse31.html#x32-30200031" id="QQ2-32-302">Quick Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">31.1 <a
+href="pgfmanualse31.html#x32-30300031.1" id="QQ2-32-303">Quick Path Construction Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">31.2 <a
+href="pgfmanualse31.html#x32-30400031.2" id="QQ2-32-304">Quick Path Usage Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">31.3 <a
+href="pgfmanualse31.html#x32-30500031.3" id="QQ2-32-305">Quick Text Box Commands</a></span>
+<br> <span class="partToc">V&nbsp;&nbsp;<a
+href="#x1-306000V" id="QQ2-1-306">The System Layer</a></span>
+<br> <span class="sectionToc">32 <a
+href="pgfmanualse32.html#x33-30700032" id="QQ2-33-307">Design of the System Layer</a></span>
+<br> &nbsp;<span class="subsectionToc">32.1 <a
+href="pgfmanualse32.html#x33-30800032.1" id="QQ2-33-308">Driver Files</a></span>
+<br> &nbsp;<span class="subsectionToc">32.2 <a
+href="pgfmanualse32.html#x33-30900032.2" id="QQ2-33-309">Common Definition Files</a></span>
+<br> <span class="sectionToc">33 <a
+href="pgfmanualse33.html#x34-31000033" id="QQ2-34-310">Commands of the System Layer</a></span>
+<br> &nbsp;<span class="subsectionToc">33.1 <a
+href="pgfmanualse33.html#x34-31100033.1" id="QQ2-34-311">Beginning and Ending a Stream of System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.2 <a
+href="pgfmanualse33.html#x34-31200033.2" id="QQ2-34-312">Path Construction System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.3 <a
+href="pgfmanualse33.html#x34-31300033.3" id="QQ2-34-313">Canvas Transformation System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.4 <a
+href="pgfmanualse33.html#x34-31400033.4" id="QQ2-34-314">Stroking, Filling, and Clipping System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.5 <a
+href="pgfmanualse33.html#x34-31500033.5" id="QQ2-34-315">Graphic State Option System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.6 <a
+href="pgfmanualse33.html#x34-31600033.6" id="QQ2-34-316">Color System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.7 <a
+href="pgfmanualse33.html#x34-31700033.7" id="QQ2-34-317">Scoping System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.8 <a
+href="pgfmanualse33.html#x34-31800033.8" id="QQ2-34-318">Image System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.9 <a
+href="pgfmanualse33.html#x34-31900033.9" id="QQ2-34-319">Shading System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.10 <a
+href="pgfmanualse33.html#x34-32000033.10" id="QQ2-34-320">Reusable Objects System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.11 <a
+href="pgfmanualse33.html#x34-32100033.11" id="QQ2-34-321">Invisibility System Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">33.12 <a
+href="pgfmanualse33.html#x34-32200033.12" id="QQ2-34-322">Internal Conversion Commands</a></span>
+<br> <span class="sectionToc">34 <a
+href="pgfmanualse34.html#x35-32300034" id="QQ2-35-323">The Soft Path Subsystem</a></span>
+<br> &nbsp;<span class="subsectionToc">34.1 <a
+href="pgfmanualse34.html#x35-32400034.1" id="QQ2-35-324">Path Creation Process</a></span>
+<br> &nbsp;<span class="subsectionToc">34.2 <a
+href="pgfmanualse34.html#x35-32500034.2" id="QQ2-35-325">Starting and Ending a Soft Path</a></span>
+<br> &nbsp;<span class="subsectionToc">34.3 <a
+href="pgfmanualse34.html#x35-32600034.3" id="QQ2-35-326">Soft Path Creation Commands</a></span>
+<br> &nbsp;<span class="subsectionToc">34.4 <a
+href="pgfmanualse34.html#x35-32700034.4" id="QQ2-35-327">The Soft Path Data Structure</a></span>
+
+
+<br> <span class="sectionToc">35 <a
+href="pgfmanualse35.html#x36-32800035" id="QQ2-36-328">The Protocol Subsystem</a></span>
+<br> <span class="partToc">VI&nbsp;&nbsp;<a
+href="#x1-329000VI" id="QQ2-1-329">References and Index</a></span>
+ </div>
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;I<br></span><a
+ id="x1-2000I"></a>Getting Started</h1>
+<!--l. 108--><p class="noindent">This part is intended to help you get started with the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package. First, the installation process is explained;
+however, the system will typically be already installed on your system, so this can often be skipped. Next, a
+short tutorial is given that explains the most often used commands and concepts of Ti<span
+class="cmti-10">k</span>Z, without
+going into any of the glorious details. At the end of this section you will find some, hopefully useful,
+hints on how to create &#8220;good&#8221; graphics in general. The information in this section is not specific to
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>.
+<!--l. 120--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-2.svg" width="57.70547pt" height="93.2714pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-3-" ><colgroup id="TBL-3-1g"><col
+id="TBL-3-1"></colgroup><tr
+ valign="baseline" id="TBL-3-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-3-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[thick,rounded</span><span
+class="cmtt-8">&nbsp;corners=8pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,3.25)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0);</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+
+
+
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;II<br></span><a
+ id="x1-65000II"></a>Ti<span
+class="cmti-10">k</span>Z ist <span
+class="cmti-10">kein </span>Zeichenprogramm</h1>
+<!--l. 136--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-64.svg" width="379.5989pt" height="112.06274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-65-" ><colgroup id="TBL-65-1g"><col
+id="TBL-65-1"></colgroup><tr
+ valign="baseline" id="TBL-65-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-65-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[fill=yellow]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(60:.75cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(60:180:.75cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw(120:0.4cm)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{$\alpha$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[fill=green!30]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(right:.75cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:60:.75cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw(30:0.5cm)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{$\beta$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[shift={(60:2cm)}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[fill=green!30]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(180:.75cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:240:.75cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(30:-0.5cm)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{$\gamma$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[fill=yellow]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(240:.75cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(240:360:.75cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-60:0.4cm)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{$\delta$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(60:-1cm)</span><span
+class="cmtt-8">&nbsp;node[fill=white]</span><span
+class="cmtt-8">&nbsp;{$E$}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(60:3cm)</span><span
+class="cmtt-8">&nbsp;node[fill=white]</span><span
+class="cmtt-8">&nbsp;{$F$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{$A$}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;node[right]{$B$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[blue,shift={(60:2cm)}]</span><span
+class="cmtt-8">&nbsp;(-3,0)</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{$C$}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[right]{$D$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(60:1cm)},xshift=4cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;[right,text</span><span
+class="cmtt-8">&nbsp;width=6cm,rounded</span><span
+class="cmtt-8">&nbsp;corners,fill=red!20,inner</span><span
+class="cmtt-8">&nbsp;sep=1ex]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;When</span><span
+class="cmtt-8">&nbsp;we</span><span
+class="cmtt-8">&nbsp;assume</span><span
+class="cmtt-8">&nbsp;that</span><span
+class="cmtt-8">&nbsp;$\color{red}AB$</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;$\color{blue}CD$</span><span
+class="cmtt-8">&nbsp;are</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;parallel,</span><span
+class="cmtt-8">&nbsp;i.\,e.,</span><span
+class="cmtt-8">&nbsp;${\color{red}AB}</span><span
+class="cmtt-8">&nbsp;\mathbin{\|}</span><span
+class="cmtt-8">&nbsp;\color{blue}CD$,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;then</span><span
+class="cmtt-8">&nbsp;$\alpha</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;\delta$</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;$\beta</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;\gamma$.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+
+
+
+
+
+
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;III<br></span><a
+ id="x1-158000III"></a>Libraries and Utilities</h1>
+<!--l. 184--><p class="noindent">In this part the library and utility packages are documented. The library packages provide additional predefined
+graphic objects like new arrow heads, or new plot marks. These are not loaded by default since many users will not
+need them.
+<!--l. 189--><p class="indent"> The utility packages are not directly involved in creating graphics, but you may find them useful nonetheless. All
+of them either directly depend on <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;or they are designed to work well together with <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;even though they can
+be used in a stand-alone way.
+<!--l. 195--><p class="noindent">
+<!--l. 196--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-304.svg" width="268.8559pt" height="267.25067pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-311-" ><colgroup id="TBL-311-1g"><col
+id="TBL-311-1"></colgroup><tr
+ valign="baseline" id="TBL-311-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-311-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=2]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[top</span><span
+class="cmtt-8">&nbsp;color=blue,bottom</span><span
+class="cmtt-8">&nbsp;color=gray!50]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;(1.5,2.25)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1.05cm,2pt)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$\displaystyle\int_0^{3/2}</span><span
+class="cmtt-8">&nbsp;\!\!x^2\mathrm{d}x$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3.9,3.9)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[step=0.25cm]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(1,1);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-0.2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-0.2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,4)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$f(x)$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x/\xtext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1/1,</span><span
+class="cmtt-8">&nbsp;1.5/1\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;2/2,</span><span
+class="cmtt-8">&nbsp;3/3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(\x,0)}]</span><span
+class="cmtt-8">&nbsp;(0pt,2pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,-2pt)</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{$\xtext$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y/\ytext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1/1,</span><span
+class="cmtt-8">&nbsp;2/2,</span><span
+class="cmtt-8">&nbsp;2.25/2\frac{1}{4},</span><span
+class="cmtt-8">&nbsp;3/3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(0,\y)}]</span><span
+class="cmtt-8">&nbsp;(2pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-2pt,0pt)</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{$\ytext$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-.5,.25)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;bend</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;(2,4)</span><span
+class="cmtt-8">&nbsp;node[below</span><span
+class="cmtt-8">&nbsp;right]</span><span
+class="cmtt-8">&nbsp;{$x^2$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+
+
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;IV<br></span><a
+ id="x1-186000IV"></a>The Basic Layer</h1>
+<!--l. 227--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-468.svg" width="220.79173pt" height="190.62785pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-395-" ><colgroup id="TBL-395-1g"><col
+id="TBL-395-1"></colgroup><tr
+ valign="baseline" id="TBL-395-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-395-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.9,-1.9)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2.9,3.9)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[step=0.25cm]</span><span
+class="cmtt-8">&nbsp;(-1,-1)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[blue]</span><span
+class="cmtt-8">&nbsp;(1,-2.1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,4.1);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;asymptote</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$x(t)$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,4)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$y(t)$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\pos</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,2}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(\pos,0)}]</span><span
+class="cmtt-8">&nbsp;(0pt,2pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,-2pt)</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{$\pos$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\pos</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(0,\pos)}]</span><span
+class="cmtt-8">&nbsp;(2pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-2pt,0pt)</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{$\pos$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.064cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick,parametric,domain=0.4:1.5,samples=200]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;The</span><span
+class="cmsltt-10x-x-80">&nbsp;plot</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;reparameterised</span><span
+class="cmsltt-10x-x-80">&nbsp;such</span><span
+class="cmsltt-10x-x-80">&nbsp;that</span><span
+class="cmsltt-10x-x-80">&nbsp;there</span><span
+class="cmsltt-10x-x-80">&nbsp;are</span><span
+class="cmsltt-10x-x-80">&nbsp;more</span><span
+class="cmsltt-10x-x-80">&nbsp;samples</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;near</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;center.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[id=asymptotic-example]</span><span
+class="cmtt-8">&nbsp;function{(t*t*t)*sin(1/(t*t*t)),(t*t*t)*cos(1/(t*t*t))}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$\bigl(x(t),y(t)\bigr)</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;(t\sin</span><span
+class="cmtt-8">&nbsp;\frac{1}{t},</span><span
+class="cmtt-8">&nbsp;t\cos</span><span
+class="cmtt-8">&nbsp;\frac{1}{t})$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;(0.63662,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;[below</span><span
+class="cmtt-8">&nbsp;right,fill=white,yshift=-4pt]</span><span
+class="cmtt-8">&nbsp;{$(\frac{2}{\pi},0)$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;V<br></span><a
+ id="x1-306000V"></a>The System Layer</h1>
+<!--l. 276--><p class="noindent">This part describes the low-level interface of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, called the <span
+class="cmti-10">system layer</span>. This interface provides a complete
+abstraction of the internals of the underlying drivers.
+<!--l. 280--><p class="indent"> Unless you intend to port <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to another driver or unless you intend to write your own optimized frontend, you
+need not read this part.
+<!--l. 283--><p class="indent"> In the following it is assumed that you are familiar with the basic workings of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphics</span></span></span> package and that
+you know what <span class="TEX">T<span
+class="E">E</span>X</span>-drivers are and how they work.
+<!--l. 288--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-650.svg" width="443.79115pt" height="79.83185pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-572-" ><colgroup id="TBL-572-1g"><col
+id="TBL-572-1"></colgroup><tr
+ valign="baseline" id="TBL-572-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-572-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[shorten</span><span
+class="cmtt-8">&nbsp;&gt;=1pt,-&gt;]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{vertex}=[circle,fill=black!25,minimum</span><span
+class="cmtt-8">&nbsp;size=17pt,inner</span><span
+class="cmtt-8">&nbsp;sep=0pt]</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\name/\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{s/1,</span><span
+class="cmtt-8">&nbsp;2/2,</span><span
+class="cmtt-8">&nbsp;3/3,</span><span
+class="cmtt-8">&nbsp;4/4,</span><span
+class="cmtt-8">&nbsp;15/11,</span><span
+class="cmtt-8">&nbsp;16/12,</span><span
+class="cmtt-8">&nbsp;17/13,</span><span
+class="cmtt-8">&nbsp;18/14,</span><span
+class="cmtt-8">&nbsp;19/15,</span><span
+class="cmtt-8">&nbsp;t/16}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[vertex]</span><span
+class="cmtt-8">&nbsp;(G-\name)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(\x,0)</span><span
+class="cmtt-8">&nbsp;{$\name$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\name/\angle/\text</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{P-1/234/5,</span><span
+class="cmtt-8">&nbsp;P-2/162/6,</span><span
+class="cmtt-8">&nbsp;P-3/90/7,</span><span
+class="cmtt-8">&nbsp;P-4/18/8,</span><span
+class="cmtt-8">&nbsp;P-5/-54/9}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[vertex,xshift=6cm,yshift=.5cm]</span><span
+class="cmtt-8">&nbsp;(\name)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(\angle:1cm)</span><span
+class="cmtt-8">&nbsp;{$\text$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\name/\angle/\text</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{Q-1/234/10,</span><span
+class="cmtt-8">&nbsp;Q-2/162/11,</span><span
+class="cmtt-8">&nbsp;Q-3/90/12,</span><span
+class="cmtt-8">&nbsp;Q-4/18/13,</span><span
+class="cmtt-8">&nbsp;Q-5/-54/14}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[vertex,xshift=9cm,yshift=.5cm]</span><span
+class="cmtt-8">&nbsp;(\name)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(\angle:1cm)</span><span
+class="cmtt-8">&nbsp;{$\text$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\from/\to</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{s/2,2/3,3/4,3/4,15/16,16/17,17/18,18/19,19/t}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(G-\from)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(G-\to);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\from/\to</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1/2,2/3,3/4,4/5,5/1,1/3,2/4,3/5,4/1,5/2}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(P-\from)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(P-\to);</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(Q-\from)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(Q-\to);</span><span
+class="cmtt-8">&nbsp;}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(G-3)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(-30:2cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-150:1cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(Q-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(Q-5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(G-15);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+
+
+
+
+
+
+ <h1 class="partHead"><span class="titlemark">Part&nbsp;VI<br></span><a
+ id="x1-329000VI"></a>References and Index</h1>
+<!--l. 322--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-651.svg" width="227.82191pt" height="284.7274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-584-" ><colgroup id="TBL-584-1g"><col
+id="TBL-584-1"></colgroup><tr
+ valign="baseline" id="TBL-584-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-584-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=0.3cm,color=red!30,cap=round,join=round]</span><span
+class="cmtt-8">&nbsp;(0,0)--(2,0)--(2,5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2.5,-2.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(5.5,7.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(1,-1)--(-1,-1)--(-1,1)--(0,1)--(0,0)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,0)--(1,-1)--(3,-1)--(3,2)--(2,2)--(2,3)--(3,3)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,5)--(1,5)--(1,4)--(0,4)--(0,6)--(1,6)--(1,5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,3)--(4,3)--(4,5)--(3,5)--(3,6)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,-1)--(4,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[below</span><span
+class="cmtt-8">&nbsp;left]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node(s){$s$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[below</span><span
+class="cmtt-8">&nbsp;left]</span><span
+class="cmtt-8">&nbsp;(2,5)</span><span
+class="cmtt-8">&nbsp;node(t){$t$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.06cm)</span><span
+class="cmtt-8">&nbsp;(2,5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.06cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;,rounded</span><span
+class="cmtt-8">&nbsp;corners=0.2cm,shorten</span><span
+class="cmtt-8">&nbsp;&gt;=2pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1.5,0.5)--</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,2)--</span><span
+class="cmtt-8">&nbsp;++(-1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,2)--</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;++(0,1)--</span><span
+class="cmtt-8">&nbsp;++(-1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span><span
+class="cmtt-8">&nbsp;++(-2,0)--</span><span
+class="cmtt-8">&nbsp;++(0,3)--</span><span
+class="cmtt-8">&nbsp;++(2,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,1)--</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-3)--</span><span
+class="cmtt-8">&nbsp;++(-2,0)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-3)--</span><span
+class="cmtt-8">&nbsp;++(1,0)--</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span><span
+class="cmtt-8">&nbsp;++(-6,0)--</span><span
+class="cmtt-8">&nbsp;++(0,3)--</span><span
+class="cmtt-8">&nbsp;++(2,0)--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;++(0,-1)--</span><span
+class="cmtt-8">&nbsp;++(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+ <h3 class="likesectionHead"><a
+ id="x1-330000VI"></a>Index</h3>
+ <div class="theindex"><span
+class="cmtt-10">( </span>arrow tip, 177
+<br><span
+class="cmtt-10">) </span>arrow tip, 177
+<br><span
+class="cmtt-10">* </span>arrow tip, 177
+<br><span
+class="cmtt-10">* </span>plot mark, 187
+<br><span
+class="cmtt-10">| </span>arrow tip, 295
+<br><span
+class="cmtt-10">| </span>plot mark, 187
+<br><span
+class="cmtt-10">+ </span>plot mark, 187
+<br><span
+class="cmtt-10">- </span>plot mark, 187
+<br><span
+class="cmtt-10">-- </span>path operation, 93
+<br><span
+class="cmtt-10">-| </span>path operation, 93
+<br><span
+class="cmtt-10">|- </span>path operation, 94
+<br><span
+class="cmtt-10">--cycle </span>path operation, 99
+<br><span
+class="cmtt-10">--plot </span>path operation, 105
+<br><span
+class="cmtt-10">.. </span>path operation, 99
+
+
+<br><span
+class="cmtt-10">&gt; </span>option, 123
+<br><span
+class="cmtt-10">[ </span>arrow tip, 177
+<br><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">shape name</span><span
+class="cmsy-10">&gt; </span>option, 136
+<br><span
+class="cmtt-10">] </span>arrow tip, 177
+<br><span
+class="cmtt-10">16 on 1 </span>layout, 211
+<br><span
+class="cmtt-10">2 on 1 </span>layout, 211
+<br><span
+class="cmtt-10">4 on 1 </span>layout, 211
+<br><span
+class="cmtt-10">8 on 1 </span>layout, 211
+<br><p class="theindex">
+ <span
+class="cmtt-10">above </span>option, 141
+<br><span
+class="cmtt-10">above left </span>option, 142
+<br><span
+class="cmtt-10">above right </span>option, 142
+<br><span
+class="cmtt-10">\anchor</span>, 308
+<br><span
+class="cmtt-10">anchor </span>option, 141
+<br><span
+class="cmtt-10">\anchorborder</span>, 309
+<br><span
+class="cmtt-10">angle 45 </span>arrow tip, 176
+<br><span
+class="cmtt-10">angle 45 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">angle 60 </span>arrow tip, 176
+<br><span
+class="cmtt-10">angle 60 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">angle 90 </span>arrow tip, 176
+<br><span
+class="cmtt-10">angle 90 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">arc </span>path operation, 101
+<br>Arrow tips
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">(</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">)</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">*</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">|</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">[</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">]</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 45</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 45 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 60</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 60 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 90</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">angle 90 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">butt cap</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">diamond</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">fast cap</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">fast cap reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">hooks</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">hooks reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">latex</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">latex reversed</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">latex'</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">latex' reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left hook</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left hook reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left to</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left to reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">o</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open diamond</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 45</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 45 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 60</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 60 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 90</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">open triangle 90 reversed</span>, 176
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right hook</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right hook reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right to</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right to reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">round cap</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stealth</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stealth reversed</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stealth'</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stealth' reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">to</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">to reversed</span>, 295
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 45</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 45 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 60</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 60 reversed</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 90</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 90 cap</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 90 cap reversed</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle 90 reversed</span>, 176
+<br><span
+class="cmtt-10">arrows </span>option, 122
+<br><span
+class="cmtt-10">asterisk </span>plot mark, 187
+<br><span
+class="cmtt-10">at </span>option, 238
+<br><span
+class="cmtt-10">at end </span>style, 145
+<br><span
+class="cmtt-10">at start </span>style, 145
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">background grid </span>style, 195
+<br><span
+class="cmtt-10">background rectangle </span>style, 195
+<br><span
+class="cmtt-10">background top </span>style, 196
+<br><span
+class="cmtt-10">\backgroundpath</span>, 310
+<br><span
+class="cmtt-10">ball </span>plot mark, 109
+<br><span
+class="cmtt-10">ball color </span>option, 130
+<br><span
+class="cmtt-10">base </span>option, 238
+<br><span
+class="cmtt-10">baseline </span>option, 76
+<br><span
+class="cmtt-10">\beforebackgroundpath</span>, 310
+<br><span
+class="cmtt-10">\beforeforegroundpath</span>, 311
+<br><span
+class="cmtt-10">\behindbackgroundpath</span>, 310
+<br><span
+class="cmtt-10">\behindforegroundpath</span>, 310
+<br><span
+class="cmtt-10">below </span>option, 142
+<br><span
+class="cmtt-10">below left </span>option, 142
+<br><span
+class="cmtt-10">below right </span>option, 142
+<br><span
+class="cmtt-10">bend </span>option, 103
+<br><span
+class="cmtt-10">bend at end </span>style, 104
+<br><span
+class="cmtt-10">bend at start </span>style, 104
+<br><span
+class="cmtt-10">bend pos </span>option, 104
+<br><span
+class="cmtt-10">border </span>snake, 178
+<br><span
+class="cmtt-10">bottom </span>option, 237
+<br><span
+class="cmtt-10">bottom color </span>option, 129
+<br><span
+class="cmtt-10">brace </span>snake, 178
+<br><span
+class="cmtt-10">\breakforeach</span>, 205
+<br><span
+class="cmtt-10">bumps </span>snake, 178
+<br><span
+class="cmtt-10">butt cap </span>arrow tip, 177
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">cap </span>option, 119
+<br><span
+class="cmtt-10">child </span>path operation, 152
+<br><span
+class="cmtt-10">child anchor </span>option, 163
+<br><span
+class="cmtt-10">circle </span>path operation, 101
+
+
+<br><span
+class="cmtt-10">circle </span>shape, 313
+<br><span
+class="cmtt-10">\clip</span>, 116
+<br><span
+class="cmtt-10">clip </span>option, 131
+<br><span
+class="cmtt-10">cm </span>option, 173
+<br><span
+class="cmtt-10">coil </span>snake, 179
+<br><span
+class="cmtt-10">color </span>option, 116
+<br><span
+class="cmtt-10">color option </span>option, 116
+<br><span
+class="cmtt-10">\colorcurrentmixin</span>, 221
+<br><span
+class="cmtt-10">colormixin </span>environment, 220
+<br><span
+class="cmtt-10">\coordinate</span>, 116
+<br><span
+class="cmtt-10">coordinate </span>path operation, 137
+<br><span
+class="cmtt-10">coordinate </span>shape, 313
+<br><span
+class="cmtt-10">cos </span>path operation, 105
+<br><span
+class="cmtt-10">cross out </span>shape, 188
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">dash pattern </span>option, 119
+<br><span
+class="cmtt-10">dash phase </span>option, 120
+<br><span
+class="cmtt-10">dashed </span>style, 120
+<br><span
+class="cmtt-10">densely dashed </span>style, 120
+<br><span
+class="cmtt-10">densely dotted </span>style, 120
+<br><span
+class="cmtt-10">diamond </span>arrow tip, 177
+<br><span
+class="cmtt-10">diamond </span>plot mark, 187
+<br><span
+class="cmtt-10">diamond* </span>plot mark, 187
+<br><span
+class="cmtt-10">domain </span>option, 108
+<br><span
+class="cmtt-10">dotted </span>style, 120
+<br><span
+class="cmtt-10">double </span>option, 124
+<br><span
+class="cmtt-10">double distance </span>option, 124
+<br><span
+class="cmtt-10">draft </span>package option, 231, 330
+<br><span
+class="cmtt-10">\draw</span>, 115
+<br><span
+class="cmtt-10">draw </span>option, 117
+<br><span
+class="cmtt-10">draw opacity </span>option, 121
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">edge from parent </span>path operation, 162
+<br><span
+class="cmtt-10">edge from parent </span>style, 163
+<br><span
+class="cmtt-10">edge from parent fork down </span>style, 193
+<br><span
+class="cmtt-10">edge from parent fork left </span>style, 194
+<br><span
+class="cmtt-10">edge from parent fork right </span>style, 193
+<br><span
+class="cmtt-10">edge from parent fork up </span>style, 194
+<br><span
+class="cmtt-10">edge from parent path </span>option, 162
+<br><span
+class="cmtt-10">ellipse </span>path operation, 101
+<br><span
+class="cmtt-10">ellipse </span>shape, 189
+<br><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">empty</span><span
+class="cmsy-10">&gt; </span>path operation, 92
+<br>Environments
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">colormixin</span>, 220
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfinterruptpath</span>, 236
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfinterruptpicture</span>, 236
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflowlevelscope</span>, 327
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfonlayer</span>, 354, 355
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfpicture</span>, 233, 234
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfscope</span>, 234, 235
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">scope</span>, 78, 79
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">tikzpicture</span>, 76, 77
+<br><span
+class="cmtt-10">even odd rule </span>option, 126
+<br><span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">part name</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node part </span>style, 138
+<br><span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">shape</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node </span>style, 137
+<br><span
+class="cmtt-10">every child </span>style, 156
+
+
+<br><span
+class="cmtt-10">every child node </span>style, 156
+<br><span
+class="cmtt-10">every node </span>style, 136
+<br><span
+class="cmtt-10">every path </span>style, 92
+<br><span
+class="cmtt-10">every picture </span>style, 77
+<br><span
+class="cmtt-10">every plot </span>style, 109
+<br><span
+class="cmtt-10">every scope </span>style, 78
+<br><span
+class="cmtt-10">execute at begin picture </span>option, 76
+<br><span
+class="cmtt-10">execute at begin scope </span>option, 79
+<br><span
+class="cmtt-10">execute at end picture </span>option, 76
+<br><span
+class="cmtt-10">execute at end scope </span>option, 79
+<br><span
+class="cmtt-10">expanding waves </span>snake, 179
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">fast cap </span>arrow tip, 177
+<br><span
+class="cmtt-10">fast cap reversed </span>arrow tip, 177
+<br>File, <span
+class="cmti-10">see </span>Packages and files
+<br><span
+class="cmtt-10">\fill</span>, 115
+<br><span
+class="cmtt-10">fill </span>option, 125
+<br><span
+class="cmtt-10">fill opacity </span>option, 127
+<br><span
+class="cmtt-10">\filldraw</span>, 115
+<br><span
+class="cmtt-10">font </span>option, 138
+<br><span
+class="cmtt-10">forbidden sign </span>shape, 189
+<br><span
+class="cmtt-10">\foreach</span>, 201
+<br><span
+class="cmtt-10">\foregroundpath</span>, 310
+<br><span
+class="cmtt-10">framed </span>style, 195
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">gap after snake </span>option, 95
+<br><span
+class="cmtt-10">gap around snake </span>option, 95
+<br><span
+class="cmtt-10">gap before snakes </span>option, 95
+<br>Graphic options
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">&gt;</span>, 123
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">shape name</span><span
+class="cmsy-10">&gt;</span>, 136
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">above</span>, 141
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">above left</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">above right</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">anchor</span>, 141
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">arrows</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">at</span>, 238
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ball color</span>, 130
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">base</span>, 238
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">baseline</span>, 76
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">below</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">below left</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">below right</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bend</span>, 103
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bend pos</span>, 104
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bottom</span>, 237
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bottom color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">cap</span>, 119
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">child anchor</span>, 163
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">clip</span>, 131
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">cm</span>, 173
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">color</span>, 116
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">color option</span>, 116
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">dash pattern</span>, 119
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">dash phase</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">domain</span>, 108
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">double</span>, 124
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">double distance</span>, 124
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">draw</span>, 117
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">draw opacity</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent path</span>, 162
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">even odd rule</span>, 126
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">execute at begin picture</span>, 76
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">execute at begin scope</span>, 79
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">execute at end picture</span>, 76
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">execute at end scope</span>, 79
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">fill</span>, 125
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">fill opacity</span>, 127
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">font</span>, 138
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">gap after snake</span>, 95
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">gap around snake</span>, 95
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">gap before snakes</span>, 95
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">grow</span>, 160
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">grow via three points</span>, 191
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">grow'</span>, 161
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">growth function</span>, 161
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">id</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner frame sep</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner frame xsep</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner frame ysep</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner sep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner xsep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">inner ysep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">join</span>, 119
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left</span>, 142, 237
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">left color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">level distance</span>, 158
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">line after snake</span>, 96
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">line around snake</span>, 96
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">line before snake</span>, 95
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">line width</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">mark</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">mark options</span>, 110
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">mark size</span>, 110
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">middle color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">minimum height</span>, 148
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">minimum size</span>, 148
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">minimum width</span>, 148
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">mirror snake</span>, 96
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">miter limit</span>, 119
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">name</span>, 135
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">next state</span>, 269
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">nonzero rule</span>, 125
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">only marks</span>, 112
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">opacity</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer color</span>, 130
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer frame sep</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer frame xsep</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer frame ysep</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer sep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer xsep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">outer ysep</span>, 147
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">parabola height</span>, 104
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">parametric</span>, 108
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">parent anchor</span>, 163
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">polar comb</span>, 112
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pos</span>, 143
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">prefix</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">raise snake</span>, 96
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">raw gnuplot</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">reset cm</span>, 173
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right</span>, 142, 237
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">right color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rotate</span>, 172, 238
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rotate around</span>, 173
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rounded corners</span>, 100
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">samples</span>, 108
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">scale</span>, 171
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">segment amplitude</span>, 96
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">segment angle</span>, 97
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">segment aspect</span>, 98
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">segment length</span>, 97
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">segment object length</span>, 97
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">set style</span>, 80
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shade</span>, 127
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shading</span>, 128
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shading angle</span>, 128
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shape</span>, 136
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sharp corners</span>, 101
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sharp plot</span>, 110
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shift</span>, 171
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shorten &lt;</span>, 124
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">shorten &gt;</span>, 123
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sibling angle</span>, 192
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sibling distance</span>, 159
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sloped</span>, 144
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">smooth</span>, 110
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">smooth cycle</span>, 111
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">snake</span>, 95
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">step</span>, 102, 259
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stepx</span>, 259
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">stepy</span>, 259
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">style</span>, 79
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">switch if less than</span>, 269
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">tension</span>, 110
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text</span>, 138
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text badly centered</span>, 140
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text badly ragged</span>, 140
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text centered</span>, 140
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text justified</span>, 139
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text ragged</span>, 139
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">text width</span>, 139
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">top</span>, 237
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">top color</span>, 129
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">transform shape</span>, 142
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">use as bounding box</span>, 130
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">width</span>, 269
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">x</span>, 169, 238
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">xcomb</span>, 111
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">xscale</span>, 171
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">xshift</span>, 171
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">xslant</span>, 172
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">xstep</span>, 102
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">y</span>, 169, 238
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ycomb</span>, 111
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">yscale</span>, 172
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">yshift</span>, 171
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">yslant</span>, 172
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ystep</span>, 102
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">z</span>, 169
+<br><span
+class="cmtt-10">grid </span>path operation, 102
+<br><span
+class="cmtt-10">gridded </span>style, 196
+<br><span
+class="cmtt-10">grow </span>option, 160
+<br><span
+class="cmtt-10">grow cyclic </span>style, 192
+<br><span
+class="cmtt-10">grow via three points </span>option, 191
+<br><span
+class="cmtt-10">grow' </span>option, 161
+<br><span
+class="cmtt-10">growth function </span>option, 161
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">help lines </span>style, 103
+<br><span
+class="cmtt-10">hooks </span>arrow tip, 176
+<br><span
+class="cmtt-10">hooks reversed </span>arrow tip, 176
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">id </span>option, 109
+<br><span
+class="cmtt-10">\ifpgfresetnontranslationsattime</span>, 323
+<br><span
+class="cmtt-10">\ifpgfslopedattime</span>, 323
+<br><span
+class="cmtt-10">\ifpgfsys@eorule</span>, 374
+<br><span
+class="cmtt-10">\inheritanchor</span>, 312
+<br><span
+class="cmtt-10">\inheritanchorborder</span>, 312
+<br><span
+class="cmtt-10">\inheritbackgroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritbeforebackgroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritbeforeforegroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritbehindbackgroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritbehindforegroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritforegroundpath</span>, 311
+<br><span
+class="cmtt-10">\inheritsavedanchors</span>, 311
+<br><span
+class="cmtt-10">inner color </span>option, 129
+<br><span
+class="cmtt-10">inner frame sep </span>option, 194
+<br><span
+class="cmtt-10">inner frame xsep </span>option, 194
+<br><span
+class="cmtt-10">inner frame ysep </span>option, 194
+<br><span
+class="cmtt-10">inner sep </span>option, 147
+<br><span
+class="cmtt-10">inner xsep </span>option, 147
+<br><span
+class="cmtt-10">inner ysep </span>option, 147
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">join </span>option, 119
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">latex </span>arrow tip, 295
+<br><span
+class="cmtt-10">latex reversed </span>arrow tip, 295
+<br><span
+class="cmtt-10">latex' </span>arrow tip, 176
+<br><span
+class="cmtt-10">latex' reversed </span>arrow tip, 176
+<br>Layout, <span
+class="cmti-10">see </span>Page layout
+<br><span
+class="cmtt-10">left </span>option, 142, 237
+<br><span
+class="cmtt-10">left color </span>option, 129
+<br><span
+class="cmtt-10">left hook </span>arrow tip, 177
+<br><span
+class="cmtt-10">left hook reversed </span>arrow tip, 177
+<br><span
+class="cmtt-10">left to </span>arrow tip, 177
+
+
+<br><span
+class="cmtt-10">left to reversed </span>arrow tip, 177
+<br><span
+class="cmtt-10">level </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">number</span><span
+class="cmsy-10">&gt; </span>style, 156
+<br><span
+class="cmtt-10">level distance </span>option, 158
+<br><span
+class="cmtt-10">line after snake </span>option, 96
+<br><span
+class="cmtt-10">line around snake </span>option, 96
+<br><span
+class="cmtt-10">line before snake </span>option, 95
+<br><span
+class="cmtt-10">line width </span>option, 118
+<br><span
+class="cmtt-10">lineto </span>snake, 272
+<br><span
+class="cmtt-10">loose background </span>style, 194
+<br><span
+class="cmtt-10">loosely dashed </span>style, 120
+<br><span
+class="cmtt-10">loosely dotted </span>style, 120
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">mark </span>option, 109
+<br><span
+class="cmtt-10">mark options </span>option, 110
+<br><span
+class="cmtt-10">mark size </span>option, 110
+<br><span
+class="cmtt-10">middle color </span>option, 129
+<br><span
+class="cmtt-10">midway </span>style, 144
+<br><span
+class="cmtt-10">minimum height </span>option, 148
+<br><span
+class="cmtt-10">minimum size </span>option, 148
+<br><span
+class="cmtt-10">minimum width </span>option, 148
+<br><span
+class="cmtt-10">mirror snake </span>option, 96
+<br><span
+class="cmtt-10">miter limit </span>option, 119
+<br><span
+class="cmtt-10">moveto </span>snake, 272
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">name </span>option, 135
+<br><span
+class="cmtt-10">near end </span>style, 145
+<br><span
+class="cmtt-10">near start </span>style, 145
+<br><span
+class="cmtt-10">nearly opaque </span>style, 122
+<br><span
+class="cmtt-10">nearly transparent </span>style, 121
+<br><span
+class="cmtt-10">next state </span>option, 269
+<br><span
+class="cmtt-10">\node</span>, 116
+<br><span
+class="cmtt-10">node </span>path operation, 135
+<br><span
+class="cmtt-10">\nodepart</span>, 137
+<br><span
+class="cmtt-10">\nodeparts</span>, 306
+<br><span
+class="cmtt-10">nonzero rule </span>option, 125
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">o </span>arrow tip, 177
+<br><span
+class="cmtt-10">o </span>plot mark, 187
+<br><span
+class="cmtt-10">only marks </span>option, 112
+<br><span
+class="cmtt-10">opacity </span>option, 121
+<br><span
+class="cmtt-10">opaque </span>style, 122
+<br><span
+class="cmtt-10">open diamond </span>arrow tip, 177
+<br><span
+class="cmtt-10">open triangle 45 </span>arrow tip, 176
+<br><span
+class="cmtt-10">open triangle 45 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">open triangle 60 </span>arrow tip, 176
+<br><span
+class="cmtt-10">open triangle 60 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">open triangle 90 </span>arrow tip, 176
+<br><span
+class="cmtt-10">open triangle 90 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">oplus </span>plot mark, 187
+<br><span
+class="cmtt-10">oplus* </span>plot mark, 187
+<br>Options for graphics, <span
+class="cmti-10">see </span>Graphic options
+<br>Options for packages, <span
+class="cmti-10">see </span>Package options
+<br><span
+class="cmtt-10">otimes </span>plot mark, 187
+<br><span
+class="cmtt-10">otimes* </span>plot mark, 187
+<br><span
+class="cmtt-10">outer color </span>option, 130
+
+
+<br><span
+class="cmtt-10">outer frame sep </span>option, 196
+<br><span
+class="cmtt-10">outer frame xsep </span>option, 196
+<br><span
+class="cmtt-10">outer frame ysep </span>option, 196
+<br><span
+class="cmtt-10">outer sep </span>option, 147
+<br><span
+class="cmtt-10">outer xsep </span>option, 147
+<br><span
+class="cmtt-10">outer ysep </span>option, 147
+<br></p><p class="theindex">
+ Package options for <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">draft</span>, 231, 330
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">version=</span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">version</span><span
+class="cmsy-10">&gt;</span>, 231
+<br>Packages and files
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgf</span>, 231
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgf.cfg</span>, 363
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfbaseimage</span>, 330
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfbaselayers</span>, 353
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfbaseplot</span>, 345
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfbaseshapes</span>, 298
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfcore</span>, 232
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibraryarrows</span>, 176
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibraryautomata</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibraryplothandlers</span>, 182
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibraryplotmarks</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibraryshapes</span>, 188
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibrarysnakes</span>, 177
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibrarytikzbackgrounds</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgflibrarytikztrees</span>, 190
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys</span>, 363
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-common-pdf</span>, 364
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-common-postscript</span>, 364
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-dvipdfm.def</span>, 64
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-dvips.def</span>, 65
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-pdftex.def</span>, 64
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-tex4ht.def</span>, 65
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pgfsys-vtex.def</span>, 64
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">tikz</span>, 75
+<br>Page layouts
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">16 on 1</span>, 211
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">2 on 1</span>, 211
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">4 on 1</span>, 211
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">8 on 1</span>, 211
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">resize to</span>, 210
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rounded corners</span>, 211
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">two screens with lagging second</span>, 212
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">two screens with optional second</span>, 212
+<br><span
+class="cmtt-10">parabola </span>path operation, 103
+<br><span
+class="cmtt-10">parabola height </span>option, 104
+<br><span
+class="cmtt-10">parametric </span>option, 108
+<br><span
+class="cmtt-10">parent anchor </span>option, 163
+<br><span
+class="cmtt-10">\path</span>, 91
+<br>Path operations
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">--</span>, 93
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">-|</span>, 93
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">|-</span>, 94
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">--cycle</span>, 99
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">--plot</span>, 105
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">..</span>, 99
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">arc</span>, 101
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">child</span>, 152
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">circle</span>, 101
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">coordinate</span>, 137
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">cos</span>, 105
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent</span>, 162
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ellipse</span>, 101
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">empty</span><span
+class="cmsy-10">&gt;</span>, 92
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">grid</span>, 102
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">node</span>, 135
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">parabola</span>, 103
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">plot</span>, 106
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rectangle</span>, 100
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">sin</span>, 105
+<br><span
+class="cmtt-10">pentagon </span>plot mark, 187
+<br><span
+class="cmtt-10">pentagon* </span>plot mark, 187
+<br><span
+class="cmtt-10">pgf </span>package, 231
+<br><span
+class="cmtt-10">pgf.cfg </span>file, 363
+<br><span
+class="cmtt-10">\pgf@pathmaxx</span>, 263
+<br><span
+class="cmtt-10">\pgf@pathmaxy</span>, 263
+<br><span
+class="cmtt-10">\pgf@pathminx</span>, 263
+<br><span
+class="cmtt-10">\pgf@pathminy</span>, 263
+<br><span
+class="cmtt-10">\pgf@picmaxx</span>, 263
+<br><span
+class="cmtt-10">\pgf@picmaxy</span>, 264
+<br><span
+class="cmtt-10">\pgf@picminx</span>, 263
+<br><span
+class="cmtt-10">\pgf@picminy</span>, 263
+<br><span
+class="cmtt-10">\pgf@process</span>, 249
+<br><span
+class="cmtt-10">\pgf@protocolsizes</span>, 264
+<br><span
+class="cmtt-10">\pgf@relevantforpicturesizefalse</span>, 264
+<br><span
+class="cmtt-10">\pgf@relevantforpicturesizetrue</span>, 264
+<br><span
+class="cmtt-10">\pgf@sys@bp</span>, 380
+<br><span
+class="cmtt-10">\pgfaliasimage</span>, 331
+<br><span
+class="cmtt-10">\pgfalternateextension</span>, 333
+<br><span
+class="cmtt-10">\pgfarrowsdeclare</span>, 288
+<br><span
+class="cmtt-10">\pgfarrowsdeclarealias</span>, 292
+<br><span
+class="cmtt-10">\pgfarrowsdeclarecombine</span>, 292
+<br><span
+class="cmtt-10">\pgfarrowsdeclaredouble</span>, 293
+<br><span
+class="cmtt-10">\pgfarrowsdeclarereversed</span>, 292
+<br><span
+class="cmtt-10">\pgfarrowsdeclaretriple</span>, 294
+<br><span
+class="cmtt-10">pgfbaseimage </span>package, 330
+<br><span
+class="cmtt-10">pgfbaselayers </span>package, 353
+<br><span
+class="cmtt-10">pgfbaseplot </span>package, 345
+<br><span
+class="cmtt-10">pgfbaseshapes </span>package, 298
+<br><span
+class="cmtt-10">pgfcore </span>package, 232
+<br><span
+class="cmtt-10">\pgfdeclarehorizontalshading</span>, 338
+<br><span
+class="cmtt-10">\pgfdeclareimage</span>, 331
+<br><span
+class="cmtt-10">\pgfdeclarelayer</span>, 353
+<br><span
+class="cmtt-10">\pgfdeclaremask</span>, 334
+<br><span
+class="cmtt-10">\pgfdeclareplotmark</span>, 186
+<br><span
+class="cmtt-10">\pgfdeclareradialshading</span>, 339
+<br><span
+class="cmtt-10">\pgfdeclareshape</span>, 306
+<br><span
+class="cmtt-10">\pgfdeclaresnake</span>, 268
+<br><span
+class="cmtt-10">\pgfdeclareverticalshading</span>, 339
+<br><span
+class="cmtt-10">\pgfextractx</span>, 249
+<br><span
+class="cmtt-10">\pgfextracty</span>, 249
+<br><span
+class="cmtt-10">\pgfgettransform</span>, 325
+<br><span
+class="cmtt-10">\pgfimage</span>, 333
+<br><span
+class="cmtt-10">pgfinterruptpath </span>environment, 236
+<br><span
+class="cmtt-10">pgfinterruptpicture </span>environment, 236
+
+
+<br><span
+class="cmtt-10">pgflibraryarrows </span>package, 176
+<br><span
+class="cmtt-10">pgflibraryautomata </span>package, 197
+<br><span
+class="cmtt-10">pgflibraryplothandlers </span>package, 182
+<br><span
+class="cmtt-10">pgflibraryplotmarks </span>package, 187
+<br><span
+class="cmtt-10">pgflibraryshapes </span>package, 188
+<br><span
+class="cmtt-10">pgflibrarysnakes </span>package, 177
+<br><span
+class="cmtt-10">pgflibrarytikzbackgrounds </span>package, 194
+<br><span
+class="cmtt-10">pgflibrarytikztrees </span>package, 190
+<br><span
+class="cmtt-10">\pgflinewidth</span>, 278
+<br><span
+class="cmtt-10">\pgflowlevel</span>, 326
+<br><span
+class="cmtt-10">\pgflowlevelobj</span>, 326
+<br><span
+class="cmtt-10">pgflowlevelscope </span>environment, 327
+<br><span
+class="cmtt-10">\pgflowlevelsynccm</span>, 326
+<br><span
+class="cmtt-10">\pgfmultipartnode</span>, 301
+<br><span
+class="cmtt-10">\pgfnode</span>, 300
+<br><span
+class="cmtt-10">pgfonlayer </span>environment, 354, 355
+<br><span
+class="cmtt-10">\pgfpagescurrentpagewillbelogicalpage</span>, 217
+<br><span
+class="cmtt-10">\pgfpagesdeclarelayout</span>, 212
+<br><span
+class="cmtt-10">\pgfpageslogicalpageoptions</span>, 214
+<br><span
+class="cmtt-10">\pgfpagesphysicalpageoptions</span>, 213
+<br><span
+class="cmtt-10">\pgfpagesshipoutlogicalpage</span>, 216
+<br><span
+class="cmtt-10">\pgfpagesuselayout</span>, 210
+<br><span
+class="cmtt-10">\pgfpatharc</span>, 256
+<br><span
+class="cmtt-10">\pgfpathcirlce</span>, 258
+<br><span
+class="cmtt-10">\pgfpathclose</span>, 255
+<br><span
+class="cmtt-10">\pgfpathcosine</span>, 261
+<br><span
+class="cmtt-10">\pgfpathcurveto</span>, 255
+<br><span
+class="cmtt-10">\pgfpathellipse</span>, 257
+<br><span
+class="cmtt-10">\pgfpathgrid</span>, 259
+<br><span
+class="cmtt-10">\pgfpathlineto</span>, 254
+<br><span
+class="cmtt-10">\pgfpathmoveto</span>, 254
+<br><span
+class="cmtt-10">\pgfpathparabola</span>, 260
+<br><span
+class="cmtt-10">\pgfpathqcircle</span>, 359
+<br><span
+class="cmtt-10">\pgfpathqcurveto</span>, 359
+<br><span
+class="cmtt-10">\pgfpathqlineto</span>, 358
+<br><span
+class="cmtt-10">\pgfpathqmoveto</span>, 358
+<br><span
+class="cmtt-10">\pgfpathrectangle</span>, 258
+<br><span
+class="cmtt-10">\pgfpathrectanglecorners</span>, 258
+<br><span
+class="cmtt-10">\pgfpathsine</span>, 260
+<br><span
+class="cmtt-10">\pgfpathsnakealongvector</span>, 272
+<br><span
+class="cmtt-10">\pgfpathsnakesto</span>, 272
+<br><span
+class="cmtt-10">\pgfpathsnaketo</span>, 273
+<br><span
+class="cmtt-10">pgfpicture </span>environment, 233, 234
+<br><span
+class="cmtt-10">\pgfplotgnuplot</span>, 348
+<br><span
+class="cmtt-10">\pgfplothandlerclosedcurve</span>, 183
+<br><span
+class="cmtt-10">\pgfplothandlercurveto</span>, 182
+<br><span
+class="cmtt-10">\pgfplothandlerdiscard</span>, 350
+<br><span
+class="cmtt-10">\pgfplothandlerlineto</span>, 349
+<br><span
+class="cmtt-10">\pgfplothandlermark</span>, 185
+<br><span
+class="cmtt-10">\pgfplothandlerpolarcomb</span>, 184
+<br><span
+class="cmtt-10">\pgfplothandlerrecord</span>, 350
+<br><span
+class="cmtt-10">\pgfplothandlerxcomb</span>, 184
+<br><span
+class="cmtt-10">\pgfplothandlerycomb</span>, 184
+<br><span
+class="cmtt-10">\pgfplotmarksize</span>, 187
+<br><span
+class="cmtt-10">\pgfplotstreamend</span>, 347
+<br><span
+class="cmtt-10">\pgfplotstreampoint</span>, 347
+<br><span
+class="cmtt-10">\pgfplotstreamstart</span>, 347
+<br><span
+class="cmtt-10">\pgfplotxyfile</span>, 347
+
+
+<br><span
+class="cmtt-10">\pgfplotxyzfile</span>, 348
+<br><span
+class="cmtt-10">\pgfpoint</span>, 241
+<br><span
+class="cmtt-10">\pgfpointadd</span>, 244
+<br><span
+class="cmtt-10">\pgfpointanchor</span>, 303
+<br><span
+class="cmtt-10">\pgfpointborderellipse</span>, 248
+<br><span
+class="cmtt-10">\pgfpointborderrectangle</span>, 247
+<br><span
+class="cmtt-10">\pgfpointcurveattime</span>, 246
+<br><span
+class="cmtt-10">\pgfpointdiff</span>, 244
+<br><span
+class="cmtt-10">\pgfpointintersectionoflines</span>, 248
+<br><span
+class="cmtt-10">\pgfpointlineatdistance</span>, 246
+<br><span
+class="cmtt-10">\pgfpointlineattime</span>, 245
+<br><span
+class="cmtt-10">\pgfpointnormalised</span>, 245
+<br><span
+class="cmtt-10">\pgfpointorigin</span>, 241
+<br><span
+class="cmtt-10">\pgfpointpolar</span>, 241
+<br><span
+class="cmtt-10">\pgfpointscale</span>, 244
+<br><span
+class="cmtt-10">\pgfpointshapeborder</span>, 304
+<br><span
+class="cmtt-10">\pgfpointxy</span>, 242
+<br><span
+class="cmtt-10">\pgfpointxyz</span>, 242
+<br><span
+class="cmtt-10">\pgfqbox</span>, 360
+<br><span
+class="cmtt-10">\pgfqboxsynced</span>, 360
+<br><span
+class="cmtt-10">pgfscope </span>environment, 234, 235
+<br><span
+class="cmtt-10">\pgfsetarrows</span>, 281, 295
+<br><span
+class="cmtt-10">\pgfsetarrowsend</span>, 281, 294
+<br><span
+class="cmtt-10">\pgfsetarrowsstart</span>, 281, 294
+<br><span
+class="cmtt-10">\pgfsetbaseline</span>, 234
+<br><span
+class="cmtt-10">\pgfsetbeveljoin</span>, 278
+<br><span
+class="cmtt-10">\pgfsetbuttcap</span>, 278
+<br><span
+class="cmtt-10">\pgfsetcolor</span>, 280
+<br><span
+class="cmtt-10">\pgfsetcornersarced</span>, 262
+<br><span
+class="cmtt-10">\pgfsetdash</span>, 279
+<br><span
+class="cmtt-10">\pgfseteorule</span>, 282
+<br><span
+class="cmtt-10">\pgfsetfillcolor</span>, 283
+<br><span
+class="cmtt-10">\pgfsetfillopacity</span>, 283
+<br><span
+class="cmtt-10">\pgfsetlayers</span>, 354
+<br><span
+class="cmtt-10">\pgfsetlinetofirstplotpoint</span>, 349
+<br><span
+class="cmtt-10">\pgfsetlinewidth</span>, 277
+<br><span
+class="cmtt-10">\pgfsetmiterjoin</span>, 279
+<br><span
+class="cmtt-10">\pgfsetmiterlimit</span>, 279
+<br><span
+class="cmtt-10">\pgfsetmovetofirstplotpoint</span>, 349
+<br><span
+class="cmtt-10">\pgfsetnonzerorule</span>, 282
+<br><span
+class="cmtt-10">\pgfsetplotmarksize</span>, 186
+<br><span
+class="cmtt-10">\pgfsetplottension</span>, 183
+<br><span
+class="cmtt-10">\pgfsetrectcap</span>, 278
+<br><span
+class="cmtt-10">\pgfsetroundcap</span>, 278
+<br><span
+class="cmtt-10">\pgfsetroundjoin</span>, 278
+<br><span
+class="cmtt-10">\pgfsetshapeinnerxsep</span>, 302
+<br><span
+class="cmtt-10">\pgfsetshapeinnerysep</span>, 303
+<br><span
+class="cmtt-10">\pgfsetshapeminheight</span>, 302
+<br><span
+class="cmtt-10">\pgfsetshapeminwidth</span>, 302
+<br><span
+class="cmtt-10">\pgfsetshapeouterxsep</span>, 303
+<br><span
+class="cmtt-10">\pgfsetshapeouterysep</span>, 303
+<br><span
+class="cmtt-10">\pgfsetshortenend</span>, 282
+<br><span
+class="cmtt-10">\pgfsetshortenstart</span>, 281
+<br><span
+class="cmtt-10">\pgfsetsnakesegmenttransformation</span>, 273
+<br><span
+class="cmtt-10">\pgfsetstrokecolor</span>, 279
+<br><span
+class="cmtt-10">\pgfsetstrokeopacity</span>, 280
+<br><span
+class="cmtt-10">\pgfsettransform</span>, 325
+<br><span
+class="cmtt-10">\pgfsetxvec</span>, 243
+
+
+<br><span
+class="cmtt-10">\pgfsetyvec</span>, 243
+<br><span
+class="cmtt-10">\pgfsetzvec</span>, 243
+<br><span
+class="cmtt-10">\pgfshadepath</span>, 340
+<br><span
+class="cmtt-10">\pgfsnakecompleteddistance</span>, 270
+<br><span
+class="cmtt-10">\pgfsnakeremainingdistance</span>, 270
+<br><span
+class="cmtt-10">pgfsys </span>package, 363
+<br><span
+class="cmtt-10">pgfsys-common-pdf </span>file, 364
+<br><span
+class="cmtt-10">pgfsys-common-postscript </span>file, 364
+<br><span
+class="cmtt-10">pgfsys-dvipdfm.def </span>file, 64
+<br><span
+class="cmtt-10">pgfsys-dvips.def </span>file, 65
+<br><span
+class="cmtt-10">pgfsys-pdftex.def </span>file, 64
+<br><span
+class="cmtt-10">pgfsys-tex4ht.def </span>file, 65
+<br><span
+class="cmtt-10">pgfsys-vtex.def </span>file, 64
+<br><span
+class="cmtt-10">\pgfsys@begininvisible</span>, 380
+<br><span
+class="cmtt-10">\pgfsys@beginpicture</span>, 367
+<br><span
+class="cmtt-10">\pgfsys@beginpurepicture</span>, 367
+<br><span
+class="cmtt-10">\pgfsys@beginscope</span>, 377
+<br><span
+class="cmtt-10">\pgfsys@beveljoin</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@buttcap</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@clipnext</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@closepath</span>, 369
+<br><span
+class="cmtt-10">\pgfsys@closestroke</span>, 371
+<br><span
+class="cmtt-10">\pgfsys@color@cmy</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@cmy@fill</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@cmy@stroke</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@cmyk</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@cmyk@fill</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@cmyk@stroke</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@gray</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@gray@fill</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@gray@stroke</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@reset</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@reset@inorderfalse</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@reset@inordertrue</span>, 376
+<br><span
+class="cmtt-10">\pgfsys@color@rgb</span>, 374
+<br><span
+class="cmtt-10">\pgfsys@color@rgb@fill</span>, 375
+<br><span
+class="cmtt-10">\pgfsys@color@rgb@stroke</span>, 374
+<br><span
+class="cmtt-10">\pgfsys@color@unstacked</span>, 377
+<br><span
+class="cmtt-10">\pgfsys@curveto</span>, 369
+<br><span
+class="cmtt-10">\pgfsys@defineimage</span>, 377
+<br><span
+class="cmtt-10">\pgfsys@definemask</span>, 378
+<br><span
+class="cmtt-10">\pgfsys@defobject</span>, 379
+<br><span
+class="cmtt-10">\pgfsys@discardpath</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@endinvisible</span>, 380
+<br><span
+class="cmtt-10">\pgfsys@endpicture</span>, 367
+<br><span
+class="cmtt-10">\pgfsys@endpurepicture</span>, 368
+<br><span
+class="cmtt-10">\pgfsys@endscope</span>, 377
+<br><span
+class="cmtt-10">\pgfsys@fill</span>, 371
+<br><span
+class="cmtt-10">\pgfsys@fill@opacity</span>, 374
+<br><span
+class="cmtt-10">\pgfsys@fillstroke</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@hbox</span>, 368
+<br><span
+class="cmtt-10">\pgfsys@hboxsynced</span>, 368
+<br><span
+class="cmtt-10">\pgfsys@horishading</span>, 378
+<br><span
+class="cmtt-10">\pgfsys@imagesuffixlist</span>, 377
+<br><span
+class="cmtt-10">\pgfsys@invoke</span>, 379
+<br><span
+class="cmtt-10">\pgfsys@lineto</span>, 368
+<br><span
+class="cmtt-10">\pgfsys@miterjoin</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@moveto</span>, 368
+
+
+<br><span
+class="cmtt-10">\pgfsys@radialshading</span>, 379
+<br><span
+class="cmtt-10">\pgfsys@rect</span>, 369
+<br><span
+class="cmtt-10">\pgfsys@rectcap</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@roundcap</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@roundjoin</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@setdash</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@setlinewidth</span>, 372
+<br><span
+class="cmtt-10">\pgfsys@setmiterlimit</span>, 373
+<br><span
+class="cmtt-10">\pgfsys@stroke</span>, 370
+<br><span
+class="cmtt-10">\pgfsys@stroke@opacity</span>, 374
+<br><span
+class="cmtt-10">\pgfsys@transformcm</span>, 370
+<br><span
+class="cmtt-10">\pgfsys@transformshift</span>, 370
+<br><span
+class="cmtt-10">\pgfsys@transformxyscale</span>, 370
+<br><span
+class="cmtt-10">\pgfsys@typesetpicturebox</span>, 367
+<br><span
+class="cmtt-10">\pgfsys@useobject</span>, 379
+<br><span
+class="cmtt-10">\pgfsys@vertshading</span>, 379
+<br><span
+class="cmtt-10">\pgfsysdriver</span>, 363
+<br><span
+class="cmtt-10">\pgfsysprotocol@bufferedfalse</span>, 389
+<br><span
+class="cmtt-10">\pgfsysprotocol@bufferedtrue</span>, 389
+<br><span
+class="cmtt-10">\pgfsysprotocol@flushcurrentprotocol</span>, 390
+<br><span
+class="cmtt-10">\pgfsysprotocol@getcurrentprotocol</span>, 390
+<br><span
+class="cmtt-10">\pgfsysprotocol@invokecurrentprotocol</span>, 390
+<br><span
+class="cmtt-10">\pgfsysprotocol@literal</span>, 389
+<br><span
+class="cmtt-10">\pgfsysprotocol@literalbuffered</span>, 389
+<br><span
+class="cmtt-10">\pgfsysprotocol@setcurrentprotocol</span>, 390
+<br><span
+class="cmtt-10">\pgfsyssoftpath@closepath</span>, 385
+<br><span
+class="cmtt-10">\pgfsyssoftpath@curveto</span>, 385
+<br><span
+class="cmtt-10">\pgfsyssoftpath@flushcurrentpath</span>, 384
+<br><span
+class="cmtt-10">\pgfsyssoftpath@getcurrentpath</span>, 384
+<br><span
+class="cmtt-10">\pgfsyssoftpath@invokecurrentpath</span>, 384
+<br><span
+class="cmtt-10">\pgfsyssoftpath@lineto</span>, 385
+<br><span
+class="cmtt-10">\pgfsyssoftpath@moveto</span>, 384
+<br><span
+class="cmtt-10">\pgfsyssoftpath@rect</span>, 385
+<br><span
+class="cmtt-10">\pgfsyssoftpath@setcurrentpath</span>, 384
+<br><span
+class="cmtt-10">\pgftext</span>, 237
+<br><span
+class="cmtt-10">\pgftransformarrow</span>, 321
+<br><span
+class="cmtt-10">\pgftransformcm</span>, 320
+<br><span
+class="cmtt-10">\pgftransformcurveattime</span>, 322
+<br><span
+class="cmtt-10">\pgftransforminvert</span>, 324
+<br><span
+class="cmtt-10">\pgftransformlineattime</span>, 321
+<br><span
+class="cmtt-10">\pgftransformreset</span>, 323
+<br><span
+class="cmtt-10">\pgftransformresetnontranslations</span>, 324
+<br><span
+class="cmtt-10">\pgftransformrotate</span>, 320
+<br><span
+class="cmtt-10">\pgftransformscale</span>, 319
+<br><span
+class="cmtt-10">\pgftransformshift</span>, 318
+<br><span
+class="cmtt-10">\pgftransformxscale</span>, 319
+<br><span
+class="cmtt-10">\pgftransformxshift</span>, 318
+<br><span
+class="cmtt-10">\pgftransformxslant</span>, 319
+<br><span
+class="cmtt-10">\pgftransformyscale</span>, 319
+<br><span
+class="cmtt-10">\pgftransformyshift</span>, 318
+<br><span
+class="cmtt-10">\pgftransformyslant</span>, 320
+<br><span
+class="cmtt-10">\pgfuseimage</span>, 332
+<br><span
+class="cmtt-10">\pgfusepath</span>, 276
+<br><span
+class="cmtt-10">\pgfusepathqclip</span>, 360
+<br><span
+class="cmtt-10">\pgfusepathqfill</span>, 360
+<br><span
+class="cmtt-10">\pgfusepathqfillstroke</span>, 360
+<br><span
+class="cmtt-10">\pgfusepathqstroke</span>, 360
+<br><span
+class="cmtt-10">\pgfuseplotmark</span>, 185
+
+
+<br><span
+class="cmtt-10">\pgfuseshading</span>, 340
+<br><span
+class="cmtt-10">plot </span>path operation, 106
+<br>Plot marks
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">|</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">+</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">-</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">asterisk</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ball</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">diamond</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">diamond*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">o</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">oplus</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">oplus*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">otimes</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">otimes*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pentagon</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">pentagon*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">square</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">square*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">star</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangle*</span>, 187
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">x</span>, 187
+<br><span
+class="cmtt-10">polar comb </span>option, 112
+<br><span
+class="cmtt-10">pos </span>option, 143
+<br><span
+class="cmtt-10">prefix </span>option, 109
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">raise snake </span>option, 96
+<br><span
+class="cmtt-10">raw gnuplot </span>option, 109
+<br><span
+class="cmtt-10">rectangle </span>path operation, 100
+<br><span
+class="cmtt-10">rectangle </span>shape, 313
+<br><span
+class="cmtt-10">reset cm </span>option, 173
+<br><span
+class="cmtt-10">resize to </span>layout, 210
+<br><span
+class="cmtt-10">right </span>option, 142, 237
+<br><span
+class="cmtt-10">right color </span>option, 129
+<br><span
+class="cmtt-10">right hook </span>arrow tip, 177
+<br><span
+class="cmtt-10">right hook reversed </span>arrow tip, 177
+<br><span
+class="cmtt-10">right to </span>arrow tip, 177
+<br><span
+class="cmtt-10">right to reversed </span>arrow tip, 177
+<br><span
+class="cmtt-10">rotate </span>option, 172, 238
+<br><span
+class="cmtt-10">rotate around </span>option, 173
+<br><span
+class="cmtt-10">round cap </span>arrow tip, 177
+<br><span
+class="cmtt-10">rounded corners </span>layout, 211
+<br><span
+class="cmtt-10">rounded corners </span>option, 100
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">samples </span>option, 108
+<br><span
+class="cmtt-10">\savedanchor</span>, 307
+<br><span
+class="cmtt-10">\saveddimen</span>, 308
+<br><span
+class="cmtt-10">saw </span>snake, 180
+<br><span
+class="cmtt-10">scale </span>option, 171
+<br><span
+class="cmtt-10">scope </span>environment, 78, 79
+<br><span
+class="cmtt-10">segment amplitude </span>option, 96
+<br><span
+class="cmtt-10">segment angle </span>option, 97
+<br><span
+class="cmtt-10">segment aspect </span>option, 98
+<br><span
+class="cmtt-10">segment length </span>option, 97
+
+
+<br><span
+class="cmtt-10">segment object length </span>option, 97
+<br><span
+class="cmtt-10">semithick </span>style, 118
+<br><span
+class="cmtt-10">semitransparent </span>style, 122
+<br><span
+class="cmtt-10">set style </span>option, 80
+<br><span
+class="cmtt-10">\shade</span>, 116
+<br><span
+class="cmtt-10">shade </span>option, 127
+<br><span
+class="cmtt-10">\shadedraw</span>, 116
+<br><span
+class="cmtt-10">shading </span>option, 128
+<br><span
+class="cmtt-10">shading angle </span>option, 128
+<br><span
+class="cmtt-10">shape </span>option, 136
+<br>Shapes
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">circle</span>, 313
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">coordinate</span>, 313
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">cross out</span>, 188
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ellipse</span>, 189
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">forbidden sign</span>, 189
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">rectangle</span>, 313
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">state</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">state with output</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">strike out</span>, 190
+<br><span
+class="cmtt-10">sharp corners </span>option, 101
+<br><span
+class="cmtt-10">sharp plot </span>option, 110
+<br><span
+class="cmtt-10">shift </span>option, 171
+<br><span
+class="cmtt-10">shorten &lt; </span>option, 124
+<br><span
+class="cmtt-10">shorten &gt; </span>option, 123
+<br><span
+class="cmtt-10">show background bottom </span>style, 197
+<br><span
+class="cmtt-10">show background grid </span>style, 195
+<br><span
+class="cmtt-10">show background left </span>style, 197
+<br><span
+class="cmtt-10">show background rectangle </span>style, 194
+<br><span
+class="cmtt-10">show background right </span>style, 197
+<br><span
+class="cmtt-10">show background top </span>style, 196
+<br><span
+class="cmtt-10">sibling angle </span>option, 192
+<br><span
+class="cmtt-10">sibling distance </span>option, 159
+<br><span
+class="cmtt-10">sin </span>path operation, 105
+<br><span
+class="cmtt-10">sloped </span>option, 144
+<br><span
+class="cmtt-10">smooth </span>option, 110
+<br><span
+class="cmtt-10">smooth cycle </span>option, 111
+<br><span
+class="cmtt-10">snake </span>option, 95
+<br><span
+class="cmtt-10">snake </span>snake, 180
+<br><span
+class="cmtt-10">snake triangles 45 </span>style, 98
+<br><span
+class="cmtt-10">snake triangles 60 </span>style, 98
+<br><span
+class="cmtt-10">snake triangles 90 </span>style, 98
+<br>Snakes
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">border</span>, 178
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">brace</span>, 178
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bumps</span>, 178
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">coil</span>, 179
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">expanding waves</span>, 179
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">lineto</span>, 272
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">moveto</span>, 272
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">saw</span>, 180
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">snake</span>, 180
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ticks</span>, 180
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">triangles</span>, 181
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">waves</span>, 181
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">zigzag</span>, 181
+<br><span
+class="cmtt-10">solid </span>style, 120
+<br><span
+class="cmtt-10">square </span>plot mark, 187
+
+
+<br><span
+class="cmtt-10">square* </span>plot mark, 187
+<br><span
+class="cmtt-10">star </span>plot mark, 187
+<br><span
+class="cmtt-10">\state</span>, 269
+<br><span
+class="cmtt-10">state </span>shape, 197
+<br><span
+class="cmtt-10">state with output </span>shape, 197
+<br><span
+class="cmtt-10">stealth </span>arrow tip, 295
+<br><span
+class="cmtt-10">stealth reversed </span>arrow tip, 295
+<br><span
+class="cmtt-10">stealth' </span>arrow tip, 176
+<br><span
+class="cmtt-10">stealth' reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">step </span>option, 102, 259
+<br><span
+class="cmtt-10">stepx </span>option, 259
+<br><span
+class="cmtt-10">stepy </span>option, 259
+<br><span
+class="cmtt-10">strike out </span>shape, 190
+<br><span
+class="cmtt-10">style </span>option, 79
+<br>Styles
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">at end</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">at start</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">background grid</span>, 195
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">background rectangle</span>, 195
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">background top</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bend at end</span>, 104
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">bend at start</span>, 104
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">dashed</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">densely dashed</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">densely dotted</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">dotted</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent</span>, 163
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent fork down</span>, 193
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent fork left</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent fork right</span>, 193
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">edge from parent fork up</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">part name</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node part</span>, 138
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">shape</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node</span>, 137
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every child</span>, 156
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every child node</span>, 156
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every node</span>, 136
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every path</span>, 92
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every picture</span>, 77
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every plot</span>, 109
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">every scope</span>, 78
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">framed</span>, 195
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">gridded</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">grow cyclic</span>, 192
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">help lines</span>, 103
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">level </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">number</span><span
+class="cmsy-10">&gt;</span>, 156
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">loose background</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">loosely dashed</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">loosely dotted</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">midway</span>, 144
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">near end</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">near start</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">nearly opaque</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">nearly transparent</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">opaque</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">semithick</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">semitransparent</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background bottom</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background grid</span>, 195
+
+
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background left</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background rectangle</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background right</span>, 197
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">show background top</span>, 196
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">snake triangles 45</span>, 98
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">snake triangles 60</span>, 98
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">snake triangles 90</span>, 98
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">solid</span>, 120
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">thick</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">thin</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">tight background</span>, 194
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">transparent</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ultra nearly opaque</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ultra nearly transparent</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ultra thick</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">ultra thin</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very near end</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very near start</span>, 145
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very nearly opaque</span>, 122
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very nearly transparent</span>, 121
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very thick</span>, 118
+<br>&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">very thin</span>, 118
+<br><span
+class="cmtt-10">switch if less than </span>option, 269
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">tension </span>option, 110
+<br><span
+class="cmtt-10">text </span>option, 138
+<br><span
+class="cmtt-10">text badly centered </span>option, 140
+<br><span
+class="cmtt-10">text badly ragged </span>option, 140
+<br><span
+class="cmtt-10">text centered </span>option, 140
+<br><span
+class="cmtt-10">text justified </span>option, 139
+<br><span
+class="cmtt-10">text ragged </span>option, 139
+<br><span
+class="cmtt-10">text width </span>option, 139
+<br><span
+class="cmtt-10">thick </span>style, 118
+<br><span
+class="cmtt-10">thin </span>style, 118
+<br><span
+class="cmtt-10">ticks </span>snake, 180
+<br><span
+class="cmtt-10">tight background </span>style, 194
+<br><span
+class="cmtt-10">\tikz</span>, 77, 78
+<br><span
+class="cmtt-10">tikz </span>package, 75
+<br><span
+class="cmtt-10">tikzpicture </span>environment, 76, 77
+<br><span
+class="cmtt-10">\tikzstyle</span>, 80
+<br><span
+class="cmtt-10">to </span>arrow tip, 295
+<br><span
+class="cmtt-10">to reversed </span>arrow tip, 295
+<br><span
+class="cmtt-10">top </span>option, 237
+<br><span
+class="cmtt-10">top color </span>option, 129
+<br><span
+class="cmtt-10">transform shape </span>option, 142
+<br><span
+class="cmtt-10">transparent </span>style, 121
+<br><span
+class="cmtt-10">triangle </span>plot mark, 187
+<br><span
+class="cmtt-10">triangle 45 </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle 45 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle 60 </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle 60 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle 90 </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle 90 cap </span>arrow tip, 177
+<br><span
+class="cmtt-10">triangle 90 cap reversed </span>arrow tip, 177
+<br><span
+class="cmtt-10">triangle 90 reversed </span>arrow tip, 176
+<br><span
+class="cmtt-10">triangle* </span>plot mark, 187
+<br><span
+class="cmtt-10">triangles </span>snake, 181
+
+
+<br><span
+class="cmtt-10">two screens with lagging second </span>layout, 212
+<br><span
+class="cmtt-10">two screens with optional second </span>layout, 212
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">ultra nearly opaque </span>style, 122
+<br><span
+class="cmtt-10">ultra nearly transparent </span>style, 121
+<br><span
+class="cmtt-10">ultra thick </span>style, 118
+<br><span
+class="cmtt-10">ultra thin </span>style, 118
+<br><span
+class="cmtt-10">use as bounding box </span>option, 130
+<br><span
+class="cmtt-10">\useasboundingbox</span>, 116
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">version=</span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">version</span><span
+class="cmsy-10">&gt; </span>package option, 231
+<br><span
+class="cmtt-10">very near end </span>style, 145
+<br><span
+class="cmtt-10">very near start </span>style, 145
+<br><span
+class="cmtt-10">very nearly opaque </span>style, 122
+<br><span
+class="cmtt-10">very nearly transparent </span>style, 121
+<br><span
+class="cmtt-10">very thick </span>style, 118
+<br><span
+class="cmtt-10">very thin </span>style, 118
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">waves </span>snake, 181
+<br><span
+class="cmtt-10">width </span>option, 269
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">x </span>option, 169, 238
+<br><span
+class="cmtt-10">x </span>plot mark, 187
+<br><span
+class="cmtt-10">xcomb </span>option, 111
+<br><span
+class="cmtt-10">xscale </span>option, 171
+<br><span
+class="cmtt-10">xshift </span>option, 171
+<br><span
+class="cmtt-10">xslant </span>option, 172
+<br><span
+class="cmtt-10">xstep </span>option, 102
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">y </span>option, 169, 238
+<br><span
+class="cmtt-10">ycomb </span>option, 111
+<br><span
+class="cmtt-10">yscale </span>option, 172
+<br><span
+class="cmtt-10">yshift </span>option, 171
+<br><span
+class="cmtt-10">yslant </span>option, 172
+<br><span
+class="cmtt-10">ystep </span>option, 102
+<br></p><p class="theindex">
+ <span
+class="cmtt-10">z </span>option, 169
+<br><span
+class="cmtt-10">zigzag </span>snake, 181
+<br></p></div>
+
+</body></html>
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual.tex b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual.tex
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--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanual.tex
@@ -0,0 +1,13 @@
+\documentclass{ltxdoc}
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\input{../pgfmanual-tex4ht.cfg}
+\input{../../text-en/pgfmanual-en-main.tex}
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>1 Introduction</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse2.html" >next</a>] [<a
+href="#tailpgfmanualse1.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse1.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">1 </span> <a
+ id="x2-30001"></a>Introduction</h3>
+<!--l. 11--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package, where &#8220;<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8221; is supposed to mean &#8220;portable graphics format&#8221; (or &#8220;pretty, good, functional&#8221; if
+you prefer...), is a package for creating graphics in an &#8220;inline&#8221; manner. The package defines a number of
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;commands that draw graphics. For example, the code <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\draw</span><span
+class="cmtt-10">&nbsp;(0pt,0pt)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(20pt,6pt);</span></span></span> yields the
+line <object data="pgfmanual-3.svg" width="20.4pt" height="6.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and the code <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\fill[orange]</span><span
+class="cmtt-10">&nbsp;(1ex,1ex)</span><span
+class="cmtt-10">&nbsp;circle</span><span
+class="cmtt-10">&nbsp;(1ex);</span></span></span> yields <object data="pgfmanual-4.svg" width="8.61108pt" height="8.61108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.
+<!--l. 20--><p class="indent"> In a sense, when using <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;you &#8220;program&#8221; your graphics, just as you &#8220;program&#8221; your document
+when using <span class="TEX">T<span
+class="E">E</span>X</span>. This means that you get the advantages of the &#8220;<span class="TEX">T<span
+class="E">E</span>X</span>-approach to typesetting&#8221;
+also for your graphics: quick creation of simple graphics, precise positioning, the use of macros, often
+superior typography. You also inherit all the disadvantages: steep learning curve, no <span
+class="cmcsc-10"><small
+class="small-caps">W</small><small
+class="small-caps">Y</small><small
+class="small-caps">S</small><small
+class="small-caps">I</small><small
+class="small-caps">W</small><small
+class="small-caps">Y</small><small
+class="small-caps">G</small></span>, small
+changes require a long recompilation time, and the code does not really &#8220;show&#8221; how things will look
+like.
+<!--l. 31--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">1.1 </span> <a
+ id="x2-40001.1"></a>Structure of the System</h4>
+<!--l. 33--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system consists of different layers:
+<!--l. 35--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="cmbx-10">System layer:</span> </dt><dd
+class="description">This layer provides a complete abstraction of what is going on &#8220;in the driver.&#8221; The driver
+ is a program like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span> that takes a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file as input and generates a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span> or a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> file.
+ (The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> program also counts as a driver, even though it does not take a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file as input. Never
+ mind.) Each driver has its own syntax for the generation of graphics, causing headaches to everyone
+ who wants to create graphics in a portable way. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s system layer &#8220;abstracts away&#8221; these differences.
+ For example, the system command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@lineto{10pt}{10pt}</span></span></span> extends the current path to the
+ coordinate (10pt<span
+class="cmmi-10">,</span>10pt) of the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. Depending on whether <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span>, or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> is used to process the document, the system command will be converted to different <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span>
+ commands.
+ <!--l. 51--><p class="noindent">The system layer is as &#8220;minimalistic&#8221; as possible since each additional command makes it more work to
+ port <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to a new driver. Currently, only drivers that produce PostScript or <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>output are supported
+ and only few of these (hence the name <span
+class="cmti-10">portable </span>graphics format is currently a bit boastful). However,
+ in principle, the system layer could be ported to many different drivers quite easily. It should even be
+ possible to produce, say, <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>output in conjunction with <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">E</small><small
+class="small-caps">X</small>4<small
+class="small-caps">H</small><small
+class="small-caps">T</small></span>.
+ <!--l. 61--><p class="noindent">As a user, you will not use the system layer directly.
+ </dd><dt class="description">
+<span
+class="cmbx-10">Basic layer:</span> </dt><dd
+class="description">The basic layer provides a set of basic commands that allow you to produce complex graphics
+ in a much easier way than by using the system layer directly. For example, the system layer provides no
+ commands for creating circles since circles can be composed from the more basic B&eacute;zier curves (well,
+ almost). However, as a user you will want to have a simple command to create circles (at least I do)
+ instead of having to write down half a page of B&eacute;zier curve support coordinates. Thus, the basic layer
+ provides a command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathcircle</span></span></span> that generates the necessary curve coordinates for you.
+ <!--l. 74--><p class="noindent">The basic layer is consists of a <span
+class="cmti-10">core</span>, which consists of several interdependent packages that can only be
+ loaded <span
+class="cmti-10">en bloc, </span>and additional packages that extend the core by more special-purpose commands like
+ node management or a plotting interface. For instance, the <span
+class="cmcsc-10"><small
+class="small-caps">B</small><small
+class="small-caps">E</small><small
+class="small-caps">A</small><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">R</small> </span>package uses the core, but not all
+ of the additional packages of the basic layer.
+ </dd><dt class="description">
+<span
+class="cmbx-10">Frontend layer:</span> </dt><dd
+class="description">A frontend (of which there can be several) is a set of commands or a special syntax that makes
+ using the basic layer easier. A problem with directly using the basic layer is that code written for this layer is
+ often too &#8220;verbose.&#8221; For example, to draw a simple triangle, you may need as many as five commands when
+ using the basic layer: One for beginning a path at the first corner of the triangle, one for extending the path to
+ the second corner, one for going to the third, one for closing the path, and one for actually painting the
+ triangle (as opposed to filling it). With the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz</span></span></span> frontend all this boils down to a single simple <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small></span>-like
+ command:
+
+
+ <table width="100%"
+class="verbatim"><tr class="verbatim"><td
+class="verbatim"><div class="verbatim">
+ \draw&nbsp;(0,0)&nbsp;--&nbsp;(1,0)&nbsp;--&nbsp;(1,1)&nbsp;--&nbsp;cycle;
+</div>
+ </td></tr></table>
+ <!--l. 94--><p class="nopar">
+ <!--l. 96--><p class="noindent">There are different frontends:
+ <ul class="itemize1">
+ <li class="itemize">The Ti<span
+class="cmti-10">k</span>Z&nbsp;frontend is the &#8220;natural&#8221; frontend for <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. It gives you access to all features of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>,
+ but it is intended to be easy to use. The syntax is a mixture of <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small> </span>and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small> </span>and
+ some ideas of myself. This frontend is <span
+class="cmti-10">neither </span>a complete <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small> </span>compatibility layer nor a
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small> </span>compatibility layer and it is not intended to become either.
+ </li>
+ <li class="itemize">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpict2e</span></span></span> frontend reimplements the standard <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> environment and
+ commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\line</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\vector</span></span></span> using the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;basic layer. This layer is not really &#8220;necessary&#8221;
+ since the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pict2e.sty</span></span></span> package does at least as good a job at reimplementing the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span>
+ environment. Rather, the idea behind this package is to have a simple demonstration of how a
+ frontend can be implemented.</li></ul>
+ <!--l. 116--><p class="noindent">It would be possible to implement a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgftricks</span></span></span> frontend that maps <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small> </span>commands to <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;commands.
+ However, I have not done this and even if fully implemented, many things that work in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small></span>&nbsp;will not
+ work, namely whenever some <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small></span>&nbsp;command relies too heavily on PostScript trickery. Nevertheless, such
+ a package might be useful in some situations.</dd></dl>
+<!--l. 124--><p class="indent"> As a user of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;you will use the commands of a frontend plus perhaps some commands of the basic layer.
+For this reason, this manual explains the frontends first, then the basic layer, and finally the system
+layer.
+<!--l. 131--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">1.2 </span> <a
+ id="x2-50001.2"></a>Comparison with Other Graphics Packages</h4>
+<!--l. 133--><p class="noindent">There were two main motivations for creating <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x2-5002x1"></a>The standard <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> environment is not powerful enough to create anything but really
+ simple graphics. This is certainly not due to a lack of knowledge or imagination on the part of <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&#8217;s
+ designer(s). Rather, this is the price paid for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> environment&#8217;s portability: It works together
+ with all backend drivers.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x2-5004x2"></a>The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pstricks}</span></span></span> package is certainly powerful enough to create any conceivable kind of graphic, but it
+ is not portable at all. Most importantly, it does not work with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> nor with any other driver that
+ produces anything but PostScript code.</li></ol>
+<!--l. 149--><p class="indent"> The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package is a trade-off between portability and expressive power. It is not as portable as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> and
+perhaps not quite as powerful as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pspicture}</span></span></span>. However, it is more powerful than <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> and more portable
+than <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pspicture}</span></span></span>.
+<!--l. 154--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">1.3 </span> <a
+ id="x2-60001.3"></a>Utilities: Page Management</h4>
+<!--l. 156--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package include a special subpackage called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span>, which is used to assemble several pages into a single
+page. This package is not really about creating graphics, but it is part of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;nevertheless, mostly because its
+implementation uses <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;heavily.
+
+
+<!--l. 161--><p class="indent"> The subpackage <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> provides commands for assembling several &#8220;virtual pages&#8221; into a single &#8220;physical
+page.&#8221; The idea is that whenever <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;has a page ready for &#8220;shipout,&#8221; <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> interrupts this shipout and
+instead stores the page to be shipped out in a special box. When enough &#8220;virtual pages&#8221; have been accumulated in
+this way, they are scaled down and arranged on a &#8220;physical page,&#8221; which then <span
+class="cmti-10">really </span>shipped out. This mechanism
+allows you to create &#8220;two page on one page&#8221; versions of a document directly inside <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;without the use of any
+external programs.
+<!--l. 171--><p class="indent"> However, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> can do quite a lot more than that. You can use it to put logos and watermark on pages, print
+up to 16 pages on one page, add borders to pages, and more.
+<!--l. 178--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">1.4 </span> <a
+ id="x2-70001.4"></a>How to Read This Manual</h4>
+<!--l. 180--><p class="noindent">This manual describes both the design of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system and its usage. The organization is very roughly according
+to &#8220;user-friendliness.&#8221; The commands and subpackages that are easiest and most frequently used are described first,
+more low-level and esoteric features are discussed later.
+<!--l. 186--><p class="indent"> If you have not yet installed <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, please read the installation first. Second, it might be a good idea to read the
+tutorial. Finally, you might wish to skim through the description of Ti<span
+class="cmti-10">k</span>Z. Typically, you will not need to read the
+sections on the basic layer. You will only need to read the part on the system layer if you intend to write your own
+frontend or if you wish to port <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to a new driver.
+<!--l. 193--><p class="indent"> The &#8220;public&#8221; commands and environments provided by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span> package are described throughout the text. In
+each such description, the described command, environment or option is printed in red. Text shown in green is
+optional and can be left out.
+<!--l. 200--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">1.5 </span> <a
+ id="x2-80001.5"></a>Getting Help</h4>
+<!--l. 202--><p class="noindent">When you need help with <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z, please do the following:
+<!--l. 205--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x2-8002x1"></a>Read the manual, at least the part that has to do with your problem.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x2-8004x2"></a>If that does not solve the problem, try having a look at the sourceforge development page for <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and
+ Ti<span
+class="cmti-10">k</span>Z&nbsp;(see the title of this document). Perhaps someone has already reported a similar problem and
+ someone has found a solution.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x2-8006x3"></a>On the website you will find numerous forums for getting help. There, you can write to help forums,
+ file bug reports, join mailing lists, and so on.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x2-8008x4"></a>Before you file a bug report, especially a bug report concerning the installation, make sure that this
+ is really a bug. In particular, have a look at the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.log</span></span></span> file that results when you <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;your files. This
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.log</span></span></span> file should show that all the right files are loaded from the right directories. Nearly all installation
+ problems can be resolved by looking at the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.log</span></span></span> file.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x2-8010x5"></a><span
+class="cmti-10">As a last resort </span>you can try to email me (the author). I do not mind getting emails, I simply get
+ way too many of them. Because of this, I cannot guarantee that your emails will be answered timely
+ or even at all. Your chances that your problem will be fixed are somewhat higher if you mail to the
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;mailing list (naturally, I read this list and answer questions when I have the time).
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x2-8012x6"></a>Please, do not phone me in my office. If you need a hotline, buy a commercial product.</li></ol>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse2.html" >next</a>] [<a
+href="pgfmanualse1.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse1.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse1.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse10.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse10.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>10 Actions on Paths</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse11.html" >next</a>] [<a
+href="pgfmanualse9.html" >prev</a>] [<a
+href="pgfmanualse9.html#tailpgfmanualse9.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse10.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse10.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">10 </span> <a
+ id="x11-12000010"></a>Actions on Paths</h3>
+<!--l. 10--><p class="noindent">Once a path has been constructed, different things can be done with it. It can be drawn (or stroked) with
+a &#8220;pen,&#8221; it can be filled with a color or shading, it can be used for clipping subsequent drawing, it
+can be used to specify the extend of the picture--or any combination of these actions at the same
+time.
+<!--l. 16--><p class="indent"> To decide what is to be done with a path, two methods can be used. First, you can use a special-purpose
+command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> to indicate that the path should be drawn. However, commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\fill</span></span></span> are
+just abbreviations for special cases of the more general method: Here, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> command is used
+to specify the path. Then, options encountered on the path indicate what should be done with the
+path.
+<!--l. 24--><p class="indent"> For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;circle</span><span
+class="cmtt-10">&nbsp;(1cm);</span></span></span> means &#8220;This is a path consisting of a circle around the origin. Do
+not do anything with it (throw it away).&#8221; However, if the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> is encountered anywhere on the path, the
+circle will be drawn. &#8220;Anywhere&#8221; is any point on the path where an option can be given, which is everywhere where
+a path command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span><span
+class="cmtt-10">&nbsp;(1cm)</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span><span
+class="cmtt-10">&nbsp;(1,1)</span></span></span> or even just <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span> would also be allowed. Thus, the
+following commands all draw the same circle:
+<!--l. 32--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-156-" ><colgroup id="TBL-156-1g"><col
+id="TBL-156-1"></colgroup><tr
+ valign="baseline" id="TBL-156-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-156-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm)</span><span
+class="cmtt-8">&nbsp;[draw];</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 37--><p class="indent"> Finally, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;circle</span><span
+class="cmtt-10">&nbsp;(1cm);</span></span></span> also draws a path, because <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;[draw]</span></span></span>
+and thus the command expands to the first line of the above example.
+<!--l. 41--><p class="indent"> Similarly, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\fill</span></span></span> is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill]</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\filldraw</span></span></span> is an abbreviation for the
+command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill,draw]</span></span></span>. Since options accumulate, the following commands all have the same
+effect:
+<!--l. 45--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-157-" ><colgroup id="TBL-157-1g"><col
+id="TBL-157-1"></colgroup><tr
+ valign="baseline" id="TBL-157-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-157-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;[draw,fill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;[fill]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\path</span><span
+class="cmtt-8">&nbsp;[fill]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm)</span><span
+class="cmtt-8">&nbsp;[draw];</span>
+<br><span
+class="cmtt-8">\draw</span><span
+class="cmtt-8">&nbsp;[fill]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\filldraw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 54--><p class="indent"> In the following subsection the different actions are explained that can be performed on a path. The following
+commands are abbreviations for certain sets of actions, but for many useful combinations there are no
+abbreviations:
+<!--l. 59--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox73"><span
+class="cmtt-10">\draw</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120001"></a>
+ <!--l. 60--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw]</span></span></span>. </dd></dl>
+<!--l. 63--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox74"><span
+class="cmtt-10">\fill</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120002"></a>
+ <!--l. 64--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill]</span></span></span>. </dd></dl>
+<!--l. 67--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox75"><span
+class="cmtt-10">\filldraw</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120003"></a>
+ <!--l. 68--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill,draw]</span></span></span>. </dd></dl>
+
+
+<!--l. 71--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox76"><span
+class="cmtt-10">\shade</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120004"></a>
+ <!--l. 72--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[shade]</span></span></span>. </dd></dl>
+<!--l. 75--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox77"><span
+class="cmtt-10">\shadedraw</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120005"></a>
+ <!--l. 76--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[shade,draw]</span></span></span>. </dd></dl>
+<!--l. 79--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox78"><span
+class="cmtt-10">\clip</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120006"></a>
+ <!--l. 80--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[clip]</span></span></span>. </dd></dl>
+<!--l. 83--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox79"><span
+class="cmtt-10">\useasboundingbox</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120007"></a>
+ <!--l. 84--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box]</span></span></span>. </dd></dl>
+<!--l. 87--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox80"><span
+class="cmtt-10">\node</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120008"></a>
+ <!--l. 88--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;node</span></span></span>. Note that, for once, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> is not an
+ option but a path operation. </dd></dl>
+<!--l. 92--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox81"><span
+class="cmtt-10">\coordinate</span></span> </dt><dd
+class="description">
+<a
+ id="dx11-120009"></a>
+ <!--l. 93--><p class="noindent">Inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> this is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;coordinate</span></span></span>. </dd></dl>
+<!--l. 98--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.1 </span> <a
+ id="x11-12100010.1"></a>Specifying a Color</h4>
+<!--l. 100--><p class="noindent">The most unspecific option for setting colors is the following:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">color</span><a
+ id="dx11-121001"></a><a
+ id="dx11-121002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color name</span><span
+class="cmsy-10">&gt;</span><a
+ id="dx11-121003"></a><a
+ id="dx11-121004"></a>This option sets the color that is used for fill, drawing, and text inside the current
+ scope. Any special settings for filling colors or drawing colors are immediately &#8220;overruled&#8221; by this
+ option.
+ <!--l. 109--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color name</span><span
+class="cmsy-10">&gt; </span>is the name of a previously defined color. For <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;users, this is just a normal
+ &#8220;<span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>-color&#8221; and the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> extensions are allows. Here is an example:
+ <!--l. 113--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-158-" ><colgroup id="TBL-158-1g"><col
+id="TBL-158-1"><col
+id="TBL-158-2"></colgroup><tr
+ valign="baseline" id="TBL-158-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-158-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-156.svg" width="8.61108pt" height="8.61108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-158-1-2"
+class="td11"><table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[color=red!20]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 117--><p class="noindent">It is possible to &#8220;leave out&#8221; the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> part and you can also write:
+
+
+ <!--l. 119--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-159-" ><colgroup id="TBL-159-1g"><col
+id="TBL-159-1"><col
+id="TBL-159-2"></colgroup><tr
+ valign="baseline" id="TBL-159-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-159-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-157.svg" width="8.61108pt" height="8.61108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-159-1-2"
+class="td11"><table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[red!20]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 122--><p class="noindent">What happens is that every option that Ti<span
+class="cmti-10">k</span>Z&nbsp;does not know, like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">red!20</span></span></span>, gets a &#8220;second chance&#8221; as a color
+ name.
+ <!--l. 125--><p class="noindent">For plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;users, it is not so easy to specify colors since plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;has no &#8220;standardized&#8221; color naming
+ mechanism. Because of this, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;emulates the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> package, though the emulation is <span
+class="cmti-10">extremely basic </span>(more
+ precisely, what I could hack together in two hours or so). The emulation allows you to do the
+ following:
+ <ul class="itemize2">
+ <li class="itemize">Specify a new color using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\definecolor</span></span></span>. Only the two color models <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gray</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rgb</span></span></span> are supported.
+ <!--l. 134--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\definecolor{orange}{rgb}{1,0.5,0}</span></span></span>
+ </li>
+ <li class="itemize">Use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\colorlet</span></span></span> to define a new color based on an old one. Here, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span> mechanism is supported,
+ though only &#8220;once&#8221; (use multiple <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\colorlet</span></span></span> for more fancy colors).
+ <!--l. 138--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\colorlet{lightgray}{black!25}</span></span></span>
+ </li>
+ <li class="itemize">Use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>to set the color in the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group. <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\aftergroup</span></span></span>-hackery is
+ used to restore the color after the group.</li></ul>
+ </li></ul>
+<!--l. 145--><p class="indent"> As pointed out above, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option applies to &#8220;everything&#8221; (except to shadings), which is not always what
+you want. Because of this, there are several more specialized color options. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw=</span></span></span> option sets the
+color used for drawing, but does not modify the color used for filling. These color options are documented where the
+path action they influence is described.
+<!--l. 153--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.2 </span> <a
+ id="x11-12200010.2"></a>Drawing a Path</h4>
+<!--l. 155--><p class="noindent">You can draw a path using the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">draw</span><a
+ id="dx11-122001"></a><a
+ id="dx11-122002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span> Causes the path to be drawn. &#8220;Drawing&#8221; (also known as &#8220;stroking&#8221;) can be thought of
+ as picking up a pen and moving it along the path, thereby leaving &#8220;ink&#8221; on the canvas.
+ <!--l. 162--><p class="noindent">There are numerous parameters that influence how a line is drawn, like the thickness or the dash
+ pattern. These options are explained below.
+ <!--l. 166--><p class="noindent">If the optional <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>argument is given, drawing is done using the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span>. This color can be
+ different from the current filling color, which allows you to draw and fill a path with different colors.
+ If no <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>argument is given, the last usage of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option is used.
+ <!--l. 172--><p class="noindent">If the special color name <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">none</span></span></span> is given, this option causes drawing to be &#8220;switched off.&#8221; This is useful
+ if a style has previously switched on drawing and you locally wish to undo this effect.
+ <!--l. 177--><p class="noindent">Although this option is normally used on paths to indicate that the path should be drawn, it also
+ makes sense to use the option with a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment. However, this will <span
+class="cmti-10">not</span>
+ cause all path to drawn. Instead, this just sets the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>to be used for drawing paths inside the
+ environment.
+ <!--l. 183--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-160-" ><colgroup id="TBL-160-1g"><col
+id="TBL-160-1"><col
+id="TBL-160-2"></colgroup><tr
+ valign="baseline" id="TBL-160-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-160-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-158.svg" width="67.30548pt" height="38.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-160-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path[draw=red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(10pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 190--><p class="indent"> The following subsections list the different options that influence how a path is drawn. All of these options only
+have an effect if the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> options is given (directly or indirectly).
+
+
+<!--l. 194--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.2.1 </span> <a
+ id="x11-12300010.2.1"></a>Graphic Parameters: Line Width, Line Cap, and Line Join</h5>
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">line width</span><a
+ id="dx11-123001"></a><a
+ id="dx11-123002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Specifies the line width. Note the space. Default: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.4pt</span></span></span>.
+ <!--l. 202--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-161-" ><colgroup id="TBL-161-1g"><col
+id="TBL-161-1"><col
+id="TBL-161-2"></colgroup><tr
+ valign="baseline" id="TBL-161-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-161-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-159.svg" width="33.45274pt" height="11.45831pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-161-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=5pt]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 207--><p class="noindent">There are a number of predefined styles that provide more &#8220;natural&#8221; ways of setting the line width. You can also
+redefine these styles. Remember that you can leave out the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=</span></span></span> when setting a style.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">ultra thin</span><a
+ id="dx11-123003"></a><a
+ id="dx11-123004"></a> Sets the line width to 0.1pt.
+ <!--l. 215--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-162-" ><colgroup id="TBL-162-1g"><col
+id="TBL-162-1"><col
+id="TBL-162-2"></colgroup><tr
+ valign="baseline" id="TBL-162-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-162-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-160.svg" width="28.55275pt" height="6.55832pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-162-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[ultra</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very thin</span><a
+ id="dx11-123005"></a><a
+ id="dx11-123006"></a> Sets the line width to 0.2pt.
+ <!--l. 221--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-163-" ><colgroup id="TBL-163-1g"><col
+id="TBL-163-1"><col
+id="TBL-163-2"></colgroup><tr
+ valign="baseline" id="TBL-163-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-163-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-161.svg" width="28.65273pt" height="6.6583pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-163-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">thin</span><a
+ id="dx11-123007"></a><a
+ id="dx11-123008"></a> Sets the line width to 0.4pt.
+ <!--l. 227--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-164-" ><colgroup id="TBL-164-1g"><col
+id="TBL-164-1"><col
+id="TBL-164-2"></colgroup><tr
+ valign="baseline" id="TBL-164-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-164-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-162.svg" width="28.85274pt" height="6.8583pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-164-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[thin]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">semithick</span><a
+ id="dx11-123009"></a><a
+ id="dx11-123010"></a> Sets the line width to 0.6pt.
+ <!--l. 233--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-165-" ><colgroup id="TBL-165-1g"><col
+id="TBL-165-1"><col
+id="TBL-165-2"></colgroup><tr
+ valign="baseline" id="TBL-165-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-165-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-163.svg" width="29.05275pt" height="7.05832pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-165-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[semithick]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">thick</span><a
+ id="dx11-123011"></a><a
+ id="dx11-123012"></a> Sets the line width to 0.8pt.
+ <!--l. 239--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-166-" ><colgroup id="TBL-166-1g"><col
+id="TBL-166-1"><col
+id="TBL-166-2"></colgroup><tr
+ valign="baseline" id="TBL-166-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-166-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-164.svg" width="29.25273pt" height="7.2583pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-166-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[thick]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very thick</span><a
+ id="dx11-123013"></a><a
+ id="dx11-123014"></a> Sets the line width to 1.2pt.
+ <!--l. 245--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-167-" ><colgroup id="TBL-167-1g"><col
+id="TBL-167-1"><col
+id="TBL-167-2"></colgroup><tr
+ valign="baseline" id="TBL-167-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-167-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-165.svg" width="29.65273pt" height="7.6583pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-167-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">ultra thick</span><a
+ id="dx11-123015"></a><a
+ id="dx11-123016"></a> Sets the line width to 1.6pt.
+ <!--l. 251--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-168-" ><colgroup id="TBL-168-1g"><col
+id="TBL-168-1"><col
+id="TBL-168-2"></colgroup><tr
+ valign="baseline" id="TBL-168-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-168-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-166.svg" width="30.05275pt" height="8.05832pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-168-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[ultra</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1.5ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">cap</span><a
+ id="dx11-123017"></a><a
+ id="dx11-123018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">type</span><span
+class="cmsy-10">&gt; </span>Specifies how lines &#8220;end.&#8221; Permissible <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">type</span><span
+class="cmsy-10">&gt; </span>are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">round</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rect</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">butt</span></span></span> (default). They
+ have the following effects:
+ <!--l. 261--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-169-" ><colgroup id="TBL-169-1g"><col
+id="TBL-169-1"><col
+id="TBL-169-2"></colgroup><tr
+ valign="baseline" id="TBL-169-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-169-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-167.svg" width="38.45274pt" height="38.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-169-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[cap=rect]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0</span><span
+class="cmtt-8">&nbsp;)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[cap=butt]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[cap=round]</span><span
+class="cmtt-8">&nbsp;(0,1</span><span
+class="cmtt-8">&nbsp;)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[white,line</span><span
+class="cmtt-8">&nbsp;width=1pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0</span><span
+class="cmtt-8">&nbsp;)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;(0,.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,.5)</span><span
+class="cmtt-8">&nbsp;(0,1</span><span
+class="cmtt-8">&nbsp;)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">join</span><a
+ id="dx11-123019"></a><a
+ id="dx11-123020"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">type</span><span
+class="cmsy-10">&gt; </span>Specifies how lines &#8220;join.&#8221; Permissible <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">type</span><span
+class="cmsy-10">&gt; </span>are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">round</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bevel</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">miter</span></span></span> (default). They have
+ the following effects:
+ <!--l. 277--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-170-" ><colgroup id="TBL-170-1g"><col
+id="TBL-170-1"><col
+id="TBL-170-2"></colgroup><tr
+ valign="baseline" id="TBL-170-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-170-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-168.svg" width="109.58458pt" height="47.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-170-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[join=round]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[join=bevel]</span><span
+class="cmtt-8">&nbsp;(1.25,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[join=miter]</span><span
+class="cmtt-8">&nbsp;(2.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(.5,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;bigger</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">miter limit</span><a
+ id="dx11-123021"></a><a
+ id="dx11-123022"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>When you use the miter join and there is a very sharp corner (a small angle), the miter
+ join may protrude very far over the actual joining point. In this case, if it were to protrude by more
+ than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>times the line width, the miter join is replaced by a bevel join. Default value is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">10</span></span></span>.
+ <!--l. 293--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-169.svg" width="400.83841pt" height="33.45273pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-171-" ><colgroup id="TBL-171-1g"><col
+id="TBL-171-1"></colgroup><tr
+ valign="baseline" id="TBL-171-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-171-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=5pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(5,.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-5,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[miter</span><span
+class="cmtt-8">&nbsp;limit=25]</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(5,.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-5,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(14,0);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;bigger</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+<!--l. 302--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.2.2 </span> <a
+ id="x11-12400010.2.2"></a>Graphic Parameters: Dash Pattern</h5>
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">dash pattern</span><a
+ id="dx11-124001"></a><a
+ id="dx11-124002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dash pattern</span><span
+class="cmsy-10">&gt; </span>Sets the dashing pattern. The syntax is the same as in <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small></span>. For
+ example <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">on</span><span
+class="cmtt-10">&nbsp;2pt</span><span
+class="cmtt-10">&nbsp;off</span><span
+class="cmtt-10">&nbsp;3pt</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;4pt</span><span
+class="cmtt-10">&nbsp;off</span><span
+class="cmtt-10">&nbsp;4pt</span></span></span> means &#8220;draw 2pt, then leave out 3pt, then draw 4pt once
+ more, then leave out 4pt again, repeat&#8221;.
+ <!--l. 311--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-172-" ><colgroup id="TBL-172-1g"><col
+id="TBL-172-1"><col
+id="TBL-172-2"></colgroup><tr
+ valign="baseline" id="TBL-172-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-172-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-170.svg" width="99.98463pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-172-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[dash</span><span
+class="cmtt-8">&nbsp;pattern=on</span><span
+class="cmtt-8">&nbsp;2pt</span><span
+class="cmtt-8">&nbsp;off</span><span
+class="cmtt-8">&nbsp;3pt</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;4pt</span><span
+class="cmtt-8">&nbsp;off</span><span
+class="cmtt-8">&nbsp;4pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3.5cm,0pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">dash phase</span><a
+ id="dx11-124003"></a><a
+ id="dx11-124004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dash phase</span><span
+class="cmsy-10">&gt; </span>Shifts the start of the dash pattern by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">phase</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 320--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-173-" ><colgroup id="TBL-173-1g"><col
+id="TBL-173-1"><col
+id="TBL-173-2"></colgroup><tr
+ valign="baseline" id="TBL-173-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-173-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-171.svg" width="99.98463pt" height="3.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-173-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[dash</span><span
+class="cmtt-8">&nbsp;pattern=on</span><span
+class="cmtt-8">&nbsp;20pt</span><span
+class="cmtt-8">&nbsp;off</span><span
+class="cmtt-8">&nbsp;10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[dash</span><span
+class="cmtt-8">&nbsp;phase=0pt]</span><span
+class="cmtt-8">&nbsp;(0pt,3pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3.5cm,3pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[dash</span><span
+class="cmtt-8">&nbsp;phase=10pt]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3.5cm,0pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 328--><p class="noindent">As for the line thickness, some predefined styles allow you to set the dashing conveniently.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">solid</span><a
+ id="dx11-124005"></a><a
+ id="dx11-124006"></a> Shorthand for setting a solid line as &#8220;dash pattern.&#8221; This is the default.
+ <!--l. 335--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-174-" ><colgroup id="TBL-174-1g"><col
+id="TBL-174-1"><col
+id="TBL-174-2"></colgroup><tr
+ valign="baseline" id="TBL-174-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-174-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-172.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-174-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[solid]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">dotted</span><a
+ id="dx11-124007"></a><a
+ id="dx11-124008"></a> Shorthand for setting a dotted dash pattern.
+ <!--l. 342--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-175-" ><colgroup id="TBL-175-1g"><col
+id="TBL-175-1"><col
+id="TBL-175-2"></colgroup><tr
+ valign="baseline" id="TBL-175-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-175-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-173.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-175-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[dotted]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">densely dotted</span><a
+ id="dx11-124009"></a><a
+ id="dx11-124010"></a> Shorthand for setting a densely dotted dash pattern.
+ <!--l. 349--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-176-" ><colgroup id="TBL-176-1g"><col
+id="TBL-176-1"><col
+id="TBL-176-2"></colgroup><tr
+ valign="baseline" id="TBL-176-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-176-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-174.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-176-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[densely</span><span
+class="cmtt-8">&nbsp;dotted]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">loosely dotted</span><a
+ id="dx11-124011"></a><a
+ id="dx11-124012"></a> Shorthand for setting a loosely dotted dash pattern.
+ <!--l. 356--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-177-" ><colgroup id="TBL-177-1g"><col
+id="TBL-177-1"><col
+id="TBL-177-2"></colgroup><tr
+ valign="baseline" id="TBL-177-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-177-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-175.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-177-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[loosely</span><span
+class="cmtt-8">&nbsp;dotted]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">dashed</span><a
+ id="dx11-124013"></a><a
+ id="dx11-124014"></a> Shorthand for setting a dashed dash pattern.
+ <!--l. 363--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-178-" ><colgroup id="TBL-178-1g"><col
+id="TBL-178-1"><col
+id="TBL-178-2"></colgroup><tr
+ valign="baseline" id="TBL-178-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-178-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-176.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-178-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[dashed]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">densely dashed</span><a
+ id="dx11-124015"></a><a
+ id="dx11-124016"></a> Shorthand for setting a densely dashed dash pattern.
+ <!--l. 370--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-179-" ><colgroup id="TBL-179-1g"><col
+id="TBL-179-1"><col
+id="TBL-179-2"></colgroup><tr
+ valign="baseline" id="TBL-179-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-179-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-177.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-179-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[densely</span><span
+class="cmtt-8">&nbsp;dashed]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">loosely dashed</span><a
+ id="dx11-124017"></a><a
+ id="dx11-124018"></a> Shorthand for setting a loosely dashed dash pattern.
+ <!--l. 377--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-180-" ><colgroup id="TBL-180-1g"><col
+id="TBL-180-1"><col
+id="TBL-180-2"></colgroup><tr
+ valign="baseline" id="TBL-180-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-180-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-178.svg" width="50.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-180-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[loosely</span><span
+class="cmtt-8">&nbsp;dashed]</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50pt,0pt);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+
+
+<!--l. 383--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.2.3 </span> <a
+ id="x11-12500010.2.3"></a>Graphic Parameters: Draw Opacity</h5>
+<!--l. 385--><p class="noindent">When a line is drawn, it will normally &#8220;obscure&#8221; everything behind it as if you has used perfectly opaque ink. It is
+also possible to ask Ti<span
+class="cmti-10">k</span>Z&nbsp;to use an ink that is a little bit (or a big bit) transparent. To do so, use the following
+option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">draw opacity</span><a
+ id="dx11-125001"></a><a
+ id="dx11-125002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>This option sets &#8220;how transparent&#8221; lines should be. A value of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span> means &#8220;fully
+ opaque&#8221; or &#8220;not transparent at all,&#8221; a value of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0</span></span></span> means &#8220;fully transparent&#8221; or &#8220;invisible.&#8221; A value of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> yields lines that are semitransparent.
+ <!--l. 397--><p class="noindent">Note that when you use PostScript as your output format, this option works only with recent versions
+ of GhostScript.
+ <!--l. 400--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-181-" ><colgroup id="TBL-181-1g"><col
+id="TBL-181-1"><col
+id="TBL-181-2"></colgroup><tr
+ valign="baseline" id="TBL-181-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-181-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-179.svg" width="89.66377pt" height="32.75829pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-181-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=1ex]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;[fill=examplefill,draw</span><span
+class="cmtt-8">&nbsp;opacity=0.5]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 408--><p class="indent"> Note that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span><span
+class="cmtt-10">&nbsp;opacity</span></span></span> options only sets the opacity of drawn lines. The opacity of fillings is set using
+the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span><span
+class="cmtt-10">&nbsp;opacity</span></span></span> (documented in Section&nbsp;<a
+href="#x11-13000010.3.2">10.3.2<!--tex4ht:ref: section-fill-opacity --></a>. The option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">opacity</span></span></span> sets both at the same
+time.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">opacity</span><a
+ id="dx11-125003"></a><a
+ id="dx11-125004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>Sets both the drawing and filling opacity to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 417--><p class="noindent">The following predefined styles make it easier to use this option:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">transparent</span><a
+ id="dx11-125005"></a><a
+ id="dx11-125006"></a> Makes everything totally transparent and, hence, invisible.
+ <!--l. 422--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-182-" ><colgroup id="TBL-182-1g"><col
+id="TBL-182-1"><col
+id="TBL-182-2"></colgroup><tr
+ valign="baseline" id="TBL-182-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-182-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-180.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-182-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[transparent,red]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">ultra nearly transparent</span><a
+ id="dx11-125007"></a><a
+ id="dx11-125008"></a> Makes everything, well, ultra nearly transparent.
+ <!--l. 429--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-183-" ><colgroup id="TBL-183-1g"><col
+id="TBL-183-1"><col
+id="TBL-183-2"></colgroup><tr
+ valign="baseline" id="TBL-183-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-183-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-181.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-183-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[ultra</span><span
+class="cmtt-8">&nbsp;nearly</span><span
+class="cmtt-8">&nbsp;transparent]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very nearly transparent</span><a
+ id="dx11-125009"></a><a
+ id="dx11-125010"></a>
+ <!--l. 434--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-184-" ><colgroup id="TBL-184-1g"><col
+id="TBL-184-1"><col
+id="TBL-184-2"></colgroup><tr
+ valign="baseline" id="TBL-184-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-184-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-182.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-184-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[very</span><span
+class="cmtt-8">&nbsp;nearly</span><span
+class="cmtt-8">&nbsp;transparent]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">nearly transparent</span><a
+ id="dx11-125011"></a><a
+ id="dx11-125012"></a>
+ <!--l. 439--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-185-" ><colgroup id="TBL-185-1g"><col
+id="TBL-185-1"><col
+id="TBL-185-2"></colgroup><tr
+ valign="baseline" id="TBL-185-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-185-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-183.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-185-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[nearly</span><span
+class="cmtt-8">&nbsp;transparent]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">semitransparent</span><a
+ id="dx11-125013"></a><a
+ id="dx11-125014"></a>
+ <!--l. 444--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-186-" ><colgroup id="TBL-186-1g"><col
+id="TBL-186-1"><col
+id="TBL-186-2"></colgroup><tr
+ valign="baseline" id="TBL-186-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-186-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-184.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-186-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[semitransparent]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">nearly opaque</span><a
+ id="dx11-125015"></a><a
+ id="dx11-125016"></a>
+ <!--l. 449--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-187-" ><colgroup id="TBL-187-1g"><col
+id="TBL-187-1"><col
+id="TBL-187-2"></colgroup><tr
+ valign="baseline" id="TBL-187-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-187-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-185.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-187-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[nearly</span><span
+class="cmtt-8">&nbsp;opaque]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very nearly opaque</span><a
+ id="dx11-125017"></a><a
+ id="dx11-125018"></a>
+ <!--l. 454--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-188-" ><colgroup id="TBL-188-1g"><col
+id="TBL-188-1"><col
+id="TBL-188-2"></colgroup><tr
+ valign="baseline" id="TBL-188-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-188-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-186.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-188-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[very</span><span
+class="cmtt-8">&nbsp;nearly</span><span
+class="cmtt-8">&nbsp;opaque]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">ultra nearly opaque</span><a
+ id="dx11-125019"></a><a
+ id="dx11-125020"></a>
+ <!--l. 459--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-189-" ><colgroup id="TBL-189-1g"><col
+id="TBL-189-1"><col
+id="TBL-189-2"></colgroup><tr
+ valign="baseline" id="TBL-189-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-189-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-187.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-189-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[ultra</span><span
+class="cmtt-8">&nbsp;nearly</span><span
+class="cmtt-8">&nbsp;opaque]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">opaque</span><a
+ id="dx11-125021"></a><a
+ id="dx11-125022"></a> This yields completely opaque drawings, which is the default.
+ <!--l. 465--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-190-" ><colgroup id="TBL-190-1g"><col
+id="TBL-190-1"><col
+id="TBL-190-2"></colgroup><tr
+ valign="baseline" id="TBL-190-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-190-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-188.svg" width="42.67911pt" height="14.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-190-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[opaque]</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.5,0.25);</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </li></ul>
+<!--l. 475--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.2.4 </span> <a
+ id="x11-12600010.2.4"></a>Graphic Parameters: Arrow Tips</h5>
+<!--l. 477--><p class="noindent">When you draw a line, you can add arrow tips at the ends. It is only possible to add one arrow tip at the start and
+one at the end. If the path consists of several segments, only the last segment gets arrow tips. The behavior for
+paths that are closed is not specified and may change in the future.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">arrows</span><a
+ id="dx11-126001"></a><a
+ id="dx11-126002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start arrow kind</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end arrow kind</span><span
+class="cmsy-10">&gt;</span> This option sets the start and end arrow tips (an empty
+ value as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-&gt;</span></span></span> indicates that no arrow tip should be drawn at the start).<a
+ id="dx11-126003"></a><a
+ id="dx11-126004"></a>
+ <!--l. 490--><p class="noindent"><span
+class="cmti-10">Note: Since the arrow option is so often used, you can leave out the text </span><span class="obeylines-h"><span class="verb"><span
+class="cmitt-10">arrows=</span></span></span><span
+class="cmti-10">. </span>What happens is
+ that every option that contains a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-</span></span></span> is interpreted as an arrow specification.
+ <!--l. 493--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-191-" ><colgroup id="TBL-191-1g"><col
+id="TBL-191-1"><col
+id="TBL-191-2"></colgroup><tr
+ valign="baseline" id="TBL-191-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-191-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-189.svg" width="28.85274pt" height="8.9359pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-191-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[o-stealth]</span><span
+class="cmtt-8">&nbsp;(0,0.3)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0.3);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 500--><p class="noindent">The permissible values are all predefined arrow tips, though you can also define new arrow tip kinds as
+ explained in Section&nbsp;<a
+href="pgfmanualse24.html#x25-25200024">24<!--tex4ht:ref: section-arrows --></a>. This is often necessary to obtain &#8220;double&#8221; arrow tips and arrow tips that have a fixed
+ size. Since <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryarrows</span></span></span> is loaded by default, all arrow tips described in Section&nbsp;<a
+href="pgfmanualse14.html#x15-16000014.1">14.1<!--tex4ht:ref: section-library-arrows --></a> are
+ available.
+
+
+ <!--l. 507--><p class="noindent">One arrow tip kind is special: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span> (and all arrow tip kinds containing the arrow tip kind such as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;&lt;</span></span></span>
+ or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;|</span></span></span>). This arrow tip type is not fixed. Rather, you can redefine it using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=</span></span></span> option, see
+ below.
+ <!--l. 512--><p class="noindent"><span
+class="cmti-10">Example: </span>You can also combine arrow tip types as in
+ <!--l. 513--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-192-" ><colgroup id="TBL-192-1g"><col
+id="TBL-192-1"><col
+id="TBL-192-2"></colgroup><tr
+ valign="baseline" id="TBL-192-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-192-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-190.svg" width="102.83003pt" height="34.14363pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-192-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[to</span><span
+class="cmtt-8">&nbsp;reversed-to]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(.5,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-.5,-.5)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;+(1.5,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[[-latex</span><span
+class="cmtt-8">&nbsp;reversed]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(.5,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-.5,-.5)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;+(1.5,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[latex-)]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(.5,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-.5,-.5)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;+(1.5,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-.1,-.1)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.1,1.1);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;bigger</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">&gt;</span><a
+ id="dx11-126005"></a><a
+ id="dx11-126006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end arrow kind</span><span
+class="cmsy-10">&gt; </span>This option can be used to redefine the &#8220;standard&#8221; arrow tip <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span>. The idea is that different
+ people have different ideas what arrow tip kind should normally be used. I prefer the arrow tip of <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\to</span></span></span>
+ command (which is used in things like <span
+class="cmmi-10">f</span> : <span
+class="cmmi-10">A </span><span
+class="cmsy-10"><img
+src="cmsy10-21.gif" alt="--&gt;" class="10x-x-21" /> </span><span
+class="cmmi-10">B</span>). Other people will prefer <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&#8217;s standard arrow tip,
+ which looks like this: <object data="pgfmanual-191.svg" width="10.4pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. Since the arrow tip kind <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span> is certainly the most &#8220;natural&#8221; one to use, it is kept free of
+ any predefined meaning. Instead, you can change it by saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=to</span></span></span> to set the &#8220;standard&#8221; arrow tip kind to
+ <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s arrow tip, whereas <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=latex</span></span></span> will set it to <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&#8217;s arrow tip and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=stealth</span></span></span> will use a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small></span>-like
+ arrow tip.
+ <!--l. 535--><p class="noindent">Apart from redefining the arrow tip kind <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span> (and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;</span></span></span> for the start), this option also redefines the following arrow
+ tip kinds: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;</span></span></span> as the swapped version of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end arrow kind</span><span
+class="cmsy-10">&gt;</span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;&lt;</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;&gt;</span></span></span> as doubled versions,
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;&gt;</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;&lt;</span></span></span> as swapped doubled versions, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">|&lt;</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;|</span></span></span> as arrow tips ending with a vertical
+ bar.
+ <!--l. 541--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-193-" ><colgroup id="TBL-193-1g"><col
+id="TBL-193-1"><col
+id="TBL-193-2"></colgroup><tr
+ valign="baseline" id="TBL-193-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-193-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-192.svg" width="57.30548pt" height="52.0665pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-193-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=2]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[&gt;=latex]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0pt,6ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,6ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[&gt;-&gt;&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0pt,5ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,5ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[|&lt;-&gt;|]</span><span
+class="cmtt-8">&nbsp;(0pt,4ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,4ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[&gt;=diamond]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0pt,2ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,2ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[&gt;-&gt;&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0pt,1ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,1ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[|&lt;-&gt;|]</span><span
+class="cmtt-8">&nbsp;(0pt,0ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1cm,0ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">shorten &gt;</span><a
+ id="dx11-126007"></a><a
+ id="dx11-126008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option will shorten the end of lines by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. If you specify an
+ arrow tip, lines are already shortened a bit such that the arrow tip touches the specified endpoint and does not
+ &#8220;protrude over&#8221; this point. Here is an example:
+ <!--l. 562--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-194-" ><colgroup id="TBL-194-1g"><col
+id="TBL-194-1"><col
+id="TBL-194-2"></colgroup><tr
+ valign="baseline" id="TBL-194-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-194-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-193.svg" width="99.5846pt" height="85.35822pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-194-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=20pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.5,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray,-&gt;]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 570--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shorten</span><span
+class="cmtt-10">&nbsp;&gt;</span></span></span> option allows you to shorten the end on the line <span
+class="cmti-10">additionally </span>by the given distance. This
+ option can also be useful if you have not specified an arrow tip at all.
+ <!--l. 574--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-195-" ><colgroup id="TBL-195-1g"><col
+id="TBL-195-1"><col
+id="TBL-195-2"></colgroup><tr
+ valign="baseline" id="TBL-195-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-195-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-194.svg" width="99.5846pt" height="85.35822pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-195-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=20pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.5,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-to,shorten</span><span
+class="cmtt-8">&nbsp;&gt;=10pt,gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">shorten &lt;</span><a
+ id="dx11-126009"></a><a
+ id="dx11-126010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shorten</span><span
+class="cmtt-10">&nbsp;&gt;</span></span></span>, but for the start.</li></ul>
+<!--l. 588--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.2.5 </span> <a
+ id="x11-12700010.2.5"></a>Graphic Parameters: Double Lines and Bordered Lines</h5>
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">double</span><a
+ id="dx11-127001"></a><a
+ id="dx11-127002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">core color</span><span
+class="cmsy-10">&gt;</span> This option causes &#8220;two&#8221; lines to be drawn instead of a single one. However, this
+ is not what really happens. In reality, the path is drawn twice. First, with the normal drawing color,
+ secondly with the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">core color</span><span
+class="cmsy-10">&gt;</span>, which is normally <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">white</span></span></span>. Upon the second drawing, the line width is
+ reduced. The net effect is that it appears as if two lines had been drawn and this works well even with
+ complicated, curved paths:
+ <!--l. 600--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-196-" ><colgroup id="TBL-196-1g"><col
+id="TBL-196-1"><col
+id="TBL-196-2"></colgroup><tr
+ valign="baseline" id="TBL-196-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-196-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-195.svg" width="37.74825pt" height="29.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-196-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[double]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[smooth</span><span
+class="cmtt-8">&nbsp;cycle]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;(0,1)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 605--><p class="noindent">You can also use the doubling option to create an effect in which a line seems to have a certain
+ &#8220;border&#8221;:
+ <!--l. 608--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-197-" ><colgroup id="TBL-197-1g"><col
+id="TBL-197-1"><col
+id="TBL-197-2"></colgroup><tr
+ valign="baseline" id="TBL-197-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-197-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-196.svg" width="31.45274pt" height="31.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-197-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[draw=white,double=red,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">double distance</span><a
+ id="dx11-127003"></a><a
+ id="dx11-127004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the distance the &#8220;two&#8221; lines are spaced apart (default is 0.6pt). In reality,
+ this is the thickness of the line that is used to draw the path for the second time. The thickness of the <span
+class="cmti-10">first</span>
+ time the path is drawn is twice the normal line width plus the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. As a side-effect, this option
+ &#8220;selects&#8221; the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">double</span></span></span> option.
+ <!--l. 623--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-198-" ><colgroup id="TBL-198-1g"><col
+id="TBL-198-1"><col
+id="TBL-198-2"></colgroup><tr
+ valign="baseline" id="TBL-198-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-198-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-197.svg" width="88.25822pt" height="32.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-198-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick,double]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:90:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick,double</span><span
+class="cmtt-8">&nbsp;distance=2pt]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:90:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thin,double</span><span
+class="cmtt-8">&nbsp;distance=2pt]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:90:1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+
+
+<!--l. 638--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.3 </span> <a
+ id="x11-12800010.3"></a>Filling a Path</h4>
+<!--l. 640--><p class="noindent">To fill a path, use the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">fill</span><a
+ id="dx11-128001"></a><a
+ id="dx11-128002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span> This option causes the path to be filled. All unclosed parts of the path are first closed,
+ if necessary. Then, the area enclosed by the path is filled with the current filling color, which is either
+ the last color set using the general <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option or the optional color <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span>. For self-intersection
+ paths and for paths consisting of several closed areas, the &#8220;enclosed area&#8221; is somewhat complicated to
+ define and two different definitions exist, namely the nonzero winding number rule and the even odd
+ rule, see the explanation of these options, below.
+ <!--l. 653--><p class="noindent">Just as for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option, setting <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">none</span></span></span> disables filling locally.
+ <!--l. 656--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-198.svg" width="298.7538pt" height="42.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-199-" ><colgroup id="TBL-199-1g"><col
+id="TBL-199-1"></colgroup><tr
+ valign="baseline" id="TBL-199-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-199-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(4.5,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[even</span><span
+class="cmtt-8">&nbsp;odd</span><span
+class="cmtt-8">&nbsp;rule]</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(6.5,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(8,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(9,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 665--><p class="noindent">If the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> option is used together with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option (either because both are given as options or because a
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\filldraw</span></span></span> command is used), the path is filled <span
+class="cmti-10">first</span>, then the path is drawn <span
+class="cmti-10">second</span>. This is especially useful if
+ different colors are selected for drawing and for filling. Even if the same color is used, there is a difference
+ between this command and a plain <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span>: A &#8220;filldrawn&#8221; area will be slightly larger than a filled area because of
+ the thickness of the &#8220;pen.&#8221;
+ <!--l. 674--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-199.svg" width="303.7538pt" height="47.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-200-" ><colgroup id="TBL-200-1g"><col
+id="TBL-200-1"></colgroup><tr
+ valign="baseline" id="TBL-200-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-200-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[fill=examplefill,line</span><span
+class="cmtt-8">&nbsp;width=5pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(4.5,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[even</span><span
+class="cmtt-8">&nbsp;odd</span><span
+class="cmtt-8">&nbsp;rule]</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(6.5,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;(8,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(9,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+<!--l. 685--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.3.1 </span> <a
+ id="x11-12900010.3.1"></a>Graphic Parameters: Interior Rules</h5>
+<!--l. 687--><p class="noindent">The following two options can be used to decide how interior points should be determined:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">nonzero rule</span><a
+ id="dx11-129001"></a><a
+ id="dx11-129002"></a> If this rule is used (which is the default), the following method is used to determine
+ whether a given point is &#8220;inside&#8221; the path: From the point, shoot a ray in some direction towards
+ infinity (the direction is chosen such that no strange borderline cases occur). Then the ray may hit
+ the path. Whenever it hits the path, we increase or decrease a counter, which is initially zero. If the
+ ray hits the path as the path goes &#8220;from left to right&#8221; (relative to the ray), the counter is increased,
+ otherwise it is decreased. Then, at the end, we check whether the counter is nonzero (hence the name).
+ If so, the point is deemed to lie &#8220;inside,&#8221; otherwise it is &#8220;outside.&#8221; Sounds complicated? It is.
+
+
+ <!--l. 703--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-201-" ><colgroup id="TBL-201-1g"><col
+id="TBL-201-1"><col
+id="TBL-201-2"></colgroup><tr
+ valign="baseline" id="TBL-201-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-201-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-200.svg" width="104.08243pt" height="143.72633pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-201-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Clockwise</span><span
+class="cmsltt-10x-x-80">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Counter-clockwise</span><span
+class="cmsltt-10x-x-80">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0.25,0.25)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.75,0.25)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.75,0.75)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.25,0.75)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;(.4,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0.75,0.75)</span><span
+class="cmtt-8">&nbsp;(0.3,.75);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{crossings:</span><span
+class="cmtt-8">&nbsp;$-1+1</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;0$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[yshift=-3cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Clockwise</span><span
+class="cmsltt-10x-x-80">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Clockwise</span><span
+class="cmsltt-10x-x-80">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0.25,0.25)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.25,0.75)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.75,0.75)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.75,0.25)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;(.4,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0.25,0.75)</span><span
+class="cmtt-8">&nbsp;(0.4,.75);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{crossings:</span><span
+class="cmtt-8">&nbsp;$1+1</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;2$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">even odd rule</span><a
+ id="dx11-129003"></a><a
+ id="dx11-129004"></a> This option causes a different method to be used for determining the inside and outside of
+ paths. While it is less flexible, it turns out to be more intuitive.
+ <!--l. 736--><p class="noindent">With this method, we also shoot rays from the point for which we wish to determine whether it is inside or
+ outside the filling area. However, this time we only count how often we &#8220;hit&#8221; the path and declare the point to
+ be &#8220;inside&#8221; if the number of hits is odd.
+ <!--l. 741--><p class="noindent">Using the even-odd rule, it is easy to &#8220;drill holes&#8221; into a path.
+ <!--l. 743--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-202-" ><colgroup id="TBL-202-1g"><col
+id="TBL-202-1"><col
+id="TBL-202-2"></colgroup><tr
+ valign="baseline" id="TBL-202-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-202-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-201.svg" width="91.86029pt" height="58.36807pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-202-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill,even</span><span
+class="cmtt-8">&nbsp;odd</span><span
+class="cmtt-8">&nbsp;rule]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.4cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;[above]</span><span
+class="cmtt-8">&nbsp;node{crossings:</span><span
+class="cmtt-8">&nbsp;$1+1</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;2$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 754--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.3.2 </span> <a
+ id="x11-13000010.3.2"></a>Graphic Parameters: Fill Opacity</h5>
+<!--l. 757--><p class="noindent">Analogously to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span><span
+class="cmtt-10">&nbsp;opacity</span></span></span>, you can also set the filling opacity:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">fill opacity</span><a
+ id="dx11-130001"></a><a
+ id="dx11-130002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>This option sets the opacity of fillings. In addition to filling operations, this
+ opacity also applies to text and images.
+ <!--l. 765--><p class="noindent">Note, again, that when you use PostScript as your output format, this option works only with recent
+ versions of GhostScript.
+ <!--l. 768--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-203-" ><colgroup id="TBL-203-1g"><col
+id="TBL-203-1"><col
+id="TBL-203-2"></colgroup><tr
+ valign="baseline" id="TBL-203-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-203-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-202.svg" width="111.76569pt" height="118.36829pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-203-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick,fill</span><span
+class="cmtt-8">&nbsp;opacity=0.5]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0:1cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(12mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green]</span><span
+class="cmtt-8">&nbsp;(120:1cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(12mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(-120:1cm)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(12mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 776--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-204-" ><colgroup id="TBL-204-1g"><col
+id="TBL-204-1"><col
+id="TBL-204-2"></colgroup><tr
+ valign="baseline" id="TBL-204-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-204-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-203.svg" width="105.99927pt" height="77.74084pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-204-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{\huge</span><span
+class="cmtt-8">&nbsp;A};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[fill</span><span
+class="cmtt-8">&nbsp;opacity=0.5]</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(3,2)</span><span
+class="cmtt-8">&nbsp;{\huge</span><span
+class="cmtt-8">&nbsp;B};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 787--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.4 </span> <a
+ id="x11-13100010.4"></a>Shading a Path</h4>
+<!--l. 789--><p class="noindent">You can shade a path using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> option. A shading is like a filling, only the shading changes its color smoothly
+from one color to another.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">shade</span><a
+ id="dx11-131001"></a><a
+ id="dx11-131002"></a> Causes the path to be shaded using the currently selected shading (more on this later). If this
+ option is used together with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option, then the path is first shaded, then drawn.
+ <!--l. 799--><p class="noindent">It is not an error to use this option together with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> option, but it makes no sense.
+ <!--l. 802--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-205-" ><colgroup id="TBL-205-1g"><col
+id="TBL-205-1"><col
+id="TBL-205-2"></colgroup><tr
+ valign="baseline" id="TBL-205-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-205-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-204.svg" width="8.61108pt" height="8.61108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-205-1-2"
+class="td11"><table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shade</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 806--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-206-" ><colgroup id="TBL-206-1g"><col
+id="TBL-206-1"><col
+id="TBL-206-2"></colgroup><tr
+ valign="baseline" id="TBL-206-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-206-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-205.svg" width="9.01108pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-206-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+<!--l. 811--><p class="indent"> For some shadings it is not really clear how they can &#8220;fill&#8221; the path. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span></span></span> shading normally
+looks like this: <object data="pgfmanual-206.svg" width="6.45831pt" height="6.45831pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. How is this supposed to shade a rectangle? Or a triangle?
+
+
+<!--l. 816--><p class="indent"> To solve this problem, the predefined shadings like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">axis</span></span></span> fill a large rectangle completely in a sensible
+way. Then, when the shading is used to &#8220;shade&#8221; a path, what actually happens is that the path is temporarily used
+for clipping and then the rectangular shading is drawn, scaled and shifted such that all parts of the path are
+filled.
+<!--l. 824--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.4.1 </span> <a
+ id="x11-13200010.4.1"></a>Choosing a Shading Type</h5>
+<!--l. 826--><p class="noindent">The default shading is a smooth transition from gray to white and from above to bottom. However, other shadings
+are also possible, for example a shading that will sweep a color from the center to the corners outward. To choose
+the shading, you can use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shading=</span></span></span> option, which will also automatically invoke the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> option. Note that this
+does <span
+class="cmti-10">not </span>change the shading color, only the way the colors sweep. For changing the colors, other options are needed,
+which are explained below.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">shading</span><a
+ id="dx11-132001"></a><a
+ id="dx11-132002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>This selects a shading named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>. The following shadings are predefined:
+ <ul class="itemize2">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">axis</span></span></span> This is the default shading in which the color changes gradually between three horizontal
+ lines. The top line is at the top (uppermost) point of the path, the middle is in the middle, the
+ bottom line is at the bottom of the path.
+ <!--l. 846--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-207-" ><colgroup id="TBL-207-1g"><col
+id="TBL-207-1"><col
+id="TBL-207-2"></colgroup><tr
+ valign="baseline" id="TBL-207-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-207-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-207.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-207-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;[shading=axis]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 850--><p class="noindent">The default top color is gray, the default bottom color is white, the default middle is the &#8220;middle&#8221; of
+ these two.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">radial</span></span></span> This shading fills the path with a gradual sweep from a certain color in the middle to another
+ color at the border. If the path is a circle, the outer color will be reached exactly at the border. If the
+ shading is not a circle, the outer color will continue a bit towards the corners. The default inner color is
+ gray, the default outer color is white.
+ <!--l. 860--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-208-" ><colgroup id="TBL-208-1g"><col
+id="TBL-208-1"><col
+id="TBL-208-2"></colgroup><tr
+ valign="baseline" id="TBL-208-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-208-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-208.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-208-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;[shading=radial]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span></span></span> This shading fills the path with a shading that &#8220;looks like a ball.&#8221; The default &#8220;color&#8221; of the ball is
+ blue (for no particular reason).
+ <!--l. 868--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-209-" ><colgroup id="TBL-209-1g"><col
+id="TBL-209-1"><col
+id="TBL-209-2"></colgroup><tr
+ valign="baseline" id="TBL-209-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-209-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-209.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-209-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;[shading=ball]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 872--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-210-" ><colgroup id="TBL-210-1g"><col
+id="TBL-210-1"><col
+id="TBL-210-2"></colgroup><tr
+ valign="baseline" id="TBL-210-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-210-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-210.svg" width="28.85272pt" height="28.85272pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-210-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;[shading=ball]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">shading angle</span><a
+ id="dx11-132003"></a><a
+ id="dx11-132004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degrees</span><span
+class="cmsy-10">&gt; </span>This option rotates the shading (not the path!) by the given angle. For
+ example, we can turn a top-to-bottom axis shading into a left-to-right shading by rotating it by
+ 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ <!--l. 881--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-211-" ><colgroup id="TBL-211-1g"><col
+id="TBL-211-1"><col
+id="TBL-211-2"></colgroup><tr
+ valign="baseline" id="TBL-211-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-211-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-211.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-211-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\shadedraw</span><span
+class="cmtt-8">&nbsp;[shading=axis,shading</span><span
+class="cmtt-8">&nbsp;angle=90]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li></ul>
+<!--l. 887--><p class="indent"> You can also define new shading types yourself. However, for this, you need to use the basic layer directly, which
+is, well, more basic and harder to use. Details on how to create a shading appropriate for filling paths are given in
+Section&nbsp;<a
+href="pgfmanualse28.html#x29-28900028.3">28.3<!--tex4ht:ref: section-shading-a-path --></a>.
+<!--l. 894--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">10.4.2 </span> <a
+ id="x11-13300010.4.2"></a>Choosing a Shading Color</h5>
+<!--l. 896--><p class="noindent">The following options can be used to change the colors used for shadings. When one of these options is given, the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> option is automatically selected and also the &#8220;right&#8221; shading.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">top color</span><a
+ id="dx11-133001"></a><a
+ id="dx11-133002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option prescribes the color to be used at the top in an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">axis</span></span></span> shading. When this
+ option is given, several things happen:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x11-133004x1"></a>The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> option is selected.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x11-133006x2"></a>The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shading=axis</span></span></span> option is selected.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x11-133008x3"></a>The middle color of the axis shading is set to the average of the given top color <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>and of
+ whatever color is currently selected for the bottom.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x11-133010x4"></a>The rotation angle of the shading is set to 0.</li></ol>
+ <!--l. 917--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-212-" ><colgroup id="TBL-212-1g"><col
+id="TBL-212-1"><col
+id="TBL-212-2"></colgroup><tr
+ valign="baseline" id="TBL-212-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-212-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-212.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-212-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[top</span><span
+class="cmtt-8">&nbsp;color=red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">bottom color</span><a
+ id="dx11-133011"></a><a
+ id="dx11-133012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">top</span><span
+class="cmtt-10">&nbsp;color</span></span></span>, only for the bottom color.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">middle color</span><a
+ id="dx11-133013"></a><a
+ id="dx11-133014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option specifies the color for the middle of an axis shading. It also sets the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span>
+ and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shading=axis</span></span></span> options, but it does not change the rotation angle.
+ <!--l. 929--><p class="noindent"><span
+class="cmti-10">Note: </span>Since both <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">top</span><span
+class="cmtt-10">&nbsp;color</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bottom</span><span
+class="cmtt-10">&nbsp;color</span></span></span> change the middle color, this option should be given <span
+class="cmti-10">last </span>if all
+ of these options need to be given:
+ <!--l. 933--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-213-" ><colgroup id="TBL-213-1g"><col
+id="TBL-213-1"><col
+id="TBL-213-2"></colgroup><tr
+ valign="baseline" id="TBL-213-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-213-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-213.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-213-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[top</span><span
+class="cmtt-8">&nbsp;color=white,bottom</span><span
+class="cmtt-8">&nbsp;color=black,middle</span><span
+class="cmtt-8">&nbsp;color=red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">left color</span><a
+ id="dx11-133015"></a><a
+ id="dx11-133016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option does exactly the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">top</span><span
+class="cmtt-10">&nbsp;color</span></span></span>, except that the shading angle is set to
+ 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">right color</span><a
+ id="dx11-133017"></a><a
+ id="dx11-133018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">left</span><span
+class="cmtt-10">&nbsp;color</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">inner color</span><a
+ id="dx11-133019"></a><a
+ id="dx11-133020"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option sets the color used at the center of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">radial</span></span></span> shading. When this option is
+ used, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shading=radial</span></span></span> options are set.
+ <!--l. 950--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-214-" ><colgroup id="TBL-214-1g"><col
+id="TBL-214-1"><col
+id="TBL-214-2"></colgroup><tr
+ valign="baseline" id="TBL-214-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-214-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-214.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-214-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[inner</span><span
+class="cmtt-8">&nbsp;color=red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer color</span><a
+ id="dx11-133021"></a><a
+ id="dx11-133022"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option sets the color used at the border and outside of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">radial</span></span></span>
+ shading.
+ <!--l. 958--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-215-" ><colgroup id="TBL-215-1g"><col
+id="TBL-215-1"><col
+id="TBL-215-2"></colgroup><tr
+ valign="baseline" id="TBL-215-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-215-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-215.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-215-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[outer</span><span
+class="cmtt-8">&nbsp;color=red,inner</span><span
+class="cmtt-8">&nbsp;color=white]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">ball color</span><a
+ id="dx11-133023"></a><a
+ id="dx11-133024"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>This option sets the color used for the ball shading. It sets the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shading=ball</span></span></span>
+ options. Note that the ball will never &#8220;completely&#8221; have the color <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span>. At its &#8220;highlight&#8221; spot a certain
+ amount of white is mixed in, at the border a certain amount of black. Because of this, it also makes sense to
+ say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span><span
+class="cmtt-10">&nbsp;color=white</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span><span
+class="cmtt-10">&nbsp;color=black</span></span></span>
+ <!--l. 971--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-216-" ><colgroup id="TBL-216-1g"><col
+id="TBL-216-1"><col
+id="TBL-216-2"></colgroup><tr
+ valign="baseline" id="TBL-216-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-216-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-216.svg" width="74.12766pt" height="17.22217pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-216-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[ball</span><span
+class="cmtt-8">&nbsp;color=white]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[ball</span><span
+class="cmtt-8">&nbsp;color=red]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2ex);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[ball</span><span
+class="cmtt-8">&nbsp;color=black]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2ex);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 983--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.5 </span> <a
+ id="x11-13400010.5"></a>Establishing a Bounding Box</h4>
+<!--l. 985--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is reasonably good at keeping track of the size of your picture and reserving just the right amount of
+space for it in the main document. However, in some cases you may want to say things like &#8220;do not
+count this for the picture size&#8221; or &#8220;the picture is actually a little large.&#8221; For this you can use the
+option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box</span></span></span> or the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\useasboundingbox</span></span></span>, which is just a shorthand for
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box]</span></span></span>.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">use as bounding box</span><a
+ id="dx11-134001"></a><a
+ id="dx11-134002"></a> Normally, when this option is given on a path, the bounding box of the present
+ path is used to determine the size of the picture and the size of all <span
+class="cmti-10">subsequent </span>paths are ignored.
+ However, if there were previous path operations that have already established a larger bounding box,
+ it will not be made smaller by this operation.
+ <!--l. 1002--><p class="noindent">In a sense, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box</span></span></span> has the same effect as clipping all subsequent drawing against the
+ current path--without actually doing the clipping, only making <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;treat everything as if it were
+ clipped.
+ <!--l. 1007--><p class="noindent">The first application of this option is to have a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> overlap with the main text:
+ <!--l. 1010--><p class="noindent"><div class="obeylines-v"></div>Left of picture<object data="pgfmanual-217.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>right of picture.<!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-217-" ><colgroup id="TBL-217-1g"><col
+id="TBL-217-1"></colgroup><tr
+ valign="baseline" id="TBL-217-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-217-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Left</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;picture\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[use</span><span
+class="cmtt-8">&nbsp;as</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,.75);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}right</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;picture.</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 1017--><p class="noindent">In a second application this option can be used to get better control over the white space around the
+ picture:
+ <!--l. 1020--><p class="noindent"><div class="obeylines-v"></div>Left of picture<object data="pgfmanual-218.svg" width="85.35823pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>right of picture.<!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-218-" ><colgroup id="TBL-218-1g"><col
+id="TBL-218-1"></colgroup><tr
+ valign="baseline" id="TBL-218-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-218-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Left</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;picture</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(.75,.25)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span>
+<br><span
+class="cmtt-8">right</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;picture.</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+
+
+ <!--l. 1029--><p class="noindent">Note: If this option is used on a path inside a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group (scope), the effect &#8220;lasts&#8221; only till the end of the
+ scope. Again, this behavior is the same as for clipping.</li></ul>
+<!--l. 1034--><p class="indent"> There is a node that allows you to get the size of the current bounding box. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">current</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box</span></span></span> node
+has the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape and its size is always the size of the current bounding
+box.
+<!--l. 1040--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-219-" ><colgroup id="TBL-219-1g"><col
+id="TBL-219-1"><col
+id="TBL-219-2"></colgroup><tr
+ valign="baseline" id="TBL-219-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-219-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-219.svg" width="92.75821pt" height="65.30547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-219-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(3pt);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.south</span><span
+class="cmtt-8">&nbsp;west)</span><span
+class="cmtt-8">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.north</span><span
+class="cmtt-8">&nbsp;east);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(3,-1)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(4pt);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick]</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.south</span><span
+class="cmtt-8">&nbsp;west)</span><span
+class="cmtt-8">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.north</span><span
+class="cmtt-8">&nbsp;east);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1059--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">10.6 </span> <a
+ id="x11-13500010.6"></a>Using a Path For Clipping</h4>
+<!--l. 1061--><p class="noindent">To use a path for clipping, use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> option.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">clip</span><a
+ id="dx11-135001"></a><a
+ id="dx11-135002"></a> This option causes all subsequent drawings to be clipped against the current path and the size of
+ subsequent paths will not be important for the picture size. If you clip against a self-intersecting path,
+ the even-odd rule or the nonzero winding number rule is used to determine whether a point is inside
+ or outside the clipping region.
+ <!--l. 1071--><p class="noindent">The clipping path is a graphic state parameter, so it will be reset at the end of the current scope.
+ Multiple clippings accumulate, that is, clipping is always done against the intersection of all clipping
+ areas that have been specified inside the current scopes. The only way of enlarging the clipping area
+ is to end a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span>.
+ <!--l. 1077--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-220-" ><colgroup id="TBL-220-1g"><col
+id="TBL-220-1"><col
+id="TBL-220-2"></colgroup><tr
+ valign="baseline" id="TBL-220-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-220-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-220.svg" width="57.30548pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-220-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[clip]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 1084--><p class="noindent">It is usually a <span
+class="cmti-10">very </span>good idea to apply the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> option only to the first path command in a
+ scope.
+ <!--l. 1087--><p class="noindent">If you &#8220;only wish to clip&#8221; and do not wish to draw anything, you can use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> command, which is a
+ shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[clip]</span></span></span>.
+
+
+ <!--l. 1090--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-221-" ><colgroup id="TBL-221-1g"><col
+id="TBL-221-1"><col
+id="TBL-221-2"></colgroup><tr
+ valign="baseline" id="TBL-221-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-221-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-221.svg" width="56.90549pt" height="56.90549pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-221-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 1097--><p class="noindent">To keep clipping local, use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environments as in the following example:
+ <!--l. 1100--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-222-" ><colgroup id="TBL-222-1g"><col
+id="TBL-222-1"><col
+id="TBL-222-2"></colgroup><tr
+ valign="baseline" id="TBL-222-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-222-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-222.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-222-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(</span><span
+class="cmtt-8">&nbsp;0:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(20:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(30:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[fill=red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[clip]</span><span
+class="cmtt-8">&nbsp;(0.2,0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0.5,0.5);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(40:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(50:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(60:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(70:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(80:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(90:1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 1119--><p class="noindent">There is a slightly annoying catch: You cannot specify certain graphic options for the command used for
+ clipping. For example, in the above code we could not have moved the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill=red</span></span></span> to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\fill</span></span></span> command. The
+ reasons for this have to do with the internals of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;specification. You do not want to know the details. It
+ is best simply not to specify any options for these commands.</li></ul>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse11.html" >next</a>] [<a
+href="pgfmanualse9.html" >prev</a>] [<a
+href="pgfmanualse9.html#tailpgfmanualse9.html" >prev-tail</a>] [<a
+href="pgfmanualse10.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse10.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse10.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse11.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse11.html
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@@ -0,0 +1,2727 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>11 Nodes</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse12.html" >next</a>] [<a
+href="pgfmanualse10.html" >prev</a>] [<a
+href="pgfmanualse10.html#tailpgfmanualse10.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse11.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse11.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">11 </span> <a
+ id="x12-13600011"></a>Nodes</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.1 </span> <a
+ id="x12-13700011.1"></a>Nodes and Their Shapes</h4>
+<!--l. 14--><p class="noindent">Ti<span
+class="cmti-10">k</span>Z&nbsp;offers an easy way of adding so-called <span
+class="cmti-10">nodes </span>to your pictures. In the simplest case, a node is just some text
+that is placed at some coordinate. However, a node can also have a border drawn around it or have a more complex
+background and foreground. Indeed, some nodes do not have a text at all, but consist solely of the background. You
+can name nodes so that you can reference their coordinates later in the picture. However, <span
+class="cmti-10">nodes cannot be referenced</span>
+<span
+class="cmti-10">across different pictures</span>.
+<!--l. 23--><p class="indent"> There are no special <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;commands for adding a node to a picture; rather, there is path operation called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span>
+for this. Nodes are created whenever Ti<span
+class="cmti-10">k</span>Z&nbsp;encounters <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> at a point on a path where it would
+expect a normal path operation (like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span><span
+class="cmtt-10">&nbsp;(1,1)</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span><span
+class="cmtt-10">&nbsp;(1,1)</span></span></span>). It is also possible to give node specifications <span
+class="cmti-10">inside</span>
+certain path operations as explained later.
+<!--l. 30--><p class="indent"> The node operation is typically followed by some options, which apply only to the node. Then, you can
+optionally <span
+class="cmti-10">name </span>the node by providing a name in round braces. Lastly, for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation you must provide
+some label text for the node in curly braces, while for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> operation you may not. The node is placed at
+the current position of the path <span
+class="cmti-10">after the path has been drawn</span>. Thus, all nodes are drawn &#8220;on top&#8221; of the path and
+retained until the path is complete. If there are several nodes on a path, they are drawn on top of the path in the
+order they are encountered.
+<!--l. 41--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-223-" ><colgroup id="TBL-223-1g"><col
+id="TBL-223-1"><col
+id="TBL-223-2"></colgroup><tr
+ valign="baseline" id="TBL-223-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-223-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-223.svg" width="84.6049pt" height="70.51587pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-223-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{first</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{second</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{third</span><span
+class="cmtt-8">&nbsp;node};</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 48--><p class="indent"> The syntax for specifying nodes is the following:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox82"><span id="textcolor83"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">node</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span>&nbsp;<span id="textcolor84">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx12-137001"></a>
+<a
+ id="dx12-137002"></a>
+ <!--l. 51--><p class="noindent">The effect of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at</span></span></span> is to place the node at the coordinate given after <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at</span></span></span> and not, as would normally be the
+ case, at the last position. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at</span></span></span> syntax is not available when a node is given inside a path operation
+ (it would not make any sense, there).
+ <!--l. 56--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> is a name for later reference and it is optional. You may also add the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">name=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>
+ to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">option</span><span
+class="cmsy-10">&gt; </span>list; it has the same effect.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">name</span><a
+ id="dx12-137003"></a><a
+ id="dx12-137004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt; </span>assigns a name to the node for later reference. Since this is a &#8220;high-level&#8221; name
+ (drivers never know of it), you can use spaces, number, letters, or whatever you like when naming
+ a node. Thus, you can name a node just <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span> or perhaps <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">start</span><span
+class="cmtt-10">&nbsp;of</span><span
+class="cmtt-10">&nbsp;chart</span></span></span> or even <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">y_1</span></span></span>. Your node
+ name should <span
+class="cmti-10">not </span>contain any punctuation like a dot, a comma, or a colon since these are used to
+ detect what kind of coordinate you mean when you reference a node.</li></ul>
+
+
+ <!--l. 71--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>is an optional list of options that <span
+class="cmti-10">apply only to the node </span>and have no effect outside. The other
+ way round, most &#8220;outside&#8221; options also apply to the node, but not all. For example, the &#8220;outside&#8221; rotation
+ does not apply to nodes (unless some special options are used, sigh). Also, the outside path action, like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span>
+ or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span>, never applies to the node and must be given in the node (unless some special other options are used,
+ deep sigh).
+ <!--l. 79--><p class="noindent">As mentioned before, we can add a border and even a background to a node:
+ <!--l. 81--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-224-" ><colgroup id="TBL-224-1g"><col
+id="TBL-224-1"><col
+id="TBL-224-2"></colgroup><tr
+ valign="baseline" id="TBL-224-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-224-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-224.svg" width="85.5049pt" height="71.21587pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-224-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{first</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node[draw]</span><span
+class="cmtt-8">&nbsp;{second</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;node[fill=red!20,draw,double,rounded</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;{third</span><span
+class="cmtt-8">&nbsp;node};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 88--><p class="noindent">The &#8220;border&#8221; is actually just a special case of a much more general mechanism. Each node has a certain <span
+class="cmti-10">shape</span>
+ which, by default, is a rectangle. However, we can also ask Ti<span
+class="cmti-10">k</span>Z&nbsp;to use a circle shape instead or an ellipse
+ shape (you have to include <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryshapes</span></span></span> for the latter shape):
+ <!--l. 94--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-225-" ><colgroup id="TBL-225-1g"><col
+id="TBL-225-1"><col
+id="TBL-225-2"></colgroup><tr
+ valign="baseline" id="TBL-225-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-225-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-225.svg" width="97.92332pt" height="90.71239pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-225-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node{first</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node[ellipse,draw]</span><span
+class="cmtt-8">&nbsp;{second</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;node[circle,fill=red!20]</span><span
+class="cmtt-8">&nbsp;{third</span><span
+class="cmtt-8">&nbsp;node};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 101--><p class="noindent">In the future, there might be much more complicated shapes available such as, say, a shape for a
+ resistor or a shape for a state of a finite automaton or a shape for a <span
+class="cmcsc-10"><small
+class="small-caps">U</small><small
+class="small-caps">M</small><small
+class="small-caps">L</small> </span>class. Unfortunately,
+ creating new shapes is a bit tricky and makes it necessary to use the basic layer directly. Life is
+ hard.
+ <!--l. 107--><p class="noindent">To select the shape of a node, the following option is used:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">shape</span><a
+ id="dx12-137005"></a><a
+ id="dx12-137006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape name</span><span
+class="cmsy-10">&gt; </span>select the shape either of the current node or, when this option is not given
+ inside a node but somewhere outside, the shape of all nodes in the current scope.<a
+ id="dx12-137007"></a><a
+ id="dx12-137008"></a>
+ <!--l. 115--><p class="noindent">Since this option is used often, you can leave out the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shape=</span></span></span>. When Ti<span
+class="cmti-10">k</span>Z&nbsp;encounters an option
+ like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span> that it does not know, it will, after everything else has failed, check whether this
+ option is the name of some shape. If so, that shape is selected as if you had said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shape=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape</span>
+ <span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 121--><p class="noindent">By default, the following shapes are available: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>, and, when the
+ package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryshapes</span></span></span> is loaded, also <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span>. Details of these shapes, like their anchors
+ and size options, are discussed in Section&nbsp;<a
+href="#x12-14600011.8">11.8<!--tex4ht:ref: section-the-shapes --></a>.</li></ul>
+ <!--l. 127--><p class="noindent">The following styles influences how nodes are rendered:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every node</span><a
+ id="dx12-137009"></a><a
+ id="dx12-137010"></a> This style is installed at the beginning of every node.
+
+
+ <!--l. 131--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-226-" ><colgroup id="TBL-226-1g"><col
+id="TBL-226-1"><col
+id="TBL-226-2"></colgroup><tr
+ valign="baseline" id="TBL-226-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-226-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-226.svg" width="42.81036pt" height="42.352pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-226-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">shape</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node</span><a
+ id="dx12-137011"></a><a
+ id="dx12-137012"></a> These styles are installed at the beginning of a node of a given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape</span><span
+class="cmsy-10">&gt;</span>. For
+ example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">every</span><span
+class="cmtt-10">&nbsp;rectangle</span><span
+class="cmtt-10">&nbsp;node</span></span></span> is used for rectangle nodes, and so on.
+ <!--l. 142--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-227-" ><colgroup id="TBL-227-1g"><col
+id="TBL-227-1"><col
+id="TBL-227-2"></colgroup><tr
+ valign="baseline" id="TBL-227-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-227-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-227.svg" width="46.05266pt" height="45.71931pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-227-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;node}=[draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;node}=</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[draw,double]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[rectangle]</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node[circle]</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </dd></dl>
+<!--l. 152--><p class="indent"> The is a special syntax for specifying &#8220;light-weighed&#8221; nodes:
+<!--l. 154--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox85"><span id="textcolor86"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">coordinate</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>&nbsp;<span id="textcolor87">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx12-137013"></a>
+<a
+ id="dx12-137014"></a>
+ <!--l. 155--><p class="noindent">This has the same effect as
+ <!--l. 157--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node[shape=coordinate][</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">](</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)at(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">){}</span></span></span>,
+ <!--l. 159--><p class="noindent">where the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">at</span></span></span> part might be missing. </dd></dl>
+<!--l. 164--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.2 </span> <a
+ id="x12-13800011.2"></a>Multi-Part Nodes</h4>
+<!--l. 166--><p class="noindent">Most nodes just have a single simple text label. However, nodes of a more complicated shapes might be made up
+from several <span
+class="cmti-10">node parts</span>. For example, in automata theory a so-called Moore state has a state name, drawn in the
+upper part of the state circle, and an output text, drawn in the lower part of the state circle. These two parts are
+quite independent. Similarly, a <span
+class="cmcsc-10"><small
+class="small-caps">U</small><small
+class="small-caps">M</small><small
+class="small-caps">L</small> </span>class shape would have a name part, a method part, and an attributes part.
+Different molecule shape might use parts for the different atoms to be drawn at the different positions, and so
+on.
+<!--l. 176--><p class="indent"> Both <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z&nbsp;support such multipart nodes. On the lower level, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;provides a system for specifying
+that a shape consists of several parts. On the Ti<span
+class="cmti-10">k</span>Z&nbsp;level, you specify the different node parts by using the following
+command:
+<!--l. 181--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox88"><span
+class="cmtt-10">\nodepart</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">part name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx12-138001"></a>
+ <!--l. 182--><p class="noindent">This command can only be used inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>argument of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> path operation. It works a little
+ bit like a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\part</span></span></span> command in <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>. It will stop the typesetting of whatever node part was typeset
+ until now and then start putting all following text into the node part named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">part name</span><span
+class="cmsy-10">&gt;</span>--until another
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\partname</span></span></span> is encountered or until the node <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>ends.
+
+
+ <!--l. 189--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-228-" ><colgroup id="TBL-228-1g"><col
+id="TBL-228-1"><col
+id="TBL-228-2"></colgroup><tr
+ valign="baseline" id="TBL-228-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-228-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-228.svg" width="32.57529pt" height="32.57529pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-228-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output,draw,double,fill=red!20]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;No</span><span
+class="cmsltt-10x-x-80">&nbsp;\nodepart</span><span
+class="cmsltt-10x-x-80">&nbsp;has</span><span
+class="cmsltt-10x-x-80">&nbsp;been</span><span
+class="cmsltt-10x-x-80">&nbsp;used,</span><span
+class="cmsltt-10x-x-80">&nbsp;yet.</span><span
+class="cmsltt-10x-x-80">&nbsp;So,</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;following</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;put</span><span
+class="cmsltt-10x-x-80">&nbsp;in</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;``text''</span><span
+class="cmsltt-10x-x-80">&nbsp;node</span><span
+class="cmsltt-10x-x-80">&nbsp;part</span><span
+class="cmsltt-10x-x-80">&nbsp;by</span><span
+class="cmsltt-10x-x-80">&nbsp;default.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$q_1$</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\nodepart{output}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Ok,</span><span
+class="cmsltt-10x-x-80">&nbsp;end</span><span
+class="cmsltt-10x-x-80">&nbsp;``text''</span><span
+class="cmsltt-10x-x-80">&nbsp;part,</span><span
+class="cmsltt-10x-x-80">&nbsp;start</span><span
+class="cmsltt-10x-x-80">&nbsp;``output''</span><span
+class="cmsltt-10x-x-80">&nbsp;part</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$00$</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;output</span><span
+class="cmsltt-10x-x-80">&nbsp;part</span><span
+class="cmsltt-10x-x-80">&nbsp;ended.</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 202--><p class="noindent">You will have to lookup which parts are defined by a shape.
+ <!--l. 204--><p class="noindent">The following styles influences node parts:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">part name</span><span
+class="cmsy-10">&gt; </span><span
+class="cmtt-10">node part</span><a
+ id="dx12-138002"></a><a
+ id="dx12-138003"></a> This style is installed at the beginning of every node part named
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">part name</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 209--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-229-" ><colgroup id="TBL-229-1g"><col
+id="TBL-229-1"><col
+id="TBL-229-2"></colgroup><tr
+ valign="baseline" id="TBL-229-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-229-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-229.svg" width="31.57529pt" height="31.57529pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-229-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;output</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;part}=[red]</span>
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output,draw]</span><span
+class="cmtt-8">&nbsp;{$q_1$</span><span
+class="cmtt-8">&nbsp;\nodepart{output}</span><span
+class="cmtt-8">&nbsp;$00$};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </dd></dl>
+<!--l. 218--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.3 </span> <a
+ id="x12-13900011.3"></a>Options for the Text in Nodes</h4>
+<!--l. 220--><p class="noindent">The simplest option for the text in nodes is its color. Normally, this color is just the last color installed using
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span>, possibly inherited from another scope. However, it is possible to specificly set the color used for text using
+the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">text</span><a
+ id="dx12-139001"></a><a
+ id="dx12-139002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>Sets the color to be used for text labels. A <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option will immediately override this
+ option.
+ <!--l. 229--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-230-" ><colgroup id="TBL-230-1g"><col
+id="TBL-230-1"><col
+id="TBL-230-2"></colgroup><tr
+ valign="baseline" id="TBL-230-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-230-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-230.svg" width="95.84955pt" height="42.46312pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-230-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{red};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[text=red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{red};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;node[above,red]</span><span
+class="cmtt-8">&nbsp;{red};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 238--><p class="indent"> Next, you may wish to adjust the font used for the text. Use the following option for this:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">font</span><a
+ id="dx12-139003"></a><a
+ id="dx12-139004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">font commands</span><span
+class="cmsy-10">&gt; </span>Sets the font used for text labels.
+ <!--l. 243--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-231-" ><colgroup id="TBL-231-1g"><col
+id="TBL-231-1"><col
+id="TBL-231-2"></colgroup><tr
+ valign="baseline" id="TBL-231-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-231-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-231.svg" width="42.84676pt" height="42.46312pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-231-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[font=\itshape]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{italic};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 248--><p class="noindent">A perhaps more useful example is the following:
+ <!--l. 250--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-232-" ><colgroup id="TBL-232-1g"><col
+id="TBL-232-1"><col
+id="TBL-232-2"></colgroup><tr
+ valign="baseline" id="TBL-232-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-232-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-232.svg" width="41.58603pt" height="41.58603pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-232-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;part}=[font=\itshape]</span>
+<br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;output</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;part}=[font=\footnotesize]</span>
+<br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output</span><span
+class="cmtt-8">&nbsp;node}=[draw]</span>
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output]</span><span
+class="cmtt-8">&nbsp;{state</span><span
+class="cmtt-8">&nbsp;\nodepart{output}</span><span
+class="cmtt-8">&nbsp;output};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 259--><p class="indent"> Normally, when a node is typeset, all the text you give in the braces is but in one long line (in an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\hbox</span></span></span>, to be
+precise) and the node will become as wide as necessary.
+<!--l. 263--><p class="indent"> You can change this behaviour using the following options. They allow you to limit the width of a node
+(naturally, at the expense of its height).
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">text width</span><a
+ id="dx12-139005"></a><a
+ id="dx12-139006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option will put the text of a node in a box of the given width (more
+ precisely, in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{minipage}</span></span></span> of this width; for plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;a rudimentary &#8220;minipage emulation&#8221; is used).
+ <!--l. 273--><p class="noindent">If the node text is not as wide as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>, it will nevertheless be put in a box of this width. If it
+ is larger, line breaking will be done.
+ <!--l. 277--><p class="noindent">By default, when this option is given, a ragged right border will be used. This is sensible since, typically, these
+ boxes are narrow and justifying the text looks ugly.
+ <!--l. 280--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-233-" ><colgroup id="TBL-233-1g"><col
+id="TBL-233-1"><col
+id="TBL-233-2"></colgroup><tr
+ valign="baseline" id="TBL-233-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-233-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-233.svg" width="92.0242pt" height="61.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-233-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">text justified</span><a
+ id="dx12-139007"></a><a
+ id="dx12-139008"></a> causes the text to be justified instead of (right)ragged. Use this only with pretty broad
+ nodes.
+ <!--l. 289--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-234-" ><colgroup id="TBL-234-1g"><col
+id="TBL-234-1"><col
+id="TBL-234-2"></colgroup><tr
+ valign="baseline" id="TBL-234-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-234-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-234.svg" width="92.0242pt" height="61.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-234-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm,text</span><span
+class="cmtt-8">&nbsp;justified]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 294--><p class="noindent">In the above example, <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;complains (rightfully) about three very badly typeset lines. (For this
+ manual I asked <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;to stop complaining by using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\hbadness=10000</span></span></span>, but this is a foul deed,
+ indeed.)
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">text ragged</span><a
+ id="dx12-139009"></a><a
+ id="dx12-139010"></a> causes the text to be typeset with a ragged right. This uses the original plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;definition of
+ a ragged right border, in which <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;will try to balance the right border as well as possible. This is the
+ default.
+ <!--l. 303--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-235-" ><colgroup id="TBL-235-1g"><col
+id="TBL-235-1"><col
+id="TBL-235-2"></colgroup><tr
+ valign="baseline" id="TBL-235-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-235-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-235.svg" width="92.0242pt" height="61.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-235-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm,text</span><span
+class="cmtt-8">&nbsp;ragged]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">text badly ragged</span><a
+ id="dx12-139011"></a><a
+ id="dx12-139012"></a> causes the right border to be ragged in the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>-style, in which no balancing
+ occurs. This looks ugly, but it may be useful for very narrow boxes and when you wish to avoid
+ hyphenations.
+ <!--l. 311--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-236-" ><colgroup id="TBL-236-1g"><col
+id="TBL-236-1"><col
+id="TBL-236-2"></colgroup><tr
+ valign="baseline" id="TBL-236-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-236-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-236.svg" width="92.0242pt" height="133.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-236-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm,text</span><span
+class="cmtt-8">&nbsp;badly</span><span
+class="cmtt-8">&nbsp;ragged]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">text centered</span><a
+ id="dx12-139013"></a><a
+ id="dx12-139014"></a> centers the text, but tries to balance the lines.
+ <!--l. 317--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-237-" ><colgroup id="TBL-237-1g"><col
+id="TBL-237-1"><col
+id="TBL-237-2"></colgroup><tr
+ valign="baseline" id="TBL-237-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-237-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-237.svg" width="92.0242pt" height="63.55484pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-237-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm,text</span><span
+class="cmtt-8">&nbsp;centered]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">text badly centered</span><a
+ id="dx12-139015"></a><a
+ id="dx12-139016"></a> centers the text, without balancing the lines.
+ <!--l. 323--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-238-" ><colgroup id="TBL-238-1g"><col
+id="TBL-238-1"><col
+id="TBL-238-2"></colgroup><tr
+ valign="baseline" id="TBL-238-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-238-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-238.svg" width="92.0242pt" height="133.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-238-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill,text</span><span
+class="cmtt-8">&nbsp;width=3cm,text</span><span
+class="cmtt-8">&nbsp;badly</span><span
+class="cmtt-8">&nbsp;centered]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;a</span><span
+class="cmtt-8">&nbsp;demonstration</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;showing</span><span
+class="cmtt-8">&nbsp;how</span><span
+class="cmtt-8">&nbsp;line</span><span
+class="cmtt-8">&nbsp;breaking</span><span
+class="cmtt-8">&nbsp;works.};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 331--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.4 </span> <a
+ id="x12-14000011.4"></a>Placing Nodes Using Anchors</h4>
+<!--l. 333--><p class="noindent">When you place a node at some coordinate, the node is centered on this coordinate by default. This is often
+undesirable and it would be better to have the node to the right or above the actual coordinate.
+<!--l. 337--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;uses a so-called anchoring mechanism to give you a very fine control over the placement. The idea is simple:
+Imaging a node of rectangular shape of a certain size. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;defines numerous anchor positions in the shape. For
+example to upper right corner is called, well, not &#8220;upper right anchor,&#8221; but the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span> anchor of the shape.
+The center of the shape has an anchor called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span> on top of it, and so on. Here are some examples (a complete
+list is given in Section&nbsp;<a
+href="#x12-14600011.8">11.8<!--tex4ht:ref: section-the-shapes --></a>).
+
+
+<!--l. 346--><p class="noindent"><object data="pgfmanual-239.svg" width="201.82925pt" height="70.08255pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 357--><p class="indent"> Now, when you place a node at a certain coordinate, you can ask Ti<span
+class="cmti-10">k</span>Z&nbsp;to place the node shifted around in such
+a way that a certain anchor is at the coordinate. In the following example, we ask Ti<span
+class="cmti-10">k</span>Z&nbsp;to shift the first node such
+that its <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span> anchor is at coordinate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span> and that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">west</span></span></span> anchor of the second node is at coordinate
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>.
+<!--l. 364--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-240.svg" width="136.76814pt" height="49.06831pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-239-" ><colgroup id="TBL-239-1g"><col
+id="TBL-239-1"></colgroup><tr
+ valign="baseline" id="TBL-239-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-239-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[anchor=north</span><span
+class="cmtt-8">&nbsp;east]</span><span
+class="cmtt-8">&nbsp;{first</span><span
+class="cmtt-8">&nbsp;node}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node[anchor=west]</span><span
+class="cmtt-8">&nbsp;{second</span><span
+class="cmtt-8">&nbsp;node};</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 369--><p class="indent"> Since the default anchor is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span>, the default behaviour is to shift the node in such a way that it is centered on
+the current position.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">anchor</span><a
+ id="dx12-140001"></a><a
+ id="dx12-140002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor name</span><span
+class="cmsy-10">&gt; </span>causes the node to be shifted such that it&#8217;s anchor <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor name</span><span
+class="cmsy-10">&gt; </span>lies on the
+ current coordinate.
+ <!--l. 378--><p class="noindent">The only anchor that is present in all shapes is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span>. However, most shapes will at least define
+ anchors in all &#8220;compass directions.&#8221; Furthermore, the standard shapes also define a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">base</span></span></span> anchor, as
+ well as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">base</span><span
+class="cmtt-10">&nbsp;west</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">base</span><span
+class="cmtt-10">&nbsp;east</span></span></span>, for placing things on the baseline of the text.
+ <!--l. 384--><p class="noindent">The standard shapes also define a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mid</span></span></span> anchor (and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mid</span><span
+class="cmtt-10">&nbsp;west</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mid</span><span
+class="cmtt-10">&nbsp;east</span></span></span>). This anchor is half the height of
+ the character &#8220;x&#8221; above the base line. This anchor is useful for vertically centering multiple nodes that have
+ different heights and depth. Here is an example:
+ <!--l. 389--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-240-" ><colgroup id="TBL-240-1g"><col
+id="TBL-240-1"><col
+id="TBL-240-2"></colgroup><tr
+ valign="baseline" id="TBL-240-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-240-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-241.svg" width="119.10612pt" height="127.02264pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-240-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3,transform</span><span
+class="cmtt-8">&nbsp;shape]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;First,</span><span
+class="cmsltt-10x-x-80">&nbsp;center</span><span
+class="cmsltt-10x-x-80">&nbsp;alignment</span><span
+class="cmsltt-10x-x-80">&nbsp;-&gt;</span><span
+class="cmsltt-10x-x-80">&nbsp;wobbles</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[anchor=center]</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{x}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.5,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{y}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{t};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Second,</span><span
+class="cmsltt-10x-x-80">&nbsp;base</span><span
+class="cmsltt-10x-x-80">&nbsp;alignment</span><span
+class="cmsltt-10x-x-80">&nbsp;-&gt;</span><span
+class="cmsltt-10x-x-80">&nbsp;no</span><span
+class="cmsltt-10x-x-80">&nbsp;wobble,</span><span
+class="cmsltt-10x-x-80">&nbsp;but</span><span
+class="cmsltt-10x-x-80">&nbsp;too</span><span
+class="cmsltt-10x-x-80">&nbsp;high</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[anchor=base]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,.5)</span><span
+class="cmtt-8">&nbsp;node{x}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.5,.5)</span><span
+class="cmtt-8">&nbsp;node{y}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,.5)</span><span
+class="cmtt-8">&nbsp;node{t};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Third,</span><span
+class="cmsltt-10x-x-80">&nbsp;mid</span><span
+class="cmsltt-10x-x-80">&nbsp;alignment</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[anchor=mid]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{x}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.5,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{y}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{t};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 401--><p class="indent"> Unfortunately, while perfectly logical, it is often rather counter-intuitive that in order to place a node <span
+class="cmti-10">above </span>a
+given point, you need to specify the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span> anchor. For this reason, there are some useful options that allow you to
+select the standard anchors more intuitively:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">above</span><a
+ id="dx12-140003"></a><a
+ id="dx12-140004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=south</span></span></span>. If the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt; </span>is specified, the node is additionally shifted
+ upwards by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span>.
+
+
+ <!--l. 411--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-241-" ><colgroup id="TBL-241-1g"><col
+id="TBL-241-1"><col
+id="TBL-241-2"></colgroup><tr
+ valign="baseline" id="TBL-241-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-241-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-242.svg" width="31.66602pt" height="15.81038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-241-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{above};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 414--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-242-" ><colgroup id="TBL-242-1g"><col
+id="TBL-242-1"><col
+id="TBL-242-2"></colgroup><tr
+ valign="baseline" id="TBL-242-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-242-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-243.svg" width="31.66602pt" height="17.81038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-242-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[above=2pt]</span><span
+class="cmtt-8">&nbsp;{above};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">above left</span><a
+ id="dx12-140005"></a><a
+ id="dx12-140006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=south</span><span
+class="cmtt-10">&nbsp;east</span></span></span>. If the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt; </span>is specified, the node is additionally
+ shifted upwards and right by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 421--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-243-" ><colgroup id="TBL-243-1g"><col
+id="TBL-243-1"><col
+id="TBL-243-2"></colgroup><tr
+ valign="baseline" id="TBL-243-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-243-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-244.svg" width="51.36604pt" height="15.81038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-243-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[above</span><span
+class="cmtt-8">&nbsp;left]</span><span
+class="cmtt-8">&nbsp;{above</span><span
+class="cmtt-8">&nbsp;left};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 424--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-244-" ><colgroup id="TBL-244-1g"><col
+id="TBL-244-1"><col
+id="TBL-244-2"></colgroup><tr
+ valign="baseline" id="TBL-244-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-244-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-245.svg" width="53.36604pt" height="17.81038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-244-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[above</span><span
+class="cmtt-8">&nbsp;left=2pt]</span><span
+class="cmtt-8">&nbsp;{above</span><span
+class="cmtt-8">&nbsp;left};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">above right</span><a
+ id="dx12-140007"></a><a
+ id="dx12-140008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=south</span><span
+class="cmtt-10">&nbsp;west</span></span></span>.
+ <!--l. 429--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-245-" ><colgroup id="TBL-245-1g"><col
+id="TBL-245-1"><col
+id="TBL-245-2"></colgroup><tr
+ valign="baseline" id="TBL-245-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-245-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-246.svg" width="58.0605pt" height="17.75484pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-245-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[above</span><span
+class="cmtt-8">&nbsp;right]</span><span
+class="cmtt-8">&nbsp;{above</span><span
+class="cmtt-8">&nbsp;right};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">left</span><a
+ id="dx12-140009"></a><a
+ id="dx12-140010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=east</span></span></span>.
+ <!--l. 434--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-246-" ><colgroup id="TBL-246-1g"><col
+id="TBL-246-1"><col
+id="TBL-246-2"></colgroup><tr
+ valign="baseline" id="TBL-246-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-246-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-247.svg" width="23.03264pt" height="13.61038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-246-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{left};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">right</span><a
+ id="dx12-140011"></a><a
+ id="dx12-140012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=west</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">below</span><a
+ id="dx12-140013"></a><a
+ id="dx12-140014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=north</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">below left</span><a
+ id="dx12-140015"></a><a
+ id="dx12-140016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=north</span><span
+class="cmtt-10">&nbsp;east</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">below right</span><a
+ id="dx12-140017"></a><a
+ id="dx12-140018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=north</span><span
+class="cmtt-10">&nbsp;west</span></span></span>.</li></ul>
+<!--l. 448--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.5 </span> <a
+ id="x12-14100011.5"></a>Transformations</h4>
+<!--l. 450--><p class="noindent">It is possible to transform nodes, but, by default, transformations do not apply to nodes. The reason is that you
+usually do <span
+class="cmti-10">not </span>want your text to be scaled or rotated even if the main graphic is transformed. Scaling text is evil,
+rotating slightly less so.
+<!--l. 455--><p class="indent"> However, sometimes you <span
+class="cmti-10">do </span>wish to transform a node, for example, it certainly sometimes makes sense to rotate
+a node by 90 degrees. There are two ways in which you can achieve this:
+<!--l. 459--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x12-141002x1"></a>You can use the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">transform shape</span><a
+ id="dx12-141003"></a><a
+ id="dx12-141004"></a> causes the current &#8220;external&#8221; transformation matrix to be applied to the shape.
+ For example, if you said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz[scale=3]</span></span></span> and then say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node[transform</span><span
+class="cmtt-10">&nbsp;shape]</span><span
+class="cmtt-10">&nbsp;{X}</span></span></span>, you will
+ get a &#8220;huge&#8221; X in your graphic.</li></ul>
+
+
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x12-141006x2"></a>You can give transformation option <span
+class="cmti-10">inside </span>the option list of the node. <span
+class="cmti-10">These </span>transformations always apply to
+ the node.
+ <!--l. 472--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-247-" ><colgroup id="TBL-247-1g"><col
+id="TBL-247-1"><col
+id="TBL-247-2"></colgroup><tr
+ valign="baseline" id="TBL-247-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-247-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-248.svg" width="85.55821pt" height="73.91771pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-247-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;node{A}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[rotate=90,scale=1.5]</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate=30]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;node{A}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[rotate=90,scale=1.5]</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate=60]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;node[transform</span><span
+class="cmtt-8">&nbsp;shape]</span><span
+class="cmtt-8">&nbsp;{A}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[transform</span><span
+class="cmtt-8">&nbsp;shape,rotate=90,scale=1.5]</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ol>
+<!--l. 488--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.6 </span> <a
+ id="x12-14200011.6"></a>Placing Nodes on a Line or Curve</h4>
+<!--l. 490--><p class="noindent">Until now, we always placed node on a coordinate that is mentioned in the path. Often, however, we wish to place
+nodes on &#8220;the middle&#8221; of a line and we do not wish to compute these coordinates &#8220;by hand.&#8221; To facilitate such
+placements, Ti<span
+class="cmti-10">k</span>Z&nbsp;allows you to specify that a certain node should be somewhere &#8220;on&#8221; a line. There are two ways of
+specifying this: Either explicitly by using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> option or implicitly by placing the node &#8220;inside&#8221; a path operation.
+These two ways are described in the following.
+<!--l. 501--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">11.6.1 </span> <a
+ id="x12-14300011.6.1"></a>Explicit Use of the Position Option</h5>
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">pos</span><a
+ id="dx12-143001"></a><a
+ id="dx12-143002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">fraction</span><span
+class="cmsy-10">&gt; </span>When this option is given, the node is not anchored on the last coordinate. Rather, it is
+ anchored on some point on the line from the previous coordinate to the current point. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">fraction</span><span
+class="cmsy-10">&gt;</span>
+ dictates how &#8220;far&#8221; on the line the point should be. A <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">fraction</span><span
+class="cmsy-10">&gt; </span>or 0 is the previous coordinate, 1 is
+ the current one, everything else is in between. In particular, 0.5 is the middle.
+ <!--l. 515--><p class="noindent">Now, what is &#8220;the previous line&#8221;? This depends on the previous path construction operation.
+ <!--l. 518--><p class="noindent">In the simplest case, the previous path operation was a &#8220;line-to&#8221; operation, that is, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>
+ operation:
+ <!--l. 520--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-248-" ><colgroup id="TBL-248-1g"><col
+id="TBL-248-1"><col
+id="TBL-248-2"></colgroup><tr
+ valign="baseline" id="TBL-248-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-248-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-249.svg" width="95.98787pt" height="40.49545pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-248-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[pos=0]{0}</span><span
+class="cmtt-8">&nbsp;node[pos=0.5]{1/2}</span><span
+class="cmtt-8">&nbsp;node[pos=0.9]{9/10};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 525--><p class="noindent">The next case is the curve-to operation (the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> operation). In this case, the &#8220;middle&#8221; of the
+ curve, that is, the position <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> is not necessarily the point at the exact half distance on the line.
+ Rather, it is some point at &#8220;time&#8221; 0.5 of a point traveling from the start of the curve, where it
+ is at time 0, to the end of the curve, which it reaches at time 0.5. The &#8220;speed&#8221; of the point
+ depends on the length of the support vectors (the vectors that connect the start and end points to
+ the control points). The exact math is a bit complicated (depending on your point of view, of
+ course); you may wish to consult a good book on computer graphics and B&eacute;zier curves if you are
+ intrigued.
+
+
+ <!--l. 536--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-249-" ><colgroup id="TBL-249-1g"><col
+id="TBL-249-1"><col
+id="TBL-249-2"></colgroup><tr
+ valign="baseline" id="TBL-249-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-249-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-250.svg" width="105.61761pt" height="98.46861pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-249-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(right:3.5cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(right:3.5cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(0,3)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\p</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,0.125,...,1}</span><span
+class="cmtt-8">&nbsp;{node[pos=\p]{\p}};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 541--><p class="noindent">Another interesting case are the horizontal/vertical line-to operations <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">|-</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-|</span></span></span>. For them, the position (or
+ time) <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> is exactly the corner point.
+ <!--l. 545--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-250-" ><colgroup id="TBL-250-1g"><col
+id="TBL-250-1"><col
+id="TBL-250-2"></colgroup><tr
+ valign="baseline" id="TBL-250-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-250-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-251.svg" width="96.39122pt" height="43.34091pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-250-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[pos=0]{0}</span><span
+class="cmtt-8">&nbsp;node[pos=0.5]{1/2}</span><span
+class="cmtt-8">&nbsp;node[pos=0.9]{9/10};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 550--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-251-" ><colgroup id="TBL-251-1g"><col
+id="TBL-251-1"><col
+id="TBL-251-2"></colgroup><tr
+ valign="baseline" id="TBL-251-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-251-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-252.svg" width="104.52422pt" height="39.4278pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-251-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[pos=0]{0}</span><span
+class="cmtt-8">&nbsp;node[pos=0.5]{1/2}</span><span
+class="cmtt-8">&nbsp;node[pos=0.9]{9/10};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 555--><p class="noindent">For all other path construction operations, <span
+class="cmti-10">the position placement does not work</span>, currently. This will hopefully
+ change in the future (especially for the arc operation).
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">sloped</span><a
+ id="dx12-143003"></a><a
+ id="dx12-143004"></a> This option causes the node to be rotated such that a horizontal line becomes a tangent to the curve.
+ The rotation will always be done in such a way that text is never &#8220;upside down.&#8221; If you really need upside
+ down text, use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[rotate=180]</span></span></span>.
+ <!--l. 563--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-252-" ><colgroup id="TBL-252-1g"><col
+id="TBL-252-1"><col
+id="TBL-252-2"></colgroup><tr
+ valign="baseline" id="TBL-252-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-252-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-253.svg" width="62.93848pt" height="104.50159pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp;</td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-252-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(up:2cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(left:2cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(1,3)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\p</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,0.25,...,1}</span><span
+class="cmtt-8">&nbsp;{node[sloped,above,pos=\p]{\p}};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 567--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-253-" ><colgroup id="TBL-253-1g"><col
+id="TBL-253-1"><col
+id="TBL-253-2"></colgroup><tr
+ valign="baseline" id="TBL-253-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-253-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-254.svg" width="57.30548pt" height="40.73602pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-253-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[-&gt;]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0.5)</span><span
+class="cmtt-8">&nbsp;node[midway,sloped,above]</span><span
+class="cmtt-8">&nbsp;{$x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,-.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[midway,sloped,below]</span><span
+class="cmtt-8">&nbsp;{$y$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 576--><p class="noindent">There exist styles for specifying positions a bit less &#8220;technically&#8221;:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">midway</span><a
+ id="dx12-143005"></a><a
+ id="dx12-143006"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0.5</span></span></span>.
+
+
+ <!--l. 580--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-254-" ><colgroup id="TBL-254-1g"><col
+id="TBL-254-1"><col
+id="TBL-254-2"></colgroup><tr
+ valign="baseline" id="TBL-254-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-254-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-255.svg" width="104.6411pt" height="154.7531pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-254-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(up:2cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(left:3cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(1,5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[at</span><span
+class="cmtt-8">&nbsp;end]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|at</span><span
+class="cmtt-8">&nbsp;end|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;end]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;end|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[near</span><span
+class="cmtt-8">&nbsp;end]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|near</span><span
+class="cmtt-8">&nbsp;end|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[midway]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|midway|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[near</span><span
+class="cmtt-8">&nbsp;start]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|near</span><span
+class="cmtt-8">&nbsp;start|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;start]</span><span
+class="cmtt-8">&nbsp;{|very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;start|}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[at</span><span
+class="cmtt-8">&nbsp;start]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{|at</span><span
+class="cmtt-8">&nbsp;start|};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">near start</span><a
+ id="dx12-143007"></a><a
+ id="dx12-143008"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0.25</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">near end</span><a
+ id="dx12-143009"></a><a
+ id="dx12-143010"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0.75</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very near start</span><a
+ id="dx12-143011"></a><a
+ id="dx12-143012"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0.125</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">very near end</span><a
+ id="dx12-143013"></a><a
+ id="dx12-143014"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0.875</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">at start</span><a
+ id="dx12-143015"></a><a
+ id="dx12-143016"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=0</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">at end</span><a
+ id="dx12-143017"></a><a
+ id="dx12-143018"></a> is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=1</span></span></span>.</li></ul>
+<!--l. 605--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">11.6.2 </span> <a
+ id="x12-14400011.6.2"></a>Implicit Use of the Position Option</h5>
+<!--l. 607--><p class="noindent">When you wish to place a node on the line <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(1,1)</span></span></span>, it is natural to specify the node not following the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>, but &#8220;somewhere in the middle.&#8221; This is, indeed, possible and you can write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;node{a}</span><span
+class="cmtt-10">&nbsp;(1,1)</span></span></span> to
+place a node midway between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>.
+<!--l. 613--><p class="indent"> What happens is the following: The syntax of the line-to path operation is actually <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node</span>
+<span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. (It is even possible to give multiple nodes in this way.) When the optional <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> is
+encountered, that is, when the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> is directly followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span>, then the specification(s) are read and &#8220;stored away.&#8221;
+Then, after the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>has finally been reached, they are inserted again, but with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> option
+set.
+<!--l. 623--><p class="indent"> There are two things to note about this: When a node specification is &#8220;stored,&#8221; its catcodes become fixed.
+This means that you cannot use overly complicated verbatim text in them. If you really need, say, a
+verbatim text, you will have to put it in a normal node following the coordinate and add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span>
+option.
+<!--l. 629--><p class="indent"> Second, which <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> is chosen for the node? The position is inherited from the surrounding scope. However, this
+holds only for nodes specified in this implicit way. Thus, if you add the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[near</span><span
+class="cmtt-10">&nbsp;end]</span></span></span> to a scope, this does not
+mean that <span
+class="cmti-10">all </span>nodes given in this scope will be put on near the end of lines. Only the nodes for which an implicit
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> is added will be placed near the end. Typically, this is what you want. Here are some examples that should
+make this clearer:
+
+
+<!--l. 638--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-255-" ><colgroup id="TBL-255-1g"><col
+id="TBL-255-1"><col
+id="TBL-255-2"></colgroup><tr
+ valign="baseline" id="TBL-255-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-255-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-256.svg" width="92.64124pt" height="43.49931pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-255-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[near</span><span
+class="cmtt-8">&nbsp;end]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0cm,4em)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3cm,4em)</span><span
+class="cmtt-8">&nbsp;node{A};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0cm,3em)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3cm,3em);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0cm,2em)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[midway]</span><span
+class="cmtt-8">&nbsp;{C}</span><span
+class="cmtt-8">&nbsp;(3cm,2em);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0cm,1em)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3cm,1em)</span><span
+class="cmtt-8">&nbsp;node[midway]</span><span
+class="cmtt-8">&nbsp;{D}</span><span
+class="cmtt-8">&nbsp;;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 647--><p class="indent"> Like the line-to operation, the curve-to operation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> also allows you to specify nodes &#8220;inside&#8221; the
+operation. After both the first <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> and also after the second <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> you can place node specifications. Like for
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> operation, these will be collected and then reinserted after the operation with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> option
+set.
+<!--l. 654--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.7 </span> <a
+ id="x12-14500011.7"></a>Connecting Nodes</h4>
+<!--l. 656--><p class="noindent">Once you have defined a node and given it a name, you can use this name to reference it. This can be done in two
+ways, see also Section&nbsp;<a
+href="pgfmanualse8.html#x9-890008.5">8.5<!--tex4ht:ref: section-node-coordinates --></a>. Suppose you have said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path(0,0)</span><span
+class="cmtt-10">&nbsp;node(x)</span><span
+class="cmtt-10">&nbsp;{Hello</span><span
+class="cmtt-10">&nbsp;World!};</span></span></span> in order to define a node
+named <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span>.
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x12-145002x1"></a>Once the node <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> has been defined, you can use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> wherever you would normally use a
+ normal coordinate. This will yield the position at which the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt; </span>is in the picture. Note that
+ transformations do not apply to this coordinate, that is, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x.north)</span></span></span> will be the northern anchor of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span>
+ even if you have said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">scale=3</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xshift=4cm</span></span></span>. This is usually what you would expect.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x12-145004x2"></a>You can also just use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x)</span></span></span> as a coordinate. In most cases, this gives the same coordinate as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x.center)</span></span></span>.
+ Indeed, if the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shape</span></span></span> of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>, then <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x.center)</span></span></span> have exactly the same effect.
+ <!--l. 675--><p class="noindent">However, for most other shapes, some path construction operations like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> try to be &#8220;clever&#8221; when
+ this they are asked to draw a line from such a coordinate or to such a coordinate. When you say
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x)--(1,1)</span></span></span>, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> path operation will not draw a line from the center of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span>, but <span
+class="cmti-10">from the border </span>of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span>
+ in the direction going towards <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>. Likewise, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)--(x)</span></span></span> will also have the line end on the border
+ in the direction coming from <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>.
+ <!--l. 683--><p class="noindent">In addition to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>, the curve-to path operation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> and the path operations <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-|</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">|-</span></span></span> will also handle nodes
+ without anchors correctly. Here is an example, see also Section&nbsp;<a
+href="pgfmanualse8.html#x9-890008.5">8.5<!--tex4ht:ref: section-node-coordinates --></a>:
+ <!--l. 687--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-257.svg" width="139.56454pt" height="65.48363pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-256-" ><colgroup id="TBL-256-1g"><col
+id="TBL-256-1"></colgroup><tr
+ valign="baseline" id="TBL-256-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-256-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;{Hello</span><span
+class="cmtt-8">&nbsp;World!}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;node[circle,draw](y)</span><span
+class="cmtt-8">&nbsp;{$\int_1^2</span><span
+class="cmtt-8">&nbsp;x</span><span
+class="cmtt-8">&nbsp;\mathrm</span><span
+class="cmtt-8">&nbsp;d</span><span
+class="cmtt-8">&nbsp;x$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;,blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(y);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;,red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;node[near</span><span
+class="cmtt-8">&nbsp;start,below]</span><span
+class="cmtt-8">&nbsp;{label}</span><span
+class="cmtt-8">&nbsp;(y);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;,orange]</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(up:1cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(left:1cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;node[above,sloped]</span><span
+class="cmtt-8">&nbsp;{label}</span><span
+class="cmtt-8">&nbsp;(y);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ol>
+<!--l. 703--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">11.8 </span> <a
+ id="x12-14600011.8"></a>Predefined Shapes</h4>
+<!--l. 706--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z&nbsp;define three shapes, by default:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span>,
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span>, and
+
+
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>.</li></ul>
+<!--l. 715--><p class="noindent">By loading library packages, you can define more shapes. Currently, the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryshapes</span></span></span> defines
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span>.</li></ul>
+<!--l. 722--><p class="indent"> The exact behaviour of these shapes differs, shapes defined for more special purposes (like a, say, transistor
+shape) will have even more custom behaviors. However, there are some options that apply to most
+shapes:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">inner sep</span><a
+ id="dx12-146001"></a><a
+ id="dx12-146002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>An additional (invisible) separation space of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>will be added inside
+ the shape, between the text and the shape&#8217;s background path. The effect is as if you had added
+ appropriate horizontal and vertical skips at the beginning and end of the text to make it a bit &#8220;larger.&#8221;
+ The default <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">inner</span><span
+class="cmtt-10">&nbsp;sep</span></span></span> is the size of a normal space.
+ <!--l. 735--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-257-" ><colgroup id="TBL-257-1g"><col
+id="TBL-257-1"><col
+id="TBL-257-2"></colgroup><tr
+ valign="baseline" id="TBL-257-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-257-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-258.svg" width="36.94382pt" height="51.44969pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-257-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[inner</span><span
+class="cmtt-8">&nbsp;sep=0pt,draw]</span><span
+class="cmtt-8">&nbsp;{tight}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0cm,2em)</span><span
+class="cmtt-8">&nbsp;node[inner</span><span
+class="cmtt-8">&nbsp;sep=5pt,draw]</span><span
+class="cmtt-8">&nbsp;{loose}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0cm,4em)</span><span
+class="cmtt-8">&nbsp;node[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{default};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">inner xsep</span><a
+ id="dx12-146003"></a><a
+ id="dx12-146004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Specifies the inner separation in the <span
+class="cmmi-10">x</span>-direction, only.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">inner ysep</span><a
+ id="dx12-146005"></a><a
+ id="dx12-146006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Specifies the inner separation in the <span
+class="cmmi-10">y</span>-direction, only.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer sep</span><a
+ id="dx12-146007"></a><a
+ id="dx12-146008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option adds an additional (invisible) separation space of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>outside the
+ background path. The main effect of this option is that all anchors will move a little &#8220;to the
+ outside.&#8221;
+ <!--l. 753--><p class="noindent">The default for this option is half the line width. When the default is used and when the background path is
+ draw, the anchors will lie exactly on the &#8220;outside border&#8221; of the path (not on the path itself). When the shape
+ is filled, but not drawn, this may not be desirable. In this case, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">outer</span><span
+class="cmtt-10">&nbsp;sep</span></span></span> should be set to zero
+ point.
+ <!--l. 759--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-258-" ><colgroup id="TBL-258-1g"><col
+id="TBL-258-1"><col
+id="TBL-258-2"></colgroup><tr
+ valign="baseline" id="TBL-258-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-258-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-259.svg" width="91.28017pt" height="39.12495pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-258-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=5pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[outer</span><span
+class="cmtt-8">&nbsp;sep=0pt,fill=examplefill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(f)</span><span
+class="cmtt-8">&nbsp;{filled}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[inner</span><span
+class="cmtt-8">&nbsp;sep=.5\pgflinewidth+2pt,draw]</span><span
+class="cmtt-8">&nbsp;(d)</span><span
+class="cmtt-8">&nbsp;{drawn};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(1,-1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(f);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(1,-1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(d);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer xsep</span><a
+ id="dx12-146009"></a><a
+ id="dx12-146010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Specifies the outer separation in the <span
+class="cmmi-10">x</span>-direction, only.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer ysep</span><a
+ id="dx12-146011"></a><a
+ id="dx12-146012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Specifies the outer separation in the <span
+class="cmmi-10">y</span>-direction, only.
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">minimum height</span><a
+ id="dx12-146013"></a><a
+ id="dx12-146014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option ensures that the height of the shape (including the inner, but
+ ignoring the outer separation) will be at least <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. Thus, if the text plus the inner separation is not at
+ least as large as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>, the shape will be enlarged appropriately. However, if the text is already larger
+ than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>, the shape will not be shrunk.
+ <!--l. 781--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-259-" ><colgroup id="TBL-259-1g"><col
+id="TBL-259-1"><col
+id="TBL-259-2"></colgroup><tr
+ valign="baseline" id="TBL-259-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-259-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-260.svg" width="81.74924pt" height="28.85272pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-259-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[minimum</span><span
+class="cmtt-8">&nbsp;height=1cm,draw]</span><span
+class="cmtt-8">&nbsp;{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node[minimum</span><span
+class="cmtt-8">&nbsp;height=0cm,draw]</span><span
+class="cmtt-8">&nbsp;{0cm};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">minimum width</span><a
+ id="dx12-146015"></a><a
+ id="dx12-146016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">minimum</span><span
+class="cmtt-10">&nbsp;height</span></span></span>, only for the width.
+ <!--l. 790--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-260-" ><colgroup id="TBL-260-1g"><col
+id="TBL-260-1"><col
+id="TBL-260-2"></colgroup><tr
+ valign="baseline" id="TBL-260-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-260-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-261.svg" width="85.75824pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-260-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node[minimum</span><span
+class="cmtt-8">&nbsp;height=2cm,minimum</span><span
+class="cmtt-8">&nbsp;width=3cm,draw]</span><span
+class="cmtt-8">&nbsp;{$3</span><span
+class="cmtt-8">&nbsp;\times</span><span
+class="cmtt-8">&nbsp;2$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">minimum size</span><a
+ id="dx12-146017"></a><a
+ id="dx12-146018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>sets both the minimum height and width at the same time.
+ <!--l. 797--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-261-" ><colgroup id="TBL-261-1g"><col
+id="TBL-261-1"><col
+id="TBL-261-2"></colgroup><tr
+ valign="baseline" id="TBL-261-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-261-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-262.svg" width="57.30548pt" height="114.21097pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-261-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[minimum</span><span
+class="cmtt-8">&nbsp;size=2cm,draw]</span><span
+class="cmtt-8">&nbsp;{square};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-2)</span><span
+class="cmtt-8">&nbsp;node[minimum</span><span
+class="cmtt-8">&nbsp;size=2cm,draw,circle]</span><span
+class="cmtt-8">&nbsp;{circle};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 806--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> shape is handled in a special way by Ti<span
+class="cmti-10">k</span>Z. When a node <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> whose shape is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> is used
+as a coordinate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x)</span></span></span>, this has the same effect as if you had said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(x.center)</span></span></span>. None of the special &#8220;line
+shortening rules&#8221; apply in this case. This can be useful since, normally, the line shortening causes
+paths to be segmented and they cannot be used for filling. Here is an example that demonstrates the
+difference:
+
+
+<!--l. 813--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-262-" ><colgroup id="TBL-262-1g"><col
+id="TBL-262-1"><col
+id="TBL-262-2"></colgroup><tr
+ valign="baseline" id="TBL-262-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-262-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-263.svg" width="35.51869pt" height="74.86484pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-262-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path[yshift=1.5cm,shape=rectangle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node(a1){}</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;node(a2){}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node(a3){}</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;node(a4){};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;(a1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(a2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(a3)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(a4);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path[shape=coordinate]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;coordinate(b1)</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;coordinate(b2)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;coordinate(b3)</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;coordinate(b4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;(b1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b3)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b4);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse12.html" >next</a>] [<a
+href="pgfmanualse10.html" >prev</a>] [<a
+href="pgfmanualse10.html#tailpgfmanualse10.html" >prev-tail</a>] [<a
+href="pgfmanualse11.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse11.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse11.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse12.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse12.html
new file mode 100644
index 00000000000..9fc748984fc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse12.html
@@ -0,0 +1,2681 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>12 Making Trees Grow</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse13.html" >next</a>] [<a
+href="pgfmanualse11.html" >prev</a>] [<a
+href="pgfmanualse11.html#tailpgfmanualse11.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse12.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse12.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">12 </span> <a
+ id="x13-14700012"></a>Making Trees Grow</h3>
+<!--l. 13--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.1 </span> <a
+ id="x13-14800012.1"></a>Introduction to the Child Operation</h4>
+<!--l. 15--><p class="noindent"><span
+class="cmti-10">Trees </span>are a common way of visualizing hierarchical structures. A simple tree looks like this:
+<!--l. 17--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-263-" ><colgroup id="TBL-263-1g"><col
+id="TBL-263-1"><col
+id="TBL-263-2"></colgroup><tr
+ valign="baseline" id="TBL-263-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-263-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-264.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-263-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 28--><p class="indent"> Admittedly, in reality trees are more likely to grow <span
+class="cmti-10">upward </span>and not downward as above. You can tell whether
+the author of a paper is a mathematician or a computer scientist by looking at the direction their trees grow. A
+computer scientist&#8217;s trees will grow downward while a mathematician&#8217;s tree will grow upward. Naturally, the <span
+class="cmti-10">correct</span>
+way is the mathematician&#8217;s way, which can be specify as follows:
+<!--l. 35--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-264-" ><colgroup id="TBL-264-1g"><col
+id="TBL-264-1"><col
+id="TBL-264-2"></colgroup><tr
+ valign="baseline" id="TBL-264-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-264-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-265.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-264-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;[grow'=up]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 46--><p class="indent"> In Ti<span
+class="cmti-10">k</span>Z, trees are specified by adding <span
+class="cmti-10">children </span>to a node on a path using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> operation:
+<!--l. 50--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox89"><span id="textcolor90"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">child</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foreach</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">in</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">values</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span>&nbsp;<span id="textcolor91">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx13-148001"></a>
+<a
+ id="dx13-148002"></a>
+ <!--l. 51--><p class="noindent">This operation should directly follow a completed <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation or another <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> operation, although
+ it is permissible that the first <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> operation is preceded by options (we will come to that).
+
+
+ <!--l. 56--><p class="noindent">When a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span><span
+class="cmtt-10">&nbsp;{X}</span></span></span> is followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span>, Ti<span
+class="cmti-10">k</span>Z&nbsp;starts counting the number of child
+ nodes that follow the original <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span><span
+class="cmtt-10">&nbsp;{X}</span></span></span>. For this, it scans the input and stores away each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> and
+ its arguments until it reaches a path operation that is not a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span>. Note that this will fix the character
+ codes of all text inside the child arguments, which means, in essence, that you cannot use verbatim
+ text inside the nodes inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span>. Sorry.
+ <!--l. 64--><p class="noindent">Once the children have been collected and counted, Ti<span
+class="cmti-10">k</span>Z&nbsp;starts generating the child nodes. For each
+ child of a parent node Ti<span
+class="cmti-10">k</span>Z&nbsp;computes an appropriate position where the child is placed. For each child,
+ the coordinate system is transformed so that the origin is at this position. Then the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>is
+ drawn. Typically, the child path just consists of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> specification, which results in a node being
+ drawn at the child&#8217;s position. Finally, an edge is drawn from the first node in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>to the
+ parent node.
+ <!--l. 74--><p class="noindent">The optional <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foreach</span></span></span> part (note that there is no backslash before <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foreach</span></span></span>) allows you to specify multiple
+ children in a single <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> command. The idea is the following: A <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement is (internally) used to
+ iterate over the list of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">values</span><span
+class="cmsy-10">&gt;</span>. For each value in this list, a new <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> is added to the node. The syntax for
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt; </span>and for <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">values</span><span
+class="cmsy-10">&gt; </span>is the same as for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement, see Section&nbsp;<a
+href="pgfmanualse15.html#x16-17900015">15<!--tex4ht:ref: section-foreach --></a>. For example, when you
+ say
+ <!--l. 82--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-265-" ><colgroup id="TBL-265-1g"><col
+id="TBL-265-1"></colgroup><tr
+ valign="baseline" id="TBL-265-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-265-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;[red]</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\name</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2}</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{\name}}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 85--><p class="noindent">the effect will be the same as if you had said
+ <!--l. 86--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-266-" ><colgroup id="TBL-266-1g"><col
+id="TBL-266-1"></colgroup><tr
+ valign="baseline" id="TBL-266-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-266-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;child[red]</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{1}}</span><span
+class="cmtt-8">&nbsp;child[ref]</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{2}}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 89--><p class="noindent">When you write
+ <!--l. 90--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-267-" ><colgroup id="TBL-267-1g"><col
+id="TBL-267-1"></colgroup><tr
+ valign="baseline" id="TBL-267-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-267-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;child[\pos]</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\name/\pos</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1/left,2/right}</span><span
+class="cmtt-8">&nbsp;{node[\pos]</span><span
+class="cmtt-8">&nbsp;{\name}}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 93--><p class="noindent">the effect will be the same as for
+ <!--l. 94--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-268-" ><colgroup id="TBL-268-1g"><col
+id="TBL-268-1"></colgroup><tr
+ valign="baseline" id="TBL-268-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-268-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;child[left]</span><span
+class="cmtt-8">&nbsp;{node[left]</span><span
+class="cmtt-8">&nbsp;{1}}</span><span
+class="cmtt-8">&nbsp;child[right]</span><span
+class="cmtt-8">&nbsp;{node[right]</span><span
+class="cmtt-8">&nbsp;{2}}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 98--><p class="noindent">You can nest things as in the following example:
+ <!--l. 99--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-269-" ><colgroup id="TBL-269-1g"><col
+id="TBL-269-1"><col
+id="TBL-269-2"></colgroup><tr
+ valign="baseline" id="TBL-269-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-269-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-266.svg" width="40.23381pt" height="34.54326pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-269-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[level</span><span
+class="cmtt-8">&nbsp;distance=4mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=8mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=4mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;3}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=2mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\coordinate</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\z</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1}}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 111--><p class="noindent">The details and options for this operation are described in the rest of this present section. </dd></dl>
+<!--l. 117--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.2 </span> <a
+ id="x13-14900012.2"></a>Child Paths and the Child Nodes</h4>
+<!--l. 119--><p class="noindent">For each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> of a root node, its <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>is inserted at a specific location in the picture (the placement rules
+are discussed in Section&nbsp;<a
+href="#x13-15200012.5">12.5<!--tex4ht:ref: section-tree-placement --></a>). The first node in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt;</span>, if it exists, is special and called the <span
+class="cmti-10">child node</span>. If
+there is no first node in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt;</span>, that is, if the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>is missing (including the curly braces) or if it
+does not start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> or with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>, then an empty child node of shape <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> is automatically
+added.
+
+
+<!--l. 128--><p class="indent"> Consider the example <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\node</span><span
+class="cmtt-10">&nbsp;{x}</span><span
+class="cmtt-10">&nbsp;child</span><span
+class="cmtt-10">&nbsp;{node</span><span
+class="cmtt-10">&nbsp;{y}}</span><span
+class="cmtt-10">&nbsp;child;</span></span></span>. For the first child, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>has the child
+node <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span><span
+class="cmtt-10">&nbsp;{y}</span></span></span>. For the second child, no child node is specified and, thus, it is just <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>.
+<!--l. 133--><p class="indent"> As for any normal node, you can give the child node a name, shift it around, or use options to influence how it is
+rendered.
+<!--l. 135--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-270-" ><colgroup id="TBL-270-1g"><col
+id="TBL-270-1"><col
+id="TBL-270-2"></colgroup><tr
+ valign="baseline" id="TBL-270-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-270-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-267.svg" width="74.94632pt" height="61.89008pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-270-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[rectangle,draw]</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node[circle,draw]</span><span
+class="cmtt-8">&nbsp;(left</span><span
+class="cmtt-8">&nbsp;node)</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node[ellipse,draw]</span><span
+class="cmtt-8">&nbsp;(right</span><span
+class="cmtt-8">&nbsp;node)</span><span
+class="cmtt-8">&nbsp;{right}};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[dashed,-&gt;]</span><span
+class="cmtt-8">&nbsp;(left</span><span
+class="cmtt-8">&nbsp;node)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(right</span><span
+class="cmtt-8">&nbsp;node);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 144--><p class="indent"> In many cases, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>will just consist of a specification of a child node and, possibly, children of this
+child node. However, the node specification may be followed by arbitrary other material that will be added to the
+picture, transformed to the child&#8217;s coordinate system. For your convenience, a move-to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span> operation is inserted
+automatically at the beginning of the path. Here is an example:
+<!--l. 152--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-271-" ><colgroup id="TBL-271-1g"><col
+id="TBL-271-1"><col
+id="TBL-271-2"></colgroup><tr
+ valign="baseline" id="TBL-271-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-271-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-268.svg" width="47.07912pt" height="51.28749pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-271-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{[fill]</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{[fill]</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 161--><p class="indent"> At the end of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>you may add a special path operation called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span>.
+If this operation is not given by yourself somewhere on the path, it will be automatically added at
+the end. This option causes a connecting edge from the parent node to the child node to be added
+to the path. By giving options to this operation you can influence how the edge is rendered. Also,
+nodes following the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span> operation will be placed on this edge, see Section&nbsp;<a
+href="#x13-15300012.6">12.6<!--tex4ht:ref: section-edge-from-parent --></a> for
+details.
+<!--l. 170--><p class="indent"> To sum up:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x13-149002x1"></a>The child path starts with a node specification. If it is not there, it is added automatically.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x13-149004x2"></a>The child path ends with a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span> operation, possibly followed by nodes to be put on this
+ edge. If the operation is not given at the end, it is added automatically.</li></ol>
+<!--l. 183--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.3 </span> <a
+ id="x13-15000012.3"></a>Naming Child Nodes</h4>
+<!--l. 185--><p class="noindent">Child nodes can be named like any other node using either the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">name</span></span></span> option or the special syntax in
+which the name of the node is placed in round parentheses between the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation and the node&#8217;s
+text.
+<!--l. 190--><p class="indent"> If you do not assign a name to a child node, Ti<span
+class="cmti-10">k</span>Z&nbsp;will automatically assign a name as follows: Assume that the
+name of the parent node is, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent</span></span></span>. (If you did not assign a name to the parent, Ti<span
+class="cmti-10">k</span>Z&nbsp;will do so itself, but that
+name will not be user-accessible.) The first child of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent</span></span></span> will be named <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-1</span></span></span>, the second child is named
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-2</span></span></span>, and so on.
+<!--l. 198--><p class="indent"> This naming convention works recursively. If the second child <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-2</span></span></span> has children, then the first of these
+children will be called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-2-1</span></span></span> and the second <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-2-2</span></span></span> and so on.
+<!--l. 202--><p class="indent"> If you assign a name to a child node yourself, no name is generated automatically (the node does
+not have two names). However, &#8220;counting continues,&#8221; which means that the third child of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent</span></span></span> is
+called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent-3</span></span></span> independently of whether you have assigned names to the first and/or second child of
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parent</span></span></span>.
+
+
+<!--l. 208--><p class="indent"> Here is an example:
+<!--l. 210--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-272-" ><colgroup id="TBL-272-1g"><col
+id="TBL-272-1"><col
+id="TBL-272-2"></colgroup><tr
+ valign="baseline" id="TBL-272-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-272-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-269.svg" width="101.26805pt" height="99.54404pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-272-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(root)</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{coordinate</span><span
+class="cmtt-8">&nbsp;(special)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(root-1)</span><span
+class="cmtt-8">&nbsp;{root-1};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(root-2)</span><span
+class="cmtt-8">&nbsp;{root-2};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(special)</span><span
+class="cmtt-8">&nbsp;{special};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(root-2-2)</span><span
+class="cmtt-8">&nbsp;{root-2-2};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 225--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.4 </span> <a
+ id="x13-15100012.4"></a>Specifying Options for Trees and Children</h4>
+<!--l. 227--><p class="noindent">Each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> may have its own <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span>, which apply to &#8220;the whole child,&#8221; including all of its grandchildren. Here is
+an example:
+<!--l. 231--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-273-" ><colgroup id="TBL-273-1g"><col
+id="TBL-273-1"><col
+id="TBL-273-2"></colgroup><tr
+ valign="baseline" id="TBL-273-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-273-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-270.svg" width="71.93185pt" height="86.15823pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-273-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=10mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\coordinate</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[green]</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child[blue]};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 240--><p class="indent"> The options of the root node have no effect on the children since the options of a node are always &#8220;local&#8221; to that
+node. Because of this, the edges in the following tree are black, not red.
+<!--l. 244--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-274-" ><colgroup id="TBL-274-1g"><col
+id="TBL-274-1"><col
+id="TBL-274-2"></colgroup><tr
+ valign="baseline" id="TBL-274-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-274-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-271.svg" width="43.47911pt" height="49.48749pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-274-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[red]</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 251--><p class="indent"> This raises the problem of how to set options for <span
+class="cmti-10">all </span>children. Naturally, you could always set options for the
+whole path as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;[red]</span><span
+class="cmtt-10">&nbsp;node</span><span
+class="cmtt-10">&nbsp;{root}</span><span
+class="cmtt-10">&nbsp;child</span><span
+class="cmtt-10">&nbsp;child;</span></span></span> but this is bothersome in some situations. Instead, it is
+easier to give the options <span
+class="cmti-10">before the first child </span>as follows:
+
+
+<!--l. 256--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-275-" ><colgroup id="TBL-275-1g"><col
+id="TBL-275-1"><col
+id="TBL-275-2"></colgroup><tr
+ valign="baseline" id="TBL-275-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-275-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-272.svg" width="43.47911pt" height="49.48749pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-275-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[red]</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[green]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;option</span><span
+class="cmsltt-10x-x-80">&nbsp;applies</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;children</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 265--><p class="indent"> Here is the set of rules:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x13-151002x1"></a>Options for the whole tree are given before the root node.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x13-151004x2"></a>Options for the root node are given directly to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation of the root.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x13-151006x3"></a>Options for all children can be given between the root node and the first child.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x13-151008x4"></a>Options applying to a specific child path are given as options to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> operation.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x13-151010x5"></a>Options applying to the node of a child, but not to the whole child path, are given as options to the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> command inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt;</span>.</li></ol>
+<!--l. 284--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-276-" ><colgroup id="TBL-276-1g"><col
+id="TBL-276-1"></colgroup><tr
+ valign="baseline" id="TBL-276-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-276-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[...]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;whole</span><span
+class="cmsltt-10x-x-80">&nbsp;tree</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[...]</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;root</span><span
+class="cmsltt-10x-x-80">&nbsp;node</span><span
+class="cmsltt-10x-x-80">&nbsp;only</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[...]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;children</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[...]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span><span
+class="cmsltt-10x-x-80">&nbsp;child</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;its</span><span
+class="cmsltt-10x-x-80">&nbsp;children</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[...]</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;child</span><span
+class="cmsltt-10x-x-80">&nbsp;node</span><span
+class="cmsltt-10x-x-80">&nbsp;only</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;...</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[...]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Options</span><span
+class="cmsltt-10x-x-80">&nbsp;apply</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span><span
+class="cmsltt-10x-x-80">&nbsp;child</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;its</span><span
+class="cmsltt-10x-x-80">&nbsp;children</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 300--><p class="indent"> There are additional styles that influence how children are rendered:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every child</span><a
+ id="dx13-151011"></a><a
+ id="dx13-151012"></a> This style is used at the beginning of each child, as if you had given the options
+ to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> operation.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every child node</span><a
+ id="dx13-151013"></a><a
+ id="dx13-151014"></a> This style is used at the beginning of each child node in addition to the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">every</span><span
+class="cmtt-10">&nbsp;node</span></span></span> style.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">level </span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">number</span><span
+class="cmsy-10">&gt;</span><a
+ id="dx13-151015"></a><a
+ id="dx13-151016"></a> This style is used at the beginning of each set of children, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt; </span>is
+ the current level in the current tree. For example, when you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\node</span><span
+class="cmtt-10">&nbsp;{x}</span><span
+class="cmtt-10">&nbsp;child</span><span
+class="cmtt-10">&nbsp;child;</span></span></span>, then the
+ style <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">level</span><span
+class="cmtt-10">&nbsp;1</span></span></span> is used before the first <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span>. If this first <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span> has children itself, then <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">level</span><span
+class="cmtt-10">&nbsp;2</span></span></span> would
+ be used for them.
+
+
+ <!--l. 315--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-277-" ><colgroup id="TBL-277-1g"><col
+id="TBL-277-1"><col
+id="TBL-277-2"></colgroup><tr
+ valign="baseline" id="TBL-277-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-277-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-273.svg" width="78.64505pt" height="91.96661pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-277-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=20mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=5mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 329--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.5 </span> <a
+ id="x13-15200012.5"></a>Placing Child Nodes</h4>
+<!--l. 333--><p class="noindent">Perhaps the most difficult part in drawing a tree is the correct layout of the children. Typically, the children have
+different sizes and it is not easy to arrange them in such a manner that not too much space is wasted, the children
+do not overlap, and they are either evenly spaced or their centers are evenly distributed. Calculating good
+positions is especially difficult since a good position for the first child may depend on the size of the last
+child.
+<!--l. 341--><p class="indent"> In Ti<span
+class="cmti-10">k</span>Z, a comparatively simple approach is taken to placing the children. In order to compute a child&#8217;s position,
+all that is taken into account is the number of the current child in the list of children and the number of children in
+this list. Thus, if a node has five children, then there is a fixed position for the first child, a position for the second
+child, and so on. These positions <span
+class="cmti-10">do not depend on the size of the children </span>and, hence, children can easily overlap.
+However, since you can use options to shift individual children a bit, this is not as great a problem as it may
+seem.
+<!--l. 351--><p class="indent"> Although the placement of the children only depends on their number in the list of children and the total
+number of children, everything else about the placement is highly configurable. You can change the distance between
+children (appropriately called the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sibling</span><span
+class="cmtt-10">&nbsp;distance</span></span></span>) and the distance between levels of the tree. These distances
+may change from level to level. The direction in which the tree grows can be changed globally and for parts of the
+tree. You can even specify your own &#8220;growth function&#8221; to arrange children on a circle or along special lines or
+curves.
+<!--l. 361--><p class="indent"> The default growth function works as follows: Assume that we are given a node and five children. These children
+will be placed on a line with their centers (or, more generally, with their anchors) spaced apart by the current
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sibling</span><span
+class="cmtt-10">&nbsp;distance</span></span></span>. The line is orthogonal to the current <span
+class="cmti-10">direction of growth</span>, which is set with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grow</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grow'</span></span></span>
+option (the latter option reverses the ordering of the children). The distance from the line to the parent node is
+given by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">level</span><span
+class="cmtt-10">&nbsp;distance</span></span></span>.
+
+
+<!--l. 371--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-278-" ><colgroup id="TBL-278-1g"><col
+id="TBL-278-1"><col
+id="TBL-278-2"></colgroup><tr
+ valign="baseline" id="TBL-278-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-278-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-274.svg" width="71.35466pt" height="148.03824pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-278-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;[help</span><span
+class="cmtt-8">&nbsp;lines]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(root)</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[grow=-10]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{3}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{4}};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[|&lt;-&gt;|,thick]</span><span
+class="cmtt-8">&nbsp;(root-1.center)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[above,sloped]</span><span
+class="cmtt-8">&nbsp;{sibling</span><span
+class="cmtt-8">&nbsp;distance}</span><span
+class="cmtt-8">&nbsp;(root-2.center);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[|&lt;-&gt;|,thick]</span><span
+class="cmtt-8">&nbsp;(root.center)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[above,sloped]</span><span
+class="cmtt-8">&nbsp;{level</span><span
+class="cmtt-8">&nbsp;distance}</span><span
+class="cmtt-8">&nbsp;+(-10:\tikzleveldistance);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 390--><p class="indent"> Here is a detailed description of the options:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">level distance</span><a
+ id="dx13-152001"></a><a
+ id="dx13-152002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">distance</span><span
+class="cmsy-10">&gt; </span>This option allows you to change the distance between different levels of
+ the tree, more precisely, between the parent and the line on which its children are arranged. When
+ given to a single child, this will set the distance for this child only.
+ <!--l. 398--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-279-" ><colgroup id="TBL-279-1g"><col
+id="TBL-279-1"><col
+id="TBL-279-2"></colgroup><tr
+ valign="baseline" id="TBL-279-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-279-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-275.svg" width="85.75827pt" height="77.74023pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-279-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[level</span><span
+class="cmtt-8">&nbsp;distance=20mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[level</span><span
+class="cmtt-8">&nbsp;distance=5mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[level</span><span
+class="cmtt-8">&nbsp;distance=10mm];</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 413--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-280-" ><colgroup id="TBL-280-1g"><col
+id="TBL-280-1"><col
+id="TBL-280-2"></colgroup><tr
+ valign="baseline" id="TBL-280-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-280-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-276.svg" width="85.75827pt" height="63.51385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-280-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[level</span><span
+class="cmtt-8">&nbsp;distance=10mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[level</span><span
+class="cmtt-8">&nbsp;distance=5mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[level</span><span
+class="cmtt-8">&nbsp;distance=10mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">sibling distance</span><a
+ id="dx13-152003"></a><a
+ id="dx13-152004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">distance</span><span
+class="cmsy-10">&gt; </span>This option specifies the distance between the anchors of the children of a
+ parent node.
+ <!--l. 432--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-281-" ><colgroup id="TBL-281-1g"><col
+id="TBL-281-1"><col
+id="TBL-281-2"></colgroup><tr
+ valign="baseline" id="TBL-281-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-281-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-277.svg" width="40.23381pt" height="34.54326pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-281-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[level</span><span
+class="cmtt-8">&nbsp;distance=4mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=8mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=4mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;3}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=2mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\coordinate</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 449--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-282-" ><colgroup id="TBL-282-1g"><col
+id="TBL-282-1"><col
+id="TBL-282-2"></colgroup><tr
+ valign="baseline" id="TBL-282-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-282-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-278.svg" width="105.2446pt" height="98.13142pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-282-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[level</span><span
+class="cmtt-8">&nbsp;distance=10mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[fill=red!60,circle,inner</span><span
+class="cmtt-8">&nbsp;sep=1pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=20mm,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;set</span><span
+class="cmtt-8">&nbsp;style={{every</span><span
+class="cmtt-8">&nbsp;node}+=[fill=red!45]}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=10mm,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;set</span><span
+class="cmtt-8">&nbsp;style={{every</span><span
+class="cmtt-8">&nbsp;node}+=[fill=red!30]}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;3}=[sibling</span><span
+class="cmtt-8">&nbsp;distance=5mm,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;set</span><span
+class="cmtt-8">&nbsp;style={{every</span><span
+class="cmtt-8">&nbsp;node}+=[fill=red!15]}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{31}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{20}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{5}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{4}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{10}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{9}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{20}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{19}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[fill=none]</span><span
+class="cmtt-8">&nbsp;{edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[draw=none]}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{18}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">grow</span><a
+ id="dx13-152005"></a><a
+ id="dx13-152006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt; </span>This option is used to define the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt; </span>in which the tree will grow. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt; </span>can
+ either be an angle in degrees or one of the following special text strings: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">down</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">up</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">left</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">right</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span>,
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">east</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">west</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;west</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;east</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;west</span></span></span>. All of these have &#8220;their obvious
+ meaning,&#8221; so, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;west</span></span></span> is the same as the angle <span
+class="cmsy-10">-</span>135<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ <!--l. 488--><p class="noindent">As a side effect, this option installs the default growth function.
+ <!--l. 490--><p class="noindent">In addition to setting the direction, this option also has a seemingly strange effect: It sets the sibling distance
+ for the current level to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0pt</span></span></span>, but leaves the sibling distance for later levels unchanged.
+ <!--l. 495--><p class="noindent">This somewhat strange behaviour has a highly desirable effect: If you give this option before the list of
+ children of a node starts, the &#8220;current level&#8221; is still the parent level. Each child will be on a later level and,
+ hence, the sibling distance will be as specified originally. This will cause the children to be neatly aligned in a
+ line orthogonal to the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt;</span>. However, if you give this option locally to a single child,
+ then &#8220;current level&#8221; will be the same as the child&#8217;s level. The zero sibling distance will then
+ cause the child to be placed exactly at a point at distance <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">level</span><span
+class="cmtt-10">&nbsp;distance</span></span></span> in the direction
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt;</span>. However, the children of the child will be placed &#8220;normally&#8221; on a line orthogonal to the
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 508--><p class="noindent">These placement effects are best demonstrated by some examples:
+ <!--l. 509--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-283-" ><colgroup id="TBL-283-1g"><col
+id="TBL-283-1"><col
+id="TBL-283-2"></colgroup><tr
+ valign="baseline" id="TBL-283-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-283-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-279.svg" width="55.25378pt" height="43.07912pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-283-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;[grow=right]</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 513--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-284-" ><colgroup id="TBL-284-1g"><col
+id="TBL-284-1"><col
+id="TBL-284-2"></colgroup><tr
+ valign="baseline" id="TBL-284-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-284-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-280.svg" width="57.84273pt" height="51.87648pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-284-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span><span
+class="cmtt-8">&nbsp;[grow=south</span><span
+class="cmtt-8">&nbsp;west]</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 517--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-285-" ><colgroup id="TBL-285-1g"><col
+id="TBL-285-1"><col
+id="TBL-285-2"></colgroup><tr
+ valign="baseline" id="TBL-285-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-285-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-281.svg" width="71.53181pt" height="43.07913pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-285-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[level</span><span
+class="cmtt-8">&nbsp;distance=10mm,sibling</span><span
+class="cmtt-8">&nbsp;distance=5mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[grow=down]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=right]</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 529--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-286-" ><colgroup id="TBL-286-1g"><col
+id="TBL-286-1"><col
+id="TBL-286-2"></colgroup><tr
+ valign="baseline" id="TBL-286-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-286-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-282.svg" width="74.16605pt" height="76.64778pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-286-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[level</span><span
+class="cmtt-8">&nbsp;distance=2em]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{C}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=up]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=left]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=down]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=right]</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{C}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=up]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=right]</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=down]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{H}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[double]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(wrong)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[&lt;-,red]</span><span
+class="cmtt-8">&nbsp;([yshift=-2mm]wrong)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,-1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[below]{This</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;wrong!};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 547--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-287-" ><colgroup id="TBL-287-1g"><col
+id="TBL-287-1"><col
+id="TBL-287-2"></colgroup><tr
+ valign="baseline" id="TBL-287-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-287-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-283.svg" width="94.15204pt" height="77.74896pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-287-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[rectangle,draw]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{start</span><span
+class="cmtt-8">&nbsp;node};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[rectangle,draw]</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{end};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[coordinate,midway]</span><span
+class="cmtt-8">&nbsp;{}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[grow=100,&lt;-]</span><span
+class="cmtt-8">&nbsp;{node[above]</span><span
+class="cmtt-8">&nbsp;{the</span><span
+class="cmtt-8">&nbsp;middle</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;here}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">grow'</span><a
+ id="dx13-152007"></a><a
+ id="dx13-152008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction</span><span
+class="cmsy-10">&gt; </span>This option has the same effect as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grow</span></span></span>, only the children are arranged in the opposite
+ order.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">growth function</span><a
+ id="dx13-152009"></a><a
+ id="dx13-152010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt; </span>This rather low-level option allows you to set a new growth function. The
+
+
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt; </span>must be the name of a macro without parameters. This macro will be called for each child of a
+ node.
+ <!--l. 566--><p class="noindent">The effect of executing the macro should be the following: It should transform the coordinate system in such a
+ way that the origin becomes the place where the current child should be anchored. When the macro is called,
+ the current coordinate system will be setup such that the anchor of the parent node is in the origin. Thus, in
+ each call, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt; </span>must essentially do a shift to the child&#8217;s origin. When the macro is called, the
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;counter <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikznumberofchildren</span></span></span> will be set to the total number of children of the parent
+ node and the counter <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikznumberofcurrentchild</span></span></span> will be set to the number of the current
+ child.
+ <!--l. 577--><p class="noindent">The macro may, in addition to shifting the coordinate system, also transform the coordinate system further.
+ For example, it could be rotated or scaled.
+ <!--l. 581--><p class="noindent">Additional growth functions are defined in the library, see Section&nbsp;<a
+href="pgfmanualse14.html#x15-17400014.6">14.6<!--tex4ht:ref: section-tree-library --></a>.</li></ul>
+<!--l. 587--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">12.6 </span> <a
+ id="x13-15300012.6"></a>Edges From the Parent Node</h4>
+<!--l. 591--><p class="noindent">Every child node is connected to its parent node via a special kind of edge called the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span>. This edge
+is added to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>when the following path operation is encountered:
+<!--l. 595--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox92"><span id="textcolor93"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">edge from parent</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span>&nbsp;<span id="textcolor94">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx13-153001"></a>
+<a
+ id="dx13-153002"></a>
+ <!--l. 596--><p class="noindent">This path operation can only be used inside <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child paths</span><span
+class="cmsy-10">&gt; </span>and should be given at the end, possibly
+ followed by node specifications (we will come to that). If a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>does not contain this operation,
+ it will be added at the end of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">child path</span><span
+class="cmsy-10">&gt; </span>automatically.
+ <!--l. 602--><p class="noindent">This operation has several effects. The most important is that it inserts the current &#8220;edge from parent path&#8221;
+ into the child path. The edge from parent path can be set using the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">edge from parent path</span><a
+ id="dx13-153003"></a><a
+ id="dx13-153004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">path</span><span
+class="cmsy-10">&gt; </span>This options allows you to set the edge from parent path to a new path.
+ The default for this path is the following:
+ <!--l. 610--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-288-" ><colgroup id="TBL-288-1g"><col
+id="TBL-288-1"></colgroup><tr
+ valign="baseline" id="TBL-288-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-288-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">(\tikzparentnode\tikzparentanchor)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\tikzchildnode\tikzchildanchor)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 613--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzparentnode</span></span></span> is a macro that will expand to the name of the parent node. This works even
+ when you have not assigned a name to the parent node, in this case an internal name is automatically
+ generated. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzchildnode</span></span></span> is a macro that expands to the name of the child node. The two
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...anchor</span></span></span> macros are empty by default. So, what is essentially inserted is just the path segment
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(\tikzparentnode)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(\tikzchildnode)</span></span></span>; which is exactly an edge from the parent to the
+ child.
+ <!--l. 622--><p class="noindent">You can modify this edge from parent path to achieve all sorts of effects. For example, we could replace
+ the straight line by a curve as follows:
+
+
+ <!--l. 625--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-289-" ><colgroup id="TBL-289-1g"><col
+id="TBL-289-1"><col
+id="TBL-289-2"></colgroup><tr
+ valign="baseline" id="TBL-289-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-289-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-284.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-289-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span><span
+class="cmtt-8">&nbsp;path=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{(\tikzparentnode.south)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(0,-1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(0,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(\tikzchildnode.north)}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 638--><p class="noindent">Further useful edge from parent paths are defined in the tree library, see Section&nbsp;<a
+href="pgfmanualse14.html#x15-17400014.6">14.6<!--tex4ht:ref: section-tree-library --></a>.
+ <!--l. 641--><p class="noindent">As said before, the anchors in the default edge from parent path are empty. However, you can set them
+ using the following options:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">child anchor</span><a
+ id="dx13-153005"></a><a
+ id="dx13-153006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt; </span>Specifies the anchor where the edge from parent meets the child
+ node by setting the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzchildanchor</span></span></span> to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 649--><p class="noindent">If you specify <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span></span></span> as the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span>, then the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzchildanchor</span></span></span> is set to the empty string.
+ The effect of this is that the edge from the parent will meet the child on the border at an
+ automatically calculated position.
+ <!--l. 653--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-290-" ><colgroup id="TBL-290-1g"><col
+id="TBL-290-1"><col
+id="TBL-290-2"></colgroup><tr
+ valign="baseline" id="TBL-290-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-290-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-285.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-290-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[child</span><span
+class="cmtt-8">&nbsp;anchor=north]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[dashed]}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[draw=none]}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">parent anchor</span><a
+ id="dx13-153007"></a><a
+ id="dx13-153008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt; </span>This option works the same way as the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span><span
+class="cmtt-10">&nbsp;anchor</span></span></span>, only for the
+ parent.</li></ul>
+ </li></ul>
+ <!--l. 670--><p class="noindent">Besides inserting the edge from parent path, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span> operation has another effect: The
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are inserted directly before the edge from parent path and the following style is also installed prior
+ to inserting the path:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">edge from parent</span><a
+ id="dx13-153009"></a><a
+ id="dx13-153010"></a> This style is inserted right before the edge from parent path and before the
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are inserted. By default, it just draws the edge from parent, but you can use it to make the
+ edge look different.
+
+
+ <!--l. 680--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-291-" ><colgroup id="TBL-291-1g"><col
+id="TBL-291-1"><col
+id="TBL-291-2"></colgroup><tr
+ valign="baseline" id="TBL-291-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-291-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-286.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-291-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent}=[draw,red,thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[dashed]}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent[draw=none]}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ <!--l. 693--><p class="noindent">Note: The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>inserted before the edge from parent path is added <span
+class="cmti-10">apply to the whole child path</span>. Thus, it
+ is not possible to, say, draw a circle in red as part of the child path and then have an edge to parent
+ in blue. However, as always, the child node is a node and can be drawn in a totally different
+ way.
+ <!--l. 699--><p class="noindent">Finally, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;from</span><span
+class="cmtt-10">&nbsp;parent</span></span></span> operation has one more effect: It causes all nodes <span
+class="cmti-10">following </span>the operation to be
+ placed on the edge. This is the same effect as if you had added the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos</span></span></span> option to all these nodes, see also
+ Section&nbsp;<a
+href="pgfmanualse11.html#x12-14300011.6.1">11.6.1<!--tex4ht:ref: section-pos-option --></a>.
+ <!--l. 704--><p class="noindent">As an example, consider the following code:
+ <!--l. 705--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-292-" ><colgroup id="TBL-292-1g"><col
+id="TBL-292-1"></colgroup><tr
+ valign="baseline" id="TBL-292-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-292-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\node</span><span
+class="cmtt-8">&nbsp;(root)</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;(child)</span><span
+class="cmtt-8">&nbsp;{}</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;to</span><span
+class="cmtt-8">&nbsp;parent</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{label}};</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 708--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">edge</span><span
+class="cmtt-10">&nbsp;to</span><span
+class="cmtt-10">&nbsp;parent</span></span></span> operation and the following <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation will, together, have the same effect as if we
+ had said:
+ <!--l. 710--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-293-" ><colgroup id="TBL-293-1g"><col
+id="TBL-293-1"></colgroup><tr
+ valign="baseline" id="TBL-293-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-293-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">(root)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(child)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;[pos=0.5]</span><span
+class="cmtt-8">&nbsp;{label}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 714--><p class="noindent">Here is a more complicated example:
+
+
+ <!--l. 715--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-294-" ><colgroup id="TBL-294-1g"><col
+id="TBL-294-1"><col
+id="TBL-294-2"></colgroup><tr
+ valign="baseline" id="TBL-294-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-294-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-287.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-294-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{left}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{a}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{b}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{child}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[left]</span><span
+class="cmtt-8">&nbsp;{c}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[near</span><span
+class="cmtt-8">&nbsp;end]</span><span
+class="cmtt-8">&nbsp;{x}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse13.html" >next</a>] [<a
+href="pgfmanualse11.html" >prev</a>] [<a
+href="pgfmanualse11.html#tailpgfmanualse11.html" >prev-tail</a>] [<a
+href="pgfmanualse12.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse12.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse12.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
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+<head><title>13 Transformations</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse12.html" >prev</a>] [<a
+href="pgfmanualse12.html#tailpgfmanualse12.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse13.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse13.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">13 </span> <a
+ id="x14-15400013"></a>Transformations</h3>
+<!--l. 10--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;has a powerful transformation mechanism that is similar to the transformation capabilities of <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small></span>. The
+present section explains how you can access it in Ti<span
+class="cmti-10">k</span>Z.
+<!--l. 15--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">13.1 </span> <a
+ id="x14-15500013.1"></a>The Different Coordinate Systems</h4>
+<!--l. 17--><p class="noindent">It is a long process from a coordinate like, say, (1<span
+class="cmmi-10">,</span>2) or (1cm<span
+class="cmmi-10">,</span>5<span
+class="cmmi-10">mathrm</span><span
+class="cmmi-10">pt</span>), to the position a point is finally placed
+on the display or paper. In order to find out where the point should go, it is constantly &#8220;transformed,&#8221;
+which means that it is mostly shifted around and possibly rotated, slanted, scaled, and otherwise
+mutilated.
+<!--l. 24--><p class="indent"> In detail, (at least) the following transformations are applied to a coordinate like (1<span
+class="cmmi-10">,</span>2) before a point on the
+screen is chosen:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x14-155002x1"></a><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;interprets a coordinate like (1<span
+class="cmmi-10">,</span>2) in its <span
+class="cmmi-10">xy</span>-coordinate system as &#8220;add the current <span
+class="cmmi-10">x</span>-vector once
+ and the current <span
+class="cmmi-10">y</span>-vector twice to obtain the new point.&#8221;
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x14-155004x2"></a><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;applies its coordinate transformation matrix to the resulting coordinate. This yields the final
+ position of the point inside the picture.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x14-155006x3"></a>The backend driver (like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span>) adds transformation commands such the coordinate is
+ shifted to the correct position in <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s page coordinate system.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x14-155008x4"></a><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>(or PostScript) apply the canvas transformation matrix to the point, which can once more change
+ the position on the page.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x14-155010x5"></a>The viewer application or the printer applies the device transformation matrix to transform the
+ coordinate to its final pixel coordinate on the screen or paper.</li></ol>
+<!--l. 49--><p class="indent"> In reality, the process is even more involved, but the above should give the idea: A point is constantly
+transformed by changes of the coordinate system.
+<!--l. 53--><p class="indent"> In Ti<span
+class="cmti-10">k</span>Z, you only have access to the first two coordinate systems: The <span
+class="cmmi-10">xy</span>-coordinate system and the coordinate
+transformation matrix (these will be explained later). <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;also allows you to change the canvas transformation
+matrix, but you have to use commands of the core layer directly to do so and you &#8220;better know what you
+are doing&#8221; when you do this. The moment you start modifying the canvas matrix, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;immediately
+looses track of all coordinates and shapes, anchors, and bounding box computations will no longer
+work.
+<!--l. 64--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">13.2 </span> <a
+ id="x14-15600013.2"></a>The Xy- and Xyz-Coordinate Systems</h4>
+<!--l. 66--><p class="noindent">The first and easiest coordinate systems are <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xy</span>- and <span
+class="cmmi-10">xyz</span>-coordinate systems. The idea is very simple:
+Whenever you specify a coordinate like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,3)</span></span></span> this means 2<span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">x</span></sub> + 3<span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">y</span></sub>, where <span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">x</span></sub> is the current <span
+class="cmmi-10">x</span><span
+class="cmti-10">-vector </span>and <span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">y</span></sub> is the
+current <span
+class="cmmi-10">y</span><span
+class="cmti-10">-vector</span>. Similarly, the coordinate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,2,3)</span></span></span> means <span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">x</span></sub> + 2<span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">y</span></sub> + 3<span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">z</span></sub>.
+<!--l. 73--><p class="indent"> Unlike other packages, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;does not insist that <span
+class="cmmi-10">v</span><sub ><span
+class="cmmi-7">x</span></sub> actually has a <span
+class="cmmi-10">y</span>-component of 0, that is, that it is a
+horizontal vector. Instead, the <span
+class="cmmi-10">x</span>-vector can point anywhere you want. Naturally, <span
+class="cmti-10">normally </span>you will want the
+<span
+class="cmmi-10">x</span>-vector to point horizontally.
+
+
+<!--l. 79--><p class="indent"> One undesirable effect of this flexibility is that it is not possible to provide mixed coordinates as in (1<span
+class="cmmi-10">,</span>2pt). Life
+is hard.
+<!--l. 82--><p class="indent"> To change the <span
+class="cmmi-10">x</span>-, <span
+class="cmmi-10">y</span>-, and <span
+class="cmmi-10">z</span>-vectors, you can use the following options:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">x</span><a
+ id="dx14-156001"></a><a
+ id="dx14-156002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the <span
+class="cmmi-10">x</span>-vector of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xyz</span>-coordinate system to point <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>to the right,
+ that is, to (<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmmi-10">,</span>0<span
+class="cmmi-10">pt</span>). The default is 1cm.
+ <!--l. 91--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-295-" ><colgroup id="TBL-295-1g"><col
+id="TBL-295-1"><col
+id="TBL-295-2"></colgroup><tr
+ valign="baseline" id="TBL-295-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-295-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-288.svg" width="57.3055pt" height="3.24544pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-295-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[x=2cm,color=red]</span><span
+class="cmtt-8">&nbsp;(0,0.1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 98--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-296-" ><colgroup id="TBL-296-1g"><col
+id="TBL-296-1"><col
+id="TBL-296-2"></colgroup><tr
+ valign="baseline" id="TBL-296-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-296-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-289.svg" width="85.75824pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-296-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[x=1.5cm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,2);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 102--><p class="noindent">The last example shows that the size of steppings in grids, just like all other dimensions, are not affected by
+ the <span
+class="cmmi-10">x</span>-vector. After all, the <span
+class="cmmi-10">x</span>-vector is only used to determine the coordinate of the upper right corner of the
+ grid.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">x</span><a
+ id="dx14-156003"></a><a
+ id="dx14-156004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>Sets the <span
+class="cmmi-10">x</span>-vector of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xyz</span>-coordinate system to the specified <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. If <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>
+ contains a comma, it must be put in braces.
+ <!--l. 111--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-297-" ><colgroup id="TBL-297-1g"><col
+id="TBL-297-1"><col
+id="TBL-297-2"></colgroup><tr
+ valign="baseline" id="TBL-297-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-297-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-290.svg" width="57.3055pt" height="14.62636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-297-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[x={(2cm,0.5cm)},color=red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 118--><p class="noindent">You can use this, for example, to exchange the meaning of the <span
+class="cmmi-10">x</span>- and <span
+class="cmmi-10">y</span>-coordinate.
+ <!--l. 121--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-298-" ><colgroup id="TBL-298-1g"><col
+id="TBL-298-1"><col
+id="TBL-298-2"></colgroup><tr
+ valign="baseline" id="TBL-298-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-298-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-291.svg" width="91.67986pt" height="91.67986pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-298-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[smooth]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates{(1,0)</span><span
+class="cmtt-8">&nbsp;(2,0.5)</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;(3,1)};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[x={(0cm,1cm)},y={(1cm,0cm)},color=red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates{(1,0)</span><span
+class="cmtt-8">&nbsp;(2,0.5)</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;(3,1)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">y</span><a
+ id="dx14-156005"></a><a
+ id="dx14-156006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>Works like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x=</span></span></span> option, only if <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>is a dimension, the resulting vector points to
+ (0<span
+class="cmmi-10">,</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span>).
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">z</span><a
+ id="dx14-156007"></a><a
+ id="dx14-156008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>Works like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">z=</span></span></span> option, but now a dimension is means the point (<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmmi-10">,</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span>).
+
+
+ <!--l. 136--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-299-" ><colgroup id="TBL-299-1g"><col
+id="TBL-299-1"><col
+id="TBL-299-2"></colgroup><tr
+ valign="baseline" id="TBL-299-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-299-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-292.svg" width="57.70547pt" height="57.70547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-299-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[z=-1cm,-&gt;,thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red]</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=blue]</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=orange]</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 147--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">13.3 </span> <a
+ id="x14-15700013.3"></a>Coordinate Transformations</h4>
+<!--l. 149--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z&nbsp;allow you to specify <span
+class="cmti-10">coordinate transformations</span>. Whenever you specify a coordinate as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,0)</span></span></span> or
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1cm,1pt)</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:2cm)</span></span></span>, this coordinate is first &#8220;reduced&#8221; to a position of the form &#8220;<span
+class="cmmi-10">x </span>points to the right and <span
+class="cmmi-10">y</span>
+points upwards.&#8221; For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1in,5pt)</span></span></span> is reduced to &#8220;72<img
+src="pgfmanual22x.gif" alt="-72
+100" class="frac" align="middle"> points to the right and 5 points upwards&#8221; and
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(90:100pt)</span></span></span> means &#8220;0pt to the right and 100 points upwards.&#8221;
+<!--l. 157--><p class="indent"> The next step is to apply the current <span
+class="cmti-10">coordinate transformation matrix </span>to the coordinate. For example, the
+coordinate transformation matrix might currently be set such that it adds a certain constant to the <span
+class="cmmi-10">x </span>value. Also, it
+might be setup such that it, say, exchanges the <span
+class="cmmi-10">x </span>and <span
+class="cmmi-10">y </span>value. In general, any &#8220;standard&#8221; transformation like
+translation, rotation, slanting, or scaling or any combination thereof is possible. (Internally, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;keeps
+track of a coordinate transformation matrix very much like the concatenation matrix used by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>or
+PostScript.)
+<!--l. 167--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-300-" ><colgroup id="TBL-300-1g"><col
+id="TBL-300-1"><col
+id="TBL-300-2"></colgroup><tr
+ valign="baseline" id="TBL-300-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-300-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-293.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-300-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[xshift=1cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yshift=1cm]</span><span
+class="cmtt-8">&nbsp;[blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate=30]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[orange]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 179--><p class="indent"> The most important aspect of the coordinate transformation matrix is <span
+class="cmti-10">that it applies to coordinates</span>
+<span
+class="cmti-10">only! </span>In particular, the coordinate transformation has no effect on things like the line width or the
+dash pattern or the shading angle. In certain cases, it is not immediately clear whether the coordinate
+transformation matrix <span
+class="cmti-10">should </span>apply to a certain dimension. For example, should the coordinate transformation
+matrix apply to grids? (It does.) And what about the size of arced corners? (It does not.) The general
+rule is &#8220;If there is no &#8216;coordinate&#8217; involved, even &#8216;indirectly,&#8217; the matrix is not applied.&#8221; However,
+sometimes, you simply have to try or look it up in the documentation whether the matrix will be
+applied.
+<!--l. 191--><p class="indent"> Setting the matrix cannot be done directly. Rather, all you can do is to &#8220;add&#8221; another transformation to the
+current matrix. However, all transformations are local to the current <span class="TEX">T<span
+class="E">E</span>X</span>-group. All transformations are added
+using graphic options, which are described below.
+<!--l. 197--><p class="indent"> Transformations apply immediately when they are encountered &#8220;in the middle of a path&#8221; and they apply only to
+the coordinates on the path following the transformation option.
+<!--l. 201--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-301-" ><colgroup id="TBL-301-1g"><col
+id="TBL-301-1"><col
+id="TBL-301-2"></colgroup><tr
+ valign="baseline" id="TBL-301-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-301-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-294.svg" width="85.75824pt" height="14.62636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-301-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5)</span><span
+class="cmtt-8">&nbsp;[xshift=2cm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,0.5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 205--><p class="indent"> A final word of warning: You should refrain from using &#8220;aggressive&#8221; transformations like a scaling of a factor of
+10000. The reason is that all transformations are done using <span class="TEX">T<span
+class="E">E</span>X</span>, which has a fairly low accuracy. Furthermore, in
+certain situations it is necessary that Ti<span
+class="cmti-10">k</span>Z&nbsp;<span
+class="cmti-10">inverts </span>the current transformation matrix and this will fail if the
+transformation matrix is badly conditioned or even singular (if you do not know what singular matrices are, you are
+
+
+blessed).
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">shift</span><a
+ id="dx14-157001"></a><a
+ id="dx14-157002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">={</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span> adds the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>to all coordinates.
+ <!--l. 216--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-302-" ><colgroup id="TBL-302-1g"><col
+id="TBL-302-1"><col
+id="TBL-302-2"></colgroup><tr
+ valign="baseline" id="TBL-302-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-302-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-295.svg" width="85.65822pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-302-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(1,1)},blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift={(30:1cm)},red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">xshift</span><a
+ id="dx14-157003"></a><a
+ id="dx14-157004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>adds <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>to the <span
+class="cmmi-10">x </span>value of all coordinates.
+ <!--l. 227--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-303-" ><colgroup id="TBL-303-1g"><col
+id="TBL-303-1"><col
+id="TBL-303-2"></colgroup><tr
+ valign="baseline" id="TBL-303-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-303-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-296.svg" width="95.75824pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-303-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=2cm,blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=-10pt,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">yshift</span><a
+ id="dx14-157005"></a><a
+ id="dx14-157006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>adds <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>to the <span
+class="cmmi-10">y </span>value of all coordinates.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">scale</span><a
+ id="dx14-157007"></a><a
+ id="dx14-157008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>multiplies all coordinates by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>should not be excessively large in
+ absolute terms or very near to zero.
+ <!--l. 243--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-304-" ><colgroup id="TBL-304-1g"><col
+id="TBL-304-1"><col
+id="TBL-304-2"></colgroup><tr
+ valign="baseline" id="TBL-304-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-304-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-297.svg" width="114.11096pt" height="85.75822pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-304-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[scale=2,blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[scale=-1,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">xscale</span><a
+ id="dx14-157009"></a><a
+ id="dx14-157010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>multiplies only the <span
+class="cmmi-10">x</span>-value of all coordinates by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>.
+
+
+ <!--l. 255--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-305-" ><colgroup id="TBL-305-1g"><col
+id="TBL-305-1"><col
+id="TBL-305-2"></colgroup><tr
+ valign="baseline" id="TBL-305-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-305-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-298.svg" width="114.11096pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-305-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xscale=2,blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xscale=-1,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">yscale</span><a
+ id="dx14-157011"></a><a
+ id="dx14-157012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>multiplies only the <span
+class="cmmi-10">y</span>-value of all coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">xslant</span><a
+ id="dx14-157013"></a><a
+ id="dx14-157014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>slants the coordinate horizontally by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>:
+ <!--l. 269--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-306-" ><colgroup id="TBL-306-1g"><col
+id="TBL-306-1"><col
+id="TBL-306-2"></colgroup><tr
+ valign="baseline" id="TBL-306-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-306-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-299.svg" width="85.75822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-306-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xslant=2,blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xslant=-1,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">yslant</span><a
+ id="dx14-157015"></a><a
+ id="dx14-157016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>slants the coordinate vertically by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>:
+ <!--l. 280--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-307-" ><colgroup id="TBL-307-1g"><col
+id="TBL-307-1"><col
+id="TBL-307-2"></colgroup><tr
+ valign="baseline" id="TBL-307-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-307-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-300.svg" width="85.65822pt" height="114.21097pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-307-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yslant=2,blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yslant=-1,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">rotate</span><a
+ id="dx14-157017"></a><a
+ id="dx14-157018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt; </span>rotates the coordinate system by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt;</span>:
+ <!--l. 291--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-308-" ><colgroup id="TBL-308-1g"><col
+id="TBL-308-1"><col
+id="TBL-308-2"></colgroup><tr
+ valign="baseline" id="TBL-308-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-308-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-301.svg" width="85.65822pt" height="66.93704pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-308-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate=40,blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate=-20,red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">rotate around</span><a
+ id="dx14-157019"></a><a
+ id="dx14-157020"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">={</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">:</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span> rotates the coordinate system by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt; </span>around the point
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 303--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-309-" ><colgroup id="TBL-309-1g"><col
+id="TBL-309-1"><col
+id="TBL-309-2"></colgroup><tr
+ valign="baseline" id="TBL-309-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-309-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-302.svg" width="93.674pt" height="68.83777pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-309-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate</span><span
+class="cmtt-8">&nbsp;around={40:(1,1)},blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate</span><span
+class="cmtt-8">&nbsp;around={-20:(1,1)},red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">cm</span><a
+ id="dx14-157021"></a><a
+ id="dx14-157022"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">={</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">a</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">b</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">c</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">d</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span> applies the following transformation to all coordinates: Let (<span
+class="cmmi-10">x,y</span>) be the
+ coordinate to be transformed and let <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>specify the point (<span
+class="cmmi-10">t</span><sub ><span
+class="cmmi-7">x</span></sub><span
+class="cmmi-10">,t</span><sub ><span
+class="cmmi-7">y</span></sub>). Then the new coordinate is given
+ by <img
+src="pgfmanual23x.gif" alt="(a b)
+ c d" class="left" align="middle"><img
+src="pgfmanual24x.gif" alt=" x
+(y)" class="left" align="middle"> + <img
+src="pgfmanual25x.gif" alt="(tx)
+ ty" class="left" align="middle">. Usually, you do not use this option directly.
+ <!--l. 321--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-310-" ><colgroup id="TBL-310-1g"><col
+id="TBL-310-1"><col
+id="TBL-310-2"></colgroup><tr
+ valign="baseline" id="TBL-310-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-310-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-303.svg" width="85.65822pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-310-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[cm={1,1,0,1,(0,0)},blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[cm={0,1,1,0,(1cm,1cm)},red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">reset cm</span><a
+ id="dx14-157023"></a><a
+ id="dx14-157024"></a> completely resets the coordinate transformation matrix to the identity matrix. This will destroy not
+ only the transformations applied in the current scope, but also all transformations inherited from surrounding
+ scopes. Do not use this option.</li></ul>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse12.html" >prev</a>] [<a
+href="pgfmanualse12.html#tailpgfmanualse12.html" >prev-tail</a>] [<a
+href="pgfmanualse13.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse13.html" >up</a>] </p></div>
+<!--l. 181--><p class="indent"> <a
+ id="tailpgfmanualse13.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse14.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse14.html
new file mode 100644
index 00000000000..5bebfa48766
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse14.html
@@ -0,0 +1,3886 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>14 Libraries</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse15.html" >next</a>] [<a
+href="#tailpgfmanualse14.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse14.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">14 </span> <a
+ id="x15-15900014"></a>Libraries</h3>
+<!--l. 10--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.1 </span> <a
+ id="x15-16000014.1"></a>Arrow Tip Library</h4>
+<!--l. 13--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox95"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibraryarrows</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-160001"></a>
+<a
+ id="dx15-160002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox96"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryarrows</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox97"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryarrows</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 14--><p class="noindent">The package defines additional arrow tips, which are described below. See page&nbsp;<a
+href="pgfmanualse24.html#x25-25900024.5">295<!--tex4ht:ref: section-pos-option --></a> for the arrows tips
+ that are defined by default. Note that neither the standard packages nor this package defines an arrow
+ name containing <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;</span></span></span>. These are left for the user to defined as he or she sees fit. </dd></dl>
+<!--l. 21--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.1 </span> <a
+ id="x15-16100014.1.1"></a>Triangular Arrow Tips</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-312-" ><colgroup id="TBL-312-1g"><col
+id="TBL-312-1"><col
+id="TBL-312-2"></colgroup><tr
+ valign="baseline" id="TBL-312-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-1-1"
+class="td11"> <a
+ id="dx15-161001"></a><a
+ id="dx15-161002"></a> <span
+class="cmtt-10">latex' </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-1-2"
+class="td11"> yields thick <object data="pgfmanual-305.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-306.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-2-1"
+class="td11"> <a
+ id="dx15-161003"></a><a
+ id="dx15-161004"></a> <span
+class="cmtt-10">latex' reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-2-2"
+class="td11"> yields thick <object data="pgfmanual-307.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-308.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-3-1"
+class="td11"> <a
+ id="dx15-161005"></a><a
+ id="dx15-161006"></a> <span
+class="cmtt-10">stealth' </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-3-2"
+class="td11"> yields thick <object data="pgfmanual-309.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-310.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-4-1"
+class="td11"> <a
+ id="dx15-161007"></a><a
+ id="dx15-161008"></a> <span
+class="cmtt-10">stealth' reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-4-2"
+class="td11"> yields thick <object data="pgfmanual-311.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-312.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-5-1"
+class="td11"> <a
+ id="dx15-161009"></a><a
+ id="dx15-161010"></a> <span
+class="cmtt-10">triangle 90 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-5-2"
+class="td11"> yields thick <object data="pgfmanual-313.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-314.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-6-1"
+class="td11"> <a
+ id="dx15-161011"></a><a
+ id="dx15-161012"></a> <span
+class="cmtt-10">triangle 90 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-6-2"
+class="td11"> yields thick <object data="pgfmanual-315.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-316.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-7-1"
+class="td11"> <a
+ id="dx15-161013"></a><a
+ id="dx15-161014"></a> <span
+class="cmtt-10">triangle 60 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-7-2"
+class="td11"> yields thick <object data="pgfmanual-317.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-318.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-8-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-8-1"
+class="td11"> <a
+ id="dx15-161015"></a><a
+ id="dx15-161016"></a> <span
+class="cmtt-10">triangle 60 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-8-2"
+class="td11"> yields thick <object data="pgfmanual-319.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-320.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-9-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-9-1"
+class="td11"> <a
+ id="dx15-161017"></a><a
+ id="dx15-161018"></a> <span
+class="cmtt-10">triangle 45 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-9-2"
+class="td11"> yields thick <object data="pgfmanual-321.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-322.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-10-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-10-1"
+class="td11"> <a
+ id="dx15-161019"></a><a
+ id="dx15-161020"></a> <span
+class="cmtt-10">triangle 45 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-10-2"
+class="td11"> yields thick <object data="pgfmanual-323.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-324.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-11-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-11-1"
+class="td11"> <a
+ id="dx15-161021"></a><a
+ id="dx15-161022"></a> <span
+class="cmtt-10">open triangle 90 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-11-2"
+class="td11"> yields thick <object data="pgfmanual-325.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-326.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-12-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-12-1"
+class="td11"> <a
+ id="dx15-161023"></a><a
+ id="dx15-161024"></a> <span
+class="cmtt-10">open triangle 90 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-12-2"
+class="td11"> yields thick <object data="pgfmanual-327.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-328.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-13-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-13-1"
+class="td11"> <a
+ id="dx15-161025"></a><a
+ id="dx15-161026"></a> <span
+class="cmtt-10">open triangle 60 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-13-2"
+class="td11"> yields thick <object data="pgfmanual-329.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-330.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-14-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-14-1"
+class="td11"> <a
+ id="dx15-161027"></a><a
+ id="dx15-161028"></a> <span
+class="cmtt-10">open triangle 60 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-14-2"
+class="td11"> yields thick <object data="pgfmanual-331.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-332.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-15-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-15-1"
+class="td11"> <a
+ id="dx15-161029"></a><a
+ id="dx15-161030"></a> <span
+class="cmtt-10">open triangle 45 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-15-2"
+class="td11"> yields thick <object data="pgfmanual-333.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-334.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-16-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-16-1"
+class="td11"> <a
+ id="dx15-161031"></a><a
+ id="dx15-161032"></a> <span
+class="cmtt-10">open triangle 45 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-16-2"
+class="td11"> yields thick <object data="pgfmanual-335.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-336.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-312-17-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-312-17-1"
+class="td11"> </td> </tr></table>
+</div>
+<!--l. 42--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.2 </span> <a
+ id="x15-16200014.1.2"></a>Barbed Arrow Tips</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-313-" ><colgroup id="TBL-313-1g"><col
+id="TBL-313-1"><col
+id="TBL-313-2"></colgroup><tr
+ valign="baseline" id="TBL-313-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-1-1"
+class="td11"> <a
+ id="dx15-162001"></a><a
+ id="dx15-162002"></a> <span
+class="cmtt-10">angle 90 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-1-2"
+class="td11"> yields thick <object data="pgfmanual-337.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-338.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-2-1"
+class="td11"> <a
+ id="dx15-162003"></a><a
+ id="dx15-162004"></a> <span
+class="cmtt-10">angle 90 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-2-2"
+class="td11"> yields thick <object data="pgfmanual-339.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-340.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-3-1"
+class="td11"> <a
+ id="dx15-162005"></a><a
+ id="dx15-162006"></a> <span
+class="cmtt-10">angle 60 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-3-2"
+class="td11"> yields thick <object data="pgfmanual-341.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-342.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-4-1"
+class="td11"> <a
+ id="dx15-162007"></a><a
+ id="dx15-162008"></a> <span
+class="cmtt-10">angle 60 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-4-2"
+class="td11"> yields thick <object data="pgfmanual-343.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-344.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-5-1"
+class="td11"> <a
+ id="dx15-162009"></a><a
+ id="dx15-162010"></a> <span
+class="cmtt-10">angle 45 </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-5-2"
+class="td11"> yields thick <object data="pgfmanual-345.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-346.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-6-1"
+class="td11"> <a
+ id="dx15-162011"></a><a
+ id="dx15-162012"></a> <span
+class="cmtt-10">angle 45 reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-6-2"
+class="td11"> yields thick <object data="pgfmanual-347.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-348.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-7-1"
+class="td11"> <a
+ id="dx15-162013"></a><a
+ id="dx15-162014"></a> <span
+class="cmtt-10">hooks </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-7-2"
+class="td11"> yields thick <object data="pgfmanual-349.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-350.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-8-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-8-1"
+class="td11"> <a
+ id="dx15-162015"></a><a
+ id="dx15-162016"></a> <span
+class="cmtt-10">hooks reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-8-2"
+class="td11"> yields thick <object data="pgfmanual-351.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-352.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-313-9-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-313-9-1"
+class="td11"> </td> </tr></table>
+</div>
+
+
+<!--l. 56--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.3 </span> <a
+ id="x15-16300014.1.3"></a>Bracket-Like Arrow Tips</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-314-" ><colgroup id="TBL-314-1g"><col
+id="TBL-314-1"><col
+id="TBL-314-2"></colgroup><tr
+ valign="baseline" id="TBL-314-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-1-1"
+class="td11"> <a
+ id="dx15-163001"></a><a
+ id="dx15-163002"></a> <a
+ id="dx15-163003"></a><a
+ id="dx15-163004"></a> <span
+class="cmtt-10">[-] </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-1-2"
+class="td11"> yields thick <object data="pgfmanual-353.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-354.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-314-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-2-1"
+class="td11"> <a
+ id="dx15-163005"></a><a
+ id="dx15-163006"></a> <a
+ id="dx15-163007"></a><a
+ id="dx15-163008"></a> <span
+class="cmtt-10">]-[ </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-2-2"
+class="td11"> yields thick <object data="pgfmanual-355.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-356.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-314-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-3-1"
+class="td11"> <a
+ id="dx15-163009"></a><a
+ id="dx15-163010"></a> <a
+ id="dx15-163011"></a><a
+ id="dx15-163012"></a> <span
+class="cmtt-10">(-) </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-3-2"
+class="td11"> yields thick <object data="pgfmanual-357.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-358.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-314-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-4-1"
+class="td11"> <a
+ id="dx15-163013"></a><a
+ id="dx15-163014"></a> <a
+ id="dx15-163015"></a><a
+ id="dx15-163016"></a> <span
+class="cmtt-10">)-( </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-314-4-2"
+class="td11"> yields thick <object data="pgfmanual-359.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-360.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td> </tr></table>
+</div>
+<!--l. 65--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.4 </span> <a
+ id="x15-16400014.1.4"></a>Circle and Diamond Arrow Tips</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-315-" ><colgroup id="TBL-315-1g"><col
+id="TBL-315-1"><col
+id="TBL-315-2"></colgroup><tr
+ valign="baseline" id="TBL-315-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-1-1"
+class="td11"> <a
+ id="dx15-164001"></a><a
+ id="dx15-164002"></a> <span
+class="cmtt-10">o </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-1-2"
+class="td11"> yields thick <object data="pgfmanual-361.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-362.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-315-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-2-1"
+class="td11"> <a
+ id="dx15-164003"></a><a
+ id="dx15-164004"></a> <span
+class="cmtt-10">* </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-2-2"
+class="td11"> yields thick <object data="pgfmanual-363.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-364.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-315-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-3-1"
+class="td11"> <a
+ id="dx15-164005"></a><a
+ id="dx15-164006"></a> <span
+class="cmtt-10">diamond </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-3-2"
+class="td11"> yields thick <object data="pgfmanual-365.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-366.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-315-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-4-1"
+class="td11"> <a
+ id="dx15-164007"></a><a
+ id="dx15-164008"></a> <span
+class="cmtt-10">open diamond </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-4-2"
+class="td11"> yields thick <object data="pgfmanual-367.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-368.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-315-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-315-5-1"
+class="td11"> </td> </tr></table>
+</div>
+<!--l. 76--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.5 </span> <a
+ id="x15-16500014.1.5"></a>Partial Arrow Tips</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-316-" ><colgroup id="TBL-316-1g"><col
+id="TBL-316-1"><col
+id="TBL-316-2"></colgroup><tr
+ valign="baseline" id="TBL-316-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-1-1"
+class="td11"> <a
+ id="dx15-165001"></a><a
+ id="dx15-165002"></a> <span
+class="cmtt-10">left to </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-1-2"
+class="td11"> yields thick <object data="pgfmanual-369.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-370.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-2-1"
+class="td11"> <a
+ id="dx15-165003"></a><a
+ id="dx15-165004"></a> <span
+class="cmtt-10">left to reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-2-2"
+class="td11"> yields thick <object data="pgfmanual-371.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-372.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-3-1"
+class="td11"> <a
+ id="dx15-165005"></a><a
+ id="dx15-165006"></a> <span
+class="cmtt-10">right to </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-3-2"
+class="td11"> yields thick <object data="pgfmanual-373.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-374.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-4-1"
+class="td11"> <a
+ id="dx15-165007"></a><a
+ id="dx15-165008"></a> <span
+class="cmtt-10">right to reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-4-2"
+class="td11"> yields thick <object data="pgfmanual-375.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-376.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-5-1"
+class="td11"> <a
+ id="dx15-165009"></a><a
+ id="dx15-165010"></a> <span
+class="cmtt-10">left hook </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-5-2"
+class="td11"> yields thick <object data="pgfmanual-377.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-378.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-6-1"
+class="td11"> <a
+ id="dx15-165011"></a><a
+ id="dx15-165012"></a> <span
+class="cmtt-10">left hook reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-6-2"
+class="td11"> yields thick <object data="pgfmanual-379.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-380.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-7-1"
+class="td11"> <a
+ id="dx15-165013"></a><a
+ id="dx15-165014"></a> <span
+class="cmtt-10">right hook </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-7-2"
+class="td11"> yields thick <object data="pgfmanual-381.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-382.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-316-8-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-8-1"
+class="td11"> <a
+ id="dx15-165015"></a><a
+ id="dx15-165016"></a> <span
+class="cmtt-10">right hook reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-316-8-2"
+class="td11"> yields thick <object data="pgfmanual-383.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-384.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td> </tr></table>
+</div>
+<!--l. 90--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.1.6 </span> <a
+ id="x15-16600014.1.6"></a>Line Caps</h5>
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-317-" ><colgroup id="TBL-317-1g"><col
+id="TBL-317-1"><col
+id="TBL-317-2"></colgroup><tr
+ valign="baseline" id="TBL-317-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-1-1"
+class="td11"> <a
+ id="dx15-166001"></a><a
+ id="dx15-166002"></a> <span
+class="cmtt-10">round cap </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-1-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-385.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-2-1"
+class="td11"> <a
+ id="dx15-166003"></a><a
+ id="dx15-166004"></a> <span
+class="cmtt-10">butt cap </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-2-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-386.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-3-1"
+class="td11"> <a
+ id="dx15-166005"></a><a
+ id="dx15-166006"></a> <span
+class="cmtt-10">triangle 90 cap </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-3-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-387.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-4-1"
+class="td11"> <a
+ id="dx15-166007"></a><a
+ id="dx15-166008"></a> <span
+class="cmtt-10">triangle 90 cap reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-4-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-388.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-5-1"
+class="td11"> <a
+ id="dx15-166009"></a><a
+ id="dx15-166010"></a> <span
+class="cmtt-10">fast cap </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-5-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-389.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-6-1"
+class="td11"> <a
+ id="dx15-166011"></a><a
+ id="dx15-166012"></a> <span
+class="cmtt-10">fast cap reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-6-2"
+class="td11"> yields for line width 1ex <object data="pgfmanual-390.svg" width="42.67912pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-317-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-317-7-1"
+class="td11"> </td> </tr></table>
+</div>
+<!--l. 102--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.2 </span> <a
+ id="x15-16700014.2"></a>Snake Library</h4>
+<!--l. 106--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox98"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibrarysnakes</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167001"></a>
+<a
+ id="dx15-167002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox99"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarysnakes</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox100"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarysnakes</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 107--><p class="noindent">This library package defines basic snakes. Section&nbsp;<a
+href="pgfmanualse9.html#x10-1020009.2.3">9.2.3<!--tex4ht:ref: section-tikz-snakes --></a> explains how snakes are used in Ti<span
+class="cmti-10">k</span>Z,
+ Section&nbsp;<a
+href="pgfmanualse22.html#x23-22900022">22<!--tex4ht:ref: section-base-snakes --></a> explains how new snakes can be defined.
+
+
+ <!--l. 112--><p class="noindent">The snakes are influenced by the current values of parameters like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span>. Only
+ this parameter and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> are proper <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions, all other parameters are
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;macros.
+ <!--l. 117--><p class="noindent">In Ti<span
+class="cmti-10">k</span>Z, each parameter can be set using an option having the parameters name minus the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnake</span></span></span>
+ part. </dd></dl>
+<!--l. 122--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox101">Snake <span
+class="cmtt-10">border</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167003"></a>
+<a
+ id="dx15-167004"></a>
+ <!--l. 123--><p class="noindent">This snake adds straight lines the path that are at a specific angle to the line toward the target. The idea is to
+ add these little lines to indicate the &#8220;border&#8221; or an area. The following parameters influence the
+ snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between consecutive ticks.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines the length of the ticks.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentangle</span></span></span> determines the angle between the ticks and the line toward the target.</li></ul>
+ <!--l. 136--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-318-" ><colgroup id="TBL-318-1g"><col
+id="TBL-318-1"><col
+id="TBL-318-2"></colgroup><tr
+ valign="baseline" id="TBL-318-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-318-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-391.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-318-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[snake=border,segment</span><span
+class="cmtt-8">&nbsp;angle=-45]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,1);}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 143--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox102">Snake <span
+class="cmtt-10">brace</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167005"></a>
+<a
+ id="dx15-167006"></a>
+ <!--l. 144--><p class="noindent">This snake adds a long brace to the path. The left and right end of the brace will be exactly on the start and
+ endpoint of the snake. The following parameters influence the snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines how much the brace rises above the path.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentaspect</span></span></span> determines the fraction of the total length where the &#8220;middle part&#8221; of
+ the brace will be.</li></ul>
+ <!--l. 154--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-319-" ><colgroup id="TBL-319-1g"><col
+id="TBL-319-1"><col
+id="TBL-319-2"></colgroup><tr
+ valign="baseline" id="TBL-319-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-319-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-392.svg" width="85.42587pt" height="2.9pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-319-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=brace,segment</span><span
+class="cmtt-8">&nbsp;aspect=0.25]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 159--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox103">Snake <span
+class="cmtt-10">bumps</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167007"></a>
+<a
+ id="dx15-167008"></a>
+ <!--l. 160--><p class="noindent">This snake consists of little half ellipses. The following parameters influence the snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines the height of the half ellipse.
+
+
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the width of the half ellipse.</li></ul>
+ <!--l. 168--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-320-" ><colgroup id="TBL-320-1g"><col
+id="TBL-320-1"><col
+id="TBL-320-2"></colgroup><tr
+ valign="baseline" id="TBL-320-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-320-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-393.svg" width="85.42587pt" height="2.9pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-320-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=bumps]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 174--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox104">Snake <span
+class="cmtt-10">coil</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167009"></a>
+<a
+ id="dx15-167010"></a>
+ <!--l. 175--><p class="noindent">This snake adds a coil to the path. To understand how this works, imagine a three-dimensional spring. The
+ spring&#8217;s axis points along the line toward the target. Then, we &#8220;view&#8221; the spring from a certain angle. If we
+ look &#8220;straight from the side&#8221; we will see a perfect sine curve, if we look &#8220;more from the front&#8221; we will see a
+ coil. The following parameters influence the snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines how much the coil rises above the path and falls below
+ it. Thus, this is the radius of the coil.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between two consecutive &#8220;curls.&#8221; Thus, when
+ the spring is see &#8220;from the side&#8221; this will be the wave length of the sine curve.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentaspect</span></span></span> determines the &#8220;viewing direction.&#8221; A value of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0</span></span></span> means &#8220;looking from
+ the side&#8221; and a value of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span>, which is the default, means &#8220;look more from the front.&#8221;</li></ul>
+ <!--l. 194--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-321-" ><colgroup id="TBL-321-1g"><col
+id="TBL-321-1"><col
+id="TBL-321-2"></colgroup><tr
+ valign="baseline" id="TBL-321-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-321-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-394.svg" width="85.42587pt" height="48.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-321-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[segment</span><span
+class="cmtt-8">&nbsp;amplitude=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil,segment</span><span
+class="cmtt-8">&nbsp;aspect=0]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 203--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox105">Snake <span
+class="cmtt-10">expanding waves</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167011"></a>
+<a
+ id="dx15-167012"></a>
+ <!--l. 204--><p class="noindent">This snake adds arcs to the path that get bigger along the line towards the target. The following parameters
+ influence the snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between consecutive arcs.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentangle</span></span></span> determines the opening angle below and above the path. Thus, the total
+ opening angle is twice this angle.</li></ul>
+
+
+ <!--l. 213--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-322-" ><colgroup id="TBL-322-1g"><col
+id="TBL-322-1"><col
+id="TBL-322-2"></colgroup><tr
+ valign="baseline" id="TBL-322-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-322-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-395.svg" width="88.36203pt" height="113.5372pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-322-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=expanding</span><span
+class="cmtt-8">&nbsp;waves]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 219--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox106">Snake <span
+class="cmtt-10">saw</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167013"></a>
+<a
+ id="dx15-167014"></a>
+ <!--l. 220--><p class="noindent">This snake looks like the blade of a saw. The following parameters influence the snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines how much each spike raises above the straight line.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the length each spike.</li></ul>
+ <!--l. 228--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-323-" ><colgroup id="TBL-323-1g"><col
+id="TBL-323-1"><col
+id="TBL-323-2"></colgroup><tr
+ valign="baseline" id="TBL-323-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-323-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-396.svg" width="85.42587pt" height="2.9pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-323-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=saw]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 234--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox107">Snake <span
+class="cmtt-10">snake</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167015"></a>
+<a
+ id="dx15-167016"></a>
+ <!--l. 235--><p class="noindent">This snake is the &#8220;architypical&#8221; snake: It looks like a snake seen from above. More precisely, the
+ snake is a sine wave with a &#8220;softened&#8221; start and ending. The following parameters influence the
+ snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines the sine wave&#8217;s amplitude.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the sine wave&#8217;s wave length.</li></ul>
+ <!--l. 245--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-324-" ><colgroup id="TBL-324-1g"><col
+id="TBL-324-1"><col
+id="TBL-324-2"></colgroup><tr
+ valign="baseline" id="TBL-324-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-324-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-397.svg" width="85.42587pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-324-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=snake]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 251--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox108">Snake <span
+class="cmtt-10">ticks</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167017"></a>
+<a
+ id="dx15-167018"></a>
+ <!--l. 252--><p class="noindent">This snake adds straight lines the path that are orthogonal to the line toward the target. The following
+ parameters influence the snake:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between consecutive ticks.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines half the length of the ticks.</li></ul>
+ <!--l. 260--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-325-" ><colgroup id="TBL-325-1g"><col
+id="TBL-325-1"><col
+id="TBL-325-2"></colgroup><tr
+ valign="baseline" id="TBL-325-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-325-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-398.svg" width="85.42587pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-325-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=ticks]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 264--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox109">Snake <span
+class="cmtt-10">triangles</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167019"></a>
+<a
+ id="dx15-167020"></a>
+ <!--l. 265--><p class="noindent">This snake adds triangles to the path that point toward the target. The following parameters influence the
+ snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between consecutive triangles.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines half the length of the triangle side that is orthogonal
+ to the path.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentobjectlength</span></span></span> determines the height of the triangle.</li></ul>
+ <!--l. 276--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-326-" ><colgroup id="TBL-326-1g"><col
+id="TBL-326-1"><col
+id="TBL-326-2"></colgroup><tr
+ valign="baseline" id="TBL-326-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-326-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-399.svg" width="85.42587pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-326-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=triangles]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 282--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox110">Snake <span
+class="cmtt-10">waves</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167021"></a>
+<a
+ id="dx15-167022"></a>
+ <!--l. 283--><p class="noindent">This snake adds arcs to the path that have a constant size. The following parameters influence the
+ snake:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the distance between consecutive arcs.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentangle</span></span></span> determines the opening angle below and above the path. Thus, the total
+ opening angle is twice this angle.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines the radius of each arc.</li></ul>
+ <!--l. 294--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-327-" ><colgroup id="TBL-327-1g"><col
+id="TBL-327-1"><col
+id="TBL-327-2"></colgroup><tr
+ valign="baseline" id="TBL-327-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-327-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-400.svg" width="85.42587pt" height="3.93552pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-327-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=waves]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 300--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox111">Snake <span
+class="cmtt-10">zigzag</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-167023"></a>
+<a
+ id="dx15-167024"></a>
+ <!--l. 301--><p class="noindent">This snake looks like a zig-zag line. The following parameters influence the snake:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentamplitude</span></span></span> determines how much the zig-zag lines raises above and falls below
+ a straight line to the target point.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesegmentlength</span></span></span> determines the length of a complete &#8220;up-down&#8221; cycle.</li></ul>
+ <!--l. 310--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-328-" ><colgroup id="TBL-328-1g"><col
+id="TBL-328-1"><col
+id="TBL-328-2"></colgroup><tr
+ valign="baseline" id="TBL-328-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-328-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-401.svg" width="85.42587pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-328-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 317--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.3 </span> <a
+ id="x15-16800014.3"></a>Plot Handler Library</h4>
+<!--l. 320--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox112"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibraryplothandlers</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-168001"></a>
+<a
+ id="dx15-168002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox113"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryplothandlers</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox114"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryplothandlers</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 321--><p class="noindent">This library packages defines additional plot handlers, see Section&nbsp;<a
+href="pgfmanualse29.html#x30-29700029.3">29.3<!--tex4ht:ref: section-plot-handlers --></a> for an introduction to plot
+ handlers. The additional handlers are described in the following. </dd></dl>
+<!--l. 327--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.3.1 </span> <a
+ id="x15-16900014.3.1"></a>Curve Plot Handlers</h5>
+<!--l. 329--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox115"><span
+class="cmtt-10">\pgfplothandlercurveto</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-169001"></a>
+ <!--l. 330--><p class="noindent">This handler will issue a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathcurveto</span></span></span> command for each point of the plot, <span
+class="cmti-10">except </span>possibly
+ for the first. As for the line-to handler, what happens with the first point can be specified using
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetmovetofirstplotpoint</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetlinetofirstplotpoint</span></span></span>.
+ <!--l. 335--><p class="noindent">Obviously, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathcurveto</span></span></span> command needs, in addition to the points on the path, some control points.
+ These are generated automatically using a somewhat &#8220;dumb&#8221; algorithm: Suppose you have three points <span
+class="cmmi-10">x</span>, <span
+class="cmmi-10">y</span>,
+ and <span
+class="cmmi-10">z </span>on the curve such that <span
+class="cmmi-10">y </span>is between <span
+class="cmmi-10">x </span>and <span
+class="cmmi-10">z</span>:
+ <!--l. 340--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-329-" ><colgroup id="TBL-329-1g"><col
+id="TBL-329-1"><col
+id="TBL-329-2"></colgroup><tr
+ valign="baseline" id="TBL-329-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-329-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-402.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-329-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlercurveto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 353--><p class="noindent">In order to determine the control points of the curve at the point <span
+class="cmmi-10">y</span>, the handler computes the vector <span
+class="cmmi-10">z </span><span
+class="cmsy-10">- </span><span
+class="cmmi-10">x</span>
+ and scales it by the tension factor (see below). Let us call the resulting vector <span
+class="cmmi-10">s</span>. Then <span
+class="cmmi-10">y </span>+ <span
+class="cmmi-10">s</span>
+ and <span
+class="cmmi-10">y </span><span
+class="cmsy-10">- </span><span
+class="cmmi-10">s </span>will be the control points around <span
+class="cmmi-10">y</span>. The first control point at the beginning of the
+ curve will be the beginning itself, once more; likewise the last control point is the end itself.
+ </dd></dl>
+<!--l. 362--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox116"><span
+class="cmtt-10">\pgfsetplottension</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-169002"></a>
+ <!--l. 363--><p class="noindent">Sets the factor used by the curve plot handlers to determine the distance of the control points from
+ the points they control. The higher the curvature of the curve points, the higher this value should be.
+ A value of 1 will cause four points at quarter positions of a circle to be connected using a circle. The
+ default is 0<span
+class="cmmi-10">.</span>5.
+ <!--l. 370--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-330-" ><colgroup id="TBL-330-1g"><col
+id="TBL-330-1"><col
+id="TBL-330-2"></colgroup><tr
+ valign="baseline" id="TBL-330-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-330-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-403.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-330-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetplottension{0.75}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlercurveto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 386--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox117"><span
+class="cmtt-10">\pgfplothandlerclosedcurve</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-169003"></a>
+ <!--l. 387--><p class="noindent">This handler works like the curve-to plot handler, only it will add a new part to the current path that is a
+ closed curve through the plot points.
+ <!--l. 390--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-331-" ><colgroup id="TBL-331-1g"><col
+id="TBL-331-1"><col
+id="TBL-331-2"></colgroup><tr
+ valign="baseline" id="TBL-331-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-331-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-404.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-331-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerclosedcurve</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 405--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.3.2 </span> <a
+ id="x15-17000014.3.2"></a>Comb Plot Handlers</h5>
+<!--l. 407--><p class="noindent">There are three &#8220;comb&#8221; plot handlers. There name stems from the fact that the plots they produce look like
+&#8220;combs&#8221; (more or less).
+<!--l. 410--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox118"><span
+class="cmtt-10">\pgfplothandlerxcomb</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-170001"></a>
+ <!--l. 411--><p class="noindent">This handler converts each point in the plot stream into a line from the <span
+class="cmmi-10">y</span>-axis to the point&#8217;s coordinate,
+ resulting in a &#8220;horizontal comb.&#8221;
+ <!--l. 416--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-332-" ><colgroup id="TBL-332-1g"><col
+id="TBL-332-1"><col
+id="TBL-332-2"></colgroup><tr
+ valign="baseline" id="TBL-332-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-332-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-405.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-332-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerxcomb</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 431--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox119"><span
+class="cmtt-10">\pgfplothandlerycomb</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-170002"></a>
+ <!--l. 432--><p class="noindent">This handler converts each point in the plot stream into a line from the <span
+class="cmmi-10">x</span>-axis to the point&#8217;s coordinate,
+ resulting in a &#8220;vertical comb.&#8221;
+ <!--l. 436--><p class="noindent">This handler is useful for creating &#8220;bar diagrams.&#8221;
+ <!--l. 437--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-333-" ><colgroup id="TBL-333-1g"><col
+id="TBL-333-1"><col
+id="TBL-333-2"></colgroup><tr
+ valign="baseline" id="TBL-333-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-333-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-406.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-333-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerycomb</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 451--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox120"><span
+class="cmtt-10">\pgfplothandlerpolarcomb</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-170003"></a>
+ <!--l. 452--><p class="noindent">This handler converts each point in the plot stream into a line from the origin to the point&#8217;s coordinate.
+
+
+ <!--l. 455--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-334-" ><colgroup id="TBL-334-1g"><col
+id="TBL-334-1"><col
+id="TBL-334-2"></colgroup><tr
+ valign="baseline" id="TBL-334-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-334-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-407.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-334-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerpolarcomb</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 469--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.3.3 </span> <a
+ id="x15-17100014.3.3"></a>Mark Plot Handler</h5>
+<!--l. 473--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox121"><span
+class="cmtt-10">\pgfplothandlermark</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mark code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-171001"></a>
+ <!--l. 474--><p class="noindent">This command will execute the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mark code</span><span
+class="cmsy-10">&gt; </span>for each point of the plot, but each time the coordinate
+ transformation matrix will be setup such that the origin is at the position of the point to be plotted.
+ This way, if the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mark code</span><span
+class="cmsy-10">&gt; </span>draws a little circle around the origin, little circles will be drawn at each
+ point of the plot.
+ <!--l. 481--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-335-" ><colgroup id="TBL-335-1g"><col
+id="TBL-335-1"><col
+id="TBL-335-2"></colgroup><tr
+ valign="baseline" id="TBL-335-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-335-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-408.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-335-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlermark{\pgfpathcircle{\pgfpointorigin}{4pt}\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 494--><p class="noindent">Typically, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will be <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseplotmark{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt; </span>is the name of a
+ predefined plot mark. </dd></dl>
+<!--l. 499--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox122"><span
+class="cmtt-10">\pgfuseplotmark</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-171002"></a>
+ <!--l. 500--><p class="noindent">Draws the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt; </span>at the origin. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt; </span>must previously have been
+ declared using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclareplotmark</span></span></span>.
+
+
+ <!--l. 504--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-336-" ><colgroup id="TBL-336-1g"><col
+id="TBL-336-1"><col
+id="TBL-336-2"></colgroup><tr
+ valign="baseline" id="TBL-336-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-336-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-409.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-336-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlermark{\pgfuseplotmark{pentagon}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 518--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox123"><span
+class="cmtt-10">\pgfdeclareplotmark</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">plot mark name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-171003"></a>
+ <!--l. 519--><p class="noindent">Declares a plot mark for later used with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseplotmark</span></span></span> command.
+ <!--l. 522--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-337-" ><colgroup id="TBL-337-1g"><col
+id="TBL-337-1"><col
+id="TBL-337-2"></colgroup><tr
+ valign="baseline" id="TBL-337-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-337-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-410.svg" width="68.43256pt" height="42.54958pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-337-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareplotmark{my</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;mark}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpathcircle{\pgfpoint{0cm}{1ex}}{1ex}\pgfusepathqstroke}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlermark{\pgfuseplotmark{my</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;mark}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 539--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox124"><span
+class="cmtt-10">\pgfsetplotmarksize</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-171004"></a>
+ <!--l. 540--><p class="noindent">This command sets the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotmarksize</span></span></span> to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. This dimension is a
+ &#8220;recommendation&#8221; for plot mark code at which size the plot mark should be drawn; plot mark code
+ may choose to ignore this <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>altogether. For circles, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>should be the radius, for
+ other shapes it should be about half the width/height.
+ <!--l. 547--><p class="noindent">The predefined plot marks all take this dimension into account.
+ <!--l. 549--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-338-" ><colgroup id="TBL-338-1g"><col
+id="TBL-338-1"><col
+id="TBL-338-2"></colgroup><tr
+ valign="baseline" id="TBL-338-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-338-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-411.svg" width="68.43256pt" height="40.39645pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-338-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{x}</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{y}</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{z};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetplotmarksize{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlermark{\pgfuseplotmark{*}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </dd></dl>
+<!--l. 564--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox125"><span
+class="cmtt-10">\pgfplotmarksize</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-171005"></a>
+ <!--l. 565--><p class="noindent">A <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension that is a &#8220;recommendation&#8221; for the size of plot marks. </dd></dl>
+<!--l. 569--><p class="noindent">The following plot marks are predefined (the filling color has been set to yellow):
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-339-" ><colgroup id="TBL-339-1g"><col
+id="TBL-339-1"><col
+id="TBL-339-2"></colgroup><tr
+ valign="baseline" id="TBL-339-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-339-1-1"
+class="td11"> <a
+ id="dx15-171006"></a><a
+ id="dx15-171007"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-339-1-2"
+class="td11"> <object data="pgfmanual-412.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-339-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-339-2-1"
+class="td11"> <a
+ id="dx15-171008"></a><a
+ id="dx15-171009"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">x</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-339-2-2"
+class="td11"> <object data="pgfmanual-413.svg" width="45.50754pt" height="8.51889pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-339-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-339-3-1"
+class="td11"> <a
+ id="dx15-171010"></a><a
+ id="dx15-171011"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">+</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-339-3-2"
+class="td11"> <object data="pgfmanual-414.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-339-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-339-4-1"
+class="td11"> </td> </tr></table>
+</div>
+<!--l. 580--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.4 </span> <a
+ id="x15-17200014.4"></a>Plot Mark Library</h4>
+<!--l. 582--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox126"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibraryplotmarks</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-172001"></a>
+<a
+ id="dx15-172002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox127"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryplotmarks</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox128"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryplotmarks</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 583--><p class="noindent">When this package is loaded, the following plot marks are defined in addition to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">*</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span> (the filling
+ color has been set to a dark yellow):
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-340-" ><colgroup id="TBL-340-1g"><col
+id="TBL-340-1"><col
+id="TBL-340-2"></colgroup><tr
+ valign="baseline" id="TBL-340-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-1-1"
+class="td11"> <a
+ id="dx15-172003"></a><a
+ id="dx15-172004"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">-</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-1-2"
+class="td11"> <object data="pgfmanual-415.svg" width="46.67911pt" height="6.09045pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-2-1"
+class="td11"> <a
+ id="dx15-172005"></a><a
+ id="dx15-172006"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">|</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-2-2"
+class="td11"> <object data="pgfmanual-416.svg" width="43.0791pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-3-1"
+class="td11"> <a
+ id="dx15-172007"></a><a
+ id="dx15-172008"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">o</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-3-2"
+class="td11"> <object data="pgfmanual-417.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-4-1"
+class="td11"> <a
+ id="dx15-172009"></a><a
+ id="dx15-172010"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">asterisk</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-4-2"
+class="td11"> <object data="pgfmanual-418.svg" width="46.14322pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-5-1"
+class="td11"> <a
+ id="dx15-172011"></a><a
+ id="dx15-172012"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">star</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-5-2"
+class="td11"> <object data="pgfmanual-419.svg" width="46.4833pt" height="9.3085pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-6-1"
+class="td11"> <a
+ id="dx15-172013"></a><a
+ id="dx15-172014"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">oplus</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-6-2"
+class="td11"> <object data="pgfmanual-420.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-7-1"
+class="td11"> <a
+ id="dx15-172015"></a><a
+ id="dx15-172016"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">oplus*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-7-2"
+class="td11"> <object data="pgfmanual-421.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-8-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-8-1"
+class="td11"> <a
+ id="dx15-172017"></a><a
+ id="dx15-172018"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">otimes</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-8-2"
+class="td11"> <object data="pgfmanual-422.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-9-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-9-1"
+class="td11"> <a
+ id="dx15-172019"></a><a
+ id="dx15-172020"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">otimes*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-9-2"
+class="td11"> <object data="pgfmanual-423.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-10-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-10-1"
+class="td11"> <a
+ id="dx15-172021"></a><a
+ id="dx15-172022"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">square</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-10-2"
+class="td11"> <object data="pgfmanual-424.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-11-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-11-1"
+class="td11"> <a
+ id="dx15-172023"></a><a
+ id="dx15-172024"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">square*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-11-2"
+class="td11"> <object data="pgfmanual-425.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-12-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-12-1"
+class="td11"> <a
+ id="dx15-172025"></a><a
+ id="dx15-172026"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">triangle</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-12-2"
+class="td11"> <object data="pgfmanual-426.svg" width="46.14322pt" height="8.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-13-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-13-1"
+class="td11"> <a
+ id="dx15-172027"></a><a
+ id="dx15-172028"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">triangle*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-13-2"
+class="td11"> <object data="pgfmanual-427.svg" width="46.14322pt" height="8.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-14-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-14-1"
+class="td11"> <a
+ id="dx15-172029"></a><a
+ id="dx15-172030"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">diamond</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-14-2"
+class="td11"> <object data="pgfmanual-428.svg" width="45.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-15-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-15-1"
+class="td11"> <a
+ id="dx15-172031"></a><a
+ id="dx15-172032"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">diamond*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-15-2"
+class="td11"> <object data="pgfmanual-429.svg" width="45.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-16-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-16-1"
+class="td11"> <a
+ id="dx15-172033"></a><a
+ id="dx15-172034"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">pentagon</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-16-2"
+class="td11"> <object data="pgfmanual-430.svg" width="46.4833pt" height="9.3085pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-17-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-17-1"
+class="td11"> <a
+ id="dx15-172035"></a><a
+ id="dx15-172036"></a> <span
+class="cmtt-10">\pgfuseplotmark{</span><span
+class="cmtt-10">pentagon*</span><span
+class="cmtt-10">} </span></td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-340-17-2"
+class="td11"> <object data="pgfmanual-431.svg" width="46.4833pt" height="9.3085pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-340-18-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-340-18-1"
+class="td11"> </td>
+</tr></table></div> </dd></dl>
+
+
+<!--l. 616--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.5 </span> <a
+ id="x15-17300014.5"></a>Shape Library</h4>
+<!--l. 618--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox129"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibraryshapes</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-173001"></a>
+<a
+ id="dx15-173002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox130"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryshapes</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox131"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryshapes</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 619--><p class="noindent">This library packages defines additional shapes, which are described in the following. </dd></dl>
+<!--l. 623--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox132">Shape <span
+class="cmtt-10">cross out</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-173003"></a>
+<a
+ id="dx15-173004"></a>
+ <!--l. 624--><p class="noindent">This shape &#8220;crosses out&#8221; the node. Its foreground path are simply two diagonal lines that between the
+ corners of the node&#8217;s bounding box. Here is an example:
+ <!--l. 628--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-341-" ><colgroup id="TBL-341-1g"><col
+id="TBL-341-1"><col
+id="TBL-341-2"></colgroup><tr
+ valign="baseline" id="TBL-341-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-341-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-432.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-341-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[cross</span><span
+class="cmtt-8">&nbsp;out,draw=red]</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(1.5,1)</span><span
+class="cmtt-8">&nbsp;{cross</span><span
+class="cmtt-8">&nbsp;out};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 635--><p class="noindent">A useful application is inside text as in the following example:
+ <!--l. 636--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-342-" ><colgroup id="TBL-342-1g"><col
+id="TBL-342-1"><col
+id="TBL-342-2"></colgroup><tr
+ valign="baseline" id="TBL-342-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-342-1-1"
+class="td11"> &nbsp;Cross <object data="pgfmanual-433.svg" width="20.24374pt" height="11.77148pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> out! &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-342-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Cross</span><span
+class="cmtt-8">&nbsp;\tikz[baseline]</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[cross</span><span
+class="cmtt-8">&nbsp;out,draw,anchor=text]</span><span
+class="cmtt-8">&nbsp;{me};</span><span
+class="cmtt-8">&nbsp;out!</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 640--><p class="noindent">This shape inherits all anchors from the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape, see also the following figure:
+ <!--l. 642--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-434.svg" width="381.09662pt" height="141.29791pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-343-" ><colgroup id="TBL-343-1g"><col
+id="TBL-343-1"></colgroup><tr
+ valign="baseline" id="TBL-343-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-343-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=cross</span><span
+class="cmtt-8">&nbsp;out,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{cross</span><span
+class="cmtt-8">&nbsp;out\vrule</span><span
+class="cmtt-8">&nbsp;width</span><span
+class="cmtt-8">&nbsp;1pt</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;2cm};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/above,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;10/right,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+
+
+<!--l. 659--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox133">Shape <span
+class="cmtt-10">ellipse</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-173005"></a>
+<a
+ id="dx15-173006"></a>
+ <!--l. 660--><p class="noindent">This shape is an ellipse tightly fitting the text box, if no inner separation is given. The following figure shows
+ the anchors this shape defines; the anchors <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">10</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">130</span></span></span> are example of border anchors.
+ <!--l. 663--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-435.svg" width="437.71866pt" height="183.49844pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-344-" ><colgroup id="TBL-344-1g"><col
+id="TBL-344-1"></colgroup><tr
+ valign="baseline" id="TBL-344-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-344-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=ellipse,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{Ellipse\vrule</span><span
+class="cmtt-8">&nbsp;width</span><span
+class="cmtt-8">&nbsp;1pt</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;2cm};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/above,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;10/right,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 680--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox134">Shape <span
+class="cmtt-10">forbidden sign</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-173007"></a>
+<a
+ id="dx15-173008"></a>
+ <!--l. 681--><p class="noindent">This shape places the node inside a circle with a diagonal from the lower left to the upper right added.
+ The circle is part of the background, the diagonal line part of the foreground path; thus, the diagonal
+ line is on top of the text.
+ <!--l. 686--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-345-" ><colgroup id="TBL-345-1g"><col
+id="TBL-345-1"><col
+id="TBL-345-2"></colgroup><tr
+ valign="baseline" id="TBL-345-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-345-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-436.svg" width="51.02625pt" height="51.02625pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-345-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[forbidden</span><span
+class="cmtt-8">&nbsp;sign,line</span><span
+class="cmtt-8">&nbsp;width=1ex,draw=red,fill=white]</span><span
+class="cmtt-8">&nbsp;{Smoking};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 692--><p class="noindent">The shape inherits all anchors from the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span> shape, see also the following figure:
+
+
+ <!--l. 694--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-437.svg" width="399.51447pt" height="313.7146pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-346-" ><colgroup id="TBL-346-1g"><col
+id="TBL-346-1"></colgroup><tr
+ valign="baseline" id="TBL-346-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-346-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=forbidden</span><span
+class="cmtt-8">&nbsp;sign,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{Forbidden\vrule</span><span
+class="cmtt-8">&nbsp;width</span><span
+class="cmtt-8">&nbsp;1pt</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;2cm};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/above,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;10/right,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 712--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox135">Shape <span
+class="cmtt-10">strike out</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-173009"></a>
+<a
+ id="dx15-173010"></a>
+ <!--l. 713--><p class="noindent">This shape is idential to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cross</span><span
+class="cmtt-10">&nbsp;out</span></span></span> shape, only its foreground path consists of a single line from
+ the lower left to the upper right.
+ <!--l. 717--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-347-" ><colgroup id="TBL-347-1g"><col
+id="TBL-347-1"><col
+id="TBL-347-2"></colgroup><tr
+ valign="baseline" id="TBL-347-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-347-1-1"
+class="td11"> &nbsp;Strike <object data="pgfmanual-438.svg" width="20.24374pt" height="11.77148pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> out! &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-347-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Strike</span><span
+class="cmtt-8">&nbsp;\tikz[baseline]</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[strike</span><span
+class="cmtt-8">&nbsp;out,draw,anchor=text]</span><span
+class="cmtt-8">&nbsp;{me};</span><span
+class="cmtt-8">&nbsp;out!</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 721--><p class="noindent">See the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cross</span><span
+class="cmtt-10">&nbsp;out</span></span></span> shape for the anchors. </dd></dl>
+<!--l. 726--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.6 </span> <a
+ id="x15-17400014.6"></a>Tree Library</h4>
+<!--l. 731--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox136"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibrarytikztrees</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-174001"></a>
+<a
+ id="dx15-174002"></a>
+
+
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox137"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarytikztrees</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox138"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarytikztrees</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 732--><p class="noindent">This packages defines styles to be used when drawing trees. </dd></dl>
+<!--l. 735--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.6.1 </span> <a
+ id="x15-17500014.6.1"></a>Growth Functions</h5>
+<!--l. 737--><p class="noindent">The package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibrarytikztrees</span></span></span> defines two new growth functions. They are installed using the following
+options:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">grow via three points</span><a
+ id="dx15-175001"></a><a
+ id="dx15-175002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=one</span><span
+class="cmtt-10">&nbsp;child</span><span
+class="cmtt-10">&nbsp;at</span><span
+class="cmtt-10">&nbsp;(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span><span
+class="cmtt-10">&nbsp;and</span><span
+class="cmtt-10">&nbsp;two</span><span
+class="cmtt-10">&nbsp;children</span><span
+class="cmtt-10">&nbsp;at</span><span
+class="cmtt-10">&nbsp;(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span><span
+class="cmtt-10">&nbsp;and</span><span
+class="cmtt-10">&nbsp;(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">z</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> This option
+ installs a growth function that works as follows: If a parent node has just one child, this child is placed
+ at <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span>. If the parent node has two children, these are placed at <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">z</span><span
+class="cmsy-10">&gt;</span>. If the parent node has
+ more than two children, the children are placed at points that are linearly extrapolated from the three
+ points <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span>, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span>, and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">z</span><span
+class="cmsy-10">&gt;</span>. In detail, the position is <span
+class="cmmi-10">x</span>+<img
+src="pgfmanual28x.gif" alt="n-1
+ 2" class="frac" align="middle">(<span
+class="cmmi-10">y</span><span
+class="cmsy-10">-</span><span
+class="cmmi-10">x</span>)+(<span
+class="cmmi-10">c</span><span
+class="cmsy-10">-</span>1)(<span
+class="cmmi-10">z</span><span
+class="cmsy-10">-</span><span
+class="cmmi-10">y</span>), where <span
+class="cmmi-10">n </span>is the number
+ of children and <span
+class="cmmi-10">c </span>is the number of the current child (starting with&nbsp;1).
+ <!--l. 753--><p class="noindent">The net effect of all this is that if you have a certain &#8220;linear arrangement&#8221; in mind and use this option
+ to specify the placement of a single child and of two children, then any number of children will be
+ placed correctly.
+ <!--l. 758--><p class="noindent">Here are some arrangements based on this growth function. We start with a simple &#8220;above&#8221;
+ arrangement:
+ <!--l. 760--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-348-" ><colgroup id="TBL-348-1g"><col
+id="TBL-348-1"><col
+id="TBL-348-2"></colgroup><tr
+ valign="baseline" id="TBL-348-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-348-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-439.svg" width="85.75818pt" height="163.49527pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-348-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[grow</span><span
+class="cmtt-8">&nbsp;via</span><span
+class="cmtt-8">&nbsp;three</span><span
+class="cmtt-8">&nbsp;points={</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;one</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;two</span><span
+class="cmtt-8">&nbsp;children</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(-.5,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(.5,1)}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{one}</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;{two}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-3)</span><span
+class="cmtt-8">&nbsp;{three}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-4.5)</span><span
+class="cmtt-8">&nbsp;{four}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 770--><p class="noindent">The next arrangement places children above, but &#8220;grows only to the right.&#8221;
+
+
+ <!--l. 772--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-349-" ><colgroup id="TBL-349-1g"><col
+id="TBL-349-1"><col
+id="TBL-349-2"></colgroup><tr
+ valign="baseline" id="TBL-349-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-349-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-440.svg" width="100.01622pt" height="163.49527pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-349-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[grow</span><span
+class="cmtt-8">&nbsp;via</span><span
+class="cmtt-8">&nbsp;three</span><span
+class="cmtt-8">&nbsp;points={</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;one</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;two</span><span
+class="cmtt-8">&nbsp;children</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(1,1)}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{one}</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;{two}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-3)</span><span
+class="cmtt-8">&nbsp;{three}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-4.5)</span><span
+class="cmtt-8">&nbsp;{four}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 782--><p class="noindent">In the final arrangement, the children are placed along a line going down and right.
+ <!--l. 784--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-350-" ><colgroup id="TBL-350-1g"><col
+id="TBL-350-1"><col
+id="TBL-350-2"></colgroup><tr
+ valign="baseline" id="TBL-350-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-350-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-441.svg" width="85.75822pt" height="169.28902pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-350-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[grow</span><span
+class="cmtt-8">&nbsp;via</span><span
+class="cmtt-8">&nbsp;three</span><span
+class="cmtt-8">&nbsp;points={</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;one</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;two</span><span
+class="cmtt-8">&nbsp;children</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(0,-.75)}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{one}</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;{two}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-3)</span><span
+class="cmtt-8">&nbsp;{three}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-4.5)</span><span
+class="cmtt-8">&nbsp;{four}</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;child;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 794--><p class="noindent">These examples should make it clear how you can create new styles to arrange your children along a
+ line.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">grow cyclic</span><a
+ id="dx15-175003"></a><a
+ id="dx15-175004"></a> This style causes the children to be arranged &#8220;on a circle.&#8221; For this, the children are
+ placed at distance <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzleveldistance</span></span></span> from the parent node, but not on a straight line, but points on a
+ circle. Instead of a sibling distance, there is a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sibling</span><span
+class="cmtt-10">&nbsp;angle</span></span></span> that denotes the angle between two given
+ children.
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">sibling angle</span><a
+ id="dx15-175005"></a><a
+ id="dx15-175006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">angle</span><span
+class="cmsy-10">&gt; </span>Sets the angle between siblings in the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grow</span><span
+class="cmtt-10">&nbsp;cyclic</span></span></span> style.</li></ul>
+ <!--l. 807--><p class="noindent">Note that this function will rotate the coordinate system of the children to ensure that the grandchildren will
+ grow in the right direction.
+
+
+ <!--l. 810--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-351-" ><colgroup id="TBL-351-1g"><col
+id="TBL-351-1"><col
+id="TBL-351-2"></colgroup><tr
+ valign="baseline" id="TBL-351-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-351-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-442.svg" width="72.88736pt" height="40.2234pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-351-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[grow</span><span
+class="cmtt-8">&nbsp;cyclic]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;1}=[level</span><span
+class="cmtt-8">&nbsp;distance=8mm,sibling</span><span
+class="cmtt-8">&nbsp;angle=60]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;2}=[level</span><span
+class="cmtt-8">&nbsp;distance=4mm,sibling</span><span
+class="cmtt-8">&nbsp;angle=45]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{level</span><span
+class="cmtt-8">&nbsp;3}=[level</span><span
+class="cmtt-8">&nbsp;distance=2mm,sibling</span><span
+class="cmtt-8">&nbsp;angle=30]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\coordinate</span><span
+class="cmtt-8">&nbsp;[rotate=-90]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;going</span><span
+class="cmsltt-10x-x-80">&nbsp;down</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{child</span><span
+class="cmtt-8">&nbsp;foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,3}}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 823--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">14.6.2 </span> <a
+ id="x15-17600014.6.2"></a>Edges From Parent</h5>
+<!--l. 825--><p class="noindent">The following styles can be used to modify how the edges from parents are drawn:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">edge from parent fork down</span><a
+ id="dx15-176001"></a><a
+ id="dx15-176002"></a> This style will draw a line from the parent downwards (for half the
+ level distance) and then on to the child using only horizontal and vertical lines.
+ <!--l. 833--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-352-" ><colgroup id="TBL-352-1g"><col
+id="TBL-352-1"><col
+id="TBL-352-2"></colgroup><tr
+ valign="baseline" id="TBL-352-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-352-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-443.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-352-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span><span
+class="cmtt-8">&nbsp;fork</span><span
+class="cmtt-8">&nbsp;down]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child[child</span><span
+class="cmtt-8">&nbsp;anchor=north</span><span
+class="cmtt-8">&nbsp;east]</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">edge from parent fork right</span><a
+ id="dx15-176003"></a><a
+ id="dx15-176004"></a> This style behaves similarly, only it will first draw its edge to the
+ right.
+ <!--l. 847--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-353-" ><colgroup id="TBL-353-1g"><col
+id="TBL-353-1"><col
+id="TBL-353-2"></colgroup><tr
+ valign="baseline" id="TBL-353-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-353-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-444.svg" width="111.48257pt" height="77.62909pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-353-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span><span
+class="cmtt-8">&nbsp;fork</span><span
+class="cmtt-8">&nbsp;right,grow=right]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">edge from parent fork left</span><a
+ id="dx15-176005"></a><a
+ id="dx15-176006"></a> behaves similary.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">edge from parent fork up</span><a
+ id="dx15-176007"></a><a
+ id="dx15-176008"></a> behaves similary.</li></ul>
+<!--l. 866--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.7 </span> <a
+ id="x15-17700014.7"></a>Background Library</h4>
+<!--l. 870--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox139"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibrarytikzbackgrounds</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-177001"></a>
+<a
+ id="dx15-177002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox140"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarytikzbackgrounds</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox141"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibrarytikzbackgrounds</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 871--><p class="noindent">This packages defines &#8220;backgrounds&#8221; for pictures. This does not refer to background pictures, but
+ rather to frames drawn around and behind pictures. For example, this package allows you to just add
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">framed</span></span></span> option to a picture to get a rectangular box around your picture or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gridded</span></span></span> to put a grid
+ behind your picture. </dd></dl>
+<!--l. 878--><p class="noindent">When this package is loaded, the following styles become available:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background rectangle</span><a
+ id="dx15-177003"></a><a
+ id="dx15-177004"></a> This style causes a rectangle to be drawn behind your
+ graphic. This style option must be given to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment or to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span></span></span>
+ command.
+ <!--l. 884--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-354-" ><colgroup id="TBL-354-1g"><col
+id="TBL-354-1"><col
+id="TBL-354-2"></colgroup><tr
+ valign="baseline" id="TBL-354-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-354-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-445.svg" width="66.31656pt" height="37.8638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-354-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;rectangle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 889--><p class="noindent">The size of the background rectangle is determined as follows: We start with the bounding box of the picture.
+ Then, a certain separator distance is added on the sides. This distance can be different for the <span
+class="cmmi-10">x</span>- and
+ <span
+class="cmmi-10">y</span>-directions and can be set using the following options:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">inner frame xsep</span><a
+ id="dx15-177005"></a><a
+ id="dx15-177006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the additional horizontal separator distance for the
+ background rectangle. The default is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1ex</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">inner frame ysep</span><a
+ id="dx15-177007"></a><a
+ id="dx15-177008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Same for the vertical separator distance.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">inner frame sep</span><a
+ id="dx15-177009"></a><a
+ id="dx15-177010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>sets the horizontal and vertical separator distances
+ simultaneously.</li></ul>
+ <!--l. 904--><p class="noindent">The following two styles make setting the inner separator a bit easier to remember:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">tight background</span><a
+ id="dx15-177011"></a><a
+ id="dx15-177012"></a> Sets the inner frame separator to 0pt. The background rectangle will
+ have the size of the bounding box.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">loose background</span><a
+ id="dx15-177013"></a><a
+ id="dx15-177014"></a> Sets the inner frame separator to 2ex.</li></ul>
+
+
+ <!--l. 913--><p class="noindent">You can influence how the background rectangle is rendered by setting the following style:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">background rectangle</span><a
+ id="dx15-177015"></a><a
+ id="dx15-177016"></a> This style dictates how the background rectangle is drawn or filled. By
+ default this style is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span>, which causes the path of the background rectangle to be drawn in
+ the usual way. Setting this style to, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill=blue!20</span></span></span> causes a light blue background to
+ be added to the picture. You can also use more fancy settings as shown in the following
+ example:
+ <!--l. 923--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-355-" ><colgroup id="TBL-355-1g"><col
+id="TBL-355-1"><col
+id="TBL-355-2"></colgroup><tr
+ valign="baseline" id="TBL-355-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-355-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-446.svg" width="69.71658pt" height="41.26382pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-355-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[double,ultra</span><span
+class="cmtt-8">&nbsp;thick,draw=red,top</span><span
+class="cmtt-8">&nbsp;color=blue,rounded</span><span
+class="cmtt-8">&nbsp;corners]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;rectangle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 930--><p class="noindent">Naturally, no one in their right mind would use the above, but here is a nice background:
+ <!--l. 932--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-356-" ><colgroup id="TBL-356-1g"><col
+id="TBL-356-1"><col
+id="TBL-356-2"></colgroup><tr
+ valign="baseline" id="TBL-356-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-356-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-447.svg" width="66.31656pt" height="37.8638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-356-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[draw=blue!50,fill=blue!20,rounded</span><span
+class="cmtt-8">&nbsp;corners=1ex]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;rectangle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">framed</span><a
+ id="dx15-177017"></a><a
+ id="dx15-177018"></a> This is a shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">show</span><span
+class="cmtt-10">&nbsp;background</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background grid</span><a
+ id="dx15-177019"></a><a
+ id="dx15-177020"></a> This style behaves similarly to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">show</span><span
+class="cmtt-10">&nbsp;background</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> style, but it
+ will not use a rectangle path, but a grid. The lower left and upper right corner of the grid is computed in the
+ same way as for the background rectangle:
+ <!--l. 947--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-357-" ><colgroup id="TBL-357-1g"><col
+id="TBL-357-1"><col
+id="TBL-357-2"></colgroup><tr
+ valign="baseline" id="TBL-357-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-357-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-448.svg" width="66.11655pt" height="37.66379pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-357-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;grid]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 952--><p class="noindent">You can influence the background grid by setting the following style:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">background grid</span><a
+ id="dx15-177021"></a><a
+ id="dx15-177022"></a> This style dictates how the background grid path is drawn. The default is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw,help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span>.
+ <!--l. 958--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-358-" ><colgroup id="TBL-358-1g"><col
+id="TBL-358-1"><col
+id="TBL-358-2"></colgroup><tr
+ valign="baseline" id="TBL-358-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-358-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-449.svg" width="66.71655pt" height="38.2638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-358-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;grid}=[thick,draw=red,step=.5cm]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;grid]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 964--><p class="noindent">This option can be combined with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">framed</span></span></span> option (use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">framed</span></span></span> option first):
+
+
+ <!--l. 966--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-359-" ><colgroup id="TBL-359-1g"><col
+id="TBL-359-1"><col
+id="TBL-359-2"></colgroup><tr
+ valign="baseline" id="TBL-359-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-359-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-450.svg" width="66.71655pt" height="38.2638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-359-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;grid}=[thick,draw=red,step=.5cm]</span>
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=[rounded</span><span
+class="cmtt-8">&nbsp;corners,fill=yellow]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[framed,gridded]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">gridded</span><a
+ id="dx15-177023"></a><a
+ id="dx15-177024"></a> This is a shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">show</span><span
+class="cmtt-10">&nbsp;background</span><span
+class="cmtt-10">&nbsp;grid</span></span></span>.</li></ul>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background top</span><a
+ id="dx15-177025"></a><a
+ id="dx15-177026"></a> This style causes a single line to be drawn at the top of the background
+ rectangle. Normally, the line coincides exactly with the top line of the background rectangle:
+ <!--l. 980--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-360-" ><colgroup id="TBL-360-1g"><col
+id="TBL-360-1"><col
+id="TBL-360-2"></colgroup><tr
+ valign="baseline" id="TBL-360-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-360-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-451.svg" width="66.31656pt" height="37.6638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-360-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=[fill=yellow]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[framed,show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;top]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 986--><p class="noindent">The following option allows you to lengthen (or shorten) the line:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">outer frame xsep</span><a
+ id="dx15-177027"></a><a
+ id="dx15-177028"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>is added at the left and right side of the
+ line.
+ <!--l. 991--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-361-" ><colgroup id="TBL-361-1g"><col
+id="TBL-361-1"><col
+id="TBL-361-2"></colgroup><tr
+ valign="baseline" id="TBL-361-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-361-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-452.svg" width="74.92764pt" height="37.6638pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-361-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=[fill=yellow]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[framed,show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;top,outer</span><span
+class="cmtt-8">&nbsp;frame</span><span
+class="cmtt-8">&nbsp;xsep=1ex]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer frame ysep</span><a
+ id="dx15-177029"></a><a
+ id="dx15-177030"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option does not apply to the top line, but to the left and right
+ lines, see below.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">outer frame sep</span><a
+ id="dx15-177031"></a><a
+ id="dx15-177032"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets both the <span
+class="cmmi-10">x</span>- and <span
+class="cmmi-10">y</span>-separation.
+ <!--l. 1003--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-362-" ><colgroup id="TBL-362-1g"><col
+id="TBL-362-1"><col
+id="TBL-362-2"></colgroup><tr
+ valign="baseline" id="TBL-362-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-362-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-453.svg" width="74.92764pt" height="46.47488pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-362-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=[fill=blue!20]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[outer</span><span
+class="cmtt-8">&nbsp;frame</span><span
+class="cmtt-8">&nbsp;sep=1ex,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;top,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;bottom,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;right]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ <!--l. 1015--><p class="noindent">You can influence how the line is drawn grid by setting the following style:
+ <ul class="itemize2">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">background top</span><a
+ id="dx15-177033"></a><a
+ id="dx15-177034"></a> Default is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span>.
+
+
+ <!--l. 1020--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-363-" ><colgroup id="TBL-363-1g"><col
+id="TBL-363-1"><col
+id="TBL-363-2"></colgroup><tr
+ valign="baseline" id="TBL-363-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-363-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-454.svg" width="70.2221pt" height="39.61658pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-363-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;rectangle}=[fill=blue!20]</span>
+<br><span
+class="cmtt-8">\tikzstyle{background</span><span
+class="cmtt-8">&nbsp;top}=[draw=blue!50,line</span><span
+class="cmtt-8">&nbsp;width=1ex]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[framed,show</span><span
+class="cmtt-8">&nbsp;background</span><span
+class="cmtt-8">&nbsp;top]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(10mm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;5mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background bottom</span><a
+ id="dx15-177035"></a><a
+ id="dx15-177036"></a> works like the style for the top line.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background left</span><a
+ id="dx15-177037"></a><a
+ id="dx15-177038"></a> works like the style for the top line.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">show background right</span><a
+ id="dx15-177039"></a><a
+ id="dx15-177040"></a> works like the style for the top line.</li></ul>
+<!--l. 1037--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">14.8 </span> <a
+ id="x15-17800014.8"></a>Automata Drawing Library</h4>
+<!--l. 1039--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox142"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgflibraryautomata</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx15-178001"></a>
+<a
+ id="dx15-178002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox143"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryautomata</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox144"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgflibraryautomata</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 1040--><p class="noindent">This packages, which is still under construction, provides shapes and styles for drawing automata. </dd></dl>
+<!--l. 1045--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox145">Shape <span
+class="cmtt-10">state</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-178003"></a>
+<a
+ id="dx15-178004"></a>
+ <!--l. 1046--><p class="noindent">This shape is currently just an alias for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span> shape. However, it is useful to have another shape
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">state</span></span></span> since one can then say, for example, the the style <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">every</span><span
+class="cmtt-10">&nbsp;state</span><span
+class="cmtt-10">&nbsp;shape</span></span></span> should be set to some
+ special value. </dd></dl>
+<!--l. 1052--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox146">Shape <span
+class="cmtt-10">state with output</span></span> </dt><dd
+class="description">
+<a
+ id="dx15-178005"></a>
+<a
+ id="dx15-178006"></a>
+ <!--l. 1053--><p class="noindent">This shape is a multi-part shape. The main part (the text part) is the name of the state as in the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">state</span></span></span> shape. The second part is called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span>. This node part is drawn in the lower part of the node,
+ separated from the upper part by a line.
+
+
+ <!--l. 1058--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-364-" ><colgroup id="TBL-364-1g"><col
+id="TBL-364-1"><col
+id="TBL-364-2"></colgroup><tr
+ valign="baseline" id="TBL-364-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-364-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-455.svg" width="32.57529pt" height="32.57529pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-364-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;[state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output,draw,double,fill=red!20]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$q_1$</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\nodepart{output}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$00$</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 1069--><p class="noindent">The shape inherits all anchors from the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span> shape and defines the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span> anchor in addition. See also the
+ following figure:
+ <!--l. 1072--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-456.svg" width="414.33429pt" height="328.53442pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-365-" ><colgroup id="TBL-365-1g"><col
+id="TBL-365-1"></colgroup><tr
+ valign="baseline" id="TBL-365-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-365-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{state</span><span
+class="cmtt-8">&nbsp;name\nodepart{output}output};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/below,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;output/left,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse15.html" >next</a>] [<a
+href="pgfmanualse14.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse14.html" >up</a>] </p></div>
+<!--l. 7--><p class="indent"> <a
+ id="tailpgfmanualse14.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse15.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse15.html
new file mode 100644
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--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse15.html
@@ -0,0 +1,974 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>15 Repeating Things: The Foreach Statement</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse16.html" >next</a>] [<a
+href="pgfmanualse14.html" >prev</a>] [<a
+href="pgfmanualse14.html#tailpgfmanualse14.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse15.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse15.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">15 </span> <a
+ id="x16-17900015"></a>Repeating Things: The Foreach Statement</h3>
+<!--l. 10--><p class="noindent">In this section the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgffor.sty</span></span></span> is described. It can be used independently of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, but it works particularly
+well together with <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z.
+<!--l. 14--><p class="indent"> When you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{pgffor}</span></span></span>, two commands are defined: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\breakforeach</span></span></span>. Their
+behaviour is described in the following:
+<!--l. 19--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox147"><span
+class="cmtt-10">\foreach</span><span class="obeylines-h"><span class="verb"> </span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"> <span
+class="cmtt-10">in </span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+<a
+ id="dx16-179001"></a>
+ <!--l. 20--><p class="noindent">The syntax of this command is a bit complicated, so let us go through it step-by-step.
+ <!--l. 23--><p class="noindent">In the easiest case, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt; </span>is a single <span class="TEX">T<span
+class="E">E</span>X</span>-command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\x</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\point</span></span></span>. (If you want to have some
+ fun, you can also use active characters. If you do not know what active characters are, you are blessed.)
+ <!--l. 28--><p class="noindent">Still in the easiest case, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt; </span>is a comma-separated list of values. Anything can be used as a value,
+ but numbers are most likely.
+ <!--l. 32--><p class="noindent">Finally, in the easiest case, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>is some <span class="TEX">T<span
+class="E">E</span>X</span>-text in curly braces.
+ <!--l. 35--><p class="noindent">With all these assumptions, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement will execute the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>repeatedly, once for
+ every element of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt;</span>. Each time the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>are executed, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variable</span><span
+class="cmsy-10">&gt; </span>will be set to the
+ current value of the list item.
+ <!--l. 40--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-366-" ><colgroup id="TBL-366-1g"><col
+id="TBL-366-1"><col
+id="TBL-366-2"></colgroup><tr
+ valign="baseline" id="TBL-366-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-366-1-1"
+class="td11"> &nbsp;[1][2][3][0]&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-366-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,3,0}</span><span
+class="cmtt-8">&nbsp;{[\x]}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 45--><p class="noindent"><span
+class="cmbx-10">Syntax for the commands. </span>Let use move on to a more complicated setting. The first complication occurs
+ when the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>are not some text in curly braces. If the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement does not encounter an
+ opening brace, it will instead scan everything up to the next semicolon and use this as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span>. This is
+ most useful in situations like the following:
+ <!--l. 53--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-367-" ><colgroup id="TBL-367-1g"><col
+id="TBL-367-1"><col
+id="TBL-367-2"></colgroup><tr
+ valign="baseline" id="TBL-367-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-367-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-457.svg" width="97.13914pt" height="11.78091pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-367-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.2cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 59--><p class="noindent">However, the &#8220;reading till the next semicolon&#8221; is not the whole truth. There is another rule: If a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span>
+ statement is directly followed by another <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement, this second foreach statement is collected as
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span>. This allows you to write the following:
+ <!--l. 65--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-368-" ><colgroup id="TBL-368-1g"><col
+id="TBL-368-1"><col
+id="TBL-368-2"></colgroup><tr
+ valign="baseline" id="TBL-368-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-368-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-458.svg" width="97.13914pt" height="97.13914pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-368-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,1,2,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.2cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 77--><p class="noindent"><span
+class="cmbx-10">The dots notation. </span>The second complication concerns the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt;</span>. If this <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt; </span>contains the
+ list item &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span>&#8221;, this list item is replaced by the &#8220;missing values.&#8221; More precisely, the following
+ happens:
+ <!--l. 82--><p class="noindent">Normally, when a list item <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span> is encountered, there should already have been <span
+class="cmti-10">two </span>list items before it, which
+ where numbers. Examples of <span
+class="cmti-10">numbers </span>are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-10</span></span></span>, or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-0.24</span></span></span>. Let us call these numbers <span
+class="cmmi-10">x </span>and <span
+class="cmmi-10">y </span>and let
+ <span
+class="cmmi-10">d </span>:= <span
+class="cmmi-10">y </span><span
+class="cmsy-10">-</span><span
+class="cmmi-10">x </span>be their difference. Next, there should also be one number following the three dots, let us call this
+ number&nbsp;<span
+class="cmmi-10">z</span>.
+ <!--l. 89--><p class="noindent">In this situation, the part of the list reading &#8220;<span
+class="cmmi-10">x</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,</span></span></span><span
+class="cmmi-10">y</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">,...,</span></span></span><span
+class="cmmi-10">z</span>&#8221; is replaced by &#8220;<span
+class="cmmi-10">x</span>, <span
+class="cmmi-10">x </span>+ <span
+class="cmmi-10">d</span>, <span
+class="cmmi-10">x </span>+ 2<span
+class="cmmi-10">d</span>, <span
+class="cmmi-10">x </span>+ 3<span
+class="cmmi-10">d</span>, ...,
+ <span
+class="cmmi-10">x </span>+ <span
+class="cmmi-10">md</span>,&#8221; where the last dots are semantic dots, not syntactic dots. The value <span
+class="cmmi-10">m </span>is the largest number such
+ that <span
+class="cmmi-10">x </span>+ <span
+class="cmmi-10">md </span><span
+class="cmsy-10"><u
+class="underline">&lt;</u> </span><span
+class="cmmi-10">z </span>if <span
+class="cmmi-10">d </span>is positive or such that <span
+class="cmmi-10">x </span>+ <span
+class="cmmi-10">md </span><span
+class="cmsy-10"><u
+class="underline">&gt;</u> </span><span
+class="cmmi-10">z </span>if <span
+class="cmmi-10">d </span>is negative.
+ <!--l. 96--><p class="noindent">Perhaps it is best to explain this by some examples: The following <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt; </span>have the same effects:
+ <!--l. 99--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1,2,...,6}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 1, 2, 3, 4, 5, 6,
+ <!--l. 101--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1,2,3,...,6}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 1, 2, 3, 4, 5, 6,
+ <!--l. 103--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1,3,...,11}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 1, 3, 5, 7, 9, 11,
+ <!--l. 105--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1,3,...,10}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 1, 3, 5, 7, 9,
+ <!--l. 107--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{0,0.1,...,0.5}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 0, 0.1, 0.20001, 0.30002, 0.40002,
+ <!--l. 109--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{a,b,9,8,...,1,2,2.125,...,2.5}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields a, b, 9, 8, 7, 6, 5, 4, 3, 2, 1, 2, 2.125,
+ 2.25, 2.375, 2.5,
+ <!--l. 111--><p class="noindent">As can be seen, for fractional steps that are not multiples of 2<sup ><span
+class="cmsy-7">-</span><span
+class="cmmi-7">n</span></sup> for some small <span
+class="cmmi-10">n</span>, rounding errors can
+ occur pretty easily. Thus, in the second last case, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> should probably be replaced by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.501</span></span></span> for
+ robustness.
+ <!--l. 116--><p class="noindent">There is yet another special case for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span> statement: If the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span> is used right after the first item in the list,
+ that is, if there is an <span
+class="cmmi-10">x</span>, but no <span
+class="cmmi-10">y</span>, the difference <span
+class="cmmi-10">d </span>obviously cannot be computed and is set to 1 if the number <span
+class="cmmi-10">z</span>
+ following the dots is larger than <span
+class="cmmi-10">x </span>and is set to <span
+class="cmsy-10">-</span>1 if <span
+class="cmmi-10">z </span>is smaller:
+ <!--l. 122--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1,...,6}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 1, 2, 3, 4, 5, 6,
+ <!--l. 124--><p class="noindent"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{9,...,3.5}</span><span
+class="cmtt-10">&nbsp;{\x,</span><span
+class="cmtt-10">&nbsp;}</span></span></span> yields 9, 8, 7, 6, 5, 4,
+ <!--l. 127--><p class="noindent"><span
+class="cmbx-10">Special handling of pairs. </span>Different list items are separated by commas. However, this causes a problem
+ when the list items contain commas themselves as pairs like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,1)</span></span></span> do. In this case, you should put the items
+ containing commas in braces as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{(0,1)}</span></span></span>. However, since pairs are such a natural and useful
+ case, they get a special treatment by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement. When a list item starts with
+ a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span> everything up to the next <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> is made part of the item. Thus, we can write things like the
+ following:
+ <!--l. 137--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-369-" ><colgroup id="TBL-369-1g"><col
+id="TBL-369-1"><col
+id="TBL-369-2"></colgroup><tr
+ valign="baseline" id="TBL-369-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-369-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-459.svg" width="92.8714pt" height="43.0791pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-369-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\position</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{(0,0),</span><span
+class="cmtt-8">&nbsp;(1,1),</span><span
+class="cmtt-8">&nbsp;(2,0),</span><span
+class="cmtt-8">&nbsp;(3,1)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;\position</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(.25,.5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 144--><p class="noindent"><span
+class="cmbx-10">Using the foreach-statement inside paths. </span>Ti<span
+class="cmti-10">k</span>Z&nbsp;allows you to use a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement inside a path
+ construction. In such a case, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>must be path construction commands. Here are two
+ examples:
+ <!--l. 149--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-370-" ><colgroup id="TBL-370-1g"><col
+id="TBL-370-1"><col
+id="TBL-370-2"></colgroup><tr
+ valign="baseline" id="TBL-370-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-370-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-460.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-370-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,3}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x,0)</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;;</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 157--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-371-" ><colgroup id="TBL-371-1g"><col
+id="TBL-371-1"><col
+id="TBL-371-2"></colgroup><tr
+ valign="baseline" id="TBL-371-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-371-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-461.svg" width="57.30548pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-371-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\p</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,3}</span><span
+class="cmtt-8">&nbsp;{(\p,1)--(\p,3)</span><span
+class="cmtt-8">&nbsp;(1,\p)--(3,\p)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 162--><p class="noindent"><span
+class="cmbx-10">Multiple variables. </span>You will often wish to iterate over two variables at the same time. Since you can nest
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> loops, this is normally straight-forward. However, you sometimes wish variables to iterate
+ &#8220;simultaneously.&#8221; For example, we might be given a list of edges that connect two coordinates and might wish
+ to iterate over these edges. While doing so, we would like the source and target of the edges to be set to two
+ different variables.
+ <!--l. 171--><p class="noindent">To achieve this, you can use the following syntax: The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt; </span>may not only be a single <span class="TEX">T<span
+class="E">E</span>X</span>-variable.
+ Instead, it can also be a list of variables separated by slashes (<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/</span></span></span>). In this case the list items can also be lists of
+ values separated by slashes.
+ <!--l. 177--><p class="noindent">Assuming that the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt; </span>and the list items are lists of values, each time the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>are executed,
+ each of the variables in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variables</span><span
+class="cmsy-10">&gt; </span>is set to one part of the list making up the current list item. Here is an
+ example to clarify this:
+ <!--l. 182--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span><span
+class="cmtt-10">&nbsp;\x</span><span
+class="cmtt-10">&nbsp;/</span><span
+class="cmtt-10">&nbsp;\y</span><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{1/2,a/b}</span><span
+class="cmtt-10">&nbsp;{``\x\</span><span
+class="cmtt-10">&nbsp;and</span><span
+class="cmtt-10">&nbsp;\y''}</span></span></span> yields &#8220;1&nbsp;and 2&#8221;&#8220;a&nbsp;and b&#8221;.
+ <!--l. 185--><p class="noindent">If some entry in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt; </span>does not have &#8220;enough&#8221; slashes, the last entry will be repeated. Here is an
+ example:
+ <!--l. 187--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-372-" ><colgroup id="TBL-372-1g"><col
+id="TBL-372-1"><col
+id="TBL-372-2"></colgroup><tr
+ valign="baseline" id="TBL-372-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-372-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-462.svg" width="97.02419pt" height="13.11038pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-372-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x/\xtext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,...,3,2.72</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;e}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,0)</span><span
+class="cmtt-8">&nbsp;node{$\xtext$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 194--><p class="noindent">Here are more useful examples:
+ <!--l. 195--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-373-" ><colgroup id="TBL-373-1g"><col
+id="TBL-373-1"><col
+id="TBL-373-2"></colgroup><tr
+ valign="baseline" id="TBL-373-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-373-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-463.svg" width="99.98459pt" height="67.2985pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-373-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Define</span><span
+class="cmsltt-10x-x-80">&nbsp;some</span><span
+class="cmsltt-10x-x-80">&nbsp;coordinates:</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[draw,fill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path[shape=circle,fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node(a)</span><span
+class="cmtt-8">&nbsp;{a}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0.55)</span><span
+class="cmtt-8">&nbsp;node(b)</span><span
+class="cmtt-8">&nbsp;{b}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node(c)</span><span
+class="cmtt-8">&nbsp;{c}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,1.75)</span><span
+class="cmtt-8">&nbsp;node(d)</span><span
+class="cmtt-8">&nbsp;{d};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Draw</span><span
+class="cmsltt-10x-x-80">&nbsp;some</span><span
+class="cmsltt-10x-x-80">&nbsp;connections:</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\source/\target</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{a/b,</span><span
+class="cmtt-8">&nbsp;b/c,</span><span
+class="cmtt-8">&nbsp;c/a,</span><span
+class="cmtt-8">&nbsp;c/d}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\source)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(.75cm,0pt)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-.75cm,0pt)..(\target);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 211--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-374-" ><colgroup id="TBL-374-1g"><col
+id="TBL-374-1"><col
+id="TBL-374-2"></colgroup><tr
+ valign="baseline" id="TBL-374-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-374-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-464.svg" width="65.84128pt" height="114.21097pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-374-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Let's</span><span
+class="cmsltt-10x-x-80">&nbsp;draw</span><span
+class="cmsltt-10x-x-80">&nbsp;circles</span><span
+class="cmsltt-10x-x-80">&nbsp;at</span><span
+class="cmsltt-10x-x-80">&nbsp;interesting</span><span
+class="cmsltt-10x-x-80">&nbsp;points:</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;\diameter</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;0</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;2mm,</span><span
+class="cmtt-8">&nbsp;1</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;1</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;3mm,</span><span
+class="cmtt-8">&nbsp;2</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;0</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;1mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(\diameter);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Same</span><span
+class="cmsltt-10x-x-80">&nbsp;effect</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\center/\diameter</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{{(0,0)/2mm},</span><span
+class="cmtt-8">&nbsp;{(1,1)/3mm},</span><span
+class="cmtt-8">&nbsp;{(2,0)/1mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yshift=2.5cm]</span><span
+class="cmtt-8">&nbsp;\center</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(\diameter);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 223--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-375-" ><colgroup id="TBL-375-1g"><col
+id="TBL-375-1"><col
+id="TBL-375-2"></colgroup><tr
+ valign="baseline" id="TBL-375-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-375-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-465.svg" width="116.811pt" height="116.811pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-375-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[cap=round,line</span><span
+class="cmtt-8">&nbsp;width=3pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\angle</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;\label</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{0/3,</span><span
+class="cmtt-8">&nbsp;30/2,</span><span
+class="cmtt-8">&nbsp;60/1,</span><span
+class="cmtt-8">&nbsp;90/12,</span><span
+class="cmtt-8">&nbsp;120/11,</span><span
+class="cmtt-8">&nbsp;150/10,</span><span
+class="cmtt-8">&nbsp;180/9,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;210/8,</span><span
+class="cmtt-8">&nbsp;240/7,</span><span
+class="cmtt-8">&nbsp;270/6,</span><span
+class="cmtt-8">&nbsp;300/5,</span><span
+class="cmtt-8">&nbsp;330/4}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=1pt]</span><span
+class="cmtt-8">&nbsp;(\angle:1.8cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\angle:2cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\angle:1.4cm)</span><span
+class="cmtt-8">&nbsp;node{\textsf{\label}};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\angle</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,90,180,270}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=2pt]</span><span
+class="cmtt-8">&nbsp;(\angle:1.6cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\angle:2cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(120:0.8cm);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;hour</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(90:1cm);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;minute</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span><span
+class="cmsltt-10x-x-80">%</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 243--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-376-" ><colgroup id="TBL-376-1g"><col
+id="TBL-376-1"><col
+id="TBL-376-2"></colgroup><tr
+ valign="baseline" id="TBL-376-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-376-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-466.svg" width="108.12007pt" height="108.12007pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-376-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz[shading=ball]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;\cola</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0/red,1/green,2/blue,3/yellow}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;/</span><span
+class="cmtt-8">&nbsp;\colb</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0/red,1/green,2/blue,3/yellow}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[ball</span><span
+class="cmtt-8">&nbsp;color=\cola!50!\colb]</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.4cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 252--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox148"><span
+class="cmtt-10">\breakforeach</span></span> </dt><dd
+class="description">
+<a
+ id="dx16-179002"></a>
+ <!--l. 253--><p class="noindent">If this command is given inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> command, no further executions of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>will
+ occur. However, the current execution of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>is continued normally, so it is probably best
+ to use this command only at the end of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> command.
+ <!--l. 259--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-377-" ><colgroup id="TBL-377-1g"><col
+id="TBL-377-1"><col
+id="TBL-377-2"></colgroup><tr
+ valign="baseline" id="TBL-377-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-377-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-467.svg" width="91.35823pt" height="97.35823pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-377-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,4}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,4}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red!50]</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(3pt</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;6pt);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\ifnum</span><span
+class="cmtt-8">&nbsp;\x&lt;\y</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\breakforeach</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fi</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse16.html" >next</a>] [<a
+href="pgfmanualse14.html" >prev</a>] [<a
+href="pgfmanualse14.html#tailpgfmanualse14.html" >prev-tail</a>] [<a
+href="pgfmanualse15.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse15.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse15.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse16.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse16.html
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@@ -0,0 +1,1631 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>16 Page Management</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse17.html" >next</a>] [<a
+href="pgfmanualse15.html" >prev</a>] [<a
+href="pgfmanualse15.html#tailpgfmanualse15.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse16.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse16.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">16 </span> <a
+ id="x17-18000016"></a>Page Management</h3>
+<!--l. 10--><p class="noindent">This section describes the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> packages. Although this package is not concerned with creating pictures, its
+implementation relies so heavily on <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;that it is documented here. Currently, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> only works
+with <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>, but if you are adventurous, feel free to hack the code so that it also works with plain
+<span class="TEX">T<span
+class="E">E</span>X</span>.
+<!--l. 16--><p class="indent"> The aim of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> is to provide a flexible way of putting multiple pages on a single page <span
+class="cmti-10">inside </span><span class="TEX"><span
+class="cmti-10">T</span><span
+class="E"><span
+class="cmti-10">E</span></span><span
+class="cmti-10">X</span></span>. Thus,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> is quite different from useful tools like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">psnup</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdfnup</span></span></span> insofar as it creates its output in a single pass.
+Furthermore, it works uniformly with both <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span>, making it easy to put multiple pages on a single
+page without any fuss.
+<!--l. 23--><p class="indent"> A word of warning: <span
+class="cmti-10">using </span><span class="obeylines-h"><span class="verb"><span
+class="cmitt-10">pgfpages</span></span></span> <span
+class="cmti-10">will destroy hyperlinks</span>. Actually, the hyperlinks are not destroyed, only they
+will appear at totally wrong positions on the final output. This is due to a fundamental flaw in the
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;specification: In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;the bounding rectangle of a hyperlink is given in &#8220;absolute page coordinates&#8221; and
+translations or rotations do not affect them. Thus, the transformations applied by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> to put the pages where
+you want them are (cannot, even) be applied to the coordinates of hyperlinks. It is unlikely that this will change in
+the foreseeable future.
+<!--l. 35--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">16.1 </span> <a
+ id="x17-18100016.1"></a>Basic Usage</h4>
+<!--l. 37--><p class="noindent">The internals of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> are complex since the package can do all sorts of interesting tricks. For this reason,
+so-called <span
+class="cmti-10">layouts </span>are predefined that setup all option in appropriate ways.
+<!--l. 41--><p class="indent"> You use a layout as follows:
+<!--l. 42--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-378-" ><colgroup id="TBL-378-1g"><col
+id="TBL-378-1"></colgroup><tr
+ valign="baseline" id="TBL-378-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-378-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{article}</span>
+<br>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{2</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;1}[a4paper,landscape,border</span><span
+class="cmtt-8">&nbsp;shrink=5mm]</span>
+<br>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;left.</span>
+<br><span
+class="cmtt-8">\clearpage</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;right.</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 55--><p class="indent"> The layout <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span> puts two pages on a single page. The option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a4paper</span></span></span> tells <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> that the <span
+class="cmti-10">resulting </span>page
+(called the <span
+class="cmti-10">physical </span>page in the following) should be <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a4paper</span></span></span> and it should be landscape (which is quite logical since
+putting two portrait pages next to each other gives a landscape page). Normally, the <span
+class="cmti-10">logical </span>pages, that is, the pages
+that <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;&#8220;thinks&#8221; that it is typesetting, will have the same sizes, but this need not be the case. <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> will
+automatically scale down the logical pages such that two logical pages fit next to each other inside a DIN A4
+page.
+<!--l. 65--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span><span
+class="cmtt-10">&nbsp;shrink</span></span></span> tells <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> that it should add an additional 5mm to the shrinking such that a
+5mm-wide border is shown around the resulting logical pages.
+<!--l. 69--><p class="indent"> As a second example, let us put two pages produced by the <span
+class="cmcsc-10"><small
+class="small-caps">B</small><small
+class="small-caps">E</small><small
+class="small-caps">A</small><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">R</small> </span>class on a single page:
+<!--l. 72--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-379-" ><colgroup id="TBL-379-1g"><col
+id="TBL-379-1"></colgroup><tr
+ valign="baseline" id="TBL-379-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-379-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{beamer}</span>
+<br>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{2</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;1}[a4paper,border</span><span
+class="cmtt-8">&nbsp;shrink=5mm]</span>
+<br>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">\begin{frame}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;top.</span>
+<br><span
+class="cmtt-8">\end{frame}</span>
+<br><span
+class="cmtt-8">\begin{frame}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;bottom.</span>
+<br><span
+class="cmtt-8">\end{frame}</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table>
+
+
+</div>
+<!--l. 88--><p class="indent"> Note that we do not use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">landscape</span></span></span> option since <span
+class="cmcsc-10"><small
+class="small-caps">B</small><small
+class="small-caps">E</small><small
+class="small-caps">A</small><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">R</small></span>&#8217;s logical pages are already in landscape mode and
+putting two landscape pages on top of each other results in a portrait page. However, if you had used the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">4</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span>
+layout, you would have had to add <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">landscape</span></span></span> once more, using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">8</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span> you must not, using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">16</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span> you need
+it yet again. And, no, there is no <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">32</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span> layout.
+<!--l. 95--><p class="indent"> Another word of caution: <span
+class="cmti-10">using </span><span class="obeylines-h"><span class="verb"><span
+class="cmitt-10">pgfpages</span></span></span> <span
+class="cmti-10">will produce wrong page numbers in the </span><span class="obeylines-h"><span class="verb"><span
+class="cmitt-10">.aux</span></span></span> <span
+class="cmti-10">file</span>. The reason is that
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;instantiates the page numbers when writing an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.aux</span></span></span> file only when the physical page is shipped out.
+Fortunately, this problem is easy to fix: First, typeset our file normally without using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesuselayout</span></span></span>
+command (just put the comment marker <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">%</span></span></span> before it) Then, rerun <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesuselayout</span></span></span> command
+included and add the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\nofiles</span></span></span>. This command ensures that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.aux</span></span></span> file is not modified, which is
+exactly what you want. So, to typeset the above example, you should actually first <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;the following
+file:
+<!--l. 106--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-380-" ><colgroup id="TBL-380-1g"><col
+id="TBL-380-1"></colgroup><tr
+ valign="baseline" id="TBL-380-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-380-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{article}</span>
+<br>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmsltt-10x-x-80">%%\pgfpagesuselayout{2</span><span
+class="cmsltt-10x-x-80">&nbsp;on</span><span
+class="cmsltt-10x-x-80">&nbsp;1}[a4paper,landscape,border</span><span
+class="cmsltt-10x-x-80">&nbsp;shrink=5mm]</span>
+<br><span
+class="cmsltt-10x-x-80">%%\nofiles</span>
+<br>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;left.</span>
+<br><span
+class="cmtt-8">\clearpage</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;right.</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 119--><p class="indent"> and then typeset
+<!--l. 120--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-381-" ><colgroup id="TBL-381-1g"><col
+id="TBL-381-1"></colgroup><tr
+ valign="baseline" id="TBL-381-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-381-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{article}</span>
+<br>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{2</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;1}[a4paper,landscape,border</span><span
+class="cmtt-8">&nbsp;shrink=5mm]</span>
+<br><span
+class="cmtt-8">\nofiles</span>
+<br>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;left.</span>
+<br><span
+class="cmtt-8">\clearpage</span>
+<br><span
+class="cmtt-8">This</span><span
+class="cmtt-8">&nbsp;text</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;shown</span><span
+class="cmtt-8">&nbsp;on</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;right.</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 134--><p class="indent"> The final basic example is the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;to</span></span></span> layout (it works a bit like a hypothetical <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span> layout). This layout
+resizes the logical page such that is fits the specified physical size. Since this does not change the page numbering,
+you need not worry about the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.aux</span></span></span> files with this layout. For example, adding the following lines will ensure that
+the physical output will fit on DIN A4 paper:
+<!--l. 140--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-382-" ><colgroup id="TBL-382-1g"><col
+id="TBL-382-1"></colgroup><tr
+ valign="baseline" id="TBL-382-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-382-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{resize</span><span
+class="cmtt-8">&nbsp;to}[a4paper]</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 145--><p class="indent"> This can be very useful when you have to handle lots of papers that are typeset for, say, letter paper and you
+have an A4 printer or the other way round. For example, the following article will be fit for printing on letter
+paper:
+<!--l. 149--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-383-" ><colgroup id="TBL-383-1g"><col
+id="TBL-383-1"></colgroup><tr
+ valign="baseline" id="TBL-383-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-383-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass[a4paper]{article}</span>
+<br><span
+class="cmsltt-10x-x-80">%%</span><span
+class="cmsltt-10x-x-80">&nbsp;a4</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;currently</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;logical</span><span
+class="cmsltt-10x-x-80">&nbsp;size</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;also</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;physical</span><span
+class="cmsltt-10x-x-80">&nbsp;size</span>
+<br>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{resize</span><span
+class="cmtt-8">&nbsp;to}[letterpaper]</span>
+<br><span
+class="cmsltt-10x-x-80">%%</span><span
+class="cmsltt-10x-x-80">&nbsp;a4</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;still</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;logical</span><span
+class="cmsltt-10x-x-80">&nbsp;size,</span><span
+class="cmsltt-10x-x-80">&nbsp;but</span><span
+class="cmsltt-10x-x-80">&nbsp;letter</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;physical</span><span
+class="cmsltt-10x-x-80">&nbsp;one</span>
+<br>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\title{My</span><span
+class="cmtt-8">&nbsp;Great</span><span
+class="cmtt-8">&nbsp;Article}</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 165--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">16.2 </span> <a
+ id="x17-18200016.2"></a>The Predefined Layouts</h4>
+
+
+<!--l. 167--><p class="noindent">This section explains the predefined layouts in more detail. You select a layout using the following
+command:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox149"><span
+class="cmtt-10">\pgfpagesuselayout</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layout</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182001"></a>
+ <!--l. 170--><p class="noindent">Installs the specified <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layout</span><span
+class="cmsy-10">&gt; </span>with the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>set. The predefined layouts and their permissible
+ options are explained below.
+ <!--l. 174--><p class="noindent">If this function is called multiple times, only the last call &#8220;wins.&#8221; You can thereby overwrite any
+ previous settings. In particular, layouts <span
+class="cmti-10">do not </span>accumulate.
+ <!--l. 178--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesuselayout{resize</span><span
+class="cmtt-10">&nbsp;to}[a4paper]</span></span></span> </dd></dl>
+<!--l. 181--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox150"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">resize to</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182002"></a>
+<a
+ id="dx17-182003"></a>
+ <!--l. 182--><p class="noindent">This layout is used to resize every logical page to a specified physical size. To determine the target size, the
+ following options may be given:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">physical</span><span
+class="cmtt-10">&nbsp;paper</span><span
+class="cmtt-10">&nbsp;height=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> sets the height of the physical pape size to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">physical</span><span
+class="cmtt-10">&nbsp;paper</span><span
+class="cmtt-10">&nbsp;width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> sets the width of the physical pape size to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a0paper</span></span></span> sets the physical page size to DIN A0 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a1paper</span></span></span> sets the physical page size to DIN A1 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a2paper</span></span></span> sets the physical page size to DIN A2 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a3paper</span></span></span> sets the physical page size to DIN A3 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a4paper</span></span></span> sets the physical page size to DIN A4 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a5paper</span></span></span> sets the physical page size to DIN A5 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">a6paper</span></span></span> sets the physical page size to DIN A6 paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">letterpaper</span></span></span> sets the physical page size to the American letter paper size.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">legalpaper</span></span></span> sets the physical page size to the American legal paper size.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">executivepaper</span></span></span> sets the physical page size to the American executive paper size.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">landscape</span></span></span> swaps the height and the width of the physical paper.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span><span
+class="cmtt-10">&nbsp;shrink=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> additionally reduces the size of the logical page on the physical page by
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span>.</li></ul>
+ </dd></dl>
+<!--l. 224--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox151"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">2 on 1</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182004"></a>
+<a
+ id="dx17-182005"></a>
+ <!--l. 225--><p class="noindent">Puts two logical pages alongside each other on each physical page if the logical height is larger than
+ the logical width (logical pages are in portrait mode). Otherwise, two logical pages are put on top of
+ each other (logical pages are in landscape mode). When using this layout, it is advisable to use the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\nofiles</span></span></span> command, but this is not done automatically.
+ <!--l. 232--><p class="noindent">The same <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>as for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;to</span></span></span> layout an be used, plus the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">odd</span><span
+class="cmtt-10">&nbsp;numbered</span><span
+class="cmtt-10">&nbsp;pages</span><span
+class="cmtt-10">&nbsp;right</span></span></span> places the first page on the right.</li></ul>
+ </dd></dl>
+<!--l. 242--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox152"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">4 on 1</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182006"></a>
+<a
+ id="dx17-182007"></a>
+ <!--l. 243--><p class="noindent">Puts four logical pages on a single physical page. The same <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>as for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;to</span></span></span> layout an
+ be used. </dd></dl>
+<!--l. 247--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox153"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">8 on 1</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182008"></a>
+<a
+ id="dx17-182009"></a>
+ <!--l. 248--><p class="noindent">Puts eight logical pages on a single physical page. As for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2</span><span
+class="cmtt-10">&nbsp;on</span><span
+class="cmtt-10">&nbsp;1</span></span></span>, the orientation depends on whether
+ the logical pages are in landscape mode or in portrait mode. </dd></dl>
+<!--l. 253--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox154"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">16 on 1</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182010"></a>
+<a
+ id="dx17-182011"></a>
+ <!--l. 254--><p class="noindent">This is for the <span
+class="cmcsc-10"><small
+class="small-caps">C</small><small
+class="small-caps">E</small><small
+class="small-caps">O</small></span>. </dd></dl>
+<!--l. 257--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox155"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">rounded corners</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182012"></a>
+<a
+ id="dx17-182013"></a>
+ <!--l. 259--><p class="noindent">This layout adds &#8220;rounded corners&#8221; to every page, which, supposedly, looks nicer during presentations
+ with projectors (personally, I doubt this). This is done by (possibly) resizing the page to the physical
+ page size. Then four black rectangles are drawn in each corner. Next, a clipping region is set up that
+ contains all of the logical page except for little rounded corners. Finally, the logical page is draw,
+ clipped against the clipping region.
+ <!--l. 268--><p class="noindent">Note that every logical page should fill its background for this to work.
+ <!--l. 271--><p class="noindent">In addition to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>that can be given to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;to</span></span></span> the following options may be given.
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">corner</span><span
+class="cmtt-10">&nbsp;width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> specifies the size of the corner.</li></ul>
+
+
+ <!--l. 278--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-384-" ><colgroup id="TBL-384-1g"><col
+id="TBL-384-1"></colgroup><tr
+ valign="baseline" id="TBL-384-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-384-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{beamer}</span>
+<br><span
+class="cmtt-8">\usepackage{pgfpages}</span>
+<br><span
+class="cmtt-8">\pgfpagesuselayout{rounded</span><span
+class="cmtt-8">&nbsp;corners}[corner</span><span
+class="cmtt-8">&nbsp;width=5pt]</span>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 288--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox156"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">two screens with lagging second</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182014"></a>
+<a
+ id="dx17-182015"></a>
+ <!--l. 289--><p class="noindent">This layout puts two logical pages alongside each other. The second page always shows what the main
+ page showed on the previous physical page. Thus, the second page &#8220;lags behind&#8221; the main page. This
+ can be useful when you have to projectors attached to your computer and can show different parts of
+ a physical page on different projectors.
+ <!--l. 296--><p class="noindent">The following <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>may be given:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;right</span></span></span> puts the second page right of the main page. This will make the physical pages
+ twice as wide as the logical pages, but it will retain the height.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;left</span></span></span> puts the second page left, otherwise it behave the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;right</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;bottom</span></span></span> puts the second page below the main page. This make the physical pages twice
+ as high as the logical ones.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;top</span></span></span> works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">second</span><span
+class="cmtt-10">&nbsp;bottom</span></span></span>.</li></ul>
+ </dd></dl>
+<!--l. 310--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox157"><span
+class="cmtt-10">\pgfpagesuselayout{</span><span
+class="cmtt-10">two screens with optional second</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182016"></a>
+<a
+ id="dx17-182017"></a>
+ <!--l. 311--><p class="noindent">This layout works similarly to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">two</span><span
+class="cmtt-10">&nbsp;screens</span><span
+class="cmtt-10">&nbsp;with</span><span
+class="cmtt-10">&nbsp;lagging</span><span
+class="cmtt-10">&nbsp;second</span></span></span>. The difference is that the contents
+ of the second screen only changes when one of the commands <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshipoutlogicalpage{2}</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfcurrentpagewillbelogicalpage{2}</span></span></span> is called. The first puts the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt; </span>on the second page.
+ The second specifies that the current page should be put there, once it is finished.
+ <!--l. 319--><p class="noindent">The same options as for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">two</span><span
+class="cmtt-10">&nbsp;screens</span><span
+class="cmtt-10">&nbsp;with</span><span
+class="cmtt-10">&nbsp;lagging</span><span
+class="cmtt-10">&nbsp;second</span></span></span> may be given. </dd></dl>
+<!--l. 325--><p class="indent"> You can define your own predefined layouts using the following command:
+<!--l. 329--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox158"><span
+class="cmtt-10">\pgfpagesdeclarelayout</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layout</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">before actions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">after actions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-182018"></a>
+ <!--l. 330--><p class="noindent">This command predefines a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layout</span><span
+class="cmsy-10">&gt; </span>that can later be installed using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesuselayout</span></span></span>
+ command.
+ <!--l. 333--><p class="noindent">When <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesuselayout</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layout</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">] </span>is called, the following happens: First, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">before</span>
+ <span
+class="cmti-10">actions</span><span
+class="cmsy-10">&gt; </span>are executed. They can be used, for example, to setup default values for keys. Next,
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\setkeys{pgfpagesuselayoutoption}</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>is executed. Finally, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">after actions</span><span
+class="cmsy-10">&gt; </span>are
+ executed.
+ <!--l. 339--><p class="noindent">Here is an example:
+
+
+ <!--l. 340--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-385-" ><colgroup id="TBL-385-1g"><col
+id="TBL-385-1"></colgroup><tr
+ valign="baseline" id="TBL-385-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-385-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpagesdeclarelayout{resize</span><span
+class="cmtt-8">&nbsp;to}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\def\pgfpageoptionborder{0pt}</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpagesphysicalpageoptions</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;logical</span><span
+class="cmtt-8">&nbsp;pages=1,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;physical</span><span
+class="cmtt-8">&nbsp;height=\pgfpageoptionheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;physical</span><span
+class="cmtt-8">&nbsp;width=\pgfpageoptionwidth</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpageslogicalpageoptions{1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;width=\pgfphysicalwidth,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;height=\pgfphysicalheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;border</span><span
+class="cmtt-8">&nbsp;shrink=\pgfpageoptionborder,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;center=\pgfpoint{.5\pgfphysicalwidth}{.5\pgfphysicalheight}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 366--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">16.3 </span> <a
+ id="x17-18300016.3"></a>Defining a Layout</h4>
+<!--l. 368--><p class="noindent">If none of the predefined layouts meets your problem or if you wish to modify them, you can create layouts from
+scratch. This section explains how this is done.
+<!--l. 372--><p class="indent"> Basically, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> hooks into <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shipout</span></span></span> function. This function is called whenever <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;has completed
+typesetting a page and wishes to send this page to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> file. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> package redefines this
+command. Instead of sending the page to the output file, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> stores it in an internal box and then
+acts as if the page had been output. When <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;tries to output the next page using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shipout</span></span></span>, this
+call is once more intercepted and the page is stored in another box. These boxes are called <span
+class="cmti-10">logical</span>
+<span
+class="cmti-10">pages</span>.
+<!--l. 381--><p class="indent"> At some point, enough logical pages have been accumulated such that a <span
+class="cmti-10">physical page </span>can be output. When this
+happens, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> possibly scales, rotates, and translates the logical pages (and possibly even does
+further modifications) and then puts them at certain positions of the <span
+class="cmti-10">physical </span>page. Once this page is
+fully assembled, the &#8220;real&#8221; or &#8220;original&#8221; <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shipout</span></span></span> is called to send the physical page to the output
+file.
+<!--l. 389--><p class="indent"> In reality, things are slightly more complicated. First, once a physical page has been shipped out, the logical
+pages are usually voided, but this need not be the case. Instead, it is possible that certain logical page just retain
+their contents after the physical page has been shipped out and these pages need not be filled once more before a
+physical shipout can occur. However, the contents of these logical pages can still be changed using special
+commands. It is also possible that after a shipout certain logical pages are filled with the contents of <span
+class="cmti-10">other </span>logical
+pages.
+<!--l. 399--><p class="indent"> A <span
+class="cmti-10">layout </span>defines for each logical page where it will go on the physical page and which further modifications
+should be done. The following two commands are used to define the layout:
+<!--l. 403--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox159"><span
+class="cmtt-10">\pgfpagesphysicalpageoptions</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-183001"></a>
+ <!--l. 404--><p class="noindent">This command sets the characteristic of the &#8220;physical&#8221; page. For example, it is used to specify how
+ many logical pages there are and how many logical pages must be accumulated before a physical
+ page is shipped out. How each individual logical page is typeset is specified using the command
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpageslogicalpageoptions</span></span></span>, described later.
+ <!--l. 411--><p class="noindent"><span
+class="cmti-10">Example: </span>A layout for putting two portrait pages on a single landscape page:
+
+
+ <!--l. 413--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-386-" ><colgroup id="TBL-386-1g"><col
+id="TBL-386-1"></colgroup><tr
+ valign="baseline" id="TBL-386-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-386-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpagesphysicalpageoptions</span>
+<br><span
+class="cmtt-8">{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;logical</span><span
+class="cmtt-8">&nbsp;pages=2,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;physical</span><span
+class="cmtt-8">&nbsp;height=\paperwidth,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;physical</span><span
+class="cmtt-8">&nbsp;width=\paperheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span>
+<br>
+<br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{1}</span>
+<br><span
+class="cmtt-8">{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;width=.5\pgfphysicalwidth,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;height=\pgfphysicalheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;center=\pgfpoint{.25\pgfphysicalwidth}{.5\pgfphysicalheight}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{2}</span>
+<br><span
+class="cmtt-8">{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;width=.5\pgfphysicalwidth,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;height=\pgfphysicalheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;center=\pgfpoint{.75\pgfphysicalwidth}{.5\pgfphysicalheight}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span><span
+class="cmsltt-10x-x-80">%</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 435--><p class="noindent">The following <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>may be set:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">logical</span><span
+class="cmtt-10">&nbsp;pages=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical pages</span><span
+class="cmsy-10">&gt;</span> specified how many logical pages there are, in total. These are
+ numbered 1 to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical pages</span><span
+class="cmsy-10">&gt;</span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">first</span><span
+class="cmtt-10">&nbsp;logical</span><span
+class="cmtt-10">&nbsp;shipout=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt;</span>. See the the next option. By default, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt; </span>is 1.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">last</span><span
+class="cmtt-10">&nbsp;logical</span><span
+class="cmtt-10">&nbsp;shipout=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last</span><span
+class="cmsy-10">&gt;</span>. Together with the previous option, these two options define an
+ interval of pages inside the range 1 to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical pages</span><span
+class="cmsy-10">&gt;</span>. Only this range is used to store the pages
+ that are shipped out by <span class="TEX">T<span
+class="E">E</span>X</span>. This means that after a physical shipout has just occured (or at
+ the beginning), the first time <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;wishes to perform a shipout, the page to be shipped out is
+ stored in logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt;</span>. The next time <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;performs a shipout, the page is stored in logical
+ page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt;</span>+1 and so on, until the logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last</span><span
+class="cmsy-10">&gt; </span>is also filled. Once this happens, a physical
+ shipout occurs and the process starts once more.
+ <!--l. 454--><p class="noindent">Note that logical pages that lie outside the interval between <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last</span><span
+class="cmsy-10">&gt; </span>are filled only
+ indirectly or when special commands are used.
+ <!--l. 458--><p class="noindent">By default, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last</span><span
+class="cmsy-10">&gt; </span>equals <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical pages</span><span
+class="cmsy-10">&gt;</span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">current</span><span
+class="cmtt-10">&nbsp;logical</span><span
+class="cmtt-10">&nbsp;shipout=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt;</span> changes an internal counter such that <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s next logical
+ shipout will be stored in logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 463--><p class="noindent">This option can be used to &#8220;warp&#8221; the logical page filling mechanism to a certain page. You can
+ both skip logical pages and overwrite already filled logical pages. After the logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt;</span>
+ has been filled, the internal counter is incremented normally as if the logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt; </span>had
+ been &#8220;reached&#8221; normally. If you specify a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt; </span>larger to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last</span><span
+class="cmsy-10">&gt;</span>, a physical shipout will occur
+ after the logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current</span><span
+class="cmsy-10">&gt; </span>has been filled.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">physical</span><span
+class="cmtt-10">&nbsp;height=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span> specifies the height of the physical pages. This height is typically
+ different from the normal <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\paperheight</span></span></span>, which is used by <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;for its typesetting and page
+ breaking purposes.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">physical</span><span
+class="cmtt-10">&nbsp;width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span> specifies the physical width.</li></ul>
+ </dd></dl>
+<!--l. 483--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox160"><span
+class="cmtt-10">\pgfpageslogicalpageoptions</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical page number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-183002"></a>
+
+
+ <!--l. 484--><p class="noindent">This command is used to specify where the logical page number <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical page number</span><span
+class="cmsy-10">&gt; </span>will be placed on
+ the physical page. In addition, this command can be used to install additional &#8220;code&#8221; to be executed
+ when this page is put on the physical page.
+ <!--l. 489--><p class="noindent">The number <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical page number</span><span
+class="cmsy-10">&gt; </span>should be between 1 and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical pages</span><span
+class="cmsy-10">&gt;</span>, which has previously been
+ installed using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesphysicalpageoptions</span></span></span> command.
+ <!--l. 493--><p class="noindent">The following <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>may be given:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">pgf point</span><span
+class="cmsy-10">&gt;</span> specifies the center of the logical page inside the physical page as a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>-point.
+ The origin of the coordinate system of the physical page is at the <span
+class="cmti-10">lower </span>left corner.
+ <!--l. 501--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-387-" ><colgroup id="TBL-387-1g"><col
+id="TBL-387-1"></colgroup><tr
+ valign="baseline" id="TBL-387-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-387-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{1}</span>
+<br><span
+class="cmtt-8">{</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;center</span><span
+class="cmsltt-10x-x-80">&nbsp;logical</span><span
+class="cmsltt-10x-x-80">&nbsp;page</span><span
+class="cmsltt-10x-x-80">&nbsp;on</span><span
+class="cmsltt-10x-x-80">&nbsp;middle</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;left</span><span
+class="cmsltt-10x-x-80">&nbsp;side</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;center=\pgfpoint{.25\pgfphysicalwidth}{.5\pgfphysicalheight}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;width=.5\pgfphysicalwidth,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;resized</span><span
+class="cmtt-8">&nbsp;height=\pgfphysicalheight,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resized</span><span
+class="cmtt-10">&nbsp;width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> specifies the width that the logical page should have <span
+class="cmti-10">at most </span>on the physical page.
+ To achieve this width, the pages is scaled down appropriately <span
+class="cmti-10">or more</span>. The &#8220;or more&#8221; part can
+ happen if the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;height</span></span></span> option is also used. In this case, the scaling is chosen such
+ that both the specified height and width are met. The aspect ratio of a logical page is not
+ modified.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resized</span><span
+class="cmtt-10">&nbsp;height=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span> specifies the maximum height of the logical page.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">original</span><span
+class="cmtt-10">&nbsp;width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span> specifies the width the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;&#8220;thinks&#8221; that the logical page has. This width is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\paperwidth</span></span></span> at the point of invocation, by default. Note that setting this width to something different
+ from <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\paperwidth</span></span></span> does <span
+class="cmti-10">not </span>change the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pagewidth</span></span></span> during <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s typesetting. You have to do that
+ yourself.
+ <!--l. 530--><p class="noindent">You need this option only for special logical pages that have a height or width different from the normal
+ one and for which you will (later on) set these sizes yourself.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">original</span><span
+class="cmtt-10">&nbsp;height=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span> works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">original</span><span
+class="cmtt-10">&nbsp;width</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">scale=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span> scales the page by at least the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>. A <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> will half the size of the
+ page, a factor or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2</span></span></span> will double the size. &#8220;At least&#8221; means that if options like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">resize</span><span
+class="cmtt-10">&nbsp;height</span></span></span> are given
+ and if the scaling required to meet that option is less than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>, that other scaling is used
+ instead.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xscale=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span> scales the logical page along the <span
+class="cmmi-10">x</span>-axis by the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>. This scaling is done
+ independently of any other scaling. Mostly, this option is useful for a factor of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-1</span></span></span>, which flips the page
+ along the <span
+class="cmmi-10">y</span>-axis. The aspect ratio is not kept.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">yscale=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span> works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xscale</span></span></span>, only for the <span
+class="cmmi-10">y</span>-axis.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rotation=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt;</span> rotates the page by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt; </span>around its center. Use a degree of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">90</span></span></span> or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-90</span></span></span> to go from portrait to landscape and back. The rotation need not be a multiple of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">90</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">copy</span><span
+class="cmtt-10">&nbsp;from=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical page number</span><span
+class="cmsy-10">&gt;</span>. Normally, after a physical shipout has occured, all logical pages are
+ voided in a loop. However, if this option is given, the current logical page is filled with the contents of the
+ old logical page number <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">logical page number</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 565--><p class="noindent"><span
+class="cmti-10">Example: </span>Have logical page 2 retain its contents:
+
+
+ <!--l. 566--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-388-" ><colgroup id="TBL-388-1g"><col
+id="TBL-388-1"></colgroup><tr
+ valign="baseline" id="TBL-388-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-388-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{2}{copy</span><span
+class="cmtt-8">&nbsp;from=2}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 570--><p class="noindent"><span
+class="cmti-10">Example: </span>Let logical page 2 show what logical page 1 showed on the just-shipped-out physical
+ page:
+ <!--l. 572--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-389-" ><colgroup id="TBL-389-1g"><col
+id="TBL-389-1"></colgroup><tr
+ valign="baseline" id="TBL-389-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-389-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{2}{copy</span><span
+class="cmtt-8">&nbsp;from=1}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span><span
+class="cmtt-10">&nbsp;shrink</span></span></span>=<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> specifies an addition reduction of the size to which the page is page is scaled
+ down.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span><span
+class="cmtt-10">&nbsp;code</span></span></span>=<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span>. When this option is given, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed before the page box is
+ inserted with a path preinstalled that is a rectangle around the current logical page. Thus,
+ setting <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfstroke</span></span></span> draws a rectangle around the logical page. Setting <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>to
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetlinewidth{3pt}\pgfstroke</span></span></span> results in a thick (ugly) frame. Adding dashes and filling can result
+ in arbitrarily funky and distracting borders.
+ <!--l. 589--><p class="noindent">You can also call <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdiscardpath</span></span></span> and add your own path construction code (for example to paint a
+ rectangle with rounded corners). The coordinate system is setup in such a way that a rectangle starting
+ at the origin and having the height and width of <span class="TEX">T<span
+class="E">E</span>X</span>-box 0 will result in a rectangle filling exactly the
+ logical page currently being put on the physical page. The logical page is inserted <span
+class="cmti-10">after </span>these commands
+ have been executed.
+ <!--l. 597--><p class="noindent"><span
+class="cmti-10">Example: </span>Add a rectangle around the page:
+ <!--l. 598--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-390-" ><colgroup id="TBL-390-1g"><col
+id="TBL-390-1"></colgroup><tr
+ valign="baseline" id="TBL-390-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-390-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfpageslogicalpageoptions{1}{border</span><span
+class="cmtt-8">&nbsp;code=\pgfstroke}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">corner</span><span
+class="cmtt-10">&nbsp;width</span></span></span>=<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">size</span><span
+class="cmsy-10">&gt;</span> adds black &#8220;rounded corners&#8221; to the page. See the description of the predefined
+ layout <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rounded</span><span
+class="cmtt-10">&nbsp;corners</span></span></span> on page&nbsp;<a
+href="#x17-18200016.2">211<!--tex4ht:ref: section-plot-handlers --></a>.</li></ul>
+ </dd></dl>
+<!--l. 612--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">16.4 </span> <a
+ id="x17-18400016.4"></a>Creating Logical Pages</h4>
+<!--l. 614--><p class="noindent">Logical pages are created whenever a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;thinks that a page is full and performs a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shipout</span></span></span> command. This will
+cause <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpages</span></span></span> to store the box that was supposed to be shipped out internally until enough logical pages have
+been collected such that a physical shipout can occur.
+<!--l. 620--><p class="indent"> Normally, whenever a logical shipout occurs that current page is stored in logical page number <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current logical</span>
+<span
+class="cmti-10">page</span><span
+class="cmsy-10">&gt;</span>. This counter is then incremented, until it is larger than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">last logical shipout</span><span
+class="cmsy-10">&gt;</span>. You can, however, directly
+change the value of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current logical page</span><span
+class="cmsy-10">&gt; </span>by calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpagesphysicalpageoptions</span></span></span>.
+<!--l. 626--><p class="indent"> Another way to set the contents of a logical page is to use the following command:
+<!--l. 629--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox161"><span
+class="cmtt-10">\pgfpagesshipoutlogicalpage</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-184001"></a>
+ <!--l. 630--><p class="noindent">This command sets to logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt; </span>to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt;</span>. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt; </span>should be the code of a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;box
+ command. This command does not influence the counter <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current logical page</span><span
+class="cmsy-10">&gt; </span>and does not cause a
+ physical shipout.
+ <!--l. 635--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-391-" ><colgroup id="TBL-391-1g"><col
+id="TBL-391-1"></colgroup><tr
+ valign="baseline" id="TBL-391-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-391-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpagesshipoutlogicalpage{0}\vbox{Hi!}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 639--><p class="noindent">This command can be used to set the contents of logical pages that are normally not filled. </dd></dl>
+<!--l. 643--><p class="indent"> The final way of setting a logical page is using the following command:
+<!--l. 646--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox162"><span
+class="cmtt-10">\pgfpagescurrentpagewillbelogicalpage</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx17-184002"></a>
+ <!--l. 647--><p class="noindent">When the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;page has been typeset, it will be become the given logical page <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt;</span>. This
+ command &#8220;interrupts&#8221; the normal order of logical pages, that is, it behaves like the previous command
+ and does not update the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">current logical page</span><span
+class="cmsy-10">&gt; </span>counter.
+ <!--l. 653--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-392-" ><colgroup id="TBL-392-1g"><col
+id="TBL-392-1"></colgroup><tr
+ valign="baseline" id="TBL-392-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-392-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpagesuselayout{two</span><span
+class="cmtt-8">&nbsp;screens</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;optional</span><span
+class="cmtt-8">&nbsp;second}</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">Text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;main</span><span
+class="cmtt-8">&nbsp;page.</span>
+<br><span
+class="cmtt-8">\clearpage</span>
+<br>
+<br><span
+class="cmtt-8">\pgfpagescurrentpagewillbelogicalpage{2}</span>
+<br><span
+class="cmtt-8">Text</span><span
+class="cmtt-8">&nbsp;that</span><span
+class="cmtt-8">&nbsp;goes</span><span
+class="cmtt-8">&nbsp;to</span><span
+class="cmtt-8">&nbsp;second</span><span
+class="cmtt-8">&nbsp;page</span>
+<br><span
+class="cmtt-8">\clearpage</span>
+<br>
+<br><span
+class="cmtt-8">Text</span><span
+class="cmtt-8">&nbsp;for</span><span
+class="cmtt-8">&nbsp;main</span><span
+class="cmtt-8">&nbsp;page.</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse17.html" >next</a>] [<a
+href="pgfmanualse15.html" >prev</a>] [<a
+href="pgfmanualse15.html#tailpgfmanualse15.html" >prev-tail</a>] [<a
+href="pgfmanualse16.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse16.html" >up</a>] </p></div>
+<!--l. 7--><p class="indent"> <a
+ id="tailpgfmanualse16.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>17 Extended Color Support</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse16.html" >prev</a>] [<a
+href="pgfmanualse16.html#tailpgfmanualse16.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse17.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse17.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">17 </span> <a
+ id="x18-18500017"></a>Extended Color Support</h3>
+<!--l. 9--><p class="noindent">This section documents the package <span
+class="cmtt-10">xxcolor</span>, which is currently distributed as part of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. This package
+extends the <span
+class="cmtt-10">xcolor </span>package, written by Uwe Kern, which in turn extends the <span
+class="cmtt-10">color </span>package. I hope
+that the commands in <span
+class="cmtt-10">xxcolor </span>will some day migrate to <span
+class="cmtt-10">xcolor</span>, such that this package becomes
+superfluous.
+<!--l. 16--><p class="indent"> The main aim of the <span
+class="cmtt-10">xxcolor </span>package is to provide an environment inside which all colors are &#8220;washed out&#8221; or
+&#8220;dimmed.&#8221; This is useful in numerous situations and must typically be achieved in a roundabout manner if such an
+environment is not available.
+<!--l. 21--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox163"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">colormixin</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mix-in specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox164"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox165"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">colormixin</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx18-185001"></a>
+<a
+ id="dx18-185002"></a>
+ <!--l. 22--><p class="noindent">The mix-in specification is applied to all colors inside the environment. At the beginning of the
+ environment, the mix-in is applied to the current color, i. e., the color that was in effect before the
+ environment started. A mix-in specification is a number between 0 and 100 followed by an exclamation
+ mark and a color name. When a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command is encountered inside a mix-in environment, the
+ number states what percentage of the desired color should be used. The rest is &#8220;filled up&#8221; with the
+ color given in the mix-in specification. Thus, a mix-in specification like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">90!blue</span></span></span> will mix in 10% of
+ blue into everything, whereas <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">25!white</span></span></span> will make everything nearly white.
+ <!--l. 35--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-393-" ><colgroup id="TBL-393-1g"><col
+id="TBL-393-1"><col
+id="TBL-393-2"></colgroup><tr
+ valign="baseline" id="TBL-393-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-393-1-1"
+class="td11"> &nbsp;<table class="minipage"><tr><td>Red text,washed-out red
+text, washed-out blue text,
+dark washed-out blue
+text, dark washed-out
+green text,
+back to washed-out blue
+text,
+and back to red. </td></tr></table>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-393-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{minipage}{3.5cm}\raggedright</span>
+<br><span
+class="cmtt-8">\color{red}Red</span><span
+class="cmtt-8">&nbsp;text,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{colormixin}{25!white}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;washed-out</span><span
+class="cmtt-8">&nbsp;red</span><span
+class="cmtt-8">&nbsp;text,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{blue}</span><span
+class="cmtt-8">&nbsp;washed-out</span><span
+class="cmtt-8">&nbsp;blue</span><span
+class="cmtt-8">&nbsp;text,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{colormixin}{25!black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;dark</span><span
+class="cmtt-8">&nbsp;washed-out</span><span
+class="cmtt-8">&nbsp;blue</span><span
+class="cmtt-8">&nbsp;text,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{green}</span><span
+class="cmtt-8">&nbsp;dark</span><span
+class="cmtt-8">&nbsp;washed-out</span><span
+class="cmtt-8">&nbsp;green</span><span
+class="cmtt-8">&nbsp;text,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{colormixin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;back</span><span
+class="cmtt-8">&nbsp;to</span><span
+class="cmtt-8">&nbsp;washed-out</span><span
+class="cmtt-8">&nbsp;blue</span><span
+class="cmtt-8">&nbsp;text,</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\end{colormixin}</span>
+<br><span
+class="cmtt-8">and</span><span
+class="cmtt-8">&nbsp;back</span><span
+class="cmtt-8">&nbsp;to</span><span
+class="cmtt-8">&nbsp;red.</span>
+<br><span
+class="cmtt-8">\end{minipage}</span><span
+class="cmsltt-10x-x-80">%</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 52--><p class="indent"> Note that the environment only changes colors that have been installed using the standard <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span>
+command. In particular, the colors in images are not changed. There is, however, some support offered by the
+commands <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseshading</span></span></span>. If the first command is invoked inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">colormixin</span></span></span> environment
+with the parameter, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">50!black</span></span></span> on an image with the name <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foo</span></span></span>, the command will first check whether there is
+also a defined image with the name <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foo.!50!black</span></span></span>. If so, this image is used instead. This allows you to provide a
+different image for this case. If you nest <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">colormixin</span></span></span> environments, the different mix-ins are all appended. For
+example, inside the inner environment of the above example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage{foo}</span></span></span> would first check whether there
+exists an image named <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">foo.!50!white!25!black</span></span></span>.
+
+
+<!--l. 67--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox166"><span
+class="cmtt-10">\colorcurrentmixin</span></span> </dt><dd
+class="description">
+<a
+ id="dx18-185003"></a>
+ <!--l. 68--><p class="noindent">Expands to the current accumulated mix-in. Each nesting of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">colormixin</span></span></span> adds a mix-in to this
+ list.
+ <!--l. 70--><p class="noindent"><div class="obeylines-v"></div><table class="minipage"><tr><td>!75!white&nbsp;should be &#8220;!75!white&#8221;
+<!--l. 1--><p class="noindent">!75!black!75!white&nbsp;should be &#8220;!75!black!75!white&#8221;
+<!--l. 1--><p class="noindent">!50!white!75!black!75!white&nbsp;should be &#8220;!50!white!75!black!75!white&#8221; </td></tr></table><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-394-" ><colgroup id="TBL-394-1g"><col
+id="TBL-394-1"></colgroup><tr
+ valign="baseline" id="TBL-394-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-394-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{minipage}{\linewidth-6pt}\raggedright</span>
+<br><span
+class="cmtt-8">\begin{colormixin}{75!white}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorcurrentmixin\</span><span
+class="cmtt-8">&nbsp;should</span><span
+class="cmtt-8">&nbsp;be</span><span
+class="cmtt-8">&nbsp;``!75!white''\par</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{colormixin}{75!black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorcurrentmixin\</span><span
+class="cmtt-8">&nbsp;should</span><span
+class="cmtt-8">&nbsp;be</span><span
+class="cmtt-8">&nbsp;``!75!black!75!white''\par</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{colormixin}{50!white}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorcurrentmixin\</span><span
+class="cmtt-8">&nbsp;should</span><span
+class="cmtt-8">&nbsp;be</span><span
+class="cmtt-8">&nbsp;``!50!white!75!black!75!white''\par</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{colormixin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{colormixin}</span>
+<br><span
+class="cmtt-8">\end{colormixin}</span>
+<br><span
+class="cmtt-8">\end{minipage}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse16.html" >prev</a>] [<a
+href="pgfmanualse16.html#tailpgfmanualse16.html" >prev-tail</a>] [<a
+href="pgfmanualse17.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse17.html" >up</a>] </p></div>
+<!--l. 224--><p class="indent"> <a
+ id="tailpgfmanualse17.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse18.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse18.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>18 Design Principles</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse19.html" >next</a>] [<a
+href="#tailpgfmanualse18.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse18.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">18 </span> <a
+ id="x19-18700018"></a>Design Principles</h3>
+<!--l. 10--><p class="noindent">This section describes the basic layer of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. This layer is build on top of the system layer. Whereas the system
+layer just provides the absolute minimum for drawing graphics, the basic layer provides numerous commands that
+make it possible to create sophisticated graphics easily and also quickly.
+<!--l. 16--><p class="indent"> The basic layer does not provide a convenient syntax for describing graphics, which is left to frontends like Ti<span
+class="cmti-10">k</span>Z.
+For this reason, the basic layer is typically used only by &#8220;other programs.&#8221; For example, the <span
+class="cmcsc-10"><small
+class="small-caps">B</small><small
+class="small-caps">E</small><small
+class="small-caps">A</small><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">R</small> </span>package uses
+the basic layer extensively, but does not need a convenient input syntax. Rather, speed and flexibility are needed
+when <span
+class="cmcsc-10"><small
+class="small-caps">B</small><small
+class="small-caps">E</small><small
+class="small-caps">A</small><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">R</small> </span>creates graphics.
+<!--l. 23--><p class="indent"> The following basic design principles underlie the basic layer:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x19-187002x1"></a>Structuring into a core and several optional packages.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x19-187004x2"></a>Consistently named <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;macros for all graphics commands.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x19-187006x3"></a>Path-centered description of graphics.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x19-187008x4"></a>Coordinate transformation system.</li></ol>
+<!--l. 33--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">18.1 </span> <a
+ id="x19-18800018.1"></a>Core and Optional Packages</h4>
+<!--l. 35--><p class="noindent">The basic layer consists of a <span
+class="cmti-10">core package</span>, called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>, which provides the most basic commands, and several
+optional package like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseshade</span></span></span> that offer more special-purpose commands.
+<!--l. 39--><p class="indent"> You can include the core by saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{pgfcore}</span></span></span> or, as a plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;user, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input</span><span
+class="cmtt-10">&nbsp;pgfcore.tex</span></span></span>.
+<!--l. 42--><p class="indent"> The following optional packages are provided by the basic layer:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span> provides commands for plotting functions.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseshapes</span></span></span> provides commands for drawing shapes and nodes.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span> provides commands for including external images. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> package does a much
+ better job at this than the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span> package does, so you should normally use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\includegraphics</span></span></span>
+ and not <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfimage</span></span></span>. However, in some situations (like when masking is needed or when plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;is
+ used) this package is needed.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaselayers</span></span></span> provides commands for creating layered graphics. Using layers you can later on say
+ that a certain path should be behind a path that was specified earlier.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbasesnakes</span></span></span> provides commands for adding snaked lines to the path. Such lines are not straight
+ but rather wind in some specific fashion.</li></ul>
+<!--l. 66--><p class="indent"> If you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{pgf}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input</span><span
+class="cmtt-10">&nbsp;pgf.tex</span></span></span>, all of the optional packages are loaded (as well as the core
+and the system layer).
+
+
+<!--l. 70--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">18.2 </span> <a
+ id="x19-18900018.2"></a>Communicating with the Basic Layer via Macros</h4>
+<!--l. 72--><p class="noindent">In order to &#8220;communicate&#8221; with the basic layer you use long sequences of commands that start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf</span></span></span>. You are
+only allowed to give these commands inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. (Note that <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> opens a
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> internally, so you can freely mix <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;commands and Ti<span
+class="cmti-10">k</span>Z&nbsp;commands inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span>.) It
+is possible to &#8220;do other things&#8221; between the commands. For example, you might use one command
+to move to a certain point, then have a complicated computation of the next point, and then move
+there.
+<!--l. 82--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-396-" ><colgroup id="TBL-396-1g"><col
+id="TBL-396-1"><col
+id="TBL-396-2"></colgroup><tr
+ valign="baseline" id="TBL-396-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-396-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-469.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-396-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\newdimen\myypos</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0cm}{\myypos}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{\myypos}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance</span><span
+class="cmtt-8">&nbsp;\myypos</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;1cm</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{\myypos}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathclose</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 94--><p class="indent"> The following naming conventions are used in the basic layer:
+<!--l. 96--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x19-189002x1"></a>All commands and environments start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x19-189004x2"></a>All commands that specify a point (a coordinate) start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint</span></span></span>.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x19-189006x3"></a>All commands that extend the current path start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpath</span></span></span>.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x19-189008x4"></a>All commands that set/change a graphics parameter start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfset</span></span></span>.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x19-189010x5"></a>All commands that use a previously declared object (like a path, image or shading) start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuse</span></span></span>.
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x19-189012x6"></a>All commands having to do with coordinate transformations start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftransform</span></span></span>.
+ </li>
+ <li class="enumerate" value="7"
+><a
+ id="x19-189014x7"></a>All commands having to do with arrow tips start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfarrows</span></span></span>.
+ </li>
+ <li class="enumerate" value="8"
+><a
+ id="x19-189016x8"></a>All commands for &#8220;quickly&#8221; extending or drawing a path start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathq</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepathq</span></span></span>.</li></ol>
+<!--l. 119--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">18.3 </span> <a
+ id="x19-19000018.3"></a>Path-Centered Approach</h4>
+<!--l. 121--><p class="noindent">In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;the most important entity is the <span
+class="cmti-10">path</span>. All graphics are composed of numerous paths that can be stroked,
+filled, shaded, or clipped against. Paths can be closed or open, they can self-intersect and consist of unconnected
+parts.
+<!--l. 126--><p class="indent"> Paths are first <span
+class="cmti-10">constructed </span>and then <span
+class="cmti-10">used</span>. In order to construct a path, you can use commands
+starting with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpath</span></span></span>. Each time such a command is called, the current path is extended in some
+way.
+<!--l. 131--><p class="indent"> Once a path has been completely constructed, you can use it using the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span>. Depending on
+the parameters given to this command, the path will be stroked (drawn) or filled or subsequent drawings will be
+clipped against this path.
+
+
+<!--l. 139--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">18.4 </span> <a
+ id="x19-19100018.4"></a>Coordinate Versus Canvas Transformations</h4>
+<!--l. 143--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;provides two transformation systems: <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s own <span
+class="cmti-10">coordinate </span>transformation matrix and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&#8217;s or PostScript&#8217;s
+<span
+class="cmti-10">canvas </span>transformation matrix. These two systems are quite different. Whereas a scaling by a factor of, say, 2 of the
+canvas causes <span
+class="cmti-10">everything </span>to be scaled by this factor (including the thickness of lines and text), a scaling of
+two in the coordinate system causes only the <span
+class="cmti-10">coordinates </span>to be scaled, but not the line width nor
+text.
+<!--l. 152--><p class="indent"> By default, all transformations only apply to the coordinate transformation system. However, using the
+command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflowlevel</span></span></span> it is possible to apply a transformation to the canvas.
+<!--l. 156--><p class="indent"> Coordinate transformations are often preferable over canvas transformations. Text and lines that are transformed
+using canvas transformations suffer from differing sizes and lines whose thickness differs depending on whether the
+line is horizontal or vertical. To appreciate the difference, consider the following two &#8220;circles&#8221; both of which
+have been scaled in the <span
+class="cmmi-10">x</span>-direction by a factor of 3 and by a factor of 0<span
+class="cmmi-10">.</span>5 in the <span
+class="cmmi-10">y</span>-direction. The left
+circle uses a canvas transformation, the right uses <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s coordinate transformation (some viewers will
+render the left graphic incorrectly since they do no apply the low-level transformation the way they
+should):
+<!--l. 182--><p class="indent"> <object data="pgfmanual-470.svg" width="448.1307pt" height="56.90549pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse19.html" >next</a>] [<a
+href="pgfmanualse18.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse18.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse18.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse19.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse19.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>19 Hierarchical Structures:
+Package, Environments, Scopes, and Text</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse20.html" >next</a>] [<a
+href="pgfmanualse18.html" >prev</a>] [<a
+href="pgfmanualse18.html#tailpgfmanualse18.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse19.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse19.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">19 </span> <a
+ id="x20-19200019"></a>Hierarchical Structures:
+<br class="newline">Package, Environments, Scopes, and Text</h3>
+<!--l. 13--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">19.1 </span> <a
+ id="x20-19300019.1"></a>Overview</h4>
+<!--l. 15--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;uses two kinds of hierarchical structuring: First, the package itself is structured hierarchically, consisting of
+different packages that are built on top of each other. Second, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;allows you to structure your graphics
+hierarchically using environments and scopes.
+<!--l. 20--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.1.1 </span> <a
+ id="x20-19400019.1.1"></a>The Hierarchical Structure of the Package</h5>
+<!--l. 22--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system consists of several layers:
+<!--l. 24--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="cmbx-10">System layer.</span> </dt><dd
+class="description">The lowest layer is called the <span
+class="cmti-10">system layer</span>, though it might also be called &#8220;driver layer&#8221;
+ or perhaps &#8220;backend layer.&#8221; Its job is to provide an abstraction of the details of which driver is used
+ to transform the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file. The system layer is implemented by the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys</span></span></span>, which will load
+ appropriate driver files as needed.
+ <!--l. 33--><p class="noindent">The system layer is documented in Part&nbsp;<a
+href="pgfmanual.html#x1-306000V">V<!--tex4ht:ref: part-system --></a>.
+ </dd><dt class="description">
+<span
+class="cmbx-10">Basic layer.</span> </dt><dd
+class="description">The basic layer is loaded by the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>. Some applications do not need all of the
+ functionality of the basic layer, so it is possible to load only the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span> and some other packages
+ starting with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbase</span></span></span>.
+ <!--l. 40--><p class="noindent">The basic layer is documented in the present part.
+ </dd><dt class="description">
+<span
+class="cmbx-10">Frontend layer.</span> </dt><dd
+class="description">The frontend layer is not loaded by a single packages. Rather, different packages, like
+ Ti<span
+class="cmti-10">k</span>Z&nbsp;or <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small><small
+class="small-caps">P</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">T</small>2<small
+class="small-caps">E</small></span>, are different frontends to the basic layer.
+ <!--l. 46--><p class="noindent">The Ti<span
+class="cmti-10">k</span>Z&nbsp;frontend is documented in Part&nbsp;<a
+href="pgfmanual.html#x1-65000II">II<!--tex4ht:ref: part-tikz --></a>.</dd></dl>
+<!--l. 49--><p class="indent"> Each layer will automatically load the necessary files of the layers below it.
+<!--l. 52--><p class="indent"> In addition to the packages of these layers, there are also some library packages. These packages provide
+additional definitions of things like new arrow tips or new plot handlers.
+<!--l. 56--><p class="indent"> The library packages are documented in Part&nbsp;<a
+href="pgfmanual.html#x1-158000III">III<!--tex4ht:ref: part-libraries --></a>.
+<!--l. 61--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.1.2 </span> <a
+ id="x20-19500019.1.2"></a>The Hierarchical Structure of Graphics</h5>
+<!--l. 63--><p class="noindent">Graphics in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;are typically structured hierarchically. Hierarchical structuring can be used to identify groups of
+graphical elements that are to be treated &#8220;in the same way.&#8221; For example, you might group together a number of
+paths, all of which are to be drawn in red. Then, when you decide later on that you like them to be drawn in, say,
+blue, all you have to do is to change the color once.
+<!--l. 71--><p class="indent"> The general mechanism underlying hierarchical structuring is known as <span
+class="cmti-10">scoping </span>in computer science. The idea is
+that all changes to the general &#8220;state&#8221; of the graphic that are done inside a scope are local to that
+scope. So, if you change the color inside a scope, this does not affect the color used outside the scope.
+Likewise, when you change the line width in a scope, the line width outside is not changed, and so
+on.
+
+
+<!--l. 79--><p class="indent"> There are different ways of starting and ending scopes of graphic parameters. Unfortunately, these scopes are
+sometimes &#8220;in conflict&#8221; with each other and it is sometimes not immediately clear which scopes apply. In essence,
+the following scoping mechanisms are available:
+<!--l. 84--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x20-195002x1"></a>The &#8220;outermost&#8221; scope supported by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. All changes to the graphic
+ state done inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> are local to that picture.
+ <!--l. 90--><p class="noindent">In general, it is <span
+class="cmti-10">not </span>possible to set graphic parameters globally outside any <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environments.
+ Thus, you can <span
+class="cmti-10">not </span>say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetlinewidth{1pt}</span></span></span> at the beginning of your document to have a default
+ line width of one point. Rather, you have to (re)set all graphic parameters inside each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+ (If this is too bothersome, try defining some macro that does the job for you.)
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x20-195004x2"></a>Inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> you can use a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> environment to keep changes of the graphic state
+ local to that environment.
+ <!--l. 101--><p class="noindent">The effect of commands that change the graphic state are local to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> but not
+ always to the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group. Thus, if you open a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group (some text in curly braces) inside a
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>, and if you change, for example, the dash pattern, the effect of this changed dash pattern
+ will persist till the end of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>.
+ <!--l. 108--><p class="noindent">Unfortunately, this is not always the case. <span
+class="cmti-10">Some </span>graphic parameters only persist till the end of
+ the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group. For example, when you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrows</span></span></span> to set the arrow tip inside a
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group, the effect lasts only till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x20-195006x3"></a>Some graphic parameters are not scoped by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> but &#8220;already&#8221; by <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups. For example,
+ the effect of coordinate transformation commands is always local to the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group.
+ <!--l. 119--><p class="noindent">Since every <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> automatically creates a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group, all graphic parameters that are local to
+ the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group are also local to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x20-195008x4"></a>Some graphic parameters can only be scoped using <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups, since in some situations it is not
+ possible to introduce a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. For example, a path always has to be completely constructed and
+ used in the same <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. However, we might wish to have different coordinate transformations
+ apply to different points on the path. In this case, we can use <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups to keep the effect local, but
+ we could not use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x20-195010x5"></a>The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> command can be used to create a scope in which <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;&#8220;escapes back&#8221; to normal
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode. The text passed to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> is &#8220;heavily guarded&#8221; against having any effect on the
+ scope in which it is used. For example, it is possibly to use another <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment inside
+ the argument of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span>.</li></ol>
+<!--l. 140--><p class="indent"> Most of the complications can be avoided if you stick to the following rules:
+ <ul class="itemize1">
+ <li class="itemize">Give graphic commands only inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environments.
+ </li>
+ <li class="itemize">Use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> to structure graphics.
+ </li>
+ <li class="itemize">Do not use <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups inside graphics, <span
+class="cmti-10">except </span>for keeping the effect of coordinate transformations
+ local.</li></ul>
+<!--l. 155--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">19.2 </span> <a
+ id="x20-19600019.2"></a>The Hierarchical Structure of the Package</h4>
+<!--l. 157--><p class="noindent">Before we come to the structuring commands provided by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to structure your graphics, let us first have a look at
+the structure of the package itself.
+
+
+<!--l. 161--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.2.1 </span> <a
+ id="x20-19700019.2.1"></a>The Main Package</h5>
+<!--l. 163--><p class="noindent">To use <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, include the following package:
+<!--l. 165--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox167"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgf</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx20-197001"></a>
+<a
+ id="dx20-197002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox168"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgf</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox169"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgf</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 166--><p class="noindent">This package loads the complete &#8220;basic layer&#8221; of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. That is, it will load all of the commands described
+ in the current part of this manual, but it will not load frontends like Ti<span
+class="cmti-10">k</span>Z.
+ <!--l. 170--><p class="noindent">In detail, this package will load the following packages, each of which can also be loaded individually:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys</span></span></span>, which is the lowest layer of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and which is always needed. This file will read <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf.cfg</span></span></span>
+ to discern which driver is to be used. See Section&nbsp;<a
+href="pgfmanualse32.html#x33-30800032.1">32.1<!--tex4ht:ref: section-pgfsys --></a> for details.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>, which is the central core of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and which is always needed unless you intend to write
+ a new basic layer from scratch.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span>, which provides commands for declaring and using images. An example is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseshapes</span></span></span>, which provides commands for declaring and using shapes. An example is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclareshape</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span>, which provides commands for plotting functions.</li></ul>
+ <!--l. 192--><p class="noindent">Including any of the last three packages will automatically load the first two. </dd></dl>
+<!--l. 196--><p class="indent"> In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>, the package takes two options:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox170"><span
+class="cmtt-10">\usepackage[</span><span
+class="cmtt-10">draft</span><span
+class="cmtt-10">]{pgf}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-197003"></a>
+<a
+ id="dx20-197004"></a>
+ <!--l. 198--><p class="noindent">When this option is set, all images will be replaced by empty rectangles. This can speedup compilation.
+ </dd></dl>
+<!--l. 202--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox171"><span
+class="cmtt-10">\usepackage[</span><span
+class="cmtt-10">version=</span><span
+class="cmsy-10">&lt;</span><span
+class="cmitt-10">version</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{pgf}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-197005"></a>
+<a
+ id="dx20-197006"></a>
+ <!--l. 203--><p class="noindent">Indicates that the commands of version <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">version</span><span
+class="cmsy-10">&gt; </span>need to be defined. If you set <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">version</span><span
+class="cmsy-10">&gt; </span>to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.65</span></span></span>,
+ then a large bunch of &#8220;compatibility commands&#8221; are loaded. If you set <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">version</span><span
+class="cmsy-10">&gt; </span>to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.96</span></span></span>, then these
+ compatibility commands will not be loaded.
+ <!--l. 208--><p class="noindent">If this option is not given at all, then the commands of all versions are defined. </dd></dl>
+
+
+<!--l. 213--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.2.2 </span> <a
+ id="x20-19800019.2.2"></a>The Core Package</h5>
+<!--l. 215--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox172"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfcore</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx20-198001"></a>
+<a
+ id="dx20-198002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox173"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfcore</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox174"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfcore</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 216--><p class="noindent">This package defines all of the basic layer&#8217;s commands, except for the commands defined in the
+ additional packages like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span>. Typically commands defined by the core include <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span>
+ or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint</span></span></span>. The core is internally structured into several subpackages, but the subpackages cannot
+ be loaded individually since they are all &#8220;interrelated.&#8221; </dd></dl>
+<!--l. 225--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.2.3 </span> <a
+ id="x20-19900019.2.3"></a>The Optional Basic Layer Packages</h5>
+<!--l. 227--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span> package automatically loads the following packages, but you can also load them individually (all of them
+automatically include the core):
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseshapes</span></span></span> This package provides commands for drawing nodes and shapes. These commands are
+ explained in Section&nbsp;<a
+href="pgfmanualse25.html#x26-26000025">25<!--tex4ht:ref: section-shapes --></a>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span> This package provides commands for plotting function. The commands are explained in
+ Section&nbsp;<a
+href="pgfmanualse29.html#x30-29000029">29<!--tex4ht:ref: section-plots --></a>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span> This package provides commands for including (external) images. The commands are
+ explained in Section&nbsp;<a
+href="pgfmanualse27.html#x28-28100027">27<!--tex4ht:ref: section-images --></a>.</li></ul>
+<!--l. 249--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">19.3 </span> <a
+ id="x20-20000019.3"></a>The Hierarchical Structure of the Graphics</h4>
+<!--l. 251--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.3.1 </span> <a
+ id="x20-20100019.3.1"></a>The Main Environment</h5>
+<!--l. 254--><p class="noindent">Most, but not all, commands of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package must be given within a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. The only
+commands that (must) be given outside are commands having to do with including images (like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage</span></span></span>) and
+with inserting complete shadings (like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseshading</span></span></span>). However, just to keep life entertaining, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshadepath</span></span></span>
+command must be given <span
+class="cmti-10">inside </span>a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment.
+<!--l. 262--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox175"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgfpicture</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox176"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+
+
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox177"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgfpicture</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-201001"></a>
+<a
+ id="dx20-201002"></a>
+ <!--l. 263--><p class="noindent">This environment will insert a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;box containing the graphic drawn by the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span>
+ at the current position.
+ <!--l. 267--><p class="noindent"><span
+class="cmbx-10">The size of the bounding box. </span>The size of the box is determined in the following manner: While
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;parses the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span>, it keeps track of a bounding box for the graphic. Essentially,
+ this bounding box is the smallest box that contains all coordinates mentioned in the graphics. Some
+ coordinates may be &#8220;mentioned&#8221; by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;itself; for example, when you add circle to the current path,
+ the support points of the curve making up the circle are also &#8220;mentioned&#8221; despite the fact that you
+ will not &#8220;see&#8221; them in your code.
+ <!--l. 278--><p class="noindent">Once the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt; </span>has been parsed completely, a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;box is created whose size is the
+ size of the computed bounding box and this box is inserted at the current position.
+ <!--l. 282--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-397-" ><colgroup id="TBL-397-1g"><col
+id="TBL-397-1"><col
+id="TBL-397-2"></colgroup><tr
+ valign="baseline" id="TBL-397-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-397-1-1"
+class="td11"> &nbsp;Hello <object data="pgfmanual-471.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> World!&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-397-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Hello</span><span
+class="cmtt-8">&nbsp;\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span><span
+class="cmtt-8">&nbsp;World!</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 289--><p class="noindent">Sometimes, you may need more fine-grained control over the size of the bounding box. For example, the
+ computed bounding box may be too large or you intensionally wish the box to be &#8220;too small.&#8221; In
+ these cases, you can use the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath{use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box}</span></span></span>, as described in
+ Section&nbsp;<a
+href="pgfmanualse23.html#x24-25100023.5">23.5<!--tex4ht:ref: section-using-bb --></a>.
+ <!--l. 298--><p class="noindent"><span
+class="cmbx-10">The baseline of the bounding box. </span>When the box containing the graphic is inserted into the normal text,
+ the baseline of the graphic is normally at the bottom of the graphic. For this reason, the following two sets of
+ code lines have the same effect, despite the fact that the second graphic uses &#8220;higher&#8221; coordinates than the
+ first:
+ <!--l. 305--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-398-" ><colgroup id="TBL-398-1g"><col
+id="TBL-398-1"><col
+id="TBL-398-2"></colgroup><tr
+ valign="baseline" id="TBL-398-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-398-1-1"
+class="td11"> &nbsp;Rectangles <object data="pgfmanual-472.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and<object data="pgfmanual-473.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-398-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Rectangles</span><span
+class="cmtt-8">&nbsp;\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{0ex}{1ex}}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}.</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 315--><p class="noindent">You can change the baseline using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetbaseline</span></span></span> command, see below.
+ <!--l. 318--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-399-" ><colgroup id="TBL-399-1g"><col
+id="TBL-399-1"><col
+id="TBL-399-2"></colgroup><tr
+ valign="baseline" id="TBL-399-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-399-1-1"
+class="td11"> &nbsp;Rectangles <object data="pgfmanual-474.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and<object data="pgfmanual-475.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-399-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Rectangles</span><span
+class="cmtt-8">&nbsp;\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetbaseline{0pt}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{0ex}{1ex}}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetbaseline{0pt}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}.</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 331--><p class="noindent"><span
+class="cmbx-10">Including text and images in a picture. </span>You cannot directly include text and images in a
+ picture. Thus, you should <span
+class="cmti-10">not </span>simply write some text in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> or use a command like
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\includegraphics</span></span></span> or even <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfimage</span></span></span>. In all these cases, you need to place the text inside a
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> command. This will &#8220;escape back&#8221; to normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode, see Section&nbsp;<a
+href="#x20-20300019.3.3">19.3.3<!--tex4ht:ref: section-text-command --></a> for details.
+ </dd></dl>
+<!--l. 340--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox178"><span
+class="cmtt-10">\pgfpicture</span></span> </dt><dd
+class="description">
+
+
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox179"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox180"><span
+class="cmtt-10">\endpgfpicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-201003"></a>
+<a
+ id="dx20-201004"></a>
+ <!--l. 341--><p class="noindent">The plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;version of the environment. Note that in this version, also, a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group is created
+ around the environment. </dd></dl>
+<!--l. 346--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox181"><span
+class="cmtt-10">\pgfsetbaseline</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-201005"></a>
+ <!--l. 347--><p class="noindent">This command specifies a <span
+class="cmmi-10">y</span>-coordinate of the picture that should be used as the baseline of the
+ whole picture. When a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;picture has been typeset completely, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;must decide at which height the
+ baseline of the picture should lie. Normally, the baseline is set to the <span
+class="cmmi-10">y</span>-coordinate of the bottom of the
+ picture, but it is often desirable to use another height.
+ <!--l. 354--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-400-" ><colgroup id="TBL-400-1g"><col
+id="TBL-400-1"><col
+id="TBL-400-2"></colgroup><tr
+ valign="baseline" id="TBL-400-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-400-1-1"
+class="td11"> &nbsp;Text <object data="pgfmanual-476.svg" width="9.01108pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>, <object data="pgfmanual-477.svg" width="9.01108pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>, <object data="pgfmanual-478.svg" width="9.01108pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>, <object data="pgfmanual-479.svg" width="9.01108pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-400-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Text</span><span
+class="cmtt-8">&nbsp;\tikz{\pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz{\pgfsetbaseline{0pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz{\pgfsetbaseline{.5ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}},</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz{\pgfsetbaseline{-1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointorigin}{1ex}\pgfusepath{stroke}}.</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 365--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.3.2 </span> <a
+ id="x20-20200019.3.2"></a>Graphic Scope Environments</h5>
+<!--l. 367--><p class="noindent">Inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment you can substructure your picture using the following environment:
+<!--l. 370--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox182"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgfscope</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox183"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox184"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgfscope</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-202001"></a>
+<a
+ id="dx20-202002"></a>
+ <!--l. 371--><p class="noindent">All changes to the graphic state done inside this environment are local to the environment. The graphic state
+ includes the following:
+ <ul class="itemize1">
+ <li class="itemize">The line width.
+ </li>
+ <li class="itemize">The stroke and fill colors.
+ </li>
+ <li class="itemize">The dash pattern.
+ </li>
+ <li class="itemize">The line join and cap.
+ </li>
+ <li class="itemize">The miter limit.
+
+
+ </li>
+ <li class="itemize">The canvas transformation matrix.
+ </li>
+ <li class="itemize">The clipping path.</li></ul>
+ <!--l. 389--><p class="noindent">Other parameters may also influence how graphics are rendered, but they are <span
+class="cmti-10">not </span>part of the graphic state.
+ For example, the arrow tip kind is not part of the graphic state and the effect of commands setting the arrow
+ tip kind are local to the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group, not to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. However, since <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>
+ starts and ends a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group automatically, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> can be used to limit the effect of, say, commands
+ that set the arrow tip kind.
+ <!--l. 397--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-401-" ><colgroup id="TBL-401-1g"><col
+id="TBL-401-1"><col
+id="TBL-401-2"></colgroup><tr
+ valign="baseline" id="TBL-401-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-401-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-480.svg" width="35.64433pt" height="10.61108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-401-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{3ex}{0ex}}{\pgfpoint{2ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{6ex}{0ex}}{\pgfpoint{2ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 413--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-402-" ><colgroup id="TBL-402-1g"><col
+id="TBL-402-1"><col
+id="TBL-402-2"></colgroup><tr
+ valign="baseline" id="TBL-402-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-402-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-481.svg" width="34.84433pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-402-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{-to}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}\pgfpathlineto{\pgfpoint{2ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{3ex}{0ex}}\pgfpathlineto{\pgfpoint{5ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{6ex}{0ex}}\pgfpathlineto{\pgfpoint{8ex}{2ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 429--><p class="noindent">At the start of the scope, the current path must be empty, that is, you cannot open a scope while constructing
+ a path.
+ <!--l. 432--><p class="noindent">It is usually a good idea <span
+class="cmti-10">not </span>to introduce <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> environment. </dd></dl>
+<!--l. 436--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox185"><span
+class="cmtt-10">\pgfscope</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox186"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox187"><span
+class="cmtt-10">\endpgfscope</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-202003"></a>
+<a
+ id="dx20-202004"></a>
+ <!--l. 437--><p class="noindent">Plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;version of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> environment. </dd></dl>
+<!--l. 441--><p class="indent"> The following scopes also encapsulate certain properties of the graphic state. However, they are typically not
+used directly by the user.
+<!--l. 445--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox188"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgfinterruptpath</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+
+
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox189"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox190"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgfinterruptpath</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-202005"></a>
+<a
+ id="dx20-202006"></a>
+ <!--l. 446--><p class="noindent">This environment can be used to temporarily interrupt the construction of the current path. The effect
+ will be that the path currently under construction will be &#8220;stored away&#8221; and restored at the end of
+ the environment. Inside the environment you can construct a new path and do something with it.
+ <!--l. 452--><p class="noindent">An example application of this environment is the arrow tip caching. Suppose you ask <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to use a
+ specific arrow tip kind. When the arrow tip needs to be rendered for the first time, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will &#8220;cache&#8221;
+ the path that makes up the arrow tip. To do so, it interrupts the current path construction and then
+ protocols the path of the arrow tip. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfinterruptpath}</span></span></span> environment is used to ensure that this
+ does not interfere with the path to which the arrow tips should be attached.
+ <!--l. 461--><p class="noindent">This command does <span
+class="cmti-10">not </span>install a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. In particular, it does not call any <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands
+ at all, which would, indeed, be dangerous in the middle of a path construction. </dd></dl>
+<!--l. 466--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox191"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgfinterruptpicture</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox192"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox193"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgfinterruptpicture</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-202007"></a>
+<a
+ id="dx20-202008"></a>
+ <!--l. 467--><p class="noindent">This environment can be used to temporarily interrupt a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. However, the environment is
+ intended only to be used at the beginning and end of a box that is (later) inserted into a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>
+ using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfqbox</span></span></span>. You cannot use this environment directly inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+ <!--l. 473--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-403-" ><colgroup id="TBL-403-1g"><col
+id="TBL-403-1"><col
+id="TBL-403-2"></colgroup><tr
+ valign="baseline" id="TBL-403-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-403-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-483.svg" width="0.4pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-403-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0cm}{0cm}}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;In</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;middle</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;path,</span><span
+class="cmsltt-10x-x-80">&nbsp;now</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\newbox\mybox</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\setbox\mybox=\hbox{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfinterruptpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;Sub-\begin{pgfpicture}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;subpicture</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfpicture}-picture.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfinterruptpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfqbox{\mybox}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}\hskip3.9cm</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 494--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">19.3.3 </span> <a
+ id="x20-20300019.3.3"></a>Inserting Text and Images</h5>
+<!--l. 498--><p class="noindent">Often, you may wish to add normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;text at a certain point inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. You cannot do so
+&#8220;directly,&#8221; that is, you cannot simply write this text inside the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. Rather, you must pass
+the text as an argument to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> command.
+
+
+<!--l. 503--><p class="indent"> You must <span
+class="cmti-10">also </span>use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> command to insert an image or a shading into a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+<!--l. 506--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox194"><span
+class="cmtt-10">\pgftext</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx20-203001"></a>
+ <!--l. 507--><p class="noindent">This command will typeset <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>in normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode and insert the resulting box into the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. The bounding box of the graphic will be updated so that all of the text box is inside.
+ Be default, the text box is centered at the origin, but this can be changed either by giving appropriate
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>or by applying an appropriate coordinate transformation beforehand.
+ <!--l. 514--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>may contain verbatim text. (In other words, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>&#8220;argument&#8221; is not a normal argument,
+ but is put in a box and some <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\aftergroup</span></span></span> hackery is used to find the end of the box.)
+ <!--l. 519--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s current (high-level) coordinate transformation is synchronized with the canvas transformation
+ matrix temporarily when the text box is inserted. The effect is that if there is currently a high-level
+ rotation of, say, 30 degrees, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>will also be rotated by thirty degrees. If you do not want this
+ effect, you have to (possibly temporarily) reset the high-level transformation matrix.
+ <!--l. 527--><p class="noindent">The following <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>may be given as conveniences:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">left</span><a
+ id="dx20-203002"></a><a
+ id="dx20-203003"></a> causes the text box to be placed such that its left border is on the origin.
+ <!--l. 531--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-404-" ><colgroup id="TBL-404-1g"><col
+id="TBL-404-1"><col
+id="TBL-404-2"></colgroup><tr
+ valign="baseline" id="TBL-404-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-404-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-484.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-404-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[left]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">right</span><a
+ id="dx20-203004"></a><a
+ id="dx20-203005"></a> causes the text box to be placed such that its right border is on the origin.
+ <!--l. 537--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-405-" ><colgroup id="TBL-405-1g"><col
+id="TBL-405-1"><col
+id="TBL-405-2"></colgroup><tr
+ valign="baseline" id="TBL-405-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-405-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-485.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-405-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[right]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">top</span><a
+ id="dx20-203006"></a><a
+ id="dx20-203007"></a> causes the text box to be placed such that its top is on the origin. This option can be used together
+ with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">left</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">right</span></span></span> option.
+ <!--l. 545--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-406-" ><colgroup id="TBL-406-1g"><col
+id="TBL-406-1"><col
+id="TBL-406-2"></colgroup><tr
+ valign="baseline" id="TBL-406-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-406-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-486.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-406-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[top]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 549--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-407-" ><colgroup id="TBL-407-1g"><col
+id="TBL-407-1"><col
+id="TBL-407-2"></colgroup><tr
+ valign="baseline" id="TBL-407-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-407-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-487.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-407-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[top,right]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">bottom</span><a
+ id="dx20-203008"></a><a
+ id="dx20-203009"></a> causes the text box to be placed such that its bottom is on the origin.
+ <!--l. 556--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-408-" ><colgroup id="TBL-408-1g"><col
+id="TBL-408-1"><col
+id="TBL-408-2"></colgroup><tr
+ valign="baseline" id="TBL-408-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-408-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-488.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-408-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[bottom]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 560--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-409-" ><colgroup id="TBL-409-1g"><col
+id="TBL-409-1"><col
+id="TBL-409-2"></colgroup><tr
+ valign="baseline" id="TBL-409-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-409-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-489.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-409-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[bottom,right]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">base</span><a
+ id="dx20-203010"></a><a
+ id="dx20-203011"></a> causes the text box to be placed such that its baseline is on the origin.
+ <!--l. 567--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-410-" ><colgroup id="TBL-410-1g"><col
+id="TBL-410-1"><col
+id="TBL-410-2"></colgroup><tr
+ valign="baseline" id="TBL-410-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-410-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-490.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-410-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[base]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 571--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-411-" ><colgroup id="TBL-411-1g"><col
+id="TBL-411-1"><col
+id="TBL-411-2"></colgroup><tr
+ valign="baseline" id="TBL-411-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-411-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-491.svg" width="57.10547pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-411-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[base,right]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">at</span><a
+ id="dx20-203012"></a><a
+ id="dx20-203013"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>Translates the origin (that is, the point where the text is shown) to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 578--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-412-" ><colgroup id="TBL-412-1g"><col
+id="TBL-412-1"><col
+id="TBL-412-2"></colgroup><tr
+ valign="baseline" id="TBL-412-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-412-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-492.svg" width="69.50551pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-412-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[base,at={\pgfpoint{1cm}{0cm}}]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">x</span><a
+ id="dx20-203014"></a><a
+ id="dx20-203015"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Translates the origin by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>along the <span
+class="cmmi-10">x</span>-axis.
+ <!--l. 584--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-413-" ><colgroup id="TBL-413-1g"><col
+id="TBL-413-1"><col
+id="TBL-413-2"></colgroup><tr
+ valign="baseline" id="TBL-413-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-413-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-493.svg" width="69.50551pt" height="28.65271pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-413-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[base,x=1cm,y=-0.5cm]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">y</span><a
+ id="dx20-203016"></a><a
+ id="dx20-203017"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>works like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> option.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">rotate</span><a
+ id="dx20-203018"></a><a
+ id="dx20-203019"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt; </span>Rotates the coordinate system by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt;</span>. This will also rotate the text
+ box.
+ <!--l. 593--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-414-" ><colgroup id="TBL-414-1g"><col
+id="TBL-414-1"><col
+id="TBL-414-2"></colgroup><tr
+ valign="baseline" id="TBL-414-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-414-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-494.svg" width="66.85864pt" height="33.1188pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-414-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz{\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-.5)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[base,x=1cm,y=-0.5cm,rotate=30]</span><span
+class="cmtt-8">&nbsp;{lovely}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse20.html" >next</a>] [<a
+href="pgfmanualse18.html" >prev</a>] [<a
+href="pgfmanualse18.html#tailpgfmanualse18.html" >prev-tail</a>] [<a
+href="pgfmanualse19.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse19.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse19.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse2.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse2.html
new file mode 100644
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@@ -0,0 +1,576 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>2 Installation</title>
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+ <h3 class="sectionHead"><span class="titlemark">2 </span> <a
+ id="x3-90002"></a>Installation</h3>
+<!--l. 10--><p class="noindent">There are different ways of installing <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, depending on your system and needs, and you may need to install other
+packages as well as, see below. Before installing, you may wish to review the <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small> </span>license under which the package is
+distributed, see Section&nbsp;<a
+href="#x3-180002.5">2.5<!--tex4ht:ref: section-license --></a>.
+<!--l. 16--><p class="indent"> Typically, the package will already be installed on your system. Naturally, in this case you do not need to worry
+about the installation process at all and you can skip the rest of this section.
+<!--l. 22--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">2.1 </span> <a
+ id="x3-100002.1"></a>Package and Driver Versions</h4>
+<!--l. 24--><p class="noindent">This documentation is part of version 1.00&nbsp;of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package. In order to run <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, you need a reasonably recent
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;installation. When using <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>, you need the following packages installed (newer versions should also
+work):
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> version 2.00.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xkeyval</span></span></span> version 1.8, if you wish to use Ti<span
+class="cmti-10">k</span>Z.</li></ul>
+<!--l. 34--><p class="noindent">With plain <span class="TEX">T<span
+class="E">E</span>X</span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> is not needed, but you obviously do not get its (full) functionality.
+<!--l. 37--><p class="indent"> Currently, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;supports the following backend drivers:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> version 0.14 or higher. Earlier versions do not work.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span> version 5.94a or higher. Earlier versions may also work.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span> version 0.13.2c or higher. Earlier versions may also work.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex4ht</span></span></span> version 2003-05-05 or higher. Earlier versions may also work.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">vtex</span></span></span> version 8.46a or higher. Earlier versions may also work.</li></ul>
+<!--l. 51--><p class="indent"> Currently, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;supports the following formats:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> with complete functionality.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plain</span></span></span> with complete functionality, except for graphics inclusion, which works only for pdf<span class="TEX">T<span
+class="E">E</span>X</span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">context</span></span></span> should work as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plain</span></span></span>, but I have not tried it.</li></ul>
+<!--l. 62--><p class="indent"> For more details, see Section&nbsp;<a
+href="pgfmanualse5.html#x6-550005">5<!--tex4ht:ref: section-formats --></a>.
+
+
+<!--l. 66--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">2.2 </span> <a
+ id="x3-110002.2"></a>Installing Prebundled Packages</h4>
+<!--l. 68--><p class="noindent">I do not create or manage prebundled packages of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, but, fortunately, nice other people do. I cannot give detailed
+instructions on how to install these packages, since I do not manage them, but I <span
+class="cmti-10">can </span>tell you were to find them. If
+you have a problem with installing, you might wish to have a look at the Debian page or the Mik<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;page
+first.
+<!--l. 76--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.2.1 </span> <a
+ id="x3-120002.2.1"></a>Debian</h5>
+<!--l. 78--><p class="noindent">The command &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">aptitude</span><span
+class="cmtt-10">&nbsp;install</span><span
+class="cmtt-10">&nbsp;pgf</span></span></span>&#8221; should do the trick. Sit back and relax. In detail, the following packages
+are installed:
+
+
+ <table width="100%"
+class="verbatim"><tr class="verbatim"><td
+class="verbatim"><div class="verbatim">
+http://packages.debian.org/pgf
+&nbsp;<br />http://packages.debian.org/latex-xcolor
+</div>
+</td></tr></table>
+<!--l. 83--><p class="nopar">
+<!--l. 86--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.2.2 </span> <a
+ id="x3-130002.2.2"></a>MiKTeX</h5>
+<!--l. 88--><p class="noindent">For MiK<span class="TEX">T<span
+class="E">E</span>X</span>, use the update wizard to install the (latest versions of the) packages called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span>, and
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xkeyval</span></span></span>.
+<!--l. 94--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">2.3 </span> <a
+ id="x3-140002.3"></a>Installation in a texmf Tree</h4>
+<!--l. 96--><p class="noindent">For a permanent installation, you place the files of the the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small> </span>package in an appropriate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> tree.
+<!--l. 99--><p class="indent"> When you ask <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;to use a certain class or package, it usually looks for the necessary files in so-called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span>
+trees. These trees are simply huge directories that contain these files. By default, <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;looks for files in three
+different <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> trees:
+ <ul class="itemize1">
+ <li class="itemize">The root <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> tree, which is usually located at <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/usr/share/texmf/</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">c:\texmf\</span></span></span> or somewhere
+ similar.
+ </li>
+ <li class="itemize">The local <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> tree, which is usually located at <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/usr/local/share/texmf/</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">c:\localtexmf\</span></span></span> or
+ somewhere similar.
+ </li>
+ <li class="itemize">Your personal <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> tree, which is usually located in your home directory at <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">~/texmf/</span></span></span> or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">~/Library/texmf/</span></span></span>.</li></ul>
+<!--l. 115--><p class="indent"> You should install the packages either in the local tree or in your personal tree, depending on whether you have
+write access to the local tree. Installation in the root tree can cause problems, since an update of the whole
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;installation will replace this whole tree.
+<!--l. 121--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.3.1 </span> <a
+ id="x3-150002.3.1"></a>Installation that Keeps Everything Together</h5>
+<!--l. 123--><p class="noindent">Once you have located the right texmf tree, you must decide whether you want to install <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;in such a way that
+&#8220;all its files are kept in one place&#8221; or whether you want to be &#8220;<span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant,&#8221; where <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small> </span>means &#8220;<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;directory
+structure.&#8221;
+<!--l. 129--><p class="indent"> If you want to keep &#8220;everything in one place,&#8221; inside the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf</span></span></span> tree that you have chosen create a
+sub-sub-directory called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/generic/pgf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/generic/pgf-</span></span></span><span
+class="cmtt-10">1.00</span>, if you prefer. Then place all
+files of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span> package in this directory. Finally, rebuild <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s filename database. This is done by running
+the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texhash</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mktexlsr</span></span></span> (they are the same). In Mik<span class="TEX">T<span
+class="E">E</span>X</span>, there is a menu option to do
+this.
+<!--l. 139--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.3.2 </span> <a
+ id="x3-160002.3.2"></a>Installation that is TDS-Compliant</h5>
+<!--l. 141--><p class="noindent">While the above installation process is the most &#8220;natural&#8221; one and although I would like to recommend it since it
+makes updating and managing the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package easy, it is not <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant. If you want to be <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant,
+proceed as follows: (If you do not know what <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant means, you probably do not want to be
+<span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant.)
+
+
+<!--l. 148--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tar</span></span></span> file of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span> package contains the following files and directories at its root: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">README</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">doc</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">generic</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plain</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span>. You should &#8220;merge&#8221; each of the four directories with the following directories <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/doc</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/generic</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/plain</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/latex</span></span></span>. For example, in the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tar</span></span></span> file the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">doc</span></span></span> directory
+contains just the directory <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>, and this directory has to be moved to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/doc/pgf</span></span></span>. The root <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">README</span></span></span> file can be
+ignored since it is reproduced in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">doc/pgf/README</span></span></span>.
+<!--l. 157--><p class="indent"> You may also consider keeping everything in one place and using symbolic links to point from the <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant
+directories to the central installation.
+<!--l. 162--><p class="indent"> For a more detailed explanation of the standard installation process of packages, you might wish to consult
+<span
+class="cmtt-10">http://www.ctan.org/installationadvice/</span>. However, note that the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package does not come with a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ins</span></span></span> file
+(simply skip that part).
+<!--l. 169--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">2.4 </span> <a
+ id="x3-170002.4"></a>Updating the Installation</h4>
+<!--l. 171--><p class="noindent">To update your installation from a previous version, all you need to do is to replace everything in the directory
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">texmf/tex/generic/pgf</span></span></span> with the files of the new version (or in all the directories where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span> was installed, if you
+chose a <span
+class="cmcsc-10"><small
+class="small-caps">T</small><small
+class="small-caps">D</small><small
+class="small-caps">S</small></span>-compliant installation). The easiest way to do this is to first delete the old version and then proceed as
+described above. Sometimes, there are changes in the syntax of certain command from version to version. If things
+no longer work that used to work, you may wish to have a look at the release notes and at the change
+log.
+<!--l. 9--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">2.5 </span> <a
+ id="x3-180002.5"></a>License: The GNU Public License, Version 2</h4>
+<!--l. 12--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package is distributed under the <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small> </span>public license, version 2. In detail, this means the following (the
+following text is copyrighted by the Free Software Foundation):
+<!--l. 16--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.5.1 </span> <a
+ id="x3-190002.5.1"></a>Preamble</h5>
+<!--l. 18--><p class="noindent">The licenses for most software are designed to take away your freedom to share and change it. By contrast, the <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small></span>
+General Public License is intended to guarantee your freedom to share and change free software--to make sure the
+software is free for all its users. This General Public License applies to most of the Free Software Foundation&#8217;s
+software and to any other program whose authors commit to using it. (Some other Free Software Foundation
+software is covered by the <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small> </span>Library General Public License instead.) You can apply it to your programs,
+too.
+<!--l. 27--><p class="indent"> When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are
+designed to make sure that you have the freedom to distribute copies of free software (and charge
+for this service if you wish), that you receive source code or can get it if you want it, that you can
+change the software or use pieces of it in new free programs; and that you know you can do these
+things.
+<!--l. 34--><p class="indent"> To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to
+surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the
+software, or if you modify it.
+<!--l. 39--><p class="indent"> For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients
+all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must
+show them these terms so they know their rights.
+<!--l. 44--><p class="indent"> We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you
+legal permission to copy, distribute and/or modify the software.
+<!--l. 48--><p class="indent"> Also, for each author&#8217;s protection and ours, we want to make certain that everyone understands that there is no
+warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to
+know that what they have is not the original, so that any problems introduced by others will not reflect on the
+original authors&#8217; reputations.
+<!--l. 55--><p class="indent"> Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that
+redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To
+prevent this, we have made it clear that any patent must be licensed for everyone&#8217;s free use or not licensed at
+all.
+
+
+<!--l. 61--><p class="indent"> The precise terms and conditions for copying, distribution and modification follow.
+<!--l. 65--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.5.2 </span> <a
+ id="x3-200002.5.2"></a>Terms and Conditions For Copying, Distribution and Modification</h5>
+<!--l. 67--><p class="noindent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="0"
+><a
+ id="x3-20002x0"></a>This License applies to any program or other work which contains a notice placed by the copyright
+ holder saying it may be distributed under the terms of this General Public License. The &#8220;Program&#8221;,
+ below, refers to any such program or work, and a &#8220;work based on the Program&#8221; means either the
+ Program or any derivative work under copyright law: that is to say, a work containing the Program
+ or a portion of it, either verbatim or with modifications and/or translated into another language.
+ (Hereinafter, translation is included without limitation in the term &#8220;modification&#8221;.) Each licensee is
+ addressed as &#8220;you&#8221;.
+ <!--l. 82--><p class="noindent">Activities other than copying, distribution and modification are not covered by this License; they are
+ outside its scope. The act of running the Program is not restricted, and the output from the Program
+ is covered only if its contents constitute a work based on the Program (independent of having been
+ made by running the Program). Whether that is true depends on what the Program does.
+ </li>
+ <li class="enumerate" value="1"
+><a
+ id="x3-20004x1"></a>You may copy and distribute verbatim copies of the Program&#8217;s source code as you receive it, in any
+ medium, provided that you conspicuously and appropriately publish on each copy an appropriate
+ copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and
+ to the absence of any warranty; and give any other recipients of the Program a copy of this License
+ along with the Program.
+ <!--l. 96--><p class="noindent">You may charge a fee for the physical act of transferring a copy, and you may at your option offer
+ warranty protection in exchange for a fee.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x3-20006x2"></a>You may modify your copy or copies of the Program or any portion of it, thus forming a work based on
+ the Program, and copy and distribute such modifications or work under the terms of Section 1 above,
+ provided that you also meet all of these conditions:
+ <!--l. 105--><p class="noindent">
+ <ol type="a" class="enumerate2" >
+ <li class="enumerate" value="1"
+><a
+ id="x3-20008x1"></a>You must cause the modified files to carry prominent notices stating that you changed the files
+ and the date of any change.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x3-20010x2"></a>You must cause any work that you distribute or publish, that in whole or in part contains or is
+ derived from the Program or any part thereof, to be licensed as a whole at no charge to all third
+ parties under the terms of this License.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x3-20012x3"></a>If the modified program normally reads commands interactively when run, you must cause it,
+ when started running for such interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a notice that there is no warranty (or
+ else, saying that you provide a warranty) and that users may redistribute the program under these
+ conditions, and telling the user how to view a copy of this License. (Exception: if the Program
+ itself is interactive but does not normally print such an announcement, your work based on the
+ Program is not required to print an announcement.)
+ </li></ol>
+ <!--l. 132--><p class="noindent">These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived
+ from the Program, and can be reasonably considered independent and separate works in themselves, then this
+ License, and its terms, do not apply to those sections when you distribute them as separate works. But
+ when you distribute the same sections as part of a whole which is a work based on the Program,
+ the distribution of the whole must be on the terms of this License, whose permissions for other
+ licensees extend to the entire whole, and thus to each and every part regardless of who wrote
+ it.
+
+
+ <!--l. 142--><p class="noindent">Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you;
+ rather, the intent is to exercise the right to control the distribution of derivative or collective works based on
+ the Program.
+ <!--l. 147--><p class="noindent">In addition, mere aggregation of another work not based on the Program with the Program (or with a work
+ based on the Program) on a volume of a storage or distribution medium does not bring the other work under
+ the scope of this License.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x3-20014x3"></a>You may copy and distribute the Program (or a work based on it, under Section 2) in object code or
+ executable form under the terms of Sections 1 and 2 above provided that you also do one of the
+ following:
+ <!--l. 157--><p class="noindent">
+ <ol type="a" class="enumerate2" >
+ <li class="enumerate" value="1"
+><a
+ id="x3-20016x1"></a>Accompany it with the complete corresponding machine-readable source code, which must be
+ distributed under the terms of Sections 1 and 2 above on a medium customarily used for software
+ interchange; or,
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x3-20018x2"></a>Accompany it with a written offer, valid for at least three years, to give any third party, for a charge
+ no more than your cost of physically performing source distribution, a complete machine-readable
+ copy of the corresponding source code, to be distributed under the terms of Sections 1 and 2
+ above on a medium customarily used for software interchange; or,
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x3-20020x3"></a>Accompany it with the information you received as to the offer to distribute corresponding source
+ code. (This alternative is allowed only for noncommercial distribution and only if you received
+ the program in object code or executable form with such an offer, in accord with Subsubsection
+ b above.)
+ </li></ol>
+ <!--l. 182--><p class="noindent">The source code for a work means the preferred form of the work for making modifications to it. For an
+ executable work, complete source code means all the source code for all modules it contains, plus any
+ associated interface definition files, plus the scripts used to control compilation and installation of the
+ executable. However, as a special exception, the source code distributed need not include anything that is
+ normally distributed (in either source or binary form) with the major components (compiler, kernel, and so
+ on) of the operating system on which the executable runs, unless that component itself accompanies the
+ executable.
+ <!--l. 193--><p class="noindent">If distribution of executable or object code is made by offering access to copy from a designated place, then
+ offering equivalent access to copy the source code from the same place counts as distribution of the
+ source code, even though third parties are not compelled to copy the source along with the object
+ code.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x3-20022x4"></a>You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this
+ License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will
+ automatically terminate your rights under this License. However, parties who have received copies, or rights,
+ from you under this License will not have their licenses terminated so long as such parties remain in full
+ compliance.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x3-20024x5"></a>You are not required to accept this License, since you have not signed it. However, nothing else grants you
+ permission to modify or distribute the Program or its derivative works. These actions are prohibited by law if
+ you do not accept this License. Therefore, by modifying or distributing the Program (or any
+ work based on the Program), you indicate your acceptance of this License to do so, and all its
+ terms and conditions for copying, distributing or modifying the Program or works based on
+ it.
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x3-20026x6"></a>Each time you redistribute the Program (or any work based on the Program), the recipient automatically
+ receives a license from the original licensor to copy, distribute or modify the Program subject to these terms
+
+
+ and conditions. You may not impose any further restrictions on the recipients&#8217; exercise of the
+ rights granted herein. You are not responsible for enforcing compliance by third parties to this
+ License.
+ </li>
+ <li class="enumerate" value="7"
+><a
+ id="x3-20028x7"></a>If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not
+ limited to patent issues), conditions are imposed on you (whether by court order, agreement or otherwise)
+ that contradict the conditions of this License, they do not excuse you from the conditions of
+ this License. If you cannot distribute so as to satisfy simultaneously your obligations under this
+ License and any other pertinent obligations, then as a consequence you may not distribute the
+ Program at all. For example, if a patent license would not permit royalty-free redistribution of the
+ Program by all those who receive copies directly or indirectly through you, then the only way
+ you could satisfy both it and this License would be to refrain entirely from distribution of the
+ Program.
+ <!--l. 241--><p class="noindent">If any portion of this section is held invalid or unenforceable under any particular circumstance, the
+ balance of the section is intended to apply and the section as a whole is intended to apply in other
+ circumstances.
+ <!--l. 246--><p class="noindent">It is not the purpose of this section to induce you to infringe any patents or other property right claims or to
+ contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free
+ software distribution system, which is implemented by public license practices. Many people have
+ made generous contributions to the wide range of software distributed through that system in
+ reliance on consistent application of that system; it is up to the author/donor to decide if he or she
+ is willing to distribute software through any other system and a licensee cannot impose that
+ choice.
+ <!--l. 257--><p class="noindent">This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this
+ License.
+ </li>
+ <li class="enumerate" value="8"
+><a
+ id="x3-20030x8"></a>If the distribution and/or use of the Program is restricted in certain countries either by patents or by
+ copyrighted interfaces, the original copyright holder who places the Program under this License may add an
+ explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in
+ or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the
+ body of this License.
+ </li>
+ <li class="enumerate" value="9"
+><a
+ id="x3-20032x9"></a>The Free Software Foundation may publish revised and/or new versions of the General Public License from
+ time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to
+ address new problems or concerns.
+ <!--l. 275--><p class="noindent">Each version is given a distinguishing version number. If the Program specifies a version number of this
+ License which applies to it and &#8220;any later version&#8221;, you have the option of following the terms and conditions
+ either of that version or of any later version published by the Free Software Foundation. If the Program does
+ not specify a version number of this License, you may choose any version ever published by the Free Software
+ Foundation.
+ </li>
+ <li class="enumerate" value="10"
+><a
+ id="x3-20034x10"></a>If you wish to incorporate parts of the Program into other free programs whose distribution conditions are
+ different, write to the author to ask for permission. For software which is copyrighted by the Free Software
+ Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will
+ be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting
+ the sharing and reuse of software generally.
+ </li></ol>
+<!--l. 294--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">2.5.3 </span> <a
+ id="x3-210002.5.3"></a>No Warranty</h5>
+<!--l. 296--><p class="noindent">
+
+
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="10"
+><a
+ id="x3-21002x10"></a>Because the program is licensed free of charge, there is no warranty for the program, to the extent
+ permitted by applicable law. Except when otherwise stated in writing the copyright holders and/or
+ other parties provide the program &#8220;as is&#8221; without warranty of any kind, either expressed or implied,
+ including, but not limited to, the implied warranties of merchantability and fitness for a particular
+ purpose. The entire risk as to the quality and performance of the program is with you. Should the
+ program prove defective, you assume the cost of all necessary servicing, repair or correction.
+ </li>
+ <li class="enumerate" value="11"
+><a
+ id="x3-21004x11"></a>In no event unless required by applicable law or agreed to in writing will any copyright holder, or
+ any other party who may modify and/or redistribute the program as permitted above, be liable to
+ you for damages, including any general, special, incidental or consequential damages arising out of the
+ use or inability to use the program (including but not limited to loss of data or data being rendered
+ inaccurate or losses sustained by you or third parties or a failure of the program to operate with any
+ other programs), even if such holder or other party has been advised of the possibility of such damages.</li></ol>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse3.html" >next</a>] [<a
+href="pgfmanualse1.html" >prev</a>] [<a
+href="pgfmanualse1.html#tailpgfmanualse1.html" >prev-tail</a>] [<a
+href="pgfmanualse2.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse2.html" >up</a>] </p></div>
+<!--l. 1--><p class="indent"> <a
+ id="tailpgfmanualse2.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse20.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse20.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>20 Specifying Coordinates</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
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+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse21.html" >next</a>] [<a
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+href="#tailpgfmanualse20.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse20.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">20 </span> <a
+ id="x21-20400020"></a>Specifying Coordinates</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.1 </span> <a
+ id="x21-20500020.1"></a>Overview</h4>
+<!--l. 14--><p class="noindent">Most <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;commands expect you to provide the coordinates of a <span
+class="cmti-10">point </span>(also called <span
+class="cmti-10">coordinate</span>) inside your picture.
+Points are always &#8220;local&#8221; to your picture, that is, they never refer to an absolute position on the page, but to a
+position inside the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. To specify a coordinate you can use commands that start
+with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint</span></span></span>.
+<!--l. 21--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.2 </span> <a
+ id="x21-20600020.2"></a>Basic Coordinate Commands</h4>
+<!--l. 23--><p class="noindent">The following commands are the most basic for specifying a coordinate.
+<!--l. 26--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox195"><span
+class="cmtt-10">\pgfpoint</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-206001"></a>
+ <!--l. 27--><p class="noindent">Yields a point location. The coordinates are given as <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions.
+ <!--l. 30--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-415-" ><colgroup id="TBL-415-1g"><col
+id="TBL-415-1"><col
+id="TBL-415-2"></colgroup><tr
+ valign="baseline" id="TBL-415-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-415-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-495.svg" width="87.45822pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-415-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{1cm}{1cm}}</span><span
+class="cmtt-8">&nbsp;{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{2cm}{5pt}}</span><span
+class="cmtt-8">&nbsp;{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{0pt}{.5in}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 41--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox196"><span
+class="cmtt-10">\pgfpointorigin</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-206002"></a>
+ <!--l. 42--><p class="noindent">Yields the origin. Same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{0pt}{0pt}</span></span></span>. </dd></dl>
+<!--l. 45--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox197"><span
+class="cmtt-10">\pgfpointpolar</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degree</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-206003"></a>
+ <!--l. 46--><p class="noindent">Yields a point location given in polar coordinates. You can specify the angle only in degrees, radians are not
+ supported, currently.
+
+
+ <!--l. 48--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-416-" ><colgroup id="TBL-416-1g"><col
+id="TBL-416-1"><col
+id="TBL-416-2"></colgroup><tr
+ valign="baseline" id="TBL-416-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-416-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-496.svg" width="87.45822pt" height="59.00548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-416-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\angle</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,10,...,90}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpathcircle{\pgfpointpolar{\angle}{1cm}}{2pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 61--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.3 </span> <a
+ id="x21-20700020.3"></a>Coordinates in the Xy- and Xyz-Coordinate Systems</h4>
+<!--l. 63--><p class="noindent">Coordinates can also be specified as multiples of an <span
+class="cmmi-10">x</span>-vector and a <span
+class="cmmi-10">y</span>-vector. Normally, the <span
+class="cmmi-10">x</span>-vector points one
+centimeter in the <span
+class="cmmi-10">x</span>-direction and the <span
+class="cmmi-10">y</span>-vector points one centimeter in the <span
+class="cmmi-10">y</span>-direction, but using the commands
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetxvec</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetyvec</span></span></span> they can be changed. Note that the <span
+class="cmmi-10">x</span>- and <span
+class="cmmi-10">y</span>-vector do not necessarily point
+&#8220;horizontally&#8221; and &#8220;vertically.&#8221;
+<!--l. 71--><p class="indent"> It is also possible to specify a point as a multiple of three vectors, the <span
+class="cmmi-10">x</span>-, <span
+class="cmmi-10">y</span>-, and <span
+class="cmmi-10">z</span>-vector. This is useful for
+creating simple three dimensional graphics.
+<!--l. 75--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox198"><span
+class="cmtt-10">\pgfpointxy</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">x</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">y</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-207001"></a>
+ <!--l. 76--><p class="noindent">Yields a point that is situated at <span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">x</span></sub> times the <span
+class="cmmi-10">x</span>-vector plus <span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">y</span></sub> times the <span
+class="cmmi-10">y</span>-vector.
+ <!--l. 78--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-417-" ><colgroup id="TBL-417-1g"><col
+id="TBL-417-1"><col
+id="TBL-417-2"></colgroup><tr
+ valign="baseline" id="TBL-417-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-417-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-497.svg" width="85.55821pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-417-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointxy{1}{0}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxy{2}{2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 88--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox199"><span
+class="cmtt-10">\pgfpointxyz</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">x</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">y</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">z</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-207002"></a>
+ <!--l. 89--><p class="noindent">Yields a point that is situated at <span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">x</span></sub> times the <span
+class="cmmi-10">x</span>-vector plus <span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">y</span></sub> times the <span
+class="cmmi-10">y</span>-vector plus <span
+class="cmmi-10">s</span><sub ><span
+class="cmmi-7">z</span></sub> times the
+ <span
+class="cmmi-10">z</span>-vector.
+
+
+ <!--l. 92--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-418-" ><colgroup id="TBL-418-1g"><col
+id="TBL-418-1"><col
+id="TBL-418-2"></colgroup><tr
+ valign="baseline" id="TBL-418-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-418-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-498.svg" width="39.80688pt" height="39.80688pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-418-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsend{to}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxyz{0}{0}{1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxyz{0}{1}{0}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxyz{1}{0}{0}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 110--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox200"><span
+class="cmtt-10">\pgfsetxvec</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-207003"></a>
+ <!--l. 111--><p class="noindent">Sets that current <span
+class="cmmi-10">x</span>-vector for usage in the <span
+class="cmmi-10">xyz</span>-coordinate system.
+ <!--l. 113--><p class="noindent"><span
+class="cmti-10">Example:</span>
+ <!--l. 114--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-419-" ><colgroup id="TBL-419-1g"><col
+id="TBL-419-1"><col
+id="TBL-419-2"></colgroup><tr
+ valign="baseline" id="TBL-419-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-419-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-499.svg" width="85.55821pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-419-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointxy{1}{0}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxy{2}{2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetxvec{\pgfpoint{0.75cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointxy{1}{0}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointxy{2}{2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 131--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox201"><span
+class="cmtt-10">\pgfsetyvec</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-207004"></a>
+ <!--l. 132--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetyvec</span></span></span>. </dd></dl>
+<!--l. 135--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox202"><span
+class="cmtt-10">\pgfsetzvec</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-207005"></a>
+ <!--l. 136--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetzvec</span></span></span>. </dd></dl>
+
+
+<!--l. 142--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.4 </span> <a
+ id="x21-20800020.4"></a>Building Coordinates From Other Coordinates</h4>
+<!--l. 144--><p class="noindent">Many commands allow you to construct a coordinate in terms of other coordinates.
+<!--l. 148--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">20.4.1 </span> <a
+ id="x21-20900020.4.1"></a>Basic Manipulations of Coordinates</h5>
+<!--l. 150--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox203"><span
+class="cmtt-10">\pgfpointadd</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">v</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">v</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-209001"></a>
+ <!--l. 151--><p class="noindent">Returns the sum vector <span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">v</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt; </span>+ <span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">v</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 152--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-420-" ><colgroup id="TBL-420-1g"><col
+id="TBL-420-1"><col
+id="TBL-420-2"></colgroup><tr
+ valign="baseline" id="TBL-420-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-420-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-500.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-420-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointadd{\pgfpoint{1cm}{0cm}}{\pgfpoint{1cm}{1cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 161--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox204"><span
+class="cmtt-10">\pgfpointscale</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-209002"></a>
+ <!--l. 162--><p class="noindent">Returns the vector <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 163--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-421-" ><colgroup id="TBL-421-1g"><col
+id="TBL-421-1"><col
+id="TBL-421-2"></colgroup><tr
+ valign="baseline" id="TBL-421-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-421-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-501.svg" width="85.55821pt" height="59.00548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-421-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointscale{1.5}{\pgfpoint{1cm}{0cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 172--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox205"><span
+class="cmtt-10">\pgfpointdiff</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-209003"></a>
+ <!--l. 173--><p class="noindent">Returns the difference vector <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt;-&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 174--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-422-" ><colgroup id="TBL-422-1g"><col
+id="TBL-422-1"><col
+id="TBL-422-2"></colgroup><tr
+ valign="baseline" id="TBL-422-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-422-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-502.svg" width="87.45822pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-422-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointdiff{\pgfpoint{1cm}{0cm}}{\pgfpoint{1cm}{1cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </dd></dl>
+<!--l. 184--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox206"><span
+class="cmtt-10">\pgfpointnormalised</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-209004"></a>
+ <!--l. 185--><p class="noindent">This command returns a normalized version of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>, that is, a vector of length 1pt pointing in
+ the direction of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>. If <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>is the 0-vector or extremely short, a vector of length 1pt pointing
+ upwards is returned.
+ <!--l. 190--><p class="noindent">This command is <span
+class="cmti-10">not </span>implemented by calculating the length of the vector, but rather by calculating the angle
+ of the vector and then using (something equivalent to) the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointpolar</span></span></span> command. This ensures that the
+ point will really have length 1pt, but it is not guaranteed that the vector will <span
+class="cmti-10">precisely </span>point in the direction of
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>due to the fact that the polar tables are accurate only up to one degree. Normally, this is not a
+ problem.
+ <!--l. 198--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-423-" ><colgroup id="TBL-423-1g"><col
+id="TBL-423-1"><col
+id="TBL-423-2"></colgroup><tr
+ valign="baseline" id="TBL-423-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-423-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-503.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-423-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{2cm}{1cm}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointscale{20}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpointnormalised{\pgfpoint{2cm}{1cm}}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 210--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">20.4.2 </span> <a
+ id="x21-21000020.4.2"></a>Points Traveling along Lines and Curves</h5>
+<!--l. 214--><p class="noindent">The commands in this section allow you to specify points on a line or a curve. Imaging a point &#8220;traveling&#8221; along a
+curve from some point <span
+class="cmmi-10">p </span>to another point <span
+class="cmmi-10">q</span>. At time <span
+class="cmmi-10">t </span>= 0 the point is at <span
+class="cmmi-10">p </span>and at time <span
+class="cmmi-10">t </span>= 1 it is at <span
+class="cmmi-10">q </span>and at time,
+say, <span
+class="cmmi-10">t </span>= 1<span
+class="cmmi-10">/</span>2 it is &#8220;somewhere in the middle.&#8221; The exact location at time <span
+class="cmmi-10">t </span>= 1<span
+class="cmmi-10">/</span>2 will not necessarily be the &#8220;halfway
+point,&#8221; that is, the point whose distance on the curve from <span
+class="cmmi-10">p </span>and <span
+class="cmmi-10">q </span>is equal. Rather, the exact location will depend
+on the &#8220;speed&#8221; at which the point is traveling, which in turn depends on the lengths of the support
+vectors in a complicated manner. If you are interested in the details, please see a good book on B&eacute;zier
+curves.
+<!--l. 228--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox207"><span
+class="cmtt-10">\pgfpointlineattime</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">time </span><span
+class="cmmi-10">t</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">p</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">q</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-210001"></a>
+ <!--l. 229--><p class="noindent">Yields a point that is the <span
+class="cmmi-10">t</span>th fraction between <span
+class="cmmi-10">p </span>and&nbsp;<span
+class="cmmi-10">q</span>, that is, <span
+class="cmmi-10">p </span>+ <span
+class="cmmi-10">t</span>(<span
+class="cmmi-10">q </span><span
+class="cmsy-10">- </span><span
+class="cmmi-10">p</span>). For <span
+class="cmmi-10">t </span>= 1<span
+class="cmmi-10">/</span>2 this is the
+ middle of <span
+class="cmmi-10">p </span>and <span
+class="cmmi-10">q</span>.
+
+
+ <!--l. 233--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-424-" ><colgroup id="TBL-424-1g"><col
+id="TBL-424-1"><col
+id="TBL-424-2"></colgroup><tr
+ valign="baseline" id="TBL-424-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-424-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-504.svg" width="87.95822pt" height="77.57631pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-424-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\t</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,0.25,...,1.25}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgftext[at=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointlineattime{\t}{\pgfpointorigin}{\pgfpoint{2cm}{2cm}}]{\t}}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 246--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox208"><span
+class="cmtt-10">\pgfpointlineatdistance</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">distance</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-210002"></a>
+ <!--l. 247--><p class="noindent">Yields a point that is located <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">distance</span><span
+class="cmsy-10">&gt; </span>many units removed from the start point in the direction of
+ the end point. In other words, this is the point that results if we travel <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">distance</span><span
+class="cmsy-10">&gt; </span>steps from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span>
+ <span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>towards <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end point</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 251--><p class="noindent"><span
+class="cmti-10">Example:</span>
+ <!--l. 252--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-425-" ><colgroup id="TBL-425-1g"><col
+id="TBL-425-1"><col
+id="TBL-425-2"></colgroup><tr
+ valign="baseline" id="TBL-425-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-425-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-505.svg" width="92.7805pt" height="57.41106pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-425-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\d</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0pt,20pt,40pt,70pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgftext[at=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointlineatdistance{\d}{\pgfpointorigin}{\pgfpoint{3cm}{2cm}}]{\d}}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 266--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox209"><span
+class="cmtt-10">\pgfpointcurveattime</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">time </span><span
+class="cmmi-10">t</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">p</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">s</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">s</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point </span><span
+class="cmmi-10">q</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-210003"></a>
+ <!--l. 267--><p class="noindent">Yields a point that is on the B&eacute;zier curve from <span
+class="cmmi-10">p </span>to <span
+class="cmmi-10">q </span>with the support points <span
+class="cmmi-10">s</span><sub ><span
+class="cmr-7">1</span></sub> and <span
+class="cmmi-10">s</span><sub ><span
+class="cmr-7">2</span></sub>. The time <span
+class="cmmi-10">t </span>is
+ used to determine the location, where <span
+class="cmmi-10">t </span>= 0 yields <span
+class="cmmi-10">p </span>and <span
+class="cmmi-10">t </span>= 1 yields <span
+class="cmmi-10">q</span>.
+
+
+ <!--l. 271--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-426-" ><colgroup id="TBL-426-1g"><col
+id="TBL-426-1"><col
+id="TBL-426-2"></colgroup><tr
+ valign="baseline" id="TBL-426-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-426-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-506.svg" width="95.41348pt" height="63.34995pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-426-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcurveto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{2cm}}{\pgfpoint{0cm}{2cm}}{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\t</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{0,0.25,0.5,0.75,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgftext[at=\pgfpointcurveattime{\t}{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{3cm}{2cm}}]{\t}}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 287--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">20.4.3 </span> <a
+ id="x21-21100020.4.3"></a>Points on Borders of Objects</h5>
+<!--l. 289--><p class="noindent">The following commands are useful for specifying a point that lies on the border of special shapes. They are used,
+for example, by the shape mechanism to determine border points of shapes.
+<!--l. 293--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox210"><span
+class="cmtt-10">\pgfpointborderrectangle</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-211001"></a>
+ <!--l. 294--><p class="noindent">This command returns a point that lies on the intersection of a line starting at the origin and going
+ towards the point <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction point</span><span
+class="cmsy-10">&gt; </span>and a rectangle whose center is in the origin and whose upper right
+ corner is at <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 299--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction point</span><span
+class="cmsy-10">&gt; </span>should have length &#8220;about 1pt,&#8221; but it will be normalized automatically.
+ Nevertheless, the &#8220;nearer&#8221; the length is to 1pt, the less rounding errors.
+ <!--l. 303--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-427-" ><colgroup id="TBL-427-1g"><col
+id="TBL-427-1"><col
+id="TBL-427-2"></colgroup><tr
+ valign="baseline" id="TBL-427-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-427-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-507.svg" width="87.45822pt" height="78.54503pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-427-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectanglecorners{\pgfpoint{-1cm}{-1.25cm}}{\pgfpoint{1cm}{1.25cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{5pt}{5pt}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{-10pt}{5pt}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointborderrectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{5pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointborderrectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{-10pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 323--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox211"><span
+class="cmtt-10">\pgfpointborderellipse</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">direction point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-211002"></a>
+ <!--l. 324--><p class="noindent">This command works like the corresponding command for rectangles, only this time the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt; </span>is
+ the corner of the bounding rectangle of an ellipse.
+ <!--l. 328--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-428-" ><colgroup id="TBL-428-1g"><col
+id="TBL-428-1"><col
+id="TBL-428-2"></colgroup><tr
+ valign="baseline" id="TBL-428-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-428-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-508.svg" width="85.65822pt" height="78.54503pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-428-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathellipse{\pgfpointorigin}{\pgfpoint{1cm}{0cm}}{\pgfpoint{0cm}{1.25cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{5pt}{5pt}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{-10pt}{5pt}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointborderellipse</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{5pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointborderellipse</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{-10pt}{5pt}}{\pgfpoint{1cm}{1.25cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 348--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">20.4.4 </span> <a
+ id="x21-21200020.4.4"></a>Points on the Intersection of Lines</h5>
+<!--l. 351--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox212"><span
+class="cmtt-10">\pgfpointintersectionoflines</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">p</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">q</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">t</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-212001"></a>
+ <!--l. 352--><p class="noindent">This command returns the intersection of a line going through <span
+class="cmmi-10">p </span>and <span
+class="cmmi-10">q </span>and a line going through <span
+class="cmmi-10">s </span>and
+ <span
+class="cmmi-10">t</span>. If the lines do not intersection, an arithmetic overflow will occur.
+ <!--l. 356--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-429-" ><colgroup id="TBL-429-1g"><col
+id="TBL-429-1"><col
+id="TBL-429-2"></colgroup><tr
+ valign="baseline" id="TBL-429-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-429-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-509.svg" width="57.20547pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-429-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointintersectionoflines</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpointxy{.5}{0}}{\pgfpointxy{2}{2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpointxy{1}{2}}{\pgfpointxy{2}{0}}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+<!--l. 371--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.5 </span> <a
+ id="x21-21300020.5"></a>Extracting Coordinates</h4>
+<!--l. 373--><p class="noindent">There are two commands that can be used to &#8220;extract&#8221; the <span
+class="cmmi-10">x</span>- or <span
+class="cmmi-10">y</span>-coordinate of a coordinate.
+<!--l. 376--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox213"><span
+class="cmtt-10">\pgfextractx</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-213001"></a>
+ <!--l. 377--><p class="noindent">Sets the <span class="TEX">T<span
+class="E">E</span>X</span>-<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>to the <span
+class="cmmi-10">x</span>-coordinate of the point.
+ <!--l. 379--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-430-" ><colgroup id="TBL-430-1g"><col
+id="TBL-430-1"></colgroup><tr
+ valign="baseline" id="TBL-430-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-430-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\newdimen\mydim</span>
+<br><span
+class="cmtt-8">\pgfextractx{\mydim}{\pgfpoint{2cm}{4pt}}</span>
+<br><span
+class="cmsltt-10x-x-80">%%</span><span
+class="cmsltt-10x-x-80">&nbsp;\mydim</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;now</span><span
+class="cmsltt-10x-x-80">&nbsp;2cm</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 386--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox214"><span
+class="cmtt-10">\pgfextracty</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-213002"></a>
+ <!--l. 387--><p class="noindent">Like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfextractx</span></span></span>, except for the <span
+class="cmmi-10">y</span>-coordinate. </dd></dl>
+<!--l. 393--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">20.6 </span> <a
+ id="x21-21400020.6"></a>Internals of How Point Commands Work</h4>
+<!--l. 395--><p class="noindent">As a normal user of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;you do not need to read this section. It is relevant only if you need to understand how the
+point commands work internally.
+<!--l. 399--><p class="indent"> When a command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{1cm}{2pt}</span></span></span> is called, all that happens is that the two <span class="TEX">T<span
+class="E">E</span>X</span>-dimension
+variables <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> are set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1cm</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2pt</span></span></span>, respectively. A command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto</span></span></span> that takes a
+coordinate as parameter will just execute this parameter and then use the values of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> as the
+coordinates to which it will move the pen on the current path.
+<!--l. 406--><p class="indent"> since commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointnormalised</span></span></span> modify other variables besides <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> during the
+computation of the final values of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span>, it is a good idea to enclose a call of a command like
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint</span></span></span> in a <span class="TEX">T<span
+class="E">E</span>X</span>-scope and then make the changes of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> global as in the following
+example:
+<!--l. 411--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-431-" ><colgroup id="TBL-431-1g"><col
+id="TBL-431-1"></colgroup><tr
+ valign="baseline" id="TBL-431-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-431-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">{</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;open</span><span
+class="cmsltt-10x-x-80">&nbsp;scope</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointnormalised{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\global\pgf@x=\pgf@x</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;change</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;\pgf@x</span><span
+class="cmsltt-10x-x-80">&nbsp;persist</span><span
+class="cmsltt-10x-x-80">&nbsp;past</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;scope</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\global\pgf@y=\pgf@y</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;change</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;\pgf@y</span><span
+class="cmsltt-10x-x-80">&nbsp;persist</span><span
+class="cmsltt-10x-x-80">&nbsp;past</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;scope</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;\pgf@x</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;\pgf@y</span><span
+class="cmsltt-10x-x-80">&nbsp;are</span><span
+class="cmsltt-10x-x-80">&nbsp;now</span><span
+class="cmsltt-10x-x-80">&nbsp;set</span><span
+class="cmsltt-10x-x-80">&nbsp;correctly,</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;other</span><span
+class="cmsltt-10x-x-80">&nbsp;variables</span><span
+class="cmsltt-10x-x-80">&nbsp;are</span>
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;unchanged</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 423--><p class="indent"> Since this situation arises very often, the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@process</span></span></span> can be used to perform the above
+code:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox215"><span
+class="cmtt-10">\pgf@process</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx21-214001"></a>
+ <!--l. 426--><p class="noindent">Executes the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>in a scope and then makes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> global. </dd></dl>
+<!--l. 430--><p class="indent"> Note that this macro is used often internally. For this reason, it is not a good idea to keep anything important in
+the variables <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> since they will be overwritten and changed frequently. Instead, intermediate values
+can ge stored in the <span class="TEX">T<span
+class="E">E</span>X</span>-dimensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@xa</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@xb</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@xc</span></span></span> and their <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">y</span></span></span>-counterparts <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@ya</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@yb</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf@yc</span></span></span>. For example, here is the code of the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointadd</span></span></span>:
+
+
+<!--l. 437--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-432-" ><colgroup id="TBL-432-1g"><col
+id="TBL-432-1"></colgroup><tr
+ valign="baseline" id="TBL-432-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-432-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\def\pgfpointadd#1#2{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@process{#1}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@xa=\pgf@x</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@ya=\pgf@y</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@process{#2}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\pgf@x</span><span
+class="cmtt-8">&nbsp;by\pgf@xa</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\pgf@y</span><span
+class="cmtt-8">&nbsp;by\pgf@ya}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse21.html" >next</a>] [<a
+href="pgfmanualse19.html" >prev</a>] [<a
+href="pgfmanualse19.html#tailpgfmanualse19.html" >prev-tail</a>] [<a
+href="pgfmanualse20.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse20.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse20.html"></a>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
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+<head><title>21 Constructing Paths</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
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+<meta name="date" content="2005-10-23 18:34:00">
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+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse22.html" >next</a>] [<a
+href="pgfmanualse20.html" >prev</a>] [<a
+href="pgfmanualse20.html#tailpgfmanualse20.html" >prev-tail</a>] [<a
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+ <h3 class="sectionHead"><span class="titlemark">21 </span> <a
+ id="x22-21500021"></a>Constructing Paths</h3>
+<!--l. 10--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.1 </span> <a
+ id="x22-21600021.1"></a>Overview</h4>
+<!--l. 12--><p class="noindent">The &#8220;basic entity of drawing&#8221; in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is the <span
+class="cmti-10">path</span>. A path consists of several parts, each of which is either a closed or
+open curve. An open curve has a starting point and an end point and, in between, consists of several <span
+class="cmti-10">segments</span>, each
+of which is either a straight line or a B&eacute;zier curve. Here is an example of a path (in red) consisting of two parts, one
+open, one closed:
+<!--l. 19--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-510.svg" width="251.83217pt" height="129.4658pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-433-" ><colgroup id="TBL-433-1g"><col
+id="TBL-433-1"></colgroup><tr
+ valign="baseline" id="TBL-433-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-433-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=2]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick,red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(a)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(ab)</span><span
+class="cmtt-8">&nbsp;(1,.5)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(b)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(bc)</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(up:1cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(left:1cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(c)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{start</span><span
+class="cmtt-8">&nbsp;part</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(ab)</span><span
+class="cmtt-8">&nbsp;node[below</span><span
+class="cmtt-8">&nbsp;right]</span><span
+class="cmtt-8">&nbsp;{straight</span><span
+class="cmtt-8">&nbsp;segment}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{end</span><span
+class="cmtt-8">&nbsp;first</span><span
+class="cmtt-8">&nbsp;segment}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{end</span><span
+class="cmtt-8">&nbsp;part</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[above</span><span
+class="cmtt-8">&nbsp;right]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{part</span><span
+class="cmtt-8">&nbsp;2</span><span
+class="cmtt-8">&nbsp;(closed)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 35--><p class="indent"> A path, by itself, has no &#8220;effect,&#8221; that is, it does not leave any marks on the page. It is just a set of
+points on the plane. However, you can <span
+class="cmti-10">use </span>a path in different ways. The most natural actions are
+<span
+class="cmti-10">stroking </span>(also known as <span
+class="cmti-10">drawing</span>) and <span
+class="cmti-10">filling</span>. Stroking can be imagined as picking up a pen of a certain
+diameter and &#8220;moving it along the path.&#8221; Filling means that everything &#8220;inside&#8221; the path is filled
+with a uniform color. Naturally, the open parts of a path must first be closed before a path can be
+filled.
+<!--l. 45--><p class="indent"> In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, there are numerous commands for constructing paths, all of which start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpath</span></span></span>. There are also
+commands for <span
+class="cmti-10">using </span>paths, though most operations can be performed by calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span> with an appropriate
+parameter.
+<!--l. 50--><p class="indent"> As a side-effect, the path construction commands keep track of two bounding boxes. One is the bounding box for
+the current path, the other is a bounding box for all paths in the current picture. See Section&nbsp;<a
+href="#x22-22800021.13">21.13<!--tex4ht:ref: section-bb --></a> for more
+details.
+<!--l. 55--><p class="indent"> Each path construction command extends the current path in some way. The &#8220;current path&#8221; is a global entity
+that persists across <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups. Thus, between calls to the path construction commands you can
+perform arbitrary computations and even open and closed <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups. The current path only gets
+&#8220;flushed&#8221; when the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span> command is called (or when the soft-path subsystem is used directly, see
+Section&nbsp;<a
+href="pgfmanualse34.html#x35-32300034">34<!--tex4ht:ref: section-soft-paths --></a>).
+<!--l. 63--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.2 </span> <a
+ id="x22-21700021.2"></a>The Move-To Path Operation</h4>
+<!--l. 65--><p class="noindent">The most basic operation is the move-to operation. It must be given at the beginning of paths, though some path
+construction command (like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathrectangle</span></span></span>) generate move-tos implicitly. A move-to operation can also be
+used to start a new part of a path.
+
+
+<!--l. 70--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox216"><span
+class="cmtt-10">\pgfpathmoveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-217001"></a>
+ <!--l. 71--><p class="noindent">This command expects a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>-coordinate like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointorigin</span></span></span> as its parameter. When the current
+ path is empty, this operation will start the path at the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. If a path has already
+ been partly constructed, this command will end the current part of the path and start a new
+ one.
+ <!--l. 76--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-434-" ><colgroup id="TBL-434-1g"><col
+id="TBL-434-1"><col
+id="TBL-434-2"></colgroup><tr
+ valign="baseline" id="TBL-434-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-434-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-511.svg" width="85.75826pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-434-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 87--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-435-" ><colgroup id="TBL-435-1g"><col
+id="TBL-435-1"><col
+id="TBL-435-2"></colgroup><tr
+ valign="baseline" id="TBL-435-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-435-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-512.svg" width="85.75826pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-435-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{2cm}{1cm}}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;New</span><span
+class="cmsltt-10x-x-80">&nbsp;part</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 99--><p class="noindent">The command will apply the current coordinate transformation matrix to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>before using
+ it.
+ <!--l. 102--><p class="noindent">The command will update the bounding box of the current path and picture, if necessary. </dd></dl>
+<!--l. 107--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.3 </span> <a
+ id="x22-21800021.3"></a>The Line-To Path Operation</h4>
+<!--l. 109--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox217"><span
+class="cmtt-10">\pgfpathlineto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-218001"></a>
+ <!--l. 110--><p class="noindent">This command extends the current path in a straight line to the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. If this command is given
+ at the beginning of path without any other path construction command given before (in particular without a
+ move-to operation), the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;file may compile without an error message, but a viewer application may display
+ an error message when trying to render the picture.
+ <!--l. 116--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-436-" ><colgroup id="TBL-436-1g"><col
+id="TBL-436-1"><col
+id="TBL-436-2"></colgroup><tr
+ valign="baseline" id="TBL-436-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-436-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-513.svg" width="57.3055pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-436-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 125--><p class="noindent">The command will apply the current coordinate transformation matrix to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>before using
+ it.
+ <!--l. 128--><p class="noindent">The command will update the bounding box of the current path and picture, if necessary. </dd></dl>
+<!--l. 133--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.4 </span> <a
+ id="x22-21900021.4"></a>The Curve-To Path Operation</h4>
+<!--l. 135--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox218"><span
+class="cmtt-10">\pgfpathcurveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">support 1</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">support 2</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-219001"></a>
+ <!--l. 136--><p class="noindent">This command extends the current path with a B&eacute;zier curve from the last point of the path to
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">support 1</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">support 2</span><span
+class="cmsy-10">&gt; </span>are the first and second support point of the B&eacute;zier
+ curve. For more information on B&eacute;zier curve, please consult a standard textbook on computer graphics.
+ <!--l. 142--><p class="noindent">Like the line-to command, this command may not be the first path construction command in a
+ path.
+ <!--l. 144--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-437-" ><colgroup id="TBL-437-1g"><col
+id="TBL-437-1"><col
+id="TBL-437-2"></colgroup><tr
+ valign="baseline" id="TBL-437-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-437-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-514.svg" width="85.75826pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-437-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcurveto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{1cm}{1cm}}{\pgfpoint{2cm}{1cm}}{\pgfpoint{3cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 153--><p class="noindent">The command will apply the current coordinate transformation matrix to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>before using
+ it.
+ <!--l. 156--><p class="noindent">The command will update the bounding box of the current path and picture, if necessary. However, the
+ bounding box is simply made large enough such that it encompasses all of the support points and
+ the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. This will guarantee that the curve is completely inside the bounding box, but
+ the bounding box will typically be quite a bit too large. It is not clear (to me) how this can be
+ avoided without resorting to &#8220;some serious math&#8221; in order to calculate a precise bounding box.
+ </dd></dl>
+<!--l. 167--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.5 </span> <a
+ id="x22-22000021.5"></a>The Close Path Operation</h4>
+<!--l. 169--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox219"><span
+class="cmtt-10">\pgfpathclose</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-220001"></a>
+ <!--l. 170--><p class="noindent">This command closes the current part of the path by appending a straight line to the start point of the current
+ part. Note that there <span
+class="cmti-10">is </span>a difference between closing a path and using the line-to operation to add a straight
+ line to the start of the current path. The difference is demonstrated by the upper corners of the triangles in
+ the following example:
+
+
+ <!--l. 176--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-438-" ><colgroup id="TBL-438-1g"><col
+id="TBL-438-1"><col
+id="TBL-438-2"></colgroup><tr
+ valign="baseline" id="TBL-438-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-438-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-515.svg" width="87.95822pt" height="87.95822pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-438-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{5pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathclose</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{2.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1.5cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2.5cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 194--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.6 </span> <a
+ id="x22-22100021.6"></a>Arc, Ellipse and Circle Path Operations</h4>
+<!--l. 196--><p class="noindent">The path construction commands that we have discussed up to now are sufficient to create all paths that can be
+created &#8220;at all.&#8221; However, it is useful to have special commands to create certain shapes, like circles, that arise often
+in practice.
+<!--l. 201--><p class="indent"> In the following, the commands for adding (parts of) (transformed) circles to a path are described.
+<!--l. 205--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox220"><span
+class="cmtt-10">\pgfpatharc</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start angle</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end angle</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-221001"></a>
+ <!--l. 206--><p class="noindent">This command appends a part of a circle (or an ellipse) to the current path. Imaging the curve between
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start angle</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end angle</span><span
+class="cmsy-10">&gt; </span>on a circle of radius <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt; </span>(if <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start angle</span><span
+class="cmsy-10">&gt; </span><span
+class="cmmi-10">&lt; </span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end angle</span><span
+class="cmsy-10">&gt;</span>, the curve
+ goes around the circle counterclockwise, otherwise clockwise). This curve is now moved such that the
+ point where the curve starts is the previous last point of the path. Note that this command will <span
+class="cmti-10">not</span>
+ start a new part of the path, which is important for example for filling purposes.
+ <!--l. 215--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-439-" ><colgroup id="TBL-439-1g"><col
+id="TBL-439-1"><col
+id="TBL-439-2"></colgroup><tr
+ valign="baseline" id="TBL-439-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-439-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-516.svg" width="99.68462pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-439-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{90}{.5cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{1.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{90}{-45}{.5cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 227--><p class="noindent">Saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpatharc{0}{360}{1cm}</span></span></span> &#8220;nearly&#8221; gives you a full circle. The &#8220;nearly&#8221; refers to the fact that the
+ circle will not be closed. You can close it using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathclose</span></span></span>.
+ <!--l. 231--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt; </span>need not always be a single <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension. Instead, it can also contain a slash,
+ in which case it must consist of two dimensions separated by this slash. In this case the first
+ dimension is the <span
+class="cmmi-10">x</span>-radius and the second the <span
+class="cmmi-10">y</span>-radius of the ellipse from which the curve is
+ taken:
+
+
+ <!--l. 237--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-440-" ><colgroup id="TBL-440-1g"><col
+id="TBL-440-1"><col
+id="TBL-440-2"></colgroup><tr
+ valign="baseline" id="TBL-440-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-440-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-517.svg" width="97.5438pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-440-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{45}{2cm/1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 246--><p class="noindent">The axes of the circle or ellipse from which the arc is &#8220;taken&#8221; always point up and right. However, the current
+ coordinate transformation matrix will have an effect on the arc. This can be used to, say, rotate an
+ arc:
+ <!--l. 251--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-441-" ><colgroup id="TBL-441-1g"><col
+id="TBL-441-1"><col
+id="TBL-441-2"></colgroup><tr
+ valign="baseline" id="TBL-441-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-441-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-518.svg" width="93.55327pt" height="66.3956pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-441-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{45}{2cm/1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 261--><p class="noindent">The command will update the bounding box of the current path and picture, if necessary. Unless rotation or
+ shearing transformations are applied, the bounding box will be tight. </dd></dl>
+<!--l. 267--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox221"><span
+class="cmtt-10">\pgfpathellipse</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first axis</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second axis</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-221002"></a>
+ <!--l. 268--><p class="noindent">The effect of this command is to append an ellipse to the current path (if the path is not empty, a
+ new part is started). The ellipse&#8217;s center will be <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first axis</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second axis</span><span
+class="cmsy-10">&gt; </span>are the
+ axis <span
+class="cmti-10">vectors</span>. The same effect as this command can also be achieved using an appropriate sequence of
+ move-to, arc, and close operations, but this command is easier and faster.
+ <!--l. 276--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-442-" ><colgroup id="TBL-442-1g"><col
+id="TBL-442-1"><col
+id="TBL-442-2"></colgroup><tr
+ valign="baseline" id="TBL-442-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-442-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-519.svg" width="99.8846pt" height="93.55374pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-442-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathellipse{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{1.5cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathellipse{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{-0.5cm}{0.5cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 291--><p class="noindent">The command will apply coordinate transformations to all coordinates of the ellipse. However, the coordinate
+
+
+ transformations are applied only after the ellipse is &#8220;finished conceptually.&#8221; Thus, a transformation of 1cm to
+ the right will simply shift the ellipse one centimeter to the right; it will not add 1cm to the <span
+class="cmmi-10">x</span>-coordinates of
+ the two axis vectors.
+ <!--l. 298--><p class="noindent">The command will update the bounding box of the current path and picture, if necessary. </dd></dl>
+<!--l. 302--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox222"><span
+class="cmtt-10">\pgfpathcirlce</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-221003"></a>
+ <!--l. 303--><p class="noindent">A shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathellipse</span></span></span> applied to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center</span><span
+class="cmsy-10">&gt; </span>and the two axis vectors (<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span
+class="cmmi-10">,</span>0) and
+ (0<span
+class="cmmi-10">,</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span>). </dd></dl>
+<!--l. 308--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.7 </span> <a
+ id="x22-22200021.7"></a>Rectangle Path Operations</h4>
+<!--l. 310--><p class="noindent">Another shape that arises frequently is the rectangle. Two commands can be used to add a rectangle to the current
+path. Both commands will start a new part of the path.
+<!--l. 315--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox223"><span
+class="cmtt-10">\pgfpathrectangle</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">diagonal vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-222001"></a>
+ <!--l. 316--><p class="noindent">Adds a rectangle to the path whose one corner is <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt; </span>and whose opposite corner is given by
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt; </span>+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">diagonal vector</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 320--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-443-" ><colgroup id="TBL-443-1g"><col
+id="TBL-443-1"><col
+id="TBL-443-2"></colgroup><tr
+ valign="baseline" id="TBL-443-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-443-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-520.svg" width="99.88461pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-443-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{0cm}}{\pgfpoint{1.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1.5cm}{0.25cm}}{\pgfpoint{1.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{2cm}{0.5cm}}{\pgfpoint{1.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 329--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes tightly.
+ </dd></dl>
+<!--l. 334--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox224"><span
+class="cmtt-10">\pgfpathrectanglecorners</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">opposite corner</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-222002"></a>
+ <!--l. 335--><p class="noindent">Adds a rectangle to the path whose two opposing corners are <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">opposite corner</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 337--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-444-" ><colgroup id="TBL-444-1g"><col
+id="TBL-444-1"><col
+id="TBL-444-2"></colgroup><tr
+ valign="baseline" id="TBL-444-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-444-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-521.svg" width="85.55821pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-444-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectanglecorners{\pgfpoint{1cm}{0cm}}{\pgfpoint{1.5cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{draw}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 344--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes tightly.
+ </dd></dl>
+
+
+<!--l. 350--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.8 </span> <a
+ id="x22-22300021.8"></a>The Grid Path Operation</h4>
+<!--l. 352--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox225"><span
+class="cmtt-10">\pgfpathgrid</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">upper right</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-223001"></a>
+ <!--l. 353--><p class="noindent">Appends a grid to the current path. That is, a (possibly large) number of parts are added to the path,
+ each part consisting of a single horizontal or vertical straight line segment.
+ <!--l. 357--><p class="noindent">Conceptually, the origin is part of the grid and the grid is clipped to the rectangle specified by the
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left</span><span
+class="cmsy-10">&gt; </span>and the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">upper right</span><span
+class="cmsy-10">&gt; </span>corner. However, no clipping occurs (this command just adds parts to
+ the current path). Rather, the points where the lines enter and leave the &#8220;clipping area&#8221; are computed
+ and used to add simple lines to the current path.
+ <!--l. 364--><p class="noindent">Allowed <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">stepx</span><a
+ id="dx22-223002"></a><a
+ id="dx22-223003"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the horizontal stepping to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. Default is 1cm.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">stepy</span><a
+ id="dx22-223004"></a><a
+ id="dx22-223005"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the vertical stepping to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. Default is 1cm.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">step</span><a
+ id="dx22-223006"></a><a
+ id="dx22-223007"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt; </span>Sets the horizontal stepping to the <span
+class="cmmi-10">x</span>-coordinate of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt; </span>and the vertical stepping
+ to its <span
+class="cmmi-10">y</span>-coordinate.</li></ul>
+ <!--l. 374--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-445-" ><colgroup id="TBL-445-1g"><col
+id="TBL-445-1"><col
+id="TBL-445-2"></colgroup><tr
+ valign="baseline" id="TBL-445-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-445-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-522.svg" width="103.22989pt" height="74.77713pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-445-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{0.8pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathgrid[step={\pgfpoint{1cm}{1cm}}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{-3mm}{-3mm}}{\pgfpoint{33mm}{23mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{0.4pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathgrid[stepx=1mm,stepy=1mm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{-1.5mm}{-1.5mm}}{\pgfpoint{31.5mm}{21.5mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 386--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes tightly. As for ellipses,
+ the transformations are applied to the &#8220;conceptually finished&#8221; grid.
+ <!--l. 389--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-446-" ><colgroup id="TBL-446-1g"><col
+id="TBL-446-1"><col
+id="TBL-446-2"></colgroup><tr
+ valign="baseline" id="TBL-446-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-446-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-523.svg" width="99.28304pt" height="99.28304pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-446-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{10}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathgrid[stepx=1mm,stepy=2mm]{\pgfpoint{0mm}{0mm}}{\pgfpoint{30mm}{30mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+<!--l. 399--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.9 </span> <a
+ id="x22-22400021.9"></a>The Parabola Path Operation</h4>
+<!--l. 401--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox226"><span
+class="cmtt-10">\pgfpathparabola</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">bend vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-224001"></a>
+ <!--l. 402--><p class="noindent">This command appends two half-parabolas to the current path. The first starts at the current point
+ and ends at the current point plus <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">bend vector</span><span
+class="cmsy-10">&gt;</span>. At his point, it has its bend. The second half parabola
+ starts at that bend point and end at point that is given by the bend plus <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end vector</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 408--><p class="noindent">If you set <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end vector</span><span
+class="cmsy-10">&gt; </span>to the null vector, you append only a half parabola that goes from the current
+ point to the bend; by setting <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">bend vector</span><span
+class="cmsy-10">&gt; </span>to the null vector, you append only a half parabola that
+ goes to current point plus <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end vector</span><span
+class="cmsy-10">&gt; </span>and has its bend at the current point.
+ <!--l. 414--><p class="noindent">It is not possible to use this command to draw a part of a parabola that does not contain the bend.
+ <!--l. 417--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-447-" ><colgroup id="TBL-447-1g"><col
+id="TBL-447-1"><col
+id="TBL-447-2"></colgroup><tr
+ valign="baseline" id="TBL-447-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-447-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-524.svg" width="114.211pt" height="142.66377pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-447-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Half-parabola</span><span
+class="cmsltt-10x-x-80">&nbsp;going</span><span
+class="cmsltt-10x-x-80">&nbsp;``up</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;right''</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathparabola{\pgfpointorigin}{\pgfpoint{2cm}{4cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Half-parabola</span><span
+class="cmsltt-10x-x-80">&nbsp;going</span><span
+class="cmsltt-10x-x-80">&nbsp;``down</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;right''</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathparabola{\pgfpoint{-2cm}{4cm}}{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{blue}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Full</span><span
+class="cmsltt-10x-x-80">&nbsp;parabola</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{-2cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathparabola{\pgfpoint{1cm}{-1cm}}{\pgfpoint{2cm}{4cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{orange}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 438--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes. </dd></dl>
+<!--l. 443--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.10 </span> <a
+ id="x22-22500021.10"></a>Sine and Cosine Path Operations</h4>
+<!--l. 445--><p class="noindent">Sine and cosine curves often need to be drawn and the following commands may help with this. However, they only
+allow you to append sine and cosine curves in intervals that are multiples of <span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2.
+<!--l. 449--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox227"><span
+class="cmtt-10">\pgfpathsine</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-225001"></a>
+ <!--l. 450--><p class="noindent">This command appends a sine curve in the interval [0<span
+class="cmmi-10">,<img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2] to the current path. The sine curve is squeezed or
+ stretched such that the curve starts at the current point and ends at the current point plus
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt;</span>.
+
+
+ <!--l. 454--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-448-" ><colgroup id="TBL-448-1g"><col
+id="TBL-448-1"><col
+id="TBL-448-2"></colgroup><tr
+ valign="baseline" id="TBL-448-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-448-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-525.svg" width="114.11098pt" height="85.75824pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-448-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsine{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsine{\pgfpoint{-2cm}{-2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 467--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes. </dd></dl>
+<!--l. 471--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox228"><span
+class="cmtt-10">\pgfpathcosine</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-225002"></a>
+ <!--l. 472--><p class="noindent">This command appends a cosine curve in the interval [0<span
+class="cmmi-10">,<img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2] to the current path. The curve is squeezed or
+ stretched such that the curve starts at the current point and ends at the current point plus <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt;</span>. Using
+ several sine and cosine operations in sequence allows you to produce a complete sine or cosine
+ curve
+ <!--l. 477--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-449-" ><colgroup id="TBL-449-1g"><col
+id="TBL-449-1"><col
+id="TBL-449-2"></colgroup><tr
+ valign="baseline" id="TBL-449-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-449-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-526.svg" width="114.21097pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-449-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsine{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcosine{\pgfpoint{1cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsine{\pgfpoint{1cm}{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcosine{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 488--><p class="noindent">The command will apply coordinate transformations and update the bounding boxes. </dd></dl>
+<!--l. 493--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.11 </span> <a
+ id="x22-22600021.11"></a>Plot Path Operations</h4>
+<!--l. 495--><p class="noindent">There exist several commands for appending plots to a path. These commands are available through the package
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span>. They are documented in Section&nbsp;<a
+href="pgfmanualse29.html#x30-29000029">29<!--tex4ht:ref: section-plots --></a>.
+<!--l. 501--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.12 </span> <a
+ id="x22-22700021.12"></a>Rounded Corners</h4>
+<!--l. 503--><p class="noindent">Normally, when you connect two straight line segments or when you connect two curves that end and start &#8220;at
+different angles&#8221; you get &#8220;sharp corners&#8221; between the lines or curves. In some cases it is desirable to produce
+&#8220;rounded corners&#8221; instead. Thus, the lines or curves should be shortened a bit and then connected by
+arcs.
+<!--l. 509--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;offers an easy way to achieve this effect, by calling the following two commands.
+<!--l. 512--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox229"><span
+class="cmtt-10">\pgfsetcornersarced</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-227001"></a>
+ <!--l. 513--><p class="noindent">This command causes all subsequent corners to be replaced by little arcs. The effect of this command
+ lasts till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;scope.
+ <!--l. 517--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>dictates how large the corner arc will be. Consider a corner made by two lines <span
+class="cmmi-10">l </span>and&nbsp;<span
+class="cmmi-10">r</span>
+ and assume that the line <span
+class="cmmi-10">l </span>comes first on the path. The <span
+class="cmmi-10">x</span>-dimension of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>decides by how
+ much the line&nbsp;<span
+class="cmmi-10">l </span>will be shortened, the <span
+class="cmmi-10">y</span>-dimension of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>decides by how much the line <span
+class="cmmi-10">r </span>will be
+ shortened. Then, the shortened lines are connected by an arc.
+ <!--l. 524--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-450-" ><colgroup id="TBL-450-1g"><col
+id="TBL-450-1"><col
+id="TBL-450-2"></colgroup><tr
+ valign="baseline" id="TBL-450-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-450-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-527.svg" width="85.75826pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-450-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetcornersarced{\pgfpoint{5mm}{5mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectanglecorners{\pgfpointorigin}{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 534--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-451-" ><colgroup id="TBL-451-1g"><col
+id="TBL-451-1"><col
+id="TBL-451-2"></colgroup><tr
+ valign="baseline" id="TBL-451-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-451-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-528.svg" width="85.75826pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-451-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetcornersarced{\pgfpoint{10mm}{5mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;10mm</span><span
+class="cmsltt-10x-x-80">&nbsp;entering,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;5mm</span><span
+class="cmsltt-10x-x-80">&nbsp;leaving.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcurveto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{3cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{2cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 552--><p class="noindent">If the <span
+class="cmmi-10">x</span>- and <span
+class="cmmi-10">y</span>-coordinates of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>are the same and the corner is a right angle, you will get a perfect
+ quarter circle (well, not quite perfect, but perfect up to six decimals). When the angle is not 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>, you only get
+ a fair approximation.
+ <!--l. 557--><p class="noindent">More or less &#8220;all&#8221; corners will be rounded, even the corner generated by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathclose</span></span></span> command. (The
+ author is a bit proud of this feature.)
+ <!--l. 561--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-452-" ><colgroup id="TBL-452-1g"><col
+id="TBL-452-1"><col
+id="TBL-452-2"></colgroup><tr
+ valign="baseline" id="TBL-452-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-452-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-529.svg" width="51.8716pt" height="54.51993pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-452-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetcornersarced{\pgfpoint{4pt}{4pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointpolar{0}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointpolar{72}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointpolar{144}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointpolar{216}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpointpolar{288}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathclose</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 574--><p class="noindent">To return to normal (unrounded) corners, use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetcornersarced{\pgfpointorigin}</span></span></span>.
+ <!--l. 577--><p class="noindent">Note that the rounding will produce strange and undesirable effects if the lines at the corners are too short. In
+ this case the shortening may cause the lines to &#8220;suddenly extend over the other end&#8221; which is rarely desirable.
+ </dd></dl>
+<!--l. 586--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">21.13 </span> <a
+ id="x22-22800021.13"></a>Internal Tracking of Bounding Boxes for Paths and Pictures</h4>
+<!--l. 592--><p class="noindent">The path construction commands keep track of two bounding boxes: One for the current path, which is reset
+whenever the path is used and thereby flushed, and a bounding box for the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+<!--l. 596--><p class="indent"> The bounding boxes are not accessible by &#8220;normal&#8221; macros. Rather, two sets of four dimension variables are
+used for this, all of which contain the letter&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">@</span></span></span>.
+<!--l. 600--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox230"><span
+class="cmtt-10">\pgf@pathminx</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228001"></a>
+ <!--l. 601--><p class="noindent">The minimum <span
+class="cmmi-10">x</span>-coordinate &#8220;mentioned&#8221; in the current path. Initially, this is set to 16000pt. </dd></dl>
+<!--l. 605--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox231"><span
+class="cmtt-10">\pgf@pathmaxx</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228002"></a>
+ <!--l. 606--><p class="noindent">The maximum <span
+class="cmmi-10">x</span>-coordinate &#8220;mentioned&#8221; in the current path. Initially, this is set to <span
+class="cmsy-10">-</span>16000pt. </dd></dl>
+<!--l. 610--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox232"><span
+class="cmtt-10">\pgf@pathminy</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228003"></a>
+ <!--l. 611--><p class="noindent">The minimum <span
+class="cmmi-10">y</span>-coordinate &#8220;mentioned&#8221; in the current path. Initially, this is set to 16000pt. </dd></dl>
+<!--l. 615--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox233"><span
+class="cmtt-10">\pgf@pathmaxy</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228004"></a>
+ <!--l. 616--><p class="noindent">The maximum <span
+class="cmmi-10">y</span>-coordinate &#8220;mentioned&#8221; in the current path. Initially, this is set to <span
+class="cmsy-10">-</span>16000pt. </dd></dl>
+<!--l. 620--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox234"><span
+class="cmtt-10">\pgf@picminx</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228005"></a>
+ <!--l. 621--><p class="noindent">The minimum <span
+class="cmmi-10">x</span>-coordinate &#8220;mentioned&#8221; in the current picture. Initially, this is set to 16000pt. </dd></dl>
+<!--l. 625--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox235"><span
+class="cmtt-10">\pgf@picmaxx</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228006"></a>
+ <!--l. 626--><p class="noindent">The maximum <span
+class="cmmi-10">x</span>-coordinate &#8220;mentioned&#8221; in the current picture. Initially, this is set to <span
+class="cmsy-10">-</span>16000pt. </dd></dl>
+<!--l. 630--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox236"><span
+class="cmtt-10">\pgf@picminy</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228007"></a>
+ <!--l. 631--><p class="noindent">The minimum <span
+class="cmmi-10">y</span>-coordinate &#8220;mentioned&#8221; in the current picture. Initially, this is set to 16000pt. </dd></dl>
+
+
+<!--l. 635--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox237"><span
+class="cmtt-10">\pgf@picmaxy</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228008"></a>
+ <!--l. 636--><p class="noindent">The maximum <span
+class="cmmi-10">y</span>-coordinate &#8220;mentioned&#8221; in the current picture. Initially, this is set to <span
+class="cmsy-10">-</span>16000pt. </dd></dl>
+<!--l. 641--><p class="indent"> Each time a path construction command is called, the above variables are (globally) updated. To facilitate this,
+you can use the following command:
+<!--l. 645--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox238"><span
+class="cmtt-10">\pgf@protocolsizes</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x-dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y-dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228009"></a>
+ <!--l. 646--><p class="noindent">Updates all of the above dimension in such a way that the point specified by the two arguments
+ is inside both bounding boxes. For the picture&#8217;s bounding box this updating occurs only if
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgf@relevantforpicturesize</span></span></span> is true, see below. </dd></dl>
+<!--l. 652--><p class="indent"> For the bounding box of the picture it is not always desirable that every path construction command affects this
+bounding box. For example, if you have just used a clip command, you do not want anything outside the clipping
+area to affect the bounding box. For this reason, there exists a special &#8220;<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;if&#8221; that (locally) decides whether
+updating should be applied to the picture&#8217;s bounding box. Clipping will set this if to false, as will certain other
+commands.
+<!--l. 660--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox239"><span
+class="cmtt-10">\pgf@relevantforpicturesizefalse</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228010"></a>
+ <!--l. 661--><p class="noindent">Suppresses updating of the picture&#8217;s bounding box. </dd></dl>
+<!--l. 664--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox240"><span
+class="cmtt-10">\pgf@relevantforpicturesizetrue</span></span> </dt><dd
+class="description">
+<a
+ id="dx22-228011"></a>
+ <!--l. 665--><p class="noindent">Causes updating of the picture&#8217;s bounding box. </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse22.html" >next</a>] [<a
+href="pgfmanualse20.html" >prev</a>] [<a
+href="pgfmanualse20.html#tailpgfmanualse20.html" >prev-tail</a>] [<a
+href="pgfmanualse21.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse21.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse21.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>22 Snakes</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse23.html" >next</a>] [<a
+href="pgfmanualse21.html" >prev</a>] [<a
+href="pgfmanualse21.html#tailpgfmanualse21.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse22.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse22.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">22 </span> <a
+ id="x23-22900022"></a>Snakes</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">22.1 </span> <a
+ id="x23-23000022.1"></a>Overview</h4>
+<!--l. 14--><p class="noindent">A <span
+class="cmti-10">snake </span>is a &#8220;way of adding a winding line to a path.&#8221; To be a bit more precise, you use snakes to extend the path
+and the commands for using snakes start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpath</span></span></span>. However, snakes do not necessarily extend the path using
+line-to and curve-to operations; rather, they can also contain move-to operations and, thereby, cause the path to be
+split into many subpaths.
+<!--l. 21--><p class="indent"> As an example, let us consider a simple snake like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">zigzag</span></span></span> snake. It looks like this:
+<!--l. 24--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-453-" ><colgroup id="TBL-453-1g"><col
+id="TBL-453-1"><col
+id="TBL-453-2"></colgroup><tr
+ valign="baseline" id="TBL-453-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-453-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-530.svg" width="85.68571pt" height="32.34764pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-453-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;(0,-.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,-1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 31--><p class="indent"> The above example demonstrates the two key features of snakes:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x23-230002x1"></a>Snakes are made up from little segments that are repeated several times. For the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">zigzag</span></span></span> snake these
+ segements look like this: <object data="pgfmanual-531.svg" width="10.46054pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x23-230004x2"></a>Snakes &#8220;follow along a straight to the target point.&#8221; Thus, when the target point is not to the right of
+ the start point, the snake is rotated appropriately.</li></ol>
+<!--l. 44--><p class="indent"> In order to use snakes, they first have to be <span
+class="cmti-10">declared</span>. This declaration contains a detailed description of
+how each segement of the snake looks like and in what ordering the different possible segments are
+used.
+<!--l. 49--><p class="indent"> Once a snake has been declared, it can be used. For this you specify a target point and a snaked line will be
+added from the last point current point to the target point.
+<!--l. 54--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">22.2 </span> <a
+ id="x23-23100022.2"></a>Declaring a Snake</h4>
+<!--l. 57--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">22.2.1 </span> <a
+ id="x23-23200022.2.1"></a>Segments</h5>
+<!--l. 59--><p class="noindent">When you declare a snake, you provide a description of how the different segments of the snake will be rendered.
+The description of each segment should be given in a way as if the target of the snaked line where at (+<span
+class="cmsy-10"><img
+src="cmsy10-31.gif" alt=" oo " class="10x-x-31" /></span><span
+class="cmmi-10">,</span>0) and as
+if the segment&#8217;s start where at the origin. Thus, for example, the segment of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">zigzag</span></span></span> might be defined using the
+following code:
+<!--l. 65--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-454-" ><colgroup id="TBL-454-1g"><col
+id="TBL-454-1"></colgroup><tr
+ valign="baseline" id="TBL-454-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-454-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpathlineto{\pgfpoint{5pt}{5pt}}</span>
+<br><span
+class="cmtt-8">\pgfpathlineto{\pgfpoint{15pt}{-5pt}}</span>
+<br><span
+class="cmtt-8">\pgfpathlineto{\pgfpoint{20pt}{0pt}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 71--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will ensure that an appropriate coordinate transformation is in place when the snake segment is added to
+the path such that the snake segment actually points in the right direction. Also subsequent snake segments will be
+transformed such that they are &#8220;further along the line&#8221; toward the target. All transformations are setup
+automatically.
+
+
+<!--l. 78--><p class="indent"> Note that we did not use a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto{\pgfpointorigin}</span></span></span> at the beginning of the segment code. Doing so
+would subdivide the path into numerous subpath. Rather, we assume that the previous segment caused the current
+point to be at the origin.
+<!--l. 83--><p class="indent"> While we can now describe segments, we still need a way to &#8220;stop&#8221; the snake. Also, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;needs to know the
+width of the different snake segments such that it can translate the next segment correctly. Even though it would be
+possible to compute all this information automatically, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;does not do so and you have to provide the information
+&#8220;by hand&#8221; for each segment.
+<!--l. 91--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">22.2.2 </span> <a
+ id="x23-23300022.2.2"></a>Snake Automata</h5>
+<!--l. 93--><p class="noindent">Up to now our snakes only have one segment that is repeated again and again. However, we might also like to have
+<span
+class="cmti-10">different </span>segments and use rules to describe which segment should be used where. For example, we might have
+special segments at the start and at the end.
+<!--l. 98--><p class="indent"> For snakes we use a mechanism known in computer science as <span
+class="cmti-10">finite automata </span>to describe which segment is used
+in each part of the snake. The idea is the following: For the first segment we start in a special <span
+class="cmti-10">state</span>
+called the <span
+class="cmti-10">initial state</span>. In this state, and also in all other state later, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;first computes how much
+space is left on the snake. That is, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;keeps track of the distance to the target. Attached to each
+state there is a set of rules of the following form: &#8220;If the remaining distance is less than <span
+class="cmmi-10">x</span>, switch to
+state&nbsp;<span
+class="cmmi-10">q</span>.&#8221; <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;checks for each of these rules whether it applies and, if so, immediately switches to
+state&nbsp;<span
+class="cmmi-10">q</span>.
+<!--l. 110--><p class="indent"> Only if none of the rules tell us to switch to another state, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will execute the state&#8217;s code. This code will add
+a segment to the path. In addition to the rules there is also width parameter attached to each state. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;then
+translates the coordinate system by this width and reduces the remaining distance. Then, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;either stays in
+the current state or switches to another state, depending on yet another property attached of the
+state.
+<!--l. 119--><p class="indent"> The whole process stops when a special state called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">final</span></span></span> is reached. The segment of this state is added to the
+path immediately (it is often empty, though) and the process ends.
+<!--l. 123--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">22.2.3 </span> <a
+ id="x23-23400022.2.3"></a>The Snake Declaration Command</h5>
+<!--l. 126--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox241"><span
+class="cmtt-10">\pgfdeclaresnake</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">initial state</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">states</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-234001"></a>
+ <!--l. 127--><p class="noindent">This command declares a new snake called <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">states</span><span
+class="cmsy-10">&gt; </span>argument contains a description of
+ the snake automaton&#8217;s states and the transitions between them. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">initial state</span><span
+class="cmsy-10">&gt; </span>is the state in which
+ the automaton starts.
+ <!--l. 132--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">states</span><span
+class="cmsy-10">&gt; </span>argument should consist of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\state</span></span></span> commands, one for each state of the snake automaton.
+ The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\state</span></span></span> command is defined only when the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">states</span><span
+class="cmsy-10">&gt; </span>argument is executed.
+
+
+ <!--l. 136--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-455-" ><colgroup id="TBL-455-1g"><col
+id="TBL-455-1"><col
+id="TBL-455-2"></colgroup><tr
+ valign="baseline" id="TBL-455-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-455-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-532.svg" width="85.62251pt" height="93.66696pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-455-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclaresnake{example</span><span
+class="cmtt-8">&nbsp;snake}{initial}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{initial}[width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0pt}{5pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{5pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{-5pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{10pt}{-5pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{10pt}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{final}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgfsnakeremainingdistance}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmtt-8">\tikz{\draw[snake=example</span><span
+class="cmtt-8">&nbsp;snake]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=example</span><span
+class="cmtt-8">&nbsp;snake]</span><span
+class="cmtt-8">&nbsp;(0,-1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,-3);}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 156--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\state</span></span></span> command works as follows:
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox242"><span
+class="cmtt-10">\state</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-234002"></a>
+ <!--l. 158--><p class="noindent">This command declares a new state inside the current snake automaton. The state is names
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 161--><p class="noindent">When <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is in state <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>, the following things happen:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x23-234004x1"></a>The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are parsed. This may lead, see below, to a state switch. When this happens,
+ the following steps are not executed. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are executed one after the other in the
+ given order. If an option causes a state switch, the switch is immediate, even if later options
+ might cause a different state switch.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x23-234006x2"></a>The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed. When this happens, the coordinate transformation will be setup such
+ that the origin is at the start of the segment and such that the target lies in the direction
+ &#8220;east.&#8221;
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x23-234008x3"></a>After the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>has been executed, the state switches to whatever state has been specified
+ inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">next</span><span
+class="cmtt-10">&nbsp;state</span></span></span> option. If no <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">next</span><span
+class="cmtt-10">&nbsp;state</span></span></span> has been specified, the
+ state stays the same.</li></ol>
+ <!--l. 183--><p class="noindent">The following options are allowed inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span>:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">switch if less than</span><a
+ id="dx23-234009"></a><a
+ id="dx23-234010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;to</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new state</span><span
+class="cmsy-10">&gt; </span>When this option is encountered,
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;checks whether the remaining distance to the target is less than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. If so, an
+ immediate state switch to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new state</span><span
+class="cmsy-10">&gt; </span>occurs.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">width</span><a
+ id="dx23-234011"></a><a
+ id="dx23-234012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option tells <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;the width of the segment if it is appended to the
+ path. The coordinate system will, afterward, be translated by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>to ensure that the
+ next segment starts where the current one ended.
+ <!--l. 196--><p class="noindent">In addition, this option will cause an immediate switch to the state <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">final</span></span></span> if the
+ remaining distance is less than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. The effect is the same as if you had said
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">switch</span><span
+class="cmtt-10">&nbsp;if</span><span
+class="cmtt-10">&nbsp;less</span><span
+class="cmtt-10">&nbsp;than=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;to</span><span
+class="cmtt-10">&nbsp;final</span></span></span> just before the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">width</span></span></span> option.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">next state</span><a
+ id="dx23-234013"></a><a
+ id="dx23-234014"></a>=<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new state</span><span
+class="cmsy-10">&gt; </span>After the segment has been added to the path, a state switch to
+
+
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new state</span><span
+class="cmsy-10">&gt; </span>is performed. If this option is not given, the next state is the same as the current
+ state.</li></ul>
+ <!--l. 207--><p class="noindent">There are two dimensions that are useful inside snake automata:
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox243"><span
+class="cmtt-10">\pgfsnakeremainingdistance</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-234015"></a>
+ <!--l. 209--><p class="noindent">This <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension holds the remaining distance to the target. </dd></dl>
+ <!--l. 211--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox244"><span
+class="cmtt-10">\pgfsnakecompleteddistance</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-234016"></a>
+ <!--l. 212--><p class="noindent">This <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension holds the distance already completed on the snake. </dd></dl>
+ </dd></dl>
+ <!--l. 217--><p class="noindent">As a final example we present a more complicated snake that makes use of the different options:
+
+
+ <!--l. 219--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-456-" ><colgroup id="TBL-456-1g"><col
+id="TBL-456-1"><col
+id="TBL-456-2"></colgroup><tr
+ valign="baseline" id="TBL-456-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-456-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-533.svg" width="89.10129pt" height="182.48958pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-456-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclaresnake{complicated</span><span
+class="cmtt-8">&nbsp;example</span><span
+class="cmtt-8">&nbsp;snake}{initial}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{initial}[width=5pt,next</span><span
+class="cmtt-8">&nbsp;state=up]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{0pt}}</span><span
+class="cmtt-8">&nbsp;}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{up}[width=5pt,next</span><span
+class="cmtt-8">&nbsp;state=down]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\ifdim\pgfsnakeremainingdistance&gt;\pgfsnakecompleteddistance</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Growing</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0pt}{\pgfsnakecompleteddistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{\pgfsnakecompleteddistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\else</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Shrinking</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0pt}{\pgfsnakeremainingdistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{\pgfsnakeremainingdistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fi</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{down}[width=5pt,next</span><span
+class="cmtt-8">&nbsp;state=up]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\ifdim\pgfsnakeremainingdistance&gt;\pgfsnakecompleteddistance</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Growing</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0pt}{-\pgfsnakecompleteddistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{-\pgfsnakecompleteddistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\else</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Shrinking</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{0pt}{-\pgfsnakeremainingdistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{-\pgfsnakeremainingdistance}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{5pt}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fi</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\state{final}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgfsnakeremainingdistance}{0pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[snake=complicated</span><span
+class="cmtt-8">&nbsp;example</span><span
+class="cmtt-8">&nbsp;snake]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red!50,snake,rounded</span><span
+class="cmtt-8">&nbsp;corners=2pt]</span><span
+class="cmtt-8">&nbsp;(.5,-2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(2.5,-2.5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[snake=none]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(0,-.5)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(0,-2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 267--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">22.2.4 </span> <a
+ id="x23-23500022.2.4"></a>Predefined Snakes</h5>
+<!--l. 269--><p class="noindent">Only two very simple and basic snakes are predefined when you load <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. For more interesting snakes you can use
+the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibrarysnakes</span></span></span>.
+<!--l. 273--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox245">Snake <span
+class="cmtt-10">lineto</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-235001"></a>
+<a
+ id="dx23-235002"></a>
+ <!--l. 274--><p class="noindent">This most trivial of all snakes is simply a straight line. This snake is typically not used in a &#8220;stand
+ alone&#8221; fashion. Rather, it is useful as a &#8220;subsnake&#8221; of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesto</span></span></span> command. </dd></dl>
+<!--l. 279--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox246">Snake <span
+class="cmtt-10">moveto</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-235003"></a>
+<a
+ id="dx23-235004"></a>
+ <!--l. 280--><p class="noindent">Arguably, this snake is even simpler than the previous snake. This snake consists of a simple move-to
+ operation. Like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">lineto</span></span></span> snake, it is useful as a &#8220;subsnake&#8221; of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakesto</span></span></span> command. </dd></dl>
+<!--l. 288--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">22.3 </span> <a
+ id="x23-23600022.3"></a>Using Snakes</h4>
+<!--l. 290--><p class="noindent">Three commands can be used to use a snake.
+<!--l. 292--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox247"><span
+class="cmtt-10">\pgfpathsnakealongvector</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">length</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-236001"></a>
+ <!--l. 293--><p class="noindent">This command will append the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake</span><span
+class="cmsy-10">&gt; </span>to the current path. The length of the snake is given by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">length</span><span
+class="cmsy-10">&gt;</span>. The
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">vector</span><span
+class="cmsy-10">&gt; </span>should be a normalizes vector (a vector having length <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1pt</span></span></span>) pointing in the direction in which the
+ snake should grow.
+ <!--l. 297--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-457-" ><colgroup id="TBL-457-1g"><col
+id="TBL-457-1"><col
+id="TBL-457-2"></colgroup><tr
+ valign="baseline" id="TBL-457-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-457-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-534.svg" width="85.55821pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-457-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsnakealongvector{zigzag}{2cm}{\pgfpointpolar{30}{1pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 307--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox248"><span
+class="cmtt-10">\pgfpathsnakesto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-236002"></a>
+ <!--l. 308--><p class="noindent">This command will append the snakes in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake list</span><span
+class="cmsy-10">&gt; </span>to the current path such that it ends at
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>. This command calls the previous one (repeatedly, possibly) after having computed the distance
+ from the current point to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt; </span>and normalized the vector connecting the current point to the target.
+ <!--l. 314--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake list</span><span
+class="cmsy-10">&gt; </span>is a comma-separated list of pairs consisting of a snake name in curly braces and a
+ distance in curly braces. For example, a snake list might be <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{lineto}{1cm},{moveto}{2cm}</span></span></span>. This is
+ interpreted as follows: Use a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">lineto</span></span></span> snake for the first centimeter of the way to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt;</span>, then use
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">moveto</span></span></span> snake for the next two centimeters.
+ <!--l. 321--><p class="noindent">No attempt is made to check or ensure that the distances of the &#8220;subsnakes&#8217; add up to the distnace
+ from the current point to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt;</span>. However, it is possible to refer to this distance inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake</span>
+ <span
+class="cmti-10">list</span><span
+class="cmsy-10">&gt;</span>: While the snake list is processed, the two <span class="TEX">T<span
+class="E">E</span>X</span>-dimensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakeremainingdistance</span></span></span> and
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakecompleteddistance</span></span></span> will be set to the correct values. For example, consider the example
+
+
+ from a above, consisting of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">lineto</span></span></span> and a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">moveto</span></span></span> snake. Suppose the distance to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt; </span>where 5cm.
+ Then, when the length of the first subsnake is computed, the remaining distance willbe set to 5cm and
+ the completed distance to 0cm. When the length of the second subsnake is computed, the remaining
+ distance wil be 4cm and the completed distance will be 1cm.
+ <!--l. 335--><p class="noindent">Here are some useful examles: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{zigzag}{\pgfsnakeremainingdistance}</span></span></span> is a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake list</span><span
+class="cmsy-10">&gt; </span>that consists only of
+ a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">zigzag</span></span></span> snake whose length is the total distance from the current point to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt;</span>. Next, to get a snake
+ that is a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">zigzag</span></span></span> snake that is preceeded and succeeded by 3mm of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">lineto</span></span></span>, you can use the
+ following:
+ <!--l. 341--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-458-" ><colgroup id="TBL-458-1g"><col
+id="TBL-458-1"><col
+id="TBL-458-2"></colgroup><tr
+ valign="baseline" id="TBL-458-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-458-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-535.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-458-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines](0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsnakesto{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{lineto}{3mm},</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{zigzag}{\pgfsnakeremainingdistance-6mm},</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{lineto}{3mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 354--><p class="noindent">Note that the computation of the distance may be imprecise. In general, the placement precision of the snakes
+ will not be perfect. </dd></dl>
+<!--l. 358--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox249"><span
+class="cmtt-10">\pgfpathsnaketo</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">target</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-236003"></a>
+ <!--l. 359--><p class="noindent">This command is just a shortcut for calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathsnakesto</span></span></span> for a single snake whose length is
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsnakeremainingdistance</span></span></span>.
+ <!--l. 361--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-459-" ><colgroup id="TBL-459-1g"><col
+id="TBL-459-1"><col
+id="TBL-459-2"></colgroup><tr
+ valign="baseline" id="TBL-459-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-459-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-536.svg" width="85.6513pt" height="57.20152pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-459-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathsnaketo{zigzag}{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 371--><p class="indent"> As was already mentioned, when each segment of the snake is added to the path, an appropriate coordinate
+transformation will be in force. It is sometimes useful to add an additional transformation locally. For
+example, by reflecting everything around the <span
+class="cmmi-10">x</span>-axis right before each segment is added, the snake will
+effectively be mirrored along the path. The following command allows you to install such a &#8220;last minute
+transformation.&#8221;
+<!--l. 379--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox250"><span
+class="cmtt-10">\pgfsetsnakesegmenttransformation</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx23-236004"></a>
+ <!--l. 380--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will be executed at the very beginning of each segment. Normally, this be a transformation
+ command that changes the <span
+class="cmmi-10">y</span>-axis in some way. </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse23.html" >next</a>] [<a
+href="pgfmanualse21.html" >prev</a>] [<a
+href="pgfmanualse21.html#tailpgfmanualse21.html" >prev-tail</a>] [<a
+href="pgfmanualse22.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse22.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse22.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>23 Using Paths</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse24.html" >next</a>] [<a
+href="pgfmanualse22.html" >prev</a>] [<a
+href="pgfmanualse22.html#tailpgfmanualse22.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse23.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse23.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">23 </span> <a
+ id="x24-23700023"></a>Using Paths</h3>
+<!--l. 10--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">23.1 </span> <a
+ id="x24-23800023.1"></a>Overview</h4>
+<!--l. 12--><p class="noindent">Once a path has been constructed, it can be <span
+class="cmti-10">used </span>in different ways. For example, you can draw the path or fill it or
+use it for clipping.
+<!--l. 16--><p class="indent"> Numerous graph parameters influence how a path will be rendered. For example, when you draw a path,
+the line width is important as well as the dashing pattern. The options that govern how paths are
+rendered can all be set with commands starting with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfset</span></span></span>. <span
+class="cmti-10">All options that influence how a path is</span>
+<span
+class="cmti-10">rendered always influence the complete path. </span>Thus, it is not possible to draw part of a path using, say, a
+red color and drawing another part using a green color. To achieve such an effect, you must use two
+paths.
+<!--l. 25--><p class="indent"> In detail, paths can be used in the following ways:
+<!--l. 27--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x24-238002x1"></a>You can <span
+class="cmti-10">stroke </span>(also known as <span
+class="cmti-10">draw</span>) a path.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x24-238004x2"></a>You can <span
+class="cmti-10">fill </span>a path with a uniform color.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x24-238006x3"></a>You can <span
+class="cmti-10">clip </span>subsequent renderings against the path.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x24-238008x4"></a>You can <span
+class="cmti-10">shade </span>a path.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x24-238010x5"></a>You can <span
+class="cmti-10">use the path as bounding box </span>for the whole picture.</li></ol>
+<!--l. 39--><p class="noindent">You can also perform any combination of the above, though it makes no sense to fill and shade a path at the same
+time.
+<!--l. 42--><p class="indent"> To perform (a combination of) the first three actions, you can use the following command:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox251"><span
+class="cmtt-10">\pgfusepath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">actions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-238011"></a>
+ <!--l. 45--><p class="noindent">Applies the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">actions</span><span
+class="cmsy-10">&gt; </span>to the current path. Afterwards, the current path is (globally) empty. The
+ following actions are possible:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> fills the path. See Section&nbsp;<a
+href="#x24-24600023.3">23.3<!--tex4ht:ref: section-fill --></a> for further details.
+ <!--l. 51--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-460-" ><colgroup id="TBL-460-1g"><col
+id="TBL-460-1"><col
+id="TBL-460-2"></colgroup><tr
+ valign="baseline" id="TBL-460-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-460-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-537.svg" width="28.45274pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-460-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">stroke</span></span></span> strokes the path. See Section&nbsp;<a
+href="#x24-23900023.2">23.2<!--tex4ht:ref: section-stroke --></a> for further details.
+ <!--l. 61--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-461-" ><colgroup id="TBL-461-1g"><col
+id="TBL-461-1"><col
+id="TBL-461-2"></colgroup><tr
+ valign="baseline" id="TBL-461-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-461-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-538.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-461-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> clips all subsequent drawings against the path. See Section&nbsp;<a
+href="#x24-25000023.4">23.4<!--tex4ht:ref: section-clip --></a> for further details.
+ <!--l. 72--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-462-" ><colgroup id="TBL-462-1g"><col
+id="TBL-462-1"><col
+id="TBL-462-2"></colgroup><tr
+ valign="baseline" id="TBL-462-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-462-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-539.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-462-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke,clip}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{1cm}{1cm}}{0.5cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">discard</span></span></span> discards the path, that is, it is not used at all. Giving this option (alone) has the same effect as
+ giving an empty options list.</li></ul>
+ <!--l. 87--><p class="noindent">When more than one of the first three actions are given, they are applied in the above ordering, regardless of
+ their ordering in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">actions</span><span
+class="cmsy-10">&gt;</span>. Thus, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{stroke,fill}</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{fill,stroke}</span></span></span> have the same effect.
+ </dd></dl>
+<!--l. 93--><p class="indent"> To shade a path, use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshadepath</span></span></span> command, which is explained in Section&nbsp;<a
+href="pgfmanualse28.html#x29-28600028">28<!--tex4ht:ref: section-shadings --></a>.
+<!--l. 98--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">23.2 </span> <a
+ id="x24-23900023.2"></a>Stroking a Path</h4>
+<!--l. 101--><p class="noindent">When you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath{stroke}</span></span></span> to stroke a path, several graphic parameters influence how the path is drawn.
+The commands for setting these parameters are explained in the following.
+<!--l. 105--><p class="indent"> Note that all graphic parameters apply to the path as a whole, never only to a part of it.
+<!--l. 108--><p class="indent"> All graphic parameters are local to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>, but they persists past <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups, <span
+class="cmti-10">except </span>for
+the interior rule (even-odd or nonzero) and the arrow tip kinds. The latter graphic parameters only
+persist till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group, but this may change in the future, so do not count on
+this.
+<!--l. 114--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.1 </span> <a
+ id="x24-24000023.2.1"></a>Graphic Parameter: Line Width</h5>
+<!--l. 116--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox252"><span
+class="cmtt-10">\pgfsetlinewidth</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">line width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-240001"></a>
+ <!--l. 117--><p class="noindent">This command sets the line width for subsequent strokes (in the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfscope</span></span></span>). The line width is
+ given as a normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.4pt</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1mm</span></span></span>.
+
+
+ <!--l. 121--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-463-" ><colgroup id="TBL-463-1g"><col
+id="TBL-463-1"><col
+id="TBL-463-2"></colgroup><tr
+ valign="baseline" id="TBL-463-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-463-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-540.svg" width="62.59602pt" height="18.49425pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-463-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0mm}{0mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{0mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{2\pgflinewidth}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;double</span><span
+class="cmsltt-10x-x-80">&nbsp;in</span><span
+class="cmsltt-10x-x-80">&nbsp;size</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0mm}{5mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{5mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 135--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox253"><span
+class="cmtt-10">\pgflinewidth</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-240002"></a>
+ <!--l. 136--><p class="noindent">You can access the current line width via the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflinewidth</span></span></span>. It will be set to the
+ correct line width, that is, even when a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group closed, the value will be correct since it is set
+ globally, but when a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> closes, the value is set to the correct value it had before the scope. </dd></dl>
+<!--l. 144--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.2 </span> <a
+ id="x24-24100023.2.2"></a>Graphic Parameter: Caps and Joins</h5>
+<!--l. 146--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox254"><span
+class="cmtt-10">\pgfsetbuttcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241001"></a>
+ <!--l. 147--><p class="noindent">Sets the line cap to a butt cap. See Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a> for an explanation of what this is. </dd></dl>
+<!--l. 150--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox255"><span
+class="cmtt-10">\pgfsetroundcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241002"></a>
+ <!--l. 151--><p class="noindent">Sets the line cap to a round cap. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 154--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox256"><span
+class="cmtt-10">\pgfsetrectcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241003"></a>
+ <!--l. 155--><p class="noindent">Sets the line cap to a square cap. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 158--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox257"><span
+class="cmtt-10">\pgfsetroundjoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241004"></a>
+ <!--l. 159--><p class="noindent">Sets the line join to a round join. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 162--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox258"><span
+class="cmtt-10">\pgfsetbeveljoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241005"></a>
+ <!--l. 163--><p class="noindent">Sets the line join to a bevel join. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 166--><p class="noindent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox259"><span
+class="cmtt-10">\pgfsetmiterjoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241006"></a>
+ <!--l. 167--><p class="noindent">Sets the line join to a miter join. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 170--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox260"><span
+class="cmtt-10">\pgfsetmiterlimit</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">miter limit factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-241007"></a>
+ <!--l. 171--><p class="noindent">Sets the miter limit to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">miter limit factor</span><span
+class="cmsy-10">&gt;</span>. See again Section&nbsp;<a
+href="pgfmanualse10.html#x11-12300010.2.1">10.2.1<!--tex4ht:ref: section-cap-joins --></a>. </dd></dl>
+<!--l. 175--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.3 </span> <a
+ id="x24-24200023.2.3"></a>Graphic Parameter: Dashing</h5>
+<!--l. 177--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox261"><span
+class="cmtt-10">\pgfsetdash</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list of even length of dimensions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">phase</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-242001"></a>
+ <!--l. 178--><p class="noindent">Sets the dashing of a line. The first entry in the list specifies the length of the first solid part of the
+ list. The second entry specifies the length of the following gap. Then comes the length of the second
+ solid part, following by the length of the second gap, and so on. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">phase</span><span
+class="cmsy-10">&gt; </span>specifies where the first
+ solid part starts relative to the beginning of the line.
+ <!--l. 185--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-464-" ><colgroup id="TBL-464-1g"><col
+id="TBL-464-1"><col
+id="TBL-464-2"></colgroup><tr
+ valign="baseline" id="TBL-464-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-464-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-541.svg" width="57.3055pt" height="6.09053pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-464-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0mm}{0mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{0mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0.1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0mm}{1mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{1mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{{0.5cm}{0.5cm}{0.1cm}{0.2cm}}{0.2cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0mm}{2mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{2mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 202--><p class="noindent">Use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetdash{}{0pt}</span></span></span> to get a solid dashing. </dd></dl>
+<!--l. 205--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.4 </span> <a
+ id="x24-24300023.2.4"></a>Graphic Parameter: Stroke Color</h5>
+<!--l. 207--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox262"><span
+class="cmtt-10">\pgfsetstrokecolor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-243001"></a>
+ <!--l. 208--><p class="noindent">Sets the color used for stroking lines to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span>, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>is a <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;color like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">red</span></span></span> or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">black!20!red</span></span></span>. Unlike the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command, the effect of this command lasts till the end of the current
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> and not till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group.
+ <!--l. 214--><p class="noindent">The color used for stroking may be different from the color used for filling. However, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command
+ will always &#8220;immediately override&#8221; any special settings for the stroke and fill colors.
+ <!--l. 218--><p class="noindent">In plain <span class="TEX">T<span
+class="E">E</span>X</span>, this command will also work, but the problem of <span
+class="cmti-10">defining </span>a color arises. After all, plain
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;does not provide <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;colors. For this reason, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;implements a minimalistic &#8220;emulation&#8221; of
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\definecolor</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\colorlet</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> commands. Only gray-scale and rgb colors are supported.
+ For most cases this turns out to be enough.
+
+
+ <!--l. 225--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-465-" ><colgroup id="TBL-465-1g"><col
+id="TBL-465-1"><col
+id="TBL-465-2"></colgroup><tr
+ valign="baseline" id="TBL-465-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-465-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-542.svg" width="74.97713pt" height="18.07162pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-465-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{0cm}{0cm}}{3mm}</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetstrokecolor{black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{1cm}{0cm}}{3mm}</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{2cm}{0cm}}{3mm}</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill,stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 238--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox263"><span
+class="cmtt-10">\pgfsetcolor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-243002"></a>
+ <!--l. 239--><p class="noindent">Sets both the stroke and fill color. The difference to the normal <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command is that the effect
+ lasts till the end of the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>, not only till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group. </dd></dl>
+<!--l. 246--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.5 </span> <a
+ id="x24-24400023.2.5"></a>Graphic Parameter: Stroke Opacity</h5>
+<!--l. 248--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox264"><span
+class="cmtt-10">\pgfsetstrokeopacity</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-244001"></a>
+ <!--l. 249--><p class="noindent">Sets the opacity of stroking operations. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>should be a number between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span>, where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span>
+ means &#8220;fully opaque&#8221; and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0</span></span></span> means &#8220;fully transparent.&#8221; A value like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> will cause paths to be stroked
+ in a semitransparent way.
+ <!--l. 254--><p class="noindent"><span
+class="cmti-10">Note: </span>For PostScript output, opacity is rendered correctly only with the most recent versions of
+ GhostScript. Printers and other programs will ignore the opacity setting.
+ <!--l. 258--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-466-" ><colgroup id="TBL-466-1g"><col
+id="TBL-466-1"><col
+id="TBL-466-2"></colgroup><tr
+ valign="baseline" id="TBL-466-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-466-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-543.svg" width="99.58458pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-466-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{5mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{0cm}{0cm}}{10mm}</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetstrokeopacity{0.5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{1cm}{0cm}}{10mm}</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 271--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.2.6 </span> <a
+ id="x24-24500023.2.6"></a>Graphic Parameter: Arrows</h5>
+<!--l. 273--><p class="noindent">After a path has been drawn, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;can add arrow tips at the ends. Currently, it will only add arrows correctly at the
+end of paths that consist of a single open part. For other paths, like closed paths or path consisting of multiple
+parts, the result is not defined.
+<!--l. 278--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox265"><span
+class="cmtt-10">\pgfsetarrowsstart</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-245001"></a>
+ <!--l. 279--><p class="noindent">Sets the arrow tip kind used at the start of a (possibly curved) path. When this option is used, the
+ line will often be slightly shortened to ensure that the tip of the arrow will exactly &#8220;touch&#8221; the &#8220;real&#8221;
+ start of the line.
+ <!--l. 284--><p class="noindent">To &#8220;clear&#8221; the start arrow, say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrowsstart{}</span></span></span>.
+ <!--l. 285--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-467-" ><colgroup id="TBL-467-1g"><col
+id="TBL-467-1"><col
+id="TBL-467-2"></colgroup><tr
+ valign="baseline" id="TBL-467-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-467-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-544.svg" width="28.85274pt" height="6.09053pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-467-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsstart{latex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsstart{to}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{0cm}{2mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{2mm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 298--><p class="noindent">The effect of this command persists only till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;scope.
+ <!--l. 301--><p class="noindent">The different possible arrow kinds are explained in Section&nbsp;<a
+href="pgfmanualse24.html#x25-25200024">24<!--tex4ht:ref: section-arrows --></a>. </dd></dl>
+<!--l. 305--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox266"><span
+class="cmtt-10">\pgfsetarrowsend</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-245002"></a>
+ <!--l. 306--><p class="noindent">Sets the arrow tip kind used at the end of a path.
+ <!--l. 307--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-468-" ><colgroup id="TBL-468-1g"><col
+id="TBL-468-1"><col
+id="TBL-468-2"></colgroup><tr
+ valign="baseline" id="TBL-468-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-468-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-545.svg" width="28.85274pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-468-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsstart{latex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsend{to}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 318--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox267"><span
+class="cmtt-10">\pgfsetarrows</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start kind</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-245003"></a>
+ <!--l. 319--><p class="noindent">Sets the start arrow kind to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start kind</span><span
+class="cmsy-10">&gt; </span>and the end kind to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end kind</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 321--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-469-" ><colgroup id="TBL-469-1g"><col
+id="TBL-469-1"><col
+id="TBL-469-2"></colgroup><tr
+ valign="baseline" id="TBL-469-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-469-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-546.svg" width="28.85274pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-469-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{latex-to}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 331--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox268"><span
+class="cmtt-10">\pgfsetshortenstart</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-245004"></a>
+ <!--l. 332--><p class="noindent">This command will shortened the start of every stroked path by the given dimension. This shortening
+ is done in addition to automatic shortening done by a start arrow, but it can be used even if no start
+ arrow is given.
+
+
+ <!--l. 337--><p class="noindent">This command is useful if you wish arrows or lines to &#8220;stop shortly before&#8221; a given point.
+ <!--l. 339--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-470-" ><colgroup id="TBL-470-1g"><col
+id="TBL-470-1"><col
+id="TBL-470-2"></colgroup><tr
+ valign="baseline" id="TBL-470-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-470-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-547.svg" width="71.53186pt" height="28.85272pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-470-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointorigin}{5mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{latex-}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetshortenstart{4pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{5mm}{0cm}}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;would</span><span
+class="cmsltt-10x-x-80">&nbsp;be</span><span
+class="cmsltt-10x-x-80">&nbsp;on</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;circle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 352--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox269"><span
+class="cmtt-10">\pgfsetshortenend</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-245005"></a>
+ <!--l. 353--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetshortenstart</span></span></span>. </dd></dl>
+<!--l. 358--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">23.3 </span> <a
+ id="x24-24600023.3"></a>Filling a Path</h4>
+<!--l. 361--><p class="noindent">Filling a path means coloring every interior point of the path with the current fill color. It is not always obvious
+whether a point is &#8220;inside&#8221; a path when the path is self-intersecting and/or consists or multiple parts. In this case
+either the nonzero winding number rule or the even-odd crossing number rule is used to decide, which points lie
+&#8220;inside.&#8221; These rules are explained in Section&nbsp;<a
+href="pgfmanualse10.html#x11-12800010.3">10.3<!--tex4ht:ref: section-rules --></a>.
+<!--l. 369--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.3.1 </span> <a
+ id="x24-24700023.3.1"></a>Graphic Parameter: Interior Rule</h5>
+<!--l. 371--><p class="noindent">You can set which rule is used using the following commands:
+<!--l. 373--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox270"><span
+class="cmtt-10">\pgfseteorule</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-247001"></a>
+ <!--l. 374--><p class="noindent">Dictates that the even-odd rule is used in subsequent fillings in the current <span class="TEX"><span
+class="cmti-10">T</span><span
+class="E"><span
+class="cmti-10">E</span></span><span
+class="cmti-10">X</span></span><span
+class="cmti-10">&nbsp;scope</span>. Thus, for once,
+ the effect of this command does not persist past the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;scope.
+ <!--l. 378--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-471-" ><colgroup id="TBL-471-1g"><col
+id="TBL-471-1"><col
+id="TBL-471-2"></colgroup><tr
+ valign="baseline" id="TBL-471-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-471-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-548.svg" width="54.0602pt" height="39.83383pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-471-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfseteorule</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{0mm}{0cm}}{7mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{5mm}{0cm}}{7mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 388--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox271"><span
+class="cmtt-10">\pgfsetnonzerorule</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-247002"></a>
+
+
+ <!--l. 389--><p class="noindent">Dictates that the nonzero winding number rule is used in subsequent fillings in the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;scope.
+ This is the default.
+ <!--l. 392--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-472-" ><colgroup id="TBL-472-1g"><col
+id="TBL-472-1"><col
+id="TBL-472-2"></colgroup><tr
+ valign="baseline" id="TBL-472-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-472-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-549.svg" width="54.0602pt" height="39.83383pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-472-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetnonzerorule</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{0mm}{0cm}}{7mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{5mm}{0cm}}{7mm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 402--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.3.2 </span> <a
+ id="x24-24800023.3.2"></a>Graphic Parameter: Filling Color</h5>
+<!--l. 404--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox272"><span
+class="cmtt-10">\pgfsetfillcolor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-248001"></a>
+ <!--l. 405--><p class="noindent">Sets the color used for filling paths to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt;</span>. Like the stroke color, the effect lasts only till the next
+ use of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span>. </dd></dl>
+<!--l. 410--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">23.3.3 </span> <a
+ id="x24-24900023.3.3"></a>Graphic Parameter: Fill Opacity</h5>
+<!--l. 412--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox273"><span
+class="cmtt-10">\pgfsetfillopacity</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx24-249001"></a>
+ <!--l. 413--><p class="noindent">Sets the opacity of filling operations. As for stroking, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>should be a number between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0</span></span></span> and&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span>.
+ <!--l. 416--><p class="noindent">The &#8220;filling transparency&#8221; will also be used for text and images.
+ <!--l. 418--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-473-" ><colgroup id="TBL-473-1g"><col
+id="TBL-473-1"><col
+id="TBL-473-2"></colgroup><tr
+ valign="baseline" id="TBL-473-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-473-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-550.svg" width="111.87775pt" height="105.27515pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-473-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillopacity{0.5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(90:1cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(11mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[green]</span><span
+class="cmtt-8">&nbsp;(210:1cm)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(11mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(-30:1cm)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(11mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+<!--l. 428--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">23.4 </span> <a
+ id="x24-25000023.4"></a>Clipping a Path</h4>
+<!--l. 431--><p class="noindent">When you add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> option, the current path is used for clipping subsequent drawings. The same rule as for
+filling is used to decide whether a point is inside or outside the path, that is, either the even-odd rule or the nonzero
+rule.
+<!--l. 436--><p class="indent"> Clipping never enlarges the clipping area. Thus, when you clip against a certain path and then clip again against
+another path, you clip against the intersection of both.
+<!--l. 440--><p class="indent"> The only way to enlarge the clipping path is to end the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> in which the clipping was
+done. At the end of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> the clipping path that was in force at the beginning of the scope is
+reinstalled.
+<!--l. 445--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">23.5 </span> <a
+ id="x24-25100023.5"></a>Using a Path as a Bounding Box</h4>
+<!--l. 448--><p class="noindent">When you add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box</span></span></span> option, the bounding box of the picture will be enlarged such that the
+path in encompassed, but any <span
+class="cmti-10">subsequent </span>paths of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;scope will not have any effect on the
+size of the bounding box. Typically, you use this command at the very beginning of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>
+environment.
+<!--l. 454--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-474-" ><colgroup id="TBL-474-1g"><col
+id="TBL-474-1"><col
+id="TBL-474-2"></colgroup><tr
+ valign="baseline" id="TBL-474-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-474-1-1"
+class="td11"> &nbsp;Left<object data="pgfmanual-551.svg" width="8.61108pt" height="4.30554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>right.&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-474-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">Left</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2ex}{1ex}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{use</span><span
+class="cmtt-8">&nbsp;as</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;draws</span><span
+class="cmsltt-10x-x-80">&nbsp;nothing</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointorigin}{2ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span>
+<br><span
+class="cmtt-8">right.</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse24.html" >next</a>] [<a
+href="pgfmanualse22.html" >prev</a>] [<a
+href="pgfmanualse22.html#tailpgfmanualse22.html" >prev-tail</a>] [<a
+href="pgfmanualse23.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse23.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse23.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse24.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse24.html
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@@ -0,0 +1,1367 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>24 Arrow Tips</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse25.html" >next</a>] [<a
+href="pgfmanualse23.html" >prev</a>] [<a
+href="pgfmanualse23.html#tailpgfmanualse23.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse24.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse24.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">24 </span> <a
+ id="x25-25200024"></a>Arrow Tips</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">24.1 </span> <a
+ id="x25-25300024.1"></a>Overview</h4>
+<!--l. 14--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">24.1.1 </span> <a
+ id="x25-25400024.1.1"></a>When Does PGF Draw Arrow Tips?</h5>
+<!--l. 16--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;offers an interface for placing <span
+class="cmti-10">arrow tips </span>at the end of lines. The interface works as follows:
+<!--l. 19--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x25-254002x1"></a>You (or someone else) assigns a name to a certain kind of arrow tips. For example, the arrow tip <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span>
+ is the arrow tip used by the standard <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;picture environment; the arrow tip <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">to</span></span></span> looks like the tip
+ of the arrow in <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\to</span></span></span> command; and so on.
+ <!--l. 27--><p class="noindent">This is done once at the beginning of the document.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x25-254004x2"></a>Inside some picture, at some point you specify that in the current scope from now on you would like
+ tips of, say, kind <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">to</span></span></span> to be added at the end and/or beginning of all paths.
+ <!--l. 33--><p class="noindent">When an arrow kind has been installed and when <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is about to stroke a path, the following things
+ happen:
+ <ol type="a" class="enumerate2" >
+ <li class="enumerate" value="1"
+><a
+ id="x25-254006x1"></a>The beginning and/or end of the path is shortened appropriately.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x25-254008x2"></a>The path is stroked.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x25-254010x3"></a>The arrow tip is drawn at the beginning and/or end of the path, appropriately rotated and
+ appropriately resized.</li></ol>
+ </li></ol>
+<!--l. 46--><p class="indent"> In the above description, there are a number of &#8220;appropriately.&#8221; The exact details are not quite trivial and
+described later on.
+<!--l. 49--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">24.1.2 </span> <a
+ id="x25-25500024.1.2"></a>Meta-Arrow Tips</h5>
+<!--l. 51--><p class="noindent">In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, arrows are &#8220;meta-arrows&#8221; in the same way that fonts in <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;are &#8220;meta-fonts.&#8221; When a meta-arrow is
+resized, it is not simply scaled, but a possibly complicated transformation is applied to the size.
+<!--l. 56--><p class="indent"> A meta-font is not one particular font at a specific size with a specific stroke width (and with a large number of
+other parameters being fixed). Rather, it is a &#8220;blueprint&#8221; (actually, more like a program) for generating such a font
+at a particular size and width. This allows the designer of a meta-font to make sure that, say, the
+font is somewhat thicker and wider at very small sizes. To appreciate the difference: Compare the
+following texts: &#8220;Berlin&#8221; and &#8220;<object data="pgfmanual-552.svg" width="36.43103pt" height="6.9444pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&#8221;. The first is a &#8220;normal&#8221; text, the second is the tiny version scaled
+by a factor of two. Obviously, the first look better. Now, compare &#8220;<object data="pgfmanual-553.svg" width="13.2778pt" height="3.47221pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&#8221; and &#8220;<span
+class="cmr-5">Berlin</span>&#8221;. This time, the
+normal text was scaled down, while the second text is a &#8220;normal&#8221; tiny text. The second text is easier to
+read.
+
+
+<!--l. 71--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s meta-arrows work in a similar fashion: The shape of an arrow tip can vary according to the line width of
+the arrow tip is used. Thus, an arrow tip drawn at a line width of 5pt will typically <span
+class="cmti-10">not </span>be five times as large as an
+arrow tip of line width 1pt. Instead, the size of the arrow will get bigger only slowly as the line width
+increases.
+<!--l. 78--><p class="indent"> To appreciate the difference, here are the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">to</span></span></span> arrows, as drawn by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;at four different
+sizes:
+<!--l. 92--><p class="indent"> <object data="pgfmanual-554.svg" width="344.94086pt" height="75.55493pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 95--><p class="indent"> Here, by comparison, is the same arrow when it is simply &#8220;resized&#8221; (as done by most programs):
+<!--l. 150--><p class="indent"> <object data="pgfmanual-555.svg" width="344.94086pt" height="75.55493pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 153--><p class="indent"> As can be seen, simple scaling produces arrow tips that are way too large at larger sizes and way too small at
+smaller sizes.
+<!--l. 158--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">24.2 </span> <a
+ id="x25-25600024.2"></a>Declaring an Arrow Tip Kind</h4>
+<!--l. 160--><p class="noindent">To declare an arrow kind &#8220;from scratch,&#8221; the following command is used:
+<!--l. 164--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox274"><span
+class="cmtt-10">\pgfarrowsdeclare</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extend code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-256001"></a>
+ <!--l. 165--><p class="noindent">This command declares a new arrow kind. An arrow kind has two names, which will typically be the
+ same. When the arrow tip needs to be drawn, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt; </span>will be invoked, but the canvas
+ transformation is setup beforehand to a rotation such that when an arrow tip pointing right is specified,
+ the arrow tip that is actually drawn points in the direction of the line.
+ <!--l. 173--><p class="noindent"><span
+class="cmbx-10">Naming the arrow kind. </span>The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt; </span>is the name used for the arrow tip when it is at the
+ start of a path, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt; </span>is the name used at the end of a path. For example, the arrow
+ kind that looks like a parenthesis has the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span> and the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> so that you can say
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrows{(-)}</span></span></span> to specify that you want parenthesis arrows and both ends.
+ <!--l. 182--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt; </span>can be quite arbitrary and may contain spaces.
+ <!--l. 186--><p class="noindent"><span
+class="cmbx-10">Basics of the arrow tip code. </span>Let us next have a look at the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt;</span>. This code will be
+ used to draw the arrow tip when <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;thinks this is necessary. The code should draw an arrow that
+ &#8220;points right,&#8221; which means that is should draw an arrow at the end of a line coming from the left and
+ ending at the origin.
+ <!--l. 193--><p class="noindent">As an example, suppose we wanted to declare an arrow tip consisting of two arcs, that is, we want the arrow
+ tip to look more or less like the red part of the following picture:
+
+
+ <!--l. 196--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-475-" ><colgroup id="TBL-475-1g"><col
+id="TBL-475-1"><col
+id="TBL-475-2"></colgroup><tr
+ valign="baseline" id="TBL-475-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-475-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-556.svg" width="59.90549pt" height="23.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-475-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=3pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red,join=round,cap=round]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(-10pt,10pt)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:270:10pt)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(90:180:10pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 204--><p class="noindent">We could use the following as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt; </span>for this:
+ <!--l. 205--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-476-" ><colgroup id="TBL-476-1g"><col
+id="TBL-476-1"></colgroup><tr
+ valign="baseline" id="TBL-476-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-476-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclare{arcs}{arcs}{...}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{}{0pt}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;do</span><span
+class="cmsltt-10x-x-80">&nbsp;not</span><span
+class="cmsltt-10x-x-80">&nbsp;dash</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundjoin</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;join</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundcap</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;cap</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{-10pt}{10pt}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{270}{10pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{90}{180}{10pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepathqstroke</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 218--><p class="noindent">Indeed, when the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span> is set appropriately (in a moment), we can write the following:
+ <!--l. 230--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-477-" ><colgroup id="TBL-477-1g"><col
+id="TBL-477-1"><col
+id="TBL-477-2"></colgroup><tr
+ valign="baseline" id="TBL-477-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-477-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-557.svg" width="59.90549pt" height="78.24504pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-477-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-arcs,line</span><span
+class="cmtt-8">&nbsp;width=3pt]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[arcs-arcs,line</span><span
+class="cmtt-8">&nbsp;width=1pt]</span><span
+class="cmtt-8">&nbsp;(-2,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-2,-2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0,0.75);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 238--><p class="noindent">As can be seen in the second example, the arrow tip is automatically rotated as needed when the arrow is
+ drawn. This is achieved by a canvas rotation.
+ <!--l. 243--><p class="noindent"><span
+class="cmbx-10">Special considerations about the arrow tip code. </span>There are several things you need to be aware of when
+ designing arrow tip code:
+ <ul class="itemize1">
+ <li class="itemize">Inside the code, you may not use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span> command. The reason is that this command
+ internally calls arrow construction commands, which is something you obviously do not want to
+ happen.
+ <!--l. 253--><p class="noindent">Instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span>, use the quick versions. Typically, you will use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepathqstroke</span></span></span>,
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepathqfill</span></span></span>, or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepathqfillstroke</span></span></span>.
+ </li>
+ <li class="itemize">The code will be executed only once, namely the first time the arrow tip needs to be drawn. The
+ resulting low-level driver commands are protocoled and stored away. In all subsequent uses of the
+ arrow tip, the protocoled code is directly inserted.
+ </li>
+ <li class="itemize">However, the code will be executed anew for each line width. Thus, an arrow of line width 2pt
+ may result in a different protocol than the same arrow for a line width of 0.4pt.
+ </li>
+ <li class="itemize">If you stroke the path that you construct, you should first set the dashing to solid and setup fixed
+ joins and caps, as needed. This will ensure that the arrow tip will always look the same.
+ </li>
+ <li class="itemize">When the arrow tip code is executed, it is automatically put inside a low-level scope, so nothing
+ will &#8220;leak out&#8221; from the scope.
+
+
+ </li>
+ <li class="itemize">The high-level coordinate transformation matrix will be set to the identity matrix when the code
+ is executed for the first time.</li></ul>
+ <!--l. 280--><p class="noindent"><span
+class="cmbx-10">Designing meta-arrows. </span>The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt; </span>should adjust the size of the arrow in accordance with the
+ line width. For a small line width, the arrow tip should be small, for a large line width, it should be
+ larger. However, the size of the arrow typically <span
+class="cmti-10">should not </span>grow in direct proportion to the line
+ width. On the other hand, the size of the arrow head typically <span
+class="cmti-10">should </span>grow &#8220;a bit&#8221; with the line
+ width.
+ <!--l. 289--><p class="noindent">For these reasons, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will not simply executed your arrow code within a scaled scope, where the scaling
+ depends on the line width. Instead, your <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">arrow tip code</span><span
+class="cmsy-10">&gt; </span>is reexecuted again for each different line
+ width.
+ <!--l. 294--><p class="noindent">In our example, we could use the following code for the new arrow tip kind <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc'</span></span></span> (note the prime):
+ <!--l. 296--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-478-" ><colgroup id="TBL-478-1g"><col
+id="TBL-478-1"></colgroup><tr
+ valign="baseline" id="TBL-478-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-478-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\newdimen\arrowsize</span>
+<br><span
+class="cmtt-8">\pgfarrowsdeclare{arcs'}{arcs'}{...}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\arrowsize=0.2pt</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\arrowsize</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;.5\pgflinewidth</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{}{0pt}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;do</span><span
+class="cmsltt-10x-x-80">&nbsp;not</span><span
+class="cmsltt-10x-x-80">&nbsp;dash</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundjoin</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;join</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundcap</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;cap</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{270}{4\arrowsize}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{90}{180}{4\arrowsize}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepathqstroke</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 326--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-479-" ><colgroup id="TBL-479-1g"><col
+id="TBL-479-1"><col
+id="TBL-479-2"></colgroup><tr
+ valign="baseline" id="TBL-479-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-479-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-558.svg" width="59.90549pt" height="64.01866pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-479-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-arcs',line</span><span
+class="cmtt-8">&nbsp;width=3pt]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[arcs'-arcs',line</span><span
+class="cmtt-8">&nbsp;width=1pt]</span><span
+class="cmtt-8">&nbsp;(-2,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-2,-1.75)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0,0.5);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 334--><p class="noindent">However, sometimes, it can also be useful to have arrows that do not resize at all when the line width changes.
+ This can be achieved by giving absolute size coordinates in the code, as done for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc</span></span></span>. On the other hand, you
+ can also have the arrow resize linearly with the line width by specifying all coordinates as multiples of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflinewidth</span></span></span>.
+ <!--l. 341--><p class="noindent"><span
+class="cmbx-10">The left and right extend. </span>Let us have another look at the exact left and right &#8220;ends&#8221; of our arrow tip. Let
+ us draw the arrow tip <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc'</span></span></span> at a very large size:
+ <!--l. 345--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-480-" ><colgroup id="TBL-480-1g"><col
+id="TBL-480-1"><col
+id="TBL-480-2"></colgroup><tr
+ valign="baseline" id="TBL-480-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-480-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-559.svg" width="90.45822pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-480-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2,-1)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=10pt,-arcs']</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=2pt,white]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 353--><p class="noindent">As one can see, the arrow tip does not &#8220;touch&#8221; the origin as it should, but protrudes a little over the origin.
+ One remedy to this undesirable effect is to change the code of the arrow tip such that everything is
+ shifted half an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\arrowsize</span></span></span> to the left. While this will cause the arrow tip to touch the origin, the
+ line itself will then interfere with the arrow: The arrow tip will be partly &#8220;hidden&#8221; by the line
+ itself.
+
+
+ <!--l. 361--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;uses a different approach to solving the problem: The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extend code</span><span
+class="cmsy-10">&gt; </span>argument can be used to &#8220;tell&#8221;
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;how much the arrow protrudes over the origin. The argument is also used to tell <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;where the &#8220;left&#8221;
+ end of the arrow is. However, this number is important only when the arrow is being reversed or composed
+ with other arrow tips.
+ <!--l. 368--><p class="noindent">Once <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;knows the right extend of an arrow kind, it can <span
+class="cmti-10">shorten </span>lines by this amount when drawing
+ arrows.
+ <!--l. 371--><p class="noindent">Here is a picture that shows what the visualizes the extends. The arrow tip itself is shown in red once
+ more:
+ <!--l. 389--><p class="noindent"><object data="pgfmanual-560.svg" width="245.28935pt" height="180.93636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+ <!--l. 392--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extend code</span><span
+class="cmsy-10">&gt; </span>is normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;code that is executed whenever <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;wants to know how far the
+ arrow tip will protrude to the right and left. The code should call the following two commands:
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfarrowsrightextend</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfarrowsleftextend</span></span></span>. Both arguments take one argument that specifies the
+ size. Here is the final code for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc''</span></span></span> arrow tip:
+ <!--l. 399--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-481-" ><colgroup id="TBL-481-1g"><col
+id="TBL-481-1"><col
+id="TBL-481-2"></colgroup><tr
+ valign="baseline" id="TBL-481-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-481-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-561.svg" width="90.45822pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-481-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclare{arcs''}{arcs''}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\arrowsize=0.2pt</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\arrowsize</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;.5\pgflinewidth</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfarrowsleftextend{-4\arrowsize-.5\pgflinewidth}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfarrowsrightextend{.5\pgflinewidth}</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\arrowsize=0.2pt</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\arrowsize</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;.5\pgflinewidth</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetdash{}{0pt}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;do</span><span
+class="cmsltt-10x-x-80">&nbsp;not</span><span
+class="cmsltt-10x-x-80">&nbsp;dash</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundjoin</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;join</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetroundcap</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;fix</span><span
+class="cmsltt-10x-x-80">&nbsp;cap</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{-4\arrowsize}{4\arrowsize}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{180}{270}{4\arrowsize}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepathqstroke</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpatharc{90}{180}{4\arrowsize}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepathqstroke</span>
+<br><span
+class="cmtt-8">}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2,-1)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=10pt,-arcs'']</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=2pt,white]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+<!--l. 450--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">24.3 </span> <a
+ id="x25-25700024.3"></a>Declaring a Derived Arrow Tip Kind</h4>
+<!--l. 452--><p class="noindent">It is possible to declare arrow kinds in terms of existing ones. For these command to work correctly, the left and
+right extends must be set correctly.
+<!--l. 457--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox275"><span
+class="cmtt-10">\pgfarrowsdeclarealias</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-257001"></a>
+ <!--l. 458--><p class="noindent">This command can be used to create an alias (another name) for an existing arrow kind.
+ <!--l. 461--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-482-" ><colgroup id="TBL-482-1g"><col
+id="TBL-482-1"><col
+id="TBL-482-2"></colgroup><tr
+ valign="baseline" id="TBL-482-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-482-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-562.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-482-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclarealias{&lt;}{&gt;}{arcs''}{arcs''}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{&lt;-&gt;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 476--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox276"><span
+class="cmtt-10">\pgfarrowsdeclarereversed</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-257002"></a>
+ <!--l. 477--><p class="noindent">This command creates a new arrow kind that is the &#8220;reverse&#8221; of an existing arrow kind. The
+ (automatically cerated) code of the new arrow kind will contain a flip of the canvas and the meanings
+ of the left and right extend will be reversed.
+ <!--l. 482--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-483-" ><colgroup id="TBL-483-1g"><col
+id="TBL-483-1"><col
+id="TBL-483-2"></colgroup><tr
+ valign="baseline" id="TBL-483-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-483-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-563.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-483-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclarereversed{arcs</span><span
+class="cmtt-8">&nbsp;reversed}{arcs</span><span
+class="cmtt-8">&nbsp;reversed}{arcs''}{arcs''}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{arcs</span><span
+class="cmtt-8">&nbsp;reversed-arcs</span><span
+class="cmtt-8">&nbsp;reversed}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 499--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox277"><span
+class="cmtt-10">\pgfarrowsdeclarecombine</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">*</span></span></span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-257003"></a>
+ <!--l. 500--><p class="noindent">This command creates a new arrow kind that combines two existing arrow kinds. The first arrow kind
+ is the &#8220;innermost&#8221; arrow kind, the second arrow kind is the &#8220;outermost.&#8221;
+
+
+ <!--l. 504--><p class="noindent">The code for the combined arrow kind will install a canvas translation before the innermost arrow kind
+ in drawn. This translation is calculated such that the right tip of the innermost arrow touches the right
+ end of the outermost arrow. The optional <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt; </span>can be used to increase (or decrease) the distance
+ between the inner and outermost arrow.
+ <!--l. 511--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-484-" ><colgroup id="TBL-484-1g"><col
+id="TBL-484-1"><col
+id="TBL-484-2"></colgroup><tr
+ valign="baseline" id="TBL-484-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-484-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-564.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-484-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclarecombine[\pgflinewidth]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{combined}{combined}{arcs''}{arcs''}{latex}{latex}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{combined-combined}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 524--><p class="noindent">In the star variant, the end of the line is not in the outermost arrow, but inside the innermost
+ arrow.
+ <!--l. 527--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-485-" ><colgroup id="TBL-485-1g"><col
+id="TBL-485-1"><col
+id="TBL-485-2"></colgroup><tr
+ valign="baseline" id="TBL-485-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-485-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-565.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-485-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclarecombine*[\pgflinewidth]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{combined'}{combined'}{arcs''}{arcs''}{latex}{latex}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{combined'-combined'}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 544--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox278"><span
+class="cmtt-10">\pgfarrowsdeclaredouble</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-257004"></a>
+ <!--l. 545--><p class="noindent">This command is a shortcut for combining an arrow kind with itself.
+ <!--l. 547--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-486-" ><colgroup id="TBL-486-1g"><col
+id="TBL-486-1"><col
+id="TBL-486-2"></colgroup><tr
+ valign="baseline" id="TBL-486-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-486-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-566.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-486-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclaredouble{&lt;&lt;}{&gt;&gt;}{arcs''}{arcs''}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{&lt;&lt;-&gt;&gt;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </dd></dl>
+<!--l. 563--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox279"><span
+class="cmtt-10">\pgfarrowsdeclaretriple</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">offset</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old start name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">old end name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-257005"></a>
+ <!--l. 564--><p class="noindent">This command is a shortcut for combining an arrow kind with itself and then again.
+ <!--l. 567--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-487-" ><colgroup id="TBL-487-1g"><col
+id="TBL-487-1"><col
+id="TBL-487-2"></colgroup><tr
+ valign="baseline" id="TBL-487-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-487-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-567.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-487-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfarrowsdeclaretriple{&lt;&lt;&lt;}{&gt;&gt;&gt;}{arcs''}{arcs''}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{&lt;&lt;&lt;-&gt;&gt;&gt;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 584--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">24.4 </span> <a
+ id="x25-25800024.4"></a>Using an Arrow Tip Kind</h4>
+<!--l. 586--><p class="noindent">The following commands install the arrow kind that will be used when stroking is done.
+<!--l. 589--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox280"><span
+class="cmtt-10">\pgfsetarrowsstart</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start arrow kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-258001"></a>
+ <!--l. 590--><p class="noindent">Installs the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start arrow kind</span><span
+class="cmsy-10">&gt; </span>for all subsequent strokes in the in the current <span class="TEX">T<span
+class="E">E</span>X</span>-group.
+ If <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start arrow kind</span><span
+class="cmsy-10">&gt; </span>is empty, no arrow tips will be drawn at the start of the last segment of
+ paths.
+ <!--l. 594--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-488-" ><colgroup id="TBL-488-1g"><col
+id="TBL-488-1"><col
+id="TBL-488-2"></colgroup><tr
+ valign="baseline" id="TBL-488-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-488-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-568.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-488-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsstart{latex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 606--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox281"><span
+class="cmtt-10">\pgfsetarrowsend</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start arrow kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-258002"></a>
+
+
+ <!--l. 607--><p class="noindent">Like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrowsstart</span></span></span>, only for the end of the arrow.
+ <!--l. 608--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-489-" ><colgroup id="TBL-489-1g"><col
+id="TBL-489-1"><col
+id="TBL-489-2"></colgroup><tr
+ valign="baseline" id="TBL-489-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-489-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-569.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-489-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrowsend{latex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 620--><p class="indent"> <span
+class="cmti-10">Warning: </span>If the compatibility mode is active (which is the default), there also exist old commands called
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetstartarrow</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetendarrow</span></span></span>, which are incompatible with the meta-arrow management.
+<!--l. 626--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox282"><span
+class="cmtt-10">\pgfsetarrows</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start kind</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end kind</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx25-258003"></a>
+ <!--l. 627--><p class="noindent">Calls <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrowsstart</span></span></span> for <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start kind</span><span
+class="cmsy-10">&gt; </span>and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetarrowsend</span></span></span> for <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end kind</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 629--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-490-" ><colgroup id="TBL-490-1g"><col
+id="TBL-490-1"><col
+id="TBL-490-2"></colgroup><tr
+ valign="baseline" id="TBL-490-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-490-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-570.svg" width="113.81096pt" height="71.13184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-490-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetarrows{latex-to}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1ex}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{3.5cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(-0.25,-0.25)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.75,2.25);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 642--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">24.5 </span> <a
+ id="x25-25900024.5"></a>Predefined Arrow Tip Kinds</h4>
+<!--l. 646--><p class="noindent">The following arrow tip kinds are always defined:
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-491-" ><colgroup id="TBL-491-1g"><col
+id="TBL-491-1"><col
+id="TBL-491-2"></colgroup><tr
+ valign="baseline" id="TBL-491-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-1-1"
+class="td11"> <a
+ id="dx25-259001"></a><a
+ id="dx25-259002"></a> <a
+ id="dx25-259003"></a><a
+ id="dx25-259004"></a> <span
+class="cmtt-10">stealth-stealth </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-1-2"
+class="td11"> yields thick <object data="pgfmanual-571.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-572.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-2-1"
+class="td11"> <a
+ id="dx25-259005"></a><a
+ id="dx25-259006"></a> <a
+ id="dx25-259007"></a><a
+ id="dx25-259008"></a> <span
+class="cmtt-10">stealth reversed-stealth reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-2-2"
+class="td11"> yields thick <object data="pgfmanual-573.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-574.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-3-1"
+class="td11"> <a
+ id="dx25-259009"></a><a
+ id="dx25-259010"></a> <a
+ id="dx25-259011"></a><a
+ id="dx25-259012"></a> <span
+class="cmtt-10">to-to </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-3-2"
+class="td11"> yields thick <object data="pgfmanual-575.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-576.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-4-1"
+class="td11"> <a
+ id="dx25-259013"></a><a
+ id="dx25-259014"></a> <a
+ id="dx25-259015"></a><a
+ id="dx25-259016"></a> <span
+class="cmtt-10">to reversed-to reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-4-2"
+class="td11"> yields thick <object data="pgfmanual-577.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-578.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-5-1"
+class="td11"> <a
+ id="dx25-259017"></a><a
+ id="dx25-259018"></a> <a
+ id="dx25-259019"></a><a
+ id="dx25-259020"></a> <span
+class="cmtt-10">latex-latex </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-5-2"
+class="td11"> yields thick <object data="pgfmanual-579.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-580.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-6-1"
+class="td11"> <a
+ id="dx25-259021"></a><a
+ id="dx25-259022"></a> <a
+ id="dx25-259023"></a><a
+ id="dx25-259024"></a> <span
+class="cmtt-10">latex reversed-latex reversed </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-6-2"
+class="td11"> yields thick <object data="pgfmanual-581.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-582.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-491-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-7-1"
+class="td11"> <a
+ id="dx25-259025"></a><a
+ id="dx25-259026"></a> <span
+class="cmtt-10">|-| </span></td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-491-7-2"
+class="td11"> yields thick <object data="pgfmanual-583.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and thin <object data="pgfmanual-584.svg" width="28.45274pt" height="10.76385pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td> </tr></table>
+</div>
+<!--l. 672--><p class="indent"> For further arrow tips, see page&nbsp;<a
+href="pgfmanualse14.html#x15-16000014.1">176<!--tex4ht:ref: section-rules --></a>.
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse25.html" >next</a>] [<a
+href="pgfmanualse23.html" >prev</a>] [<a
+href="pgfmanualse23.html#tailpgfmanualse23.html" >prev-tail</a>] [<a
+href="pgfmanualse24.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse24.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse24.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse25.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse25.html
new file mode 100644
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+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse25.html
@@ -0,0 +1,2658 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>25 Nodes and Shapes</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse26.html" >next</a>] [<a
+href="pgfmanualse24.html" >prev</a>] [<a
+href="pgfmanualse24.html#tailpgfmanualse24.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse25.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse25.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">25 </span> <a
+ id="x26-26000025"></a>Nodes and Shapes</h3>
+<!--l. 12--><p class="noindent">This section describes the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseshapes</span></span></span> package.
+<!--l. 14--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox283"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfbaseshapes</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-260001"></a>
+<a
+ id="dx26-260002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox284"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseshapes</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox285"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseshapes</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 15--><p class="noindent">This package defines commands both for creating nodes and for creating shapes. The package is loaded
+ automatically by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>, but you can load it manually if you have only included <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>. </dd></dl>
+<!--l. 21--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">25.1 </span> <a
+ id="x26-26100025.1"></a>Overview</h4>
+<!--l. 23--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;comes with a sophisticated set of commands for creating <span
+class="cmti-10">nodes </span>and <span
+class="cmti-10">shapes</span>. A <span
+class="cmti-10">node </span>is a graphical object that
+consists (typically) of (one or more) text labels and some additional stroked or filled paths. Each node has a certain
+<span
+class="cmti-10">shape</span>, which may be something simple like a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> or a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span>, but it may also be something complicated like
+a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">uml</span><span
+class="cmtt-10">&nbsp;class</span><span
+class="cmtt-10">&nbsp;diagram</span></span></span> (this shape is currently not implemented, though). Different nodes that have the same shape
+may look quite different, however, since shapes (need not) specify whether the shape path is stroked or
+filled.
+<!--l. 35--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.1.1 </span> <a
+ id="x26-26200025.1.1"></a>Creating and Referencing Nodes</h5>
+<!--l. 37--><p class="noindent">You create a node by calling the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> or the more general <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfmultipartnode</span></span></span>. These macro takes
+several parameters and draws the requested shape at a certain position. In addition, it will &#8220;remember&#8221; the node&#8217;s
+position within the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. You can then, later on, refer to the node&#8217;s position. Coordinate
+transformations are &#8220;fully supported,&#8221; which means that if you used coordinate transformations to shift or rotate
+the shape of a node, the node&#8217;s position will still be correctly determined by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. This is <span
+class="cmti-10">not </span>the case if you use
+canvas transformations, instead.
+<!--l. 49--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.1.2 </span> <a
+ id="x26-26300025.1.2"></a>Anchors</h5>
+<!--l. 51--><p class="noindent">An important property of a node or a shape in general are its <span
+class="cmti-10">anchors</span>. Anchors are &#8220;important&#8221; positions in a
+shape. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span> anchor lies at the center of a shape, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span> anchor is usually &#8220;at the top, in the
+middle&#8221; of a shape, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor is the lower left corner of the shape&#8217;s text label (if present), and so
+on.
+<!--l. 58--><p class="indent"> Anchors are important both when you create a node and when you reference it. When you create a node, you
+specify the node&#8217;s &#8220;position&#8221; by asking <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to place the shape in such a way that a certain anchor lies at a certain
+point. For example, you might ask that the node is placed such that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span> anchor is at the origin. This will
+effectively cause the node to be placed below the origin.
+
+
+<!--l. 66--><p class="indent"> When you reference a node, you always reference an anchor of the node. For example, when you request
+the &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span> anchor of the node just placed&#8221; you will get the origin. However, you can also request
+the &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span> anchor of this node,&#8221; which will give you a point somewhere below the origin. When a
+coordinate transformation was in force at the time of creation of a node, all anchors are also transformed
+accordingly.
+<!--l. 74--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.1.3 </span> <a
+ id="x26-26400025.1.3"></a>Layers of a Shape</h5>
+<!--l. 76--><p class="noindent">The simplest shape, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span>, has just one anchor, namely the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span>, and a label (which is usually empty).
+More complicated shapes like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape also have a <span
+class="cmti-10">background path</span>. This is a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>-path that is defined
+by the shape. The shape does not prescribe what should happen with the path: When a node is created this path
+may be stroked (resulting in a frame around the label), filled (resulting in a background color for the text), or just
+discarded.
+<!--l. 85--><p class="indent"> Although most shapes consist just of a background path plus some label text, when a shape is drawn, up to
+seven different layers are drawn:
+<!--l. 88--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x26-264002x1"></a>The &#8220;behind the background layer.&#8221; Unlike the background path, which be used in different ways by
+ different nodes, the graphic commands given for this layer will always stroke or always fill the path
+ they construct. They might also insert some text that is &#8220;behind everything.&#8221;
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x26-264004x2"></a>The background path layer. How this path is used depends on how the arguments of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span>
+ command.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x26-264006x3"></a>The &#8220;before the background path layer.&#8221; This layer works like the first one, only the commands of this
+ layer are executed after the background path has been used (in whatever way the creator of the node
+ chose).
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x26-264008x4"></a>The label layer. This layer inserts the node&#8217;s text box(es).
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x26-264010x5"></a>The &#8220;behind the foreground layer.&#8221; This layer, like the first layer, once more contains graphic commands
+ that are &#8220;simply executed.&#8221;
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x26-264012x6"></a>The foreground path layer. This path is treated in the same way as the background path, only it is
+ drawn only after the label text has been drawn.
+ </li>
+ <li class="enumerate" value="7"
+><a
+ id="x26-264014x7"></a>The &#8220;before the foreground layer.&#8221;</li></ol>
+<!--l. 117--><p class="indent"> Which of these layers are actually used depends on the shape.
+<!--l. 121--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.1.4 </span> <a
+ id="x26-26500025.1.4"></a>Node Parts</h5>
+<!--l. 123--><p class="noindent">A shape typically does not consist only of different background and foreground paths, but it may also have text
+labels. Indeed, for many shapes the text labels are the more important part of the shape.
+<!--l. 127--><p class="indent"> Most shapes will have only one text label. In this case, this text label is simply passed as a parameter to the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> command. When the node is drawn, the text label is shifted around such that its lower left corner is at
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor of the node.
+<!--l. 132--><p class="indent"> More complicated shapes may have more than one text label. Nodes of such shapes are called <span
+class="cmti-10">multipart nodes</span>.
+The different <span
+class="cmti-10">node parts </span>are simply the different text labels. For example, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">uml</span><span
+class="cmtt-10">&nbsp;class</span></span></span> shape might have a
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">class</span><span
+class="cmtt-10">&nbsp;name</span></span></span> part, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">method</span></span></span> part and an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">attributes</span></span></span> part. Indeed, single part nodes are a special case of multipart
+nodes: They only have one part named <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span>.
+
+
+<!--l. 139--><p class="indent"> When a shape is declared, you must specify the node parts. There is a simple command called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\nodeparts</span></span></span> that
+takes a list of the part names as input. When you create a node of a multipart shape, for each part of the node you
+must have setup a <span class="TEX">T<span
+class="E">E</span>X</span>-box containing the text of the part. For a part named <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">XYZ</span></span></span> you must setup the box
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodepartXYZbox</span></span></span>. The box will be placed at the anchor <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">XYZ</span></span></span>. See the description of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfmultipartnode</span></span></span> for
+more details.
+<!--l. 148--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">25.2 </span> <a
+ id="x26-26600025.2"></a>Creating Nodes</h4>
+<!--l. 150--><p class="noindent">You create a node using on of the following commands:
+<!--l. 153--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox286"><span
+class="cmtt-10">\pgfnode</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">label text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">path usage command</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266001"></a>
+ <!--l. 154--><p class="noindent">This command creates a new node. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape</span><span
+class="cmsy-10">&gt; </span>of the node must have been declared previously using
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclareshape</span></span></span>.
+ <!--l. 157--><p class="noindent">The shape is shifted such that the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt; </span>is at the origin. In order to place the shape somewhere
+ else, use the coordinate transformation prior to calling this command.
+ <!--l. 161--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>is a name for later reference. If no name is given, nothing will be &#8220;saved&#8221; for the node, it
+ will just be drawn.
+ <!--l. 164--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">path usage command</span><span
+class="cmsy-10">&gt; </span>is executed for the background and the foreground path (if the shape
+ defines them).
+ <!--l. 167--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-492-" ><colgroup id="TBL-492-1g"><col
+id="TBL-492-1"><col
+id="TBL-492-2"></colgroup><tr
+ valign="baseline" id="TBL-492-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-492-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-585.svg" width="115.25513pt" height="85.55821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-492-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(4,3);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformshift{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{north}{Hello</span><span
+class="cmtt-8">&nbsp;World}{hellonode}{\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red!20}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{10}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformshift{\pgfpoint{3cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\color{black}Hello</span><span
+class="cmtt-8">&nbsp;World}{hellonode}{\pgfusepath{fill}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 184--><p class="noindent">As can be seen, all coordinate transformations are also applied to the text of the shape. Sometimes, it is
+ desirable that the transformations are applied to the point where the shape will be anchored, but you do not
+ wish the shape itself to the transformed. In this case, you should call <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftransformresetnontranslations</span></span></span>
+ prior to calling the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> command.
+
+
+ <!--l. 192--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-493-" ><colgroup id="TBL-493-1g"><col
+id="TBL-493-1"><col
+id="TBL-493-2"></colgroup><tr
+ valign="baseline" id="TBL-493-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-493-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-586.svg" width="114.01096pt" height="85.55821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-493-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(4,3);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\color{red!20}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{10}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformshift{\pgfpoint{3cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformresetnontranslations</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\color{black}Hello</span><span
+class="cmtt-8">&nbsp;World}{hellonode}{\pgfusepath{fill}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 206--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">label text</span><span
+class="cmsy-10">&gt; </span>is typeset inside the <span class="TEX">T<span
+class="E">E</span>X</span>-box <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodeparttextbox</span></span></span>. This box is shown at the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor
+ of the node, if the node has a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> part. See the description of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfmultipartnode</span></span></span> for details.
+ </dd></dl>
+<!--l. 213--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox287"><span
+class="cmtt-10">\pgfmultipartnode</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">path usage command</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266002"></a>
+ <!--l. 214--><p class="noindent">This command is the more general (and less user-friendly) version of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> command. While
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> command can only be used for shapes that have a single part (which is the case for most
+ shapes), this command can also be used with multi-part nodes.
+ <!--l. 219--><p class="noindent">When this command is called, for each node part of the node you must have setup one
+ <span class="TEX">T<span
+class="E">E</span>X</span>-box. Suppose the shape has two parts: The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> part and the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span> part. Then,
+ prior to calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfmultipartnode</span></span></span>, you must have setup the boxes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodeparttextbox</span></span></span> and
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodepartoutputbox</span></span></span>. These boxes may contain any <span class="TEX">T<span
+class="E">E</span>X</span>-text. The shape code will then compute
+ the positions of the shape&#8217;s anchors based on the sizes of the these shapes. Finally, when the node is
+ drawn, the boxes are placed at the anchor positions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span>.
+ <!--l. 229--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-494-" ><colgroup id="TBL-494-1g"><col
+id="TBL-494-1"><col
+id="TBL-494-2"></colgroup><tr
+ valign="baseline" id="TBL-494-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-494-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-587.svg" width="31.57529pt" height="31.57529pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-494-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\setbox\pgfnodeparttextbox=\hbox{$q_1$}</span>
+<br><span
+class="cmtt-8">\setbox\pgfnodepartoutputbox=\hbox{01}</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfmultipartnode{state</span><span
+class="cmtt-8">&nbsp;with</span><span
+class="cmtt-8">&nbsp;output}{center}{my</span><span
+class="cmtt-8">&nbsp;state}{\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 237--><p class="noindent"><span
+class="cmti-10">Note: </span>Be careful when using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\setbox</span></span></span> command inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> command. You will have to use
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfinterruptpath</span></span></span> at the beginning of the box and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\endpgfinterruptpath</span></span></span> at the end of the box to make
+ sure that the box is typeset correctly. In the above example this problem was sidestepped by moving the box
+ construction outside the environment.
+ <!--l. 244--><p class="noindent"><span
+class="cmti-10">Note: </span>It is not necessary to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\newbox</span></span></span> for every node part name. Although you need a different box for each
+ part of a single shape, two different shapes may very well use the same box even when the names of the parts
+ are different. Suppose you have a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">state</span><span
+class="cmtt-10">&nbsp;with</span><span
+class="cmtt-10">&nbsp;output</span></span></span> shape that has an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span> part and you have a
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">uml</span><span
+class="cmtt-10">&nbsp;class</span></span></span> shape that has a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">methods</span></span></span> part. Then, in order to avoid exhausting <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s limited number of box
+ registers, you can say
+ <!--l. 251--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-495-" ><colgroup id="TBL-495-1g"><col
+id="TBL-495-1"></colgroup><tr
+ valign="baseline" id="TBL-495-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-495-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\newbox\pgfnodepartoutputbox</span>
+<br><span
+class="cmtt-8">\let\pgfnodepartmethodsbox=\pgfnodepartoutputbox</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 255--><p class="noindent">Also, when you have a node part name with spaces like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">class</span><span
+class="cmtt-10">&nbsp;name</span></span></span>, it may be useful to create an
+ alias:
+
+
+ <!--l. 257--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-496-" ><colgroup id="TBL-496-1g"><col
+id="TBL-496-1"></colgroup><tr
+ valign="baseline" id="TBL-496-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-496-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\newbox\mybox</span>
+<br><span
+class="cmtt-8">\expandafter\let\csname</span><span
+class="cmtt-8">&nbsp;pgfnodepartclass</span><span
+class="cmtt-8">&nbsp;namebox\endcsname=\mybox</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 263--><p class="indent"> There are a number of values that have an influence on the size of a node. These parameters can be changed
+using the following commands:
+<!--l. 266--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox288"><span
+class="cmtt-10">\pgfsetshapeminwidth</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266003"></a>
+ <!--l. 267--><p class="noindent">This command sets the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeminwidth</span></span></span> to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. This dimension is the <span
+class="cmti-10">recommended</span>
+ minimum width of a shape. Thus, when a shape is drawn and when the shape&#8217;s width would be smaller
+ than <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>, the shape&#8217;s width is enlarged by adding some empty space.
+ <!--l. 273--><p class="noindent">Note that this value is just a recommendation. A shape may choose to ignore the value of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeminwidth</span></span></span>.
+ <!--l. 276--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-497-" ><colgroup id="TBL-497-1g"><col
+id="TBL-497-1"><col
+id="TBL-497-2"></colgroup><tr
+ valign="baseline" id="TBL-497-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-497-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-588.svg" width="114.01096pt" height="35.55792pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-497-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetshapeminwidth{3cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World}{}{\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 286--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox289"><span
+class="cmtt-10">\pgfsetshapeminheight</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266004"></a>
+ <!--l. 287--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetshapeminwidth</span></span></span>. </dd></dl>
+<!--l. 291--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox290"><span
+class="cmtt-10">\pgfsetshapeinnerxsep</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266005"></a>
+ <!--l. 292--><p class="noindent">This command sets the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeinnerxsep</span></span></span> to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. This dimension is the
+ <span
+class="cmti-10">recommended </span>horizontal inner separation between the label text and the background path. As
+ before, this value is just a recommendation and a shape may choose to ignore the value of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeinnerxsep</span></span></span>.
+ <!--l. 298--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-498-" ><colgroup id="TBL-498-1g"><col
+id="TBL-498-1"><col
+id="TBL-498-2"></colgroup><tr
+ valign="baseline" id="TBL-498-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-498-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-589.svg" width="114.01096pt" height="35.55792pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-498-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetshapeinnerxsep{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World}{}{\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 308--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox291"><span
+class="cmtt-10">\pgfsetshapeinnerysep</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266006"></a>
+ <!--l. 309--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetshapeinnerysep</span></span></span>. </dd></dl>
+<!--l. 314--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox292"><span
+class="cmtt-10">\pgfsetshapeouterxsep</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266007"></a>
+ <!--l. 315--><p class="noindent">This command sets the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeouterxsep</span></span></span> to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. This dimension is the
+ recommended horizontal outer separation between the background path and the &#8220;outer anchors.&#8221; For
+ example, if <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1cm</span></span></span> then the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">east</span></span></span> anchor will be 1cm to the right of the right border of the
+ background path.
+ <!--l. 322--><p class="noindent">As before, this value is just a recommendation.
+ <!--l. 324--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-499-" ><colgroup id="TBL-499-1g"><col
+id="TBL-499-1"><col
+id="TBL-499-2"></colgroup><tr
+ valign="baseline" id="TBL-499-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-499-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-590.svg" width="114.01096pt" height="37.55792pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-499-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetshapeouterxsep{.5cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World}{x}{\pgfusepath{stroke}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{north}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{south}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{east}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{west}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{north</span><span
+class="cmtt-8">&nbsp;east}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 341--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox293"><span
+class="cmtt-10">\pgfsetshapeouterysep</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-266008"></a>
+ <!--l. 342--><p class="noindent">Works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsetshapeouterysep</span></span></span>. </dd></dl>
+<!--l. 346--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">25.3 </span> <a
+ id="x26-26700025.3"></a>Using Anchors</h4>
+<!--l. 348--><p class="noindent">Each shape defines a set of anchors. We saw already that the anchors are used when the shape is drawn: the shape is
+placed in such a way that the given anchor is at the origin (which in turn is typically translated somewhere
+else).
+<!--l. 353--><p class="indent"> One has to look up the set of anchors of each shape, there is no &#8220;default&#8221; set of anchors, except for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span>
+anchor, which should always be present. Also, most shapes will declare anchors like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">east</span></span></span>, but this is not
+guaranteed.
+<!--l. 358--><p class="indent"> Once a node has been defined, you can refer to its anchors using the following commands:
+<!--l. 361--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox294"><span
+class="cmtt-10">\pgfpointanchor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-267001"></a>
+ <!--l. 362--><p class="noindent">This command is another &#8220;point command&#8221; like the commands described in Section&nbsp;<a
+href="pgfmanualse20.html#x21-20400020">20<!--tex4ht:ref: section-points --></a>. It returns the
+ coordinate of the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt; </span>in the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node</span><span
+class="cmsy-10">&gt;</span>. The command can be used in commands like
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto</span></span></span>.
+
+
+ <!--l. 367--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-500-" ><colgroup id="TBL-500-1g"><col
+id="TBL-500-1"><col
+id="TBL-500-2"></colgroup><tr
+ valign="baseline" id="TBL-500-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-500-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-591.svg" width="60.87431pt" height="45.53308pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-500-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World!}{x}{\pgfusepath{stroke}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{north}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{south}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{east}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{west}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointanchor{x}{north</span><span
+class="cmtt-8">&nbsp;east}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 381--><p class="noindent">In the above example, you may have noticed something curious: The rotation transformation is still in force
+ when the anchors are invoked, but it does not seem to have an effect. You might expect that the rotation
+ should apply to the already rotated points once more.
+ <!--l. 387--><p class="noindent">However, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointanchor</span></span></span> returns a point that takes the current transformation matrix into account: <span
+class="cmti-10">The</span>
+ <span
+class="cmti-10">inverse transformation to the current coordinate transformation is applied to an anchor point before returning</span>
+ <span
+class="cmti-10">it.</span>
+ <!--l. 392--><p class="noindent">This behavior may seem a bit strange, but you will find it very natural in most cases. If you really want to
+ apply a transformation to an anchor point (for example, to &#8220;shift it away&#8221; a little bit), you have to invoke
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointanchor</span></span></span> without any transformations in force. Here is an example:
+ <!--l. 399--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-501-" ><colgroup id="TBL-501-1g"><col
+id="TBL-501-1"><col
+id="TBL-501-2"></colgroup><tr
+ valign="baseline" id="TBL-501-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-501-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-592.svg" width="60.87431pt" height="50.88116pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-501-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World!}{x}{\pgfusepath{stroke}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformreset</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointanchor{x}{east}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\xdef\mycoordinate{\noexpand\pgfpoint{\the\pgf@x}{\the\pgf@y}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\mycoordinate}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 416--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox295"><span
+class="cmtt-10">\pgfpointshapeborder</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-267002"></a>
+ <!--l. 417--><p class="noindent">This command returns the point on the border of the shape that lies on a straight line from the center
+ of the node to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>. For complex shapes it is not guaranteed that this point will actually lie on the
+ border, it may be on the border of a &#8220;simplified&#8221; version of the shape.
+
+
+ <!--l. 423--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-502-" ><colgroup id="TBL-502-1g"><col
+id="TBL-502-1"><col
+id="TBL-502-2"></colgroup><tr
+ valign="baseline" id="TBL-502-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-502-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-593.svg" width="89.35825pt" height="52.03911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-502-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfnode{rectangle}{center}{Hello</span><span
+class="cmtt-8">&nbsp;World!}{x}{\pgfusepath{stroke}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointshapeborder{x}{\pgfpoint{2cm}{1cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{2cm}{1cm}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpointshapeborder{x}{\pgfpoint{-1cm}{1cm}}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{-1cm}{1cm}}{2pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{fill}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 440--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">25.4 </span> <a
+ id="x26-26800025.4"></a>Declaring New Shapes</h4>
+<!--l. 442--><p class="noindent">Defining a shape is, unfortunately, a not-quite-trivial process. The reason is that shapes need to be both very
+flexible (their size will vary greatly according to circumstances) and they need to be constructed reasonably &#8220;fast.&#8221;
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;must be able to handle pictures with several hundreds of nodes and documents with thousands of nodes in
+total. It would not do if <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;had to compute and store, say, dozens of anchor positions for every
+node.
+<!--l. 451--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.4.1 </span> <a
+ id="x26-26900025.4.1"></a>What Must Be Defined For a Shape?</h5>
+<!--l. 453--><p class="noindent">In order to define a new shape, you must provide:
+ <ul class="itemize1">
+ <li class="itemize">a <span
+class="cmti-10">shape name</span>,
+ </li>
+ <li class="itemize">code for computing the <span
+class="cmti-10">saved anchors </span>and <span
+class="cmti-10">saved dimensions</span>,
+ </li>
+ <li class="itemize">code for computing <span
+class="cmti-10">anchor </span>positions in terms of the saved anchors,
+ </li>
+ <li class="itemize">optionally code for the <span
+class="cmti-10">background path </span>and <span
+class="cmti-10">foreground path</span>,
+ </li>
+ <li class="itemize">optionally code for <span
+class="cmti-10">things to be drawn before or behind </span>the background and foreground paths.
+ </li>
+ <li class="itemize">optionally a list of node parts.</li></ul>
+<!--l. 472--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.4.2 </span> <a
+ id="x26-27000025.4.2"></a>Normal Anchors Versus Saved Anchors</h5>
+<!--l. 474--><p class="noindent">Anchors are special places in shape. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span> anchor, which is a normal anchor, lies at the
+upper right corner of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape, as does <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\northeast</span></span></span>, which is a saved anchor. The difference is the
+following: <span
+class="cmti-10">saved anchors are computed and stored for each node, anchors are only computed as needed. </span>The user only
+has access to the normal anchors, but a normal anchor can just &#8220;copy&#8221; or &#8220;pass through&#8221; the location of a saved
+anchor.
+
+
+<!--l. 483--><p class="indent"> The idea behind all this is that a shape can declare a very large number of normal anchors, but when a node of
+this shape is created, these anchors are not actually computed. However, this causes a problem: When we wish to
+reference an anchor of a node at some later time, we must still able to compute the position of the anchor. For this,
+we may need a lot of information: What was the transformation matrix that was in force when the node was
+created? What was the size of the text box? What were the values of the different separation dimensions? And so
+on.
+<!--l. 493--><p class="indent"> To solve this problem, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will always compute the locations of all <span
+class="cmti-10">saved anchors </span>and store these positions.
+Then, when an normal anchor position is requested later on, the anchor position can be given just from knowing
+where the locations of the saved anchors.
+<!--l. 498--><p class="indent"> As an example, consider the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape. For this shape two anchors are saved: The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\northeast</span></span></span> corner
+and the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\southwest</span></span></span> corner. A normal anchor like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;west</span></span></span> can now easily be expressed in terms of these
+coordinates: Take the <span
+class="cmmi-10">x</span>-position of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\southwest</span></span></span> point and the <span
+class="cmmi-10">y</span>-position of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\northeast</span></span></span> point. The
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape currently defines 13 normal anchors, but needs only two saved anchors. Adding new anchors
+like a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;south</span><span
+class="cmtt-10">&nbsp;east</span></span></span> anchor would not increase the memory and computation requirements of
+pictures.
+<!--l. 508--><p class="indent"> All anchors (both saved and normal) are specified in a local <span
+class="cmti-10">shape coordinate space</span>. This is also true for the
+background and foreground paths. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> macro will automatically apply appropriate transformations to the
+coordinates so that the shape is shifted to the right anchor or otherwise transformed.
+<!--l. 515--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">25.4.3 </span> <a
+ id="x26-27100025.4.3"></a>Command for Declaring New Shapes</h5>
+<!--l. 517--><p class="noindent">The following command declares a new shape:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox296"><span
+class="cmtt-10">\pgfdeclareshape</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271001"></a>
+ <!--l. 520--><p class="noindent">This command declares a new shape named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape name</span><span
+class="cmsy-10">&gt;</span>. The shape name can later be used in
+ commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span>.
+ <!--l. 523--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape specification</span><span
+class="cmsy-10">&gt; </span>is some <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;code containing calls to special commands that are only defined
+ inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape specification</span><span
+class="cmsy-10">&gt; </span>(similarly to commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> that are only available inside the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment).
+ <!--l. 528--><p class="noindent"><span
+class="cmti-10">Example: </span>Here is the code of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> shape:
+ <!--l. 529--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-503-" ><colgroup id="TBL-503-1g"><col
+id="TBL-503-1"></colgroup><tr
+ valign="baseline" id="TBL-503-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-503-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareshape{coordinate}</span>
+<br><span
+class="cmtt-8">{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\savedanchor\centerpoint{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=.5\wd\pgfnodeparttextbox</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@y=.5\ht\pgfnodeparttextbox</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\advance\pgf@y</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;-.5\dp\pgfnodeparttextbox</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\anchor{center}{\centerpoint}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\anchorborder{\centerpoint}</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 542--><p class="noindent">The special commands are explained next. In the examples given for the special commands a new shape will
+ be constructed, which we might call <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span>. It should behave like the normal rectangle shape,
+ only without bothering about the fine details like inner and outer separations. The skeleton for the shape is
+ the following.
+ <!--l. 547--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-504-" ><colgroup id="TBL-504-1g"><col
+id="TBL-504-1"></colgroup><tr
+ valign="baseline" id="TBL-504-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-504-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareshape{simple</span><span
+class="cmtt-8">&nbsp;rectangle}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;...</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 553--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox297"><span
+class="cmtt-10">\nodeparts</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list of node parts</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271002"></a>
+
+
+ <!--l. 554--><p class="noindent">This command declares which parts make up nodes of this shape. A <span
+class="cmti-10">node part </span>is a (possibly
+ empty) text label that is drawn when a node of the shape is created.
+ <!--l. 558--><p class="noindent">By default, a shape has just one node part called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span>. However, there can be several node parts.
+ For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">state</span><span
+class="cmtt-10">&nbsp;with</span><span
+class="cmtt-10">&nbsp;output</span></span></span> shape has two parts: the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> part, which shows that
+ state&#8217;s name, and an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">output</span></span></span> part, which shows the output produced when the state is reached.
+ For the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">state</span><span
+class="cmtt-10">&nbsp;with</span><span
+class="cmtt-10">&nbsp;output</span></span></span> shape the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\nodeparts</span></span></span> command was called with the argument
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{text,output}</span></span></span>.
+ <!--l. 566--><p class="noindent">When a multipart node is created, the text labels are drawn in the sequences listed in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list</span>
+ <span
+class="cmti-10">of node parts</span><span
+class="cmsy-10">&gt;</span>. For each node part there you must have declared one anchor and the <span class="TEX">T<span
+class="E">E</span>X</span>-box of
+ the part is placed at this anchor. For a node part called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">XYZ</span></span></span> the <span class="TEX">T<span
+class="E">E</span>X</span>-box <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodepartXYZbox</span></span></span>
+ is placed at anchor <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">XYZ</span></span></span>. </dd></dl>
+ <!--l. 573--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox298"><span
+class="cmtt-10">\savedanchor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271003"></a>
+ <!--l. 574--><p class="noindent">This command declares a saved anchor. The argument <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>should be a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;macro name
+ like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\centerpoint</span></span></span>.
+ <!--l. 577--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will be executed each time <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> (or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfmultipartnode</span></span></span>) is called to create a
+ node of the shape <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shape name</span><span
+class="cmsy-10">&gt;</span>. When the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed, the <span class="TEX">T<span
+class="E">E</span>X</span>-boxes of the node parts
+ will contain the text labels of the node. Possibly, these box are void. For example, if there is just
+ a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> part, the node <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodeparttextbox</span></span></span> will be setup when the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed.
+ <!--l. 586--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>can use the width, height, and depth of the box(es) to compute the location of
+ the saved anchor. In addition, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>can take into account the values of dimensions like
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeminwidth</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeinnerxsep</span></span></span>. Furthermore, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>can take into consideration
+ the values of any further shape-specific variables that are set at the moment when <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span> is
+ called.
+ <!--l. 594--><p class="noindent">The net effect of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>should be to set the two <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span>. One
+ way to achieve this is to say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x value</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y value</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span> at the end of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span>, but you
+ can also just set these variables. The values that <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> have after the code has been
+ executed, let us call them <span
+class="cmmi-10">x </span>and <span
+class="cmmi-10">y</span>, will be recorded and stored together with the node that is
+ created by the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnode</span></span></span>.
+ <!--l. 603--><p class="noindent">The macro <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>is defined to be <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{</span></span></span><span
+class="cmmi-10">x</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}{</span></span></span><span
+class="cmmi-10">y</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>. However, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>is only locally
+ defined while anchor positions are being computed. Thus, it is possible to use very simple names
+ for <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt;</span>, like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\center</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\a</span></span></span>, without causing a name-clash. (To be precise, very simple
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>names will clash with existing names, but only locally inside the computation of
+ anchor positions; and we do not need the normal <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\center</span></span></span> command during these computations.)
+ <!--l. 613--><p class="noindent">For our <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> shape, we will need only one saved anchor: The upper right corner. The lower
+ left corner could either be the origin or the &#8220;mirrored&#8221; upper right corner, depending on whether we want
+ the text label to have its lower left corner at the origin or whether the text label should be centered on
+ the origin. Either will be fine, for the final shape this will make no difference since the shape will be
+ shifted anyway. So, let us assume that the text label is centered on the origin (this will be
+ specified later on using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor). We get the following code for the upper right
+ corner:
+ <!--l. 623--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-505-" ><colgroup id="TBL-505-1g"><col
+id="TBL-505-1"></colgroup><tr
+ valign="baseline" id="TBL-505-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-505-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\savedanchor{\upperrightcorner}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@y=.5\ht\pgfnodeparttextbox</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;height</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;box,</span><span
+class="cmsltt-10x-x-80">&nbsp;ignoring</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;depth</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=.5\wd\pgfnodeparttextbox</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;width</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 630--><p class="noindent">If we wanted to take, say, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeminwidth</span></span></span> into account, we could use the following
+ code:
+
+
+ <!--l. 633--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-506-" ><colgroup id="TBL-506-1g"><col
+id="TBL-506-1"></colgroup><tr
+ valign="baseline" id="TBL-506-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-506-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\savedanchor{\upperrightcorner}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@y=.\ht\pgfnodeparttextbox</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;height</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=.\wd\pgfnodeparttextbox</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;width</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\setlength{\pgf@xa}{\pgfshapeminwidth}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\ifdim\pgf@x&lt;.5\pgf@xa</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=.5\pgf@xa</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fi</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 643--><p class="noindent">Note that we could not have written <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.5\pgfshapeminwidth</span></span></span> since the minium width is stored in a &#8220;plain
+ text macro,&#8221; not as a real dimension. So if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshapeminwidth</span></span></span> depth were 2cm, writing
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.5\pgfshapeminwidth</span></span></span> would yield the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.52cm</span></span></span>.
+ <!--l. 648--><p class="noindent">In the &#8220;real&#8221; <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> shape the code is somewhat more complex, but you get the basic idea.
+ </dd></dl>
+ <!--l. 651--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox299"><span
+class="cmtt-10">\saveddimen</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271004"></a>
+ <!--l. 652--><p class="noindent">This command is similar to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\savedanchor</span></span></span>, only instead of setting <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>to
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{</span></span></span><span
+class="cmmi-10">x</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}{</span></span></span><span
+class="cmmi-10">y</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">command</span><span
+class="cmsy-10">&gt; </span>is set just to (the value of) <span
+class="cmmi-10">x</span>.
+ <!--l. 656--><p class="noindent">In the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> shape we might use a saved dimension to store the depth of the shape
+ box.
+ <!--l. 659--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-507-" ><colgroup id="TBL-507-1g"><col
+id="TBL-507-1"></colgroup><tr
+ valign="baseline" id="TBL-507-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-507-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\shapedimen{\depth}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=\dp\pgfnodeparttextbox</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+ <!--l. 665--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox300"><span
+class="cmtt-10">\anchor</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271005"></a>
+ <!--l. 666--><p class="noindent">This command declares an anchor named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span>. Unlike for saved anchors, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will not
+ be executed each time a node is declared. Rather, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is only executed when the anchor
+ is specifically requested; either for anchoring the node during its creation or as a position in the
+ shape referenced later on.
+ <!--l. 672--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>is a quite arbitrary string that is not &#8220;passed down&#8221; to the system level. Thus, names
+ like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">::</span></span></span> would all be fine.
+ <!--l. 676--><p class="noindent">A saved anchor is not automatically also a normal anchor. If you wish to give the users access
+ to a saved anchor you must declare a normal anchor that just returns the position of the saved
+ anchor.
+ <!--l. 680--><p class="noindent">When the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed, all saved anchor macros will be defined. Thus, you can reference
+ them in your <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span>. The effect of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>should be to set the values of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span>
+ to the coordinates of the anchor.
+ <!--l. 685--><p class="noindent">Let us consider some example for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> shape. First, we would like to make the
+ upper right corner publicly available, for example as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span>:
+ <!--l. 689--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-508-" ><colgroup id="TBL-508-1g"><col
+id="TBL-508-1"></colgroup><tr
+ valign="baseline" id="TBL-508-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-508-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\anchor{north</span><span
+class="cmtt-8">&nbsp;east}{\upperrightcorner}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 693--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\upperrightcorner</span></span></span> macro will set <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> to the coordinates of the upper right
+ corner. Thus, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> will have exactly the right values at the end of the anchor&#8217;s
+ code.
+ <!--l. 698--><p class="noindent">Next, let us define a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;west</span></span></span> anchor. For this anchor, we can negate the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> variable:
+ <!--l. 701--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-509-" ><colgroup id="TBL-509-1g"><col
+id="TBL-509-1"></colgroup><tr
+ valign="baseline" id="TBL-509-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-509-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\anchor{north</span><span
+class="cmtt-8">&nbsp;west}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\upperrightcorner</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=-\pgf@x</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 708--><p class="noindent">Finally, it is a good idea to always define a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">center</span></span></span> anchor, which will be the default location for a
+ shape.
+ <!--l. 711--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-510-" ><colgroup id="TBL-510-1g"><col
+id="TBL-510-1"></colgroup><tr
+ valign="baseline" id="TBL-510-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-510-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\anchor{center}{\pgfpointorigin}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 715--><p class="noindent">You might wonder whether we should not take into consideration that the node is not placed at the
+ origin, but has been shifted somewhere. However, the anchor positions are always specified in the
+ shape&#8217;s &#8220;private&#8221; coordinate system. The &#8220;outer&#8221; transformation that has been applied to the
+ shape upon its creation is applied automatically to the coordinates returned by the anchor&#8217;s
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 723--><p class="noindent">Out <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> only has one text label (node part) called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span>. This is the default situation, so
+ we need not do anything. For the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> node part we must setup a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor. This anchor is used upon
+ creation of a node to determine the lower left corner of the text label (within the private coordinate
+ system of the shape). By default, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> anchor is at the origin, but you may change this. For example,
+ we would say
+ <!--l. 730--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-511-" ><colgroup id="TBL-511-1g"><col
+id="TBL-511-1"></colgroup><tr
+ valign="baseline" id="TBL-511-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-511-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\anchor{text}{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\upperrightcorner</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@x=-\pgf@x</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@y=-\pgf@y</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 737--><p class="noindent">to center the text label on the origin in the shape coordinate space. Note that we could <span
+class="cmti-10">not </span>have written
+ the following:
+ <!--l. 740--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-512-" ><colgroup id="TBL-512-1g"><col
+id="TBL-512-1"></colgroup><tr
+ valign="baseline" id="TBL-512-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-512-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\anchor{text}{\pgfpoint{-.5\wd\pgfnodeparttextbox}{-.5\ht\pgfnodeparttextbox}}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 743--><p class="noindent">Do you see why this is wrong? The problem is that the box <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfnodeparttextbox</span></span></span> will most likely not
+ have the correct size when the anchor is computed. After all, the anchor position might be recomputed at
+ a time when several other nodes have been created.
+ <!--l. 748--><p class="noindent">If a shape has several node parts, we would have to define an anchor for each part. </dd></dl>
+ <!--l. 751--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox301"><span
+class="cmtt-10">\anchorborder</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271006"></a>
+ <!--l. 752--><p class="noindent">A <span
+class="cmti-10">border anchor </span>is an anchor point on the border of the shape. What exactly is considered as the
+ &#8220;border&#8221; of the shape depends on the shape.
+ <!--l. 756--><p class="noindent">When the user request a point on the border of the shape using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointshapeborder</span></span></span>
+ command, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will be executed to discern this point. When the execution of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span>
+ starts, the dimensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> will have been set to a location <span
+class="cmmi-10">p </span>in the shape&#8217;s
+ coordinate system. It is now the job of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>to setup <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@x</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@y</span></span></span> such that they
+ specify the point on the shape&#8217;s border that lies on a straight line from the shape&#8217;s center to the
+ point <span
+class="cmmi-10">p</span>. Usually, this is a somewhat complicated computation, involving many case distinctions
+ and some basic math.
+ <!--l. 767--><p class="noindent">For our <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span> we must compute a point on the border of a rectangle whose one corner is the
+ origin (ignoring the depth for simplicity) and whose other corner is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\upperrightcorner</span></span></span>. The following
+ code might be used:
+ <!--l. 771--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-513-" ><colgroup id="TBL-513-1g"><col
+id="TBL-513-1"></colgroup><tr
+ valign="baseline" id="TBL-513-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-513-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\anchorborder{</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Call</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;function</span><span
+class="cmsltt-10x-x-80">&nbsp;that</span><span
+class="cmsltt-10x-x-80">&nbsp;computes</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;border</span><span
+class="cmsltt-10x-x-80">&nbsp;point.</span><span
+class="cmsltt-10x-x-80">&nbsp;Since</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;function</span><span
+class="cmsltt-10x-x-80">&nbsp;will</span><span
+class="cmsltt-10x-x-80">&nbsp;modify</span><span
+class="cmsltt-10x-x-80">&nbsp;dimensions</span><span
+class="cmsltt-10x-x-80">&nbsp;like</span><span
+class="cmsltt-10x-x-80">&nbsp;\pgf@x,</span><span
+class="cmsltt-10x-x-80">&nbsp;we</span><span
+class="cmsltt-10x-x-80">&nbsp;must</span><span
+class="cmsltt-10x-x-80">&nbsp;move</span><span
+class="cmsltt-10x-x-80">&nbsp;them</span><span
+class="cmsltt-10x-x-80">&nbsp;to</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;other</span><span
+class="cmsltt-10x-x-80">&nbsp;dimensions.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\@tempdima=\pgf@x</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\@tempdimb=\pgf@y</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpointborderrectangle{\pgfpoint{\@tempdima}{\@tempdimb}}{\upperrightcorner}</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+ <!--l. 782--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox302"><span
+class="cmtt-10">\backgroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271007"></a>
+ <!--l. 783--><p class="noindent">This command specifies the path that &#8220;makes up&#8221; the background of the shape. Note that the
+ shape cannot prescribe what is going to happen with the path: It might be drawn, shaded, filled,
+ or even thrown away. If you want to specify that something should &#8220;always&#8221; happen when this
+ shape is drawn (for example, if the shape is a stop-sign, we <span
+class="cmti-10">always </span>want it to be filled with a red
+ color), you can use commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\beforebackgroundpath</span></span></span>, explained below.
+ <!--l. 792--><p class="noindent">When the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed, all saved anchors will be in effect. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>should contain path
+ construction commands.
+ <!--l. 796--><p class="noindent">For our <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">simple</span><span
+class="cmtt-10">&nbsp;rectangle</span></span></span>, the following code might be used:
+ <!--l. 797--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-514-" ><colgroup id="TBL-514-1g"><col
+id="TBL-514-1"></colgroup><tr
+ valign="baseline" id="TBL-514-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-514-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\backgroundpath{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectanglecorners</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\upperrightcorner}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpointscale{-1}{\upperrightcorner}}</span>
+<br><span
+class="cmtt-8">}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 804--><p class="noindent">As the name suggests, the background path is used &#8220;behind&#8221; the text labels. Thus, this path is used first,
+ then the text labels are drawn, possibly obscuring part of the path. </dd></dl>
+ <!--l. 808--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox303"><span
+class="cmtt-10">\foregroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271008"></a>
+ <!--l. 809--><p class="noindent">This command works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\backgroundpath</span></span></span>, only it is invoked after the text labels have been
+ drawn. This means that this path can possibly obscure (part of) the text labels. </dd></dl>
+ <!--l. 813--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox304"><span
+class="cmtt-10">\behindbackgroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271009"></a>
+ <!--l. 814--><p class="noindent">Unlike the previous two commands, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>should not only construct a path, it should also use
+ this path in whatever way is appropriate. For example, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>might fill some area with a
+ uniform color.
+ <!--l. 819--><p class="noindent">Whatever the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>does, it does it first. This means that any drawing done by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>will be
+ even behind the background path.
+ <!--l. 823--><p class="noindent">Note that the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is protected with a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. </dd></dl>
+ <!--l. 825--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox305"><span
+class="cmtt-10">\beforebackgroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271010"></a>
+ <!--l. 826--><p class="noindent">This command works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\behindbackgroundpath</span></span></span>, only the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed after the
+ background path has been used, but before the texts label are drawn. </dd></dl>
+ <!--l. 830--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox306"><span
+class="cmtt-10">\behindforegroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271011"></a>
+ <!--l. 831--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed after the text labels have been drawn, but before the foreground path is
+ used. </dd></dl>
+ <!--l. 834--><p class="noindent">
+
+
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox307"><span
+class="cmtt-10">\beforeforegroundpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271012"></a>
+ <!--l. 835--><p class="noindent">This <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is executed at the very end. </dd></dl>
+ <!--l. 837--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox308"><span
+class="cmtt-10">\inheritsavedanchors</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271013"></a>
+ <!--l. 838--><p class="noindent">This command allows you to inherit the code for saved anchors from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. The
+ idea is that if you wish to create a new shape that is just a small modification of a another shape,
+ you can recycle the code used for <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 843--><p class="noindent">The effect of this command is the same as if you had called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\savedanchor</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\saveddimen</span></span></span> for
+ each saved anchor or saved dimension declared in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. Thus, it is not possible
+ to &#8220;selectively&#8221; inherit only some saved anchors, you always have to inherit all saved anchors from
+ another shape. However, you can inherit the saved anchors of more than one shape by calling this
+ command several times. </dd></dl>
+ <!--l. 851--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox309"><span
+class="cmtt-10">\inheritbehindbackgroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271014"></a>
+ <!--l. 852--><p class="noindent">This command can be used to inherit the code used for the drawings behind the background path
+ from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 855--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox310"><span
+class="cmtt-10">\inheritbackgroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271015"></a>
+ <!--l. 856--><p class="noindent">Inherits the background path code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 858--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox311"><span
+class="cmtt-10">\inheritbeforebackgroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271016"></a>
+ <!--l. 859--><p class="noindent">Inherits the before background path code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 861--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox312"><span
+class="cmtt-10">\inheritbehindforegroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271017"></a>
+ <!--l. 862--><p class="noindent">Inherits the behind foreground path code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 864--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox313"><span
+class="cmtt-10">\inheritforegroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271018"></a>
+ <!--l. 865--><p class="noindent">Inherits the foreground path code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 867--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox314"><span
+class="cmtt-10">\inheritbeforeforegroundpath</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271019"></a>
+ <!--l. 868--><p class="noindent">Inherits the before foreground path code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+
+
+ <!--l. 870--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox315"><span
+class="cmtt-10">\inheritanchor</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271020"></a>
+ <!--l. 871--><p class="noindent">Inherits the code of one specific anchor named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. Thus, unlike
+ saved anchors, which must be inherited collectively, normal anchors can and must be inherited
+ individually. </dd></dl>
+ <!--l. 876--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="colorbox" id="colorbox316"><span
+class="cmtt-10">\inheritanchorborder</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[from=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx26-271021"></a>
+ <!--l. 877--><p class="noindent">Inherits the border anchor code from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">another shape name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+ <!--l. 880--><p class="noindent">The following example shows how a shape can be defined that relies heavily on inheritance:
+ <!--l. 883--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-515-" ><colgroup id="TBL-515-1g"><col
+id="TBL-515-1"><col
+id="TBL-515-2"></colgroup><tr
+ valign="baseline" id="TBL-515-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-515-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-594.svg" width="74.5798pt" height="106.78972pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-515-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareshape{document}{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritsavedanchors[from=rectangle]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;nearly</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchorborder[from=rectangle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchor[from=rectangle]{center}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchor[from=rectangle]{north}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchor[from=rectangle]{south}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchor[from=rectangle]{west}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\inheritanchor[from=rectangle]{east}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;...</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;possibly</span><span
+class="cmsltt-10x-x-80">&nbsp;more</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\backgroundpath{</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span><span
+class="cmsltt-10x-x-80">&nbsp;is</span><span
+class="cmsltt-10x-x-80">&nbsp;new</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;store</span><span
+class="cmsltt-10x-x-80">&nbsp;lower</span><span
+class="cmsltt-10x-x-80">&nbsp;right</span><span
+class="cmsltt-10x-x-80">&nbsp;in</span><span
+class="cmsltt-10x-x-80">&nbsp;xa/ya</span><span
+class="cmsltt-10x-x-80">&nbsp;and</span><span
+class="cmsltt-10x-x-80">&nbsp;upper</span><span
+class="cmsltt-10x-x-80">&nbsp;right</span><span
+class="cmsltt-10x-x-80">&nbsp;in</span><span
+class="cmsltt-10x-x-80">&nbsp;xb/yb</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\southwest</span><span
+class="cmtt-8">&nbsp;\pgf@xa=\pgf@x</span><span
+class="cmtt-8">&nbsp;\pgf@ya=\pgf@y</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\northeast</span><span
+class="cmtt-8">&nbsp;\pgf@xb=\pgf@x</span><span
+class="cmtt-8">&nbsp;\pgf@yb=\pgf@y</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;compute</span><span
+class="cmsltt-10x-x-80">&nbsp;corner</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;``flipped</span><span
+class="cmsltt-10x-x-80">&nbsp;page''</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@xc=\pgf@xb</span><span
+class="cmtt-8">&nbsp;\advance\pgf@xc</span><span
+class="cmtt-8">&nbsp;by-5pt</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;this</span><span
+class="cmsltt-10x-x-80">&nbsp;should</span><span
+class="cmsltt-10x-x-80">&nbsp;be</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;parameter</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgf@yc=\pgf@yb</span><span
+class="cmtt-8">&nbsp;\advance\pgf@yc</span><span
+class="cmtt-8">&nbsp;by-5pt</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;construct</span><span
+class="cmsltt-10x-x-80">&nbsp;main</span><span
+class="cmsltt-10x-x-80">&nbsp;path</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{\pgf@xa}{\pgf@ya}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xa}{\pgf@yb}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yb}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@yc}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@ya}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathclose</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;add</span><span
+class="cmsltt-10x-x-80">&nbsp;little</span><span
+class="cmsltt-10x-x-80">&nbsp;corner</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpoint{\pgf@xc}{\pgf@yb}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yc}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xb}{\pgf@yc}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{\pgf@xc}{\pgf@yc}}</span>
+<br><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">}\hskip-1.2cm</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[shade,draw,shape=document,inner</span><span
+class="cmtt-8">&nbsp;sep=2ex]</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;{Remark};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[fill=examplefill,draw,ellipse,double]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;([shift=(-80:3cm)]x)</span><span
+class="cmtt-8">&nbsp;(y)</span><span
+class="cmtt-8">&nbsp;{Use</span><span
+class="cmtt-8">&nbsp;Case};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[dashed]</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(y);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+<!--l. 928--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">25.5 </span> <a
+ id="x26-27200025.5"></a>Predefined Shapes</h4>
+<!--l. 930--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox317">Shape <span
+class="cmtt-10">coordinate</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-272001"></a>
+<a
+ id="dx26-272002"></a>
+ <!--l. 931--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinate</span></span></span> is mainly intended to be used to store locations using the node mechanism. This
+ shape does not have any background path and options like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> have no effect on it. Also, it does not
+ have any node parts, so no text is drawn when this shape is used.
+ <!--l. 936--><p class="noindent">Ti<span
+class="cmti-10">k</span>Z&nbsp;handles this shape in a special way, see Section&nbsp;<a
+href="pgfmanualse11.html#x12-14600011.8">11.8<!--tex4ht:ref: section-tikz-coordinate-shape --></a>. </dd></dl>
+<!--l. 940--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox318">Shape <span
+class="cmtt-10">rectangle</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-272003"></a>
+<a
+ id="dx26-272004"></a>
+ <!--l. 941--><p class="noindent">This shape is a rectangle tightly fitting the text box. Use inner or outer separation to increase the distance
+ between the text box and the border and the anchors. The following figure shows the anchors defined by this
+ shape; the anchors <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">10</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">130</span></span></span> are example of border anchors.
+ <!--l. 946--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-595.svg" width="390.25537pt" height="146.1373pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-516-" ><colgroup id="TBL-516-1g"><col
+id="TBL-516-1"></colgroup><tr
+ valign="baseline" id="TBL-516-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-516-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=rectangle,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{Rectangle\vrule</span><span
+class="cmtt-8">&nbsp;width</span><span
+class="cmtt-8">&nbsp;1pt</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;2cm};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/above,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;10/right,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 963--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox319">Shape <span
+class="cmtt-10">circle</span></span> </dt><dd
+class="description">
+<a
+ id="dx26-272005"></a>
+<a
+ id="dx26-272006"></a>
+ <!--l. 964--><p class="noindent">This shape is a circle tightly fitting the text box.
+
+
+ <!--l. 965--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-596.svg" width="360.12872pt" height="274.32886pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-517-" ><colgroup id="TBL-517-1g"><col
+id="TBL-517-1"></colgroup><tr
+ valign="baseline" id="TBL-517-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-517-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\Huge</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[name=s,shape=circle,style=shape</span><span
+class="cmtt-8">&nbsp;example]</span><span
+class="cmtt-8">&nbsp;{Circle\vrule</span><span
+class="cmtt-8">&nbsp;width</span><span
+class="cmtt-8">&nbsp;1pt</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;2cm};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\anchor/\placement</span><span
+class="cmtt-8">&nbsp;in</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{north</span><span
+class="cmtt-8">&nbsp;west/above</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;north/above,</span><span
+class="cmtt-8">&nbsp;north</span><span
+class="cmtt-8">&nbsp;east/above</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;center/above,</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;west/right,</span><span
+class="cmtt-8">&nbsp;mid/above,</span><span
+class="cmtt-8">&nbsp;mid</span><span
+class="cmtt-8">&nbsp;east/left,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;west/left,</span><span
+class="cmtt-8">&nbsp;base/below,</span><span
+class="cmtt-8">&nbsp;base</span><span
+class="cmtt-8">&nbsp;east/right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;west/below</span><span
+class="cmtt-8">&nbsp;left,</span><span
+class="cmtt-8">&nbsp;south/below,</span><span
+class="cmtt-8">&nbsp;south</span><span
+class="cmtt-8">&nbsp;east/below</span><span
+class="cmtt-8">&nbsp;right,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;text/left,</span><span
+class="cmtt-8">&nbsp;10/right,</span><span
+class="cmtt-8">&nbsp;130/above}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[shift=(s.\anchor)]</span><span
+class="cmtt-8">&nbsp;plot[mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(0,0)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[\placement]</span><span
+class="cmtt-8">&nbsp;{\scriptsize\texttt{(s.\anchor)}};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse26.html" >next</a>] [<a
+href="pgfmanualse24.html" >prev</a>] [<a
+href="pgfmanualse24.html#tailpgfmanualse24.html" >prev-tail</a>] [<a
+href="pgfmanualse25.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse25.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse25.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse26.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse26.html
new file mode 100644
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@@ -0,0 +1,1706 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>26 Coordinate and Canvas Transformations</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse27.html" >next</a>] [<a
+href="pgfmanualse25.html" >prev</a>] [<a
+href="pgfmanualse25.html#tailpgfmanualse25.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse26.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse26.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">26 </span> <a
+ id="x27-27300026"></a>Coordinate and Canvas Transformations</h3>
+<!--l. 10--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">26.1 </span> <a
+ id="x27-27400026.1"></a>Overview</h4>
+<!--l. 12--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;offers two different ways of scaling, shifting, and rotating (these operations are generally known as
+<span
+class="cmti-10">transformations</span>) graphics: You can apply <span
+class="cmti-10">coordinate transformations </span>to all coordinates and you can apply <span
+class="cmti-10">canvas</span>
+<span
+class="cmti-10">transformations </span>to the canvas on which you draw. (The names &#8220;coordinate&#8221; and &#8220;canvas&#8221; transformations are not
+standard, I introduce them only for the purposes of this manual.)
+<!--l. 20--><p class="indent"> The difference is the following:
+ <ul class="itemize1">
+ <li class="itemize">As the name &#8220;coordinate transformation&#8221; suggests, coordinate transformations apply only to
+ coordinates. For example, when you specify a coordinate like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{1cm}{2cm}</span></span></span> and you wish
+ to &#8220;use&#8221; this coordinate--for example as an argument to a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto</span></span></span> command--then the
+ coordinate transformation matrix is applied to the coordinate, resulting in a new coordinate. Continuing
+ the example, if the current coordinate transformation is &#8220;scale by a factor of two,&#8221; the coordinate
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpoint{1cm}{2cm}</span></span></span> actually designates the point (2cm<span
+class="cmmi-10">,</span>4cm).
+ <!--l. 35--><p class="noindent">Note that coordinate transformations apply <span
+class="cmti-10">only </span>to coordinates. They do not apply to, say, line width
+ or shadings or text.
+ </li>
+ <li class="itemize">The effect of a &#8220;canvas transformation&#8221; like &#8220;scale by a factor of two&#8221; can be imagined as follows: You
+ first draw your picture on a &#8220;rubber canvas&#8221; normally. Then, once you are done, the whole canvas is
+ transformed, in this case stretched by a factor of two. In the resulting image <span
+class="cmti-10">everything </span>will be larger:
+ Text, lines, coordinates, and shadings.</li></ul>
+<!--l. 47--><p class="indent"> In many cases, it is preferable that you use coordinate transformations and not canvas transformations. When
+canvas transformations are used, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;looses track of the coordinates of nodes and shapes. Also, canvas
+transformations often cause undesirable effects like changing text size. For these reasons, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;makes it easy to setup
+the coordinate transformation, but a bit harder to change the canvas transformation.
+<!--l. 56--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">26.2 </span> <a
+ id="x27-27500026.2"></a>Coordinate Transformations</h4>
+<!--l. 59--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">26.2.1 </span> <a
+ id="x27-27600026.2.1"></a>How PGF Keeps Track of the Coordinate Transformation Matrix</h5>
+<!--l. 61--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;has an internal coordinate transformation matrix. This matrix is applied to coordinates &#8220;in certain situations.&#8221;
+This means that the matrix is not always applied to every coordinate &#8220;no matter what.&#8221; Rather,
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;tries to be reasonably smart at when and how this matrix should be applied. The most prominent
+examples are the path construction commands, which apply the coordinate transformation matrix to their
+inputs.
+<!--l. 69--><p class="indent"> The coordinate transformation matrix consists of four numbers <span
+class="cmmi-10">a</span>, <span
+class="cmmi-10">b</span>, <span
+class="cmmi-10">c</span>, and <span
+class="cmmi-10">d</span>, and two dimensions <span
+class="cmmi-10">s </span>and <span
+class="cmmi-10">t</span>. When
+the coordinate transformation matrix is applied to a coordinate (<span
+class="cmmi-10">x,y</span>) the new coordinate (<span
+class="cmmi-10">ax </span>+ <span
+class="cmmi-10">by </span>+ <span
+class="cmmi-10">s,cx </span>+ <span
+class="cmmi-10">dy </span>+ <span
+class="cmmi-10">t</span>)
+results. For more details on how transformation matrices work in general, please see, for example, the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>or
+PostScript reference or a textbook on computer graphics.
+<!--l. 77--><p class="indent"> The coordinate transformation matrix is equal to the identity matrix at the beginning. More precisely, <span
+class="cmmi-10">a </span>= 1,
+<span
+class="cmmi-10">b </span>= 0, <span
+class="cmmi-10">c </span>= 0, <span
+class="cmmi-10">d </span>= 1, <span
+class="cmmi-10">s </span>= 0pt, and <span
+class="cmmi-10">t </span>= 0pt.
+
+
+<!--l. 81--><p class="indent"> The different coordinate transformation commands will modify the matrix by concatenating it with
+another transformation matrix. This way the effect of applying several transformation commands will
+<span
+class="cmti-10">accumulate</span>.
+<!--l. 86--><p class="indent"> The coordinate transformation matrix is local to the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group (unlike the canvas transformation
+matrix, which is local to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>). Thus, the effect of adding a coordinate transformation to the
+coordinate transformation matrix will last only till the end of the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group.
+<!--l. 95--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">26.2.2 </span> <a
+ id="x27-27700026.2.2"></a>Commands for Relative Coordinate Transformations</h5>
+<!--l. 97--><p class="noindent">The following commands add a basic coordinate transformation to the current coordinate transformation matrix.
+For all commands, the transformation is applied <span
+class="cmti-10">in addition </span>to any previous coordinate transformations.
+<!--l. 102--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox320"><span
+class="cmtt-10">\pgftransformshift</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277001"></a>
+ <!--l. 103--><p class="noindent">Shifts coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 104--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-518-" ><colgroup id="TBL-518-1g"><col
+id="TBL-518-1"><col
+id="TBL-518-2"></colgroup><tr
+ valign="baseline" id="TBL-518-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-518-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-597.svg" width="85.75822pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-518-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformshift{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 114--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox321"><span
+class="cmtt-10">\pgftransformxshift</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimensions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277002"></a>
+ <!--l. 115--><p class="noindent">Shifts coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>along the <span
+class="cmmi-10">x</span>-axis.
+ <!--l. 116--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-519-" ><colgroup id="TBL-519-1g"><col
+id="TBL-519-1"><col
+id="TBL-519-2"></colgroup><tr
+ valign="baseline" id="TBL-519-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-519-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-598.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-519-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxshift{.5cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 126--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox322"><span
+class="cmtt-10">\pgftransformyshift</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimensions</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277003"></a>
+ <!--l. 127--><p class="noindent">Like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftransformxshift</span></span></span>, only for the <span
+class="cmmi-10">y</span>-axis. </dd></dl>
+<!--l. 130--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox323"><span
+class="cmtt-10">\pgftransformscale</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277004"></a>
+ <!--l. 131--><p class="noindent">Scales coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 132--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-520-" ><colgroup id="TBL-520-1g"><col
+id="TBL-520-1"><col
+id="TBL-520-2"></colgroup><tr
+ valign="baseline" id="TBL-520-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-520-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-599.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-520-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformscale{.75}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 142--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox324"><span
+class="cmtt-10">\pgftransformxscale</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277005"></a>
+ <!--l. 143--><p class="noindent">Scales coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>in the <span
+class="cmmi-10">x</span>-direction.
+ <!--l. 144--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-521-" ><colgroup id="TBL-521-1g"><col
+id="TBL-521-1"><col
+id="TBL-521-2"></colgroup><tr
+ valign="baseline" id="TBL-521-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-521-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-600.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-521-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxscale{.75}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 155--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox325"><span
+class="cmtt-10">\pgftransformyscale</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277006"></a>
+ <!--l. 156--><p class="noindent">Like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftransformxscale</span></span></span>, only for the <span
+class="cmmi-10">y</span>-axis. </dd></dl>
+<!--l. 160--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox326"><span
+class="cmtt-10">\pgftransformxslant</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277007"></a>
+ <!--l. 161--><p class="noindent">Slants coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>in the <span
+class="cmmi-10">x</span>-direction. Here, a factor of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1</span></span></span> means 45<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ <!--l. 163--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-522-" ><colgroup id="TBL-522-1g"><col
+id="TBL-522-1"><col
+id="TBL-522-2"></colgroup><tr
+ valign="baseline" id="TBL-522-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-522-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-601.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-522-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxslant{.5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </dd></dl>
+<!--l. 174--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox327"><span
+class="cmtt-10">\pgftransformyslant</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277008"></a>
+ <!--l. 175--><p class="noindent">Slants coordinates by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>in the <span
+class="cmmi-10">y</span>-direction.
+ <!--l. 176--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-523-" ><colgroup id="TBL-523-1g"><col
+id="TBL-523-1"><col
+id="TBL-523-2"></colgroup><tr
+ valign="baseline" id="TBL-523-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-523-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-602.svg" width="85.65822pt" height="85.65822pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-523-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformyslant{-1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 188--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox328"><span
+class="cmtt-10">\pgftransformrotate</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degrees</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277009"></a>
+ <!--l. 189--><p class="noindent">Rotates coordinates counterclockwise by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degrees</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 190--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-524-" ><colgroup id="TBL-524-1g"><col
+id="TBL-524-1"><col
+id="TBL-524-2"></colgroup><tr
+ valign="baseline" id="TBL-524-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-524-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-603.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-524-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 201--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox329"><span
+class="cmtt-10">\pgftransformcm</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">a</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">b</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">c</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277010"></a>
+ <!--l. 202--><p class="noindent">Applies the transformation matrix given by <span
+class="cmmi-10">a</span>, <span
+class="cmmi-10">b</span>, <span
+class="cmmi-10">c</span>, and <span
+class="cmmi-10">d </span>and the shift <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>to coordinates (in addition to
+ any previous transformations already in force).
+
+
+ <!--l. 205--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-525-" ><colgroup id="TBL-525-1g"><col
+id="TBL-525-1"><col
+id="TBL-525-2"></colgroup><tr
+ valign="baseline" id="TBL-525-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-525-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-604.svg" width="85.65822pt" height="92.8714pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-525-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformcm{1}{1}{0}{1}{\pgfpoint{.25cm}{.25cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 216--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox330"><span
+class="cmtt-10">\pgftransformarrow</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277011"></a>
+ <!--l. 217--><p class="noindent">Shift coordinates to the end of the line going from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt; </span>to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt; </span>with the correct rotation.
+ <!--l. 219--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-526-" ><colgroup id="TBL-526-1g"><col
+id="TBL-526-1"><col
+id="TBL-526-2"></colgroup><tr
+ valign="baseline" id="TBL-526-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-526-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-605.svg" width="91.49536pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-526-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformarrow{\pgfpointorigin}{\pgfpoint{3cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{tip}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 230--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox331"><span
+class="cmtt-10">\pgftransformlineattime</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">time</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277012"></a>
+ <!--l. 231--><p class="noindent">Shifts coordinates by a specific point on a line at a specific time. The point by which the coordinate is
+ shifted is calculated by calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpointlineattime</span></span></span>, see Section&nbsp;<a
+href="pgfmanualse20.html#x21-21000020.4.2">20.4.2<!--tex4ht:ref: section-pointsattime --></a>.
+ <!--l. 236--><p class="noindent">In addition to shifting the coordinate, a rotation <span
+class="cmti-10">may </span>also be applied. Whether this is the case depends on
+ whether the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfslopedattime</span></span></span> is set to true or not.
+ <!--l. 239--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-527-" ><colgroup id="TBL-527-1g"><col
+id="TBL-527-1"><col
+id="TBL-527-2"></colgroup><tr
+ valign="baseline" id="TBL-527-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-527-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-606.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-527-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 247--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-528-" ><colgroup id="TBL-528-1g"><col
+id="TBL-528-1"><col
+id="TBL-528-2"></colgroup><tr
+ valign="baseline" id="TBL-528-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-528-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-607.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-528-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfslopedattimetrue</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 257--><p class="noindent">There is another <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;if that influences this command. If you set <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfresetnontranslationattime</span></span></span> to
+ true, then, between shifting the coordinate and (possibly) rotating/sloping the coordinate, the
+ command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftransformresetnontranslations</span></span></span> is called. See the description of this command for
+ details.
+ <!--l. 262--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-529-" ><colgroup id="TBL-529-1g"><col
+id="TBL-529-1"><col
+id="TBL-529-2"></colgroup><tr
+ valign="baseline" id="TBL-529-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-529-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-608.svg" width="85.75822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-529-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformscale{1.5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfslopedattimetrue</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfresetnontranslationattimefalse</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 273--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-530-" ><colgroup id="TBL-530-1g"><col
+id="TBL-530-1"><col
+id="TBL-530-2"></colgroup><tr
+ valign="baseline" id="TBL-530-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-530-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-609.svg" width="85.75822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-530-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformscale{1.5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfslopedattimetrue</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfresetnontranslationattimetrue</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformlineattime{.25}{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 288--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox332"><span
+class="cmtt-10">\pgftransformcurveattime</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">time</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first support</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second support</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277013"></a>
+ <!--l. 289--><p class="noindent">Shifts coordinates by a specific point on a curve at a specific time, see Section&nbsp;<a
+href="pgfmanualse20.html#x21-21000020.4.2">20.4.2<!--tex4ht:ref: section-pointsattime --></a> once more.
+ <!--l. 292--><p class="noindent">As for the line-at-time transformation command, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfslopedattime</span></span></span> decides whether an additional rotation
+ should be applied.
+
+
+ <!--l. 294--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-531-" ><colgroup id="TBL-531-1g"><col
+id="TBL-531-1"><col
+id="TBL-531-2"></colgroup><tr
+ valign="baseline" id="TBL-531-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-531-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-610.svg" width="87.09572pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-531-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformcurveattime{.25}{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{2cm}}{\pgfpoint{1cm}{2cm}}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 303--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-532-" ><colgroup id="TBL-532-1g"><col
+id="TBL-532-1"><col
+id="TBL-532-2"></colgroup><tr
+ valign="baseline" id="TBL-532-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-532-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-611.svg" width="86.26747pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-532-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfslopedattimetrue</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformcurveattime{.25}{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfpoint{0cm}{2cm}}{\pgfpoint{1cm}{2cm}}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{Hi!}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 313--><p class="noindent">The value of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfresetnontranslationsattime</span></span></span> is also taken into account. </dd></dl>
+<!--l. 319--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox333"><span
+class="cmtt-10">\ifpgfslopedattime</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277014"></a>
+ <!--l. 320--><p class="noindent">Decides whether the &#8220;at time&#8221; transformation commands also rotate coordinates or not. </dd></dl>
+<!--l. 326--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox334"><span
+class="cmtt-10">\ifpgfresetnontranslationsattime</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-277015"></a>
+ <!--l. 327--><p class="noindent">Decides whether the &#8220;at time&#8221; transformation commands should reset the non-translations between
+ shifting and rotating. </dd></dl>
+<!--l. 333--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">26.2.3 </span> <a
+ id="x27-27800026.2.3"></a>Commands for Absolute Coordinate Transformations</h5>
+<!--l. 335--><p class="noindent">The coordinate transformation commands introduced up to now are always applied in addition to
+any previous transformations. In contrast, the commands presented in the following can be used to
+change the transformation matrix &#8220;absolutely.&#8221; Note that this is, in general, dangerous and will often
+produce unexpected effects. You should use these commands only if you really know what you are
+doing.
+<!--l. 342--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox335"><span
+class="cmtt-10">\pgftransformreset</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-278001"></a>
+ <!--l. 343--><p class="noindent">Resets the coordinate transformation matrix to the identity matrix. Thus, once this command is given no
+ transformations are applied till the end of the scope.
+
+
+ <!--l. 346--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-533-" ><colgroup id="TBL-533-1g"><col
+id="TBL-533-1"><col
+id="TBL-533-2"></colgroup><tr
+ valign="baseline" id="TBL-533-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-533-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-612.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-533-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformreset</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 358--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox336"><span
+class="cmtt-10">\pgftransformresetnontranslations</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-278002"></a>
+ <!--l. 359--><p class="noindent">This command sets the <span
+class="cmmi-10">a</span>, <span
+class="cmmi-10">b</span>, <span
+class="cmmi-10">c</span>, and <span
+class="cmmi-10">d </span>part of the coordinate transformation matrix to <span
+class="cmmi-10">a </span>= 1, <span
+class="cmmi-10">b </span>= 0,
+ <span
+class="cmmi-10">c </span>= 0, and <span
+class="cmmi-10">d </span>= 1. However, the current shifting of the matrix is not modified.
+ <!--l. 363--><p class="noindent">The effect of this command is that any rotation/scaling/slanting is undone in the current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group,
+ but the origin is not &#8220;moved back.&#8221;
+ <!--l. 367--><p class="noindent">This command is mostly useful directly before a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> command to ensure that the text is not scaled or
+ rotated.
+ <!--l. 369--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-534-" ><colgroup id="TBL-534-1g"><col
+id="TBL-534-1"><col
+id="TBL-534-2"></colgroup><tr
+ valign="baseline" id="TBL-534-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-534-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-613.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-534-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformscale{2}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxshift{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\color{red}\pgftext{rotated}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformresetnontranslations</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext{shifted</span><span
+class="cmtt-8">&nbsp;only}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 383--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox337"><span
+class="cmtt-10">\pgftransforminvert</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-278003"></a>
+ <!--l. 384--><p class="noindent">Replaces the coordinate transformation matrix by a coordinate transformation matrix that &#8220;exactly
+ undoes the original transformation.&#8221; For example, if the original transformation was &#8220;scale by 2 and
+ then shift right by 1cm&#8221; the new one is &#8220;shift left by 1cm and then scale by 1<span
+class="cmmi-10">/</span>2.&#8221;
+ <!--l. 390--><p class="noindent">This command will produce an error if the determinant of the matrix is too small, that is, if the matrix is
+ near-singular.
+
+
+ <!--l. 392--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-535-" ><colgroup id="TBL-535-1g"><col
+id="TBL-535-1"><col
+id="TBL-535-2"></colgroup><tr
+ valign="baseline" id="TBL-535-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-535-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-614.svg" width="85.65822pt" height="71.43184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-535-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformrotate{30}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransforminvert</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 404--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">26.2.4 </span> <a
+ id="x27-27900026.2.4"></a>Saving and Restoring the Coordinate Transformation Matrix</h5>
+<!--l. 406--><p class="noindent">There are two commands for saving and restoring coordinate transformation matrices.
+<!--l. 409--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox338"><span
+class="cmtt-10">\pgfgettransform</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-279001"></a>
+ <!--l. 410--><p class="noindent">This command will (locally) define <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt; </span>to a representation of the current coordinate transformation
+ matrix. This matrix can later on be reinstalled using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsettransform</span></span></span>. </dd></dl>
+<!--l. 416--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox339"><span
+class="cmtt-10">\pgfsettransform</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-279002"></a>
+ <!--l. 417--><p class="noindent">Reinstalls a coordinate transformation matrix that was previously saved using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfgettransform</span></span></span>. </dd></dl>
+<!--l. 423--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">26.3 </span> <a
+ id="x27-28000026.3"></a>Canvas Transformations</h4>
+<!--l. 425--><p class="noindent">The canvas transformation matrix is not managed by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, but by the output format like <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;or PostScript. All the
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;does is to call appropriate low-level <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands to change the canvas transformation
+matrix.
+<!--l. 430--><p class="indent"> Unlike coordinate transformations, canvas transformations apply to &#8220;everything,&#8221; including images, text,
+shadings, line thickness, and so on. The idea is that a canvas transformation really stretches and deforms the canvas
+after the graphic is finished.
+<!--l. 435--><p class="indent"> Unlike coordinate transformations, canvas transformations are local to the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>, not to the
+current <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group. This is due to the fact that they are managed by the backend driver, not by <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;or
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>.
+<!--l. 440--><p class="indent"> Unlike the coordinate transformation matrix, it is not possible to &#8220;reset&#8221; the canvas transformation matrix. The
+only way to change it is to concatenate it with another canvas transformation matrix or to end the current
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>.
+<!--l. 445--><p class="indent"> Unlike coordinate transformations, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;does not &#8220;keep track&#8221; of canvas transformations. In particular, it
+will not be able to correctly save the coordinates of shapes or nodes when a canvas transformation is
+used.
+<!--l. 450--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;does not offer a whole set of special commands for modifying the canvas transformation matrix. Instead,
+different commands allow you to concatenate the canvas transformation matrix with a coordinate transformation
+matrix (and there are numerous commands for specifying a coordinate transformation, see the previous
+section).
+<!--l. 456--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox340"><span
+class="cmtt-10">\pgflowlevelsynccm</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-280001"></a>
+ <!--l. 457--><p class="noindent">This command concatenates the canvas transformation matrix with the current coordinate
+ transformation matrix. Afterward, the coordinate transformation matrix is reset.
+ <!--l. 461--><p class="noindent">The effect of this command is to &#8220;synchronize&#8221; the coordinate transformation matrix and the
+ canvas transformation matrix. All transformations that were previously applied by the coordinate
+ transformations matrix are now applied by the canvas transformation matrix.
+ <!--l. 467--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-536-" ><colgroup id="TBL-536-1g"><col
+id="TBL-536-1"><col
+id="TBL-536-2"></colgroup><tr
+ valign="baseline" id="TBL-536-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-536-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-615.svg" width="85.95822pt" height="57.50548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-536-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformscale{5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxshift{0.2cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgflowlevelsynccm</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 481--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox341"><span
+class="cmtt-10">\pgflowlevel</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-280002"></a>
+ <!--l. 482--><p class="noindent">This command concatenates the canvas transformation matrix with the coordinate transformation
+ specified by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 485--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-537-" ><colgroup id="TBL-537-1g"><col
+id="TBL-537-1"><col
+id="TBL-537-2"></colgroup><tr
+ valign="baseline" id="TBL-537-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-537-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-616.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-537-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgflowlevel{\pgftransformscale{5}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 496--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox342"><span
+class="cmtt-10">\pgflowlevelobj</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-280003"></a>
+ <!--l. 497--><p class="noindent">This command creates a local <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. Inside this scope, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflowlevel</span></span></span> is first called with the
+ argument <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span>, then the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is inserted.
+
+
+ <!--l. 501--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-538-" ><colgroup id="TBL-538-1g"><col
+id="TBL-538-1"><col
+id="TBL-538-2"></colgroup><tr
+ valign="baseline" id="TBL-538-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-538-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-617.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-538-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgflowlevelobj{\pgftransformscale{5}}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgflowlevelobj{\pgftransformxshift{-1cm}}{\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 512--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox343"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgflowlevelscope</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox344"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox345"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgflowlevelscope</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx27-280004"></a>
+<a
+ id="dx27-280005"></a>
+ <!--l. 513--><p class="noindent">This environment first surrounds the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt; </span>by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span>. Then it calls
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflowlevel</span></span></span> with the argument <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">transformation code</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 517--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-539-" ><colgroup id="TBL-539-1g"><col
+id="TBL-539-1"><col
+id="TBL-539-2"></colgroup><tr
+ valign="baseline" id="TBL-539-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-539-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-618.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-539-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinewidth{1pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgflowlevelscope}{\pgftransformscale{5}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgflowlevelscope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgflowlevelscope}{\pgftransformxshift{-1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0.4,.2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgflowlevelscope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse27.html" >next</a>] [<a
+href="pgfmanualse25.html" >prev</a>] [<a
+href="pgfmanualse25.html#tailpgfmanualse25.html" >prev-tail</a>] [<a
+href="pgfmanualse26.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse26.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse26.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse27.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse27.html
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@@ -0,0 +1,726 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>27 Declaring and Using Images</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse28.html" >next</a>] [<a
+href="pgfmanualse26.html" >prev</a>] [<a
+href="pgfmanualse26.html#tailpgfmanualse26.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse27.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse27.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">27 </span> <a
+ id="x28-28100027"></a>Declaring and Using Images</h3>
+<!--l. 12--><p class="noindent">This section describes the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span> package.
+<!--l. 14--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox346"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfbaseimage</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx28-281001"></a>
+<a
+ id="dx28-281002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox347"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseimage</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox348"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseimage</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 15--><p class="noindent">This package offers an abstraction of the image inclusion process. It is loaded automatically by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>,
+ but you can load it manually if you have only included <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>. </dd></dl>
+<!--l. 20--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">27.1 </span> <a
+ id="x28-28200027.1"></a>Overview</h4>
+<!--l. 22--><p class="noindent">To be quite frank, <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\includegraphics</span></span></span> is designed better than <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseimage</span></span></span>. For this reason, <span
+class="cmti-10">I</span>
+<span
+class="cmti-10">recommend that you use the standard image inclusion mechanism of your format</span>. Thus, <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;users are
+encouraged to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\includegraphics</span></span></span> to include images.
+<!--l. 27--><p class="indent"> However, there are reasons why you might need to use the image inclusion facilities of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>:
+ <ul class="itemize1">
+ <li class="itemize">There is no standard image inclusion mechanism in your format. For example, plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;does not
+ have one, so <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s inclusion mechanism is &#8220;better than nothing.&#8221;
+ <!--l. 35--><p class="noindent">However, this applies only to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> backend. For all other backends, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;currently maps its
+ commands back to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> package. Thus, in plain <span class="TEX">T<span
+class="E">E</span>X</span>, this does not really help. It might be a
+ good idea to fix this in the future such that <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;becomes independent of <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>, thereby providing
+ a uniform image abstraction for all formats.
+ </li>
+ <li class="itemize">You wish to use masking. This is a feature that is only supported by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, though I hope that someone
+ will implement this also for the graphics package in <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;in the future.</li></ul>
+<!--l. 47--><p class="indent"> Whatever your choice, you can still use the usual image inclusion facilities of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphics</span></span></span> package.
+<!--l. 50--><p class="indent"> The general approach taken by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to including an image is the following: First, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclareimage</span></span></span> declares
+the image. This must be done prior to the first use of the image. Once you have declared an image, you can insert it
+into the text using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage</span></span></span>. The advantage of this two-phase approach is that, at least for <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>, the image
+data will only be included once in the file. This can drastically reduce the file size if you use an image repeatedly, for
+example in an overlay. However, there is also a command called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfimage</span></span></span> that declares and then immediately uses
+the image.
+<!--l. 61--><p class="indent"> To speedup the compilation, you may wish to use the following class option:
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox349"><span
+class="cmtt-10">\usepackage[</span><span
+class="cmtt-10">draft</span><span
+class="cmtt-10">]{pgf}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-282001"></a>
+<a
+ id="dx28-282002"></a>
+ <!--l. 64--><p class="noindent">In draft mode boxes showing the image name replace the images. It is checked whether the image files
+ exist, but they are not read. If either height or width is not given, 1cm is used instead. </dd></dl>
+
+
+<!--l. 70--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">27.2 </span> <a
+ id="x28-28300027.2"></a>Declaring an Image</h4>
+<!--l. 73--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox350"><span
+class="cmtt-10">\pgfdeclareimage</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-283001"></a>
+ <!--l. 74--><p class="noindent">Declares an image, but does not paint anything. To draw the image, use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">image</span>
+ <span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>. The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt; </span>may not have an extension. For <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>, the extensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.jpg</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.png</span></span></span> will
+ automatically tried. For PostScript, the extensions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.eps</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.epsi</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span> will be tried.
+ <!--l. 80--><p class="noindent">The following options are possible:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">height=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span> sets the height of the image. If the width is not specified simultaneously, the
+ aspect ratio of the image is kept.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">width=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span> sets the width of the image. If the height is not specified simultaneously, the
+ aspect ratio of the image is kept.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">page=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">page number</span><span
+class="cmsy-10">&gt;</span> selects a given page number from a multipage document. Specifying this option will
+ have the following effect: first, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;tries to find a file named
+ <div class="quote">
+ <!--l. 95--><p class="noindent"><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.page</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">page number</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extension</span><span
+class="cmsy-10">&gt;</span></div>
+ <!--l. 97--><p class="noindent">If such a file is found, it will be used instead of the originally specified filename. If not, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;inserts the
+ image stored in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extension</span><span
+class="cmsy-10">&gt; </span>and if a recent version of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> is used, only the selected page
+ is inserted. For older versions of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> and for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span> the complete document is inserted and a
+ warning is printed.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">interpolate=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">true or false</span><span
+class="cmsy-10">&gt;</span> selects whether the image should &#8220;smoothed&#8221; when zoomed. False by
+ default.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mask=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mask name</span><span
+class="cmsy-10">&gt;</span> selects a transparency mask. The mask must previously be declared using
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclaremask</span></span></span> (see below). This option only has an effect for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdf</span></span></span>. Not all viewers support
+ masking.</li></ul>
+ <!--l. 113--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-540-" ><colgroup id="TBL-540-1g"><col
+id="TBL-540-1"></colgroup><tr
+ valign="baseline" id="TBL-540-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-540-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,height=1cm]{image1}{pgf-tu-logo}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]{image2}{pgf-tu-logo}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,height=1cm]{image3}{pgf-tu-logo}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 121--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox351"><span
+class="cmtt-10">\pgfaliasimage</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">existing image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-283002"></a>
+ <!--l. 122--><p class="noindent">The <span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">existing image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>is &#8220;cloned&#8221; and the <span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">new image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>can now be used whenever
+ original image is used. This command is useful for creating aliases for alternate extensions and for
+ accessing the last image inserted using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfimage</span></span></span>.
+ <!--l. 127--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfaliasimage{image.!30!white}{image.!25!white}</span></span></span> </dd></dl>
+
+
+<!--l. 131--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">27.3 </span> <a
+ id="x28-28400027.3"></a>Using an Image</h4>
+<!--l. 133--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox352"><span
+class="cmtt-10">\pgfuseimage</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">image name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-284001"></a>
+ <!--l. 134--><p class="noindent">Inserts a previously declared image into the <span
+class="cmti-10">normal text</span>. If you wish to use it in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>
+ environment, you must put a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> around it.
+ <!--l. 138--><p class="noindent">If the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfalternateextension</span></span></span> expands to some nonempty <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt;</span>, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will
+ first try to use the image names <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">image name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt;</span>. If this image is not defined,
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will next check whether <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt; </span>contains a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span> character. If so, everything up to this
+ exclamation mark and including it is deleted from <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt; </span>and the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;again tries to use
+ the image <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">image name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt;</span>. This is repeated until <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">alternate extension</span><span
+class="cmsy-10">&gt; </span>no longer
+ contains a&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span>. Then the original image is used.
+ <!--l. 149--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xxcolor</span></span></span> package sets the alternate extension to the current color mixin.
+ <!--l. 152--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-541-" ><colgroup id="TBL-541-1g"><col
+id="TBL-541-1"><col
+id="TBL-541-2"></colgroup><tr
+ valign="baseline" id="TBL-541-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-541-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-619.svg" width="28.85274pt" height="142.66377pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-541-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]{image1}{pgf-tu-logo}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,width=1cm]{image2}{pgf-tu-logo}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,height=1cm]{image3}{pgf-tu-logo}</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{5cm},left,base]{\pgfuseimage{image1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{3cm},left,base]{\pgfuseimage{image2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{1cm},left,base]{\pgfuseimage{image3}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 168--><p class="noindent">The following example demonstrates the effect of using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseimage</span></span></span> inside a color mixin environment.
+
+
+ <!--l. 171--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-542-" ><colgroup id="TBL-542-1g"><col
+id="TBL-542-1"><col
+id="TBL-542-2"></colgroup><tr
+ valign="baseline" id="TBL-542-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-542-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-620.svg" width="28.85274pt" height="142.66377pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-542-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,width=1cm,height=1cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{image1.!25!white}{pgf-tu-logo.25}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,width=1cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{image2.25!white}{pgf-tu-logo.25}</span>
+<br><span
+class="cmtt-8">\pgfdeclareimage[interpolate=true,height=1cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{image3.white}{pgf-tu-logo.25}</span>
+<br><span
+class="cmtt-8">\begin{colormixin}{25!white}</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{5cm},left,base]{\pgfuseimage{image1}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{3cm},left,base]{\pgfuseimage{image2}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{1cm},left,base]{\pgfuseimage{image3}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span>
+<br><span
+class="cmtt-8">\end{colormixin}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 193--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox353"><span
+class="cmtt-10">\pgfalternateextension</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-284002"></a>
+ <!--l. 194--><p class="noindent">You should redefine this command to install a different alternate extension.
+ <!--l. 197--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\def\pgfalternateextension{!25!white}</span></span></span> </dd></dl>
+<!--l. 201--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox354"><span
+class="cmtt-10">\pgfimage</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-284003"></a>
+ <!--l. 202--><p class="noindent">Declares the image under the name <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflastimage</span></span></span> and immediately uses it. You can &#8220;save&#8221; the image
+ for later usage by invoking <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfaliasimage</span></span></span> on <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflastimage</span></span></span>.
+
+
+ <!--l. 206--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-543-" ><colgroup id="TBL-543-1g"><col
+id="TBL-543-1"><col
+id="TBL-543-2"></colgroup><tr
+ valign="baseline" id="TBL-543-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-543-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-621.svg" width="28.85274pt" height="142.66377pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-543-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{colormixin}{25!white}</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{5cm},left,base]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfimage[interpolate=true,width=1cm,height=1cm]{pgf-tu-logo}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{3cm},left,base]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfimage[interpolate=true,width=1cm]{pgf-tu-logo}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{1cm},left,base]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfimage[interpolate=true,height=1cm]{pgf-tu-logo}}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{5cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{3cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{1cm}{1cm}}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span>
+<br><span
+class="cmtt-8">\end{colormixin}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 227--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">27.4 </span> <a
+ id="x28-28500027.4"></a>Masking an Image</h4>
+<!--l. 230--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox355"><span
+class="cmtt-10">\pgfdeclaremask</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mask name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx28-285001"></a>
+ <!--l. 231--><p class="noindent">Declares a transparency mask named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mask name</span><span
+class="cmsy-10">&gt; </span>(called a <span
+class="cmti-10">soft mask </span>in the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>specification). This
+ mask is read from the file <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span>. This file should contain a grayscale image that is as large as
+ the actual image. A white pixel in the mask will correspond to &#8220;transparent,&#8221; a black pixel to &#8220;solid,&#8221;
+ and gray values correspond to intermediate values. The mask must have a single &#8220;color channel.&#8221; This
+ means that the mask must be a &#8220;real&#8221; grayscale image, not an <span
+class="cmcsc-10"><small
+class="small-caps">R</small><small
+class="small-caps">G</small><small
+class="small-caps">B</small></span>-image in which all <span
+class="cmcsc-10"><small
+class="small-caps">R</small><small
+class="small-caps">G</small><small
+class="small-caps">B</small></span>-triples
+ happen to have the same components.
+ <!--l. 242--><p class="noindent">You can only mask images the are in a &#8220;pixel format.&#8221; These are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.jpg</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.png</span></span></span>. You cannot mask
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> images in this way. Also, again, the mask file and the image file must have the same size.
+ <!--l. 246--><p class="noindent">The following options may be given:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">matte=</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color components</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">} </span>sets the so-called <span
+class="cmti-10">matte </span>of the actual image (strangely, this has to be
+ specified together with the mask, not with the image itself). The matte is the color that has been
+ used to preblend the image. For example, if the image has been preblended with a red background,
+ then <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color components</span><span
+class="cmsy-10">&gt; </span>should be set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{1</span><span
+class="cmtt-10">&nbsp;0</span><span
+class="cmtt-10">&nbsp;0}</span></span></span>. The default is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{1</span><span
+class="cmtt-10">&nbsp;1</span><span
+class="cmtt-10">&nbsp;1}</span></span></span>, which is white in the
+ rgb model.
+ <!--l. 256--><p class="noindent">The matte is specified in terms of the parent&#8217;s image color space. Thus, if the parent is a grayscale
+ image, the matte has to be set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{1}</span></span></span>.</li></ul>
+ <!--l. 260--><p class="noindent"><span
+class="cmti-10">Example:</span>
+
+
+ <!--l. 261--><p class="noindent"><div class="obeylines-v"></div> <object data="pgfmanual-622.svg" width="398.33858pt" height="142.26378pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><span
+class="cmr-5">pgflastimage</span>
+ ____________<span
+class="cmr-5">pgflastimage</span>
+ ____________<span
+class="cmr-5">pgflastimage</span>
+ <!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-544-" ><colgroup id="TBL-544-1g"><col
+id="TBL-544-1"></colgroup><tr
+ valign="baseline" id="TBL-544-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-544-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmsltt-10x-x-80">%%</span><span
+class="cmsltt-10x-x-80">&nbsp;Draw</span><span
+class="cmsltt-10x-x-80">&nbsp;a</span><span
+class="cmsltt-10x-x-80">&nbsp;large</span><span
+class="cmsltt-10x-x-80">&nbsp;colorful</span><span
+class="cmsltt-10x-x-80">&nbsp;background</span>
+<br><span
+class="cmtt-8">\pgfdeclarehorizontalshading{colorful}{5cm}{color(0cm)=(red);</span>
+<br><span
+class="cmtt-8">color(2cm)=(green);</span><span
+class="cmtt-8">&nbsp;color(4cm)=(blue);</span><span
+class="cmtt-8">&nbsp;color(6cm)=(red);</span>
+<br><span
+class="cmtt-8">color(8cm)=(green);</span><span
+class="cmtt-8">&nbsp;color(10cm)=(blue);</span><span
+class="cmtt-8">&nbsp;color(12cm)=(red);</span>
+<br><span
+class="cmtt-8">color(14cm)=(green)}</span>
+<br><span
+class="cmtt-8">\hbox{\pgfuseshading{colorful}\hskip-14cm\hskip1cm</span>
+<br><span
+class="cmtt-8">\pgfimage[height=4cm]{pgf-apple}\hskip1cm</span>
+<br><span
+class="cmtt-8">\pgfimage[height=4cm]{pgf-apple.mask}\hskip1cm</span>
+<br><span
+class="cmtt-8">\pgfdeclaremask{mymask}{pgf-apple.mask}</span>
+<br><span
+class="cmtt-8">\pgfimage[mask=mymask,height=4cm,interpolate=true]{pgf-apple}}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse28.html" >next</a>] [<a
+href="pgfmanualse26.html" >prev</a>] [<a
+href="pgfmanualse26.html#tailpgfmanualse26.html" >prev-tail</a>] [<a
+href="pgfmanualse27.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse27.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse27.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse28.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse28.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>28 Declaring and Using Shadings</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse29.html" >next</a>] [<a
+href="pgfmanualse27.html" >prev</a>] [<a
+href="pgfmanualse27.html#tailpgfmanualse27.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse28.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse28.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">28 </span> <a
+ id="x29-28600028"></a>Declaring and Using Shadings</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">28.1 </span> <a
+ id="x29-28700028.1"></a>Overview</h4>
+<!--l. 14--><p class="noindent">A shading is an area in which the color changes smoothly between different colors. Similarly to an image, a
+shading must first be declared before it can be used. Also similarly to an image, a shading is put into a
+<span class="TEX">T<span
+class="E">E</span>X</span>-box. Hence, in order to include a shading in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>, you have to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> around
+it.
+<!--l. 20--><p class="indent"> There are three kinds of shadings: horizontal, vertical, and radial shadings. However, you can rotate and clip
+shadings like any other graphics object, which allows you to create more complicated shadings. Horizontal shadings
+could be created by rotating a vertical shading by 90 degrees, but explicit commands for creating both horizontal
+and vertical shadings are included for convenience.
+<!--l. 27--><p class="indent"> Once you have declared a shading, you can insert it into text using the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseshading</span></span></span>. This
+command cannot be used directly in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>, you have to put a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgftext</span></span></span> around it. The second command
+for using shadings, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfshadepath</span></span></span>, on the other hand, can only be used inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environments. It will
+&#8220;fill&#8221; the current path with the shading.
+<!--l. 34--><p class="indent"> A horizontal shading is a horizontal bar of a certain height whose color changes smoothly. You must at least
+specify the colors at the left and at the right end of the bar, but you can also add color specifications for points in
+between. For example, suppose you which to create a bar that is red at the left end, green in the
+middle, and blue at the end. Suppose you would like the bar to be 4cm long. This could be specified as
+follows:
+<!--l. 41--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-545-" ><colgroup id="TBL-545-1g"><col
+id="TBL-545-1"></colgroup><tr
+ valign="baseline" id="TBL-545-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-545-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">rgb(0cm)=(1,0,0);</span><span
+class="cmtt-8">&nbsp;rgb(2cm)=(0,1,0);</span><span
+class="cmtt-8">&nbsp;rgb(4cm)=(0,0,1)</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 44--><p class="indent"> This line means that at 0cm (the left end) of the bar, the color should be red, which has red-green-blue (rgb)
+components (1,0,0). At 2cm, the bar should be green, and at 4cm it should be blue. Instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rgb</span></span></span>, you can
+currently also specify <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gray</span></span></span> as color model, in which case only one value is needed, or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color</span></span></span>, in which case you must
+provide the name of a color in parentheses. In a color specification the individual specifications must be separated
+using a semicolon, which may be followed by a whitespace (like a space or a newline). Individual specifications must
+be given in increasing order.
+<!--l. 55--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">28.2 </span> <a
+ id="x29-28800028.2"></a>Declaring Shadings</h4>
+<!--l. 58--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox356"><span
+class="cmtt-10">\pgfdeclarehorizontalshading</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading height</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx29-288001"></a>
+ <!--l. 59--><p class="noindent">Declares a horizontal shading named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt; </span>of the specified <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt; </span>with the specified colors.
+ The length of the bar is deduced automatically from the maximum dimension in the specification.
+ <!--l. 63--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-546-" ><colgroup id="TBL-546-1g"><col
+id="TBL-546-1"><col
+id="TBL-546-2"></colgroup><tr
+ valign="baseline" id="TBL-546-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-546-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-623.svg" width="113.81102pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-546-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclarehorizontalshading{myshadingA}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{1cm}{rgb(0cm)=(1,0,0);</span><span
+class="cmtt-8">&nbsp;color(2cm)=(green);</span><span
+class="cmtt-8">&nbsp;color(4cm)=(blue)}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{myshadingA}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 69--><p class="noindent">The effect of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span>, which is a comma-separated list of colors, is the following: Normally, when this
+ list is empty, once a shading has been declared, it becomes &#8220;frozen.&#8221; This means that even if you change a
+ color that was used in the declaration of the shading later on, the shading will not change. By specifying a
+
+
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt; </span>you can specify that the shading should be recalculated whenever one of the colors listed in
+ the list changes (this includes effects like color mixins). Thus, when you specify a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span>,
+ whenever the shading is used, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;first converts the colors in the list to <span
+class="cmcsc-10"><small
+class="small-caps">R</small><small
+class="small-caps">G</small><small
+class="small-caps">B</small> </span>triples using the
+ current values of the colors and taking any mixins and blends into account. If the resulting <span
+class="cmcsc-10"><small
+class="small-caps">R</small><small
+class="small-caps">G</small><small
+class="small-caps">B</small></span>
+ triples have not yet been used, a new shading is internally created and used. Note that if the
+ option <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt; </span>is used, then no shading is created until the first use of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfuseshading</span></span></span>.
+ In particular, the colors mentioned in the shading need not be defined when the declaration is
+ given.
+ <!--l. 88--><p class="noindent">When a shading is recalculated because of a change in the colors mentioned in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span>, the complete
+ shading is recalculated. Thus even colors not mentioned in the list will be used with their current values, not
+ with the values they had upon declaration.
+ <!--l. 94--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-547-" ><colgroup id="TBL-547-1g"><col
+id="TBL-547-1"><col
+id="TBL-547-2"></colgroup><tr
+ valign="baseline" id="TBL-547-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-547-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-624.svg" width="56.9055pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> <object data="pgfmanual-625.svg" width="56.9055pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-547-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclarehorizontalshading[mycolor]{myshadingB}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{1cm}{rgb(0cm)=(1,0,0);</span><span
+class="cmtt-8">&nbsp;color(2cm)=(mycolor)}</span>
+<br><span
+class="cmtt-8">\colorlet{mycolor}{green}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{myshadingB}</span>
+<br><span
+class="cmtt-8">\colorlet{mycolor}{blue}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{myshadingB}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 106--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox357"><span
+class="cmtt-10">\pgfdeclareverticalshading</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx29-288002"></a>
+ <!--l. 107--><p class="noindent">Declares a vertical shading named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt; </span>of the specified <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span>. The height of the bar is
+ deduced automatically. The effect of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt; </span>is the same as for horizontal shadings.
+ <!--l. 112--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-548-" ><colgroup id="TBL-548-1g"><col
+id="TBL-548-1"><col
+id="TBL-548-2"></colgroup><tr
+ valign="baseline" id="TBL-548-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-548-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-626.svg" width="113.81102pt" height="56.9055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-548-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareverticalshading{myshadingC}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{4cm}{rgb(0cm)=(1,0,0);</span><span
+class="cmtt-8">&nbsp;rgb(1.5cm)=(0,1,0);</span><span
+class="cmtt-8">&nbsp;rgb(2cm)=(0,0,1)}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{myshadingC}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 121--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox358"><span
+class="cmtt-10">\pgfdeclareradialshading</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx29-288003"></a>
+ <!--l. 122--><p class="noindent">Declares an radial shading. A radial shading is a circle whose inner color changes as specified by the
+ color specification. Assuming that the center of the shading is at the origin, the color of the center
+ will be the color specified for 0cm and the color of the border of the circle will be the color for the
+ maximum dimension given in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color specified</span><span
+class="cmsy-10">&gt;</span>. This maximum will also be the radius of the circle.
+ If the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">center point</span><span
+class="cmsy-10">&gt; </span>is not at the origin, the whole shading inside the circle (whose size remains exactly
+ the same) will be distorted such that the given center now has the color specified for 0cm. The effect
+ of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color list</span><span
+class="cmsy-10">&gt; </span>is the same as for horizontal shadings.
+
+
+ <!--l. 134--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-549-" ><colgroup id="TBL-549-1g"><col
+id="TBL-549-1"><col
+id="TBL-549-2"></colgroup><tr
+ valign="baseline" id="TBL-549-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-549-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-627.svg" width="59.75095pt" height="59.75095pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-549-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfdeclareradialshading{sphere}{\pgfpoint{0.5cm}{0.5cm}}</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{rgb(0cm)=(0.9,0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rgb(0.7cm)=(0.7,0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rgb(1cm)=(0.5,0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rgb(1.05cm)=(1,1,1)}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{sphere}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 145--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">28.3 </span> <a
+ id="x29-28900028.3"></a>Using Shadings</h4>
+<!--l. 148--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox359"><span
+class="cmtt-10">\pgfuseshading</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx29-289001"></a>
+ <!--l. 149--><p class="noindent">Inserts a previously declared shading into the text. If you wish to use it in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpicture</span></span></span> environment,
+ you should put a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfbox</span></span></span> around it.
+ <!--l. 153--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-550-" ><colgroup id="TBL-550-1g"><col
+id="TBL-550-1"><col
+id="TBL-550-2"></colgroup><tr
+ valign="baseline" id="TBL-550-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-550-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-630.svg" width="48.45276pt" height="34.22636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-550-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfdeclareverticalshading{myshadingD}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{20pt}{color(0pt)=(red);</span><span
+class="cmtt-8">&nbsp;color(20pt)=(blue)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{1cm}{0cm}]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\pgfuseshading{myshadingD}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftext[at=\pgfpoint{2cm}{0.5cm}]{\pgfuseshading{myshadingD}}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 163--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox360"><span
+class="cmtt-10">\pgfshadepath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">angle</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx29-289002"></a>
+ <!--l. 164--><p class="noindent">This command must be used inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment. The effect is a bit complex, so let
+ us go over it step by step.
+ <!--l. 167--><p class="noindent">First, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will setup a local scope.
+ <!--l. 169--><p class="noindent">Second, it uses the current path to clip everything inside this scope. However, the current path is once
+ more available after the scope, so it can be used, for example, to stroke it.
+ <!--l. 173--><p class="noindent">Now, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">shading name</span><span
+class="cmsy-10">&gt; </span>should be a shading whose width and height are 100 bp, that is, 100 big
+ points. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;has a look at the bounding box of the current path. This bounding box is computed
+ automatically when a path is computed; however, it can sometimes be (quite a bit) too large, especially
+ when complicated curves are involved.
+ <!--l. 180--><p class="noindent">Inside the scope, the low-level transformation matrix is modified. The center of the shading is translated
+ (moved) such that it lies on the center of the bounding box of the path. The low-level coordinate
+ system is also scaled such that the shading &#8220;covers&#8221; the shading (the details are a bit more complex,
+ see below). Finally, the coordinate system is rotated by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">angle</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 187--><p class="noindent">After everything has been set up, the shading is inserted. Due to the transformations and clippings,
+ the effect will be that the shading seems to &#8220;fill&#8221; the path.
+
+
+ <!--l. 191--><p class="noindent">If both the path and the shadings were always rectangles and if rotation were never involved, it would
+ be easy to scale shadings such they always cover the path. However, when a vertical shading is rotated,
+ it must obviously be &#8220;magnified&#8221; so that it still covers the path. Things get worse when the path is
+ not a rectangle itself.
+ <!--l. 198--><p class="noindent">For these reasons, things work slightly differently &#8220;in reality.&#8221; The shading is scaled and translated
+ such that the the point (50bp<span
+class="cmmi-10">,</span>50bp), which is the middle of the shading, is at the middle of the path
+ and such that the the point (25bp<span
+class="cmmi-10">,</span>25bp) is at the lower left corner of the path and that (75bp<span
+class="cmmi-10">,</span>75bp)
+ is at upper right corner.
+ <!--l. 206--><p class="noindent">In other words, only the center quarter of the shading will actually &#8220;survive the clipping&#8221; if the path
+ is a rectangle. If the path is not a rectangle, but, say, a circle, even less is seen of the shading. Here is
+ an example that demonstrates this effect:
+ <!--l. 211--><p class="noindent"><div class="obeylines-v"></div> <object data="pgfmanual-631.svg" width="100.375pt" height="100.375pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> <object data="pgfmanual-632.svg" width="284.92754pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-551-" ><colgroup id="TBL-551-1g"><col
+id="TBL-551-1"></colgroup><tr
+ valign="baseline" id="TBL-551-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-551-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareverticalshading{myshadingE}{100bp}</span>
+<br><span
+class="cmtt-8">&nbsp;{color(0bp)=(red);</span><span
+class="cmtt-8">&nbsp;color(25bp)=(green);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(75bp)=(blue);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(100bp)=(black)}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{myshadingE}</span>
+<br><span
+class="cmtt-8">\hskip</span><span
+class="cmtt-8">&nbsp;1cm</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingE}{0}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{3cm}{0cm}}{\pgfpoint{1cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingE}{0}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{5cm}{0cm}}{\pgfpoint{2cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingE}{45}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{9cm}{1cm}}{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingE}{45}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 232--><p class="noindent">As can be seen above in the last case, the &#8220;hidden&#8221; part of the shading actually <span
+class="cmti-10">can </span>become visible if the
+ shading is rotated. The reason is that it is scaled as if no rotation took place, then the rotation is
+ done.
+ <!--l. 237--><p class="noindent">The following graphics show which part of the shading are actually shown:
+ <!--l. 240--><p class="noindent"><div class="obeylines-v"></div> <object data="pgfmanual-636.svg" width="391.56851pt" height="119.46281pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-552-" ><colgroup id="TBL-552-1g"><col
+id="TBL-552-1"></colgroup><tr
+ valign="baseline" id="TBL-552-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-552-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareverticalshading{myshadingF}{100bp}</span>
+<br><span
+class="cmtt-8">&nbsp;{color(0bp)=(red);</span><span
+class="cmtt-8">&nbsp;color(25bp)=(green);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(75bp)=(blue);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(100bp)=(black)}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,50bp)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{\pgfuseshading{myshadingF}};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[white,thick]</span><span
+class="cmtt-8">&nbsp;(25bp,25bp)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(75bp,75bp);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,0bp)</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{first</span><span
+class="cmtt-8">&nbsp;two</span><span
+class="cmtt-8">&nbsp;applications};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[xshift=5cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,50bp)</span><span
+class="cmtt-8">&nbsp;node{\pgfuseshading{myshadingF}};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rotate</span><span
+class="cmtt-8">&nbsp;around={45:(50bp,50bp)},white,thick]</span><span
+class="cmtt-8">&nbsp;(25bp,25bp)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(75bp,75bp);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,0bp)</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{third</span><span
+class="cmtt-8">&nbsp;application};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[xshift=10cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,50bp)</span><span
+class="cmtt-8">&nbsp;node{\pgfuseshading{myshadingF}};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[white,thick]</span><span
+class="cmtt-8">&nbsp;(50bp,50bp)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(25bp);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(50bp,0bp)</span><span
+class="cmtt-8">&nbsp;node[below]</span><span
+class="cmtt-8">&nbsp;{fourth</span><span
+class="cmtt-8">&nbsp;application};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 262--><p class="noindent">An advantage of this approach is that when you rotate a radial shading, no distortion is introduced:
+
+
+ <!--l. 265--><p class="noindent"><div class="obeylines-v"></div> <object data="pgfmanual-637.svg" width="100.375pt" height="100.375pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> <object data="pgfmanual-638.svg" width="199.16927pt" height="56.90549pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-553-" ><colgroup id="TBL-553-1g"><col
+id="TBL-553-1"></colgroup><tr
+ valign="baseline" id="TBL-553-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-553-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareradialshading{ballshading}{\pgfpoint{-10bp}{10bp}}</span>
+<br><span
+class="cmtt-8">&nbsp;{color(0bp)=(red!15!white);</span><span
+class="cmtt-8">&nbsp;color(9bp)=(red!75!white);</span>
+<br><span
+class="cmtt-8">&nbsp;color(18bp)=(red!70!black);</span><span
+class="cmtt-8">&nbsp;color(25bp)=(red!50!black);</span><span
+class="cmtt-8">&nbsp;color(50bp)=(black)}</span>
+<br><span
+class="cmtt-8">\pgfuseshading{ballshading}</span>
+<br><span
+class="cmtt-8">\hskip</span><span
+class="cmtt-8">&nbsp;1cm</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{ballshading}{0}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{3cm}{0cm}}{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{ballshading}{0}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathcircle{\pgfpoint{6cm}{0cm}}{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{ballshading}{45}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 284--><p class="noindent">If you specify a rotation of 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup> and if the path is not a square, but an elongated rectangle, the &#8220;desired&#8221; effect
+ results: The shading will exactly vary between the colors at the 25bp and 75bp boundaries. Here is an
+ example:
+ <!--l. 289--><p class="noindent"><div class="obeylines-v"></div> <object data="pgfmanual-639.svg" width="228.02202pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-554-" ><colgroup id="TBL-554-1g"><col
+id="TBL-554-1"></colgroup><tr
+ valign="baseline" id="TBL-554-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-554-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareverticalshading{myshadingG}{100bp}</span>
+<br><span
+class="cmtt-8">&nbsp;{color(0bp)=(red);</span><span
+class="cmtt-8">&nbsp;color(25bp)=(green);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(75bp)=(blue);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(100bp)=(black)}</span>
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpointorigin}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingG}{0}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{3cm}{0cm}}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingG}{90}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathrectangle{\pgfpoint{6cm}{0cm}}{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfshadepath{myshadingG}{45}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 306--><p class="noindent">As a final example, let us define a &#8220;rainbow spectrum&#8221; shading for use with Ti<span
+class="cmti-10">k</span>Z.
+ <!--l. 308--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-555-" ><colgroup id="TBL-555-1g"><col
+id="TBL-555-1"><col
+id="TBL-555-2"></colgroup><tr
+ valign="baseline" id="TBL-555-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-555-1-1"
+class="td11"> &nbsp; <object data="pgfmanual-640.svg" width="113.81097pt" height="56.90549pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-555-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclareverticalshading{rainbow}{100bp}</span>
+<br><span
+class="cmtt-8">&nbsp;{color(0bp)=(red);</span><span
+class="cmtt-8">&nbsp;color(25bp)=(red);</span><span
+class="cmtt-8">&nbsp;color(35bp)=(yellow);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(45bp)=(green);</span><span
+class="cmtt-8">&nbsp;color(55bp)=(cyan);</span><span
+class="cmtt-8">&nbsp;color(65bp)=(blue);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;color(75bp)=(violet);</span><span
+class="cmtt-8">&nbsp;color(100bp)=(violet)}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}[shading=rainbow]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;node[white]</span><span
+class="cmtt-8">&nbsp;{\textsc{pride}}</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[shading</span><span
+class="cmtt-8">&nbsp;angle=90]</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 319--><p class="noindent">Note that rainbow shadings are <span
+class="cmti-10">way </span>to colorful in almost all applications. </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse29.html" >next</a>] [<a
+href="pgfmanualse27.html" >prev</a>] [<a
+href="pgfmanualse27.html#tailpgfmanualse27.html" >prev-tail</a>] [<a
+href="pgfmanualse28.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse28.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse28.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>29 Creating Plots</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse30.html" >next</a>] [<a
+href="pgfmanualse28.html" >prev</a>] [<a
+href="pgfmanualse28.html#tailpgfmanualse28.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse29.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse29.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">29 </span> <a
+ id="x30-29000029"></a>Creating Plots</h3>
+<!--l. 12--><p class="noindent">This section describes the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfbaseplot</span></span></span> package.
+<!--l. 14--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox361"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfbaseplot</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx30-290001"></a>
+<a
+ id="dx30-290002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox362"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseplot</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox363"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaseplot</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 15--><p class="noindent">This package provides a set of commands that are intended to make it reasonably easy to plot functions
+ using <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. It is loaded automatically by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>, but you can load it manually if you have only included
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>. </dd></dl>
+<!--l. 21--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">29.1 </span> <a
+ id="x30-29100029.1"></a>Overview</h4>
+<!--l. 23--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">29.1.1 </span> <a
+ id="x30-29200029.1.1"></a>When Should One Use PGF for Generating Plots? </h5>
+<!--l. 25--><p class="noindent">There exist many powerful programs that produce plots, examples are <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>or <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">A</small><small
+class="small-caps">T</small><small
+class="small-caps">H</small><small
+class="small-caps">E</small><small
+class="small-caps">M</small><small
+class="small-caps">A</small><small
+class="small-caps">T</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">A</small></span>. These programs
+can produce two different kinds of output: First, they can output a complete plot picture in a certain format (like
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>) that includes all low-level commands necessary for drawing the complete plot (including axes and
+labels). Second, they can usually also produce &#8220;just plain data&#8221; in the form of a long list of coordinates.
+Most of the powerful programs consider it a to be &#8220;a bit boring&#8221; to just output tabled data and very
+much prefer to produce fancy pictures. Nevertheless, when coaxed, they can also provide the plain
+data.
+<!--l. 36--><p class="indent"> The plotting mechanism described in the following deals only with plotting data given in the form of a list of
+coordinates. Thus, this section is about using <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to turn lists of coordinates into plots.
+<!--l. 41--><p class="indent"> <span
+class="cmti-10">Note that is often not necessary to use </span><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span><span
+class="cmti-10">&nbsp;for this. </span>Programs like <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>can produce very
+sophisticated plots and it is usually much easier to simply include these plots as a finished <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>or PostScript
+graphics.
+<!--l. 46--><p class="indent"> However, there are a number of reasons why you may wish to invest time and energy into mastering the
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;commands for creating plots:
+ <ul class="itemize1">
+ <li class="itemize">Virtually all plots produced by &#8220;external programs&#8221; use different fonts from the one used in your
+ document.
+ </li>
+ <li class="itemize">Even worse, formulas will look totally different, if they can be rendered at all.
+ </li>
+ <li class="itemize">Line width will usually be too large or too small.
+ </li>
+ <li class="itemize">Scaling effects upon inclusion can create a mismatch between sizes in the plot and sizes in the text.
+
+
+ </li>
+ <li class="itemize">The automatic grid generated by most programs is mostly distracting.
+ </li>
+ <li class="itemize">The automatic ticks generated by most programs are cryptic numerics. (Try adding a tick reading &#8220;<span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" /></span>&#8221;
+ at the right point.)
+ </li>
+ <li class="itemize">Most programs make it very easy to create &#8220;chart junk&#8221; in a most convenient fashion. All show, no
+ content.
+ </li>
+ <li class="itemize">Arrows and plot marks will almost never match the arrows used in the rest of the document.</li></ul>
+<!--l. 75--><p class="indent"> The above list is not exhaustive, unfortunately.
+<!--l. 78--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">29.1.2 </span> <a
+ id="x30-29300029.1.2"></a>How PGF Handles Plots</h5>
+<!--l. 80--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;(conceptually) uses a two-stage process for generating plots. First, a <span
+class="cmti-10">plot stream </span>must be produced. This
+stream consists (more or less) of a large number of coordinates. Second a <span
+class="cmti-10">plot handler </span>is applied to the stream. A
+plot handler &#8220;does something&#8221; with the stream. The standard handler will issue line-to operations to the
+coordinates in the stream. However, a handler might also try to issue appropriate curve-to operations in order to
+smooth the curve. A handler may even do something else entirely, like writing each coordinate to another stream,
+thereby duplicating the original stream.
+<!--l. 91--><p class="indent"> Both for the creation of streams and the handling of streams different sets of commands exist. The commands
+for creating streams start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstream</span></span></span>, the commands for setting the handler start with
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplothandler</span></span></span>.
+<!--l. 98--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">29.2 </span> <a
+ id="x30-29400029.2"></a>Generating Plot Streams</h4>
+<!--l. 100--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">29.2.1 </span> <a
+ id="x30-29500029.2.1"></a>Basic Building Blocks of Plot Streams</h5>
+<!--l. 101--><p class="noindent">A <span
+class="cmti-10">plot stream </span>is a (long) sequence of the following three commands:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x30-295002x1"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstreamstart</span></span></span>,
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x30-295004x2"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstreampoint</span></span></span>, and
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x30-295006x3"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstreamend</span></span></span>.</li></ol>
+<!--l. 111--><p class="noindent">Between calls of these commands arbitrary other code may be called. Obviously, the stream should start with the first
+command and end with the last command. Here is an example of a plot stream:
+<!--l. 114--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-556-" ><colgroup id="TBL-556-1g"><col
+id="TBL-556-1"></colgroup><tr
+ valign="baseline" id="TBL-556-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-556-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpoint{1cm}{1cm}}</span>
+<br><span
+class="cmtt-8">\newdimen\mydim</span>
+<br><span
+class="cmtt-8">\mydim=2cm</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpoint{\mydim}{2cm}}</span>
+<br><span
+class="cmtt-8">\advance</span><span
+class="cmtt-8">&nbsp;\mydim</span><span
+class="cmtt-8">&nbsp;by</span><span
+class="cmtt-8">&nbsp;3cm</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpoint{\mydim}{2cm}}</span>
+<br><span
+class="cmtt-8">\pgfplotstreamend</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 125--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox364"><span
+class="cmtt-10">\pgfplotstreamstart</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-295007"></a>
+ <!--l. 126--><p class="noindent">This command signals that a plot stream starts. The effect of this command is to call the internal
+ command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreamstart</span></span></span>, which is set by the current plot handler to do whatever needs to
+ be done at the beginning of the plot. </dd></dl>
+<!--l. 132--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox365"><span
+class="cmtt-10">\pgfplotstreampoint</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-295008"></a>
+ <!--l. 133--><p class="noindent">This command adds a <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">point</span><span
+class="cmsy-10">&gt; </span>to the current plot stream. The effect of this command is to call the
+ internal command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreampoint</span></span></span>, which is also set by the current plot handler. This command
+ should now &#8220;handle&#8221; the point in some sensible way. For example, a line-to command might be issued
+ for the point. </dd></dl>
+<!--l. 140--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox366"><span
+class="cmtt-10">\pgfplotstreamend</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-295009"></a>
+ <!--l. 141--><p class="noindent">This command signals that a plot stream ends. It calls <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreamend</span></span></span>, which should now do
+ any necessary &#8220;cleanup.&#8221; </dd></dl>
+<!--l. 145--><p class="indent"> Note that plot streams are not buffered, that is, the different points are handled immediately. However, using the
+recording handler, it is possible to record a stream.
+<!--l. 149--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">29.2.2 </span> <a
+ id="x30-29600029.2.2"></a>Commands That Generate Plot Streams</h5>
+<!--l. 151--><p class="noindent">Plot streams can be created &#8220;by hand&#8221; as in the earlier example. However, most of the time the coordinates will be
+produced internally by some command. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotxyfile</span></span></span> reads a file and converts it into a plot
+stream.
+<!--l. 156--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox367"><span
+class="cmtt-10">\pgfplotxyfile</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-296001"></a>
+ <!--l. 157--><p class="noindent">This command will try to open the file <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span>. If this succeeds, it will convert the file contents
+ into a plot stream as follows: A <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstreamstart</span></span></span> is issued. Then, each nonempty line of the file
+ should start with two numbers separated by a space, such as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.1</span><span
+class="cmtt-10">&nbsp;1</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">100</span><span
+class="cmtt-10">&nbsp;-.3</span></span></span>. Anything following
+ the numbers is ignored.
+ <!--l. 163--><p class="noindent">Each pair <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt; </span>of numbers is converted into one plot stream point in the xy-coordinate system. Thus, a
+ line like
+ <!--l. 165--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-557-" ><colgroup id="TBL-557-1g"><col
+id="TBL-557-1"></colgroup><tr
+ valign="baseline" id="TBL-557-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-557-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">2</span><span
+class="cmtt-8">&nbsp;-5</span><span
+class="cmtt-8">&nbsp;some</span><span
+class="cmtt-8">&nbsp;text</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 168--><p class="noindent">is turned into
+ <!--l. 169--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-558-" ><colgroup id="TBL-558-1g"><col
+id="TBL-558-1"></colgroup><tr
+ valign="baseline" id="TBL-558-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-558-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpointxy{2}{-5}}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 173--><p class="noindent">The two characters <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">%</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">#</span></span></span> are also allowed in a file and they are both treated as comment characters. Thus, a
+ line starting with either of them is empty and, hence, ignored.
+ <!--l. 177--><p class="noindent">When the file has been read completely, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotstreamend</span></span></span> is called. </dd></dl>
+<!--l. 182--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox368"><span
+class="cmtt-10">\pgfplotxyzfile</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-296002"></a>
+ <!--l. 183--><p class="noindent">This command works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotxyfile</span></span></span>, only <span
+class="cmti-10">three </span>numbers are expected on each non-empty line. They are
+ converted into points in the xyz-coordinate system. Consider, the following file:
+ <!--l. 186--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-559-" ><colgroup id="TBL-559-1g"><col
+id="TBL-559-1"></colgroup><tr
+ valign="baseline" id="TBL-559-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-559-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Some</span><span
+class="cmsltt-10x-x-80">&nbsp;comments</span>
+<br><span
+class="cmtt-8">#</span><span
+class="cmtt-8">&nbsp;more</span><span
+class="cmtt-8">&nbsp;comments</span>
+<br><span
+class="cmtt-8">2</span><span
+class="cmtt-8">&nbsp;-5</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;1</span><span
+class="cmtt-8">&nbsp;first</span><span
+class="cmtt-8">&nbsp;entry</span>
+<br><span
+class="cmtt-8">2</span><span
+class="cmtt-8">&nbsp;-.2</span><span
+class="cmtt-8">&nbsp;2</span><span
+class="cmtt-8">&nbsp;second</span><span
+class="cmtt-8">&nbsp;entry</span>
+<br><span
+class="cmtt-8">2</span><span
+class="cmtt-8">&nbsp;-5</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;2</span><span
+class="cmtt-8">&nbsp;third</span><span
+class="cmtt-8">&nbsp;entry</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 193--><p class="noindent">It is turned into the following stream:
+ <!--l. 194--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-560-" ><colgroup id="TBL-560-1g"><col
+id="TBL-560-1"></colgroup><tr
+ valign="baseline" id="TBL-560-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-560-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpointxyz{2}{-5}{1}}</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpointxyz{2}{-.2}{2}}</span>
+<br><span
+class="cmtt-8">\pgfplotstreampoint{\pgfpointxyz{2}{-5}{2}}</span>
+<br><span
+class="cmtt-8">\pgfplotstreamend</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 204--><p class="indent"> Currently, there is no command that can decide automatically whether the xy-coordinate system should be used
+or whether the xyz-system should be used. However, it would not be terribly difficult to write a &#8220;smart file reader&#8221;
+that parses coordinate files a bit more intelligently.
+<!--l. 211--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox369"><span
+class="cmtt-10">\pgfplotgnuplot</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">function</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-296003"></a>
+ <!--l. 212--><p class="noindent">This command will &#8220;try&#8221; to call the <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>program to generate the coordinates of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">function</span><span
+class="cmsy-10">&gt;</span>.
+ In detail, the following happens:
+ <!--l. 216--><p class="noindent">This command works with two files: <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span>. If the optional argument
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt; </span>is not given, it is set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\jobname</span></span></span>.
+ <!--l. 220--><p class="noindent">Let us start with the situation where none of these files exists. Then <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will first generate the file
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span>. In this file it writes
+ <!--l. 223--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-561-" ><colgroup id="TBL-561-1g"><col
+id="TBL-561-1"></colgroup><tr
+ valign="baseline" id="TBL-561-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-561-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">set</span><span
+class="cmtt-8">&nbsp;terminal</span><span
+class="cmtt-8">&nbsp;table;</span><span
+class="cmtt-8">&nbsp;set</span><span
+class="cmtt-8">&nbsp;output</span><span
+class="cmtt-8">&nbsp;&#34;#1.table&#34;;</span><span
+class="cmtt-8">&nbsp;set</span><span
+class="cmtt-8">&nbsp;format</span><span
+class="cmtt-8">&nbsp;&#34;</span><span
+class="cmsltt-10x-x-80">%.5f&#34;</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 226--><p class="noindent">where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">#1</span></span></span> is replaced by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span>. Then, in a second line, it writes the text <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">function</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 229--><p class="noindent">Next, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will try to invoke the program <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> with the argument <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span>. This call may or may
+ not succeed, depending on whether the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\write18</span></span></span> mechanism (also known as shell escape) is switched on and
+ whether the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> program is available.
+ <!--l. 235--><p class="noindent">Assuming that the call succeeded, the next step is to invoke <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfplotxyfile</span></span></span> on the file <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span>; which
+ is exactly the file that has just been created by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span>.
+ <!--l. 239--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-562-" ><colgroup id="TBL-562-1g"><col
+id="TBL-562-1"><col
+id="TBL-562-2"></colgroup><tr
+ valign="baseline" id="TBL-562-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-562-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-641.svg" width="114.11096pt" height="87.10106pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-562-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,-1)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(4,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerlineto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotgnuplot[plots/pgfplotgnuplot-example]{plot</span><span
+class="cmtt-8">&nbsp;[x=0:3.5]</span><span
+class="cmtt-8">&nbsp;x*sin(x)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 248--><p class="noindent">The more difficult situation arises when the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> file exists, which will be the case on the second run of
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;on the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;file. In this case <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will read this file and check whether it contains exactly what
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;&#8220;would have written&#8221; into this file. If this is not the case, the file contents is overwritten with what
+ &#8220;should be there&#8221; and, as above, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> is invoked to generate a new <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> file. However, if the file
+ contents is &#8220;as expected,&#8221; the external <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> program is <span
+class="cmti-10">not </span>called. Instead, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> file is
+ immediately read.
+ <!--l. 259--><p class="noindent">As explained in Section&nbsp;<a
+href="pgfmanualse9.html#x10-1150009.12.3">9.12.3<!--tex4ht:ref: section-tikz-gnuplot --></a>, the net effect of the above mechanism is that <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> is called as little as
+ possible and that when you pass along the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> files with your <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file to someone else, that
+ person can <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file without having <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> installed and without having the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\write18</span></span></span> mechanism
+ switched on. </dd></dl>
+<!--l. 269--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">29.3 </span> <a
+ id="x30-29700029.3"></a>Plot Handlers</h4>
+<!--l. 273--><p class="noindent">A <span
+class="cmti-10">plot handler </span>prescribes what &#8220;should be done&#8221; with a plot stream. You must set the plot handler before the
+stream starts. The following commands install the most basic plot handlers; more plot handlers are defined in the
+file <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryplothandlers</span></span></span>, which is documented in Section&nbsp;<a
+href="pgfmanualse14.html#x15-16800014.3">14.3<!--tex4ht:ref: section-library-plothandlers --></a>.
+<!--l. 279--><p class="indent"> All plot handlers work by setting redefining the following three macros: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreamstart</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreampoint</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@plotstreamend</span></span></span>.
+<!--l. 283--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox370"><span
+class="cmtt-10">\pgfplothandlerlineto</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-297001"></a>
+ <!--l. 284--><p class="noindent">This handler will issue a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathlineto</span></span></span> command for each point of the plot, <span
+class="cmti-10">except </span>possibly for the
+ first. What happens with the first point can be specified using the two commands described below.
+ <!--l. 289--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-563-" ><colgroup id="TBL-563-1g"><col
+id="TBL-563-1"><col
+id="TBL-563-2"></colgroup><tr
+ valign="baseline" id="TBL-563-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-563-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-642.svg" width="85.75826pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-563-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerlineto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 304--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox371"><span
+class="cmtt-10">\pgfsetmovetofirstplotpoint</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-297002"></a>
+ <!--l. 305--><p class="noindent">Specifies that the line-to plot handler (and also some other plot handlers) should issue a move-to
+ command for the first point of the plot instead of a line-to. This will start a new part of the current
+ path, which is not always, but often, desirable. This is the default. </dd></dl>
+<!--l. 312--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox372"><span
+class="cmtt-10">\pgfsetlinetofirstplotpoint</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-297003"></a>
+ <!--l. 313--><p class="noindent">Specifies that plot handlers should issue a line-to command for the first point of the plot.
+
+
+ <!--l. 316--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-564-" ><colgroup id="TBL-564-1g"><col
+id="TBL-564-1"><col
+id="TBL-564-2"></colgroup><tr
+ valign="baseline" id="TBL-564-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-564-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-643.svg" width="85.75826pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-564-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathmoveto{\pgfpointorigin}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetlinetofirstplotpoint</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerlineto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{3cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 332--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox373"><span
+class="cmtt-10">\pgfplothandlerdiscard</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-297004"></a>
+ <!--l. 333--><p class="noindent">This handler will simply throw away the stream. </dd></dl>
+<!--l. 336--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox374"><span
+class="cmtt-10">\pgfplothandlerrecord</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx30-297005"></a>
+ <!--l. 337--><p class="noindent">When this handler is installed, each time a plot stream command is called, this command will be
+ appended to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macros</span><span
+class="cmsy-10">&gt;</span>. Thus, at the end of the stream, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt; </span>will contain all the commands that
+ were issued on the stream. You can then install another handler and invoke <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro</span><span
+class="cmsy-10">&gt; </span>to &#8220;replay&#8221; the
+ stream (possibly many times).
+ <!--l. 344--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-565-" ><colgroup id="TBL-565-1g"><col
+id="TBL-565-1"><col
+id="TBL-565-2"></colgroup><tr
+ valign="baseline" id="TBL-565-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-565-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-644.svg" width="69.14879pt" height="65.201pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-565-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerrecord{\mystream}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamstart</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{2cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{3cm}{1cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreampoint{\pgfpoint{1cm}{2cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplotstreamend</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerlineto</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\mystream</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfplothandlerclosedcurve</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\mystream</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse30.html" >next</a>] [<a
+href="pgfmanualse28.html" >prev</a>] [<a
+href="pgfmanualse28.html#tailpgfmanualse28.html" >prev-tail</a>] [<a
+href="pgfmanualse29.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse29.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse29.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse3.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse3.html
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@@ -0,0 +1,4152 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>3 Tutorial: A Picture for Karl&#8217;s Students</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse4.html" >next</a>] [<a
+href="pgfmanualse2.html" >prev</a>] [<a
+href="pgfmanualse2.html#tailpgfmanualse2.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse3.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse3.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">3 </span> <a
+ id="x4-220003"></a>Tutorial: A Picture for Karl&#8217;s Students</h3>
+<!--l. 3--><p class="noindent">This tutorial is intended for new users of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z. It does not give an exhaustive account of all the features of
+Ti<span
+class="cmti-10">k</span>Z&nbsp;or <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, just of those that you are likely to use right away.
+<!--l. 7--><p class="indent"> Karl is a math and chemistry high-school teacher. He used to create the graphics in his worksheets and exams
+using <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{picture}</span></span></span> environment. While the results were acceptable, creating the graphics often turned out
+to be a lengthy process. Also, there tended to be problems with lines having slightly wrong angles and circles also
+seemed to be hard to get right. Naturally, his students could not care less whether the lines had the exact right
+angles and they find Karl&#8217;s exams too difficult no matter how nicely they were drawn. But Karl was never entirely
+satisfied with the result.
+<!--l. 17--><p class="indent"> Karl&#8217;s son, who was even less satisfied with the results (he did not have to take the exams, after all), told Karl
+that he might wish to try out a new package for creating graphics. A bit confusingly, this package seems to have two
+names: First, Karl had to download and install a package called <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. Then it turns out that inside this package
+there is another package called Ti<span
+class="cmti-10">k</span>Z, which is supposed to stand for &#8220;Ti<span
+class="cmti-10">k</span>Z&nbsp;ist <span
+class="cmti-10">kein </span>Zeichenprogramm.&#8221; Karl
+finds this all a bit strange and Ti<span
+class="cmti-10">k</span>Z&nbsp;seems to indicate that the package does not do what he needs.
+However, having used <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small> </span>software for quite some time and &#8220;<span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small> </span>not being Unix,&#8221; there seems to
+be hope yet. His son assures him that Ti<span
+class="cmti-10">k</span>Z&#8217;s name is intended to warn people that Ti<span
+class="cmti-10">k</span>Z&nbsp;is not a
+program that you can use to draw graphics with your mouse or tablet. Rather, it is more like a &#8220;graphics
+language.&#8221;
+<!--l. 33--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.1 </span> <a
+ id="x4-230003.1"></a>Problem Statement</h4>
+<!--l. 35--><p class="noindent">Karl wants to put a graphic on the next worksheet for his students. He is currently teaching his students about sine
+and cosine. What he would like to have is something that looks like this (ideally):
+<!--l. 40--><p class="noindent"><object data="pgfmanual-5.svg" width="465.67824pt" height="269.39056pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+
+
+<!--l. 115--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.2 </span> <a
+ id="x4-240003.2"></a>Setting up the Environment</h4>
+<!--l. 117--><p class="noindent">In Ti<span
+class="cmti-10">k</span>Z, to draw a picture, at the start of the picture you need to tell <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;or <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;that you want to start a
+picture. In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;this is done using the environment <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span>, in plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;you just use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzpicture</span></span></span>
+to start the picture and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\endtikzpicture</span></span></span> to end it.
+<!--l. 123--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">3.2.1 </span> <a
+ id="x4-250003.2.1"></a>Setting up the Environment in <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span></h5>
+<!--l. 125--><p class="noindent">Karl, being a <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;user, thus sets up his file as follows:
+<!--l. 127--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-4-" ><colgroup id="TBL-4-1g"><col
+id="TBL-4-1"></colgroup><tr
+ valign="baseline" id="TBL-4-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-4-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\documentclass{article}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;say</span>
+<br><span
+class="cmtt-8">\usepackage{tikz}</span>
+<br><span
+class="cmtt-8">\begin{document}</span>
+<br><span
+class="cmtt-8">We</span><span
+class="cmtt-8">&nbsp;are</span><span
+class="cmtt-8">&nbsp;working</span><span
+class="cmtt-8">&nbsp;on</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}.</span>
+<br><span
+class="cmtt-8">\end{document}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 139--><p class="indent"> When executed, that is, run via <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> or via <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>, the resulting will contain something
+that looks like this:
+<!--l. 142--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-5-" ><colgroup id="TBL-5-1g"><col
+id="TBL-5-1"><col
+id="TBL-5-2"></colgroup><tr
+ valign="baseline" id="TBL-5-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-5-1-1"
+class="td11"> &nbsp;We are working on<object data="pgfmanual-6.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-5-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">We</span><span
+class="cmtt-8">&nbsp;are</span><span
+class="cmtt-8">&nbsp;working</span><span
+class="cmtt-8">&nbsp;on</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}.</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 150--><p class="indent"> Admittedly, not quite the whole picture, yet, but we do have the axes established. Well, not quite, but we have
+the lines that make up the axes drawn. Karl suddenly has a sinking feeling that the picture is still some way
+off.
+<!--l. 155--><p class="indent"> Let&#8217;s have a more detailed look at the code. First, the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz</span></span></span> is loaded. This package is a so-called
+&#8220;frontend&#8221; to the basic <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system. The basic layer, which is also described in this manual, is somewhat
+more, well, basic and thus harder to use. The frontend makes things easier by providing a simpler
+syntax.
+<!--l. 161--><p class="indent"> Inside the environment there are two <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> commands. They mean: &#8220;The path, which is specified following the
+command up to the semicolon, should be drawn.&#8221; The first path is specified as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(-1.5,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(0,1.5)</span></span></span>,
+which means &#8220;a straight line from the point at position (<span
+class="cmsy-10">-</span>1<span
+class="cmmi-10">.</span>5<span
+class="cmmi-10">,</span>0) to the point at position (0<span
+class="cmmi-10">,</span>1<span
+class="cmmi-10">.</span>5).&#8221;
+Here, the positions are specified within a special coordinate system in which, initially, one unit is
+1cm.
+<!--l. 169--><p class="indent"> Karl is quite pleased to note that the environment automatically reserves enough space to encompass the
+picture.
+<!--l. 173--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">3.2.2 </span> <a
+ id="x4-260003.2.2"></a>Setting up the Environment in Plain <span class="TEX">T<span
+class="E">E</span>X</span></h5>
+<!--l. 175--><p class="noindent">Karl&#8217;s wife Gerda, who also happens to be a math teacher, is not a <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;user, but uses plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;since she
+prefers to do things &#8220;the old way.&#8221; She can also use Ti<span
+class="cmti-10">k</span>Z. Instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{tikz}</span></span></span> she has to
+write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input</span><span
+class="cmtt-10">&nbsp;tikz.tex</span></span></span> and instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\begin{tikzpicture}</span></span></span> she writes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzpicture</span></span></span> and instead of
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\end{tikzpicture}</span></span></span> she writes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\endtikzpicture</span></span></span>.
+<!--l. 182--><p class="indent"> Thus, she would use:
+
+
+<!--l. 183--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-6-" ><colgroup id="TBL-6-1g"><col
+id="TBL-6-1"></colgroup><tr
+ valign="baseline" id="TBL-6-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-6-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmsltt-10x-x-80">%%</span><span
+class="cmsltt-10x-x-80">&nbsp;Plain</span><span
+class="cmsltt-10x-x-80">&nbsp;TeX</span><span
+class="cmsltt-10x-x-80">&nbsp;file</span>
+<br><span
+class="cmtt-8">\input</span><span
+class="cmtt-8">&nbsp;tikz.tex</span>
+<br><span
+class="cmtt-8">\baselineskip=12pt</span>
+<br><span
+class="cmtt-8">\hsize=6.3truein</span>
+<br><span
+class="cmtt-8">\vsize=8.7truein</span>
+<br><span
+class="cmtt-8">We</span><span
+class="cmtt-8">&nbsp;are</span><span
+class="cmtt-8">&nbsp;working</span><span
+class="cmtt-8">&nbsp;on</span>
+<br><span
+class="cmtt-8">\tikzpicture</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">\endtikzpicture.</span>
+<br><span
+class="cmtt-8">\bye</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 197--><p class="indent"> Gerda can typeset this file using either <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span> together with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>. Ti<span
+class="cmti-10">k</span>Z&nbsp;will automatically discern
+which driver she is using. If she wishes to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span> together with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span>, she either needs to modify the file
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf.cfg</span></span></span> or can write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\def\pgfsysdriver{pgfsys-dvipdfm.def}</span></span></span> somewhere <span
+class="cmti-10">before </span>she inputs <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz.tex</span></span></span> or
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf.tex</span></span></span>.
+<!--l. 207--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.3 </span> <a
+ id="x4-270003.3"></a>Straight Path Construction</h4>
+<!--l. 209--><p class="noindent">The basic building block of all pictures in Ti<span
+class="cmti-10">k</span>Z&nbsp;is the path. A <span
+class="cmti-10">path </span>is a series of straight lines and curves that are
+connected (that is not the whole picture, but let us ignore the complications for the moment). You
+start a path by specifying the coordinates of the start position as a point in round brackets, as in
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span>. This is followed by a series of &#8220;path extension operations.&#8221; The simplest is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>, which we used
+already. It must be followed by another coordinate and it extends the path in a straight line to this new
+position. For example, if we were to turn the two paths of the axes into one path, the following would
+result:
+<!--l. 220--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-7-" ><colgroup id="TBL-7-1g"><col
+id="TBL-7-1"><col
+id="TBL-7-2"></colgroup><tr
+ valign="baseline" id="TBL-7-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-7-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-7.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-7-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 224--><p class="indent"> Karl is a bit confused by the fact that there is no <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment, here. Instead, the little
+command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span></span></span> is used. This command either takes one argument (starting with an opening brace as in
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz{\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(1.5,0)}</span></span></span>, which yields <object data="pgfmanual-8.svg" width="43.0791pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>) or collects everything up to the next semicolon and
+puts it inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment. As a rule of thumb, all Ti<span
+class="cmti-10">k</span>Z&nbsp;graphic drawing commands must occur
+as an argument of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span></span></span> or inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment. Fortunately, the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> will only be
+defined inside this environment, so there is little chance that you will accidentally do something wrong
+here.
+<!--l. 237--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.4 </span> <a
+ id="x4-280003.4"></a>Curved Path Construction</h4>
+<!--l. 239--><p class="noindent">The next thing Karl wants to do is to draw the circle. For this, straight lines obviously will not do. Instead, we need
+some way to draw curves. For this, Ti<span
+class="cmti-10">k</span>Z&nbsp;provides a special syntax. One or two &#8220;control points&#8221; are needed. The
+math behind them is not quite trivial, but here is the basic idea: Suppose you are at point <span
+class="cmmi-10">x </span>and the first control
+point is <span
+class="cmmi-10">y</span>. Then the curve will start &#8220;going in the direction of&nbsp;<span
+class="cmmi-10">y </span>at&nbsp;<span
+class="cmmi-10">x</span>,&#8221; that is, the tangent of the
+curve at <span
+class="cmmi-10">x </span>will point toward&nbsp;<span
+class="cmmi-10">y</span>. Next, suppose the curve should end at <span
+class="cmmi-10">z </span>and the second support point
+is <span
+class="cmmi-10">w</span>. Then the curve will, indeed, end at <span
+class="cmmi-10">z </span>and the tangent of the curve at point <span
+class="cmmi-10">z </span>will go through
+<span
+class="cmmi-10">w</span>.
+<!--l. 250--><p class="indent"> Here is an example (the control points have been added for clarity):
+
+
+<!--l. 251--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-8-" ><colgroup id="TBL-8-1g"><col
+id="TBL-8-1"><col
+id="TBL-8-2"></colgroup><tr
+ valign="baseline" id="TBL-8-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-8-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-9.svg" width="61.30548pt" height="32.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-8-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw</span><span
+class="cmtt-8">&nbsp;[gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(2,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 261--><p class="indent"> The general syntax for extending a path in a &#8220;curved&#8221; way is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span><span
+class="cmtt-10">&nbsp;controls</span></span></span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first control point</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second</span>
+<span
+class="cmti-10">control point</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end point</span><span
+class="cmsy-10">&gt;</span>. You can leave out the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second control point</span><span
+class="cmsy-10">&gt;</span>, which causes the first one to be used
+twice.
+<!--l. 267--><p class="indent"> So, Karl can now add the first half circle to the picture:
+<!--l. 269--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-9-" ><colgroup id="TBL-9-1g"><col
+id="TBL-9-1"><col
+id="TBL-9-2"></colgroup><tr
+ valign="baseline" id="TBL-9-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-9-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-10.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-9-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(-1,0.555)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(-0.555,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(0,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(0.555,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(1,0.555)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(1,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 278--><p class="indent"> Karl is happy with the result, but finds specifying circles in this way to be extremely awkward. Fortunately,
+there is a much simpler way.
+<!--l. 282--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.5 </span> <a
+ id="x4-290003.5"></a>Circle Path Construction</h4>
+<!--l. 284--><p class="noindent">In order to draw a circle, the path construction operation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span> can be used. This operation is followed by a radius
+in round brackets as in the following example: (Note that the previous position is used as the <span
+class="cmti-10">center </span>of the
+circle.)
+<!--l. 289--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-10-" ><colgroup id="TBL-10-1g"><col
+id="TBL-10-1"><col
+id="TBL-10-2"></colgroup><tr
+ valign="baseline" id="TBL-10-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-10-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-11.svg" width="20.4pt" height="20.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-10-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(10pt);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 293--><p class="indent"> You can also append an ellipse to the path using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span> operation. Instead of a single radius you can
+specify two of them, one for the <span
+class="cmmi-10">x</span>-direction and one for the <span
+class="cmmi-10">y</span>-direction, separated by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span>:
+<!--l. 298--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-11-" ><colgroup id="TBL-11-1g"><col
+id="TBL-11-1"><col
+id="TBL-11-2"></colgroup><tr
+ valign="baseline" id="TBL-11-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-11-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-12.svg" width="40.4pt" height="20.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-11-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(20pt</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;10pt);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 302--><p class="indent"> To draw an ellipse whose axes are not horizontal and vertical, but point in an arbitrary direction (a &#8220;turned
+ellipse&#8221; like <object data="pgfmanual-13.svg" width="12.4573pt" height="9.28381pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>) you can use transformations, which are explained later. The code for the little ellipse is
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\draw[rotate=30]</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;ellipse</span><span
+class="cmtt-10">&nbsp;(6pt</span><span
+class="cmtt-10">&nbsp;and</span><span
+class="cmtt-10">&nbsp;3pt);</span></span></span>, by the way.
+<!--l. 309--><p class="indent"> So, returning to Karl&#8217;s problem, he can write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;circle</span><span
+class="cmtt-10">&nbsp;(1cm);</span></span></span> to draw the circle:
+<!--l. 312--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-12-" ><colgroup id="TBL-12-1g"><col
+id="TBL-12-1"><col
+id="TBL-12-2"></colgroup><tr
+ valign="baseline" id="TBL-12-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-12-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-14.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-12-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+
+
+</div>
+<!--l. 321--><p class="indent"> At this point, Karl is a bit alarmed that the circle is so small when he wants the final picture to
+be much bigger. He is pleased to learn that Ti<span
+class="cmti-10">k</span>Z&nbsp;has powerful transformation options and scaling
+everything by a factor of three is very easy. But let us leave the size as it is for the moment to save some
+space.
+<!--l. 330--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.6 </span> <a
+ id="x4-300003.6"></a>Rectangle Path Construction</h4>
+<!--l. 332--><p class="noindent">The next things we would like to have is the grid in the background. There are several ways to produce it. For
+example, one might draw lots of rectangles. Since rectangles are so common, there is a special syntax for them: To
+add a rectangle to the current path, use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> path construction operation. This operation should
+be followed by another coordinate and will append a rectangle to the path such that the previous
+coordinate and the next coordinates are corners of the rectangle. So, let us add two rectangles to the
+picture:
+<!--l. 341--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-13-" ><colgroup id="TBL-13-1g"><col
+id="TBL-13-1"><col
+id="TBL-13-2"></colgroup><tr
+ valign="baseline" id="TBL-13-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-13-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-15.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-13-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0.5,0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-0.5,-0.5)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(-1,-1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 351--><p class="indent"> While this may be nice in other situations, this is not really leading anywhere with Karl&#8217;s problem: First, we
+would need an awful lot of these rectangles and then there is the border that is not &#8220;closed.&#8221;
+<!--l. 355--><p class="indent"> So, Karl is about to resort to simply drawing four vertical and four horizontal lines using the nice <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span>
+command, when he learns that there is a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grid</span></span></span> path construction operation.
+<!--l. 361--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.7 </span> <a
+ id="x4-310003.7"></a>Grid Path Construction</h4>
+<!--l. 363--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grid</span></span></span> path operation adds a grid to the current path. It will add lines making up a grid that fills the rectangle
+whose one corner is the current point and whose other corner is the point following the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grid</span></span></span> operation. For
+example, the code <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\draw[step=2pt]</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;grid</span><span
+class="cmtt-10">&nbsp;(10pt,10pt);</span></span></span> produces <object data="pgfmanual-16.svg" width="10.4pt" height="10.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. Note how the optional
+argument for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> can be used to specify a grid width (there are also <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xstep</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ystep</span></span></span> to define the steppings
+independently). As Karl will learn soon, there are <span
+class="cmti-10">lots </span>of things that can be influenced using such
+options.
+<!--l. 374--><p class="indent"> For Karl, the following code could be used:
+<!--l. 376--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-14-" ><colgroup id="TBL-14-1g"><col
+id="TBL-14-1"><col
+id="TBL-14-2"></colgroup><tr
+ valign="baseline" id="TBL-14-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-14-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-17.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-14-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 385--><p class="indent"> Having another look at the desired picture, Karl notices that it would be nice for the grid to be more subdued.
+(His son told him that grids tend to be distracting if they are not subdued.) To subdue the grid, Karl adds two more
+options to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> command that draws the grid. First, he uses the color <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gray</span></span></span> for the grid lines. Second, he
+reduces the line width to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">very</span><span
+class="cmtt-10">&nbsp;thin</span></span></span>. Finally, he swaps the ordering of the commands so that the grid is drawn first
+and everything else on top.
+<!--l. 394--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-15-" ><colgroup id="TBL-15-1g"><col
+id="TBL-15-1"><col
+id="TBL-15-2"></colgroup><tr
+ valign="baseline" id="TBL-15-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-15-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-18.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-15-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 404--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.8 </span> <a
+ id="x4-320003.8"></a>Adding a Touch of Style</h4>
+<!--l. 406--><p class="noindent">Instead of the options <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gray,very</span><span
+class="cmtt-10">&nbsp;thin</span></span></span> Karl could also have said <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span>. <span
+class="cmti-10">Styles </span>are predefined sets of
+options that can be used to organize how a graphic is drawn. By saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span> you say
+&#8220;use the style that I (or someone else) has set for drawing help lines.&#8221; If Karl decides, at some later
+point, that grids should be drawn, say, using the color <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">blue!50</span></span></span> instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gray</span></span></span>, he could say the
+following:
+<!--l. 413--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-16-" ><colgroup id="TBL-16-1g"><col
+id="TBL-16-1"></colgroup><tr
+ valign="baseline" id="TBL-16-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-16-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikzstyle</span><span
+class="cmtt-8">&nbsp;help</span><span
+class="cmtt-8">&nbsp;lines=[color=blue!50,very</span><span
+class="cmtt-8">&nbsp;thin]</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 416--><p class="indent"> Alternatively, he could have said the following:
+<!--l. 417--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-17-" ><colgroup id="TBL-17-1g"><col
+id="TBL-17-1"></colgroup><tr
+ valign="baseline" id="TBL-17-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-17-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikzstyle</span><span
+class="cmtt-8">&nbsp;help</span><span
+class="cmtt-8">&nbsp;lines+=[color=blue!50]</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 420--><p class="indent"> This would have added the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=blue!50</span></span></span> option. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span> style would now contain <span
+class="cmti-10">two </span>color options,
+but the second would override the first.
+<!--l. 424--><p class="indent"> Using styles makes your graphics code more flexible. You can change the way things look easily in a consistent
+manner.
+<!--l. 427--><p class="indent"> To build a hierarchy of styles you can have one style use another. So in order to define a style <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">Karl's</span><span
+class="cmtt-10">&nbsp;grid</span></span></span> that
+is based on the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grid</span></span></span> style Karl could say
+<!--l. 430--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-18-" ><colgroup id="TBL-18-1g"><col
+id="TBL-18-1"></colgroup><tr
+ valign="baseline" id="TBL-18-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-18-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle</span><span
+class="cmtt-8">&nbsp;Karl's</span><span
+class="cmtt-8">&nbsp;grid=[style=help</span><span
+class="cmtt-8">&nbsp;lines,color=blue!50]</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">\draw[style=Karl's</span><span
+class="cmtt-8">&nbsp;grid]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(5,5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 436--><p class="indent"> You can also leave out the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=</span></span></span>. Thus, whenever Ti<span
+class="cmti-10">k</span>Z&nbsp;encounters an options that it does not know about, it
+will check whether this option happens to be the name of a style. If so, the style is used. Thus, Karl could also have
+written:
+<!--l. 440--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-19-" ><colgroup id="TBL-19-1g"><col
+id="TBL-19-1"></colgroup><tr
+ valign="baseline" id="TBL-19-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-19-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle</span><span
+class="cmtt-8">&nbsp;Karl's</span><span
+class="cmtt-8">&nbsp;grid=[help</span><span
+class="cmtt-8">&nbsp;lines,color=blue!50]</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">\draw[Karl's</span><span
+class="cmtt-8">&nbsp;grid]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(5,5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 446--><p class="indent"> For some styles, like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">very</span><span
+class="cmtt-10">&nbsp;thin</span></span></span> style, it is pretty clear what the style does and there is no need to say
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=very</span><span
+class="cmtt-10">&nbsp;thin</span></span></span>. For other styles, like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span>, it seems more natural to me to say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span>. But,
+mainly, this is a matter of taste.
+<!--l. 452--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.9 </span> <a
+ id="x4-330003.9"></a>Drawing Options</h4>
+
+
+<!--l. 454--><p class="noindent">Karl wonders what other options there are that influence how a path is drawn. He saw already that the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>option can be used to set the line&#8217;s color. The option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">color</span><span
+class="cmsy-10">&gt; </span>does nearly the same, only it sets
+the color for the lines only and a different color can be used for filling (Karl will need this when he fills the arc for
+the angle).
+<!--l. 461--><p class="indent"> He saw that the style <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">very</span><span
+class="cmtt-10">&nbsp;thin</span></span></span> yields very thin lines. Karl is not really surprised by this and neither is he
+surprised to learn that <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thin</span></span></span> yields thin lines, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thick</span></span></span> yields thick lines, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">very</span><span
+class="cmtt-10">&nbsp;thick</span></span></span> yields very thick lines,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ultra</span><span
+class="cmtt-10">&nbsp;thick</span></span></span> yields really, really thick lines and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ultra</span><span
+class="cmtt-10">&nbsp;thin</span></span></span> yields lines that are so thin that low-resolution printers
+and displays will have trouble showing them. He wonders what gives lines of &#8220;normal&#8221; thickness. It turns out that
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thin</span></span></span> is the correct choice. This seems strange to Karl, but his son explains him that <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;has two commands
+called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\thinlines</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\thicklines</span></span></span> and that <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\thinlines</span></span></span> gives the line width of &#8220;normal&#8221; lines,
+more precisely, of the thickness that, say, the stem of a letter like &#8220;T&#8221; or &#8220;i&#8221; has. Nevertheless, Karl
+would like to know whether there is anything &#8220;in the middle&#8221; between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thick</span></span></span>. There is:
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">semithick</span></span></span>.
+<!--l. 476--><p class="indent"> Another useful thing one can do with lines is to dash or dot them. For this, the two styles <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dashed</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dotted</span></span></span>
+can be used, yielding <object data="pgfmanual-19.svg" width="10.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> and <object data="pgfmanual-20.svg" width="10.4pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. Both options also exist in a loose and a dense version, called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">loosely</span><span
+class="cmtt-10">&nbsp;dashed</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">densely</span><span
+class="cmtt-10">&nbsp;dashed</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">loosely</span><span
+class="cmtt-10">&nbsp;dotted</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">closely</span><span
+class="cmtt-10">&nbsp;dotted</span></span></span>. If he really, really needs to, Karl can also define much
+more complex dashing patterns with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dash</span><span
+class="cmtt-10">&nbsp;pattern</span></span></span> option, but his son insists that dashing is to be used with
+utmost care and mostly distracts. Karl&#8217;s son claims that complicated dashing patterns are evil. Karl&#8217;s students do
+not care about dashing patterns.
+<!--l. 489--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.10 </span> <a
+ id="x4-340003.10"></a>Arc Path Construction</h4>
+<!--l. 491--><p class="noindent">Our next obstacle is to draw the arc for the angle. For this, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc</span></span></span> path construction operation is useful,
+which draws part of a circle or ellipse. This <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">arc</span></span></span> operation must be followed by a triple in rounded
+brackets, where the components of the triple are separated by colons. The first two components are
+angles, the last one is a radius. An example would be <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(10:80:10pt)</span></span></span>, which means &#8220;an arc from 10
+degrees to 80 degrees on a circle of radius 10pt.&#8221; Karl obviously needs an arc from 0<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup> to 30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>. The
+radius should be something relatively small, perhaps around one third of the circle&#8217;s radius. This gives:
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0:30:3mm)</span></span></span>.
+<!--l. 502--><p class="indent"> When one uses the arc path construction operation, the specified arc will be added with its starting point at the
+current position. So, we first have to &#8220;get there.&#8221;
+<!--l. 506--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-20-" ><colgroup id="TBL-20-1g"><col
+id="TBL-20-1"><col
+id="TBL-20-2"></colgroup><tr
+ valign="baseline" id="TBL-20-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-20-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-21.svg" width="85.75821pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-20-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 516--><p class="indent"> Karl thinks this is really a bit small and he cannot continue unless he learns how to do scaling. For this, he can
+add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[scale=3]</span></span></span> option. He could add this option to each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> command, but that would be
+awkward. Instead, he adds it to the whole environment, which causes this option to apply to everything
+within.
+
+
+<!--l. 522--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-22.svg" width="256.47464pt" height="256.47464pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-21-" ><colgroup id="TBL-21-1g"><col
+id="TBL-21-1"></colgroup><tr
+ valign="baseline" id="TBL-21-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-21-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 532--><p class="indent"> As for circles, you can specify &#8220;two&#8221; radii in order to get an elliptical arc.
+<!--l. 535--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-22-" ><colgroup id="TBL-22-1g"><col
+id="TBL-22-1"><col
+id="TBL-22-2"></colgroup><tr
+ valign="baseline" id="TBL-22-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-22-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-23.svg" width="99.98462pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-22-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:315:1.75cm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;1cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 540--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.11 </span> <a
+ id="x4-350003.11"></a>Clipping a Path</h4>
+<!--l. 542--><p class="noindent">In order to save space in this manual, it would be nice to clip Karl&#8217;s graphics a bit so that we can focus on the
+&#8220;interesting&#8221; parts. Clipping is pretty easy in Ti<span
+class="cmti-10">k</span>Z. You can use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> command clip all subsequent
+drawing. It works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span>, only it does not draw anything, but uses the given path to clip everything
+subsequently.
+<!--l. 549--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-23-" ><colgroup id="TBL-23-1g"><col
+id="TBL-23-1"><col
+id="TBL-23-2"></colgroup><tr
+ valign="baseline" id="TBL-23-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-23-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-24.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-23-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 560--><p class="indent"> You can also do both at the same time: Draw <span
+class="cmti-10">and </span>clip a path. For this, use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> command and add the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> option. (This is not the whole picture: You can also use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> command and add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span>
+option. Well, that is also not the whole picture: In reality, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> is just a shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw]</span></span></span>
+
+
+and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> is a shorthand for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[clip]</span></span></span> and you could also say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw,clip]</span></span></span>.) Here is an
+example:
+<!--l. 568--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-24-" ><colgroup id="TBL-24-1g"><col
+id="TBL-24-1"><col
+id="TBL-24-2"></colgroup><tr
+ valign="baseline" id="TBL-24-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-24-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-25.svg" width="102.83093pt" height="102.83093pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-24-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip[draw]</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.6cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 580--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.12 </span> <a
+ id="x4-360003.12"></a>Parabola and Sine Path Construction</h4>
+<!--l. 582--><p class="noindent">Although Karl does not need them for his picture, he is pleased to learn that there are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parabola</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cos</span></span></span>
+path operations for adding parabolas and sine and cosine curves to the current path. For the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parabola</span></span></span> operation,
+the current point will lie on the parabola as well as the point given after the parabola operation. Consider the
+following example:
+<!--l. 589--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-25-" ><colgroup id="TBL-25-1g"><col
+id="TBL-25-1"><col
+id="TBL-25-2"></colgroup><tr
+ valign="baseline" id="TBL-25-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-25-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-26.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-25-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 593--><p class="indent"> It is also possible to place the bend somewhere else:
+<!--l. 595--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-26-" ><colgroup id="TBL-26-1g"><col
+id="TBL-26-1"><col
+id="TBL-26-2"></colgroup><tr
+ valign="baseline" id="TBL-26-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-26-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-27.svg" width="6.4pt" height="16.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-26-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[x=1pt,y=1pt]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;bend</span><span
+class="cmtt-8">&nbsp;(4,16)</span><span
+class="cmtt-8">&nbsp;(6,12);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 599--><p class="indent"> The operations <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cos</span></span></span> add a sine or cosine curve in the interval [0<span
+class="cmmi-10">,<img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2] such that the previous
+current point is at the start of the curve and the curve ends at the given end point. Here are two
+examples:
+<!--l. 603--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-27-" ><colgroup id="TBL-27-1g"><col
+id="TBL-27-1"><col
+id="TBL-27-2"></colgroup><tr
+ valign="baseline" id="TBL-27-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-27-1-1"
+class="td11"> &nbsp;A sine <object data="pgfmanual-28.svg" width="7.15971pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> curve.&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-27-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">A</span><span
+class="cmtt-8">&nbsp;sine</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\draw[x=1ex,y=1ex]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(1.57,1);</span><span
+class="cmtt-8">&nbsp;curve.</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 607--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-28-" ><colgroup id="TBL-28-1g"><col
+id="TBL-28-1"><col
+id="TBL-28-2"></colgroup><tr
+ valign="baseline" id="TBL-28-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-28-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-29.svg" width="27.43887pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-28-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[x=1.57ex,y=1ex]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(3,-1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(4,0)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(4,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 614--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.13 </span> <a
+ id="x4-370003.13"></a>Filling and Drawing</h4>
+<!--l. 616--><p class="noindent">Returning to the picture, Karl now wants the angle to be &#8220;filled&#8221; with a very light green. For this he uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\fill</span></span></span>
+instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span>. Here is what Karl does:
+
+
+<!--l. 620--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-29-" ><colgroup id="TBL-29-1g"><col
+id="TBL-29-1"><col
+id="TBL-29-2"></colgroup><tr
+ valign="baseline" id="TBL-29-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-29-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-30.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-29-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[green!20!white]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 631--><p class="indent"> The color <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">green!20!white</span></span></span> means 20% green and 80% white mixed together. Such color expression are possible
+since <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;uses Uwe Kern&#8217;s <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> package, see the documentation of that package for details on color
+expressions.
+<!--l. 636--><p class="indent"> What would have happened, if Karl had not &#8220;closed&#8221; the path using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--(0,0)</span></span></span> at the end? In this case, the path
+is closed automatically, so this could have been omitted. Indeed, it would even have been better to write the
+following, instead:
+<!--l. 640--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-30-" ><colgroup id="TBL-30-1g"><col
+id="TBL-30-1"></colgroup><tr
+ valign="baseline" id="TBL-30-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-30-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[green!20!white]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 643--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--cycle</span></span></span> causes the current path to be closed (actually the current part of the current path) by smoothly
+joining the first and last point. To appreciate the difference, consider the following example:
+<!--l. 648--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-31-" ><colgroup id="TBL-31-1g"><col
+id="TBL-31-1"><col
+id="TBL-31-2"></colgroup><tr
+ valign="baseline" id="TBL-31-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-31-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-31.svg" width="90.35823pt" height="45.17911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-31-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=5pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;higher</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 656--><p class="indent"> You can also fill and draw a path at the same time using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\filldraw</span></span></span> command. This will first draw the path,
+then fill it. This may not seem too useful, but you can specify different colors to be used for filling and for stroking.
+These are specified as optional arguments like this:
+<!--l. 662--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-32-" ><colgroup id="TBL-32-1g"><col
+id="TBL-32-1"><col
+id="TBL-32-2"></colgroup><tr
+ valign="baseline" id="TBL-32-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-32-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-32.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-32-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20!white,</span><span
+class="cmtt-8">&nbsp;draw=green!50!black]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 676--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.14 </span> <a
+ id="x4-380003.14"></a>Shading</h4>
+<!--l. 678--><p class="noindent">Karl briefly considers the possibility of making the angle &#8220;more fancy&#8221; by <span
+class="cmti-10">shading </span>it. Instead of filling the with a
+uniform color, a smooth transition between different colors is used. For this, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shade</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shadedraw</span></span></span>, for shading
+and drawing at the same time, can be used:
+
+
+<!--l. 684--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-33-" ><colgroup id="TBL-33-1g"><col
+id="TBL-33-1"><col
+id="TBL-33-2"></colgroup><tr
+ valign="baseline" id="TBL-33-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-33-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-33.svg" width="99.5846pt" height="28.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-33-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikz</span><span
+class="cmtt-8">&nbsp;\shade</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,0.5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 687--><p class="indent"> The default shading is a smooth transition from gray to white. To specify different colors, you can use
+options:
+<!--l. 690--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-34.svg" width="270.30106pt" height="30.05275pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-34-" ><colgroup id="TBL-34-1g"><col
+id="TBL-34-1"></colgroup><tr
+ valign="baseline" id="TBL-34-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-34-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[rounded</span><span
+class="cmtt-8">&nbsp;corners,ultra</span><span
+class="cmtt-8">&nbsp;thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[top</span><span
+class="cmtt-8">&nbsp;color=yellow,bottom</span><span
+class="cmtt-8">&nbsp;color=black]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[left</span><span
+class="cmtt-8">&nbsp;color=yellow,right</span><span
+class="cmtt-8">&nbsp;color=black]</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shadedraw[inner</span><span
+class="cmtt-8">&nbsp;color=yellow,outer</span><span
+class="cmtt-8">&nbsp;color=black,draw=yellow]</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade[ball</span><span
+class="cmtt-8">&nbsp;color=green]</span><span
+class="cmtt-8">&nbsp;(9,.5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 699--><p class="indent"> For Karl, the following might be appropriate:
+<!--l. 701--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-35-" ><colgroup id="TBL-35-1g"><col
+id="TBL-35-1"><col
+id="TBL-35-2"></colgroup><tr
+ valign="baseline" id="TBL-35-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-35-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-35.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-35-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shadedraw[left</span><span
+class="cmtt-8">&nbsp;color=gray,right</span><span
+class="cmtt-8">&nbsp;color=green,</span><span
+class="cmtt-8">&nbsp;draw=green!50!black]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 713--><p class="indent"> However, he wisely decides that shadings usually only distract without adding anything to the
+picture.
+<!--l. 717--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.15 </span> <a
+ id="x4-390003.15"></a>Specifying Coordinates</h4>
+<!--l. 719--><p class="noindent">Karl now wants to add the sine and cosine lines. He knows already that he can use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option to set the
+lines&#8217;s colors. So, what is the best way to specify the coordinates?
+<!--l. 723--><p class="indent"> There are different ways of specifying coordinates. The easiest way is to say something like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(10pt,2cm)</span></span></span>. This
+means 10pt in <span
+class="cmmi-10">x</span>-direction and 2cm in <span
+class="cmmi-10">y</span>-directions. Alternatively, you can also leave out the units as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,2)</span></span></span>, which
+means &#8220;one times the current <span
+class="cmmi-10">x</span>-vector plus twice the current <span
+class="cmmi-10">y</span>-vector.&#8221; These vectors default to 1cm in the
+<span
+class="cmmi-10">x</span>-direction and 1cm in the <span
+class="cmmi-10">y</span>-direction, respectively.
+<!--l. 730--><p class="indent"> In order to specify points in polar coordinates, use the notation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span>, which means 1cm in direction 30
+degree. This is obviously quite useful to &#8220;get to the point (cos30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup><span
+class="cmmi-10">,</span>sin30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>) on the circle.&#8221;
+<!--l. 735--><p class="indent"> You can add a single <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span> sign in front of a coordinate or two of them as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+(1cm,0cm)</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++(0cm,2cm)</span></span></span>. Such
+coordinates are interpreted differently: The first form means &#8220;1cm upwards from the previous specified position&#8221;
+and the second means &#8220;2cm to the right of the previous specified position, making this the new specified position.&#8221;
+For example, we can draw the sine line as follows:
+
+
+<!--l. 742--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-36-" ><colgroup id="TBL-36-1g"><col
+id="TBL-36-1"><col
+id="TBL-36-2"></colgroup><tr
+ valign="baseline" id="TBL-36-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-36-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-36.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-36-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,-0.5);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 755--><p class="indent"> Karl used the fact sin30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup> = 1<span
+class="cmmi-10">/</span>2. However, he very much doubts that his students know this, so it
+would be nice to have a way of specifying &#8220;the point straight down from <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span> that lies on the
+<span
+class="cmmi-10">x</span>-axis.&#8221; This is, indeed, possible using a special syntax: Karl can write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm</span><span
+class="cmtt-10">&nbsp;|-</span><span
+class="cmtt-10">&nbsp;0,0)</span></span></span>. In general, the
+meaning of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">p</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;|-</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">q</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> is &#8220;the intersection of a vertical line through <span
+class="cmmi-10">p </span>and a horizontal line through
+<span
+class="cmmi-10">q</span>.&#8221;
+<!--l. 763--><p class="indent"> Next, let us draw the cosine line. One way would be to say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm</span><span
+class="cmtt-10">&nbsp;|-</span><span
+class="cmtt-10">&nbsp;0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(0,0)</span></span></span>. Another way is the
+following: we &#8220;continue&#8221; from where the sine ends:
+<!--l. 767--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-37-" ><colgroup id="TBL-37-1g"><col
+id="TBL-37-1"><col
+id="TBL-37-2"></colgroup><tr
+ valign="baseline" id="TBL-37-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-37-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-37.svg" width="102.4309pt" height="81.09004pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-37-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,0.75);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,-0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[blue,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;++(0,-0.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 781--><p class="indent"> Note the there is no <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+(0,-0.5)</span></span></span>. In detail, this path is interpreted as follows: &#8220;First,
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span> tells me to move by pen to (cos30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup><span
+class="cmmi-10">,</span>1<span
+class="cmmi-10">/</span>2). Next, there comes another coordinate specification, so I
+move my pen there without drawing anything. This new point is half a unit down from the last position, thus it is at
+(cos30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup><span
+class="cmmi-10">,</span>0). Finally, I move the pen to the origin, but this time drawing something (because of the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>).&#8221;
+<!--l. 789--><p class="indent"> To appreciate the difference between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++</span></span></span> consider the following example:
+<!--l. 792--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-38-" ><colgroup id="TBL-38-1g"><col
+id="TBL-38-1"><col
+id="TBL-38-2"></colgroup><tr
+ valign="baseline" id="TBL-38-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-38-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-38.svg" width="71.53185pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-38-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\def\rectanglepath{--</span><span
+class="cmtt-8">&nbsp;++(1cm,0cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(0cm,1cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-1cm,0cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;\rectanglepath;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;\rectanglepath;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 800--><p class="indent"> By comparison, when using a single <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span>, the coordinates are different:
+
+
+<!--l. 802--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-39-" ><colgroup id="TBL-39-1g"><col
+id="TBL-39-1"><col
+id="TBL-39-2"></colgroup><tr
+ valign="baseline" id="TBL-39-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-39-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-39.svg" width="71.53185pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-39-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\def\rectanglepath{--</span><span
+class="cmtt-8">&nbsp;+(1cm,0cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1cm,1cm)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0cm,1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;\rectanglepath;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;\rectanglepath;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 811--><p class="indent"> Naturally, all of this could have been written more clearly and more economically like this (either with a single of
+a double <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span>):
+<!--l. 813--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-40-" ><colgroup id="TBL-40-1g"><col
+id="TBL-40-1"><col
+id="TBL-40-2"></colgroup><tr
+ valign="baseline" id="TBL-40-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-40-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-40.svg" width="71.53185pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-40-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 819--><p class="indent"> Karl is left with the line for tan<span
+class="cmmi-10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></span>, which seems difficult to specify using transformations and polar
+coordinates. For this he needs another way of specifying coordinates: Karl can specify intersections of lines as
+coordinates. The line for tan<span
+class="cmmi-10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /> </span>starts at (1<span
+class="cmmi-10">,</span>0) and goes upward to a point that is at the intersection of a
+line going &#8220;up&#8221; and a line going from the origin through <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span>. The syntax for this point is the
+following:
+<!--l. 827--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-41-" ><colgroup id="TBL-41-1g"><col
+id="TBL-41-1"></colgroup><tr
+ valign="baseline" id="TBL-41-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-41-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\draw[very</span><span
+class="cmtt-8">&nbsp;thick,orange]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(intersection</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;1,0--1,1</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;0,0--30:1cm);</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 831--><p class="indent"> In the following, two final examples of how to use relative positioning are presented. Note that
+the transformation options, which are explained later, are often more useful for shifting than relative
+positioning.
+<!--l. 836--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-42-" ><colgroup id="TBL-42-1g"><col
+id="TBL-42-1"><col
+id="TBL-42-2"></colgroup><tr
+ valign="baseline" id="TBL-42-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-42-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-41.svg" width="71.53185pt" height="31.01779pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-42-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=0.5]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(90:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(90:360:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(60:5pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(30:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(30:90:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;+(0:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(72:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(144:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(216:1cm)</span><span
+class="cmtt-8">&nbsp;--</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;+(288:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 848--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.16 </span> <a
+ id="x4-400003.16"></a>Adding Arrow Tips</h4>
+<!--l. 850--><p class="noindent">Karl now wants to add the little arrow tips at the end of the axes. He has noticed that in many plots, even in
+scientific journals, these arrow tips seem to missing, presumably because the generating programs cannot produce
+them. Karl thinks arrow tips belong at the end of axes. His son agrees. His students do not care about arrow
+tips.
+<!--l. 856--><p class="indent"> It turns out that adding arrow tips is pretty easy: Karl adds the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-&gt;</span></span></span> to the drawing commands for the
+axes:
+
+
+<!--l. 859--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-43-" ><colgroup id="TBL-43-1g"><col
+id="TBL-43-1"><col
+id="TBL-43-2"></colgroup><tr
+ valign="baseline" id="TBL-43-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-43-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-42.svg" width="102.4309pt" height="145.96184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-43-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,1.51);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,-0.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[blue,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;++(0,-0.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[orange,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(intersection</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;1,0--1,1</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;0,0--30:1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 874--><p class="indent"> If Karl had used the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;-</span></span></span> instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-&gt;</span></span></span>, arrow tips would have been put at the beginning of the path. The
+option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&lt;-&gt;</span></span></span> puts arrow tips at both ends of the path.
+<!--l. 878--><p class="indent"> There are certain restrictions to the kind of paths to which arrow tips can be added. As a rule of thumb, you can
+add arrow tips only to a single open &#8220;line.&#8221; For example, you should not try to add tips to, say, a rectangle or a
+circle. (You can try, but no guarantees as to what will happen now or in future versions.) However,
+you can add arrow tips to curved paths and to paths that have several segments, as in the following
+examples:
+<!--l. 886--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-44-" ><colgroup id="TBL-44-1g"><col
+id="TBL-44-1"><col
+id="TBL-44-2"></colgroup><tr
+ valign="baseline" id="TBL-44-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-44-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-43.svg" width="71.53188pt" height="10.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-44-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[&lt;-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:30:10pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[&lt;-&gt;]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5cm,10pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2cm,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2.5cm,10pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 893--><p class="indent"> Karl has a more detailed look at the arrow that Ti<span
+class="cmti-10">k</span>Z&nbsp;puts at the end. It looks like this when he zooms it: <object data="pgfmanual-44.svg" width="10.0pt" height="4.30554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.
+The shape seems vaguely familiar and, indeed, this is exactly the end of <span class="TEX">T<span
+class="E">E</span>X</span>&#8217;s standard arrow used in something
+like <span
+class="cmmi-10">f</span> : <span
+class="cmmi-10">A </span><span
+class="cmsy-10"><img
+src="cmsy10-21.gif" alt="--&gt;" class="10x-x-21" /> </span><span
+class="cmmi-10">B</span>.
+<!--l. 901--><p class="indent"> Karl likes the arrow, especially since it is not &#8220;as thick&#8221; as the arrows offered by many other packages.
+However, he expects that, sometimes, he might need to use some other kinds of arrow. To do so, Karl
+can say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">right arrow tip kind</span><span
+class="cmsy-10">&gt;</span>, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">right arrow tip kind</span><span
+class="cmsy-10">&gt; </span>is a special arrow tip specification. For
+example, if Karl says <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&gt;=stealth</span></span></span>, then he tells Ti<span
+class="cmti-10">k</span>Z&nbsp;that he would like &#8220;stealth-fighter-like&#8221; arrow
+tips:
+<!--l. 909--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-45-" ><colgroup id="TBL-45-1g"><col
+id="TBL-45-1"><col
+id="TBL-45-2"></colgroup><tr
+ valign="baseline" id="TBL-45-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-45-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-45.svg" width="71.93187pt" height="11.19998pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-45-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[&gt;=stealth]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:30:10pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[&lt;&lt;-,very</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5cm,10pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2cm,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2.5cm,10pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 916--><p class="indent"> Karl wonders whether such a military name for the arrow type is really necessary. He is not really mollified when
+his son tells him that Microsoft&#8217;s PowerPoint uses the same name. He decides to have his students discuss this at
+some point.
+<!--l. 921--><p class="indent"> In addition to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">stealth</span></span></span> there are several other predefined arrow tip kinds Karl can choose from, see Section&nbsp;<a
+href="pgfmanualse14.html#x15-16000014.1">14.1<!--tex4ht:ref: section-library-arrows --></a>.
+Furthermore, he can define arrows types himself, if he needs new ones.
+<!--l. 929--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.17 </span> <a
+ id="x4-410003.17"></a>Scoping</h4>
+<!--l. 931--><p class="noindent">Karl saw already that there are numerous graphic options that affect how paths are rendered. Often, he would like
+to apply certain options to a whole set of graphic commands. For example, Karl might wish to draw three paths
+
+
+using a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thick</span></span></span> pen, but would like everything else to be drawn &#8220;normally.&#8221;
+<!--l. 937--><p class="indent"> If Karl wishes to set a certain graphic option for the whole picture, he can simply pass this option to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span></span></span>
+command or to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment (Gerda would pass the options to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzpicture</span></span></span>).
+However, if Karl wants to apply graphic options to a local group, he put these commands inside a
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environment (Gerda uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\scope</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\endscope</span></span></span>). This environment takes graphic options as
+an optional argument and these options apply to everything inside the scope, but not to anything
+outside.
+<!--l. 946--><p class="indent"> Here is an example:
+<!--l. 948--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-46-" ><colgroup id="TBL-46-1g"><col
+id="TBL-46-1"><col
+id="TBL-46-2"></colgroup><tr
+ valign="baseline" id="TBL-46-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-46-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-46.svg" width="86.95824pt" height="30.05275pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-46-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[ultra</span><span
+class="cmtt-8">&nbsp;thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[thin]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 959--><p class="indent"> Scoping has another interesting effect: Any changes to the clipping area are local to the scope. Thus, if you say
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> somewhere inside a scope, the effect of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> command ends at the end of the scope. This is useful since
+there is no other way of &#8220;enlarging&#8221; the clipping area.
+<!--l. 965--><p class="indent"> Karl has also already seen that giving options to commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> apply only to that command. In turns
+out that the situation is slightly more complex. First, options to a command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> are not really
+options to the command, but they are &#8220;path options&#8221; and can be given anywhere on the path. So,
+instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw[thin]</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(1,0);</span></span></span> one can also write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;[thin]</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(1,0);</span></span></span> or
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(1,0)</span><span
+class="cmtt-10">&nbsp;[thin];</span></span></span>; all of these have the same effect. This might seem strange since in the last case, it
+would appear that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thin</span></span></span> should take effect only &#8220;after&#8221; the line from (0<span
+class="cmmi-10">,</span>0) to (1<span
+class="cmmi-10">,</span>0) has been draw. However,
+most graphic options only apply to the whole path. Indeed, if you say both <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">thick</span></span></span> on the same path, the
+last option given will &#8220;win.&#8221;
+<!--l. 979--><p class="indent"> When reading the above, Karl notices that only &#8220;most&#8221; graphic options apply to the whole path. Indeed, all
+transformation options do <span
+class="cmti-10">not </span>apply to the whole path, but only to &#8220;everything following them on the path.&#8221; We
+will have a more detailed look at this in a moment. Nevertheless, all options given during a path construction apply
+only to this path.
+<!--l. 988--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.18 </span> <a
+ id="x4-420003.18"></a>Transformations</h4>
+<!--l. 990--><p class="noindent">When you specify a coordinate like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1cm,1cm)</span></span></span>, where is that coordinate placed on the page? To determine the
+position, Ti<span
+class="cmti-10">k</span>Z, <span class="TEX">T<span
+class="E">E</span>X</span>, and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>or PostScript all apply certain transformations to the given coordinate in order to
+determine the finally position on the page.
+<!--l. 996--><p class="indent"> Ti<span
+class="cmti-10">k</span>Z&nbsp;provides numerous options that allow you to transform coordinates in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s private coordinate system. For
+example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xshift</span></span></span> option allows you to shift all subsequent points by a certain amount:
+<!--l. 1001--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-47-" ><colgroup id="TBL-47-1g"><col
+id="TBL-47-1"><col
+id="TBL-47-2"></colgroup><tr
+ valign="baseline" id="TBL-47-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-47-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-47.svg" width="2.4pt" height="14.62636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-47-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0.5)</span><span
+class="cmtt-8">&nbsp;[xshift=2pt]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0.5);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1005--><p class="indent"> It is important to note that you can change transformation &#8220;in the middle of a path,&#8221; a feature that is
+not supported by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;or PostScript. The reason is that <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;keeps track of its own transformation
+matrix.
+<!--l. 1010--><p class="indent"> Here is a more complicated example:
+<!--l. 1011--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-48-" ><colgroup id="TBL-48-1g"><col
+id="TBL-48-1"><col
+id="TBL-48-2"></colgroup><tr
+ valign="baseline" id="TBL-48-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-48-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-48.svg" width="41.38083pt" height="41.38083pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-48-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[even</span><span
+class="cmtt-8">&nbsp;odd</span><span
+class="cmtt-8">&nbsp;rule,rounded</span><span
+class="cmtt-8">&nbsp;corners=2pt,x=10pt,y=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[xshift=5pt,yshift=5pt]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[rotate=30]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(-1,-1)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 1019--><p class="indent"> The most useful transformations are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xshift</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">yshift</span></span></span> for shifting, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shift</span></span></span> for shifting to a given point as in
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shift={(1,0)}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shift={+(0,0)}</span></span></span> (the braces are necessary so that <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;does not mistake the comma for
+separating options), <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rotate</span></span></span> for rotating by a certain angle (there is also a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rotate</span><span
+class="cmtt-10">&nbsp;around</span></span></span> for rotating around a
+given point), <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">scale</span></span></span> for scaling by a certain factor, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xscale</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">yscale</span></span></span> for scaling only in the <span
+class="cmmi-10">x</span>- or <span
+class="cmmi-10">y</span>-direction
+(<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xscale=-1</span></span></span> is a flip), and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xslant</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">yslant</span></span></span> for slanting. If these transformation and those that I have not
+mentioned are not sufficient, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cm</span></span></span> option allows you to apply an arbitrary transformation matrix. Karl&#8217;s students,
+by the way, do not know what a transformation matrix is.
+<!--l. 1034--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.19 </span> <a
+ id="x4-430003.19"></a>Repeating Things: For-Loops</h4>
+<!--l. 1036--><p class="noindent">Karl&#8217;s next aim is to add little ticks on the axes at positions <span
+class="cmsy-10">-</span>1, <span
+class="cmsy-10">-</span>1<span
+class="cmmi-10">/</span>2, 1<span
+class="cmmi-10">/</span>2, and 1. For this, it would be nice to
+use some kind of &#8220;loop,&#8221; especially since he wishes to do the same thing at each of these positions.
+There are different packages for doing this. <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;has its own internal command for this, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pstricks</span></span></span>
+comes along with the powerful <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\mulitdo</span></span></span> command. All of these can be used together with <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and
+Ti<span
+class="cmti-10">k</span>Z, so if you are familiar with them, feel free to use them. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;introduces yet another command,
+called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span>, which I introduced since I could never remember the syntax of the other packages.
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> is defined in the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgffor</span></span></span> and can be used independently of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. Ti<span
+class="cmti-10">k</span>Z&nbsp;includes it
+automatically.
+<!--l. 1048--><p class="indent"> In its basic form, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> command is easy to use:
+<!--l. 1049--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-49-" ><colgroup id="TBL-49-1g"><col
+id="TBL-49-1"><col
+id="TBL-49-2"></colgroup><tr
+ valign="baseline" id="TBL-49-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-49-1-1"
+class="td11"> &nbsp;<span
+class="cmmi-10">x </span>= 1, <span
+class="cmmi-10">x </span>= 2, <span
+class="cmmi-10">x </span>= 3, &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-49-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,3}</span><span
+class="cmtt-8">&nbsp;{$x</span><span
+class="cmtt-8">&nbsp;=\x$,</span><span
+class="cmtt-8">&nbsp;}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 1053--><p class="indent"> The general syntax is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variable</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;in</span><span
+class="cmtt-10">&nbsp;{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">list of values</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span>. Inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span>, the
+<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">variable</span><span
+class="cmsy-10">&gt; </span>will be assigned to the different values. If the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>do not start with a brace, everything up to the
+next semicolon is used as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span>.
+<!--l. 1059--><p class="indent"> For Karl and the ticks on the axes, he could use the following code:
+<!--l. 1061--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-50-" ><colgroup id="TBL-50-1g"><col
+id="TBL-50-1"><col
+id="TBL-50-2"></colgroup><tr
+ valign="baseline" id="TBL-50-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-50-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-49.svg" width="102.4309pt" height="145.96184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-50-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.1,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1.1,1.51);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1cm,-0.5cm,1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,-1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x,1pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1cm,-0.5cm,0.5cm,1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1pt,\y)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1pt,\y);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1078--><p class="indent"> As a matter of fact, there are many different ways of creating the ticks. For example, Karl could have put the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;...;</span></span></span> inside curly braces. He could also have used, say,
+<!--l. 1081--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-51-" ><colgroup id="TBL-51-1g"><col
+id="TBL-51-1"></colgroup><tr
+ valign="baseline" id="TBL-51-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-51-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,-0.5,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=\x</span><span
+class="cmtt-8">&nbsp;cm]</span><span
+class="cmtt-8">&nbsp;(0pt,-1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,1pt);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1086--><p class="indent"> Karl is curious what would happen in a more complicated situation where there are, say, 20 ticks. It seems
+bothersome to explicitly mention all these numbers in the set for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span>. Indeed, it is possible to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span> inside
+
+
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement to iterate over a large number of values (which must, however, be dimensionless real
+numbers) as in the following example:
+<!--l. 1093--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-50.svg" width="279.23653pt" height="23.16183pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-52-" ><colgroup id="TBL-52-1g"><col
+id="TBL-52-1"></colgroup><tr
+ valign="baseline" id="TBL-52-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-52-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,10}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(0.4cm);</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 1098--><p class="indent"> If you provide <span
+class="cmti-10">two </span>numbers before the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">...</span></span></span>, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement will use their difference for the
+stepping:
+<!--l. 1101--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-53-" ><colgroup id="TBL-53-1g"><col
+id="TBL-53-1"><col
+id="TBL-53-2"></colgroup><tr
+ valign="baseline" id="TBL-53-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-53-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-51.svg" width="57.30548pt" height="2.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-53-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,-0.5,...,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,-1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,1pt);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1106--><p class="indent"> We can also nest loops to create interesting effects:
+<!--l. 1108--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-52.svg" width="341.8329pt" height="142.6637pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-54-" ><colgroup id="TBL-54-1g"><col
+id="TBL-54-1"></colgroup><tr
+ valign="baseline" id="TBL-54-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-54-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,2,...,5,7,8,...,12}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{1,...,5}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;+(-.5,-.5)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;++(.5,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x,\y)</span><span
+class="cmtt-8">&nbsp;node{\x,\y};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 1119--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement can do even trickier stuff, but the above gives the idea.
+<!--l. 1125--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.20 </span> <a
+ id="x4-440003.20"></a>Adding Text</h4>
+<!--l. 1127--><p class="noindent">Karl is, by now, quite satisfied with the picture. However, the most important parts, namely the labels, are still
+missing!
+<!--l. 1130--><p class="indent"> Ti<span
+class="cmti-10">k</span>Z&nbsp;offers an easy-to-use and powerful system for adding text and, more generally, complex shapes to a
+picture at specific positions. The basic idea is the following: When Ti<span
+class="cmti-10">k</span>Z&nbsp;is constructing a path and
+encounters the keyword <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> in the middle of a path, it reads a <span
+class="cmti-10">node specification</span>. The keyword <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> is
+typically followed by some options and then some text between curly braces. This text is put inside a
+normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;box (if the node specification directly follows a coordinate, which is usually the case,
+Ti<span
+class="cmti-10">k</span>Z&nbsp;is able to perform some magic so that it is even possible to use verbatim text inside the boxes)
+and then placed at the current position, that is, at the last specified position (possibly shifted a bit,
+according to the given options). However, all nodes are drawn only after the path has been completely
+drawn/filled/shaded/clipped/whatever.
+<!--l. 1144--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-55-" ><colgroup id="TBL-55-1g"><col
+id="TBL-55-1"><col
+id="TBL-55-2"></colgroup><tr
+ valign="baseline" id="TBL-55-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-55-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-53.svg" width="102.17403pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-55-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0.5,0.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;[fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{Text</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;\verb!node</span><span
+class="cmtt-8">&nbsp;1!}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,1.5)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{Text</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;\verb!node</span><span
+class="cmtt-8">&nbsp;2!};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 1153--><p class="indent"> Obviously, Karl would not only like to place nodes <span
+class="cmti-10">on </span>the last specified position, but also to the left or the
+right of these positions. For this, every node object that you put in your picture is equipped with
+several <span
+class="cmti-10">anchors</span>. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span> anchor is in the middle at the upper end of the shape, the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span> anchor is at the bottom and the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span> anchor is in the upper right corner. When you
+given the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=north</span></span></span>, the text will be placed such that this northern anchor will lie on the
+current position and the text is, thus, below the current position. Karl uses this to draw the ticks as
+follows:
+<!--l. 1164--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-56-" ><colgroup id="TBL-56-1g"><col
+id="TBL-56-1"><col
+id="TBL-56-2"></colgroup><tr
+ valign="baseline" id="TBL-56-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-56-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-54.svg" width="102.43085pt" height="145.96184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-56-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.6,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0.6,1.51);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,-0.5,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,-1pt)</span><span
+class="cmtt-8">&nbsp;node[anchor=north]</span><span
+class="cmtt-8">&nbsp;{$\x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,-0.5,0.5,1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;node[anchor=east]</span><span
+class="cmtt-8">&nbsp;{$\y$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1180--><p class="indent"> This is quite nice, already. Using these anchors, Karl can now add most of the other text elements. However,
+Karl thinks that, though &#8220;correct,&#8221; it is quite counter-intuitive that in order to place something <span
+class="cmti-10">below </span>a given point,
+he has to use the <span
+class="cmti-10">north </span>anchor. For this reason, there is an option called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">below</span></span></span>, which does the same as
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=north</span></span></span>. Similarly, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">above</span><span
+class="cmtt-10">&nbsp;right</span></span></span> does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">anchor=south</span><span
+class="cmtt-10">&nbsp;east</span></span></span>. In addition, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">below</span></span></span> takes an
+optional dimension argument. If given, the shape will additionally be shifted downwards by the given
+amount. So, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">below=1pt</span></span></span> can be used to put a text label below some point and, additionally shift it 1pt
+downwards.
+<!--l. 1192--><p class="indent"> Karl is not quite satisfied with the ticks. He would like to have 1<span
+class="cmmi-10">/</span>2 or <img
+src="pgfmanual9x.gif" alt="12" class="frac" align="middle"> shown instead of 0<span
+class="cmmi-10">.</span>5, partly
+to show off the nice capabilities of <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z, partly because for positions like 1<span
+class="cmmi-10">/</span>3 or <span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" /> </span>it is
+certainly very much preferable to have the &#8220;mathematical&#8221; tick there instead of just the &#8220;numeric&#8221;
+tick. His students, on the other hand, prefer 0<span
+class="cmmi-10">.</span>5 over 1<span
+class="cmmi-10">/</span>2 since they are not too fond of fractions in
+general.
+<!--l. 1200--><p class="indent"> Karl now faces a problem: For the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> statement, the position <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\x</span></span></span> should still be given as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0.5</span></span></span> since
+Ti<span
+class="cmti-10">k</span>Z&nbsp;will not know where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\frac{1}{2}</span></span></span> is supposed to be. On the other hand, the typeset text should really be
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\frac{1}{2}</span></span></span>. To solve this problem, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> offers a special syntax: Instead of having one variable <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\x</span></span></span>, Karl can
+specify two (or even more) variables separated by a slash as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\x</span><span
+class="cmtt-10">&nbsp;/</span><span
+class="cmtt-10">&nbsp;\xtext</span></span></span>. Then, the elements in the set over
+which <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\foreach</span></span></span> iterates must also be of the form <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second</span><span
+class="cmsy-10">&gt;</span>. In each iteration, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\x</span></span></span> will be set to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt; </span>and
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\xtext</span></span></span> will be set to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second</span><span
+class="cmsy-10">&gt;</span>. If no <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">second</span><span
+class="cmsy-10">&gt; </span>is given, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">first</span><span
+class="cmsy-10">&gt; </span>will be used again. So, here is the new code for the
+ticks:
+
+
+<!--l. 1212--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-57-" ><colgroup id="TBL-57-1g"><col
+id="TBL-57-1"><col
+id="TBL-57-2"></colgroup><tr
+ valign="baseline" id="TBL-57-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-57-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-55.svg" width="102.43085pt" height="145.96184pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-57-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-0.6,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(0.6,1.51);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0);</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x/\xtext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-0.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,-1pt)</span><span
+class="cmtt-8">&nbsp;node[anchor=north]</span><span
+class="cmtt-8">&nbsp;{$\xtext$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y/\ytext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-0.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;0.5/\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;node[anchor=east]</span><span
+class="cmtt-8">&nbsp;{$\ytext$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1228--><p class="indent"> Karl is quite pleased with the result, but his son points out that this is still not perfectly satisfactory: The grid
+and the circle interfere with the numbers and decrease their legibility. Karl is not very concerned by this (his
+students do not even notice), but his son insists that there is an easy solution: Karl can add the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[fill=white]</span></span></span>
+option to fill out the background of the text shape with a white color.
+<!--l. 1236--><p class="indent"> The next thing Karl wants to do is to add the labels like sin<span
+class="cmmi-10"><img
+src="cmmi10-b.gif" alt="a" class="10x-x-b" /></span>. For this, he would like to place a label &#8220;in the
+middle of line.&#8221; To do so, instead of specifying the label <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span><span
+class="cmtt-10">&nbsp;{$\sin\alpha$}</span></span></span> directly after one of the endpoints of
+the line (which would place the label at that endpoint), Karl can give the label directly after the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>,
+before the coordinate. By default, this places the label in the middle of the line, but the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pos=</span></span></span> options
+can be used to modify this. Also, options like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">near</span><span
+class="cmtt-10">&nbsp;start</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">near</span><span
+class="cmtt-10">&nbsp;end</span></span></span> can be used to modify this
+position:
+<!--l. 1248--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-56.svg" width="341.43292pt" height="85.35818pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-58-" ><colgroup id="TBL-58-1g"><col
+id="TBL-58-1"></colgroup><tr
+ valign="baseline" id="TBL-58-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-58-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\clip</span><span
+class="cmtt-8">&nbsp;(-2,-0.2)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,0.8);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[step=.5cm,gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=green!50!black]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0mm)</span><span
+class="cmtt-8">&nbsp;arc</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0:30:3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(x</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(y</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick,red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[left=1pt,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\sin</span><span
+class="cmtt-8">&nbsp;\alpha$}</span><span
+class="cmtt-8">&nbsp;(30:1cm</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;x</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick,blue]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;x</span><span
+class="cmtt-8">&nbsp;axis)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[below=2pt,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\cos</span><span
+class="cmtt-8">&nbsp;\alpha$}</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thick,orange]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;[right=1pt,fill=white]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{$\displaystyle</span><span
+class="cmtt-8">&nbsp;\tan</span><span
+class="cmtt-8">&nbsp;\alpha</span><span
+class="cmtt-8">&nbsp;\color{black}=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\frac{{\color{red}\sin</span><span
+class="cmtt-8">&nbsp;\alpha}}{\color{blue}\cos</span><span
+class="cmtt-8">&nbsp;\alpha}$}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(intersection</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;0,0--30:1cm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;1,0--1,1)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(t);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(t);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x/\xtext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-0.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(\x</span><span
+class="cmtt-8">&nbsp;cm,-1pt)</span><span
+class="cmtt-8">&nbsp;node[anchor=north,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\xtext$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y/\ytext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-0.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;0.5/\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-1pt,\y</span><span
+class="cmtt-8">&nbsp;cm)</span><span
+class="cmtt-8">&nbsp;node[anchor=east,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\ytext$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 1276--><p class="indent"> You can also position labels on curves and, by adding the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sloped</span></span></span> option, have them rotated such that they
+match the line&#8217;s slope. Here is an example:
+
+
+<!--l. 1280--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-57.svg" width="341.83292pt" height="45.52199pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-59-" ><colgroup id="TBL-59-1g"><col
+id="TBL-59-1"></colgroup><tr
+ valign="baseline" id="TBL-59-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-59-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(6,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(9,1)</span><span
+class="cmtt-8">&nbsp;..</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[near</span><span
+class="cmtt-8">&nbsp;start,sloped,above]</span><span
+class="cmtt-8">&nbsp;{near</span><span
+class="cmtt-8">&nbsp;start}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{midway}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;end,sloped,below]</span><span
+class="cmtt-8">&nbsp;{very</span><span
+class="cmtt-8">&nbsp;near</span><span
+class="cmtt-8">&nbsp;end}</span><span
+class="cmtt-8">&nbsp;(12,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 1289--><p class="indent"> It remains to draw the explanatory text at the right of the picture. The main difficulty here lies in limiting the
+width of the text &#8220;label,&#8221; which is quite long, so that line breaking is used. Fortunately, Karl can use the option
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span><span
+class="cmtt-10">&nbsp;width=6cm</span></span></span> to get the desired effect. So, here is the full code:
+<!--l. 1295--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-60-" ><colgroup id="TBL-60-1g"><col
+id="TBL-60-1"></colgroup><tr
+ valign="baseline" id="TBL-60-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-60-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[scale=3,cap=round]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Local</span><span
+class="cmsltt-10x-x-80">&nbsp;definitions</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\def\costhirty{0.8660256}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Colors</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorlet{anglecolor}{green!50!black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorlet{sincolor}{red}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorlet{tancolor}{orange!80!black}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\colorlet{coscolor}{blue}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Styles</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{axes}=[]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{important</span><span
+class="cmtt-8">&nbsp;line}=[very</span><span
+class="cmtt-8">&nbsp;thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{information</span><span
+class="cmtt-8">&nbsp;text}=[rounded</span><span
+class="cmtt-8">&nbsp;corners,fill=red!10,inner</span><span
+class="cmtt-8">&nbsp;sep=1ex]</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;The</span><span
+class="cmsltt-10x-x-80">&nbsp;graphic</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines,step=0.5cm]</span><span
+class="cmtt-8">&nbsp;(-1.4,-1.4)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1.4,1.4);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[style=axes]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-1.5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.5,0)</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$x$}</span><span
+class="cmtt-8">&nbsp;coordinate(x</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1.5)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$y$}</span><span
+class="cmtt-8">&nbsp;coordinate(y</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\x/\xtext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=\x</span><span
+class="cmtt-8">&nbsp;cm]</span><span
+class="cmtt-8">&nbsp;(0pt,1pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,-1pt)</span><span
+class="cmtt-8">&nbsp;node[below,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\xtext$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\y/\ytext</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-1,</span><span
+class="cmtt-8">&nbsp;-.5/-\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;.5/\frac{1}{2},</span><span
+class="cmtt-8">&nbsp;1}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yshift=\y</span><span
+class="cmtt-8">&nbsp;cm]</span><span
+class="cmtt-8">&nbsp;(1pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(-1pt,0pt)</span><span
+class="cmtt-8">&nbsp;node[left,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\ytext$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=green!20,draw=anglecolor]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3mm,0pt)</span><span
+class="cmtt-8">&nbsp;arc(0:30:3mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(15:2mm)</span><span
+class="cmtt-8">&nbsp;node[anglecolor]</span><span
+class="cmtt-8">&nbsp;{$\alpha$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=important</span><span
+class="cmtt-8">&nbsp;line,sincolor]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[left=1pt,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\sin</span><span
+class="cmtt-8">&nbsp;\alpha$}</span><span
+class="cmtt-8">&nbsp;(30:1cm</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;x</span><span
+class="cmtt-8">&nbsp;axis);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=important</span><span
+class="cmtt-8">&nbsp;line,coscolor]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(30:1cm</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;x</span><span
+class="cmtt-8">&nbsp;axis)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[below=2pt,fill=white]</span><span
+class="cmtt-8">&nbsp;{$\cos</span><span
+class="cmtt-8">&nbsp;\alpha$}</span><span
+class="cmtt-8">&nbsp;(0,0);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=important</span><span
+class="cmtt-8">&nbsp;line,tancolor]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;node[right=1pt,fill=white]</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$\displaystyle</span><span
+class="cmtt-8">&nbsp;\tan</span><span
+class="cmtt-8">&nbsp;\alpha</span><span
+class="cmtt-8">&nbsp;\color{black}=</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\frac{{\color{sincolor}\sin</span><span
+class="cmtt-8">&nbsp;\alpha}}{\color{coscolor}\cos</span><span
+class="cmtt-8">&nbsp;\alpha}$}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(intersection</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;0,0--30:1cm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;1,0--1,1)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(t);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(t);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=1.85cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right,text</span><span
+class="cmtt-8">&nbsp;width=6cm,style=information</span><span
+class="cmtt-8">&nbsp;text]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;The</span><span
+class="cmtt-8">&nbsp;{\color{anglecolor}</span><span
+class="cmtt-8">&nbsp;angle</span><span
+class="cmtt-8">&nbsp;$\alpha$}</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;$30^\circ$</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;the</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;example</span><span
+class="cmtt-8">&nbsp;($\pi/6$</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;radians).</span><span
+class="cmtt-8">&nbsp;The</span><span
+class="cmtt-8">&nbsp;{\color{sincolor}sine</span><span
+class="cmtt-8">&nbsp;of</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;$\alpha$},</span><span
+class="cmtt-8">&nbsp;which</span><span
+class="cmtt-8">&nbsp;is</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;height</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;red</span><span
+class="cmtt-8">&nbsp;line,</span><span
+class="cmtt-8">&nbsp;is</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\[</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{\color{sincolor}</span><span
+class="cmtt-8">&nbsp;\sin</span><span
+class="cmtt-8">&nbsp;\alpha}</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;1/2.</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;By</span><span
+class="cmtt-8">&nbsp;the</span><span
+class="cmtt-8">&nbsp;Theorem</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;Pythagoras</span><span
+class="cmtt-8">&nbsp;...</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 1358--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">3.21 </span> <a
+ id="x4-450003.21"></a>Nodes</h4>
+<!--l. 1360--><p class="noindent">Placing text at a given position is just a special case of a more general underlying mechanism. When you say
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;node{text};</span></span></span>, what actually happens is that a rectangular node, anchored at its center, is put at
+position (0<span
+class="cmmi-10">,</span>0). On top of the rectangular node the text <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text</span></span></span> is drawn. Since no action is specified for the rectangle
+(like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span>), the rectangle is actually discarded and only the text is shown. However, by adding
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span>, we can make the underlying shape visible. Furthermore, we can <span
+class="cmti-10">change </span>the shape using
+for example <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shape=circle</span></span></span> or just <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span>. If we include the package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryshapes</span></span></span> we also get
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span>:
+<!--l. 1372--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-61-" ><colgroup id="TBL-61-1g"><col
+id="TBL-61-1"><col
+id="TBL-61-2"></colgroup><tr
+ valign="baseline" id="TBL-61-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-61-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-58.svg" width="81.28409pt" height="94.87352pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-61-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[ellipse,fill=examplefill,draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(h1)</span><span
+class="cmtt-8">&nbsp;{hello</span><span
+class="cmtt-8">&nbsp;world}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0.5,2)</span><span
+class="cmtt-8">&nbsp;node[circle,shade,ball</span><span
+class="cmtt-8">&nbsp;color=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(h2)</span><span
+class="cmtt-8">&nbsp;{hello</span><span
+class="cmtt-8">&nbsp;world};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[-&gt;,shorten</span><span
+class="cmtt-8">&nbsp;&gt;=2pt]</span><span
+class="cmtt-8">&nbsp;(h1.north)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(h2.south);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1382--><p class="indent"> As the above example shows, we can add the a name to a node by putting it in parentheses between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> and
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span> (you can also use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">name=</span></span></span> option). This will make Ti<span
+class="cmti-10">k</span>Z&nbsp;remember your node and all its anchors. You
+can then refer to these anchors when specifying coordinates. The syntax is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>. Currently, and
+also in the near future, <span
+class="cmti-10">this will not work across pictures since Ti</span>k<span
+class="cmti-10">Z</span><span
+class="cmti-10">&nbsp;looses track of the positions when it returns</span>
+<span
+class="cmti-10">control to </span><span class="TEX"><span
+class="cmti-10">T</span><span
+class="E"><span
+class="cmti-10">E</span></span><span
+class="cmti-10">X</span></span><span
+class="cmti-10">. </span>Magic hackery is possible for certain drivers, but a portable implementation seems impossible (just
+think of a possible <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>driver).
+<!--l. 1393--><p class="indent"> The option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shorten</span><span
+class="cmtt-10">&nbsp;&gt;</span></span></span> causes lines to be shortened by 2pt at the end. Similarly, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shorten</span><span
+class="cmtt-10">&nbsp;&lt;</span></span></span> can be used to
+shorten (or even lengthen) lines at the beginning. This is possible even if no arrow is drawn.
+<!--l. 1397--><p class="indent"> It is not always necessary to specify the anchor. If you do not give an anchor, Ti<span
+class="cmti-10">k</span>Z&nbsp;will try to determine a
+reasonable border anchor by itself (if Ti<span
+class="cmti-10">k</span>Z&nbsp;fails to find anything useful, it will use the center instead). Here is a
+typical example:
+<!--l. 1402--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-59.svg" width="199.56918pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-62-" ><colgroup id="TBL-62-1g"><col
+id="TBL-62-1"></colgroup><tr
+ valign="baseline" id="TBL-62-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-62-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[shape=circle,minimum</span><span
+class="cmtt-8">&nbsp;size=1cm,fill=examplefill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[draw,fill]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(q_A)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{$q_A$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(q_E)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;{$q_E$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(q_1)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;{$q_1$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(q_2)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(4,2)</span><span
+class="cmtt-8">&nbsp;{$q_2$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(q_A)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(q_1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(q_2)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(q_E);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;,shorten</span><span
+class="cmtt-8">&nbsp;&gt;=2pt]</span><span
+class="cmtt-8">&nbsp;(q_A)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(75:1.4cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(105:1.4cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$x$}</span><span
+class="cmtt-8">&nbsp;(q_A);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1416--><p class="indent"> In the example, we used the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\node</span></span></span> command, which is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;node</span></span></span>.
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse4.html" >next</a>] [<a
+href="pgfmanualse2.html" >prev</a>] [<a
+href="pgfmanualse2.html#tailpgfmanualse2.html" >prev-tail</a>] [<a
+href="pgfmanualse3.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse3.html" >up</a>] </p></div>
+<!--l. 10--><p class="indent"> <a
+ id="tailpgfmanualse3.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse30.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse30.html
new file mode 100644
index 00000000000..c968f89e43e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse30.html
@@ -0,0 +1,382 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>30 Layered Graphics</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse31.html" >next</a>] [<a
+href="pgfmanualse29.html" >prev</a>] [<a
+href="pgfmanualse29.html#tailpgfmanualse29.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse30.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse30.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">30 </span> <a
+ id="x31-29800030"></a>Layered Graphics</h3>
+<!--l. 12--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox375"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfbaselayers</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx31-298001"></a>
+<a
+ id="dx31-298002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox376"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaselayers</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox377"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfbaselayers</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 13--><p class="noindent">This package provides a commands and environments for composing a picture from multiple layers.
+ The package is loaded automatically by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>, but you can load it manually if you have only included
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfcore</span></span></span>. </dd></dl>
+<!--l. 21--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">30.1 </span> <a
+ id="x31-29900030.1"></a>Overview</h4>
+<!--l. 23--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;provides a layering mechanism for composing graphics from multiple layers. (This mechanism is not be
+confused with the conceptual &#8220;software layers&#8221; the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system is composed of.) Layers are often used in graphic
+programs. The idea is that you can draw on the different layers in any order. So you might start drawing something
+on the &#8220;background&#8221; layer, then something on the &#8220;foreground&#8221; layer, then something on the &#8220;middle&#8221; layer, and
+then something on the background layer once more, and so on. At the end, no matter in which ordering you drew on
+the different layers, the layers are &#8220;stacked on top of each other&#8221; in a fixed ordering to produce the final
+picture. Thus, anything drawn on the middle layer would come on top of everything of the background
+layer.
+<!--l. 36--><p class="indent"> Normally, you do not need to use different layers since you will have little trouble &#8220;ordering&#8221; your graphic
+commands in such a way that layers are superfluous. However, in certain situations you only &#8220;know&#8221; what you
+should draw behind something else after the &#8220;something else&#8221; has been drawn.
+<!--l. 42--><p class="indent"> For example, suppose you wish to draw a yellow background behind your picture. The background should be as
+large as the bounding box of the picture, plus a little border. If you know the size of the bounding box of the picture
+at its beginning, this is easy to accomplish. However, in general this is not the case and you need to
+create a &#8220;background&#8221; layer in addition to the standard &#8220;main&#8221; layer. Then, at the end of the picture,
+when the bounding box has been established, you can add a rectangle of the appropriate size to the
+picture.
+<!--l. 53--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">30.2 </span> <a
+ id="x31-30000030.2"></a>Declaring Layers</h4>
+<!--l. 55--><p class="noindent">In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;layers are referenced using names. The standard layer, which is a bit special in certain ways, is called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">main</span></span></span>.
+If nothing else is specified, all graphic commands are added to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">main</span></span></span> layer. You can declare a new layer using the
+following command:
+<!--l. 60--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox378"><span
+class="cmtt-10">\pgfdeclarelayer</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx31-300001"></a>
+ <!--l. 61--><p class="noindent">This command declares a layer named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>for later use. Mainly, this will setup some internal
+ bookkeeping. </dd></dl>
+
+
+<!--l. 65--><p class="indent"> The next step toward using a layer is to tell <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;which layers will be part of the actual picture
+and which will be their ordering. Thus, it is possible to have more layers declared than are actually
+used.
+<!--l. 70--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox379"><span
+class="cmtt-10">\pgfsetlayers</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layer list</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx31-300002"></a>
+ <!--l. 71--><p class="noindent">This command, which should be used <span
+class="cmti-10">outside </span>a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> environment, tells <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;which layers will be
+ used in pictures. They are stacked on top of each other in the order given. The layer <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">main</span></span></span> should always be
+ part of the list. Here is an example:
+ <!--l. 76--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-566-" ><colgroup id="TBL-566-1g"><col
+id="TBL-566-1"></colgroup><tr
+ valign="baseline" id="TBL-566-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-566-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclarelayer{background}</span>
+<br><span
+class="cmtt-8">\pgfdeclarelayer{foreground}</span>
+<br><span
+class="cmtt-8">\pgfsetlayers{background,main,foreground}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 84--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">30.3 </span> <a
+ id="x31-30100030.3"></a>Using Layers</h4>
+<!--l. 86--><p class="noindent">Once the layers of your picture have been declared, you can start to &#8220;fill&#8221; them. As said before, all graphics
+commands are normally added to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">main</span></span></span> layer. Using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfonlayer}</span></span></span> environment, you can tell <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;that
+certain commands should, instead, be added to the given layer.
+<!--l. 92--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox380"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">pgfonlayer</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layer name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox381"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox382"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">pgfonlayer</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx31-301001"></a>
+<a
+ id="dx31-301002"></a>
+ <!--l. 93--><p class="noindent">The whole <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt; </span>is added to the layer with the name <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layer name</span><span
+class="cmsy-10">&gt;</span>. This environment
+ can be used anywhere inside a picture. Thus, even if it is used inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfscope}</span></span></span> or a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;group,
+ the contents will still be added to the &#8220;whole&#8221; picture. Using this environment multiple times inside
+ the same picture will cause the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt; </span>to accumulate.
+ <!--l. 100--><p class="noindent"><span
+class="cmti-10">Note: </span>You can <span
+class="cmti-10">not </span>add anything to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">main</span></span></span> layer using this environment. The only way to add
+ anything to the main layer is to give graphic commands outside all <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfonlayer}</span></span></span> environments.
+
+
+ <!--l. 105--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-567-" ><colgroup id="TBL-567-1g"><col
+id="TBL-567-1"><col
+id="TBL-567-2"></colgroup><tr
+ valign="baseline" id="TBL-567-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-567-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-645.svg" width="56.90549pt" height="56.90549pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-567-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfdeclarelayer{background</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">\pgfdeclarelayer{foreground</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">\pgfsetlayers{background</span><span
+class="cmtt-8">&nbsp;layer,main,foreground</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;On</span><span
+class="cmsltt-10x-x-80">&nbsp;main</span><span
+class="cmsltt-10x-x-80">&nbsp;layer:</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[blue]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(1cm);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfonlayer}{background</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[yellow]</span><span
+class="cmtt-8">&nbsp;(-1,-1)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfonlayer}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfonlayer}{foreground</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node[white]</span><span
+class="cmtt-8">&nbsp;{foreground};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfonlayer}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfonlayer}{background</span><span
+class="cmtt-8">&nbsp;layer}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[black]</span><span
+class="cmtt-8">&nbsp;(-.8,-.8)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(.8,.8);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfonlayer}</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;On</span><span
+class="cmsltt-10x-x-80">&nbsp;main</span><span
+class="cmsltt-10x-x-80">&nbsp;layer</span><span
+class="cmsltt-10x-x-80">&nbsp;again:</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[blue!50]</span><span
+class="cmtt-8">&nbsp;(-.5,-1)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(.5,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 131--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox383"><span
+class="cmtt-10">\pgfonlayer</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">layer name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox384"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox385"><span
+class="cmtt-10">\endpgfonlayer</span></span> </dt><dd
+class="description">
+<a
+ id="dx31-301003"></a>
+<a
+ id="dx31-301004"></a>
+ <!--l. 132--><p class="noindent">This is the plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;version of the environment. </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse31.html" >next</a>] [<a
+href="pgfmanualse29.html" >prev</a>] [<a
+href="pgfmanualse29.html#tailpgfmanualse29.html" >prev-tail</a>] [<a
+href="pgfmanualse30.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse30.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse30.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse31.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse31.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>31 Quick Commands</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse30.html" >prev</a>] [<a
+href="pgfmanualse30.html#tailpgfmanualse30.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse31.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse31.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">31 </span> <a
+ id="x32-30200031"></a>Quick Commands</h3>
+<!--l. 10--><p class="noindent">This section explains the &#8220;quick&#8221; commands of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. These commands are executed more quickly than the normal
+commands of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>, but offer less functionality. You should use these commands only if you either have a very large
+number of commands that need to be processed or if you expect your commands to be executed very
+often.
+<!--l. 18--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">31.1 </span> <a
+ id="x32-30300031.1"></a>Quick Path Construction Commands</h4>
+<!--l. 20--><p class="noindent">The difference between the quick and the normal path commands is that the quick path commands
+ <ul class="itemize1">
+ <li class="itemize">do not keep track of the bounding boxes,
+ </li>
+ <li class="itemize">do not allow you to arc corners,
+ </li>
+ <li class="itemize">do not apply coordinate transformations.</li></ul>
+<!--l. 31--><p class="indent"> However, they do use the soft-path subsystem (see Section&nbsp;<a
+href="pgfmanualse34.html#x35-32300034">34<!--tex4ht:ref: section-soft-paths --></a> for details), which allows you to mix quick and
+normal path commands arbitrarily.
+<!--l. 35--><p class="indent"> All quick path construction commands start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathq</span></span></span>.
+<!--l. 37--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox386"><span
+class="cmtt-10">\pgfpathqmoveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-303001"></a>
+ <!--l. 38--><p class="noindent">Either starts a path or starts a new part of a path at the coordinate (<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmmi-10">,</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y dimension</span><span
+class="cmsy-10">&gt;</span>).
+ The coordinate is <span
+class="cmti-10">not </span>transformed by the current coordinate transformation matrix. However, any
+ low-level transformations apply.
+ <!--l. 43--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-568-" ><colgroup id="TBL-568-1g"><col
+id="TBL-568-1"><col
+id="TBL-568-2"></colgroup><tr
+ valign="baseline" id="TBL-568-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-568-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-646.svg" width="85.65823pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-568-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgftransformxshift{1cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqmoveto{0pt}{0pt}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;not</span><span
+class="cmsltt-10x-x-80">&nbsp;transformed</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqlineto{1cm}{1cm}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;not</span><span
+class="cmsltt-10x-x-80">&nbsp;transformed</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathlineto{\pgfpoint{2cm}{0cm}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 55--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox387"><span
+class="cmtt-10">\pgfpathqlineto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-303002"></a>
+ <!--l. 56--><p class="noindent">The quick version of the line-to operation. </dd></dl>
+<!--l. 59--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox388"><span
+class="cmtt-10">\pgfpathqcurveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">x</span></sub><sup><span
+class="cmr-7">1</span></sup><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">y</span></sub><sup><span
+class="cmr-7">1</span></sup><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">x</span></sub><sup><span
+class="cmr-7">2</span></sup><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">y</span></sub><sup><span
+class="cmr-7">2</span></sup><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">t</span><sub ><span
+class="cmmi-7">x</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">t</span><sub ><span
+class="cmmi-7">y</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-303003"></a>
+ <!--l. 60--><p class="noindent">The quick version of the curve-to operation. The first support point is (<span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">x</span></sub><sup><span
+class="cmr-7">1</span></sup><span
+class="cmmi-10">,s</span><sub><span
+class="cmmi-7">y</span></sub><sup><span
+class="cmr-7">1</span></sup>), the second support
+ point is (<span
+class="cmmi-10">s</span><sub><span
+class="cmmi-7">x</span></sub><sup><span
+class="cmr-7">2</span></sup><span
+class="cmmi-10">,s</span><sub><span
+class="cmmi-7">y</span></sub><sup><span
+class="cmr-7">2</span></sup>), and the target is (<span
+class="cmmi-10">t</span><sub ><span
+class="cmmi-7">x</span></sub><span
+class="cmmi-10">,t</span><sub ><span
+class="cmmi-7">y</span></sub>).
+ <!--l. 64--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-569-" ><colgroup id="TBL-569-1g"><col
+id="TBL-569-1"><col
+id="TBL-569-2"></colgroup><tr
+ valign="baseline" id="TBL-569-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-569-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-647.svg" width="85.55821pt" height="57.10547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-569-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqmoveto{0pt}{0pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqcurveto{1cm}{1cm}{2cm}{1cm}{3cm}{0cm}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 74--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox389"><span
+class="cmtt-10">\pgfpathqcircle</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-303004"></a>
+ <!--l. 75--><p class="noindent">Adds a radius around the origin of the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span>. This command is orders of magnitude faster
+ than <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfcircle{\pgfpointorigin}{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>.
+ <!--l. 79--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-570-" ><colgroup id="TBL-570-1g"><col
+id="TBL-570-1"><col
+id="TBL-570-2"></colgroup><tr
+ valign="baseline" id="TBL-570-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-570-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-648.svg" width="28.65273pt" height="28.65273pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-570-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqcircle{10pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfsetfillcolor{examplefill}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepath{stroke,fill}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 91--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">31.2 </span> <a
+ id="x32-30400031.2"></a>Quick Path Usage Commands</h4>
+<!--l. 93--><p class="noindent">The quick path usage commands perform similar tasks as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span>, but they
+ <ul class="itemize1">
+ <li class="itemize">do not add arrows,
+ </li>
+ <li class="itemize">do not modify the path in any way, in particular,
+ </li>
+ <li class="itemize">ends are not shortened,
+ </li>
+ <li class="itemize">corners are not replaced by arcs.</li></ul>
+<!--l. 106--><p class="indent"> Note that you <span
+class="cmti-10">have to </span>use the quick versions in the code of arrow tip definitions since, inside these definition, you
+obviously do not want arrows to be drawn.
+<!--l. 110--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox390"><span
+class="cmtt-10">\pgfusepathqstroke</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-304001"></a>
+ <!--l. 111--><p class="noindent">Strokes the path without further ado. No arrows are drawn, no corners are arced.
+ <!--l. 114--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-571-" ><colgroup id="TBL-571-1g"><col
+id="TBL-571-1"><col
+id="TBL-571-2"></colgroup><tr
+ valign="baseline" id="TBL-571-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-571-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-649.svg" width="0.0pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td> <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-571-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{pgfpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfpathqcircle{5pt}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\pgfusepathqstroke</span>
+<br><span
+class="cmtt-8">\end{pgfpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 122--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox391"><span
+class="cmtt-10">\pgfusepathqfill</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-304002"></a>
+ <!--l. 123--><p class="noindent">Fills the path without further ado. </dd></dl>
+<!--l. 126--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox392"><span
+class="cmtt-10">\pgfusepathqfillstroke</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-304003"></a>
+ <!--l. 127--><p class="noindent">Fills and then strokes the path without further ado. </dd></dl>
+<!--l. 130--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox393"><span
+class="cmtt-10">\pgfusepathqclip</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-304004"></a>
+ <!--l. 131--><p class="noindent">Clips all subsequent drawings against the current path. The path is not processed. </dd></dl>
+<!--l. 136--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">31.3 </span> <a
+ id="x32-30500031.3"></a>Quick Text Box Commands</h4>
+<!--l. 138--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox394"><span
+class="cmtt-10">\pgfqbox</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-305001"></a>
+ <!--l. 139--><p class="noindent">This command inserts a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;box into a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> by &#8220;escaping&#8221; to <span class="TEX">T<span
+class="E">E</span>X</span>, inserting the box
+ number <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt; </span>at the origin, and then returning to the typesetting the picture. </dd></dl>
+<!--l. 144--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox395"><span
+class="cmtt-10">\pgfqboxsynced</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx32-305002"></a>
+ <!--l. 145--><p class="noindent">This command works similarly to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfqbox</span></span></span> command. However, before inserting the text in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span>
+ <span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt;</span>, the current coordinate transformation matrix is applied to the current canvas transformation
+ matrix (is it &#8220;synced&#8221; with this matrix, hence the name).
+ <!--l. 151--><p class="noindent">Thus, this command basically has the same effect as if you first called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflowlevelsynccm</span></span></span> followed by
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfqbox</span></span></span>. However, this command will use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\hskip</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\raise</span></span></span> commands for the &#8220;translational part&#8221;
+ of the coordinate transformation matrix, instead of adding the translational part to the current canvas
+ transformation matrix directly. Both methods have the same effect (box <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt; </span>is translated
+ where it should), but the method used by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfqboxsynced</span></span></span> ensures that hyperlinks are placed correctly.
+ Note that scaling and rotation will not (cannot, even) apply to hyperlinks. </dd></dl>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse30.html" >prev</a>] [<a
+href="pgfmanualse30.html#tailpgfmanualse30.html" >prev-tail</a>] [<a
+href="pgfmanualse31.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse31.html" >up</a>] </p></div>
+<!--l. 273--><p class="indent"> <a
+ id="tailpgfmanualse31.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse32.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse32.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>32 Design of the System Layer</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse33.html" >next</a>] [<a
+href="#tailpgfmanualse32.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse32.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">32 </span> <a
+ id="x33-30700032"></a>Design of the System Layer</h3>
+<!--l. 12--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">32.1 </span> <a
+ id="x33-30800032.1"></a>Driver Files</h4>
+<!--l. 15--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system layer mainly consists of a large number of commands starting with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span>. These commands
+will be called <span
+class="cmti-10">system commands </span>in the following. The higher layers &#8220;interface&#8221; with the system layer by
+calling these commands. The higher layers should never use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span> commands directly or even check
+whether <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pdfoutput</span></span></span> is defined. Instead, all drawing requests should be &#8220;channeled&#8221; through the system
+commands.
+<!--l. 23--><p class="indent"> The system layer is loaded and setup by the following package:
+<!--l. 25--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox396"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">pgfsys</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx33-308001"></a>
+<a
+ id="dx33-308002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox397"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfsys</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox398"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">pgfsys</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 26--><p class="noindent">This file provides &#8220;default implementations&#8221; of all system commands, but most simply produce a
+ warning that they are not implemented. The actual implementations of the system commands for a
+ particular driver like, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> reside in files called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-xxxx.sty</span></span></span>, where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xxxx</span></span></span> is the driver
+ name. These will be called <span
+class="cmti-10">driver files </span>in the following.
+ <!--l. 33--><p class="noindent">When <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys.sty</span></span></span> is loaded, it will try to determine which driver is used by loading <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf.cfg</span></span></span>. This
+ file should setup the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysdriver</span></span></span> appropriately. The, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys.sty</span></span></span> will input the appropriate
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">drivername</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.sty</span></span></span>. </dd></dl>
+<!--l. 39--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox399"><span
+class="cmtt-10">\pgfsysdriver</span></span> </dt><dd
+class="description">
+<a
+ id="dx33-308003"></a>
+ <!--l. 40--><p class="noindent">This macro should expand to the name of the driver to be used by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys</span></span></span>. The default from <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf.cfg</span></span></span>
+ is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-\Gin@driver</span></span></span>. This is very likely to be correct if you are using <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>. For plain <span class="TEX">T<span
+class="E">E</span>X</span>, the
+ macro will be set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-pdftex.def</span></span></span> if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> is used and to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-dvips.def</span></span></span> otherwise. </dd></dl>
+<!--l. 47--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox400">File <span
+class="cmtt-10">pgf.cfg</span></span> </dt><dd
+class="description">
+<a
+ id="dx33-308004"></a>
+<a
+ id="dx33-308005"></a>
+ <!--l. 48--><p class="noindent">This file should setup the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysdriver</span></span></span> correctly. If <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysdriver</span></span></span> is already set to some
+ value, the driver normally should not change it. Otherwise, it should make a &#8220;good guess&#8221; at which
+ driver will be appropriate. </dd></dl>
+<!--l. 55--><p class="indent"> The currently supported backend drivers are discussed in Section&nbsp;<a
+href="pgfmanualse5.html#x6-600005.2">5.2<!--tex4ht:ref: section-drivers --></a>.
+
+
+<!--l. 59--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">32.2 </span> <a
+ id="x33-30900032.2"></a>Common Definition Files</h4>
+<!--l. 61--><p class="noindent">Some drivers share many <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands. For the reason, files defining these &#8220;common&#8221; commands are
+available. These files are <span
+class="cmti-10">not </span>usable alone.
+<!--l. 65--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox401">File <span
+class="cmtt-10">pgfsys-common-postscript</span></span> </dt><dd
+class="description">
+<a
+ id="dx33-309001"></a>
+<a
+ id="dx33-309002"></a>
+ <!--l. 66--><p class="noindent">This file defines some <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands so that they produce appropriate PostScript code. </dd></dl>
+<!--l. 70--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox402">File <span
+class="cmtt-10">pgfsys-common-pdf</span></span> </dt><dd
+class="description">
+<a
+ id="dx33-309003"></a>
+<a
+ id="dx33-309004"></a>
+ <!--l. 71--><p class="noindent">This file defines some <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands so that they produce appropriate <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>code. </dd></dl>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse33.html" >next</a>] [<a
+href="pgfmanualse32.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse32.html" >up</a>] </p></div>
+<!--l. 7--><p class="indent"> <a
+ id="tailpgfmanualse32.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse33.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse33.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>33 Commands of the System Layer</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse34.html" >next</a>] [<a
+href="pgfmanualse32.html" >prev</a>] [<a
+href="pgfmanualse32.html#tailpgfmanualse32.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse33.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse33.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">33 </span> <a
+ id="x34-31000033"></a>Commands of the System Layer</h3>
+<!--l. 11--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.1 </span> <a
+ id="x34-31100033.1"></a>Beginning and Ending a Stream of System Commands</h4>
+<!--l. 13--><p class="noindent">A &#8220;user&#8221; of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system layer (like the basic layer or a frontend) will interface with the system layer by calling a
+stream of commands starting with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span>. From the system layer&#8217;s point of view, these commands form a long
+stream. Between calls to the system layer, control goes back to the user.
+<!--l. 19--><p class="indent"> The driver files implement system layer commands by inserting <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span> commands that implement the desired
+operation. For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span> will be mapped to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special{pdf:</span><span
+class="cmtt-10">&nbsp;S}</span></span></span> by the driver file for
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span>.
+<!--l. 24--><p class="indent"> For many drivers, when such a stream of specials starts, it is necessary to install an appropriate transformation
+and perhaps perform some more bureaucratic tasks. For this reason, every stream will start with a
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@beginpicture</span></span></span> and will end with a corresponding ending command.
+<!--l. 30--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox403"><span
+class="cmtt-10">\pgfsys@beginpicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311001"></a>
+ <!--l. 31--><p class="noindent">Called at the beginning of a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>. This command should &#8220;setup things.&#8221;
+ <!--l. 34--><p class="noindent">Most drivers will need to implement this command. </dd></dl>
+<!--l. 37--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox404"><span
+class="cmtt-10">\pgfsys@endpicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311002"></a>
+ <!--l. 38--><p class="noindent">Called at the end of a pgfpicture.
+ <!--l. 40--><p class="noindent">Most drivers will need to implement this command. </dd></dl>
+<!--l. 43--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox405"><span
+class="cmtt-10">\pgfsys@typesetpicturebox</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311003"></a>
+ <!--l. 44--><p class="noindent">Called <span
+class="cmti-10">after </span>a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> has been typeset. The picture will have been put in box <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt;</span>. This
+ command should insert the box into the normal text. The box <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt; </span>will still be a &#8220;raw&#8221; box that
+ contains only the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span>&#8217;s that make up the description of the picture. The job of this command is
+ to resize and shift <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box</span><span
+class="cmsy-10">&gt; </span>according to the baseline shift and the size of the box.
+ <!--l. 52--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+<!--l. 56--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox406"><span
+class="cmtt-10">\pgfsys@beginpurepicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311004"></a>
+ <!--l. 57--><p class="noindent">This version of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@beginpicture</span></span></span> picture command can be used for pictures that are
+ guaranteed not to contain any escaped boxes (see below). In this case, a driver might provide a more
+ compact version of the command.
+ <!--l. 62--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+<!--l. 66--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox407"><span
+class="cmtt-10">\pgfsys@endpurepicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311005"></a>
+ <!--l. 67--><p class="noindent">Called at the end of a &#8220;pure&#8221; <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+ <!--l. 69--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+<!--l. 73--><p class="indent"> Inside a stream it is sometimes necessary to &#8220;escape&#8221; back into normal typesetting mode; for example to insert
+some normal text, but with all of the current transformations and clippings being in force. For this escaping, the
+following command is used:
+<!--l. 78--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox408"><span
+class="cmtt-10">\pgfsys@hbox</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311006"></a>
+ <!--l. 79--><p class="noindent">Called to insert a (horizontal) TeX box inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>.
+ <!--l. 82--><p class="noindent">Most drivers will need to (re-)implement this command. </dd></dl>
+<!--l. 85--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox409"><span
+class="cmtt-10">\pgfsys@hboxsynced</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">box number</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-311007"></a>
+ <!--l. 86--><p class="noindent">Called to insert a (horizontal) TeX box inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span>, but with the current coordiante
+ transformation matrix synced with the canvas transformation matrix.
+ <!--l. 90--><p class="noindent">This command should do the same as if you used <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgflowlevelsynccm</span></span></span> followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@hbox</span></span></span>.
+ However, the default implementation of this command will use a &#8220;TeX-translation&#8221; for the translation
+ part of the transformation matrix. This will ensure that hyperlinks &#8220;survive&#8221; at least translations. On
+ the other hand, a driver may choose to revert to a simpler implementation. This is done, for example,
+ for the <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>implementation, where a <span class="TEX">T<span
+class="E">E</span>X</span>-translation makes no sense. </dd></dl>
+<!--l. 102--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.2 </span> <a
+ id="x34-31200033.2"></a>Path Construction System Commands</h4>
+<!--l. 104--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox410"><span
+class="cmtt-10">\pgfsys@moveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-312001"></a>
+ <!--l. 105--><p class="noindent">This command is used to start a path at a specific point (<span
+class="cmmi-10">x,y</span>) or to move the current point of the
+ current path to (<span
+class="cmmi-10">x,y</span>) without drawing anything upon stroking (the current path is &#8220;interrupted&#8221;).
+ <!--l. 110--><p class="noindent">Both <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt; </span>are given as <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions. It is the driver&#8217;s job to transform these to the coordinate
+ system of the backend. Typically, this means converting the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension into a dimensionless
+ multiple of <img
+src="pgfmanual34x.gif" alt="1-
+72" class="frac" align="middle">in. The function <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@sys@bp</span></span></span> helps with this conversion.
+ <!--l. 116--><p class="noindent"><span
+class="cmti-10">Example: </span>Draw a line from (10pt<span
+class="cmmi-10">,</span>10pt) to the origin of the picture.
+ <!--l. 118--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-573-" ><colgroup id="TBL-573-1g"><col
+id="TBL-573-1"></colgroup><tr
+ valign="baseline" id="TBL-573-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-573-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsys@moveto{10pt}{10pt}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{0pt}{0pt}</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 124--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 128--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox411"><span
+class="cmtt-10">\pgfsys@lineto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-312002"></a>
+ <!--l. 129--><p class="noindent">Continue the current path to (<span
+class="cmmi-10">x,y</span>) with a straight line.
+ <!--l. 132--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+
+
+<!--l. 136--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox412"><span
+class="cmtt-10">\pgfsys@curveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">y</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">y</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">3</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">y</span><sub ><span
+class="cmr-7">3</span></sub><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-312003"></a>
+ <!--l. 137--><p class="noindent">Continue the current path to (<span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">3</span></sub><span
+class="cmmi-10">,y</span><sub ><span
+class="cmr-7">3</span></sub>) with a B&eacute;zier curve that has the two control points (<span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmmi-10">,y</span><sub ><span
+class="cmr-7">1</span></sub>) and
+ (<span
+class="cmmi-10">x</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmmi-10">,y</span><sub ><span
+class="cmr-7">2</span></sub>).
+ <!--l. 140--><p class="noindent"><span
+class="cmti-10">Example: </span>Draw a good approximation of a quarter circle:
+ <!--l. 141--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-574-" ><colgroup id="TBL-574-1g"><col
+id="TBL-574-1"></colgroup><tr
+ valign="baseline" id="TBL-574-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-574-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsys@moveto{10pt}{0pt}</span>
+<br><span
+class="cmtt-8">\pgfsys@curveto{10pt}{5.55pt}{5.55pt}{10pt}{0pt}{10pt}</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 147--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 151--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox413"><span
+class="cmtt-10">\pgfsys@rect</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-312004"></a>
+ <!--l. 152--><p class="noindent">Append a rectangle to the current path whose lower left corner is at (<span
+class="cmmi-10">x,y</span>) and whose width and height
+ in big points are given by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 156--><p class="noindent">This command can be &#8220;mapped back&#8221; to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@lineto</span></span></span> commands, but it is
+ included since <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;has a special, quick version of this command.
+ <!--l. 160--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 164--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox414"><span
+class="cmtt-10">\pgfsys@closepath</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-312005"></a>
+ <!--l. 165--><p class="noindent">Close the current path. This results in joining the current point of the path with the point specified
+ by the last <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span> operation. Typically, this is preferable over using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@lineto</span></span></span> to the
+ last point specified by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span>, since the line starting at this point and the line ending at
+ this point will be smoothly joined by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@closepath</span></span></span>.
+ <!--l. 172--><p class="noindent"><span
+class="cmti-10">Example: </span>Consider
+ <!--l. 173--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-575-" ><colgroup id="TBL-575-1g"><col
+id="TBL-575-1"></colgroup><tr
+ valign="baseline" id="TBL-575-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-575-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsys@moveto{0pt}{0pt}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{10bp}{10bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{0bp}{10bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@closepath</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 180--><p class="noindent">and
+ <!--l. 181--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-576-" ><colgroup id="TBL-576-1g"><col
+id="TBL-576-1"></colgroup><tr
+ valign="baseline" id="TBL-576-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-576-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsys@moveto{0bp}{0bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{10bp}{10bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{0bp}{10bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{0bp}{0bp}</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 189--><p class="noindent">The difference between the above will be that in the second triangle the corner at the origin will be
+ wrong; it will just be the overlay of two lines going in different directions, not a sharp pointed
+ corner.
+ <!--l. 194--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+
+
+<!--l. 200--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.3 </span> <a
+ id="x34-31300033.3"></a>Canvas Transformation System Commands</h4>
+<!--l. 202--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox415"><span
+class="cmtt-10">\pgfsys@transformcm</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">a</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">b</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">c</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">e</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">f </span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-313001"></a>
+ <!--l. 203--><p class="noindent">Perform a concatenation of the canvas transformation matrix with the matrix given by the values <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">a</span><span
+class="cmsy-10">&gt;</span>
+ to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">f </span><span
+class="cmsy-10">&gt;</span>, see the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;or PostScript manual for details. The values <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">a</span><span
+class="cmsy-10">&gt; </span>to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt; </span>are dimensionless factors,
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">e</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">f </span><span
+class="cmsy-10">&gt; </span>are <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions
+ <!--l. 208--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@transformcm{1}{0}{0}{1}{1cm}{1cm}</span></span></span>.
+ <!--l. 210--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 214--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox416"><span
+class="cmtt-10">\pgfsys@transformshift</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x displacement</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y displacement</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-313002"></a>
+ <!--l. 215--><p class="noindent">This command will change the origin of the canvas to (<span
+class="cmmi-10">x,y</span>).
+ <!--l. 217--><p class="noindent">This command has a default implementation and need not be implemented by a driver file.
+ <!--l. 220--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 223--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox417"><span
+class="cmtt-10">\pgfsys@transformxyscale</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x scale</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y scale</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-313003"></a>
+ <!--l. 224--><p class="noindent">This command will scale the canvas (and everything that is drawn) by a factor of <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x scale</span><span
+class="cmsy-10">&gt; </span>in the
+ <span
+class="cmmi-10">x</span>-direction and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y scale</span><span
+class="cmsy-10">&gt; </span>in the <span
+class="cmmi-10">y</span>-direction. Note that this applies to everything, including lines. So a
+ scaled line will have a different width and may even have a different width when going along the <span
+class="cmmi-10">x</span>-axis
+ and when going along the <span
+class="cmmi-10">y</span>-axis, if the scaling is different in these directions. Usually, you do not want
+ this.
+ <!--l. 232--><p class="noindent">This command has a default implementation and need not be implemented by a driver file.
+ <!--l. 235--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 239--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.4 </span> <a
+ id="x34-31400033.4"></a>Stroking, Filling, and Clipping System Commands</h4>
+<!--l. 241--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox418"><span
+class="cmtt-10">\pgfsys@stroke</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314001"></a>
+ <!--l. 242--><p class="noindent">Stroke the current path (as if it were drawn with a pen). A number of graphic state parameters influence
+ this, which can be set using appropriate system commands described later.
+ <!--l. 246--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="cmbx-10">Line width</span> </dt><dd
+class="description">The &#8220;thickness&#8221; of the line. A width of 0 is the thinnest width renderable on the device.
+ On a high-resolution printer this may become invisible and should be avoided. A good choice is
+ 0.4pt, which is the default.
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Stroke color</span> </dt><dd
+class="description">This special color is used for stroking. If it is not set, the current color is used.
+
+
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Cap</span> </dt><dd
+class="description">The cap describes how the endings of lines are drawn. A round cap adds a little half circle to
+ these endings. A butt cap ends the lines exactly at the end (or start) point without anything
+ added. A rectangular cap ends the lines like the butt cap, but the lines protrude over the endpoint
+ by the line thickness. (See also the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;manual.) If the path has been closed, no cap is drawn.
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Join</span> </dt><dd
+class="description">This describes how a bend (a join) in a path is rendered. A round join draws bends using small
+ arcs. A bevel join just draws the two lines and then fills the join minimally so that it becomes
+ convex. A miter join extends the lines so that they form a single sharp corner, but only up to a
+ certain miter limit. (See the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;manual once more.)
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Dash</span> </dt><dd
+class="description">The line may be dashed according to a dashing pattern.
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Clipping area</span> </dt><dd
+class="description">If a clipping area is established, only those parts of the path that are inside the clipping
+ area will be drawn.</dd></dl>
+ <!--l. 282--><p class="noindent">In addition to stroking a path, the path may also be used for clipping after it has been stroked. This will
+ happen if the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@clipnext</span></span></span> is used prior to this command, see there for details.
+ <!--l. 287--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 291--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox419"><span
+class="cmtt-10">\pgfsys@closestroke</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314002"></a>
+ <!--l. 292--><p class="noindent">This command should have the same effect as first closing the path and then stroking it.
+ <!--l. 295--><p class="noindent">This command has a default implementation and need not be implemented by a driver file.
+ <!--l. 298--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 302--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox420"><span
+class="cmtt-10">\pgfsys@fill</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314003"></a>
+ <!--l. 303--><p class="noindent">This command fills the area surrounded by the current path. If the path has not yet been closed, it
+ is closed prior to filling. The path itself is not stroked. For self-intersecting paths or paths consisting
+ of multiple parts, the nonzero winding number rule is used to determine whether a point is inside or
+ outside the path, except if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfsys@eorule</span></span></span> holds - in which case the even-odd rule should be used.
+ (See the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;or PostScript manual for details.)
+ <!--l. 312--><p class="noindent">The following graphic state parameters influence the filling:
+ <!--l. 314--><p class="noindent">
+ <dl class="description"><dt class="description">
+ <span
+class="cmbx-10">Interior rule</span> </dt><dd
+class="description">If <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfsys@eorule</span></span></span> is set, the even-odd rule is used, otherwise the non-zero winding
+ number rule.
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Fill color</span> </dt><dd
+class="description">If the fill color is not especially set, the current color is used.
+ </dd><dt class="description">
+ <span
+class="cmbx-10">Clipping area</span> </dt><dd
+class="description">If a clipping area is established, only those parts of the filling area that are inside the
+ clipping area will be drawn.</dd></dl>
+ <!--l. 328--><p class="noindent">In addition to filling the path, the path will also be used for clipping if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@clipnext</span></span></span> is used prior to this
+ command.
+ <!--l. 331--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 334--><p class="noindent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox421"><span
+class="cmtt-10">\pgfsys@fillstroke</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314004"></a>
+ <!--l. 335--><p class="noindent">First, the path is filled, then the path is stroked. If the fill and stroke colors are the same (or if they are
+ not specified and the current color is used), this yields almost the same as a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@fill</span></span></span>. However,
+ due to the line thickness of the stroked path, the fill-stroked area will be slightly larger.
+ <!--l. 341--><p class="noindent">In addition to stroking and filling the path, the path will also be used for clipping if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@clipnext</span></span></span>
+ is used prior to this command.
+ <!--l. 344--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 348--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox422"><span
+class="cmtt-10">\pgfsys@discardpath</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314005"></a>
+ <!--l. 349--><p class="noindent">Normally, this command should &#8220;throw away&#8221; the current path. However, after <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@clipnext</span></span></span>
+ has been called, the current path should subsequently be used for clipping. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@clipnext</span></span></span> for
+ details.
+ <!--l. 354--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 358--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox423"><span
+class="cmtt-10">\pgfsys@clipnext</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-314006"></a>
+ <!--l. 359--><p class="noindent">This command should be issued after a path has been constructed, but before it has been stroked and/or
+ filled or discarded. When the command is used, the next stroking/filling/discarding command will first
+ be executed normally. Then, afterwards, the just-used path will be used for subsequent clipping. If
+ there has already been a clipping region, this region is intersected with the new clipping path (the
+ clipping cannot get bigger). The nonzero winding number rule is used to determine whether a point
+ is inside or outside the clipping area or the even-odd rule, depending on whether <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\ifpgfsys@eorule</span></span></span>
+ holds. </dd></dl>
+<!--l. 374--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.5 </span> <a
+ id="x34-31500033.5"></a>Graphic State Option System Commands</h4>
+<!--l. 376--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox424"><span
+class="cmtt-10">\pgfsys@setlinewidth</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315001"></a>
+ <!--l. 377--><p class="noindent">Sets the width of lines, when stroked, to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span>, which must be a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension.
+ <!--l. 380--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 383--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox425"><span
+class="cmtt-10">\pgfsys@buttcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315002"></a>
+ <!--l. 384--><p class="noindent">Sets the cap to a butt cap. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 386--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 389--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox426"><span
+class="cmtt-10">\pgfsys@roundcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315003"></a>
+ <!--l. 390--><p class="noindent">Sets the cap to a round cap. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 392--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+
+
+<!--l. 395--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox427"><span
+class="cmtt-10">\pgfsys@rectcap</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315004"></a>
+ <!--l. 396--><p class="noindent">Sets the cap to a rectangular cap. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 398--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 401--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox428"><span
+class="cmtt-10">\pgfsys@miterjoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315005"></a>
+ <!--l. 402--><p class="noindent">Sets the join to a miter join. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 404--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 407--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox429"><span
+class="cmtt-10">\pgfsys@setmiterlimit</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315006"></a>
+ <!--l. 408--><p class="noindent">Sets the miter limit of lines to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt;</span>. See the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;or PostScript for details on what the miter limit
+ is.
+ <!--l. 411--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 414--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox430"><span
+class="cmtt-10">\pgfsys@roundjoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315007"></a>
+ <!--l. 415--><p class="noindent">Sets the join to a round join. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 417--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 420--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox431"><span
+class="cmtt-10">\pgfsys@beveljoin</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315008"></a>
+ <!--l. 421--><p class="noindent">Sets the join to a bevel join. See <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span>.
+ <!--l. 423--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 426--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox432"><span
+class="cmtt-10">\pgfsys@setdash</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">pattern</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">phase</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315009"></a>
+ <!--l. 427--><p class="noindent">Sets the dashing patter. <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">pattern</span><span
+class="cmsy-10">&gt; </span>should be a list of <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions lengths separated by commas.
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">phase</span><span
+class="cmsy-10">&gt; </span>should be a single dimension.
+ <!--l. 431--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@setdash{3pt,3pt}{0pt}</span></span></span>
+ <!--l. 433--><p class="noindent">The list of values in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">pattern</span><span
+class="cmsy-10">&gt; </span>is used to determine the lengths of the &#8220;on&#8221; phases of the dashing and
+ of the &#8220;off&#8221; phases. For example, if <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">pattern</span><span
+class="cmsy-10">&gt; </span>is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">3bp,4bp</span></span></span>, then the dashing pattern is &#8220;3bp on followed
+ by 4bp off, followed by 3bp on, followed by 4bp off, and so on.&#8221; A pattern of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.5pt,4pt,3pt,1.5pt</span></span></span>
+ means &#8220;.5pt on, 4pt off, 3pt on, 1.5pt off, .5pt on, ...&#8221; If the number of entries is odd, the last one is
+ used twice, so <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">3pt</span></span></span> means &#8220;3pt on, 3pt off, 3pt on, 3pt off, ...&#8221; An empty list means &#8220;always on.&#8221;
+ <!--l. 443--><p class="noindent">The second argument determines the &#8220;phase&#8221; of the pattern. For example, for a pattern of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">3bp,4bp</span></span></span>
+ and a phase of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">1bp</span></span></span>, the pattern would start: &#8220;2bp on, 4bp off, 3bp on, 4bp off, 3bp on, 4bp off, ...&#8221;
+ <!--l. 448--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+
+
+<!--l. 452--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox433"><span
+class="cmtt-10">\ifpgfsys@eorule</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315010"></a>
+ <!--l. 453--><p class="noindent">Determines whether the even odd rule is used for filling and clipping or not. </dd></dl>
+<!--l. 458--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox434"><span
+class="cmtt-10">\pgfsys@stroke@opacity</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315011"></a>
+ <!--l. 459--><p class="noindent">Sets the opacity of stroking operations. </dd></dl>
+<!--l. 462--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox435"><span
+class="cmtt-10">\pgfsys@fill@opacity</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-315012"></a>
+ <!--l. 463--><p class="noindent">Sets the opacity of filling operations. </dd></dl>
+<!--l. 467--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.6 </span> <a
+ id="x34-31600033.6"></a>Color System Commands</h4>
+<!--l. 469--><p class="noindent">The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system layer provides a number of system commands for setting colors. These command coexist with
+commands from the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xcolor</span></span></span> package, which perform similar functions. However, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color</span></span></span> package does
+not support having two different colors for stroking and filling, which is a useful feature that is supported by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>.
+For this reason, the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system layer offers commands for setting these colors separatedly. Also, plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;profits
+from the fact that <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;can set colors.
+<!--l. 478--><p class="indent"> For <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>, implementing these color commands is easy since <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;supports different stroking and
+filling colors directly. For PostScript, a more complicated approach is needed in which the colors need
+to be stored in special PostScript variables that are set whenever a stroking or a filling operation is
+done.
+<!--l. 484--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox436"><span
+class="cmtt-10">\pgfsys@color@rgb</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">red</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">green</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">blue</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316001"></a>
+ <!--l. 485--><p class="noindent">Sets the color used for stroking and filling operations to the given red/green/blue tuple (numbers
+ between 0 and 1).
+ <!--l. 488--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 491--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox437"><span
+class="cmtt-10">\pgfsys@color@rgb@stroke</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">red</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">green</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">blue</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316002"></a>
+ <!--l. 492--><p class="noindent">Sets the color used for stroking operations to the given red/green/blue tuple (numbers between 0 and
+ 1).
+ <!--l. 495--><p class="noindent"><span
+class="cmti-10">Example: </span>Make stroked text dark red: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@rgb@stroke{0.5}{0}{0}</span></span></span>
+ <!--l. 497--><p class="noindent">The special stroking color is only used if the stroking color has been set since the last <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> or
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@xxx</span></span></span> command. Thus, each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command will reset both the stroking and filling
+ colors by calling <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@reset</span></span></span>.
+ <!--l. 502--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 505--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox438"><span
+class="cmtt-10">\pgfsys@color@rgb@fill</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">red</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">green</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">blue</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316003"></a>
+ <!--l. 506--><p class="noindent">Sets the color used for filling operations to the given red/green/blue tuple (numbers between 0 and 1).
+ This color may be different from the stroking color.
+ <!--l. 510--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 513--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox439"><span
+class="cmtt-10">\pgfsys@color@cmyk</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316004"></a>
+ <!--l. 514--><p class="noindent">Sets the color used for stroking and filling operations to the given cymk tuple (numbers between 0 and
+ 1).
+ <!--l. 517--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 520--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox440"><span
+class="cmtt-10">\pgfsys@color@cmyk@stroke</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316005"></a>
+ <!--l. 521--><p class="noindent">Sets the color used for stroking operations to the given cymk tuple (numbers between 0 and 1).
+ <!--l. 524--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 527--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox441"><span
+class="cmtt-10">\pgfsys@color@cmyk@fill</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316006"></a>
+ <!--l. 528--><p class="noindent">Sets the color used for filling operations to the given cymk tuple (numbers between 0 and 1).
+ <!--l. 531--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 534--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox442"><span
+class="cmtt-10">\pgfsys@color@cmy</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316007"></a>
+ <!--l. 535--><p class="noindent">Sets the color used for stroking and filling operations to the given cym tuple (numbers between 0 and
+ 1).
+ <!--l. 538--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 541--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox443"><span
+class="cmtt-10">\pgfsys@color@cmy@stroke</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316008"></a>
+ <!--l. 542--><p class="noindent">Sets the color used for stroking operations to the given cym tuple (numbers between 0 and 1).
+ <!--l. 545--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 548--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox444"><span
+class="cmtt-10">\pgfsys@color@cmy@fill</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">cyan</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">magenta</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">yellow</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316009"></a>
+ <!--l. 549--><p class="noindent">Sets the color used for filling operations to the given cym tuple (numbers between 0 and 1).
+ <!--l. 552--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 555--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox445"><span
+class="cmtt-10">\pgfsys@color@gray</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316010"></a>
+ <!--l. 556--><p class="noindent">Sets the color used for stroking and filling operations to the given black value, where 0 means black
+ and 1 means white.
+ <!--l. 559--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 562--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox446"><span
+class="cmtt-10">\pgfsys@color@gray@stroke</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316011"></a>
+ <!--l. 563--><p class="noindent">Sets the color used for stroking operations to the given black value, where 0 means black and 1 means
+ white.
+ <!--l. 566--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 569--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox447"><span
+class="cmtt-10">\pgfsys@color@gray@fill</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">black</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316012"></a>
+ <!--l. 570--><p class="noindent">Sets the color used for filling operations to the given black value, where 0 means black and 1 means
+ white.
+ <!--l. 573--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 576--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox448"><span
+class="cmtt-10">\pgfsys@color@reset</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316013"></a>
+ <!--l. 577--><p class="noindent">This command will be called when the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command is used. It should purge any internal settings of
+ stroking and filling color. After this call, till the next use of a command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@rgb@fill</span></span></span>,
+ the current color installed by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\color</span></span></span> command should be used.
+ <!--l. 583--><p class="noindent">If the <span class="TEX">T<span
+class="E">E</span>X</span>-if <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@reset@inorder</span></span></span> is set to true, this command may &#8220;assume&#8221; that any
+ call to a color command that sets the fill or stroke color came &#8220;before&#8221; the call to this command and
+ may try to optimize the output accordingly.
+ <!--l. 588--><p class="noindent">An example of an incorrect &#8220;out of order&#8221; call would be using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@reset</span></span></span> at the beginning
+ of a box that is constructed using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\setbox</span></span></span>. Then, when the box is constructed, no special fill or stroke
+ color might be in force. However, when the box is later on inserted at some point, a special fill color
+ might already have been set. In this case, this command is not guaranteed to reset the color correctly.
+ </dd></dl>
+<!--l. 597--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox449"><span
+class="cmtt-10">\pgfsys@color@reset@inordertrue</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316014"></a>
+ <!--l. 598--><p class="noindent">Sets the optimized &#8220;in order&#8221; version of the color resetting. This is the default. </dd></dl>
+<!--l. 602--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox450"><span
+class="cmtt-10">\pgfsys@color@reset@inorderfalse</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316015"></a>
+ <!--l. 603--><p class="noindent">Switches off the optimized color resetting. </dd></dl>
+<!--l. 606--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox451"><span
+class="cmtt-10">\pgfsys@color@unstacked</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span class="LATEX"><span
+class="cmti-10">L</span><span class="A"><span
+class="cmti-10">A</span></span><span class="TEX"><span
+class="cmti-10">T</span><span
+class="E"><span
+class="cmti-10">E</span></span><span
+class="cmti-10">X</span></span></span><span
+class="cmti-10">&nbsp;color</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-316016"></a>
+ <!--l. 607--><p class="noindent">This slightly obscure command causes the color stack to be tricked. When called, this command should
+ set the current color to <span
+class="cmsy-10">&lt;</span><span class="LATEX"><span
+class="cmti-10">L</span><span class="A"><span
+class="cmti-10">A</span></span><span class="TEX"><span
+class="cmti-10">T</span><span
+class="E"><span
+class="cmti-10">E</span></span><span
+class="cmti-10">X</span></span></span><span
+class="cmti-10">&nbsp;color</span><span
+class="cmsy-10">&gt; </span>without causing any change in the color stack.
+ <!--l. 611--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@color@unstacked{red}</span></span></span> </dd></dl>
+<!--l. 615--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.7 </span> <a
+ id="x34-31700033.7"></a>Scoping System Commands</h4>
+<!--l. 617--><p class="noindent">The scoping commands are used to keep changes of the graphics state local.
+<!--l. 620--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox452"><span
+class="cmtt-10">\pgfsys@beginscope</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-317001"></a>
+ <!--l. 621--><p class="noindent">Saves the current graphic state on a graphic state stack. All changes to the graphic state parameters
+ mentioned for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@fill</span></span></span> will be local to the current graphic state and the
+ old values will be restored after <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@endscope</span></span></span> is used.
+ <!--l. 626--><p class="noindent"><span
+class="cmti-10">Warning: </span><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;and PostScript differ with respect to the question of whether the current path is part
+ of the graphic state or not. For this reason, you should never use this command unless the path is
+ currently empty. For example, it might be a good idea to use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@discardpath</span></span></span> prior to calling
+ this command.
+ <!--l. 632--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 635--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox453"><span
+class="cmtt-10">\pgfsys@endscope</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-317002"></a>
+ <!--l. 636--><p class="noindent">Restores the last saved graphic state.
+ <!--l. 638--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 647--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.8 </span> <a
+ id="x34-31800033.8"></a>Image System Commands</h4>
+<!--l. 649--><p class="noindent">The system layer provides some commands for image inclusion.
+<!--l. 651--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox454"><span
+class="cmtt-10">\pgfsys@imagesuffixlist</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-318001"></a>
+ <!--l. 652--><p class="noindent">This macro should expand to a list of suffixes, separated by &#8216;:&#8217;, that will be tried when searching for
+ an image.
+ <!--l. 655--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\def\pgfsys@imagesuffixlist{eps:epsi:ps}</span></span></span> </dd></dl>
+<!--l. 659--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox455"><span
+class="cmtt-10">\pgfsys@defineimage</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-318002"></a>
+ <!--l. 660--><p class="noindent">Called, when an image should be defined.
+ <!--l. 662--><p class="noindent">This command does not take any parameters. Instead, certain macros will be preinstalled with
+ appropriate values when this command is invoked. These are:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@filename</span></span></span> File name of the image to be defined.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@imagewidth</span></span></span> Will be set to the desired (scaled) width of the image.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@imageheight</span></span></span> Will be set to the desired (scaled) height of the image.
+ <!--l. 676--><p class="noindent">If this macro and also the height macro are empty, the image should have its &#8220;natural&#8221; size.
+ <!--l. 679--><p class="noindent">If exactly only of them is specified, the undefined value the image is scaled so that the aspect
+ ratio is kept.
+ <!--l. 682--><p class="noindent">If both are set, the image is scaled in both directions independently, possibly changing the aspect
+ ratio.</li></ul>
+ <!--l. 686--><p class="noindent">The following macros presumable mostly make sense for drivers that can handle <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@imagepage</span></span></span> The desired page number to be extracted from a multi-page &#8220;image.&#8221;
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@imagemask</span></span></span> If set, it will be set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/SMask</span><span
+class="cmtt-10">&nbsp;x</span><span
+class="cmtt-10">&nbsp;0</span><span
+class="cmtt-10">&nbsp;R</span></span></span> where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> is the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;object number of a
+ soft mask to be applied to the image.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@imageinterpolate</span></span></span> If set, it will be set to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/Interpolate</span><span
+class="cmtt-10">&nbsp;true</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/Interpolate</span><span
+class="cmtt-10">&nbsp;false</span></span></span>,
+ indicating whether the image should be interpolated in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>.</li></ul>
+ <!--l. 704--><p class="noindent">The command should now setup the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@image</span></span></span> such that calling this macro will result in typesetting
+ the image. Thus, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@image</span></span></span> is the &#8220;return value&#8221; of the command.
+ <!--l. 708--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+<!--l. 713--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox456"><span
+class="cmtt-10">\pgfsys@definemask</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-318003"></a>
+ <!--l. 714--><p class="noindent">This command declares a mask for usage with images. It works similar to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@defineimage</span></span></span>:
+ Certain macros are set when the command is called. The result should be to set the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@mask</span></span></span>
+ to a pdf object count that can subsequently be used as a soft mask. The following macros will be set
+ when this command is invoked:
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@filename</span></span></span> File name of the mask to be defined.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@maskmatte</span></span></span> The so-called matte of the mask (see the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;documentation for details). The
+ matte is a color specification consisting of 1, 3 or 4 numbers between 0 and 1. The number of
+ numbers depends on the number of color channels in the image (not in the mask!). It will be
+ assumed that the image has been preblended with this color.</li></ul>
+ </dd></dl>
+<!--l. 734--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.9 </span> <a
+ id="x34-31900033.9"></a>Shading System Commands</h4>
+<!--l. 737--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox457"><span
+class="cmtt-10">\pgfsys@horishading</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-319001"></a>
+
+
+ <!--l. 738--><p class="noindent">Declares a horizontal shading for later use. The effect of this command should be the definition of
+ a macro called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\@pgfshading</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span> (or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\csname</span><span
+class="cmtt-10">&nbsp;@pdfshading</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!\endcsname</span></span></span>, to be precise).
+ When invoked, this new macro should insert a shading at the current position.
+ <!--l. 744--><p class="noindent"><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>is the name of the shading, which is also used in the output macro name. <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt; </span>is the height
+ of the shading and must be given as a TeX dimension like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2cm</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">10pt</span></span></span>. <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt; </span>is a shading
+ color specification as specified in Section&nbsp;<a
+href="pgfmanualse28.html#x29-28600028">28<!--tex4ht:ref: section-shadings --></a>. The shading specification implicitly fixes the width of the
+ shading.
+ <!--l. 751--><p class="noindent">When <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\@pgfshading</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span> is invoked, it should insert a box of height <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt; </span>and the width implicit
+ in the shading declaration. </dd></dl>
+<!--l. 757--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox458"><span
+class="cmtt-10">\pgfsys@vertshading</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-319002"></a>
+ <!--l. 758--><p class="noindent">Like the horizontal version, only for vertical shadings. This time, the height of the shading is implicit
+ in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt; </span>and the width is given as <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+<!--l. 763--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox459"><span
+class="cmtt-10">\pgfsys@radialshading</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">starting point</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-319003"></a>
+ <!--l. 764--><p class="noindent">Declares a radial shading. Like the previous macros, this command should setup the macro
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\@pgfshading</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">!</span></span></span>, which upon invocation should insert a radial shading whose size is implicit in
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 769--><p class="noindent">The parameter <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">starting point</span><span
+class="cmsy-10">&gt; </span>is a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;point specifying the inner starting point of the shading. </dd></dl>
+<!--l. 774--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.10 </span> <a
+ id="x34-32000033.10"></a>Reusable Objects System Commands</h4>
+<!--l. 776--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox460"><span
+class="cmtt-10">\pgfsys@invoke</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literals</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-320001"></a>
+ <!--l. 777--><p class="noindent">This command gets protocoled literals and should insert them into the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file using an
+ appropriate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span>. </dd></dl>
+<!--l. 782--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox461"><span
+class="cmtt-10">\pgfsys@defobject</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">upper right</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-320002"></a>
+ <!--l. 783--><p class="noindent">Declares an object for later use. The idea is that the object can be precached in some way and then
+ be rendered more quickly when used several times. For example, an arrow head might be defined and
+ prerendered in this way.
+ <!--l. 788--><p class="noindent">The parameter <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt; </span>is the name for later use. <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">upper right</span><span
+class="cmsy-10">&gt; </span>are <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;points specifying
+ a bounding box for the object. <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>is the code for the object. The code should not be too fancy.
+ <!--l. 793--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+<!--l. 797--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox462"><span
+class="cmtt-10">\pgfsys@useobject</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">extra code</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-320003"></a>
+ <!--l. 798--><p class="noindent">Renders a previously declared object. The first parameter is the name of the the object. The second
+ parameter is extra code that should be executed right <span
+class="cmti-10">before </span>the object is rendered. Typically, this will
+ be some transformation code.
+ <!--l. 803--><p class="noindent">This command has a default implementation and need not be implemented by a driver file. </dd></dl>
+
+
+<!--l. 808--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.11 </span> <a
+ id="x34-32100033.11"></a>Invisibility System Commands</h4>
+<!--l. 810--><p class="noindent">All drawing or stroking or text rendering between calls of the following commands should be suppressed. A similar
+effect can be achieved by clipping against an empty region, but the following commands do not open a graphics
+scope and can be opened and closed &#8220;orthogonally&#8221; to other scopes.
+<!--l. 816--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox463"><span
+class="cmtt-10">\pgfsys@begininvisible</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-321001"></a>
+ <!--l. 817--><p class="noindent">Between this command and the closing <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@endinvisible</span></span></span> all output should be suppressed.
+ Nothing should be drawn at all, which includes all paths, images and shadings. However, no groups
+ (neither <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;groups nor graphic state groups) should be opened by this command.
+ <!--l. 823--><p class="noindent">This command has a default implementation and need not be implemented by a driver file.
+ <!--l. 826--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 829--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox464"><span
+class="cmtt-10">\pgfsys@endinvisible</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-321002"></a>
+ <!--l. 830--><p class="noindent">Ends the invisibility section, unless invisibility blocks have been nested. In this case, only the &#8220;last&#8221;
+ one restores visibility.
+ <!--l. 833--><p class="noindent">This command has a default implementation and need not be implemented by a driver file.
+ <!--l. 836--><p class="noindent">This command is protocoled, see Section&nbsp;<a
+href="pgfmanualse35.html#x36-32800035">35<!--tex4ht:ref: section-protocols --></a>. </dd></dl>
+<!--l. 842--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">33.12 </span> <a
+ id="x34-32200033.12"></a>Internal Conversion Commands</h4>
+<!--l. 844--><p class="noindent">The system commands take <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions as input, but the dimensions that have to be inserted into <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;and
+PostScript files need to be dimensionless values that are interpreted as multiples of <img
+src="pgfmanual35x.gif" alt=" 1
+72" class="frac" align="middle">in. For example, the
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension 2<span
+class="cmmi-10">bp </span>should be inserted as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">2</span></span></span> into a <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;file and the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimension 10pt as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">9.9626401</span></span></span>. To make
+this conversion easier, the following command may be useful:
+<!--l. 852--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox465"><span
+class="cmtt-10">\pgf@sys@bp</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx34-322001"></a>
+ <!--l. 853--><p class="noindent">Inserts how many multiples of <img
+src="pgfmanual36x.gif" alt="1
+72" class="frac" align="middle">in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>is into the current protocol stream (buffered).
+ <!--l. 856--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@sys@bp{\pgf@x}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgf@sys@bp{1cm}</span></span></span>. </dd></dl>
+<!--l. 859--><p class="indent"> Note that this command is <span
+class="cmti-10">not </span>a system command that can/needs to be overwritten by a driver.
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse34.html" >next</a>] [<a
+href="pgfmanualse32.html" >prev</a>] [<a
+href="pgfmanualse32.html#tailpgfmanualse32.html" >prev-tail</a>] [<a
+href="pgfmanualse33.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse33.html" >up</a>] </p></div>
+<!--l. 7--><p class="indent"> <a
+ id="tailpgfmanualse33.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
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+<head><title>34 The Soft Path Subsystem</title>
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+>
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+ <h3 class="sectionHead"><span class="titlemark">34 </span> <a
+ id="x35-32300034"></a>The Soft Path Subsystem</h3>
+<!--l. 14--><p class="noindent">This section describes a set of commands for creating <span
+class="cmti-10">soft paths </span>as opposed to the commands of the previous
+section, which created <span
+class="cmti-10">hard paths</span>. A soft path is a path that can still be &#8220;changed&#8221; or &#8220;molded.&#8221; Once you (or the
+<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;system) is satisfied with a soft path, it is turned into a hard path, which can be inserted into the resulting <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>
+or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span> file.
+<!--l. 21--><p class="indent"> Note that the commands described in this section are &#8220;high-level&#8221; in the sense that they are not
+implemented in driver files, but rather directly by the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>-system layer. For this reason, the commands for
+creating soft paths do not start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span>, but rather with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@</span></span></span>. On the other hand,
+as a user you will never use these commands directly, so they are described as part of the low-level
+interface.
+<!--l. 31--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">34.1 </span> <a
+ id="x35-32400034.1"></a>Path Creation Process</h4>
+<!--l. 33--><p class="noindent">When the user writes a command like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(0bp,0bp)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(10bp,0bp);</span></span></span> quite a lot happens behind the
+scenes:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x35-324002x1"></a>The frontend command is translated by Ti<span
+class="cmti-10">k</span>Z&nbsp;into commands of the basic layer. In essence, the command is
+ translated to something like
+ <!--l. 40--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-577-" ><colgroup id="TBL-577-1g"><col
+id="TBL-577-1"></colgroup><tr
+ valign="baseline" id="TBL-577-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-577-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfpathmoveto{\pgfpoint{0bp}{0bp}}</span>
+<br><span
+class="cmtt-8">\pgfpathlineto{\pgfpoint{10bp}{0bp}}</span>
+<br><span
+class="cmtt-8">\pgfusepath{stroke}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x35-324004x2"></a>The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathxxxx</span></span></span> command do <span
+class="cmti-10">not </span>directly call &#8220;hard&#8221; commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@xxxx</span></span></span>. Instead, the
+ command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto</span></span></span> invokes a special command called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@moveto</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathlineto</span></span></span>
+ invokes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@lineto</span></span></span>.
+ <!--l. 51--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@xxxx</span></span></span> commands, which are described below, construct a soft path. Each time such a
+ command is used, special tokens are added to the end of an internal macro that stores the soft path currently
+ being constructed.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x35-324006x3"></a>When the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfusepath</span></span></span> is encountered, the soft path stored in the internal macro is &#8220;invoked.&#8221; Only now does
+ a special macro iterate over the soft path. For each line-to or move-to operation on this path it calls an
+ appropriate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@lineto</span></span></span> in order to, finally, create the desired hard path, namely, the
+ string of literals in the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span> file.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x35-324008x4"></a>After the path has been invoked, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@stroke</span></span></span> is called to insert the literal for stroking the
+ path.</li></ol>
+<!--l. 67--><p class="indent"> Why such a complicated process? Why not have <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathlineto</span></span></span> directly call <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@lineto</span></span></span> and be done
+with it? There are two reasons:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x35-324010x1"></a>The <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;specification requires that a path is not interrupted by any non-path-construction commands. Thus,
+ the following code will result in a corrupted <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>:
+ <!--l. 74--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-578-" ><colgroup id="TBL-578-1g"><col
+id="TBL-578-1"></colgroup><tr
+ valign="baseline" id="TBL-578-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-578-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsys@moveto{0}{0}</span>
+<br><span
+class="cmtt-8">\pgfsys@setlinewidth{1}</span>
+<br><span
+class="cmtt-8">\pgfsys@lineto{10}{0}</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 80--><p class="noindent">Such corrupt code is <span
+class="cmti-10">tolerated </span>by most viewers, but not always. It is much better to create only (reasonably)
+ legal code.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x35-324012x2"></a>A soft path can still be changed, while a hard path is fixed. For example, one can still change the starting and
+ end points of a soft path or do optimizations on it. Such transformations are not possible on hard
+ paths.</li></ol>
+<!--l. 90--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">34.2 </span> <a
+ id="x35-32500034.2"></a>Starting and Ending a Soft Path</h4>
+<!--l. 92--><p class="noindent">No special action must be taken in order to start the creation of a soft path. Rather, each time a command like
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@lineto</span></span></span> is called, a special token is added to the (global) current soft path being
+constructed.
+<!--l. 97--><p class="indent"> However, you can access and change the current soft path. In this way, it is possible to store a soft path, to
+manipulate it, or to invoke it.
+<!--l. 101--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox466"><span
+class="cmtt-10">\pgfsyssoftpath@getcurrentpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-325001"></a>
+ <!--l. 102--><p class="noindent">This command will store the current soft path in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+<!--l. 105--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox467"><span
+class="cmtt-10">\pgfsyssoftpath@setcurrentpath</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-325002"></a>
+ <!--l. 106--><p class="noindent">This command will set the current soft path to be the path stored in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span>. This macro
+ should store a path that has previously been extracted using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@getcurrentpath</span></span></span>
+ command and has possibly been modified subsequently. </dd></dl>
+<!--l. 112--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox468"><span
+class="cmtt-10">\pgfsyssoftpath@invokecurrentpath</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-325003"></a>
+ <!--l. 113--><p class="noindent">This command will turn the current soft path in a &#8220;hard&#8221; path. To do so, it iterates over the soft path
+ and calls an appropriate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@xxxx</span></span></span> command for each element of the path. Note that the current
+ soft path is <span
+class="cmti-10">not changed </span>by this command. Thus, in order to start a new soft path after the old one
+ has been invoked and is no longer needed, you need to set the current soft path to be empty. This may
+ seems strange, but it is often useful to immediately use the last soft path again. </dd></dl>
+<!--l. 123--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox469"><span
+class="cmtt-10">\pgfsyssoftpath@flushcurrentpath</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-325004"></a>
+ <!--l. 124--><p class="noindent">This command will invoke the current soft path and then set it to be empty. </dd></dl>
+<!--l. 130--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">34.3 </span> <a
+ id="x35-32600034.3"></a>Soft Path Creation Commands</h4>
+<!--l. 132--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox470"><span
+class="cmtt-10">\pgfsyssoftpath@moveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-326001"></a>
+
+
+ <!--l. 133--><p class="noindent">This command appends a &#8220;move-to&#8221; segment to the current soft path. The coordinates <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt; </span>and <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span>
+ are given as normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions.
+ <!--l. 137--><p class="noindent"><span
+class="cmti-10">Example: </span>One way to draw a line:
+ <!--l. 138--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-579-" ><colgroup id="TBL-579-1g"><col
+id="TBL-579-1"></colgroup><tr
+ valign="baseline" id="TBL-579-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-579-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsyssoftpath@moveto{0pt}{0pt}</span>
+<br><span
+class="cmtt-8">\pgfsyssoftpath@lineto{10pt}{10pt}</span>
+<br><span
+class="cmtt-8">\pgfsyssoftpath@flushcurrentpath</span>
+<br><span
+class="cmtt-8">\pgfsys@stroke</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 146--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox471"><span
+class="cmtt-10">\pgfsyssoftpath@lineto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-326002"></a>
+ <!--l. 147--><p class="noindent">Appends a &#8220;line-to&#8221; segment to the current soft path. </dd></dl>
+<!--l. 150--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox472"><span
+class="cmtt-10">\pgfsyssoftpath@curveto</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">a</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">b</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">c</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-326003"></a>
+ <!--l. 151--><p class="noindent">Appends a &#8220;curve-to&#8221; segment to the current soft path with controls (<span
+class="cmmi-10">a,b</span>) and (<span
+class="cmmi-10">c,d</span>). </dd></dl>
+<!--l. 155--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox473"><span
+class="cmtt-10">\pgfsyssoftpath@rect</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left x</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">lower left y</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">width</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">height</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-326004"></a>
+ <!--l. 156--><p class="noindent">Appends a rectangle segment to the current soft path. </dd></dl>
+<!--l. 159--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox474"><span
+class="cmtt-10">\pgfsyssoftpath@closepath</span></span> </dt><dd
+class="description">
+<a
+ id="dx35-326005"></a>
+ <!--l. 160--><p class="noindent">Appends a &#8220;close-path&#8221; segment to the current soft path. </dd></dl>
+<!--l. 166--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">34.4 </span> <a
+ id="x35-32700034.4"></a>The Soft Path Data Structure</h4>
+<!--l. 168--><p class="noindent">A soft path is stored in a standardized way, which makes it possible to modify it before it becomes &#8220;hard.&#8221;
+Basically, a soft path is a long sequence of triples. Each triple starts with a <span
+class="cmti-10">token </span>that identifies what is going on.
+This token is followed by two dimensions in braces. For example, the following is a soft path that means &#8220;the path
+starts at (0bp<span
+class="cmmi-10">,</span>0bp) and then continues in a straight line to (10bp<span
+class="cmmi-10">,</span>0bp).&#8221;
+<!--l. 177--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-580-" ><colgroup id="TBL-580-1g"><col
+id="TBL-580-1"></colgroup><tr
+ valign="baseline" id="TBL-580-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-580-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfsyssoftpath@movetotoken{0bp}{0bp}\pgfsyssoftpath@linetotoken{10bp}{0bp}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 181--><p class="indent"> A curve-to is hard to express in this way since we need six numbers to express it, not two. For this reasons, a
+curve-to is expressed using three triples as follows: The command
+<!--l. 184--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-581-" ><colgroup id="TBL-581-1g"><col
+id="TBL-581-1"></colgroup><tr
+ valign="baseline" id="TBL-581-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-581-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\pgfsyssoftpath@curveto{1bp}{2bp}{3bp}{4bp}{5bp}{6bp}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 187--><p class="noindent">results in the following three triples:
+<!--l. 189--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-582-" ><colgroup id="TBL-582-1g"><col
+id="TBL-582-1"></colgroup><tr
+ valign="baseline" id="TBL-582-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-582-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\pgfsyssoftpath@curvetosupportatoken{1bp}{2bp}</span>
+<br><span
+class="cmtt-8">\pgfsyssoftpath@curvetosupportbtoken{3bp}{4bp}</span>
+<br><span
+class="cmtt-8">\pgfsyssoftpath@curvetotoken{5bp}{6bp}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 195--><p class="indent"> These three triples must always &#8220;remain together.&#8221; Thus, a lonely <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">supportbtoken</span></span></span> is forbidden.
+<!--l. 198--><p class="indent"> In details, the following tokens exist:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@movetotoken</span></span></span> indicates a move-to operation. The two following numbers indicate
+ the position to which the current point should be moved.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@linetotoken</span></span></span> indicates a line-to operation.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@curvetosupportatoken</span></span></span> indicates the first control point of a curve-to operation.
+ The triple must be followed by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@curvetosupportbtoken</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@curvetosupportbtoken</span></span></span> indicates the second control point of a curve-to operation.
+ The triple must be followed by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@curvetotoken</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@curvetotoken</span></span></span> indicates the target of a curve-to operation.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@rectcornertoken</span></span></span> indicates the corner of a rectangle on the soft path. The triple
+ must be followed by a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@rectsizetoken</span></span></span>.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@rectsizetoken</span></span></span> indicates the size of a rectangle on the soft path.
+ </li>
+ <li class="itemize"><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsyssoftpath@closepath</span></span></span> indicates that the subpath begun with the last move-to operation should
+ be closed. The parameter numbers are currently not important, but if set to anything different from
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{0pt}{0pt}</span></span></span>, they should be set to the coordinate of the original move-to operation to which the path
+ &#8220;returns&#8221; now.</li></ul>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse35.html" >next</a>] [<a
+href="pgfmanualse33.html" >prev</a>] [<a
+href="pgfmanualse33.html#tailpgfmanualse33.html" >prev-tail</a>] [<a
+href="pgfmanualse34.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse34.html" >up</a>] </p></div>
+<!--l. 7--><p class="indent"> <a
+ id="tailpgfmanualse34.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse35.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse35.html
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--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse35.html
@@ -0,0 +1,198 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>35 The Protocol Subsystem</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse34.html" >prev</a>] [<a
+href="pgfmanualse34.html#tailpgfmanualse34.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse35.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse35.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">35 </span> <a
+ id="x36-32800035"></a>The Protocol Subsystem</h3>
+<!--l. 13--><p class="noindent">This section describes commands for <span
+class="cmti-10">protocolling </span>literal text created by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. The idea is that some literal text, like
+the string of commands used to draw an arrow head, will be used over and over again in a picture. It is then
+much more efficient to compute the necessary literal text just once and to quickly insert it &#8220;in a single
+sweep.&#8221;
+<!--l. 20--><p class="indent"> When protocolling is &#8220;switched on,&#8221; there is a &#8220;current protocol&#8221; to which literal text gets appended. Once all
+commands that needed to be protocoled have been issued, the protocol can be obtained and stored using
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@getcurrentprotocol</span></span></span>. At any point, the current protocol can be changed using a corresponding
+setting command. Finally, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@invokecurrentprotocol</span></span></span> is used to insert the protocoled commands
+into the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file.
+<!--l. 28--><p class="indent"> Only those <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands can be protocolled that use the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> interally.
+For example, the definition of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span> in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-pdf.def</span></span></span> is
+<!--l. 31--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-583-" ><colgroup id="TBL-583-1g"><col
+id="TBL-583-1"></colgroup><tr
+ valign="baseline" id="TBL-583-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-583-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\def\pgfsys@moveto#1#2{\pgfsysprotocol@literal{#1</span><span
+class="cmtt-8">&nbsp;#2</span><span
+class="cmtt-8">&nbsp;m}}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 34--><p class="indent"> All &#8220;normal&#8221; system-level commands can be protocolled. However, commands for creating or invoking shadings,
+images, or whole pictures require special <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span>&#8217;s and cannot be protocolled.
+<!--l. 38--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox475"><span
+class="cmtt-10">\pgfsysprotocol@literalbuffered</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328001"></a>
+ <!--l. 39--><p class="noindent">Adds the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt; </span>to the current protocol, after it has been &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\edef</span></span></span>ed.&#8221; This command will always
+ protocol. </dd></dl>
+<!--l. 43--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox476"><span
+class="cmtt-10">\pgfsysprotocol@literal</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328002"></a>
+ <!--l. 44--><p class="noindent">First calls <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literalbuffered</span></span></span> on <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span>. Then, if protocolling is currently
+ switched off, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt; </span>is passed on to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@invoke</span></span></span>. </dd></dl>
+<!--l. 49--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox477"><span
+class="cmtt-10">\pgfsysprotocol@bufferedtrue</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328003"></a>
+ <!--l. 50--><p class="noindent">Turns on protocolling. All subsequent calls of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> will append their argument
+ to the current protocol. </dd></dl>
+<!--l. 55--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox478"><span
+class="cmtt-10">\pgfsysprotocol@bufferedfalse</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328004"></a>
+ <!--l. 56--><p class="noindent">Turns off protocolling. Subsequent calls of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> directly insert their argument
+ into the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span>.
+ <!--l. 60--><p class="noindent">Note that if the current protocol is not empty when protocolling is switched off, the next call to
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> will first flush the current protocol, that is, insert it into the file. </dd></dl>
+<!--l. 65--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox479"><span
+class="cmtt-10">\pgfsysprotocol@getcurrentprotocol</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328005"></a>
+ <!--l. 66--><p class="noindent">Stores the current protocol in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt; </span>for later use. </dd></dl>
+<!--l. 69--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox480"><span
+class="cmtt-10">\pgfsysprotocol@setcurrentprotocol</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328006"></a>
+ <!--l. 70--><p class="noindent">Sets the current protocol to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+<!--l. 73--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox481"><span
+class="cmtt-10">\pgfsysprotocol@invokecurrentprotocol</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328007"></a>
+ <!--l. 74--><p class="noindent">Inserts the text stored in the current protocol into the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file. This does <span
+class="cmti-10">not </span>change the
+ current protocol. </dd></dl>
+<!--l. 78--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox482"><span
+class="cmtt-10">\pgfsysprotocol@flushcurrentprotocol</span></span> </dt><dd
+class="description">
+<a
+ id="dx36-328008"></a>
+ <!--l. 79--><p class="noindent">First inserts the current protocol, then sets the current protocol to the empty string. </dd></dl>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse34.html" >prev</a>] [<a
+href="pgfmanualse34.html#tailpgfmanualse34.html" >prev-tail</a>] [<a
+href="pgfmanualse35.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse35.html" >up</a>] </p></div>
+<!--l. 319--><p class="indent"> <a
+ id="tailpgfmanualse35.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse36.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse36.html
new file mode 100644
index 00000000000..57a8afaf50c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse36.html
@@ -0,0 +1,198 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>36 The Protocol Subsystem</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-04 21:49:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse35.html" >prev</a>] [<a
+href="pgfmanualse35.html#tailpgfmanualse35.html" >prev-tail</a>] [<a
+href="#tail">tail</a>] [<a
+href="# " >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">36 </span> <a
+ id="x37-33200036"></a>The Protocol Subsystem</h3>
+<!--l. 13--><p class="noindent">This section describes commands for <span
+class="cmti-10">protocolling </span>literal text created by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. The idea is that some literal text, like
+the string of commands used to draw an arrow head, will be used over and over again in a picture. It is then
+much more efficient to compute the necessary literal text just once and to quickly insert it &#8220;in a single
+sweep.&#8221;
+<!--l. 20--><p class="indent"> When protocolling is &#8220;switched on,&#8221; there is a &#8220;current protocol&#8221; to which literal text gets appended. Once all
+commands that needed to be protocoled have been issued, the protocol can be obtained and stored using
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@getcurrentprotocol</span></span></span>. At any point, the current protocol can be changed using a corresponding
+setting command. Finally, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@invokecurrentprotocol</span></span></span> is used to insert the protocoled commands
+into the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file.
+<!--l. 28--><p class="indent"> Only those <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@</span></span></span> commands can be protocolled that use the command <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> interally.
+For example, the definition of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@moveto</span></span></span> in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-pdf.def</span></span></span> is
+<!--l. 31--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-577-" ><colgroup id="TBL-577-1g"><col
+id="TBL-577-1"></colgroup><tr
+ valign="baseline" id="TBL-577-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-577-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\def\pgfsys@moveto#1#2{\pgfsysprotocol@literal{#1</span><span
+class="cmtt-8">&nbsp;#2</span><span
+class="cmtt-8">&nbsp;m}}</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 34--><p class="indent"> All &#8220;normal&#8221; system-level commands can be protocolled. However, commands for creating or invoking shadings,
+images, or whole pictures require special <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span>&#8217;s and cannot be protocolled.
+<!--l. 38--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox479"><span
+class="cmtt-10">\pgfsysprotocol@literalbuffered</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332001"></a>
+ <!--l. 39--><p class="noindent">Adds the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt; </span>to the current protocol, after it has been &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\edef</span></span></span>ed.&#8221; This command will always
+ protocol. </dd></dl>
+<!--l. 43--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox480"><span
+class="cmtt-10">\pgfsysprotocol@literal</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332002"></a>
+ <!--l. 44--><p class="noindent">First calls <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literalbuffered</span></span></span> on <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt;</span>. Then, if protocolling is currently
+ switched off, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">literal text</span><span
+class="cmsy-10">&gt; </span>is passed on to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsys@invoke</span></span></span>. </dd></dl>
+<!--l. 49--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox481"><span
+class="cmtt-10">\pgfsysprotocol@bufferedtrue</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332003"></a>
+ <!--l. 50--><p class="noindent">Turns on protocolling. All subsequent calls of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> will append their argument
+ to the current protocol. </dd></dl>
+<!--l. 55--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox482"><span
+class="cmtt-10">\pgfsysprotocol@bufferedfalse</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332004"></a>
+ <!--l. 56--><p class="noindent">Turns off protocolling. Subsequent calls of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> directly insert their argument
+ into the current <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span>.
+ <!--l. 60--><p class="noindent">Note that if the current protocol is not empty when protocolling is switched off, the next call to
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysprotocol@literal</span></span></span> will first flush the current protocol, that is, insert it into the file. </dd></dl>
+<!--l. 65--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox483"><span
+class="cmtt-10">\pgfsysprotocol@getcurrentprotocol</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332005"></a>
+ <!--l. 66--><p class="noindent">Stores the current protocol in <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt; </span>for later use. </dd></dl>
+<!--l. 69--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox484"><span
+class="cmtt-10">\pgfsysprotocol@setcurrentprotocol</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332006"></a>
+ <!--l. 70--><p class="noindent">Sets the current protocol to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">macro name</span><span
+class="cmsy-10">&gt;</span>. </dd></dl>
+<!--l. 73--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox485"><span
+class="cmtt-10">\pgfsysprotocol@invokecurrentprotocol</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332007"></a>
+ <!--l. 74--><p class="noindent">Inserts the text stored in the current protocol into the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span> file. This does <span
+class="cmti-10">not </span>change the
+ current protocol. </dd></dl>
+<!--l. 78--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox486"><span
+class="cmtt-10">\pgfsysprotocol@flushcurrentprotocol</span></span> </dt><dd
+class="description">
+<a
+ id="dx37-332008"></a>
+ <!--l. 79--><p class="noindent">First inserts the current protocol, then sets the current protocol to the empty string. </dd></dl>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse35.html" >prev</a>] [<a
+href="pgfmanualse35.html#tailpgfmanualse35.html" >prev-tail</a>] [<a
+ >front</a>] [<a
+href="# " >up</a>] </p></div>
+<!--l. 319--><p class="indent"> <a
+ id="tail"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>4 Guidelines on Graphics</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
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+<!-- html -->
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+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse5.html" >next</a>] [<a
+href="pgfmanualse3.html" >prev</a>] [<a
+href="pgfmanualse3.html#tailpgfmanualse3.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse4.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse4.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">4 </span> <a
+ id="x5-460004"></a>Guidelines on Graphics</h3>
+<!--l. 12--><p class="noindent">The present section is not about <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;or Ti<span
+class="cmti-10">k</span>Z, but about general guidelines and principles concerning the creation
+of graphics for scientific presentations, papers, and books.
+<!--l. 16--><p class="indent"> The guidelines in this section come from different sources. Many of them are just what I would like to claim is
+&#8220;common sense,&#8221; some reflect my personal experience (though, hopefully, not my personal preferences), some come
+from books (the bibliography is still missing, sorry) on graphic design and typography. The most influential
+source are the brilliant books by Edward Tufte. While I do not agree with everything written in these
+books, many of Tufte&#8217;s arguments are so convincing that I decided to repeat them in the following
+guidelines.
+<!--l. 29--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.1 </span> <a
+ id="x5-470004.1"></a>Should You Follow Guidelines?</h4>
+<!--l. 31--><p class="noindent">The first thing you should ask yourself when someone presents a bunch of guidelines is: Should I really follow
+these guidelines? This is an important questions, because there are good reasons not to follow general
+guidelines.
+ <ul class="itemize1">
+ <li class="itemize">The person who setup the guidelines may have had other objectives than you do. For example, a
+ guideline might say &#8220;use the color red for emphasis.&#8221; While this guideline makes perfect sense for, say,
+ a presentation using a projector, red &#8220;color&#8221; has the <span
+class="cmti-10">opposite </span>effect of &#8220;emphasis&#8221; when printed using
+ a black-and-white printer.
+ <!--l. 44--><p class="noindent">Guidelines were almost always setup to address a specific situation. If you are not in this situation,
+ following a guideline can do more harm than good.
+ </li>
+ <li class="itemize">The basic rule of typography is: &#8220;Every rule can be broken, as long as you are <span
+class="cmti-10">aware </span>that you are
+ breaking a rule.&#8221; This rule also applies to graphics. Phrased differently, the basic rule states: &#8220;The only
+ mistakes in typography are things done is ignorance.&#8221;
+ <!--l. 54--><p class="noindent">When you are aware of a rule and when you decide that breaking the rule has a desirable effect, break
+ the rule.
+ </li>
+ <li class="itemize">Some guidelines are simply <span
+class="cmti-10">wrong</span>, but everyone follows them out of tradition or is forced to do so.
+ My favorite example is a guideline a software company I used to work for has set in a big project:
+ All programmers had to declare the parameters of functions in <span
+class="cmti-10">increasing order of size</span>. So, one-byte
+ parameters should come first, then two-byte parameters, and so on.
+ <!--l. 64--><p class="noindent">This guideline is total nonsense. An (arguably) sensible guideline is &#8220;parameters must be declared
+ alphabetically&#8221; so that parameters are easier to find. Another (arguably) sensible guideline is
+ &#8220;parameters must be declared in decreasing order of size&#8221; so that less byte-alignment cache misses
+ occur when the stack is accessed. The guideline the company used maximized cache misses and resulted
+ in a more or less random ordering so that programmers constantly had to look up the parameter
+ ordering.</li></ul>
+<!--l. 74--><p class="indent"> So, before you apply a guideline or choose not to apply it, ask yourself these questions:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x5-47002x1"></a>Does this guideline really address my situation?
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x5-47004x2"></a>If you do the opposite a guideline says you should do, will the advantages outweigh the disadvantages
+ this guideline was supposed to prevent?</li></ol>
+
+
+<!--l. 87--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.2 </span> <a
+ id="x5-480004.2"></a>Planning the Time Needed for the Creation of Graphics</h4>
+<!--l. 89--><p class="noindent">When you create a paper with numerous graphics, the time needed to create these graphics becomes an important
+factor. How much time should you calculate for the creation of graphics?
+<!--l. 93--><p class="indent"> As a general rule, assume that a graphic will need as much time to create as would a text of the same length. For
+example, when I write a paper, I need about one hour per page for the first draft. Later, I need between two and
+four hours per page for revisions. Thus, I expect to need about half an hour for the creation of <span
+class="cmti-10">a first</span>
+<span
+class="cmti-10">draft </span>of a half page graphic. Later on, I expect another one to two hours before the final graphic is
+finished.
+<!--l. 101--><p class="indent"> In many publications, even in good journals, the authors and editors have obviously invested a lot of time on the
+text, but seem to have spend about five minutes to create all of the graphics. Graphics often seem to have been
+added as an &#8220;afterthought&#8221; or look like a screen shot of whatever the authors&#8217;s statistical software shows them. As
+will be argued later on, the graphics that programs like <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>produce by default are of poor
+quality.
+<!--l. 110--><p class="indent"> Creating informative graphics that help the reader and that fit together with the main text is a difficult, lengthy
+process.
+ <ul class="itemize1">
+ <li class="itemize">Treat graphics as first-class citizens of your papers. They deserve as much time and energy as the text
+ does.
+ </li>
+ <li class="itemize">Arguably, the creation of graphics deserves <span
+class="cmti-10">even more </span>time than the writing of the main text since
+ more attention will be paid to the graphics and they will be looked at first.
+ </li>
+ <li class="itemize">Plan as much time for the creation and revision of a graphic as you would plan for text of the same
+ size.
+ </li>
+ <li class="itemize">Difficult graphics with a high information density may require even more time.
+ </li>
+ <li class="itemize">Very simple graphics will require less time, but most likely you do not want to have &#8220;very simple
+ graphics&#8221; in your paper, anyway; just as you would not like to have a &#8220;very simple text&#8221; of the same
+ size.</li></ul>
+<!--l. 135--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.3 </span> <a
+ id="x5-490004.3"></a>Workflow for Creating a Graphic</h4>
+<!--l. 137--><p class="noindent">When you write a (scientific) paper, you will most likely follow the following pattern: You have some
+results/ideas that you would like to report about. The creation of the paper will typically start with
+compiling a rough outline. Then, the different sections are filled with text to create a first draft. This
+draft is then revised repeatedly until, often after substantial revision, a final paper results. In a good
+journal paper there is typically not be a single sentence that has survived unmodified from the first
+draft.
+<!--l. 146--><p class="indent"> Creating a graphics follows the same pattern:
+ <ul class="itemize1">
+ <li class="itemize">Decide on what the graphic should communicate. Make this a conscious decision, that is, determine
+ &#8220;What is the graphic supposed to tell the reader?&#8221;
+ </li>
+ <li class="itemize">Create an &#8220;outline,&#8221; that is, the rough overall &#8220;shape&#8221; of the graphic, containing the most crucial
+ elements. Often, it is useful to do this using pencil and paper.
+ </li>
+ <li class="itemize">Fill out the finer details of the graphic to create a first draft.
+ </li>
+ <li class="itemize">Revise the graphic repeatedly along with the rest of the paper.</li></ul>
+
+
+<!--l. 166--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.4 </span> <a
+ id="x5-500004.4"></a>Linking Graphics With the Main Text</h4>
+<!--l. 168--><p class="noindent">Graphics can be placed at different places in a text. Either, they can be inlined, meaning they are
+somewhere &#8220;in the middle of the text&#8221; or they can be placed in standalone &#8220;figures.&#8221; Since printers
+(the people) like to have their pages &#8220;filled,&#8221; (both for aesthetic and economic reasons) standalone
+figures may traditionally be placed on pages in the document far removed from the main text that
+refers to them. <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;and <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;tend to encourage this &#8220;drifting away&#8221; of graphics for technical
+reasons.
+<!--l. 177--><p class="indent"> When a graphic is inlined, it will more or less automatically be linked with the main text in the sense that the
+labels of the graphic will be implicitly explained by the surrounding text. Also, the main text will typically make it
+clear what the graphic is about and what is shown.
+<!--l. 183--><p class="indent"> Quite differently, a standalone figure will often be viewed at a time when the main text that this graphic belongs
+to either has not yet been read or has been read some time ago. For this reason, you should follow the following
+guidelines when creating standalone figures:
+ <ul class="itemize1">
+ <li class="itemize">Standalone figures should have a caption than should make them &#8220;understandable by themselves.&#8221;
+ <!--l. 192--><p class="noindent">For example, suppose a graphic shows an example of the different stages of a quicksort algorithm. Then
+ the figure&#8217;s caption should, at the very least, inform the reader that &#8220;The figure shows the different
+ stages of the quicksort algorithm introduced on page xyz.&#8221; and not just &#8220;Quicksort algorithm.&#8221;
+ </li>
+ <li class="itemize">A good caption adds as much context information as possible. For example, you could say: &#8220;The figure
+ shows the different stages of the quicksort algorithm introduced on page xyz. In the first line, the pivot
+ element 5 is chosen. This causes...&#8221; While this information can also be given in the main text, putting
+ it in the caption will ensure that the context is kept. Do not feel afraid of a 5-line caption. (Your editor
+ may hate you for this. Consider hating them back.)
+ </li>
+ <li class="itemize">Reference the graphic in your main text as in &#8220;For an example of quicksort &#8216;in action,&#8217; see Figure&nbsp;2.1
+ on page xyz.&#8221;
+ </li>
+ <li class="itemize">Most books on style and typography recommend that you do not use abbreviations as in &#8220;Fig.&nbsp;2.1&#8221;
+ but write &#8220;Figure 2.1.&#8221;
+ <!--l. 213--><p class="noindent">The main argument against abbreviations is that &#8220;a period is too valuable to waste it on an
+ abbreviation.&#8221; The idea is that a period will make the reader assume that the sentence ends after &#8220;Fig&#8221;
+ and it takes a &#8220;conscious backtracking&#8221; to realize that the sentence did not end after all.
+ <!--l. 219--><p class="noindent">The argument in favor of abbreviations is that they save space.
+ <!--l. 221--><p class="noindent">Personally, I am not really convinced by either argument. On the one hand, I have not yet seen any
+ hard evidence that abbreviations slow readers down. On the other hand, abbreviating all &#8220;Figure&#8221; by
+ &#8220;Fig.&#8221;&nbsp;is most unlikely to save even a single line in most documents.
+ <!--l. 227--><p class="noindent">I avoid abbreviations.</li></ul>
+<!--l. 232--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.5 </span> <a
+ id="x5-510004.5"></a>Consistency Between Graphics and Text</h4>
+<!--l. 234--><p class="noindent">Perhaps the most common &#8220;mistake&#8221; people do when creating graphics (remember that a &#8220;mistake&#8221; in design is
+always just &#8220;ignorance&#8221;) is to have a mismatch between the way their graphics look and the way their text
+looks.
+<!--l. 239--><p class="indent"> It is quite common that authors use several different programs for creating the graphics of a paper. An author
+might produce some plots using <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small></span>, a diagram using <span
+class="cmcsc-10"><small
+class="small-caps">X</small><small
+class="small-caps">F</small><small
+class="small-caps">I</small><small
+class="small-caps">G</small></span>, and include an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.eps</span></span></span> graphic a coauthor
+contributed using some unknown program. All these graphics will, most likely, use different line widths, different
+fonts, and have different sizes. In addition, authors often use options like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[height=5cm]</span></span></span> when including graphics to
+scale them to some &#8220;nice size.&#8221;
+
+
+<!--l. 248--><p class="indent"> If the same approach were taken to writing the main text, every section would be written in a different font at a
+different size. In some sections all theorems would be underlined, in another they would be printed
+all in uppercase letters, and in another in red. In addition, the margins would be different on each
+page.
+<!--l. 254--><p class="indent"> Readers and editors would not tolerate a text if it were written in this fashion, but with graphics they often have
+to.
+<!--l. 257--><p class="indent"> To create consistency between graphics and text, stick to the following guidelines:
+ <ul class="itemize1">
+ <li class="itemize">Do not scale graphics.
+ <!--l. 263--><p class="noindent">This means that when generating graphics using an external program, create them &#8220;at the right size.&#8221;
+ </li>
+ <li class="itemize">Use the same font(s) both in graphics and the body text.
+ </li>
+ <li class="itemize">Use the same line width in text and graphics.
+ <!--l. 270--><p class="noindent">The &#8220;line width&#8221; for normal text is the width of the stem of letters like T. For <span class="TEX">T<span
+class="E">E</span>X</span>, this is usually
+ 0<span
+class="cmmi-10">.</span>4pt. However, some journals will not accept graphics with a normal line width below 0<span
+class="cmmi-10">.</span>5pt.
+ </li>
+ <li class="itemize">When using colors, use a consistent color coding in the text and in graphics. For example, if red is
+ supposed to alert the reader to something in the main text, use red also in graphics for important parts
+ of the graphic. If blue is used for structural elements like headlines and section titles, use blue also for
+ structural elements of your graphic.
+ <!--l. 282--><p class="noindent">However, graphics may also use a logical intrinsic color coding. For example, no matter what colors
+ you normally use, readers will generally assume, say, that the color green as &#8220;positive, go, ok&#8221; and red
+ as &#8220;alert, warning, action.&#8221;</li></ul>
+<!--l. 288--><p class="indent"> Creating consistency when using different graphic programs is almost impossible. For this reason, you should
+consider sticking to a single graphic program.
+<!--l. 293--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.6 </span> <a
+ id="x5-520004.6"></a>Labels in Graphics</h4>
+<!--l. 295--><p class="noindent">Almost all graphics will contain labels, that is, pieces of text that explain parts of the graphics. When placing labels,
+stick to the following guidelines:
+ <ul class="itemize1">
+ <li class="itemize">Follow the rule of consistency when placing labels. You should do so in two ways: First, be consistent
+ with the main text, that is, use the same font as the main text also for labels. Second, be consistent
+ between labels, that is, if you format some labels in some particular way, format all labels in this way.
+ </li>
+ <li class="itemize">In addition to using the same fonts in text and graphics, you should also use the same notation. For
+ example, if you write 1<span
+class="cmmi-10">/</span>2 in your main text, also use &#8220;1<span
+class="cmmi-10">/</span>2&#8221; as labels in graphics, not &#8220;0.5&#8221;. A <span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" /> </span>is a
+ &#8220;<span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" /></span>&#8221; and not &#8220;3<span
+class="cmmi-10">.</span>141&#8221;. Finally, e<sup ><span
+class="cmsy-7">-</span><span
+class="cmr-7">i</span><span
+class="cmmi-7"><img
+src="cmmi7-19.gif" alt="p" class="7x-x-19" /></span></sup> is &#8220;e<sup ><span
+class="cmsy-7">-</span><span
+class="cmr-7">i</span><span
+class="cmmi-7"><img
+src="cmmi7-19.gif" alt="p" class="7x-x-19" /></span></sup>&#8221;, not &#8220;<span
+class="cmsy-10">-</span>1&#8221;, let alone &#8220;-1&#8221;.
+ </li>
+ <li class="itemize">Labels should be legible. They should not only have a reasonably large size, they also should not be
+ obscured by lines or other text. This also applies to of lines and text <span
+class="cmti-10">behind </span>the labels.
+ </li>
+ <li class="itemize">Labels should be &#8220;in place.&#8221; Whenever there is enough space, labels should be placed next to the
+ thing they label. Only if necessary, add a (subdued) line from the label to the labeled object. Try to
+ avoid labels that only reference explanations in external legends. Reader have to jump back and forth
+ between the explanation and the object that is described.
+ </li>
+ <li class="itemize">Consider subduing &#8220;unimportant&#8221; labels using, for example, a gray color. This will keep the focus on
+ the actual graphic.</li></ul>
+
+
+<!--l. 332--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.7 </span> <a
+ id="x5-530004.7"></a>Plots and Charts</h4>
+<!--l. 334--><p class="noindent">One of the most frequent kind of graphics, especially in scientific papers, are <span
+class="cmti-10">plots</span>. They come in a large
+variety, including simple line plots, parametric plots, three dimensional plots, pie charts, and many
+more.
+<!--l. 339--><p class="indent"> Unfortunately, plots are notoriously hard to get right. Partly, the default settings of programs like
+<span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>or Excel are to blame for this since these programs make it very convenient to create bad
+plots.
+<!--l. 344--><p class="indent"> The first question you should ask yourself when creating a plot is the following:
+ <ul class="itemize1">
+ <li class="itemize">Are there enough data points to merit a plot?</li></ul>
+<!--l. 351--><p class="indent"> If the answer is &#8220;not really,&#8221; use a table.
+<!--l. 353--><p class="indent"> A typical situation where a plot is unnecessary is when people present a few numbers in a bar diagram. Here is a
+real-life example: At the end of a seminar a lecturer asked the participants for feedback. Of the 50 participants, 30
+returned the feedback form. According to the feedback, three participants considered the seminar &#8220;very good,&#8221;
+nine considered it &#8220;good,&#8221; ten &#8220;ok,&#8221; eight &#8220;bad,&#8221; and no one thought that the seminar was &#8220;very
+bad.&#8221;
+<!--l. 361--><p class="indent"> A simple way of summing up this information is the following table:
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-63-" ><colgroup id="TBL-63-1g"><col
+id="TBL-63-1"><col
+id="TBL-63-2"><col
+id="TBL-63-3"></colgroup><tr
+ valign="baseline" id="TBL-63-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-1-1"
+class="td11"> <span
+class="cmti-10">Rating given </span></td><td align="left" id="TBL-63-1-2"
+class="td11"> <!--l. 365--><p class="noindent"><span
+class="cmti-10">Participants</span>
+ <span
+class="cmti-10">(out</span>
+ <span
+class="cmti-10">of</span>
+ <span
+class="cmti-10">50)</span>
+ <span
+class="cmti-10">who</span>
+ <span
+class="cmti-10">gave</span>
+ <span
+class="cmti-10">this</span>
+ <span
+class="cmti-10">rating</span> </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-1-3"
+class="td11"> <span
+class="cmti-10">Percentage </span></td>
+</tr><tr
+class="vspace" style="font-size:17.50002pt"><td
+>&nbsp;</td><td
+>&nbsp;</td><td
+>&nbsp;</td></tr><tr
+ valign="baseline" id="TBL-63-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-2-1"
+class="td11"> &#8220;very good&#8221; </td><td align="left" id="TBL-63-2-2"
+class="td11"> <!--l. 367--><p class="noindent"> 3 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-2-3"
+class="td11"> 6% </td>
+</tr><tr
+ valign="baseline" id="TBL-63-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-3-1"
+class="td11"> &#8220;good&#8221; </td><td align="left" id="TBL-63-3-2"
+class="td11"> <!--l. 368--><p class="noindent"> 9 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-3-3"
+class="td11"> 18% </td>
+</tr><tr
+ valign="baseline" id="TBL-63-4-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-4-1"
+class="td11"> &#8220;ok&#8221; </td><td align="left" id="TBL-63-4-2"
+class="td11"> <!--l. 369--><p class="noindent"> 10 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-4-3"
+class="td11"> 20% </td>
+</tr><tr
+ valign="baseline" id="TBL-63-5-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-5-1"
+class="td11"> &#8220;bad&#8221; </td><td align="left" id="TBL-63-5-2"
+class="td11"> <!--l. 370--><p class="noindent"> 8 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-5-3"
+class="td11"> 16% </td>
+</tr><tr
+ valign="baseline" id="TBL-63-6-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-6-1"
+class="td11"> &#8220;very bad&#8221; </td><td align="left" id="TBL-63-6-2"
+class="td11"> <!--l. 371--><p class="noindent"> 0 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-6-3"
+class="td11"> 0% </td>
+</tr><tr
+class="vspace" style="font-size:5.69054pt"><td
+>&nbsp;</td><td
+>&nbsp;</td><td
+>&nbsp;</td></tr><tr
+ valign="baseline" id="TBL-63-7-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-7-1"
+class="td11"> none </td><td align="left" id="TBL-63-7-2"
+class="td11"> <!--l. 372--><p class="noindent"> 20 </td><td align="right" style="white-space:nowrap; text-align:right;" id="TBL-63-7-3"
+class="td11"> 40% </td>
+</tr><tr
+ valign="baseline" id="TBL-63-8-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-63-8-1"
+class="td11"> </td> </tr></table>
+</div>
+<!--l. 376--><p class="indent"> What the lecturer did was to visualize the data using a 3D bar diagram. It looked like this:
+<!--l. 400--><p class="indent"> <object data="pgfmanual-60.svg" width="201.31825pt" height="144.03981pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 403--><p class="indent"> Both the table and the &#8220;plot&#8221; have about the same size. If your first thought is &#8220;the graphic looks nicer
+than the table,&#8221; try to answer the following questions based on the information in the table or in the
+graphic:
+
+
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x5-53002x1"></a>How many participants where there?
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x5-53004x2"></a>How many participants returned the feedback form?
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x5-53006x3"></a>What percentage of the participants returned the feedback form?
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x5-53008x4"></a>How many participants checked &#8220;very good&#8221;?
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x5-53010x5"></a>What percentage out of all participants checked &#8220;very good&#8221;?
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x5-53012x6"></a>Did more than a quarter of the participants check &#8220;bad&#8221; or &#8220;very bad&#8221;?
+ </li>
+ <li class="enumerate" value="7"
+><a
+ id="x5-53014x7"></a>What percentage of the participants that returned the form checked &#8220;very good&#8221;?</li></ol>
+<!--l. 424--><p class="indent"> Sadly, the graphic does not allow us to answer <span
+class="cmti-10">a single one of these questions</span>. The table answers all of them
+directly, except for the last one. In essence, the information density of the graphic is very nearly zero. The table has
+a much higher information density; despite the fact that it uses quite a lot of white space to present a few
+numbers.
+<!--l. 430--><p class="indent"> Here is the list of things that went wrong with the 3D-bar diagram:
+ <ul class="itemize1">
+ <li class="itemize">The whole graphic is dominated by irritating background lines.
+ </li>
+ <li class="itemize">It is not clear what the numbers at the left mean; presumably percentages, but it might also be the
+ absolute number of participants.
+ </li>
+ <li class="itemize">The labels at the bottom are rotated, making them hard to read.
+ <!--l. 441--><p class="noindent">(In the real presentation that I saw, the text was rendered at a very low resolution with about 10 by
+ 6 pixels per letter with wrong kerning, making the rotated text almost impossible to read.)
+ </li>
+ <li class="itemize">The third dimension adds complexity to the graphic without adding information.
+ </li>
+ <li class="itemize">The three dimensional setup makes it much harder to gauge the height of the bars correctly. Consider
+ the &#8220;bad&#8221; bar. It the number this bar stands for more than 20 or less? While the front of the bar is
+ below the 20 line, the back of the bar (which counts) is above.
+ </li>
+ <li class="itemize">It is impossible to tell which numbers are represented by the bars. Thus, the bars needlessly hide the
+ information these bars are all about.
+ </li>
+ <li class="itemize">What do the bar heights add up to? Is it 100% or 60%?
+ </li>
+ <li class="itemize">Does the bar for &#8220;very bad&#8221; represent 0 or&nbsp;1?
+ </li>
+ <li class="itemize">Why are the bars blue?</li></ul>
+<!--l. 464--><p class="indent"> You might argue that in the example the exact numbers are not important for the graphic. The important things
+is the &#8220;message,&#8221; which is that there are more &#8220;very good&#8221; and &#8220;good&#8221; ratings than &#8220;bad&#8221; and &#8220;very bad.&#8221;
+However, to convey this message either use a sentence that says so or use a graphic that conveys this message more
+clearly:
+
+
+<!--l. 503--><p class="indent"> <object data="pgfmanual-61.svg" width="317.93938pt" height="167.77208pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 506--><p class="indent"> The above graphic has about the same information density as the table (about the same size and the same
+numbers are shown). In addition, one can directly &#8220;see&#8221; that there are more good or very good ratings than bad
+ones. One can also &#8220;see&#8221; that the number of people who gave no rating at all is not negligible, which is quite
+common for feedback forms.
+<!--l. 513--><p class="indent"> Charts are not always a good idea. Let us look at an example that I redrew from a pie chart in <span
+class="cmti-10">Die Zeit</span>, June
+4th, 2005:
+<!--l. 606--><p class="indent"> <object data="pgfmanual-62.svg" width="446.11816pt" height="177.5392pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+<!--l. 608--><p class="indent"> This graphic has been redrawn in Ti<span
+class="cmti-10">k</span>Z, but the original looks very similar.
+<!--l. 611--><p class="indent"> At first sight, the graphic looks &#8220;nice and informative,&#8221; but there are a lot of things that went
+wrong:
+ <ul class="itemize1">
+ <li class="itemize">The chart is three dimensional. However, the shadings add nothing &#8220;information-wise,&#8221; at best, they
+ distract.
+ </li>
+ <li class="itemize">In a 3D-pie-chart the relative sizes are very strongly distorted. For example, the area taken up by the
+ gray color of &#8220;Braunkohle&#8221; is larger than the area taken up by the green color of &#8220;Kernenergie&#8221; <span
+class="cmti-10">despite</span>
+ <span
+class="cmti-10">the fact that the percentage of Braunkohle is less than the percentage of Kernenergie</span>.
+ </li>
+ <li class="itemize">The 3D-distortion gets worse for small areas. The area of &#8220;Regenerative&#8221; somewhat larger than the
+ area of &#8220;Erdgas.&#8221; The area of &#8220;Wind&#8221; is slightly smaller than the area of &#8220;Mineral&ouml;lprodukte&#8221; <span
+class="cmti-10">although</span>
+ <span
+class="cmti-10">the percentage of Wind is nearly three times larger than the percentage of Mineral</span><span
+class="cmti-10">&ouml;lprodukte.</span>
+
+
+ <!--l. 632--><p class="noindent">In the last case, the different sizes are only partly due to distortion. The designer(s) of the original
+ graphic have also made the &#8220;Wind&#8221; slice too small, even taking distortion into account. (Just compare
+ the size of &#8220;Wind&#8221; to &#8220;Regenerative&#8221; in general.)
+ </li>
+ <li class="itemize">According to its caption, this chart is supposed to inform us that coal was the most important energy
+ source in Germany in 2004. Ignoring the strong distortions caused by the superfluous and misleading
+ 3D-setup, it takes quite a while for this message to get across.
+ <!--l. 644--><p class="noindent">Coal as an energy source is split up into two slices: one for &#8220;Steinkohle&#8221; and one for &#8220;Braunkohle&#8221; (two
+ different kinds of coal). When you add them up, you see that the whole lower half of the pie chart is
+ taken up by coal.
+ <!--l. 649--><p class="noindent">The two areas for the different kinds of coal are not visually linked at all. Rather, two different colors
+ are used, the labels are on different sides of the graphic. By comparison, &#8220;Regenerative&#8221; and &#8220;Wind&#8221;
+ are very closely linked.
+ </li>
+ <li class="itemize">The color coding of the graphic follows no logical pattern at all. Why is nuclear energy green?
+ Regenerative energy is light blue, &#8220;other sources&#8221; are blue. It seems more like a joke that the area for
+ &#8220;Braunkohle&#8221; (which literally translates to &#8220;brown coal&#8221;) is stone gray, while the area for &#8220;Steinkohle&#8221;
+ (which literally translates to &#8220;stone coal&#8221;) is brown.
+ </li>
+ <li class="itemize">The area with the lightest color is used for &#8220;Erdgas.&#8221; This area stands out most because of the brighter
+ color. However, for this chart &#8220;Erdgas&#8221; is not really important at all.</li></ul>
+<!--l. 665--><p class="noindent">Edward Tufte calls graphics like the above &#8220;chart junk.&#8221;
+<!--l. 667--><p class="indent"> Here are a few recommendations that may help you avoid producing chart junk:
+ <ul class="itemize1">
+ <li class="itemize">Do not use 3D pie charts. They are <span
+class="cmti-10">evil</span>.
+ </li>
+ <li class="itemize">Consider using a table instead of a pie chart.
+ </li>
+ <li class="itemize">Due not apply colors randomly; use them to direct the readers&#8217;s focus and to group things.
+ </li>
+ <li class="itemize">Do not use background patterns, like a crosshatch or diagonal lines, instead of colors. They distract.
+ Background patterns in information graphics are <span
+class="cmti-10">evil</span>.</li></ul>
+<!--l. 684--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">4.8 </span> <a
+ id="x5-540004.8"></a>Attention and Distraction</h4>
+<!--l. 686--><p class="noindent">Pick up your favorite fiction novel and have a look at a typical page. You will notice that the page is very uniform.
+Nothing is there to distract the reader while reading; no large headlines, no bold text, no large white areas. Indeed,
+even when the author does wish to emphasize something, this is done using italic letters. Such letters blend nicely
+with the main text--at a distance you will not be able to tell whether a page contains italic letters, but you would
+notice a single bold word immediately. The reason novels are typeset this way is the following paradigm: Avoid
+distractions.
+<!--l. 696--><p class="indent"> Good typography (like good organization) is something you do <span
+class="cmti-10">not </span>notice. The job of typography is to make
+reading the text, that is, &#8220;absorbing&#8221; its information content, as effortless as possible. For a novel, readers absorb
+the content by reading the text line-by-line, as if they were listening to someone telling the story. In this situation
+anything on the page that distracts the eye from going quickly and evenly from line to line will make the text harder
+to read.
+<!--l. 705--><p class="indent"> Now, pick up your favorite weekly magazine or newspaper and have a look at a typical page. You will notice that
+there is quite a lot &#8220;going on&#8221; on the page. Fonts are used at different sizes and in different arrangements, the text is
+organized in narrow columns, typically interleaved with pictures. The reason magazines are typeset in this way is
+another paradigm: Steer attention.
+
+
+<!--l. 713--><p class="indent"> Readers will not read a magazine like a novel. Instead of reading a magazine line-by-line, we use headlines and
+short abstracts to check whether we want to read a certain article or not. The job of typography is to steer our
+attention to these abstracts and headlines, first. Once we have decided that we want to read an article, however, we
+no longer tolerate distractions, which is why the main text of articles is typeset exactly the same way as a
+novel.
+<!--l. 721--><p class="indent"> The two principles &#8220;avoid distractions&#8221; and &#8220;steer attention&#8221; also apply to graphics. When you design a graphic,
+you should eliminate everything that will &#8220;distract the eye.&#8221; At the same time, you should try to
+actively help the reader &#8220;through the graphic&#8221; by using fonts/colors/line widths to highlight different
+parts.
+<!--l. 727--><p class="indent"> Here is a non-exhaustive list of things that can distract readers:
+ <ul class="itemize1">
+ <li class="itemize">Strong contrasts will always be registered first by the eye. For example, consider the following two
+ grids:
+ <!--l. 737--><p class="noindent"><object data="pgfmanual-63.svg" width="120.4pt" height="40.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>
+ <!--l. 740--><p class="noindent">Even though the left grid comes first in our normal reading order, the right one is much more likely to be seen
+ first: The white-to-black contrast is higher than the gray-to-white contrast. In addition, there are more
+ &#8220;places&#8221; adding to the overall contrast in the right grid.
+ <!--l. 746--><p class="noindent">Things like grids and, more generally, help lines usually should not grab the attention of the readers and,
+ hence, should be typeset with a low contrast to the background. Also, a loosely-spaced grid is less distracting
+ than a very closely-spaced grid.
+ </li>
+ <li class="itemize">Dashed lines create many points at which there is black-to-white contrast. Dashed or dotted lines can be very
+ distracting and, hence, should be avoided in general.
+ <!--l. 755--><p class="noindent">Do not use different dashing patterns to differentiate curves in plots. You loose data points this way and the
+ eye is not particularly good at &#8220;grouping things according to a dashing pattern.&#8221; The eye is <span
+class="cmti-10">much </span>better at
+ grouping things according to colors.
+ </li>
+ <li class="itemize">Background patterns filling an area using diagonal lines or horizontal and vertical lines or just dots are almost
+ always distracting and, usually, serve no real purpose.
+ </li>
+ <li class="itemize">Background images and shadings distract and only seldom add anything of importance to a
+ graphic.
+ </li>
+ <li class="itemize">Cute little cliparts can easily draw attention away from the data.</li></ul>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse5.html" >next</a>] [<a
+href="pgfmanualse3.html" >prev</a>] [<a
+href="pgfmanualse3.html#tailpgfmanualse3.html" >prev-tail</a>] [<a
+href="pgfmanualse4.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse4.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse4.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse5.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse5.html
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@@ -0,0 +1,630 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>5 Input and Output Formats</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse4.html" >prev</a>] [<a
+href="pgfmanualse4.html#tailpgfmanualse4.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse5.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse5.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">5 </span> <a
+ id="x6-550005"></a>Input and Output Formats</h3>
+<!--l. 12--><p class="noindent"><span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;was designed to be a flexible system. This is true both for the <span
+class="cmti-10">input </span>for <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;as well as for the <span
+class="cmti-10">output</span>. The
+present section explains which input formats there are and how they are supported by <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>. It also explains which
+different output formats can be produced.
+<!--l. 20--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">5.1 </span> <a
+ id="x6-560005.1"></a>Supported Input Formats</h4>
+<!--l. 22--><p class="noindent"><span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;does not prescribe exactly how your input should be formatted. While it is <span
+class="cmti-10">customary </span>that,
+say, an opening brace starts a scope in <span class="TEX">T<span
+class="E">E</span>X</span>, this is by no means necessary. Likewise, it is <span
+class="cmti-10">customary</span>
+that environments start with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\begin</span></span></span>, but <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;could not really care less about the exact command
+name.
+<!--l. 28--><p class="indent"> Even though <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;can be reconfigured, users can not. For this reason, certain <span
+class="cmti-10">input formats </span>specify a set of
+commands and conventions how input for <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;should be formatted. There are currently three &#8220;major&#8221; formats:
+Donald Knuth&#8217;s original <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plain</span></span></span> <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;format, Leslie Lamport&#8217;s popular <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;format, and Hans Hangen&#8217;s
+Con<span class="TEX">T<span
+class="E">E</span>X</span>t format.
+<!--l. 36--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.1.1 </span> <a
+ id="x6-570005.1.1"></a>Using the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;Format</h5>
+<!--l. 38--><p class="noindent">Using <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z&nbsp;with the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;format is easy: You say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{pgf}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{tikz}</span></span></span>.
+Usually, that is all you need to do, all configuration will be done automatically and (hopefully) correctly.
+<!--l. 43--><p class="indent"> The style files used for the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;format reside in the subdirectory <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex/pgf/</span></span></span> of the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>-system. Mainly,
+what these files do is to include files in the directory <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">generic/pgf</span></span></span>. For example, here is the content of the file
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex/pgf/frontends/tikz.sty</span></span></span>:
+<!--l. 48--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-64-" ><colgroup id="TBL-64-1g"><col
+id="TBL-64-1"></colgroup><tr
+ valign="baseline" id="TBL-64-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-64-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;Copyright</span><span
+class="cmsltt-10x-x-80">&nbsp;2005</span><span
+class="cmsltt-10x-x-80">&nbsp;by</span><span
+class="cmsltt-10x-x-80">&nbsp;Till</span><span
+class="cmsltt-10x-x-80">&nbsp;Tantau</span><span
+class="cmsltt-10x-x-80">&nbsp;&lt;tantau@users.sourceforge.net&gt;.</span>
+<br><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;This</span><span
+class="cmsltt-10x-x-80">&nbsp;program</span><span
+class="cmsltt-10x-x-80">&nbsp;can</span><span
+class="cmsltt-10x-x-80">&nbsp;be</span><span
+class="cmsltt-10x-x-80">&nbsp;redistributed</span><span
+class="cmsltt-10x-x-80">&nbsp;and/or</span><span
+class="cmsltt-10x-x-80">&nbsp;modified</span><span
+class="cmsltt-10x-x-80">&nbsp;under</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;terms</span>
+<br><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;of</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;GNU</span><span
+class="cmsltt-10x-x-80">&nbsp;Public</span><span
+class="cmsltt-10x-x-80">&nbsp;License,</span><span
+class="cmsltt-10x-x-80">&nbsp;version</span><span
+class="cmsltt-10x-x-80">&nbsp;2.</span>
+<br>
+<br><span
+class="cmtt-8">\RequirePackage{pgf,calc,pgffor,pgflibraryplothandlers,xkeyval}</span>
+<br>
+<br><span
+class="cmtt-8">\input{tikz.code}</span>
+<br>
+<br><span
+class="cmtt-8">\endinput</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 61--><p class="indent"> The files in the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">generic/pgf</span></span></span> directory do the actual work.
+<!--l. 65--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.1.2 </span> <a
+ id="x6-580005.1.2"></a>Using the Plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;Format</h5>
+<!--l. 67--><p class="noindent">When using the plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;format, you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input{pgf.tex}</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input{tikz.tex}</span></span></span>. Instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\begin{pgfpicture}</span></span></span>
+and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\end{pgfpicture}</span></span></span> you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpicture</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\endpicture</span></span></span>.
+<!--l. 71--><p class="indent"> Unlike for the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;format, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is not as good at discerning the appropriate configuration for the plain
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;format. In particular, it can only automatically determine the correct output format if you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span>
+plus <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>. For all other output formats you need to set the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysdriver</span></span></span> to the correct value. See the
+description of using output formats later on.
+<!--l. 78--><p class="indent"> <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;was originally written for use with <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;and this shows in a number of places. Nevertheless, the plain
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;support is reasonably good.
+<!--l. 82--><p class="indent"> Like the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;style files, the plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;files like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz.tex</span></span></span> also just include the correct <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz.code.tex</span></span></span>
+file.
+
+
+<!--l. 87--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.1.3 </span> <a
+ id="x6-590005.1.3"></a>Using the Con<span class="TEX">T<span
+class="E">E</span>X</span>t Format</h5>
+<!--l. 89--><p class="noindent">Currently, there is no special support for the Con<span class="TEX">T<span
+class="E">E</span>X</span>t format. Rather, you have to use <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and Ti<span
+class="cmti-10">k</span>Z&nbsp;as if you
+were using the plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;format when using Con<span class="TEX">T<span
+class="E">E</span>X</span>t. This may change in the future.
+<!--l. 98--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">5.2 </span> <a
+ id="x6-600005.2"></a>Supported Output Formats</h4>
+<!--l. 101--><p class="noindent">An output format is a format in which <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;outputs the text it has typeset. Producing the output is (conceptually)
+a two-stage process:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x6-60002x1"></a><span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;typesets your text and graphics. The result of this typesetting is mainly a long list of
+ letter-coordinate pairs, plus (possibly) some &#8220;special&#8221; commands. This long list of pairs is written to
+ something called a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x6-60004x2"></a>Some other program reads this <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file and translates the letter-coordinate pairs into, say, PostScript
+ commands for placing the given letter at the given coordinate.</li></ol>
+<!--l. 115--><p class="indent"> The classical example of this process is the combination of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">latex</span></span></span> program (which is just
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span> program called with the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>-macros preinstalled) produces a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file as its output. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>
+program takes this output and produces a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.ps</span></span></span>-file (a PostScript) file. Possibly, this file is further converted using,
+say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ps2pdf</span></span></span>, whose name is supposed to mean &#8220;PostScript to PDF.&#8221; Another example of programs using this
+process is the combination of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span>. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span> program takes a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file as input and translates the
+letter-coordinate pairs therein into <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>-commands, resulting in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span> file directly. Finally, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex4ht</span></span></span> is also a
+program that takes a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file and produces an output, this time it is a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.html</span></span></span> file. The programs <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span>
+and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> are special: They directly produce a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>-file without the intermediate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-stage.
+However, from the programmer&#8217;s point of view they behave exactly as if there where an intermediate
+stage.
+<!--l. 132--><p class="indent"> Normally, <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;only produces letter-coordinate pairs as its &#8220;output.&#8221; This obviously makes is difficult tho draw,
+say, a curve. For this, &#8220;special&#8221; commands can be used. Unfortunately, these special commands are not the same for
+the different programs that process the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file. Indeed, every program that takes a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file as input has a totally
+different syntax for the special commands.
+<!--l. 140--><p class="indent"> One of the main jobs of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is to &#8220;abstract way&#8221; the difference in the syntax of the different programs.
+However, this means that support for each program has to be &#8220;programmed,&#8221; which is a time-consuming and
+complicated process.
+<!--l. 146--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.2.1 </span> <a
+ id="x6-610005.2.1"></a>Selecting the Backend Driver</h5>
+<!--l. 148--><p class="noindent">When <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;typesets your document, it does not know which program you are going to use to transform the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file. If your <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-file does not contain any special commands, this would be fine; but these days almost all
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-files contain lots of special commands. It is thus necessary to tell <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;which program you are going to use
+later on.
+<!--l. 155--><p class="indent"> Unfortunately, there is no &#8220;standard&#8221; way of telling this to <span class="TEX">T<span
+class="E">E</span>X</span>. For the <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;format a sophisticated
+mechanism exists inside the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphics</span></span></span> package and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;plugs into this mechanism. For other formats and when this
+plugging does not work as expected, it is necessary to tell <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;directly which program you are going to use. This is
+done by redefining the macro <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfsysdriver</span></span></span> to an appropriate value <span
+class="cmti-10">before </span>you load <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgf</span></span></span>. If you are going to use
+the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span> program, you set this macro to the value <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-dvips.def</span></span></span>; if you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span>, you set it to
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-pdftex.def</span></span></span>; and so on. In the following, details of the support of the different programs are
+discussed.
+<!--l. 168--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.2.2 </span> <a
+ id="x6-620005.2.2"></a>Producing PDF Output</h5>
+<!--l. 170--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;supports three programs that produce <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;output (<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;means &#8220;portable document format&#8221; and was invented
+by the Adobe company): <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">vtex</span></span></span>. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> program is the same as the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> program: it
+uses a different input format, but the output is exactly the same.
+
+
+<!--l. 176--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox1">File <span
+class="cmtt-10">pgfsys-pdftex.def</span></span> </dt><dd
+class="description">
+<a
+ id="dx6-62001"></a>
+<a
+ id="dx6-62002"></a>
+ <!--l. 177--><p class="noindent">This is the driver file for use with pdf<span class="TEX">T<span
+class="E">E</span>X</span>, that is, with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdftex</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span> command. It includes
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-pdf.def</span></span></span>.
+ <!--l. 181--><p class="noindent">This driver has the &#8220;complete&#8221; functionality. This means, everything <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;&#8220;can do at all&#8221; is
+ implemented in this driver. </dd></dl>
+<!--l. 186--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox2">File <span
+class="cmtt-10">pgfsys-dvipdfm.def</span></span> </dt><dd
+class="description">
+<a
+ id="dx6-62003"></a>
+<a
+ id="dx6-62004"></a>
+ <!--l. 187--><p class="noindent">This is a driver file for use with (<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">la</span></span></span>)<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span> followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span>. It includes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-pdf.def</span></span></span>.
+ <!--l. 190--><p class="noindent">This driver supports most of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s features, but there are some restrictions:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x6-62006x1"></a>In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;mode it uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> for the graphics inclusion and does not support masking.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x6-62008x2"></a>In plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode it does not support image inclusion.</li></ol>
+ </dd></dl>
+<!--l. 201--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox3">File <span
+class="cmtt-10">pgfsys-vtex.def</span></span> </dt><dd
+class="description">
+<a
+ id="dx6-62009"></a>
+<a
+ id="dx6-62010"></a>
+ <!--l. 202--><p class="noindent">This is the driver file for use with the commercial <span
+class="cmcsc-10"><small
+class="small-caps">V</small><small
+class="small-caps">T</small><small
+class="small-caps">E</small><small
+class="small-caps">X</small> </span>program. Even though is will produce <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>
+ output, it includes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-postscript.def</span></span></span>. Note that the <span
+class="cmcsc-10"><small
+class="small-caps">V</small><small
+class="small-caps">T</small><small
+class="small-caps">E</small><small
+class="small-caps">X</small> </span>program can produce <span
+class="cmti-10">both</span>
+ Postscript and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>output, depending on the command line parameters. However, whether you produce
+ Postscript or <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small> </span>output does not change anything with respect to the driver.
+ <!--l. 211--><p class="noindent">This driver supports most of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s features, except for the following restrictions:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x6-62012x1"></a>In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;mode it uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> for the graphics inclusion and does not support masking.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x6-62014x2"></a>In plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode it does not support image inclusion.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x6-62016x3"></a>Shading is fully implemented, but yields the same quality as the implementation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x6-62018x4"></a>Opacity is not implemented at all.</li></ol>
+ </dd></dl>
+<!--l. 227--><p class="indent"> It is also possible to produce a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>-file by first producing a PostScript file (see below) and then using a
+PostScript-to-<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;conversion program like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ps2pdf</span></span></span> or the Acrobat Distiller.
+<!--l. 232--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.2.3 </span> <a
+ id="x6-630005.2.3"></a>Producing PostScript Output</h5>
+<!--l. 234--><p class="noindent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox4">File <span
+class="cmtt-10">pgfsys-dvips.def</span></span> </dt><dd
+class="description">
+<a
+ id="dx6-63001"></a>
+<a
+ id="dx6-63002"></a>
+ <!--l. 235--><p class="noindent">This is a driver file for use with (<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">la</span></span></span>)<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex</span></span></span> followed by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvips</span></span></span>. It includes
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-postscript.def</span></span></span>.
+ <!--l. 238--><p class="noindent">This driver also supports most of <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s features, except for the following restrictions:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x6-63004x1"></a>In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;mode it uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> for the graphics inclusion and does not support masking.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x6-63006x2"></a>In plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode it does not support image inclusion.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x6-63008x3"></a>Shading is fully implemented, but the results will not be as good as with a driver producing <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.pdf</span></span></span>
+ as output.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x6-63010x4"></a>Opacity works only in conjunction with newer versions of GhostScript.</li></ol>
+ </dd></dl>
+<!--l. 255--><p class="noindent">You can also use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">vtex</span></span></span> program together with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-vtex.def</span></span></span> to produce Postscript output.
+<!--l. 260--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">5.2.4 </span> <a
+ id="x6-640005.2.4"></a>Producing HTML / SVG Output</h5>
+<!--l. 262--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex4ht</span></span></span> program converts <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.dvi</span></span></span>-files to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.html</span></span></span>-files. While the <span
+class="cmcsc-10"><small
+class="small-caps">H</small><small
+class="small-caps">T</small><small
+class="small-caps">M</small><small
+class="small-caps">L</small></span>-format cannot be used to draw graphics,
+the <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small></span>-format can. Using the following driver, you can ask <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;to produce an <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small></span>-picture for each <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;graphic in
+your text.
+<!--l. 268--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox5">File <span
+class="cmtt-10">pgfsys-tex4ht.def</span></span> </dt><dd
+class="description">
+<a
+ id="dx6-64001"></a>
+<a
+ id="dx6-64002"></a>
+ <!--l. 269--><p class="noindent">This is a driver file for use with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex4ht</span></span></span> program. It includes <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfsys-common-svg.def</span></span></span>.
+ <!--l. 272--><p class="noindent">When using this driver you should be aware of the following restrictions:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x6-64004x1"></a>In <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;mode it uses <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">graphicx</span></span></span> for the graphics inclusion.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x6-64006x2"></a>In plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;mode it does not support image inclusion.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x6-64008x3"></a>Text inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgfpicture</span></span></span>s is not supported very well. The reason is that the <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>specification
+ currently does not support text very well and it is also not possible to correctly &#8220;escape back&#8221; to
+ <span
+class="cmcsc-10"><small
+class="small-caps">H</small><small
+class="small-caps">T</small><small
+class="small-caps">M</small><small
+class="small-caps">L</small></span>. All these problems will hopefully disappear in the future, but currently only two kinds of
+ text work reasonably well: First, plain text without math mode, special characters or anything
+ else special. Second, <span
+class="cmti-10">very </span>simple mathematical text that contains subscripts or superscripts. Even
+ then, variables are not correctly set in italics and, in general, text simple does not look very nice.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x6-64010x4"></a>If you use text that contains anything special, even something as simple as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">$\alpha$</span></span></span>, this may
+ corrupt the graphic since <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">text4ht</span></span></span> does not always produce valid <span
+class="cmcsc-10"><small
+class="small-caps">X</small><small
+class="small-caps">M</small><small
+class="small-caps">L</small> </span>code. So, once more, <span
+class="cmti-10">stick</span>
+ <span
+class="cmti-10">to very simple node text inside graphics. </span>Sorry.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x6-64012x5"></a>Unlike for other output formats, the bounding box of a picture &#8220;really crops&#8221; the picture.</li></ol>
+
+
+ <!--l. 301--><p class="noindent">The driver basically works as follows: When a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{pgfpicture}</span></span></span> is started, appropriate <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\special</span></span></span> commands are
+ used to directed the output of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tex4ht</span></span></span> to a new file called <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\jobname-xxx.svg</span></span></span>, where <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xxx</span></span></span> is a
+ number that is increased for each graphic. Then, till the end of the picture, each (system layer)
+ graphic command creates a specials that insert appropriate <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>literal text into the output file.
+ The exact details are a bit complicated since the imaging model and the processing model of
+ PostScript/<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">D</small><small
+class="small-caps">F</small></span>&nbsp;and <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small> </span>are not quite the same; but they are &#8220;close enough&#8221; for <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s purposes.
+ </dd></dl>
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse4.html" >prev</a>] [<a
+href="pgfmanualse4.html#tailpgfmanualse4.html" >prev-tail</a>] [<a
+href="pgfmanualse5.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse5.html" >up</a>] </p></div>
+<!--l. 132--><p class="indent"> <a
+ id="tailpgfmanualse5.html"></a>
+</body></html>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>6 Design Principles</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse7.html" >next</a>] [<a
+href="#tailpgfmanualse6.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse6.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">6 </span> <a
+ id="x7-660006"></a>Design Principles</h3>
+<!--l. 10--><p class="noindent">This section describes the design principles behind the Ti<span
+class="cmti-10">k</span>Z&nbsp;frontend, where Ti<span
+class="cmti-10">k</span>Z&nbsp;means &#8220;Ti<span
+class="cmti-10">k</span>Z&nbsp;ist <span
+class="cmti-10">kein</span>
+Zeichenprogramm.&#8221; To use Ti<span
+class="cmti-10">k</span>Z, as a <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>&nbsp;user say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\usepackage{tikz}</span></span></span> somewhere in the preamble, as a plain
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;user say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\input</span><span
+class="cmtt-10">&nbsp;tikz.tex</span></span></span>. Ti<span
+class="cmti-10">k</span>Z&#8217;s job is to make your life easier by providing an easy-to-learn and
+easy-to-use syntax for describing graphics.
+<!--l. 18--><p class="indent"> The commands and syntax of Ti<span
+class="cmti-10">k</span>Z&nbsp;were influenced by several sources. The basic command names and the
+notion of path operations is taken from <span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">F</small><small
+class="small-caps">O</small><small
+class="small-caps">N</small><small
+class="small-caps">T</small></span>, the option mechanism comes from <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small></span>, the notion of
+styles is reminiscent of <span
+class="cmcsc-10"><small
+class="small-caps">S</small><small
+class="small-caps">V</small><small
+class="small-caps">G</small></span>. To make it all work together, some compromises were necessary. I also added some
+ideas of my own, like meta-arrows and coordinate transformations.
+<!--l. 26--><p class="indent"> The following basic design principles underlie Ti<span
+class="cmti-10">k</span>Z:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x7-66002x1"></a>Special syntax for specifying points.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x7-66004x2"></a>Special syntax for path specifications.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x7-66006x3"></a>Actions on paths.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x7-66008x4"></a>Key-value syntax for graphic parameters.
+ </li>
+ <li class="enumerate" value="5"
+><a
+ id="x7-66010x5"></a>Special syntax for nodes.
+ </li>
+ <li class="enumerate" value="6"
+><a
+ id="x7-66012x6"></a>Special syntax for trees.
+ </li>
+ <li class="enumerate" value="7"
+><a
+ id="x7-66014x7"></a>Grouping of graphic parameters.
+ </li>
+ <li class="enumerate" value="8"
+><a
+ id="x7-66016x8"></a>Coordinate transformation system.</li></ol>
+<!--l. 40--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.1 </span> <a
+ id="x7-670006.1"></a>Special Syntax For Specifying Points</h4>
+<!--l. 42--><p class="noindent">Ti<span
+class="cmti-10">k</span>Z&nbsp;provides a special syntax for specifying points and coordinates. In the simplest case, you provide two
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions, separated by commas, in round brackets as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1cm,2pt)</span></span></span>.
+<!--l. 46--><p class="indent"> You can also specify a point in polar coordinates by using a colon instead of a comma as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span>, which
+means &#8220;1cm in a 30 degrees direction.&#8221;
+<!--l. 50--><p class="indent"> If you do not provide a unit, as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,1)</span></span></span>, you specify a point in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xy</span>-coordinate system. By default, the unit
+<span
+class="cmmi-10">x</span>-vector goes 1cm to the right and the unit <span
+class="cmmi-10">y</span>-vector goes 1cm upward.
+<!--l. 54--><p class="indent"> By specifying three numbers as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1,1)</span></span></span> you specify a point in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xyz</span>-coordinate system.
+<!--l. 57--><p class="indent"> It is also possible to use an anchor of a previously defined shape as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(first</span><span
+class="cmtt-10">&nbsp;node.south)</span></span></span>.
+<!--l. 60--><p class="indent"> You can add two plus signs before a coordinate as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++(1cm,0pt)</span></span></span>. This means &#8220;1cm to the right of the last
+point used.&#8221; This allows you to easily specify relative movements. For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,0)</span><span
+class="cmtt-10">&nbsp;++(1,0)</span><span
+class="cmtt-10">&nbsp;++(0,1)</span></span></span> specifies
+the three coordinates <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,0)</span></span></span>, then <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,0)</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,1)</span></span></span>.
+<!--l. 66--><p class="indent"> Finally, instead of two plus signs, you can also add a single one. This also specifies a point in a relative
+manner, but it does not &#8220;change&#8221; the current point used in subsequent relative commands. For example,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,0)</span><span
+class="cmtt-10">&nbsp;+(1,0)</span><span
+class="cmtt-10">&nbsp;+(0,1)</span></span></span> specifies the three coordinates <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,0)</span></span></span>, then <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,0)</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,1)</span></span></span>.
+
+
+<!--l. 72--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.2 </span> <a
+ id="x7-680006.2"></a>Special Syntax For Path Specifications</h4>
+<!--l. 74--><p class="noindent">When creating a picture using Ti<span
+class="cmti-10">k</span>Z, your main job is the specification of <span
+class="cmti-10">paths</span>. A path is a series of straight or
+curved lines, which need not be connected. Ti<span
+class="cmti-10">k</span>Z&nbsp;makes it easy to specify paths, partly using the syntax of
+<span
+class="cmcsc-10"><small
+class="small-caps">M</small><small
+class="small-caps">E</small><small
+class="small-caps">T</small><small
+class="small-caps">A</small><small
+class="small-caps">P</small><small
+class="small-caps">O</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small></span>. For example, to specify a triangular path you use
+<!--l. 79--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-66-" ><colgroup id="TBL-66-1g"><col
+id="TBL-66-1"></colgroup><tr
+ valign="baseline" id="TBL-66-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-66-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">(5pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,0pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,5pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 82--><p class="indent"> and you get <object data="pgfmanual-65.svg" width="5.4pt" height="5.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> when you draw this path.
+<!--l. 85--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.3 </span> <a
+ id="x7-690006.3"></a>Actions on Paths</h4>
+<!--l. 87--><p class="noindent">A path is just a series of straight and curved lines, but it is not yet specified what should happen with it. One
+can <span
+class="cmti-10">draw </span>a path, <span
+class="cmti-10">fill </span>a path, <span
+class="cmti-10">shade </span>it, <span
+class="cmti-10">clip </span>it, or do any combination of these. Drawing (also known
+as <span
+class="cmti-10">stroking</span>) can be thought of as taking a pen of a certain thickness and moving it along the path,
+thereby drawing on the canvas. Filling means that the interior of the path is filled with a uniform color.
+Obviously, filling makes sense only for <span
+class="cmti-10">closed </span>paths and a path is automatically closed prior to filling, if
+necessary.
+<!--l. 97--><p class="indent"> Given a path as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;rectangle</span><span
+class="cmtt-10">&nbsp;(2ex,1ex);</span></span></span>, you can draw it by adding the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option as in
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw]</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;rectangle</span><span
+class="cmtt-10">&nbsp;(2ex,1ex);</span></span></span>, which yields <object data="pgfmanual-66.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> command is just an abbreviation for
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw]</span></span></span>. To fill a path, use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> option or the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\fill</span></span></span> command, which is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill]</span></span></span>.
+The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\filldraw</span></span></span> command is an abbreviation for <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[fill,draw]</span></span></span>. Shading is caused by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shade</span></span></span> option (there
+are <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shade</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\shadedraw</span></span></span> abbreviations) and clipping by the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">clip</span></span></span> option. There is is also a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\clip</span></span></span> command,
+which does the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[clip]</span></span></span>, but not commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\drawclip</span></span></span>. Use, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw[clip]</span></span></span> or
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path[draw,clip]</span></span></span> instead.
+<!--l. 110--><p class="indent"> All of these commands can only be used inside <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environments.
+<!--l. 113--><p class="indent"> Ti<span
+class="cmti-10">k</span>Z&nbsp;allows you to use different colors for filling and stroking.
+<!--l. 116--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.4 </span> <a
+ id="x7-700006.4"></a>Key-Value Syntax for Graphic Parameters</h4>
+<!--l. 117--><p class="noindent">Whenever Ti<span
+class="cmti-10">k</span>Z&nbsp;draws or fills a path, a large number of graphic parameters influenced the rendering. Examples
+include the colors used, the dashing pattern, the clipping area, the line width, and many others. In Ti<span
+class="cmti-10">k</span>Z, all these
+options are specified as lists of so called key-value pairs, as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=red</span></span></span>, that are passed as optional parameters to
+the path drawing and filling commands. This usage is similar to <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">S</small><small
+class="small-caps">T</small><small
+class="small-caps">R</small><small
+class="small-caps">I</small><small
+class="small-caps">C</small><small
+class="small-caps">K</small><small
+class="small-caps">S</small></span>. For example, the following will draw a
+thick, red triangle;
+<!--l. 125--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-67-" ><colgroup id="TBL-67-1g"><col
+id="TBL-67-1"><col
+id="TBL-67-2"></colgroup><tr
+ valign="baseline" id="TBL-67-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-67-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-67.svg" width="30.45274pt" height="2.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-67-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=2pt,color=red]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+</div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 129--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.5 </span> <a
+ id="x7-710006.5"></a>Special Syntax for Specifying Nodes</h4>
+<!--l. 130--><p class="noindent">Ti<span
+class="cmti-10">k</span>Z&nbsp;introduces a special syntax for adding text or, more generally, nodes to a graphic. When you specify a path,
+add nodes as in the following example:
+<!--l. 133--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-68-" ><colgroup id="TBL-68-1g"><col
+id="TBL-68-1"><col
+id="TBL-68-2"></colgroup><tr
+ valign="baseline" id="TBL-68-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-68-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-68.svg" width="40.73573pt" height="35.06111pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-68-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;{text}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,2);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 136--><p class="indent"> Nodes are inserted at the current position of the path, but only <span
+class="cmti-10">after </span>the path has been rendered. When special
+options are given, as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(1,1)</span><span
+class="cmtt-10">&nbsp;node[circle,draw]</span><span
+class="cmtt-10">&nbsp;{text};</span></span></span>, the text is not just put at the current position.
+Rather, it is surrounded by a circle and this circle is &#8220;drawn.&#8221;
+<!--l. 143--><p class="indent"> You can add a name to a node for later reference either by using the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">name=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt; </span>or by stating the
+node name in parentheses outside the text as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node[circle](name){text}</span></span></span>.
+<!--l. 147--><p class="indent"> Predefined shapes include <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">circle</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span>, but it is possible (though a bit challenging) to
+define new shapes.
+
+
+<!--l. 150--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.6 </span> <a
+ id="x7-720006.6"></a>Special Syntax for Specifying Trees</h4>
+<!--l. 152--><p class="noindent">In addition to the &#8220;node syntax,&#8221; Ti<span
+class="cmti-10">k</span>Z&nbsp;also introduces a special syntax for drawing trees. The syntax is intergrated
+with the special node syntax and only few new commands need to be remebered. In essence, a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> can be followed
+by any number of children, each introduced by the keyword <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">child</span></span></span>. The children are nodes themselves, each of which
+may have children in turn.
+<!--l. 159--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-69-" ><colgroup id="TBL-69-1g"><col
+id="TBL-69-1"><col
+id="TBL-69-2"></colgroup><tr
+ valign="baseline" id="TBL-69-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-69-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-69.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-69-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 170--><p class="indent"> Since trees are made up from nodes, it is possible to use options to modify the way trees are drawn. Here are two
+examples of the above tree, redrawn with different options:
+<!--l. 174--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-70-" ><colgroup id="TBL-70-1g"><col
+id="TBL-70-1"><col
+id="TBL-70-2"></colgroup><tr
+ valign="baseline" id="TBL-70-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-70-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-70.svg" width="88.1847pt" height="98.57181pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-70-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent</span><span
+class="cmtt-8">&nbsp;fork</span><span
+class="cmtt-8">&nbsp;down]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[fill=red!30,rounded</span><span
+class="cmtt-8">&nbsp;corners]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent}=[red,-o,thick,draw]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 187--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-71-" ><colgroup id="TBL-71-1g"><col
+id="TBL-71-1"><col
+id="TBL-71-2"></colgroup><tr
+ valign="baseline" id="TBL-71-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-71-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-71.svg" width="114.55649pt" height="91.72525pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-71-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[parent</span><span
+class="cmtt-8">&nbsp;anchor=east,child</span><span
+class="cmtt-8">&nbsp;anchor=west,grow=east]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;node}=[ball</span><span
+class="cmtt-8">&nbsp;color=red,circle,text=white]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{edge</span><span
+class="cmtt-8">&nbsp;from</span><span
+class="cmtt-8">&nbsp;parent}=[draw,dashed,thick,red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;{root}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{left}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{right}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;child</span><span
+class="cmtt-8">&nbsp;{node</span><span
+class="cmtt-8">&nbsp;{child}}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 201--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.7 </span> <a
+ id="x7-730006.7"></a>Grouping of Graphic Parameters</h4>
+<!--l. 203--><p class="noindent">Graphic parameters should often apply to several path drawing or filling commands. For example, we may wish to
+draw numerous lines all with the same line width of 1pt. For this, we put these commands in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span>
+environment that takes the desired graphic options as an optional parameter. Naturally, the specified graphic
+parameters apply only to the drawing and filling commands inside the environment. Furthermore, nested
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environments or individual drawing commands can override the graphic parameters of outer
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environments. In the following example, three red lines, two green lines, and one blue line are
+drawn:
+<!--l. 214--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-72-" ><colgroup id="TBL-72-1g"><col
+id="TBL-72-1"><col
+id="TBL-72-2"></colgroup><tr
+ valign="baseline" id="TBL-72-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-72-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-72.svg" width="28.85274pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-72-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[color=red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,10mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,10mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,</span><span
+class="cmtt-8">&nbsp;8mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,</span><span
+class="cmtt-8">&nbsp;8mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,</span><span
+class="cmtt-8">&nbsp;6mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,</span><span
+class="cmtt-8">&nbsp;6mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[color=green]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0mm,</span><span
+class="cmtt-8">&nbsp;4mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,</span><span
+class="cmtt-8">&nbsp;4mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0mm,</span><span
+class="cmtt-8">&nbsp;2mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,</span><span
+class="cmtt-8">&nbsp;2mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=blue]</span><span
+class="cmtt-8">&nbsp;(0mm,</span><span
+class="cmtt-8">&nbsp;0mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,</span><span
+class="cmtt-8">&nbsp;0mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 229--><p class="indent"> The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment itself also behaves like a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environment, that is, you can
+specify graphic parameters using an optional argument. These optional apply to all commands in the
+picture.
+<!--l. 235--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">6.8 </span> <a
+ id="x7-740006.8"></a>Coordinate Transformation System</h4>
+<!--l. 237--><p class="noindent">Ti<span
+class="cmti-10">k</span>Z&nbsp;relies entirely on <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmti-10">coordinate </span>transformation system to perform transformations. <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;also supports
+<span
+class="cmti-10">canvas </span>transformations, a more low-level transformation system, but this system is not accessible from Ti<span
+class="cmti-10">k</span>Z. There
+are two reasons for this: First, the canvas transformation must be used with great care and often results in &#8220;bad&#8221;
+graphics with changing line width and text in wrong sizes. Second, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;looses track of where nodes and shapes are
+positioned when canvas transformations are used.
+<!--l. 246--><p class="indent"> For more details on the difference between coordinate transformations and canvas transformations see
+Section&nbsp;<a
+href="pgfmanualse18.html#x19-19100018.4">18.4<!--tex4ht:ref: section-design-transformations --></a>.
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse7.html" >next</a>] [<a
+href="pgfmanualse6.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse6.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse6.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse7.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse7.html
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+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>7 Hierarchical Structures:
+Package, Environments, Scopes, and Styles</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse8.html" >next</a>] [<a
+href="pgfmanualse6.html" >prev</a>] [<a
+href="pgfmanualse6.html#tailpgfmanualse6.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse7.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse7.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">7 </span> <a
+ id="x8-750007"></a>Hierarchical Structures:
+<br class="newline">Package, Environments, Scopes, and Styles</h3>
+<!--l. 12--><p class="noindent">The present section explains how your files should be structured when you use Ti<span
+class="cmti-10">k</span>Z. On the top level, you need to
+include the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz</span></span></span> package. In the main text, each graphic needs to be put in a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment. Inside
+these environments, you can use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environments to create internal groups. Inside the scopes you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span>
+commands to actually draw something. On all levels (except for the package level), graphic options can be given
+that apply to everything within the environment.
+<!--l. 23--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">7.1 </span> <a
+ id="x8-760007.1"></a>Loading the Package</h4>
+<!--l. 25--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox6"><span
+class="cmtt-10">\usepackage{</span><span
+class="cmtt-10">tikz</span><span
+class="cmtt-10">} % </span><span class="LATEX"><span
+class="cmtt-10">L</span><span class="A"><span
+class="cmtt-10">A</span></span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx8-76001"></a>
+<a
+ id="dx8-76002"></a>
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox7"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">tikz</span><span
+class="cmtt-10">.tex % plain </span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox8"><span
+class="cmtt-10">\input </span><span
+class="cmtt-10">tikz</span><span
+class="cmtt-10">.tex % Con</span><span class="TEX"><span
+class="cmtt-10">T</span><span
+class="E"><span
+class="cmtt-10">E</span></span><span
+class="cmtt-10">X</span></span><span
+class="cmtt-10">t</span></span> </dt><dd
+class="description">
+ <!--l. 26--><p class="noindent">This package does not have any options.
+ <!--l. 28--><p class="noindent">This will automatically load the <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;package and several other stuff that Ti<span
+class="cmti-10">k</span>Z&nbsp;needs (like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">xkeyval</span></span></span>
+ package).
+ <!--l. 31--><p class="noindent"><span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;needs to know what <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;driver you are intending to use. In most cases <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;is clever enough
+ to determine the correct driver for you; this is true in particular if you <span class="LATEX">L<span class="A">A</span><span class="TEX">T<span
+class="E">E</span>X</span></span>. Currently, the only
+ situation where <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;cannot know the driver &#8220;by itself&#8221; is when you use plain <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;or Con<span class="TEX">T<span
+class="E">E</span>X</span>t
+ together with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">dvipdfm</span></span></span>. In this case, you have to write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\def\pgfsysdriver{pgfsys-dvipdfm.def}</span></span></span>
+ <span
+class="cmti-10">before </span>you input <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz.tex</span></span></span>. </dd></dl>
+<!--l. 42--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">7.2 </span> <a
+ id="x8-770007.2"></a>Creating a Picture</h4>
+<!--l. 44--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">7.2.1 </span> <a
+ id="x8-780007.2.1"></a>Creating a Picture Using an Environment</h5>
+<!--l. 46--><p class="noindent">The &#8220;outermost&#8221; scope of Ti<span
+class="cmti-10">k</span>Z&nbsp;is the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment. You may give drawing commands only
+inside this environment, giving them outside (as is possible in many other packages) will result in
+chaos.
+<!--l. 51--><p class="indent"> In Ti<span
+class="cmti-10">k</span>Z, the way graphics are rendered is strongly influenced by graphic options. For example, there is an option
+for setting the color used for drawing, another for setting the color used for filling, and also more obscure ones like
+the option for setting the prefix used in the filenames of temporary files written while plotting functions using an
+external program. The graphic options are nearly always specified in a so-called key-value style. (The &#8220;nearly
+always&#8221; refers to the name of nodes, which can also be specified differently.) All graphic options are local to the
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> to which they apply.
+<!--l. 61--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox9"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">tikzpicture</span><span
+class="cmtt-10">}</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox10"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox11"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">tikzpicture</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx8-78001"></a>
+<a
+ id="dx8-78002"></a>
+ <!--l. 62--><p class="noindent">All Ti<span
+class="cmti-10">k</span>Z&nbsp;commands should be given inside this environment, except for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzstyle</span></span></span> command.
+ Unlike other packages, it is not possible to use, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfpathmoveto</span></span></span> outside this environment and
+ doing so will result in chaos. For Ti<span
+class="cmti-10">k</span>Z, commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> are only defined inside this environment,
+ so there is little chance that you will do something wrong here.
+ <!--l. 69--><p class="noindent">When this environment is encountered, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are parsed. All options given here will apply to
+ the whole picture.
+ <!--l. 73--><p class="noindent">Next, the contents of the environment is processed and the graphic commands therein are put into a box.
+ Non-graphic text is suppressed as well as possible, but non-<span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;commands inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span>
+ environment should not produce any &#8220;output&#8221; since this may totally scramble the positioning system
+ of the backend drivers. The suppressing of normal text, by the way, is done by temporarily switching
+ the font to <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\nullfont</span></span></span>. You can, however, &#8220;escape back&#8221; to normal <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;typesetting. This happens,
+ for example, when you specify a node.
+ <!--l. 83--><p class="noindent">At the end of the environment, <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;tries to make a good guess at a good guess at the bounding
+ box of the graphic and then resizes the box such that the box has this size. To &#8220;make its guess,&#8221;
+ everytime <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;encounters a coordinate, it updates the bound box&#8217;s size such that it encompasses all
+ these coordinates. This will usually give a good approximation at the bounding box, but will not always
+ be accurate. First, the line thickness is not taken into account. Second, controls points of a curve often
+ lie far &#8220;outside&#8221; the curve and make the bounding box too large. In this case, you should use the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[use</span><span
+class="cmtt-10">&nbsp;as</span><span
+class="cmtt-10">&nbsp;bounding</span><span
+class="cmtt-10">&nbsp;box]</span></span></span> option.
+ <!--l. 95--><p class="noindent">The following option influences the baseline of the resulting picture:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">baseline</span><a
+ id="dx8-78003"></a><a
+ id="dx8-78004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span> Normally, the lower end of the picture is put on the baseline of the
+ surrounding text. For example, when you give the code <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz\draw(0,0)circle(.5ex);</span></span></span>,
+ <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;will find out that the lower end of the picture is at <span
+class="cmsy-10">-</span><span
+class="cmmi-10">.</span>5ex and that the upper end is at <span
+class="cmmi-10">.</span>5ex.
+ Then, the lower end will be put on the baseline, resulting in the following: <object data="pgfmanual-73.svg" width="4.70554pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.
+ <!--l. 106--><p class="noindent">Using this option, you can specify that the picture should be raised or lowered such that the height
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>is on the baseline. For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">tikz[baseline=0pt]\draw(0,0)circle(.5ex);</span></span></span>
+ yields <object data="pgfmanual-74.svg" width="4.70554pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> since, now, the baseline is on the height of the <span
+class="cmmi-10">x</span>-axis. If you omit the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimensions</span><span
+class="cmsy-10">&gt;</span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">0pt</span></span></span>
+ is assumed as default.
+ <!--l. 113--><p class="noindent">This options is often useful for &#8220;inlined&#8221; graphics as in
+ <!--l. 114--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-73-" ><colgroup id="TBL-73-1g"><col
+id="TBL-73-1"><col
+id="TBL-73-2"></colgroup><tr
+ valign="baseline" id="TBL-73-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-73-1-1"
+class="td11"> &nbsp;<span
+class="cmmi-10">A</span> <object data="pgfmanual-75.svg" width="13.31662pt" height="1.0pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> <span
+class="cmmi-10">B</span> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-73-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">$A</span><span
+class="cmtt-8">&nbsp;\mathbin{\tikz[baseline]</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;&gt;]</span><span
+class="cmtt-8">&nbsp;(0pt,.5ex)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3ex,.5ex);}</span><span
+class="cmtt-8">&nbsp;B$</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">execute at begin picture</span><a
+ id="dx8-78005"></a><a
+ id="dx8-78006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>This option can be used to install some code that will be executed at
+ the beginning of the picture. This option must be given in the argument of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span>
+ environment itself since this option will not have an effect otherwise. After all, the picture has already
+ &#8220;started&#8221; later on.
+ <!--l. 125--><p class="noindent">This option is mainly used in styles like the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">every</span><span
+class="cmtt-10">&nbsp;picture</span></span></span> style to execute certain code at the start of a
+ picture.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">execute at end picture</span><a
+ id="dx8-78007"></a><a
+ id="dx8-78008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>This option installs some code that will be executed at the end of the
+ picture. Using this option multiple times will cause the code to accumulate. This option must also be
+ given in the optional argument of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment.
+
+
+ <!--l. 134--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-74-" ><colgroup id="TBL-74-1g"><col
+id="TBL-74-1"><col
+id="TBL-74-2"></colgroup><tr
+ valign="baseline" id="TBL-74-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-74-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-76.svg" width="71.07144pt" height="41.95201pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-74-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[execute</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;end</span><span
+class="cmtt-8">&nbsp;picture=</span><span
+class="cmsltt-10x-x-80">%</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{pgfonlayer}{background}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path[fill=yellow,rounded</span><span
+class="cmtt-8">&nbsp;corners]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.south</span><span
+class="cmtt-8">&nbsp;west)</span><span
+class="cmtt-8">&nbsp;rectangle</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(current</span><span
+class="cmtt-8">&nbsp;bounding</span><span
+class="cmtt-8">&nbsp;box.north</span><span
+class="cmtt-8">&nbsp;east);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{pgfonlayer}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;{X};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{Y};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ <!--l. 149--><p class="noindent">All options &#8220;end&#8221; at the end of the picture. To set an option &#8220;globally&#8221; you can use the following
+ style:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every picture</span><a
+ id="dx8-78009"></a><a
+ id="dx8-78010"></a> This style is installed at the beginning of each picture.
+ <!--l. 154--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-75-" ><colgroup id="TBL-75-1g"><col
+id="TBL-75-1"></colgroup><tr
+ valign="baseline" id="TBL-75-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-75-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;picture}=[semithick]</span>
+</div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+ </dd></dl>
+<!--l. 160--><p class="indent"> In plain <span class="TEX">T<span
+class="E">E</span>X</span>, you should use instead the following commands:
+<!--l. 162--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox12"><span
+class="cmtt-10">\tikzpicture</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox13"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox14"><span
+class="cmtt-10">\endtikzpicture</span></span> </dt><dd
+class="description">
+<a
+ id="dx8-78011"></a>
+<a
+ id="dx8-78012"></a>
+ </dd></dl>
+<!--l. 166--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">7.2.2 </span> <a
+ id="x8-790007.2.2"></a>Creating a Picture Using a Command</h5>
+<!--l. 168--><p class="noindent">The following two commands are used for &#8220;small&#8221; graphics.
+<!--l. 170--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox15"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx8-79001"></a>
+ <!--l. 171--><p class="noindent">This command places the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment and adds a semicolon at
+ the end. This is just a convenience.
+ <!--l. 175--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">commands</span><span
+class="cmsy-10">&gt; </span>may not contain a paragraph (an empty line). This is a precaution to ensure that
+ users really use this command only for small graphics.
+ <!--l. 179--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz{\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;rectangle</span><span
+class="cmtt-10">&nbsp;(2ex,1ex)}</span></span></span> yields <object data="pgfmanual-77.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </dd></dl>
+<!--l. 184--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox16"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">;</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx8-79002"></a>
+ <!--l. 185--><p class="noindent">If the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>does not start with an opening brace, the end of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">text</span><span
+class="cmsy-10">&gt; </span>is the next semicolon that is
+ encountered.
+ <!--l. 188--><p class="noindent"><span
+class="cmti-10">Example: </span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;rectangle</span><span
+class="cmtt-10">&nbsp;(2ex,1ex);</span></span></span> yields <object data="pgfmanual-78.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </dd></dl>
+<!--l. 194--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">7.2.3 </span> <a
+ id="x8-800007.2.3"></a>Adding a Background</h5>
+<!--l. 196--><p class="noindent">By default, pictures do not have any background, that is, they are &#8220;transparent&#8221; on all parts on which you do not
+draw anything. You may instead wish to have a colored background behind your picture or a black frame around it
+or lines above and below it or some other kind of decoration.
+<!--l. 202--><p class="indent"> Since backgrounds are often not needed at all, the definition of styles for adding backgrounds has been put in the
+library package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibrarytikzbackgrounds</span></span></span>. This package is documented in Section&nbsp;<a
+href="pgfmanualse14.html#x15-17700014.7">14.7<!--tex4ht:ref: section-tikz-backgrounds --></a>.
+<!--l. 208--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">7.3 </span> <a
+ id="x8-810007.3"></a>Using Scopes to Structure a Picture</h4>
+<!--l. 210--><p class="noindent">Inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment you can create scopes using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environment. This environment is
+available only inside the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment, so once more, there is little chance of doing anything
+wrong.
+<!--l. 215--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox17"><span
+class="cmtt-10">\begin{</span><span
+class="cmtt-10">scope</span><span
+class="cmtt-10">}</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox18"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox19"><span
+class="cmtt-10">\end{</span><span
+class="cmtt-10">scope</span><span
+class="cmtt-10">}</span></span> </dt><dd
+class="description">
+<a
+ id="dx8-81001"></a>
+<a
+ id="dx8-81002"></a>
+ <!--l. 216--><p class="noindent">All <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>are local to the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span>. Furthermore, the clipping path is also local to
+ the environment, that is, any clipping done inside the environment &#8220;ends&#8221; at its end.
+ <!--l. 221--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-76-" ><colgroup id="TBL-76-1g"><col
+id="TBL-76-1"><col
+id="TBL-76-2"></colgroup><tr
+ valign="baseline" id="TBL-76-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-76-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-79.svg" width="28.85274pt" height="14.62636pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-76-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[red]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,0mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,0mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,1mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,1mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,2mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,2mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\begin{scope}[green]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,3mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,3mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0mm,4mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,4mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[blue]</span><span
+class="cmtt-8">&nbsp;(0mm,5mm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(10mm,5mm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{scope}</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 236--><p class="noindent">The following style influences scopes:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every scope</span><a
+ id="dx8-81003"></a><a
+ id="dx8-81004"></a> This style is installed at the beginning of every scope. I do not know really
+ know what this might be good for, but who knows?</li></ul>
+ <!--l. 243--><p class="noindent">The following options are useful for scopes:
+
+
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">execute at begin scope</span><a
+ id="dx8-81005"></a><a
+ id="dx8-81006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>This option install some code that will be executed at the
+ beginning of the scope. This option must be given in the argument of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environment.
+ <!--l. 250--><p class="noindent">The effect applies only to the current scope, not to subscopes.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">execute at end scope</span><a
+ id="dx8-81007"></a><a
+ id="dx8-81008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">code</span><span
+class="cmsy-10">&gt; </span>This option installs some code that will be executed at the end
+ of the current scope. Using this option multiple times will cause the code to accumulate. This
+ option must also be given in the optional argument of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{scope}</span></span></span> environment.
+ <!--l. 258--><p class="noindent">Again, the effect applies only to the current scope, not to subscopes.</li></ul>
+ </dd></dl>
+<!--l. 263--><p class="indent"> In plain <span class="TEX">T<span
+class="E">E</span>X</span>, you use the following commands instead:
+<!--l. 265--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox20"><span
+class="cmtt-10">\scope</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox21"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">environment contents</span><span
+class="cmsy-10">&gt;</span></span> </dt><dd
+class="description">
+ </dd><dt class="description">
+<span
+class="colorbox" id="colorbox22"><span
+class="cmtt-10">\endscope</span></span> </dt><dd
+class="description">
+<a
+ id="dx8-81009"></a>
+<a
+ id="dx8-81010"></a>
+ </dd></dl>
+<!--l. 270--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">7.4 </span> <a
+ id="x8-820007.4"></a>Using Scopes Inside Paths</h4>
+<!--l. 272--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> command, which is described in much more detail in later sections, also takes graphic options. These
+options are local to the path. Furthermore, it is possible to create local scopes within a path simply by using curly
+braces as in
+<!--l. 276--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-77-" ><colgroup id="TBL-77-1g"><col
+id="TBL-77-1"><col
+id="TBL-77-2"></colgroup><tr
+ valign="baseline" id="TBL-77-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-77-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-80.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-77-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{[rounded</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 282--><p class="indent"> Note that many options apply only to the path as a whole and cannot be scoped in this way. For example, it is
+not possible to scope the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color</span></span></span> of the path. See the explanations in the section on paths for more
+details.
+<!--l. 287--><p class="indent"> Finally, certain elements that you specify in the argument to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> command also take local options. For
+example, a node specification takes options. In this case, the options apply only to the node, not to the surrounding
+path.
+<!--l. 294--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">7.5 </span> <a
+ id="x8-830007.5"></a>Using Styles to Manage How Pictures Look</h4>
+<!--l. 296--><p class="noindent">There is a way of organizing sets of graphic options &#8220;orthogonally&#8221; to the normal scoping mechanism. For example,
+you might wish all your &#8220;help lines&#8221; to be drawn in a certain way like, say, gray and thin (do <span
+class="cmti-10">not </span>dash them, that
+distracts). For this, you can use <span
+class="cmti-10">styles</span>.
+<!--l. 302--><p class="indent"> A style is simply a set of graphic options that is predefined at some point. Once a style has been defined, it can
+be used anywhere using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style</span></span></span> option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style</span><a
+ id="dx8-83001"></a><a
+ id="dx8-83002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt; </span>invokes all options that are currently set in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt;</span>. An example of a style is the
+ predefined <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">help</span><span
+class="cmtt-10">&nbsp;lines</span></span></span> style, which you should use for lines in the background like grid lines or construction
+ lines. You can easily define new styles and modify existing ones.
+
+
+ <!--l. 313--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-78-" ><colgroup id="TBL-78-1g"><col
+id="TBL-78-1"><col
+id="TBL-78-2"></colgroup><tr
+ valign="baseline" id="TBL-78-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-78-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-81.svg" width="114.11096pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-78-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 322--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox23"><span
+class="cmtt-10">\tikzstyle</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=[</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx8-83003"></a>
+ <!--l. 323--><p class="noindent">This command defines the style <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt;</span>. Whenever it is used using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt;</span>
+ command, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>will be invoked. It is permissible that a style invokes another style using the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">style=</span></span></span> command inside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span>, which allows you to build hierarchies of styles. Naturally, you
+ should <span
+class="cmti-10">not </span>create cyclic dependencies.
+ <!--l. 330--><p class="noindent">If the style already has a predefined meaning, it will unceremoniously be redefined without a
+ warning.
+ <!--l. 332--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-79-" ><colgroup id="TBL-79-1g"><col
+id="TBL-79-1"><col
+id="TBL-79-2"></colgroup><tr
+ valign="baseline" id="TBL-79-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-79-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-82.svg" width="114.11096pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-79-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{help</span><span
+class="cmtt-8">&nbsp;lines}=[blue!50,very</span><span
+class="cmtt-8">&nbsp;thin]</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 340--><p class="noindent">If the optional <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span> is given, the options are <span
+class="cmti-10">added </span>to the existing definition:
+ <!--l. 342--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-80-" ><colgroup id="TBL-80-1g"><col
+id="TBL-80-1"><col
+id="TBL-80-2"></colgroup><tr
+ valign="baseline" id="TBL-80-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-80-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-83.svg" width="114.11096pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-80-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{help</span><span
+class="cmtt-8">&nbsp;lines}+=[dashed]</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;aaarghhh!!!</span>
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 351--><p class="indent"> It is also possible to set a style using an option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">set style</span><a
+ id="dx8-83004"></a><a
+ id="dx8-83005"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">={</span></span></span><span
+class="cmtt-10">{</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">style name</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">}</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=[</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]}</span></span></span> This option has the same effect as saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikzstyle</span></span></span> before the
+ argument of the option.
+ <!--l. 356--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-81-" ><colgroup id="TBL-81-1g"><col
+id="TBL-81-1"><col
+id="TBL-81-2"></colgroup><tr
+ valign="baseline" id="TBL-81-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-81-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-84.svg" width="114.11096pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-81-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[set</span><span
+class="cmtt-8">&nbsp;style={{help</span><span
+class="cmtt-8">&nbsp;lines}+=[dashed]}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;+(2,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </li></ul>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse8.html" >next</a>] [<a
+href="pgfmanualse6.html" >prev</a>] [<a
+href="pgfmanualse6.html#tailpgfmanualse6.html" >prev-tail</a>] [<a
+href="pgfmanualse7.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse7.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse7.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse8.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse8.html
new file mode 100644
index 00000000000..8e0201cc182
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse8.html
@@ -0,0 +1,1098 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>8 Specifying Coordinates</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse9.html" >next</a>] [<a
+href="pgfmanualse7.html" >prev</a>] [<a
+href="pgfmanualse7.html#tailpgfmanualse7.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse8.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse8.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">8 </span> <a
+ id="x9-840008"></a>Specifying Coordinates</h3>
+<!--l. 11--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.1 </span> <a
+ id="x9-850008.1"></a>Coordinates and Coordinate Options</h4>
+<!--l. 13--><p class="noindent">A <span
+class="cmti-10">coordinate </span>is a position in a picture. Ti<span
+class="cmti-10">k</span>Z&nbsp;uses a special syntax for specifying coordinates. Coordinates are always
+put in round brackets. The general syntax is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate specification</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>.
+<!--l. 18--><p class="indent"> It is possible to give options that apply only to a single coordinate, although this makes sense for transformation
+options only. To give transformation options for a single coordinate, give these options at the beginning in
+brackets:
+<!--l. 22--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-82-" ><colgroup id="TBL-82-1g"><col
+id="TBL-82-1"><col
+id="TBL-82-2"></colgroup><tr
+ valign="baseline" id="TBL-82-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-82-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-85.svg" width="85.65822pt" height="57.20547pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-82-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;([xshift=3pt]</span><span
+class="cmtt-8">&nbsp;1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(30:2cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[red]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+([shift=(135:5pt)]</span><span
+class="cmtt-8">&nbsp;30:2cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 32--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.2 </span> <a
+ id="x9-860008.2"></a>Simple Coordinates</h4>
+<!--l. 34--><p class="noindent">The simplest way to specify coordinates is as a comma-separated pair of <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;dimensions as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1cm,2pt)</span></span></span> or
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2cm,\textheight)</span></span></span>. As can be seen, different units can be mixed. The coordinate specified in this way means &#8220;1cm
+to the right and 2pt up from the origin of the picture.&#8221; You can also write things like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1cm+2pt,2pt)</span></span></span> since the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">calc</span></span></span>
+package is used.
+<!--l. 42--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.3 </span> <a
+ id="x9-870008.3"></a>Polar Coordinates</h4>
+<!--l. 44--><p class="noindent">You can also specify coordinates in polar coordinates. In this case, you specify an angle and a distance, separated by
+a colon as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(30:1cm)</span></span></span>. The angle must always be given in degrees and should be between <span
+class="cmsy-10">-</span>360 and
+720.
+<!--l. 49--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-83-" ><colgroup id="TBL-83-1g"><col
+id="TBL-83-1"><col
+id="TBL-83-2"></colgroup><tr
+ valign="baseline" id="TBL-83-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-83-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-86.svg" width="53.49359pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-83-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0cm,0cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(60:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(90:1cm)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(120:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(150:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(180:1cm);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 54--><p class="indent"> Instead of an angle given as a number you can also use certain words. For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">up</span></span></span> is the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">90</span></span></span>, so that
+you can write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\tikz</span><span
+class="cmtt-10">&nbsp;\draw</span><span
+class="cmtt-10">&nbsp;(0,0)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;(2ex,0pt)</span><span
+class="cmtt-10">&nbsp;--</span><span
+class="cmtt-10">&nbsp;+(up:1ex);</span></span></span> and get <object data="pgfmanual-87.svg" width="9.01108pt" height="4.70554pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>. Apart from <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">up</span></span></span> you can use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">down</span></span></span>,
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">left</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">right</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">west</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">east</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;east</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">north</span><span
+class="cmtt-10">&nbsp;west</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;east</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">south</span><span
+class="cmtt-10">&nbsp;west</span></span></span>, all of which have their
+natural meaning.
+
+
+<!--l. 64--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.4 </span> <a
+ id="x9-880008.4"></a>Xy- and Xyz-Coordinates</h4>
+<!--l. 66--><p class="noindent">You can specify coordinates in <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&#8217;s <span
+class="cmmi-10">xy</span>-coordinate system. In this case, you provide two unit-free numbers,
+separated by a comma as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,-3)</span></span></span>. This means &#8220;add twice the current <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;<span
+class="cmmi-10">x</span>-vector and subtract three times the
+<span
+class="cmmi-10">y</span>-vector.&#8221; By default, the <span
+class="cmmi-10">x</span>-vector points 1cm to the right, the <span
+class="cmmi-10">y</span>-vector points 1cm upwards, but this can be
+changed arbitrarily using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> and&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">y</span></span></span> graphic options.
+<!--l. 73--><p class="indent"> Similarly, you can specify coordinates in the <span
+class="cmmi-10">xyz</span>-coordinate system. The only difference to the <span
+class="cmmi-10">xy</span>-coordinates is
+that you specify three numbers separated by commas as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(1,2,3)</span></span></span>. This is interpreted as &#8220;once the <span
+class="cmmi-10">x</span>-vector plus
+twice the <span
+class="cmmi-10">y</span>-vector plus three times the <span
+class="cmmi-10">z</span>-vector.&#8221; The default <span
+class="cmmi-10">z</span>-vector points to <span class="big"><img
+src="pgfmanual17x.gif" alt="(" class="left" align="middle"></span><span
+class="cmsy-10">-</span><img
+src="pgfmanual18x.gif" alt=" 1
+ V~ 2" class="frac" align="middle">cm<span
+class="cmmi-10">,</span><span
+class="cmsy-10">-</span><img
+src="pgfmanual19x.gif" alt=" 1
+ V~ 2" class="frac" align="middle">cm<span class="big"><img
+src="pgfmanual20x.gif" alt=")" class="left" align="middle"></span>. Consider the
+following example:
+<!--l. 82--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-84-" ><colgroup id="TBL-84-1g"><col
+id="TBL-84-1"><col
+id="TBL-84-2"></colgroup><tr
+ valign="baseline" id="TBL-84-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-84-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-88.svg" width="39.80688pt" height="39.80688pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-84-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[-&gt;]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,1,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 91--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.5 </span> <a
+ id="x9-890008.5"></a>Node Coordinates</h4>
+<!--l. 94--><p class="noindent">In <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;and in Ti<span
+class="cmti-10">k</span>Z&nbsp;it is quite easy to define a node that you wish to reference at a later point. Once you have
+defined a node, there are different ways of referencing points of the node.
+<!--l. 99--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">8.5.1 </span> <a
+ id="x9-900008.5.1"></a>Named Anchor Coordinates</h5>
+<!--l. 101--><p class="noindent">An <span
+class="cmti-10">anchor coordinate </span>is a point in a node that you have previously defined using the node operation.
+The syntax is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">anchor</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt; </span>is the name that was previously used
+to name the node using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">name=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt; </span>option or the special node name syntax. Here is an
+example:
+<!--l. 108--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-89.svg" width="308.18724pt" height="72.30478pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-85-" ><colgroup id="TBL-85-1g"><col
+id="TBL-85-1"></colgroup><tr
+ valign="baseline" id="TBL-85-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-85-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(shape)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{|class</span><span
+class="cmtt-8">&nbsp;Shape|};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(rect)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(-2,0)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{|class</span><span
+class="cmtt-8">&nbsp;Rectangle|};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(circle)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{|class</span><span
+class="cmtt-8">&nbsp;Circle|};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(ellipse)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{|class</span><span
+class="cmtt-8">&nbsp;Ellipse|};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(circle.north)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(0,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(ellipse.north)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(0,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-open</span><span
+class="cmtt-8">&nbsp;triangle</span><span
+class="cmtt-8">&nbsp;90]</span><span
+class="cmtt-8">&nbsp;(rect.north)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(shape.south);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 121--><p class="indent"> Section&nbsp;<a
+href="pgfmanualse11.html#x12-14600011.8">11.8<!--tex4ht:ref: section-the-shapes --></a> explain which anchors are available for the basic shapes.
+<!--l. 127--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">8.5.2 </span> <a
+ id="x9-910008.5.2"></a>Angle Anchor Coordinates</h5>
+<!--l. 129--><p class="noindent">In addition to the named anchors, it is possible to use the syntax <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">node name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">angle</span><span
+class="cmsy-10">&gt; </span>to name a point of the
+node&#8217;s border. This point is the coordinate where a ray shot from the center in the given angle hits the border. Here
+is an example:
+
+
+<!--l. 134--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-86-" ><colgroup id="TBL-86-1g"><col
+id="TBL-86-1"><col
+id="TBL-86-2"></colgroup><tr
+ valign="baseline" id="TBL-86-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-86-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-90.svg" width="90.83932pt" height="75.83109pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-86-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(start)</span><span
+class="cmtt-8">&nbsp;[draw,shape=ellipse]</span><span
+class="cmtt-8">&nbsp;{start};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\foreach</span><span
+class="cmtt-8">&nbsp;\angle</span><span
+class="cmtt-8">&nbsp;in</span><span
+class="cmtt-8">&nbsp;{-90,</span><span
+class="cmtt-8">&nbsp;-80,</span><span
+class="cmtt-8">&nbsp;...,</span><span
+class="cmtt-8">&nbsp;90}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(start.\angle)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(\angle:1cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-1,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(2.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 143--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">8.5.3 </span> <a
+ id="x9-920008.5.3"></a>Anchor-Free Node Coordinates</h5>
+<!--l. 145--><p class="noindent">It is also possible to just &#8220;leave out&#8221; the anchor and have Ti<span
+class="cmti-10">k</span>Z&nbsp;calculate an appropriate border position for you.
+Here is an example:
+<!--l. 148--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-91.svg" width="219.2255pt" height="142.7637pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-87-" ><colgroup id="TBL-87-1g"><col
+id="TBL-87-1"></colgroup><tr
+ valign="baseline" id="TBL-87-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-87-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[fill=blue!20]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(-1,-2)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(6,3);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node(a)</span><span
+class="cmtt-8">&nbsp;[ellipse,rotate=10,draw,fill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{An</span><span
+class="cmtt-8">&nbsp;ellipse}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(3,-1)</span><span
+class="cmtt-8">&nbsp;node(b)</span><span
+class="cmtt-8">&nbsp;[circle,draw,fill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{A</span><span
+class="cmtt-8">&nbsp;circle}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,2)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node(c)</span><span
+class="cmtt-8">&nbsp;[rectangle,rotate=20,draw,fill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{A</span><span
+class="cmtt-8">&nbsp;rectangle}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(5,2)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node(d)</span><span
+class="cmtt-8">&nbsp;[rectangle,rotate=-30,draw,fill]</span><span
+class="cmtt-8">&nbsp;{Another</span><span
+class="cmtt-8">&nbsp;rectangle};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(d);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick,red,-&gt;]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;+(1,3)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[thick,blue,&lt;-&gt;]</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(right:2cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(down:1cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(d);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 161--><p class="indent"> Ti<span
+class="cmti-10">k</span>Z&nbsp;will be reasonably clever at determining the border points that you &#8220;mean,&#8221; but, naturally, this may fail
+in some situations. If Ti<span
+class="cmti-10">k</span>Z&nbsp;fails to determine an appropriate border point, the center will be used
+instead.
+<!--l. 166--><p class="indent"> Automatic computation of anchors works only with the line-to operations <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>, the vertical/horizontal
+versions <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">|-</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-|</span></span></span>, and with the curve-to operation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span>. For other path commands, such as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parabola</span></span></span>
+or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span>, the center will be used. If this is not desired, you should give a named anchor or an angle
+anchor.
+<!--l. 172--><p class="indent"> Note that if you use an automatic coordinate for both the start and the end of a line-to, as in <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--(b)--</span></span></span>, then <span
+class="cmti-10">two</span>
+border coordinates are computed with a move-to between them. This is usually exactly what you
+want.
+<!--l. 177--><p class="indent"> If you use relative coordinates together with automatic anchor coordinates, the relative coordinates are always
+computed relative to the node&#8217;s center, not relative to the border point. Here is an example:
+<!--l. 182--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-88-" ><colgroup id="TBL-88-1g"><col
+id="TBL-88-1"><col
+id="TBL-88-2"></colgroup><tr
+ valign="baseline" id="TBL-88-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-88-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-92.svg" width="42.18573pt" height="35.60237pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td>
+ <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-88-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node(x)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{Text}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 188--><p class="indent"> Similarly, in the following examples both control points are (1<span
+class="cmmi-10">,</span>1):
+
+
+<!--l. 190--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-89-" ><colgroup id="TBL-89-1g"><col
+id="TBL-89-1"><col
+id="TBL-89-2"></colgroup><tr
+ valign="baseline" id="TBL-89-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-89-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-93.svg" width="71.27144pt" height="35.60237pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td>
+ <td align="left" style="white-space:nowrap; text-align:left;" id="TBL-89-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node(x)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{X}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;node(y)</span><span
+class="cmtt-8">&nbsp;{Y}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(x)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(-1,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(y);</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 197--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.6 </span> <a
+ id="x9-930008.6"></a>Intersection Coordinates</h4>
+<!--l. 200--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">8.6.1 </span> <a
+ id="x9-940008.6.1"></a>Intersection of Two Lines</h5>
+<!--l. 202--><p class="noindent">Often you wish to specify a point that is on the intersection of two lines. The first way to specify such an
+intersection is the following: You can use the special syntax <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(intersection</span><span
+class="cmtt-10">&nbsp;of</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">p</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">p</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;and</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">q</span><sub ><span
+class="cmr-7">1</span></sub><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmmi-10">q</span><sub ><span
+class="cmr-7">2</span></sub><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>. This
+will yield the intersection point of the line going through <span
+class="cmmi-10">p</span><sub ><span
+class="cmr-7">1</span></sub> and <span
+class="cmmi-10">p</span><sub ><span
+class="cmr-7">2</span></sub> and the line through <span
+class="cmmi-10">q</span><sub ><span
+class="cmr-7">1</span></sub> and <span
+class="cmmi-10">q</span><sub ><span
+class="cmr-7">2</span></sub>. If the lines do
+not meet or if they are identical and arithmetical overflow error will result.
+<!--l. 211--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-90-" ><colgroup id="TBL-90-1g"><col
+id="TBL-90-1"><col
+id="TBL-90-2"></colgroup><tr
+ valign="baseline" id="TBL-90-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-90-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-94.svg" width="85.75822pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-90-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(A)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,2)</span><span
+class="cmtt-8">&nbsp;coordinate</span><span
+class="cmtt-8">&nbsp;(B)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,2)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill[red]</span><span
+class="cmtt-8">&nbsp;(intersection</span><span
+class="cmtt-8">&nbsp;of</span><span
+class="cmtt-8">&nbsp;A--B</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;1,2--3,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(2pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 221--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">8.6.2 </span> <a
+ id="x9-950008.6.2"></a>Intersection of Horizontal and Vertical Lines</h5>
+<!--l. 223--><p class="noindent">A frequent special case of intersections is the intersection of a vertical line going through a point <span
+class="cmmi-10">p </span>and a horizontal
+line going through some other point <span
+class="cmmi-10">q</span>. For this situation there is a special, shorter, syntax: You can say either
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">p</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;|-</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">q</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">q</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">&nbsp;-|</span><span
+class="cmtt-10">&nbsp;</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">p</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>.
+<!--l. 230--><p class="indent"> For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,1</span><span
+class="cmtt-10">&nbsp;|-</span><span
+class="cmtt-10">&nbsp;3,4)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(3,4</span><span
+class="cmtt-10">&nbsp;-|</span><span
+class="cmtt-10">&nbsp;2,1)</span></span></span> both yield the same as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(2,4)</span></span></span> (provided the <span
+class="cmmi-10">xy</span>-coordinate
+system has not been modified).
+<!--l. 234--><p class="indent"> The most useful application of the syntax is to draw a line up to some point on a vertical or horizontal line. Here
+is an example:
+<!--l. 237--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-91-" ><colgroup id="TBL-91-1g"><col
+id="TBL-91-1"><col
+id="TBL-91-2"></colgroup><tr
+ valign="baseline" id="TBL-91-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-91-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-95.svg" width="70.78343pt" height="53.71709pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-91-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(30:1cm)</span><span
+class="cmtt-8">&nbsp;node(p1)</span><span
+class="cmtt-8">&nbsp;{$p_1$}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(75:1cm)</span><span
+class="cmtt-8">&nbsp;node(p2)</span><span
+class="cmtt-8">&nbsp;{$p_2$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-0.2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1.2,0)</span><span
+class="cmtt-8">&nbsp;node(xline)[right]</span><span
+class="cmtt-8">&nbsp;{$q_1$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,-0.2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1.2)</span><span
+class="cmtt-8">&nbsp;node(yline)[above]</span><span
+class="cmtt-8">&nbsp;{$q_2$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(p1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(p1</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;xline);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(p2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(p2</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;xline);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(p1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(p1</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;yline);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(p2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(p2</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;yline);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 253--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">8.7 </span> <a
+ id="x9-960008.7"></a>Relative and Incremental Coordinates</h4>
+<!--l. 255--><p class="noindent">You can prefix coordinates by <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++</span></span></span> to make them &#8220;relative.&#8221; A coordinate such as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++(1cm,0pt)</span></span></span> means &#8220;1cm to the
+right of the previous position.&#8221; Relative coordinates are often useful in &#8220;local&#8221; contexts:
+<!--l. 260--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-92-" ><colgroup id="TBL-92-1g"><col
+id="TBL-92-1"><col
+id="TBL-92-2"></colgroup><tr
+ valign="baseline" id="TBL-92-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-92-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-96.svg" width="85.75822pt" height="71.53185pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-92-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1.5,1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(-1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 268--><p class="indent"> Instead of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">++</span></span></span> you can also use a single <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span>. This also specifies a relative coordinate, but it does not &#8220;update&#8221; the
+current point for subsequent usages of relative coordinates. Thus, you can use this notation to specify numerous
+points, all relative to the same &#8220;initial&#8221; point:
+<!--l. 274--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-93-" ><colgroup id="TBL-93-1g"><col
+id="TBL-93-1"><col
+id="TBL-93-2"></colgroup><tr
+ valign="baseline" id="TBL-93-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-93-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-97.svg" width="85.75822pt" height="71.53185pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-93-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1.5,1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 282--><p class="indent"> There is one special situation, where relative coordinates are interpreted differently. If you use a relative
+coordinate as a control point of a B&eacute;zier curve, the following rule applies: First, a relative first control point is
+taken relative to the beginning of the curve. Second, a relative second control point is taken relative
+to the end of the curve. Third, a relative end point of a curve is taken relative to the start of the
+curve.
+<!--l. 290--><p class="indent"> This special behavior makes it easy to specify that a curve should &#8220;leave or arrives from a certain
+direction&#8221; at the start or end. In the following example, the curve &#8220;leaves&#8221; at 30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup> and &#8220;arrives&#8221; at
+60<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>:
+<!--l. 295--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-94-" ><colgroup id="TBL-94-1g"><col
+id="TBL-94-1"><col
+id="TBL-94-2"></colgroup><tr
+ valign="baseline" id="TBL-94-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-94-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-98.svg" width="71.53185pt" height="43.0791pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-94-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;+(30:1cm)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;+(60:1cm)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(3,-1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray,-&gt;]</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(30:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[gray,&lt;-]</span><span
+class="cmtt-8">&nbsp;(3,-1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(60:1cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse9.html" >next</a>] [<a
+href="pgfmanualse7.html" >prev</a>] [<a
+href="pgfmanualse7.html#tailpgfmanualse7.html" >prev-tail</a>] [<a
+href="pgfmanualse8.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse8.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse8.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse9.html b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/en/pgfmanualse9.html
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@@ -0,0 +1,4719 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
+ "http://www.w3.org/TR/html4/loose.dtd">
+<html >
+<head><title>9 Syntax for Path Specifications</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)">
+<!-- html -->
+<meta name="src" content="pgfmanual.tex">
+<meta name="date" content="2005-10-23 18:34:00">
+<link rel="stylesheet" type="text/css" href="pgfmanual.css">
+</head><body
+>
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse10.html" >next</a>] [<a
+href="pgfmanualse8.html" >prev</a>] [<a
+href="pgfmanualse8.html#tailpgfmanualse8.html" >prev-tail</a>] [<a
+href="#tailpgfmanualse9.html">tail</a>] [<a
+href="pgfmanual.html#pgfmanualse9.html" >up</a>] </p></div>
+ <h3 class="sectionHead"><span class="titlemark">9 </span> <a
+ id="x10-970009"></a>Syntax for Path Specifications</h3>
+<!--l. 10--><p class="noindent">A <span
+class="cmti-10">path </span>is a series of straight and curved line segments. It is specified following a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> command and
+the specification must follow a special syntax, which is described in the subsections of the present
+section.
+<!--l. 16--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox24"><span
+class="cmtt-10">\path</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">;</span></span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-97001"></a>
+ <!--l. 17--><p class="noindent">This command is available only inside a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{tikzpicture}</span></span></span> environment.
+ <!--l. 19--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt; </span>is a long stream of <span
+class="cmti-10">path operations</span>. Most of these path operations tell Ti<span
+class="cmti-10">k</span>Z&nbsp;how
+ the path is build. For example, when you write <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--(0,0)</span></span></span>, you use a <span
+class="cmti-10">line-to operation </span>and it means
+ &#8220;continue the path from wherever you are to the origin.&#8221;
+ <!--l. 25--><p class="noindent">At any point where Ti<span
+class="cmti-10">k</span>Z&nbsp;expects a path operation, you can also give some graphic options, which
+ is a list of options in brackets, such as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[rounded</span><span
+class="cmtt-10">&nbsp;corners]</span></span></span>. These options can have different
+ effects:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x10-97003x1"></a>Some options take &#8220;immediate&#8221; effect and apply to all subsequent path operations on the path.
+ For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rounded</span><span
+class="cmtt-10">&nbsp;corners</span></span></span> option will round all following corners, but not the corners
+ &#8220;before&#8221; and if the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sharp</span><span
+class="cmtt-10">&nbsp;corners</span></span></span> is given later on the path (in a new set of brackets), the
+ rounding effect will end.
+ <!--l. 37--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-95-" ><colgroup id="TBL-95-1g"><col
+id="TBL-95-1"><col
+id="TBL-95-2"></colgroup><tr
+ valign="baseline" id="TBL-95-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-95-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-99.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-95-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[rounded</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[sharp</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 42--><p class="noindent">Another example are the transformation options, which also apply only to subsequent coordinates.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x10-97005x2"></a>The options that have immediate effect can be &#8220;scoped&#8221; by putting part of a path in curly braces. For
+ example, the above example could also be written as follows:
+ <!--l. 49--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-96-" ><colgroup id="TBL-96-1g"><col
+id="TBL-96-1"><col
+id="TBL-96-2"></colgroup><tr
+ valign="baseline" id="TBL-96-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-96-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-100.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-96-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{[rounded</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x10-97007x3"></a>Some options only apply to the path as a whole. For example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=</span></span></span> option for determining the
+ color used for, say, drawing the path always applies to all parts of the path. If several different
+ colors are given for different parts of the path, only the last one (on the outermost scope)
+ &#8220;wins&#8221;:
+ <!--l. 61--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-97-" ><colgroup id="TBL-97-1g"><col
+id="TBL-97-1"><col
+id="TBL-97-2"></colgroup><tr
+ valign="baseline" id="TBL-97-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-97-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-101.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-97-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[color=red]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[color=blue]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 67--><p class="noindent">Most options are of this type. In the above example, we would have had to &#8220;split up&#8221; the path into
+ several <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> commands:
+
+
+ <!--l. 69--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-98-" ><colgroup id="TBL-98-1g"><col
+id="TBL-98-1"><col
+id="TBL-98-2"></colgroup><tr
+ valign="baseline" id="TBL-98-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-98-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-102.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-98-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br><span
+class="cmtt-8">\tikz{\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[color=red]</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[color=blue]</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1);}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ol>
+ <!--l. 76--><p class="noindent">By default, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path</span></span></span> command does &#8220;nothing&#8221; with the path, it just &#8220;throws it away.&#8221; Thus, if you write
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\path(0,0)--(1,1);</span></span></span>, nothing is drawn in your picture. The only effect is that the area occupied by the
+ picture is (possibly) enlarged so that the path fits inside the area. To actually &#8220;do&#8221; something with the path,
+ an option like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span> must be given somewhere on the path. Commands like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span></span></span> do this
+ implicitly.
+ <!--l. 85--><p class="noindent">Finally, it is also possible to give <span
+class="cmti-10">node specifications </span>on a path. Such specifications can come at
+ different locations, but they are always allowed when a normal path operation could follow. A
+ node specification starts with <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span>. Basically, the effect is to typeset the node&#8217;s text as normal
+ <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;text and to place it at the &#8220;current location&#8221; on the path. The details are explained in
+ Section&nbsp;<a
+href="pgfmanualse11.html#x12-13600011">11<!--tex4ht:ref: section-nodes --></a>.
+ <!--l. 93--><p class="noindent">Note, however, that the nodes are <span
+class="cmti-10">not </span>part of the path in any way. Rather, after everything has been done
+ with the path what is specified by the path options (like filling and drawing the path due to a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">fill</span></span></span>
+ and a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option somewhere in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">specification</span><span
+class="cmsy-10">&gt;</span>), the nodes are added in a post-processing
+ step.
+ <!--l. 100--><p class="noindent">The following style influences scopes:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every path</span><a
+ id="dx10-97008"></a><a
+ id="dx10-97009"></a> This style is installed at the beginning of every path. This can be useful for
+ (temporarily) adding, say, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">draw</span></span></span> option to everything in a scope.
+ <!--l. 106--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-99-" ><colgroup id="TBL-99-1g"><col
+id="TBL-99-1"><col
+id="TBL-99-2"></colgroup><tr
+ valign="baseline" id="TBL-99-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-99-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-103.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-99-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[fill=examplefill]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;only</span><span
+class="cmsltt-10x-x-80">&nbsp;sets</span><span
+class="cmsltt-10x-x-80">&nbsp;the</span><span
+class="cmsltt-10x-x-80">&nbsp;color</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;path}=[draw]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;all</span><span
+class="cmsltt-10x-x-80">&nbsp;paths</span><span
+class="cmsltt-10x-x-80">&nbsp;are</span><span
+class="cmsltt-10x-x-80">&nbsp;drawn</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\fill</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\shade</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </dd></dl>
+<!--l. 119--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.1 </span> <a
+ id="x10-980009.1"></a>The Move-To Operation</h4>
+<!--l. 121--><p class="noindent">The perhaps simplest operation is the move-to operation, which is specified by just giving a coordinate where a path
+operation is expected.
+<!--l. 125--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox25"><span id="textcolor26"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor27">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-98001"></a>
+<a
+ id="dx10-98002"></a>
+ <!--l. 128--><p class="noindent">The move-to operation normally starts a path at a certain point. This does not cause a line segment
+ to be created, but it specifies the starting point of the next segment. If a path is already under
+ construction, that is, if several segments have already been created, a move-to operation will start a
+ new part of the path that is not connected to any of the previous segments.
+ <!--l. 135--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-100-" ><colgroup id="TBL-100-1g"><col
+id="TBL-100-1"><col
+id="TBL-100-2"></colgroup><tr
+ valign="baseline" id="TBL-100-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-100-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-104.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-100-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--(2,0)</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--(2,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ <!--l. 141--><p class="noindent">In the specification <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span><span
+class="cmtt-10">&nbsp;--(2,0)</span><span
+class="cmtt-10">&nbsp;(0,1)</span><span
+class="cmtt-10">&nbsp;--(2,1)</span></span></span> two move-to operations are specified: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,0)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(0,1)</span></span></span>.
+ The other two operations, namely <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--(2,0)</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--(2,1)</span></span></span> are line-to operations, described next.
+ </dd></dl>
+<!--l. 148--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.2 </span> <a
+ id="x10-990009.2"></a>The Line-To Operation</h4>
+<!--l. 151--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.2.1 </span> <a
+ id="x10-1000009.2.1"></a>Straight Lines</h5>
+<!--l. 153--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox28"><span id="textcolor29"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">--</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor30">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-100001"></a>
+<a
+ id="dx10-100002"></a>
+ <!--l. 154--><p class="noindent">The line-to operation extends the current path from the current point in a straight line to the given
+ coordinate. The &#8220;current point&#8221; is the endpoint of the previous drawing operation or the point specified
+ by a prior move-to operation.
+ <!--l. 159--><p class="noindent">You use two minus signs followed by a coordinate in round brackets. You can add spaces before and
+ after the&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span>.
+ <!--l. 162--><p class="noindent">When a line-to operation is used and some path segment has just been constructed, for example by
+ another line-to operation, the two line segments become joined. This means that if they are drawn, the
+ point where they meet is &#8220;joined&#8221; smoothly. To appreciate the difference, consider the following two
+ examples: In the left example, the path consists of two path segments that are not joined, but that
+ happen to share a point, while in the right example a smooth join is shown.
+ <!--l. 170--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-105.svg" width="152.26372pt" height="47.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-101-" ><colgroup id="TBL-101-1g"><col
+id="TBL-101-1"></colgroup><tr
+ valign="baseline" id="TBL-101-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-101-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--(1,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--(2,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;higher</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 181--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.2.2 </span> <a
+ id="x10-1010009.2.2"></a>Horizontal and Vertical Lines</h5>
+<!--l. 183--><p class="noindent">Sometimes you want to connect two points via straight lines that are only horizontal and vertical. For this, you can
+use two path construction operations.
+<!--l. 188--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox31"><span id="textcolor32"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">-|</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor33">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-101001"></a>
+<a
+ id="dx10-101002"></a>
+ <!--l. 191--><p class="noindent">This operation means &#8220;first horizontal, then vertical.&#8221;
+ <!--l. 193--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-102-" ><colgroup id="TBL-102-1g"><col
+id="TBL-102-1"><col
+id="TBL-102-2"></colgroup><tr
+ valign="baseline" id="TBL-102-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-102-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-106.svg" width="64.38846pt" height="49.82874pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-102-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;node(a)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;node(b)</span><span
+class="cmtt-8">&nbsp;[draw]</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(a.north)</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(b.west);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red]</span><span
+class="cmtt-8">&nbsp;(a.east)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(2,1.5)</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(b.north);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+ </dd></dl>
+<!--l. 201--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox34"><span id="textcolor35"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">|-</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor36">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-101003"></a>
+<a
+ id="dx10-101004"></a>
+ <!--l. 204--><p class="noindent">This operations means &#8220;first vertical, then horizontal.&#8221; </dd></dl>
+<!--l. 209--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.2.3 </span> <a
+ id="x10-1020009.2.3"></a>Snaked Lines</h5>
+<!--l. 212--><p class="noindent">The line-to operation can not only be used to append straight lines to the path, but also &#8220;snaked&#8221; lines (called thus
+because they look a little bit like snakes seen from above).
+<!--l. 216--><p class="indent"> Ti<span
+class="cmti-10">k</span>Z&nbsp;and <span
+class="cmcsc-10"><small
+class="small-caps">P</small><small
+class="small-caps">G</small><small
+class="small-caps">F</small></span>&nbsp;use a concept that I termed <span
+class="cmti-10">snakes </span>for appending such &#8220;squiggly&#8221; lines. A snake specifies a way
+of extending a path between two points in a &#8220;fancy manner.&#8221;
+<!--l. 220--><p class="indent"> Normally, a snake will just connect the start point to the end point without starting new subpaths. Thus, a path
+containing a snaked line can, nevetheless, still be used for filling. However, this is not always the case. Some snakes
+consist of numerous unconnected segments. &#8220;Lines&#8221; consisting of such snakes cannot be used as the borders of
+enclosed areas.
+<!--l. 227--><p class="indent"> Here are some examples of snakes in action:
+<!--l. 229--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-103-" ><colgroup id="TBL-103-1g"><col
+id="TBL-103-1"><col
+id="TBL-103-2"></colgroup><tr
+ valign="baseline" id="TBL-103-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-103-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-107.svg" width="86.15822pt" height="95.90797pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-103-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[thick]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,3)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,3);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,2.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,2.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,2)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=triangles]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil,segment</span><span
+class="cmtt-8">&nbsp;length=4pt]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil,segment</span><span
+class="cmtt-8">&nbsp;aspect=0]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,.5)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=expanding</span><span
+class="cmtt-8">&nbsp;waves,segment</span><span
+class="cmtt-8">&nbsp;angle=7]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 241--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-104-" ><colgroup id="TBL-104-1g"><col
+id="TBL-104-1"><col
+id="TBL-104-2"></colgroup><tr
+ valign="baseline" id="TBL-104-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-104-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-108.svg" width="90.73915pt" height="62.295pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-104-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=red!20,snake=bumps]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 247--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-105-" ><colgroup id="TBL-105-1g"><col
+id="TBL-105-1"><col
+id="TBL-105-2"></colgroup><tr
+ valign="baseline" id="TBL-105-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-105-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-109.svg" width="89.4185pt" height="62.3028pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-105-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\filldraw[fill=blue!20]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,3)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[snake=saw]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,3)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[snake=coil,segment</span><span
+class="cmtt-8">&nbsp;aspect=0]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[snake=bumps]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;-|</span><span
+class="cmtt-8">&nbsp;(0,3);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+
+
+<!--l. 256--><p class="indent"> No special path operation is needed to use a snake. Instead, you use the following option to &#8220;switch on&#8221;
+snaking:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">snake</span><a
+ id="dx10-102001"></a><a
+ id="dx10-102002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake name</span><span
+class="cmsy-10">&gt;</span> This option causes the snake <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake name</span><span
+class="cmsy-10">&gt; </span>to be used for subsequent line-to
+ operations. So, whenever you use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span> syntax to specify that a straight line should be added to the
+ path, a snake to this path will be added instead. Snakes will also be used when you use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-|</span></span></span> and
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">|-</span></span></span> syntax and also when you use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">rectangle</span></span></span> operation. Snakes will <span
+class="cmti-10">not </span>be used when you use the
+ curve-to operation nor when any other &#8220;curved&#8221; line is added to the path.
+ <!--l. 270--><p class="noindent">This option has to be given anew for each path. However, you can also leave out the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake name</span><span
+class="cmsy-10">&gt;</span>. In
+ this case, the enclosing scope&#8217;s <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake name</span><span
+class="cmsy-10">&gt; </span>is used. Thus, you can specify a &#8220;standard&#8221; snake name
+ for scope and then just say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw[snake]</span></span></span> every time this snake should actually be used.
+ <!--l. 276--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake name</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">none</span></span></span> is special. It can be used to switch off snaking after it has been switched on
+ on a path.
+ <!--l. 279--><p class="noindent">A bit strangely, no valid <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">snake names</span><span
+class="cmsy-10">&gt; </span>are defined by Ti<span
+class="cmti-10">k</span>Z&nbsp;by default. Instead, you have to include
+ the library package <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibrarysnakes</span></span></span>. This package defines numerous snakes, see Section&nbsp;<a
+href="pgfmanualse14.html#x15-16700014.2">14.2<!--tex4ht:ref: section-library-snakes --></a> for
+ the complete list.</li></ul>
+<!--l. 285--><p class="indent"> Most snakes can be configured. For example, for a snake that looks like a sine curve, you might wish to change
+the amplitude or the frequency. There are numerous options that influence these parameters. Not all options apply
+to all snakes, see Section&nbsp;<a
+href="pgfmanualse14.html#x15-16700014.2">14.2<!--tex4ht:ref: section-library-snakes --></a> once more for details.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">gap before snakes</span><a
+ id="dx10-102003"></a><a
+ id="dx10-102004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option allows you to add a certain &#8220;gap&#8221; to the snake at its beginning.
+ The snake will not start at the current point; instead the start point of the snake is move be <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>in
+ the direction of the target.
+ <!--l. 297--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-106-" ><colgroup id="TBL-106-1g"><col
+id="TBL-106-1"><col
+id="TBL-106-2"></colgroup><tr
+ valign="baseline" id="TBL-106-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-106-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-110.svg" width="85.65822pt" height="57.34164pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-106-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag,gap</span><span
+class="cmtt-8">&nbsp;before</span><span
+class="cmtt-8">&nbsp;snake=1cm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">gap after snake</span><a
+ id="dx10-102005"></a><a
+ id="dx10-102006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option has the same effect as <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gap</span><span
+class="cmtt-10">&nbsp;before</span><span
+class="cmtt-10">&nbsp;snake</span></span></span>, only it affects the end
+ of the snake, which will &#8220;end early.&#8221;
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">gap around snake</span><a
+ id="dx10-102007"></a><a
+ id="dx10-102008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option sets the gap before and after the gap to <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>.
+ <!--l. 310--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-107-" ><colgroup id="TBL-107-1g"><col
+id="TBL-107-1"><col
+id="TBL-107-2"></colgroup><tr
+ valign="baseline" id="TBL-107-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-107-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-111.svg" width="85.65822pt" height="57.99251pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-107-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace,gap</span><span
+class="cmtt-8">&nbsp;around</span><span
+class="cmtt-8">&nbsp;snake=5mm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">line before snake</span><a
+ id="dx10-102009"></a><a
+ id="dx10-102010"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gap</span><span
+class="cmtt-10">&nbsp;before</span><span
+class="cmtt-10">&nbsp;snake</span></span></span>, only it will connect the current
+ point with a straight line to the start of the snake.
+
+
+ <!--l. 320--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-108-" ><colgroup id="TBL-108-1g"><col
+id="TBL-108-1"><col
+id="TBL-108-2"></colgroup><tr
+ valign="baseline" id="TBL-108-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-108-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-112.svg" width="85.65822pt" height="57.34164pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-108-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag,line</span><span
+class="cmtt-8">&nbsp;before</span><span
+class="cmtt-8">&nbsp;snake=1cm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">line after snake</span><a
+ id="dx10-102011"></a><a
+ id="dx10-102012"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Works line <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gap</span><span
+class="cmtt-10">&nbsp;after</span><span
+class="cmtt-10">&nbsp;snake</span></span></span>, only it adds a straight line.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">line around snake</span><a
+ id="dx10-102013"></a><a
+ id="dx10-102014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Works line <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gap</span><span
+class="cmtt-10">&nbsp;around</span><span
+class="cmtt-10">&nbsp;snake</span></span></span>, only it adds straight lines.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">raise snake</span><a
+ id="dx10-102015"></a><a
+ id="dx10-102016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option can be used with all snakes. It will offset the snake by &#8220;raising&#8221; it by
+ <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span>. A negative <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>will lower the snake. Raising and lowering is always relative to the line
+ along which the snake is drawn. Here is an example:
+ <!--l. 336--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-109-" ><colgroup id="TBL-109-1g"><col
+id="TBL-109-1"><col
+id="TBL-109-2"></colgroup><tr
+ valign="baseline" id="TBL-109-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-109-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-113.svg" width="70.86311pt" height="41.95201pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-109-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace,raise</span><span
+class="cmtt-8">&nbsp;snake=5pt,red]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">mirror snake</span><a
+ id="dx10-102017"></a><a
+ id="dx10-102018"></a> This option causes the snake to be &#8220;reflected along the path.&#8221; This is best understood by
+ looking at an example:
+ <!--l. 348--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-110-" ><colgroup id="TBL-110-1g"><col
+id="TBL-110-1"><col
+id="TBL-110-2"></colgroup><tr
+ valign="baseline" id="TBL-110-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-110-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-114.svg" width="70.86311pt" height="41.95201pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-110-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=brace,mirror</span><span
+class="cmtt-8">&nbsp;snake,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 357--><p class="noindent">This option can be used with every snake and can be combined with the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">raise</span><span
+class="cmtt-10">&nbsp;snake</span></span></span> option.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">segment amplitude</span><a
+ id="dx10-102019"></a><a
+ id="dx10-102020"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option sets the &#8220;amplitude&#8221; of the snake. For a snake that
+ is a sine wave this would be the amplitude of this line. For other snakes this value typically
+ describes how far the snakes &#8220;rises above&#8221; or &#8220;falls below&#8221; the path. For some snakes, this value is
+ ignored.
+
+
+ <!--l. 365--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-111-" ><colgroup id="TBL-111-1g"><col
+id="TBL-111-1"><col
+id="TBL-111-2"></colgroup><tr
+ valign="baseline" id="TBL-111-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-111-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-115.svg" width="70.93256pt" height="70.40475pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-111-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{C};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag,segment</span><span
+class="cmtt-8">&nbsp;amplitude=5pt,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">segment length</span><a
+ id="dx10-102021"></a><a
+ id="dx10-102022"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option sets the length of each &#8220;segment&#8221; of a snake. For a sine wave
+ this would be the wave length, for other snakes it is the length of each &#8220;repetitive part&#8221; of the
+ snake.
+ <!--l. 376--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-112-" ><colgroup id="TBL-112-1g"><col
+id="TBL-112-1"><col
+id="TBL-112-2"></colgroup><tr
+ valign="baseline" id="TBL-112-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-112-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-116.svg" width="70.93256pt" height="70.40475pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-112-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{C};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=zigzag,segment</span><span
+class="cmtt-8">&nbsp;length=20pt,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 383--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-113-" ><colgroup id="TBL-113-1g"><col
+id="TBL-113-1"><col
+id="TBL-113-2"></colgroup><tr
+ valign="baseline" id="TBL-113-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-113-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-117.svg" width="70.93256pt" height="70.40475pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-113-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{C};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=bumps]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=bumps,segment</span><span
+class="cmtt-8">&nbsp;length=20pt,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">segment object length</span><a
+ id="dx10-102023"></a><a
+ id="dx10-102024"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option sets the length of the objects inside each segment of a
+ snake. This option is only used for snakes in which each segment contains an object like a triangle or a
+ star.
+ <!--l. 394--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-114-" ><colgroup id="TBL-114-1g"><col
+id="TBL-114-1"><col
+id="TBL-114-2"></colgroup><tr
+ valign="baseline" id="TBL-114-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-114-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-118.svg" width="70.93256pt" height="70.40475pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-114-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{C};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=triangles]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=triangles,segment</span><span
+class="cmtt-8">&nbsp;object</span><span
+class="cmtt-8">&nbsp;length=8pt,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">segment angle</span><a
+ id="dx10-102025"></a><a
+ id="dx10-102026"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">degrees</span><span
+class="cmsy-10">&gt; </span>This option sets an angle that is interpreted in a snake-specific way. For example,
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">waves</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">expanding</span><span
+class="cmtt-10">&nbsp;waves</span></span></span> snakes interpret this as (half the) opening angle of the wave. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">border</span></span></span>
+ snake uses this value for the angle of the little ticks.
+
+
+ <!--l. 406--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-115-" ><colgroup id="TBL-115-1g"><col
+id="TBL-115-1"><col
+id="TBL-115-2"></colgroup><tr
+ valign="baseline" id="TBL-115-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-115-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-119.svg" width="70.86311pt" height="14.0207pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-115-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[segment</span><span
+class="cmtt-8">&nbsp;amplitude=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=border]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=border,segment</span><span
+class="cmtt-8">&nbsp;angle=20,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 413--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-116-" ><colgroup id="TBL-116-1g"><col
+id="TBL-116-1"><col
+id="TBL-116-2"></colgroup><tr
+ valign="baseline" id="TBL-116-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-116-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-120.svg" width="70.86311pt" height="71.01807pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-116-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[segment</span><span
+class="cmtt-8">&nbsp;amplitude=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a')</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(0,-1)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b')</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{B};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=expanding</span><span
+class="cmtt-8">&nbsp;waves]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=expanding</span><span
+class="cmtt-8">&nbsp;waves,segment</span><span
+class="cmtt-8">&nbsp;angle=20,red,thick]</span><span
+class="cmtt-8">&nbsp;(a')</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b');</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">segment aspect</span><a
+ id="dx10-102027"></a><a
+ id="dx10-102028"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">ratio</span><span
+class="cmsy-10">&gt; </span>This option sets an aspect ratio that is interpreted in a snake-specific way. For
+ example, for the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coils</span></span></span> snake this describes the &#8220;direction&#8221; from which the coil is viewed.
+ <!--l. 425--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-117-" ><colgroup id="TBL-117-1g"><col
+id="TBL-117-1"><col
+id="TBL-117-2"></colgroup><tr
+ valign="baseline" id="TBL-117-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-117-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-121.svg" width="70.93256pt" height="70.40475pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-117-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[segment</span><span
+class="cmtt-8">&nbsp;amplitude=5pt,segment</span><span
+class="cmtt-8">&nbsp;length=5pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\node</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;{A}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(b)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;{B}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node</span><span
+class="cmtt-8">&nbsp;(c)</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;(2,-1)</span><span
+class="cmtt-8">&nbsp;{C};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(b);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[snake=coil,segment</span><span
+class="cmtt-8">&nbsp;aspect=0,red,thick]</span><span
+class="cmtt-8">&nbsp;(a)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(c);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 434--><p class="indent"> It is possible to define new snakes, but this cannot be done inside Ti<span
+class="cmti-10">k</span>Z. You need to use the command
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclaresnake</span></span></span> from the basic level directly, see Section&nbsp;<a
+href="pgfmanualse22.html#x23-22900022">22<!--tex4ht:ref: section-base-snakes --></a>.
+<!--l. 438--><p class="indent"> The following styles define combinations of segment settings that may be useful:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">snake triangles 45</span><a
+ id="dx10-102029"></a><a
+ id="dx10-102030"></a> Installs a snake the consists of little triangles with an opening angle of
+ 45<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">snake triangles 60</span><a
+ id="dx10-102031"></a><a
+ id="dx10-102032"></a> Installs a snake the consists of little triangles with an opening angle of
+ 60<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">snake triangles 90</span><a
+ id="dx10-102033"></a><a
+ id="dx10-102034"></a> Installs a snake the consists of little triangles with an opening angle of
+ 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>.</li></ul>
+<!--l. 454--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.3 </span> <a
+ id="x10-1030009.3"></a>The Curve-To Operation</h4>
+<!--l. 456--><p class="noindent">The curve-to operation allows you to extend a path using a B&eacute;zier curve.
+<!--l. 459--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox37"><span id="textcolor38"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">..</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">controls</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">c</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">..</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">y</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor39">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-103001"></a>
+<a
+ id="dx10-103002"></a>
+ <!--l. 460--><p class="noindent">This operation extends the current path from the current point, let us call it <span
+class="cmmi-10">x</span>, via a curve to a the
+ current point&nbsp;<span
+class="cmmi-10">y</span>. The curve is a cubic B&eacute;zier curve. For such a curve, apart from <span
+class="cmmi-10">y</span>, you also specify
+ two control points <span
+class="cmmi-10">c </span>and <span
+class="cmmi-10">d</span>. The idea is that the curve starts at <span
+class="cmmi-10">x</span>, &#8220;heading&#8221; in the direction of&nbsp;<span
+class="cmmi-10">c</span>.
+ Mathematically spoken, the tangent of the curve at <span
+class="cmmi-10">x </span>goes through <span
+class="cmmi-10">c</span>. Similarly, the curve ends at <span
+class="cmmi-10">y</span>,
+ &#8220;coming from&#8221; the other control point,&nbsp;<span
+class="cmmi-10">d</span>. The larger the distance between <span
+class="cmmi-10">x </span>and&nbsp;<span
+class="cmmi-10">c </span>and between <span
+class="cmmi-10">d</span>
+ and&nbsp;<span
+class="cmmi-10">y</span>, the larger the curve will be.
+ <!--l. 470--><p class="noindent">If the &#8220;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">d</span><span
+class="cmsy-10">&gt;</span>&#8221; part is not given, <span
+class="cmmi-10">d </span>is assumed to be equal to <span
+class="cmmi-10">c</span>.
+ <!--l. 473--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-122.svg" width="152.26372pt" height="38.45274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-118-" ><colgroup id="TBL-118-1g"><col
+id="TBL-118-1"></colgroup><tr
+ valign="baseline" id="TBL-118-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-118-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(4,0)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(5,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(5,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(4,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=gray]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(5,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,1);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 481--><p class="noindent">As with the line-to operation, it makes a difference whether two curves are joined because they resulted
+ from consecutive curve-to or line-to operations, or whether they just happen to have the same
+ ending:
+ <!--l. 485--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-123.svg" width="152.26372pt" height="47.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-119-" ><colgroup id="TBL-119-1g"><col
+id="TBL-119-1"></colgroup><tr
+ valign="baseline" id="TBL-119-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-119-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(2,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;(5,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;higher</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 495--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.4 </span> <a
+ id="x10-1040009.4"></a>The Cycle Operation</h4>
+<!--l. 497--><p class="noindent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox40"><span id="textcolor41"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">--cycle</span>&nbsp;<span id="textcolor42">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-104001"></a>
+<a
+ id="dx10-104002"></a>
+ <!--l. 498--><p class="noindent">This operation adds a straight line from the current point to the last point specified by a move-to
+ operation. Note that this need not be the beginning of the path. Furthermore, a smooth join is created
+ between the first segment created after the last move-to operation and the straight line appended by
+ the cycle operation.
+ <!--l. 504--><p class="noindent">Consider the following example. In the left example, two triangles are created using three straight lines,
+ but they are not joined at the ends. In the second example cycle operations are used.
+ <!--l. 508--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-124.svg" width="237.62195pt" height="47.67911pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-120-" ><colgroup id="TBL-120-1g"><col
+id="TBL-120-1"></colgroup><tr
+ valign="baseline" id="TBL-120-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-120-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[line</span><span
+class="cmtt-8">&nbsp;width=10pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(5,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(6,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(6,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle</span><span
+class="cmtt-8">&nbsp;(7,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(8,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(8,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\useasboundingbox</span><span
+class="cmtt-8">&nbsp;(0,1.5);</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmsltt-10x-x-80">%</span><span
+class="cmsltt-10x-x-80">&nbsp;make</span><span
+class="cmsltt-10x-x-80">&nbsp;bounding</span><span
+class="cmsltt-10x-x-80">&nbsp;box</span><span
+class="cmsltt-10x-x-80">&nbsp;higher</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+
+
+<!--l. 519--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.5 </span> <a
+ id="x10-1050009.5"></a>The Rectangle Operation</h4>
+<!--l. 521--><p class="noindent">A rectangle can obviously be created using four straight lines and a cycle operation. However, since rectangles are
+needed so often, a special syntax is available for them.
+<!--l. 525--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox43"><span id="textcolor44"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">rectangle</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor45">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-105001"></a>
+<a
+ id="dx10-105002"></a>
+ <!--l. 526--><p class="noindent">When this operation is used, one corner will be the current point, another corner is given by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span>,
+ which becomes the new current point.
+ <!--l. 530--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-121-" ><colgroup id="TBL-121-1g"><col
+id="TBL-121-1"><col
+id="TBL-121-2"></colgroup><tr
+ valign="baseline" id="TBL-121-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-121-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-125.svg" width="99.98459pt" height="43.0791pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-121-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v"><br>
+<span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(.5,1)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(2,0.5)</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(3.5,1.5)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 539--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.6 </span> <a
+ id="x10-1060009.6"></a>Rounding Corners</h4>
+<!--l. 541--><p class="noindent">All of the path construction operations mentioned up to now are influenced by the following option:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">rounded corners</span><a
+ id="dx10-106001"></a><a
+ id="dx10-106002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">inset</span><span
+class="cmsy-10">&gt;</span> When this option is in force, all corners (places where a line is continued
+ either via line-to or a curve-to operation) are replaced by little arcs so that the corner becomes smooth.
+ <!--l. 549--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-122-" ><colgroup id="TBL-122-1g"><col
+id="TBL-122-1"><col
+id="TBL-122-2"></colgroup><tr
+ valign="baseline" id="TBL-122-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-122-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-126.svg" width="114.21097pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-122-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;[rounded</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;controls</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;..</span><span
+class="cmtt-8">&nbsp;(4,0);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 554--><p class="noindent">The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">inset</span><span
+class="cmsy-10">&gt; </span>describes how big the corner is. Note that the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">inset</span><span
+class="cmsy-10">&gt; </span>is <span
+class="cmti-10">not </span>scaled along if you use a scaling option
+ like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">scale=2</span></span></span>.
+ <!--l. 558--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-123-" ><colgroup id="TBL-123-1g"><col
+id="TBL-123-1"><col
+id="TBL-123-2"></colgroup><tr
+ valign="baseline" id="TBL-123-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-123-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-127.svg" width="40.4pt" height="25.4pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-123-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=gray,very</span><span
+class="cmtt-8">&nbsp;thin]</span><span
+class="cmtt-8">&nbsp;(10pt,15pt)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(10pt);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[rounded</span><span
+class="cmtt-8">&nbsp;corners=10pt]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0pt,25pt)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(40pt,25pt);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 565--><p class="noindent">You can switch the rounded corners on and off &#8220;in the middle of path&#8221; and different corners in the same path
+ can have different corner radii:
+ <!--l. 569--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-124-" ><colgroup id="TBL-124-1g"><col
+id="TBL-124-1"><col
+id="TBL-124-2"></colgroup><tr
+ valign="baseline" id="TBL-124-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-124-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-128.svg" width="57.30548pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-124-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;[rounded</span><span
+class="cmtt-8">&nbsp;corners=10pt]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[sharp</span><span
+class="cmtt-8">&nbsp;corners]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,0)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;[rounded</span><span
+class="cmtt-8">&nbsp;corners=5pt]</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 577--><p class="noindent">Here is a rectangle with rounded corners:
+
+
+ <!--l. 578--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-125-" ><colgroup id="TBL-125-1g"><col
+id="TBL-125-1"><col
+id="TBL-125-2"></colgroup><tr
+ valign="baseline" id="TBL-125-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-125-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-129.svg" width="20.4pt" height="9.01108pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp;</td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-125-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[rounded</span><span
+class="cmtt-8">&nbsp;corners=1ex]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(20pt,2ex);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 582--><p class="noindent">You should be aware, that there are several pitfalls when using this option. First, the rounded corner will only
+ be an arc (part of a circle) if the angle is 90<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup>. In other cases, the rounded corner will still be round, but &#8220;not
+ as nice.&#8221;
+ <!--l. 587--><p class="noindent">Second, if there are very short line segments in a path, the &#8220;rounding&#8221; may cause inadverted effects. In such
+ case it may be necessary to temporarily switch off the rounding using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sharp</span><span
+class="cmtt-10">&nbsp;corners</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">sharp corners</span><a
+ id="dx10-106003"></a><a
+ id="dx10-106004"></a> This options switches off any rounding on subsequent corners of the path.</li></ul>
+<!--l. 599--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.7 </span> <a
+ id="x10-1070009.7"></a>The Circle and Ellipse Operations</h4>
+<!--l. 601--><p class="noindent">A circle can be approximated well using four B&eacute;zier curves. However, it is difficult to do so correctly. For
+this reason, a special syntax is available for adding such an approximation of a circle to the current
+path.
+<!--l. 606--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox46"><span id="textcolor47"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">circle</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>&nbsp;<span id="textcolor48">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-107001"></a>
+<a
+ id="dx10-107002"></a>
+ <!--l. 607--><p class="noindent">The center of the circle is given by the current point. The new current point of the path will remain
+ to be the center of the circle. </dd></dl>
+<!--l. 612--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox49"><span id="textcolor50"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">ellipse</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">half width</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"> <span
+class="cmtt-10">and </span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">half height</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>&nbsp;<span id="textcolor51">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-107003"></a>
+<a
+ id="dx10-107004"></a>
+ <!--l. 613--><p class="noindent">Note that you can add spaces after <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ellipse</span></span></span>, but you have to place spaces around <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">and</span></span></span>.
+ <!--l. 616--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-130.svg" width="220.90874pt" height="35.9659pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-126-" ><colgroup id="TBL-126-1g"><col
+id="TBL-126-1"></colgroup><tr
+ valign="baseline" id="TBL-126-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-126-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;ellipse</span><span
+class="cmtt-8">&nbsp;(1cm</span><span
+class="cmtt-8">&nbsp;and</span><span
+class="cmtt-8">&nbsp;.5cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(3,0)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.5cm)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;++(2,-.5)</span><span
+class="cmtt-8">&nbsp;circle</span><span
+class="cmtt-8">&nbsp;(.25cm);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 626--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.8 </span> <a
+ id="x10-1080009.8"></a>The Arc Operation</h4>
+<!--l. 628--><p class="noindent">The <span
+class="cmti-10">arc operation </span>allows you to add an arc to the current path.
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox52"><span id="textcolor53"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">arc</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">(</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start angle</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">:</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end angle</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">:</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">radius</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">/</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">half height</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)</span></span></span>&nbsp;<span id="textcolor54">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-108001"></a>
+<a
+ id="dx10-108002"></a>
+ <!--l. 632--><p class="noindent">The arc operation adds a part of a circle of the given radius between the given angles. The arc will
+ start at the current point and will end at the end of the arc.
+
+
+ <!--l. 636--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-131.svg" width="228.02194pt" height="43.07912pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-127-" ><colgroup id="TBL-127-1g"><col
+id="TBL-127-1"></colgroup><tr
+ valign="baseline" id="TBL-127-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-127-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:90:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(2,.5)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(90:0:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(30:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(30:60:1cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(8,0)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:270:1cm/.5cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 644--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-128-" ><colgroup id="TBL-128-1g"><col
+id="TBL-128-1"><col
+id="TBL-128-2"></colgroup><tr
+ valign="baseline" id="TBL-128-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-128-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-132.svg" width="106.58725pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-128-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(3.5,0);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;++(210:2cm)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;+(30:4cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;+(0:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(0:30:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;+(180:1cm)</span><span
+class="cmtt-8">&nbsp;arc</span><span
+class="cmtt-8">&nbsp;(180:210:1cm);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;++(15:.75cm)</span><span
+class="cmtt-8">&nbsp;node{$\alpha$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\path</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;++(15:-.75cm)</span><span
+class="cmtt-8">&nbsp;node{$\beta$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 657--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.9 </span> <a
+ id="x10-1090009.9"></a>The Grid Operation</h4>
+<!--l. 659--><p class="noindent">You can add a grid to the current path using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">grid</span></span></span> path operation.
+<!--l. 662--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox55"><span id="textcolor56"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">grid</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor57">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-109001"></a>
+<a
+ id="dx10-109002"></a>
+ <!--l. 663--><p class="noindent">This operations adss a grid filling a rectangle whose two corners are given by <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">corner</span><span
+class="cmsy-10">&gt; </span>and by the
+ previous coordinate. Thus, the typical way in which a grid is drawn is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\draw</span><span
+class="cmtt-10">&nbsp;(1,1)</span><span
+class="cmtt-10">&nbsp;grid</span><span
+class="cmtt-10">&nbsp;(3,3);</span></span></span>,
+ which yields a grid filling the rectangle whose corners are at (1<span
+class="cmmi-10">,</span>1) and (3<span
+class="cmmi-10">,</span>3). All coordinate
+ transformations apply to the grid.
+ <!--l. 669--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-129-" ><colgroup id="TBL-129-1g"><col
+id="TBL-129-1"><col
+id="TBL-129-2"></colgroup><tr
+ valign="baseline" id="TBL-129-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-129-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-133.svg" width="78.13446pt" height="78.13446pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-129-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz[rotate=30]</span><span
+class="cmtt-8">&nbsp;\draw[step=1mm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(2,2);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 673--><p class="noindent">The stepping of the grid is governed by the following options:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">step</span><a
+ id="dx10-109003"></a><a
+ id="dx10-109004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>sets the stepping in both the <span
+class="cmmi-10">x </span>and <span
+class="cmmi-10">y</span>-direction.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">xstep</span><a
+ id="dx10-109005"></a><a
+ id="dx10-109006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>sets the stepping in the <span
+class="cmmi-10">x</span>-direction.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">ystep</span><a
+ id="dx10-109007"></a><a
+ id="dx10-109008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>sets the stepping in the <span
+class="cmmi-10">y</span>-direction.</li></ul>
+
+
+ <!--l. 684--><p class="noindent">It is important to note that the grid is always &#8220;phased&#8221; such that it contains the point (0<span
+class="cmmi-10">,</span>0) if that point
+ happens to be inside the rectangle. Thus, the grid does <span
+class="cmti-10">not </span>always have an intersection at the corner points;
+ this occurs only if the corner points are multiples of the stepping. Note that due to rounding errors, the
+ &#8220;last&#8221; lines of a grid may be omitted. In this case, you have to add an epsilon to the corner
+ points.
+ <!--l. 692--><p class="noindent">The following style is useful for drawing grids:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">help lines</span><a
+ id="dx10-109009"></a><a
+ id="dx10-109010"></a> This style makes lines &#8220;subdued&#8221; by using thin gray lines for them. However, this
+ style is not installed automatically and you have to say for example:
+ <!--l. 698--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-130-" ><colgroup id="TBL-130-1g"><col
+id="TBL-130-1"><col
+id="TBL-130-2"></colgroup><tr
+ valign="baseline" id="TBL-130-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-130-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-134.svg" width="85.55821pt" height="85.55821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-130-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[style=help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,3);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ </dd></dl>
+<!--l. 706--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.10 </span> <a
+ id="x10-1100009.10"></a>The Parabola Operation</h4>
+<!--l. 708--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parabola</span></span></span> path operation continues the current path with a parabola. A parabola is a (shifted and scaled) curve
+defined by the equation <span
+class="cmmi-10">f</span>(<span
+class="cmmi-10">x</span>) = <span
+class="cmmi-10">x</span><sup ><span
+class="cmr-7">2</span></sup> and looks like this: <object data="pgfmanual-135.svg" width="9.01108pt" height="6.8583pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>.
+<!--l. 714--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox58"><span id="textcolor59"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">parabola</span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">bend coordinate</span><span
+class="cmsy-10">&gt;</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor60">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-110001"></a>
+<a
+ id="dx10-110002"></a>
+ <!--l. 715--><p class="noindent">This operation adds a parabola through the current point and the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. If the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span></span></span> is
+ given, it specifies where the bend should go; the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>can also be used to specify where the bend
+ is. By default, the bend is at the old current point.
+ <!--l. 720--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-131-" ><colgroup id="TBL-131-1g"><col
+id="TBL-131-1"><col
+id="TBL-131-2"></colgroup><tr
+ valign="baseline" id="TBL-131-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-131-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-136.svg" width="114.211pt" height="50.19229pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-131-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=1.5cm]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola[bend</span><span
+class="cmtt-8">&nbsp;at</span><span
+class="cmtt-8">&nbsp;end]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[xshift=3cm]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(1,1.5)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;parabola</span><span
+class="cmtt-8">&nbsp;bend</span><span
+class="cmtt-8">&nbsp;(.75,1.75)</span><span
+class="cmtt-8">&nbsp;(1,1.5);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 731--><p class="noindent">The following options influence parabolas:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">bend</span><a
+ id="dx10-110003"></a><a
+ id="dx10-110004"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>Has the same effect as saying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt; </span>outside the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt;</span>. The
+ option specifies that the bend of the parabola should be at the given <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. You have to
+ take care yourself that the bend position is a &#8220;valid&#8221; position; which means that if there is no
+ parabola of the form <span
+class="cmmi-10">f</span>(<span
+class="cmmi-10">x</span>) = <span
+class="cmmi-10">ax</span><sup ><span
+class="cmr-7">2</span></sup> +<span
+class="cmmi-10">bx</span>+<span
+class="cmmi-10">c </span>that goes through the old current point, the given bend,
+ and the new current point, the result will not be a parabola.
+
+
+ <!--l. 742--><p class="noindent">There is one special property of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>: When a relative coordinate is given like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+(0,0)</span></span></span>,
+ the position relative to which this coordinate is &#8220;flexible.&#8221; More precisely, this position lies
+ somewhere on a line from the old current point to the new current point. The exact position
+ depends on the next option.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">bend pos</span><a
+ id="dx10-110005"></a><a
+ id="dx10-110006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">fraction</span><span
+class="cmsy-10">&gt; </span>Specifies where the &#8220;previous&#8221; point is relative to which the bend is
+ calculated. The previous point will be at the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">fraction</span><span
+class="cmsy-10">&gt;</span>th part of the line from the old current
+ point to the new current point.
+ <!--l. 755--><p class="noindent">The idea is the following: If you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;pos=0</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;+(0,0)</span></span></span>, the bend will be at the old
+ current point. If you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;pos=1</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;+(0,0)</span></span></span>, the bend will be at the new current
+ point. If you say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;pos=0.5</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;+(0,2cm)</span></span></span> the bend will be 2cm above the middle
+ of the line between the start and end point. This is most useful in situations such as the
+ following:
+ <!--l. 761--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-132-" ><colgroup id="TBL-132-1g"><col
+id="TBL-132-1"><col
+id="TBL-132-2"></colgroup><tr
+ valign="baseline" id="TBL-132-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-132-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-137.svg" width="114.11096pt" height="57.30548pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-132-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1,0)</span><span
+class="cmtt-8">&nbsp;parabola[bend</span><span
+class="cmtt-8">&nbsp;pos=0.5]</span><span
+class="cmtt-8">&nbsp;bend</span><span
+class="cmtt-8">&nbsp;+(0,2)</span><span
+class="cmtt-8">&nbsp;+(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ <!--l. 768--><p class="noindent">In the above example, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;+(0,2)</span></span></span> essentially means &#8220;a parabola that is 2cm high&#8221; and
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+(3,0)</span></span></span> means &#8220;and 3cm wide.&#8221; Since this situation arises often, there is a special shortcut
+ option:
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">parabola height</span><a
+ id="dx10-110007"></a><a
+ id="dx10-110008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>This option has the same effect as if you had written the following
+ instead: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[bend</span><span
+class="cmtt-10">&nbsp;pos=0.5,bend={+(0pt,</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">)}]</span></span></span>.
+ <!--l. 775--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-133-" ><colgroup id="TBL-133-1g"><col
+id="TBL-133-1"><col
+id="TBL-133-2"></colgroup><tr
+ valign="baseline" id="TBL-133-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-133-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-138.svg" width="114.11096pt" height="57.3055pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-133-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[help</span><span
+class="cmtt-8">&nbsp;lines]</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3,2);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(-1,0)</span><span
+class="cmtt-8">&nbsp;parabola[parabola</span><span
+class="cmtt-8">&nbsp;height=2cm]</span><span
+class="cmtt-8">&nbsp;+(3,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+ <!--l. 783--><p class="noindent">The following styles are useful shortcuts:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">bend at start</span><a
+ id="dx10-110009"></a><a
+ id="dx10-110010"></a> This places the bend at the start of a parabola. It is a shortcut for the
+ following options: <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">bend</span><span
+class="cmtt-10">&nbsp;pos=0,bend={+(0,0)}</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">bend at end</span><a
+ id="dx10-110011"></a><a
+ id="dx10-110012"></a> This places the bend at the end of a parabola.</li></ul>
+ </dd></dl>
+<!--l. 794--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.11 </span> <a
+ id="x10-1110009.11"></a>The Sine and Cosine Operation</h4>
+<!--l. 796--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cos</span></span></span> operations are similar to the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">parabola</span></span></span> operation. They, too, can be used to draw (parts of) a sine
+or cosine curve.
+<!--l. 800--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox61"><span id="textcolor62"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">sin</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor63">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-111001"></a>
+<a
+ id="dx10-111002"></a>
+ <!--l. 801--><p class="noindent">The effect of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span></span></span> is to draw a scaled and shifted version of a sine curve in the interval [0<span
+class="cmmi-10">,<img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2]. The
+ scaling and shifting is done in such a way that the start of the sine curve in the interval is at the old
+ current point and that the end of the curve in the interval is at <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>. Here is an example that
+ should clarify this:
+ <!--l. 807--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-134-" ><colgroup id="TBL-134-1g"><col
+id="TBL-134-1"><col
+id="TBL-134-2"></colgroup><tr
+ valign="baseline" id="TBL-134-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-134-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-139.svg" width="101.97649pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-134-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(1,1)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;rectangle</span><span
+class="cmtt-8">&nbsp;+(1.57,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;+(1.57,1);</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </dd></dl>
+<!--l. 813--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox64"><span id="textcolor65"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">cos</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor66">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-111003"></a>
+<a
+ id="dx10-111004"></a>
+ <!--l. 814--><p class="noindent">This operation works similarly, only a cosine in the interval [0<span
+class="cmmi-10">,<img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2] is drawn. By correctly alternating
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">sin</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">cos</span></span></span> operations, you can create a complete sine or cosine curve:
+ <!--l. 818--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-140.svg" width="223.75502pt" height="85.75821pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-135-" ><colgroup id="TBL-135-1g"><col
+id="TBL-135-1"></colgroup><tr
+ valign="baseline" id="TBL-135-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-135-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[xscale=1.57]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(3,-1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(4,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(5,1);</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red]</span><span
+class="cmtt-8">&nbsp;(0,1.5)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(2,-1.5)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(3,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(4,1.5)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(5,0);</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </dd></dl>
+<!--l. 826--><p class="indent"> Note that there is no way to (conveniently) draw an interval on a sine or cosine curve whose end points are not
+multiples of <span
+class="cmmi-10"><img
+src="cmmi10-19.gif" alt="p" class="10x-x-19" />/</span>2.
+<!--l. 831--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.12 </span> <a
+ id="x10-1120009.12"></a>The Plot Operation</h4>
+<!--l. 833--><p class="noindent">The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation can be used to append a line or curve to the path that goes through a large number of
+coordinates. These coordinates are either given in a simple list of coordinates or they are read from some
+file.
+<!--l. 838--><p class="indent"> The syntax of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> comes in different versions.
+<!--l. 840--><p class="indent">
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox67"><span id="textcolor68"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">--plot</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor69">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-112001"></a>
+<a
+ id="dx10-112002"></a>
+ <!--l. 841--><p class="noindent">This operation plots the curve through the coordinates specified in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt;</span>. The current
+ (sub)path is simply continued, that is, a line-to operation to the first point of the curve is implicitly
+ added. The details of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt; </span>will be explained in a moment. </dd></dl>
+<!--l. 848--><p class="indent">
+
+
+ <dl class="description"><dt class="description">
+<span
+class="colorbox" id="colorbox70"><span id="textcolor71"><span
+class="cmtt-10">\path</span>&nbsp;&nbsp;...</span> <span
+class="cmtt-10">plot</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt;</span>&nbsp;<span id="textcolor72">...<span
+class="cmtt-10">;</span></span></span> </dt><dd
+class="description">
+<a
+ id="dx10-112003"></a>
+<a
+ id="dx10-112004"></a>
+ <!--l. 849--><p class="noindent">This operation plots the curve through the coordinates specified in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt; </span>by first
+ &#8220;moving&#8221; to the first coordinate of the curve. </dd></dl>
+<!--l. 854--><p class="indent"> The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">further arguments</span><span
+class="cmsy-10">&gt; </span>are used in three different ways to specifying the coordinates of the points to be
+plotted:
+<!--l. 857--><p class="indent">
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x10-112006x1"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">local options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">coordinates{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate 1</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">coordinate 2</span><span
+class="cmsy-10">&gt;</span>...<span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">coordinate </span><span
+class="cmmi-10">n</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x10-112008x2"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">local options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">file{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x10-112010x3"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--</span></span></span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span><span
+class="cmtt-10">[</span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">local options</span><span
+class="cmsy-10">&gt;</span><span
+class="cmtt-10">]</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">function{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">gnuplot formula</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span></li></ol>
+<!--l. 867--><p class="indent"> These different ways are explained in the following.
+<!--l. 870--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.12.1 </span> <a
+ id="x10-1130009.12.1"></a>Plotting Points Given Inline</h5>
+<!--l. 872--><p class="noindent">In the first two cases, the points are given directly in the <span class="TEX">T<span
+class="E">E</span>X</span>-file as in the following example:
+<!--l. 875--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-136-" ><colgroup id="TBL-136-1g"><col
+id="TBL-136-1"><col
+id="TBL-136-2"></colgroup><tr
+ valign="baseline" id="TBL-136-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-136-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-141.svg" width="85.75822pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-136-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;(3,1)</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;(10:2cm)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 879--><p class="indent"> Here is an example showing the difference between <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--plot</span></span></span>:
+<!--l. 881--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-142.svg" width="256.47475pt" height="28.85274pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-137-" ><colgroup id="TBL-137-1g"><col
+id="TBL-137-1"></colgroup><tr
+ valign="baseline" id="TBL-137-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-137-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(4,0)};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red,xshift=5cm]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(2,0)</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;(4,0)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table>
+</div>
+<!--l. 890--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.12.2 </span> <a
+ id="x10-1140009.12.2"></a>Plotting Points Read From an External File</h5>
+<!--l. 892--><p class="noindent">The second way of specifying points is to put them in an external file named <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt;</span>. Currently, the only file
+format that Ti<span
+class="cmti-10">k</span>Z&nbsp;allows is the following: Each line of the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">filename</span><span
+class="cmsy-10">&gt; </span>should contain one line starting with two
+numbers, separated by a space. Anything following the two numbers on the line is ignored. Also, lines starting with
+a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">%</span></span></span> or a <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">#</span></span></span> are ignored as well as empty lines. (This is exactly the format that <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>produces when you say
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">set</span><span
+class="cmtt-10">&nbsp;terminal</span><span
+class="cmtt-10">&nbsp;table</span></span></span>.) If necessary, more formats will be supported in the future, but it is usually easy to produce a
+file containing data in this form.
+<!--l. 903--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-143.svg" width="287.35587pt" height="59.72435pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-138-" ><colgroup id="TBL-138-1g"><col
+id="TBL-138-1"></colgroup><tr
+ valign="baseline" id="TBL-138-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-138-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot[mark=x,smooth]</span><span
+class="cmtt-8">&nbsp;file</span><span
+class="cmtt-8">&nbsp;{plots/pgfmanual-sine.table};</span></div> </td></tr></table> </td></tr></table>
+</div>
+<!--l. 907--><p class="indent"> The file <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plots/pgfmanual-sine.table</span></span></span> reads:
+
+
+<!--l. 908--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-139-" ><colgroup id="TBL-139-1g"><col
+id="TBL-139-1"></colgroup><tr
+ valign="baseline" id="TBL-139-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-139-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">#Curve</span><span
+class="cmtt-8">&nbsp;0,</span><span
+class="cmtt-8">&nbsp;20</span><span
+class="cmtt-8">&nbsp;points</span>
+<br><span
+class="cmtt-8">#x</span><span
+class="cmtt-8">&nbsp;y</span><span
+class="cmtt-8">&nbsp;type</span>
+<br><span
+class="cmtt-8">0.00000</span><span
+class="cmtt-8">&nbsp;0.00000</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span>
+<br><span
+class="cmtt-8">0.52632</span><span
+class="cmtt-8">&nbsp;0.50235</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span>
+<br><span
+class="cmtt-8">1.05263</span><span
+class="cmtt-8">&nbsp;0.86873</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span>
+<br><span
+class="cmtt-8">1.57895</span><span
+class="cmtt-8">&nbsp;0.99997</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span>
+<br><span
+class="cmtt-8">...</span>
+<br><span
+class="cmtt-8">9.47368</span><span
+class="cmtt-8">&nbsp;-0.04889</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span>
+<br><span
+class="cmtt-8">10.00000</span><span
+class="cmtt-8">&nbsp;-0.54402</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;i</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 919--><p class="indent"> It was produced from the following source, using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span>:
+<!--l. 920--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-140-" ><colgroup id="TBL-140-1g"><col
+id="TBL-140-1"></colgroup><tr
+ valign="baseline" id="TBL-140-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-140-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">set</span><span
+class="cmtt-8">&nbsp;terminal</span><span
+class="cmtt-8">&nbsp;table</span>
+<br><span
+class="cmtt-8">set</span><span
+class="cmtt-8">&nbsp;output</span><span
+class="cmtt-8">&nbsp;&#34;../plots/pgfmanual-sine.table&#34;</span>
+<br><span
+class="cmtt-8">set</span><span
+class="cmtt-8">&nbsp;format</span><span
+class="cmtt-8">&nbsp;&#34;</span><span
+class="cmsltt-10x-x-80">%.5f&#34;</span>
+<br><span
+class="cmtt-8">set</span><span
+class="cmtt-8">&nbsp;samples</span><span
+class="cmtt-8">&nbsp;20</span>
+<br><span
+class="cmtt-8">plot</span><span
+class="cmtt-8">&nbsp;[x=0:10]</span><span
+class="cmtt-8">&nbsp;sin(x)</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 928--><p class="indent"> The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">local options</span><span
+class="cmsy-10">&gt; </span>of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation are local to each plot and do not affect other plots &#8220;on the same path.&#8221;
+For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot[yshift=1cm]</span></span></span> will locally shift the plot 1cm upward. Remember, however, that most
+options can only be applied to paths as a whole. For example, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot[red]</span></span></span> does not have the effect of
+making the plot red. After all, you are trying to &#8220;locally&#8221; make part of the path red, which is not
+possible.
+<!--l. 936--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.12.3 </span> <a
+ id="x10-1150009.12.3"></a>Plotting a Function</h5>
+<!--l. 939--><p class="noindent">Often, you will want to plot points that are given via a function like <span
+class="cmmi-10">f</span>(<span
+class="cmmi-10">x</span>) = <span
+class="cmmi-10">x</span>sin<span
+class="cmmi-10">x</span>. Unfortunately,
+<span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;does not really have enough computational power to generate the points on such a function
+efficiently (it is a text processing program, after all). However, if you allow it, <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;can try to call
+external programs that can easily produce the necessary points. Currently, Ti<span
+class="cmti-10">k</span>Z&nbsp;knows how to call
+<span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small></span>.
+<!--l. 947--><p class="indent"> When Ti<span
+class="cmti-10">k</span>Z&nbsp;encounters your operation <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot[id=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span><span
+class="cmtt-10">&nbsp;function{x*sin(x)}</span></span></span> for the first time, it will create a
+file called <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span>, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt; </span>is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\jobname.</span></span></span> by default, that is, the name of you main <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file. If
+no <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt; </span>is given, it will be empty, which is alright, but it is better when each plot has a unique <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt; </span>for
+reasons explained in a moment. Next, Ti<span
+class="cmti-10">k</span>Z&nbsp;writes some initialization code into this file followed by
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span><span
+class="cmtt-10">&nbsp;x*sin(x)</span></span></span>. The initialization code sets up things such that the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation will write the
+coordinates into another file called <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span>. Finally, this table file is read as if you had said
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span><span
+class="cmtt-10">&nbsp;file{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table}</span></span></span>.
+<!--l. 960--><p class="indent"> For the plotting mechanism to work, two conditions must be met:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x10-115002x1"></a>You must have allowed <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;to call external programs. This is often switched off by default since this
+ is a security risk (you might, without knowing, run a <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;file that calls all sorts of &#8220;bad&#8221; commands).
+ To enable this &#8220;calling external programs&#8221; a command line option must be given to the <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;program.
+ Usually, it is called something like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">shell-escape</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">enable-write18</span></span></span>. For example, for my <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pdflatex</span></span></span>
+ the option <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">--shell-escape</span></span></span> can be given.
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x10-115004x2"></a>You must have installed the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> program and <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;must find it when compiling your file.</li></ol>
+<!--l. 976--><p class="indent"> Unfortunately, these conditions will not always be met. Especially if you pass some source to a
+coauthor and the coauthor does not have <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>installed, he or she will have trouble compiling your
+files.
+<!--l. 981--><p class="indent"> For this reason, Ti<span
+class="cmti-10">k</span>Z&nbsp;behaves differently when you compile your graphic for the second time: If upon reaching
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot[id=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">]</span><span
+class="cmtt-10">&nbsp;function{...}</span></span></span> the file <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> already exists <span
+class="cmti-10">and </span>if the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt;&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> file
+contains what Ti<span
+class="cmti-10">k</span>Z&nbsp;thinks that it &#8220;should&#8221; contain, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> file is immediately read without trying to call a
+<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> program. This approach has the following advantages:
+ <ol type="1" class="enumerate1" >
+ <li class="enumerate" value="1"
+><a
+ id="x10-115006x1"></a>If you pass a bundle of your <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file and all <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> files to someone else, that person
+ can <span class="TEX">T<span
+class="E">E</span>X</span>&nbsp;the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file without having to have <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> installed.
+
+
+ </li>
+ <li class="enumerate" value="2"
+><a
+ id="x10-115008x2"></a>If the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\write18</span></span></span> feature is switched off for security reasons (a good idea), then, upon the first compilation
+ of the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.tex</span></span></span> file, the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> will still be generated, but not the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> file. You can then simply call
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> &#8220;by hand&#8221; for each <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> file, which will produce all necessary <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> files.
+ </li>
+ <li class="enumerate" value="3"
+><a
+ id="x10-115010x3"></a>If you change the function that you wish to plot or its domain, Ti<span
+class="cmti-10">k</span>Z&nbsp;will automatically try to regenerate
+ the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> file.
+ </li>
+ <li class="enumerate" value="4"
+><a
+ id="x10-115012x4"></a>If, out of laziness, you do not provide an <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">id</span></span></span>, the same <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.gnuplot</span></span></span> will be used for different plots, but this
+ is not a problem since the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">.table</span></span></span> will automatically be regenerated for each plot on-the-fly. <span
+class="cmti-10">Note: If</span>
+ <span
+class="cmti-10">you intend to share your files with someone else, always use an id, so that the file can by typeset without</span>
+ <span
+class="cmti-10">having </span><span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span><span
+class="cmti-10">installed. </span>Also, having unique ids for each plot will improve compilation speed since
+ no external programs need to be called, unless it is really necessary.</li></ol>
+<!--l. 1014--><p class="indent"> When you use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span><span
+class="cmtt-10">&nbsp;function{</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">gnuplot formula</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>, the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">gnuplot formula</span><span
+class="cmsy-10">&gt; </span>must be given in the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">gnuplot</span></span></span> syntax,
+whose details are beyond the scope of this manual. Here is the ultra-condensed essence: Use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> as the
+variable and use the C-syntax for normal plots, use <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">t</span></span></span> as the variable for parametric plots. Here are some
+examples:
+<!--l. 1020--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-144.svg" width="186.39253pt" height="170.71059pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-141-" ><colgroup id="TBL-141-1g"><col
+id="TBL-141-1"></colgroup><tr
+ valign="baseline" id="TBL-141-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-141-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[domain=0:4]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[very</span><span
+class="cmtt-8">&nbsp;thin,color=gray]</span><span
+class="cmtt-8">&nbsp;(-0.1,-1.1)</span><span
+class="cmtt-8">&nbsp;grid</span><span
+class="cmtt-8">&nbsp;(3.9,3.9);</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(-0.2,0)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(4.2,0)</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[-&gt;]</span><span
+class="cmtt-8">&nbsp;(0,-1.2)</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;(0,4.2)</span><span
+class="cmtt-8">&nbsp;node[above]</span><span
+class="cmtt-8">&nbsp;{$f(x)$};</span>
+<br>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[id=x]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;function{x}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$f(x)</span><span
+class="cmtt-8">&nbsp;=x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=blue]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[id=sin]</span><span
+class="cmtt-8">&nbsp;function{sin(x)}</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$f(x)</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;\sin</span><span
+class="cmtt-8">&nbsp;x$};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=orange]</span><span
+class="cmtt-8">&nbsp;plot[id=exp]</span><span
+class="cmtt-8">&nbsp;function{0.05*exp(x)}</span><span
+class="cmtt-8">&nbsp;node[right]</span><span
+class="cmtt-8">&nbsp;{$f(x)</span><span
+class="cmtt-8">&nbsp;=</span><span
+class="cmtt-8">&nbsp;\frac{1}{20}</span><span
+class="cmtt-8">&nbsp;\mathrm</span><span
+class="cmtt-8">&nbsp;e^x$};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+<!--l. 1034--><p class="indent"> The following options influence the plot:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">samples</span><a
+ id="dx10-115013"></a><a
+ id="dx10-115014"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">number</span><span
+class="cmsy-10">&gt; </span>sets the number of samples used in the plot. The default is 25.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">domain</span><a
+ id="dx10-115015"></a><a
+ id="dx10-115016"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">start</span><span
+class="cmsy-10">&gt;</span><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">:</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">end</span><span
+class="cmsy-10">&gt; </span>sets the domain between which the samples are taken. The default is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">-5:5</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">parametric</span><a
+ id="dx10-115017"></a><a
+ id="dx10-115018"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">true or false</span><span
+class="cmsy-10">&gt;</span> sets whether the plot is a parametric plot. If true, then <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">t</span></span></span> must be used instead of
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> as the parameter and two comma-separated functions must be given in the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">gnuplot formula</span><span
+class="cmsy-10">&gt;</span>. An example is
+ the following:
+ <!--l. 1047--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-142-" ><colgroup id="TBL-142-1g"><col
+id="TBL-142-1"><col
+id="TBL-142-2"></colgroup><tr
+ valign="baseline" id="TBL-142-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-142-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-145.svg" width="26.40906pt" height="89.77023pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-142-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw[scale=0.5,domain=-3.141:3.141,smooth]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[parametric,id=parametric-example]</span><span
+class="cmtt-8">&nbsp;function{t*sin(t),t*cos(t)};</span></div> </td></tr></table> </td>
+</tr></table>
+
+
+ </div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">id</span><a
+ id="dx10-115019"></a><a
+ id="dx10-115020"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt; </span>sets the identifier of the current plot. This should be a unique identifier for each plot (though things
+ will also work if it is not, but not as well, see the explanations above). The <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">id</span><span
+class="cmsy-10">&gt; </span>will be part of a filename, so it
+ should not contain anything fancy like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">*</span></span></span> or <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">$</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">prefix</span><a
+ id="dx10-115021"></a><a
+ id="dx10-115022"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">prefix</span><span
+class="cmsy-10">&gt; </span>is put before each plot file name. The default is <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\jobname.</span></span></span>, but if you have many plots, it
+ might be better to use, say <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plots/</span></span></span> and have all plots placed in a directory. You have to create the directory
+ yourself.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">raw gnuplot</span><a
+ id="dx10-115023"></a><a
+ id="dx10-115024"></a> causes the <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">gnuplot formula</span><span
+class="cmsy-10">&gt; </span>to be passed on to <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>without setting up the samples or the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation. Thus, you could write
+ <!--l. 1067--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-143-" ><colgroup id="TBL-143-1g"><col
+id="TBL-143-1"></colgroup><tr
+ valign="baseline" id="TBL-143-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-143-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">plot[raw</span><span
+class="cmtt-8">&nbsp;gnuplot,id=raw-example]</span><span
+class="cmtt-8">&nbsp;function{set</span><span
+class="cmtt-8">&nbsp;samples</span><span
+class="cmtt-8">&nbsp;25;</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;sin(x)}</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 1070--><p class="noindent">This can be useful for complicated things that need to be passed to <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small></span>. However, for really complicated
+ situations you should create a special external generating <span
+class="cmcsc-10"><small
+class="small-caps">G</small><small
+class="small-caps">N</small><small
+class="small-caps">U</small><small
+class="small-caps">P</small><small
+class="small-caps">L</small><small
+class="small-caps">O</small><small
+class="small-caps">T</small> </span>file and use the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">file</span></span></span>-syntax to include the
+ table &#8220;by hand.&#8221;</li></ul>
+<!--l. 1077--><p class="indent"> The following styles influence the plot:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">style=</span><span
+class="cmtt-10">every plot</span><a
+ id="dx10-115025"></a><a
+ id="dx10-115026"></a> This style is installed in each plot, that is, as if you always said
+ <!--l. 1081--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-144-" ><colgroup id="TBL-144-1g"><col
+id="TBL-144-1"></colgroup><tr
+ valign="baseline" id="TBL-144-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-144-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[style=every</span><span
+class="cmtt-8">&nbsp;plot,...]</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 1084--><p class="noindent">This is most useful for globally setting a prefix for all plots by saying:
+ <!--l. 1085--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-145-" ><colgroup id="TBL-145-1g"><col
+id="TBL-145-1"></colgroup><tr
+ valign="baseline" id="TBL-145-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-145-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikzstyle{every</span><span
+class="cmtt-8">&nbsp;plot}=[prefix=plots/]</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+<!--l. 1092--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.12.4 </span> <a
+ id="x10-1160009.12.4"></a>Placing Marks on the Plot</h5>
+<!--l. 1094--><p class="noindent">As we saw already, it is possible to add <span
+class="cmti-10">marks </span>to a plot using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mark</span></span></span> option. When this option is used, a copy of
+the plot mark is placed on each point of the plot. Note that the marks are placed <span
+class="cmti-10">after </span>the whole path has been
+drawn/filled/shaded. In this respect, they are handled like text nodes.
+<!--l. 1100--><p class="indent"> In detail, the following options govern how marks are drawn:
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">mark</span><a
+ id="dx10-116001"></a><a
+ id="dx10-116002"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">mark mnemonic</span><span
+class="cmsy-10">&gt; </span>Sets the mark to a mnemonic that has previously been defined using the
+ <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">\pgfdeclareplotmark</span></span></span>. By default, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">*</span></span></span>, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">+</span></span></span>, and <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">x</span></span></span> are available, which draw a filled circle, a plus, and a
+ cross as marks. Many more marks become available when the library <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">pgflibraryplotmarks</span></span></span> is loaded.
+ Section&nbsp;<a
+href="pgfmanualse14.html#x15-17100014.3.3">14.3.3<!--tex4ht:ref: section-plot-marks --></a> lists the available plot marks.
+ <!--l. 1110--><p class="noindent">One plot mark is special: the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span></span></span> plot mark is available only it Ti<span
+class="cmti-10">k</span>Z. The <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ball</span><span
+class="cmtt-10">&nbsp;color</span></span></span> determines the
+ balls&#8217;s color. Do not use this option with large number of marks since it will take very long to render
+ in PostScript.
+ <div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-146-" ><colgroup id="TBL-146-1g"><col
+id="TBL-146-1"><col
+id="TBL-146-2"></colgroup><tr
+ valign="baseline" id="TBL-146-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-146-1-1"
+class="td11"> Option </td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-146-1-2"
+class="td11"> Effect </td>
+</tr><tr
+class="hline"><td><hr></td><td><hr></td></tr><tr
+ valign="baseline" id="TBL-146-2-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-146-2-1"
+class="td11"> <a
+ id="dx10-116003"></a><a
+ id="dx10-116004"></a> <span
+class="cmtt-10">mark=</span><span
+class="cmtt-10">ball</span> </td><td align="center" style="white-space:nowrap; text-align:center;" id="TBL-146-2-2"
+class="td11"> <object data="pgfmanual-146.svg" width="46.67911pt" height="9.69046pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> </td>
+</tr><tr
+ valign="baseline" id="TBL-146-3-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-146-3-1"
+class="td11"> </td>
+</tr></table></div>
+
+
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">mark size</span><a
+ id="dx10-116005"></a><a
+ id="dx10-116006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>Sets the size of the plot marks. For circular plot marks, <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>is the radius, for
+ other plot marks <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">dimension</span><span
+class="cmsy-10">&gt; </span>should be about half the width and height.
+ <!--l. 1125--><p class="noindent">This option is not really necessary, since you achieve the same effect by specifying <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">scale=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>as a local
+ option, where <span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">factor</span><span
+class="cmsy-10">&gt; </span>is the quotient of the desired size and the default size. However, using <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">mark</span><span
+class="cmtt-10">&nbsp;size</span></span></span> is a
+ bit faster and more natural.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">mark options</span><a
+ id="dx10-116007"></a><a
+ id="dx10-116008"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">options</span><span
+class="cmsy-10">&gt; </span>These options are applied to marks when they are drawn. For example, you can scale
+ (or otherwise transform) the plot mark or set its color.
+ <!--l. 1134--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-147.svg" width="287.99155pt" height="59.89592pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-147-" ><colgroup id="TBL-147-1g"><col
+id="TBL-147-1"></colgroup><tr
+ valign="baseline" id="TBL-147-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-147-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\fill[fill=blue!20]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[mark=triangle*,mark</span><span
+class="cmtt-8">&nbsp;options={color=blue,rotate=180}]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;file{plots/pgfmanual-sine.table}</span><span
+class="cmtt-8">&nbsp;|-</span><span
+class="cmtt-8">&nbsp;(0,0);</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ </li></ul>
+<!--l. 1143--><p class="noindent">
+ <h5 class="subsubsectionHead"><span class="titlemark">9.12.5 </span> <a
+ id="x10-1170009.12.5"></a>Smooth Plots, Sharp Plots, and Comb Plots</h5>
+<!--l. 1145--><p class="noindent">There are different things the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation can do with the points it reads from a file or from the inlined list of
+points. By default, it will connect these points by straight lines. However, you can also use options to change the
+behavior of <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span>.
+ <ul class="itemize1">
+ <li class="itemize"><span
+class="cmtt-10">sharp plot</span><a
+ id="dx10-117001"></a><a
+ id="dx10-117002"></a> This is the default and causes the points to be connected by straight lines. This option is
+ included only so that you can &#8220;switch back&#8221; if you &#8220;globally&#8221; install, say, <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">smooth</span></span></span>.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">smooth</span><a
+ id="dx10-117003"></a><a
+ id="dx10-117004"></a> This option causes the points on the path to be connected using a smooth curve:
+ <!--l. 1160--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-148.svg" width="284.92743pt" height="57.5319pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-148-" ><colgroup id="TBL-148-1g"><col
+id="TBL-148-1"></colgroup><tr
+ valign="baseline" id="TBL-148-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-148-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz\draw</span><span
+class="cmtt-8">&nbsp;plot[smooth]</span><span
+class="cmtt-8">&nbsp;file{plots/pgfmanual-sine.table};</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 1164--><p class="noindent">Note that the smoothing algorithm is not very intelligent. You will get the best results if the bending angles
+ are small, that is, less than about 30<sup ><span
+class="cmsy-7"><span class="htf-cmbx">o</span></span></sup> and, even more importantly, if the distances between points are about
+ the same all over the plotting path.
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">tension</span><a
+ id="dx10-117005"></a><a
+ id="dx10-117006"></a><span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">=</span></span></span><span
+class="cmsy-10">&lt;</span><span
+class="cmti-10">value</span><span
+class="cmsy-10">&gt; </span>This option influences how &#8220;tight&#8221; the smoothing is. A lower value will result in sharper
+ corners, a higher value in more &#8220;round&#8221; curves. A value of 1 results in a circle if four points at
+ quarter-positions on a circle are given. The default is 0<span
+class="cmmi-10">.</span>55. The &#8220;correct&#8221; value depends on the details of
+ plot.
+
+
+ <!--l. 1176--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-149-" ><colgroup id="TBL-149-1g"><col
+id="TBL-149-1"><col
+id="TBL-149-2"></colgroup><tr
+ valign="baseline" id="TBL-149-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-149-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-149.svg" width="57.30548pt" height="185.34288pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-149-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[smooth</span><span
+class="cmtt-8">&nbsp;cycle]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[tension=0.2]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;(1,-1)};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yshift=-2.25cm]</span><span
+class="cmtt-8">&nbsp;plot[tension=0.5]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;(1,-1)};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[yshift=-4.5cm]</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[tension=1]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;(1,-1)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">smooth cycle</span><a
+ id="dx10-117007"></a><a
+ id="dx10-117008"></a> This option causes the points on the path to be connected using a closed smooth
+ curve.
+ <!--l. 1191--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-150-" ><colgroup id="TBL-150-1g"><col
+id="TBL-150-1"><col
+id="TBL-150-2"></colgroup><tr
+ valign="baseline" id="TBL-150-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-150-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-150.svg" width="28.85274pt" height="34.77437pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-150-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz[scale=0.5]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot[smooth</span><span
+class="cmtt-8">&nbsp;cycle]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;(1,2)}</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,0)</span><span
+class="cmtt-8">&nbsp;(2,1)</span><span
+class="cmtt-8">&nbsp;(1,2)}</span><span
+class="cmtt-8">&nbsp;--</span><span
+class="cmtt-8">&nbsp;cycle;</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">ycomb</span><a
+ id="dx10-117009"></a><a
+ id="dx10-117010"></a> This option causes the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">plot</span></span></span> operation to interpret the plotting points differently. Instead of connecting
+ them, for each point of the plot a straight line is added to the path from the <span
+class="cmmi-10">x</span>-axis to the point, resulting in a
+ sort of &#8220;comb&#8221; or &#8220;bar diagram.&#8221;
+ <!--l. 1203--><p class="noindent"><div class="obeylines-v"></div><object data="pgfmanual-151.svg" width="288.52744pt" height="60.89592pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-151-" ><colgroup id="TBL-151-1g"><col
+id="TBL-151-1"></colgroup><tr
+ valign="baseline" id="TBL-151-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-151-1-1"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz\draw[ultra</span><span
+class="cmtt-8">&nbsp;thick]</span><span
+class="cmtt-8">&nbsp;plot[ycomb,thin,mark=*]</span><span
+class="cmtt-8">&nbsp;file{plots/pgfmanual-sine.table};</span></div> </td></tr></table> </td>
+</tr></table>
+ </div>
+ <!--l. 1207--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-152-" ><colgroup id="TBL-152-1g"><col
+id="TBL-152-1"><col
+id="TBL-152-2"></colgroup><tr
+ valign="baseline" id="TBL-152-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-152-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-152.svg" width="64.90549pt" height="41.98865pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-152-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\begin{tikzpicture}[ycomb]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red,line</span><span
+class="cmtt-8">&nbsp;width=6pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates{(0,1)</span><span
+class="cmtt-8">&nbsp;(.5,1.2)</span><span
+class="cmtt-8">&nbsp;(1,.6)</span><span
+class="cmtt-8">&nbsp;(1.5,.7)</span><span
+class="cmtt-8">&nbsp;(2,.9)};</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;\draw[color=red!50,line</span><span
+class="cmtt-8">&nbsp;width=4pt,xshift=3pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot</span><span
+class="cmtt-8">&nbsp;coordinates{(0,1.2)</span><span
+class="cmtt-8">&nbsp;(.5,1.3)</span><span
+class="cmtt-8">&nbsp;(1,.5)</span><span
+class="cmtt-8">&nbsp;(1.5,.2)</span><span
+class="cmtt-8">&nbsp;(2,.5)};</span>
+<br><span
+class="cmtt-8">\end{tikzpicture}</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">xcomb</span><a
+ id="dx10-117011"></a><a
+ id="dx10-117012"></a> This option works like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">ycomb</span></span></span> except that the bars are horizontal.
+
+
+ <!--l. 1219--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular"><table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-153-" ><colgroup id="TBL-153-1g"><col
+id="TBL-153-1"><col
+id="TBL-153-2"></colgroup><tr
+ valign="baseline" id="TBL-153-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-153-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-153.svg" width="30.06696pt" height="31.28117pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object> &nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-153-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot[xcomb,mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(1,0)</span><span
+class="cmtt-8">&nbsp;(0.8,0.2)</span><span
+class="cmtt-8">&nbsp;(0.6,0.4)</span><span
+class="cmtt-8">&nbsp;(0.2,1)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">polar comb</span><a
+ id="dx10-117013"></a><a
+ id="dx10-117014"></a> This option causes a line from the origin to the point to be added to the path for each plot
+ point.
+ <!--l. 1227--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-154-" ><colgroup id="TBL-154-1g"><col
+id="TBL-154-1"><col
+id="TBL-154-2"></colgroup><tr
+ valign="baseline" id="TBL-154-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-154-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-154.svg" width="64.03284pt" height="82.04958pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-154-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;plot[polar</span><span
+class="cmtt-8">&nbsp;comb,</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;mark=pentagon*,mark</span><span
+class="cmtt-8">&nbsp;options={fill=white,draw=red},mark</span><span
+class="cmtt-8">&nbsp;size=4pt]</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;coordinates</span><span
+class="cmtt-8">&nbsp;{(0:1cm)</span><span
+class="cmtt-8">&nbsp;(30:1.5cm)</span><span
+class="cmtt-8">&nbsp;(160:.5cm)</span><span
+class="cmtt-8">&nbsp;(250:2cm)</span><span
+class="cmtt-8">&nbsp;(-60:.8cm)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li>
+ <li class="itemize"><span
+class="cmtt-10">only marks</span><a
+ id="dx10-117015"></a><a
+ id="dx10-117016"></a> This option causes only marks to be shown; no path segments are added to the actual path. This
+ can be useful for quickly adding some marks to a path.
+ <!--l. 1239--><p class="noindent"><div class="obeylines-v"></div><!--tex4ht:inline--><div class="tabular">
+<table class="tabular"
+cellspacing="0" cellpadding="0"
+frame="void" id="TBL-155-" ><colgroup id="TBL-155-1g"><col
+id="TBL-155-1"><col
+id="TBL-155-2"></colgroup><tr
+ valign="baseline" id="TBL-155-1-"><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-155-1-1"
+class="td11"> &nbsp;<object data="pgfmanual-155.svg" width="88.18666pt" height="59.73392pt" type="image/svg+xml"><p>SVG-Viewer needed.</p></object>&nbsp; </td><td align="left" style="white-space:nowrap; text-align:left;" id="TBL-155-1-2"
+class="td11"> <table class="minipage"><tr><td><div class="obeylines-v">
+<br><span
+class="cmtt-8">\tikz</span><span
+class="cmtt-8">&nbsp;\draw</span><span
+class="cmtt-8">&nbsp;(0,0)</span><span
+class="cmtt-8">&nbsp;sin</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;cos</span><span
+class="cmtt-8">&nbsp;(2,0)</span>
+<br><span
+class="cmtt-8">&nbsp;</span><span
+class="cmtt-8">&nbsp;plot[only</span><span
+class="cmtt-8">&nbsp;marks,mark=x]</span><span
+class="cmtt-8">&nbsp;coordinates{(0,0)</span><span
+class="cmtt-8">&nbsp;(1,1)</span><span
+class="cmtt-8">&nbsp;(2,0)</span><span
+class="cmtt-8">&nbsp;(3,-1)};</span></div> </td></tr></table> </td>
+</tr></table></div>
+ </li></ul>
+<!--l. 1249--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.13 </span> <a
+ id="x10-1180009.13"></a>The Scoping Operation</h4>
+<!--l. 1251--><p class="noindent">When Ti<span
+class="cmti-10">k</span>Z&nbsp;encounters and opening or a closing brace (<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">{</span></span></span> or&nbsp;<span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">}</span></span></span>) at some point where a path operation should come,
+it will open or close a scope. All options that can be applied &#8220;locally&#8221; will be scoped inside the scope. For example,
+if you apply a transformation like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">[xshift=1cm]</span></span></span> inside the scoped area, the shifting only applies to the scope. On
+the other hand, an option like <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">color=red</span></span></span> does not have any effect inside a scope since it can only be applied to the
+path as a whole.
+<!--l. 1261--><p class="noindent">
+ <h4 class="subsectionHead"><span class="titlemark">9.14 </span> <a
+ id="x10-1190009.14"></a>The Node Operation</h4>
+<!--l. 1263--><p class="noindent">You can add nodes to a path using the <span class="obeylines-h"><span class="verb"><span
+class="cmtt-10">node</span></span></span> operation. Since this operation is quite complex and since
+the nodes are not really part of the path itself, there is a separate section dealing with nodes, see
+Section&nbsp;<a
+href="pgfmanualse11.html#x12-13600011">11<!--tex4ht:ref: section-nodes --></a>.
+
+
+
+
+
+
+ <div class="crosslinks"><p class="noindent">[<a
+href="pgfmanualse10.html" >next</a>] [<a
+href="pgfmanualse8.html" >prev</a>] [<a
+href="pgfmanualse8.html#tailpgfmanualse8.html" >prev-tail</a>] [<a
+href="pgfmanualse9.html" >front</a>] [<a
+href="pgfmanual.html#pgfmanualse9.html" >up</a>] </p></div>
+<!--l. 8--><p class="indent"> <a
+ id="tailpgfmanualse9.html"></a>
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/pgfmanual-tex4ht.cfg b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/pgfmanual-tex4ht.cfg
new file mode 100644
index 00000000000..02bf46fe90b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-tex4ht/pgfmanual-tex4ht.cfg
@@ -0,0 +1,122 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% Make sure to use tex4ht (or htlatex, to be precise) to compile this.
+
+\usepackage{tex4ht}
+\def\pgfsysdriver{pgfsys-tex4ht.def}
+
+\usepackage{xkeyval}
+\usepackage{colortbl}
+
+\let\originalsetkeys=\setkeys
+
+\makeatletter
+
+\AtBeginDocument{
+\let\setkeys=\originalsetkeys
+\CutAt{section,part}
+\definecolor{graphicbackground}{rgb}{0.96,0.96,0.8}
+\definecolor{codebackground}{rgb}{0.8,0.8,1}
+\definecolor{declarebg}{rgb}{1,0.8,0.8}
+\definecolor{gray}{gray}{.5}
+
+% Patches of macros...
+\renewenvironment{pgfmanualentry}{\begin{description}}{\end{description}}
+\renewcommand\pgfmanualentryheadline[1]{\item[\colorbox{declarebg}{\normalfont{#1}}]\par}
+\renewcommand\pgfmanualbody{}
+
+\def\endofcodeexample#1{%
+ \endgroup%
+ \ifcode@execute%
+ \setbox\codeexamplebox=\hbox{%
+ {%
+ {%
+ \returntospace%
+ \commenthandler%
+ \xdef\code@temp{#1}% removes returns and comments
+ }%
+ \color{black}\ignorespaces%
+ \expandafter\scantokens\expandafter{\code@temp\ignorespaces}\ignorespaces%
+ }%
+ }%
+ \ifdim\wd\codeexamplebox>\codeexamplewidth%
+ \box\codeexamplebox
+ \begin{tabular}{>{\columncolor{codebackground}}l}
+ \begin{minipage}{\textwidth}
+ {%
+ \let\do\@makeother
+ \dospecials
+ \frenchspacing\@vobeyspaces
+ \normalfont\ttfamily\footnotesize
+ \typesetcomment%
+ \@tempswafalse
+ \def\par{%
+ \if@tempswa
+ \leavevmode \null \@@par\penalty\interlinepenalty
+ \else
+ \@tempswatrue
+ \ifhmode\@@par\penalty\interlinepenalty\fi
+ \fi}%
+ \obeylines
+ \everypar \expandafter{\the\everypar \unpenalty}%
+ #1}
+ \end{minipage}
+ \end{tabular}%
+ \else
+ \begin{tabular}{>{\columncolor{graphicbackground}}l>{\columncolor{codebackground}}l}
+ \ \box\codeexamplebox\ \par &
+ \begin{minipage}[t]{\textwidth}
+ {\let\do\@makeother
+ \dospecials
+ \frenchspacing\@vobeyspaces
+ \normalfont\ttfamily\footnotesize
+ \typesetcomment%
+ \@tempswafalse
+ \def\par{%
+ \if@tempswa
+ \leavevmode \null \@@par\penalty\interlinepenalty
+ \else
+ \@tempswatrue
+ \ifhmode\@@par\penalty\interlinepenalty\fi
+ \fi}%
+ \obeylines
+ \everypar \expandafter{\the\everypar \unpenalty}%
+ #1}
+ \end{minipage}
+ \end{tabular}
+ \fi
+ \else%
+ \begin{tabular}{>{\columncolor{codebackground}}l}
+ \begin{minipage}[t]{\textwidth}
+ {%
+ \let\do\@makeother
+ \dospecials
+ \frenchspacing\@vobeyspaces
+ \normalfont\ttfamily\footnotesize
+ \typesetcomment%
+ \@tempswafalse
+ \def\par{%
+ \if@tempswa
+ \leavevmode \null \@@par\penalty\interlinepenalty
+ \else
+ \@tempswatrue
+ \ifhmode\@@par\penalty\interlinepenalty\fi
+ \fi}%
+ \obeylines
+ \everypar \expandafter{\the\everypar \unpenalty}%
+ #1}
+ \end{minipage}
+ \end{tabular}%
+ \fi%
+ \par%
+ \end{codeexample}
+}
+}
+
+
+
+\makeatother
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/Makefile b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/Makefile
new file mode 100644
index 00000000000..7fdb891cba0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/Makefile
@@ -0,0 +1,18 @@
+rerun = "(There were undefined references|Rerun to get (cross-references|the bars) right)"
+doc = pgfmanual
+latex = vlatex
+
+all: $(doc).ps
+
+pgfmanual.idx:
+ touch pgfmanual.idx
+
+pgfmanual.ind: pgfmanual.idx
+ makeindex $(doc).idx
+
+pgfmanual.ps: $(doc).tex $(doc).ind
+ $(latex) $(doc).tex
+ (egrep -q $(rerun) $(doc).log && $(latex) $(doc).tex) || true
+
+clean:
+ rm -f *.aux *.log *.bbl *.blg *.ps *.dvi *.pdf *.toc *.out *.snm
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/pgfmanual.tex b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/pgfmanual.tex
new file mode 100644
index 00000000000..746ed93a170
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/pgfmanual.tex
@@ -0,0 +1,13 @@
+\documentclass[a4paper]{ltxdoc}
+
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+% pgf version is defined in \pgfversion in file
+% generic/pgf/utilities/pgfrcs.code.tex
+
+\input{../pgfmanual-vtex.cfg}
+\input{../../text-en/pgfmanual-en-main.tex}
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.gnuplot
new file mode 100644
index 00000000000..4c854afda9f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-asymptotic-example.table"; set format "%.5f"
+set samples 200; set parametric; plot [t=0.4:1.5] (t*t*t)*sin(1/(t*t*t)),(t*t*t)*cos(1/(t*t*t))
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.table
new file mode 100644
index 00000000000..173ab5e9c77
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-asymptotic-example.table
@@ -0,0 +1,204 @@
+#Curve 0, 200 points
+#x y type
+0.00530 -0.06378 i
+0.04363 -0.05043 i
+0.06711 -0.01790 i
+0.06896 0.02170 i
+0.05014 0.05606 i
+0.01712 0.07631 i
+-0.02110 0.07849 i
+-0.05579 0.06337 i
+-0.08032 0.03512 i
+-0.09097 -0.00029 i
+-0.08696 -0.03664 i
+-0.06987 -0.06850 i
+-0.04284 -0.09192 i
+-0.00982 -0.10460 i
+0.02515 -0.10585 i
+0.05841 -0.09629 i
+0.08703 -0.07749 i
+0.10892 -0.05162 i
+0.12282 -0.02111 i
+0.12828 0.01163 i
+0.12547 0.04436 i
+0.11507 0.07518 i
+0.09810 0.10255 i
+0.07579 0.12534 i
+0.04948 0.14280 i
+0.02048 0.15454 i
+-0.00995 0.16043 i
+-0.04065 0.16063 i
+-0.07063 0.15545 i
+-0.09905 0.14536 i
+-0.12521 0.13092 i
+-0.14860 0.11273 i
+-0.16882 0.09143 i
+-0.18562 0.06764 i
+-0.19885 0.04197 i
+-0.20848 0.01500 i
+-0.21454 -0.01276 i
+-0.21712 -0.04083 i
+-0.21637 -0.06879 i
+-0.21247 -0.09627 i
+-0.20565 -0.12295 i
+-0.19613 -0.14858 i
+-0.18415 -0.17294 i
+-0.16996 -0.19585 i
+-0.15379 -0.21718 i
+-0.13589 -0.23682 i
+-0.11647 -0.25471 i
+-0.09576 -0.27080 i
+-0.07396 -0.28508 i
+-0.05126 -0.29753 i
+-0.02783 -0.30819 i
+-0.00384 -0.31707 i
+0.02057 -0.32421 i
+0.04526 -0.32967 i
+0.07011 -0.33350 i
+0.09502 -0.33576 i
+0.11989 -0.33651 i
+0.14463 -0.33582 i
+0.16917 -0.33376 i
+0.19345 -0.33040 i
+0.21741 -0.32580 i
+0.24100 -0.32003 i
+0.26418 -0.31315 i
+0.28691 -0.30524 i
+0.30918 -0.29634 i
+0.33096 -0.28653 i
+0.35222 -0.27585 i
+0.37297 -0.26437 i
+0.39318 -0.25213 i
+0.41285 -0.23918 i
+0.43197 -0.22557 i
+0.45056 -0.21134 i
+0.46860 -0.19654 i
+0.48611 -0.18119 i
+0.50309 -0.16535 i
+0.51954 -0.14904 i
+0.53547 -0.13229 i
+0.55090 -0.11514 i
+0.56582 -0.09761 i
+0.58026 -0.07972 i
+0.59422 -0.06150 i
+0.60772 -0.04298 i
+0.62076 -0.02416 i
+0.63336 -0.00508 i
+0.64554 0.01425 i
+0.65729 0.03382 i
+0.66864 0.05361 i
+0.67960 0.07361 i
+0.69018 0.09381 i
+0.70039 0.11420 i
+0.71024 0.13475 i
+0.71975 0.15548 i
+0.72892 0.17636 i
+0.73778 0.19739 i
+0.74632 0.21857 i
+0.75456 0.23989 i
+0.76251 0.26134 i
+0.77018 0.28291 i
+0.77759 0.30461 i
+0.78473 0.32643 i
+0.79162 0.34837 i
+0.79826 0.37042 i
+0.80468 0.39258 i
+0.81087 0.41485 i
+0.81684 0.43723 i
+0.82261 0.45972 i
+0.82817 0.48232 i
+0.83354 0.50502 i
+0.83872 0.52782 i
+0.84372 0.55073 i
+0.84855 0.57374 i
+0.85321 0.59686 i
+0.85772 0.62009 i
+0.86206 0.64342 i
+0.86626 0.66685 i
+0.87032 0.69040 i
+0.87423 0.71405 i
+0.87801 0.73781 i
+0.88167 0.76169 i
+0.88520 0.78567 i
+0.88861 0.80977 i
+0.89191 0.83398 i
+0.89510 0.85831 i
+0.89818 0.88276 i
+0.90115 0.90733 i
+0.90403 0.93202 i
+0.90682 0.95683 i
+0.90951 0.98177 i
+0.91211 1.00683 i
+0.91463 1.03202 i
+0.91707 1.05735 i
+0.91942 1.08280 i
+0.92171 1.10839 i
+0.92391 1.13411 i
+0.92605 1.15998 i
+0.92812 1.18598 i
+0.93012 1.21213 i
+0.93205 1.23842 i
+0.93393 1.26485 i
+0.93575 1.29143 i
+0.93751 1.31817 i
+0.93921 1.34505 i
+0.94086 1.37209 i
+0.94246 1.39929 i
+0.94401 1.42664 i
+0.94552 1.45415 i
+0.94697 1.48183 i
+0.94838 1.50967 i
+0.94975 1.53767 i
+0.95108 1.56584 i
+0.95236 1.59418 i
+0.95361 1.62270 i
+0.95482 1.65138 i
+0.95600 1.68025 i
+0.95713 1.70928 i
+0.95824 1.73850 i
+0.95931 1.76790 i
+0.96035 1.79748 i
+0.96136 1.82725 i
+0.96234 1.85720 i
+0.96329 1.88735 i
+0.96422 1.91768 i
+0.96511 1.94820 i
+0.96598 1.97892 i
+0.96683 2.00983 i
+0.96765 2.04094 i
+0.96845 2.07225 i
+0.96922 2.10376 i
+0.96998 2.13547 i
+0.97071 2.16739 i
+0.97142 2.19952 i
+0.97211 2.23185 i
+0.97278 2.26439 i
+0.97344 2.29714 i
+0.97407 2.33010 i
+0.97469 2.36328 i
+0.97529 2.39667 i
+0.97588 2.43028 i
+0.97644 2.46411 i
+0.97700 2.49817 i
+0.97754 2.53244 i
+0.97806 2.56694 i
+0.97857 2.60166 i
+0.97906 2.63661 i
+0.97955 2.67179 i
+0.98001 2.70720 i
+0.98047 2.74284 i
+0.98092 2.77871 i
+0.98135 2.81482 i
+0.98177 2.85117 i
+0.98218 2.88775 i
+0.98258 2.92457 i
+0.98297 2.96163 i
+0.98335 2.99894 i
+0.98372 3.03649 i
+0.98408 3.07428 i
+0.98443 3.11232 i
+0.98477 3.15061 i
+0.98511 3.18914 i
+0.98543 3.22793 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.gnuplot
new file mode 100644
index 00000000000..1d34e313af8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-exp.table"; set format "%.5f"
+set samples 25; plot [x=0:4] 0.05*exp(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.table
new file mode 100644
index 00000000000..8e728570397
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-exp.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.05000 i
+0.16667 0.05907 i
+0.33333 0.06978 i
+0.50000 0.08244 i
+0.66667 0.09739 i
+0.83333 0.11505 i
+1.00000 0.13591 i
+1.16667 0.16056 i
+1.33333 0.18968 i
+1.50000 0.22408 i
+1.66667 0.26472 i
+1.83333 0.31274 i
+2.00000 0.36945 i
+2.16667 0.43646 i
+2.33333 0.51561 i
+2.50000 0.60912 i
+2.66667 0.71960 i
+2.83333 0.85010 i
+3.00000 1.00428 i
+3.16667 1.18641 i
+3.33333 1.40158 i
+3.50000 1.65577 i
+3.66667 1.95606 i
+3.83333 2.31082 i
+4.00000 2.72991 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.gnuplot
new file mode 100644
index 00000000000..e1c3f3b52f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-parametric-example.table"; set format "%.5f"
+set samples 25; set parametric; plot [t=-3.141:3.141] t*sin(t),t*cos(t)
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.table
new file mode 100644
index 00000000000..de0c383ddde
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-parametric-example.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00186 3.14100 i
+0.74672 2.78074 i
+1.30987 2.26617 i
+1.66651 1.66503 i
+1.81387 1.04628 i
+1.76998 0.47361 i
+1.57050 -0.00047 i
+1.26407 -0.33904 i
+0.90663 -0.52368 i
+0.55517 -0.55534 i
+0.26171 -0.45339 i
+0.06773 -0.25283 i
+0.00000 -0.00000 i
+0.06773 0.25283 i
+0.26171 0.45339 i
+0.55517 0.55534 i
+0.90663 0.52368 i
+1.26407 0.33904 i
+1.57050 0.00047 i
+1.76998 -0.47361 i
+1.81387 -1.04628 i
+1.66651 -1.66503 i
+1.30987 -2.26617 i
+0.74672 -2.78074 i
+0.00186 -3.14100 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.gnuplot
new file mode 100644
index 00000000000..884d534bf4a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-sin.table"; set format "%.5f"
+set samples 25; plot [x=0:4] sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.table
new file mode 100644
index 00000000000..9ab8f2c8d56
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-sin.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.00000 i
+0.16667 0.16590 i
+0.33333 0.32719 i
+0.50000 0.47943 i
+0.66667 0.61837 i
+0.83333 0.74018 i
+1.00000 0.84147 i
+1.16667 0.91944 i
+1.33333 0.97194 i
+1.50000 0.99749 i
+1.66667 0.99541 i
+1.83333 0.96573 i
+2.00000 0.90930 i
+2.16667 0.82766 i
+2.33333 0.72309 i
+2.50000 0.59847 i
+2.66667 0.45727 i
+2.83333 0.30340 i
+3.00000 0.14112 i
+3.16667 -0.02507 i
+3.33333 -0.19057 i
+3.50000 -0.35078 i
+3.66667 -0.50128 i
+3.83333 -0.63788 i
+4.00000 -0.75680 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.gnuplot
new file mode 100644
index 00000000000..bb95994cd89
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgf-x.table"; set format "%.5f"
+set samples 25; plot [x=0:4] x
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.table
new file mode 100644
index 00000000000..329b9fa56b5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgf-x.table
@@ -0,0 +1,29 @@
+#Curve 0, 25 points
+#x y type
+0.00000 0.00000 i
+0.16667 0.16667 i
+0.33333 0.33333 i
+0.50000 0.50000 i
+0.66667 0.66667 i
+0.83333 0.83333 i
+1.00000 1.00000 i
+1.16667 1.16667 i
+1.33333 1.33333 i
+1.50000 1.50000 i
+1.66667 1.66667 i
+1.83333 1.83333 i
+2.00000 2.00000 i
+2.16667 2.16667 i
+2.33333 2.33333 i
+2.50000 2.50000 i
+2.66667 2.66667 i
+2.83333 2.83333 i
+3.00000 3.00000 i
+3.16667 3.16667 i
+3.33333 3.33333 i
+3.50000 3.50000 i
+3.66667 3.66667 i
+3.83333 3.83333 i
+4.00000 4.00000 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.gnuplot
new file mode 100644
index 00000000000..8e3f24b9172
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.gnuplot
@@ -0,0 +1,5 @@
+set terminal table
+set output "pgfmanual-sine.table"
+set format "%.5f"
+set samples 20
+plot [x=0:10] sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.table
new file mode 100644
index 00000000000..9d5d248a561
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfmanual-sine.table
@@ -0,0 +1,24 @@
+#Curve 0, 20 points
+#x y type
+0.00000 0.00000 i
+0.52632 0.50235 i
+1.05263 0.86873 i
+1.57895 0.99997 i
+2.10526 0.86054 i
+2.63158 0.48819 i
+3.15789 -0.01630 i
+3.68421 -0.51638 i
+4.21053 -0.87669 i
+4.73684 -0.99970 i
+5.26316 -0.85212 i
+5.78947 -0.47390 i
+6.31579 0.03260 i
+6.84211 0.53027 i
+7.36842 0.88441 i
+7.89474 0.99917 i
+8.42105 0.84348 i
+8.94737 0.45948 i
+9.47368 -0.04889 i
+10.00000 -0.54402 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.gnuplot b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.gnuplot
new file mode 100644
index 00000000000..3bd81ae92d1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.gnuplot
@@ -0,0 +1,2 @@
+set terminal table; set output "plots/pgfplotgnuplot-example.table"; set format "%.5f"
+plot [x=0:3.5] x*sin(x)
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.table b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.table
new file mode 100644
index 00000000000..a4e517898a8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/en/plots/pgfplotgnuplot-example.table
@@ -0,0 +1,104 @@
+#Curve 0, 100 points
+#x y type
+0.00000 0.00000 i
+0.03535 0.00125 i
+0.07071 0.00500 i
+0.10606 0.01123 i
+0.14141 0.01993 i
+0.17677 0.03108 i
+0.21212 0.04466 i
+0.24747 0.06062 i
+0.28283 0.07893 i
+0.31818 0.09954 i
+0.35354 0.12240 i
+0.38889 0.14745 i
+0.42424 0.17463 i
+0.45960 0.20387 i
+0.49495 0.23509 i
+0.53030 0.26822 i
+0.56566 0.30318 i
+0.60101 0.33986 i
+0.63636 0.37817 i
+0.67172 0.41803 i
+0.70707 0.45932 i
+0.74242 0.50194 i
+0.77778 0.54577 i
+0.81313 0.59069 i
+0.84848 0.63660 i
+0.88384 0.68337 i
+0.91919 0.73086 i
+0.95455 0.77896 i
+0.98990 0.82753 i
+1.02525 0.87643 i
+1.06061 0.92554 i
+1.09596 0.97471 i
+1.13131 1.02381 i
+1.16667 1.07269 i
+1.20202 1.12121 i
+1.23737 1.16923 i
+1.27273 1.21661 i
+1.30808 1.26320 i
+1.34343 1.30886 i
+1.37879 1.35345 i
+1.41414 1.39682 i
+1.44949 1.43884 i
+1.48485 1.47937 i
+1.52020 1.51826 i
+1.55556 1.55537 i
+1.59091 1.59059 i
+1.62626 1.62376 i
+1.66162 1.65477 i
+1.69697 1.68348 i
+1.73232 1.70977 i
+1.76768 1.73353 i
+1.80303 1.75463 i
+1.83838 1.77296 i
+1.87374 1.78841 i
+1.90909 1.80089 i
+1.94444 1.81028 i
+1.97980 1.81650 i
+2.01515 1.81946 i
+2.05051 1.81906 i
+2.08586 1.81524 i
+2.12121 1.80792 i
+2.15657 1.79704 i
+2.19192 1.78252 i
+2.22727 1.76433 i
+2.26263 1.74240 i
+2.29798 1.71671 i
+2.33333 1.68720 i
+2.36869 1.65386 i
+2.40404 1.61667 i
+2.43939 1.57560 i
+2.47475 1.53066 i
+2.51010 1.48184 i
+2.54545 1.42915 i
+2.58081 1.37260 i
+2.61616 1.31223 i
+2.65152 1.24805 i
+2.68687 1.18011 i
+2.72222 1.10845 i
+2.75758 1.03312 i
+2.79293 0.95418 i
+2.82828 0.87170 i
+2.86364 0.78576 i
+2.89899 0.69642 i
+2.93434 0.60380 i
+2.96970 0.50797 i
+3.00505 0.40904 i
+3.04040 0.30713 i
+3.07576 0.20235 i
+3.11111 0.09482 i
+3.14646 -0.01533 i
+3.18182 -0.12796 i
+3.21717 -0.24292 i
+3.25253 -0.36007 i
+3.28788 -0.47926 i
+3.32323 -0.60032 i
+3.35859 -0.72308 i
+3.39394 -0.84739 i
+3.42929 -0.97305 i
+3.46465 -1.09990 i
+3.50000 -1.22774 i
+
+
diff --git a/Master/texmf-dist/doc/generic/pgf/version-for-vtex/pgfmanual-vtex.cfg b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/pgfmanual-vtex.cfg
new file mode 100644
index 00000000000..0008952aa18
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pgf/version-for-vtex/pgfmanual-vtex.cfg
@@ -0,0 +1,13 @@
+% Copyright 2005 by Till Tantau <tantau@cs.tu-berlin.de>.
+%
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt.
+
+\usepackage[vtex]{graphics}
+\usepackage{hyperref}
+
+\let\command=\undefined
+\let\endcommand=\undefined
+
+% Just make sure that you compile this using elatex + dvips
diff --git a/Master/texmf-dist/doc/generic/pictex/00index b/Master/texmf-dist/doc/generic/pictex/00index
new file mode 100644
index 00000000000..81b80d1a414
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pictex/00index
@@ -0,0 +1,16 @@
+PICTEX.STY
+ Style zum Einladen von PiCTeX als LaTeX-option oder LaTeX-Package.
+ Incl. Einladen von PICCORR.STY und PICMORE.STY, falls vorhanden.
+
+PICCORR.STY
+ Korrektur zu PiCTeXs \betweenarrows-Befehl
+
+PICMORE.STY
+ Erweiterung zu PiCTeX f"ur Impulsdiagramme
+
+PICTEXWD.TEX
+ Gepatchtes PICTEX.TEX, das weniger Dimensionsregister benutzt.
+ Fehlermeldungen an Andreas.Schrell@RS.maus.de
+
+PICTEXWD.STY
+ Wie PICTEX.STY, aber es wird PICTEXWD.TEX eingeladen.
diff --git a/Master/texmf-dist/doc/generic/pictex/pictexzusatz.txt b/Master/texmf-dist/doc/generic/pictex/pictexzusatz.txt
new file mode 100644
index 00000000000..8aaa54b2e77
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pictex/pictexzusatz.txt
@@ -0,0 +1,16 @@
+PICTEX.STY
+ Style zum Einladen von PiCTeX als LaTeX-option oder LaTeX-Package.
+ Incl. Einladen von PICCORR.STY und PICMORE.STY, falls vorhanden.
+
+PICCORR.STY
+ Korrektur zu PiCTeXs \betweenarrows-Befehl
+
+PICMORE.STY
+ Erweiterung zu PiCTeX f"ur Impulsdiagramme
+
+PICTEXWD.TEX
+ Gepatchtes PICTEX.TEX, das weniger Dimensionsregister benutzt.
+ Fehlermeldungen an Andreas.Schrell@RS.maus.de
+
+PICTEXWD.STY
+ Wie PICTEX.STY, aber es wird PICTEXWD.TEX eingeladen.
diff --git a/Master/texmf-dist/doc/generic/pictex/readme b/Master/texmf-dist/doc/generic/pictex/readme
new file mode 100644
index 00000000000..b9679f5f6f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pictex/readme
@@ -0,0 +1,7 @@
+NOTE. There is a detailed manual for PiCtex available from
+ Michael Wichura
+ Department of Statistics
+ University of Chicago.
+
+ (312) 702-8329
+ Wichura@Galton.Uchicago.EDU
diff --git a/Master/texmf-dist/doc/generic/pictex/readme.errorbars b/Master/texmf-dist/doc/generic/pictex/readme.errorbars
new file mode 100644
index 00000000000..a415f3349ef
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pictex/readme.errorbars
@@ -0,0 +1,33 @@
+
+Date: Wed, 29 Jun 88 09:50:04 cdt
+Subject: PiCTeX macros
+From: grunwald@m.cs.uiuc.edu (Dirk Grunwald)
+
+In TeXHaX V88 #59, David Huenemoerder asks about macros to plot error bars
+in PiCTeX.
+
+Attached, find two macros files. The file, errorbars.tex implements plots
+with and without error bars. Each point in the plot is ``marked'', e.g.
+with a $\bullet$, or whatever.
+
+The second file, ``pointers.tex'', contains macros useful for pointing
+at things in a PiCTeX graph. E.g., if you've got data like:
+
+\put {\pointLeft{\Full}} [l] at 0.520833 42.4616
+\plot
+0 6.
+0.0416667 6.36401
+ ....
+0.520833 42.4616
+/
+
+you'll get an arrow pointing left with the tip of the arrow at the endpoint
+of your data plot.
+
+The PiCTeX manual can be ordered for $15 from:
+ Michael J. Wichura
+ Department of Statistics
+ University of Chicago
+ 5734 University Avenue
+ Chicago, IL. 60637-4931
+
diff --git a/Master/texmf-dist/doc/generic/psfig/README b/Master/texmf-dist/doc/generic/psfig/README
new file mode 100644
index 00000000000..a847dad6e84
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/README
@@ -0,0 +1,88 @@
+psfig/tex -- TeX macros for the inclusion of postscript figures
+
+==================================================================
+
+COPYRIGHT NOTICE
+
+All software, documentation, and related files in this distribution of
+psfig/tex are Copyright 1993 Trevor J. Darrell
+
+Permission is granted for use and non-profit distribution of psfig/tex
+providing that this notice be clearly maintained, but the right to
+distribute any portion of psfig/tex for profit or as part of any commercial
+product is specifically reserved for the author.
+
+Thanks to Ned Batchelder, Greg Hager, J. Daniel Smith, Tom Rokicki,
+Robert Russell, George V. Reilly, Ken McGlothlen, Dr. Baron Grey,
+Gerhard Tobermann and all others who have contributed code and
+comments to this project!
+
+==================================================================
+
+NEW IN VERSION 1.10
+
+- Support for OzTeX (derived from Baron Grey's OzTeX version of psfig)
+
+- New searching path algorithm (from Gerhard Tobermann); looks in
+ multiple directories; looks for file.ps before file.ps.bb...
+
+- Many small bug fixes (underscore in draft mode, angle/clip interaction)
+
+- Improved documentation and man page
+
+==================================================================
+
+SYSTEM REQUIREMENTS
+
+Psfig/tex uses \special calls to manipulate the PostScript environment
+within a document, and include figure files. To use psfig, you must
+therefore be using a postscript device for your output. This version
+of psfig/tex works with the unix "dvips" PostScript driver, which is
+available from labrea.stanford.edu, and with OzTeX.
+
+It may also work with the ArborText "dvips" driver, and with the
+"dvi2ps" written by Tony Li <tli@sargar.usc.edy>; see the
+"unsupported" directory.
+
+==================================================================
+
+INSTALLATION
+
+To install psfig, simply copy psfig.sty into a directory on your TeX
+include path (e.g. /usr/lib/tex/macros).
+
+If you are using OzTeX, change the driver line at the top of
+the psfig.sty file to read
+ \def\setDriver{\OzTeXDriver}
+instead of
+ \def\setDriver{\DvipsDriver}
+
+
+A users guide and manual page can be found in the "doc" directory.
+
+For tips on dealing with Macintosh postscript, see the directory
+"unsupported/macdemo/README".
+
+==================================================================
+
+BUGS
+
+If you use the letter style, make sure you include the psfig style
+first.
+
+If you have an old version of dvips, you may need to make a patch to
+use the compressed figure option, and to handle magnification
+correctly. The files "unsupported/dospecial.[patch,frag]" contain a
+patch and a corresponding code fragment for dvips' dospecial.c file.
+To apply the patch copy dospecial.patch into your dvips directory and
+run "patch < dospecial.patch", and then recompile. "dospcial.frag"
+contains the modified portion of the code as it should appear in the
+patched file. To use magnification with psfig and dvips, you need to
+change the line
+ /magscale false def
+in special.pro to
+ /magscale true def
+in order to have the figures scaled correctly.
+
+
+
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/box.ps b/Master/texmf-dist/doc/generic/psfig/figs/box.ps
new file mode 100644
index 00000000000..ca6807a1384
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/box.ps
@@ -0,0 +1,11 @@
+%!
+%%BoundingBox: 0 0 1 1
+newpath
+0 0 moveto
+1 0 lineto
+1 1 lineto
+0 1 lineto
+closepath
+.8 setgray
+fill
+
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/cm.ps b/Master/texmf-dist/doc/generic/psfig/figs/cm.ps
new file mode 100644
index 00000000000..93b94b0a3bb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/cm.ps
@@ -0,0 +1,26 @@
+%!
+%%BoundingBox: 27.47 27.47 172.52 172.52
+
+100 100 translate
+newpath
+ 0 0 moveto
+ 0 0 72 0 90 arc
+ closepath
+ fill
+
+ 0 0 moveto
+ 0 0 72 90 180 arc
+ closepath
+ stroke
+
+ 0 0 moveto
+ 0 0 72 180 270 arc
+ closepath
+ fill
+
+ 0 0 moveto
+ 0 0 72 270 360 arc
+ closepath
+ stroke
+
+showpage
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/piechart.ps b/Master/texmf-dist/doc/generic/psfig/figs/piechart.ps
new file mode 100644
index 00000000000..164583e8d87
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/piechart.ps
@@ -0,0 +1,154 @@
+%!
+%%BoundingBox: 126 246 486 546
+% Cookbook Example Program from First Printing, Revised 7 Jan 1985
+% Program: Drawing a Pie Chart Number: 18
+%-----------------------------------------------------------------------------
+%
+/PieDict 24 dict def % Local storage for
+ % ``DrawPieChart'' and its related
+ % procedures.
+PieDict begin
+ /DrawSlice % DrawSlice draws an outlined and
+ { /grayshade exch def % filled-in pie slice. It takes
+ /endangle exch def % four operands: the label for
+ /startangle exch def % this particular pie slice, the
+ /thelabel exch def % starting angle for the slice,
+ % the ending angle for the slice
+ % and the shade of gray the slice
+ % should be.
+
+ newpath % Create a path which will draw a
+ % pie slice.
+ 0 0 moveto
+ 0 0 radius startangle endangle arc
+ closepath
+
+ 1.415 setmiterlimit % This guarantees that when we
+ % outline the pie slices with a
+ % stroke that we will not get a
+ % spike on the interior angles.
+ gsave grayshade setgray fill grestore % Fill the pie slice path with the
+ stroke % appropriate gray color. By using
+ % gsave and grestore we don't lose
+ % the current path. Since
+ % PostScript paints color onto the
+ % page, it is very important that
+ % we fill the pie slice first and
+ % then outline it with a stroke.
+ gsave % Draw the tick mark and place the
+ % label:
+ startangle endangle add 2 div % Find the center of the pie slice
+ rotate % and rotate so that the x-axis
+ % coincides with this center.
+ radius 0 translate % Translate the origin out to the
+ % circumference.
+ newpath
+ 0 0 moveto labelps .8 mul 0 lineto% Draw the tick-mark.
+ stroke
+ labelps 0 translate % Move the origin out a little
+ % beyond the circumference.
+ 0 0 transform % Next we wish to place the label
+ grestore % at the current origin. If we
+ itransform % simply draw the text on the page
+ /y exch def /x exch def % now, it would come out rotated.
+ x y moveto % Since this is not desired we
+ % avoid it by returning to the
+ % previous unrotated coordinate
+ % system. Before returning,
+ % though, we would like to
+ x 0 lt % remember the position of the
+ { thelabel stringwidth pop neg % current origin on the printed
+ 0 rmoveto % page. We will accomplish this by
+ } if % using the transform and
+ % itransform operators. Performing
+ % a transform on the origin pushes
+ % the coordinates of the origin in
+ % device space onto the operand
+ % stack. Performing a grestore
+ % returns us to the previous
+ % unrotated coordinate system.
+ % Next we perform an itransform on
+ % the two device coordinates left
+ % on the stack to determine where
+ % we are in the current coordinate
+ % system.
+ y 0 lt { 0 labelps neg rmoveto } if % Make some adjustments so that
+ thelabel show % the label text won't collide
+ } def % with the pie slice.
+ /findgray % Procedure findgray calculates
+ { /i exch def /n exch def % the gray value for a slice. It
+ i 2 mod 0 eq % takes two arguments: the total
+ { i 2 div n 2 div round add n div } % number of slices and the current
+ { i 1 add 2 div n div } % slice number (Given that there
+ ifelse % are n pie slices, the slices are
+ } def % ``numbered'' from 1 to n). The
+end % gray values for the pie slices
+ % range evenly from white to black
+ % (i.e. - the values provided to
+ % setgray range from (n/n, n-1/n,
+ % ..., 1/n)). Since we don't want
+ % similar values of gray next to
+ % each other, findgray
+ % ``shuffles'' the possible
+ % combinations of gray.
+
+/DrawPieChart % DrawPieChart takes seven
+ { PieDict begin % arguments: the title of the pie
+ /radius exch def % chart, the point size to print
+ /ycenter exch def /xcenter exch def % the title in, the point size to
+ /PieArray exch def % print the labels for each slice
+ /labelps exch def /titleps exch def % in, a special array (described
+ /title exch def % below where DrawPieChart is
+ % called), the (x,y) center of the
+ % pie chart and the radius of the
+ % pie chart.
+
+ gsave
+ xcenter ycenter translate % Translate the coordinate system
+ % origin to center of pie chart.
+ /Helvetica findfont titleps % Print the title of the pie chart
+ scalefont setfont % in Helvetica.
+ title stringwidth pop 2 div neg % Center the title below the pie
+ % chart.
+ radius neg titleps 3 mul sub
+ moveto title show
+ /Helvetica findfont labelps % Print the individual pie slice
+ scalefont setfont % labels in Helvetica
+ /numslices PieArray length def
+ /slicecnt 0 def
+ /curangle 0 def % A ``loop'' variable that keeps
+ % track of the angle of arc to
+ % begin each pie slice at.
+ PieArray % Repeat the following for each
+ % element in the PieArray.
+ { /slicearray exch def
+ slicearray aload pop % Push the label and percentage
+ % onto the stack.
+ /percent exch def
+ /label exch def
+ /perangle percent 360 mul def % Convert the percentage into
+ % degrees of angle.
+ /slicecnt slicecnt 1 add def
+ label curangle
+ curangle perangle add
+ numslices slicecnt findgray
+ DrawSlice
+ /curangle curangle perangle add % Update the current starting
+ % angle.
+ def
+ } forall
+ grestore
+ end
+ } def
+
+() 18 9
+ [ [(Blueberry) .12 ] % The pie array is an array of
+ [(Cherry) .30 ] % arrays. Each array in the pie
+ [(Apple) .26 ] % array contains a string denoting
+ [(Boston Cream) .16 ] % the label to be printed next to
+ [(Other) .04 ] % the pie slice followed by a real
+ [(Vanilla Cream) .12 ] % number indicating the percentage
+ ] 306 396 100 DrawPieChart % of the pie represented by this
+ % particular slice.
+showpage
+
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/pretzel.ps b/Master/texmf-dist/doc/generic/psfig/figs/pretzel.ps
new file mode 100644
index 00000000000..e6bbf413b34
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/pretzel.ps
@@ -0,0 +1,14 @@
+%! pretzel.ps -- an example for the psfig paper.
+%%BoundingBox: 95 100 185 200
+
+5 setlinewidth
+1 setlinecap
+110 100 moveto
+120 120 140 160 160 160 curveto
+170 160 180 150 180 140 curveto
+180 120 160 100 140 100 curveto
+120 100 100 120 100 140 curveto
+100 150 110 160 120 160 curveto
+140 160 160 120 170 100 curveto
+stroke
+showpage
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/rosette.ps b/Master/texmf-dist/doc/generic/psfig/figs/rosette.ps
new file mode 100644
index 00000000000..2ab4424b556
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/rosette.ps
@@ -0,0 +1,76 @@
+%!
+%%BoundingBox: 124.38 124.38 487.61 487.61
+% Cookbook Example Program from First Printing, Revised 7 Jan 1985
+% Program: Repeated Shapes Number: 6
+%-----------------------------------------------------------------------------
+%
+ % This program prints a rosette
+ % design by defining a section of
+ % that design and printing that
+ % section repeatedly. This program
+ % illustrates the ``for'' and
+ % "arc" operators, and it shows
+ % how coordinate transformations
+ % can be nested so as to use the
+ % most convenient coordinate
+ % system for each part of a
+ % design.
+/inch {72 mul} def
+
+/wedge % Define an ``ice cream cone''
+ { newpath % shape by means of the ``arc''
+ 0 0 moveto % operator. This shape will have a
+ 1 0 translate % 30 degree angle topped off with
+ 15 rotate % a semicircle. Set the path's
+ 0 15 sin translate % first point at the current
+ 0 0 15 sin -90 90 arc % origin. Next, move the origin to
+ closepath % the center of the semicircle by
+ } def % translating to the right 1 unit,
+ % rotating counter-clockwise by 15
+ % degrees, and translating ``up''
+ % in the rotated system by the
+ % radius of the semicircle. The
+ % ``arc'' operator includes a
+ % straight line to the initial
+ % point of the arc and a curved
+ % section to the end of the arc.
+ % Note that the semicircle goes
+ % from -90 degrees to 90 degrees
+ % in the rotated coordinate
+ % system.
+
+gsave
+ 4.25 inch 4.25 inch translate % Move into position for the
+ % rosette.
+ 1.75 inch 1.75 inch scale % Make the edges of the rosette 1
+ % 3/4 inches long.
+ 0.02 setlinewidth % Use a 7/200 inch thick line.
+ 2 1 13 % Set up the ``for'' operator to
+ % iterate 12 times, pushing 2 onto
+ % the stack the first time, 3 the
+ % next time, ... , and 13 the last
+ % time.
+ { % The last argument for ``for'' is
+ % the sequence of operations to be
+ % repeated. This sequence must be
+ % enclosed by braces.
+ 13 div setgray % Divide the loop index by 13 to
+ % set a gray value.
+ gsave % Enclose the ``wedge'' operation
+ wedge % in a ``gsave''-``grestore''
+ % pair, as it will mess up the
+ % coordinate system.
+ gsave % Save the wedge path for use
+ % after the ``fill''.
+ fill
+ grestore
+ 0 setgray stroke % Draw a black border around the
+ % wedge.
+ grestore % Get out of the coordinate system
+ % left by wedge.
+ 30 rotate % Set up for the next section.
+ } for % Close the last argument and
+ % execute the ``for'' operator.
+grestore
+showpage
+
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/starlines.ps b/Master/texmf-dist/doc/generic/psfig/figs/starlines.ps
new file mode 100644
index 00000000000..a7cf877ea60
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/starlines.ps
@@ -0,0 +1,40 @@
+%!
+%%BoundingBox: 300 400 410 420
+/Times-Roman findfont
+30 scalefont setfont
+newpath
+300 400 translate
+.25 setlinewidth
+0 0 moveto
+(StarLines) true charpath clip
+
+/rays {
+ 0 1.5 179
+ { gsave
+ rotate
+ 0 0 moveto
+ 108 0 lineto
+ stroke
+ grestore
+ } for
+} def
+
+
+newpath
+54 -15 translate
+rays
+showpage
+
+
+
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
diff --git a/Master/texmf-dist/doc/generic/psfig/figs/trevor.ps b/Master/texmf-dist/doc/generic/psfig/figs/trevor.ps
new file mode 100644
index 00000000000..b46453479aa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/trevor.ps
@@ -0,0 +1,583 @@
+%!PS-Adobe-1.0
+%%Title: trevor
+%%Creator: Ned Batchelder
+%%CreationDate: Wed Mar 26 11:05:04 1986
+%%BoundingBox: 72 72 432 525
+
+%%Pages: 1
+%%EndComments
+/doimage {
+ /b exch def /m exch def /n exch def
+ /pix n string def
+ n m b [n 0 0 m neg 0 m]
+ { currentfile pix readhexstring pop }
+ image
+} def
+/spotsize {
+ /perinch exch def
+ currentscreen 3 -1 roll
+ pop perinch
+ 3 1 roll setscreen
+} def
+/invert {
+ /curtran currenttransfer cvlit def
+ /newtran curtran length 3 add array def
+ newtran 0 {1 exch sub} putinterval
+ newtran 3 curtran putinterval
+ newtran cvx settransfer
+} def
+72 72 translate
+%%EndProlog
+%%Page: ? 1
+360.000 453.600 scale
+60 spotsize
+112 176 8 doimage
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diff --git a/Master/texmf-dist/doc/generic/psfig/figs/zip.ps b/Master/texmf-dist/doc/generic/psfig/figs/zip.ps
new file mode 100644
index 00000000000..783ec71b24c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/figs/zip.ps
@@ -0,0 +1,21 @@
+%!
+%%BoundingBox: 301.0 392.44 360.02 437.4
+/Times-Italic findfont 30 scalefont setfont
+
+/printZip {
+ 0 0 moveto
+ (Zip) show
+} def
+320 400 translate
+
+.95 -.05 0 {
+ setgray
+ printZip
+ -1 .5 translate
+} for
+
+1 setgray printZip
+
+
+showpage
+
diff --git a/Master/texmf-dist/doc/generic/psfig/psfig-doc.tex b/Master/texmf-dist/doc/generic/psfig/psfig-doc.tex
new file mode 100644
index 00000000000..0aec9e81218
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/psfig-doc.tex
@@ -0,0 +1,292 @@
+%\documentstyle[psfig]{article}
+\documentstyle{article}
+\input ../psfig.sty
+\begin{document}
+\pssilent
+\psfigurepath{figs}
+\def\Ps{Post\-Script}
+%
+\title{Psfig/\TeX\ 1.10 Users Guide}
+\author{Trevor Darrell \\ {\it trevor@media.mit.edu}}
+\date{\ }
+\maketitle
+
+\section{Introduction}
+Psfig/\TeX\ is a macro package for \TeX\ that facilitates the
+inclusion of \Ps\ figures into \TeX\ documents. With the
+help of a compatible postprocessor,
+\footnote{The {\tt dvips} program developed by T. Rokicki
+has full psfig support; it is available via anonymous FTP from {\tt labrea.stanford.edu}. OzTeX also supports psfig and is available from various ftp sites. Psfig is available from {\tt whitechapel.media.mit.edu}.}
+\Ps\ figures are automatically
+scaled and positioned on the page, and the proper amount of space is
+reserved.
+Custom characters such as
+`\psfig{figure=pretzel.ps,height=8pt,silent=}' and
+`\psfig{figure=cm.ps,height=8pt,silent=}'
+may be created and used freely throughout a document, or figures can
+be presented as traditional broken-out displays:
+\par
+\hbox{
+\hspace{.3in}
+\vbox{\psfig{figure=zip.ps}\vspace{.5in}}
+\psfig{figure=piechart.ps,height=1.5in}
+\vbox{\psfig{figure=starlines.ps}\vspace{.6in}}
+}
+
+\section{Simple figures}
+To include a \Ps\ figure with psfig, include the psfig style at the top
+of your document:
+\begin{quote}
+{\tt\verb+\documentstyle[psfig,...]{article}+}
+\end{quote}
+and then, when you wish to include a figure, invoke the macro
+\begin{quote}
+{\tt\verb+\+psfig\{figure={\it input}\}}
+\end{quote}
+where {\it input} is the name of a \Ps\ file. Psfig will
+automatically position the figure at the current point on the page,
+and reserve the proper amount of space in \TeX\ so that it doesn't
+block any other objects on the page. For example, if we have a file
+called `piechart.ps' which contains the \Ps\ code to draw the chart in
+the introduction, we could use the commands
+\begin{quote}
+\tt
+\verb+\+par \\
+\verb+\+centerline\{\verb+\+psfig\{figure=piechart.ps\}\} \\
+\verb+\+par
+\end{quote}
+to include it as a centered paragraph.
+Since no mention of size was made in the above example, psfig draws the figure
+at its natural size (as if it was printed directly on
+a \Ps\ printer.) The pie's natural size is several inches across, which
+is a little large; the pie in the introduction was produced with:
+\begin{quote}
+\tt\verb+\+centerline\{\verb+\+psfig\{figure=piechart.ps,height=1.5in\}\}
+\end{quote}
+The {\tt height} option specifies how tall the figure should be on the
+page. Since no {\tt width} was specified, the figure was scaled
+equally in both dimensions. (This will also happen with a {\tt width}
+but no {\tt height} option.) By listing both a {\tt height} and {\tt
+width}, figures can be scaled disproportionately, with interesting
+results:
+\par
+\centerline{\hbox{
+\psfig{figure=rosette.ps,height=.8in,width=.15in}
+\psfig{figure=rosette.ps,height=.8in,width=.35in}
+\psfig{figure=rosette.ps,height=.8in}
+\psfig{figure=rosette.ps,height=.8in,width=1.2in}
+\psfig{figure=rosette.ps,height=.8in,width=1.5in}
+}}
+\par
+\noindent This figure was produced with:
+\begin{quote}
+\tt\verb+\+centerline\{\verb+\+hbox\{ \\
+\verb+\+psfig\{figure=rosette.ps,height=.8in,width=.15in\}\\
+\verb+\+psfig\{figure=rosette.ps,height=.8in,width=.35in\}\\
+\verb+\+psfig\{figure=rosette.ps,height=.8in\} \\
+\verb+\+psfig\{figure=rosette.ps,height=.8in,width=1.2in\}\\
+\verb+\+psfig\{figure=rosette.ps,height=.8in,width=1.5in\}\\
+\}\}
+\end{quote}
+The \verb+\psfig+ macro is (unfortunately) sensitive to whitespace, and will be
+confused by any extra spaces or newlines in its argument.
+\section{Sources of figures}
+\hbox{
+\vbox{\psfig{figure=trevor.ps,height=1in}}
+\hspace{.15in}
+\vbox{\parbox{3.5in} {Any program that produces \Ps\ as output
+can be used for psfig figures
+as long as it adheres to the bounding box comment convention (see below).
+For instance, the bitmap image
+of the author was included as a figure at left.}\vspace{.2in}}}
+
+Since the Macintosh drawing applications produce \Ps, they can be used
+to create figures. However, the \Ps produced by most Macintosh
+applications is often not well suited to be included directly as
+aBpsfig figure, unless it is saved as an ``EPSF compliant'' file. If
+the file is not EPSF compliant then the postscript may have to be
+edited before being used as an included figure.
+
+\section{Draft figures and Silent mode}
+\begin{figure}
+\centerline{
+\psfig{figure=rosette.ps,height=2in}
+\psdraft
+\psfig{figure=rosette.ps,height=2in}
+\psfull
+}
+\vspace{.25in}
+\centerline{Figure 2: The rosette.ps figure, in non-draft and draft mode}
+\end{figure}
+Normally, psfig will print advisory messages to remind you that it is
+including figures as TeX processes a document. This behavior can
+be disabled with {\tt \verb+\+pssilent}, and re-enabled with
+{\tt \verb+\+psnoisy}.
+\par
+Some \Ps\ figures can take quite a long time to transmit and print;
+for these figures a draft mode is available to speed printing of draft
+versions of the document. A figure printed in draft mode will appear
+as an outlined box (Figure 2). The macro {\tt
+\verb+\+psdraft} will switch into draft mode, and all subsequent psfig
+macros will produce draft figures until reaching the macro {\tt
+\verb+\+psfull}, which switches out of draft mode.
+
+No {\tt
+\verb+\+special} commands are used in draft mode, so a draft document
+can be previewed using any Dvi viewer. Psfig uses the \LaTeX\ {\tt
+\verb+\+fbox} command to produce the draft box; thus draft boxes will
+not work in plain \TeX. The printing of boxes in draft mode can be
+disabled/enabled with {\tt
+\verb+\+psnodraftbox} and {\tt
+\verb+\+psdraftbox}.
+
+\section{Bounding boxes}
+To properly translate and scale a figure psfig must know its `natural'
+position on the page; this information is present
+in what is called the {\it bounding box} of a \Ps\ program. The
+bounding box is an outer limit to the marks created by a program,
+and is specified as four coordinates of a rectangle: the lower-left $x$ coordinate
+(bbllx), the lower-left $y$ coordinate (bblly), the upper-right
+$x$ coordinate (bburx), and the upper-right $y$ coordinate (bbury).
+Adobe has defined a convention whereby the bounding box of a program
+is contained in a `bounding box comment'.
+\footnote{See `Appendix J: \Ps\ File Structuring Conventions' in
+{\it The \Ps\ Language Reference Manual}}
+This comment, which must be present in any file to be used as a psfig figure,
+is a line of the form
+\begin{quote}
+\tt \verb+%%+BoundingBox: \it bbllx bblly bburx bbury
+\end{quote}
+All values are in \Ps\ points, relative to the {\it default}
+transformation matrix. The only mandatory \Ps\ convention is
+that the first line of the file should begin with the characters
+`\verb+%+!' (a `\verb+%+' begins a comment in \Ps.) A good place for the
+bounding box comment is as the second line of the file.
+\par
+If a bounding box comment is present in the figure file, psfig will
+extract its values. The bounding box values may instead be specified
+directly in the {\tt \verb+\+psfig} argument, using clauses of the
+form {\tt bbllx=\it bbllx},{\tt bblly=\it bblly},..., in which case
+the figure file is not searched for the bounding box.
+
+\section{Reserved size}
+\par
+\psfig{figure=box.ps,rheight=0bp,rwidth=0bp,height=1.25in,width=\textwidth,silent=}
+\par
+There are two sizes associated with each psfig figure: the size
+at which it is to be printed on the page
+and the size it reserves in \TeX. This latter size is appropriately
+termed the {\it reserved size}, and is expressed as clauses of the form
+``{\tt rheight={\it dimen}}''
+and ``{\tt rwidth={\it dimen}}''. If omitted, the reserved size defaults
+to the real size. Some special effects need to be transparent
+to \TeX\ and thus have a zero reserved size, such as the grey
+box enclosing
+this paragraph.
+
+\section{Clipping}
+Normally a \Ps\ program can be expected to not mark the page
+outside its bounding box. If this is not the case, or if you
+want to specify a bounding box so as to isolate part of a larger figure,
+there is an option that sets the \Ps\ clip path so that
+no marks will show up outside the declared bounding box. Currently
+this is invoked by adding a clause of the form ``{\tt clip=}''.
+Here a slice has been taken out of the pie chart in the example by
+specifying a smaller bounding box and adding the clip option.
+\par
+\centerline{\protect\fbox{\psfig{figure=piechart.ps,height=2in,bbllx=306bp,bblly=396bp,bburx=486bp,bbury=546bp,clip=}}}
+\centerline{A piece of the pie.}
+\vspace{.2in}
+\par
+Some \Ps\ programs use the clipping path to position their output on
+the page; if a figure is being drawn at its natural size and position
+despite psfig commands to the contrary, it may need the clip option.
+
+\newpage
+\section{Rotating figures}
+Figures can be rotated by psfig using the {\tt angle={\it degrees}}
+clause. For example, here is the rosette and its 90 degree rotation:
+
+\centerline{\hbox{
+\psfig{figure=rosette.ps,height=1.0in}
+\psfig{figure=rosette.ps,height=1.0in,angle=90}
+}}
+
+By default psfig scales the figure so that its rotated bounding box
+fits within the desired size. This can lead to counterintuitive results
+when rotating to angles which are not multiples of 90 degrees. Here
+is the rosette rotated to 0,20,40, and 60 degrees.
+
+\centerline{\hbox{
+\psfig{figure=rosette.ps,height=1.0in}
+\psfig{figure=rosette.ps,height=1.0in,angle=20}
+\psfig{figure=rosette.ps,height=1.0in,angle=40}
+\psfig{figure=rosette.ps,height=1.0in,angle=60}
+}}
+
+With autoscaling, some rotated figures come out smaller because the
+diagonal of their bounding box is of course longer than their height
+or width alone. This behavior can be disabled with {\tt
+\verb+\+psscalefirst}, and re-enabled with {\tt
+\verb+\+psrotatefirst}. With {\tt \verb+\+psscalefirst} a new
+height and width is computed after the bounding box;
+the previous figure would now look like:
+
+\psscalefirst
+\centerline{\hbox{
+\psfig{figure=rosette.ps,height=1.0in}
+\psfig{figure=rosette.ps,height=1.0in,angle=20}
+\psfig{figure=rosette.ps,height=1.0in,angle=40}
+\psfig{figure=rosette.ps,height=1.0in,angle=60}
+}}
+
+While the rotated figures will all come out at the same
+size their reserved sizes will be different, thus
+they may not be aligned correctly.
+
+\section{Compressed Figures}
+Psfig allows the inclusion of compressed \Ps files when using
+the {\tt dvips} dvi processor.
+The shell script {\tt pscompress} is used to compress figures, and
+produces two files: {\it filename}{\tt .bb} and {\it filename}{\tt .Z}.
+The first file contains the bounding box comment only, while the second
+file contains the actual compressed PostScript file. Usage:
+\begin{quote}
+\tt \verb+%+ pscompress \it filename
+\end{quote}
+When psfig searches for a figure, if it fails to find
+{\it filename}, it then searches for {\it filename}{\tt .bb}.
+If that file exists, it is used for bounding box processing,
+and a command to decompress and include the file {\it filename}{\tt .Z}
+is issued to dvips.
+
+\section{Figure search path}
+
+Psfig first searches in the current directory for a figure (or
+in the specified directory if given an absolute path). If it fails
+to find the figure in the current directory, it optionally searches
+a search path of figure directories to see if the figure is
+present. To specify the figure search path, use
+\begin{quote}
+\tt \verb+\+psfigurepath\verb+{+\it dir1 \tt :\it dir2\tt :\it ...\tt :\it dirn\tt\verb+}+
+\end{quote}
+where {\it dir1...dirn} are the directories figures are to be found in.
+\newpage
+\section{Acknowledgements}
+\par
+This work was done while the author was with the Department of
+Computer and Information Science, University of Pennsylvania. Ned
+Batchelder co-developed the original {\it troff} version of this
+program with the author, and was responsible for much of the overall
+design. For more detailed information on the original version of \Ps\
+see {\it Psfig -- A Ditroff Preprocessor for PostScript Figures} in
+the USENIX 87 proceedings, or {\it Bringing troff up to speed} in the
+July 1987 issue of Unix Review.
+
+Greg Hager provided the initial pure-\TeX\ implementation of psfig.
+J. Daniel Smith of Schlumberger CAD/CAM implemented the rotation
+feature and improved the file scanning routines, using certain code
+fragments from Tom Rokicki's dvips program.
+\par
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/psfig/psfig.man b/Master/texmf-dist/doc/generic/psfig/psfig.man
new file mode 100644
index 00000000000..b6388528674
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/psfig/psfig.man
@@ -0,0 +1,261 @@
+.TH Psfig/TeX 1
+.SH NAME
+Psfig/TeX (1.10) \- PostScript figures in TeX
+.SH SYNTAX
+\\\fBinput psfig\fP
+.SH DESCRIPTION
+.B Psfig/TeX
+is a macro package for TeX, as well as LaTeX, that facilitates the
+inclusion of PostScript figures into (La)TeX documents.
+With the help of a compatible postprocessor, PostScript figures are
+automatically scaled and positioned on the page, and the proper amount
+of space is reserved.
+Figures can be presented as traditional broken-out displays,
+and Custom characters may be created and used freely throughout a document.
+.PP
+The \fBdvips\fP program developed by Tomas Rokicki has full
+\fBpsfig\fP support. The \fBOzTeX\fP package has support for
+all \fBpsfig\fp functions except compressed figures.
+.PP
+.SH USAGE
+To include a figure with \fBpsfig\fP, include the \fBpsfig\fP style at
+the top of your document.
+In LaTeX: ``\\\fBdocumentstyle\fP[psfig,...]{article}''; in TeX:
+``\\\fBinput\fP psfig''.
+Then invoke the macro ``\\\fBpsfig\fP{figure=\fIfilename\fP}'', where
+\fIfilename\fP is the name of a PostScript file.
+.B Psfig
+will automatically position the figure at the current
+point on the page, and reserve the proper amount of space.
+.PP
+.SH OPTIONS
+Options may be specified in the form
+``\\\fBpsfig\fP{figure=\fIfilename\fP,\fIoption\fP=\fIvalue\fP,\fIoption\fP=\fIvalue\fP,...}'';
+recognized options include \fBheight\fP, \fBwidth\fP, \fBrheight\fP,
+\fBrwidth\fP, \fBclip\fP, and \fBangle\fP.
+.IP height 9
+The ``\fBheight\fP=\fIdimen\fP'' option specifies how tall the
+figure should be on the page.
+When no \fBwidth\fP is specified, the figure is scaled equally
+in both dimensions.
+.IP width
+The ``\fBwidth\fP=\fIdimen\fP'' option specifies how wide the
+figure should be on the page.
+When no \fBheigth\fP is specified, the figure is scaled equally
+in both dimensions.
+.IP
+If no \fBheight\fP or \fBwidth\fP option is given, the figure's
+`natural' size will be used.
+By listing both a \fBheight\fP and \fBwidth\fP, figures can be scaled
+disproportionately.
+.IP rheight
+There are two sizes associated with each \fBpsfig\fP figure: the size
+at which it is to be printed on the page and the size it reserves
+in TeX.
+This latter size is appropriately termed the reserved size, and is
+expressed as an option of the form ``\fBrheight\fP=\fIdimen\fP'',
+to reserve a vertical size of \fIdimen\fP.
+If omitted, the reserved size defaults to the real size.
+Some special effects need to be transparent to TeX and thus have a
+zero reserved size, such as a grey box enclosing a paragraph.
+.IP rwidth
+To reserve a width in TeX, the ``\fBrwidth\fP=\fIdimen\fP''
+option is used.
+.IP clip
+The ``\fBclip\fP=t'' option sets the PostScript clipping path
+so that no marks will show up outside the declared bounding box.
+This option allows the user to isolate part of a larger figure,
+by specifying a new bounding box:
+``\\\fBpsfig\fP{figure=figs/piechart.ps,height=2in,bbllx=306bp,%
+bblly=396bp,bburx=486bp,bbury=546bp,clip=}''
+.IP angle
+Figures can be rotated by \fBpsfig\fP using the ``\fBangle\fP=\fIdegrees\fP''
+option.
+Example:
+``\\\fBpsfig\fP{figure=figs/rosette.ps,height=1.0in,angle=90}''.
+.PP
+.SH AUTOSCALING
+With autoscaling, some rotated figures come out smaller because the
+diagonal of their bounding box is longer than their \fBheight\fP
+or \fBwidth\fP alone.
+This behavior can be disabled with \\\fBpsscalefirst\fP, and re-enabled
+with \\\fBpsrotatefirst\fP.
+With \\\fBpsscalefirst\fP a new \fBheight\fP and \fBwidth\fP are
+computed after the bounding box.
+While the rotated figures will all come out at the same size, their
+reserved sizes will be different, thus they may not be aligned
+correctly.
+.PP
+.SH SOURCES OF FIGURES
+Any PostScript program can be used as a
+\fBpsfig\fP figure, as long as it adheres to the
+Encapsulated PostScript Format (EPSF), which
+dictates a set of forbidden operators and a comment
+structuring convention. \fBPsfig\fP
+is actually less restrictive than the EPSF requirements; it can handle
+some of the "non-compliant" postscript operators, and the only
+required comment is the Bounding Box comment (see below).
+.PP
+.SH BOUNDING BOXES
+To properly translate and scale a figure \fBpsfig\fP must know
+its `natural' position on the page; this information is present
+in the `bounding box comment' of a PostScript program.
+This is a line of the form
+``%%BoundingBox: \fIbbllx bblly bburx bbury\fP'' in the header of
+the file.
+.PP
+The bounding box specifies four coordinates of a rectangle that
+defines the outermost edges of the PostScript figure: the lower-left
+\fIx\fP coordinate (\fIbbllx\fP), the lower-left \fIy\fP coordinate
+(\fIbblly\fP), the upper-right \fIx\fP coordinate (\fIbburx\fP), and
+the upper-right \fIy\fP coordinate (\fIbbury\fP).
+This rectangle must be present in any file to be used as a
+\fBpsfig\fP figure.
+Most modern graphics packages produce (encapsulated) PostScript
+files which contain a ``%%BoundingBox:'' comment line in the header.
+All \fIbb...\fP values are in points, relative to the default
+transformation matrix.
+.PP
+.SH MISSING BOUNDING BOX
+When no bounding box comment line is present in your PostScript file,
+you can edit one in.
+The only mandatory PostScript convention is that the first line of
+the file should begin with the characters `%!'.
+A good place for the bounding box comment is the second line of
+the file.
+.PP
+The bounding box values may also be specified directly in the
+\\\fBpsfig\fP argument, using clauses of the form
+``bbllx=\fIbbllx\fP,bblly=\fIbblly\fP,...'', in which case
+the figure file is not searched for the bounding box.
+.PP
+To control the amount of white space around a figure in a (La)TeX
+document, it may be necessary to experiment with the bounding box
+parameters \fIbb...\fP, also in cases where the bounding box is
+provided by the plot or graphics package.
+.PP
+.SH DRAFT FIGURES
+Some PostScript figures take quite a long time to transmit and print;
+for these figures a draft mode is available to speed printing of draft
+versions of the document.
+A figure printed in draft mode will appear as an empty box.
+The macro \\\fBpsdraft\fP will switch into draft mode, and all
+subsequent \fBpsfig\fP macros will produce draft figures until reaching
+the macro \\\fBpsfull\fP, which switches out of draft mode.
+.PP
+No \\\fBspecial\fP commands are used in draft mode, so a draft document
+can be previewed using \fIany\fP DVI viewer.
+The printing of boxes in draft mode can be disabled/enabled with
+\\\fBpsnodraftbox\fP and \\\fBpsdraftbox\fP.
+.PP
+.SH SILENT MODE
+Normally, \fBpsfig\fP will print advisory messages to remind you that it is
+including figures as (La)TeX processes a document. This behavior can
+be disabled with \\\fBpssilent\fP, and re-enabled with \\\fBpsnoisy\fP.
+.PP
+.SH COMPRESSED POSTSCRIPT FILES
+As off version 1.9, \fBpsfig\fP allows the inclusion of compressed
+PostScript files (when using \fBdvips\fP).
+.PP
+To compress PostScript files, the shell script \fBpscompress\fP is used.
+\fBPscompress\fP produces two files: \fIfilename\fP.bb and \fIfilename\fP.Z.
+The first file contains the bounding box comment only, while the second
+file contains the actual compressed PostScript file.
+Usage: ``% \fBpscompress\fP \fIfilename\fP''.
+.PP
+When (La)TeX is run on \fIyour_document\fP.tex, the file \fIfilename\fP.bb
+is scanned for the bounding box comment, to allow (La)TeX to properly
+reserve the right size for the figure.
+Only when the file \fIyour_document\fP.dvi is printed by means of \fBdvips\fP,
+the actual PostScript file \fIfilename\fP.Z is decompressed (\fBzcat\fP-ed)
+and included in \fIyour_document\fP.ps.
+.PP
+.SH MACINTOSH FIGURES
+Since the Macintosh drawing applications produce PostScript, they can
+be used to create figures.
+However, the PostScript produced by most Macintosh applications is often
+not well
+suited to be included directly as a \fBpsfig\fP figure, unless it is
+saved as an "EPSF compliant" file. If the file is not "EPSF compliant"
+then the postscript may have to be edited before being used
+as an included figure. See the \fBpsfig\fP tool \fBcleanfig\fP
+and the sample document \fBmacdemo.tex\fP for guidance.
+.PP
+Non-EPSF Macintosh PostScript files often
+require a ``Laserprep'' prolog in order to
+be properly printed.
+A laserprep prolog can be included with the \fBdvips\fP special
+header command at the top of your (La)TeX file:
+``\\\fBspecial\fP{header=lprep70.procs}''.
+\fBPsfig\fP provides `lprep68.procs', as well as `lprep70.procs',
+to suit various versions of the Macintosh applications.
+.PP
+.SH FIGURE SEARCH PATH
+Psfig first searches in the current directory for a figure (or
+in the specified directory if given an absolute path). If it fails
+to find the figure in the current directory, it optionally searches
+a search path of figure directories to see if the figure is
+present. To specify the figure search path, use
+"\\psfigurepath{dir1:dir2:...:dirn}",
+where dir1...dirn are the directories figures are to be found in.
+.PP
+.SH PROBLEMS
+.IP Problem: 10
+The page with graphics is not printed.
+.IP Solution: 10
+Remove lines containing `\fBshowpage\fP' and/or `\fBstop\fP'
+from the PostScript graphics file.
+Lines of this kind are usually found near the end of the file.
+.IP Problem: 10
+The figure is positioned in weird places.
+.IP
+Generally, this is an indication that the PostScript ``%%BoundingBox:''
+comment is missing.
+It may also be that a translation takes places \fIafter\fP the
+bounding box was determined.
+.RE
+.IP Solution: 10
+Edit a bounding box comment into the PostScript file
+and/or experiment with the \fIbb...\fP values (see: MISSING BOUNDING
+BOX above).
+.PP
+.SH BUGS
+The \\\fBpsfig\fP macro is (unfortunately) sensitive to whitespace,
+and will be confused by any extra spaces or newlines in its argument.
+.PP
+The LaTeX \fBletter\fP style must be loaded after the
+\\\fBpsfig\fP macros due to naming conflicts. This can be
+forced by including psfig with an explicit \\\fBinput\fP
+command before the \\\fBdocumentstyle\fP command.
+.PP
+.SH ACKNOWLEDGEMENTS
+This work was done while the author was with the Department of
+Computer and Information Science, University of Pennsylvania. Ned
+Batchelder co-developed the original troff version of this
+program with the author, and was responsible for much of the overall
+design. For more detailed information on the original version of
+see \fIPsfig \- A Ditroff Preprocessor for PostScript Figures\fP in
+the USENIX 87 proceedings, or \fIBringing troff up to speed\fP in the
+July 1987 issue of Unix Review.
+.PP
+Greg Hager provided the initial pure-TeX implementation of \fBpsfig\fP.
+J. Daniel Smith of Schlumberger CAD/CAM implemented the rotation
+feature and improved the file scanning routines, using certain code
+fragments from Tom Rokicki's \fBdvips\fP program.
+.PP
+Thanks to Sake Hogeveen (hogeveen.fys.ruu.nl) for editing this man page.
+.SH AUTHOR
+Trevor Darrell
+.PP
+.SH SEE ALSO
+tex(1), latex(1), dvips(1), psfig-troff(1)
+.PP
+A printed version of the psfig-tex manual may be obtained by typing
+.br
+``% \fBlatex\fP psfig-doc'', then ``% \fBdvips\fP psfig-doc'',
+.br
+and finally printing the resulting psfig-doc.ps file on your nearest
+PostScript printer.
+The manual provides many examples with real-life PostScript graphics,
+see the text of psfig-doc.tex for more usage examples.
+
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/Changes b/Master/texmf-dist/doc/generic/pst-3dplot/Changes
new file mode 100644
index 00000000000..2b62d2de1b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/Changes
@@ -0,0 +1,32 @@
+pst-3dplot.pro --------
+0.20 2005-01-14 add rotPoint subroutine with RotSequenz option
+0.11 2005-01-11 add rotPoint subroutine
+
+
+pst-3dplot.tex --------
+1.63 2005-02-19 spurious blank
+1.62 2005-02-16 some modifications to \pstThreeDEllipse
+1.61 2005-02-08 spurious blanks in drawStyle
+1.60 2005-02-03 whitespace and bug in parametric
+1.59 2005-01-25 changes \variablesIIID
+1.58 2005-01-18 more tests for the rotating option
+1.57 2005-01-15 make showCoor run with the new rotate options
+1.56 2005-01-14 option RotSequenz now available for all macros
+1.55 2005-01-11 options RotX RotY RotZ now available for all macros
+1.54 2005-01-03 pstRotPointIIID as a real TeX solution and fix a spurious blank
+ in ThreeDBox
+1.53 2005-01-03 pstRotPointIIID returns the 3D coordinates of the rotated point.
+ pstRotPointIIID[RotX=..,RotY=..,RotZ=..](x,y,z)\xVal\yVal\zVal
+1.52 2004-12-05 uncomment the moveto in psThreeDPlot, change all \edef to \def
+1.51 2004-12-03 bugfix in parametricplotThreeD, use \pst@dima instead of \pst@cnta
+1.50 2004-11-24 spurious blank in \pstThreeDBox
+1.49 2004-11-18 mostly rewrite \parametricplot
+1.48 2004-11-16 drawStyle was ignored
+1.47 2004-11-16 change the subprocedure for specialplot
+1.46 2004-11-16 change the subprocedure for quick plot
+1.45 2004-11-15 some more tweaks to parametricplotThreeD
+1.44 2004-11-15 bugfix in parametricplotThreeD
+1.43 2004-11-07 bugfix in parametric plot
+1.42 2004-11-04 added macro \psPlaneGrid
+1.41 2004-10-31 modification to \psplane (Torsten Suhling)
+1.40 2004-10-31 use pst-xkey
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/README b/Master/texmf-dist/doc/generic/pst-3dplot/README
new file mode 100644
index 00000000000..ddb20db1770
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/README
@@ -0,0 +1,48 @@
+%% Package `pst-3dplot.tex'
+%%
+%% Herbert Voss <voss _at_ pstricks.de> (Germany)
+%%
+%% 2004-12-04
+%%
+
+PSTricks offers excellent macros to insert more or less complex
+graphics into a document. pstricks.tex itself is the base for several
+other additional packages, which are mostly named pst-xxxx,
+like pst-3dplot. There exists several packages for plotting three
+dimensional graphical objects. pst-3dplot is similiar to the
+pst-plot package for two dimensional objects and mathematical functions.
+
+
+Save the files
+
+pst-3dplot.sty
+pst-3dplot.tex
+pst-3dplot.pro
+
+in any place, where latex or any other TeX program will find it.
+The pro file should go into $TEXMF$/dvips/pstricks/.
+
+pst-3dplot uses the extended version of the keyval package. So
+be sure that you
+- have installed xkeyval with the special pst-xkey
+ (CTAN: tex-archive/macros/latex/contrib/xkeyval/)
+- do not load another package after pst-3dplot, which loads
+ the old keyval.sty or pst-key.tex
+
+
+If you like to get the documentation file in another format run
+
+latex pst-3dplot-doc.tex
+bibtex pst-3dplot.doc
+latex pst-3dplot-doc.tex
+dvips pst-3dplot-doc.dvi
+
+to get a PostScript file. But pay attention, that the pst-3dplot
+files are saved in the above mentioned way, before you run
+latex on the documentation file.
+
+The intermediate DVI file works only with viewers which can
+interprete the embedded PostScript code.
+
+For another PDF output read the Introduction from
+the documentation.
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/doc/data3D.Roessler b/Master/texmf-dist/doc/generic/pst-3dplot/doc/data3D.Roessler
new file mode 100644
index 00000000000..2e24034944f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/doc/data3D.Roessler
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new file mode 100644
index 00000000000..c56ef06385d
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diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.pdf
new file mode 100644
index 00000000000..b79c271118c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.tex b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.tex
new file mode 100644
index 00000000000..dba7c9eab15
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot-doc.tex
@@ -0,0 +1,1751 @@
+\documentclass[11pt,a4paper]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+\usepackage{amsmath}
+\usepackage{graphicx}
+\usepackage{geometry}
+\usepackage{pstricks}
+\usepackage{pst-grad}
+\usepackage{pst-example}
+\usepackage{showexpl}
+\lstset{wide=true}
+\usepackage{pst-3dplot}
+\let\myFV\fileversion
+\usepackage{url}
+\usepackage[bottom]{footmisc}
+\usepackage{fancyhdr}
+\usepackage{abstract}
+\usepackage{calc}
+\usepackage{comment}
+\usepackage{prettyref}
+\pagestyle{fancy}
+\usepackage{url}
+\usepackage{longtable}
+\def\UrlFont{\small\ttfamily}
+\makeatletter
+\def\verbatim@font{\small\normalfont\ttfamily}
+\makeatother
+\lfoot{\small\ttfamily\jobname.tex}
+\cfoot{}
+\rfoot{\thepage}
+\renewcommand{\headrulewidth}{0pt}
+\renewcommand{\footrulewidth}{0pt}
+\let\myPart\part
+\renewcommand{\part}[1]{\clearpage\myPart{#1}}
+\newcommand{\PS}{PostScript}
+\newcommand\CMD[1]{\texttt{\textbackslash#1}}
+\newcommand\verbI[1]{\small\texttt{#1}}
+\makeatletter
+\def\verbatim@font{\small\normalfont\ttfamily}
+\makeatother
+\xdefinecolor{gray85}{gray}{0.85}
+\xdefinecolor{gray90}{gray}{0.9}
+\psset{subgriddiv=0,gridlabels=7pt,gridcolor=gray85}
+\usepackage[pdfauthor={Herbert Voss},pdftitle={3D Plots},linktocpage]{hyperref}
+%
+\begin{document}
+\author{Herbert Vo\thanks{voss@perce.de}}
+\date{\today}
+\title{3D plots: PST-3dplot v\myFV\\Documentation}
+
+\maketitle%
+\begin{abstract}
+The well known \verbI{pstricks} package offers excellent macros to insert more or less complex
+graphics into a document. \verbI{pstricks} itself is the base for several other additional packages,
+which are mostly named \verbI{pst-xxxx}, like \verbI{pst-3dplot}.
+
+There exist several packages for plotting three dimensional graphical objects. \verbI{pst-3dplot}
+is similiar to the \verbI{pst-plot} package for two dimensional objects and mathematical functions.
+
+This version uses the extended keyval package \verb+xkeyval+, so be sure that you have installed
+this package together with the spcecial one \verb+pst-xkey+ for PSTricks. The \verb+xkeyval+
+package is available at \href{ftp://ftp.dante.de/pub/tex/macros/latex/contrib/xkeyval/}{CTAN:/macros/latex/contrib/xkeyval/}.
+It is also important that after \verb+pst-3dplot+ no package is loaded, which uses the old keyval interface.
+\vspace*{2cm}
+\end{abstract}%
+
+\tableofcontents
+
+\clearpage
+\section{The Parallel projection}
+
+Figure \ref{Abb0-1} shows a point $P(x,y,z)$ in a three dimensional coordinate system ($x,y,z$)
+with a transformation into $P^*(x^*,y^*)$, the Point in the two dimensional system ($x_E,y_E$).
+
+\begin{figure}[htb]
+\centering
+\unitlength1cm
+\begin{picture}(10,9)
+\thicklines
+\put(0,8){\makebox(0,0)[l]{$\alpha$: horizontal rotating angle}}
+\put(0,7.5){\makebox(0,0)[l]{$\beta$: vertikal rotating angle}}
+%
+\put(5.25,9){\makebox(0,0){z}}
+\put(5,0){\vector(0,1){9}}
+\put(6,5.5){\vector(-2,-1){5.5}}
+\put(9.5,3){\makebox(0,0){y}}
+\put(4,5.5){\vector(+2,-1){5.5}}
+\put(0.5,3){\makebox(0,0){x}}
+\thinlines
+\put(0,5){\vector(+1,0){10}}
+\put(5,5.02){\line(+1,0){1}}
+\put(10,4.5){\makebox(0,0){$x_E$}}
+\put(5.25,8.5){\makebox(0,0){$y_E$}}
+\put(5.3,4.5){\makebox(0,0){$\alpha$}}
+\put(2.6,3.6){\makebox(0,0){$\alpha$}}
+%
+\put(2,3.5){\line(+2,-1){5}}
+\put(9,3){\line(-2,-1){3.5}}
+\put(6,1.5){\line(0,1){5}}
+\put(6,6.5){\circle*{0.2}}
+\put(6.2,6.7){\makebox(0,0)[l]{$P(x,y,z)$}}
+\put(6.2,6.3){\makebox(0,0)[l]{$P^*(x^*,y^*)$}}
+\put(6.2,5.3){\makebox(0,0)[l]{$x^*$}}
+%
+\put(5,3){\line(+1,0){4}}
+\put(7,2.7){\makebox(0,0){$y\cdot\sin\alpha$}}
+\put(2,3.5){\line(+1,0){3}}
+\put(3.5,3.2){\makebox(0,0){$x\cdot\cos\alpha$}}
+\thicklines
+\put(5,1.5){\line(+1,0){1}}
+\put(5,1.52){\line(+1,0){1}}
+\thinlines
+\put(4.2,4.8){\makebox(0,0){$\alpha$}}
+\thicklines
+\put(5.03,5){\line(0,-1){2}}
+\put(5.1,4){\makebox(0,0)[l]{$y\cdot\cos\alpha$}}
+\put(4.97,5){\line(0,-1){1.5}}
+\put(4.9,4.2){\makebox(0,0)[r]{$x\cdot\sin\alpha$}}
+\thinlines
+\put(5.5,0.5){\vector(0,+1){1}}
+\put(5.5,0.5){\line(1,0){0.5}}
+\put(6.2,0.5){\makebox(0,0)[l]{$y\cdot\sin\alpha-x\cdot\cos\alpha$}}
+%\put(4.5,3.25){\vector(1,0){0.5}}
+%\put(4.5,3.25){\line(-1,-2){1}}
+%\put(3.5,1.25){\line(-1,0){0.5}}
+\put(4.9,1.5){\makebox(0,0)[r]{$y\cdot\cos\alpha+x\cdot\sin\alpha$}}
+\end{picture}%
+\caption{Lengths in a three dimensional System}
+\label{Abb0-1}
+\end{figure}
+
+
+The angle $\alpha$ is the horizontal rotation with positive values for anti clockwise rotations
+of the 3D coordinates. The angle $\beta$ is the vertical rotation (orthogonal to the paper plane).
+In figure \ref{Abb0-2} we have $\alpha=\beta=0$. The y-axis comes perpendicular out of the paper
+plane. Figure \ref{Abb0-3} shows the same for another angle with a view from the side, where the
+x-axis shows into the paper plane and the angle $\beta$ is greater than $0$ degrees.
+
+\begin{figure}[htb]
+\centering
+\unitlength1cm
+\begin{picture}(2,2.5)
+\thicklines
+\put(2.2,2){\makebox(0,0){$z$}}
+\put(2,0.5){\vector(0,1){2}}
+\put(2,0.5){\vector(-1,0){2}}
+\put(0.5,0.7){\makebox(0,0){$x$}}
+\put(2,0.5){\circle*{0.2}}
+\put(2,0.5){\circle{0.5}}
+\put(2.3,0.7){\makebox(0,0)[l]{$y$}}
+\end{picture}
+\caption{Coordinate System for $\alpha=\beta=0$ ($y$-axis comes out of the paper plane)}\label{Abb0-2}
+\end{figure}
+
+
+The two dimensional x coordinate $x^*$ is the difference of the two horizontal lengths
+$y\cdot\sin\alpha$ und $x\cdot\cos\alpha$ (figure \ref{Abb0-1}):
+\begin{equation}
+x^{*}=-x\cdot\cos\alpha+y\cdot\sin\alpha
+\end{equation}
+
+
+The z-coordinate is unimportant, because the rotation comes out of the paper plane, so we have
+only a different $y^*$ value for the two dimensional coordinate but no other $x^*$ value.
+The $\beta$ angle is well seen in figure \ref{Abb0-3} which derives from figure \ref{Abb0-2},
+if the coordinate system is rotated by $90$ horizontally to the left and vertically by $\beta$
+also to the left.
+
+\begin{figure}[htbp]
+\unitlength1cm
+\centering
+\begin{picture}(1,3)
+\thicklines
+\put(1.5,2.9){\makebox(0,0){z}}
+\put(2,1){\vector(-1,2){1}}
+\put(2,1){\vector(-2,-1){2}}
+\put(0,0.3){\makebox(0,0){y}}
+\put(2,1){\circle{0.5}}
+\put(1.8,0.8){\line(1,1){0.4}}
+\put(1.8,1.2){\line(1,-1){0.4}}
+\put(2.3,1.2){\makebox(0,0)[l]{x}}
+\thinlines
+\put(2,1){\line(-1,0){2}}
+\put(2,1){\line(0,1){2}}
+\put(1.7,2){\makebox(0,0){$\beta$}}
+\put(1.3,0.8){\makebox(0,0){$\beta$}}
+\put(2,2.5){\line(-1,0){0.75}}
+\put(2.2,2.5){\makebox(0,0)[l]{$z*_1=z\cdot\cos\beta$}}
+\put(1,1){\line(0,-1){0.5}}
+\put(1.3,0.5){\makebox(0,0)[l]{$y\cdot\cos\alpha+x\cdot\sin\alpha$}}
+\put(0.9,0.7){\makebox(0,0)[r]{$-(y\cdot\cos\alpha+x\cdot\sin\alpha)\cdot\sin\beta$}}
+\end{picture}
+\caption{Coordinate System for $\alpha=0$ and $\beta>0$ ($x$-axis goes into the paper plane)}\label{Abb0-3}
+\end{figure}
+
+
+The value of the perpendicular projected z coordinate is $z^{*}=z\cdot cos\beta$. With figure \ref{Abb0-3} we see, that the point $P(x,y,z)$ runs on an elliptical curve when $\beta$ is constant and $\alpha$ changes continues. The vertical alteration of $P$ id the difefrence of the two {}``perpendicular'' lines $y\cdot\cos\alpha$ and $x\cdot\sin\alpha$.
+These lines are rotated by the angle $\beta$, so we have them to multiply with $\sin\beta$ to
+get the vertical part. We get the following transformation equations:
+
+\begin{equation}
+\begin{array}{lll}
+ x_{E} & = & -x\cos\alpha+y\sin\alpha\\
+ y_{E} & = & -(x\sin\alpha+y\cos\alpha)\cdot\sin\beta+z\cos\beta
+\end{array}
+\end{equation}
+
+\noindent or written in matrix form:
+{\footnotesize\addtolength{\arraycolsep}{-2pt}
+\begin{equation}
+\begin{pmatrix}x_E\\y_E\end{pmatrix}=
+ \begin{pmatrix}
+ -\cos\alpha & \sin\alpha & 0\\
+ -\sin\alpha\sin\beta & -\cos\alpha\sin\beta & \cos\beta
+ \end{pmatrix}\cdot
+\begin{pmatrix}x\\y\\z\end{pmatrix}
+\end{equation}%
+\addtolength{\arraycolsep}{2pt}%
+}
+
+All following figures show a grid, which has only the sense to make things clearer.
+
+\section{Options}
+All options which are set with \verb|psset| are global and all which are passed with the optional
+argument of a macro are local for this macro. This is an important fact for setting the angles
+\verb|Alpha| and \verb|Beta|. Mostly all macro need these values, this is the reason why they
+should be set with \verb|psset| and not part of an optional argument.
+
+\section{Coordinates}
+\verb+pst-3dplot+ accepts cartesian or spherical coordinates. In both cases there
+must be three parameters: \verb+(x,y,z)+ or alternatively ($r$,$\phi$,$\theta$),
+where $r$ is the radius, $phi$ the longitude angle and $\theta$ the lattitude angle.
+For the spherical coordinates set the option \verb+SphericalCoor=true+. Spherical coordinates
+are possible for all macros where three dimensional coordinates are expected, except
+for the plotting functions (math functions and data records). Maybe that this is also interesting
+for someone, then let me know.
+
+
+\section{Coordinate axes}
+
+The syntax for drawing the coordinate axes is
+{\footnotesize\begin{verbatim}
+\pstThreeDCoor[<options>]
+\end{verbatim}}
+
+The only special option is \verb/drawing=true|false/, which enables the drawing of the
+coordinate axes. The default is true. In nearly all cases the \verb|\pstThreeDCoor| macro
+must be part of any drawing to initialize the 3d-system. If \verb+drawing+ is set to \verb+false+, then all ticklines options are also disabled.
+
+Without any options we get the default view with the in table~\ref{tab:coor}
+listed options with the predefined values.
+
+{
+\ttfamily
+\begin{longtable}{lll}
+\caption{All new parameters for \texttt{pst-plot}\label{tab:coor}}\\[-5pt]
+\textrm{Name} & \textrm{Type} & \textrm{Default}\\\hline
+\endfirsthead
+\textrm{Name} & \textrm{Type} & \textrm{Default}\\\hline
+\endhead
+Alpha & <angle> & 45\\
+Beta & <angle> & 30\\
+xMin & <value> & -1\\ %ok
+xMax & <value> & 4\\ %ok
+yMin & <value> & -1\\ %ok
+yMax & <value> & 4\\ %ok
+zMin & <value> & -1\\ %ok
+zMax & <value> & 4\\ %ok
+nameX & <string> & \$x\$\\
+spotX & <angle> & 180\\
+nameY & <string> & \$y\$\\
+spotY & <angle> & 0\\
+nameZ & <string> & \$x\$\\
+spotZ & <angle> & 90\\
+IIIDticks & false|true & false\\
+Dx & <value> & 1\\
+Dy & <value> & 1\\
+Dz & <value> & 1\\
+IIIDxTicksPlane & xy|xz|yz & xy\\
+IIIDyTicksPlane & xy|xz|yz & yz\\
+IIIDzTicksPlane & xy|xz|yz & yz\\
+IIIDticksize & <value> & 0.1\\
+IIIDxticksep & <value> & -0.4\\
+IIIDyticksep & <value> & -0.2\\
+IIIDzticksep & <value> & 0.2\\
+RotX & <angle> & 0\\
+RotY & <angle> & 0\\
+RotZ & <angle> & 0\\
+RotSequence & xyz|xzy|yxz|yzx|zxy|zyx & xyz\\
+\end{longtable}
+}
+
+
+
+\begin{example}[width=6cm]
+\begin{pspicture}(-3,-2.5)(3,4.25)\psgrid
+ \pstThreeDCoor
+\end{pspicture}
+\end{example}
+
+There are no restrictions for the angles and the max and min values for the axes; all \verb|pstricks|
+options are possible as well. The following example changes the color and the width of the axes.
+
+\medskip
+\noindent\fbox{\parbox{\columnwidth-2\fboxsep}{The angles \verbI{Alpha} and \verbI{Beta} are
+important to all macros and should always be set with \verbI{psset} to make them global to all
+other macros. Otherwise they are only local inside the macro to which they are passed.}}
+
+\medskip
+\verb+Alpha+ ist the horizontal and \verb+Beta+ the vertical rotation angle of the
+Cartesian coordinate system.
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-1.25)(1,2.25)\psgrid
+ \pstThreeDCoor[%
+ linewidth=1.5pt,linecolor=blue,%
+ xMin=-1,xMax=2,
+ yMin=-1,yMax=2,%
+ zMin=-1,zMax=2,%
+ Alpha=-60,Beta=30]
+\end{pspicture}
+\end{example}
+
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,%
+ zMin=-2,zMax=2]
+\end{pspicture}
+\end{example}
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2,%
+ Alpha=30,Beta=60]
+\end{pspicture}
+\end{example}
+
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2,%
+ Alpha=30,Beta=-60]
+\end{pspicture}
+\end{example}
+
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[
+ xMin=-2,xMax=2,yMin=-2,yMax=2,%
+ zMin=-2,zMax=2,Alpha=90,Beta=60]
+\end{pspicture}
+\end{example}
+
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[linewidth=1.5pt,%
+ xMin=-1,xMax=2,yMin=-1,yMax=2,%
+ zMin=-1,zMax=2,Alpha=40,Beta=0]
+\end{pspicture}
+\end{example}
+
+
+
+\subsection{Ticks}
+With the option \verb+IIIDticks+ the axes get ticks and labels. There are several options to place the labels in right plane to get an optimal view. The view of the ticklabels can be changed by redefining the macro
+
+\begin{verbatim}
+\def\psxyzlabel#1{\bgroup\footnotesize\textsf{#1}\egroup}
+\end{verbatim}
+
+
+
+\psset{unit=1.25,gridlabels=0pt}
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-3,-2.5)(3,4)
+ \psgrid
+ \pstThreeDCoor[IIIDticks]%
+ \pstThreeDPut(3,0,3){\Huge default}
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-3,-2.5)(3,4)\psgrid
+ \pstThreeDCoor[linecolor=black,%
+ IIIDticks,xMin=-2,yMin=-2,zMin=-2]%
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-3,-2.5)(3,4)\psgrid
+ \pstThreeDCoor[linecolor=black,%
+ IIIDticks,IIIDzTicksPlane=xz,IIIDzticksep=-0.2,%
+ IIIDxTicksPlane=xz,,IIIDxticksep=-0.2,%
+ IIIDyTicksPlane=xy,,IIIDyticksep=0.2,%
+ Dx=2,Dy=1,Dz=0.25,Alpha=-135,Beta=-30]%
+\end{pspicture}
+\end{example}
+
+The following example shows a wrong placing of the labels, the planes should be changed.
+
+\begin{example}[width=7.25cm]
+\psset{Alpha=-60,Beta=60}
+\begin{pspicture}(-4,-2.25)(1,3)
+ \psgrid
+ \pstThreeDCoor[linecolor=black,%
+ IIIDticks,Dx=2,Dy=1,Dz=0.25]%
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-3,-2.25)(2,3)
+ \psgrid
+ \psset{Alpha=30,Beta=30}
+ \pstThreeDCoor[linecolor=black,IIIDticks]
+ \pstThreeDDot[linecolor=red,drawCoor=true](1,0.5,0.5)% the center
+ \psset{linecolor=blue, linewidth=1.5pt}
+ \pstThreeDEllipse(1,0.5,0.5)(-0.5,1,0.5)(1,-0.5,-1)
+ \psset{beginAngle=0,endAngle=270,linecolor=green}
+ \pstThreeDDot[linecolor=red,drawCoor=true](2,1,2.5)% the center
+ \pstThreeDEllipse(2,1,2.5)(-0.5,0.5,0.5)(0.5,0.5,-1)
+\end{pspicture}
+\end{example}
+
+
+
+\section{Rotation}
+
+The coordinate system can be rotated independent from the given Alpha and Beta values. This makes it possible to place
+the axes in any direction and any order. There are the three options \verb+RotX+, \verb+RotY+, \verb+RotZ+ and an
+additional one for the rotating sequence, which can be any combination of the three letters \verb+xyz+.
+
+\begin{example}[pos=a]
+\begin{pspicture}(-6,-3)(6,5)
+ \multido{\iA=0+10}{18}{%
+ \pstThreeDCoor[RotZ=\iA,xMin=0,xMax=5,yMin=0,yMax=5,zMin=-1,zMax=5]%
+ }
+\end{pspicture}
+\end{example}
+
+\begin{example}[pos=a]
+\psset{unit=2,linewidth=1.5pt}
+\begin{pspicture}(-2,-1.5)(2,2.5)%
+ \pstThreeDCoor[xMin=0,xMax=2,yMin=0,yMax=2,zMin=0,zMax=2]%
+ \pstThreeDBox[RotX=90,RotY=90,RotZ=90,%
+ linecolor=red](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotSequence=xzy,RotX=90,RotY=90,RotZ=90,%
+ linecolor=yellow](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotSequence=zyx,RotX=90,RotY=90,RotZ=90,%
+ linecolor=green](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotSequence=zxy,RotX=90,RotY=90,RotZ=90,%
+ linecolor=blue](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotSequence=yxz,RotX=90,RotY=90,RotZ=90,%
+ linecolor=cyan](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotSequence=yzx,RotX=90,RotY=90,RotZ=90,%
+ linecolor=magenta](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[fillstyle=gradient,RotX=0](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDCoor[xMin=0,xMax=2,yMin=0,yMax=2,zMin=0,zMax=2]%
+\end{pspicture}%
+\end{example}
+
+\begin{example}[pos=a]
+\begin{pspicture}(-2,-1.5)(2,2.5)%
+ \pstThreeDCoor[xMin=0,xMax=2,yMin=0,yMax=2,zMin=0,zMax=2]%
+ \pstThreeDBox(0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotX=90,linecolor=red](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotX=90,RotY=90,linecolor=green](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+ \pstThreeDBox[RotX=90,RotY=90,RotZ=90,linecolor=blue](0,0,0)(.5,0,0)(0,1,0)(0,0,1.5)
+\end{pspicture}%
+\end{example}
+
+
+
+
+\psset{unit=1cm,gridlabels=7pt}
+
+
+\section{Plane Grids}
+\begin{verbatim}
+\pstThreeDPlaneGrid[<options>](xMin,yMin)(xMax,yMax)
+\end{verbatim}
+
+There are three additional options
+\begin{description}
+\item[planeGrid] can be one of the following values: \verb+xy, xz, yz+. Default is \verb+xy+.
+\item[subticks] Number of ticks. Default is \verb+10+.\footnote{This options is also defined
+in the package \texttt{pstricks-add}, so it is nessecary to to set this option
+locally or with the family option of \texttt{pst-xkey}}
+\item[planeGridOffset] a length for the shift of the grid. Default is \verb+0+.
+\end{description}
+
+This macro is a special one for the coordinate system to show the units, but can
+be used in any way. \verb+subticks+ defines the number of ticklines for both axes and
+\verb+xsubticks+ and \verb+ysubticks+ for each one.
+
+\begin{example}[pos=a]
+\begin{pspicture}(-5,-5)(5,6.5)
+ \pstThreeDCoor[xMin=0,yMin=0,zMin=0,xMax=7,yMax=7,zMax=7,linewidth=2pt]
+ \psset{linewidth=0.1pt,linecolor=lightgray}
+ \pstThreeDPlaneGrid(0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=xz](0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=yz](0,0)(7,7)
+\end{pspicture}
+\end{example}
+
+\begin{example}[pos=a]
+\begin{pspicture}(-1,-2)(10,10)
+ \psset{Beta=20,Alpha=160,subticks=7}
+ \pstThreeDCoor[xMin=0,yMin=0,zMin=0,xMax=7,yMax=7,zMax=7,linewidth=1pt]
+ \psset{linewidth=0.1pt,linecolor=gray}
+ \pstThreeDPlaneGrid(0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=xz,planeGridOffset=7](0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=yz](0,0)(7,7)
+ \pscustom[linewidth=0.1pt,fillstyle=gradient,gradbegin=gray,gradmidpoint=0.5,plotstyle=curve]{
+ \psset{xPlotpoints=200,yPlotpoints=1}
+ \psplotThreeD(0,7)(0,0){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=1,yPlotpoints=200,drawStyle=yLines}
+ \psplotThreeD(7,7)(0,7){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=200,yPlotpoints=1,drawStyle=xLines}
+ \psplotThreeD(7,0)(7,7){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=1,yPlotpoints=200,drawStyle=yLines}
+ \psplotThreeD(0,0)(7,0){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ }
+ \pstThreeDPlaneGrid[planeGrid=yz,planeGridOffset=7](0,0)(7,7)
+\end{pspicture}
+\end{example}
+
+
+\begin{example}[pos=a]
+\begin{pspicture}(-6,-2)(4,7)
+ \psset{Beta=10,Alpha=30,subticks=7}
+ \pstThreeDCoor[xMin=0,yMin=0,zMin=0,xMax=7,yMax=7,zMax=7,linewidth=1.5pt]
+ \psset{linewidth=0.1pt,linecolor=gray}
+ \pstThreeDPlaneGrid(0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=xz](0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=yz](0,0)(7,7)
+ \pscustom[linewidth=0.1pt,fillstyle=gradient,gradbegin=gray,gradend=white,gradmidpoint=0.5,plotstyle=curve]{
+ \psset{xPlotpoints=200,yPlotpoints=1}
+ \psplotThreeD(0,7)(0,0){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=1,yPlotpoints=200,drawStyle=yLines}
+ \psplotThreeD(7,7)(0,7){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=200,yPlotpoints=1,drawStyle=xLines}
+ \psplotThreeD(7,0)(7,7){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ \psset{xPlotpoints=1,yPlotpoints=200,drawStyle=yLines}
+ \psplotThreeD(0,0)(7,0){%
+ x dup mul y dup mul 2 mul add x 6 mul sub y 4 mul sub 3 add 10 div }
+ }
+ \pstThreeDPlaneGrid[planeGrid=xz,planeGridOffset=7](0,0)(7,7)
+ \pstThreeDPlaneGrid[planeGrid=yz,planeGridOffset=7](0,0)(7,7)
+\end{pspicture}
+\end{example}
+
+\medskip
+The equation for the examples is
+\[
+f(x,y)=\frac{x^2+2y^2-6x-4y+3}{10}
+\]
+
+\section{Put}
+There exists a special option for the put macros:
+\begin{verbatim}
+origin=lt|lB|lb|t|c|B|b|rt|rB|rb
+\end{verbatim}
+for the placing of the text or other objects.
+
+\fboxsep0pt
+\newcommand\Gobble[1]{}
+\newsavebox{\FrBox}
+\savebox{\FrBox}{\Huge\fbox{Rotating}}
+\unitlength1pt
+\begin{center}
+\newcommand{\Hoehe}{\ht\FrBox\Gobble}
+\newcommand{\Breite}{\wd\FrBox\Gobble}
+\newcommand{\Tiefe}{\dp\FrBox\Gobble}
+\newlength{\totalHeight}
+\setlength{\totalHeight}{\ht\FrBox}
+\addtolength{\totalHeight}{\dp\FrBox}
+\newcommand{\tHoehe}{\totalHeight\Gobble}
+\begin{picture}(1.7\Breite,\Hoehe)
+ \put(,\Hoehe){\textcolor{red}{\circle*{3}}}
+% \put(0.5\Breite ,\Hoehe){\textcolor{red}{\circle*{3}}}
+ \put(\Breite,\Hoehe){\textcolor{red}{\circle*{3}}}
+ % center
+% \put(0,0.5\Hoehe){\textcolor{red}{\circle*{3}}}%
+ \put(0.5\Breite,0.5\Hoehe){\textcolor{red}{\circle*{3}}}%
+% \put(\Breite,0.5\Hoehe){\textcolor{red}{\circle*{3}}}%
+ % Baseline
+ \put(0,0){\textcolor{red}{\circle*{3}}}%
+% \put(0.5\Breite,0){\textcolor{red}{\circle*{3}}}%
+ \put(\Breite,0){\textcolor{red}{\circle*{3}}}%
+ % bottom
+ \put(0,-\Tiefe){\textcolor{red}{\circle*{3}}}%
+% \put(0.5\Breite,-\Tiefe){\textcolor{red}{\circle*{3}}}%
+ \put(\Breite,-\Tiefe){\textcolor{red}{\circle*{3}}}%
+ % labels
+ \put(0,1.2\Hoehe){l}
+ \put(0.5\Breite,1.2\Hoehe){c}
+ \put(\Breite,1.2\Hoehe){r}
+ \put(1.05\Breite,0.9\Hoehe){t}
+ \put(1.05\Breite,0.4\Hoehe){c}
+ \put(1.15\Breite,-1){\textbf{B}aseline}
+ \put(1.05\Breite,-1.2\Tiefe){b}
+ \put(0,0){\usebox{\FrBox}}%
+\end{picture}
+\end{center}
+
+
+This works only well for the \verb|\pstThreeDPut| macro. The default is \verb|c| and for the \verb|pstPlanePut| the left baseline \verb|lB|.
+
+\subsection{\texttt{pstThreeDPut}}
+The syntax is similiar to the \verb|\rput| macro:
+{\footnotesize\begin{verbatim}
+\pstThreeDPut[options](x,y,z){<any stuff>}
+\end{verbatim}}
+
+\begin{example}[width=3.25cm]
+\begin{pspicture}(-2,-1.25)(1,2.25)
+ \psgrid
+ \psset{Alpha=-60,Beta=30}
+ \pstThreeDCoor[linecolor=blue,%
+ xMin=-1,xMax=2,yMin=-1,yMax=2,zMin=-1,zMax=2]
+ \pstThreeDPut(1,0.5,1.25){pst-3dplot}
+ \pstThreeDDot[drawCoor=true](1,0.5,1.25)
+\end{pspicture}
+\end{example}
+
+
+\medskip
+Internally the \verb|\pstThreeDPut| macro defines the two dimensional node \verb|temp@pstNode| and then uses the default \verb|\rput| macro from \verb|pstricks|. In fact of the perspective view od the coordinate system, the 3D dot must not be seen as the center of the printed stuff.
+
+\subsection[\texttt{pstPlanePut}]{\texttt{pstPlanePut}\protect\footnote{Thanks to Torsten Suhling}}
+The syntax of the \verb|pstPlanePut| is
+% -------------------------------------------
+% ### Aenderung
+% - raus: -----------------------------------
+% \begin{verbatim}
+% \pstPlanePut[plane=<2D plane>](x,y,z){Object}
+% \end{verbatim}
+%
+% Possible values for the two dimensional plane are \verb| xy xz yz |. If this optional parameter is missing then \verb|plane=xy| is set. The first letter marks the positive direction for the width and the second for the height.
+% - rein: -----------------------------------
+\begin{verbatim}
+\pstPlanePut[plane=<2D plane>,planecorr=<Correction of plane's alignment>](x,y,z){Object}
+\end{verbatim}
+
+We have two parameters, \verb|plane| and \verb|planecorr|; both are optional. Let's start with the first parameter, \verb|plane|.
+Possible values for the two dimensional plane are \verb| xy xz yz |. If this parameter is missing then \verb|plane=xy| is set. The first letter marks the positive direction for the width and the second for the height.
+% - ende ------------------------------------------------
+
+The object can be of any type, in most cases it will be some kind of text. The reference point for the object is the left side and vertically centered, often abbreviated as \verb|lB|. The following examples show for all three planes the same textbox.
+
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-4,-4)(3,4)
+ \psgrid
+ \psset{Alpha=30}
+ \pstThreeDCoor[xMin=-4,yMin=-4,zMin=-4]
+ \pstPlanePut[plane=xy](0,0,-3){\fbox{\Huge\red xy plane}}
+ \pstPlanePut[plane=xy](0,0,0){\fbox{\Huge\red xy plane}}
+ \pstPlanePut[plane=xy](0,0,3){\fbox{\Huge\red xy plane}}
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-5,-3)(2,3)
+ \psgrid
+ \pstThreeDCoor[xMin=2,yMin=-4,zMin=-3,zMax=2]
+ \pstPlanePut[plane=xz](0,-3,0){\fbox{\Huge\green\textbf{xz plane}}}
+ \pstPlanePut[plane=xz](0,0,0){\fbox{\Huge\green\textbf{xz plane}}}
+ \pstPlanePut[plane=xz](0,3,0){\fbox{\Huge\green\textbf{xz plane}}}
+\end{pspicture}
+\end{example}
+
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-2,-4)(6,2)
+ \psgrid
+ \pstThreeDCoor[xMin=-4,yMin=-4,zMin=-4,xMax=2,zMax=2]
+ \pstPlanePut[plane=yz](-3,0,0){\fbox{\Huge\blue\textbf{yz plane}}}
+ \pstPlanePut[plane=yz](0,0,0){\fbox{\Huge\blue\textbf{yz plane}}}
+ \pstPlanePut[plane=yz](3,0,0){\fbox{\Huge\blue\textbf{yz plane}}}
+\end{pspicture}
+\end{example}
+
+
+\bigskip
+The following examples use the \verb|origin| option to show that there are still some problems with the xy-plane.
+% ----------------------------------------------------------------------
+% Einfuegung Erlaeuterug examplee und Abbildungen
+% - raus: --------------------------------------------------------------
+%
+% \begin{example}[width=6.25cm]
+% \begin{pspicture}(-3,-2)(3,4)\psgrid
+% \psset{origin=lb}
+% \pstThreeDCoor
+% \pstThreeDDot[drawCoor=true,linecolor=red](-1,-1,2)
+% \pstPlanePut[plane=xy](-1,-1,2){\fbox{\Huge\red\textbf{XY}}}
+% \pstThreeDDot[drawCoor=true,linecolor=green](1,3.5,1)
+% \pstPlanePut[plane=xz](1,3.5,1){\fbox{\Huge\green\textbf{XZ}}}
+% \pstThreeDDot[drawCoor=true,linecolor=blue](-2,1,3)
+% \pstPlanePut[plane=yz](-2,1,3){\fbox{\Huge\blue\textbf{YZ}}}
+% \end{pspicture}
+% \end{example}
+% %
+% - rein: --------------------------------------------------------------
+The second parameter is \verb|planecorr|. As first the values:
+
+\begin{description}
+ \item[\texttt{off}]~Former and default behaviour; nothing will be changed.
+ This value is set, when parameter is missing.
+ \item[\texttt{normal}]~Default correction, planes will be rotated to be readable.
+ \item[\texttt{xyrot}]~Additionaly correction for $xy$ plane; bottom line of
+ letters will be set parallel to the $y$-axis.
+\end{description}
+
+What kind off correction is ment? In the plots above labels for the $xy$ plane and the $xz$ plane are mirrored. This is not a bug, it's \dots mathematics.
+
+\verb|\pstPlanePut| puts the labels on the plane of it's value. That means, \verb|plane=xy| puts the label on the $xy$ plane, so that the $x$ marks the positive direction for the width, the $y$ for the height and the label {\small{XY plane}} on the top side of plane. If you see the label mirrored, you just look from the bottom side of plane. \dots{}
+
+If you want to keep the labels readable for every view, i.\,e.\ for every value of \verb|Alpha| and \verb|Beta|, you should set the value of the parameter \verb|planecorr| to \verb|normal|; just like in next example:
+
+\medskip
+\begin{example}[width=6cm]
+\begin{pspicture}(-3,-2)(3,4)\psgrid
+ \psset{origin=lb}
+ \pstThreeDCoor[xMax=3.2,yMax=3.2,zMax=4]
+ \pstThreeDDot[drawCoor=true,linecolor=red](1,-1,2)
+ \pstPlanePut[plane=xy,planecorr=normal](1,-1,2)
+ {\fbox{\Huge\red\textbf{XY}}}
+ \pstThreeDDot[drawCoor=true,linecolor=green](1,3,1)
+ \pstPlanePut[plane=xz,planecorr=normal](1,3,1)
+ {\fbox{\Huge\green\textbf{XZ}}}
+ \pstThreeDDot[drawCoor=true,linecolor=blue](-1.5,0.5,3)
+ \pstPlanePut[plane=yz,planecorr=normal](-1.5,0.5,3)
+ {\fbox{\Huge\blue\textbf{YZ}}}
+\end{pspicture}
+\end{example}
+
+\medskip
+But, why we have a third value \verb|xyrot| of \verb|planecorr|?
+If there isn't an symmetrical view, -- just like in this example -- it
+could be usefull to rotate the label for $xy$-plane, so that body line of
+letters is parallel to the $y$ axis. It's done by setting
+\verb|planecorr=xyrot|\,:
+
+
+\medskip
+\begin{example}[width=6cm]
+\begin{pspicture}(-2,-2)(4,4)\psgrid
+ \psset{origin=lb}
+ \psset{Alpha=69.3,Beta=19.43}
+ \pstThreeDCoor[xMax=4,yMax=4,zMax=4]
+ \pstThreeDDot[drawCoor=true,linecolor=red](1,-1,2)
+ \pstPlanePut[plane=xy,planecorr=xyrot](1,-1,2)
+ {\fbox{\Huge\red\textbf{XY}}}
+ \pstThreeDDot[drawCoor=true,linecolor=green](1,3.5,1)
+ \pstPlanePut[plane=xz,planecorr=xyrot](1,3.5,1)
+ {\fbox{\Huge\green\textbf{XZ}}}
+ \pstThreeDDot[drawCoor=true,linecolor=blue](-2,1,3)
+ \pstPlanePut[plane=yz,planecorr=xyrot](-2,1,3)
+ {\fbox{\Huge\blue\textbf{YZ}}}
+\end{pspicture}
+\end{example}
+% --- ende ------------------------------------------------------------
+
+
+
+\psset{Alpha=45,xunit=1cm,yunit=1cm,xMin=-1,yMin=-1,zMin=-1}
+
+\section{Nodes}
+The syntax is
+\begin{verbatim}
+\pstThreeDNode(x,y,z){<node name>}
+\end{verbatim}
+
+This node is internally a two dimensional node, so it cannot be used as a replacement for the parameters \verb|(x,y,z)| of a 3D dot, which is possible with the \verb|\psline| macro from \verb|pst-plot|: \verb|\psline{A}{B}|, where \verb|A| and \verb|B| are two nodes. It is still on the to do list, that it may also be possible with \verb|pst-3dplot|. On the other hand it is no problem to define two 3D nodes \verb|C| and \verb|D| and then drawing a two dimensional line from \verb|C| to \verb|D|.
+
+\section{Dots}
+The syntax for a dot is
+\begin{verbatim}
+\pstThreeDDot[<options>](x,y,z)
+\end{verbatim}
+
+Dots can be drawn with dashed lines for the three coordinates, when the option \verb|drawCoor| is set to \verb|true|. It is also possible to draw an unseen dot
+with the option \verb|dotstyle=none|.\index{dotstyle} In this case the macro draws only the coordinates\index{coordinates}
+when the \verb|drawCoor| option is set to true.
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \psset{dotstyle=*,dotscale=2,linecolor=red,drawCoor=true}
+ \pstThreeDDot(-1,1,1)
+ \pstThreeDDot(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+In the following figure the coordinates of the dots are $(a,a,a)$ where a is $-2,-1,0,1,2$.
+
+
+\begin{example}[width=5.25cm]
+\begin{pspicture}(-3,-3.25)(2,3.25)\psgrid
+ \psset{Alpha=30,Beta=60,dotstyle=square*,dotsize=3pt,%
+ linecolor=blue,drawCoor=true}
+ \pstThreeDCoor[xMin=-3,xMax=3,yMin=-3,yMax=3,zMin=-3,zMax=3]
+ \multido{\n=-2+1}{5}{\pstThreeDDot(\n,\n,\n)}
+\end{pspicture}
+\end{example}
+
+
+\section{Lines}
+The syntax for a three dimensional line is just like the same from \verb+\psline+
+{\footnotesize\begin{verbatim}
+\pstThreeDLine[<options>]{<arrow>}(x1,y1,z1)(...)(xn,yn,zn)
+\end{verbatim}}
+
+The option and arrow part are both optional and the number of points is only limited
+to the memory.
+All options for lines from \verb|pstricks| are possible, there are no special ones for a 3D line. There is no difference in drawing a line or a vector; the first one has an arrow of type "'\verb|-|"` and the second of "'\verb|->|"`.
+
+There is no special \verb+polygon+ macro, because you can get nearlx the same with
+\verb+\pstThreeDLine+.
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \psset{dotstyle=*,linecolor=red,drawCoor=true}
+ \pstThreeDDot(-1,1,0.5)
+ \pstThreeDDot(1.5,-1,-1)
+ \pstThreeDLine[linewidth=3pt,linecolor=blue,arrows=->]%
+ (-1,1,0.5)(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \psset{dotstyle=*,linecolor=red,drawCoor=true}
+ \pstThreeDDot(-1,1,1)
+ \pstThreeDDot(1.5,-1,-1)
+ \pstThreeDLine[linewidth=3pt,linecolor=blue](-1,1,1)(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \psset{Alpha=30,Beta=60,dotstyle=pentagon*,dotsize=5pt,%
+ linecolor=red,drawCoor=true}
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \pstThreeDDot(-1,1,1)
+ \pstThreeDDot(1.5,-1,-1)
+ \pstThreeDLine[linewidth=3pt,linecolor=blue](-1,1,1)(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \psset{Alpha=30,Beta=-60}
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \pstThreeDDot[dotstyle=square,linecolor=blue,drawCoor=true](-1,1,1)
+ \pstThreeDDot[drawCoor=true](1.5,-1,-1)
+ \pstThreeDLine[linewidth=3pt,linecolor=blue](-1,1,1)(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \psset{Alpha=30,Beta=-60}
+ \pstThreeDCoor[xMin=-2,xMax=2,yMin=-2,yMax=2,zMin=-2,zMax=2]
+ \pstThreeDDot[dotstyle=square,linecolor=blue,drawCoor=true](-1,1,1)
+ \pstThreeDDot[drawCoor=true](1.5,-1,-1)
+ \pstThreeDLine[linewidth=3pt,arrowscale=1.5,%
+ linecolor=magenta,linearc=0.5]{<->}(-1,1,1)(1.5,2,-1)(1.5,-1,-1)
+\end{pspicture}
+\end{example}
+
+\begin{example}[pos=a]
+\begin{pspicture}(-3,-2)(4,5)\label{lines}
+ \pstThreeDCoor[xMin=-3,xMax=3,yMin=-1,yMax=4,zMin=-1,zMax=3]
+ \multido{\iA=1+1,\iB=60+-10}{5}{%
+ \ifcase\iA\or\psset{linecolor=red}\or\psset{linecolor=green}
+ \or\psset{linecolor=blue}\or\psset{linecolor=cyan}
+ \or\psset{linecolor=magenta}
+ \fi
+ \pstThreeDLine[SphericalCoor=true,linewidth=3pt]%
+ (\iA,0,\iB)(\iA,30,\iB)(\iA,60,\iB)(\iA,90,\iB)(\iA,120,\iB)(\iA,150,\iB)%
+ (\iA,180,\iB)(\iA,210,\iB)(\iA,240,\iB)(\iA,270,\iB)(\iA,300,\iB)%
+ (\iA,330,\iB)(\iA,360,\iB)%
+ }
+ \multido{\iA=0+30}{12}{%
+ \pstThreeDLine[SphericalCoor=true,linestyle=dashed]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)}
+\end{pspicture}
+\end{example}
+
+
+\section{Triangles}
+A triangle is given with its three points:
+\begin{verbatim}
+\pstThreeDTriangle[<options>](P1)(P2)(P3)
+\end{verbatim}
+
+When the option \verb|fillstyle| is set to another value than \verb|none| the triangle is filled with the active color or with the one which is set with the option \verb|fillcolor|.
+
+\begin{example}[width=6.25cm]
+\begin{pspicture}(-3,-4.25)(3,3.25)\psgrid
+ \pstThreeDCoor[xMin=-4,xMax=4,yMin=-3,yMax=5,zMin=-4,zMax=3]
+ \pstThreeDTriangle[fillcolor=yellow,fillstyle=solid,%
+ linecolor=blue,linewidth=1.5pt](5,1,2)(3,4,-1)(-1,-2,2)
+ \pstThreeDTriangle[drawCoor=true,linecolor=black,%
+ linewidth=2pt](3,1,-2)(1,4,-1)(-2,2,0)
+\end{pspicture}
+\end{example}
+
+Especially for triangles the option \verb|linejoin| is important. The default value is $1$, which gives rounded edges.
+
+\begin{figure}[htb]
+\centering
+\psset{linewidth=0.2}
+\begin{pspicture}(3,2.25)\psgrid
+ \psline(0,0)(1,2)(2,0)(3,2)
+\end{pspicture}%
+\hspace{0.4cm}%
+\begin{pspicture}(4,2.25)\psgrid
+ \pscustom{\code{1 setlinejoin}\psline(0,0)(1,2)(2,0)(3,2)(4,0)}
+\end{pspicture}%
+\hspace{0.4cm}%
+\begin{pspicture}(3,2.25)\psgrid
+ \pscustom{\code{2 setlinejoin}\psline(0,0)(1,2)(2,0)(3,2)}
+\end{pspicture}
+\caption{The meaning of the option \texttt{linejoin=0|1|2} for drawing lines}
+\end{figure}
+
+
+\section{Squares}
+The syntax for a 3D square is:
+\begin{verbatim}
+\pstThreeDSquare(<vector o>)(<vector u>)(<vector v>)
+\end{verbatim}
+
+\begin{example}[width=5cm]
+\begin{pspicture}(-1,-1)(4,3)\psgrid
+ \pstThreeDCoor[xMin=-3,xMax=1,yMin=-1,yMax=2,zMin=-1,zMax=3]
+ \psset{arrows=->,arrowsize=0.2,linecolor=blue,linewidth=1.5pt}
+ \pstThreeDLine[linecolor=green](0,0,0)(-2,2,3)\uput[45](1.5,1){$\vec{o}$}
+ \pstThreeDLine(-2,2,3)(2,2,3)\uput[0](3,2){$\vec{u}$}
+ \pstThreeDLine(-2,2,3)(-2,3,3)\uput[180](1,2){$\vec{v}$}
+\end{pspicture}
+\end{example}
+
+\medskip
+Squares are nothing else than a polygon with the starting point $P_o$ given with the origin vector $\vec{o}$ and the two direction vectors $\vec{u}$ and $\vec{v}$, which build the sides of the square.
+
+
+\begin{example}[width=7.25cm]
+\begin{pspicture}(-3,-2)(4,3)\psgrid
+ \pstThreeDCoor[xMin=-3,xMax=3,yMin=-1,yMax=4,zMin=-1,zMax=3]
+ {\psset{fillcolor=blue,fillstyle=solid,drawCoor=true,dotstyle=*}
+ \pstThreeDSquare(-2,2,3)(4,0,0)(0,1,0)}
+\end{pspicture}
+\end{example}
+
+
+\section{Boxes}
+A box is a special case of a square and has the syntax
+
+\begin{verbatim}
+\pstThreeDBox[<options>](<vector o>(<vector u>)(<vector v>)(<vector w>)
+\end{verbatim}
+
+
+These are the origin vector $\vec{o}$ and three direction vectors $\vec{u}$, $\vec{v}$ and $\vec{w}$, which are for example shown in the following figure.
+
+
+\begin{example}[width=5.25cm]
+\begin{pspicture}(-2,-1.25)(3,4.25)\psgrid
+ \psset{Alpha=30,Beta=30}
+ \pstThreeDCoor[xMin=-3,xMax=1,yMin=-1,yMax=2,zMin=-1,zMax=4]
+ \pstThreeDDot[drawCoor=true](-1,1,2)
+ \psset{arrows=->,arrowsize=0.2}
+ \pstThreeDLine[linecolor=green](0,0,0)(-1,1,2)
+ \uput[0](0.5,0.5){$\vec{o}$}
+ \uput[0](0.9,2.25){$\vec{u}$}
+ \uput[90](0.5,1.25){$\vec{v}$}
+ \uput[45](2,1.){$\vec{w}$}
+ \pstThreeDLine[linecolor=blue](-1,1,2)(-1,1,4)
+ \pstThreeDLine[linecolor=blue](-1,1,2)(1,1,2)
+ \pstThreeDLine[linecolor=blue](-1,1,2)(-1,2,2)
+\end{pspicture}
+\end{example}
+
+\begin{example}[width=5.25cm]
+\begin{pspicture}(-2,-1.25)(3,4.25)\psgrid
+ \psset{Alpha=30,Beta=30}
+ \pstThreeDCoor[xMin=-3,xMax=1,yMin=-1,yMax=2,zMin=-1,zMax=4]
+ \pstThreeDBox(-1,1,2)(0,0,2)(2,0,0)(0,1,0)
+ \pstThreeDDot[drawCoor=true](-1,1,2)
+\end{pspicture}
+\end{example}
+
+
+
+\section{Ellipses and circles}
+
+The equation for a two dimensional ellipse (figure \ref{fig:ellipse})is:
+\begin{equation}
+e:\frac{\left(x-x_{M}\right)^{2}}{a^{2}}+\frac{\left(y-y_{M}\right)^{2}}{b^{2}}=1
+\label{gl.600}
+\end{equation}
+
+\begin{figure}[htb]
+\centering
+\begin{pspicture*}(-3,-1.5)(3,1.5)
+ \psset{unit=0.75cm}
+ \psline{->}(-3.5,0)(3.5,0)
+ \rput(3.3,-0.3){x}\psline{->}(0,-2.5)(0,2.5)\rput(-0.3,2.3){y}
+ \pscircle(-2,0){0.1}\pscircle(2,0){0.1}
+ \psline[linestyle=dotted,linewidth=0.5pt](-2,0)(0,2)(2,0)
+ \rput(-1.4,1){a}\rput(1.4,1){a}
+ \psline[linewidth=0.5pt,linearc=.25]%
+ (-3,0)(-3,-0.25)(-1.5,-0.25)%
+ (-1.5,-0.4)(-1.5,-0.25)(0,-0.25)(0,0)
+ \rput(-1.5,-0.7){a}
+ \psline[linewidth=0.5pt,linearc=.25]%
+ (0,2)(0.2,2)(0.2,1)(0.4,1)(0.2,1)(0.2,0)(0,0)
+ \rput(0.7,1){b}
+ \psellipse[linewidth=2pt](3,2)
+ \rput(-.4,-.4){M}\rput(2,-.4){$F_2$}
+ \rput(-2.2,0.4){$F_1$}
+ \rput(1,.2){e}\rput(-1,.2){e}
+ \rput(-1,-1){$r_1$}\rput(1.7,-1){$r_2$}
+ \psline[linestyle=dotted,linewidth=1pt]{->}(-2,0)(1,-1.8)
+ \psline[linestyle=dotted,linewidth=1pt]{<-}(1,-1.8)(2,0)
+\end{pspicture*}
+\caption{Definition of an Ellipse}\label{fig:ellipse}
+\end{figure}
+
+
+
+$\left(x_m;y_m\right)$ is the center, $a$
+and $b$ the semi major and semi minor axes
+respectively and $e$ the excentricity. For $a=b=1$ in equation \ref{gl.600} we get the one for the circle, which is nothing else than a special ellipse. The equation written in the parameterform is
+
+\begin{equation}\label{gl601}
+\begin{split}
+ x = a\cdot\cos\alpha\\
+ y = b\cdot\sin\alpha
+\end{split}
+\end{equation}
+
+or the same with vectors to get an ellipse in a 3D system:
+\begin{align}\label{gl.6}
+ e:\vec{x} &=\vec{m}+\cos\alpha\cdot\vec{u}+\sin\alpha\cdot\vec{v}\qquad 0\leq\alpha\leq360
+\end{align}
+
+where $\vec{m}$ is the center, $\vec{u}$ and $\vec{v}$ the directions vectors which are perpendicular to each other.
+
+
+\subsection{Options}
+In addition to all possible options from \verb|pst-plot| there are two special options to allow drawing of an arc (with predefined values for a full ellipse/circle):
+%
+\begin{verbatim}
+beginAngle=0
+endAngle=360
+\end{verbatim}
+
+Ellipses and circles are drawn with the in section \ref{subsec:parametricplotThreeD} described \verb|parametricplotThreeD| macro with a default setting of $50$ points for a full ellipse/circle.
+
+\subsection{Ellipse}
+It is very difficult to see in a 3D coordinate system the difference of an ellipse and a circle. Depending to the view point an ellipse maybe seen as a circle and vice versa. The syntax of the ellipse macro is:
+\begin{verbatim}
+\pstThreeDEllipse[<option>](cx,cy,cz)(ux,uy,uz)(vx,vy,vz)
+\end{verbatim}
+
+where \verb|c| is for center and \verb|u| and \verb|v| for the two direction vectors.
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-2.25)(2,2.25)\psgrid
+ \pstThreeDCoor[xMax=2,yMax=2,zMax=2]
+ \pstThreeDDot[linecolor=red,drawCoor=true](1,0.5,0.5)
+ \psset{linecolor=blue, linewidth=1.5pt}
+ \pstThreeDEllipse(1,0.5,0.5)(-0.5,1,0.5)(1,-0.5,-1)
+ \psset{beginAngle=0,endAngle=270,linecolor=green}
+ \pstThreeDEllipse(1,0.5,0.5)(-0.5,0.5,0.5)(0.5,0.5,-1)
+ \pstThreeDEllipse[RotZ=45,linecolor=red](1,0.5,0.5)(-0.5,0.5,0.5)(0.5,0.5,-1)
+\end{pspicture}
+\end{example}
+
+
+\subsection{Circle}
+
+The circle is a special case of an ellipse (equ. \ref{gl.6}) with the vectors
+$\vec{u}$ and $\vec{v}$ which are perpendicular
+to each other: $\left|\vec{u}\right|=\left|\vec{v}\right|=r$.
+with
+$\vec{u}\cdot\vec{v}=\vec{0}$
+
+The macro \verb|\pstThreeDCircle| is nothing else than a synonym for \verb|\pstThreeDEllipse|. In the following example the circle is drawn with only $20$ plotpoints and the option \verb|showpoints=true|.
+
+\begin{example}[width=4.25cm]
+\begin{pspicture}(-2,-1.25)(2,2.25)\psgrid
+ \pstThreeDCoor[xMax=2,yMax=2,zMax=2,linecolor=black]
+ \psset{linecolor=red,linewidth=2pt,plotpoints=20,showpoints=true}
+ \pstThreeDCircle(1.6,+0.6,1.7)(0.8,0.4,0.8)(0.8,-0.8,-0.4)
+ \pstThreeDDot[drawCoor=true,linecolor=blue](1.6,+0.6,1.7)
+ \pstThreeDCircle[RotY=15,linecolor=blue](1.6,+0.6,1.7)(0.8,0.4,0.8)(0.8,-0.8,-0.4)
+ \pstThreeDDot[RotY=15,drawCoor=true,linecolor=blue](1.6,+0.6,1.7)
+\end{pspicture}
+\end{example}
+
+
+
+\section{Spheres}\label{sec:spheres}
+
+To draw spheres \verb|pst-3dplot| uses the macros from the \verb|pst-vue3d| package and places it with internally the \verb|\rput| macro at the right place.\footnote{%
+This package is available CTAN %
+\url{ftp://ftp.dante.de/pub/tex/graphics/pstricks/contrib/pst-vue3d/}. The documentation is in french, but it is mostly self explanatory} The syntax for this macro is
+\begin{verbatim}
+\pstThreeDSphere[<options>](x,y,z){Radius}
+\end{verbatim}
+
+\verb|(x,y,z)| is the center of the sphere. For all the other possible options or the possibility to draw demispheres, have a look at the documentation.\cite{vue3d:2002}
+
+\begin{example}[width=6.25cm]
+\begin{pspicture}(-4,-2.25)(2,4.25)\psgrid
+ \pstThreeDCoor[xMin=-3,yMax=2]
+ \pstThreeDSphere[linecolor=blue](1,-1,2){2}
+ \pstThreeDDot[dotstyle=x,linecolor=red,drawCoor=true](1,-1,2)
+\end{pspicture}
+\end{example}
+
+
+\section{Mathematical functions}
+There are two macros for plotting mathematical functions, which work similiar to the one from \verb|pst-plot|.
+
+\subsection{Function $f(x,y)$}
+
+The macro for plotting functions does not have the same syntax as the one from \verb|pst-plot|\cite{dtk02.1:voss:mathematischen}, but it is used in the same way:
+
+\begin{verbatim}
+\psplotThreeD[<options>](xMin,xMax)(yMin,yMax){<the function>}
+\end{verbatim}
+
+The function has to be written in \PS{} code and the only valid variable names are \verb|x| and \verb|y|, f.ex: \verb|{x dup mul y dup mul add sqrt}| for the math expression $\sqrt{x^2 + y^2}$. The macro has the same plotstyle options as \verb|psplot|, except the \verb|plotpoints|-option which is split into one for \verb|x| and one for \verb|y| (table \ref{tab:lineOptions}).
+
+\begin{table}[htb]
+\centering
+\caption{Options for the plot Macros}\label{tab:lineOptions}
+\smallskip
+\begin{tabular}{l|l}
+\textbf{Option name} & \textbf{value}\\\hline
+\verb|plotstyle| &
+ \verb|dots|\\
+& \verb|line|\\
+& \verb|polygon|\\
+& \verb|curve|\\
+& \verb|ecurve|\\
+& \verb|ccurve|\\
+& \verb|none| (default)\\
+\verb|showpoints| & default is false\\
+\verb|xPlotpoints| & default is $25$\\
+\verb|yPlotpoints| & default is $25$\\
+\verb|drawStyle| & default is \verb|xLines|\\
+& \verb|yLines|\\
+& \verb|xyLines|\\
+& \verb|yxLines|\\
+\verb|hiddenLine| & default is false
+\end{tabular}
+\end{table}
+
+The equation \ref{eq:3dfunc} is plotted with the following parameters and seen in figure \ref{fig:3dfunc}.
+
+\begin{align}\label{eq:3dfunc}
+z&=10\left(x^3+xy^4-\frac{x}{5}\right)e^{-\left(x^2+y^2\right)}+
+ e^{-\left((x-1.225)^2+y^2\right)}
+\end{align}
+
+
+The function is calculated within two loops:
+{\small\begin{verbatim}
+for (float y=yMin; y<yMax; y+=dy)
+ for (float x=xMin; x<xMax; x+=dx)
+ z=f(x,y);
+\end{verbatim}}
+
+It depends to the inner loop in which direction the curves are drawn. There are four possible
+values for the option \verb|drawStyle| :
+\begin{itemize}
+\item \verb|xLines| (default) Curves are drawn in x direction
+\item \verb|yLines| Curves are drawn in y direction
+\item \verb|xyLines| Curves are first drawn in x and then in y direction
+\item \verb|yxLines| Curves are first drawn in y and then in x direction
+\end{itemize}
+
+In fact of the inner loop it is only possible to get a closed curve in the defined direction. For lines in x direction less \verb|yPlotpoints| are no problem, in difference to \verb|xPlotpoints|, especially for the plotstyle options \verb|line| and \verb|dots|.
+
+Drawing three dimensional functions with curves which are transparent makes it difficult to see if a point is before or behind another one. \verb|\psplotThreeD| has an option \verb|hiddenLine| for a primitive hidden line mode, which only works when the y-intervall is defined in a way that $y_2>y_1$. Then every new curve is plotted over the forgoing one and filled with the color white. Figure \ref{fig:3dfunc-hidden} is the same as figure \ref{fig:3dfunc}, only with the option \verb|hiddenLine=true|.
+
+\begin{lstlisting}
+\begin{pspicture}(-6,-4)(6,5)\psgrid
+ \psset{Beta=15}
+ \psplotThreeD[plotstyle=line,drawStyle=xLines,% is the default anyway
+ yPlotpoints=50,xPlotpoints=50,linewidth=1pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)\psgrid
+ \psset{Beta=15}
+ \psplotThreeD[%
+ plotstyle=curve,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.5pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc}}\label{fig:3dfunc}
+\end{figure*}
+
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=curve,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.5pt,hiddenLine=true](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{hiddenLine=true} option}\label{fig:3dfunc-hidden}
+\end{figure*}
+
+
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=line,%
+ drawStyle=yLines,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.2pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{drawStyle=yLines} option}
+\end{figure*}
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=curve,%
+ drawStyle=yLines,%
+ hiddenLine=true,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.2pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{drawStyle=yLines} and
+\texttt{hiddenLine=true} option}
+\end{figure*}
+
+
+
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=line,%
+ drawStyle=xyLines,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.2pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{drawStyle=xyLines} option}
+\end{figure*}
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=curve,%
+ drawStyle=xLines,%
+ hiddenLine=true,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.2pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{drawStyle=xLines} and
+\texttt{hiddenLine=true} option}
+\end{figure*}
+
+\begin{figure*}
+\centering
+\begin{pspicture}(-6,-4)(6,5)
+ \psgrid
+ \psset{Alpha=45,Beta=15}
+ \psplotThreeD[%
+ plotstyle=curve,%
+ drawStyle=yLines,%
+ fillstyle=gradient,%
+ yPlotpoints=50,xPlotpoints=50,%
+ linewidth=0.2pt](-4,4)(-4,4){%
+ x 3 exp x y 4 exp mul add x 5 div sub 10 mul
+ 2.729 x dup mul y dup mul add neg exp mul
+ 2.729 x 1.225 sub dup mul y dup mul add neg exp add}
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+\end{pspicture}
+\caption{Plot of the equation \ref{eq:3dfunc} with the \texttt{drawStyle=yLines} and
+\texttt{hiddenLine=true} option}
+\end{figure*}
+
+
+
+\subsection{Parametric Plots}\label{subsec:parametricplotThreeD}
+Parametric plots are only possible for drawing curves or areas. The syntax for this plot macro is:
+\begin{verbatim}
+\parametricplotThreeD(t1,t2)(u1,u2){<three parametric functions x y z}
+\end{verbatim}
+
+The only possible variables are \verb|t| and \verb|u| with \verb|t1,t2| and \verb|u1,u2| as the range for the parameters. The order for the functions is not important and \verb|u| may be optional when having only a three dimensional curve and not an area.
+\begin{align}
+\begin{array}{rl}
+ x & =f(t,u)\\
+ y & =f(t,u)\\
+ z & =f(t,u)
+\end{array}
+\end{align}
+To draw a spiral we have the parametric functions:
+\begin{align}
+\begin{array}{rl}
+ x & = r \cos t\\
+ y & = r \sin t\\
+ z & = t/600
+\end{array}
+\end{align}
+
+In the example the $t$ value is divided by $600$ for the \verb|z| coordinate, because we have the values for $t$ in degrees, here with a range of $0\mbox{}\ldots 2160\mbox{}$. Drawing a curve in a three dimensional coordinate system does only require one parameter, which has to be by default \verb|t|. In this case we do not need all parameters, so that one can write
+
+\begin{verbatim}
+\parametricplotThreeD(t1,t2){<three parametric functions x y z}
+\end{verbatim}
+
+which is the same as \verb|(0,0)| for the parameter \verb|u|.
+
+\begin{example}[width=6.75cm]
+\begin{pspicture}(-3.25,-2.25)(3.25,5.25)\psgrid
+ \parametricplotThreeD[xPlotpoints=200,linecolor=blue,%
+ linewidth=1.5pt,plotstyle=curve](0,2160){%
+ 2.5 t cos mul 2.5 t sin mul t 600 div}
+ \pstThreeDCoor[zMax=5]
+\end{pspicture}
+\end{example}
+
+
+Instead of using the \verb|\pstThreeDSphere| macro (see section \ref{sec:spheres}) it is also possible to use parametric functions for a sphere. The macro plots continous lines only for the \verb|t| parameter, so a sphere plotted with the longitudes need the parameter equations as
+\begin{align}
+\begin{array}{l}
+x = \cos t \cdot \sin u\\
+y = \cos t \cdot \cos u\\
+z = \sin t
+\end{array}
+\end{align}
+
+The same is possible for a sphere drawn with the latitudes:
+\begin{align}
+\begin{array}{l}
+x = \cos u \cdot \sin t\\
+y = \cos u \cdot \cos t\\
+z = \sin u
+\end{array}
+\end{align}
+
+and at last both together is also not a problem when having these parametric functions together in one \verb|pspicture| environment (see figure \ref{fig:paraSpheres}).
+
+\begin{lstlisting}
+\begin{pspicture}(-1,-1)(1,1)\psgrid
+\parametricplotThreeD[plotstyle=curve,yPlotpoints=40](0,360)(0,360){%
+ t cos u sin mul t cos u cos mul t sin
+}
+\parametricplotThreeD[plotstyle=curve,yPlotpoints=40](0,360)(0,360){%
+ u cos t sin mul u cos t cos mul u sin
+}
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{figure}[htb]
+{\psset{xunit=1.75cm,yunit=1.75cm}
+\begin{pspicture}(-1,-1)(1,1)
+\psgrid
+\setDefaults
+%\pstThreeDCoor[xMin=-1,xMax=1,yMin=-1,yMax=1,zMin=-1,zMax=1]
+\parametricplotThreeD[plotstyle=curve](0,360)(0,360){%
+ t cos u sin mul
+ t cos u cos mul
+ t sin
+}
+\end{pspicture}\hfill%
+\begin{pspicture}(-1,-1)(1,1)
+\psgrid
+%\pstThreeDCoor[xMin=-1,xMax=1,yMin=-1,yMax=1,zMin=-1,zMax=1]
+\parametricplotThreeD[plotstyle=curve](0,360)(0,360){%
+ u cos t sin mul
+ u cos t cos mul
+ u sin
+}
+\end{pspicture}}\hfill
+{\psset{xunit=2.5cm,yunit=2.5cm}
+\begin{pspicture}(-1,-1)(1,1)
+\psgrid
+\pstThreeDCoor[xMin=-1,xMax=1,yMin=-1,yMax=1,zMin=-1,zMax=1]
+\parametricplotThreeD[plotstyle=curve](0,360)(0,360){%
+ t cos u sin mul
+ t cos u cos mul
+ t sin
+}
+\parametricplotThreeD[plotstyle=curve](0,360)(0,360){%
+ u cos t sin mul
+ u cos t cos mul
+ u sin
+}
+\end{pspicture}}
+\caption{Different Views of the same Parametric Functions}\label{fig:paraSpheres}
+\end{figure}
+
+
+
+\section{Plotting data files}
+There are the same conventions for data files which holds 3D coordinates, than for the 2D one. For example:
+\begin{verbatim}
+ 0.0000 1.0000 0.0000
+-0.4207 0.9972 0.0191
+....
+
+0.0000, 1.0000, 0.0000
+-0.4207, 0.9972, 0.0191
+....
+
+(0.0000,1.0000,0.0000)
+(-0.4207,0.9972,0.0191)
+....
+
+{0.0000,1.0000,0.0000}
+{-0.4207,0.9972,0.0191}
+....
+\end{verbatim}
+
+There are the same three plot functions:
+\begin{verbatim}
+\fileplotThreeD[<options>]{<datafile>}
+\dataplotThreeD[<options>]{<data object>}
+\listplotThreeD[<options>]{<data object>}
+\end{verbatim}
+
+The in the following examples used data file has 446 entries like
+
+\begin{verbatim}
+6.26093349..., 2.55876582..., 8.131984...
+\end{verbatim}
+
+This may take some time on slow machines when using the \CMD{listplotThreeD} macro. The possible options for the lines are the ones from table \ref{tab:lineOptions}.
+
+\subsection{\textbackslash\texttt{fileplotThreeD}}
+The syntax is very easy
+
+{\footnotesize\begin{verbatim}
+\fileplotThreeD[<options>]{<datafile>}
+\end{verbatim}}
+
+If the data file is not in the same directory than the document, insert the file name with the full path. Figure \ref{fig:fileplot} shows a file plot with the option \texttt{linestyle=line}.
+
+\begin{figure}[htb]
+\begin{example}[pos=a]
+\begin{pspicture}(-6,-3)(6,10)
+ \psset{xunit=0.5cm,yunit=0.75cm,Alpha=30,Beta=30}% the global parameters
+ \pstThreeDCoor[xMin=-10,xMax=10,yMin=-10,yMax=10,zMin=-2,zMax=10]
+ \fileplotThreeD[plotstyle=line]{data3D.Roessler}
+\end{pspicture}%
+\end{example}%
+\caption{Demonstration of \texttt{\textbackslash fileplotThreeD} with \texttt{Alpha=30} and \texttt{Beta=15}}\label{fig:fileplot}
+\end{figure}
+
+
+\subsection{\textbackslash\texttt{dataplotThreeD}}
+The syntax is
+
+\begin{verbatim}
+\dataplotThreeD[<options>]{<data object>}
+\end{verbatim}
+
+In difference to the macro \CMD{fileplotThreeD} the \CMD{dataplotThreeD} cannot plot any external data without reading this with the macro \CMD{readdata} which reads external data and save it in a macro, f.ex.: \CMD{dataThreeD}.\cite{dtk02.2:jackson.voss:plot-funktionen}
+
+\begin{verbatim}
+\readdata{<data object>}{<datafile>}
+\end{verbatim}
+
+\readdata{\dataThreeD}{data3D.Roessler}
+\begin{figure}[htb]
+\begin{example}[width=8.5cm]
+\begin{pspicture}(-4.5,-3.5)(4,11)
+ \psset{xunit=0.5cm,yunit=0.75cm,Alpha=-30}
+ \pstThreeDCoor[xMin=-10,xMax=10,yMin=-10,yMax=10,zMin=-2,zMax=10]
+ \dataplotThreeD[plotstyle=line]{\dataThreeD}
+\end{pspicture}%
+\end{example}
+\caption{Demonstration of \texttt{\textbackslash dataplotThreeD} with \texttt{Alpha=-30} and \texttt{Beta=30}}\label{fig:fileplot}
+\end{figure}
+
+
+\subsection{\textbackslash\texttt{listplotThreeD}}
+The syntax is
+\begin{verbatim}
+\listplotThreeD[<options>]{<data object>}
+\end{verbatim}
+
+\CMD{listplotThreeD} ist similiar to \CMD{dataplotThreeD}, so it cannot plot any external data in a direct way, too. But \CMD{readdata} reads external data and saves it in a macro, f.ex.: \CMD{dataThreeD}.\cite{dtk02.2:jackson.voss:plot-funktionen} \CMD{listplot} can handle some additional PostScript code, which can be appended to the data object, f.ex.:
+
+\readdata{\data}{data3D.Roessler}
+\newcommand{\dataThreeDDraft}{%
+ \data\space
+ gsave % save grafic status
+ /Helvetica findfont 40 scalefont setfont
+ 45 rotate % rotate 45 degrees
+ 0.9 setgray % 1 ist white
+ -60 30 moveto (DRAFT) show
+ grestore
+}
+
+\begin{lstlisting}
+\dataread{\data}{data3D.Roessler}
+\newcommand{\dataThreeDDraft}{%
+ \data\space
+ gsave % save grafic status
+ /Helvetica findfont 40 scalefont setfont
+ 45 rotate % rotate 45 degrees
+ 0.9 setgray % 1 ist white
+ -60 30 moveto (DRAFT) show
+ grestore
+}
+\end{lstlisting}
+
+\begin{figure}[htb]
+\begin{example}[pos=a]
+\begin{pspicture}(-5,-4)(5,4)
+ \psset{xunit=0.5cm,yunit=0.5cm,Alpha=0,Beta=90}
+ \pstThreeDCoor[xMin=-10,xMax=10,yMin=-10,yMax=7.5,zMin=-2,zMax=10]
+ \listplotThreeD[plotstyle=line]{\dataThreeDDraft}
+\end{pspicture}%
+\end{example}%
+\caption{Demonstration of \texttt{\textbackslash listplotThreeD} with a view from above (\texttt{Alpha=0} and \texttt{Beta=90}) and some additional PostScript code}\label{fig:listplot}
+\end{figure}
+
+Figure \ref{fig:listplot} shows what happens with this code. For another example see \cite{dtk02.1:voss:mathematischen}, where the macro \texttt{ScalePoints} is modified. This macro is in \texttt{pst-3dplot} called \texttt{ScalePointsThreeD}.
+
+\section{Utility macros}
+
+\subsection{Rotation of three dimensional coordinates}
+
+With the three optional arguments \verb+RotX RotY RotZ+ one can rotate a three dimensional
+point. This makes only sense when one wants to save the coordinates. In general it is more
+powerful to use directly the optional parameters \verb+RotX+, \verb+RotY+, \verb+RotZ+ for
+the plot macros. However, the macro syntax is
+%
+\begin{verbatim}
+\pstRotPOintIIID[RotX=...,RotY=...,RotZ=...](<x,y,z>)<\xVal><\yVal><\zVal>
+\end{verbatim}
+
+the \verb+\xVal \yVal \zVal+ hold the new rotated coordinates and must be defined by the user like \verb+\def\xVal{}+,
+where the name of the macro is not important.
+
+The rotation angles are all predefined to $0$ degrees.
+
+\begin{center}
+\def\xVal{}\def\yVal{}\def\zVal{}
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotX=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotY=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotZ=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+\end{center}
+
+\begin{lstlisting}
+\def\xVal{}\def\yVal{}\def\zVal{}
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotX=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotY=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+
+\begin{pspicture}(-6,-4)(6,5)
+ \pstThreeDCoor[xMin=-1,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5]
+ \multido{\iA=0+10}{36}{\pstRotPointIIID[RotZ=\iA](2,0,3){\xVal}{\yVal}{\zVal}
+ \pstThreeDDot[drawCoor=true](\xVal,\yVal,\zVal)
+ }
+\end{pspicture}
+\end{lstlisting}
+
+
+\subsection{Transformation of coordinates}
+To run the macros with more than 9 parameters \verb|pst-3dplot| uses
+the syntax \verb|(#1)| for a collection of three coordinates \verb|(#1,#2,#3)|.
+To handle these triple in PostScript the following macro is used, which converts
+the parameter \verb|#1| into a sequence of the three coordinates, dived by a space.
+The syntax is:
+%
+\begin{verbatim}
+\getThreeDCoor(<vector>)<\macro>
+\end{verbatim}
+
+\verb|\macro| holds the sequence of the three coordinates \verb|x y z|, divided by a space.
+
+\subsection{Adding two vectors}
+The syntax is
+\begin{verbatim}
+\pstaddThreeDVec(<vector A>)(<vector B>)\tempa\tempb\tempc
+\end{verbatim}
+
+\verb|\tempa\tempb\tempc| must be user or system defined macros, which holds the three
+coordinates of the vector $\vec{C}=\vec{A}+\vec{B}$.
+
+\subsection{Substract two vectors}
+The syntax is
+\begin{verbatim}
+\pstsubThreeDVec(<vector A>)(<vector B>)\tempa\tempb\tempc
+\end{verbatim}
+
+\verb|\tempa\tempb\tempc| must be user or system defined macros, which holds the three
+coordinates of the vector $\vec{C}=\vec{A}-\vec{B}$.
+
+
+
+\section{PDF output}
+
+\verb|pst-3dplot| is based on the popular \verb|pstricks| package and writes pure \PS code\cite{PostScript}, so it is not possible to run \TeX{} files with pdf\LaTeX{} when there are pstricks macros in the document. If you still need a PDF output use one of the following possibilities:
+\begin{itemize}
+\item package \verb|pdftricks.sty|\cite{pdftricks}
+\item the for Linux free available program VTeX/Lnx\footnote{\url{http://www.micropress-inc.com/linux/}}
+\item build the PDF with \verb|ps2pdf| (\verb|dvi|$\rightarrow$\verb|ps|$\rightarrow$\verb|pdf|)
+\item use the \verb|ps4pdf| package.\footnote{\url{http://www.perce.de/LaTeX/ps4pdf/}}
+\end{itemize}
+
+If you need package \verb|graphicx.sty| load it before any \verb|pstricks| package. You do not need to load \verb|pstricks.sty|, it will be done by \verb|pst-3dplot| by default.
+
+\section{FAQ}
+\begin{itemize}
+\item The labels for the axis are not right placed in the preview.
+
+Be sure that you view your output with a dvi viewer which can show PostScript code, like
+kdvi but not xdvi. It is better to run \verb|dvips| and then view the ps-file with \verb|gv|.
+\item The three axes have a wrong intersection point.
+
+Be sure that you have the ''newest`` \verb|pst-node.tex| file
+\begin{verbatim}
+\def\fileversion{97 patch 11}
+\def\filedate{2000/11/09}
+\end{verbatim}
+and the ''newest`` \verb|pst-plot.tex|
+\begin{verbatim}
+\def\fileversion{97 patch 2}
+\def\filedate{1999/12/12}
+\end{verbatim}
+
+\item Using \verb+amsmath+ and \verb+\hat+ or other accents as label for the axes gives an
+error. In this case save prevent expanding with e.g.: \verb+\psset{nameX=$\noexpand\hat{x}$}+.
+\end{itemize}
+
+
+\section{Credits}
+Bruce Burton | Christophe Jorssen | Chris Kuklewicz | Thorsten Suhling
+
+
+\bibliographystyle{plain}
+\bibliography{pst-3dplot}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot.bib b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot.bib
new file mode 100644
index 00000000000..0e306e28974
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/doc/pst-3dplot.bib
@@ -0,0 +1,101 @@
+@STRING{dtk = {{D}ie {\TeX}nische {K}om{\"o}die} }
+@Book{PostScript,
+ Author = {Kollock, Nikolai G.},
+ Title = {PostScript richtig eingesetzt: vom Konzept zum
+ praktischen Einsatz},
+ Publisher = {IWT},
+ Address = {Vaterstetten},
+ year = 1989,
+}
+
+@Manual{pstricks,
+ Title = {PSTricks - {\PS} macros for Generic TeX},
+ Author = {Timothy Van Zandt},
+ Organization = {},
+ Address = {\url{http://www.tug.org/application/PSTricks}},
+ Note = {},
+ year = 1993,
+}
+
+
+@Manual{pdftricks,
+ Title = {PSTricks Support for pdf},
+ Author = {Herbert Voss},
+ Organization = {},
+ Address = {\url{http://www.educat.hu-berlin.de/~voss/lyx/pdf/pdfoutput.phtml}},
+ Note = {},
+ year = 2002,
+}
+
+@Manual{miwi,
+ Title = {References for \TeX{} and Friends},
+ Author = {Michael Wiedmann and Peter Karp},
+ Organization = {},
+ Address = {\url{http://www.miwie.org/tex-refs/}},
+ Note = {},
+ year = 2003,
+}
+
+
+@Manual{pstlens:2001,
+ Title = {PST-lens - {\PS} macros for Generic TeX},
+ Author = {Denis Girou and Manuel Luque},
+ Organization = {},
+ Address = {\url{ftp://ftp.dante.de/tex-archive/graphics/pstricks/contrib/pst-lens/}},
+ Note = {},
+ year = 2001,
+}
+
+@Manual{vue3d:2002,
+ Title = {Vue en 3D},
+ Author = {Manuel Luque},
+ Organization = {},
+ Address = {\url{http://members.aol.com/Mluque5130/vue3d16112002.zip}},
+ Note = {},
+ year = 2002,
+}
+
+@Article{dtk02.2:jackson.voss:plot-funktionen,
+ author = {Laura E. Jackson and Herbert Vo{\ss}},
+ title = {Die {P}lot-{F}unktionen von {\texttt{pst-plot}}},
+ journal = dtk,
+ year = 2002,
+ volume = {2/02},
+ altvolume = 2,
+ altnumber = 14,
+ month = jun,
+ pages = {27--34},
+ annote = bretter,
+ keywords = {},
+ abstract = { Im letzten Heft wurden die mathematischen Funktionen von
+ \PS~im Zusammenhang mit dem {\LaTeX}-Paket
+ \texttt{pst-plot} zum Zeichnen von Funktionen beschrieben
+ und durch Beispiele erl{\"a}utert. In diesem Teil werden
+ die bislang nur erw{\"a}hnten Plot-Funktionen f{\"u}r
+ externe Daten behandelt. }
+}
+
+@Article{dtk02.1:voss:mathematischen,
+ author = {Herbert Vo{\ss}},
+ title = {Die mathematischen {F}unktionen von {P}ostscript},
+ journal = dtk,
+ year = 2002,
+ volume = {1/02},
+ altvolume = 1,
+ altnumber = 14,
+ month = mar,
+ pages = {40-47},
+ annote = bretter,
+ keywords = {},
+ abstract = { \PS, faktisch genauso alt wie {\TeX}, ist im
+ Verh{\"a}ltnis dazu allgemein noch weniger bekannt, wenn es
+ darum geht zu beurteilen, was es denn nun im eigentlichen
+ Sinne ist. Au{\ss}erdem wird h{\"a}ufig vergessen, dass
+ sich mit den \PS-Funktionen viele Dinge erledigen lassen,
+ bei denen sonst auf externe Programme zur{\"u}ckgegriffen
+ wird. Dies wird im Folgenden f{\"u}r die mathematischen
+ Funktionen im Zusammenhang mit dem Paket \texttt{pst-plot}
+ gezeigt. }
+}
+
+
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/doc/tb72voss3d.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/doc/tb72voss3d.pdf
new file mode 100644
index 00000000000..ef3bc1f69bb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/doc/tb72voss3d.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.pdf
new file mode 100644
index 00000000000..606fbda3a30
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.tex
new file mode 100644
index 00000000000..042d5ca7ea7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3DLine.tex
@@ -0,0 +1,174 @@
+\documentclass[12pt,a4paper]{article}
+\usepackage{pstricks}
+\SpecialCoor
+\usepackage{multido}
+\usepackage{pst-3dplot}
+\usepackage{pst-grad}
+\usepackage{url}
+\usepackage{listings}
+\lstset{language=[LaTeX]TEX,basicstyle=\ttfamily\scriptsize,%
+ extendedchars=true,numbers=left,numberstyle=\tiny,%
+ xleftmargin=2em,breaklines=true}
+\makeatletter
+\def\modulo#1#2#3{%
+ \pst@cnta=#1\pst@cntb=#2\relax%
+ \pst@cntc=\pst@cnta%
+ \divide\pst@cnta by \pst@cntb%
+ \multiply\pst@cntb by \pst@cnta%
+ \advance\pst@cntc by -\pst@cntb%
+ \def\pst@tempa{\the\pst@cntc}%
+ \let#3\pst@tempa%
+}
+\makeatother
+
+\begin{document}
+
+This demo file uses the \verb+\pst@mod+ macro from \verb+pstricks-add+, which is
+available at \url{http://www.perce.de/LaTeX/pstricks-add}. If you install this package
+then delete the macro in the preamble of this document.
+
+
+\begin{center}
+\begin{pspicture}(-6,-2.25)(6,5)
+ \pstThreeDCoor[xMin=-3,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5,drawCoor=false]%
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}%
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}%
+ \or\psset{fillcolor=red,gradend=red}%
+ \or\psset{fillcolor=green,gradend=green}%
+ \or\psset{fillcolor=blue,gradend=blue}%
+ \or\psset{fillcolor=cyan,gradend=cyan}%
+ \or\psset{fillcolor=magenta,gradend=magenta}%
+ \or\psset{fillcolor=yellow,gradend=yellow}%
+ \fi%
+ \pstThreeDLine[SphericalCoor=true,%
+% fillstyle=solid,linestyle=none]%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)
+ }%
+ \pstThreeDLine[linecolor=red](0,0,0)(0,0,5)%
+\end{pspicture}
+\end{center}
+
+
+
+\begin{lstlisting}[float=h,label={Use of the 3D line macro}]
+\begin{pspicture}(-6,-2.25)(6,5)
+ \pstThreeDCoor[xMin=-3,xMax=5,yMin=-1,yMax=5,zMin=-1,zMax=5,drawCoor=false]
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}
+ \or\psset{fillcolor=red,gradend=red}
+ \or\psset{fillcolor=green,gradend=green}
+ \or\psset{fillcolor=blue,gradend=blue}
+ \or\psset{fillcolor=cyan,gradend=cyan}
+ \or\psset{fillcolor=magenta,gradend=magenta}
+ \or\psset{fillcolor=yellow,gradend=yellow}
+ \fi
+ \pstThreeDLine[SphericalCoor=true,%
+% fillstyle=solid,linestyle=none]%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)
+ }
+ \pstThreeDLine[linecolor=red](0,0,0)(0,0,5)
+\end{pspicture}
+\end{lstlisting}
+
+\begin{center}
+\begin{pspicture}(-6,-4)(6,5)
+ \psset{Beta=45}%
+ \pstThreeDCoor[xMin=-3,xMax=6,yMin=-1,yMax=6,zMin=-1,zMax=5,drawCoor=false]
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}%
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}%
+ \or\psset{fillcolor=red,gradend=red}%
+ \or\psset{fillcolor=green,gradend=green}%
+ \or\psset{fillcolor=blue,gradend=blue}%
+ \or\psset{fillcolor=cyan,gradend=cyan}%
+ \or\psset{fillcolor=magenta,gradend=magenta}%
+ \or\psset{fillcolor=yellow,gradend=yellow}%
+ \fi%
+ \pstThreeDLine[SphericalCoor=true,%
+% fillstyle=solid,linestyle=none]%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0,gradangle=\iA]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)%
+ }
+ \pstThreeDLine[linecolor=red]{->}(0,0,0)(0,0,5)%
+\end{pspicture}
+\end{center}
+
+\begin{lstlisting}[label={Another view}]
+\begin{pspicture}(-6,-4)(6,5)
+ \psset{Beta=45}
+ \pstThreeDCoor[xMin=-3,xMax=6,yMin=-1,yMax=6,zMin=-1,zMax=5,drawCoor=false]
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}
+ \or\psset{fillcolor=red,gradend=red}
+ \or\psset{fillcolor=green,gradend=green}
+ \or\psset{fillcolor=blue,gradend=blue}
+ \or\psset{fillcolor=cyan,gradend=cyan}
+ \or\psset{fillcolor=magenta,gradend=magenta}
+ \or\psset{fillcolor=yellow,gradend=yellow}
+ \fi
+ \pstThreeDLine[SphericalCoor=true,%
+% fillstyle=solid,linestyle=none]%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0,gradangle=\iA]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)
+ }
+ \pstThreeDLine[linecolor=red]{->}(0,0,0)(0,0,5)
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{center}
+\begin{pspicture}(-6.5,-6)(6,6.25)
+ \psset{Alpha=0,Beta=90}
+ \pstThreeDCoor[xMin=-3,xMax=6,yMin=-1,yMax=6,zMin=-1,zMax=5,drawCoor=false]
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}%
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}%
+ \or\psset{fillcolor=red,gradend=red}%
+ \or\psset{fillcolor=green,gradend=green}%
+ \or\psset{fillcolor=blue,gradend=blue}%
+ \or\psset{fillcolor=cyan,gradend=cyan}%
+ \or\psset{fillcolor=magenta,gradend=magenta}%
+ \or\psset{fillcolor=yellow,gradend=yellow}%
+ \fi
+ \pstThreeDLine[SphericalCoor=true,%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0,gradangle=\iA]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)%
+ }%
+ \pstThreeDLine[linecolor=red]{->}(0,0,0)(0,0,5)
+\end{pspicture}
+\end{center}
+
+\begin{lstlisting}[label={View from above}]
+\begin{pspicture}(-6.5,-6)(6,6.25)
+ \psset{Alpha=0,Beta=90}%
+ \pstThreeDCoor[xMin=-3,xMax=6,yMin=-1,yMax=6,zMin=-1,zMax=5,drawCoor=false]%
+ \multido{\iA=0+30,\iB=30+30,\iC=1+1}{12}{%
+ \modulo{\iC}{7}{\iCTemp}%
+ \ifcase\iCTemp\psset{fillcolor=black,gradend=black}%
+ \or\psset{fillcolor=red,gradend=red}%
+ \or\psset{fillcolor=green,gradend=green}%
+ \or\psset{fillcolor=blue,gradend=blue}%
+ \or\psset{fillcolor=cyan,gradend=cyan}%
+ \or\psset{fillcolor=magenta,gradend=magenta}%
+ \or\psset{fillcolor=yellow,gradend=yellow}%
+ \fi%
+ \pstThreeDLine[SphericalCoor=true,%
+ fillstyle=gradient,gradbegin=white,gradmidpoint=0,gradangle=\iA]%
+ (0,0,0)(1,\iA,60)(2,\iA,50)(3,\iA,40)(4,\iA,30)(5,\iA,20)(6,\iA,10)%
+ (6,\iB,10)(5,\iB,20)(4,\iB,30)(3,\iB,40)(2,\iB,50)(1,\iB,60)(0,0,0)%
+ }%
+ \pstThreeDLine[linecolor=red]{->}(0,0,0)(0,0,5)%
+\end{pspicture}
+\end{lstlisting}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.pdf
new file mode 100644
index 00000000000..4d24248b78c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.tex
new file mode 100644
index 00000000000..e5e21a2bccd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d0.tex
@@ -0,0 +1,56 @@
+\documentclass[12pt]{article}
+\usepackage{pstricks}
+\definecolor{light}{rgb}{0.3,0.4,0.6}
+\usepackage{pst-3dplot}
+\pagestyle{empty}
+\def\drawCircles{%
+% \pstThreeDCoor[xMax=14,yMax=14,zMax=7.5,linewidth=0.1pt]
+ \parametricplotThreeD[xPlotpoints=100](80,360)(0,360){%
+ /k 2 def /k2 4 def
+ t cos k mul 3 u sin k mul add mul
+ t sin k mul 3 u sin k mul add mul
+ u cos k2 mul
+ }
+ \parametricplotThreeD[yPlotpoints=75](0,360)(80,360){%
+ /k 2 def /k2 4 def
+ u cos k mul 3 t sin k mul add mul
+ u sin k mul 3 t sin k mul add mul
+ t cos k2 mul
+ }
+% \parametricplotThreeD[xPlotpoints=100,yPlotpoints=1,linecolor=red,linewidth=2pt](80,360)(0,360){%
+% /k 2 def /k2 4 def
+% t cos k mul 2 u sin k mul add mul
+% t sin k mul 2 u sin k mul add mul
+% u cos k2 mul
+% }
+ \parametricplotThreeD[yPlotpoints=1,linecolor=red,linewidth=2pt](0,360)(80,360){%
+ /k 2 def /k2 4 def
+ u cos k mul 3 t sin k mul add mul
+ u sin k mul 3 t sin k mul add mul
+ t cos k2 mul
+ }
+}
+
+\begin{document}
+
+\psset{unit=0.75}
+\begin{pspicture}(-5,-5)(5,5)
+ \psset{Beta=20,Alpha=50,linewidth=0.1pt,linecolor=light}
+ \drawCircles
+\end{pspicture}
+
+\clearpage
+%\psset{unit=0.75}
+\begin{pspicture}(-5,-5)(5,5)
+ \psset{Beta=90,Alpha=50,linewidth=0.1pt,linecolor=light}
+ \drawCircles
+\end{pspicture}
+
+\clearpage
+%\psset{unit=0.75}
+\begin{pspicture}(-5,-5)(5,5)
+ \psset{Beta=0,Alpha=50,linewidth=0.1pt,linecolor=light}
+ \drawCircles
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.pdf
new file mode 100644
index 00000000000..49cfb1670cc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.tex
new file mode 100644
index 00000000000..12def4d2fe4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d1.tex
@@ -0,0 +1,14 @@
+\documentclass[12pt]{article}
+\usepackage{pst-3dplot}
+\begin{document}
+
+\psset{unit=3cm,Beta=10,Alpha=60}
+
+\begin{pspicture}(-1,-1)(1,1)
+\pstThreeDCoor[xMax=2.5,yMax=2.5,zMax=2.5,drawing=false]
+\pstThreeDBox(1,1,-1)(-2,0,0)(0,-2,0)(0,0,2)
+\psplotThreeD[linecolor=blue,drawStyle=xyLines](-1,1)(-1,1){x 2 exp y mul}
+\psplotThreeD[linecolor=red,drawStyle=yLines](-1,1)(-1,1){x 2 exp y mul}
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.pdf
new file mode 100644
index 00000000000..c59928ac8d8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.tex
new file mode 100644
index 00000000000..b5af48c2ec1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/3d2.tex
@@ -0,0 +1,31 @@
+\documentclass[a4paper,12pt]{article}
+\usepackage{pstricks}
+\usepackage{pst-3dplot}
+\usepackage{pst-grad}
+\parindent=0pt
+\makeatletter
+
+\begin{document}
+
+\begin{pspicture}(-5,-5)(5,5)
+\pstThreeDCoor
+\pstThreeDPut(1,0,0){
+ \parametricplotThreeD[xPlotpoints=20,yPlotpoints=50](0,360)(0,360){%
+ /a 1.5 def /b 2 def /c 3 def
+ a t cos u sin mul mul
+ b t sin u sin mul mul
+ c u cos mul
+ }
+}
+\pstThreeDPut(-1,2,3){
+ \parametricplotThreeD[hiddenLine=true,plotstyle=curve,fillstyle=gradient,
+ gradbegin=red,gradend=white,xPlotpoints=20,yPlotpoints=50](0,360)(0,360){%
+ /a 3.5 def /b 2 def /c 2 def
+ a t cos u sin mul mul
+ b t sin u sin mul mul
+ c u cos mul
+ }
+}
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.pdf
new file mode 100644
index 00000000000..3e014077dc6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.tex
new file mode 100644
index 00000000000..848214fe518
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/polar2.tex
@@ -0,0 +1,81 @@
+\listfiles
+\documentclass[a4paper]{article}% Herbert Voss 2004-10-06
+\usepackage{pstricks}
+\usepackage{pstricks-add}
+\usepackage{multido}
+\def\func{%
+ const0 x sin dup mul 3 mul div neg /p exch def
+ p abs sqrt neg /r exch def
+ const1 2.0 div neg /q exch def
+ p 0 lt {
+ p dup mul p mul q dup mul add 0 le {
+ q r 3 exp div arccos
+ 3 div cos r dup add neg mul
+ }{
+ q r 3 exp div arch
+ 3 div cosh r dup add neg mul
+ } ifelse
+ }{
+ q r 3 exp div arsh
+ 3 div sinh r dup add neg mul
+ } ifelse
+}
+\begin{document}
+\textbf{Dynamical flow around a cylinder}
+\[
+\left(r^2-\frac{c_1}{r}\right)\sin^2\theta=c_0
+\]
+
+which is the same as
+
+\[
+r^3-\frac{c_0}{\sin^2\theta}\cdot r-c_1=0
+\]
+
+which can be solved by the formula of Cardano:
+
+\[
+r^3+3pr+2q=0
+\]
+
+\bigskip
+\begin{pspicture*}(-5,-2.5)(5,2.5)
+ \pstVerb{
+ /e 2.718281828459045 def
+ /arccos { dup dup mul neg 1.0 add sqrt exch atan } def
+ /sinh { dup e exch exp exch neg e exch exp sub 2 div } def
+ /cosh { dup e exch exp exch neg e exch exp add 2 div } def
+ /arsh { dup dup mul 1 add sqrt add ln } def
+ /arch { dup dup mul 1 sub sqrt add ln } def
+ }
+ \psaxes(0,0)(-5,-2.5)(5,2.5)
+ \pscircle[linecolor=red]{1}
+ \psset{plotpoints=100,linewidth=0.05pt,polarplot=true,linecolor=blue}
+ \multido{\rA=0.005+0.05}{5}{
+ \psplot{1}{179}{%
+ /const0 \rA\space def
+ /const1 1.0 def % cylinder radius
+ \func
+ }
+ \psplot{181}{359}{%
+ /const0 \rA\space def
+ /const1 1.0 def % cylinder radius
+ \func
+ }%
+ }
+ \multido{\rA=0.03+0.25}{20}{
+ \psplot{1}{179}{%
+ /const0 \rA\space def
+ /const1 1.0 def % cylinder radius
+ \func
+ }
+ \psplot{181}{359}{%
+ /const0 \rA\space def
+ /const1 1.0 def % cylinder radius
+ \func
+ }%
+ }
+\end{pspicture*}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.pdf b/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.pdf
new file mode 100644
index 00000000000..52fcf2fdaf2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.tex b/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.tex
new file mode 100644
index 00000000000..3112ee123c9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-3dplot/examples/spherCoor.tex
@@ -0,0 +1,41 @@
+\documentclass[12pt,a4paper]{article}
+\usepackage{pstricks}
+\usepackage{pst-3dplot}
+
+\begin{document}
+
+\begin{pspicture}(-6,-6)(6,6)
+\psset{unit=7.5cm,hiddenLine=true,drawCoor=true}
+\def\oA{%
+ \pstThreeDLine[linecolor=blue,linewidth=3pt,%
+ SphericalCoor=true,arrows=c-> ](0,0,0)(1,60,70)%
+}
+\def\oB{%
+ \pstThreeDLine[linecolor=red,linewidth=3pt,%
+ SphericalCoor=true,arrows=c->](0,0,0)(1,10,50)%
+}
+\def\oAB{%
+ \pstThreeDEllipse[beginAngle=90,endAngle=122,fillcolor=green,%
+ SphericalCoor=true](0,0,0)(1,140,40)(1,10,50)%
+}
+\pstThreeDCoor[drawing=true, linewidth=1pt,linecolor=black,%
+ xMin=0,xMax=1.1, yMin=0,yMax=1.1, zMin=0,zMax=1.1]
+\pstThreeDEllipse[beginAngle=0, endAngle=90,linestyle=dotted]%
+ (0,0,0)(-1,0,0)(0,1,0)
+\pstThreeDEllipse[beginAngle=0, endAngle=90,linestyle=dotted]%
+ (0,0,0)(-1,0,0)(0,0,1)
+\pstThreeDEllipse[beginAngle=180, endAngle=90,linestyle=dotted]%
+ (0,0,0)(0,0,1)(0,1,0)
+
+\psset{SphericalCoor=true}
+\pstThreeDDot[dotstyle=none](1,10,50)
+\pstThreeDDot[dotstyle=none](1,60,70)
+\pscustom[fillstyle=crosshatch,hatchcolor=yellow,%
+ linestyle=none]{\oA\oB\oAB}
+\oA \oB \oAB
+\pstThreeDPut[origin=lb](1,60,70){\Large $\vec\Omega_1$}
+\pstThreeDPut[origin=rb](1,10,50){\Large $\vec\Omega_2 \,$}
+\pstThreeDPut[origin=lb](1,10,65){\Large $\gamma_{12}$}
+
+\end{pspicture}
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-blur/Changes b/Master/texmf-dist/doc/generic/pst-blur/Changes
new file mode 100644
index 00000000000..691c22c29d5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-blur/Changes
@@ -0,0 +1,6 @@
+pst-blur.pro --------
+
+
+pst-blur.tex --------
+2.00 2005-09-08 - switch to pst-xkey (hv)
+ - new pst-blur.sty (hv)
diff --git a/Master/texmf-dist/doc/generic/pst-blur/README b/Master/texmf-dist/doc/generic/pst-blur/README
new file mode 100644
index 00000000000..87f8c206438
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-blur/README
@@ -0,0 +1,18 @@
+ ----------------------------------------------------
+ | pst-blur: PSTricks package for "blurred" shadows |
+ | |
+ | Version 2.00 (September 08, 2005) |
+ | Martin Giese <giese@ira.uka.de> |
+ | Herbert Voss <voss@pstricks.de> |
+ ----------------------------------------------------
+
+ * Run "tex" on pst-blur.ins and copy pst-blur.tex and pst-blur.sty
+in one of your TeX input directories
+
+ * Install pst-blur.pro in one of your DVI to PostScript converter input
+directories
+
+ * Run "latex" on pst-blur.dtx to generate the documentation
+
+--
+For Martin Giese and Herbert Voss (updated September 08, 2005)
diff --git a/Master/texmf-dist/doc/generic/pst-blur/pst-blur.pdf b/Master/texmf-dist/doc/generic/pst-blur/pst-blur.pdf
new file mode 100644
index 00000000000..d94d6d18e37
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-blur/pst-blur.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur.tex
new file mode 100644
index 00000000000..9e41c7b183a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-2.5,-2.5)(2.5,2.5)%\psgrid%
+\input{Exemples/abscur_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur_in.tex
new file mode 100644
index 00000000000..ddb433970a7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/abscur_in.tex
@@ -0,0 +1,4 @@
+\pstGeonode{O}(2,0){A}
+\pstCircleOA{O}{A}
+\pstCurvAbsNode{O}{A}{M_1}{\pstDistVal{5}}
+\pstCurvAbsNode[CurvAbsNeg=true]{O}{A}{M_2}{\pstDistAB{A}{M_1}}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle.tex
new file mode 100644
index 00000000000..22856df59d4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/angle_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle_in.tex
new file mode 100644
index 00000000000..c3ec42b5481
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/angle_in.tex
@@ -0,0 +1,11 @@
+\psset{PointSymbol=none}
+\pstTriangle(2;15){A}(2;85){B}(2;195){C}
+\psset{PointName=none}
+\pstTriangle[PointNameA=default](2;-130){B'}(2;15){A'}(2;195){C'}
+\pstTriangle[PointNameA=default](2;-55){B''}(2;15){A''}(2;195){C''}
+\pstRightAngle[linecolor=red]{C}{B}{A}
+\pstRightAngle[linecolor=blue, RightAngleType=suisseromand]{A}{B'}{C}
+\pstRightAngle[linecolor=magenta, RightAngleType=german]{A}{B''}{C}
+\psset{arcsep=\pslinewidth}
+\pstMarkAngle[linecolor=cyan, Mark=MarkHash]{A}{C}{B}{$\theta$}
+\pstMarkAngle[linecolor=red, arrows=->]{B}{A}{C}{$\gamma$} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc.tex
new file mode 100644
index 00000000000..2679d767050
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/arc_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc_in.tex
new file mode 100644
index 00000000000..48d4ec1112a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/arc_in.tex
@@ -0,0 +1,7 @@
+\pstGeonode[PosAngle={180,0}](1.5;24){A}(1.8;-31){B}
+\pstGeonode{O}
+\psset{arrows=->, arrowscale=2}
+\pstArcOAB[linecolor=red, linewidth=1.5\pslinewidth]{O}{A}{B}
+\pstArcOAB[linecolor=blue, linewidth=1.5\pslinewidth]{O}{B}{A}
+\pstArcnOAB[linecolor=green]{O}{A}{B}
+\pstArcnOAB[linecolor=magenta]{O}{B}{A}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro.tex
new file mode 100644
index 00000000000..ee37d88b917
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}[.5](-4.5,-4)(4.5,4.5)%\psgrid
+ \input{Exemples/astro_in}
+\end{pspicture} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro_in.tex
new file mode 100644
index 00000000000..00e490b4aaa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/astro_in.tex
@@ -0,0 +1,7 @@
+\HypoCyclo[4]{4}{1}{27}
+\psset{linecolor=blue, linewidth=1.5\pslinewidth}
+%% il est prfrable de mettre les quatre branches sparment cause
+%% des points de rebroussement
+\pstGenericCurve[GenCurvFirst=P]{N}{1}{7}
+\pstGenericCurve{N}{7}{14}\pstGenericCurve{N}{14}{21}
+\pstGenericCurve[GenCurvLast=P]{N}{21}{27}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec.tex
new file mode 100644
index 00000000000..b9107309c36
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(6,6)\psgrid
+ \input{Exemples/bissec_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec_in.tex
new file mode 100644
index 00000000000..31b8a33b525
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/bissec_in.tex
@@ -0,0 +1,5 @@
+\psset{CurveType=polyline,linecolor=red}
+\pstGeonode[PosAngle={180,-75,45}](1,4){B}(4,1){A}(5,4){C}
+\pstBissectBAC[linecolor=blue]{C}{A}{B}{A'}
+\pstOutBissectBAC[linecolor=green, PosAngle=180]
+ {C}{A}{B}{A''}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc.tex
new file mode 100644
index 00000000000..fe62b0dd64b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(6,6)\psgrid
+ \input{Exemples/ccirc_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc_in.tex
new file mode 100644
index 00000000000..c1017a79b25
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ccirc_in.tex
@@ -0,0 +1,3 @@
+\pstTriangle[PointSymbol=none](4,1){A}(1,3){B}(5,5){C}
+\pstCircleABC[CodeFig=true, CodeFigColor=blue,
+ linecolor=red, PointSymbol=none]{A}{B}{C}{O}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle.tex
new file mode 100644
index 00000000000..ac5836313f5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}[.5](-4,-4)(5,3)\psgrid%
+ \input{Exemples/cercle_in.tex}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle_in.tex
new file mode 100644
index 00000000000..ca1a3f1b369
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cercle_in.tex
@@ -0,0 +1,8 @@
+\psset{linewidth=2\pslinewidth}
+\pstGeonode[PosAngle={0,-135,90},PointSymbol={*,*,square}](1,0){A}(-2,-1){B}(0,1){C}
+\pstCircleOA[linecolor=red]{A}{B}
+\pstCircleOA[linecolor=green, DistCoef=2 3 div, Radius=\pstDistAB{A}{C}]{A}{}
+\pstCircleOA[linecolor=blue, Radius=\pstDistAB{B}{C}]{A}{}
+\pstCircleOA[linecolor=Sepia, Radius=\pstDistAB{A}{C}]{B}{}
+\pstCircleOA[linecolor=Aquamarine, Diameter=\pstDistAB{A}{C}]{B}{}
+\pstCircleAB[linecolor=RoyalBlue]{B}{C} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex.tex
new file mode 100644
index 00000000000..011b1332038
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-6,-5)(11,15)%\psgrid
+ \input{Exemples/cinscex_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex_in.tex
new file mode 100644
index 00000000000..f437305fbfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cinscex_in.tex
@@ -0,0 +1,50 @@
+\psset{PointSymbol=none}
+%\psframe(-6,-5)(11,15)
+\pstTriangle[linewidth=2\pslinewidth, linecolor=red]
+ (4,1){A}(0,3){B}(5,5){C}
+\psset{linecolor=blue}
+\pstBissectBAC[PointSymbol=none, PointName=none]{C}{A}{B}{AB}
+\pstBissectBAC[PointSymbol=none, PointName=none]{A}{B}{C}{BB}
+\pstBissectBAC[PointSymbol=none, PointName=none]{B}{C}{A}{CB}
+\pstInterLL{A}{AB}{B}{BB}{I}
+\psset{linecolor=magenta, linestyle=dashed}
+\pstProjection{A}{B}{I}[I_C]
+\pstLineAB{I}{I_C}\pstRightAngle[linestyle=solid]{A}{I_C}{I}
+\pstProjection{A}{C}{I}[I_B]
+\pstLineAB{I}{I_B}\pstRightAngle[linestyle=solid]{C}{I_B}{I}
+\pstProjection[PosAngle=80]{C}{B}{I}[I_A]
+\pstLineAB{I}{IA}\pstRightAngle[linestyle=solid]{B}{I_A}{I}
+\pstCircleOA[linecolor=yellow, linestyle=solid]{I}{I_A}
+%% BISSECTRICES EXTRIEURES
+\psset{linecolor=magenta, linestyle=none}
+\pstOutBissectBAC[PointSymbol=none, PointName=none]{C}{A}{B}{AOB}
+\pstOutBissectBAC[PointSymbol=none, PointName=none]{A}{B}{C}{BOB}
+\pstOutBissectBAC[PointSymbol=none, PointName=none]{B}{C}{A}{COB}
+\pstInterLL[PosAngle=-90]{A}{AOB}{B}{BOB}{I_1}
+\pstInterLL{A}{AOB}{C}{COB}{I_2}
+\pstInterLL[PosAngle=90]{C}{COB}{B}{BOB}{I_3}
+\psset{linecolor=magenta, linestyle=dashed}
+\pstProjection[PointName=I_{1C}]{A}{B}{I_1}[I1C]
+\pstLineAB{I_1}{I1C}\pstRightAngle[linestyle=solid]{I_1}{I1C}{A}
+\pstProjection[PointName=I_{1B}]{A}{C}{I_1}[I1B]
+\pstLineAB{I_1}{I1B}\pstRightAngle[linestyle=solid]{A}{I1B}{I_1}
+\pstProjection[PointName=I_{1A}]{C}{B}{I_1}[I1A]
+\pstLineAB{I_1}{I1A}\pstRightAngle[linestyle=solid]{I_1}{I1A}{C}
+\pstProjection[PointName=I_{2B}]{A}{C}{I_2}[I2B]
+\pstLineAB{I_2}{I2B}\pstRightAngle[linestyle=solid]{A}{I2B}{I_2}
+\pstProjection[PointName=I_{2C}]{A}{B}{I_2}[I2C]
+\pstLineAB{I_2}{I2C}\pstRightAngle[linestyle=solid]{I_2}{I2C}{A}
+\pstProjection[PointName=I_{2A}]{B}{C}{I_2}[I2A]
+\pstLineAB{I_2}{I2A}\pstRightAngle[linestyle=solid]{C}{I2A}{I_2}
+\pstProjection[PointName=I_{3A}]{C}{B}{I_3}[I3A]
+\pstLineAB{I_3}{I3A}\pstRightAngle[linestyle=solid]{C}{I3A}{I_3}
+\pstProjection[PointName=I_{3C}]{A}{B}{I_3}[I3C]
+\pstLineAB{I_3}{I3C}\pstRightAngle[linestyle=solid]{A}{I3C}{I_3}
+\pstProjection[PointName=I_{3B}]{C}{A}{I_3}[I3B]
+\pstLineAB{I_3}{I3B}\pstRightAngle[linestyle=solid]{I_3}{I3B}{A}
+\psset{linecolor=yellow, linestyle=solid}
+\pstCircleOA{I_1}{I1C}
+\pstCircleOA{I_2}{I2B}
+\pstCircleOA{I_3}{I3A}
+\psset{linecolor=red, linestyle=solid, nodesepA=-1, nodesepB=-1}
+\pstLineAB{I1B}{I3B}\pstLineAB{I1A}{I2A}\pstLineAB{I2C}{I3C} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype.tex
new file mode 100644
index 00000000000..a86b641f8d1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-5,-5)(10,5)\psgrid
+ \input{Exemples/curvetype_in.tex}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype_in.tex
new file mode 100644
index 00000000000..90d34f4e345
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/curvetype_in.tex
@@ -0,0 +1,10 @@
+\pstGeonode{O}
+\rput(-3,0){\pstGeonode[CurveType=polygon](1,0){A}(1;51.43){B}(1;102.86){C}
+ (1;154.29){D}(1;205.71){E}(1;257.14){F}(1;308.57){G}}
+\rput(-4,-1){\pstGeonode[CurveType=curve](1,3){M}(4,5){N}(6,2){P}(8,5){Q}}
+\pstRotation[linecolor=green, RotAngle=100, CurveType=polygon]{O}{A, B, C, D, E, F, G}
+\pstHomO[linecolor=red, HomCoef=.3, CurveType=curve]{O}{M,N,P,Q}
+\pstTranslation[linecolor=blue, CurveType=polygon]{C}{O}{A', B', C', D', E', F', G'}
+\pstSymO[linecolor=yellow, CurveType=curve]{O}{M',N',P',Q'}
+\pstOrtSym[linecolor=magenta, CurveType=polygon]{Q}{F''}
+ {A', B', C', D', E', F', G'}[A''', B''', C''', D''', E''', F''', G'''] \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo.tex
new file mode 100644
index 00000000000..80694c50326
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-2,0)(13,3)%\psgrid%
+ \input{Exemples/cyclo_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "~/TeX/Inputs/Doc/Euclide/euclide"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo_in.tex
new file mode 100644
index 00000000000..1cea4dba5cb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/cyclo_in.tex
@@ -0,0 +1,26 @@
+\renewcommand{\NbPt}{11}\psset{linewidth=1.2\pslinewidth}
+\pstGeonode[PointSymbol={*,none}, PointName={default,none}, PosAngle=180]{M}(0,1){O}
+%% 4*pi=12.5663706144
+\pstGeonode(12.5663706144,0){A}
+\pstTranslation[PointSymbol=none, PointName=none]{M}{A}{O}[B]
+\multido{\n=1+1}{\NbPt}{%
+ \pstHomO[HomCoef=\n\space \NbPt\space 1 add div,
+ PointSymbol=none, PointName=none]{O}{B}[O\n]
+ \pstProjection[PointSymbol=none, PointName=none]{M}{A}{O\n}[P\n]
+ %\pstCircleOA[linestyle=dashed, linecolor=red]{O\n}{P\n}
+ \pstCurvAbsNode[PointSymbol=square, PointName=none,CurvAbsNeg=true]
+ {O\n}{P\n}{M\n}{\pstDistAB{O}{O\n}}
+ \ifnum\n=2%affichage du second cercle
+ \bgroup
+ \pstCircleOA{O\n}{M\n}
+ \psset{linecolor=magenta, linewidth=1.5\pslinewidth}
+ \pstArcnOAB{{O\n}}{P\n}{M\n}
+ \ncline{O\n}{M\n}\ncline{P\n}{M}
+ \egroup
+ \fi}% fin du multido
+\psset{linecolor=blue, linewidth=1.5\pslinewidth}
+\pstGenericCurve[GenCurvFirst=M]{M}{1}{6}
+\pstGenericCurve[GenCurvLast=A]{M}{6}{\NbPt}
+%% juste pour la vrification
+%\parametricplot[linecolor=green, linewidth=.5\pslinewidth]{0}{12.5663706144}
+% {t t 3.1415926 div 180 mul sin sub 1 t 3.1415926 div 180 mul cos sub}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/delto.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/delto.tex
new file mode 100644
index 00000000000..791363e0d80
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/delto.tex
@@ -0,0 +1,9 @@
+%%%%%%%%%%%%%%%%%%%%
+\begin{pspicture}[.5](-3.5,-4)(3.5,4)%\psgrid
+ \HypoCyclo[3]{3}{1}{17}
+ \psset{linecolor=blue, linewidth=1.5\pslinewidth}
+ %% il est prfrable de mettre les trois branches sparment cause
+ %% des points de rebroussement
+ \pstGenericCurve[GenCurvFirst=P]{N}{1}{6} \pstGenericCurve{N}{6}{12}
+ \pstGenericCurve[GenCurvLast=P]{N}{12}{17}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite.tex
new file mode 100644
index 00000000000..19595b78b30
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/droite_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite_in.tex
new file mode 100644
index 00000000000..0fe249534ca
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/droite_in.tex
@@ -0,0 +1,3 @@
+\pstGeonode(1,1){A}(-1,-1){B}
+\pstLineAB[nodesepA=-.4, nodesepB=-1, linecolor=green]{A}{B}
+\pstLineAB[nodesep=.4, linecolor=red]{A}{B} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi.tex
new file mode 100644
index 00000000000..146be669a2e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-6,-6)(3.5,6)%\psgrid
+ \input{Exemples/envcardi_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi_in.tex
new file mode 100644
index 00000000000..80f9058ea5e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envcardi_in.tex
@@ -0,0 +1,8 @@
+\psset{linewidth=0.4\pslinewidth,PointSymbol=x,
+ nodesep=0,linecolor=magenta}
+\pstGeonode[PointName=none]{O}(2,0){O'}
+\pstCircleOA[linecolor=black]{O}{O'}
+\multido{\n=5+5}{72}{%
+ \pstGeonode[PointSymbol=none, PointName=none]
+ (2;\n){M_\n}
+ \pstCircleOA{M_\n}{O'}} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse.tex
new file mode 100644
index 00000000000..3576839e86e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse.tex
@@ -0,0 +1,7 @@
+\begin{pspicture*}(-6,-6)(6,6)
+ \input{Exemples/envellipse_in.tex}
+\end{pspicture*}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse_in.tex
new file mode 100644
index 00000000000..84fa7313884
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/envellipse_in.tex
@@ -0,0 +1,9 @@
+\psset{linewidth=0.4\pslinewidth,PointSymbol=none, PointName=none}
+\pstGeonode[PosAngle=-90, PointSymbol={none,*,none}, PointName={none,default,none}]
+ {O}(4;132){A}(5,0){O'}
+\pstCircleOA{O}{O'}
+\multido{\n=5+5}{72}{%
+ \pstGeonode(5;\n){M_\n}
+ \pstMediatorAB[nodesep=-15,linecolor=magenta]
+ {A}{M_\n}{I}{J}}% fin multido
+
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler.tex
new file mode 100644
index 00000000000..971aa290bf8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler.tex
@@ -0,0 +1,8 @@
+\begin{pspicture}(-3,-1.5)(3,2.5)%\psgrid
+ \psframe(-3,-1.5)(3,2.5)
+ \input{Exemples/euler_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler_in.tex
new file mode 100644
index 00000000000..c96bf0c0675
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/euler_in.tex
@@ -0,0 +1,28 @@
+\psset{PointSymbol=none}
+\pstTriangle(-2,-1){A}(1,2){B}(2,-1){C}
+{% encapsulation de modif paramtres
+ \psset{linestyle=none, PointSymbolB=none, PointNameB=none}
+ \pstMediatorAB{A}{B}{K}{KP}
+ \pstMediatorAB{C}{A}{J}{JP}
+ \pstMediatorAB{B}{C}{I}{IP}
+}% fin
+\pstInterLL[PointSymbol=square, PosAngle=-170]{I}{IP}{J}{JP}{O}
+{% encapsulation de modif paramtres
+ \psset{nodesep=-.8, linecolor=green}
+ \pstLineAB{O}{I}\pstLineAB{O}{J}\pstLineAB{O}{K}
+}% fin
+\psdot[dotstyle=square](O)
+\pstProjection{B}{A}{C}
+\pstProjection{B}{C}{A}
+\pstProjection{A}{C}{B}
+\psset{linecolor=blue}\ncline{A}{A'}\ncline{C}{C'}\ncline{B}{B'}
+\pstInterLL[PointSymbol=square]{A}{A'}{B}{B'}{H}
+% le cercle d'Euler (centre au milieu de [OH])
+\pstMiddleAB[PointSymbol=o, PointName=\omega]{O}{H}{omega}
+\pstCircleOA[linecolor=Orange, linestyle=dashed, dash=5mm 1mm]{omega}{B'}
+\psset{PointName=none}
+% il passe par le milieu des segments joignant l'orthocentre et les sommets
+\pstMiddleAB{H}{A}{AH}\pstMiddleAB{H}{B}{BH}\pstMiddleAB{H}{C}{CH}
+\pstSegmentMark{H}{AH}\pstSegmentMark{AH}{A}
+\psset{SegmentSymbol=wedge}\pstSegmentMark{H}{BH}\pstSegmentMark{BH}{B}
+\psset{SegmentSymbol=cup}\pstSegmentMark{H}{CH}\pstSegmentMark{CH}{C}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom.tex
new file mode 100644
index 00000000000..f8119481bc3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom.tex
@@ -0,0 +1,9 @@
+\begin{pspicture}(-2.8,-3)(2.8,3)
+ \psset{linewidth=.05\pslinewidth}
+ \input{Exemples/fracthom_in}
+\end{pspicture}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom_in.tex
new file mode 100644
index 00000000000..70507b1e97a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/fracthom_in.tex
@@ -0,0 +1,13 @@
+\pstGeonode[PosAngle={0,90}](2,2){A_0}(-2,2){B_0}%
+\psset{RotAngle=90}
+\pstRotation[PosAngle=270]{A_0}{B_0}[D_0]
+\pstRotation[PosAngle=180]{D_0}{A_0}[C_0]
+\pspolygon(A_0)(B_0)(C_0)(D_0)%
+\psset{PointSymbol=none, PointName=none, HomCoef=.2}
+\multido{\n=1+1,\i=0+1}{20}{%
+ \pstHomO[PosAngle=0]{B_\i}{A_\i}[A_\n]
+ \pstHomO[PosAngle=90]{C_\i}{B_\i}[B_\n]
+ \pstHomO[PosAngle=180]{D_\i}{C_\i}[C_\n]
+ \pstHomO[PosAngle=270]{A_\i}{D_\i}[D_\n]
+ \pspolygon(A_\n)(B_\n)(C_\n)(D_\n)}% fin multido
+
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss.tex
new file mode 100644
index 00000000000..a53481d9b34
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss.tex
@@ -0,0 +1,5 @@
+\bgroup\psset{unit=.9}
+\begin{pspicture}(-1,-1)(5,5)%\psgrid
+ \input{Exemples/gal_biss_in.tex}
+\end{pspicture}
+\egroup \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss_in.tex
new file mode 100644
index 00000000000..34637a4e337
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gal_biss_in.tex
@@ -0,0 +1,15 @@
+\psset{PointSymbol=none}
+\pstGeonode[PosAngle={180,130,-90}, PointSymbol={default,none}]
+ (2,0){B}(0,1){O}(1,4){A}
+\pstLineAB[nodesepB=-1, linecolor=red]{O}{A}
+\pstLineAB[nodesepB=-1, linecolor=red]{O}{B}
+\pstInterLC[PointSymbolA=none, PosAngleB=-45]{O}{B}{O}{A}{G}{C}
+\psset{arcsepA=-1, arcsepB=-1}
+\pstArcOAB[linecolor=green, linestyle=dashed]{O}{C}{A}
+\pstInterCC[PointSymbolB=none, PointNameB=none, PosAngleA=100]{A}{O}{C}{O}{O'}{OO}
+\pstArcOAB[linecolor=blue, linestyle=dashed]{A}{O'}{O'}
+\pstArcOAB[linecolor=blue, linestyle=dashed]{C}{O'}{O'}
+\pstLineAB[nodesepB=-1, linecolor=cyan]{O}{O'}
+\psset{arcsep=\pslinewidth, linecolor=magenta, Mark=MarkHash}
+\pstMarkAngle{C}{O}{O'}{}
+\pstMarkAngle[MarkAngleRadius=.5]{O'}{O}{A}{} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss.tex
new file mode 100644
index 00000000000..c86a0577cf8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss.tex
@@ -0,0 +1,8 @@
+%% Polygone 17 cts
+\begin{pspicture}(-5.5,-5.5)(5.5,6)%\psgrid
+ \input{Exemples/gauss_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss_in.tex
new file mode 100644
index 00000000000..683cae02da0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gauss_in.tex
@@ -0,0 +1,49 @@
+ \pstGeonode[PosAngle={-90,0}]{O}(5;0){P_1}
+ \pstCircleOA{O}{P_1}
+ \pstSymO[PointSymbol=none, PointName=none, CodeFig=false]{O}{P_1}[PP_1]
+ \ncline[linestyle=solid]{PP_1}{P_1}
+ \pstRotation[RotAngle=90, PosAngle=90]{O}{P_1}[B]
+ \pstRightAngle[linestyle=solid]{B}{O}{PP_1}\ncline[linestyle=solid]{O}{B}
+ \pstHomO[HomCoef=.25]{O}{B}[J]
+ \ncline{J}{P_1}
+ \pstBissectBAC[PointSymbol=none, PointName=none]{O}{J}{P_1}{PE1}
+ \pstBissectBAC[PointSymbol=none, PointName=none]{O}{J}{PE1}{PE2}
+ \pstInterLL[PosAngle=-90]{O}{P_1}{J}{PE2}{E}
+ \pstRotation[PosAngle=-90, RotAngle=-45, PointSymbol=none, PointName=none]{J}{E}[PF1]
+ \pstInterLL[PosAngle=-90]{O}{P_1}{J}{PF1}{F}
+ \pstMiddleAB[PointSymbol=none, PointName=none]{F}{P_1}{MFP1}
+ \pstCircleOA{MFP1}{P_1}
+ \pstInterLC[PointSymbolA=none, PointNameA=none]{O}{B}{MFP1}{P_1}{H}{K}
+ \pstCircleOA{E}{K}
+ \pstInterLC{O}{P_1}{E}{K}{N_6}{N_4}
+ \pstRotation[RotAngle=90, PointSymbol=none, PointName=none]{N_6}{E}[PP_6]
+ \pstInterLC[PosAngleA=90, PosAngleB=-90, PointNameB=P_{13}]
+ {PP_6}{N_6}{O}{P_1}{P_6}{P_13}
+ \pstSegmentMark[SegmentSymbol=wedge]{N_6}{P_6}
+ \pstSegmentMark[SegmentSymbol=wedge]{P_13}{N_6}
+ \pstRotation[RotAngle=90, PointSymbol=none, PointName=none]{N_4}{E}[PP_4]
+ \pstInterLC[PosAngleA=90, PosAngleB=-90, PointNameB=P_{15}]
+ {N_4}{PP_4}{O}{P_1}{P_4}{P_15}
+ \pstSegmentMark[SegmentSymbol=cup]{N_4}{P_4}
+ \pstSegmentMark[SegmentSymbol=cup]{P_15}{N_4}
+ \pstRightAngle[linestyle=solid]{P_1}{N_6}{P_6}
+ \pstRightAngle[linestyle=solid]{P_1}{N_4}{P_4}
+ \pstBissectBAC[PosAngle=90, linestyle=none]{P_4}{O}{P_6}{P_5}
+ %\pstOrtSym[PosAngle=-90, PointName=P_{14}]{O}{P_1}{P_5}[P_14]
+ \pstInterCC[PosAngleB=90, PointSymbolA=none, PointNameA=none]{O}{P_1}{P_4}{P_5}{H}{P_3}
+ %\pstOrtSym[PosAngle=-90, SegmentSymbol=pstslash, PointName=P_{16}]
+ % {O}{P_1}{P_3}[P_16]
+ \pstInterCC[PosAngleB=90, PointSymbolA=none, PointNameA=none]{O}{P_1}{P_3}{P_4}{H}{P_2}
+ %\pstOrtSym[PosAngle=-90, SegmentSymbol=pstslashslashslash,
+ % PointName=P_{17}]{O}{P_1}{P_2}[P_17]
+ \pstInterCC[PosAngleA=90, PointSymbolB=none, PointNameB=none]{O}{P_1}{P_6}{P_5}{P_7}{H}
+ \pstInterCC[PosAngleA=100, PointSymbolB=none, PointNameB=none]{O}{P_1}{P_7}{P_6}{P_8}{H}
+ \pstInterCC[PosAngleA=135, PointSymbolB=none, PointNameB=none]{O}{P_1}{P_8}{P_7}{P_9}{H}
+ \pstOrtSym[PosAngle={-90,-90,-90,-100,-135}, %SegmentSymbol={default,pstslash,pstslashhh,circ,times,equiv},
+ PointName={P_{17},P_{16},P_{14},P_{12},P_{11},P_{10}}]
+ {O}{P_1}{P_2,P_3,P_5,P_7,P_8,P_9}[P_17,P_16,P_14,P_12,P_11,P_10]
+ %\pstOrtSym[PosAngle=-100, SegmentSymbol=times, PointName=P_{11}]{O}{P_1}{P_8}[P_11]
+ %\pstOrtSym[PosAngle=-135, SegmentSymbol=equiv,PointName=P_{10}]{O}{P_1}{P_9}[P_10]
+ \pspolygon[linecolor=green, linestyle=solid, linewidth=2\pslinewidth]
+ (P_1)(P_2)(P_3)(P_4)(P_5)(P_6)(P_7)(P_8)(P_9)
+ (P_10)(P_11)(P_12)(P_13)(P_14)(P_15)(P_16)(P_17) \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur.tex
new file mode 100644
index 00000000000..8e87479865f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-2.5,-2.5)(2.5,1)%\psgrid%
+\input{Exemples/gencur_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur_in.tex
new file mode 100644
index 00000000000..8adebdf17dc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/gencur_in.tex
@@ -0,0 +1,5 @@
+\psset{unit=.00625}
+\pstGeonode{A}
+\multido{\n=20+20}{18}{\pstGeonode[PointName=M_{\n}](\n;\n){M_\n}}
+\pstGenericCurve[GenCurvFirst=A, GenCurvInc=20,
+ linecolor=blue, linewidth=.5\pslinewidth]{M_}{20}{360} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper.tex
new file mode 100644
index 00000000000..7f54846c252
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-5,-5)(5,5)
+ \input{Exemples/geohyper_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper_in.tex
new file mode 100644
index 00000000000..cbd8887dfa7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geohyper_in.tex
@@ -0,0 +1,38 @@
+\psclip{\pscircle(0,0){4}}%\psgrid
+ %\newlength{\radius}\setlength{\radius}{0cm}
+ %\newcounter{rapport}\setcounter{i}{1}
+ %\whiledo{\value{i}<100}{
+ % \setlength{\radius}{4cm*\value{i}}
+ % \setcounter{rapport}{\value{i}+1}
+ % \divide\radius by \arabic{rapport}
+ % \pscircle[linestyle=dotted, linecolor=gray]%
+ % (0, 0){\radius}
+ % \setcounter{i}{\value{i}*2}
+ % }
+ \pstGeonode(1, 2){M}\pstGeonode(-2,2){N}\pstGeonode(0,-2){P}%
+ \psset{DrawCirABC=false, PointSymbol=none, PointName=none}%
+ \pstGeonode(0,0){O}\pstGeonode(4,0){A}\pstCircleOA{O}{A}%
+ \pstHomO[HomCoef=\pstDistAB{O}{A} 2 mul \pstDistAB{O}{M} sub
+ \pstDistAB{O}{M} div]{O}{M}[M']%
+ \pstHomO[HomCoef=\pstDistAB{O}{A} 2 mul \pstDistAB{O}{P} sub
+ \pstDistAB{O}{P} div]{O}{P}[P']%
+ \pstHomO[HomCoef=\pstDistAB{O}{A} 2 mul \pstDistAB{O}{N} sub
+ \pstDistAB{O}{N} div]{O}{N}[N']%
+ \psset{linecolor=green, linewidth=1.5pt}%
+ \pstCircleABC{M}{N}{M'}{OmegaMN}\pstArcOAB{OmegaMN}{N}{M}%
+ \pstCircleABC{M}{P}{M'}{OmegaMP}\pstArcOAB{OmegaMP}{M}{P}%
+ \pstCircleABC{N}{P}{P'}{OmegaNP}\pstArcOAB{OmegaNP}{P}{N}%
+ \psset{linecolor=blue}
+ %% la hauteur issue de M
+ \pstHomO[HomCoef=\pstDistAB{OmegaNP}{N} 2 mul \pstDistAB{OmegaNP}{M} sub
+ \pstDistAB{OmegaNP}{M} div]{OmegaNP}{M}[MH']
+ \pstCircleABC{M}{M'}{MH'}{OmegaMH}\pstArcOAB{OmegaMH}{MH'}{M}
+ %% la hauteur issue de N
+ \pstHomO[HomCoef=\pstDistAB{OmegaMP}{M} 2 mul \pstDistAB{OmegaMP}{N} sub
+ \pstDistAB{OmegaMP}{N} div]{OmegaMP}{N}[NH']
+ \pstCircleABC{N}{N'}{NH'}{OmegaNH}\pstArcOAB{OmegaNH}{N}{NH'}
+ %% la hauteur issue de P
+ \pstHomO[HomCoef=\pstDistAB{OmegaMN}{M} 2 mul \pstDistAB{OmegaMN}{P} sub
+ \pstDistAB{OmegaMN}{P} div]{OmegaMN}{P}[PH']
+ \pstCircleABC{P}{P'}{PH'}{OmegaPH}\pstArcOAB{OmegaPH}{P}{PH'}
+\endpsclip \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode.tex
new file mode 100644
index 00000000000..8250e34620a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-2,-2)(3,3)\psgrid
+ \input{Exemples/geonode_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode_in.tex
new file mode 100644
index 00000000000..18442d60d66
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/geonode_in.tex
@@ -0,0 +1,13 @@
+\pstGeonode{A}
+\pstGeonode[PosAngle=-135, PointNameSep=1.3](0,3){B_1}
+\pstGeonode[PointSymbol=pentagon, dotscale=2, fillstyle=solid,
+ fillcolor=OliveGreen, PtNameMath=false,
+ PointName=$B_2$, linecolor=red](-2,1){B2}
+\pstGeonode[PosAngle={90,0,-90}, PointSymbol={*,o},
+ linestyle=dashed, CurveType=polygon,
+ PointNameSep={1em,2em,3mm}]
+ (1,2){M_1}(2,1){M_2}(1,0){M_3}
+\pstGeonode[PosAngle={50,100,90}, PointSymbol={*,x,default},
+ PointNameSep=3mm, CurveType=curve,
+ PointName={\alpha,\beta,\gamma,default}]
+ (-2,0){alpha}(-1,-2){beta}(0,-1){gamma}(2,-1.5){T} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra.tex
new file mode 100644
index 00000000000..7932e69964a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,1)(5,6)%\psgrid
+ \input{Exemples/german_ra_in.tex}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra_in.tex
new file mode 100644
index 00000000000..44c7f732198
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/german_ra_in.tex
@@ -0,0 +1,3 @@
+\pstTriangle(1,2){A}(4,2){B}(1,5){C}
+\pstMarkAngle[MarkAngleRadius=.5, LabelSep=.3]
+ {B}{A}{C}{\boldmath$\cdot$}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav.tex
new file mode 100644
index 00000000000..943eaaee0cd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-3,-2)(2,2)\psgrid
+ \input{Exemples/grav_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav_in.tex
new file mode 100644
index 00000000000..af1f1612b88
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/grav_in.tex
@@ -0,0 +1,2 @@
+\pstTriangle[PointSymbol=none](1,1){A}(-1,-1){B}(-2,1){C}
+\pstCGravABC{A}{B}{C}{G}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie.tex
new file mode 100644
index 00000000000..f6c46d21708
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid%
+ \input{Exemples/homothetie_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie_in.tex
new file mode 100644
index 00000000000..9d35f3d848a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/homothetie_in.tex
@@ -0,0 +1,6 @@
+\pstGeonode[PosAngle={0,-45}](.5,1){O}(-1.5,-1.2){A}(.5,-.8){B}
+\pstHomO[HomCoef=.62, PosAngle=-45]{O}{A,B}[C,D]
+\psset{linecolor=green, nodesep=-1}
+\pstLineAB{A}{O}\pstLineAB{B}{O}
+\psset{linecolor=red, nodesep=-.5}
+\pstLineAB{A}{B}\pstLineAB{C}{D}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole.tex
new file mode 100644
index 00000000000..fb5046651c2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole.tex
@@ -0,0 +1,8 @@
+\begin{pspicture}[0](-4,-4)(4,4)%\psgrid
+ \psframe(-4,-4)(4,4)
+ \input{Exemples/hyperbole_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole_in.tex
new file mode 100644
index 00000000000..2f8dfa13a27
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hyperbole_in.tex
@@ -0,0 +1,54 @@
+\newcommand{\Sommet}{1.4142135623730951}
+\newcommand{\PosFoyer}{2}
+\newcommand{\HypAngle}{0}
+\setcounter{i}{1}
+\newcounter{CoefDiv}\setcounter{CoefDiv}{20}
+\newcounter{Inc}\setcounter{Inc}{2}
+\newcounter{n}\setcounter{n}{2}
+%% rayon des cercles successifs utiliss pour trouver les points de H
+%% on choisit \Rii=\Ri+2\Sommet (dfinition de l'hyperbole)
+\newcommand{\Ri}{% c'est du postscript
+ \PosFoyer\space\Sommet\space sub \arabic{i}\space\arabic{CoefDiv}\space div add}
+\newcommand{\Rii}{\Ri\space\Sommet\space 2 mul add}
+\pstGeonode[PosAngle=90]{O}(\PosFoyer;\HypAngle){F}
+\pstSymO[PosAngle=180]{O}{F}\pstLineAB{F}{F'}
+%% TRAC DES ASYMPTOTES
+\pstCircleOA{O}{F}
+%% positionnement des deux sommets de H
+\pstGeonode[PosAngle=-135](\Sommet;\HypAngle){S}
+\pstGeonode[PosAngle=-45](-\Sommet;\HypAngle){S'}
+%% l'intersection de la droite perpendiculaire (FF') passant par S,
+%% coupe les asymptotes sur le cercle de diamtre [FF'] (cette droite est une tangente)
+\pstRotation[RotAngle=90, PointSymbol=none]{S}{O}[B]
+\pstInterLC[PosAngleA=90, PosAngleB=-90]{S}{B}{O}{F}{A_1}{A_2}
+\pstLineAB[nodesepA=-3,nodesepB=-5]{A_1}{O}
+\pstLineAB[nodesepA=-3,nodesepB=-5]{A_2}{O}
+%% cos(\Psi)=OS/OF (c-a-d \Sommet/\PosFoyer)
+%% ici \sqrt(2)/2, donc \Psi=45 => hyperbole quilatre
+\pstMarkAngle[LabelSep=.8, MarkAngleRadius=.7, arrows=->,
+ LabelSep=1.1]{F}{O}{A_1}{$\Psi$}
+\ncline[linecolor=red]{A_1}{A_2}
+\pstRightAngle[RightAngleSize=.15]{A_1}{S}{O}
+\psset{PointName=none}
+\whiledo{\value{n}<8}{%
+ \psset{RadiusA=\pstDistVal{\Ri},RadiusB=\pstDistVal{\Rii},PointSymbol=none}
+ \pstInterCC{F}{}{F'}{}{M\arabic{n}}{P\arabic{n}}
+ \pstInterCC{F'}{}{F}{}{M'\arabic{n}}{P'\arabic{n}}
+ %% bcp de points au dbut, moins ensuite
+ %% n -> numro du point, i -> taille des cercles
+ %% Inc -> incrment variable de i (2^n)
+ \stepcounter{n}\addtocounter{i}{\value{Inc}}
+ \addtocounter{Inc}{\value{Inc}}}%% fin de whiledo
+\psset{linecolor=blue}
+%% trac des quatres 1/2 branches de l'hyperbole
+\pstGenericCurve[GenCurvFirst=S]{M}{2}{7}
+\pstGenericCurve[GenCurvFirst=S]{P}{2}{7}
+\pstGenericCurve[GenCurvFirst=S']{M'}{2}{7}
+\pstGenericCurve[GenCurvFirst=S']{P'}{2}{7}
+%% pour vrif le trace paramtrique
+%\parametricplot[linecolor=black, linewidth=.25\pslinewidth]{-1}{1}
+% {t dup tx@EcldDict begin sh exch ch end \Sommet\space mul exch
+% \PosFoyer\space dup mul \Sommet\space dup mul sub sqrt mul}
+%\parametricplot[linecolor=black, linewidth=.25\pslinewidth]{-1}{1}
+% {t dup tx@EcldDict begin sh exch ch end neg \Sommet\space mul exch
+% \PosFoyer\space dup mul \Sommet\space dup mul sub sqrt mul}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hypocyclo.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hypocyclo.tex
new file mode 100644
index 00000000000..f221a5f5153
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/hypocyclo.tex
@@ -0,0 +1,21 @@
+\newcommand{\HypoCyclo}[4][100]{%
+ \def\R{#2}\def\petitR{#3}\def\NbPt{#4}% dfinitions locales pour lisibilit
+ %% Selon la valeur de R sur petitR :
+ %% 4 une astrode -- 3 une deltode -- 2 un diamtre (!)
+ \def\Anglen{\n\space 360 \NbPt\space 1 add div mul}
+ \psset{PointSymbol=none,PointName=none}
+ \pstGeonode[PointSymbol={*,none},PointName={default,none}, PosAngle=0]{O}(\R;0){P}
+ \pstCircleOA{O}{P}
+ \pstHomO[HomCoef=\petitR\space\R\space div]{P}{O}[M]
+ \multido{\n=1+1}{\NbPt}{%
+ \pstRotation[RotAngle=\Anglen]{O}{M}[M\n]
+ \rput(M\n){\pstGeonode(\petitR;0){Q}}
+ \pstRotation[RotAngle=\Anglen]{M\n}{Q}[N]
+ \pstRotation[RotAngle=\n\space -360 \NbPt\space 1 add div
+ mul \R\space\petitR\space div mul, PointSymbol=*, PointName=none]%
+ {M\n}{N}[N\n]
+ \ifnum\n=#1
+ \pstCircleOA{M\n}{N\n}\ncline{M\n}{N\n}%
+ {\psset{linecolor=red, linewidth=2\pslinewidth}
+ \pstArcOAB{M\n}{N\n}{N}\pstArcOAB{O}{P}{N}}
+ \fi}}%fin multido-newcommand
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC.tex
new file mode 100644
index 00000000000..ccd47eccfe2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,-1)(4,3)\psset{dash=2mm 2mm}\psgrid
+ \input{Exemples/interCC_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_bis_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_bis_in.tex
new file mode 100644
index 00000000000..2d289f26564
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_bis_in.tex
@@ -0,0 +1,13 @@
+\pstGeonode[PointName={\Omega,O}](3,-1){Omega}(1,-1){O}
+\pstGeonode[PointSymbol=square, PosAngle={-90,90}](0,3){A}(2,2){B}
+\psset{PointSymbol=o}
+\pstCircleOA[linecolor=red, DistCoef=1 3 10 div add, Radius=\pstDistAB{A}{B}]{O}{}
+\pstCircleOA[linecolor=Orange, Diameter=\pstDistAB{A}{B}]{O}{}
+\pstCircleOA[linecolor=Violet, Radius=\pstDistAB{A}{B}]{Omega}{}
+\pstCircleOA[linecolor=Purple, Diameter=\pstDistAB{A}{B}]{Omega}{}
+\pstInterCC[DistCoef=1 3 10 div add, RadiusA=\pstDistAB{A}{B},
+ DistCoef=none, RadiusB=\pstDistAB{A}{B}]{O}{}{Omega}{}{D}{E}
+\pstInterCC[DiameterA=\pstDistAB{A}{B}, RadiusB=\pstDistAB{A}{B}]{O}{}{Omega}{}{F}{G}
+\pstInterCC[DistCoef=1 3 10 div add, RadiusA=\pstDistAB{A}{B},
+ DistCoef=none, DiameterB=\pstDistAB{A}{B}]{O}{}{Omega}{}{H}{I}
+\pstInterCC[DiameterA=\pstDistAB{A}{B}, DiameterB=\pstDistAB{A}{B}]{O}{}{Omega}{}{J}{K}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_in.tex
new file mode 100644
index 00000000000..6e4f376a05d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interCC_in.tex
@@ -0,0 +1,9 @@
+\rput{10}{%
+ \pstGeonode[PosAngle={0,-90,-90,90}]
+ (1,-1){O}(2,1){A}(2,0.1){B}(2.5,1){C}}
+\pstCircleOA[linecolor=red]{C}{B}
+\pstInterCC[PosAngleA=135, CodeFigA=true, CodeFigAarc=false,
+ CodeFigColor=magenta]{O}{A}{C}{B}{D}{E}
+\pstInterCC[PointSymbolB=none, PointNameB=none,
+ PosAngleA=170, CodeFigA=true, CodeFigAarc=false,
+ CodeFigColor=green]{B}{E}{C}{B}{F}{G}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC.tex
new file mode 100644
index 00000000000..8049edefa99
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-3,-2)(4,4)\psgrid%
+ \input{Exemples/interDC_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC_in.tex
new file mode 100644
index 00000000000..f9fc5cfd7ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDC_in.tex
@@ -0,0 +1,15 @@
+\pstGeonode[PosAngle={-135,80,0}](-1,0){B}(3,-1){C}(-.9,.5){O}(0,2){A}
+\pstGeonode(-2,3){I}
+\pstCircleOA[linecolor=red]{O}{A}
+\pstInterLC[PosAngle=-80]{C}{B}{O}{A}{D}{E}
+\pstInterLC[PosAngleB=60, Radius=\pstDistAB{O}{D}]
+ {I}{C}{O}{}{F}{G}
+\pstInterLC[PosAngleB=180, DistCoef=1.3,
+ Diameter=\pstDistAB{O}{D}]
+ {I}{B}{O}{}{H}{J}
+\pstCircleOA[linecolor=red, DistCoef=1.3,
+ Diameter=\pstDistAB{O}{D}]{O}{}
+\psset{nodesep=-1}
+\pstLineAB[linecolor=green]{E}{C}
+\pstLineAB[linecolor=cyan]{I}{C}
+\pstLineAB[linecolor=magenta]{J}{I}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD.tex
new file mode 100644
index 00000000000..8c8b90667aa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-1,-2)(4,3)\psset{unit=.8}\psgrid
+ \input{Exemples/interDD_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD_in.tex
new file mode 100644
index 00000000000..321bbaa82f3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interDD_in.tex
@@ -0,0 +1,4 @@
+\pstGeonode(0,-1){A}(3,2){B}(3,0){C}(1,2){D}
+\pstInterLL[PointSymbol=square]{A}{B}{C}{D}{E}
+\psset{linecolor=blue, nodesep=-1}
+\pstLineAB{A}{B}\pstLineAB{C}{D}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC.tex
new file mode 100644
index 00000000000..4dd809b1255
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC.tex
@@ -0,0 +1,8 @@
+\psset{unit=.8}
+\begin{pspicture}[.5](-3,-4)(3,4)%\psgrid
+ \input{Exemples/interFC_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC_in.tex
new file mode 100644
index 00000000000..3c473da4ee7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFC_in.tex
@@ -0,0 +1,12 @@
+\def\F{x 180 mul 3.1415926 div cos 2 mul}
+\pstGeonode(0.3,-1){O}(2,.5){M}
+\ncline[linecolor=blue, arrowscale=2]{->}{O}{M}
+\psaxes{->}(0,0)(-3,-3)(3,4)
+\psplot[linewidth=2\pslinewidth, linecolor=gray]{-3.14}{3.14}{\F}
+\psset{PointSymbol=*}
+\pstCircleOA{O}{M}
+\psset{PointSymbol=o}
+\pstInterFC{\F}{O}{M}{1}{N_0}
+\pstInterFC{\F}{O}{M}{-1}{N_1}
+\pstInterFC{\F}{O}{M}{-2}{N_2}
+\pstInterFC{\F}{O}{M}{2}{N_3}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF.tex
new file mode 100644
index 00000000000..354b0ff9381
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF.tex
@@ -0,0 +1,8 @@
+\begin{pspicture}[.5](-3,-1)(2,4)
+ \input{Exemples/interFF_in}
+\end{pspicture}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF_in.tex
new file mode 100644
index 00000000000..c05b27959ea
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFF_in.tex
@@ -0,0 +1,7 @@
+\psaxes{->}(0,0)(-2,0)(2,4)
+\psset{linewidth=2\pslinewidth}
+\psplot[linecolor=gray]{-2}{2}{x 2 exp}
+\psplot{-2}{2}{2 x 2 div sub}
+\psset{PointSymbol=o}
+\pstInterFF{2 x 2 div sub}{x 2 exp}{1}{M_1}
+\pstInterFF{2 x 2 div sub}{x 2 exp}{-2}{M_0}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL.tex
new file mode 100644
index 00000000000..a900ddd0ceb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL.tex
@@ -0,0 +1,8 @@
+\psset{unit=.8}
+\begin{pspicture}(-3,-1.5)(3,4)%\psgrid
+ \input{Exemples/interFL_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL_in.tex
new file mode 100644
index 00000000000..85a05562651
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/interFL_in.tex
@@ -0,0 +1,10 @@
+\def\F{x 3 exp 3 div x sub 2 3 div add .0001 add}
+\psaxes{->}(0,0)(-3,-1)(3,4)
+\psplot[linewidth=2\pslinewidth, linecolor=gray]{-2.5}{2.5}{\F}
+\psset{PointSymbol=*}
+\pstGeonode[PosAngle={-45,0}](0,-.2){N}(2.5,1){M}
+\pstLineAB[nodesepA=-3cm]{N}{M}
+\psset{PointSymbol=o}
+\pstInterFL{\F}{N}{M}{2}{A}
+\pstInterFL[PosAngle=90]{\F}{N}{M}{0}{A'}
+\pstInterFL{\F}{N}{M}{-2}{A''} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator.tex
new file mode 100644
index 00000000000..9a3e17deda0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator.tex
@@ -0,0 +1,8 @@
+\begin{pspicture}(6,6)\psgrid
+ \input{Exemples/mediator_in}
+\end{pspicture}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator_in.tex
new file mode 100644
index 00000000000..efc7c53eaa6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/mediator_in.tex
@@ -0,0 +1,9 @@
+\pstTriangle[PointSymbol=none](3.5,1){A}(1,4){B}(5,4.2){C}
+\psset{linecolor=red, CodeFigColor=red, nodesep=-1}
+\pstMediatorAB[PointSymbolA=none]{A}{B}{I}{M_I}
+\psset{PointSymbol=none, PointNameB=none}
+\pstMediatorAB[CodeFig=true]
+ {A}{C}{J}{M_J}
+\pstMediatorAB[PosAngleA=45, linecolor=blue]
+ {C}{B}{K}{M_K}
+
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu.tex
new file mode 100644
index 00000000000..02687041b3c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-3,-2)(2,2)\psgrid
+ \input{Exemples/milieu_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu_in.tex
new file mode 100644
index 00000000000..f4d9ae815db
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/milieu_in.tex
@@ -0,0 +1,4 @@
+\pstTriangle[PointSymbol=none](1,1){A}(-1,-1){B}(-2,1){C}
+\pstMiddleAB{A}{B}{C'}
+\pstMiddleAB{C}{A}{B'}
+\pstMiddleAB{B}{C}{A'}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij.tex
new file mode 100644
index 00000000000..82379389f36
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij.tex
@@ -0,0 +1,5 @@
+{\psset{unit=.7}
+\begin{pspicture*}(-4,-4)(4,4)%\psgrid
+ \input{Exemples/oij_in}
+\end{pspicture*}
+} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij_in.tex
new file mode 100644
index 00000000000..9fb0c9c59a6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/oij_in.tex
@@ -0,0 +1,12 @@
+\pstGeonode[PosAngle={-135,-90,180}]{O}(1,0.5){I}(0.5,2){J}
+\pstLineAB[nodesep=10]{O}{I}
+\pstLineAB[nodesep=10]{O}{J}
+\multips(-5,-2.5)(1,0.5){11}{\psline(0,-.15)(0,.15)}
+\multips(-2,-8)(0.5,2){9}{\psline(-.15,0)(.15,0)}
+\psset{linestyle=dotted}%
+\multips(-5,-2.5)(1,0.5){11}{\psline(-10,-40)(10,40)}
+\multips(-2,-8)(0.5,2){9}{\psline(-10,-5)(10,5)}
+\psset{PointSymbol=x, linestyle=solid}
+\pstOIJGeonode[PosAngle={-90,0}, CurveType=curve,
+ linecolor=red]
+ (3,1){A}{O}{I}{J}(-2,1){B}(-1,-1.5){C}(2,-1){D}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre.tex
new file mode 100644
index 00000000000..8263598c070
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-2,-2)(3.5,2)\psset{CodeFig=true, unit=.75}\psgrid
+ \input{Exemples/orthocentre_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre_in.tex
new file mode 100644
index 00000000000..9dddcf7ac65
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthocentre_in.tex
@@ -0,0 +1,7 @@
+\psset{CodeFig=true, PointSymbol=none}
+\pstTriangle[PosAngleA=180](-1,0){A}(3,-1){B}(3,2){C}
+\pstProjection[PosAngle=-90]{B}{A}{C}
+\pstProjection{B}{C}{A}
+\pstProjection[PosAngle=90]{A}{C}{B}
+\pstInterLL[PosAngle=135, PointSymbol=square]
+ {A}{A'}{B}{B'}{H}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper.tex
new file mode 100644
index 00000000000..7ebbbf6e642
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-11,-10)(11,10)\psframe(-11,-10)(11,10)%\psgrid
+ \input{Exemples/orthoethyper_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper_in.tex
new file mode 100644
index 00000000000..fcb7a737be0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/orthoethyper_in.tex
@@ -0,0 +1,16 @@
+\psset{linecolor=blue, linewidth=2\pslinewidth}
+\psplot{-10}{-.1}{1 x div}
+\psplot{.1}{10}{1 x div}
+\psset{PointSymbol=none, linewidth=.5\pslinewidth}
+\pstTriangle[linecolor=magenta, PosAngleB=-85, PosAngleC=-90](.2,5){A}(1,1){B}(10,.1){C}
+%\pstTriangle[linecolor=magenta, PosAngleB=-135](.2, 5){A}(-1,-1){B}(10,.1){C}
+\psset{linecolor=magenta, CodeFig=true, CodeFigColor=red}
+\pstProjection{B}{A}{C}
+\ncline[nodesepA=-1, linestyle=dashed, linecolor=magenta]{C'}{B}
+\pstProjection{B}{C}{A}
+\ncline[nodesepA=-1, linestyle=dashed, linecolor=magenta]{A'}{B}
+\pstProjection{A}{C}{B}
+\pstInterLL[PosAngle=135, PointSymbol=square]{A}{A'}{B}{B'}{H}
+\psset{linecolor=green, nodesep=-1}
+\pstLineAB{A}{H}\pstLineAB{B'}{H}\pstLineAB{C}{H}
+\psdot[dotstyle=square](H)
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole.tex
new file mode 100644
index 00000000000..fa05863fd50
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole.tex
@@ -0,0 +1,4 @@
+\begin{pspicture}[.5](0,.5)(11,10.5)%\psgrid
+ \psframe(0,.5)(11,10.5)
+ \input{Exemples/parabole_in.tex}
+\end{pspicture} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole_in.tex
new file mode 100644
index 00000000000..172fb51e113
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/parabole_in.tex
@@ -0,0 +1,24 @@
+\psset{linewidth=1.2\pslinewidth}\renewcommand{\NbPt}{11}
+\pstGeonode[PosAngle={0,-90}](5,4){O}(1,2){A}(9,1.5){B}
+\newcommand{\Parabole}[1][100]{%
+ \pstLineAB[nodesep=-.9, linecolor=green]{A}{B}
+ \psset{RotAngle=90, PointSymbol=none, PointName=none}
+ \multido{\n=1+1}{\NbPt}{%
+ \pstHomO[HomCoef=\n\space \NbPt\space 1 add div]{A}{B}[M\n]
+ \pstMediatorAB[linestyle=none]{M\n}{O}{M\n_I}{M\n_IP}
+ \pstRotation{M\n}{A}[M\n_P]
+ \pstInterLL[PointSymbol=square, PointName=none]{M\n_I}{M\n_IP}{M\n}{M\n_P}{P_\n}
+ \ifnum\n=#1
+ \bgroup
+ \pstRightAngle{A}{M\n}{M\n_P}
+ \psset{linewidth=.5\pslinewidth, nodesep=-1, linecolor=blue}
+ \pstLineAB{M\n_I}{P_\n}\pstLineAB{M\n}{P_\n}
+ \pstRightAngle{P_\n}{M\n_I}{M\n}
+ \psset{linecolor=red}\pstSegmentMark{M\n}{M\n_I}\pstSegmentMark{M\n_I}{O}
+ \egroup
+ \fi}}%fin multido-newcommand
+\Parabole[2]\pstGenericCurve[linecolor=magenta]{P_}{1}{\NbPt}
+%% Nouvelle parabole avec un nouveau point B
+\pstGeonode[PointSymbol=*, PosAngle=-90](10,3.5){B}
+\psset{linestyle=dashed}
+\Parabole\pstGenericCurve[linecolor=magenta]{P_}{1}{\NbPt}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection.tex
new file mode 100644
index 00000000000..c5b56aaf7e7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-3,-2)(2,2)\psgrid
+ \input{Exemples/projection_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection_in.tex
new file mode 100644
index 00000000000..1db01dec23a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/projection_in.tex
@@ -0,0 +1,5 @@
+\psset{PointSymbol=none,CodeFig=true, CodeFigColor=red}
+\pstTriangle(1,1){A}(-2,1){C}(-1,-1){B}
+\pstProjection{A}{B}{C}[I]
+\pstProjection{A}{C}{B}[J]
+\pstProjection{C}{B}{A}[K]
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat.tex
new file mode 100644
index 00000000000..dea19de574a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-7,-6)(5,5)%\psgrid
+ \input{Exemples/ptfermat_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat_in.tex
new file mode 100644
index 00000000000..bc4754b3f70
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/ptfermat_in.tex
@@ -0,0 +1,17 @@
+\psset{PointSymbol=none, PointName=none}
+\pstTriangle[PosAngleA=-160, PosAngleB=90, PosAngleC=-25]%
+ (-3,-2){B}(0,3){A}(2,-1){C}%
+\psset{RotAngle=-60}
+\pstRotation[PosAngle=-90]{B}{C}[A']
+\pstRotation{C}{A}[B']
+\pstRotation[PosAngle=160]{A}{B}[C']
+\pstLineAB{A}{B'}
+\pstLineAB{C}{B'}
+\pstLineAB{B}{A'}
+\pstLineAB{C}{A'}
+\pstLineAB{B}{C'}
+\pstLineAB{A}{C'}
+\pstCircleABC[linecolor=red]{A}{B}{C'}{O_1}
+\pstCircleABC[linecolor=blue]{A}{C}{B'}{O_2}
+\pstCircleABC[linecolor=Aquamarine]{A'}{C}{B}{O_3}
+\pstInterCC[PointSymbolA=none]{O_1}{A}{O_2}{A}{E}{F}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq.tex
new file mode 100644
index 00000000000..5f25c33e1a3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq.tex
@@ -0,0 +1,8 @@
+\begin{pspicture}(-3,-2)(3,3)%\psgrid
+ \input{Exemples/remarq_in}
+\end{pspicture}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: "~/TeX/Inputs/Doc/Euclide/euclide"
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq_in.tex
new file mode 100644
index 00000000000..333a7a23e1a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/remarq_in.tex
@@ -0,0 +1,26 @@
+\psset{PointSymbol=none}
+\pstTriangle[PointSymbol=none](-2,-1){A}(1,2){B}(2,0){C}
+% les mdiatrices
+{% encapsulation de modif paramtres
+ \psset{linestyle=none, PointNameB=none}
+ \pstMediatorAB{A}{B}{K}{KP}
+ \pstMediatorAB[PosAngleA=-40]{C}{A}{J}{JP}
+ \pstMediatorAB[PosAngleA=75]{B}{C}{I}{IP}
+}% fin
+\pstInterLL[PointSymbol=square, PosAngle=-170]{I}{IP}{J}{JP}{O}
+{% encapsulation de modif paramtres
+ \psset{nodesep=-.8, linecolor=green}
+ \pstLineAB{O}{I}\pstLineAB{O}{J}\pstLineAB{O}{K}
+}% fin
+\pstCircleOA[linecolor=red]{O}{A}
+% pour que le symbol de O soit sur et non sous les droites
+\psdot[dotstyle=square](O)
+% les hauteurs et l'orthocentre
+\pstProjection{B}{A}{C}
+\pstProjection{B}{C}{A}
+\pstProjection{A}{C}{B}
+\psset{linecolor=blue}\ncline{A}{A'}\ncline{C}{C'}\ncline{B}{B'}
+\pstInterLL[PointSymbol=square]{A}{A'}{B}{B'}{H}
+% les mdianes et le centre de gravit
+\psset{linecolor=magenta}\ncline{A}{I}\ncline{C}{K}\ncline{B}{J}
+\pstCGravABC[PointSymbol=square, PosAngle=95]{A}{B}{C}{G}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation.tex
new file mode 100644
index 00000000000..8c6e75d59c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid%
+ \input{Exemples/rotation_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation_in.tex
new file mode 100644
index 00000000000..aa94079d041
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/rotation_in.tex
@@ -0,0 +1,8 @@
+\psset{arrowscale=2}
+\pstGeonode[PosAngle=-135](-1.5,-.2){A}(.5,.2){B}(0,-2){D}
+\pstRotation[PosAngle=90, RotAngle=60, CodeFig=true,
+ CodeFigColor=blue,
+ TransformLabel=\frac{\pi}{3}]{A}{B}[C]
+\pstRotation[AngleCoef=.5, RotAngle=\pstAngleAOB{B}{A}{C},
+ CodeFigColor=red, CodeFig=true,
+ TransformLabel=\frac{1}{2}\widehat{BAC}]{A}{D}[E] \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark.tex
new file mode 100644
index 00000000000..13820387da8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark.tex
@@ -0,0 +1,3 @@
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/segmentmark_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark_in.tex
new file mode 100644
index 00000000000..ef41b925093
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/segmentmark_in.tex
@@ -0,0 +1,9 @@
+\rput{18}{%
+ \pstGeonode[PosAngle={0,90,180,-90}](2,0){A}(2;72){B}
+ (2;144){C}(2;216){D}(2;288){E}}
+\pstSegmentMark{A}{B}
+\pstSegmentMark[linecolor=green]{B}{C}
+\psset{linewidth=2\pslinewidth}
+\pstSegmentMark[linewidth=2\pslinewidth]{C}{D}
+\pstSegmentMark{D}{E}
+\pstSegmentMark{E}{A} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale.tex
new file mode 100644
index 00000000000..25b895898a4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/symcentrale_in}
+\end{pspicture} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale_in.tex
new file mode 100644
index 00000000000..3b593412700
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symcentrale_in.tex
@@ -0,0 +1,7 @@
+\psset{CodeFig=true}
+\pstGeonode[PosAngle={20,90,0}]{O}(-.6,1.5){A}(1.6,-.5){B}
+\pstSymO[CodeFigColor=blue, PosAngle={-90,180}]{O}{A, B}[C, D]
+%\pstSymO[SegmentSymbol=pstslash, PosAngle=180]
+% {O}{B}{D}
+\pstLineAB{A}{B}\pstLineAB{C}{D}
+\pstLineAB{A}{D}\pstLineAB{C}{B}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale.tex
new file mode 100644
index 00000000000..66d51da160e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale.tex
@@ -0,0 +1,4 @@
+\psset{unit=.6}%
+\begin{pspicture}(0,-2)(8,7)\psgrid
+ \input{Exemples/symorthogonale_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale_in.tex
new file mode 100644
index 00000000000..ce41b552ffa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/symorthogonale_in.tex
@@ -0,0 +1,8 @@
+\pstTriangle(1,3){B}(5,5){C}(4,1){A}
+\pstOrtSym{A}{B}{C}[D]
+\psset{CodeFig=true}
+\pstOrtSym[dash=2mm 2mm, CodeFigColor=red]
+ {C}{B}{A}
+\pstOrtSym[SegmentSymbol=pstslash, linestyle=dotted,
+ dotsep=3mm, CodeFigColor=blue]
+ {C}{A}{B}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c.tex
new file mode 100644
index 00000000000..80c5c562820
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(15,10)%\psgrid
+ \input{Exemples/tg1c_in.tex}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c_in.tex
new file mode 100644
index 00000000000..9b934d0e80b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg1c_in.tex
@@ -0,0 +1,8 @@
+\pstGeonode(5, 5){O}(14,2){M}
+\pstCircleOA[Radius=\pstDistVal{4}]{O}{}
+\pstMiddleAB[PointSymbol=none, PointName=none]{O}{M}{O'}
+\pstInterCC[RadiusA=\pstDistVal{4}, DiameterB=\pstDistAB{O}{M},
+ CodeFigB=true, CodeFigColor=magenta, PosAngleB=45]
+ {O}{}{O'}{}{A}{B}
+\psset{linecolor=red, linewidth=1.3\pslinewidth, nodesep=-2}
+\pstLineAB{M}{A}\pstLineAB{M}{B}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c.tex
new file mode 100644
index 00000000000..9b02a99bd37
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c.tex
@@ -0,0 +1,7 @@
+\begin{pspicture}(-2,0)(13,9)%\psgrid
+ \input{Exemples/tg2c_in}
+\end{pspicture}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c_in.tex
new file mode 100644
index 00000000000..53015c9f722
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/tg2c_in.tex
@@ -0,0 +1,18 @@
+\pstGeonode(9,3){O}(3,6){O'}\psset{PointSymbol=none, PointName=none}
+\pstCircleOA[Radius=\pstDistVal{3}]
+ {O}{}\pstCircleOA[Radius=\pstDistVal{1}]{O'}{}
+\pstInterLC[Radius=\pstDistVal{3}]{O}{O'}{O}{}{M}{toto}
+\pstInterLC[Radius=\pstDistVal{1}]{O}{O'}{O'}{}{M'}{toto}
+\pstRotation[RotAngle=30]{O}{M}[N]
+\pstRotation[RotAngle=30]{O'}{M'}[N']
+\pstInterLL[PointSymbol=default, PointName=\Omega]{O}{O'}{N}{N'}{Omega}
+\pstMiddleAB{O}{Omega}{I}
+\pstInterCC{I}{O}{O}{M}{A}{B}
+\psset{nodesepA=-1, nodesepB=-3, linecolor=blue, linewidth=1.3\pslinewidth}
+\pstLineAB[nodesep=-2]{A}{Omega}\pstLineAB[nodesep=-2]{B}{Omega}
+\pstRotation[RotAngle=-150]{O'}{M'}[N'']
+\pstInterLL[PointSymbol=default, PointName=\Omega']{O}{O'}{N}{N''}{Omega'}
+\pstMiddleAB{O}{Omega'}{J}
+\pstInterCC{J}{O}{O}{M}{A'}{B'}
+\psset{nodesepA=-1, nodesepB=-3, linecolor=red}
+\pstLineAB{A'}{Omega'}\pstLineAB{B'}{Omega'}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation.tex
new file mode 100644
index 00000000000..1e71eece32a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid%
+ \input{Exemples/translation_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation_in.tex
new file mode 100644
index 00000000000..a35bd545b00
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/translation_in.tex
@@ -0,0 +1,7 @@
+\psset{linecolor=green, nodesep=-1, PosAngle=90,arrowscale=2}
+\pstGeonode(-1.5,-1.2){A}(.5,-.8){B}(.5,1){C}(-1,0){D}(-2,-2){E}
+\pstTranslation{B}{A}{C}
+\psset{CodeFig=true, TransformLabel=default}
+\pstTranslation{A}{B}{D}
+\pstTranslation[DistCoef=1.5]{A}{B}{E}
+\pstLineAB{A}{B}\pstLineAB{C}{C'}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle.tex
new file mode 100644
index 00000000000..9c1f3b96111
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle.tex
@@ -0,0 +1,4 @@
+%%%% -*-mode: latex; TeX-master: "euclide.tex" -*-
+\begin{pspicture}(-2,-2)(2,2)\psgrid
+ \input{Exemples/triangle_in}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle_in.tex b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle_in.tex
new file mode 100644
index 00000000000..8ee76189615
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/Exemples/triangle_in.tex
@@ -0,0 +1,3 @@
+\pstTriangle[PointSymbol=square, PointSymbolC=o,
+ linecolor=blue, linewidth=1.5\pslinewidth]
+ (1.5,-1){A}(0,1){B}(-1,-.5){C}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/README b/Master/texmf-dist/doc/generic/pst-eucl/README
new file mode 100644
index 00000000000..c03643e99ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/README
@@ -0,0 +1,115 @@
+ Geometry and PsTricks
+ the pst-eucl package
+
+
+VERSION 1.3
+DATE September 2004
+
+LICENCE
+-------
+
+This program can be redistributed and/or modified under the terms
+of the LaTeX Project Public License Distributed from CTAN
+archives in directory macros/latex/base/lppl.txt.
+
+However, you MUST send me an Email with a small commentary!
+
+Then you should consider making a donation:
+
+ 1. directly to the LaTeX3 team;
+ 2. and/or to me for the support of this package (choose one of the three)
+ a. $1 or 1 euro (or more),
+ b. some beautiful stamps (cancelled or not) of your country
+ (for my children),
+ c. a beautiful postcard with a beautiful stamp on it.
+
+ my address:
+ Les Galinires
+ 07460 Saint Andr de Cruzires
+ FRANCE
+
+INSTALLATION
+------------
+
+ for teTeX :
+ -----------
+
+ If you want to just test it quickly, keep the files:
+
+ pst-eucl.pro, pst-eucl.tex and pst-eucl.sty
+
+ in the directory where you work.
+
+ For a good integration:
+
+ copy pst-eucl.pro to your local texmf directory :
+
+ /usr/local/texmf.local/dvips/pstricks (for example)
+
+ pst-eucl.tex and pst-eucl.sty to a directory referenced
+ by the TEXCONFIG shell global variable, or in the local texmf
+ directory :
+
+ /usr/local/texmf.local/tex/generic/pstricks
+
+ run `texhash`
+
+ if you don't have a local texmf directory, you can create it or ask
+ the root to create it by modifying the file:
+
+ $(TEXMF)/web2c/texmf.cnf
+
+ remove the original for the first line:
+
+% original texmf.cnf -- runtime path configuration file for kpathsea.
+ ^^^^^^^^
+
+ uncomment the line for declaring the local directory and
+ choose where to store it:
+
+TEXMFLOCAL = /usr/local/texmf.local
+
+ add this directory to the TEXMF directory list:
+
+TEXMF = {$TEXMFLOCAL,!!$TEXMFMAIN}
+
+ normally it should work now!
+
+ create the complete directory structure you want to use:
+
+mkdir /usr/local/texmf.local
+mkdir /usr/local/texmf.local/tex
+mkdir /usr/local/texmf.local/tex/generic
+mkdir /usr/local/texmf.local/tex/generic/pstricks
+mkdir /usr/local/texmf.local/dvips
+mkdir /usr/local/texmf.local/dvips/pstricks
+
+ for Window$ : Ooops (I don't know)
+ -----------
+
+ If you use fpTeX, it should be similar as teTeX, look for the
+ texmf.local directory at the root of the texmf directory.
+
+ anyway, the simplest is to keep these three files in the
+ directory where you work!
+
+DOCUMENTATION
+-------------
+
+ a ps and a dvi files are provided. In order to build them, just
+ run LaTeX on euclide.tex (latex euclide). Depending of your TeX
+ engine you may run out of memory...
+
+EXAMPLES
+--------
+
+ The directory Exemples contains all the exemples of the
+ documentation. Each example is divided in two files:
+
+ o <exemple>.tex which contains the pspicture declaration and an
+ include to the second file,
+ o <exemple>_in.tex which contains the exemple.
+
+ In order to use them, you can merge both files and include
+ them in a LaTeX file.
+
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide.pdf b/Master/texmf-dist/doc/generic/pst-eucl/euclide.pdf
new file mode 100644
index 00000000000..51ee979796f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/euclide.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide.sty b/Master/texmf-dist/doc/generic/pst-eucl/euclide.sty
new file mode 100644
index 00000000000..818a1d9ba1b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/euclide.sty
@@ -0,0 +1,139 @@
+%% Package style for the pst-eucl documentation package
+\DeclareOption{french}{\gdef\euclide@language{frenchb}}%
+\def\fileversion{1.0}
+\def\filedate{2005/01/19}%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN
+%% archives in directory macros/latex/base/lppl.txt.
+\csname EuclideManualLoaded\endcsname
+\let\EuclideManualLoaded\endinput
+\def\@english{english}%
+\def\@frenchb{frenchb}%
+\def\euclide@language{english}%
+\ProcessOptions
+\message{`Euclide manual package v\fileversion, \filedate\space (Dominique RODRIGUEZ)}%
+\message{ all declarations for the pst-eucl manual}%
+\message{ BEWARE you are using the \euclide@language\ language setting}%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%\PassOptionsToPackage{greek}{babel}%%\PassOptionsToPackage{LGR}{fontenc}
+\usepackage[T1]{fontenc}
+%\expandafter\ifx\csname PDF\endcsname\relax\else
+\usepackage{ae,aecompl,aeguill}
+%\usepackage{pslatex}%for generating a pdf-file with ps2pdf
+%\fi
+\usepackage[\euclide@language]{babel}
+\usepackage[latin1]{inputenc}
+\usepackage[a4paper]{geometry}
+\usepackage[usenames]{pstcol}
+\usepackage{pst-eucl}
+\usepackage{pst-plot}
+\usepackage{ifthen}
+\usepackage{calc}
+\usepackage{array}
+\usepackage{moreverb}
+\usepackage{multicol}
+\usepackage{mathrsfs}
+\usepackage{changebar}
+\usepackage{xspace}
+\usepackage{fancyhdr}
+\usepackage{multind}
+\usepackage{textcomp}
+%\usepackage{yhmath}
+\usepackage{longtable}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% QQ DEFINITIONS
+\def\Vecteur#1{\ensuremath{\overrightarrow{#1\hspace{.3em}}}}%
+\def\Angle#1{\ensuremath{\widehat{#1}}}%
+\def\Segment#1{\ensuremath{[#1]}}%
+\def\Arg#1{{\normalfont$\{$\@Arg{#1}$\}$}}%
+\def\Argsans#1{\@Arg{#1}}%
+\def\OptArg#1{{\normalfont[{\@Arg{#1}}]}}%
+\def\@Arg#1%
+ {$\protect\langle${\itshape\mdseries\rmfamily#1}$\protect\rangle$}%
+%% le backslash \
+\newcommand{\bs}{\symbol{'134}}%
+\newcommand{\defcom}[3][\null]{%
+ \begin{trivlist}\item\fbox{\texttt{\upshape\bs#2}#3}\end{trivlist}
+ \glossary{#2}%%pour le numro de page dans le glossaire des commandes
+ \glossary{#2!\protect\indexcom{#2}\protect#3}% pour le glossaire
+ \Glos{#2}{\protect\indexcom{#2}\protect#3}{\hspace{1.5em}#1}%
+}%
+\newcommand{\Glos}[3]{\glossary{#1!#2!#3}}%
+\newcommand{\indexcom}[1]%
+ {\textmd{\texttt{\upshape\bs#1}}}%
+% {\index{latex}{#1@{\texttt{\upshape\bs#1}}}\textmd{\texttt{\upshape\bs#1}}}%
+\newcommand{\ComUnDescr}{\null}
+\newcommand{\ComDeuxDescr}{\null}
+\newcommand{\defcomdeux}[4]{%
+ \begin{center}%
+ \begin{minipage}[t]{.45\linewidth}%
+ \begin{trivlist}\item\fbox{\texttt{\upshape\bs#1}#2}\end{trivlist}%
+ \glossary{#3}%%pour le numro de page dans le glossaire des commandes
+ \glossary{#1!\protect\indexcom{#1}\protect#2}% pour le glossaire
+ \Glos{#1}{\protect\indexcom{#1}\protect#2}{\hspace{1.5em}\expandafter\ComUnDescr}%
+ \end{minipage}%
+ \hfill%
+ \begin{minipage}[t]{.45\linewidth}%
+ \begin{trivlist}\item\fbox{\texttt{\upshape\bs#3}#4}\end{trivlist}%
+ \glossary{#3}%%pour le numro de page dans le glossaire des commandes
+ \glossary{#3!\protect\indexcom{#3}\protect#4}% pour le glossaire
+ \Glos{#3}{\protect\indexcom{#3}\protect#4}{\hspace{1.5em}\expandafter\ComDeuxDescr}%
+ \end{minipage}
+ \end{center}}%end defcomdeux
+\newcommand{\ParamList}[1]{\par
+ \small\hspace{1.5em}Param\ifx\euclide@language\@english eters\else tres \fi: #1}
+\newenvironment{tabexemple}[1]%
+ [@{}m{.3\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.677\linewidth}@{}]%
+ {\vspace{1em}\noindent\small\begin{center}%
+ \noindent\begin{tabular}{#1}}%
+ {\mbox{}\vspace{-1.5em}\end{tabular}\end{center}}%
+\newcommand{\tabex}[2]%
+ [@{}m{.3\linewidth}@{\hspace{.013\linewidth}}m{.677\linewidth}@{}]%
+{%
+ \begin{tabexemple}[#1]%
+ \input{Exemples/#2}&\smallverbatiminput{Exemples/#2_in}%
+ \end{tabexemple}%
+}%
+\def\smallverbatiminput#1{\small\verbatiminput{#1}}%
+\def\param#1{\texttt{#1}}
+\def\com#1{\texttt{\bs #1}}
+\def\DefaultVal#1%
+ {(\ifx\euclide@language\@english by default \fi\texttt{#1}\ifx\euclide@language\@frenchb\ par dfaut\fi)\xspace}
+\def\PStricks{\texttt{PSTricks}\xspace}
+\def\PostScript{\textsf{PostScript}\xspace}
+\def\Version{Version 1{.}3{.}2\xspace}
+\def\Date{\ifx\euclide@language\@english march 28th \else 28 mars \fi 2005}
+\newcommand{\MonEuro}{\texteuro\xspace}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\geometry{bottom=2.5cm, left=1cm, headheight=15.8pt, verbose}%, verbose}
+\psset{subgriddiv=0,griddots=5}
+\setlength{\changebarsep}{10pt}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% entte et pied de page
+\pagestyle{fancy}
+\renewcommand{\headrulewidth}{0.4pt}
+\renewcommand{\footrulewidth}{0.4pt}
+%\lhead{\Version -- \Date}
+%\chead{}
+%\rhead{Extension \texttt{pst-eucl} -- D. \textsc{Rodriguez}}
+%\cfoot{\psshadowbox{\thepage}}
+\lfoot{\Version --\Date}
+\rfoot{Extension \texttt{pst-eucl} -- D. \textsc{Rodriguez}}
+%%%%%%%%%%%%%%%%%%%%
+\newcounter{i}
+%%%%%%%%%%%%%%%%%%%%
+\def\twocoltoc{%
+ \chapter*{\contentsname
+ \@mkboth{%
+ \MakeUppercase\contentsname}{\MakeUppercase\contentsname}}%
+ \begin{multicols}{2}
+ \@starttoc{toc}%
+ \end{multicols}}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% GLOSSAIRE
+\makeglossary
+\endinput \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide.tex b/Master/texmf-dist/doc/generic/pst-eucl/euclide.tex
new file mode 100644
index 00000000000..2fc2f5b38ec
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/euclide.tex
@@ -0,0 +1,1326 @@
+%% This doc can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN
+%% archives in directory macros/latex/base/lppl.txt.
+\documentclass[12pt, draft, dvips]{report}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[french]{euclide}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\title{Extension \texttt{pst-eucl}\\
+ Gomtrie euclidienne avec \PStricks}
+\author{\Version\\Dominique \textsc{Rodriguez}\thanks{domino.rodriguez@laposte.net}}
+\date{\Date}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+%%%%%%%%%%%%%%%%%%%%
+\maketitle
+%%%%%%%%%%%%%%%%%%%%
+\begin{abstract}
+ L'extension \texttt{pst-eucl} permet de dessiner des figures
+ gomtriques en spcifiant des contraintes mathmatiques. Il est
+ ainsi possible de dfinir des points au moyen de transformations ou
+ d'intersection. L'emploi des coordonnes est donc limit aux points
+ de dpart qui paramtrent en quelque sorte le dessin.
+
+ \vfill
+
+ \begin{center}\bfseries
+ Remerciements
+ \end{center}
+
+ Je tiens remercier tout particulirement les personnes suivantes
+ pour leur aide dans l'laboration de ce paquetage :
+
+ \begin{itemize}
+ \item Denis \textsc{Girou} pour ses critiques pertinentes et ses
+ encouragement lors de la dcouverte de l'embryon initial et pour
+ sa relecture du prsent manuel ;
+ \item Michael \textsc{Vulis} pour sa rapidit tester la doc
+ avec V\TeX\ et il a ainsi permis de corriger un bug du code
+ PostScript ;
+ \item Manuel \textsc{Luque} et Olivier \textsc{Reboux} pour leurs
+ remarques et leurs exemples.
+ \item Alain \textsc{Delplanque} pour ses propositions de modifications
+ sur le placement automatique des noms des points dans diverses fonctions et la
+ possibilit de donner une suite de points dans \com{pstGeonode}.
+ \end{itemize}
+\end{abstract}
+%%%%%%%%%%%%%%%%%%%%
+\renewcommand{\abstractname}{Avertissement}
+\begin{abstract}
+ Ceci est la premire version officiellement dpose sur le site d'archives
+ \texttt{CTAN}.
+
+ \vfill
+
+ \begin{center}\bfseries
+ LICENCE
+ \end{center}
+
+ Ce programme et sa documentation peuvent tre distribus et/ou modifis selon les
+ termes de la ~\LaTeX{} Project Public License~ disponible sur le site d'archives
+ \texttt{CTAN} au rpertoire \texttt{macros/latex/base/lppl.txt}. Toutefois, vous
+ pouvez m'envoyer un Email avec un petit commentaire. Ensuite vous devriez rflchir
+ une donation\footnote{surtout si vous utilisez un systme d'exploitation payant
+ (\texttt{des fentres} ou \texttt{MacOS}) ! D'autre part, n'oubliez pas que \LaTeX{} est utilisable
+ gratuitement et que de nombreux utilisateurs achtent plusieurs centaines d'euros
+ des logiciels de bien moins bonne qualit.} :
+
+\begin{enumerate}
+\item directement l'quipe \LaTeX3 ;
+\item et/ou moi pour le support de l'extension\footnote{je me satisfais amplement
+ de 1~\MonEuro, 1 ou \$1, mais j'accepte plus.}.
+\end{enumerate}
+
+ Une donation en temps selon comptence est possible : correction de la documentation,
+ test des fonctionnalits, proposition d'amliorations...
+\end{abstract}
+\twocoltoc{}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{Manuel de l'utilisateur}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Spcifications particulires}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Options de \PStricks}
+
+L'extension active le mode \com{SpecialCoor}. Ce mode permet d'tendre
+la manire dont les coordonnes sont spcifies en plus des classiques
+coordonnes cartsiennes. D'autre part le mode de trac est mis
+\texttt{dimen=middle}, c'est--dire que le positionnement des tracs
+est fait par rapport leur milieu. Pour ces deux modes, je vous
+renvoie au manuel de l'utilisateur.
+
+Enfin, il est suppos que le repre de travail est (ortho)norm.
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Conventions}
+
+Pour la rdaction de ce manuel, j'ai utilis les conventions
+classiques de dnomination des points en France :
+
+\begin{itemize}
+\item $O$ est un centre (cercle, repre, symtrie, homothtie, rotation) ;
+\item $I$ est l'unit de l'axe des abscisses, ou un milieu ;
+\item $J$ est l'unit de l'axe des ordonnes ;
+\item $A$, $B$, $C$, $D$ sont des points ;
+\item $M$ est un point \emph{paramtre} ;
+\item $M'$ l'image de $M$ par une transformation ;
+\end{itemize}
+
+Enfin, bien que s'agissant de n\oe uds au sens de \PStricks,
+je les ai rsolument confondus avec des points dans le texte.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Objets de base}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Les points}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsubsection{Repre par dfaut}
+
+\defcom[Cration d'une liste de points dans le repre d'origine. \protect\ParamList{\param{PointName},
+ \param{PointNameSep}, \param{PosAngle}, \param{PointSymbol}, \param{PtNameMath}}]
+ {pstGeonode}{\OptArg{par}$(x_1,y_1)$\Arg{$A_1$}$(x_2,y_2)$\Arg{$A_2$}\ldots$(x_n,y_n)$\Arg{$A_n$}}
+
+Cette commande dfinit un ou plusieurs points gomtriques associs avec un n\oe ud.
+Chaque point possde un nom de n\oe ud \Argsans{$A_i$}, qui dfinit par dfaut
+l'tiquette place sur le dessin. D'autre part, celle-ci est traite par dfaut en
+mode mathmatique, le paramtre boolen \param{PtNameMath} \DefaultVal{true} permet
+de modifier ce traitement et de traiter l'tiquette en mode normal. Elle est
+positionne une distance de \cbstart\param{PointNameSep} \DefaultVal{1em}\cbend{}
+du n\oe ud, avec un angle de \param{PosAngle} \DefaultVal{0}. Il est galement
+possible de proposer une tiquette diffrente du nom de n\oe ud avec le paramtre
+\param{PointName} \DefaultVal{default}, et une tiquette vide se spcifie en
+positionnant ce paramtre \texttt{none} ; dans ce cas le point n'aura pas de nom
+sur le dessin.
+
+Le symbole du point est donn par le paramtre \param{PointSymbol} \DefaultVal{*}.
+Le symbole est celui utilis pour la commande \com{psdot}. Il peut tre galement
+positionn \texttt{none}, auquel cas le point \cbdelete n'est pas affichs sur la
+figure. Voici en rappel les valeurs utilisable pour le symbole :
+
+\begin{multicols}{3}
+ \begin{itemize}\psset{dotscale=2}
+ \item \param{*} : \psdots(.5ex,.5ex)
+ \item \param{o} : \psdots[dotstyle=o](.5ex,.5ex)
+ \item \param{+} : \psdots[dotstyle=+](.5ex,.5ex)
+ \item \param{x} : \psdots[dotstyle=x](.5ex,.5ex)
+ \item \param{asterisk} : \psdots[dotstyle=asterisk](.5ex,.5ex)
+ \item \param{oplus} : \psdots[dotstyle=oplus](.5ex,.5ex)
+ \item \param{otimes} : \psdots[dotstyle=otimes](.5ex,.5ex)
+ \item \param{triangle} : \psdots[dotstyle=triangle](.5ex,.5ex)
+ \item \param{triangle*} : \psdots[dotstyle=triangle*](.5ex,.5ex)
+ \item \param{square} : \psdots[dotstyle=square](.5ex,.5ex)
+ \item \param{square*} : \psdots[dotstyle=square*](.5ex,.5ex)
+ \item \param{diamond} : \psdots[dotstyle=diamond](.5ex,.5ex)
+ \item \param{diamond*} : \psdots[dotstyle=diamond*](.5ex,.5ex)
+ \item \param{pentagon} : \psdots[dotstyle=pentagon](.5ex,.5ex)
+ \item \param{pentagon*} : \psdots[dotstyle=pentagon*](.5ex,.5ex)
+ \item \param{|} : \psdots[dotstyle=|](.5ex,.5ex)
+ \end{itemize}
+\end{multicols}
+
+\cbstart D'autre part, ces symboles sont paramtrables avec des paramtres de
+\PStricks dont entre autre :
+
+\begin{itemize}
+\item son chelle avec le paramtre \param{dotscale}, la valeur de celui-ci est soit
+ deux nombres diffrenciant ainsi le facteur d'chelle horizontale et verticale, ou
+ soit un seul qui est la valeur identique pour les deux ;
+\item son angle de rotation avec le paramtre \param{dotangle}.
+\end{itemize}
+
+N'hsitez pas consulter la documentation de \PStricks pour de plus amples dtails.\cbend
+
+Les paramtres se spcifient explicitement dans la partie \Argsans{par}. Les
+paramtres \param{PosAngle}, \param{PointSymbol}, \param{PointName} et
+\param{PointNameSep} peuvent recevoir :
+
+\begin{itemize}
+\item soit une valeur unique, commune tous les points ;
+\item soit une liste de valeurs dlimite par des accolades \texttt{\{ ... \}} et
+ spares par des virgules \textit{sans blancs}, permettant alors de diffrencier la
+ valeur pour chaque point.
+\end{itemize}
+
+Dans le cas ou une liste est spcifie, elle peut comporter moins de valeurs que de
+points, dans ce cas la dernire valeur de la liste sera utilise pour les points
+suivants.
+
+\cbstart Enfin, le paramtre \param{CurveType} \DefaultVal{none} permet de relier les
+points au moyen d'une ligne :
+
+\begin{itemize}
+\item brise ouverte \verb$polyline$ ;
+\item brise ferme \verb$polygon$ ;
+\item courbe ouverte \verb$curve$.
+\end{itemize}\cbend
+
+% EXEMPLE GEONODE
+\tabex{geonode}
+
+Il est vident que les n\oe uds ainsi dfinis sont utilisables par
+toutes les commandes utilisant les n\oe uds de \PStricks. Ainsi, il est
+possible de les rfrencer \rnode{ici}{d'ici} :
+{\small\verb$\nccurve{->}{ici}{B_1}$}.
+\nccurve[arrowscale=2, linestyle=dotted]{->}{ici}{B_1}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsubsection{Repre personnalis}
+
+\defcom[Cration d'une liste de points dans le repre $(O;I;J)$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}}]
+ {pstOIJGeonode}
+ {\OptArg{par}$(x_1,y_1)$\Arg{$A_1$}\Arg{$O$}\Arg{$I$}\Arg{$J$}$(x_2,y_2)$\Arg{$A_2$}\ldots$(x_n,y_n)$\Arg{$A_n$}}
+
+Cette commande permet de placer des points dans un repre quelconque non forcment
+norm ni orthogonal, dfini par le triplet $(O;I;J)$. On retrouve des traitements
+identiques la commande prcdente pour l'utilisation des paramtres.
+
+%% EXEMPLE
+\tabex{oij}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Marquage des segments}
+
+Il est possible de tracer des segments en utilisant la commande
+\texttt{\bs ncline}. Pour en plus marquer les segments afin d'associer
+ceux ayant la mme longueur, il existe la commande :
+
+\defcom[Permet de marquer le segment \Segment{AB} en son milieu avec la marque dfinie par
+ \protect\param{SegmentSymbol}. \protect\ParamList{\param{SegmentSymbol}}]
+ {pstSegmentMark}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+Le symbole plac sur le segment est donn par le paramtre
+\param{SegmentSymbol}. Il prend comme valeur une commande utilisable en
+mode mathmatique. Par dfaut, sa valeur est \texttt{pstslashh},
+et produit deux barres sur le segment. Le segment est galement trac.
+
+Il existe plusieurs commandes prdfinies dans ce paquetage pour marquer les
+segments :
+
+\begin{multicols}{3}
+ \psset{PointSymbol=none, PointName=none, unit=.8}
+ \newcommand{\Seg}[1]{%
+ \com{#1} : \begin{pspicture}[.3](2,1)
+ \pstGeonode(0.3,.5){A}(1.7,.5){B}\pstSegmentMark[SegmentSymbol=#1]{A}{B}
+ \end{pspicture}}%
+ \begin{itemize}
+ \item \Seg{pstslash} ;
+ \item \Seg{pstslashh} ;
+ \item \Seg{pstslashhh} ;
+ \item \Seg{MarkHash} ;
+ \item \Seg{MarkHashh} ;
+ \item \Seg{MarkHashhh} ;
+ \item \Seg{MarkCros} ;
+ \item \Seg{MarkCross} ;
+ \end{itemize}
+\end{multicols}
+
+Les trois commandes de la famille \texttt{MarkHash} produise une barre dont
+l'inclinaison est contrle par le paramtre \param{MarkAngle}
+\DefaultVal{45}. D'autre part, leur taille et leur couleur dpendent de l'paisseur
+et de la couleur du trait au moment du trac, comme le montre l'exemple suivant.
+
+%% EXEMPLE
+\tabex{segmentmark}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Triangles}
+
+Figures tudies par excellence, elles possdent leur macro pour les tracer
+rapidement :
+
+\defcom[Dfinit et trace un triangle. \protect\ParamList{\param{PointName},
+ \param{PointNameSep}, \param{PointSymbol}, \param{PointNameA},
+ \param{PosAngleA}, \param{PointSymbolA}, \param{PointNameB},
+ \param{PosAngleB}, \param{PointSymbolB}, \param{PointNameC},
+ \param{PosAngleC}, \param{PointSymbolC}}]
+ {pstTriangle}{\OptArg{par}$(x_A,y_A)$\Arg{$A$}$(x_B,y_B)$\Arg{$B$}$(x_C,y_C)$\Arg{$C$}}
+
+Afin de pouvoir placer avec prcision les noms des points, il existe trois paramtres
+\param{PosAngleA}, \param{PosAngleB} et \param{PosAngleC}, qui s'associent
+respectivement aux n\oe uds \Argsans{$A$}, \Argsans{$B$} et \Argsans{$C$}. Ils ont le
+mme rle que le paramtre \param{PosAngle} vu prcdemment.
+%Si un ou plusieurs de ces paramtres ne sont pas spcifis la valeur de \param{PosAngle} est prise.
+Toutefois, si pour un point donn, aucun angle n'est spcifi, son nom va se
+positionner sur la bissectrice du sommet.
+
+Il existe galement des paramtres pour contrler le symbole utilis
+pour reprsenter les points : \param{PointSymbolA},
+\param{PointSymbolB} et \param{PointSymbolC}, et des paramtres pour
+le nom de chacun des points : \param{PointNameA}, \param{PointNameB}
+et \param{PointNameC}. Ces deux ensembles de paramtres sont lis
+\param{PointSymbol} et \param{PointName}. La gestion de la valeur par
+dfaut suit les mmes rgles que celles vues prcdemment.
+
+\tabex{triangle}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Angles}
+
+Chaque angle est dtermin par trois points. Le sommet de l'angle est
+le second. L'ordre a de l'importance en sachant que le sens direct ou
+trigonomtrique est le sens inverse des aiguilles d'une
+montre. Tout d'abord, il est possible de marquer un angle droit \cbdelete :
+
+\defcom[Marque l'angle droit \protect\Angle{ABC} spcifi dans le sens
+ trigonomtrique. \protect\ParamList{\param{RightAngleType}, \param{RightAngleSize},
+ \param{RightAngleSize}}]{pstRightAngle}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}}
+
+\cbstart Le symbole utilis est contrl par le paramtre \param{RightAngleType}
+\DefaultVal{default}. Ses valeurs possibles sont :
+
+\begin{itemize}
+\item \verb$default$ : symbole standard ;
+\item \verb$german$ : symbole allemand (propos par U. \textsc{Dirr}) ;
+\item \verb$suisseromand$ : symbole suisse romand (propos par P. \textsc{Schnewlin}).
+\end{itemize}\cbend
+
+L'autre paramtre auquel est sensible cette commande, hormis bien
+entendu ceux de contrle du trait, est \param{RightAngleSize} qui
+permet de contrler la longueur du carr utilis \DefaultVal{0.28~unit}.
+Le symbole est plac sur l'angle de sommet \Argsans{$B$}.
+
+Pour les autres angles, il y a la commande :
+
+\defcom[Marque l'angle \protect\Angle{ABC} spcifi dans le sens trigonomtrique
+ \protect\ParamList{\param{MarkAngleRadius}, \param{LabelAngleOffset},
+ \param{Mark}}]
+ {pstMarkAngle}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{label}}
+
+L'tiquette dfinie par le paramtre \param{label} peut tre tout texte \TeX. Elle
+est place \param{LabelSep} \DefaultVal{1~unit} du point dans la direction
+angulaire de la bissectrice intrieure modifie par \param{LabelAngleOffset}
+\DefaultVal{0} et positionne par rapport \param{LabelRefPt} \DefaultVal{c}.
+D'autre part l'arc de cercle utilis pour le marquage a pour rayon
+\param{MarkAngleRadius} \DefaultVal{.4~unit} et il est possible d'y adjoindre une
+flche en dbut ou fin d'arc en utilisant le paramtre \param{arrows}.
+Enfin, on peut marquer l'angle avec un marqueur produit par une commande \TeX{}
+donne en argument du paramtre \param{Mark}.
+
+\tabex%
+ [@{}m{.25\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.727\linewidth}@{}]%
+ {angle}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Droites, demi-droites et segments}
+
+Rien de plus utile qu'une droite !
+
+\defcom[Trace la droite $(AB)$.]
+ {pstLineAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+Afin de contrler sa longueur\footnote{Ce qui est le comble pour une
+ droite !}, les deux paramtres \param{nodesepA} et
+\param{nodesepB} indiquent l'abscisse des extrmits de la droite. Une
+abscisse ngative spcifie un dpassement au-del des points, tandis
+qu'une abscisse positive indique le contraire. Si les deux valeurs
+sont identiques, on peut utiliser alors le paramtre
+\param{nodesep}. La valeur par dfaut de ces paramtres est nulle.
+
+\tabex{droite}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercles}
+
+Un cercle peut tre dfini soit par son centre et un point de sa
+circonfrence, soit par deux points diamtralement opposs. Il existe
+donc deux fonctions :
+
+\renewcommand{\ComUnDescr}{Construit le cercle de centre $O$ passant par $A$. \protect\ParamList{\param{Radius},
+ \param{Diameter}}.}
+\renewcommand{\ComDeuxDescr}{Construit le cercle de diamtre $AB$. \protect\ParamList{\param{Radius},
+ \param{Diameter}}.}
+\defcomdeux{pstCircleOA}{\OptArg{par}\Arg{$O$}\Arg{$A$}}%
+ {pstCircleAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+Pour la premire fonction, il est galement possible d'omettre le
+second point, et de spcifier un rayon ou un diamtre avec les
+paramtres \param{Radius} et \param{Diameter} au moyen des deux fonctions
+suivantes :
+
+\renewcommand{\ComUnDescr}{Permet de spcifier la distance $AB$ pour les
+ paramtres \protect\param{Radius} et \protect\param{Diameter}. \protect\ParamList{\param{DistCoef}}.}
+\renewcommand{\ComDeuxDescr}{Permet d'utiliser une valeur numrique pour les
+ paramtres \protect\param{Radius} et \protect\param{Diameter}. \protect\ParamList{\param{DistCoef}}.}
+\defcomdeux{pstDistAB}{\Arg{$A$}\Arg{$B$}}%
+ {pstDistVal}{\Arg{x}}
+
+La premire fonction permet de spcifier une distance entre deux points et la seconde
+directement une valeur numrique qui peut tre un calcul en code \PostScript. Cette
+dernire distance est spcifie en multiple de l'unit \com{unit} et elle n'est pas
+une distance. Ces distances peuvent tre modifies par un coefficient multiplicatif
+spcifi pralablement par le paramtre \param{DistCoef}. Ce paramtre peut tre un
+calcul en code \PostScript.
+
+\vspace{1.1\baselineskip}
+\begin{minipage}[m]{.4\linewidth}
+ Avec cette extension, il devient possible de tracer :
+
+ \begin{itemize}
+ \item {\color{red} le cercle de centre $A$ passant par $B$ ;}
+ \item {\color{green} le cercle de centre $A$ de rayon les deux tiers de $AC$ ;}
+ \item {\color{blue} le cercle de centre $A$ de rayon $BC$ ;}
+ \item {\color{Sepia} le cercle de centre $B$ de rayon $AC$ ;}
+ \item {\color{Aquamarine} le cercle de centre $B$ de diamtre $AC$ ;}
+ \item {\color{RoyalBlue} le cercle de diamtre $BC$ ;}
+ \end{itemize}
+\end{minipage}
+\hfill%
+\input{Exemples/cercle}
+
+\smallverbatiminput{Exemples/cercle_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Arcs de cercles}
+
+\renewcommand{\ComUnDescr}{Trace l'arc de cercle de centre $O$, de rayon $OA$,
+ dlimit par l'angle $\protect\Angle{AOB}$ dans le sens trigonomtrique.}
+\renewcommand{\ComDeuxDescr}{Trace l'arc de cercle de centre $O$, de rayon $OA$,
+ dlimit par l'angle $\protect\Angle{AOB}$ dans le sens trigonomtrique inverse.}
+\defcomdeux{pstArcOAB}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}}%
+ {pstArcnOAB}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}}
+
+Ces deux fonctions tracent des arcs de cercle, le centre tant donn par $O$, le
+rayon par $OA$, l'angle de dpart par $A$ et celui d'arrive par $B$. Enfin la
+premire trace l'arc dans le sens direct et la seconde dans le sens indirect. Il
+n'est pas ncessaire que les deux points soient gales distances de $O$.
+
+\tabex{arc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Abscisse curviligne}
+
+Un point peut tre positionn sur un cercle au moyen d'une abscisse curviligne.
+
+\defcom[Place un point sur un cercle au moyen de son abscisse curviligne.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{CurvAbsNeg}}]
+ {pstCurvAbsNode}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}\Arg{Abs}}
+
+Le point \Argsans{$B$} est plac sur le cercle de centre \Argsans{$O$} passant par
+\Argsans{$A$}, avec l'abscisse curviligne \Argsans{Abs}. L'origine est en
+\Argsans{$A$}, et le sens est par dfaut le sens trigonomtrique (inverse des
+aiguilles d'une montre). Le paramtre \param{CurvAbsNeg} \DefaultVal{false} permet de
+modifier le sens de parcours du cercle.
+
+ Si le paramtre \param{PosAngle} n'est pas spcifi, l'tiquette associe au
+point va se placer automatiquement de manire tre align avec le centre du cercle
+et le point.
+
+\tabex{abscur}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Courbe gnrique}
+
+Il est tout fait possible de gnrer des points au moyen d'une boucle et de leur
+donner chacun un nom gnrique compos d'un radical et d'un nombre. La commande
+suivante permet de relier ces points au moyen d'une courbe interpole.
+
+\defcom[Trace une courbe interpole au moyen d'une famille de points ayant une
+ convention de dnomination utilisant un radical et un numro.
+ \protect\ParamList{\param{GenCurvFirst}, \param{GenCurvInc},
+ \param{GenCurvLast}}]
+ {pstGenericCurve}{\OptArg{par}\Arg{Radical}\Arg{$n_1$}\Arg{$n_2$}}
+
+La courbe est trace sur les points dont le nom comporte le radical
+\Argsans{Radical}, et comme suffixe un nombre allant de \Argsans{$n_1$}
+\Argsans{$n_2$}. Pour grer les effets de bords, les paramtres \param{GenCurvFirst}
+et \param{GenCurvLast} permettent de dsigner explicitement le premier et le dernier
+point. Le paramtre \param{GenCurvInc} permet de spcifier l'incrment de boucle pour
+passer d'un point un autre \DefaultVal{1}.
+
+\tabex{gencur}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Transformations}
+
+Les transformations du plan permettent de coder facilement des proprits
+gomtriques. Il est donc possible de construire les images de points par toutes les
+transformations classiques du plan. \cbstart Toutes ces commandes partagent le mme
+schma syntaxique et deux paramtres.
+
+La syntaxe commune place en fin de description deux listes de points, dont la seconde
+est optionnelle et de cardinal plus faible ou gal. Ces deux listes contiennent les
+points antcdents et les points images. Dans le cas ou les images sont absentes dans
+leur totalit ou pour une partie (liste moins longue), le nom de l'image sera
+automatiquement calqu sur l'antcdent auquel sera adjoint un \verb$'$.
+
+Le premier paramtre commun est \param{CodeFig}. Il permet de faire apparatre les proprits
+caractristiques lies la transformation et la construction de l'image. Par
+dfaut, ce paramtre a pour valeur \param{false}, il doit tre mis \param{true}
+pour activer ce trac optionnel. Ce trac se fait en utilisant le style
+\param{CodeFigStyle} \DefaultVal{dashed} et suivant la couleur \param{CodeFigColor}
+\DefaultVal{cyan}.
+
+Le second paramtre est \param{CurveType} qui permet de faire apparatre une courbe
+passant par les images, et donc de pouvoir rapidement tracer le transform d'une
+figure.\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Symtrie centrale}
+
+\defcom[Construit le symtrique $M'_i$ de chacun des $M_i$ par rapport $O$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstSymO}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Construit le point symtrique par rapport au point $O$. Les
+paramtres classiques de la cration de point sont utilisables comme
+dans toutes les fonctions suivantes.
+
+Elle peut servir la construction d'un paralllogramme de centre
+connu.
+
+\tabex{symcentrale}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Symtrie orthogonale}
+
+\defcom[Construit le symtrique $M'_i$ de chacun des $M_i$ par rapport la droite $(AB)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstOrtSym}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Construit le point symtrique $M'_i$ de chacun des $M_i$ par rapport la droite $(AB)$.
+
+\tabex{symorthogonale}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Rotation}
+
+\defcom[Construit l'image $M'_i$ de chacun des $M_i$ par rotation d'angle \protect\param{RotAngle}
+ autour de $O$ dans le sens trigonomtrique.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{RotAngle}}]{pstRotation}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Construit l'image d'un point par rotation. L'angle de rotation est
+donn par le paramtre \param{RotAng|e} \DefaultVal{60}. Celui-ci
+peut-tre un angle orient dfini par trois points. Il faut alors
+utiliser la fonction :
+
+\defcom[Permet d'utiliser la mesure te \protect\Angle{AOB} (orient) pour
+ le paramtre \protect\param{RotAngle}. \protect\ParamList{\param{AngleCoef}}]
+ {pstAngleAOB}{\Arg{$A$}\Arg{$O$}\Arg{$B$}}
+
+Pensez l'utiliser pour construire un carr ou un triangle quilatral.\cbstart Le
+paramtre boolen \param{CodeFig} permet de placer un arc avec une flche (en bout)
+entre le point et son image, et si le paramtre \param{TransformLabel} \DefaultVal{none}
+contient un texte il est plac sur l'angle correspondant en mode mathmatique.
+
+\tabex{rotation}\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Translation}
+
+\defcom[Construit l'image $M'_i$ de chacun des $M_i$ par la translation de vecteur \protect\Vecteur{AB}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{DistCoef}}]
+ {pstTranslation}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Construit le translat de vecteur \Vecteur{AB} du point
+\Argsans{$M$}. utiliser pour construire la parallle passant
+par un point.
+
+\tabex{translation}
+
+Il est galement possible d'utiliser le paramtre \param{DistCoef} pour modifier le
+vecteur de translation avec un coefficient multiplicatif. \cbstart Le paramtre
+boolen \param{CodeFig} permet de placer le vecteur de translation entre le point et
+son image avec au milieu un texte qui par dfaut est les deux points ou le contenu du
+paramtre \param{TransformLabel} \DefaultVal{none}.\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Homothtie}
+
+\defcom[Construit l'image $M'_i$ de chacun des $M_i$ par l'homothtie de centre $O$ et de rapport
+ \protect\param{HomCoef}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{HomCoef}}]
+ {pstHomO}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Construit l'image d'un point par homothtie. Le coefficient se spcifie avec le
+paramtre \param{HomCoef}. Incontournable pour les situations de \textsc{Thals}.
+
+\tabex{homothetie}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Projection orthogonale}
+
+\defcom[Construit l'image $M'_i$ de chacun des $M_i$ par projection orthogonale sur $(AB)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstProjection}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Projette orthogonalement les point $M_i$ sur la droite $(AB)$. Trs important pour
+tracer les hauteurs d'un triangle. Le nom est align avec le
+point et son projet comme le montre l'exemple.
+
+\tabex{projection}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Objets particuliers}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Milieu}
+
+\defcom[Construit le milieu $I$ du segment \Segment{AB}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{SegmentSymbol},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstMiddleAB}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$I$}}
+
+Construit le milieu $I$ du segment $[AB]$. Par dfaut, le nom du point est
+positionn automatiquement sous (ou sur) le segment.
+
+\tabex{milieu}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Centre de gravit d'un triangle}
+\defcom[Construit le centre de gravit $G$ du triangle $ABC$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}}]{pstCGravABC}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$G$}}
+
+Construit le centre de gravit d'un triangle.
+
+\tabex{grav}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercle circonscrit d'un triangle et son centre}
+
+\defcom[Construit le centre $O$ u cercle ciconscrit du triangle $ABC$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}, \param{DrawCirABC}, \param{CodeFig},
+ \param{CodeFigColor}, \param{CodeFigStyle}, \param{SegmentSymbolA},
+ \param{SegmentSymbolB}, \param{SegmentSymbolC}}]
+ {pstCircleABC}{\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$O$}}
+
+Cette commande permet de tracer le cercle passant par trois points et de positionner
+le centre. Le trac du cercle est contrl par le paramtre boolen
+\param{DrawCirABC} \DefaultVal{true}.\cbstart D'autre part, les traits de
+constructions peuvent tre apparent (mdiatrices) avec le paramtre \param{CodeFig}.
+Les milieux sont aussi marqu sur chacun des segments avec trois marques diffrentes
+donns par les paramtres \param{SegmentSymbolA}, \param{SegmentSymbolB} et
+\param{SegmentSymbolC}.\cbend La cration du point est sensible tous les paramtres
+classiques dj vus.
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {ccirc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Mdiatrice d'un segment}
+
+\defcom[Construit la mdiatrice du segment \Segment{AB}, son milieu $I$ et un point $M$
+ de la mdiatrice qui est l'image par quart de tour de $B$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}, \param{CodeFig},
+ \param{CodeFigColor}, \param{CodeFigStyle}, \param{SegmentSymbol}}]
+ {pstMediatorAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$I$}\Arg{$M$}}
+
+La mdiatrice d'un segment est la droite perpendiculaire au milieu de
+ce segment. Le segment est $[AB]$, le milieu est $I$, et $M$ est un
+point de la mdiatrice, construit par une rotation de $90$\degres\ du
+point point $B$ par rapport $I$. L'ordre des deux points est
+important, il permet de contrler la position de la mdiatrice. La
+commande cre les points $M$ et $I$. La construction est sensible aux
+paramtres suivant :
+
+\begin{itemize}
+\item \param{CodeFig}, \param{CodeFigColor} et \param{SegmentSymbol}
+ pour marquer l'angle droit et le milieu ;
+\item \param{PointSymbol} et \param{PointName} pour contrler
+ l'apparence des deux nouveaux points, chacun pouvant tre spcifis
+ sparment au moyen des paramtres \param{...A} et \param{...B} ;
+\item les paramtres de tracs des droites.
+\end{itemize}
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {mediator}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Bissectrices d'un angle}
+
+\defcom[Construit la bissectrice intrieure de l'angle \protect\Angle{BAC} ainsi qu'un
+ point $M$ de la bissectrice image de $B$ par rotation autour de $A$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstBissectBAC}{\OptArg{par}\Arg{$B$}\Arg{$A$}\Arg{$C$}\Arg{$M$}}
+
+\defcom[Construit la bissectrice extrieure d'un angle ainsi qu' un
+ point $M$ de la bissectrice image de $B$ par rotation autour de point $A$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstOutBissectBAC}{\OptArg{par}\Arg{$B$}\Arg{$A$}\Arg{$C$}\Arg{$M$}}
+
+Il existe deux bissectrices pour un angle gomtrique donn :
+l'intrieure et l'extrieure ; donc il y a deux commandes. L'angle est
+spcifi dans le sens trigonomtrique. Les rsultats de ces deux
+commandes sont la bissectrice et un point de celle-ci qui est
+positionn par une rotation du point $B$.
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {bissec}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Intersections}
+
+Un autre moyen de dfinir un point est de spcifier une intersection.
+Six types d'intersections sont gres :
+
+\begin{itemize}
+\item droite-droite ;
+\item droite-cercle ;
+\item cercle-cercle ;
+\item fonction-fonction ;
+\item fonction-droite ;
+\item fonction-cercle.
+\end{itemize}
+
+Une intersection peut ne pas exister : cas des droites parallles par
+exemple. Dans ce cas, le ou les points concerns se retrouvent placs
+ l'origine. En fait, il est suppos que l'utilisation de ces
+commandes implique l'existence de l'intersection.
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Droite-droite}
+\defcom[Place le point d'intersection entre les droites $(AB)$ et $(CD)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstInterLL}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$D$}\Arg{$M$}}
+
+Construit le point d'intersection de la droite $(AB)$ avec la droite
+$(CD)$. Option essentielle de la construction de figures du triangle,
+elle permet de positionner les points remarquables. Les paragraphes
+suivants proposent diffrents exemples :
+
+\begin{description}
+\item[basique]
+
+ \tabex{interDD}
+
+\item[orthocentre]
+
+ \tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]
+ {orthocentre}
+
+\end{description}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercle--droite}
+
+\defcom[Place le(s) point(s) d'intersection entre la droite $(AB)$ et le cercle de
+ centre $O$ passant par $C$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{PointSymbolA}, \param{PosAngleA}, \param{PointNameA},
+ \param{PointSymbolB}, \param{PosAngleB}, \param{PointNameB},
+ \param{Radius}, \param{Diameter}}]
+ {pstInterLC}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$O$}\Arg{$C$}%
+ \Arg{$M_1$}\Arg{$M_2$}}
+
+Construit le ou les points d'intersection de la droite $(AB)$ avec
+le cercle de centre $O$ passant par $OC$. L'intersection entre un
+cercle et une droite donne en cas d'existence un ou deux points. En
+fait le cas tangent reprsente un point double au sens des racines
+d'un polynme.
+
+Le cercle est spcifi avec son centre et soit un point de sa
+circonfrence, soit son rayon ou diamtre spcifi au moyen des
+paramtres \param{Radius} et \param{Diameter} et modul par le
+paramtre coefficient multiplicatif \param{DistCoef}.
+
+La place des deux points est telle que les vecteurs \Vecteur{AB} et
+\Vecteur{M_1M_2} soient colinaires. Ainsi si on change les points
+qui dfinissent la droite, les deux points d'intersection seront aussi
+changs. Si l'intersection n'existe pas, les deux points sont placs
+au centre du cercle.
+
+\tabex
+ [@{}m{.4\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.5777\linewidth}@{}]
+ {interDC}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercle--cercle}
+
+\defcom[Place le(s) point(s) d'intersection entre le cercle de centre $O_1$ passant
+ par $B$ et le cercle de centre $O_2$ passant par $C$ .]
+ {pstInterCC}%
+ {\OptArg{par}\Arg{$O_1$}\Arg{$B$}\Arg{$O_2$}\Arg{$C$}%
+ \Arg{$M_1$}\Arg{$M_2$}}
+
+Fonction au comportement identique la prcdente. Les paramtres
+boolens \param{CodeFigA} et \param{CodeFigB} permettent de faire
+apparatre les arcs au niveau des intersections. Par cohrence
+\param{CodeFig} permet de faire apparatre les deux arcs. Afin de
+contrler dans quel sens vont-tre ces arcs, les paramtres boolens
+\param{CodeFigAarc} et \param{CodeFigBarc} permettent de choisir dans
+le sens direct ou indirect.
+
+\tabex{interCC}
+
+Voici un deuxime exemple plus complet, intgrant les spcifications de cercle avec
+des rayons et des diamtres. Il existe dans ce cas des paramtres \param{RadiusA},
+\param{RadiusB}, \param{DiameterA} et \param{DiameterB}. Toutefois, mme dans le cas
+o le diamtre est spcifi, il faut donner un centre. On ne peut pas spcifier un
+cercle avec deux points diamtralement opposs.
+
+\begin{center}
+ \rule[-.5cm]{0pt}{8cm}
+ \begin{pspicture}(-3,-4)(7,3)\psgrid
+ \input{Exemples/interCC_bis_in}
+ \end{pspicture}
+\end{center}
+
+\smallverbatiminput{Exemples/interCC_bis_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Fonction--fonction}
+
+\defcom[Place \textit{un} point d'intersection entre les deux courbes reprsentatives des
+fonctions $f$ et $g$. priori l'abscisse du point
+sera proche de $x_0$ (valeur initiale de l'algorithme de \textsc{Newton}).]%
+ {pstInterFF}{\OptArg{par}\Arg{$f$}\Arg{$g$}\Arg{$x_0$}\Arg{$M$}}
+
+Cette fonction permet de positionner un point une intersection entre les deux
+fonctions $f$ et $g$. La valeur $x_0$ est une valeur approche de l'abscisse de cette
+intersection. Il est donc tout fait possible de l'utiliser plusieurs fois si plusieurs
+intersections existent. Chacune des fonctions est dcrite en \PostScript de manire
+identique la fonction \com{psplot} de \PStricks. Il est videmment possible de
+spcifier une fonction constante, et par exemple de chercher des racines.
+
+La recherche de l'intersection se fait en utilisant l'algorithme de \textsc{Newton},
+et videmment il peut arriver que cela n'aboutisse pas. Dans ce cas, le point est
+plac l'origine. D'autre part, la recherche peut tomber dans un \textit{pige}
+(minimum local proche de zro), ou encore se mettre osciller et donc ne jamais
+finir, il faudra alors modifier $x_0$.
+
+\tabex{interFF}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Fonction--droite}
+
+\defcom[Place \textit{un} point d'intersection entre la droite $(AB)$ et la courbe
+reprsentative de la fonction $f$. priori l'abscisse du point
+sera proche de $x_0$ (valeur initiale de l'algorithme de \textsc{Newton}).]%
+{pstInterFL}{\OptArg{par}\Arg{$f$}\Arg{$A$}\Arg{$B$}\Arg{$x_0$}\Arg{$M$}}
+
+Positionne un point une intersection de la fonction $f$ et de la droite $(AB)$.
+
+\tabex{interFL}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Fonction--cercle}
+
+\defcom[Place \textit{un} point d'intersection entre le cercle de centre $O$ passant
+par $A$ et la courbe reprsentative de la fonction $f$. priori l'abscisse du point
+sera proche de $x_0$ (valeur initiale de l'algorithme de \textsc{Newton}).]%
+ {pstInterFC}{\OptArg{par}\Arg{$f$}\Arg{$O$}\Arg{$A$}\Arg{$x_0$}\Arg{$M$}}
+
+Positionne un point une intersection de la fonction $f$ et du cercle
+de centre $O$ passant par $A$. L'intersection est trouve en utilisant l'algorithme
+itratif de \textsc{Newton} avec comme valeur initale $x_0$. Le poit aura donc une
+abscisse \textit{proche} de $x_0$.
+
+\tabex{interFC}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{Galerie d'exemples}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Gomtrie lmentaire}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Trac de la bissectrice}
+
+\tabex{gal_biss}
+
+\cbdelete%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% \subsection{Angle droit allemand}
+%%
+%% En Allemagne, on utilise une autre convention pour les angles
+%% droits (remarque de U. \textsc{Dirr}).
+%% \nopagebreak[4]
+%%
+%% \tabex{german_ra}
+%%
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \cbstart\subsection{Transformation de polygones et courbes}
+
+Voici comment utiliser le paramtre \param{CurveType} avec des tranformations.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/curvetype}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/curvetype_in}\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Droites remarquables du triangle}\nopagebreak[4]
+
+\begin{center}
+\psset{unit=2cm}
+\input{Exemples/remarq}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/remarq_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercle d'\textsc{Euler}}
+
+\begin{center}
+\psset{unit=2cm}
+\input{Exemples/euler}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/euler_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Orthocentre et hyperbole}
+
+L'orthocentre d'un triangle dont les points sont situs sur les
+branches de l'hyperbole ${\mathscr H} : y=a/x$ appartient cette hyperbole.
+
+\begin{center}
+\psset{unit=.5cm}
+\input{Exemples/orthoethyper}
+\end{center}
+
+\smallverbatiminput{Exemples/orthoethyper_in}
+
+\pagebreak[4]
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Polygone rgulier 17 cts}
+
+Remarquable construction due K. F. \textsc{Gauss} qui a dmontr par
+ailleurs qu'il tait possible de construire les polygones
+$2^{2^p}+1$ cts avec en prime la mthode gnral de construction. Le
+polygone rgulier suivant de cette famille possde donc 257 cts !
+\nopagebreak[4]
+
+\begin{center}
+\psset{unit=1.5cm, CodeFig=true, RightAngleSize=.14, CodeFigColor=red,
+ CodeFigB=true, linestyle=dashed, dash=2mm 2mm}
+\input{Exemples/gauss}
+\end{center}
+
+
+\pagebreak[4]
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Tangentes de cercles}
+
+Construction des tangentes un cercle passant par un point donn.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/tg1c}
+\end{center}
+
+Construction des tangentes deux cercles.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/tg2c}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Point de \textsc{Fermat} d'un triangle}
+
+Figure de Manuel \textsc{Luque}.\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/ptfermat}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cercles ex-insrits et inscrit d'un triangle}
+
+Les centres de ces cercles sont les intersections des bissectrices
+intrieures et extrieures.
+
+%% cercles inscrit et exinscrits d'un triangle
+\begin{center}
+\psset{unit=1cm, dash=5mm 4mm}%, PointSymbolA=none, PointSymbolB=none}
+\input{Exemples/cinscex}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Quelques lieux de points}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Parabole}
+
+\begin{minipage}[m]{.33\linewidth}
+La parabole est l'ensemble des points situs gale distance d'un
+point : le foyer, et d'une droite : la directrice.
+\end{minipage}
+\newcommand{\NbPt}{11}
+\input{Exemples/parabole}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/parabole_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Hyperbole}
+
+\noindent
+\begin{minipage}[b]{.55\linewidth}
+L'hyperbole est compose des points dont la diffrence des distances
+avec les foyers est constant. Pour se rafrachir la mmoire, on peut
+aller voir le ~Cours de mathmatiques spciales~, vol.~2,
+\textsc{Ramis, Deschamps, Odoux}, pp{.} 226--227.
+\begin{verbatim}
+%% QQ RAPPELS : a=\Sommet, c=\PosFoyer,
+%% b^2=c^2-a^2, e=c/a
+%% pour une hyperbole -> e>1, donc c>a,
+%% ici on choisi a=\sqrt{2}, c=2, e=\sqrt{2}
+%% M est sur H <=> |MF-MF'|=2a
+\end{verbatim}
+\end{minipage}
+\hfill
+\input{Exemples/hyperbole}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/hyperbole_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cyclode}
+
+La roue roule de $M$ $A$. Les points du cercle parcourent
+des cyclodes. L'intrt de cet exemple est de faire concider les
+points de rebroussement avec des points calculs.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/cyclo}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/cyclo_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Hypocyclodes (astrode et deltode)}
+
+Une roue roule l'intrieure d'un cercle et selon le rapport
+des rayons, on obtient une astrode, une deltode et dans le cas
+gnrale des hypocyclodes.\nopagebreak[4]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% ASTRODE
+\input{Exemples/hypocyclo}
+%%%%%%%%%%%%%%%%%%%%
+\begin{center}
+\input{Exemples/astro}\input{Exemples/delto}
+\end{center}
+
+\smallverbatiminput{Exemples/hypocyclo}
+\smallverbatiminput{Exemples/astro_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Enveloppes de droites et de cercles}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Coniques}
+
+On considre un cercle et un point $A$ extrieur ce cercle.
+L'ensemble des mdiatrices des segments forms par $A$ et les points
+du cercle forme les deux coniques selon la place de $A$ : s'il est
+l'intrieur du cercle l'ellipse, l'extrieur l'hyperbole. $A$ et le
+centre du cercle en sont les foyers (figure d'O. \textsc{Reboux}).
+
+\begin{center}\input{Exemples/envellipse}\end{center}
+
+\smallverbatiminput{Exemples/envellipse_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cardiode}
+
+La cardiode est l'enveloppe des cercles centrs sur un cercle et
+passant par un point fix de ce cercle.
+
+\tabex%
+ [@{}m{.5\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {envcardi}
+
+\pagebreak[4]
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Homothties et fractales}\nopagebreak[4]
+
+\tabex{fracthom}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Gomtrie hyperbolique : triangle et ses hauteurs}
+
+Le comble pour de la gomtrie euclidienne !
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Trac de godsique en gomtrie hyperbolique
+%% Attention ne fonctionne que si les points ne sont pas aligns avec O
+%% Ceci est un cas particulier, je ne crois pas que les hauteurs
+%% soient concourantes pour tous les triangles hyperboliques.
+\input{Exemples/geohyper}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\appendix
+\chapter{Glossaire des commandes}%%\markboth{GLOSSAIRE DES COMMANDES}{\thepage}%
+%%\addcontentsline{toc}{chapter}{\protect\numberline{}Glossaire des commandes}%
+
+Voici la liste des commandes dfinies par \texttt{pst-eucl}. Chacune est propose
+avec une courte description ainsi que la liste des paramtres \texttt{pst-eucl} qui
+permettent de la contrler. Il est tout fait possible que d'autres
+paramtres \PStricks puissent tre utilis, en particulier ceux contrlant le trait
+(paisseur, couleur, style).
+
+\input{euclide_macros.ind}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{Les paramtres de \texttt{pst-eucl}}
+
+\begin{longtable}{|l|l|p{10cm}|}
+ \hline
+ \multicolumn{1}{|c|}{\textbf{Paramtre}}&
+ \multicolumn{1}{c|}{\textbf{Dfaut}}&
+ \multicolumn{1}{c|}{\textbf{Signification}} \\\hline\hline
+ \endfirsthead
+ \hline
+ \multicolumn{1}{|c|}{\textbf{Paramtre}}&
+ \multicolumn{1}{c|}{\textbf{Dfaut}}&
+ \multicolumn{1}{c|}{\textbf{Signification}} \\\hline\hline
+ \endhead
+ \hline
+ \multicolumn{3}{|c|}{$\ldots$ suivre $\ldots$}\\
+ \hline
+ \endfoot
+ \hline
+ \endlastfoot
+ \param{PointSymbol}&\verb$default$&Symbole utilis pour marquer un point.\\\hline
+ \param{PointSymbolA}&\verb$default$&idem pour le premier point d'une commande en crant plusieurs.\\\hline
+ \param{PointSymbolB}&\verb$default$&pour le second...\\\hline
+ \param{PointSymbolC}&\verb$default$&pour le troisime...\\\hline
+ \param{PointName}&\verb$default$&tiquette plac auprs du point.\\\hline
+ \param{PointNameA}&\verb$default$&idem pour le premier point d'une commande en crant plusieurs.\\\hline
+ \param{PointNameB}&\verb$default$&pour le second...\\\hline
+ \param{PointNameC}&\verb$default$&pour le troisime...\\\hline
+ \param{PtNameMath}&\verb$true$&paramtre boolen spcifiant si le style
+ mathmatique doit tre utilis pour l'tiquette d'un point.\\\hline
+ \param{SegmentSymbol}&\verb$default$&Symbole utilis pour marquer un segment\\\hline
+ \param{SegmentSymbolA}&\verb$default$&idem pour le premier segment d'une commande
+ en marquant plusieurs.\\\hline
+ \param{SegmentSymbolB}&\verb$default$&pour le second...\\\hline
+ \param{SegmentSymbolC}&\verb$default$&pour le troisime...\\\hline
+ \param{Mark}&\verb$default$&Symbole utilis pour marquer un angle...\\\hline
+ \param{MarkAngle}&\verb$default$&Angle utiliser pour le symbole prcdent...\\\hline
+ \param{PointNameSep}&\verb$1em$&Distance sparant le symbole du point de son tiquette.\\\hline
+ \param{PosAngle}&\verb$undef$&Position de l'tiquette autour du point.\\\hline
+ \param{PosAngleA}&\verb$undef$&idem pour le premier point d'une commande en crant plusieurs.\\\hline
+ \param{PosAngleB}&\verb$undef$&pour le second...\\\hline
+ \param{PosAngleC}&\verb$undef$&pour le troisime...\\\hline
+ \param{RightAngleSize}&\verb$.4$&Taille du symbole de l'angle droit\\\hline
+ \param{RightAngleType}&\verb$default$&Type de la marque de l'angle droit, valeur
+ possible : \verb$german$ et \verb$suisseromand$\\\hline
+ \param{MarkAngleRadius}&\verb$.4$&Rayon de l'arc de cercle marquant un angle.\\\hline
+ \param{LabelAngleOffset}&\verb$0$&Offset angulaire permettant de dcaler
+ l'tiquette d'un angle.\\\hline
+ \param{LabelSep}&\verb$1$&Distance entre le sommet de l'angle et l'tiquette.\\\hline
+ \param{LabelRefPt}&\verb$c$&Point de rfrence \TeX\ utilis pour placer
+ l'tiquette d'un angle.\\\hline
+ \param{HomCoef}&\verb$.5$&Coefficient de l'homothtie.\\\hline
+ \param{RotAngle}&\verb$60$&Angle utilis pour la rotation.\\\hline
+ \param{DrawCirABC}&\verb$true$&Paramtre boolen indiquant si le cercle circonscrit
+ doit tre trac.\\\hline
+ \param{CodeFig}&\verb$false$&Paramtre boolen indiquant si la construction doit
+ tre code.\\\hline
+ \param{CodeFigA}&\verb$false$&idem pour la premire construction d'une commande en
+ gnrant plusieurs.\\\hline
+ \param{CodeFigB}&\verb$false$&La seconde.\\\hline
+ \param{CodeFigColor}&\verb$cyan$&Couleur du trait pour coder la construction.\\\hline
+ \param{CodeFigStyle}&\verb$dashed$&Style du trait pour coder la construction.\\\hline
+ \param{CodeFigAarc}&\verb$true$&paramtre boolen spcifiant le sens de l'arcau
+ niveau de la premire intersection entre deux cercles.\\\hline
+ \param{CodeFigBarc}&\verb$true$&idem pour la seconde.\\\hline
+ \param{Radius}&\verb$none$&Spcification du rayon du cercle.\\\hline
+ \param{RadiusA}&\verb$undef$&Spcification du rayon du premier cercle.\\\hline
+ \param{RadiusB}&\verb$undef$&Spcification du rayon du second cercle.\\\hline
+ \param{Diameter}&\verb$none$&Spcification du diamtre du cercle.\\\hline
+ \param{DiameterA}&\verb$undef$&Spcification du rayon du premier cercle.\\\hline
+ \param{DiameterB}&\verb$undef$&Spcification du rayon du second cercle.\\\hline
+ \param{DistCoef}&\verb$none$&Coefficient multiplicatif permettant de modifier une distance/vecteur.\\\hline
+ \param{AngleCoef}&\verb$none$&Coefficient multiplicatif permettant de modifier la
+ mesure d'un angle.\\\hline
+ \param{CurvAbsNeg}&\verb$false$&Paramtre boolen indiquant que les abscisses
+ curvilignes sont dans le sens anti-trigonomtrique\\\hline
+ \param{GenCurvFirst}&\verb$none$&Nom du premier point d'une courbe gnrique (effet
+ de bord).\\\hline
+ \param{GenCurvLast}&\verb$none$&Nom du dernier point d'une courbe gnrique (effet
+ de bord).\\\hline
+ \param{GenCurvInc}&\verb$none$&valeur utiliser comme incrment dans une courbe gnrique.\\\hline
+ \cbstart%
+ \param{CurveType}&\verb$none$&Mode de trac de courbe pour relier une liste de points.\\\hline
+ \param{TransformLabel}&\verb$none$&tiquette utilise pour marquer la rotation ou la
+ translation.\\\hline
+\end{longtable}
+
+\cbend
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\cbstart\chapter{Compatibilit ascendantes de \texttt{pst-eucl}}
+
+Nouveaut pour cette version, des commandes ont chang de syntaxe sans changer de
+nom, la compatibilit ascendante n'est donc pas maintenue. Toutefois, pour viter
+certains utilisateurs presss de mettre jour leur fichier dans l'urgence, il est
+possible de retrouver l'ancienne syntaxe en activant l'option \texttt{old} l'inclusion de
+l'extension \verb$\usepackage[old]{pst-eucl}$. Pour cette version cela concerne
+toutes les commandes des transformations. Il faut donc se reporter l'ancien manuel
+pour avoir la syntaxe.
+
+\cbend
+\end{document}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Une figure fractale : le flocon de \textsc{von Koch}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% TENTATIVE DE FLOCON DE VON KOCH
+\newcounter{nbvk}%
+%%%%%%%%%%%%%
+%% PILE LIFO%
+\newcounter{lifon}\setcounter{lifon}{1}%%
+\newcommand{\Push}[1]{%%
+ \expandafter\edef\csname lifocmd\roman{lifon}\endcsname{#1}%%
+ \addtocounter{lifon}{1}%%
+ }%
+\newcommand{\Pop}{\csname lifocmd\roman{lifon}\endcsname}%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\newcounter{nombre}\setcounter{nombre}{0}%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\newcommand{\vonkoch}[3]{%%
+ \setcounter{nbvk}{#1}%%
+ \edef\Pointi{#2}\edef\Pointii{#3}%%
+ \ifnum\value{nbvk}=1%
+ \ncline{\Pointi}{\Pointii}%
+ \else % ELSE%
+ \addtocounter{nombre}{1}%
+ %% position des nouveauX points%
+ \pstHomO[HomCoef=1 3 div]{\Pointi}{\Pointii}{P\arabic{nombre}1}%
+ \pstHomO[HomCoef=2 3 div]{\Pointi}{\Pointii}{P\arabic{nombre}2}%
+ \pstRotation[RotAngle=60]{P\arabic{nombre}1}{P\arabic{nombre}2}{P\arabic{nombre}3}%
+ \addtocounter{nbvk}{-1}%%
+ \Push{\Pointi}\Push{\Pointii}\Push{\arabic{nombre}}\Push{\arabic{nbvk}}%
+ \vonkoch{\value{nbvk}}{\Pointi}{P\arabic{nombre}1}%
+ \addtocounter{lifon}{-1}\edef\nbvklocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\nombrelocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointii{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointi{\Pop}%
+ \addtocounter{lifon}{4}%
+ \vonkoch{\nbvklocal}{P\nombrelocal1}{P\nombrelocal3}%
+ \addtocounter{lifon}{-1}\edef\nbvklocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\nombrelocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointii{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointi{\Pop}%
+ \addtocounter{lifon}{4}%
+ \vonkoch{\nbvklocal}{P\nombrelocal3}{P\nombrelocal2}%
+ \addtocounter{lifon}{-1}\edef\nbvklocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\nombrelocal{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointii{\Pop}%
+ \addtocounter{lifon}{-1}\edef\Pointi{\Pop}%
+ \addtocounter{lifon}{4}%
+ \vonkoch{\nbvklocal}{P\nombrelocal2}{\Pointii}%
+ \addtocounter{lifon}{-4}%
+ \fi%
+}%
+\psset{unit=2.5cm}%
+\begin{pspicture}(-2,-2)(2,2)%
+ \psset{PointSymbol=none}
+ \pstGeonode(-2,-2){A}\pstGeonode(2,2){B}%
+ \pstRotation[RotAngle=60]{B}{A}{C}%
+ \vonkoch{5}{A}{B}\setcounter{nombre}{0}%%%
+ \vonkoch{4}{B}{C}\setcounter{nombre}{0}%%%
+ \vonkoch{4}{C}{A}%%
+\end{pspicture}%
+%
+\end{document}%
+
+\begin{pspicture*}(-4,-5)(4,5)%\psgrid
+ %% \pstGeonode[PosAngle=-135](0,0){O}
+ %% \pstGeonode[PosAngle=-90](1,0.5){I}
+ %% \pstGeonode[PosAngle=-180](0.5,2){J}
+ \pstGeonode[PosAngle={-135,-90,-180}]{O}(1,0.5){I}(0.5,2){J}
+ \pstLineAB[nodesep=100]{O}{I}
+ \pstLineAB[nodesep=100]{O}{J}
+ \multips(-5,-2.5)(1,0.5){11}{\psline(0,-.15)(0,.15)}%
+ \multips(-5,-2.5)(1,0.5){11}{\psline[linestyle=dotted](-10,-40)(10,40)}%
+ \multips(-2,-8)(0.5,2){9}{\psline(-.15,0)(.15,0)}%
+ \multips(-2,-8)(0.5,2){9}{\psline[linestyle=dotted](-10,-5)(10,5)}%
+ %% huit points
+ \psset{PointSymbol=x}
+ \pstOIJGeonode(1,2){A}{O}{I}{J}
+ \pstOIJGeonode(-2,1){B}{O}{I}{J}
+ \pstOIJGeonode(-1,-1.5){C}{O}{I}{J}
+ \pstOIJGeonode(2,-1){D}{O}{I}{J}
+\end{pspicture*}
+%
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide_english.pdf b/Master/texmf-dist/doc/generic/pst-eucl/euclide_english.pdf
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+++ b/Master/texmf-dist/doc/generic/pst-eucl/euclide_english.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide_english.tex b/Master/texmf-dist/doc/generic/pst-eucl/euclide_english.tex
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@@ -0,0 +1,1176 @@
+\documentclass[12pt, draft]{report}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage{euclide}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\title{The \texttt{pst-euclide} Package}
+\author{\Version\\\\Dominique Rodriguez\thanks{domino.rodriguez@laposte.net}}
+\date{\Date}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+\maketitle
+\begin{abstract}
+ The \texttt{pst-eucl} package allow the drawing of Euclidean
+ geometric figures using \LaTeX\ macros for specifying mathematical
+ constraints. It is thus possible to build point using common
+ transformations or intersections. The use of coordinates is limited
+ to points which controlled the figure.
+
+ \vfill
+
+ \begin{center}\bfseries
+ Acknowledgements
+ \end{center}
+
+ I would like to thanks the following persons for the help they gave
+ me for development of this package:
+
+ \begin{itemize}
+ \item Denis Girou pour ses critiques pertinentes et ses
+ encouragement lors de la dcouverte de l'embryon initial et pour
+ sa relecture du prsent manuel ;
+ \item Michael Vulis for his fast testing of the documentation using
+ V\TeX\ which leads to the correction of a bug in the \PostScript\ code;
+ \item Manuel Luque and Olivier Reboux for their remarks and their examples.
+ \item Alain Delplanque for its modification propositions on automatic
+ placing of points name and the ability of giving a list of points in
+ \com{pstGeonode}.
+ \end{itemize}
+\end{abstract}
+%%%%%%%%%%%%%%%%%%%%
+\renewcommand{\abstractname}{WARNING}
+\begin{abstract}
+ This is the first release put on \texttt{CTAN} archives.
+
+ \vfill
+
+ \begin{center}\bfseries
+ LICENSE
+ \end{center}
+
+ This program and its documentation can be redistributed and/or modified under the
+ terms of the ``\LaTeX{} Project Public License'' Distributed from \texttt{CTAN}
+ archives in directory \texttt{macros/latex/base/lppl.txt}. However, you may send me
+ an Email with a small commentary. Then you should consider making a
+ donation\footnote{especially if you use a purchased operating system!. Furthermore,
+ do not forget that \LaTeX{} is freely usable and that many users buy several
+ hundreds of euros (dollars, pounds) softwares of lower quality}:
+
+\begin{enumerate}
+\item directly to the \LaTeX3 team;
+\item and/or to me for the support of this package\footnote{1~\MonEuro, 1 ou \$1 is
+ OK, but I accept more.}.
+\end{enumerate}
+
+ A donation of time depending of competences is possible : correction of the
+ documentation (especially this one), test of functionnalities, propositions of
+ extensions, \ldots
+\end{abstract}
+\twocoltoc{}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{User's manual}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Special specifications}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{\PStricks\ Options}
+
+The package activates the \com{SpecialCoor} mode. This mode extend the
+coordinates specification. Furthermore the plotting type is set to
+\texttt{dimen=middle}, which indicates that the position of the
+drawing is done according to the middle of the line. Please look at
+the user manual for more information about these setting.
+
+At last, the working axes are supposed to be (ortho)normed.
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Conventions}
+
+For this manual, I used the geometric French conventions for naming
+the points:
+
+\begin{itemize}
+\item $O$ is a centre (circle, axes, symmetry, homothety, rotation);
+\item $I$ defined the unity of the abscissa axe, or a midpoint;
+\item $J$ defined the unity of the ordinate axe;
+\item $A$, $B$, $C$, $D$ are points ;
+\item $M'$ is the image of $M$ by a transformation ;
+\end{itemize}
+
+At last, although these are nodes in \PStricks, I treat them
+intentionally as points.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Basic Objects}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Points}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsubsection{default axes}
+
+\defcom[Creates a list of points using the common axis. \protect\ParamList{\param{PointName},
+ \param{PointNameSep}, \param{PosAngle}, \param{PointSymbol}, \param{PtNameMath}}]
+ {pstGeonode}{\OptArg{par}$(x_1,y_1)$\Arg{$A_1$}$(x_2,y_2)$\Arg{$A_2$}\ldots$(x_n,y_n)$\Arg{$A_n$}}
+
+This command defines one or more geometrical points associated with a node. Each
+point has a node name \Argsans{$A_i$} which defines the default label put on the
+picture. This label is managed by default in mathematical mode, the boolean parameter
+\param{PtNameMath} \DefaultVal{true} can modify this behavior and let manage the
+label in normal mode. It is placed at a distance of \cbstart\param{PointNameSep}
+\DefaultVal{1em}\cbend{} of the center of the node with a angle of
+\param{PosAngle}\DefaultVal{0}. It is possible to specify another label using the
+parameter \param{PointName} \DefaultVal{default}, and an empty label can be specified
+by selecting the value \texttt{none}, in that case the point will have no name on the
+picture.
+
+The point symbol is given by the parameter \param{PointSymbol} \DefaultVal{*}. The
+symbol is the same as used by the macro \com{pstdot}. This parameter can be set to
+\texttt{none}, which means that the point will not be drawn on the picture.
+
+Here are the possible values for this parameter:
+
+\begin{multicols}{3}
+ \begin{itemize}\psset{dotscale=2}
+ \item \param{*}: \psdots(.5ex,.5ex)
+ \item \param{o}: \psdots[dotstyle=o](.5ex,.5ex)
+ \item \param{+}: \psdots[dotstyle=+](.5ex,.5ex)
+ \item \param{x}: \psdots[dotstyle=x](.5ex,.5ex)
+ \item \param{asterisk} : \psdots[dotstyle=asterisk](.5ex,.5ex)
+ \item \param{oplus}: \psdots[dotstyle=oplus](.5ex,.5ex)
+ \item \param{otimes}: \psdots[dotstyle=otimes](.5ex,.5ex)
+ \item \param{triangle}: \psdots[dotstyle=triangle](.5ex,.5ex)
+ \item \param{triangle*}: \psdots[dotstyle=triangle*](.5ex,.5ex)
+ \item \param{square}: \psdots[dotstyle=square](.5ex,.5ex)
+ \item \param{square*}: \psdots[dotstyle=square*](.5ex,.5ex)
+ \item \param{diamond}: \psdots[dotstyle=diamond](.5ex,.5ex)
+ \item \param{diamond*}: \psdots[dotstyle=diamond*](.5ex,.5ex)
+ \item \param{pentagon}: \psdots[dotstyle=pentagon](.5ex,.5ex)
+ \item \param{pentagon*}: \psdots[dotstyle=pentagon*](.5ex,.5ex)
+ \item \param{|}: \psdots[dotstyle=|](.5ex,.5ex)
+ \end{itemize}
+\end{multicols}
+
+\cbstart Furthermore, these symbols can be controlled with some others \PStricks,
+several of these are :
+
+\begin{itemize}
+\item their scale with \param{dotscale}, the value of whom is either two numbers
+ defining the horizontal and vertical scale factor, or one single value being the
+ same for both,
+\item their angle with parameter \param{dotangle}.
+\end{itemize}
+
+Please consult the \PStricks documentation for further details.\cbend
+
+The parameters are specified explicitly in the \Argsans{par} part. The
+parameters \param{PosAngle}, \param{PointSymbol}, \param{PointName} and
+\param{PointNameSep} can be set to :
+
+\begin{itemize}
+\item either a single value, the same for all points ;
+\item or a list of values delimited by accolads \texttt{\{ ... \}} and
+ separated with comma \textit{without any blanks}, allowing to differenciate the
+ value for each point.
+\end{itemize}
+
+In the later case, the list can have less values than point which means that the
+last value is used for all the remaining points.
+
+\cbstart At least, the parameter \param{CurveType} \DefaultVal{none} can be used to
+draw a line between the points:
+
+\begin{itemize}
+\item opened \verb$polyline$ ;
+\item closed \verb$polygon$ ;
+\item open and curved \verb$curve$.
+\end{itemize}\cbend
+
+% EXEMPLE GEONODE
+\tabex{geonode}
+
+Obviously, the nodes appearing in the picture can be used as normal
+\PStricks nodes. Thus, it is possible to reference a point from
+\rnode{ici}{here}.
+\nccurve[arrowscale=2]{->}{ici}{B_1}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsubsection{User defined axes}
+
+
+\defcom[Creates a list of points in the landmark $(O;I;J)$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}}]
+ {pstOIJGeonode}
+ {\OptArg{par}$(x_1,y_1)$\Arg{$A_1$}\Arg{$O$}\Arg{$I$}\Arg{$J$}$(x_2,y_2)$\Arg{$A_2$}\ldots$(x_n,y_n)$\Arg{$A_n$}}
+
+This command allows the placement of points in any landmark(?) defined
+by the three points $(O;I;J)$.
+
+%% EXAMPLE
+\tabex{oij}
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Segment mark}
+
+A segment can be drawn using the \com{ncline} command. However,
+for marking a segment there is the following command:
+
+\defcom[Marks segment \Segment{AB} in its middle with the mark given by
+ \protect\param{SegmentSymbol}. \protect\ParamList{\param{SegmentSymbol}}]
+ {pstMarkSegment}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+The symbol drawn on the segment is given by the parameter
+\param{SegmentSymbol}. Its value can be any valid command which can be
+used in math mode. Its default value is \texttt{pstslashh},
+which produced two slashes on the segment. The segment is drawn.
+
+Several commands are predefined for marking the segment:
+
+\begin{multicols}{3}
+ \psset{PointSymbol=none, PointName=none, unit=.8}
+ \newcommand{\Seg}[1]{%
+ \com{#1} : \begin{pspicture}[.3](2,1)
+ \pstGeonode(0.3,.5){A}(1.7,.5){B}\pstSegmentMark[SegmentSymbol=#1]{A}{B}
+ \end{pspicture}}%
+ \begin{itemize}
+ \item \Seg{pstslash} ;
+ \item \Seg{pstslashh} ;
+ \item \Seg{pstslashhh} ;
+ \item \Seg{MarkHash} ;
+ \item \Seg{MarkHashh} ;
+ \item \Seg{MarkHashhh} ;
+ \item \Seg{MarkCros} ;
+ \item \Seg{MarkCross} ;
+ \end{itemize}
+\end{multicols}
+
+The three commands of the family \texttt{MarkHash} draw a line whose inclination is
+controled by the parameter \param{MarkAngle} \DefaultVal{45}. Their width and colour
+depends of the width and color of the line when the drawing is done, ass shown is the
+next example.
+
+%% EXAMPLE
+\tabex{segmentmark}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Triangles}
+
+The more classical figure, it has its own macro for a quick definition:
+
+\defcom[Draws a triangle. \protect\ParamList{\param{PointName},
+ \param{PointNameSep}, \param{PointSymbol}, \param{PointNameA},
+ \param{PosAngleA}, \param{PointSymbolA}, \param{PointNameB},
+ \param{PosAngleB}, \param{PointSymbolB}, \param{PointNameC},
+ \param{PosAngleC}, \param{PointSymbolC}}]
+ {pstTriangle}{%
+ \OptArg{par}
+ $(x_A;y_A)$\Arg{$A$}$(x_B;y_B)$\Arg{$B$}$(x_C;y_C)$\Arg{$C$}}
+
+In order to accurately put the name of the points, there are three parameters
+\param{PosAngleA}, \param{PosAngleB} and \param{PosAngleC}, which are associated
+respectively to the nodes \Argsans{$A$}, \Argsans{$B$} et \Argsans{$C$}. Obviously
+they have the same meaning as the parameter \param{PosAngle}. If no angle
+is specified for a given point, its name is put on the bissector line.
+
+In the same way there are parameters for controlling the symbol used
+for each points: \param{PointSymbolA}, \param{PointSymbolB} and
+\param{PointSymbolC}. They are equivalent to the parameter
+\param{PointSymbol}. The management of the default value followed the
+same rule.
+
+\tabex{triangle}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Angles}
+
+Each angle is defined with three points. The vertex is the second
+point. Their order is important because it is assumed that the angle is
+specified in the direct order. The first command is the marking of a
+right angle:
+
+\defcom[Marks the rigth angle \protect\Angle{ABC} given in direct
+ order. \protect\ParamList{\param{RightAngleType}, \param{RightAngleSize},
+ \param{RightAngleSize}}]
+ {pstRightAngle}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}}
+
+\cbstart The symbol used is controlled by the parameter \param{RightAngleType}
+\DefaultVal{default}. Its possible values are :
+
+\begin{itemize}
+\item \verb$default$ : standard symbol ;
+\item \verb$german$ : german symbol (given by U. Dirr) ;
+\item \verb$suisseromand$ : swiss romand symbol (given P. Schnewlin).
+\end{itemize}\cbend
+
+The only parameter controlling this command, excepting the ones which
+controlled the line, is \param{RightAngleSize} which defines the size
+of the symbol\DefaultVal{0.28 unit}.
+
+For other angles, there is the command:
+
+\defcom[Marks the angle \protect\Angle{ABC} given in direct order.
+ \protect\ParamList{\param{MarkAngleRadius}, \param{LabelAngleOffset},
+ \param{Mark}}]
+ {pstMarkAngle}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}}
+
+
+The \param{label} can be any valid \TeX\ box, it is put at \param{LabelSep}
+\DefaultVal{1 unit} of the node in the direction of the bisector of the angle
+modified by \param{LabelAngleOffset}\DefaultVal{0} and positioned using
+\param{LabelRefPt} \DefaultVal{c}. Furthermore the arc used for marking has a radius
+of \param{MarkAngleRadius} \DefaultVal{.4~unit}. At least, it is possible to place
+an arrow using the parameter \param{arrows}.Finally, it is possible to mark
+the angle by specifying a \TeX{} command as argument of parameter \param{Mark}.
+
+\tabex{angle}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Lines, half-lines and segments}
+
+The classical line!
+
+\defcom[Draws line $(AB)$.]
+ {pstLineAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+In order to control its length\footnote{which is the comble for a
+line!}, the two parameters \param{nodesepA} et \param{nodesepB}
+specify the abscissa of the extremity of the drawing part of the line.
+A negative abscissa specify an outside point, while a positive
+abscissa specify an internal point. If these parameters have to be
+equal, \param{nodesep} can be used instead. The default value of these
+parameters is equal to 0.
+
+\tabex{droite}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Circles}
+
+A circle can be defined either with its center and a point of its
+circumference, or with two diameterly opposed points. There is two
+commands :
+
+\renewcommand{\ComUnDescr}{Draws the circle of center $O$ crossing $A$. \protect\ParamList{\param{Radius},
+ \param{Diameter}}.}
+\renewcommand{\ComDeuxDescr}{Draws the circle of diameter $AB$. \protect\ParamList{\param{Radius},
+ \param{Diameter}}.}
+\defcomdeux{pstCircleOA}{\OptArg{par}\Arg{$O$}\Arg{$A$}}%
+ {pstCircleAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}}
+
+For the first macro, it is possible to omit the second point and then
+to specify a radius or a diameter using the parameters \param{Radius}
+and \param{Diameter}. The values of these parameters must be specified
+with one of the two following macros :
+
+\renewcommand{\ComUnDescr}{Specifies distance $AB$ for the parameters
+ \protect\param{Radius} and \protect\param{Diameter}. \protect\ParamList{\param{DistCoef}}.}
+\renewcommand{\ComDeuxDescr}{Specifies a numerical value for the parameters
+ \protect\param{Radius} and \protect\param{Diameter}. \protect\ParamList{\param{DistCoef}}.}
+\defcomdeux{pstDistAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}}%
+ {pstDistVal}{\OptArg{par}\Arg{x}}
+
+The first specifies a distance between two points. The parameter
+\param{DistCoef} can be used to specify a coefficient to reduce or
+enlarge this distance. To be taken into account this last parameter
+must be specified before the distance. The second macro can be used to
+specify an explicit numeric value.
+
+We will see later how to draw the circle crossing three points.
+
+\vspace{1.1\baselineskip}
+\begin{minipage}[m]{.45\linewidth}
+ With this package, it becomes possible to draw:
+
+ \begin{itemize}
+ \item {\color{red} the circle of center $A$ crossing $B$;}
+ \item {\color{green} the circle of center $A$ whose radius is $AC$;}
+ \item {\color{blue} the circle of center $A$ whose radius is $BC$;}
+ \item {\color{Sepia} the circle of center $B$ whose radius is $AC$;}
+ \item {\color{Aquamarine} the circle of center $B$ of diameter $AC$;}
+ \item {\color{RoyalBlue} the circle whose diameter is $BC$.}
+ \end{itemize}
+\end{minipage}
+%
+\input{Exemples/cercle}
+
+\smallverbatiminput{Exemples/cercle_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Circle arcs}
+
+\renewcommand{\ComUnDescr}{Draws the circle arc of center $O$ and radius $OA$,
+ delimited by the angle $\protect\Angle{AOB}$ in direct order.}
+\renewcommand{\ComDeuxDescr}{Draws the circle arc of center $O$ and radius $OA$,
+ delimited by the angle $\protect\Angle{AOB}$ in indirect order.}
+\defcomdeux{pstArcOAB}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}}%
+ {pstArcnOAB}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}}
+
+These two macros draw circle arcs, $O$ is the center, the radius
+defined by $OA$, the beginning angle given by $A$ and the final angle
+by $B$. Finally, the first macro draws the arc in the direct way,
+whereas the second in the indirect way. It is not necessary that the
+two points are at the same distance of $O$.
+
+\tabex{arc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Curved abscissa}
+
+A point can be positioned on a circle using its curved abscissa.
+
+\defcom[Puts a point on a circle using an curves abscissa.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{CurvAbsNeg}}]
+ {pstCurvAbsNode}{\OptArg{par}\Arg{$O$}\Arg{$A$}\Arg{$B$}\Arg{Abs}}
+
+The point \Argsans{$B$} is positioned on the circle of center
+\Argsans{$O$} crossing \Argsans{$A$}, with the curved abscissa
+\Argsans{Abs}. The origin is \Argsans{$A$} and the direction is
+anti-clockwise by default. The parameter \param{CurvAbsNeg}
+\DefaultVal{false} can change this behavior.
+
+If the parameter \param{PosAngle} is not specified, the point label is put
+automatically in oirder to be alined with the circle center and the point.
+
+\tabex{abscur}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Gnric curve}
+
+It is possible to generate a set of points using a loop, and to give
+them a generic name defined by a radical and a number. The following
+command can draw a interpolated curve crossing all such kind of
+points.
+
+\defcom[Draws an interpolate curve using a points family whose name has a
+ naming convention using a prefix and a number.
+ \protect\ParamList{\param{GenCurvFirst}, \param{GenCurvInc},
+ \param{GenCurvLast}}]
+ {pstGenericCurve}{\OptArg{par}\Arg{Radical}\Arg{$n_1$}\Arg{$n_2$}}
+
+The curve is drawn on the points whose name is defined using the
+radical \Argsans{Radical} followed by a number from \Argsans{$n_1$} to
+\Argsans{$n_2$}. In order to manage side effect, the parameters
+\param{GenCurvFirst} et \param{GenCurvLast} can be used to specified
+special first or last point. The parameter \param{GenCurvInc} can be
+used to modify the increment from a point to the next one
+\DefaultVal{1}.
+
+\tabex{gencur}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Geometric Transformations}
+
+The geometric transformations are the ideal tools to construct geometric figures. All
+the classical transformations are available with the following macros \cbstart which
+share the same syntaxic scheme end two parameters.
+
+The common syntax put at the end two point lists whose second is optional or with a
+cardinal at least equal. These two lists contain the antecedent points and their
+respective images. In the case no image is given for some points the a default name
+is build appending a \verb$'$ to the antecedent name.
+
+The first shared parameter is \param{CodeFig} which draws the specific
+constructions lines. Its default value is \param{false}, and a
+\param{true} value activates this optional drawing.
+The drawing is done using the line style \param{CodeFigStyle}
+\DefaultVal{dashed}, with the color \param{CodeFigColor}
+\DefaultVal{cyan}.
+
+Their second shared parameter is \param{CurveType} which controls the drawing of a
+line crossing all images, and thus allow a quick description of a transformed figure.\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Central symmetry}
+
+\defcom[Builds the symetric point $M'_i$ of $M_i$ in relation to point $O$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstSymO}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Draw the symmetric point in relation to point $O$. The classical
+parameter of point creation are usable here, and also for all the
+following functions.
+
+\tabex{symcentrale}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Orthogonal (or axial) symmetry}
+
+\defcom[Builds the symetric point $M'_i$ of $M_i$ in relation to line $(AB)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]{pstOrtSym}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Draws the symmetric point in relation to line $(AB)$.
+
+\tabex{symorthogonale}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Rotation}
+
+\defcom[Builds the image $M'_i$ of $M_i$ using a rotation around $O$ of \protect\param{RotAngle}
+ degrees (direct).
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{RotAngle}}]{pstRotation}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Draw the image of $M_i$ by the rotation of center $O$ and angle given by
+the parameter \param{RotAngle}. This later can be an angle specified
+by three points. In such a case, the following function must be used:
+
+\defcom[Specifies the measure of \protect\Angle{AOB} (direct) for the parameter
+ \protect\param{RotAngle}. \protect\ParamList{\param{AngleCoef}}]
+ {pstAngleABC}{\Arg{$A$}\Arg{$B$}\Arg{$C$}}
+
+Never forget to use the rotation for drawing a square or an equilateral
+triangle.\cbstart The parameter \param{CodeFig} puts a bow with an arrow between the
+point and its image, and if \param{TransformLabel} \DefaultVal{none}
+contain some text, it is put on the corresponding angle in mathematical mode.
+
+\tabex{rotation}\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Translation}
+
+\defcom[Builds the translated $M'_i$ of $M_i$ using the vector \protect\Vecteur{AB}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{DistCoef}}]
+ {pstTranslation}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Draws the translated $M'_i$ of $M_i$ using the vector \Vecteur{AB}. Useful for drawing a
+parallel line.
+
+\tabex{translation}
+
+The parameter \param{DistCoef} can be used as a multiplicand
+coefficient to modify the translation vector.\cbstart The parameter \param{CodeFig}
+draws the translation vector le vecteur de translation between the
+point and its image, labeled in its middle defaultly with the vector name or by the
+text specified with \param{TransformLabel} \DefaultVal{none}.\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Homothetie}
+
+\defcom[Builds the image $M'_i$ de $M_i$ using the homothetie of centre $O$ and coefficient
+ \protect\param{HomCoef}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{HomCoef}}]
+ {pstHomO}%
+ {\OptArg{par}\Arg{$O$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Draws $M'_i$ the image of $M_i$ by the homotethy of center $O$ and
+coefficient specified with the parameter \param{HomCoef}.
+
+\tabex{homothetie}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Orthogonal projection}
+
+\defcom[Build the projected point $M'_i$ of $M_i$ on line $(AB)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]
+ {pstProjection}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$M_1, M_2, \cdots, M_n$}\OptArg{$M'_1, M'_2, \cdots, M'_p$}}
+
+Projects orthogonally the point $M_i$ on the line $(AB)$. Useful for the altitude of a
+triangle. The name is aligned with the point and the projected point as
+shown in the exemple.
+
+\tabex{projection}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Special object}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Midpoint}
+
+\defcom[Build the middle $I$ of \Segment{AB}.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}, \param{SegmentSymbol},
+ \param{CodeFig}, \param{CodeFigColor}, \param{CodeFigStyle}}]
+ {pstMiddleAB}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$I$}}
+
+Draw the midpoint $I$ of segment $[AB]$. By default, the point name is
+automatically put below the segment.
+
+\tabex{milieu}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Triangle center of gravity}
+
+\defcom[Builds the centre of gravity $G$ of triangle $ABC$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}}]
+ {pstCGravABC}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$G$}}
+
+Draw the $ABC$ triangle centre of gravity $G$.
+
+\tabex{grav}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Centre of the circumcircle of a triangle}
+
+\defcom[Buids the center $O$ of the circumcircle of triangle $ABC$.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}, \param{DrawCirABC}, \param{CodeFig},
+ \param{CodeFigColor}, \param{CodeFigStyle}, \param{SegmentSymbolA},
+ \param{SegmentSymbolB}, \param{SegmentSymbolC}}]
+ {pstCircleABC}{\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$O$}}
+
+Draws the circle crossing three points (the circum circle) and put its center $O$.
+The effective drawing is controlled by the boolean parameter \param{DrawCirABC}
+\DefaultVal{true}.\cbstart Moreover the intermediate constructs (mediator lines) can
+be drawn by setting the boolean parameter \param{CodeFig}. In that case the middle
+points are marked on the segemnts using three different marks given by the parameters
+\param{SegmentSymbolA}, \param{SegmentSymbolB} et \param{SegmentSymbolC}.\cbend
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {ccirc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Perpendicular bisector of a segment}
+
+\defcom[Builds the perpendicular bisector of the segment \Segment{AB}, its middle $I$
+ and a point $M$ of the bisector wich is the image of $B$ using rotation.
+ \protect\ParamList{\param{PointName}, \param{PointNameSep}, \param{PosAngle},
+ \param{PointSymbol}, \param{PtNameMath}, \param{CodeFig},
+ \param{CodeFigColor}, \param{CodeFigStyle}, \param{SegmentSymbol}}]
+ {pstMediatorAB}{\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$I$}\Arg{$M$}}
+
+The perpendicular bisector of a segment is a line perpendicular to
+this segment in its midpoint. The segment is $[AB]$, the midpoint $I$,
+and $M$ is a point belonging to the perpendicular bisector line. It is
+build by a rotation of $B$ of 90 degrees around $I$. This mean
+that the order of $A$ and $B$ is important, it controls the position
+of $M$. The command creates the two points $M$ end $I$. The
+construction is controlled by the following parameters:
+
+\begin{itemize}
+\item \param{CodeFig}, \param{CodeFigColor} et \param{SegmentSymbol}
+ for marking the right angle ;
+\item \param{PointSymbol} et \param{PointName} for controlling the
+ drawing of the two points, each of them can be specified
+ separately with the parameters \param{...A} et \param{...B} ;
+\item parameters controlling the line drawing.
+\end{itemize}
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {mediator}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Bisectors of angles}
+
+\defcom[Builds the internal bisector of angle \protect\Angle{BAC} and one of its point
+ $M$, image of $B$ by rotation around $A$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstBissectBAC}{\OptArg{par}\Arg{$B$}\Arg{$A$}\Arg{$C$}\Arg{$N$}}
+
+\defcom[Builds the external bisector of angle \protect\Angle{BAC} and one of its point
+ $M$, image of $B$ by rotation around $A$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstOutBissectBAC}{\OptArg{par}\Arg{$B$}\Arg{$A$}\Arg{$C$}\Arg{$N$}}
+
+there are two bisectors for a given geometric angle: the inside one and
+the outside one; this is why there is two commands. The angle is
+specified by three points specified in the trigonometric direction
+(anti-clockwise). The result of the commands is the specific line and
+a point belonging to this line. This point is built by a rotation of
+point $B$.
+
+\tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {bissec}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Intersections}
+
+Points can be defined by intersections. Six intersection types are
+managed:
+
+\begin{itemize}
+\item line-line;
+\item line-circle;
+\item circle-circle;
+\item function-function;
+\item function-line;
+\item function-circle.
+\end{itemize}
+
+An intersection can not exist: case of parallel lines. In such a case,
+the point(s) are positioned at the origin. In fact, the user has to
+manage the existence of these points.
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Line-Line}
+
+\defcom[Puts a point at the intersection of the two lines $(AB)$ et $(CD)$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath}}]
+ {pstInterLL}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$C$}\Arg{$D$}\Arg{$M$}}
+
+Draw the intersection point between lines $(AB)$ and $(CD)$.
+
+\begin{description}
+\item[basique]
+
+ \tabex{interDD}
+
+\item[Horthocentre]
+
+ \tabex%
+ [@{}m{.35\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]
+ {orthocentre}
+
+\end{description}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Circle--Line}
+
+\defcom[Puts the intersection point(s) between $(AB)$ and the circle of
+ centre $O$ crossing $C$.
+ \protect\ParamList{\param{PointSymbol}, \param{PosAngle},
+ \param{PointName}, \param{PointNameSep}, \param{PtNameMath},
+ \param{PointSymbolA}, \param{PosAngleA}, \param{PointNameA},
+ \param{PointSymbolB}, \param{PosAngleB}, \param{PointNameB},
+ \param{Radius}, \param{Diameter}}]
+ {pstInterLC}%
+ {\OptArg{par}\Arg{$A$}\Arg{$B$}\Arg{$O$}\Arg{$C$}%
+ \Arg{$M_1$}\Arg{$M_2$}}
+
+Draw the one or two intersection point(s) between the line $(AB)$ and
+the circle of centre $O$ and with radius $OC$.
+
+The circle is specified with its center and either a point of its
+circumference or with a radius specified with parameter \param{radius}
+or its diameter specified with parameter \param{Diameter}. These two
+parameters can be modify by coefficient \param{DistCoef}.
+
+
+The position of the wo points is such that the vectors \Vecteur{AB} abd
+\Vecteur{M_1M_2} are in the same direction. Thus, if the points
+definig the line are switch, then the resulting points will be also
+switched. If the intersection is void, then the points are positionned
+at the center of the circle.
+
+
+\tabex
+ [@{}m{.4\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.5777\linewidth}@{}]
+ {interDC}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Circle--Circle}
+
+\defcom[Put the intersection point(s) between the circle of centre $O_1$ passant
+ par $B$ et le cercle de centre $O_2$ passant par $C$.]
+ {pstInterCC}%
+ {\OptArg{par}\Arg{$O_1$}\Arg{$B$}\Arg{$O_2$}\Arg{$C$}%
+ \Arg{$M_1$}\Arg{$M_2$}}
+
+This function is similar to the last one. The boolean parameters
+\param{CodeFigA} et \param{CodeFigB} allow the drawing of the arcs
+at the intersection. In order to get a coherence \param{CodeFig} allow
+the drawing of both arcs. The boolean parameters \param{CodeFigAarc} and
+\param{CodeFigBarc} specified the direction of these optional arcs:
+trigonometric (by default) or clockwise. Here is a first example.
+
+\tabex{interCC}
+
+And a more complete one, which includes the special circle
+specification using radius and diameter. For such specifications it
+exists the parameters \param{RadiusA}, \param{RadiusB},
+\param{DiameterA} and \param{DiameterB}.
+
+\begin{center}
+ \rule[-.5cm]{0pt}{8cm}
+ \begin{pspicture}(-3,-4)(7,3)\psgrid
+ \input{Exemples/interCC_bis_in}
+ \end{pspicture}
+\end{center}
+
+\smallverbatiminput{Exemples/interCC_bis_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Function--function}
+
+\defcom[Puts an intersection point between two function curves.]
+ {pstInterFF}{\OptArg{par}\Arg{$f$}\Arg{$g$}\Arg{$x_0$}\Arg{$M$}}
+
+This function put a point at the intersection between two curves
+defined by a function. $x_0$ is an intersection approximated value of
+the abscissa. It is obviously possible to ise this function several
+time if more than one intersection is present. Each function is
+describerd in \PostScript in the same way as the description used by
+the \com{psplot} macro of \PStricks. A constant function can be
+specified, and then seaching function root is possible.
+
+The Newton algorithm is used for the research, and the intersection
+may not to be found. In such a case the point is positionned at the
+origin. On the other hand, the research can be trapped (in a local
+extremum near zero).
+
+\tabex{interFF}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Function--line}
+
+\defcom[Puts an intersection point between one function curve and the line $(AB)$.]
+ {pstInterFL}{\OptArg{par}\Arg{$f$}\Arg{$A$}\Arg{$B$}\Arg{$x_0$}\Arg{$M$}}
+
+Puts a point at the intersection between the function $f$ and the line
+$(AB)$.
+
+\tabex{interFL}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Function--circle}
+
+\defcom[Puts an intersection point between one function curve and a circle.]
+ {pstInterFC}{\OptArg{par}\Arg{$f$}\Arg{$O$}\Arg{$A$}\Arg{$x_0$}\Arg{$M$}}
+
+Puts a point at the intersection between the function $f$ and the circle
+of centre $O$ and radius $OA$.
+
+\tabex{interFC}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{Examples gallery}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Basic geometry}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Drawing of the bissector}
+ \nopagebreak[4]
+
+\tabex{gal_biss}
+
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \cbstart\subsection{Transformation de polygones et courbes}
+
+Here is an example of the use of \param{CurveType} with transformation.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/curvetype}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/curvetype_in}\cbend
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Triangle lines}
+
+\begin{center}
+\psset{unit=2cm}
+\input{Exemples/remarq}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/remarq_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Euler circle}
+
+\begin{center}
+\psset{unit=2cm}
+\input{Exemples/euler}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/euler_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Orthocenter and hyperbola}
+
+The orthocenter of a triangle whose points are on the branches of the
+hyperbola ${\mathscr H} : y=a/x$ belong to this hyperbola.
+\nopagebreak[4]
+
+\begin{center}
+\psset{unit=.5cm}
+\input{Exemples/orthoethyper}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/orthoethyper_in}
+
+\pagebreak[4]
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{17 sides regular polygon}
+
+Striking picture created by K. F. Gauss.
+he also prooved that it is possible to build the regular polygons which
+have $2^{2^p}+1$ sides, the following one has 257 sides!
+\nopagebreak[4]
+
+\begin{center}
+\psset{unit=1.5cm, CodeFig=true, RightAngleSize=.14, CodeFigColor=red,
+ CodeFigB=true, linestyle=dashed, dash=2mm 2mm}
+\input{Exemples/gauss}
+\end{center}
+
+\pagebreak[4]
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Circles \& tangents}
+
+The drawing of the circle tangents which crosses a given point.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/tg1c}
+\end{center}
+
+The drawing of the common tangent of two circles.
+\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/tg2c}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Fermat's point}
+
+Drawing of Manuel Luque.\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/ptfermat}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Escribed and inscribed circles of a triangle}
+
+%% cercles inscrit et exinscrits d'un triangle
+\begin{center}
+\psset{unit=1cm, dash=5mm 4mm}%, PointSymbolA=none, PointSymbolB=none}
+\input{Exemples/cinscex}
+\end{center}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Some locus points}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Parabola}
+
+\begin{minipage}[m]{.33\linewidth}
+The parabola is the set of points which are at the same distance
+between a point and a line.
+\end{minipage}
+\newcommand{\NbPt}{11}
+\input{Exemples/parabole}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/parabole_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Hyperbola}
+
+\begin{minipage}[b]{.55\linewidth}
+The hyperbola is the set of points whose difference between their
+distance of two points (the focus) is constant.
+\begin{verbatim}
+%% QQ RAPPELS : a=\Sommet, c=\PosFoyer,
+%% b^2=c^2-a^2, e=c/a
+%% pour une hyperbole -> e>1, donc c>a,
+%% ici on choisi a=\sqrt{2}, c=2, e=\sqrt{2}
+%% M est sur H <=> |MF-MF'|=2a
+\end{verbatim}
+\end{minipage}
+%% QQ DEFINITIONS
+\input{Exemples/hyperbole}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/hyperbole_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cycloid}
+
+The wheel rolls from $M$ to $A$. The circle points are on a
+cycloid.\nopagebreak[4]
+
+\begin{center}
+\input{Exemples/cyclo}
+\end{center}\nopagebreak[4]
+
+\smallverbatiminput{Exemples/cyclo_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Hypocycloids (Astroid and Deltoid)}
+
+A wheel rolls inside a circle, and depending of the radius ratio, it
+is an astroid, a deltoid and in the general case hypo-cycloids.
+\nopagebreak[4]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% ASTROIDE
+\input{Exemples/hypocyclo}
+%%%%%%%%%%%%%%%%%%%%
+\begin{center}
+\input{Exemples/astro}\input{Exemples/delto}
+\end{center}
+
+\smallverbatiminput{Exemples/hypocyclo}
+\smallverbatiminput{Exemples/astro_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Lines and circles envelope}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Conics}
+
+Let's consider a circle and a point $A$ not on the circle. The
+set of all the mediator lines of segments defined by $A$ and the
+circle points, create two conics depending of the position of $A$:
+
+\begin{itemize}
+\item inside the circle: an hyperbola;
+\item outside the circle: an ellipse.
+\end{itemize}
+
+(figure of O. Reboux).
+
+\begin{center}\input{Exemples/envellipse}\end{center}
+
+\smallverbatiminput{Exemples/envellipse_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \subsection{Cardioid}
+
+The cardioid is defined by the circles centered on a circle and
+crossing a given point.
+
+%\begin{center}\input{Exemples/envcardi}\end{center}
+
+\tabex%
+ [@{}m{.5\linewidth}@{\hspace{.013\linewidth}}>{\small}m{.627\linewidth}@{}]%
+ {envcardi}
+
+%\smallverbatiminput{Exemples/envcardi_in}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{Homotethy and fractals}
+
+\tabex{fracthom}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \section{hyperbolic geometry: a triangle and its altitudes}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Trac de godsique en gomtrie hyperbolique
+%% Attention ne fonctionne que si les points ne sont pas aligns avec O
+%% Ceci est un cas particulier, je ne crois pas que les hauteurs
+%% soient concourantes pour tous les triangles hyperboliques.
+\input{Exemples/geohyper}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\appendix
+\chapter{Glossaire des commandes}%%\markboth{GLOSSAIRE DES COMMANDES}{\thepage}%
+%%\addcontentsline{toc}{chapter}{\protect\numberline{}Glossaire des commandes}%
+
+Here is the complete macros list defined by \texttt{pst-eucl}. Each is shown with a
+short description and its parameters which control it. It is obvious that some over
+\PStricks parameters can be used, especially the ones which control the drawing of
+the line (width, style, color).
+
+\input{euclide_english_macros.ind}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\chapter{The parameters of \texttt{pst-eucl}}
+
+\begin{longtable}{|l|l|p{10cm}|}
+ \hline
+ \multicolumn{1}{|c|}{\textbf{Paramtre}} &
+ \multicolumn{1}{c|}{\textbf{Dfaut}} &
+ \multicolumn{1}{c|}{\textbf{Signification}} \\\hline\hline
+ \endfirsthead
+ \hline
+ \multicolumn{1}{|c|}{\textbf{Paramtre}} &
+ \multicolumn{1}{c|}{\textbf{Dfaut}} &
+ \multicolumn{1}{c|}{\textbf{Signification}} \\\hline\hline
+ \endhead
+ \hline
+ \multicolumn{3}{|c|}{$\ldots$ suivre $\ldots$}\\
+ \hline
+ \endfoot
+ \hline
+ \endlastfoot
+ \param{PointSymbol}&\verb$default$&Symbol used for drawing a point.\\\hline
+ \param{PointSymbolA}&\verb$default$&idem for the first point of several.\\\hline
+ \param{PointSymbolB}&\verb$default$&for the second\ldots\\\hline
+ \param{PointSymbolC}&\verb$default$&for the third\ldots\\\hline
+ \param{PointName}&\verb$default$&Point's label.\\\hline
+ \param{PointNameA}&\verb$default$&idem for the first point of several.\\\hline
+ \param{PointNameB}&\verb$default$&for the second\ldots\\\hline
+ \param{PointNameC}&\verb$default$&for the third\ldots\\\hline
+ \param{PtNameMath}&\verb$true$&boolean parameter for (de)-activate the math style
+ for the point name..\\\hline
+ \param{SegmentSymbol}&\verb$default$&Symbol used for marking a segment\\\hline
+ \param{SegmentSymbolA}&\verb$default$&idem for the first segment of a macro which
+ marks several.\\\hline
+ \param{SegmentSymbolB}&\verb$default$&for the second\ldots\\\hline
+ \param{SegmentSymbolC}&\verb$default$&for the third\ldots\\\hline
+ \param{Mark}&\verb$default$&the mark symbol for an angle.\\\hline
+ \param{MarkAngle}&\verb$default$&angle for the precedent symbol.\\\hline
+ \param{PointNameSep}&\verb$1em$&Distance from the label and a point.\\\hline
+ \param{PosAngle}&\verb$undef$&Label position around the point.\\\hline
+ \param{PosAngleA}&\verb$undef$&idem for the first point.\\\hline
+ \param{PosAngleB}&\verb$undef$&for the second\ldots\\\hline
+ \param{PosAngleC}&\verb$undef$&for the third\ldots\\\hline
+ \param{RightAngleSize}&\verb$.4$&size for the right angle symbol\\\hline
+ \param{RightAngleType}&\verb$default$&Right angle type, possible value:
+ \verb$german$ et \verb$suisseromand$\\\hline
+ \param{MarkAngleRadius}&\verb$.4$&Radius of the angle mark.\\\hline
+ \param{LabelAngleOffset}&\verb$0$&Angular offset for the angle label.\\\hline
+ \param{LabelSep}&\verb$1$&Distance from the label and the angle top and its label.\\\hline
+ \param{LabelRefPt}&\verb$c$&Reference point \TeX\ used for the angle label.\\\hline
+ \param{HomCoef}&\verb$.5$&Homothetie angle.\\\hline
+ \param{RotAngle}&\verb$60$&Rotation angle.\\\hline
+ \param{DrawCirABC}&\verb$true$&Boolean parameter driving the drawing of the circumcircle.\\\hline
+ \param{CodeFig}&\verb$false$&Boolean parameter driving the coding of the construct.\\\hline
+ \param{CodeFigA}&\verb$false$&idem for the first\ldots\\\hline
+ \param{CodeFigB}&\verb$false$&idem for the second\ldots\\\hline
+ \param{CodeFigColor}&\verb$cyan$&Line color for the coding.\\\hline
+ \param{CodeFigStyle}&\verb$dashed$&Line style for the coding.\\\hline
+ \param{CodeFigAarc}&\verb$true$&Boolean parameter driving the drawing of the bows
+ around the first intersection.\\\hline
+ \param{CodeFigBarc}&\verb$true$&idem for the second\ldots\\\hline
+ \param{Radius}&\verb$none$&Circle radius.\\\hline
+ \param{RadiusA}&\verb$undef$&For the first circle.\\\hline
+ \param{RadiusB}&\verb$undef$&For the second circle.\\\hline
+ \param{Diameter}&\verb$none$&Circle diameter.\\\hline
+ \param{DiameterA}&\verb$undef$&For the first circle.\\\hline
+ \param{DiameterB}&\verb$undef$&For the second circle.\\\hline
+ \param{DistCoef}&\verb$none$&Coefficient for modifying a distance/vector.\\\hline
+ \param{AngleCoef}&\verb$none$&Coefficient for modifying an angle.\\\hline
+ \param{CurvAbsNeg}&\verb$false$&Boolean parameter driving the direction of curved abscissa.\\\hline
+ \param{GenCurvFirst}&\verb$none$&Name of the first point of a generic curve (side effect).\\\hline
+ \param{GenCurvLast}&\verb$none$&Name of the last point of a generic curve (side effect).\\\hline
+ \param{GenCurvInc}&\verb$none$&Increment value for a generic curve.\\\hline
+ \cbstart%
+ \param{CurveType}&\verb$none$&Drawing mode for a list of points.\\\hline
+ \param{TransformLabel}&\verb$none$&Label to be used for the rotation or the translation.\\\hline
+\end{longtable}
+
+\cbend
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\cbstart\chapter{Compatibilit ascendantes de \texttt{pst-eucl}}
+
+Especially for this release, some macros have their syntax changed without changing
+their name, this mean that upward compatibility is not maintained. However, in order
+to help users it is possible to reactivate the old syntax by setting the option
+\texttt{old} when using the package \verb$\usepackage[old]{pst-eucl}$. For this
+release this concern the macros for geometric transformations. You must refer to the
+latter manual for the syntax.
+
+\cbend
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-eucl/euclide_macros.ist b/Master/texmf-dist/doc/generic/pst-eucl/euclide_macros.ist
new file mode 100644
index 00000000000..d5fb92a41c7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-eucl/euclide_macros.ist
@@ -0,0 +1,33 @@
+% makeindex style file for the glossary
+%% aide dans man makeindex
+
+keyword "\\glossaryentry"
+
+%% changement de l'environnement de l'index
+%%preamble "\\begin{theglossary}\n"
+%%postamble "\n\n\\end{theglossary}\n"
+
+preamble "%% GLOSSAIRE\n\n\\newcounter{Npage}\\setcounter{Npage}{0}"
+postamble "\n\n%% FIN DU GLOSSAIRE\n\n"
+
+group_skip "\n\n"
+
+line_max 2048
+
+%%delim_0 " %% delim 0--"
+delim_0 " %% delim 0--\n \\setcounter{Npage}{"
+%%delim_1 "\\nopagebreak[4]\\vspace{.5\\baselineskip}\n %% delim_1"
+delim_1 "\\dotfill\\arabic{Npage}\n\\nopagebreak[4]\\vspace{.5\\baselineskip}\n\n \\hfill\\begin{minipage}{.8\\linewidth}%% delim_1--p"
+%%delim_2 "\\end{minipage}\\hspace*{\\fill}\n\n\\hfill\\rule{.85\\linewidth}{.5pt}\\hspace*{\\fill}%% delim_2--p"
+delim_2 "\\end{minipage}\\hspace*{\\fill}\n\n%% delim_2--p"
+
+%%item_0 "\n\n\\vspace{\\baselineskip}\\hspace{3em}\n \\indexcom{"
+%%item_0 "\n\n\\vspace{\\baselineskip}\\hspace{3em}\n %%% item_0 "
+item_0 "\n\n\\vspace{\\baselineskip}\\hspace{-.5em}\n %%% item_0 "
+item_1 "\n\n\\vspace{\\baselineskip}\\hspace{3em}\n "
+item_2 "\n %% item_2"
+%%item_01 "\n %% item_01 "
+item_01 "}%\n %% item_01\n "
+item_x1 "\n "
+item_12 "\n\n "
+item_x2 "\n %% item_x2" \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-fr3d/Changes b/Master/texmf-dist/doc/generic/pst-fr3d/Changes
new file mode 100644
index 00000000000..31e944d8810
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-fr3d/Changes
@@ -0,0 +1,2 @@
+1.01 2004-11-14 use pst-xkey (hv)
+1.00 2002-02-25 First public release.
diff --git a/Master/texmf-dist/doc/generic/pst-fr3d/README b/Master/texmf-dist/doc/generic/pst-fr3d/README
new file mode 100644
index 00000000000..b773296d14f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-fr3d/README
@@ -0,0 +1,10 @@
+ --------------------------------------------------
+ | pst-fr3d: PSTricks package for 3d framed boxes |
+ | |
+ | Denis Girou <Denis.Girou@idris.fr> |
+ --------------------------------------------------
+
+ * Run "tex" on pst-fr3d.ins and copy pst-fr3d.tex and pst-fr3d.sty
+in one of your TeX input directories
+
+ * Run "latex" on pst-fr3d.dtx to generate the documentation
diff --git a/Master/texmf-dist/doc/generic/pst-fr3d/pst-fr3d.pdf b/Master/texmf-dist/doc/generic/pst-fr3d/pst-fr3d.pdf
new file mode 100644
index 00000000000..e70f28c16ea
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-fr3d/pst-fr3d.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-func/Changes b/Master/texmf-dist/doc/generic/pst-func/Changes
new file mode 100644
index 00000000000..d74ea98c5e8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-func/Changes
@@ -0,0 +1,16 @@
+..... pst-func.tex
+0.38 2004-11-08 change the option Abbreviation to the right one
+ Derivation
+0.37 2004-11-08 changes pstricks object type from closed to open
+0.36 2004-11-07 some more options for the polynomial macro
+0.35 2004-10-26 added the zero points for the function
+0.34 2004-10-22 modification to the Abbreviation key
+0.33 2004-10-19 added options firstAbbrColor|Style and secondAbbrColor/Style
+
+
+..... pst-func.sty
+ 2004-10-18 first version
+
+..... pst-func.pro
+0.02 2004-11-08 change Abbreviation to the right name Derivation
+0.01 2004-11-04 first version
diff --git a/Master/texmf-dist/doc/generic/pst-func/README b/Master/texmf-dist/doc/generic/pst-func/README
new file mode 100644
index 00000000000..9d4d289a60f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-func/README
@@ -0,0 +1,14 @@
+Save the files pst-func.sty|pro|tex in a directory, which is part of your
+local TeX tree. The pro file should go into $TEXMF/dvips/pstricks/
+Then do not forget to run texhash to update this tree.
+For more information see the documentation of your LATEX distribution
+on installing packages into your LATEX distribution or the
+TeX Frequently Asked Questions:
+(http://www.tex.ac.uk/cgi-bin/texfaq2html?label=instpackages).
+
+pst-func needs pst-plot and pstricks, which should be part of your
+local TeX installation, otherwise get it from a CTAN server, f.ex.
+ftp://ftp.ctan.org
+
+The documentation also needs pstricks-add, which is also available from
+CTAN or any mirror.
diff --git a/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.pdf b/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.pdf
new file mode 100644
index 00000000000..3e66c6bbad3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.tex b/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.tex
new file mode 100644
index 00000000000..70fd42cc000
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-func/pst-func-doc.tex
@@ -0,0 +1,367 @@
+\documentclass[a4paper,12pt]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+\usepackage{geometry}
+\usepackage{url}
+\usepackage{amsmath}
+\usepackage{tabularx}
+\usepackage{longtable}
+\usepackage{pstricks}
+\usepackage{pst-func}
+\let\pstFuncFV\fileversion
+\usepackage{pstricks-add}
+\usepackage{pst-example}
+%
+\usepackage{xspace}
+\def\PS{PostScript\xspace}
+%
+\psset{xyLabel=\footnotesize}
+\usepackage[colorlinks,linktocpage]{hyperref}
+%
+\begin{document}
+\title{\texttt{pst-func}\\plotting special mathematical functions\thanks{%
+ This document was written with \texttt{Kile: 1.6a (Qt: 3.1.1; KDE: 3.1.1;}
+ \protect\url{http://sourceforge.net/projects/kile/}) and the PDF output
+ was build with VTeX/Free (\protect\url{http://www.micropress-inc.com/linux})}\\
+ \small v.\pstFuncFV}
+\author{Herbert Vo\thanks{%
+%%JF
+%Thanks to: Attila Gati and to John Frampton.
+Thanks to: Attila Gati, John Frampton and Lars Kotthoff.
+}}
+\date{\today}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+
+\section{\texttt{psPolynomial}}
+The polynomial function is defined as
+\begin{align}
+f(x) &= a_0 + a_1x + a_2x^2 + a_3x^3 + \ldots +a_{n-1}x^{n-1} + a_nx^n\\
+f^{\prime}(x) &= a_1 + 2a_2x + 3a_3x^2 + \ldots +(n-1)a_{n-1}x^{n-2} + na_nx^{n-1}\\
+f^{\prime\prime}(x) &= 2a_2 + 6a_3x + \ldots +(n-1)(n-2)a_{n-1}x^{n-3} + n(n-1)a_nx^{n-2}
+\end{align}
+
+\noindent so \verb+pst-func+ needs only the coefficients of the
+polynomial to calculate the function. The syntax is
+\begin{verbatim}
+\psPolynomial[<options>]{xStart}{xEnd}
+\end{verbatim}
+
+There are the following new options:
+
+\noindent\medskip
+\begin{tabularx}{\linewidth}{>{\ttfamily}l|>{\ttfamily}l>{\ttfamily}lX@{}}
+\textrm{Name} & \textrm{Value} & \textrm{Default}\\\hline
+coeff & a0 a1 a2 ... & 0 0 1 & The coefficients must have the order $a_0\ a_1\ a_2 \ldots$ and
+be separated by \textbf{spaces}. The number of coefficients
+is limited only by the memory of the computer ... The default
+value of the parameter \verb+coeff+ is \verb+0 0 1+, which gives
+the parabola $y=a_0+a_1x+a_2x^2=x^2$.\\
+Derivation & <number> & 0 & the default is the function itself\\
+markZeros & false|true & false & dotstyle can be changed\\
+epsZero & <value> & 0.1 & The distance between two zeros, important for
+ the iteration function to test, if the zero value still
+ exists\\
+dZero & <value> & 0.1 & When searching for all zero values, the function is scanned
+ with this step\\
+zeroLineTo & <number> & false & plots a line from the zero point to the value of the
+ zeroLineTo's Derivation of the polynomial function\\
+zeroLineStyle & <line style> & dashed & the style is one of the for PSTricks valid styles.\\
+zeroLineColor & <color> & black & any valid xolor is possible\\
+zeroLineWidth & <width> & 0.5\textbackslash pslinewidth & \\
+\end{tabularx}
+
+
+
+
+\bigskip
+The above parameter are only
+valid for the \verb+\psPolynomial+
+macro, but can also be set in the usual way with \verb+\psset+.
+
+
+
+
+\begin{Beispiel}
+{\psset{yunit=0.5cm,xunit=1cm}
+\begin{pspicture*}(-3,-5)(5,10)
+ \psaxes[Dy=2]{->}(0,0)(-3,-5)(5,10)
+ \psset{linewidth=1.5pt}
+ \psPolynomial[coeff=6 3 -1,linecolor=red]{-3}{5}
+ \psPolynomial[coeff=2 -1 -1 .5 -.1 .025,linecolor=blue]{-2}{4}
+ \psPolynomial[coeff=-2 1 -1 .5 .1 .025 .2 ,linecolor=magenta]{-2}{4}
+ \rput[lb](4,4){\textcolor{red}{$f(x)$}}
+ \rput[lb](4,8){\textcolor{blue}{$g(x)$}}
+ \rput[lb](2,4){\textcolor{magenta}{$h(x)$}}
+\end{pspicture*}
+}
+\end{Beispiel}
+
+The plot is easily clipped using the star version of the
+\verb+pspicture+ environment, so that points whose coordinates
+are outside of the desired range are not plotted.
+The plotted polynomials are:
+\begin{align}
+f(x) & = 6 + 3x -x^2 \\
+g(x) & = 2 -x -x^2 +0.5x^3 -0.1x^4 +0.025x^5\\
+h(x) & = -2 +x -x^2 +0.5x^3 +0.1x^4 +0.025x^5+0.2x^6
+\end{align}
+
+
+
+\bigskip
+\begin{Beispiel}
+\psset{yunit=0.5cm,xunit=2cm}
+\begin{pspicture*}(-3,-5)(3,10)
+ \psaxes[Dy=2]{->}(0,0)(-3,-5)(3,10)
+ \psset{linewidth=1.5pt}
+ \psPolynomial[coeff=-2 1 -1 .5 .1 .025 .2 ,linecolor=magenta]{-2}{4}
+ \psPolynomial[coeff=-2 1 -1 .5 .1 .025 .2 ,linecolor=red,%
+ linestyle=dashed,Derivation=1]{-2}{4}
+ \psPolynomial[coeff=-2 1 -1 .5 .1 .025 .2 ,linecolor=blue,%
+ linestyle=dotted,Derivation=2]{-2}{4}
+ \rput[lb](2,4){\textcolor{magenta}{$h(x)$}}
+ \rput[lb](1,1){\textcolor{red}{$h^{\prime}(x)$}}
+ \rput[lb](-1,6){\textcolor{blue}{$h^{\prime\prime}(x)$}}
+\end{pspicture*}
+\end{Beispiel}
+
+
+\begin{Beispiel}
+\psset{yunit=0.5cm,xunit=2cm}
+\begin{pspicture*}(-3,-5)(3,10)
+ \psaxes[Dy=2]{->}(0,0)(-3,-5)(3,10)
+ \psset{linewidth=1.5pt}
+ \psPolynomial[coeff=0 0 0 1,linecolor=blue]{-2}{4}
+ \psPolynomial[coeff=0 0 0 1,linecolor=red,%
+ linestyle=dashed,Derivation=2]{-2}{4}
+ \psPolynomial[coeff=0 0 0 1,linecolor=cyan,%
+ linestyle=dotted,Derivation=3]{-2}{4}
+ \rput[lb](1.8,4){\textcolor{blue}{$f(x)=x^3$}}
+ \rput[lb](0.2,8){\textcolor{red}{$f^{\prime}(x)=6x$}}
+ \rput[lb](-2,5.5){\textcolor{magenta}{$f^{\prime\prime}(x)=6$}}
+\end{pspicture*}
+\end{Beispiel}
+
+
+\begin{Beispiel}
+\begin{pspicture*}(-5,-5)(5,5)
+ \psaxes{->}(0,0)(-5,-5)(5,5)%
+ \psset{dotscale=2}
+ \psPolynomial[markZeros,linecolor=red,linewidth=2pt,coeff=-1 1 -1 0 0.15]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=blue,linewidth=1pt,linestyle=dashed,%
+ coeff=-1 1 -1 0 0.15,Derivation=1,zeroLineTo=0]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=magenta,linewidth=1pt,linestyle=dotted,%
+ coeff=-1 1 -1 0 0.15,Derivation=2,zeroLineTo=0]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=magenta,linewidth=1pt,linestyle=dotted,%
+ coeff=-1 1 -1 0 0.15,Derivation=2,zeroLineTo=1]{-4}{3}%
+\end{pspicture*}
+\end{Beispiel}
+
+\begin{Beispiel}
+\psset{xunit=1.5}
+\begin{pspicture*}(-5,-5)(5,5)
+ \psaxes{->}(0,0)(-5,-5)(5,5)%
+ \psset{dotscale=2,dotstyle=x,zeroLineStyle=dotted,zeroLineWidth=1pt}
+ \psPolynomial[markZeros,linecolor=red,linewidth=2pt,coeff=-1 1 -1 0 0.15]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=blue,linewidth=1pt,linestyle=dashed,%
+ coeff=-1 1 -1 0 0.15,Derivation=1,zeroLineTo=0]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=magenta,linewidth=1pt,linestyle=dotted,%
+ coeff=-1 1 -1 0 0.15,Derivation=2,zeroLineTo=0]{-4}{3}%
+ \psPolynomial[markZeros,linecolor=magenta,linewidth=1pt,linestyle=dotted,%
+ coeff=-1 1 -1 0 0.15,Derivation=2,zeroLineTo=1]{-4}{3}%
+\end{pspicture*}
+\end{Beispiel}
+
+
+
+\section{\texttt{psFourier}}
+
+A Fourier sum has the form:
+\begin{align}
+s(x) = \frac{a_0}{2} & + a_1\cos{\omega x} + a_2\cos{2\omega x} +
+ a_3\cos{3\omega x} +
+ \ldots + a_n\cos{n\omega x}\\
+ & + b_1\sin{\omega x} + b_2\sin{2\omega x} + b_3\sin{3\omega x} +
+ \ldots + b_m\sin{m\omega x}
+\end{align}
+
+\noindent The macro \verb+psFourier+ plots Fourier sums. The
+syntax is similiar to \verb+psPolynomial+, except that there are
+two kinds of coefficients:
+\begin{verbatim}
+\psPolynomial[cosCoeff=a0 a1 a2 ..., sinCoeff=b1 b2 ...]{xStart}{xEnd}
+\end{verbatim}
+The coefficients must have the orders $a_0\ a_1\ a_2\ \ldots$
+and $b_1\ b_2\ b_3\ \ldots$ and be separated by
+\textbf{spaces}. The default is \verb+cosCoeff=0,sinCoeff=1+,
+which gives the standard \verb+sin+ function. Note that
+%%JF, I think it is better without the angle brackets, but
+%%you know the conventions used better than I do, so you
+%%may disagree.
+%the constant value can only be set with \verb+cosCoeff=<a0>+.
+the constant value can only be set with \verb+cosCoeff=a0+.
+
+\begin{Beispiel}
+\begin{pspicture}(-5,-3)(5,5.5)
+\psaxes{->}(0,0)(-5,-2)(5,4.5)
+\psset{plotpoints=500,linewidth=1pt}
+\psFourier[cosCoeff=2, linecolor=green]{-4.5}{4.5}
+\psFourier[cosCoeff=0 0 2, linecolor=magenta]{-4.5}{4.5}
+\psFourier[cosCoeff=2 0 2, linecolor=red]{-4.5}{4.5}
+\end{pspicture}
+\end{Beispiel}
+
+\begin{Beispiel}
+\psset{yunit=0.75}
+\begin{pspicture}(-5,-6)(5,7)
+\psaxes{->}(0,0)(-5,-6)(5,7)
+\psset{plotpoints=500}
+\psFourier[linecolor=red,linewidth=1pt]{-4.5}{4.5}
+\psFourier[sinCoeff= -1 1 -1 1 -1 1 -1 1,%
+ linecolor=blue,linewidth=1.5pt]{-4.5}{4.5}
+\end{pspicture}
+\end{Beispiel}
+
+\begin{Beispiel}
+\begin{pspicture}(-5,-5)(5,5.5)
+\psaxes{->}(0,0)(-5,-5)(5,5)
+\psset{plotpoints=500,linewidth=1.5pt}
+\psFourier[sinCoeff=-.5 1 1 1 1 ,sinCoeff=-.5 1 1 1 1 1,%
+ linecolor=blue]{-4.5}{4.5}
+\end{pspicture}
+\end{Beispiel}
+
+\section{\texttt{psBessel}}
+The Bessel function of order $n$ is defined as
+\begin{align}
+J_n(x) &=\frac{1}{\pi}\int_0^\pi\cos(x\sin t-nt)\mathrm{d}t\\
+ &=\sum_{k=0}^{\infty}\frac{(-1)^k \left(\frac{x}{2}\right)^{n+2k}}{k!\Gamma(n+k+1)}
+\end{align}
+
+\noindent The syntax of the macro is
+\begin{verbatim}
+\psBessel[options]{order}{xStart}{xEnd}
+\end{verbatim}
+
+There are two special parameters for the Bessel function, and also the
+settings of many \verb+pst-plot+ or \verb+pstricks+ parameters
+affect the plot.
+
+\begin{verbatim}
+\def\psset@constI#1{\edef\psk@constI{#1}}
+\def\psset@constII#1{\edef\psk@constII{#1}}
+\psset{constI=1,constII=0}
+\end{verbatim}
+
+These two "'constants"` have the following meaning:
+\[
+f(t) = constI \cdot J_n + constII
+\]
+
+\noindent
+where $constI$ and $constII$ must be real PostScript expressions, e.g.:
+\begin{verbatim}
+\psset{constI=2.3,constII=t k sin 1.2 mul 0.37 add}
+\end{verbatim}
+
+The Bessel function is plotted with the parametricplot macro, this is the
+reason why the variable is named \verb+t+. The internal procedure \verb+k+
+converts the value t from radian into degrees. The above setting is
+the same as
+\[
+f(t) = 2.3 \cdot J_n + 1.2\cdot \sin t + 0.37
+\]
+
+
+In particular, note that the default for
+\verb+plotpoints+ is $500$. If the plotting computations are too
+time consuming at this setting, it can be decreased in the usual
+way, at the cost of some reduction in graphics resolution.
+
+\begin{Beispiel}
+{
+\psset{xunit=0.25,yunit=5}
+\begin{pspicture}(-13,-.85)(13,1.25)
+\rput(13,0.8){%
+ $\displaystyle J_n(x)=\frac{1}{\pi}\int_0^\pi\cos(x\sin t-nt)\mathrm{d}t$%
+}
+\psaxes[Dy=0.2,Dx=4,xyLabel=\footnotesize]{->}(0,0)(-30,-.8)(30,1.2)
+\psset{linewidth=1pt}
+\psBessel[linecolor=red]{0}{-28}{28}%
+\psBessel[linecolor=blue]{1}{-28}{28}%
+\psBessel[linecolor=green]{2}{-28}{28}%
+\psBessel[linecolor=magenta]{3}{-28}{28}%
+\end{pspicture}
+}
+\end{Beispiel}
+
+
+\begin{Beispiel}
+{
+\psset{xunit=0.25,yunit=2.5}
+\begin{pspicture}(-13,-.85)(13,2)
+\rput(13,0.8){%
+ $\displaystyle f(t) = 2.3 \cdot J_0 + 1.2\cdot \sin t + 0.37$%
+}
+\psaxes[Dy=0.2,Dx=4,xyLabel=\footnotesize]{->}(0,0)(-30,-.8)(30,1.2)
+\psset{linewidth=1pt}
+\psBessel[linecolor=red,constI=2.3,constII={t k sin 1.2 mul 0.37 add}]{0}{-28}{28}%
+\end{pspicture}
+}
+\end{Beispiel}
+
+
+\section{\texttt{psGauss}}
+The Gauss function is defined as
+\begin{align}
+f(x) &= \dfrac{1}{\sigma\sqrt{2\pi}}\,e^{-\dfrac{x^2}{2\sigma{}^2}}
+\end{align}
+
+\noindent The syntax of the macro is
+\begin{verbatim}
+\psGauss[options]{xStart}{xEnd}
+\end{verbatim}
+
+%%JF
+%% comment, the angle brackets below, around "value", make sense
+%% as a convention, so I left them in
+%
+%\noindent where the only new parameter is \verb+sigma=<value>+, with
+%the default of \verb+0.5+ and can also be set in the usual way with
+%\verb+\psset+. It is only valid for the \verb+psGauss+-macro.
+\noindent where the only new parameter is \verb+sigma=<value>+,
+which can also be set in the usual way with \verb+\psset+. It is
+significant only for the \verb+psGauss+-macro. The default is
+\verb+0.5+.
+
+\begin{Beispiel}
+\psset{yunit=4cm,xunit=3}
+\begin{pspicture}(-2,0)(2,1)
+% \psgrid[griddots=10,gridlabels=0pt, subgriddiv=0]
+ \psaxes[xyLabel=\footnotesize,Dy=0.25]{->}(0,0)(-2,0)(2,1)
+ \uput[-90](6,0){x}\uput[0](0,1){y}
+ \rput[lb](1,0.75){\textcolor{red}{$\sigma =0.5$}}
+ \rput[lb](1,0.5){\textcolor{blue}{$\sigma =1$}}
+ \rput[lb](-2,0.5){$f(x)=\dfrac{1}{\sigma\sqrt{2\pi}}\,e^{-\dfrac{x^2}{2\sigma{}^2}}$}
+ \psGauss[linecolor=red, linewidth=2pt]{-1.75}{1.75}%
+ \psGauss[sigma=1, linecolor=blue, linewidth=2pt]{-1.75}{1.75}
+\end{pspicture}
+\end{Beispiel}
+
+
+\section{Credits}
+Denis Girou | Manuel Luque | Timothy Van Zandt
+
+
+\nocite{*}
+\bibliographystyle{plain}
+\bibliography{pstricks}
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/generic/pst-func/pstricks.bib b/Master/texmf-dist/doc/generic/pst-func/pstricks.bib
new file mode 100644
index 00000000000..820a2401c7e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-func/pstricks.bib
@@ -0,0 +1,132 @@
+%% -*-bibtex-*-
+@STRING{tugboat = {TUGboat} }
+@STRING{beiprogramm = {{\TeX}-Beiprogramm} }
+@STRING{bretter = {Bretter, die die Welt bedeuten} }
+@STRING{dtk = {{D}ie {\TeX}nische {K}om{\"o}die} }
+@STRING{editorial = {Editorial} }
+@STRING{fremdebuehne = {Von fremden B{\"u}hnen} }
+@STRING{fundus = {Aus dem Fundus} }
+@STRING{hinterbuehne = {Hinter der B{\"u}hne} }
+@STRING{leserbrief = {Leserbrief(e)} }
+@STRING{magazin = {Magazin} }
+@STRING{rezension = {Rezensionen} }
+@STRING{schonimmer = {Was Sie schon immer {\"u}ber {\TeX} wissen wollten \dots} }
+@STRING{theaterkasse = {Von der Theaterkasse} }
+@STRING{theatertage = {{\TeX}-Theatertage} }
+
+@Article{ dtk02.2:jackson.voss:plot-funktionen,
+ author = {Laura E. Jackson and Herbert Vo{\ss}},
+ title = {Die {P}lot-{F}unktionen von {\texttt{pst-plot}}},
+ journal = dtk,
+ year = 2002,
+ volume = {2/02},
+ altvolume = 2,
+ altnumber = 14,
+ month = jun,
+ pages = {27--34},
+ annote = bretter,
+ keywords = {},
+ abstract = { Im letzten Heft wurden die mathematischen Funktionen von
+ \PS~im Zusammenhang mit dem {\LaTeX}-Paket
+ \texttt{pst-plot} zum Zeichnen von Funktionen beschrieben
+ und durch Beispiele erl{\"a}utert. In diesem Teil werden
+ die bislang nur erw{\"a}hnten Plot-Funktionen f{\"u}r
+ externe Daten behandelt. }
+}
+
+@Article{ dtk02.1:voss:mathematischen,
+ author = {Herbert Vo{\ss}},
+ title = {Die mathematischen {F}unktionen von {P}ost{S}cript},
+ journal = dtk,
+ year = 2002,
+ volume = {1/02},
+ altvolume = 1,
+ altnumber = 14,
+ month = mar,
+ pages = {},
+ annote = bretter,
+ keywords = {},
+ abstract = { \PS, faktisch genauso alt wie {\TeX}, ist im
+ Verh{\"a}ltnis dazu allgemein noch weniger bekannt, wenn es
+ darum geht zu beurteilen, was es denn nun im eigentlichen
+ Sinne ist. Au{\ss}erdem wird h{\"a}ufig vergessen, dass
+ sich mit den \PS-Funktionen viele Dinge erledigen lassen,
+ bei denen sonst auf externe Programme zur{\"u}ckgegriffen
+ wird. Dies wird im Folgenden f{\"u}r die mathematischen
+ Funktionen im Zusammenhang mit dem Paket \texttt{pst-plot}
+ gezeigt. }
+}
+
+@Book{companion,
+ author = {Michel Goosens and Frank Mittelbach and Alexander
+ Samarin},
+ title = {The {\LaTeX} {G}raphics {C}ompanion},
+ publisher = {{Addison-Wesley Publishing Company}},
+ year = {1997},
+ address = {Reading, Mass.}
+}
+
+@Book{voss:chaos,
+ author = {Herbert Vo{\ss}},
+ title = {Chaos und {F}raktale selbst programmieren: von {M}andelbrotmengen {\"u}ber {F}arbmanipulationen zur perfekten Darstellung},
+ publisher = {{Franzis Verlag}},
+ year = {1994},
+ address = {Poing}
+}
+
+@Article{girou:01:,
+ author = {Denis Girou},
+ title = {Pr\'esentation de {PST}ricks},
+ journal = {Cahier {GUT}enberg},
+ year = 1994,
+ volume = {16},
+ month = apr,
+ pages = {21-70}
+}
+
+@Article{girou:02:,
+ author = {{Timothy van} Zandt and Denis Girou},
+ title = {Inside {PST}ricks},
+ journal = TUGboat,
+ year = 1994,
+ volume = {15},
+ month = sep,
+ pages = {239-246}
+}
+
+@Book{PostScript,
+ Author = {Kollock, Nikolai G.},
+ Title = {Post{S}cript richtig eingesetzt: vom {K}onzept zum
+ praktischen {E}insatz},
+ Publisher = {IWT},
+ Address = {Vaterstetten},
+ year = 1989,
+}
+
+@Manual{pstricks,
+ Title = {PSTricks - {\PS} macros for generic {\TeX}},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{http://www.tug.org/application/PSTricks}},
+ Note = {},
+ year = 1993
+}
+
+@Manual{pst-plot,
+ Title = {\texttt{pst-plot}: Plotting two dimensional functions and data},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{CTAN:graphics/pstricks/generic/pst-plot.tex}},
+ Note = {},
+ year = 1999
+}
+
+@Manual{multido,
+ Title = {\texttt{multido.tex} - a loop macro, that supports fixed-point addition},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{CTAN:/graphics/pstricks/generic/multido.tex}},
+ Note = {},
+ year = 1997
+}
+
diff --git a/Master/texmf-dist/doc/generic/pst-geo/README b/Master/texmf-dist/doc/generic/pst-geo/README
new file mode 100644
index 00000000000..427f71d8e50
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/README
@@ -0,0 +1,18 @@
+2004-05-09 data small database and city files "extract the tarzip"
+2004-05-10 dataII big database "extract the tarzip"
+2004-05-07 doc "extract the tarzip"
+2004-05-10 examples2d "extract the tarzip"
+2004-05-10 examples3d "extract the tarzip"
+2004-05-04 map3d.pro PostScript header file
+2004-05-05 map3dII.pro PostScript header file
+2004-05-03 pst-map2d.sty LaTeX style file
+2004-05-09 pst-map2d.tex corresponding TeX file
+2004-05-03 pst-map2dII.sty LaTeX style file
+2004-05-09 pst-map2dII.tex corresponding TeX file
+2004-05-03 pst-map3d.sty LaTeX style file
+2004-05-09 pst-map3d.tex corresponding TeX file
+2004-05-03 pst-map3dII.sty LaTeX style file
+2004-05-09 pst-map3dII.tex corresponding TeX file
+
+Install all files as usual, decompress the zipped ones and update
+the TeX database with texhash or mktexlsr, if needed. \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-geo/README.TEXLIVE b/Master/texmf-dist/doc/generic/pst-geo/README.TEXLIVE
new file mode 100644
index 00000000000..9ee7b945a23
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/README.TEXLIVE
@@ -0,0 +1,6 @@
+We have removed the (30 megabyte) dataII/dataII.tgz file from TeX Live,
+and data/data.tgz (for another 1.5mb), to save space for the CD-sized TL
+inst distribution. They can be found at
+CTAN:graphics/pstricks/contrib/pst-geo.
+
+--karl@tug.org, September 2005. (This README.TEXLIVE file is public domain. :)
diff --git a/Master/texmf-dist/doc/generic/pst-geo/doc/doc.tgz b/Master/texmf-dist/doc/generic/pst-geo/doc/doc.tgz
new file mode 100644
index 00000000000..c3a50215c93
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/doc/doc.tgz
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-geo/examples2d/examples2d.tgz b/Master/texmf-dist/doc/generic/pst-geo/examples2d/examples2d.tgz
new file mode 100644
index 00000000000..28db02a0748
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/examples2d/examples2d.tgz
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-geo/examples3d/examples3d.tgz b/Master/texmf-dist/doc/generic/pst-geo/examples3d/examples3d.tgz
new file mode 100644
index 00000000000..6a6c4a002b8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/examples3d/examples3d.tgz
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.sty b/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.sty
new file mode 100644
index 00000000000..4a1f0d756bb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.sty
@@ -0,0 +1,3 @@
+\ProvidesPackage{pst-map2d}[2003/12/05 package wrapper for PSTricks pst-map2d.tex]
+\input pst-map2d.tex
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.tex b/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.tex
new file mode 100644
index 00000000000..9825d8376ad
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map2d.tex
@@ -0,0 +1,406 @@
+%%
+%% This is file `pst-map2d.tex',
+%%
+%% IMPORTANT NOTICE:
+%%
+%% Package `pst-map2d.tex'
+%%
+%% Manuel Luque <Mluque5130@aol.com> (France)
+%% Giuseppe Matarazzo <joematara@hotmail.com> (Italy)
+%% Herbert Voss <voss@perce.de> (Germany)
+%%
+%% May 09, 2004
+%%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN archives
+%% in directory macros/latex/base/lppl.txt.
+%%
+%% DESCRIPTION:
+%% `pst-map2d' is a PSTricks package to create geographical objects
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\fileversion{1.05}
+\def\filedate{2004/05/10}
+
+\message{`PST-map2d' v\fileversion, \filedate\space (ML/GM/HV)}
+
+\csname PSTMaptwod\endcsname
+\let\PSTMaptwodLoaded\endinput
+
+% Require PSTricks
+\ifx\PSTricksLoaded\endinput\else\input pstricks.tex\fi
+\ifx\PSTnodesLoaded\endinput\else\input pst-node.tex\fi
+% David Carlisle interface to the `keyval' package.
+\input pst-key.tex
+%
+\edef\PstAtCode{\the\catcode`\@} \catcode`\@=11\relax
+
+\SpecialCoor
+%
+\define@key{psset}{path}{\edef\psk@WorldMap@Path{#1}} % chemin des donnes
+\setkeys{psset}{path=data}
+%\openin1=chemin.txt
+%\read1 to \psk@WorldMap@Path
+%
+\define@key{psset}{level}{\edef\psk@WorldMap@level{#1}}
+\setkeys{psset}{level=1}
+%
+\define@key{psset}{type}{\edef\psk@WorldMap@type{#1}}
+\setkeys{psset}{type=1}
+% type=1 ==> Mercator
+% type=2 ==> Lambert
+% type=3 ==> simple
+% type=4 ==> Sanson-Flamsteed
+% type=5 ==> cylindrical
+% type=6 ==> Babinet
+% type=7 ==> Collignon
+% type=8 ==> Bonne
+\define@key{psset}{n}{\edef\psk@WorldMap@n{#1}}
+\setkeys{psset}{n=1.77245} % sqrt(pi) % pour Collignon
+%
+\define@key{psset}{limiteL}{\edef\psk@WorldMap@limiteL{#1}}
+\setkeys{psset}{limiteL=180} % longitude limite
+%
+\define@key{psset}{latitude0}{\edef\psk@WorldMap@latitudeO{#1}}
+\setkeys{psset}{latitude0=45} % pour Bonne latitude 0
+%
+\define@key{psset}{longitude0}{\edef\psk@WorldMap@longitudeO{#1}}
+\setkeys{psset}{longitude0=0} % pour Bonne longitude 0
+%
+\define@key{psset}{increment}{\edef\psk@WorldMap@increment{#1}}
+\setkeys{psset}{increment=10}
+%
+\define@key{psset}{MapFillColor}{\edef\psk@WorldMap@Fillcolor{#1}} % couleur des continents
+\setkeys{psset}{MapFillColor= 0.99 0.95 0.7 }
+%
+\newif\ifPst@WorldMap@capitals
+\define@key{psset}{capital}[false]{\@nameuse{Pst@WorldMap@capitals#1}}
+\setkeys{psset}{capital=false}
+%
+\newif\ifPst@WorldMap@city
+\define@key{psset}{city}[false]{\@nameuse{Pst@WorldMap@city#1}}
+\setkeys{psset}{city=false}
+%
+\newif\ifPst@WorldMap@Rivers
+\define@key{psset}{rivers}[true]{\@nameuse{Pst@WorldMap@Rivers#1}}
+\setkeys{psset}{rivers=true}
+%
+\newif\ifPst@WorldMap@Borders
+\define@key{psset}{borders}[true]{\@nameuse{Pst@WorldMap@Borders#1}}
+\setkeys{psset}{borders=false}
+%
+\newif\ifPst@WorldMap@maillage
+\define@key{psset}{maillage}[true]{\@nameuse{Pst@WorldMap@maillage#1}}
+\setkeys{psset}{maillage=true}
+%
+\newif\ifPst@WorldMap@Fill
+\define@key{psset}{Fill}[true]{\@nameuse{Pst@WorldMap@Fill#1}}
+\setkeys{psset}{Fill=true}
+%
+\newif\ifPst@WorldMap@USA
+\define@key{psset}{USA}[false]{\@nameuse{Pst@WorldMap@USA#1}}
+\setkeys{psset}{USA=false}
+%
+\newif\ifPst@WorldMap@AUS
+\define@key{psset}{AUS}[false]{\@nameuse{Pst@WorldMap@AUS#1}}
+\setkeys{psset}{AUS=false}
+%
+\newif\ifPst@WorldMap@MEX
+\define@key{psset}{MEX}[false]{\@nameuse{Pst@WorldMap@MEX#1}}
+\setkeys{psset}{MEX=false}
+%
+\def\VariablesMap{%
+ /Coeff_mercatorY {2 div 45 add dup sin exch cos div ln 57.2958 mul} def % Mercator
+ /Coeff_simpleY {1 mul} def % simple
+ /Coeff_lambertY {sin 57.2958 mul} def % Lambert
+ /Coeff_sanson_flamsteedY {1 mul} def % Sanson_Flamstead
+ /Coeff_cylindricalY { dup sin exch cos div 57.2958 mul} def % Cylindrical
+ /Coeff_babinetY { sin 2 sqrt mul 57.2958 mul} def % Babinet
+ /n \psk@WorldMap@n\space def
+ /Coeff_collignonY { 0 ge { 1 2 sqrt 90 Y sub 2 div sin mul sub 57.2958 mul n mul}
+ { 1 2 sqrt 90 Y add 2 div sin mul sub 57.2958 mul n mul neg} ifelse }def % Collignon
+ /Coeff_BonneY {pop /RHO l0 dup cos exch sin div Y neg l0 add 57.2958 div add def
+ /Theta Y cos X L0 sub mul RHO div def
+ Theta cos RHO mul neg 57.2958 mul}def % Bonne
+%
+ /Coeff_mercatorX {1 mul} def % Mercator
+ /Coeff_simpleX {1 mul} def % simple
+ /Coeff_lambertX {1 mul} def % Lambert
+ /Coeff_sanson_flamsteedX {Y cos mul} def % Sanson_Flamstead
+ /Coeff_cylindricalX { 1 mul } def % Cylindrical
+ /Coeff_babinetX { 2 mul 2 sqrt mul 3.1415926 div Y cos mul} def % Babinet
+ /Coeff_collignonX { 2 mul 2 sqrt mul 90 Y abs sub 2 div sin mul n div} def % Collignon
+ /l0 \psk@WorldMap@latitudeO\space def
+ /L0 \psk@WorldMap@longitudeO\space def
+ /Coeff_BonneX { pop /RHO l0 dup cos exch sin div Y neg l0 add 57.2958 div add def
+ /Theta Y cos X L0 sub mul RHO div def
+ Theta sin RHO mul 57.2958 mul } def % Bonne
+ \ifcase\psk@WorldMap@type\or
+ /CoeffY {Coeff_mercatorY} def
+ /CoeffX {Coeff_mercatorX} def
+ /StartY -85 def
+ \or
+ /CoeffY {Coeff_simpleY} def
+ /CoeffX {Coeff_simpleX} def
+ /StartY -90 def
+ \or
+ /CoeffY {Coeff_lambertY} def
+ /CoeffX {Coeff_lambertX} def
+ /StartY -90 def
+ \or
+ /CoeffY {Coeff_sanson_flamsteedY} def
+ /CoeffX {Coeff_sanson_flamsteedX} def
+ /StartY -90 def
+ \or
+ /CoeffY {Coeff_cylindricalY} def
+ /CoeffX {Coeff_cylindricalX} def
+ /StartY -85 def
+ \or
+ /CoeffY {Coeff_babinetY} def
+ /CoeffX {Coeff_babinetX} def
+ /StartY -90 def
+ \or
+ /CoeffY {Coeff_collignonY} def
+ /CoeffX {Coeff_collignonX} def
+ /StartY -90 def
+ \or
+ /CoeffY {Coeff_BonneY} def
+ /CoeffX {Coeff_BonneX} def
+ /StartY -90 def
+ \fi%
+ /step \psk@WorldMap@level\space def % hv 2004-05-04
+}
+\newcount\TypeProjection
+\def\WorldMap{\pst@object{WorldMap}}
+\def\WorldMap@i{\@ifnextchar[{\WorldMap@do}{\WorldMap@do[]}}
+\def\WorldMap@do[#1]{{%
+ \setkeys{psset}{#1}%
+ \begin@ClosedObj
+ \addto@pscode{%
+ \VariablesMap
+ (\psk@WorldMap@Path/river.dat) run
+ (\psk@WorldMap@Path/pcoast.dat) run
+ (\psk@WorldMap@Path/pisland.dat) run
+ (\psk@WorldMap@Path/pborder.dat) run
+ (\psk@WorldMap@Path/plake.dat) run
+ (\psk@WorldMap@Path/usa.dat) run
+ (\psk@WorldMap@Path/aus.dat) run
+ (\psk@WorldMap@Path/mex.dat) run
+ 1 setlinejoin
+ 0 0 translate
+ /xunit {\pst@number\psxunit\space mul 20 div }def
+ /yunit {\pst@number\psyunit\space mul 20 div }def
+ /increment \psk@WorldMap@increment\space def
+ /limiteLongitude \psk@WorldMap@limiteL\space def
+%
+ \ifPst@WorldMap@Fill
+ gsave
+ newpath
+ /X limiteLongitude neg def
+ /Y StartY def
+ X CoeffX xunit Y CoeffY yunit moveto
+ StartY 2 StartY neg {%
+ /Y exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+ } for
+ /X limiteLongitude def
+ StartY neg -2 StartY {
+ /Y exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+ } for
+ closepath
+ /Color {0.5 0.8 0.8} def
+ Color setrgbcolor
+ fill
+ grestore
+ \fi
+ /CalculsPoints {
+ /region exch def
+ newpath
+ /nbr region length def % nombre de rgions
+ region 0 get aload pop
+ /Y exch def /X exch def
+ X CoeffX xunit Y CoeffY yunit moveto
+ /ncount 0 def % hv 2004-05-04
+ 0 1 nbr 1 sub {
+ /ncount ncount 1 add def % hv 2004-05-04
+ region exch get aload pop
+ ncount step mod 0 eq nbr ncount sub 0 lt or { % hv 2004-05-04
+ /Y exch def /X exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+ }{ pop pop } ifelse % hv 2004-05-04
+ } for
+ } def
+%
+ /Draw { {
+ CalculsPoints
+ \ifPst@WorldMap@Fill
+ closepath
+% Colour in earth's surfaces
+ gsave
+ Color setrgbcolor
+ fill
+ grestore
+ \fi
+ stroke
+ } forall
+ } def
+\ifPst@WorldMap@Borders
+ border
+\else
+ coasts
+\fi
+%/Color {0.5 0.8 0.5} def
+/Color {\psk@WorldMap@Fillcolor} def
+ Draw
+islands
+ Draw
+\ifPst@WorldMap@MEX
+mexico
+ Draw
+\fi
+\ifPst@WorldMap@USA
+usa
+ Draw
+\fi
+\ifPst@WorldMap@AUS
+australia
+ Draw
+\fi
+/Color {0.5 0.8 0.8} def
+lake
+ Draw
+% les rivires
+\ifPst@WorldMap@Rivers
+/DrawRivers {
+ {
+CalculsPoints
+0 0 1 setrgbcolor
+stroke
+} forall
+}def
+river
+DrawRivers
+\fi
+%
+\ifPst@WorldMap@maillage
+% meridiens
+limiteLongitude neg increment limiteLongitude {% for X
+ /X exch def
+ newpath
+ /Y StartY def
+ X CoeffX xunit StartY CoeffY yunit moveto
+StartY increment 10 div StartY neg { % for Y
+ /Y exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+} for
+gsave
+% 11 janvier 2004
+X 0 eq {1 0 0 setrgbcolor}{0.2 setgray} ifelse
+%
+0.25 setlinewidth
+stroke
+grestore
+} for
+% parallles
+StartY increment StartY neg {% for Y
+ /Y exch def
+newpath
+ /X limiteLongitude neg def
+ X CoeffX xunit Y CoeffY yunit moveto
+limiteLongitude neg increment 10 div limiteLongitude { % for X
+ /X exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+} for
+% 11 janvier 2004
+Y 0 eq {1 0 0 setrgbcolor}{0.2 setgray} ifelse
+%
+0.25 setlinewidth
+stroke
+} for
+\fi
+/DrawCitys {
+/CITY exch def
+/Rayon exch def
+/nbr CITY length def % nombre de villes
+0 1 nbr 1 sub {
+ /compteur exch def
+ CITY compteur get aload pop
+ /X exch def /Y exch def
+ gsave
+ 1 0 0 setrgbcolor newpath
+ X CoeffX xunit Y CoeffY yunit
+ Rayon 0 360 arc closepath fill
+ grestore
+} for
+} def
+\ifPst@WorldMap@city
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5 % rayon du point
+ citycapitals
+ DrawCitys
+% les autres villes
+ (\psk@WorldMap@Path/c-sub.dat) run
+ 0.5 % rayon du point
+ CitySub
+DrawCitys
+\fi
+\ifPst@WorldMap@capitals
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5
+ citycapitals
+ DrawCitys
+\fi
+}%
+\end@ClosedObj
+}}
+%
+\def\pnodeMap(#1,#2)#3{% hv 2004-05-09
+ \pst@killglue
+ \pnode(!
+ \VariablesMap
+ /Y #2 def
+ /X #1 def
+ X CoeffX 20 div Y CoeffY 20 div){#3}%
+}
+%
+%------------------- hv 2004-05-08 ----------------------
+\def\psNodeLabelStyle{}
+\define@key{psset}{mapCountry}{\edef\psk@WorldMap@mapCountry{#1}}
+\setkeys{psset}{mapCountry=all}
+\define@key{psset}{nodeWidth}{\edef\psk@WorldMap@nodeWidth{#1}}
+\setkeys{psset}{nodeWidth=1mm}
+\newpsstyle{psNodeMapStyle}{fillstyle=solid,fillcolor=red}
+%
+\def\mapput{\@ifnextchar[{\mapput@i}{\mapput@i[90]}}
+\def\mapput@i[#1](#2,#3){\@ifnextchar[{\mapput@iii[#1](#2,#3)}{\mapput@ii[#1](#2,#3)}}
+\def\mapput@ii[#1](#2,#3)#4{\mapput@iii[#1](#2,#3)[#4]{#4}}
+\def\mapput@iii[#1](#2,#3)[#4]#5{%
+ \@ifnextchar[{\mapput@iv[#1](#2,#3)[#4]#5}{\mapput@iv[#1](#2,#3)[#4]#5[\@empty]}}
+\def\mapput@iv[#1](#2,#3)[#4]#5[#6]{{%
+% [angle](longitude,lattitude)[node name]{node label}[country]
+ \def\pst@tempb{all}
+ \ifx\pst@tempb\psk@WorldMap@mapCountry
+ \mapput@v[#1](#2,#3)[#4]{#5}
+ \else
+ \def\pst@tempb{#6}
+% \typeout{Compare \pst@tempb{} with \psk@WorldMap@mapCountry}
+ \ifx\pst@tempb\psk@WorldMap@mapCountry
+ \mapput@v[#1](#2,#3)[#4]{#5}
+ \fi%
+ \fi%
+}}
+\def\mapput@v[#1](#2,#3)[#4]#5{{%
+ \pnodeMap(#2,#3){#4}
+% \typeout{Node: #4}
+ \pst@dima=\psk@WorldMap@nodeWidth
+ \pscircle[style=psNodeMapStyle](#4){\pst@dima}
+ \pscircle*(#4){0.5\pst@dima}
+ \uput{1.2\pst@dima}[#1](#4){{\psNodeLabelStyle #5}}%
+}}
+%------------------- hv 2004-05-08 ----------------------
+%
+\catcode`\@=\PstAtCode\relax
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.sty b/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.sty
new file mode 100644
index 00000000000..42d4b41bf2f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.sty
@@ -0,0 +1,3 @@
+\ProvidesPackage{pst-map2dII}[2003/12/22 package wrapper for PSTricks pst-map2dII.tex]
+\input{pst-map2dII}
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.tex b/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.tex
new file mode 100644
index 00000000000..bf73ed554f7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map2dII.tex
@@ -0,0 +1,493 @@
+%%
+%% This is file `pst-mapII.tex',
+%%
+%% IMPORTANT NOTICE:
+%%
+%% Package `pst-map2dII.tex'
+%%
+%% Manuel Luque <Mluque5130@aol.com> (France)
+%% Giuseppe Matarazzo <joematara@hotmail.com> (Italy)
+%% Herbert Voss <voss@perce.de> (Germany)
+%%
+%% May 09, 2004
+%%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN archives
+%% in directory macros/latex/base/lppl.txt.
+%%
+%% DESCRIPTION:
+%% `pst-map2dII' is a PSTricks package to create geographical objects
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\fileversion{0.8}
+\def\filedate{2004/05/09}
+
+\message{`PST-map2dII v\fileversion, \filedate\space (ML/GM/HV)}
+
+\csname PSTMapTwoDII\endcsname
+\let\PSTMapTwoDIILoaded\endinput
+
+% Require PSTricks
+\ifx\PSTnodesLoaded\endinput\else\input pst-node.tex\fi
+% David Carlisle interface to the `keyval' package.
+\input pst-key.tex
+%
+\edef\PstAtCode{\the\catcode`\@} \catcode`\@=11\relax
+
+\SpecialCoor
+%
+\define@key{psset}{path}{\edef\psk@WorldMap@Path{#1}} % chemin des donnes
+\setkeys{psset}{path=data}
+%
+\define@key{psset}{type}{\edef\psk@WorldMapII@type{#1}}
+\setkeys{psset}{type=1}
+\define@key{psset}{increment}{\edef\psk@WorldMapII@increment{#1}}
+\setkeys{psset}{increment=10}
+% type=1 ==> Mercator
+% type=2 ==> Lambert
+% type=3 ==> simple
+% type=4 ==> Sanson-Flamsteed
+% type=5 ==> cylindrical
+% type=6 ==> Babinet
+% type=7 ==> Collignon
+% type=8 ==> Bonne
+\define@key{psset}{n}{\edef\psk@WorldMap@n{#1}}
+\setkeys{psset}{n=1.77245} % sqrt(pi) % pour Collignon
+%
+\define@key{psset}{limiteL}{\edef\psk@WorldMap@limiteL{#1}}
+\setkeys{psset}{limiteL=180} % longitude limite
+%
+\define@key{psset}{limiteL}{\edef\psk@WorldMap@limiteL{#1}}
+\setkeys{psset}{limiteL=180} % longitude limite
+%
+\define@key{psset}{latitude0}{\edef\psk@WorldMap@latitudeO{#1}}
+\setkeys{psset}{latitude0=45} % pour Bonne latitude 0
+%
+\define@key{psset}{longitude0}{\edef\psk@WorldMap@longitudeO{#1}}
+\setkeys{psset}{longitude0=0} % pour Bonne longitude 0
+%
+\newif\ifPst@WorldMap@capitals
+\define@key{psset}{capital}[false]{\@nameuse{Pst@WorldMap@capitals#1}}
+\setkeys{psset}{capital=false}
+%
+\newif\ifPst@WorldMap@city
+\define@key{psset}{city}[false]{\@nameuse{Pst@WorldMap@city#1}}
+\setkeys{psset}{city=false}
+%
+\newif\ifPst@WorldMapII@Rivers
+\define@key{psset}{rivers}[true]{\@nameuse{Pst@WorldMapII@Rivers#1}}
+\setkeys{psset}{rivers=false}
+%
+\newif\ifPst@WorldMapII@Borders
+\define@key{psset}{borders}[true]{\@nameuse{Pst@WorldMapII@Borders#1}}
+\setkeys{psset}{borders=true}
+%
+\newif\ifPst@WorldMapII@maillage
+\define@key{psset}{maillage}[true]{\@nameuse{Pst@WorldMapII@maillage#1}}
+\setkeys{psset}{maillage=true}
+%
+\newif\ifPst@WorldMapII@Fill
+\define@key{psset}{Fill}[true]{\@nameuse{Pst@WorldMapII@Fill#1}}
+\setkeys{psset}{Fill=true}
+%
+\newif\ifPst@WorldMapII@Europe
+\define@key{psset}{europe}[true]{\@nameuse{Pst@WorldMapII@Europe#1}}
+\setkeys{psset}{europe=true}
+%
+\newif\ifPst@WorldMapII@Asia
+\define@key{psset}{asia}[true]{\@nameuse{Pst@WorldMapII@Asia#1}}
+\setkeys{psset}{asia=false}
+%
+\newif\ifPst@WorldMapII@Africa
+\define@key{psset}{africa}[true]{\@nameuse{Pst@WorldMapII@Africa#1}}
+\setkeys{psset}{africa=false}
+%
+\newif\ifPst@WorldMapII@namer
+\define@key{psset}{namer}[true]{\@nameuse{Pst@WorldMapII@namer#1}}
+\setkeys{psset}{namer=false}
+%
+\newif\ifPst@WorldMapII@samer
+\define@key{psset}{samer}[true]{\@nameuse{Pst@WorldMapII@samer#1}}
+\setkeys{psset}{samer=false}
+%
+\newif\ifPst@WorldMapII@all% hv 2004-05-05
+\define@key{psset}{all}[true]{%
+ \setkeys{psset}{europe=true,asia=true,africa=true,namer=true,samer=true}
+}
+%
+\define@key{psset}{level}{\edef\psk@WorldMapII@level{#1}}% hv 2004-05-05
+\setkeys{psset}{level=5}% only every 5th data record
+%
+\def\VariablesMap{%
+ /Coeff_mercatorY {2 div 45 add dup sin exch cos div ln 57.2958 mul} def % Mercator
+ /Coeff_simpleY {1 mul} def % simple
+ /Coeff_lambertY {sin 57.2958 mul} def % Lambert
+ /Coeff_sanson_flamsteedY {1 mul} def % Sanson_Flamstead
+ /Coeff_cylindricalY { dup sin exch cos div 57.2958 mul} def % Cylindrical
+ /Coeff_babinetY { sin 2 sqrt mul 57.2958 mul} def % Babinet
+ /n \psk@WorldMap@n\space def
+ /Coeff_collignonY { 0 ge { 1 2 sqrt 90 Y sub 2 div sin mul sub 57.2958 mul n mul}
+ { 1 2 sqrt 90 Y add 2 div sin mul sub 57.2958 mul n mul neg} ifelse }def % Collignon
+ /Coeff_BonneY {pop /RHO l0 dup cos exch sin div Y neg l0 add 57.2958 div add def
+ /Theta Y cos X L0 sub mul RHO div def
+ Theta cos RHO mul neg 57.2958 mul}def % Bonne
+ /Coeff_mercatorX {1 mul} def % Mercator
+ /Coeff_simpleX {1 mul} def % simple
+ /Coeff_lambertX {1 mul} def % Lambert
+ /Coeff_sanson_flamsteedX {Y cos mul} def % Sanson_Flamstead
+ /Coeff_cylindricalX { 1 mul } def % Cylindrical
+ /Coeff_babinetX { 2 mul 2 sqrt mul 3.1415926 div Y cos mul} def % Babinet
+ /Coeff_collignonX { 2 mul 2 sqrt mul 90 Y abs sub 2 div sin mul n div} def % Collignon
+ /l0 \psk@WorldMap@latitudeO\space def
+ /L0 \psk@WorldMap@longitudeO\space def
+ /Coeff_BonneX {pop /RHO l0 dup cos exch sin div Y neg l0 add 57.2958 div add def
+ /Theta Y cos X L0 sub mul RHO div def
+ Theta sin RHO mul 57.2958 mul}def % Bonne
+ \ifcase\psk@WorldMapII@type\or% type 1 % hv 2004-05-04
+ /CoeffY {Coeff_mercatorY} def
+ /CoeffX {Coeff_mercatorX} def
+ /StartY -85 def
+ \or% type 2 % hv 2004-05-04
+ /CoeffY {Coeff_simpleY} def
+ /CoeffX {Coeff_simpleX} def
+ /StartY -90 def
+ \or% type 3 % hv 2004-05-04
+ /CoeffY {Coeff_lambertY} def
+ /CoeffX {Coeff_lambertX} def
+ /StartY -90 def
+ \or% type 4 % hv 2004-05-04
+ /CoeffY {Coeff_sanson_flamsteedY} def
+ /CoeffX {Coeff_sanson_flamsteedX} def
+ /StartY -90 def
+ \or% type 5 % hv 2004-05-04
+ /CoeffY {Coeff_cylindricalY} def
+ /CoeffX {Coeff_cylindricalX} def
+ /StartY -85 def
+ \or% type 6 % hv 2004-05-04
+ /CoeffY {Coeff_babinetY} def
+ /CoeffX {Coeff_babinetX} def
+ /StartY -90 def
+ \or% type 7 % hv 2004-05-04
+ /CoeffY {Coeff_collignonY} def
+ /CoeffX {Coeff_collignonX} def
+ /StartY -90 def
+ \else% every other is type 8 % hv 2004-05-04
+ /CoeffY {Coeff_BonneY} def
+ /CoeffX {Coeff_BonneX} def
+ /StartY -90 def
+ \fi
+ /step \psk@WorldMapII@level\space def % hv 2004-05-04
+}
+ %
+\newcount\TypeProjection
+\def\WorldMapII{\pst@object{WorldMapII}}
+\def\WorldMapII@i{\@ifnextchar[{\WorldMapII@do}{\WorldMapII@do[]}}
+\def\WorldMapII@do[#1]{{%
+ \setkeys{psset}{#1}%
+ \begin@ClosedObj
+ \addto@pscode{%
+ /increment \psk@WorldMapII@increment\space def
+ \VariablesMap
+ 1 setlinejoin
+ 0 0 translate
+ /xunit {\pst@number\psxunit\space mul 20 div } def
+ /yunit {\pst@number\psyunit\space mul 20 div } def
+ /limiteLongitude \psk@WorldMap@limiteL\space def
+%
+ /CalculsPoints {
+ /region exch def
+ gsave
+ newpath
+ /nbr region length def % nombre de points
+ region nbr 2 sub get
+ /Y exch def
+ region nbr 1 sub get
+ /X exch def
+ X CoeffX xunit Y CoeffY yunit moveto
+ /ncount 0 def % hv 2004-05-04
+ nbr 2 sub -2 2 {
+ /Counter exch def % hv 2004-05-04
+ /ncount ncount 1 add def % hv 2004-05-04
+ ncount step ge { % hv 2004-05-04
+ region Counter get
+ /Y exch def
+ region Counter 1 add get
+ /X exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+ /ncount 0 def % hv 2004-05-04
+ }{ /ncount ncount 1 add def } ifelse % hv 2004-05-04
+ } for
+ } def
+%
+ /CalculsPointsAsia {
+ /region exch def
+ gsave
+ newpath
+ /nbr region length def % nombre de points
+ region nbr 2 sub get
+ /Y exch def
+ region nbr 1 sub get
+ /X exch def
+ X 0 le {/X X 360 add def} if
+ X CoeffX xunit Y CoeffY yunit moveto
+ /ncount 0 def % hv 2004-05-04
+ nbr 2 sub -2 2 {
+ /Counter exch def % hv 2004-05-04
+ /ncount ncount 1 add def % hv 2004-05-04
+ ncount step ge { % hv 2004-05-04
+ region Counter get
+ /Y exch def
+ region Counter 1 add get
+ /X exch def
+ X 0 le {/X X 360 add def} if
+ X CoeffX xunit Y CoeffY yunit lineto
+ /ncount 0 def % hv 2004-05-04
+ }{ /ncount ncount 1 add def } ifelse % hv 2004-05-04
+ } for
+ } def
+%
+ /Draw {
+ { CalculsPoints
+ stroke
+ } forall
+ } def
+%
+ /DrawAsia {
+ { CalculsPointsAsia
+ stroke
+ } forall
+ } def
+ /DrawRivers {
+ { CalculsPoints
+ gsave
+ 0 0 1 setrgbcolor
+ stroke
+ grestore
+ } forall
+ } def
+%
+ /DrawRiversAsia {
+ { CalculsPointsAsia
+ gsave
+ 0 0 1 setrgbcolor
+ stroke
+ grestore
+ } forall
+ } def
+ /DrawBdy {
+ { CalculsPoints
+ gsave
+ 1 0 0 setrgbcolor
+ stroke
+ grestore
+ } forall
+ } def
+ \ifPst@WorldMapII@Europe
+ (\psk@WorldMap@Path/europe-cil.dat) run
+ europe-cil
+ Draw
+ \ifPst@WorldMapII@Rivers
+ (\psk@WorldMap@Path/europe-riv.dat) run
+ europe-riv
+ DrawRivers
+ \fi
+ \ifPst@WorldMapII@Borders
+ (\psk@WorldMap@Path/europe-bdy.dat) run
+ europe-bdy
+ DrawBdy
+ \fi
+ \fi
+%
+\ifPst@WorldMapII@Africa
+(\psk@WorldMap@Path/africa-cil.dat) run
+ africa-cil
+ Draw
+\ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/africa-riv.dat) run
+ africa-riv
+ DrawRivers
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/africa-bdy.dat) run
+ africa-bdy
+ DrawBdy
+\fi
+\fi
+%
+\ifPst@WorldMapII@Asia
+(\psk@WorldMap@Path/asia-cil.dat) run
+ asia-cil
+ DrawAsia
+(\psk@WorldMap@Path/asia-isl.dat) run
+ asia-isl
+ Draw
+\ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/asia-riv.dat) run
+ asia-riv
+ DrawRiversAsia
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/asia-bdy.dat) run
+ asia-bdy
+ DrawBdy
+\fi
+\fi
+\ifPst@WorldMapII@namer
+(\psk@WorldMap@Path/namer-cil.dat) run
+ namer-cil
+ Draw
+\ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/namer-riv.dat) run
+ namer-riv
+ DrawRivers
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/namer-bdy.dat) run
+(\psk@WorldMap@Path/namer-pby.dat) run
+ namer-bdy
+ DrawBdy
+ namer-pby
+ DrawBdy
+\fi
+ \fi
+\ifPst@WorldMapII@samer
+(\psk@WorldMap@Path/samer-cil.dat) run
+ samer-cil
+ Draw
+ (\psk@WorldMap@Path/samer-arc.dat) run
+ samer-arc
+ DrawAsia
+\ifPst@WorldMapII@Rivers
+(samer-riv.dat) run
+ samer-riv
+ DrawRivers
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/samer-bdy.dat) run
+ samer-bdy
+ DrawBdy
+\fi
+\fi
+%
+\ifPst@WorldMapII@maillage
+% meridiens
+limiteLongitude neg increment limiteLongitude {% for X
+ /X exch def
+ newpath
+ /Y StartY def
+ X CoeffX xunit StartY CoeffY yunit moveto
+StartY increment 10 div StartY neg { % for Y
+ /Y exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+} for
+gsave
+% 11 janvier 2004
+X 0 eq {1 0 0 setrgbcolor}{0.2 setgray} ifelse
+%
+0.25 setlinewidth
+stroke
+grestore
+} for
+% parallles
+StartY increment StartY neg {% for Y
+ /Y exch def
+newpath
+ /X limiteLongitude neg def
+ X CoeffX xunit Y CoeffY yunit moveto
+limiteLongitude neg increment 10 div limiteLongitude { % for X
+ /X exch def
+ X CoeffX xunit Y CoeffY yunit lineto
+} for
+% 11 janvier 2004
+Y 0 eq {1 0 0 setrgbcolor}{0.2 setgray} ifelse
+%
+0.25 setlinewidth
+stroke
+} for
+\fi
+/DrawCitys {
+/CITY exch def
+/Rayon exch def
+/nbr CITY length def % nombre de villes
+0 1 nbr 1 sub {
+ /compteur exch def
+ CITY compteur get aload pop
+ /X exch def /Y exch def
+ gsave
+ 1 0 0 setrgbcolor newpath
+ X CoeffX xunit Y CoeffY yunit
+ Rayon 0 360 arc closepath fill
+ grestore
+} for
+} def
+\ifPst@WorldMap@city
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5 % rayon du point
+ citycapitals
+ DrawCitys
+% les autres villes
+ (\psk@WorldMap@Path/c-sub.dat) run
+ 0.5 % rayon du point
+ CitySub
+DrawCitys
+\fi
+\ifPst@WorldMap@capitals
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5
+ citycapitals
+ DrawCitys
+\fi
+}%
+\end@ClosedObj
+}}
+%
+
+\def\pnodeMap(#1,#2)#3{% hv 2004-05-09
+ \pst@killglue
+ \pnode(!
+ \VariablesMap
+ /Y #2 def
+ /X #1 def
+ X CoeffX 20 div Y CoeffY 20 div){#3}%
+}
+%
+%------------------- hv 2004-05-08 ----------------------
+\def\psNodeLabelStyle{}
+\define@key{psset}{mapCountry}{\edef\psk@WorldMap@mapCountry{#1}}
+\setkeys{psset}{mapCountry=all}
+\define@key{psset}{nodeWidth}{\edef\psk@WorldMap@nodeWidth{#1}}
+\setkeys{psset}{nodeWidth=1mm}
+\newpsstyle{psNodeMapStyle}{fillstyle=solid,fillcolor=red}
+%
+\def\mapput{\@ifnextchar[{\mapput@i}{\mapput@i[90]}}
+\def\mapput@i[#1](#2,#3){\@ifnextchar[{\mapput@iii[#1](#2,#3)}{\mapput@ii[#1](#2,#3)}}
+\def\mapput@ii[#1](#2,#3)#4{\mapput@iii[#1](#2,#3)[#4]{#4}}
+\def\mapput@iii[#1](#2,#3)[#4]#5{%
+ \@ifnextchar[{\mapput@iv[#1](#2,#3)[#4]#5}{\mapput@iv[#1](#2,#3)[#4]#5[\@empty]}}
+\def\mapput@iv[#1](#2,#3)[#4]#5[#6]{{%
+% [angle](longitude,lattitude)[node name]{node label}[country]
+ \def\pst@tempb{all}
+ \ifx\pst@tempb\psk@WorldMap@mapCountry
+ \mapput@v[#1](#2,#3)[#4]{#5}
+ \else
+ \def\pst@tempb{#6}
+% \typeout{Compare \pst@tempb{} with \psk@WorldMap@mapCountry}
+ \ifx\pst@tempb\psk@WorldMap@mapCountry
+ \mapput@v[#1](#2,#3)[#4]{#5}
+ \fi%
+ \fi%
+}}
+\def\mapput@v[#1](#2,#3)[#4]#5{{%
+ \pnodeMap(#2,#3){#4}
+% \typeout{Node: #4}
+ \pst@dima=\psk@WorldMap@nodeWidth
+ \pscircle[style=psNodeMapStyle](#4){\pst@dima}
+ \pscircle*(#4){0.5\pst@dima}
+ \uput{1.2\pst@dima}[#1](#4){\psNodeLabelStyle #5}%
+}}
+%------------------- hv 2004-05-08 ----------------------
+%
+\catcode`\@=\PstAtCode\relax
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.sty b/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.sty
new file mode 100644
index 00000000000..b602c6abae1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.sty
@@ -0,0 +1,3 @@
+\ProvidesPackage{pst-map3d}[2004/01/05 package wrapper for PSTricks pst-map3d.tex]
+\input pst-map3d.tex
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.tex b/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.tex
new file mode 100644
index 00000000000..23901f8fb88
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map3d.tex
@@ -0,0 +1,187 @@
+%%
+%% This is file `pst-map3d.tex',
+%%
+%% IMPORTANT NOTICE:
+%%
+%% Package `pst-map3d.tex'
+%%
+%% Manuel Luque <Mluque5130@aol.com> (France)
+%% Giuseppe Matarazzo <joematara@hotmail.com> (Italy)
+%% Herbert Voss <voss@perce.de> (Germany)
+%%
+%% May 09, 2004
+%%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN archives
+%% in directory macros/latex/base/lppl.txt.
+%%
+%% DESCRIPTION:
+%% `pst-map3d' is a PSTricks package to create geographical objects
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\fileversion{1.02}
+\def\filedate{2004/05/09}
+
+\message{`PST-map3d v\fileversion, \filedate\space (ML/GM/HV)}
+
+\csname PSTMapThreeD\endcsname
+\let\PSTMapThreeDLoaded\endinput
+
+% Require PSTricks
+\ifx\PSTricksLoaded\endinput\else\input pstricks.tex\fi
+\ifx\PSTnodesLoaded\endinput\else\input pst-node.tex\fi % hv 2004-05-09
+% David Carlisle interface to the `keyval' package.
+\input pst-key.tex
+%
+\edef\PstAtCode{\the\catcode`\@} \catcode`\@=11\relax
+
+\SpecialCoor
+%
+\define@key{psset}{path}{\edef\psk@WorldMap@Path{#1}} % chemin des donnes
+\setkeys{psset}{path=data}
+%
+\pstheader{map3d.pro}
+\define@key{psset}{RotX}{\edef\psk@TroisD@RotX{#1}} % rotation autour de Ox en degrs
+\define@key{psset}{RotY}{\edef\psk@TroisD@RotY{#1}} % rotation autour de Oy en degrs
+\define@key{psset}{RotZ}{\edef\psk@TroisD@RotZ{#1}} % rotation autour de OZ en degrs
+\define@key{psset}{Radius}{\edef\psk@TroisD@Radius{#1}} % rayon de la sphre
+%
+\define@key{psset}{THETA}{\edef\psk@TroisD@Theta{#1}}
+\define@key{psset}{PHI}{\edef\psk@TroisD@Phi{#1}}
+\define@key{psset}{Dobs}{\edef\psk@TroisD@Dobs{#1}}
+\define@key{psset}{Decran}{\edef\psk@TroisD@Ecran{#1}}
+\setkeys{psset}{THETA=0,PHI=45,Dobs=20,Decran=25,Radius=5}
+%
+\setkeys{psset}{RotX=0,RotY=0,RotZ=0}
+%
+\define@key{psset}{increment}{\edef\psk@WorldMap@increment{#1}}
+\setkeys{psset}{increment=10}
+%
+\define@key{psset}{maillageColor}{\edef\psk@WorldMap@maillageColor{#1}}
+\setkeys{psset}{maillageColor= 0.5 0.5 0.5 }
+%
+\define@key{psset}{MapFillColor}{\edef\psk@WorldMap@Fillcolor{#1}} % couleur des continents
+\setkeys{psset}{MapFillColor= 0.99 0.95 0.7 }
+%
+\define@key{psset}{level}{\edef\psk@WorldMap@level{#1}}
+\setkeys{psset}{level=1}
+%
+\def\variablesTroisD{%
+ /RotX \psk@TroisD@RotX\space def
+ /RotY \psk@TroisD@RotY\space def
+ /RotZ \psk@TroisD@RotZ\space def
+ /THETA \psk@TroisD@Theta\space def
+ /PHI \psk@TroisD@Phi\space def
+ /Rsphere \psk@TroisD@Radius\space def
+ /Dobs \psk@TroisD@Dobs\space def
+ /DScreen \psk@TroisD@Ecran\space def
+ /step \psk@WorldMap@level\space def
+ }%
+ %
+\newif\ifPst@WorldMap@capitals
+\define@key{psset}{capital}[false]{\@nameuse{Pst@WorldMap@capitals#1}}
+\setkeys{psset}{capital=false}
+%
+\newif\ifPst@WorldMap@city
+\define@key{psset}{city}[false]{\@nameuse{Pst@WorldMap@city#1}}
+\setkeys{psset}{city=false}
+%
+\newif\ifPst@WorldMap@Rivers% hv 2004-05-03
+\define@key{psset}{rivers}[true]{\@nameuse{Pst@WorldMap@Rivers#1}}
+\setkeys{psset}{rivers=true}
+%
+\newif\ifPst@WorldMap@maillage
+\define@key{psset}{maillage}[true]{\@nameuse{Pst@WorldMap@maillage#1}}
+\setkeys{psset}{maillage=true}
+%
+\def\WorldMapThreeD{\pst@object{WorldMapThreeD}}
+\def\WorldMapThreeD@i{\@ifnextchar[{\WorldMapThreeD@do}{\WorldMapThreeD@do[]}}
+\def\WorldMapThreeD@do[#1]{{%
+\setkeys{psset}{#1}%
+\begin@ClosedObj
+\addto@pscode{%
+ /increment \psk@WorldMap@increment\space def
+ \variablesTroisD
+ (\psk@WorldMap@Path/river.dat) run
+ (\psk@WorldMap@Path/pisland.dat) run
+ (\psk@WorldMap@Path/pborder.dat) run
+ (\psk@WorldMap@Path/plake.dat) run
+ 1 setlinejoin
+ 0 0 translate
+ /xunit {\pst@number\psxunit\space mul}def
+ /yunit {\pst@number\psyunit\space mul}def
+ /runit {\pst@number\psrunit\space mul}def
+ gsave
+ newpath
+ 0.5 0.8 0.8 setrgbcolor
+ % cercle vu par l'observateur
+ /RsphereScreen Rsphere DScreen mul Dobs div
+ 1 Rsphere dup mul Dobs dup mul div sub sqrt div runit def
+ 0 0 RsphereScreen 0 360 arc
+ closepath
+ fill
+ grestore
+ /condition {PSfacette 0 le} def
+ /departPhi -90 def
+tx@map3DDict begin
+ MatriceTransformation
+/Draw {
+ {
+CalculsPoints
+closepath
+gsave
+Color setrgbcolor
+fill
+grestore
+stroke
+} forall
+}def
+%/Color {0.5 0.8 0.5} def
+/Color {\psk@WorldMap@Fillcolor} def
+border
+ Draw
+islands
+ Draw
+/Color {0.5 0.8 0.8} def
+lake
+ Draw
+% les rivires
+\ifPst@WorldMap@Rivers % hv 2004-05-03
+ /DrawRivers {
+ { CalculsPoints
+ 0 0 1 setrgbcolor
+ stroke
+ } forall
+ }def
+ river
+ DrawRivers
+\fi
+\ifPst@WorldMap@city
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5
+ citycapitals
+ DrawCitys
+% les autres villes
+ (\psk@WorldMap@Path/c-sub.dat) run
+ 0.5
+ CitySub
+DrawCitys
+\fi
+\ifPst@WorldMap@capitals
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 2
+ citycapitals
+ DrawCitys
+\fi
+\ifPst@WorldMap@maillage
+/maillageColor {\psk@WorldMap@maillageColor} def
+ MaillageSphere
+\fi
+end}%
+\end@ClosedObj
+}}
+%
+\catcode`\@=\PstAtCode\relax
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.sty b/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.sty
new file mode 100644
index 00000000000..370d67007e7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.sty
@@ -0,0 +1,3 @@
+\ProvidesPackage{pst-map3dII}[2003/12/22 package wrapper for PSTricks pst-map3dII.tex]
+\input pst-map3dII.tex
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.tex b/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.tex
new file mode 100644
index 00000000000..ae9480c168b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-geo/pst-map3dII.tex
@@ -0,0 +1,280 @@
+%%
+%% This is file `pst-map3dII.tex',
+%%
+%% IMPORTANT NOTICE:
+%%
+%% Package `pst-map3dII.tex'
+%%
+%% Manuel Luque <Mluque5130@aol.com> (France)
+%% Giuseppe Matarazzo <joematara@hotmail.com> (Italy)
+%% Herbert Voss <voss@perce.de> (Germany)
+%%
+%% May 09, 2004
+%%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN archives
+%% in directory macros/latex/base/lppl.txt.
+%%
+%% DESCRIPTION:
+%% `pst-map3dII' is a PSTricks package to create geographical objects
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\fileversion{0.21}
+\def\filedate{2004/05/09}
+
+\message{`PST-mapThreeDII v\fileversion, \filedate\space (ML/GM/HV)}
+
+\csname PSTMapThreeDII\endcsname
+\let\PSTMapThreeDII\endinput
+
+% Require PSTricks
+\ifx\PSTricksLoaded\endinput\else\input pstricks.tex\fi
+% David Carlisle interface to the `keyval' package.
+\input pst-key.tex
+%
+\edef\PstAtCode{\the\catcode`\@} \catcode`\@=11\relax
+\pstheader{map3dII.pro}
+\SpecialCoor
+%
+\define@key{psset}{path}{\edef\psk@WorldMap@Path{#1}} % chemin des donnes
+\setkeys{psset}{path=.}
+%
+\define@key{psset}{RotX}{\edef\psk@TroisD@RotX{#1}} % rotation autour de Ox en degrs
+\define@key{psset}{RotY}{\edef\psk@TroisD@RotY{#1}} % rotation autour de Oy en degrs
+\define@key{psset}{RotZ}{\edef\psk@TroisD@RotZ{#1}} % rotation autour de OZ en degrs
+\define@key{psset}{Radius}{\edef\psk@TroisD@Radius{#1}} % rayon de la sphre
+%
+\define@key{psset}{THETA}{\edef\psk@TroisD@Theta{#1}}
+\define@key{psset}{PHI}{\edef\psk@TroisD@Phi{#1}}
+\define@key{psset}{Dobs}{\edef\psk@TroisD@Dobs{#1}}
+\define@key{psset}{Decran}{\edef\psk@TroisD@Ecran{#1}}
+\setkeys{psset}{THETA=0,PHI=45,Dobs=20,Decran=25,Radius=5}
+%
+\setkeys{psset}{RotX=0,RotY=0,RotZ=0}
+%
+\define@key{psset}{increment}{\edef\psk@WorldMapII@increment{#1}}
+\setkeys{psset}{increment=10}
+%
+\define@key{psset}{level}{\edef\psk@WorldMapII@level{#1}}% hv 2004-05-05
+\setkeys{psset}{level=5}
+%
+\def\variablesTroisD{%
+ /RotX \psk@TroisD@RotX\space def
+ /RotY \psk@TroisD@RotY\space def
+ /RotZ \psk@TroisD@RotZ\space def
+ /THETA \psk@TroisD@Theta\space def
+ /PHI \psk@TroisD@Phi\space def
+ /Rsphere \psk@TroisD@Radius\space def
+ /Dobs \psk@TroisD@Dobs\space def
+ /DScreen \psk@TroisD@Ecran\space def
+ /step \psk@WorldMapII@level\space def
+ }%
+ %
+\newif\ifPst@WorldMap@capitals
+\define@key{psset}{capital}[false]{\@nameuse{Pst@WorldMap@capitals#1}}
+\setkeys{psset}{capital=false}
+%
+\newif\ifPst@WorldMap@city
+\define@key{psset}{city}[false]{\@nameuse{Pst@WorldMap@city#1}}
+\setkeys{psset}{city=false}
+%
+\newif\ifPst@WorldMap@maillage
+\define@key{psset}{maillage}[true]{\@nameuse{Pst@WorldMap@maillage#1}}
+\setkeys{psset}{maillage=true}
+%
+\newif\ifPst@WorldMapII@Rivers
+\define@key{psset}{rivers}[true]{\@nameuse{Pst@WorldMapII@Rivers#1}}
+\setkeys{psset}{rivers=true}
+%
+\newif\ifPst@WorldMapII@Borders
+\define@key{psset}{borders}[true]{\@nameuse{Pst@WorldMapII@Borders#1}}
+\setkeys{psset}{borders=true}
+%
+\newif\ifPst@WorldMap@Europe
+\define@key{psset}{europe}[true]{\@nameuse{Pst@WorldMap@Europe#1}}
+\setkeys{psset}{europe=true}
+%
+\newif\ifPst@WorldMap@Asia
+\define@key{psset}{asia}[false]{\@nameuse{Pst@WorldMap@Asia#1}}
+\setkeys{psset}{asia=false}
+%
+\newif\ifPst@WorldMap@Africa
+\define@key{psset}{africa}[false]{\@nameuse{Pst@WorldMap@Africa#1}}
+\setkeys{psset}{africa=false}
+%
+\newif\ifPst@WorldMap@namer
+\define@key{psset}{namer}[false]{\@nameuse{Pst@WorldMap@namer#1}}
+\setkeys{psset}{namer=false}
+%
+\newif\ifPst@WorldMap@samer
+\define@key{psset}{samer}[false]{\@nameuse{Pst@WorldMap@samer#1}}
+\setkeys{psset}{samer=false}
+%
+\newif\ifPst@WorldMapII@all% hv 2004-05-05
+\define@key{psset}{all}[true]{%
+ \setkeys{psset}{europe=true,asia=true,africa=true,namer=true,samer=true}
+}
+%
+\def\WorldMapThreeDII{\pst@object{WorldMapThreeDII}}
+\def\WorldMapThreeDII@i{\@ifnextchar[{\WorldMapThreeDII@do}{\WorldMapThreeDII@do[]}}
+\def\WorldMapThreeDII@do[#1]{{%
+ \setkeys{psset}{#1}%
+ \begin@ClosedObj
+ \addto@pscode{%
+ \variablesTroisD
+ 1 setlinejoin
+ 0 0 translate
+ /increment \psk@WorldMapII@increment\space def
+ /xunit {\pst@number\psxunit\space mul}def
+ /yunit {\pst@number\psyunit\space mul}def
+ /runit {\pst@number\psrunit\space mul}def
+ gsave
+ newpath
+ 0.7 0.9 0.9 setrgbcolor
+% cercle vu par l'observateur
+ /RsphereScreen Rsphere DScreen mul Dobs div
+ 1 Rsphere dup mul Dobs dup mul div sub sqrt div runit def
+ 0 0 RsphereScreen 0 360 arc
+ closepath
+ fill
+ grestore
+ /condition {PSfacette 0 le} def
+ /departPhi -90 def
+ tx@mapII3DDict begin
+ MatriceTransformation
+ /Draw {
+ { CalculsPoints
+ stroke
+ } forall
+ }def
+%
+ /DrawRivers {
+ { CalculsPoints
+ gsave
+ 0 0 1 setrgbcolor
+ CLW 0.25 mul
+ stroke
+ grestore
+ } forall
+ } def
+%
+ /DrawBdy {
+ { CalculsPoints
+ gsave
+ 1 0 0 setrgbcolor
+ stroke
+ grestore
+ } forall
+ } def
+\ifPst@WorldMap@maillage
+ MaillageSphere
+\fi
+\ifPst@WorldMap@Europe
+ (\psk@WorldMap@Path/europe-cil.dat) run
+ europe-cil
+ Draw
+ \ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/europe-riv.dat) run
+ europe-riv
+ DrawRivers
+ \fi
+ \ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/europe-bdy.dat) run
+ europe-bdy
+ DrawBdy
+ \fi
+\fi
+%
+\ifPst@WorldMap@Africa
+ (\psk@WorldMap@Path/africa-cil.dat) run
+ africa-cil
+ Draw
+ \ifPst@WorldMapII@Rivers
+ (\psk@WorldMap@Path/africa-riv.dat) run
+ africa-riv
+ DrawRivers
+ \fi
+ \ifPst@WorldMapII@Borders
+ (\psk@WorldMap@Path/africa-bdy.dat) run
+ africa-bdy
+ DrawBdy
+ \fi
+\fi
+%
+\ifPst@WorldMap@Asia
+ (\psk@WorldMap@Path/asia-cil.dat) run
+ asia-cil
+ Draw
+ \ifPst@WorldMapII@Rivers
+ (\psk@WorldMap@Path/asia-riv.dat) run
+ asia-riv
+ DrawRivers
+ \fi
+ \ifPst@WorldMapII@Borders
+ (\psk@WorldMap@Path/asia-bdy.dat) run
+ asia-bdy
+ DrawBdy
+ \fi
+\fi
+%
+\ifPst@WorldMap@namer
+(\psk@WorldMap@Path/namer-cil.dat) run
+ namer-cil
+ Draw
+\ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/namer-riv.dat) run
+ namer-riv
+ DrawRivers
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/namer-bdy.dat) run
+(\psk@WorldMap@Path/namer-pby.dat) run
+ namer-bdy
+ DrawBdy
+ namer-pby
+ DrawBdy
+\fi
+\fi
+%
+\ifPst@WorldMap@samer
+(\psk@WorldMap@Path/samer-cil.dat) run
+ samer-cil
+ Draw
+\ifPst@WorldMapII@Rivers
+(\psk@WorldMap@Path/samer-riv.dat) run
+ samer-riv
+ DrawRivers
+ \fi
+\ifPst@WorldMapII@Borders
+(\psk@WorldMap@Path/samer-bdy.dat) run
+ samer-bdy
+ DrawBdy
+\fi
+\fi
+%
+\ifPst@WorldMap@city
+% les capitales
+ (\psk@WorldMap@Path/c-cap.dat) run
+ 1.5 % rayon du point
+ citycapitals
+ DrawCitys
+% les autres villes
+ (\psk@WorldMap@Path/c-sub.dat) run
+ 0.5 % rayon du point
+ CitySub
+DrawCitys
+\fi
+\ifPst@WorldMap@capitals
+% les capitales
+ (\psk@WorldMap@Path/citycapitals.dat) run
+ 1.5
+ citycapitals
+ DrawCitys
+\fi
+end}%
+\end@ClosedObj
+}}
+%
+%
+\catcode`\@=\PstAtCode\relax
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-gr3d/Changes b/Master/texmf-dist/doc/generic/pst-gr3d/Changes
new file mode 100644
index 00000000000..5a42573c530
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-gr3d/Changes
@@ -0,0 +1,12 @@
+pst-gr3d.tex --------
+1.34 2005/09/12 - using the extended pst-xkey instead of the
+ old pst-key package (hv)
+1.33 2005/01/14 - (hv) fixed introduced bug
+1.32 2005/01/13 - (hv) new package wrapper for pst-gr3d.tex
+1.31 2004/06/23 - (hv) delete the PstDebug option and use the one
+ the one from pstricks, to prevent a clash with
+ pst-fill
+1.3 2001/02/19 - (dg) Changed conventions for units and updates
+ in the example macros and the examples.
+1.2 1998/09/16 - (dg) Standard packaging (.ins + .dtx files).
+1.1 1998/03/27 - (dg) First public release.
diff --git a/Master/texmf-dist/doc/generic/pst-gr3d/README b/Master/texmf-dist/doc/generic/pst-gr3d/README
new file mode 100644
index 00000000000..facc553ef21
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-gr3d/README
@@ -0,0 +1,19 @@
+ -------------------------------------------
+ | pst-gr3d: PSTricks package for 3d grids |
+ | |
+ | Version 1.34 (2005-09-12) |
+ | |
+ | Denis Girou <Denis.Girou@idris.fr> |
+ -------------------------------------------
+
+ * Run "tex" on pst-gr3d.ins and copy pst-gr3d.tex and pst-gr3d.sty
+in one of your TeX input directories
+
+ * Run "latex" on pst-gr3d.dtx to generate the documentation
+
+ * The 1.3x versions have an incompatility with the previous ones
+(the coordinates used are now as the PSTricks ones, and must not be
+increased by one as in the previous versions)
+
+--
+Denis Girou and Herbert Voss \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-gr3d/pst-gr3d.pdf b/Master/texmf-dist/doc/generic/pst-gr3d/pst-gr3d.pdf
new file mode 100644
index 00000000000..6d6e4f2ec20
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-gr3d/pst-gr3d.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-infixplot/README b/Master/texmf-dist/doc/generic/pst-infixplot/README
new file mode 100644
index 00000000000..4074d933719
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-infixplot/README
@@ -0,0 +1,5 @@
+Plotting functions with pst-plot is very powerful but sometimes difficult
+to learn since the syntax of \psplot and \parametricplot requires some
+PostScript knowledge. What infix-RPN and pst-infixplot styles intend to
+do is to simplify the usage of pst-plot for the beginner, providing macro
+commands that convert natural mathematical expressions to PS syntax.
diff --git a/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.sty b/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.sty
new file mode 100644
index 00000000000..e7553e8db8b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.sty
@@ -0,0 +1,3 @@
+\ProvidesPackage{infix-RPN}[2004/02/25 package wrapper for infix-RPN.tex]
+\input infix-RPN.tex
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.tex b/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.tex
new file mode 100644
index 00000000000..d9ef93a816a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-infixplot/infix-RPN.tex
@@ -0,0 +1,524 @@
+%%
+%% This is file `infix-RPN.tex',
+%%
+%% IMPORTANT NOTICE:
+%%
+%% Package `infix-RPN.tex'
+%%
+%% Main code:
+%% Jean-Cme Charpentier <jean-come.charpentier@wanadoo.fr>
+%%
+%% Contributions by
+%% Christophe Jorssen <christophe.jorssen@libre.fr.invalid>
+%% `libre' is the french word for `free' :-)
+%%
+%% This program can be redistributed and/or modified under the terms
+%% of the LaTeX Project Public License Distributed from CTAN archives
+%% in directory CTAN:/macros/latex/base/lppl.txt.
+%%
+%% DESCRIPTION:
+%% `infix-RPN' is a package to convert infix expressions to
+%% Reverse Polish Notation
+%%
+%%
+\def\RCS$#1: #2 ${\expandafter\def\csname RCS#1\endcsname{#2}}
+\RCS$Revision: 1.7 $
+\RCS$Date: 2004-07-06 23:41:52+02 $
+
+\def\fileversion{0.1}
+\csname infixRPNLoaded\endcsname
+\let\infixRPNLoaded\endinput
+\message{`infix-RPN' v\fileversion\space (Rev \RCSRevision, \RCSDate), J.-C.Charpentier/C.Jorssen}
+
+\edef\opAtCode{\the\catcode`\@}
+\edef\opHatCode{\the\catcode`\^}
+\edef\opUnderscoreCode{\the\catcode`\_}
+\catcode`\@=11\relax
+\catcode`\^=12\relax
+\catcode`\_=11\relax
+
+\def\s@pow{exp}
+\def\s@lpar{(}
+\def\s@rpar{)}
+\def\s@comma{,}
+
+\def\DeclareNewPSOperator{%
+ \bgroup
+ \catcode`\_=11\relax
+ \DeclareNewPSOperator@i
+}
+
+\def\DeclareNewPSOperator@i#1{%
+ \expandafter\ifx\csname PS@operator@list\endcsname\relax
+ \gdef\PS@operator@list{#1}%
+ \else
+ \xdef\PS@operator@list{#1,\PS@operator@list}%
+ \fi
+ \expandafter\gdef\csname s@#1\endcsname{#1}%
+ \egroup
+}
+
+\DeclareNewPSOperator{add}
+\DeclareNewPSOperator{sub}
+\DeclareNewPSOperator{mul}
+\DeclareNewPSOperator{div}
+\DeclareNewPSOperator{exp}
+\DeclareNewPSOperator{abs}
+\DeclareNewPSOperator{sin}
+\DeclareNewPSOperator{cos}
+\DeclareNewPSOperator{atan}
+\DeclareNewPSOperator{neg}
+\DeclareNewPSOperator{ceiling}
+\DeclareNewPSOperator{floor}
+\DeclareNewPSOperator{truncate}
+\DeclareNewPSOperator{sqrt}
+\DeclareNewPSOperator{ln}
+\DeclareNewPSOperator{log}
+
+
+\newcount\@parenthesis
+\newcount\token@cpt
+\newif\if@begin@token
+\newif\if@in@number
+\newif\if@in@decimal
+\newif\if@in@name
+\newif\if@sign
+\def\@tokencreate#1{%
+ \expandafter\xdef\csname op@token\the\token@cpt\endcsname{#1}%
+ \global\advance\token@cpt\@ne
+ \expandafter\global
+ \expandafter\let\csname op@token\the\token@cpt\endcsname\relax
+ \global\advance\token@cpt\m@ne
+}
+\def\@tokenappend#1{%
+ \expandafter\xdef\csname op@token\the\token@cpt\endcsname
+ {\csname op@token\the\token@cpt\endcsname#1}%
+}
+\def\@tokensingle#1{%
+ \edef\@arg{#1}%
+ \if@in@name
+ \global\advance\token@cpt\@ne
+ \@in@namefalse
+ \fi
+ \if@in@number
+ \global\advance\token@cpt\@ne
+ \@in@numberfalse
+ \@in@decimalfalse
+ \fi
+ \ifx\@arg\s@add
+ \if@sign
+ % ignore + sign
+ \global\advance\token@cpt\m@ne
+ \else
+ \@tokencreate{#1}%
+ \fi
+ \else\ifx\@arg\s@sub
+ \if@sign
+ \@tokencreate{\s@neg}%
+ \else
+ \@tokencreate{#1}%
+ \fi
+ \else
+ \@tokencreate{#1}%
+ \fi\fi
+ \global\advance\token@cpt\@ne
+}
+\def\@tokenuse#1{%
+ \expandafter\ifx\csname op@token#1\endcsname\s@comma%
+ \else
+ \xdef\RPN{\RPN\space\csname op@token#1\endcsname}%
+ \fi
+}
+
+\let\endscanline\relax
+\def\scan@line{%
+ \begingroup
+ \catcode`\ =12
+ \@parenthesis=\z@
+ \@in@numberfalse
+ \@in@decimalfalse
+ \@in@namefalse
+ \global\token@cpt=\@ne
+ \global\@signfalse
+ \scan@@line
+}
+\def\scan@@line#1{\scan@@@line#1\endscanline\endgroup}
+\def\scan@@@line#1#2\endscanline{%
+ \op@testchar{#1}%
+ \ifop@isdigit
+ \global\@signfalse
+ \if@in@number
+ \@tokenappend{#1}%
+ \else \if@in@name
+ \@in@namefalse
+ \@in@numbertrue
+% \global\advance\token@cpt\@ne
+% \@tokencreate{#1}%
+ \@tokenappend{#1}%
+ \else
+ \@in@numbertrue
+ \@tokencreate{#1}%
+ \fi\fi
+ \fi
+ \ifop@isplus
+ \@tokensingle{\s@add}%
+ \global\@signtrue
+ \fi
+ \ifop@isminus
+ \@tokensingle{\s@sub}%
+ \global\@signtrue
+ \fi
+ \ifop@ismultiply
+ \@tokensingle{\s@mul}%
+ \global\@signtrue
+ \fi
+ \ifop@isdivide
+ \@tokensingle{\s@div}%
+ \global\@signtrue
+ \fi
+ \ifop@ispower
+ \@tokensingle{\s@pow}%
+ \global\@signtrue
+ \fi
+ \ifop@isdecimalsep
+ \global\@signfalse
+ \if@in@decimal
+ \errmessage{Syntax error: number with multiple separators!}%
+ \else \if@in@number
+ \@in@decimaltrue
+ \@tokenappend{.}%
+ \else
+ \@tokencreate{.}%
+ \@in@numbertrue
+ \@in@decimaltrue
+ \fi\fi
+ \fi
+ \ifop@iscomma
+ \@tokensingle{,}%
+ \global\@signtrue
+ \fi
+ \ifop@islparenthesis
+ \@tokensingle{(}%
+ \global\@signtrue
+ \fi
+ \ifop@isrparenthesis
+ \global\@signfalse
+ \@tokensingle{)}%
+ \fi
+ \ifop@isspace
+% \if@in@number
+% \@in@numberfalse
+% \@in@decimalfalse
+% \global\advance\token@cpt\@ne
+% \else \if@in@name
+% \@in@namefalse
+% \global\advance\token@cpt\@ne
+% \fi\fi
+ \fi
+ \ifop@isother
+ \global\@signfalse
+ \if@in@name
+ \@tokenappend{#1}%
+ \else \if@in@number
+ \@in@numberfalse
+ \@in@decimalfalse
+ \@in@nametrue
+% \global\advance\token@cpt\@ne
+% \@tokencreate{#1}%
+ \@tokenappend{#1}%
+% \errmessage{Syntax error: an operator is missing! You can NOT use implicit operation.}%
+ \else
+ \@in@nametrue
+ \@tokencreate{#1}%
+ \fi\fi
+ \fi
+ \def\arg{#2}%
+ \ifx\empty\arg
+ \let\next\relax
+ \else
+ \let\next\scan@@@line
+ \fi
+ \expandafter\next\arg\endscanline
+}
+\count255=`\0 \edef\op@numbegin{\the\count255}
+\count255=`\9 \edef\op@numend{\the\count255}
+\count255=`\+ \edef\op@plus{\the\count255}
+\count255=`\- \edef\op@minus{\the\count255}
+\count255=`\* \edef\op@multiply{\the\count255}
+\count255=`\/ \edef\op@divide{\the\count255}
+\count255=`\^ \edef\op@power{\the\count255}
+\count255=`\. \edef\op@dot{\the\count255}
+\count255=`\, \edef\op@comma{\the\count255}
+\count255=`\( \edef\op@lparenthesis{\the\count255}
+\count255=`\) \edef\op@rparenthesis{\the\count255}
+\edef\op@space{32}
+\newif\ifop@isdigit
+\newif\ifop@isplus
+\newif\ifop@isminus
+\newif\ifop@ismultiply
+\newif\ifop@isdivide
+\newif\ifop@ispower
+\newif\ifop@isdecimalsep
+\newif\ifop@iscomma
+\newif\ifop@islparenthesis
+\newif\ifop@isrparenthesis
+\newif\ifop@isspace
+\newif\ifop@isother
+\def\op@testchar#1{%
+ \op@isdigitfalse
+ \op@isplusfalse
+ \op@isminusfalse
+ \op@ismultiplyfalse
+ \op@isdividefalse
+ \op@ispowerfalse
+ \op@isdecimalsepfalse
+ \op@iscommafalse
+ \op@islparenthesisfalse
+ \op@isrparenthesisfalse
+ \op@isspacefalse
+ \op@isotherfalse
+ \count255=`#1\relax
+ \ifnum\count255=\op@plus \relax
+ \op@isplustrue
+ \else \ifnum\count255=\op@minus \relax
+ \op@isminustrue
+ \else \ifnum\count255=\op@multiply \relax
+ \op@ismultiplytrue
+ \else \ifnum\count255=\op@divide \relax
+ \op@isdividetrue
+ \else \ifnum\count255=\op@power \relax
+ \op@ispowertrue
+ \else \ifnum\count255=\op@dot \relax
+ \op@isdecimalseptrue
+ \else \ifnum\count255=\op@comma \relax
+ \op@iscommatrue
+ \else \ifnum\count255=\op@lparenthesis \relax
+ \op@islparenthesistrue
+ \else \ifnum\count255=\op@rparenthesis \relax
+ \op@isrparenthesistrue
+ \else \ifnum\count255=\op@space \relax
+ \op@isspacetrue
+ \else \ifnum\count255<\op@numbegin \relax
+ \op@isothertrue
+ \else \ifnum\count255>\op@numend \relax
+ \op@isothertrue
+ \else \op@isdigittrue
+ \fi\fi\fi\fi\fi\fi\fi\fi\fi\fi\fi\fi
+}
+
+\def\search@term#1#2{%
+ \begingroup
+ \count1=#1\relax
+ \count255=#2\relax
+ \ifnum\count1=\count255
+ \@tokenuse{#1}%
+ \else
+ \count5=\count255
+ \count7=\count1
+ \advance\count7\m@ne
+ \count3=\z@
+ \loop
+ \ifnum\count5>\count7
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@rpar\relax
+ \advance\@parenthesis\@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@lpar\relax
+ \advance\@parenthesis\m@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@add\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@sub\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@comma\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \advance\count5\m@ne
+ \repeat
+ \ifnum\count3=\z@
+ \ifnum\@parenthesis=\z@
+ \search@factor{\the\count1}{\the\count255}%
+ \else
+ \errmessage{Syntax error: unbalanced parenthesis!}%
+ \fi
+ \else
+ \advance\count3\m@ne
+ \search@term{\the\count1}{\the\count3}%
+ \advance\count3\tw@
+ \search@term{\the\count3}{\the\count255}%
+ \advance\count3\m@ne
+ \@tokenuse{\the\count3}%
+ \fi
+ \fi
+ \endgroup
+}
+\def\search@factor#1#2{%
+ \begingroup
+ \count1=#1\relax
+ \count255=#2\relax
+ \ifnum\count1=\count255
+ \@tokenuse{\the\count1}%
+ \else
+ \count5=\count255
+ \count7=\count1
+ \advance\count7\m@ne
+ \count3=\z@
+ \loop
+ \ifnum\count5>\count7
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@rpar\relax
+ \advance\@parenthesis\@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@lpar\relax
+ \advance\@parenthesis\m@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@mul\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@div\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \advance\count5\m@ne
+ \repeat
+ \ifnum\count3=\z@
+ \ifnum\@parenthesis=\z@
+ \search@power{\the\count1}{\the\count255}%
+ \else
+ \errmessage{! Syntax error: unbalanced parenthesis}%
+ \fi
+ \else
+ \advance\count3\m@ne
+ \search@factor{\the\count1}{\the\count3}%
+ \advance\count3\tw@
+ \search@factor{\the\count3}{\the\count255}%
+ \advance\count3\m@ne
+ \@tokenuse{\the\count3}%
+ \fi
+ \fi
+ \endgroup
+}
+\def\search@power#1#2{%
+ \begingroup
+ \count1=#1\relax
+ \count255=#2\relax
+ \ifnum\count1=\count255
+ \@tokenuse{#1}%
+ \else
+ \count5=\count255
+ \count7=\count1
+ \advance\count7\m@ne
+ \count3=\z@
+ \loop
+ \ifnum\count5>\count7
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@rpar\relax
+ \advance\@parenthesis\@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@lpar\relax
+ \advance\@parenthesis\m@ne
+ \fi
+ \expandafter\ifx\csname op@token\the\count5\endcsname\s@pow\relax
+ \ifnum\@parenthesis=\z@
+ \count3=\count5
+ \count5=\z@
+ \fi
+ \fi
+ \advance\count5\m@ne
+ \repeat
+ \ifnum\count3=\z@
+ \ifnum\@parenthesis=\z@
+ \search@primary{\the\count1}{\the\count255}%
+ \else
+ \errmessage{! Syntax error: unbalanced parenthesis}%
+ \fi
+ \else
+ \advance\count3\m@ne
+ \search@power{\the\count1}{\the\count3}%
+ \advance\count3\tw@
+ \search@power{\the\count3}{\the\count255}%
+ \advance\count3\m@ne
+ \@tokenuse{\the\count3}%
+ \fi
+ \fi
+ \endgroup
+}
+\def\search@primary#1#2{%
+ \begingroup
+ \count1=#1\relax
+ \count255=#2\relax
+ \ifnum\count1=\count255
+ \@tokenuse{#1}%
+ \else
+ \edef\current@cnt{#1}%
+ \expandafter\compare@PS@operator\PS@operator@list,\@nil
+ \expandafter\ifx\csname op@token#1\endcsname\s@lpar\relax
+ \expandafter\ifx\csname op@token#2\endcsname\s@rpar\relax
+ \advance\count1\@ne
+ \advance\count255\m@ne
+ \search@term{\the\count1}{\the\count255}%
+ \else
+ \errmessage{Syntax error: Garbage after parenthesis
+ (tokens '#1' to '#2')}%
+ \fi
+ \fi
+ \fi
+ \endgroup
+}
+
+\let\@nil\relax
+
+\def\compare@PS@operator#1,#2\@nil{%
+ \def\@tempa{#1}%
+ \def\@tempb{#2}%
+ \expandafter\ifx\csname op@token\current@cnt\endcsname\@tempa%
+ \advance\count1\@ne
+ \search@primary{\the\count1}{\the\count255}%
+ \advance\count1\m@ne
+ \@tokenuse{\the\count1}%
+ \fi
+ \ifx\@tempb\empty
+ \let\next\relax
+ \let\@tempb\relax
+ \else
+ \let\next\compare@PS@operator
+ \fi
+ \expandafter\next\@tempb\@nil
+}
+
+
+\def\infixtoRPN{%
+ \begingroup
+ \catcode`\ =12
+ \catcode`\^=12
+ \catcode`\_=11
+ \infixt@RPN
+}
+\def\infixt@RPN#1{%
+ \xdef\@expression{#1}%
+ \endgroup
+ \def\RPN{}%
+ \expandafter\scan@line\expandafter{\@expression}%
+ \expandafter\ifx\csname op@token\the\token@cpt\endcsname\relax
+ \advance\token@cpt\m@ne
+ \fi
+ \search@term{1}{\the\token@cpt}%
+}
+
+\catcode`\@=\opAtCode\relax
+\catcode`\^=\opHatCode\relax
+\catcode`\_=\opUnderscoreCode\relax
+\endinput
diff --git a/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot-doc.tex b/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot-doc.tex
new file mode 100644
index 00000000000..022ec07f0dc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot-doc.tex
@@ -0,0 +1,216 @@
+\documentclass{article}
+
+\usepackage[T1]{fontenc}
+\usepackage[ansinew]{inputenc}
+
+\usepackage[a4paper,dvips,margin=1.5cm,includeheadfoot]{geometry}
+
+\usepackage{pst-infixplot,fancyhdr}
+
+\usepackage[pstricks,baw]{fvrb-ex}
+
+\makeatletter
+\renewcommand{\Begin@Example}{%
+\parindent=0pt
+\multiply\topsep by 2 \VerbatimEnvironment
+\begin{VerbatimOut}[codes={\catcode`\=12\catcode`\?=12\catcode`\&=12%
+ \catcode`\"=12}]{\jobname.tmp}}
+
+\renewcommand{\Below@Example}[1]{%
+\VerbatimInput[gobble=0,commentchar=,commandchars=?&",numbersep=3pt]%
+ {\jobname.tmp}
+\catcode`\=9\relax%
+\NoHighlight@Attributes % To suppress possible highlighting
+\ifFvrbEx@Grid\vspace{5pt}\fi
+#1%
+\ifFvrbEx@Grid\vspace{5pt}\fi
+\par}
+
+\renewcommand{\SideBySide@Example}[1]{%
+\@tempdimb=\FV@XRightMargin \advance\@tempdimb -5mm
+\begin{minipage}[c]{\@tempdimb}
+ \fvset{xrightmargin=0pt}
+ \catcode`\=9\relax%
+ \NoHighlight@Attributes % To suppress possible highlighting
+ #1
+\end{minipage}%
+\@tempdimb=\textwidth \advance\@tempdimb -\FV@XRightMargin \advance\@tempdimb 5mm
+\begin{minipage}[c]{\@tempdimb}
+ \VerbatimInput[gobble=0,commentchar=,commandchars=?&",numbersep=3pt,
+ xleftmargin=5mm,xrightmargin=0pt]{\jobname.tmp}
+\end{minipage}}
+% The \NoHighlight@Attributes from `hbaw' and `hcolors' packages
+% must be modified too
+\def\NoHighlight@Attributes{%
+\catcode`\?=0\relax%
+\catcode`\&=1\relax%
+\catcode`\"=2\relax%
+\def\HLa##1{##1}%
+\def\HLb##1{##1}%
+\def\HLc##1{##1}%
+\def\HLd##1{##1}%
+\def\HLe##1{##1}%
+\def\HLf##1{##1}%
+\def\HLBFa##1{##1}%
+\def\HLBFb##1{##1}%
+\def\HLBFc##1{##1}%
+\def\HLBFd##1{##1}%
+\def\HLBFe##1{##1}%
+\def\HLBFf##1{##1}%
+\def\HLITa##1{##1}%
+\def\HLITb##1{##1}%
+\def\HLITc##1{##1}%
+\def\HLITd##1{##1}%
+\def\HLITe##1{##1}%
+\def\HLITf##1{##1}%
+\def\HLCBBa##1{##1}%
+\def\HLCBBb##1{##1}%
+\def\HLCBBc##1{##1}%
+\def\HLCBBd##1{##1}%
+\def\HLCBBe##1{##1}%
+\def\HLCBBf##1{##1}%
+\def\HLCBBz##1{##1}%
+\def\HLCBWa##1{##1}%
+\def\HLCBWb##1{##1}%
+\def\HLCBWc##1{##1}%
+\def\HLCBWd##1{##1}%
+\def\HLCBWe##1{##1}%
+\def\HLCBWf##1{##1}%
+\def\HLCBWz##1{##1}%
+}
+
+\makeatother
+
+\fvset{numbers=none,frame=single,labelposition=topline,gobble=2}
+
+\DefineShortVerb{\|}
+
+\newcommand{\pstInfixplotPackage}{\textbf{`pst-infixplot'}}
+\newcommand{\InfixRPNPackage}{\textbf{`infix-RPN'}}
+
+\lhead{\InfixRPNPackage{} -- \pstInfixplotPackage}\rhead{From infix expressions to Reverse Polish
+Notation} \pagestyle{fancy}
+
+\begin{document}
+\VerbatimFootnotes
+
+\title{\InfixRPNPackage{} -- \pstInfixplotPackage \\ \normalsize ver. 0.1}
+\author{%
+ Jean-Cme \textsc{Charpentier} \texttt{<jean-cme.charpentier@wanadoo.fr>}\\
+ Christophe \textsc{Jorssen} \texttt{<christophe.jorssen@libre.fr.invalid>}\\
+ \footnotesize `libre' is the french word for `free'
+}
+\date{2004/07/14}
+\maketitle
+
+\begin{abstract}
+Plotting functions with \texttt{pst-plot} is very powerful but sometimes difficult to learn since
+the syntax of |\psplot| and |\parametricplot| requires some PostScript knowledge. What
+\InfixRPNPackage{} and \pstInfixplotPackage{} intend to do is to simplify the usage of
+\texttt{pst-plot} for the beginner, providing macro commands that convert natural mathematical
+expressions to PS syntax.
+\end{abstract}
+
+\section{Basic examples: usage of \InfixRPNPackage}
+
+|\usepackage{infix-RPN}| for \LaTeX{} users or |\input infix-RPN.tex| for \TeX{} users gives access
+to three macros: |\infixtoRPN|, |\RPN| and |\DeclareNewPSOperator|.
+
+The macro |\infixtoRPN| takes an infix expression as argument and converts it to Reverse Polish
+Notation. The result of the conversion is put in the macro |\RPN|.
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ ?HLCBWz&\infixtoRPN"{2+3-4*x}?HLCBWz&\RPN"
+
+ \infixtoRPN{log(-x)}\RPN
+
+ \infixtoRPN{2*sin(x/y)}\RPN
+\end{SideBySideExample}
+
+\bigskip\bigskip
+
+Multiple signs are OK:
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \infixtoRPN{3?HLCBWz&+-+--"0.5}\RPN
+\end{SideBySideExample}
+
+\bigskip\bigskip
+
+For operators that require more than one argument, arguments must be separated with commas:
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \infixtoRPN{atan(x?HLCBWz&,"y)}\RPN
+\end{SideBySideExample}
+
+\bigskip\bigskip
+
+There is a difference between variables and operators. There are 11 pre-defined
+operators\footnote{Actually, there are five more operators defined : \texttt{add}, \texttt{sub},
+\texttt{mul}, \texttt{div} and \texttt{exp}. Those ones should \emph{not} be used direclty. Use
+|+|, |-|, |*|, |/| and |^| instead, which is, by the way, the main interest of using infix
+notation.}$^{,}$\footnote{If you use \texttt{pst-math} with \texttt{infix-RPN}, PS operators added
+by \texttt{pst-math} are declared by |\DeclareNewPSOperator| and are therefore directly accessible
+in any infix expression.} which are basically those of PostScript: \texttt{abs}, \texttt{sin},
+\texttt{cos}, \texttt{atan}, \texttt{neg}, \texttt{ceiling}, \texttt{floor}, \texttt{truncate},
+\texttt{sqrt}, \texttt{ln}, \texttt{log}. You can define more operators with the
+|\DeclareNewPSOperator| macro:
+
+\begin{SideBySideExample}[xrightmargin=6cm,label={Div is a PS operator defined by pstricks}]
+ ?HLCBWz&\DeclareNewPSOperator"{Div}
+ \infixtoRPN{Div(x,y)}\RPN
+\end{SideBySideExample}
+
+\section{Plot examples with \InfixRPNPackage}
+
+\begin{PSideBySideExample}[xrightmargin=10.5cm](0,-2)(10,3)
+ \psset{plotpoints=1000}
+ \psaxes{->}(0,0)(0,-2)(10,3)
+ \infixtoRPN{sqrt(x)}
+ \psplot[linecolor=green]{0}{10}{\RPN}
+ \infixtoRPN{x^0.4}
+ \psplot[linecolor=red]{0}{10}{\RPN}
+ \infixtoRPN{sin(-x*180/3.1415)}
+ \psplot[linecolor=blue]{0}{10}{\RPN}
+\end{PSideBySideExample}
+
+\section{Plot examples with \pstInfixplotPackage}
+
+If you don't want the limitation of having to invoke two macro calls (namely |\infixtoRPN| and
+|\RPN|) for plotting, then use the \pstInfixplotPackage{} package! \LaTeX{} users should type
+|\usepackage{pst-infixplot}| in the preamble when \TeX{} users should type %
+|\input pst-infixplot.tex|.
+
+\pstInfixplotPackage{} automatically loads \texttt{pstricks}, \texttt{pst-plot} and
+\texttt{infix-RPN}. \pstInfixplotPackage{} defines two macro commands: |\psPlot| and
+|\parametricPlot|.
+
+The syntax of |\psPlot| is:
+\texttt{\char`\\psPlot[\textit{<parameters>}]\{\textit{x\_begin}\}\{\textit{x\_end}\}\{\textit{infix\_expression}\}}
+where the optional \texttt{\textit{parameters}} are any pstricks valid parameter.
+
+\begin{PSideBySideExample}[xrightmargin=7.5cm](0,-2)(7,3)
+ \psset{plotpoints=1000}
+ \psaxes{->}(0,0)(0,-2)(7,3)
+ ?HLCBWz&\psPlot"[linecolor=green]{0}{7}{sqrt(x)}
+ \psPlot[linecolor=red]{0}{7}{x^0.4}
+ \psPlot[linecolor=blue]{0}{7}{sin(-x*180/3.1415)}
+ \psplot{0}{7}{x neg 180 mul 3.1415 div cos}
+\end{PSideBySideExample}
+
+The syntax of |\parametricPlot| is:
+
+\texttt{\char`\\parametricPlot[\textit{<parameters>}]\{\textit{x\_begin}\}\{\textit{x\_end}\}\{\textit{infix\_x\_expression}\}%
+\{\textit{infix\_y\_expression}\}} where the optional \texttt{\textit{parameters}} are any pstricks
+valid parameter.
+
+\begin{PSideBySideExample}[xrightmargin=4cm](0,-2)(3.8,3)
+ \psset{plotpoints=1000}
+ \psaxes{->}(0,0)(0,-2)(3.8,3)
+ ?HLCBWz&\parametricPlot"[linecolor=red]{-30}{70}{3.5*cos(t)}{2.3*sqrt(abs(sin(t)))}
+ \parametricPlot[linecolor=green]{-30}{60}{4*sqrt(abs(floor(t)))/10}{t/20}
+ \parametricplot{-30}{60}{2 t cos mul 3 t sin mul}
+\end{PSideBySideExample}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot.pdf b/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot.pdf
new file mode 100644
index 00000000000..b655aed1d2f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-infixplot/pst-infixplot.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-jftree/pst-jftree-doc.pdf b/Master/texmf-dist/doc/generic/pst-jftree/pst-jftree-doc.pdf
new file mode 100644
index 00000000000..19efbf18271
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-jftree/pst-jftree-doc.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-lens/Changes b/Master/texmf-dist/doc/generic/pst-lens/Changes
new file mode 100644
index 00000000000..660e3d9dcfe
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-lens/Changes
@@ -0,0 +1,2 @@
+1.01 2005-09-03 use of the extended pst-xkey instead of pst-key (hv)
+1.00 2001-02-19 first CTAN version
diff --git a/Master/texmf-dist/doc/generic/pst-lens/README b/Master/texmf-dist/doc/generic/pst-lens/README
new file mode 100644
index 00000000000..0366e9e0e03
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-lens/README
@@ -0,0 +1,21 @@
+<pre>
+ ---------------------------------------
+ | pst-lens: PSTricks package for lens |
+ | |
+ | Denis Girou <Denis.Girou@idris.fr> |
+ | Manuel Luque <Mluque5130@aol.com> |
+ ---------------------------------------
+
+ * Run "(la)tex" on pst-lens.ins to create pst-lens.sty|tex
+ * Copy pst-lens.tex and pst-lens.sty in one of your TeX input directories
+
+To generate the documentaion run:
+
+ * (la)tex pst-lens.dtx
+ * makeindex -s gind.ist pst-lens.idx
+ * makeindex -s gglo.ist -o pst-lens.gls pst-lens.glo
+ * (la)tex pst-lens.dtx
+
+--
+Denis Girou and Manuel Luque and hv
+</pre> \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-lens/pst-lens.pdf b/Master/texmf-dist/doc/generic/pst-lens/pst-lens.pdf
new file mode 100644
index 00000000000..a37059ed61a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-lens/pst-lens.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-light3d/README b/Master/texmf-dist/doc/generic/pst-light3d/README
new file mode 100644
index 00000000000..052428fa28e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-light3d/README
@@ -0,0 +1,29 @@
+%% Package `pst-light3d.tex'
+%%
+This version of pst-light3d needs the xkeyval package. Get it
+from CTAN if it is not part of your local TeX installation.
+
+Save the files
+
+pst-light3d.sty TEXMF/tex/latex/pstricks/
+pst-light3d.tex TEXMF/tex/generic/pstricks/
+pst-light3d.pro TEXMF/dvips/pstricks/
+
+in any place, where latex or any other TeX program will find it.
+If you like to get the documentation file in another format run
+
+latex pst-light3d-doc
+latex pst-light3d-doc
+dvips pst-light3d-doc
+
+to get a PostScript file. But pay attention, that the pst-light3d
+files are saved in the above mentioned way, before you run
+latex on the documentation file.
+
+The intermediate DVI file works only with viewers which can
+interprete the embedded PostScript code.
+
+For another PDF output read the Introduction from
+the documentation.
+
+hv, 2004-09-29
diff --git a/Master/texmf-dist/doc/generic/pst-light3d/Version-0.11 b/Master/texmf-dist/doc/generic/pst-light3d/Version-0.11
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-light3d/Version-0.11
diff --git a/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.pdf b/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.pdf
new file mode 100644
index 00000000000..b2348267515
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.pdf
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diff --git a/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.tex b/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.tex
new file mode 100644
index 00000000000..2393f159be4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-light3d/pst-light3d-doc.tex
@@ -0,0 +1,180 @@
+\documentclass[12pt,a4paper]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+\usepackage{lmodern}
+\usepackage{fancyvrb}
+\usepackage{multido}
+\usepackage{pstricks}
+\usepackage{pst-grad}
+\usepackage{pst-light3d}
+\let\pstlightVersion\FileVersion
+%
+\usepackage{pst-plot}
+\usepackage{pst-tree}
+\usepackage{pst-example}
+\usepackage{url}
+\def\PstLightThreeDPackage{\texttt{pst-light3d}}
+\definecolor{DarkGreen}{cmyk}{1,0,1,0.8}
+\definecolor{LightGreen}{cmyk}{1,0,1,0.2}
+\definecolor{Gold}{rgb}{1,0.84,0}
+\definecolor{Violet}{cmyk}{0.79,0.88,0,0}
+\hbadness=7000 % Over and under full box warnings
+\hfuzz=3pt
+\errorcontextlines100
+
+\newenvironment{optlist}{\begin{description}%
+ \renewcommand\makelabel[1]{%
+ \descriptionlabel{\mdseries\textsf{##1}}}%
+ \itemsep0.25\itemsep}%
+ {\end{description}}
+%
+\def\cs#1{\texttt{#1}}
+ \title{The \PstLightThreeDPackage{} package\\
+ {\footnotesize version \pstlightVersion}\\
+ A PSTricks package for three dimensional\\
+ lighten effect on characters and PSTricks graphics\thanks{%
+Documentation revised by Herbert Vo}}
+ \author{Denis \textsc{Girou}
+ and Peter \textsc{Kleiweg} }
+ \date{\today}
+
+\begin{document}
+%
+ \maketitle
+%
+ \begin{abstract}
+ This package allow to add a three dimensional lighten
+ effect on characters (PostScript fonts), using the
+ \cs{PstLightThreeDText} macro, and curves (opened or closed),
+ using the \cs{PstLightThreeDGraphic} macro, with various customization parameters.
+ \end{abstract}
+%
+\tableofcontents
+
+\clearpage
+\section{Examples}
+
+\begin{Beispiel}[colwidth=5.5cm]
+\DeclareFixedFont{\Bf}{T1}{ptm}{b}{n}{3cm}
+\PstLightThreeDText[fillstyle=solid,fillcolor=white]{\Bf Test}
+\end{Beispiel}
+
+
+\begin{Beispiel}[colwidth=5.5cm]
+\DeclareFixedFont{\Bf}{T1}{ptm}{b}{n}{3cm}
+\PstLightThreeDText[linestyle=none,fillstyle=solid, fillcolor=darkgray]{\Bf Test}
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=5.5cm]
+\psset{linestyle=none,fillstyle=solid,fillcolor=LightGreen}%
+\PstLightThreeDText[LightThreeDAngle=0]{\Bf Test}\\[0.5cm]
+\PstLightThreeDText[LightThreeDAngle=90]{\Bf Test}
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=5.5cm]
+\psset{linestyle=none,fillstyle=solid,fillcolor=magenta,}%
+\PstLightThreeDText[LightThreeDXLength=0.5, LightThreeDYLength=-1]{\Bf Test}\\[1cm]
+\PstLightThreeDText[LightThreeDXLength=-1, LightThreeDYLength=0.5]{\Bf Test}
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=5.5cm]
+\DeclareFixedFont{\Sf}{T1}{phv}{b}{n}{3cm}
+\psset{linestyle=none,fillstyle=solid,fillcolor=cyan}%
+\PstLightThreeDText[LightThreeDColorPsCommand=1.2 div setgray]{\Sf 123}\\[1cm]
+\PstLightThreeDText[LightThreeDColorPsCommand=2.5 div setgray]{\Sf 123}
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=5.5cm]
+\DeclareFixedFont{\Rm}{T1}{ptm}{m}{n}{3cm}
+\psset{linestyle=none,fillstyle=solid}%
+\PstLightThreeDText[fillcolor=Violet, LightThreeDColorPsCommand=%
+ 2.5 div 0.7 exch 0.8 sethsbcolor]{\Rm 987}\\[1cm]
+\PstLightThreeDText[fillcolor=DarkGreen, LightThreeDColorPsCommand=%
+ 2 div 0.5 exch 0.2 exch sethsbcolor]{\Rm 987}
+\end{Beispiel}
+
+\begin{Beispiel}
+\DeclareFixedFont{\Rmb}{T1}{ptm}{m}{n}{4cm}
+\PstLightThreeDText[linestyle=none,fillstyle=solid,fillcolor=Gold, LightThreeDColorPsCommand=%
+ 1.2 div 0.15 exch 0.7 exch sethsbcolor]{\Rmb PSTricks}
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=4cm]
+\psset{unit=0.5cm,linestyle=solid,fillstyle=none}%
+\pspicture(-0.1,-3.5)(7.2,3)
+\PstLightThreeDGraphic[LightThreeDXLength=0.4, LightThreeDColorPsCommand=%
+ 1.2 div 0.15 exch 0.7 exch sethsbcolor]{%
+ \pscurve(0,2)(1,-3)(2,2)(4,3)(7,0)}
+\endpspicture
+\end{Beispiel}
+
+
+\begin{Beispiel}[colwidth=4cm]
+\psset{unit=0.5cm,linestyle=solid,fillstyle=none}%
+\pspicture(0,-3.5)(7.7,3)
+\PstLightThreeDGraphic[LightThreeDXLength=0.8, LightThreeDColorPsCommand=%
+ 2 div 0.35 exch 0.9 exch sethsbcolor]{\pspolygon(0,2)(1,-3)(2,0)(4,1)(6,1)(7,3)}
+\endpspicture
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=4cm]
+\psset{unit=0.5cm,linestyle=solid,fillstyle=none}%
+\pspicture(0.5,-3.6)(3.8,3)
+\PstLightThreeDGraphic[LightThreeDColorPsCommand=%
+ 2.6 div 0.12 exch 0.7 exch sethsbcolor]{\psellipse(2,0)(1.5,3)}
+\endpspicture
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=4cm]
+\SpecialCoor
+\def\PstCoordinates{}%
+\Multido{\nDistance=0.00+0.02,\iAngle=0+20}{200}{%
+ \edef\PstCoordinates{\PstCoordinates(\nDistance;\iAngle)}}
+\psset{unit=0.5cm}%
+\pspicture(-3.8,-4)(4.1,3.7)
+\PstLightThreeDGraphic[LightThreeDLength=0.2, LightThreeDColorPsCommand=%
+ 1.2 div 0.3 exch 0.7 exch sethsbcolor]{\expandafter\pscurve\PstCoordinates}
+\endpspicture
+\end{Beispiel}
+
+\begin{Beispiel}[colwidth=4cm]
+\SpecialCoor
+\def\PstCoordinates{}%
+\Multido{\nDistance=0.00+0.02,\iAngle=0+20}{200}{%
+ \edef\PstCoordinates{\PstCoordinates(\nDistance;\iAngle)}}
+\psset{unit=0.5cm}%
+\pspicture(-3.8,-4)(4.1,3.7)
+\PstLightThreeDGraphic[LightThreeDLength=0.2, LightThreeDAngle=30,LightThreeDColorPsCommand=%
+ /Counter Counter 0.00005 add def 2 mul Counter exch 0.7 exch sethsbcolor]{%
+ \pstVerb{ /Counter 0 def }%
+ \expandafter\pscurve\PstCoordinates}
+\endpspicture
+\end{Beispiel}
+
+\begin{Beispiel}
+\PstLightThreeDGraphic[LightThreeDXLength=0.2, LightThreeDYLength=-0.2, LightThreeDColorPsCommand=%
+ 1.2 div 0.65 exch 0.9 sethsbcolor]{%
+ \large \let\TovalORIG\Toval \def\Toval#1{\TovalORIG{\raise2mm\hbox{\hskip2mm#1}}}%
+ \let\TtriORIG\Ttri \def\Ttri#1{\TtriORIG{\raise3mm\hbox{#1}}}%
+ \psset{framesep=0.15,fillstyle=gradient,gradmidpoint=0, gradbegin=cyan,gradend=blue}%
+ \pstree[treesep=0.5]{\Ttri{Jane}} {\psset{framesep=0.25}%
+ \pstree{\Toval{Marc}} {\Toval{Bob}\Toval{Ann}\Toval{Peter}}}}
+\end{Beispiel}
+
+\begin{Beispiel}
+\psset{xunit=8cm,yunit=3cm}%
+\pspicture(-0.45,-1.6)(1,1.3)%
+\psaxes[Dx=0.2,Oy=-1.2,Dy=0.2,tickstyle=top, axesstyle=frame](0,-1.2)(1,1.2)%
+\psset{plotpoints=500,LightThreeDXLength=0.3, LightThreeDYLength=-0.3}%
+\PstLightThreeDGraphic[LightThreeDColorPsCommand=1.5 div 0.05 exch 0.8 sethsbcolor]{%
+ \psplot{0}{0.95}{x 10 mul 57.296 mul sin}}%
+\PstLightThreeDGraphic[LightThreeDColorPsCommand=1.5 div 0.6 exch 0.8 sethsbcolor]{%
+ \psplot{0}{0.95}{x 40 mul 57.296 mul cos 2 div}}%
+\rput(-0.3,0.1){\textcolor{red}{$\sin (10 \times x)$}}%
+\rput(-0.3,-0.1){\textcolor{blue}{$\cos (40 \times x) / 2$}}%
+\rput(0.5,-1.5){$x$}%
+\endpspicture
+\end{Beispiel}
+%
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-math/README b/Master/texmf-dist/doc/generic/pst-math/README
new file mode 100644
index 00000000000..2ac88bb4551
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-math/README
@@ -0,0 +1,2 @@
+Material in this directory is an enhancement of postscript math operators
+to use with pstricks \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-math/pst-math-doc.tex b/Master/texmf-dist/doc/generic/pst-math/pst-math-doc.tex
new file mode 100644
index 00000000000..aa40adde20e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-math/pst-math-doc.tex
@@ -0,0 +1,415 @@
+\documentclass[fleqn,10pt]{article}
+
+\usepackage{multicol}
+\usepackage[a4paper,margin=1.5cm,includeheadfoot]{geometry}
+\usepackage{fancyhdr}
+\usepackage[baw,pstricks]{fvrb-ex}
+\usepackage{pst-infixplot,pst-math}
+\usepackage{amsmath,amssymb}
+\usepackage{pstcol}
+\makeatletter
+
+\renewcommand{\Begin@Example}{%
+\parindent=0pt
+\multiply\topsep by 2 \VerbatimEnvironment
+\begin{VerbatimOut}[codes={\catcode`\=12\catcode`\/=12\catcode`\&=12%
+ \catcode`\"=12}]{\jobname.tmp}}
+
+\renewcommand{\Below@Example}[1]{%
+\VerbatimInput[gobble=0,commentchar=,commandchars=/&",numbersep=3pt]%
+ {\jobname.tmp}
+\catcode`\=9\relax%
+\NoHighlight@Attributes % To suppress possible highlighting
+\ifFvrbEx@Grid\vspace{5pt}\fi
+#1%
+\ifFvrbEx@Grid\vspace{5pt}\fi
+\par}
+
+\renewcommand{\SideBySide@Example}[1]{%
+\@tempdimb=\FV@XRightMargin \advance\@tempdimb -5mm
+\begin{minipage}[c]{\@tempdimb}
+ \fvset{xrightmargin=0pt}
+ \catcode`\=9\relax%
+ \NoHighlight@Attributes % To suppress possible highlighting
+ #1
+\end{minipage}%
+\@tempdimb=\textwidth \advance\@tempdimb -\FV@XRightMargin \advance\@tempdimb 5mm
+\begin{minipage}[c]{\@tempdimb}
+ \VerbatimInput[gobble=0,commentchar=,commandchars=/&",numbersep=3pt,
+ xleftmargin=5mm,xrightmargin=0pt]{\jobname.tmp}
+\end{minipage}}
+
+% The \NoHighlight@Attributes from `hbaw' and `hcolors' packages
+% must be modified too
+\def\NoHighlight@Attributes{%
+\catcode`\/=0\relax%
+\catcode`\&=1\relax%
+\catcode`\"=2\relax%
+\def\HLa##1{##1}%
+\def\HLb##1{##1}%
+\def\HLc##1{##1}%
+\def\HLd##1{##1}%
+\def\HLe##1{##1}%
+\def\HLf##1{##1}%
+\def\HLBFa##1{##1}%
+\def\HLBFb##1{##1}%
+\def\HLBFc##1{##1}%
+\def\HLBFd##1{##1}%
+\def\HLBFe##1{##1}%
+\def\HLBFf##1{##1}%
+\def\HLITa##1{##1}%
+\def\HLITb##1{##1}%
+\def\HLITc##1{##1}%
+\def\HLITd##1{##1}%
+\def\HLITe##1{##1}%
+\def\HLITf##1{##1}%
+\def\HLCBBa##1{##1}%
+\def\HLCBBb##1{##1}%
+\def\HLCBBc##1{##1}%
+\def\HLCBBd##1{##1}%
+\def\HLCBBe##1{##1}%
+\def\HLCBBf##1{##1}%
+\def\HLCBBz##1{##1}%
+\def\HLCBWa##1{##1}%
+\def\HLCBWb##1{##1}%
+\def\HLCBWc##1{##1}%
+\def\HLCBWd##1{##1}%
+\def\HLCBWe##1{##1}%
+\def\HLCBWf##1{##1}%
+\def\HLCBWz##1{##1}%
+}
+
+\makeatother
+
+\fvset{numbers=none,frame=single,labelposition=topline,gobble=4}
+
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\newcommand{\MathPackage}{\textbf{`pst-math'}}
+
+\lhead{\MathPackage}\rhead{A PSTricks package for enhancing mathematical operators in PSTricks}
+\pagestyle{fancy}
+
+\psset{subgriddiv=1,griddots=10}%
+\showgrid
+
+\makeatletter
+
+\def\DefOfOperator{\@ifstar{\DefOfOperator@}{\DefOfOperator@@}}
+
+\def\DefOfOperator@#1#2#3#4{{\operator@font#1}:\left\{\begin{array}{ccc} #2&\to&#3\\
+x&\mapsto&#4\end{array}\right.}
+
+\def\DefOfOperator@@#1#2#3{{\operator@font#1}:\left\{\begin{array}{ccc} #2&\to&#3\\
+x&\mapsto&{\operator@font#1}(x)\end{array}\right.}
+
+\makeatother
+
+\begin{document}
+
+\title{\MathPackage\\ A PSTricks package for enhancing mathematical operators in PSTricks\\ \normalsize ver. 0.2}
+\author{Christophe \textsc{Jorssen} \texttt{<christophe.jorssen@libre.fr.invalid>}\\ \footnotesize `libre' is the french word for `free'}
+\date{04/07/14}
+\maketitle
+
+\setlength{\columnseprule}{0.6pt}
+\begin{multicols}{2}
+{\parskip 0pt \tableofcontents}
+\end{multicols}
+
+\section{Trigonometry}
+
+\MathPackage{} introduces natural trigonometric postscript operators COS, SIN and TAN defined by
+\[\DefOfOperator{cos}{\mathbb R}{[-1,1]}\]
+\[\DefOfOperator{sin}{\mathbb R}{[-1,1]}\]
+\[\DefOfOperator{tan}{\mathbb R\backslash\{k\frac{\pi}2,k\in\mathbb Z\}}{\mathbb R}\]
+where $x$ is in \emph{radians}. TAN does \emph{not} produce PS error\footnote{TAN is defined with
+Div PSTricks operator rather than with div PS operator.} when $x=k\frac{pi}{2}$.
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{COS}} & \textsf{\textsl{real}} & Return cosine of
+ \textsf{\textsl{num}} radians \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{SIN}} & \textsf{\textsl{real}} & Return sine of
+ \textsf{\textsl{num}} radians \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{TAN}} & \textsf{\textsl{real}} & Return tangent of
+ \textsf{\textsl{num}} radians
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}*(-5,-2)(5,2)
+ \SpecialCoor % For label positionning
+ \psaxes[labels=y,Dx=/HLCBWz&\pstPI2"]{->}%
+ (0,0)(-5,-2)(5,2)
+ \uput[-90](!/HLCBWz&PI" 0){$\pi$}
+ \uput[-90](!/HLCBWz&PI" neg 0){$-\pi$}
+ \uput[-90](!/HLCBWz&PI" 2 div 0){$\frac{\pi}2$}
+ \uput[-90](!/HLCBWz&PI" 2 div neg 0)%
+ {$-\frac{\pi}2$}
+ \psplot[linecolor=blue]{-5}{5}{x /HLCBWz&COS"}
+ \psplot[linecolor=red]{-5}{5}{x /HLCBWz&SIN"}
+ \psplot[linecolor=green]{-5}{5}{x /HLCBWz&TAN"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\MathPackage{} introduces natural trigonometric postscript operators ACOS, ASIN and ATAN defined by
+\[\DefOfOperator{acos}{[-1,1]}{[0,\pi]}\]
+\[\DefOfOperator{asin}{[-1,1]}{[-\frac{\pi}2,\frac{\pi}2]}\]
+\[\DefOfOperator{atan}{\mathbb R}{]-\frac{\pi}2,\frac{\pi}2[}\]
+
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ACOS}} & \textsf{\textsl{angle}} & Return arccosine of
+ \textsf{\textsl{num}} in radians \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ASIN}} & \textsf{\textsl{angle}} & Return arcsine of
+ \textsf{\textsl{num}} in radians \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ATAN}} & \textsf{\textsl{angle}} & Return arctangent of
+ \textsf{\textsl{num}} in radians \\
+\end{tabular}
+\end{center}
+
+\textbf{Important :} ATAN is \emph{not} defined as PS operator atan. ATAN needs only \emph{one}
+argument on the stack.
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}(-5,-2)(5,4)
+ \SpecialCoor % For label positionning
+ \psaxes[labels=x,Dy=/HLCBWz&\pstPI2"]{->}%
+ (0,0)(-5,-2)(5,4)
+ \uput[0](!0 /HLCBWz&PI"){$\pi$}
+ \uput[0](!0 /HLCBWz&PI" 2 div){$\frac{\pi}2$}
+ \uput[0](!0 /HLCBWz&PI" 2 div neg)%
+ {$-\frac{\pi}2$}
+ \psplot[linecolor=blue]{-1}{1}%
+ {x /HLCBWz&ACOS"}
+ \psplot[linecolor=red]{-1}{1}%
+ {x /HLCBWz&ASIN"}
+ \psplot[linecolor=green]{-5}{5}%
+ {x /HLCBWz&ATAN"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\section{Hyperbolic trigonometry}
+
+\MathPackage{} introduces hyperbolic trigonometric postscript operators COSH, SINH and TANH defined
+by
+\[\DefOfOperator{cosh}{\mathbb R}{[1,+\infty[}\]
+\[\DefOfOperator{sinh}{\mathbb R}{\mathbb R}\]
+\[\DefOfOperator{tanh}{\mathbb R}{]-1,1[}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{COSH}} & \textsf{\textsl{real}} & Return hyperbolic cosine of
+ \textsf{\textsl{num}} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{SINH}} & \textsf{\textsl{real}} & Return hyperbolic sine of
+ \textsf{\textsl{num}} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{TANH}} & \textsf{\textsl{real}} & Return hyperbolic tangent of
+ \textsf{\textsl{num}}
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}*(-5,-5)(5,5)
+ \psaxes{->}(0,0)(-5,-5)(5,5)
+ \psplot[linecolor=blue]{-5}{5}{x /HLCBWz&COSH"}
+ \psplot[linecolor=red]{-5}{5}{x /HLCBWz&SINH"}
+ \psplot[linecolor=green]{-5}{5}{x /HLCBWz&TANH"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\MathPackage{} introduces reciprocal hyperbolic trigonometric postscript operators ACOSH, ASINH and
+ATANH defined by
+\[\DefOfOperator{acosh}{[1,+\infty[}{\mathbb R}\]
+\[\DefOfOperator{asinh}{\mathbb R}{\mathbb R}\]
+\[\DefOfOperator{atanh}{]-1,1[}{\mathbb R}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ACOSH}} & \textsf{\textsl{real}} & Return reciprocal hyperbolic cosine of
+ \textsf{\textsl{num}} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ASINH}} & \textsf{\textsl{real}} & Return reciprocal hyperbolic sine of
+ \textsf{\textsl{num}} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{ATANH}} & \textsf{\textsl{real}} & Return reciprocal hyperbolic tangent of
+ \textsf{\textsl{num}}
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}(-5,-4)(5,4)
+ \psaxes{->}(0,0)(-5,-4)(5,4)
+ \psplot[linecolor=blue]{1}{5}%
+ {x /HLCBWz&ACOSH"}
+ \psplot[linecolor=red]{-5}{5}%
+ {x /HLCBWz&ASINH"}
+ \psplot[linecolor=green]{-.999}{.999}%
+ {x /HLCBWz&ATANH"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\section{Other operators}
+
+\MathPackage{} introduces postscript operator EXP defined by
+\[\DefOfOperator{exp}{\mathbb R}{\mathbb R}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{EXP}} & \textsf{\textsl{real}} & Return exponential of
+ \textsf{\textsl{num}}
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}*(-5,-1)(5,5)
+ \psaxes{->}(0,0)(-5,-0.5)(5,5)
+ \psplot[linecolor=blue,
+ plotpoints=1000]{-5}{5}{x /HLCBWz&EXP"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\MathPackage{} introduces postscript operator GAUSS defined by
+\[\DefOfOperator*{gauss}{\mathbb R}{\mathbb R}{\displaystyle\frac{1}{\sqrt{2\pi\sigma^2}}\exp-\frac{(x-\overline x)^2}{2\sigma^2}}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}${}_1$} \textsf{\textsl{num}${}_2$} \textsf{\textsl{num}${}_3$} &
+ \textsf{\textbf{GAUSS}} & \textsf{\textsl{real}} & \parbox{4cm}{Return gaussian
+ of \textsf{\textsl{num}${}_1$} with mean \textsf{\textsl{num}${}_2$} and standart deviation \textsf{\textsl{num}${}_3$}}
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \psset{yunit=5}
+ \begin{pspicture}(-5,-.1)(5,1.1)
+ \psaxes{->}(0,0)(-5,-.1)(5,1.1)
+ \psplot[linecolor=blue,
+ plotpoints=1000]%
+ {-5}{5}{x 2 2 /HLCBWz&GAUSS"}
+ \psplot[linecolor=red,
+ plotpoints=1000]%
+ {-5}{5}{x 0 .5 /HLCBWz&GAUSS"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\MathPackage{} introduces postscript operator SINC defined by
+\[\DefOfOperator*{sinc}{\mathbb R}{\mathbb R}{\displaystyle\frac{\sin x}x}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{SINC}} & \textsf{\textsl{real}} & Return cardinal sine of
+ \textsf{\textsl{num}} radians
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \psset{xunit=.25,yunit=3}
+ \begin{pspicture}(-20,-.5)(20,1.5)
+ \SpecialCoor % For label positionning
+ \psaxes[labels=y,Dx=/HLCBWz&\pstPI1"]{->}%
+ (0,0)(-20,-.5)(20,1.5)
+ \uput[-90](!/HLCBWz&PI" 0){$\pi$}
+ \uput[-90](!/HLCBWz&PI" neg 0){$-\pi$}
+ \psplot[linecolor=blue,
+ plotpoints=1000]{-20}{20}{x /HLCBWz&SINC"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\MathPackage{} introduces postscript operator GAMMALN defined by
+\[\DefOfOperator*{\ln\Gamma}{]0,+\infty[}{\mathbb R}{\ln\displaystyle\int_0^t t^{x-1}\mathrm e^{-t}\,\mathrm d t}\]
+\begin{center}
+\begin{tabular}{c|c|c|c}
+ \textbf{Stack} & \textbf{Operator} & \textbf{Result} & \textbf{Description} \\
+ \hline
+ \textsf{\textsl{num}} & \textsf{\textbf{GAMMALN}} & \textsf{\textsl{real}} & Return logarithm of
+ $\Gamma$ function of \textsf{\textsl{num}}
+\end{tabular}
+\end{center}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \begin{pspicture}(-.5,-.5)(6,6)
+ \psaxes{->}(0,0)(-.5,-.5)(6,6)
+ \psplot[linecolor=blue,
+ plotpoints=1000]{.1}{6}{x /HLCBWz&GAMMALN"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \psset{xunit=.25,yunit=3}
+ \begin{pspicture}(-20,-.5)(20,1.5)
+ \psaxes[Dx=5,Dy=.5]{->}%
+ (0,0)(-20,-.5)(20,1.5)
+ \psplot[linecolor=blue,
+ plotpoints=1000]{-20}{20}%
+ {x /HLCBWz&BESSEL_J0"}
+ \psplot[linecolor=red,
+ plotpoints=1000]{-20}{20}%
+ {x /HLCBWz&BESSEL_J1"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \psset{xunit=.5,yunit=3}
+ \begin{pspicture}*(-1.5,-.75)(19,1.5)
+ \psaxes[Dx=5,Dy=.5]{->}%
+ (0,0)(-1,-.75)(19,1.5)
+ \psplot[linecolor=blue,
+ plotpoints=1000]{0.0001}{20}%
+ {x /HLCBWz&BESSEL_Y0"}
+ \psplot[linecolor=red,
+ plotpoints=1000]{0.0001}{20}%
+ {x /HLCBWz&BESSEL_Y1"}
+ % \psplot[linecolor=green,
+ % plotpoints=1000]{0.0001}{20}%
+ % {x 2 /HLCBWz&BESSEL_Yn"}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\section{\texttt{Infix-RPN} and \texttt{pst-infixplot} support}
+
+You can now use the operators defined in \MathPackage{} with the infix notation, using the
+\texttt{infix-RPN} package. The packages must be read in the fellowing order:
+
+\begin{Verbatim}[label={\LaTeX{} preamble}]
+ \usepackage{infix-RPN,pst-math}
+\end{Verbatim}
+
+If you want to use \MathPackage{} with \texttt{pst-infixplot}, then read the packages in the
+fellowing order:
+
+\begin{Verbatim}[label={\LaTeX{} preamble}]
+ \usepackage{pst-infixplot,pst-math}
+\end{Verbatim}
+
+\begin{SideBySideExample}[xrightmargin=10.5cm]
+ \psset{xunit=.5,yunit=3}
+ \begin{pspicture}*(-1.5,-.75)(19,1.5)
+ \psaxes[Dx=5,Dy=.5]{->}%
+ (0,0)(-1,-.75)(19,1.5)
+ \psPlot[linecolor=red,
+ plotpoints=1000]{0.0001}{20}%
+ {BESSEL_Y0(x)-BESSEL_Y1(x)}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\section{Credits}
+
+Many thanks to Jacques L'helgoualc'h and Herbert Voss.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-math/pst-math.pdf b/Master/texmf-dist/doc/generic/pst-math/pst-math.pdf
new file mode 100644
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--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-math/pst-math.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-osci/README b/Master/texmf-dist/doc/generic/pst-osci/README
new file mode 100644
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+++ b/Master/texmf-dist/doc/generic/pst-osci/README
@@ -0,0 +1,21 @@
+ ------------------------------------------------------
+ | pst-osci: PSTricks package for oscilloscopes |
+ | |
+ | Version 2.7 (November 17, 1999) |
+ | Manuel Luque <Mluque5130@aol.com> |
+ | Christophe Jorssen <Christophe.Jorssen@wanadoo.fr> |
+ ------------------------------------------------------
+
+
+
+ * Copy pst-osci.tex and pst-osci.sty in one of your TeX input directories
+
+ * Run "latex" on pst-osci.doc to generate the documentation
+
+ * Web page is http://www.tug.org/applications/PSTricks/Physics/Oscilloscopes
+
+ * The files of this package are hereby put into the public domain:
+ README pst-osci.doc pst-osci.sty pst-osci.tex
+
+--
+Manuel Luque and Christophe Jorssen (updated November 22, 1999)
diff --git a/Master/texmf-dist/doc/generic/pst-osci/pst-osci.doc b/Master/texmf-dist/doc/generic/pst-osci/pst-osci.doc
new file mode 100644
index 00000000000..549dbd95b4e
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@@ -0,0 +1,539 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -*- Mode: Latex -*- %%%%%%%%%%%%%%%%%%%%%%%%%%
+%% pst-osci.doc --- Documentation for `pst-osci' PSTricks package
+%%
+%% Authors : Manuel LUQUE <Mluque5130@aol.com>
+%% Christophe JORSSEN <Christophe.Jorssen@wanadoo.fr>
+%% Created : Thu 2 Sept 1999
+%% Last mod. by : Christophe JORSSEN <Christophe.Jorssen@wanadoo.fr>
+%% Last mod. the : Wed 17 Nov 1999
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass{article}
+
+\usepackage{pstcol,pst-osci,multicol} % PSTricks package for Oscilloscope screen shots
+\usepackage[baw,pstricks]{fvrb-ex} % Example environments with `fancyvrb'
+\usepackage[a4paper,left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm]{geometry}
+\usepackage{fancyhdr}
+
+% Modifications in `fvrb-ex' to use only 7 bits characters as escape ones
+% * will be for comment in place of , and /() for commands in place of
+% (this work here because these four characters are not used in the examples)
+
+\makeatletter
+
+\renewcommand{\Begin@Example}{%
+\parindent=0pt
+\multiply\topsep by 2
+\VerbatimEnvironment
+\begin{VerbatimOut}[codes={\catcode`\*=12\catcode`\/=12\catcode`\(=12%
+ \catcode`\)=12}]{\jobname.tmp}}
+
+\renewcommand{\Below@Example}[1]{%
+\VerbatimInput[gobble=0,commentchar=*,commandchars=/(),numbersep=3pt]%
+ {\jobname.tmp}
+\catcode`\*=9\relax%
+\NoHighlight@Attributes % To suppress possible highlighting
+\ifFvrbEx@Grid\vspace{5pt}\fi
+#1%
+\ifFvrbEx@Grid\vspace{5pt}\fi
+\par}
+
+\renewcommand{\SideBySide@Example}[1]{%
+\@tempdimb=\FV@XRightMargin
+\advance\@tempdimb -5mm
+\begin{minipage}[c]{\@tempdimb}
+ \fvset{xrightmargin=0pt}
+ \catcode`\*=9\relax%
+ \NoHighlight@Attributes % To suppress possible highlighting
+ #1
+\end{minipage}%
+\@tempdimb=\textwidth
+\advance\@tempdimb -\FV@XRightMargin
+\advance\@tempdimb 5mm
+\begin{minipage}[c]{\@tempdimb}
+ \VerbatimInput[gobble=0,commentchar=*,commandchars=/(),numbersep=3pt,
+ xleftmargin=5mm,xrightmargin=0pt]{\jobname.tmp}
+\end{minipage}}
+
+% The \NoHighlight@Attributes from `hbaw' and `hcolors' packages
+% must be modified too
+\def\NoHighlight@Attributes{%
+\catcode`\/=0\relax%
+\catcode`\(=1\relax%
+\catcode`\)=2\relax%
+\def\HLa##1{##1}%
+\def\HLb##1{##1}%
+\def\HLc##1{##1}%
+\def\HLd##1{##1}%
+\def\HLe##1{##1}%
+\def\HLf##1{##1}%
+\def\HLBFa##1{##1}%
+\def\HLBFb##1{##1}%
+\def\HLBFc##1{##1}%
+\def\HLBFd##1{##1}%
+\def\HLBFe##1{##1}%
+\def\HLBFf##1{##1}%
+\def\HLITa##1{##1}%
+\def\HLITb##1{##1}%
+\def\HLITc##1{##1}%
+\def\HLITd##1{##1}%
+\def\HLITe##1{##1}%
+\def\HLITf##1{##1}%
+\def\HLCBBa##1{##1}%
+\def\HLCBBb##1{##1}%
+\def\HLCBBc##1{##1}%
+\def\HLCBBd##1{##1}%
+\def\HLCBBe##1{##1}%
+\def\HLCBBf##1{##1}%
+\def\HLCBBz##1{##1}%
+\def\HLCBWa##1{##1}%
+\def\HLCBWb##1{##1}%
+\def\HLCBWc##1{##1}%
+\def\HLCBWd##1{##1}%
+\def\HLCBWe##1{##1}%
+\def\HLCBWf##1{##1}%
+\def\HLCBWz##1{##1}%
+}
+
+\makeatother
+
+% Example environments with numbers, single frame, label on top and margin
+\fvset{numbers=none,frame=single,labelposition=topline}
+
+% For macro names
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\newcommand{\OsciPackage}{\textbf{`pst-osci'}}
+\let\phi\varphi
+
+\lhead{\OsciPackage}\rhead{A PSTricks package for oscilloscopes} \pagestyle{fancy}
+
+\begin{document}
+
+\title{\OsciPackage\thanks{Thanks to Denis \textsc{Girou} for his most valuable
+help and his encouragements.}\\ A PSTricks package for oscilloscopes}
+\author{\shortstack{\makeatletter Manuel \textsc{Luque} \texttt{<Mluque5130@aol.com>}\\
+Christophe \textsc{Jorssen} \texttt{<Christophe.Jorssen@wanadoo.fr>}\makeatother}}
+\date{\shortstack{Version 2.7\\ \small Documentation revised November 17, 1999}}
+
+\maketitle
+
+\begin{center}
+\psframebox[framearc=0.3,framesep=5mm,linewidth=0.7mm]{%
+\parbox{15cm}{%
+{\Large\textbf{Abstract}}: \OsciPackage{} is a PSTricks package to draw easily
+oscilloscope screen shots. Three channels can be used to represent the most common
+signals (damped or not): namely sinusoidal ($y=A\exp (-\lambda t)\sin
+(\frac{2\pi}{T}t+m\cdot\sin(\frac{2\pi}{T_m}t)+\phi) + c$), rectangular, triangular,
+dog's tooth (left and right oriented). The third channel allows you to add, to
+subtract or to multiply the two other signals. \textsc{Lissajous} diagrams (XY-mode)
+can also be obtained.}}
+\end{center}
+
+\setlength{\columnseprule}{0.6pt}
+\begin{multicols}{2}
+{\parskip 0pt \tableofcontents}
+\end{multicols}
+
+\section{Introduction}
+
+\OsciPackage{} offers a unique macro with few parameters to interact on it (it is
+the same approach as in Denis \textsc{Girou}'s \textbf{`pst-poly'} package).
+\par
+The syntax is simply: \fbox{\cs{Oscillo}\texttt{[optional\_parameters]}}.
+\par
+\textbf{As for a real oscilloscope, it is important to choose the correct sensivity
+for each channel in relation to the amplitude of the signal. If you did the wrong
+choice, you will get bad-looking curves.}
+\par
+The style of the curves can be customized using the standard PSTricks parameters.
+
+\section{Usage}
+
+\subsection{Parameters}
+
+There are thirty specific parameters defined to change the way the screen shots are
+drawn.
+\par
+Henceforth, the signals represented on channels A, B and C will be called `SignalA',
+`SignalB' and `SignalC'.
+\begin{description}
+
+\item[\HLTTc{period1} (real):] period $T_1$ (in ms) of SignalA (\emph{default:~20}).
+
+\item[\HLTTc{period2} (real):] period $T_2$ (in ms) of SignalB (\emph{default:~20}).
+
+\item[\HLTTc{amplitude1} (real):] amplitude $A_1$ (in V) of SignalA (\emph{default:~2}).
+
+\item[\HLTTc{amplitude2} (real):] amplitude $A_2$ (in V) of SignalB
+(\emph{default:~0 -- no signal}).
+
+\item[\HLTTc{periodmodulation1} (real):] period $T_{m1}$ (in ms) of SignalA
+(\emph{default:~100}).
+
+\item[\HLTTc{periodmodulation2} (real):] period $T_{m2}$ (in ms) of SignalB
+(\emph{default:~100}).
+
+\item[\HLTTc{freqmod1} (real):] modulation factor $m_1$ of SignalA (\emph{default:~0}).
+
+\item[\HLTTc{freqmod2} (real):] modulation factor $m_2$ of SignalB (\emph{default:~0}).
+
+\item[\HLTTc{phase1} (real):] phase $\phi_1$ (in deg) of SignalA (\emph{default:~0}).
+
+\item[\HLTTc{phase2} (real):] phase $\phi_2$ (in deg) of SignalB (\emph{default:~0}).
+
+\item[\HLTTc{CC1} (real):] continuous component $c_1$ (in V) of SignalA (\emph{default:~0}).
+
+\item[\HLTTc{CC2} (real):] continuous component $c_2$ (in V) of SignalB (\emph{default:~0}).
+
+\item[\HLTTc{damping1} (real):] damping $\lambda_1$ of SignalA
+(\emph{default:~0 -- no damping}).
+
+\item[\HLTTc{damping2} (real):] damping $\lambda_2$ of SignalB
+(\emph{default:~0 -- no damping}).
+
+\item[\HLTTc{wave1}:] type of the SignalA chosen between \cs{SinusA}, \cs{RectangleA},
+\cs{TriangleA}, \cs{LDogToothA}, \cs{RDogToothA} (\emph{default: \cs{SinusA}}).
+
+\item[\HLTTc{wave2}:] type of the SignalB chosen between \cs{SinusB}, \cs{RectangleB},
+\cs{TriangleB}, \cs{LDogToothB}, \cs{RDogToothB} (\emph{default: \cs{SinusB}}).
+
+\item[\HLTTc{timediv} (real):] scale (in ms) of the time axis (\emph{default:~5}).
+
+\item[\HLTTc{Lissajous} (boolean):] switch to XY-mode (true) or not (false)
+(\emph{default: false}).
+
+\item[\HLTTc{sensivity1} (real):] scale (in V) of the channel A vertical axis
+(\emph{default:~1}).
+
+\item[\HLTTc{sensivity2} (real):] scale (in V) of the channel B vertical axis
+(\emph{default:~1}).
+
+\item[\HLTTc{plotstyle1}:] determines what kind of plot you will get for
+channel A (\emph{default: GreenContA}). Note that you can customize the plotstyle
+using the \cs{newpsstyle} macro (see below for examples).
+
+\item[\HLTTc{plotstyle2}:] determines what kind of plot you will get for
+channel B (\emph{default: BlueContB}). Same remark as above.
+
+\item[\HLTTc{plotstyle3}:] determines what kind of plot you will get for
+XY-mode (\emph{default: RedContLissajous}). Same remark as above.
+
+\item[\HLTTc{plotstyle4}:] determines what kind of plot you will get for
+add, sub or mul operation (third channel) (\emph{default: MagentaContAddSub}). Same
+remark as above.
+
+\item[\HLTTc{combine} (boolean):] if true allows to draw combination of SignalA
+and SignalB on channel C (namely addition, subtraction or multiplication)
+(\emph{default: false -- no signal}). See next item.
+
+\item[\HLTTc{operation}:] determines what kind of operation will be applied to
+SignalA and SignalB to get SignalC. The valid parameters are add, sub and mul
+(\emph{default: \cs{relax} -- no operation}).
+
+\item[\HLTTc{Fourier} (integer):] see below (Section \ref{Rectangular})
+(\emph{default:~100}).
+
+\item[\HLTTc{offset1} (real):] offset $c'_1$ (in V) of SignalA (\emph{default:~0}).
+
+\item[\HLTTc{offset2} (real):] offset $c'_2$ (in V) of SignalB (\emph{default:~0}).
+
+\item[\HLTTc{offset3} (real):] offset $c'_2$ (in V) of SignalC (\emph{default:~0}).
+
+
+\end{description}
+
+\subsection{Rectangular, triangular and dog's tooth signals\label{Rectangular}}
+
+The parameter \HLTTc{Fourier} controls the precision of the Fourier transform used to
+draw rectangular, triangular and dog's tooth signals. The number of terms is fixed to
+100 by default in order to minimize the computation time. But you can give
+\HLTTc{Fourier} any value you want.
+\par
+Note that those signals can also be damped using the \HLTTc{damping1} and
+\HLTTc{damping2} parameters. By default, there is no damping ($\lambda=1$).
+
+\subsection{\OsciPackage{} and \LaTeX}
+
+\OsciPackage{} defines colors that may interact with the \textbf{`color'} package.
+You should then use the \textbf{`pst-col'} package and load \OsciPackage{} this way:
+\begin{Verbatim}
+ \usepackage{pstcol,pst-osci}
+\end{Verbatim}
+
+\subsection{Reducing the size of the Oscilloscope}
+
+The oscilloscope is put inside a 10\,cm square \HLTTc{pspicture} environment. There
+are two ways to reduce the size of the box, depending on the fonts you use.
+
+\subsubsection{Using PostScript fonts}
+
+We recommend that solution because it allows you to treat fonts like any other
+PostScript object. As a matter of fact, you can, for instance, put your \cs{Oscillo}
+macro inside a PSTricks \cs{scalebox}. It is very simple and offers good results.
+However, pay attention to the fact that, if you are using non-PS fonts, the result
+will look ugly!
+
+\subsubsection{Using non-PostScript fonts}
+
+If you use non-PS fonts and if you want to reduce the size of the Oscilloscope, you
+should type something like:
+\begin{Verbatim}
+ {\psset{unit=0.5}\footnotesize\Oscillo}
+\end{Verbatim}
+
+\section{Examples}
+
+\subsection{Basic examples}
+
+\begin{CenterExample}[label={The \cs{Oscillo} macro, default parameters}]
+ \Oscillo
+\end{CenterExample}
+
+\textbf{In order to minimize the size of the file, all the oscilloscopes are drawn
+scaled $\frac{1}{2}$. This reduced scale is not represented.}
+
+\makeatletter
+\let\Oldpst@Oscillo\pst@Oscillo
+\def\pst@Oscillo[#1]{\scalebox{0.5}{\Oldpst@Oscillo[#1]}}
+\makeatother
+
+\par
+If you only want to see SignalA then set \HLTTc{offset2} in order to have
+$\HLTTc{offset2}\in ]-\infty,-4\times \HLTTc{sensivity2}[ \cup
+]4\times\HLTTc{sensivity2},+\infty[$:
+
+\begin{SideBySideExample}[label=SignalB invisible, xrightmargin=5.5cm]
+ \Oscillo[offset2=/HLCBWz(5)]
+\end{SideBySideExample}
+
+Let's have a look at Channel A:
+
+\begin{CenterExample}[label=The importance of sensivity]
+ % Extrema invisible
+ \Oscillo[offset2=5,/HLCBWz(amplitude1)=5]
+ % Good sensivity choice
+ \hfill
+ \Oscillo[offset2=5,amplitude1=5,/HLCBWz(sensivity1)=2]
+\end{CenterExample}
+
+Now, let's have two signals on Channel A and B. By default, the two signals have the
+same period and the same phase:
+
+\begin{CenterExample}
+ % Different amplitude
+ \Oscillo[amplitude1=3,/HLCBWz(amplitude2)=1.5]
+ % Different period
+ \hfill
+ \Oscillo[amplitude1=3,amplitude2=1.5,/HLCBWz(period2)=50]
+ % Different phase
+ \hfill
+ \Oscillo[amplitude1=3,amplitude2=1.5,/HLCBWz(phase1)=60,/HLCBWz(phase2)=-30]
+\end{CenterExample}
+
+\begin{SideBySideExample}[label=Damping and amplification,xrightmargin=5.5cm]
+ \Oscillo[amplitude1=3,amplitude2=1.5,
+ /HLCBWz(damping2)=0.005,/HLCBWz(damping1)=-0.005]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[label=Changing the time scale,xrightmargin=5.5cm]
+ \Oscillo[amplitude2=1.5,/HLCBWz(timediv)=10]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[label=Vertical translations,xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1.5,amplitude2=1.5,
+ /HLCBWz(offset1)=1.5,/HLCBWz(offset2)=-1.5]
+\end{SideBySideExample}
+
+\begin{CenterExample}[label=Changing the plot style]
+ /HLCBWz(\newpsstyle){BlueDots}{plotstyle=dots,
+ linecolor=blue,linewidth=0.02,plotpoints=50}
+ \Oscillo[amplitude1=3,/HLCBWz(plotstyle2)=BlueDots,amplitude2=2]
+ /HLCBWz(\newpsstyle){GreenDash}{linestyle=dashed,
+ linecolor=green,linewidth=0.035,plotpoints=50}
+ \hfill
+ \Oscillo[amplitude1=2,phase1=90,amplitude2=3.8,period1=25,
+ period2=50,phase2=10,/HLCBWz(plotstyle1)=GreenDash]
+\end{CenterExample}
+
+\subsection{Channel C: operations}
+
+Note that \HLTTc{offset1} and \HLTTc{offset2} are \textbf{not} taken into account in
+the operations when the \HLTTc{combine} parameter is set to true.
+
+\begin{CenterExample}[label=Additions]
+ \Oscillo[amplitude2=1.5,period2=50,period1=10,
+ /HLCBWz(combine)=/HLCBWz(true),/HLCBWz(operation)=/HLCBWz(add)]
+ \hfill
+ \Oscillo[amplitude2=1.5,period2=50,period1=10,
+ /HLCBWz(combine)=/HLCBWz(true),/HLCBWz(operation)=/HLCBWz(add),offset1=2,offset2=2]
+ \hfill
+ % SignalA and SignalB are invisible
+ \Oscillo[amplitude2=1.5,period2=50,period1=10,
+ /HLCBWz(combine)=/HLCBWz(true),/HLCBWz(operation)=/HLCBWz(add),offset1=6,offset2=6]
+\end{CenterExample}
+
+\begin{SideBySideExample}[label=Subtraction,xrightmargin=5.5cm]
+ \Oscillo[amplitude2=1.5,period2=50,period1=10,
+ /HLCBWz(combine)=/HLCBWz(true),
+ /HLCBWz(operation)=/HLCBWz(sub)]
+\end{SideBySideExample}
+
+\begin{CenterExample}[label=Multiplications]
+ \Oscillo[amplitude2=1.5,period2=50,period1=10,
+ /HLCBWz(combine)=/HLCBWz(true),/HLCBWz(operation)=/HLCBWz(mul)]
+ \hfill
+ \Oscillo[amplitude1=1,amplitude2=2,
+ period2=50,period1=2,/HLCBWz(combine)=/HLCBWz(true),/HLCBWz(operation)=/HLCBWz(mul)]
+\end{CenterExample}
+
+\subsection{Channel C: XY-mode}
+
+\begin{SideBySideExample}[label={Basic \textsc{Lissajous} curve},xrightmargin=5.5cm]
+ \Oscillo[/HLCBWz(Lissajous)=/HLCBWz(true),amplitude2=2]
+\end{SideBySideExample}
+
+\begin{CenterExample}
+ \Oscillo[Lissajous=true,amplitude2=3,phase2=45]
+ \hfill
+ \Oscillo[Lissajous=true,amplitude2=2,phase2=90]
+\end{CenterExample}
+
+\begin{CenterExample}
+ \Oscillo[amplitude1=3.5,phase1=90,amplitude2=3.5,
+ period1=20,period2=10,phase2=0,Lissajous=true]
+ \hfill
+ \Oscillo[amplitude1=3.5,phase1=90,amplitude2=3.5,
+ period1=25,period2=5,phase2=60,Lissajous=true]
+\end{CenterExample}
+
+\begin{SideBySideExample}[label={A damped \textsc{Lissajous} diagram},xrightmargin=5.5cm]
+ \Oscillo[amplitude1=3.5,phase1=90,
+ amplitude2=3.5,period1=50,period2=50,
+ Lissajous=true,damping1=0.01,damping2=0.01]
+\end{SideBySideExample}
+
+\subsection{Non sinusoidal signals}
+
+\begin{CenterExample}[label=Exponential signals]
+ \Oscillo[amplitude1=3.5,phase1=90,
+ period1=/HLCBWz(2E30),offset2=5,damping1=0.02]
+ \hfill
+ \Oscillo[amplitude1=3.5,phase1=90,
+ period1=/HLCBWz(2E30),offset2=3,amplitude2=-3,damping1=0.02,
+ period2=/HLCBWz(2E31),damping2=0.02,phase2=90]
+\end{CenterExample}
+
+\textbf{Note:} the maximum value for \HLTTc{period1} and \HLTTc{period2} is $\pm$2E31.
+
+\begin{CenterExample}[label={Non-sinusoidal signals}]
+ \Oscillo[/HLCBWz(Wave1)=/HLCBWz(\TriangleA),amplitude2=2,period2=20,period1=25]
+ \hfill
+ \Oscillo[/HLCBWz(Wave1)=/HLCBWz(\RectangleA),amplitude2=2,period2=20,period1=25]
+\end{CenterExample}
+
+\begin{CenterExample}[label=Combine examples]
+ \Oscillo[Wave2=\TriangleB,combine=true,operation=mul,amplitude2=2,
+ period2=50,period1=2,amplitude1=1]
+ \hfill
+ \Oscillo[combine=true,operation=add,amplitude2=1.5,
+ Wave1=\RectangleA,amplitude1=1.5,period2=15]
+ \hfill
+ \Oscillo[combine=true,operation=add,amplitude2=1.5,
+ Wave1=\RectangleA,amplitude1=1.5,period2=15,Wave2=\TriangleB]
+\end{CenterExample}
+
+\begin{CenterExample}[label={Dog's tooth signal}]
+ \Oscillo[combine=true,operation=mul,amplitude2=1.5,
+ /HLCBWz(Wave1)=/HLCBWz(\RDogToothA),amplitude1=1.5,period2=15]
+ \hfill
+ \Oscillo[amplitude1=3.5,phase1=90,amplitude2=3.5,
+ period1=25,period2=6.25,phase2=0,Lissajous=true,Wave2=\RDogToothB]
+\end{CenterExample}
+
+\subsection{Frequency modulation examples}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[/HLCBWz(periodmodulation1)=200,/HLCBWz(freqmod1)=5,period1=30,
+ timediv=50,plotpoints=1000,amplitude2=2,period2=200]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,
+ period2=25,period1=2,combine=true,operation=mul]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,/HLCBWz(CC2)=2,
+ period2=25,period1=2,combine=true,operation=mul,offset1=5]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,CC2=1.5,Wave2=\TriangleB,
+ period2=25,period1=2,combine=true,operation=mul,offset1=5]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,CC2=2,Wave2=\RDogToothB,
+ period2=25,period1=2,combine=true,operation=mul,offset1=5]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,CC2=-2,Wave2=\LDogToothB,
+ period2=20,period1=3,combine=true,operation=mul,offset1=5]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,CC2=2,Wave2=\RDogToothB,
+ period2=25,period1=2,combine=true,operation=mul,
+ offset1=5,offset3=-1]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=1,amplitude2=1,CC2=-2,Wave2=\LDogToothB,
+ period2=20,period1=3,combine=true,operation=mul,
+ offset1=5,offset3=1]
+\end{SideBySideExample}
+
+\subsection{More examples}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=3.5,phase1=90,amplitude2=3.5,period1=50,
+ period2=50,phase2=0,Lissajous=true,damping1=0.01,
+ Wave2=\RectangleB]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=2,amplitude2=1.8,Wave1=\RectangleA,
+ Fourier=500,period1=25,period2=12.5,combine=true,
+ operation=add,Wave2=\RectangleB]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=4,amplitude2=3,period1=50,
+ period2=5,Lissajous=true,Wave1=\RectangleA]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=3,phase1=90,amplitude2=3,damping1=0.05,
+ period1=25,period2=12.5,phase2=0,
+ Lissajous=true,Wave2=\RDogToothB]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=4,amplitude2=3,period1=25,
+ period2=50,Lissajous=true,damping1=0.02,
+ Wave2=\TriangleB]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[Wave2=\LDogToothB,combine=true,operation=mul,
+ amplitude2=2,period2=50,period1=2,amplitude1=1]
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=5.5cm]
+ \Oscillo[amplitude1=3.5,phase1=90,amplitude2=3.5,period1=50,
+ period2=50,phase2=0,Lissajous=true,damping1=0.01,
+ Wave2=\RectangleB,damping2=0.01]
+\end{SideBySideExample}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-slpe/README b/Master/texmf-dist/doc/generic/pst-slpe/README
new file mode 100644
index 00000000000..8e3c7b22c1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-slpe/README
@@ -0,0 +1,19 @@
+-----------------------------------------------------
+| pst-slpe: PSTricks package for improved gradients |
+| |
+| Version 1.1 (October 05, 2005) |
+| Martin Giese <giese@ira.uka.de> |
+-----------------------------------------------------
+
+
+ * Run "tex" on pst-slpe.ins and copy pst-slpe.tex and pst-slpe.sty
+in one of your TeX input directories
+
+ * Install pst-slpe.pro in one of your DVI to PostScript converter input
+directories
+
+ * Run "latex" on pst-slpe.dtx to generate the documentation
+
+--
+Martin Giese (updated September 15, 1998)
+Herbert Voss (using xkeyval -- 2005-10-05) \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pst-slpe/pst-slpe.pdf b/Master/texmf-dist/doc/generic/pst-slpe/pst-slpe.pdf
new file mode 100644
index 00000000000..82daac67dde
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-slpe/pst-slpe.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-uml/README b/Master/texmf-dist/doc/generic/pst-uml/README
new file mode 100644
index 00000000000..f9f67ac3a43
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/README
@@ -0,0 +1,76 @@
+Readme.txt file for the latex package "pst-uml"
+-----------------------------------------------
+
+When-Who-Where?
+--------------
+
+who: Maurice DIAMANTINI diam@ensta.fr
+
+where: http://www.ensta.fr/~diam/latex/contrib/
+
+when: Package "pst-uml": 27/04/98
+ FRENCH doc "pst-uml": 27/04/98
+ this readme: 18/12/98 :-)
+
+pst-uml is in Alpha version, and not yet cleanly packaged.
+I hope to be able to continue it before juny 1999.
+(27 oct 99 : sorry, pst-uml is unchanged!)
+
+********** (But any remarks are welcome :-) ****************
+
+
+
+What is pst-uml
+---------------
+
+pst-uml.sty is a latex package written for my need to draw some
+UML diagramms using pstricks package.
+
+"pst-uml" rely on pstricks (pst-keys.sty) and some other standard
+packages. In particular the following files :
+
+ - pst-keys.sty : use by pst-uml.sty
+ but include in recent standard latex distribution.
+
+ - fancyvrb.sty : NOT USE by pst-uml.sty, but requested for compiling
+ the documentations.
+
+ - fvrb-ex.sty : idem above
+
+
+How to use pst-uml?
+-------------------
+
+Copy the file pst-uml.sty in your working directory (latex project)
+or in the PATH of TEX input file.
+Normaly, this is the only thing to do...
+
+
+Documentation
+-------------
+All documentation is IN FRENCH. It is based on the two top files:
+
+ - doc_pst-uml.tex:
+ reference doc for pst-uml.sty
+ (description of the differents commands provide by pst-keys.sty)
+
+ - exemplesUml.tex:
+ some examples of UML diagramms using "pst-uml"
+ This file use secondary files such as :
+ - diagCase.tex
+ - diagClass.tex
+ - diagState.tex
+ - diagSeq.tex
+
+Compiling the documentations files require the packages fancyvrb.sty and
+fvrb-ex.sty in addition to the pst-uml.sty package.
+There is postscript version of the two documentation files above with
+the "pst-uml" distribution.
+
+
+Modifications
+-------------
+18/12/98 : modif Makefile and remove out-dated packages from pst-uml
+ distribution.
+27/04/98 : last update of pst-uml and its documentation
+
diff --git a/Master/texmf-dist/doc/generic/pst-uml/diagCase.tex b/Master/texmf-dist/doc/generic/pst-uml/diagCase.tex
new file mode 100644
index 00000000000..d203a99fd50
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/diagCase.tex
@@ -0,0 +1,56 @@
+% \documentclass[11pt,a4paper,twoside]{article}
+% \usepackage[T1]{fontenc}
+% \usepackage[applemac]{inputenc}
+% % \usepackage[latin1]{inputenc}
+% \usepackage{pst-uml}
+% \begin{document}
+
+\begin{center}
+ % \scalebox{0.5}{%} Fonctionne egalement
+ \resizebox{0.9\linewidth}{!}{%
+ \begin{pspicture}(0,0.5)(15,13.5)%\psgrid
+ \psset{framesep=0}
+ %
+ \psframe[linewidth=0.5pt, linestyle=dashed](3,14)(12,0.5)
+ \rput(7.5,1){\Large Systme dvelopper}
+ %
+ \rput(1,12){\rnode{acCL}{\umlActor{Client}}}
+ \rput(1,6){\rnode{acSC}{\umlActor{Service\\Clientle}}}
+ \rput(14,4){\rnode{acST}{\umlActor{Service\\Technique}}}
+ \rput(14,11.5){\rnode{acSU}{\umlActor{Superviseur}}}
+ %
+ %
+ % \umlPutCase{5,13}{VISU}{\\[0mm]Visualiser\\[0mm]}
+ \umlPutCase{5,13}{VISU}{Visualiser}
+ \umlPutCase{5,5}{SR}{Saisir\\Risques}
+ \umlPutCase{5,3}{SD}{Saisir\\Demandes}
+ \umlPutCase{5,8}{RD}{Routage\\demandes}
+ \umlPutCase{10,10}{ICB}{%
+ Identifier\\
+ contraintes\\
+ bloquantes}
+ \umlPutCase{10,3}{MR}{Modifie\\Rseau}
+ \umlPutCase{5,11}{VAD}{Vrifier\\acceptation\\demande}
+ \umlPutCase{10,5}{IR}{Indiquer\\risques}
+ \umlPutCase{10,13}{PM}{Prparer\\modif.}
+ %
+ \ncline{acCL}{VAD}
+ \ncline{acCL}{VISU}
+ \ncline{acSC}{SR}
+ \ncline{acSC}{SD}
+ \ncline{acSC}{RD}
+ \ncline{acSU}{ICB}
+ \ncline{acSU}{PM}
+ \ncline{acST}{IR}
+ \ncline{acST}{MR}
+ %
+ \ncline{RD}{ICB}\naput[nrot=:U]{\umlStereoType{uses}}
+ \ncputicon{umlHerit}
+ \ncline{IR}{SR}\nbput[nrot=:D,npos=0.65]{\umlStereoType{uses}}
+ \ncputicon{umlHerit}
+ \end{pspicture}
+ }%end resizeORscalebox
+\end{center}
+
+
+% \end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-uml/diagClass.tex b/Master/texmf-dist/doc/generic/pst-uml/diagClass.tex
new file mode 100644
index 00000000000..0048b5cb19e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/diagClass.tex
@@ -0,0 +1,130 @@
+% \documentclass[11pt,a4paper,twoside]{article}
+% \usepackage[T1]{fontenc}
+% \usepackage[applemac]{inputenc}
+% % \usepackage[latin1]{inputenc}
+% \usepackage{pst-uml}
+% \begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objet}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newcommand{\drawClassi}{%
+ \umlClass{Classe1}{%
+ umlClassWidth = 0 \\
+ (par dfaut) \\\hline
+ Attribut2 Tres tres longue ligne \\ \hline
+ Attribut3 \\ \hline %
+ Mthode1%
+}}
+
+\newcommand{\drawClassii}{%
+ \umlClass[umlClassWidth=4cm,umlParameter={\ T\ }]{Classe2}{%
+ largeur = 4cm \\ \hline
+ Attribut2 \\ \hline %
+ Methode1\\
+ Methode2%
+}}
+
+\newcommand{\drawClassiii}{%
+ \umlClass[umlClassWidth=2.7]{Classe3}{%
+ attribut 1 \\
+ attribut 1\\ \hline
+ Methode1 \\
+ Methode2%
+}}
+
+\newcommand{\drawClassiv}{%
+ \umlClass{Classe4}{%
+ MonAttribut 1 \\
+ MonAttribut 2 \\ \hline
+ Methode1%
+}}
+
+% Classe5 : largeur automatique et titre seul
+\newcommand{\drawClassv}{%
+ \umlClass[umlClassWidth=0]{Classe5}{}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objets
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begin{pspicture}(18,15)\psgrid
+ \rput(3,13){\rnode{Class1}{\drawClassi}}
+ \pnode(17.5,13){pnode1}
+ \rput(9,10){\rnode{Class2}{\drawClassii}}
+ \rput(2,5){\rnode{Class3}{\drawClassiii}}
+ \rput(12,5){\rnode{Class4}{\drawClassiv}}
+ \rput(5.5,5.5){\rnode{Class5}{\drawClassv}}
+ %
+ \rput(16,11){\rnode{Actor1}{\umlActor{Acteur() 1}}}
+\end{pspicture}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Dessin des liens et labels
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% La grande boucle en deux tapes :
+\ncline{Class1}{pnode1}
+\ncputicon[npos=0.7,nrot=:U]{umlV}
+\naput{ncline}\naput[npos=1,ref=r]{Node "P1"}
+\ncSXE[armA=11.5]{pnode1}{Class3}
+\nbput{SXE (armA=11.5)}
+\ncputicon{umlV}% debut
+\ncputicon[npos=1.9999,nrot=:U]{umlV}
+\ncputicon[npos=2,nrot=:U]{umlV}
+\ncputicon[npos=5,nrot=:U]{umlV}% fin ERREUR si nrot=4 ok pour 5!!!!
+%
+\ncSE{Class1}{Class2}
+\naput[npos=1.5]{\{ncSE npos=1.5\}}
+\ncSE[offset=-1]{Class1}{Class2}
+\ncputicon{umlAgreg} % debut
+\ncputicon[npos=2,nrot=:U]{umlCompos}% fin
+\nbput[npos=0.3]{0..*}
+\naput[npos=1.8]{0..2}
+\naput[npos=1.4]{ncSE,offset=-1}
+%
+\ncSHS[armA=1.5]{Class2}{Class4}\naput{ncSHS}
+\ncSHS[armA=1.5]{Class2}{Class3}\nbput{ncSHS}
+\ncputicon{umlHerit}% hritage au debut
+\ncputicon[npos=3,nrot=:U]{umlV}% V en fin
+%
+\ncSHN[arm=.7]{Class3}{Class4}
+\naput{ncSHN (3 vers 4)}
+\ncputicon[npos=1.8,nrot=:U]{umlV}% fleche au milieu vers destination !
+%
+% \ncE[npos=0.4]{Class5}{Class4}\naput{ncE,npos=0.4}
+\ncE{Class5}{Class4}\naput[npos=0.4]{ncE,npos=0.4}
+\ncputicon{umlCompos}
+%
+% Essai de dfinition d'un style personnalis
+\newpsstyle{umlDependance}{%
+ linestyle=dashed,
+ arrows=->,
+ arrowscale=3,
+ arrowinset=0.6
+}
+\ncline[style=umlDependance,offset=-0.5]{Class3}{Class4}
+\naput{ncline}
+\ncputicon{umlV}% fleche au debut
+\nbput[npos=0.15]{1..*}
+%
+% % % On peut coller n'importe quoi par rapport un node :
+% % % Essai pour mettre un template sur une classe : prvoir
+% % % une option du style [umlTemplate=myString]
+% % \nput*[labelsep=-0.8,offset=1.4]%
+% % {0}{Class2}{\psframebox%
+% % [fillstyle=solid,fillcolor=white,linestyle=dashed]%
+% % {\LARGE\textbf{\ T\ }}}
+% % %
+% Lien de Class2 et Class4 vers l'acteur :
+\ncline[linestyle=dashed]{Class2}{Actor1}
+\naput{ncline}
+\ncputicon{umlAgreg}
+\ncputicon[npos=0.7,nrot=:U]{umlAgreg}
+\ncputicon[npos=1,nrot=:U]{umlCompos} % en fin
+%
+\nccurve[linestyle=dashed, angleA=75,offsetA=-1,angleB=-45]{Class4}{Actor1}
+\ncputicon{umlHerit} % debut
+\ncputicon[npos=0.7,nrot=:U]{umlHerit}
+\ncputicon[npos=1,nrot=:U]{umlHerit}% en fin
+
+% \end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-uml/diagClass1.tex b/Master/texmf-dist/doc/generic/pst-uml/diagClass1.tex
new file mode 100644
index 00000000000..4ab7410b7af
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/diagClass1.tex
@@ -0,0 +1,143 @@
+% \documentclass[11pt,a4paper,twoside]{article}
+% \usepackage[T1]{fontenc}
+% \usepackage[applemac]{inputenc}
+% % \usepackage[latin1]{inputenc}
+% \usepackage{pst-uml}
+% \begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objets}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newcommand{\drawCommand}{%
+ \umlClass{Command}{%
+ -dateReceived \\
+ -isPrepaid \\
+ -number : String \\
+ -price : Money \\
+ \hline
+ +dispatch() \\%
+ +close()%
+ }
+}
+
+\newcommand{\drawCustomer}{%
+ \umlClass[{Customer}{%
+ name\\
+ address\\
+ \hline
+ creditRating() : String
+ }
+}
+
+\newcommand{\drawCorpCust}{%
+ \umlClass{Corporate \\ Customer}{%
+ contactName\\
+ creditRating\\
+ creditLimit\\
+ \hline
+ +remind() \\
+ billForMonth(Integer)
+ }
+}
+
+\newcommand{\drawPersCust}{%
+ \umlClass{Personal \\ Customer}{%
+ creditCard#\\
+ \hline
+ }
+}
+
+\newcommand{\drawOrderLine}{%
+ \umlClass{Order Line}{%
+ quantuty : Integer \\
+ price : Money \\
+ isSatisfied : Boolean \\
+ \hline
+}}
+% les deux clases "Employee" et "Product" tant simple : elle sera
+% dfinies l'utilisation.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objets
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begin{pspicture}(0,0)(18,15)\psgrid
+ \rput(3,13){\rnode{Class1}{\drawClassi}}
+ \pnode(17.5,13){pnode1}
+ \rput(9,10){\rnode{Class2}{\drawClassii}}
+ \rput(2,5){\rnode{Class3}{\drawClassiii}}
+ \rput(12,5){\rnode{Class4}{\drawClassiv}}
+ \rput(5.5,5.5){\rnode{Class5}{\drawClassv}}
+ %
+ \rput(16,11){\rnode{Actor1}{\umlActor{Acteur() 1}}}
+\end{pspicture}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Dessin des liens et labels
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% La grande boucle en deux tapes :
+\ncline{Class1}{pnode1}
+\ncputicon[npos=0.7,nrot=:U]{umlV}
+\naput{ncline}\naput[npos=1,ref=r]{Node "P1"}
+\ncSXE[armA=11.5]{pnode1}{Class3}
+\nbput{SXE (armA=11.5)}
+\ncputicon{umlV}% debut
+\ncputicon[npos=1.9999,nrot=:U]{umlV}
+\ncputicon[npos=2,nrot=:U]{umlV}
+\ncputicon[npos=5,nrot=:U]{umlV}% fin ERREUR si nrot=4 ok pour 5!!!!
+%
+\ncSE{Class1}{Class2}
+\naput[npos=1.5]{\{ncSE npos=1.5\}}
+\ncSE[offset=-1]{Class1}{Class2}
+\ncputicon{umlAgreg} % debut
+\ncputicon[npos=2,nrot=:U]{umlCompos}% fin
+\nbput[npos=0.3]{0..*}
+\naput[npos=1.8]{0..2}
+\naput[npos=1.4]{ncSE,offset=-1}
+%
+\ncSHS[armA=1.5]{Class2}{Class4}\naput{ncSHS}
+\ncSHS[armA=1.5]{Class2}{Class3}\nbput{ncSHS}
+\ncputicon{umlHerit}% hritage au debut
+\ncputicon[npos=3,nrot=:U]{umlV}% V en fin
+%
+\ncSHN[arm=.7]{Class3}{Class4}
+\naput{ncSHN (3 vers 4)}
+\ncputicon[npos=1.8,nrot=:U]{umlV}% fleche au milieu vers destination !
+%
+% \ncE[npos=0.4]{Class5}{Class4}\naput{ncE,npos=0.4}
+\ncE{Class5}{Class4}\naput[npos=0.4]{ncE,npos=0.4}
+\ncputicon{umlCompos}
+%
+% Essai de dfinition d'un style personnalis
+\newpsstyle{umlDependance}{%
+ linestyle=dashed,
+ arrows=->,
+ arrowscale=3,
+ arrowinset=0.6
+}
+\ncline[style=umlDependance,offset=-0.5]{Class3}{Class4}
+\naput{ncline}
+\ncputicon{umlV}% fleche au debut
+\nbput[npos=0.15]{1..*}
+%
+% % % On peut coller n'importe quoi par rapport un node :
+% % % Essai pour mettre un template sur une classe : prvoir
+% % % une option du style [umlTemplate=myString]
+% % \nput*[labelsep=-0.8,offset=1.4]%
+% % {0}{Class2}{\psframebox%
+% % [fillstyle=solid,fillcolor=white,linestyle=dashed]%
+% % {\LARGE\textbf{\ T\ }}}
+% % %
+% Lien de Class2 et Class4 vers l'acteur :
+\ncline[linestyle=dashed]{Class2}{Actor1}
+\naput{ncline}
+\ncputicon{umlAgreg}
+\ncputicon[npos=0.7,nrot=:U]{umlAgreg}
+\ncputicon[npos=1,nrot=:U]{umlCompos} % en fin
+%
+\nccurve[linestyle=dashed, angleA=75,offsetA=-1,angleB=-45]{Class4}{Actor1}
+\ncputicon{umlHerit} % debut
+\ncputicon[npos=0.7,nrot=:U]{umlHerit}
+\ncputicon[npos=1,nrot=:U]{umlHerit}% en fin
+
+% \end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-uml/diagSeq.tex b/Master/texmf-dist/doc/generic/pst-uml/diagSeq.tex
new file mode 100644
index 00000000000..433d5ecbb3d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/diagSeq.tex
@@ -0,0 +1,109 @@
+% \documentclass[11pt,a4paper,twoside]{article}
+% \usepackage[T1]{fontenc}
+% \usepackage[applemac]{inputenc}
+% % \usepackage[latin1]{inputenc}
+% \usepackage{pst-uml}
+% \begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objet}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begin{center}
+\resizebox{\linewidth}{!}{%
+ \begin{psmatrix}[colsep=0.2,rowsep=0.5]
+ %
+ % la ligne 1 contient le nom des objets
+ [name=client]\umlClass{\underline{:Client}}{}
+ & [name=reseau]\umlClass{\underline{:R\'eseau}}{}
+ & [name=demande]\umlClass{\underline{:Demande}}{}
+ & [name=route]\umlClass{\underline{:Route}}{}
+ & [name=arete]\umlClass{\underline{:Ar\^ete}}{}
+ & [name=noeud]\umlClass{\underline{:Noeud}}{}
+ & [name=fenetre]\umlClass{\underline{:Fen\^etre}}{}
+ \\[+0.5cm] %1
+ % ATTENTION les lignes vides telle que :
+ % & & & & & & \\
+ % sont inaccessible par (3,2)
+ %
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\ % 5
+ %
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\[-0.5cm]
+ {} & {} & {} & {} & {} & {} & {} \\[-0.5cm] % 10
+ %
+ {} & {} & {} & {} & {} & {} & {} \\[-0.5cm]
+ {} & {} & {} & {} & {} & {} & {} \\[-0.5cm]
+ {} & {} & {} & {} & {} & {} & {} \\[+0.5cm]
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\[+0.5cm] % 15
+ %
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\[-0.5cm]
+ {} & {} & {} & {} & {} & {} & {} \\
+ {} & {} & {} & {} & {} & {} & {} \\ % 20
+ %
+ {} & {} & {} & {} & {} & {} & {} \\[0cm] % 21 ([0cm] ncessaire : bug ?)
+ %
+ % Les noms pour les fins d'objets (invariant si nouvelles lignes)
+ [name=clientEnd]{}
+ & [name=reseauEnd]{}
+ & [name=demandeEnd]{}
+ & [name=routeEnd]{}
+ & [name=areteEnd]{}
+ & [name=noeudEnd]{}
+ & [name=fenetreEnd]{}
+ & \\[-0.5cm] % Saut de ligne sans vertic pour corrig problme
+ %
+ % Le trait d'axe pour l'chelle des temps :
+ \ncline[linewidth=0.5pt,linestyle=solid,offset=-1.7,nodesep=0.0]%
+ {->}{client}{clientEnd}
+ \naput[npos=1]{\emph{t}}
+ %
+ % Les pointills verticaux
+ \ncline[linestyle=dashed]{client}{clientEnd}
+ \ncline[linestyle=dashed]{reseau}{reseauEnd}
+ \ncline[linestyle=dashed]{demande}{demandeEnd}
+ \ncline[linestyle=dashed]{route}{routeEnd}
+ \ncline[linestyle=dashed]{arete}{areteEnd}
+ \ncline[linestyle=dashed]{noeud}{noeudEnd}
+ \ncline[linestyle=dashed]{fenetre}{fenetreEnd}
+ %
+ % Les connexions horisontales ave leur commentaires associs
+ \small\ttfamily% Fonctionne
+ \psset{labelsep=1.5mm}
+ \ncline{->}{2,1}{2,3}\naput*{listerDemandes()}
+ \ncline{->}{3,3}{3,1}\nbput*{demandes}
+ \ncline{->}{4,1}{4,2}\naput*{* visualiser(demande)}
+ \ncline{->}{5,2}{5,1}\nbput*{[djRout(rseau) = false]}
+ \ncline{->}{6,2}{6,1}\nbput*{[accepte(demande) = false]}
+ \ncline{->}{7,2}{7,4}\naput*{[accepte(demande) = true] parcourir()}
+ \ncline{->}{8,4}{8,5}\naput*{lister()}
+ \ncline{->}{9,5}{9,6}\naput*{listerExtrmits()}
+ \ncline{->}{10,6}{10,5}
+ \ncline{->}{11,5}{11,4}
+ \ncline{->}{12,4}{12,2}
+ \ncline{->}{13,2}{13,1}
+ \ncline{->}{14,1}{14,7}\naput*{[accepte(demande) = true] %
+ afficher(demande)}
+ \ncline{->}{15,7}{15,1}\nbput*{dessinerSurTerminal()}
+ \ncline{->}{16,1}{16,7}\naput*{* zoomer(zone)}
+ \ncline{->}{17,7}{17,5}\nbput*{artesInZone}
+ \ncline{->}{18,5}{18,3}\nbput*{estConcerne(demande)}
+ \ncline{->}{19,3}{19,5}
+ \ncline{->}{20,5}{20,7}\naput*{artesConcernes}
+ \ncline{->}{21,7}{21,1}\nbput*{rafraichirEcran()}
+ % \ncEVW[armA=2]{->}{4,3}{10,3} % Est Vertical West
+ %
+ \end{psmatrix}
+}%end resizeORscalebox
+\end{center}
+
+
+% \end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-uml/diagState.tex b/Master/texmf-dist/doc/generic/pst-uml/diagState.tex
new file mode 100644
index 00000000000..a315288e0ca
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/diagState.tex
@@ -0,0 +1,149 @@
+% \documentclass[11pt,a4paper,twoside]{article}
+% \usepackage[T1]{fontenc}
+% \usepackage[applemac]{inputenc}
+% % \usepackage[latin1]{inputenc}
+% \usepackage{pst-uml}
+% \begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% dfinition des objets
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newcommand{\StateGlobal}{%
+ \umlState{tat global de l'objet \texttt{Graphe}}{\umlEmptyBox{13cm}{16cm}}%
+}
+\newcommand{\StateNRSA}{%
+ \umlState{non rout \\ sans artes}{\space}%
+}
+\newcommand{\StateNRI}{%
+ \umlState{non rout \\ incomplet}{\space}%
+}
+\newcommand{\StateNRC}{%
+ \umlState{non rout \\ complet}{\space}%
+}
+\newcommand{\StateROU}{%
+ \umlState{rout \\ \mbox{}}{\space}%
+}
+\newcommand{\StateVisu}{%
+ \umlState{Visualisable \\ \mbox{}}{do/superviser()}%
+}
+\newcommand{\StateAnu}{%
+ \umlState{GrapheAnnulable}{%
+ \hspace*{2.25cm}
+ \rmfamily% car normalement un corps d'tat est en ttfamily
+ \begin{psmatrix}[colsep=1,rowsep=1.5,mnode=r]
+ \\[-1.4cm]
+ [name=StateInAnu] \umlStateIn \\[-0.5cm]
+ [name=StateNRSA] \StateNRSA \\[0cm]
+ [name=StateNRI] \StateNRI \\[1cm]
+ [name=StateNRC] \StateNRC \\[0.5cm]
+ [name=StateROU] \StateROU
+ & \umlPutStateOut{0,0}{StateOutAnu} \\[-1.5cm]
+ {} % boite vide NECESSAIRE sur la dernire ligne si vide !
+ \end{psmatrix}%
+ \hspace*{1.5cm}
+ %
+ % Connection propre chaque node
+ %
+ {\ttfamily\small
+ %
+ % \nput{75}{StateInAnu}{EntreAnnulable}
+ % \nput{-75}{StateOutAnu}{SortieAnnulable}
+ %
+ \ncEXS[offsetA=0.25,offsetB=0.5]{StateNRSA}{StateNRSA}%
+ \ncput*[npos=1.7]{ajouterSommet}
+ \ncWXS[offsetA=-0.25,offsetB=-0.5]{StateNRSA}{StateNRSA}%
+ \ncput*[npos=1.7]{retirerSommet}
+ %
+ \ncEXS[offsetA=0.25,offsetB=0.5]{StateNRI}{StateNRI}%
+ \ncput*[npos=1.7]{ajouterArte}
+ \ncWXS[offsetA=-0.25,offsetB=-0.5]{StateNRI}{StateNRI}%
+ \ncput*[npos=1.7]{retirerArte}
+ \ncEXN[offsetA=-0.0,offsetB=-0.5]{StateNRI}{StateNRI}%
+ \ncput*[npos=1.7]{ajouterSommet}
+ \ncWXN[offsetA=0.0,offsetB=0.5]{StateNRI}{StateNRI}%
+ \ncput*[npos=1.7]{retirerSommet}
+ %
+ \ncEXS[offsetA=0.25,offsetB=0.5]{StateNRC}{StateNRC}%
+ \ncput*[npos=1.7]{ajouterRoute}
+ \ncWXS[offsetA=-0.25,offsetB=-0.5]{StateNRC}{StateNRC}%
+ \ncput*[npos=1.7]{retirerRoute}
+ %
+ \ncWXS[offsetA=-0.25,offsetB=-0.5]{StateROU}{StateROU}%
+ \ncput*[npos=1.7]{roptimiser}
+ %
+ % Connections INTERNODE interne au macro-tat
+ %
+ \ncline{->}{StateInAnu}{StateNRSA}%
+ \naput[npos=0.3]{}%
+ %
+ \ncline{->}{StateNRSA}{StateNRI}%
+ \naput[npos=0.3]{ajouterArte}%
+ %
+ \ncline{->}{StateNRI}{StateNRC}%
+ % \naput[npos=0.3]{graphComplet}%
+ \naput{graphComplet}%
+ %
+ \ncline{->}{StateNRC}{StateROU}%
+ \ncput*[npos=0.3]{\umlStack{[ClientPrioritaireSatisfait] DemandeFin}}
+ %
+ \ncline{->}{StateROU}{StateOutAnu}%
+ %
+ }%
+ }%
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Placement des objets
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{center}
+ % \scalebox{0.5}{%} Fonctionne egalement
+ % \resizebox{0.9\linewidth}{!}{%}
+ \resizebox{!}{13cm}{%
+ \begin{pspicture}(-5,-9.5)(9.5,8)%\psgrid
+ %
+ \psset{%
+ linearc=0.3,%
+ % arm=1.2,%
+ armA=1.2,%
+ armB=0.8,%
+ arrows=->,%
+ arrowscale=2,%
+ ncurv=2,% instead of 0.67
+ }%
+ \rput(2.4,-0.75){\rnode{StateGlobal}{\StateGlobal}}%
+ %
+ \umlPutStateIn{6,5}{StateIn}%
+ %
+ \rput(0,-1){\rnode{StateAnu}{\StateAnu}}%
+ %
+ \rput(6,-3){\rnode{StateVisu}{\StateVisu}}%
+ %
+ \rput(6,0){\rnode{StateOut}{\umlStateOut}}%
+ %
+ % LES CONNECTIONS INTERNODE
+ %
+ {\ttfamily\small
+ %
+ \ncEXN[offsetA=-0.25,offsetB=-0.5,armA=0.5]{StateVisu}{StateVisu}%
+ \ncput*[npos=1.7]{zoomer}
+ %
+ \ncSW[offsetB=-5]{->}{StateIn}{StateAnu}%
+ \naput[npos=1.3]{NewGraphAsked}
+ %
+ \ncEN{->}{StateOutAnu}{StateVisu}%
+ \nbput[npos=0.9]{/Sauvegarder}
+ \ncline{->}{StateVisu}{StateOut}%
+ %
+ \ncES[offsetA=3]{->}{StateAnu}{StateOut}%
+ % \naput[npos=0.6]{Annuler}
+ % on ajoute un espace en dbut de chaque ligne " Annuler"..
+ \naput[npos=0.99]{\umlStack[umlAlign=l]%
+ {\ Annuler\\\ /DemanderConfirmation}}
+ }
+ \end{pspicture}%
+ }%end resizeORscalebox
+\end{center}
+
+
+% \end{document}
diff --git a/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.pdf b/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.pdf
new file mode 100644
index 00000000000..ae5a608179f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.tex b/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.tex
new file mode 100644
index 00000000000..8a6ad37c3f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/doc_pst-uml.tex
@@ -0,0 +1,1558 @@
+\documentclass[11pt,a4paper,twoside]{article}
+\usepackage[T1]{fontenc}
+ % \usepackage[applemac]{inputenc}
+\usepackage[latin1]{inputenc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Format de la mise en page
+ \setlength{\hoffset}{-1in}
+ \setlength{\voffset}{-1in}
+ \setlength{\oddsidemargin}{2cm}
+ \setlength{\evensidemargin}{2cm}
+ \setlength{\topmargin}{1.8cm}
+ % \setlength{\headheight}{0cm}
+ % \setlength{\headsep}{0cm}
+ \setlength{\textwidth}{16.5cm}
+ \setlength{\textheight}{24.0cm}
+
+ % Pour que LaTeX n'essaie pas de justifier les pages verticalement
+ \raggedbottom
+ \usepackage{pst-uml}
+
+
+% LA SUITE NE MARCHE PAS CAR "fvrb-ex" cherche "fancyvrb", meme
+% si celui-ci est deja charg !
+%
+% % on utilise le nouveau package "fancyvrb.sty" de TVZ et son extension
+% % fvrb-ex.sty de Denis GIROU pour les exemples LATEX :
+%
+% \IfFileExists{fvrb-ex.sty}{%
+% \RequirePackage{fvrb-ex}%
+% }{%
+% \PackageWarning{doc_pst-uml}{%
+% *** You should install packages "fancyvrb" and "fvrb-ex" ***}%
+% \RequirePackage{needed/fancyvrb}%
+% \RequirePackage{needed/fvrb-ex}%
+% }
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ % Utilisation de "fancyvrb.sty" :
+ %
+ % fournit l'environnement "Verbatim" (idem envir verbatim avec
+ % nombreuses options et la commande "\VerbatimInput"
+ %
+ % Exemple :
+ %
+ % \VerbatimInput{../SOURCES/iloveleda.cc}
+ %
+ % On peut aussi passer des options la pstricks (au hasard :-)
+ % ou par la commande "\fvset{key1,value1,key2,value2,...}"
+ %
+ % \VerbatimInput[%
+ % baselinestretch=0.9,% pour tasser les lignes (si long listing)
+ % fontsize=\small,% pour un fonte plus petite
+ % numbers=left,% pour numeroter les lignes a gauche
+ % frame=single,% pour encadrer
+ % gobble=0% nbr de caratere de debut a ignorer
+ % ]{../SOURCES/iloveleda.cc}
+ %
+ \usepackage{fancyvrb}
+
+ % pour les environnement CenterExample...
+ \usepackage[pstricks]{fvrb-ex}
+ \fvset{frame=single,numbers=left}
+ %
+ \providecommand{\showgrid}{\psgrid[subgriddiv=0, griddots=10]}
+ \psset{subgriddiv=0, griddots=10}
+
+ \DefineShortVerb{\|}
+ % \UndefineShortVerb{\|} % pour annuler
+
+ \pagestyle{headings}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Quelques commandes locales
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % \printtime
+ %
+ % commande d'impression de l'heure courante
+ %
+ % Exemple : "Fichier compil\'{e} le \today{} \`{a} \printtime."
+ \usepackage{calc}
+ \usepackage{ifthen}
+ \newcounter{hours}\newcounter{minutes}
+ \newcommand{\printtime}{%
+ \setcounter{hours}{\time/60}%
+ \setcounter{minutes}{\time-\value{hours}*60}%
+ \thehours h%
+ % on veut obtenir 15h03mn et non 15h3mn...
+ \ifthenelse{\theminutes<10}{0}{}\theminutes mn%
+ }
+
+% \Stabilo
+%
+% Permet de surligner en jaune (gris clair en NB) le parametre
+% La version \fStabilo rajoute une frame rouge autour.
+%
+% Syntaxe : \Stabilo{textInportant}
+
+\newcommand{\Stabilo}[1]{\colorbox[rgb]{1,1,0.2}{#1}}
+\newcommand{\fStabilo}[1]{\fcolorbox[rgb]{1,0,0}{1,1,0.2}{#1}}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Quelques abbreviations
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ % Conventions g\'{e}n\'{e}rales pour les formats de pr\'{e}sentation
+ \newcommand{\strong}[1]{\textbf{\emph{#1}}} % plus fort que \emph
+ \newcommand{\tech}[1]{\textsf{#1}} % terme technique
+ \newcommand{\file}[1]{\texttt{#1}} % noms de fichiers et de r\'{e}pertoires
+ \newcommand{\menu}[1]{\fbox{#1}} % nom d'un menu/sous-menu
+ \newcommand{\key}[1]{\fbox{\textbf{#1}}} % touche du clavier
+
+ % abreviations locales a ce document :
+ \newcommand{\uml}{\textsc{uml}}
+ \newcommand{\pstricks}{\texttt{PSTricks}}
+ \newcommand{\postscript}{\texttt{PostScript}}
+ \newcommand{\pstuml}{\texttt{pst-uml}}
+ % \newcommand{\bs}{\backslash}
+
+ % Pour les noms de commande TeX
+ % Exemple : \cs{fbox} => \fbox
+ \DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\usepackage[colorlinks,linktocpage]{hyperref}
+% \usepackage{french}
+\usepackage[francais]{babel} % idem frenchb mais PAS french !
+% La suite evite que Babel impose un espace devant ":" mais n'est
+% pas disponible sur les vielles versions de Babel (comme l'ENSTA).
+\NoAutoSpaceBeforeFDP
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\title{Interface utilisateur du package \pstuml}
+\author{%
+ Maurice \textsc{Diamantini}%
+ \thanks{avec l'aide prcieuse de Denis \textsc{Girou}} %
+ (email : \texttt{diam@ensta.fr})
+}
+\date{%
+ modif package : 27/04/98 \\
+ modif doc\ \ \ : 27/04/98\\
+ \pageref{verylast}~pages compiles le \today{} \printtime{}.
+}
+
+\maketitle
+
+\tableofcontents
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Introduction}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{Prsentation}
+
+Ce document prsente l'utilisation d'un certain nombre de macro
+destines faciliter le dessin de diagramme de type \uml{} (Unified
+Modeling Langage) en utilisant le package \pstricks{} de
+Van Zandt \textsc{Timothy}, dont l'usage est suppos connu.
+
+Ce package est en cours de dveloppement et n'est diffus pour
+l'instant que titre d'information. En particulier, la
+\strong{stabilit} des noms de commandes proposes, leurs paramtres
+ainsi que leur comportement mme \strong{ne sont pas garantis}. Il en
+est de mme que le nom et la fonction des options.
+
+
+Dans le cas de diagrammes \uml{} complexes, on peut augmenter la
+lisibilit du source, et donc faciliter les modifications du diagrammes
+en cours d'laboration en divisant le travail en trois phases
+spares~:
+
+\begin{enumerate}
+ \item dfinir graphiquement le dessin des diffrents lments du
+ schmas, en particulier pour les objets complexes (nombreux
+ paramtres ou text important, ...) ;
+
+ \item placer%
+ \footnotemark{} %
+ ces boites grce \texttt{psmatrix} ou des
+ \cs{rput} dans un environnement \texttt{pspicture}
+ Les objets positionns sont alors associ un nom de node (au
+ sens \pstricks). On peut galement dans cette phase placer les labels
+ ou autres dessins complmentaires lis aux graphismes des objets
+ eux-mmes (et non des connecteurs entre objets) ;
+
+ \item router%
+ \addtocounter{footnote}{-1}\footnotemark{} %
+ ces boites l'aide des diffrentes commandes de connexion et
+ coller les labels ou autres fleches \uml{}.
+\end{enumerate}
+% \footnotetext[1]{dsol : dformation professionnelle !}
+\footnotetext{dsol : dformation professionnelle !}
+% \stepcounter{footnote}
+
+
+Les macro proposes tendent suivre les conventions \pstricks{} et
+\texttt{graphicx} pour le passage des options : savoir l'utilisation
+de couple de la forme \texttt{Key=value}. Cette fonctionnalit
+ncessite l'utilisation du package \texttt{pst-key} qui est propose
+dans la distribution de \pstuml{} (en attendant une diffusion plus
+gnrale). Un des intrts du package \texttt{pst-key} est de pouvoir
+rajouter des options sans changer la syntaxe de la commande de base.
+D'une manire gnrales, le nombre d'options de toutes les commandes
+complexes est appel croitre.
+
+
+\noindent Voici la syntaxe gnrale des commandes proposes :
+
+\begin{verbatim}
+ \umlCommand[option1=value1,option2=value2,...]{param1}{param2}...
+\end{verbatim}
+
+La valeur par dfaut de chacune de ces options peut tre redfinie par
+la commande |\psset{...}| (comme toutes toutes les options de \pstricks).
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{Dpendances }
+
+Les packages suivants sont appels par \pstuml{} (par la
+commande \cs{RequirePackage}):
+\begin{itemize}
+ \item \texttt{pstcol}
+
+ \item \texttt{pst-node}
+
+ \item \texttt{pst-tree}
+
+ \item \texttt{multido}
+
+ \item \texttt{calc}
+
+ \item \texttt{ifthenelse}
+
+ \item \texttt{pst-key.tex} (par \cs{input} car en \TeX{})
+\end{itemize}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Les macros de cration d'objet}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{\cs{umlClass}}
+
+
+
+\begin{description}
+
+\item[Syntaxe] \mbox{}
+
+ \begin{verbatim}
+ \umlClass[keyOptions]{title}{body}
+ \end{verbatim}
+
+ Permet de dessiner une classe.
+
+\item[Paramtres] \mbox{}
+
+% % \subsubsection*{Paramtres}
+
+ \begin{description}
+
+ \item[\texttt{title} :] nom de la classe, celui-ci sera centr
+ et crit en gras. Il peut tenir sur plusieurs lignes.
+
+ \item[\texttt{body} :] corps de la classe propremment dit. En
+ particulier contient les attributs et mthodes justifies gauche.
+ Les diffrentes lignes sont spares par |\\| et ventuellement
+ des |\hline|.
+ \end{description}
+
+\item[Options] \mbox{}
+
+
+ \begin{description}
+
+ \item[\texttt{umlDoubleRuleSep} (dim : 2mm)] : distance%
+ \footnote{% protect car dans \item[xxx]
+ Comme pour toutes les dimensions passes \pstricks{}, la
+ spcification de l'unit utilise est facultative et vaut
+ \texttt{cm} par dfaut, contrairement \LaTeX{} ou il est
+ ncessaire de prciser une unit (mme pour 0pt !).
+ } %
+ entre deux |\hline| (dans la zone |title| ou |body|).
+
+ \item[\texttt{umlShadow} (boolean : true)] :
+ si vrai, un cadre ombr de fond gris entoure la classe \\
+ sinon, un cadre simple sur fond blanc est utilis.
+
+ \item[\texttt{umlParameter} (string : "")] :
+ si non vide, dessine un rectangle en pointill
+ contenant la valeur sur le coin suprieur droit de la classe
+ (utilis pour les classes paramtriques ou "Templates" en C++).
+
+ \end{description}
+
+\item[Exemples 1] \mbox{}
+
+ Les illustations suivantes prsente une utilisation directe (i.e.
+ sans utilisation dans une boite ou par une commande) de la
+ commande de cration d'une classe. Ces classes sont entoures par
+ un tiret pour montrer le positionnement vertical par rapport la
+ ligne de base.
+
+ \bigskip\noindent
+ Exemples de classes standards
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --\umlClass{standard 1}{%
+ attrib 1 \\
+ attrib 2 \\
+ attrib 3 \\
+ \hline
+ meth 1 \\
+ meth 2
+ }--
+ \end{SideBySideExample}
+
+ \bigskip\noindent
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --\umlClass{standard 2}{%
+ attrib 1 \\
+ attrib 2 \\
+ attrib 3 \\
+ \hline
+ \hline
+ }--
+ \end{SideBySideExample}
+
+ \bigskip\noindent
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --%
+ \umlClass[umlShadow=false,umlParameter=\ T\ ]{%
+ standard 3%
+ }{%
+ \hline
+ meth 1 \\
+ meth 2
+ }--
+ \end{SideBySideExample}
+
+ \bigskip\noindent
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --\umlClass{standard 4}{}--
+ \end{SideBySideExample}
+
+ \bigskip\noindent
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --\umlClass{standard 5}{%
+ \hline
+ \hline
+ }--
+ \end{SideBySideExample}
+
+
+\item[Exemples 2] \mbox{}
+
+ \bigskip\noindent On peut mettre plusieurs sauts de ligne dans
+ chaque paramtre de la commande. Pour le premier paramtre :
+ toutes les lignes sont centres et en gras~:
+ \begin{SideBySideExample}[xrightmargin=7.5cm]
+ --%
+ \umlClass{Exemple 1 \\ avec \\
+ plusieurs lignes}{%
+ Champs r\'eserv\'e aux attributs\\
+ \hline
+ Champs r\'eserv\'e\\ aux m\'ethodes\\
+ \hline\hline
+ Champs bidon%
+ }--
+ \end{SideBySideExample}
+
+\item[Exemples 3] \mbox{}
+
+ \bigskip\noindent On peut souhaiter imposer une largeur minimale
+ une classe, par exemple pour donner plusieurs classes une
+ apparance identique. On met alors le titre dans une \cs{makebox}
+ (s'il n'y a qu'une seule ligne).
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ --%
+ \umlClass{\makebox[3.5cm]{Voici la classe 1}}{%
+ Largeur mini 3.5cm \\ \hline
+ M\'ethode1\\
+ M\'ethode2%
+ }--
+
+ \vspace{10mm}
+ --%
+ \umlClass{\makebox[3.5cm]{Classe 2}}{%
+ Les attributs \\ \hline
+ M\'ethode1\\
+ M\'ethode2%
+ }--
+
+ \vspace{10mm}
+ --%
+ \umlClass{\makebox[3.5cm]{Classe 3}}{%
+ \hline \hline
+ }--
+
+ \vspace{10mm}
+ --%
+ \umlClass{\makebox[3.5cm]{Classe 4}}{%
+ Cela peut m\^eme d\'epasser ! \\ \hline
+ M\'ethode1\\
+ M\'ethode2%
+ }--
+
+ \end{SideBySideExample}
+
+
+ \item[Bug] \mbox{} --
+
+ \item[\`A faire] \mbox{} --
+\end{description}
+
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% \subsection{\cs{umlSaveClass} et \cs{umlUseBox}}
+%
+% \begin{description}
+%
+% \item[\`A faire] \mbox{}
+%
+% Utilisation des commandes de classes complmentaires :
+% \cs{umlSaveClass} s'utilise comme \cs{umlClass}, mais au lieu de
+% dessiner une classe, celle-ci est sauve dans une boite (au sens
+% \LaTeX{}) et doit tre utilis ultrieurement. Le titre de la
+% classe sert pour nommer la boite. Ce titre pouvant contenir des
+% espaces, il n'est pas possible d'utiliser simplement un \cs{usebox}
+% pour utiliser cette boite : d'o l'existance de la commande
+% \cs{umlUseBox}. Les caractristiques de l'objet cr sont fixes
+% lors de la \emph{cration} de la bote par \cs{umlSaveClass}. Ceci
+% est trs important pour savoir quels sont les paramtres par dfaut
+% qui seront pris en compte.
+%
+% \strong{Attention :} Ce nom contenant des espaces, il ne peut pas tre
+% utilis comme nom de node (sous peine d'erreurs \postscript).
+%
+% \item[Exemples 1] \mbox{}
+%
+%
+% \bigskip\noindent A vrifier : Les blocs ainsi dfinis en \LaTeX{}
+% sont globales mme si elle sont dfinie l'intrieur d'un
+% environnement ou d'un bloc |{}|.
+%
+% \begin{SideBySideExample}[xrightmargin=7cm]
+% % On cree et m\'emorise la classe
+% \umlSaveClass{Classe 1 bis}{%
+% mes attributs \\\hline
+% M\'ethode 2 \\
+% M\'ethode 2%
+% }
+% % On utilise la classe (en instanciant la boite
+% \rnode{Classe1bis}{\umlUseBox{Classe 1 bis}}
+% \end{SideBySideExample}
+%
+%
+% \item[Bug] \mbox{}
+%
+%
+% La bote porte toujours le nom |#| et non pas le contenu de |#2| ou
+% |#1| suivant le cas. D'o l'criture des caractres |2| et |21|
+% entourant les boites places.
+%
+% Pour les volontaires, voici le code de la commande
+% \cs{umlSaveClass}:
+%
+% \begin{Verbatim}
+% % CECI FONCTIONNE MAL (la boite cree s'appelle "#" )
+% % Je n'ai pas reussi en jonglant aves les \csname et autre \@nameuse
+% \newcommand{\umlSaveClass}[3][]{%
+% \newsavebox{\#2}%
+% \savebox{\#2}{%
+% \umlClass[#1]{#2}{#3}%
+% }%
+% }
+% % Pas de \umlUseClass car sera aussi utilise pour les acteurs, ...
+% \newcommand{\umlUseBox}[1]{\usebox{\#1}}
+% \end{Verbatim}
+%
+% \end{description}
+%
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% \subsection{\cs{umlDefClass} et \cs{umlRunCmd}}
+%
+% \begin{description}
+%
+% \item[\`A faire] \mbox{}
+%
+% Une autre faon de prdfinir les classes est de crer des
+% commandes dont le nom correspond au titre de la classe (malgr les
+% espaces et sauts de ligne). Contrairement l'utilisation de la
+% commande \cs{umlSaveClass}, Les caractristiques de l'objet cr
+% sont fixes au moment de l'utilisation de la commande par
+% \cs{umlRunCmd}.
+%
+% \bigskip\noindent A vrifier : de plus, la commande dfinie est
+% local son environnement ou son bloc |{}|.
+%
+% \item[Bug] \mbox{}
+%
+% A FAIRE (j'apprhende les mmes problmes que prcdement)
+%
+% \end{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{\cs{umlActor}}
+
+\begin{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Syntaxe] \mbox{}
+
+ \begin{verbatim}
+ \umlClass[keyOptions]{title}
+ \end{verbatim}
+ Permet de dessiner un acteur reprsent par un bonhomme avec un
+ nom. Le titre du bonhomme est vu comme une bote vide par
+ \LaTeX{}, cela rend les liens dans les diagrammes des cas
+ d'utilisation (qui sont la principale utilisation des Acteurs) plus
+ agrable (les flches sont positionnes par rapport au bonhomme et
+ non pas au texte qui peut occuper plusieurs lignes.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Paramtres (un seul)] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{title} :] nom de l'acteur. Il peut contenir
+ plusieurs lignes spares par |\\| et ventuellement des
+ \cs{hline}
+
+ \end{description}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Options] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{umlActorLineWidth} (dimension : 0.6mm )] :
+ Epaisseur de ligne pour le dessin de l'acteur.
+
+ \item[\texttt{unit} (dimension : 1 ou 1cm )] : option standard
+ de \pstricks{} permet de modifier la taille de l'Acteur. Les
+ options \texttt{xunit}, \texttt{yunit} sont galement
+ utilisable mais dconseills.
+
+ \end{description}
+
+ D'autres option standard \pstricks{} telle que \texttt{unit}
+ (ainsi que xunit et yunit) peuvent tre utilises.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Bug] \mbox{}
+
+
+ Un agrandissement par un \texttt{yunit} $> 1$, a pour effet de
+ dcaler la tte vers le haut : il faut donc utiliser la commande
+ \cs{resizebox} pour assurer un agrandissement correct.
+
+ L'utilisation de \texttt{unit} pour le changement de taille semble
+ ne pas modifier pas la taille de la boite cre : d'ou l'encombre
+ pour les petites taille (on compense par un |\resizebox{}[][]{}|
+ appropri).
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[\`A faire] \mbox{}
+
+ Option : pour concerver la taille de la bote correspondant au
+ Titre de l'acteur.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 1] \mbox{}
+
+ Ces commandes tant courtes, on peut les crer au moment mme de
+ placement qui se fait ici dans le corps du texte dans cet exemple
+ (en mode LR au sens \LaTeX{}).
+
+ \begin{CenterExample}
+ \umlActor{Client}--%
+ \umlActor[unit=0.5,umlActorLineWidth=1mm]{Minus 1}--%
+ \umlActor[unit=0.5,umlActorLineWidth=1mm]{Minus 2}--%
+ \umlActor[xunit=0.6,yunit=1.5, umlActorLineWidth=1pt]{Le Chef}--%
+ \umlActor{}--%
+ \psframebox{\umlActor{sur\\trois\\ligne}}--%
+ \end{CenterExample}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 2] \mbox{}
+
+ On peut sparer la cration et le dessin du placement. Le
+ placement se fait galement dans le texte mme.
+
+ \begin{CenterExample}
+ % Actor2 :
+ \newcommand{\drawActorii}{%
+ \umlActor[umlActorLineWidth=1pt]{Act2 (1pt)}}
+ % Actor3 :
+ \newcommand{\drawActoriii}{%
+ \umlActor{Act3 \\ (par defaut)}}
+ % Actor4 :
+ \newcommand{\drawActoriv}{%
+ \umlActor[umlActorLineWidth=1mm,unit=0.5]{Act4 (1mm)\\unit=0.5}}
+ % Actor5 : (changement local d'une valeur par defaut)
+ \newcommand{\drawActorv}{%
+ \umlActor[umlActorLineWidth=2mm]{%
+ N'importe quoi\\sur trois lignes\\Act5 (2mm)}}
+ %
+ % utilisation des acteurs precedements definis :
+ --\drawActorii%
+ --\drawActoriii%
+ --\drawActoriv%
+ --\drawActorv%
+ \end{CenterExample}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 3] \mbox{}
+
+
+ On peut composer les objets Class et Actor (illustation du
+ strotype de l'acteur).
+
+ \begin{SideBySideExample}[xrightmargin=5cm]
+ +%
+ \umlClass{\umlStereoType{Actor} %
+ \umlActor[unit=0.5]{}}{%
+ }+%
+ \end{SideBySideExample}
+
+ \begin{SideBySideExample}[xrightmargin=5cm]
+ +%
+ \umlClass{<<Actor>> %
+ %\raisebox{<raisedlift>}[<height>][<depth>]{<text>}
+ \raisebox{-0.3\height}[3ex][2ex]{%
+ \umlActor[unit=0.5]{}%
+ }%
+ }{%
+ }+%
+ \end{SideBySideExample}
+
+
+\end{description}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{\cs{umlState}, \cs{umlPutStateIn} et \cs{umlPutStateOut} }
+
+\begin{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Syntaxe] \mbox{}
+
+ Les commandes suivantes permettent de dessiner l'emplacement
+ courant respectivement un tat, ou les pseudo-tats d'entre et de
+ sortie :
+
+ \begin{verbatim}
+ \umlState[keyOptions]{title}{body}
+ \umlStateIn
+ \umlStateOut
+ \end{verbatim}
+
+ \`A l'usage, les commandes de dessin de pseudo-tat dcrites
+ ci-dessus sont avantageusement remplace par les deux commandes
+ suivantes :
+
+ \begin{verbatim}
+ \umlPutStateIn{coord}{nodeName}
+ \umlPutStateOut{coord}{nodeName}
+ \end{verbatim}
+
+ Elles permettent de dessiner et surtout de placer et connecter les
+ pseudo-tats d'entre et de sortie. Ces pseudo-tat sont mis dans
+ un \cs{cnode} au moment de leur cration, ce qui permet aux
+ connexions de toucher ces tats mme si le connecteur arrive 45
+ degrs ; ce qui n'est pas le cas si on met la boite (donc de forme
+ carre) cre par \cs{umlStateIn} \emph{posteriori} dans un
+ \cs{cnode} !
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Paramtres] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{title} :] nom de l'tat, peut-tre vide.
+ Celui-ci sera centr et crit en gras. Il peut tenir sur
+ plusieurs lignes (toutes seront en gras.
+
+ \item[\texttt{body} :] corps de l'tat, peut-tre vide.
+ Il peut contenir plusieurs lignes spares par |\\| et
+ ventuellement des \cs{hline}. Il peut galement contenir des
+ environnements |pspicture| ou d'autres \cs{umlState}.
+
+ \end{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[options] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{umlStateWidth} (dimension: 0 )]~: (NON
+ IMPL\'EMENT\'E) largeur de l'tat. La valeur 0 reprsente la
+ dimension naturelle de cette boite.
+
+ \item[\texttt{umlStateHeight} (dimension: 0 )]~: (NON
+ IMPL\'EMENT\'E) hauteur du corps de l'tat l'tat. La valeur 0
+ reprsente la dimension naturelle de cette boite.
+
+ \end{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Bug] \mbox{}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[\`A faire] \mbox{}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 1] \mbox{}
+
+
+
+ Les tats d'entre et de sortie
+
+ \bigskip
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +\umlStateIn+ : Input State
+
+ +\umlStateOut+ : Output State
+ \end{SideBySideExample}
+
+ \bigskip
+ Exemples simples avec champs vides ou non
+
+ \bigskip
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{}{Body only}+%
+ \umlState{}{}+% Vide
+ \umlState{Title only}{}+
+ \end{SideBySideExample}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 2] \mbox{}
+
+ On peut mettre titre ou corps sur plusieurs lignes. Toutes les
+ lignes du titre sont en gras :
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{Title A\\Title B}{}+%
+ \umlState{}{Body A \\ Body B}+%
+ \end{SideBySideExample}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +\umlState{Title A\\ Title B}{%
+ Voici le corps de l'tat \\
+ avec les diff\'erentes\\
+ lignes\\
+ et d'autres...%
+ }+%
+ \end{SideBySideExample}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 3] \mbox{}
+
+ Il y a diffrents moyens pour rserver une place blanche de taille
+ arbitraire (en attendant l'implantation d'options spcialises pour
+ ce besoin).
+
+ \bigskip\noindent On peut rajouter un \texttt{strut} (rgle
+ invisible) pour agrandir un des champs, ainsi que pour crer un
+ champ vide. La \cs{fbox} n'est l que pour indiquer la place
+ qu'occupe les \texttt{struts}, de mme l'paisseur du \cs{strut} de
+ 1 cm (au lieu de 0 cm normalement) permet de le visualiser :
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{%
+ Utilis. de \cs{strut}\rule[-2ex]{1mm}{6ex}%
+ }{%
+ \fbox{\rule{0cm}{2cm}\rule{4cm}{0cm}}%
+ }+
+ \end{SideBySideExample}
+
+ \noindent Une commande \cs{umlEmptyBox} est propose pour crer
+ une boite vide (mais est-elle bien utiles ??)
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{Utilis. de \cs{umlEmptyBox}}{%
+ \fbox{\umlEmptyBox{4cm}{2cm}}%
+ }+
+ \end{SideBySideExample}
+
+
+ \bigskip\noindent
+ On peut spcifier une boite "paragraphe" de largeur 4 cm et
+ optionnellement de hauteur 2 cm dans le corps. Il faut mettre
+ un espace forc pour que le paragraphe ne soit pas vide.
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{%
+ etat vide par \cs{parbox}%
+ }{%
+ \parbox[c][2cm]{4cm}{\ }%
+ }+
+ \end{SideBySideExample}
+
+ \bigskip\noindent
+ On peut utiliser \cs{hspace*} et \cs{vspace*}, c'est la solution la
+ plus prcise.
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlState{\cs{hspace*} et \cs{vspace*}}{%
+ \hspace*{4cm}\vspace*{2cm}%
+ }%
+ +
+ \end{SideBySideExample}
+
+ On pourrait encore utiliser le saut de ligne paramtr |\\[2cm]|
+ (moins prcis, mais pratique dans les tableaux.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 4] \mbox{}
+
+ Un tat dans une pspicture. L'option |[0.5]| de pspicture permet de
+ positionner la ligne de base de la bote \texttt{pspicture} 50\%
+ de la hauteur total (si on met |[]|, la ligne de base passera par
+ l'origine (0,0)).
+
+ \bigskip\noindent
+ \begin{CenterExample}
+ +\begin{pspicture}[0.5](-7,-5)(6,5)\psgrid
+ \rput(0,3.5){\textbf{pspicture 1}}
+ \rput(0,-0.5){\umlState{Etat interne vide}{%
+ \rule{0cm}{5cm}\rule{6cm}{0cm}%
+ }}%
+ \rput(-1,-1){\umlState{Etat 1}{%
+ Contenu 1\\contenu 2%
+ }}%
+ \rput(-1,1){\umlStateIn}%
+ \rput(1,1){\umlStateOut}%
+ \end{pspicture}+%
+ \end{CenterExample}
+
+
+\end{description}
+
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{\cs{umlCase} et \cs{umlCasePut}}
+
+\begin{description}
+ \item[Syntaxe] \mbox{}
+
+ \begin{verbatim}
+ \umlCase[keyOptions]{body}
+ \end{verbatim}
+
+ Permet un bloc de texte dans un oval. Cependant la boite \LaTeX{}
+ rsultante est forcment rectangulaire (comme toute boite \LaTeX{}
+ : il n'est plus possible alors de crer simplement un ovalnode par
+ la suite, d'o la quasi-inutilit de cette commande.
+
+ \begin{verbatim}
+ \umlCasePut[keyOptions]{coord}{nodeName}{body}
+ \end{verbatim}
+
+ Permet un bloc de texte dans un ovalnode. Personnellement je n'ai
+ utilis que cette commande pour crer (et surtout connect) des
+ \textsf{use-case)}.
+
+ \item[Paramtres] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{coord} :] coordonnes du centre de la boite
+ positionner.
+
+ \item[\texttt{nodeName} :] nom du node (au sens \pstricks{}).
+ Celui-ci sera utilsa pour les connexions ultrieures.
+
+ \item[\texttt{body} :] texte ventuellement sur plusieurs
+ lignes spares par des |\\| (utilisation en interne de la
+ commande \cs{umlStack}).
+
+ \end{description}
+
+ \item[Options] \mbox{} : pas d'option spcifique pour l'instant
+
+
+ \item[Bug] \mbox{}
+
+ \item[\`A faire] \mbox{}
+
+ \item[Exemples 1] \mbox{}
+
+ Voir fichier spar
+
+\end{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{\cs{umlNote}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{description}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Syntaxe] \mbox{}
+
+ \begin{verbatim}
+ \umlNote[keyOptions]{noteBody}
+ \end{verbatim}
+ Permet de dessiner une note dans un ardre au coin corn.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Paramtres] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{noteBody} :] corps de la note. Il
+ peut contenir plusieurs lignes spares par |\\|.
+
+ \end{description}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Options] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{umlNoteCoin} (dimension: 1.5ex )]~: (NON
+ IMPL\'EMENT\'E) coin du petit carr repli.
+
+ \end{description}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Bug] \mbox{}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[\`A faire] \mbox{}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 1] \mbox{}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlNote{Ceci est \\ un \\ exemple de note}%
+ +
+ \end{SideBySideExample}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \umlNote[linewidth=2pt,umlAlign=c]{%
+ Ceci est \\ autre exemple \\ de note%
+ }%
+ +
+ \end{SideBySideExample}
+
+
+\end{description}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Les commandes auxiliaires de \pstuml{}}
+
+Ces commandes ne permettent pas de crer des boites
+au sens \uml{}, mais simplifient la vie lors du dessin des diffrents
+type de diagrammes.
+
+\subsection{\cs{umlStack}}
+
+\begin{description}
+\item[Syntaxe] \mbox{}
+
+ \begin{verbatim}
+ \umlStack[keyOptions]{stackBody}
+ \end{verbatim}
+
+ permet de mettre du texte sur plusieurs lignes dans un boite sans
+ avoir d'espace supplmentaire en utilisant un environnememt
+ \texttt{tabular}. Par rapport la commande \LaTeX{} \cs{shortstack},
+ l'espacement entre ligne n'est pas nul et est rgulier.
+
+\item[Paramtres (un seul)] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{stackBody} :] corps de la boite. Il
+ peut contenir plusieurs lignes spares par |\\|.
+
+ \end{description}
+
+\item[Options] \mbox{}
+
+ \begin{description}
+
+ \item[\texttt{umlStackSep} (dim : 0)] : distance de sparation
+ entre le contenu de la boite et le bord (pour une frame
+ ventuelle).
+
+ Cette option utilise d'une part l'option \texttt{tabcolsep} de
+ \texttt{tabular} pour rgler l'espacement sur les bords
+ verticaux, et d'autre part des \texttt{strut} pour rajouter
+ des espacements horizontaux avant la premire ligne et aprs la
+ dernire ligne.
+
+ \item[\texttt{umlStackWidth} (dim : 0)] : largeur de la boite.
+ La valeur 0 indique une largeur automatique en fonction du contenu.
+
+ \item[\texttt{umlStackLinesStretch} (rel : 0.85)] : cart
+ relatif de l'espace interligne par rapport un tableau normal.
+ La valeur par dfaut de 0.85 permet de tasser suffisamment tout en
+ permettant une marge pour absorber les diffrences de profondeur ou
+ de hauteur des diffrentes
+ lettres (x, g, j, h, t, ...)
+
+ \item[\texttt{umlAlign} (l, c, r : c)] : alignement horizontal
+ du texte l'intrieur de la boite.
+
+ \item[\texttt{umlPos} (t, c, b : c)] : alignement vertical
+ de la boite par rapport la ligne de base.
+
+ \end{description}
+
+\item[Bug] \mbox{}
+
+\item[\`A faire] \mbox{}
+
+
+\item[Exemples 1 : comparaison de \cs{umlStack}, \cs{shortstack}
+ et \texttt{tabular}] \mbox{}
+
+ Dans les exemples suivants, les \cs{umlStack} utilse sont
+ entoure d'une \cs{fbox} ayant une \cs{fboxsep} nulle de faon
+ bien visualiser les limites relles de la boite produite.
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \setlength{\fboxsep}{0pt}\fbox{%
+ \umlStack{Ceci est \\ un \\ exemple \\
+ de stack}%
+ }+%
+ \end{SideBySideExample}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \setlength{\fboxsep}{0pt}\fbox{%
+ \shortstack{Ceci est \\ un \\ exemple \\
+ de stack}%
+ }+%
+ \end{SideBySideExample}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +%
+ \setlength{\fboxsep}{0pt}\fbox{%
+ \begin{tabular}{c}
+ Ceci est \\ un \\ exemple \\
+ de stack
+ \end{tabular}%
+ }+%
+
+ \end{SideBySideExample}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 2 : utilisation des options] \mbox{}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +\setlength{\fboxsep}{0pt}\fbox{%
+ \umlStack[
+ umlStackSep=1.5ex,
+ umlAlign=r,
+ umlPos=t,
+ umlStackLinesStretch=.9,
+ ]%
+ {Ceci est \\ un \\ autre \\
+ exemple \\ de stack}%
+ }+
+ \end{SideBySideExample}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\item[Exemples 3 : bug avec alignement droite et
+ largeur impose] \mbox{}
+
+ \begin{SideBySideExample}[xrightmargin=6cm]
+ +\setlength{\fboxsep}{0pt}\fbox{%
+ \umlStack[
+ umlStackWidth=4,
+ umlStackSep=1.5ex,
+ umlAlign=r,
+ ]%
+ {Ceci est \\ un \\ autre \\
+ exemple \\ de stack}%
+ }+
+ \end{SideBySideExample}
+
+\end{description}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Positionnement des objets}
+
+
+Le placement des diffrents objets peut se faire selon quatre mthodes :
+\begin{itemize}
+
+\item soit en utilisant les positions absolues dans un environnememnt
+|psgraphics| l'aide de la commande \cs{rput} pour placer les objets et
+\cs{rnode} pour leur affecter un nom de noeud (en vue d'une future
+rfrence pour les connexions) ;
+
+\item soit l'aide des commandes de haut niveau fournie par \pstricks{}
+ savoir l'environnement |psmatrix| et la commande \cs{pstree} ;
+
+\item soit l'aide de commandes de placement relatif fournies par
+\pstuml{} (Merci Denis \textsc{Girou}) ;
+
+
+\item soit tout simplement dans le texte comme dans certains exemples
+montrs prcdement (en mode LR au sens \LaTeX{}).
+
+\end{itemize}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{Utilisation de \texttt{psgraphics} et \cs{rput}}
+
+
+Il consiste plasser les botes (prcdemment crs ou non) dans un
+environnement \texttt{pspicture} l'aide des commandes \cs{rput}. La
+macro \cs{psgrid} (compte tenu des options prdfinies par le package
+\pstuml{}) permet de visualiser une grille de 1cm de cot. Cette grille
+pourra tre commente une fois la mise au point de la figure termine.
+Dans cet exemple, les objets sont crs au moment du placement car il
+sont simples. On remarque la cration (par \cs{psdot})d'un noeud
+ponctuel "pnode1" invisible sur le graphique, mais qui pourra tre
+utilis comme point de connexion intermdiaire (le petit cercle n'est
+l que pour sa visualisation).
+
+\begin{CenterExample}
+ % positionnement des classes
+ \begin{pspicture}(17,5)\psgrid
+ \rput(3,3){\rnode{Objet1}{\umlClass{Objet 1}{}}}
+ \pnode(16.5,4.5){pnode1}\psdot(pnode1)% pour visu
+ \rput(9,4){\rnode{Objet2}{\umlClass{Objet 2}{}}}
+ \rput(2,1){\rnode{Objet3}{\umlClass{Objet 3}{}}}
+ \rput(12,1){\rnode{Objet4}{\umlClass{Objet 4}{}}}
+ \rput(5.5,1.5){\rnode{Objet5}{\umlClass{Objet 5}{}}}
+ %
+ \rput(15,2.5){\rnode{Objet6}{\umlActor{Objet6}}}
+ \end{pspicture}
+ %
+\end{CenterExample}
+
+% \clearpage
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\subsection{Utilisation de \texttt{psmatrix}}
+
+% % Ceci est un paragraphe avant psmatrix.
+% %
+Les boites prcdemment dfinies peuvent tre positionnes l'aide
+des macros de haut niveau de \pstricks{} telles que les environnements
+\texttt{psmatrix} ou \texttt{psTree}.
+
+Ces macro sont plus simples utiliser, mais sont moins souple au
+niveau du placement. Voici un exemple de placement utilisant
+l'environnement \texttt{psmatrix}. On peut remarquer l'utilisation
+d'une longueur ngative pour la sparation des colonnes, ainsi que le
+changement possible de la longueur d'une seule colonne. De mme, un
+changement d'espacement pour une ligne particulire peut se faire par
+\verb:\\[2cm]: ou mme \verb:\\[-1cm]:.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{CenterExample}
+ \psshadowbox[framesep=0]{
+ \begin{psmatrix}[rowsep=0.3,colsep=-0.5,mnode=r]
+ % Dessin de classes predefinies
+ [name=Chose1] Chose 1 & & & [colsep=2,name=P1] \\
+ & [name=Chose2] \pscirclebox{Chose 2} \\[2cm]
+ [name=Chose3] \umlClass{Chose 3}{} & & [name=Chose4] Chose 4
+ \end{psmatrix}
+ % Visualisation d'un moeud ponctuel invisible par un X :
+ \ncput{pnode1}{$\times$}
+ }
+\end{CenterExample}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Utilisation des commandes de placement relatif}
+
+
+Les lettre E, N, W et S sont utiliss la place de Right, Left, ...
+pour des raisons de cohrence avec les commandes de connexion du style
+\cs{ncNE} vues plus loin. Les commandes de gestion du placement
+relatif sont les suivantes :
+
+\begin{itemize}
+ \item affectation en absolu du point courant par rapport l'origine
+ (fixe (0,0) pour l'instant) : \cs{ResetXY}, \cs{SetX},
+ \cs{SetY}, \cs{SetXY} en cours) ;
+
+ \item accs au point courant par \cs{X} et \cs{Y} ;
+
+ \item les commandes de base : \cs{incrX}, \cs{incrY}
+ (sont utilises par les quatre suivantes) ;
+
+ \item les dplacements relatifs \cs{moveE},
+ \cs{moveN}, \cs{moveW}, \cs{moveS} ;
+
+ \item positionnement d'un objet au point courant \cs{rputXY}.
+
+ \item A FAIRE \cs{SetXY} pour l'affectation absolue du
+ point courant partir d'une cordonne d'un nom de node mmoris.
+ Je n'ai pas trouv la commande interne \pstricks{} permettant de
+ convertir les coordonnes partir d'un nom d'un node en
+ coordonnes X ou Y pour le point courant : (help) ;
+
+ \item A FAIRE \cs{setOri} pour changer la position de l'origine. Cela
+ affecte donc les commandes de positionnement absolues telles que
+ \cs{resetXY}. Le but est d'affecter l'origine un noeud prcdement
+ cr par un \cs{pnode} ou autre \cs{rnode} ;
+
+ Note : vrifier si l'option \texttt{origin=\{coor\}} de \pstricks{}
+ ne conviendrait pas !
+
+
+ \item A FAIRE \cs{move} (vers une direction incrmentale
+ arbitraire pouvant utiliser les coordonnes polaires ;
+\end{itemize}
+
+\begin{SideBySideExample}[xrightmargin=7cm]
+ \begin{pspicture}(-3,-3)(3,3)\psgrid
+ \ResetXY % X and Y are rest at startup
+ \rputXY{\pscirclebox{1}}
+ \moveE{2} \rputXY{\pscirclebox{2}}
+ \moveN{2} \rputXY{\pscirclebox{3}}
+ \moveW{2} \rputXY{\pscirclebox{4}}
+ \moveW{2} \rputXY{\pscirclebox{5}}
+ \moveS{2} \rputXY{\pscirclebox{6}}
+ \moveS{2} \rputXY{\pscirclebox{7}}
+ \moveE{2} \rputXY{\pscirclebox{8}}
+ \moveE{2} \rputXY{\pscirclebox{9}}
+ \end{pspicture}
+\end{SideBySideExample}
+
+\begin{SideBySideExample}[xrightmargin=7cm]
+ \begin{pspicture}(-3,-5)(3,5)\psgrid
+ %
+ \ResetXY % Don't forget !
+ %
+ \rputXY{\psovalbox{1: start}}
+ %
+ % mixing absolute and relative coords
+ \SetX{2}\SetY{2}\moveN{2}
+ \rputXY{\psframebox[linewidth=2pt]{Pos2}}
+ %
+ % use of negative coord, and coord with
+ % explicit units (10mm)
+ \moveW{4}\moveS{4}\moveE{-10mm}\moveE{1}
+ \rputXY{\Large 3}
+ % use of current coord X and Y as params
+ % for not using "\rputXY"
+ % (or for calcul : to be tested) :
+ \pscircle(\X,\Y){0.5}
+ %
+ % memorisation par un node
+ \moveE{4}\moveN{2}
+ \rputXY{\pnode{P4}}
+ \rputXY{P4}
+ \rputXY{\pscircle{0.5}}
+ %
+ % mixing absolute (SetX) and relative (moveN)
+ \SetX{-1.5}\moveN{1.5}
+ \rputXY{\pscirclebox{UN CERCLE}}
+ %
+ % use of current coord X and Y in calcul
+ % (doesn't work yet) :
+ \SetX{-2}\SetY{-2.5}
+ % \pssetlength allows \X+2 insteed of \X+2cm
+ \newlength{\tmpX}\setlength{\tmpX}{\X}
+ \newlength{\tmpY}\setlength{\tmpY}{\Y}
+ \psaddtolength{\tmpX}{5}
+ \psaddtolength{\tmpY}{1}
+ \rputXY{\pscircle{0.1}} % at curent point
+ \rputXY{%
+ \psframe(0,0)(\tmpX,\tmpY)%
+ }
+ %
+ % acces direct to a memorised point
+ % NOT YET DONE
+ % \SetXY{P4}
+ % \rputXY{\pscirclebox{UN CERCLE}}
+ %
+ \end{pspicture}
+\end{SideBySideExample}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Les connecteurs orthogonaux}
+
+
+En plus des divers connecteurs proposs par \pstricks{} tels que
+\cs{ncline}, \cs{ncbar}, \cs{ncdiag}, \cs{ncdiagg}, \cs{ncangle},
+\cs{ncangles} et \cs{nccurve} ; \pstuml{} propose un certain nombre de
+connecteurs bass sur les prcdents (par \cs{newpsobject}).
+
+Le but est de simplifier le trac des liens en se restreingnant aux
+directions horizontales et verticales. Le principe est d'indiquer
+dans le nom mme de la commande le nombre de segments tracer et
+leur direction.\\
+Par exemple, la premire lettre (\texttt{E} dans \cs{ncEVW}) indique
+que le segment part vers l'Est, tourne verticalement (\texttt{V} : vers
+le haut ou vers le bas) puis tourne vers l'Ouest \texttt{W} pour se
+connecter.
+
+\begin{itemize}
+
+\item E, W, N, S pour Est, West, North, Sud,
+\item H, V pour Horizontal et Vertical,
+\item D pour diagonal,
+\item X pour indiffrent.
+
+\end{itemize}
+
+\bigskip\noindent
+Les commandes suivantes sont proposes :
+
+\begin{itemize}
+
+\item un seul segment : \cs{ncE} \cs{ncW} \cs{ncN} \cs{ncS}
+
+\item deux segments : \cs{ncEN} \cs{ncES} \cs{ncWN} \cs{ncWS} \cs{ncNE}
+ \cs{ncNW} \cs{ncSE} \cs{ncSW}
+
+\item trois segment en U : \cs{ncEVW} \cs{ncWVE} \cs{ncSHN} \cs{ncNHS}
+
+\item trois segments en Z : \cs{ncEVE} \cs{ncWVW} \cs{ncNHN} \cs{ncSHS}
+
+\item trois segments en diagonale : \cs{ncEDE} \cs{ncWDW} \cs{ncNDN}
+ \cs{ncSDS}
+
+\item quatre segments (voir trois) : \cs{ncSXE} \cs{ncSXW} \cs{ncEXS}
+ \cs{ncEXN} \cs{ncWXS} \cs{ncWXN} \cs{ncNXE} \cs{ncNXW}
+
+\end{itemize}
+
+\subsubsection*{Bug}
+
+La position par dfaut des labels (utilise par des \cs{naput}...)
+peut tre affecte : dans ce cas imposer le positionnement explicitement
+par :
+
+ |\ncE{nodeA}{nodeB}\naput[npos=0.5]{myLabel}|
+
+
+De mme, dans les commandes trois segments, quatre segments sont
+rellement dessins : en cas de problme de positionnement des labels,
+il peut tre utile d'imposer |armB=0| (en attendant un raffinement de
+ces commandes orthogonales).
+
+\subsection*{Exemples 1}
+
+A FAIRE (voir listing de dessin de classe ci-aprs)
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Essais d'icones "flches" sur des courbes}
+
+Aprs des tentatives infructueuses (pour l'instant) de dfinir de
+nouvelle vraie flche au sens \pstricks{} (sans passer par postscript :
+en n'utilisant que des commande \TeX{}), je propose une commande
+\cs{ncputicon} base sur la command \cs{ncput}. Par dfaut, l'icone est
+positionne en dbut de connecteur (cf. Bug ci-dessous)
+
+\subsection*{Bug}
+
+\subsection*{\`A faire}
+
+Je souhairais que par dfaut l'icone soit positionne en fin de
+connecteur en mettant par exemple |\psset{npos=5}|. Cela ne marche pas
+pour tous les connecteurs (les \cs{ncline} et les \cs{nccurve}). C'est
+pour cette raison que la position par dfaut est en dbut de connecteur
+(peut-tre existe-t-il une variable \pstricks\ qui indique le nombre
+total de segments prsents dans le dernier connecteur utilis ??).
+
+\subsection*{Exemples 1}
+
+\begin{SideBySideExample}[xrightmargin=6cm]
+ \begin{pspicture}(0,0)(5,5)\psgrid
+ \rput[bl]{30}(0.5,0){\rnode{Node1}{%
+ \psframebox{\Large Node1}}}
+ \rput[tr]{45}(4.5,4){\rnode{Node2}{%
+ \psframebox{\Large Node2}}}
+
+ \nccurve[angleA=-45,angleB=135]{Node1}{Node2}
+ \ncput[nrot=:U,npos=0.8]{mylabel}
+ \ncputicon{umlHerit}
+
+ \nccurve[angleA=-30,angleB=-90]{Node2}{Node1}
+ \ncputicon{umlAgreg}
+
+ \nccurve[angleA=135,angleB=-135]{Node1}{Node2}
+ \ncputicon{umlCompos}
+ \ncputicon[nrot=:U,npos=0.7]{umlV}
+
+ \end{pspicture}
+\end{SideBySideExample}
+
+% \subsection*{Exemples 2}
+% A FAIRE (voir listing de dessin de classe ci-aprs)
+%
+%
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Principales commandes \pstricks{} utilises (A FAIRE)}
+
+\cleardoublepage
+
+\appendix
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Exemple de diagramme de classe}
+
+\input{diagClass.tex}
+\VerbatimInput[gobble=0]{diagClass.tex}
+
+% % % % % % % % % \end{document}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme des cas d'utilisation}
+
+
+\input{diagCase.tex}
+\VerbatimInput[gobble=0]{diagCase.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme de squences}
+
+
+\input{diagSeq.tex}
+\VerbatimInput[gobble=0]{diagSeq.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme d'tats}
+
+
+\input{diagState.tex}
+\VerbatimInput[gobble=0]{diagState.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Listing du package \texttt{pst-uml.sty}}
+
+\VerbatimInput[%
+ baselinestretch=0.9,%
+ fontsize=\small,%
+ gobble=0% nbr de caratere de debut a ignorer
+]{pst-uml.sty}
+pour connaitre le numero de la derniere page
+\label{verylast}\mbox{}
+
+\end{document}
+
+% PRESSE-PAPIER :
+%
+% \begin{SideBySideExample}[xrightmargin=6cm]
+% \begin{pspicture}(0,0)(5,5)\psgrid
+%
+% \end{pspicture}
+% \end{SideBySideExample}
+% \begin{CenterExample}
+% \begin{pspicture}(0,0)(5,5)\psgrid
+%
+% \end{pspicture}
+% \end{CenterExample}
+
+%%%% EXEMPLE DE DESCRIPTION DE COMMANDE :
+%
+% \begin{description}
+% \item[Syntaxe] \mbox{}
+%
+% \begin{verbatim}
+% \umlClass[keyOptions]{title}{body}
+% \end{verbatim}
+%
+% Permet de dessiner une classe.
+%
+% \item[Paramtres (un seul)] \mbox{}
+%
+% \begin{description}
+%
+% \item[\texttt{title} :] nom de la classe, celui-ci sera centr
+% et crit en gras. Il peut tenir sur plusieurs lignes.
+%
+% \item[\texttt{body} :] corps de la classe propremment dit. En
+% particulier contient les attributs et mthodes justifies gauche.
+% Les diffrentes lignes sont spares par |\\| et ventuellement
+% des |\hline|.
+% \end{description}
+%
+% \item[Options] \mbox{}
+%
+% \begin{description}
+%
+% \item[\texttt{umlShadow} (boolean : true)] :
+% si vrai, un cadre ombr de fond gris entoure la classe \\
+% sinon, un cadre simple sur fond blanc est utilis.
+%
+% \end{description}
+%
+% \item[Bug] \mbox{}
+%
+% \item[\`A faire] \mbox{}
+%
+% \item[Exemples 1] \mbox{}
+%
+% \end{description}
+
diff --git a/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.pdf b/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.pdf
new file mode 100644
index 00000000000..c0a38a9bbc5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.tex b/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.tex
new file mode 100644
index 00000000000..e53b64a5221
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pst-uml/exemplesUml.tex
@@ -0,0 +1,160 @@
+\documentclass[11pt,a4paper,twoside]{article}
+ \usepackage[T1]{fontenc}
+ % \usepackage[applemac]{inputenc}
+ \usepackage[latin1]{inputenc}
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Format de la mise en page
+ \setlength{\hoffset}{-1in}
+ \setlength{\voffset}{-1in}
+ \setlength{\oddsidemargin}{2cm}
+ \setlength{\evensidemargin}{2cm}
+ \setlength{\topmargin}{1.8cm}
+ % \setlength{\headheight}{0cm}
+ % \setlength{\headsep}{0cm}
+ \setlength{\textwidth}{16.5cm}
+ \setlength{\textheight}{24.0cm}
+
+
+ \usepackage{pst-uml}
+
+
+ % pour les environnement d'exemple Latex...
+ \usepackage{fancyvrb}
+ \usepackage[pstricks]{fvrb-ex}
+ % option pour le package fancyverb (pour \VerbatimInput)
+ \fvset{%
+ frame=single,%
+ numbers=left,%
+ baselinestretch=0.9,%
+ gobble=0,% nbr de caratere de debut a ignorer
+ fontsize=\footnotesize%
+ }
+
+ % \providecommand{\showgrid}{\psgrid[subgriddiv=0, griddots=10]}
+
+ \DefineShortVerb{\|}
+ % \UndefineShortVerb{\|} % pour annuler
+
+ \pagestyle{headings}
+
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Quelques commandes locales
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % \printtime
+ %
+ % commande d'impression de l'heure courante
+ %
+ % Exemple : "Fichier compil\'{e} le \today{} \`{a} \printtime."
+ \usepackage{calc}
+ \usepackage{ifthen}
+ \newcounter{hours}\newcounter{minutes}
+ \newcommand{\printtime}{%
+ \setcounter{hours}{\time/60}%
+ \setcounter{minutes}{\time-\value{hours}*60}%
+ \thehours h%
+ % on veut obtenir 15h03mn et non 15h3mn...
+ \ifthenelse{\theminutes<10}{0}{}\theminutes mn%
+ }
+
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ % Quelques abbreviations
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ % Conventions g\'{e}n\'{e}rales pour les formats de pr\'{e}sentation
+ \newcommand{\strong}[1]{\textbf{\emph{#1}}} % plus fort que \emph
+ \newcommand{\tech}[1]{\textsf{#1}} % terme technique
+ \newcommand{\file}[1]{\texttt{#1}} % noms de fichiers et de r\'{e}pertoires
+ \newcommand{\menu}[1]{\fbox{#1}} % nom d'un menu/sous-menu
+ \newcommand{\key}[1]{\fbox{\textbf{#1}}} % touche du clavier
+
+ % abreviations locales a ce document :
+ \newcommand{\uml}{\textsc{uml}}
+ \newcommand{\pstricks}{\texttt{PSTricks}}
+ \newcommand{\postscript}{\texttt{PostScript}}
+ \newcommand{\pstuml}{\texttt{pst-uml}}
+ % \newcommand{\bs}{\backslash}
+ % \newcommand{\bs}{\backslash}
+
+ % Pour les noms de commande TeX
+ % Exemple : \cs{fbox} => \fbox
+ \DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\usepackage[colorlinks,linktocpage]{hyperref}
+%\usepackage{french}
+\usepackage[francais]{babel} % idem frenchb mais PAS french !
+ % La suite evite que Babel impose un espace devant ":" mais n'est
+ % pas disponible sur les vielles versions de Babel (comme l'ENSTA).
+\NoAutoSpaceBeforeFDP
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\title{Exemple de diagrammes utilisant \pstuml}
+\author{%
+ Maurice \textsc{Diamantini}%
+ \thanks{avec l'aide prcieuse de Denis \textsc{Girou}} %
+ (email : \texttt{diam@ensta.fr})
+}
+\date{%
+ Compil le \today{} \printtime{}.%
+}
+\maketitle
+
+\tableofcontents
+\clearpage
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme de classe}
+
+\input{diagClass.tex}
+\VerbatimInput{diagClass.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme des cas d'utilisation}
+
+
+\input{diagCase.tex}
+\VerbatimInput{diagCase.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme de squences}
+
+
+\input{diagSeq.tex}
+\VerbatimInput{diagSeq.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\clearpage
+\section{Exemple de diagramme d'tats}
+
+
+\input{diagState.tex}
+\VerbatimInput{diagState.tex}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+% pour connaitre le numero de la derniere page
+\label{verylast}\mbox{}
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/Changes b/Master/texmf-dist/doc/generic/pstricks-add/Changes
new file mode 100644
index 00000000000..73ef5a8beeb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/Changes
@@ -0,0 +1,79 @@
+pstricks-add.pro ----------- (Dominik Rodriguez/hv)
+ v 0.04 2005-10-06 added subroutines for calculating wavelength to rgb color(hv)
+ changing name of pst-eqdf.pro to pstricks-add.pro
+ v 2005.03 2005/05/16 (hv) small changes to the code
+ v 2005.02 2005/03/05 (dr) white space removal from expression
+ v 2004.02 2004/11/14 (dr) correction of a priority problem ^ before unary - (new rule FS)
+ v 2004.01 2004/09/14 (dr) initial version
+
+pstricks-add -----------
+ v 2.70 2005-10-20 - use \def instead of \edef for X|YAxisLabel
+ - make psgraph correct use of the origin values
+ - added a new macro \psLNode and \nlput for a
+ node label with absolute position
+ v 2.69 2005-10-12 moving the basic arrows into pstricks )-(,]-[
+ bugfix for hook arrow
+ v 2.68 2005-10-09 fix a bug with trigLabels and showorigin
+ v 2.67 2005-10-08 rewrote \psrotate macro
+ added three predefined hatchstyles for simulating transparent colors
+ TRed, TGreen,TBlue
+ v 2.66 2005-10-06 add more support for Gouraud-shading, emulate the PS subroutines
+ if not present in the PS level
+ v 2.65 2005-10-03 add support for Gouraud-shading
+ v 2.64 2005-09-25 fix a bug in reading ticksize values (\pst@getdimdim}
+ v 2.63 2005-09-18 fix another bug with option names
+ v 2.62 2005-09-08 fix new introduced bug in \psbrace
+ v 2.61 2005-09-08 fix bug in \psbrace
+ v 2.60 2005-08-28 added some more line fill styles
+ v 2.59 2005-08-06 bugfix for option intSeparator
+ add macro \psrotate
+ v 2.58 2005-07-25 ArrowInside=- for \psbrace
+ v 2.57 2005-07-07 some improvements to psgraph
+ v 2.56 2005-06-25 fix bug with \pscustom and poynom
+ fix introduced trailing space in \readdata
+ v 2.55 2005-05-26 some tweeks to the code, updating the documentation
+ v 2.54 2005-05-25 added option ChangeOrder
+ v 2.53 2005-05-23 dito
+ v 2.52 2005-05-22 fix bug in psplotTangent
+ v 2.51 2005-05-21 drop support of option varStep
+ v 2.50 2005-05-20 first try with psplotDiffEqn, plotting differential equation,
+ needs _newest_ pst-eqdf.pro and pstricks.pro
+ v 2.49 2005-05-19 fix bug in psplotTangent and make option showpointa available
+ v 2.48 2005-05-18 fix some new introduced bugs and make psplotTangent for all
+ plot macros working
+ v 2.47 2005-05-17 make psplotTangens also available for the parametric plot
+ together with the algebraic option
+ v 2.46 2005-05-16 make psplotTangens also available for the polarplot and
+ algebraic option
+ v 2.45 2005-05-16 small changes to the code
+ v 2.44 2005-05-15 added macro psplotTangent
+ v 2.43 2005-04-20 some more tweeks to triglabels
+ v 2.42 2005-04-17 small bugfix with the options
+ v 2.41 2005-04-17 new option ignoreLines for \readdata
+ v 2.40 2005-04-13 new option trigLabels
+ v 2.39 2005-03-17 modify the Rhook subroutine (abs)
+ v 2.38 2005-03-03 move the loading of a config file into pstricks-add.sty
+ v 2.37 2005-02-20 drop support of tickstyle (pst-plot),
+ fix several bugs in connection with the ticksize option
+ minor code changes
+ v 2.36 2005-02-20 added missing LabelFactor
+ v 2.35 2005-02-19 small improvements
+ v 2.34 2005-02-10 fix bug with comma
+ v 2.33 2005-01-18 add a config file
+ v 2.32 2005-01-16 added hook arrow (for bond lines)
+ v 2.31 2004-12-11 activate \pslinestyle for the axes
+ v 2.30 2004-12-07 make xyAxes run
+ v 2.29 2004-12-04 spurious blank in ArrowInside
+ v 2.28 2004-11-23 small changes to the code
+ v 2.27 2004-11-19 tickstyle now a pstricks-add key
+ v 2.26 2004-11-17 spurious blank in \psbrace
+ v 2.25 2004-11-13 fixed a new introduced bug
+ v 2.24 2004-11-12 added the psRandom macro for random dots
+ v 2.23 2004-11-11 added the star option for psgraph
+ v 2.22 2004-11-04 fixed bug with \psset
+ v 2.21 2004-10-24 added \psParallelLine for lines parallel to another one
+ added \psIntersectionPoint(#1)(#2)(#3)(#4){nodeName}
+ v 2.20 2004-10-24 added \psRelLine for lines relative to another one
+ v 2.19 2004-10-20 small changes
+ v 2.18 2004-10-20 add \ncbarr
+ v 2.17 2004-10-14 new multiple arrows
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/README b/Master/texmf-dist/doc/generic/pstricks-add/README
new file mode 100644
index 00000000000..0b2dc753ee5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/README
@@ -0,0 +1,50 @@
+pstricks-add redefines a lot of the pstricks macros and uses the extended
+version of the keyval package. So be sure that you
+- pstricks-add depends on the pstricks.pro Version 1.00, 2005/09/18
+ you can get it from http://perce.de/LaTeX/pstricks/ or CTAN
+- load pstricks-add at last pstricks related package
+- have installed xkeyval with the special pst-xkey
+ (CTAN: tex-archive/macros/latex/contrib/xkeyval/)
+- do not load another package after pstricks-add, which loads
+ the old keyval.sty or pst-key.tex
+
+pstricks-add collects a lot of the code which was posted
+to the pstricks mailing list and has some more new features:
+
+- pstricks
+ o define and calculate colors on PS side
+ o Gouraud shading
+ o braces as node connection/linestyle
+ o line style bar
+ o arrows, arrows, arrows, ...
+
+- pst-plot
+ o new environment psgraph
+ o new macro pstScalePoints
+ o new option for logarithmic axes
+ o new macro and options for ticklines
+ o new plot option bar and option barwidth
+ o new options step, start end for plotting data files
+ o new options xLabel, yLabel
+ o new option plotNo for multiple data files x y1 y2 y3 ...
+ o new macro psplotTangent
+ o new macro psplotDiffEqn
+ o new option algebraic for infix notation
+ o new option changeOrder
+
+- pst-node
+ o new macro nclineII for a two-colored line
+ o new option lineAngle for ncdiag
+ o new macros for interpolation nodes
+ and linear combination of two vectors
+ o new macro ncbarr (line with 5 segments)
+
+
+pstricks-add.pro : the prolog file for pstricks-add
+pstricks-add-doc.ltx: the main doc file
+pstricks-add-doc.tex: the included doc file
+
+Save the files pstricks-add.sty|tex|pro in the TeX tree,
+where the pstricks-add.pro file should go in texmf/dvips/pstricks/, then
+run texhash or mktexlsr to update the TeX file base.
+The document needs the data files in example/.
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/12-1.txt b/Master/texmf-dist/doc/generic/pstricks-add/examples/12-1.txt
new file mode 100644
index 00000000000..5e375916fc6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/12-1.txt
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diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/12-2.txt b/Master/texmf-dist/doc/generic/pstricks-add/examples/12-2.txt
new file mode 100644
index 00000000000..a2d344d7a1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/12-2.txt
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diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/12-3.txt b/Master/texmf-dist/doc/generic/pstricks-add/examples/12-3.txt
new file mode 100644
index 00000000000..3b6718d24ad
--- /dev/null
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diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.pdf b/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.pdf
new file mode 100644
index 00000000000..2f9964afb45
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.tex b/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.tex
new file mode 100644
index 00000000000..dd51aba9492
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/HookArrow.tex
@@ -0,0 +1,41 @@
+\documentclass[12pt]{article}
+
+\usepackage{pst-node}
+\usepackage{pstricks-add}
+
+\begin{document}
+
+\[
+\begin{psmatrix}
+E&W_i(X)&&Y\\
+&&W_j(X)
+\psset{arrows=->,nodesep=3pt,linewidth=5pt}
+\everypsbox{\scriptstyle}
+\ncline[linecolor=red,arrows=H->,hooklength=5mm,hookwidth=4mm]{1,1}{1,2}
+%% This should be \hookrightarrow
+\ncline{1,2}{1,4}^{\tilde{t}}
+\ncline{1,2}{2,3}<{W_{ij}}
+\ncline{2,3}{1,4}>{\tilde{s}}
+\end{psmatrix}
+\]
+
+\[
+\begin{psmatrix}
+&&C(K)\\
+&M_i&&M_j\\
+W_i(K)&&&&W_j(K)
+\psset{arrows=->,nodesep=3pt}
+\everypsbox{\scriptstyle}
+\ncline[arrows=->>]{1,3}{2,2}
+\ncline[arrows=->>]{1,3}{2,4}
+\ncline[arrows=<<-,linestyle=dashed]{2,2}{2,4}_{m_{ij}}
+\ncline[linecolor=red,arrows=H->,hooklength=5mm,hookwidth=-2mm]{2,2}{3,1}<{m_i}
+%% \hookrightarrow with the
+%% "litle tail" directed to the left; the same for the next arrow.
+\ncline{2,4}{3,5}>{m_j}
+\ncline{3,5}{3,1}_{W_{ji}}
+\end{psmatrix}
+\]
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/data.dat b/Master/texmf-dist/doc/generic/pstricks-add/examples/data.dat
new file mode 100644
index 00000000000..ef26a271f2d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/data.dat
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new file mode 100644
index 00000000000..35673e6177d
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new file mode 100644
index 00000000000..fcbfa144464
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new file mode 100644
index 00000000000..a364d701bc2
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+ 0.595 -5.84
+ 0.600 -5.83
+ 0.605 -5.82
+ 0.610 -5.84
+ 0.615 -5.87
+ 0.620 -5.91
+ 0.625 -5.98
+ 0.630 -6.07
+ 0.635 -6.17
+ 0.640 -6.30
+ 0.645 -6.41
+ 0.650 -6.43
+ 0.655 -6.30
+ 0.660 -6.01
+ 0.665 -5.55
+ 0.670 -4.96
+ 0.675 -4.37
+ 0.680 -3.94
+ 0.685 -3.79
+ 0.690 -3.94
+ 0.695 -4.33
+ 0.700 -4.83
+ 0.705 -5.31
+ 0.710 -5.65
+ 0.715 -5.85
+ 0.720 -5.95
+ 0.725 -6.02
+ 0.730 -6.10
+ 0.735 -6.19
+ 0.740 -6.29
+ 0.745 -6.37
+ 0.750 -6.40
+ 0.755 -6.32
+ 0.760 -6.07
+ 0.765 -5.64
+ 0.770 -5.08
+ 0.775 -4.47
+ 0.780 -3.84
+ 0.785 -3.19
+ 0.790 -2.58
+ 0.795 -2.11
+ 0.800 -1.84
+ 0.805 -1.78
+ 0.810 -1.90
+ 0.815 -2.15
+ 0.820 -2.45
+ 0.825 -2.71
+ 0.830 -2.86
+ 0.835 -2.91
+ 0.840 -2.96
+ 0.845 -3.02
+ 0.850 -3.10
+ 0.855 -3.20
+ 0.860 -3.36
+ 0.865 -3.52
+ 0.870 -3.63
+ 0.875 -3.64
+ 0.880 -3.52
+ 0.885 -3.30
+ 0.890 -3.04
+ 0.895 -2.80
+ 0.900 -2.59
+ 0.905 -2.42
+ 0.910 -2.27
+ 0.915 -0.53
+ 0.920 -0.16
+ 0.925 0.08
+ 0.930 0.13
+ 0.935 -0.05
+ 0.940 -0.41
+ 0.945 -0.90
+ 0.950 -1.44
+ 0.955 -1.99
+ 0.960 -2.46
+ 0.965 -2.79
+ 0.970 -2.98
+ 0.975 -3.08
+ 0.980 -3.13
+ 0.985 -3.13
+ 0.990 -3.05
+ 0.995 -2.86
+ 1.000 -2.57 \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/dataI.dat b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataI.dat
new file mode 100755
index 00000000000..7651357cacc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataI.dat
@@ -0,0 +1,6 @@
+1 891560
+2 534050
+3 525876
+4 552269
+5 411130
+6 436733
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/dataII.dat b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataII.dat
new file mode 100755
index 00000000000..d5492e4f569
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataII.dat
@@ -0,0 +1,6 @@
+1 1355
+2 432
+3 390
+4 301
+5 194
+6 193
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/dataMul.dat b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataMul.dat
new file mode 100644
index 00000000000..92ba51f9353
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/dataMul.dat
@@ -0,0 +1,15 @@
+[% file dataMul.dat
+0 0 3.375 0.0625
+10 5.375 7.1875 4.5
+20 7.1875 8.375 6.25
+30 5.75 7.75 6.6875
+40 2.1875 5.75 5.9375
+50 -1.9375 2.1875 4.3125
+60 -5.125 -1.8125 0.875
+70 -6.4375 -5.3125 -2.6875
+80 -4.875 -7.1875 -4.875
+90 0 -7.625 -5.625
+100 5.5 -6.3125 -5.8125
+110 6.8125 -2.75 -4.75
+120 5.25 2.875 -0.75
+]%
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.pdf b/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.pdf
new file mode 100644
index 00000000000..bfe87f63665
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.tex b/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.tex
new file mode 100644
index 00000000000..249e5fcf5a0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/examples/doppellog.tex
@@ -0,0 +1,31 @@
+\documentclass[a4paper]{article}% Lars Kotthoff
+
+\usepackage{pstricks,pst-plot,pstricks-add}
+
+\begin{document}
+
+\pstScalePoints(1,1){ log }{ ln } % log e y scale
+
+\psset{xunit=3.5cm,yunit=2cm}
+\begin{pspicture}(2.5,-.5)(7,-6)
+ \psaxes[axesstyle=frame,xticksize=0 -4.5,yticksize=0 3,%
+ logLines=all,subticks=10,xsubticksize=0 -4.5,ysubticksize=0 3,%
+ Ox=3,Oy=-1,ylogBase=e,xlogBase=10]{->}(3,-1)(6,-5.5)
+ \readdata{\one}{12-1.txt}
+ \listplot[linewidth=2pt,linecolor=red]{\one}
+ \readdata{\two}{12-2.txt}
+ \listplot[linestyle=dashed,linewidth=2pt,linecolor=blue]{\two}
+ \readdata{\three}{12-3.txt}
+ \listplot[linestyle=dotted,linewidth=2pt,linecolor=magenta]{\three}
+ \psframe[fillcolor=white,fillstyle=solid,framearc=.2](4.65,-2.9)(5.7,-4)
+ \uput[0](6,-1){$x$}
+ \uput[-90](3,-5.5){$f(x)$}
+ \psline[linecolor=red,linewidth=2pt](4.7,-3.15)(5.1,-3.15)
+ \rput[lc](5.4,-3.15){$f(x)=\frac{\pi(x)}{x}$}
+ \psline[linecolor=blue,linestyle=dashed,linewidth=2pt](4.7,-3.45)(5.1,-3.45)
+ \rput[lc](5.4,-3.45){$f(x)=\frac{t(x)}{x}$}
+ \psline[linecolor=magenta,linestyle=dotted,linewidth=2pt](4.7,-3.75)(5.1,-3.75)
+ \rput[lc](5.4,-3.75){$f(x)=\frac{g(x)}{x}$}
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.ltx b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.ltx
new file mode 100644
index 00000000000..4e41c58017e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.ltx
@@ -0,0 +1,155 @@
+\documentclass[12pt]{article}
+\listfiles
+\usepackage{filecontents}
+\begin{filecontents*}{demo0.dat}
+ 0.1414 0.0052
+ 0.2828 0.0217
+ 0.4243 0.0480
+ 0.5657 0.0890
+ 0.7071 0.1375
+ 0.8485 0.1906
+ 0.9899 0.2663
+ 1.1314 0.3580
+ 1.2728 0.4644
+ 1.4142 0.5801
+ 1.5556 0.7033
+ 1.6971 0.8899
+ 1.8385 1.1143
+ 1.9799 1.2593
+ 2.1213 1.5692
+ 2.2627 3.2331
+ 2.4042 4.4097
+ 2.5456 5.8186
+ 2.6870 7.4441
+ 2.8284 8.2287
+\end{filecontents*}
+
+\begin{filecontents*}{demo1.dat}
+1 99447169
+2 110351058
+3 123557238
+4 138346129
+5 145050826
+6 160363212
+7 174000394
+8 183856559
+9 189128691
+10 197634845
+11 213257357
+12 216899512
+13 230152738
+14 224144907
+15 247410024
+16 261168438
+17 252920343
+18 326153799
+19 319442110
+20 310351522
+21 381919943
+22 438043888
+23 357527766
+24 603304997
+\end{filecontents*}
+
+\begin{filecontents*}{demo2.dat}
+ 1989 3.08
+ 1990 3.84
+ 1991 4.08
+ 1992 3.21
+ 1993 5.23
+ 1994 2.97
+ 1995 2.53
+ 1996 2.8
+ 1997 2.78
+ 1998 3.15
+ 1999 2.32
+ 2000 2.4
+ 2001 2.46
+\end{filecontents*}
+\begin{filecontents*}{demo3.dat}
+ 1989 3.08
+ 1990 3.1
+ 1991 3.08
+ 1992 3.21
+ 1993 5.0
+ 1994 2.27
+ 1995 3.53
+ 1996 3.8
+ 1997 2.8
+ 1998 4.15
+ 1999 3.32
+ 2000 1.4
+ 2001 2.46
+\end{filecontents*}
+
+
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+\usepackage{lmodern}
+%\usepackage[scaled]{luximono}
+\usepackage[lmargin=2.5cm]{geometry}
+\usepackage{tabularx}
+\usepackage{url}
+\usepackage{graphicx}
+\usepackage[dvipsnames]{pstricks}
+\usepackage{framed}
+\usepackage{pst-eucl}
+\usepackage{pstricks-add}
+\let\pstricksaddFV\fileversion
+\def\PST{\texttt{PSTricks}}
+%
+\usepackage{showexpl}
+\lstset{preset=\raggedright}
+%
+\usepackage{longtable}
+\usepackage{pifont}
+\usepackage{amsmath}
+\def\textat{\protect\makeatletter\texttt{@}\protect\makeatother}
+\makeatletter
+\renewcommand*\l@section{\@dottedtocline{1}{1.5em}{2.5em}}
+\renewcommand*\l@subsection{\@dottedtocline{2}{3.8em}{3.2em}}
+\renewcommand*\l@subsubsection{\@dottedtocline{3}{7.0em}{4.1em}}
+\renewcommand*\l@paragraph{\@dottedtocline{4}{10em}{5em}}
+\renewcommand*\l@subparagraph{\@dottedtocline{5}{12em}{6em}}
+\makeatother
+\let\psEllipticArc\psellipticarc
+\let\psEllipticArcN\psellipticarcn
+\let\psWedgeEllipse\psellipticwedge
+\usepackage[colorlinks,linktocpage]{hyperref}
+%\def\UrlFont{\small\ttfamily}
+\makeatletter
+\def\verbatim@font{\small\normalfont\ttfamily}
+\makeatother
+%\parindent=0pt
+\newcommand\verbI[1]{{\small\texttt{#1}}}
+\newcommand\CMD[1]{{\texttt{\textbackslash#1}}}
+\let\param\texttt
+%
+\newcommand{\pstEllipse}[5][]{%
+ \psset{#1}
+ \parametricplot{#4}{#5}{#2\space t cos mul #3\space t sin mul}%
+}
+%
+\newcommand{\pstEllipseWedge}[5][]{%
+ \psset{#1}
+ \pscustom{%
+ \parametricplot{#4}{#5}{#2\space t cos mul #3\space t sin mul}%
+ \psline(! #2\space #5\space cos mul #3\space #5\space sin mul)%
+ (0,0)%
+ (! #2\space #4\space cos mul #3\space #4\space sin mul)%
+ }%
+}
+%
+\psset{subgriddiv=0,griddots=5,gridlabels=7pt}
+%
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+\def\PS{PostScript}
+%
+%\renewcommand{\ttdefault}{ul9}% Luxi Mono
+
+\parindent=0pt
+\parskip=1ex plus 5pt
+\begin{document}
+\input{pstricks-add-doc}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.pdf b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.pdf
new file mode 100644
index 00000000000..549cb053d4f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.tex b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.tex
new file mode 100644
index 00000000000..ccd7eacda14
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/pstricks-add-doc.tex
@@ -0,0 +1,4933 @@
+\title{\texttt{pstricks-add}\\additionals Macros for \texttt{pstricks}%
+%\thanks{%
+% This document was written with \texttt{Kile: 1.7 (Qt: 3.1.1; KDE: 3.3;}
+% \url{http://sourceforge.net/projects/kile/}) and the PDF output
+% was build with VTeX/Free (\url{http://www.micropress-inc.com/linux})}
+\\
+ \small v.\pstricksaddFV}
+\author{Herbert Vo\ss}
+\date{\today}
+
+\maketitle
+
+\begin{abstract}
+This version of \verb+pstricks-add+ needs \verb+pstricks.tex+ version >1.04 from June 2004,
+otherwise the additional macros may not work as espected. The ellipsis
+material and the option \verb+asolid+ (renamed to \verb+eofill+) are
+now part of the new \verb+pstricks.tex+ package, available at CTAN or at
+\url{http://perce.de/LaTeX/}. \verb+pstricks-add+ will for ever be an experimental and
+dynamical package, try it at your own risk.
+
+\begin{itemize}
+\item It is important to load \verb+pstricks-add+ as \textbf{last} PSTricks related package, otherwise
+a lot of the macros won't work in the expected way.
+\item \verb+pstricks-add+ uses the extended version of the keyval package. So be sure, that
+you have installed \verb+pst-xkey+ which is part of the \verb+xkeyval+-package and that all
+packages, that uses the old keyval interface are loaded \textbf{before} the \verb+xkeyval+.\cite{xkeyval}
+\item the option \verb+tickstyle+ from \verb+pst-plot+is no more supported, use \verb+ticksize+ instead.
+\item the option \verb+xyLabel+ is no more supported, use the macros \verb+\def\pshlabel#1{...}+ and
+ \verb+\def\psvlabel#1{...}+ instead.
+\end{itemize}
+
+\end{abstract}
+
+\clearpage
+\tableofcontents
+
+\clearpage
+%--------------------------------------------------------------------------------------
+\part{\texttt{pstricks}}
+%--------------------------------------------------------------------------------------
+
+
+
+
+%--------------------------------------------------------------------------------------
+\section{Numeric functions}
+%--------------------------------------------------------------------------------------
+
+All macronames contain a \textat{} in their name, because they are only for internal use,
+but it is no problem to use it as the other macros. One can define another name without
+a \textat{}:
+\begin{verbatim}
+\makeatletter
+\let\pstdivide\pst@divide
+\makeatother
+\end{verbatim}
+
+or put the macro inside of the \verb+\makeatletter+ -- \verb+\makeatother+ sequence.
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}divide}}
+%--------------------------------------------------------------------------------------
+
+\verb+pstricks+ itself has its own divide macro, called \verb+\pst@divide+ which can divide two lengthes and saves the quotient as a floating point number:
+
+\begin{verbatim}
+\pst@divide{<dividend>}{<divisor>}{<result as a macro>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\makeatletter
+\pst@divide{34pt}{6pt}\quotient \quotient\\
+\pst@divide{-6pt}{34pt}\quotient \quotient
+\makeatother
+\end{LTXexample}
+
+\noindent this gives the output $5.66666$. The result is not a length!
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}mod}}
+%--------------------------------------------------------------------------------------
+\verb+pstricks-add+ defines an additional numeric function for the modulus:
+
+\begin{verbatim}
+\pst@mod{<integer>}{<integer>}{<result as a macro>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\makeatletter
+\pst@mod{34}{6}\modulo \modulo\\
+\pst@mod{25}{-6}\modulo \modulo
+\makeatother
+\end{LTXexample}
+
+\noindent this gives the output $4$. Using this internal numeric functions in documents
+requires a setting inside the \verb+makeatletter+ and \verb+makeatother+ environment.
+It makes some sense to define a new macroname in the preamble to use it throughou, e.g.
+\verb+\let\modulo\pst@mod+.
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}max}}
+%--------------------------------------------------------------------------------------
+
+\begin{verbatim}
+\pst@max{<integer>}{<integer>}{<result as count register>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\newcount\maxNo
+\makeatletter
+\pst@max{-34}{-6}\maxNo \the\maxNo\\
+\pst@max{0}{11}\maxNo \the\maxNo
+\makeatother
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}maxdim}}
+%--------------------------------------------------------------------------------------
+
+\begin{verbatim}
+\pst@maxdim{<dimension>}{<dimension>}{<result as dimension register>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\newdimen\maxDim
+\makeatletter
+\pst@maxdim{34cm}{1234pt}\maxDim \the\maxDim\\
+\pst@maxdim{34cm}{123pt}\maxDim \the\maxDim
+\makeatother
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}abs}}
+%--------------------------------------------------------------------------------------
+
+\begin{verbatim}
+\pst@abs{<integer>}{<result as a count register>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\newcount\absNo
+\makeatletter
+\pst@abs{-34}\absNo \the\absNo\\
+\pst@abs{4}\absNo \the\absNo
+\makeatother
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pst\textat{}absdim}}
+%--------------------------------------------------------------------------------------
+
+\begin{verbatim}
+\pst@absdim{<dimension>}{<result as a dimension register>}
+\end{verbatim}
+
+\begin{LTXexample}[width=2cm]
+\newdimen\absDim
+\makeatletter
+\pst@absdim{-34cm}\absDim \the\absDim\\
+\pst@absdim{4sp}\absDim \the\absDim
+\makeatother
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{Dashed Lines}
+%--------------------------------------------------------------------------------------
+Tobias N�ring implemented an enhanced feature for dashed lines. The number
+of arguments is no more limited.
+
+\begin{verbatim}
+dash=value1[unit] value2[unit] ...
+\end{verbatim}
+
+\begin{LTXexample}[width=0.4\linewidth]
+\psset{linewidth=2.5pt,unit=0.6}
+\begin{pspicture}(-5,-4)(5,4)
+ \psgrid[subgriddiv=0,griddots=10,gridlabels=0pt]
+ \psset{linestyle=dashed}
+ \pscurve[dash=5mm 1mm 1mm 1mm,linewidth=0.1](-5,4)(-4,3)(-3,4)(-2,3)
+ \psline[dash=5mm 1mm 1mm 1mm 1mm 1mm 1mm 1mm 1mm 1mm](-5,0.9)(5,0.9)
+ \psccurve[linestyle=solid](0,0)(1,0)(1,1)(0,1)
+ \psccurve[linestyle=dashed,dash=5mm 2mm 0.1 0.2,linetype=0](0,0)(-2.5,0)(-2.5,-2.5)(0,-2.5)
+ \pscurve[dash=3mm 3mm 1mm 1mm,linecolor=red,linewidth=2pt](5,-4)(5,2)(4.5,3.5)(3,4)(-5,4)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{rmultiput}: a multiple \CMD{rput}}
+%--------------------------------------------------------------------------------------
+\verb+PSTricks+ already knows a \verb+multirput+, which puts a box n times with
+a difference of $dx$ and $dy$ relativ to each other. It is not possible to put
+it with a different distance from one point to the next one. This is possible
+with \verb+rmultiput+:
+\begin{verbatim}
+\rmultiput[<options>]{<any material>}(x1,y1)(x2,y2) ... (xn,yn)
+\rmultiput*[<options>]{<any material>}(x1,y1)(x2,y2) ... (xn,yn)
+\end{verbatim}
+
+\begin{LTXexample}[width=6.2cm]
+\psset{unit=0.75}
+\begin{pspicture}(-4,-4)(4,4)
+\rmultiput[rot=45]{\red\psscalebox{3}{\ding{250}}}%
+ (-2,-4)(-2,-3)(-3,-3)(-2,-1)(0,0)(1,2)(1.5,3)(3,3)
+\rmultiput[rot=90,ref=lC]{\blue\psscalebox{2}{\ding{253}}}%
+ (-2,2.5)(-2,2.5)(-3,2.5)(-2,1)(1,-2)(1.5,-3)(3,-3)
+\psgrid[subgriddiv=0,gridcolor=lightgray]
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psrotate}: Rotating objects}
+%--------------------------------------------------------------------------------------
+\CMD{rput} also has an optional argument for rotating objects, but always
+depending to the \CMD{rput} coordinates. With \CMD{psrotate} the rotating
+center can be placed anywhere. The rotation is done with \verb+\pscustom+,
+all optional arguments are only valid if they are part of the \verb+\pscustom+
+macro.
+\begin{verbatim}
+\psrotate[options](x,y){rot angle}{<object>}
+\end{verbatim}
+
+\begin{LTXexample}[width=0.4\linewidth]
+\psset{unit=0.75}
+\begin{pspicture}(-0.5,-3.5)(8.5,4.5)
+ \psaxes{->}(0,0)(-0.5,-3)(8.5,4.5)
+ \psdots[linecolor=red,dotscale=1.5](2,1)
+ \psarc[linecolor=red,linewidth=0.4pt,showpoints=true]
+ {->}(2,1){3}{0}{60}
+ \pspolygon[linecolor=green](2,1)(5,1.1)(6,-1)(2,-2)
+ \psrotate[linecolor=blue](2,1){60}{
+ \pspolygon(2,1)(5,1.1)(6,-1)(2,-2)}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{pslineII}: Colored lines}
+%--------------------------------------------------------------------------------------
+The dashed lines are by default black and white lines. The new macro \verb|\pslineII|
+offers two-color lines and has the same syntax as \verb|\psline|.
+
+\begin{LTXexample}[width=8cm]
+\begin{pspicture}(0,-0.5)(7,0.5)
+\pslineII[linewidth=5pt,arrowscale=2]{o-o}(0,0)(7,0)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{The options}
+%--------------------------------------------------------------------------------------
+
+\begin{center}
+\begin{tabular}{l|p{6cm}}
+name & meaning\\\hline
+\verb|dashColorI| & first color, default is \verb|black|\tabularnewline
+\verb|dashColorII| & second color, default is \verb|red|\tabularnewline
+\verb|dashNo| & the difference in per cent of the colored lines, default is $0.2$\tabularnewline
+\verb|linecap| & \parbox[t]{6cm}{how two lines are connected.\\
+ 0: no modification\\
+ 1: rounded edges\\
+ 2: an additional half square at both ends}
+\end{tabular}
+\end{center}
+
+\verb|dashNo| can have values greater than $1$. In this case the value will be taken as an absolute width in the pt unit. Only this unit is possible!
+
+\subsection{Examples}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{linewidth=2pt}
+\begin{pspicture}(3,3)
+ \pslineII{->}(0,0)(3,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{linewidth=2pt}
+\begin{pspicture}(3,3)
+ \pslineII[dashColorI=blue]{->}(0,0)(3,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{linewidth=2pt}
+\begin{pspicture}(3,3)
+ \pslineII[dashColorI=blue,dashNo=15]{->}(0,0)(3,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{linewidth=2pt}
+\begin{pspicture}(3,3)
+ \pslineII[dashColorI=blue,linecap=1,%
+ dashNo=0.3,linewidth=0.5](0,0)(2,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}
+\psset{linecolor=red,arrowscale=3}
+\psset{dashColorI=red,dashColorII=blue,dashNo=20,linewidth=2pt}
+\begin{pspicture}(0,0)(7,-5)
+\pslineII{<->}(0,0)(7,0)(7,-5)(0,-5)
+\pslineII[linewidth=5pt,%
+ dashNo=0.1,arrowscale=2]{o-o}(0,-2.5)(7,-2.5)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t]
+\psset{linewidth=15pt,dashNo=10}
+\begin{pspicture}(0,1)(10,-6)
+ \pslineII[linecap=2](0,0)(5,0)(5,-5)(0,-5)(0,0)
+ \rput{45}(7,-2.5){%
+ \pslineII[linecap=1,dashColorI=yellow,%
+ dashColorII=cyan](0,0)(5,0)(5,-5)(0,-5)(0,0)%
+}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{pslineIII} Variable linewidth}
+%--------------------------------------------------------------------------------------
+By default all lines have a fixed width. \verb|\pslineIII| allows to
+define the start and the end width of a line. It has the same syntax as \verb|\psline|.
+
+\begin{center}
+\begin{pspicture}(0,-0.5)(12,0.5)
+\pslineIII[wBegin=1cm,wEnd=0.3cm,linecolor=cyan](0,0)(12,0)
+\end{pspicture}
+\end{center}
+
+\begin{lstlisting}[basicstyle=\ttfamily\footnotesize]
+\pslineIII[wBegin=1cm,wEnd=0.3cm,linecolor=cyan](0,0)(12,0)
+\end{lstlisting}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsection{The options}
+%--------------------------------------------------------------------------------------
+
+\begin{center}
+\begin{tabular}{l|p{8cm}}
+name & meaning\\\hline
+\verb|wBegin| & first width, default is \verb|\pslinewidth|\tabularnewline
+\verb|wEnd| & last width, default is \verb|\pslinewidth|\tabularnewline
+\end{tabular}
+\end{center}
+
+It is also possible to use \verb|pslineIII| with more than two coordinates, like
+
+\begin{center}
+\begin{pspicture}(0,-0.5)(12,2)
+\pslineIII[wBegin=1cm,wEnd=0.1cm,linecolor=red](0,0)(3,1.5)(9,1.5)(12,0)
+\end{pspicture}
+
+\end{center}
+\begin{lstlisting}[basicstyle=\ttfamily\footnotesize]
+\pslineIII[wBegin=1cm,wEnd=0.1cm,linecolor=cyan](0,0)(0,1.5)(12,1.5)(12,0)
+\end{lstlisting}
+
+\iffalse
+%--------------------------------------------------------------------------------------
+\subsection{Examples}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}
+\begin{pspicture}(-5,-5)(5,5)
+ \psgrid[griddots=10, gridlabels=7pt, subgriddiv=0]
+%
+ \pslineIII[wBegin=1cm,wEnd=0.2cm,linecolor=cyan]%
+ (-4,4)(3,4)(5,2)(2,-5)(-5,-2)(-5,0)
+ \pslineIII[wBegin=0.5cm](-5,-3)(5,3)
+ \pslineIII[wBegin=0.5cm,wEnd=0.1cm,linecolor=red](0,-5)(0,0)(0,5)
+ \pslineIII[wBegin=1cm,wEnd=0.3cm,linecolor=blue](-4,4)(5,-4)
+%
+\end{pspicture}
+\end{LTXexample}
+
+\clearpage
+
+\fi
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psbrace}}
+%--------------------------------------------------------------------------------------
+\subsection{Syntax}
+\begin{verbatim}
+\psbrace[<options>](<A>)(<B>){<text>}
+\end{verbatim}
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,4)
+\psgrid[subgriddiv=0,griddots=10]
+\pnode(0,0){A}
+\pnode(4,4){B}
+\psbrace[linecolor=red,ref=lC](A)(B){Text I}
+\psbrace[linecolor=blue,ref=lC](3,4)(0,1){Text II}
+\end{pspicture}
+\end{LTXexample}
+
+\bigskip
+The option \verb|\specialCoor| is enabled, so that all types of coordinates are possible, (nodename), ($x,y$), ($nodeA|nodeB$), ...
+
+%--------------------------------------------------------------------------------------
+\subsection{Options}
+%--------------------------------------------------------------------------------------
+
+Additional to all other available options from \verb|pstricks| or the other related packages, there are two new option, named \verb|braceWidth| and \verb|bracePos|. All important ones are shown in the following table.
+
+\begin{center}
+\begin{tabular}{l|l}
+name & meaning\\\hline
+\verb|braceWidth| & default is $0.35$\\
+\verb|bracePos| & relative position (default is $0.5$)\\
+\verb|linearc| & absolute value for the arcs (default is $2$mm)\\
+\verb|nodesepA| & x-separation (default is $0pt$)\\
+\verb|nodesepB| & y-separation (default is $0pt$)\\
+\verb|rot| & additional rotating for the text (default is $0$)\\
+\verb|ref| & reference point for the text (default is c)
+\end{tabular}
+\end{center}
+
+By default the text is written perpedicular to the brace line and can be changed with
+the \verb|pstricks| option \verb|rot=...|. The text parameter can take any object and
+may also be empty. The reference point can be any value of the combination of \verb|l| (left)
+or \verb|r| (right) and \verb|b| (bottom) or \verb|B| (Baseline) or \verb|C| (center)
+or \verb|t| (top), where the default is \verb|c|, the center of the object.
+
+%--------------------------------------------------------------------------------------
+\subsection{Examples}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}
+\begin{pspicture}(8,2.5)
+\psbrace(0,0)(0,2){\fbox{Text}}%
+\psbrace[nodesepA=20pt](2,0)(2,2){\fbox{Text}}
+\psbrace[ref=lC](4,0)(4,2){\fbox{Text}}
+\psbrace[ref=lt,rot=90,nodesepB=-15pt](6,0)(6,2){\fbox{Text}}
+\psbrace[ref=lt,rot=90,nodesepA=-5pt,nodesepB=15pt](8,2)(8,0){\fbox{Text}}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}
+\def\someMath{$\int\limits_1^{\infty}\frac{1}{x^2}\,dx=1$}
+\begin{pspicture}(8,2.5)
+\psbrace(0,0)(0,2){\someMath}%
+\psbrace[nodesepA=30pt](2,0)(2,2){\someMath}
+\psbrace[ref=lC](4,0)(4,2){\someMath}
+\psbrace[ref=lt,rot=90,nodesepB=-30pt](6,0)(6,2){\someMath}
+\psbrace[ref=lt,rot=90,nodesepB=30pt](8,2)(8,0){\someMath}
+\end{pspicture}
+\end{LTXexample}
+
+%$
+
+\begin{LTXexample}
+\begin{pspicture}(\linewidth,5)
+\psbrace(0,0.5)(\linewidth,0.5){\fbox{Text}}%
+\psbrace[bracePos=0.25,nodesepB=-10pt,rot=90](0,2)(\linewidth,2){\fbox{Text}}
+\psbrace[ref=lC,nodesepA=-3.5cm,nodesepB=-15pt,rot=90](0,4)(\linewidth,4){%
+ \fbox{some very, very long wonderful Text}}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}
+\def\someMath{$\int\limits_1^{\infty}\frac{1}{x^2}\,dx=1$}
+\begin{pspicture}(12,11)
+\psgrid[subgriddiv=0,griddots=10]
+\pnode(0,0){A}
+\pnode(4,6){B}
+\psbrace[ref=lC](A)(B){One}
+\psbrace[rot=180,nodesepA=-5pt,ref=rb](B)(A){Two}
+\psbrace[linecolor=blue,bracePos=0.25,braceWidth=1,ref=lB](8,1)(1,7){Three}
+\psbrace[braceWidth=-1,rot=180,ref=rB](8,1)(1,7){Four}
+\psbrace[linearc=0.5,linecolor=red,linewidth=3pt,braceWidth=1.5,%
+ bracePos=0.25,ref=lC](8,1)(8,9){\someMath}
+\psbrace(4,9)(6,9){}
+\psbrace(6,9)(6,7){}
+\psbrace(6,7)(4,7){}
+\psbrace(4,7)(4,9){}
+\psset{linecolor=red}
+\psbrace[ref=lb](7,10)(3,10){I}
+\psbrace[ref=lb,bracePos=0.75](3,10)(3,6){II}
+\psbrace[ref=lb](3,6)(7,6){III}
+\psbrace[ref=lb](7,6)(7,10){IV}
+\end{pspicture}
+\end{LTXexample}
+
+%$
+
+\begin{LTXexample}[width=5cm]
+\[
+\begin{pmatrix}
+ \Rnode[vref=2ex]{A}{~1} \\
+ & \ddots \\
+ && \Rnode[href=2]{B}{1} \\
+ &&& \Rnode[vref=2ex]{C}{0} \\
+ &&&& \ddots \\
+ &&&&& \Rnode[href=2]{D}{0}~ \\
+\end{pmatrix}
+\]
+\psbrace[linewidth=0.1pt,rot=-90,nodesep=0.2](B)(A){\small n times}
+\psbrace[linewidth=0.1pt,rot=-90,nodesep=0.2](D)(C){\small n times}
+\end{LTXexample}
+
+
+It is also possible to put a vertical brace around a default paragraph. This works
+with setting two invisible nodes at the beginning and the end of the paragraph.
+Inentation is possible with a minipage.
+
+\begin{framed}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\noindent\rnode{A}{}
+
+\vspace*{-1ex}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\vspace*{-2ex}
+\noindent\rnode{B}{}\psbrace[linecolor=red](A)(B){}
+
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\medskip
+\hfill\begin{minipage}{0.95\linewidth}
+\noindent\rnode{A}{}
+
+\vspace*{-1ex}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\vspace*{-2ex}
+\noindent\rnode{B}{}\psbrace[linecolor=red](A)(B){}
+\end{minipage}
+\end{framed}
+
+\begin{lstlisting}
+\begin{framed}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\noindent\rnode{A}{}
+
+\vspace*{-1ex}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\vspace*{-2ex}
+\noindent\rnode{B}{}\psbrace[linecolor=red](A)(B){}
+
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\medskip
+\hfill\begin{minipage}{0.95\linewidth}
+\noindent\rnode{A}{}
+
+\vspace*{-1ex}
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+Some nonsense text, which is nothing more than nonsense.
+
+\vspace*{-2ex}
+\noindent\rnode{B}{}\psbrace[linecolor=red](A)(B){}
+\end{minipage}
+\end{framed}
+\end{lstlisting}
+
+
+%--------------------------------------------------------------------------------------
+\section{Random dots}
+%--------------------------------------------------------------------------------------
+The syntax of the new macro \verb+\psRandom+ is:
+
+\begin{verbatim}
+\psRandom[<option>]{}
+\psRandom[<option>]{<clip path>}
+\psRandom[<option>](<xMax,yMax>){<clip path>}
+\psRandom[<option>](<xMin,yMin>)(<xMax,yMax>){<clip path>}
+\end{verbatim}
+
+If there is no area for the dots defined, then \verb+(0,0)(1,1)+ in the actual
+scale is used for placing the dots. This area should be greater than the clipping
+path to be sure that the dots are placed over the full area. The clipping path can
+be everything. If no clipping path is given, then the frame \verb+(0,0)(1,1)+
+in user coordinates is used. The new options are:
+
+\begin{center}
+\begin{tabular}{l|l|l}
+name & default\\\hline
+\verb|randomPoints| & \verb|1000| & number of random dots\tabularnewline
+\verb|color| & \verb+false+ & random color\tabularnewline
+\end{tabular}
+\end{center}
+
+
+\begin{LTXexample}[width=0.3\linewidth]
+\psset{unit=5cm}
+\begin{pspicture}(1,1)
+ \psRandom[dotsize=1pt,fillstyle=solid](1,1){\pscircle(0.5,0.5){0.5}}
+\end{pspicture}
+\begin{pspicture}(1,1)
+ \psRandom[dotsize=2pt,randomPoints=5000,color,%
+ fillstyle=solid](1,1){\pscircle(0.5,0.5){0.5}}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=0.4\linewidth]
+\psset{unit=5cm}
+\begin{pspicture}(1,1)
+ \psRandom[randomPoints=200,dotsize=8pt,dotstyle=+]{}
+\end{pspicture}
+\begin{pspicture}(1.5,1)
+ \psRandom[dotsize=5pt,color](0,0)(1.5,0.8){\psellipse(0.75,0.4)(0.75,0.4)}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}
+\psset{unit=2.5cm}
+\begin{pspicture}(0,-1)(3,1)
+ \psRandom[dotsize=4pt,dotstyle=o,linecolor=blue,fillcolor=red,%
+ fillstyle=solid,randomPoints=1000]%
+ (0,-1)(3,1){\psplot{0}{3.14}{ x 114 mul sin }}
+\end{pspicture}
+\end{LTXexample}
+
+\psset{unit=1cm}
+
+\clearpage
+%--------------------------------------------------------------------------------------
+\section{Arrows}
+%--------------------------------------------------------------------------------------
+\subsection{Definition}
+%--------------------------------------------------------------------------------------
+\verb|pstricks-add| defines the following ''arrows``:
+
+\begin{center}
+ \bgroup
+ \def\myline#1{\psline[linecolor=red,linewidth=1pt]{#1}(0,1ex)(1.3,1ex)}%
+ \psset{arrowscale=1.5}
+ \begin{tabular}{cp{1.8cm}l}%
+ Value & Example & Name \\[2pt]\hline
+ \verb/-/ & \myline{-} & None\\
+ \verb/<->/ & \myline{<->} & Arrowheads.\\
+ \verb/>-</ & \myline{>-<} & Reverse arrowheads.\\
+ \verb/<<->>/ & \myline{<<->>} & Double arrowheads.\\
+ \verb/>>-<</ & \myline{>>-<<} & Double reverse arrowheads.\\
+ \verb/|-|/ & \myline{|-|} & T-bars, flush to endpoints.\\
+ \verb/|*-|*/ & \myline{|*-|*} & T-bars, centered on endpoints.\\
+ \verb/[-]/ & \myline{[-]} & Square brackets.\\
+ \verb/]-[/ & \myline{]-[} & Reversed square brackets.\\
+ \verb/(-)/ & \myline{(-)} & Rounded brackets.\\
+ \verb/)-(/ & \myline{)-(} & Reversed rounded brackets.\\
+ \verb/o-o/ & \myline{o-o} & Circles, centered on endpoints.\\
+ \verb/*-*/ & \myline{*-*} & Disks, centered on endpoints.\\
+ \verb/oo-oo/ & \myline{oo-oo} & Circles, flush to endpoints.\\
+ \verb/**-**/ & \myline{**-**} & Disks, flush to endpoints.\\
+ \verb/|<->|/ & \myline{|<->|} & T-bars and arrows.\\
+ \verb/|>-<|/ & \myline{|>-<|} & T-bars and reverse arrows.\\
+ \verb/h-h|/ & \myline{h-h} & left/right hook arrows.\\
+ \verb/H-H|/ & \myline{H-H} & left/right hook arrows.\\
+ \end{tabular}
+ \egroup
+\end{center}
+
+You can also mix and match, e.g., \verb/->/, \verb/*-)/ and \verb/[->/ are all valid values
+of the \verb|arrows| parameter. The parameter can be set with
+\begin{verbatim}
+\psset{arrows=<type>}
+\end{verbatim}
+
+\noindent or for some macros with a special option, like\\[5pt]
+\noindent\verb|\psline[<general options>]{<arrow type>}(A)(B)|\\
+\noindent\verb/\psline[linecolor=red,linewidth=2pt]{|->}(0,0)(0,2)/ \ \psline[linecolor=red,linewidth=2pt]{|->}(0,0)(0,2)
+
+\subsection{Multiple arrows}
+There are two new options which are only valid for the arrow type \verb+<<+ or \verb+>>+.
+\verb+nArrow+ sets both, the \verb+nArrowA+ and the \verb+nArrowB+ parameter. The meaning
+is declared in the following tables. Without setting one of these parameters the behaviour
+is like the one described in the old PSTricks manual.
+
+\begin{center}
+ \begin{tabular}{lc}%
+ Value & Meaning \\[2pt]\hline
+ \verb+->>+ & \ -A \\
+ \verb+<<->>+ & A-A\\
+ \verb+<<-+ & A-\ \\
+ \verb+>>-+ & B-\ \\
+ \verb+-<<+ & \ -B\\
+ \verb+>>-<<+ & B-B\\
+ \verb+>>->>+ & B-A\\
+ \verb+<<-<<+ & A-B
+ \end{tabular}
+\end{center}
+
+\begin{center}
+ \bgroup
+ \psset{linecolor=red,linewidth=1pt,arrowscale=2}%
+ \begin{tabular}{lp{2.8cm}}%
+ Value & Example \\[2pt]\hline
+ \verb+\psline{->>}(0,1ex)(2.3,1ex)+ & \psline{->>}(0,1ex)(2.3,1ex) \\
+ \verb+\psline[nArrowsA=3]{->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3]{->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=5]{->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=5]{->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline{<<-}(0,1ex)(2.3,1ex)+ & \psline{<<-}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=3]{<<-}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3]{<<-}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=5]{<<-}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=5]{<<-}(0,1ex)(2.3,1ex)\\
+ \verb+\psline{<<->>}(0,1ex)(2.3,1ex)+ & \psline{<<->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=3]{<<->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3]{<<->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=5]{<<->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=5]{<<->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline{<<-|}(0,1ex)(2.3,1ex)+ & \psline{<<-|}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=3]{<<-<<}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3]{<<-<<}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=5]{<<-o}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=5]{<<-o}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=3,nArrowsB=4]{<<-<<}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3,nArrowsB=4]{<<-<<}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=3,nArrowsB=4]{>>->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=3,nArrowsB=4]{>>->>}(0,1ex)(2.3,1ex)\\
+ \verb+\psline[nArrowsA=1,nArrowsB=4]{>>->>}(0,1ex)(2.3,1ex)+ & \psline[nArrowsA=1,nArrowsB=4]{>>->>}(0,1ex)(2.3,1ex)\\
+ \end{tabular}
+ \egroup
+\end{center}
+
+\subsection{\texttt{hookarrow}}
+
+\begin{LTXexample}
+\psset{arrowsize=8pt,arrowlength=1,linewidth=1pt,nodesep=2pt,shortput=tablr}
+\large
+\begin{psmatrix}[colsep=12mm,rowsep=10mm]
+ & & $R_2$ \\
+ & & 0 & & $R_3$\\
+$e_b:S$ & 1 & & 1 & 0 \\
+ & & 0 \\
+ & & $R_1$ \\
+\end{psmatrix}
+\ncline{h-}{1,3}{2,3}<{$e_{r2}$}>{$f_{r2}$}
+\ncline{-h}{2,3}{3,2}<{$e_1$}
+\ncline{-h}{3,1}{3,2}^{$e_s$}_{$f_{s}$}
+\ncline{-h}{3,2}{4,3}>{$e_3$}<{$f_3$}
+\ncline{-h}{4,3}{3,4}>{$e_4$}<{$f_4$}
+\ncline{-h}{3,4}{2,3}>{$e_2$}<{$f_2$}
+\ncline{-h}{3,4}{3,5}^{$e_5$}
+\ncline{-h}{3,5}{2,5}<{$e_{r3}$}>{$f_{r3}$}
+\ncline{-h}{4,3}{5,3}<{$e_{r1}$}>{$f_{r1}$}
+\end{LTXexample}
+
+
+\subsection{\texttt{hookrightarrow} and \texttt{hookleftarrow}}
+This is another type of an arrow and abbreviated with \verb+H+. The length and width of the hook
+is set by the new options \verb+hooklength+ and \verb+hookwidth+, which are by default set to
+%
+\begin{verbatim}
+\psset{hooklength=3mm,hookwidth=1mm}
+\end{verbatim}
+%
+If the line begins with a right hook then the line ends with a left hook and vice versa:
+
+\begin{LTXexample}[width=3cm]
+\begin{pspicture}(3,4)
+\psline[linewidth=5pt,linecolor=blue,hooklength=5mm,hookwidth=-3mm]{H->}(0,3.5)(3,3.5)
+\psline[linewidth=5pt,linecolor=red,hooklength=5mm,hookwidth=3mm]{H->}(0,2.5)(3,2.5)
+\psline[linewidth=5pt,hooklength=5mm,hookwidth=3mm]{H-H}(0,1.5)(3,1.5)
+\psline[linewidth=1pt]{H-H}(0,0.5)(3,0.5)
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\begin{LTXexample}[width=7.25cm]
+$\begin{psmatrix}
+E&W_i(X)&&Y\\
+&&W_j(X)
+\psset{arrows=->,nodesep=3pt,linewidth=2pt}
+\everypsbox{\scriptstyle}
+\ncline[linecolor=red,arrows=H->,%
+ hooklength=4mm,hookwidth=2mm]{1,1}{1,2}
+\ncline{1,2}{1,4}^{\tilde{t}}
+\ncline{1,2}{2,3}<{W_{ij}}
+\ncline{2,3}{1,4}>{\tilde{s}}
+\end{psmatrix}$
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{ArrowInside} Option}
+%--------------------------------------------------------------------------------------
+
+It is now possible to have arrows inside the lines and not only at the beginning or
+the end. The new defined options
+
+\psset{arrowscale=2,linecolor=red,unit=1cm,linewidth=1.5pt}
+\begin{longtable}{l|p{9cm}|p{2.2cm}}
+Name & Example & Output\\\hline
+\endfirsthead
+Name & Example & Output\\\hline
+\endhead
+\texttt{ArrowInside} &
+ \texttt{\textbackslash psline[ArrowInside=->](0,0)(2,0)} &
+ \psline[ArrowInside=->](0,0.1)(2,0.1) \\
+\texttt{ArrowInsidePos} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsidePos=0.25](0,0)(2,0)}
+& \psline[ArrowInside=->, ArrowInsidePos=0.25](0,0.1)(2,0.1) \\
+\texttt{ArrowInsidePos} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsidePos=10](0,0)(2,0)}
+& \psline[ArrowInside=->, ArrowInsidePos=10](0,0.1)(2,0.1) \\
+\texttt{ArrowInsideNo} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsideNo=2](0,0)(2,0)}
+& \psline[ArrowInside=->, ArrowInsideNo=2](0,0.1)(2,0.1) \\
+\texttt{ArrowInsideOffset} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsideNo=2,\%}
+ \hspace*{20pt}\texttt{ArrowInsideOffset=0.1](0,0)(2,0)}
+& \psline[ArrowInside=->, ArrowInsideNo=2,ArrowInsideOffset=0.1](0,0.1)(2,0.1) \\
+%
+\texttt{ArrowInside} & \texttt{\textbackslash psline[ArrowInside=->]\{->\}(0,0)(2,0)} &
+ \psline[ArrowInside=->]{->}(0,0)(2,0)\\
+\texttt{ArrowInsidePos} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsidePos=0.25]\{->\}(0,0)(2,0)}
+ & \psline[ArrowInside=->, ArrowInsidePos=0.25]{->}(0,0)(2,0) \\
+\texttt{ArrowInsidePos} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsidePos=10]\{->\}(0,0)(2,0)}
+ & \psline[ArrowInside=->, ArrowInsidePos=10]{->}(0,0)(2,0) \\
+\texttt{ArrowInsideNo} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsideNo=2]\{->\}(0,0)(2,0)}
+ & \psline[ArrowInside=->, ArrowInsideNo=2]{->}(0,0)(2,0) \\
+\texttt{ArrowInsideOffset} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{ArrowInsideNo=2,\%}
+ \hspace*{20pt}\texttt{ArrowInsideOffset=0.1]\{->\}(0,0)(2,0)}
+ & \psline[ArrowInside=->, ArrowInsideNo=2,ArrowInsideOffset=0.1]{->}(0,0)(2,0) \\
+%
+\texttt{ArrowFill} & \texttt{\textbackslash psline[ArrowFill=false,\%}
+ \hspace*{20pt}\texttt{arrowinset=0]\{->\}(0,0)(2,0)} &
+ \psline[ArrowFill=false,arrowinset=0]{->}(0,0)(2,0)\\
+\texttt{ArrowFill} & \texttt{\textbackslash psline[ArrowFill=false,\%}
+ \hspace*{20pt}\texttt{arrowinset=0]\{<<->>\}(0,0)(2,0)} &
+ \psline[ArrowFill=false,arrowinset=0]{<<->>}(0,0)(2,0)\\
+\texttt{ArrowFill} & \texttt{\textbackslash psline[ArrowInside=->,\%}
+ \hspace*{20pt}\texttt{arrowinset=0,\%}\hspace{30pt}
+ \hspace*{20pt}\texttt{ArrowFill=false,\%}\hspace{30pt}
+ \hspace*{20pt}\texttt{ArrowInsideNo=2,\%}
+ \hspace*{20pt}\texttt{ArrowInsideOffset=0.1]\{->\}(0,0)(2,0)}
+ & \psline[ArrowInside=->, ArrowFill=false,ArrowInsideNo=2,ArrowInsideOffset=0.1]{->}(0,0)(2,0) \\
+\end{longtable}
+
+\medskip
+Without the default arrow definition there is only the one inside the line, defined
+by the type and
+the position. The position is relative to the length of the whole line. $0.25$ means
+at $25\%$ of the
+line length. The peak of the arrow gets the coordinates which are calculated by the
+macro. If you want arrows with an abolute position difference, then choose a
+value greater than \verb|1|, e.g. \verb|10| which places an arrow every 10 pt. The
+default unit \verb|pt| cannot be changed.
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{ArrowFill} Option}
+%--------------------------------------------------------------------------------------
+
+By default all arrows are filled polygons. With the option \verb|ArrowFill=false| there
+are ''white`` arrows. Only for the beginning/end arrows they are empty, the inside arrows
+are overpainted with the line.
+
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=red,arrowinset=0]{<->}(0,0)(3,0)
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=red,arrowinset=0,ArrowFill=false]{<->}(0,0)(3,0)
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=red,arrowinset=0,arrowsize=0.2,ArrowFill=false]{<->}(0,0)(3,0)
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=blue,arrowscale=6,ArrowFill=true]{>>->>}(0,0)(3,0)
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=blue,arrowscale=6,ArrowFill=false]{>>->>}(0,0)(3,0)
+\rule{3cm}{0pt}\\[30pt]
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=blue,arrowscale=6,ArrowFill=true]{>|->|}(0,0)(3,0)
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=3}
+\psline[linecolor=blue,arrowscale=6,ArrowFill=false]{>|->|}(0,0)(3,0)%
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{Examples}
+%--------------------------------------------------------------------------------------
+
+All examples are printed with \verb|\psset{arrowscale=2,linecolor=red}|.
+\subsubsection{\CMD{psline}}
+
+\bigskip
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=->]{|<->|}(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-|]{|-|}(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=->,ArrowInsideNo=2]{->}(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=->,ArrowInsideNo=2,ArrowInsideOffset=0.1]{->}(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-*]{->}(0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-*,ArrowInsidePos=0.25]{->}(0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-*,ArrowInsidePos=0.25,ArrowInsideNo=2]{->}%
+ (0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=->, ArrowInsidePos=0.25]{->}%
+ (0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[linestyle=none,ArrowInside=->,ArrowInsidePos=0.25]{->}%
+ (0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-<, ArrowInsidePos=0.75]{->}%
+ (0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true,ArrowInside=-*}
+\psline(0,0)(2,1)(3,0)(4,0)(6,2)
+\psset{linestyle=none}
+\psline[ArrowInsidePos=0](0,0)(2,1)(3,0)(4,0)(6,2)
+\psline[ArrowInsidePos=1](0,0)(2,1)(3,0)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,5)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=->,ArrowInsidePos=20](0,0)(3,0)%
+ (3,3)(1,3)(1,5)(5,5)(5,0)(7,0)(6,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,2)
+\psset{arrowscale=2,ArrowFill=true}
+\psline[ArrowInside=-|]{<->}(0,2)(2,0)(3,2)(4,0)(6,2)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\CMD{pspolygon}}
+%--------------------------------------------------------------------------------------
+% Polygons (\pspolygon macro)
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,3)
+\psset{arrowscale=2}
+\pspolygon[ArrowInside=-|](0,0)(3,3)(6,3)(6,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,3)
+\psset{arrowscale=2}
+\pspolygon[ArrowInside=->,ArrowInsidePos=0.25]%
+ (0,0)(3,3)(6,3)(6,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,3)
+\psset{arrowscale=2}
+\pspolygon[ArrowInside=->,ArrowInsideNo=4]%
+ (0,0)(3,3)(6,3)(6,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,3)
+\psset{arrowscale=2}
+\pspolygon[ArrowInside=->,ArrowInsideNo=4,%
+ ArrowInsideOffset=0.1](0,0)(3,3)(6,3)(6,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,3)
+\psset{arrowscale=2}
+ \pspolygon[ArrowInside=-|](0,0)(3,3)(6,3)(6,1)
+ \psset{linestyle=none,ArrowInside=-*}
+ \pspolygon[ArrowInsidePos=0](0,0)(3,3)(6,3)(6,1)
+ \pspolygon[ArrowInsidePos=1](0,0)(3,3)(6,3)(6,1)
+ \psset{ArrowInside=-o}
+ \pspolygon[ArrowInsidePos=0.25](0,0)(3,3)(6,3)(6,1)
+ \pspolygon[ArrowInsidePos=0.75](0,0)(3,3)(6,3)(6,1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\begin{pspicture}(6,5)
+\psset{arrowscale=2}
+ \pspolygon[ArrowInside=->,ArrowInsidePos=20]%
+ (0,0)(3,0)(3,3)(1,3)(1,5)(5,5)(5,0)(7,0)(6,3)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\CMD{psbezier}}
+%--------------------------------------------------------------------------------------
+% Bezier curves (\psbezier macro)
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(3,3)
+\psset{arrowscale=2}
+ \psbezier[ArrowInside=-|](1,1)(2,2)(3,3)
+ \psset{linestyle=none,ArrowInside=-o}
+ \psbezier[ArrowInsidePos=0.25](1,1)(2,2)(3,3)
+ \psbezier[ArrowInsidePos=0.75](1,1)(2,2)(3,3)
+ \psset{linestyle=none,ArrowInside=-*}
+ \psbezier[ArrowInsidePos=0](1,1)(2,2)(3,3)
+ \psbezier[ArrowInsidePos=1](1,1)(2,2)(3,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+\psset{arrowscale=2}
+ \psbezier[ArrowInside=->,showpoints=true]%
+ {*-*}(2,3)(3,0)(4,2)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+\psset{arrowscale=2}
+ \psbezier[ArrowInside=->,showpoints=true,%
+ ArrowInsideNo=2](2,3)(3,0)(4,2)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+\psset{arrowscale=2}
+ \psbezier[ArrowInside=->,showpoints=true,%
+ ArrowInsideNo=2,ArrowInsideOffset=-0.2]{->}(2,3)(3,0)(4,2)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=5.5cm]
+\begin{pspicture}(5,3)
+\psset{arrowscale=2}
+ \psbezier[ArrowInsideNo=9,ArrowInside=-|,%
+ showpoints=true]{*-*}(1,3)(3,0)(5,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+\psset{arrowscale=2}
+ \psset{ArrowInside=-|}
+ \psbezier[ArrowInsidePos=0.25,showpoints=true]{*-*}(2,3)(3,0)(4,2)
+ \psset{linestyle=none}
+ \psbezier[ArrowInsidePos=0.75](2,3)(3,0)(4,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=5.5cm]
+\begin{pspicture}(5,6)
+\psset{arrowscale=2}
+ \pnode(3,4){A}\pnode(5,6){B}\pnode(5,0){C}
+ \psbezier[ArrowInside=->,%
+ showpoints=true](A)(B)(C)
+ \psset{linestyle=none,ArrowInside=-<}
+ \psbezier[ArrowInsideNo=4](A)(B)(C)
+ \psset{ArrowInside=-o}
+ \psbezier[ArrowInsidePos=0.1](A)(B)(C)
+ \psbezier[ArrowInsidePos=0.9](A)(B)(C)
+ \psset{ArrowInside=-*}
+ \psbezier[ArrowInsidePos=0.3](A)(B)(C)
+ \psbezier[ArrowInsidePos=0.7](A)(B)(C)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(-3,-5)(15,5)
+ \psbezier[ArrowInsideNo=19,%
+ ArrowInside=->,ArrowFill=false,%
+ showpoints=true]{->}(-3,0)(5,-5)(8,5)(15,-5)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\CMD{pcline}}
+%--------------------------------------------------------------------------------------
+These examples need the package \verb|pst-node|.
+
+% Lines (\pcline macro)
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,1)
+\psset{arrowscale=2}
+\pcline[ArrowInside=->](0,0)(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,1)
+\psset{arrowscale=2}
+\pcline[ArrowInside=->]{<->}(0,0)(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,1)
+\psset{arrowscale=2}
+\pcline[ArrowInside=-|,ArrowInsidePos=0.75]{|-|}(0,0)(2,1)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=2.5cm]
+\psset{arrowscale=2}
+\pcline[ArrowInside=->,ArrowInsidePos=0.65]{*-*}(0,0)(2,0)
+\naput[labelsep=0.3]{\large$g$}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=2.5cm]
+\psset{arrowscale=2}
+\pcline[ArrowInside=->,ArrowInsidePos=10]{|-|}(0,0)(2,0)
+\naput[labelsep=0.3]{\large$l$}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\CMD{pccurve}}
+%--------------------------------------------------------------------------------------
+These examples also need the package \verb|pst-node|.
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2}
+\pccurve[ArrowInside=->,ArrowInsidePos=0.65,showpoints=true]{*-*}(0,0)(2,2)
+\naput[labelsep=0.3]{\large$h$}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=2.5cm]
+\begin{pspicture}(2,2)
+\psset{arrowscale=2}
+\pccurve[ArrowInside=->,ArrowInsideNo=3,showpoints=true]{|->}(0,0)(2,2)
+\naput[labelsep=0.3]{\large$i$}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,4)
+\psset{arrowscale=2}
+\pccurve[ArrowInside=->,ArrowInsidePos=20]{|-|}(0,0)(4,4)
+\naput[labelsep=0.3]{\large$k$}
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psFormatInt}}
+%--------------------------------------------------------------------------------------
+There exist some packages and a lot of code to format an integer like $1\,000\,000$
+or $1,234,567$ (in Europe $1.234.567$). But all packages expect a real number as
+argument and cannot handle macros as an argument. For this case \verb|pstricks-add|
+has a macro \verb|psFormatInt| which can handle both:
+
+\begin{LTXexample}[width=3cm]
+\psFormatInt{1234567}\\
+\psFormatInt[intSeparator={,}]{1234567}\\
+\psFormatInt[intSeparator=.]{1234567}\\
+\psFormatInt[intSeparator=$\cdot$]{1234567}\\
+\def\temp{965432}
+\psFormatInt{\temp}
+\end{LTXexample}
+
+With the option \verb|intSeparator| the symbol can be changed to any any non-number character.
+
+
+%--------------------------------------------------------------------------------------
+\section{Color}
+%--------------------------------------------------------------------------------------
+
+%--------------------------------------------------------------------------------------
+\subsection{,,Tranparent colors''}
+%--------------------------------------------------------------------------------------
+
+\verb+pstricks-add+ simulates transparency with hatch lines:
+\begin{lstlisting}
+\def\defineTColor{\@ifnextchar[{\defineTColor@i}{\defineTColor@i[]}}
+\def\defineTColor@i[#1]#2#3{% transparency "Colors"
+ \newpsstyle{#2}{%
+ fillstyle=vlines,hatchwidth=0.1\pslinewidth,
+ hatchsep=1\pslinewidth,hatchcolor=#3,#1%
+ }%
+}
+\defineTColor{TRed}{red}
+\defineTColor{TGreen}{green}
+\defineTColor{TBlue}{blue}
+\end{lstlisting}
+
+There are three predefined "'transparent"` colors \verb+TRed+, \verb+TGreen+, \verb+TBlue+.
+They are used as \PST styles and not as colors:
+
+\resetOptions
+\bgroup
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(-3,-5)(5,5)
+\psframe(-1,-3)(5,5) % objet de base
+\psrotate(2,-2){15}{%
+ \psframe[style=TRed](-1,-3)(5,5)}
+\psrotate(2,-2){30}{%
+ \psframe[style=TGreen](-1,-3)(5,5)}
+\psrotate(2,-2){45}{%
+ \psframe[style=TBlue](-1,-3)(5,5)}
+\psframe[linewidth=3pt](-1,-3)(5,5)
+\psdots[dotstyle=+,dotangle=45,dotscale=3](2,-2) % centre de la rotation
+\end{pspicture}
+\end{LTXexample}
+\egroup
+
+%--------------------------------------------------------------------------------------
+\subsection{Calculated colors}
+%--------------------------------------------------------------------------------------
+The \verb+xcolor+ package (version 2.6) has a new feature for defining colors:
+\begin{verbatim}
+ \definecolor[ps]{<name>}{<model>}{< PS code >}
+\end{verbatim}
+
+\verb+model+ can be one of the color models, which PostScript will understand, e.g. \verb+rgb+.
+With this definition the color is calculated on PostScript side.
+\begin{LTXexample}[pos=t,preset=\centering]
+\definecolor[ps]{bl}{rgb}{tx@addDict begin Red Green Blue end}%
+\psset{unit=1bp}
+\begin{pspicture}(0,-30)(400,100)
+\multido{\iLAMBDA=0+1}{400}{%
+ \pstVerb{
+ \iLAMBDA\space 379 add dup /lambda exch def
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \psline[linecolor=bl](\iLAMBDA,0)(\iLAMBDA,100)%
+}
+\psaxes[yAxis=false,Ox=350,dx=50bp,Dx=50]{->}(-29,-10)(420,100)
+\uput[-90](420,-10){$\lambda$[\textsf{nm}]}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{center}
+\newcommand{\Touch}{%
+\psframe[linestyle=none,fillstyle=solid,fillcolor=bl,dimen=middle](0.1,0.75)}
+\definecolor[ps]{bl}{rgb}{tx@addDict begin Red Green Blue end}%
+% Echelle 1cm <-> 40 nm
+% 1 nm <-> 0.025 cm
+\psframebox[fillstyle=solid,fillcolor=black]{%
+\begin{pspicture}(-1,-0.5)(12,1.5)
+\multido{\iLAMBDA=380+2}{200}{%
+ \pstVerb{
+ /lambda \iLAMBDA\space def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! lambda 0.025 mul 9.5 sub 0){\Touch}
+}
+\multido{\n=0+1,\iDiv=380+40}{11}{%
+ \psline[linecolor=white](\n,0.1)(\n,-0.1)
+ \uput[270](\n,0){\textbf{\white\iDiv}}}
+ \psline[linecolor=white]{->}(11,0)
+ \uput[270](11,0){\textbf{\white$\lambda$(nm)}}
+\end{pspicture}}
+
+\psframebox[fillstyle=solid,fillcolor=black]{%
+\begin{pspicture}(-1,-0.5)(12,1)
+ \pstVerb{
+ /lambda 656 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 656 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 486 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 486 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 434 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 434 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 410 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 410 0.025 mul 9.5 sub 0){\Touch}
+\multido{\n=0+1,\iDiv=380+40}{11}{%
+ \psline[linecolor=white](\n,0.1)(\n,-0.1)
+ \uput[270](\n,0){\textbf{\white\iDiv}}}
+ \psline[linecolor=white]{->}(11,0)
+ \uput[270](11,0){\textbf{\white$\lambda$(nm)}}
+\end{pspicture}}
+
+Spectrum of hydrogen emission (Manuel Luque)
+\end{center}
+
+\begin{lstlisting}
+\newcommand{\Touch}{%
+\psframe[linestyle=none,fillstyle=solid,fillcolor=bl,dimen=middle](0.1,0.75)}
+\definecolor[ps]{bl}{rgb}{tx@addDict begin Red Green Blue end}%
+% Echelle 1cm <-> 40 nm
+% 1 nm <-> 0.025 cm
+\psframebox[fillstyle=solid,fillcolor=black]{%
+\begin{pspicture}(-1,-0.5)(12,1.5)
+\multido{\iLAMBDA=380+2}{200}{%
+ \pstVerb{
+ /lambda \iLAMBDA\space def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! lambda 0.025 mul 9.5 sub 0){\Touch}
+}
+\multido{\n=0+1,\iDiv=380+40}{11}{%
+ \psline[linecolor=white](\n,0.1)(\n,-0.1)
+ \uput[270](\n,0){\textbf{\white\iDiv}}}
+ \psline[linecolor=white]{->}(11,0)
+ \uput[270](11,0){\textbf{\white$\lambda$(nm)}}
+\end{pspicture}}
+
+\psframebox[fillstyle=solid,fillcolor=black]{%
+\begin{pspicture}(-1,-0.5)(12,1)
+ \pstVerb{
+ /lambda 656 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 656 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 486 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 486 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 434 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 434 0.025 mul 9.5 sub 0){\Touch}
+ \pstVerb{
+ /lambda 410 def
+ lambda
+ tx@addDict begin wavelengthToRGB end
+ }%
+ \rput(! 410 0.025 mul 9.5 sub 0){\Touch}
+\multido{\n=0+1,\iDiv=380+40}{11}{%
+ \psline[linecolor=white](\n,0.1)(\n,-0.1)
+ \uput[270](\n,0){\textbf{\white\iDiv}}}
+ \psline[linecolor=white]{->}(11,0)
+ \uput[270](11,0){\textbf{\white$\lambda$(nm)}}
+\end{pspicture}}
+
+Spectrum of hydrogen emission (Manuel Luque)
+\end{lstlisting}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsection{Gouraud shading}
+%--------------------------------------------------------------------------------------
+\begin{quotation}
+Gouraud shading is a method used in computer graphics to simulate the differing effects of
+light and colour across the surface of an object. In practice, Gouraud shading is used to
+achieve smooth lighting on low-polygon surfaces without the heavy computational requirements
+of calculating lighting for each pixel. The technique was first presented by Henri Gouraud in 1971.\\
+~\hfill{\small \url{http://www.wikipedia.org}}
+\end{quotation}
+
+PostScript level 3 supports this kind of shading and it could only be seen with Acroread 7
+or younger. Die Syntax ist relativ einfach
+
+\begin{verbatim}
+ \psGTriangle(x1,y1)(x2,y2)(x3,y3){color1}{color2}{color3}
+\end{verbatim}
+
+\psset{unit=0.75cm}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(0,-.25)(10,10)
+ \psGTriangle(0,0)(5,10)(10,0){red}{green}{blue}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(0,-.25)(10,10)
+ \psGTriangle*(0,0)(9,10)(10,3){black}{white!50}{red!50!green!95}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(0,-.25)(10,10)
+ \psGTriangle*(0,0)(5,10)(10,0){-red!100!green!84!blue!86}
+ {-red!80!green!100!blue!40}
+ {-red!60!green!30!blue!100}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\definecolor{rose}{rgb}{1.00, 0.84, 0.88}
+\definecolor{vertpommepasmure}{rgb}{0.80, 1.0, 0.40}
+\definecolor{fushia}{rgb}{0.60, 0.30, 1.0}
+\begin{pspicture}(0,-.25)(10,10)
+ \psGTriangle(0,0)(5,10)(10,0){rose}{vertpommepasmure}{fushia}
+\end{pspicture}
+\end{LTXexample}
+
+\newpage
+%--------------------------------------------------------------------------------------
+\part{\texttt{pst-node}}
+%--------------------------------------------------------------------------------------
+\section{\CMD{nclineII}}
+%--------------------------------------------------------------------------------------
+The dashed lines are black and white by default. The new macro \verb|\nclineII|
+offers two-color lines and has the same syntax as \verb|\ncline|:
+\begin{verbatim}
+\ncline[<options>]{<Node A>}{<Node B>}
+\end{verbatim}
+
+\begin{LTXexample}[width=0.2\linewidth]
+\circlenode[linecolor=blue,linewidth=2pt]{A}{A}%
+\hspace{9cm}\circlenode[linecolor=cyan,linewidth=2pt]{B}{B}
+\nclineII[linewidth=5pt]{A}{B}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{The options}
+%--------------------------------------------------------------------------------------
+
+These options are all defined in the package \verb|pstricks-add|.
+
+\medskip
+\begin{tabularx}{\linewidth}{l|X}
+name & meaning\\\hline
+\verb|dashColorI| & first color, default is \verb|black|\tabularnewline
+\verb|dashColorII| & second color, default is \verb|red|\tabularnewline
+\verb|dashNo| & The ratio of dashColorI to dashColorII, the default is $0.2$\tabularnewline
+\end{tabularx}
+\medskip
+
+\verb|dashNo| can have values greater than $1$. In this case the value will be taken as an absolute width in the pt unit. Only this unit is possible!
+
+%--------------------------------------------------------------------------------------
+\subsection{Examples}
+%--------------------------------------------------------------------------------------
+\begin{LTXexample}[width=4.5cm]
+\circlenode{A}{A}\hspace*{3cm}\dianode{B}{B}%
+\nclineII[linewidth=8pt,dashColorI=blue]{A}{B}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4.5cm]
+\circlenode{A}{A}\hspace*{3cm}\circlenode{B}{B}%
+\nclineII[dashColorI=blue,linewidth=3pt,dashNo=15]{->}{A}{B}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4.5cm]
+\dianode{A}{A}\hspace*{3cm}\circlenode{B}{B}%
+\nclineII[dashColorI=blue,linecap=1,dashNo=0.3,linewidth=0.5]{A}{B}
+\end{LTXexample}
+
+\psset{unit=1cm}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{pclineII}}
+%--------------------------------------------------------------------------------------
+This is nearly the same macro as \verb|\psline| from the main \pnode{C}\verb|pstricks| package.
+\begin{verbatim}
+\pcline[<options>](<Node A>)(<Node B>)
+\end{verbatim}
+
+\begin{LTXexample}
+\circlenode[linecolor=blue,linewidth=2pt]{A}{A}%
+\hspace*{6cm}\circlenode[linecolor=cyan,linewidth=2pt]{B}{B}
+\pclineII[linewidth=5pt](A)(B)
+\end{LTXexample}
+
+
+\begin{LTXexample}
+\raggedright This macro makes only sense when connecting two ''invisible`` nodes,
+like this connection from here\pnode{D}\pclineII{->}(D)(C){}
+to the above word \verb|pstricks|.
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{ncdiag} and \CMD{pcdiag}}
+%--------------------------------------------------------------------------------------
+With the new option \verb|lineAngle| the lines drawn by the \verb|ncdiag| macro
+can now have a specified gradient. Without this option one has to define the two
+arms (which maybe zero) and PSTricks draws the connection between them. Now there
+is only a static \verb|armA|, the second one \verb|armB| is calculated when an angle
+\verb|lineAngle| is defined. This angle is the gradient of the intermediate line
+between the two arms. The syntax of \verb|ncdiag| is
+
+\begin{verbatim}
+\ncdiag[<options>]{<Node A>}{<Node B>}
+\pcdiag[<options>](<Node A>)(<Node B>)
+\end{verbatim}
+
+
+\begin{tabularx}{\linewidth}{l|X}
+name & meaning\\\hline
+\verb|lineAngle| & angle of the intermediate line segment. Default is 0, which is the same than using \verb|ncdiag| without the \verb|lineAngle| option.\tabularnewline
+\end{tabularx}
+
+
+\resetOptions
+\begin{LTXexample}[width=5.5cm]
+\begin{pspicture}(5,6)
+ \circlenode{A}{A}\quad\circlenode{C}{C}%
+ \quad\circlenode{E}{E}
+ \rput(0,4){\circlenode{B}{B}}
+ \rput(1,5){\circlenode{D}{D}}
+ \rput(2,6){\circlenode{F}{F}}
+ \psset{arrowscale=2,linearc=0.2,%
+ linecolor=red,armA=0.5, angleA=90,angleB=-90}
+ \ncdiag[lineAngle=20]{->}{A}{B}
+ \ncput*[nrot=:U]{line I}
+ \ncdiag[lineAngle=20]{->}{C}{D}
+ \ncput*[nrot=:U]{line II}
+ \ncdiag[lineAngle=20]{->}{E}{F}
+ \ncput*[nrot=:U]{line III}
+\end{pspicture}
+\end{LTXexample}
+
+
+The \verb|ncdiag| macro sets the \verb|armB| dynamically to the calculated value. Any
+user setting of \verb|armB| is overwritten by the macro. The \verb|armA| could be set to
+a zero length:
+
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+ \rput(0.5,0.5){\circlenode{A}{A}}
+ \rput(3.5,3){\circlenode{B}{B}}
+ {\psset{linecolor=red,arrows=<-,arrowscale=2}
+ \ncdiag[lineAngle=60,%
+ armA=0,angleA=0,angleB=180]{A}{B}
+ \ncdiag[lineAngle=60,%
+ armA=0,angleA=90,angleB=180]{A}{B}}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,3)
+ \rput(1,0.5){\circlenode{A}{A}}
+ \rput(4,3){\circlenode{B}{B}}
+ {\psset{linecolor=red,arrows=<-,arrowscale=2}
+ \ncdiag[lineAngle=60,%
+ armA=0.5,angleA=0,angleB=180]{A}{B}
+ \ncdiag[lineAngle=60,%
+ armA=0,angleA=70,angleB=180]{A}{B}
+ \ncdiag[lineAngle=60,%
+ armA=0.5,angleA=180,angleB=180]{A}{B}}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4.5cm]
+\begin{pspicture}(4,5.5)
+ \cnode*(0,0){2pt}{A}%
+ \cnode*(0.25,0){2pt}{C}%
+ \cnode*(0.5,0){2pt}{E}%
+ \cnode*(0.75,0){2pt}{G}%
+ \cnode*(2,4){2pt}{B}%
+ \cnode*(2.5,4.5){2pt}{D}%
+ \cnode*(3,5){2pt}{F}%
+ \cnode*(3.5,5.5){2pt}{H}%
+ {\psset{arrowscale=2,linearc=0.2,%
+ linecolor=red,armA=0.5, angleA=90,angleB=-90}
+ \pcdiag[lineAngle=20]{->}(A)(B)
+ \pcdiag[lineAngle=20]{->}(C)(D)
+ \pcdiag[lineAngle=20]{->}(E)(F)
+ \pcdiag[lineAngle=20]{->}(G)(H)}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{ncdiagg} and \CMD{pcdiagg}}
+%--------------------------------------------------------------------------------------
+This is nearly the same than \verb+\ncdiag+ except that \verb+armB=0+ and the \verb+angleB+
+value is computed by the macro, so that the line ends at the node with an angle
+like a \verb+\pcdiagg+ line. The syntax of \verb|ncdiagg|/\verb+pcdiagg+ is
+
+\begin{verbatim}
+\ncdiag[<options>]{<Node A>}{<Node B>}
+\pcdiag[<options>](<Node A>)(<Node B>)
+\end{verbatim}
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(4,6)
+ \psset{linecolor=black}
+ \circlenode{A}{A}%
+ \quad\circlenode{C}{C}%
+ \quad\circlenode{E}{E}
+ \rput(0,4){\circlenode{B}{B}}
+ \rput(1,5){\circlenode{D}{D}}
+ \rput(2,6){\circlenode{F}{F}}
+ {\psset{arrowscale=2,linearc=0.2,linecolor=red,armA=0.5, angleA=90}
+ \ncdiagg[lineAngle=-160]{->}{A}{B}
+ \ncput*[nrot=:U]{line I}
+ \ncdiagg[lineAngle=-160]{->}{C}{D}
+ \ncput*[nrot=:U]{line II}
+ \ncdiagg[lineAngle=-160]{->}{E}{F}
+ \ncput*[nrot=:U]{line III}}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(4,6)
+ \psset{linecolor=black}
+ \cnode*(0,0){2pt}{A}%
+ \cnode*(0.25,0){2pt}{C}%
+ \cnode*(0.5,0){2pt}{E}%
+ \cnode*(0.75,0){2pt}{G}%
+ \cnode*(2,4){2pt}{B}%
+ \cnode*(2.5,4.5){2pt}{D}%
+ \cnode*(3,5){2pt}{F}%
+ \cnode*(3.5,5.5){2pt}{H}%
+ {\psset{arrowscale=2,linearc=0.2,linecolor=red,armA=0.5, angleA=90}
+ \pcdiagg[lineAngle=20]{->}(A)(B)
+ \pcdiagg[lineAngle=20]{->}(C)(D)
+ \pcdiagg[lineAngle=20]{->}(E)(F)
+ \pcdiagg[lineAngle=20]{->}(G)(H)}
+\end{pspicture}
+\end{LTXexample}
+
+The only catch for \verb+\ncdiagg+ is, that you need the right value for \verb+lineAngle+.
+If the node connection is on the wrong side
+of the second node, then choose the corresponding angle, e.g.: if $20$ is wrong then take
+$-160$, the corresponding to $180$.
+
+
+\begin{LTXexample}[width=4cm]
+\begin{pspicture}(4,1.5)
+ \circlenode{a}{A}
+ \rput[l](3,1){\rnode{b}{H}}
+ \ncdiagg[lineAngle=60,angleA=180,armA=.5,nodesepA=3pt,linecolor=blue]{b}{a}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4cm]
+\begin{pspicture}(4,1.5)
+ \circlenode{a}{A}
+ \rput[l](3,1){\rnode{b}{H}}
+ \ncdiagg[lineAngle=60,armA=.5,nodesepB=3pt,linecolor=blue]{a}{b}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=4cm]
+\begin{pspicture}(4,1.5)
+ \circlenode{a}{A}
+ \rput[l](3,1){\rnode{b}{H}}
+ \ncdiagg[lineAngle=-120,armA=.5,nodesepB=3pt,linecolor=blue]{a}{b}
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{ncbarr}}
+%--------------------------------------------------------------------------------------
+This has the same behaviour as \verb+ncbar+, but has 5 segments and all are
+horizontal ones. This is the reason why \verb+angleA+ must be $0$ or alternative $180$.
+All other values are set to $0$ by the macro. The intermediate horizontal line is
+symmetrical to the distance of the two nodes.
+
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=2}%
+\circlenode{X}{X}\\[1cm]
+\circlenode{Y}{Y}
+\ncbarr[angleA=0,arrows=->,arrowscale=2]{X}{Y}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=2}%
+\ovalnode{X}{Xxxxx}\\[1cm]
+\circlenode{Y}{Yyyy}
+\ncbarr[angleA=180,arrows=->,arrowscale=2,linecolor=red]{X}{Y}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\psset{arrowscale=2}%
+\ovalnode{X}{Xxxxx}\\[1cm]
+\circlenode{Y}{Yyyy}
+\ncbarr[angleA=20,arm=1cm,arrows=->,arrowscale=2]{X}{Y}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psRelNode}}
+%--------------------------------------------------------------------------------------
+With this macro it is possible to put a node relative to a given line. Parameter are
+the angle and the length factor:
+\begin{verbatim}
+\psRelNode(<P0>)(<P1>){<length factor>}{<end node name>}
+\psRelLine[<options>](<P0>)(<P1>){<length factor>}{<end node name>}
+\end{verbatim}
+
+The length factor depends to the distance of $\overline{P_0P_1}$ and the end node name must
+be a valid nodename and shouldn't contain any of the special PostScript characters. There are
+two valid options:
+
+\begin{tabularx}{\linewidth}{l|l|X}
+name & default & meaning\\\hline
+\verb|angle| & $0$ & angle between the given line $\overline{P_0P_1}$ and the new one
+$\overline{P_0P_endNode}$\tabularnewline
+\verb+trueAngle+ & false & defines whether the angle depends to the seen line or to the
+mathematical one, which respect the scaling factors \verb+xunit+ and \verb+yunit+.
+\end{tabularx}
+
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(7,6)
+ \psgrid[gridwidth=0pt,gridcolor=gray,gridlabels=0pt,subgriddiv=2]
+ \pnode(3,3){A}\pnode(4,2){B}
+ \psline[nodesep=-3,linewidth=0.5pt](A)(B)
+ \multido{\iA=0+30}{12}{%
+ \psRelNode[angle=\iA](A)(B){2}{C}%
+ \qdisk(C){2pt}
+ \uput[0](C){\iA}}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psRelLine}}
+%--------------------------------------------------------------------------------------
+With this macro it is possible to plot lines relative to a given one. Parameter are
+the angle and the length factor:
+\begin{verbatim}
+\psRelLine(<P0>)(<P1>){<length factor>}{<end node name>}
+\psRelLine{<arrows>}(<P0>)(<P1>){<length factor>}{<end node name>}
+\psRelLine[<options>](<P0>)(<P1>){<length factor>}{<end node name>}
+\psRelLine[<options>]{<arrows>}(<P0>)(<P1>){<length factor>}{<end node name>}
+\end{verbatim}
+
+The length factor depends to the distance of $\overline{P_0P_1}$ and the end node name must
+be a valid nodename and shouldn't contain any of the special PostScript characters. There are
+two valid options which are described in the forgoing section for \verb+\psRelNode+.
+
+The following two figures show the same, the first one with a scaling different to $1:1$,
+this is the reason why the end points are on an ellipse and not on a circle like in the
+second figure.
+
+\begin{LTXexample}[width=5cm]
+\psset{yunit=2,xunit=1}
+\begin{pspicture}(-2,-2)(3,2)
+\psgrid[subgriddiv=2,subgriddots=10,gridcolor=lightgray]
+\pnode(-1,0){A}\pnode(3,2){B}
+\psline[linecolor=red](A)(B)
+\psRelLine[linecolor=blue,angle=30](-1,0)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=blue,angle=-30](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=90](-1,0)(3,2){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=-90](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(-2,-2)(3,2)
+\psgrid[subgriddiv=2,subgriddots=10,gridcolor=lightgray]
+\pnode(-1,0){A}\pnode(3,2){B}
+\psline[linecolor=red](A)(B)
+\psarc[linestyle=dashed](A){2.23}{-90}{135}
+\psRelLine[linecolor=blue,angle=30](-1,0)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=blue,angle=-30](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=90](-1,0)(3,2){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=-90](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\end{pspicture}
+\end{LTXexample}
+
+\medskip
+The following figure has also a different scaling, but has set the option \verb+trueAngle+,
+all angles depends to what "you see".
+
+\begin{LTXexample}[width=6.5cm]
+\psset{yunit=2,xunit=1}
+\begin{pspicture}(-3,-1)(3,2)\psgrid[subgridcolor=lightgray]
+\pnode(-1,0){A}\pnode(3,2){B}
+\psline[linecolor=red](A)(B)
+\psarc(A){2.83}{-45}{135}
+\psRelLine[linecolor=blue,angle=30,trueAngle](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=blue,angle=-30,trueAngle](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=90,trueAngle](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\psRelLine[linecolor=magenta,angle=-90,trueAngle](A)(B){0.5}{EndNode}
+\qdisk(EndNode){2pt}
+\end{pspicture}
+\end{LTXexample}
+
+\medskip
+Two examples with using \verb+\multido+ to show the behaviour of the options \verb+trueAngle+
+and \verb+angle+.
+
+\medskip
+\begin{LTXexample}[width=8cm]
+\psset{yunit=4,xunit=2}
+\begin{pspicture}(-1,0)(3,2)\psgrid[subgridcolor=lightgray]
+\pnode(-1,0){A}\pnode(1,1){B}
+\psline[linecolor=red](A)(3,2)
+\multido{\iA=0+10}{36}{%
+ \psRelLine[linecolor=blue,angle=\iA](B)(A){-0.5}{EndNode}
+ \qdisk(EndNode){2pt}
+}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=8cm]
+\psset{yunit=4,xunit=2}
+\begin{pspicture}(-1,0)(3,2)\psgrid[subgridcolor=lightgray]
+\pnode(-1,0){A}\pnode(1,1){B}
+\psline[linecolor=red](A)(3,2)
+\multido{\iA=0+10}{36}{%
+ \psRelLine[linecolor=magenta,angle=\iA,trueAngle]{->}(B)(A){-0.5}{EndNode}
+}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{center}
+\bgroup
+\psset{xunit=0.75\linewidth,yunit=0.75\linewidth,trueAngle}%
+\begin{pspicture}(1,0.6)%\psgrid
+ \pnode(.3,.35){Vk} \pnode(.375,.35){D} \pnode(0,.4){DST1} \pnode(1,.18){DST2}
+ \pnode(0,.1){A1} \pnode(1,.31){A1}
+ { \psset{linewidth=.02,linestyle=dashed,linecolor=gray}%
+ \pcline(DST1)(DST2) % <- Druckseitentangente
+ \pcline(A2)(A1) % <- Anstr"omrichtung
+ \lput*{:U}{\small Anstr"omrichtung $v_{\infty}$} }%
+ \psIntersectionPoint(A1)(A2)(DST1)(DST2){Hk}
+ \pscurve(Hk)(.4,.38)(Vk)(.36,.33)(.5,.32)(Hk)
+ \psParallelLine[linecolor=red!75!green,arrows=->,arrowscale=2](Vk)(Hk)(D){.1}{FtE}
+ \psRelLine[linecolor=red!75!green,arrows=->,arrowscale=2,angle=90](D)(FtE){4}{Fn}% why "4"?
+ \psParallelLine[linestyle=dashed](D)(FtE)(Fn){.1}{Fnr1}
+ \psRelLine[linestyle=dashed,angle=90](FtE)(D){-4}{Fnr2} % why "-4"?
+ \psline[linewidth=1.5pt,arrows=->,arrowscale=2](D)(Fnr2)
+ \psIntersectionPoint(D)([nodesep=2]D)(Fnr1)([offset=-4]Fnr1){Fh}
+ \psIntersectionPoint(D)([offset=2]D)(Fnr1)([nodesep=4]Fnr1){Fv}
+ \psline[linecolor=blue,arrows=->,arrowscale=2](D)(Fh)
+ \psline[linecolor=blue,arrows=->,arrowscale=2](D)(Fv)
+ \psline[linestyle=dotted](Fh)(Fnr1) \psline[linestyle=dotted](Fv)(Fnr1)
+ \uput{.1}[0](Fh){\blue $F_{H}$} \uput{.1}[180](Fv){\blue $F_{V}$}
+ \uput{.1}[-45](Fnr1){$F_{R}$} \uput{.1}[90](Fn){\color{red!75!green}$F_{N}$}
+ \uput{.25}[-90](FtE){\color{red!75!green}$F_{T}$}
+\end{pspicture}
+\egroup
+\end{center}
+\begin{lstlisting}
+\psset{xunit=0.75\linewidth,yunit=0.75\linewidth,trueAngle}%
+\end{center}
+\begin{pspicture}(1,0.6)%\psgrid
+ \pnode(.3,.35){Vk} \pnode(.375,.35){D} \pnode(0,.4){DST1} \pnode(1,.18){DST2}
+ \pnode(0,.1){A1} \pnode(1,.31){A1}
+ { \psset{linewidth=.02,linestyle=dashed,linecolor=gray}%
+ \pcline(DST1)(DST2) % <- Druckseitentangente
+ \pcline(A2)(A1) % <- Anstr"omrichtung
+ \lput*{:U}{\small Anstr"omrichtung $v_{\infty}$} }%
+ \psIntersectionPoint(A1)(A2)(DST1)(DST2){Hk}
+ \pscurve(Hk)(.4,.38)(Vk)(.36,.33)(.5,.32)(Hk)
+ \psParallelLine[linecolor=red!75!green,arrows=->,arrowscale=2](Vk)(Hk)(D){.1}{FtE}
+ \psRelLine[linecolor=red!75!green,arrows=->,arrowscale=2,angle=90](D)(FtE){4}{Fn}% why "4"?
+ \psParallelLine[linestyle=dashed](D)(FtE)(Fn){.1}{Fnr1}
+ \psRelLine[linestyle=dashed,angle=90](FtE)(D){-4}{Fnr2} % why "-4"?
+ \psline[linewidth=1.5pt,arrows=->,arrowscale=2](D)(Fnr2)
+ \psIntersectionPoint(D)([nodesep=2]D)(Fnr1)([offset=-4]Fnr1){Fh}
+ \psIntersectionPoint(D)([offset=2]D)(Fnr1)([nodesep=4]Fnr1){Fv}
+ \psline[linecolor=blue,arrows=->,arrowscale=2](D)(Fh)
+ \psline[linecolor=blue,arrows=->,arrowscale=2](D)(Fv)
+ \psline[linestyle=dotted](Fh)(Fnr1) \psline[linestyle=dotted](Fv)(Fnr1)
+ \uput{.1}[0](Fh){\blue $F_{H}$} \uput{.1}[180](Fv){\blue $F_{V}$}
+ \uput{.1}[-45](Fnr1){$F_{R}$} \uput{.1}[90](Fn){\color{red!75!green}$F_{N}$}
+ \uput{.25}[-90](FtE){\color{red!75!green}$F_{T}$}
+\end{pspicture}
+\end{lstlisting}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psParallelLine}}
+%--------------------------------------------------------------------------------------
+With this macro it is possible to plot lines relative to a given one, which is parallel. There is no special parameter here.
+\begin{verbatim}
+\psParallelLine(<P0>)(<P1>)(<P2>){<length>}{<end node name>}
+\psParallelLine{<arrows>}(<P0>)(<P1>)(<P2>){<length>}{<end node name>}
+\psParallelLine[<options>](<P0>)(<P1>)(<P2>){<length>}{<end node name>}
+\psParallelLine[<options>]{<arrows>}(<P0>)(<P1>)(<P2>){<length>}{<end node name>}
+\end{verbatim}
+
+The line starts at $P_2$, is parallel to $\overline{P_0P_1}$ and the length of this
+parallel line depends to the length factor. The end node name must
+be a valid nodename and shouldn't contain any of the special PostScript characters.
+
+\begin{LTXexample}
+\begin{pspicture*}(-5,-4)(5,3.5)
+ \psgrid[subgriddiv=0,griddots=5]
+ \pnode(2,-2){FF}\qdisk(FF){1.5pt}
+ \pnode(-5,5){A}\pnode(0,0){O}
+ \multido{\nCountA=-2.4+0.4}{9}{%
+ \psParallelLine[linecolor=red](O)(A)(0,\nCountA){9}{P1}
+ \psline[linecolor=red](0,\nCountA)(FF)
+ \psRelLine[linecolor=red](0,\nCountA)(FF){9}{P2}
+ }
+ \psline[linecolor=blue](A)(FF)
+ \psRelLine[linecolor=blue](A)(FF){5}{END1}
+ \psline[linewidth=2pt,arrows=->](2,0)(FF)
+\end{pspicture*}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{psIntersectionPoint}}
+%--------------------------------------------------------------------------------------
+This macro calculates the intersection point of two lines, given by the four coordinates.
+There is no special parameter here.
+\begin{verbatim}
+\psIntersectionPoint(<P0>)(<P1>)(<P2>)(<P3>){<node name>}
+\end{verbatim}
+
+\begin{LTXexample}[width=5.5cm]
+\psset{unit=0.5cm}
+\begin{pspicture}(-5,-4)(5,5)
+ \psaxes{->}(0,0)(-5,-4)(5,5)
+ \psline[linecolor=red,linewidth=2pt](-5,-1)(5,5)
+ \psline[linecolor=blue,linewidth=2pt](-5,3)(5,-4)
+ \qdisk(-5,-1){3pt}\uput[-90](-5,-1){A}
+ \qdisk(5,5){3pt}\uput[-90](5,5){B}
+ \qdisk(-5,3){3pt}\uput[-90](-5,3){C}
+ \qdisk(5,-4){3pt}\uput[-90](5,-4){D}
+ \psIntersectionPoint(-5,-1)(5,5)(-5,3)(5,-4){IP}
+ \qdisk(IP){5pt}\uput{0.3}[90](IP){IP}
+ \psline[linestyle=dashed](IP|0,0)(IP)(0,0|IP)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{setLNode} and \CMD{setLCNode}}
+%--------------------------------------------------------------------------------------
+\CMD{psLNode} interpolates the Line $\overline{AB}$ by the given value and sets a node at this
+point. The syntax is
+%
+\begin{verbatim}
+\setLNode(P1)(P2){value}{Node name}
+\end{verbatim}
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(5,5)
+\psgrid[subgriddiv=0,griddots=10]
+\psset{linecolor=red}
+\psline{o-o}(1,1)(5,5)
+\setLNode(1,1)(5,5){0.75}{PI}
+\qdisk(PI){4pt}
+\psset{linecolor=blue}
+\psline{o-o}(4,3)(2,5)
+\setLNode(4,3)(2,5){-0.5}{PII}
+\qdisk(PII){4pt}
+\end{pspicture}
+\end{LTXexample}
+
+
+\bigskip
+The \CMD{psLCNode} macro builds the linear combination of the two given vectors and stores the end of
+the new vector as a node. All vectors start at $(0,0)$, so a \verb+\rput+ maybe appropriate.
+ The syntax is
+%
+\begin{verbatim}
+\setLCNode(P1){value 1}(P2){value 2}{Node name}
+\end{verbatim}
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(5,5)
+\psgrid[subgriddiv=0,griddots=10]
+\psset{linecolor=black}
+\psline[linestyle=dashed]{->}(3,1.5)
+\psline[linestyle=dashed]{->}(0.375,1.5)
+\psset{linecolor=red}
+\psline{->}(2,1)\psline{->}(0.5,2)
+\setLCNode(2,1){1.5}(0.5,2){0.75}{PI}
+\psline[linewidth=2pt]{->}(PI)
+\psset{linecolor=black}
+\psline[linestyle=dashed](3,1.5)(PI)
+\psline[linestyle=dashed](0.375,1.5)(PI)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\section{\CMD{nlput}}
+%--------------------------------------------------------------------------------------
+\CMD{ncput} allows to set a label relative to the first node of the last
+node connection. With \CMD{nlput} this can be done absolute to a given
+node. The syntax is different to the other node connection makros.
+
+\begin{verbatim}
+\nlput[options](A)(B){distance}{text}
+\end{verbatim}
+
+
+\begin{LTXexample}[width=5cm]
+\begin{pspicture}(5,2)
+\pnode(0,0){A}
+\pnode(5,2){B}
+\ncline{A}{B}
+\nlput[nrot=:U](A)(B){1cm}{Test}
+\nlput[nrot=:D](A)(B){2cm}{Test}
+\nlput[nrot=:U](A)(B){3cm}{Test}
+\nlput(A)(B){4cm}{Test}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+
+\clearpage
+%--------------------------------------------------------------------------------------
+\part{\texttt{pst-plot}}
+%--------------------------------------------------------------------------------------
+\section{ New options}
+%--------------------------------------------------------------------------------------
+The option \verb+tickstyle=full|top|bottom+ is no more working in the \verb+pstricks-add+
+package, because everything can be set by the \verb+ticksize+ option.
+{
+\ttfamily
+\begin{longtable}{lll}
+\caption{All new parameters for \texttt{pst-plot}}\\[-5pt]
+\textrm{Name} & \textrm{Type} & \textrm{Default}\\\hline
+\endfirsthead
+\textrm{Name} & \textrm{Type} & \textrm{Default}\\\hline
+\endhead
+algebraic & false|true & false\\ %ok
+comma & false|true & false\\ %ok
+xAxis & false|true & true\\%ok
+yAxis & false|true & true\\%ok
+xyAxes & false|true & true\\%ok
+xDecimals & <number> or empty & \{\}\\%ok
+yDecimals & <number> or empty & \{\}\\%ok
+xyDecimals & <number> or empty & \{\}\\%ok
+%xLabel & <anything> & \{\}\\%ok
+%yLabel & <anything> & \{\}\\%ok
+%xyLabel & <anything> & \{\}\\%ok
+%tickstyle & full|top|bottom & full\\%ok
+ticks & <all|x|y|none> & all\\%ok
+labels & <all|x|y|none> & all\\%ok
+subticks & <number> & 0\\
+xsubticks & <number> & 0\\
+ysubticks & <number> & 0\\
+ticksize & <length [length]> & -4pt 4pt\\
+subticksize & <number> & 0.75\\
+tickwidth & <length> & 0.5\verb+\pslinewidth+\\
+subtickwidth & <length> & 0.25\verb+\pslinewidth+\\
+tickcolor & <color> & black\\
+xtickcolor & <color> & black\\
+ytickcolor & <color> & black\\
+subtickcolor & <color> & darkgray\\
+xsubtickcolor & <color> & darkgray\\
+ysubtickcolor & <color> & darkgray\\
+ticklinestyle & solid | dashed | dotted | none & solid\\
+subticklinestyle & solid | dashed | dotted | none & solid\\
+xlabelFactor & <anything> & \{\textbackslash\@ empty\}\\
+ylabelFactor & <anything> & \{\textbackslash\@ empty\}\\
+xlogBase & <number> or empty & \{\}\\
+ylogBase & <number> or empty & \{\}\\
+xylogBase & <number> or empty & \{\}\\
+logLines & <none|x|y|all> & none\\
+ignoreLines & <number> & 0\\
+nStep & <number> & 1\\
+nStart & <number> & 0\\
+nEnd & <number> or empty & \{\}\\
+xStep & <number> & 0\\
+yStep & <number> & 0\\
+xStart & <number> or empty & \{\}\\
+yStart & <number> or empty & \{\}\\
+xEnd & <number> or empty & \{\}\\
+yEnd & <number> or empty & \{\}\\
+plotNo & <number> & 1\\
+plotNoMax & <number> & 1\\
+xAxisLabel & <anything> & \{\textbackslash\@ empty\}\\
+yAxisLabel & <anything> & \{\textbackslash\@ empty\}\\
+xAxisLabelPos & <(x,y)> or empty & \{\textbackslash\@ empty\}\\
+yAxisLabelPos & <(x,y)> or empty & \{\textbackslash\@ empty\}\\
+llx & <length> & 0pt\\
+lly & <length> & 0pt\\
+urx & <length> & 0pt\\
+ury & <length> & 0pt\\
+polarplot & false|true & false\\
+trigLabels & false|true & false\\
+ChangeOrder & false|true & false\\
+\end{longtable}
+}
+
+
+\clearpage
+%--------------------------------------------------------------------------------------
+\subsection[\texttt{algebraic}]{\texttt{algebraic}\footnote{This part is adapted from the package \texttt{pst-eqdf}, written by Dominique Rodriguez.}}
+%--------------------------------------------------------------------------------------
+By default the function of \verb+\psplot+ has to be described in Reversed Polish Notation.
+The option \verb+algebraic+ allows to do this in the common algebraic notation. E.g.:
+
+\begin{tabular}{l|l}
+RPN & algebraic\\\hline
+\verb+x ln+ & \verb+ln(x)+\\
+\verb+x cos 2.71 x neg 10 div exp mul+ & \verb+cos(x)*2.71^(-x/10)+\\
+\verb+1 x div cos 4 mul+ & \verb+4*cos(1/x)+\\
+\verb+t cos t sin+ & \verb+cos(t)|sin(t)+
+\end{tabular}
+
+Setting the option \verb$algebraic$ to \verb$true$, allow the user to describe all
+expression to be written in the classical algebraic notation (infix notation). The four arithmetic
+operarions are obviously defined \verb$+-*/$, and also the exponential operator
+\verb$^$. The natural priorities are used : $3+4\times 5^5=3+(4\times (5^5))$, and by default
+the computation is done from left to right. The following functions are defined :
+
+\medskip
+\begin{tabular}{ll}
+\verb$sin$, \verb$cos$, \verb$tan$, \verb$acos$, \verb$asin$ & in radians\\
+\verb$log$, \verb$ln$\\
+\verb$ceiling$, \verb$floor$, \verb$truncate$, \verb$round$\\
+\verb$sqrt$ & square root\\
+\verb$abs$ & absolute value\\
+\verb$fact$ & for the factorial\\
+\verb$SUM$ & for building sums\\
+\verb$IFTE$ & for an easy case structure
+\end{tabular}
+
+\medskip
+These options can be used with \textbf{all} plot macros.
+
+{\bfseries Using the option \verb+algebraic+ implies that all angles have to be used in the
+radian unit! }
+
+For the \verb+\parametricplot+ the two parts must be divided by the \verb+|+ character:
+
+\begin{LTXexample}[width=2cm]
+\begin{pspicture}(-0.5,-0.5)(0.5,0.5)
+\parametricplot[algebraic,linecolor=red]{-3.14}{3.14}{cos(t)|sin(t)}
+\end{pspicture}
+\end{LTXexample}
+
+
+\bigskip
+\begin{LTXexample}[pos=t]
+\psset{lly=-0.5cm}
+\psgraph(-10,-3)(10,2){\linewidth}{6cm}
+ \psset{algebraic=true, plotpoints=101}
+ \psplot[linecolor=yellow, linewidth=4\pslinewidth]{-10}{10}{2*sin(x)}%
+ \psplot[linecolor=red, showpoints=true]{-10}{10}{2*sin(x)}
+\endpsgraph
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t]
+\psset{lly=-0.5cm}
+\psgraph(0,-5)(18,3){15cm}{5cm}
+ \psset{algebraic,plotpoints=501}
+ \psplot[linecolor=yellow, linewidth=4\pslinewidth]{0.01}{18}{ln(x)}%
+ \psplot[linecolor=red]{0.01}{18}{ln(x)}
+ \psplot[linecolor=yellow,linewidth=4\pslinewidth]{0}{18}{3*cos(x)*2.71^(-x/10)}
+ \psplot[linecolor=blue,showpoints=true,plotpoints=51]{0}{18}{3*cos(x)*2.71^(-x/10)}
+\endpsgraph
+\end{LTXexample}
+
+\iffalse
+\begin{LTXexample}
+\begin{psgraph}(0,-4)(0.2,4){{15cm}}{5cm}
+ \psset{algebraic=true, plotpoints=501}
+ \psplot[linecolor=yellow, linewidth=4\pslinewidth]{0.02}{.2}{4*cos(1/x)}%
+ \psplot[linecolor=red]{.02}{.2}{4*cos(1/x)}%
+\end{psgraph}
+\end{LTXexample}
+
+\fi
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Using the \texttt{SUM} function}
+%--------------------------------------------------------------------------------------
+
+Syntax: \verb+SUM(<index name>,<start>,<step>,<end>,<function>)+
+
+Let's plot the first development of cosine with polynomials:
+$\displaystyle\sum_{n=0}^{+\infty}\frac{(-1)^nx^{2n}}{n!}$.
+
+\begin{center}
+\bgroup
+\psset{algebraic=true,plotpoints=501, yunit=3}
+\def\getColor#1{\ifcase#1 black\or red\or magenta\or yellow\or green\or Orange\or blue\or
+ DarkOrchid\or BrickRed\or Rhodamine\or OliveGreen\fi}
+\begin{pspicture}(-7,-1.5)(7,1.5)
+ \psclip{\psframe(-7,-1.5)(7,1.5)}
+ \psplot{-7}{7}{cos(x)}
+ \multido{\n=1+1}{10}{%
+ \psplot[linecolor=\getColor{\n}]{-7}{7}{%
+ SUM(ijk,0,1,\n,(-1)^ijk*x^(2*ijk)/fact(2*ijk))}}
+ \endpsclip
+ \psaxes(0,0)(-7,-1.5)(7,1.5)
+\end{pspicture}
+\egroup
+\end{center}
+\begin{lstlisting}
+\psset{algebraic=true,plotpoints=501, yunit=3}
+\def\getColor#1{\ifcase#1 black\or red\or magenta\or yellow\or green\or Orange\or blue\or
+ DarkOrchid\or BrickRed\or Rhodamine\or OliveGreen\fi}
+\begin{pspicture}(-7,-1.5)(7,1.5)
+ \psclip{\psframe(-7,-1.5)(7,1.5)}
+ \psplot{-7}{7}{cos(x)}
+ \multido{\n=1+1}{10}{%
+ \psplot[linecolor=\getColor{\n}]{-7}{7}{%
+ SUM(ijk,0,1,\n,(-1)^ijk*x^(2*ijk)/fact(2*ijk))}}
+ \endpsclip
+ \psaxes(0,0)(-7,-1.5)(7,1.5)
+\end{pspicture}
+\end{lstlisting}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Using the \texttt{IFTE} function}
+%--------------------------------------------------------------------------------------
+Syntax: \verb+IFTE(<condition>,<true part>,<false part>)+
+
+Nesting of several \verb+IFTE+ are possible and seen in the following examples.
+A classical example is a piece wise linear function.
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(-7.5,-2.5)(7.5,6)\psgrid[subgriddiv=1,gridcolor=lightgray]
+ \psset{algebraic=true, plotpoints=21,linewidth=2pt}
+ \psplot[linecolor=blue]{-7.5}{7.5}{IFTE(x<-6,8+x,IFTE(x<0,-x/3,IFTE(x<3,2*x,9-x)))}
+ \psplot[linecolor=red, plotpoints=101]{-7.5}{7.5}{%
+ IFTE(2*x<-2^2*sqrt(9),7+x,IFTE(x<0,x^2/18-1,IFTE(x<3,2*x^2/3-1,8-x)))}%
+\end{pspicture}
+\end{LTXexample}
+
+
+When you program a piece-wise defined function you must take care that a
+plotting point must be put on each point where the description changes. Use \verb+showpoints=true+ to
+see what's going on, when there is a problem. You are on the save side, when you choose a
+big number for \verb+plotpoints+.
+
+\newpage
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{comma}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+comma=false|true
+\end{verbatim}
+Setting this option to true gives labels with a comma as a decimal separator instead
+of the dot. \verb|comma| and \verb|comma=true| is the same.
+
+\resetOptions
+\medskip
+\begin{LTXexample}[width=5.5cm]
+\begin{pspicture}(-0.5,-0.5)(5,5.5)
+\psaxes[Dx=1.5,Dy=0.5,comma]{->}(5,5)
+\psplot[linecolor=red,linewidth=3pt]{0}{4.5}%
+ {x 180 mul 1.52 div cos 2 mul 2.5 add}
+\psline[linestyle=dashed](0,2.5)(4.5,2.5)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{xyAxes}, \texttt{xAxis} and \texttt{yAxis}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+xyAxes=true|false
+xAxis=true|false
+yAxis=true|false
+\end{verbatim}
+
+Sometimes there is only a need for one axis with ticks. In this case you can set one
+of the following options to false. The \verb+xyAxes+ makes only sense, when you want
+to set both, x and y to true with only one command again to the default, because with
+\verb+xyAxes=false+ you get nothing with the \verb+psaxes+ macro.
+
+
+\resetOptions%
+\begin{LTXexample}
+\begin{pspicture}(5,1)
+\psaxes[yAxis=false,linecolor=blue]{->}(0,0.5)(5,0.5)
+\end{pspicture}
+\begin{pspicture}(1,5)
+\psaxes[xAxis=false,linecolor=red]{->}(0.5,0)(0.5,5)
+\end{pspicture}
+\begin{pspicture}(1,5)
+\psaxes[xAxis=false,linecolor=red]{->}(0.5,0)(0.5,5)
+\end{pspicture}\hspace{2em}
+\begin{pspicture}(1,5)
+\psaxes[xAxis=false,linecolor=red,labelsep=-20pt]{->}(0.5,0)(0.5,5)
+\end{pspicture}%
+\begin{pspicture}(1,5)
+\psaxes[xAxis=false,linecolor=red]{->}(0.5,0)(0.501,5)
+\end{pspicture}%
+\end{LTXexample}
+
+As seen in the example, a single y axis gets the labels on the right side. This can be
+changed in two ways, first with the option \verb+labelsep+ and second with a very
+short and therefore invisible x-axis (right example).
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{xyDecimals}, \texttt{xDecimals} and \texttt{yDecimals}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+xyDecimals=<number>
+xDecimals=<any>
+yDecimals=<any>
+\end{verbatim}
+By default the labels of the axes get numbers with or without decimals, just depending to the
+numbers. With these options \verb|??Decimals| it is possible to determine the decimals,
+where the option \verb|xyDecimals| sets this identical for both axes.
+The default setting \verb|{}| means, that you'll get the standard behaviour.
+
+
+\begin{LTXexample}[width=6cm]
+\begin{pspicture}(-1.5,-0.5)(5,4.75)
+ \psaxes[xyDecimals=2]{->}(0,0)(4.5,4.5)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}
+\def\pshlabel#1{\footnotesize$#1$}
+\def\psvlabel#1{\footnotesize$#1$}
+\psset{xunit=10cm, yunit=0.01cm}
+\begin{pspicture}(-0.3,-150)(1.5,550.0)
+ \psaxes[Dx=0.25,Dy=100,ticksize=-4pt 0,comma=true,%
+ xDecimals=3,yDecimals=1]{->}(0,0)(0,-100)(1.4,520)
+\end{pspicture}
+\end{LTXexample}
+
+\resetOptions
+
+%--------------------------------------------------------------------------------------
+\subsection{Changing the label style}
+%--------------------------------------------------------------------------------------
+There are no special keywords to change the \index{labelstyle}labelstyle for the \verb|\psaxes|
+macro. With a redefinition of the two macros \verb+\pshlabel+ and \verb+\psvlabel+
+it is possible to set both axes in any shape.
+Like the default \verb|pst-plot| package the coordinates are printed in mathmode, changing
+the fontsize to italic needs textmode.
+
+\begin{verbatim}
+\def\pshlabel#1{\scriptsize\itshape #1}
+\def\psvlabel#1{\sffamily\footnotesize #1}
+\end{verbatim}
+
+\resetOptions
+\begin{LTXexample}
+\def\pshlabel#1{\scriptsize\itshape #1}
+\def\psvlabel#1{\sffamily\footnotesize #1}
+\psset{yunit=1cm,xunit=3cm}
+\begin{pspicture}(-0.3,-0.5)(5,4.75)
+\psaxes[Dy=0.5, Dx=0.25]{->}(0,0)(4.5,4.5)
+\end{pspicture}
+\end{LTXexample}
+
+\resetOptions
+
+\iffalse
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{tickstyle}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+tickstyle=full|bottom|top
+\end{verbatim}
+
+This option is already in the \verb+pst-plot+ package and only mentioned here for
+some completness.
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[tickstyle=bottom,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}\\[0.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[tickstyle=bottom,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticksize=0 4pt,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}\\[0.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticksize=0 4pt,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+
+The \verb+tickstyle+ option changes the position of the labels by default.
+If you want the labels on the other side of an axis, then use the options
+\verb+labelsep+ or set the ticks with \verb+ticksize+.
+
+
+\fi
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{ticks}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+ticks=all|x|y|none
+\end{verbatim}
+
+This option is also already in the \verb+pst-plot+ package and only mentioned here for
+some completness.
+
+\begin{LTXexample}[width=3.5cm]
+\psset{ticksize=6pt}
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=all,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=y,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=x,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=none,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{labels}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+labels=all|x|y|none
+\end{verbatim}
+
+This option is also already in the \verb+pst-plot+ package and only mentioned here for
+some completness.
+
+\begin{LTXexample}[width=3.5cm]
+\psset{ticksize=6pt}
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[labels=all,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[labels=y,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[labels=x,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[labels=none,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{ticksize}, \texttt{xticksize}, \texttt{yticksize}}
+%--------------------------------------------------------------------------------------
+
+With this new option the recent \verb+tickstyle+ option of \verb+pst-plot+ is obsolete
+and no more supported by \verb+pstricks-add+.
+
+Syntax:
+\begin{verbatim}
+ticksize=value[unit]
+ticksize=value[unit] value[unit]
+xticksize=value[unit]
+xticksize=value[unit] value[unit]
+yticksize=value[unit]
+yticksize=value[unit] value[unit]
+\end{verbatim}
+
+\verb+ticksize+ sets both values. The first one is left/below and the optional second
+one is right/above of the coordinate axis. The old setting \verb+tickstyle=bottom+ is
+now easy to realize, e.g.: \verb+ticksize=-6pt 0+, or vice versa, if the coordinates
+are set from positive to negative values.
+
+\medskip
+\begin{LTXexample}[width=6cm]
+\psset{arrowscale=3}
+\begin{pspicture}(-1.5,-1.5)(4,3.5)
+ \psaxes[ticksize=0.5cm]{->}(0,0)(-1.5,-1.5)(4,3.5)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6cm]
+\psset{arrowscale=3}
+\begin{pspicture}(-1.5,-1.5)(4,3.5)
+ \psaxes[xticksize=-10pt 0,yticksize=0 10pt]{->}(0,0)(-1.5,-1.5)(4,3.5)
+\end{pspicture}
+\end{LTXexample}
+
+A grid is also possible by setting the values to the max/min coordinates.
+
+\begin{LTXexample}[width=6cm]
+\psset{arrowscale=3}
+\begin{pspicture}(-.5,-.5)(5,4.5)
+ \psaxes[ticklinestyle=dashed,ticksize=0 4cm]{->}(0,0)(-.5,-.5)(5,4.5)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{subticks}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+subticks=<number>
+\end{verbatim}
+
+By default subticks cannot have labels.
+
+\begin{LTXexample}[width=3.5cm]
+\psset{ticksize=6pt}
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=all,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=y,subticks=5]{->}(0,0)(-1,-1)(2,2)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=x,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\begin{pspicture}(-1,-1)(2,2)
+\psaxes[ticks=none,subticks=5]{->}(0,0)(2,2)(-1,-1)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{subticksize}, \texttt{xsubticksize}, \texttt{ysubticksize}}
+%--------------------------------------------------------------------------------------
+
+Syntax:
+\begin{verbatim}
+subticksize=value
+xsubticksize=value
+ysubticksize=value
+\end{verbatim}
+
+\verb+subticksize+ sets both values, which are relative to the ticksize length and
+can have any number. 1 sets it to the same length as the main ticks.
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{yunit=1.5cm,xunit=3cm}
+\begin{pspicture}(-1.25,-4.75)(3.25,.75)
+ \psaxes[xticksize=-4.5 0.5,ticklinestyle=dashed,subticks=5,xsubticksize=1,%
+ ysubticksize=0.75,xsubticklinestyle=dotted,xsubtickwidth=1pt,
+ subtickcolor=gray]{->}(0,0)(-1,-4)(3.25,0.5)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{tickcolor}, \texttt{subtickcolor}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+tickcolor=<color>
+xtickcolor=<color>
+ytickcolor=<color>
+subtickcolor=<color>
+xsubtickcolor=<color>
+ysubtickcolor=<color>
+\end{verbatim}
+
+\verb+tickcolor+ and \verb+subtickcolor+ set both for the x- and the y-Axis.
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\def\pshlabel#1{\footnotesize$#1$}
+\begin{pspicture}(0,-0.75)(10,1)
+\psaxes[labelsep=2pt,yAxis=false,%
+ labelsep=-10pt,ticksize=0 10mm,subticks=10,subticksize=0.75,%
+ tickcolor=red,subtickcolor=blue,tickwidth=1pt,%
+ subtickwidth=0.5pt](10.01,0)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=5cm]
+\def\pshlabel#1{\footnotesize$#1$}
+\begin{pspicture}(5,-0.75)(10,1)
+\psaxes[labelsep=2pt,yAxis=false,%
+ labelsep=5pt,ticksize=0 -10mm,subticks=10,subticksize=0.75,%
+ tickcolor=red,subtickcolor=blue,tickwidth=1pt,%
+ subtickwidth=0.5pt,Ox=5](5,0)(5,0)(10.01,0)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{ticklinestyle} and \texttt{subticklinestyle}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+ticklinestyle=solid|dashed|dotted|none
+xticklinestyle=solid|dashed|dotted|none
+yticklinestyle=solid|dashed|dotted|none
+subticklinestyle=solid|dashed|dotted|none
+xsubticklinestyle=solid|dashed|dotted|none
+ysubticklinestyle=solid|dashed|dotted|none
+\end{verbatim}
+
+\verb+ticklinestyle+ and \verb+subticklinestyle+ set both values for the x and y axis. The
+value \verb+none+ doesn't really makes sense, because it is the same to
+\verb+[sub]ticklines=0+
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{unit=4cm}
+\pspicture(-0.15,-0.15)(2.5,1)
+ \psaxes[axesstyle=frame,logLines=y,xticksize=0 1,xsubticksize=1,%
+ ylogBase=10,tickcolor=red,subtickcolor=blue,tickwidth=1pt,%
+ subticks=20,xsubticks=10,xticklinestyle=dashed,%
+ xsubticklinestyle=dashed](2.5,1)
+\endpspicture
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{loglines}}
+%--------------------------------------------------------------------------------------
+Syntax:
+\begin{verbatim}
+loglines=all|x|y
+\end{verbatim}
+
+\begin{LTXexample}[width=5.5cm]
+\pspicture(0,-1)(5,5)
+ \psaxes[subticks=5,axesstyle=frame,xylogBase=10,logLines=all](5,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{unit=4cm}
+\pspicture(-0.15,-0.15)(2.5,3)
+ \psaxes[axesstyle=frame,logLines=y,xticksize=0 3,xsubticksize=1,%
+ ylogBase=10,tickcolor=red,subtickcolor=blue,tickwidth=1pt,%
+ subticks=20,xsubticks=10](2.5,3)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{unit=4}
+\pspicture(-0.5,-0.3)(3,1.2)
+ \psaxes[axesstyle=frame,logLines=x,xlogBase=10,Dy=0.5,%
+ tickcolor=red,subtickcolor=blue,tickwidth=1pt,ysubticks=5,xsubticks=10](3,1)
+\endpspicture
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{xylogBase}, \texttt{xlogBase} and \texttt{ylogBase}}
+%--------------------------------------------------------------------------------------
+There are additional options \verb|xylogBase | xlogBase | ylogBase| to get one or both axes with logarithm labels.
+For an intervall of [$10^{-3} ... 10^2$] choose a \verb|pstricks| intervall of [-3,2]. \verb|pstricks| takes $0$ as the origin of this axes, which is wrong
+if we want to have a logarithm axes. With the options \verb|Oy| and \verb|Ox| we can set
+the origin to $-3$, so that the first label gets $10^{-3}$. If this is not done by the
+user then \verb|pstricks-add| does it by default. An alternative is to set these
+parameters to empty values \verb|Ox={},Oy={}|, in this case \verb|pstricks-add| does nothing.
+
+
+%------------------------------------------------------------------------------------
+\subsubsection{\texttt{xylogBase}}
+%------------------------------------------------------------------------------------
+This mode is in math also called double logarithm. It is a combination of the two forgoing modes and the function is now $y=\log x$ and is shown in the following example.
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-3.5,-3.5)(3.5,3.5)
+ \psplot[linewidth=2pt,linecolor=red]{0.001}{3}{x log}
+ \psaxes[xylogBase=10,Oy=-3]{<->}(-3,-3)(3.5,3.5)
+ \uput[-90](3.5,-3){x}
+ \uput[180](-3,3.5){y}
+ \rput(2.5,1){$y=\log x$}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------------
+\subsubsection{\texttt{ylogBase}}
+%--------------------------------------------------------------------------------------------
+The values for the \texttt{psaxes} y-coordinate are now the exponents to the base $10$ and for the right function to the base $e$: $10^{-3} \ldots 10^1$ which corresponds to the given y-intervall $-3\ldots 1.5$, where only integers as exponents are possible. These logarithm labels have no effect to the internal used units. To draw the logarithm function we have to use the math function
+\[y=\log\{\log x\}\]
+\[y=\ln\{\ln x\}\]
+with an drawing intervall of $1.001\ldots 6$.
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-0.5,-3.5)(6.5,1.5)
+ \psaxes[ylogBase=10]{<->}(0,-3)(6.5,1.5)
+ \uput[-90](6.5,-3){x}
+ \uput[0](0,1.4){y}
+ \rput(5,1){$y=\log x$}
+ \psplot[linewidth=2pt,%
+ plotpoints=100,linecolor=red]{1.001}{6}{x log log} % log(x)
+\end{pspicture}
+\end{LTXexample}
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-0.5,-3.5)(6.5,1.5)
+ \psplot[linewidth=2pt,plotpoints=100,linecolor=red]%
+ {1.04}{6}{/ln {log 0.4343 div} def x ln ln} % log(x)
+ \psaxes[ylogBase=e]{<->}(0,-3)(6.5,1.5)
+ \uput[-90](6.5,-3){x}
+ \uput[0](0,1.5){y}
+ \rput(5,1){$y=\ln x$}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=7cm]
+ \begin{pspicture}(-0.5,1.75)(6.5,4.5)
+ \psaxes[ylogBase=10,Oy=2]{<->}(0,2)(0,2)(6.5,4.5)
+ \end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=7cm]
+ \begin{pspicture}(-0.5,-0.25)(6.5,4.5)
+ \psplot{0}{6}{x x cos add log} % x + cox(x)
+ \psplot[linecolor=red]{0}{6}{x 3 exp x cos add log} % x^3 + cos(x)
+ \psplot[linecolor=cyan]{0}{6}{x 5 exp x cos add log} % x^5 + cos(x)
+ \psaxes[ylogBase=10]{<->}(6.5,4.5)
+ \end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-0.5,-1.25)(6.5,4.5)
+ \psplot{0}{6}{x x cos add log} % x + cox(x)
+ \psplot[linecolor=red]{0}{6}{x 3 exp x cos add log} % x^3 + cos(x)
+ \psplot[linecolor=cyan]{0}{6}{x 5 exp x cos add log} % x^5 + cos(x)
+ \psaxes[ylogBase=10]{<->}(0,-1)(0,-1)(6.5,4.5)
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=4cm]
+\begin{pspicture}(2.5,1.75)(6.5,4.5)
+ \psplot[linecolor=cyan]{3}{6}{x 5 exp x cos add log} % x^5 + cos(x)
+ \psaxes[ylogBase=10,Ox=3,Oy=2]{->}(3,2)(3,2)(6.5,4.5)
+\end{pspicture}
+\end{LTXexample}
+
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\texttt{xlogBase}}
+%--------------------------------------------------------------------------------------
+Now we have to use the easy math function $y=x$ because the x axis is still $\log x$.
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-3.5,-3.5)(3.5,3.5)
+ \psplot[linewidth=2pt,linecolor=red]{-3}{3}{x} % log(x)
+ \psplot[linewidth=2pt,linecolor=blue]{-1.3}{1.5}{x 0.4343 div} % ln(x)
+ \psaxes[xlogBase=10,Oy=-3]{->}(-3,-3)(3.5,3.5)
+ \uput[-90](3.5,-3){x}
+ \uput[180](-3,3.5){y}
+ \rput(2.5,1){$y=\log x$}
+ \rput[lb](0,-1){$y=\ln x$}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{yunit=3cm,xunit=2cm}
+\begin{pspicture}(-1.25,-1.25)(4.25,1.5)
+ \uput[-90](4.25,-1){x}
+ \uput[0](-1,1){y}
+ \rput(0,1){$y=\sin x$}
+ \psplot[linewidth=2pt,plotpoints=5000,linecolor=red]{-1}{3.5}{10 x exp sin }
+ \psaxes[xlogBase=10,Oy=-1]{->}(-1,-1)(4.25,1.25)
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-3.5,-2.5)(3.5,2.5)
+ \psaxes[xlogBase=10]{->}(0,0)(-3.5,-2.5)(3.5,2.5)
+ \psplot{-2.5}{2.5}{10 x exp log}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-3.5,-2.5)(3.5,2.5)
+ \psaxes[xlogBase=10,Ox={},Oy={}]{->}(0,0)(-3.5,-2.5)(3.5,2.5)
+ \psplot{-2.5}{2.5}{10 x exp log}
+\end{pspicture}
+\end{LTXexample}
+
+
+%------------------------------------------------------------------------------------
+\subsubsection{No logstyle (\texttt{xylogBase=\{\}})}
+%------------------------------------------------------------------------------------
+This is only a demonstration that the default option \verb|logBase={}| still works ... :-)
+
+\medskip
+\begin{LTXexample}[width=7cm]
+\begin{pspicture}(-3.5,-0.5)(3.5,2.5)
+ \psplot[linewidth=2pt,linecolor=red,xylogBase={}]{0.5}{3}{x log} % log(x)
+ \psaxes{->}(0,0)(-3.5,0)(3.5,2.5)
+ \uput[-90](3.5,0){x}
+ \uput[180](0,2.5){y}
+ \rput(2.5,1){$y=\log x$}
+\end{pspicture}
+\end{LTXexample}
+
+
+\newpage
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{subticks}, \texttt{tickwidth} and \texttt{subtickwidth}}
+%--------------------------------------------------------------------------------------
+
+
+\begin{center}
+\psset{arrowscale=3}
+ \psaxes[labelsep=2pt,yAxis=false,subticks=8]{->}(0,0)(-5,-1)(5,1)\\[1cm]
+ \psaxes[yAxis=false,subticks=4,ticksize=-4pt 0]{->}(0,0)(5,1)(-5,-1)\\
+ \psaxes[yAxis=false,subticks=4,ticksize=-10pt 0]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+ \psaxes[yAxis=false,subticks=10,ticksize=0 -10pt,labelsep=15pt]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+ \psaxes[yAxis=false,subticks=4,ticksize=0 10pt,labelsep=-15pt]{->}(0,0)(5,5)(-5,-5)\\[1cm]
+ \psaxes[yAxis=false,subticks=4,ticksize=0 -10pt]{->}(0,0)(5,5)(-5,-5)\\[0.25cm]
+ \psaxes[yAxis=false,subticks=0]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+ \psaxes[yAxis=false,subticks=0,tickcolor=red,linecolor=blue]{->}(0,0)(5,5)(-5,-5)\\
+ \psaxes[yAxis=false,subticks=5,tickwidth=2pt,subtickwidth=1pt]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+ \psaxes[yAxis=false,subticks=0,tickcolor=red]{->}(0,0)(5,5)(-5,-5)
+\end{center}
+\begin{lstlisting}[xrightmargin=-1.75cm]
+\psset{arrowscale=3}
+\psaxes[labelsep=2pt,yAxis=false,subticks=8]{->}(0,0)(-5,-1)(5,1)\\[1cm]
+\psaxes[yAxis=false,subticks=4,ticksize=-4pt 0]{->}(0,0)(5,1)(-5,-1)\\
+\psaxes[yAxis=false,subticks=4,ticksize=-10pt 0]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+\psaxes[yAxis=false,subticks=10,ticksize=0 -10pt,labelsep=15pt]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+\psaxes[yAxis=false,subticks=4,ticksize=0 10pt,labelsep=-15pt]{->}(0,0)(5,5)(-5,-5)\\[1cm]
+\psaxes[yAxis=false,subticks=4,ticksize=0 -10pt]{->}(0,0)(5,5)(-5,-5)\\[0.25cm]
+\psaxes[yAxis=false,subticks=0]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+\psaxes[yAxis=false,subticks=0,tickcolor=red,linecolor=blue]{->}(0,0)(5,5)(-5,-5)\\
+\psaxes[yAxis=false,subticks=5,tickwidth=2pt,subtickwidth=1pt]{->}(0,0)(-5,-5)(5,5)\\[1cm]
+\psaxes[yAxis=false,subticks=0,tickcolor=red]{->}(0,0)(5,5)(-5,-5)
+\end{lstlisting}
+
+\vspace*{4cm}
+\begin{center}
+ \psset{arrowscale=3}
+ \psaxes[xAxis=false,subticks=8]{->}(0,0)(-5,-5)(5,5)\hspace{2em}
+ \psaxes[xAxis=false,subticks=4]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+ \psaxes[xAxis=false,subticks=4,ticksize=0 4pt]{->}(0,0)(-5,-5)(5,5)\hspace{3em}
+ \psaxes[xAxis=false,subticks=4,ticksize=-4pt 0]{->}(0,0)(-5,-5)(5,5)\hspace{1em}
+ \psaxes[xAxis=false,subticks=4,ticksize=0 4pt]{->}(0,0)(5,5)(-5,-5)\hspace{2em}
+ \psaxes[xAxis=false,subticks=4,ticksize=-4pt 0,linecolor=red]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+ \psaxes[xAxis=false,subticks=0]{->}(0,0)(-5,-5)(5,5)\hspace{1em}
+ \psaxes[xAxis=false,subticks=0,tickcolor=red,linecolor=blue]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+ \psaxes[xAxis=false,subticks=5,tickwidth=2pt,subtickwidth=1pt]{->}(0,0)(-5,-5)(5,5)\hspace{2em}
+ \psaxes[xAxis=false,subticks=5,tickcolor=red,tickwidth=2pt,%
+ ticksize=10pt,subtickcolor=blue,subticksize=0.75]{->}(0,0)(5,5)(-5,-5)
+\end{center}
+
+\vspace*{5cm}
+\begin{lstlisting}[xrightmargin=-1.75cm]
+\psset{arrowscale=3}
+\psaxes[xAxis=false,subticks=8]{->}(0,0)(-5,-5)(5,5)\hspace{2em}
+\psaxes[xAxis=false,subticks=4]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+\psaxes[xAxis=false,subticks=4,ticksize=0 4pt]{->}(0,0)(-5,-5)(5,5)\hspace{3em}
+\psaxes[xAxis=false,subticks=4,ticksize=-4pt 0]{->}(0,0)(-5,-5)(5,5)\hspace{1em}
+\psaxes[xAxis=false,subticks=4,ticksize=0 4pt]{->}(0,0)(5,5)(-5,-5)\hspace{2em}
+\psaxes[xAxis=false,subticks=4,ticksize=-4pt 0,linecolor=red]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+\psaxes[xAxis=false,subticks=0]{->}(0,0)(-5,-5)(5,5)\hspace{1em}
+\psaxes[xAxis=false,subticks=0,tickcolor=red,linecolor=blue]{->}(0,0)(5,5)(-5,-5)\hspace{4em}
+\psaxes[xAxis=false,subticks=5,tickwidth=2pt,subtickwidth=1pt]{->}(0,0)(-5,-5)(5,5)\hspace{2em}
+\psaxes[xAxis=false,subticks=5,tickcolor=red,tickwidth=2pt,%
+ ticksize=10pt,subtickcolor=blue,subticksize=0.75]{->}(0,0)(5,5)(-5,-5)
+\end{lstlisting}
+
+\begin{LTXexample}[width=5.5cm]
+\pspicture(5,5.5)
+\psaxes[subticks=4,ticksize=6pt,subticksize=0.5,%
+ tickcolor=red,subtickcolor=blue]{->}(5.4,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=5.5cm]
+\pspicture(5,5.5)
+ \psaxes[subticks=5,ticksize=0 6pt,subticksize=0.5]{->}(5.4,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=5.5cm]
+\pspicture(5,5.5)
+ \psaxes[subticks=5,ticksize=-6pt 0,subticksize=0.5]{->}(5.4,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\pspicture(-3,-3)(3,3.5)
+ \psaxes[subticks=5,ticksize=0 6pt,subticksize=0.5]{->}(0,0)(3,3)(-3,-3)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=6.5cm]
+\pspicture(0,0.5)(-3,-3)
+ \psaxes[subticks=5,ticksize=-6pt 0,subticksize=0.5,linecolor=red]{->}(-3,-3)
+\endpspicture
+\end{LTXexample}
+
+
+
+\begin{LTXexample}[width=5.5cm]
+\psset{axesstyle=frame}
+\pspicture(5,5.5)
+ \psaxes[subticks=4,tickcolor=red,subtickcolor=blue](5,5)
+\endpspicture
+\end{LTXexample}
+
+\vspace{1cm}
+\begin{LTXexample}[width=5.5cm]
+\pspicture(5,5.5)
+ \psaxes[subticks=5,subticksize=1,subtickcolor=lightgray](5,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=5.5cm]
+\pspicture(5,5.5)
+ \psaxes[subticks=2,subticksize=1,subtickcolor=lightgray](5,5)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\pspicture(3,4.5)
+ \psaxes[subticks=5,ticksize=-7pt 0](3,4)
+\endpspicture
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=3.5cm]
+\pspicture(0,1)(-3,-4)
+ \psaxes[subticks=5](-3,-4)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\pspicture(3,4.5)
+ \psaxes[axesstyle=axes,subticks=5](3,4)
+\endpspicture
+\end{LTXexample}
+
+\begin{LTXexample}[width=3.5cm]
+\pspicture(0,1)(-3,-4)
+ \psaxes[axesstyle=axes,subticks=5,%
+ ticksize=0 10pt,labelsep=13pt](-3,-4)
+\endpspicture
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{xlabelFactor} and \texttt{ylabelFactor}}
+%--------------------------------------------------------------------------------------
+When having big numbers as data records then it makes sense to write the values
+as ${<number>\cdot 10^{<exp>}}$. These new options allow to define the additional part
+of the value.
+
+\resetOptions
+\begin{LTXexample}
+\readdata{\data}{demo1.dat}
+\pstScalePoints(1,0.000001){}{}% (x,y){additional x operator}{y op}
+\psset{llx=-1cm,lly=-1cm}
+\psgraph[ylabelFactor={\cdot 10^6},Dx=5,Dy=100](0,0)(25,750){8cm}{5cm}
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\endpsgraph
+\pstScalePoints(1,1){}{}% reset
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{Plot style \texttt{bar} and option \texttt{barwidth}}
+%--------------------------------------------------------------------------------------
+This option allows to draw bars for the data records. The width of the bars
+is controlled by the option \verb+barwidth+, which is set by default to
+value of \verb+0.25cm+, which is the total width.
+
+\def\barData{
+0 0.03
+1 0.11
+2 0.28
+3 0.84
+4 6.70
+5 8.55
+6 8.77
+7 11.09
+8 7.18
+9 6.20
+10 5.78
+11 4.19
+12 2.37
+13 2.26
+14 1.68
+15 1.03
+16 1.37
+17 1.34
+18 0.92
+19 0.67
+20 0.87
+21 1.20
+22 1.98
+23 3.99
+24 5.08
+25 5.17
+26 5.78
+27 4.44
+28 0.11
+}
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{xunit=.44cm,yunit=.3cm}
+\begin{pspicture}(-2,-1.5)(29,13)
+ \psaxes[axesstyle=axes,Ox=1466,Oy=0,Dx=4,Dy=2,%
+ ylabelFactor={\,\%}]{-}(29,12)
+ \listplot[shadow=true,linecolor=blue,plotstyle=bar,barwidth=0.3cm,
+ fillcolor=red,fillstyle=solid]{\barData}
+ \rput{90}(-3,6.25){Amount}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{xunit=.44cm,yunit=.3cm}
+\begin{pspicture}(-2,-1.5)(29,13)
+ \psaxes[axesstyle=axes,Ox=1466,Oy=0,Dx=4,Dy=2,%
+ ylabelFactor={\,\%}]{-}(29,12)
+ \listplot[linecolor=blue,plotstyle=bar,barwidth=0.3cm,
+ fillcolor=red,fillstyle=crosshatch]{\barData}
+ \rput{90}(-3,6.25){Amount}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\psset{xunit=.44cm,yunit=.3cm}
+\begin{pspicture}(-2,-1.5)(29,13)
+ \psaxes[axesstyle=axes,Ox=1466,Oy=0,Dx=4,Dy=2,%
+ ylabelFactor={\,\%}]{-}(29,12)
+ \listplot[linecolor=blue,plotstyle=bar,barwidth=0.3cm,
+ fillcolor=red,fillstyle=vlines]{\barData}
+ \listplot[showpoints=true]{\barData}
+ \rput{90}(-3,6.25){Amount}
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{Axis with trigonmetrical units}
+%--------------------------------------------------------------------------------------
+With the option \verb+trigLabels=true+ the labels on the x axis are trigonometrical ones:
+
+\medskip
+\begin{LTXexample}[preset=\centering,pos=t]
+\begin{pspicture}(-0.5,-1.25)(10,1.25)
+ \psplot[linecolor=red,linewidth=1.5pt]%
+ {0}{9.424777961}{x 180 mul 3.141592654 div sin}
+ \psaxes[xunit=1.570796327,showorigin=false,trigLabels]{->}(0,0)(-0.5,-1.25)(6.4,1.25)
+\end{pspicture}
+\end{LTXexample}
+
+With the value of \verb+xunit+ one can change the labels.
+
+\medskip
+\begin{LTXexample}[preset=\centering,pos=t]
+\begin{pspicture}(-0.5,-1.25)(10,1.25)
+ \psplot[linecolor=red,linewidth=1.5pt]%
+ {0}{9.424777961}{x 180 mul 3.141592654 div sin}
+ \psaxes[xunit=0.7853981635,showorigin=false,trigLabels]{->}(0,0)(-1,-1.25)(12.8,1.25)
+\end{pspicture}
+\end{LTXexample}
+
+\medskip
+\begin{LTXexample}[preset=\centering,pos=t]
+\begin{pspicture}(-0.5,-1.25)(10,1.25)
+ \psplot[linecolor=red,linewidth=1.5pt]%
+ {0}{9.424777961}{x 180 mul 3.141592654 div sin}
+ \psaxes[xunit=0.7853981635,showorigin=false,trigLabels,Dx=2]{->}(0,0)(-1,-1.25)(12.8,1.25)
+\end{pspicture}
+\end{LTXexample}
+
+%------------------------------------------------------------------------------------
+\subsection{New options for \CMD{readdata}}
+%------------------------------------------------------------------------------------
+
+
+By default the macros \verb|\readdata| reads every
+data record, which could be annoying when you have some text lines at top of your
+data files or when there are more than 10000 records to read.
+
+
+\verb|pstricks-add| defines two additional keys \verb|ignoreLines| and \verb|nStep|, which allows
+to ignore preceeding lines, e.g. \verb|ignoreLines=2|, or to read only a selected part of the data records,
+e.g. \verb|nStep=10|, only every 10\textsuperscript{th} records is saved.
+
+\begin{lstlisting}
+\readdata[ignoreLines=2]{\dataA}{stressrawdata.dat}
+\readdata[nStep=10]{\dataA}{stressrawdata.dat}
+\end{lstlisting}
+
+The default value for \verb+ignoreLines+ is $0$ and for \verb+nStep+ is $1$.
+the following data file has two text lines which shall be ignored by the \verb+\readdata+ macro:
+
+\begin{LTXexample}[width=4cm]
+\begin{filecontents*}{pstricks-add-data9.dat}
+some nonsense in this line ���time forcex forcey
+0 0.2
+1 1
+2 4
+\end{filecontents*}
+\readdata[ignoreLines=2]{\data}{pstricks-add-data9.dat}
+\pspicture(2,4)
+ \listplot[showpoints=true]{\data}
+ \psaxes{->}(2,4)
+\endpspicture
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsection{New options for \texttt{\textbackslash listplot}}
+%--------------------------------------------------------------------------------------
+By default the plot macros \verb|\dataplot|, \verb|\fileplot| and \verb|\listplot| plot every
+data record. The package \verb|pst-plot-add| defines additional keys \verb|nStep, nStart, nEnd| and \verb|xStep, xStart, xEnd|, which allows
+to plot only a selected part of the data records, e.g. \verb|nStep=10|. These "n" options mark the number of the record to be plot ($0,1,2,...$) and the "x" ones the x-values of the data records.
+
+
+\begin{center}
+\begin{tabular}{l|l}
+Name & Default setting\\\hline
+\verb|nStart| & \verb|1|\\
+\verb|nEnd| & \verb|{}|\\
+\verb|nStep| & \verb|1|\\
+\verb|xStart| & \verb|{}|\\
+\verb|xEnd| & \verb|{}|\\
+\verb|yStart| & \verb|{}|\\
+\verb|yEnd| & \verb|{}|\\
+\verb|xStep| & \verb|0|\\
+\verb|plotNo| & \verb|1|\\
+\verb|plotNoMax| & \verb|1|\\
+\verb|ChangeOrder| & \verb|false|
+\end{tabular}
+\end{center}
+
+These new options are only available
+for the \verb|\listplot| macro, which is not a real limitation, because all data records can be read
+from a file with the \verb|\readdata| macro (see example files or \cite{dtk02.2:jackson.voss:plot-funktionen}):
+\begin{verbatim}
+\readdata[nStep=10]{\data}{/home/voss/data/data1.dat}
+\end{verbatim}
+
+The use \verb|nStep| and \verb|xStep| options make only real sense when also using the
+option \verb|plotstyle=dots|. Otherwise the coordinates are connected by a line as usual. Also the \verb|xStep| option needs increasing x values.
+Pay attention that \verb+nStep+ can be used for \verb+\readdata+ and for \verb+\listplot+. If used
+in both macros than the effect is multiplied, e.g. \verb+\readdata+ with \verb+nStep=5+ and
+\verb+\listplot+ with \verb+nStep=10+ means, that only every 50\textsuperscript{th} data records
+is read and plotted.
+
+When both, \verb|x/yStart/End| are defined then the values are also compared with
+both values.
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{nStep/xStep}}
+%--------------------------------------------------------------------------------------
+
+The datafile \verb|data.dat| contains $1000$ data records. The thin blue line is the plot
+of all records with the plotstyle option \verb|curve|.
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata{\data}{examples/data.dat}
+\psset{xunit=0.125mm,yunit=0.0002mm}
+\begin{pspicture}(-80,-30000)(1000,310000)
+\psaxes[axesstyle=frame,Dx=100,dx=100,Dy=50000,dy=50000](1000,300000)
+\listplot[nStep=50,linewidth=3pt,linecolor=red,plotstyle=dots]{\data}
+\listplot[linewidth=1pt,linecolor=blue]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{nStart/xStart}}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata{\data}{examples/data.dat}
+\psset{xunit=0.125mm,yunit=0.0002mm}
+\begin{pspicture}(-80,-30000)(1000,310000)
+\psaxes[axesstyle=frame,Dx=100,dx=100,Dy=50000,dy=50000](1000,300000)
+\listplot[nStart=200,linewidth=3pt,linecolor=blue]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{nEnd/xEnd}}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata{\data}{examples/data.dat}
+\psset{xunit=0.125mm,yunit=0.0002mm}
+\begin{pspicture}(-80,-30000)(1000,310000)
+\psaxes[axesstyle=frame,Dx=100,dx=100,Dy=50000,dy=50000](1000,300000)
+\listplot[nEnd=800,linewidth=3pt,linecolor=blue]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for all new options}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata{\data}{examples/data.dat}
+\psset{xunit=0.125mm,yunit=0.0002mm}
+\begin{pspicture}(-80,-30000)(1000,310000)
+\psaxes[axesstyle=frame,Dx=100,dx=100,Dy=50000,dy=50000](1000,300000)
+\listplot[nStart=200, nEnd=800, nStep=50,linewidth=3pt,linecolor=blue,%
+ plotstyle=dots]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{xStart}}
+%--------------------------------------------------------------------------------------
+
+This example shows the use of the same plot with different units and different
+\verb|xStart| value. The blue curve is the original plot of the data records.
+To show the important part of the curve there is another one plotted with a
+greater \verb|yunit| and a start value of \verb|xStart=0.35|. This makes it
+possible to have a kind of a zoom to the original graphic.
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\def\pshlabel#1{\scriptsize\sffamily$#1$}
+\def\psvlabel#1{\sffamily\scriptsize$#1$}
+\psset{xunit=10cm, yunit=0.01cm}
+\readdata{\data}{examples/data3.dat}
+\begin{pspicture}(-0.1,-100)(1.5,700.0)
+ \psaxes[Dx=0.25,Dy=100,dy=100\psyunit,ticksize=-4pt 0]{->}(0,0)(0,-100)(1.4,520)
+ \uput[0](1.4,0){\textsf{t [s]}}
+ \rput(-0.125,200){\psrotateleft{\small\sffamily flow [ml/s]}}
+ \listplot[linewidth=2pt, linecolor=blue]{\data}
+ \rput(0.4,300){
+ \pscustom[yunit=0.04cm, linewidth=1pt]{%
+ \listplot[xStart=0.355]{\data}
+ \psline(1,-2.57)(1,0)(0.355,0)
+ \fill[fillstyle=hlines,fillcolor=gray,hatchwidth=0.4pt,hatchsep=1.5pt,hatchcolor=red]%
+ \psline[linewidth=0.5pt]{->}(0.7,0)(1.05,0)
+ }%
+ }
+ \psline[linewidth=.01]{->}(0.75,300)(0.4,20)
+ \psline[linewidth=.01]{->}(1,290)(1.1,440)
+ \rput(1.1,470){\footnotesize\sffamily leak volume}
+ \psline[linewidth=.01]{->}(0.78,200)(1,100)
+ \rput[l](1.02,100){\footnotesize\sffamily closing volume}
+\end{pspicture}
+\end{LTXexample}
+
+
+\resetOptions
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{yStart}/\texttt{yEnd}}
+%--------------------------------------------------------------------------------------
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata{\data}{examples/data.dat}
+\psset{xunit=0.125mm,yunit=0.0002mm}
+\begin{pspicture}(-80,-30000)(1000,310000)
+ \psaxes[axesstyle=frame,Dx=100,dx=100,Dy=50000,dy=50000](1000,300000)
+ \psset{linewidth=0.1pt, linestyle=dashed,linecolor=red}
+ \psline(0,40000)(1000,40000)
+ \psline(0,175000)(1000,175000)
+ \listplot[yStart=40000, yEnd=175000,linewidth=3pt,linecolor=blue,plotstyle=dots]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{plotNo/plotNoMax}}
+%--------------------------------------------------------------------------------------
+By default the plot macros expect \verb+x|y+ data records, but
+when having data files with multiple values for y, like:
+\begin{verbatim}
+x y1 y2 y3 y4 ... yMax
+x y1 y2 y3 y4 ... yMax
+...
+\end{verbatim}
+
+you can select the y value which should be plotted. The option \verb+plotNo+ marks the plotted
+value (default $1$) and the option \verb+plotNoMax+ tells \verb+pst-plot+ how many $y$ values are
+present. There are no real restrictions in the maximum number for \verb+plotNoMax+.
+
+We have the following data file:
+\begin{verbatim}
+[% file examples/data.dat
+0 0 3.375 0.0625
+10 5.375 7.1875 4.5
+20 7.1875 8.375 6.25
+30 5.75 7.75 6.6875
+40 2.1875 5.75 5.9375
+50 -1.9375 2.1875 4.3125
+60 -5.125 -1.8125 0.875
+70 -6.4375 -5.3125 -2.6875
+80 -4.875 -7.1875 -4.875
+90 0 -7.625 -5.625
+100 5.5 -6.3125 -5.8125
+110 6.8125 -2.75 -4.75
+120 5.25 2.875 -0.75
+]%
+\end{verbatim}
+
+\noindent which holds data records for multiple plots (\verb+x y1 y2 y3+). This can be plotted
+without any modification to the data file:
+
+\begin{LTXexample}[preset=\centering,pos=t]
+\readdata\Data{examples/dataMul.dat}
+\psset{xunit=0.1cm, yunit=0.5cm,lly=-0.5cm}
+\begin{pspicture}(0,-7.5)(150,10)
+\psaxes[Dx=10,Dy=2.5]{->}(0,0)(0,-7.5)(150,7.5)
+\psset{linewidth=2pt,plotstyle=line}
+\listplot[linecolor=green,plotNo=1,plotNoMax=3]{\Data}
+\listplot[linecolor=red,plotNo=2,plotNoMax=3]{\Data}
+\listplot[linecolor=blue,plotNo=3,plotNoMax=3]{\Data}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Example for \texttt{changeOrder}}
+%--------------------------------------------------------------------------------------
+It is only possible to fill the region between two listplots
+with \verb+\pscustom+ if one of both has the values in a reverse
+order. Otherwise we do not get a closed path. With the option \verb+ChangeOrder+
+the values are used in a reverse order:
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{filecontents*}{test.dat}
+ 0 3 8
+ 2 4 7
+ 5 5 5.5
+ 7 3.5 5
+ 10 2 9
+\end{filecontents*}
+\begin{psgraph}[axesstyle=frame,ticklinestyle=dotted,ticksize=0 10](0,0)(10,10){4in}{2in}%
+ \readdata{\data}{test.dat}%
+ \pscustom[fillstyle=solid,fillcolor=gray]{%
+ \listplot[plotNo=2,plotNoMax=2]{\data}%
+ \listplot[plotNo=1,plotNoMax=2,ChangeOrder]{\data}}
+\end{psgraph}
+\end{LTXexample}
+
+
+
+
+%--------------------------------------------------------------------------------------
+\section{Polar plots}
+%--------------------------------------------------------------------------------------
+
+With the option \verb+polarplot=false|true+ it is possible to use \verb+\psplot+
+in polar mode:
+\begin{verbatim}
+\psplot[polarplot=true,...]{<start angle>}{<end angle>}{<r(alpha)>}
+\end{verbatim}
+
+The equation in PostScript code is interpreted as a function $r=f(\alpha)$, e.g. for the
+circle with radius 1 as $r=\sqrt{\sin^2x+\cos^2x}$:
+
+\begin{verbatim}
+x sin dup mul x cos dup mul add sqrt
+\end{verbatim}
+
+
+\medskip
+\begin{LTXexample}[width=6cm]
+\resetOptions
+\def\pshlabel#1{\footnotesize$#1$}
+\def\psvlabel#1{\footnotesize$#1$}
+\psset{plotpoints=200,unit=0.75}
+\begin{pspicture}*(-5,-5)(3,3)
+ \psaxes[labelsep=.75mm,arrowlength=1.75,ticksize=2pt,%
+ linewidth=0.17mm]{->}(0,0)(-4.99,-4.99)(3,3)
+ \rput[Br](3,-.35){$x$}
+ \rput[tr](-.15,3){$y$}
+ \rput[Br](-.15,-.35){$0$}
+ \psset{linewidth=.35mm,polarplot=true}
+ \psplot[linecolor=red]{140}{310}{3 neg x sin mul x cos mul x sin 3 exp x cos 3 exp add div}
+ \psplot[linecolor=cyan]{140}{310}{6 neg x sin mul x cos mul x sin 3 exp x cos 3 exp add div}
+ \psplot[linecolor=blue]{140}{310}{9 neg x sin mul x cos mul x sin 3 exp x cos 3 exp add div}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=5cm]
+\resetOptions
+\psset{plotpoints=200,unit=1}
+\begin{pspicture}(-2.5,-2.5)(2.5,2.5)% Ulrich Dirr
+ \psaxes[labelsep=.75mm,arrowlength=1.75,%
+ ticksize=2pt,linewidth=0.17mm]{->}(0,0)(-2.5,-2.5)(2.5,2.5)
+ \rput[Br](2.5,-.35){$x$}
+ \rput[tr](-.15,2.5){$y$}
+ \rput[Br](-.15,-.35){$0$}
+ \psset{linewidth=.35mm,plotstyle=curve,polarplot=true}
+ \psplot[linecolor=red]{0}{360}{x cos 2 mul x sin mul}
+ \psplot[linecolor=green]{0}{360}{x cos 3 mul x sin mul}
+ \psplot[linecolor=blue]{0}{360}{x cos 4 mul x sin mul}
+\end{pspicture}
+\end{LTXexample}
+
+
+
+\medskip
+\begin{LTXexample}[width=8cm]
+\psset{plotpoints=200,unit=0.5}
+\begin{pspicture}(-8.5,-8.5)(9,9)% Ulrich Dirr
+\psaxes[Dx=2,dx=2,Dy=2,dy=2,labelsep=.75mm,%
+ arrowlength=1.75,ticksize=2pt,linewidth=0.17mm]{->}(0,0)(-8.5,-8.5)(9,9)
+\rput[Br](9,-.7){$x$}
+\rput[tr](-.3,9){$y$}
+\rput[Br](-.3,-.7){$0$}
+%
+\psset{linewidth=.35mm,plotstyle=curve,polarplot=true}
+\psplot[linecolor=blue]{0}{720}{8 2.5 x mul sin mul}
+\end{pspicture}
+\end{LTXexample}
+
+
+\resetOptions
+
+
+
+
+%--------------------------------------------------------------------------------------
+\section{New commands and environments}
+%--------------------------------------------------------------------------------------
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{pstScalePoints}}
+%--------------------------------------------------------------------------------------
+The syntax is
+\begin{verbatim}
+\pstScalePoints(xScale,xScale){xPS}{yPS}
+\end{verbatim}
+
+\verb+xScale,yScale+ are decimal values as scaling factors, the \verb+xPs+ and \verb+yPS+
+are additional PostScript code to the x- and y-values of the data records. This macro
+is only valid for the \CMD{listplot} macro!
+
+\resetOptions
+\begin{LTXexample}[width=6cm]
+\def\data{%
+ 0 0 1 3 2 4 3 1
+ 4 2 5 3 6 6 }
+\begin{pspicture}(-0.5,-1)(6,6)
+ \psaxes{->}(0,0)(6,6)
+ \listplot[showpoints=true,%
+ linecolor=red]{\data}
+ \pstScalePoints(1,0.5){}{3 add}
+ \listplot[showpoints=true,%
+ linecolor=blue]{\data}
+\end{pspicture}
+\end{LTXexample}
+
+\bigskip
+\verb+\pstScalePoints(1,0.5){}{3 add}+ means that \textbf{first} the value $3$ is added
+to the $y$ values and \textbf{second} this value is scaled with the factor $0.5$.
+As seen for the blue line for $x=0$ we get $y(0)=(0+3)\cdot 0.5=1.5$.
+
+Changes with \verb+\pstScalePoints+ are always global to all following \verb+\listplot+
+macros. This is the reason why it is a good idea to reset the values at the end of the
+\verb+pspicture+ environment.
+
+\begin{verbatim}
+\pstScalePoints(1,1){}{}
+\end{verbatim}
+
+%--------------------------------------------------------------------------------------
+\subsection{\texttt{psgraph} environment}
+%--------------------------------------------------------------------------------------
+This new environment does the scaling, it expects as parameter the values (without units!) for the
+coordinate system and the values of the physical width and height (with units!). The syntax is:
+
+\begin{verbatim}
+\psgraph[<axes options>]{<arrows>}%
+ (xOrig,yOrig)(xMin,yMin)(xMax,yMax){xLength}{yLength}
+...
+\endpsgraph
+
+\begin{psgraph}[<axes options>]{<arrows>}%
+ (xOrig,yOrig)(xMin,yMin)(xMax,yMax){xLength}{yLength}
+...
+\end{psgraph}
+\end{verbatim}
+
+where the options are valid \textbf{only} for the the \verb+\psaxes+ macro. The first
+two arguments have the usual \verb+PSTricks+ behaviour.
+\begin{itemize}
+ \item if \verb+(xOrig,yOrig)+ is missing, it is substituted to $(0,0)$;
+ \item if \verb+(xOrig,yOrig)+ \textbf{and} (xMin,yMin) are missing, they are both
+ substituted to $(0,0)$.
+\end{itemize}
+
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\readdata{\data}{demo1.dat}
+\pstScalePoints(1,0.000001){}{}% (x,y){additional x operator}{y op}
+\psset{llx=-1cm,lly=-1cm}
+\psgraph[axesstyle=frame,xticksize=0 759,yticksize=0 25,%
+ subticks=0,ylabelFactor={\cdot 10^6},%
+ Dx=5,dy=100\psyunit,Dy=100](0,0)(25,750){10cm}{6cm} % parameters
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\endpsgraph
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=7cm]
+\readdata{\data}{demo1.dat}
+\psset{xAxisLabel=x-Axes,yAxisLabel=y-Axes,llx=-1cm,%
+ xAxisLabelPos={3cm,-1cm},yAxisLabelPos={-1.5cm,2.5cm}}
+\pstScalePoints(1,0.00000001){}{}
+\begin{psgraph}[axesstyle=frame,xticksize=0 7.5,yticksize=0 25,subticksize=1,%
+ ylabelFactor={\cdot 10^8},Dx=5,Dy=1,xsubticks=2](0,0)(25,7.5){5.5cm}{5cm}
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\end{psgraph}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=6.5cm]
+\readdata{\data}{demo1.dat}
+\psset{llx=-0.5cm,lly=-1cm}
+\pstScalePoints(1,0.000001){}{}
+\psgraph[arrows=->,Dx=5,dy=200\psyunit,Dy=200,%
+ subticks=5,ticksize=-10pt 0,tickwidth=0.5pt,%
+ subtickwidth=0.1pt](0,0)(25,750){5.5cm}{5cm}
+\listplot[linecolor=red,linewidth=2pt,showpoints=true,]{\data}
+\endpsgraph
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\pstScalePoints(1,0.2){}{log}
+\psset{lly=-0.75cm}
+\psgraph[ylogBase=10,Dx=5,Dy=1,subticks=5](0,0)(25,2){12cm}{4cm}
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\endpsgraph
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\readdata{\data}{demo0.dat}
+\psset{lly=-0.5cm}
+\pstScalePoints(1,1){}{log}
+\begin{psgraph}[arrows=->,Dx=0.5,ylogBase=10,Oy=-1,xsubticks=10,%
+ ysubticks=2](0,-3)(3,1){12cm}{4cm}
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\end{psgraph}
+\end{LTXexample}
+
+
+\begin{LTXexample}[width=6.5cm]
+\readdata{\data}{demo0.dat}
+\pstScalePoints(1,1){}{log}
+\psgraph[arrows=->,Dx=0.5,ylogBase=10,Oy=-1,subticks=4](0,-3)(3,1){6cm}{3cm}
+ \listplot[linecolor=red, linewidth=2pt, showpoints=true]{\data}
+\endpsgraph
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\readdata{\data}{demo2.dat}%
+\readdata{\dataII}{demo3.dat}%
+\pstScalePoints(1,1){1989 sub}{}
+\psset{llx=-0.5cm,lly=-1cm, xAxisLabel=Year,yAxisLabel=Whatever,%
+ xAxisLabelPos={2in,-0.4in},yAxisLabelPos={-0.4in,1in}}
+\psgraph[axesstyle=frame,Dx=2,Ox=1989,subticks=2](0,0)(12,6){4in}{2in}%
+ \listplot[linecolor=red,linewidth=2pt]{\data}
+ \listplot[linecolor=blue,linewidth=2pt]{\dataII}
+ \listplot[linecolor=cyan,linewidth=2pt,yunit=0.5]{\dataII}
+\endpsgraph
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\psset{llx=-0.5cm,lly=-0.75cm}
+\pstScalePoints(1,1){1989 sub}{2 sub}
+\begin{psgraph}[axesstyle=frame,Dx=2,Ox=1989,Oy=2,subticks=2](0,0)(12,4){6in}{3in}%
+ \listplot[linecolor=red,linewidth=2pt]{\data}
+ \listplot[linecolor=blue,linewidth=2pt]{\dataII}
+ \listplot[linecolor=cyan,linewidth=2pt,yunit=0.5]{\dataII}
+\end{psgraph}
+\end{LTXexample}
+
+%\newpage
+An example with ticks on every side of the frame:
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\def\data{0 0 1 1 2 4 3 9}
+\psset{lly=-0.5cm}
+\begin{psgraph}[axesstyle=frame,ticksize=0 4pt](0,0)(3.0,9.0){12cm}{5cm}
+ \psaxes[axesstyle=frame,labels=none,ticksize=-4pt 0](3,9)(0,0)(3,9)
+ \listplot[linecolor=red,linewidth=2pt]{\data}
+\end{psgraph}
+\end{LTXexample}
+
+
+%-------------------------------------------------------------------------------------------
+\subsubsection{The new options}
+%-------------------------------------------------------------------------------------------
+
+\begin{center}
+\begin{tabular}{>{\tt}l>{\tt}ll}
+\textrm{name} & \textrm{default} & meaning\\\hline
+xAxisLabel & x & label for the x-axis\\
+yAxisLabel & y & label for the y-axis\\
+xAxisLabelPos & \{\} & where to put the x-label\\
+yAxisLabelPos & \{\} & where to put the y-label\\
+llx & 0pt & trim for the lower left x\\
+lly & 0pt & trim for the lower left y\\
+urx & 0pt & trim for the upper right x\\
+ury & 0pt & trim for the upper right y
+\end{tabular}
+\end{center}
+
+There is one restriction in using the trim parameters, they must been set
+\textbf{before} \verb+psgraph+ is called. They are senseless, when using
+as parameters of \verb+psgraph+ itself.
+
+\medskip
+\resetOptions
+
+\begin{LTXexample}[pos=t]
+\psset{llx=-1cm,lly=-1.25cm,urx=0.5cm,ury=0.1in,xAxisLabel=Year,%
+ yAxisLabel=Whatever,xAxisLabelPos={.4\linewidth,-0.4in},%
+ yAxisLabelPos={-0.4in,2in}}
+\pstScalePoints(1,1){1989 sub}{}
+\psframebox[linestyle=dashed,boxsep=0pt]{%
+\begin{psgraph}[axesstyle=frame,Ox=1989,subticks=2](0,0)(12,6){0.8\linewidth}{4in}%
+ \listplot[linecolor=red,linewidth=2pt]{\data}%
+ \listplot[linecolor=blue,linewidth=2pt]{\dataII}%
+ \listplot[linecolor=cyan,linewidth=2pt,yunit=0.5]{\dataII}%
+\end{psgraph}%
+}
+\end{LTXexample}
+\pstScalePoints(1,1){}{}% reset
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Problems}
+%--------------------------------------------------------------------------------------
+Floating point operations in \TeX\ are a real mess, which causes a lot of problems
+when there are very small oder very big units. With the options of \verb+\pst-plot+
+it is possible to choose normal units (whatever this may be ...), but plotting
+the data as usual.
+
+\begin{LTXexample}[pos=t]
+\begin{filecontents*}{test.dat}
+3.2345 34.5
+3.2364 65.4
+3.2438 50.2
+\end{filecontents*}
+
+\psset{lly=-0.5cm,llx=-1cm}
+\readdata{\data}{test.dat}
+\pstScalePoints(1,1){3.23 sub 100 mul}{}
+\begin{psgraph}[Ox=3.23,Dx=0.01,dx=\psxunit,Dy=10](0,0)(3,70){0.8\linewidth}{5cm}%
+ \listplot[showpoints=true,plotstyle=curve]{\data}
+\end{psgraph}
+\end{LTXexample}
+
+This example shows some important facts:
+\begin{itemize}
+\item \verb+3.23 sub 100 mul+: the x values are now $0.45; 0.64; 1.38$
+\item \verb+Ox=3.23+: the origin of the x axis is set to $3.23$
+\item \verb+Dx=0.01+: the increment of the labels
+\item \verb+dx=\psxunit+: uses the calculated unit value to get every unit a label
+\item \verb+Dy=10+: increase the y labels by 10
+\end{itemize}
+
+Using the internal \verb+\psxunit+ one can have dynamical x-units, depending to
+the linewidth od the document.
+
+\resetOptions
+
+%--------------------------------------------------------------------------------------
+\subsection[\CMD{psplotTangent}]{\CMD{psplotTangent}\footnote{This part is adapted from the package \texttt{pst-eqdf}, written by Dominique Rodriguez.}}
+%--------------------------------------------------------------------------------------
+There is an additional option, named \verb+Derive+ vor an alternative function (see
+following example) to calculate the slope of the tangent. This will be in general the
+first derivation, but can also be any other function. If this option is different to
+to the default value \verb+Derive=default+,
+then this function is taken to calculate the slope. For the other cases, \verb+pstricks-add+
+builds a secant with -0.00005<x<0.00005, calculates the slope and takes this for the
+tangent. This maybe problematic in some cases of special functions or $x$ values, then it may be appropriate to use the
+Derivate option.
+
+The macro expects three parameters:
+
+\begin{description}
+\item[$x$]: the $x$ value of the function for which the tangent should be calculated
+\item[$dx$]: the $dx$ to both sides of the $x$ value
+\item[$f(x)$]: the function in infix (with option \verb+algebraic+) or the default
+postfix (PostScript) notation
+\end{description}
+
+The following examples show the use of the algebraic option together with the Derive option.
+Remember that using the \verb+algebraic+ option implies that the angles have to be in the
+radian unit!
+
+\begin{center}
+\bgroup
+\def\F{x RadtoDeg dup dup cos exch 2 mul cos add exch 3 mul cos add}
+\def\Fp{x RadtoDeg dup dup sin exch 2 mul sin 2 mul add exch 3 mul sin 3 mul add neg}
+\psset{plotpoints=1001}
+\begin{pspicture}(-7.5,-2.5)(7.5,4)%X\psgrid
+ \psaxes{->}(0,0)(-7.5,-2)(7.5,3.5)
+ \psplot[linewidth=3\pslinewidth]{-7}{7}{\F}
+ \psset{linecolor=red, arrows=<->, arrowscale=2}
+ \multido{\n=-7+1}{8}{\psplotTangent{\n}{1}{\F}}
+ \psset{linecolor=magenta, arrows=<->, arrowscale=2}%
+ \multido{\n=0+1}{8}{\psplotTangent[linecolor=blue, Derive=\Fp]{\n}{1}{\F}}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}
+\def\F{x RadtoDeg dup dup cos exch 2 mul cos add exch 3 mul cos add}
+\def\Fp{x RadtoDeg dup dup sin exch 2 mul sin 2 mul add exch 3 mul sin 3 mul add neg}
+\psset{plotpoints=1001}
+\begin{pspicture}(-7.5,-2.5)(7.5,4)%X\psgrid
+ \psaxes{->}(0,0)(-7.5,-2)(7.5,3.5)
+ \psplot[linewidth=3\pslinewidth]{-7}{7}{\F}
+ \psset{linecolor=red, arrows=<->, arrowscale=2}
+ \multido{\n=-7+1}{8}{\psplotTangent{\n}{1}{\F}}
+ \psset{linecolor=magenta, arrows=<->, arrowscale=2}%
+ \multido{\n=0+1}{8}{\psplotTangent[linecolor=blue, Derive=\Fp]{\n}{1}{\F}}
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{center}
+\bgroup
+\def\Falg{cos(x)+cos(2*x)+cos(3*x)} \def\Fpalg{-sin(x)-2*sin(2*x)-3*sin(3*x)}
+\begin{pspicture}(-7.5,-2.5)(7.5,4)%\psgrid
+ \psaxes{->}(0,0)(-7.5,-2)(7.5,3.5)
+ \psplot[linewidth=1.5pt,algebraic,plotpoints=500]{-7.5}{7.5}{\Falg}
+ \multido{\n=-7+1}{8}{\psplotTangent[linecolor=red,arrows=<->,arrowscale=2,algebraic]{\n}{1}{\Falg}}
+ \multido{\n=0+1}{8}{\psplotTangent[linecolor=magenta,%
+ arrows=<->,arrowscale=2,algebraic,Derive={\Fpalg}]{\n}{1}{\Falg}}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}
+\def\Falg{cos(x)+cos(2*x)+cos(3*x)} \def\Fpalg{-sin(x)-2*sin(2*x)-3*sin(3*x)}
+\begin{pspicture}(-7.5,-2.5)(7.5,4)%\psgrid
+ \psaxes{->}(0,0)(-7.5,-2)(7.5,3.5)
+ \psplot[linewidth=1.5pt,algebraic,plotpoints=500]{-7.5}{7.5}{\Falg}
+ \multido{\n=-7+1}{8}{\psplotTangent[linecolor=red,arrows=<->,arrowscale=2,algebraic]{\n}{1}{\Falg}}
+ \multido{\n=0+1}{8}{\psplotTangent[linecolor=magenta,%
+ arrows=<->,arrowscale=2,algebraic,Derive={\Fpalg}]{\n}{1}{\Falg}}
+\end{pspicture}
+\end{lstlisting}
+
+The next example shows the use of \verb+Derive+ option to draw the perpendicular line of the
+tangent.
+
+\begin{LTXexample}[width=8cm,wide]
+\begin{pspicture}(-0.5,-0.5)(7.25,7.25)
+ \def\Func{10 x div}
+ \psaxes[arrowscale=1.5]{->}(7,7)
+ \psplot[linewidth=2pt,algebraic]{1.5}{5}{10/x}
+ \psplotTangent[linewidth=.5\pslinewidth,linecolor=red,algebraic]{3}{2}{10/x}
+ \psplotTangent[linewidth=.5\pslinewidth,linecolor=blue,algebraic,Derive=(x*x)/10]{3}{2}{10/x}
+ \psline[linestyle=dashed](!0 /x 3 def \Func)(!3 /x 3 def \Func)(3,0)
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{A \texttt{polarplot} example}
+%--------------------------------------------------------------------------------------
+
+Let's work with the classical cardioid : $\rho=2(1+\cos(\theta))$
+and $\displaystyle \frac{d\rho}{d\theta}=-2\sin(\theta)$. The Derive option always expects the
+$\frac{d\rho}{d\theta}$ value and uses internally the equation for the derivation of implicit
+defined functions:
+
+\[
+\frac{dy}{dx}=\frac{\rho\prime\cdot\sin\theta + x}{\rho\prime\cdot\cos\theta - y}
+\]
+where $x=r\cdot\cos\theta$ and $y=r\cdot\sin\theta$
+
+
+\begin{LTXexample}[width=6cm,wide]
+\begin{pspicture}(-1,-3)(5,3)%\psgrid[subgridcolor=lightgray]
+ \psaxes{->}(0,0)(-1,-3)(5,3)
+ \psplot[polarplot,linewidth=3\pslinewidth,linecolor=blue,%
+ plotpoints=500]{0}{360}{1 x cos add 2 mul}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6cm,wide]
+\begin{pspicture}(-1,-3)(5,3)%\psgrid[subgridcolor=lightgray]
+ \psaxes{->}(0,0)(-1,-3)(5,3)
+ \psplot[polarplot,linewidth=3\pslinewidth,linecolor=blue,plotpoints=500]{0}{360}{1 x cos add 2 mul}
+ \multido{\n=0+36}{10}{%
+ \psplotTangent[polarplot,linecolor=red,arrows=<->]{\n}{1.5}{1 x cos add 2 mul} }
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[width=6cm,wide]
+\begin{pspicture}(-1,-3)(5,3)%\psgrid[subgridcolor=lightgray]
+ \psaxes{->}(0,0)(-1,-3)(5,3)
+ \psplot[polarplot,linewidth=3\pslinewidth,linecolor=blue,algebraic,plotpoints=500]{0}{6.289}{2*(1+cos(x))}
+ \multido{\r=0.000+0.314}{21}{%
+ \psplotTangent[polarplot,Derive=-2*sin(x),algebraic,linecolor=red,arrows=<->]{\r}{1.5}{2*(1+cos(x))} }
+\end{pspicture}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{A \CMD{parametricplot} example}
+%--------------------------------------------------------------------------------------
+
+Let's work with a Lissajou curve :
+ $\displaystyle\left\{\begin{array}{l}x=3.5\cos(2t)\\y=3.5\sin(6t)\end{array}\right.$
+whose derivative is :
+ $\displaystyle\left\{\begin{array}{l}x=-7\sin(2t)\\y=21\cos(6t)\end{array}\right.$
+
+The parameter must be the letter $t$ instead of $x$ and when using the \verb+algebraic+ option
+divide the two equations by a | (see example).
+
+\begin{LTXexample}[pos=t,wide]
+\def\Lissa{t dup 2 RadtoDeg mul cos 3.5 mul exch 6 mul RadtoDeg sin 3.5 mul}%
+\psset{yunit=0.6}
+\begin{pspicture}(-4,-4)(4,6)
+ \parametricplot[plotpoints=500,linewidth=3\pslinewidth]{0}{3.141592}{\Lissa}
+ \multido{\r=0.000+0.314}{11}{%
+ \psplotTangent[linecolor=red,arrows=<->]{\r}{1.5}{\Lissa} }
+ \multido{\r=0.157+0.314}{11}{%
+ \psplotTangent[linecolor=blue,arrows=<->]{\r}{1.5}{\Lissa} }
+\end{pspicture}\hfill%
+\def\LissaAlg{3.5*cos(2*t)|3.5*sin(6*t)} \def\LissaAlgDer{-7*sin(2*t)|21*cos(6*t)}%
+\begin{pspicture}(-4,-4)(4,6)
+ \parametricplot[algebraic,plotpoints=500,linewidth=3\pslinewidth]{0}{3.141592}{\LissaAlg}
+ \multido{\r=0.000+0.314}{11}{%
+ \psplotTangent[algebraic,linecolor=red,arrows=<->]{\r}{1.5}{\LissaAlg} }
+ \multido{\r=0.157+0.314}{11}{%
+ \psplotTangent[algebraic,linecolor=blue,arrows=<->,%
+ Derive=\LissaAlgDer]{\r}{1.5}{\LissaAlg} }
+\end{pspicture}
+\end{LTXexample}
+
+
+
+%--------------------------------------------------------------------------------------
+\subsection[\CMD{psplotDiffEqn} -- solving diffential equations]{\CMD{psplotDiffEqn} -- solving diffential equations\footnote{This part is adapted from the package \texttt{pst-eqdf}, written by Dominique Rodriguez.}}
+%--------------------------------------------------------------------------------------
+
+
+ A differential euqation of first order is like
+
+\begin{align} y'=f(x,y) \end{align}
+
+
+where $y$ is a function of $x$. We define some vectors $Y=[y, y', \cdots , y^{(n-1)}]$
+und $Y'=[y', y'', \cdots , y^{n}]$, depending to the order $n$.
+The syntax of the macro is
+
+\begin{verbatim}
+\psplotDiffEqn[options]{x0}{x1}{y0}{f(x,y)}
+\end{verbatim}
+
+\begin{itemize}\setlength\itemsep{0pt}\setlength\parsep{0pt}\setlength\parskip{0pt}
+\item \verb+options+: the \verb+\psplotDiffEqn+ specific options and all other of PSTricks, which
+make sense;
+\item $x_0$: the start value;
+\item $x_1$: the end value of the definition interval;
+\item $y_0$: the initial values for $y(x_0)\ y'(x_0)\ \ldots$;
+\item $f(x,y,y',...)$: the differential equation, depending to the number of initial values, e.g.:
+ \verb+{0 1}+ for $y_0$ are two initial values, so that we have a differential equation of
+ second order $f(x,y,y')$ and the macro leaves $y\ y'$ on the stack.
+\end{itemize}
+
+The new options are:
+
+
+\begin{itemize}\setlength\itemsep{0pt}\setlength\parsep{0pt}\setlength\parskip{0pt}
+\item \param{method}: integration method (\verb+euler+ for order 1 euler method, \verb+rk4+ for
+ 4\textsuperscript{th} order Runge-Kutta method);
+\item \param{whichabs}: select the abscissa for plotting the graph, by default it is
+ $x$, but you can specify a number which represent a position in the vector $y$;
+\item \param{whichord}: same as precedent for the ordinate, by default $y(0)$;
+\item \param{plotfuncx}: describe a ps function for the abscissa, parameter
+ \param{whichabs} becomes useless;
+\item \param{plotfuncy}: idem for ordoinate;
+\item \param{buildvector}: boolean parameter for specifying the input-output of the
+ $f$ description:
+ \begin{description}
+ \item[\texttt{true}] (default): $y$ is put on the stack element by element, $y'$
+ must be given in the same way;
+ \item[\texttt{false}]: $y$ is put on the stack as a vector, $y'$ must be returned
+ in the same way;
+ \end{description}
+
+\item \param{algebraic}: algebraic description for $f$, \param{buildvector}
+ parameter is useless when activating this option.
+\end{itemize}
+
+
+The variable $t$ (time) is represented by $x$ in the \verb+\psplotDiffEqn+,
+$x$ and $y$ (position) are represented respectively by $y[0]$ and $y[1]$
+For \verb+funcx+ and \verb+funcy+ there is some examples at the end.
+
+\def\Grav{%
+ /yp2 exch def /xp2 exch def /ay2 exch def /ax2 exch def
+ /yp1 exch def /xp1 exch def /ay1 exch def /ax1 exch def
+ /ro2 ax2 ax1 sub dup mul ay2 ay1 sub dup mul add def
+ xp1 yp1
+ ax2 ax1 sub ro2 sqrt div ro2 div
+ ay2 ay1 sub ro2 sqrt div ro2 div
+ xp2 yp2
+ 3 index -20 mul
+ 3 index -20 mul}
+ %% 0 1 2 3 4 5 6 7
+ %% x1 y1 x'1 y'1 x2 y2 x'2 y'2
+\def\InitCond{ 1 1 .1 0 -1 -1 -2 0}
+
+\begin{lstlisting}
+\def\Grav{%
+ /yp2 exch def /xp2 exch def /ay2 exch def /ax2 exch def
+ /yp1 exch def /xp1 exch def /ay1 exch def /ax1 exch def
+ /ro2 ax2 ax1 sub dup [21~mul ay2 ay1 sub dup mul add def
+ xp1 yp1
+ ax2 ax1 sub ro2 sqrt div ro2 div
+ ay2 ay1 sub ro2 sqrt div ro2 div
+ xp2 yp2
+ 3 index -20 mul 3 index -20 mul}
+ %% 0 1 2 3 4 5 6 7
+ %% x1 y1 x'1 y'1 x2 y2 x'2 y'2
+\def\InitCond{ 1 1 .1 0 -1 -1 -2 0}
+\end{lstlisting}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{\texttt{plotfuncx} and \texttt{plotfuncy}}
+%--------------------------------------------------------------------------------------
+%[pos=b,caption={Gravitational interaction: center to one of the star}]
+\begin{lstlisting}
+\begin{pspicture}(-4,-2.5)(1,1.1)\psgrid[subgriddiv=1]
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=200,%
+ plotfuncx=y dup 4 get exch 0 get sub,%
+ plotfuncy=dup 5 get exch 1 get sub ]{0}{3.9}{\InitCond}{\Grav}
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{center}
+\bgroup
+\begin{pspicture}(-4,-2.5)(1,1.1)\psgrid[subgriddiv=1]
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=200,%
+ plotfuncx=y dup 4 get exch 0 get sub,%
+ plotfuncy=dup 5 get exch 1 get sub ]{0}{3.9}{\InitCond}{\Grav}
+\end{pspicture}
+\egroup
+\end{center}
+
+The center of the landmark is set to $y[0]$ and $y[1]$
+There is also a drawing of the speed (vitesse in french) of the stars which uses
+these parameters.
+
+\iffalse
+
+%--------------------------------------------------------------------------------------
+\subsection{PostScript}
+%--------------------------------------------------------------------------------------
+
+PostScript uses the stack system and the LIFO system, "'Last In, First Out"`.
+
+\newlength{\Li}\settowidth{\Li}{Function}
+\begin{table}[htbp]
+ \begin{center}{\ttfamily
+ \begin{tabular}{|l|r@{ $\rightarrow$ }l|}\hline
+ \multirow{2}{\Li}{\normalfont Function}&\multicolumn{2}{c|}{\normalfont Pile de donnés}\\
+ &\normalfont on stack before & \normalfont after\\\hline\hline
+ add&$x\quad y$&$x+y$\\\hline
+ sub&$x\quad y$&$x-y$\\\hline
+ mul&$x\quad y$&$x\times y$\\\hline
+ div&$x\quad y$&$x\div y$\\\hline
+ sqrt&$x$&$\sqrt{x}$\\\hline
+ abs&$x$&$|x|$\\\hline
+ neg&$x$&$-x$\\\hline
+ cos&$x$&$\cos(x)$ ($x$ in degrees)\\\hline
+ sin&$x$&$\sin(x)$ ($x$ in degrees)\\\hline
+ tan&$x$&$\tan(x)$ ($x$ in degrees)\\\hline
+ atan&$y\quad x$&$\angle{(\vec{Ox};\vec{OM})}$ (in degrees of $M(x,y)$)\\\hline
+ ln&$x$&$\ln(x)$\\\hline
+ log&$x$&$\log(x)$\\\hline
+ array&$n$&\normalfont$v$ (of dimension $n$)\\\hline
+ aload&$v$&$x_1\quad x_2\quad \cdots\quad x_n\quad v$\\\hline
+ astore&$x_1\quad x_2\quad \cdots\quad x_n\quad v$&$v$\\\hline
+ pop&$x$&\\\hline
+ dup&$x\quad x$&\\\hline
+ roll&$x_1\quad x_2\quad \cdots\quad x_n\quad n p$&\\\hline
+ \end{tabular}}
+ \caption{Some primitive PostScript macros}\label{tab:primpost}
+ \end{center}
+\end{table}
+
+\fi
+%--------------------------------------------------------------------------------------
+\subsubsection{Simple equation of first order$y'=y$}
+%--------------------------------------------------------------------------------------
+
+For the initial value $y(0)=1$ we have the solution $y(x)=e^x$. $y$ is always
+on the stack, so we have to do nothing. Using the \verb+algebraic+ option, we write it
+as \verb$y[0]$. The following example shows different solutions depending to the number of plotpoints
+with $y_0=1$:
+
+
+\begin{lstlisting}
+\psset{xunit=4, yunit=.4}
+\begin{pspicture}(3,19)\psgrid[subgriddiv=1]
+ \psplot[linewidth=6\pslinewidth, linecolor=green]{0}{3}{Euler x exp}
+ \psplotDiffEqn[linecolor=magenta,plotpoints=16,algebraic=true]{0}{3}{1}{y[0]}
+ \psplotDiffEqn[linecolor=blue,plotpoints=151]{0}{3}{1}{}
+ \psplotDiffEqn[linecolor=red,method=rk4,plotpoints=15]{0}{3}{1}{}
+ \psplotDiffEqn[linecolor=Orange,method=rk4,plotpoints=4]{0}{3}{1}{}
+ \psset{linewidth=4\pslinewidth}
+ \rput*(0.35,19){\psline[linecolor=magenta](-.75cm,0)}
+ \rput*[l](0.35,19){\small Euler order 1 $h=0{,}2$}
+ \rput*(0.35,17){\psline[linecolor=blue](-.75cm,0)}
+ \rput*[l](0.35,17){\small Euler order 1 $h=0{,}02$}
+ \rput*(0.35,15){\psline[linecolor=Orange](-.75cm,0)}
+ \rput*[l](0.35,15){\small RK ordre 4 $h=1$}
+ \rput*(0.35,13){\psline[linecolor=red](-.75cm,0)}
+ \rput*[l](0.35,13){\small RK ordre 4 $h=0{,}2$}
+ \rput*(0.35,11){\psline[linecolor=green](-.75cm,0)}
+ \rput*[l](0.35,11){\small solution exacte}
+\end{pspicture}
+\end{lstlisting}
+
+\begin{center}
+\bgroup
+\psset{xunit=4, yunit=.4}
+\begin{pspicture}(3,19)\psgrid[subgriddiv=1]
+ \psplot[linewidth=6\pslinewidth, linecolor=green]{0}{3}{Euler x exp}
+ \psplotDiffEqn[linecolor=magenta,plotpoints=16,algebraic=true]{0}{3}{1}{y[0]}
+ \psplotDiffEqn[linecolor=blue,plotpoints=151]{0}{3}{1}{}
+ \psplotDiffEqn[linecolor=red,method=rk4,plotpoints=15]{0}{3}{1}{}
+ \psplotDiffEqn[linecolor=Orange,method=rk4,plotpoints=4]{0}{3}{1}{}
+ \psset{linewidth=4\pslinewidth}
+ \rput*(0.35,19){\psline[linecolor=magenta](-.75cm,0)}
+ \rput*[l](0.35,19){\small Euler order 1 $h=0{,}2$}
+ \rput*(0.35,17){\psline[linecolor=blue](-.75cm,0)}
+ \rput*[l](0.35,17){\small Euler order 1 $h=0{,}02$}
+ \rput*(0.35,15){\psline[linecolor=Orange](-.75cm,0)}
+ \rput*[l](0.35,15){\small RK ordre 4 $h=1$}
+ \rput*(0.35,13){\psline[linecolor=red](-.75cm,0)}
+ \rput*[l](0.35,13){\small RK ordre 4 $h=0{,}2$}
+ \rput*(0.35,11){\psline[linecolor=green](-.75cm,0)}
+ \rput*[l](0.35,11){\small solution exacte}
+\end{pspicture}
+\egroup
+\end{center}
+
+\clearpage
+%--------------------------------------------------------------------------------------
+\subsubsection{$y'=-y$}
+%--------------------------------------------------------------------------------------
+
+For the initial value $y(0)=1$ we get the solution $y(x)=e^{-x}$, which is seen in
+the following example with $y_0=1$:
+
+\begin{lstlisting}[xrightmargin=-1cm]
+\def\Funct{neg}\def\FunctAlg{-y[0]}
+\psset{xunit=1.5, yunit=7}
+\begin{pspicture}(0,0)(10,1)\psgrid[subgriddiv=1]
+ \psplot[linewidth=6\pslinewidth,linecolor=green]{0}{10}{Euler x neg exp}
+ \psplotDiffEqn[linecolor=magenta,plotpoints=11]{0}{10}{1}{\Funct}
+ \psplotDiffEqn[linecolor=blue,plotpoints=101,algebraic=true]{0}{10}{1}{\FunctAlg}
+ \psplotDiffEqn[linecolor=Orange,method=rk4,plotpoints=11]{0}{10}{1}{\Funct}
+ \psplotDiffEqn[linecolor=red,method=rk4,plotpoints=51]{0}{10}{1}{\Funct}
+ \psset{linewidth=4\pslinewidth}
+ \rput*(3.3,.9){\psline[linecolor=magenta](-.75cm,0)}
+ \rput*[l](3.3,.9){\small Euler order 1 $h=1$}
+ \rput*(3.3,.8){\psline[linecolor=blue](-.75cm,0)}
+ \rput*[l](3.3,.8){\small Euler order 1 $h=0{,}1$}
+ \rput*(3.3,.7){\psline[linecolor=Orange](-.75cm,0)}
+ \rput*[l](3.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(3.3,.6){\psline[linecolor=red](-.75cm,0)}
+ \rput*[l](3.3,.6){\small RK ordre 4 $h=0{,}2$}
+ \rput*(3.3,.5){\psline[linecolor=green](-.75cm,0)}
+ \rput*[l](3.3,.5){\small solution exacte}
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{center}
+\bgroup
+\def\Funct{neg}\def\FunctAlg{-y[0]}
+\psset{xunit=1.5, yunit=7}
+\begin{pspicture}(0,0)(10,1)\psgrid[subgriddiv=1]
+ \psplot[linewidth=6\pslinewidth,linecolor=green]{0}{10}{Euler x neg exp}
+ \psplotDiffEqn[linecolor=magenta,plotpoints=11]{0}{10}{1}{\Funct}
+ \psplotDiffEqn[linecolor=blue,plotpoints=101,algebraic=true]{0}{10}{1}{\FunctAlg}
+ \psplotDiffEqn[linecolor=Orange,method=rk4,plotpoints=11]{0}{10}{1}{\Funct}
+ \psplotDiffEqn[linecolor=red,method=rk4,plotpoints=51]{0}{10}{1}{\Funct}
+ \psset{linewidth=4\pslinewidth}
+ \rput*(3.3,.9){\psline[linecolor=magenta](-.75cm,0)}
+ \rput*[l](3.3,.9){\small Euler order 1 $h=1$}
+ \rput*(3.3,.8){\psline[linecolor=blue](-.75cm,0)}
+ \rput*[l](3.3,.8){\small Euler order 1 $h=0{,}1$}
+ \rput*(3.3,.7){\psline[linecolor=Orange](-.75cm,0)}
+ \rput*[l](3.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(3.3,.6){\psline[linecolor=red](-.75cm,0)}
+ \rput*[l](3.3,.6){\small RK ordre 4 $h=0{,}2$}
+ \rput*(3.3,.5){\psline[linecolor=green](-.75cm,0)}
+ \rput*[l](3.3,.5){\small solution exacte}
+\end{pspicture}
+\egroup
+\end{center}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{$y'=\displaystyle\frac{2-ty}{4-t^2}$}% $
+%--------------------------------------------------------------------------------------
+
+For the initial value $y(0)=1$ the exact solution is $y(x)=\displaystyle\frac{t+\sqrt{4-t^2}}{2}$.
+The function $f$ described in PostScript code is like (y ist still on the stack):
+\begin{verbatim}
+x %% y x
+mul %% x*y
+2 exch sub %% 2-x*y
+4 x dup mul %% 2-x*y 4 x^2
+sub %% 2-x*y 4-x^2
+div %% (2-x*y)/(4-x^2)
+\end{verbatim}
+\noindent
+The following example uses $y_0=1$.
+
+\begin{verbatim}
+\newcommand{\InitCond}{1}
+\newcommand{\Func}{x mul 2 exch sub 4 x dup mul sub div}
+\newcommand{\FuncAlg}{(2-x*y[0])/(4-x^2)}
+\end{verbatim}
+
+\begin{center}
+\bgroup
+\psset{xunit=6.4, yunit=9.6, showpoints=false}
+\begin{pspicture}(0,1)(2,1.5) \psgrid[griddots=10](0,1)(2,1.5)
+ { \psset{linewidth=4\pslinewidth,linecolor=lightgray}
+ \psplot{0}{1.8}{x dup dup mul 4 exch sub sqrt add 2 div}
+ \psplot{1.8}{2}{x dup dup mul 4 exch sub sqrt add 2 div} }
+ \def\InitCond{1}
+ \def\Func{x mul 2 exch sub 4 x dup mul sub div}
+ \psplotDiffEqn[linecolor=magenta, plotpoints=20]{0}{1.9}{\InitCond}{\Func}
+ \psplotDiffEqn[linecolor=blue, plotpoints=191]{0}{1.9}{\InitCond}{\Func}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11,%
+ algebraic=true]{0}{1.9}{\InitCond}{(2-x*y[0])/(4-x^2)}
+ \psplotDiffEqn[linecolor=Orange, method=rk4, plotpoints=21,%
+ algebraic=true]{0}{1.9}{\InitCond}{(2-x*y[0])/(4-x^2)}
+ \psset{linewidth=4\pslinewidth}\small
+ \rput*(0,1.4){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](0,1.4){Euler order 1 $h=0{,}1$}
+ \rput*(0,1.35){\psline[linecolor=blue](-.75cm,0)}\rput*[l](0,1.35){Euler order 1 $h=0{,}01$}
+ \rput*(0,1.3){\psline[linecolor=Orange](-.75cm,0)}\rput*[l](0,1.3){RK order 4 $h=0{,}19$}
+ \rput*(0,1.25){\psline[linecolor=red](-.75cm,0)}\rput*[l](0,1.25){RK order 4 $h=0{,}095$}
+ \rput*(0,1.2){\psline[linecolor=lightgray](-.75cm,0)}\rput*[l](0,1.2){exactly}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}[xrightmargin=-1cm,xleftmargin=-1cm]
+\psset{xunit=6.4, yunit=9.6, showpoints=false}
+\begin{pspicture}(0,1)(2,1.7) \psgrid[subgriddiv=5]
+ { \psset{linewidth=4\pslinewidth,linecolor=lightgray}
+ \psplot{0}{1.8}{x dup dup mul 4 exch sub sqrt add 2 div}
+ \psplot{1.8}{2}{x dup dup mul 4 exch sub sqrt add 2 div} }
+ \def\InitCond{1}
+ \def\Func{x mul 2 exch sub 4 x dup mul sub div}
+ \psplotDiffEqn[linecolor=magenta, plotpoints=20]{0}{1.9}{\InitCond}{\Func}
+ \psplotDiffEqn[linecolor=blue, plotpoints=191]{0}{1.9}{\InitCond}{\Func}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11,%
+ algebraic=true]{0}{1.9}{\InitCond}{(2-x*y[0])/(4-x^2)}
+ \psplotDiffEqn[linecolor=Orange, method=rk4, plotpoints=21,%
+ algebraic=true]{0}{1.9}{\InitCond}{(2-x*y[0])/(4-x^2)}
+ \psset{linewidth=4\pslinewidth}
+ \rput*(0.3,1.6){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](0.3,1.6){\small Euler order 1 $h=0{,}1$}
+ \rput*(0.3,1.55){\psline[linecolor=blue](-.75cm,0)}\rput*[l](0.3,1.55){\small Euler order 1 $h=0{,}01$}
+ \rput*(0.3,1.5){\psline[linecolor=Orange](-.75cm,0)}\rput*[l](0.3,1.5){\small RK order 4 $h=0{,}19$}
+ \rput*(0.3,1.45){\psline[linecolor=red](-.75cm,0)}\rput*[l](0.3,1.45){\small RK order 4 $h=0{,}095$}
+ \rput*(0.3,1.4){\psline[linecolor=lightgray](-.75cm,0)}\rput*[l](0.3,1.4){\small exactly}
+\end{pspicture}
+\end{lstlisting}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{$y'=-2xy$}
+%--------------------------------------------------------------------------------------
+
+For $y(-1)=\frac{1}{e}$ we get $y(x)=e^{-x^2}$.
+
+\begin{center}
+\bgroup
+\psset{unit=4}
+\begin{pspicture}(-1,0)(3,1.1)\psgrid
+ \psplot[linewidth=4\pslinewidth,linecolor=gray]{-1}{3}{Euler x dup mul neg exp}
+ \psset{plotpoints=9}
+ \psplotDiffEqn[linecolor=cyan]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psplotDiffEqn[linecolor=yellow, method=rk4]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psset{plotpoints=21}
+ \psplotDiffEqn[linecolor=blue]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psplotDiffEqn[linecolor=Orange, method=rk4]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psset{linewidth=2\pslinewidth}
+ \rput*(2,1){\psline[linecolor=Orange](-0.25,0)}
+ \rput*[l](2,1){RK}
+ \rput*(2,.9){\psline[linecolor=blue](-0.25,0)}
+ \rput*[l](2,.9){\textsc{Euler}-1}
+ \rput*(2,.8){\psline[linecolor=gray](-0.25,0)}
+ \rput*[l](2,.8){solution}
+\end{pspicture}
+\egroup
+\end{center}
+
+
+\begin{lstlisting}
+\psset{unit=4}
+\begin{pspicture}(-1,0)(3,1.1)\psgrid
+ \psplot[linewidth=4\pslinewidth,linecolor=gray]{-1}{3}{Euler x dup mul neg exp}
+ \psset{plotpoints=9}
+ \psplotDiffEqn[linecolor=cyan]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psplotDiffEqn[linecolor=yellow, method=rk4]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psset{plotpoints=21}
+ \psplotDiffEqn[linecolor=blue]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psplotDiffEqn[linecolor=Orange, method=rk4]{-1}{3}{1 Euler div}{x -2 mul mul}
+ \psset{linewidth=2\pslinewidth}
+ \rput*(2,1){\psline[linecolor=Orange](-0.25,0)}
+ \rput*[l](2,1){RK}
+ \rput*(2,.9){\psline[linecolor=blue](-0.25,0)}
+ \rput*[l](2,.9){\textsc{Euler}-1}
+ \rput*(2,.8){\psline[linecolor=gray](-0.25,0)}
+ \rput*[l](2,.8){solution}
+\end{pspicture}
+\end{lstlisting}
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Spirale of Cornu}
+%--------------------------------------------------------------------------------------
+
+The integrals of Fresnel :
+\begin{align} x & =\int^t_0\cos\frac{\pi t^2}{2}\mathrm{d}t \\
+ y & =\int^t_0\sin\frac{\pi t^2}{2}\mathrm{d}t \\
+\intertext{with}
+ \dot{x} &= \cos\frac{\pi t^2}{2} \\
+ \dot{y} & =\sin\frac{\pi t^2}{2}
+ \end{align}
+
+\begin{lstlisting}
+\psset{unit=8}
+\begin{pspicture}(1,1)\psgrid[subgriddiv=5]
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=red,method=rk4,algebraic,%
+ plotpoints=500,showpoints=true]{0}{10}{0 0}{cos(Pi*x^2/2)|sin(Pi*x^2/2)}
+\end{pspicture}
+\end{lstlisting}
+
+
+\begin{center}
+\bgroup
+\psset{unit=8}
+\begin{pspicture}(1,1)\psgrid[subgriddiv=5]
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=red,method=rk4,algebraic,%
+ plotpoints=500,showpoints=true]{0}{10}{0 0}{cos(Pi*x^2/2)|sin(Pi*x^2/2)}
+\end{pspicture}
+\egroup
+\end{center}
+
+
+
+
+%--------------------------------------------------------------------------------------
+\subsubsection{Lotka-Volterra}
+%--------------------------------------------------------------------------------------
+
+The Lotka-Volterra model describes interactions between two species in an ecosystem, a predator and a prey. This represents our first multi-species model. Since we are considering two species, the model will involve two equations, one which describes how the prey population changes and the second which describes how the predator population changes.
+
+For concreteness let us assume that the prey in our model are rabbits, and that the predators are foxes. If we let $R(t)$ and $F(t)$ represent the number of rabbits and foxes, respectively, that are alive at time t, then the Lotka-Volterra model is:
+
+\begin{align}
+\dot R &= a\cdot R - b\cdot R\cdot F\\
+\dot F &= e\cdot b\cdot R\cdot F - c\cdot F
+\end{align}
+
+where the parameters are defined by:
+\begin{description}
+\item[a] is the natural growth rate of rabbits in the absence of predation,
+\item[c] is the natural death rate of foxes in the absence of food (rabbits),
+\item[b] is the death rate per encounter of rabbits due to predation,
+\item[e] is the efficiency of turning predated rabbits into foxes.
+\end{description}
+
+The Stella model representing the Lotka-Volterra model will be slightly more complex than the single species models we've dealt with before. The main difference is that our model will have two stocks (reservoirs), one for each species. Each species will have its own birth and death rates. In addition, the Lotka-Volterra model involves four parameters rather than two. All told, the Stella representation of the Lotka-Volterra model will use two stocks, four flows, four converters and many connectors.
+
+\bgroup
+\def\InitCond{ 0 10 10}%% xa ya xl
+\def\Faiglelapin{\Vaigle*(y[2]-y[0])/sqrt(y[1]^2+(y[2]-y[0])^2)|%
+ -\Vaigle*y[1]/sqrt(y[1]^2+(y[2]-y[0])^2)|%
+ -\Vlapin}
+\def\Vlapin{1} \def\Vaigle{1.6}
+\psset{unit=.7,subgriddiv=0,gridcolor=lightgray,method=adams,algebraic,%
+ plotpoints=20,showpoints=true}
+\begin{pspicture}(-3,-8.25)(8,10)\psgrid[griddots=10]
+ \psplotDiffEqn[plotfuncy=pop 0,whichabs=2,linecolor=red]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=black,method=rk4]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=blue]{0}{10}{\InitCond}{\Faiglelapin}
+\end{pspicture}\hfill
+\begin{pspicture}(0,-0.25)(10,14)\psgrid
+ \psplotDiffEqn[plotfuncy=dup 1 get dup mul exch dup 0 get exch 2 get sub dup
+ mul add sqrt,linecolor=red,method=rk4]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[plotfuncy=dup 1 get dup mul exch dup 0 get exch 2 get sub dup
+ mul add sqrt,linecolor=blue]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[plotfuncy=pop Func aload pop pop dup mul exch dup mul add sqrt,
+ linecolor=yellow]{0}{10}{\InitCond}{\Faiglelapin}
+\end{pspicture}
+\egroup
+\begin{lstlisting}[label={fig:aiglelapin}]
+\def\InitCond{ 0 10 10}%% xa ya xl
+\def\Faiglelapin{\Vaigle*(y[2]-y[0])/sqrt(y[1]^2+(y[2]-y[0])^2)|%
+ -\Vaigle*y[1]/sqrt(y[1]^2+(y[2]-y[0])^2)|%
+ -\Vlapin}
+\def\Vlapin{1} \def\Vaigle{1.6}
+\psset{unit=.7,subgriddiv=0,gridcolor=lightgray,method=adams,algebraic,%
+ plotpoints=20,showpoints=true}
+\begin{pspicture}(-3,-8)(5,10)\psgrid[griddots=10]
+ \psplotDiffEqn[plotfuncy=pop 0,whichabs=2,linecolor=red]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=black,method=rk4]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=blue]{0}{10}{\InitCond}{\Faiglelapin}
+\end{pspicture}\hfill
+\begin{pspicture}(10,12)\psgrid
+ \psplotDiffEqn[plotfuncy=dup 1 get dup mul exch dup 0 get exch 2 get sub dup
+ mul add sqrt,linecolor=red,method=rk4]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[plotfuncy=dup 1 get dup mul exch dup 0 get exch 2 get sub dup
+ mul add sqrt,linecolor=blue]{0}{10}{\InitCond}{\Faiglelapin}
+ \psplotDiffEqn[plotfuncy=pop Func aload pop pop dup mul exch dup mul add sqrt,
+ linecolor=yellow]{0}{10}{\InitCond}{\Faiglelapin}
+\end{pspicture}
+\end{lstlisting}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{$y''=y$}
+%--------------------------------------------------------------------------------------
+
+Beginning with the initial equation $\displaystyle y(x)=Ae^x+Be^{-x}$ we get the hyperbolic
+trigonometrical functions.
+
+\begin{center}
+\bgroup
+\def\Funct{exch} \psset{xunit=5cm, yunit=0.75cm}
+\begin{pspicture}(0,-0.25)(2,7)\psgrid[subgriddiv=1,griddots=10]
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler x exp} %%e^x
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{1 1}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{1 1}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{1 1}{\Funct}
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler dup x exp %%ch(x)
+ exch x neg exp add 2 div}
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{1 0}{\Funct}
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler dup x exp
+ exch x neg exp sub 2 div} %%sh(x)
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{0 1}{\Funct}
+ \rput*(1.3,.9){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](1.3,.9){\small\textsc{Euler} ordre 1 $h=1$}
+ \rput*(1.3,.8){\psline[linecolor=blue](-.75cm,0)}\rput*[l](1.3,.8){\small\textsc{Euler} ordre 1 $h=0{,}1$}
+ \rput*(1.3,.7){\psline[linecolor=red](-.75cm,0)}\rput*[l](1.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(1.3,.6){\psline[linecolor=green](-.75cm,0)}\rput*[l](1.3,.6){\small solution exacte}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}[label={fig:minusexp}]
+\def\Funct{exch} \psset{xunit=5cm, yunit=0.75cm}
+\begin{pspicture}(0,-0.25)(2,7)\psgrid[subgriddiv=1,griddots=10]
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler x exp} %%e^x
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{1 1}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{1 1}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{1 1}{\Funct}
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler dup x exp %%ch(x)
+ exch x neg exp add 2 div}
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{1 0}{\Funct}
+ \psplot[linewidth=4\pslinewidth, linecolor=green]{0}{2}{Euler dup x exp
+ exch x neg exp sub 2 div} %%sh(x)
+ \psplotDiffEqn[linecolor=magenta, plotpoints=11]{0}{2}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=blue, plotpoints=101]{0}{2}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=11]{0}{2}{0 1}{\Funct}
+ \rput*(1.3,.9){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](1.3,.9){\small\textsc{Euler} ordre 1 $h=1$}
+ \rput*(1.3,.8){\psline[linecolor=blue](-.75cm,0)}\rput*[l](1.3,.8){\small\textsc{Euler} ordre 1 $h=0{,}1$}
+ \rput*(1.3,.7){\psline[linecolor=red](-.75cm,0)}\rput*[l](1.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(1.3,.6){\psline[linecolor=green](-.75cm,0)}\rput*[l](1.3,.6){\small solution exacte}
+\end{pspicture}
+\end{lstlisting}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{$y''=-y$}
+%--------------------------------------------------------------------------------------
+\begin{center}
+\bgroup
+\def\Funct{exch neg}
+\psset{xunit=1, yunit=4}
+\def\quatrepi{12.5663706144}%%4pi=12.5663706144
+\begin{pspicture}(0,-1.25)(\quatrepi,1.25)\psgrid[subgriddiv=1,griddots=10]
+ \psplot[linewidth=4\pslinewidth,linecolor=green]{0}{\quatrepi}{x RadtoDeg cos}%%cos(x)
+ \psplotDiffEqn[linecolor=blue, plotpoints=201]{0}{3.1415926}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=31]{0}{\quatrepi}{1 0}{\Funct}
+ \psplot[linewidth=4\pslinewidth,linecolor=green]{0}{\quatrepi}{x RadtoDeg sin} %%sin(x)
+ \psplotDiffEqn[linecolor=blue,plotpoints=201]{0}{3.1415926}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=red,method=rk4, plotpoints=31]{0}{\quatrepi}{0 1}{\Funct}
+ \rput*(3.3,.9){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](3.3,.9){\small Euler order 1 $h=1$}
+ \rput*(3.3,.8){\psline[linecolor=blue](-.75cm,0)}\rput*[l](3.3,.8){\small Euler order 1 $h=0{,}1$}
+ \rput*(3.3,.7){\psline[linecolor=red](-.75cm,0)}\rput*[l](3.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(3.3,.6){\psline[linecolor=green](-.75cm,0)}\rput*[l](3.3,.6){\small solution exacte}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}[label={fig:minusexp2}]
+\def\Funct{exch neg}
+\psset{xunit=1, yunit=4}
+\def\quatrepi{12.5663706144}%%4pi=12.5663706144
+\begin{pspicture}(0,-1.25)(\quatrepi,1.25)\psgrid[subgriddiv=1,griddots=10]
+ \psplot[linewidth=4\pslinewidth,linecolor=green]{0}{\quatrepi}{x RadtoDeg cos}%%cos(x)
+ \psplotDiffEqn[linecolor=blue, plotpoints=201]{0}{3.1415926}{1 0}{\Funct}
+ \psplotDiffEqn[linecolor=red, method=rk4, plotpoints=31]{0}{\quatrepi}{1 0}{\Funct}
+ \psplot[linewidth=4\pslinewidth,linecolor=green]{0}{\quatrepi}{x RadtoDeg sin} %%sin(x)
+ \psplotDiffEqn[linecolor=blue,plotpoints=201]{0}{3.1415926}{0 1}{\Funct}
+ \psplotDiffEqn[linecolor=red,method=rk4, plotpoints=31]{0}{\quatrepi}{0 1}{\Funct}
+ \rput*(3.3,.9){\psline[linecolor=magenta](-.75cm,0)}\rput*[l](3.3,.9){\small Euler order 1 $h=1$}
+ \rput*(3.3,.8){\psline[linecolor=blue](-.75cm,0)}\rput*[l](3.3,.8){\small Euler order 1 $h=0{,}1$}
+ \rput*(3.3,.7){\psline[linecolor=red](-.75cm,0)}\rput*[l](3.3,.7){\small RK ordre 4 $h=1$}
+ \rput*(3.3,.6){\psline[linecolor=green](-.75cm,0)}\rput*[l](3.3,.6){\small solution exacte}
+\end{pspicture}
+\end{lstlisting}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{The mechanical pendulum: $y''=-\frac{g}{l}\sin(y)$}% $
+%--------------------------------------------------------------------------------------
+
+Pour des faibles oscillations $\sin(y)\simeq y$:
+
+\[ y(x)=y_0\cos\left(\sqrt{\frac{g}{l}}x\right) \]
+
+The function $f$ is writen in PostScript code:
+
+\begin{verbatim}
+exch RadtoDeg sin -9.8 mul %% y' -gsin(y)
+\end{verbatim}
+
+\begin{center}
+\bgroup
+\def\Func{y[1]|-9.8*sin(y[0])}
+\psset{yunit=2,xunit=4,algebraic=true,linewidth=1.5pt}
+\begin{pspicture}(0,-2.25)(3,2.25)\psgrid[subgriddiv=2,griddots=10]
+ \psplot[linewidth=3\pslinewidth, linecolor=Orange]{0}{3}{.1*cos(sqrt(9.8)*x)}
+ \psset{method=rk4,plotpoints=50,linecolor=blue}
+ \psplotDiffEqn{0}{3}{.1 0}{\Func}
+ \psplot[linewidth=3\pslinewidth,linecolor=Orange]{0}{3}{.25*cos(sqrt(9.8)*x)}
+ \psplotDiffEqn{0}{3}{.25 0}{\Func}
+ \psplotDiffEqn{0}{3}{.5 0}{\Func}
+ \psplotDiffEqn{0}{3}{1 0}{\Func}
+ \psplotDiffEqn[plotpoints=100]{0}{3}{Pi 2 div 0}{\Func}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}[label=fig:second]
+\def\Func{y[1]|-9.8*sin(y[0])}
+\psset{yunit=2,xunit=4,algebraic=true,linewidth=1.5pt}
+\begin{pspicture}(0,-2.25)(3,2.25)\psgrid[subgriddiv=2,griddots=10]
+ \psplot[linewidth=3\pslinewidth, linecolor=Orange]{0}{3}{.1*cos(sqrt(9.8)*x)}
+ \psset{method=rk4,plotpoints=50,linecolor=blue}
+ \psplotDiffEqn{0}{3}{.1 0}{\Func}
+ \psplot[linewidth=3\pslinewidth,linecolor=Orange]{0}{3}{.25*cos(sqrt(9.8)*x)}
+ \psplotDiffEqn{0}{3}{.25 0}{\Func}
+ \psplotDiffEqn{0}{3}{.5 0}{\Func}
+ \psplotDiffEqn{0}{3}{1 0}{\Func}
+ \psplotDiffEqn[plotpoints=100]{0}{3}{Pi 2 div 0}{\Func}
+\end{pspicture}
+\end{lstlisting}
+
+%--------------------------------------------------------------------------------------
+\subsubsection{$y''=-\frac{y'}{4}-2y$}% $
+%--------------------------------------------------------------------------------------
+
+Pour $y_0=5$ et $y'_0=0$ la solution est :
+
+\[
+5e^{-\frac{x}{8}}\left(\cos\left(\omega x\right)+\frac{\sin(\omega x)}{8\omega}\right)
+\mbox{ avec } \omega=\frac{\sqrt{127}}{8}
+\]
+
+\iffalse
+La fonction $f$ est d�rite par le code PostScript suivant :
+
+\begin{verbatim}
+dup %% y y' y'
+3 1 roll %% y' y y'
+-4 div %% y' y y'/-4
+exch %% y' y'/-4 y
+2 mul %% y' y'/-4 2y
+sub %% y' y'/-4-2y
+\end{verbatim}
+
+\fi
+\begin{center}
+\bgroup
+\psset{xunit=.6,yunit=0.8,plotpoints=500}
+\begin{pspicture}(0,-4.25)(26,5.25)
+ \psgrid[subgriddiv=0,gridcolor=lightgray,linewidth=1.5pt]
+ \psplot[plotpoints=200,linewidth=4\pslinewidth,linecolor=gray]{0}{26}{%
+ Euler x -8 div exp x 127 sqrt 8 div mul RadtoDeg dup cos 5 mul exch sin 127 sqrt div 5 mul add mul}
+ \psplotDiffEqn[linecolor=red,linewidth=5\pslinewidth]{0}{26}{5 0}
+ {dup 3 1 roll -4 div exch 2 mul sub}
+ \psplotDiffEqn[linecolor=black,algebraic]{0}{26}{5 0} {y[1]|-y[1]/4-2*y[0]}
+ \psset{method=rk4, plotpoints=50}
+ \psplotDiffEqn[linecolor=blue,linewidth=5\pslinewidth]{0}{26}{5 0}{%
+ dup 3 1 roll -4 div exch 2 mul sub}
+ \psplotDiffEqn[linecolor=black,algebraic=true]{0}{26}{5 0}{y[1]|-y[1]/4-2*y[0]}
+\end{pspicture}
+\egroup
+\end{center}
+
+\begin{lstlisting}
+\psset{xunit=.6,yunit=0.8,plotpoints=500}
+\begin{pspicture}(0,-4.25)(26,5.25)
+ \psgrid[subgriddiv=0,gridcolor=lightgray,linewidth=1.5pt]
+ \psplot[plotpoints=200,linewidth=4\pslinewidth,linecolor=gray]{0}{26}{%
+ Euler x -8 div exp x 127 sqrt 8 div mul RadtoDeg dup cos 5 mul exch sin 127 sqrt div 5 mul add mul}
+ \psplotDiffEqn[linecolor=red,linewidth=5\pslinewidth]{0}{26}{5 0}
+ {dup 3 1 roll -4 div exch 2 mul sub}
+ \psplotDiffEqn[linecolor=black,algebraic]{0}{26}{5 0} {y[1]|-y[1]/4-2*y[0]}
+ \psset{method=rk4, plotpoints=50}
+ \psplotDiffEqn[linecolor=blue,linewidth=5\pslinewidth]{0}{26}{5 0}{%
+ dup 3 1 roll -4 div exch 2 mul sub}
+ \psplotDiffEqn[linecolor=black,algebraic=true]{0}{26}{5 0}{y[1]|-y[1]/4-2*y[0]}
+\end{pspicture}
+\end{lstlisting}
+%--------------------------------------------------------------------------------------
+\subsubsection{Gravitation example of second order}
+%--------------------------------------------------------------------------------------
+
+\[
+\left\{
+\begin{array}[m]{l}
+ x''_1=\displaystyle\frac{M_2}{r^2}\cos(\theta)\\
+ y''_1=\displaystyle\frac{M_2}{r^2}\sin(\theta)\\
+ x''_2=\displaystyle\frac{M_1}{r^2}\cos(\theta)\\
+ y''_2=\displaystyle\frac{M_1}{r^2}\sin(\theta)\\
+\end{array}
+\right.
+\mbox{ avec }
+\left\{
+\begin{array}[m]{l}
+ r^2=(x_1-x_2)^2+(y_1-y_2)^2\\
+ \cos(\theta)=\displaystyle\frac{(x_1-x_2)}{r}\\
+ \sin(\theta)=\displaystyle\frac{(y_1-y_2)}{r}\\
+\end{array}
+\right.
+\mbox{
+\begin{pspicture}[shift=.5](5,4)\psset{arrowscale=2}
+ \psframe[linewidth=.75\pslinewidth](5,4)
+ \pstGeonode[PosAngle={-90,90}](1,1){M1}(4,3){M2}
+ \pstHomO[HomCoef=.33, PointSymbol=none]{M1}{M2}{F1}
+ \psline[arrows=->](M1)(F1)
+ \pstHomO[HomCoef=.33, PointSymbol=none]{M2}{M1}{F2}
+ \psline[arrows=->, arrowscale=2](M2)(F2)
+ \pstGeonode[PointSymbol=none](M2|M1){A}
+ \psline[linewidth=.5\pslinewidth](M1)(A)
+ \pstMarkAngle{A}{M1}{M2}{$\theta$}
+ \ncline[linewidth=.5\pslinewidth, offset=.5, arrows=<->]{M1}{M2}
+ \ncput*{$r$}
+\end{pspicture}%
+}
+\]
+
+
+\begin{table}[htbp]
+\centering
+ \caption{PostScript code for the gravitation examples}\label{intgravcode}
+\small\ttfamily
+ \begin{tabularx}{\linewidth}{XX} \hline
+ & x1 y1 x'1 y'1 x2 y2 x'2 y'2\\
+ /yp2 exch def /xp2 exch def /ay2 exch def /ax2 exch def&mise en variables\\
+ /yp1 exch def /xp1 exch def /ay1 exch def /ax1 exch def&mise en variables\\
+ /ro2 ax2 ax1 sub dup mul ay2 ay1 sub dup mul add def&calcul de r*r\\
+ xp1 yp1&\\
+ ax2 ax1 sub ro2 sqrt div ro2 div&calcul de x''1\\
+ ay2 ay1 sub ro2 sqrt div ro2 div&calcul de y''1\\
+ xp2 yp2&\\
+ 3 index -20 mul&calcul de x''2=-20x''1\\
+ 3 index -20 mul&calcul de y''2=-20y''1\\\hline
+ \end{tabularx}
+\end{table}
+
+\def\Grav{%
+ /yp2 exch def /xp2 exch def /ay2 exch def /ax2 exch def
+ /yp1 exch def /xp1 exch def /ay1 exch def /ax1 exch def
+ /ro2 ax2 ax1 sub dup mul ay2 ay1 sub dup mul add def
+ xp1 yp1
+ ax2 ax1 sub ro2 sqrt div ro2 div
+ ay2 ay1 sub ro2 sqrt div ro2 div
+ xp2 yp2
+ 3 index -20 mul
+ 3 index -20 mul}
+\def\GravAlg{%
+ y[2]|y[3]|%
+ (y[4]-y[0])/((y[4]-y[0])^2+(y[5]-y[1])^2)^1.5|%
+ (y[5]-y[1])/((y[4]-y[0])^2+(y[5]-y[1])^2)^1.5|%
+ y[6]|y[7]|%
+ 20*(y[0]-y[4])/((y[4]-y[0])^2+(y[5]-y[1])^2)^1.5|%
+ 20*(y[1]-y[5])/((y[4]-y[0])^2+(y[5]-y[1])^2)^1.5}
+ %% 0 1 2 3 4 5 6 7
+ %% x1 y1 x'1 y'1 x2 y2 x'2 y'2
+\def\InitCond{ 1 1 .1 0 -1 -1 -2 0}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(-3,-2.5)(2,2.25)
+ \psgrid[subgriddiv=0,gridcolor=lightgray,linewidth=1.5pt]
+ \psset{method=rk4,plotpoints=200,whichord=1}
+ \psplotDiffEqn[whichabs=0,linecolor=blue]{0}{8}{\InitCond}{\Grav}
+ \psplotDiffEqn[whichabs=4,whichord=5,linecolor=red]{0}{8}{\InitCond}{\Grav}
+ \psplotDiffEqn[whichabs=4,linecolor=Orange,algebraic]{0}{8}{\InitCond}{\GravAlg}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=yellow,algebraic]{0}{8}{\InitCond}{\GravAlg}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(-4,-2.5)(1,1.25)
+ \psgrid[subgriddiv=0,gridcolor=lightgray]
+ \psplotDiffEqn[linecolor=red,method=rk4,plotpoints=200,linewidth=1.5pt,%
+ plotfuncx=y dup 4 get exch 0 get sub,
+ plotfuncy=dup 5 get exch 1 get sub ]{0}{8}{\InitCond}{\Grav}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(0,-0.5)(8,8)
+ \psset{yunit=0.8,method=rk4,plotpoints=200,linewidth=1.5pt}
+ \psgrid[subgriddiv=0,gridcolor=lightgray](8,9)
+ \psplotDiffEqn[linecolor=red,plotfuncy=dup 6 get dup mul exch 7 get dup mul add sqrt]{0}{8}{\InitCond}{\Grav}
+ \psplotDiffEqn[linecolor=blue,plotfuncy=dup 2 get dup mul exch 3 get dup mul add sqrt]{0}{8}{\InitCond}{\Grav}
+\end{pspicture}
+\end{LTXexample}
+
+\newpage
+%--------------------------------------------------------------------------------------
+\subsubsection{Gravitation: two stars and more}
+%--------------------------------------------------------------------------------------
+
+\iffalse
+L'exemple le plus complexe dans l'�riture de $f$, mais aussi dans l'�uilibrage de
+la simulation\footnote{n'h�itez pas �modifier des param�res, ajouter des astres,
+ et vous verrez que le syst�e solaire est miraculeux : il est stable !}. $f$ est
+g��ique : elle peut traiter un nombre d'astres quelconques chacun ayant sa propre
+masse. Dans cette section on va en faire interagir quatre. Cela donne pour le moteur
+d'affichage un syst�e de 16 �uations du premier ordre �r�oudre, et le r�ultat
+est remarquable.
+
+\fi
+ x1 y1 x'1 y'1 x2 y2 x'2 y'2 x3 y3 x'3 y'3 x4 y4 x'4 y'4
+ \def\InitCond{ 1 1 0 0 -1 -1 -2 2 3 3 2.86 -2.86 5.5 -3.5 -2.1 -2.1}
+ \def\tMAX{10}
+ \newcommand{\MunMdeux}{40}
+ \newcommand{\MdeuxMtrois}{40}
+ \psset{unit=1, showpoints=false, plotpoints=400}%%plotpoints=375}
+ \newcommand{\Test}{
+ %% masses des astres
+ /Weigth [ 40 1 1 2 ] def
+ /NbAstor Weigth length def
+ /ABVect { 3 -1 roll exch sub 3 1 roll sub exch } def
+ %% calculs des distances entre masses
+ 1 1 NbAstor 1 sub {
+ dup /i exch def 1 add 1 NbAstor {
+ /j exch def
+ y i 1 sub 4 mul get y j 1 sub 4 mul get sub dup mul
+ y i 1 sub 4 mul 1 add get y j 1 sub 4 mul 1 add get sub dup mul add
+ } for
+ } for
+ NbAstor dup 1 sub mul 2 div cvi array astore /ro2 exch def
+ %% calculs des forces
+ 1 1 NbAstor {
+ /i exch def
+ y i 1 sub 4 mul 4 getinterval aload pop 4 2 roll
+ /xf 0 def /yf 0 def
+ 1 1 NbAstor {
+ dup i eq
+ { pop }
+ { /j exch def
+ 2 copy y j 1 sub 4 mul 2 getinterval aload pop ABVect
+ Weigth j 1 sub get
+ ro2 i j 2 copy lt { exch } if dup
+ dup 1 sub dup NbAstor mul 3 1 roll mul 2 div sub 3 1 roll sub add 1 sub
+ cvi get dup sqrt mul div exch 1 index mul 3 1 roll mul exch
+ yf add /yf exch def xf add /xf exch def } ifelse
+ } for pop pop xf neg yf neg
+ } for
+ NbAstor 4 mul array astore
+ }
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(-9,-6.25)(6,6)
+ \psgrid[subgriddiv=0,gridcolor=lightgray](-9,-6)(6,6)
+ \psset{buildvector=true,method=rk4,linewidth=1.5pt}
+ \psplotDiffEqn[whichabs=0,whichord=1,linecolor=blue]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[whichabs=4,whichord=5,linecolor=red]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[whichabs=4,whichord=5,linecolor=Orange,method=adams]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[whichabs=8,whichord=9,linecolor=magenta]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[whichabs=12,whichord=13,linecolor=green]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[whichabs=12,whichord=13,linecolor=yellow,method=adams]{0}{\tMAX}{\InitCond}{\Test}
+\end{pspicture}
+\end{LTXexample}
+
+
+\begin{LTXexample}[pos=t,preset=\centering]
+\begin{pspicture}(-10,-7.25)(5,5)
+ \psgrid[subgriddiv=0,gridcolor=lightgray](-10,-7)(5,5)
+ \psset{buildvector=true,method=rk4,linewidth=1.5pt}
+ \psplotDiffEqn[linecolor=red,plotfuncx=y dup 4 get exch 0 get sub ,
+ plotfuncy=dup 5 get exch 1 get sub ]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[linecolor=magenta,plotfuncx=y dup 8 get exch 0 get sub ,
+ plotfuncy=dup 9 get exch 1 get sub ]{0}{\tMAX}{\InitCond}{\Test}
+ \psplotDiffEqn[linecolor=green,plotfuncx=y dup 12 get exch 0 get sub ,
+ plotfuncy=dup 13 get exch 1 get sub ]{0}{\tMAX}{\InitCond}{\Test}
+\end{pspicture}
+\end{LTXexample}
+
+
+%--------------------------------------------------------------------------------------
+\subsection{\CMD{resetOptions}}
+%--------------------------------------------------------------------------------------
+
+Sometimes it is difficult to know what options which are changed inside a long document
+are different to the default one. With this
+macro all options depending to \verb+pst-plot+ can be reset. This depends to all
+options of the packages \verb+pstricks+, \verb+pst-plot+ and \verb+pst-node+.
+
+
+%--------------------------------------------------------------------------------------
+\section{Credits}
+%--------------------------------------------------------------------------------------
+{Hendri Adriaens | }
+{Ulrich Dirr | }
+{Hubert G\"a\ss lein |}
+{Denis Girou | }
+{Peter Hutnick | }
+{Christophe Jorssen | }
+{Manuel Luque | }
+{Jens-Uwe Morawski |}
+{Tobias N\"ahring |}
+{Rolf Niepraschk |}
+{Dominique Rodriguez |}
+{Arnaud Schmittbuhl |}
+{Timothy Van Zandt}
+
+
+
+\nocite{*}
+\bibliographystyle{plain}
+\bibliography{pstricks}
+
+
+%--------------------------------------------------------------------------------------
+\section{Change log}
+%--------------------------------------------------------------------------------------
+
+See file Changes
+
+%\clearpage
+%\section{The code}
+
+%\lstinputlisting{pstricks-add.tex}
diff --git a/Master/texmf-dist/doc/generic/pstricks-add/pstricks.bib b/Master/texmf-dist/doc/generic/pstricks-add/pstricks.bib
new file mode 100644
index 00000000000..f99ba002003
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks-add/pstricks.bib
@@ -0,0 +1,139 @@
+%% -*-bibtex-*-
+@STRING{tugboat = {TUGboat} }
+@STRING{beiprogramm = {{\TeX}-Beiprogramm} }
+@STRING{bretter = {Bretter, die die Welt bedeuten} }
+@STRING{dtk = {{D}ie {\TeX}nische {K}om{\"o}die} }
+@STRING{editorial = {Editorial} }
+@STRING{fremdebuehne = {Von fremden B{\"u}hnen} }
+@STRING{fundus = {Aus dem Fundus} }
+@STRING{hinterbuehne = {Hinter der B{\"u}hne} }
+@STRING{leserbrief = {Leserbrief(e)} }
+@STRING{magazin = {Magazin} }
+@STRING{rezension = {Rezensionen} }
+@STRING{schonimmer = {Was Sie schon immer {\"u}ber {\TeX} wissen wollten \dots} }
+@STRING{theaterkasse = {Von der Theaterkasse} }
+@STRING{theatertage = {{\TeX}-Theatertage} }
+
+@Article{ dtk02.2:jackson.voss:plot-funktionen,
+ author = {Laura E. Jackson and Herbert Vo{\ss}},
+ title = {Die Plot-Funktionen von {\texttt{pst-plot}}},
+ journal = dtk,
+ year = 2002,
+ volume = {2/02},
+ altvolume = 2,
+ altnumber = 14,
+ month = jun,
+ pages = {27--34},
+ annote = bretter,
+ keywords = {},
+ abstract = { Im letzten Heft wurden die mathematischen Funktionen von
+ \PS~im Zusammenhang mit dem {\LaTeX}-Paket
+ \texttt{pst-plot} zum Zeichnen von Funktionen beschrieben
+ und durch Beispiele erl{\"a}utert. In diesem Teil werden
+ die bislang nur erw{\"a}hnten Plot-Funktionen f{\"u}r
+ externe Daten behandelt. }
+}
+
+@Article{ dtk02.1:voss:mathematischen,
+ author = {Herbert Vo{\ss}},
+ title = {Die mathematischen {F}unktionen von {P}ost{S}cript},
+ journal = dtk,
+ year = 2002,
+ volume = {1/02},
+ altvolume = 1,
+ altnumber = 14,
+ month = mar,
+ pages = {},
+ annote = bretter,
+ keywords = {},
+ abstract = { \PS, faktisch genauso alt wie {\TeX}, ist im
+ Verh{\"a}ltnis dazu allgemein noch weniger bekannt, wenn es
+ darum geht zu beurteilen, was es denn nun im eigentlichen
+ Sinne ist. Au{\ss}erdem wird h{\"a}ufig vergessen, dass
+ sich mit den \PS-Funktionen viele Dinge erledigen lassen,
+ bei denen sonst auf externe Programme zur{\"u}ckgegriffen
+ wird. Dies wird im Folgenden f{\"u}r die mathematischen
+ Funktionen im Zusammenhang mit dem Paket \texttt{pst-plot}
+ gezeigt. }
+}
+
+@Book{companion,
+ author = {Michel Goosens and Frank Mittelbach and Alexander
+ Samarin},
+ title = {The {\LaTeX} {G}raphics {C}ompanion},
+ publisher = {{Addison-Wesley Publishing Company}},
+ year = {1997},
+ address = {Reading, Mass.}
+}
+
+@Book{voss:chaos,
+ author = {Herbert Vo{\ss}},
+ title = {Chaos und {F}raktale selbst programmieren: von {M}andelbrotmengen {\"u}ber {F}arbmanipulationen zur perfekten Darstellung},
+ publisher = {{Franzis Verlag}},
+ year = {1994},
+ address = {Poing}
+}
+
+@Article{girou:01:,
+ author = {Denis Girou},
+ title = {Pr\'esentation de {PST}ricks},
+ journal = {Cahier {GUT}enberg},
+ year = 1994,
+ volume = {16},
+ month = apr,
+ pages = {21-70}
+}
+
+@Article{girou:02:,
+ author = {{Timothy van} Zandt and Denis Girou},
+ title = {Inside {PST}ricks},
+ journal = TUGboat,
+ year = 1994,
+ volume = {15},
+ month = sep,
+ pages = {239-246}
+}
+
+@Book{PostScript,
+ Author = {Kollock, Nikolai G.},
+ Title = {PostScript richtig eingesetzt: vom {K}onzept zum
+ praktischen {E}insatz},
+ Publisher = {IWT},
+ Address = {Vaterstetten},
+ year = 1989,
+}
+
+@Manual{pstricks,
+ Title = {PSTricks - {\PS} macros for generic {\TeX}},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{http://www.tug.org/application/PSTricks}},
+ Note = {},
+ year = 1993
+}
+
+@Manual{pst-plot,
+ Title = {\texttt{pst-plot}: Plotting two dimensional functions and data},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{CTAN:graphics/pstricks/generic/pst-plot.tex}},
+ Note = {},
+ year = 1999
+}
+
+@Manual{multido,
+ Title = {\texttt{multido.tex} - a loop macro, that supports fixed-point addition},
+ Author = {{Timothy van} Zandt},
+ Organization = {},
+ Address = {\url{CTAN:/graphics/pstricks/generic/multido.tex}},
+ Note = {},
+ year = 1997
+}
+
+@MISC{xkeyval,
+ author = {Hendri Adriaens},
+ title = {xkeyval package},
+ howpublished = {\url{CTAN:/macros/latex/contrib/xkeyval}},
+ year = 2004
+}
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/CHANGES b/Master/texmf-dist/doc/generic/pstricks/CHANGES
new file mode 100644
index 00000000000..cea71394e87
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/CHANGES
@@ -0,0 +1,346 @@
+ PSTricks changes since announcement of April 18, 1997
+ (February 21, 2001)
+ -----------------------------------------------------
+
+
+pstricks:
+--------
+
+ * 97/05/21 Add the VERSIONS file
+
+ * 97/05/30 Add this CHANGES file
+
+
+pstricks/generic:
+----------------
+
+ * 97/04/16 pst-plot.tex (97 patch 1): Problem in the \pst@hlabels macro
+(reported by Akos Valentinyi <akos@indigo.econ.soton.ac.uk>)
+
+ * 97/04/25 pstricks.con (97 patch 1): Correction of pstricks.con to work
+with "old" LaTeX - typically distribution of 1994
+(reported by Philippe Esperet <esperet@marie.polytechnique.fr>)
+
+ * 97/04/28 pstricks.tex (97 patch 1): The \psbezier macro doesn't work
+correctly inside \pscustom
+(reported by Ralf Hetzel <R.Hetzel@physik.tu-dresden.de>)
+
+ * 97/04/28 pst-grad.tex (97 patch 1): Work only in LaTeX and not in
+plain TeX, due to missing @ catcode change
+(reported by Ralf Hetzel <R.Hetzel@physik.tu-dresden.de>)
+
+ * 97/05/05 pst-eps.tex (97 patch 1): \TeXtoEPS ... \endTeXtoEPS
+doesn't work. The PostScript header files were not loaded, as LaTeX 2e
+require now a specific mechanism
+(reported by Greg Byrd <gbyrd@Umunhum.Stanford.edu>)
+
+ * 97/05/12 pstricks.tex (97 patch 2): The \translate macro doesn't work
+correctly
+(reported by Hilmar Schlegel <100.143869@germany.net>)
+
+ * 97/05/14 pst-coil.tex (97 patch 1): The \nczigzag and \nccoil macros
+doesn't work, even if those from pst-node.tex were correct
+(reported by Tomer Kol <tkol@psl-palm.technion.ac.il>)
+
+ * 97/05/14 pst-tree.tex (97 patch 1): The levelsep=*dim parameter
+doesn't work correctly
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/07/11 pstricks.tex (97 patch 3): dotscale parameter unefficient
+with \psdot and \psdots macros
+(reported by Ivan Maio <maio@polito.it>)
+
+ * 97/07/22 pst-node.tex (97 patch 1): `dot' node is undefined
+in the psmatrix environment, but documented
+(reported by Jean-Francois Mertens <jfm@core.ucl.ac.be>)
+
+ * 97/07/30 pst-node.tex (97 patch 2): C node type doesn't work
+in the psmatrix environment
+(reported by Kostas Oikonomou <ko@surya.ho.att.com>)
+
+ * 97/08/08 pstricks.tex (97 patch 4): Suppress a spurious blank in
+the definition of \psk@dotangle in the \psset@dotangle macro definition
+(reported by Raymond Toy <toy@rtp.ericsson.se>)
+
+ * 97/09/02 pst-node.tex (97 patch 3): Add a \leavevmode command
+for \dianode, \ovalnode and \trinode which were missing
+(reported by Wolfgang May <may@informatik.uni-freiburg.de>)
+
+ * 97/09/24 pst-tree.tex (97 patch 2): The \pstree@horizlevelsepadjust
+doesn't require an argument - definition was falsely copied from
+\pstree@vertlevelsepadjust, which require one
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/09/24 pst-tree.tex (97 patch 3): The levelsep=*dim parameter
+give wrong result for treemode=R, because all leaves were positioned on the top
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/09/26 pst-node.tex (97 patch 4): Correct a bug which made
+that \thput and \tvput didn't work (it generate a PostScript error)
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/10/14 pstricks.bug (97 patch 2) : Add description of the problem of
+the change the way the curves are drawn when arrows are required and the
+problem of the \savedata macro that doesn't work inside another macro.
+
+ * 97/10/17 pstricks.tex (97 patch 5): dotscale parameter doesn't
+work correctly in some cases. I remove the change of patch 3 and introduce
+another change.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/10/27 pstricks.tex (97 patch 6): The (coor1|coor2) special
+coordinates produce an error, due to a bug in 0.93a version, which correction
+in pstricks.bug was not reported in PST 97.
+(reported by Ivan Maio <maio@polito.it>)
+
+ * 97/10/27 pstricks.tex (97 patch 7): The | and B| dots were not
+properly scaled when using the dotsize parameter (and the tbarsize has
+no effect, despite what documentation says).
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/03/20 pst-fill.tex (97 patch 1): There can be a division by 0 in the
+\pst@ManualFillCycle macro.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/12/12 pst-fill.tex (97 patch 2): Extensive modifications to
+improve the "automatic" mode, when the "tiling" one (added by me) is selected.
+(by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 98/01/07 pstricks.tex (97 patch 8): The \movepath macro doesn't
+work, due to a typo.
+(reported by Jin-Hwan Cho <chofchof@math.kaist.ac.kr>)
+
+ * 98/01/07 pstricks.tex (97 patch 9): The \scale macro doesn't work,
+due to a bug correction from the 0.93 pstricks.bug file not reported in
+PSTricks 97.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 98/03/19 pst-node.tex (97 patch 5): The \nccoil and \nczigzag macros
+are drawn in the wrong direction, from the ending to the starting point.
+So the arrows, when defined, appear exchanged.
+(reported by Wolfgang May <may@informatik.uni-freiburg.de>)
+
+ * 98/03/19 pst-coil.tex (97 patch 2): Same problem than above.
+
+ * 98/04/28 pst-node.tex (97 patch 6): The refpoint parameter of the \rnode
+macro is not used if it is specified.
+(reported by Pierre Basso <Pierre.Basso@lim.univ-mrs.fr>)
+
+ * 98/07/03 pst-char.tex (97 patch 1): In the \pscharpath macro, the
+PostScript code is not reset after it inclusion, which cause problem when
+this macro is used inside another one.
+(reported by Martin Giese <giese@ira.uka.de>)
+
+ * 98/09/23 pst-node.tex (97 patch 7): There are two typos in validation
+tests, which avoid to print an error message for wrong values of tpos.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 98/11/26 pst-char.tex (97 patch 2): In the \pscharpath@ii macro, the
+\begin@ClosedObj macro execute the \solid@star macro, but as the star
+convention has another meaning for \pscharpath and \pscharclip, it can execute
+wrong code inside \solid@star.
+(reported by To Thanh Binh <binh@atlantis.ET.Uni-Magdeburg.De>)
+
+ * 98/11/27 pst-node.tex (97 patch 8): The \multispan "plain" macro is broken
+by a change made in PSTricks 97 for LaTeX 2e compatibility. And in any case
+the \psspan macro of the "psmatrix" environment doesn't work because an
+undefined \iterate macro is required.
+(reported by Stanislav Brabec <utx@k332.feld.cvut.cz> and
+Denis Girou <Denis.Girou@idris.fr>)
+
+ * 99/03/11 pst-char.tex (97 patch 3): A spurious blank was introduced in the
+\pscharpath@ii macro by the patch 1 correction.
+(reported by Stanislav Brabec <utx@k332.feld.cvut.cz>)
+
+ * 99/03/24 pstricks.tex (97 patch 10): The * convention doesn't work
+in the \uput* macro, due to a broken definition in the code of pst-beta.tex
+used in PSTricks 97.
+(reported by Bob Howlett <bobh@maths.usyd.edu.au>)
+
+ * 99/04/14 pst-node.tex (97 patch 9): The \ncLine doesn't position
+correctly it content, due to an erroneous order of the used coordinates
+in the code of pst-beta.tex used in PSTricks 97.
+(reported by Frank Mueller <meckccef@sp.zrz.tu-berlin.de>)
+
+ * 99/08/03 pstricks.tex (97 patch 11): The \curveto and \rcurveto macros
+are broken due to a typo in the \pst@threecoor macro (in fact, it was
+already present in version 0.93...).
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 99/08/31 pst-tree.tex (97 patch 4): The \skiplevel macro and the relative
+"skiplevels" environment doesn't compute correctly the bounding boxes when
+their arguments are some trees with special configuration.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 99/09/03 pst-node.tex (97 patch 10): The \psspan macro doesn't work since
+LaTeX 2e, due to internal changes in LaTeX 2e.
+(sent by Michael Sharpe <msharpe@euclid.ucsd.edu>)
+
+ * 99/10/06 pstricks.tex (97 patch 12): The \pssetlength, \pssetxlength,
+\pssetylength and \psaddtolength have not the expected behaviour in a special
+circumstance, which can be cure by adding a \relax macro.
+(reported by Isaiah Shavitt <shavitt@chemistry.ohio-state.edu>)
+
+ * 99/10/06 vtex.con (97 patch 3): The \tx@Rot macro is redefined.
+(sent by Michael Vulis <support@micropress-inc.com>)
+
+ * 99/10/28 pst-tree.tex (97 patch 5): A *value for the levelsep parameter
+doesn't work in plain TeX, as the auxiliary unit file used to write temporary
+informations is not defined.
+(reported by Michael W. Daniels <daniels@ling.ohio-state.edu>)
+
+ * 99/11/17 vtex.con (97 patch 4): There is a coherency problem in the
+management of colors inside the pspicture environment.
+(reported by Michael Vulis <support@micropress-inc.com>)
+
+ * 99/12/12 pst-plot.tex (97 patch 2): The dotscale parameter is not
+correctly managed most of the time.
+(reported by Etienne Riga <etienne.riga@skynet.be>)
+
+ * 99/12/16 pstricks.tex (97 patch 13): The dot symbols for diamond and
+diamond* are now defined in the PSTricksDotFont font. The symbol Bdiamond
+is also added.
+(suggested and sent by Etienne Riga <etienne.riga@skynet.be>)
+
+ * 99/12/23 pstricks.tex (97 patch 14): The dotscale parameter is not
+correctly managed most of the time (the patch 5 was still unefficient).
+(reported by Etienne Riga <etienne.riga@skynet.be>)
+
+ * 00/04/26 pst-eps.tex (97 patch 2): There is a typo in the \pst@checkfile
+macro when using the "all*" value for the makeeps parameter.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 00/04/26 pst-tree.tex (97 patch 6): A *value for the levelsep parameter
+doesn't work in plain TeX, as the auxiliary unit file used to write temporary
+informations is not defined (replace the inefficient patch 5 for the same
+problem).
+(reported by Michael W. Daniels <daniels@ling.ohio-state.edu>)
+
+ * 00/11/09 pst-node.tex (97 patch 11): The \pst@newnode macro can introduce
+a spurious blank in some special circumstances. I add a \pst@killglue macro
+to solve the problem.
+(reported by Dominique Rodriguez <dominique.rodriguez@waika9.com>)
+
+
+pstricks/latex:
+--------------
+
+ * 97/05/28 pst-all.sty: remove a comment since there are no dependancies
+between pst-node.tex and pst-coil.tex
+
+ * 98/07/02 pst-all.sty: add the "tiling" option for `pst-fill' as default
+
+
+pstricks/dvips:
+--------------
+
+ * 97/05/09 pst-node.pro (97 patch 1): The \nccircle and \Tcircle
+macros of pst-node.tex doesn't work
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/11/07 pstricks.pro (97 patch 1): There is a typo in Grid macro
+definition which make \psgrid used with griddots to generate a wrong number
+of dots if xunit differ from yunit.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 97/12/12 pstricks.pro (97 patch 2): Hachures change of starting
+point according the position of the area hatched, which is a problem for
+special cases, where we need to align them in several contiguous regions.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 98/06/01 pstricks.pro (97 patch 3): Corrections in the LineFill and
+Triangle macros suggested by Michael Vulis to don't leave unused operands
+on the stack, which is essential for some drivers.
+(reported by Michael Vulis <support@micropress-inc.com>)
+
+ * 98/06/02 pst-grad.pro (97 patch 1): Correction in the Coil macro
+suggested by Michael Vulis to don't leave unused operands on the stack,
+which is essential for some drivers.
+(reported by Michael Vulis <support@micropress-inc.com>)
+
+ * 99/12/16 pst-dots.pro (97 patch 1): The dot symbols for diamond and
+diamond* are now defined in the PSTricksDotFont font. The symbol Bdiamond
+is also added.
+(suggested and sent by Etienne Riga <etienne.riga@skynet.be>)
+
+ * 00/05/02 pst-grad.pro (97 patch 1): There are two blank lines in
+the file which cause a bug when this header file is loaded using the \PSTtoEPS
+macro of the `pst-eps' package.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+ * 00/05/02 pst-text.pro (97 patch 1): There are several blank lines in
+the file which cause a bug when this header file is loaded using the \PSTtoEPS
+macro of the `pst-eps' package.
+(reported by Denis Girou <Denis.Girou@idris.fr>)
+
+
+pstricks/doc:
+------------
+
+ * 98/07/10 test-pst.tex: Version 1.1: this file require
+\usepackage[latin1]{inputenc} definition as one example (calligramme of
+4-5-13) use 8 bits characters.
+(reported by Jean-Francois Mertens <jfm@core.ucl.ac.be>)
+
+ * 98/07/10 lgc/4-5-13.inl: Change the values for one verse (adding 1mm on
+both left and rigth sides) to allow correct typesetting in T1 encoding
+as well as OT1.
+(reported by Jean-Francois Mertens <jfm@core.ucl.ac.be>)
+
+ * 98/07/10 test-pst.tex: Version 1.2: change the sizes used by subfigures
+4-5-5 and 4-5-6 to take into account the real size used by 4-5-5 after
+correction of the bug in pst-key.tex 1.10 (see below).
+
+ * 98/09/09 test-pst.tex: Version 1.3: add explicit page breaks to require
+less memory to be compiled (only 180000 bytes now).
+
+ * 00/03/15 pstricks.bug: Version 1.5: suppress the entry for the problem
+with the \psspan macro of `pst-node' (as the workaround proposed by Michael
+Sharpe was introduced in pst-node.tex as patch 10) and add the problem
+on two labels for a connection with at least one of them using also node
+connections, as reported by Anthony Doggett.
+
+
+pstricks/obsolete/doc/src:
+-------------------------
+
+ * 97/07/01 tp-test.tex: The tp-test.tex file didn't work (in fact it was not
+compatible with LaTeX 2e)
+(reported and updated by Steffen Klupsch
+<steffen@vlsi.informatik.th-darmstadt.de>)
+
+
+pstricks/contrib:
+----------------
+
+ * 97/05/30 Reorganization using subdirectories
+
+ * 97/05/30 Add the pst-ghsb subdirectory and relative files
+
+ * 98/02/25 Migrate the palette subdirectory in the obsolete one
+
+ * 98/02/25 Add the pst-poly subdirectory and relative files
+
+ * 98/02/25 Add the misc subdirectory and relative files
+
+ * 98/07/23 Version 1.11 of misc/pst-key.tex to correct a bug in the
+definition of the \use@par macro.
+(reported by Michael Vulis <support@micropress-inc.com>)
+
+ * 98/09/15 declare pst-ghsb as superceded by the pst-slpe package
+
+ * 98/09/15 Add the pst-blur subdirectory and relative files
+(from Martin Giese)
+
+ * 98/09/15 Add the pst-slpe subdirectory and relative files
+(from Martin Giese)
+
+ * 98/09/16 Add the pst-gr3d subdirectory and relative files
+
+ * 99/11/26 Add the pst-osci subdirectory and relative files
+
+ * 01/02/19 Add the pst-lens subdirectory and relative files
+
+ * 01/02/19 Version 1.3 of the `pst-gr3d' package
+
+ * 01/02/21 Version 1.5 of the `pst-poly' package
diff --git a/Master/texmf-dist/doc/generic/pstricks/README b/Master/texmf-dist/doc/generic/pstricks/README
new file mode 100644
index 00000000000..70c1c6c5d0a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/README
@@ -0,0 +1,219 @@
+ -----------------
+ | PSTricks 2005 |
+ -----------------
+
+
+-----------------------------------------------------------------------
+PSTricks is the work of Timothy van Zandt <tvz@econ.insead.fr>
+
+PSTricks 97 is edited by Denis Girou <Denis.Girou@idris.fr>
+and Sebastian Rahtz <sebastian.rahtz@computing-services.oxford.ac.uk>
+
+PSTricks 2004 is edited by Herbert Voss <voss@perce.de>
+and Rolf Niepraschk <Rolf.Niepraschk@ptb.de>
+
+PSTricks 2005 is edited by Herbert Voss <voss@perce.de>
+
+-----------------------------------------------------------------------
+For more informations go to http://tug.org/PSTricks
+
+
+1 - Copyright
+ ---------
+
+COPYRIGHT 1993, 1994, 2000 by Timothy Van Zandt, <tvz@econ.insead.fr>.
+COPYRIGHT 2004, 2005 by Herbert Voss <voss@perce.de> and
+ Rolf Niepraschk <Rolf.Niepraschk@ptb.de>.
+
+This program can be redistributed and/or modified under the terms
+of the LaTeX Project Public License Distributed from CTAN
+archives in directory macros/latex/base/lppl.txt.
+
+2 - Introduction
+ ------------
+
+This package is a re-release of PSTricks, incorporating all of the
+beta releases and bug fixes made up to March 1997. It is *not*
+intended as a full new release of PSTricks, but as a consolidation and
+cleaned distribution. Because Timothy van Zandt does not currently have
+enough time to work on PSTricks, he gave permission for Denis Girou,
+Sebastian Rahtz and Herbert Voss to produce this interim solution.
+
+Some new features have been added in the 2004 version, except the release
+of the small pst-fill package for filling (tiling) arbitrary regions and the
+various evolving contributions, but we have merged in all the bug fixes
+and beta addons which Timothy produced.
+
+We have renamed some of the files that make up PSTricks, for consistency.
+The multido package is now in /macros/generic/multido
+
+3 - Installation
+ ------------
+
+3.1 - (La)TeX files
+
+ a - You have to move all the files from the "generic" subdirectory
+to a directory part of your TEXINPUTS environment variable, or to add it
+in your TEXINPUTS list of paths.
+
+ b - If you are a LaTeX user (and not only a plain TeX one), you have
+to do the same thing for the "latex" subdirectory, which define LaTeX
+wrappers for all the PSTricks files.
+
+3.2 - PostScript header files
+
+ a - If you use the "dvips" DVI to PostScript converter, you have
+to move all the files from the "dvips" subdirectory to a directory part
+of your DVIPSHEADERS environment variable, or to add it in your DVIPSHEADERS
+list of paths.
+
+ b - If you use the Y&Y's "dvipsone" DVI to PostScript converter,
+you have to rename generic/dvipsone.con to generic/pstricks.con and to move
+all the files of the "dvips" subdirectory to the TeX input folder.
+
+ c - If you use the MicroPress "VTeX" DVI to PostScript converter,
+you have to rename generic/vtex.con to generic/pstricks.con and to move
+all the files of the "dvips" subdirectory to the TeX input folder.
+
+ d - If you use the "textures" (version 1.7/1.8 or 2.0) DVI to PostScript
+converter (for Macintosh), you should proceed as follows:
+ * create a new folder PSTricks97 (for instance) as a subfolder in
+Textures' TeX inputs folder,
+ * copy the "generic", "dvips", "latex" and "contrib" subfolders
+from the "pst97" folder to the newly created "PSTricks97" folder,
+ * open the "generic" folder and remove the file pstricks.con,
+then rename the file textures.con to pstricks.con,
+ * open the "dvips" folder and change the following line in the file
+pstricks.pro (courtesy Michael J. Sharpe <msharpe@euclid.ucsd.edu>):
+/STV { SDict begin normalscale end STP } def
+by
+/STV { Mag 72.27 72 div mul dup neg scale STP } def
+ It was also reported that the `pst-text' package (to put text
+along paths) doesn't work with the "textures" driver.
+ Textures's users must also look at the page kindly maintained
+by Michael Sharpe: http://math.ucsd.edu/~msharpe/pst-textures.html
+
+ d - If you use another driver than these four ones, you have to adapt
+a pstricks.con file for it, if the one for "dvips" doesn't work for it.
+You can also look at the instructions of the old obsolete/src/pstricks.con
+file. And if nothing work, ask for help on the PSTricks mailing list,
+hopping that somebody on the list has the same configuration than you...
+
+3.3 - Test of the installation
+
+The file doc/test-pst.tex allow you to test all your installation and the
+various components of PSTricks. It is the concatenation of most of the
+examples of the PSTricks chapter of "The LaTeX Graphics Companion".
+You must take care (mainly if you are "normally" a user of plain TeX only,
+that it require LaTeX and some packages of it distribution (namely `calc',
+`ifthen' and `graphicx'). It also require the `random' and `subfigure'
+packages, which can be found on CTAN or the TeXLive cdrom - see the README
+file of the doc subdirectory).
+
+3.4 - Known pitfalls
+
+ a - To use the standard `color' or `xcolor' package with PSTricks, you
+must load the `pstricks.sty' package, which interface the two packages,
+loading them in the right order, and overriding some small parts of
+PSTricks to allow it to use the `color' or `xcolor' package system for
+specifying color. We STRONGLY recommend that you use this way today.
+pstricks.sty loads by default the xcolor package, but there is an option
+"noxcolor". If you are a LaTeX user then load _always_ first the
+pstricks.sty package.
+
+ b - LaTeX users must also take care that the `pstricks.sty' package is
+required in place of the `pstricks.tex' one if the `graphics' or `graphicx'
+package is also loaded.
+
+ c - Don't try to load the `color' or `xcolor' package if you use
+`pstricks.sty' or `pst-all' (it is already loaded in the correct order).
+
+ d - If needed, preferably load the `graphics' / `graphicx' package
+after PSTricks, and in this case use the `graphics' syntax of \scalebox
+(not the one described in the PSTricks documentation). pstricks.sty
+redefines this macro so that both can be used (see doc).
+
+ e - If you load `graphics' / `graphicx' before PSTricks without
+loading pstricks.sty, you must use the PSTricks syntax of \scalebox
+in all cases (not the one described in the `grfguide' document).
+
+ f - We have rename some package files for consistency. But the reference
+documentation in obsolete/doc subdirectory still refer to the old names.
+So, take care that `pst2eps' is now `pst-eps', `charpath' is now `pst-char',
+`gradient' is now `pst-grad', `textpath' is now `pst-text' and `pstree' is
+now `pst-tree'.
+
+
+4 - Contents
+ --------
+
+4.1 - Subdirectories
+
+The distribution contain the following subdirectories:
+
+contrib : various contributions
+doc : documentations (up to date ones - the obsolete/doc subdirectory
+ contain the reference documentation for the version 0.93a and
+ the additional old Beta material, which is still necessary to use...)
+dvips : PostScript header files
+generic : TeX generic sources
+latex : LaTeX wrappers
+obsolete: documentation and sources for the version 0.93a and the
+ additional old Beta material
+
+4.2 - PSTricks core files
+
+The generic subdirectory contain the core files of PSTricks (and the latex
+subdirectory contain the corresponding wrapper files). By alphabetic order:
+
+multido : loop facility for Generic TeX -> /macros/generic/multido
+pst-3d : 3d projections
+pst-char: stroking and filling character paths
+pst-coil: coils and zigzags
+pst-eps : conversion of PSTricks graphics to EPS files
+pst-fill: fillings and tilings
+pst-grad: gradients
+pst-node: nodes and node connections
+pst-plot: plots
+pst-text: texts along a path
+pst-tree: trees
+
+In addition, there is a LaTeX package `pst-all' in the latex subdirectory,
+which loads all of the PSTricks components, plus `pstricks.sty', in one go
+(`pstricks' require also a color.cfg file defined; make sure you do _not_ load
+the `color' package by itself). The only reason for _not_ using this is that
+it uses extra memory for facilities you might not need.
+
+
+5 - Documentation
+ -------------
+
+There is NOT a complete up to date _reference_ documentation for PSTricks 97.
+You must still refer to the reference documentation of the version 0.93a and
+the additional old Beta material, available in the obsolete/doc subdirectory
+(it was put in the "obsolete" subdirectory to clearly show that it is not up
+to date nor supported by actual mainteners). Take care to notice what has
+changed in additional old Beta documents (betadoc?.ps files) comparing to the
+ones for 0.93a version (pst-usr?.ps files).
+
+Denis Girou maintain a list of known errors in both version 0.93a and
+additional old Beta documentations, in obsolete/doc/pst-doc.err
+
+A large chapter of "The LaTeX Graphics Companion", by Goossens, Rahtz and
+Mittelbach, Addison Wesley 1997, is dedicated to PSTricks, and this
+currently forms the only systematic description of the integration of
+the basic PSTricks and the beta additions of 1993. The source of all examples
+from that book is also on CTAN/info/lgc and most of them in the doc/lgc
+subdirectory of the PST97 distribution. The second edition of this book
+has no more a chapter of PSTricks.
+
+There is also a supporting set of Web pages, actually maintained
+by Denis Girou, on http://www.tug.org/applications/PSTricks with various
+pointers and examples classified by categories.
+
+And there is also a mailing list devoted to discussions on PSTricks usage.
+The informations to subscribe to this list and to consult the archives can
+be found on the Web page.
+
+--
+Denis Girou, Sebastian Rahtz and Herbert Voss (updated Mai 11, 2005)
diff --git a/Master/texmf-dist/doc/generic/pstricks/VERSIONS b/Master/texmf-dist/doc/generic/pstricks/VERSIONS
new file mode 100644
index 00000000000..7453aa3ecb0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/VERSIONS
@@ -0,0 +1,64 @@
+ PSTricks current file versions
+ (June 26, 2004)
+ ------------------------------
+
+
+latex directory (listed are only the special style files,
+which did more than loading the tex file):
+-------------
+
+-----------------------------------------------
+| File | Version | Date |
+-----------------------------------------------
+| pstricks.sty | 0.21 | 2004/05/12 |
+| pst-eps.sty | 0.1 | 2005/05/21 |
+-----------------------------------------------
+
+
+generic directory:
+-----------------
+
+-------------------------------------------
+| File | Version | Date |
+-------------------------------------------
+| dvipsone.con | 97 | 1994/03/29 |
+| pst-3d.tex | 97 | 1997/03/25 |
+| pst-char.tex | 97 patch 3 | 1999/03/11 |
+| pst-coil.tex | 97 patch 2 | 1998/03/19 |
+| pst-eps.tex | 97 patch 2 | 2005/05/21 |
+| pst-fill.tex | 97 patch 3 | 2004/06/23 |
+| pst-grad.tex | 1.04 | 2004/06/23 |
+| pst-node.tex | 97 patch 11 | 2000/11/09 |
+| pst-plot.tex | 97 patch 2 | 1999/12/12 |
+| pst-text.tex | 97 | 1997/03/25 |
+| pst-tree.tex | 97 patch 6 | 2000/04/26 |
+| pstricks.con | 97 patch 2 | 1997/04/28 |
+| pstricks.tex | 1.07 | 2005/05/20 |
+| textures.con | 97 | 1997/03/01 |
+| vtex.con | 97 patch 4 | 1999/11/19 |
+-------------------------------------------
+
+
+dvips directory:
+---------------
+
+-------------------------------------------
+| File | Version | Date |
+-------------------------------------------
+| pst-coil.pro | 97 patch 1 | 1998/06/02 |
+| pst-dots.pro | 97 patch 1 | 1999/12/16 |
+| pst-grad.pro | 1.04 | 2004/06/23 |
+| pst-node.pro | 97 patch 1 | 1997/05/09 |
+| pst-text.pro | 97 patch 1 | 2000/05/02 |
+| pstricks.pro | 97 patch 7 | 2005/05/20 |
+-------------------------------------------
+
+doc directory:
+-------------
+
+-----------------------------------------------
+| File | Version | Date |
+-----------------------------------------------
+| pstricks.bug | 97 patch 5 | 2000/03/14 |
+| pstnews97-15.tex | 2004 | 2004/05/12 |
+-----------------------------------------------
diff --git a/Master/texmf-dist/doc/generic/pstricks/images/flowers.eps b/Master/texmf-dist/doc/generic/pstricks/images/flowers.eps
new file mode 100644
index 00000000000..3f279322a6a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/images/flowers.eps
@@ -0,0 +1,269 @@
+%!PS-Adobe-2.0 EPSF-2.0
+%%Title: background2.eps
+%%Creator: xwpick Version 2.20 Rev: 20/09/94 - by Evgeni Chernyaev
+%%CreationDate: Wed Nov 26 21:12:29 1997
+%%BoundingBox: 0 0 80 60
+%%EndComments
+%***********************************************************************
+%* *
+%* Function: Display a Lempel-Ziv Welch (LZW) encoded color image. *
+%* This is an Encapsulated PostScript file suitable for any *
+% kind of PostScript printer: Level I/II, color/grayscale...*
+%* To optimize output on GrayScale printers you may uncomment*
+%* line '/GRAYneeded true def'. *
+%* *
+%* Author: Evgeni CHERNYAEV (chernaev@vxcern.cern.ch) *
+%* *
+%***********************************************************************
+gsave
+userdict begin
+/EPSneeded true def
+%/GRAYneeded true def
+end
+%***********************************************************************
+%* Image Description *
+%***********************************************************************
+/colomns 80 def
+/rows 60 def
+/mm {2.835 mul} def
+userdict /EPSneeded known {
+ /EPSneeded userdict /EPSneeded get def
+}{
+ /EPSneeded false def
+} ifelse
+userdict /GRAYneeded known {
+ /GRAYneeded userdict /GRAYneeded get def
+}{
+ /GRAYneeded false def
+} ifelse
+EPSneeded {
+ /IfRotate false def
+ /MarginX 0 def /MarginY 0 def
+ /Ymax rows def /Xmax colomns def /Ymin 0 def /Xmin 0 def
+}{
+ /IfRotate colomns rows gt {true} {false} ifelse def
+ /MarginX 8 mm def /MarginY 18 mm def
+ 0 0 moveto clippath pathbbox
+ /Ymax exch def /Xmax exch def /Ymin exch def /Xmin exch def
+} ifelse
+/IfColor systemdict /colorimage known {true} {false} ifelse def
+GRAYneeded {/IfColor false def} if
+/IfLevel2 systemdict /filter known systemdict /setcolorspace known and
+ {true} {false} ifelse def
+%***********************************************************************
+% Procedures *
+%***********************************************************************
+/Table 4096 array def
+/StrArray 10 array def
+/InLine 70 string def
+/BinCodes 112 string def
+/CurBit 0 def /FreeCode 258 def /CurCodeSize 9 def /CurMask 511 def
+/incr IfColor {3} {1} ifelse def
+IfLevel2 not {/setcolorspace null def /filter null def} if
+%***********************************************************************
+/ReadLine { % Read Next Data Line (ASCII85 decode) *
+%***********************************************************************
+ BinCodes 0 BinCodes 56 56 getinterval putinterval
+ currentfile InLine readline pop pop
+ 1 1 14 {
+ /i exch 1 sub def
+ /k i 5 mul def
+ /c1 InLine k get 33 sub 255 and def
+ /rest c1 1868977 mul
+ InLine k 1 add get 33 sub 255 and 614125 mul add
+ InLine k 2 add get 33 sub 255 and 7225 mul add
+ InLine k 3 add get 33 sub 255 and 85 mul add
+ InLine k 4 add get 33 sub 255 and add def
+ /k i 4 mul 56 add def
+ BinCodes k c1 3 mul rest 16777216 idiv add 255 and put
+ /rest rest 16777216 mod def
+ BinCodes k 1 add rest 65536 idiv put
+ BinCodes k 2 add rest 256 idiv 255 and put
+ BinCodes k 3 add rest 255 and put
+ } for
+} bind def
+%***********************************************************************
+/ReadCode { % Read next code *
+%***********************************************************************
+ /CurByte CurBit 8 idiv def
+ /CurCode
+ BinCodes CurByte get 8 bitshift
+ BinCodes CurByte 1 add get add 8 bitshift
+ BinCodes CurByte 2 add get add
+ CurCodeSize CurBit 7 and add 24 sub bitshift CurMask and def
+ /CurBit CurBit CurCodeSize add dup 448 ge {ReadLine 448 sub} if def
+} bind def
+%***********************************************************************
+/DecodeCode { % Decode CurCode *
+%***********************************************************************
+ ReadCode CurCode 256 eq {
+ /FreeCode 258 def /CurCodeSize 9 def /CurMask 511 def
+ /StrInd -1 def /Lrest 0 def ReadCode
+ }{
+ L Lrest gt {
+ /StrInd StrInd 1 add def /Lrest 65535 def
+ StrArray StrInd get null eq {StrArray StrInd 65535 string put} if
+ /CurStr StrArray StrInd get def
+ } if
+ Table FreeCode CurStr 65535 Lrest sub L getinterval
+ dup 0 Table OldCode get putinterval
+ dup L incr sub Table
+ CurCode FreeCode lt {CurCode} {OldCode} ifelse get
+ 0 incr getinterval putinterval put
+ /Lrest Lrest L sub def /FreeCode FreeCode 1 add def
+ FreeCode CurMask ge CurCodeSize 12 lt and {
+ /CurCodeSize CurCodeSize 1 add def
+ /CurMask CurMask 1 bitshift 1 add def
+ } if
+ } ifelse
+ /OldCode CurCode def
+ Table CurCode get dup length incr add /L exch def
+} bind def
+%***********************************************************************
+/DisplayImage { % Display a LZW-encoded color image *
+%***********************************************************************
+ /DelX Xmax Xmin sub MarginX 2 mul sub def
+ /DelY Ymax Ymin sub MarginY 2 mul sub def
+ /SizeX IfRotate {rows} {colomns} ifelse def
+ /SizeY IfRotate {colomns} {rows} ifelse def
+ /FactorX DelX SizeX div def /FactorY DelY SizeY div def
+ /Factor FactorX FactorY le {FactorX} {FactorY} ifelse def
+ /ScaleX SizeX Factor mul def /ScaleY SizeY Factor mul def
+ DelX ScaleX sub 2 div MarginX add
+ DelY ScaleY sub 2 div MarginY add translate
+ IfRotate {ScaleY ScaleX} {ScaleX ScaleY} ifelse scale
+ /Palette currentfile 768 string readhexstring pop def
+ currentfile InLine readline pop pop
+ IfColor not {
+ 0 1 255 {
+ Palette exch dup /i exch 3 mul def
+ Palette i 0 add get 0.299 mul
+ Palette i 1 add get 0.587 mul add
+ Palette i 2 add get 0.114 mul add cvi put
+ } for
+ /Palette Palette 0 256 getinterval def
+ } if
+ /Matr IfRotate
+ {[0 colomns rows 0 0 0]} {[colomns 0 0 rows neg 0 rows]} ifelse def
+ IfLevel2 {
+ [/Indexed IfColor {/DeviceRGB} {/DeviceGray} ifelse 255 Palette]
+ setcolorspace
+ /infile currentfile /ASCII85Decode filter /LZWDecode filter def
+ 8 dict
+ dup /ImageType 1 put
+ dup /Width colomns put
+ dup /Height rows put
+ dup /BitsPerComponent 8 put
+ dup /ImageMatrix Matr put
+ dup /Interpolate false put
+ dup /Decode [0 255] put
+ dup /DataSource infile put image
+ }{
+ 0 1 255 {
+ Table exch dup incr mul Palette exch incr getinterval put
+ } for
+ ReadLine ReadLine
+ colomns rows 8 Matr {DecodeCode}
+ IfColor {false 3 colorimage} {image} ifelse
+ } ifelse
+} bind def
+%***********************************************************************
+%* Image decoding *
+%***********************************************************************
+DisplayImage
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+jYmRp80DNi>3'Y(8\U\g,sG*'#p>lETT0U-3YSain7``m-2[`m-$.uG*ZtM,+9
+~>
+showpage grestore
diff --git a/Master/texmf-dist/doc/generic/pstricks/images/tiger.eps.gz b/Master/texmf-dist/doc/generic/pstricks/images/tiger.eps.gz
new file mode 100644
index 00000000000..c4c690ff227
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/images/tiger.eps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-1.inl
new file mode 100644
index 00000000000..9c4169ed3fc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-1.inl
@@ -0,0 +1,7 @@
+\begin{pspicture}(0,0)(5,4)
+ \newpsstyle{bomb}{fillcolor=gray,fillstyle=solid,
+ linestyle=dashed,linewidth=2pt}
+ \pscircle[style=bomb](2,2){.5}
+ \pscircle(.5,.5){.5}
+ \pswedge[style=bomb](4,.5){1}{20}{130}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-10.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-10.inl
new file mode 100644
index 00000000000..fa4d3b9da52
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-10.inl
@@ -0,0 +1,160 @@
+\makeatletter
+\newdimen\CurX
+\newdimen\CurY
+\newdimen\Cir@temp
+\newcount\Cir@direction % 0 right, 1 left, 2 up, 3 down
+
+\Cir@direction0
+
+\def\SetX#1{\CurX=#1pt}
+\def\SetY#1{\CurY=#1pt}
+
+\def\ShowDirection{%
+ \typeout{Direction:
+ \ifcase\Cir@direction right\or left\or up\or down\fi,
+ now at (\strip@pt\CurX,\strip@pt\CurY)}%
+}
+
+\def\ShowXY{\message{(\strip@pt\CurX,\strip@pt\CurY)}}
+
+\def\Down#1{\advance\CurY by -#1\p@\Cir@direction3%\ShowDirection
+}
+\def\Up#1{\advance\CurY by #1\p@\Cir@direction2%\ShowDirection
+}
+\def\Left#1{\advance\CurX by -#1\p@\Cir@direction1%\ShowDirection
+}
+\def\Right#1{\advance\CurX by #1\p@\Cir@direction0%\ShowDirection
+}
+
+\def\MyBox#1#2{% width,height
+ \pssetlength{\Cir@temp}{#1}%
+ \rule{\Cir@temp}{\z@}%
+ \pssetlength{\Cir@temp}{#2}%
+ \rule{\z@}{\Cir@temp}%
+}
+
+\def\Point#1{%
+ \rput(\strip@pt\CurX,\strip@pt\CurY){\pnode{#1}}%
+}
+
+\def\Switch#1{%
+ \message{[Switch] #1}\ShowXY
+ \relax
+ \ifcase\Cir@direction % right
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode[b]{#1}{%
+ \psline(.5,.4)%
+ \psarc{<-}{.4}{-10}{70}%
+ \MyBox{.5}{.4}%
+ }}%
+ \advance\CurX by .5\p@
+ \or % left
+ \advance\CurX by -.5\p@
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode[b]{#1}{%
+ \psline(0,0)(.5,.4)%
+ \psarc{<-}{.4}{-10}{70}%
+ \MyBox{.5}{.4}%
+ }}%
+ \fi
+}
+
+\def\Battery#1{%
+ \message{[Battery] #1}\ShowXY
+ \relax
+ \ifcase\Cir@direction % right
+ \rput[r](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#1}{%
+ \psline(0,-.4)(0,.4)%
+ \psline(.2,-.2)(.2,.2)%
+ \MyBox{.2}{.8}%
+ }}%
+ \advance\CurX by .2\p@
+ \or % left
+ \advance\CurX by -.2\p@
+ \rput[r](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#1}{%
+ \psline(0,-.4)(0,.4)%
+ \psline(.2,-.2)(.2,.2)%
+ \MyBox{.2}{.8}%
+ }}%
+ \or % up
+ \advance\CurY by .2\p@
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#1}{%
+ \psline(.1,.2)(.9,.2)%
+ \psline(0.3,0)(0.7,0)%
+ \MyBox{1}{.2}%
+ }}%
+ \or % down
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#1}{%
+ \psline(-.4,0)(.4,0)%
+ \psline(-.2,-.2)(.2,-.2)%
+ \MyBox{1}{.2}%
+ }}%
+ \advance\CurY by -.2\p@
+ \fi
+}
+
+\def\Resistor{\message{[Resistor]}\ShowXY
+ \@ifnextchar[{\@ResInd}{\@ResInd[1]{pszigzag}}}
+\def\Inductor{\message{[Inductor]}\ShowXY
+ \@ifnextchar[{\@ResInd}{\@ResInd[1]{pscoil}}}
+
+\def\@ResInd[#1]#2#3{%
+ \ifcase\Cir@direction % right
+ \rput[l](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#3}{%
+ \csname #2\endcsname[coilarm=.01,coilwidth=.3](0,.15)(#1,.15)%
+ \MyBox{#1}{.3}%
+ }}%
+ \advance\CurX by #1\p@
+ \or % left
+ \advance\CurX by -#1\p@
+ \rput[l](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#3}{%
+ \csname #2\endcsname[coilarm=.01,coilwidth=.3](0,.15)(#1,.15)%
+ \MyBox{#1}{.3}%
+ }}%
+ \or % up
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#3}{%
+ \csname #2\endcsname[coilarm=.01,coilwidth=.3](.15,0)(.15,#1)%
+ \MyBox{.3}{#1}%
+ }}%
+ \advance\CurY by #1\p@
+ \or % down
+ \advance\CurY by -#1\p@
+ \rput[b](\strip@pt\CurX,\strip@pt\CurY){%
+ \rnode{#3}{%
+ \csname #2\endcsname[coilarm=.01,coilwidth=.3](.15,0)(.15,#1)%
+ \MyBox{.3}{#1}%
+ }}%
+ \fi
+}
+\makeatother
+
+\begin{pspicture}(-0.3,0)(8.4,2.8)
+ \SetX{1}
+ \Up{1}
+ \Battery{A}
+ \Up{1}
+ \Right{2}
+ \Resistor{B}
+ \Right{1}
+ \Down{.3}
+ \Inductor{C}
+ \Down{.5}
+ \Left{1}
+ \Switch{D}
+ \ncangle[angleA=90,angleB=180,armB=0]{A}{B}
+ \ncangle[angleA=0,angleB=90,armB=0]{B}{C}
+ \ncput[ref=l]{~~~$i=i_{\mbox{max}}(1-w^{-t/3})$}
+ \ncangle[angleA=-90,armB=0,angleB=0]{C}{D}
+ \ncangle[angleA=180,armB=0,angleB=-90]{D}{A}
+ \nput{180}{A}{10V}
+ \nput{90}{B}{R}
+ \nput{0}{C}{3mH}
+ \nput{270}{D}{S}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-2.inl
new file mode 100644
index 00000000000..1c0b7f79093
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-2.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(2,2)\showgrid
+ \pscustom[fillstyle=solid,fillcolor=gray]{%
+ \pscurve(0,.5)(1,1.5)(.9,1)
+ \pscurve[liftpen=0](2,.5)(1,.1)(0,.1)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-3.inl
new file mode 100644
index 00000000000..7cc4d7a0b5a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-3.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(2,2)\showgrid
+ \pscustom[fillstyle=solid,fillcolor=gray]{%
+ \pscurve(0,.5)(1,1.5)(.9,1)
+ \pscurve[liftpen=1](2,.5)(1,.1)(0,.1)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-4.inl
new file mode 100644
index 00000000000..e5df1cbb0f5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-4.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(2,2)\showgrid
+ \pscustom[fillstyle=solid,fillcolor=gray]{%
+ \pscurve(0,.5)(1,1.5)(.9,1)
+ \pscurve[liftpen=2](2,.5)(1,.1)(0,.1)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-5.inl
new file mode 100644
index 00000000000..7c9eb48eb16
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-5.inl
@@ -0,0 +1,40 @@
+\newdimen\X
+\newdimen\Y
+\newdimen\Coor
+
+% #1 is number of steps
+\newcommand{\RandomWalk}[1]{%
+ \setrandim\X{0pt}{1pt}
+ \setrandim\Y{0pt}{1pt}
+ \psdots[dotstyle=*,dotsize=6pt](\pointless\X,\pointless\Y)
+ \pscustom{%
+ \moveto(\pointless\X,\pointless\Y)
+ \multido{\i=1+1}{#1}{%
+ \MoveCoordinate{\X}
+ \MoveCoordinate{\Y}
+ \lineto(\pointless\X,\pointless\Y)}}}
+
+% Computation of new horizontal or vertical position of point
+\newcommand{\MoveCoordinate}[1]{%
+ \setrandim\Coor{-0.03pt}{0.03pt}
+ \advance #1 by \Coor
+ \ifdim#1>1pt #1=1pt \fi
+ \ifdim#1<0pt #1=0pt \fi}
+
+\newcommand{\randomdemo}[2]{{%
+ \psframe[linewidth=0.6mm](1,1)
+ \rput(#1,#2){\RandomWalk{300}}
+ \psset{linecolor=red}
+ \rput(#1,#2){\RandomWalk{200}}
+ \psset{linecolor=green}
+ \rput(#1,#2){\RandomWalk{100}}}}
+
+\psset{unit=5,dimen=middle}
+
+\framebox{%
+ \begin{pspicture}(1,3)
+ \randomdemo{0}{0}
+ \randomdemo{0}{1}
+ \randomdemo{0}{2}
+ \end{pspicture}}
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-6.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-6.inl
new file mode 100644
index 00000000000..fe5f56fe0b2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-6.inl
@@ -0,0 +1,9 @@
+\begin{pspicture}(0,0)(2,1)\showgrid
+ \pscustom{%
+ \pscurve(0,.6)(1,.9)(2,.6)
+ \gsave
+ \pscurve[liftpen=1](2,.4)(1,.1)(0,.4)
+ \fill[fillstyle=solid,fillcolor=lightgray]
+ \grestore}
+ \pscurve[liftpen=2](2,.4)(1,.1)(0,.4)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-7.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-7.inl
new file mode 100644
index 00000000000..2364d978d96
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-7.inl
@@ -0,0 +1,9 @@
+\PstPolygon
+\PstPolygon[PolyNbSides=11]
+\PstPolygon[PolyOffset=2]
+\PstPolygon[linecolor=red,PolyIntermediatePoint=0.2]
+\PstPolygon[linestyle=dashed,PolyCurves,PolyOffset=2,
+ PolyIntermediatePoint=0.75]
+\PstPolygon[unit=2,PolyNbSides=9,PolyOffset=2]
+\PstPolygon[unit=2,PolyNbSides=27,PolyOffset=7,PolyCurves,
+ PolyIntermediatePoint=0.1]
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-8.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-8.inl
new file mode 100644
index 00000000000..ad9f3ddedd7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-8.inl
@@ -0,0 +1,28 @@
+\psset{unit=.825cm}
+\begin{pspicture}(10,8)
+ \psset{fillstyle=solid,linestyle=none,linewidth=0}
+ \psframe[fillcolor=lightblue](10,8)
+ \pscircle[fillcolor=yellow](2,6){.8} % Sun
+ {% Rays
+ \psset{linecolor=yellow,linestyle=solid,linewidth=.3}
+ \degrees[8]
+ \multido{\i=1+1}{8}{\rput{\i}(2,6){\psline(1,0)(1.5,0)}}
+ }%
+
+ \pspolygon[fillcolor=green](6,0)(10,2)(10,0)% Grass
+ \psdiamond[fillcolor=red,gangle=-45](8,6)(1.5,2.5)% Kite
+ \rput{45}(8,6){\pnode(-2.5,0){Kitetail}}
+ \rput{-10}(.8,1.5){\psdiamond[fillcolor=yellow](.6,.1)(.6,.3)}
+ \rput{-80}(.8,1.5){\psdiamond[fillcolor=yellow](.6,.1)(.6,.3)}
+ \pnode(.8,1.5){Tailend}
+ \nccurve[fillstyle=none,angleA=270,angleB=125,ncurvB=.9,ncurvA=1.4,
+ linestyle=dotted,dotstyle=square,linewidth=.25]{Kitetail}{Tailend}
+ \newcommand{\bunting}{\pstriangle(.35,.35)}
+ \psset{fillcolor=red,labelsep=.01}
+ \naput[nrot=115,npos=.15]{\bunting}
+ \nbput[nrot=25,npos=.15]{\bunting}
+ \naput[nrot=75,npos=.4]{\bunting}
+ \nbput[nrot=115,npos=.4]{\bunting}
+ \naput[nrot=115,npos=.7]{\bunting}
+ \nbput[nrot=25,npos=.7]{\bunting}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-9.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-9.inl
new file mode 100644
index 00000000000..cfdef07b5bf
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-10-9.inl
@@ -0,0 +1,83 @@
+\DeclareFixedFont{\curly}{T1}{pzc}{m}{it}{30}
+%
+% The cat is designed to appear on a 10 x 10 grid
+%
+% cat head
+\newcommand{\Cathead}{%
+ \pscircle[fillcolor=black](5,4.2){2.5}%
+ % ears
+ {%
+ \psset{linecolor=black,fillcolor=pink,linewidth=.05,linestyle=solid}
+ \rput{45}(5,4.2){\pspolygon(2.5,.5)(2.5,-.5)(3.5,0)}
+ \rput{135}(5,4.2){\pspolygon(2.5,.5)(2.5,-.5)(3.5,0)}
+ }%
+}
+
+% eyes, nose and whiskers
+\newcommand{\Catface}{%
+ \pscircle[fillcolor=yellow](4,5.2){.5}
+ \psdiamond[fillcolor=gray](4,5.2)(.2,.5)
+ \pscircle[fillcolor=yellow](6,5.2){.5}
+ \psdiamond[fillcolor=gray](6,5.2)(.2,.5)
+ % nose
+ \rput{180}(5,4.6){\pstriangle[fillcolor=pink](.5,.5)}
+ % whiskers
+ {%
+ \psset{linecolor=white,linestyle=solid,linewidth=.1}
+ \rput{5}(5,4.2){\psline(.8,0)(1.8,0)}
+ \rput{15}(5,4.2){\psline(.8,0)(1.8,0)}
+ \rput{165}(5,4.2){\psline(.8,0)(1.8,0)}
+ \rput{175}(5,4.2){\psline(.8,0)(1.8,0)}
+ }%
+}
+
+% paws with claws
+\newcommand{\Catpaws}{%
+ \pscircle[fillcolor=black](1,4.2){.8}
+ \pscircle[fillcolor=black](9,4.2){.8}
+ {%
+ \psset{fillcolor=yellow}
+ \newcommand{\clawsize}{.4,.4}
+ \rput{180}(1,4.4){\pstriangle(\clawsize)}
+ \rput{180}(1,4.4){\pstriangle(-.45,0)(\clawsize)}
+ \rput{180}(1,4.4){\pstriangle(.45,0)(\clawsize)}
+ \rput{180}(9,4.4){\pstriangle(\clawsize)}
+ \rput{180}(9,4.4){\pstriangle(-.45,0)(\clawsize)}
+ \rput{180}(9,4.4){\pstriangle(.45,0)(\clawsize)}
+ }%
+}
+
+% wall
+\newcommand{\Wall}{%
+ \psframe[fillcolor=brown](0,0)(10,4)
+}
+
+% The whole cat on its wall
+\newcommand{\Cat}[1]{%
+ {\psset{unit=#1}
+ \Cathead\Catface\Catpaws\Wall}%
+}
+
+% bricks
+\newcommand{\Bricks}{%
+ \bfseries\large
+ \psset{fillcolor=wheat}
+ \psframe(1,.4)(2.5,1.9)
+ \rput[bl](1.1,1){\LaTeX}
+ \psframe(5,.4)(6.3,1.9)
+ \psframe(7,.4)(8.5,1.9)
+ \psframe(2,2.2)(3.2,3.7)
+ \rput[bl]{90}(2.6,2.4){\normalsize$e=mc^2$}
+ \psframe(5.3,2.2)(8,3.7)
+ \rput[bl](5.4,2.8){\textsc{PostScript}}
+}
+
+\begin{pspicture}(10,8)
+ \psset{fillstyle=solid,linestyle=none,linewidth=0}
+ \psframe[fillcolor=lightblue](10,8)
+ \Cat{1}
+ \rput[bl]{5}(1,1){\curly\color{white}Don Knuth Rules OK}
+ \Bricks
+ \rput(7,1){\Cat{.1}}
+ \rput(.1,2){\Cat{.15}}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-1.inl
new file mode 100644
index 00000000000..0247963b8c3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-1.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(2,2)\showgrid
+ \psline[linewidth=1pt,linecolor=gray]{<->}(0.5,0)(0,1)(1,1.5)(1.5,1)(.5,.5)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-2.inl
new file mode 100644
index 00000000000..52718c2e7e9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-2.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(1,1)\showgrid
+ \psline(0,0)(1,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-3.inl
new file mode 100644
index 00000000000..f3330707136
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-3.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(1,2)\showgrid
+ \psset{xunit=.5cm,yunit=2cm}
+ \psline(0,0)(1,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-4.inl
new file mode 100644
index 00000000000..972d176bbc4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-4.inl
@@ -0,0 +1,4 @@
+\resizebox{.5cm}{2cm}{%
+ \begin{pspicture}(1,1)
+ \psline(0,0)(1,1)
+ \end{pspicture}}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-5.inl
new file mode 100644
index 00000000000..9f8e6dfae9d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-2-5.inl
@@ -0,0 +1,8 @@
+\psset{unit=.5cm}
+\begin{pspicture}(10,10)
+ \psset{subgriddiv=0,linewidth=.8}
+ \psgrid
+ \psframe[dimen=inner](1,1)(4,4)
+ \psframe[dimen=middle,linecolor=red](6,6)(9,9)
+ \psframe[dimen=outer,linecolor=yellow](0,6)(4,9)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-1.inl
new file mode 100644
index 00000000000..f8a431d0407
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-1.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-1,0)(2,2)
+ \begin{psclip}{\psdiamond(1.5,0.2)(2.0,0.5)}
+ \Huge Scary Monsters
+ \end{psclip}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-2.inl
new file mode 100644
index 00000000000..6d03cde1c80
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-3-2.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(2.2,2)\showgrid
+ \rput(.1,.1){\psline(0,0)(1.3,1.3)}
+ \psset{linestyle=dashed}
+ \rput{-20}(1.2,.4){\psline(0,0)(1,0)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-1.inl
new file mode 100644
index 00000000000..d3e19f83437
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-1.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(2,1)\showgrid
+ \psline(2,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-10.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-10.inl
new file mode 100644
index 00000000000..dd32fdf723c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-10.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(0,0)(3,2)\showgrid
+ \psdots[linecolor=blue,dotstyle=triangle,
+ dotscale=2](0,0.5)(1,2)(2.8,1.5)
+ \pscurve[linecolor=cyan,showpoints=true]{->}%
+ (0,1.2)(1.3,1.8)(3,0.4)(0.5,0.2)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-11.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-11.inl
new file mode 100644
index 00000000000..9209b76104a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-11.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(3,2)\showgrid
+ \parabola[linecolor=red]{<->}(0.3,0.3)(1.5,1.5)
+ \psarc(2,1.5){1}{180}{320}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-12.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-12.inl
new file mode 100644
index 00000000000..47b83ba1ac8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-12.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(4,2)\showgrid
+ \psbezier[linewidth=0.8mm,linecolor=red,showpoints=true]{|->}%
+ (1,0)(4,1)(2,2)(0,0)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-2.inl
new file mode 100644
index 00000000000..14527392af4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-2.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(2,1)\showgrid
+ \psline[linewidth=0.6mm,doubleline=true,doublesep=0.5mm]{->}(2,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-3.inl
new file mode 100644
index 00000000000..2b6d007210f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-3.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(2,1)\showgrid
+ \psline[linestyle=dashed](2,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-4.inl
new file mode 100644
index 00000000000..3703cff630b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-4.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(4,2)\showgrid
+ \psline[linearc=0.25,showpoints=true]{->}(1,0)(4,0.3)(2,2)(0,0.5)
+ \psline[linestyle=dashed,linecolor=blue,arrowlength=3]{<->}(0,1)(3,0)(4,2)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-5.inl
new file mode 100644
index 00000000000..6d7a1e82795
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-5.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(4.5,2)\showgrid
+ \psframe[linestyle=dashed](0.5,0.5)(3,1.5)
+ \psframe[fillstyle=solid,fillcolor=pink](0.5,0)(4.5,1)
+ \psframe[fillstyle=solid,fillcolor=white,framearc=0.5](3,0.2)(3.8,0.8)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-6.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-6.inl
new file mode 100644
index 00000000000..03aa4cceda8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-6.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(4,2)\showgrid
+ \psdiamond(1.5,1.5)(1.5,0.5)
+ \pstriangle[fillstyle=solid,fillcolor=yellow](2,0)(3,1)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-7.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-7.inl
new file mode 100644
index 00000000000..b7f35b90ffc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-7.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(3,2)\showgrid
+ \pscircle[linewidth=1mm,linecolor=green](1,1){1}
+ \pscircle[linestyle=none,fillstyle=solid,fillcolor=lightblue](1,1){0.5}
+ \pscircle[fillstyle=crosshatch](2.5,1.5){0.5}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-8.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-8.inl
new file mode 100644
index 00000000000..7eca414a4c6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-8.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(3,2)\showgrid
+ \psframe[framearc=0.25,fillstyle=gradient,gradangle=30,
+ gradbegin=yellow,gradend=red](0.5,0.5)(2.5,1.5)
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-9.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-9.inl
new file mode 100644
index 00000000000..b956bf4072a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-4-9.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(0,0)(4,2)\showgrid
+ \psellipse[linecolor=green,fillstyle=vlines,hatchangle=0](1,1)(1,0.5)
+ \pswedge[fillstyle=solid,fillcolor=lightgray](2.5,1){1}{0}{120}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-1.inl
new file mode 100644
index 00000000000..26687e2d64a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-1.inl
@@ -0,0 +1 @@
+\psframebox{The Buck Stops Here}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-10.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-10.inl
new file mode 100644
index 00000000000..7c941e997fe
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-10.inl
@@ -0,0 +1,7 @@
+\begin{pspicture}(-4,-3.2)(3,0.2)
+ \psset{linecolor=lightgray}
+ \pstextpath{\pscurve(-4,-2)(-2,0)(0,-3)(2,-1)(3,-2)}
+ {\color{blue}
+ If you want to type $3 \int^x_y = \sum^{n=1}_{33}$
+ and let it follow along a curving line \ldots}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-11.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-11.inl
new file mode 100644
index 00000000000..7064e767f74
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-11.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,0)(4.2,6.2)
+ \pstextpath[l]{\pscurve(0,0)(2,2)(4,0)}{Left justified}
+ \pstextpath[c]{\pscurve(0,2)(2,4)(4,2)}{Centred text}
+ \pstextpath[r]{\pscurve(0,4)(2,6)(4,4)}{Right justified}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-13.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-13.inl
new file mode 100644
index 00000000000..50b213c1675
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-13.inl
@@ -0,0 +1,40 @@
+\begin{pspicture}(-0.3,0)(9.1,9)
+ \small
+ \psset{linestyle=none}
+ \pstextpath[r]{\pscurve(1.5,8)(3,9)(4.45,6.5)}
+ {Tous les souvenirs de nagure}
+ \pstextpath[r]{\pscurve(1,7)(2,7.5)(4.45,6)}
+ {O mes amis partis en guerre}
+ \pstextpath[r]{\pscurve(1,6)(2,6.7)(4.45,5.2)}
+ {Jaillissent vers le firmament}
+ \pstextpath[r]{\pscurve(0.8,5)(2,5.8)(4.45,4.4)}
+ {Et vos regards en l'eau dormant}
+ \pstextpath[r]{\pscurve(1,4.3)(2,5)(4.45,3.8)}
+ {Meurent mlancoliquement}
+ \pstextpath[r]{\pscurve(0.3,3.2)(2,4.3)(4.45,3.3)}
+ {O sont-ils Braque et Max Jacob}
+ \pstextpath[r]{\pscurve(0.2,2.7)(2,3.5)(3.8,3.2)(4.45,2.8)}
+ {Derain aux yeux gris comme l'aube}
+ \rput(4.5,7.3){\bfseries\Huge ?}
+ \pstextpath[l]{\pscurve(4.55,6.5)(6.5,8.7)(7.8,8)}
+ {O sont Raynal Billy Dalize}
+ \pstextpath[l]{\pscurve(4.55,5.8)(6.5,7.5)(8.3,6.4)}
+ {Dont les noms se mlancolisent}
+ \pstextpath[l]{\pscurve(4.55,5.2)(6.5,6.6)(7.6,6.4)(8.2,5.2)(8.5,5.4)}
+ {Comme des pas dans une glise}
+ \pstextpath[l]{\pscurve(4.55,4.5)(6.5,5.8)(8.5,4.7)}
+ {O est Cremnitz qui s'engagea}
+ \pstextpath[l]{\pscurve(4.55,3.8)(6.5,4.7)(8.5,4)}
+ {Peut-tre sont-ils morts dj}
+ \pstextpath[l]{\pscurve(4.55,3.2)(6.5,4.2)(9,2.8)}
+ {De souvenirs mon me est pleine}
+ \pstextpath[l]{\pscurve(4.55,2.4)(5,3)(6.5,3.5)(8.8,2.3)}
+ {Le jet d'eau pleure sur ma peine}
+ \pstextpath[c]{\pscurve(-0.3,1.4)(4.5,2.2)(9.1,1.4)}
+ {{\footnotesize\scshape Ceux qui sont partis la guerre au nord
+ se battent maintenant}}
+ \pstextpath[c]{\pscurve(2.1,1.2)(4.5,0.8)(6.9,1.3)}
+ {Le soir tombe {\bfseries\Huge O} sanglante mer}
+ \pstextpath[c]{\pscurve(0,1)(4.5,0)(9,1)}
+ {Jardins o saigne abondamment le laurier rose fleur guerrire}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-14.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-14.inl
new file mode 100644
index 00000000000..c577277ddc7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-14.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(0,-1)(8.7,2.5)
+ \fontfamily{ptm}\selectfont
+ \pscharpath[fillstyle=solid,linecolor=red,fillcolor=lightblue,linewidth=2pt]
+ {\fontsize{1.5in}{1.5in}\selectfont \LaTeX}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-16.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-16.inl
new file mode 100644
index 00000000000..1bc020e6365
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-16.inl
@@ -0,0 +1,21 @@
+\DeclareFixedFont{\bigsf}{T1}{phv}{b}{n}{1.75cm}
+\DeclareFixedFont{\tinyrm}{T1}{ptm}{m}{n}{2mm}
+
+\newcounter{myN}
+\setcounter{myN}{300}
+
+\begin{pspicture}(0,0)(11,1.4)
+ \begin{pscharclip}[linecolor=red,fillstyle=solid,fillcolor=yellow]
+ {\rput[bl](0,0){\bigsf CHOCOLATE}}
+ \rput[t]{90}(0,0){%
+ \begin{minipage}{4cm}
+ \offinterlineskip
+ \raggedright\tinyrm\color{black}%
+ \whiledo{\value{myN}>0}%
+ {%
+ \addtocounter{myN}{-1}
+ nuts and raisins
+ }%
+ \end{minipage}}%
+ \end{pscharclip}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-2.inl
new file mode 100644
index 00000000000..d54131e4583
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-2.inl
@@ -0,0 +1,2 @@
+\psframebox[fillstyle=solid,fillcolor=black]%
+ {\bfseries\color{white}\LARGE Beware of The Dog}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-3.inl
new file mode 100644
index 00000000000..39ef0f0d0d9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-3.inl
@@ -0,0 +1,5 @@
+\psframebox{The dragon}
+\psframebox{\psframebox[linecolor=green]{ate}
+ \psframebox[linecolor=blue]
+ {\psframebox[linecolor=red]{the women} and
+ \psframebox[linecolor=red]{children}}}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-4.inl
new file mode 100644
index 00000000000..d8ae718a4f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-4.inl
@@ -0,0 +1,5 @@
+\psshadowbox[fillstyle=solid,fillcolor=yellow]
+ {\color{red}
+ \begin{tabular}{c}
+ Chapter 1\\We go to sea
+ \end{tabular}}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-5.inl
new file mode 100644
index 00000000000..197d2005b60
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-5.inl
@@ -0,0 +1 @@
+\pscirclebox[doubleline=true]{\bfseries STOP!}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-6.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-6.inl
new file mode 100644
index 00000000000..460aff9f1fe
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-6.inl
@@ -0,0 +1,2 @@
+\psdblframebox[linecolor=green,linestyle=dotted,linewidth=3pt,dotstyle=*]
+ {\color{red}All Hail Caesar!}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-7.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-7.inl
new file mode 100644
index 00000000000..b788232efc5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-7.inl
@@ -0,0 +1 @@
+\psdiabox{\sffamily No Parking}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-8.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-8.inl
new file mode 100644
index 00000000000..e10517ff501
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-8.inl
@@ -0,0 +1,3 @@
+\pstribox[shadow=true,fillstyle=gradient,gradbegin=green,gradend=red]
+ {\color{white}\Huge
+ $\frac{\alpha}{\Omega}$}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-9.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-9.inl
new file mode 100644
index 00000000000..b42acb1a0ff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-5-9.inl
@@ -0,0 +1 @@
+\psovalbox[linecolor=red]{\color{blue}Today's Menu}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-1.inl
new file mode 100644
index 00000000000..54c6125a7ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-1.inl
@@ -0,0 +1,8 @@
+\begin{pspicture}(0,0)(5,5)\showgrid
+ \rput(1,1){\rnode{A}{Dog}}
+ \rput(2,4){\rnode{B}{Cat}}
+ \rput(4,2){Mouse}
+ \ncline{A}{B}
+ \nccurve[linestyle=dotted]{A}{B}
+ \ncarc[linestyle=dashed]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-10.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-10.inl
new file mode 100644
index 00000000000..03f2aa0e9e6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-10.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\trinode{A}{Cat}}
+ \rput(2.5,.5){\trinode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-11.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-11.inl
new file mode 100644
index 00000000000..d033f8e9f20
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-11.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \dotnode(.5,.5){A}
+ \dotnode(2.5,.5){B}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-12.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-12.inl
new file mode 100644
index 00000000000..f4a23140f35
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-12.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \fnode(.5,.5){A}
+ \fnode(2.5,.5){B}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-13.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-13.inl
new file mode 100644
index 00000000000..9377da276f3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-13.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,.5){\rnode{B}{\psframebox{Dog}}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-14.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-14.inl
new file mode 100644
index 00000000000..7196447bd3e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-14.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \nccurve[angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-15.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-15.inl
new file mode 100644
index 00000000000..ed74c2c4914
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-15.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \nccurve{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-16.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-16.inl
new file mode 100644
index 00000000000..4f5cfb38c9e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-16.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,.5){\rnode{B}{\psframebox{Dog}}}
+ \ncarc{->}{A}{B}
+ \ncarc{->}{B}{A}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-17.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-17.inl
new file mode 100644
index 00000000000..26e3af24bf1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-17.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncbar{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-18.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-18.inl
new file mode 100644
index 00000000000..698757c806e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-18.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncdiag[angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-19.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-19.inl
new file mode 100644
index 00000000000..f0b88afb06b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-19.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncdiagg[angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-2.inl
new file mode 100644
index 00000000000..700804b4454
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-2.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\rnode{A}{Cat}}
+ \rput(2.5,.5){\rnode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-20.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-20.inl
new file mode 100644
index 00000000000..1f07de6c4d2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-20.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncangle[angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-21.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-21.inl
new file mode 100644
index 00000000000..9b35cc9769a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-21.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncangles[angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-22.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-22.inl
new file mode 100644
index 00000000000..01d4361c874
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-22.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(2.5,1.5){\rnode{B}{\psframebox{Dog}}}
+ \ncloop[loopsize=.25,angleB=180]{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-23.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-23.inl
new file mode 100644
index 00000000000..0b67a1438ba
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-23.inl
@@ -0,0 +1,4 @@
+\begin{pspicture}(-.2,-.5)(3,2)\showgrid
+ \rput(1,.5){\rnode{A}{\psframebox{Cat}}}
+ \nccircle{->}{A}{.5}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-24.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-24.inl
new file mode 100644
index 00000000000..053f4540c9f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-24.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(-.2,-.5)(3.5,5)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(3,4.5){\rnode{B}{\psframebox{Dog}}}
+ \psset{coilarm=.01,coilwidth=.3}
+ \nccoil{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-25.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-25.inl
new file mode 100644
index 00000000000..e6fcbafae20
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-25.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(-.2,-.5)(3.5,5)\showgrid
+ \rput(.5,.5){\rnode{A}{\psframebox{Cat}}}
+ \rput(3,4.5){\rnode{B}{\psframebox{Dog}}}
+ \psset{coilarm=.01,coilwidth=.3}
+ \nczigzag{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-26.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-26.inl
new file mode 100644
index 00000000000..2331474e25f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-26.inl
@@ -0,0 +1,29 @@
+\newcounter{CtA}
+\newcounter{CtB}
+
+\newcommand{\Wheel}[3]{{%
+ \color{black}
+ \psset{unit=#2}
+ \begin{pspicture}(-1,-1.2)(1,1.2)
+ \SpecialCoor
+ \degrees[#1]
+ \multido{\ia=1+1}{#1}{%
+ \setcounter{CtA}{\ia}%
+ \stepcounter{CtA}%
+ \setcounter{CtB}{#1}%
+ \addtocounter{CtB}{-\ia}%
+ \multido{\ib=\value{CtA}+1}{%
+ \value{CtB}}{#3(1;\ia)(1;\ib)}}
+ \multido{\i=1+1}{#1}{%
+ \rput(1;\i){%
+ \pscirclebox[fillstyle=solid,fillcolor=white]{\footnotesize\i}}}
+ \end{pspicture}}}% end of newcommand
+
+{%
+ \color{white}
+ \fbox{\Wheel{3}{1.2}{\psline}
+ \Wheel{5}{1.2}{\psline}}
+ \psset{arcangle=10}
+ \fbox{\Wheel{12}{3}{\pcarc[linecolor=blue]}}
+}
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-27.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-27.inl
new file mode 100644
index 00000000000..7d5fbb32e0e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-27.inl
@@ -0,0 +1,13 @@
+\begin{pspicture}(0,0)(5,2.5)
+ \begin{psmatrix}[rowsep=1.5cm]
+ & City &\\
+ {\tiny Shack} & House & {\Large Hotel}
+ \psset{arrows=<<-}
+ \ncline{1,2}{2,1}<{a}
+ \ncline{1,2}{2,2}>{b}
+ \ncline{1,2}{2,3}>{b}
+ \psset{arrows=-,linestyle=dotted}
+ \ncline{2,1}{2,2}
+ \ncline{2,2}{2,3}
+ \end{psmatrix}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-28.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-28.inl
new file mode 100644
index 00000000000..0b33ada64fb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-28.inl
@@ -0,0 +1,8 @@
+\begin{psmatrix}
+ A & B \\
+ $\sqrt{\frac{x + y}{z}}$ & D
+ \ncline{1,1}{1,2}
+ \ncline{1,2}{2,2}
+ \ncline{2,2}{2,1}
+ \ncline{2,1}{1,1}
+\end{psmatrix}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-29.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-29.inl
new file mode 100644
index 00000000000..7c1475c6b57
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-29.inl
@@ -0,0 +1,9 @@
+\psset{arrows=->,labelsep=3pt,linecolor=gray,mnode=circle}
+\begin{psmatrix}[rowsep=20pt,colsep=28pt]
+ A & B \\ $\sqrt{\frac{x + y}{z}}$ & D
+ \psset{linestyle=dotted}
+ \ncline{1,1}{1,2}^{\emph{firstly}}
+ \ncline{1,2}{2,2}>{\emph{next}}
+ \ncline{2,2}{2,1}_{\emph{then}}
+ \ncline{2,1}{1,1}<{\emph{lastly}}
+\end{psmatrix}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-3.inl
new file mode 100644
index 00000000000..d7d28c39efd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-3.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\Rnode{A}{Cat}}
+ \rput(2.5,.5){\Rnode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-30.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-30.inl
new file mode 100644
index 00000000000..4316eff5ff9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-30.inl
@@ -0,0 +1,11 @@
+\psset{arrows=->,labelsep=3pt,linecolor=gray,mnode=circle}
+\begin{psmatrix}[rowsep=20pt,colsep=28pt]
+ A & B \\
+ $\sqrt{\frac{x + y}{z}}$ & D
+ \psset{linestyle=dotted}
+ \ncline{1,1}{1,2}\naput{\emph{firstly}}
+ \ncline{1,2}{2,2}\naput{\emph{next}}
+ \ncline{2,2}{2,1}\naput{\emph{then}}
+ \ncline{2,1}{1,1}\naput{\emph{lastly}}
+ \nccurve[ncurv=2,linestyle=solid,angleA=90]{1,1}{2,2}
+\end{psmatrix}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-31.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-31.inl
new file mode 100644
index 00000000000..1bde6620c41
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-31.inl
@@ -0,0 +1,9 @@
+\psset{framearc=.4}
+\begin{psmatrix}[colsep=3]
+ \pnode{A}&\psframebox{Waiting} & \psframebox{Calculating}
+ \ncline[arrows=->]{1,1}{1,2}
+ \psset{offset=-.1}
+ \ncline[arrows=->]{1,2}{1,3}\naput{{\scriptsize TRIGGER/activated}}
+ \psset{offset=.1}
+ \ncline[arrows=<-]{1,2}{1,3}\nbput{{\scriptsize [4,11]/finished}}
+\end{psmatrix}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-32.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-32.inl
new file mode 100644
index 00000000000..0755ba65941
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-32.inl
@@ -0,0 +1,21 @@
+\psset{arrows=->,fillcolor=white,fillstyle=solid}
+
+\newcommand{\Show}[1]{\psshadowbox{#1}}
+
+\begin{psmatrix}[mnode=r,ref=t]
+ \psframebox[linestyle=none,framesep=.75]{%
+ \begin{psmatrix}[name=A,ref=c]
+ \Show{Stakeholder}
+ \end{psmatrix}} &
+ \psframebox[fillstyle=solid,fillcolor=pink,framesep=.75]{%
+ \rule{1cm}{0pt}
+ \begin{psmatrix}[ref=c]
+ [name=B]\Show{Goal} & \Show{Criteria}\\
+ \Show{Sub-goal} & \Show{Justification}
+ \ncline{1,1}{1,2}
+ \ncline{1,1}{2,2}
+ \ncline{1,1}{2,1}\tlput{Strategy}
+ \ncline{2,1}{2,2}
+ \end{psmatrix}}
+\end{psmatrix}
+\ncline[angleB=180]{A}{B}\naput[npos=.7]{Model}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-33.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-33.inl
new file mode 100644
index 00000000000..8e8655bd371
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-33.inl
@@ -0,0 +1,18 @@
+\psset{framearc=.2}
+\begin{psmatrix}[rowsep=1cm,colsep=-10pt]
+ [name=A]\psframebox{requirements}\\
+ &[name=B]\psframebox{design}\\
+ &&[name=C]\psframebox{coding}\\
+ &&&[name=D]\psframebox{testing}\\
+ &&&&[name=E]\psframebox{operations}
+ \psset{arrows=->,armA=0,angleB=90}
+ \ncangle{A}{B}
+ \ncangle{B}{C}
+ \ncangle{C}{D}
+ \ncangle{D}{E}
+ \psset{angleB=-90,angleA=180}
+ \ncangle{B}{A}
+ \ncangle{C}{B}
+ \ncangle{D}{C}
+ \ncangle{E}{D}
+\end{psmatrix}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-34.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-34.inl
new file mode 100644
index 00000000000..30501438b91
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-34.inl
@@ -0,0 +1 @@
+\pstree{\TC}{\TC \TC}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-35.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-35.inl
new file mode 100644
index 00000000000..dba80831ca6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-35.inl
@@ -0,0 +1,8 @@
+\pstree{\TC}
+ {\pstree{\TC}{\TC \TC}
+ \pstree{\TC}{\TC \TC}
+ \pstree{\TC}{\pstree{\TC}{\TC \TC}
+ \TC \TC
+ }
+ }
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-36.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-36.inl
new file mode 100644
index 00000000000..8c886501bfd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-36.inl
@@ -0,0 +1,9 @@
+\pstree[nodesep=2pt,levelsep=20pt]{\TR{grandfather}}
+ {\pstree{\TR{uncle}}{\TR{cousin}}
+ \pstree{\TR{father}}
+ {\pstree{\TR{brother}}{\TR{nephew}}
+ \pstree{\TR{Me}}
+ {\pstree{\TR{son}}{\TR{grandson}}
+ }
+ }
+}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-37.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-37.inl
new file mode 100644
index 00000000000..1d5ed2b339f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-37.inl
@@ -0,0 +1,8 @@
+\pstree{\Tdot}
+ {\Tdot
+ \pstree{\Tdot}
+ {\pstree{\Tdot}
+ {\Tdot \Tdot \Tdot}
+ \Tdot
+ }
+ }
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-38.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-38.inl
new file mode 100644
index 00000000000..cb8b4668b09
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-38.inl
@@ -0,0 +1,13 @@
+\psset{labelsep=2pt,tnpos=a,radius=2pt}
+\pstree[treemode=R]{\TC*~{25}}
+ {\TC*~{5}~[tnpos=r]{$L_a$}
+ \taput{$a$}
+ \pstree{\TC*~{20}\tbput{$b$}}
+ {\pstree{\TC*~{15}\taput{$a$}}
+ {\TC*~{7}~[tnpos=r]{$L_{baa}$}\taput{$a$}
+ \TC*~{5}~[tnpos=r]{$L_{bab}$}\taput{$b$}
+ \TC*~{3}~[tnpos=r]{$L_{bac}$}\tbput{$c$}}
+ \TC*~{5}~[tnpos=r]{$L_{bb}$}
+ \tbput{$b$}
+ }
+ }
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-39.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-39.inl
new file mode 100644
index 00000000000..a6313be1eda
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-39.inl
@@ -0,0 +1,18 @@
+\renewcommand\psedge{\nccurve}
+\newcommand{\Female}[2][]{{\psset{linecolor=pink}\TR[#1]{\emph{#2}}}}
+\newcommand{\Male}[2][]{{\psset{linecolor=blue}\TR[#1]{#2}}}
+
+\psset{nodesep=2pt,angleA=90,angleB=-90}
+
+\pstree[treemode=U]{\Female{{\bfseries Matilde}}}{%
+ \pstree{\Male{Sebastian}}{%
+ \pstree{\Male[name=P]{Philip}}{\Male{Frederick}\Female{Ethel}}
+ \pstree{\Female[name=W]{Mary}}{\Male{Lionel}\Female{Agnes}}}
+ \pstree{\Female{Leonor}}{
+ \pstree{\Male[name=R]{Ra\'ul}}{\Male{Joaquim}\Female{J\'ulia}}
+ \pstree{\Female[name=A]{Am\'elia}}{\Male{\'Alvaro}\Female{Augusta}}}
+}
+
+\psset{linecolor=green,doubleline=true,linestyle=dotted}
+\ncline{P}{W}\nbput{1940}
+\ncline{R}{A}\nbput{1954}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-4.inl
new file mode 100644
index 00000000000..b855ba90ff1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-4.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \pnode(.5,.5){A}
+ \pnode(2.5,.5){B}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-40.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-40.inl
new file mode 100644
index 00000000000..434205ea523
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-40.inl
@@ -0,0 +1,24 @@
+\newcommand{\Item}[1]{\Tr[ref=l]{\psframebox[linestyle=none]{#1}}}
+\renewcommand{\psedge}{\ncangle}
+
+\psset{xbbd=1.5cm,treemode=R,angleB=-180,angleA=0,levelsep=72pt}
+
+\pstree{\Item{langs}}{%
+ \Item{german}
+ \pstree{\Item{greek}}{%
+ \Item{h kelly}
+ \pstree{\Item{levy}}{%
+ \Item{doc}
+ \Item{src}
+ }
+ }
+ \Item{italian}
+ \pstree{\Item{russian}}{
+ \Item{hyphen}
+ }
+ \pstree{\Item{turkish}}{%
+ \Item{hyphen}
+ \Item{inputs}
+ \Item{mf}
+ }
+}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-41.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-41.inl
new file mode 100644
index 00000000000..7d204441c61
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-41.inl
@@ -0,0 +1,15 @@
+\newcommand{\XX}[1]{\Tr{\psframebox{\rule{0pt}{9pt}#1}}}
+\renewcommand{\psedge}{\ncangle}
+
+\psset{angleB=90,angleA=-90,levelsep=36pt,armB=14pt}
+
+\pstree{\XX{grandmother}}
+ {\pstree{\XX{aunt}}{\XX{cousin}}
+ \pstree{\XX{mother}}
+ {\pstree{\XX{sister}}{\XX{niece}}
+ \pstree{\XX{Me}}
+ {\pstree{\XX{daughter}}
+ {\XX{granddaughter}}
+ }
+ }
+ }
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-42.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-42.inl
new file mode 100644
index 00000000000..dc2a6edcf1e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-42.inl
@@ -0,0 +1,21 @@
+\rotatebox{90}{%
+\psset{nodesep=2pt}
+\newcommand{\XX}[2]{\TR{\ensuremath{#1_{\mbox{#2}}}}}
+\pstree[xbbr=1.5cm]{\XX{R}{AMSU}}
+ {
+ \XX{S}{RawData}
+ \pstree{\XX{S}{combine}
+ \trput{\ensuremath{\oplus}}
+ \tlput{\ensuremath{\oplus}}}
+ {
+ \psset{linestyle=dashed}
+ \XX{R}{Modes}
+ \XX{R}{Normal}
+ \XX{R}{Vertical}
+ \XX{R}{Latched}
+ \XX{R}{Tripped}
+ \XX{R}{Other}
+ }
+ \XX{S}{GenerateData}
+ }
+}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-43.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-43.inl
new file mode 100644
index 00000000000..6db755d6e35
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-43.inl
@@ -0,0 +1,12 @@
+\psset{framearc=.2,levelsep=4cm,armB=1cm,angleB=-180}
+
+\renewcommand{\psedge}{\ncangle}
+\newcommand{\TreeBox}[1]{\Tr{\psframebox{#1}}}
+
+\pstree[treemode=R]{\TreeBox{Monitor}}
+ {\psset{offsetA=4pt}
+ \TreeBox{Attitude Generator}
+ \naput[npos=2.5]{{\small init}}
+ \nbput[npos=2.5]{{\small stop}}
+ \psset{offsetA=-4pt}
+ \TreeBox{Normal Generator}}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-44.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-44.inl
new file mode 100644
index 00000000000..c1f8c5c31cf
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-44.inl
@@ -0,0 +1,11 @@
+\psset{arrows=->,framearc=.2}
+
+\newcommand{\Treebox}[1]{\Tr{\psframebox{#1}}}
+
+\pstree[treemode=R]{\Treebox{A$\rightarrow$B}}
+ {\pstree{\Treebox{B$\rightarrow$C}}
+ {\Treebox{A$\rightarrow$D}
+ \pstree[treemode=L]{\Treebox{B$\rightarrow$E}}
+ {\Tn\TC[arrows=<-]}
+ }
+ }
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-45.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-45.inl
new file mode 100644
index 00000000000..d0e464588b7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-45.inl
@@ -0,0 +1 @@
+\pstree{\Tp}{\Tcircle{A}\Tcircle{B}}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-46.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-46.inl
new file mode 100644
index 00000000000..2a318e9b338
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-46.inl
@@ -0,0 +1,17 @@
+\psset{angleB=-90,arrows=->,nrot=:U}
+
+\newcommand{\molesworth}[1]{%
+\pstree[#1]{\Tdia{ }}
+ {\Tp[arrows=->,edge={\ncbar[angleA=180]}]
+ \nbput{Gabbitas}
+ {\psset{linestyle=dashed,arrows=-} \Tp }
+ \Tp[arrows=->,edge={\ncbar}]
+ \naput{Thring}
+ }
+}
+
+\psset{showbbox=true}
+\begin{tabular}{l}
+ \molesworth{}\\[1cm]
+ \molesworth{xbbl=1cm,xbbr=1cm}
+\end{tabular}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-5.inl
new file mode 100644
index 00000000000..659e3d8cb83
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-5.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \cnode(.5,.5){.2}{A}
+ \cnode(2.5,.5){.2}{B}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-6.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-6.inl
new file mode 100644
index 00000000000..f3b5c8f1843
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-6.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \psset{radius=.3}
+ \Cnode(.5,.5){A}
+ \Cnode(2.5,.5){B}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-7.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-7.inl
new file mode 100644
index 00000000000..5624438b6ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-7.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\circlenode{A}{Cat}}
+ \rput(2.5,.5){\circlenode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-8.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-8.inl
new file mode 100644
index 00000000000..be56681c549
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-8.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\ovalnode{A}{Cat}}
+ \rput(2.5,.5){\ovalnode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-9.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-9.inl
new file mode 100644
index 00000000000..526c17cd51f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-6-9.inl
@@ -0,0 +1,5 @@
+\begin{pspicture}(-.2,-.5)(3,1)\showgrid
+ \rput(.5,.5){\dianode{A}{Cat}}
+ \rput(2.5,.5){\dianode{B}{Dog}}
+ \ncline{A}{B}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-1.inl
new file mode 100644
index 00000000000..7a7b138eab6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-1.inl
@@ -0,0 +1,8 @@
+\begin{pspicture}(-1,-2.5)(9,2.5)
+ \psset{xunit=.25mm,yunit=2cm}
+ \psset{plotpoints=50}
+ \psplot[linestyle=dashed,linecolor=blue]{0}{360}{x sin}
+ \psplot[plotstyle=dots,dotstyle=triangle]{0}{360}{x cos}
+ \psset{plotpoints=200}
+ \psplot[linecolor=red]{0}{360}{x dup sin exch cos mul}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-2.inl
new file mode 100644
index 00000000000..dfa4f936ff5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-2.inl
@@ -0,0 +1,11 @@
+\begin{tabular}{ccc}
+ \begin{pspicture}(-0.75,-0.75)(3,2)\psaxes(3,2)\end{pspicture}&
+ \begin{pspicture}(-0.75,-2)(3,0.75)\psaxes(3,-2)\end{pspicture}&
+ \begin{pspicture}(-0.75,-.75)(3,2)\psaxes(2,1)(0,0)(3,2)\end{pspicture}\\
+ \verb|psaxes(3,2)| & \verb|psaxes(3,-2)| & \verb|psaxes(2,1)(0,0)(3,2)|\\[20pt]
+ \begin{pspicture}(-3,-0.5)(0.75,2.5)\psaxes(-3,2)\end{pspicture}&
+ \begin{pspicture}(-3,-2)(0.5,0.75)\psaxes(-3,-2)\end{pspicture}&
+ \begin{pspicture}(-1,-2)(0,0)\psaxes(0,0)(-1,0)(1,1)\end{pspicture}\\
+ \verb|psaxes(-3,2)| &\verb|psaxes(-3,-2)|
+ & \verb|psaxes(0,0)(-1,0)(1,1)|\\
+\end{tabular}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-4.inl
new file mode 100644
index 00000000000..c42ee5c12b7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-7-4.inl
@@ -0,0 +1,41 @@
+\newcounter{lastval}
+\newcounter{thishalf}
+\newcounter{thisval}
+
+\newcommand\lang[4]{% name, value, percentage, color
+ \setcounter{thisval}{\value{lastval}}
+ \addtocounter{thisval}{#3}
+ \pswedge[fillcolor=#4]{1}{\thelastval}{\thethisval}%
+ \setcounter{thishalf}{((\value{thisval}-\value{lastval})/2)+\value{lastval}}
+ %\typeout{#1: \thethishalf}%
+ \ifnum#3>200\rput(1.3;\thethishalf){#1}\fi
+ \setcounter{lastval}{\value{thisval}}
+}
+
+\bgroup
+\psset{unit=3}
+\centerline{%
+ \begin{pspicture}(-1.3,-1.3)(1.3,1.3)
+ \psset{fillstyle=solid}
+ \degrees[10000]
+ \SpecialCoor
+ \setcounter{lastval}{0}
+ \lang{Romanian}{1}{3}{green}
+ \lang{Czech}{2}{6}{blue}
+ \lang{Bulgarian}{4}{11}{green}
+ \lang{Japanese}{4}{11}{palegreen}
+ \lang{Dutch}{7}{20}{black}
+ \lang{Norwegian}{20}{56}{cyan}
+ \lang{Greek}{26}{73}{magenta}
+ \lang{Swedish}{34}{95}{lightgray}
+ \lang{Danish}{46}{129}{white}
+ \lang{French}{83}{232}{pink}
+ \lang{Latin}{146}{409}{wheat}
+ \lang{Russian}{243}{680}{white}
+ \lang{Italian}{391}{1093}{gray}
+ \lang{German}{508}{1421}{lightblue}
+ \lang{unknown}{599}{1676}{red}
+ \lang{English}{1462}{4085}{yellow}
+\end{pspicture}}
+\egroup
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-1.inl
new file mode 100644
index 00000000000..8e002d10770
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-1.inl
@@ -0,0 +1 @@
+\psshadow[Tshadowangle=45,Tshadowsize=2.5]{\LARGE\bfseries Words with a shadow}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-2.inl
new file mode 100644
index 00000000000..4453738ca75
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-2.inl
@@ -0,0 +1,5 @@
+\pstilt{45}{I Feel Ill!}
+
+\begin{pspicture}(-0.2,-2.2)(2.5,0.5)
+ \pstilt{-75}{\psgrid(0,0)(2,2)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-3.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-3.inl
new file mode 100644
index 00000000000..0fea88b07ad
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-3.inl
@@ -0,0 +1,6 @@
+\begin{pspicture}(-2.3,-0.8)(2.3,1.5)
+ \psset{unit=.3cm}
+ \psset{viewpoint=-1 -1 1}
+ \ThreeDput[normal=0 0 1]{\psgrid(-3,-3)(6,6)}
+ \ThreeDput[normal=-1 0 0](0,4,0){\psframe*[linecolor=yellow](4,4)}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-4.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-4.inl
new file mode 100644
index 00000000000..6984defd87a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-4.inl
@@ -0,0 +1,53 @@
+\def\CubeSide#1#2#3#4{%
+ \ThreeDput[normal=#1](#2){%
+ \psframe*[linecolor=#3](4,4)
+ \rput(2,2){\footnotesize#4}}
+}
+
+\catcode`\<=12
+\catcode`\>=12
+
+\def\TheCube#1#2{%
+ \begin{pspicture}(-9,-7)(9,9)
+ \bfseries
+ \ifcase #1 \relax
+ \or %1
+ \psset{viewpoint=-1 -1 #2}
+ \rput[l](-8,-6){{\normalsize Viewpoint: -1 -1 #2}}
+ \ifnum#2>0\ThreeDput[normal=0 0 1]{\psgrid(-3,-3)(6,6)}\fi
+ \CubeSide{-1 0 0}{0,4,0}{yellow}{FRONT}
+ \CubeSide{0 -1 0}{0,0,0}{blue}{FRONT}
+ \or %2
+ \psset{viewpoint=1 -1 #2}
+ \rput[l](-8,-6){{\normalsize Viewpoint: 1 -1 #2}}
+ \ifnum#2>0\ThreeDput[normal=0 0 1]{\psgrid(-3,-3)(6,6)}\fi
+ \CubeSide{0 -1 0}{0,0,0}{blue}{FRONT}
+ \CubeSide{1 0 0}{4,0,0}{white}{BACK}
+ \or %3
+ \psset{viewpoint=1 1 #2}
+ \rput[l](-8,-6){{\normalsize Viewpoint: 1 1 #2}}
+ \ifnum#2>0\ThreeDput[normal=0 0 1]{\psgrid(-3,-3)(6,6)}\fi
+ \CubeSide{1 0 0}{4,0,0}{white}{BACK}
+ \CubeSide{0 1 0}{4,4,0}{green}{BACK}
+ \or %4
+ \psset{viewpoint=-1 1 #2}
+ \rput[l](-8,-6){{\normalsize Viewpoint: -1 1 #2}}
+ \ifnum#2>0\ThreeDput[normal=0 0 1]{\psgrid(-3,-3)(6,6)}\fi
+ \CubeSide{0 1 0}{4,4,0}{green}{BACK}
+ \CubeSide{-1 0 0}{0,4,0}{yellow}{FRONT}
+ \fi
+ \ifnum#2<0
+ \CubeSide{0 0 -1}{0,4,0}{magenta}{BOT}
+ \else
+ \CubeSide{0 0 1}{0,0,4}{red}{TOP}
+ \fi
+ \end{pspicture}
+}
+
+\psset{unit=.3cm,subgriddiv=0}
+\begin{tabular}{cc}
+ \TheCube{1}{1}&
+ \TheCube{2}{1}\\[-10pt]
+ \TheCube{3}{1}&
+ \TheCube{4}{1}\\
+\end{tabular}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-5.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-5.inl
new file mode 100644
index 00000000000..f32d756d6ea
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-8-5.inl
@@ -0,0 +1,77 @@
+\newcommand{\DieFrame}[1][darkgray]{%
+ \psframe[linecolor=black,fillcolor=#1,fillstyle=solid](4,4)}
+
+\newcommand{\SpotColor}{white}
+\newcommand{\DieOne}{\DieFrame[lightgray]
+ \pscircle*[linecolor=\SpotColor](2,2){.3}
+}
+\newcommand{\DieTwo}{\DieFrame[lightgray]
+ \pscircle*[linecolor=\SpotColor](1,2){.3}
+ \pscircle*[linecolor=\SpotColor](3,2){.3}
+}
+\newcommand{\DieThree}{\DieFrame[lightgray]
+ \pscircle*[linecolor=\SpotColor](1,1){.3}
+ \pscircle*[linecolor=\SpotColor](2,2){.3}
+ \pscircle*[linecolor=\SpotColor](3,3){.3}
+}
+\newcommand{\DieFour}{\DieFrame
+ \pscircle*[linecolor=\SpotColor](1,1){.3}
+ \pscircle*[linecolor=\SpotColor](3,3){.3}
+ \pscircle*[linecolor=\SpotColor](1,3){.3}
+ \pscircle*[linecolor=\SpotColor](3,1){.3}
+}
+\newcommand{\DieFive}{\DieFrame
+ \pscircle*[linecolor=\SpotColor](1,1){.3}
+ \pscircle*[linecolor=\SpotColor](3,3){.3}
+ \pscircle*[linecolor=\SpotColor](1,3){.3}
+ \pscircle*[linecolor=\SpotColor](3,1){.3}
+ \pscircle*[linecolor=\SpotColor](2,2){.3}
+}
+\newcommand{\DieSix}{\DieFrame
+ \pscircle*[linecolor=\SpotColor](1,1){.3}
+ \pscircle*[linecolor=\SpotColor](1,2){.3}
+ \pscircle*[linecolor=\SpotColor](1,3){.3}
+ \pscircle*[linecolor=\SpotColor](3,1){.3}
+ \pscircle*[linecolor=\SpotColor](3,2){.3}
+ \pscircle*[linecolor=\SpotColor](3,3){.3}
+}
+\newcommand\DieSide[3]{\ThreeDput[normal=#1](#2){#3}}
+
+\def\TheDie#1#2(#3)(#4){%
+ \begin{pspicture}(#3)(#4)
+ \ifcase #1 \relax
+ \or %1
+ \psset{viewpoint=-1 -1 #2}
+ \DieSide{-1 0 0}{0,4,0}{\DieThree}
+ \DieSide{0 -1 0}{0,0,0}{\DieFive}
+ \or %2
+ \psset{viewpoint=1 -1 #2}
+ \DieSide{0 -1 0}{0,0,0}{\DieFive}
+ \DieSide{1 0 0}{4,0,0}{\DieFour}
+ \or %3
+ \psset{viewpoint=1 1 #2}
+ \DieSide{1 0 0}{4,0,0}{\DieFour}
+ \DieSide{0 1 0}{4,4,0}{\DieTwo}
+ \or %4
+ \psset{viewpoint=-1 1 #2}
+ \DieSide{0 1 0}{4,4,0}{\DieTwo}
+ \DieSide{-1 0 0}{0,4,0}{\DieThree}
+ \fi
+ \ifnum#2<0
+ \DieSide{0 0 -1}{0,4,0}{\DieSix}
+ \else
+ \DieSide{0 0 1}{0,0,4}{\DieOne}
+ \fi
+ \end{pspicture}}
+
+\psset{unit=.5cm}
+\begin{tabular}{ccc}
+ \TheDie{1}{1}(-4,-0.5)(5,7.5)&
+ \TheDie{2}{1}(-1.5,-1.5)(7.5,6.5)&
+ \TheDie{3}{1}(-4,-3)(5,5)\\
+ \TheDie{4}{1}(-6.5,-2)(2.5,6)&
+ \TheDie{1}{-1}(-4,-3)(5,5)&
+ \TheDie{2}{-1}(-1.5,-1.5)(7.5,6.5)\\
+ \TheDie{3}{-1}(-4,-0.5)(5,7.5)&
+ \TheDie{4}{-1}(-6.5,-2)(2.5,6)\\
+\end{tabular}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-1.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-1.inl
new file mode 100644
index 00000000000..10b4564bb94
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-1.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(2,2)\showgrid
+ \multirput(0,0)(.2,.2){10}{$\pi$}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-2.inl b/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-2.inl
new file mode 100644
index 00000000000..aa36eaf9915
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/lgc/4-9-2.inl
@@ -0,0 +1,3 @@
+\begin{pspicture}(0,0)(3,3)\showgrid
+ \multips(.5,.5)(.4,.4){5}{\pscircle{.35}}
+\end{pspicture}
diff --git a/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.pdf b/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.pdf
new file mode 100644
index 00000000000..b4d2007b391
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.tex b/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.tex
new file mode 100644
index 00000000000..dbface7370c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/pst-fill-doc.tex
@@ -0,0 +1,1362 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -*- Mode: Latex -*- %%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% doc-fill.tex --- Documentation for `pst-fill PSTricks package
+%%
+%% Author : Denis GIROU (CNRS/IDRIS - France) <Denis.Girou@idris.fr>
+%% Created the : Wed Oct 29 18:39:29 1997
+%% Last mod. by : Herbert Voss <voss _at_ pstricks.de>
+%% Last mod. the : Aug 17 2004
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+% If there is not `ctandir' installed (from `ltugboat' package)
+\begin{filecontents}{ctandir.sty}
+%% LaTeX2e file `ctandir.sty'
+%% generated by the `filecontents' environment
+%% from source `ltubguid' on 1997/06/12.
+%%
+%
+% Experimental CTAN location information macros for use with Donald
+% Arseneau's |url.sty|
+%
+% we need url.sty; we can rely on it to demand anything it needs of
+% LaTeX
+\IfFileExists{url.sty}%
+ {\RequirePackage{url}}%
+ {\PackageWarning{ctandir}{You should acquire a copy of url.sty}%
+ \newcommand\urldef[3]{\def#1{\texttt{#3}}}%
+ \let\url\texttt
+ }
+%
+\newcommand\CTANdirectory[1]{\expandafter\urldef
+ \csname CTAN@#1\endcsname\path}
+\newcommand\CTANfile[1]{\expandafter\urldef
+ \csname CTAN@#1\endcsname\path}
+%
+% Use the standard label-referencing mechanism to get the warning for
+% an undefined label
+\newcommand\CTANref[1]{\expandafter\@setref\csname CTAN@#1\endcsname
+ \relax{#1}}
+\end{filecontents}
+
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{geometry}
+\usepackage[hang]{caption} % Improved captions
+\usepackage{ctandir} % For CTAN references
+\usepackage{fancyvrb} % Fancy verbatims
+\usepackage{graphicx} % `graphicx' LaTeX standard package
+\usepackage{mflogo} % For the MetaFont and MetaPost logos
+\input{random.tex} % Random macros from Donald Arseneau
+\usepackage{url} % URLs convenient typesetting
+\usepackage{multido} % General loop macro
+\usepackage{pstricks} % PSTricks with the `color' extension
+\usepackage{pst-char} % PSTricks package for character path
+\usepackage[tiling]{pst-fill} % PSTricks package for filling/tiling
+\usepackage{pst-grad} % PSTricks package for gradient filling
+\usepackage{pst-node} % PSTricks package for nodes
+
+% To extend the height used for the text
+%\setlength{\textheight}{25cm}
+%\setlength{\topmargin}{-1.5cm}
+
+% Aligned labels in a description environment
+\newenvironment{Description}[1]{%
+\begin{list}{nothing}{\setlength{\leftmargin}{#1}
+\setlength{\labelwidth}{\leftmargin}\setlength{\labelsep}{1mm}}}
+{\end{list}}
+
+% For macro names
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+% Define CTAN addresses using the commands of the |ctandir| package
+\CTANdirectory{mpattern}{graphics/metapost/macros/mpattern}
+\CTANdirectory{pstricks}{graphics/pstricks}
+\CTANdirectory{pst-fill.sty}{graphics/pstricks/latex/pst-fill.sty}
+\CTANdirectory{pst-fill}{graphics/pstricks/generic/pst-fill.tex}
+\CTANdirectory{Roegel}{graphics/metapost/contrib/macros/truchet}
+\CTANdirectory{xypic}{macros/generic/diagrams/xypic}
+
+% From ltugboat.cls
+% For references
+\makeatletter
+\newcommand\acro[1]{\textsc{#1}\@}
+\def\CTAN{\acro{CTAN}}
+\let\texttub\textsl % redefined in other situations
+\def\TUB{\texttub{TUGboat}}
+\def\TUG{\TeX\ \UG}
+\def\tug{\acro{TUG}}
+\def\UG{Users Group}
+% For the bibliography
+\let\@internalcite\cite
+\def\cite{\def\@citeseppen{-1000}%
+ \def\@cite##1##2{(##1\if@tempswa , ##2\fi)}%
+ \def\citeauthoryear##1##2##3{##1, ##3}\@internalcite}
+\def\etal{et\,al.\@}
+\makeatother
+
+% Personal macros (D.G.)
+% ----------------------
+
+% Some colors used
+\definecolor{LemonChiffon}{rgb}{1.,0.98,0.8}
+\definecolor{LightBlue} {rgb}{0.8,0.85,0.95}
+\definecolor{PaleGreen} {rgb}{0.88,1,0.88}
+\definecolor{PeachPuff} {rgb}{1.0,0.85,0.73}
+
+% To define a unique string for TeX and LaTeX
+\newcommand{\AllTeX}{%
+{\rm(L\kern-.36em\raise.3ex\hbox{\sc a}\kern-.15em)%
+T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+
+% Bibliography style
+\bibliographystyle{ltugbib}
+
+% Name macros
+\newcommand{\FillPackage}{\textsf{`pst-fill'}}
+\newcommand{\XYpic}{%
+\leavevmode\hbox{\kern-.1em X\kern-.3em\lower.4ex\hbox{Y\kern-.15em}-pic}}
+
+\makeatletter
+
+% Example environments
+% (do not use in them the four JXYZ characters, that we will use
+% as escape characters!)
+
+% For highlighting some verbatim sequences (array names, macro names and comments)
+\def\HLComment#1{\textit{#1}}
+\def\HLEmph#1{\textit{#1}}
+\def\HLTeletype#1{\texttt{#1}}
+\def\HLReverse#1{{%
+\setlength{\fboxsep}{1pt}%
+\colorbox{black}{\textcolor{white}{\textbf{#1}}}}}
+
+\def\Example{\FV@Environment{}{Example}}
+\def\endExample{%
+\end{VerbatimOut}
+\Below@Example{\input{\jobname.tmp}}
+\endgroup}
+
+\def\CenterExample{\FV@Environment{}{Example}}
+\def\endCenterExample{%
+\end{VerbatimOut}%
+\begin{center}
+\Below@Example{\input{\jobname.tmp}}
+\end{center}
+\endgroup}
+
+\def\SideBySideExample{\FV@Environment{}{Example}}
+\def\endSideBySideExample{%
+\end{VerbatimOut}%
+\SideBySide@Example{\input{\jobname.tmp}}
+\endgroup}
+
+\def\FVB@Example{%
+\begingroup
+\FV@UseKeyValues
+\parindent=0pt
+\multiply\topsep by 2
+\VerbatimEnvironment
+\begin{VerbatimOut}[codes={\catcode`\Z=12}]{\jobname.tmp}}
+
+\def\Below@Example#1{%
+\VerbatimInput[gobble=0,commentchar=Z,commandchars=JXY,numbersep=3pt,
+ frame=single,numbers=left]%
+ {\jobname.tmp}
+\catcode`\Z=9\relax%
+% We suppress the effect of the highlighting macros
+\catcode`\J=0\relax%
+\catcode`\X=1\relax%
+\catcode`\Y=2\relax%
+\def\HLComment##1{##1}%
+\def\HLEmph##1{##1}%
+\def\HLTeletype##1{##1}%
+\def\HLReverse##1{##1}%
+#1\par}
+
+\def\SideBySide@Example#1{%
+\@tempdimb=\FV@XRightMargin
+\advance\@tempdimb -5mm
+\begin{minipage}[c]{\@tempdimb}
+ \fvset{xrightmargin=0pt}
+ \catcode`\Z=9\relax%
+ % We suppress the effect of the highlighting macros
+ \catcode`\J=0\relax%
+ \catcode`\X=1\relax%
+ \catcode`\Y=2\relax%
+ \def\HLComment##1{##1}%
+ \def\HLEmph##1{##1}%
+ \def\HLTeletype##1{##1}%
+ \def\HLReverse##1{##1}%
+ #1
+\end{minipage}%
+\@tempdimb=\textwidth
+\advance\@tempdimb -\FV@XRightMargin
+\advance\@tempdimb 5mm
+\begin{minipage}[c]{\@tempdimb}
+ \VerbatimInput[gobble=0,commentchar=Z,commandchars=JXY,
+ numbersep=3pt,frame=single,numbers=left,
+ xleftmargin=5mm,xrightmargin=0pt]{\jobname.tmp}
+\end{minipage}}
+
+\makeatother
+
+% Example environments are numbered, framed and indented by 2 spaces
+\fvset{gobble=2,frame=single,fontfamily=tt,numbers=left,numbersep=3pt}
+
+% Default PSTricks parameters
+\psset{dimen=middle}
+
+% Translation in PSTricks from the one drawn by Emmanuel Chailloux and
+% Guy Cousineau for the MLgraph system
+% (see /ftp.ens.fr:/pub/unix/lang/MLgraph/version-2.1/MLgraph-refman.ps.gz)
+% The kangaroo itself is reproduce from an original picture from Raoul Raba
+\newcommand{\DimX}{2.47}
+\newcommand{\DimY}{4.8}
+\newcommand{\DimXDivTwo}{1.235}
+
+\newcommand{\KangarooItself}[1]{%
+% Body
+\pspolygon[fillstyle=solid,fillcolor=#1]%
+ (52.5,68)(55,72.5)(55.8,76.5)(56.8,79.8)(58.2,83)(60,85.8)(61.5,86.5)
+ (64,87)(66,87.5)(67.8,87.3)(70,87)(71.5,87.3)(73,88)(74.7,88.5)
+ (76,90.3)(77,91.5)(72.8,93.8)(69,96)(64.5,99)(59.4,103)(56.2,106.3)
+ (53,110.5)(49.5,115.5)(47.2,119.9)(45.7,126)(43.2,123)(41.5,121)(37.5,125)
+ (37,122.5)(36.8,120)(37,117)(37.6,113.5)(38.6,110)(40,106.3)(42,102.3)
+ (43.5,99.5)(45,97)(46.2,94)(46.8,91.7)(47.2,88)(47,83.5)(46.3,80.8)
+ (45.3,78.5)(42.5,76.5)(39.5,75.8)(36,75.9)(33,75.9)(29,76.2)(26,77)
+ (22.3,77.5)(18,78.4)(12.8,79.3)(8.6,80)(5.5,80.3)(3,80.5)(0,80)
+ (-5.2,78.5)(-9,76.3)(-11.2,74.8)(-13,72.5)(-16.5,68)(-16.5,68)(-19.5,62.5)
+ (-22,58)(-25.5,53)(-29,48.5)(-32.5,45)(-36,42)(-39,39.5)(-44,37)
+ (-49,35)(-51,34)(-53.5,34.5)(-55.5,36)(-56.5,38)(-56.5,40.5)(-55,41.5)
+ (-53.5,41)(-51.5,41)(-50.5,43)(-50.5,44.5)(-51,47)(-51.5,47.2)(-56.5,47)
+ (-58.5,46.5)(-60,44.7)(-62,42.3)(-63,39.5)(-63.5,36.3)(-63.5,33)(-63.1,29.5)
+ (-61.5,26)(-58,23.6)(-54,22.2)(-50.7,22)(-47.5,22)(-44.5,22.3)(-41,23.5)
+ (-36.8,25.8)(-33,28)(-28.5,31)(-23.4,35)(-20.2,38.3)(-17,42.5)(-13.5,47.5)
+ (-11.2,51.9)(-9.7,58)(-7.2,55)(-5.5,53)(-1.5,57)(-1,54.5)(-0.8,52)
+ (-1,49)(-1.6,45.5)(-2.6,42)(-4,38.3)(-6,34.3)(-7.5,31.5)(-9,29)
+ (-10.2,26)(-10.8,23.7)(-11.2,20)(-11,15.5)(-10.3,12.8)(-9.3,10.5)(-6.5,8.5)
+ (-3.5,7.8)(0,7.9)(3,7.9)(7,8.2)(10,9)(13.7,9.5)(18,10.4)
+ (23.2,11.3)(27.4,12)(30.5,12.3)(33,12.5)(36,12)(41.2,10.5)(45,8.3)
+ (47.2,6.8)(49,4.5)(52.5,0)(50,4.5)(49.2,8.5)(48.2,11.8)(46.8,15)
+ (45,17.8)(43.5,18.5)(41,19)(39,19.5)(37.2,19.3)(35,19)(33.5,19.3)
+ (32,20)(30.3,20.5)(29,22.3)(28,23.5)(28,23.5)(24.5,22.3)(21.5,22)
+ (18.3,22)(15,22.2)(11,23.6)(7.5,26)(5.9,29.5)(5.5,33)(5.5,36.3)
+ (6,39.5)(7,42.3)(9,44.7)(10.5,46.5)(12.5,47)(17.5,47.2)(18,47)
+ (18.5,44.5)(18.5,43)(17.5,41)(15.5,41)(14,41.5)(12.5,40.5)(12.5,38)
+ (13.5,36)(15.5,34.5)(18,34)(20,35)(25,37)(30,39.5)(33,42)
+ (36.5,45)(40,48.5)(43.5,53)(47,58)(49.5,62.5)(52.5,68)
+% Eye
+\pscircle*[linecolor=white](58.2,98.3){2\psxunit}
+\pscircle*(58.2,97.3){\psxunit}
+% Mouth
+\psline(71.5,88)(70,89.3)(68.5,90.3)(67,91.9)
+% Tear
+\psline(42,121)(45,118)(47,115.3)(48.5,112.7)(50,110)(51.8,106.5)
+ (52.5,103.7)(53,100.5)
+\pspolygon(41.2,115.8)(43.2,114.7)(45,112.5)(47,109.8)(48,107)(49.5,104.2)
+ (50.5,101.6)(51,98.5)(47.7,100.6)(46,102.2)(44.8,104)(43.5,106)
+ (42.5,108)(41.7,110.5)(41,113.2)
+}
+
+\newcommand{\Kangaroo}[1]{%
+\begin{pspicture}(\DimX,\DimY)
+\psset{unit=0.035278}
+\KangarooItself{#1}
+\end{pspicture}}
+
+\newcommand{\KangarooPstChart}[1]{{%
+\psset{xunit=0.006784,yunit=0.00735,linewidth=0.01}
+\begin{pspicture}(-65.5,0)(82,126)
+\KangarooItself{#1}
+\end{pspicture}}}
+
+\begin{document}
+
+\title{\FillPackage\\A PSTricks package for filling and tiling areas}
+\author{Timothy van \textsc{Zandt}\thanks{INSEAD,
+Economics and Political Science, Fontainebleau, France ---
+\mbox{\texttt{<tvz@econ.insead.fr>}}.}\hspace{2mm}{\small (documentation by
+Denis \textsc{Girou}\thanks{CNRS/IDRIS --- Centre National de la Recherche
+Scientifique / Institut du D\'eveloppement et des Ressources en Informatique
+Scientifique, Orsay , France --- \mbox{\texttt{<Denis.Girou@idris.fr>}}.}%
+\hspace{1.5mm})}}
+
+\date{\shortstack{December 12, 1997 --- Version 97 patch 2\\
+ {\small Documentation revised June 30, 2000}}}
+\maketitle
+
+\begin{center}
+\psframebox[framearc=0.3,framesep=5mm,linewidth=0.7mm]{%
+ \parbox{11cm}{%
+ {\Large\textbf{Abstract}}:
+ \FillPackage{} is a PSTricks \cite{vanZandt93}, \cite{Girou94},
+ \cite{vanZandtGirou94}, \cite{Hoenig97}, \cite{LGC97} package to draw easily
+ various kinds of filling and tiling of areas. It is also a good example of
+ the great power and flexibility of PSTricks, as in fact it is a very short
+ program (it body is around 200~lines long) but nevertheless really powerful.
+
+ \hspace{5mm} It was written in 1994 by Timothy \textsc{van Zandt} but
+ publicly available only in PSTricks 97 and without any documentation.
+ We describe here the version \emph{97 patch 2} of December 12, 1997, which
+ is the original one modified by myself to manage \emph{tilings} in the
+ so-called \emph{automatic} mode. This article would like to serve both of
+ reference manual and of user's guide.
+
+ \hspace{5mm} This package is available on \CTAN{} in the
+ \texttt{graphics/pstricks} directory (files \texttt{latex/pst-fill.sty} and
+ \texttt{generic/pst-fill.tex}).
+}}
+\end{center}
+
+\section{Introduction}
+
+ Here we will refer as \emph{filling} as the operation which consist to fill
+a defined area by a pattern (or a composition of patterns). We will refer as
+\emph{tiling} as the operation which consist to do the same thing, but with
+the control of the starting point, which is here the upper left corner.
+The pattern is positioned relatively to this point. This make an essential
+difference between the two modes, as without control of the starting point we
+can't draw \emph{tilings} (sometimes called \emph{tesselations}) as used in
+many fields of Art and Science%
+\footnote{For an extensive presentation of tilings, in their history and usage
+in many fields, see the reference book \cite{GS87}.
+
+ In the \TeX{} world, few work was done on tilings. You can look at the
+\emph{tile} extension of the \XYpic{} package \cite{XYpic}, at the articles of
+Kees \textsc{van der Laan} \cite[paragraph 7]{LAAN96} (the tiling was in
+fact directly done in PostScript) and \cite{LAAN97}, at the \MP{} program
+(available on \CTANref{Roegel}) by Denis \textsc{Roegel} for the
+\textsc{Truchet} contest in 1995 \cite{EsperetGirou98} and at the \MP{}
+package \cite{Bolek98} to draw patterns, which have a strong connection with
+tilings.}.
+
+ Nevertheless, as tilings are a wide and difficult field in mathematics, this
+package is limited to simple ones, mainly \emph{monohedral} tilings with one
+prototile (which can be composite, see section \ref{sec:KindTiles}). With some
+experience and wiliness we can do more and obtained easily rather
+sophisticated results, but obviously hyperbolic tilings like the famous
+\textsc{Escher} ones or aperiodic tilings like the \textsc{Penrose} ones are
+not in the capabilities of this package. For more complex needs, we must used
+low level and more painfull technics, with the basic \cs{multido}
+and \cs{multirput} macros.
+
+\section{Package history and description of it two different modes}
+
+ As already said, this package was written in 1994 by Timothy \textsc{van
+Zandt}. Two modes were defined, called respectively \emph{manual} and
+\emph{automatic}. For both, the pattern is generated on contiguous positions in
+a rather large area which include the region to fill, later cut to the
+required dimensions by clipping mechanism. In the first mode, the pattern is
+explicitely inserted in the PostScript file each time. In the second one, the
+result is the same but with an unique explicit insertion of the pattern and a
+repetition done by PostScript. Nevertheless, in this method, the control of
+the starting point was loosed, so it allowed only to \emph{fill} a region and
+not to \emph{tile} it.
+
+ See the difference between the two modes, \emph{tiling}:
+{\psset{unit=0.5}
+ \psboxfill{\begin{pspicture}(1,1)\psframe[dimen=middle](1,1)\end{pspicture}}
+ \begin{pspicture}(3,3.3)
+ \psframe[fillstyle=boxfill](3,3)
+ \end{pspicture}
+}
+and \emph{filling}:
+{%
+ \makeatletter
+\pst@def{BoxFill}<%
+ gsave
+ gsave \tx@STV CM grestore dtransform CM idtransform
+ abs /h ED abs /w ED
+ pathbbox
+ h div round 2 add cvi /y2 ED
+ w div round 2 add cvi /x2 ED
+ h div round 2 sub cvi /y1 ED
+ w div round 2 sub cvi /x1 ED
+ /y2 y2 y1 sub def
+ /x2 x2 x1 sub def
+ CP
+ y1 h mul sub neg /y1 ED
+ x1 w mul sub neg /x1 ED
+ clip
+ y2 {
+ /x x1 def
+ x2 {
+ save CP x y1 T moveto Box restore
+ /x x w add def
+ } repeat
+ /y1 y1 h add def
+ } repeat
+ currentpoint currentfont grestore setfont moveto>
+ \makeatother
+%
+ \psset{unit=0.5}
+ \psboxfill{\begin{pspicture}(1,1)\psframe[dimen=middle](1,1)\end{pspicture}}
+ \begin{pspicture}(3,3.3)
+ \psframe[fillstyle=boxfill](3,3)
+ \end{pspicture}
+ or
+ \begin{pspicture}(3,3.3)
+ \psframe[fillstyle=boxfill](3,3)
+ \end{pspicture}
+}
+as we can see that initial position is arbitrary and dependent of
+the current point.
+
+ It's clear that usage of filling is very restrictive comparing to tiling,
+as desired effects required very often the possibility to control the starting
+point. So, this mode was of limited interest, but unfortunately the
+\emph{manual} one has the very big disadvantage to require very huge amounts
+of ressources, mainly in disk space and consequently in printing time.
+A small tiling can require sometimes several megabytes in \emph{manual} mode!
+So, it was very often not really usable in practice.
+
+It is why I modified the code, to allow tilings in \emph{automatic} mode,
+controlling in this mode too the starting point. And most of the time, that is
+to say if some special options are not used, the tiling is done exactly in the
+region described, which make it faster. So there is no more reason to use the
+\emph{manual} mode, apart very special cases where \emph{automatic} one cannot
+work, as explained later -- currently, I know only one case.
+
+ To load this modified \emph{automatic} mode, with \LaTeX{} use
+simply:\newline
+\verb+\usepackage[tiling]{pst-fill}+\newline
+and in plain \TeX{} after:\newline
+\verb+\input{pst-fill}+\newline
+add the following definition:\newline
+\verb+\def\PstTiling{true}+
+
+ To obtain the original behaviour, just don't use the \emph{tiling} optional
+keyword at loading.
+
+ Take care than in \emph{tiling} mode, I introduce also some other changes.
+First I define aliases on some parameter names for consistancy (all specific
+parameters will begin by the \texttt{fill} prefix in this case) and I change
+some default values, which were not well adapted for tilings (\texttt{fillsep}
+is set to 0 and as explained \texttt{fillsize} set to \texttt{auto}). I rename
+\texttt{fillcycle} to \texttt{fillcyclex}. I also restore normal way so that
+the frame of the area is drawn and all line (\texttt{linestyle},
+\texttt{linecolor}, \texttt{doubleline}, etc.) parameters are now active (but
+there are not in non \emph{tiling} mode). And I also introduce new parameters
+to control the tilings (see below).
+
+ \textbf{In all the following examples, we will consider only the
+\emph{tiling} mode.}
+
+{\fvset{commandchars=JXY}
+ To do a tiling, we have just to define the pattern with the
+\Verb+JHLReverseX\psboxfillY+ macro and to use the new \texttt{fillstyle}
+\Verb+JHLReverseXboxfillY+.
+
+ Note that tilings are drawn from left to right and top to bottom, which can
+have an importance in some circonstances.
+
+ PostScript programmers can be also interested to know that, even in the
+\emph{automatic} mode, the iterations of the pattern are managed directly by
+the PostScript code of the package which used only PostScript Level 1
+operators. The special ones introduced in Level 2 for drawing of patterns
+\cite[section 4.9]{PostScript95} are not used.
+
+ And first, for conveniance, we define a simple \cs{Tiling} macro, which
+will simplify our examples:
+
+\begin{Verbatim}
+ \newcommand{\Tiling}[JHLEmphX2Y][]{%
+ \edef\Temp{JHLEmphX#1Y}%
+ \begin{pspicture}JHLEmphX#2Y
+ \ifx\Temp\empty
+ \psframe[fillstyle=JHLEmphXboxfillY]JHLEmphX#2Y
+ \else
+ \psframe[fillstyle=JHLEmphXboxfillY,JHLEmphX#1Y]JHLEmphX#2Y
+ \fi
+ \end{pspicture}}
+\end{Verbatim}
+}
+
+\newcommand{\Tiling}[2][]{%
+ \edef\Temp{#1}%
+ \begin{pspicture}#2
+ \ifx\Temp\empty
+ \psframe[fillstyle=boxfill]#2
+ \else
+ \psframe[fillstyle=boxfill,#1]#2
+ \fi
+ \end{pspicture}}
+
+\subsection{Parameters}
+
+ There are \textbf{14} specific parameters available to change the way the
+filling/tiling is defined, and one debugging option.
+
+\begin{Description}{2cm}
+ \item [\HLTeletype{fillangle} (real)\hfill :] the value of the rotation
+ applied to the patterns (\emph{Default:~0}).
+\end{Description}
+
+ In this case, we must force the tiling area to be notably larger than the
+area to cover, to be sure that the defined area will be covered after rotation.
+
+\begin{CenterExample}
+ \newcommand{\Square}{%
+ \begin{pspicture}(1,1)
+ \psframe[dimen=middle](1,1)
+ \end{pspicture}}
+
+ \psset{unit=0.5}
+ \psboxfill{\Square}
+ \Tiling[JHLEmphXfillangleY=JHLReverseX45Y]{(3,3)}\hspace{3cm}
+ \Tiling[JHLEmphXfillangleY=JHLReverseX-60Y]{(3,3)}
+\end{CenterExample}
+
+\newcommand{\Square}{%
+\begin{pspicture}(1,1)\psframe[dimen=middle](1,1)\end{pspicture}}
+
+\begin{Description}{2cm}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillsepx} (real$|$dim)\hfill :] value of the horizontal
+ separation between consecutive patterns (\emph{Default:~0 for
+ tilings\footnotemark, 2pt otherwise}). \footnotetext{This option was added
+ by me, is not part of the original package and is available only if the
+ \texttt{tiling} keyword is used when loading the package.}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillsepy} (real$|$dim)\hfill :] value of the vertical
+ separation between consecutive patterns (\emph{Default:~0 for
+ ti\-lings\footnotemark, 2pt otherwise}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillsep} (real$|$dim)\hfill :] value of horizontal and
+ vertical separations between consecutive patterns (\emph{Default:~0 for
+ tilings\footnotemark, 2pt otherwise}).
+\end{Description}
+
+ These values can be negative, which allow the tiles to overlap.
+
+\fvset{xrightmargin=0cm}
+\begin{CenterExample}
+ \psset{unit=0.5}
+ \psboxfill{\Square}
+ \Tiling[JHLEmphXfillsepxY=JHLReverseX2mmY]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillsepyY=JHLReverseX1mmY]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillsepY=JHLReverseX0.5Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillsepY=JHLReverseX-0.5Y]{(3,3)}
+\end{CenterExample}
+
+\begin{Description}{2cm}
+ \item [\HLTeletype{fillcyclex}\footnotemark\ (integer)\hfill :] Shift
+ coefficient applied to each row (\emph{Default:~0}).
+ \footnotetext{It was \texttt{fillcycle} in the original version.}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillcycley}\footnotemark\ (integer)\hfill :] Same thing for
+ columns (\emph{Default:~0}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillcycle}\footnotemark\ (integer)\hfill :] Allow to fix
+ both \texttt{fillcyclex} and \texttt{fillcycley} directly to the same value
+ (\emph{Default:~0}).
+\end{Description}
+
+ For instance, if \texttt{fillcyclex} is 2, the second row of patterns will
+be horizontally shifted by a factor of $\frac{1}{2}=0.5$, and by a factor of
+0.333 if \texttt{fillcyclex} is 3, etc.). These values can be negative.
+
+\begin{CenterExample}
+ \psset{unit=0.5}
+ \psboxfill{\Square}
+ \newcommand{\TilingA}[1]{\Tiling[JHLEmphXfillcyclexY=JHLReverseX#1Y]{(3,3)}}
+
+ \TilingA{JHLReverseX0Y}\hfill\TilingA{JHLReverseX1Y}\hfill\TilingA{JHLReverseX2Y}\hfill\TilingA{JHLReverseX3Y}
+
+ \vspace{3mm}
+ \TilingA{JHLReverseX4Y}\hfill\TilingA{JHLReverseX5Y}\hfill\TilingA{JHLReverseX6Y}\hfill\TilingA{JHLReverseX-3Y}
+
+ \vspace{3mm}
+ \Tiling[JHLEmphXfillcycleyY=JHLReverseX2Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillcycleyY=JHLReverseX3Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillcycleyY=JHLReverseX-3Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillcycleY=JHLReverseX2Y]{(3,3)}\hfill
+\end{CenterExample}
+
+\begin{Description}{2cm}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillmovex}\footnotemark\ (real$|$dim)\hfill :] value of the
+ horizontal moves between consecutive patterns (\emph{Default:~0}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillmovey}\footnotemark\ (real$|$dim)\hfill :] value of the
+ vertical moves between consecutive patterns (\emph{Default:~0}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillmove}\footnotemark\ (real$|$dim)\hfill :] value of
+ horizontal and vertical moves between consecutive patterns
+ (\emph{Default:~0}).
+\end{Description}
+
+ These parameters allow the patterns to overlap and to draw some special
+kinds of tilings. They are implemented only for the \emph{automatic} and
+\emph{tiling} modes and their values can be negative.
+
+ In some cases, the effect of these parameters will be the same that with the
+\texttt{fillcycle?} ones, but you can see that it is not true for some other
+values.
+
+\begin{CenterExample}
+ \psset{unit=0.5}
+ \psboxfill{\Square}
+ \Tiling[JHLEmphXfillmovexY=JHLReverseX0.5Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillmoveyY=JHLReverseX0.5Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillmoveY=JHLReverseX0.5Y]{(3,3)}\hfill
+ \Tiling[JHLEmphXfillmoveY=JHLReverseX-0.5Y]{(3,3)}
+\end{CenterExample}
+
+\begin{Description}{2cm}
+ \item [\HLTeletype{fillsize}
+ (auto$|$\{(real$|$dim,real$|$dim)(real$|$dim,real$|$dim)\}) :] The
+ choice of \emph{automatic} mode or the size of the area in \emph{manual}
+ mode. If first pair values are not given, (0,0) is used. (\emph{Default:
+ auto when \emph{tiling} mode is used, {(-15cm,-15cm)(15cm,15cm)}
+ otherwise}).
+\end{Description}
+
+ As explained in the introduction, the \emph{manual} mode can require very
+huge amount of computer ressources. So, it usage is to discourage in front off
+the \emph{automatic} mode. It seems only useful in special circonstances, in
+fact when the \emph{automatic} mode failed, which is known only in one case,
+for some kinds of EPS files, as the ones produce by dump of portions of
+screens (see \ref{sec:GraphicFiles}).
+
+\begin{Description}{2cm}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillloopaddx}\footnotemark\ (integer)\hfill :] number of
+ times the pattern is added on left and right positions (\emph{Default:~0}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillloopaddy}\footnotemark\ (integer)\hfill :] number of
+ times the pattern is added on top and bottom positions (\emph{Default:~0}).
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{fillloopadd}\footnotemark\ (integer)\hfill :] number of
+ times the pattern is added on left, right, top and bottom positions
+ (\emph{Default:~0}).
+\end{Description}
+
+ These parameters are only useful in special circonstances, as for complex
+patterns when the size of the rectangular box used to tile the area doesn't
+correspond to the pattern itself (see an example in Figure~\ref{fig:Sheeps})
+and also sometimes when the size of the pattern is not a divisor of the size
+of the area to fill and that the number of loop repeats is not properly
+computed, which can occur.
+
+ They are implemented only for the \emph{tiling} mode.
+
+\begin{Description}{2cm}
+ \setcounter{footnote}{1}
+ \item [\HLTeletype{PstDebug}\footnotemark\ (integer, 0 or 1)\hfill :] to
+ require to see the exact tiling done, without clipping (\emph{Default:~0}).
+\end{Description}
+
+ It's mainly useful for debugging or to understand better how the tilings
+are done. It is implemented only for the \emph{tiling} mode.
+
+\begin{CenterExample}
+ \psset{unit=0.3,JHLEmphXPstDebugY=JHLReverseX1Y}
+ \psboxfill{\Square}
+ \psset{linewidth=1mm}
+ \vspace{0.8cm}
+ \Tiling{(2,2)}\hspace{3cm}
+ \Tiling[fillcyclex=JHLEmphX2Y]{(2,2)}\hspace{4cm}
+ \Tiling[fillmove=JHLEmphX0.5Y]{(2,2)}
+\end{CenterExample}
+
+\vspace{1cm}
+\section{Examples}
+
+ In fact this unique \cs{psboxfill} macro allow a lot a variations and
+different usages. We will try here to demonstrate this.
+
+\subsection{Kind of tiles}
+\label{sec:KindTiles}
+
+ Of course, we can access to all the power of PSTricks macros to define the
+\emph{tiles} (\emph{patterns}) used. So, we can define complicated ones.
+
+ Here we give four other Archimedian tilings (those built with only some
+regular polygons) among the twelve existing, first discovered completely by
+Johanes \textsc{Kepler} at the beginning of 17th century \cite{GS87}, the two
+other \emph{regular} ones with the tiling by squares, formed by a unique
+regular polygon, and two other formed by two different regular polygons.
+
+\begin{CenterExample}
+ \newcommand{\Triangle}{%
+ \begin{pspicture}(1,1)
+ \pstriangle[dimen=middle](0.5,0)(1,1)
+ \end{pspicture}}
+ \newcommand{\Hexagon}{%
+ % JHLCommentXsin(60)=0.866Y
+ \begin{pspicture}(0.866,0.75)
+ \SpecialCoor
+ % JHLCommentXHexagonY
+ \pspolygon[dimen=middle]
+ (0.5;30)(0.5;90)(0.5;150)(0.5;210)(0.5;270)(0.5;330)
+ \end{pspicture}}
+
+ \psset{unit=0.5}
+ \psboxfill{JHLReverseX\TriangleY}
+ \Tiling{(4,4)}\hfill
+ % JHLCommentXThe two other regular tilingsY
+ \Tiling[fillcyclex=JHLEmphX2Y]{(4,4)}\hfill
+ \psboxfill{JHLReverseX\HexagonY}
+ \Tiling[fillcyclex=JHLEmphX2Y,fillloopaddy=JHLEmphX1Y]{(5,5)}
+\end{CenterExample}
+
+\begin{CenterExample}
+ \newcommand{\ArchimedianA}{%
+ % JHLCommentXArchimedian tiling 3^2.4.3.4Y
+ \psset{dimen=middle}
+ % JHLCommentXsin(60)=0.866Y
+ \begin{pspicture}(1.866,1.866)
+ \psframe(1,1)
+ \psline(1,0)(1.866,0.5)(1,1)(0.5,1.866)(0,1)(-0.866,0.5)
+ \psline(0,0)(0.5,-0.866)
+ \end{pspicture}}
+ \newcommand{\ArchimedianB}{%
+ % JHLCommentXArchimedian tiling 4.8^2Y
+ \psset{dimen=middle,unit=1.5}
+ % JHLCommentXsin(22.5)=0.3827 ; cos(22.5)=0.9239Y
+ \begin{pspicture}(1.3066,0.6533)
+ \SpecialCoor
+ % JHLCommentXOctogonY
+ \pspolygon(0.5;22.5)(0.5;67.5)(0.5;112.5)(0.5;157.5)
+ (0.5;202.5)(0.5;247.5)(0.5;292.5)(0.5;337.5)
+ \end{pspicture}}
+
+ \psset{unit=0.5}
+ \psboxfill{JHLReverseX\ArchimedianAY}
+ \Tiling[fillmove=JHLEmphX0.5Y]{(7,7)}\hfill
+ \psboxfill{JHLReverseX\ArchimedianBY}
+ \Tiling[fillcyclex=JHLEmphX2Y,fillloopaddy=JHLEmphX1Y]{(7,7)}
+\end{CenterExample}
+
+ \setcounter{footnote}{3}
+ We can of course tile an area arbitrarily defined. And with the
+\texttt{addfillstyle} parameter\footnote{Introduced in PSTricks 97.}, we can
+easily mix the \texttt{boxfill} style with another one.
+
+\begin{CenterExample}
+ \psset{unit=0.5,dimen=middle}
+ \psboxfill{%
+ \begin{pspicture}(1,1)
+ \psframe(1,1)
+ \pscircle(0.5,0.5){0.25}
+ \end{pspicture}}
+ \begin{pspicture}(4,6)
+ \pspolygon[fillstyle=JHLEmphXboxfillY,fillsep=JHLEmphX0.25Y]
+ (0,1)(1,4)(4,6)(4,0)(2,1)
+ \end{pspicture}
+ \hspace{2cm}
+ \begin{pspicture}(4,4)
+ \pscircle[linestyle=none,fillstyle=solid,fillcolor=yellow,
+ JHLReverseXaddfillstyleY=JHLEmphXboxfillY,fillsep=JHLEmphX0.5Y](2,2){2}
+ \end{pspicture}
+\end{CenterExample}
+
+ Various effects can be obtained, sometimes complicated ones very easily, as
+in this example reproduced from one shown by Slavik \textsc{Jablan} in the
+field of \emph{OpTiles}, inspired by the \emph{Op-art}:
+
+\begin{CenterExample}
+ \newcommand{\ProtoTile}{%
+ \begin{pspicture}(1,1)
+ % JHLCommentX1/12=0.08333Y
+ \psset{linestyle=none,linewidth=0,
+ hatchwidth=0.08333\psunit,hatchsep=0.08333\psunit}
+ \psframe[fillstyle=solid,fillcolor=black,
+ addfillstyle=hlines,hatchcolor=white](1,1)
+ \pswedge[fillstyle=solid,fillcolor=white,
+ addfillstyle=hlines]{1}{0}{90}
+ \end{pspicture}}
+
+ \newcommand{\BasicTile}{%
+ \begin{pspicture}(2,1)
+ \rput[lb](0,0){\ProtoTile}
+ \rput[lb](1,0){\rotateleft{\ProtoTile}}
+ \end{pspicture}}
+
+ \ProtoTile\hfill\BasicTile\hfill
+ \psboxfill{\BasicTile}
+ \Tiling[fillcyclex=JHLEmphX2Y]{(4,4)}
+\end{CenterExample}
+
+ It is also directly possible to surimpose several different tilings. Here is
+the splendid visual proof of the \textsc{Pytha\-gore} theorem done by the arab
+mathematician \textsc{Annairizi} around the year 900, given by superposition
+of two tilings by squares of different sizes.
+
+\fvset{xrightmargin=0cm}
+\begin{CenterExample}
+ \psset{unit=1.5,dimen=middle}
+ \begin{pspicture*}(3,3)
+ \psboxfill{\begin{pspicture}(1,1)
+ \psframe(1,1)
+ \end{pspicture}}
+ \psframe[fillstyle=boxfill](3,3)
+ \psboxfill{\begin{pspicture}(1,1)
+ \rput{-37}{\psframe[linecolor=red](0.8,0.8)}
+ \end{pspicture}}
+ \psframe[fillstyle=boxfill](3,4)
+ \pspolygon[fillstyle=hlines,hatchangle=90](1,2)(1.64,1.53)(2,2)
+ \end{pspicture*}
+\end{CenterExample}
+
+ In a same way, it is possible to build tilings based on figurative patterns,
+in the style of the famous \textsc{Escher} ones. Following an example of
+Andr\'e \textsc{Deledicq} \cite{Deledicq97}, we first show a simple tiling of
+the \emph{p1} category (according to the international classification of the
+17~symmetry groups of the plane first discovered by the russian
+crystalographer Jevgraf \textsc{Fedorov} at the end of the 19th century):
+
+\begin{CenterExample}
+ \newcommand{\SheepHead}[1]{%
+ \begin{pspicture}(3,1.5)
+ \pscustom[liftpen=2,fillstyle=solid,fillcolor=#1]{%
+ \pscurve(0.5,-0.2)(0.6,0.5)(0.2,1.3)(0,1.5)(0,1.5)
+ (0.4,1.3)(0.8,1.5)(2.2,1.9)(3,1.5)(3,1.5)(3.2,1.3)
+ (3.6,0.5)(3.4,-0.3)(3,0)(2.2,0.4)(0.5,-0.2)}
+ \pscircle*(2.65,1.25){0.12\psunit} % JHLCommentXEyeY
+ \psccurve*(3.5,0.3)(3.35,0.45)(3.5,0.6)(3.6,0.4)% JHLCommentXMuzzleY
+ % JHLCommentXMouthY
+ \pscurve(3,0.35)(3.3,0.1)(3.6,0.05)
+ % JHLCommentXEarY
+ \pscurve(2.3,1.3)(2.1,1.5)(2.15,1.7)
+ \pscurve(2.1,1.7)(2.35,1.6)(2.45,1.4)
+ \end{pspicture}}
+
+ \psboxfill{\psset{unit=0.5}\SheepHead{yellow}\SheepHead{cyan}}
+ \Tiling[fillcyclex=JHLEmphX2Y,fillloopadd=JHLEmphX1Y]{(10,5)}
+\end{CenterExample}
+\label{fig:Sheeps}
+
+ Now a tiling of the \emph{pg} category (the code for the kangaroo itself is
+too long to be shown here, but has no difficulties ; the kangaroo is reproduce
+from an original picture from Raoul \textsc{Raba} and here is a translation in
+PSTricks from the one drawn by Emmanuel \textsc{Chailloux} and Guy
+\textsc{Cousineau} for their MLgraph system \cite{MLgraphTSI}):
+
+\begin{CenterExample}
+ \psboxfill{%
+ \psset{unit=0.4}
+ \Kangaroo{yellow}\Kangaroo{red}%
+ \Kangaroo{cyan}\Kangaroo{green}%
+ \psscalebox{-1 1}{%
+ \rput(1.235,4.8){%
+ \Kangaroo{green}\Kangaroo{cyan}%
+ \Kangaroo{red}\Kangaroo{yellow}}}}
+ \Tiling[fillloopadd=JHLEmphX1Y]{(10,6)}
+\end{CenterExample}
+
+ And here a \textsc{Wang} tiling \cite{Wang65}, \cite[chapter
+11]{GS87}, based on very simple tiles of the form of a square and composed
+of four colored triangles. Such tilings are built with only a matching color
+constraint. Despite of it simplicity, it is an important kind of tilings, as
+\textsc{Wang} and others used them to study the special class of
+\emph{aperiodic} tilings, and also because it was shown that surprisingly this
+tiling is similar to a \textsc{Turing} machine.
+
+\begin{CenterExample}
+ \newcommand{\WangTile}[4]{%
+ \begin{pspicture}(1,1)
+ \pspolygon*[linecolor=#1](0,0)(0,1)(0.5,0.5)
+ \pspolygon*[linecolor=#2](0,1)(1,1)(0.5,0.5)
+ \pspolygon*[linecolor=#3](1,1)(1,0)(0.5,0.5)
+ \pspolygon*[linecolor=#4](1,0)(0,0)(0.5,0.5)
+ \end{pspicture}}
+
+ \newcommand{\WangTileA}{\WangTile{cyan}{yellow}{cyan}{cyan}}
+ \newcommand{\WangTileB}{%
+ \WangTile{yellow}{cyan}{cyan}{red}}
+ \newcommand{\WangTileC}{%
+ \WangTile{cyan}{red}{yellow}{yellow}}
+
+ \newcommand{\WangTiles}[1][]{%
+ \begin{pspicture}(3,3)
+ \psset{ref=lb}
+ \rput(0,2){\WangTileB}%
+ \rput(1,2){\WangTileA}%
+ \rput(2,2){\WangTileC}
+ \rput(0,1){\WangTileC}%
+ \rput(1,1){\WangTileB}%
+ \rput(2,1){\WangTileA}
+ \rput(0,0){\WangTileA}%
+ \rput(1,0){\WangTileC}%
+ \rput(2,0){\WangTileB}
+ #1
+ \end{pspicture}}
+
+ \WangTileA\hfill\WangTileB\hfill\WangTileC\hfill
+ \WangTiles[{\psgrid[subgriddiv=0,gridlabels=0](3,3)}]\hfill
+ \psset{unit=0.4}
+ \psboxfill{JHLReverseX\WangTilesY}
+ \Tiling{(12,12)}
+\end{CenterExample}
+
+\subsection{External graphic files}
+\label{sec:GraphicFiles}
+
+ We can also fill an arbitrary area with an external image. We have only,
+as usual, to matter of the \emph{BoundingBox} definition if there is no one
+provided or if it is not the accurate one, as for the well known
+\texttt{tiger} picture part of the \texttt{ghostscript} distribution.
+
+\begin{CenterExample}
+ \psboxfill{% JHLCommentXStrangely require x1=x2...Y
+ \begin{pspicture}(0,1)(0,4.1)
+ \includegraphics[bb=17 176 560 74,width=3cm]{images/JHLReverseXtigerY}
+ \end{pspicture}}
+ \Tiling{(6,6.2)}
+\end{CenterExample}
+
+ Nevertheless, there are some special files for which the \emph{automatic}
+mode doesn't work, specially for some files obtained by a screen dump, as in
+the next example, where a picture was reduced before it conversion in the
+\emph{Encapsulated PostScript} format by a screen dump utility. In this case,
+usage of the \emph{manual} mode is the only alternative, at the price of the
+real multiple inclusion of the EPS file. We must take care to specify the
+correct \texttt{fillsize} parameter, because otherwise the default values are
+large and will load the file many times, perhaps just really using few
+occurrences as the other ones would be clipped...
+
+\begin{CenterExample}
+ \psboxfill{\includegraphics{images/JHLReverseXflowersY}}
+ \begin{pspicture}(8,4)
+ \psellipse[fillstyle=JHLEmphXboxfillY,fillsize={(8,4)}](4,2)(4,2)
+ \end{pspicture}
+\end{CenterExample}
+
+\subsection{Tiling of characters}
+
+ We can also use the \cs{psboxfill} macro to fill the interior of characters
+for special effects like these ones:
+
+\begin{CenterExample}
+ \DeclareFixedFont{\bigsf}{T1}{phv}{b}{n}{4.5cm}
+ \DeclareFixedFont{\smallrm}{T1}{ptm}{m}{n}{3mm}
+ \psboxfill{\smallrm JHLReverseXSince 182 days...Y}
+ \begin{pspicture*}(8,4)
+ \centerline{%
+ \pscharpath[fillstyle=gradient,gradangle=-45,
+ gradmidpoint=0.5,addfillstyle=JHLEmphXboxfillY,
+ fillangle=JHLEmphX45Y,fillsep=JHLEmphX0.7mmY]
+ {\rput[b](0,0.1){\bigsf JHLReverseX2000Y}}}
+ \end{pspicture*}
+\end{CenterExample}
+
+\begin{CenterExample}
+ \DeclareFixedFont{\mediumrm}{T1}{ptm}{m}{n}{2cm}
+ \psboxfill{%
+ \psset{unit=0.1,linewidth=0.2pt}
+ \Kangaroo{PeachPuff}\Kangaroo{PaleGreen}%
+ \Kangaroo{LightBlue}\Kangaroo{LemonChiffon}%
+ \psscalebox{-1 1}{%
+ \rput(1.235,4.8){%
+ \Kangaroo{LemonChiffon}\Kangaroo{LightBlue}%
+ \Kangaroo{PaleGreen}\Kangaroo{PeachPuff}}}}
+ % JHLCommentXA kangaroo of kangaroos...Y
+ \begin{pspicture}(8,2)
+ \pscharpath[linestyle=none,fillstyle=JHLEmphXboxfillY,fillloopadd=JHLEmphX1Y]
+ {\rput[b](4,0){\mediumrm JHLReverseXKangarooY}}
+ \end{pspicture}
+\end{CenterExample}
+
+\subsection{Other kinds of usage}
+
+ Other kinds of usage can be imagined. For instance, we can use tilings in a
+sort of degenerated way to draw some special lines made by a unique or
+multiple repeating patterns. But it can be only a special dashed line, as here
+with three different dashes:
+
+\begin{CenterExample}
+ \newcommand{\Dashes}{%
+ \psset{dimen=middle}
+ \begin{pspicture}(0,-0.5\pslinewidth)(1,0.5\pslinewidth)
+ \rput(0,0){\psline(0.4,0)}%
+ \rput(0.5,0){\psline(0.2,0)}%
+ \rput(0.8,0){\psline(0.1,0)}
+ \end{pspicture}}
+
+ \newcommand{\SpecialDashedLine}[3]{%
+ \psboxfill{#3}
+ \Tiling[linestyle=none]
+ {(#1,-0.5\pslinewidth)(#2,0.5\pslinewidth)}}
+
+ \SpecialDashedLine{0}{7}{\Dashes}
+
+ \psset{unit=0.5,linewidth=1mm,linecolor=red}
+ \SpecialDashedLine{0}{10}{\Dashes}
+\end{CenterExample}
+
+ It allow also to use special patterns in business graphics, as in the
+following example generated by \texttt{PstChart}\footnote{A personal
+development to draw business charts with PSTricks, not distributed.}.
+
+\vspace{3mm}
+\begin{figure}[!ht]
+\centering
+\psset{unit=0.75}
+% Generated by pstchart.sh version 0.21 (11/28/97)
+{\psset{dimen=middle}
+\psset{xunit=2,yunit=0.005}
+\begin{pspicture}(-0.6,-200)(6.6,2300)
+ % Title
+ \rput(3,2200){\shortstack{Fantaisist repartition of kangaroos\\
+ in the world (in thousands)}}
+ % Frame background
+ \psframe[fillstyle=solid,fillcolor=LemonChiffon](0,0)(6,2000)
+ % Graduations
+ \multido{\n=0+500}{5}{\rput[r](-0.12,\n){\psscalebox{0.8}{\n}}}
+ % Minor ticks
+ \multips(0,100)(0,100){19}{\psline[unit=4.8pt](1,0)}
+ \multips(6,100)(0,100){19}{\psline[unit=4.8pt](-1,0)}
+ % Major ticks
+ \multips(0,500)(0,500){3}{\psline[unit=9.6pt](1,0)}
+ \multips(6,500)(0,500){3}{\psline[unit=9.6pt](-1,0)}
+ % Lines from major ticks marks
+ \multips(0,500)(0,500){3}{\psline[linestyle=dotted,linewidth=0.6pt](6,0)}
+ % Drawing for the data
+ \psboxfill{\psset{unit=0.78\psxunit}\KangarooPstChart{red}}
+ \psframe[linestyle=none,fillstyle=boxfill,fillloopaddy=1](0.61,0)(1.39,1800)
+ \psboxfill{\psset{unit=0.78\psxunit}\KangarooPstChart{yellow}}
+ \psframe[linestyle=none,fillstyle=boxfill,fillloopaddy=1](1.61,0)(2.39,800)
+ \psboxfill{\psset{unit=0.78\psxunit}\KangarooPstChart{cyan}}
+ \psframe[linestyle=none,fillstyle=boxfill,fillloopaddy=1](2.61,0)(3.39,550)
+ \psboxfill{\psset{unit=0.78\psxunit}\KangarooPstChart{magenta}}
+ \psframe[linestyle=none,fillstyle=boxfill,fillloopaddy=1](3.61,0)(4.39,500)
+ \psboxfill{\psset{unit=0.78\psxunit}\KangarooPstChart{green}}
+ \psframe[linestyle=none,fillstyle=boxfill,fillloopaddy=1](4.61,0)(5.39,200)
+ % Bottom labels
+ \uput{0.2}[270]{0}(1,0){\psscalebox{0.7}{Oceania}}
+ \uput{0.2}[270]{0}(2,0){\psscalebox{0.7}{Africa}}
+ \uput{0.2}[270]{0}(3,0){\psscalebox{0.7}{Asia}}
+ \uput{0.2}[270]{0}(4,0){\psscalebox{0.7}{America}}
+ \uput{0.2}[270]{0}(5,0){\psscalebox{0.7}{Europe}}
+ % Frame box around the chart
+ \psframe[linestyle=solid](0,0)(6,2000)
+\end{pspicture}}
+ \caption{Bar chart generated by PstChart, with bars filled by patterns}
+ \label{fig:PstChart}
+\end{figure}
+
+\section{``Dynamic'' tilings}
+
+ In some cases, tilings used non \emph{static} tiles, that is to say that the
+\emph{prototile(s)}, even if unique, can have several forms, by instance
+specified by different colors or rotations, not fixed before generation or
+varying each time.
+
+\subsection{Lewthwaite-Pickover-Truchet tiling}
+
+ We give here for example the so-called \emph{Truchet} tiling, which much be
+in fact better called \emph{Lewthwaite-Pick\-over-Truchet (LPT)} tiling%
+\footnote{For description of the context, history and references about
+S\'ebastien \textsc{Truchet} and this tiling, see \cite{EsperetGirou98}.}.
+
+ The unique prototile is only a square with two opposite circle arcs.
+This tile has obviously two positions, if we rotate it from 90 degrees (see
+the two tiles on the next figure). A \emph{LPT tiling} is a tiling with
+randomly oriented LPT tiles. We can see that even if it is very simple in it
+principle, it draw sophisticated curves with strange properties.
+
+ Nevertheless, in the straightforward way \FillPackage{} does not work,
+because the \cs{psboxfill} macro store the content of the tile used in a
+\TeX{} box, which is static. So the calling to the random function is done
+only one time, which explain that only one rotation of the tile is used for
+all the tiling. It's only the one of the two rotations which could differ from
+one drawing to the next one...
+
+% Truchet (Lewthwaite-Pickover-Truchet) tiling
+% --------------------------------------------
+
+\begin{CenterExample}
+ % JHLCommentXLPT prototileY
+ \newcommand{\ProtoTileLPT}{%
+ \psset{dimen=middle}
+ \begin{pspicture}(1,1)
+ \psframe(1,1)
+ \psarc(0,0){0.5}{0}{90}
+ \psarc(1,1){0.5}{-180}{-90}
+ \end{pspicture}}
+
+ % JHLCommentXLPT tileY
+ \newcount\Boolean
+ \newcommand{\BasicTileLPT}{%
+ % JHLCommentXFrom random.tex by Donald ArseneauY
+ \setrannum{\Boolean}{0}{1}%
+ \ifnum\Boolean=0
+ \ProtoTileLPT%
+ \else
+ \rotateleft{\ProtoTileLPT}%
+ \fi}
+
+ \ProtoTileLPT\hfill\rotateleft{\ProtoTileLPT}\hfill
+ \psset{unit=0.5}
+ \psboxfill{JHLReverseX\BasicTileLPTY}
+ \Tiling{(5,5)}
+\end{CenterExample}
+
+ But, for simple cases, there is a solution to this problem using a mixture
+of PSTricks and PostScript programming. Here the PSTricks
+construction \verb+\pscustom{\code{...}}+ allow to insert PostScript code
+inside the \LaTeX{} + PSTricks one.
+
+ Programmation is less straightforward, but it has also the advantage to be
+notably faster, as all the tilings operations are done in PostScript, and
+mainly to not be limited by \TeX{} memory (the \TeX{} + PSTricks solution
+I wrote in 1995 for the colored problem was limited to small sizes for this
+reason). Just note also that \cs{pslbrace} and \cs{psrbrace} are two
+PSTricks macros to define and be able to insert the \verb+{+ and \verb+}+
+characters.
+
+\begin{CenterExample}
+ % JHLCommentXLPT prototileY
+ \newcommand{\ProtoTileLPT}{%
+ \psset{dimen=middle}
+ \psframe(1,1)
+ \psarc(0,0){0.5}{0}{90}
+ \psarc(1,1){0.5}{-180}{-90}}
+
+ % JHLCommentXCounter to change the random seedY
+ \newcount\InitCounter
+
+ % JHLCommentXLPT tileY
+ \newcommand{\BasicTileLPT}{%
+ \InitCounter=\the\time
+ \pscustom{\code{%
+ rand \the\InitCounter\space sub 2 mod 0 eq \pslbrace}}
+ \begin{pspicture}(1,1)
+ \ProtoTileLPT
+ \end{pspicture}%
+ \pscustom{\code{\psrbrace \pslbrace}}
+ \rotateleft{\ProtoTileLPT}%
+ \pscustom{\code{\psrbrace ifelse}}}
+
+ \psset{unit=0.4,linewidth=0.4pt}
+ \psboxfill{JHLReverseX\BasicTileLPTY}
+ \Tiling{(15,15)}
+\end{CenterExample}
+
+ Using the very surprising fact (see \cite{EsperetGirou98}) that
+coloration of these tiles do not depend of their neighbors (even if it is
+difficult to believe as the opposite seems obvious!) but only of the parity of
+the value of row and column positions, we can directly program in the same way
+a colored version of the LPT tiling.
+
+\setcounter{footnote}{1}
+ We have also introduce in the \FillPackage{} code for \emph{tiling} mode two
+new accessible Post\-Script variables, \texttt{row} and
+\texttt{column}\footnotemark, which can be useful in some circonstances, like
+this one.
+
+\begin{CenterExample}
+ % JHLCommentXLPT prototileY
+ \newcommand{\ProtoTileLPT}[2]{%
+ \psset{dimen=middle,linestyle=none,fillstyle=solid}
+ \psframe[fillcolor=#1](1,1)
+ \psset{fillcolor=#2}
+ \pswedge(0,0){0.5}{0}{90}
+ \pswedge(1,1){0.5}{-180}{-90}}
+
+ % JHLCommentXCounter to change the random seedY
+ \newcount\InitCounter
+
+ % JHLCommentXLPT tileY
+ \newcommand{\BasicTileLPT}[2]{%
+ \InitCounter=\the\time
+ \pscustom{\code{%
+ rand \the\InitCounter\space sub 2 mod 0 eq \pslbrace
+ JHLReverseXrowY JHLReverseXcolumnY add 2 mod 0 eq \pslbrace}}
+ \begin{pspicture}(1,1)
+ \ProtoTileLPT{#1}{#2}
+ \end{pspicture}%
+ \pscustom{\code{\psrbrace \pslbrace}}
+ \ProtoTileLPT{#2}{#1}%
+ \pscustom{\code{%
+ \psrbrace ifelse \psrbrace \pslbrace JHLReverseXrowY JHLReverseXcolumnY add 2 mod
+ 0 eq \pslbrace}}
+ \rotateleft{\ProtoTileLPT{#2}{#1}}%
+ \pscustom{\code{\psrbrace \pslbrace}}
+ \rotateleft{\ProtoTileLPT{#1}{#2}}%
+ \pscustom{\code{\psrbrace ifelse \psrbrace ifelse}}}
+
+ \psboxfill{JHLReverseX\BasicTileLPT{red}{yellow}Y}
+ \Tiling{(4,4)}\hfill
+ \psset{unit=0.4}
+ \psboxfill{JHLReverseX\BasicTileLPT{blue}{cyan}Y}
+ \Tiling{(15,15)}
+\end{CenterExample}
+
+ Another classic example is to generate coordinates and numerotation for a
+grid. Of course, it is possible to do it directly in PSTricks using nested
+\cs{multido} commands. It would be clearly easy to program, but, nevertheless,
+for users who have a little knowledge of PostScript programming, this offer
+an alternative which is useful for large cases, because on this way it will
+be notably faster and less computer ressources consuming.
+
+ Remember here that the tiling is drawn from left to right, and top to
+bottom, and note that the PostScript variable \texttt{x2} give the total
+number of columns.
+
+\begin{CenterExample}
+ % JHLCommentX\Escape will be the \ characterY
+ {\catcode`\!=0\catcode`\\=11!gdef!Escape{\}}
+
+ \newcommand{\ProtoTile}{%
+ JHLReverseX\SquareY%
+ \pscustom{%
+ \moveto(-0.9,0.75) % In PSTricks units
+ \code{%
+ /Times-Italic findfont 8 scalefont setfont
+ (\Escape() show JHLReverseXrowY 3 string cvs show (,) show
+ JHLReverseXcolumnY 3 string cvs show (\Escape)) show}
+ \moveto(-0.5,0.25) % In PSTricks units
+ \code{%
+ /Times-Bold findfont 18 scalefont setfont
+ 1 0 0 setrgbcolor % Red color
+ /center {dup stringwidth pop 2 div neg 0 rmoveto} def
+ JHLReverseXrowY 1 sub x2 mul JHLReverseXcolumnY add 3 string cvs center show}}}
+
+ \psboxfill{JHLReverseX\ProtoTileY}
+ \Tiling{(6,4)}
+\end{CenterExample}
+
+\subsection{A complete example: the Poisson equation}
+
+ To finish, we will show a complete real example, a drawing to explain the
+method used to solve the \textsc{Poisson} equation by a domain
+decomposition method, adapted to distributed memory computers. The
+objective is to show the communications required between processes and the
+position of the data to exchange. This code also show some useful and powerful
+technics for PSTricks programming (look specially at the way some higher level
+macros are defined, and how the same object is used to draw the four
+neighbors).
+
+\begin{CenterExample}
+ \newcommand{\Pattern}[1]{%
+ \begin{pspicture}(-0.25,-0.25)(0.25,0.25)
+ \rput{*0}{\psdot[dotstyle=#1]}
+ \end{pspicture}}
+
+ \newcommand{\West}{\Pattern{o}}
+ \newcommand{\South}{\Pattern{x}}
+ \newcommand{\Central}{\Pattern{+}}
+ \newcommand{\North}{\Pattern{square}}
+ \newcommand{\East}{\Pattern{triangle}}
+
+ \newcommand{\Cross}{%
+ \pspolygon[unit=0.5,linewidth=0.2,linecolor=red]
+ (0,0)(0,1)(1,1)(1,2)(2,2)(2,1)
+ (3,1)(3,0)(2,0)(2,-1)(1,-1)(1,0)}
+
+ \newcommand{\StylePosition}[1]{%
+ \LARGE\textcolor{red}{\textbf{#1}}}
+
+ \newcommand{\SubDomain}[4]{%
+ \psboxfill{#4}
+ \begin{psclip}{\psframe[linestyle=none]#1}
+ \psframe[linestyle=#3](5,5)
+ \psframe[fillstyle=boxfill]#2
+ \end{psclip}}
+
+ \newcommand{\SendArea}[1]{%
+ \psframe[fillstyle=solid,fillcolor=cyan]#1}
+
+ \newcommand{\ReceiveData}[2]{%
+ \psboxfill{#2}
+ \psframe[fillstyle=solid,fillcolor=yellow,
+ addfillstyle=boxfill]#1}
+
+ \newcommand{\Neighbor}[2]{%
+ \begin{pspicture}(5,5)
+ \rput{*0}(2.5,2.5){\StylePosition{#1}}
+ \ReceiveData{(0.5,0)(4.5,0.5)}{\Central}
+ \SendArea{(0.5,0.5)(4.5,1)}
+ \SubDomain{(5,2)}{(0.5,0.5)(4.5,3)}{dashed}{#2}%
+ % JHLCommentXReceive and send arrowsY
+ \pcarc[arcangle=45,arrows=->](0.5,-1.25)(0.5,0.25)
+ \pcarc[arcangle=45,arrows=->,linestyle=dotted,dotsep=2pt]
+ (4.5,0.75)(4.5,-0.75)
+ \end{pspicture}}
+
+ \psset{dimen=middle,dotscale=2,fillloopadd=JHLEmphX2Y}
+ \begin{pspicture}(-5.7,-5.7)(5.7,5.7)
+ % JHLCommentXCentral domainY
+ \rput(0,0){%
+ \begin{pspicture}(5,5)
+ % JHLCommentXReceive from West, East, North and SouthY
+ \ReceiveData{(0,0.5)(0.5,4.5)}{\West}
+ \ReceiveData{(4.5,0.5)(5,4.5)}{\East}
+ \ReceiveData{(0.5,4.5)(4.5,5)}{\North}
+ \ReceiveData{(0.5,0)(4.5,0.5)}{\South}
+ % JHLCommentXSend area for West, East, North and SouthY
+ \SendArea{(0.5,0.5)(1,4.5)}
+ \SendArea{(4,0.5)(4.5,4.5)}
+ \SendArea{(0.5,0.5)(4.5,1)}
+ \SendArea{(0.5,4)(4.5,4.5)}
+ % JHLCommentXCentral domainY
+ \SubDomain{(5,5)}{(0.5,0.5)(4.5,4.5)}{solid}{\Central}
+ % JHLCommentXRedraw overlapped linesY
+ \psline(1,0.5)(1,4.5)
+ \psline(4,0.5)(4,4.5)
+ % JHLCommentXTwo crossesY
+ \rput(1.5,4){\Cross}
+ \rput(2,2){\Cross}
+ \end{pspicture}}
+ % JHLCommentXThe four neighborsY
+ \rput(0,5.5){\Neighbor{N}{\North}}
+ \rput{-90}(5.5,0){\Neighbor{E}{\East}}
+ \rput{90}(-5.5,0){\Neighbor{W}{\West}}
+ \rput{180}(0,-5.5){\Neighbor{S}{\South}}
+ \end{pspicture}
+\end{CenterExample}
+
+% Bibliography
+\begin{thebibliography}{99}
+\bibitem{PostScript95} Adobe, Systems~Incorporated, \emph{PostScript Language
+Reference Manual}, Addison-Wesley, 2~edition, 1995.
+
+\bibitem{Bolek98} Piotr Bolek, \MP{} and patterns, \emph{\TUB}, Volume~19,
+Number~3, pages 276--283, September 1998, \CTANref{mpattern}.
+
+\bibitem{MLgraphTSI} Emmanuel Chailloux, Guy Cousineau and Asc\'ander
+Su\'arez, Programmation fonctionnelle de graphismes pour la production
+d'illustrations techniques, \emph{Technique et science informatique},
+Volume~15, Number~7, pages 977--1007, 1996 (in french).
+
+\bibitem{Deledicq97} Andr\'e Deledicq, \emph{Le monde des pavages}, ACL
+\'Editions, 1997 (in french).
+
+\bibitem{EsperetGirou98} Philippe Esperet and Denis Girou,
+Coloriage du pavage dit de Truchet, Cahiers GUTenberg, Number~31,
+pages 5--18, December~1998 (in french).
+
+\bibitem{Girou94} Denis Girou, Pr\'esentation de PSTricks, \emph{Cahiers
+GUTenberg}, Number~16, pages 21--70, February~1994 (in french).
+
+\bibitem{LGC97} Michel Goossens, Sebastian Rahtz and Frank Mittelbach,
+\emph{The \LaTeX{} Graphics Companion}, Addison-Wesley, 1997.
+
+\bibitem{GS87} Branko Gr\"unbaum and Geoffrey Shephard, \emph{Tilings and
+Patterns}, Freeman and Company, 1987.
+
+\bibitem{Hoenig97} Alan Hoenig, \emph{\TeX{} Unbound: \LaTeX{} \& \TeX{}
+Strategies, Fonts, Graphics, and More}, Oxford University Press, 1997.
+
+\bibitem{XYpic} Kristoffer~H. Rose and Ross Moore, \XYpic. Pattern and Tile
+extension, available from \CTAN, 1991-1998, \CTANref{xypic}.
+
+\bibitem{LAAN96} Kees van der Laan, Paradigms: Just a little bit of PostScript,
+\emph{MAPS}, Volume~17, pages 137--150, 1996.
+
+\bibitem{LAAN97} Kees van der Laan, Tiling in PostScript and \MF{} -- Escher's
+wink, \emph{MAPS}, Volume~19, Number~2, pages 39--67, 1997.
+
+\bibitem{vanZandt93} Timothy van Zandt, PSTricks. PostScript macros for
+Generic \TeX, available from \CTAN, 1993, \CTANref{pstricks}.
+
+\bibitem{vanZandtGirou94} Timothy van Zandt and Denis Girou, Inside PSTricks,
+\emph{\TUB}, Volume~15, Number~3, pages 239--246, September 1994.
+
+\bibitem{Wang65} Hao Wang, Games, Logic and Computers, \emph{Scientific
+American}, pages 98--106, November 1965.
+\end{thebibliography}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/pstnews1-10.pdf b/Master/texmf-dist/doc/generic/pstricks/pstnews1-10.pdf
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diff --git a/Master/texmf-dist/doc/generic/pstricks/pstnews1-11.tex b/Master/texmf-dist/doc/generic/pstricks/pstnews1-11.tex
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@@ -0,0 +1,167 @@
+\documentclass[12pt]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+%\usepackage{geometry}
+\usepackage{pst-all}
+\usepackage{showexpl}
+\usepackage{tabularx}
+\SpecialCoor
+%\usepackage[ps2pdf,colorlinks,linktocpage]{hyperref}
+\usepackage[colorlinks,linktocpage]{hyperref}
+\def\UrlFont{\small\ttfamily}
+\makeatletter
+\def\verbatim@font{\small\normalfont\ttfamily}
+\makeatother
+%\usepackage{color}
+\definecolor{hellgelb}{rgb}{1,1,0.8}
+\definecolor{colKeys}{rgb}{0,0,1}
+\definecolor{colIdentifier}{rgb}{0,0,0}
+\definecolor{colComments}{rgb}{1,0,0}
+\definecolor{colString}{rgb}{0,0.5,0}
+%
+\usepackage{listings}
+\lstset{%
+ language=PSTricks,%
+ float=hbp,%
+ basicstyle=\ttfamily\small, %
+ identifierstyle=\color{colIdentifier}, %
+ keywordstyle=\color{colKeys}, %
+ stringstyle=\color{colString}, %
+ commentstyle=\color{colComments}, %
+ columns=flexible, %
+ tabsize=4, %
+ frame=single, %
+ extendedchars=true, %
+ showspaces=false, %
+ showstringspaces=false, %
+ numbers=left, %
+ numberstyle=\tiny, %
+ breaklines=true, %
+% backgroundcolor=\color{hellgelb}, %
+ breakautoindent=true, %
+ captionpos=b,%
+ xleftmargin=0pt%
+}
+
+%\parindent=0pt
+\newcommand\verbI[1]{{\small\texttt{#1}}}
+\newcommand\CMD[1]{{\texttt{\textbackslash#1}}}
+%
+%\psset{subgriddiv=0,griddots=5,gridlabels=7pt}
+%
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+\def\PS{PostScript}
+%
+\begin{document}
+\title{\texttt{PSTricks -- version 1.11}\\new macros and bugfixes for \texttt{pstricks}}
+\author{Herbert Vo\thanks{%
+\url{Herbert.Voss@perce.de}}}
+\date{\today}
+
+\maketitle
+
+\begin{abstract}
+This new version of \texttt{pstricks.tex} depends on the also new prologue file
+\texttt{pstricks.pro} (v 1.00), which should go into the local \TeX-directoory \url{$TEXMFLOCAL/dvips/}.
+\end{abstract}
+
+
+\tableofcontents
+
+%--------------------------------------------------------------------------------------
+\section{New macro names}
+%--------------------------------------------------------------------------------------
+In general \texttt{PSTricks} uses macronames with a preceeding \verb+ps+ to prevent
+clashes with other packages. However, some macros have names without the \verb+ps+ and
+these ones have now new names:
+
+\begin{verbatim}
+ \scalebox -> \psscalebox
+ \scaleboxto -> \psscaleboxto
+ \rotateleft -> \psrotateleft
+ \rotateright -> \psrotateright
+ \rotatedown -> \psrotatedown
+\end{verbatim}
+
+The first change is important, because there were a lot of problems in the past;
+\verb+graphicx+ also defines a \verb+scalebox+ but with diffent syntax.
+
+%--------------------------------------------------------------------------------------
+\section{New fill options}
+%--------------------------------------------------------------------------------------
+For the fillstyles \verb+hlines+, \verb+vlines+ and \verb+crosshatch+ there are two new
+options to get increasing line widths and/or increasing whitespace. Both options are
+lengths and can be set as usual for PSTricks, with or without a unit.
+
+\bigskip\noindent
+\begin{tabularx}{\linewidth}{lXc}
+\emph{name} & \emph{meaning} & \emph{default}\\\hline
+\verb|hatchsepinc| & additional increasing space between two hatch lines & 0\tabularnewline
+\verb|hatchwidthinc| & value for the increasing line width of two hatch lines & 0
+\end{tabularx}
+
+
+
+\bigskip
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,3)
+ \psframe[fillstyle=vlines,hatchangle=0,hatchsep=.5pt,%
+ hatchwidth=1pt,hatchwidthinc=0.25pt](\linewidth,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,3)
+ \psframe[fillstyle=hlines,hatchangle=0,%
+ hatchwidth=1pt,hatchsep=0.5pt,hatchsepinc=0.1pt](\linewidth,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,3)
+ \psframe[fillstyle=vlines,hatchangle=0,hatchsep=0.6pt,%
+ hatchwidth=1pt,hatchwidthinc=0.3pt,hatchangle=60,
+ hatchcolor=red](\linewidth,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,3)
+ \psframe[fillstyle=hlines,hatchangle=0,hatchangle=-60,%
+ hatchwidth=1pt,hatchsep=0.5pt,hatchsepinc=0.1pt,
+ hatchcolor=blue](\linewidth,3)
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,4)
+ \pscircle[fillstyle=vlines,hatchangle=0,hatchsep=0.6pt,%
+ hatchwidth=1pt,hatchwidthinc=0.3pt,hatchangle=90,
+ hatchcolor=red](2,2){2}
+ \pscircle[fillstyle=vlines,hatchangle=0,hatchsep=0.6pt,%
+ hatchwidth=1pt,hatchwidthinc=0.3pt,hatchangle=-45,
+ hatchcolor=green](7,2){2}
+ \pscircle[fillstyle=hlines,hatchangle=0,hatchsep=0.6pt,%
+ hatchwidth=1pt,hatchwidthinc=0.3pt,hatchangle=45,
+ hatchcolor=blue](12,2){2}
+\end{pspicture}
+\end{LTXexample}
+
+\begin{LTXexample}[pos=t]
+\begin{pspicture}(\linewidth,3)
+ \psframe[fillstyle=crosshatch,hatchangle=0,hatchangle=-90,%
+ hatchwidth=1pt,hatchsep=0.5pt,hatchsepinc=0.1pt,
+ hatchcolor=blue](\linewidth,3)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{Other changes}
+%--------------------------------------------------------------------------------------
+\texttt{pstricks.tex} defined the PostScript subroutines for arcs of an ellipse.
+This code now moved into the appropriate \texttt{pstricks.pro}, which holds the
+pure PostScript code of \texttt{PSTricks}. This in not important for user until
+the newest \texttt{pstricks.pro} \textbf{and} \texttt{pstricks.tex} are installed.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/pstnews1-12.pdf b/Master/texmf-dist/doc/generic/pstricks/pstnews1-12.pdf
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+\documentclass[12pt]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+%\usepackage{geometry}
+\usepackage{pst-all}
+\usepackage{showexpl}
+\usepackage{tabularx}
+\SpecialCoor
+%\usepackage[ps2pdf,colorlinks,linktocpage]{hyperref}
+\usepackage[colorlinks,linktocpage]{hyperref}
+\def\UrlFont{\small\ttfamily}
+\makeatletter
+\def\verbatim@font{\small\normalfont\ttfamily}
+\makeatother
+%\usepackage{color}
+\definecolor{hellgelb}{rgb}{1,1,0.8}
+\definecolor{colKeys}{rgb}{0,0,1}
+\definecolor{colIdentifier}{rgb}{0,0,0}
+\definecolor{colComments}{rgb}{1,0,0}
+\definecolor{colString}{rgb}{0,0.5,0}
+%
+\usepackage{listings}
+\lstset{%
+ language=PSTricks,%
+ float=hbp,%
+ basicstyle=\ttfamily\small, %
+ identifierstyle=\color{colIdentifier}, %
+ keywordstyle=\color{colKeys}, %
+ stringstyle=\color{colString}, %
+ commentstyle=\color{colComments}, %
+ columns=flexible, %
+ tabsize=4, %
+ frame=single, %
+ extendedchars=true, %
+ showspaces=false, %
+ showstringspaces=false, %
+ numbers=left, %
+ numberstyle=\tiny, %
+ breaklines=true, %
+% backgroundcolor=\color{hellgelb}, %
+ breakautoindent=true, %
+ captionpos=b,%
+ xleftmargin=0pt%
+}
+
+%\parindent=0pt
+\newcommand\verbI[1]{{\small\texttt{#1}}}
+\newcommand\CMD[1]{{\texttt{\textbackslash#1}}}
+%
+%\psset{subgriddiv=0,griddots=5,gridlabels=7pt}
+%
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+\def\PS{PostScript}
+%
+\begin{document}
+\title{\texttt{PSTricks -- version 1.12}\\new macros and bugfixes for \texttt{pstricks}}
+\author{Herbert Vo\thanks{%
+\url{Herbert.Voss@perce.de}}}
+\date{\today}
+
+\maketitle
+
+\begin{abstract}
+This new version of \texttt{pstricks.tex} depends on the also new prologue file
+\texttt{pstricks.pro} (v 1.00), which should go into the local \TeX-directory \url{$TEXMFLOCAL/dvips/}.
+\end{abstract}
+
+
+\tableofcontents
+
+%--------------------------------------------------------------------------------------
+\section{New macro names}
+%--------------------------------------------------------------------------------------
+In general \texttt{PSTricks} uses macronames with a preceeding \verb+ps+ to prevent
+clashes with other packages. However, some macros have names without the \verb+ps+ and
+these ones have now new names:
+
+\begin{verbatim}
+ \scalebox -> \psscalebox
+ \scaleboxto -> \psscaleboxto
+ \rotateleft -> \psrotateleft
+ \rotateright -> \psrotateright
+ \rotatedown -> \psrotatedown
+\end{verbatim}
+
+The first change is important, because there were a lot of problems in the past;
+\verb+graphicx+ also defines a \verb+scalebox+ but with diffent syntax.
+
+
+%--------------------------------------------------------------------------------------
+\section{\texttt{shift} Option}
+%--------------------------------------------------------------------------------------
+The new \verb+shift+ option now expects a length with a \verb+PSTricks+ compatible dimension.
+
+\bgroup
+\begin{LTXexample}[pos=t]
+\small
+\textcolor{red}{\rule{5mm}{1pt}}%
+\begin{pspicture}[shift=0.5cm](-0.5,-0.5)(0.5,0.5)
+ \psframe[linecolor=blue](-0.5,-0.5)(0.5,0.5)\rput(0,0){0.5cm}
+\end{pspicture}%
+\textcolor{red}{\rule{5mm}{1pt}}\hspace{1cm}\textcolor{red}{\rule{5mm}{1pt}}%
+\begin{pspicture}(-0.5,-0.5)(0.5,0.5)
+ \psframe[linecolor=blue](-0.5,-0.5)(0.5,0.5)\rput(0,0){0}
+\end{pspicture}%
+\textcolor{red}{\rule{5mm}{1pt}}\hspace{1cm}\textcolor{red}{\rule{5mm}{1pt}}%
+\begin{pspicture}[shift=-0.5cm](-0.5,-0.5)(0.5,0.5)
+ \psframe[linecolor=blue](-0.5,-0.5)(0.5,0.5)\rput(0,0){-0.5cm}
+\end{pspicture}%
+\textcolor{red}{\rule{5mm}{1pt}}
+\end{LTXexample}
+\egroup
+
+%--------------------------------------------------------------------------------------
+\section{New arrows}
+%--------------------------------------------------------------------------------------
+
+\verb+pstricks now contains the missing arrow ends \verb+]-[+ and \verb+)-(+.
+
+\begin{LTXexample}[width=4cm]
+\begin{pspicture}(4,3)
+ \psset{arrowscale=2,linewidth=1pt}
+ \psline{]-[}(4,0)
+ \psline{)-(}(0,1)(4,1)
+ \psline{)->}(0,2)(4,2)
+ \psline{]->>}(0,3)(4,3)
+\end{pspicture}
+\end{LTXexample}
+
+%--------------------------------------------------------------------------------------
+\section{New otions for \texttt{pstricks.sty}}
+%--------------------------------------------------------------------------------------
+
+\begin{description}
+\item[\texttt{noxcolor}] load package \verb+color+ instead of \verb+xcolor+;
+\item[\texttt{plain}] do nothing else as a \CMD{input\{pstricks\}};
+\item[\texttt{DIA}] a bug fix for the \verb+PSTricks+-export of the garfic program DIA.
+\end{description}
+
+
+%--------------------------------------------------------------------------------------
+\section{New \texttt{pstricks.pro}}
+%--------------------------------------------------------------------------------------
+
+this file now contains the PostScript code for arcs of an ellipse.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/pstnews97-15.pdf b/Master/texmf-dist/doc/generic/pstricks/pstnews97-15.pdf
new file mode 100644
index 00000000000..64df84aacce
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/pstnews97-15.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/pstricks.bug b/Master/texmf-dist/doc/generic/pstricks/pstricks.bug
new file mode 100644
index 00000000000..247cd7dee59
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/pstricks.bug
@@ -0,0 +1,291 @@
+%% BEGIN pstricks.bug
+%%
+%% Last modified: March 15, 2000
+%%
+%% This file list some bugs and latebreaking news for PSTricks 97
+%%
+%% This file is edited by Denis Girou <Denis.Girou@idris.fr>
+%% and Sebastian Rahtz <sebastian.rahtz@computing-services.oxford.ac.uk>
+%%
+
+\def\fileversion{97 patch 5}
+\def\filedate{2000/03/15}
+
+\message{ v\fileversion, \filedate}
+
+% PROBLEMS:
+
+% 1. Inside the psmatrix environment, we can't use a parameter for the first
+% column definition if it's not the first row.
+% Reported by <Denis.Girou@idris.fr> in 1995.
+%
+% It's a parsing problem, as the parser wait something like [3mm] after the
+% \\ and not something like [name=B].
+%
+% In fact, this is the "standard" way in which LaTeX work, and this is
+% the same for the "tabular" environment, for instance.
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pstricks}
+%
+% \begin{document}
+% \begin{psmatrix}
+% [name=A] A \\
+% [name=B] B
+% \end{psmatrix}
+% \end{document}
+%
+% Workaround: add [0pt] after the \\ in these cases:
+%
+% [name=A] A \\[0pt]
+% [name=B] B
+
+% 2. With the `french' package, there is a problem with the special
+% < and > characters used for diagram and tree annotations (they are
+% not correctly typed nor positioned).
+% N.B. This problem doesn't occur with the frenchb sub-option of the
+% `babel' package.
+% Reported by Philippe Esperet <pesperet@compuserve.com> in October 1996.
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pstricks}
+% \usepackage{pst-node}
+% \usepackage{french}
+%
+% \begin{document}
+% \begin{psmatrix}
+% E&F\\
+% G&H
+% \ncline{1,1}{1,2}^w
+% \ncline{2,1}{2,2}_f
+% \ncline{1,1}{2,1}<u
+% \ncline{1,2}{2,2}>v
+% \end{psmatrix}
+% \end{document}
+%
+% Workaround: put the `psmatrix' environment inside an `english' one
+
+% 3. When arrows are required, this change the way the curves are drawn.
+% In fact, the modification is small, and we must be very careful
+% to see that, but this effect can be clearly demonstrated if we
+% surimpose a grid. And it can be specially ennoying for Bezier curves.
+% Reported by Thomas Siegel <siegel@aix520.informatik.uni-leipzig.de>
+% in September 1997.
+%
+% When an arrow is defined, the point used to draw line or curve is
+% the entry of the arrow, and no more the defined point itself.
+% It is difficult to say if it is a "bug or a feature" (seems rather
+% a bug for me - D.G.)
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pstricks}
+%
+% \pagestyle{empty}
+%
+% \begin{document}
+%
+% \begin{pspicture}(4,2)
+% \psgrid
+% \psdot*(1,1)
+% \psdot*(3,1)
+% \psset{arrowinset=0}
+% \psbezier[showpoints=true]{->}(1,1)(0,2)(4,2)(3,1)
+% \psbezier[showpoints=true]{<-}(1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+%
+% \vspace{1cm}
+% \begin{pspicture}(4,2)
+% \psgrid
+% \psdot*(1,1)
+% \psdot*(3,1)
+% \psbezier[showpoints=true](1,1)(0,2)(4,2)(3,1)
+% \psbezier[showpoints=true](1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+% \vspace{2cm}
+%
+% \begin{pspicture}(0,-2)(4,3)
+% \psbezier[arrowsize=2]{->}(1,1)(0,2)(4,2)(3,1)
+% \psbezier[arrowsize=2]{<-}(1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+%
+% \begin{pspicture}(0,-2)(4,3)
+% \pscurve[arrowsize=2]{->}(1,1)(0,2)(4,2)(3,1)
+% \pscurve[arrowsize=2]{<-}(1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+%
+% \clearpage
+%
+% \makeatletter
+% % Version of the /Arrow macro which keep the coordinates of the point
+% % and doesn't used the entry of the arrow head for that
+% % (default was specially ennoying for \psbezier and when we use large
+% % value of arrowsize or arrowscale parameter)
+% % Work here on the current page
+% \pst@Verb{%
+% /Arrow { CLW mul add dup 2 div /w ED mul dup /h ED mul /a ED { 0 h T 1 -1
+% scale } if w neg h moveto 0 0 L w h L w neg a neg rlineto
+% % DG modification begin - Sep. 25, 1997
+% 0 0 moveto
+% % DG modification end
+% gsave fill grestore } def}
+% \makeatother
+%
+% \begin{pspicture}(4,2)
+% \psgrid
+% \psdot*(1,1)
+% \psdot*(3,1)
+% \psset{arrowinset=0}
+% \psbezier[showpoints=true]{->}(1,1)(0,2)(4,2)(3,1)
+% \psbezier[showpoints=true]{<-}(1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+%
+% \begin{pspicture}(0,-2)(4,5)
+% \psbezier[arrowsize=2]{->}(1,1)(0,2)(4,2)(3,1)
+% \psbezier[arrowsize=2]{<-}(1,1)(0,0)(4,0)(3,1)
+% \end{pspicture}
+%
+% \end{document}
+%
+% Workaround: change the definition of the PostScript /Arrow macro,
+% as described above
+
+% 4. The \savedata macro must not be used inside another macro.
+% In such case, the drawing commands, like \dataplot, will show nothing.
+% The problem is related to some catcode changes that can't be made,
+% and in fact a delimiter is not introduced after each point defined,
+% so the curve will have at the end only one point, the last one.
+% It is the reason why nothing is shown later by a macro like \dataplot.
+% Reported by Ivan Maio <maio@pol88a.polito.it> in October 1997.
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pst-plot}
+%
+% \pagestyle{empty}
+%
+% \begin{document}
+%
+% \begin{pspicture}(-2,-2)(2,2)
+% \savedata{\test}[%
+% -1.09 -0.55
+% -0.4 -0.1
+% 0 1.02
+% 1.28 0.06
+% 1.51 1.21]
+% \dataplot{\test}
+% \psaxes{<->}(0,0)(-2,-2)(2,2)
+% \end{pspicture}
+%
+% \vspace{1cm}
+% \psframebox{%
+% \begin{pspicture}(-2,-2)(2,2)
+% \savedata{\test}[%
+% -1.09 -0.55
+% -0.4 -0.1
+% 0 1.02
+% 1.28 0.06
+% 1.51 1.21]
+% \dataplot{\test}
+% \psaxes{<->}(0,0)(-2,-2)(2,2)
+% \end{pspicture}}
+%
+% \savedata{\test}[%
+% -1.09 -0.55
+% -0.4 -0.1
+% 0 1.02
+% 1.28 0.06
+% 1.51 1.21]
+%
+% \vspace{1cm}
+% \psframebox{%
+% \begin{pspicture}(-2,-2)(2,2)
+% \dataplot{\test}
+% \psaxes{<->}(0,0)(-2,-2)(2,2)
+% \end{pspicture}}
+%
+% \end{document}
+%
+% Workaround: do not use \savedata inside another macro, as shown in the
+% previous example
+
+% 5. Moves (by \rput for instance) of objects defined using nodes have
+% no effect. The position is not affected by the translation required.
+% Reported by Thomas Siegel <siegel@aix520.informatik.uni-leipzig.de>
+% in February 1998.
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pst-node}
+%
+% \pagestyle{empty}
+%
+% \begin{document}
+%
+% \SpecialCoor
+%
+% \begin{pspicture}(5,5)
+% \qdisk(5,0){2.5mm}
+% \qdisk(0,5){2.5mm}
+% \rput(1,1){\psline(5,0)(0,5)}
+% \end{pspicture}
+% \begin{pspicture}(5,5)
+% \Cnode*(5,0){f1}
+% \Cnode*(0,5){f2}
+% \rput(1,1){\psline(f1)(f2)}
+% \end{pspicture}
+%
+% \end{document}
+%
+% Workaround: none is known for the moment.
+
+% 6. When two labels are required for a node connection, the second one is
+% incorrectly positioned when at least one of them use also node
+% connections.
+% Reported by Anthony Doggett <adoggett@uiuc.edu> in December 1999.
+%
+% Test file:
+%
+% \documentclass{article}
+%
+% \usepackage{pst-node}
+%
+% \SpecialCoor
+%
+% \pagestyle{empty}
+%
+% \begin{document}
+%
+% \newcommand{\Label}{%
+% \pnode(0,0){A}
+% \pnode(2,0){B}
+% \psline(A)(B)}
+% %
+% \pcline(0,0)(3,-3)\naput{\Label}\nbput{Label} % Correct pos. for "Label"
+% %
+% \renewcommand{\Label}{%
+% \pnode(0,0){A}
+% \pnode(2,0){B}
+% \ncline{A}{B}}
+% %
+% \hfill
+% \pcline(0,0)(3,-3)\naput{\Label}\nbput{Label} % Uncorrect pos. for "Label"
+%
+% \end{document}
+%
+% Workaround: none is known for the moment (without bad side effects)
+
+%%
+%% END pstricks.bug
diff --git a/Master/texmf-dist/doc/generic/pstricks/test-pst.pdf b/Master/texmf-dist/doc/generic/pstricks/test-pst.pdf
new file mode 100644
index 00000000000..2ac2bd0199a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/test-pst.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/test-pst.tex b/Master/texmf-dist/doc/generic/pstricks/test-pst.tex
new file mode 100644
index 00000000000..2af57b5daa6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/test-pst.tex
@@ -0,0 +1,257 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -*- Mode: Latex -*- %%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% test-pst.tex --- Various PSTricks tests, from the PSTricks chapter
+%% of "The LaTeX Graphics Companion" (by Goossens, Rahtz,
+%% Mittelbach, Addison Wesley, 1997)
+%%
+%% Author : Sebastian RAHTZ (Oxford University - GB)
+%% <sebastian.rahtz@computing-services.oxford.ac.uk>
+%% Created the : Tue Feb 3 20:37:47 1998
+%% Last mod. by : Denis GIROU (CNRS/IDRIS - France) <Denis.Girou@idris.fr>
+%% Last mod. the : Wed May 5 20:09:18 1999
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\documentclass{article}
+
+\usepackage[latin1]{inputenc} % From LaTeX distribution
+\usepackage{calc} % From LaTeX distribution
+\usepackage{graphicx} % From LaTeX distribution
+\usepackage{ifthen} % From LaTeX distribution
+\usepackage{subfigure} % From CTAN/macros/latex/contrib/supported/subfigure
+\usepackage{pst-all} % From PSTricks
+\usepackage{pst-poly} % From pstricks/contrib/pst-poly
+\usepackage{multido} % From PSTricks
+\input{random.tex} % From CTAN/macros/generic
+
+% Take care that on some non Unix systems, you may have to replace
+% the / character by, for instance, the : one (\input{lgc:#2.inl}})
+\newcommand{\ExampleSubFigure}[2][0.3333]{%
+\subfigure[Example #2]{%
+ \begin{minipage}[t]{#1\textwidth}
+ \parbox[b]{\textwidth}{%
+ \centering
+ \input{lgc/#2.inl}}
+ \end{minipage}}}
+
+\newpsobject{showgrid}{psgrid}{subgriddiv=1,griddots=10,gridlabels=6pt}
+
+% New colors defined
+\definecolor{brown}{rgb}{.65, .16, .16}
+\definecolor{lightblue}{rgb}{.68, .85, .9}
+\definecolor{palegreen}{rgb}{.6, .98, .6}
+\definecolor{pink}{rgb}{1, .75, .8}
+\definecolor{wheat}{rgb}{.96, .87, .7}
+
+% Layout changes
+\textheight=23cm
+\topmargin=-2cm
+\textwidth=16cm
+\oddsidemargin=0cm
+\evensidemargin=0cm
+
+\begin{document}
+
+\title{Test file for the PSTricks 97 distribution:\\
+ most of the PSTricks examples of\\
+ \emph{The \LaTeX{} Graphics Companion}}
+\author{Sebastian \textsc{Rahtz} --- March 1997}
+\date{Version 1.3 (September 9, 1998)}
+\maketitle
+
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure{4-2-1}%
+ \ExampleSubFigure{4-2-2}%
+ \ExampleSubFigure{4-2-3}
+ \ExampleSubFigure{4-2-4}%
+ \ExampleSubFigure{4-2-5}
+ \caption{Section 2}
+\end{figure}
+
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure{4-3-1}%
+ \ExampleSubFigure{4-3-2}
+ \caption{Section 3}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure{4-4-1}%
+ \ExampleSubFigure{4-4-2}%
+ \ExampleSubFigure{4-4-3}
+ \ExampleSubFigure{4-4-4}%
+ \ExampleSubFigure{4-4-5}%
+ \ExampleSubFigure{4-4-6}
+ \ExampleSubFigure{4-4-7}%
+ \ExampleSubFigure{4-4-8}%
+ \ExampleSubFigure{4-4-9}
+ \ExampleSubFigure{4-4-10}%
+ \ExampleSubFigure{4-4-11}%
+ \ExampleSubFigure{4-4-12}
+ \caption{Section 4}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[0.5]{4-5-1}%
+ \ExampleSubFigure[0.5]{4-5-2}
+ \ExampleSubFigure[0.75]{4-5-3}%
+ \ExampleSubFigure[0.25]{4-5-4}
+ \ExampleSubFigure[0.15]{4-5-5}%
+ \ExampleSubFigure[0.25]{4-5-6}%
+ \ExampleSubFigure[0.2]{4-5-7}%
+ \ExampleSubFigure[0.2]{4-5-8}%
+ \ExampleSubFigure[0.2]{4-5-9}
+ \ExampleSubFigure[0.5]{4-5-10}%
+ \ExampleSubFigure[0.5]{4-5-11}
+ \caption{Section 5-A}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-5-13}
+ \ExampleSubFigure[1]{4-5-14}
+ \ExampleSubFigure[1]{4-5-16}
+ \caption{Section 5-B}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure{4-6-1}%
+ \ExampleSubFigure{4-6-2}%
+ \ExampleSubFigure{4-6-3}
+ \ExampleSubFigure{4-6-4}%
+ \ExampleSubFigure{4-6-5}%
+ \ExampleSubFigure{4-6-6}
+ \ExampleSubFigure{4-6-7}%
+ \ExampleSubFigure{4-6-8}%
+ \ExampleSubFigure{4-6-9}
+ \ExampleSubFigure{4-6-10}%
+ \ExampleSubFigure{4-6-11}%
+ \ExampleSubFigure{4-6-12}
+ \ExampleSubFigure{4-6-13}%
+ \ExampleSubFigure{4-6-14}%
+ \ExampleSubFigure{4-6-15}
+ \ExampleSubFigure{4-6-16}%
+ \ExampleSubFigure{4-6-17}%
+ \ExampleSubFigure{4-6-18}
+ \caption{Section 6-A}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure{4-6-19}%
+ \ExampleSubFigure{4-6-20}%
+ \ExampleSubFigure{4-6-21}
+ \ExampleSubFigure{4-6-22}%
+ \ExampleSubFigure{4-6-23}%
+ \ExampleSubFigure{4-6-24}
+ \ExampleSubFigure{4-6-25}
+ \caption{Section 6-B}
+\end{figure}
+
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-6-26}
+ \ExampleSubFigure{4-6-27}%
+ \ExampleSubFigure{4-6-28}%
+ \ExampleSubFigure{4-6-29}
+ \ExampleSubFigure[0.3333]{4-6-30}%
+ \ExampleSubFigure[0.6667]{4-6-31}
+ \ExampleSubFigure[1]{4-6-32}
+ \caption{Section 6-C}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-6-33}
+ \ExampleSubFigure[0.5]{4-6-34}%
+ \ExampleSubFigure[0.5]{4-6-35}
+ \ExampleSubFigure[0.5]{4-6-36}%
+ \ExampleSubFigure[0.5]{4-6-37}
+ \caption{Section 6-D}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-6-38}
+ \ExampleSubFigure[1]{4-6-39}
+ \ExampleSubFigure[0.5]{4-6-40}%
+ \ExampleSubFigure[0.5]{4-6-41}
+ \caption{Section 6-E}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[0.5]{4-6-42}%
+ \ExampleSubFigure[0.5]{4-6-43}
+ \ExampleSubFigure{4-6-44}%
+ \ExampleSubFigure{4-6-45}%
+ \ExampleSubFigure{4-6-46}
+ \caption{Section 6-F}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-7-1}
+ \ExampleSubFigure[1]{4-7-2}
+ \ExampleSubFigure[1]{4-7-4}
+ \caption{Section 7}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[0.5]{4-8-1}%
+ \ExampleSubFigure[0.25]{4-8-2}%
+ \ExampleSubFigure[0.25]{4-8-3}
+ \ExampleSubFigure[1]{4-8-4}
+ \caption{Section 8-A}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-8-5}
+ \caption{Section 8-B}
+\end{figure}
+
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[0.5]{4-9-1}%
+ \ExampleSubFigure[0.5]{4-9-2}
+ \caption{Section 9}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[0.4]{4-10-1}%
+ \ExampleSubFigure[0.2]{4-10-2}%
+ \ExampleSubFigure[0.2]{4-10-3}%
+ \ExampleSubFigure[0.2]{4-10-4}
+ \ExampleSubFigure[0.4]{4-10-5}%
+ \ExampleSubFigure[0.2]{4-10-6}%
+ \ExampleSubFigure[0.4]{4-10-7}
+ \caption{Section 10-A}
+\end{figure}
+
+\clearpage
+\begin{figure}[!htbp]
+ \centering
+ \ExampleSubFigure[1]{4-10-8}
+ \ExampleSubFigure[1]{4-10-9}
+ \ExampleSubFigure[1]{4-10-10}
+ \caption{Section 10-B}
+\end{figure}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/MyCurveA.dat b/Master/texmf-dist/doc/generic/pstricks/voss/MyCurveA.dat
new file mode 100644
index 00000000000..6a37fc66bee
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diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.pdf
new file mode 100644
index 00000000000..1bd216bbf9d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.tex
new file mode 100644
index 00000000000..532e09b28fb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp00.tex
@@ -0,0 +1,60 @@
+\documentclass[11pt]{article}
+\usepackage{pstricks}
+\usepackage{longtable}
+\enlargethispage{3cm}
+\pagestyle{empty}
+
+\begin{document}
+
+\newcommand{\colex}[1]{\psline[linewidth=0.25cm,linecolor=#1](0,0)(1,0)}
+\newcommand{\colrow}[4]{#1 & #2 & \colex{#1} & #3 & #4 & \colex{#3}}
+
+\addtolength{\tabcolsep}{-2.5pt}
+\renewcommand{\arraystretch}{1.5}
+\footnotesize
+
+\begin{longtable}{|l|l|p{1.25cm}|l|l|p{1.25cm}|}\hline
+\multicolumn{1}{|c|}{\textsc{name}}
+& \multicolumn{1}{c|}{\textsc{cmyk}}
+& \multicolumn{1}{c|}{\textsc{color}}
+& \multicolumn{1}{c|}{\textsc{name}}
+& \multicolumn{1}{c|}{\textsc{cmyk}}
+& \multicolumn{1}{c|}{\textsc{color}}\\\hline
+\endhead
+\colrow{GreenYellow}{0.15,0,0.69,0}{RoyalPurple}{0.75,0.90,0,0}\\
+\colrow{Yellow}{0,0,1,0}{BlueViolet}{0.86,0.91,0,0.04}\\
+\colrow{Goldenrod}{0,0.10,0.84,0}{Periwinkle}{0.57,0.55,0,0}\\
+\colrow{Dandelion}{0,0.29,0.84,0}{CadetBlue}{0.62,0.57,0.23,0}\\
+\colrow{Apricot}{0,0.32,0.52,0}{CornflowerBlue}{0.65,0.13,0,0}\\
+\colrow{Peach}{0,0.50,0.70,0}{MidnightBlue}{0.98,0.13,0,0.43}\\
+\colrow{Melon}{0,0.46,0.50}{NavyBlue}{0.94,0.54,0,0}\\
+\colrow{YellowOrange}{0,0.42,1,0}{RoyalBlue}{1,0.50,0,0}\\
+\colrow{Orange}{0,0.61,0.87,0}{Blue}{1,1,0,0}\\
+\colrow{BurntOrange}{0,0.51,1,0}{Cerulean}{0.94,0.11,0,0}\\
+\colrow{Bittersweet}{0,0.75,1,0.24}{Cyan}{1,0,0,0}\\
+\colrow{RedOrange}{0,0.77,0.87,0}{ProcessBlue}{0.96,0,0,0}\\
+\colrow{Mahogany}{0,0.85,0.87,0.35}{SkyBlue}{0.62,0,0.12,0}\\
+\colrow{Maroon}{0,0.87,0.68,0.32}{Turquoise}{0.85,0,0.20,0}\\
+\colrow{BrickRed}{0,0.89,0.94,0.28}{TealBlue}{0.86,0,0.34,0.02}\\
+\colrow{Red}{0,1,1,0}{Aquamarine}{0.82,0,0.30,0}\\
+\colrow{OrangeRed}{0,1,0.50,0}{BlueGreen}{0.85,0,0.33,0}\\
+\colrow{RubineRed}{0,1,0.13,0}{Emerald}{1,0,0.50,0}\\
+\colrow{WildStrawberry}{0,0.96,0.39,0}{JungleGreen}{0.99,0,0.52,0}\\
+\colrow{Salmon}{0,0.53,0.38,0}{SeaGreen}{0.69,0,0.50,0}\\
+\colrow{CarnationPink}{0,0.63,0,0}{Green}{1,0,1,0}\\
+\colrow{Magenta}{0,1,0,0}{ForestGreen}{0.91,0,0.88,0.12}\\
+\colrow{VioletRed}{0,0.81,0,0}{PineGreen}{0.92,0,0.59,0.25}\\
+\colrow{Rhodamine}{0,0.82,0,0}{LimeGreen}{0.50,0,1,0}\\
+\colrow{Mulberry}{0.34,0.90,0,0.02}{YellowGreen}{0.44,0,0.74,0}\\
+\colrow{RedViolet}{0.07,0.90,0,0.34}{SpringGreen}{0.26,0,0.76,0}\\
+\colrow{Fuchsia}{0.47,0.91,0,0.08}{OliveGreen}{0.64,0,0.95,0.40}\\
+\colrow{Lavender}{0,0.48,0,0}{RawSienna}{0,0.72,1,0.45}\\
+\colrow{Thistle}{0.12,0.59,0,0}{Sepia}{0,0.83,1,0.70}\\
+\colrow{Orchid}{0.32,0.64,0,0}{Brown}{0,0.81,1,0.60}\\
+\colrow{DarkOrchid}{0.40,0.80,0.20,0}{Tan}{0.14,0.42,0.56,0}\\
+\colrow{Purple}{0.45,0.86,0,0}{Gray}{0,0,0,0.50}\\
+\colrow{Plum}{0.50,1,0,0}{Black}{0,0,0,1}\\
+\colrow{Violet}{0.79,0.88,0,0}{White}{0,0,0,0}\\\hline
+\end{longtable}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp02.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp02.pdf
new file mode 100644
index 00000000000..c79246153b5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp02.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.pdf
new file mode 100644
index 00000000000..daee0119946
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.tex
new file mode 100644
index 00000000000..3961bd3c1a6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp108.tex
@@ -0,0 +1,38 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% bsp108.tex ---
+%% Autor : Herbert Voss <voss@perce.de>
+%% Datum : 2004-04-25
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[12pt]{article}
+\usepackage{pstricks}
+\usepackage{pst-char}
+\usepackage{pst-grad}
+\usepackage{graphicx}
+
+\parindent=0pt
+\pagestyle{empty}
+
+\begin{document}
+
+\begin{center}
+\bgroup
+\DeclareFixedFont{\RM}{T1}{ptm}{b}{n}{3cm}
+\DeclareFixedFont{\Rm}{T1}{ptm}{m}{n}{2mm}
+%\psset{shadow=true,blur=true,shadowsize=10pt,blurradius=5pt}
+
+\psset{fillstyle=gradient,gradbegin=red,gradend=white}
+\begin{pspicture}(\linewidth,3cm)
+\resizebox{\linewidth}{!}{\pscharpath[gradangle=90]{\RM PostScript}}
+\end{pspicture}\\
+\begin{pspicture}(\linewidth,3cm)
+\resizebox{\linewidth}{!}{\pscharpath[gradangle=0]{\RM PostScript}}
+\end{pspicture}\\
+\begin{pspicture}(\linewidth,3cm)
+\resizebox{\linewidth}{!}{\pscharpath[gradmidpoint=0,gradangle=90]{\RM PostScript}}
+\end{pspicture}
+\egroup
+%\figcaption{\texttt{bsp108.tex}: Schattenspiele \ldots}
+
+\end{center}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp110.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp110.pdf
new file mode 100644
index 00000000000..7ce99280b98
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp110.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp114.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp114.pdf
new file mode 100644
index 00000000000..f2a8e18b66d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp114.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp14.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp14.tex
new file mode 100644
index 00000000000..c55edc940ca
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp14.tex
@@ -0,0 +1,38 @@
+\documentclass[12pt,a4paper]{article}% Herbert Voss 2004-06-23
+\usepackage{pstricks}
+\usepackage{pst-node}
+\makeatletter
+\def\psRotation#1(#2,#3)#4{%
+ \rput{#1}(#2,#3){%
+ \psellipticarc[linewidth=.4pt]{->}(0,-0.1)(0.6,0.15){120}{70}
+ \ifdim#1pt>\z@\rput[l]{*0}(0.675,0){#4}\else\rput[l](0.675,0){#4}\fi
+ }%
+}
+\makeatother
+
+\begin{document}
+\psset{unit=2cm}
+%\psframebox{
+\begin{pspicture}(-1.75,-3)(3.25,4)
+\psline[linewidth=0.25pt](0,0)(0,4)
+\rput[tl]{0}(0.2,2){$\vec e_z$}
+\rput[tr]{0}(-0.9,1.4){$\vec e$}
+\rput[tl]{0}(2.8,-1.1){$\vec C_{ptm{ext}}$}
+\rput[br]{0}(-0.3,2.1){$\theta$}
+\rput{25}(0,0){%
+ \psframe[fillstyle=solid,fillcolor=lightgray,linewidth=.8pt](-0.1,-3.2)(0.1,0)}
+\rput{25}(0,0){%
+ \psellipse[fillstyle=solid,fillcolor=yellow,linewidth=3pt](0,0)(1.5,0.5)}
+\rput{25}(0,0){%
+ \psframe[fillstyle=solid,fillcolor=lightgray,linewidth=.8pt](-0.1,0)(0.1,3.2)}
+\rput{25}(0,0){\psline[linecolor=red,linewidth=1.5pt]{->}(0,0)(0.,2)}
+\psRotation{0}(0,3.5){$\dot\phi$}
+\psRotation{25}(-1.2,2.6){$\dot\psi$}
+\psline[linecolor=red,linewidth=1.25pt]{->}(0,0)(0,2)
+\psline[linecolor=red,linewidth=1.25pt]{->}(0,0)(3,-1)
+\psline[linecolor=red,linewidth=1.25pt]{->}(0,0)(2.85,-0.95)
+\psarc{->}{2.1}{90}{112.5}
+\rput[bl](.1,.01){C}
+\end{pspicture}
+%}
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp15.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp15.pdf
new file mode 100644
index 00000000000..528af5e72c7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp15.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp23.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp23.pdf
new file mode 100644
index 00000000000..195d96433b6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp23.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp26.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp26.tex
new file mode 100644
index 00000000000..24146109c6f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp26.tex
@@ -0,0 +1,31 @@
+\documentclass{article}
+\usepackage{pst-node}
+\usepackage{pstricks-add}
+\pagestyle{empty}
+
+\begin{document}
+
+\begin{pspicture}(10,7)
+ \psgrid[subgriddiv=0,griddots=10,gridcolor=gray,gridlabels=7pt]
+ \psset{linewidth=1mm,radius=0.5}
+ \Cnode(4,3){A}
+ \Cnode(6,2){B}
+ \Cnode(4,6){C}
+ \Cnode(3,0){D}
+ \SpecialCoor
+ \psline[linestyle=dashed,linewidth=0.1pt](A)(B)(C)(D)(B)
+ \psline[linestyle=dashed,linewidth=0.1pt](C)(A)(D)
+ \psline[linestyle=dashed,linewidth=0.1pt](0,2)(10,2)
+ \psline[linestyle=dashed,linewidth=0.1pt](0,3)(10,3)
+ \psline[linestyle=dashed,linewidth=0.1pt](0,5)(10,0)
+ \psline(A)(B)
+ \psline[linecolor=red](C)([Xnodesep=4]A)
+ \psline[linecolor=green](C)([nodesep=4]A)
+ \psline[linecolor=cyan](C)([Xnodesep=3]{A}B)
+ \psline[linecolor=blue](C)([Ynodesep=3]{A}B)
+ \psline[linecolor=magenta](C)([Ynodesep=3]{B}A)
+ \psline[linecolor=yellow](C)([Xnodesep=3]{B}A)
+ \psline{->}([Xnodesep=4]{A}B)([Ynodesep=5]{D}C)
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp29.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp29.tex
new file mode 100644
index 00000000000..645cc4d1ece
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp29.tex
@@ -0,0 +1,34 @@
+\documentclass[12pt,a4paper]{article} % Herbert Voss 2004-05-05
+\usepackage{pstricks}
+\xdefinecolor{lightred}{rgb}{1.0, 0.8, 0.8}
+\newsavebox\pstBox
+\newlength\pstWidth
+\newlength\pstHeight
+\makeatletter
+\def\psLBox{\@ifnextchar[{\psLBox@i}{\psLBox[]}}
+\def\psLBox@i[#1]#2{%
+ \psset{linearc=0.4,shadow=true,shadowsize=0.2,%
+ fillstyle=solid,fillcolor=white}
+ \ifx#1\empty\else\psset{#1}\fi
+ \sbox\pstBox{#2}
+ \pstWidth=\wd\pstBox
+ \pstHeight=\ht\pstBox
+ \advance\pstHeight by \dp\pstBox
+ \advance\pstHeight by \pslinearc
+ \advance\pstWidth by \pslinearc
+ \begin{pspicture}(\pstWidth,\pstHeight)
+ \psline(\pstWidth,0)(0,0)(0,\pstHeight)(\pstWidth,\pstHeight)%
+ \psline[shadow=false](\pstWidth,\pstHeight)(\pstWidth,0)
+ \rput(0.5\pstWidth,0.5\pstHeight){#2}
+ \end{pspicture}
+}
+\makeatother
+\begin{document}
+
+\psLBox[fillcolor=lightred]{Some text in a box}%
+\psLBox[fillcolor=yellow]{%
+\parbox{3cm}{Some text in a box with line arcs only
+ on the left side}
+}%
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp31.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp31.tex
new file mode 100644
index 00000000000..263254aaa9b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp31.tex
@@ -0,0 +1,46 @@
+\documentclass[12pt]{article}% Denis Girou
+
+\usepackage{pstricks}
+\pagestyle{empty}
+
+\begin{document}
+
+\psset{subgriddiv=0,gridcolor=lightgray}
+
+\begin{pspicture}(9,4)
+\begin{psclip}{\psellipse(3,2)(3,1)}
+ \psellipse[fillstyle=solid,
+ fillcolor=magenta](6,2)(3,1)
+\end{psclip}
+\psellipse(3,2)(3,1)
+\psellipse(6,2)(3,1)
+\rput(2,3.5){epistemische Indizes}
+\psline{->}(2,3.2)(2,2)
+\rput(7,0.5){faktische Indizes}
+\psline{->}(7,0.7)(7,2)
+\rput(4.5,2){\parbox{1.5cm}{\small realistische Indizes}}
+\end{pspicture}
+
+\begin{pspicture}(5,5)%\psgrid
+ \newcommand{\SurfaceA}{\pscircle(1,1){1}}
+ \newcommand{\SurfaceB}{\pscircle(2.5,3){2}}
+ \SurfaceA\SurfaceB
+ \begin{psclip}{\SurfaceA}
+ \psset{fillstyle=solid,fillcolor=blue}
+ \SurfaceB
+ \end{psclip}
+\end{pspicture}
+%
+\begin{pspicture}(5,5)%\psgrid
+ \newcommand{\SurfaceA}{\psframe(1.5,0.5)(3.8,4.8)}
+ \newcommand{\SurfaceB}{\psellipse(2,3.5)(1.5,1)}
+ \newcommand{\SurfaceC}{\pscircle(3.5,3){1.5}}
+ \newcommand{\SurfaceD}{\psdiamond(2.5,3)(2,1)}
+ \SurfaceA\SurfaceB\SurfaceC\SurfaceD
+ \begin{psclip}{\SurfaceA\SurfaceB\SurfaceC\SurfaceD}
+ \psset{fillstyle=solid,fillcolor=red}
+ \SurfaceA
+ \end{psclip}
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp37.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp37.tex
new file mode 100644
index 00000000000..72b990e004c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp37.tex
@@ -0,0 +1,16 @@
+\documentclass[12pt]{article} % voss_at_pstricks.de (2004-06-03)
+\usepackage{multido}
+\usepackage{pstricks}
+\usepackage{pst-plot}
+\usepackage{pst-stru}
+\pagestyle{empty}
+\parindent=0pt
+\begin{document}
+
+\psset{arrowsize=0.8mm,arrowinset=0}
+\begin{pspicture}(-1,-3.5)(11,3)
+% \psgrid[subgriddiv=0,griddots=10,gridlabels=7pt,gridcolor=magenta]
+ \triload[K=1,P=8,L=5]
+\end{pspicture}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp38.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp38.pdf
new file mode 100644
index 00000000000..11b9a721883
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp38.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp40.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp40.pdf
new file mode 100644
index 00000000000..cbde7c381d8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp40.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp44.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp44.tex
new file mode 100644
index 00000000000..b4457aa1353
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp44.tex
@@ -0,0 +1,26 @@
+\documentclass{article}
+\usepackage{pstricks}
+
+\def\defineTColor#1#2{% transparente "Farben"
+ \newpsstyle{#1}{%
+ fillstyle=vlines,hatchcolor=#2,%
+ hatchwidth=0.1\pslinewidth,hatchsep=1\pslinewidth%
+}}
+
+\pagestyle{empty}
+\parindent=0pt
+
+\begin{document}
+
+\begin{center}
+\defineTColor{tRot}{red}
+\defineTColor{tCyan}{cyan}
+
+\begin{pspicture}(0,-1)(5,6)
+\rput(2.5,2.5){\psframebox[doubleline=true,framearc=0.3]{\Huge\textsf{ PostScript }}}
+\rput{-30}(1,1){\psframe[style=tRot](2.5,4)}
+\rput{30}(2.5,1){\psframe[style=tCyan](2.5,4)}
+\end{pspicture}
+\end{center}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp48.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp48.tex
new file mode 100644
index 00000000000..77df01ed736
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp48.tex
@@ -0,0 +1,29 @@
+\documentclass[]{article}
+\usepackage{pstricks}
+\usepackage{pst-slpe}
+\usepackage{pst-plot}
+\pagestyle{empty}
+\parindent=0pt
+
+\begin{document}
+
+\begin{center}
+\bgroup
+\begin{pspicture}(5.5,2.5)
+ \psframe[fillstyle=ccslope](2.5,2.5)
+ \psframe[fillstyle=ccslopes](3,0)(5.5,2.5)
+\end{pspicture}
+\begin{pspicture}(5.5,2.5)
+ \psframe[fillstyle=radslope](2.5,2.5)
+ \psframe[fillstyle=radslopes](3,0)(5.5,2.5)
+\end{pspicture}
+
+\begin{pspicture}(0,-0.25)(\linewidth,0.75cm)
+\psaxes[axesstyle=frame,tickstyle=bottom](\linewidth,0.5cm)
+\psframe[fillstyle=slopes](\linewidth,0.5cm)
+\end{pspicture}
+\egroup
+\end{center}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp50.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp50.pdf
new file mode 100644
index 00000000000..dadb643fba9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp50.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp51.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp51.pdf
new file mode 100644
index 00000000000..05084aa4b13
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp51.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp64.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp64.pdf
new file mode 100644
index 00000000000..88a04026b7a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp64.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp70.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp70.tex
new file mode 100644
index 00000000000..cc77ca7e2f1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp70.tex
@@ -0,0 +1,55 @@
+\documentclass{article}
+\usepackage{pstricks}
+\usepackage{pst-plot}
+\usepackage{amsmath}
+\SpecialCoor
+\newcommand{\htick}[1]{\psline[linewidth=.1mm](#1,-.75mm)(#1,.75mm)}
+\newcommand{\vtick}[1]{\psline[linewidth=.1mm](-.75mm,#1)(.75mm,#1)}
+
+
+\pagestyle{empty}
+\parindent=0pt
+
+\begin{document}
+
+\psset{xunit=5.83mm,yunit=5.83mm,curvature=1 .1 .75,plotpoints=200}
+\begin{pspicture}(-3,-5)(9,6)
+%\psgrid[gridwidth=.1mm,subgridwidth=.1mm,gridlabels=0pt,subgriddiv=1,gridcolor=gray]%
+%(0,0)(-3,-5)(9,6)
+\psaxes[Dx=1,dx=2,Dy=1,dy=2,labelsep=.75mm,arrowlength=1.75,ticksize=2pt,linewidth=0.17mm]%
+{->}(0,0)(-2.99,-4.99)(9,6)
+\rput[Br](9,.4){$\text{Re}(z),\ \text{Re}(w)$}
+\rput[tl](.3,6){$\text{Im}(z),\ \text{Im}(w)$}
+\rput[Br](-.25,-.584){$0$}
+\htick{1}
+\rput(.7,-.584){$\frac{1}{4}$}
+%
+\rput[tl](-2.8,5.8){$w=\frac{1}{z^{*\vphantom{2}}}$}
+\rput[tl](-2.8,4.8){$\text{Re}(z)=\frac{1}{4}$}
+%
+\psline[linewidth=.17mm,linecolor=red](.5,-5)(.5,6)
+\htick{0.5}
+\pscircle[linewidth=.3mm,linecolor=blue](4,0){2.332}
+\pscircle[linewidth=.3mm,linecolor=red](0,0){1.166}
+%
+\end{pspicture}
+\hspace{1em}
+\begin{pspicture}(-5,-5)(7,6)
+%\psgrid[gridwidth=.1mm,subgridwidth=.1mm,gridlabels=0pt,subgriddiv=1,gridcolor=gray]%
+%(0,0)(-5,-5)(7,6)
+\psaxes[Dx=.5,dx=2,Dy=.5,dy=2,labelsep=.75mm,arrowlength=1.75,ticksize=2pt,linewidth=0.17mm]%
+{->}(0,0)(-4.99,-4.99)(7,6)
+\rput[Br](7,.4){$\text{Re}(z),\ \text{Re}(w)$}
+\rput[tl](.3,6){$\text{Im}(z),\ \text{Im}(w)$}
+\rput[Br](-.25,-.584){$0$}
+%
+\rput[l](-4.8,5.2){$w=\frac{1}{z^{*\vphantom{2}}}$}
+\rput[l](4.2,5.2){$\text{Re}(z)=1$}
+%
+\psline[linewidth=.17mm,linecolor=red](4,-5)(4,6)
+\pscircle[linewidth=.3mm,linecolor=red](0,0){2.332}
+\pscircle[linewidth=.3mm,linecolor=blue](2,0){1.166}
+\end{pspicture}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp71.tex b/Master/texmf-dist/doc/generic/pstricks/voss/bsp71.tex
new file mode 100644
index 00000000000..90fad53841d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp71.tex
@@ -0,0 +1,40 @@
+\documentclass[a4paper,12pt]{report}
+
+\usepackage{amsmath,pstricks,pst-plot,pst-node,amssymb}
+
+\newcommand{\R}{\mathbb{R}}
+\newcommand{\eps}{\varepsilon}
+
+\begin{document}
+
+\begin{center}
+\psset{xunit=.4cm,yunit=.4cm}
+\begin{pspicture}(0,0)(29,9.5)%\psgrid[subgriddiv=1,griddots=10,
+ %gridcolor=lightgray,gridlabels=7pt]
+ \psaxes[labels=none,ticks=none]{->}(3,2)(10,10)
+ \psline{->}(3,2)(0,0)
+ \psaxes[labels=none,ticks=none]{->}(20,4)(29,10)
+ \psline{->}(20,4)(16,0)
+ \psccurve[fillstyle=solid,fillcolor=Goldenrod](1.8,8.5)(3,9)%
+ (4.3,8.6)(6,8.2)(8,8.7)(9.2,8)(9.5,7)%
+ (9,5.7)(8.5,4.3)(8.6,3.4)(6,4)(4,3.5)(3,3.2)(2.5,3.1)(2,4)%
+ (2.1,4.8)(2.5,6)(1.9,7)(1,8)(1.5,8.2)
+ \psline[linestyle=dashed,dash=3pt 3pt]{-}(3,3.4)(3,7)
+ \psline{-}(3,7.2)(3,9)
+ \psarc*[linecolor=white](6.5,6){20pt}{0}{180}
+ \pscircle[linestyle=dashed,dash=3pt 2pt](6.5,6){20pt}
+ \psellipse[linestyle=dashed,dash=3pt 2pt,fillstyle=hlines*,%
+ hatchcolor=red](6.5,6)(20pt,10pt)
+ \qdisk(6.5,6){2pt} \uput[345](6.5,6){$p$}
+ \uput[110](8,7){$U$} \uput[r](8.5,3.5){$M$}
+ \pscircle[linestyle=dashed,dash=3pt 2pt](20,4){30pt}
+ \psellipse[linestyle=dashed,dash=3pt 2pt,fillstyle=hlines,%
+ hatchcolor=red](20,4)(30pt,15pt)
+ \qdisk(20,4){2pt} \uput[d](20,4){$0$}
+ \psbezier[showpoints=false]{<-}(21,3.5)(26.5,3.5)(19.5,2.9)(23.5,2.9)
+ \uput[r](23.5,2.9){$g(U)\cap\bigl(\R^2\times\{0\}\bigr)$}
+ \pccurve[angleA=0,angleB=155,linecolor=blue]{->}(10.5,6)(17,5) \Aput{$g$}
+\end{pspicture}
+\end{center}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/bsp72.pdf b/Master/texmf-dist/doc/generic/pstricks/voss/bsp72.pdf
new file mode 100644
index 00000000000..30fe39f7252
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/bsp72.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/pstricks/voss/dataError.dat b/Master/texmf-dist/doc/generic/pstricks/voss/dataError.dat
new file mode 100644
index 00000000000..70aa7c8513f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pstricks/voss/dataError.dat
@@ -0,0 +1,8 @@
+%% LaTeX2e file `dataError.dat'
+%% generated by the `filecontents' environment
+%% from source `bsp05' on 2004/04/25.
+%%
+-0.7 -0.4 0.1 0.5 -0.43 3 0 0.4
+ 1 4.6 -0.5 0.2 1.2 2.3 -0.2 0.2
+ 1.7 3.9 -0.1 1 2.7 -1.1 -0.2 0.3
+ 3.98 -0.7 -0.4 0 4.5 0.7539 -0.5 0.4
diff --git a/Master/texmf-dist/doc/generic/r-und-s/COPYRIGHT b/Master/texmf-dist/doc/generic/r-und-s/COPYRIGHT
new file mode 100644
index 00000000000..c5f6ff4c64c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/r-und-s/COPYRIGHT
@@ -0,0 +1,26 @@
+%
+% Copyright (c) 1997-1999 Thiemo Nordenholz <nordenholz@rz.tu-clausthal.de>
+% All rights reserved.
+%
+% Redistribution and use in source and binary forms, with or without
+% modification, are permitted provided that the following conditions
+% are met:
+% 1. Redistributions of source code must retain the above copyright
+% notice, this list of conditions and the following disclaimer.
+% 2. Redistributions in binary form must reproduce the above copyright
+% notice, this list of conditions and the following disclaimer in the
+% documentation and/or other materials provided with the distribution.
+%
+% THIS SOFTWARE IS PROVIDED BY THE AUTHOR AND CONTRIBUTORS ``AS IS'' AND
+% ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
+% IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
+% ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR CONTRIBUTORS BE LIABLE
+% FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
+% DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
+% OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
+% HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
+% LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
+% OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
+% SUCH DAMAGE.
+%
+%
diff --git a/Master/texmf-dist/doc/generic/r-und-s/r_und_s.doc b/Master/texmf-dist/doc/generic/r-und-s/r_und_s.doc
new file mode 100644
index 00000000000..e3768f3d4e3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/r-und-s/r_und_s.doc
@@ -0,0 +1,179 @@
+ r_und_s.sty
+ (v1.1i)
+ R- und S-Saetze fuer LaTeX
+ R- and S-phrases for LaTeX
+ Thiemo Nordenholz
+
+>>>international section (english) below<<<
+
+1. Copyright und Disclaimer
+%
+% Copyright (c) 1997-1999 Thiemo Nordenholz <nordenholz@rz.tu-clausthal.de>
+% All rights reserved.
+%
+% Redistribution and use in source and binary forms, with or without
+% modification, are permitted provided that the following conditions
+% are met:
+% 1. Redistributions of source code must retain the above copyright
+% notice, this list of conditions and the following disclaimer.
+% 2. Redistributions in binary form must reproduce the above copyright
+% notice, this list of conditions and the following disclaimer in the
+% documentation and/or other materials provided with the distribution.
+%
+% THIS SOFTWARE IS PROVIDED BY THE AUTHOR AND CONTRIBUTORS ``AS IS'' AND
+% ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
+% IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
+% ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR CONTRIBUTORS BE LIABLE
+% FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
+% DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
+% OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
+% HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
+% LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
+% OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
+% SUCH DAMAGE.
+%
+%
+
+2. Beschreibung
+Dieses Paket definiert LaTeX- bzw. TeX-Befehle, die an den jeweiligen
+Stellen eine protokollf"ahige Form der Sicherheitsratschl"age, der sog. R-
+und S- S"atze, einsetzen. Dies beschleunigt z.B. das Erstellen von
+Protokollen und Sicherheitsbl"attern erheblich. Die Datei r_und_s.sty ist
+das LaTeX-Stylefile, die Datei r_und_s.tex enth"alt die gleiche
+Funktionalit"at f"ur die Verwendung mit TeX.
+
+3. Verwendung
+Zum Laden des Stylefiles und zur Verwendung der darin definierten Befehle
+ziehe man die einschl"agigen LaTeX- bzw. TeX-Dokumentationen zu Rate.
+
+Die S"atze S5, S6, S14, S28, S40, S43, S47, S48 und S50 sowie die
+Kombinationen S3/14, S3/9/14, S3/9/14/19 und S47/49 erfordern die "Ubergabe
+eines Parameters, der den jeweils vom Hersteller anzugebenden Stoff
+bezeichnet.
+
+4. Codierung der R- und S- Saetze (RSS)
+Die Befehle des Paketes sind zun"achst grob unterteilt in R-S"atze und
+S-S"atze. Erstere beginnen mit \cr, letzere mit \cs. Das 'c' am Anfang steht
+f"ur 'Chemie' oder "ahnliches, um eine Abgrenzung zu anderen Befehlen zu
+bieten.
+
+Da die Numerierung der RSS in numerischer Form in LaTeX nicht "ubernommen
+werden konnte, mu"ste eine Codierung erfolgen. Die Ziffern wurden wie folgt,
+wie ich finde logisch, codiert:
+ 0 -> o (sieht "ahnlich aus, oder?)
+ 1 -> e (wie 'eins')
+ 2 -> z (wie 'zwei')
+ 3 -> d (...)
+ 4 -> v
+ 5 -> f
+ 6 -> s
+ 7 -> i (Tricky... :-)
+ 8 -> a
+ 9 -> n
+Der R-Satz 2 ist also \crz, der R-Satz 17 wird analog \crei (Chemie, R-Satz,
+eins-sieben)
+
+Kombinierte S"atze besitzen zur eindeutigen Identifikation einen dritten
+Buchstaben 'c' (f"ur 'combined'), der R-Satz R23/24/25 wird damit zu
+\crczdzvzf (Chemie, R-Satz, kombiniert, zwei-drei-zwei-vier-zwei-f"unf).
+
+Umstaendlich vielleicht, aber der einzige mir vern"unftige Weg - und ich
+habe mich mittlerweile daran gew"ohnt ;-)
+
+5. Vollst"andigkeit
+Die Datenbank umfasst Sicherheitss"atze bis einschlie"slich R64 und S62
+sowie ihre gebr"auchlichen Kombinationen.
+
+6. Verbesserungsvorschl"age, Kommentare, etc.
+Bitte per eMail an mich, ich werde den Dingen dann nachgehen und auf jeden
+Fall den Eingang der Mails best"atigen.
+
+ --------- English documentation ---------
+1. Copyright and disclaimer
+%
+% Copyright (c) 1997-1999 Thiemo Nordenholz <nordenholz@rz.tu-clausthal.de>
+% All rights reserved.
+%
+% Redistribution and use in source and binary forms, with or without
+% modification, are permitted provided that the following conditions
+% are met:
+% 1. Redistributions of source code must retain the above copyright
+% notice, this list of conditions and the following disclaimer.
+% 2. Redistributions in binary form must reproduce the above copyright
+% notice, this list of conditions and the following disclaimer in the
+% documentation and/or other materials provided with the distribution.
+%
+% THIS SOFTWARE IS PROVIDED BY THE AUTHOR AND CONTRIBUTORS ``AS IS'' AND
+% ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
+% IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
+% ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR CONTRIBUTORS BE LIABLE
+% FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
+% DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
+% OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
+% HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
+% LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
+% OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
+% SUCH DAMAGE.
+%
+%
+
+
+2. Description
+This packet provides LaTeX- resp. TeX-Commands, which will expand numeric R-
+and S- codes to a full text form. This is usable for creating safety data
+sheets and lab protocols. The *.sty files are for LaTeX, the *.tex files are
+plain TeX.
+2.1. Languages
+The following languages are supported and contained in the mentioned files:
+ German r_und_s
+ English en_rs
+ Dutch nl_rs
+ French fr_rs
+
+3. Usage
+For information on how to use external macros in LaTeX and TeX, please
+consult one of the many documentations written on this subject.
+The phrases S5, S6, S14, S28, S40, S43, S47, S48, S50, and the combinations
+S3/14, S3/9/14, S3/9/14/19, and S47/49 need a parameter specified by the
+manufacturer of the product.
+
+4. Coding of the numbers
+First, the phrases contained in this package are divided into 'R-' and 'S-'
+prases, beginning '\cr' and '\cs'. The 'c' at the beginning stands for
+'Chemie' or 'chemistry' to avoid conflicts with other LaTeX-commands.
+
+Because the numerical coding of the R- and S-phrases is not possible with
+LaTeX, the phrases are 'numbered' with letters (unfortunately, the coding
+requires the knowledge of a little bit germany, but it's really easy...)
+ 0 -> o (the 'o' looks like a zero, doesn't it?)
+ 1 -> e ('eins' is german for 'one)'
+ 2 -> z ('zwei', what means 'two')
+ 3 -> d ('drei')
+ 4 -> v ('vier')
+ 5 -> f ('f"unf')
+ 6 -> s ('sechs')
+ 7 -> i ('sieben', but 's' is already used, so took the second letter)
+ 8 -> a ('acht');
+ 9 -> n ('neun' and, how nice, 'nine' :-)
+For example, R-phrase 2 becomes \crz, R-phrase 17 becomes \crei, which reads
+'chemistry, r-phrase eins-sieben (one-seven)'.
+
+Combined phrases need the additional character 'c' (for 'combined'), e.g.
+R23/24/25 becomes '\crczdzvzf' (chemistry, r-phrase, combined, zwei-drei-
+zwei-vier-zwei-f"unf (two-three-two-four-two-five).
+
+Seems difficult? Maybe, but I've gotten used to it, and so will you ;-)
+
+5. Completeness
+The package contains R- and S-phrases up to R64 and S62 and their most
+important combinations.
+
+6. Comments
+Please send any comments to my email address given below, I will take a look
+at them and promise to send at least a short confirmation when I recieved the
+mail.
+
+ Thiemo Nordenholz, Clausthal-Zellerfeld, den 03. M"arz 1999
+ eMail: nordenholz@rz.tu-clausthal.de
+
+ translated into TeX-macro by eike.kunst@tu-clausthal.de
diff --git a/Master/texmf-dist/doc/generic/realcalc/realdemo.tex b/Master/texmf-dist/doc/generic/realcalc/realdemo.tex
new file mode 100644
index 00000000000..fb4022cca17
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/realcalc/realdemo.tex
@@ -0,0 +1,6 @@
+\documentstyle[]{article}
+\input{realcalc}
+\begin{document}
+\input{realtest}
+\test
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/realcalc/realtest.tex b/Master/texmf-dist/doc/generic/realcalc/realtest.tex
new file mode 100644
index 00000000000..7b3a95ef456
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/realcalc/realtest.tex
@@ -0,0 +1,291 @@
+% realcalc.tex
+%
+% (C) Frank Buchholz, Jan. 1993
+% e-mail: buchholz@lusty.informatik.uni-dortmund.de
+%%
+%% Type \test\bye
+%%
+
+\input realcalc
+
+% Test
+
+\catcode`@=11
+
+\def\traceon{%
+ \tracingonline \@ne
+ \tracincommands \tw@
+ \tracingstats \tw@
+ \tracingpages \@ne
+ \tracingoutput \@ne
+ \tracinglostchars \@ne
+ \tracingmacros \tw@
+ \tracingparagraphs \@ne
+ \tracingrestores \@ne
+ \showboxbreadth \maxdimen
+ \showboxdepth \maxdimen
+}
+
+\def\traceoff{%
+ \tracingonline \@zero
+ \tracingcommands \@zero
+ \tracingstats \@zero
+ \tracingpages \@zero
+ \tracingoutput \@zero
+ \tracinglostchars \@zero
+ \tracingmacros \@zero
+ \tracingparagraphs \@zero
+ \tracingrestores \@zero
+ \showboxbreadth \maxdimen
+ \showboxdepth \maxdimen
+}
+
+\errorstopmode
+
+\let\sl=\showlists
+\let\st=\showthe
+\let\s=\show
+\def\e{\par \vfill \supereject}
+
+\def\test{%
+ \message{Test REALCALC.TEX \@Rversion:}
+ Test REALCALC.TEX \@Rversion\par\medskip
+ \testadd\medskip
+ \testsub\medskip
+ \testmul\medskip
+ \testdiv\medskip
+ \testneg\medskip
+ \testtrunc\medskip
+ \testifle\medskip
+ \testifeq\medskip
+ \testifgt\medskip
+ \testifneg\medskip
+ \testifzero\medskip
+ \testifpos\medskip
+ \testifint\medskip
+}
+
+\def\testadd{%
+ \message{Radd}
+ Test: Radd\par
+ \def\a{1234.5678}
+ \def\b{4321.8765}
+ \Radd\r{123456789.987654321}{4321.123456789}
+ \r={123461111.111111110}\par
+ \Radd\r\a\b \r={5556.4443}\par
+ \Radd\r{-\a}\b \r={3087.3087}\par
+ \Radd\r\a{-\b} \r={-3087.3087}\par
+ \Radd\r{-\a}{-\b} \r={-5556.4443}\par
+}
+
+\def\testsub{%
+ \message{Rsub}
+ Test: Rsub\par
+ \def\a{1234.5678}
+ \def\b{4321.8765}
+ \Rsub\r\a{-\b} \r={5556.4443}\par
+ \Rsub\r{-\a}{-\b} \r={3087.3087}\par
+ \Rsub\r\a\b \r={-3087.3087}\par
+ \Rsub\r{-\a}\b \r={-5556.4443}\par
+}
+
+\def\testmul{%
+ \message{Rmul}
+ Test: Rmul\par
+ \def\a{1234}
+ \def\b{4321}
+ \Rmul\r{\a}{\b} \Rtrunc\r0\r \r={5332114}\par
+ \Rmul\r{-\a}{\b} \Rtrunc\r0\r \r={-5332114}\par
+ \Rmul\r{\a}{-\b} \Rtrunc\r0\r \r={-5332114}\par
+ \Rmul\r{-\a}{-\b} \Rtrunc\r0\r \r={5332114}\par
+ \Rmul\r\a0 \Rtrunc\r0\r \r={0}\par
+ \Rmul\r0\a \Rtrunc\r0\r \r={0}\par
+ \Rmul\r00 \Rtrunc\r0\r \r={0}\par
+ \Rmul\r\a1 \Rtrunc\r0\r \r={\a}\par
+ \Rmul\r1\a \Rtrunc\r0\r \r={\a}\par
+ \Rmul\r11 \Rtrunc\r0\r \r={1}\par
+ \Rmul\r\a{-1} \Rtrunc\r0\r \r={-\a}\par
+ \Rmul\r{-1}\a \Rtrunc\r0\r \r={-\a}\par
+ \Rmul\r{-1}{-1} \Rtrunc\r0\r \r={1}\par
+
+ \Rmul\r{46340.123456789}{10.123456789}\r={469122.2374}\par
+ \Rmul\r{46340.123456789}{1}\r={46340.123456789}\par
+ \Rmul\r{46340.123456789}{100}\r={4634012.3456789}\par
+ \Rmul\r{0.5}{0.5} \r={0.25}\par
+ \Rmul\r\r\r \r={0.0625}\par
+ \Rmul\r\r\r \r={0.00390625}\par
+ \Rmul\r\r\r \r={0.000015258}\par
+ \Rmul\r\r\r \r={0}\par
+ \Rmul\r{1.6}{1.6} \r={2.56}\par
+ \Rmul\r\r\r \r={6.5536}\par
+ \Rmul\r\r\r \r={42.94967296}\par
+ \Rmul\r\r\r \r={1844.674407}\par
+ \Rmul\r\r\r \r={3402823.669}\par
+}
+
+\def\testdiv{%
+ \message{Rdiv}
+ Test: Rdiv\par
+ not ready\par
+}
+
+\def\testneg{%
+ \message{Rneg}
+ Test: Rneg\par
+ -\ 0 = \Rneg\r{0}\r\par
+ -\ -1 = \Rneg\r{-1}\r\par
+ -\ 1 = \Rneg\r{1}\r\par
+ -\ 0.5 = \Rneg\r{0.5}\r\par
+ -\ -0.5 = \Rneg\r{-0.5}\r\par
+ -\ -1234.5678 = \Rneg\r{-1234.5678}\r\par
+ -\ 1234.5678 = \Rneg\r{1234.5678}\r\par
+}
+
+\def\testtrunc{%
+ \message{Rtrunc}
+ Test: Rtrunc\par
+ \def\a{12345.123456789012345}
+ 0:\ \Rtrunc\r0\a\r\ \Rtrunc\r00\r\par
+ 1:\ \Rtrunc\r1\a\r\ \Rtrunc\r10\r\par
+ 2:\ \Rtrunc\r2\a\r\ \Rtrunc\r20\r\par
+ 3:\ \Rtrunc\r3\a\r\ \Rtrunc\r30\r\par
+ 4:\ \Rtrunc\r4\a\r\ \Rtrunc\r40\r\par
+ 5:\ \Rtrunc\r5\a\r\ \Rtrunc\r50\r\par
+ 6:\ \Rtrunc\r6\a\r\ \Rtrunc\r60\r\par
+ 7:\ \Rtrunc\r7\a\r\ \Rtrunc\r70\r\par
+ 8:\ \Rtrunc\r8\a\r\ \Rtrunc\r80\r\par
+ 9:\ \Rtrunc\r9\a\r\ \Rtrunc\r90\r\par
+}
+
+\def\testifle{%
+ \message{Rifle}
+ Test: Rifle\par
+ 0 $<$ 0 \Rifle{0}{0} fehler\else ok\fi\par
+ 0 $<$ 1 \Rifle{0}{1} ok\else fehler\fi\par
+ 1 $<$ 0 \Rifle{1}{0} fehler\else ok\fi\par
+ 1 $<$ 1 \Rifle{1}{1} fehler\else ok\fi\par
+ 1 $<$ 2 \Rifle{1}{2} ok\else fehler\fi\par
+ 2 $<$ 1 \Rifle{2}{1} fehler\else ok\fi\par
+ 0 $<$ -1 \Rifle{0}{-1} fehler\else ok\fi\par
+ -1 $<$ 0 \Rifle{-1}{0} ok\else fehler\fi\par
+ -1 $<$ -1 \Rifle{-1}{-1} fehler\else ok\fi\par
+ -1 $<$ -2 \Rifle{-1}{-2} fehler\else ok\fi\par
+ -2 $<$ -1 \Rifle{-2}{-1} ok\else fehler\fi\par
+
+ 1 $<$ 1.2 \Rifle{1}{1.2} ok\else fehler\fi\par
+ 1.2 $<$ 1 \Rifle{1.2}{1} fehler\else ok\fi\par
+ -1 $<$ -1.2 \Rifle{-1}{-1.2} fehler\else ok\fi\par
+ -1.2 $<$ -1 \Rifle{-1.2}{-1} ok\else fehler\fi\par
+
+ 0.1 $<$ 0.1 \Rifle{0.1}{0.1} fehler\else ok\fi\par
+ 0.1 $<$ 0.2 \Rifle{0.1}{0.2} ok\else fehler\fi\par
+ 0.2 $<$ 0.1 \Rifle{0.2}{0.1} fehler\else ok\fi\par
+ -0.1 $<$ -0.2 \Rifle{-0.1}{-0.2} fehler\else ok\fi\par
+ -0.1 $<$ -0.1 \Rifle{-0.1}{-0.1} fehler\else ok\fi\par
+ -0.2 $<$ -0.1 \Rifle{-0.2}{-0.1} ok\else fehler\fi\par
+}
+
+\def\testifeq{%
+ \message{Rifeq}
+ Test: Rifeq\par
+ 0 = 0 \Rifeq{0}{0} ok\else fehler\fi\par
+ 0 = 1 \Rifeq{0}{1} fehler\else ok\fi\par
+ 1 = 0 \Rifeq{1}{0} fehler\else ok\fi\par
+ 1 = 1 \Rifeq{1}{1} ok\else fehler\fi\par
+ 1 = 2 \Rifeq{1}{2} fehler\else ok\fi\par
+ 2 = 1 \Rifeq{2}{1} fehler\else ok\fi\par
+ 0 = -1 \Rifeq{0}{-1} fehler\else ok\fi\par
+ -1 = 0 \Rifeq{-1}{0} fehler\else ok\fi\par
+ -1 = -1 \Rifeq{-1}{-1} ok\else fehler\fi\par
+ -1 = -2 \Rifeq{-1}{-2} fehler\else ok\fi\par
+ -2 = -1 \Rifeq{-2}{-1} fehler\else ok\fi\par
+
+ 1 = 1.2 \Rifeq{1}{1.2} fehler\else ok\fi\par
+ 1.2 = 1 \Rifeq{1.2}{1} fehler\else ok\fi\par
+ -1 = -1.2 \Rifeq{-1}{-1.2} fehler\else ok\fi\par
+ -1.2 = -1 \Rifeq{-1.2}{-1} fehler\else ok\fi\par
+
+ 0.1 = 0.1 \Rifeq{0.1}{0.1} ok\else fehler\fi\par
+ 0.1 = 0.2 \Rifeq{0.1}{0.2} fehler\else ok\fi\par
+ 0.2 = 0.1 \Rifeq{0.2}{0.1} fehler\else ok\fi\par
+ -0.1 = -0.2 \Rifeq{-0.1}{-0.2} fehler\else ok\fi\par
+ -0.1 = -0.1 \Rifeq{-0.1}{-0.1} ok\else fehler\fi\par
+ -0.2 = -0.1 \Rifeq{-0.2}{-0.1} fehler\else ok\fi\par
+}
+
+\def\testifgt{%
+ \message{Rifgt}
+ Test: Rifgt\par
+ 0 $>$ 0 \Rifgt{0}{0} fehler\else ok\fi\par
+ 0 $>$ 1 \Rifgt{0}{1} fehler\else ok\fi\par
+ 1 $>$ 0 \Rifgt{1}{0} ok\else fehler\fi\par
+ 1 $>$ 1 \Rifgt{1}{1} fehler\else ok\fi\par
+ 1 $>$ 2 \Rifgt{1}{2} fehler\else ok\fi\par
+ 2 $>$ 1 \Rifgt{2}{1} ok\else fehler\fi\par
+ 0 $>$ -1 \Rifgt{0}{-1} ok\else fehler\fi\par
+ -1 $>$ 0 \Rifgt{-1}{0} fehler\else ok\fi\par
+ -1 $>$ -1 \Rifgt{-1}{-1} fehler\else ok\fi\par
+ -1 $>$ -2 \Rifgt{-1}{-2} ok\else fehler\fi\par
+ -2 $>$ -1 \Rifgt{-2}{-1} fehler\else ok\fi\par
+
+ 1 $>$ 1.2 \Rifgt{1}{1.2} fehler\else ok\fi\par
+ 1.2 $>$ 1 \Rifgt{1.2}{1} ok\else fehler\fi\par
+ -1 $>$ -1.2 \Rifgt{-1}{-1.2} ok\else fehler\fi\par
+ -1.2 $>$ -1 \Rifgt{-1.2}{-1} fehler\else ok\fi\par
+
+ 0.1 $>$ 0.1 \Rifgt{0.1}{0.1} fehler\else ok\fi\par
+ 0.1 $>$ 0.2 \Rifgt{0.1}{0.2} fehler\else ok\fi\par
+ 0.2 $>$ 0.1 \Rifgt{0.2}{0.1} ok\else fehler\fi\par
+ -0.1 $>$ -0.2 \Rifgt{-0.1}{-0.2} ok\else fehler\fi\par
+ -0.1 $>$ -0.1 \Rifgt{-0.1}{-0.1} fehler\else ok\fi\par
+ -0.2 $>$ -0.1 \Rifgt{-0.2}{-0.1} fehler\else ok\fi\par
+}
+
+\def\testifneg{%
+ \message{Rifneg}
+ Test: Rifneg\par
+ 0: \Rifneg{0} fehler\else ok\fi\par
+ 0.5: \Rifneg{0.5} fehler\else ok\fi\par
+ .5: \Rifneg{.5} fehler\else ok\fi\par
+ 1: \Rifneg{1} fehler\else ok\fi\par
+ -0: \Rifneg{-0} fehler\else ok\fi\par
+ -0.5: \Rifneg{-0.5} ok\else fehler\fi\par
+ -1: \Rifneg{-1} ok\else fehler\fi\par
+}
+
+\def\testifzero{%
+ \message{Rifzero}
+ Test: Rifzero\par
+ 0: \Rifzero{0} ok\else fehler\fi\par
+ 0.5: \Rifzero{0.5} fehler\else ok\fi\par
+ .5: \Rifzero{.5} fehler\else ok\fi\par
+ 1: \Rifzero{1} fehler\else ok\fi\par
+ -0: \Rifzero{-0} ok\else fehler\fi\par
+ -0.5: \Rifzero{-0.5} fehler\else ok\fi\par
+ -1: \Rifzero{-1} fehler\else ok\fi\par
+}
+
+\def\testifpos{%
+ \message{Rifpos}
+ Test: Rifpos\par
+ 0: \Rifpos{0} ok\else fehler\fi\par
+ 0.5: \Rifpos{0.5} ok\else fehler\fi\par
+ .5: \Rifpos{.5} ok\else fehler\fi\par
+ 1: \Rifpos{1} ok\else fehler\fi\par
+ -0: \Rifpos{-0} ok\else fehler\fi\par
+ -0.5: \Rifpos{-0.5} fehler\else ok\fi\par
+ -1: \Rifpos{-1} fehler\else ok\fi\par
+}
+
+\def\testifint{%
+ \message{Rifint}
+ Test: Rifint\par
+ 0: \Rifint{0} ok\else fehler\fi\par
+ -0: \Rifint{-0} ok\else fehler\fi\par
+ 1: \Rifint{1} ok\else fehler\fi\par
+ -1: \Rifint{-1} ok\else fehler\fi\par
+ 0.5: \Rifint{0.5} fehler\else ok\fi\par
+ -0.5: \Rifint{-0.5} fehler\else ok\fi\par
+ 1.5: \Rifint{1.5} fehler\else ok\fi\par
+ -1.5: \Rifint{-1.5} fehler\else ok\fi\par
+}
diff --git a/Master/texmf-dist/doc/generic/shapepar/README.shapepar b/Master/texmf-dist/doc/generic/shapepar/README.shapepar
new file mode 100644
index 00000000000..cb0322b03a1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/shapepar/README.shapepar
@@ -0,0 +1,18 @@
+shapepar.sty by Donald Arseneau.
+
+\shapepar: a macro to typeset paragraphs in a specific shape. The
+size is adjusted automatically so that the entire shape is filled
+with text. There can be no displayed math, and no "\vadjust"
+material (no "\vspace"). These macros work for both LaTeX and plain
+TeX. For LaTeX, specify \usepackage{shapepar}, or for Plain,
+\input shapepar.sty.
+
+Contents:
+
+README.shapepar this file
+shapepar.sty macro definitions (for LaTeX or Plain TeX)
+shapepar.ltx manual for shapepar (run latex shapepar.ltx)
+Canflagshape.def Canadian flag shape definition
+TeXshape.def \TeX\ shape definition
+candleshape.def burning candle shape definition (Timothy C. Burt)
+proshap.py shape generator by Manuel Gutierrez Algaba
diff --git a/Master/texmf-dist/doc/generic/shapepar/shapepar.ltx b/Master/texmf-dist/doc/generic/shapepar/shapepar.ltx
new file mode 100644
index 00000000000..a583ad0d4a5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/shapepar/shapepar.ltx
@@ -0,0 +1,1039 @@
+% shapepar.ltx Manual for shapepar.sty
+%
+% Version 2.0 (Dec 2002)
+%
+% Copyright (c) 1993,2002 Donald Arseneau
+% These definitions may be freely transmitted, reproduced, or modified
+% provided that any modifications are clearly identified and this notice
+% is left intact.
+%
+
+\documentclass[draft]{article}
+\usepackage{shapepar}
+
+
+\renewcommand{\topfraction}{.85}
+\renewcommand{\bottomfraction}{.7}
+\renewcommand{\textfraction}{.15}
+\renewcommand{\floatpagefraction}{.66}
+\renewcommand{\dbltopfraction}{.66}
+\renewcommand{\dblfloatpagefraction}{.66}
+\raggedbottom
+\addtolength{\topskip}{0pt plus 8pt}
+
+\newcommand\configpar[6]{\par\penalty-50
+ \vskip 0pt plus 12pt \penalty 50 \vskip 0pt plus -12pt
+ \begingroup\samepage
+ \paragraph*{\textbackslash #1} #2\unskip\strut\\*
+ \begin{tabular}{@{}p{.15\linewidth}@{}p{.85\linewidth}@{}}
+ Type: \ & \rightskip\fill #3\\
+ Default: \ & \rightskip\fill #4\\
+ Set with: \ & \rightskip\fill #5\\
+ Example: \ & \rightskip\fill #6
+ \end{tabular}
+ \par \endgroup
+}
+
+% Code from: underscore.sty 12-Oct-2001 Donald Arseneau asnd@triumf.ca
+% Make the "_" character print as "\textunderscore" in text.
+
+\makeatletter
+\begingroup
+ \catcode`\_=\active
+ \gdef_{% \relax % No relax gives a small vulnerability in alignments
+ \ifx\if@safe@actives\iftrue % must be outermost test!
+ \string_%
+ \else
+ \ifx\protect\@typeset@protect
+ \ifmmode \sb \else \BreakableUnderscore \fi
+ \else
+ \ifx\protect\@unexpandable@protect \noexpand_%
+ \else \protect_%
+ \fi\fi
+ \fi}
+\endgroup
+
+% At begin: set catcode; fix \long \ttdefault so I can use it in comparisons;
+\AtBeginDocument{%
+ {\immediate\write\@auxout{\catcode\number\string`\_ \string\active}}%
+ \catcode\string`\_\string=\active
+ \edef\ttdefault{\ttdefault}%
+}
+
+\newcommand{\BreakableUnderscore}{\leavevmode\nobreak\hskip\z@skip
+ \ifx\f@family\ttdefault \string_\else \textunderscore\fi
+ \usc@dischyph\nobreak\hskip\z@skip}
+
+\DeclareRobustCommand{\_}{%
+ \ifmmode \nfss@text{\textunderscore}\else \BreakableUnderscore \fi}
+
+\let\usc@dischyph\@dischyph
+\makeatother
+% end of underscore.sty extract %%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+
+\title{shapepar.sty}
+\author{Donald Arseneau\\ Vancouver, Canada\\ asnd@triumf.ca}
+\date{v 2.0 \ Dec 2002}
+
+\begin{document}
+
+%%%%%%%%%%%%%%% Active character definitions:
+
+\def\Meaningless#1>{}
+\catcode`\"=\active
+\def\startV{\leavevmode\begingroup
+ \ifdim 0pt=\lastskip\penalty200 \fi
+ \catcode`\{11 \catcode`\}11 \catcode`\%11
+ \moreV}
+\long\def\moreV#1"{%
+ \def\LtxCode{#1}%
+ \texttt{\ignorespaces
+ \expandafter\Meaningless\meaning\LtxCode
+ \unskip}%
+ \endgroup}
+\let"\startV
+
+\catcode`\<=\active
+\def<#1>{\ensuremath{\langle\mbox{\textsl{#1}}\rangle}}
+
+%%%%%%%%%%%%%%% End active character definitions
+
+\maketitle
+
+%\begin{abstract}
+\noindent
+"\shapepar": a macro to typeset paragraphs in a specific shape. The
+size is adjusted automatically so that the entire shape is filled
+with text. This package is for Plain \TeX, \LaTeX, or similar.
+%\end{abstract}
+
+\section{\textbackslash shapepar and \textbackslash Shapepar}
+
+The "\shapepar" macro (or `command') is used to typeset paragraphs
+of a specified shape, where
+the total size is adjusted automatically so that the entire shape is
+filled with text, and the shape may include separate pieces and
+holes. This is distinct from the normal "\parshape" command
+which specifies a simple shape \emph{and} a size that may be partially
+filled, or over-filled, from top to bottom. In a "\shapepar" there
+can be no displayed math, and no `"\vadjust"' material, (including
+"\vspace"). This style is mainly
+intended for cards, invitations etc., not for whole books! Although
+short paragraphs process much faster, only long paragraphs accurately
+fill complex shapes.
+
+These macros work for both \LaTeX\ and plain \TeX. For \LaTeX, specify
+"\usepackage""{shapepar}", or for Plain, "\input" "shapepar.sty".
+
+The command "\shapepar" should be used at the beginning of a paragraph,
+and it applies to the entire paragraph. There is one optional length
+parameter: a fixed scale, <scale_len>; and one required parameter:
+a description of the shape, <shape_spec>.
+
+\begin{flushleft}
+"\shapepar" "["<scale_len>"]""{"<shape_spec>"}" Text of the paragraph
+\end{flushleft}
+
+The text of the paragraph is delimited by a blank line or "\par", but
+is not literally a \emph{parameter}, so verbatim macros will work there.
+If you want to typeset two paragraphs in one shape, then use
+"\endgraf" or "\\" to split them.
+
+Ordinarily, the scale is calculated automatically so the pargaraph
+best fills the shape. If a scale length is given, then the shape is
+reproduced so one unit of the <shape_spec> equals the <scale_len>, and
+the shape is filled with white space after the paragraph text.
+The <scale_len> is much like "\unitlength" for the picture environment.
+For an application of a fixed scale, see the "\CDlabel" macro.
+
+With the "\shapepar" command, the text will be typeset centered on the
+page using the specified shape (specifically, the shape's <h_center>
+will be centered on the page; see below). A "\shapepar" should not
+break across pages (due to inter-line penalties) but that feature is
+not guaranteed.
+
+The "\Shapepar" macro (capital~S) typesets the shaped paragraph in a box
+("\vtop" or "\parbox""[t]") without extra horizontal padding. If it occurs
+in vertical mode, special care is taken with the line-spacing around
+this box, but the line-spacing might be better with plain "\shapepar".
+"\Shapepar" is particularly useful for "\fbox" or "\put".
+
+\section{\textbackslash cutout}
+
+A shaped paragraph can be incorporated with the page in a third way:
+nestled in a cut-out at the side of the running text.
+
+\begin{flushleft}
+"\cutout" "{"<side>"}" "("<h_offset>","<v_offset>")" <settings> "\shapepar" \dots
+\end{flushleft}
+The <side> argument is required, and must be `l' or `r', indicating
+which margin (left or right) the shape should occupy. By default (in
+the absence of other parameters) the shaped paragraph will be placed so
+its center-line (<h_center>) is at the specified edge of the running
+text, and its first line is level with the first line of the ensuing
+text. This position may be changed by specifying the optional horizontal
+and vertical offset distances "("<h_offset>","<v_offset>")" in
+parentheses. A positive <h_offset> moves the shape further right, and a
+positive <v_offset> moves it down. A negative <v_offset> will move the
+shape upwards, where it might overlap preceding text, which will
+\emph{not} be cut away to accommodate.
+
+Yes, the text coming after the "\cutout" "\shapepar" is cut out (surprise!)
+to fit the shape, leaving a gap of `"\cutoutsep"'. This length (dimen)
+parameter is initialized to 12\,pt; you may set it as you please.
+The cutout separation is applied by looking at the paragraph shape
+expanded by "\cutoutsep" in all directions, to give the same gap at
+every slope. The cutout only lasts for one paragraph.\footnote
+{Re-defining \texttt{\string\p ar} for the extent of the cutout is an
+attractive feature, but has conflicts with various \TeX\ formats.
+It seems best to leave the paragraph control in the hands of the user.
+This will likely change in the future.}
+To extend the effect further, divide paragraphs with
+`"\\[\parskip""]" "\indent"' (\LaTeX) or `"\hfill" "\break" "\indent"'
+so \TeX\ does not treat them as separate paragraphs.
+Furthermore, the cut-out paragraph should not end in a local
+group, so make sure there is an explicit "\par" or blank line
+there, outside of braces.
+
+\font\cmsybig=cmsy10 at 1.2in
+\newcommand\BigO{{\cmsybig \char10}}
+\cutout{r}(-1cm,2\baselineskip)
+\setlength\cutoutsep{6pt}
+\shapepar[1.7cm]{\circleshape}%
+\setlength\unitlength{1cm}%
+\begin{picture}(0,0)%
+\put(1.0,-1.3){\makebox[0pt]{\BigO}}
+\end{picture}
+\par
+
+
+
+\indent The combination of "\cutout" with fixed scale allows an
+entirely different application: producing cutouts for graphics. First,
+produce a rough <shape_spec> for the image to delineate its left and
+right borders (you can ignore all internal detail) or use an appropriate
+pre-defined shape. Then use "\includegraphics" as the text of the
+shaped paragraph. There is a difficulty though: we want the image
+to take the place of the entire paragraph, not to stand up on the
+top line. There are a number of methods for lowering the graphic
+appropriately (and some methods that will not work with "\shapepar");
+three that work are:
+
+\begin{flushleft}
+"\hfill\makebox[0pt][c]{""\raisebox""{1ex-\height}" \% requires calc.sty \\*
+\qquad" {\includegraphics{"<file>"}}}" \\*
+or \\
+"\hfill"\\*
+"\begin""{minipage}""[t]{0pt}"\\*
+" \vspace {-1ex} % \vspace works here only"\\*
+" \centerline{ \includegraphics{"<file>"} }"\\*
+"\end{minipage}%"\\*
+"\hfill"\\*
+and, most general,\\
+"\begin""{picture}""(0,0)"\\*
+"\put("$x,y$"){\includegraphics{"<file>"}}"\\*
+"\end{picture}"
+\end{flushleft}
+The first two adjust the height automatically, but assume the
+top line of the shape is horizontally centered. The picture
+environment handles positioning more flexibly, but requires
+you to provide parameters $x,y$. Just try approximate values,
+make a test run, measure the offset, and correct. This should
+only require one trial, not an endless cycle. Because the
+reference point for the shaped paragraph is based on the \emph{text}
+it contains, and not just the specified shape, some adjustment
+will usually be needed to position a shaped paragraph precisely.
+
+% For example,
+%this paragraph begins with
+%\begin{verbatim}
+%\cutout{r}(-1cm,\baselineskip)
+%\setlength\cutoutsep{6pt}
+%\shapepar[1cm]{\circleshape}%
+%\setlength\unitlength{1cm}%
+%\begin{picture}(0,0)
+%\put(-2,-2){\BigO}
+%\end{picture}
+%\end{verbatim}
+%(I used a big symbol rather than including a graphics file
+%with this manual.)
+
+
+\section{Shapes}
+
+There are some shapes predefined in shapepar.sty (square, circle,
+circle-with-hole, diamond, heart, star and hex-nut) which are used as
+examples in the instructions below. Each of these shapes is stored in
+a macro, and there is a command to use that shape:
+\begin{flushleft}
+\begin{tabular}{lll}
+"\squareshape"& "\squarepar"& Square \\
+"\circleshape"& "\circlepar"& Circle \\
+"\CDshape" & "\CDlabel" & Circle with circular hole ("\CDlabel" uses\\
+ & & a fixed scale to fit a compact disc)\\
+"\diamondshape" & "\diamondpar" & Rhomboid `diamond' ($\diamondsuit$)\\
+"\heartshape" & "\heartpar" & Heart (symbolic shape $\heartsuit$)\\
+"\starshape" & "\starpar" & Five-point star\\
+"\nutshape" & "\nutpar" & Nut for bolt (hexagon with circular hole)
+\end{tabular}
+\end{flushleft}
+For example, "\heartpar{"<text>"}" performs
+"\shapepar" "{\heartshape}" <text>"\ \ $""\heartsuit""$""\par"
+(ending the text with a heart symbol).
+
+More shape definitions are provided in separate files named
+$*$shape.def. Look on your disk to be sure, but the
+list should include:
+\begin{flushleft}
+\begin{tabular}{ll}
+candleshape & A burning candle\\
+TeXshape & The \TeX\ logo\\
+Canflagshape & The Canadian flag
+%\\
+% USAshape & The American flag
+\end{tabular}
+\end{flushleft}
+Please contribute your shapes!
+
+Although defining shapes by hand can be difficult, there are
+programs to aid you.
+
+\subsection{proshap.py by Man\-uel Gu\-ti\-er\-rez Al\-ga\-ba}
+\gdef\bassshape{{9.4}{0}b{9.4}
+\\{0}t{7.6}{6.8}
+\\{0.8}t{5.2}{11.6}
+\\{1.6}t{4.4}{13.2}
+\\{2.4}t{4.0}{14.0}
+\\{3.2}t{3.6}{4.933333}st{8.533333}{4.933333}st{13.46666}{4.933333}
+\\{4.0}t{3.6}{2.4}t{9.6}{2.8}t{16.4}{2.4}
+\\{6.4}t{3.6}{2.0}t{10.0}{2.0}t{16.8}{2.0}
+\\{8.8}t{3.6}{2.4}t{9.6}{1.4}st{11.0}{1.4}t{16.4}{2.0}
+\\{11.2}t{3.6}{3.4}jt{7.0}{3.4}t{11.6}{3.4}jt{15.0}{3.4}
+\\{12.8}t{4.0}{6.0}t{12.0}{6.0}
+\\{14.4}t{4.4}{5.2}t{12.4}{5.2}
+\\{16.0}t{4.8}{6.0}jt{10.8}{6.0}
+\\{16.8}t{5.2}{5.6}st{10.8}{5.6}
+\\{17.6}t{5.6}{0.8}t{14.8}{1.2}
+\\{19.2}t{6.0}{2.4}t{12.0}{3.6}
+\\{20.8}t{6.4}{4.4}jt{10.8}{4.4}
+\\{22.4}e{9.4}}
+
+
+\shapepar\bassshape
+proshap.py (ver 1.1) is a python script written by Man\-uel
+Gu\-ti\-er\-rez Al\-ga\-ba to produce shape definitions from rough
+`ascii art'. There is no instruction manual, so here are Donald
+Arseneau's observations. There is not much of a user interface; look
+in proshap.py (which is a plain text file) and see how the various
+`test' shapes are defined (note the triple-double quotes). Choose
+one of them, or add a new one, then change the line `test = test3' to select
+the desired picture. Execute `python proshap.py' which will output a
+definition of "\bassshape" to the screen and to the file `result.tex'.
+The goul\-ish face you see here is the test3 shape. You should be
+aware that the characters in the ascii input are treated as square,
+even though they are taller than they are wide, so the output shape
+specification will be taller and thinner than the input text. There
+also seems to be a problem with all `bottoms': flat bottoms of text
+blocks and of holes are expanded downwards to end at a point. Compare
+this face to the original face in proshap.py. Warning: These
+instructions and observations are probably wrong; the author does not
+program in python so can't even read the code properly. For now, look
+for proshap.py bundled with shapepar.sty.
+
+\vspace{0pt plus 5cm}
+\penalty 0
+\vspace{0pt plus -5cm}
+\vspace{5cm}
+\penalty 9999
+\vspace{-5cm}
+
+\subsection{ShapePatch by Christian Gollwitzer}
+
+\def\faceshape{%
+{36.8512}%
+{-0.519031}b{36.8512}\\%
+{-0.259516}t{33.391}{6.92042}\\%
+{0.432526}t{30.1038}{13.4948}\\%
+{1.55709}t{26.8166}{20.0692}\\%
+{3.11419}t{23.7889}{26.1246}\\%
+{5.10381}t{21.0208}{31.6609}\\%
+{7.43945}t{18.5121}{36.6782}\\%
+{10.1211}t{16.3495}{41.0035}\\%
+{11.5917}t{15.4412}{11.2024}st{26.6436}{20.5017}st{47.1453}{11.1159}\\%
+{11.6782}t{15.3877}{10.6503}t{27.2491}{19.2907}t{47.7509}{10.5638}\\%
+{11.7647}t{15.3343}{10.0117}t{27.9412}{17.9066}t{48.4429}{9.9252}\\%
+{12.0242}t{15.174}{9.56646}t{28.5467}{16.6955}t{49.0484}{9.47995}\\%
+{12.2837}t{15.0137}{9.12121}t{29.1522}{15.4844}t{49.654}{9.0347}\\%
+{12.6298}t{14.8}{8.8159}t{29.6713}{14.4464}t{50.173}{8.72939}\\%
+{13.0623}t{14.5329}{8.72261}t{30.0317}{13.7255}t{50.5334}{8.6361}\\%
+{13.1488}t{14.4968}{8.68656}t{30.1038}{13.5813}t{50.6055}{8.60006}\\%
+{13.5813}t{14.3166}{8.43426}t{30.5363}{12.7163}t{51.0381}{8.34775}\\%
+{14.1869}t{14.0643}{8.34054}t{30.8824}{12.0242}t{51.3841}{8.25404}\\%
+{14.7924}t{13.812}{8.33333}t{31.1419}{11.5052}t{51.6436}{8.24683}\\%
+{15.3979}t{13.5597}{8.41263}t{31.3149}{11.1592}t{51.8166}{8.32612}\\%
+{16.0035}t{13.3074}{8.57843}t{31.4014}{10.9862}t{51.9031}{8.49193}\\%
+{16.1765}t{13.2353}{8.65052}t{31.4014}{10.9862}t{51.9031}{8.56401}\\%
+{16.6955}t{13.085}{8.80077}t{31.4014}{10.9862}t{51.9031}{8.71426}\\%
+{17.301}t{12.9098}{9.06256}t{31.3149}{11.1592}t{51.8166}{8.97605}\\%
+{17.9066}t{12.7345}{9.41085}t{31.1419}{11.5052}t{51.6436}{9.32435}\\%
+{18.5121}t{12.5592}{9.84566}t{30.8824}{12.0242}t{51.3841}{9.75915}\\%
+{19.1176}t{12.3839}{10.367}t{30.5363}{12.7163}t{51.0381}{10.2805}\\%
+{19.4637}t{12.2837}{10.8131}t{30.1903}{13.4083}t{50.692}{10.7266}\\%
+{19.5502}t{12.2726}{10.9107}t{30.1038}{13.5813}t{50.6055}{10.8242}\\%
+{20.0692}t{12.2061}{11.4098}t{29.6713}{14.4464}t{50.173}{11.3233}\\%
+{20.4152}t{12.1617}{11.9732}t{29.1522}{15.4844}t{49.654}{11.8867}\\%
+{20.6747}t{12.1285}{12.612}t{28.5467}{16.6955}t{49.0484}{12.5255}\\%
+{20.9343}t{12.0952}{13.2508}t{27.9412}{17.9066}t{48.4429}{13.1643}\\%
+{21.0208}t{12.0841}{13.954}t{27.2491}{19.2907}t{47.7509}{13.8674}\\%
+{21.1073}t{12.073}{14.5706}jt{26.6436}{20.5017}jt{47.1453}{14.4841}\\%
+{22.8374}t{11.8512}{50}\\%
+{26.2976}t{11.8512}{50}\\%
+{29.6713}t{12.2837}{49.1349}\\%
+{30.7093}t{12.5842}{41.049}st{53.6332}{7.48497}\\%
+{30.7093}t{12.5842}{7.48498}t{53.6332}{7.48497}\\%
+{31.0554}t{12.6844}{7.50517}t{53.5001}{7.51789}\\%
+{31.0554}t{12.6844}{7.50517}jt{20.1896}{40.8285}\\%
+{31.0937}t{12.6955}{7.5074}st{20.2029}{40.804}\\%
+{31.1067}t{12.6993}{7.50816}t{20.2189}{33.2615}st{53.4804}{7.52278}\\%
+{32.1799}t{13.0099}{7.57079}t{21.5398}{30.5544}t{53.0676}{7.62489}\\%
+{32.699}t{13.1602}{7.60107}t{22.3183}{29.1054}t{52.868}{7.67427}\\%
+{32.9585}t{13.2353}{7.66652}t{22.7076}{28.3809}t{52.7682}{7.69896}\\%
+{33.1315}t{13.3074}{7.68815}t{22.9671}{27.8979}t{52.6782}{7.71684}\\%
+{34.083}t{13.7039}{7.80709}t{24.3945}{24.8054}t{52.1834}{7.81517}\\%
+{34.7751}t{13.9922}{7.8936}t{25.9007}{22.0881}t{51.8235}{7.88668}\\%
+{34.8616}t{14.0283}{7.91397}t{26.0889}{21.7484}t{51.7785}{7.89562}\\%
+{35.1211}t{14.1364}{7.97509}t{26.6538}{20.5262}t{51.6436}{7.92243}\\%
+{35.5536}t{14.3166}{8.07695}t{27.5952}{18.489}t{51.329}{8.05678}\\%
+{36.0727}t{14.5329}{8.19919}t{29.1123}{15.657}t{50.9516}{8.21799}\\%
+{36.1592}t{14.5863}{8.20217}t{29.3652}{15.185}t{50.8886}{8.22748}\\%
+{36.6782}t{14.9069}{8.2201}t{30.8824}{11.4187}t{50.5112}{8.28437}\\%
+{36.7647}t{14.9603}{8.22308}t{31.4446}{10.4815}t{50.4483}{8.29386}\\%
+{36.9377}t{15.0672}{8.28058}t{32.5692}{8.60727}t{50.3224}{8.31282}\\%
+{37.0242}t{15.1206}{8.30933}t{33.1315}{7.37024}t{50.2595}{8.32231}\\%
+{37.1972}t{15.2275}{8.36683}t{34.2561}{4.89619}t{50.0952}{8.37981}\\%
+{37.3702}t{15.3343}{8.42433}e{37.8028}t{49.9308}{8.43731}\\%
+{38.4948}t{16.0289}{8.79809}t{48.8625}{8.81106}\\%
+{38.7543}t{16.1892}{8.94057}t{48.6159}{8.89732}\\%
+{39.0138}t{16.3495}{9.08304}t{48.2953}{9.0576}\\%
+{40.0519}t{17.1866}{9.45697}t{47.013}{9.50277}\\%
+{40.2249}t{17.3262}{9.60168}t{46.7993}{9.57696}\\%
+{41.263}t{18.1633}{10.4699}t{45.0198}{10.5194}\\%
+{41.436}t{18.3028}{10.7393}t{44.7232}{10.6764}\\%
+{41.6955}t{18.5121}{11.1434}t{44.1334}{11.0569}\\%
+{42.2145}t{19.0696}{11.8128}t{42.9538}{11.6791}\\%
+{42.3875}t{19.2554}{12.1892}t{42.5606}{11.8865}\\%
+{42.9066}t{19.8129}{13.3186}t{40.5586}{13.331}\\%
+{42.9931}t{19.9058}{13.8096}t{40.2249}{13.5717}\\%
+{43.2526}t{20.1845}{15.2826}t{37.8893}{15.6286}\\%
+{43.2526}t{20.1845}{15.2826}jt{35.4671}{18.0508}\\%
+{44.0311}t{21.0208}{31.6609}\\%
+{46.0208}t{23.7889}{26.1246}\\%
+{47.5779}t{26.8166}{20.0692}\\%
+{48.7024}t{30.1038}{13.4948}\\%
+{49.3945}t{33.391}{6.92042}\\%
+{49.654}e{36.8512}%
+}
+
+\hyphenation{trans-fig shape-patch}
+
+\shapepar\faceshape
+ShapePatch is an amazing utility written by Christian Gollwitzer. It
+allows you to simply draw the shape you want with Xfig, and then
+convert it to a shapepar shape definition, either by manually running
+fig2dev (a component of transfig), or by choosing `Export/Shape' in
+Xfig. Its odd name is indicative of its implementation: it is an
+upgrade or `patch' to both the Xfig program and the transfig tool-set.
+ShapePatch can be found on \textsc{ctan} under
+"graphics/""trans""fig-shape""patch", and includes instructions
+(\textsc{readme}) and sample shapes besides the patch itself. This
+smiley face is one of the sample shapes. In the future, the
+ShapePatch utility will be included in transfig, so there will be no
+need to install the patch. Besides enabling a graphical utility
+(Xfig) to produce shapepar specifications, the ShapePatch upgrade
+opens up great libraries of existing Fig clip-art to be used for
+paragraph shapes. For example, a Canadian flag taken from the Xfig
+flag library is one of the examples provided with ShapePatch, for
+comparison with the hand-coded one bundled with shapepar.sty. (I
+prefer my own version because there is an error in the maple leaf
+shape on the Xfig flag library version. The error is not the fault of
+ShapePatch, but ShapePatch faithfully reproduces the faulty shape.)
+
+
+
+
+\section{Shape Syntax}
+
+The syntax rules for <shape_spec> are very specific, and must be
+followed closely. In these rules, "{ }" mean explicit braces, [~]
+denote optional parts, <~> surround a keyword that is defined (perhaps
+loosely), and $|$ means `or'; do not type [~] <~> or~$|$, but do type "{ }".
+
+\begin{flushleft}
+<shape_spec> = "{"<h_center>"}" <lines> \\[\topsep]
+<lines> = <line_spec> [ "\\"<lines> ]
+\end{flushleft}
+
+That is, the shape is specified as a single number in braces, followed
+by the specifications for the lines, with the lines separated by "\\". The
+resulting paragraph will have its <h_center> position centered on the page,
+or used as a reference point. It is a number like 10.5, without explicit
+units, but using the same length scale as the
+lengths and positions in the <lines>. Ordinarily, shapepar will
+determine the unit length that best fits the text, but will use
+a fixed scale when specified for "\shapepar".
+
+The lines in the spec are not lines of text, nor are they the lines
+that you would use to draw the shape itself. They are horizontal
+scans across the shape at regular or irregular intervals. Complex
+curved shapes need
+many scan lines for accurate rendering, while simple shapes need only
+a few. To determine the line specifications, start by drawing the
+shape on paper, then draw a series of horizontal lines across it,
+including lines that just touch the top and the bottom of the figure,
+and, preferably, lines through each sharp corner.
+Each line crosses over pieces of the figure in some region. These
+intersections of line and figure define a <line_spec>.
+
+\begin{flushleft}
+<line_spec> = "{"<v_pos>"}" <segment> [ other <segment>s ]
+\end{flushleft}
+
+\noindent
+The <v_pos> is the vertical position of the line, increasing from top to
+bottom. Each <line_spec> usually has a position greater than or equal
+to that of the previous line, and with all <v_pos>${} > -1000$. The
+exception is that between consecutive lines relating to completely
+disconnected parts of the figure the <v_pos> may decrease (backspacing).
+This allows text to flow from one disconnected area to another in
+sequence (see the Canadian flag shape). Each <segment> represents a
+region where text will go in the final paragraph; it is the segment of
+the horizontal scan line that overlaps the body of the figure. There
+are five types of segment:
+
+\begin{flushleft}
+<segment> \ = \ "t{"<pos>"}{"<len>"}" \ $|$ \ "b{"<pos>"}" \ $|$ \
+ "e{"<pos>"}" \ $|$ \ "s" \ $|$ \ "j" \\[\topsep]
+\begin{tabular}{ll}
+ "b{"<pos>"}" & begin text block at a point at horizontal position <pos>\\
+ "e{"<pos>"}" & end text at a point at horizontal position <pos>\\
+ "t{"<pos>"}{"<len>"}" & text segment at position <pos> with length <len>\\
+ "s" & split text block (begin a gap)\\
+ "j" & join two text blocks (end a gap)
+\end{tabular}
+\end{flushleft}
+
+The most common type of segment is "t" (text). The other types are
+degenerate in that they are single points rather than finite segments.
+Types "s" and "j" have no explicit position, but they must appear between
+text segments, and those texts should abut; e.g., "t{3}{2}st{5}{4}"
+(text from 3 to 5 and text from 5 to 9).
+
+\bigskip
+%\subsection{Diamond shape example}
+Let's jump right into a simple example, and the meanings will be
+clearer.
+%
+\begin{figure}[htbp]
+\centering
+\begin{picture}(250,160)
+\setlength\unitlength{1pt}
+%%%%%%%%%%%%%%%%%%%
+\thinlines
+\put(20,120){\vector(1,0){35} \ $_{\textstyle x}$}
+\put(20,120){\vector(0,-1){35}}
+\put(27,85){$y$}
+%%%%%%%%%%%%%%%%%%%
+\thicklines
+\put(120,80){\line(3,4){42}}
+\put(120,80){\line(3,-4){42}}
+\put(204,80){\line(-3,4){42}}
+\put(204,80){\line(-3,-4){42}}
+%%%%%%%%%%%%%%%%%%%
+\thinlines
+\put(162,136){\circle*{3}}
+\put(120,80){\circle*{3}}
+\put(204,80){\circle*{3}}
+\put(162,24){\circle*{3}}
+%%%%%%%%%%%%%%%%%%%
+\put(162,144){\makebox[0pt]{$(x=3,\ y=0)$}}
+\put(117,87){\makebox[0pt][r]{$(0,4)$}}
+\put(206,87){\makebox[0pt][l]{$(6,4)$}}
+\put(162,10){\makebox[0pt]{$(3,8)$}}
+%%%%%%%%%%%%%%%%%%%
+\put(105,80){\line(1,0){114}}
+\put(105,24){\line(1,0){114}}
+\put(105,136){\line(1,0){114}}
+%%%%%%%%%%%%%%%%%%%
+\end{picture}
+%
+% (x=3,y=0)
+% .
+%
+% +---> x
+% ! (0,4) . . (6,4)
+% !
+% V y
+% .
+% (3,8)
+%
+\vspace{-10pt}
+\caption{Diamond shape, showing vertex locations and scan lines.}
+\label{fig:diamond}
+\end{figure}
+%
+A rhombus `diamond' shape can have the four vertices, with
+coordinates shown in figure~\ref{fig:diamond}.
+This shape can be exactly specified by just three scan lines passing
+through the vertices. The intersections of the scan lines with the
+shape's edges occurs at the vertices and so the shape specification is:
+\begin{flushleft}
+\begin{tabular}{@{}ll}
+"{3}" & <h_center>: $x = 3$\\
+"{0}b{3}\\" & text block begins at point $y=0, x=3$\\
+"{4}t{0}{6}\\" & scan (at $y=4$) crosses text (len~6) starting at $x=0$\\
+"{8}e{3}" & text block ends at point $y=8, x=3$
+\end{tabular}
+\end{flushleft}
+Other specification lines, such as
+\begin{flushleft}
+"{6}t{1.5}{3}\\"
+\end{flushleft}
+could be inserted, but would make no difference~-- the shape is
+interpolated linearly between scan lines.
+
+\medskip
+%\subsection{Valid specs}
+
+Every block of text must start with a "b" specifier and end with an "e"
+spec on some line below. Every segment specified by "t" must have a
+length greater than zero. If two blocks of text merge to form one (like
+at the notch of a heart shape) there should be a "j" spec at the point of
+junction. If one block bifurcates or splits (like at the top of a hole in
+a doughnut) there should be an "s" spec.
+
+Thus, the first line for any valid shape description must consist
+of only "b" segment descriptors; the last line can only have "e" type
+descriptors. Although the definition of the units is arbitrary, the
+numbers should range in magnitude from ${\sim}\,0.1$ to 100 to avoid
+numeric overflows and underflows.
+
+If there are errors in the format of the specification, "\shapepar"
+might complain with the error message
+\begin{flushleft}
+Shaped Paragraph Error: Error in specification. Check carefully!
+\end{flushleft}
+At this point you may as well type "x" or "e", to exit from \TeX,
+as there is very little chance that {\TeX} will continue successfully.
+You might also get one of \TeX's regular error messages, like
+\begin{flushleft}
+Illegal unit of measure (pt inserted).\\[3pt]
+or\\[3pt]
+Missing number, treated as zero.
+\end{flushleft}
+or you might get no error message at all, just ridiculous formatting.
+Check shape syntax carefully against the rules and the examples before
+running them through \TeX.
+
+\medskip
+%\subsection{Square example}
+
+What to do if the figure does not start at a point~-- if it has a flat
+top? It can start at a single point, but have the next scan line at
+the same vertical position! A square paragraph is specified by:
+\begin{flushleft}
+\begin{tabular}{@{}ll}
+ "{1}" & centerline is at $x=1$\\
+ "{0}b{0}\\" & begin at $(0,0)$\\
+ "{0}t{0}{2}\\" & text at $y=0$, width${}=2$\\
+ "{2}t{0}{2}\\" & text at $y=2$, width${}=2$\\
+ "{2}e{1}" & end at $(1,2)$
+\end{tabular}
+\end{flushleft}
+
+
+%\subsection{Heart example}
+
+Now let's get more ambitious. A heart shape must have two simultaneous
+beginnings, a short stretch where there are two separated text areas
+ending with a join,
+whereafter there is just one block of text leading to the final
+bottom point. Figure \ref{fig:heart} shows the heart-shape
+specification.
+\begin{figure}[tbp]
+\begin{small}
+\begin{minipage}[b]{21em}
+\renewcommand{\baselinestretch}{.9}\selectfont
+\begin{verbatim}
+\newcommand\heartshape{
+{20}{0} b{13.32} b{26.68}
+\\{.14} t{10.12}{4.42} t{25.46}{4.42}
+\\{.7} t{9.14}{7.16} t{23.7}{7.16}
+\\{1.4} t{8.4}{9.02} t{22.58}{9.02}
+\\{2.1} t{7.82}{10.42} t{21.76}{10.42}
+\\{2.8} t{7.36}{11.58} t{21.06}{11.58}
+\\{3.5} t{6.98}{12.56} t{20.46}{12.56}
+\\{4.2} t{6.68}{13.32} j t{20}{13.32}
+\\{4.9} t{6.48}{27.04}
+\\{5.6} t{6.34}{27.32}
+\\{6.3} t{6.28}{27.44}
+\\{7} t{6.26}{27.48}
+\\{7.7} t{6.27}{27.46}
+\\{8.4} t{6.32}{27.36}
+\\{9.1} t{6.4}{27.2}
+\\{9.8} t{6.52}{26.96}
+\\{10.5} t{6.68}{26.64}
+\\{11.9} t{7.12}{25.76}
+\\{13.3} t{7.72}{24.56}
+\\{14.7} t{8.51}{22.98}
+\\{16.1} t{9.5}{21}
+\\{17.5} t{10.69}{18.62}
+\\{18.9} t{12.08}{15.84}
+\\{20.3} t{13.7}{12.6}
+\\{21.7} t{15.62}{8.76}
+\\{22.4} t{16.7}{6.6}
+\\{23.1} t{17.87}{4.26}
+\\{24.6} e{20}
+}
+\end{verbatim}
+\end{minipage}%
+\hspace*{0pt plus 1fill minus \linewidth}%
+\addtolength{\linewidth}{-13em}
+\begin{minipage}[b]{\linewidth}
+\footnotesize
+\def~{\,}
+\heartpar{%
+\mbox{ }In faith, I do not love thee with mine eyes,
+~For they in thee a thousand errors note,
+~But is my heart that loves what they despise,
+~Who in despite of view is pleased to dote;
+~Nor are mine ears with thy tongue's tune delighted,
+~Nor tender feeling to base touches prone,
+~Nor taste nor smell, desire to be invited
+~To any sensual feast with thee alone;
+~But my five wits nor my five senses can
+~Dissuade one foolish heart from serving thee,
+~Who leaves unswayed the likeness of a man,
+~Thy proud heart's slave and vassal wretch to be;
+~Only my plague thus far I count my gain,
+~That she that makes me sin awards me pain.}
+~~~~
+\end{minipage}
+\end{small}
+\caption{Specification for the heart shape, and an example.}
+\label{fig:heart}
+\end{figure}
+Find the two "b" specifiers at the beginning, and find the "j" a few
+lines below; notice that above the "j" there are two segments per line,
+but only one below it~-- the two lobes join at the "j"
+point: 20. I drew this heart freehand, and measured
+lengths from the sketch, so you should be able to do better! The spec
+has many scan lines so that the smooth curves are preserved, but there
+are probably more lines than necessary.
+
+\medskip
+%\subsection{Holes -- nut shape}
+
+Text shapes can have holes. For example, a doughnut-shape would have a "b"
+on the first line, followed by some lines with a single "t", then a line with
+"t s t" at the start of the hole. The hole is represented by lines with two
+"t" specs~-- the gap between them is the hole. A line with "t j t" ends the
+hole. There are more lines with single "t", and then an "e" line to end
+with. Such a doughnut is used by the "\CDlabel" shape, but the
+example given in Figure~\ref{fig:nut} is a nut. Not a doughnut, but a hex-nut (for a
+machine screw or bolt)~-- a regular hexagon with a circular hole in the center.
+The hexagon is flat on top and bottom so the specification begins and
+ends like the square shape. The circle is rendered as a 24-gon, beginning
+with a split ("s") of the surrounding text and ending with a join ("j").
+If the spacing of the scan lines looks odd, it is because the hexagon alone
+would need just 5 scan lines (at only 3 distinct locations), but the circle
+needs many; the points on the circle are at 15-degree intervals.
+\begin{figure}[htbp]
+\renewcommand{\baselinestretch}{.9}
+\begin{verbatim}
+\newcommand\nutshape{
+{0}
+{0} b{0}\\
+{0} t{-12.5}{25}\\
+{11.65} t{-19.23}{19.23} s t{0}{19.23}\\
+{11.99} t{-19.42}{16.835} t{2.59}{16.835}\\
+{12.99} t{-20}{15} t{5}{15}\\
+{14.58} t{-20.92}{13.85} t{7.07}{13.85}\\
+{16.65} t{-22.11}{13.45} t{8.66}{13.45}\\
+{19.06} t{-23.51}{13.85} t{9.66}{13.85}\\
+{21.65} t{-25}{15} t{10}{15}\\
+{24.24} t{-23.51}{13.85} t{9.66}{13.85}\\
+{26.65} t{-22.11}{13.45} t{8.66}{13.45}\\
+{28.72} t{-20.92}{13.85} t{7.07}{13.85}\\
+{30.31} t{-20}{15} t{5}{15}\\
+{31.31} t{-19.42}{16.835} t{2.59}{16.835}\\
+{31.65} t{-19.23}{19.23} j t{0}{19.23}\\
+{43.3} t{-12.5}{25}\\
+{43.3} e{0}
+}
+\end{verbatim}
+\vspace{-\topsep}
+\caption{Specification for the nut shape.
+(The definition in shapepar.sty is the same except that
+the spaces are removed.)}
+\label{fig:nut}
+\end{figure}
+
+\section{Configuration}
+
+There are several parameters that control details of how "\shapepar"
+functions, varying from those (one) that will be set often, to some that
+are cryptic, and require editing shapepar.sty itself. Here we will
+explain some of those operational details and the parameters that
+control them.
+
+\subsection{Cut-out separation}
+
+The cutout separation is applied by looking at the paragraph shape
+expanded by "\cutoutsep" in `all' directions, to give the same gap at
+every slope. That is a white lie. The shape's `"\parshape"' is
+actually regenerated at a finer line-spacing (but the same scale factor
+as for the shaped paragraph), and the leftmost (or rightmost) position
+of each finer-parshape line is used to exclude an octagon (as an
+approximation to a circle) centered on that position. The octagon is not
+even regular, but is extended vertically by
+$\hbox{"\cutoutsepstretch"}\times\hbox{"\baselineskip"}$ to allow
+for the height and depth of characters. Figure~\ref{fig:cutoutsep}
+illustrates these parameters.
+
+\begin{figure}[htbp]
+\small
+\setlength\cutoutsep{53pt}
+\renewcommand\cutoutsepstretch{1.0}
+\cutout{r}(-\cutoutsep,7\baselineskip)
+\shapepar[1pt]\squareshape
+\setlength\unitlength{1pt}\thinlines
+\begin{picture}(0,0)
+\put(0,0){\makebox[1pt]{A}}
+%
+ \xdef\CUa{\Pointless\cutoutsep}
+ \lineskiplimit=.414\cutoutsep
+ \xdef\CUb{\Pointless\lineskiplimit}
+ \advance\lineskiplimit\cutoutsepstretch\baselineskip
+ \xdef\CUc{\Pointless\lineskiplimit}
+ \advance\lineskiplimit .586\cutoutsep
+ \xdef\CUd{\Pointless\lineskiplimit}
+ \lineskiplimit=.586\cutoutsep
+ \xdef\CUe{\Pointless\lineskiplimit}
+ \lineskiplimit=\cutoutsep
+ \advance\lineskiplimit -5pt
+ \xdef\CUf{\Pointless\lineskiplimit}
+ \advance\lineskiplimit\cutoutsepstretch\baselineskip
+ \xdef\CUg{\Pointless\lineskiplimit}
+%
+% Outer Octagon
+\put(-\CUa,-\CUc){\line(0,1){\CUc}}
+\put(-\CUa,0){\line(0,1){\CUc}}
+\put(\CUa,-\CUc){\line(0,1){\CUc}}
+\put(\CUa,0){\line(0,1){\CUc}}
+\put(-\CUa,\CUc){\line(1,1){\CUe}}
+\put(-\CUa,-\CUc){\line(1,-1){\CUe}}
+\put(\CUa,\CUc){\line(-1,1){\CUe}}
+\put(\CUa,-\CUc){\line(-1,-1){\CUe}}
+\put(-\CUb,\CUd){\line(1,0){\CUb}}
+\put(0,\CUd){\line(1,0){\CUb}}
+\put(-\CUb,-\CUd){\line(1,0){\CUb}}
+\put(0,-\CUd){\line(1,0){\CUb}}
+%
+% Inner Octagon
+\put(-\CUa,\CUb){\line(1,1){\CUe}}
+\put(-\CUa,-\CUb){\line(1,-1){\CUe}}
+\put(\CUa,\CUb){\line(-1,1){\CUe}}
+\put(\CUa,-\CUb){\line(-1,-1){\CUe}}
+\put(-\CUb,\CUa){\line(1,0){\CUb}}
+\put(0,\CUa){\line(1,0){\CUb}}
+\put(-\CUb,-\CUa){\line(1,0){\CUb}}
+\put(0,-\CUa){\line(1,0){\CUb}}
+%
+% Distance arrows
+\put(-10,0){\vector(0,1){\CUd}}
+\put(-10,0){\vector(0,-1){0}}
+\put(10,0){\vector(0,1){\CUa}}
+\put(10,0){\vector(0,-1){0}}
+\put(0,0){\vector(-1,0){\CUa}}
+\put(0,0){\vector(1,0){0}}
+\put(0,-\CUf){\vector(-1,0){\CUb}}
+\put(0,-\CUf){\vector(1,0){\CUb}}
+\put(\CUf,0){\vector(0,1){\CUc}}
+\put(\CUf,0){\vector(0,-1){\CUc}}
+%
+% Distance labels
+\put(\CUf,0){\makebox[0pt]{$c$ \ \ }}
+\put(0,-\CUf){\makebox[0pt]{\shortstack{$b$\\~}}}
+{
+ \unitlength=.5pt % half-distances for centered labels
+ \put(-\CUa,-15){\makebox[0pt]{$a$}}
+ \put(-12,\CUd){$d$}
+ \put(28,\CUa){$a$}
+}
+\end{picture}
+\par
+\refstepcounter{figure}\label{fig:cutoutsep}%
+Figure \thefigure: This is an example with a tiny (unrecognizable)
+square shaped `paragraph' and a large cutout separation. Here "\cutoutsep" is
+set to \the\cutoutsep, and "\cutoutsepstretch" is \cutoutsepstretch. Since the
+`paragraph' is so small (`A'), and the separation so great, the cutout
+is dominated by the octagonal expansion of the shape which
+is drawn for "\cutoutsep" alone and for the full exclusion zone
+including "\cutoutsepstretch". The labelled distances are
+as follows:
+$a={}$"\cutoutsep"; $b=0.828$\,"\cutoutsep";
+$c=b+2\times\mbox{"\cutoutsepstretch"}\times\mbox{"\baselineskip"}$;
+$d=a+\mbox{"\cutoutsepstretch"}\times\mbox{"\baselineskip"}$.
+The exclusion zone (outer octagon) applies to the baseline position
+of each paragraph line, so the characters do intrude into the octagon
+from above and below. The vertical expansion factor "\cutoutsepstretch"
+should be chosen to just counteract this effect, leaving a symmetric
+border of white space (inner octagon).
+In ordinary use, with a larger shaped paragraph and a smaller
+separation, the expansion of the shape should appear equal in all directions
+(circular); it is only in this contrived example that it is revealed
+as an octagon.
+\par
+\end{figure}
+
+A good place to set these parameters is between "\cutout"
+and "\shapepar" so they apply locally to just that instance.
+
+\configpar{cutoutsep}
+ {Distance separating shaped paragraph and the surrounding cut-out text.}
+ {length (dimen register)}
+ {12\,pt}
+ {"\setlength"}
+ {"\setlength{\cutoutsep}{1cm}" \ or \ "\cutoutsep= 5pt"}
+
+\configpar{cutoutsepstretch}
+ {Vertical extension of cutout gap, given as a fraction of "\baselineskip",
+ which accounts for the height and depth of characters. Note that,
+ even with a good setting for "\cutoutsepstretch", the separation
+ above and below the shaped paragraph may not match the side spacing
+ simply because the cutout text has rigid baseline skips.
+ \interlinepenalty 1000\nopagebreak[0]}
+ {macro (`command', but really `data')}
+ {.5}
+ {"\renewcommand" or "\def"}
+ {"\renewcommand{\cutoutsepstretch}{.75}"}
+
+\configpar{RefineBaselines}
+ {Fineness of cut-out matching to lines (number of reference points
+ per line of cut-out text).}
+ {integer constant (not a \LaTeX\ counter)}
+ {3}
+ {"\renewcommand", "\def", "\chardef", "\mathchardef" etc.}
+ {\rightskip\fill"\renewcommand{\RefineBaselines}{2}" \ or \
+ \hbox{"\chardef\RefineBaselines= 4"}}
+
+
+\subsection{Scale length optimization}
+
+When "\shapepar" is used without an explicit scale length, it must
+determine a scale that allows the given text to fill the shape.
+It makes a first guess by comparing the length of the text with
+the area of the shape specification, and then typesets the paragraph
+at that scale. If the text does not fit well, then "\shapepar"
+changes the scale and tries again. It will make as many as
+"\ScaleMaxTries" trial paragraphs:
+
+\configpar{ScaleMaxTries}
+ {How many times will "\shapepar" try to get the size of the paragraph?}
+ {integer constant (not a \LaTeX\ counter)}
+ {9}
+ {"\renewcommand", "\def", "\chardef", "\mathchardef" etc.}
+ {"\renewcommand{\ScaleMaxTries}{7}" \ or \
+ \hbox{"\chardef\ScaleMaxTries= 5"}}
+
+\medskip
+It is quite common that text will not esaily fit a shape even when
+the best scaling is chosen, so it is counter-productive to set a very
+high value for "\ScaleMaxTries".
+
+There are many other numbers explicitly coded into shapepar.sty that
+control the scale-optimization process: choosing the initial guess,
+choosing the initial step size (`dscale'), changing dscale by different
+factors (`fac'), fitting the text to the paragraph shape, and more.
+These are accompanied by the comment `optimize', and they can be
+changed by editing shapepar.sty.
+
+\subsection{Applying the shape}
+
+"\shapepar" cheats a bit when the horizontal gap between two bits of text
+is small (like down in the notch of "\heartpar"). When the gap is less
+than an interword space it is eliminated, and the texts are joined; when
+it is somewhat larger it is expanded to give it more visibility. Likewise,
+when a segment of text is too small, it is eliminated. There are three
+parameters to control this behavior. Although they are lengths, they are
+all macros (commands) rather than dimen registers in order to use
+font-size-based length units (em).
+
+\configpar{SmallestGap}
+ {Smallest gap size allowed; smaller gaps will be eliminated (text joined).}
+ {macro (command) giving a length}
+ {.4\,em}
+ {"\renewcommand" or "\def"}
+ {"\renewcommand{\SmallestGap}{.5em}"}
+
+\configpar{SmallGap}
+ {Small gap size; smaller gaps will be enlarged.}
+ {macro (command) giving a length}
+ {1\,em}
+ {"\renewcommand" or "\def"}
+ {"\renewcommand{\SmallGap}{2em}"}
+
+\configpar{SmallestSegment}
+ {Smallest segment allowed; smaller will be omitted.}
+ {macro (command) giving a length}
+ {.2\,em}
+ {"\renewcommand" or "\def"}
+ {"\renewcommand{\SmallestSegment}{10pt}"}
+
+\subsection{Feedback}
+
+Since the processing is slow, some messages will be displayed to show how
+things are going. \LaTeX\ users can disable this feedback by loading
+shapepar with
+"\usepackage""[quiet]""{shapepar}", or they can get more verbose
+messages by requesting "\usepackage""[noisy]""{shapepar}". There are
+even more verbose messages that can be activated by removing the \%
+that hides them, but they are only useful for debugging shapepar.sty
+itself.
+
+% Kludge strike-through because I don't want to load more packages
+
+\section[Future improvements]%
+ {\begin{tabular}[t]{l}Deficiencies\\[-1.5ex]\hline\end{tabular}
+ Future Improvements}
+
+\begin{itemize}
+\item The shape is followed by the text baselines, and this makes the
+shaped paragraph marginally taller; mis-fitting of baselines makes the
+paragraph squatter.
+
+\item Exact placement of CD-labels on label stock and of graphics in a
+cut-out requires a box reference-point defined by the shape alone,
+not the text. But portions of the text spill out of the shape and
+might go off the label. How to handle best?
+
+\item The restriction to a single paragraph is a pain, especially
+for fixed-scale shapes. The pre-boxing and un-boxing of the text
+forces a single paragraph without displays. Omitting pre-boxing is
+easiest with fixed-scale, but even then there may be multiple
+typesettings. Global assignments will accumulate and my register
+re-use will cause conflicts.
+
+\item The restrictions in cut-out text are likewise a problem.
+Should upgrade wrapfig.sty and merge some code.
+
+\item Discrete segments and fixed-scale suggest an application to
+magazine or poster layout. For this to be useful, excess text
+should be able to overflow onto the next page, and complex text
+(multiple paragraphs, lists, and displays) must be accepted.
+
+\end{itemize}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/t2/Makefile b/Master/texmf-dist/doc/generic/t2/Makefile
new file mode 100644
index 00000000000..1dfd9be5246
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/Makefile
@@ -0,0 +1,11 @@
+ENCODINGS = T2A T2B T2C X2
+ENC2UNI = $(ENCODINGS:=uni.map)
+
+all:
+ ./mkencs.sh
+
+show_glyphs_absent_in_unicode: $(ENC2UNI)
+ @grep ';;' $^ | sed 's,^[^;]*;;,,' | sort -u
+
+clean:
+ rm -f encfiles/*.enc
diff --git a/Master/texmf-dist/doc/generic/t2/OT2uni.map b/Master/texmf-dist/doc/generic/t2/OT2uni.map
new file mode 100644
index 00000000000..7deec0df733
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/OT2uni.map
@@ -0,0 +1,128 @@
+00;040A;CYRILLIC CAPITAL LETTER NJE
+01;0409;CYRILLIC CAPITAL LETTER LJE
+02;040F;CYRILLIC CAPITAL LETTER DZHE
+03;042D;CYRILLIC CAPITAL LETTER E
+04;0406;CYRILLIC CAPITAL LETTER BYELORUSSIAN-UKRAINIAN I
+05;0404;CYRILLIC CAPITAL LETTER UKRAINIAN IE
+06;0402;CYRILLIC CAPITAL LETTER DJE
+07;040B;CYRILLIC CAPITAL LETTER TSHE
+08;045A;CYRILLIC SMALL LETTER NJE
+09;0459;CYRILLIC SMALL LETTER LJE
+0A;045F;CYRILLIC SMALL LETTER DZHE
+0B;044D;CYRILLIC SMALL LETTER E
+0C;0456;CYRILLIC SMALL LETTER BYELORUSSIAN-UKRAINIAN I
+0D;0454;CYRILLIC SMALL LETTER UKRAINIAN IE
+0E;0452;CYRILLIC SMALL LETTER DJE
+0F;045B;CYRILLIC SMALL LETTER TSHE
+10;042E;CYRILLIC CAPITAL LETTER YU
+11;0416;CYRILLIC CAPITAL LETTER ZHE
+12;0419;CYRILLIC CAPITAL LETTER SHORT I
+13;0401;CYRILLIC CAPITAL LETTER IO
+14;0474;CYRILLIC CAPITAL LETTER IZHITSA
+15;0472;CYRILLIC CAPITAL LETTER FITA
+16;0405;CYRILLIC CAPITAL LETTER DZE
+17;042F;CYRILLIC CAPITAL LETTER YA
+18;044E;CYRILLIC SMALL LETTER YU
+19;0436;CYRILLIC SMALL LETTER ZHE
+1A;0439;CYRILLIC SMALL LETTER SHORT I
+1B;0451;CYRILLIC SMALL LETTER IO
+1C;0475;CYRILLIC SMALL LETTER IZHITSA
+1D;0473;CYRILLIC SMALL LETTER FITA
+1E;0455;CYRILLIC SMALL LETTER DZE
+1F;044F;CYRILLIC SMALL LETTER YA
+20;00A8;DIAERESIS
+21;0021;EXCLAMATION MARK
+22;201D;RIGHT DOUBLE QUOTATION MARK
+23;0462;CYRILLIC CAPITAL LETTER YAT
+24;F6D4;CYRILLIC BREVE
+25;0025;PERCENT SIGN
+26;00B4;ACUTE ACCENT
+27;2019;RIGHT SINGLE QUOTATION MARK
+28;0028;LEFT PARENTHESIS
+29;0029;RIGHT PARENTHESIS
+2A;002A;ASTERISK
+2B;0463;CYRILLIC SMALL LETTER YAT
+2C;002C;COMMA
+2D;002D;HYPHEN-MINUS
+2E;002E;FULL STOP
+2F;002F;SOLIDUS
+30;0030;DIGIT ZERO
+31;0031;DIGIT ONE
+32;0032;DIGIT TWO
+33;0033;DIGIT THREE
+34;0034;DIGIT FOUR
+35;0035;DIGIT FIVE
+36;0036;DIGIT SIX
+37;0037;DIGIT SEVEN
+38;0038;DIGIT EIGHT
+39;0039;DIGIT NINE
+3A;003A;COLON
+3B;003B;SEMICOLON
+3C;00AB;LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
+3D;0131;LATIN SMALL LETTER DOTLESS I
+3E;00BB;RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
+3F;003F;QUESTION MARK
+40;02D8;BREVE
+41;0410;CYRILLIC CAPITAL LETTER A
+42;0411;CYRILLIC CAPITAL LETTER BE
+43;0426;CYRILLIC CAPITAL LETTER TSE
+44;0414;CYRILLIC CAPITAL LETTER DE
+45;0415;CYRILLIC CAPITAL LETTER IE
+46;0424;CYRILLIC CAPITAL LETTER EF
+47;0413;CYRILLIC CAPITAL LETTER GHE
+48;0425;CYRILLIC CAPITAL LETTER HA
+49;0418;CYRILLIC CAPITAL LETTER I
+4A;0408;CYRILLIC CAPITAL LETTER JE
+4B;041A;CYRILLIC CAPITAL LETTER KA
+4C;041B;CYRILLIC CAPITAL LETTER EL
+4D;041C;CYRILLIC CAPITAL LETTER EM
+4E;041D;CYRILLIC CAPITAL LETTER EN
+4F;041E;CYRILLIC CAPITAL LETTER O
+50;041F;CYRILLIC CAPITAL LETTER PE
+51;0427;CYRILLIC CAPITAL LETTER CHE
+52;0420;CYRILLIC CAPITAL LETTER ER
+53;0421;CYRILLIC CAPITAL LETTER ES
+54;0422;CYRILLIC CAPITAL LETTER TE
+55;0423;CYRILLIC CAPITAL LETTER U
+56;0412;CYRILLIC CAPITAL LETTER VE
+57;0429;CYRILLIC CAPITAL LETTER SHCHA
+58;0428;CYRILLIC CAPITAL LETTER SHA
+59;042B;CYRILLIC CAPITAL LETTER YERU
+5A;0417;CYRILLIC CAPITAL LETTER ZE
+5B;005B;LEFT SQUARE BRACKET
+5C;201C;LEFT DOUBLE QUOTATION MARK
+5D;005D;RIGHT SQUARE BRACKET
+5E;042C;CYRILLIC CAPITAL LETTER SOFT SIGN
+5F;042A;CYRILLIC CAPITAL LETTER HARD SIGN
+60;2018;LEFT SINGLE QUOTATION MARK
+61;0430;CYRILLIC SMALL LETTER A
+62;0431;CYRILLIC SMALL LETTER BE
+63;0446;CYRILLIC SMALL LETTER TSE
+64;0434;CYRILLIC SMALL LETTER DE
+65;0435;CYRILLIC SMALL LETTER IE
+66;0444;CYRILLIC SMALL LETTER EF
+67;0433;CYRILLIC SMALL LETTER GHE
+68;0445;CYRILLIC SMALL LETTER HA
+69;0438;CYRILLIC SMALL LETTER I
+6A;0458;CYRILLIC SMALL LETTER JE
+6B;043A;CYRILLIC SMALL LETTER KA
+6C;043B;CYRILLIC SMALL LETTER EL
+6D;043C;CYRILLIC SMALL LETTER EM
+6E;043D;CYRILLIC SMALL LETTER EN
+6F;043E;CYRILLIC SMALL LETTER O
+70;043F;CYRILLIC SMALL LETTER PE
+71;0447;CYRILLIC SMALL LETTER CHE
+72;0440;CYRILLIC SMALL LETTER ER
+73;0441;CYRILLIC SMALL LETTER ES
+74;0442;CYRILLIC SMALL LETTER TE
+75;0443;CYRILLIC SMALL LETTER U
+76;0432;CYRILLIC SMALL LETTER VE
+77;0449;CYRILLIC SMALL LETTER SHCHA
+78;0448;CYRILLIC SMALL LETTER SHA
+79;044B;CYRILLIC SMALL LETTER YERU
+7A;0437;CYRILLIC SMALL LETTER ZE
+7B;2013;EN DASH
+7C;2014;EM DASH
+7D;2116;NUMERO SIGN
+7E;044C;CYRILLIC SMALL LETTER SOFT SIGN
+7F;044A;CYRILLIC SMALL LETTER HARD SIGN
diff --git a/Master/texmf-dist/doc/generic/t2/README b/Master/texmf-dist/doc/generic/t2/README
new file mode 100644
index 00000000000..3a67b07462e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/README
@@ -0,0 +1,64 @@
+Descriptions of files in the `enc-maps' directory of the T2 package.
+
+This directory contains the following files:
+
+1) mappings from TeX Cyrillic font encodings to Unicode. These files
+are a plain ASCII text files consisting of lines containing fields
+terminated by semicolons. Each line represents the data for one
+encoded character. Lines beginning with the `#' character are
+comments. The first field is a hexadecimal number of the slot number
+in the font encoding. The second field is a hexadecimal number of the
+Unicode glyph number for this slot. The third field is a standard
+Unicode v3 name for this glyph. Some glyphs used in the T2 package
+are not yet registered in Unicode. In this case the second field is
+empty, and the name used in the third field is thus non-standard.
+
+T2Auni.map --- mapping for the T2A encoding
+T2Buni.map --- mapping for the T2B encoding
+T2Cuni.map --- mapping for the T2C encoding
+X2uni.map --- mapping for the X2 encoding
+OT2uni.map --- mapping for the OT2 encoding
+
+2) mappings from glyph names used in fonts (Type1, TrueType) and T2
+package to Unicode. The format is similar to the one described in
+n.1. There are three fields separated by semicolons. Lines beginning
+with the `#' character are comments. The first field contains the
+Unicode glyph number. The second field contains a glyph name. The
+third field contains a standard Unicode-2.1 name for this glyph.
+
+glyphlist.txt --- Adobe Glyph List with Unicode Values available at
+ http://partners.adobe.com/asn/developer/typeforum/glyphlist.txt
+mtcyr.txt --- mapping for (some of) the Monotype Cyrillic Type1 fonts
+urwcyr.txt --- mapping for (some of) the URW Cyrillic Type1 fonts
+amscyr.txt --- mapping for AMS Cyrillic (wncy*) Type1 fonts
+broken1.txt --- mapping for some broken naming used in some Type1
+ Cyrillic fonts
+broken2.txt --- mapping for some broken naming used in some Type1
+ Cyrillic fonts
+t2cyr.txt --- mapping for the Cyrillic glyph names used in the T2 package
+t2lat.txt --- mapping for the Latin glyph names used in the T2 package
+
+3) mappings from various Cyrillic charsets to Unicode.
+
+cyrcset7.txt --- 7-bit Cyrillic charsets
+cyrcset8.txt --- 8-bit Cyrillic charsets
+cyrcsets.ind --- index file for the above two files
+
+Look into the file cyrcsets.ind and find needed charset. Notice the
+number assigned to this charset (say, N) and a file name (either
+cyrcset8.txt or cyrcset7.txt). Then the needed mapping from this
+charset to Unicode could be found from the (N+1)th column of the
+corresponding file. The first column contains the slot number in the
+encoding. All numbers are hexadecimal.
+
+4) scripts for generation of *.enc files for dvips and pdftex.
+
+Makefile
+make-enc.pl
+mkencs.sh
+
+5) miscellaneous.
+
+encfiles --- a directory with some *.enc files generated by running
+ mkencs.sh.
+README --- this file.
diff --git a/Master/texmf-dist/doc/generic/t2/T2Auni.map b/Master/texmf-dist/doc/generic/t2/T2Auni.map
new file mode 100644
index 00000000000..adf97402e32
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/T2Auni.map
@@ -0,0 +1,265 @@
+00;0060;GRAVE ACCENT
+01;00B4;ACUTE ACCENT
+02;02C6;MODIFIER LETTER CIRCUMFLEX ACCENT
+03;02DC;SMALL TILDE
+04;00A8;DIAERESIS
+05;02DD;DOUBLE ACUTE ACCENT
+06;02DA;RING ABOVE
+07;02C7;CARON
+08;02D8;BREVE
+09;00AF;MACRON
+0A;02D9;DOT ABOVE
+0B;00B8;CEDILLA
+0C;02DB;OGONEK
+0D;04C0;CYRILLIC LETTER PALOCHKA
+0E;2329;LEFT-POINTING ANGLE BRACKET
+0F;232A;RIGHT-POINTING ANGLE BRACKET
+10;201C;LEFT DOUBLE QUOTATION MARK
+11;201D;RIGHT DOUBLE QUOTATION MARK
+12;F6D5;CYRILLIC CIRCUMFLEX
+# 12;F6D2;CAPITAL CYRILLIC CIRCUMFLEX
+13;F6D6;DOUBLE GRAVE ACCENT
+# 13;F6D3;CAPITAL DOUBLE GRAVE ACCENT
+# 13;030F;COMBINING DOUBLE GRAVE ACCENT
+14;F6D4;CYRILLIC BREVE
+# 14;F6D1;CAPITAL CYRILLIC BREVE
+15;2013;EN DASH
+16;2014;EM DASH
+# 16;;CYRILLIC EM DASH
+17;FEFF;ZERO WIDTH NO-BREAK SPACE
+# 17;;COMPOUND WORD MARK
+18;;PERTHOUSAND ZERO
+# 18;2080;SUBSCRIPT ZERO
+19;0131;LATIN SMALL LETTER DOTLESS I
+1A;;LATIN SMALL LETTER DOTLESS J
+1B;FB00;LATIN SMALL LIGATURE FF
+1C;FB01;LATIN SMALL LIGATURE FI
+1D;FB02;LATIN SMALL LIGATURE FL
+1E;FB03;LATIN SMALL LIGATURE FFI
+1F;FB04;LATIN SMALL LIGATURE FFL
+20;;BLANK-SPACE SIGN
+# 20;2423;OPEN BOX
+21;0021;EXCLAMATION MARK
+22;0022;QUOTATION MARK
+23;0023;NUMBER SIGN
+24;0024;DOLLAR SIGN
+25;0025;PERCENT SIGN
+26;0026;AMPERSAND
+27;2019;RIGHT SINGLE QUOTATION MARK
+# 27;0027;APOSTROPHE
+28;0028;LEFT PARENTHESIS
+29;0029;RIGHT PARENTHESIS
+2A;002A;ASTERISK
+2B;002B;PLUS SIGN
+2C;002C;COMMA
+2D;002D;HYPHEN-MINUS
+2E;002E;FULL STOP
+2F;002F;SOLIDUS
+30;0030;DIGIT ZERO
+31;0031;DIGIT ONE
+32;0032;DIGIT TWO
+33;0033;DIGIT THREE
+34;0034;DIGIT FOUR
+35;0035;DIGIT FIVE
+36;0036;DIGIT SIX
+37;0037;DIGIT SEVEN
+38;0038;DIGIT EIGHT
+39;0039;DIGIT NINE
+3A;003A;COLON
+3B;003B;SEMICOLON
+3C;003C;LESS-THAN SIGN
+3D;003D;EQUALS SIGN
+3E;003E;GREATER-THAN SIGN
+3F;003F;QUESTION MARK
+40;0040;COMMERCIAL AT
+41;0041;LATIN CAPITAL LETTER A
+42;0042;LATIN CAPITAL LETTER B
+43;0043;LATIN CAPITAL LETTER C
+44;0044;LATIN CAPITAL LETTER D
+45;0045;LATIN CAPITAL LETTER E
+46;0046;LATIN CAPITAL LETTER F
+47;0047;LATIN CAPITAL LETTER G
+48;0048;LATIN CAPITAL LETTER H
+49;0049;LATIN CAPITAL LETTER I
+4A;004A;LATIN CAPITAL LETTER J
+4B;004B;LATIN CAPITAL LETTER K
+4C;004C;LATIN CAPITAL LETTER L
+4D;004D;LATIN CAPITAL LETTER M
+4E;004E;LATIN CAPITAL LETTER N
+4F;004F;LATIN CAPITAL LETTER O
+50;0050;LATIN CAPITAL LETTER P
+51;0051;LATIN CAPITAL LETTER Q
+52;0052;LATIN CAPITAL LETTER R
+53;0053;LATIN CAPITAL LETTER S
+54;0054;LATIN CAPITAL LETTER T
+55;0055;LATIN CAPITAL LETTER U
+56;0056;LATIN CAPITAL LETTER V
+57;0057;LATIN CAPITAL LETTER W
+58;0058;LATIN CAPITAL LETTER X
+59;0059;LATIN CAPITAL LETTER Y
+5A;005A;LATIN CAPITAL LETTER Z
+5B;005B;LEFT SQUARE BRACKET
+5C;005C;REVERSE SOLIDUS
+5D;005D;RIGHT SQUARE BRACKET
+5E;005E;CIRCUMFLEX ACCENT
+5F;005F;LOW LINE
+60;2018;LEFT SINGLE QUOTATION MARK
+61;0061;LATIN SMALL LETTER A
+62;0062;LATIN SMALL LETTER B
+63;0063;LATIN SMALL LETTER C
+64;0064;LATIN SMALL LETTER D
+65;0065;LATIN SMALL LETTER E
+66;0066;LATIN SMALL LETTER F
+67;0067;LATIN SMALL LETTER G
+68;0068;LATIN SMALL LETTER H
+69;0069;LATIN SMALL LETTER I
+6A;006A;LATIN SMALL LETTER J
+6B;006B;LATIN SMALL LETTER K
+6C;006C;LATIN SMALL LETTER L
+6D;006D;LATIN SMALL LETTER M
+6E;006E;LATIN SMALL LETTER N
+6F;006F;LATIN SMALL LETTER O
+70;0070;LATIN SMALL LETTER P
+71;0071;LATIN SMALL LETTER Q
+72;0072;LATIN SMALL LETTER R
+73;0073;LATIN SMALL LETTER S
+74;0074;LATIN SMALL LETTER T
+75;0075;LATIN SMALL LETTER U
+76;0076;LATIN SMALL LETTER V
+77;0077;LATIN SMALL LETTER W
+78;0078;LATIN SMALL LETTER X
+79;0079;LATIN SMALL LETTER Y
+7A;007A;LATIN SMALL LETTER Z
+7B;007B;LEFT CURLY BRACKET
+7C;007C;VERTICAL LINE
+7D;007D;RIGHT CURLY BRACKET
+7E;007E;TILDE
+7F;002D;HYPHEN-MINUS
+80;0490;CYRILLIC CAPITAL LETTER GHE WITH UPTURN
+81;0492;CYRILLIC CAPITAL LETTER GHE WITH STROKE
+82;0402;CYRILLIC CAPITAL LETTER DJE
+83;040B;CYRILLIC CAPITAL LETTER TSHE
+84;04BA;CYRILLIC CAPITAL LETTER SHHA
+85;0496;CYRILLIC CAPITAL LETTER ZHE WITH DESCENDER
+86;0498;CYRILLIC CAPITAL LETTER ZE WITH DESCENDER
+87;0409;CYRILLIC CAPITAL LETTER LJE
+88;0407;CYRILLIC CAPITAL LETTER YI
+89;049A;CYRILLIC CAPITAL LETTER KA WITH DESCENDER
+8A;04A0;CYRILLIC CAPITAL LETTER BASHKIR KA
+8B;049C;CYRILLIC CAPITAL LETTER KA WITH VERTICAL STROKE
+8C;04D4;CYRILLIC CAPITAL LIGATURE A IE
+8D;04A2;CYRILLIC CAPITAL LETTER EN WITH DESCENDER
+8E;04A4;CYRILLIC CAPITAL LIGATURE EN GHE
+8F;0405;CYRILLIC CAPITAL LETTER DZE
+90;04E8;CYRILLIC CAPITAL LETTER BARRED O
+91;04AA;CYRILLIC CAPITAL LETTER ES WITH DESCENDER;?[direction of descender]
+92;040E;CYRILLIC CAPITAL LETTER SHORT U
+93;04AE;CYRILLIC CAPITAL LETTER STRAIGHT U
+94;04B0;CYRILLIC CAPITAL LETTER STRAIGHT U WITH STROKE
+95;04B2;CYRILLIC CAPITAL LETTER HA WITH DESCENDER
+96;040F;CYRILLIC CAPITAL LETTER DZHE
+97;04B8;CYRILLIC CAPITAL LETTER CHE WITH VERTICAL STROKE
+98;04B6;CYRILLIC CAPITAL LETTER CHE WITH DESCENDER
+99;0404;CYRILLIC CAPITAL LETTER UKRAINIAN IE
+9A;04D8;CYRILLIC CAPITAL LETTER SCHWA
+9B;040A;CYRILLIC CAPITAL LETTER NJE
+9C;0401;CYRILLIC CAPITAL LETTER IO
+9D;2116;NUMERO SIGN
+9E;00A4;CURRENCY SIGN
+9F;00A7;SECTION SIGN
+A0;0491;CYRILLIC SMALL LETTER GHE WITH UPTURN
+A1;0493;CYRILLIC SMALL LETTER GHE WITH STROKE
+A2;0452;CYRILLIC SMALL LETTER DJE
+A3;045B;CYRILLIC SMALL LETTER TSHE
+A4;04BB;CYRILLIC SMALL LETTER SHHA
+A5;0497;CYRILLIC SMALL LETTER ZHE WITH DESCENDER
+A6;0499;CYRILLIC SMALL LETTER ZE WITH DESCENDER
+A7;0459;CYRILLIC SMALL LETTER LJE
+A8;0457;CYRILLIC SMALL LETTER YI
+A9;049B;CYRILLIC SMALL LETTER KA WITH DESCENDER
+AA;04A1;CYRILLIC SMALL LETTER BASHKIR KA
+AB;049D;CYRILLIC SMALL LETTER KA WITH VERTICAL STROKE
+AC;04D5;CYRILLIC SMALL LIGATURE A IE
+AD;04A3;CYRILLIC SMALL LETTER EN WITH DESCENDER
+AE;04A5;CYRILLIC SMALL LIGATURE EN GHE
+AF;0455;CYRILLIC SMALL LETTER DZE
+B0;04E9;CYRILLIC SMALL LETTER BARRED O
+B1;04AB;CYRILLIC SMALL LETTER ES WITH DESCENDER;?[direction of descender]
+B2;045E;CYRILLIC SMALL LETTER SHORT U
+B3;04AF;CYRILLIC SMALL LETTER STRAIGHT U
+B4;04B1;CYRILLIC SMALL LETTER STRAIGHT U WITH STROKE
+B5;04B3;CYRILLIC SMALL LETTER HA WITH DESCENDER
+B6;045F;CYRILLIC SMALL LETTER DZHE
+B7;04B9;CYRILLIC SMALL LETTER CHE WITH VERTICAL STROKE
+B8;04B7;CYRILLIC SMALL LETTER CHE WITH DESCENDER
+B9;0454;CYRILLIC SMALL LETTER UKRAINIAN IE
+BA;04D9;CYRILLIC SMALL LETTER SCHWA
+BB;045A;CYRILLIC SMALL LETTER NJE
+BC;0451;CYRILLIC SMALL LETTER IO
+BD;201E;DOUBLE LOW-9 QUOTATION MARK
+BE;00AB;LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
+BF;00BB;RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
+C0;0410;CYRILLIC CAPITAL LETTER A
+C1;0411;CYRILLIC CAPITAL LETTER BE
+C2;0412;CYRILLIC CAPITAL LETTER VE
+C3;0413;CYRILLIC CAPITAL LETTER GHE
+C4;0414;CYRILLIC CAPITAL LETTER DE
+C5;0415;CYRILLIC CAPITAL LETTER IE
+C6;0416;CYRILLIC CAPITAL LETTER ZHE
+C7;0417;CYRILLIC CAPITAL LETTER ZE
+C8;0418;CYRILLIC CAPITAL LETTER I
+C9;0419;CYRILLIC CAPITAL LETTER SHORT I
+CA;041A;CYRILLIC CAPITAL LETTER KA
+CB;041B;CYRILLIC CAPITAL LETTER EL
+CC;041C;CYRILLIC CAPITAL LETTER EM
+CD;041D;CYRILLIC CAPITAL LETTER EN
+CE;041E;CYRILLIC CAPITAL LETTER O
+CF;041F;CYRILLIC CAPITAL LETTER PE
+D0;0420;CYRILLIC CAPITAL LETTER ER
+D1;0421;CYRILLIC CAPITAL LETTER ES
+D2;0422;CYRILLIC CAPITAL LETTER TE
+D3;0423;CYRILLIC CAPITAL LETTER U
+D4;0424;CYRILLIC CAPITAL LETTER EF
+D5;0425;CYRILLIC CAPITAL LETTER HA
+D6;0426;CYRILLIC CAPITAL LETTER TSE
+D7;0427;CYRILLIC CAPITAL LETTER CHE
+D8;0428;CYRILLIC CAPITAL LETTER SHA
+D9;0429;CYRILLIC CAPITAL LETTER SHCHA
+DA;042A;CYRILLIC CAPITAL LETTER HARD SIGN
+DB;042B;CYRILLIC CAPITAL LETTER YERU
+DC;042C;CYRILLIC CAPITAL LETTER SOFT SIGN
+DD;042D;CYRILLIC CAPITAL LETTER E
+DE;042E;CYRILLIC CAPITAL LETTER YU
+DF;042F;CYRILLIC CAPITAL LETTER YA
+E0;0430;CYRILLIC SMALL LETTER A
+E1;0431;CYRILLIC SMALL LETTER BE
+E2;0432;CYRILLIC SMALL LETTER VE
+E3;0433;CYRILLIC SMALL LETTER GHE
+E4;0434;CYRILLIC SMALL LETTER DE
+E5;0435;CYRILLIC SMALL LETTER IE
+E6;0436;CYRILLIC SMALL LETTER ZHE
+E7;0437;CYRILLIC SMALL LETTER ZE
+E8;0438;CYRILLIC SMALL LETTER I
+E9;0439;CYRILLIC SMALL LETTER SHORT I
+EA;043A;CYRILLIC SMALL LETTER KA
+EB;043B;CYRILLIC SMALL LETTER EL
+EC;043C;CYRILLIC SMALL LETTER EM
+ED;043D;CYRILLIC SMALL LETTER EN
+EE;043E;CYRILLIC SMALL LETTER O
+EF;043F;CYRILLIC SMALL LETTER PE
+F0;0440;CYRILLIC SMALL LETTER ER
+F1;0441;CYRILLIC SMALL LETTER ES
+F2;0442;CYRILLIC SMALL LETTER TE
+F3;0443;CYRILLIC SMALL LETTER U
+F4;0444;CYRILLIC SMALL LETTER EF
+F5;0445;CYRILLIC SMALL LETTER HA
+F6;0446;CYRILLIC SMALL LETTER TSE
+F7;0447;CYRILLIC SMALL LETTER CHE
+F8;0448;CYRILLIC SMALL LETTER SHA
+F9;0449;CYRILLIC SMALL LETTER SHCHA
+FA;044A;CYRILLIC SMALL LETTER HARD SIGN
+FB;044B;CYRILLIC SMALL LETTER YERU
+FC;044C;CYRILLIC SMALL LETTER SOFT SIGN
+FD;044D;CYRILLIC SMALL LETTER E
+FE;044E;CYRILLIC SMALL LETTER YU
+FF;044F;CYRILLIC SMALL LETTER YA
diff --git a/Master/texmf-dist/doc/generic/t2/T2Buni.map b/Master/texmf-dist/doc/generic/t2/T2Buni.map
new file mode 100644
index 00000000000..c20173cf86f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/T2Buni.map
@@ -0,0 +1,265 @@
+00;0060;GRAVE ACCENT
+01;00B4;ACUTE ACCENT
+02;02C6;MODIFIER LETTER CIRCUMFLEX ACCENT
+03;02DC;SMALL TILDE
+04;00A8;DIAERESIS
+05;02DD;DOUBLE ACUTE ACCENT
+06;02DA;RING ABOVE
+07;02C7;CARON
+08;02D8;BREVE
+09;00AF;MACRON
+0A;02D9;DOT ABOVE
+0B;00B8;CEDILLA
+0C;02DB;OGONEK
+0D;04C0;CYRILLIC LETTER PALOCHKA
+0E;2329;LEFT-POINTING ANGLE BRACKET
+0F;232A;RIGHT-POINTING ANGLE BRACKET
+10;201C;LEFT DOUBLE QUOTATION MARK
+11;201D;RIGHT DOUBLE QUOTATION MARK
+12;F6D5;CYRILLIC CIRCUMFLEX
+# 12;F6D2;CAPITAL CYRILLIC CIRCUMFLEX
+13;F6D6;DOUBLE GRAVE ACCENT
+# 13;F6D3;CAPITAL DOUBLE GRAVE ACCENT
+# 13;030F;COMBINING DOUBLE GRAVE ACCENT
+14;F6D4;CYRILLIC BREVE
+# 14;F6D1;CAPITAL CYRILLIC BREVE
+15;2013;EN DASH
+16;2014;EM DASH
+# 16;;CYRILLIC EM DASH
+17;FEFF;ZERO WIDTH NO-BREAK SPACE
+# 17;;COMPOUND WORD MARK
+18;;PERTHOUSAND ZERO
+# 18;2080;SUBSCRIPT ZERO
+19;0131;LATIN SMALL LETTER DOTLESS I
+1A;;LATIN SMALL LETTER DOTLESS J
+1B;FB00;LATIN SMALL LIGATURE FF
+1C;FB01;LATIN SMALL LIGATURE FI
+1D;FB02;LATIN SMALL LIGATURE FL
+1E;FB03;LATIN SMALL LIGATURE FFI
+1F;FB04;LATIN SMALL LIGATURE FFL
+20;;BLANK-SPACE SIGN
+# 20;2423;OPEN BOX
+21;0021;EXCLAMATION MARK
+22;0022;QUOTATION MARK
+23;0023;NUMBER SIGN
+24;0024;DOLLAR SIGN
+25;0025;PERCENT SIGN
+26;0026;AMPERSAND
+27;2019;RIGHT SINGLE QUOTATION MARK
+# 27;0027;APOSTROPHE
+28;0028;LEFT PARENTHESIS
+29;0029;RIGHT PARENTHESIS
+2A;002A;ASTERISK
+2B;002B;PLUS SIGN
+2C;002C;COMMA
+2D;002D;HYPHEN-MINUS
+2E;002E;FULL STOP
+2F;002F;SOLIDUS
+30;0030;DIGIT ZERO
+31;0031;DIGIT ONE
+32;0032;DIGIT TWO
+33;0033;DIGIT THREE
+34;0034;DIGIT FOUR
+35;0035;DIGIT FIVE
+36;0036;DIGIT SIX
+37;0037;DIGIT SEVEN
+38;0038;DIGIT EIGHT
+39;0039;DIGIT NINE
+3A;003A;COLON
+3B;003B;SEMICOLON
+3C;003C;LESS-THAN SIGN
+3D;003D;EQUALS SIGN
+3E;003E;GREATER-THAN SIGN
+3F;003F;QUESTION MARK
+40;0040;COMMERCIAL AT
+41;0041;LATIN CAPITAL LETTER A
+42;0042;LATIN CAPITAL LETTER B
+43;0043;LATIN CAPITAL LETTER C
+44;0044;LATIN CAPITAL LETTER D
+45;0045;LATIN CAPITAL LETTER E
+46;0046;LATIN CAPITAL LETTER F
+47;0047;LATIN CAPITAL LETTER G
+48;0048;LATIN CAPITAL LETTER H
+49;0049;LATIN CAPITAL LETTER I
+4A;004A;LATIN CAPITAL LETTER J
+4B;004B;LATIN CAPITAL LETTER K
+4C;004C;LATIN CAPITAL LETTER L
+4D;004D;LATIN CAPITAL LETTER M
+4E;004E;LATIN CAPITAL LETTER N
+4F;004F;LATIN CAPITAL LETTER O
+50;0050;LATIN CAPITAL LETTER P
+51;0051;LATIN CAPITAL LETTER Q
+52;0052;LATIN CAPITAL LETTER R
+53;0053;LATIN CAPITAL LETTER S
+54;0054;LATIN CAPITAL LETTER T
+55;0055;LATIN CAPITAL LETTER U
+56;0056;LATIN CAPITAL LETTER V
+57;0057;LATIN CAPITAL LETTER W
+58;0058;LATIN CAPITAL LETTER X
+59;0059;LATIN CAPITAL LETTER Y
+5A;005A;LATIN CAPITAL LETTER Z
+5B;005B;LEFT SQUARE BRACKET
+5C;005C;REVERSE SOLIDUS
+5D;005D;RIGHT SQUARE BRACKET
+5E;005E;CIRCUMFLEX ACCENT
+5F;005F;LOW LINE
+60;2018;LEFT SINGLE QUOTATION MARK
+61;0061;LATIN SMALL LETTER A
+62;0062;LATIN SMALL LETTER B
+63;0063;LATIN SMALL LETTER C
+64;0064;LATIN SMALL LETTER D
+65;0065;LATIN SMALL LETTER E
+66;0066;LATIN SMALL LETTER F
+67;0067;LATIN SMALL LETTER G
+68;0068;LATIN SMALL LETTER H
+69;0069;LATIN SMALL LETTER I
+6A;006A;LATIN SMALL LETTER J
+6B;006B;LATIN SMALL LETTER K
+6C;006C;LATIN SMALL LETTER L
+6D;006D;LATIN SMALL LETTER M
+6E;006E;LATIN SMALL LETTER N
+6F;006F;LATIN SMALL LETTER O
+70;0070;LATIN SMALL LETTER P
+71;0071;LATIN SMALL LETTER Q
+72;0072;LATIN SMALL LETTER R
+73;0073;LATIN SMALL LETTER S
+74;0074;LATIN SMALL LETTER T
+75;0075;LATIN SMALL LETTER U
+76;0076;LATIN SMALL LETTER V
+77;0077;LATIN SMALL LETTER W
+78;0078;LATIN SMALL LETTER X
+79;0079;LATIN SMALL LETTER Y
+7A;007A;LATIN SMALL LETTER Z
+7B;007B;LEFT CURLY BRACKET
+7C;007C;VERTICAL LINE
+7D;007D;RIGHT CURLY BRACKET
+7E;007E;TILDE
+7F;002D;HYPHEN-MINUS
+80;;CYRILLIC CAPITAL LETTER GHE WITH STROKE AND DESCENDER
+81;0492;CYRILLIC CAPITAL LETTER GHE WITH STROKE
+82;;CYRILLIC CAPITAL LETTER GHE WITH DESCENDER
+83;0494;CYRILLIC CAPITAL LETTER GHE WITH MIDDLE HOOK
+84;04BA;CYRILLIC CAPITAL LETTER SHHA
+85;0496;CYRILLIC CAPITAL LETTER ZHE WITH DESCENDER
+86;;CYRILLIC CAPITAL LETTER DELTA
+87;04E0;CYRILLIC CAPITAL LETTER ABKHASIAN DZE
+88;0409;CYRILLIC CAPITAL LETTER LJE
+89;049A;CYRILLIC CAPITAL LETTER KA WITH DESCENDER
+8A;;CYRILLIC CAPITAL LETTER EL WITH DESCENDER
+8B;04C3;CYRILLIC CAPITAL LETTER KA WITH HOOK
+8C;;CYRILLIC CAPITAL LETTER EL WITH HOOK
+8D;04A2;CYRILLIC CAPITAL LETTER EN WITH DESCENDER
+8E;04A4;CYRILLIC CAPITAL LIGATURE EN GHE
+8F;04C7;CYRILLIC CAPITAL LETTER EN WITH HOOK
+90;04E8;CYRILLIC CAPITAL LETTER BARRED O
+91;;CYRILLIC CAPITAL LETTER ES WITH STROKE
+92;040E;CYRILLIC CAPITAL LETTER SHORT U
+93;04AE;CYRILLIC CAPITAL LETTER STRAIGHT U
+94;;CYRILLIC CAPITAL LETTER HA WITH STROKE
+95;04B2;CYRILLIC CAPITAL LETTER HA WITH DESCENDER
+96;;CYRILLIC CAPITAL LETTER HA WITH HOOK
+97;04CB;CYRILLIC CAPITAL LETTER KHAKASSIAN CHE
+98;04B6;CYRILLIC CAPITAL LETTER CHE WITH DESCENDER
+99;040A;CYRILLIC CAPITAL LETTER NJE
+9A;04D8;CYRILLIC CAPITAL LETTER SCHWA
+9B;;CYRILLIC CAPITAL LETTER EPSILON
+9C;0401;CYRILLIC CAPITAL LETTER IO
+9D;2116;NUMERO SIGN
+9E;00A4;CURRENCY SIGN
+9F;00A7;SECTION SIGN
+A0;;CYRILLIC SMALL LETTER GHE WITH STROKE AND DESCENDER
+A1;0493;CYRILLIC SMALL LETTER GHE WITH STROKE
+A2;;CYRILLIC SMALL LETTER GHE WITH DESCENDER
+A3;0495;CYRILLIC SMALL LETTER GHE WITH MIDDLE HOOK
+A4;04BB;CYRILLIC SMALL LETTER SHHA
+A5;0497;CYRILLIC SMALL LETTER ZHE WITH DESCENDER
+A6;;CYRILLIC SMALL LETTER DELTA
+A7;04E1;CYRILLIC SMALL LETTER ABKHASIAN DZE
+A8;0459;CYRILLIC SMALL LETTER LJE
+A9;049B;CYRILLIC SMALL LETTER KA WITH DESCENDER
+AA;;CYRILLIC SMALL LETTER EL WITH DESCENDER
+AB;04C4;CYRILLIC SMALL LETTER KA WITH HOOK
+AC;;CYRILLIC SMALL LETTER EL WITH HOOK
+AD;04A3;CYRILLIC SMALL LETTER EN WITH DESCENDER
+AE;04A5;CYRILLIC SMALL LIGATURE EN GHE
+AF;04C8;CYRILLIC SMALL LETTER EN WITH HOOK
+B0;04E9;CYRILLIC SMALL LETTER BARRED O
+B1;;CYRILLIC SMALL LETTER ES WITH STROKE
+B2;045E;CYRILLIC SMALL LETTER SHORT U
+B3;04AF;CYRILLIC SMALL LETTER STRAIGHT U
+B4;;CYRILLIC SMALL LETTER HA WITH STROKE
+B5;04B3;CYRILLIC SMALL LETTER HA WITH DESCENDER
+B6;;CYRILLIC SMALL LETTER HA WITH HOOK
+B7;04CC;CYRILLIC SMALL LETTER KHAKASSIAN CHE
+B8;04B7;CYRILLIC SMALL LETTER CHE WITH DESCENDER
+B9;045A;CYRILLIC SMALL LETTER NJE
+BA;04D9;CYRILLIC SMALL LETTER SCHWA
+BB;;CYRILLIC SMALL LETTER EPSILON
+BC;0451;CYRILLIC SMALL LETTER IO
+BD;201E;DOUBLE LOW-9 QUOTATION MARK
+BE;00AB;LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
+BF;00BB;RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
+C0;0410;CYRILLIC CAPITAL LETTER A
+C1;0411;CYRILLIC CAPITAL LETTER BE
+C2;0412;CYRILLIC CAPITAL LETTER VE
+C3;0413;CYRILLIC CAPITAL LETTER GHE
+C4;0414;CYRILLIC CAPITAL LETTER DE
+C5;0415;CYRILLIC CAPITAL LETTER IE
+C6;0416;CYRILLIC CAPITAL LETTER ZHE
+C7;0417;CYRILLIC CAPITAL LETTER ZE
+C8;0418;CYRILLIC CAPITAL LETTER I
+C9;0419;CYRILLIC CAPITAL LETTER SHORT I
+CA;041A;CYRILLIC CAPITAL LETTER KA
+CB;041B;CYRILLIC CAPITAL LETTER EL
+CC;041C;CYRILLIC CAPITAL LETTER EM
+CD;041D;CYRILLIC CAPITAL LETTER EN
+CE;041E;CYRILLIC CAPITAL LETTER O
+CF;041F;CYRILLIC CAPITAL LETTER PE
+D0;0420;CYRILLIC CAPITAL LETTER ER
+D1;0421;CYRILLIC CAPITAL LETTER ES
+D2;0422;CYRILLIC CAPITAL LETTER TE
+D3;0423;CYRILLIC CAPITAL LETTER U
+D4;0424;CYRILLIC CAPITAL LETTER EF
+D5;0425;CYRILLIC CAPITAL LETTER HA
+D6;0426;CYRILLIC CAPITAL LETTER TSE
+D7;0427;CYRILLIC CAPITAL LETTER CHE
+D8;0428;CYRILLIC CAPITAL LETTER SHA
+D9;0429;CYRILLIC CAPITAL LETTER SHCHA
+DA;042A;CYRILLIC CAPITAL LETTER HARD SIGN
+DB;042B;CYRILLIC CAPITAL LETTER YERU
+DC;042C;CYRILLIC CAPITAL LETTER SOFT SIGN
+DD;042D;CYRILLIC CAPITAL LETTER E
+DE;042E;CYRILLIC CAPITAL LETTER YU
+DF;042F;CYRILLIC CAPITAL LETTER YA
+E0;0430;CYRILLIC SMALL LETTER A
+E1;0431;CYRILLIC SMALL LETTER BE
+E2;0432;CYRILLIC SMALL LETTER VE
+E3;0433;CYRILLIC SMALL LETTER GHE
+E4;0434;CYRILLIC SMALL LETTER DE
+E5;0435;CYRILLIC SMALL LETTER IE
+E6;0436;CYRILLIC SMALL LETTER ZHE
+E7;0437;CYRILLIC SMALL LETTER ZE
+E8;0438;CYRILLIC SMALL LETTER I
+E9;0439;CYRILLIC SMALL LETTER SHORT I
+EA;043A;CYRILLIC SMALL LETTER KA
+EB;043B;CYRILLIC SMALL LETTER EL
+EC;043C;CYRILLIC SMALL LETTER EM
+ED;043D;CYRILLIC SMALL LETTER EN
+EE;043E;CYRILLIC SMALL LETTER O
+EF;043F;CYRILLIC SMALL LETTER PE
+F0;0440;CYRILLIC SMALL LETTER ER
+F1;0441;CYRILLIC SMALL LETTER ES
+F2;0442;CYRILLIC SMALL LETTER TE
+F3;0443;CYRILLIC SMALL LETTER U
+F4;0444;CYRILLIC SMALL LETTER EF
+F5;0445;CYRILLIC SMALL LETTER HA
+F6;0446;CYRILLIC SMALL LETTER TSE
+F7;0447;CYRILLIC SMALL LETTER CHE
+F8;0448;CYRILLIC SMALL LETTER SHA
+F9;0449;CYRILLIC SMALL LETTER SHCHA
+FA;044A;CYRILLIC SMALL LETTER HARD SIGN
+FB;044B;CYRILLIC SMALL LETTER YERU
+FC;044C;CYRILLIC SMALL LETTER SOFT SIGN
+FD;044D;CYRILLIC SMALL LETTER E
+FE;044E;CYRILLIC SMALL LETTER YU
+FF;044F;CYRILLIC SMALL LETTER YA
diff --git a/Master/texmf-dist/doc/generic/t2/cyrcset8.txt b/Master/texmf-dist/doc/generic/t2/cyrcset8.txt
new file mode 100644
index 00000000000..d86331e6542
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/cyrcset8.txt
@@ -0,0 +1,256 @@
+00 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 FFFD 0000 0000 0000
+01 0001 0001 0001 0001 0001 0001 0001 0001 0001 0001 0001 0001 FFFD 0001 0001 0001
+02 0002 0002 0002 0002 0002 0002 0002 0002 0002 0002 0002 0002 FFFD 0002 0002 0002
+03 0003 0003 0003 0003 0003 0003 0003 0003 0003 0003 0003 0003 FFFD 0003 0003 0003
+04 0004 0004 0004 0004 009C 0004 0004 0004 0004 0004 0004 0004 FFFD 0004 0004 0004
+05 0005 0005 0005 0005 0009 0005 0005 0005 0005 0005 0005 0005 FFFD 0005 0005 0005
+06 0006 0006 0006 0006 0086 0006 0006 0006 0006 0006 0006 0006 FFFD 0006 0006 0006
+07 0007 0007 0007 0007 007F 0007 0007 0007 0007 0007 0007 0007 FFFD 0007 0007 0007
+08 0008 0008 0008 0008 0097 0008 0008 0008 0008 0008 0008 0008 FFFD 0008 0008 0008
+09 0009 0009 0009 0009 008D 0009 0009 0009 0009 0009 0009 0009 FFFD 0009 0009 0009
+0A 000A 000A 000A 000A 008E 000A 000A 000A 000A 000A 000A 000A FFFD 000A 000A 000A
+0B 000B 000B 000B 000B 000B 000B 000B 000B 000B 000B 000B 000B FFFD 000B 000B 000B
+0C 000C 000C 000C 000C 000C 000C 000C 000C 000C 000C 000C 000C FFFD 000C 000C 000C
+0D 000D 000D 000D 000D 000D 000D 000D 000D 000D 000D 000D 000D FFFD 000D 000D 000D
+0E 000E 000E 000E 000E 000E 000E 000E 000E 000E 000E 000E 000E FFFD 000E 000E 000E
+0F 000F 000F 000F 000F 000F 000F 000F 000F 000F 000F 000F 000F FFFD 000F 000F 000F
+10 0010 0010 0010 0010 0010 0010 0010 0010 0010 0010 0010 0010 FFFD 0010 0010 0010
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+98 FFFD 0098 0098 045E 0071 0098 2264 0428 0428 0428 FFFD 0428 FFFD FFFD 04B3 0428
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diff --git a/Master/texmf-dist/doc/generic/t2/etc/mathtext.dtx b/Master/texmf-dist/doc/generic/t2/etc/mathtext.dtx
new file mode 100644
index 00000000000..f00e2fcb8c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/mathtext.dtx
@@ -0,0 +1,212 @@
+% \iffalse
+%<*driver>
+\documentclass{ltxdoc}
+\begin{document}
+\DocInput{mathtext.dtx}
+\end{document}
+%</driver>
+% \fi
+%
+% \begin{macrocode}
+%<*mathtext>
+\ProvidesPackage{mathtext}
+ [1999/01/28 v1.0 transparent text-and-math defs]
+% \end{macrocode}
+%
+% This stuff is intended to be put into the LaTeX kernel.
+% It adds new NFSS user-level command: |\DeclareTextMathSymbol|.
+% It does not touch in any way the previous behavior for encodings
+% which do not use |\DeclareTextMathSymbol|.
+%
+% The symbols defined via |\DeclareTextMathSymbol| work transparently
+% in both text and math mode. And interestingly, they expand a bit
+% faster than `normal' text-only symbols defined via |\DeclareTextSymbol|.
+%
+% This is a redefinition of the |\@@enc@update| defined in
+% |ltfssbas.dtx|. The only change is that we added updating of
+% new commands like |\T2A-tmcmd| to |\@current@tmcmd| or from
+% |\@changed@tmcmd|. These changes are fully backward-compatible,
+% and do not change the previous behavior.
+% \begin{macrocode}
+\def\@@enc@update{%
+ \expandafter\let\csname\cf@encoding-cmd\endcsname\@changed@cmd
+ \expandafter\let\csname\cf@encoding-tmcmd\endcsname\@changed@tmcmd
+ \expandafter\let\csname\f@encoding-cmd\endcsname\@current@cmd
+ \expandafter\let\csname\f@encoding-tmcmd\endcsname\@current@tmcmd
+ \default@T
+ \csname T@\f@encoding\endcsname
+ \csname D@\f@encoding\endcsname
+ \let\enc@update\relax
+ \let\cf@encoding\f@encoding
+}
+% \end{macrocode}
+% This is a new command, |\@current@tmcmd|, which is an analog of
+% |\@current@cmd| for `text and math' symbols.
+% \begin{macrocode}
+\def\@current@tmcmd#1#2#3{%
+ \ifx\protect\@typeset@protect
+ \@tmchar#2#3%
+ \else
+ \noexpand#1%
+ \fi}
+%<!warn>\def\@tmchar#1#2{\if@mmode#2\else#1\fi}
+%<warn>\def\@tmchar#1#2{\if@mmode\math@warn#2\else#1\fi}
+% \end{macrocode}
+% This is a new command, |\@changed@tmcmd|, which is an analog of
+% |\@changed@cmd| for `text and math' symbols.
+% \begin{macrocode}
+\def\@changed@tmcmd#1#2#3{%
+ \ifx\protect\@typeset@protect
+ \@tmchar@#1%
+ \else
+ \noexpand#1%
+ \fi}
+\def\@tmchar@#1{%
+ \if@mmode
+ \expandafter\ifx\csname\cf@encoding math\string#1\endcsname\relax
+ \expandafter\ifx\csname ?math\string#1\endcsname\relax
+ \expandafter\def\csname ?math\string#1\endcsname{%
+ \TextSymbolUnavailable#1%
+ }%
+ \fi
+ \global\expandafter\let
+ \csname\cf@encoding math\string#1\expandafter\endcsname
+ \csname ?math\string#1\endcsname
+ \fi
+%<!warn> \csname\cf@encoding math\string#1%
+%<warn> \expandafter\math@warn\csname\cf@encoding math\string#1%
+ \expandafter\endcsname
+ \else
+ \expandafter\ifx\csname\cf@encoding\string#1\endcsname\relax
+ \expandafter\ifx\csname ?\string#1\endcsname\relax
+ \expandafter\def\csname ?\string#1\endcsname{%
+ \TextSymbolUnavailable#1%
+ }%
+ \fi
+ \global\expandafter\let
+ \csname\cf@encoding \string#1\expandafter\endcsname
+ \csname ?\string#1\endcsname
+ \fi
+ \csname\cf@encoding\string#1%
+ \expandafter\endcsname
+ \fi}
+\expandafter\let\csname?-tmcmd\endcsname\@changed@tmcmd
+% \end{macrocode}
+% We should add initialization of |\|\meta{encoding}|-tmcmd|
+% to be |\@changed@tmcmd| when the new encoding is declared.
+% \begin{macrocode}
+\def\DeclareFontEncoding@#1#2#3{%
+ \expandafter
+ \ifx\csname T@#1\endcsname\relax
+ \def\cdp@elt{\noexpand\cdp@elt}%
+ \xdef\cdp@list{\cdp@list\cdp@elt{#1}%
+ {\default@family}{\default@series}%
+ {\default@shape}}%
+ \expandafter\let\csname#1-cmd\endcsname\@changed@cmd
+ \expandafter\let\csname#1-tmcmd\endcsname\@changed@tmcmd
+ \else
+ \@font@info{Redeclaring font encoding #1}%
+ \fi
+ \global\@namedef{T@#1}{#2}%
+ \global\@namedef{M@#1}{\default@M#3}%
+ \xdef\LastDeclaredEncoding{#1}%
+% \end{macrocode}
+% The following command is specific to the |mathtext| package, i.e.\ is
+% not for `generic' transparent text and math: it declares a symbol font
+% (which could then be redefined if necessary), which is needed to use
+% the |\DeclareTextMathSymbol|.
+% \begin{macrocode}
+ \DeclareSymbolFont{#1letters}{#1}\rmdefault\mddefault\updefault
+ }
+% \end{macrocode}
+%
+% \begin{macro}{\DeclareTextMathSymbol}
+% This is a new user-level NFSS macro. It is intended to be moved
+% to |ltoutenc.dtx| or |ltfssdcl.dtx|.
+%
+% It was written by Werner Lemberg |<wl@gnu.org>|.
+%
+% Parameters are: name, encoding, category, math character class,
+% and slot.
+%
+% \begin{macrocode}
+\def\DeclareTextMathSymbol#1#2#3#4#5{%
+ \expandafter\def\expandafter#1%
+ \expandafter{%
+ \csname#2-tmcmd\expandafter\endcsname
+ \expandafter#1%
+ \csname#2\string#1\expandafter\endcsname
+ \csname#2math\string#1\endcsname
+ }%
+ \expandafter\chardef\csname#2\string#1\endcsname#5\relax
+ \expandafter\DeclareMathSymbol\csname#2math\string#1\endcsname
+ {#3}{#4}{#5}}
+\@onlypreamble\DeclareTextMathSymbol
+% \end{macrocode}
+% \end{macro}
+%
+% The next few lines try to solve the following problem: if the first
+% unexpandable token of a cell in |\halign| (or |\valign|) is a Cyrillic
+% letter, then the look-ahead mechanism searching for possible |\omit|
+% will expand the |\ifmmode| test used in definitions of Cyrillic
+% letters, and e.g.~in the case of the |array| environment which
+% switches to math mode, will return wrong result, which will lead to
+% missing character or incorrect result. We use here some hackery and
+% redefine the |\if@mmode| test for the |\halign| and |\valign| commands
+% (as well as these commands). The really correct fix is possible within
+% e-\TeX\ (so, one should make a support do use the best possible solution,
+% and not only in this case). We ensure to execute this code only once,
+% because otherwise an endless loop will arise (e.g. if both T2A and T2B
+% are loaded in one document), because of |\halign| redefinition.
+% \begin{macrocode}
+\let\if@mmode\ifmmode
+% \end{macrocode}
+% This command stops look-ahead (protection is needed to avoid recursive
+% expansion when |\protected@write| is used inside |\halign|):
+% \begin{macrocode}
+\DeclareRobustCommand\reset@if@mmode{\let\if@mmode\ifmmode}
+\def\if@mmode@{\reset@if@mmode\ifmmode}
+\let\org@halign\halign
+\DeclareRobustCommand\halign{\let\if@mmode\if@mmode@\org@halign}
+% \end{macrocode}
+% wait until textcase and amsmath will not use "fake" |\valign| :-)
+% \begin{macrocode}
+%\let\org@valign\valign
+%\DeclareRobustCommand\valign{\let\if@mmode\if@mmode@\org@valign}
+% \end{macrocode}
+% This is needed to make single Cyrillic letters (without braces) work as
+% upper/lower indices (otherwise, |\let| will confuse \TeX). Do we need to
+% set |\everydisplay| similarly (it seems that not)?
+% \begin{macrocode}
+\everymath\expandafter{\the\everymath\let\if@mmode\ifmmode}
+% \end{macrocode}
+% We redefine some \LaTeX{} text-only commands to work `transparently'
+% in text and math mode.
+% \begin{macrocode}
+\def\DeclareTextSymbol#1#2#3{%
+ \DeclareTextMathSymbol#1{#2}\mathalpha{#2letters}{#3}}
+% \end{macrocode}
+% \begin{macro}{\gobble@math}
+% \begin{macro}{\math@warn}
+% These two commands are used for producing warning message
+% if a symbol declared via |\DeclareTextMathSymbol| command occurs in
+% math mode. This can be used e.g.\ to check that such symbols were not
+% used unintentionally in math mode (say, some Cyrillic letter instead
+% of similarly looking Latin letter; in general, Cyrillic letters are
+% perfectly legal and certainly could be used in math mode).
+% \begin{macrocode}
+%<*warn>
+\DeclareOption{warn}{%
+\edef\reserved@a{\@backslashchar##1\expandafter\@gobble
+ \string\math\@backslashchar}%
+\expandafter\def\expandafter\gobble@math\reserved@a{}%
+\def\math@warn#1{#1\PackageWarning{mathtext}{letter
+ `\expandafter\gobble@math\string#1' used in math mode}}}
+\let\math@warn\@empty
+\ProcessOptions*
+%</warn>
+%</mathtext>
+% \end{macrocode}
+% \end{macro}
+% \end{macro}
+\endinput
diff --git a/Master/texmf-dist/doc/generic/t2/etc/mathtext.ins b/Master/texmf-dist/doc/generic/t2/etc/mathtext.ins
new file mode 100644
index 00000000000..61a532d2dec
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/mathtext.ins
@@ -0,0 +1,8 @@
+\input docstrip
+\keepsilent
+
+\generate{
+ \file{mathtext.sty}{\from{mathtext.dtx}{mathtext,warn}}
+}
+
+\endbatchfile
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/README b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/README
new file mode 100644
index 00000000000..4adc40f2142
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/README
@@ -0,0 +1,44 @@
+This is `rumakeindex', a wrapper for `makeindex' which allows one to
+get properly sorted index when Russian letters are used in index
+entries. It is part of the T2 package.
+
+You will need:
+
+1) LaTeX setup based on a T2 package.
+
+2) MAKEINDEX utility which does not have problems with 8-bit characters.
+ mkidx32.exe in a emTeX distribution is Ok, as well as makeindex
+ from web2c distribution.
+
+3) SED binary. It is available on any UNIX box. For DOS you can find
+ it at
+
+ ftp://ftp.simtel.net/pub/simtelnet/gnu/djgpp/v2gnu/sed118b.zip
+
+ Copy `sed.exe' to a directory contained in %PATH% environment
+ variable.
+
+ Under UNIX, the `tr' utility is also used. It is emulated via the
+ `y' SED command in the DOS scripts.
+
+4) The `rumakeindex' script (or batch file `rumkidxd.bat' under DOS,
+ or `rumkidxw.bat' under Windows).
+
+If you are using the T2 package and are making indices with russian
+letters, then run `rumakeindex' (or `rumkidxd.bat' under DOS, or
+`rumkidxw.bat' under Windows) instead of `makeindex' (or `mkidx32.exe'
+under DOS).
+
+If you are using emTeX under DOS, copy *.sed files to `\emtex\data'
+directory, and copy `*.bat' files to `\emtex\bin' directory.
+
+If you are using UNIX, copy the `rumakeindex' shell script to
+e.g. `/usr/local/bin' directory.
+
+Note: the encoding of generated .ind files is:
+
+ koi8-r for `rumakeindex' (UNIX)
+ cp866 for `rumkidxd.bat' (MS-DOS)
+ cp1251 for `rumkidxw.bat' (MS-Windows)
+
+If you need some other encoding, just change the encoding of scripts.
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumakeindex b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumakeindex
new file mode 100644
index 00000000000..02598d38650
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumakeindex
@@ -0,0 +1,77 @@
+#!/bin/sh
+
+BASE=`basename $1 .idx`
+IDX=$BASE.idx
+IND=$BASE.ind
+ILG=$BASE.ilg
+
+sed '
+/^\\indexentry{/ {
+s/\\IeC {\\CYRA }//g
+s/\\IeC {\\cyra }//g
+s/\\IeC {\\CYRB }//g
+s/\\IeC {\\cyrb }//g
+s/\\IeC {\\CYRV }//g
+s/\\IeC {\\cyrv }//g
+s/\\IeC {\\CYRG }//g
+s/\\IeC {\\cyrg }//g
+s/\\IeC {\\CYRD }//g
+s/\\IeC {\\cyrd }//g
+s/\\IeC {\\CYRE }//g
+s/\\IeC {\\cyre }//g
+s/\\IeC {\\CYRYO }//g
+s/\\IeC {\\cyryo }//g
+s/\\IeC {\\CYRZH }//g
+s/\\IeC {\\cyrzh }//g
+s/\\IeC {\\CYRZ }//g
+s/\\IeC {\\cyrz }//g
+s/\\IeC {\\CYRI }//g
+s/\\IeC {\\cyri }//g
+s/\\IeC {\\CYRISHRT }//g
+s/\\IeC {\\cyrishrt }//g
+s/\\IeC {\\CYRK }//g
+s/\\IeC {\\cyrk }//g
+s/\\IeC {\\CYRL }//g
+s/\\IeC {\\cyrl }//g
+s/\\IeC {\\CYRM }//g
+s/\\IeC {\\cyrm }//g
+s/\\IeC {\\CYRN }//g
+s/\\IeC {\\cyrn }//g
+s/\\IeC {\\CYRO }//g
+s/\\IeC {\\cyro }//g
+s/\\IeC {\\CYRP }//g
+s/\\IeC {\\cyrp }//g
+s/\\IeC {\\CYRR }//g
+s/\\IeC {\\cyrr }//g
+s/\\IeC {\\CYRS }//g
+s/\\IeC {\\cyrs }//g
+s/\\IeC {\\CYRT }//g
+s/\\IeC {\\cyrt }//g
+s/\\IeC {\\CYRU }//g
+s/\\IeC {\\cyru }//g
+s/\\IeC {\\CYRF }//g
+s/\\IeC {\\cyrf }//g
+s/\\IeC {\\CYRH }//g
+s/\\IeC {\\cyrh }//g
+s/\\IeC {\\CYRC }//g
+s/\\IeC {\\cyrc }//g
+s/\\IeC {\\CYRCH }//g
+s/\\IeC {\\cyrch }//g
+s/\\IeC {\\CYRSH }//g
+s/\\IeC {\\cyrsh }//g
+s/\\IeC {\\CYRSHCH }//g
+s/\\IeC {\\cyrshch }//g
+s/\\IeC {\\CYRHRDSN }//g
+s/\\IeC {\\cyrhrdsn }//g
+s/\\IeC {\\CYRERY }//g
+s/\\IeC {\\cyrery }//g
+s/\\IeC {\\CYRSFTSN }//g
+s/\\IeC {\\cyrsftsn }//g
+s/\\IeC {\\CYREREV }//g
+s/\\IeC {\\cyrerev }//g
+s/\\IeC {\\CYRYU }//g
+s/\\IeC {\\cyryu }//g
+s/\\IeC {\\CYRYA }//g
+s/\\IeC {\\cyrya }//g
+}' $IDX | makeindex -t $ILG | tr '' \
+ 'ų' > $IND
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx1.sed b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx1.sed
new file mode 100644
index 00000000000..6c61f1c5b49
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx1.sed
@@ -0,0 +1,68 @@
+/^\\indexentry{/ {
+s/\\IeC {\\CYRA }//g
+s/\\IeC {\\cyra }//g
+s/\\IeC {\\CYRB }//g
+s/\\IeC {\\cyrb }//g
+s/\\IeC {\\CYRV }//g
+s/\\IeC {\\cyrv }//g
+s/\\IeC {\\CYRG }//g
+s/\\IeC {\\cyrg }//g
+s/\\IeC {\\CYRD }//g
+s/\\IeC {\\cyrd }//g
+s/\\IeC {\\CYRE }//g
+s/\\IeC {\\cyre }//g
+s/\\IeC {\\CYRYO }//g
+s/\\IeC {\\cyryo }//g
+s/\\IeC {\\CYRZH }//g
+s/\\IeC {\\cyrzh }//g
+s/\\IeC {\\CYRZ }//g
+s/\\IeC {\\cyrz }//g
+s/\\IeC {\\CYRI }//g
+s/\\IeC {\\cyri }//g
+s/\\IeC {\\CYRISHRT }//g
+s/\\IeC {\\cyrishrt }//g
+s/\\IeC {\\CYRK }//g
+s/\\IeC {\\cyrk }//g
+s/\\IeC {\\CYRL }//g
+s/\\IeC {\\cyrl }//g
+s/\\IeC {\\CYRM }//g
+s/\\IeC {\\cyrm }//g
+s/\\IeC {\\CYRN }//g
+s/\\IeC {\\cyrn }//g
+s/\\IeC {\\CYRO }//g
+s/\\IeC {\\cyro }//g
+s/\\IeC {\\CYRP }//g
+s/\\IeC {\\cyrp }//g
+s/\\IeC {\\CYRR }//g
+s/\\IeC {\\cyrr }//g
+s/\\IeC {\\CYRS }//g
+s/\\IeC {\\cyrs }//g
+s/\\IeC {\\CYRT }//g
+s/\\IeC {\\cyrt }//g
+s/\\IeC {\\CYRU }//g
+s/\\IeC {\\cyru }//g
+s/\\IeC {\\CYRF }//g
+s/\\IeC {\\cyrf }//g
+s/\\IeC {\\CYRH }//g
+s/\\IeC {\\cyrh }//g
+s/\\IeC {\\CYRC }//g
+s/\\IeC {\\cyrc }//g
+s/\\IeC {\\CYRCH }//g
+s/\\IeC {\\cyrch }//g
+s/\\IeC {\\CYRSH }//g
+s/\\IeC {\\cyrsh }//g
+s/\\IeC {\\CYRSHCH }//g
+s/\\IeC {\\cyrshch }//g
+s/\\IeC {\\CYRHRDSN }//g
+s/\\IeC {\\cyrhrdsn }//g
+s/\\IeC {\\CYRERY }//g
+s/\\IeC {\\cyrery }//g
+s/\\IeC {\\CYRSFTSN }//g
+s/\\IeC {\\cyrsftsn }//g
+s/\\IeC {\\CYREREV }//g
+s/\\IeC {\\cyrerev }//g
+s/\\IeC {\\CYRYU }//g
+s/\\IeC {\\cyryu }//g
+s/\\IeC {\\CYRYA }//g
+s/\\IeC {\\cyrya }//g
+}
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx2.sed b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx2.sed
new file mode 100644
index 00000000000..7262921d807
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidx2.sed
@@ -0,0 +1 @@
+y//񆦇/
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxd.bat b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxd.bat
new file mode 100644
index 00000000000..0556b6ccaf3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxd.bat
@@ -0,0 +1,2 @@
+@echo off
+sed -f %EMTEXDIR%\data\rumkidx1.sed %1.idx | mkidx32 -t %1.ilg | sed -f %EMTEXDIR%\data\rumkidx2.sed > %1.ind
diff --git a/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxw.bat b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxw.bat
new file mode 100644
index 00000000000..f62b6f96b80
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/etc/rumkidx/rumkidxw.bat
@@ -0,0 +1,2 @@
+@echo off
+sed -f %EMTEXDIR%\data\rumkidx1.sed %1.idx | mkidx32 -t %1.ilg | sed -f %EMTEXDIR%\data\rumkidx3.sed > %1.ind
diff --git a/Master/texmf-dist/doc/generic/t2/examples/example1.tex b/Master/texmf-dist/doc/generic/t2/examples/example1.tex
new file mode 100644
index 00000000000..abc24cbb9de
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/examples/example1.tex
@@ -0,0 +1,72 @@
+% This is the file example1.tex of the T2 package.
+
+\documentclass{article}
+
+% The following command overrides the default T2A encoding. If you
+% don't have new LH fonts with X2 and T2* encodings, you have to use
+% this command. It will select old lh* fonts with the LCY encoding.
+% You may also use OT2 7-bit cyrillic encoding.
+%
+% The general rule: always call the `fontenc' package *before* the BABEL
+% package, and also always use encoding which contains latin letters as
+% a last option to the `fontenc' package (i.e., X2 or OT2 must not
+% appear as a last option!).
+%
+% Uncomment the following line if you don't have the new LH fonts.
+%
+%\usepackage[LCY,OT1]{fontenc}
+
+% You may specify the (default) input encoding for the Russian letters.
+% Some of available encodings are (see cyinpenc.dtx for a full list):
+% cp866 --- MS-DOS Russian codepage
+% cp866av Alternative Variant of cp866
+% cp866mav Modified Alternative Variant of cp866
+% cp866nav New Alternative Variant of cp866
+% cp1251 --- MS-Windows Cyrillic codepage
+% cp855 --- MS-DOS Cyrillic codepage
+% koi8-r --- koi8-r Russian codepage (as of RFC1489)
+% isoir111
+% koi8-ru
+% koi8-u koi8-u Ukrainian codepage
+% 8859-5 --- ISO 8859-5 Cyrillic codepage
+% maccyr --- Apple Macintosh Cyrillic codepage (AKA MS cp10007)
+% macukr --- Apple Macintosh Ukrainian codepage
+
+\usepackage[cp1251,koi8-r]{inputenc}
+
+\usepackage[english,russian]{babel} % load Babel setup for English
+ % and Russian languages;
+ % the latter is the default.
+
+\begin{document}
+
+Here goes some text in koi8-r input encoding.
+It will look as a `garbage' of cyrillic glyphs if the X2 encoding is used,
+because X2 does not contain latin letters. :-)
+However, it will be Ok with the T2A encoding which appeared in lhfnt v3.19.
+
+% To switch the current language (and font encoding) to English,
+% use \English macro (or it's synonym: \Eng)
+% To switch the current language (and font encoding) to Russian,
+% use \Russian macro (or it's synonym: \Rus)
+% Switching languages will, in particular, set the correct hyphenation.
+
+% IMPORTANT:
+% If you are using X2 encoding (which does not contain latin letters), you
+% have to use language-switching commands (which also select the correct fonts).
+% You also have to use language-switching commands to have right hyphenation
+% anyway (unless you're using a combined `russian-english' language).
+
+% You may use several different input encodings in one document! :-)
+
+\inputencoding{cp1251}
+
+Here goes some text in cp1251 input encoding
+
+% You may also use several different Cyrillic font encodings in one document!
+
+\fontencoding{T2A}\selectfont
+
+Proba Pera
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/t2/examples/example2.tex b/Master/texmf-dist/doc/generic/t2/examples/example2.tex
new file mode 100644
index 00000000000..2d3582bf885
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/examples/example2.tex
@@ -0,0 +1,25 @@
+% This is the file example2.tex of the T2 package.
+
+\input plainenc % Load support for inputenc mechanism
+
+\fontencoding{T2A} % Load the T2A encoding definition file (t2aenc.def)
+ % One can use also other font encodings, e.g. LCY.
+
+\font\larm=larm1000 % Set the default font --- Cyrillic
+\larm % T2A encoded Computer Modern font.
+% Note, that if you use e.g. lh* fonts (which have both Latin and
+% Cyrillic glyphs), it's better to load these fonts in plain.tex instead
+% of standard Computer Modern fonts. in this case you'll not need to
+% specify font names in your documents explicitly.
+
+\inputencoding{koi8-r} % Set current input encoding to koi8-r.
+ % See the file cyrlatex.ins for a complete
+ % list of available input encodings.
+
+Here goes some text in a koi8-r input encoding. .
+
+\inputencoding{cp866} % Set current input encoding to cp~866.
+
+Here goes some text in a cp~866 input encoding. ஡ .
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/t2/examples/example3.tex b/Master/texmf-dist/doc/generic/t2/examples/example3.tex
new file mode 100644
index 00000000000..0bb1851f24d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/examples/example3.tex
@@ -0,0 +1,26 @@
+% This is the file example3.tex of the T2 package.
+
+% If you need to process a Plain TeX file, you may use a LaTeX `plain'
+% package by David Carlisle. You can get it from
+% CTAN:macros/latex/contrib/carlisle/plain.sty
+% In this case, you do not need any hacks with plainenc.tex to typeset
+% Cyrillic, and all the LaTeX power (including NFSS) is available. In
+% particular, `babel' package works out of the box, as well as inputenc.
+
+\documentclass{article}
+
+\usepackage[koi8-r]{inputenc}
+\usepackage[russian]{babel}
+\usepackage{plain}
+
+\begin{document}
+
+\begin{plain}
+
+\input{file} % Input a Plain TeX file.
+ % You may also type Plain TeX commands here
+ % directly, without \input'ing any file.
+
+\end{plain}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/t2/examples/example4.tex b/Master/texmf-dist/doc/generic/t2/examples/example4.tex
new file mode 100644
index 00000000000..6756ed7b0a5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/examples/example4.tex
@@ -0,0 +1,62 @@
+% This is the file example4.tex of the T2 package.
+% It should be processed with "cyrtex" --- cyrillized plain TeX.
+\parindent0pt
+\parskip.5\baselineskip
+
+\inputencoding{koi8-r}
+
+\centerline{\bf }
+\vskip1cm
+\centerline{\bf }
+
+\vfill
+
+ :
+\item{--} , ;
+\item{--} ,
+ ;
+\item{--} .
+
+\inputencoding{cp866}
+
+ ਤ ᯮ ࠭
+, ᮡ ⬥⨢ ᯮ ⮢, ᢥ
+ࠧ㬠 ⫮, ⠫ ⭠.
+
+⢠ 㯮ॡ 㬥७, 宬 殮訬 ९⢨ ⠭栬
+ 稭. , ঠ, 㤥 ⪠~---
+ ᨤ. 祬 , 嫥,
+ᨫ. 嫥襬 ᫠, ᬥ ⭠.
+
+\inputencoding{cp1251}
+
+ --- ---
+ .
+
+ , .
+ , ,
+.
+
+\inputencoding{iso88595}
+
+ , , ,
+
+ .
+
+ , , , ,
+ , --- ,
+. .
+ , ,
+ , .
+
+\inputencoding{maccyr}
+
+ , ,
+ , ---
+, , ,
+ . , .
+
+\vfill
+\rightline{<< I>>}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/t2/examples/example5.tex b/Master/texmf-dist/doc/generic/t2/examples/example5.tex
new file mode 100644
index 00000000000..335fa1fe4b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/examples/example5.tex
@@ -0,0 +1,35 @@
+% This is the file example5.tex of the T2 package.
+%
+% This file can be used (after some needed modifications) to build a
+% `custom' LaTeX format file using `mylatex' by David Carlisle. You can
+% find it at CTAN:macros/latex/contrib/carlisle/mylatex.ltx
+% See the documentation on usage of this approach in mylatex.ltx.
+
+\documentclass{article}
+
+\usepackage[T2A]{fontenc}
+\usepackage[koi8-r]{inputenc}
+\usepackage[russian]{babel}
+
+% This is standard for Russian typesetting:
+\usepackage{indentfirst}
+
+% To get \texttrademark, \textregistered, \textcopyright, \quotesinglbase,
+% \textbrokenbar and some other symbols looking good:
+\usepackage{textcomp}
+
+% Make \varkappa, \leqslant, \geqslant (and a lot of other) symbols
+% available (they are used in Russian mathematical books instead of
+% \kappa, \leq, \geq; also \varepsilon instead of \epsilon and
+% \varphi instead of \phi are often used).
+\usepackage{amssymb}
+
+% If you are not using complex mathematical typesetting, comment out
+% the line below.
+\usepackage{amsmath}
+
+% if you want straight integral signs (and other stuff)
+\usepackage{euler}
+
+\begin{document}
+% END OF FILE
diff --git a/Master/texmf-dist/doc/generic/t2/mkencs.sh b/Master/texmf-dist/doc/generic/t2/mkencs.sh
new file mode 100644
index 00000000000..8bd8c81353a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/mkencs.sh
@@ -0,0 +1,16 @@
+#!/bin/sh
+
+./make-enc.pl T2Auni.map T2AAdobe glyphlist.txt > encfiles/t2a.enc
+./make-enc.pl T2Buni.map T2BAdobe glyphlist.txt > encfiles/t2b.enc
+./make-enc.pl T2Cuni.map T2CAdobe glyphlist.txt > encfiles/t2c.enc
+./make-enc.pl X2uni.map X2Adobe glyphlist.txt > encfiles/x2.enc
+
+./make-enc.pl T2Auni.map T2AModified1 glyphlist.txt broken1.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2a-mod1.enc
+#./make-enc.pl T2Buni.map T2BModified1 glyphlist.txt broken1.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2b-mod1.enc
+#./make-enc.pl T2Cuni.map T2CModified1 glyphlist.txt broken1.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2c-mod1.enc
+#./make-enc.pl X2uni.map X2Modified1 glyphlist.txt broken1.txt | sed 's,/afii.*,/.notdef,' > encfiles/x2-mod1.enc
+
+./make-enc.pl T2Auni.map T2AModified2 glyphlist.txt broken2.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2a-mod2.enc
+#./make-enc.pl T2Buni.map T2BModified2 glyphlist.txt broken2.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2b-mod2.enc
+#./make-enc.pl T2Cuni.map T2CModified2 glyphlist.txt broken2.txt | sed 's,/afii.*,/.notdef,' > encfiles/t2c-mod2.enc
+#./make-enc.pl X2uni.map X2Modified2 glyphlist.txt broken2.txt | sed 's,/afii.*,/.notdef,' > encfiles/x2-mod2.enc
diff --git a/Master/texmf-dist/doc/generic/t2/t2cyr.txt b/Master/texmf-dist/doc/generic/t2/t2cyr.txt
new file mode 100644
index 00000000000..3d0efefa93c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/t2cyr.txt
@@ -0,0 +1,292 @@
+02CE;;MODIFIER LETTER LOW GRAVE ACCENT;cross grave modifier (X2)
+02CF;;MODIFIER LETTER LOW ACUTE ACCENT;cross acute modifier (X2)
+030F;\C;COMBINING DOUBLE GRAVE ACCENT
+0313;;COMBINING COMMA ABOVE
+0335;;COMBINING SHORT STROKE OVERLAY;hcross modifier (X2)
+0400;;CYRILLIC CAPITAL LETTER IE WITH GRAVE;new,macedonian
+0401;\CYRYO;CYRILLIC CAPITAL LETTER IO
+0402;\CYRDJE;CYRILLIC CAPITAL LETTER DJE
+0403;;CYRILLIC CAPITAL LETTER GJE;\CYRGJE=\'\CYRG: absent in T2/X2
+0404;\CYRIE;CYRILLIC CAPITAL LETTER UKRAINIAN IE
+0405;\CYRDZE;CYRILLIC CAPITAL LETTER DZE;like latin S
+0406;\CYRII;CYRILLIC CAPITAL LETTER BYELORUSSIAN-UKRAINIAN I;like latin I
+0407;\CYRYI;CYRILLIC CAPITAL LETTER YI
+0408;\CYRJE;CYRILLIC CAPITAL LETTER JE;like latin J
+0409;\CYRLJE;CYRILLIC CAPITAL LETTER LJE
+040A;\CYRNJE;CYRILLIC CAPITAL LETTER NJE
+040B;\CYRTSHE;CYRILLIC CAPITAL LETTER TSHE
+040C;;CYRILLIC CAPITAL LETTER KJE;\CYRKJE=\'\CYRK: absent in T2/X2
+040D;;CYRILLIC CAPITAL LETTER I WITH GRAVE;new,macedonian
+040E;\CYRUSHRT;CYRILLIC CAPITAL LETTER SHORT U
+040F;\CYRDZHE;CYRILLIC CAPITAL LETTER DZHE
+0410;\CYRA;CYRILLIC CAPITAL LETTER A
+0411;\CYRB;CYRILLIC CAPITAL LETTER BE
+0412;\CYRV;CYRILLIC CAPITAL LETTER VE
+0413;\CYRG;CYRILLIC CAPITAL LETTER GHE
+0414;\CYRD;CYRILLIC CAPITAL LETTER DE
+0415;\CYRE;CYRILLIC CAPITAL LETTER IE
+0416;\CYRZH;CYRILLIC CAPITAL LETTER ZHE
+0417;\CYRZ;CYRILLIC CAPITAL LETTER ZE
+0418;\CYRI;CYRILLIC CAPITAL LETTER I
+0419;\CYRISHRT;CYRILLIC CAPITAL LETTER SHORT I
+041A;\CYRK;CYRILLIC CAPITAL LETTER KA
+041B;\CYRL;CYRILLIC CAPITAL LETTER EL
+041C;\CYRM;CYRILLIC CAPITAL LETTER EM
+041D;\CYRN;CYRILLIC CAPITAL LETTER EN
+041E;\CYRO;CYRILLIC CAPITAL LETTER O
+041F;\CYRP;CYRILLIC CAPITAL LETTER PE
+0420;\CYRR;CYRILLIC CAPITAL LETTER ER
+0421;\CYRS;CYRILLIC CAPITAL LETTER ES
+0422;\CYRT;CYRILLIC CAPITAL LETTER TE
+0423;\CYRU;CYRILLIC CAPITAL LETTER U
+0424;\CYRF;CYRILLIC CAPITAL LETTER EF
+0425;\CYRH;CYRILLIC CAPITAL LETTER HA
+0426;\CYRC;CYRILLIC CAPITAL LETTER TSE
+0427;\CYRCH;CYRILLIC CAPITAL LETTER CHE
+0428;\CYRSH;CYRILLIC CAPITAL LETTER SHA
+0429;\CYRSHCH;CYRILLIC CAPITAL LETTER SHCHA
+042A;\CYRHRDSN;CYRILLIC CAPITAL LETTER HARD SIGN
+042B;\CYRERY;CYRILLIC CAPITAL LETTER YERU
+042C;\CYRSFTSN;CYRILLIC CAPITAL LETTER SOFT SIGN
+042D;\CYREREV;CYRILLIC CAPITAL LETTER E
+042E;\CYRYU;CYRILLIC CAPITAL LETTER YU
+042F;\CYRYA;CYRILLIC CAPITAL LETTER YA
+0430;\cyra;CYRILLIC SMALL LETTER A
+0431;\cyrb;CYRILLIC SMALL LETTER BE
+0432;\cyrv;CYRILLIC SMALL LETTER VE
+0433;\cyrg;CYRILLIC SMALL LETTER GHE
+0434;\cyrd;CYRILLIC SMALL LETTER DE
+0435;\cyre;CYRILLIC SMALL LETTER IE
+0436;\cyrzh;CYRILLIC SMALL LETTER ZHE
+0437;\cyrz;CYRILLIC SMALL LETTER ZE
+0438;\cyri;CYRILLIC SMALL LETTER I
+0439;\cyrishrt;CYRILLIC SMALL LETTER SHORT I
+043A;\cyrk;CYRILLIC SMALL LETTER KA
+043B;\cyrl;CYRILLIC SMALL LETTER EL
+043C;\cyrm;CYRILLIC SMALL LETTER EM
+043D;\cyrn;CYRILLIC SMALL LETTER EN
+043E;\cyro;CYRILLIC SMALL LETTER O
+043F;\cyrp;CYRILLIC SMALL LETTER PE
+0440;\cyrr;CYRILLIC SMALL LETTER ER
+0441;\cyrs;CYRILLIC SMALL LETTER ES
+0442;\cyrt;CYRILLIC SMALL LETTER TE
+0443;\cyru;CYRILLIC SMALL LETTER U
+0444;\cyrf;CYRILLIC SMALL LETTER EF
+0445;\cyrh;CYRILLIC SMALL LETTER HA
+0446;\cyrc;CYRILLIC SMALL LETTER TSE
+0447;\cyrch;CYRILLIC SMALL LETTER CHE
+0448;\cyrsh;CYRILLIC SMALL LETTER SHA
+0449;\cyrshch;CYRILLIC SMALL LETTER SHCHA
+044A;\cyrhrdsn;CYRILLIC SMALL LETTER HARD SIGN
+044B;\cyrery;CYRILLIC SMALL LETTER YERU
+044C;\cyrsftsn;CYRILLIC SMALL LETTER SOFT SIGN
+044D;\cyrerev;CYRILLIC SMALL LETTER E
+044E;\cyryu;CYRILLIC SMALL LETTER YU
+044F;\cyrya;CYRILLIC SMALL LETTER YA
+0450;;CYRILLIC SMALL LETTER IE WITH GRAVE;new,macedonian
+0451;\cyryo;CYRILLIC SMALL LETTER IO
+0452;\cyrdje;CYRILLIC SMALL LETTER DJE
+0453;;CYRILLIC SMALL LETTER GJE;\cyrgje=\'\cyrg: absent in T2/X2
+0454;\cyrie;CYRILLIC SMALL LETTER UKRAINIAN IE
+0455;\cyrdze;CYRILLIC SMALL LETTER DZE;like latin s
+0456;\cyrii;CYRILLIC SMALL LETTER BYELORUSSIAN-UKRAINIAN I;like latin i
+0457;\cyryi;CYRILLIC SMALL LETTER YI
+0458;\cyrje;CYRILLIC SMALL LETTER JE;like latin j
+0459;\cyrlje;CYRILLIC SMALL LETTER LJE
+045A;\cyrnje;CYRILLIC SMALL LETTER NJE
+045B;\cyrtshe;CYRILLIC SMALL LETTER TSHE
+045C;;CYRILLIC SMALL LETTER KJE;\cyrkje=\'\cyrk: absent in T2/X2
+045D;;CYRILLIC SMALL LETTER I WITH GRAVE;new,macedonian
+045E;\cyrushrt;CYRILLIC SMALL LETTER SHORT U
+045F;\cyrdzhe;CYRILLIC SMALL LETTER DZHE
+0460;\CYROMEGA;CYRILLIC CAPITAL LETTER OMEGA;new
+0461;\cyromega;CYRILLIC SMALL LETTER OMEGA;new
+0462;\CYRYAT;CYRILLIC CAPITAL LETTER YAT
+0463;\cyryat;CYRILLIC SMALL LETTER YAT
+0464;\CYRIOTE;CYRILLIC CAPITAL LETTER IOTIFIED E;new
+0465;\cyriote;CYRILLIC SMALL LETTER IOTIFIED E;new
+0466;\CYRLYUS;CYRILLIC CAPITAL LETTER LITTLE YUS;new
+0467;\cyrlyus;CYRILLIC SMALL LETTER LITTLE YUS;new
+0468;\CYRIOTLYUS;CYRILLIC CAPITAL LETTER IOTIFIED LITTLE YUS;new
+0469;\cyriotlyus;CYRILLIC SMALL LETTER IOTIFIED LITTLE YUS;new
+046A;\CYRBYUS;CYRILLIC CAPITAL LETTER BIG YUS
+046B;\cyrbyus;CYRILLIC SMALL LETTER BIG YUS
+046C;\CYRIOTBYUS;CYRILLIC CAPITAL LETTER IOTIFIED BIG YUS;new
+046D;\cyriotbyus;CYRILLIC SMALL LETTER IOTIFIED BIG YUS;new
+046E;\CYRKSI;CYRILLIC CAPITAL LETTER KSI;new
+046F;\cyrksi;CYRILLIC SMALL LETTER KSI;new
+0470;\CYRPSI;CYRILLIC CAPITAL LETTER PSI;new
+0471;\cyrpsi;CYRILLIC SMALL LETTER PSI;new
+0472;\CYRFITA;CYRILLIC CAPITAL LETTER FITA
+0473;\cyrfita;CYRILLIC SMALL LETTER FITA
+0474;\CYRIZH;CYRILLIC CAPITAL LETTER IZHITSA
+0475;\cyrizh;CYRILLIC SMALL LETTER IZHITSA
+0476;;CYRILLIC CAPITAL LETTER IZHITSA WITH DOUBLE GRAVE ACCENT
+0477;;CYRILLIC SMALL LETTER IZHITSA WITH DOUBLE GRAVE ACCENT
+0478;\CYRUK;CYRILLIC CAPITAL LETTER UK;new
+0479;\cyruk;CYRILLIC SMALL LETTER UK;new
+047A;\CYROMEGARND;CYRILLIC CAPITAL LETTER ROUND OMEGA;new
+047B;\cyromegarnd;CYRILLIC SMALL LETTER ROUND OMEGA;new
+047C;\CYROMEGATITLO;CYRILLIC CAPITAL LETTER OMEGA WITH TITLO;new
+047D;\cyromegatitlo;CYRILLIC SMALL LETTER OMEGA WITH TITLO;new
+047E;\CYROT;CYRILLIC CAPITAL LETTER OT;new
+047F;\cyrot;CYRILLIC SMALL LETTER OT;new
+0480;\CYRKOPPA;CYRILLIC CAPITAL LETTER KOPPA;new
+0481;\cyrkoppa;CYRILLIC SMALL LETTER KOPPA;new
+0482;\cyrthousands;CYRILLIC THOUSANDS SIGN;new
+0483;;COMBINING CYRILLIC TITLO
+0484;;COMBINING CYRILLIC PALATALIZATION
+0485;;COMBINING CYRILLIC DASIA PNEUMATA
+0486;;COMBINING CYRILLIC PSILI PNEUMATA
+0488;\cyrhundredthousands;COMBINING CYRILLIC HUNDRED THOUSANDS SIGN;new
+0489;\cyrmillions;COMBINING CYRILLIC MILLIONS SIGN;new
+048C;\CYRSEMISFTSN;CYRILLIC CAPITAL LETTER SEMISOFT SIGN;new,kildin sami
+048D;\cyrsemisftsn;CYRILLIC SMALL LETTER SEMISOFT SIGN;new,kildin sami
+048E;\CYRRTICK;CYRILLIC CAPITAL LETTER ER WITH TICK;new,kildin sami
+048F;\cyrrtick;CYRILLIC SMALL LETTER ER WITH TICK;new,kildin sami
+0490;\CYRGUP;CYRILLIC CAPITAL LETTER GHE WITH UPTURN
+0491;\cyrgup;CYRILLIC SMALL LETTER GHE WITH UPTURN
+0492;\CYRGHCRS;CYRILLIC CAPITAL LETTER GHE WITH STROKE
+0493;\cyrghcrs;CYRILLIC SMALL LETTER GHE WITH STROKE
+0494;\CYRGHK;CYRILLIC CAPITAL LETTER GHE WITH MIDDLE HOOK
+0495;\cyrghk;CYRILLIC SMALL LETTER GHE WITH MIDDLE HOOK
+0496;\CYRZHDSC;CYRILLIC CAPITAL LETTER ZHE WITH DESCENDER
+0497;\cyrzhdsc;CYRILLIC SMALL LETTER ZHE WITH DESCENDER
+0498;\CYRZDSC;CYRILLIC CAPITAL LETTER ZE WITH DESCENDER
+0499;\cyrzdsc;CYRILLIC SMALL LETTER ZE WITH DESCENDER
+049A;\CYRKDSC;CYRILLIC CAPITAL LETTER KA WITH DESCENDER
+049B;\cyrkdsc;CYRILLIC SMALL LETTER KA WITH DESCENDER
+049C;\CYRKVCRS;CYRILLIC CAPITAL LETTER KA WITH VERTICAL STROKE
+049D;\cyrkvcrs;CYRILLIC SMALL LETTER KA WITH VERTICAL STROKE
+049E;\CYRKHCRS;CYRILLIC CAPITAL LETTER KA WITH STROKE
+049F;\cyrkhcrs;CYRILLIC SMALL LETTER KA WITH STROKE
+04A0;\CYRKBEAK;CYRILLIC CAPITAL LETTER BASHKIR KA
+04A1;\cyrkbeak;CYRILLIC SMALL LETTER BASHKIR KA
+04A2;\CYRNDSC;CYRILLIC CAPITAL LETTER EN WITH DESCENDER
+04A3;\cyrndsc;CYRILLIC SMALL LETTER EN WITH DESCENDER
+04A4;\CYRNG;CYRILLIC CAPITAL LIGATURE EN GHE
+04A5;\cyrng;CYRILLIC SMALL LIGATURE EN GHE
+04A6;\CYRPHK;CYRILLIC CAPITAL LETTER PE WITH MIDDLE HOOK
+04A7;\cyrphk;CYRILLIC SMALL LETTER PE WITH MIDDLE HOOK
+04A8;\CYRABHHA;CYRILLIC CAPITAL LETTER ABKHASIAN HA
+04A9;\cyrabhha;CYRILLIC SMALL LETTER ABKHASIAN HA
+04AA;\CYRSDSC;CYRILLIC CAPITAL LETTER ES WITH DESCENDER
+04AB;\cyrsdsc;CYRILLIC SMALL LETTER ES WITH DESCENDER
+04AC;\CYRTDSC;CYRILLIC CAPITAL LETTER TE WITH DESCENDER
+04AD;\cyrtdsc;CYRILLIC SMALL LETTER TE WITH DESCENDER
+04AE;\CYRY;CYRILLIC CAPITAL LETTER STRAIGHT U
+04AF;\cyry;CYRILLIC SMALL LETTER STRAIGHT U
+04B0;\CYRYHCRS;CYRILLIC CAPITAL LETTER STRAIGHT U WITH STROKE
+04B1;\cyryhcrs;CYRILLIC SMALL LETTER STRAIGHT U WITH STROKE
+04B2;\CYRHDSC;CYRILLIC CAPITAL LETTER HA WITH DESCENDER
+04B3;\cyrhdsc;CYRILLIC SMALL LETTER HA WITH DESCENDER
+04B4;\CYRTETSE;CYRILLIC CAPITAL LIGATURE TE TSE
+04B5;\cyrtetse;CYRILLIC SMALL LIGATURE TE TSE
+04B6;\CYRCHRDSC;CYRILLIC CAPITAL LETTER CHE WITH DESCENDER
+04B7;\cyrchrdsc;CYRILLIC SMALL LETTER CHE WITH DESCENDER
+04B8;\CYRCHVCRS;CYRILLIC CAPITAL LETTER CHE WITH VERTICAL STROKE
+04B9;\cyrchvcrs;CYRILLIC SMALL LETTER CHE WITH VERTICAL STROKE
+04BA;\CYRSHHA;CYRILLIC CAPITAL LETTER SHHA
+04BB;\cyrshha;CYRILLIC SMALL LETTER SHHA
+04BC;\CYRABHCH;CYRILLIC CAPITAL LETTER ABKHASIAN CHE
+04BD;\cyrabhch;CYRILLIC SMALL LETTER ABKHASIAN CHE
+04BE;\CYRABHCHDSC;CYRILLIC CAPITAL LETTER ABKHASIAN CHE WITH DESCENDER
+04BF;\cyrabhchdsc;CYRILLIC SMALL LETTER ABKHASIAN CHE WITH DESCENDER
+04C0;\CYRpalochka;CYRILLIC LETTER PALOCHKA
+04C1;;CYRILLIC CAPITAL LETTER ZHE WITH BREVE
+04C2;;CYRILLIC SMALL LETTER ZHE WITH BREVE
+04C3;\CYRKHK;CYRILLIC CAPITAL LETTER KA WITH HOOK
+04C4;\cyrkhk;CYRILLIC SMALL LETTER KA WITH HOOK
+04C7;\CYRNHK;CYRILLIC CAPITAL LETTER EN WITH HOOK
+04C8;\cyrnhk;CYRILLIC SMALL LETTER EN WITH HOOK
+04CB;\CYRCHLDSC;CYRILLIC CAPITAL LETTER KHAKASSIAN CHE
+04CC;\cyrchldsc;CYRILLIC SMALL LETTER KHAKASSIAN CHE
+04D0;;CYRILLIC CAPITAL LETTER A WITH BREVE
+04D1;;CYRILLIC SMALL LETTER A WITH BREVE
+04D2;;CYRILLIC CAPITAL LETTER A WITH DIAERESIS
+04D3;;CYRILLIC SMALL LETTER A WITH DIAERESIS
+04D4;\CYRAE;CYRILLIC CAPITAL LIGATURE A IE
+04D5;\cyrae;CYRILLIC SMALL LIGATURE A IE
+04D6;;CYRILLIC CAPITAL LETTER IE WITH BREVE
+04D7;;CYRILLIC SMALL LETTER IE WITH BREVE
+04D8;\CYRSCHWA;CYRILLIC CAPITAL LETTER SCHWA
+04D9;\cyrschwa;CYRILLIC SMALL LETTER SCHWA
+04DA;;CYRILLIC CAPITAL LETTER SCHWA WITH DIAERESIS
+04DB;;CYRILLIC SMALL LETTER SCHWA WITH DIAERESIS
+04DC;;CYRILLIC CAPITAL LETTER ZHE WITH DIAERESIS
+04DD;;CYRILLIC SMALL LETTER ZHE WITH DIAERESIS
+04DE;;CYRILLIC CAPITAL LETTER ZE WITH DIAERESIS
+04DF;;CYRILLIC SMALL LETTER ZE WITH DIAERESIS
+04E0;\CYRABHDZE;CYRILLIC CAPITAL LETTER ABKHASIAN DZE
+04E1;\cyrabhdze;CYRILLIC SMALL LETTER ABKHASIAN DZE
+04E2;;CYRILLIC CAPITAL LETTER I WITH MACRON
+04E3;;CYRILLIC SMALL LETTER I WITH MACRON
+04E4;;CYRILLIC CAPITAL LETTER I WITH DIAERESIS
+04E5;;CYRILLIC SMALL LETTER I WITH DIAERESIS
+04E6;;CYRILLIC CAPITAL LETTER O WITH DIAERESIS
+04E7;;CYRILLIC SMALL LETTER O WITH DIAERESIS
+04E8;\CYROTLD;CYRILLIC CAPITAL LETTER BARRED O
+04E9;\cyrotld;CYRILLIC SMALL LETTER BARRED O
+04EA;;CYRILLIC CAPITAL LETTER BARRED O WITH DIAERESIS
+04EB;;CYRILLIC SMALL LETTER BARRED O WITH DIAERESIS
+04EC;;CYRILLIC CAPITAL LETTER E WITH DIAERESIS;new,kildin sami
+04ED;;CYRILLIC SMALL LETTER E WITH DIAERESIS;new,kildin sami
+04EE;;CYRILLIC CAPITAL LETTER U WITH MACRON
+04EF;;CYRILLIC SMALL LETTER U WITH MACRON
+04F0;;CYRILLIC CAPITAL LETTER U WITH DIAERESIS
+04F1;;CYRILLIC SMALL LETTER U WITH DIAERESIS
+04F2;;CYRILLIC CAPITAL LETTER U WITH DOUBLE ACUTE
+04F3;;CYRILLIC SMALL LETTER U WITH DOUBLE ACUTE
+04F4;;CYRILLIC CAPITAL LETTER CHE WITH DIAERESIS
+04F5;;CYRILLIC SMALL LETTER CHE WITH DIAERESIS
+04F8;;CYRILLIC CAPITAL LETTER YERU WITH DIAERESIS
+04F9;;CYRILLIC SMALL LETTER YERU WITH DIAERESIS
+2116;\textnumero;NUMERO SIGN
+2329;\cyrlangle;LEFT-POINTING ANGLE BRACKET
+232A;\cyrrangle;RIGHT-POINTING ANGLE BRACKET
+;\CYRDELTA;CYRILLIC CAPITAL LETTER DELTA
+;\CYREPS;CYRILLIC CAPITAL LETTER EPSILON
+;\CYRGDSC;CYRILLIC CAPITAL LETTER GHE WITH DESCENDER
+;\CYRGDSCHCRS;CYRILLIC CAPITAL LETTER GHE WITH STROKE AND DESCENDER
+;\CYRHHCRS;CYRILLIC CAPITAL LETTER HA WITH STROKE
+;\CYRHHK;CYRILLIC CAPITAL LETTER HA WITH HOOK
+;\CYRISHRTDSC;CYRILLIC CAPITAL LETTER SHORT I WITH DESCENDER
+;\CYRLDSC;CYRILLIC CAPITAL LETTER EL WITH DESCENDER
+;\CYRLHK;CYRILLIC CAPITAL LETTER EL WITH HOOK
+;\CYRMDSC;CYRILLIC CAPITAL LETTER EM WITH DESCENDER
+;\CYRMHK;CYRILLIC CAPITAL LETTER EM WITH HOOK
+;\CYRNLHK;CYRILLIC CAPITAL LETTER EN WITH LEFT HOOK
+;\CYRQ;CYRILLIC CAPITAL LETTER Q;like latin Q
+;\CYRRDSC;CYRILLIC CAPITAL LETTER ER WITH DESCENDER
+;\CYRRHK;CYRILLIC CAPITAL LETTER ER WITH HOOK
+;\CYRSACRS;CYRILLIC CAPITAL LETTER ES WITH STROKE
+;\CYRW;CYRILLIC CAPITAL LETTER W;like latin W
+;\cyrdelta;CYRILLIC SMALL LETTER DELTA
+;\cyreps;CYRILLIC SMALL LETTER EPSILON
+;\cyrgdsc;CYRILLIC SMALL LETTER GHE WITH DESCENDER
+;\cyrgdschcrs;CYRILLIC SMALL LETTER GHE WITH STROKE AND DESCENDER
+;\cyrhhcrs;CYRILLIC SMALL LETTER HA WITH STROKE
+;\cyrhhk;CYRILLIC SMALL LETTER HA WITH HOOK
+;\cyrishrtdsc;CYRILLIC CAPITAL LETTER SHORT I WITH DESCENDER
+;\cyrldsc;CYRILLIC SMALL LETTER EL WITH DESCENDER
+;\cyrlhk;CYRILLIC SMALL LETTER EL WITH HOOK
+;\cyrmdsc;CYRILLIC SMALL LETTER EM WITH DESCENDER
+;\cyrmhk;CYRILLIC SMALL LETTER EM WITH HOOK
+;\cyrnlhk;CYRILLIC SMALL LETTER EN WITH LEFT HOOK
+;\cyrq;CYRILLIC SMALL LETTER Q;like latin q
+;\cyrrdsc;CYRILLIC SMALL LETTER ER WITH DESCENDER
+;\cyrrhk;CYRILLIC SMALL LETTER ER WITH HOOK
+;\cyrsacrs;CYRILLIC SMALL LETTER ES WITH STROKE
+;\cyrw;CYRILLIC SMALL LETTER W;like latin w
+;\cyrdash;CYRILLIC EM DASH
+F6C4;\cyrvarg;CYRILLIC SMALL LETTER GHE VARIANT;absent in T2/X2
+F6C5;\cyrvarb;CYRILLIC SMALL LETTER BE VARIANT;absent in T2/X2
+F6C6;\cyrvard;CYRILLIC SMALL LETTER DE VARIANT;absent in T2/X2
+F6C7;\cyrvarp;CYRILLIC SMALL LETTER PE VARIANT;absent in T2/X2
+F6C8;\cyrvart;CYRILLIC SMALL LETTER TE VARIANT;absent in T2/X2
+F6D1;\U;CAPITAL CYRILLIC BREVE
+F6D2;\f;CAPITAL CYRILLIC CIRCUMFLEX
+F6D3;\C;CAPITAL DOUBLE GRAVE ACCENT
+F6D4;\U;CYRILLIC BREVE
+F6D5;\f;CYRILLIC CIRCUMFLEX
+F6D6;\C;DOUBLE GRAVE ACCENT
diff --git a/Master/texmf-dist/doc/generic/t2/urwcyr.txt b/Master/texmf-dist/doc/generic/t2/urwcyr.txt
new file mode 100644
index 00000000000..218a6532f2c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/t2/urwcyr.txt
@@ -0,0 +1,95 @@
+0401;cyrYEdieresis;CYRILLIC CAPITAL LETTER IO
+0402;cyrTY;CYRILLIC CAPITAL LETTER DJE
+0403;cyrGacute;CYRILLIC CAPITAL LETTER GJE
+0404;cyrsovYE;CYRILLIC CAPITAL LETTER UKRAINIAN IE
+0405;cyrDZ;CYRILLIC CAPITAL LETTER DZE
+0406;cyrsovI;CYRILLIC CAPITAL LETTER BYELORUSSIAN-UKRAINIAN I
+0407;cyrsovIdieresis;CYRILLIC CAPITAL LETTER YI
+0408;cyrJ;CYRILLIC CAPITAL LETTER JE
+0409;cyrLY;CYRILLIC CAPITAL LETTER LJE
+040A;cyrNY;CYRILLIC CAPITAL LETTER NJE
+040B;cyrDY;CYRILLIC CAPITAL LETTER TSHE
+040C;cyrKacute;CYRILLIC CAPITAL LETTER KJE
+040E;cyrUbreve;CYRILLIC CAPITAL LETTER SHORT U
+040F;cyrDZH;CYRILLIC CAPITAL LETTER DZHE
+0410;cyrA;CYRILLIC CAPITAL LETTER A
+0411;cyrB;CYRILLIC CAPITAL LETTER BE
+0412;cyrV;CYRILLIC CAPITAL LETTER VE
+0413;cyrG;CYRILLIC CAPITAL LETTER GHE
+0414;cyrD;CYRILLIC CAPITAL LETTER DE
+0415;cyrYE;CYRILLIC CAPITAL LETTER IE
+0416;cyrZH;CYRILLIC CAPITAL LETTER ZHE
+0417;cyrZ;CYRILLIC CAPITAL LETTER ZE
+0418;cyrI;CYRILLIC CAPITAL LETTER I
+0419;cyrIbreve;CYRILLIC CAPITAL LETTER SHORT I
+041A;cyrK;CYRILLIC CAPITAL LETTER KA
+041B;cyrL;CYRILLIC CAPITAL LETTER EL
+041C;cyrM;CYRILLIC CAPITAL LETTER EM
+041D;cyrN;CYRILLIC CAPITAL LETTER EN
+041E;cyrO;CYRILLIC CAPITAL LETTER O
+041F;cyrP;CYRILLIC CAPITAL LETTER PE
+0420;cyrR;CYRILLIC CAPITAL LETTER ER
+0421;cyrS;CYRILLIC CAPITAL LETTER ES
+0422;cyrT;CYRILLIC CAPITAL LETTER TE
+0423;cyrU;CYRILLIC CAPITAL LETTER U
+0424;cyrF;CYRILLIC CAPITAL LETTER EF
+0425;cyrKH;CYRILLIC CAPITAL LETTER HA
+0426;cyrTS;CYRILLIC CAPITAL LETTER TSE
+0427;cyrCH;CYRILLIC CAPITAL LETTER CHE
+0428;cyrSH;CYRILLIC CAPITAL LETTER SHA
+0429;cyrSHCH;CYRILLIC CAPITAL LETTER SHCHA
+042A;cyrHARDsign;CYRILLIC CAPITAL LETTER HARD SIGN
+042B;cyrYERU;CYRILLIC CAPITAL LETTER YERU
+042C;cyrSOFTsign;CYRILLIC CAPITAL LETTER SOFT SIGN
+042D;cyrE;CYRILLIC CAPITAL LETTER E
+042E;cyrYU;CYRILLIC CAPITAL LETTER YU
+042F;cyrYA;CYRILLIC CAPITAL LETTER YA
+0430;cyra;CYRILLIC SMALL LETTER A
+0431;cyrb;CYRILLIC SMALL LETTER BE
+0432;cyrv;CYRILLIC SMALL LETTER VE
+0433;cyrg;CYRILLIC SMALL LETTER GHE
+0434;cyrd;CYRILLIC SMALL LETTER DE
+0435;cyrye;CYRILLIC SMALL LETTER IE
+0436;cyrzh;CYRILLIC SMALL LETTER ZHE
+0437;cyrz;CYRILLIC SMALL LETTER ZE
+0438;cyri;CYRILLIC SMALL LETTER I
+0439;cyribreve;CYRILLIC SMALL LETTER SHORT I
+043A;cyrk;CYRILLIC SMALL LETTER KA
+043B;cyrl;CYRILLIC SMALL LETTER EL
+043C;cyrm;CYRILLIC SMALL LETTER EM
+043D;cyrn;CYRILLIC SMALL LETTER EN
+043E;cyro;CYRILLIC SMALL LETTER O
+043F;cyrp;CYRILLIC SMALL LETTER PE
+0440;cyrr;CYRILLIC SMALL LETTER ER
+0441;cyrs;CYRILLIC SMALL LETTER ES
+0442;cyrt;CYRILLIC SMALL LETTER TE
+0443;cyru;CYRILLIC SMALL LETTER U
+0444;cyrf;CYRILLIC SMALL LETTER EF
+0445;cyrkh;CYRILLIC SMALL LETTER HA
+0446;cyrts;CYRILLIC SMALL LETTER TSE
+0447;cyrch;CYRILLIC SMALL LETTER CHE
+0448;cyrsh;CYRILLIC SMALL LETTER SHA
+0449;cyrshch;CYRILLIC SMALL LETTER SHCHA
+044A;cyrhardsign;CYRILLIC SMALL LETTER HARD SIGN
+044B;cyryeru;CYRILLIC SMALL LETTER YERU
+044C;cyrsoftsign;CYRILLIC SMALL LETTER SOFT SIGN
+044D;cyre;CYRILLIC SMALL LETTER E
+044E;cyryu;CYRILLIC SMALL LETTER YU
+044F;cyrya;CYRILLIC SMALL LETTER YA
+0451;cyryedieresis;CYRILLIC SMALL LETTER IO
+0452;cyrty;CYRILLIC SMALL LETTER DJE
+0453;cyrgacute;CYRILLIC SMALL LETTER GJE
+0454;cyrsovye;CYRILLIC SMALL LETTER UKRAINIAN IE
+0455;cyrdz;CYRILLIC SMALL LETTER DZE
+0456;cyrsovi;CYRILLIC SMALL LETTER BYELORUSSIAN-UKRAINIAN I
+0457;cyrsovidieresis;CYRILLIC SMALL LETTER YI
+0458;cyrj;CYRILLIC SMALL LETTER JE
+0459;cyrly;CYRILLIC SMALL LETTER LJE
+045A;cyrny;CYRILLIC SMALL LETTER NJE
+045B;cyrdy;CYRILLIC SMALL LETTER TSHE
+045C;cyrkacute;CYRILLIC SMALL LETTER KJE
+045E;cyrubreve;CYRILLIC SMALL LETTER SHORT U
+045F;cyrdzh;CYRILLIC SMALL LETTER DZHE
+0490;cyrsovG;CYRILLIC CAPITAL LETTER GHE WITH UPTURN
+0491;cyrsovg;CYRILLIC SMALL LETTER GHE WITH UPTURN
+2116;numero;NUMERO SIGN
diff --git a/Master/texmf-dist/doc/generic/tap/0README.TAP b/Master/texmf-dist/doc/generic/tap/0README.TAP
new file mode 100644
index 00000000000..6307ca9e1d7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/0README.TAP
@@ -0,0 +1,41 @@
+-----------------------------------------------------------------------------
+ This file belongs to the TAP package
+-----------------------------------------------------------------------------
+BRIEF DESCRIPTION OF THE CONTENTS
+
+TAP.TEX: a TeX package for typesetting tables; it exploits some possibilities
+ offered by PostScript. The idea of the package was taken from
+ the package TABLES by Michael J. Ferguson, however, the package TAP
+ was re-implemented from scratch.
+
+TAPCV: directory containing TAPCV.AWK (AWK program for translating tables
+ written in extended ASCII format into TeX/TAP form) and
+ a few samples.
+
+TAPDOC: directory containing files necessary for typesetting (TeXing)
+ the documentation; moreover, there are two files, TAPXAMP1.TEX
+ and TAPXAMP2.TEX, demonstrating a technique for constructing
+ ``simple-but-complex'' tables.
+-----------------------------------------------------------------------------
+
+AUTHORS' COORDINATES
+
+Names: Bogu\l{}aw Jackowski, Piotr Pianowski, Piotr Strzelczyk
+Mail: BOP s.c., ul. Piastowska 70, 80-363 Gda\'nsk, Poland
+Email: B.Jackowski@GUST.ORG.PL
+
+-----------------------------------------------------------------------------
+
+All copyrights, copylefts, copyups, copydowns, or whatever you wish to call
+them, concerning all the files in the TAP package are essentially of the
+public domain character. In particular, you are entitled to do with the files
+whatever you wish. If you alter a file, however, please remove the line
+containing the comment:
+
+ `This file belongs to the TAP package'
+
+in order to avoid mess.
+
+-----------------------------------------------------------------------------
+
+END OF THE 0TAP.DOC FILE
diff --git a/Master/texmf-dist/doc/generic/tap/0tabdoc.inf b/Master/texmf-dist/doc/generic/tap/0tabdoc.inf
new file mode 100644
index 00000000000..0b6835a48db
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/0tabdoc.inf
@@ -0,0 +1,3 @@
+ All files in this directory belong to the TAP package
+ (EPSFX.TEX is partly based on epsf from T. Rokicki's DVIPS distribution)
+
diff --git a/Master/texmf-dist/doc/generic/tap/circ.eps b/Master/texmf-dist/doc/generic/tap/circ.eps
new file mode 100644
index 00000000000..acf5cb148f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/circ.eps
@@ -0,0 +1,55 @@
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diff --git a/Master/texmf-dist/doc/generic/tap/tapanch.mp b/Master/texmf-dist/doc/generic/tap/tapanch.mp
new file mode 100644
index 00000000000..01852de8927
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/tapanch.mp
@@ -0,0 +1,50 @@
+defaultfont:="cmr8"; verbatimtex \everymath{\scriptstyle} etex
+
+vardef rule (expr ll, ur) =
+ image(
+ save r_; path r_;
+ r_=ll--(xpart ur, ypart ll)--ur--(xpart ll, ypart ur)--cycle;
+ fill r_ withcolor .8white; draw r_;
+ )
+enddef;
+
+vardef anchor_line@#(expr s,p) =
+ image(
+ if path p:
+ draw p withpen pencircle scaled 3/2bp; % dashed dashpattern(on 9 off 4);
+ fill fullcircle scaled 4bp shifted point 0 of p withcolor white;
+ draw fullcircle scaled 4bp shifted point 0 of p;
+ fill fullcircle scaled 4bp shifted point infinity of p;
+ label@#(s,point 0 of p);
+ else:
+ fill fullcircle scaled 4bp shifted p; label@#(s,p);
+ fi
+ )
+enddef;
+
+beginfig(100)
+ r=3mm; R=6mm; H=40mm; V=8mm;
+ a0=0; a1=a0+R; a2=a1+H; a3=a2+r; a4=a3+H; a5=a4+R; I=5;
+ b0=0; b1=b0+r; b2=b1+V; b3=b2+r; b4=b3+V; b5=b4+r; b6=b5+V; b7=b6+r; J=7;
+ for i:=0 upto I-1:
+ for j:=0 upto J-1:
+ if ((i mod 2)<>1) or ((j mod 2)<>1):
+ draw rule((a[i],b[j]), (a[i+1],b[j+1]));
+ else:
+ label("cell", 1/2[(a[i],b[j]), (a[i+1],b[j+1])]);
+ fi
+ endfor
+ endfor
+
+ draw anchor_line.llft (btex $A$ etex, (a4,b6)--(a4+1/2r,b6+1/2r));
+ draw anchor_line.ulft (btex $A'$ etex, (a4,b5)--(a4+1/2r,b5+1/2r));
+ draw anchor_line.lrt (btex $B'$ etex, (a3,b6)--(a3-1/2r,b6-1/2r));
+ draw anchor_line.urt (btex $B$ etex, (a3,b5)--(a3-1/2r,b5-1/2r));
+ draw anchor_line.rt (btex $C$ etex, (a5,b4)--(a5-1/2r,b4+1/2r));
+ draw anchor_line.lft (btex $D$ etex, (a0,b3)--(a0+1/2r,b3-1/2r));
+ draw anchor_line.lrt (btex $E$ etex, (a1,b2));
+ draw anchor_line.ulft (btex $F$ etex, (a2,b1));
+
+endfig;
+
+end.
diff --git a/Master/texmf-dist/doc/generic/tap/tapdoc.tex b/Master/texmf-dist/doc/generic/tap/tapdoc.tex
new file mode 100644
index 00000000000..e8d5c0a8faa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/tapdoc.tex
@@ -0,0 +1,1139 @@
+% ---------------------------------------------------------------------------
+% THIS FILE BELONGS TO THE TAP PACKAGE
+% ---------------------------------------------------------------------------
+\input tap
+% ---
+\newif\ifpenetrating
+\penetratingfalse
+\penetratingtrue % OK, this part we include for some experienced users ;-)
+% ---
+\font\csc cmcsc10
+\font\srm cmr8
+\font\stt cmtt8
+\hyphenchar\tentt-1
+\frenchspacing
+\widowpenalty10000
+\clubpenalty10000
+\raggedbottom
+% ---
+\baselineskip11.6pt
+\def\verbatimbaselinecorr{0.5pt}
+\advance\medskipamount-1.5pt
+\advance\bigskipamount-2pt
+% ---
+% center the text on A4 page:
+\hoffset210mm \advance\hoffset-\hsize \hoffset.5\hoffset \advance\hoffset-1in
+\vsize 244mm \voffset-2mm
+% ---
+% verbatim macros, see DeK, pp. 344, 380--382, 351--352
+\def\uncatcodespecials{\def\do##1{\catcode`##1=12}\dospecials}%
+\def\setupverbatim {\tt \advance\baselineskip-\verbatimbaselinecorr
+ \obeylines \uncatcodespecials \obeyspaces}%
+{\obeyspaces \global\let =\ }% this causes that leading blanks aren't skipped
+{\catcode`\|0 \catcode`\\12 |gdef|brev{\brev}}%
+\def\?{?}
+\catcode`\?13
+\edef\verb{\begingroup \let\noexpand?\noexpand\inverb
+ \noexpand\setupverbatim \noexpand\doverbatim{\brev}}%
+\def\doverbatim#1{\def\next##1#1{##1\endgroup}\next}%
+\def\shortverb{\begingroup\setupverbatim\doverbatim}%
+\def\inverb#1?{{$\langle$\it #1\/$\rangle$}}
+\def?{\shortverb?}
+% ---
+\newbox\itembox
+\let\oriitem\item
+\def\item{\afterassignment\itemcont\setbox\itembox\hbox}
+\def\itemcont{\aftergroup\itemcontcont}
+\def\itemcontcont{\oriitem{\box\itembox}}
+\newcount\itemcnt
+\newbox\itemabcbox
+\def\itemabc{\advance\itemcnt1\relax
+ \setbox\itemabcbox\hbox{\rm (\kern-.1em m\kern-.1em)}%
+ \item{\hbox to\wd\itemabcbox{(\hss\char\itemcnt\/\hss)}}}
+\def\initabc{\itemcnt`\a \advance\itemcnt-1\relax}
+% ---
+\def\PS{{\csc Post}\-{\csc Script}}
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\csc a}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+% ---
+\def\maybeinput #1 {%
+ \immediate\openin\toinput#1\relax
+ \ifeof\toinput
+ \immediate\closein\toinput \let\NEXT\empty
+ \edef\FILNAM{#1}%
+ \uppercase
+ \expandafter{\expandafter\def\expandafter\FILNAM\expandafter
+ {\FILNAM}}%
+ {\errorcontextlines0 \errmessage{File \FILNAM\space not found}}%
+ \errhelp{}%
+ \else
+ \immediate\closein\toinput
+ \def\NEXT{\input #1 }%
+ \fi
+ \NEXT}
+\newread\toinput
+% ---
+\def\epsffile#1{}% emergency meaning of \epsffile
+\errhelp{EPS files will be ignored, go on.}%
+\maybeinput epsfx
+% ---
+\def\section#1. #2. {\bigskip\noindent {\bf #1.\enspace#2.}\ }
+% ========================================================================
+\immediate
+ \write16{=============================================================}%
+\immediate
+ \write16{ This text is to be processed further by T. Rokicki's DVIPS,}%
+\immediate
+ \write16{ D. Wujastyk's English hyphenation patterns are recommended.}%
+\immediate
+ \write16{=============================================================}
+% ========================================================================
+\def\makeheadline{%
+ \vbox to0pt{\vskip-28pt
+ \line{\vbox to8.5pt{}\the\headline}\ifnum\pageno>1\kern2pt\hrule\fi
+ \vss}
+ \nointerlineskip}
+\headline{\rm \ifnum\pageno>1
+ \ifodd\pageno\else \the\pageno\fi
+ \hfil\rm TAP -- a set of \TeX\ macros for typesetting tables using \PS\hfil
+ \ifodd\pageno \the\pageno\fi
+ \else\hfil\fi
+}
+\footline{\hfil}
+
+
+\topglue-8mm
+\centerline{\bf TAP -- a set of \TeX\ macros}
+\centerline{for typesetting tables using \PS}
+{\advance\baselineskip-1pt
+\medskip
+\centerline{\srm Version 0.75 of Thursday, March 30th, 2000}
+\medskip
+\centerline{\srm Bogus\l{}aw Jackowski, Piotr Pianowski and Piotr Strzelczyk}
+\centerline{\srm BOP s.c., ul. Piastowska 70, 80-363 Gda\'nsk, Poland}
+\centerline{\stt e-mail: B.Jackowski@GUST.org.pl}
+}
+
+\bigskip \bigskip
+
+The starting point of this package was a neat package by Michael~J.~Ferguson.
+With his kind permission we rebuilt the package from scratch. Some notational
+``bells and whistles'' have been added, and---perhaps more importantly---the
+package has been enhanced by \PS-oriented features (painting cells with an
+arbitrary colour, drawing diagonals in cells,~etc.).
+
+TAP macros are designed to be convenient and efficient in, say, 80--90\% of
+typical cases; on the other hand, special cases always require special
+treatment.
+
+\medskip
+
+\section 1. Overview. The general form of the table is as follows:
+
+\medskip \verb
+\begintable
+?table preamble?
+?table row(s)?
+\endtable
+\brev \medskip
+
+{\it Table preamble\/} will be described momentarily.
+
+{\it Table row\/} can be either a {\it horizontal rule}, or a {\it normal
+row}, or an {\it anchor row\/} (see the section on using \PS).
+
+\smallskip
+
+{\it Horizontal rules\/} can be obtained using two macros, ?\-? and ?\=?. A
+normal (0.4pt) rule is denoted by ?\-?, a thicker one (1.2pt) is denoted by
+?\=?. Both can appear either as a full table rule or as a cell rule (see
+examples below).
+
+\smallskip
+
+{\it Normal table rows\/} have the following form:
+
+\smallskip \verb
+\B?suffix(es)? ?cell contents? ?cell separator? ?cell contents? ?cell separator? ... \E?suffix?
+\brev \smallskip
+
+{\it Cell contents\/} seems obvious, {\it cell separator\/} can be one of the
+three characters: {\it vertical bar}~?|?, {\it exclamation mark\/}~?!?, and
+{\it double quotes\/}~?"?. The first one denotes a normal vertical rule
+(0.4pt), the second one---a thicker rule (1.2pt), the last one---no rule.
+The spaces preceding and following {\it cell separators\/} are ignored.
+
+\smallskip
+
+The simplest suffixes for the ?\B? and ?\E? commands ({\it begin\/} and {\it
+end\/} of a row) are just cell separators, with exactly the same meaning. The
+command ?\B?, however, may have an optional second suffix. Namely, one of the
+five characters can be used: ?0? (zero), ?-?, ?+?, ?_?, ?^?, or ?:?. They
+convey information about an extra space to be added above and/or below the
+current line:
+
+{
+\setbox0\hbox{Suffix ?0?\enspace}\advance\parindent\wd0
+
+ \item{Suffix ?0?} says that no extra space is needed, that is, that the
+natural height of the line is required.
+
+ \item{Suffix ?-?} says that the cells of a given row are to be ``squashed''
+as if they had zero height. In order to keep ``squashed'' text lines
+aligned, a strut is added to each cell.
+
+ \item{Suffix ?+?} says that a normal strut should precede the current row
+(the strut is defined as a ?\vrule? of zero width, height $h$ plus 0.25ex,
+and depth $d$ plus 0.25ex, where $h$ and $d$ are the height and depth of
+?\hbox{(pl}? under the assumption that the current font on entering the table
+is used).
+
+ \item{Suffix ?_?} says that a special strut (the normal strut lengthened
+downwards by 0.5ex) should precede the current row---to be used before
+(above) a horizontal rule.
+
+ \item{Suffix ?^?} says that another special strut (the normal strut
+lengthened upwards by 0.5ex) should precede the current row---to be used
+after (below) a horizontal rule;
+
+ \item{Suffix ?:?} says that yet another special strut (the normal strut
+lengthened both upwards and downwards by 0.5ex) should precede the current
+row (it is to be used between horizontal rules);
+
+ \item{Suffix ?=?} followed by a dimen specifies explicitly the height of a
+given row, stored globally in variable ?\tablerowheight?. The contents of a
+cell is vertically centered. Suffix~?=0mm? is almost equivalent to
+suffix~?-?. The only difference is that the former puts no strut at the front
+of a cell. (This option was introduced in version~0.74 as a result of a
+stimulating discussion with Tadeush Sheibak.)
+
+}
+
+\medskip
+
+At the first glance, the classification of suffixes may look somewhat
+arbitrary. After thinking a while, however, you should admit that all the
+listed cases occur in almost each table, therefore it makes sense to provide
+standard means for handling them. This notation is supposed to be memorable
+as the character~?-? can be remembered as ``flat,'' character~?^? as ``up,''
+character~?_? as ``down,'' character~?:? as ``both up and down,''
+and character~?=? obviously as ``equal~to.''
+
+If you don't like this approach, you may ignore the optional suffixes and add
+lines containing only the necessary rules above and below a given line.
+
+If you like it, however, there is one more macro exploiting the same
+notation, namely, ?\D? (``distender''). This macro can be followed by the
+same list of special characters: ?0?, ?-?, ?+?, ?_?, ?^?, ?:? or ?=?. As a
+result, a rule of the null width and the desired height and depth is typeset.
+Since ?\D-? causes no squashing of any objects, ?\D-? and ?\D0? yield, in
+fact, the same results. Exceptionally, ?\D=? is equivalent to ?\D0?. This
+means that ?\D=?, unlike ?\B=?, does not gobble the dimen that follows
+(TAP warns about it).
+
+\medskip
+
+{\it Table preamble\/} has the following form:
+
+\medskip \verb
+\begintableformat
+?cell descriptor? ?cell separator? ?cell descriptor? ?cell separator? ...
+\endtableformat
+\brev \medskip
+
+In this case, {\it cell separator\/} is a {\it double quote\/} character~?"?,
+{\it cell descriptor\/} can be ?\left?, ?\center? or ?\right? command
+(?\left? and ?\right? restore their original meaning in math). The last {\it
+cell descriptor\/} can be preceded by an {\it ampersand\/}~?&?, if the last
+cell descriptor is to be used for all subsequent cells.
+
+
+\medskip
+
+Finally, there is an operator for joining a couple of cells together into one
+cell. It is represented by an {\it at\/}~character~?@?. For example, writing
+?@6? means that the contents should be spread over six cells and the
+template of the last cell is to be used for the placement.
+
+\bigskip
+
+\noindent {\csc Examples.} The following data
+
+\medskip \verb
+\begintable
+\begintableformat \right " &\center \endtableformat
+\=
+\B!^ | Polish | | \E!
+\B!- No. | | Polish | English \E! % flat row
+\B!_ | diminutive | | \E!
+\-
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+\=
+\endtable
+\brev \medskip
+
+\noindent yield the following table:
+
+\medskip \moveright\parindent
+\begintable
+\begintableformat \right " &\center \endtableformat
+
+\=
+
+\B!^ | Polish | | \E!
+\B!- No. | | Polish | English \E! % flat row
+\B!_ | diminutive | | \E!
+
+\-
+
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+
+\=
+\endtable
+
+\medskip
+
+Assume now that the cell containing the text ``No.'' is to be replaced by an
+empty space, that is, we wish to have a table with an incision at the upper
+left corner:
+
+\medskip \moveright\parindent
+\begintable
+\begintableformat \right " &\center \endtableformat
+\B" ! @3 \= \E! % incised row (slice)
+\B"^ ! Polish | | \E! % incised row (slice)
+\B"- ! | Polish | English \E! % incised flat row (slice)
+\B"_ ! diminutive | | \E! % incised row (slice)
+\B! \= ! \- | \- | \- \E!
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+\=
+\endtable
+\medskip
+
+Thinking in terms of ``horizontal slices'' is crucial here: such an approach
+is natural for the ASCII notation, and the ASCII notation is, in turn,
+intrinsic for typesetting using \TeX. You will admit that the solution is
+still simple and legible:
+
+\medskip \verb
+\begintable
+\begintableformat \right " &\center \endtableformat
+\B" ! @3 \= \E! % incised row (slice)
+\B"^ ! Polish | | \E! % incised row (slice)
+\B"- ! | Polish | English \E! % incised flat row (slice)
+\B"_ ! diminutive | | \E! % incised row (slice)
+\B! \= ! \- | \- | \- \E!
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+\=
+\endtable
+\brev \medskip
+
+\section 2. Useful macros. A couple of macros is provided for handling a bit
+more complex cases.
+
+We found it useful to have the following abbreviations: ?\>? standing for
+?\rlap?, ?\<? standing for ?\llap?, ?\P?~standing for ?\phantom?,
+?\V?~standing for ?\vphantom?, ?\K? standing for vertical spacing (kerning
+between rows).
+
+A tilde ?~? returns the space of the width of the digit zero of a current
+font which is useful for aligning the columns of numbers.
+
+A one-parameter macro ?\F? sets the current font for the rest of the table,
+for example, ?\F\it? switches the font to italic for the subsequent rows
+(note that the font is not set globally). It should be used between rows
+(after~?\E? and before~?\B?).
+
+Macro ?\X? takes a series of lines (separated by double backslashes ?\\?,
+surrounded obligatorily by curly braces) as its parameter and returns a box
+containing lines which are aligned depending on a template for the current
+column. In order to override the inherited alignment template inside ?\X?,
+you can use one-parameter macros ?\C?, ?\L?, or ?\R? for centring, aligning
+to left, or aligning to right, respectively. There is also macro ?\x? that
+works similarly, but the resulting box is flat (its height and depth are
+equal to zero) and centred with respect to a baseline. Usually, ?\X? and
+?\x? expand to ?\halign?. If you don't want to break all lines manually
+?\halign? is inconvenient. In such a case you should supply a desired width
+of the resulting box between the command name and the opening curly brace.
+For example, ?\X?~?30mm?~?{?~\inverb contents?~?}? will cause that the
+contents will be set as a paragraph of width 30mm (inheriting centring, left
+alignment or right alignment from the template for a given column).
+
+A pair of macros ?\Y? and ?\y? is very similar to the pair ?\X? and ?\x?
+except that ?\vtop? is used for the construction of the resulting box instead
+of~?\vbox?. This means that ?\x? and ?\y? are, in fact, equivalent.
+
+Finally, you can use macros ?\center?, ?\left? and ?\right? also in the table
+text, not only in the preamble. Their purpose is to override locally the
+template set in the preamble of a table. The first command they expand to is
+?\omit?, therefore no \TeX\ command may appear between cell separators and
+these macros.
+
+\section 3. Configurability. The basic parameters of TAP macros can be
+adjusted to meet particular needs.
+
+The width of the rules is controlled by two dimen registers: ?\trth? (default
+0.4pt, for normal rules) and ?\TRTH? (default 1.2pt, for thicker rules). The
+macro ?\defaultstrut? determines the height of rules inserted by the
+macro~?\B? (see section ``Overview'') and can also be adjusted if needed.
+
+Another quantity that you may wish to adjust is a cell margin. It is governed
+by a dimen register ?\cellmarg?, set at the beginning of a table to a default
+value 0.5em a current font.
+
+In more complex cases, it may turn out that the actual parameterization does
+not provide sufficient flexibility and introducing new macros or modifying
+existing ones may turn out unavoidable. Fortunately, \TeX\ programs are
+available mostly as sources. If programs are exceedingly large (\LaTeX\ may
+serve as a notable example), modifying them is nearly impossible. We hope,
+however, that here the task is not as difficult as it may appear at the first
+glance. If you are bold enough, you will certainly be able to make the
+alterations you need.
+
+Before you go so far, however, try to adjust table settings by assigning a
+befitting value to either ?\everytable? or ?\thistable?, both being token
+registers, prior to setting a table. For example, if you want to override the
+previously mentioned meaning of ?\<? and ?\>? in all subsequent tables, you
+may use the statement ?\everytable{\def\<{$<$}\def\>{$>$}}?. The assignment
+?\thistable{\def\<{$<$}\def\>{$>$}}? affects only the first ensuing table.
+
+\section 4. Active characters. The ``magic'' characters ?|?, ?!?, ?"?, and
+?@? are active inside a table (i.e., they are assigned category~13). You
+should be aware that using active characters is a mixed blessing: on one
+hand, notation becomes more legible, on the other hand, using active
+characters foretells troubles, because they cannot be used in parameters to
+most \TeX\ macros. For example, the construction ?\centerline? ?{\begintable?
+?...? ?\endtable}? will not work since ?\centerline? swallows its parameter
+before ?\begintable? changes the category codes. Incidentally, the
+construction ?\line? ?{\hss\begintable? ?...? ?\endtable\hss}? does work.
+Can you see why\?
+
+In order to facilitate dealing with cases where a table---for some
+reasons---is to be passed in a parameter, the macro ?\deftable? was
+introduced. It allows to store the contents of a table or the fragment of a
+table as a macro of a given name. For example, after saying ?\deftable\foo?
+?\begintable? \inverb contents? ?\endtable? you may safely say
+?\centerline? ?{\begintable? ?\foo? ?\endtable}? (?\foo? is defined
+globally).
+
+\section 5. Forcing the width of a table. If a dimen register ?\desiredwidth?
+is assigned a positive value (default is~0mm), a special technique is used in
+order to obtain a table of the desired width by ``padding'' cells
+appropriately with empty space. A self-suggesting approach, namely, using a
+?\tabskip? glue, seems inadequate here because of the techniques used for
+employing \PS\ (see below).
+
+\section 6. Using \PS. Frequently, some cells or rows, or even the whole
+table, is to be printed against a non-white background. Sometimes a diagonal
+line is to be drawn across a cell. \PS\ is an excellent tool that can be used
+for this purpose. The technique implemented in the TAP package bases on
+?\special? commands we call ``anchors.'' Obviously, using ?\special? commands
+is always driver-oriented. The current version of the TAP package is by
+default meant for further processing using T.~Rokicki's DVIPS. Switching to
+another DVI-to-\PS\ driver is trivial: it suffices to re-define the two
+macros: ?\tapspecial? and ?\psunitsperinch?; the former defines the form of
+the ?\special? (in DVIPS it is ?\special{ps:?~?...?~?}?), the latter---the
+\PS\ macro that returns the resolution of a \PS\ document (in DVIPS it is
+?Resolution?).
+
+\TeX\ should be informed explicitly that anchors are to be employed. To do
+this you should use a pair of macros ?\beginanchtable? ?...? ?\endanchtable?
+instead of ?\begintable? ?...? ?\endtable?.
+
+A pair of macros, ?\uranchor? (cast an anchor at the {\it upper right\/}
+corner of a cell) and ?\llanchor? (cast an anchor at the {\it lower left
+corner\/} of a cell) can be put between rows for determining a rectangle to
+be filled or crossed. The filling can be accomplished using macros
+?\rectfill? and ?\trianfill?, diagonal lines can be drawn using macro
+?\diagstroke?. Macros ?\uranchor? and ?\llanchor? are supposed to be put
+below and above a rule, respectively. Macros ?\rectfill?, ?\trianfill? and
+?\diagstroke? can be put between any two rows of a table, their order,
+however, is significant.
+
+Here you have the exact syntax of the anchor commands:
+
+\smallskip \verb
+\uranchor ?number of a column? ?anchor identifier?
+\brev \nobreak \verb
+\llanchor ?number of a column? ?anchor identifier?
+\rectfill {?cmyk coordinates of a colour?} ?anchor identifier?
+\trianfill ?triangle descriptor? {?cmyk coordinates of a colour?} ?anchor identifier?
+\brev \nobreak \verb
+\diagstroke ?pen width? ?diagonal descriptor? {?cmyk coordinates of a colour?} ?anchor identifier?
+\brev \medskip
+
+\medskip
+
+\noindent {\csc Remarks}.
+
+\initabc
+
+\itemabc {\it The number of a column\/} is simply a \TeX\ count (integer
+number). If a whole row is meant rather than a particular cell you may use an
+artificial column index~${\le0}$.
+
+\itemabc {\it Anchor identifier\/} is an arbitrary sequence of characters
+(typically a single letter).
+
+\itemabc {\it Cmyk coordinates\/} are four numbers from the range
+[0.\kern.15em.1] separated by spaces. Curly braces are obligatory, even
+if you pass a macro expanding to cmyk coordinates as a parameter.
+
+\itemabc {\it Triangle descriptor\/} can be one of the following two-letter
+sequences: ?SW?, ?SE?, ?NW?, ?NE? (standing for south-west, south-east,
+north-west, and north-east, respectively). It determines the position of the
+right angle of a triangle. The case of letters is meaningless, curly
+braces should not be used.
+
+\itemabc {\it Pen width\/} is just a \TeX\ dimen that is swallowed using
+assignment, therefore curly braces should not be used.
+
+\itemabc {\it Diagonal descriptor\/} can be one of the following sequences:
+?BOTH?, ?DOWN?, ?UP?. The meaning, hopefully, is self-explaining. The case of
+letters is meaningless, curly braces should not be used.
+
+\bigskip
+
+\noindent {\csc Examples}.
+
+The following example shows how anchors can be used. The application is
+admittedly artificial, nevertheless, it demonstrates possibilities.
+The following \TeX\ code:
+
+\medskip \verb
+\beginanchtable
+\brev \nobreak \verb
+\begintableformat \right " &\center \endtableformat
+\rectfill {0 0 0 .1} a % fill a rectangle marked by the anchors suffixed `a'
+\trianfill SE {0 0 0 .1} b % fill a triangle marked by the anchors suffixed `b'
+\diagstroke .4pt UP {0 0 0 1} b % draw a stroke marked by the anchors suffixed `b'
+\=
+\uranchor0a \uranchor1b
+\B!^ | Polish | | \E!
+\B!- | | Polish | English \E!
+\B!_ | diminutive | | \E!
+\llanchor2a \llanchor1b
+\-
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+\=
+\endanchtable
+\brev \medskip
+
+\smallskip
+
+\noindent produces a table that is not so easy to obtain without \PS:
+
+\smallskip
+
+\medskip \moveright\parindent
+\beginanchtable
+\begintableformat \right " &\center \endtableformat
+
+\rectfill {0 0 0 .1} a % fill a rectangle marked by the anchors suffixed `a'
+\trianfill SE {0 0 0 .1} b % fill a triangle marked by the anchors suffixed `b'
+\diagstroke .4pt UP {0 0 0 1} b % draw a stroke marked by the anchors suffixed `b'
+
+\=
+\uranchor0a \uranchor1b
+\B!^ | Polish | | \E!
+\B!- | | Polish | English \E!
+\B!_ | diminutive | | \E!
+\llanchor2a \llanchor1b
+\-
+\B!^ 1. | Ala | Alicja | Alice \E!
+\B!+ 2. | Ania | Anna | Ann \E!
+\B": @4 $\cdots$ \E"
+\B!_ 10. | Zuzia | Zuzanna | Susan \E!
+\=
+
+\endanchtable
+
+\medskip
+
+Finally, an excerpt from a real-life example demonstrating most of the
+described features.
+
+\newcount\anycount
+\def\3{\afterassignment\threecont\anycount}
+\def\threecont{\setbox0\hbox{\rm000}\hbox to\wd0{\hss\the\anycount}}
+\def\4{\afterassignment\fourcont\anycount}
+\def\fourcont{\setbox0\hbox{\rm0000}\hbox to\wd0{\hss\the\anycount}}
+
+\medskip
+\medskip
+\thistable{\desiredwidth\hsize \longcalculationfalse}
+\beginanchtable
+\begintableformat
+ \right " \left " &\center
+\endtableformat
+%
+\rectfill{0 0 0 .1}a
+\rectfill{0 0 0 .1}b
+%
+\=
+\uranchor0a
+\B!^ ! ! ! @3 ! @2 \E!
+\B!- ! ! ! @3 citizens of Poland ! @2 foreigners \E!
+\B!_ ! ! ! @3 ! @2 \E!
+\B!- \center{\X{group/\\subgroup}}
+ ! \center{\X{name\\of the group}} ! \X{number\\of tested\\persons}
+ ! @5 \- \E!
+\B!^ ! ! ! | | ! | \E!
+\B!- ! ! !\X{after leaving\\the country}
+ |\X{not leaving\\the country}
+ |\X{missing\\data}
+ !\X{from Africa\\and Asia}
+ |\X{from\\Cuba} \E!
+\B!_ ! ! ! | | ! | \E!
+\llanchor0a
+\=
+\B! @8 \vrule width 0mm height 0.75mm \E!
+\=
+\uranchor1b
+\F\bf
+\B!: I. ! disease X ! \4 378 ! \4 262 | \3 62 | \3 0 ! \3 51 | \3 3 \E!
+\F\rm
+\-
+\B!^ 1. ! variant A ! \4 195 ! \4 131 | \3 38 | \3 0 ! \3 23 | \3 3 \E!
+\B!+ 2. ! variant B ! \4 131 ! \4 95 | \3 24 | \3 0 ! \3 12 | \3 0 \E!
+\B!_ 3. ! variant C ! \4 52 ! \4 36 | \3 0 | \3 0 ! \3 16 | \3 0 \E!
+\=
+\F\bf
+\B!^ ! control ! ! | | ! | \E!
+\K-.5pt % tiny correction of vertical spacing
+\B!- II. ! ! \4 3990 ! \4 2808 | \3 276 | \3 143 ! \3 577 | \3 186 \E!
+\K-.5pt % tiny correction of vertical spacing
+\B!_ ! group ! ! | | ! | \E!
+\llanchor1b
+\=
+\endanchtable
+\medskip
+\medskip
+
+As usually, real-life examples demonstrate not only the advantages of a
+method, but also uncover its drawbacks. In this particular example, the main
+difficulty was a convenient alignment to the right both bold and roman
+numbers and centring the result in a column. If the only typeface used were
+either roman or bold, macro tilde~?~?~might have been used (see section
+``Useful macros''). Aligning digits of varying width can be considered a
+weird demand and the TAP package is not supposed to be prepared for such
+cases.
+
+\smallskip
+
+We decided to define macros putting a number into a box of a desired width.
+It sufficed to introduce two such macros, ?\3? and ?\4?, for formatting
+three and four digit numbers, respectively (note that they are not defined in
+the TAP~package):
+
+\medskip \verb
+\newcount\anycount
+\def\3{\afterassignment\threecont\anycount}
+\def\threecont{\setbox0\hbox{\rm000}\hbox to\wd0{\hss\the\anycount}}
+\def\4{\afterassignment\fourcont\anycount}
+\def\fourcont{\setbox0\hbox{\rm0000}\hbox to\wd0{\hss\the\anycount}}
+\brev \medskip \medskip
+
+The \TeX\ code for the table reads:
+
+\nobreak \medskip
+
+\medskip\verb
+\thistable{\desiredwidth\hsize}% set the width of this table to \hsize
+\beginanchtable
+\begintableformat
+ \right " \left " &\center
+\endtableformat
+%
+\rectfill{0 0 0 .1}a
+\rectfill{0 0 0 .1}b
+%
+\=
+\uranchor0a
+\B!^ ! ! ! @3 ! @2 \E!
+\B!- ! ! ! @3 citizens of Poland ! @2 foreigners \E!
+\B!_ ! ! ! @3 ! @2 \E!
+\B!- \center{\X{group/\\subgroup}}
+ ! \center{\X{name\\of the group}} ! \X{number\\of tested\\persons}
+ ! @5 \- \E!
+\B!^ ! ! ! | | ! | \E!
+\B!- ! ! !\X{after leaving\\the country}
+ |\X{not leaving\\the country}
+ |\X{missing\\data}
+ !\X{from Africa\\and Asia}
+ |\X{from\\Cuba} \E!
+\B!_ ! ! ! | | ! | \E!
+\llanchor0a
+\=
+\B! @8 \vrule width 0mm height 0.75mm \E!
+\=
+\uranchor1b
+\F\bf
+\B!: I. ! disease X ! \4 378 ! \4 262 | \3 62 | \3 0 ! \3 51 | \3 3 \E!
+\F\rm
+\-
+\B!^ 1. ! variant A ! \4 195 ! \4 131 | \3 38 | \3 0 ! \3 23 | \3 3 \E!
+\B!+ 2. ! variant B ! \4 131 ! \4 95 | \3 24 | \3 0 ! \3 12 | \3 0 \E!
+\B!_ 3. ! variant C ! \4 52 ! \4 36 | \3 0 | \3 0 ! \3 16 | \3 0 \E!
+\=
+\F\bf
+\B!^ ! control ! ! | | ! | \E!
+\K-.5pt % tiny correction of vertical spacing
+\B!- II. ! ! \4 3990 ! \4 2808 | \3 276 | \3 143 ! \3 577 | \3 186 \E!
+\K-.5pt % tiny correction of vertical spacing
+\B!_ ! group ! ! | | ! | \E!
+\llanchor1b
+\=
+\endanchtable
+\brev
+
+\section 7. Implicit anchors ({ver. 0.74}). Under pressure from TAP users, a
+few new drawing capabilities has been introduced. The most important are
+pairs of commands that simplify using anchors: ?\bstroke?~?...?~?\estroke?
+and ?\brectangle?~?...?~?\erectangle?. You don't need to specify anchors
+explicitly when using them. Below, the syntax of these commands is
+specified:
+
+\smallskip \verb
+\brectangle ?corner descriptor? ?number of a column? ?anchor identifier?
+\brev \nobreak \verb
+\erectangle ?cmyk colour? ?corner descriptor? ?number of a column? ?anchor identifier?
+\bstroke ?corner descriptor? ?number of a column? ?anchor identifier?
+\brev \nobreak \verb
+\estroke ?pen width? ?cmyk colour? ?dashing pattern? ?corner descriptor?
+\brev \nobreak \verb
+ ?number of a column? ?anchor identifier?
+\brev
+
+\noindent {\csc Remarks}. Nearly all notions occurring in the syntax
+definition were already mentioned in the description of anchor commands.
+Only {\it dashing pattern\/} and {\it corner position\/} needs some
+explanations:
+
+\initabc
+
+\itemabc {\it Corner descriptor\/} is a two-letter sequence; currently, the
+following descriptors are admissible: {\it ur}, {\it ul}, {\it lr}, {\it ll},
+{\it nr}, and {\it nl}. They stand for: {\it upper-right}, {\it upper-left},
+{\it lower-right}, {\it lower-left}, {\it no-offset-right}, {\it
+no-offset-left}, respectively. A bit misleading is perhaps the notion of
+{\it upper\/} and {\it lower} positioning. Their meaning is related to the
+thickness of the rule. It is assumed that anchors positioned with {\it ur},
+{\it ul\/} are placed {\it below a horizontal rule}, and hence at {\it the
+top of a cell\/}; the corner descriptor helps TAP macros to compute extra
+offset in order to ``hide'' anchors under rules (?\anchoffset?). Similarly,
+descriptors {\it lr}, {\it ll\/} concern anchors that are positioned {\it
+above a rule}, and hence at {\it the bottom of a cell}. Descriptors {\it nr},
+{\it nl\/} simply ignore extra offsets. (See also Section~8 below.)
+
+Needless to say, macros ?\uranchor? and ?\llanchor? use, actually,
+the descriptors {\it ur}~and~{\it ll}.
+
+\itemabc {\it Dashing pattern\/} is a sequence of real numbers that defines
+the length (in \TeX\ points) of dashed fragments and gaps between them. The
+form is similar to that of the pattern argument of the \PS\ command
+?setdash?. In particular, empty pattern means solid line. The example below,
+again admittedly artificial, demonstrates the variety of cases that can be
+defined using the operations ?\bstroke?~?...?~?\estroke? and
+?\brectangle?~?...?~?\erectangle?:
+
+\setbox0\vbox{\verb
+\beginanchtable \begintableformat &\center \endtableformat
+\=
+\brectangle nl 1 {ala}
+\bstroke nl 3 {kot1}
+\bstroke nr 3 {kot2}
+\B!: Ala " ma " kota \E!
+\estroke \TRTH {0 1 0 0} {3} nr 3 {kot1}
+\ontext\estroke \TRTH {0 1 0 0} {3 3} nl 3 {kot2}
+\erectangle {0 0 1 0} nr 2 {ala}
+\bstroke nl 0 a
+\ontext\estroke 1pt {1 1 0 0} {1 1 3 1} nr 0 a
+\brectangle nl 2 a
+\B!: Ola " @2 psa \E!
+\erectangle {0 0 .7 0} nr 0 a
+\=
+\endanchtable
+\brev}
+
+\setbox1\vbox{
+\beginanchtable
+\begintableformat &\center \endtableformat
+\=
+\brectangle nl 1 {ala}
+\bstroke nl 3 {kot1}
+\bstroke nr 3 {kot2}
+\B!: Ala " ma " kota \E!
+\estroke \TRTH {0 1 0 0} {3} nr 3 {kot1}
+\ontext\estroke \TRTH {0 1 0 0} {3 3} nl 3 {kot2}
+\erectangle {0 0 1 0} nr 2 {ala}
+\bstroke nl 0 a
+\ontext\estroke 1pt {1 1 0 0} {1 2 3 2} nr 0 a
+\brectangle nl 2 a
+\B!: Ola " @2 psa \E!
+\erectangle {0 0 .7 0} nr 0 a
+\=
+\endanchtable
+}
+
+\medskip
+
+\line{\valign{\vss#\vss\cr
+ \rlap{\copy0}\cr
+ \noalign{\hfill}
+ \copy1\cr
+ \noalign{\kern15mm}
+}}
+
+\medskip
+
+Observe the presence of the operator ?\ontext?, that hasn't yet been
+mentioned. It can be used before either ?\estroke? or ?\erectangle? in order
+to put a line or a rectangle on the top of table contents.
+
+\section 8. More about anchors. The placement of anchors is a fairly complex
+task. The main problem is that the position of the ``ceiling'' of a cell is
+not available within \TeX{} program---the anchors can be placed only at the
+``floor'' of a cell. Actually, anchor commands (like table rules) are invoked
+in two ways: either in a ?\noalign? clause (?\llanchor? and ?\uranchor?
+followed by an artificial column number equal to zero) or from inside a cell.
+In the latter case, a dummy row of null height is created, containing an
+appropriately placed anchor. In the figure presented below, white rectangles
+symbolize cells, gray ones---rules; a white dot show a place where an anchor
+command is invoked, a black dot---a place where finally a ?\special? command
+containing a \PS{} code is placed; thick lines visualize distances ``known''
+to anchor commands. The letters show various cases of the placement of
+anchors:
+
+{
+\advance\parindent1.75\parindent
+\def\node#1 {\item{\hbox to.8em{\hss$#1$\hss}---\kern-.5em}}
+
+\node{A} the placement of an anchor with the {\it ur\/} descriptor
+ at the second column (e.g., ?\uranchor?~?2?~?...?);
+\node{A'} the example of an anchor with the {\it ur\/} descriptor,
+ placed mistakenly above a rule, i.e., below a cell
+ (e.g., ?\uranchor?~?2?~?...?);
+\node{B} the placement of an anchor with the {\it ll\/} descriptor
+ at the second column (e.g., ?\llanchor?~?2?~?...?);
+\node{B'} the example of an anchor with the {\it ll\/} descriptor,
+ placed mistakenly below a rule, i.e., above a cell
+ (e.g., ?\llanchor?~?2?~?...?);
+\node{C} the placement of an anchor with the {\it ur\/} descriptor
+ at ``column 0'', i.e., at the right edge of
+ a table (e.g., ?\uranchor?~?0?~?...?); anchor casting
+ takes place in a ?\noalign? clause and makes use of
+ the current table width;
+\node{D} the placement of an anchor with the {\it ll\/} descriptor
+ at ``column 0'', i.e., at the left edge of
+ a table (e.g., ?\llanchor?~?0?~?...?); anchor casting
+ takes place in a ?\noalign? clause;
+\node{E} the placement of an anchor with the {\it nl\/} descriptor
+ at column~1;
+\node{F} the placement of an anchor with the {\it nr\/} descriptor
+ at column~1.
+
+}
+
+\medskip
+
+\centerline{\eps{tapanch.100}}
+
+\section 9. Final remarks. As always, the ultimate documentation are the
+source files, in this case ?tap.tex? and ?tapdoc.tex?. A~careful inspection
+of the files may provide some hints, reveal possibilities not mentioned in
+this documentation, explain some points that were explained vaguely. The
+code is not as simple as one would expect, however, it should be remembered
+that there is a trade-off between notation and implementation. Here we
+sacrificed the simplicity of implementation in favour of the ease of~use and
+the legibility of user's \TeX~code.
+
+\section 10. Acknowledgements. The authors express their gratitude to all
+people who pointed out several deficiences of the TAP package and helped
+to improve it with the penetrating comments.
+
+\ifpenetrating
+
+\bigskip
+
+\section $\infty$. Fine points of using TAP.
+
+\nobreak
+
+\initabc
+
+\smallskip
+
+\itemabc The vertical rules (set by ?|? and ?!?) occupy, actually,
+a separate column. The ?\cellmarg? setting does not affect these colomns.
+
+\smallskip
+
+\itemabc $\rm\hbox{?\parindent?}=0\,mm$ inside ?\X?, ?\x?, ?\Y?, and ?\y?
+ if the width is specified explicitly (that is, in a ``paragraph'' mode).
+
+\smallskip
+
+\itemabc ?~?, ?\-?, ?\=? restore the meaning they have on entry to the table
+in ?\X?, ?\x?, ?\Y?, and ?\y?, provided the width of a box is given
+explicitly. Moreover, in math mode also ?\>? and ?\!? restore the meaning
+they have on entry to the table (in plain they are defined as follows:
+?\def\>{\mskip\medmuskip}? ?\def\!{\mskip-\thinmuskip}?). An exclamation mark
+?!? and an at sign ?@? are directly available in math mode and inside ?\X?,
+?\x?, ?\Y?, and~?\y?. The original meaning of ?\L? and ?\l? (presumably
+Polish `L' and `l' \`a la Knuth) is assigned on the entry to a table to
+?\Lslash? and ?\lslash?, respectively.
+
+\smallskip
+
+\itemabc Cell correction used for forcing a desired width is by default
+symmetric; however, it can be forced to be asymmetric which is useful when
+one wants to keep stiff cell margins. The cell correction is governed by
+macros ?\symcellcorr? and ?\asymcellcorr?. If a cell correction becomes
+dangerously small (less than ?\TRTH?), a warning is issued. Observe that
+changing ?\asymcellcorr? to ?\symcellcorr? may cause that the warning
+disappears (but not vice versa), or that the displayed correction is
+different.
+
+\smallskip
+
+\itemabc In fact, there are three kinds of struts: a normal row strut, an
+extended row strut and an inner strut (the latter to be used inside ?\X?,
+?\x?, ?\Y?, and ?\y?). You can change the row strut using either of two
+macros: ?\settablestrut? or ?\adjusttablestrut?. Both expect four dimens to
+follow (not parameters): normal height, normal depth, extended height and
+extended depth. A pair of macros ?\setstrut? and ?\adjuststrut? can be used
+to specify the inner strut. Both macros expect two dimens to follow. It can
+easily be guessed that ?\set...? macros assign a value while ?\adjust...?
+macros increment the respective dimens by a specified value. By default,
+inner and normal struts are identical.
+
+\smallskip
+
+\itemabc Prior to squashing the contents of a cell, an inner strut is put
+in front of the contents. This guarantees that squashed cells containing
+single lines will be vertically aligned. Can you predict, however, the result
+of a construction like this: ?\B!-?~?Ala?~?!?~?\x{Ala}?~?\E!?, that is, what
+is the consequence of a ``double squashing'': one ``global'' (suffix~?-?) and
+one local (macro~?\x?)\?
+
+\smallskip
+
+\itemabc Horizontal rules are not squashed. \TeX\ has no means to produce
+rules that expand to implicit dimensions and have a null thickness. As a
+result, gaps may appear:
+
+\def\castcirc{%
+ \hfill
+ \castat {\anchoffset} {\anchoffset}
+ {\vbox to0mm{\vss\hbox to0mm{\hss\epsffile{circ.eps}\hss}\vss}}%
+ \kern -\cellmarg
+ \kern -\ifignorecellstate 1\else\ifcase\cellstate 2\or 1\or 0\fi\fi\cellcorr
+}
+
+\setbox0\vbox{
+\verb
+\begintable
+\begintableformat &\center \endtableformat
+\B" ! @2 \= \E!
+\B": ! @2 Name \E!
+\B" ! @2 \- \E!
+\B"^ ! Alicja | Ala \E!
+\B"_ ! Zuzanna | Zuzia \E!
+\B! \= ! @2 \- \E!
+\B!: Altogether | 2 | 2 \E!
+\=
+\endtable
+\brev
+}
+
+\setbox1\hbox{\begintable
+\begintableformat &\center \endtableformat
+\B" ! @2 \= \E!
+\B": ! @2 Name \E!
+\B" ! @2 \- \E!
+\B"^ ! Alicja | Ala \E!
+\B"_ ! Zuzanna | Zuzia \E!
+\B! \= ! @2 \- \E!
+\B" "\castcirc" \E"
+\B!: Altogether | 2 | 2 \E!
+\=
+\endtable}
+
+\medskip
+\line{\valign{\vss#\vss\cr
+ \rlap{\copy0}\cr
+ \noalign{\hfill}
+ \copy1\cr
+ \noalign{\kern5mm}
+ \vbox to\ht0{\vss\epsffile{circmag.eps}\vss}\cr
+}}
+\medskip
+
+\item{} A remedy is to add a kern correction immediately above the offending
+line ?\B!?~?\=?~?!?~?@2?~?\-?~?\E!?, for example, ?\K-\TRTH?~?\K.5\trth?
+(recall that ?\trth? and ?\TRTH? are the \TeX\ dimens that control the
+thickness of table rules). Another possibility, perhaps more natural, is to
+specify all vertical rules explicitly: ?\B!?~?\=?~?!?~?\-?~?|?~?\-?~?\E!?.
+
+\smallskip
+
+\itemabc In general, boxes can be squashed vertically either by setting a
+box register using ?\vcenter? command and next setting the height and depth
+of the box to 0$\,$mm, or by using ?\vbox{\vss?~?...?~?\vss}? construction.
+In the former case, the box is centered with respect to the math axis of a
+given font, in the latter case---with respect to the baseline. We consider
+the latter approach more adequate for tables.
+
+\smallskip
+
+\itemabc The resulting width of a table is stored in a globally defined
+macro ?\tablewidth?. If ${?\desiredwidth?>0}$, the value of ?\tablewidth? may
+differ from the value of ?\desiredwidth? at the level of the actual accuracy
+(governed by the dimen ?\widthaccuracy?).
+
+\smallskip
+
+\itemabc In ?\deftable? macro, ?\begintable? and ?\endtable? are just
+separators, thus you may define a table ``in parts'' and then
+combine some parts together:
+
+\nobreak
+
+\medskip \verb
+\deftable\headA
+\begintable
+\begintableformat &\center \endtableformat
+\endtable
+\brev
+
+\medskip \verb
+\deftable\headB
+\begintable
+\begintableformat &\left \endtableformat
+\endtable
+\brev
+
+\medskip \verb
+\deftable\contents
+\begintable
+\B" table \E"
+\B" contents \E"
+\endtable
+\brev
+
+\medskip \verb
+\centerline{\begintable\headA\contents\endtable} % centered table
+\centerline{\begintable\headB\contents\endtable} % left-aligned table
+\brev
+
+\medskip
+
+\itemabc In special cases you may also wish to use the table active
+characters---there is a macro ?\tableactive? which makes the respective
+characters active. There is no a ``reverse'' macro to ?\tableactive?
+(similarly to macros ?\obeylines? and ?\obeyspaces?). If it is to be used
+locally, it should be used in a group.
+
+\itemabc The width of a table is forced using a binary search method which
+usually takes time. You may try a simpler method, much faster but not too
+much reliable. The command controlling the choice of the method is
+?\??iflongcalculation?. % ?\iflongcalculation? does not work;
+ % can you guess when and why?
+ By default, ?\longcalculationtrue? is performed for every table, that is,
+?\everytable{\longcalculationfalse}? or ?\thistable{\longcalculationfalse}?
+can be used to override the default. If the process of forcing the width
+fails, you will get a warning, and the best cure is to abandon the short-cut
+method for that particular table. (Note that the second ``anchor'' table is,
+in fact, typeset using the short-cut method.)
+
+\itemabc Both ?\begintable? and ?\beginanchtable? are defined with the
+attribute ?\long?, however, inside a table the meaning of ?\par? is changed
+to ?\empty?. This allows to use empty lines as separators of rows which
+may help to improve the legibility of the table code. The original meaning of
+?\par? is restored at the beginning of every ?\vbox?.
+
+\itemabc The table rules need not to be black and the table background
+needs not to be white. The colour of rules can be set by macro
+?\tablerulecmyk?, the background colour---by ?\tablebkgcmyk?. The following
+example shows how to use them:
+
+\setbox0\vbox{\verb
+\thistable{\tablerulecmyk{1 0 1 0}\tablebkgcmyk{0 0 1 0}}
+\beginanchtable
+\begintableformat &\center \endtableformat
+\=
+\B!: Ala | Alice \E!
+\-
+\B!: Zuzia | Susan \E!
+\=
+\endanchtable
+\brev}
+
+\setbox1\vbox{
+\thistable{\tablerulecmyk{0 1 1 0}\tablebkgcmyk{0 0 1 0}}
+\moveright\parindent \beginanchtable
+\begintableformat &\center \endtableformat
+\=
+\B!: Ala | Alice \E!
+\-
+\B!: Zuzia | Susan \E!
+\=
+\endanchtable
+}
+
+\medskip
+\line{\valign{\vss#\vss\cr
+ \rlap{\copy0}\cr
+ \noalign{\hfill}
+ \copy1\cr
+ \noalign{\kern20mm}
+}}
+\medskip
+
+\item{} Note that the background colour can be used only with anchor tables,
+as anchors are needed for putting the background patch. Moreover, you can say
+?\tablerulecmyk{}? or ?\tablebkgcmyk{}?; in such a case the colour will be
+ignored. As the matter of fact, TAP defaults are ?\tablerulecmyk{}? and
+?\tablebkgcmyk{0?~?0?~?0?~?0}?.
+
+\itemabc Besides macros ?\bstroke?~?...?~?\estroke? and
+?\brectangle?~?...?~?\erectangle? there are also ``advanced'' variants of
+these macros: ?\bgenstroke?~?...?~?\egenstroke? and
+?\bgenrectangle?~?...?~?\egenrectangle?. As their names suggest, they are a
+bit more general and allow for using nearly arbitrary \PS\ code prior to
+drawing a stroke or a rectangle, respectively. Their syntax is more
+uniform than their ``user-friendly'' counterparts:
+
+{\catcode`\@13 \let@\PS
+
+\smallskip \verb
+\bgenrectangle ?corner descriptor? ?number of a column? ?anchor identifier?
+\brev \nobreak \verb
+\egenrectangle ?@ code? ?corner descriptor? ?number of a column? ?anchor identifier?
+\bgenstroke ?corner descriptor? ?number of a column? ?anchor identifier?
+\brev \nobreak \verb
+\egenstroke ?@ code? ?corner descriptor? ?number of a column? ?anchor identifier?
+\brev
+
+}
+
+\fi
+
+\end
+
diff --git a/Master/texmf-dist/doc/generic/tap/tapxamp1.tex b/Master/texmf-dist/doc/generic/tap/tapxamp1.tex
new file mode 100644
index 00000000000..7980dece028
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/tapxamp1.tex
@@ -0,0 +1,117 @@
+% ---------------------------------------------------------------------------
+% This file belongs to the TAP package
+% ---------------------------------------------------------------------------
+% This is an example of a table which is composed of several fragments
+% (e.g. can be continued on the next page)
+
+\input tap
+% ---
+%% define some templates for 2, 3, 4, etc. columns
+\deftable\QLii##1##2\begintable
+ \B"-%
+ \P{#1}"
+ \P{#2}
+ \E"
+\endtable
+
+\deftable\QLiii##1##2##3\begintable
+ \B"-%
+ \P{#1}"
+ \P{#2}"
+ \P{#3}
+ \E"
+\endtable
+
+\deftable\QLiv##1##2##3##4\begintable
+ \B"-%
+ \P{#1}"
+ \P{#2}"
+ \P{#3}"
+ \P{#4}
+ \E"
+\endtable
+
+\def\TAB
+ #1 % number
+ #2 % title
+ {%
+ \def\tnum{#1}%
+ \def\ttyt{#2}%
+ \line{\tnum\ \ttyt\hss}%
+ \TABcont
+}
+
+\let\orimidtable\midtable
+\def\midtable #1\BAT{\orimidtable #1\=\endtable \BATcont}
+
+%% the text below the table (if needed)
+\def\BATcont#1{%
+ \leftline{source: #1}%
+}
+
+%% the text above each subsequent part
+\def\TABCD {%
+ \line{table \tnum\ (cont.)\hss}%
+ \TABcont
+}
+
+\def\TABcont{%
+ \begintable
+ \QTMPL
+ \=
+ \QHEAD
+ \=
+}
+
+% ----------------------------------------------------------------------
+%% --- a simple example follows
+
+\deftable\QTMPL\begintable
+ \begintableformat & \center \endtableformat
+\endtable
+
+%% now we define table heading
+\deftable\QHEAD\begintable
+\QLiv{Ala}{belicja}{00000000000}{xxxxxxxxxxxxxxx} % templates for column width
+\B!: Ala | Bela | Cela | Dela\E!
+\endtable
+
+\desiredwidth.5\hsize
+
+\TAB 1.0 {My Title}
+\B!: 11|20|30|40000\E!
+\-
+\B!: 11|20|30|40000\E!
+\-
+\B!: 11|20|30|40000\E!
+\BAT{2}\TABCD
+\B!: 12|20|30|40000\E!
+\-
+\B!: 12|20|30000000000|40000\E!
+\-
+\B!: 12|20|30|40000\E!
+\BAT{3}\TABCD
+\B!: 13|20|30|40000\E!
+\-
+\B!: 13|20|300|40000\E!
+\-
+\B!: 13|20|30|40000\E!
+\BAT{4}
+
+\TABCD
+\B!: 13|20|30|40000\E!
+\-
+\B!: 13|20|30000000000|40000\E!
+\-
+\B!: 13|20|30|40000\E!
+\BAT{5}
+
+\TABCD
+\B!: 14|20|30|40000\E!
+\-
+\B!: 14|20|30000000000|40000\E!
+\-
+\B!: 14|20|30|40000\E!
+\BAT{6}
+
+\end
diff --git a/Master/texmf-dist/doc/generic/tap/tapxamp2.tex b/Master/texmf-dist/doc/generic/tap/tapxamp2.tex
new file mode 100644
index 00000000000..3ce25899d4d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tap/tapxamp2.tex
@@ -0,0 +1,129 @@
+% ---------------------------------------------------------------------------
+% This file belongs to the TAP package
+% ---------------------------------------------------------------------------
+% This is a real-life example suggested by Maciek G\l{}owacki, demonstrating
+% a useful technique for constructing ``simple-but-complex'' tables;
+% actually, two aspects you may find interesting: (1) macros that facilites
+% shading selected rows; (2) composing a table out of predefined pieces.
+% In order to see the result, however, PostScript (DVIPS) is necessary.
+% ---------------------------------------------------------------------------
+
+\input tap
+\nopagenumbers
+\font\f=cmr6 \f
+% ---
+% SHADING MACROS
+% ---
+\newcount\graynum
+\newtoks\graytoxa
+\newtoks\graytoxb
+
+\gdef\fixgray{}
+
+\def\begingray{%
+ \noalign{\global\advance\graynum1}%
+ \uranchor 0 {g\the\graynum}
+ \noalign{
+ \edef\graytmp{\noexpand\rectfill {0 0 0 .15} {g\the\graynum}}%
+ \graytoxa\expandafter{\fixgray}%
+ \graytoxb\expandafter{\graytmp}%
+ \xdef\fixgray{\the\graytoxa\the\graytoxb}%
+% \message{\meaning\fixgray}%
+ }%
+}
+
+\def\endgray{\llanchor 0 {g\the\graynum}}
+\def\fixgrays{\fixgray \noalign{\global\graynum0\gdef\fixgray{}}}
+
+% ---
+% BASIC TABLE PIECES
+% ---
+\deftable\whiterow##1\begintable
+ \B!0\V{f}#1| | | | | | | | | | | | | | | | | | | | | | | | | | | | \E!
+\endtable
+
+\deftable\grayrow##1\begintable
+ \begingray
+ \B!0\V{f}#1| | | | | | | | | | | | | | | | | | | | | | | | | | | | \E!
+ \endgray
+\endtable
+
+\deftable\partialrule\begintable \B!0 | @28 \- \E!\endtable
+
+% ---
+% THE TABLE
+% ---
+\thistable{\desiredwidth=5in}
+\beginanchtable
+\begintableformat \right " &\center \endtableformat
+\=
+\B!: @29 Begin of day ...................... \E!
+\=
+\B!+ | ~1 | ~2 | ~3 | ~4 | ~5 | ~6 | ~7 | ~8 | ~9 | 10 | 11 | 12 | 13 | 14 |
+ 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 \E!
+\=
+\grayrow{9}
+\partialrule
+\whiterow{8}
+\partialrule
+\grayrow{7}
+\partialrule
+\whiterow{6}
+\partialrule
+\grayrow{37.5}
+\partialrule
+\whiterow{4}
+\partialrule
+\grayrow{3}
+\partialrule
+\whiterow{2}
+\partialrule
+\grayrow{1}
+\partialrule
+\whiterow{0}
+\-
+\grayrow{9}
+\partialrule
+\whiterow{8}
+\partialrule
+\grayrow{7}
+\partialrule
+\whiterow{6}
+\partialrule
+\grayrow{36.5}
+\partialrule
+\whiterow{4}
+\partialrule
+\grayrow{3}
+\partialrule
+\whiterow{2}
+\partialrule
+\grayrow{1}
+\partialrule
+\whiterow{0}
+\-
+\grayrow{9}
+\partialrule
+\whiterow{8}
+\partialrule
+\grayrow{7}
+\partialrule
+\whiterow{6}
+\partialrule
+\grayrow{35.5}
+\partialrule
+\whiterow{4}
+\partialrule
+\grayrow{3}
+\partialrule
+\whiterow{2}
+\partialrule
+\grayrow{1}
+\partialrule
+\whiterow{0}
+\=
+\fixgrays
+\endanchtable
+
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/README b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/README
new file mode 100644
index 00000000000..5212f0f670d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/README
@@ -0,0 +1,34 @@
+The package CMYK-HAX contains the following files:
+
+cmyk-hax.tex - The set of macros for making color separation
+rules.tex - The patch for DVIPS rules definitions
+cmyk-doc.pdf - Documentation in Polish
+fountain.eps - EPS file used in sample1.tex
+gdansk.eps - EPS file used in sample2.tex
+readme - This file
+sam1-sep.bat - The batch file for sample1.tex
+sample1.tex - Example 1: color separation for outline graphics and text
+sample2.tex - Example 2: color separation for outline graphics
+ by color changes
+sample3.tex - Example 3: color separation for bitmap
+sample4.tex - Example 4: color separation for bitmap with color changes
+screen.eps - EPS file used in sample3.tex and sample4.tex
+
+=============================================================================
+
+Pakiet CMYK-HAX zawiera nast/epuj/ace pliki:
+
+cmyk-hax.tex - Pakiet makr do wykonywania wyci/ag/ow barwnych
+rules.tex - /Lata na DVIPS-owe definicje ruli
+cmyk-doc.pdf - Dokumentacja po polsku
+fountain.eps - Plik EPS u/zywany w przyk/ladzie sample1.tex
+gdansk.eps - Plik EPS u/zywany w przyk/ladzie sample2.tex
+readme - Ten plik
+sam1-sep.bat - Plik wsadowy do przyk/ladu sample1.tex
+sample1.tex - Przyk/lad 1: rozbarwianie grafiki obwiedniowej i tekst/ow
+sample2.tex - Przyk/lad 2: rozbarwianie grafiki obwiedniowej poprzez
+ podmian/e kolor/ow
+sample3.tex - Przyk/lad 3: rozbarwianie mapy bitowej
+sample4.tex - Przyk/lad 4: rozbarwianie mapy bitowej wraz
+ z podmian/a kolor/ow
+screen.eps - Plik EPS u/zywany w przyk/ladach sample3.tex i sample4.tex
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/cmyk-doc.pdf b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/cmyk-doc.pdf
new file mode 100644
index 00000000000..44773282895
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/cmyk-doc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/fountain.eps b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/fountain.eps
new file mode 100644
index 00000000000..f6228d76cc5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/fountain.eps
@@ -0,0 +1,302 @@
+%!PS-Adobe-2.0 EPSF-2.0
+%%BoundingBox: 132 201 728 472
+%%Creator: CorelDRAW!
+%%Title: FOUNTAIN.EPS
+%%CreationDate: Fri Apr 28 08:32:57 1995
+
+%%DocumentFonts:
+%%DocumentProcessColors: Cyan Magenta Yellow Black
+%%EndComments
+%%BeginProlog
+/AutoFlatness false def
+% -------------- POSTSCRIPT PROLOG FOR CORELDRAW 3.X ------
+% Copyright 1992 Corel Corporation. All rights reserved.
+/wCorelDict 300 dict def wCorelDict begin/bd{bind def}bind def
+/ld{load def}bd/xd{exch def}bd/_ null def
+/$c 0 def/$m 0 def/$y 0 def/$k 0 def/$t 1 def
+/$n _ def/$o 0 def/$fil 0 def/$bkg false def
+/$C 0 def/$M 0 def/$Y 0 def/$K 0 def/$T 1 def
+/$N _ def/$O 0 def/$PF false def/$ctm matrix currentmatrix def
+/$ptm matrix def/$ttm matrix def/$stm matrix def
+/$fst 128 def/$pad 0 def/$rox 0 def/$roy 0 def
+currentscreen/@dsp xd/$dsp/@dsp def/$dsa xd
+/$dsf xd/$sdf false def/$SDF false def/$Scra 0.0 def
+/$sv 0 def/@cp/closepath ld/@gs/gsave ld/@gr/grestore ld
+/@np/newpath ld/@sv{/$sv save def}bd/@rs{$sv restore}bd
+/@ss{exch $Scra add exch load setscreen}bd
+AutoFlatness{/$cpx ([Error: PathTooComplex; OffendingCommand: AnyPaintingOperator]\n) def
+/@err1{$cpx print flush newpath}bd/@ifl{dup currentflat exch sub 10 gt
+{@err1 exit}{currentflat 2 add setflat}ifelse}bd
+/@fill/fill ld/fill{currentflat{{@fill}stopped{@ifl}{exit}ifelse
+}bind loop setflat}bd/@eofill/eofill ld/eofill{currentflat{{@eofill}
+stopped{@ifl}{exit}ifelse}bind loop setflat}bd
+/@clip/clip ld/clip{currentflat{{@clip}stopped{initclip @ifl}{exit
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+261.36 554.76 262.8 554.4 266.9 556.34 C
+261.07 543.1 246.02 542.45 237.24 549.14 C
+243.72 550.58 245.16 554.18 246.6 558.79 C
+243.72 564.05 234.72 564.34 231.91 561.67 C
+231.19 567.65 229.39 577.3 216.22 574.42 C
+249.26 511.92 L
+264.46 517.97 286.78 524.66 311.83 524.66 C
+@c f
+%%
+grestore
+%%Trailer
+end
+showpage
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/rules.tex b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/rules.tex
new file mode 100644
index 00000000000..1bd8d95bbe4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/rules.tex
@@ -0,0 +1,6 @@
+\def\RULES{\special{ps:
+ /v {/ruley exch def /rulex exch def V} def
+ /V {gsave newpath transform round exch round exch itransform
+ moveto rulex 0 rlineto 0 ruley neg rlineto rulex neg 0 rlineto
+ closepath fill grestore} def
+}}
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sam1-sep.bat b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sam1-sep.bat
new file mode 100644
index 00000000000..b4d775603ea
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sam1-sep.bat
@@ -0,0 +1,23 @@
+:: This is a sample batch illustrating how to make color separation
+:: using CMYK-HAX.TEX. The script can be easily adapted to any platform
+:: Calls for `TEX' and `DVIPS' should be changed to respective local names:
+:: TEX calls tex with appropriate format (e.g., plain or MeX, or...)
+:: DVIPS calls dvips (or dvips32.exe)
+:: Names SAMPLE1.TEX, SAM1-C.PS, SAM1-M.PS, SAM1-Y.PS, SAM1-K.PS
+:: should be replaced appropriately by parameters of the script.
+::
+:: MAKE CYAN SEPARATION (PROJECTION):
+call tex \def\separate{\CYAN}\input sample1.tex
+call dvips sample1 -osam1-c.ps
+::
+:: MAKE MAGENTA SEPARATION (PROJECTION):
+call tex \def\separate{\MAGENTA}\input sample1.tex
+call dvips sample1 -osam1-m.ps
+::
+:: MAKE YELLOW SEPARATION (PROJECTION):
+call tex \def\separate{\YELLOW}\input sample1.tex
+call dvips sample1 -osam1-y.ps
+::
+:: MAKE BLACK SEPARATION (PROJECTION):
+call tex \def\separate{\BLACK}\input sample1.tex
+call dvips sample1 -osam1-k.ps
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample1.tex b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample1.tex
new file mode 100644
index 00000000000..6a208e4ecb1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample1.tex
@@ -0,0 +1,56 @@
+% E Sample TeX file demonstrating how to separate colors using CMYK-HAX
+% macros -- outline graphics + text
+% P Przyk/ladowy plik TeX-owy demonstruj/acy separacj/e kolor/ow za pomoc/a
+% makr pakietu CMYK-HAX -- grafika obwiedniowa + tekst
+%
+\input epsf % DVIPS standard distribution
+\input colordvi % DVIPS standard distribution
+\input cmyk-hax
+
+\newif\ifPolish
+%\Polishtrue % true for Polish text,
+\Polishfalse % else English text
+%%
+\ifx\unknown\separate\def\separate{\COLOR}\fi
+\ifx\unknown\separate\def\separate{\CYAN}\fi
+\ifx\unknown\separate\def\separate{\MAGENTA}\fi
+\ifx\unknown\separate\def\separate{\YELLOW}\fi
+\ifx\unknown\separate\def\separate{\BLACK}\fi
+
+\def\COLOR{}
+\def\CYAN{\projectCMYK\cyan}
+\def\MAGENTA{\projectCMYK\magenta}
+\def\YELLOW{\projectCMYK\yellow}
+\def\BLACK{\projectCMYK\black}
+
+\delblacktrue\separate
+
+\nopagenumbers
+\ifPolish
+\font\bf plssdc10 at 20pt \bf
+\font\rm plss8
+\prefixing
+\else
+\font\bf cmssdc10 at 20pt \bf
+\font\rm cmss8
+\fi
+
+\baselineskip 28pt
+\hsize 100mm
+
+\setbox1 \hbox{\epsfxsize\hsize \epsffile{fountain.eps}}
+
+\hbox{\rlap{\copy1}%
+\vbox to \ht1{\vss
+\textBlack
+\ifPolish
+\centerline{Pan Sobieski mia/l trzy pieski:}
+\centerline{\Red{czerwony}, \Green{zielony}, \Blue{niebieski}.}
+\else
+\centerline{All words tell the genuine true:}
+\centerline{\Red{red}, and \Green{green}, and even \Blue{blue}.}
+\fi\vss}}
+\nointerlineskip\vskip 5mm
+\centerline{\CMYKlabels\rm}
+
+\end
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample2.tex b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample2.tex
new file mode 100644
index 00000000000..d4ae6b14bbd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample2.tex
@@ -0,0 +1,74 @@
+% E Sample TeX file demonstrating how to separate by changing colors using
+% CMYK-HAX macros -- outline graphics
+% P Przyk/ladowy plik TeX-owy demonstruj/acy separacj/e kolor/ow poprzez
+% zamian/e kolor/ow za pomoc/a makr pakietu CMYK-HAX -- grafika obwiedniowa
+%
+\input epsf % DVIPS standard distribution
+\input cmyk-hax
+\special{landscape}
+
+\nopagenumbers
+\voffset -0.25in
+\hoffset -0.5in
+\vsize 180mm
+\hsize 270mm
+
+\def\RED{%
+ \setCMYKchange
+ \forcolor{0 1 1 0}\changecolor{0 0 0 1} % E change red to black
+ % P zamie/n czerwony na czarny
+ \forcolor{0 0 1 0}\changecolor{0 0 0 0} % E change yellow to white
+ % P zamie/n /z/o/lty na bia/ly
+ \addstroke{0 0 0 0} % E add the white stroke to yellow
+ % P /z/o/lty zyskuje bia/l/a obw/odk/e
+ \strokehook{2 truemm setlinewidth % E of thickness 2 truemm
+ % P grubo/sci 2 truemm
+ 0 setlinejoin % E with pointed joints
+ % P spiczaste po/l/aczenia
+ 2 setlinecap % E with lenghtened tips
+ % P wyd/lu/zone ko/nce
+ 5 setmiterlimit % E with medium miter limits
+ % P obcinane /srednio daleko
+ }%
+ \useCMYKchange}
+
+\def\YELLOW{%
+ \setCMYKchange
+ \forcolor{0 0 1 0}\changecolor{0 0 0 1} % E change yellow to black
+ % P zamie/n /z/o/lty na czarny
+ \forcolor{0 0 0 0}\delcolor % E make white invisible
+ % P uczy/n bia/ly niewidzialnym
+ \forcolor{0 1 1 0}\delcolor % E make red invisible
+ % P uczy/n czerwony niewidzialnym
+ \useCMYKchange}
+
+\def\SPEC{%
+ \setCMYKchange
+ \forcolor{0 0 1 0}\changecolor{0 0 0 0} % E change yellow to white
+ % P zamie/n /z/o/lty na bia/ly
+ \forcolor{0 0 0 0}\changecolor{0 0 0 1} % E change white to black
+ % P zamie/n bia/ly na czarny
+ \forcolor{0 1 1 0}\delcolor % E make red invisible
+ % P uczy/n czerwony niewidzialnym
+ \addstroke{0 0 0 1} % E add the black stroke to red
+ % P czerwony zyskuje czarn/a obw/odk/e
+ \strokehook{2 truemm setlinewidth % E of thickness 2 truemm
+ % P grubo/sci 2 truemm
+ 0 setlinejoin % E with pointed joints
+ % P spiczaste po/l/aczenia
+ 2 setlinecap % E with lenghten tips
+ % P wyd/lu/zone ko/nce
+ 5 setmiterlimit % E with medium miter limits
+ % P obcinane /srednio daleko
+ }%
+ \useCMYKchange}
+
+\setbox1\hbox{\epsfysize 15cm \epsffile{gdansk.eps}}
+
+\vbox{\centerline{%
+ \PSbegingroup\RED{\copy1}\PSendgroup \hskip3cm
+ \PSbegingroup\SPEC{\copy1}\PSendgroup}
+ \kern-20mm
+ \centerline{\vbox to0cm{\PSbegingroup\YELLOW{\copy1}\PSendgroup\vss}}}
+
+\end
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample3.tex b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample3.tex
new file mode 100644
index 00000000000..afd52bf871c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample3.tex
@@ -0,0 +1,31 @@
+% E Sample TeX file demonstrating how to separate using CMYK-HAX macros
+% -- bitmap graphics
+% P Przyk/ladowy plik TeX-owy demonstruj/acy separacj/e kolor/ow
+% za pomoc/a makr pakietu CMYK-HAX -- grafika bitmapowa
+%
+\input epsf % DVIPS standard distribution
+\input colordvi % DVIPS standard distribution
+\input cmyk-hax
+
+\nopagenumbers
+\hoffset-1in
+\voffset-1in
+\topskip 0pt
+\hsize 210mm
+\vsize 297mm
+
+\def\epsfi{\epsfxsize 90mm \epsffile{screen.eps}}
+\def\cbox#1{\vbox{\halign{\hss##\hss\cr#1\crcr}}}
+\def\separate#1{\PSbegingroup
+ \delblacktrue
+ \projectCMYK#1%
+ \cbox{\epsfi\cr\noalign{\vskip 2mm}\CMYKlabels\rm}
+ \PSendgroup}
+
+\vglue 0pt plus 1fil
+\centerline{\separate\cyan \hskip 5mm \separate\magenta }
+\vskip 5mm
+\centerline{\separate\yellow \hskip 5mm \separate\black }
+\vglue 0pt plus 1fil
+
+\eject\end
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample4.tex b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample4.tex
new file mode 100644
index 00000000000..800af12bbeb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/sample4.tex
@@ -0,0 +1,48 @@
+% E Sample TeX file demonstrating how to separate using CMYK-HAX macros
+% -- bitmap graphics
+% P Przyk/ladowy plik TeX-owy demonstruj/acy separacj/e kolor/ow
+% za pomoc/a makr pakietu CMYK-HAX -- grafika bitmapowa
+%
+\input epsf % DVIPS standard distribution
+\input colordvi % DVIPS standard distribution
+\input cmyk-hax
+
+\nopagenumbers
+\hoffset-1in
+\voffset-1in
+\topskip 0pt
+\hsize 210mm
+\vsize 297mm
+
+\def\epsfi{\epsfxsize 90mm \epsffile{screen.eps}}
+\def\cbox#1{\vbox{\halign{\hss##\hss\cr#1\crcr}}}
+\def\chbit{% E change some colors of bitmap
+ % P podmiana niekt/orych kolor/ow mapy bitowej
+ \forbitmap{23 19 1B 00}\changebitmap{00 00 00 60}
+ \forbitmap{DD BC C1 E4}\changebitmap{00 00 00 FF}
+ \forbitmap{2A 21 21 00}\changebitmap{00 00 00 E0}
+ \forbitmap{69 54 54 01}\changebitmap{00 00 00 90}}
+\def\separate#1{\PSbegingroup
+ \setCMYKchange
+ \forcolor\black\delcolor % E make black unvisible
+ % P uczy/n czarny niewidzialnym
+ \chbit
+ \useCMYKchange
+ \projectCMYK#1%
+ \cbox{\epsfi\cr\noalign{\vskip 2mm}\CMYKlabels\rm}
+ \PSendgroup}
+\def\sepblack{\PSbegingroup
+ \setCMYKchange
+ \chbit
+ \useCMYKchange
+ \projectCMYK\black
+ \cbox{\epsfi\cr\noalign{\vskip 2mm}\CMYKlabels\rm}
+ \PSendgroup}
+
+\vglue 0pt plus 1fil
+\centerline{\separate\cyan \hskip 5mm \separate\magenta }
+\vskip 5mm
+\centerline{\separate\yellow \hskip 5mm \sepblack }
+\vglue 0pt plus 1fil
+
+\eject\end
diff --git a/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/screen.eps b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/screen.eps
new file mode 100644
index 00000000000..7c5f73d6e2e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/cmyk-hax/screen.eps
@@ -0,0 +1,1150 @@
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+/imageturkey
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diff --git a/Master/texmf-dist/doc/generic/tex-ps/poligraf/README b/Master/texmf-dist/doc/generic/tex-ps/poligraf/README
new file mode 100644
index 00000000000..7fcc57d2a25
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/poligraf/README
@@ -0,0 +1,121 @@
+poligraf.sty generic macros, crops.pro and separate.pro dvips header files
+Copyright (C) 1996, 2001 Janusz Marian Nowacki. Public domain.
+ver. 1.0, May 1996
+ver. 1.2, April 1997
+ver. 2.0, April 2001
+------
+ [Polish:] | [English:]
+,,Mi/edzy \TeX-em a drukarni/a'' | ``Between \TeX{} and the printing house''
+wersja 2.0, kwiecie/n 2001 r. | version 2.0, April 2001
+------
+Cel: obs/luga strony dokumentu | Purpose: preparation of pages for
+dla cel/ow drukarskich, separacje | prepress, color separation, cropmarks,
+barwne, pasery, ,,lustro''. | color and gray scale bars, mirror print.
+--
+Pakiet makr zaprezentowany po raz | Macro package presented for the first
+pierwszy na IV konferecji polskiej | time on the Polish TeX Users Group
+Grupy U/zytkownik/ow Systemu TeX | (GUST) IV-th Conference ``BachoTeX'96''.
+(GUST) ,,Bacho\TeX'96''. |
+Niniejsza wersja r/o/zni si/e | This package was completely rewritten,
+*znacznie* od poprzedniej. | so it is *not* compatible with the
+ | previous version.
+------
+UWAGA: Korzystanie z pakietu | In order to use the package (with
+i programu GhostScript do podgl/adu| GhostScript for previewing) needs
+wymaga zaistalowania fontu | Helvetica font to be installed.
+Helvetica. U/zycie opcji \labeloff | If you do not have the font, use
+nie wymaga posiadania tego fontu. | \labeloff toggle.
+--
+Instalacja: | Installation:
+- plik poligraf.sty nale/zy | - poligraf.sty should be copied to the
+ skopiowa/c do katalogu | directory searched by TeX, e.g.
+ przeszukiwanego przez TeX-a, np. |
+ texmf/tex/generic/tex-ps/
+- pliki crops.pro i separate.pro | - crops.pro and separate.pro should be
+ nale/zy skopiowa/c do katalogu | copied to the directory searched by
+ przeszukiwanego przez dvips, np. | dvips, e.g.
+ texmf/dvips/tex-ps/
+-------
+Zastosowanie: | Usage:
+W pliku \TeX-owym nale/zy u/zy/c | The source file should contain
+polecenia (dla Plain): | for Plain:
+ \input poligraf.sty | \input poligraf.sty
+lub (dla LaTeX): | or for LaTeX:
+ \usepackage{poligraf} | \usepackage{poligraf}
+Polecenia powy/zsze koniecznie | The above commands should be preceded
+nale/zy poprzedzi/c zdefiniowaniem | by the definition of the paper size,
+rozmiar/ow papieru np: | e.g.
+\special{papersize=x mm,y mm} | \special{papersize=x mm,y mm}
+Inaczej przyj/ete b/ed/a warto/sci | If not specified, default parameters
+domy/slne. | will be used.
+-------
+Separacje barwne uzyskujemy poprzez| Color separation toggle:
+\NoOverPrintBlack | \NoOverPrintBlack
+ wy/l/aczenie naddruku obiekt/ow | turn off black overprint
+ czarnych (domy/slnie w/l/aczone)| (default: black overprint)
+\Separate\BLACK | \Separate\BLACK
+ (lub \CYAN \MAGENTA \YELLOW) | (or \CYAN \MAGENTA \YELLOW)
+Polecenia powy/zsze wymagaj/a | To use them, you need cmyk-hax.tex
+zainstalowania pakietu cmyk-hax.tex| macros have installed:
+ CTAN:/macros/generic/TeX-PS/cmyk-hax/cmyk-hax.tex
+-------
+Dost/epne polecenia: | Available options:
+(podano warto/sci domy/slne) | (default values given)
+\cropmarkdistance{3}
+ odst/ep linii obci/ecia od | cutting distance from the sheet
+ arkusza (0--5 mm) | body (0--5 mm)
+\cropmarksize{10}
+ rozmiar paser/ow (mm) | cropmarks size (in mm)
+\barsize{5}
+ rozmiar pask/ow barwnych (mm) | color bar size (in mm)
+\nocolorbars
+ tylko pasery i linie obci/ecia | cropmarks and registration marks only
+\onlycolorbars
+ tylko brudziki | color bars only
+\onlycolorsteps
+ tylko skale barwne | color steps only
+\mirror
+ lustro | mirror
+\labeloff
+ bez opisu na marginesie | turn off marginal label
+\xoffset{?mm}
+\yoffset{?mm}
+ przesuni/ecie uk/ladu | additional x an y offsets for
+ dla druku na drukarkach | printing on laser and ink printers
+ (nie stosowa/c dla na/swietle/n!) | (do not use it for typesetters!)
+-----
+Z plik/ow separate.pro i crops.pro | separate.pro and crops.pro header files
+mo/zna korzysta/c pomijaj/ac | can be used without poligraf.sty.
+poligraf.sty. Wystarczy wywo/la/c: | Just run:
+ dvips -h separate.pro -h crops.pro foo.dvi
+uzyskuj/ac efekty zgodne | and you can have the results, as
+z warto/sciami domy/slnymi, | default values from those files.
+zawartymi w wymienionych plikach. | To use effectivelly separate.pro,
+Efektywne u/zycie separate.pro | you need to copy it to the working
+wymaga skopiowania tego pliku do | directory and to change the value
+katalogu roboczego i odpowiedniego | of the variable color_sep
+ustawienia zmiennej color_sep |
+------
+Zawarto/s/c pakietu: | Contents of the package:
+README ten plik | this file
+poligraf.sty plik makr | the main macro file
+crops.pro pliki dla dvips | header files for dvips
+separate.pro |
+sample.tex przyk/lad Plain | example for Plain
+samplelx.tex przyk/lad LaTeX | example for LaTeX
+kol-cmyk.eps prosta grafika | simple graphics file
+
+------
+Wszelkie uwagi s/a mile widziane | Please report any comments
+przez autora. | and corrections to the author.
+
+Author: Janusz Marian Nowacki
+ 86-300 Grudziadz
+ ul. Sniadeckich 82/46
+ tel. +48 +56 46-218-37
+ Poland
+ e-mail: j.nowacki@gust.org.pl
+------
+(distribution prepared by Staszek Wawrykiewicz <StaW@gust.org.pl>)
+==========================================================================
+
diff --git a/Master/texmf-dist/doc/generic/tex-ps/poligraf/kol-cmyk.eps b/Master/texmf-dist/doc/generic/tex-ps/poligraf/kol-cmyk.eps
new file mode 100644
index 00000000000..6feb55da4e6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/poligraf/kol-cmyk.eps
@@ -0,0 +1,208 @@
+%!PS-Adobe-2.0 EPSF-2.0
+%%Creator: GhostScript rev. 550
+%%BoundingBox: 68.0315 463.846 280.63 677.481
+%%EndComments
+%%BeginProlog
+/GSexport 100 dict def GSexport begin
+/h {closepath} def
+/m {moveto} def
+/c {curveto} def
+/l {lineto} def
+/k {setcmykcolor} def
+/K {setcmykcolor} def
+/*u {/oper_kind -1 def} def
+/*U {*U*f *U*d *U*c} def
+/f {/oper_kind 0 def} def
+/*U*f {0 oper_kind eq {eofill} if} def
+/s {closepath /oper_kind 1 def} def
+/S {/oper_kind 1 def} def
+/*U*d {1 oper_kind eq {stroke} if} def
+/W {} def
+/n {/oper_kind 2 def} def
+/*U*c {2 oper_kind eq {eoclip newpath} if} def
+/w {setlinewidth} def
+/j {setlinejoin} def
+/J {setlinecap} def
+/M {setmiterlimit} def
+/d {setdash} def
+/setcmykcolor where {pop}
+ {/setcmykcolor {1 sub /mf exch def
+ 3 {mf add neg dup 0 lt {pop 0} if 3 1 roll} repeat
+ setrgbcolor} def} ifelse
+/q {gsave} def
+/Q {grestore} def
+%%EndProlog
+%%BeginSetup
+%%EndSetup
+q
+*u
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+s
+*U
+%%Trailer
+end
+showpage \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/tex-ps/poligraf/sample.tex b/Master/texmf-dist/doc/generic/tex-ps/poligraf/sample.tex
new file mode 100644
index 00000000000..975a434f710
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/poligraf/sample.tex
@@ -0,0 +1,50 @@
+%% Plain TeX example of poligraf
+\special{papersize=190mm,277mm}
+%\special{papersize=180mm,267mm} % try together with \xoffset and \yoffset
+%% --
+\hsize5.5in \vsize8in
+\input epsf % standard dvips distribution
+\input colordvi % standard dvips distribution
+\input poligraf.sty
+%% -- change some options ------
+%\NoOverPrintBlack % default is overprint black
+%\Separate\CYAN % or
+%\Separate\MAGENTA % or
+%\Separate\YELLOW % or
+%\Separate\BLACK
+
+%\xoffset{5} % additional x an y offsets for printing on standard
+%\yoffset{5} % printer (do not use it for typesetters!)
+%\cropmarkdistance{5} % 1--5 (default 3mm)
+%\cropmarksize{10} % default 10mm
+%\barsize{6} % default 6mm
+%\nocolorbars % no color bars and scales
+%\onlycolorsteps % color steps only
+%\onlycolorbars % color bars only
+%\mirror % mirror switch
+%\labeloff % no page label
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\text{
+\Black{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+\Red{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+\Blue{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+\Green{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}
+}
+
+\text
+\bigskip
+
+\centerline{\epsffile{kol-cmyk.eps}}
+\vskip -10mm
+\centerline{\bf THIS TEXT IS BLACK}
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/tex-ps/poligraf/samplelx.tex b/Master/texmf-dist/doc/generic/tex-ps/poligraf/samplelx.tex
new file mode 100644
index 00000000000..38a25b51b06
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex-ps/poligraf/samplelx.tex
@@ -0,0 +1,64 @@
+%% LaTeX example of poligraf.sty
+\documentclass{article}
+\usepackage[dvips]{color}
+\usepackage[dvips]{graphicx}
+\usepackage{poligraf}
+%% --
+\special{papersize=190mm,277mm}
+%\special{papersize=180mm,267mm}
+%% -- change some options ------
+%\NoOverPrintBlack % default overprint black
+%\Separate\CYAN % or
+%\Separate\MAGENTA % or
+%\Separate\YELLOW % or
+%\Separate\BLACK
+
+%\xoffset{5} % additional x an y offsets for printing on standard
+%\yoffset{5} % printer (do not use it for typesetters!)
+%\cropmarkdistance{3} % 1--5 (default 3mm)
+%\cropmarksize{10} % default 10mm
+%\barsize{6} % default 6mm
+%\nocolorbars % no color bars and scales
+%\onlycolorsteps % color steps only
+%\onlycolorbars % color bars only
+%\mirror % mirror switch
+%\labeloff % no page label
+
+\begin{document}
+
+\def\text{
+\textcolor{red}{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+{\color{blue} This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+\textcolor{green}{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}\par
+\textcolor{black}{This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.
+This is example of test page. This is example of test page.}
+}
+
+% -----------------------------------------------------------
+\text
+
+\begin{figure}
+ \begin{center}
+ \includegraphics[width=0.5\hsize]{kol-cmyk}
+ \caption{Vector graphics. CMYK model}
+ \end{center}
+\end{figure}
+
+%% -----------------------------------------------------------
+%%% put here your favourite colour photo
+%%% then uncomment the following lines and test colour separations
+%\eject
+%\begin{figure}
+%\includegraphics[width=\hsize]{my-photo.eps}
+%\caption{My photo}
+%\end{figure}
+% -----------------------------------------------------------
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/tex4ht/bugfixes.css b/Master/texmf-dist/doc/generic/tex4ht/bugfixes.css
new file mode 100644
index 00000000000..b535e75e168
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/bugfixes.css
@@ -0,0 +1,42 @@
+
+/* start css.sty */
+.cmtt-10{font-family: monospace;}
+p.noindent { text-indent: 0em }
+p.nopar { text-indent: 0em; }
+p.indent{ text-indent: 1.5em }
+@media print {div.crosslinks {visibility:hidden;}}
+a img { border-top: 0; border-left: 0; border-right: 0; }
+center { margin-top:1em; margin-bottom:1em; }
+td center { margin-top:0em; margin-bottom:0em; }
+.Canvas { position:relative; }
+img.math{vertical-align:middle;}
+.obeylines-h,.obeylines-v {white-space: nowrap; }
+div.obeylines-v p { margin-top:0; margin-bottom:0; }
+.overline{ text-decoration:overline; }
+.overline img{ border-top: 1px solid black; }
+td.displaylines {text-align:center; white-space:nowrap;}
+.centerline {text-align:center;}
+.rightline {text-align:right;}
+span.TEX {letter-spacing: -0.125em; }
+span.TEX span.E{ position:relative;top:0.5ex;left:-0.0417em;}
+a span.TEX span.E {text-decoration: none; }
+.underline{ text-decoration:underline; }
+.underline img{ border-bottom: 1px solid black; margin-bottom:1pt; }
+div.proclaim { margin-top: 1em; margin-bottom: 1em; }
+p.item {text-indent:-2em; margin-left:2em;}
+p.itemitem {text-indent:-2em; margin-left:4em;}
+span.item, span.itemitem {width:2em; margin-right:0.4em;}
+td.eqalign3 { text-align:right; margin-left:10em;}
+.eqalign td { white-space: nowrap; }
+div.eqalign {text-align:center;}
+td.eqalignno3, td.leqalignno3 { text-align:right; margin-left:10em;}
+.leqalignno td, .eqalignno td { white-space: nowrap; }
+.leqalignno td.noalign, .eqalignno td.noalign { width:5%; white-space: normal; }
+table.leqalignno, table.eqalignno {width:100%;}
+img.cdots{vertical-align:middle;}
+div.pmatrix {text-align:center;}
+div.Verbatim { font-family: monospace; white-space: nowrap; }
+body .Verbatim { margin: 1em; }
+h2 {color:white; background:black; font-style:italic; }
+dt {font-weight:bold}
+/* end css.sty */
diff --git a/Master/texmf-dist/doc/generic/tex4ht/bugfixes.html b/Master/texmf-dist/doc/generic/tex4ht/bugfixes.html
new file mode 100644
index 00000000000..70b29f27e74
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/bugfixes.html
@@ -0,0 +1,135 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head>
+
+ <title>bugfixes.html</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cse.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cse.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4 -->
+<meta name="src" content="bugfixes.tex" />
+<meta name="date" content="2004-10-15 11:59:00" />
+<link rel="stylesheet" type="text/css" href="bugfixes.css" />
+</head><body
+>
+<h2 class="LikeChapterHead"><a
+ id="QQ1-1-1"></a>Bug Fixes and Comments</h2>
+<ul >
+<li>The home page (<a
+href="http://www.cse.ohio-state.edu/~gurari/TeX4ht/mn.html" >osu</a>, <a
+href="http://www.tug.org/applications/tex4ht/mn.html" >tug</a>) of <span class="TEX">T<span
+class="E">E</span>X</span>4ht contains files which were current on February 11, 2004 (<a
+href="tex4ht-20040211.zip" >tex4ht-20040211.zip</a>).
+The zipped file <a
+href="fix/newt4ht.zip" >newt4ht.zip</a> offers the following modified files.
+<ul >
+<li><span
+class="cmtt-10">tex4ht.c </span>(Oct 12, 2004) </li>
+<li><span
+class="cmtt-10">tex4ht.exe </span>for MS win32 (Oct 12, 2004) </li>
+<li><span
+class="cmtt-10">t4ht.c </span>(April 21, 2004) </li>
+<li><span
+class="cmtt-10">tex4ht.env </span>(Sept 1, 2004) </li>
+<li><span
+class="cmtt-10">oolatex.bat</span>, <span
+class="cmtt-10">ootex.bat</span>, <span
+class="cmtt-10">ootexi.bat </span>(May 27, 2004) </li>
+<li><span
+class="cmtt-10">mk4ht </span>(May 3, 2004) </li>
+<li><span
+class="cmtt-10">tex4ht.sty </span>(Sept 26, 2004) </li>
+<li><span
+class="cmtt-10">*.4ht </span>(Oct 15, 2004) </li></ul>
+<!--l. 176--><p class="noindent"></p></li>
+<li>The <span
+class="cmtt-10">*.htf </span>fonts are available at <a
+href="fix/htf.zip" >htf.zip</a> (Oct 3, 2004).
+<!--l. 180--><p class="noindent"></p></li>
+<li>A complete modified distribution can be downloaded from <a
+href="fix/tex4ht.tar.gz" ><span
+class="cmtt-10">tex4ht.tar.gz</span></a> (or <a
+href="fix/tex4ht-1.0.2004_10_15_1159.tar.gz" ><span
+class="cmtt-10">tex4ht-1.0.2004_10_15_1159.tar.gz</span></a>)
+</li></ul>
+<!--l. 188--><p class="noindent">
+</p><ol type="a" >
+<li>New support for ConTeXt:
+<!--l. 193--><p class="noindent">
+</p><ul >
+<li>The calling instructions reside at bin/(unix,win32). They might require minor adjustments.
+<!--l. 196--><p class="noindent"></p></li>
+<li>The initial support is just for HTML output, based only on the features described in Berend de Boer&#8217;s <a
+href="http://www.berenddeboer.net/tex/LaTeX2ConTeXt.pdf" >LaTeX in
+proper ConTeXt</a> report.
+<!--l. 201--><p class="noindent"></p></li>
+<li>Much work is still needed. Many of the current configurations are crude and expected to go through major
+revisions.
+<!--l. 204--><p class="noindent"></p></li>
+<li>Future work will be driven by bug reports. The reports should include miniature complete examples similar to those
+in Boer&#8217;s report.
+</li></ul>
+<!--l. 209--><p class="noindent"></p></li>
+<li>Replace &#8216;.G&#8217; with &#8216;G.&#8217; in tex4ht.env.
+<!--l. 212--><p class="noindent"></p></li>
+<li>For XP MicroSoft Windows, replace <span
+class="cmtt-10">'#FFFFFF' </span>with <span
+class="cmtt-10">"#FFFFFF" </span>in tex4ht.env.
+<!--l. 215--><p class="noindent"></p></li>
+<li>If gif bitmaps do not show their lowest parts check that the problem is not due to a recent version of ImageMagic
+convert dated prior to April 2004.
+<!--l. 219--><p class="noindent"></p></li>
+<li>For old ImageMagick convert versions that do not recognize the &#8216;<span
+class="cmtt-10">+repage</span>&#8217; attribute, use instead the &#8216;<span
+class="cmtt-10">+page</span>&#8217;
+attribute in the environment file tex4ht.env.
+<!--l. 223--><p class="noindent"></p></li>
+<li>Revised pointers: <a
+href="http://facweb.knowlton.ohio-state.edu/pviton/support/tex4ht.html" >Mik<span class="TEX">T<span
+class="E">E</span>X</span></a> and <a
+href="http://facweb.knowlton.ohio-state.edu/pviton/support/swpht.html" >ScientificWord/WorkPlace</a>
+<!--l. 228--><p class="noindent"></p></li>
+<li>Yves Gesnel offers a simple Mac OS X GUI for TeX4ht at <a
+href="http://www.simpletex4ht.free.fr/" >http://www.simpletex4ht.free.fr</a>
+<!--l. 233--><p class="noindent"></p></li>
+<li>In the <a
+href="mn3.html" id="QQ1-3-10" >home page</a> the instruction
+
+<!--l. 238--><p class="noindent"><span
+class="cmtt-10">htlatex filename "xhtml,ooffice" "-coo"</span>
+</p><!--l. 240--><p class="noindent">should be replaced with
+</p><!--l. 242--><p class="noindent"><span
+class="cmtt-10">htlatex filename "xhtml,ooffice" "ooffice/!</span><span
+class="cmtt-10">&nbsp;-cmozhtf" "-coo"</span> </p></li>
+<li><a
+href="http://www.sbc.su.se/~esjolund/tex4ht/" >RPM</a>s for <a
+href="http://fedora.redhat.com/" >Fedora</a>
+<!--l. 251--><p class="noindent"></p></li>
+<li>There is a typo in the win32 tex4ht.env as distributed. In the .png section the call to &#8220;gs&#8221; should be
+&#8220;Ggswin32c&#8221;.
+<!--l. 255--><p class="noindent"></p></li>
+<li>In the <a
+href="mn4.html" >main documentation</a> item (d), &#8217;<span
+class="cmtt-10">\bigl\{...\bigg|...\bigr</span>&#8217; should be fixed to &#8217;<span
+class="cmtt-10">\bigl\{...\bigg|...\bigr\}</span>&#8217;
+<!--l. 261--><p class="noindent"></p></li>
+<li>In the <a
+href="mn6.html#QQ1-6-35" >main documentation</a> section Configurable Hooks, &#8217;<span
+class="cmtt-10">xhlatex mktex4ht</span>&#8217; should be fixed to &#8217;<span
+class="cmtt-10">xhlatex</span>
+<span
+class="cmtt-10">mktex4ht.4ht</span>&#8217;
+</li></ol>
+<p class="rightline">bugfixes page: (<a
+href="http://www.cse.ohio-state.edu/~gurari/TeX4ht/bugfixes.html" >osu</a>, <a
+href="http://www.tug.org/applications/tex4ht/bugfixe.html" >tug</a>) </p>
+
+
+</body></html>
+
+
+
diff --git a/Master/texmf-dist/doc/generic/tex4ht/cmmi10-b.gif b/Master/texmf-dist/doc/generic/tex4ht/cmmi10-b.gif
new file mode 100644
index 00000000000..e2fd20b90a0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/cmmi10-b.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/cmsy10-28.gif b/Master/texmf-dist/doc/generic/tex4ht/cmsy10-28.gif
new file mode 100644
index 00000000000..e0531fcdbb4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/cmsy10-28.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/index.html b/Master/texmf-dist/doc/generic/tex4ht/index.html
new file mode 100644
index 00000000000..12d8b948cfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/index.html
@@ -0,0 +1,386 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head>
+
+ <title>mn.html</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <h1 class="PartHead"><a
+ name="QQ1-1-1"></a>TeX4ht: LaTeX and TeX for Hypertext</h1>
+<!--l. 1713--><p class="noindent">TeX4ht is a highly configurable TeX-based authoring system for producing hypertext. It interacts with TeX-based
+applications through style files and postprocessors, leaving the processing of the source files to the native TeX
+compiler. Consequently, TeX4ht can handle the features of TeX-based systems in general, and of the LaTeX and
+AMS style files in particular.
+</p><!--l. 1720--><p class="indent"> This document relates mainly to configurations tailored for different variants of HTML, MathML, OpenOffice,
+DocBook, TEI, and CSS. The document and code are available for downloading in zipped format (<a
+ href="http://www.cis.ohio-state.edu/~gurari/TeX4ht/tex4ht-all.zip" >osu</a>,
+<a
+ href="http://www.tug.org/applications/tex4ht/tex4ht-all.zip" >tug</a>).<sup>[<a
+ href="http://www.info-zip.org/pub/infozip/" >unzip</a>]</sup>
+</p>
+ <div class="TableOfContents"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn2.html#QQ1-2-2" name="QQ2-2-2">Table of Contents</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-3" name="QQ2-1-3">Using the System</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-4" name="QQ2-3-4">Calling Commands</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-21" name="QQ2-6-21">Configurations</a>
+<span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-37" name="QQ2-1-37">Installation</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-78" name="QQ2-1-78">Bug Reports</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-79" name="QQ2-1-79">Resources</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-93" name="QQ2-1-93">License</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-94" name="QQ2-1-94">Acknowledgment</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-index.html#QQ1-61-95" name="QQ2-61-95">Index</a>
+ </div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-3"></a>Using the System</h2><div class="TableOfContents">
+ </div>
+<!--l. 1759--><p class="indent"> Typical LaTeX source files can be compiled into standard HTML and XML formats in a manner similar to the
+way they are compiled into print formats, namely, through variations of the command <a
+ name="index1-3001"></a>&#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename</span>
+<span
+class="cmtt-10">&#34;</span><span
+class="cmti-10">options1</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">option2</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">options3</span><span
+class="cmtt-10">&#34;</span>&#8217;. For instance,
+</p><div class="Verbatim"><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;html,2,info&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;dbcs/!&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;foo,frames&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;-p&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">xhlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">mzlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">oolatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 1774--><p class="indent"> In some platforms the double quotes should be replaced with single right-quotes, and in some cases they might
+be omitted.
+</p><!--l. 1777--><p class="indent"> For details, visit the <a
+ href="mn3.html" name="mn3.html" >calling commands</a> section.
+</p>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-1-20"></a>References</h3>
+<!--l. 2473--><p class="noindent">The main features of TeX4ht are described in:
+</p><ul >
+<li>M.&nbsp;Goosen and S.&nbsp;Rahtz with E.&nbsp;Gurari, R.&nbsp;Moore, and R.&nbsp;Sutor, <a
+ href="http://cseng.aw.com" ><span
+class="cmti-10">The LaTeX Web Companion</span></a>, Addison-Wesley,
+1999 (<a
+ href="http://www.addison-wesley.de/" >German translation</a>). </li>
+<li>Fabrice Popineau, <a
+ href="http://www.gutenberg.eu.org/pub/GUTenberg/publicationsPDF/37-popineau.pdf" ><span
+class="cmti-10">Affichez vos documents LaTeX sur le Web avec TeX4ht</span></a>, Cahiers GUTenberg 37-38, December
+2000, 5-43 (French, PDF). </li>
+<li><a
+ href="mn6.html" name="mn6.html" >Within</a> the current document. </li>
+<li>In the .log files of the compilations. </li></ul>
+<!--l. 4313--><p class="indent"> The documents <a
+ href="http://www.cis.ohio-state.edu/~gurari/docs/mml-00/mml-00.html" >From LaTeX to MathML and Back with TeX4ht and PassiveTeX</a>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug99/" >LaTeX to XML/MathML</a>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug97/tug97-h.html" >A
+demonstration of TeX4ht</a>, and <a
+ href="http://www.cis.ohio-state.edu/~gurari/docs/tug-03/tug-03.html" >From LaTeX to MathML and Beyond</a> may provide additional insight into the system
+(and some outdated details).
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-37"></a>Installation</h2><div class="TableOfContents">
+ </div>
+<!--l. 4334--><p class="indent"> To be installed, the system needs a port made up of native utilities of TeX4ht and of non-native
+utilities. The easiest way to establish an up to date port is to download an <a
+ href="mn21.html" name="mn21.html" >installed distribution</a> of the system, and refresh it with the files provided here.
+</p><!--l. 4388--><p class="indent"> Establishing ports from scratch for <a
+ href="mn-unix.html" name="mn-unix.html" >Unix</a> and <a
+ href="mn-mswin.html" name="mn-mswin.html" >MS Windows</a> require additional effort, mainly because of the need to set up non-native utilities. Alternative ports for these
+and other platforms can be tailored in a <a
+ href="mn-port.html" name="mn-port.html" >similar manner</a>.
+</p><!--l. 6246--><p class="indent"> Philip A. Viton discusses in details issues of installing TeX4ht under <a
+ href="http://facweb.arch.ohio-state.edu/pviton/support/tex4ht.html" >MikTeX</a> and <a
+ href="http://facweb.arch.ohio-state.edu/pviton/support/swpht.html" >Scientific Word/WorkPlace</a>,
+but many of the topics apply also to other platforms. Steven Zeil offers <a
+ href="http://www.cs.odu.edu/~zeil/tex4ht/tex4ht_discussion.html" target="_blank" >improvements</a> for the above
+settings.
+</p><!--l. 6264--><p class="indent"> TeX4ht can be <a
+ href="mn40.html" name="mn40.html" >integrated into the WinShell</a> graphical user interface of Ingo H. de Boer for working with TeX. Steve Mayer programmed a <a
+ href="http://www.mayer.dial.pipex.com/tex.htm" >graphical user
+interface</a> for a set of converters on MS Windows, supporting also TeX4ht.
+</p><!--l. 6286--><p class="noindent"><a
+ href="mn41.html" name="mn41.html" >trouble shooting</a> <span class="cmtt-10">| </span><a
+ href="mn43.html" name="mn43.html" >Q/A</a> <span class="cmtt-10">| </span><span class="bugfixes"><a
+ href="http://www.cis.ohio-state.edu/~gurari/TeX4ht/bugfixes.html" >bug fixes</a></span>
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-78"></a>Bug Reports</h2><div class="TableOfContents">
+ </div>
+<!--l. 6988--><p class="indent"> The development of the TeX4ht system is to a large degree driven by users&#8217; bug reports and requests. In most
+cases, when providing feedback, it is essential to include the following information.
+</p><!--l. 6994--><p class="indent">
+</p><ul >
+<li>A minimal miniature complete source file illustrating the issues involved. Since similar constructs are introduced
+within different style files, a minimal source is required for correctly pinpointing the definitions of the constructs
+involved in the translation.
+<!--l. 7000--><p class="noindent"></p></li>
+<li>A mentioning of the command used to invoke the translation. This information is required since the command
+determines which configurations participate in the translation.
+ </li></ul>
+ Translations of source files are centered around logical structures. Formatting instructions receive only limited
+attention.
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-79"></a>Resources</h2><div class="TableOfContents">
+ </div>
+ <table id="TBL-14"
+><tr valign="top" >
+<td
+> Languages: </td><td
+><a
+ href="mn44.html" name="mn44.html" >LaTeX/TeX</a>, <a
+ href="mn45.html" name="mn45.html" >HTML</a>, <a
+ href="mn46.html" name="mn46.html" >XML/XSLT</a>, <a
+ href="mn47.html" name="mn47.html" >MathML</a>, <a
+ href="mn48.html" name="mn48.html" >DocBook</a>, <a
+ href="mn49.html" name="mn49.html" >TEI</a>, <a
+ href="mn50.html" name="mn50.html" >Style Sheets</a>, <a
+ href="mn51.html" name="mn51.html" >DTDs</a>, <a
+ href="mn52.html" name="mn52.html" >Validators</a> </td></tr><tr valign="top" >
+<td
+>Converters<br />into<br />HTML/XML: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.astro.gla.ac.uk/users/norman/distrib/bibhtml.html" target="_blank" >BibHTML</a> <sup><a
+ href="mn53.html#mn53-1" name="mn53-1" >1</a></sup>, <a
+ href="http://www.ibiblio.org/pub/packages/TeX/biblio/bibtex/utils/bibtools/bib2html" target="_blank" >Bib2HTML</a> <sup><a
+ href="mn53.html#mn53-2" name="mn53-2" >2</a></sup>, <a
+ href="http://www.shelldorado.com/scripts/cmds/bib2html.txt" target="_blank" >Bib2HTML</a>
+<sup><a
+ href="mn53.html#mn53-3" name="mn53-3" >3</a></sup>, <a
+ href="http://www.lri.fr/~filliatr/bibtex2html/index.en.html" target="_blank" >BibTeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-4" name="mn53-4" >4</a></sup>, <a
+ href="http://www.mostang.com/%7Edavidm/dlh.html" target="_blank" >Dlh</a>
+<sup><a
+ href="mn53.html#mn53-5" name="mn53-5" >5</a></sup>, <a
+ href="http://www.dcs.fmph.uniba.sk/~emt/EmSystem.html" target="_blank" >Euromath</a>
+<sup><a
+ href="mn53.html#mn53-6" name="mn53-6" >6</a></sup>, <a
+ href="http://math.albany.edu:8000/math/pers/hammond/igl.html" target="_blank" >GELLMU</a> <sup><a
+ href="mn53.html#mn53-7" name="mn53-7" >7</a></sup>,
+<a
+ href="http://para.inria.fr/~maranget/hevea" target="_blank" >HEVEA</a> <sup><a
+ href="mn53.html#mn53-8" name="mn53-8" >8</a></sup>, <a
+ href="http://www.gams.com/contrib/htex/htex.htm" target="_blank" >HTeX</a>
+<sup><a
+ href="mn53.html#mn53-9" name="mn53-9" >9</a></sup>, <a
+ href="http://www-db.stanford.edu/~sergey/htmltex/" target="_blank" >HtmlTeX</a>
+<sup><a
+ href="mn53.html#mn53-10" name="mn53-10" >10</a></sup>, <a
+ href="http://www.math.uic.edu/~fields/htmx/" target="_blank" >HTMX</a> <sup><a
+ href="mn53.html#mn53-11" name="mn53-11" >11</a></sup>,
+<a
+ href="http://www.cs.uu.nl/~otfried/Hyperlatex" target="_blank" >HyperLaTeX</a> <sup><a
+ href="mn53.html#mn53-12" name="mn53-12" >12</a></sup>,
+<a
+ href="http://xxx.lanl.gov/hypertex/" target="_blank" >HyperTeX</a> <sup><a
+ href="mn53.html#mn53-13" name="mn53-13" >13</a></sup>, <a
+ href="http://pear.math.pitt.edu/mathzilla/itex2mmlItex.html" target="_blank" >Itex2mml</a>
+<sup><a
+ href="mn53.html#mn53-14" name="mn53-14" >14</a></sup>, <a
+ href="http://www-texdev.mpce.mq.edu.au/l2h/docs/manual/" target="_blank" >LaTeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-15" name="mn53-15" >15</a></sup>, <a
+ href="http://ctan.tug.org/tex-archive/support/latex2man/latex2man.html" target="_blank" >LaTeX2man</a>
+<sup><a
+ href="mn53.html#mn53-16" name="mn53-16" >16</a></sup>, <a
+ href="http://www.best.com/~quong/" target="_blank" >Ltoh</a> <sup><a
+ href="mn53.html#mn53-17" name="mn53-17" >17</a></sup>, <a
+ href="ftp://ftp.dante.de/tex-archive/support/ltx2x/ltx2x.html" target="_blank" >Ltx2x</a>
+<sup><a
+ href="mn53.html#mn53-18" name="mn53-18" >18</a></sup>, <a
+ href="http://www.micropress-inc.com/webb/wbstart.htm" target="_blank" >
+MicroPress TeXpider</a> <sup><a
+ href="mn53.html#mn53-19" name="mn53-19" >19</a></sup>,
+<a
+ href="http://www.orcca.on.ca/MathML/projects.html" target="_blank" >ORCCA</a> <sup><a
+ href="mn53.html#mn53-20" name="mn53-20" >20</a></sup>, <a
+ href="http://omega.enstb.org" target="_blank" >Omega</a> <sup><a
+ href="mn53.html#mn53-21" name="mn53-21" >21</a></sup>, <a
+ href="http://pylatex.sourceforge.net/" target="_blank" >pyLaTeX</a>
+<sup><a
+ href="mn53.html#mn53-22" name="mn53-22" >22</a></sup>, <a
+ href="http://dione.zcu.cz/~toman40/selathco/" target="_blank" >Selathco</a>
+<sup><a
+ href="mn53.html#mn53-23" name="mn53-23" >23</a></sup>, <a
+ href="http://web.informatik.uni-bonn.de/~zach/vim/index.html" target="_blank" >TeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-24" name="mn53-24" >24</a></sup>, <a
+ href="http://www.ccs.neu.edu/home/dorai/tex2page/tex2page-doc.html" target="_blank" >TeX2Page</a>
+<sup><a
+ href="mn53.html#mn53-25" name="mn53-25" >25</a></sup>, <a
+ href="http://www.wxwindows.org/tex2rtf/index.htm" target="_blank" >TeX2RTF</a>
+<sup><a
+ href="mn53.html#mn53-26" name="mn53-26" >26</a></sup>, <a
+ href="http://www.mathematik.uni-kl.de/~obachman/Texi2html/" target="_blank" >Texi2HTML</a> <sup><a
+ href="mn53.html#mn53-27" name="mn53-27" >27</a></sup>, <a
+ href="http://sunland.gsfc.nasa.gov/info/texi2www/" target="_blank" >Texi2www</a>
+<sup><a
+ href="mn53.html#mn53-28" name="mn53-28" >28</a></sup>
+ , <a
+ href="http://www.ktalk.com/texport-web.html" target="_blank" >TeXPort WEB</a> <sup><a
+ href="mn53.html#mn53-29" name="mn53-29" >29</a></sup>, <a
+ href="http://www-sop.inria.fr/miaou/Jose.Grimm/tralics/" target="_blank" >Tralics</a>
+<sup><a
+ href="mn53.html#mn53-30" name="mn53-30" >30</a></sup>, <a
+ href="http://hutchinson.belmont.ma.us/tth/" target="_blank" >Tth</a> <sup><a
+ href="mn53.html#mn53-31" name="mn53-31" >31</a></sup>, <a
+ href="http://www.plover.com/~mjd/vulcanize.html" target="_blank" >Vulcanize</a> <sup><a
+ href="mn53.html#mn53-32" name="mn53-32" >32</a></sup>, <a
+ href="http://www.dessci.com/en/products/webeq" target="_blank" >WebEQ</a>
+<sup><a
+ href="mn53.html#mn53-33" name="mn53-33" >33</a></sup></div></td></tr><tr valign="top" >
+<td
+>Backward<br />Converters: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.chemie.fu-berlin.de/chemnet/use/gf.html" target="_blank" >Gf</a> <sup><a
+ href="mn54.html#mn54-1" name="mn54-1" >1</a></sup>, <a
+ href="http://www.wildfire.dircon.co.uk/htex.html" target="_blank" >Htex</a> <sup><a
+ href="mn54.html#mn54-2" name="mn54-2" >2</a></sup>, <a
+ href="http://www.lib.rpi.edu/dept/acs/rpinfo/filters/GChtml2latex/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-3" name="mn54-3" >3</a></sup>, <a
+ href="ftp://ftp.dante.de/tex-archive/support/html2latex/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-4" name="mn54-4" >4</a></sup>, <a
+ href="http://html2latex.sourceforge.net/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-5" name="mn54-5" >5</a></sup>, <a
+ href="http://home.planet.nl/~faase009/html2tex.html" target="_blank" >HTML2TeX</a>
+<sup><a
+ href="mn54.html#mn54-6" name="mn54-6" >6</a></sup>, <a
+ href="http://sourceforge.net/projects/jadetex" target="_blank" >JadeTeX</a> <sup><a
+ href="mn54.html#mn54-7" name="mn54-7" >7</a></sup>, <a
+ href="http://www.hcu.ox.ac.uk/TEI/Software/passivetex/" target="_blank" >Passive TeX</a> <sup><a
+ href="mn54.html#mn54-8" name="mn54-8" >8</a></sup>, <a
+ href="http://www.ucc.ie/info/TeX/sgml2tex.html" target="_blank" >SGML2TeX</a> <sup><a
+ href="mn54.html#mn54-9" name="mn54-9" >9</a></sup>,
+<a
+ href="http://www.alphaworks.ibm.com/aw.nsf/techreqs/texml" target="_blank" >TeXML</a> <sup><a
+ href="mn54.html#mn54-10" name="mn54-10" >10</a></sup>, <a
+ href="http://www.tug.org/tex-archive/macros/latex/contrib/carlisle/" target="_blank" >TypeHTML</a>
+<sup><a
+ href="mn54.html#mn54-11" name="mn54-11" >11</a></sup>, <a
+ href="ftp://ftp.tex.ac.uk:/tex-archive/macros/xmltex/base/manual.html" target="_blank" >XMLTeX</a> <sup><a
+ href="mn54.html#mn54-12" name="mn54-12" >12</a></sup>, <a
+ href="http://www.hj-gym.dk/~hj/writer2latex/" target="_blank" >Writer2LaTeX</a> <sup><a
+ href="mn54.html#mn54-13" name="mn54-13" >13</a></sup>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug99/indexSl57.html" target="_blank" >Brute Force</a>
+<sup><a
+ href="mn54.html#mn54-14" name="mn54-14" >14</a></sup></div></td></tr><tr valign="top" >
+<td
+>Converters for<br />other formats: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.astro.gla.ac.uk/users/norman/star/dvi2bitmap/" target="_blank" >Dvi2bitmap</a> <sup><a
+ href="mn55.html#mn55-1" name="mn55-1" >1</a></sup>, <a
+ href="http://gaspra.kettering.edu/dvipdfm/" target="_blank" >Dvipdfm</a> <sup><a
+ href="mn55.html#mn55-2" name="mn55-2" >2</a></sup>, <a
+ href="http://www.forkosh.com/" target="_blank" >MimeTeX</a> <sup><a
+ href="mn55.html#mn55-3" name="mn55-3" >3</a></sup>, <a
+ href="http://www.tug.org/utilities/texconv/ltx2rtf3.html" target="_blank" >ltx2rtf</a> <sup><a
+ href="mn55.html#mn55-4" name="mn55-4" >4</a></sup>, <a
+ href="http://pantheon.yale.edu/~pmm34/leq.html" target="_blank" >LEQ</a> <sup><a
+ href="mn55.html#mn55-5" name="mn55-5" >5</a></sup>, <a
+ href="http://tug.org/applications/pdftex/" target="_blank" >PdfTeX</a> <sup><a
+ href="mn55.html#mn55-6" name="mn55-6" >6</a></sup>, <a
+ href="http://shika.aist-nara.ac.jp/products/plain2/plain2.html" target="_blank" >Plain2</a> <sup><a
+ href="mn55.html#mn55-7" name="mn55-7" >7</a></sup>, LaTeX to ... <sup><a
+ href="mn55.html#mn55-8" name="mn55-8" >8</a></sup></div></td></tr><tr valign="top" >
+<td colspan="2"
+ align="left"
+> <a
+ href="mn56.html" name="mn56.html" >Conversion to Bitmaps</a> <span class="cmtt-10">| </span><a
+ href="mn57.html" name="mn57.html" >math on the web</a> <span class="cmtt-10">| </span><a
+ href="mn58.html" name="mn58.html" >web publishing with LaTeX</a> <span class="cmtt-10">| </span><a
+ href="mn59.html" name="mn59.html" >conversion services</a> </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-93"></a>License</h2><div class="TableOfContents">
+ </div>
+<!--l. 8447--><p class="indent"> TeX4ht is provided under the <a
+ href="ftp://tug.ctan.org/tex-archive/macros/latex/base/lppl.txt" >LaTeX Project Public License</a> (LPPL). However, it is allowed to modify the files
+without changing their names, if the signatures of the files are modified (see copyright notices within the
+files).
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-94"></a>Acknowledgment</h2><div class="TableOfContents">
+ </div>
+<!--l. 8457--><p class="indent"> I am very grateful for the suggestions, contributions, and bug reports offered by many people. In particular,
+thanks go to Gertjan Klein and Sebastian Rahtz who got deeply involved in the project for long periods of time, to
+Carmen Fierro and Piotr Grabowski for extensive feedback regarding the MathML configurations, and to Philip
+Viton for his superb documentation.
+</p><!--l. 8464--><p class="indent"> This work is partially sponsored by NSF grant IIS-0312487.
+</p>
+ <div class="SIGN"><span class="cmti-10">Eitan M. Gurari</span><br /><a
+ href="mailto:gurari@cis.ohio-state.edu" ><span class="cmti-10">gurari@cis.ohio-state.edu</span></a><br /><span class="cmti-10">February 11, 2004</span></div>
+</body></html>
+
+
+
diff --git a/Master/texmf-dist/doc/generic/tex4ht/jhsample.tex b/Master/texmf-dist/doc/generic/tex4ht/jhsample.tex
new file mode 100644
index 00000000000..1842c99a3e2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/jhsample.tex
@@ -0,0 +1,118 @@
+\documentclass{article}
+
+ \usepackage{url}
+ \Configure{ProTex}{java,<<<>>>,title,`,list,[[]]}
+
+ \usepackage{makeidx}
+ \makeindex
+
+\begin{document}
+
+\tableofcontents
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Compilation Instructions}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begin{itemize}
+\item
+Make a subdirectory {\tt jobname-doc}.
+\item
+Compile the \LaTeX{} file with a command similar to
+\index{htlatex}%
+`{\tt htlatex
+jobname "html,3.2,javahelp,3" "" "-djobname-doc/"}'.
+\item
+\index{JavaHelp indexer}%
+ Invoke the JavaHelp indexer to produce the search
+database at `jobname-doc/jobname-jhs' with a command
+ similar to `{\tt java -jar
+ \$\string{HOME\string}/jh1.1.3/javahelp/bin/jhindexer.jar -db
+ jobname-doc/jobname-jhs
+jobname*.html}'.
+\item
+\index{JavaHelp URL}%
+The URL into the javahelp file, as provided by tex4ht, is
+`{\tt jobname-doc/jobname-jh.xml}'.
+\item
+The java programs should be compiled with commands similar to
+\index{javac}%
+`{\tt javac -classpath
+ \$\string{HOME\string}/jh1.1.3/javahelp/lib/jh.jar program.java}'.
+\item
+The programs should run with commands similar to
+\index{java}%
+`{\tt java -classpath
+ \$\string{HOME\string}/jh1.1.3/javahelp/lib/jh.jar;. program}'.
+\end{itemize}
+
+
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Sample Program}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\<jhprog\><<<
+import java.net.URL;
+import javax.help.*;
+import javax.swing.*;
+public class jhprog {
+ public static void main(String args[]) {
+ JHelp helpViewer=null;
+ try {
+ ClassLoader cl = jhprog.class.getClassLoader();
+ URL url = HelpSet.findHelpSet(cl,
+ "`jobname-doc/`jobname.hs");
+ helpViewer = new JHelp(new HelpSet(cl, url));
+ } catch (Exception e) { System.out.println("error");
+ }
+ JFrame frame = new JFrame();
+ frame.setSize(500,500);
+ frame.getContentPane().add(helpViewer);
+ frame.setDefaultCloseOperation(JFrame.DISPOSE_ON_CLOSE);
+ frame.setVisible(true);
+ }
+}
+>>>
+
+\OutputCode\<jhprog\>
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\section{Sample Script}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+The source file \edef\temp{\noexpand\url{\jobname.tex}}\temp{} of this
+document got compiled with the command `{\tt jhlatex jhsample "html,3"}', with
+{\tt jhlatex} being the following script.\index{htlatex}
+
+\begin{verbatim}
+mkdir jh-$1.dir
+mkdir jh-$1.dir/$1-doc
+htlatex $1 "html,3.2,javahelp,$2" "" "-djh-$1.dir/$1-doc/ -cjavahelp"
+tex '\def\filename{{$1}{idx}{4dx}{ind}} \input idxmake.4ht'
+makeindex -o $1.ind $1.4dx
+htlatex $1 "html,3.2,javahelp" "" "-djh-$1.dir/$1-doc/ -cjavahelp"
+cd jh-$1.dir; zip -r $1 * ; cd ..
+mv jh-$1.dir/$1.zip .
+rm -r -f jh-$1.dir
+\end{verbatim}
+
+The compilation produced the following files.
+
+\begin{verbatim}
+jhprog.class
+jhsample-doc/
+jhsample-doc/jhsample.html
+jhsample-doc/jhsample.jhm
+jhsample-doc/jhsample-jhi.xml
+jhsample-doc/jhsample.hs
+jhsample-doc/jhsample-jht.xml
+jhsample-doc/jhprog.java
+\end{verbatim}
+
+\printindex
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn-htf.html b/Master/texmf-dist/doc/generic/tex4ht/mn-htf.html
new file mode 100644
index 00000000000..e2282c0f35e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn-htf.html
@@ -0,0 +1,270 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>require</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn6.html#mn-htf.html" >up</a>
+ <h2 class="SectionHead"><a
+ name="QQ1-18-33"></a>Designing Virtual Hypertext Fonts</h2>
+<ol type="1" >
+<li> <a
+ name="index18-33001"></a>If you are creating a new htf font, scan the information TeX4ht issues in the <span class="cmtt-10">log </span>file of the compilation regarding
+the missing htf font. For instance,
+<!--l. 3734--><p class="indent"> <span class="cmtt-10">--- warning --- Couldn't find font `ectt1000.htf' (char codes: 0--255)</span> </p></li>
+<li> <a
+ name="index18-33002"></a>Use the package parameter &#8216;<span class="cmtt-10">ShowFont</span>&#8217;, in <span class="cmtt-10">\usepackage </span>or <span class="cmtt-10">\Preamble</span>, and produce a character map with a script
+similar to
+<!--l. 3742--><p class="indent"> <span class="cmtt-10">\font\x=ectt1000 \ShowFont\x</span>
+</p>
+ <div class="EXAMPL"><span class="cmbx-10">Example</span>
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\documentclass{article}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\usepackage[T1]{fontenc}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\usepackage[html,ShowFont,3]{tex4ht}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\begin{document}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\def\z{\HAssign\n=0</span><span class="cmtt-10">&nbsp;\y}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\def\y{\ifnum</span><span class="cmtt-10">&nbsp;\n&lt;256</span><span class="cmtt-10">&nbsp;\HCode{&lt;br</span><span class="cmtt-10">&nbsp;/&gt;}\n{}</span><span class="cmtt-10">&nbsp;{\x\char\n}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\HAdvance\n</span><span class="cmtt-10">&nbsp;by</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;\expandafter\y\fi}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\section{eccc}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\font\x=eccc1000</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ShowFont\x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\z</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\section{ecss}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\font\x=ecss1000</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ShowFont\x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\z</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\section{ecsx}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\font\x=ecsx1200</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ShowFont\x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\z</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\section{ecti}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\font\x=ecti1000</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ShowFont\x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\z</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\section{ectt}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\font\x=ectt1000</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ShowFont\x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\z</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\end{document}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 3765--><p class="indent"> Compiling the above file will provide some garbage, besides the character maps, as long as the htf fonts are
+missing. </p></div></li>
+<li>Create htf fonts of the form
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;first</span><span class="cmtt-10">&nbsp;line:</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;prefix_of_font_name</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;first_index</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;last_index</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;...............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;...............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;...............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;...............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;last</span><span class="cmtt-10">&nbsp;line:</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;prefix_of_font_name</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;first_index</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;last_index</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 3782--><p class="indent"> where
+</p><ol type="a" >
+<li>The first and last lines must agree on their content, with <span class="cmtt-10">first_index </span>and <span class="cmtt-10">last_index </span>being equal to the character
+codes mentioned in the message
+<!--l. 3788--><p class="indent"> <span class="cmtt-10">--- warning --- Couldn't find font `....' (char codes: first_index--last_index)</span>
+</p><!--l. 3791--><p class="noindent"></p></li>
+<li>The number of intermediate lines should equal
+<!--l. 3793--><p class="indent"> <span class="cmtt-10">(last_index) - (first_index) + 1</span>.
+</p><!--l. 3795--><p class="indent"> Each of these intermediate lines provides a representation for a corresponding character code.
+
+</p>
+ <div class="EXAMPL"><span class="cmbx-10">Example</span>
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;ectt</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;255</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'`'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;='=</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;==</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'^'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;2</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'~'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;.............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'i'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;25</span><span class="cmtt-10">&nbsp;dotless</span><span class="cmtt-10">&nbsp;i</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;.............</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;255</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;ectt</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;255</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div>
+<!--l. 3814--><p class="noindent"></p></li>
+<li>Each intermediate line consists of three fields
+<!--l. 3816--><p class="indent"> <span class="cmtt-10">string class comment</span>
+</p><!--l. 3818--><p class="indent"> The first two fields must be enclosed by a delimiter, determined by the first character in the line. The comment
+may be empty.
+</p><!--l. 3822--><p class="indent"> A &#8216;<span class="cmtt-10">class</span>&#8217; specified by an odd integer value asks for a pictorial character. An even integer number asks
+for a non-pictorial character, specified in the &#8216;<span class="cmtt-10">string</span>&#8217; field. An empty class field is treated as a zero
+value.
+</p><!--l. 3827--><p class="indent"> The manner the characters of the different classes are packaged, is determined by commands of the form
+&#8216;<span class="cmtt-10">\Configure{htf}{class-number}...</span>&#8217;. For instance,
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{htf}{0}{+}{&lt;span\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;class=&#34;}{\%s}{-\%s}{x-x-\%d}{}{&#34;&gt;}{&lt;/span&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{htf}{1}{+}{&lt;img\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;src=&#34;}{&#34;</span><span class="cmtt-10">&nbsp;alt=&#34;}{&#34;</span><span class="cmtt-10">&nbsp;class=&#34;}{\%s}{-\%d}{x-x-\%x}{&#34;</span><span class="cmtt-10">&nbsp;/&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{htf}{4}{+}{&lt;small\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;class=&#34;}{}{}{}{}{small-caps&#34;&gt;}{&lt;/small&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{htf}{6}{+}{&lt;u\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;class=&#34;}{}{}{}{}{underline&#34;&gt;}{&lt;/u&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 3844--><p class="indent"> When no special requirements are in place, it is advisable to use just the classes of 0 and 1.
+</p><!--l. 3848--><p class="noindent"></p></li>
+<li>The &#8216;<span class="cmtt-10">string</span>&#8217; field may include any sequence of characters, except for its delimiters. The backslash character &#8216;<span class="cmtt-10">\</span>&#8217; acts
+there as an escaped character. It may act as a delimiter for a character code, or be followed by another backslash
+(that is, &#8216;<span class="cmtt-10">\\</span>&#8217; represents the character &#8216;<span class="cmtt-10">\</span>&#8217; ). </li>
+<li>In the string part, use &#8216;<span class="cmtt-10">&amp;lt;</span>&#8217; for the character &#8216;<span class="cmtt-10">&lt;</span>&#8217;, &#8216;<span class="cmtt-10">&amp;gt;</span>&#8217; for &#8216;<span class="cmtt-10">&gt;</span>&#8217;, and &#8216;<span class="cmtt-10">&amp;amp;</span>&#8217; for &#8216;<span class="cmtt-10">&amp;</span>&#8217;;
+ </li></ol></li>
+<li> <a
+ name="index18-33003"></a> <a
+ name="index18-33004"></a>If you want specific information for a font, to be included in the .css file, add to the end of the file an entry
+consisting of the font name and the information in discourse. The two fields must be separated by space. The second
+field may span over more than one line; the extra lines must start with space. The lines of the entries must be
+prefixed with &#8216;<span class="cmtt-10">htfcss: </span>&#8217;.
+<!--l. 3871--><p class="indent"> If more than one entry applies for a given font, the first one is the only one that counts. </p></li></ol>
+ <div class="EXAMPL"><span class="cmbx-10">Example</span>
+<div class="Verbatim"><span class="cmtt-10">cmmi</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;127</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'G'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Gamma</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'D'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Delta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;cmmi.htf</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;2</span><span class="cmtt-10">&nbsp;Nov</span><span class="cmtt-10">&nbsp;1997%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'Q'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Theta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;2</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;by</span><span class="cmtt-10">&nbsp;Eitan</span><span class="cmtt-10">&nbsp;M.</span><span class="cmtt-10">&nbsp;Gurari</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'/\\'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Lambda</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;3</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;gurari@cis.ohio-state.edu</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'E'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Xi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;4</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;http://www.cis.ohio-state.edu/~gurari%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'TT'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Pi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;5</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">'S'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Sigma</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;6</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;Please</span><span class="cmtt-10">&nbsp;remove</span><span class="cmtt-10">&nbsp;this</span><span class="cmtt-10">&nbsp;comment</span><span class="cmtt-10">&nbsp;if</span><span class="cmtt-10">&nbsp;you</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'U'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Upsilon</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;7</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;modify</span><span class="cmtt-10">&nbsp;the</span><span class="cmtt-10">&nbsp;file.</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'P'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Phi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;8</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'Y'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Psi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;9</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'_O_'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'Omega</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;10</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'a'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'alpha</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;11</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'b'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'beta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;12</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'g'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'gamma</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;13</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'d'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'delta'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;14</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'e'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'epsilon'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;15</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'z'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'zeta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;16</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'j'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'eta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;17</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'h'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'theta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;18</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'i'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'iota</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;19</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'k'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'kappa</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;20</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'c'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'lambda</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;21</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'m'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'mu</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;22</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'n'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'nu</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;23</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'q'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'xi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;24</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'p'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'pi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;25</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'r'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'rho</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;26</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'s'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'sigma</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;27</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'t'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'tau</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;28</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'v'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'upsilon</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;29</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'f'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'phi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;30</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'x'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'chi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;31</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'y'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'psi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;32</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'w'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'omega</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;33</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'e'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'varepsilon</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;34</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'h'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'vartheta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;35</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'p'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'varpi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;36</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'r'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'varrho</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;37</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'z'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'varzeta</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;38</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'f'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'varphi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;39</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">*'_*</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;*1*leftharpoonup</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;40</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">',_'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'leftharpoondown</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;41</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">*_'*</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;*1*righttharpoonup</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;42</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'-,'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'rightharpoondown</span><span class="cmtt-10">&nbsp;43</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;44</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;45</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'|\\'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'triangleright</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;46</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'/|'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'triangleleft</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;47</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'0'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;48</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'1'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;49</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'2'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;50</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'3'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;51</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'4'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;52</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'5'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;53</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'6'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;54</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'7'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;55</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'8'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;56</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'9'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;57</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'.'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;58</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">','</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;59</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'&amp;lt;'</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;60</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'/'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;61</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'&amp;gt;'</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;62</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'*'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;63</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'@'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'partial</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;64</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'A'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;65</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'B'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;66</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'C'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;67</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'D'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;68</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'E'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;69</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'F'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;70</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'G'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;71</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'H'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;72</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'I'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;73</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'J'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;74</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'K'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;75</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'L'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;76</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'M'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;77</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'N'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;78</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'O'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;79</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'P'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;80</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'Q'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;81</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'R'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;82</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'S'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;83</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'T'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;84</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'U'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;85</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'V'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;86</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'W'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;87</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'X'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;88</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'Y'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;89</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'Z'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;90</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'b'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'flat</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;91</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'H'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'natural</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;92</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'#'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'sharp</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;93</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'~'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'smile</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;94</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'^'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'frown</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;95</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'l'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'1'el</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;96</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'a'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;97</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'b'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;98</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'c'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;99</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'d'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;100</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'e'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;101</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'f'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;102</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'g'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;103</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'h'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;104</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'i'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;105</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'j'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;106</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'k'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;107</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'l'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;108</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'m'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;109</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'n'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'o'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;111</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">'p'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;112</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'q'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;113</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'r'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;114</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'s'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;115</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'t'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;116</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'u'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;117</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'v'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;118</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'w'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;119</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'x'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;120</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'y'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;121</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'z'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;122</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'i'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;123</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'j'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;124</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">'p'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;'3'wp</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;125</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;126</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;''</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;127</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">cmmi</span><span class="cmtt-10">&nbsp;0</span><span class="cmtt-10">&nbsp;127</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">htfcss:</span><span class="cmtt-10">&nbsp;cmmi</span><span class="cmtt-10">&nbsp;color:</span><span class="cmtt-10">&nbsp;green;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">htfcss:</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;font-family:</span><span class="cmtt-10">&nbsp;cursive;</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div>
+<!--l. 4025--><p class="indent"> Instead of explicitly specifying the encodings for the characters, an htf font can be declared an alias to another
+htf font by specifying in the first line the aliased font name prepended by a period.
+</p>
+ <div class="EXAMPL"><span class="cmbx-10">Example</span>
+<!--l. 4031--><p class="indent"> <span class="cmbx-10">cmss.htf</span>
+</p><div class="Verbatim"><span class="cmtt-10">.cmti</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">htfcss:</span><span class="cmtt-10">&nbsp;cmss</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;font-family:</span><span class="cmtt-10">&nbsp;sans-serif;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">htfcss:</span><span class="cmtt-10">&nbsp;cmssbx</span><span class="cmtt-10">&nbsp;font-weight:</span><span class="cmtt-10">&nbsp;bold;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">htfcss:</span><span class="cmtt-10">&nbsp;cmssi</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;font-style:</span><span class="cmtt-10">&nbsp;italic;</span><span class="cmtt-10">&nbsp;font-family:</span><span class="cmtt-10">&nbsp;sans-serif;</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div>
+<!--l. 4041--><p class="indent"> <a
+ href="mn6.html#mn-htf.html" >up</a>
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn-index.html b/Master/texmf-dist/doc/generic/tex4ht/mn-index.html
new file mode 100644
index 00000000000..b429df3a637
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn-index.html
@@ -0,0 +1,543 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <p class="rightline"><a
+ href="mn.html" name="Index" >up</a></p> <h2 class="ChapterHead"><a
+ name="QQ1-61-95"></a>Index</h2><div class="TableOfContents">
+ </div>
+
+ <table
+class="index" width="100%" cellspacing="15"><tr valign="top"><td> <span class="cmr-9">%</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn7.html#index7-24010" ><span class="cmr-9">1</span></a>
+<br />
+<span class="cmr-9">$</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29004" ><span class="cmr-9">2</span></a>
+<br />
+<span class="cmr-9">$$</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29005" ><span class="cmr-9">3</span></a>
+<br />
+<span class="cmtt-10">\</span><span class="cmr-9">(</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29001" ><span class="cmr-9">4</span></a> <br /><br /><span
+class="IndexSec"><span class="cmbx-9">B</span></span><br /><span class="cmr-9">Bitmaps and graphics</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;Requests</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn37.html#index37-47003" ><span class="cmr-9">5</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn3.html#index3-5002" ><span class="cmr-9">6</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn43.html#index43-72001" ><span class="cmr-9">7</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;eps</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn41.html#index41-52001" ><span class="cmr-9">8</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;gif</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-unix.html#index22-38008" ><span class="cmr-9">9</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-mswin.html#index26-39006" ><span class="cmr-9">10</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn33.html#index33-42002" ><span class="cmr-9">11</span></a> <br /><br /><span
+class="IndexSec"><span class="cmbx-9">C</span></span><br /><span class="cmr-9">Cascade Style Sheets (CSS)</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
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+<br />
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+<br />
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+ href="mn11.html#index11-27011" ><span class="cmr-9">25</span></a>
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+ href="mn11.html#index11-27012" ><span class="cmr-9">26</span></a>
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+ href="mn11.html#index11-27010" ><span class="cmr-9">28</span></a>
+<br />
+<span class="cmtt-10">\</span><span class="cmr-9">ConfigureToc</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-25013" ><span class="cmr-9">29</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn9.html#index9-25014" ><span class="cmr-9">30</span></a>
+<br />
+<span class="cmtt-10">\</span><span class="cmr-9">Configure</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-35003" ><span class="cmr-9">31</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn20.html#index20-35004" ><span class="cmr-9">32</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;()</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
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+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;CutAt</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
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+ href="mn6.html#index6-30002" ><span class="cmr-9">39</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+ href="mn6.html#index6-29018" ><span class="cmr-9">41</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;SUB</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29016" ><span class="cmr-9">43</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;SUP</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29017" ><span class="cmr-9">45</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn14.html#index14-29020" ><span class="cmr-9">46</span></a>
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+ href="mn6.html#index6-32006" ><span class="cmr-9">64</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+ href="mn6.html#index6-32008" ><span class="cmr-9">66</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+ href="mn6.html#index6-29009" ><span class="cmr-9">74</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn14.html#index14-29013" ><span class="cmr-9">75</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmtt-10">$$</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-29008" ><span class="cmr-9">76</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+<span class="cmtt-10">\</span><span class="cmr-9">CssFile</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-31004" ><span class="cmr-9">78</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn16.html#index16-31005" ><span class="cmr-9">79</span></a>
+<br />
+<span class="cmtt-10">\</span><span class="cmr-9">Css</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-31002" ><span class="cmr-9">80</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+<br />
+<span class="cmtt-10">\</span><span class="cmr-9">CutAt</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
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+class="IndexSec"><span class="cmbx-9">D</span></span><br /><span class="cmr-9">DTD</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
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+<br />
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+ href="mn35.html#index35-44004" ><span class="cmr-9">91</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
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+<br />
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+<br />
+<span class="cmr-9">tex4ht.c</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn34.html#index34-43001" ><span class="cmr-9">240</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn38.html#index38-48003" ><span class="cmr-9">241</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;-cunihtf</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn3.html#index3-7003" ><span class="cmr-9">242</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;Compiling</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-unix.html#index22-38002" ><span class="cmr-9">243</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn31.html#index31-41002" ><span class="cmr-9">244</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn35.html#index35-44002" ><span class="cmr-9">245</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45001" ><span class="cmr-9">246</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45002" ><span class="cmr-9">247</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn39.html#index39-50002" ><span class="cmr-9">248</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn41.html#index41-55001" ><span class="cmr-9">249</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;HTFDIR</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45003" ><span class="cmr-9">250</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;LGPIC</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45004" ><span class="cmr-9">251</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;LGSEP</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45005" ><span class="cmr-9">252</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;LGTYP</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45006" ><span class="cmr-9">253</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;MAXFONTS</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45007" ><span class="cmr-9">254</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;TFMDIR</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn36.html#index36-45008" ><span class="cmr-9">255</span></a>
+<br />
+<span class="cmr-9">tex4ht.env</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn33.html#index33-42001" ><span class="cmr-9">256</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn41.html#index41-58001" ><span class="cmr-9">257</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;ENVFILE</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn31.html#index31-41001" ><span class="cmr-9">258</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;MS Windows</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-mswin.html#index26-39003" ><span class="cmr-9">259</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;TEX4HTENV</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn31.html#index31-41004" ><span class="cmr-9">260</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;Unix</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-unix.html#index22-38005" ><span class="cmr-9">261</span></a>
+<br />
+<span class="cmr-9">tex4ht.fls</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn-unix.html#index22-38007" ><span class="cmr-9">262</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn33.html#index33-42003" ><span class="cmr-9">263</span></a>
+<br /><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;TEX4HTWR</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn34.html#index34-43003" ><span class="cmr-9">264</span></a>
+<br />
+<span class="cmr-9">tex4ht.sty</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-36002" ><span class="cmr-9">265</span></a><span class="cmr-9">,</span><span class="cmr-9">&nbsp;</span><a
+ href="mn38.html#index38-48001" ><span class="cmr-9">266</span></a>
+<br />
+<span class="cmr-9">tex4ht.usr</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn6.html#index6-36005" ><span class="cmr-9">267</span></a>
+<br />
+<span class="cmr-9">xhmlatex</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn3.html#index3-8004" ><span class="cmr-9">268</span></a>
+<br />
+<span class="cmr-9">~</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><span class="cmr-9">&nbsp;</span><a
+ href="mn7.html#index7-24008" ><span class="cmr-9">269</span></a> </td></tr></table>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn-mswin.html b/Master/texmf-dist/doc/generic/tex4ht/mn-mswin.html
new file mode 100644
index 00000000000..69c13b88a56
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn-mswin.html
@@ -0,0 +1,120 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>MS Windows</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn-mswin.html" >exit MS Windows</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-26-39"></a>A Setup for MS Windows</h3>
+<ol type="a" >
+<li> <a
+ name="index26-39001"></a>Establish a directory, say, &#8216;<span class="cmtt-10">c:\tex4ht</span>&#8217;.
+<!--l. 5111--><p class="noindent"></p></li>
+<li> <a
+ name="index26-39002"></a>Download the file <a
+ href="tex4ht.zip" >tex4ht.zip</a> into the directory <span class="cmtt-10">tex4ht.dir </span>and <a
+ href="http://www.info-zip.org/pub/infozip/" >unzip</a> it.
+ <p class="rightline"><span class="cmbx-10">Update the Pointers in the Environment File</span></p>
+<!--l. 5137--><p class="noindent"></p></li>
+<li> <a
+ name="index26-39003"></a> <a
+ name="index26-39004"></a>Replace in <a
+ href="tex4ht-env-win32.txt" ><span class="cmtt-10">c:\tex4ht\texmf\tex4ht\base\win32\tex4ht.env</span></a> the lines starting with the character &#8216;<span class="cmtt-10">t</span>&#8217;, with
+alternative lines which state what directories should be searched for the tfm files of TeX and LaTeX. The directory
+names must be preceded with the character &#8216;<span class="cmtt-10">t</span>&#8217; at the first column. If their subdirectories are also to be searched, the
+names should be appended with the character &#8216;<span class="cmtt-10">!</span>&#8217;.
+<!--l. 5150--><p class="indent"> Note that long file names on MS Windows, and file names with spaces, might have short space-free aliases. For
+instance, a directory name &#8216;<span class="cmtt-10">c:\progra~1\texmf</span>&#8217; instead of &#8216;<span class="cmtt-10">c:\program files\texmf</span>&#8217;. The alternative names can
+be checked by issuing the &#8216;<span class="cmtt-10">dir</span>&#8217; command in a DOS session.
+</p><!--l. 5157--><p class="noindent"></p></li>
+<li> <a
+ name="index26-39005"></a>If needed, adjust the paths in the &#8216;<span class="cmtt-10">i</span>&#8217; records of <span class="cmtt-10">tex4ht.env</span>. These records are used for searching htf fonts, and
+they are similar to the &#8216;<span class="cmtt-10">t</span>&#8217; records.
+ <p class="rightline"><span class="cmbx-10">Update the Bitmap Generating Scripts</span></p>
+<!--l. 5171--><p class="noindent"></p></li>
+<li> <a
+ name="index26-39006"></a>The file <span class="cmtt-10">tex4ht.env </span>contains the following default script, of calls to system utilities for translating dvi pictures into
+gif.
+<div class="Verbatim"><span class="cmtt-10">Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;&gt;nul</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;nul</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;&gt;nul</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gdvips</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Ggswin32c</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;-sDEVICE=ppmraw</span><span class="cmtt-10">&nbsp;-dTextAlphaBits=4</span><span class="cmtt-10">&nbsp;-dGraphicsAlphaBits=4</span><span class="cmtt-10">&nbsp;-r110x110</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gconvert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;#FFFFFF</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;&gt;nul</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;nul</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 5187--><p class="indent"> You may replace this script with an <a
+ href="mn27.html" name="mn27.html" >alternative sequence</a> of system calls. In such a case, place one command per line, and mark each of these lines with the character &#8216;<span class="cmtt-10">G</span>&#8217;
+at the first column.
+</p><!--l. 5238--><p class="indent"> The entry <span class="cmtt-10">%%1 </span>is a parameter referring to a dvi file, the <span class="cmtt-10">%%2 </span>is a parameter indicating a page
+number, the <span class="cmtt-10">%%3 </span>is a parameter standing for an output file name, and <span class="cmtt-10">%%4 </span>is a parameter providing the
+jobname.
+</p><!--l. 5247--><p class="indent"> The <a
+ href="http://www.radicaleye.com/dvips.html" >dvips</a> utility translates dvi files into postscript. The <span class="cmtt-10">convert </span>utility, provided within the distribution of
+<a
+ href="http://www.imagemagick.org/" >ImageMagick</a>, translates postscript files into gif.
+</p><!--l. 5253--><p class="indent"> The script employs the Metafont mode &#8216;<span class="cmtt-10">ibmvga</span>&#8217; of resolution &#8216;<span class="cmtt-10">110</span>&#8217;; the available modes are listed in file
+<span class="cmtt-10">modes.mf </span>of Metafont.
+</p><!--l. 5257--><p class="noindent"></p></li>
+<li>Instead of employing the G scripts, glyphs can rely on specialized <a
+ href="mn28.html" name="mn28.html" >F scripts</a> of similar nature for creating gifs.
+ <p class="rightline"><span class="cmbx-10">Update the Other Scripts in the Environment File</span></p>
+<!--l. 5279--><p class="noindent"></p></li>
+<li>If needed, replace the scripts &#8216;<span class="cmtt-10">Mmove %%1 %%2%%3</span>&#8217;, and &#8216;<span class="cmtt-10">Ccopy %%1 %%2%%3</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>with <a
+ href="mn29.html" name="mn29.html" >alternative
+scripts</a> for moving and copying files. The parameter <span class="cmtt-10">%%1 </span>stands for the source file(s), the parameter <span class="cmtt-10">%%2 </span>provides the
+target directory name, and the parameter <span class="cmtt-10">%%3 </span>refers to the target file name(s).
+<!--l. 5305--><p class="noindent"></p></li>
+<li>If applicable, replace the scripts &#8216;<span class="cmtt-10">Achmod %%1 %%2%%3</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>with an alternative script for changing the
+access mode of files. The parameter <span class="cmtt-10">%%1 </span>stands for access mode, the parameter <span class="cmtt-10">%%2 </span>refers to a directory name, and
+the parameter <span class="cmtt-10">%%3 </span>refers to the file(s).
+<!--l. 5313--><p class="noindent"></p></li>
+<li> <a
+ name="index26-39007"></a>Postprocessing of files can be requested with &#8216;<span class="cmtt-10">.</span>&#8217; scripts. The files are selected by their extension names, as listed
+following the period symbols. The parameter &#8216;<span class="cmtt-10">%%1</span>&#8217; provides the file names, and the parameter &#8216;<span class="cmtt-10">%%0</span>&#8217; provides the
+jobnames.
+<!--l. 5321--><p class="indent"> Postprocessing of files can also be requested with &#8216;<span class="cmtt-10">X</span>&#8217; scripts. The file names are accessed through the parameter
+&#8216;<span class="cmtt-10">%%1</span>&#8217;, and their extensions through the parameter &#8216;<span class="cmtt-10">%%2</span>&#8217;. Consider setting a &#8216;<span class="cmtt-10">X</span>&#8217; script for validation and other
+applications.
+</p>
+ <p class="rightline"><span class="cmbx-10">Set the Script Files</span></p>
+<!--l. 5329--><p class="noindent"></p></li>
+<li>If you use a command different than &#8216;<span class="cmtt-10">latex</span>&#8217; for compiling LaTeX source files, replace the references to <span class="cmtt-10">latex </span>in
+<span class="cmtt-10">c:\tex4ht\bin\win32\*.bat </span>with the appropriate command name. The <span class="cmtt-10">tex </span>and <span class="cmtt-10">texi </span>commands require similar
+attention.
+ <p class="rightline"><span class="cmbx-10">Make the System Globally Known</span></p> </li>
+<li>Add &#8216;<span class="cmtt-10">c:\tex4ht\bin\win32</span>&#8217; to your path variable in &#8216;<span class="cmtt-10">c:\AUTOEXEC.BAT</span>&#8217;.
+<!--l. 5342--><p class="noindent"></p></li>
+<li>Place the files &#8216;<span class="cmtt-10">tex4ht.sty</span>&#8217; and &#8216;<span class="cmtt-10">*.4ht</span>&#8217; of <span class="cmtt-10">c:\texmf\tex\generic\tex4ht\ </span>within the LaTeX/TeX tree (either by
+moving the files to a directory which already has sty files, or by modifying the environment variable TEXINPUTS to
+point also to &#8216;<span class="cmtt-10">c:\texmf\tex\generic\tex4ht\</span>&#8217;).
+<!--l. 5349--><p class="noindent"></p></li>
+<li>If your TeX system uses a database to locate files, make sure to refresh it (e.g., select <span class="cmtt-10">Start -&gt; Programs -&gt;</span>
+<span class="cmtt-10">MiKTeX -&gt; Refresh</span>, or run &#8216;<span class="cmtt-10">initexmf -u</span>&#8217; from a DOS session, to update MiKTeX).
+ <p class="rightline"><span class="cmbx-10">Didn&#8217;t Use &#8217;</span><span class="cmtt-10">c:\tex4ht'</span><span class="cmbx-10">?</span></p> </li>
+<li>If TeX4ht is installed in a directory other than <span class="cmtt-10">c:\tex4ht</span>, make sure to adjust the related paths in <span class="cmtt-10">tex4ht.env </span>the
+<span class="cmtt-10">.bat </span>files.
+ <p class="rightline"><span class="cmbx-10">Test the Installation</span></p> </li>
+<li>Move <span class="cmtt-10">testa.tex </span>and <span class="cmtt-10">testb.tex </span>from <span class="cmtt-10">c:\tex4ht.dir\temp\ </span>to your work directory </li>
+<li>Compile &#8216;<span class="cmtt-10">testa.tex</span>&#8217; with the command &#8216;<span class="cmtt-10">ht latex testa</span>&#8217; </li>
+<li>Compile &#8216;<span class="cmtt-10">testb.tex</span>&#8217; with the command &#8216;<span class="cmtt-10">htlatex testb</span>&#8217;
+ </li></ol>
+<!--l. 5379--><p class="indent"> [<a
+ href="http://www.csulb.edu/~murdock/dosindex.html" >MS Commands</a>]
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn-port.html b/Master/texmf-dist/doc/generic/tex4ht/mn-port.html
new file mode 100644
index 00000000000..3fec85c40c2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn-port.html
@@ -0,0 +1,41 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>similar manner</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn-port.html" >exit similar manner</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-30-40"></a>Establishing a Port</h3>
+ <a
+ name="index30-40001"></a>A port can be established in the following manner.
+<!--l. 5399--><p class="indent">
+</p><ol type="1" >
+<li>Set a directory, say,&#8216;<span class="cmtt-10">~/tex4ht.dir</span>&#8217;. </li>
+<li>Download the file <a
+ href="tex4ht.zip" >tex4ht.zip</a> into the directory <span class="cmtt-10">tex4ht.dir </span>and <a
+ href="http://www.info-zip.org/pub/infozip/" >unzip</a> it. </li>
+<li>Add to &#8216;<span class="cmtt-10">tex4ht.dir/texmf/tex4ht/base/</span>&#8217; and &#8216;<span class="cmtt-10">tex4ht.dir/bin/</span>&#8217; a subdirectory named, say, <span class="cmtt-10">mydir</span>.
+</li>
+<li>Copy &#8216;<span class="cmtt-10">tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env</span>&#8217; or &#8216;<span class="cmtt-10">tex4ht.dir/texmf/tex4ht/base/win32/tex4ht.env</span>&#8217;
+into &#8216;<span class="cmtt-10">tex4ht.dir/texmf/tex4ht/base/mydir/tex4ht.env</span>&#8217;. <a
+ href="mn33.html" name="mn33.html" >Modify</a> the file to meet the setting of your environment. </li>
+<li><a
+ href="mn36.html" name="mn36.html" >Compile</a> the source files &#8216;<span class="cmtt-10">tex4ht.dir/temp/tex4ht.c</span>&#8217; and &#8216;<span class="cmtt-10">tex4ht.dir/temp/t4ht.c</span>&#8217; into executable programs
+<span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht</span>, and move the latter programs into &#8216;<span class="cmtt-10">tex4ht.dir/bin/</span>&#8217;. </li>
+<li>Set a <a
+ href="mn37.html" name="mn37.html" >driver</a> for the t4ht utility. </li></ol>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn-unix.html b/Master/texmf-dist/doc/generic/tex4ht/mn-unix.html
new file mode 100644
index 00000000000..108c6b28089
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn-unix.html
@@ -0,0 +1,138 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Unix</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn-unix.html" >exit Unix</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-22-38"></a>A Setup for Unix Environments</h3>
+<ol type="a" >
+<li>Establish a directory , say,&#8216;<span class="cmtt-10">~/tex4ht.dir</span>&#8217;.
+<!--l. 4402--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38001"></a>Download the file <a
+ href="tex4ht.zip" >tex4ht.zip</a> into the directory <span class="cmtt-10">tex4ht.dir </span>and <a
+ href="http://www.info-zip.org/pub/infozip/" >unzip</a> it.
+ <p class="rightline"><span class="cmbx-10">Compile the Postprocessors</span></p>
+<!--l. 4428--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38002"></a> <a
+ name="index22-38003"></a>Compile <span class="cmtt-10">~/tex4ht.dir/temp/tex4ht.c </span>into an executable <span class="cmtt-10">tex4ht </span>file with a command similar to the following
+one.
+<!--l. 4436--><p class="indent"> <span class="cmtt-10">gcc -o tex4ht tex4ht.c -DENVFILE='&#34;~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+<span class="cmtt-10">-DHAVE_DIRENT_H</span>
+</p><!--l. 4441--><p class="indent"> The switch &#8216;<span class="cmtt-10">-DENVFILE='&#34;~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>&#8217; may be omitted, if the
+program can reach the environment file in an <a
+ href="mn31.html#envloc">alternative</a> manner.
+</p><!--l. 4451--><p class="noindent"></p></li>
+<li>Compile <span class="cmtt-10">~/tex4ht.dir/temp/t4ht.c </span>with a command similar to following one.
+<!--l. 4456--><p class="indent"> <span class="cmtt-10">gcc -o t4ht t4ht.c -DENVFILE='&#34;~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+</p><!--l. 4459--><p class="indent"> Again, the switch &#8216;<span class="cmtt-10">-DENVFILE='&#34;~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>&#8217; may be omitted, if
+the program can reach the environment file in an <a
+ href="mn31.html#envloc">alternative</a> manner.
+</p><!--l. 4467--><p class="noindent"></p></li>
+<li>Move the executable files <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht </span>to directory <span class="cmtt-10">~/tex4ht.dir/bin/unix/</span>.
+<p class="rightline"><span class="cmbx-10">Update the Pointers in the Environment File</span></p> </li>
+<li> <a
+ name="index22-38004"></a> <a
+ name="index22-38005"></a>Replace in <a
+ href="tex4ht-env-unix.txt" ><span class="cmtt-10">~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env</span></a> the line(s) starting with the character &#8216;<span class="cmtt-10">t</span>&#8217;, with
+alternative lines which state what directories should be searched for the tfm files of TeX and LaTeX. The directory
+names must be preceded with the character &#8216;<span class="cmtt-10">t</span>&#8217; at column 1 and, if their subdirectories are also to be searched, the
+names should be appended with the character &#8216;<span class="cmtt-10">!</span>&#8217; (<a
+ href="mn35.html#alt-tfm">insight</a>).
+<!--l. 4486--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38006"></a>If needed, adjust the paths in the &#8216;<span class="cmtt-10">i</span>&#8217; records of <span class="cmtt-10">tex4ht.env</span>. These records are used for searching htf fonts, and
+they are similar to the &#8216;<span class="cmtt-10">t</span>&#8217; (<a
+ href="mn39.html#alt-htf">insight</a>).
+<!--l. 4495--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38007"></a>The entry &#8216;<span class="cmtt-10">l~/tex4ht.dir/filename</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>points to the address where the <a
+ href="mn34.html#TEX4HTWR">bookkeeping file</a>
+should reside. Modify the path to fit your platform. The character &#8216;<span class="cmtt-10">l</span>&#8217; should precede the address,
+and be placed at the first column. Make sure the access mode of the directory permits writing into
+files.
+ <p class="rightline"><span class="cmbx-10">Update the Bitmap Generating Scripts in the Environment File</span></p>
+<!--l. 4509--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38008"></a> <a
+ name="index22-38009"></a>The file <span class="cmtt-10">tex4ht.env </span>contains the following default script, of calls to system utilities for translating dvi pictures
+into gif.<a
+ name="dv2gif"></a>
+<div class="Verbatim"><span class="cmtt-10">Gdvips</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Ggs</span><span class="cmtt-10">&nbsp;-sDEVICE=ppm</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-r110x110</span><span class="cmtt-10">&nbsp;-dTextAlphaBits=2</span><span class="cmtt-10">&nbsp;-dGraphicsAlphaBits=2</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;-dbatch</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gconvert</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;'#FFFFFF'</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Grm</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Grm</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 4524--><p class="indent"> The entry <span class="cmtt-10">%%1 </span>is a parameter refering to a dvi file, the <span class="cmtt-10">%%2 </span>is a parameter indicating a page number, the <span class="cmtt-10">%%3 </span>is
+a parameter standing for an output file name, and <span class="cmtt-10">%%4 </span>is a parameter providing the jobname.
+</p><!--l. 4530--><p class="indent"> You may replace this script with an <a
+ href="mn23.html" name="mn23.html" >alternative sequence</a> of system calls. In such a case, place one command per line, and mark each of these lines with the character &#8216;<span class="cmtt-10">G</span>&#8217;
+at the first column.
+</p><!--l. 4568--><p class="indent"> The <a
+ href="http://www.radicaleye.com/dvips.html" >dvips</a> utility translates dvi files into postscript. The <span class="cmtt-10">convert </span>utility, provided within the distribution of
+<a
+ href="http://www.imagemagick.org/" >ImageMagick</a>, translates postscript files into gif.
+</p><!--l. 4574--><p class="indent"> The script employs the Metafont mode &#8216;<span class="cmtt-10">ibmvga</span>&#8217; of resolution &#8216;<span class="cmtt-10">110</span>&#8217;; the available modes are listed in file
+<span class="cmtt-10">modes.mf </span>of Metafont.
+</p><!--l. 4578--><p class="noindent"></p></li>
+<li>Instead of employing the G scripts, glyphs can rely on specialized <a
+ href="mn24.html" name="mn24.html" >F scripts</a> of similar nature for creating gifs.
+ <p class="rightline"><span class="cmbx-10">Update the Other Scripts in the Environment File</span></p>
+<!--l. 4602--><p class="noindent"></p></li>
+<li><a
+ name="mvscript"></a>If needed, replace the scripts &#8216;<span class="cmtt-10">Mmv %%1 %%2%%3</span>&#8217; and &#8216;<span class="cmtt-10">Ccp %%1 %%2%%3</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>with alternative scripts for
+moving and copying files. The parameter <span class="cmtt-10">%%1 </span>stands for the source file(s), the parameter <span class="cmtt-10">%%2 </span>provides the target
+directory name, and the parameter <span class="cmtt-10">%%3 </span>refers to the target file name(s).
+<!--l. 4625--><p class="noindent"></p></li>
+<li><a
+ name="accscript"></a>If needed, replace the script &#8216;<span class="cmtt-10">Achmod %%1 %%2%%3</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>with an alternative script for changing access
+mode of files. The parameter <span class="cmtt-10">%%1 </span>stands for access mode, the parameter <span class="cmtt-10">%%2 </span>refers to a directory name, and the
+parameter <span class="cmtt-10">%%3 </span>refers to file(s).
+<!--l. 4632--><p class="noindent"></p></li>
+<li> <a
+ name="index22-38010"></a>Postprocessing of files can be requested with &#8216;<span class="cmtt-10">.</span>&#8217; scripts. The files are selected by their extension names, as listed
+following the period symbols. The parameter &#8216;<span class="cmtt-10">%%1</span>&#8217; provides the file names, and the parameter &#8216;<span class="cmtt-10">%%0</span>&#8217; provides the
+jobnames.
+<!--l. 4639--><p class="indent"> Postprocessing of files can also be requested with &#8216;<span class="cmtt-10">X</span>&#8217; scripts. The file names are accessed through the
+parameter &#8216;<span class="cmtt-10">%%1</span>&#8217;, and their extensions through the parameter &#8216;<span class="cmtt-10">%%2</span>&#8217;. Consider setting a &#8216;<span class="cmtt-10">X</span>&#8217; script for
+<a
+ href="mn25.html" name="mn25.html" >validation</a> and other applications.
+</p>
+ <p class="rightline"><span class="cmbx-10">Set the Script Files</span></p> </li>
+<li>Ensure proper paths within the htlatex-like scripts in &#8216;<span class="cmtt-10">~/tex4ht.dir/bin/unix/</span>&#8217;. If you use a command different
+than <span class="cmtt-10">latex </span>for compiling LaTeX source files, fix also the references to <span class="cmtt-10">latex </span>in the scripts. Check also the
+appropriateness of the commands for compiling TeX and TeXi files. <p class="rightline"><span class="cmbx-10">Make the System Globally Known</span></p>
+</li>
+<li>Inform the operating system where the scripts reside, say, by adding the directory &#8216;<span class="cmtt-10">~/tex4ht.dir/bin/unix/</span>&#8217; into
+the <span class="cmtt-10">path </span>variable within the <span class="cmtt-10">.login </span>file. For instance,
+<!--l. 4711--><p class="indent"> <span class="cmtt-10">set path=($path ~/tex4ht.dir/bin/unix/)</span>
+</p><!--l. 4714--><p class="noindent"></p></li>
+<li>Let LaTeX and TeX know where the new style files reside, say, by adding the directory
+&#8216;<span class="cmtt-10">~/tex4ht.dir/texmf/tex/generic/tex4ht/</span>&#8217; to the environment variable <span class="cmtt-10">TEXINPUT</span>. For instance,
+<!--l. 4718--><p class="indent"> <span class="cmtt-10">setenv TEXINPUTS .:~/tex4ht.dir/texmf/tex//:/usr/local/share/texmf/tex//</span>
+</p><!--l. 4720--><p class="noindent"></p></li>
+<li>If your TeX system uses a registry database to locate files, make sure to refresh it (e.g., run texhash for kpathsea, or
+mktexlsr for some Linux systems).
+ <p class="rightline"><span class="cmbx-10">Test the Installation</span></p> </li>
+<li>Move <span class="cmtt-10">testa.tex </span>and <span class="cmtt-10">testb.tex </span>from <span class="cmtt-10">~/tex4ht.dir/temp/ </span>to your work directory </li>
+<li>Compile &#8216;<span class="cmtt-10">testa.tex</span>&#8217; with the command &#8216;<span class="cmtt-10">ht latex testa</span>&#8217; </li>
+<li>Compile &#8216;<span class="cmtt-10">testb.tex</span>&#8217; with the command &#8216;<span class="cmtt-10">htlatex testb</span>&#8217;
+ </li></ol>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn.css b/Master/texmf-dist/doc/generic/tex4ht/mn.css
new file mode 100644
index 00000000000..f0e7092a385
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn.css
@@ -0,0 +1,70 @@
+
+/* start css.sty */
+.cmr-9{font-size:90%;}
+.cmr-7{font-size:70%;}
+.cmmi-10{font-style: italic;}
+.cmmi-7{font-size:70%;font-style: italic;}
+.cmbx-10{ font-weight: bold;}
+.cmbx-9{font-size:90%; font-weight: bold;}
+.cmtt-10{font-family: monospace;}
+.cmtt-9{font-size:90%;font-family: monospace;}
+.cmti-10{ font-style: italic;}
+p.noindent { text-indent: 0em }
+p.nopar { text-indent: 0em; }
+p.indent{ text-indent: 1.5em }
+@media print {div.crosslinks {visibility:hidden;}}
+a img { border-top: 0; border-left: 0; border-right: 0; }
+center { margin-top:1em; margin-bottom:1em; }
+td center { margin-top:0em; margin-bottom:0em; }
+.Canvas { position:relative; }
+img.math{vertical-align:middle;}
+.obeylines-h,.obeylines-v {white-space: nowrap; }
+div.obeylines-v p { margin-top:0; margin-bottom:0; }
+.overline{ text-decoration:overline; }
+.overline img{ border-top: 1px solid black; }
+td.displaylines {text-align:center; white-space:nowrap;}
+.centerline {text-align:center;}
+.rightline {text-align:right;}
+span.TEX {letter-spacing: -0.125em; }
+span.TEX span.E{ position:relative;top:0.5ex;left:-0.0417em;}
+a span.TEX span.E {text-decoration: none; }
+.underline{ text-decoration:underline; }
+.underline img{ border-bottom: 1px solid black; margin-bottom:1pt; }
+div.proclaim { margin-top: 1em; margin-bottom: 1em; }
+p.item {text-indent:-2em; margin-left:2em;}
+p.itemitem {text-indent:-2em; margin-left:4em;}
+span.item, span.itemitem {width:2em; margin-right:0.4em;}
+td.eqalign3 { text-align:right; margin-left:10em;}
+.eqalign td { white-space: nowrap; }
+div.eqalign {text-align:center;}
+td.eqalignno3, td.leqalignno3 { text-align:right; margin-left:10em;}
+.leqalignno td, .eqalignno td { white-space: nowrap; }
+.leqalignno td.noalign, .eqalignno td.noalign { width:5%; white-space: normal; }
+table.leqalignno, table.eqalignno {width:100%;}
+img.cdots{vertical-align:middle;}
+div.pmatrix {text-align:center;}
+div.Draw{text-align:center}
+div.Verbatim { font-family: monospace; white-space: nowrap; }
+body .Verbatim { margin: 1em; }
+.IndexSec {margin-top:1em; margin-bottom:0.5em;}
+span.QAChapter{font-size: 125%;}
+h1, h2, h3 { font-family: comic; }
+body { background: white; }
+.SIGN{text-align:right;}
+.Template { margin-left:3em; }
+div.ShowCode{ font-family:monospace; white-space:nowrap; }
+span.showcode { color: green; }
+div.TableOfContents { margin-top: 1em; margin-right: 1em; margin-left:1em;}
+div.Warning{ margin-right: 8%; margin-left:8%; text-align:justify; }
+div.Warning div.Warning{ font-weight: bold; text-align:justify; border:solid 1px; color:red; }
+.tabular, div.output { background-color:#FFFFCC; }
+div.output { margin-left:3%; }
+.button-list P{ margin-top:0em; margin-bottom:0; }
+div.button-list { margin-left:3%; margin-right:3%; }
+div.ShowCode { margin-left:3%; margin-right:3%; border-top: solid #CCCCCC 1pt; border-bottom: solid #CCCCCC 1pt; }
+div.source { border-top: solid #CCCCCC 1pt; border-bottom: solid #CCCCCC 1pt;}
+div.TableOfContents div.DocPart{margin-top:1em; margin-bottom:1em; font-size:110%;}
+.try{ border:solid 4px; }
+.bugfixes{background: yellow; font-style: italic; font-weight: bold; }
+#TBL-14 td{font-size:75%;}
+/* end css.sty */
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn.html b/Master/texmf-dist/doc/generic/tex4ht/mn.html
new file mode 100644
index 00000000000..12d8b948cfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn.html
@@ -0,0 +1,386 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head>
+
+ <title>mn.html</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <h1 class="PartHead"><a
+ name="QQ1-1-1"></a>TeX4ht: LaTeX and TeX for Hypertext</h1>
+<!--l. 1713--><p class="noindent">TeX4ht is a highly configurable TeX-based authoring system for producing hypertext. It interacts with TeX-based
+applications through style files and postprocessors, leaving the processing of the source files to the native TeX
+compiler. Consequently, TeX4ht can handle the features of TeX-based systems in general, and of the LaTeX and
+AMS style files in particular.
+</p><!--l. 1720--><p class="indent"> This document relates mainly to configurations tailored for different variants of HTML, MathML, OpenOffice,
+DocBook, TEI, and CSS. The document and code are available for downloading in zipped format (<a
+ href="http://www.cis.ohio-state.edu/~gurari/TeX4ht/tex4ht-all.zip" >osu</a>,
+<a
+ href="http://www.tug.org/applications/tex4ht/tex4ht-all.zip" >tug</a>).<sup>[<a
+ href="http://www.info-zip.org/pub/infozip/" >unzip</a>]</sup>
+</p>
+ <div class="TableOfContents"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn2.html#QQ1-2-2" name="QQ2-2-2">Table of Contents</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-3" name="QQ2-1-3">Using the System</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-4" name="QQ2-3-4">Calling Commands</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-21" name="QQ2-6-21">Configurations</a>
+<span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-37" name="QQ2-1-37">Installation</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-78" name="QQ2-1-78">Bug Reports</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-79" name="QQ2-1-79">Resources</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-93" name="QQ2-1-93">License</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-1-94" name="QQ2-1-94">Acknowledgment</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-index.html#QQ1-61-95" name="QQ2-61-95">Index</a>
+ </div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-3"></a>Using the System</h2><div class="TableOfContents">
+ </div>
+<!--l. 1759--><p class="indent"> Typical LaTeX source files can be compiled into standard HTML and XML formats in a manner similar to the
+way they are compiled into print formats, namely, through variations of the command <a
+ name="index1-3001"></a>&#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename</span>
+<span
+class="cmtt-10">&#34;</span><span
+class="cmti-10">options1</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">option2</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">options3</span><span
+class="cmtt-10">&#34;</span>&#8217;. For instance,
+</p><div class="Verbatim"><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;html,2,info&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;dbcs/!&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">htlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;foo,frames&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;&#34;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&#34;-p&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">xhlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">mzlatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">oolatex</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 1774--><p class="indent"> In some platforms the double quotes should be replaced with single right-quotes, and in some cases they might
+be omitted.
+</p><!--l. 1777--><p class="indent"> For details, visit the <a
+ href="mn3.html" name="mn3.html" >calling commands</a> section.
+</p>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-1-20"></a>References</h3>
+<!--l. 2473--><p class="noindent">The main features of TeX4ht are described in:
+</p><ul >
+<li>M.&nbsp;Goosen and S.&nbsp;Rahtz with E.&nbsp;Gurari, R.&nbsp;Moore, and R.&nbsp;Sutor, <a
+ href="http://cseng.aw.com" ><span
+class="cmti-10">The LaTeX Web Companion</span></a>, Addison-Wesley,
+1999 (<a
+ href="http://www.addison-wesley.de/" >German translation</a>). </li>
+<li>Fabrice Popineau, <a
+ href="http://www.gutenberg.eu.org/pub/GUTenberg/publicationsPDF/37-popineau.pdf" ><span
+class="cmti-10">Affichez vos documents LaTeX sur le Web avec TeX4ht</span></a>, Cahiers GUTenberg 37-38, December
+2000, 5-43 (French, PDF). </li>
+<li><a
+ href="mn6.html" name="mn6.html" >Within</a> the current document. </li>
+<li>In the .log files of the compilations. </li></ul>
+<!--l. 4313--><p class="indent"> The documents <a
+ href="http://www.cis.ohio-state.edu/~gurari/docs/mml-00/mml-00.html" >From LaTeX to MathML and Back with TeX4ht and PassiveTeX</a>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug99/" >LaTeX to XML/MathML</a>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug97/tug97-h.html" >A
+demonstration of TeX4ht</a>, and <a
+ href="http://www.cis.ohio-state.edu/~gurari/docs/tug-03/tug-03.html" >From LaTeX to MathML and Beyond</a> may provide additional insight into the system
+(and some outdated details).
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-37"></a>Installation</h2><div class="TableOfContents">
+ </div>
+<!--l. 4334--><p class="indent"> To be installed, the system needs a port made up of native utilities of TeX4ht and of non-native
+utilities. The easiest way to establish an up to date port is to download an <a
+ href="mn21.html" name="mn21.html" >installed distribution</a> of the system, and refresh it with the files provided here.
+</p><!--l. 4388--><p class="indent"> Establishing ports from scratch for <a
+ href="mn-unix.html" name="mn-unix.html" >Unix</a> and <a
+ href="mn-mswin.html" name="mn-mswin.html" >MS Windows</a> require additional effort, mainly because of the need to set up non-native utilities. Alternative ports for these
+and other platforms can be tailored in a <a
+ href="mn-port.html" name="mn-port.html" >similar manner</a>.
+</p><!--l. 6246--><p class="indent"> Philip A. Viton discusses in details issues of installing TeX4ht under <a
+ href="http://facweb.arch.ohio-state.edu/pviton/support/tex4ht.html" >MikTeX</a> and <a
+ href="http://facweb.arch.ohio-state.edu/pviton/support/swpht.html" >Scientific Word/WorkPlace</a>,
+but many of the topics apply also to other platforms. Steven Zeil offers <a
+ href="http://www.cs.odu.edu/~zeil/tex4ht/tex4ht_discussion.html" target="_blank" >improvements</a> for the above
+settings.
+</p><!--l. 6264--><p class="indent"> TeX4ht can be <a
+ href="mn40.html" name="mn40.html" >integrated into the WinShell</a> graphical user interface of Ingo H. de Boer for working with TeX. Steve Mayer programmed a <a
+ href="http://www.mayer.dial.pipex.com/tex.htm" >graphical user
+interface</a> for a set of converters on MS Windows, supporting also TeX4ht.
+</p><!--l. 6286--><p class="noindent"><a
+ href="mn41.html" name="mn41.html" >trouble shooting</a> <span class="cmtt-10">| </span><a
+ href="mn43.html" name="mn43.html" >Q/A</a> <span class="cmtt-10">| </span><span class="bugfixes"><a
+ href="http://www.cis.ohio-state.edu/~gurari/TeX4ht/bugfixes.html" >bug fixes</a></span>
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-78"></a>Bug Reports</h2><div class="TableOfContents">
+ </div>
+<!--l. 6988--><p class="indent"> The development of the TeX4ht system is to a large degree driven by users&#8217; bug reports and requests. In most
+cases, when providing feedback, it is essential to include the following information.
+</p><!--l. 6994--><p class="indent">
+</p><ul >
+<li>A minimal miniature complete source file illustrating the issues involved. Since similar constructs are introduced
+within different style files, a minimal source is required for correctly pinpointing the definitions of the constructs
+involved in the translation.
+<!--l. 7000--><p class="noindent"></p></li>
+<li>A mentioning of the command used to invoke the translation. This information is required since the command
+determines which configurations participate in the translation.
+ </li></ul>
+ Translations of source files are centered around logical structures. Formatting instructions receive only limited
+attention.
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-79"></a>Resources</h2><div class="TableOfContents">
+ </div>
+ <table id="TBL-14"
+><tr valign="top" >
+<td
+> Languages: </td><td
+><a
+ href="mn44.html" name="mn44.html" >LaTeX/TeX</a>, <a
+ href="mn45.html" name="mn45.html" >HTML</a>, <a
+ href="mn46.html" name="mn46.html" >XML/XSLT</a>, <a
+ href="mn47.html" name="mn47.html" >MathML</a>, <a
+ href="mn48.html" name="mn48.html" >DocBook</a>, <a
+ href="mn49.html" name="mn49.html" >TEI</a>, <a
+ href="mn50.html" name="mn50.html" >Style Sheets</a>, <a
+ href="mn51.html" name="mn51.html" >DTDs</a>, <a
+ href="mn52.html" name="mn52.html" >Validators</a> </td></tr><tr valign="top" >
+<td
+>Converters<br />into<br />HTML/XML: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.astro.gla.ac.uk/users/norman/distrib/bibhtml.html" target="_blank" >BibHTML</a> <sup><a
+ href="mn53.html#mn53-1" name="mn53-1" >1</a></sup>, <a
+ href="http://www.ibiblio.org/pub/packages/TeX/biblio/bibtex/utils/bibtools/bib2html" target="_blank" >Bib2HTML</a> <sup><a
+ href="mn53.html#mn53-2" name="mn53-2" >2</a></sup>, <a
+ href="http://www.shelldorado.com/scripts/cmds/bib2html.txt" target="_blank" >Bib2HTML</a>
+<sup><a
+ href="mn53.html#mn53-3" name="mn53-3" >3</a></sup>, <a
+ href="http://www.lri.fr/~filliatr/bibtex2html/index.en.html" target="_blank" >BibTeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-4" name="mn53-4" >4</a></sup>, <a
+ href="http://www.mostang.com/%7Edavidm/dlh.html" target="_blank" >Dlh</a>
+<sup><a
+ href="mn53.html#mn53-5" name="mn53-5" >5</a></sup>, <a
+ href="http://www.dcs.fmph.uniba.sk/~emt/EmSystem.html" target="_blank" >Euromath</a>
+<sup><a
+ href="mn53.html#mn53-6" name="mn53-6" >6</a></sup>, <a
+ href="http://math.albany.edu:8000/math/pers/hammond/igl.html" target="_blank" >GELLMU</a> <sup><a
+ href="mn53.html#mn53-7" name="mn53-7" >7</a></sup>,
+<a
+ href="http://para.inria.fr/~maranget/hevea" target="_blank" >HEVEA</a> <sup><a
+ href="mn53.html#mn53-8" name="mn53-8" >8</a></sup>, <a
+ href="http://www.gams.com/contrib/htex/htex.htm" target="_blank" >HTeX</a>
+<sup><a
+ href="mn53.html#mn53-9" name="mn53-9" >9</a></sup>, <a
+ href="http://www-db.stanford.edu/~sergey/htmltex/" target="_blank" >HtmlTeX</a>
+<sup><a
+ href="mn53.html#mn53-10" name="mn53-10" >10</a></sup>, <a
+ href="http://www.math.uic.edu/~fields/htmx/" target="_blank" >HTMX</a> <sup><a
+ href="mn53.html#mn53-11" name="mn53-11" >11</a></sup>,
+<a
+ href="http://www.cs.uu.nl/~otfried/Hyperlatex" target="_blank" >HyperLaTeX</a> <sup><a
+ href="mn53.html#mn53-12" name="mn53-12" >12</a></sup>,
+<a
+ href="http://xxx.lanl.gov/hypertex/" target="_blank" >HyperTeX</a> <sup><a
+ href="mn53.html#mn53-13" name="mn53-13" >13</a></sup>, <a
+ href="http://pear.math.pitt.edu/mathzilla/itex2mmlItex.html" target="_blank" >Itex2mml</a>
+<sup><a
+ href="mn53.html#mn53-14" name="mn53-14" >14</a></sup>, <a
+ href="http://www-texdev.mpce.mq.edu.au/l2h/docs/manual/" target="_blank" >LaTeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-15" name="mn53-15" >15</a></sup>, <a
+ href="http://ctan.tug.org/tex-archive/support/latex2man/latex2man.html" target="_blank" >LaTeX2man</a>
+<sup><a
+ href="mn53.html#mn53-16" name="mn53-16" >16</a></sup>, <a
+ href="http://www.best.com/~quong/" target="_blank" >Ltoh</a> <sup><a
+ href="mn53.html#mn53-17" name="mn53-17" >17</a></sup>, <a
+ href="ftp://ftp.dante.de/tex-archive/support/ltx2x/ltx2x.html" target="_blank" >Ltx2x</a>
+<sup><a
+ href="mn53.html#mn53-18" name="mn53-18" >18</a></sup>, <a
+ href="http://www.micropress-inc.com/webb/wbstart.htm" target="_blank" >
+MicroPress TeXpider</a> <sup><a
+ href="mn53.html#mn53-19" name="mn53-19" >19</a></sup>,
+<a
+ href="http://www.orcca.on.ca/MathML/projects.html" target="_blank" >ORCCA</a> <sup><a
+ href="mn53.html#mn53-20" name="mn53-20" >20</a></sup>, <a
+ href="http://omega.enstb.org" target="_blank" >Omega</a> <sup><a
+ href="mn53.html#mn53-21" name="mn53-21" >21</a></sup>, <a
+ href="http://pylatex.sourceforge.net/" target="_blank" >pyLaTeX</a>
+<sup><a
+ href="mn53.html#mn53-22" name="mn53-22" >22</a></sup>, <a
+ href="http://dione.zcu.cz/~toman40/selathco/" target="_blank" >Selathco</a>
+<sup><a
+ href="mn53.html#mn53-23" name="mn53-23" >23</a></sup>, <a
+ href="http://web.informatik.uni-bonn.de/~zach/vim/index.html" target="_blank" >TeX2HTML</a>
+<sup><a
+ href="mn53.html#mn53-24" name="mn53-24" >24</a></sup>, <a
+ href="http://www.ccs.neu.edu/home/dorai/tex2page/tex2page-doc.html" target="_blank" >TeX2Page</a>
+<sup><a
+ href="mn53.html#mn53-25" name="mn53-25" >25</a></sup>, <a
+ href="http://www.wxwindows.org/tex2rtf/index.htm" target="_blank" >TeX2RTF</a>
+<sup><a
+ href="mn53.html#mn53-26" name="mn53-26" >26</a></sup>, <a
+ href="http://www.mathematik.uni-kl.de/~obachman/Texi2html/" target="_blank" >Texi2HTML</a> <sup><a
+ href="mn53.html#mn53-27" name="mn53-27" >27</a></sup>, <a
+ href="http://sunland.gsfc.nasa.gov/info/texi2www/" target="_blank" >Texi2www</a>
+<sup><a
+ href="mn53.html#mn53-28" name="mn53-28" >28</a></sup>
+ , <a
+ href="http://www.ktalk.com/texport-web.html" target="_blank" >TeXPort WEB</a> <sup><a
+ href="mn53.html#mn53-29" name="mn53-29" >29</a></sup>, <a
+ href="http://www-sop.inria.fr/miaou/Jose.Grimm/tralics/" target="_blank" >Tralics</a>
+<sup><a
+ href="mn53.html#mn53-30" name="mn53-30" >30</a></sup>, <a
+ href="http://hutchinson.belmont.ma.us/tth/" target="_blank" >Tth</a> <sup><a
+ href="mn53.html#mn53-31" name="mn53-31" >31</a></sup>, <a
+ href="http://www.plover.com/~mjd/vulcanize.html" target="_blank" >Vulcanize</a> <sup><a
+ href="mn53.html#mn53-32" name="mn53-32" >32</a></sup>, <a
+ href="http://www.dessci.com/en/products/webeq" target="_blank" >WebEQ</a>
+<sup><a
+ href="mn53.html#mn53-33" name="mn53-33" >33</a></sup></div></td></tr><tr valign="top" >
+<td
+>Backward<br />Converters: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.chemie.fu-berlin.de/chemnet/use/gf.html" target="_blank" >Gf</a> <sup><a
+ href="mn54.html#mn54-1" name="mn54-1" >1</a></sup>, <a
+ href="http://www.wildfire.dircon.co.uk/htex.html" target="_blank" >Htex</a> <sup><a
+ href="mn54.html#mn54-2" name="mn54-2" >2</a></sup>, <a
+ href="http://www.lib.rpi.edu/dept/acs/rpinfo/filters/GChtml2latex/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-3" name="mn54-3" >3</a></sup>, <a
+ href="ftp://ftp.dante.de/tex-archive/support/html2latex/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-4" name="mn54-4" >4</a></sup>, <a
+ href="http://html2latex.sourceforge.net/" target="_blank" >HTML2LaTeX</a> <sup><a
+ href="mn54.html#mn54-5" name="mn54-5" >5</a></sup>, <a
+ href="http://home.planet.nl/~faase009/html2tex.html" target="_blank" >HTML2TeX</a>
+<sup><a
+ href="mn54.html#mn54-6" name="mn54-6" >6</a></sup>, <a
+ href="http://sourceforge.net/projects/jadetex" target="_blank" >JadeTeX</a> <sup><a
+ href="mn54.html#mn54-7" name="mn54-7" >7</a></sup>, <a
+ href="http://www.hcu.ox.ac.uk/TEI/Software/passivetex/" target="_blank" >Passive TeX</a> <sup><a
+ href="mn54.html#mn54-8" name="mn54-8" >8</a></sup>, <a
+ href="http://www.ucc.ie/info/TeX/sgml2tex.html" target="_blank" >SGML2TeX</a> <sup><a
+ href="mn54.html#mn54-9" name="mn54-9" >9</a></sup>,
+<a
+ href="http://www.alphaworks.ibm.com/aw.nsf/techreqs/texml" target="_blank" >TeXML</a> <sup><a
+ href="mn54.html#mn54-10" name="mn54-10" >10</a></sup>, <a
+ href="http://www.tug.org/tex-archive/macros/latex/contrib/carlisle/" target="_blank" >TypeHTML</a>
+<sup><a
+ href="mn54.html#mn54-11" name="mn54-11" >11</a></sup>, <a
+ href="ftp://ftp.tex.ac.uk:/tex-archive/macros/xmltex/base/manual.html" target="_blank" >XMLTeX</a> <sup><a
+ href="mn54.html#mn54-12" name="mn54-12" >12</a></sup>, <a
+ href="http://www.hj-gym.dk/~hj/writer2latex/" target="_blank" >Writer2LaTeX</a> <sup><a
+ href="mn54.html#mn54-13" name="mn54-13" >13</a></sup>, <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug99/indexSl57.html" target="_blank" >Brute Force</a>
+<sup><a
+ href="mn54.html#mn54-14" name="mn54-14" >14</a></sup></div></td></tr><tr valign="top" >
+<td
+>Converters for<br />other formats: </td><td
+>
+<div class="converters">
+ <a
+ href="http://www.astro.gla.ac.uk/users/norman/star/dvi2bitmap/" target="_blank" >Dvi2bitmap</a> <sup><a
+ href="mn55.html#mn55-1" name="mn55-1" >1</a></sup>, <a
+ href="http://gaspra.kettering.edu/dvipdfm/" target="_blank" >Dvipdfm</a> <sup><a
+ href="mn55.html#mn55-2" name="mn55-2" >2</a></sup>, <a
+ href="http://www.forkosh.com/" target="_blank" >MimeTeX</a> <sup><a
+ href="mn55.html#mn55-3" name="mn55-3" >3</a></sup>, <a
+ href="http://www.tug.org/utilities/texconv/ltx2rtf3.html" target="_blank" >ltx2rtf</a> <sup><a
+ href="mn55.html#mn55-4" name="mn55-4" >4</a></sup>, <a
+ href="http://pantheon.yale.edu/~pmm34/leq.html" target="_blank" >LEQ</a> <sup><a
+ href="mn55.html#mn55-5" name="mn55-5" >5</a></sup>, <a
+ href="http://tug.org/applications/pdftex/" target="_blank" >PdfTeX</a> <sup><a
+ href="mn55.html#mn55-6" name="mn55-6" >6</a></sup>, <a
+ href="http://shika.aist-nara.ac.jp/products/plain2/plain2.html" target="_blank" >Plain2</a> <sup><a
+ href="mn55.html#mn55-7" name="mn55-7" >7</a></sup>, LaTeX to ... <sup><a
+ href="mn55.html#mn55-8" name="mn55-8" >8</a></sup></div></td></tr><tr valign="top" >
+<td colspan="2"
+ align="left"
+> <a
+ href="mn56.html" name="mn56.html" >Conversion to Bitmaps</a> <span class="cmtt-10">| </span><a
+ href="mn57.html" name="mn57.html" >math on the web</a> <span class="cmtt-10">| </span><a
+ href="mn58.html" name="mn58.html" >web publishing with LaTeX</a> <span class="cmtt-10">| </span><a
+ href="mn59.html" name="mn59.html" >conversion services</a> </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-93"></a>License</h2><div class="TableOfContents">
+ </div>
+<!--l. 8447--><p class="indent"> TeX4ht is provided under the <a
+ href="ftp://tug.ctan.org/tex-archive/macros/latex/base/lppl.txt" >LaTeX Project Public License</a> (LPPL). However, it is allowed to modify the files
+without changing their names, if the signatures of the files are modified (see copyright notices within the
+files).
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-1-94"></a>Acknowledgment</h2><div class="TableOfContents">
+ </div>
+<!--l. 8457--><p class="indent"> I am very grateful for the suggestions, contributions, and bug reports offered by many people. In particular,
+thanks go to Gertjan Klein and Sebastian Rahtz who got deeply involved in the project for long periods of time, to
+Carmen Fierro and Piotr Grabowski for extensive feedback regarding the MathML configurations, and to Philip
+Viton for his superb documentation.
+</p><!--l. 8464--><p class="indent"> This work is partially sponsored by NSF grant IIS-0312487.
+</p>
+ <div class="SIGN"><span class="cmti-10">Eitan M. Gurari</span><br /><a
+ href="mailto:gurari@cis.ohio-state.edu" ><span class="cmti-10">gurari@cis.ohio-state.edu</span></a><br /><span class="cmti-10">February 11, 2004</span></div>
+</body></html>
+
+
+
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn0x.gif b/Master/texmf-dist/doc/generic/tex4ht/mn0x.gif
new file mode 100644
index 00000000000..936e1067220
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn0x.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn10.html b/Master/texmf-dist/doc/generic/tex4ht/mn10.html
new file mode 100644
index 00000000000..711dde0bc54
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn10.html
@@ -0,0 +1,114 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3002--><p class="noindent"><a
+ href="mn6.html#mn10-1" name="mn10-1" >1</a>. <a
+ name="index10-26005"></a> <a
+ name="index10-26006"></a> <a
+ name="index10-26007"></a><span
+class="cmtt-10">\Configure{</span><span
+class="cmti-10">table</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-tbl</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-tbl</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-row</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-row</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-entry</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-entry</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3004--><p class="indent"> <a
+ name="index10-26008"></a> <a
+ name="index10-26009"></a>The parameter <span
+class="cmti-10">table </span>stands for &#8216;<span
+class="cmtt-10">tabular</span>&#8217;, &#8216;<span
+class="cmtt-10">array</span>&#8217;, or &#8216;<span
+class="cmtt-10">eqnarray</span>&#8217;. The macros <span
+class="cmtt-10">\HRow </span>and <span
+class="cmtt-10">\HCol </span>provide the
+row and column indexes, respectively.
+</p>
+ <table id="TBL-3"
+><tr >
+<td class="output"
+><div class="output"><table><tr><td class="try">(1,1)</td> <td class="try">(1,2)</td> <td class="try">(1,3)</td>
+</tr><tr><td class="try">(2,1)</td> <td class="try">(2,2)</td> <td class="try">(2,3)</td>
+</tr></table>
+
+ </div></td><td
+><div class="source">
+<div class="Verbatim"><span
+class="cmtt-10">\Configure{tabular}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;table&gt;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;/table&gt;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;tr&gt;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;/tr&gt;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;td</span><span
+class="cmtt-10">&nbsp;class=&#34;try&#34;&gt;}(\HRow,\HCol)}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;/td&gt;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\Css{.try{</span><span
+class="cmtt-10">&nbsp;border:solid</span><span
+class="cmtt-10">&nbsp;4px;</span><span
+class="cmtt-10">&nbsp;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\begin{tabular}{lll}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;&amp;&amp;\\</span><span
+class="cmtt-10">&nbsp;&amp;&amp;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\end{tabular}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div></td></tr></table>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn11.html b/Master/texmf-dist/doc/generic/tex4ht/mn11.html
new file mode 100644
index 00000000000..f4593de68ac
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn11.html
@@ -0,0 +1,138 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3063--><p class="noindent"><a
+ href="mn6.html#mn11-1" name="mn11-1" >1</a>. <a
+ name="index11-27004"></a><span
+class="cmtt-10">\ConfigureList{</span><span
+class="cmti-10">list-name</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-label</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-label</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3065--><p class="indent"> <a
+ name="index11-27005"></a> <a
+ name="index11-27006"></a>Environments that directly or indirectly are built on top of the &#8216;<span
+class="cmtt-10">\begin{list}...\end{list}</span>&#8217; and
+&#8216;<span
+class="cmtt-10">\begin{trivlist}...\end{trivlist}</span>&#8217; environments, inherit the appearances of these base environments. The
+<span
+class="cmtt-10">\ConfigureList </span>command may be used to change the default configuration.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\ConfigureList</span>&nbsp;<span
+class="cmtt-10">{description}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;hr</span>&nbsp;<span
+class="cmtt-10">/&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;hr</span>&nbsp;<span
+class="cmtt-10">/&gt;&lt;strong&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;/strong&gt;}}</span>
+</div>
+ <a
+ name="index11-27007"></a> <a
+ name="index11-27008"></a> <a
+ name="index11-27009"></a>The &#8216;<span
+class="cmtt-10">description</span>&#8217;, &#8216;<span
+class="cmtt-10">itemize</span>&#8217;, and &#8216;<span
+class="cmtt-10">enumerate</span>&#8217; environments are the more obvious extensions of the &#8216;<span
+class="cmtt-10">list</span>&#8217;
+and &#8216;<span
+class="cmtt-10">trivlist</span>&#8217; environments.
+<!--l. 3090--><p class="indent"> <a
+ name="index11-27010"></a> <a
+ name="index11-27011"></a> <a
+ name="index11-27012"></a> <a
+ name="index11-27013"></a> <a
+ name="index11-27014"></a>The &#8216;<span
+class="cmtt-10">verse</span>&#8217;, &#8216;<span
+class="cmtt-10">quotation</span>&#8217;, &#8216;<span
+class="cmtt-10">quote</span>&#8217;, &#8216;<span
+class="cmtt-10">center</span>&#8217;, &#8216;<span
+class="cmtt-10">flushleft</span>&#8217;, and &#8216;<span
+class="cmtt-10">flushright</span>&#8217; are examples of non obvious
+extensions. The latter extensions are made up in LaTeX from a single-item lists, to get the appearance of displayed
+paragraphs.
+</p><hr />
+<!--l. 3109--><p class="noindent"><a
+ href="mn6.html#mn11-2" name="mn11-2" >2</a>. <a
+ name="index11-27016"></a><span
+class="cmtt-10">\ConfigureEnv{</span><span
+class="cmti-10">environment-name</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-environment</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-environment</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-list</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3111--><p class="indent"> If either <span
+class="cmti-10">before-environment </span>or <span
+class="cmti-10">after-environment </span>is not empty, then these parameters specify insertions that
+should be placed before and after the specified environment.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\ConfigureEnv</span>&nbsp;<span
+class="cmtt-10">{tabular}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;hr</span>&nbsp;<span
+class="cmtt-10">/&gt;}}</span>&nbsp;<span
+class="cmtt-10">{\HCode{&lt;hr</span>&nbsp;<span
+class="cmtt-10">/&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}</span>&nbsp;<span
+class="cmtt-10">{}</span>
+</div>
+ If the parameter <span
+class="cmti-10">before-list </span>or the parameter <span
+class="cmti-10">after-list </span>is not empty, a call is made to <span
+class="cmtt-10">\</span><span
+class="cmbx-10">ConfigureList</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">list-name</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-label</span><span
+class="cmtt-10">} {} {} </span>for configuring the base-list of the environment.
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\ConfigureEnv</span>&nbsp;<span
+class="cmtt-10">{flushright}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;div</span>&nbsp;<span
+class="cmtt-10">class=&#34;flushright&#34;&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;/div&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;h2&gt;}}</span>&nbsp;<span
+class="cmtt-10">{\HCode{&lt;/h2&gt;}}</span>
+</div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn12.html b/Master/texmf-dist/doc/generic/tex4ht/mn12.html
new file mode 100644
index 00000000000..189ab3a53c8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn12.html
@@ -0,0 +1,90 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3161--><p class="noindent"><a
+ href="mn6.html#mn12-1" name="mn12-1" >1</a>. <a
+ name="index12-28003"></a><span
+class="cmtt-10">\Picture[</span><span
+class="cmti-10">replacement-for-textual-browser</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3163--><p class="indent"> This command references the specified pictorial file. The component &#8216;<span
+class="cmtt-10">[</span><span
+class="cmti-10">replacement-for-textual-browsers</span><span
+class="cmtt-10">]</span>&#8217; is
+optional.
+</p>
+ <table id="TBL-4"
+><tr >
+<td class="output"
+><div class="output"><img
+src="http://www.cis.ohio-state.edu/images/OSU.gif" alt="**OSU logo**"
+ /> </div></td><td
+><div class="source"><span
+class="cmtt-10">\Picture[**OSU logo**]{http://www.cis.ohio-state.edu/images/OSU.gif} </span></div></td></tr></table><hr />
+<!--l. 3177--><p class="noindent"><a
+ href="mn6.html#mn12-2" name="mn12-2" >2</a>. <span
+class="cmtt-10">\Picture+[</span><span
+class="cmti-10">replacement-for-text-browsers</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndPicture</span>
+</p><!--l. 3179--><p class="indent"> This command produces a picture for the provided content, stores the outcome within a file of the specified
+name, and creates a reference to the picture within the document.
+</p>
+ <table id="TBL-5"
+><tr >
+<td class="output"
+><div class="output"><img
+src="mn0x.gif" alt="Text within a picture. " align="right" />
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\Picture+{</span>&nbsp;<span
+class="cmtt-10">align=&#34;right&#34;}%</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">Text</span>&nbsp;<span
+class="cmtt-10">within</span>&nbsp;<span
+class="cmtt-10">a</span>&nbsp;<span
+class="cmtt-10">picture.</span>
+ <br />&nbsp;<span
+class="cmtt-10">\EndPicture</span>
+</div>
+ </div></td></tr></table>
+ The component &#8216;<span
+class="cmtt-10">[</span><span
+class="cmti-10">replacement-for-textual-browser</span><span
+class="cmtt-10">]</span>&#8217; and the file name can be omitted. If no name is provided for
+the file, the system assigns a name of its own.<hr />
+<!--l. 3203--><p class="noindent"><a
+ href="mn6.html#mn12-3" name="mn12-3" >3</a>. <span
+class="cmtt-10">\Picture*[</span><span
+class="cmti-10">replacement-for-text-browsers</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndPicture</span>
+</p><!--l. 3205--><p class="indent"> This is a variant of the previous command, that produces a picture of the content within a vertical
+box.
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn13.html b/Master/texmf-dist/doc/generic/tex4ht/mn13.html
new file mode 100644
index 00000000000..13d73d07e2f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn13.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>example</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <table id="TBL-6"
+><tr >
+<td class="output"
+><div class="output"><span
+class="cmmi-10">a</span><sup ><span
+class="cmmi-7">x</span></sup> + <img
+src="mn1x.gif" alt="cb+d " align="middle" />
+and <img
+src="mn2x.gif" alt="ax + cb+d " class="math" /> </div></td><td
+><div class="source"><span
+class="cmtt-10">$a^x + \frac{b}{c+d}$ and \(a^x + \frac{b}{c+d}\) </span></div></td></tr></table>
+ <a
+ href="mn6.html#mn13.html" >up</a>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn14.html b/Master/texmf-dist/doc/generic/tex4ht/mn14.html
new file mode 100644
index 00000000000..11784eb8df4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn14.html
@@ -0,0 +1,133 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3266--><p class="noindent"><a
+ href="mn6.html#mn14-1" name="mn14-1" >1</a>. <a
+ name="index14-29010"></a> <a
+ name="index14-29011"></a> <a
+ name="index14-29012"></a> <a
+ name="index14-29013"></a><span
+class="cmtt-10">\Configure{[]} {</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">$$</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">$$</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span>,
+<span
+class="cmtt-10">\Configure{()}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">$</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">$</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{$$}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{$}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}</span>
+</p>
+ <table id="TBL-7"
+><tr >
+<td class="output"
+><div class="output"> An equation:
+ <center class="math-display">
+<img
+src="mn3x.gif" alt=" b
+a
+" class="math-display" /></center>
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{[]}{An</span>&nbsp;<span
+class="cmtt-10">equation:</span>&nbsp;<span
+class="cmtt-10">$$}{$$}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\[a^b\]</span>
+</div>
+ </div></td></tr></table>
+ <a
+ name="index14-29014"></a><a
+ name="index14-29015"></a>The default configuration is obtained from<br />&#8216;<span
+class="cmtt-10">\Configure{[]}{\PicDisplay$$}{$$\EndPicDisplay}</span>&#8217;,<br />&#8216;<span
+class="cmtt-10">\Configure{$$}{\PicDisplay}{\EndPicDisplay}{}</span>&#8217;,
+<br />&#8216;<span
+class="cmtt-10">\Configure{()}{\PicMath$}{$\EndPicMath}</span>&#8217;, and<br />&#8216;<span
+class="cmtt-10">\Configure{$}{}{}{}</span>&#8217;.<hr />
+<!--l. 3310--><p class="noindent"><a
+ href="mn6.html#mn14-2" name="mn14-2" >2</a>. <a
+ name="index14-29019"></a> <a
+ name="index14-29020"></a> <a
+ name="index14-29021"></a><span
+class="cmtt-10">\Configure{SUB}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{SUP}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{SUBSUP}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">between</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3312--><p class="indent"> These commands configure subscripts appearing in isolation, superscripts given in isolation, and subscripts
+provided together with superscripts. If the last configuration command gets empty parameters, the corresponding
+cases use the settings that apply to isolated subscripts and superscripts.
+</p><!--l. 3318--><p class="indent"> The default setting results from<br />&#8216;<span
+class="cmtt-10">\Configure{SUB}{\HCode{&lt;sub&gt;}}{\HCode{&lt;/sub&gt;}}</span>&#8217;,
+<br />&#8216;<span
+class="cmtt-10">\Configure{SUP}{\HCode{&lt;sup&gt;}}{\HCode{&lt;/sup&gt;}}</span>&#8217;, and<br />&#8216;<span
+class="cmtt-10">\Configure{SUBSUP}{}{}</span>&#8217;.
+</p><hr />
+<!--l. 3330--><p class="noindent"><a
+ href="mn6.html#mn14-3" name="mn14-3" >3</a>. <a
+ name="index14-29026"></a> <a
+ name="index14-29027"></a> <a
+ name="index14-29028"></a> <a
+ name="index14-29029"></a><span
+class="cmtt-10">no_</span>, <span
+class="cmtt-10">no^</span>
+</p><!--l. 3332--><p class="indent"> TeX4ht modifies the implementation of &#8216;<span
+class="cmtt-10">_</span>&#8217; and &#8216;<span
+class="cmtt-10">^</span>&#8217;, to create hypertext subscripts and superscripts in non
+pictorial formulas--a modification that occasionally might clash with other interpretations in the source documents.
+The current package parameters ask TeX4ht not to modify the implementation of these commands,
+respectively.
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn15.html b/Master/texmf-dist/doc/generic/tex4ht/mn15.html
new file mode 100644
index 00000000000..9347805c0a3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn15.html
@@ -0,0 +1,139 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3361--><p class="noindent"><a
+ href="mn6.html#mn15-1" name="mn15-1" >1</a>. <a
+ name="index15-30004"></a> <a
+ name="index15-30005"></a><span
+class="cmtt-10">\Configure{HtmlPar} {</span><span
+class="cmti-10">noindent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">indent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">from-noindent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">from-indent-P</span><span
+class="cmtt-10">} </span><br /><span
+class="cmtt-10">\EndP</span>
+</p><!--l. 3363--><p class="indent"> The first two parameters of this command determine the kind of code to be inserted at the start of, respectively,
+nonindented and indented paragraphs.
+</p>
+ <table id="TBL-8"
+><tr >
+<td class="output"
+><div class="output">
+* 1
+* 2
+* 3
+* 4
+* 5 </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{HtmlPar}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}</span>&nbsp;<span
+class="cmtt-10">{*</span>&nbsp;<span
+class="cmtt-10">}</span>&nbsp;&nbsp;<span
+class="cmtt-10">{}</span>&nbsp;<span
+class="cmtt-10">{}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\par</span>&nbsp;<span
+class="cmtt-10">1\par</span>&nbsp;<span
+class="cmtt-10">2\par</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">3\par</span>&nbsp;<span
+class="cmtt-10">4\par</span>&nbsp;<span
+class="cmtt-10">5</span>
+</div>
+ </div></td></tr></table>
+ The last two parameters specify the code to be stored in <span
+class="cmtt-10">\EndP</span>, when the first two parameters are introduced,
+respectively, into the output.
+ <table id="TBL-9"
+><tr >
+<td class="output"
+><div class="output">
+[ 1
+ ][ 2
+ ][ 3
+ ][ 4
+ ][ 5
+ ] </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{HtmlPar}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{[</span>&nbsp;<span
+class="cmtt-10">}</span>&nbsp;<span
+class="cmtt-10">{\EndP</span>&nbsp;<span
+class="cmtt-10">[</span>&nbsp;<span
+class="cmtt-10">}</span>&nbsp;<span
+class="cmtt-10">{</span>&nbsp;<span
+class="cmtt-10">]}</span>&nbsp;<span
+class="cmtt-10">{</span>&nbsp;<span
+class="cmtt-10">]}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\par</span>&nbsp;<span
+class="cmtt-10">1\par</span>&nbsp;<span
+class="cmtt-10">2\par</span>&nbsp;<span
+class="cmtt-10">3\par</span>&nbsp;<span
+class="cmtt-10">4\par</span>&nbsp;<span
+class="cmtt-10">5</span>
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{HtmlPar}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}{\EndP}</span>&nbsp;<span
+class="cmtt-10">{}{}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\par\leavevmode</span>
+</div>
+ </div></td></tr></table>
+ The default setting assumes a configuration of the form &#8216;<span
+class="cmtt-10">\Configure{HtmlPar}{\HCode{&lt;p class=&#34;noindent&#34;&gt;}}</span>
+<span
+class="cmtt-10">{\HCode{&lt;p class=&#34;indent&#34;&gt;}} {}{}</span>&#8217; (and it is implemented through an &#8216;<span
+class="cmtt-10">\everypar{\HtmlPar}</span>&#8217;
+command).<hr />
+<!--l. 3419--><p class="noindent"><a
+ href="mn6.html#mn15-2" name="mn15-2" >2</a>. <a
+ name="index15-30007"></a> <span
+class="cmtt-10">\IgnorePar</span>
+</p><!--l. 3421--><p class="indent"> This command asks that no code will be inserted at the beginning of the next paragraph.
+
+</p><hr />
+<!--l. 3426--><p class="noindent"><a
+ href="mn6.html#mn15-3" name="mn15-3" >3</a>. <a
+ name="index15-30009"></a> <span
+class="cmtt-10">\ShowPar</span>
+</p><!--l. 3428--><p class="indent"> This command asks that code will be inserted at the beginning of the next paragraph.
+</p><hr />
+<!--l. 3433--><p class="noindent"><a
+ href="mn6.html#mn15-4" name="mn15-4" >4</a>. <a
+ name="index15-30011"></a> <span
+class="cmtt-10">\IgnoreIndent</span>
+</p><!--l. 3435--><p class="indent"> This command asks to treat the next paragraph as nonindented.
+</p><hr />
+<!--l. 3440--><p class="noindent"><a
+ href="mn6.html#mn15-5" name="mn15-5" >5</a>. <a
+ name="index15-30013"></a> <span
+class="cmtt-10">\ShowIndent</span>
+</p><!--l. 3442--><p class="indent"> This command asks to treat the following paragraphs as indented.
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn16.html b/Master/texmf-dist/doc/generic/tex4ht/mn16.html
new file mode 100644
index 00000000000..991bd2b5351
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn16.html
@@ -0,0 +1,118 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3471--><p class="noindent"><a
+ href="mn6.html#mn16-1" name="mn16-1" >1</a>. <span
+class="cmtt-10">\Css{</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3473--><p class="indent"> This command sends its content to the CSS file of the document.
+</p><hr />
+<!--l. 3480--><p class="noindent"><a
+ href="mn6.html#mn16-2" name="mn16-2" >2</a>. <a
+ name="index16-31003"></a><span
+class="cmtt-10">\Css </span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndCss</span>
+</p><!--l. 3482--><p class="indent"> This command introduces the specified content, at the location of the command as an inline CSS code
+fragment. The content should not start with the left brace character &#8216;<span
+class="cmtt-10">{</span>&#8217;.
+</p><hr />
+<!--l. 3492--><p class="noindent"><a
+ href="mn6.html#mn16-3" name="mn16-3" >3</a>. <a
+ name="index16-31005"></a><span
+class="cmtt-10">\CssFile[</span><span
+class="cmti-10">list-of-css-files</span><span
+class="cmtt-10">]</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndCssFile</span>
+</p><!--l. 3494--><p class="indent"> The default CSS file TeX4ht produces is initially a file consisting just of a single line of the form &#8216;<span
+class="cmtt-10">/* css.sty</span>
+<span
+class="cmtt-10">*/</span>&#8217;. That line is later replaced with the code submitted by the &#8216;<span
+class="cmtt-10">\Css{...}</span>&#8217; commands.
+</p><!--l. 3498--><p class="indent"> The current command allows to specify an alternative to the initial CSS file. The alternative file consists of the
+code loaded from listed files, and of the content explicitly specified in its body.
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\ConfigureList{mylist}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;div</span><span
+class="cmtt-10">&nbsp;class=&#34;mylist&#34;&gt;}}</span><span
+class="cmtt-10">&nbsp;{\HCode{&lt;/div&gt;}}</span><span
+class="cmtt-10">&nbsp;{*</span><span
+class="cmtt-10">&nbsp;}{}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\begin{document}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\HCode{&lt;!--created</span><span
+class="cmtt-10">&nbsp;by</span><span
+class="cmtt-10">&nbsp;me--&gt;}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\CssFile</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;/*</span><span
+class="cmtt-10">&nbsp;css.sty</span><span
+class="cmtt-10">&nbsp;*/</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;.mylist</span><span
+class="cmtt-10">&nbsp;{</span><span
+class="cmtt-10">&nbsp;color</span><span
+class="cmtt-10">&nbsp;:</span><span
+class="cmtt-10">&nbsp;red;</span><span
+class="cmtt-10">&nbsp;}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\EndCssFile</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 3520--><p class="indent"> The names in the list of files should be separated by commas, and the rectangular brackets are optional when
+the list is empty.
+</p><!--l. 3523--><p class="indent"> The file should include a line having the content of &#8216;<span
+class="cmtt-10">/* css.sty */</span>&#8217;. If more than one such line is included, the
+content of the &#8216;<span
+class="cmtt-10">\Css{...}</span>&#8217; commands replace the first occurrence of this line. Arbitrary many space characters may
+appear around the substrings &#8216;<span
+class="cmtt-10">/*</span>&#8217; and &#8216;<span
+class="cmtt-10">*/</span>&#8217;.
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn17.html b/Master/texmf-dist/doc/generic/tex4ht/mn17.html
new file mode 100644
index 00000000000..eb8891b9c48
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn17.html
@@ -0,0 +1,167 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 3554--><p class="noindent"><a
+ href="mn6.html#mn17-1" name="mn17-1" >1</a>. <a
+ name="index17-32003"></a><span
+class="cmtt-10">\NoFonts </span>This command asks that information provided in the font files will be used for the symbols, but
+not the information requested for the fonts in the source LaTeX file through the &#8216;<span
+class="cmtt-10">\Configure{htf}</span>&#8217;
+command.
+</p><hr />
+<!--l. 3561--><p class="noindent"><a
+ href="mn6.html#mn17-2" name="mn17-2" >2</a>. <a
+ name="index17-32005"></a><span
+class="cmtt-10">\EndNoFonts</span>
+</p><!--l. 3563--><p class="indent"> This command asks to end the effect of the most recently encountered <span
+class="cmtt-10">\NoFonts </span>command that is still
+active.
+</p>
+ <table id="TBL-10"
+><tr >
+<td class="output"
+><div class="output"><span
+class="cmti-10">italic </span>not italic not italic <span
+class="cmti-10">italic</span>.
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">{\it</span>&nbsp;<span
+class="cmtt-10">italic</span>&nbsp;<span
+class="cmtt-10">\NoFonts\NoFonts</span>
+ <br />&nbsp;<span
+class="cmtt-10">not</span>&nbsp;<span
+class="cmtt-10">italic</span>&nbsp;<span
+class="cmtt-10">\EndNoFonts</span>
+ <br />&nbsp;<span
+class="cmtt-10">not</span>&nbsp;<span
+class="cmtt-10">italic</span>&nbsp;<span
+class="cmtt-10">\EndNoFonts</span>
+ <br />&nbsp;<span
+class="cmtt-10">italic}.</span>
+</div>
+ </div></td></tr></table><hr />
+<!--l. 3592--><p class="noindent"><a
+ href="mn6.html#mn17-3" name="mn17-3" >3</a>. <a
+ name="index17-32007"></a><span
+class="cmtt-10">\Configure{htf} {</span><span
+class="cmti-10">class</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-1</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-2</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-3</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-4</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-5</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">template-6</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-7</span><span
+class="cmtt-10">}</span>
+</p><!--l. 3595--><p class="indent"> Each character is provided two entries in its virtual font file: a string and an integer number. The integer
+number is considered to be the class of the character. An even number requests that the character will be
+represented by the string. An odd number requests that the character will be represented by a picture, with the
+string acting as an alternative representation.
+</p><!--l. 3602--><p class="indent"> The current <span
+class="cmtt-10">\Configure </span>command provides a template for introducing, into the hypertext document, the
+representations of the symbols of the specified class. The template is consisted of the seven specified components,
+where the delimiter must be a character that does not appear in these components.
+</p><!--l. 3608--><p class="indent"> In even classes, the template is used for outputing a tuple, consisting of the following information, for the given
+symbol: the font name, the font size, the font magnification when it differs from 100%, and the corresponding string
+field from the virtual font.
+</p><!--l. 3613--><p class="indent"> The first component is printed unconditionally at the beginning. The font name is printed only if the second
+component of the template is not empty and, when it is not empty, the second component should be a template for
+printing a string in a C program. Similarly, the font size is printed only if the third component of the template is not
+empty, and in such a case the component should be a template for printing a string in a C program. On the other
+hand, the font magnification is printed only if the fourth component of the template is not empty, and in such
+a case the component should be a template for printing an integer in a C program. The rest of the
+components of the template are added literally into the output, where either the fifth or the sixth
+component must be empty. The string field from the virtual font is introduced just before the last
+component.
+
+</p>
+ <table id="TBL-11"
+><tr >
+<td class="output"
+><div class="output"> <span class="underline">text</span> <span class="cmti-10">text</span>
+ <br /><br />
+<div class="Verbatim"><span class="cmtt-10">&lt;span</span><span class="cmtt-10">&nbsp;class=&#34;underline&#34;&gt;text&lt;/span&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&lt;span</span><span class="cmtt-10">&nbsp;class=&#34;cmti-10&#34;&gt;text&lt;/span&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span class="cmtt-10">{\it</span>
+ <br />&nbsp;<span class="cmtt-10">\Configure{htf}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{0}{+}{&lt;span</span>&nbsp;<span class="cmtt-10">class=&#34;}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{}{}{}{}{underline&#34;&gt;}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{&lt;/span&gt;}</span>
+ <br />&nbsp;<span class="cmtt-10">text%</span>
+ <br />&nbsp;<span class="cmtt-10">\Configure{htf}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{0}{+}{&lt;span</span>&nbsp;<span class="cmtt-10">class=&#34;}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{\%s}{-\%s}{--\%d}{}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{&#34;&gt;}{&lt;/span&gt;}</span>
+ <br />&nbsp;<span class="cmtt-10">text}</span>
+</div>
+ </div></td></tr></table>
+ The <span class="cmtt-10">\Configure </span>defines for a symbol of an even class, a prefix and a postfix to be inserted around the
+string assigned to the symbol in its virtual font file. The <span class="cmtt-10">\Configure </span>for characters of class 0 has the
+extra property that it provides extra prefixes and postfixes also for all the pictorial representations of
+symbols.
+<!--l. 3665--><p class="indent"> A <span class="cmtt-10">\Configure </span>command for an odd class defines a template to output a tuple, consisting of the
+following information: the font name, the alternative string from the virtual font, the font name, the
+font size, the font magnification when it differs from 100%, and the character code of the symbol.
+The output is determined in a manner similar to that implied for symbols from characters of odd
+classes.
+</p>
+ <table id="TBL-12"
+><tr >
+<td class="output"
+><div class="output">
+ <span class="cmmi-10"><sup><img src="cmmi10-b.gif" alt="a" /></sup></span><span class="cmmi-10"><img src="cmmi10-b.gif" alt="a" class="cmmi10--b" /></span>
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span class="cmtt-10">\Configure{htf}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{1}{+}{&lt;sup&gt;&lt;img</span>&nbsp;<span class="cmtt-10">src=&#34;}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{&#34;</span>&nbsp;<span class="cmtt-10">alt=&#34;}{}{}{}{}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{&#34;</span>&nbsp;<span class="cmtt-10">/&gt;&lt;/sup&gt;}</span>
+ <br />&nbsp;
+ <br />&nbsp;<span class="cmtt-10">$\alpha$%</span>
+ <br />&nbsp;<span class="cmtt-10">\Configure{htf}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{1}{+}{&lt;img</span>&nbsp;<span class="cmtt-10">src=&#34;}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{&#34;</span>&nbsp;<span class="cmtt-10">alt=&#34;}{&#34;</span>&nbsp;<span class="cmtt-10">class=&#34;\%s}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">{\%s}{-\%d}{--\%x}{&#34;</span>&nbsp;<span class="cmtt-10">/&gt;}%</span>
+ <br />&nbsp;<span class="cmtt-10">$\alpha$</span>
+</div>
+ </div></td></tr></table><hr />
+<!--l. 3702--><p class="noindent"><a
+ href="mn6.html#mn17-4" name="mn17-4" >4</a>. <a
+ name="index17-32009"></a><span class="cmtt-10">\Configure{htf-sty} {</span><span class="cmti-10">class/font</span><span class="cmtt-10">} {</span><span class="cmti-10">CSS-instructions</span><span class="cmtt-10">} </span>This command specifies CSS content for font classes
+and virtual hypertext fonts.
+
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn19.html b/Master/texmf-dist/doc/generic/tex4ht/mn19.html
new file mode 100644
index 00000000000..3150df5d14a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn19.html
@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 4066--><p class="noindent"><a
+ href="mn6.html#mn19-1" name="mn19-1" >1</a>. <a
+ name="index19-34002"></a><span class="cmtt-10">\ScriptEnv{</span><span class="cmti-10">environment</span><span class="cmtt-10">} {</span><span class="cmti-10">prefix</span><span class="cmtt-10">} {</span><span class="cmti-10">postfix</span><span class="cmtt-10">}</span>
+</p><!--l. 4068--><p class="indent"> This command defines a LaTeX environment
+</p>
+ <div class="Template"> <span class="cmtt-10">\begin{</span><span class="cmti-10">environment</span><span class="cmtt-10">}</span><br /><span class="cmti-10">body</span><br /><span class="cmtt-10">\end{</span><span class="cmti-10">environment</span><span class="cmtt-10">}</span></div>
+ which outputs its body in plain format, between the specified prefix and postfix.<hr />
+<!--l. 4085--><p class="noindent"><a
+ href="mn6.html#mn19-2" name="mn19-2" >2</a>. <a
+ name="index19-34004"></a><span class="cmtt-10">\ScriptCommand{\</span><span class="cmti-10">command</span><span class="cmtt-10">} {</span><span class="cmti-10">prefix</span><span class="cmtt-10">} {</span><span class="cmti-10">postfix</span><span class="cmtt-10">}</span>
+</p><!--l. 4087--><p class="indent"> This command defines an environment
+</p>
+ <div class="Template"> <span class="cmtt-10">\</span><span class="cmti-10">command</span><br /><span class="cmti-10">body</span><br /><span class="cmtt-10">\End</span><span class="cmti-10">command </span></div>
+ which outputs its body in plain format, between the specified prefix and postfix.<hr />
+<!--l. 4100--><p class="noindent"><a
+ href="mn6.html#mn19-3" name="mn19-3" >3</a>. <a
+ name="index19-34006"></a><span class="cmtt-10">\JavaScript...\EndJavaScript</span>
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn1x.gif b/Master/texmf-dist/doc/generic/tex4ht/mn1x.gif
new file mode 100644
index 00000000000..7762d68207f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn1x.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn2.html b/Master/texmf-dist/doc/generic/tex4ht/mn2.html
new file mode 100644
index 00000000000..3127bfac06c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn2.html
@@ -0,0 +1,134 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <h2 class="ChapterHead"><a
+ name="QQ1-2-2"></a>Table of Contents</h2><div class="TableOfContents">
+ </div>
+ <div class="TableOfContents"><div class="DocPart" align="center"><a
+ href="#QQ1-2-2" name="QQ2-2-2">Table of Contents</a></div> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-3" name="QQ2-1-3">Using the System</a></div> <div class="DocPart" align="center"><a
+ href="mn3.html#QQ1-3-4" name="QQ2-3-4">Calling Commands</a></div> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-5" name="QQ2-3-5">From LaTeX to HTML</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-6" name="QQ2-3-6">Available Values for the Options</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-7" name="QQ2-3-7">XHTML and Unicode</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-8" name="QQ2-3-8">XHTML with MathML</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-10" name="QQ2-3-10">OpenOffice and MS Word</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-11" name="QQ2-3-11">DocBook and TEI</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-12" name="QQ2-3-12">JavaHelp</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-13" name="QQ2-3-13">Private Configuration
+Files</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-14" name="QQ2-3-14">An Insight into the Commands</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-15" name="QQ2-3-15">A Deeper Insight</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-16" name="QQ2-3-16">TeX and TeXi</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-18" name="QQ2-3-18">Validation</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn3.html#QQ1-3-19" name="QQ2-3-19">Recommendations</a></span> <div class="DocPart" align="center"><a
+ href="mn6.html#QQ1-6-21" name="QQ2-6-21">Configurations</a></div> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-22" name="QQ2-6-22">Background</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-23" name="QQ2-6-23">Recommendations</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-24" name="QQ2-6-24">Low-Level
+Features</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-25" name="QQ2-6-25">Sectioning and Tables of Contents</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-26" name="QQ2-6-26">Tables</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-27" name="QQ2-6-27">Lists and Environments</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-28" name="QQ2-6-28">Pictures</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-29" name="QQ2-6-29">Mathematical Formulas</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-30" name="QQ2-6-30">Paragraphs</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-31" name="QQ2-6-31">Cascade Style Sheets (CSS)</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-32" name="QQ2-6-32">Fonts</a></span> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-htf.html#QQ1-18-33" name="QQ2-18-33">Designing Virtual Hypertext Fonts</a> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-34" name="QQ2-6-34">Scripts</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-35" name="QQ2-6-35">Configurable Hooks</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="mn6.html#QQ1-6-36" name="QQ2-6-36">General Configuration Files</a></span> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-37" name="QQ2-1-37">Installation</a></div> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-unix.html#QQ1-22-38" name="QQ2-22-38">A Setup for Unix Environments</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-mswin.html#QQ1-26-39" name="QQ2-26-39">A
+Setup for MS Windows</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn-port.html#QQ1-30-40" name="QQ2-30-40">Establishing a Port</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn31.html#QQ1-31-41" name="QQ2-31-41">Placement of the Environment File</a>
+<span
+class="cmsy-10">&#8226;</span><a
+ href="mn33.html#QQ1-33-42" name="QQ2-33-42">The Composition of tex4ht.env</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn34.html#QQ1-34-43" name="QQ2-34-43">Placement of the Bookkeeping File</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn35.html#QQ1-35-44" name="QQ2-35-44">Directories
+of the TeX Fonts Metric (tfm)</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn36.html#QQ1-36-45" name="QQ2-36-45">Compiling tex4ht.c</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn36.html#QQ1-36-46" name="QQ2-36-46">Compiling t4ht.c</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn37.html#QQ1-37-47" name="QQ2-37-47">Driving
+the Translation of Pictures and Other Tasks</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn38.html#QQ1-38-48" name="QQ2-38-48">The Translation Process</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn38.html#QQ1-38-49" name="QQ2-38-49">A
+Reflection at the System Messages</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn39.html#QQ1-39-50" name="QQ2-39-50">Directories for the Virtual Hypertext Fonts (htf)</a>
+<span
+class="cmsy-10">&#8226;</span><a
+ href="mn41.html#QQ1-41-51" name="QQ2-41-51">Trouble Shooting</a> <span
+class="cmsy-10">&#8226;</span><a
+ href="mn43.html#QQ1-43-63" name="QQ2-43-63">Q/A</a> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-78" name="QQ2-1-78">Bug Reports</a></div> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-79" name="QQ2-1-79">Resources</a></div> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-93" name="QQ2-1-93">License</a></div> <div class="DocPart" align="center"><a
+ href="mn.html#QQ1-1-94" name="QQ2-1-94">Acknowledgment</a></div> <div class="DocPart" align="center"><a
+ href="mn-index.html#QQ1-61-95" name="QQ2-61-95">Index</a></div>
+ </div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn20.html b/Master/texmf-dist/doc/generic/tex4ht/mn20.html
new file mode 100644
index 00000000000..7434d24a6c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn20.html
@@ -0,0 +1,45 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 4126--><p class="noindent"><a
+ href="mn6.html#mn20-1" name="mn20-1" >1</a>. <a
+ name="index20-35002"></a><span class="cmtt-10">\NewConfigure{</span><span class="cmti-10">name</span><span class="cmtt-10">}[</span><span class="cmti-10">i</span><span class="cmtt-10">]{</span><span class="cmti-10">body</span><span class="cmtt-10">}</span>
+</p><!--l. 4128--><p class="indent"> Hooks are just macro names seeded within the bodies of other macros. This command introduces a
+configuration command for a group of hooks, whose cardinality is given by a digit <span class="cmti-10">i </span>and whose name is provided by
+the first parameter. The body determines the relationship between the hooks and the configurations provided for
+them.
+</p><hr />
+<!--l. 4138--><p class="noindent"><a
+ href="mn6.html#mn20-2" name="mn20-2" >2</a>. <a
+ name="index20-35004"></a><span class="cmtt-10">\Configure{</span><span class="cmti-10">name</span><span class="cmtt-10">}{</span><span class="cmti-10">parameter-1</span><span class="cmtt-10">}...{</span><span class="cmti-10">parameter-i</span><span class="cmtt-10">}</span>
+</p>
+ <table id="TBL-13"
+><tr >
+<td class="output"
+><div class="output"> * ho ha *
+ </div></td><td
+><div class="source">
+ <div class="ShowCode">
+ <br />&nbsp;<span class="cmtt-10">\NewConfigure{try}[2]{%</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="cmtt-10">\def\hookI{#1}\def\hookII{#2}}</span>
+ <br />&nbsp;<span class="cmtt-10">\def\try#1{\hookI#1\hookII}</span>
+ <br />&nbsp;<span class="cmtt-10">\Configure{try}{*</span>&nbsp;<span class="cmtt-10">}{}</span>&nbsp;&nbsp;<span class="cmtt-10">\try{ho}</span>
+ <br />&nbsp;<span class="cmtt-10">\Configure{try}{}{</span>&nbsp;<span class="cmtt-10">*}</span>&nbsp;&nbsp;<span class="cmtt-10">\try{ha}</span>
+</div>
+ </div></td></tr></table>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn21.html b/Master/texmf-dist/doc/generic/tex4ht/mn21.html
new file mode 100644
index 00000000000..e4c3b223bdc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn21.html
@@ -0,0 +1,41 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>installed
+distribution</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<ul >
+<li><a
+ href="ftp://ftp.debian.org/" >Debian Linux</a> (Linux) </li>
+<li><a
+ href="http://fink.sourceforge.net/pdb/package.php/tex4ht" >Fink</a> (Mac) </li>
+<li><a
+ href="http://www.fptex.org/" >FpTeX</a> (MS Windows) </li>
+<li><a
+ href="http://hunch.net" >Hunch</a>: <a
+ href="http://hunch.net/tex4ht/tex4ht-1.0-1.src.rpm" >source code</a>, <a
+ href="http://hunch.net/tex4ht/tex4ht-1.0-1.i386.rpm" >i386 linux binary</a></li>
+<li><a
+ href="http://www.miktex.org/" >MikTeX</a> (MS Windows) </li>
+<li><a
+ href="http://www.rna.nl/" >R&amp;A</a> (Mac) </li>
+<li><a
+ href="ftp://ftp.suse.com/pub/people/ke/8.0-i386/" >SuSE</a> (Linux) </li>
+<li><a
+ href="http://www.tug.org/texlive/" >TeX Live</a> </li>
+<li><a
+ href="http://4tex.ntg.nl/" >4allTeX</a> </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn23.html b/Master/texmf-dist/doc/generic/tex4ht/mn23.html
new file mode 100644
index 00000000000..0635b208a3a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn23.html
@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>alternative sequence</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<dl > <dt>An alternative mode</dt><dd>
+
+<div class="Verbatim"><span class="cmtt-10">&nbsp;Gdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;epstypro</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;360</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd><dt>A Netpbm-based script (<a
+ href="ftp://ftp.x.org/R5contrib/netpbm-1mar1994.tar.gz" >src</a>)</dt><dd>
+<div class="Verbatim"><span class="cmtt-10">&nbsp;Ggs</span><span class="cmtt-10">&nbsp;-sDEVICE=ppm</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;-dbatch</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gmv</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gpnmcrop</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gppmtogif</span><span class="cmtt-10">&nbsp;-interlace</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;1,1,1</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd><dt>A PDF-based script (<a
+ href="http://www.cs.wisc.edu/~ghost/doc/AFPL/6.50/Ps2pdf.htm" >ps2pdf</a>)</dt><dd>
+<div class="Verbatim"><span class="cmtt-10">Gdvips</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gps2pdf</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;zz%%4.pdf</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gconvert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;'#FFFFFF'</span><span class="cmtt-10">&nbsp;zz%%4.pdf</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd></dl>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn24.html b/Master/texmf-dist/doc/generic/tex4ht/mn24.html
new file mode 100644
index 00000000000..c657f81dd94
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn24.html
@@ -0,0 +1,30 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>F scripts</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<ul >
+<li>For instance
+<div class="Verbatim"><span class="cmtt-10">Fdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Fgs</span><span class="cmtt-10">&nbsp;-sDEVICE=ppm</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;-dbatch</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Fconvert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;'#FFFFFF'</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Frm</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Frm</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 4592--><p class="noindent"></p></li>
+<li>The specialized scripts may, for instance, maintain global caches of gifs for cutting down on recompilation time.
+</li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn25.html b/Master/texmf-dist/doc/generic/tex4ht/mn25.html
new file mode 100644
index 00000000000..5605055b980
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn25.html
@@ -0,0 +1,62 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>validation</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ Try removing the space before the &#8216;<span class="cmtt-10">X</span>&#8217; in <span class="cmtt-10">tex4ht.env </span>and using the following NSGMLS make file adjusted to
+your system.
+<div class="Verbatim"><span class="cmtt-10">all:</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;${ext}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">html:</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;rm</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;temp.html</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;rm</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;fooo</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;######################</span><span class="cmtt-10">&nbsp;${name}.${ext}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;sed</span><span class="cmtt-10">&nbsp;${sedDTD}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;</span><span class="cmtt-10">&nbsp;${name}.${ext}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;temp.html</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;${nsgmls}</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/${dtdx}/nsgmls</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;${dclx}</span><span class="cmtt-10">&nbsp;temp.html/'</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/${dtd4}/nsgmls</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;${dcl}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;temp.html/'</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/${dtd32}/nsgmls</span><span class="cmtt-10">&nbsp;${dcl}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;temp.html/'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;fooo</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;chmod</span><span class="cmtt-10">&nbsp;700</span><span class="cmtt-10">&nbsp;fooo</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;fooo</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;name=${name}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;ext=${ext}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;########</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;${name}.${ext}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;#======================</span><span class="cmtt-10">&nbsp;${name}.${ext}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">tmp:</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">css:</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#####################################################################</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">nsgmls</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;grep</span><span class="cmtt-10">&nbsp;'&lt;!DOCTYPE'</span><span class="cmtt-10">&nbsp;${name}.${ext}</span><span class="cmtt-10">&nbsp;|</span><span class="cmtt-10">&nbsp;sed</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">dcl</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-s</span><span class="cmtt-10">&nbsp;${path}\/html.dcl</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">dclx</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-wxml</span><span class="cmtt-10">&nbsp;-wall</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;${path}\/catalog</span><span class="cmtt-10">&nbsp;-s</span><span class="cmtt-10">&nbsp;${path}\/xml.dcl</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">dtdx</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;&lt;\!DOCTYPE</span><span class="cmtt-10">&nbsp;.*</span><span class="cmtt-10">&nbsp;&#34;-\/\/W3C\/\/DTD</span><span class="cmtt-10">&nbsp;XHTML</span><span class="cmtt-10">&nbsp;1.0</span><span class="cmtt-10">&nbsp;Transitional\/\/EN&#34;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">dtd4</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;&lt;\!DOCTYPE</span><span class="cmtt-10">&nbsp;.*</span><span class="cmtt-10">&nbsp;&#34;-\/\/W3C\/\/DTD</span><span class="cmtt-10">&nbsp;HTML</span><span class="cmtt-10">&nbsp;4.0</span><span class="cmtt-10">&nbsp;Transitional\/\/EN&#34;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">dtd32</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;&lt;\!DOCTYPE</span><span class="cmtt-10">&nbsp;html</span><span class="cmtt-10">&nbsp;PUBLIC</span><span class="cmtt-10">&nbsp;&#34;-\/\/W3C\/\/DTD</span><span class="cmtt-10">&nbsp;HTML</span><span class="cmtt-10">&nbsp;3.2\/\/EN&#34;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">sedDTD=</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/PUBLIC</span><span class="cmtt-10">&nbsp;.*DTD</span><span class="cmtt-10">&nbsp;XHTML.*&#34;/SYSTEM</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&#34;${path}\/xhtml.dtd&#34;&gt;/g'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/PUBLIC</span><span class="cmtt-10">&nbsp;.*DTD</span><span class="cmtt-10">&nbsp;MATHML.*&#34;/SYSTEM</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&#34;${path}\/mathml.dtd&#34;&gt;/g'</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/PUBLIC</span><span class="cmtt-10">&nbsp;.*DTD</span><span class="cmtt-10">&nbsp;HTML</span><span class="cmtt-10">&nbsp;3.2.*&#34;/SYSTEM</span><span class="cmtt-10">&nbsp;&#34;${path}\/html32.dtd&#34;&gt;/g'</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/PUBLIC</span><span class="cmtt-10">&nbsp;.*DTD</span><span class="cmtt-10">&nbsp;HTML</span><span class="cmtt-10">&nbsp;4.0.*&#34;/SYSTEM</span><span class="cmtt-10">&nbsp;&#34;${path}\/html4.dtd&#34;&gt;/g'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/&#34;http:\/\/www.w3.org\/TR\/.*\/.*dtd&#34;&gt;//'</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-e</span><span class="cmtt-10">&nbsp;'s/&#34;http:..www.w3.org.pub.WWW.MarkUp.Wilbur.HTML32.dtd&#34;&gt;//'</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">path</span><span class="cmtt-10">&nbsp;=</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;.......</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#####################################################################</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn27.html b/Master/texmf-dist/doc/generic/tex4ht/mn27.html
new file mode 100644
index 00000000000..014d32cd148
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn27.html
@@ -0,0 +1,51 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>alternative sequence</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<dl > <dt>A variant of the given script</dt><dd>
+<div class="Verbatim"><span class="cmtt-10">GDEL</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;epstypro</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;360</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">GDEL</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gc:/imagemagic/convert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;#FFFFFF</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd><dt>A Netpbm-based script (<a
+ href="ftp://ftp.x.org/R5contrib/netpbm-1mar1994.tar.gz" >src</a> / binaries for Win 95/98/NT: <a
+ href="http://sourceforge.net/projects/netpbm/" >Netpbm project</a>, <a
+ href="ftp://miktex.sourceforge.net/pub/miktex/util/" >MiKTeX</a>)</dt><dd>
+<div class="Verbatim"><span class="cmtt-10">&nbsp;Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-o</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Ggswin32c</span><span class="cmtt-10">&nbsp;-sDEVICE=ppm</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;-dbatch</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gmove</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gpnmcrop</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Gppmtogif</span><span class="cmtt-10">&nbsp;-interlace</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;1,1,1</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+ </dd><dt>IrfanView</dt><dd>
+<a
+ href="http://www.irfanview.com" >IrfanView</a> offers a possible alternative for the &#8216;<span class="cmtt-10">convert</span>&#8217; utility of ImageMagick.
+ </dd><dt>PDF-based script</dt><dd>
+<a
+ name="pdf-based"></a>A (<a
+ href="http://www.cs.wisc.edu/~ghost/doc/AFPL/6.50/Ps2pdf.htm" >ps2pdf</a>)
+<div class="Verbatim"><span class="cmtt-10">Gdvips</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;tex4ht.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gps2pdf</span><span class="cmtt-10">&nbsp;tex4ht.ps</span><span class="cmtt-10">&nbsp;tex4ht.pdf</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Gconvert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;'#FFFFFF'</span><span class="cmtt-10">&nbsp;tex4ht.pdf</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd></dl>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn28.html b/Master/texmf-dist/doc/generic/tex4ht/mn28.html
new file mode 100644
index 00000000000..b5a327dadfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn28.html
@@ -0,0 +1,33 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>F scripts</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<ul >
+<li>For instance
+<div class="Verbatim"><span class="cmtt-10">&nbsp;Fif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;-o</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fgswin32c</span><span class="cmtt-10">&nbsp;-sDEVICE=ppm</span><span class="cmtt-10">&nbsp;-sOutputFile=zz%%4.ppm</span><span class="cmtt-10">&nbsp;-q</span><span class="cmtt-10">&nbsp;-dbatch</span><span class="cmtt-10">&nbsp;-dNOPAUSE</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;-c</span><span class="cmtt-10">&nbsp;quit</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fmove</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fpnmcrop</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;yz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;DEL</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;Fppmtogif</span><span class="cmtt-10">&nbsp;-interlace</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;1,1,1</span><span class="cmtt-10">&nbsp;zz%%4.ppm</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 5273--><p class="noindent"></p></li>
+<li>The specialized scripts may, for instance, maintain global caches of gifs for cutting down on recompilation time.
+</li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn29.html b/Master/texmf-dist/doc/generic/tex4ht/mn29.html
new file mode 100644
index 00000000000..78290699cb5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn29.html
@@ -0,0 +1,24 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>alternative scripts</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<div class="Verbatim"><span class="cmtt-10">Mif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;del</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Mif</span><span class="cmtt-10">&nbsp;exists</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Cif</span><span class="cmtt-10">&nbsp;exist</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;del</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Cif</span><span class="cmtt-10">&nbsp;exists</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;copy</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;%%2%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn2x.gif b/Master/texmf-dist/doc/generic/tex4ht/mn2x.gif
new file mode 100644
index 00000000000..3839ac074e5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn2x.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn3.html b/Master/texmf-dist/doc/generic/tex4ht/mn3.html
new file mode 100644
index 00000000000..4acd1bf7911
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn3.html
@@ -0,0 +1,633 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>calling commands</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <p class="rightline"><a
+ href="mn.html#mn3.html" >up</a></p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-4"></a>Calling Commands</h2><div class="TableOfContents"><span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-5" name="QQ2-3-5">From LaTeX to HTML</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-6" name="QQ2-3-6">Available Values for the Options</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-7" name="QQ2-3-7">XHTML and Unicode</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-8" name="QQ2-3-8">XHTML with MathML</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-10" name="QQ2-3-10">OpenOffice and MS Word</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-11" name="QQ2-3-11">DocBook and TEI</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-12" name="QQ2-3-12">JavaHelp</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-13" name="QQ2-3-13">Private Configuration Files</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-14" name="QQ2-3-14">An Insight into the
+Commands</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-15" name="QQ2-3-15">A Deeper Insight</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-16" name="QQ2-3-16">TeX and TeXi</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-18" name="QQ2-3-18">Validation</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-3-19" name="QQ2-3-19">Recommendations</a></span>
+ </div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-5"></a>From LaTeX to HTML</h2>
+<!--l. 1791--><p class="noindent"><a
+ name="features"></a>The translation of a LaTeX source file into HTML involves of loading <span
+class="cmtt-10">tex4ht.sty </span>and *.4ht style files, choosing the
+desirable options for the translation, compiling the source into <span
+class="cmtt-10">dvi </span>code with the native LaTeX engine, and
+postprocessing the outcome with the <span
+class="cmtt-10">tex4ht </span>and <span
+class="cmtt-10">t4ht </span>programs (see <a
+ href="mn38.html" >overview</a>).
+</p><!--l. 1800--><p class="indent"> <a
+ name="index3-5001"></a>The <span
+class="cmtt-10">htlatex </span>command loads a script which takes on itself to invoke the different steps of the process, without
+user intervention. The command assumes the form
+</p>
+ <div
+class="centerline"><span
+class="cmtt-10">htlatex filename &#34;</span><span
+class="cmti-10">options1</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">option2</span><span
+class="cmtt-10">&#34; &#34;</span><span
+class="cmti-10">options3</span><span
+class="cmtt-10">&#34;</span></div>
+<!--l. 1809--><p class="noindent">where the first set of options is for the <span
+class="cmtt-10">tex4ht.sty </span>and <span
+class="cmtt-10">*.4ht </span>style files, the second set is for the <span
+class="cmtt-10">tex4ht</span>
+postprocessor, and the third for the <span
+class="cmtt-10">t4ht </span>postprocessor. For instance,
+</p><!--l. 1822--><p class="indent">
+</p><dl > <dt><span
+class="cmtt-10">htlatex filename</span></dt><dd>
+This command requests a translation according to the default conditions, which are set to produce HTML
+transitional 4.0 code.
+ </dd><dt><span
+class="cmtt-10">htlatex filename &#34;html,2,info&#34;</span></dt><dd>
+This command is equivalent to the previous one, specifying explicitly the option <span
+class="cmtt-10">html </span>for <span
+class="cmtt-10">tex4ht.sty </span>instead of
+doing so implicitly.
+<!--l. 1831--><p class="indent"> In addition, the command requests a break up of the output into separate web pages, in accordance to the two
+top sectioning levels of the document.
+</p><!--l. 1835--><p class="indent"> Moreover, it asks for a listing in the log file of the information available for the style files in use. That
+information, among other things, also introduces additional values available for the first list of options. </p></dd><dt><span
+class="cmtt-10">htlatex</span>
+<span
+class="cmtt-10">filename &#34;&#34; &#34;dbcs/!&#34;</span></dt><dd>
+This command requests the loading of the dbcs branch of Chinese hypertext fonts (on top of those already requested
+by the default setting). </dd><dt> <a
+ name="index3-5002"></a> <a
+ name="index3-5003"></a> <a
+ name="index3-5004"></a> <a
+ name="index3-5005"></a> <a
+ name="index3-5006"></a><span
+class="cmtt-10">htlatex filename &#34;foo,frames&#34; &#34;&#34; &#34;-p&#34;</span></dt><dd>
+This command requests LaTeX to load a private configuration file, named <span
+class="cmtt-10">foo.cfg</span>, and to place the content and
+table of contents in separate frames. In addition, it asks <span
+class="cmtt-10">t4ht </span>not to produce bitmaps for pictures.
+</dd></dl>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-6"></a>Available Values for the Options</h2>
+<!--l. 1864--><p class="noindent"><a
+ name="index3-6001"></a>The fields of <span
+class="cmti-10">option1 </span>should be separated by commas. An &#8216;<span
+class="cmtt-10">info</span>&#8217; field requests a listing in the .log file of many of the
+the available values. If the list is not empty, it must start with the entry &#8216;<span
+class="cmtt-10">html</span>&#8217;, &#8216;<span
+class="cmtt-10">xhtml</span>&#8217;, or a name of a private
+configuration file.
+
+</p><!--l. 1871--><p class="indent"> The fields of <span
+class="cmti-10">option2 </span>and <span
+class="cmti-10">options3 </span>should be separated by spaces. The available values can be listed by
+executing the postprocessors <span
+class="cmtt-10">tex4ht.c </span>and <span
+class="cmtt-10">t4ht.c</span>, respectively, without arguments (or with wrong sets of
+arguments).
+</p><!--l. 1876--><p class="indent"> The first field of <span
+class="cmti-10">option2 </span>should be empty or a subdirectory of <span
+class="cmtt-10">ht-fonts </span>(typically augmented with an
+exclamation mark &#8216;<span
+class="cmtt-10">!</span>&#8217;). A space should separate the first field from the second one, also when the first field is
+empty.
+</p><!--l. 1881--><p class="indent"> The underlying output formats of available <span
+class="cmtt-10">htlatex</span>-like commands are tailored into the commands through
+fields of <span
+class="cmti-10">option1</span>. The names of these fields are defined in <span
+class="cmtt-10">tex4ht.4ht </span>and <span
+class="cmtt-10">tex4ht.usr </span>(see <a
+ href="mn6.html#confFiles">General Configuration
+Files</a>). These values should be of little interest to most users.
+</p><!--l. 1889--><p class="indent"> <a
+ name="index3-6002"></a> <a
+ name="index3-6003"></a>Different variants of the <span
+class="cmtt-10">htlatex </span>command may be invoked by introducing the commands as
+arguments to a driver named <span
+class="cmtt-10">mk4ht</span>. When provided without arguments, the driver lists the commands it
+recognizes.
+</p>
+ <table id="TBL-1"
+><tr valign="top" >
+<td style="white-space: nowrap; margin-right:2em;"
+> <span
+class="cmtt-10">mk4ht mzlatex filename &#34;html,3&#34; </span></td><td
+><span
+class="cmtt-10">(htlatex filename &#34;html,3,xhtml,mozilla&#34; &#34;</span><span
+class="cmtt-10">&nbsp;-cmozhtf&#34;)</span>
+</td></tr><tr valign="top" >
+<td style="white-space: nowrap; margin-right:2em;"
+> <span
+class="cmtt-10">mk4ht oolatex filename </span></td><td
+><span
+class="cmtt-10">(htlatex filename &#34;xhtml,ooffice&#34; &#34;</span><span
+class="cmtt-10">&nbsp;-coo&#34;) </span></td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-7"></a>XHTML and Unicode</h2> <a
+ name="index3-7001"></a> <a
+ name="index3-7002"></a> <a
+ name="index3-7003"></a>The &#8216;<span
+class="cmtt-10">xhlatex</span>&#8217; command is a variant of the &#8216;<span
+class="cmtt-10">htlatex</span>&#8217; command requesting XHTML
+output. It consists just of a call to &#8216;<span
+class="cmtt-10">htlatex</span>&#8217; with the entry &#8216;<span
+class="cmtt-10">xhtml</span>&#8217; in the first list of options. For instance,
+&#8216;<span
+class="cmtt-10">xhlatex filename</span>&#8217; or &#8216;<span
+class="cmtt-10">htlatex filename &#34;xhtml&#34;</span>&#8217;.
+<!--l. 1916--><p class="noindent">To request a Unicode representation of symbols, the first list of options should include the &#8216;<span
+class="cmtt-10">uni-html4</span>&#8217; entry, and
+the second list should include the &#8216;<span
+class="cmtt-10">-cunihtf</span>&#8217; entry preceded by space. For instance, &#8216;<span
+class="cmtt-10">xhlatex filename</span>
+<span
+class="cmtt-10">&#34;xhtml,uni-html4&#34; &#34; -cunihtf&#34;</span>&#8217;.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-8"></a>XHTML with MathML</h2>
+<!--l. 1926--><p class="noindent"><a
+ name="index3-8001"></a> <a
+ name="index3-8002"></a> <a
+ name="index3-8003"></a> <a
+ name="index3-8004"></a> <a
+ name="index3-8005"></a>TeX4ht has different configurations for different modes of output. It is distributed with pre-tailored base
+configurations for translating LaTeX math into MathML, and extra configurations for adjusting the outcome to
+Mozilla, MathPlayer, and PMathML CSS. Only presentational MathML is supported.
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;mzlatex</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;mzlatex</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;html,pmathml&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;mzlatex</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;html,mathplayer&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;mzlatex</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;&#34;html,mathml-&#34;</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;xhmlatex</span><span
+class="cmtt-10">&nbsp;filename</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 1947--><p class="indent"> The <span
+class="cmtt-10">mzlatex </span>command is a short cut representation for the command &#8216;<span
+class="cmtt-10">htlatex filename &#34;xhtml,mozilla&#34;</span>
+<span
+class="cmtt-10">&#34; -cmozhtf&#34;</span>&#8217;. It take into account special needs of browsers. The <span
+class="cmtt-10">xhmlatex </span>command is a short cut representation
+for the command &#8216;<span
+class="cmtt-10">htlatex filename &#34;xhtml,mathml&#34; &#34; -cunihtf&#34;</span>&#8217;; it does not make any compromizes toward
+browsers.
+</p><!--l. 1954--><p class="indent"> It might be worthwhile to notice some of the more <a
+ href="mn4.html" name="mn4.html" >common sources of problems</a> for MathML. <a
+ name="index3-9001"></a>The &#8216;<span
+class="cmtt-10">mathml-</span>&#8217; options asks for a degraded MathML output that sidetracks some of the
+problems.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-10"></a>OpenOffice and MS Word</h2>
+<!--l. 2004--><p class="noindent"><a
+ name="index3-10001"></a> <a
+ name="index3-10002"></a> <a
+ name="index3-10003"></a> <a
+ name="index3-10004"></a> <a
+ name="index3-10005"></a>A translation for an <a
+ href="http://www.openoffice.org/" >OpenOffice</a> format can be requested by the &#8216;<span
+class="cmtt-10">\oolatex</span>&#8217; command. The command is a
+variant of <span
+class="cmtt-10">htlatex </span>in which the first list of options holds the entries &#8216;<span
+class="cmtt-10">xhtml,ooffice</span>&#8217;, the second list
+holds the entry &#8216;<span
+class="cmtt-10">-cmozhtf</span>&#8217; preceded by a space, and the third list contains &#8216;<span
+class="cmtt-10">-coo</span>&#8217; (<span
+class="cmtt-10">htlatex filename</span>
+<span
+class="cmtt-10">&#34;xhtml,ooffice&#34; &#34;</span><span
+class="cmtt-10">&nbsp;-coo&#34;</span>). The output of a command &#8216;<span
+class="cmtt-10">oolatex filename</span>&#8217; is a zipped file named with a &#8216;<span
+class="cmtt-10">.sxw</span>&#8217;
+extension.
+</p><!--l. 2023--><p class="indent"> The OpenOffice code employs MathML for formulas, and XSL-FO for formatting. It can be viewed by the
+OpenOffice word processor which, in turn, can export RTF and other MicroSoft-based formats (see also, Maarten
+Wisse, &#8220;Hacking TeX4ht for XML Output: The Road toward a TeX to Word Convertor&#8221;, MAPS&nbsp;28&nbsp;(2002),
+pp.&nbsp;28-35).
+</p><!--l. 2031--><p class="indent"> A command of the form &#8216;<span
+class="cmtt-10">htlatex filename &#34;html,word&#34; &#34;symbol/!&#34;</span>&#8217; asks for HTML output tuned toward
+MicroSoft Word. Such a format, however, relies on bitmaps for mathematical formulas.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-11"></a>DocBook and TEI</h2>
+<!--l. 2040--><p class="noindent"><a
+ name="index3-11001"></a> <a
+ name="index3-11002"></a> <a
+ name="index3-11003"></a> <a
+ name="index3-11004"></a> <a
+ name="index3-11005"></a> <a
+ name="index3-11006"></a> <a
+ name="index3-11007"></a> <a
+ name="index3-11008"></a> <a
+ name="index3-11009"></a> <a
+ name="index3-11010"></a>The following commands may be used for requesting DocBook and TEI output.
+</p>
+ <table id="TBL-2"
+><tr >
+<td
+><span
+class="cmtt-10">dbmlatex: </span></td><td
+><span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;xhtml,docbook-mml&#34; &#34; -cunihtf&#34; </span></td></tr><tr >
+<td
+><span
+class="cmtt-10">dblatex:</span></td><td
+><span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;xhtml,docbook&#34; &#34; -cunihtf&#34; </span></td></tr><tr >
+<td
+><span
+class="cmtt-10">teimlatex:</span></td><td
+><span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;xhtml,tei-mml&#34; &#34; -cunihtf&#34; </span></td></tr><tr >
+<td
+><span
+class="cmtt-10">teilatex:</span></td><td
+><span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;xhtml,tei&#34; &#34; -cunihtf&#34; </span></td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-12"></a>JavaHelp</h2>
+<!--l. 2071--><p class="noindent"><a
+ name="index3-12001"></a><a
+ href="http://java.sun.com/products/javahelp/index.jsp" >JavaHelp</a> is an online documentation system for use by Java-based applications. Such documents can be
+produced from LaTeX files through commands similar to &#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;html,3.2,javahelp&#34;</span>&#8217; (see
+<a
+ href="jhsample.tex" >jhsample.tex</a>).
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-13"></a>Private Configuration Files</h2>
+<!--l. 2225--><p class="noindent"><a
+ name="index3-13001"></a><a
+ name="prvCfgFiles"></a>The leading entry, in the first list of options of the <span
+class="cmtt-10">htlatex</span>-like commands, can equal &#8216;<span
+class="cmtt-10">html</span>&#8217; or &#8216;<span
+class="cmtt-10">xhtml</span>&#8217;. If this is not
+the case, the entry is assumed to be the name of a configuration file. The extension &#8216;<span
+class="cmtt-10">cfg</span>&#8217; is assumed for names of
+configuration files that are listed without their extension.
+</p><!--l. 2233--><p class="indent"> A configuration file should take the following form for LaTeX files.
+</p>
+ <div class="Template"> <span
+class="cmtt-10">...</span><span
+class="cmti-10">early definitions</span><span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\Preamble{</span><span
+class="cmti-10">options</span><span
+class="cmtt-10">}</span><br />
+<span
+class="cmtt-10">...</span><span
+class="cmti-10">definitions</span><span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\begin{document}</span><br />
+<span
+class="cmtt-10">...</span><span
+class="cmti-10">insertions into the header of the html file</span><span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\EndPreamble </span></div>
+<!--l. 2247--><p class="indent"> It is up to the user to decide the distribution of entries between the <span
+class="cmtt-10">\Preamble </span>and the <span
+class="cmtt-10">htlatex</span>-like
+commands.
+</p>
+ <div class="EXAMPL"><span
+class="cmbx-10">Example </span>The command &#8216;<span
+class="cmtt-10">htlatex myfile &#34;mycfg,2&#34;</span>&#8217; requests the compilation of a file named myfile.tex, in
+the presence of a configuration file named mycfg.cfg. The configuration file might have the following
+content.
+<div class="Verbatim"><span
+class="cmtt-10">\Preamble{html}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\begin{document}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\Css{body</span><span
+class="cmtt-10">&nbsp;{</span><span
+class="cmtt-10">&nbsp;color</span><span
+class="cmtt-10">&nbsp;:</span><span
+class="cmtt-10">&nbsp;red;</span><span
+class="cmtt-10">&nbsp;}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\EndPreamble</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </div>
+
+ <div class="Notes"><span
+class="cmbx-10">Notes</span>
+<ul >
+<li>Notice that for a LaTeX file the <span
+class="cmtt-10">\begin{document} </span>instruction should be present both in the configuration file and
+the source file.
+<!--l. 2270--><p class="noindent"></p></li>
+<li>Instructions defined within a source file may be redefined in a configuration file. Such a feature enables to keep
+source files intact for compilation to different formats by different tools.
+<!--l. 2275--><p class="indent"> For instance, a definition of the form <span
+class="cmtt-10">\renewcommand\mycommand{...} </span>within a configuration file provided for
+the following LaTeX source.
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\documentclass{...}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\newcommand\mycommand{...}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\begin{document}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;Use</span><span
+class="cmtt-10">&nbsp;\mycommand{...}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\end{document}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </li></ul></div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-14"></a>An Insight into the Commands</h2>
+<!--l. 2299--><p class="noindent">Given a LaTeX file
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\documentclass{article}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\begin{document}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">..................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\end{document}</span>
+</div>
+<!--l. 2309--><p class="noindent">the &#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename</span>&#8217; command produces a call &#8216;<span
+class="cmtt-10">latex </span><span
+class="cmti-10">filename</span>&#8217; to LaTeX on an implicit file of the following
+form.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\documentclass{article}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="showcode"><span
+class="cmtt-10">\usepackage{tex4ht}</span></span>
+ <br />&nbsp;<span
+class="cmtt-10">\begin{document}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">..................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\end{document}</span>
+</div>
+<!--l. 2323--><p class="noindent">Similarly, the command &#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;</span><span
+class="cmti-10">options</span><span
+class="cmtt-10">&#34;</span>&#8217; produces a call to a &#8216;<span
+class="cmtt-10">latex </span><span
+class="cmti-10">filename</span>&#8217; command on an
+implicit file of the following form.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\documentclass{article}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">\usepackage[</span><span class="showcode"><span
+class="cmtt-10">options</span></span><span
+class="cmtt-10">]{tex4ht}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\begin{document}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">..................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\end{document}</span>
+</div>
+ <a
+ name="index3-14001"></a>The command &#8216;<span
+class="cmtt-10">ht latex </span><span
+class="cmti-10">filename </span>&#8217; may be used, instead of the &#8216;<span
+class="cmtt-10">htlatex </span><span
+class="cmti-10">filename </span><span
+class="cmtt-10">&#34;</span><span
+class="cmti-10">options</span><span
+class="cmtt-10">&#34;</span>&#8217; command, in
+cases that the <span
+class="cmtt-10">\usepackage </span>instruction is explicitly introduced into the source files.
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-15"></a>A Deeper Insight</h2>
+<!--l. 2349--><p class="noindent">From the perspective of TeX4ht, the <span
+class="cmtt-10">htlatex</span>-like commands, and the <span
+class="cmtt-10">\usepackage</span>, are indirect approaches for
+getting LaTeX files of the following form. Such files can be explicitly provided for compilations requested through
+the &#8216;<span
+class="cmtt-10">ht latex </span><span
+class="cmti-10">filename</span>&#8217; command.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\documentclass{article}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">.....</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">\input</span>&nbsp;<span
+class="cmtt-10">tex4ht.sty</span>
+
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">.....</span>
+ <br />&nbsp;<span
+class="cmtt-10">\Preamble{</span><span class="showcode"><span
+class="cmtt-10">options</span></span><span
+class="cmtt-10">}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">.....</span>
+ <br />&nbsp;<span
+class="cmtt-10">\begin{document}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">.....</span>
+ <br />&nbsp;<span
+class="cmtt-10">\EndPreamble</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">..................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\end{document}</span>
+</div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-16"></a>TeX and TeXi</h2>
+<!--l. 2379--><p class="noindent"><a
+ name="index3-16001"></a> <a
+ name="index3-16002"></a> <a
+ name="index3-16003"></a>Commands similar to those offered for LaTeX are also offered for TeX (dbmtex, dbtex, ht, httex, mztex, ootex,
+t4ht, teimtex, teitex, tex4ht, xhmtex, xhtex) and TeXi (dbmtexi, dbtexi, httexi, mztexi, ootexi, teimtexi, teitexi,
+xhmtexi, xhtexi). In the case of TeX, the fragment of code &#8216;<span
+class="cmtt-10">\csname tex4ht\endcsname</span>&#8217; should be
+introduced into the source file, after the preamble of the file where the document definitions reside
+(<a
+ href="mn5.html" name="mn5.html" >example</a>). In the case of TeXi, such a code fragment is introduced implicitly.
+</p><!--l. 2407--><p class="indent"> The private configuration files are similar to those of LaTeX, with the instruction &#8216;<span
+class="cmtt-10">\begin{document}</span>&#8217;
+excluded.
+</p>
+ <div class="Template"> <span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\Preamble{</span><span
+class="cmti-10">options</span><span
+class="cmtt-10">}</span><br />
+<span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\begin{document}</span><br />
+<span
+class="cmtt-10">...</span><br />
+<span
+class="cmtt-10">\EndPreamble</span><br />
+<span
+class="cmtt-10">... </span></div>
+ The &#8216;<span
+class="cmtt-10">ht tex </span><span
+class="cmti-10">filename </span>&#8217; and &#8216;<span
+class="cmtt-10">ht texi </span><span
+class="cmti-10">filename </span>&#8217; commands may apply for TeX and TeXi sources that embed
+such code fragments in their body. The embeded code should replace the &#8216;<span
+class="cmtt-10">\csname tex4ht\endcsname</span>&#8217; fragment in
+TeX sources, be palces at the strat of the files in TeXi sources, and not include the <span
+class="cmtt-10">\begin{document}</span>
+instruction.
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-18"></a>Validation</h2>
+<!--l. 2435--><p class="noindent"><a
+ name="index3-18001"></a>The outcome of the translations should be checked by validators for proper syntax. Typically, with the presence of
+validators, errors are easy to detect and correct, but they require human intervention.
+</p><!--l. 2440--><p class="indent"> TeX4ht doesn&#8217;t offer a built-in parser to verify the correctness of the outcome. However, external validator(s)
+can quite easily be integrated into the compilation process.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-3-19"></a>Recommendations</h2>
+<!--l. 2449--><p class="noindent">To keep with the spirit of LaTeX and hypertext, in which style is assumed to be separated from content, the users
+are encouraged to avoid inserting TeX4ht code into their source files. Instead, they should place their
+modifications, to the default settings, within private configuration files to be loaded by htlatex-like
+commands.
+</p><!--l. 2456--><p class="indent"> On the other hand, it should be noted that hypertext markings should adhere to strict rules specified by
+different standards. Consequently, it is strongly advised to check the output obtained from the default
+configurations, before trying to tailor new ones.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn31.html b/Master/texmf-dist/doc/generic/tex4ht/mn31.html
new file mode 100644
index 00000000000..83bb526066d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn31.html
@@ -0,0 +1,60 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn-port.html#mn31.html" >exit</a> <h3 class="SubSectionHead"><a
+ name="QQ1-31-41"></a>Placement of the Environment File</h3>
+ <a
+ name="index31-41001"></a> <a
+ name="index31-41002"></a> <a
+ name="index31-41003"></a> <a
+ name="index31-41004"></a> <a
+ name="index31-41005"></a><a
+ name="envloc"></a> The <span class="cmtt-10">tex4ht.c </span>and <span class="cmtt-10">t4ht.c </span>programs retrieve the information about their platform from an environment file.
+The programs search the file at the following locations, in the given order.
+<ul type="disc" >
+<li>The address specified within the <a
+ href="mn38.html" >command lines</a> of <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht</span>, and identified there by the prefix &#8216;<span class="cmtt-10">-e</span>&#8217;.
+</li>
+<li>The address <span class="cmtt-10">tex4ht.env </span>in the work directory. </li>
+<li>At the location specified by an optional environment variable named <span class="cmtt-10">TEX4HTENV</span>. </li>
+<li>The address <span class="cmtt-10">tex4ht.env </span>in the <a
+ href="mn32.html" name="mn32.html" >root</a> directory. </li>
+<li>The address provided in the variable <a
+ href="mn36.html#x-ENVFILE" name="ENVFILE">ENVFILE</a> of tex4ht and t4ht during compilation. </li>
+<li>At the directories of kpathsea, to be searched by that utility, if the <span class="cmtt-10">tex4ht.c </span>and <span class="cmtt-10">t4ht.c </span>programs are compiled
+with the &#8216;<span class="cmtt-10">-DKPATHSEA</span>&#8217; switch on.
+<!--l. 5458--><p class="indent"> For instance,
+</p><!--l. 5460--><p class="indent"> <span class="cmtt-10">gcc -o tex4ht tex4ht.c -DENVFILE='&#34;~/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+<span class="cmtt-10">-DKPATHSEA -DHAVE_DIRENT_H -lkpathsea</span>
+</p><!--l. 5466--><p class="noindent">or
+</p><!--l. 5468--><p class="indent"> <span class="cmtt-10">gcc -O2 -DKPATHSEA -I/usr/local/teTeX/include -L/usr/local/teTeX/lib -o tex4ht tex4ht.c</span>
+<span class="cmtt-10">-DHAVE_DIRENT_H -lkpathsea</span>
+</p><!--l. 5477--><p class="indent"> When the address of <span class="cmtt-10">tex4ht.env </span>is not explicitly given, the <span class="cmtt-10">texmf.cnf </span>file might need records similar to the
+following ones.
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;TEX4HTFONTSET=alias,iso8859</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;TEX4HTINPUTS=.;$TEXMF/tex4ht/base//;$TEXMF/tex4ht/ht-fonts/{$TEX4HTFONTSET}//</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;T4HTINPUTS=.;$TEXMF/tex4ht/base//</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </li></ul>
+<!--l. 5488--><p class="indent"> A given address may start with the character &#8216;<span class="cmtt-10">~</span>&#8217;. This character is interpreted to be the directory address of the
+root (as provided in an environment variable named <span class="cmtt-10">HOME</span>).
+</p><!--l. 5494--><p class="indent"> The file <span class="cmtt-10">tex4ht.env </span>may be renamed to &#8216;<span class="cmtt-10">.tex4ht</span>&#8217;, if your system allows names consisting only of the extension
+part.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn32.html b/Master/texmf-dist/doc/generic/tex4ht/mn32.html
new file mode 100644
index 00000000000..d90dc8f7f66
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn32.html
@@ -0,0 +1,23 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>root</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ The address of the root directory is assumed to be stored in an environment variable named <span class="cmtt-10">HOME</span>.
+<!--l. 5447--><p class="indent"> On MS Windows, the directory <span class="cmtt-10">c:/</span>, and the residence directory of <span class="cmtt-10">tex4ht.exe </span>and <span class="cmtt-10">t4ht.exe</span>, are also
+candidates.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn33.html b/Master/texmf-dist/doc/generic/tex4ht/mn33.html
new file mode 100644
index 00000000000..2380f6c966f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn33.html
@@ -0,0 +1,110 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Modify</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn-port.html#mn33.html" >exit Modify</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-33-42"></a>The Composition of tex4ht.env</h3>
+ <a
+ name="index33-42001"></a>TeX4ht consults this file for system-dependent information. The file consists of a sequence of directives, where
+each directive occupies a line and is identified with a distinguished character code in the first column. The following
+are the possible character codes and their meaning.
+<dl >
+ <dt>b</dt><dd>
+This character identifies for <span class="cmtt-10">tex4ht </span>a comment to be placed in the &#8216;<span class="cmtt-10">.lg</span>&#8217; file, before the <a
+ href="mn37.html#bsc" name="bsc-1">scripts</a> for creating pictures
+for symbols.
+ </dd><dt>g</dt><dd>
+<a
+ name="index33-42002"></a>This character identifies the extension tex4ht should associate to names of the files of pictures it creates. The default
+corresponds to a setting of the form &#8216;<span class="cmtt-10">g.gif</span>&#8217;.
+<!--l. 5528--><p class="indent"> A directory name can also be encoded into tex4ht during compilation time through the variable
+<a
+ href="mn36.html#x-LGTYP" name="LGTYP">LGTYP</a>.
+</p><!--l. 5532--><p class="indent"> Alternatively, an extension can be provided in the command line of tex4ht, in which case the character code
+should be present and immediately preceded by a &#8216;<span class="cmtt-10">-</span>&#8217; character.
+</p>
+ </dd><dt>i</dt><dd>
+This character identifies to <span class="cmtt-10">tex4ht </span>a directory <a
+ href="mn39.html#ch-i" name="ch.i">where</a> the hypertext font (.htf) files of <span class="cmtt-10">tex4ht </span>are
+stored.
+ </dd><dt>l</dt><dd>
+<a
+ name="index33-42003"></a>This character identifies a <a
+ href="mn34.html" name="mn34.html" >bookkeeping file</a> where <span class="cmtt-10">tex4ht </span>can record information about paths to files it uses.
+ </dd><dt>s</dt><dd>
+This character identifies to <span class="cmtt-10">tex4ht </span>a <a
+ href="mn37.html#sc" name="sc-1">command</a> for requesting in the <span class="cmtt-10">lg </span>file the translation of dvi pictures to
+bitmaps. When needed, a sequence of such commands can be placed in consecutive lines to form a block of
+commands for handling the translation.
+ </dd><dt>t</dt><dd>
+<a
+ name="index33-43005"></a>This character identifies to <span class="cmtt-10">tex4ht </span>the directory <a
+ href="mn35.html" name="mn35.html" >where</a> the font metric (.tfm) files of TeX are stored.
+ </dd><dt>A</dt><dd>
+This character identifies to <span class="cmtt-10">t4ht </span>a <a
+ href="mn-unix.html#accscript">script</a> for changing access mode of files.
+ </dd><dt>C</dt><dd>
+This character identifies a <a
+ href="mn-unix.html#mvscript">script</a> for satisfying requests made in the <span class="cmtt-10">lg </span>file to copy files between directories.
+ </dd><dt>E</dt><dd>
+This character identifies a <a
+ href="mn-unix.html#mvscript">script</a> for satisfying requests made in the <span class="cmtt-10">lg </span>file to get substitutions for empty
+pictures.
+ </dd><dt>F</dt><dd>
+This character identifies to <span class="cmtt-10">t4ht </span>a <a
+ href="mn-unix.html#dv2gif">script</a> for translating into other formats characters from dvi files.
+ </dd><dt>G</dt><dd>
+This character identifies to <span class="cmtt-10">t4ht </span>a <a
+ href="mn-unix.html#dv2gif">script</a> for translating general dvi figures into other formats.
+ </dd><dt>M</dt><dd>
+This character identifies a <a
+ href="mn-unix.html#mvscript">script</a> for satisfying requests made in the <span class="cmtt-10">lg </span>file to move files between directories.
+ </dd><dt>S</dt><dd>
+This character specifies what security measures <span class="cmtt-10">t4ht </span>should take when invoking other utilities. In the absence of
+this directive, all the calls to system services are ignored. On the other hand, a directive of the form &#8216;<span class="cmtt-10">S*</span>&#8217; allows all
+system calls. A selective access to system calls can be obtained with <span class="cmtt-10">S </span>directives, which specify the prefixes of
+command names that should be allowed to go through.
+<!--l. 5757--><p class="indent"> The <span class="cmtt-10">S </span>directives can be fed as switches to the command lines <span class="cmtt-10">t4ht</span>.
+</p>
+ </dd><dt>P</dt><dd>
+A variant of he <span class="cmtt-10">S </span>switch for <span class="cmtt-10">tex4ht</span>. Rarely useful.
+ </dd><dt>X</dt><dd>
+This character identifies to <span class="cmtt-10">t4ht </span>a script for postprocessing the files which <span class="cmtt-10">tex4ht </span>outputs. The file names are
+represented by &#8216;<span class="cmtt-10">%%1</span>&#8217;, and their extensions by &#8216;<span class="cmtt-10">%%2</span>&#8217;. Such scripts, for instance, may invoke validators to check the
+correctness of the files against given DTD&#8217;s and request XSL transformations.
+<!--l. 5770--><p class="indent"> The command line of <span class="cmtt-10">t4ht </span>may include a flag &#8216;<span class="cmtt-10">-X</span>&#8217; whose content is represented by &#8216;<span class="cmtt-10">%%3</span>&#8217; in the
+script.
+</p><!--l. 5774--><p class="indent"> Example: <span class="cmtt-10">Xmake -f mymake name=%%1 ext=%%2 %%3</span>
+</p>
+ </dd><dt><span class="cmbx-10">. </span>(dot)</dt><dd>
+A variant of the X script applied to files whose extension names are provided after the dot. The file names are
+represented by &#8216;<span class="cmtt-10">%%1</span>&#8217;, and the jobnames by &#8216;<span class="cmtt-10">%%0</span>&#8217;.
+<!--l. 5780--><p class="indent"> Example: <span class="cmtt-10">.xml echo &#34;name=%%1.xml&#34;</span>
+</p>
+ </dd><dt><span class="cmtt-10">&lt;</span></dt><dd>
+Tagged script segments <span class="cmtt-10">&lt;tag&gt;...&lt;/tag&gt; </span>are scanned only if their names are specified within <span class="cmtt-10">-ctag </span>switches of
+<span class="cmtt-10">tex4ht.c </span>and <span class="cmtt-10">t4ht.c</span>. When such switches are not supplied, a the switch <span class="cmtt-10">-cdefault </span>is implicitly
+assumed.
+ </dd></dl>Lines starting with other characters are treated as comments, and empty lines may be treated as file
+terminators by <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht</span>.
+<!--l. 5796--><p class="noindent"><span class="cmbx-10">Examples: </span><a
+ href="tex4ht-env-unix.txt" >Unix-oriented</a>, <a
+ href="tex4ht-env-win32.txt" >MS-oriented</a>
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn34.html b/Master/texmf-dist/doc/generic/tex4ht/mn34.html
new file mode 100644
index 00000000000..5b8f30e6f91
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn34.html
@@ -0,0 +1,51 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>bookkeeping file</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn33.html#mn34.html" >exit</a> <h3 class="SubSectionHead"><a
+ name="QQ1-34-43"></a>Placement of the Bookkeeping File</h3>
+ <a
+ name="index34-43001"></a> <a
+ name="index34-43002"></a> <a
+ name="index34-43003"></a> <a
+ name="index34-43004"></a><a
+ name="TEX4HTWR"></a>To cut down on the time invested to locate files, the <span class="cmtt-10">tex4ht.c </span>program maintains a bookkeeping file where it
+records the addresses of the files it finds. Whenever the program needs to locate a file, it first searches the address in
+the bookkeeping file. If it doesn&#8217;t find the address there, the program embarks on a search throughout the physical
+directories of its platform.
+<!--l. 5565--><p class="indent"> The program places the bookkeeping file at the first applicable location of the following list.
+</p><!--l. 5568--><p class="indent">
+</p><ol type="1" >
+<li>The pointer specified by an optional &#8216;<span class="cmtt-10">-l</span>&#8217; switch provided to the invocation of the <span class="cmtt-10">tex4ht </span>program.
+</li>
+<li>A file named <span class="cmtt-10">tex4ht.fls </span>in the directory specified by an optional environment variable named <span class="cmtt-10">TEX4HTWR</span>.
+</li>
+<li>The location specified by an optional &#8216;<span class="cmtt-10">l</span>&#8217; record provided in the environment file. </li>
+<li>A file named <span class="cmtt-10">tex4ht.fls </span>in the work directory. </li></ol>
+ A given address may start with the character &#8216;<span class="cmtt-10">~</span>&#8217; or the character pair &#8216;<span class="cmtt-10">~~</span>&#8217;. The single character &#8216;<span class="cmtt-10">~</span>&#8217; is
+interpreted to be the directory address of the root, provided in an environment variable named <span class="cmtt-10">HOME</span>. The
+character pair &#8216;<span class="cmtt-10">~~</span>&#8217; is interpreted to be a directory address provided in an environment variable named
+<span class="cmtt-10">TEX4HTWR</span>. The address stored in the latter environment variable may also start with a single character
+&#8216;<span class="cmtt-10">~</span>&#8217;.
+<!--l. 5595--><p class="indent"> The bookkeeping file must have writable access mode, and the directory which contains the file should have a
+compatible access mode.
+</p><!--l. 5599--><p class="indent"> The bookkeeping file is a dynamically constructed variant of the ls-R file of kpathsea. TeX4ht
+ignores its own bookkeeping mechanism, if the program <span class="cmtt-10">tex4ht.c </span>is compiled with a raised <span class="cmtt-10">-DKPATHSEA</span>
+switch.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn35.html b/Master/texmf-dist/doc/generic/tex4ht/mn35.html
new file mode 100644
index 00000000000..861dfce09db
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn35.html
@@ -0,0 +1,62 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>where</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn33.html#mn35.html" >exit</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-35-44"></a>Directories of the TeX Fonts Metric (tfm)</h3>
+ <a
+ name="index35-44001"></a> <a
+ name="index35-44002"></a> <a
+ name="index35-44003"></a> <a
+ name="index35-44004"></a><a
+ name="alt-tfm"></a>TeX4ht searches the hypertext fonts in the working directory, and in the following optional directories, in the
+given order.
+<!--l. 5640--><p class="indent">
+</p><ul type="disc" >
+<li>The directory named in the <a
+ href="mn38.html" >command line</a> of tex4ht, identified with the prefix &#8216;<span class="cmtt-10">-t</span>&#8217;.
+<!--l. 5647--><p class="noindent"></p></li>
+<li>The directory identified with the character &#8216;<span class="cmtt-10">t</span>&#8217; in the tex4ht.env file.
+<!--l. 5650--><p class="noindent"></p></li>
+<li>The directory whose name is fed into tex4ht.c during compilation time, through the program variable
+<a
+ href="mn36.html#x-TFMDIR" name="TFMDIR">TFMDIR</a>.
+<!--l. 5655--><p class="noindent"></p></li>
+<li>In the directory holding the executable <span class="cmtt-10">tex4ht </span>(only for MS Windows).
+ </li></ul>
+ A given address may start with the character &#8216;<span class="cmtt-10">~</span>&#8217; or the character pair &#8216;<span class="cmtt-10">~~</span>&#8217;. The single character &#8216;<span class="cmtt-10">~</span>&#8217; is
+interpreted to be the directory address of the root, provided in an environment variable named <span class="cmtt-10">HOME</span>. The
+character pair &#8216;<span class="cmtt-10">~~</span>&#8217; is interpreted to be a directory address provided in an environment variable named
+<span class="cmtt-10">TEX4HTTFM</span>. The address stored in the latter environment variable may also start with a single character
+&#8216;<span class="cmtt-10">~</span>&#8217;.
+<!--l. 5670--><p class="indent"> The optional environment variable <span class="cmtt-10">TEX4HTTFM </span>may hold one or more addresses. The addresses must be
+separated by a character which does not appear in the addresses, and that character must also delimit the content
+at the start and end points.
+</p><!--l. 5676--><p class="indent"> The system variable <a
+ href="mn36.html#x-MAXFONTS" name="MAXFONTS">MAXFONTS</a> of tex4ht.c places a limit on the number of fonts allowed in the documents.
+The default setting doesn&#8217;t provide such a limit.
+</p><!--l. 5680--><p class="indent"> If the program <span class="cmtt-10">tex4ht.c </span>is compiled with the &#8216;<span class="cmtt-10">-DKPATHSEA</span>&#8217; switch on, TeX4ht ignores its own search and
+delegate it to the kpathsea utility.
+</p><!--l. 5695--><p class="indent"> A given address may start with the character &#8216;<span class="cmtt-10">~</span>&#8217; or the character pair &#8216;<span class="cmtt-10">~~</span>&#8217;. The single character &#8216;<span class="cmtt-10">~</span>&#8217; is
+interpreted to be the directory address of the root, provided in an environment variable named <span class="cmtt-10">HOME</span>. The
+character pair &#8216;<span class="cmtt-10">~~</span>&#8217; is interpreted to be a directory address provided in an environment variable named
+<span class="cmtt-10">TEX4HTA</span>. The address stored in the latter environment variable may also start with a single character
+&#8216;<span class="cmtt-10">~</span>&#8217;.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn36.html b/Master/texmf-dist/doc/generic/tex4ht/mn36.html
new file mode 100644
index 00000000000..10f981f64d9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn36.html
@@ -0,0 +1,79 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Compile</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn-port.html#mn36.html" >exit Compile</a> <a
+ name="doc-c"></a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-36-45"></a>Compiling tex4ht.c</h3>
+<ul type="disc" >
+<li> <a
+ name="index36-45001"></a>You might want to activate some of the options at the start of the file by uncommenting the corresponding
+lines.
+<div class="Verbatim"><span class="cmtt-10">/*</span><span class="cmtt-10">&nbsp;**********************************************</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;Compiler</span><span class="cmtt-10">&nbsp;options</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;*</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;(uncommented</span><span class="cmtt-10">&nbsp;|</span><span class="cmtt-10">&nbsp;command</span><span class="cmtt-10">&nbsp;line)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;*</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">------------------------------------------------*</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;Classic</span><span class="cmtt-10">&nbsp;C</span><span class="cmtt-10">&nbsp;(CC)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;default</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;ANSI</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;ansi-c,</span><span class="cmtt-10">&nbsp;c++</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;DOS_C</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;HAVE_STRING_H</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;string.h&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;HAVE_DIRENT_H</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;dirent.h&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;HAVE_SYS_NDIR_H</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;sys/ndir.h&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;HAVE_SYS_DIR_H</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;sys/dir.h&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;HAVE_NDIR_H</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&lt;dir.h&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;WIN32</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;KPATHSEA</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">#define</span><span class="cmtt-10">&nbsp;BCC32</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;bordland</span><span class="cmtt-10">&nbsp;c++</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">*************************************************</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 5842--><p class="noindent"></p></li>
+<li> <a
+ name="index36-45002"></a> <a
+ name="index36-45003"></a> <a
+ name="index36-45004"></a> <a
+ name="index36-45005"></a> <a
+ name="index36-45006"></a> <a
+ name="index36-45007"></a> <a
+ name="index36-45008"></a>Values may be assigned in the command line or the beginning of the source file, to the environment variables
+<a
+ href="mn31.html#ENVFILE" name="x-ENVFILE">ENVFILE</a>, <a
+ href="mn39.html#HTFDIR" name="x-HTFDIR">HTFDIR</a>, <a
+ href="mn37.html#LGPIC" name="x-LGPIC">LGPIC</a>, <a
+ href="mn37.html#LGSEP" name="x-LGSEP">LGSEP</a>, <a
+ href="mn33.html#LGTYP" name="x-LGTYP">LGTYP</a>, <a
+ href="mn35.html#MAXFONTS" name="x-MAXFONTS">MAXFONTS</a>, and <a
+ href="mn35.html#TFMDIR" name="x-TFMDIR">TFMDIR</a>.
+<!--l. 5864--><p class="indent"> For instance,
+</p><!--l. 5866--><p class="indent"> <span class="cmtt-10">gcc -o tex4ht tex4ht.c -DENVFILE='&#34;path/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+<span class="cmtt-10">-DHAVE_DIRENT_H</span>
+</p>
+ </li></ul>
+<!--l. 5872--><p class="indent"> The switch &#8216;<span class="cmtt-10">-DENVFILE</span>&#8217; is optional, if the program can reach the environment file in an <a
+ href="mn31.html#envloc">alternative</a>
+manner.
+</p>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-36-46"></a>Compiling t4ht.c</h3>
+ <a
+ name="index36-46001"></a>The environment variable <span class="cmtt-10">ENVFILE </span>is available also in &#8216;<span class="cmtt-10">t4ht.c</span>&#8217;.
+<!--l. 5882--><p class="indent"> For instance,
+</p><!--l. 5884--><p class="indent"> <span class="cmtt-10">gcc -o t4ht t4ht.c -DENVFILE='&#34;gold/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn37.html b/Master/texmf-dist/doc/generic/tex4ht/mn37.html
new file mode 100644
index 00000000000..f32d5d31b92
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn37.html
@@ -0,0 +1,79 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>driver</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn-port.html#mn37.html" >exit driver</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-37-47"></a>Driving the Translation of Pictures and Other Tasks</h3>
+ <a
+ name="index37-47001"></a> <a
+ name="index37-47002"></a> <a
+ name="index37-47003"></a>TeX4ht outputs a script file (&#8216;<span class="cmtt-10">.lg</span>&#8217;) describing how the dvi file (extension &#8216;<span class="cmtt-10">.idv</span>&#8217;) of pictures should
+be processed, the CSS instructions to be included for the file, and user-initiated requests from the
+operating system. In the default setting, the script file holds abstract commands similar to the following
+ones.
+<dl > <dt><span class="cmtt-10">--- needs --- source.idv[i] ==&gt; target.gif ---</span></dt><dd>
+<!--l. 5916--><p class="indent"> An abstract command of this form requests that the i&#8217;th page in the dvi file will be translated into a target file
+whose name is provided.
+</p>
+ </dd><dt><span class="cmtt-10">--- characters --- </span></dt><dd>
+<!--l. 5924--><p class="indent"> This abstract command is a identifies where the requests for pictorial characters start.
+</p>
+ </dd></dl>
+<!--l. 5929--><p class="indent"> A manual brute-force execution of the abstract commands can be a tedious job for large number of pictures.
+The <span class="cmtt-10">t4ht </span>is in essence an interpreter for these abstract commands.
+</p><!--l. 5934--><p class="indent"> Another possible approach for automating the process is to request lg scripts in the form of shell scripts or
+batch files.
+</p><!--l. 5941--><p class="indent"> <big><span class="cmbx-10">Alternatives to &#8216;</span><span class="cmtt-10">--- needs --- source.idv[i] ==&gt; target.gif ---</span><span class="cmbx-10">&#8217;</span></big>
+</p><!--l. 5944--><p class="indent"> The default setting is made with a request of the form &#8216;<span class="cmtt-10">--- needs --- %%1.idv[%%2] ==&gt; %%3.gif ---</span>&#8217;,
+where the parameters <span class="cmtt-10">%%1</span>, <span class="cmtt-10">%%2</span>, and <span class="cmtt-10">%%3 </span>respectively represent the name of the source file without
+its extension, a page number, and a name of the target file. Alternative patterns to these abstract
+commands can be requested in the following locations, with the order reflecting on the priority given to the
+requests.
+</p><!--l. 5953--><p class="indent">
+</p><ul type="disc" >
+<li>In the <a
+ href="mn38.html" >command line</a> of <span class="cmtt-10">tex4ht</span>, where the pattern should be prefixed with &#8216;<span class="cmtt-10">-s</span>&#8217;.
+<!--l. 5957--><p class="noindent"></p></li>
+<li>In the environment file <span class="cmtt-10">tex4ht.env </span>within a block of consecutive lines, where the lines should be identified with the
+character <a
+ href="mn33.html#sc-1" name="sc">&#8216;<span class="cmtt-10">s</span>&#8217;</a>.
+<!--l. 5963--><p class="noindent"></p></li>
+<li>In <span class="cmtt-10">tex4ht </span>with the pattern provided through the variable <a
+ href="mn36.html#x-LGPIC" name="LGPIC">LGPIC</a> of <span class="cmtt-10">tex4ht.c</span>.
+ </li></ul>
+ The character &#8216;<span class="cmtt-10">%</span>&#8217; can be introduced into a pattern through the entry &#8216;<span class="cmtt-10">%%%</span>&#8217;. On the other hand, the
+parameters &#8216;<span class="cmtt-10">%%1</span>&#8217;, &#8216;<span class="cmtt-10">%%2</span>&#8217;, and <span class="cmtt-10">%%3 </span>can specify, between the first two percentage characters (i.e., &#8216;<span class="cmtt-10">%...%1</span>&#8217;,
+&#8216;<span class="cmtt-10">%...%2</span>&#8217;, and &#8216;<span class="cmtt-10">%...%3</span>&#8217;), any format for the outcome that is compatible with the print formats of
+C.
+<!--l. 5977--><p class="indent"> <big><span class="cmbx-10">Alternatives to &#8216;</span><span class="cmtt-10">--- characters ---</span><span class="cmbx-10">&#8217;</span></big>
+</p><!--l. 5979--><p class="indent"> Substitutions for this abstract command can be requested in the following locations.
+</p><!--l. 5986--><p class="indent">
+</p><ul type="disc" >
+<li>In the <a
+ href="mn38.html" name="mn38.html" >overview</a> of <span class="cmtt-10">tex4ht</span>, prefixed with &#8216;<span class="cmtt-10">-b</span>&#8217;.
+<!--l. 6157--><p class="noindent"></p></li>
+<li>In a line within the environment file &#8216;<span class="cmtt-10">tex4ht.file</span>&#8217;, where the line should be identified with the character
+&#8216;<a
+ href="mn33.html#bsc-1" name="bsc">b</a>&#8217;.
+<!--l. 6163--><p class="noindent"></p></li>
+<li>In <span class="cmtt-10">tex4ht </span>with the substitution provided during compilation time through the variable <a
+ href="mn36.html#x-LGSEP" name="LGSEP">LGSEP</a> of
+<span class="cmtt-10">tex4ht.c</span>.
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn38.html b/Master/texmf-dist/doc/generic/tex4ht/mn38.html
new file mode 100644
index 00000000000..82a705c9a85
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn38.html
@@ -0,0 +1,130 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>overview</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn37.html#mn38.html" >exit overview</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-38-48"></a>The Translation Process</h3>
+ <a
+ name="index38-48001"></a> <a
+ name="index38-48002"></a> <a
+ name="index38-48003"></a> <a
+ name="index38-48004"></a> <a
+ name="index38-48005"></a>The system can be activated with a sequence of commands of the following form, typically embedded within
+a script.
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;latex</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;(or</span><span class="cmtt-10">&nbsp;`tex</span><span class="cmtt-10">&nbsp;x')</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;latex</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;latex</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;tex4ht</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;t4ht</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6011--><p class="indent"> The three compilations with La(TeX) are needed to ensure proper links. The approach is illustrated in the
+following picture.
+
+</p><!--l. 6016--><p class="indent"> <img
+src="mn4x.gif" alt=" --html
+ | files
+ ----| -------| |
+ ----| |---- ---- ---- --
+x.tex TeX | x.dvi |tex4ht | | x.idv | ----|
+ ----- ------- | --t4ht---gif &amp; css
+ | | ----- files
+ ---x.lg---
+" />
+</p><!--l. 6051--><p class="indent">
+</p><dl > <dt>x.tex</dt><dd>
+<!--l. 6054--><p class="indent"> This is a source TeX/LaTeX/OtherTeX file that imports the style files <span class="cmtt-10">tex4ht.sty </span>and <span class="cmtt-10">*.4ht</span>. The style files
+define the features for the output.
+</p>
+ </dd><dt>tex4ht</dt><dd>
+<!--l. 6060--><p class="indent"> <a
+ name="index38-48006"></a> <a
+ name="index38-48007"></a>The output of TeX is a standard dvi file interleaved with special instructions for the postprocessor <span class="cmtt-10">tex4ht </span>to
+use. The special instructions come from implicit and explicit requests made in the source file through commands of
+TeX4ht.
+</p><!--l. 6067--><p class="indent"> The utility <span class="cmtt-10">tex4ht </span>translates the dvi code into standard text, while obeying the requests it gets from the
+special instructions. The special instructions may request the creation of files, insertion of html code, filtering of
+pictures, and so forth.
+</p><!--l. 6072--><p class="indent"> In the extreme case that the source code contains no commands of TeX4ht, tex4ht gets pure dvi code and it
+outputs (almost) plain text with no hypertext elements in it.
+</p><!--l. 6076--><p class="indent"> The special (<span class="cmtt-10">\special</span>) instructions seeded in the dvi code are not understood by dvi processors other than
+those of TeX4ht.
+</p>
+ </dd><dt>x.idv</dt><dd>
+<!--l. 6081--><p class="indent"> <a
+ name="index38-48008"></a> <a
+ name="index38-48009"></a>This is a dvi file extracted from <span class="cmtt-10">x.dvi</span>, and it contains the pictures needed in the html files.
+</p>
+ </dd><dt>x.lg</dt><dd>
+<!--l. 6088--><p class="indent"> <a
+ name="index38-48010"></a>This is a log file listing the pictures of x.idv, the gif files that should be created, CSS information, and user
+directives introduced through the &#8216;<span class="cmtt-10">\Needs{...}</span>&#8217; command.
+</p>
+ </dd><dt>t4ht</dt><dd>
+<!--l. 6095--><p class="indent"> This is an interpreter for executing the requests made in the <span class="cmtt-10">x.lg </span>script.
+</p>
+ </dd></dl>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-38-49"></a>A Reflection at the System Messages</h3>
+<div class="Verbatim"><span class="cmtt-10">This</span><span class="cmtt-10">&nbsp;is</span><span class="cmtt-10">&nbsp;TeX,</span><span class="cmtt-10">&nbsp;Version</span><span class="cmtt-10">&nbsp;3.14159</span><span class="cmtt-10">&nbsp;(Web2C</span><span class="cmtt-10">&nbsp;7.3.1)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmsy-10"><img src="cmsy10-28.gif" alt="&lt;==" class="cmsy10--28" /> </span><span class="cmbx-10">invoke</span><span class="cmbx-10">&nbsp;&#8216;latex</span><span class="cmbx-10">&nbsp;x&#8217;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">LaTeX2e</span><span class="cmtt-10">&nbsp;&lt;1998/12/01&gt;</span><span class="cmtt-10">&nbsp;patch</span><span class="cmtt-10">&nbsp;level</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Babel</span><span class="cmtt-10">&nbsp;&lt;v3.6x&gt;</span><span class="cmtt-10">&nbsp;and</span><span class="cmtt-10">&nbsp;hyphenation</span><span class="cmtt-10">&nbsp;patterns</span><span class="cmtt-10">&nbsp;for</span><span class="cmtt-10">&nbsp;american,</span><span class="cmtt-10">&nbsp;french,</span><span class="cmtt-10">&nbsp;german,</span><span class="cmtt-10">&nbsp;ngerman,</span><span class="cmtt-10">&nbsp;n</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">ohyphenation,</span><span class="cmtt-10">&nbsp;loaded.</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(x.tex</span><span class="cmtt-10">&nbsp;(/usr/share/texmf/tex/latex/base/article.cls</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Document</span><span class="cmtt-10">&nbsp;Class:</span><span class="cmtt-10">&nbsp;article</span><span class="cmtt-10">&nbsp;1999/01/07</span><span class="cmtt-10">&nbsp;v1.4a</span><span class="cmtt-10">&nbsp;Standard</span><span class="cmtt-10">&nbsp;LaTeX</span><span class="cmtt-10">&nbsp;document</span><span class="cmtt-10">&nbsp;class</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(/usr/share/texmf/tex/latex/base/size10.clo))</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/tex4ht.sty)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/tex4ht.sty</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">---</span><span class="cmtt-10">&nbsp;needs</span><span class="cmtt-10">&nbsp;---</span><span class="cmtt-10">&nbsp;tex4ht</span><span class="cmtt-10">&nbsp;x</span><span class="cmtt-10">&nbsp;---</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(tex4ht.tmp)</span><span class="cmtt-10">&nbsp;(x.xref)</span><span class="cmtt-10">&nbsp;(n/tex4ht.dir/html4.4ht)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/picmath4.4ht)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/latex.4ht</span><span class="cmtt-10">&nbsp;(n/tex4ht.dir/html4.4ht)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/picmath4.4ht))</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/fontmath.4ht</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/html4.4ht)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/picmath4.4ht))</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/article.4ht</span><span class="cmtt-10">&nbsp;(n/tex4ht.dir/html4.4ht</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">)</span><span class="cmtt-10">&nbsp;(n/tex4ht.dir/picmath4.4ht)))</span><span class="cmtt-10">&nbsp;(x.aux)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">---</span><span class="cmtt-10">&nbsp;file</span><span class="cmtt-10">&nbsp;x.css</span><span class="cmtt-10">&nbsp;---</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">[1]</span><span class="cmtt-10">&nbsp;(x.aux)</span><span class="cmtt-10">&nbsp;)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Output</span><span class="cmtt-10">&nbsp;written</span><span class="cmtt-10">&nbsp;on</span><span class="cmtt-10">&nbsp;x.dvi</span><span class="cmtt-10">&nbsp;(1</span><span class="cmtt-10">&nbsp;page,</span><span class="cmtt-10">&nbsp;4460</span><span class="cmtt-10">&nbsp;bytes).</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Transcript</span><span class="cmtt-10">&nbsp;written</span><span class="cmtt-10">&nbsp;on</span><span class="cmtt-10">&nbsp;x.log.</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">This</span><span class="cmtt-10">&nbsp;is</span><span class="cmtt-10">&nbsp;TeX,</span><span class="cmtt-10">&nbsp;Version</span><span class="cmtt-10">&nbsp;3.14159</span><span class="cmtt-10">&nbsp;(Web2C</span><span class="cmtt-10">&nbsp;7.3.1)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmsy-10"><img src="cmsy10-28.gif" alt="&lt;==" class="cmsy10--28" /> </span><span class="cmbx-10">invoke</span><span class="cmbx-10">&nbsp;&#8216;latex</span><span class="cmbx-10">&nbsp;x&#8217;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">LaTeX2e</span><span class="cmtt-10">&nbsp;&lt;1998/12/01&gt;</span><span class="cmtt-10">&nbsp;patch</span><span class="cmtt-10">&nbsp;level</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.......................</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">This</span><span class="cmtt-10">&nbsp;is</span><span class="cmtt-10">&nbsp;TeX,</span><span class="cmtt-10">&nbsp;Version</span><span class="cmtt-10">&nbsp;3.14159</span><span class="cmtt-10">&nbsp;(Web2C</span><span class="cmtt-10">&nbsp;7.3.1)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmsy-10"><img src="cmsy10-28.gif" alt="&lt;==" class="cmsy10--28" /> </span><span class="cmbx-10">invoke</span><span class="cmbx-10">&nbsp;&#8216;latex</span><span class="cmbx-10">&nbsp;x&#8217;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">LaTeX2e</span><span class="cmtt-10">&nbsp;&lt;1998/12/01&gt;</span><span class="cmtt-10">&nbsp;patch</span><span class="cmtt-10">&nbsp;level</span><span class="cmtt-10">&nbsp;1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.......................</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">tex4ht.c</span><span class="cmtt-10">&nbsp;(1999-11-10-03-50)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmsy-10"><img src="cmsy10-28.gif" alt="&lt;==" class="cmsy10--28" /> </span><span class="cmbx-10">invoke</span><span class="cmbx-10">&nbsp;&#8216;tex4ht</span><span class="cmbx-10">&nbsp;x&#8217;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(tex4ht.env)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/tex4ht.fls)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(/usr/share/texmf/fonts/tfm/public/cm/cmr10.tfm)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">(n/tex4ht.dir/ht-fonts/iso8859/cm/cmr.htf)</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">[1</span><span class="cmtt-10">&nbsp;file</span><span class="cmtt-10">&nbsp;x.html</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;file</span><span class="cmtt-10">&nbsp;x.css</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;file</span><span class="cmtt-10">&nbsp;tex4ht.tmp</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">]</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Execute</span><span class="cmtt-10">&nbsp;script</span><span class="cmtt-10">&nbsp;`x.lg'</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">t4ht.c</span><span class="cmtt-10">&nbsp;(1999-12-30-21-14)</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmsy-10"><img src="cmsy10-28.gif" alt="&lt;==" class="cmsy10--28" /> </span><span class="cmbx-10">invoke</span><span class="cmbx-10">&nbsp;&#8216;t4ht</span><span class="cmbx-10">&nbsp;x&#8217;</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Entering</span><span class="cmtt-10">&nbsp;tex4ht.env</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Entering</span><span class="cmtt-10">&nbsp;x.lg</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.......................</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn39.html b/Master/texmf-dist/doc/generic/tex4ht/mn39.html
new file mode 100644
index 00000000000..4a0484fcf87
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn39.html
@@ -0,0 +1,59 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn-port.html#mn39.html" >exit</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-39-50"></a>Directories for the Virtual Hypertext Fonts (htf)</h3>
+ <a
+ name="index39-50001"></a> <a
+ name="index39-50002"></a> <a
+ name="index39-50003"></a> <a
+ name="index39-50004"></a><a
+ name="alt-htf"></a>Each font of TeX may have numerous virtual hypertext font to map to. The <a
+ href="mn33.html#ch.i">i directives</a> of <span class="cmtt-10">tex4ht.env</span>, as
+well as the i switches of the <span class="cmtt-10">tex4ht </span>command, may be used to identify the subdirectories where the target virtual
+fonts are to be found.
+<!--l. 6194--><p class="indent"> TeX4ht searches the hypertext fonts in the working directory, and in the following optional directories, in the
+given order.
+</p><!--l. 6198--><p class="indent">
+</p><ul type="disc" >
+<li>The directory named in the <a
+ href="mn38.html" >command line</a> of tex4ht, identified with the prefix &#8216;<span class="cmtt-10">-i</span>&#8217;.
+<!--l. 6205--><p class="noindent"></p></li>
+<li>The directory identified with the character <a
+ href="mn33.html#ch.i" name="ch-i"> &#8216;<span class="cmtt-10">i</span>&#8217;</a> in the tex4ht.env file.
+<!--l. 6209--><p class="noindent"></p></li>
+<li>The directory whose name is encoded into tex4ht during compilation time, within a string <span class="cmtt-10">&#34;...&#34; </span>fed into the
+variable <a
+ href="mn36.html#x-HTFDIR" name="HTFDIR">HTFDIR</a> of tex4ht.c.
+<!--l. 6215--><p class="noindent"></p></li>
+<li>In the directory holding the executable <span class="cmtt-10">tex4ht </span>(only for MS Windows).
+ </li></ul>
+ A given address may start with the character &#8216;<span class="cmtt-10">~</span>&#8217; or the character pair &#8216;<span class="cmtt-10">~~</span>&#8217;. The single character &#8216;<span class="cmtt-10">~</span>&#8217; is
+interpreted to be the directory address of the root, provided in an environment variable named <span class="cmtt-10">HOME</span>. The
+character pair &#8216;<span class="cmtt-10">~~</span>&#8217; is interpreted to be the directory address provided in an environment variable named
+<span class="cmtt-10">TEX4HTHTF</span>. The address stored in the latter environment variable may also start with a single character
+&#8216;<span class="cmtt-10">~</span>&#8217;.
+<!--l. 6231--><p class="indent"> The optional environment variable <span class="cmtt-10">TEX4HTHTF </span>may hold one or more addresses. The addresses must be
+separated by a character which does not appear in the addresses, and that character must also delimit the content
+at the start and end points.
+</p><!--l. 6236--><p class="indent"> If the program <span class="cmtt-10">tex4ht.c </span>is compiled with the &#8216;<span class="cmtt-10">-DKPATHSEA</span>&#8217; switch on, TeX4ht ignores its own search and
+delegate it to the kpathsea utility.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn3x.gif b/Master/texmf-dist/doc/generic/tex4ht/mn3x.gif
new file mode 100644
index 00000000000..c9eea9f6964
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn3x.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn4.html b/Master/texmf-dist/doc/generic/tex4ht/mn4.html
new file mode 100644
index 00000000000..dd8ec0bbf27
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn4.html
@@ -0,0 +1,60 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>common sources of
+problems</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ name="index4-8006"></a><p class="rightline"><a
+ href="mn3.html#mn4.html" >up</a></p>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-4-9"></a>Some Sources of Problems for MathML</h3>
+<!--l. 1960--><p class="noindent">
+</p><ol type="a" >
+<li>Broken math formulas, such as &#8216;<span
+class="cmtt-10">$R=\{x|x$ is real $\}$</span>&#8217; instead of &#8216;<span
+class="cmtt-10">$R=\{x|x \mbox{ is real } \}$</span>&#8217;.
+</li>
+<li>Math mode employment for presenting nonmath content, such as &#8216;<span
+class="cmtt-10">$$\vbox{...}$$ </span>&#8217; instead of
+&#8216;<span
+class="cmtt-10">\begin{center}\vbox{...}\end{center}</span>&#8217;. </li>
+<li>Unmatched parentheses within entries of arrays, such as &#8216;<span
+class="cmtt-10">\begin{array}...(... &amp; ...)...\end{array}</span>&#8217; instead
+of &#8216;<span
+class="cmtt-10">\begin{array}...\mathrel( ... &amp; ...\mathrel)...\end{array}</span>&#8217;. </li>
+<li>Incorrect annotation of delimiters, such as &#8216;<span
+class="cmtt-10">\bigl\{...\bigr|...\bigr\}</span>&#8217; instead of &#8216;<span
+class="cmtt-10">\bigl\{...\bigg|...\bigr</span>&#8217;
+</li>
+<li>Empty bases for subscripts and superscripts, such as &#8216;<span
+class="cmtt-10">{}^{...}, {}_{...}</span>&#8217; instead of &#8216;<span
+class="cmtt-10">{\csname</span>
+
+<span
+class="cmtt-10">HCode\endcsname{}}^{...}, {\csname HCode\endcsname{}}_{...}</span>&#8217;. </li>
+<li>Use of the operators &#8216;<span
+class="cmtt-10">^</span>&#8217; and &#8216;<span
+class="cmtt-10">_</span>&#8217;, instead of &#8216;<span
+class="cmtt-10">\sb</span>&#8217; and &#8216;<span
+class="cmtt-10">\sp</span>&#8217;, outside the presence of TeX4ht. (TeX4ht becomes active
+only at the &#8216;<span
+class="cmtt-10">\begin{document}</span>&#8217; command. The &#8216;<span
+class="cmtt-10">early_</span>&#8217; and &#8216;<span
+class="cmtt-10">early^</span>&#8217; options extend this awareness to the
+preambles of the source latex documents.)
+ </li></ol>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn40.html b/Master/texmf-dist/doc/generic/tex4ht/mn40.html
new file mode 100644
index 00000000000..00fcada690e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn40.html
@@ -0,0 +1,25 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>integrated into the WinShell</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ I was successful with integrating TeXh4t win WinShell 2.2.1 from Texlive 7 distribution. By inserting &#8220;user
+tools&#8221; you can have an editor from which there is a quick access to not only LaTeX, (standard makeindex - not
+provided but explained in help support), PDFLaTeX, Dvi, GsView, Acrobat Reader, but also to TeXh4t (DOS
+switch MUST be OFF as logspace has not enough room for long log files produced by TeXh4t), to two stage
+makeindex procedure and to Mozilla browser.
+ <p class="rightline">Piotr Grabowski</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn41.html b/Master/texmf-dist/doc/generic/tex4ht/mn41.html
new file mode 100644
index 00000000000..1de1d2ce546
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn41.html
@@ -0,0 +1,314 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>trouble shooting</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn41.html" >exit trouble shooting</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-41-51"></a>Trouble Shooting</h3>
+ <div class="TableOfContents"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-52" name="QQ2-41-52">Bitmaps</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-53" name="QQ2-41-53">LaTeX</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-54" name="QQ2-41-54">Fonts</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-55" name="QQ2-41-55">C programs</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-56" name="QQ2-41-56">Scripts</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-58" name="QQ2-41-58">Environment File</a>
+<span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-59" name="QQ2-41-59">tex4ht.sty / *.4ht</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-60" name="QQ2-41-60">DVI Code</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-61" name="QQ2-41-61">JavaScript</a> <span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-41-62" name="QQ2-41-62">Subscripts and Superscripts</a>
+ </div>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-52"></a><span class="cmbx-10">Bitmaps</span></p>
+<!--l. 6301--><p class="noindent">
+</p><dl > <dt><span class="underline">Bad Quality of Pictures</span></dt><dd>
+<!--l. 6306--><p class="indent"> Increase the density (number of dots per inch) when converting the pictures, and then sub-sample the picture.
+Specifically, replace in &#8216;<span class="cmtt-10">tex4ht.env</span>&#8217; the switch
+</p>
+ <div
+class="centerline">-density 110x100</div>
+<!--l. 6312--><p class="noindent">with the switch
+</p>
+ <div
+class="centerline">-density 220x220 -geometry 50%</div>
+<!--l. 6316--><p class="noindent">or with another switch of the form
+</p>
+ <div
+class="centerline">-density ...x... -geometry ...%</div>
+<!--l. 6320--><p class="indent"> The <span class="cmtt-10">-density </span>switch increases the number of pixels per inch, and the <span class="cmtt-10">-geometry </span>option reduces that number.
+The process smoothes (anti-aliases) the edges. Typically screens display about 72 to 100 dots per
+inch.
+</p><!--l. 6325--><p class="indent"> The type of fonts in use may also affect the quality of the output. In particular, <a
+ href="http://www.ams.org/index/tex/type1-cm-fonts.html" >Type 1</a> (scalable outlines) fonts
+offer better outcome than Type 3 (bitmapped) fonts.
+</p>
+ </dd><dt><span class="underline">Direct Translations of EPS Figures</span></dt><dd>
+<!--l. 6333--><p class="indent"> The quality of the bitmaps of EPS figures may be improved by converting the figures directly, without
+transmitting them through the dvi code. For instance, the <span class="cmtt-10">\includegraphics </span>command in the presence of the
+following configuration provides such a route.
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{graphics*}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{eps}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{\Needs{&#34;convert</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.eps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.gif&#34;}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Picture[pict]{\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.gif}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6347--><p class="indent"> <a
+ name="index41-52001"></a>The following script provides a more efficient and general approach.
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{graphics*}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{eps}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{\openin15=\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.\PictExt\relax</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ifeof15</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Needs{&#34;convert</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.eps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.\PictExt&#34;}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\fi</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\closein15</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Picture[pict]{\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.\PictExt}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+ </dd><dt><span class="underline">Truncated and empty gifs</span></dt><dd>
+<!--l. 6366--><p class="indent"> Such a behavior might result from pictures which end up off the dvi page limits. A larger paper size may be
+requested from dvips through the switch &#8216;-T offset&#8217; (e.g., -T 14in,14in). The dvips command is activated from
+tex4ht.env.
+</p>
+ </dd><dt><span class="underline">Truncated and empty gifs for Xfig pictures</span></dt><dd>
+<!--l. 6375--><p class="indent"> Some Xfig files are made up of overlapping picture environments, with TeX4ht viewing the components as
+defining independent figures. The problem can be solved by importing the Xfig files into pictorial environments of
+TeX4ht.
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\newenvironment{mypic}{\Picture*{}}{\EndPicture}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\begin{mypic}</span><span class="cmtt-10">&nbsp;\input{xfig-file}</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\end{mypic}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6385--><p class="indent"> Alternatively, <a
+ href="mn27.html#pdf-based">PDF-based</a> translations into bitmaps might also offer a solution.
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-53"></a><span class="cmbx-10">LaTeX</span></p>
+<!--l. 6394--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">Unable to find a newly installed file</span></dt><dd>
+<!--l. 6399--><p class="indent"> The TeX engine might require an update of a search directory: the ls-R database for installations employing
+kpathsea (run texhash), the data base directory in the case of MiKTeX (select <span class="cmtt-10">tart -&gt; Programs -&gt; MiKTeX -&gt;</span>
+<span class="cmtt-10">Refresh', or run \`'initexmf -u' from a DO </span>session, to update it).
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-54"></a><span class="cmbx-10">Fonts</span></p>
+<!--l. 6406--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">Can&#8217;t find/open file foo.tfm</span></dt><dd>
+<!--l. 6410--><p class="indent">
+</p><ul >
+<li> <a
+ name="index41-54001"></a>Locate the directory where LaTeX/TeX finds font foo.tfm, and add to <span class="cmtt-10">tex4ht.env </span>a &#8216;<span class="cmtt-10">t</span>&#8217; record pointing to that
+directory (e.g., &#8216;<span class="cmtt-10">tc:\localtexmf\fonts\tfm!</span>&#8217;). </li>
+<li>Insert the record at the start of the line. TeX4ht considers the first character in each line to be a code describing the
+type of the record in hand. Lines which start with unrecognized character codes, spaces included, are ignored.
+</li>
+<li>Note also that LaTeX/TeX may create fonts on the fly and put them in a temporary directory (e.g.,
+&#8216;<span class="cmtt-10">/var/tmp/texfonts/tfm/</span>&#8217;). </li></ul>
+ </dd><dt><span class="underline">Linux, Netscape, and the SYMBOL font</span></dt><dd>
+<!--l. 6428--><p class="indent"> To display the SYMBOL fonts in Netscape on Linux add
+</p>
+ <div
+class="centerline"><span class="cmtt-10">Netscape*documentFonts.charset*adobe-fontspecific: iso-8859-1</span></div>
+<!--l. 6433--><p class="noindent">to the <span class="cmtt-10">~/.Xdefaults </span>file
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-55"></a><span class="cmbx-10">C programs</span></p>
+<!--l. 6436--><p class="noindent">
+</p><dl >
+ <dt><span class="underline"> <a
+ name="index41-55001"></a>tex4ht.c doesn&#8217;t compile ... ERROR:3396: &#8216;DIR&#8217; undeclared (first use this function)... </span></dt><dd>
+
+<!--l. 6441--><p class="indent"> Consider adding the switch &#8216;<span class="cmtt-10">-DHAVE_DIRENT_H</span>&#8217; to the command line. For instance,
+</p><!--l. 6444--><p class="indent"> <span class="cmtt-10">gcc -o tex4ht tex4ht.c -DENVFILE='&#34;path/tex4ht.dir/texmf/tex4ht/base/unix/tex4ht.env&#34;'</span>
+<span class="cmtt-10">-DHAVE_DIRENT_H</span>
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-56"></a><span class="cmbx-10">Scripts</span></p>
+<!--l. 6453--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">Bad end-of-line characters in htlatex.bat/httex.bat/htexi.bat/ht.bat</span></dt><dd>
+<!--l. 6458--><p class="indent"> Remove undesirable trailing characters in the lines of the scripts, introduced by the utilities which download the
+files.
+</p><!--l. 6461--><p class="indent"> DOS/WINDOW platforms use an endline pair of characters: a carriage return and a line feed (0Dx,0Ax
+hexadecimal; 13,10 decimal). MAC platforms use only a single carriage feed character (0Dx; 13dec). UNIX platforms
+use only a single line feed character (0Ax; 10 dec).
+</p>
+ </dd><dt><span class="underline">Can&#8217;t find/open file &#8216;xxx.dvi&#8217; or &#8216;xxx.lg&#8217;</span></dt><dd>
+<!--l. 6469--><p class="indent"> In some platforms, the operating systems pass on the quotes of the parameters of <span class="cmtt-10">htlatex</span>, <span class="cmtt-10">httex</span>, and <span class="cmtt-10">httexi</span>
+to the utilities <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht</span>. In such cases, the utilities issue complaints of the above nature for file names
+&#8216;<span class="cmtt-10">xxx</span>&#8217; other than those being compiled. The problem can be resolved by <a
+ href="mn42.html" name="mn42.html" >installing a filter</a> named &#8216;<span class="cmtt-10">htcmd</span>&#8217;, and submitting the <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht </span>commands to the filter. Backslash characters &#8216;<span class="cmtt-10">\</span>&#8217; might
+need replacements with double backslash characters &#8216;<span class="cmtt-10">\\</span>&#8217; or forward slash characters &#8216;<span class="cmtt-10">/</span>&#8217;.
+</p><!--l. 6495--><p class="indent"> For instance, if <span class="cmtt-10">htlatex.bat </span>contains a command line of the form &#8216;<span class="cmtt-10">C:\tex4ht\t4ht %1 %4</span>&#8217;, then after
+introducing the filter the modified command line will take the form &#8216;<span class="cmtt-10">C:\\tex4ht\\htcmd C:\\tex4ht\\t4ht %1</span>
+<span class="cmtt-10">%4</span>&#8217;.
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-58"></a><span class="cmbx-10">Environment File</span></p>
+<!--l. 6503--><p class="noindent">
+</p><dl > <dt><span class="underline">Can&#8217;t find/open file &#8216;tex4ht.env&#8217;</span></dt><dd>
+<!--l. 6507--><p class="indent"> <a
+ name="index41-58001"></a>The switch <span class="cmtt-10">-hV </span>on the calling <span class="cmtt-10">tex4ht </span>command shows where the file is being searched. The following are
+possible solutions to the problem.
+</p><ul >
+<li>Set an environment variable TEX4HTENV to the address of the file </li>
+<li>Add the switch &#8216;<span class="cmtt-10">-e...address-of-tex4ht.env...</span>&#8217; to the command lines of t4ht and tex4ht within the htlatex,
+httex, httexi, and ht (or htlatex.bat, httex.bat, httexi.bat, and ht.bat) scripts. </li>
+<li>If tex4ht and t4ht are compiled for kpathsea check that the texmf.cnf contains records similar to the following
+ones.
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;TEX4HTFONTSET=alias,iso8859</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;TEX4HTINPUTS=.;$TEXMF/tex4ht/base//;$TEXMF/tex4ht/ht-fonts/{$TEX4HTFONTSET}//</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;T4HTINPUTS=.;$TEXMF/tex4ht/base//</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6528--><p class="noindent"></p></li>
+<li>Make the location of the environment file known to the programs in another manner (see the pointers from the entry
+&#8216;<span class="cmtt-10">tex4ht.env</span>&#8217; in the <a
+ href="mn-index.html#Index">index</a>). </li></ul>
+ </dd><dt><span class="underline">No permission for system call: ...</span></dt><dd>
+<!--l. 6536--><p class="indent"> Make sure that the &#8216;<span class="cmtt-10">S</span>&#8217; records in <span class="cmtt-10">tex4ht.env </span>don&#8217;t end with invisible spaces, and that the file ends with the
+record &#8216;<span class="cmtt-10">% end of file</span>&#8217;.
+</p>
+ </dd><dt><span class="underline">Problems with argument <span class="cmtt-10">-d... </span>of t4ht</span></dt><dd>
+<!--l. 6543--><p class="indent"> The specified directory must be augmented by a slash character <span class="cmtt-10">/</span>.
+</p>
+ </dd><dt><span class="underline">Problems with the convert utility</span></dt><dd>
+<!--l. 6550--><p class="indent">
+</p><ul >
+<li>Make sure the convert program of ImageMagick is called and not another convert system in your
+directories. In the latter case, insert the full address of convert into the following command within
+tex4ht.env.
+<!--l. 6555--><p class="indent"> <span class="cmtt-10">Gconvert -crop 0x0 -density 110x110 -transparent '#FFFFFF' zz%%4.ps %%3</span>
+</p><!--l. 6558--><p class="indent"> For instance, use
+</p><!--l. 6560--><p class="indent"> <span class="cmtt-10">Gc:\TeX\Imagick\convert</span>
+</p><!--l. 6562--><p class="indent"> instead of
+</p><!--l. 6564--><p class="indent"> <span class="cmtt-10">Gconvert</span> </p></li>
+<li>You might need to remove the quotes from <span class="cmtt-10">'#FFFFFF' </span></li></ul>
+ </dd><dt><span class="underline">The OpenOffice script in tex4ht.env fails to work for MS Windoes</span></dt><dd>
+<!--l. 6572--><p class="indent"> <a
+ name="index41-58002"></a>Try replacing the given script with the following non-concurrent script.
+</p><div class="Verbatim"><span class="cmtt-10">&lt;oo&gt;</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">%%%</span><span class="cmtt-10">&nbsp;openoffice</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4os</span><span class="cmtt-10">&nbsp;mkdir</span><span class="cmtt-10">&nbsp;Pictures</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4os</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1.4os</span><span class="cmtt-10">&nbsp;settings.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4os</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%0.xml</span><span class="cmtt-10">&nbsp;content.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4om</span><span class="cmtt-10">&nbsp;mkdir</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4om</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1.4om</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1\content.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4om</span><span class="cmtt-10">&nbsp;copy</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;settings.xml</span><span class="cmtt-10">&nbsp;%%1\settings.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4of</span><span class="cmtt-10">&nbsp;mkdir</span><span class="cmtt-10">&nbsp;META-INF</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4of</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1.4of</span><span class="cmtt-10">&nbsp;META-INF\manifest.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ot</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1.4ot</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;meta.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4oy</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1.4oy</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;styles.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4og</span><span class="cmtt-10">&nbsp;move</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;Pictures\%%1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;Pictures</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;settings.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;content.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;-r</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;%%0-m*</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;-r</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;META-INF</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;meta.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;styles.xml</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">.4ox</span><span class="cmtt-10">&nbsp;zip</span><span class="cmtt-10">&nbsp;-m</span><span class="cmtt-10">&nbsp;%%0.sxw</span><span class="cmtt-10">&nbsp;Pictures/*</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">%%%</span><span class="cmtt-10">&nbsp;end</span><span class="cmtt-10">&nbsp;openoffice</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&lt;/oo&gt;</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-59"></a><span class="cmbx-10">tex4ht.sty / *.4ht</span></p>
+<!--l. 6615--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">Foreign content in <span class="cmtt-10">&lt;title&gt;...&lt;/title&gt; </span>elements</span></dt><dd>
+<!--l. 6619--><p class="indent"> Use the <span class="cmtt-10">\Configure{@TITLE}{...} </span>command to redefine for the these elements the harmful macros
+that appear in headers of logical units like <span class="cmtt-10">\title </span>and <span class="cmtt-10">\chapter</span>. For instance, the definition
+<span class="cmtt-10">\Configure{@TITLE}{\def\LaTeX{LaTeX}} </span>for the source <span class="cmtt-10">\title{with \LaTeX}</span>.
+</p>
+ </dd><dt><span class="underline">Problematic commands in titles of logical divisions</span></dt><dd>
+<!--l. 6628--><p class="indent"> Commands within titles of divisions might need protection when transported by tex4ht to other
+locations. The command <span class="cmtt-10">\Configure{NoSection}{..before...}{...after...} </span>may be used for such a
+purpose.
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-60"></a><span class="cmbx-10">DVI Code</span></p>
+<!--l. 6636--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">XDVI/DVIWINDO/YAP... hang on <span class="cmtt-10">\special </span>command</span></dt><dd>
+<!--l. 6641--><p class="indent"> The dvi code produced by tex4ht is not valid for use with other utilities. Recompile the source file without the
+presence of tex4ht, to provide a proper code to your dvi viewer.
+</p>
+
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-61"></a><span class="cmbx-10">JavaScript</span></p>
+<!--l. 6646--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">&#8216;<span class="cmtt-10">onovermouse</span>&#8217; package option</span></dt><dd>
+<!--l. 6651--><p class="indent"> This option currently relies on the JavaScript utility <a
+ href="http://www.bosrup.com/web/overlib/" >overlib.js</a> of Erik Bosrup. The file might
+need to be fixed at line 234, by introducing &#8216;<span class="cmtt-10">return &#34;&#34;;</span>&#8217; instead of &#8216;<span class="cmtt-10">return;</span>&#8217; (an already <a
+ href="http://www.egroups.com/message/overlib/133" >reported</a>
+problem).
+</p>
+ </dd></dl>
+ <p align="right" class="rightline"><a
+ name="QQ1-41-62"></a><span class="cmbx-10">Subscripts and Superscripts</span></p>
+<!--l. 6660--><p class="noindent">
+</p><dl >
+ <dt><span class="underline">Loss of structural information</span></dt><dd>
+<!--l. 6665--><p class="indent"> <a
+ name="index41-62001"></a>Subscripts and superscripts are among the weakest points of tex4ht. In order to recognize them for non-bitmap
+representations, TeX4ht changes the category codes of &#8216;<span class="cmtt-10">^</span>&#8217; and &#8216;<span class="cmtt-10">_</span>&#8217;, upon reaching the <span class="cmtt-10">\begin{document} </span>instruction,
+and ignores the operations if introduced earlier.
+</p><!--l. 6673--><p class="indent"> The ideal solution would have been to get the superscript and subscript operations, as well as the empty bases
+&#8216;<span class="cmtt-10">{}</span>&#8217;, marked upon request by the native compilers in the dvi code. Currently, that is just a good night
+dream.
+</p><!--l. 6678--><p class="indent"> The solutions I use are,
+</p><!--l. 6680--><p class="indent">
+</p><ol type="1" >
+<li>Redefine in the *.4ht files macros that appear in libraries, by replacing there the &#8216;<span class="cmtt-10">_</span>&#8217; and &#8216;<span class="cmtt-10">^</span>&#8217; operations with <span class="cmtt-10">\sb </span>and
+<span class="cmtt-10">\sp </span>macros. The danger in this approach is that occasionally users provide new meanings to existing control
+sequences, without tex4ht taking it into account. </li>
+<li>Prepare cfg files, for sources which don&#8217;t belong to me, consisting of redefinitions for the the sensitive
+macros. Then I reload the redefinitions under the eyes of tex4ht. For instance, the configuration file
+<span class="cmtt-10">test.cfg</span>
+<div class="Verbatim"><span class="cmtt-10">\Preamble{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\renewcommand{\FQED}[2]{F_{#1#2}}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\renewcommand{\Mlones}{M^2}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\renewcommand{\bzms}{M^2_{_0}}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\begin{document}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\EndPreamble</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6705--><p class="indent"> for a source <span class="cmtt-10">test.tex</span>, and a compilation invoked through the command &#8216;<span class="cmtt-10">mzlatex test &#34;test&#34;</span>&#8217;.
+</p></li>
+<li>Use <span class="cmtt-10">\sb </span>and <span class="cmtt-10">\sp</span>, instead of &#8216;<span class="cmtt-10">_</span>&#8217; and &#8216;<span class="cmtt-10">^</span>&#8217;, in preambles of files I write, or push the definitions to after the
+<span class="cmtt-10">\begin{document} </span>statement. </li></ol>
+ </dd></dl>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn42.html b/Master/texmf-dist/doc/generic/tex4ht/mn42.html
new file mode 100644
index 00000000000..9c54f4ca112
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn42.html
@@ -0,0 +1,28 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>installing a
+filter</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn41.html#mn42.html" >exit installing a filter</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-42-57"></a>htcmd</h3>
+<!--l. 6481--><p class="noindent"><a
+ name="index42-57001"></a>The source is available at <span class="cmtt-10">bin/temp/htcmd.c</span>, and executable for MS Win 95/98/NT is available at
+<span class="cmtt-10">bin/win32/htcmd.exe</span>.
+
+</p>
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn43.html b/Master/texmf-dist/doc/generic/tex4ht/mn43.html
new file mode 100644
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+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Q/A</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn43.html" >exit Q/A</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-43-63"></a>Q/A</h3>
+ <div class="TableOfContents"><span class="QAChapter"><a
+ href="#QQ1-43-64" name="QQ2-43-64">Addresses of Gifs</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-65" name="QQ2-43-65">How Gifs Are Created for Pictures</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-66" name="QQ2-43-66">References to Gifs of General
+Pictures</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-67" name="QQ2-43-67">Placement of Gifs of General Pictures</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-68" name="QQ2-43-68">References to Gifs of HTF Symbols</a></span><br />
+<span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-69" name="QQ2-43-69">Placement of Gifs of HTF Symbols</a></span><br /> <span class="QAChapter"><a
+ href="#QQ1-43-70" name="QQ2-43-70">Representation of formulas</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-71" name="QQ2-43-71">Make picture&#8217;s
+alternative text to show the original tex code</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-72" name="QQ2-43-72">Avoiding bitmaps within formulas</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-73" name="QQ2-43-73">Setting
+bitmaps within formulas</a></span><br /> <span class="QAChapter"><a
+ href="#QQ1-43-74" name="QQ2-43-74">Other</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-75" name="QQ2-43-75">Conditional bitmap conversion for imported graphic
+files</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-76" name="QQ2-43-76">Conditional bitmap conversion for imported graphic files</a></span><br /> <span class="QASection"><span class="cmsy-10">&#8226;</span><a
+ href="#QQ1-43-77" name="QQ2-43-77">Missing Configurations</a></span><br />
+ </div>
+<!--l. 6729--><p class="noindent"><span class="cmbx-10">Note: </span>Please also check the .log files of the compilations for hints provided by tex4ht.
+</p>
+ <h3 class="QAChapterHead"><a
+ name="QQ1-43-64"></a>Addresses of Gifs</h3>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-65"></a>How Gifs Are Created for Pictures</h4>
+<!--l. 6742--><p class="noindent">There are two kinds of pictures: those created for letters, and those requested directly or indirectly for figures in the
+source files. The tex4ht.c utility extracts the figures from the foo.dvi file into a foo.idv file, and places in foo.lg
+messages of how to extract the figures. The t4ht.c utility, uses the requests listed at foo.lg, to activate the G-script
+from tex4ht.env for the different figures. However, if a F-script is available, it is used instead for the
+letters.
+</p>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-66"></a>References to Gifs of General Pictures</h4>
+<!--l. 6754--><p class="noindent">The command
+</p><!--l. 6756--><p class="indent"> <span class="cmtt-10">\Configure{IMG}{&lt;img\Hnewline src=&#34;foo.dir/}{&#34; alt=&#34;}{&#34; }{ /&gt;}</span>
+</p><!--l. 6759--><p class="indent"> in the configuration file adds the prefix
+</p><!--l. 6761--><p class="indent"> <span class="cmtt-10">foo.dir/</span>
+</p><!--l. 6763--><p class="indent"> to the gif names.
+</p><!--l. 6765--><p class="indent"> The default setting uses the configuration
+</p><!--l. 6767--><p class="indent"> <span class="cmtt-10">\Configure{IMG}{&lt;img\Hnewline src=&#34;}{&#34; alt=&#34;}{&#34; }{ /&gt;}</span>
+</p>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-67"></a>Placement of Gifs of General Pictures</h4>
+<!--l. 6774--><p class="noindent">Add to the &#8216;<span class="cmtt-10">G</span>&#8217; script in <span class="cmtt-10">tex4ht.env </span>a command to move the gif&#8217;s to the desired destination (e.g., &#8216;<span class="cmtt-10">Gmv %%3</span>
+<span class="cmtt-10">foo.dir/.</span>&#8217;).
+</p>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-68"></a>References to Gifs of HTF Symbols</h4>
+<!--l. 6782--><p class="noindent">Add the following commands to the configuration file.
+</p><div class="Verbatim"><span class="cmtt-10">\Configure{htf}{1}{+}{&lt;img\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;src=&#34;foo.dir/}{&#34;</span><span class="cmtt-10">&nbsp;alt=&#34;}{&#34;</span><span class="cmtt-10">&nbsp;class=&#34;}{\%s}{-\%d}{x-x-\%x}{&#34;</span><span class="cmtt-10">&nbsp;/&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\Configure{htf}{3}{+}{&lt;img\Hnewline</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;src=&#34;foo.dir/}{&#34;</span><span class="cmtt-10">&nbsp;alt=&#34;}{&#34;</span><span class="cmtt-10">&nbsp;class=&#34;\%s-}{\%s}{-\%d}{x-x-\%x}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{&#34;</span><span class="cmtt-10">&nbsp;align=&#34;middle&#34;</span><span class="cmtt-10">&nbsp;/&gt;}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-69"></a>Placement of Gifs of HTF Symbols</h4>
+<!--l. 6797--><p class="noindent">If &#8216;<span class="cmtt-10">foo.dir/</span>&#8217; is not the directory used in the &#8216;G&#8217; script, introduce into tex4ht.env a similar &#8216;F&#8217; script for the
+character gif&#8217;s, e.g.,
+</p><div class="Verbatim"><span class="cmtt-10">Fdvips</span><span class="cmtt-10">&nbsp;-T</span><span class="cmtt-10">&nbsp;14in,14in</span><span class="cmtt-10">&nbsp;-Ppdf</span><span class="cmtt-10">&nbsp;-mode</span><span class="cmtt-10">&nbsp;ibmvga</span><span class="cmtt-10">&nbsp;-D</span><span class="cmtt-10">&nbsp;110</span><span class="cmtt-10">&nbsp;-f</span><span class="cmtt-10">&nbsp;%%1</span><span class="cmtt-10">&nbsp;-pp</span><span class="cmtt-10">&nbsp;%%2</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;&gt;</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Fconvert</span><span class="cmtt-10">&nbsp;-crop</span><span class="cmtt-10">&nbsp;0x0</span><span class="cmtt-10">&nbsp;-density</span><span class="cmtt-10">&nbsp;110x110</span><span class="cmtt-10">&nbsp;-transparent</span><span class="cmtt-10">&nbsp;'#FFFFFF'</span><span class="cmtt-10">&nbsp;zz%%4.ps</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">Fmv</span><span class="cmtt-10">&nbsp;%%3</span><span class="cmtt-10">&nbsp;foo.dir/.</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h3 class="QAChapterHead"><a
+ name="QQ1-43-70"></a>Representation of formulas</h3>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-71"></a>Make picture&#8217;s alternative text to show the original tex code</h4>
+<!--l. 6816--><p class="noindent">Explicit requests:
+</p><div class="Verbatim"><span class="cmtt-10">\newtoks\eqtoks</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">\def\ImageAlt{\afterassignment\setimg\eqtoks}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\setimg{\Picture*[\HCode{\the\eqtoks}]{}\the\eqtoks\EndPicture}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\ImageAlt{$\alpha</span><span class="cmtt-10">&nbsp;+</span><span class="cmtt-10">&nbsp;\beta$}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\ImageAlt{$$</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\begin{array}{cc}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;a</span><span class="cmtt-10">&nbsp;&amp;</span><span class="cmtt-10">&nbsp;b</span><span class="cmtt-10">&nbsp;\\</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;c</span><span class="cmtt-10">&nbsp;&amp;</span><span class="cmtt-10">&nbsp;d</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\end{array}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">$$}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 6833--><p class="indent"> Implicit requests may also be tailored along the following lines, but they should be used carefully because they
+are not safe.
+</p><div class="Verbatim"><span class="cmtt-10">\newtoks\eqtoks</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\AltMath#1${\eqtoks{#1}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Picture*[\HCode{\the\eqtoks}]{</span><span class="cmtt-10">&nbsp;align=&#34;middle&#34;}$#1$\EndPicture$}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\Configure{$}{}{}{\expandafter\AltMath}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-72"></a>Avoiding bitmaps within formulas</h4>
+<!--l. 6849--><p class="noindent"><a
+ name="index43-72001"></a><span class="cmti-10">Q. I found that some equations have smaller fonts than the others. I wonder why the size of the equations changes</span>
+<span class="cmti-10">along the document.</span>
+</p><!--l. 6854--><p class="indent"> Some equations and symbols are converted to bitmaps-I guess they are the parts you are concerned
+about.
+</p><!--l. 6857--><p class="indent"> If you try the command &#8216; <span class="cmtt-10">mzlatex filename </span>&#8217;, provided you have the xhlatex-like script of mzlatex
+configured, you&#8217;ll get the bitmaps removed in favor of unicode symbols and mathml formulas. In such a case, one
+will need a mathml-enabled browser to view the outcome.
+</p><!--l. 6862--><p class="indent"> If you don&#8217;t care using the MS SYMBOL font, which non-pc browsers are likely not to recognize, try
+the command &#8216; <span class="cmtt-10">htlatex filename &#34;&#34; &#34;symbol/!&#34; </span>&#8217;. It will resolve the bitmap problem for of the
+characters.
+</p>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-73"></a>Setting bitmaps within formulas</h4>
+<!--l. 6871--><p class="noindent">A code similar to the following one may be used to configure instructions like &#8216;<span class="cmtt-10">\int_{xxx}^{yyy}</span>&#8217; and
+&#8216;<span class="cmtt-10">\sum_{xxx}^{yyy}</span>&#8217; to produce pictorial representations within non-pictorial formulas.
+</p><div class="Verbatim"><span class="cmtt-10">\def\SubSupOp#1{%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\edef\temp{\expandafter\gobble\string#1}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\expandafter\let\csname</span><span class="cmtt-10">&nbsp;old\temp\endcsname=#1</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\edef\temp{\noexpand\SUBSUPOP{\expandafter\noexpand</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;old\temp\endcsname}}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\HLet#1=\temp</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\gobble#1{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\SUBSUPOP#1{\let\curOP=#1%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\let\next=\putOP</span><span class="cmtt-10">&nbsp;\let\OPsub=\empty</span><span class="cmtt-10">&nbsp;\let\OPsup=\empty</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\futurelet\nextop\getOP}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\getOP{%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ifx</span><span class="cmtt-10">&nbsp;_\nextop</span><span class="cmtt-10">&nbsp;\let\next=\getsub</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\else\ifx</span><span class="cmtt-10">&nbsp;^\nextop</span><span class="cmtt-10">&nbsp;\let\next=\getsup\fi\fi</span><span class="cmtt-10">&nbsp;\next}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\getsub#1#2{\def\OPsub{#2}\let\next=\putOP</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\futurelet\nextop\getOP}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\getsup#1#2{\def\OPsup{#2}\let\next=\putOP</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\futurelet\nextop\getOP}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\def\putOP{\Picture+{</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;align=&#34;middle&#34;}{\curOP_{\OPsub}^{\OPsup}}\EndPicture}</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\SubSupOp\sum</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">\SubSupOp\int</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h3 class="QAChapterHead"><a
+ name="QQ1-43-74"></a>Other</h3>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-75"></a>Conditional bitmap conversion for imported graphic files</h4>
+<!--l. 6913--><p class="noindent"><span class="cmti-10">Q. How to avoid the conversion of eps files to gif&#8217;s, included through the </span><span class="cmtt-10">\includegraphics{...} </span><span class="cmti-10">command&#8217;, each</span>
+<span class="cmti-10">time the source file is run across tex4ht.</span>
+</p><!--l. 6918--><p class="indent"> Compile your source with the command line &#8216; <span class="cmtt-10">htlatex filename &#34;html,info&#34; </span>&#8217;, and check the log file for the
+information provided there. In particular, the &#8216;<span class="cmtt-10">\Configure{graphics*} {wmf} ...</span>&#8217; example may be adapted for
+dealing with eps files, where a conditional conversion is requested within the &#8216;<span class="cmtt-10">\Needs{&#34;...&#34;}</span>&#8217; command (possibly
+indirectly through a call to a script for doing he job).
+</p>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-76"></a>Conditional bitmap conversion for imported graphic files</h4>
+<!--l. 6932--><p class="noindent"><a
+ name="index43-76001"></a><span class="cmti-10">Q. How an image can be made a thumbnail to be clicked on for bringing up the full size image.</span>
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{graphics*}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{eps}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;{\openin15=\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname\PictExt\relax</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ifeof15</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Needs{&#34;convert</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname.eps</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname\PictExt&#34;}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\fi</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\closein15</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Link[\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname\PictExt]{}{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Picture[pict]{\csname</span><span class="cmtt-10">&nbsp;Gin@base\endcsname\PictExt</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\space</span><span class="cmtt-10">&nbsp;width=&#34;10em&#34;</span><span class="cmtt-10">&nbsp;height=&#34;10em&#34;</span><span class="cmtt-10">&nbsp;}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\EndLink</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\EndPreamble</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h4 class="QASectionHead"><a
+ name="QQ1-43-77"></a>Missing Configurations</h4>
+<!--l. 6958--><p class="noindent"><span class="cmti-10">Q. I am attempting to convert a Ph.D. thesis written in LaTeX, using a locally developed class ths.cls based on the</span>
+<span class="cmti-10">report class, which redefines some elements of the class for local needs. The output is lacking the Table</span>
+<span class="cmti-10">of Contents and the Lists of Figures and Tables, and the bibliography at the end is only minimally</span>
+<span class="cmti-10">formatted.</span>
+</p><!--l. 6964--><p class="indent"> The problems result from a lack of a configuration file for the thesis class. Try introducing a configuration file
+similar to the following one.
+</p><div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%</span><span class="cmtt-10">&nbsp;file</span><span class="cmtt-10">&nbsp;name:</span><span class="cmtt-10">&nbsp;ths.4ht</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\input</span><span class="cmtt-10">&nbsp;report.4ht</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn44.html b/Master/texmf-dist/doc/generic/tex4ht/mn44.html
new file mode 100644
index 00000000000..44bca60fcc7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn44.html
@@ -0,0 +1,56 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>LaTeX/TeX</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn44.html" >exit LaTeX/TeX</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-44-80"></a>LaTeX/TeX</h3>
+<ul type="disc" >
+<li><a
+ href="http://www.mech.gla.ac.uk/~donald/talks/LaTeX/slides.html" target="_blank" >Introduction to LaTeX</a> (A. J. Hildebrand) </li>
+<li><a
+ href="http://www.cs.rug.nl/~rein/csrugonly/latex/latexdoc/latexdoc.html" target="_blank" >What&#8217;s LaTeX all about?</a> (Rein Smedinga) </li>
+<li><a
+ href="http://web.mit.edu/olh/Latex/ess-latex.html" target="_blank" >Essential LaTeX</a> (Sharon Belville, Matthew Swift) </li>
+<li><a
+ href="http://www.cs.cornell.edu/Info/Misc/LaTeX-Tutorial/LaTeX-Home.html" target="_blank" >Beginning LaTeX</a> (Denise Moore) </li>
+<li><a
+ href="http://www.cs.stir.ac.uk/guides/latex/guide.html" target="_blank" >Document Preparation with LaTeX</a> (David Budgen, Sam Nelson) </li>
+<li><a
+ href="http://www.sci.usq.edu.au/staff/robertsa/LaTeX/latexintro.html" target="_blank" >LaTeX: from quick and dirty to style and finesse</a> (Tony Roberts) </li>
+<li><a
+ href="http://www.maths.tcd.ie/~dwilkins/LaTeXPrimer/Index.html" target="_blank" >Getting Started with LaTeX</a> (David R. Wilkins) </li>
+<li><a
+ href="http://www-h.eng.cam.ac.uk/help/tpl/textprocessing/latex_advanced/latex_advanced.html" target="_blank" >Advanced LaTeX</a> (Tim Love) </li>
+<li><a
+ href="http://www.giss.nasa.gov/latex/ltx-2.html" target="_blank" >LaTeX commands</a> (Sheldon Green) </li>
+<li><a
+ href="http://tex.loria.fr/ctan-doc/macros/latex/doc/html/fntguide/fntguide.html" target="_blank" >LaTeX2e font selection</a> </li>
+<li><a
+ href="http://datamining.csiro.au/tex/catalogue.html" target="_blank" >Online Catalogue</a> (Graham Williams) </li>
+<li><a
+ href="http://makingtexwork.sourceforge.net/mtw/" target="_blank" >Making TeX Work</a> (Norman Walsh) </li>
+<li><a
+ href="news:comp.text.tex" target="_blank" >newsgroup comp.text.tex</a></li>
+<li><a
+ href="http://www.esm.psu.edu/mac-tex/" target="_blank" >MacOSX TeX/LaTeX Web Site</a></li>
+<li><a
+ href="http://www.non.com/books/TeX_cc.html" target="_blank" >Books</a> </li>
+<li><a
+ href="http://www.dante.de/cgi-bin/ctan-index" target="_blank" >Archive Search</a> </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn45.html b/Master/texmf-dist/doc/generic/tex4ht/mn45.html
new file mode 100644
index 00000000000..b85ef563fe1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn45.html
@@ -0,0 +1,37 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>HTML</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn45.html" >exit HTML</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-45-81"></a>HTML</h3>
+<ul type="disc" >
+<li><a
+ href="http://www.awpa.asn.au/html/" target="_blank" >Introduction to HTML</a> (Dianne Gorman) </li>
+<li><a
+ href="http://www.ncsa.uiuc.edu/General/Internet/WWW/HTMLPrimerAll.html" target="_blank" >A Beginner&#8217;s Guide to HTML</a> (NCSA) </li>
+<li><a
+ href="http://www.w3.org/MarkUp/Guide/" target="_blank" >Getting started with HTML</a> (Dave Raggett) </li>
+<li><a
+ href="http://www.htmlhelp.com/reference/wilbur/overview.html" target="_blank" >HTML 3.2: Wilbur</a> (WDG: Web Design Group) </li>
+<li><a
+ href="http://www.w3.org/TR/html401/" target="_blank" >HTML 4.01 Specification</a> (W3C), <a
+ href="http://www.w3.org/MarkUp/Test/HTML401/current/tests/index.html" target="_blank" >examples</a> </li>
+<li><a
+ href="http://www.w3.org/TR/xhtml1" target="_blank" >XHTML</a> (W3C) </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn46.html b/Master/texmf-dist/doc/generic/tex4ht/mn46.html
new file mode 100644
index 00000000000..daf447364e9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn46.html
@@ -0,0 +1,42 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>XML/XSLT</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn46.html" >exit XML/XSLT</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-46-82"></a>XML/XSLT</h3>
+<ul type="disc" >
+<li><a
+ href="http://www.w3.org/TR/REC-xml" target="_blank" >XML</a> (W3C), <a
+ href="http://www.rice.edu/fondren/erc/howto/basicxml.html" target="_blank" >XML Tutorial</a> (Rice Univ), <a
+ href="http://www.garshol.priv.no/download/text/xml-intro/index-en.html" target="_blank" >An Introduction to XML</a> (Lars Marius Garshol) </li>
+<li>XSLT: <a
+ href="http://www.w3.org/TR/xslt" target="_blank" >W3C</a>, <a
+ href="http://www.devguru.com/Technologies/xslt/quickref/xslt_index.html" target="_blank" >DevGuru index</a>, <a
+ href="http://metalab.unc.edu/xml/books/bible/updates/14.html" target="_blank" >tutorial</a> (XML Bible), <a
+ href="http://nwalsh.com/docs/tutorials/xsl/xsl/slides.html" target="_blank" >tutorial</a> (Groso and Walsh) </li>
+<li><a
+ href="http://www.w3.org/TR/xpath" target="_blank" >XPATH</a> (W3C) </li>
+<li>Pointers (Robin Cover): <a
+ href="http://www.oasis-open.org/cover/sgml-tex.html" target="_blank" >SGML/XML and (La)TeX</a>, <a
+ href="http://www.oasis-open.org/cover/xml.html" target="_blank" >SGML/XML</a>, <a
+ href="http://www.oasis-open.org/cover/xsl.html" target="_blank" >XSL</a> </li>
+<li><a
+ href="http://www.xml.com/pub/pt/3" target="_blank" >editors</a> (XML.com)
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn47.html b/Master/texmf-dist/doc/generic/tex4ht/mn47.html
new file mode 100644
index 00000000000..a57ab73c225
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn47.html
@@ -0,0 +1,54 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>MathML</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn47.html" >exit MathML</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-47-83"></a>MathML</h3>
+<ul type="disc" >
+<li><a
+ href="http://www.w3.org/TR/MathML2/" target="_blank" >Specifications</a>. </li>
+<li><a
+ href="http://www.w3.org/Math/" target="_blank" >W3C&#8217;s Math Home Page</a>. </li>
+<li><a
+ href="http://www.w3.org/Amaya/" target="_blank" >Amaya</a>. A browser capable of viewing MathML. </li>
+<li><a
+ href="http://www.mozilla.org/projects/firebird/" target="_blank" >Firebird</a>. A redesigned version of Mozilla. </li>
+<li><a
+ href="http://www.dessci.com/webmath/mathplayer/" target="_blank" >MathPlayer</a>. A MathML display engine for the MicroSoft&#8217;s Internet Explorer web browser. </li>
+<li><a
+ href="http://www.mozilla.org" target="_blank" >Mozilla</a>. A MathML enabled browser (binaries: <a
+ href="http://www.mozilla.org/releases/" target="_blank" >mozilla</a>, <a
+ href="http://ftp.mozilla.org/pub/mozilla/nightly/latest/" target="_blank" >nightlies</a>). <a
+ href="http://www.mozilla.org/projects/mathml/authoring.html" target="_blank" >Authoring MathML for Mozilla</a> (Roger B. Sidje).
+</li>
+<li><a
+ href="http://www.integretechpub.com/" target="_blank" >TechExplorer</a>. A plug-in for viewing a large subset of TeX, LaTeX, and AMS-LaTeX, as well as MathML.
+</li>
+<li><a
+ href="http://www.dessci.com" target="_blank" >WebEQ</a>. A Java-based renderer for MathML. </li>
+<li><a
+ href="ftp://ftp.tex.ac.uk/tex-archive/macros/xmltex/base/manual.html" target="_blank" >XMLTeX</a>. LaTeX-based formatter for MathML. </li>
+<li><a
+ href="http://www.pragma-ade.com/" target="_blank" >ConTeXt</a>. TeX-based formatter for MathML </li>
+<li><a
+ href="http://www.nag.co.uk/projects/OpenMath/mml-files/" target="_blank" >DSSSL style sheet for MathML</a> (David Carlisle). </li>
+<li><a
+ href="http://www.alanwood.net/unicode/" target="_blank" >Unicode fonts</a> for browsers (Alan Wood).
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn48.html b/Master/texmf-dist/doc/generic/tex4ht/mn48.html
new file mode 100644
index 00000000000..76740fb4c1b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn48.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>DocBook</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn48.html" >exit DocBook</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-48-84"></a>DocBook</h3> <a
+ name="index48-84001"></a>
+<ul type="disc" >
+<li><a
+ href="http://www.oasis-open.org/docbook/xml/" target="_blank" >The official DocBook Homepage</a> (Oasis) </li>
+<li><a
+ href="http://www.docbook.org/tdg/en/html/docbook.html" target="_blank" >DocBook: The Definitive Guide</a> (Norman Walsh and Leonard Muellner) </li>
+<li><a
+ href="http://www.oasis-open.org/docbook/documentation/reference/html/docbook.html" target="_blank" >db-oasis</a> (<a
+ href="http://www.oreilly.com/catalog/docbook/chapter/book/docbook.html" target="_blank" >docbook</a>) </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn49.html b/Master/texmf-dist/doc/generic/tex4ht/mn49.html
new file mode 100644
index 00000000000..2c29f21241e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn49.html
@@ -0,0 +1,33 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>TEI</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn49.html" >exit TEI</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-49-85"></a>TEI</h3> <a
+ name="index49-85001"></a>
+<ul type="disc" >
+<li><a
+ href="http://www.tei-c.org/" target="_blank" >Home page</a> </li>
+<li><a
+ href="http://www.oasis-open.org/cover/tei.html" target="_blank" >XML TEI</a> (OASIS) </li>
+<li>TEI Lite: <a
+ href="http://www.tei-c.org/Lite/index.html" target="_blank" >An Introduction to Text Encoding for Interchange</a> (Lou Burnard and C. M. Sperberg-McQueen),
+<a
+ href="http://www-sul.stanford.edu/tools/dtddocs/teilite/DTD-TREE.html" target="_blank" >elements</a></li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn4x.gif b/Master/texmf-dist/doc/generic/tex4ht/mn4x.gif
new file mode 100644
index 00000000000..159e10986c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn4x.gif
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn5.html b/Master/texmf-dist/doc/generic/tex4ht/mn5.html
new file mode 100644
index 00000000000..d4cc9eb1ed6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn5.html
@@ -0,0 +1,47 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>example</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <p class="rightline"><a
+ href="mn3.html#mn5.html" >exit example</a></p>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-5-17"></a>An Example for Using httex</h3> A system invocation of the form &#8216;<span
+class="cmtt-10">httex foo &#34;xhtml,html4.4ht,unicode.4ht,mathml.4ht&#34;</span>
+<span
+class="cmtt-10">&#34;unicode/!&#34;</span>&#8217; for a file <span
+class="cmtt-10">foo.tex </span>of the following form.
+<div class="Verbatim"><span
+class="cmtt-10">\input</span><span
+class="cmtt-10">&nbsp;amstex</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\documentstyle{amsppt}</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\csname</span><span
+class="cmtt-10">&nbsp;tex4ht\endcsname</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\document</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">.....</span><span
+class="cmtt-10">&nbsp;</span>
+<br /><span
+class="cmtt-10">\enddocument</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn50.html b/Master/texmf-dist/doc/generic/tex4ht/mn50.html
new file mode 100644
index 00000000000..c4f976205a3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn50.html
@@ -0,0 +1,39 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Style Sheets</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn50.html" >exit Style Sheets</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-50-86"></a>Style Sheets</h3>
+<ul type="disc" >
+<li><a
+ href="http://www.w3.org/Style/CSS/" target="_blank" >CSS (W3C)</a> (<a
+ href="http://www.w3.org/TR/REC-CSS1" target="_blank" >CSS1</a>, <a
+ href="http://www.w3.org/TR/REC-CSS2" target="_blank" >CSS2</a>, <a
+ href="http://www.w3.org/Style/CSS/Test/" target="_blank" >examples</a>) </li>
+<li><a
+ href="http://www.htmlhelp.com/reference/css/" target="_blank" >CSS tutorial</a> (WDG: Web Design Group) </li>
+<li><a
+ href="http://www.css.nu/pointers/" target="_blank" >CSS pointers</a> (CSS Pointers Group) </li>
+<li><a
+ href="http://www.w3.org/TR/WD-xsl/" target="_blank" >XSL</a> (W3C) </li>
+<li><a
+ href="http://www.w3.org/TR/xsl/" target="_blank" >XSL-FO</a> (W3C) </li>
+<li><a
+ href="http://nwalsh.com/docs/tutorials/xsl/xsl/slides.html" target="_blank" >XSL Concepts and Practical Use</a> (Paul Grosso and Norman Walsh) </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn51.html b/Master/texmf-dist/doc/generic/tex4ht/mn51.html
new file mode 100644
index 00000000000..26bff007de3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn51.html
@@ -0,0 +1,32 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>DTDs</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn51.html" >exit DTDs</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-51-87"></a>DTDs</h3>
+<!--l. 7369--><p class="noindent"><a
+ name="index51-87001"></a>
+</p><ul type="disc" >
+<li><a
+ href="http://www-900.ibm.com/developerWorks/cn/xml/x-dtdint/index_eng.shtml" target="_blank" > beginner&#8217;s guide to writing well-formed, well-defined XML </a> (Jane Fung)
+<!--l. 7380--><p class="noindent"></p></li>
+<li><a
+ href="http://www.oac.uci.edu/indiv/ehood/perlSGML.html" target="_blank" >DTD into HTML</a> (perlSGML)
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn52.html b/Master/texmf-dist/doc/generic/tex4ht/mn52.html
new file mode 100644
index 00000000000..e6e92ab742c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn52.html
@@ -0,0 +1,40 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Validators</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn52.html" >exit Validators</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-52-88"></a>Validators</h3>
+<!--l. 7389--><p class="noindent"><a
+ name="index52-88001"></a>
+</p><ul type="disc" >
+<li><a
+ href="http://www.jclark.com/sp/index.htm" target="_blank" >NSGMLS</a> (SGML documents) </li>
+<li><a
+ href="http://www.cogsci.ed.ac.uk/~richard/rxp.html" target="_blank" >RXP</a> XML validator written in C (Richard Tobin). </li>
+<li><a
+ href="http://validator.w3.org/" target="_blank" >HTML &amp; W3C</a> </li>
+<li>CSS: <a
+ href="http://jigsaw.w3.org/css-validator/" target="_blank" >WDG W3C</a>, <a
+ href="http://www.htmlhelp.com/tools/csscheck/" target="_blank" >WDG CSSCheck</a> </li>
+<li><a
+ href="http://www.scripting.com/frontier5/xml/code/xmlValidator.html" target="_blank" >frontier 5 XML validator</a> </li>
+<li><a
+ href="http://www.stg.brown.edu/service/xmlvalid" target="_blank" >Online parser</a> (Brown University)
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn53.html b/Master/texmf-dist/doc/generic/tex4ht/mn53.html
new file mode 100644
index 00000000000..378071b7fb0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn53.html
@@ -0,0 +1,129 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 7453--><p class="noindent"><a
+ href="mn.html#mn53-1" name="mn53-1" >1</a>. <a
+ href="http://www.astro.gla.ac.uk/users/norman/distrib/bibhtml.html" target="_blank" >BibHTML</a> (Norman Gray) A BibTeX to HTML converter. </p><hr />
+<!--l. 7479--><p class="noindent"><a
+ href="mn.html#mn53-2" name="mn53-2" >2</a>. <a
+ href="http://www.ibiblio.org/pub/packages/TeX/biblio/bibtex/utils/bibtools/bib2html" target="_blank" >Bib2HTML</a> (David Kotz) Perl script for creating HTML output from a BibTeX database. </p><hr />
+<!--l. 7486--><p class="noindent"><a
+ href="mn.html#mn53-3" name="mn53-3" >3</a>. <a
+ href="http://www.shelldorado.com/scripts/cmds/bib2html.txt" target="_blank" >Bib2HTML</a> (Heiner Steven) AWK script for creating HTML output from a BibTeX database. </p><hr />
+<!--l. 7492--><p class="noindent"><a
+ href="mn.html#mn53-4" name="mn53-4" >4</a>. <a
+ href="http://www.lri.fr/~filliatr/bibtex2html/index.en.html" target="_blank" >BibTeX2HTML</a> (Jean-Christophe Filliatre) A BibTeX to HTML converter written in Objective Caml. </p><hr />
+<!--l. 7498--><p class="noindent"><a
+ href="mn.html#mn53-5" name="mn53-5" >5</a>. <a
+ href="http://www.mostang.com/%7Edavidm/dlh.html" target="_blank" >Dlh</a> (David Mosberger) A C translator for converting from a subset of LaTeX to HTML. </p><hr />
+<!--l. 7503--><p class="noindent"><a
+ href="mn.html#mn53-6" name="mn53-6" >6</a>. <a
+ href="http://www.dcs.fmph.uniba.sk/~emt/EmSystem.html" target="_blank" >Euromath</a> A converter from LaTeX to Euromath SGML </p><hr />
+<!--l. 7510--><p class="noindent"><a
+ href="mn.html#mn53-7" name="mn53-7" >7</a>. <a
+ href="http://math.albany.edu:8000/math/pers/hammond/igl.html" target="_blank" >GELLMU</a> (William F. Hammond) A general-purpose SGML authoring language based on LaTeX syntax. </p><hr />
+<!--l. 7559--><p class="noindent"><a
+ href="mn.html#mn53-8" name="mn53-8" >8</a>. <a
+ href="http://para.inria.fr/~maranget/hevea" target="_blank" >HEVEA</a> (Luc Maranget) An Objective Caml translator from a subset of LaTeX to HTML. </p><hr />
+<!--l. 7622--><p class="noindent"><a
+ href="mn.html#mn53-9" name="mn53-9" >9</a>. <a
+ href="http://www.gams.com/contrib/htex/htex.htm" target="_blank" >HTeX</a> (Thomas F. Rutherford) A preprocessor which expands html by a new tag: &#8216;<span class="cmtt-10">&lt;eq&gt;..&lt;/eq&gt;</span>&#8217;. An <span class="cmtt-10">&lt;eq&gt;</span>
+signifies the start of a LaTeX-readable equation, and a <span class="cmtt-10">&lt;/eq&gt; </span>indicates the end of an equation. Anything appearing
+between these tags is treated as LaTeX commands within a &#8216;<span class="cmtt-10">displaymath</span>&#8217; section of a LaTeX document. </p><hr />
+<!--l. 7633--><p class="noindent"><a
+ href="mn.html#mn53-10" name="mn53-10" >10</a>. <a
+ href="http://www-db.stanford.edu/~sergey/htmltex/" target="_blank" >HtmlTeX</a> (Sergey Brin) Perl script for converting a subset of LaTeX to HTML </p><hr />
+<!--l. 7638--><p class="noindent"><a
+ href="mn.html#mn53-11" name="mn53-11" >11</a>. <a
+ href="http://www.math.uic.edu/~fields/htmx/" target="_blank" >HTMX</a> (Joe Fields) Perl script for translating LaTeX equations embedded within HTML into gif. </p><hr />
+<!--l. 7644--><p class="noindent"><a
+ href="mn.html#mn53-12" name="mn53-12" >12</a>. <a
+ href="http://www.cs.uu.nl/~otfried/Hyperlatex" target="_blank" >HyperLaTeX</a> (Otfried Cheong) A processor for a subset of LaTeX enriched with hypertext-oriented commands. </p><hr />
+<!--l. 7665--><p class="noindent"><a
+ href="mn.html#mn53-13" name="mn53-13" >13</a>. <a
+ href="http://xxx.lanl.gov/hypertex/" target="_blank" >HyperTeX</a> (Tanmoy Bhattacharya, David Carlisle, Mark Doyle, Paul Ginsparg, Alan Jeffrey, Hiroshi Kubo,
+Kasper Peeters, Sebastian Rahtz and Arthur Smith) A convention for inclusion of hyperlinks in TeX and LaTeX
+documents, supported by packages that automatically introduce the links into the code. </p><hr />
+<!--l. 7708--><p class="noindent"><a
+ href="mn.html#mn53-14" name="mn53-14" >14</a>. <a
+ href="http://pear.math.pitt.edu/mathzilla/itex2mmlItex.html" target="_blank" >Itex2mml</a> (Paul Gartside) A C program for translating a dialect of LaTeX into MathML. </p><hr />
+<!--l. 7714--><p class="noindent"><a
+ href="mn.html#mn53-15" name="mn53-15" >15</a>. <a
+ href="http://www-texdev.mpce.mq.edu.au/l2h/docs/manual/" target="_blank" >LaTeX2HTML</a> (Nikos Drakos) A perl script for translating LaTeX into HTML. </p><hr />
+<!--l. 7735--><p class="noindent"><a
+ href="mn.html#mn53-16" name="mn53-16" >16</a>. <a
+ href="http://ctan.tug.org/tex-archive/support/latex2man/latex2man.html" target="_blank" >LaTeX2man</a> (J&uuml;rgen Vollmer) A Perl script for translating UNIX manual pages written with LaTeX into UNIX
+man(1)-command, HTML, or TexInfo code. </p><hr />
+<!--l. 7743--><p class="noindent"><a
+ href="mn.html#mn53-17" name="mn53-17" >17</a>. <a
+ href="http://www.best.com/~quong/" target="_blank" >Ltoh</a> (Russell W. Quong) A customizable Perl converter from a subset of LaTeX to HTML. </p><hr />
+<!--l. 7749--><p class="noindent"><a
+ href="mn.html#mn53-18" name="mn53-18" >18</a>. <a
+ href="ftp://ftp.dante.de/tex-archive/support/ltx2x/ltx2x.html" target="_blank" >Ltx2x</a> (Pete R.r Wilson) A table-driven program that will replace LaTeX commands by user defined text. </p><hr />
+<!--l. 7771--><p class="noindent"><a
+ href="mn.html#mn53-19" name="mn53-19" >19</a>. <a
+ href="http://www.micropress-inc.com/webb/wbstart.htm" target="_blank" > MicroPress TeXpider</a> (MicroPress) A modified TeX compiler for PCs for translating LaTeX to HTML. </p><hr />
+<!--l. 7785--><p class="noindent"><a
+ href="mn.html#mn53-20" name="mn53-20" >20</a>. <a
+ href="http://www.orcca.on.ca/MathML/projects.html" target="_blank" >ORCCA</a> (?) A Java program for translating TeX mathematics into MathML </p><hr />
+<!--l. 7791--><p class="noindent"><a
+ href="mn.html#mn53-21" name="mn53-21" >21</a>. <a
+ href="http://omega.enstb.org" target="_blank" >Omega</a> (Yannis Haralambous and John Plaice) A TeX compiler capable of producing MathML code. </p><hr />
+<!--l. 7798--><p class="noindent"><a
+ href="mn.html#mn53-22" name="mn53-22" >22</a>. <a
+ href="http://pylatex.sourceforge.net/" target="_blank" >pyLaTeX</a> (Kevin Smith) A LaTeX document processing framework written entirely in Python. </p><hr />
+<!--l. 7806--><p class="noindent"><a
+ href="mn.html#mn53-23" name="mn53-23" >23</a>. <a
+ href="http://dione.zcu.cz/~toman40/selathco/" target="_blank" >Selathco</a> (Petr Toman) A Simple Extensible LaTeX To HTML Converter written in Java. </p><hr />
+<!--l. 7813--><p class="noindent"><a
+ href="mn.html#mn53-24" name="mn53-24" >24</a>. <a
+ href="http://web.informatik.uni-bonn.de/~zach/vim/index.html" target="_blank" >TeX2HTML</a> (Gabriel Zachmann) Vim macros for converting from LaTeX to HTML </p><hr />
+
+<!--l. 7820--><p class="noindent"><a
+ href="mn.html#mn53-25" name="mn53-25" >25</a>. <a
+ href="http://www.ccs.neu.edu/home/dorai/tex2page/tex2page-doc.html" target="_blank" >TeX2Page</a> (Dorai Sitaram) A Scheme script for translating a subset of plain TeX to HTML. </p><hr />
+<!--l. 7829--><p class="noindent"><a
+ href="mn.html#mn53-26" name="mn53-26" >26</a>. <a
+ href="http://www.wxwindows.org/tex2rtf/index.htm" target="_blank" >TeX2RTF</a> (Julian Smart) tmEA A C++ utility for converting from a subset of LaTeX to HTML and other
+formats. </p><hr />
+<!--l. 7835--><p class="noindent"><a
+ href="mn.html#mn53-27" name="mn53-27" >27</a>. <a
+ href="http://www.mathematik.uni-kl.de/~obachman/Texi2html/" target="_blank" >Texi2HTML</a> (Lionel Cons) A Perl script for converting Texinfo manuals to HTML. </p><hr />
+<!--l. 7841--><p class="noindent"><a
+ href="mn.html#mn53-28" name="mn53-28" >28</a>. <a
+ href="http://sunland.gsfc.nasa.gov/info/texi2www/" target="_blank" >Texi2www</a> (Tim Singletary) Converts Texinfo manuals to HTML. Another Perl script for converting Texinfo
+manuals to HTML.
+</p><hr />
+<!--l. 7848--><p class="noindent"><a
+ href="mn.html#mn53-29" name="mn53-29" >29</a>. <a
+ href="http://www.ktalk.com/texport-web.html" target="_blank" >TeXPort WEB</a> (K-talk Communications) A program running on MS-DOS or MS-Windows. </p><hr />
+<!--l. 7860--><p class="noindent"><a
+ href="mn.html#mn53-30" name="mn53-30" >30</a>. <a
+ href="http://www-sop.inria.fr/miaou/Jose.Grimm/tralics/" target="_blank" >Tralics</a> (Jos^^e9 Grimm) AC program for translating a subset of LaTeX to a local XML.
+------------------------------------------------------- </p><hr />
+<!--l. 7866--><p class="noindent"><a
+ href="mn.html#mn53-31" name="mn53-31" >31</a>. <a
+ href="http://hutchinson.belmont.ma.us/tth/" target="_blank" >Tth</a> (Ian Hutchinson) A C program for translating a subset of plain TeX and LaTeX into HTML. Uses special
+fonts and tables to represent formulas. </p><hr />
+<!--l. 8013--><p class="noindent"><a
+ href="mn.html#mn53-32" name="mn53-32" >32</a>. <a
+ href="http://www.plover.com/~mjd/vulcanize.html" target="_blank" >Vulcanize</a> (Mark-Jason Dominus) A Perl program for translating a subset of LaTeX to HTML. </p><hr />
+<!--l. 8065--><p class="noindent"><a
+ href="mn.html#mn53-33" name="mn53-33" >33</a>. <a
+ href="http://www.dessci.com/en/products/webeq" target="_blank" >WebEQ</a> (Mark-Jason Dominus) MathML fro a TeX variant named WebTeX </p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn54.html b/Master/texmf-dist/doc/generic/tex4ht/mn54.html
new file mode 100644
index 00000000000..d8a741af5ec
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn54.html
@@ -0,0 +1,64 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 8076--><p class="noindent"><a
+ href="mn.html#mn54-1" name="mn54-1" >1</a>. <a
+ href="http://www.chemie.fu-berlin.de/chemnet/use/gf.html" target="_blank" >Gf</a> (Gary Houston) SGML to LaTeX</p><hr />
+<!--l. 8085--><p class="noindent"><a
+ href="mn.html#mn54-2" name="mn54-2" >2</a>. <a
+ href="http://www.wildfire.dircon.co.uk/htex.html" target="_blank" >Htex</a> (Toby Thurston) HTML to LaTeX</p><hr />
+<!--l. 8089--><p class="noindent"><a
+ href="mn.html#mn54-3" name="mn54-3" >3</a>. <a
+ href="http://www.lib.rpi.edu/dept/acs/rpinfo/filters/GChtml2latex/" target="_blank" >HTML2LaTeX</a> (Davide Cervone &amp; Jeffrey Schaefer, Geometry Center) A Perl script for converting HTML into
+LaTeX</p><hr />
+<!--l. 8094--><p class="noindent"><a
+ href="mn.html#mn54-4" name="mn54-4" >4</a>. <a
+ href="ftp://ftp.dante.de/tex-archive/support/html2latex/" target="_blank" >HTML2LaTeX</a> (Nathan Torkington) A C-program relying on the HTML parser of the NCSA Mosaic HTML
+browser. </p><hr />
+<!--l. 8101--><p class="noindent"><a
+ href="mn.html#mn54-5" name="mn54-5" >5</a>. <a
+ href="http://html2latex.sourceforge.net/" target="_blank" >HTML2LaTeX</a> (Peter Thatcher) A Perl script for converting HTML into LaTeX</p><hr />
+<!--l. 8108--><p class="noindent"><a
+ href="mn.html#mn54-6" name="mn54-6" >6</a>. <a
+ href="http://home.planet.nl/~faase009/html2tex.html" target="_blank" >HTML2TeX</a> (Frans J. Faase) C macros for converting from HTML 2 to LaTeX </p><hr />
+<!--l. 8123--><p class="noindent"><a
+ href="mn.html#mn54-7" name="mn54-7" >7</a>. <a
+ href="http://sourceforge.net/projects/jadetex" target="_blank" >JadeTeX</a> (Sebastian Rahtz) SGML to TeX using DSSSL Formatting Objects and the Jade program of James
+Clark </p><hr />
+<!--l. 8139--><p class="noindent"><a
+ href="mn.html#mn54-8" name="mn54-8" >8</a>. <a
+ href="http://www.hcu.ox.ac.uk/TEI/Software/passivetex/" target="_blank" >Passive TeX</a> (Sebastian Rahtz) XML to LaTeX using XSL Formatting Objects </p><hr />
+<!--l. 8145--><p class="noindent"><a
+ href="mn.html#mn54-9" name="mn54-9" >9</a>. <a
+ href="http://www.ucc.ie/info/TeX/sgml2tex.html" target="_blank" >SGML2TeX</a> (Peter Flynn) A PCL (Personal Computer Language, an interpreted language for DOS) program </p><hr />
+<!--l. 8157--><p class="noindent"><a
+ href="mn.html#mn54-10" name="mn54-10" >10</a>. <a
+ href="http://www.alphaworks.ibm.com/aw.nsf/techreqs/texml" target="_blank" >TeXML</a> (Doug Lovell) A JAVA translator from TeXML-conforming XML into TeX. </p><hr />
+<!--l. 8166--><p class="noindent"><a
+ href="mn.html#mn54-11" name="mn54-11" >11</a>. <a
+ href="http://www.tug.org/tex-archive/macros/latex/contrib/carlisle/" target="_blank" >TypeHTML</a> (David Carlisle) HTML to LaTeX</p><hr />
+<!--l. 8176--><p class="noindent"><a
+ href="mn.html#mn54-12" name="mn54-12" >12</a>. <a
+ href="ftp://ftp.tex.ac.uk:/tex-archive/macros/xmltex/base/manual.html" target="_blank" >XMLTeX</a> (David Carlisle) A system for typesetting XML files with TeX. </p><hr />
+<!--l. 8182--><p class="noindent"><a
+ href="mn.html#mn54-13" name="mn54-13" >13</a>. <a
+ href="http://www.hj-gym.dk/~hj/writer2latex/" target="_blank" >Writer2LaTeX</a> (Henrik Just) A Java application for translation OpenOffice documents into LaTeX</p><hr />
+<!--l. 8196--><p class="noindent"><a
+ href="mn.html#mn54-14" name="mn54-14" >14</a>. <a
+ href="http://www.cis.ohio-state.edu/~gurari/tug99/indexSl57.html" target="_blank" >Brute Force</a> </p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn55.html b/Master/texmf-dist/doc/generic/tex4ht/mn55.html
new file mode 100644
index 00000000000..5cb3e4eaf51
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn55.html
@@ -0,0 +1,50 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 8205--><p class="noindent"><a
+ href="mn.html#mn55-1" name="mn55-1" >1</a>. <a
+ href="http://www.astro.gla.ac.uk/users/norman/star/dvi2bitmap/" target="_blank" >Dvi2bitmap</a> (Norman Gray) A DVI to GIF and XBM translator. </p><hr />
+<!--l. 8210--><p class="noindent"><a
+ href="mn.html#mn55-2" name="mn55-2" >2</a>. <a
+ href="http://gaspra.kettering.edu/dvipdfm/" target="_blank" >Dvipdfm</a> (Mark A. Wicks) A DVI to PDF translator. </p><hr />
+<!--l. 8215--><p class="noindent"><a
+ href="mn.html#mn55-3" name="mn55-3" >3</a>. <a
+ href="http://www.forkosh.com/" target="_blank" >MimeTeX</a> (John Forkosh) A server side parses for LaTeX math expressions, emitting either mime xbitmaps or gif
+images of them </p><hr />
+<!--l. 8232--><p class="noindent"><a
+ href="mn.html#mn55-4" name="mn55-4" >4</a>. <a
+ href="http://www.tug.org/utilities/texconv/ltx2rtf3.html" target="_blank" >ltx2rtf</a> (Daniel Taupin) LaTeX to MicroSoft Word (rtf: Rich Text Format) </p><hr />
+<!--l. 8237--><p class="noindent"><a
+ href="mn.html#mn55-5" name="mn55-5" >5</a>. <a
+ href="http://pantheon.yale.edu/~pmm34/leq.html" target="_blank" >LEQ</a> (Paul Magwene) LaTeX to MicroSoft Word </p><hr />
+<!--l. 8242--><p class="noindent"><a
+ href="mn.html#mn55-6" name="mn55-6" >6</a>. <a
+ href="http://tug.org/applications/pdftex/" target="_blank" >PdfTeX</a> (Han The Thanh) An extension of the TeX compiler offering an option for Adobe&#8217;s Portable Document
+Format (pdf) output. </p><hr />
+<!--l. 8287--><p class="noindent"><a
+ href="mn.html#mn55-7" name="mn55-7" >7</a>. <a
+ href="http://shika.aist-nara.ac.jp/products/plain2/plain2.html" target="_blank" >Plain2</a> (Akihiro Uchida) Plain text to TeX, ROFF and HTML. </p><hr />
+<!--l. 8290--><p class="noindent"><a
+ href="mn.html#mn55-8" name="mn55-8" >8</a>. LaTeX to ... Convert to HTML, then according to the target
+</p><dl > <dt>Text</dt><dd>
+Save the view of the outcome on a text-based browser (e.g., <span class="cmtt-10">lynx -dump foo.html &gt; foo.txt</span>, or <a
+ href="http://www.w3m.org/" >w3m</a>; the latter
+one might treat tables better) </dd><dt>Word</dt><dd>
+<span class="cmtt-10">Word</span>, and some other word processors, can load HTML files. The &#8216;<span class="cmtt-10">uxhlatex</span>&#8217; is probably the best setting of TeX4ht
+for such translations. </dd></dl>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn56.html b/Master/texmf-dist/doc/generic/tex4ht/mn56.html
new file mode 100644
index 00000000000..550439984b7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn56.html
@@ -0,0 +1,31 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Conversion to Bitmaps</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn56.html" >exit Conversion to Bitmaps</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-56-89"></a>Conversion to Bitmaps</h3>
+<ul >
+<li><a
+ href="http://www.fourmilab.ch/webtools/textogif/textogif.html" >TeXtogif</a> (John Walker) </li>
+<li><a
+ href="http://www.astro.gla.ac.uk/users/norman/star/dvi2bitmap/" >Dvi2bitmap</a>: direct conversion of Dvi to Gif (Norman Gray) </li>
+<li><a
+ href="http://www.slurm.com/gf2gifs/" >gf2gifs</a>: A Java program for converting MetaFont files into GIF images (Richard Blaylock )
+ </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn57.html b/Master/texmf-dist/doc/generic/tex4ht/mn57.html
new file mode 100644
index 00000000000..73741a34071
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn57.html
@@ -0,0 +1,30 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>math on the web</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn57.html" >exit math on the web</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-57-90"></a>math on the web</h3>
+<ul >
+<li><a
+ href="http://www.w3.org/Math/" >W3C</a>&#8217;s math home page </li>
+<li><a
+ href="http://www.oasis-open.org/cover/topics.html#sgml-math" >OASIS</a>&#8217;s resources on SGML and math. </li>
+<li><a
+ href="http://mathforum.org/typesetting/index.html#T" name="y" >pesetting for the Internet</a>. A review of methods. </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn58.html b/Master/texmf-dist/doc/generic/tex4ht/mn58.html
new file mode 100644
index 00000000000..d39bc10daab
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn58.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>web publishing with LaTeX</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn58.html" >exit web publishing with LaTeX</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-58-91"></a>Web Publishing</h3>
+<ul >
+<li><a
+ href="ftp://ctan.tug.org/tex-archive/info/webguide/webguide.html" >A Brief Guide to LaTeX Tools for Web Publishing</a> (Peter R. Wilson) </li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn59.html b/Master/texmf-dist/doc/generic/tex4ht/mn59.html
new file mode 100644
index 00000000000..f1f16b9445f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn59.html
@@ -0,0 +1,26 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>conversion services</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn.html#mn59.html" >exit conversion services</a>
+ <h3 class="SubSectionHead"><a
+ name="QQ1-59-92"></a>Conversion Services</h3>
+<ul >
+<li><a
+ href="http://wheel.compose.cs.cmu.edu:8001/cgi-bin/browse/objweb" >TOM (Typed Object Model)</a></li></ul>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn6.html b/Master/texmf-dist/doc/generic/tex4ht/mn6.html
new file mode 100644
index 00000000000..f8f121fd8cc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn6.html
@@ -0,0 +1,828 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>Within</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <p class="rightline"><a
+ href="mn.html#mn6.html" >up</a></p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-21"></a>Configurations</h2><div class="TableOfContents"><span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-22" name="QQ2-6-22">Background</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-23" name="QQ2-6-23">Recommendations</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-24" name="QQ2-6-24">Low-Level Features</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-25" name="QQ2-6-25">Sectioning and Tables of Contents</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-26" name="QQ2-6-26">Tables</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-27" name="QQ2-6-27">Lists and Environments</a></span>
+<span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-28" name="QQ2-6-28">Pictures</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-29" name="QQ2-6-29">Mathematical Formulas</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-30" name="QQ2-6-30">Paragraphs</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-31" name="QQ2-6-31">Cascade Style Sheets
+(CSS)</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-32" name="QQ2-6-32">Fonts</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-34" name="QQ2-6-34">Scripts</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-35" name="QQ2-6-35">Configurable Hooks</a></span> <span class="DocChapter"><span
+class="cmsy-10">&#8226;</span><a
+ href="#QQ1-6-36" name="QQ2-6-36">General Configuration Files</a></span>
+ </div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-22"></a>Background</h2>
+<!--l. 2501--><p class="noindent">TeX4ht handles correctly only macros whose logical meanings are directly or indirectly declared in TeX4ht
+configurations. For instance, without extra configurations, TeX4ht will provide correct translation
+for
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\divide{a}{b}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 2511--><p class="indent"> under a user&#8217;s definition of the form
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\def\divide#1#2{{a\over</span><span
+class="cmtt-10">&nbsp;b}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 2517--><p class="indent"> but not under a definition of the form
+</p><div class="Verbatim"><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;</span><span
+class="cmtt-10">&nbsp;\def\divide#1#2{\vbox{\hbox{$a$}\hrule\hbox{$b$}}}</span><span
+class="cmtt-10">&nbsp;</span>
+<br /></div>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-23"></a>Recommendations</h2>
+<!--l. 2527--><p class="noindent"><a
+ name="index6-23001"></a> <a
+ name="index6-23002"></a>It is highly recommended to leave source LaTeX and TeX files intact, and not introduce TeX4ht configurations
+there. The configurations should be introduced indirectly in private <a
+ href="mn3.html#prvCfgFiles">configuration files</a>. Source files containing just
+native LaTeX and TeX code permit their compilation to different output formats, including PostScript and PDF, by
+TeX4ht and other tools.
+</p><!--l. 2538--><p class="indent"> Packages used by the general LaTeX community typically provide better support than one can expect from
+tailoring private commands and configurations for such commands. It is also expected to take less effort to learn the
+features of existing packages than designing new ones. Consequently, one is advised to investigate available resources
+before committing to work on private features.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-24"></a>Low-Level Features</h2>
+<!--l. 2549--><p class="noindent">The following are some of the more useful underlying commands of TeX4ht.
+</p><!--l. 2552--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn7.html#mn7-1" name="mn7-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-24001"></a><span
+class="cmtt-10">\HCode{...}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn7.html#mn7-2" name="mn7-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-24003"></a> <span
+class="cmtt-10">\HPage{</span><span
+class="cmti-10">anchor</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndHPage{}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn7.html#mn7-3" name="mn7-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-24006"></a><span
+class="cmtt-10">\Link[</span><span
+class="cmti-10">target-file arguments</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">target-loc</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">cur-loc</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">anchor</span><span
+class="cmtt-10">\EndLink</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn7.html#mn7-4" name="mn7-4" >4</a></td><td
+class="button-list"> <a
+ name="index6-24011"></a><span
+class="cmtt-10">\ifHtml...tex4ht code... \else...non tex4ht code... \fi </span>(or <span
+class="cmtt-10">\ifHtml\UnDef...non tex4ht</span>
+<span
+class="cmtt-10">code... \else...tex4ht code... \fi</span>)
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn7.html#mn7-5" name="mn7-5" >5</a></td><td
+class="button-list"> <a
+ name="index6-24013"></a><span
+class="cmtt-10">\ifOption{...}{</span><span
+class="cmti-10">true-part</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">false-part</span><span
+class="cmtt-10">}</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-25"></a>Sectioning and Tables of Contents</h2>
+<!--l. 2643--><p class="noindent"><a
+ name="index6-25001"></a> <a
+ name="index6-25002"></a> <a
+ name="index6-25003"></a> <a
+ name="index6-25004"></a> <a
+ name="index6-25005"></a>A non-leading package parameter &#8216;<span
+class="cmtt-10">1</span>&#8217;, &#8216;<a
+ href="mn8.html" name="mn8.html" ><span
+class="cmtt-10">2</span></a>&#8217;, &#8216;<span
+class="cmtt-10">3</span>&#8217;, or &#8216;<span
+class="cmtt-10">4</span>&#8217;, in <span
+class="cmtt-10">\usepackage</span>, asks for a tree-structured
+set of files, reflecting on the sectioning of the document to the specified depth. Sequential prev-next
+links within the hierarchy, instead of the default hierarchical ones, can be requested with the &#8216;<span
+class="cmtt-10">next</span>&#8217;
+parameter. The parameter &#8216;<span
+class="cmtt-10">sections+</span>&#8217; creates titles for the sectioning commands that link to the tables of
+contents.
+</p><!--l. 2672--><p class="indent"> Finer control is possible with the following commands.
+</p><!--l. 2674--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-1" name="mn9-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-25006"></a><span
+class="cmtt-10">\CutAt{</span><span
+class="cmti-10">at-unit</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">until-unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">until-unit-2</span><span
+class="cmtt-10">,...}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-2" name="mn9-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-25008"></a><span
+class="cmtt-10">\tableofcontents[</span><span
+class="cmti-10">unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-2</span><span
+class="cmtt-10">,...]</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-3" name="mn9-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-25010"></a><span
+class="cmtt-10">\TocAt{</span><span
+class="cmti-10">at-unit</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-2</span><span
+class="cmtt-10">,...,/</span><span
+class="cmti-10">until-unit-1</span><span
+class="cmtt-10">,/</span><span
+class="cmti-10">until-unit-2</span><span
+class="cmtt-10">,...}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-4" name="mn9-4" >4</a></td><td
+class="button-list"> <a
+ name="index6-25013"></a><span
+class="cmtt-10">\ConfigureToc{</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-mark</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-title</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-page-number</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-5" name="mn9-5" >5</a></td><td
+class="button-list"> <a
+ name="index6-25015"></a><span
+class="cmtt-10">\Configure{tableofcontents} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">end-of-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-nonindented-par</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">before-indented-par</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-6" name="mn9-6" >6</a></td><td
+class="button-list"> <a
+ name="index6-25017"></a><span
+class="cmtt-10">\Configure{TocAt} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-7" name="mn9-7" >7</a></td><td
+class="button-list"> <a
+ name="index6-25019"></a><span
+class="cmtt-10">\Configure{TocAt*} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-8" name="mn9-8" >8</a></td><td
+class="button-list"> <a
+ name="index6-25021"></a><span
+class="cmtt-10">\Configure{</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">top</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">bottom</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-title</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-title</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-9" name="mn9-9" >9</a></td><td
+class="button-list"> <a
+ name="index6-25023"></a><span
+class="cmtt-10">\Configure{CutAt} {</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-button</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-button</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-10" name="mn9-10" >10</a></td><td
+class="button-list"> <a
+ name="index6-25025"></a><span
+class="cmtt-10">\Configure{+CutAt} {</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-button</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-button</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-11" name="mn9-11" >11</a></td><td
+class="button-list"> <a
+ name="index6-25027"></a><span
+class="cmtt-10">\NewSection\</span><span
+class="cmti-10">unit </span><span
+class="cmtt-10">{</span><span
+class="cmti-10">mark-for-toc</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-12" name="mn9-12" >12</a></td><td
+class="button-list"> <a
+ name="index6-25029"></a><span
+class="cmtt-10">\Configure{writetoc} {</span><span
+class="cmti-10">definitions-for-the-writing-environment</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-13" name="mn9-13" >13</a></td><td
+class="button-list"> <a
+ name="index6-25031"></a><span
+class="cmtt-10">\Configure{crosslinks} {</span><span
+class="cmti-10">left-delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">right-delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">next</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">prev</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">prev-tail</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">front</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">tail</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">up</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn9.html#mn9-14" name="mn9-14" >14</a></td><td
+class="button-list"> <a
+ name="index6-25033"></a><span
+class="cmtt-10">\Configure{crosslinks+} {</span><span
+class="cmti-10">before-top-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-top-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-bottom-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-bottob-links</span><span
+class="cmtt-10">}</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-26"></a>Tables</h2>
+<!--l. 2983--><p class="noindent"><a
+ name="index6-26001"></a>Tables with <span
+class="cmtt-10">\multicolum </span>entries need a few LaTeX compilations to stabilize.
+</p><!--l. 2989--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn10.html#mn10-1" name="mn10-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-26002"></a> <a
+ name="index6-26003"></a> <a
+ name="index6-26004"></a><span
+class="cmtt-10">\Configure{</span><span
+class="cmti-10">table</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-tbl</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-tbl</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-row</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-row</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-entry</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-entry</span><span
+class="cmtt-10">}</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-27"></a>Lists and Environments</h2>
+<!--l. 3049--><p class="noindent"><a
+ name="index6-27001"></a> <a
+ name="index6-27002"></a>The appearances of lists and <span
+class="cmtt-10">\begin</span>-<span
+class="cmtt-10">\end </span>environments are configured with the following commands.
+</p><!--l. 3055--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn11.html#mn11-1" name="mn11-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-27003"></a><span
+class="cmtt-10">\ConfigureList{</span><span
+class="cmti-10">list-name</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-list</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-label</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-label</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn11.html#mn11-2" name="mn11-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-27015"></a><span
+class="cmtt-10">\ConfigureEnv{</span><span
+class="cmti-10">environment-name</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-environment</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-environment</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-list</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">after-list</span><span
+class="cmtt-10">}</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-28"></a>Pictures</h2>
+<!--l. 3152--><p class="noindent"><a
+ name="index6-28001"></a>The next command imports external pictures, and the two commands that follow request pictorial representations
+for local content. The attributes, and the replacement parameters with their enclosing rectangular brackets, are
+optional.
+</p><!--l. 3157--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn12.html#mn12-1" name="mn12-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-28002"></a><span
+class="cmtt-10">\Picture[</span><span
+class="cmti-10">replacement-for-textual-browser</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn12.html#mn12-2" name="mn12-2" >2</a></td><td
+class="button-list"><span
+class="cmtt-10">\Picture+[</span><span
+class="cmti-10">replacement-for-text-browsers</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndPicture</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn12.html#mn12-3" name="mn12-3" >3</a></td><td
+class="button-list"><span
+class="cmtt-10">\Picture*[</span><span
+class="cmti-10">replacement-for-text-browsers</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">file-name attributes</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndPicture</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-29"></a>Mathematical Formulas</h2>
+<!--l. 3215--><p class="noindent"><a
+ name="index6-29001"></a> <a
+ name="index6-29002"></a> <a
+ name="index6-29003"></a> <a
+ name="index6-29004"></a> <a
+ name="index6-29005"></a>In the default setting, the math environments &#8216;<span
+class="cmtt-10">\(...\)</span>&#8217;, and the display math environments &#8216;<span
+class="cmtt-10">\[...\]</span>&#8217; and
+&#8216;<span
+class="cmtt-10">$$...$$</span>&#8217;, request pictorial representations for their content. On the other hand, the math environments &#8216;<span
+class="cmtt-10">$...$</span>&#8217; ask
+for no special treatment. Simple features like mathematical symbols, subscripts, and superscripts, are
+translated into html, and more complex entities like roots and fractions are translated into pictures
+(<a
+ href="mn13.html" name="mn13.html" >example</a>).
+</p><!--l. 3239--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn14.html#mn14-1" name="mn14-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-29006"></a> <a
+ name="index6-29007"></a> <a
+ name="index6-29008"></a> <a
+ name="index6-29009"></a><span
+class="cmtt-10">\Configure{[]} {</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">$$</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">$$</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span>,
+<span
+class="cmtt-10">\Configure{()}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">$</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">$</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{$$}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{$}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">at-start</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn14.html#mn14-2" name="mn14-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-29016"></a> <a
+ name="index6-29017"></a> <a
+ name="index6-29018"></a><span
+class="cmtt-10">\Configure{SUB}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{SUP}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span><br /><span
+class="cmtt-10">\Configure{SUBSUP}{</span><span
+class="cmti-10">before</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">between</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">after</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn14.html#mn14-3" name="mn14-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-29022"></a> <a
+ name="index6-29023"></a> <a
+ name="index6-29024"></a> <a
+ name="index6-29025"></a><span
+class="cmtt-10">no_</span>, <span
+class="cmtt-10">no^ </span></td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-30"></a>Paragraphs</h2>
+<!--l. 3346--><p class="noindent"><a
+ name="index6-30001"></a>The insertions of code at paragraph breaks are controlled by the following commands.
+</p><!--l. 3349--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn15.html#mn15-1" name="mn15-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-30002"></a> <a
+ name="index6-30003"></a><span
+class="cmtt-10">\Configure{HtmlPar} {</span><span
+class="cmti-10">noindent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">indent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">from-noindent-P</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">from-indent-P</span><span
+class="cmtt-10">} </span><br /><span
+class="cmtt-10">\EndP</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn15.html#mn15-2" name="mn15-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-30006"></a> <span
+class="cmtt-10">\IgnorePar </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn15.html#mn15-3" name="mn15-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-30008"></a> <span
+class="cmtt-10">\ShowPar </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn15.html#mn15-4" name="mn15-4" >4</a></td><td
+class="button-list"> <a
+ name="index6-30010"></a> <span
+class="cmtt-10">\IgnoreIndent </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn15.html#mn15-5" name="mn15-5" >5</a></td><td
+class="button-list"> <a
+ name="index6-30012"></a> <span
+class="cmtt-10">\ShowIndent </span></td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-31"></a>Cascade Style Sheets (CSS)</h2>
+<!--l. 3458--><p class="noindent"><a
+ name="index6-31001"></a>Cascade style sheets attach presentations to the content of hypertext pages, in a manner similar to the way
+that &#8216;<span
+class="cmtt-10">.sty</span>&#8217; files define the presentations to the content of source LaTeX files. TeX4ht produces a CSS
+file for each document that is translated to HTML transitional 4.0 code. The following are related
+commands.
+</p><!--l. 3466--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn16.html#mn16-1" name="mn16-1" >1</a></td><td
+class="button-list"><span
+class="cmtt-10">\Css{</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">}</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn16.html#mn16-2" name="mn16-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-31002"></a><span
+class="cmtt-10">\Css </span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndCss</span>
+ </td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn16.html#mn16-3" name="mn16-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-31004"></a><span
+class="cmtt-10">\CssFile[</span><span
+class="cmti-10">list-of-css-files</span><span
+class="cmtt-10">]</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndCssFile</span>
+ </td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-32"></a>Fonts</h2>
+<!--l. 3542--><p class="noindent"><a
+ name="index6-32001"></a>TeX4ht has an elaborated machinery for handling fonts, through special virtual hypertext fonts stored in &#8216;<span
+class="cmtt-10">.htf</span>&#8217; files.
+Instead of providing a design for each symbol, as is the case in standard fonts, the virtual fonts provide a content for
+each symbol. The following commands offer some control, from within the source LaTeX documents, over the
+content provided to the symbols.
+</p><!--l. 3551--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn17.html#mn17-1" name="mn17-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-32002"></a><span
+class="cmtt-10">\NoFonts </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn17.html#mn17-2" name="mn17-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-32004"></a><span
+class="cmtt-10">\EndNoFonts </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn17.html#mn17-3" name="mn17-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-32006"></a><span
+class="cmtt-10">\Configure{htf} {</span><span
+class="cmti-10">class</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-1</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-2</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-3</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-4</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-5</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">template-6</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">template-7</span><span
+class="cmtt-10">} </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn17.html#mn17-4" name="mn17-4" >4</a></td><td
+class="button-list"> <a
+ name="index6-32008"></a><span class="cmtt-10">\Configure{htf-sty} {</span><span class="cmti-10">class/font</span><span class="cmtt-10">} {</span><span class="cmti-10">CSS-instructions</span><span class="cmtt-10">} </span></td></tr></table>
+<!--l. 3709--><p class="indent"> The <span class="cmtt-10">htf </span>fonts might request pictorial representations for symbols. In such cases, the sizes of the pictures
+depend on the sizes of the TeX fonts in use. Size changes through the <span class="cmtt-10">\magnification </span>command should be made
+before loading the <span class="cmtt-10">tex4ht.sty </span>package.
+</p><!--l. 3716--><p class="indent"> The design of a virtual hypertext font might take some labor, but it does not <a
+ href="mn-htf.html" name="mn-htf.html" >require</a> too much sophistication.
+</p><!--l. 4046--><p class="indent"> A font of TeX may have more than one htf font to map to. The search for a desired version can be regulated
+within <a
+ href="mn39.html#alt-htf">scripts</a>.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-34"></a>Scripts</h2>
+<!--l. 4054--><p class="noindent">Scripts produce the content in verbatim format with no decorations.
+</p><!--l. 4058--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn19.html#mn19-1" name="mn19-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-34001"></a><span class="cmtt-10">\ScriptEnv{</span><span class="cmti-10">environment</span><span class="cmtt-10">} {</span><span class="cmti-10">prefix</span><span class="cmtt-10">} {</span><span class="cmti-10">postfix</span><span class="cmtt-10">} </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn19.html#mn19-2" name="mn19-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-34003"></a><span class="cmtt-10">\ScriptCommand{\</span><span class="cmti-10">command</span><span class="cmtt-10">} {</span><span class="cmti-10">prefix</span><span class="cmtt-10">} {</span><span class="cmti-10">postfix</span><span class="cmtt-10">} </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn19.html#mn19-3" name="mn19-3" >3</a></td><td
+class="button-list"> <a
+ name="index6-34005"></a><span class="cmtt-10">\JavaScript...\EndJavaScript </span></td></tr></table>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-35"></a>Configurable Hooks</h2>
+<!--l. 4117--><p class="noindent">Much of the look and feel of TeX4ht is achieved through hooks that are introduced and configured with the
+following commands.
+</p><!--l. 4121--><p class="indent">
+</p>
+ <table class="button-list">
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn20.html#mn20-1" name="mn20-1" >1</a></td><td
+class="button-list"> <a
+ name="index6-35001"></a><span class="cmtt-10">\NewConfigure{</span><span class="cmti-10">name</span><span class="cmtt-10">}[</span><span class="cmti-10">i</span><span class="cmtt-10">]{</span><span class="cmti-10">body</span><span class="cmtt-10">} </span></td></tr>
+ <tr valign="top" class="button-list"><td class="button-list"><a
+ href="mn20.html#mn20-2" name="mn20-2" >2</a></td><td
+class="button-list"> <a
+ name="index6-35003"></a><span class="cmtt-10">\Configure{</span><span class="cmti-10">name</span><span class="cmtt-10">}{</span><span class="cmti-10">parameter-1</span><span class="cmtt-10">}...{</span><span class="cmti-10">parameter-i</span><span class="cmtt-10">}</span>
+ </td></tr></table>
+<!--l. 4161--><p class="indent"> Block <span class="cmtt-10">{\begin}</span><span class="cmmi-10">...</span><span class="cmtt-10">\end </span>environments may also be configured through the <span class="cmtt-10">\ConfigureEnv </span>command, and lists
+may also employ the <span class="cmtt-10">\ConfigureList </span>command.
+</p><!--l. 4166--><p class="indent"> For help configuring hooks already seeded in the system, compile the source files in use with the &#8216;<span class="cmtt-10">info</span>&#8217; option
+active and review the information in log files. Much of the information in the log files may also be obtained by
+running &#8216;<span class="cmtt-10">xhlatex mktex4ht</span>&#8217; and reviewing the entries in the outcome page &#8216;<span class="cmtt-10">mktex4ht.html =&gt; index =&gt;</span>
+<span class="cmtt-10">mktex4ht</span>&#8217;.
+</p>
+ <h2 class="ChapterHead"><a
+ name="QQ1-6-36"></a>General Configuration Files</h2>
+<!--l. 4182--><p class="noindent"><a
+ name="index6-36001"></a><a
+ name="confFiles"></a> <a
+ name="index6-36002"></a>A compilation starts by opening <span class="cmtt-10">tex4ht.sty </span>and loading a fraction of its code. The main purpose of this phase is
+to request the loading of the system at a later time (for instance, upon reaching <span class="cmtt-10">\begin{document}</span>). The
+motivation for the late loading is to allow TeX4ht to collect as much information as possible about the environment
+requested by the source file, and help the system reshape that environment with minimal interference from
+elsewhere.
+</p><!--l. 4194--><p class="indent"> <a
+ name="index6-36003"></a>The system uses two kinds of (4ht) configuration files. The files of the first kind mainly seed hooks into the
+macros loaded by the source file (for instance, <span class="cmtt-10">latex.4ht</span>, <span class="cmtt-10">fontmath.4ht</span>, and <span class="cmtt-10">article.4ht</span>). The files of
+the second kind mainly attach meaning to the hooks (for instance, <span class="cmtt-10">html4.4ht</span>, <span class="cmtt-10">unicode.4ht</span>, and
+<span class="cmtt-10">mathml.4ht</span>).
+</p><!--l. 4202--><p class="indent"> <a
+ name="index6-36004"></a>Different source files may request the loading of different style files and in different orders. The hook seeding
+files are loaded in response to the loading of the style files, and in a compatible order. Since the different style files
+may redefine the syntax and semantics of macros, TeX4t follows a similar route of defining and redefining the hooks
+and their meanings.
+</p><!--l. 4210--><p class="indent"> <a
+ name="index6-36005"></a>The meaning attaching files are normally requested through option names introduced in the <span class="cmtt-10">tex4ht.4ht </span>system
+file. For instance, the <span class="cmtt-10">mzlatex </span>command refers to the <span class="cmtt-10">mozilla </span>option name of <span class="cmtt-10">tex4ht.4ht</span>, and the <span class="cmtt-10">oolatex</span>
+command refers to the <span class="cmtt-10">ooffice </span>option name. The user may add option names, and redefine old ones, within a new
+file named <span class="cmtt-10">tex4ht.usr</span>.
+</p><!--l. 4218--><p class="indent"> A new <span class="cmtt-10">tex4ht.usr </span>file should group references to <span class="cmtt-10">*.4ht </span>configuration files under arbitrarily chosen option
+names. For that purpose, <span class="cmtt-10">\Configure </span>commands similar to those provided in <span class="cmtt-10">tex4ht.4ht </span>should be
+employed.
+</p><!--l. 4224--><p class="indent"> Variants of the htlatex-like scripts may be produced in the following manner.
+</p><!--l. 4227--><p class="indent">
+</p><ol type="a" >
+<li>Adjust the <span class="cmtt-10">latex </span>(<span class="cmtt-10">tex</span>, <span class="cmtt-10">texi</span>) command of a given script to use a desired option name, and rename the new script.
+</li>
+<li>Make sure the <span class="cmtt-10">tex4ht </span>and <span class="cmtt-10">t4ht </span>commands receive appropriate switches in the new script. </li></ol>
+ The definition of new meaning assigning configuration files can be considerable simplified by relying on literate
+programming and the file <span class="cmtt-10">mktex4t.4ht</span>. For additional information, compile this file into a hypertext document,
+visit the &#8216;<span class="cmtt-10">index</span>&#8217; page, and from there reach into the &#8216;<span class="cmtt-10">mktex4ht</span>&#8217; page.
+ <div class="EXAMPL"><span class="cmbx-10">Example</span>
+<ol type="a" >
+<li>Add a configuration file <span class="cmtt-10">myooconfig.4ht </span>with the following content.
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\exit:ifnot{jurabib}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\ConfigureHinput{jurabib}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\def\jbNoLink#1#2{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{jblink}{\jbNoLink}{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{jbanchor}{\jbNoLink}{}</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\endinput\empty\empty\empty\empty\empty\empty</span><span class="cmtt-10">&nbsp;</span>
+
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\endinput</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 4269--><p class="noindent"></p></li>
+<li>Add to <span class="cmtt-10">tex4ht.usr </span>the following script.
+<div class="Verbatim"><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Configure{myooffice}{%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\:CheckOption{info}\if:Option</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{infoht4.4ht}\fi</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\:CheckOption{info}\if:Option</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{infomml.4ht}\fi</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{ooffice.4ht}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{unicode.4ht}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{mathml.4ht}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{ooffice-mml.4ht}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;\Hinclude[*]{myooconfig.4ht}%</span><span class="cmtt-10">&nbsp;</span>
+<br /><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;</span><span class="cmtt-10">&nbsp;}</span><span class="cmtt-10">&nbsp;</span>
+<br /></div>
+<!--l. 4285--><p class="indent"> It is the ooffice script from <span class="cmtt-10">tex4ht.4ht</span>, with the added record &#8216;<span class="cmtt-10">\Hinclude[*]{myooconfig.4ht}%</span>&#8217;.
+</p><!--l. 4288--><p class="noindent"></p></li>
+<li>Invoke the compilations with a variant of the following form of the <span class="cmtt-10">oolatex </span>command.
+ <div
+class="centerline"><span class="cmtt-10">htlatex filename &#34;xhtml,myooffice&#34; &#34; -cmozhtf&#34; &#34;-coo&#34;</span></div>
+ </li></ol>
+ </div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn60.html b/Master/texmf-dist/doc/generic/tex4ht/mn60.html
new file mode 100644
index 00000000000..c9dd92aee8d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn60.html
@@ -0,0 +1,19 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn7.html b/Master/texmf-dist/doc/generic/tex4ht/mn7.html
new file mode 100644
index 00000000000..8055d76f9b4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn7.html
@@ -0,0 +1,157 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 2554--><p class="noindent"><a
+ href="mn6.html#mn7-1" name="mn7-1" >1</a>. <a
+ name="index7-24002"></a><span
+class="cmtt-10">\HCode{...}</span>
+</p><!--l. 2556--><p class="indent"> This command allows only for the expansion of macros, before sending its content to the output. The
+instruction <span
+class="cmtt-10">\Hnewline </span>may be introduced there for requesting line breaks.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">Two</span>&nbsp;<span
+class="cmtt-10">lines</span>&nbsp;<span
+class="cmtt-10">of</span>&nbsp;<span
+class="cmtt-10">text</span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">\ifHtml</span>&nbsp;<span
+class="cmtt-10">\HCode{&lt;br</span>&nbsp;<span
+class="cmtt-10">/&gt;}</span>&nbsp;<span
+class="cmtt-10">\else</span>&nbsp;<span
+class="cmtt-10">\hrule</span>&nbsp;<span
+class="cmtt-10">\fi</span>
+ <br />&nbsp;<span
+class="cmtt-10">separated</span>&nbsp;<span
+class="cmtt-10">by</span>&nbsp;<span
+class="cmtt-10">a</span>&nbsp;<span
+class="cmtt-10">horizontal</span>&nbsp;<span
+class="cmtt-10">line.</span>
+
+ <br />&nbsp;
+ <br />&nbsp;<span
+class="cmtt-10">You</span>&nbsp;<span
+class="cmtt-10">probably</span>&nbsp;<span
+class="cmtt-10">don't</span>&nbsp;<span
+class="cmtt-10">want</span>&nbsp;<span
+class="cmtt-10">a</span>&nbsp;<span
+class="cmtt-10">`&lt;br&gt;'.</span>
+</div><hr />
+<!--l. 2570--><p class="noindent"><a
+ href="mn6.html#mn7-2" name="mn7-2" >2</a>. <a
+ name="index7-24004"></a> <span
+class="cmtt-10">\HPage{</span><span
+class="cmti-10">anchor</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">content</span><span
+class="cmtt-10">\EndHPage{}</span>
+</p><!--l. 2572--><p class="indent"> This command dedicates a hypertext page for the specified content, to be accessed through the given
+button.
+</p><!--l. 2575--><p class="indent"> <a
+ name="index7-24005"></a>The <span
+class="cmtt-10">\ExitHPage{...} </span>command may be employed within the content to create exit buttons.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">......</span>&nbsp;<span
+class="cmtt-10">............</span>
+ <br />&nbsp;<span
+class="cmtt-10">\HPage{in}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">................</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">[\ExitHPage{out}]</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\EndHPage{}</span>
+ <br />&nbsp;<span
+class="cmtt-10">...................</span>
+</div><hr />
+<!--l. 2593--><p class="noindent"><a
+ href="mn6.html#mn7-3" name="mn7-3" >3</a>. <a
+ name="index7-24007"></a><span
+class="cmtt-10">\Link[</span><span
+class="cmti-10">target-file arguments</span><span
+class="cmtt-10">]{</span><span
+class="cmti-10">target-loc</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">cur-loc</span><span
+class="cmtt-10">}</span><span
+class="cmti-10">anchor</span><span
+class="cmtt-10">\EndLink</span>
+</p><!--l. 2596--><p class="indent"> This command requests an anchor that links to &#8216;<span
+class="cmti-10">target-file</span><span
+class="cmtt-10">#</span><span
+class="cmti-10">target-loc</span>&#8217;, and marks the current location with the
+name &#8216;<span
+class="cmti-10">cur-loc</span>&#8217;.
+</p><!--l. 2601--><p class="indent"> The component &#8216;<span
+class="cmtt-10">[...]</span>&#8217; is optional when it is empty, and the target file need not be mentioned if it is created
+from the current source file.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\HPage{}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">......................</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">\Link[http://www.tug.org/]{}{XX}\TeX{}</span>&nbsp;<span
+class="cmtt-10">Users</span>&nbsp;<span
+class="cmtt-10">Group</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">Home</span>&nbsp;<span
+class="cmtt-10">Page\EndLink</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">......................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\EndHPage{}</span>
+ <br />&nbsp;<span
+class="cmtt-10">......................</span>
+ <br />&nbsp;<span
+class="cmtt-10">\Link{XX}{}...\EndLink</span>
+</div>
+ <a
+ name="index7-24008"></a> <a
+ name="index7-24009"></a> <a
+ name="index7-24010"></a>The characters &#8216;<span
+class="cmtt-10">~</span>&#8217;, &#8216;<span
+class="cmtt-10">_</span>&#8217;, and&nbsp;&#8216;<span
+class="cmtt-10">%</span>&#8217; can be indirectly included through the code&nbsp;&#8216;<span
+class="cmtt-10">\string ~</span>&#8217;,&nbsp;&#8216;<span
+class="cmtt-10">\string _</span>&#8217;,
+and&nbsp;&#8216;<span
+class="cmtt-10">\%</span>&#8217;, respectively.<hr />
+<!--l. 2630--><p class="noindent"><a
+ href="mn6.html#mn7-4" name="mn7-4" >4</a>. <a
+ name="index7-24012"></a><span
+class="cmtt-10">\ifHtml...tex4ht code... \else...non tex4ht code... \fi </span>(or <span
+class="cmtt-10">\ifHtml\UnDef...non tex4ht code...</span>
+<span
+class="cmtt-10">\else...tex4ht code... \fi</span>)
+</p><!--l. 2632--><p class="indent"> This command provides the means to conditionally provide content to the HTML and non-HTML modes. The
+<span
+class="cmtt-10">\else </span>is optional when the false part is empty.
+</p><hr />
+<!--l. 2638--><p class="noindent"><a
+ href="mn6.html#mn7-5" name="mn7-5" >5</a>. <a
+ name="index7-24014"></a><span
+class="cmtt-10">\ifOption{...}{</span><span
+class="cmti-10">true-part</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">false-part</span><span
+class="cmtt-10">}</span>
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn8.html b/Master/texmf-dist/doc/generic/tex4ht/mn8.html
new file mode 100644
index 00000000000..63516a1ab65
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn8.html
@@ -0,0 +1,45 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title>2</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+ <a
+ href="mn6.html#mn8.html" >up</a>
+ <div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\documentclass{book}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">\usepackage[html,</span><span class="showcode"><span
+class="cmtt-10">2</span></span><span
+class="cmtt-10">]{tex4ht}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\begin{document}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>
+ <br />&nbsp;<span
+class="cmtt-10">\end{document}</span>
+</div>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/tex4ht/mn9.html b/Master/texmf-dist/doc/generic/tex4ht/mn9.html
new file mode 100644
index 00000000000..6abdb8f6e39
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/tex4ht/mn9.html
@@ -0,0 +1,419 @@
+<?xml version="1.0" encoding="iso-8859-1" ?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "xhtml1-transitional.dtd">
+<!--http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd-->
+<html xmlns="http://www.w3.org/1999/xhtml"
+>
+<head><title></title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<meta name="generator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<meta name="originator" content="TeX4ht (http://www.cis.ohio-state.edu/~gurari/TeX4ht/mn.html)" />
+<!-- xhtml,th4,index -->
+<meta name="src" content="mn.tex" />
+<meta name="date" content="2004-02-11 18:07:00" />
+<link rel="stylesheet" type="text/css" href="mn.css" />
+</head><body
+>
+<!--l. 2680--><p class="noindent"><a
+ href="mn6.html#mn9-1" name="mn9-1" >1</a>. <a
+ name="index9-25007"></a><span
+class="cmtt-10">\CutAt{</span><span
+class="cmti-10">at-unit</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">until-unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">until-unit-2</span><span
+class="cmtt-10">,...}</span>
+</p><!--l. 2682--><p class="indent"> This directive asks the sectioning commands <span
+class="cmtt-10">\</span><span
+class="cmti-10">at-unit </span>to place their units in separate hypertext pages. The
+pages are to terminate upon encountering any of the commands in the list <span
+class="cmtt-10">\</span><span
+class="cmti-10">at-unit</span>, <span
+class="cmtt-10">\</span><span
+class="cmti-10">until-unit-1</span>,
+<span
+class="cmtt-10">\</span><span
+class="cmti-10">until-unit-2</span>,...
+ </p><div class="ShowCode">
+ <br />&nbsp;<span class="showcode"><span
+class="cmtt-10">\CutAt{section,chapter}</span></span>
+ <br />&nbsp;<span
+class="cmtt-10">\tableofcontents</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>&nbsp;&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;&nbsp;<span
+class="cmtt-10">......</span>
+</div>
+ Within the <span
+class="cmtt-10">\CutAt </span>instruction, the starred commands of LaTeX should be referenced with the prefix &#8216;<span
+class="cmtt-10">like</span>&#8217;
+instead of the postfix of &#8216;<span
+class="cmtt-10">*</span>&#8217;, and appendices through the entry &#8216;<span
+class="cmtt-10">appendix</span>&#8217;.
+<!--l. 2704--><p class="indent"> A plus character &#8216;<span
+class="cmtt-10">+</span>&#8217;, before the leading parameter, requests buttons that link to the hypertext pages; e.g.,
+&#8216;<span
+class="cmtt-10">\CutAt{+likesection}</span>&#8217;.
+</p><!--l. 2707--><p class="indent"> The end points of sections not specified within the <span
+class="cmtt-10">\CutAt </span>commands can be made known with instructions of
+the form &#8216;<span
+class="cmtt-10">\Configure{</span><span
+class="cmti-10">endunit</span><span
+class="cmtt-10">}{</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">,...}</span>&#8217;.
+</p><hr />
+<!--l. 2715--><p class="noindent"><a
+ href="mn6.html#mn9-2" name="mn9-2" >2</a>. <a
+ name="index9-25009"></a><span
+class="cmtt-10">\tableofcontents[</span><span
+class="cmti-10">unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-2</span><span
+class="cmtt-10">,...]</span>
+</p><!--l. 2717--><p class="indent"> This variant of the <span
+class="cmtt-10">\tableofcontents </span>command specifies the kinds of entries that should be included in the
+tables.
+</p><hr />
+<!--l. 2724--><p class="noindent"><a
+ href="mn6.html#mn9-3" name="mn9-3" >3</a>. <a
+ name="index9-25011"></a><span
+class="cmtt-10">\TocAt{</span><span
+class="cmti-10">at-unit</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-1</span><span
+class="cmtt-10">,</span><span
+class="cmti-10">unit-2</span><span
+class="cmtt-10">,...,/</span><span
+class="cmti-10">until-unit-1</span><span
+class="cmtt-10">,/</span><span
+class="cmti-10">until-unit-2</span><span
+class="cmtt-10">,...}</span>
+</p><!--l. 2726--><p class="indent"> This directive asks for a local table of contents, at each division created by the <span
+class="cmtt-10">\</span><span
+class="cmti-10">at-unit </span>command. The tables
+should include entries of types <span
+class="cmtt-10">\</span><span
+class="cmti-10">unit-1</span>, <span
+class="cmtt-10">\</span><span
+class="cmti-10">unit-2</span>,..., and terminate upon reaching any of the <span
+class="cmtt-10">\</span><span
+class="cmti-10">at-unit</span>, <span
+class="cmtt-10">\</span><span
+class="cmti-10">until-unit-1</span>,
+<span
+class="cmtt-10">\</span><span
+class="cmti-10">until-unit-2</span>,... commands.
+</p><!--l. 2733--><p class="indent"> <a
+ name="index9-25012"></a>Within the <span
+class="cmtt-10">\TocAt </span>instruction, the starred commands of LaTeX should be referenced with the prefix &#8216;<span
+class="cmtt-10">like</span>&#8217;
+instead of the postfix of &#8216;<span
+class="cmtt-10">*</span>&#8217;, and appendices through the entry &#8216;<span
+class="cmtt-10">appendix</span>&#8217;.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span class="showcode"><span
+class="cmtt-10">\TocAt{section,subsection,/likechapter}</span></span>
+ <br />&nbsp;<span
+class="cmtt-10">\CutAt{subsection,section,likechapter}</span>
+ <br />&nbsp;
+ <br />&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+ <br />&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter*{...}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\section*{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+</div>
+ A postfix &#8216;<span
+class="cmtt-10">*</span>&#8217; on <span
+class="cmtt-10">\CutAt </span>asks the tables of contents to appear after the preambles of the logical
+unit.
+ <div class="ShowCode">
+ <br />&nbsp;<span class="showcode"><span
+class="cmtt-10">\TocAt*{section,subsection,/likechapter}</span></span>
+
+ <br />&nbsp;<span
+class="cmtt-10">\CutAt{subsection,section,likechapter}</span>
+ <br />&nbsp;
+ <br />&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+ <br />&nbsp;<span
+class="cmtt-10">\section{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>&nbsp;<span
+class="cmtt-10">\subsection{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter*{...}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\section*{...}</span>&nbsp;<span
+class="cmtt-10">...</span>
+</div>
+ A postfix &#8216;<span
+class="cmtt-10">-</span>&#8217; on <span
+class="cmtt-10">\CutAt </span>asks to produce the local tables of contents only on demand, through <span
+class="cmtt-10">Cut</span><span
+class="cmti-10">section-type</span>
+commands.
+<!--l. 2766--><p class="indent"> The only <span
+class="cmtt-10">\ConfigureToc </span>commands that count are those before the <span
+class="cmtt-10">\TocAt </span>instruction.
+</p><hr />
+<!--l. 2779--><p class="noindent"><a
+ href="mn6.html#mn9-4" name="mn9-4" >4</a>. <a
+ name="index9-25014"></a><span
+class="cmtt-10">\ConfigureToc{</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-mark</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-title</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-page-number</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">at-end</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2781--><p class="indent"> This command determines how entries of the specified unit will appear in the tables of contents. The entries
+include only fields corresponding to nonempty fields in the <span
+class="cmtt-10">\ConfigureToc </span>commands.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\ConfigureToc{section}</span>&nbsp;<span
+class="cmtt-10">{}</span>&nbsp;<span
+class="cmtt-10">{$\bullet$~}</span>&nbsp;&nbsp;<span
+class="cmtt-10">{}</span>&nbsp;&nbsp;<span
+class="cmtt-10">{~~</span>&nbsp;<span
+class="cmtt-10">}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\tableofcontents[section]</span>
+</div><hr />
+<!--l. 2806--><p class="noindent"><a
+ href="mn6.html#mn9-5" name="mn9-5" >5</a>. <a
+ name="index9-25016"></a><span
+class="cmtt-10">\Configure{tableofcontents} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">end-of-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-nonindented-par</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">before-indented-par</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2808--><p class="indent"> The <span
+class="cmti-10">end-of-toc </span>is inserted at the end of the internal environment of the tables. The <span
+class="cmti-10">after-toc </span>is included after
+leaving the internal environment.
+</p><hr />
+<!--l. 2823--><p class="noindent"><a
+ href="mn6.html#mn9-6" name="mn9-6" >6</a>. <a
+ name="index9-25018"></a><span
+class="cmtt-10">\Configure{TocAt} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">}</span>
+</p><hr />
+<!--l. 2834--><p class="noindent"><a
+ href="mn6.html#mn9-7" name="mn9-7" >7</a>. <a
+ name="index9-25020"></a><span
+class="cmtt-10">\Configure{TocAt*} {</span><span
+class="cmti-10">before-toc</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-toc</span><span
+class="cmtt-10">}</span>
+</p><hr />
+<!--l. 2849--><p class="noindent"><a
+ href="mn6.html#mn9-8" name="mn9-8" >8</a>. <a
+ name="index9-25022"></a><span
+class="cmtt-10">\Configure{</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">top</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">bottom</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-title</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-title</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2851--><p class="indent"> This command determines the content to be inserted at the mentioned locations of the specified
+units.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span class="showcode"><span
+class="cmtt-10">\Configure{</span></span><span
+class="cmtt-10">chapter</span><span class="showcode"><span
+class="cmtt-10">}</span></span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="showcode"><span
+class="cmtt-10">{</span></span><span
+class="cmtt-10">\HCode{&lt;div</span>&nbsp;<span
+class="cmtt-10">class=&#34;chapter&#34;&gt;}</span><span class="showcode"><span
+class="cmtt-10">}</span></span>&nbsp;&nbsp;<span class="showcode"><span
+class="cmtt-10">{</span></span><span
+class="cmtt-10">\HCode{&lt;/div&gt;}</span><span class="showcode"><span
+class="cmtt-10">}</span></span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="showcode"><span
+class="cmtt-10">{</span></span><span
+class="cmtt-10">\HCode{&lt;h2</span>&nbsp;<span
+class="cmtt-10">class=&#34;chapterHead&#34;&gt;}\chaptername</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">~\thechapter\HCode{&lt;br</span>&nbsp;<span
+class="cmtt-10">/&gt;}</span><span class="showcode"><span
+class="cmtt-10">}</span></span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span class="showcode"><span
+class="cmtt-10">{</span></span><span
+class="cmtt-10">\HCode{&lt;/h2&gt;}</span><span class="showcode"><span
+class="cmtt-10">}</span></span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;<span
+class="cmtt-10">....</span>
+ <br />&nbsp;<span
+class="cmtt-10">\chapter{...}</span>&nbsp;<span
+class="cmtt-10">....</span>
+</div><hr />
+
+<!--l. 2874--><p class="noindent"><a
+ href="mn6.html#mn9-9" name="mn9-9" >9</a>. <a
+ name="index9-25024"></a><span
+class="cmtt-10">\Configure{CutAt} {</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-button</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-button</span><span
+class="cmtt-10">}</span>
+</p><hr />
+<!--l. 2886--><p class="noindent"><a
+ href="mn6.html#mn9-10" name="mn9-10" >10</a>. <a
+ name="index9-25026"></a><span
+class="cmtt-10">\Configure{+CutAt} {</span><span
+class="cmti-10">unit</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-button</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-button</span><span
+class="cmtt-10">}</span>
+</p><hr />
+<!--l. 2893--><p class="noindent"><a
+ href="mn6.html#mn9-11" name="mn9-11" >11</a>. <a
+ name="index9-25028"></a><span
+class="cmtt-10">\NewSection\</span><span
+class="cmti-10">unit </span><span
+class="cmtt-10">{</span><span
+class="cmti-10">mark-for-toc</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2895--><p class="indent"> This directive introduces a sectioning command <span
+class="cmtt-10">\</span><span
+class="cmti-10">unit</span>, which submits <span
+class="cmti-10">mark-for-toc </span>to the tables of
+contents.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\newcounter{c}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\NewSection\X</span>&nbsp;<span
+class="cmtt-10">{\thec}</span>
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{X}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\addtocounter{c}{1}\HCode{&lt;h2&gt;}[\thec]</span>&nbsp;<span
+class="cmtt-10">}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{\HCode{&lt;/h2&gt;}}</span>
+ <br />&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}{}</span>
+</div><hr />
+<!--l. 2916--><p class="noindent"><a
+ href="mn6.html#mn9-12" name="mn9-12" >12</a>. <a
+ name="index9-25030"></a><span
+class="cmtt-10">\Configure{writetoc} {</span><span
+class="cmti-10">definitions-for-the-writing-environment</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2921--><p class="indent"> TeX4ht expands and then writes the sectioning titles into an auxiliary file, and it might encounter there
+problems from macros that are not fit for such conditions or for inclusion in the table of contents.
+The current configuration instruction allows to locally modify the behavior of macros for the writing
+phase.
+</p><!--l. 2927--><p class="indent"> For instance, the instruction &#8216;<span
+class="cmtt-10">\section{Foo \\ bar}</span>&#8217; suggests a configuration similar to
+&#8216;<span
+class="cmtt-10">\Configure{writetoc}{\let\\\space}</span>&#8217;.
+</p><hr />
+<!--l. 2952--><p class="noindent"><a
+ href="mn6.html#mn9-13" name="mn9-13" >13</a>. <a
+ name="index9-25032"></a><span
+class="cmtt-10">\Configure{crosslinks} {</span><span
+class="cmti-10">left-delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">right-delimiter</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">next</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">prev</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">prev-tail</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">front</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">tail</span><span
+class="cmtt-10">}</span>
+<span
+class="cmtt-10">{</span><span
+class="cmti-10">up</span><span
+class="cmtt-10">}</span>
+</p><!--l. 2954--><p class="indent"> This command configures the appearance of the cross-links between hypertext pages obtained for sectioning
+commands.
+ </p><div class="ShowCode">
+ <br />&nbsp;<span
+class="cmtt-10">\Configure{crosslinks}</span>
+ <br />&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}{}{$\scriptstyle\Rightarrow$}</span>
+ <br />&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{$\scriptstyle\Leftarrow$}</span>
+ <br />&nbsp;&nbsp;&nbsp;<span
+class="cmtt-10">{}{}{}{$\scriptstyle\Uparrow$}</span>
+</div><hr />
+<!--l. 2975--><p class="noindent"><a
+ href="mn6.html#mn9-14" name="mn9-14" >14</a>. <a
+ name="index9-25034"></a><span
+class="cmtt-10">\Configure{crosslinks+} {</span><span
+class="cmti-10">before-top-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-top-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">before-bottom-links</span><span
+class="cmtt-10">} {</span><span
+class="cmti-10">after-bottob-links</span><span
+class="cmtt-10">}</span>
+</p>
+
+
+</body></html>
diff --git a/Master/texmf-dist/doc/generic/thumbpdf/readme.txt b/Master/texmf-dist/doc/generic/thumbpdf/readme.txt
new file mode 100644
index 00000000000..9c94fb2b1b8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/thumbpdf/readme.txt
@@ -0,0 +1,589 @@
+readme.txt for project thumbpdf 2005/07/06 v3.8
+
+TABLE OF CONTENTS
+=================
+A. Project thumbpdf
+B. Copyright, Disclaimer, License
+C. Files
+D. Requirements
+E. Installation
+F. User Interface
+G. Author
+H. Questions, Suggested Improvements
+I. Known Problems
+J. History
+
+A. PROJECT THUMBPDF
+==================
+THUMBPDF adds thumbnails to TeX documents which will be converted
+to PDF files. The following routes are supported by this package:
+* pdfTeX
+* dvips/ps2pdf (with Ghostscript version 6.0)
+* dvips/Distiller (tested with versions 3 and 4)
+* VTeX in PostScript mode (tested with versions 7.51, 7.53)
+Because the support for dvips/ps2pdf, dvips/Distiller, and
+VTeX/PS uses pdfmark specials both routes are shortly called
+the pdfmark route in the following.
+
+Both plain and LaTeX formats are supported.
+
+Thumbnails are small images, pictograms or reduced images from
+the pages of a document. They support the navigation through the
+document if the viewer supports it (e. g. AcrobatReader).
+
+The mode of action:
+In the following the user TeX file is called `<jobname>.tex'.
+0. The user compiles the TeX file to get `<jobname>.pdf'.
+1. Now the perl script generates the thumbnails in the form
+ of png images by the help of Ghostscript. Versions below
+ 5.50 are not recommended because of some bugs in the pdf
+ support of Ghostscript (see section I. Known Problems).
+2. Then pdfTeX compiles the driver file `thumbpdf.tex' which
+ looks for these thumbnails and includes them as images.
+ `thumbpdf.pdf' will contain on each page a thumbnail.
+3. The perl script scans `thumbpdf.pdf' to get the thumbnails
+ as pdf objects. They are written in data files:
+ `<jobname>.tpt' for pdfTeX and
+ `<jobname>.tpm' for the pdfmark route.
+4. If the user compiles now his TeX file which loads package
+ `thumbpdf.sty' then he gets a pdf file with thumbnails.
+
+B. COPYRIGHT, DISCLAIMER, LICENSE
+=================================
+Copyright (C) 1999-2005 Heiko Oberdiek.
+
+This work may be distributed and/or modified under the
+conditions of the LaTeX Project Public License, either version 1.3
+of this license or (at your option) any later version.
+The latest version of this license is in
+ http://www.latex-project.org/lppl.txt
+and version 1.3 or later is part of all distributions of LaTeX
+version 2003/12/01 or later.
+
+This work has the LPPL maintenance status "maintained".
+
+This Current Maintainer of this work is Heiko Oberdiek.
+
+C. FILES
+========
+The project `thumbpdf' consists of four files:
+thumbpdf(.pl): This perl script is the main program. The extension
+ `.pl' may be omitted.
+thumbpdf.tex: A pdfTeX program to produce the thumbnail pdf
+ file (A2.).
+thumbpdf.sty: The package for the user to be included in his TeX
+ source (A4.)
+readme.txt: Documentation, the file you are reading.
+
+Following temporary files are produced if `thumbpdf' is invoked:
+thb*.png: The thumbnails in PNG format:
+ `thb1.png', `thb2.png', ..., `thb10.png', ...
+thumbpdf.pdf: The thumbnail pdf file (A2.).
+thumbpdf.log: The protocol file of the pdfTeX run (A2.).
+
+The result is written to (A3.):
+<jobname>.tpt: Thumbnail data file for pdfTeX.
+ (tpt = Thumbnail PdfTex)
+<jobname>.tpm: Thumbnail data file as pdfmark specials for
+ the pdfmark route.
+ (tpm = Thumbnail PdfMark)
+
+Additional thumbnails for the `\thisthumb' feature have to be
+declared in the file `<jobname>.tno'. This can also be done
+with \DeclareThumbs in the user's TeX file. Package
+`thumbpdf.sty' then writes the file `<jobmane>.tno'.
+(tno = ThumbNail Optional)
+
+D. REQUIREMENTS
+===============
+* Perl5 (version 5 of the perl interpreter).
+* Ghostscript:
+ * Thumbnail generation: version 5.50 or better 6.0 (see section I.)
+ * Including thumbnails with ps2pdf: version 6.0.
+* pdfTeX (also with pdfmark mode).
+
+E. INSTALLATION
+===============
+1. TeX directory structure (TDS):
+ The files
+ `readme.txt' (documentation)
+ `thumbpdf.tex' (pdftex)
+ `thumbpdf.sty' (pdf(e)tex, pdf(e)latex, (e)tex, (e)latex)
+ go to
+ texmf/doc/generic/thumbpdf/readme.txt
+ texmf/tex/generic/thumbpdf/thumbpdf.tex
+ texmf/tex/generic/thumbpdf/thumbpdf.sty
+ (These now definite places in the TDS tree are a result of
+ a discussion with Thomas Esser, who supports them in his
+ great teTeX 1.0).
+
+2. Perl script `thumbpdf.pl':
+
+ Unix
+ * Your are allowed to rename `thumbpdf.pl' to `thumbpdf':
+ mv thumbpdf.pl thumbpdf
+ * Ensure that the execute permission is set:
+ chmod +x thumbpdf
+ * Move the file to a directory where the shell can find it
+ (environment variable PATH, e.g. /usr/local/bin/).
+
+ Dos/Windows/(OS2)
+ * Running the perl interpreter directly with the perl script:
+ perl thumbpdf.pl ...
+ * Methods for calling by typing the script name without extension
+ and perl interpreter:
+ a) If your perl distribution provides a pl2exe program,
+ use it to generate `thumbpdf.exe'.
+ Advantage: I/O redirection works.
+ b) A good method is a dos program of John Dallman:
+ #!perl.exe (versions below 4)
+ hbperl.exe (version 4)
+ http://www.perl.com/CPAN/authors/id/JDALLMAN/hbp_403.zip
+ Move thumbpdf.pl in a PERLLIB directory and copy the
+ exe program to `thumbpdf.exe'. Then the program looks
+ for the perl interpreter, the script and calls them.
+ Advantage: I/O redirection works.
+ c) Windows NT 4.0 users can use associated file types:
+ SET PATHEXT=.pl;%PATHEXT%
+ See perl win32 faq "How do I associate Perl scripts with perl?":
+ http://www.activestate.com/support/faqs/win32/perlwin32faq4.html
+ Disadvantage: I/O redirection does not work.
+ d) 4DOS: SET .PL=c:/bin/perl.exe
+ See perl win32 faq "How can I get Perl to run a Perl script at
+ the 4DOS command line by typing the name of the script without
+ the extension or "perl", just like a regular exe file?":
+ http://www.activestate.com/support/faqs/win32/perlwin32faq1.html
+ e) Convert the perl script to a batch file `thumbpdf.bat', if your
+ distribution provides `pl2bat.bat'.
+ Disadvantage: I/O redirection does not work.
+ Many of this methods are listed in the perl win32 faq
+ "What's the equivalent of the shebang ("#!") syntax for Win32?":
+ http://www.activestate.com/support/faqs/win32/perlwin32faq4.html
+ * TeXLive 7+/fpTeX contain a compiled version "thumbpdf.exe".
+
+ Dos
+ * I do not know a precompiled Ghostscript interpreter for
+ version 5.5 or 6.0. Version 5.10 misses the png devices.
+ So you have to compile Ghostscript for dos or you
+ can use another program to generate the thumbnails
+ (names: `thb1.png', `thb2.png', ...).
+ * If Ghostscript cannot be started by perl because
+ of serious problems (segmentation faults, ...),
+ option `printgscmd' can be used: Thumbpdf prints the command line
+ arguments for the ghostscript call in the file `thumbpdf.gs'
+ and finishes. Then Ghostscript can manually be invoked to
+ create the png files, e.g.:
+ gs386/gswin32c @thumbpdf.gs (DOS/Win3.1)
+ You need a Ghostscript executable that contains the png devices.
+ For example version 5.50 can be run under Win3.1/Win32s by making
+ a program icon with the correct working directory and
+ the command `PATH/gswin32(c) @thumbpdf.gs', e.g:
+ c:\gstools\gs5.50\gswin32 -Ic:\gstools\gs5.50 @thumbpdf.gs
+ In the next call of thumbpdf the Ghostscript step is omitted by
+ option `nomakepng'.
+ Example command sequence:
+ thumbpdf --printgscmd test
+ gswin32c @thumbpdf.gs
+ thumbpdf --nomakepng test
+
+ Windows 3.1x with win32s
+ * The png files can be produced with gswin32(c), but the means
+ of the operating system to start windows programs with command
+ line arguments are very poor. I found no way to invoke Ghostscript
+ via perl, so the thumbnails must be generated manually (see above).
+
+F. USER INTERFACE
+=================
+* The perl script `thumbpdf.pl' can be invoked in two ways:
+ a) thumbpdf --help
+ prints a help screen with the options and some default values.
+ b) thumbpdf [options] <jobname>[.pdf|.ps]
+ `<jobname>' is the file name of user's TeX file without extension.
+ The extension `.pdf' can be omitted. If option `--useps' is
+ active, thumbpdf will look for `<jobname>.ps'.
+
+ Action options (see section C.):
+ --makepng: Call of Ghostscript to generate the thumbnails (A1.).
+ --makepdf: Call of pdfTeX to produce a thumbnail pdf file (A2.).
+ --makedata: Parsing of this pdf file and writing the bject
+ represenation to `<jobname>.tpt' or `<jobname>.tpm' (A3.).
+ --clean: Removing of the temporary files.
+
+ Configuration options for --makepng:
+ --useps: Use the PostScript file `<jobname>.ps' instead of the
+ pdf file `<jobname>.pdf' for generating the thumbnails.
+ --device|png [png]<dev>: (dev = mono, gray, 16, 256, 16m)
+ Ghostscript device for producing the thumbnails, e.g.:
+ --device=mono, --device=pnggray, --png=256
+ --resolution: Without the option thumbpdf checks the /MediaBox
+ and calculates the resolution, that neither height
+ nor width exceed the recommended 106 pixels.
+ For a4 or letter paper the resolution is about 9 DPI.
+ With this option, the default behaviour can be
+ overwritten.
+ --compress: The compress level of the thumbnail images. There
+ is no reason not to use the maximal value, except
+ for debugging or drafts.
+ * Note for the pdfTeX route:
+ Value 10 has a special meaning: streams are compressed
+ like value 9, but unnecessary white spaces are removed
+ in the dictionaries
+ * Note for Distiller:
+ The Distiller does not recognize compressed streams
+ and uses its own settings to compress the streams.
+ Because previously compressed streams are not
+ detected and /Filter entries are overwritten, the
+ double compressed streams will be invalid. Therefore
+ the PostScript code in `<jobname>.tpm' uncompresses
+ the streams, if Distiller is detected.
+ Although the compression of thumbpdf is quite useless
+ with Distiller, compression can be turned on for a
+ possible reuse with ps2pdf or to keep the file
+ `<jobname>.tpm' small.
+ --password: Password for an encrypted pdf file.
+ The following patch is required for ghostscript:
+ http://www.ozemail.com.au/~geoffk/pdfencrypt/pdf_sec.ps
+ --antialias: Set anti-aliasing parameters for ghostscript.
+ It expects numbers with values 0, 1, 2, or 4.
+ The meaning of 0 and 1 is the same and disables
+ anti-aliasing.
+ If two numbers are given, the first sets
+ anti-aliasing for text (TextAlphaBits), the second
+ for graphics (GraphicsAlphaBits). If only one number
+ is present, then it is taken for both text and graphics.
+ Examples:
+ --antialias=1 disable anti-aliasing
+ --antialias=4 max. anti-aliasing
+ --antialias=14 -dTextAlphaBits=1 -dGraphicsAlphaBits=4
+ --greek: The text is printed in Greek style, the characters are
+ replaced by gray boxes. Three limitations:
+ * Only fonts in Type 1 format are supported.
+ * The `show' operator is redefined in `userdict'.
+ So it will not work, if the characters are displayed
+ by other methods.
+ * The color is lightened, assuming a white background.
+ Status: experimental.
+
+ Configuration option for --makedata:
+ --modes: Select the modes for which you want that thumbpdf
+ generates the thumbnail data files:
+ * pdftex: <jobname>.tpt
+ * pdfmark|dvips|ps2pdf|vtexpdfmark: <jobname>.tpm
+ * all: synonym for the list `pdftex,pdfmark'
+ --level2: `<jobname>.tpm' is written with PostScript level 2
+ features to reduce the size of this file.
+ (This decreases the size of the final PostScript file,
+ but does not affect the size of the final pdf file.)
+
+ Options for message control:
+ --quiet Messages except warnings are suppressed.
+ --verbose Informations about the actions are printed.
+ --debug Additional messages for debugging purposes.
+ Also option `--clean' is disabled.
+
+ Environment variable `THUMBPDF':
+ Before scanning the command line for options the perl script
+ `thumbpdf.pl' looks for the environment variable `THUMBPDF'.
+ Example (bash syntax):
+ export THUMBPDF="--modes=pdfmark --level2"
+ To avoid syntax errors the equal sign can be replaced by a space,
+ for example (DOS syntax):
+ SET THUMBPDF=--modes pdfmark --level2
+ The reason for this environment variable is, that users of ps2pdf
+ can omit the option 'modes', if they have set `THUMBPDF':
+ SET THUMBDPF=--modes pdfmark
+ Or if both data files should be generated:
+ SET THUMBPDF=--modes all
+
+* Package `thumbpdf.sty'
+ * LaTeX format: \usepackage{thumbpdf}
+ Options: pdftex, pdfmark, dvips, ps2pdf
+ (the last three options are synonyms).
+ * Plain format: \input thumbpdf.sty
+ Define \ThumbpdfDriver to inform `thumbpdf.sty' about the driver:
+ \def\ThumbpdfDriver{ps2pdf}\input thumbpdf.sty
+ * If you want to use option `pdfmark' in all cases exept pdfTeX in
+ pdf mode, you can use a configuration file `thumbpdf.cfg':
+ \ifx\ThumbpdfDriver\UnDeFiNeD
+ \def\ThumbpdfDriver{pdfmark}%
+ \fi
+ \endinput
+ This works, because `\ThumbpdfDriver' is ignored, if pdfTeX in
+ pdf mode is detected. A more politically correct example of
+ the configuration file `thumbpdf.cfg':
+ \expandafter\ifx\csname ThumbpdfDriver\endcsname\relax
+ \def\ThumbpdfDriver{pdfmark}%
+ \ifx\pdfoutput\UnDeFiNeD
+ \else
+ \ifx\pdfoutput\relax
+ \else
+ \ifnum\pdfoutput>0
+ \def\ThumbpdfDriver{pdftex}%
+ \fi
+ \fi
+ \fi
+ \fi
+ \endinput
+ * Because pdfTeX can be detected at run time, it is not necessary
+ to specify driver `pdftex'; even the other drivers are ignored.
+ * \thisthumb{name} uses the thumbnail mentioned in
+ `<jobname>.tno' for this page. (This file can be written by
+ the \DeclareThumbs feature, see below.)
+ * \DeclareThumbs contains the content of the file `<jobname>.tno',
+ see below.
+
+* Additional thumbnails: `<jobname>.tno'
+ If `<jobname>.tno' is found, the thumbnails are automatically
+ included by the program `thumbpdf.tex'.
+ Format of this file:
+ \thumb{filename without `.png' extension}% or
+ \thumb[name]{filename with/without extension}
+ Examples:
+ \thumb{one}% --> \thisthumb{one}, recommended
+ \thumb{one.png}% --> \thisthumb{one.png}
+ \thumb[two]{one}% --> \thisthumb{two}
+ \thumb[one]{./extrathumb/one.png}% --> thisthumb{one}
+ The first example shows that the `.png' extension
+ is supported and recommended. But `.jpg' or `.tif'
+ files also work.
+ This data can be included in the main tex file that
+ includes `thumbpdf.sty' with the \DeclareThumbs feature:
+ \usepackage{thumbpdf}% or \input thumbpdf.sty
+ \DeclareThumbs{
+ \thumb{one}
+ \thumb[two]{./extra/two.jpg}
+ }
+ Then the file `\jobname.tno' is written with the thumbnail
+ declarations. (LaTeX's \nofiles is respected.)
+* Program `thumbpdf.tex'
+ Execept for debugging there is no reason for an user to call it
+ manually. But if so the number of the files to be looked for can
+ be reduced, because it takes some time to test 1000 thumbnails if
+ they exist. A maximum number can be specified before:
+ pdftex \def\thumbmax{20}\input thumbpdf
+ The highest thumbnail is now `thumb020.png'.
+ `<jobname>.tno' can only be found, if `thumbpdf.tex' knows about
+ this `<jobname>':
+ \pdftex \def\thumbjob{<jobname>}\input thumbpdf
+ If `\thumbjob' is undefined, `thumbpdf.tex' looks for
+ `thumbopt.tex'.
+
+Example: Addition of thumbnails for `example.tex':
+ pdfelatex example % or pdf(e)(la)tex, whatever example needs.
+ thumbpdf example
+ pdfelatex example % example.tex contains \usepackage{thumbpdf}
+or for the dvips/ps2pdf route:
+ latex example
+ dvips example
+ ps2pdf example.ps example.pdf
+ thumbpdf --modes=dvips example
+ latex example % example.tex contains \usepackage[dvips]{thumbpdf}
+ dvips example
+ ps2pdf example.ps example.pdf
+
+* Option `clean':
+ It clears the temporary files of the current thumbpdf run:
+ * thumb*.png (by `makepng')
+ * thumbpdf.pdf, thumbpdf.log (by `makepdf')
+ Previously generated files are untouched. This option will
+ be automatically disabled, if options `debug', `nomakepdf',
+ or `nomakedef' are active.
+
+G. AUTHOR
+=========
+Heiko Oberdiek
+Email: oberdiek@ruf.uni-freiburg.de
+
+H. QUESTIONS, SUGGESTED IMPROVEMENTS
+====================================
+If you have questions, problems with `thumbpdf', error reports,
+if you have improvements or want to have additional features,
+please send them to the author.
+
+My environment for developing and testing:
+* linux, SuSE 7.3
+* perl v5.6.0
+* pdfTeX 3.14159-1.00a-pretest-20010806
+* Ghostscript 5.50, 6.51, 7.x
+* dvips 5.86
+* VTeX 7.53
+
+Other ps->pdf routes:
+* pstill: I did not succeed. It seems that the used pdfmark specials
+ are not supported.
+* Adobe Distiller: Because I do not have access to it, I am curious
+ to hear whether it works. Theoretically it should.
+
+I. KNOWN PROBLEMS
+=================
+* The most bug reports I get are perl script error messages regarding
+ Ghostscript. Especially versions below 5.50 often have problems
+ with the pdf support. Sometimes it can be necessary to update
+ to version 6.0.
+ Before writing a bug report, please check, if your pdf file
+ is processible by your Ghostscript version. If upgrading do not
+ help, you have two possibilities:
+ a) Use of another program to generate the thumbnails. But
+ an other program that uses Ghostscript to do the job will not
+ help of course.
+ The thumbnails should be named `thb1.png', `thb2.png', ...
+ Then run `thumbpdf' and omit the Ghostscript step by the
+ option `--nomakepng'.
+ b) Generate a PostScript version of your TeX file and run
+ `thumbpdf' with option `--useps'. Getting the PostScript
+ file by Acrobat's conversion feature often fails. So it is
+ better to generate the PostScript file from the TeX source
+ with TeX/dvips, for example.
+* Incompatibility with option `pdfpagetransition' of package `hyperref'
+ versions below 6.64. This option overwrites the previous contents
+ of `\pdfpageattr', used by `thumbpdf.sty'.
+* If there is a package that overloads `\shipout' to rearrange pages
+ (two pages to one, ...), then `thumbpdf.sty' should be loaded first.
+* Some builds of the perl port of ActiveState, version 5.6.0
+ for Windows do not work correctly: for example, after
+ a successful call of system commands with the backtick
+ operator (``), $? ($CHILD_ERROR) returns -1 instead of 0.
+ Summary of informations contributed by users:
+ - These builds for Windows do not work: 612, 613, 616
+ ? Windows port: 618 (one user suceeds, one user fails)
+ + The following Windows builds work: 522
+ + The Linux versions work.
+ Workaround: Use another version or port,
+ see `http://www.cpan.org/'.
+
+J. HISTORY
+==========
+1999/02/14 v1.0 first release
+1999/02/23 v1.1
+ * Bug in thumbpdf.sty removed (#2->#1).
+ * New option in thumbpdf.pl: --resolution.
+ * Automatic calculation of the resolution for Ghostscript
+ (max. size 106x106).
+1999/03/01 v1.2
+ * Optimizition: indirect objects for length values removed.
+1999/03/12 v1.3
+ * Copyright: LPPL
+1999/05/05 v1.4
+ * Detecting of cygwin-perl.
+ * Save memory by sharing `RGB' objects (devices: png16, png256).
+1999/06/13 v1.5
+ * Gs detection extended (thumbpdf.pl).
+ * Installation part of readme.txt rewritten and table of contents
+ added.
+1999/07/27 v1.6
+ * Bug in thumbpdf.sty fixed (handling of \pdfpageattr).
+ * Warning if there are missing thumbs (thumbpdf.sty).
+ * Added section `Known Problems' in `readme.txt'.
+1999/08/08 v1.7
+ * Bug in thumbpdf.sty fixed. This bug was introduced in
+ version 1.6, therefore this version should not be used.
+ * Adaptation for pdfTeX version 0.14a.
+ * LPPL 1.1
+1999/09/09 v1.8
+ * Bug in thumbpdf.sty fixed. \PackageWarning cannot be used
+ in \shipout, because \protect has been set to \noexpand
+ (mysterious LaTeX behaviour?).
+1999/09/16 v1.9
+ * The perl script now detects direct /Length objects,
+ that pdfTeX uses including JPEG images.
+2000/01/11 v1.10
+ * Bug in /Length detection removed.
+ * Direct /Length in RGB objects supported.
+ * \immediate before \pdfximage removed.
+ * thumbpdf.sty revised.
+2000/01/19 v1.11
+ * Small fix for perl versions that cannot handle "my"
+ in "for" loops.
+ * LPPL 1.2
+2000/02/11 v1.12 (not released)
+ * Option `clean' added.
+ * `<jobname>.tnd' replaces `thumbpdf.tex', if thumbpdf is called:
+ thumbpdf [options] <jobname>[.pdf]
+ * `<jobname>.tno' can be used instead of `thumbopt.tex'.
+ * \DeclareThumbs added.
+2000/02/22 v2.0
+ * Support for the dvips/ps2pdf route by pdfmark specials.
+ * Temporary files are removed.
+ * Renaming of files:
+ thumb%03d.png (thumb001.png) ==> thb%d.png (thb1.png)
+ thumbdta.tex ==> <jobname>.tpt, <jobname>.tpm added
+ thumbopt.tex ==> <jobname>.tno
+ * Syntax change: <jobname> is now required.
+2000/02/28 v2.1
+ * Environment variable `THUMBPDF' supported.
+ * `thumbpdf.cfg' supported.
+ * TDS place for readme.txt: texmf/doc/generic/thumbpdf/readme.txt
+ * Errors in `readme.txt' corrected.
+2000/03/07 v2.2
+ * Support for Distiller 3 and 4, the streams are uncompressed.
+ * Call of gs is changed in order to show the currently processed
+ page number of the pdf file.
+ * Option --printgscmd creates the command line file `thumbpdf.gs'
+ for the Ghostscript call.
+2000/03/22 v2.3
+ * Bug fix: --useps now works.
+2000/04/10 v2.4
+ * Fix for ActiveState Perl 5.6.0: uc line changed, fork removed.
+ (Thanks to Andreas Buehmann <andreas.buehmann@gmx.de>.)
+ * Test of `thumbpdf.tex' version.
+2000/07/29 v2.5
+ * Save trick in call of ghostscript.
+ * Undocumented option --gspages added.
+ * Problem with ActiveState perl 5.6.0 (win32) added
+ to section "Known Problems".
+2000/09/27 v2.6
+ * Information about ActiveState perl 5.6.0 updated.
+2000/10/27 v2.7
+ * -dFIXEDMEDIA=0 added in gs call.
+2001/01/12 v2.8:
+ * Bug fix in dvips mode and active option `level2':
+ pack parameter corrected for little-endian machines.
+ * /Rotate in pdf pages:
+ ghostscript versions around 6.01 have added a hack
+ in /pdfshowpage_setpage, that ignores the /Rotate entry.
+ A patch is added to disable the hack.
+ * Ghostscript uses the MediaBox for calculating the
+ page size. For version 6.50 a patch is added to use
+ the /CropBox instead.
+2001/03/29 v2.9:
+ * Option --password added.
+2001/04/02 v2.10:
+ * Small corrections in readme.txt, contributed by Michael Wiedmann.
+2001/04/26 v2.11
+ * Option --antialias added (suggestion of Juergen Bausa).
+ * This version is not released.
+2002/01/11 v3.0
+ * Syntax of option --antialias changed. The option is enabled
+ as default, so that the ghostscript step is now slower.
+ * Support for VTeX's PS mode added.
+ * Greek mode added (experimental).
+ * Signal handlers added for cleanup.
+2002/05/26 v3.1
+ * SIG_HUP unkown in Windows.
+ * Bug fix: The signal function for __DIE__ "cleanup" aborts
+ before the error message of "die" is printed.
+ Replaced by "clean" that does not contain "exit 1".
+ * Small bug fix in mode detection and mode "vtex"
+ removed from list. "vtexpdfmark" was detected,
+ "vtex" did not work and perhaps it will be used
+ later for VTeX in PDF mode.
+2002/05/26 v3.2
+ * Fix: "MacOS/X: darwin" is now not interpreted as
+ Windows.
+2003/03/19 v3.3
+ * Fix for gs 8.00 in mode dvips:
+ THB_DistillerPatch also applied to ghostscript >= 8.00.
+2003/06/06 v3.4
+ * Bug fix, two forgotten "pop"s added for Distiller case.
+2004/10/24 v3.5
+ * Revert Cygwin detection: is unix (request by Jan Nieuwenhuizen).
+ * LPPL 1.3.
+2004/11/19 v3.6
+ * Bug fix for dvips mode and gs < 8.00 (/stackunderflow in pop).
+2004/11/19 v3.7
+ * For easier debugging, the special thumbpdf objects are now
+ valid PDF objects that are referenced in the Catalog.
+ * Remove of extra '\n' before "endstream" that is added
+ by pdfTeX 1.20a.
+2005/07/06 v3.8
+ * Fix because of pdfTeX 1.30.
diff --git a/Master/texmf-dist/doc/generic/vntex/GPL.txt b/Master/texmf-dist/doc/generic/vntex/GPL.txt
new file mode 100644
index 00000000000..5b6e7c66c27
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/GPL.txt
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
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+Foundation's software and to any other program whose authors commit to
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+
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+ To protect your rights, we need to make restrictions that forbid
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+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
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+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
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+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
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+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
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+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) <year> <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
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+ Gnomovision version 69, Copyright (C) year name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
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+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/generic/vntex/INSTALL b/Master/texmf-dist/doc/generic/vntex/INSTALL
new file mode 100644
index 00000000000..756591a67d2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/INSTALL
@@ -0,0 +1,257 @@
+vntex-3.02
+
+This file is part of VnTeX. License: LPPL, version 1.3 or newer,
+see: http://www.latex-project.org/lppl.txt
+Author: Reinhard Kotucha <reinhard.kotucha@web.de>
+
+
+See Appendix A where to get help.
+
+
+When do I need vntex-3.02-TDS-1.0.zip?
+===========================================
+VnTeX complies with version 1.1 of the TDS (TeX Directory Structure).
+
+To find out whether your system supports version 1.1, look whether
+there is a directory fonts/map in at least one texmf tree. If this is
+*not* the case, you need vntex-3.02-TDS-1.0.zip.
+
+
+Installation
+============
+
+UNIX, Linux, MacOS/X, TeXLive (UNIX or Windows)
+-----------------------------------------------
+To install VnTeX on a web2c system you have to unpack vntex-3.02.zip
+or vntex-3.02-TDS-1.0.zip inside of a texmf tree. It is recommended
+to create an own directory tree for vntex so that you can remove it easily
+when you update your TeX system.
+
+This directory tree should be the first item of TeX's search path,
+otherwise you have to remove old versions of VnTeX or vncmr completely.
+
+On UNIX systems this is something like /usr/local/share/texmf-vntex
+for a system-wide installation or $HOME/texmf-vntex if you do not have
+access to this directory. On Windows c:\texmf-vntex is a good place.
+
+* Unpack the .zip file in this directory.
+
+* Create a local copy of the system texmf.cnf file.
+
+* Edit this copy:
+
+ -- Add texmf-vntex with its complete path to the variable TEXMF. It
+ should appear before TEXMFDIST and TEXMFMAIN.
+
+ -- Set font_mem_size to a value of at least 1100000 if you want to
+ compile the font samples in texmf-vntex/doc/generic/vntex/tests.
+ (This is not required, see README in the tests directory).
+ Add C:/WINDOWS/FONTS to TTFONTS if you're under Windows.
+
+* Set the environment variable TEXMFCNF to the directory in which
+ your local copy of texmf.cnf resides. See Appendix B for details.
+
+* Run texhash.
+
+* Now you have to update the map files.
+
+ System-wide installation
+ ~~~~~~~~~~~~~~~~~~~~~~~~
+ If there is a program updmap-sys on your system, run
+
+ updmap-sys --nohash --nomkmap --disable vnr.map
+ updmap-sys --nohash --nomkmap --enable MixedMap vnrtext.map
+ updmap-sys --nohash --nomkmap --enable MixedMap vnrother.map
+ updmap-sys --nohash --nomkmap --enable Map urwvn.map
+ updmap-sys --nohash --nomkmap --enable Map chartervn.map
+ updmap-sys --nohash --nomkmap --enable Map mscorevn.map
+ updmap-sys
+
+ Otherwise, run
+
+ updmap --nohash --nomkmap --disable vnr.map
+ updmap --nohash --nomkmap --enable MixedMap vnrtext.map
+ updmap --nohash --nomkmap --enable MixedMap vnrother.map
+ updmap --nohash --nomkmap --enable Map urwvn.map
+ updmap --nohash --nomkmap --enable Map chartervn.map
+ updmap --nohash --nomkmap --enable Map mscorevn.map
+ updmap
+
+ from your command line. But don't use updmap if updmap-sys is
+ available.
+
+ Personal installation
+ ~~~~~~~~~~~~~~~~~~~~~
+ If you don't have access to the system directories, you have unpacked
+ your files in $HOME/texmf-vntex or c:\texmf-vntex.
+
+ If there is a program updmap-sys on your system, run
+
+ updmap --nohash --nomkmap --disable vnr.map
+ updmap --nohash --nomkmap --enable MixedMap vnrtext.map
+ updmap --nohash --nomkmap --enable MixedMap vnrother.map
+ updmap --nohash --nomkmap --enable Map urwvn.map
+ updmap --nohash --nomkmap --enable Map mscorevn.map
+ updmap
+
+ from the command line. If not, ask your system administrator to
+ install VnTeX.
+
+
+MikTeX
+------
+* Remove (if any) previous version of VnTeX by running
+ [Programs]-->[MikTeX]-->[MikTeX Options], then select
+ [Packages]-->[Language]-->[Vietnamese]-->[vntex].
+
+* Unpack vntex .zip file to some location, e.g., c:\texmf-vntex if you
+ have installed MikTeX to c:\texmf. If you have installed MikTeX to
+ e.g c:\miktex\texmf, then it is recommended to unpack it in
+ c:\miktex\texmf-vntex.
+
+* Run [Programs]-->[MikTeX]-->[MikTeX Options], then select
+ [Roots]-->[Add] and add c:\texmf-vntex (or c:\miktex\texmf-vntex).
+
+* Refresh the file name database.
+
+* If you want to use the T1 fonts that come with VnTeX, you also
+ need to make dvips and pdftex aware of those fonts:
+
+ Add the following lines to updmap.cfg:
+
+ MixedMap vnrtext.map
+ MixedMap vnrother.map
+ Map urwvn.map
+ Map chartervn.map
+ Map mscorevn.map
+
+ If there is an entry `MixedMap vnr.map', remove it.
+
+* Run "initexmf -mkmaps".
+
+* Edit the file MIKTEX.INI
+
+ -- Add c:\windows\fonts to TTFPath.
+
+ -- Set font_mem_size to a value of at least 1100000 if you want to
+ compile the font samples in texmf-vntex/doc/generic/vntex/tests.
+
+
+Tex4ht (all systems)
+--------------------
+The Vietnamese fonts for tex4ht are now part of the tex4ht distribution.
+In order to use tex4ht you have to install the files needed by VnTeX.
+
+Make sure your tex4ht distribution is not too old.
+
+
+plnfss (all systems)
+--------------------
+The plain TeX font selection macros are now a separate package.
+You don't neeed it if you are using LaTeX.
+
+* Download from:
+
+ http://vntex.org/download/vntex-support
+
+* Unpack the archive in the same texmf tree as VnTeX.
+
+* Refresh the file database.
+
+_______________________________________________________________________
+_______________________________________________________________________
+
+Appendix A: Getting Help
+=========================
+If you have any problems, don't hesitate to ask. There is a mailing
+list (very low traffic) for questions about VnTeX and typesetting
+Vietnamese. To subscribe to the list, visit
+
+ http://lists.sourceforge.net/lists/listinfo/vntex-users
+
+The primary site of VnTeX is:
+
+ http://vntex.org
+
+The current maintainers are:
+
+ Han The Thanh <HanTheThanh@gmx.net>
+ Werner Lemberg <WL@gnu.org>
+ Reinhard Kotucha <Reinhard.Kotucha@web.de>
+
+
+
+Appendix B: Setting Environment Variables
+==========================================
+(This is not needed for MikTeX)
+
+UNIX
+~~~~
+
+ Personal installation
+ ---------------------
+ Put
+
+ TEXMFCNF=<path_to_texmf.cnf>
+
+ into the file ~/.profile .
+
+ TEXMFCNF must be an absolute path (beginning with /) to the
+ directory in which the file texmf.cnf resides.
+
+ Run "source ~/.profile" to execute this file in the current shell.
+ Next time you log in this file will be evaluated automatically.
+
+ System wide installation
+ ------------------------
+ Put the variable into /etc/profile. If there is a directory
+ /etc/profile.d, add a file "vntex.sh" to this directory which
+ contains the variable.
+
+ The variable is evaluated when a user logs in.
+
+
+Windows (TeXLive) ^1
+~~~~~~~~~~~~~~~~~~~~
+ -- Windows 95/98
+
+ Edit your autoexec.bat. Add the line:
+
+ set TEXINPUTS=c:\texmf-vntex//:
+
+ and reboot your system.
+
+ -- Windows ME
+
+ You need to run the special program c:\windows\system\msconfig.exe
+ to be able to change any environment variable. From this program,
+ select the `Environment' tab, and then add or modify the variable
+ you want. You will be asked to reboot the machine upon any
+ change.
+
+ -- Windows NT/2K/XP
+
+ Click left on "Start-->Settings-->Control Panel-->Environment variables".
+ Now the window with the control panel icons opens. Double click
+ on System. The System Properties window opens. Click on the tab
+ Environment or look for a button named Environment Variables among
+ the dialog boxes. Now you can change the environment variables
+ for your user account.
+
+ Note:
+ There are also displayed the environment settings for the
+ system. Normally, you can't change the system variables unless
+ you have administrator rights on your machine. If you want to
+ change the PATH for all users, you will have to contact your system
+ administrator or be the system administrator yourself -- in the
+ latter case you should know what you are doing.
+
+########################################################################
+ Don't forget to remove TEXMFCNF (and your copy of the file texmf.cnf)
+ if you install a new TeX system which already provides VnTeX-3.0!
+########################################################################
+
+________________
+
+^1 See: http://tug.org/texlive/doc/texlive-en/live.html
+
diff --git a/Master/texmf-dist/doc/generic/vntex/LPPL.txt b/Master/texmf-dist/doc/generic/vntex/LPPL.txt
new file mode 100644
index 00000000000..bfe13a27b8b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/LPPL.txt
@@ -0,0 +1,405 @@
+The LaTeX Project Public License
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
+
+LPPL Version 1.3a 2004-10-01
+
+Copyright 1999 2002-04 LaTeX3 Project
+ Everyone is allowed to distribute verbatim copies of this
+ license document, but modification of it is not allowed.
+
+
+PREAMBLE
+========
+
+The LaTeX Project Public License (LPPL) is the primary license under
+which the the LaTeX kernel and the base LaTeX packages are distributed.
+
+You may use this license for any work of which you hold the copyright
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+suitable if your work is TeX-related (such as a LaTeX package), but
+you may use it with small modifications even if your work is unrelated
+to TeX.
+
+The section `WHETHER AND HOW TO DISTRIBUTE WORKS UNDER THIS LICENSE',
+below, gives instructions, examples, and recommendations for authors
+who are considering distributing their works under this license.
+
+This license gives conditions under which a work may be distributed
+and modified, as well as conditions under which modified versions of
+that work may be distributed.
+
+We, the LaTeX3 Project, believe that the conditions below give you
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+meeting these conditions, then read the document `cfgguide.tex'
+and `modguide.tex' in the base LaTeX distribution for suggestions.
+
+
+DEFINITIONS
+===========
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+In this license document the following terms are used:
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+ Any work being distributed under this License.
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+
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+A change in the Current Maintainer does not, of itself, alter the fact
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+in 2b) above.
+
+
+WHETHER AND HOW TO DISTRIBUTE WORKS UNDER THIS LICENSE
+======================================================
+
+This section contains important instructions, examples, and
+recommendations for authors who are considering distributing their
+works under this license. These authors are addressed as `you' in
+this section.
+
+Choosing This License or Another License
+----------------------------------------
+
+If for any part of your work you want or need to use *distribution*
+conditions that differ significantly from those in this license, then
+do not refer to this license anywhere in your work but, instead,
+distribute your work under a different license. You may use the text
+of this license as a model for your own license, but your license
+should not refer to the LPPL or otherwise give the impression that
+your work is distributed under the LPPL.
+
+The document `modguide.tex' in the base LaTeX distribution explains
+the motivation behind the conditions of this license. It explains,
+for example, why distributing LaTeX under the GNU General Public
+License (GPL) was considered inappropriate. Even if your work is
+unrelated to LaTeX, the discussion in `modguide.tex' may still be
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+license are encouraged to read it.
+
+A Recommendation on Modification Without Distribution
+-----------------------------------------------------
+
+It is wise never to modify a component of the Work, even for your own
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+distributing the modified component. While you might intend that such
+modifications will never be distributed, often this will happen by
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+it may not occur to you when allowing others to access the modified
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+best interest to keep your copy of the Work identical with the public
+one. Many works provide ways to control the behavior of that work
+without altering any of its licensed components.
+
+How to Use This License
+-----------------------
+
+To use this license, place in each of the components of your work both
+an explicit copyright notice including your name and the year the work
+was authored and/or last substantially modified. Include also a
+statement that the distribution and/or modification of that
+component is constrained by the conditions in this license.
+
+Here is an example of such a notice and statement:
+
+ %% pig.dtx
+ %% Copyright 2003 M. Y. Name
+ %
+ % This work may be distributed and/or modified under the
+ % conditions of the LaTeX Project Public License, either version 1.3
+ % of this license or (at your option) any later version.
+ % The latest version of this license is in
+ % http://www.latex-project.org/lppl.txt
+ % and version 1.3 or later is part of all distributions of LaTeX
+ % version 2003/12/01 or later.
+ %
+ % This work has the LPPL maintenance status "maintained".
+ %
+ % This Current Maintainer of this work is M. Y. Name.
+ %
+ % This work consists of the files pig.dtx and pig.ins
+ % and the derived file pig.sty.
+
+Given such a notice and statement in a file, the conditions
+given in this license document would apply, with the `Work' referring
+to the three files `pig.dtx', `pig.ins', and `pig.sty' (the last being
+generated from `pig.dtx' using `pig.ins'), the `Base Interpreter'
+referring to any "LaTeX-Format", and both `Copyright Holder' and
+`Current Maintainer' referring to the person `M. Y. Name'.
+
+If you do not want the Maintenance section of LPPL to apply to your
+Work, change "maintained" above into "author-maintained".
+However, we recommend that you use "maintained" as the Maintenance
+section was added in order to ensure that your Work remains useful to
+the community even when you can no longer maintain and support it
+yourself.
+
+
+Important Recommendations
+-------------------------
+
+ Defining What Constitutes the Work
+
+ The LPPL requires that distributions of the Work contain all the
+ files of the Work. It is therefore important that you provide a
+ way for the licensee to determine which files constitute the Work.
+ This could, for example, be achieved by explicitly listing all the
+ files of the Work near the copyright notice of each file or by
+ using a line such as:
+
+ % This work consists of all files listed in manifest.txt.
+
+ in that place. In the absence of an unequivocal list it might be
+ impossible for the licensee to determine what is considered by you
+ to comprise the Work and, in such a case, the licensee would be
+ entitled to make reasonable conjectures as to which files comprise
+ the Work.
+
diff --git a/Master/texmf-dist/doc/generic/vntex/NEWS b/Master/texmf-dist/doc/generic/vntex/NEWS
new file mode 100644
index 00000000000..8d108d76edd
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/NEWS
@@ -0,0 +1,66 @@
+vntex-3.02
+
+Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+This file is part of vntex. License: LPPL, version 1.3 or newer,
+according to http://www.latex-project.org/lppl.txt
+
+
+Changes from version 2.0 (released 2003/03/03 at vntex.sf.net):
+===============================================================
+
+ * New test files with (hopefully) more meaningful names and also some
+ explanation in doc/generic/vntex/tests/README.
+
+ * Changed locations of enc/map files to conform to TDS 1.1: they now
+ belong to fonts/{enc,map}/{dvips,pdftex}/vntex. This
+ may break a few things, but it must be done now, as TDS 1.1 is used
+ by all recent TeX distributions
+
+ * Added some font samples to doc/generic/vntex/tests (see README
+ for more details).
+
+ * added support for tex4ht. (Now part of the tex4ht distribution)
+
+ * a few files had been removed:
+
+ - dvips/vntex/config.vnr: inconsistency with urwvn, where no
+ config.urwvn was available.
+
+ - special.map: the line for vnr fonts has been added to the
+ official version of special.map distributed by tetex and
+ texlive.
+
+ - tcx files: they are part of the standard TeX distributions now.
+
+ * dblaccnt.sty and dblaccnt.tex are no longer used; they are
+ retained for backwards compatibility only -- dblaccnt.sty now
+ works with LaTeX 2003/12/01.
+
+ * vntex now supports utf8 (native LaTeX) as well as utf8x (ucs.sty).
+ Support for ucs.sty is a separate package now.
+
+ * Added support for mscore fonts (tfm/vf/fd/map/enc); this requires
+ a very recent version of pdftex (1.21a).
+
+ * All human readable files contain copyright notes now.
+
+ * Vietnamese fonts for tex4ht are now part of the tex4ht distribution
+
+ * plainenc.tex removed from VnTeX
+
+ * plnfss removed from VnTeX
+
+ * ucs removed from VnTeX
+
+ * The primary site of vntex is now http://vntex.org . The former URL
+ http://vntex.sourceforge.net or http://vntex.sf.net is still usable.
+
+ * The urwvn fonts had been significantly improved. The faked small caps
+ in URW Palatino had been replaced by real small caps designed by Ralf
+ Stubner. Vietnamese accents had been provided by Han The Thanh.
+ Oldstyle numbers are not supported yet.
+
+ * Vietnamese characters had been added to Bitsream Charter fonts.
+
+ * VnURWChanceryL-MediItal added.
+
diff --git a/Master/texmf-dist/doc/generic/vntex/README b/Master/texmf-dist/doc/generic/vntex/README
new file mode 100644
index 00000000000..8080c592418
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/README
@@ -0,0 +1,68 @@
+vntex-3.02
+
+Copyright 2005 Reinhard Kotucha <Reinhard.Kotucha@web.de>.
+This file is part of vntex. License: LPPL, version 1.3 or newer,
+according to http://www.latex-project.org/lppl.txt
+
+
+Description
+===========
+VnTeX is a package which supports typesetting Vietnamese. It provides
+macro packages for LaTeX and plain TeX as well as fonts. Support is
+also provided for tex4ht.
+
+
+---------------------------------------------------------
+The primary site of VnTeX is
+
+ http://vntex.org
+---------------------------------------------------------
+
+
+Author
+======
+The author of VnTeX is Han The Thanh <HanTheThanh@gmx.net>.
+
+
+Contributors
+=============
+LaTeX support (input encoding files, font encoding file, babel support
+and vietnam.sty) is provided by Werner Lemberg.
+
+tex4ht support is provided by Han The Thanh and Eitan Gurari. The fonts
+are now part of the tex4ht distribution and maintained by Eitan Gurari.
+
+plnfss has been removed from VnTeX because it supports many other
+languages as well. You can download it from
+
+ http://vntex.org/download/vntex-support
+
+
+License
+=======
+The URW and Bitstream Type1 fonts are copyrighted under the GNU GPL,
+.map files are public domain, all other files are under LPPL,
+version 1.3 or newer.
+
+See
+ http://www.gnu.org/licenses/gpl.txt
+and
+ http://www.latex-project.org/lppl.txt
+
+
+Support
+=======
+The current maintainers are:
+
+ Han The Thanh <HanTheThanh@gmx.net>
+ Werner Lemberg <WL@gnu.org>
+ Reinhard Kotucha <Reinhard.Kotucha@web.de>
+
+The Vietnamese fonts for tex4ht are now part of tex4ht and maintained by
+Eitan Gurari <Gurari@cse.ohio-state.edu>.
+
+There is also a mailing list (very low traffic) for questions about
+VnTeX and typesetting Vietnamese. To subscribe to the list, visit
+
+ http://lists.sourceforge.net/lists/listinfo/vntex-users
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/Makefile b/Master/texmf-dist/doc/generic/vntex/tests/Makefile
new file mode 100644
index 00000000000..bff74420fcf
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/Makefile
@@ -0,0 +1,213 @@
+# vntex-3.02
+#
+# Author: Han The Thanh <hanthethanh@gmx.net>.
+# This file is part of vntex. Public domain.
+
+# The primary site of vntex is:
+#
+# http://vntex.org
+
+# This file has been tested with GNU make and Linux only.
+
+# Usage:
+# First edit the variables below according to what you have installed.
+#
+# Run `make' to produce all files.
+#
+# Instead, you can
+# run `make testpdf' to produce all PDF files,
+# run `make testps' to produce all PS files,
+# run `make samples' to produce all samples (as PDF),
+# run `make testht' to produce the HTML files.
+#
+# To view the the output files,
+# run `make viewpdf' to view all PDF files,
+# run `make viewps' to view all PS files,
+# run `make viewhtml' to view all HTML files.
+# run `make viewsamples' to view all *-sample.pdf files.
+# run `make viewfonts' to view all *-test.pdf files.
+#
+# Finally, to remove generated files,
+# run `make clean' to remove all temporary files,
+# run `make distclean' to remove everything except the source files.
+
+# Select a viewer of your choice. You can add commandline arguments.
+VIEWER_PDF = xpdf
+VIEWER_PS = gv -antialias
+VIEWER_HTML = mozilla
+
+# Set this variable to `false' if you don't have tex4ht installed
+# on your system (look whether the program `htlatex' exists).
+TEX4HT = true
+
+# Comment out the next two lines if you don't have a recent version
+# of the Antykwa Torunska font family (antt) with T5 support (look
+# whether you have `t5-antt.enc' in your TEXMF tree).
+ANTT_TEST = t5antt-test
+ANTT_SAMPLE = t5antt-sample
+
+# Comment out the next two lines if you don't have a recent version
+# of Latin Modern (look whether you have `t5-lmr10.tfm' in your TEXMF
+# tree.
+T5LM_TEST = t5lm-test
+T5LM_SAMPLE = t5lm-sample
+
+# Comment out the next two lines if you don't have a recent version
+# of the Iwona font family (look whether you have `iwona.map'
+# in your TEXMF tree).
+IWONA_TEST = t5iwona-test
+IWONA_SAMPLE = t5iwona-sample
+
+# Comment out the next two lines if you don't have a recent version
+# of the Kurier font family (look whether you have `kurier.map'
+# in your TEXMF tree).
+KURIER_TEST = t5kurier-test
+KURIER_SAMPLE = t5kurier-sample
+
+# Comment out the next two lines if you don't have the MS core font
+# files like `arial.ttf' or `tahomabd.ttf' installed in your TEXMF
+# tree.
+MSCORE_TEST = mscore-test
+MSCORE_SAMPLE = mscore-sample
+
+# Comment out the next line if you don't have plnfss installed on your
+# system (look whether `plnfss.tex' and `t5cmr.pfd' exists.
+TEST_PLAIN = test-plain test-plain-tcx
+
+
+#====================================================#
+# There is no need to edit anything below this line. #
+#====================================================#
+
+
+TEXOPTS = -parse-first-line -recorder
+TEX4HTOPTS = "html,uni-html4,charset=utf8" " -cunihtf -utf8"
+FONTMEM = env font_mem_size=1200000
+
+PDFLATEX = pdflatex $(TEXOPTS)
+LATEX = latex $(TEXOPTS)
+PDFTEX = pdftex $(TEXOPTS)
+TEX = tex $(TEXOPTS)
+DVIPS = dvips
+
+
+TEST_LATEX = test-vietnam test-babel
+
+TEST_LATEX_ALL = $(TEST_LATEX) test-vietnam-tcx
+
+REFERENCES = vnr-test urwvn-test chartervn-test \
+ $(ANTT_TEST) $(T5LM_TEST) \
+ $(IWONA_TEST) $(KURIER_TEST) $(MSCORE_TEST)
+
+SAMPLES = vnr-sample urwvn-sample chartervn-sample \
+ $(ANTT_SAMPLE) $(T5LM_SAMPLE) \
+ $(IWONA_SAMPLE) $(KURIER_SAMPLE) \
+ $(MSCORE_SAMPLE)
+
+
+default: testpdf testps samples testht
+
+
+vntovn: test-tcvn.tex test-utf8.tex
+
+
+test-tcvn.tex: test-viscii.tex
+ vntovn viscii tcvn $< > $@
+
+
+test-utf8.tex: test-viscii.tex
+ vntovn viscii utf8 $< > $@
+
+
+testpdf:
+ for f in $(TEST_LATEX_ALL); do \
+ test -f $$f.aux || $(PDFLATEX) $$f.tex; \
+ $(PDFLATEX) $$f.tex; \
+ done
+ for f in $(TEST_PLAIN); do \
+ $(PDFTEX) $$f.tex; \
+ done
+
+
+testps:
+ for f in $(TEST_LATEX_ALL); do \
+ test -f $$f.aux || $(LATEX) $$f.tex; \
+ $(LATEX) $$f.tex ; $(DVIPS) $$f.dvi -o; \
+ done
+ for f in $(TEST_PLAIN); do \
+ $(TEX) $$f.tex ; $(DVIPS) $$f.dvi -o; \
+ done
+
+
+testht:
+ for f in $(TEST_LATEX) $(REFERENCES); do \
+ htlatex $$f.tex $(TEX4HTOPTS); \
+ done
+
+
+samples:
+ for f in $(SAMPLES) ; do \
+ test -f $$f.aux || \
+ $(FONTMEM) $(PDFLATEX) $$f.tex; \
+ done
+ for f in $(REFERENCES) $(SAMPLES) ; do \
+ $(FONTMEM) $(PDFLATEX) $$f.tex; \
+ done
+
+
+refs:
+ for f in $(REFERENCES) ; do \
+ $(FONTMEM) $(PDFLATEX) $$f.tex; \
+ done
+
+
+
+viewpdf:
+ for f in $(TEST_LATEX_ALL) $(TEST_PLAIN); do \
+ (test ! -f $$f.pdf && \
+ echo "WARNING: File \"$$f.pdf\" not found.") \
+ || $(VIEWER_PDF) $$f.pdf; \
+ done
+
+
+viewps:
+ for f in $(TEST_LATEX_ALL) $(TEST_PLAIN); do \
+ (test ! -f $$f.ps && \
+ echo "WARNING: File \"$$f.ps\" not found.") \
+ || $(VIEWER_PS) $$f.ps; \
+ done
+
+
+viewhtml:
+ for f in $(TEST_LATEX) $(REFERENCES); do \
+ (test ! -f $$f.html && \
+ echo "WARNING: File \"$$f.html\" not found.") \
+ || $(VIEWER_HTML) file://`pwd`/$$f.html; \
+ done
+
+
+viewsamples:
+ for f in $(SAMPLES); do \
+ (test ! -f $$f.pdf && \
+ echo "WARNING: File \"$$f.pdf\" not found.") \
+ || $(VIEWER_PDF) $$f.pdf; \
+ done
+
+
+viewfonts:
+ for f in $(REFERENCES); do \
+ (test ! -f $$f.pdf && \
+ echo "WARNING: File \"$$f.pdf\" not found.") \
+ || $(VIEWER_PDF) $$f.pdf; \
+ done
+
+
+
+clean:
+ rm -f *.dvi *.out *.toc *.aux *.log *.4ct *.4tc *.idv *.lg \
+ *.tmp *.xref *.fls *.lof
+
+
+distclean: clean
+ rm -f *.pdf *.ps *.css *.html nocompress
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/README b/Master/texmf-dist/doc/generic/vntex/tests/README
new file mode 100644
index 00000000000..e65fb09a733
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/README
@@ -0,0 +1,167 @@
+vntex-3.02
+
+Copyright 2003-2005 Han The Thanh <HanTheThanh@gmx.net>
+ and Reinhard Kotucha <Reinhard.Kotucha@web.de>.
+This file is part of vntex. License: LPPL, version 1.3 or newer,
+according to http://www.latex-project.org/lppl.txt
+
+For installation instructions see http://vntex.org/
+
+This directory contains some TeX files to test the functionality
+of vntex, as well as to create vietnamese font samples.
+
+
+Makefile
+========
+There is a Makefile which can be used to compile the test files and
+font samples. Usage information is provided in the Makefile
+itself. You have to edit the top of the file for customization.
+If it doesn't work for you, instructions are given below how you can
+compile the test files manually.
+
+
+Test Files
+==========
+test-vietnam.tex: test of Vietnamese support in LaTeX using
+ vietnam.sty and inputenc
+
+test-vietnam-tcx.tex: test of Vietnamese support in LaTeX using
+ vietnam.sty and TCX
+
+test-babel.tex: test of Vietnamese support in LaTeX using
+ babel and inputenc
+
+test-plain.tex: test of Vietnamese in plain using plainenc
+
+test-plain-tcx.tex: test of Vietnamese in plain using TCX
+
+
+What is tcx?
+------------
+ TCX is an extension that allows translation of input encoding. The
+ advantage over using inputenc is that it allows vietnamese text in
+ logging messages instead of TeX's hexadecimal representation (^^ab).
+
+ The disadvantage is that it is not portable (TCX is web2c-specific),
+ it allows only one input encoding in a single document and utf8 is
+ not supported. If you don't mind those carets in logging messages,
+ simply use inputenc.
+
+ It is impossible to use utf8 with plain; to do so an extension
+ called enctex by Petr Olsak is required. However so far nobody
+ ever asked for plain TeX support.
+
+-------------------------------------------------------------
+If tcx is not supported by your system, just ignore the files
+ test-vietnam-tcx.tex
+and
+ test-plain-tcx.tex
+-------------------------------------------------------------
+
+There are also some other files that are included by the
+above test files:
+
+test-accents.tex: test of accent commands
+test-captions.tex: test of Vietnamese captions
+test-tcvn.tex: test of TCVN input encoding
+test-viscii.tex: test of VISCII input encoding
+test-utf8.tex: test of UTF8 input encoding
+
+
+To compile the test files, run:
+
+pdflatex test-vietnam
+pdflatex -parse-first-line test-vietnam-tcx
+pdflatex test-babel
+pdftex test-plain
+pdftex -parse-first-line test-plain-tcx
+
+(or use tex/latex instead of pdftex/pdflatex)
+
+Run latex/pdflatex twice to get a table of cotents.
+
+
+Font samples
+============
+All font sample files require vnsample.sty.
+
+vnr-test.tex: quick test of vnr fonts
+vnr-sample.tex: sample of vnr fonts
+
+t5lm-test.tex: quick test of lmodern fonts
+t5lm-sample.tex: sample of lmodern fonts
+
+urwvn-test.tex: quick test of urwvn fonts
+urwvn-sample.tex: sample of urwvn fonts
+
+chartervn-test.tex quick test of charter fonts
+chartervn-sample.tex sample of charter fonts
+
+t5antt-test.tex: quick test of antt fonts
+t5antt-sample.tex: sample of antt fonts
+
+t5iwona-test.tex quick test of iwona fonts
+t5iwona-sample.tex sample of iwona fonts
+
+t5kurier-test.tex quick test of kurier fonts
+t5kurier-sample.tex sample of kurier fonts
+
+mscore-test.tex: quick test of mscore fonts
+mscore-sample.tex: sample of mscore fonts
+
+
+These sample files use LaTeX, and require certain packages
+to compile. To compile these font samples, of course, the
+corresponding font package must be installed as well.
+
+If you do not have all the required files installed, you can
+download the samples as PDF files from
+
+ http://vntex.org/fontsamples
+
+Run pdflatex twice to get bookmarks. Some of the sample files
+are very large and bookmarks will be helpful.
+
+Some of the sample files require a vast amount of memory.
+If you have a web2c based system (look whether you have
+a file `texmf.cnf' somewhere), you have to set the environment
+variable
+
+ font_mem_size=1200000
+
+Linux, UNIX, Mac OS X:
+----------------------
+ Either set it in the current shell:
+
+ font_mem_size=1200000; export font_mem_size
+ pdflatex vnrsample.tex
+
+ or for a single process:
+
+ env font_mem_size=1200000 pdflatex vnrsample.tex
+
+Windows:
+--------
+ set font_mem_size=1200000
+ pdflatex vnrsample.tex
+
+MikTeX:
+-------
+ Edit the file MIKTEX.INI. Look for a line beginning with
+ "font_mem_size=" and set the value to at least 1200000.
+
+Systems not based on web2c:
+---------------------------
+ Read the manual of your TeX system to find out how to
+ increase font_mem_size. If it is not explained in the
+ manual, maybe memory is allocated dynamically and you
+ don't have to do anything. In this case, just try
+
+ pdflatex vnrsample.tex
+
+----------------------------------------------------------
+Please note that you do not have to increase font_mem_size
+to use vntex, the huge amount of memory is needed for the
+font samples only.
+----------------------------------------------------------
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/chartervn-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/chartervn-sample.tex
new file mode 100644
index 00000000000..4f8c3da8f5a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/chartervn-sample.tex
@@ -0,0 +1,41 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=chartervn.map}}{}\fi
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\begin{document}
+\section{VnCharterBT}
+\showletters{T5}{bch}{m}{n} {bchr8v} {VnBitstreamCharter}
+\showletters{T5}{bch}{m}{it} {bchri8v} {VnCharterBT-Italic}
+\showletters{T5}{bch}{m}{sl} {bchro8v} {VnBitstreamCharter}
+\showletters{T5}{bch}{b}{n} {bchb8v} {VnCharterBT-Bold}
+\showletters{T5}{bch}{b}{it} {bchbi8v} {VnCharterBT-BoldItalic}
+\showletters{T5}{bch}{b}{sl} {bchbo8v} {VnCharterBT-Bold}
+\showletters{T5}{bch}{m}{sc} {bchrc8v} {N/A}
+\showletters{T5}{bch}{b}{sc} {bchbc8v} {N/A}
+\showtext {T5}{bch}{m}{n} {bchr8v} {VnBitstreamCharter}
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/chartervn-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/chartervn-test.tex
new file mode 100644
index 00000000000..bdac53f512f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/chartervn-test.tex
@@ -0,0 +1,41 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=chartervn.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=5pt
+
+\begin{shortsample}
+
+\shorttext{T5}{bch}{m}{n} {bchr8v} {VnBitstreamCharter}
+\shorttext{T5}{bch}{m}{it} {bchri8v} {VnCharterBT-Italic}
+\shorttext{T5}{bch}{m}{sl} {bchro8v} {VnBitstreamCharter}
+\shorttext{T5}{bch}{b}{n} {bchb8v} {VnCharterBT-Bold}
+\shorttext{T5}{bch}{b}{it} {bchbi8v} {VnCharterBT-BoldItalic}
+\shorttext{T5}{bch}{b}{sl} {bchbo8v} {VnCharterBT-Bold}
+\shorttext{T5}{bch}{m}{sc} {bchrc8v} {N/A}
+\shorttext{T5}{bch}{b}{sc} {bchbc8v} {N/A}
+
+\end{shortsample}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/mscore-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/mscore-sample.tex
new file mode 100644
index 00000000000..203ed4a6822
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/mscore-sample.tex
@@ -0,0 +1,83 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=mscore.map}}{}\fi
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\begin{document}
+\section{ArialMT}
+\showletters{T5}{ma1}{m}{n} {ma1r8v} {ArialMT}
+\showletters{T5}{ma1}{b}{n} {ma1b8v} {Arial-BoldMT}
+\showletters{T5}{ma1}{m}{it} {ma1ri8v} {Arial-ItalicMT}
+\showletters{T5}{ma1}{b}{it} {ma1bi8v} {Arial-BoldItalicMT}
+\showletters{T5}{ma1}{m}{sc} {ma1rc8v} {N/A}
+\showletters{T5}{ma1}{b}{sc} {ma1bc8v} {N/A}
+\showtext {T5}{ma1}{m}{n} {ma1r8v} {ArialMT}
+
+\section{CourierNewPSMT}
+\showletters{T5}{mcr}{m}{n} {mcrr8v} {CourierNewPSMT}
+\showletters{T5}{mcr}{b}{n} {mcrb8v} {CourierNewPS-BoldMT}
+\showletters{T5}{mcr}{m}{it} {mcrri8v} {CourierNewPS-ItalicMT}
+\showletters{T5}{mcr}{b}{it} {mcrbi8v} {CourierNewPS-BoldItalicMT}
+\showletters{T5}{mcr}{m}{sc} {mcrrc8v} {N/A}
+\showletters{T5}{mcr}{b}{sc} {mcrbc8v} {N/A}
+\showtext {T5}{mcr}{m}{n} {mcrr8v} {CourierNewPSMT}
+
+\section{PalatinoLinotype}
+\showletters{T5}{lpr}{m}{n} {lprr8v} {PalatinoLinotype-Roman}
+\showletters{T5}{lpr}{b}{n} {lprb8v} {PalatinoLinotype-Bold}
+\showletters{T5}{lpr}{m}{it} {lprri8v} {PalatinoLinotype-Italic}
+\showletters{T5}{lpr}{b}{it} {lprbi8v} {PalatinoLinotype-BoldItalic}
+\showletters{T5}{lpr}{m}{sc} {lprrc8v} {N/A}
+\showletters{T5}{lpr}{b}{sc} {lprbc8v} {N/A}
+\showtext {T5}{lpr}{m}{n} {lprr8v} {PalatinoLinotype-Roman}
+
+\section{TimesNewRomanPSMT}
+\showletters{T5}{mns}{m}{n} {mnsr8v} {TimesNewRomanPSMT}
+\showletters{T5}{mns}{b}{n} {mnsb8v} {TimesNewRomanPS-BoldMT}
+\showletters{T5}{mns}{m}{it} {mnsri8v} {TimesNewRomanPS-ItalicMT}
+\showletters{T5}{mns}{b}{it} {mnsbi8v} {TimesNewRomanPS-BoldItalicMT}
+\showletters{T5}{mns}{m}{sc} {mnsrc8v} {N/A}
+\showletters{T5}{mns}{b}{sc} {mnsbc8v} {N/A}
+\showtext {T5}{mns}{m}{n} {mnsr8v} {TimesNewRomanPSMT}
+
+\section{Tahoma}
+\showletters{T5}{jth}{m}{n} {jthr8v} {Tahoma}
+\showletters{T5}{jth}{b}{n} {jthb8v} {Tahoma-Bold}
+\showletters{T5}{jth}{m}{sc} {jthrc8v} {N/A}
+\showletters{T5}{jth}{b}{sc} {jthbc8v} {N/A}
+\showtext {T5}{jth}{m}{n} {jthr8v} {Tahoma}
+
+\section{Verdana}
+\showletters{T5}{jvn}{m}{n} {jvnr8v} {Verdana}
+\showletters{T5}{jvn}{b}{n} {jvnb8v} {Verdana-Bold}
+\showletters{T5}{jvn}{m}{it} {jvnri8v} {Verdana-Italic}
+\showletters{T5}{jvn}{b}{it} {jvnbi8v} {Verdana-BoldItalic}
+\showletters{T5}{jvn}{m}{sc} {jvnrc8v} {N/A}
+\showletters{T5}{jvn}{b}{sc} {jvnbc8v} {N/A}
+\showtext {T5}{jvn}{m}{n} {jvnr8v} {Verdana}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/mscore-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/mscore-test.tex
new file mode 100644
index 00000000000..a4fec7e437d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/mscore-test.tex
@@ -0,0 +1,66 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=mscore.map}}{}\fi
+\testfilehook
+
+\begin{document}
+\extrarowheight=5pt
+
+\begin{shortsample}
+\shorttext{T5}{ma1}{m}{n} {ma1r8v} {ArialMT}
+\shorttext{T5}{ma1}{b}{n} {ma1b8v} {Arial-BoldMT}
+\shorttext{T5}{ma1}{m}{it} {ma1ri8v} {Arial-ItalicMT}
+\shorttext{T5}{ma1}{b}{it} {ma1bi8v} {Arial-BoldItalicMT}
+\shorttext{T5}{ma1}{m}{sc} {ma1rc8v} {N/A}
+\shorttext{T5}{ma1}{b}{sc} {ma1bc8v} {N/A}
+\shorttext{T5}{mcr}{m}{n} {mcrr8v} {CourierNewPSMT}
+\shorttext{T5}{mcr}{b}{n} {mcrb8v} {CourierNewPS-BoldMT}
+\shorttext{T5}{mcr}{m}{it} {mcrri8v} {CourierNewPS-ItalicMT}
+\shorttext{T5}{mcr}{b}{it} {mcrbi8v} {CourierNewPS-BoldItalicMT}
+\shorttext{T5}{mcr}{m}{sc} {mcrrc8v} {N/A}
+\shorttext{T5}{mcr}{b}{sc} {mcrbc8v} {N/A}
+\shorttext{T5}{lpr}{m}{n} {lprr8v} {PalatinoLinotype-Roman}
+\shorttext{T5}{lpr}{b}{n} {lprb8v} {PalatinoLinotype-Bold}
+\shorttext{T5}{lpr}{m}{it} {lprri8v} {PalatinoLinotype-Italic}
+\shorttext{T5}{lpr}{b}{it} {lprbi8v} {PalatinoLinotype-BoldItalic}
+\shorttext{T5}{lpr}{m}{sc} {lprrc8v} {N/A}
+\shorttext{T5}{lpr}{b}{sc} {lprbc8v} {N/A}
+\end{shortsample}
+\clearpage
+\begin{shortsample}
+\shorttext{T5}{mns}{m}{n} {mnsr8v} {TimesNewRomanPSMT}
+\shorttext{T5}{mns}{b}{n} {mnsb8v} {TimesNewRomanPS-BoldMT}
+\shorttext{T5}{mns}{m}{it} {mnsri8v} {TimesNewRomanPS-ItalicMT}
+\shorttext{T5}{mns}{b}{it} {mnsbi8v} {TimesNewRomanPS-BoldItalicMT}
+\shorttext{T5}{mns}{m}{sc} {mnsrc8v} {N/A}
+\shorttext{T5}{mns}{b}{sc} {mnsbc8v} {N/A}
+\shorttext{T5}{jth}{m}{n} {jthr8v} {Tahoma}
+\shorttext{T5}{jth}{b}{n} {jthb8v} {Tahoma-Bold}
+\shorttext{T5}{jth}{m}{sc} {jthrc8v} {N/A}
+\shorttext{T5}{jth}{b}{sc} {jthbc8v} {N/A}
+\shorttext{T5}{jvn}{m}{n} {jvnr8v} {Verdana}
+\shorttext{T5}{jvn}{b}{n} {jvnb8v} {Verdana-Bold}
+\shorttext{T5}{jvn}{m}{it} {jvnri8v} {Verdana-Italic}
+\shorttext{T5}{jvn}{b}{it} {jvnbi8v} {Verdana-BoldItalic}
+\shorttext{T5}{jvn}{m}{sc} {jvnrc8v} {N/A}
+\shorttext{T5}{jvn}{b}{sc} {jvnbc8v} {N/A}
+\end{shortsample}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5antt-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5antt-sample.tex
new file mode 100644
index 00000000000..c0ba5454212
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5antt-sample.tex
@@ -0,0 +1,81 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-antt.map}}{}\fi
+
+\begin{document}
+\section{AntykwaTorunskaLigh}
+\showletters{T5}{antt}{l}{n} {t5-anttl} {AntykwaTorunskaLigh-Regular}
+\showletters{T5}{antt}{l}{it} {t5-anttli} {AntykwaTorunskaLigh-Italic}
+\showletters{T5}{antt}{l}{sc} {t5-anttlcap} {AntykwaTorunskaLigh-Regular}
+\showletters{T5}{antt}{l}{scit} {t5-anttlicap} {AntykwaTorunskaLigh-Italic}
+\showtext {T5}{antt}{l}{n} {t5-anttl} {AntykwaTorunskaLigh-Regular}
+
+\section{AntykwaTorunska}
+\showletters{T5}{antt}{m}{n} {t5-anttr} {AntykwaTorunska-Regular}
+\showletters{T5}{antt}{m}{it} {t5-anttri} {AntykwaTorunska-Italic}
+\showletters{T5}{antt}{m}{sc} {t5-anttrcap} {AntykwaTorunska-Regular}
+\showletters{T5}{antt}{m}{scit} {t5-anttricap} {AntykwaTorunska-Italic}
+\showletters{T5}{antt}{b}{n} {t5-anttb} {AntykwaTorunska-Bold}
+\showletters{T5}{antt}{b}{it} {t5-anttbi} {AntykwaTorunska-BoldItalic}
+\showletters{T5}{antt}{b}{sc} {t5-anttbcap} {AntykwaTorunska-Bold}
+\showletters{T5}{antt}{b}{scit} {t5-anttbicap} {AntykwaTorunska-BoldItalic}
+\showtext {T5}{antt}{m}{n} {t5-anttr} {AntykwaTorunska-Regular}
+
+\section{AntykwaTorunskaMed}
+\showletters{T5}{antt}{sb}{n} {t5-anttm} {AntykwaTorunskaMed-Regular}
+\showletters{T5}{antt}{sb}{it} {t5-anttmi} {AntykwaTorunskaMed-Italic}
+\showletters{T5}{antt}{sb}{sc} {t5-anttmcap} {AntykwaTorunskaMed-Regular}
+\showletters{T5}{antt}{sb}{scit} {t5-anttmicap} {AntykwaTorunskaMed-Italic}
+\showtext {T5}{antt}{sb}{n} {t5-anttm} {AntykwaTorunskaMed-Regular}
+
+\section{AntykwaTorunskaCondLigh}
+\showletters{T5}{antt}{lc}{n} {t5-anttcl} {AntykwaTorunskaCondLigh-Regular}
+\showletters{T5}{antt}{lc}{it} {t5-anttcli} {AntykwaTorunskaCondLigh-Italic}
+\showletters{T5}{antt}{lc}{sc} {t5-anttclcap} {AntykwaTorunskaCondLigh-Regular}
+\showletters{T5}{antt}{lc}{scit} {t5-anttclicap} {AntykwaTorunskaCondLigh-Italic}
+\showtext {T5}{antt}{lc}{n} {t5-anttcl} {AntykwaTorunskaCondLigh-Regular}
+
+\section{AntykwaTorunskaCond}
+\showletters{T5}{antt}{mc}{n} {t5-anttcr} {AntykwaTorunskaCond-Regular}
+\showletters{T5}{antt}{mc}{it} {t5-anttcri} {AntykwaTorunskaCond-Italic}
+\showletters{T5}{antt}{mc}{sc} {t5-anttcrcap} {AntykwaTorunskaCond-Regular}
+\showletters{T5}{antt}{mc}{scit} {t5-anttcricap} {AntykwaTorunskaCond-Italic}
+\showletters{T5}{antt}{bc}{n} {t5-anttcb} {AntykwaTorunskaCond-Bold}
+\showletters{T5}{antt}{bc}{it} {t5-anttcbi} {AntykwaTorunskaCond-BoldItalic}
+\showletters{T5}{antt}{bc}{sc} {t5-anttcbcap} {AntykwaTorunskaCond-Bold}
+\showletters{T5}{antt}{bc}{scit} {t5-anttcbicap} {AntykwaTorunskaCond-BoldItalic}
+\showtext {T5}{antt}{mc}{n} {t5-anttcr} {AntykwaTorunskaCond-Regular}
+
+\section{AntykwaTorunskaCondMed}
+\showletters{T5}{antt}{sbc}{n} {t5-anttcm} {AntykwaTorunskaCondMed-Regular}
+\showletters{T5}{antt}{sbc}{it} {t5-anttcmi} {AntykwaTorunskaCondMed-Italic}
+\showletters{T5}{antt}{sbc}{sc} {t5-anttcmcap} {AntykwaTorunskaCondMed-Regular}
+\showletters{T5}{antt}{sbc}{scit} {t5-anttcmicap} {AntykwaTorunskaCondMed-Italic}
+\showtext {T5}{antt}{sbc}{n} {t5-anttcm} {AntykwaTorunskaCondMed-Regular}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5antt-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5antt-test.tex
new file mode 100644
index 00000000000..e40d10e69ed
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5antt-test.tex
@@ -0,0 +1,66 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-antt.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=10pt
+\begin{shortsample}
+\shorttext{T5}{antt}{l}{n} {t5-anttl} {AntykwaTorunskaLigh-Regular}
+\shorttext{T5}{antt}{l}{it} {t5-anttli} {AntykwaTorunskaLigh-Italic}
+\shorttext{T5}{antt}{l}{sc} {t5-anttlcap} {AntykwaTorunskaLigh-Regular}
+\shorttext{T5}{antt}{l}{scit} {t5-anttlicap} {AntykwaTorunskaLigh-Italic}
+\shorttext{T5}{antt}{m}{n} {t5-anttr} {AntykwaTorunska-Regular}
+\shorttext{T5}{antt}{m}{it} {t5-anttri} {AntykwaTorunska-Italic}
+\shorttext{T5}{antt}{m}{sc} {t5-anttrcap} {AntykwaTorunska-Regular}
+\shorttext{T5}{antt}{m}{scit} {t5-anttricap} {AntykwaTorunska-Italic}
+\shorttext{T5}{antt}{sb}{n} {t5-anttm} {AntykwaTorunskaMed-Regular}
+\shorttext{T5}{antt}{sb}{it} {t5-anttmi} {AntykwaTorunskaMed-Italic}
+\shorttext{T5}{antt}{sb}{sc} {t5-anttmcap} {AntykwaTorunskaMed-Regular}
+\shorttext{T5}{antt}{sb}{scit} {t5-anttmicap} {AntykwaTorunskaMed-Italic}
+\shorttext{T5}{antt}{b}{n} {t5-anttb} {AntykwaTorunska-Bold}
+\shorttext{T5}{antt}{b}{it} {t5-anttbi} {AntykwaTorunska-BoldItalic}
+\shorttext{T5}{antt}{b}{sc} {t5-anttbcap} {AntykwaTorunska-Bold}
+\shorttext{T5}{antt}{b}{scit} {t5-anttbicap} {AntykwaTorunska-BoldItalic}
+
+\end{shortsample}
+\clearpage
+\begin{shortsample}
+
+\shorttext{T5}{antt}{lc}{n} {t5-anttcl} {AntykwaTorunskaCondLigh-Regular}
+\shorttext{T5}{antt}{lc}{it} {t5-anttcli} {AntykwaTorunskaCondLigh-Italic}
+\shorttext{T5}{antt}{lc}{sc} {t5-anttclcap} {AntykwaTorunskaCondLigh-Regular}
+\shorttext{T5}{antt}{lc}{scit} {t5-anttclicap} {AntykwaTorunskaCondLigh-Italic}
+\shorttext{T5}{antt}{mc}{n} {t5-anttcr} {AntykwaTorunskaCond-Regular}
+\shorttext{T5}{antt}{mc}{it} {t5-anttcri} {AntykwaTorunskaCond-Italic}
+\shorttext{T5}{antt}{mc}{sc} {t5-anttcrcap} {AntykwaTorunskaCond-Regular}
+\shorttext{T5}{antt}{mc}{scit} {t5-anttcricap} {AntykwaTorunskaCond-Italic}
+\shorttext{T5}{antt}{sbc}{n} {t5-anttcm} {AntykwaTorunskaCondMed-Regular}
+\shorttext{T5}{antt}{sbc}{it} {t5-anttcmi} {AntykwaTorunskaCondMed-Italic}
+\shorttext{T5}{antt}{sbc}{sc} {t5-anttcmcap} {AntykwaTorunskaCondMed-Regular}
+\shorttext{T5}{antt}{sbc}{scit} {t5-anttcmicap} {AntykwaTorunskaCondMed-Italic}
+\shorttext{T5}{antt}{bc}{n} {t5-anttcb} {AntykwaTorunskaCond-Bold}
+\shorttext{T5}{antt}{bc}{it} {t5-anttcbi} {AntykwaTorunskaCond-BoldItalic}
+\shorttext{T5}{antt}{bc}{sc} {t5-anttcbcap} {AntykwaTorunskaCond-Bold}
+\shorttext{T5}{antt}{bc}{scit} {t5-anttcbicap} {AntykwaTorunskaCond-BoldItalic}
+\end{shortsample}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-sample.tex
new file mode 100644
index 00000000000..6f824dcd23b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-sample.tex
@@ -0,0 +1,87 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-iwona.map}}{}\fi
+
+\begin{document}
+\section{IwonaLight-Regular}
+\showletters{T5}{iwona}{l}{n} {t5-iwonal} {IwonaLight-Regular}
+\showletters{T5}{iwona}{l}{it} {t5-iwonali} {IwonaLight-Italic}
+\showletters{T5}{iwona}{l}{sc} {t5-iwonalcap} {IwonaLight-Regular}
+\showletters{T5}{iwona}{l}{scit} {t5-iwonalicap} {IwonaLight-Italic}
+\showtext {T5}{iwona}{l}{n} {t5-iwonal} {IwonaLight-Regular}
+
+\section{Iwona-Regular}
+\showletters{T5}{iwona}{m}{n} {t5-iwonar} {Iwona-Regular}
+\showletters{T5}{iwona}{m}{it} {t5-iwonari} {Iwona-Italic}
+\showletters{T5}{iwona}{m}{sc} {t5-iwonarcap} {Iwona-Regular}
+\showletters{T5}{iwona}{m}{scit} {t5-iwonaricap} {Iwona-Italic}
+\showtext {T5}{iwona}{m}{n} {t5-iwonar} {Iwona-Regular}
+
+\section{IwonaMedium-Regular}
+\showletters{T5}{iwona}{sb}{n} {t5-iwonam} {IwonaMedium-Regular}
+\showletters{T5}{iwona}{sb}{it} {t5-iwonami} {IwonaMedium-Italic}
+\showletters{T5}{iwona}{sb}{sc} {t5-iwonamcap} {IwonaMedium-Regular}
+\showletters{T5}{iwona}{sb}{scit} {t5-iwonamicap} {IwonaMedium-Italic}
+\showtext {T5}{iwona}{sb}{n} {t5-iwonam} {IwonaMedium-Regular}
+
+\section{Iwona-Bold}
+\showletters{T5}{iwona}{b}{n} {t5-iwonab} {Iwona-Bold}
+\showletters{T5}{iwona}{b}{it} {t5-iwonabi} {Iwona-BoldItalic}
+\showletters{T5}{iwona}{b}{sc} {t5-iwonabcap} {Iwona-Bold}
+\showletters{T5}{iwona}{b}{scit} {t5-iwonabicap} {Iwona-BoldItalic}
+\showtext {T5}{iwona}{b}{n} {t5-iwonab} {Iwona-Bold}
+
+\section{IwonaCondLight-Regular}
+\showletters{T5}{iwona}{lc}{n} {t5-iwonacl} {IwonaCondLight-Regular}
+\showletters{T5}{iwona}{lc}{it} {t5-iwonacli} {IwonaCondLight-Italic}
+\showletters{T5}{iwona}{lc}{sc} {t5-iwonaclcap} {IwonaCondLight-Regular}
+\showletters{T5}{iwona}{lc}{scit} {t5-iwonaclicap} {IwonaCondLight-Italic}
+\showtext {T5}{iwona}{lc}{n} {t5-iwonacl} {IwonaCondLight-Regular}
+
+\section{IwonaCond-Regular}
+\showletters{T5}{iwona}{mc}{n} {t5-iwonacr} {IwonaCond-Regular}
+\showletters{T5}{iwona}{mc}{it} {t5-iwonacri} {IwonaCond-Italic}
+\showletters{T5}{iwona}{mc}{sc} {t5-iwonacrcap} {IwonaCond-Regular}
+\showletters{T5}{iwona}{mc}{scit} {t5-iwonacricap} {IwonaCond-Italic}
+\showtext {T5}{iwona}{mc}{n} {t5-iwonacr} {IwonaCond-Regular}
+
+\section{IwonaCondMedium-Regular}
+\showletters{T5}{iwona}{sbc}{n} {t5-iwonacm} {IwonaCondMedium-Regular}
+\showletters{T5}{iwona}{sbc}{it} {t5-iwonacmi} {IwonaCondMedium-Italic}
+\showletters{T5}{iwona}{sbc}{sc} {t5-iwonacmcap} {IwonaCondMedium-Regular}
+\showletters{T5}{iwona}{sbc}{scit} {t5-iwonacmicap} {IwonaCondMedium-Italic}
+\showtext {T5}{iwona}{sbc}{n} {t5-iwonacm} {IwonaCondMedium-Regular}
+
+\section{IwonaCond-Bold}
+\showletters{T5}{iwona}{bc}{n} {t5-iwonacb} {IwonaCond-Bold}
+\showletters{T5}{iwona}{bc}{it} {t5-iwonacbi} {IwonaCond-BoldItalic}
+\showletters{T5}{iwona}{bc}{sc} {t5-iwonacbcap} {IwonaCond-Bold}
+\showletters{T5}{iwona}{bc}{scit} {t5-iwonacbicap} {IwonaCond-BoldItalic}
+\showtext {T5}{iwona}{bc}{n} {t5-iwonacb} {IwonaCond-Bold}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-test.tex
new file mode 100644
index 00000000000..5d2758b70e7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5iwona-test.tex
@@ -0,0 +1,69 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[12pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-iwona.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=10pt
+\begin{shortsample}
+\shorttext{T5}{iwona}{l}{n} {t5-iwonal} {IwonaLight-Regular}
+\shorttext{T5}{iwona}{l}{it} {t5-iwonali} {IwonaLight-Italic}
+\shorttext{T5}{iwona}{l}{sc} {t5-iwonalcap} {IwonaLight-Regular}
+\shorttext{T5}{iwona}{l}{scit} {t5-iwonalicap} {IwonaLight-Italic}
+\shorttext{T5}{iwona}{m}{n} {t5-iwonar} {Iwona-Regular}
+\shorttext{T5}{iwona}{m}{it} {t5-iwonari} {Iwona-Italic}
+\shorttext{T5}{iwona}{m}{sc} {t5-iwonarcap} {Iwona-Regular}
+\shorttext{T5}{iwona}{m}{scit} {t5-iwonaricap} {Iwona-Italic}
+\shorttext{T5}{iwona}{sb}{n} {t5-iwonam} {IwonaMedium-Regular}
+\shorttext{T5}{iwona}{sb}{it} {t5-iwonami} {IwonaMedium-Italic}
+\shorttext{T5}{iwona}{sb}{sc} {t5-iwonamcap} {IwonaMedium-Regular}
+\shorttext{T5}{iwona}{sb}{scit} {t5-iwonamicap} {IwonaMedium-Italic}
+\shorttext{T5}{iwona}{b}{n} {t5-iwonab} {Iwona-Bold}
+\shorttext{T5}{iwona}{b}{it} {t5-iwonabi} {Iwona-BoldItalic}
+\shorttext{T5}{iwona}{b}{sc} {t5-iwonabcap} {Iwona-Bold}
+\shorttext{T5}{iwona}{b}{scit} {t5-iwonabicap} {Iwona-BoldItalic}
+
+
+\end{shortsample}
+\clearpage
+\begin{shortsample}
+
+\shorttext{T5}{iwona}{lc}{n} {t5-iwonacl} {IwonaCondLight-Regular}
+\shorttext{T5}{iwona}{lc}{it} {t5-iwonacli} {IwonaCondLight-Italic}
+\shorttext{T5}{iwona}{lc}{sc} {t5-iwonaclcap} {IwonaCondLight-Regular}
+\shorttext{T5}{iwona}{lc}{scit} {t5-iwonaclicap} {IwonaCondLight-Italic}
+\shorttext{T5}{iwona}{mc}{n} {t5-iwonacr} {IwonaCond-Regular}
+\shorttext{T5}{iwona}{mc}{it} {t5-iwonacri} {IwonaCond-Italic}
+\shorttext{T5}{iwona}{mc}{sc} {t5-iwonacrcap} {IwonaCond-Regular}
+\shorttext{T5}{iwona}{mc}{scit} {t5-iwonacricap} {IwonaCond-Italic}
+\shorttext{T5}{iwona}{sbc}{n} {t5-iwonacm} {IwonaCondMedium-Regular}
+\shorttext{T5}{iwona}{sbc}{it} {t5-iwonacmi} {IwonaCondMedium-Italic}
+\shorttext{T5}{iwona}{sbc}{sc} {t5-iwonacmcap} {IwonaCondMedium-Regular}
+\shorttext{T5}{iwona}{sbc}{scit} {t5-iwonacmicap} {IwonaCondMedium-Italic}
+\shorttext{T5}{iwona}{bc}{n} {t5-iwonacb} {IwonaCond-Bold}
+\shorttext{T5}{iwona}{bc}{it} {t5-iwonacbi} {IwonaCond-BoldItalic}
+\shorttext{T5}{iwona}{bc}{sc} {t5-iwonacbcap} {IwonaCond-Bold}
+\shorttext{T5}{iwona}{bc}{scit} {t5-iwonacbicap} {IwonaCond-BoldItalic}
+
+
+\end{shortsample}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-sample.tex
new file mode 100644
index 00000000000..36c58715658
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-sample.tex
@@ -0,0 +1,88 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-kurier.map}}{}\fi
+
+\begin{document}
+\section{KurierLight-Regular}
+\showletters{T5}{kurier}{l}{n} {t5-kurierl} {KurierLight-Regular}
+\showletters{T5}{kurier}{l}{it} {t5-kurierli} {KurierLight-Italic}
+\showletters{T5}{kurier}{l}{sc} {t5-kurierlcap} {KurierLight-Regular}
+\showletters{T5}{kurier}{l}{scit} {t5-kurierlicap} {KurierLight-Italic}
+\showtext {T5}{kurier}{l}{n} {t5-kurierl} {KurierLight-Regular}
+
+\section{Kurier-Regular}
+\showletters{T5}{kurier}{m}{n} {t5-kurierr} {Kurier-Regular}
+\showletters{T5}{kurier}{m}{it} {t5-kurierri} {Kurier-Italic}
+\showletters{T5}{kurier}{m}{sc} {t5-kurierrcap} {Kurier-Regular}
+\showletters{T5}{kurier}{m}{scit} {t5-kurierricap} {Kurier-Italic}
+\showtext {T5}{kurier}{m}{n} {t5-kurierr} {Kurier-Regular}
+
+\section{KurierMedium-Regular}
+\showletters{T5}{kurier}{sb}{n} {t5-kurierm} {KurierMedium-Regular}
+\showletters{T5}{kurier}{sb}{it} {t5-kuriermi} {KurierMedium-Italic}
+\showletters{T5}{kurier}{sb}{sc} {t5-kuriermcap} {KurierMedium-Regular}
+\showletters{T5}{kurier}{sb}{scit} {t5-kuriermicap} {KurierMedium-Italic}
+\showtext {T5}{kurier}{sb}{n} {t5-kurierm} {KurierMedium-Regular}
+
+\section{Kurier-Bold}
+\showletters{T5}{kurier}{b}{n} {t5-kurierb} {Kurier-Bold}
+\showletters{T5}{kurier}{b}{it} {t5-kurierbi} {Kurier-BoldItalic}
+\showletters{T5}{kurier}{b}{sc} {t5-kurierbcap} {Kurier-Bold}
+\showletters{T5}{kurier}{b}{scit} {t5-kurierbicap} {Kurier-BoldItalic}
+\showtext {T5}{kurier}{b}{n} {t5-kurierb} {Kurier-Bold}
+
+\section{KurierCondLight-Regular}
+\showletters{T5}{kurier}{lc}{n} {t5-kuriercl} {KurierCondLight-Regular}
+\showletters{T5}{kurier}{lc}{it} {t5-kuriercli} {KurierCondLight-Italic}
+\showletters{T5}{kurier}{lc}{sc} {t5-kurierclcap} {KurierCondLight-Regular}
+\showletters{T5}{kurier}{lc}{scit} {t5-kurierclicap} {KurierCondLight-Italic}
+\showtext {T5}{kurier}{lc}{n} {t5-kuriercl} {KurierCondLight-Regular}
+
+\section{KurierCond-Regular}
+\showletters{T5}{kurier}{mc}{n} {t5-kuriercr} {KurierCond-Regular}
+\showletters{T5}{kurier}{mc}{it} {t5-kuriercri} {KurierCond-Italic}
+\showletters{T5}{kurier}{mc}{sc} {t5-kuriercrcap} {KurierCond-Regular}
+\showletters{T5}{kurier}{mc}{scit} {t5-kuriercricap} {KurierCond-Italic}
+\showtext {T5}{kurier}{mc}{n} {t5-kuriercr} {KurierCond-Regular}
+
+\section{KurierCondMedium-Regular}
+\showletters{T5}{kurier}{sbc}{n} {t5-kuriercm} {KurierCondMedium-Regular}
+\showletters{T5}{kurier}{sbc}{it} {t5-kuriercmi} {KurierCondMedium-Italic}
+\showletters{T5}{kurier}{sbc}{sc} {t5-kuriercmcap} {KurierCondMedium-Regular}
+\showletters{T5}{kurier}{sbc}{scit} {t5-kuriercmicap} {KurierCondMedium-Italic}
+\showtext {T5}{kurier}{sbc}{n} {t5-kuriercm} {KurierCondMedium-Regular}
+
+\section{KurierCond-Bold}
+\showletters{T5}{kurier}{bc}{n} {t5-kuriercb} {KurierCond-Bold}
+\showletters{T5}{kurier}{bc}{it} {t5-kuriercbi} {KurierCond-BoldItalic}
+\showletters{T5}{kurier}{bc}{sc} {t5-kuriercbcap} {KurierCond-Bold}
+\showletters{T5}{kurier}{bc}{scit} {t5-kuriercbicap} {KurierCond-BoldItalic}
+\showtext {T5}{kurier}{bc}{n} {t5-kuriercb} {KurierCond-Bold}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-test.tex
new file mode 100644
index 00000000000..98d050e658f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5kurier-test.tex
@@ -0,0 +1,63 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[12pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=t5-kurier.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=10pt
+\begin{shortsample}
+\shorttext{T5}{kurier}{l}{n} {t5-kurierl} {KurierLight-Regular}
+\shorttext{T5}{kurier}{l}{it} {t5-kurierli} {KurierLight-Italic}
+\shorttext{T5}{kurier}{l}{sc} {t5-kurierlcap} {KurierLight-Regular}
+\shorttext{T5}{kurier}{l}{scit} {t5-kurierlicap} {KurierLight-Italic}
+\shorttext{T5}{kurier}{m}{n} {t5-kurierr} {Kurier-Regular}
+\shorttext{T5}{kurier}{m}{it} {t5-kurierri} {Kurier-Italic}
+\shorttext{T5}{kurier}{m}{sc} {t5-kurierrcap} {Kurier-Regular}
+\shorttext{T5}{kurier}{m}{scit} {t5-kurierricap} {Kurier-Italic}
+\shorttext{T5}{kurier}{sb}{n} {t5-kurierm} {KurierMedium-Regular}
+\shorttext{T5}{kurier}{sb}{it} {t5-kuriermi} {KurierMedium-Italic}
+\shorttext{T5}{kurier}{sb}{sc} {t5-kuriermcap} {KurierMedium-Regular}
+\shorttext{T5}{kurier}{sb}{scit} {t5-kuriermicap} {KurierMedium-Italic}
+\shorttext{T5}{kurier}{b}{n} {t5-kurierb} {Kurier-Bold}
+\shorttext{T5}{kurier}{b}{it} {t5-kurierbi} {Kurier-BoldItalic}
+\shorttext{T5}{kurier}{b}{sc} {t5-kurierbcap} {Kurier-Bold}
+\shorttext{T5}{kurier}{b}{scit} {t5-kurierbicap} {Kurier-BoldItalic}
+\end{shortsample}
+\clearpage
+\begin{shortsample}
+\shorttext{T5}{kurier}{lc}{n} {t5-kuriercl} {KurierCondLight-Regular}
+\shorttext{T5}{kurier}{lc}{it} {t5-kuriercli} {KurierCondLight-Italic}
+\shorttext{T5}{kurier}{lc}{sc} {t5-kurierclcap} {KurierCondLight-Regular}
+\shorttext{T5}{kurier}{lc}{scit} {t5-kurierclicap} {KurierCondLight-Italic}
+\shorttext{T5}{kurier}{mc}{n} {t5-kuriercr} {KurierCond-Regular}
+\shorttext{T5}{kurier}{mc}{it} {t5-kuriercri} {KurierCond-Italic}
+\shorttext{T5}{kurier}{mc}{sc} {t5-kuriercrcap} {KurierCond-Regular}
+\shorttext{T5}{kurier}{mc}{scit} {t5-kuriercricap} {KurierCond-Italic}
+\shorttext{T5}{kurier}{sbc}{n} {t5-kuriercm} {KurierCondMedium-Regular}
+\shorttext{T5}{kurier}{sbc}{it} {t5-kuriercmi} {KurierCondMedium-Italic}
+\shorttext{T5}{kurier}{sbc}{sc} {t5-kuriercmcap} {KurierCondMedium-Regular}
+\shorttext{T5}{kurier}{sbc}{scit} {t5-kuriercmicap} {KurierCondMedium-Italic}
+\shorttext{T5}{kurier}{bc}{n} {t5-kuriercb} {KurierCond-Bold}
+\shorttext{T5}{kurier}{bc}{it} {t5-kuriercbi} {KurierCond-BoldItalic}
+\shorttext{T5}{kurier}{bc}{sc} {t5-kuriercbcap} {KurierCond-Bold}
+\shorttext{T5}{kurier}{bc}{scit} {t5-kuriercbicap} {KurierCond-BoldItalic}
+\end{shortsample}
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5lm-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5lm-sample.tex
new file mode 100644
index 00000000000..867967507f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5lm-sample.tex
@@ -0,0 +1,130 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\def\HasDesignsize{true}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=lm.map}}{}\fi
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\begin{document}
+\section{lmr}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr5} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr6} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr7} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr8} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr9} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr10} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr12} {N/A}
+\showCMfont{T5}{lmr}{m}{n} {t5-lmr17} {N/A}
+\section{lmro}
+\showCMfont{T5}{lmr}{m}{sl} {t5-lmro8} {N/A}
+\showCMfont{T5}{lmr}{m}{sl} {t5-lmro9} {N/A}
+\showCMfont{T5}{lmr}{m}{sl} {t5-lmro10} {N/A}
+\showCMfont{T5}{lmr}{m}{sl} {t5-lmro12} {N/A}
+%%% 0.99.1:
+\showCMfont{T5}{lmr}{m}{sl} {t5-lmro17} {N/A}
+\section{lmri}
+\showCMfont{T5}{lmr}{m}{it} {t5-lmri7} {N/A}
+\showCMfont{T5}{lmr}{m}{it} {t5-lmri8} {N/A}
+\showCMfont{T5}{lmr}{m}{it} {t5-lmri9} {N/A}
+\showCMfont{T5}{lmr}{m}{it} {t5-lmri10} {N/A}
+\showCMfont{T5}{lmr}{m}{it} {t5-lmri12} {N/A}
+\section{lmcsc}
+\showCMfont{T5}{lmr}{m}{sc} {t5-lmcsc10} {N/A}
+\section{lmcsco}
+\showCMfont{T5}{lmr}{m}{scsl} {t5-lmcsco10} {N/A}
+\section{lmb}
+\showCMfont{T5}{lmr}{b}{n} {t5-lmb10} {N/A}
+\section{lmbo}
+\showCMfont{T5}{lmr}{b}{sl} {t5-lmbo10} {N/A}
+\section{lmbx}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx5} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx6} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx7} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx8} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx9} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx10} {N/A}
+\showCMfont{T5}{lmr}{bx}{n} {t5-lmbx12} {N/A}
+\section{lmbxi}
+\showCMfont{T5}{lmr}{bx}{it} {t5-lmbxi10} {N/A}
+\section{lmbxo}
+\showCMfont{T5}{lmr}{bx}{sl} {t5-lmbxo10} {N/A}
+\section{lmss}
+\showCMfont{T5}{lmss}{m}{n} {t5-lmss8} {N/A}
+\showCMfont{T5}{lmss}{m}{n} {t5-lmss9} {N/A}
+\showCMfont{T5}{lmss}{m}{n} {t5-lmss10} {N/A}
+\showCMfont{T5}{lmss}{m}{n} {t5-lmss12} {N/A}
+\showCMfont{T5}{lmss}{m}{n} {t5-lmss17} {N/A}
+\section{lmsso}
+\showCMfont{T5}{lmss}{m}{sl} {t5-lmsso8} {N/A}
+\showCMfont{T5}{lmss}{m}{sl} {t5-lmsso9} {N/A}
+\showCMfont{T5}{lmss}{m}{sl} {t5-lmsso10} {N/A}
+\showCMfont{T5}{lmss}{m}{sl} {t5-lmsso12} {N/A}
+\showCMfont{T5}{lmss}{m}{sl} {t5-lmsso17} {N/A}
+\section{lmssdc}
+\showCMfont{T5}{lmss}{sbc}{n} {t5-lmssdc10} {N/A}
+\section{lmssdo}
+\showCMfont{T5}{lmss}{sbc}{sl} {t5-lmssdo10} {N/A}
+\section{lmssbx}
+\showCMfont{T5}{lmss}{bx}{n} {t5-lmssbx10} {N/A}
+\section{lmssbo}
+\showCMfont{T5}{lmss}{bx}{sl} {t5-lmssbo10} {N/A}
+\section{lmssq}
+\showCMfont{T5}{lmssq}{m}{n} {t5-lmssq8} {N/A}
+\section{lmssqo}
+\showCMfont{T5}{lmssq}{m}{sl} {t5-lmssqo8} {N/A}
+\section{lmssqbx}
+\showCMfont{T5}{lmssq}{bx}{n} {t5-lmssqbx8} {N/A}
+\section{lmssqbo}
+\showCMfont{T5}{lmssq}{bx}{sl} {t5-lmssqbo8} {N/A}
+\section{lmtt}
+\showCMfont{T5}{lmtt}{m}{n} {t5-lmtt8} {N/A}
+\showCMfont{T5}{lmtt}{m}{n} {t5-lmtt9} {N/A}
+\showCMfont{T5}{lmtt}{m}{n} {t5-lmtt10} {N/A}
+\showCMfont{T5}{lmtt}{m}{n} {t5-lmtt12} {N/A}
+\showCMfont{T5}{lmtt}{m}{it} {t5-lmtti10} {N/A}
+\showCMfont{T5}{lmtt}{m}{sl} {t5-lmtto10} {N/A}
+\showCMfont{T5}{lmtt}{m}{sc} {t5-lmtcsc10} {N/A}
+%%% 0.99.1:
+\showCMfont{T5}{lmtt}{m}{scsl} {t5-lmtcso10} {N/A}
+%%%%%%%% light (lt) and dark (dk) variants:
+\showCMfont{T5}{lmtt}{lt}{n} {t5-lmtl10} {N/A}
+\showCMfont{T5}{lmtt}{lt}{sl} {t5-lmtlo10} {N/A}
+\showCMfont{T5}{lmtt}{lc}{n} {t5-lmtlc10} {N/A}
+\showCMfont{T5}{lmtt}{lc}{sl} {t5-lmtlco10} {N/A}
+\showCMfont{T5}{lmtt}{dk}{n} {t5-lmtk10} {N/A}
+\showCMfont{T5}{lmtt}{dk}{sl} {t5-lmtko10} {N/A}
+%
+\section{lmvtt}
+\showCMfont{T5}{lmvtt}{m}{n} {t5-lmvtt10} {N/A}
+\showCMfont{T5}{lmvtt}{m}{sl} {t5-lmvtto10} {N/A}
+%%%%%%%% light (lt) and dark (dk) variants:
+\showCMfont{T5}{lmvtt}{lt}{n} {t5-lmvtl10} {N/A}
+\showCMfont{T5}{lmvtt}{lt}{sl} {t5-lmvtlo10} {N/A}
+\showCMfont{T5}{lmvtt}{dk}{n} {t5-lmvtk10} {N/A}
+\showCMfont{T5}{lmvtt}{dk}{sl} {t5-lmvtko10} {N/A}
+%
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/t5lm-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/t5lm-test.tex
new file mode 100644
index 00000000000..6cab61cf465
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/t5lm-test.tex
@@ -0,0 +1,69 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=lm.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=5pt
+\begin{shortsample}
+\shorttext{T5}{lmr}{m}{n} {t5-lmr\{5,6,7,8,9,10,12,17\}} {N/A}
+\shorttext{T5}{lmr}{m}{sl} {t5-lmro\{8,9,10,12\}} {N/A}
+\shorttext{T5}{lmr}{m}{it} {t5-lmri\{7,8,9,10,12\}} {N/A}
+\shorttext{T5}{lmr}{m}{sc} {t5-lmcsc10} {N/A}
+\shorttext{T5}{lmr}{m}{scsl} {t5-lmcsco10} {N/A}
+\shorttext{T5}{lmr}{b}{n} {t5-lmb10} {N/A}
+\shorttext{T5}{lmr}{b}{sl} {t5-lmbo10} {N/A}
+\shorttext{T5}{lmr}{bx}{n} {t5-lmbx\{5,6,7,8,9,10,12\}} {N/A}
+\shorttext{T5}{lmr}{bx}{it} {t5-lmbxi10} {N/A}
+\shorttext{T5}{lmr}{bx}{sl} {t5-lmbxo10} {N/A}
+\shorttext{T5}{lmss}{m}{n} {t5-lmss\{8,9,10,12,17\}} {N/A}
+\shorttext{T5}{lmss}{m}{sl} {t5-lmsso\{8,9,10,12,17\}} {N/A}
+\shorttext{T5}{lmss}{sbc}{n} {t5-lmssdc10} {N/A}
+\shorttext{T5}{lmss}{sbc}{sl} {t5-lmssdo10} {N/A}
+\shorttext{T5}{lmss}{bx}{n} {t5-lmssbx10} {N/A}
+\shorttext{T5}{lmss}{bx}{sl} {t5-lmssbo10} {N/A}
+\shorttext{T5}{lmssq}{m}{n} {t5-lmssq8} {N/A}
+\shorttext{T5}{lmssq}{m}{sl} {t5-lmssqo8} {N/A}
+\shorttext{T5}{lmssq}{bx}{n} {t5-lmssqbx8} {N/A}
+\shorttext{T5}{lmssq}{bx}{sl} {t5-lmssqbo8} {N/A}
+\end{shortsample}
+\clearpage
+\begin{shortsample}
+\shorttext{T5}{lmtt}{lc}{n} {t5-lmtlc10} {N/A}
+\shorttext{T5}{lmtt}{lc}{sl} {t5-lmtlco10} {N/A}
+\shorttext{T5}{lmtt}{lt}{n} {t5-lmtl10} {N/A}
+\shorttext{T5}{lmtt}{lt}{sl} {t5-lmtlo10} {N/A}
+\shorttext{T5}{lmtt}{dk}{n} {t5-lmtk10} {N/A}
+\shorttext{T5}{lmtt}{dk}{sl} {t5-lmtko10} {N/A}
+\shorttext{T5}{lmtt}{m}{n} {t5-lmtt\{8,9,10,12\}} {N/A}
+\shorttext{T5}{lmtt}{m}{it} {t5-lmtti10} {N/A}
+\shorttext{T5}{lmtt}{m}{sl} {t5-lmtto10} {N/A}
+\shorttext{T5}{lmtt}{m}{sc} {t5-lmtcsc10} {N/A}
+\shorttext{T5}{lmtt}{m}{scsl} {t5-lmtcso10} {N/A}
+\shorttext{T5}{lmvtt}{m}{n} {t5-lmvtt10} {N/A}
+\shorttext{T5}{lmvtt}{m}{sl} {t5-lmvtto10} {N/A}
+\shorttext{T5}{lmvtt}{lt}{n} {t5-lmvtl10} {N/A}
+\shorttext{T5}{lmvtt}{lt}{sl} {t5-lmvtlo10} {N/A}
+\shorttext{T5}{lmvtt}{dk}{n} {t5-lmvtk10} {N/A}
+\shorttext{T5}{lmvtt}{dk}{sl} {t5-lmvtko10} {N/A}
+\end{shortsample}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-accents.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-accents.tex
new file mode 100644
index 00000000000..c0c9a43aeb1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-accents.tex
@@ -0,0 +1,185 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\large
+\def\X#1{\hbox to 2em{\hss#1\hss}}
+\begin{multicols}{2}
+\noindent
+\X{\ABREVE} \verb|\ABREVE| \\
+\X{\Abreve} \verb|\Abreve| \\
+\X{\ACIRCUMFLEX} \verb|\ACIRCUMFLEX| \\
+\X{\Acircumflex} \verb|\Acircumflex| \\
+\X{\ECIRCUMFLEX} \verb|\ECIRCUMFLEX| \\
+\X{\Ecircumflex} \verb|\Ecircumflex| \\
+\X{\Ocircumflex} \verb|\Ocircumflex| \\
+\X{\OCIRCUMFLEX} \verb|\OCIRCUMFLEX| \\
+\X{\OHORN} \verb|\OHORN| \\
+\X{\Ohorn} \verb|\Ohorn| \\
+\X{\UHORN} \verb|\UHORN| \\
+\X{\Uhorn} \verb|\Uhorn| \\
+\X{\abreve} \verb|\abreve| \\
+\X{\acircumflex} \verb|\acircumflex| \\
+\X{\dj} \verb|\dj| \\
+\X{\ecircumflex} \verb|\ecircumflex| \\
+\X{\i} \verb|\i| \\
+\X{\ocircumflex} \verb|\ocircumflex| \\
+\X{\ohorn} \verb|\ohorn| \\
+\X{\uhorn} \verb|\uhorn| \\
+\X{\'A} \verb|\'A| \\
+\X{\'E} \verb|\'E| \\
+\X{\'I} \verb|\'I| \\
+\X{\'O} \verb|\'O| \\
+\X{\'U} \verb|\'U| \\
+\X{\'Y} \verb|\'Y| \\
+\X{\'\ABREVE} \verb|\'\ABREVE| \\
+\X{\'\Abreve} \verb|\'\Abreve| \\
+\X{\'\ACIRCUMFLEX} \verb|\'\ACIRCUMFLEX| \\
+\X{\'\Acircumflex} \verb|\'\Acircumflex| \\
+\X{\'\ECIRCUMFLEX} \verb|\'\ECIRCUMFLEX| \\
+\X{\'\Ecircumflex} \verb|\'\Ecircumflex| \\
+\X{\'\OCIRCUMFLEX} \verb|\'\OCIRCUMFLEX| \\
+\X{\'\Ocircumflex} \verb|\'\Ocircumflex| \\
+\X{\'\OHORN} \verb|\'\OHORN| \\
+\X{\'\Ohorn} \verb|\'\Ohorn| \\
+\X{\'\UHORN} \verb|\'\UHORN| \\
+\X{\'\Uhorn} \verb|\'\Uhorn| \\
+\X{\'\abreve} \verb|\'\abreve| \\
+\X{\'\acircumflex} \verb|\'\acircumflex| \\
+\X{\'\ecircumflex} \verb|\'\ecircumflex| \\
+\X{\'\ocircumflex} \verb|\'\ocircumflex| \\
+\X{\'\ohorn} \verb|\'\ohorn| \\
+\X{\'\uhorn} \verb|\'\uhorn| \\
+\X{\'a} \verb|\'a| \\
+\X{\'e} \verb|\'e| \\
+\X{\'i} \verb|\'i| \\
+\X{\'o} \verb|\'o| \\
+\X{\'u} \verb|\'u| \\
+\X{\'y} \verb|\'y| \\
+\X{\^A} \verb|\^A| \\
+\X{\^E} \verb|\^E| \\
+\X{\^O} \verb|\^O| \\
+\X{\^a} \verb|\^a| \\
+\X{\^e} \verb|\^e| \\
+\X{\^o} \verb|\^o| \\
+\X{\`A} \verb|\`A| \\
+\X{\`E} \verb|\`E| \\
+\X{\`I} \verb|\`I| \\
+\X{\`O} \verb|\`O| \\
+\X{\`U} \verb|\`U| \\
+\X{\`Y} \verb|\`Y| \\
+\X{\`\ABREVE} \verb|\`\ABREVE| \\
+\X{\`\Abreve} \verb|\`\Abreve| \\
+\X{\`\ACIRCUMFLEX} \verb|\`\ACIRCUMFLEX| \\
+\X{\`\Acircumflex} \verb|\`\Acircumflex| \\
+\X{\`\ECIRCUMFLEX} \verb|\`\ECIRCUMFLEX| \\
+\X{\`\Ecircumflex} \verb|\`\Ecircumflex| \\
+\X{\`\OCIRCUMFLEX} \verb|\`\OCIRCUMFLEX| \\
+\X{\`\Ocircumflex} \verb|\`\Ocircumflex| \\
+\X{\`\OHORN} \verb|\`\OHORN| \\
+\X{\`\Ohorn} \verb|\`\Ohorn| \\
+\X{\`\UHORN} \verb|\`\UHORN| \\
+\X{\`\Uhorn} \verb|\`\Uhorn| \\
+\X{\`\abreve} \verb|\`\abreve| \\
+\X{\`\acircumflex} \verb|\`\acircumflex| \\
+\X{\`\ecircumflex} \verb|\`\ecircumflex| \\
+\X{\`\ocircumflex} \verb|\`\ocircumflex| \\
+\X{\`\ohorn} \verb|\`\ohorn| \\
+\X{\`\uhorn} \verb|\`\uhorn| \\
+\X{\`a} \verb|\`a| \\
+\X{\`e} \verb|\`e| \\
+\X{\`i} \verb|\`i| \\
+\X{\`o} \verb|\`o| \\
+\X{\`u} \verb|\`u| \\
+\X{\`y} \verb|\`y| \\
+\X{\d A} \verb|\d A| \\
+\X{\d E} \verb|\d E| \\
+\X{\d I} \verb|\d I| \\
+\X{\d O} \verb|\d O| \\
+\X{\d U} \verb|\d U| \\
+\X{\d Y} \verb|\d Y| \\
+\X{\d \ABREVE} \verb|\d \ABREVE| \\
+\X{\d \Abreve} \verb|\d \Abreve| \\
+\X{\d \ACIRCUMFLEX} \verb|\d \ACIRCUMFLEX| \\
+\X{\d \Acircumflex} \verb|\d \Acircumflex| \\
+\X{\d \ECIRCUMFLEX} \verb|\d \ECIRCUMFLEX| \\
+\X{\d \Ecircumflex} \verb|\d \Ecircumflex| \\
+\X{\d \OCIRCUMFLEX} \verb|\d \OCIRCUMFLEX| \\
+\X{\d \Ocircumflex} \verb|\d \Ocircumflex| \\
+\X{\d \OHORN} \verb|\d \OHORN| \\
+\X{\d \Ohorn} \verb|\d \Ohorn| \\
+\X{\d \UHORN} \verb|\d \UHORN| \\
+\X{\d \Uhorn} \verb|\d \Uhorn| \\
+\X{\d \abreve} \verb|\d \abreve| \\
+\X{\d \acircumflex} \verb|\d \acircumflex| \\
+\X{\d \ecircumflex} \verb|\d \ecircumflex| \\
+\X{\d \ocircumflex} \verb|\d \ocircumflex| \\
+\X{\d \ohorn} \verb|\d \ohorn| \\
+\X{\d \uhorn} \verb|\d \uhorn| \\
+\X{\d a} \verb|\d a| \\
+\X{\d e} \verb|\d e| \\
+\X{\d i} \verb|\d i| \\
+\X{\d o} \verb|\d o| \\
+\X{\d u} \verb|\d u| \\
+\X{\d y} \verb|\d y| \\
+\X{\h A} \verb|\h A| \\
+\X{\h E} \verb|\h E| \\
+\X{\h I} \verb|\h I| \\
+\X{\h O} \verb|\h O| \\
+\X{\h U} \verb|\h U| \\
+\X{\h Y} \verb|\h Y| \\
+\X{\h \ABREVE} \verb|\h \ABREVE| \\
+\X{\h \Abreve} \verb|\h \Abreve| \\
+\X{\h \ACIRCUMFLEX} \verb|\h \ACIRCUMFLEX| \\
+\X{\h \Acircumflex} \verb|\h \Acircumflex| \\
+\X{\h \ECIRCUMFLEX} \verb|\h \ECIRCUMFLEX| \\
+\X{\h \Ecircumflex} \verb|\h \Ecircumflex| \\
+\X{\h \OCIRCUMFLEX} \verb|\h \OCIRCUMFLEX| \\
+\X{\h \Ocircumflex} \verb|\h \Ocircumflex| \\
+\X{\h \OHORN} \verb|\h \OHORN| \\
+\X{\h \Ohorn} \verb|\h \Ohorn| \\
+\X{\h \UHORN} \verb|\h \UHORN| \\
+\X{\h \Uhorn} \verb|\h \Uhorn| \\
+\X{\h \abreve} \verb|\h \abreve| \\
+\X{\h \acircumflex} \verb|\h \acircumflex| \\
+\X{\h \ecircumflex} \verb|\h \ecircumflex| \\
+\X{\h \ocircumflex} \verb|\h \ocircumflex| \\
+\X{\h \ohorn} \verb|\h \ohorn| \\
+\X{\h \uhorn} \verb|\h \uhorn| \\
+\X{\h a} \verb|\h a| \\
+\X{\h e} \verb|\h e| \\
+\X{\h i} \verb|\h i| \\
+\X{\h o} \verb|\h o| \\
+\X{\h u} \verb|\h u| \\
+\X{\h y} \verb|\h y| \\
+\X{\~A} \verb|\~A| \\
+\X{\~E} \verb|\~E| \\
+\X{\~I} \verb|\~I| \\
+\X{\~O} \verb|\~O| \\
+\X{\~U} \verb|\~U| \\
+\X{\~Y} \verb|\~Y| \\
+\X{\~\ABREVE} \verb|\~\ABREVE| \\
+\X{\~\Abreve} \verb|\~\Abreve| \\
+\X{\~\ACIRCUMFLEX} \verb|\~\ACIRCUMFLEX| \\
+\X{\~\Acircumflex} \verb|\~\Acircumflex| \\
+\X{\~\ECIRCUMFLEX} \verb|\~\ECIRCUMFLEX| \\
+\X{\~\Ecircumflex} \verb|\~\Ecircumflex| \\
+\X{\~\OCIRCUMFLEX} \verb|\~\OCIRCUMFLEX| \\
+\X{\~\Ocircumflex} \verb|\~\Ocircumflex| \\
+\X{\~\OHORN} \verb|\~\OHORN| \\
+\X{\~\Ohorn} \verb|\~\Ohorn| \\
+\X{\~\UHORN} \verb|\~\UHORN| \\
+\X{\~\Uhorn} \verb|\~\Uhorn| \\
+\X{\~\abreve} \verb|\~\abreve| \\
+\X{\~\acircumflex} \verb|\~\acircumflex| \\
+\X{\~\ecircumflex} \verb|\~\ecircumflex| \\
+\X{\~\ocircumflex} \verb|\~\ocircumflex| \\
+\X{\~\ohorn} \verb|\~\ohorn| \\
+\X{\~\uhorn} \verb|\~\uhorn| \\
+\X{\~a} \verb|\~a| \\
+\X{\~e} \verb|\~e| \\
+\X{\~i} \verb|\~i| \\
+\X{\~o} \verb|\~o| \\
+\X{\~u} \verb|\~u| \\
+\X{\~y} \verb|\~y| \\
+\end{multicols}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-babel.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-babel.tex
new file mode 100644
index 00000000000..fdf0d66e5f2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-babel.tex
@@ -0,0 +1,59 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[openany]{book}
+\IfFileExists{ucs.sty}
+{\usepackage{ucs} % only needed when utf8x input encoding is being used
+ \usepackage[utf8x,utf8]{inputenc}}
+{\usepackage[utf8]{inputenc}}
+ % inputenc must be loaded explicitly
+ % with options `utf8x' and `utf8' since
+ % we test both inputencodings
+ % simultaneously
+\usepackage[vietnam,english]{babel}
+
+\usepackage{multicol} % needed for testing accent commands
+\usepackage[colorlinks]{hyperref} % let's try vietnamese with hyperref
+\input{pd1supp.def} % supplement for characters missing in PD1 encoding
+ % (used for PDF bookmarks)
+
+\begin{document}
+\selectlanguage{vietnam}
+\title{\bfseries Test of Vietnamese support for \LaTeX{} using \texttt{babel}}
+\author{H\`an Th\'\ecircumflex{} Th\`anh}
+\maketitle
+
+\tableofcontents
+\listoffigures
+
+\chapter{Test input encodings}
+\section{Test of VISCII encoding support}
+\inputencoding{viscii}
+\input{test-viscii}
+
+\section{Test of TCVN encoding support}
+\inputencoding{tcvn}
+\input{test-tcvn}
+
+\section{Test of UTF8 encoding support}
+\inputencoding{utf8}
+\input{test-utf8}
+
+\IfFileExists{ucs.sty}{%
+\section[Test of UTF8x encoding support]
+ {Test of UTF8x encoding support (of the Unicode package)}
+\inputencoding{utf8x}
+\input{test-utf8}
+}{\typeout{^^JWARNING: File ucs.sty not found, skipping test.^^J}}
+
+\clearpage
+\appendix
+
+\chapter{Test of Vietnamese captions}
+\input{test-captions}
+
+\chapter{Test of accent commands for T5 encoding}
+\input{test-accents}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-captions.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-captions.tex
new file mode 100644
index 00000000000..3c9b80abf5b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-captions.tex
@@ -0,0 +1,27 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\begin{tabular}{ll}
+\verb|\prefacename| & \prefacename \\
+\verb|\refname| & \refname \\
+\verb|\abstractname| & \abstractname \\
+\verb|\bibname| & \bibname \\
+\verb|\chaptername| & \chaptername \\
+\verb|\appendixname| & \appendixname \\
+\verb|\contentsname| & \contentsname \\
+\verb|\listfigurename| & \listfigurename \\
+\verb|\listtablename| & \listtablename \\
+\verb|\indexname| & \indexname \\
+\verb|\figurename| & \figurename \\
+\verb|\tablename| & \tablename \\
+\verb|\partname| & \partname \\
+\verb|\enclname| & \enclname \\
+\verb|\ccname| & \ccname \\
+\verb|\headtoname| & \headtoname \\
+\verb|\pagename| & \pagename \\
+\verb|\headpagename| & \headpagename \\
+\verb|\prefacename| & \prefacename \\
+\verb|\seename| & \seename \\
+\verb|\alsoname| & \alsoname \\
+\end{tabular}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-plain-tcx.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-plain-tcx.tex
new file mode 100644
index 00000000000..35274887a30
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-plain-tcx.tex
@@ -0,0 +1,26 @@
+%& -translate-file=viscii-t5
+
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\input plnfss % load PLNFSS
+\setfontencoding{T5} % default is OT1 by plnfss
+\selectfont % active the font switch
+
+\input t5code.tex % to get \uppercase and \lowercase work properly
+
+% some definitions used in included test files
+\def\subsection#1{%
+ \bigskip
+ \leftline{\bfseries #1}
+ \smallskip
+ \noindent\ignorespaces}
+\let\subsubsection=\subsection
+\def\\{\hfil\break}
+\def\MakeUppercase#1{\edef\x{\uppercase{#1}}\x}
+\def\MakeLowercase#1{\edef\x{\lowercase{#1}}\x}
+
+
+\input test-viscii
+\bye
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-plain.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-plain.tex
new file mode 100644
index 00000000000..5afff7d444e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-plain.tex
@@ -0,0 +1,30 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\input plnfss % load PLNFSS; must be loaded before plainenc
+
+\setfontencoding{T5} % default is OT1 by plnfss
+\selectfont % active the font switch
+
+\input plainenc % load support for inputenc mechanism
+\fontencoding{T5} % load the T5 encoding definition file (t5enc.def)
+
+% some definitions used in included test files
+\def\subsection#1{%
+ \bigskip
+ \leftline{\bfseries #1}
+ \smallskip
+ \noindent\ignorespaces}
+\let\subsubsection=\subsection
+\def\\{\hfil\break}
+\def\MakeUppercase#1{\edef\x{\uppercase{#1}}\x}
+\def\MakeLowercase#1{\edef\x{\lowercase{#1}}\x}
+
+
+\inputencoding{viscii}
+\input test-viscii
+
+\inputencoding{tcvn}
+\input test-tcvn
+\bye
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-tcvn.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-tcvn.tex
new file mode 100644
index 00000000000..ba5b6b341d3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-tcvn.tex
@@ -0,0 +1,67 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\subsection{Test of lowercase letters}
+ \\
+ \\
+ \\
+
+
+\subsection{Test of uppercase letters}
+ \\
+ \\
+ \\
+           
+
+\subsection{Test whether \texttt{MakeLowercase} works correctly}
+\MakeLowercase{%
+ \\
+ \\
+ \\
+            }
+
+\subsection{Test whether \texttt{MakeUppercase} works correctly}
+\MakeUppercase{%
+ \\
+ \\
+ \\
+ }
+
+\subsection{Some text sample}
+
+\ifx\documentclass\undefined\else
+\begin{figure}[htb]
+ \centering
+ \rule{4cm}{3cm}
+ \caption{m H Ni}
+\end{figure}
+\fi
+
+\ifx\documentclass\undefined
+ \def\fn{\footnote*{Th coi ch thch c chy khng h.}}
+\else
+ \def\fn{\footnote{Th coi ch thch c chy khng h.}}
+\fi
+
+Hn va i va chi\fn. Bao gi cng th, c ru xong l hn chi. Bt u
+chi tri. C h g? Tri c ca ring nh no? Ri hn chi i. Th
+cng chng sao: i l tt c nhng chng l ai. Tc mnh hn chi ngay tt
+c lng V i. Nhng c lng V i ai cng nh, \textit{``Chc n tr
+mnh ra!''} Khng ai ln ting c. Tc tht! ! Th ny th tc tht! Tc
+cht i c mt! th, hn phi chi cha a no khng chi nhau vi
+hn. Nhng cng khng ai ra iu. M kip! Th th c ph ru khng? Th
+th c kh hn khng? Khng bit a cht m no ra thn hn cho hn kh
+n nng ni ny? A ha! Phi y, hn c th m chi, hn chi a cht m
+no ra thn hn, ra ci thng \textbf{Ch Pho}! Hn nghin rng vo
+m chi ci a ra Ch Pho. Nhng m bit a no ra
+Ch Pho? C tri m bit! Hn khng bit, c lng V i cng khng ai
+bit.
+
+\subsection{Test of Vietnamese in sectioning commands}
+\subsubsection{m qua tt nc u nh}
+\subsubsection{B qun chic o trn cnh hoa sen}
+\subsubsection{Em c th cho anh xin}
+\subsubsection{Hay l em lm tin trong nh}
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-utf8.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-utf8.tex
new file mode 100644
index 00000000000..7f8ec36b4d9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-utf8.tex
@@ -0,0 +1,71 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\subsection{Test of lowercase letters}
+á ạ à ả ã ă ắ ặ ằ ẳ ẵ â ấ ậ ầ ẩ ẫ đ \\
+é ẹ è ẻ ẽ ê ế ệ ề ể ễ í ị ì ỉ ĩ\\
+ó ọ ò ỏ õ ô ố ộ ồ ổ ỗ ơ ớ ợ ờ ở ỡ \\
+ú ụ ù ủ ũ ư ứ ự ừ ử ữ ý ỵ ỳ ỷ ỹ
+
+\subsection{Test of uppercase letters}
+Á Ạ À Ả Ã Ă Ắ Ặ Ằ Ẳ Ẵ Â Ấ Ậ Ầ Ẩ Ẫ Đ \\
+É Ẹ È Ẻ Ẽ Ê Ế Ệ Ề Ể Ễ Í Ị Ì Ỉ Ĩ\\
+Ó Ọ Ò Ỏ Õ Ô Ố Ộ Ồ Ổ Ỗ Ơ Ớ Ợ Ờ Ở Ỡ \\
+Ú Ụ Ù Ủ Ũ Ư Ứ Ự Ừ Ử Ữ Ý Ỵ Ỳ Ỷ Ỹ
+
+\subsection{Test whether \texttt{MakeLowercase} works correctly}
+\MakeLowercase{%
+Á Ạ À Ả Ã Ă Ắ Ặ Ằ Ẳ Ẵ Â Ấ Ậ Ầ Ẩ Ẫ Đ \\
+É Ẹ È Ẻ Ẽ Ê Ế Ệ Ề Ể Ễ Í Ị Ì Ỉ Ĩ \\
+Ó Ọ Ò Ỏ Õ Ô Ố Ộ Ồ Ổ Ỗ Ơ Ớ Ợ Ờ Ở Ỡ \\
+Ú Ụ Ù Ủ Ũ Ư Ứ Ự Ừ Ử Ữ Ý Ỵ Ỳ Ỷ Ỹ }
+
+\subsection{Test whether \texttt{MakeUppercase} works correctly}
+\MakeUppercase{%
+á ạ à ả ã ă ắ ặ ằ ẳ ẵ â ấ ậ ầ ẩ ẫ đ \\
+é ẹ è ẻ ẽ ê ế ệ ề ể ễ í ị ì ỉ ĩ \\
+ó ọ ò ỏ õ ô ố ộ ồ ổ ỗ ơ ớ ợ ờ ở ỡ \\
+ú ụ ù ủ ũ ư ứ ự ừ ử ữ ý ỵ ỳ ỷ ỹ }
+
+\subsection{Some text sample}
+
+\ifx\documentclass\undefined\else
+\begin{figure}[htb]
+ \centering
+ \rule{4cm}{3cm}
+ \caption{Đêm Hà Nội}
+\end{figure}
+\fi
+
+\ifx\documentclass\undefined
+ \def\fn{\footnote*{Thử coi chú thích có chạy không hè.}}
+\else
+ \def\fn{\footnote{Thử coi chú thích có chạy không hè.}}
+\fi
+
+Hắn vừa đi vừa chửi\fn. Bao giờ cũng thế, cứ rượu xong là hắn chửi. Bắt đầu
+chửi trời. Có hề gì? Trời có của riêng nhà nào? Rồi hắn chửi đời. Thế
+cũng chẳng sao: đời là tất cả nhưng chẳng là ai. Tức mình hắn chửi ngay tất
+cả làng Vũ Đại. Nhưng cả làng Vũ Đại ai cũng nhủ, \textit{``Chắc nó trừ
+mình ra!''} Không ai lên tiếng cả. Tức thật! Ồ! Thế này thì tức thật! Tức
+chết đi được mất! Đã thế, hắn phải chửi cha đứa nào không chửi nhau với
+hắn. Nhưng cũng không ai ra điều. Mẹ kiếp! Thế thì có phí rượu không? Thế
+thì có khổ hắn không? Không biết đứa chết mẹ nào đẻ ra thân hắn cho hắn khổ
+đến nông nỗi này? A ha! Phải đấy, hắn cứ thế mà chửi, hắn chửi đứa chết mẹ
+nào đẻ ra thân hắn, đẻ ra cái thằng \textbf{Chí Phèo}! Hắn nghiến răng vào
+mà chửi cái đứa đã đẻ ra Chí Phèo. Nhưng mà biết đứa nào đã đẻ ra
+Chí Phèo? Có trời mà biết! Hắn không biết, cả làng Vũ Đại cũng không ai
+biết.
+
+\subsection{Test of Vietnamese in sectioning commands}
+\subsubsection{Đêm qua tát nước đầu đình}
+\subsubsection{Bỏ quên chiếc áo trên cành hoa sen}
+\subsubsection{Em được thì cho anh xin}
+\subsubsection{Hay là em để làm tin trong nhà}
+
+\endinput
+
+% Local Variables:
+% coding: utf-8
+% End: \ No newline at end of file
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam-tcx.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam-tcx.tex
new file mode 100644
index 00000000000..05a615ac1bb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam-tcx.tex
@@ -0,0 +1,45 @@
+%& -translate-file=viscii-t5
+
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+
+\documentclass[openany]{book}
+\usepackage[noinputenc]{vietnam} % option `noinputenc' is required to use TCX
+ % pros: vietnamese text in logging messages
+ % cons: - utf8 is not supported;
+ % - web2c-specific
+ % - cannot support multiple input
+ % encodings in a single document
+ % - babel cannot be used
+
+\usepackage{multicol} % needed for testing accent commands
+\usepackage[colorlinks]{hyperref} % let's try vietnamese with hyperref
+\input{pd1supp.def} % supplement for characters missing in PD1 encoding
+ % (used for PDF bookmarks)
+
+\begin{document}
+
+\title{\bfseries Test of Vietnamese support for \LaTeX{} using
+ \texttt{vietnam.sty} and TCX}
+\author{H\`an Th\'\ecircumflex{} Th\`anh}
+\maketitle
+
+\tableofcontents
+\listoffigures
+
+\chapter{Test input encodings}
+\section{Test of VISCII encoding support}
+\input{test-viscii}
+
+\clearpage
+\appendix
+
+\chapter{Test of Vietnamese captions}
+\input{test-captions}
+
+\chapter{Test of accent commands for T5 encoding}
+\input{test-accents}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam.tex
new file mode 100644
index 00000000000..0239df9f747
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-vietnam.tex
@@ -0,0 +1,74 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+%
+%
+% You need LaTeX 2003/12/01 (or newer) and ucs newer than August 2004!
+
+\documentclass[openany]{book}
+
+\IfFileExists{ucs.sty}
+{\usepackage[utf8x,utf8]{vietnam}}
+{\usepackage[utf8]{vietnam}}
+ % We must load both utf8x and utf8 (in
+ % this order) to make vietnam.sty load
+ % ucs.sty, and to tell ucs.sty that it
+ % should disable compatibility mode,
+ % allowing to test utf8 and utf8x input
+ % simultaneously.
+ %
+ % Supported input encoding: viscii,
+ % mviscii, tcvn, vps, utf8, utf8x
+ %
+ % Other options:
+ % noinputenc: don't use inputenc (for
+ % use with TCX)
+ % nocaptions: don't redefine captions
+ % to Vietnamese
+
+
+\usepackage{multicol} % needed for testing accent commands
+\usepackage[colorlinks]{hyperref} % let's try vietnamese with hyperref
+\input{pd1supp.def} % supplement for characters missing in PD1 encoding
+ % (used for PDF bookmarks)
+
+\begin{document}
+
+\title{\bfseries Test of Vietnamese support for \LaTeX{} using \texttt{vietnam.sty}}
+\author{H\`an Th\'\ecircumflex{} Th\`anh}
+\maketitle
+
+\tableofcontents
+\listoffigures
+
+\chapter{Test input encodings}
+\section{Test of VISCII encoding support}
+\inputencoding{viscii}
+\input{test-viscii}
+
+\section{Test of TCVN encoding support}
+\inputencoding{tcvn}
+\input{test-tcvn}
+
+\section{Test of UTF8 encoding support}
+\inputencoding{utf8}
+\input{test-utf8}
+
+\IfFileExists{ucs.sty}{%
+\section[Test of UTF8x encoding support]
+ {Test of UTF8x encoding support (from Unicode package)}
+\inputencoding{utf8x}
+\input{test-utf8}
+}{\typeout{^^JWARNING: File ucs.sty not found, skipping test.^^J}}
+
+\clearpage
+
+\appendix
+
+\chapter{Test of Vietnamese captions}
+\input{test-captions}
+
+\chapter{Test of accent commands for T5 encoding}
+\input{test-accents}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/test-viscii.tex b/Master/texmf-dist/doc/generic/vntex/tests/test-viscii.tex
new file mode 100644
index 00000000000..6b5b16beeff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/test-viscii.tex
@@ -0,0 +1,67 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\subsection{Test of lowercase letters}
+ \\
+ \\
+ \\
+
+
+\subsection{Test of uppercase letters}
+    \\
+ \\
+ \\
+   
+
+\subsection{Test whether \texttt{MakeLowercase} works correctly}
+\MakeLowercase{%
+    \\
+ \\
+ \\
+    }
+
+\subsection{Test whether \texttt{MakeUppercase} works correctly}
+\MakeUppercase{%
+ \\
+ \\
+ \\
+ }
+
+\subsection{Some text sample}
+
+\ifx\documentclass\undefined\else
+\begin{figure}[htb]
+ \centering
+ \rule{4cm}{3cm}
+ \caption{m H Ni}
+\end{figure}
+\fi
+
+\ifx\documentclass\undefined
+ \def\fn{\footnote*{Th coi ch thch c chy khng h.}}
+\else
+ \def\fn{\footnote{Th coi ch thch c chy khng h.}}
+\fi
+
+Hn va i va chi\fn. Bao gi cng th, c ru xong l hn chi. Bt u
+chi tri. C h g? Tri c ca ring nh no? Ri hn chi i. Th
+cng chng sao: i l tt c nhng chng l ai. Tc mnh hn chi ngay tt
+c lng V i. Nhng c lng V i ai cng nh, \textit{``Chc n tr
+mnh ra!''} Khng ai ln ting c. Tc tht! ! Th ny th tc tht! Tc
+cht i c mt! th, hn phi chi cha a no khng chi nhau vi
+hn. Nhng cng khng ai ra iu. M kip! Th th c ph ru khng? Th
+th c kh hn khng? Khng bit a cht m no ra thn hn cho hn kh
+n nng ni ny? A ha! Phi y, hn c th m chi, hn chi a cht m
+no ra thn hn, ra ci thng \textbf{Ch Pho}! Hn nghin rng vo
+m chi ci a ra Ch Pho. Nhng m bit a no ra
+Ch Pho? C tri m bit! Hn khng bit, c lng V i cng khng ai
+bit.
+
+\subsection{Test of Vietnamese in sectioning commands}
+\subsubsection{m qua tt n߾c u nh}
+\subsubsection{B qun chic o trn cnh hoa sen}
+\subsubsection{Em c th cho anh xin}
+\subsubsection{Hay l em lm tin trong nh}
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/urwvn-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/urwvn-sample.tex
new file mode 100644
index 00000000000..317269b9dfe
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/urwvn-sample.tex
@@ -0,0 +1,109 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=urwvn.map}}{}\fi
+
+\lineskiplimit -100pt
+
+\begin{document}
+
+\section{VnURWGothicL}
+\showletters{T5}{uag}{db}{n} {uagd8v} {VnURWGothicL-Demi}
+\showletters{T5}{uag}{db}{sc} {uagdc8v} {N/A}
+\showletters{T5}{uag}{db}{sl} {uagdo8v} {VnURWGothicL-DemiItalic}
+\showletters{T5}{uag}{m}{n} {uagk8v} {VnURWGothicL}
+\showletters{T5}{uag}{m}{sc} {uagkc8v} {N/A}
+\showletters{T5}{uag}{m}{sl} {uagko8v} {VnURWGothicL-Italic}
+\showtext {T5}{uag}{m}{n} {uagk8v} {VnURWGothicL}
+
+\section{VnURWBookmanL}
+\showletters{T5}{ubk}{db}{n} {ubkd8v} {VnURWBookmanL-Bold}
+\showletters{T5}{ubk}{db}{sc} {ubkdc8v} {N/A}
+\showletters{T5}{ubk}{db}{it} {ubkdi8v} {VnURWBookmanL-BoldItalic}
+\showletters{T5}{ubk}{db}{sl} {ubkdo8v} {N/A}
+\showletters{T5}{ubk}{l}{n} {ubkl8v} {VnURWBookmanL}
+\showletters{T5}{ubk}{l}{sc} {ubklc8v} {N/A}
+\showletters{T5}{ubk}{l}{it} {ubkli8v} {VnURWBookmanL-Italic}
+\showletters{T5}{ubk}{l}{sl} {ubklo8v} {N/A}
+\showtext {T5}{ubk}{l}{n} {ubkl8v} {VnURWBookmanL}
+
+\section{VnNimbusMonL}
+\showletters{T5}{ucr}{b}{n} {ucrb8v} {VnNimbusMonoL-Bold}
+\showletters{T5}{ucr}{b}{sc} {ucrbc8v} {N/A}
+\showletters{T5}{ucr}{b}{sl} {ucrbo8v} {VnNimbusMonoL-BoldItalic}
+\showletters{T5}{ucr}{m}{n} {ucrr8v} {VnNimbusMonoL}
+\showletters{T5}{ucr}{m}{sc} {ucrrc8v} {N/A}
+\showletters{T5}{ucr}{m}{sl} {ucrro8v} {VnNimbusMonoL-Italic}
+\showtext {T5}{ucr}{m}{n} {ucrr8v} {VnNimbusMonoL}
+
+\section{VnNimbusSanL}
+\showletters{T5}{uhv}{b}{n} {uhvb8v} {VnNimbusSansL-Bold}
+\showletters{T5}{uhv}{b}{sc} {uhvbc8v} {N/A}
+\showletters{T5}{uhv}{b}{sl} {uhvbo8v} {VnNimbusSansL-BoldItalic}
+\showletters{T5}{uhv}{m}{n} {uhvr8v} {VnNimbusSansL}
+\showletters{T5}{uhv}{m}{sc} {uhvrc8v} {N/A}
+\showletters{T5}{uhv}{m}{sl} {uhvro8v} {VnNimbusSansL-Italic}
+\showtext {T5}{uhv}{m}{n} {uhvr8v} {VnNimbusSansL}
+
+\section{VnCenturySchoolbookL}
+\showletters{T5}{unc}{b}{n} {uncb8v} {VnCenturySchoolbookL-Bold}
+\showletters{T5}{unc}{b}{sc} {uncbc8v} {N/A}
+\showletters{T5}{unc}{b}{it} {uncbi8v} {VnCenturySchoolbookL-BoldItalic}
+\showletters{T5}{unc}{b}{sl} {uncbo8v} {N/A}
+\showletters{T5}{unc}{m}{n} {uncr8v} {VnCenturySchoolbookL}
+\showletters{T5}{unc}{m}{sc} {uncrc8v} {N/A}
+\showletters{T5}{unc}{m}{it} {uncri8v} {VnCenturySchoolbookL-Italic}
+\showletters{T5}{unc}{m}{sl} {uncro8v} {N/A}
+\showtext {T5}{unc}{m}{n} {uncr8v} {VnCenturySchoolbookL}
+
+\section{VnURWPalladioL}
+\showletters{T5}{upl}{b}{n} {uplb8v} {VnURWPalladioL-Bold}
+\showletters{T5}{upl}{b}{sc} {uplbc8v} {N/A}
+\showletters{T5}{upl}{b}{it} {uplbi8v} {VnURWPalladioL-BoldItalic}
+\showletters{T5}{upl}{b}{sl} {uplbo8v} {N/A}
+\showletters{T5}{upl}{m}{n} {uplr8v} {VnURWPalladioL}
+\showletters{T5}{upl}{m}{sc} {uplrc8v} {N/A}
+\showletters{T5}{fpl}{m}{sc} {fplrc8v} {VnTeXPalladioL-SC}
+\showletters{T5}{upl}{m}{it} {uplri8v} {VnURWPalladioL-Italic}
+\showletters{T5}{upl}{m}{sl} {uplro8v} {N/A}
+\showtext {T5}{upl}{m}{n} {uplr8v} {VnURWPalladioL}
+
+\section{VnNimbusRomanNo9L}
+\showletters{T5}{utm}{b}{n} {utmb8v} {VnNimbusRomanNo9L-Bold}
+\showletters{T5}{utm}{b}{sc} {utmbc8v} {N/A}
+\showletters{T5}{utm}{b}{it} {utmbi8v} {VnNimbusRomanNo9L-BoldItalic}
+\showletters{T5}{utm}{b}{sl} {utmbo8v} {N/A}
+\showletters{T5}{utm}{m}{n} {utmr8v} {VnNimbusRomanNo9L}
+\showletters{T5}{utm}{m}{sc} {utmrc8v} {N/A}
+\showletters{T5}{utm}{m}{it} {utmri8v} {VnNimbusRomanNo9L-Italic}
+\showletters{T5}{utm}{m}{sl} {utmro8v} {N/A}
+\showtext {T5}{utm}{m}{n} {utmr8v} {VnNimbusRomanNo9L}
+
+\section{VnURWChanceryL-MediItal}
+\showletters{T5}{uzcm}{b}{n} {uzcmi8v} {VnURWChanceryL-MediItal}
+\showtext {T5}{uzcm}{b}{n} {uzcmi8v} {VnURWChanceryL-MediItal}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/urwvn-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/urwvn-test.tex
new file mode 100644
index 00000000000..de8bd0dabc5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/urwvn-test.tex
@@ -0,0 +1,167 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+
+\pagestyle{empty}
+
+\ifpdf\IfFileExists{./useinternalmap}{\pdfmapfile{=urwvn.map}}{}\fi
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=5pt
+
+\begin{shortsample}
+\shorttext{T5}{uag}{db}{n} {uagd8v} {VnURWGothicL-Demi}
+\shorttext{T5}{uag}{db}{sc} {uagdc8v} {N/A}
+\shorttext{T5}{uag}{db}{sl} {uagdo8v} {VnURWGothicL-DemiItalic}
+\shorttext{T5}{uag}{m}{n} {uagk8v} {VnURWGothicL}
+\shorttext{T5}{uag}{m}{sc} {uagkc8v} {N/A}
+\shorttext{T5}{uag}{m}{sl} {uagko8v} {VnURWGothicL-Italic}
+%
+\shorttext{T5}{ubk}{db}{n} {ubkd8v} {VnURWBookmanL-Bold}
+\shorttext{T5}{ubk}{db}{sc} {ubkdc8v} {N/A}
+\shorttext{T5}{ubk}{db}{it} {ubkdi8v} {VnURWBookmanL-BoldItalic}
+\shorttext{T5}{ubk}{db}{sl} {ubkdo8v} {N/A}
+\shorttext{T5}{ubk}{l}{n} {ubkl8v} {VnURWBookmanL}
+\shorttext{T5}{ubk}{l}{sc} {ubklc8v} {N/A}
+\shorttext{T5}{ubk}{l}{it} {ubkli8v} {VnURWBookmanL-Italic}
+\shorttext{T5}{ubk}{l}{sl} {ubklo8v} {N/A}
+%
+\shorttext{T5}{ucr}{b}{n} {ucrb8v} {VnNimbusMonoL-Bold}
+\shorttext{T5}{ucr}{b}{sc} {ucrbc8v} {N/A}
+\shorttext{T5}{ucr}{b}{sl} {ucrbo8v} {VnNimbusMonoL-BoldItalic}
+\shorttext{T5}{ucr}{m}{n} {ucrr8v} {VnNimbusMonoL}
+\shorttext{T5}{ucr}{m}{sc} {ucrrc8v} {N/A}
+\shorttext{T5}{ucr}{m}{sl} {ucrro8v} {VnNimbusMonoL-Italic}
+%
+\shorttext{T5}{uhv}{b}{n} {uhvb8v} {VnNimbusSansL-Bold}
+\shorttext{T5}{uhv}{b}{sc} {uhvbc8v} {N/A}
+\shorttext{T5}{uhv}{b}{sl} {uhvbo8v} {VnNimbusSansL-BoldItalic}
+\shorttext{T5}{uhv}{m}{n} {uhvr8v} {VnNimbusSansL}
+\shorttext{T5}{uhv}{m}{sc} {uhvrc8v} {N/A}
+\shorttext{T5}{uhv}{m}{sl} {uhvro8v} {VnNimbusSansL-Italic}
+\end{shortsample}
+
+\clearpage
+
+\begin{shortsample}
+\shorttext{T5}{unc}{b}{n} {uncb8v} {VnCenturySchoolbookL-Bold}
+\shorttext{T5}{unc}{b}{sc} {uncbc8v} {N/A}
+\shorttext{T5}{unc}{b}{it} {uncbi8v} {VnCenturySchoolbookL-BoldItalic}
+\shorttext{T5}{unc}{b}{sl} {uncbo8v} {N/A}
+\shorttext{T5}{unc}{m}{n} {uncr8v} {VnCenturySchoolbookL}
+\shorttext{T5}{unc}{m}{sc} {uncrc8v} {N/A}
+\shorttext{T5}{unc}{m}{it} {uncri8v} {VnCenturySchoolbookL-Italic}
+\shorttext{T5}{unc}{m}{sl} {uncro8v} {N/A}
+%
+\shorttext{T5}{upl}{b}{n} {uplb8v} {VnURWPalladioL-Bold}
+\shorttext{T5}{upl}{b}{sc} {uplbc8v} {N/A}
+\shorttext{T5}{upl}{b}{it} {uplbi8v} {VnURWPalladioL-BoldItalic}
+\shorttext{T5}{upl}{b}{sl} {uplbo8v} {N/A}
+\shorttext{T5}{upl}{m}{n} {uplr8v} {VnURWPalladioL}
+%%%%
+\shorttext{T5}{upl}{m}{sc} {uplrc8v} {N/A}
+\shorttext{T5}{fpl}{m}{sc} {fplrc8v} {VnTeXPalladioL-SC}
+%%%%
+\shorttext{T5}{upl}{m}{it} {uplri8v} {VnURWPalladioL-Italic}
+\shorttext{T5}{upl}{m}{sl} {uplro8v} {N/A}
+%
+\shorttext{T5}{utm}{b}{n} {utmb8v} {VnNimbusRomanNo9L-Bold}
+\shorttext{T5}{utm}{b}{sc} {utmbc8v} {N/A}
+\shorttext{T5}{utm}{b}{it} {utmbi8v} {VnNimbusRomanNo9L-BoldItalic}
+\shorttext{T5}{utm}{b}{sl} {utmbo8v} {N/A}
+\shorttext{T5}{utm}{m}{n} {utmr8v} {VnNimbusRomanNo9L}
+\shorttext{T5}{utm}{m}{sc} {utmrc8v} {N/A}
+\shorttext{T5}{utm}{m}{it} {utmri8v} {VnNimbusRomanNo9L-Italic}
+\shorttext{T5}{utm}{m}{sl} {utmro8v} {N/A}
+\end{shortsample}
+
+\clearpage
+
+\begin{shortsample}
+\shorttext{T5}{pag}{db}{n} {uagd8v} {VnURWGothicL-Demi}
+\shorttext{T5}{pag}{db}{sc} {uagdc8v} {N/A}
+\shorttext{T5}{pag}{db}{sl} {uagdo8v} {VnURWGothicL-DemiItalic}
+\shorttext{T5}{pag}{m}{n} {uagk8v} {VnURWGothicL}
+\shorttext{T5}{pag}{m}{sc} {uagkc8v} {N/A}
+\shorttext{T5}{pag}{m}{sl} {uagko8v} {VnURWGothicL-Italic}
+%
+\shorttext{T5}{pbk}{db}{n} {ubkd8v} {VnURWBookmanL-Bold}
+\shorttext{T5}{pbk}{db}{sc} {ubkdc8v} {N/A}
+\shorttext{T5}{pbk}{db}{it} {ubkdi8v} {VnURWBookmanL-BoldItalic}
+\shorttext{T5}{pbk}{db}{sl} {ubkdo8v} {N/A}
+\shorttext{T5}{pbk}{l}{n} {ubkl8v} {VnURWBookmanL}
+\shorttext{T5}{pbk}{l}{sc} {ubklc8v} {N/A}
+\shorttext{T5}{pbk}{l}{it} {ubkli8v} {VnURWBookmanL-Italic}
+\shorttext{T5}{pbk}{l}{sl} {ubklo8v} {N/A}
+%
+\shorttext{T5}{pcr}{b}{n} {ucrb8v} {VnNimbusMonoL-Bold}
+\shorttext{T5}{pcr}{b}{sc} {ucrbc8v} {N/A}
+\shorttext{T5}{pcr}{b}{sl} {ucrbo8v} {VnNimbusMonoL-BoldItalic}
+\shorttext{T5}{pcr}{m}{n} {ucrr8v} {VnNimbusMonoL}
+\shorttext{T5}{pcr}{m}{sc} {ucrrc8v} {N/A}
+\shorttext{T5}{pcr}{m}{sl} {ucrro8v} {VnNimbusMonoL-Italic}
+%
+\shorttext{T5}{phv}{b}{n} {uhvb8v} {VnNimbusSansL-Bold}
+\shorttext{T5}{phv}{b}{sc} {uhvbc8v} {N/A}
+\shorttext{T5}{phv}{b}{sl} {uhvbo8v} {VnNimbusSansL-BoldItalic}
+\shorttext{T5}{phv}{m}{n} {uhvr8v} {VnNimbusSansL}
+\shorttext{T5}{phv}{m}{sc} {uhvrc8v} {N/A}
+\shorttext{T5}{phv}{m}{sl} {uhvro8v} {VnNimbusSansL-Italic}
+\end{shortsample}
+
+\clearpage
+
+\begin{shortsample}
+\shorttext{T5}{pnc}{b}{n} {uncb8v} {VnCenturySchoolbookL-Bold}
+\shorttext{T5}{pnc}{b}{sc} {uncbc8v} {N/A}
+\shorttext{T5}{pnc}{b}{it} {uncbi8v} {VnCenturySchoolbookL-BoldItalic}
+\shorttext{T5}{pnc}{b}{sl} {uncbo8v} {N/A}
+\shorttext{T5}{pnc}{m}{n} {uncr8v} {VnCenturySchoolbookL}
+\shorttext{T5}{pnc}{m}{sc} {uncrc8v} {N/A}
+\shorttext{T5}{pnc}{m}{it} {uncri8v} {VnCenturySchoolbookL-Italic}
+\shorttext{T5}{pnc}{m}{sl} {uncro8v} {N/A}
+%
+\shorttext{T5}{ppl}{b}{n} {uplb8v} {VnURWPalladioL-Bold}
+\shorttext{T5}{ppl}{b}{sc} {uplbc8v} {N/A}
+\shorttext{T5}{ppl}{b}{it} {uplbi8v} {VnURWPalladioL-BoldItalic}
+\shorttext{T5}{ppl}{b}{sl} {uplbo8v} {N/A}
+\shorttext{T5}{ppl}{m}{n} {uplr8v} {VnURWPalladioL}
+%
+\shorttext{T5}{ppl}{m}{sc} {uplrc8v} {N/A}
+\shorttext{T5}{fpl}{m}{sc} {fplrc8v} {VnTeXPalladioL-SC}
+%
+\shorttext{T5}{ppl}{m}{it} {uplri8v} {VnURWPalladioL-Italic}
+\shorttext{T5}{ppl}{m}{sl} {uplro8v} {N/A}
+%
+\shorttext{T5}{ptm}{b}{n} {utmb8v} {VnNimbusRomanNo9L-Bold}
+\shorttext{T5}{ptm}{b}{sc} {utmbc8v} {N/A}
+\shorttext{T5}{ptm}{b}{it} {utmbi8v} {VnNimbusRomanNo9L-BoldItalic}
+\shorttext{T5}{ptm}{b}{sl} {utmbo8v} {N/A}
+\shorttext{T5}{ptm}{m}{n} {utmr8v} {VnNimbusRomanNo9L}
+\shorttext{T5}{ptm}{m}{sc} {utmrc8v} {N/A}
+\shorttext{T5}{ptm}{m}{it} {utmri8v} {VnNimbusRomanNo9L-Italic}
+\shorttext{T5}{ptm}{m}{sl} {utmro8v} {N/A}
+\shorttext{T5}{uzcm}{b}{n} {uzcmi8v} {VnURWChanceryL-MediItal}
+\end{shortsample}
+
+%% \clearpage
+%% \begin{shortsample}
+%% \end{shortsample}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/vnr-sample.tex b/Master/texmf-dist/doc/generic/vntex/tests/vnr-sample.tex
new file mode 100644
index 00000000000..9e76a1001a2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/vnr-sample.tex
@@ -0,0 +1,111 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass{article}
+\usepackage[
+ a4paper,
+ nofoot,
+ left=1cm,
+ right=1cm,
+ top=2cm,
+ bottom=1cm]{geometry}
+\usepackage{multicol}
+\usepackage{fancyhdr}
+\usepackage{vnsample}
+
+\def\HasDesignsize{true}
+
+\pagestyle{fancy}
+\rhead{\thepage}
+\lhead{\textrm{\rightmark}}
+\cfoot{}
+\lfoot{}
+\rfoot{}
+
+\raggedright
+\parindent0pt
+\lineskiplimit -100pt
+
+\begin{document}
+\section{vnb}
+\showCMfont{T5}{cmr}{b}{n} {vnb10} {N/A}
+\section{vnbx}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx5} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx6} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx7} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx8} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx9} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx10} {N/A}
+\showCMfont{T5}{cmr}{bx}{n} {vnbx12} {N/A}
+\section{vnbxsl}
+\showCMfont{T5}{cmr}{bx}{sl} {vnbxsl10} {N/A}
+\section{vnbxit}
+\showCMfont{T5}{cmr}{bx}{it} {vnbxti10} {N/A}
+\section{vncsc}
+\showCMfont{T5}{cmr}{m}{sc} {vncsc10} {N/A}
+\section{vndunh}
+\showCMfont{T5}{cmdh}{m}{n} {vndunh10} {N/A}
+\section{vnff}
+\showCMfont{T5}{cmfr}{m}{n} {vnff10} {N/A}
+\section{vnfi}
+\showCMfont{T5}{cmfr}{m}{it} {vnfi10} {N/A}
+\section{vnfib}
+\showCMfont{T5}{cmfib}{bx}{n} {vnfib8} {N/A}
+\section{vnitt}
+\showCMfont{T5}{cmtt}{m}{it} {vnitt10} {N/A}
+\section{vnr}
+\showCMfont{T5}{cmr}{m}{n} {vnr5} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr6} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr7} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr8} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr9} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr10} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr12} {N/A}
+\showCMfont{T5}{cmr}{m}{n} {vnr17} {N/A}
+\section{vnsl}
+\showCMfont{T5}{cmr}{m}{sl} {vnsl8} {N/A}
+\showCMfont{T5}{cmr}{m}{sl} {vnsl9} {N/A}
+\showCMfont{T5}{cmr}{m}{sl} {vnsl10} {N/A}
+\showCMfont{T5}{cmr}{m}{sl} {vnsl12} {N/A}
+\section{vnsltt}
+\showCMfont{T5}{cmtt}{m}{sl} {vnsltt10} {N/A}
+\section{vnss}
+\showCMfont{T5}{cmss}{m}{n} {vnss8} {N/A}
+\showCMfont{T5}{cmss}{m}{n} {vnss9} {N/A}
+\showCMfont{T5}{cmss}{m}{n} {vnss10} {N/A}
+\showCMfont{T5}{cmss}{m}{n} {vnss12} {N/A}
+\showCMfont{T5}{cmss}{m}{n} {vnss17} {N/A}
+\section{vnssbx}
+\showCMfont{T5}{cmss}{bx}{n} {vnssbx10} {N/A}
+\section{vnssdc}
+\showCMfont{T5}{cmss}{dc}{n} {vnssdc10} {N/A}
+\section{vnssi}
+\showCMfont{T5}{cmss}{m}{it} {vnssi8} {N/A}
+\showCMfont{T5}{cmss}{m}{it} {vnssi9} {N/A}
+\showCMfont{T5}{cmss}{m}{it} {vnssi10} {N/A}
+\showCMfont{T5}{cmss}{m}{it} {vnssi12} {N/A}
+\showCMfont{T5}{cmss}{m}{it} {vnssi17} {N/A}
+\section{vnssq}
+\showCMfont{T5}{cmss}{q}{n} {vnssq8} {N/A}
+\section{vnssqi}
+\showCMfont{T5}{cmss}{q}{it} {vnssqi8} {N/A}
+\section{vntcsc}
+\showCMfont{T5}{cmtt}{m}{sc} {vntcsc10} {N/A}
+\section{vnti}
+\showCMfont{T5}{cmr}{m}{it} {vnti7} {N/A}
+\showCMfont{T5}{cmr}{m}{it} {vnti8} {N/A}
+\showCMfont{T5}{cmr}{m}{it} {vnti9} {N/A}
+\showCMfont{T5}{cmr}{m}{it} {vnti10} {N/A}
+\showCMfont{T5}{cmr}{m}{it} {vnti12} {N/A}
+\section{vntt}
+\showCMfont{T5}{cmtt}{m}{n} {vntt8} {N/A}
+\showCMfont{T5}{cmtt}{m}{n} {vntt9} {N/A}
+\showCMfont{T5}{cmtt}{m}{n} {vntt10} {N/A}
+\showCMfont{T5}{cmtt}{m}{n} {vntt12} {N/A}
+\section{vnu}
+\showCMfont{T5}{cmr}{m}{u} {vnu10} {N/A}
+\section{vnvtt}
+\showCMfont{T5}{cmvtt}{m}{n} {vnvtt10} {N/A}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/vnr-test.tex b/Master/texmf-dist/doc/generic/vntex/tests/vnr-test.tex
new file mode 100644
index 00000000000..606557a749d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/vnr-test.tex
@@ -0,0 +1,52 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+\documentclass[11pt]{article}
+\usepackage[
+ a4paper,
+ landscape,
+ top=1cm,
+ bottom=1cm,
+ left=1cm,
+ right=1cm,
+ nofoot,
+ nohead] {geometry}
+\usepackage[bookmarks=false]{hyperref}
+\usepackage{array}
+\usepackage{vnsample}
+\pagestyle{empty}
+
+\testfilehook
+
+\begin{document}
+\extrarowheight=5pt
+\begin{shortsample}
+\shorttext{T5}{cmdh}{m}{n} {vndunh10} {N/A}
+\shorttext{T5}{cmfr}{m}{it} {vnfi10} {N/A}
+\shorttext{T5}{cmfr}{m}{n} {vnff10} {N/A}
+\shorttext{T5}{cmfib}{m}{n} {vnfib8} {N/A}
+\shorttext{T5}{cmr}{b}{n} {vnb10} {N/A}
+\shorttext{T5}{cmr}{bx}{it} {vnbxti10} {N/A}
+\shorttext{T5}{cmr}{bx}{n} {vnbx\{5,6,7,8,9,10,12\}} {N/A}
+\shorttext{T5}{cmr}{bx}{sl} {vnbxsl10} {N/A}
+\shorttext{T5}{cmr}{m}{it} {vnti\{7,8,9,10,12\}} {N/A}
+\shorttext{T5}{cmr}{m}{n} {vnr\{5,6,7,8,9,10,12,17\}} {N/A}
+\shorttext{T5}{cmr}{m}{sc} {vncsc10} {N/A}
+\shorttext{T5}{cmr}{m}{sl} {vnsl\{8,9,10,12\}} {N/A}
+\shorttext{T5}{cmr}{m}{ui} {vnu10} {N/A}
+\shorttext{T5}{cmss}{bx}{n} {vnssbx10} {N/A}
+\shorttext{T5}{cmss}{sbc}{n} {vnssdc10} {N/A}
+\shorttext{T5}{cmss}{m}{sl} {vnssi\{8,9,10,12,17\}} {N/A}
+\shorttext{T5}{cmss}{m}{n} {vnss\{8,9,10,12,17\}} {N/A}
+\shorttext{T5}{cmssq}{m}{sl} {vnssqi8} {N/A}
+\shorttext{T5}{cmssq}{m}{n} {vnssq8} {N/A}
+\shorttext{T5}{cmtt}{m}{it} {vnitt10} {N/A}
+\shorttext{T5}{cmtt}{m}{n} {vntt\{8,9,10,12\}} {N/A}
+\shorttext{T5}{cmtt}{m}{sc} {vntcsc10} {N/A}
+\shorttext{T5}{cmtt}{m}{sl} {vnsltt10} {N/A}
+\shorttext{T5}{cmvtt}{m}{n} {vnvtt10} {N/A}
+
+\end{shortsample}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/generic/vntex/tests/vnsample.sty b/Master/texmf-dist/doc/generic/vntex/tests/vnsample.sty
new file mode 100644
index 00000000000..94987047875
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/tests/vnsample.sty
@@ -0,0 +1,334 @@
+% Copyright 2003-2005 Han The Thanh <hanthethanh@gmx.net>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+
+%\RequirePackage{ifthen}
+
+\RequirePackage{ifpdf}
+\ifx\pdfminorversion\undefined\else
+ \pdfminorversion=2\relax\fi
+\ifx\pdfoptionpdfminorversion\undefined\else
+ \pdfoptionpdfminorversion=2\relax
+\fi
+\IfFileExists{./nocompress}{\pdfcompresslevel0 }{\pdfcompresslevel9 }
+
+\ifpdf
+ \IfFileExists{cmap.sty}{\RequirePackage{cmap}}{}
+\fi
+
+\RequirePackage[viscii]{vietnam}
+\RequirePackage{hyperref}
+
+\newdimen\dimenA
+\newbox\boxA
+\newbox\boxB
+
+\def\vnchars{%
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+% \break
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar 
+\dochar 
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar 
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar
+\dochar 
+\dochar
+\dochar 
+\dochar 
+\par
+}
+
+\def\dochar #1 {%
+ #1\kern.1em\penalty0%
+}
+
+\def\SL{-Slant}
+\def\EMPH#1{\textbf{\textit{#1}}}
+
+\long\def\vntext{%
+\centerline{\textbf{Ch Pho}}
+\vskip -.5\baselineskip
+\rightline{\textsc{--- Nam Cao}}
+Hn va i va chi. Bao gi cng th, c ru xong l hn chi. Bt u
+chi tri. C h g? Tri c ca ring nh no? Ri hn chi i. Th
+cng chng sao: i l tt c nhng chng l ai. Tc mnh hn chi ngay tt
+c lng V i. Nhng c lng V i ai cng nh, \textit{``Chc n tr
+mnh ra!''} Khng ai ln ting c. Tc tht! ! Th ny th tc tht! Tc
+cht i c mt! th, hn phi chi cha a no khng chi nhau vi
+hn. Nhng cng khng ai ra iu. M kip! Th th c ph ru khng? Th
+th c kh hn khng? Khng bit a cht m no ra thn hn cho hn kh
+n nng ni ny? A ha! Phi y, hn c th m chi, hn chi a cht m
+no ra thn hn, ra ci thng \EMPH{Ch Pho}! Hn nghin rng vo
+m chi ci a ra Ch Pho. Nhng m bit a no ra
+Ch Pho? C tri m bit! Hn khng bit, c lng V i cng khng ai
+bit.
+
+Mt anh i th ng l߽n, mt bui sng tinh s߽ng thy hn
+trn trung v xm ngt trong mt vy p bn mt l gch b
+khng, anh ta r߾c ly v em v cho mt ng߶i n b ga m.
+Ng߶i n b ga m ny bn hn cho mt bc ph ci khng con, v
+khi bc ph ci ny cht th hn b v, ht i cho nh ny li i
+ cho nh n. Nm hai m߽i tui, hn lm canh in cho ng l Kin,
+by gi c b Kin, n tin ch lng. Hnh nh c my ln b ba nh
+ng l, cn tr lm m li hay m lng, bt hn bp chn, hay xoa
+bng, m lng g y. Ng߶i ta bo ng l ra nh th hch dch,
+c lng phi s, m v nh th li s ci b ba cn tr ny. Ng߶i
+b y php php, m b y hy hy, m ng l th hay au lng lm;
+nhng ng߶i c bnh au lng hay s v m cha i l kho ghen.
+C ng߶i bo ng l ghen vi anh canh in kho mnh m s b ba
+khng dm ni. C ng߶i th bo anh canh in y c b ba quyn
+thu quyn b trong nh tin cn nn ly trm tin trm thc nhiu.
+Mi ng߶i ni mt cch. Chng bit u m ln. Ch bit mt hm
+Ch b ng߶i ta gii huyn ri bit tm n by, tm nm ri mt
+hm, hn li l l u ln v. Hn v lp ny trng khc
+hn, mi u chng ai bit hn l ai. Trng c nh thng sng
+c! Ci u th trc lc, ci rng co trng hn, ci mt th en
+m rt cng cng, hai mt g߶m g߶m trng gm cht! Hn mc qun
+o ni en vi o Ty vng. Ci ngc phanh, y nhng nt chm tr
+rng, phng vi mt ng thy t߾ng cm chu, c hai cnh tay cng
+th. Trng gm cht!
+}
+
+\def\mksample#1{%
+ \leftline{\normalsize\bf\fbox{line spacing #1}\hrulefill}
+ \vskip 5pt
+ \ifnum\pdftexversion<130\relax
+ \dimenA=\pdffontsize\font pt\relax
+ \else
+ \dimenA=\pdffontsize\font
+ \fi
+ \setbox\boxA=\vbox{%
+ \baselineskip=#1\dimenA
+ \parskip=.5\baselineskip
+ \noindent\vntext\par}%
+ \setbox\boxB=\vsplit\boxA to 3in
+ \nobreak
+ \box\boxB
+ \vskip 10pt
+}
+
+\def\showfontsize#1#2#3{{%
+ \leftline{\large\bf\fbox{#2}\hrulefill}
+ \nobreak
+ \font\f=#1 at #2\f
+ \baselineskip=#3
+ \noindent
+ \vnchars\par
+ \vskip .5\baselineskip
+}}
+
+\def\mkfontname#1#2#3{\hbox{%
+ \hbox to .25\textwidth{NFSS:\kern1em \texttt{#1}\hss}%
+ \hbox to .25\textwidth{TFM:\kern1em \texttt{#2}\hss}%
+ PostScript:\kern1em \texttt{#3}}}
+
+
+\def\getdesignsize#1{\def\designsize{}%
+ \expandafter\@tfor\expandafter\x\expandafter:\expandafter=#1
+ \do{\ifcat\x0\edef\designsize{\designsize\x}\fi%
+ \if\x-\def\designsize{}\fi}}
+
+
+\def\showletters#1#2#3#4#5#6{\getdesignsize{#5}%
+ \ifx\HasDesignsize\undefined
+ \subsection{#2-#3-#4}{#5}%
+ \else
+ \subsection{#2-#3-#4 (\designsize pt)}{#5}%
+ \fi
+ \markright{\mkfontname{#1/#2/#3/#4}{#5}{#6}}
+ \showfontsize{#5}{18pt}{27pt}
+ \showfontsize{#5}{36pt}{54pt}
+ \showfontsize{#5}{72pt}{108pt}
+ \clearpage
+}
+
+\def\showCMfont#1#2#3#4#5#6{
+ \showletters{#1}{#2}{#3}{#4}{#5}{#6}
+ \clearpage
+ \markright{#5}
+ \subsection{Text}{#5-text}%
+ \showtextsize{%
+ \font\f=#5\f
+ \let\EMPH=\relax
+ \let\textit=\relax
+ \let\textsc=\relax}
+}
+
+\def\showtextsize#1{
+ \columnsep=20pt
+ \columnseprule=.4pt
+ \begin{multicols}{2}
+ #1
+ \mksample{1}
+ \mksample{1.2}
+ \mksample{1.4}
+ \mksample{1.1}
+ \mksample{1.3}
+ \mksample{1.5}
+ \end{multicols}
+ \clearpage
+}
+
+\def\showtext#1#2#3#4#5#6{\subsection{Text}{#5-text}%
+ \markright{#6 at 8pt}\showtextsize{\fontsize{8pt}{8pt}\usefont{#1}{#2}{#3}{#4}}
+ \markright{#6 at 10pt}\showtextsize{\fontsize{10pt}{10pt}\usefont{#1}{#2}{#3}{#4}}
+ \markright{#6 at 12pt}\showtextsize{\fontsize{12pt}{12pt}\usefont{#1}{#2}{#3}{#4}}
+ \clearpage
+}
+
+\def\samplesentence{%
+ Hn nghin rng vo m chi ci a ra Ch Pho lng V i}
+
+\newenvironment{shortsample}
+ {\normalfont\fontencoding{OT1}\ttfamily \selectfont
+ \begin{tabular*}{\textwidth}{llll<{\samplesentence}}
+ NFSS&TFM&PostScript&\multicolumn{1}{l}{Sample}\\ \hline
+ }
+ {\end{tabular*}}
+
+\def\shorttext#1#2#3#4#5#6{%
+ \small #1/#2/#3/#4 & \small #5 & \small #6 & \usefont{#1}{#2}{#3}{#4}\\}
+
+
+\def\section#1{\gdef\currsec{#1}\hypertarget{#1}{}\pdfbookmark[0]{#1}{#1}}
+
+%\subsection{<Text>}{<label>}
+\def\subsection#1#2{\def\target{\currsec-#2}%
+ \hypertarget{\target}{}\pdfbookmark[1]{#1}{\target}}
+
+\def\testfilehook{%
+ \advance\oddsidemargin -7mm \evensidemargin=\oddsidemargin
+ \hbadness=10000\relax\hfuzz=\maxdimen
+ \IfFileExists{./nocompress}
+ {\pdfcompresslevel0 }{\pdfcompresslevel9 }%
+}
+
+\endinput
+
+% Local Variables:
+% coding: viscii
+% End:
diff --git a/Master/texmf-dist/doc/generic/vntex/vntex.txt b/Master/texmf-dist/doc/generic/vntex/vntex.txt
new file mode 100644
index 00000000000..1487773d132
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vntex/vntex.txt
@@ -0,0 +1,328 @@
+vntex-3.02
+
+This file is part of VnTeX. License: LPPL, version 1.3 or newer,
+see: http://www.latex-project.org/lppl.txt
+
+Authors: Han The Thanh <HanTheThanh@gmx.net> and
+ Reinhard Kotucha <Reinhard.Kotucha@web.de>
+
+The primary site of VnTeX is
+
+ http://vntex.org
+
+There is a mailing list (very low traffic) for questions about
+VnTeX and typesetting Vietnamese. To subscribe to the list, visit
+
+ http://lists.sourceforge.net/lists/listinfo/vntex-users
+
+
+I. Typesetting Vietnamese
+*************************
+
+Editor
+======
+In order to typeset Vietnamese you need an editor in which you can
+write Vietnamese. This is highly system-dependent. The good news
+is that VnTeX supports most popular encodings used for Vietnamese
+like VISCII, TCVN or UTF8. VNI is however not supported (and will
+not be). In most cases, you can use your favourite editor or TeX shell
+(like WinEDT, Texniccenter, Emacs, VIM, ...) with a Vietnamese font.
+
+
+Typesetting with LaTeX
+======================
+Some examples and hints for a quick start:
+
+
+* The simplest case:
+ ________________________________________________________
+ \documentclass{report}
+ \usepackage[viscii]{vietnam} % use VISCII input encoding
+
+ \begin{document}
+ <...text in VISCII encoding...>
+ \end{document}
+ ________________________________________________________
+
+ vietnam.sty has the following options:
+
+ viscii use VISCII input encoding
+ mviscii use MVISCII input encoding
+ tcvn use TCVN input encoding
+ vps use VPS input encoding
+ utf8 use UTF8 input encoding (LaTeX)
+ utf8x use UTF8 input encoding (ucs package)
+ noinputenc do not load the inputenc package (use of TCX is assumed)
+ nocaptions do not define Vietnamese captions
+
+
+* Use babel instead of vietnam package:
+ ________________________________________________________
+ \documentclass{report}
+ \usepackage[utf8]{inputenc} % other encoding as `viscii'
+ % or `tcvn' can be used
+ % instead of utf8
+ \usepackage[vietnam]{babel}
+
+ \begin{document}
+ <...text in utf8 encoding...>
+ \end{document}
+ ________________________________________________________
+
+
+* TCX is useful if you want to able to read Vietnamese characters in
+ messages about overfull/underfull boxes and the like. VnTeX comes
+ with two TCX tables: viscii-t5 and tcvn-t5. This implies that you
+ can use TCX only with VISCII or TCVN input encoding. Using TCX
+ excludes using inputenc:
+
+ ________________________________________________________
+ %& -translate-file=viscii-t5
+ \documentclass{report}
+ \usepackage[noinputenc]{vietnam}
+
+ \begin{document}
+ <...text in VISCII encoding...>
+ \end{document}
+ ________________________________________________________
+
+ The very first line says that the option `-translate-file=viscii-t5'
+ is passed to TeX when compiling the document. It has the same effect
+ as you run:
+
+ latex -translate-file=viscii-t5 foo.tex
+
+ Using TCVN is similar.
+
+
+Typesetting with plain TeX
+==========================
+UTF8 input encoding is not supported by plain TeX. Otherwise it is
+quite similar to LaTeX:
+
+* Use with plainenc and plnfss packages:
+ ________________________________________________________
+ \input t5code
+ \input plnfss
+ \input plainenc
+
+ \fontencoding{T5}
+ \inputencoding{viscii} % or any other encoding except utf8
+ \setfontencoding{T5}
+ \selectfont
+
+ <...text in VISCII encoding...>
+ \bye
+ ________________________________________________________
+
+
+* Use with TCX:
+ ________________________________________________________
+ %& -translate-file=viscii-t5
+ \input t5code
+ \input plnfss
+
+ \setfontencoding{T5}
+ \selectfont
+
+ <...text in VISCII encoding...>
+ \bye
+ ________________________________________________________
+
+
+Use with texinfo
+================
+TCX is required:
+ ________________________________________________________
+ %& -translate-file=viscii-t5
+ \def\fontprefix{vn}
+ \input t5code.tex
+ \input texinfo
+
+ <...text in VISCII encoding...>
+ ________________________________________________________
+
+plainenc and plnfss are not part of the VnTeX distribution any more but
+it is very likely that they are part of the TeX system you are using.
+
+If you have a plnfss which does not support Vietnamese, please install
+
+ http://vntex.org/download/vntex-support/plnfss.zip
+
+
+Use with tex4ht
+===============
+In order to create HTML documents from LaTeX sources, run
+
+ tex4ht "html,uni-html4,charset=utf8" yourfile.tex
+
+You cannot use TCX with tex4ht.
+
+
+There are some test files for VnTeX in the tests subdirectory.
+Please read the file README in this directory.
+
+
+II. Vietnamese Fonts
+********************
+
+VnTeX provides a lot of Vietnamese fonts. If you do not specify any
+font (as in the examples above) you get Vietnamese Computer Modern.
+This is an extension to Donald Knuth's Computern Modern Fonts designed
+by Han The Thanh.
+
+VnTeX provides Vietnamese characters for some free fonts donated by
+URW and Bitstream as well as the Microsoft core fonts.
+
+To get an overview, look at:
+
+ http://vntex.org/fontsamples
+
+There are many fonts, but most of them do not provide support for
+mathematics. If you have to typeset math formulas, you are restricted
+to Computer Modern, Latin Modern, Times and Palatino.
+
+Latin Modern (Boguslaw Jackowski and Janusz M. Nowacki) is an
+extension to Computer Modern which supports (almost) all latin
+languages. It provides even different accents for Vietnamese
+uppercase and lowercase letters.
+
+
+We describe how to use fonts with LaTeX first. A description of
+plnfss (plain TeX) is given below.
+
+To use Latin Modern instead of VNR, simply
+
+ \usepackage{lmodern}
+ \usepackage[viscii]{vietnam}
+
+For Antikwa Torunska, do
+
+ \usepackage{anttor}
+ \usepackage[viscii]{vietnam}
+
+... or use inputenc and babel instead of vietnam.
+
+It is recommended to specify a roman font, a sans serif font and a
+typewriter font separately. You do not have to specify all of them.
+It makes sense, for instance, not to specify a typewriter font -- you
+get Computer Modern Typewriter then, which is by far the best
+typewriter font you can get today.
+
+\renewcommand\sfdefault{uag} VnURWGothicL (AvantGarde)
+\renewcommand\rmdefault{ubk} VnURWBookmanL (Bookman)
+\renewcommand\ttdefault{ucr} VnNimbusMonL (Courier)
+\renewcommand\sfdefault{uhv} VnNimbusSanL (Helvetica)
+\renewcommand\rmdefault{unc} VnCenturySchL (New Century Schoolbok)
+\usepackage{mathpazo} VnURWPalladioL (Palatino)
+\usepackage{mathptm} VnNimbusRomNo9L (Times)
+
+There is also a real small caps font for VnURWPalladioL, made by Ralf Stubner
+and extended by Han The Thanh. There are still some support files missing.
+
+By default, you get the faked small caps but you can use real small caps with
+some restrictions. To make use of it, put the following macro definition
+into the preamble of your document:
+
+\newcommand{\textfplsc}[1]{\bgroup\usefont{T5}{fpl}{m}{sc}#1\egroup}
+
+You can use it like this:
+
+ some text \textfplsc{some text in small caps} some text
+
+The macro argument should not contain any numbers because they will appear
+as oldstyle numbers, but you cannot use oldstyle numbers with other font
+shapes in T5 encoding (Vietnamese) yet. This problem will be fixed in a
+future release.
+
+
+If you have to typeset mathematics, there are very few fonts available:
+
+ * Computer Modern: do nothing
+ * Latin Modern: \usepackage{lmodern}
+ * Palatino: \usepackage{mathpazo}
+ * Times: \usepackage{mathptm}
+
+The other fonts do not support mathematics.
+
+If you are using Windows, you also can use the fonts provided by
+Microsoft:
+
+\renewcommand\sfdefault{ma1} ArialMT (Arial)
+\renewcommand\ttdefault{mcr} CourierNewPSMT (Courier)
+\renewcommand\rmdefault{lpr} PalatinoLinotype (Palatino)
+\renewcommand\rmdefault{mns} TimesNewRomanPSMT (Times New Roman)
+\renewcommand\sfdefault{jth} Tahoma (Tahoma)
+\renewcommand\sfdefault{jvn} Verdana (Verdana)
+
+None of the Microsoft fonts supports mathematics. Though the quality of
+the fonts is quite high, not much care had been taken in the design of
+Vietnamese accents. See:
+
+ http://vntex.org/fontsamples
+
+Unless someone insists that you use these fonts, you can use
+
+ * VnNimbusMonL instead of CourierNewPSMT (Courier)
+ * VnNimbusSanL instead of ArialMT (Helvetica/Arial)
+ * VnNimbusRomNo9L instead of TimesNewRomanPSMT (Times/Times New Roman)
+ * VnURWPalladioL instead of PalatinoLinotype (Palatino)
+
+
+If you are using plain TeX, you can use plnfss.tex to select fonts.
+
+Instead of
+
+ \renewcommand\rmdefault{...}
+ \renewcommand\sfdefault{...}
+ \renewcommand\ttdefault{...}
+
+you have to select fonts like this:
+
+ \setrmdefault{...}
+ \setsfdefault{...}
+ \setttdefault{...}
+
+See the plnfss documentation for more details.
+
+
+III. Known Problems
+*******************
+
+* To use amsart.cls (and other AMS LaTeX document classes) with Unicode you
+ must add the following lines right before `\begin{document}':
+
+ \def\firstofone#1{#1}
+ \let\uppercase\firstofone
+ \let\MakeUppercase\firstofone
+
+ This completely disables LaTeX's uppercasing commands which might cause
+ bad secondary effects. Note that this problem is not specific to
+ Vietnamese but affects any multibyte encoding.
+
+* In order to use VnTeX with Prosper, you have to install
+
+ http://vntex.org/download/vntex-support/prosper-vn.zip
+
+* In order to use VnTeX with Foiltex, you have to install
+
+ http://vntex.org/download/vntex-support/foiltex-vn.zip
+
+* If have an old version of LaTeX which does not support utf8, you have to
+ use ucs.sty. If ucs.sty is not present on your system you can install
+
+ http://vntex.org/download/vntex-support/ucs-vn.zip
+
+ We keep this file as long as ucs is unmaintained. If a maintainer is
+ found you better download a fresh ucs distribution from the original site.
+
+ This is a small subset of the ucs package which supports Vietnamese only.
+ You can invoke it with \usepackage[utf8x]{inputenc}.
+
+ Instead of installing ucs we recommend to update LaTeX. The latest version
+ can be downloaded from
+
+ ftp://dante.ctan.org/tex-archive/macros/latex/base.zip (Germany)
+ ftp://cam.ctan.org/tex-archive/macros/latex/base.zip (United Kingdom)
+ ftp://tug.ctan.org/tex-archive/macros/latex/base.zip (USA)
+
diff --git a/Master/texmf-dist/doc/generic/vrb/readme b/Master/texmf-dist/doc/generic/vrb/readme
new file mode 100644
index 00000000000..4e46165e271
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/vrb/readme
@@ -0,0 +1,20 @@
+%Contents: Verbatim macros via plain TeX, to be used with AnyTeX.
+%Version: 1.1 of March 1994.
+%Purpose: Handling verbatims with user guidance (options) to be
+% provided via \everyverbatim and/or \thisverbatim. (New approach.)
+% To be used with TeX, LaTeX, ...
+% Examples of guidance: verbatim input from file
+% escapecharacter and metacode
+% block comment
+% (selective) numbering of verbatim lines
+% inline verbatim (with minimal | tags).
+% Placement within context is parameterized via
+% \preverbatim and \postverbatim with as default \medskip.
+%Author: C.G. van der Laan, Hunzeweg 57, 9893PB, Garnwerd. The Netherlands.
+% 05941-1525., cgl@risc1.rug.nl.
+%Documentation: MAPS 94.1, as a spin-off in the TUGboat BLUes article,
+% which discusses the TUGboat styles and descendants.
+%Keywords: verbatim, escape character, block comment, file verbatim inclusion.
+%Examples of use (after \input vrb.tex) %the macros, as appended below
+%
+%\input vrb.tex %File included for convenience
diff --git a/Master/texmf-dist/doc/generic/wsuipa/ipaman.ps.gz b/Master/texmf-dist/doc/generic/wsuipa/ipaman.ps.gz
new file mode 100644
index 00000000000..5ddb55e3d45
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/wsuipa/ipaman.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/wsuipa/latex209/ipalman.tex b/Master/texmf-dist/doc/generic/wsuipa/latex209/ipalman.tex
new file mode 100644
index 00000000000..0013198723d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/wsuipa/latex209/ipalman.tex
@@ -0,0 +1,627 @@
+\documentstyle[12pt,ipalmacs]{article}
+\def\tenbf{\fontfamily{cmr}\fontseries{bx}\fontshape{n}\fontsize{10}{12pt}
+ \selectfont}
+%\input ipamacs
+
+\font\smokefont=wsuipa17
+\font\mf=cmr10
+\def\deg{$^\circ$}
+
+\def\vs #1{\vskip #1}
+\def\meta{{\mf METAFONT}}
+\def\wsu{{\ WSUIPA}}
+\def\ipam{{ IPAMACS}}
+\def\PL{{\it Phonetic Symbol Guide}}
+
+\def\pos#1{\vs{10pt}\hrule width 1in\vs{1pt}\hrule width 1in
+ \noindent\begin{tabular}{rl}
+ \tenbf WSUIPA Char' Position: & #1\\ }
+\def\pl#1{\tenbf Pullum \&\ Ladusaw name: & #1\\ }
+\def\mac#1{\tenbf IPAMACS Name: & \tt\char'134 #1\\ }
+\def\smoke#1{\tenbf IPA Character: & \smokefont\char#1
+ \end{tabular}}
+
+\begin{document}
+\title{ Using the WSU International Phonetic Alphabet -- \LaTeX\ Version}
+\author{} % Janene Winter
+\date{April 22, 1992} % \LaTeX version, J"org Knappen
+\maketitle
+
+\section{Preface}
+
+This users guide is intended to serve as a help and supplement to the
+Washington State University International Phonetic Alphabet (\wsu) fonts.
+It is not intended to be a manual on \TeX, linguistics, or the correct usage of
+the characters, accents and diacritics contained within the font.
+It is assumed that the user is familiar with the version of \TeX\ he or she is
+using and with the characters contained within the \wsu\ font.
+Because the uses for a phonetic alphabet font are probably as varied as the
+many disciplines which use the characters, this guide is intended to merely
+show some of the most common ways of using the \wsu\ font. Surely each person
+who implements the font will develop his or her own favorite way of working with
+ and
+using the font.
+
+The principal
+source of information regarding the characters and their shapes has come from
+sources within the linguistic field---most
+notably, Geoffrey K. Pullum and William A. Ladusaw, whose book, {\it Phonetic
+Symbol Guide} was used extensively.
+The \PL\ not only lists the International Phonetic Alphabet (IPA) characters
+and diacritics, it also
+gives an enlarged illustration of each character which shows its baseline,
+height, depth and x-height. These character illustrations were invaluable
+in the design of the \wsu\ \meta\ characters.
+
+Several other people involved
+in the wonderful world of linguistics also aided in the design of the \wsu\
+font. Their input concerning everything
+from character shape, to placement within the font, to determining which
+characters should be included, is gratefully acknowledged. I would especially
+like to thank Karen Mullen, Associate Professor of English, University of
+Louisville, Louisville, Kentucky. She tested, used the \wsu\ fonts, and took
+the time to give several suggestions and recommendations that have improved
+the font. Also, Christina A. Thiele, Managing Director, Journal Production
+ Centre,
+Carleton University, Ottawa, Ontario, who not only provided a wealth
+of phonetic information, but also a wealth of encouragement throughout
+the entire font designing process.
+
+
+Included with the \wsu\ fonts are:
+
+\begin{enumerate}
+\item
+The basic \wsu\ font which contains 128 phonetic characters
+and/or diacritics in five different point sizes (8,
+9, 10, 11 and 12) and in
+three typefaces (roman, slanted and bold extended).
+
+\item Each size and typeface includes a TFM (\TeX\ Font Metric)
+file and its related GF, PK or PXL file.
+
+\item A macro package (\ipam.TEX) for use with the \wsu\ font, and
+
+\item the {\it WSUIPA Font User's Guide}.
+\end{enumerate}
+
+This guide is divided into three main sections: 1) an introduction to the \wsu\
+font,
+2) a description of the font layout and the characters included in the font
+and 3) some \TeX niques for use with the \wsu\ fonts.
+
+Although the \wsu\ fonts are written in \meta , the user does not need
+experience with or knowledge of \meta\ to use the font. However, at least a
+beginning understanding of \TeX\ and the use of fonts in the \TeX\ environment
+{\it is} necessary. For information about either \TeX\ or font usage in \TeX ,
+see {\it The \TeX book} by Donald Knuth.
+
+\section{Introduction to the WSUIPA Font}
+
+The \wsu\ fonts are written in \meta\ and use the same font parameter values
+as their Computer Modern (CM) counterparts (cmr and cmbx). In fact, while
+designing the character shapes, the computer modern code was left intact or
+modified only slightly whenever possible. Therefore, the \wsu\ fonts
+are totally compatible with computer modern fonts---the design and shape
+of the characters are computer modern wherever possible. For the characters
+that are drastically different from any computer modern characters or symbols,
+such as the ``Gamma,'' ``Baby Gamma'' and the ``Esh,'' Pullum and Ladusaw's
+{\it Phonetic Symbol Guide} was used as the character design
+standard.
+
+The \wsu\ fonts are obviously not an exhaustive collection of phonetic or
+even recognized International Phonetic Alphabet characters. The characters
+included in the \wsu\ font were chosen either because they were listed
+as a ``major'' entry in Pullum and Ladusaw's {\it Guide\/},
+or because of the recommendations from
+various people with an interest in the font.
+
+The {\it Guide} contains what it classifies as ``major'' and ``minor''
+characters, based upon whether the symbol is an officially recognized IPA
+character or is determined by Pullum and Ladusaw
+to be a standard symbol in current American
+transcriptual practice. The {\it Guide}
+lists 78 ``major'' entries which are not easily
+attainable in the CM fonts. All 78 of these characters are included in the
+\wsu\ font, along with 50 ``minor'' entries from the {\it Guide}.
+The selection of which
+``minor'' entries to include was based on information and requests from
+various phoneticians and linguists who contacted WSU during the beginning
+stages of the creation of the font.
+
+\section{The Layout of the WSUIPA Font}
+
+The character-grouping pattern followed by Pullum and Ladusaw in their
+{\it Guide} was adopted as the basis
+for the \wsu\ font layout. The characters
+are grouped together according to shape rather than usage. Therefore,
+the ``a'' shapes occupy
+the first positions: '00 through '04, ``b'' shapes are in positions '05
+through '11 and so forth. The accents and diacritics follow the character
+shapes and are in the last positions in the font. This approach was taken
+because under it was assumed that under most circumstances,
+the user would most likely be accessing the characters with the use of macros
+rather than by typing large portions of entirely phonetic text.
+Aside from keeping like shapes together, the positioning of the
+\wsu\ font was fairly arbitrary.
+
+\section{Character Description}
+
+Within this section each of the \wsu\ characters are shown in a \meta\
+``smoke mode'' proof. The octal character position is indicated, along with the
+corresponding macro name in \ipam, and the
+name of the character given in P\&L.
+Only the roman characters will be illustrated since the shapes of the slanted
+and bold extended are the same.
+
+There are several Greek characters included in the \wsu\ font, and initially
+it may appear these are merely copies of the corresponding CM Greek characters.
+That is true with one very important distinction: the \wsu\ Greek characters
+included are not italic. All the lowercase Greek characters included in
+the CM fonts are italic which makes them unsuitable for some situations in
+phonetics where a non-italic Greek character is essential.
+\newpage
+\raggedbottom
+\vbox{ \pos{'00}\mac{inva}\pl{turned a}\smoke{'00}}
+
+\vbox{ \pos{'01}\mac{scripta}\pl{script a}\smoke{'01}}
+
+\vbox{ \pos{'02}\mac{nialpha}\pl{lowercase non-italic alpha}\smoke{'02}
+}
+
+\vbox{\pos{'03}\mac{invscripta}\pl{turned script a}\smoke{'03}}
+
+\vbox{\pos{'04}\mac{invv}\pl{inverted v}\smoke{'04}}
+
+\vbox{\pos{'05}\mac{crossb}\pl{crossed b}\smoke{'05}}
+
+\vbox{\pos{'06}\mac{barb}\pl{barred b}\smoke{'06}}
+
+\vbox{\pos{'07}\mac{slashb}\pl{slashed b}\smoke{'07}}
+
+\vbox{\pos{'10}\mac{hookb}\pl{hooktop b}\smoke{'10}}
+
+\vbox{\pos{'11}\mac{nibeta}\pl{non-italic lowercase beta}\smoke{'11}}
+
+\vbox{\pos{'12}\mac{slashc}\pl{slashed c}\smoke{'12}}
+
+\vbox{\pos{'13}\mac{curlyc}\pl{curly-tail c}\smoke{'13}}
+
+\vbox{\pos{'14}\mac{clickc}\pl{stretched c}\smoke{'14}}
+
+\vbox{\pos{'15}\mac{crossd}\pl{crossed d}\smoke{'15}}
+
+\vbox{\pos{'16}\mac{bard}\pl{barred d}\smoke{'16}}
+
+\vbox{\pos{'17}\mac{slashd}\pl{slashed d}\smoke{'17}}
+
+\vbox{\pos{'20}\mac{hookd}\pl{hooktop d}\smoke{'20}}
+
+\vbox{\pos{'21}\mac{taild}\pl{right-tail d}\smoke{'21}}
+
+\vbox{\pos{'22}\mac{dz}\pl{d-yogh ligature}\smoke{'22}}
+
+\vbox{\pos{'23}\mac{eth}\pl{eth}\smoke{'23}}
+
+\vbox{\pos{'24}\mac{scd}\pl{small capital D}\smoke{'24}}
+
+\vbox{\pos{'25}\mac{schwa}\pl{schwa}\smoke{'25}}
+
+\vbox{\pos{'26}\mac{er}\pl{right-hook schwa}\smoke{'26}}
+
+\vbox{\pos{'27}\mac{reve}\pl{reversed e}\smoke{'27}}
+
+\vbox{\pos{'30}\mac{niepsilon}\pl{non-italic greek epsilon}\smoke{'30}}
+
+\vbox{\pos{'31}\mac{revepsilon}\pl{reversed non-italic epsilon}\smoke{'31}}
+
+\vbox{\pos{'32}\mac{hookrevepsilon}\pl{right-hook reversed non-italic epsilon}
+\smoke{'32}}
+
+\vbox{\pos{'33}\mac{closedrevepsilon}\pl{closed reversed non-italic epsilon}
+\smoke{'33}}
+
+\vbox{\pos{'34}\mac{scriptg}\pl{lowercase variant g}\smoke{'34}}
+
+\vbox{\pos{'35}\mac{hookg}\pl{hooktop g}\smoke{'35}}
+
+\vbox{\pos{'36}\mac{scg}\pl{small capital G}\smoke{'36}}
+
+\vbox{\pos{'37}\mac{nigamma}\pl{non-italic gamma}\smoke{'37}}
+
+\vbox{\pos{'40}\mac{ipagamma}\pl{IPA Gamma}\smoke{'40}}
+
+\vbox{\pos{'41}\mac{babygamma}\pl{baby gamma}\smoke{'41}}
+
+\vbox{\pos{'42}\mac{hv}\pl{h-v ligature}\smoke{'42}}
+
+\vbox{\pos{'43}\mac{crossh}\pl{crossed h}\smoke{'43}}
+
+\vbox{\pos{'44}\mac{hookg}\pl{hooktop g}\smoke{'44}}
+
+\vbox{\pos{'45}\mac{hookheng}\pl{hooktop heng}\smoke{'45}}
+
+\vbox{\pos{'46}\mac{invh}\pl{turned h}\smoke{'46}}
+
+\vbox{\pos{'47}\mac{bari}\pl{barred i}\smoke{'47}}
+
+\vbox{\pos{'50}\mac{dlbari}\pl{barred dotless i}\smoke{'50}}
+
+\vbox{\pos{'51}\mac{niiota}\pl{non-italic greek iota}\smoke{'51}}
+
+\vbox{\pos{'52}\mac{sci}\pl{small capital I}\smoke{'52}}
+
+\vbox{\pos{'53}\mac{barsci}\pl{barred small capital I}\smoke{'53}}
+
+\vbox{\pos{'54}\mac{invf}\pl{barred dotless j}\smoke{'54}}
+
+\vbox{\pos{'55}\mac{tildel}\pl{l with tilde}\smoke{'55}}
+
+\vbox{\pos{'56}\mac{barl}\pl{barred l}\smoke{'56}}
+
+\vbox{\pos{'57}\mac{latfric}\pl{belted l}\smoke{'57}}
+
+\vbox{\pos{'60}\mac{taill}\pl{l with right tail}\smoke{'60}}
+
+\vbox{\pos{'61}\mac{lz}\pl{l-yogh ligature}\smoke{'61}}
+
+\vbox{\pos{'62}\mac{nilambda}\pl{non-italic greek lambda}\smoke{'62}}
+
+\vbox{\pos{'63}\mac{crossnilambda}\pl{crossed lambda}\smoke{'63}}
+
+\vbox{\pos{'64}\mac{labdentalnas}
+\pl{m with leftward tail at right}\smoke{'64}}
+
+\vbox{\pos{'65}\mac{invm}\pl{turned m}\smoke{'65}}
+
+\vbox{\pos{'66}\mac{legm}\pl{turned m with long right leg}\smoke{'66}}
+
+\vbox{\pos{'67}\mac{nj}\pl{n with leftward hook at left}\smoke{'67}}
+
+\vbox{\pos{'70}\mac{eng}\pl{eng}\smoke{'70}}
+
+\vbox{\pos{'71}\mac{tailn}\pl{n with right tail}\smoke{'71}}
+
+\vbox{\pos{'72}\mac{scn}\pl{small capital N}\smoke{'72}}
+
+\vbox{\pos{'73}\mac{clickb}\pl{bull's eye}\smoke{'73}}
+
+\vbox{\pos{'74}\mac{baro}\pl{barred o}\smoke{'74}}
+
+\vbox{\pos{'75}\mac{openo}\pl{open o}\smoke{'75}}
+
+\vbox{\pos{'76}\mac{niomega}\pl{non-italic lowercase greek omega}\smoke{'76}}
+
+\vbox{\pos{'77}\mac{closedniomega}\pl{closed omega}\smoke{'77}}
+
+\vbox{\pos{'100}\mac{oo}\pl{double o}\smoke{'100}}
+
+\vbox{\pos{'101}\mac{barp}\pl{barred p}\smoke{'101}}
+
+\vbox{\pos{'102}\mac{thorn}\pl{thorn}\smoke{'102}}
+
+\vbox{\pos{'103}\mac{niphi}\pl{non-italic lowercase greek phi}\smoke{'103}}
+
+\vbox{\pos{'104}\mac{flapr}\pl{fish hook r}\smoke{'104}}
+
+\vbox{\pos{'105}\mac{legr}\pl{r with long leg}\smoke{'105}}
+
+\vbox{\pos{'106}\mac{tailr}\pl{r with right tail}\smoke{'106}}
+
+\vbox{\pos{'107}\mac{invr}\pl{turned r}\smoke{'107}}
+
+\vbox{\pos{'110}\mac{tailinvr}\pl{turned r with right tail}\smoke{'110}}
+
+\vbox{\pos{'111}\mac{invlegr}\pl{turned long-legged r}\smoke{'111}}
+
+\vbox{\pos{'112}\mac{scr}\pl{small capital R}\smoke{'112}}
+
+\vbox{\pos{'113}\mac{invscr}\pl{inverted small capital R}\smoke{'113}}
+
+\vbox{\pos{'114}\mac{tails}\pl{s with right tail}\smoke{'114}}
+
+\vbox{\pos{'115}\mac{esh}\pl{esh}\smoke{'115}}
+
+\vbox{\pos{'116}\mac{curlyesh}\pl{curly-tail esh}\smoke{'116}}
+
+\vbox{\pos{'117}\mac{nisigma}\pl{non-italic lowercase greek sigma}\smoke{'117}}
+
+\vbox{\pos{'120}\mac{tailt}\pl{t with right tail}\smoke{'120}}
+
+\vbox{\pos{'121}\mac{tesh}\pl{t-esh ligature}\smoke{'121}}
+
+\vbox{\pos{'122}\mac{clickt}\pl{turned t}\smoke{'122}}
+
+\vbox{\pos{'123}\mac{nitheta}\pl{non-italic lowercase greek theta}\smoke{'123}}
+
+\vbox{\pos{'124}\mac{baru}\pl{barred u}\smoke{'124}}
+
+\vbox{\pos{'125}\mac{slashu}\pl{slashed u}\smoke{'125}}
+
+\vbox{\pos{'126}\mac{niupsilon}\pl{non-italic lowercase greek
+ upsilon}\smoke{'126}}
+
+\vbox{\pos{'127}\mac{scu}\pl{small capital U}\smoke{'127}}
+
+\vbox{\pos{'130}\mac{barscu}\pl{barred small capital U}\smoke{'130}}
+
+\vbox{\pos{'131}\mac{scriptv}\pl{script v}\smoke{'131}}
+
+\vbox{\pos{'132}\mac{invw}\pl{inverted w}\smoke{'132}}
+
+\vbox{\pos{'133}\mac{nichi}\pl{non-italic lowercase greek chi}\smoke{'133}}
+
+\vbox{\pos{'134}\mac{invy}\pl{turned y}\smoke{'134}}
+
+\vbox{\pos{'135}\mac{scy}\pl{small capital Y}\smoke{'135}}
+
+\vbox{\pos{'136}\mac{curlyz}\pl{curly-tail z}\smoke{'136}}
+
+\vbox{\pos{'137}\mac{tailz}\pl{z with right tail}\smoke{'137}}
+
+\vbox{\pos{'140}\mac{yogh}\pl{yogh}\smoke{'140}}
+
+\vbox{\pos{'141}\mac{curlyyogh}\pl{curly-tail yogh}\smoke{'141}}
+
+\vbox{\pos{'142}\mac{glotstop}\pl{glottal stop}\smoke{'142}}
+
+\vbox{\pos{'143}\mac{revglotstop}\pl{reversed glottal stop}\smoke{'143}}
+
+\vbox{\pos{'144}\mac{invglotstop}\pl{inverted glottal stop}\smoke{'144}}
+
+\vbox{\pos{'145}\mac{ejective}\pl{ejective}\smoke{'145}}
+
+\vbox{\pos{'146}\mac{reveject}\pl{reversed ejective}\smoke{'146}}
+
+\vbox{\pos{'147}\mac{dental\{\#1\}}\pl{subscript bridge}\smoke{'147}}
+
+\vbox{\pos{'150}\mac{stress}\pl{vertical stroke (superior)}\smoke{'150}}
+
+\vbox{\pos{'151}\mac{secstress}\pl{vertical stroke (inferior)}\smoke{'151}}
+
+\vbox{\pos{'152}\mac{syllabic}\pl{syllabicity mark}\smoke{'152}}
+
+\vbox{\pos{'153}\mac{corner}\pl{corner}\smoke{'153}}
+
+\vbox{\pos{'154}\mac{upt}\pl{IPA pointer}\smoke{'154}}
+
+\vbox{\pos{'155}\mac{downt}\pl{IPA pointer}\smoke{'155}}
+
+\vbox{\pos{'156}\mac{leftt}\pl{IPA pointer}\smoke{'156}}
+
+\vbox{\pos{'157}\mac{rightt}\pl{IPA pointer}\smoke{'157}}
+
+\vbox{\pos{'160}\mac{halflength}\pl{half-length mark}\smoke{'160}}
+
+\vbox{\pos{'161}\mac{length}\pl{length mark}\smoke{'161}}
+
+\vbox{\pos{'162}\mac{underdots}\pl{subscript umlaut}\smoke{'162}}
+
+\vbox{\pos{'163}\mac{ain}\pl{reversed apostrophe}\smoke{'163}}
+
+\vbox{\pos{'164}\mac{upp}\pl{pointer}\smoke{'164}}
+
+\vbox{\pos{'165}\mac{downp}\pl{pointer}\smoke{'165}}
+
+\vbox{\pos{'166}\mac{leftp}\pl{pointer}\smoke{'166}}
+
+\vbox{\pos{'167}\mac{rightp}\pl{pointer}\smoke{'167}}
+
+\vbox{\pos{'170}\mac{overring}\pl{over-ring}\smoke{'170}}
+
+\vbox{\pos{'171}\mac{underring}\pl{under-ring}\smoke{'171}}
+
+\vbox{\pos{'172}\mac{open}\pl{subscript left half-ring}\smoke{'172}}
+
+\vbox{\pos{'173}\mac{midtilde}\pl{superimposed (mid-) tilde}\smoke{'173}}
+
+\vbox{\pos{'174}\mac{undertilde}\pl{subscript tilde}\smoke{'174}}
+
+\vbox{\pos{'175}\mac{underwedge}\pl{subscript wedge}\smoke{'175}}
+
+\vbox{\pos{'176}\mac{polishhook}\pl{polish hook}\smoke{'176}}
+
+\vbox{\pos{'177}\mac{underarch\{\#1\}}\pl{subscript arch}\smoke{'177}}
+
+\newpage
+\flushbottom
+\section{Using the {\tt ipalmacs} style option}
+
+ The {\tt ipalmcas} document style option loads the \wsu\ fonts and changes
+ them automatically according to the specified fontsize, fontseries and
+ fontshape. You need a \LaTeX\ with the {\em New Font Selection Scheme} (NFSS)
+ by Sch\"opf and Mittelbach. This is available from all the wellknown
+ \TeX\ servers.
+
+ Use the {\tt ipalmacs} option by adding it as an optional argument to the
+ \verb:\documentstyle: command, i.e. type
+\begin{verbatim}
+ \documentstyle[ipalmacs]{article}
+\end{verbatim}
+ at the very beginning of your document. Of course, {\tt ipalmacs} also works
+ with {\tt report} and {\tt book} style.
+
+To access individual \wsu\ characters within sentences set in Computer Modern,
+you need only to enter the \ipam\ command. For example,
+\begin{verbatim}
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\esh] (more technically,
+a grooved laminal fricative).
+\end{verbatim}
+\noindent which will print as:
+\vs{5pt}
+{\bf
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\esh] (more technically,
+a grooved laminal fricative).
+}
+\vs{5pt}
+
+The {\tt ipalmacs} character macros are defined so they can be used with the CM
+characters and accents without the need for delimiting curly braces. By using
+the {\tt ipalmacs}
+definitions, you can use the CM accents with a \wsu\ character in the
+same way you would accent a CM character. The following input
+
+\begin{verbatim}
+The superscript tilde is a nasalization marker for vowels,
+thus [\tilde\scripta] is a nasalized [\scripta].
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\bf The superscript tilde is a nasalization marker for vowels, thus
+[\~\scripta] is a nasalized [\scripta].
+}
+\vs{5pt}
+
+The \wsu\ accents can be used with CM characters. However, only the \wsu\
+``\dental'' and ``\underarch'' have been defined in {\tt ipalmacs} and both are
+diacritics which go under a character.
+To use any other \wsu\ character as an accent either with a CM character or with
+another \wsu\ character, you can define the \wsu\ accent
+in the same way that the CM accents are defined.
+
+There are three control sequences provided from smart accenting.
+
+\verb:\oaccent: is used for typesetting an accent over any letter. The input
+\verb:\oaccent{\overring}{g}: will produce a \oaccent{\overring}{g}.
+
+Most of the \wsu\ diacritics are intended to go under characters, like the
+``underarch'' and ``dental'' mentioned above. The control sequence
+\verb:\uaccent: produces a letter with an accent below, for example
+\verb:\uaccent{\c{}}{g}: gives you \uaccent{\c{}}{g}. (Note that this result
+ cannot achieved by just typing
+ \verb:\c{g}: which would result in \c{g}---the cedilla being not lowered.)
+
+\verb:\taccent: is somewhat special. It puts a diacritic designed to go under
+ a letter over it. It is needed for the lattvian special letter
+ \taccent{\polishhook}{g}, which you get by typing
+ \verb:\taccent{\polishhook}{g}:.
+
+For compatibility with the original \ipam\ package, the command
+ \verb:\diatop: is provided. Its use is discouraged within \LaTeX, because it
+ is fragile and would need \verb:\protect:ion under many circumstances.
+ It is used as \verb:\diatop[\overringg]:, producing \diatop[\overringg].
+
+ With the commands given above, you can stack as many diacritcs as you want
+ above and below any letter, for example
+\begin{verbatim}
+ Here are some very special
+ \oaccent{\overring}{\uaccent{\underring}{r}},
+ \oaccent{\'}{\oaccent{\overring}{n}},
+ and \uaccent{\underring}{\dental{d}}.
+\end{verbatim}
+ will print as
+
+{\bf Here are some very special
+ \oaccent{\overring}{\uaccent{\underring}{r}},
+ \oaccent{\'}{\oaccent{\overring}{n}},
+ and \uaccent{\underring}{\dental{d}}.
+}
+
+\section{Defining your own commands}
+
+Of course, you don't want to get tired by typing several times the same long
+ command. You may define your own abbereviations with the help of
+ \verb:\newcommand:, like the following:
+\begin{verbatim}
+\newcommand{\rr}{\uaccent{\underring}{r}} % \rr is a voiceless trilled r
+\newcommand{\og}[1]{\uaccent{\polishhook}{#1}} % ogonek below a letter
+\end{verbatim}
+Afterwards, you can use them like any ordinary \LaTeX\ command.
+\begin{verbatim}
+A voiceless trilled r [\rr] occurs in certain scottisch dialects.\\
+The polish \og{e} is pronounced [\~\niepsilon].
+\end{verbatim}
+will print as
+\newcommand{\rr}{\uaccent{\underring}{r}} % \rr is a voiceless trilled r
+\newcommand{\og}[1]{\uaccent{\polishhook}{#1}} % ogonek below a letter
+
+{\bf
+A voiceless trilled r [\rr] occurs in certain scottisch dialects.\\
+The polish \og{e} is pronounced [\~\niepsilon].
+}
+
+
+\parindent 0pt
+
+% macros for font tables
+\def\oct#1{\hbox{\rm\'{}\kern-.1em\it#1\/\kern.05em}}
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+
+\abovedisplayskip=3pt\belowdisplayskip=2pt
+\font\smalltextfont=cmr7
+\newcount\fontcount
+\newbox\charbox
+\def\oddline#1{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox\charbox=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}
+ \smash{\box\charbox}\cr
+ \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower3.5pt\vbox to14pt{}}
+\def\beginchart#1{ \global\fontcount=0 #1
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup}
+\def\:{\setbox\charbox=%\drawbox{
+\hbox{\char\fontcount
+%\llap{\vrule height.4pt width5pt depth0pt} %this will draw line at baseline
+}%}%
+ \ifdim\ht\charbox>7.5pt\reposition
+ \else\ifdim\dp\charbox>2.5pt\reposition
+ \else\ifdim\wd\charbox>0pt
+ \ifdim\ht\charbox<.01pt
+ \ifdim\dp\charbox<.01pt\unposition\fi\fi\fi\fi\fi
+ \box\charbox\global\advance\fontcount by1 }
+\def\reposition{}%\setbox\charbox=\hbox{@\vcenter{\kern2pt
+% \box\charbox\kern2pt}@}}
+\def\unposition{\setbox\charbox=\hbox{\smalltextfont undef}}
+\def\normalchart{%
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+\newpage
+\font\chartfont=wsuipa12
+{\tt WSUIPA12\bf--- WSU International Phonetic Alphabet Roman -- 12pt}
+\beginchart{\chartfont}
+\normalchart
+\endchart
+\vfill
+\font\newchartfont=wslipa12
+{\tt WSLIPA12\bf---WSU International Phonetic Alphabet Slanted -- 12pt}
+\nopagebreak
+\beginchart{\newchartfont}
+\normalchart
+\endchart
+
+\newpage
+\font\nchartfont=wbxipa12
+{\tt WBXIPA12\bf---WSU International Phonetic Alphabet Bold Extended
+-- 12pt}\
+\beginchart{\nchartfont}
+\normalchart
+\endchart
+\vfill
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/wsuipa/latex209/lipaman.tex b/Master/texmf-dist/doc/generic/wsuipa/latex209/lipaman.tex
new file mode 100644
index 00000000000..61b5d64fb3f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/wsuipa/latex209/lipaman.tex
@@ -0,0 +1,811 @@
+\documentstyle[12pt]{article}
+\input ipamacs
+
+\font\smokefont=wsuipa17
+\font\mf=cmr10
+\def\deg{$^\circ$}
+
+\def\vs #1{\vskip #1}
+\def\meta{{\mf METAFONT}}
+\def\wsu{{\ WSUIPA}}
+\def\ipam{{ IPAMACS}}
+\def\PL{{\it Phonetic Symbol Guide}}
+
+\def\pos#1{\vs{10pt}\hrule width 1in\vs{1pt}\hrule width 1in
+ \noindent\begin{tabular}{rl}
+ \tenbf WSUIPA Char' Position: & #1\\ }
+\def\pl#1{\tenbf Pullum \&\ Ladusaw name: & #1\\ }
+\def\mac#1{\tenbf IPAMACS Name: & \tt\char'134 #1\\ }
+\def\smoke#1{\tenbf IPA Character: & \smokefont\char#1
+ \end{tabular}}
+
+\begin{document}
+\title{ Using the WSU International Phonetic Alphabet}
+\author{} % Janene Winter
+\date{January 9, 1990}
+\maketitle
+
+\section{Preface}
+
+This users guide is intended to serve as a help and supplement to the
+Washington State University International Phonetic Alphabet (\wsu) fonts.
+It is not intended to be a manual on \TeX, linguistics, or the correct usage of
+the characters, accents and diacritics contained within the font.
+It is assumed that the user is familiar with the version of \TeX\ he or she is
+using and with the characters contained within the \wsu\ font.
+Because the uses for a phonetic alphabet font are probably as varied as the
+many disciplines which use the characters, this guide is intended to merely
+show some of the most common ways of using the \wsu\ font. Surely each person
+who implements the font will develop his or her own favorite way of working with
+ and
+using the font.
+
+The principal
+source of information regarding the characters and their shapes has come from
+sources within the linguistic field---most
+notably, Geoffrey K. Pullum and William A. Ladusaw, whose book, {\it Phonetic
+Symbol Guide} was used extensively.
+The \PL\ not only lists the International Phonetic Alphabet (IPA) characters
+and diacritics, it also
+gives an enlarged illustration of each character which shows its baseline,
+height, depth and x-height. These character illustrations were invaluable
+in the design of the \wsu\ \meta\ characters.
+
+Several other people involved
+in the wonderful world of linguistics also aided in the design of the \wsu\
+font. Their input concerning everything
+from character shape, to placement within the font, to determining which
+characters should be included, is gratefully acknowledged. I would especially
+like to thank Karen Mullen, Associate Professor of English, University of
+Louisville, Louisville, Kentucky. She tested, used the \wsu\ fonts, and took
+the time to give several suggestions and recommendations that have improved
+the font. Also, Christina A. Thiele, Managing Director, Journal Production
+ Centre,
+Carleton University, Ottawa, Ontario, who not only provided a wealth
+of phonetic information, but also a wealth of encouragement throughout
+the entire font designing process.
+
+
+Included with the \wsu\ fonts are:
+
+\begin{enumerate}
+\item
+The basic \wsu\ font which contains 128 phonetic characters
+and/or diacritics in six different point sizes (8,
+9, 10, 11, 12 and 17) and in
+three typefaces (roman, slanted and bold extended).
+
+\item Each size and typeface includes a TFM (\TeX\ Font Metric)
+file and its related GF, PK or PXL file.
+
+\item A macro package (\ipam.TEX) for use with the \wsu\ font, and
+
+\item the {\it WSUIPA Font User's Guide}.
+\end{enumerate}
+
+This guide is divided into three main sections: 1) an introduction to the \wsu\
+font,
+2) a description of the font layout and the characters included in the font
+and 3) some \TeX niques for use with the \wsu\ fonts.
+
+Although the \wsu\ fonts are written in \meta , the user does not need
+experience with or knowledge of \meta\ to use the font. However, at least a
+beginning understanding of \TeX\ and the use of fonts in the \TeX\ environment
+{\it is} necessary. For information about either \TeX\ or font usage in \TeX ,
+see {\it The \TeX book} by Donald Knuth.
+
+\section{Introduction to the WSUIPA Font}
+
+The \wsu\ fonts are written in \meta\ and use the same font parameter values
+as their Computer Modern (CM) counterparts (cmr and cmbx). In fact, while
+designing the character shapes, the computer modern code was left intact or
+modified only slightly whenever possible. Therefore, the \wsu\ fonts
+are totally compatible with computer modern fonts---the design and shape
+of the characters are computer modern wherever possible. For the characters
+that are drastically different from any computer modern characters or symbols,
+such as the ``Gamma,'' ``Baby Gamma'' and the ``Esh,'' Pullum and Ladusaw's
+{\it Phonetic Symbol Guide} was used as the character design
+standard.
+
+The \wsu\ fonts are obviously not an exhaustive collection of phonetic or
+even recognized International Phonetic Alphabet characters. The characters
+included in the \wsu\ font were chosen either because they were listed
+as a ``major'' entry in Pullum and Ladusaw's {\it Guide\/},
+or because of the recommendations from
+various people with an interest in the font.
+
+The {\it Guide} contains what it classifies as ``major'' and ``minor''
+characters, based upon whether the symbol is an officially recognized IPA
+character or is determined by Pullum and Ladusaw
+to be a standard symbol in current American
+transcriptual practice. The {\it Guide}
+lists 78 ``major'' entries which are not easily
+attainable in the CM fonts. All 78 of these characters are included in the
+\wsu\ font, along with 50 ``minor'' entries from the {\it Guide}.
+The selection of which
+``minor'' entries to include was based on information and requests from
+various phoneticians and linguists who contacted WSU during the beginning
+stages of the creation of the font.
+
+\section{The Layout of the WSUIPA Font}
+
+The character-grouping pattern followed by Pullum and Ladusaw in their
+{\it Guide} was adopted as the basis
+for the \wsu\ font layout. The characters
+are grouped together according to shape rather than usage. Therefore,
+the ``a'' shapes occupy
+the first positions: '00 through '04, ``b'' shapes are in positions '05
+through '11 and so forth. The accents and diacritics follow the character
+shapes and are in the last positions in the font. This approach was taken
+because under it was assumed that under most circumstances,
+the user would most likely be accessing the characters with the use of macros
+rather than by typing large portions of entirely phonetic text.
+Aside from keeping like shapes together, the positioning of the
+\wsu\ font was fairly arbitrary.
+
+\section{Character Description}
+
+Within this section each of the \wsu\ characters are shown in a \meta\
+``smoke mode'' proof. The octal character position is indicated, along with the
+corresponding macro name in \ipam, and the
+name of the character given in P\&L.
+Only the roman characters will be illustrated since the shapes of the slanted
+and bold extended are the same.
+
+There are several Greek characters included in the \wsu\ font, and initially
+it may appear these are merely copies of the corresponding CM Greek characters.
+That is true with one very important distinction: the \wsu\ Greek characters
+included are not italic. All the lowercase Greek characters included in
+the CM fonts are italic which makes them unsuitable for some situations in
+phonetics where a non-italic Greek character is essential.
+\newpage
+\raggedbottom
+\vbox{ \pos{'00}\mac{inva}\pl{turned a}\smoke{'00}}
+
+\vbox{ \pos{'01}\mac{scripta}\pl{script a}\smoke{'01}}
+
+\vbox{ \pos{'02}\mac{nialpha}\pl{lowercase non-italic alpha}\smoke{'02}
+}
+
+\vbox{\pos{'03}\mac{invscripta}\pl{turned script a}\smoke{'03}}
+
+\vbox{\pos{'04}\mac{invv}\pl{inverted v}\smoke{'04}}
+
+\vbox{\pos{'05}\mac{crossb}\pl{crossed b}\smoke{'05}}
+
+\vbox{\pos{'06}\mac{barb}\pl{barred b}\smoke{'06}}
+
+\vbox{\pos{'07}\mac{slashb}\pl{slashed b}\smoke{'07}}
+
+\vbox{\pos{'10}\mac{hookb}\pl{hooktop b}\smoke{'10}}
+
+\vbox{\pos{'11}\mac{nibeta}\pl{non-italic lowercase beta}\smoke{'11}}
+
+\vbox{\pos{'12}\mac{slashc}\pl{slashed c}\smoke{'12}}
+
+\vbox{\pos{'13}\mac{curlyc}\pl{curly-tail c}\smoke{'13}}
+
+\vbox{\pos{'14}\mac{clickc}\pl{stretched c}\smoke{'14}}
+
+\vbox{\pos{'15}\mac{crossd}\pl{crossed d}\smoke{'15}}
+
+\vbox{\pos{'16}\mac{bard}\pl{barred d}\smoke{'16}}
+
+\vbox{\pos{'17}\mac{slashd}\pl{slashed d}\smoke{'17}}
+
+\vbox{\pos{'20}\mac{hookd}\pl{hooktop d}\smoke{'20}}
+
+\vbox{\pos{'21}\mac{taild}\pl{right-tail d}\smoke{'21}}
+
+\vbox{\pos{'22}\mac{dz}\pl{d-yogh ligature}\smoke{'22}}
+
+\vbox{\pos{'23}\mac{eth}\pl{eth}\smoke{'23}}
+
+\vbox{\pos{'24}\mac{scd}\pl{small capital D}\smoke{'24}}
+
+\vbox{\pos{'25}\mac{schwa}\pl{schwa}\smoke{'25}}
+
+\vbox{\pos{'26}\mac{er}\pl{right-hook schwa}\smoke{'26}}
+
+\vbox{\pos{'27}\mac{reve}\pl{reversed e}\smoke{'27}}
+
+\vbox{\pos{'30}\mac{niepsilon}\pl{non-italic greek epsilon}\smoke{'30}}
+
+\vbox{\pos{'31}\mac{revepsilon}\pl{reversed non-italic epsilon}\smoke{'31}}
+
+\vbox{\pos{'32}\mac{hookrevepsilon}\pl{right-hook reversed non-italic epsilon}
+\smoke{'32}}
+
+\vbox{\pos{'33}\mac{closedrevepsilon}\pl{closed reversed non-italic epsilon}
+\smoke{'33}}
+
+\vbox{\pos{'34}\mac{scriptg}\pl{lowercase variant g}\smoke{'34}}
+
+\vbox{\pos{'35}\mac{hookg}\pl{hooktop g}\smoke{'35}}
+
+\vbox{\pos{'36}\mac{scg}\pl{small capital G}\smoke{'36}}
+
+\vbox{\pos{'37}\mac{nigamma}\pl{non-italic gamma}\smoke{'37}}
+
+\vbox{\pos{'40}\mac{ipagamma}\pl{IPA Gamma}\smoke{'40}}
+
+\vbox{\pos{'41}\mac{babygamma}\pl{baby gamma}\smoke{'41}}
+
+\vbox{\pos{'42}\mac{hv}\pl{h-v ligature}\smoke{'42}}
+
+\vbox{\pos{'43}\mac{crossh}\pl{crossed h}\smoke{'43}}
+
+\vbox{\pos{'44}\mac{hookg}\pl{hooktop g}\smoke{'44}}
+
+\vbox{\pos{'45}\mac{hookheng}\pl{hooktop heng}\smoke{'45}}
+
+\vbox{\pos{'46}\mac{invh}\pl{turned h}\smoke{'46}}
+
+\vbox{\pos{'47}\mac{bari}\pl{barred i}\smoke{'47}}
+
+\vbox{\pos{'50}\mac{dlbari}\pl{barred dotless i}\smoke{'50}}
+
+\vbox{\pos{'51}\mac{niiota}\pl{non-italic greek iota}\smoke{'51}}
+
+\vbox{\pos{'52}\mac{sci}\pl{small capital I}\smoke{'52}}
+
+\vbox{\pos{'53}\mac{barsci}\pl{barred small capital I}\smoke{'53}}
+
+\vbox{\pos{'54}\mac{invf}\pl{barred dotless j}\smoke{'54}}
+
+\vbox{\pos{'55}\mac{tildel}\pl{l with tilde}\smoke{'55}}
+
+\vbox{\pos{'56}\mac{barl}\pl{barred l}\smoke{'56}}
+
+\vbox{\pos{'57}\mac{latfric}\pl{belted l}\smoke{'57}}
+
+\vbox{\pos{'60}\mac{taill}\pl{l with right tail}\smoke{'60}}
+
+\vbox{\pos{'61}\mac{lz}\pl{l-yogh ligature}\smoke{'61}}
+
+\vbox{\pos{'62}\mac{nilambda}\pl{non-italic greek lambda}\smoke{'62}}
+
+\vbox{\pos{'63}\mac{crossnilambda}\pl{crossed lambda}\smoke{'63}}
+
+\vbox{\pos{'64}\mac{labdentalnas}
+\pl{m with leftward tail at right}\smoke{'64}}
+
+\vbox{\pos{'65}\mac{invm}\pl{turned m}\smoke{'65}}
+
+\vbox{\pos{'66}\mac{legm}\pl{turned m with long right leg}\smoke{'66}}
+
+\vbox{\pos{'67}\mac{nj}\pl{n with leftward hook at left}\smoke{'67}}
+
+\vbox{\pos{'70}\mac{eng}\pl{eng}\smoke{'70}}
+
+\vbox{\pos{'71}\mac{tailn}\pl{n with right tail}\smoke{'71}}
+
+\vbox{\pos{'72}\mac{scn}\pl{small capital N}\smoke{'72}}
+
+\vbox{\pos{'73}\mac{clickb}\pl{bull's eye}\smoke{'73}}
+
+\vbox{\pos{'74}\mac{baro}\pl{barred o}\smoke{'74}}
+
+\vbox{\pos{'75}\mac{openo}\pl{open o}\smoke{'75}}
+
+\vbox{\pos{'76}\mac{niomega}\pl{non-italic lowercase greek omega}\smoke{'76}}
+
+\vbox{\pos{'77}\mac{closedniomega}\pl{closed omega}\smoke{'77}}
+
+\vbox{\pos{'100}\mac{oo}\pl{double o}\smoke{'100}}
+
+\vbox{\pos{'101}\mac{barp}\pl{barred p}\smoke{'101}}
+
+\vbox{\pos{'102}\mac{thorn}\pl{thorn}\smoke{'102}}
+
+\vbox{\pos{'103}\mac{niphi}\pl{non-italic lowercase greek phi}\smoke{'102}}
+
+\vbox{\pos{'104}\mac{flapr}\pl{fish hook r}\smoke{'104}}
+
+\vbox{\pos{'105}\mac{legr}\pl{r with long leg}\smoke{'105}}
+
+\vbox{\pos{'106}\mac{tailr}\pl{r with right tail}\smoke{'106}}
+
+\vbox{\pos{'107}\mac{invr}\pl{turned r}\smoke{'107}}
+
+\vbox{\pos{'110}\mac{tailinvr}\pl{turned r with right tail}\smoke{'110}}
+
+\vbox{\pos{'111}\mac{invlegr}\pl{turned long-legged r}\smoke{'111}}
+
+\vbox{\pos{'112}\mac{scr}\pl{small capital R}\smoke{'112}}
+
+\vbox{\pos{'113}\mac{invscr}\pl{inverted small capital R}\smoke{'113}}
+
+\vbox{\pos{'114}\mac{tails}\pl{s with right tail}\smoke{'114}}
+
+\vbox{\pos{'115}\mac{esh}\pl{esh}\smoke{'115}}
+
+\vbox{\pos{'116}\mac{curlyesh}\pl{curly-tail esh}\smoke{'116}}
+
+\vbox{\pos{'117}\mac{nisigma}\pl{non-italic lowercase greek sigma}\smoke{'117}}
+
+\vbox{\pos{'120}\mac{tailt}\pl{t with right tail}\smoke{'120}}
+
+\vbox{\pos{'121}\mac{tesh}\pl{t-esh ligature}\smoke{'121}}
+
+\vbox{\pos{'122}\mac{clickt}\pl{turned t}\smoke{'122}}
+
+\vbox{\pos{'123}\mac{nitheta}\pl{non-italic lowercase greek theta}\smoke{'123}}
+
+\vbox{\pos{'124}\mac{baru}\pl{barred u}\smoke{'124}}
+
+\vbox{\pos{'125}\mac{slashu}\pl{slashed u}\smoke{'124}}
+
+\vbox{\pos{'126}\mac{niupsilon}\pl{non-italic lowercase greek
+ upsilon}\smoke{'126}}
+
+\vbox{\pos{'127}\mac{scu}\pl{small capital U}\smoke{'127}}
+
+\vbox{\pos{'130}\mac{barscu}\pl{barred small capital U}\smoke{'130}}
+
+\vbox{\pos{'131}\mac{scriptv}\pl{script v}\smoke{'131}}
+
+\vbox{\pos{'132}\mac{invw}\pl{inverted w}\smoke{'132}}
+
+\vbox{\pos{'133}\mac{nichi}\pl{non-italic lowercase greek chi}\smoke{'133}}
+
+\vbox{\pos{'134}\mac{invy}\pl{turned y}\smoke{'134}}
+
+\vbox{\pos{'135}\mac{scy}\pl{small capital Y}\smoke{'135}}
+
+\vbox{\pos{'136}\mac{curlyz}\pl{curly-tail z}\smoke{'136}}
+
+\vbox{\pos{'137}\mac{tailz}\pl{z with right tail}\smoke{'137}}
+
+\vbox{\pos{'140}\mac{yogh}\pl{yogh}\smoke{'140}}
+
+\vbox{\pos{'141}\mac{curlyyogh}\pl{curly-tail yogh}\smoke{'141}}
+
+\vbox{\pos{'142}\mac{glotstop}\pl{glottal stop}\smoke{'142}}
+
+\vbox{\pos{'143}\mac{revglotstop}\pl{reversed glottal stop}\smoke{'143}}
+
+\vbox{\pos{'144}\mac{invglotstop}\pl{inverted glottal stop}\smoke{'144}}
+
+\vbox{\pos{'145}\mac{ejective}\pl{ejective}\smoke{'145}}
+
+\vbox{\pos{'146}\mac{reveject}\pl{reversed ejective}\smoke{'146}}
+
+\vbox{\pos{'147}\mac{dental\#1}\pl{subscript bridge}\smoke{'147}}
+
+\vbox{\pos{'150}\mac{stress}\pl{vertical stroke (superior)}\smoke{'150}}
+
+\vbox{\pos{'151}\mac{secstress}\pl{vertical stroke (inferior)}\smoke{'151}}
+
+\vbox{\pos{'152}\mac{syllabic}\pl{syllabicity mark}\smoke{'152}}
+
+\vbox{\pos{'153}\mac{corner}\pl{corner}\smoke{'153}}
+
+\vbox{\pos{'154}\mac{upt}\pl{IPA pointer}\smoke{'154}}
+
+\vbox{\pos{'155}\mac{downt}\pl{IPA pointer}\smoke{'155}}
+
+\vbox{\pos{'156}\mac{leftt}\pl{IPA pointer}\smoke{'156}}
+
+\vbox{\pos{'157}\mac{rightt}\pl{IPA pointer}\smoke{'157}}
+
+\vbox{\pos{'160}\mac{halflength}\pl{half-length mark}\smoke{'160}}
+
+\vbox{\pos{'161}\mac{length}\pl{length mark}\smoke{'161}}
+
+\vbox{\pos{'162}\mac{underdots}\pl{subscript umlaut}\smoke{'162}}
+
+\vbox{\pos{'163}\mac{ain}\pl{reversed apostrophe}\smoke{'163}}
+
+\vbox{\pos{'164}\mac{upp}\pl{pointer}\smoke{'164}}
+
+\vbox{\pos{'165}\mac{downp}\pl{pointer}\smoke{'165}}
+
+\vbox{\pos{'166}\mac{leftp}\pl{pointer}\smoke{'166}}
+
+\vbox{\pos{'167}\mac{rightp}\pl{pointer}\smoke{'167}}
+
+\vbox{\pos{'170}\mac{overring}\pl{over-ring}\smoke{'170}}
+
+\vbox{\pos{'171}\mac{underring}\pl{under-ring}\smoke{'171}}
+
+\vbox{\pos{'172}\mac{open}\pl{subscript left half-ring}\smoke{'172}}
+
+\vbox{\pos{'173}\mac{midtilde}\pl{superimposed (mid-) tilde}\smoke{'173}}
+
+\vbox{\pos{'174}\mac{undertilde}\pl{subscript tilde}\smoke{'174}}
+
+\vbox{\pos{'175}\mac{underwedge}\pl{subscript wedge}\smoke{'175}}
+
+\vbox{\pos{'176}\mac{polishhook}\pl{polish hook}\smoke{'176}}
+
+\vbox{\pos{'177}\mac{underarch}\pl{subscript arch}\smoke{'177}}
+
+\newpage
+\flushbottom
+\section{Using the IPAMACS Macros}
+
+In addition to the necessary font-related files, the \wsu\ font package
+also includes a file called IPAMACS.TEX. This is a macro file which includes
+font declarations and definitions for use with the \wsu\ fonts.
+It also contains macro definitions for accessing each \wsu\ character
+mnemonically, as well as some macro definitions
+to simplify using \wsu\ accents and diacritics with Computer Modern
+characters and vice versa.
+
+Before you can use any of the macros from the \ipam\ file, you must input the
+{\tt IPAMACS.TEX} file by entering,
+\begin{verbatim}
+\input ipamacs
+\end{verbatim}
+
+\noindent at the top of your \TeX\ file. This assumes, of course, that you have
+installed this file.
+The \ipam\ file defines a font called
+\verb?\ipa? to be the twelve point roman \wsu\
+font. The \verb?\ipa? font is used in all the macro definitions in \ipam\
+to access the
+characters from the \wsu\ font. You may redefine \verb?\ipa?, say to be ten point
+roman, by entering
+\begin{verbatim}
+\font\ipatenrm=wsuipa10
+\def\ipa\{\ipatenrm\}
+\end{verbatim}
+\noindent within your file. From that point on, all the \wsu\ characters
+ accessed by
+using the \ipam\ macros will be the ten-point roman \wsu.
+
+To access individual \wsu\ characters within sentences set in Computer Modern,
+you need only to enter the \verb?\ipa? command. For example,
+\begin{verbatim}
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\esh] (more technically,
+a grooved laminal fricative).
+\end{verbatim}
+\noindent which will print as:
+\vs{5pt}
+{\bf
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\esh] (more technically,
+a grooved laminal fricative).
+}
+\vs{5pt}
+
+The \ipam\ character macros are defined so they can be used with the CM
+characters and accents without the need for delimiting curly braces. By using
+the \ipam\
+definitions, you can use the CM accents with a \wsu\ character in the
+same way you would accent a CM character. The following input
+
+\begin{verbatim}
+The superscript tilde is a nasalization marker for vowels,
+thus [\tilde\scripta] is a nasalized [\scripta].
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\bf The superscript tilde is a nasalization marker for vowels, thus
+[\~\scripta] is a nasalized [\scripta].
+}
+\vs{5pt}
+
+The \wsu\ accents can be used with CM characters. However, only the \wsu\
+``\dental'' and ``\underarch'' have been defined in \ipam\ and both are
+diacritics which go under a character.
+To use any other \wsu\ character as an accent either with a CM character or with
+another \wsu\ character, you can define the \wsu\ accent
+in the same way that the CM accents are defined. For example, an ``over-ring''
+accent could be defined as,
+
+\begin{verbatim}
+\def\or#1{{\edef\next{\the\font}%
+ \ipatwelverm\accent"78\next#1}}
+\end{verbatim}
+\noindent and may be used like,
+
+\begin{verbatim}
+The over-ring may be used over letters with descenders as an
+alternative to under-ring to indicate devoicing, e.g. [\or g].
+\end{verbatim}
+\noindent which will print as:
+\vs{5pt}
+{\def\or#1{{\edef\next{\the\font}%
+ \ipatwelverm\accent"78\next#1}}
+\bf The over-ring may be used over letters with descenders as an
+alternative to under-ring to indicate devoicing, e.g. [\or g].}
+\vs{5pt}
+
+Most of the \wsu\ diacritics are intended to go under characters, like the
+``underarch'' and ``dental'' mentioned above. You may define other ``under''
+accents in the same way as these two. For example, an ``undercircle''
+could be defined as,
+
+\begin{verbatim}
+\def\undercirc#1{\oalign{#1\crcr
+ \hidewidth\underring\hidewidth}}
+\end{verbatim}
+\noindent With this definition, the input
+\begin{verbatim}
+A voiceless trilled r [\undercirc r] in
+certain Scottish dialects
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\def\undercirc#1{\oalign{#1\crcr\hidewidth\underring\hidewidth}}
+\bf A voiceless trilled r [\undercirc r] in certain Scottish dialects
+}
+\vs{5pt}
+
+If the spacing or placement of the diacritic is not exactly what you desire
+with the basic definition given above, you can add kerns where needed.
+For example, if you want less space between the ``undercircle'' and
+the character, you could change the definition to be,
+\begin{verbatim}
+\def\undercirc#1{\oalign{#1\crcr
+ \hidewidth\raise.1ex\hbox{\underring}\hidewidth}}
+\end{verbatim}
+
+\noindent and this input
+\begin{verbatim}
+A voiceless trilled r [\undercirc r] in
+certain Scottish dialects
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\def\undercirc#1{\oalign{#1\crcr\hidewidth
+\raise.1ex\hbox{\underring}\hidewidth}}
+\bf A voiceless trilled r [\undercirc r] in certain Scottish dialects
+}
+\vs{5pt}
+
+Your diacritic definitions may be as general or specific as you wish. At one
+institution which uses the \wsu\ fonts, they prefer the ``undercircle'' to be
+placed differently when it falls under an r than any other character. To
+accomplish this, they use the following definition for \verb?\undercirc?.
+
+\begin{verbatim}
+\def\undercirc#1{\ifx#1r
+ \oalign{#1\crcr\hidewidth\kern.24em\underring
+ \hidewidth\crcr}
+ \else\oalign{#1\crcr
+ \hidewidth\raise.1ex\hbox{\underring}\hidewidth}
+ \fi}
+\end{verbatim}
+
+With this definition of \verb?\undercirc?, the following input
+
+\begin{verbatim}
+To illustrate the different placement of the \underring on
+an \undercirc s and on an \undercirc r.
+\end{verbatim}
+
+\noindent will print as
+\vs{5pt}
+{\def\undercirc#1{\ifx#1r
+ \oalign{#1\crcr\hidewidth\kern.24em\underring\hidewidth\crcr}\fi}
+\bf To illustrate the different placement of the \underring on an \undercirc s
+and on an \undercirc r.
+}
+\vs{5pt}
+
+\ipam\
+also includes a macro called \verb?\diatop? which provides an alternative way
+of getting one or more characters, accents, or diacritics over one another. The
+\verb?\diatop? macro takes one argument which is delimited by square
+brackets ([])
+rather than curly braces, and has two parts. The first part of the
+argument is delimited, or separated, from the second part by a vertical bar
+($\vert$). \verb?\diatop? puts the first part of the argument over the second.
+
+Using \verb?\diatop? instead of our previous definition for the ``overring,'' (\\or)
+you could input,
+
+\begin{verbatim}
+The overring may be used over letters with descenders as
+an alternative to
+under-ring to indicate devoicing, e.g. [\diatop[\overring|g]].
+\end{verbatim}
+\noindent and the output would be,
+\vs{5pt}
+{\bf The overring may be used over letters with descenders as an alternative to
+under-ring to indicate devoicing, e.g. [\diatop[\overring|g]].
+}
+\vs{5pt}
+
+More than one character can be stacked over another character by using
+\verb?\diatop?. For example,
+
+\begin{verbatim}
+For a really special \diatop[{\diatop[\'|\overring]}|n]
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\bf For a really special \diatop[{\diatop[\'|\overring]}|n]
+}
+\vs{5pt}
+
+\noindent Notice the use of curly braces to group the argument of the first
+\verb?\diatop? when more than one \verb?\diatop? command is used.
+
+It is also possible to get one or more accents over a character and another
+accent or character under it. Assuming that \verb?\undercirc? has been defined as
+described earlier, the following example
+
+\begin{verbatim}
+This is a really, really special
+\diatop[\overring|\undercirc{r}]
+\end{verbatim}
+\noindent will print as:
+\vs{5pt}
+{\def\undercirc#1{\oalign{#1\crcr\hidewidth\underring\hidewidth}}
+\bf This is a really, really special \diatop[\overring|\undercirc{r}]
+}
+\vs{5pt}
+
+The \ipam\ do not sent up the \wsu\ fonts to be part of a font family
+definition, which means that any \wsu\ character that is accessed by
+an \ipam\
+macro, will always print out in the same font (wsuipa12, by default),
+regardless of what size or typeface you may have been using when
+the \ipam\
+macro was called. In other words, whatever font \verb?\ipa? is defined to be,
+determines the font \ipam\ will call.
+
+In order to get slanted \wsu\ characters when \verb?\it? or \verb?\sl? is being used, or
+bold \wsu\ characters when \verb?\bf? is being used, you must include the definition
+of \verb?\ipa? as part of your font family definitions.
+
+Without redefining \verb?\ipa?, the following input,
+
+\begin{verbatim}
+\dots which is the case in the aforementioned
+instances, however, {\bf this
+does not preclude the other retroflex consonants:
+[\nj], [\taill], [\taild], and [\tailr]}.
+\end{verbatim}
+\noindent will print as,
+
+\vs{5pt}
+{\bf \dots which is the case in the aforementioned instances, however, {\bf this
+does not preclude the other retroflex consonants: [\nj], [\taill], [\taild],
+and [\tailr]}.
+}
+\vs{5pt}
+
+Now, with \verb?\ipa? defined within the twelve-point font family, as illustrated
+below
+
+\begin{verbatim}
+\font\twelverm=cmr12
+\font\twelvei=cmmi12
+\font\twelvesy=cmsy12
+\font\twelveex=cmex12
+\font\twelveit=cmti12
+\font\twelvebf=cmbx12
+\font\twelveipa=wsuipa12
+\font\twelveslipa=wslipa12
+\font\twelvebfipa=wbxipa12
+
+\def\twelvepoint{%
+ \textfont0=\twelverm
+ \scriptfont0=\sevenrm \scriptscriptfont0=\sevenrm
+ \def\rm{\fam0\twelverm\def\ipa{\twelvermipa}}%
+ \textfont1=\twelvei
+ \scriptfont1=\sevenrm \scriptscriptfont1=\sevenrm
+ \textfont2=\twelvesy
+ \scriptfont2=\sevensy \scriptscriptfont2=\sevensy
+ \textfont3=\twelveex
+ \scriptfont3=\twelveex \scriptscriptfont3=\twelveex
+ \textfont\itfam=\twelveit
+ \def\it{\fam\itfam\twelveit\def\ipa{\twelveslipa}}%
+ \textfont\bffam=\twelvebf
+ \def\bf{\fam\bffam\twelvebf\def\ipa{\twelvebfipa}}%
+ \rm}%
+%
+
+%
+\end{verbatim}
+\noindent the previous input of
+\begin{verbatim}
+\dots which is the case in the aforementioned
+instances, however, \{\bf this
+does not preclude the other retroflex consonants:
+[\nj], [\taill], [\taild], and [\tailr]\}.
+\end{verbatim}
+\noindent will print as,
+
+\vs{5pt}
+{\font\twelvebfipa=wbxipa12\font\twelvebf=cmbx12\def\bf{\fam\bffam\twelvebf
+\def\ipa{\twelvebfipa}}%
+\bf\dots which is the case in the aforementioned instances, however, {\bf this
+does not preclude the other retroflex consonants: [\nj], [\taill], [\taild],
+and [\tailr]}.
+}
+
+\parindent 0pt
+
+% macros for font tables
+\def\oct#1{\hbox{\rm\'{}\kern-.1em\it#1\/\kern.05em}}
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+
+\abovedisplayskip=3pt\belowdisplayskip=2pt
+\font\smalltextfont=cmr7
+\newcount\fontcount
+\newbox\charbox
+\def\oddline#1{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox\charbox=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}
+ \smash{\box\charbox}\cr
+ \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower3.5pt\vbox to14pt{}}
+\def\beginchart#1{ \global\fontcount=0 #1
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup}
+\def\:{\setbox\charbox=%\drawbox{
+\hbox{\char\fontcount
+%\llap{\vrule height.4pt width5pt depth0pt} %this will draw line at baseline
+}%}%
+ \ifdim\ht\charbox>7.5pt\reposition
+ \else\ifdim\dp\charbox>2.5pt\reposition
+ \else\ifdim\wd\charbox>0pt
+ \ifdim\ht\charbox<.01pt
+ \ifdim\dp\charbox<.01pt\unposition\fi\fi\fi\fi\fi
+ \box\charbox\global\advance\fontcount by1 }
+\def\reposition{}%\setbox\charbox=\hbox{@\vcenter{\kern2pt
+% \box\charbox\kern2pt}@}}
+\def\unposition{\setbox\charbox=\hbox{\smalltextfont undef}}
+\def\normalchart{%
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+\newpage
+\font\chartfont=wsuipa12
+{\tt WSUIPA12\bf--- WSU International Phonetic Alphabet Roman -- 12pt}
+\beginchart{\chartfont}
+\normalchart
+\endchart
+\vfill
+\font\newchartfont=wslipa12
+{\tt WSLIPA12\bf---WSU International Phonetic Alphabet Slanted -- 12pt}
+\nopagebreak
+\beginchart{\newchartfont}
+\normalchart
+\endchart
+
+\newpage
+\font\nchartfont=wbxipa12
+{\tt WBXIPA12\bf---WSU International Phonetic Alphabet Bold Extended
+-- 12pt}\
+\beginchart{\nchartfont}
+\normalchart
+\endchart
+\vfill
+\font\nwchartfont=wsuipa9
+{\tt WSUIPA9\bf---WSU International Phonetic Alphabet Roman -- 9pt}\relax
+\nopagebreak
+\beginchart{\nwchartfont}
+\normalchart
+\endchart
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/wsuipa/latex2e/ipaman.tex b/Master/texmf-dist/doc/generic/wsuipa/latex2e/ipaman.tex
new file mode 100644
index 00000000000..694914adbf5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/wsuipa/latex2e/ipaman.tex
@@ -0,0 +1,532 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%% International Phonetic Alphabet %%%%%
+%%%%% -- Manual -- %%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%
+%%%%% adapted to LaTeX by W. Antweiler, UnivCologneCompCen, 05/28/90
+%%%%%
+%%%%% adapted by Andrej Brodnik (Andy) for NFSS, University of
+%%%%% Waterloo, 11.01.93
+%%%%%
+%%%%% adapted by Andrej Brodnik and Denis Roegel for NFSS2, CRIN
+%%%%% (Centre de Recherche en Informatique de Nancy), F-54506
+%%%%% VANDOEUVRE-LES-NANCY, for NFSS2, 16.07.94
+%%%%%
+\documentclass[12pt]{article}
+\usepackage{ipa}
+\newcommand{\B}[1]{$\backslash$#1}
+\newcommand{\MF}{{\rm\sc{}metafont}}
+\newcommand{\wsu}{{\small\rm WSUIPA}}
+\newcommand{\ipam}{{\small\rm IPAMACS}}
+\newcommand{\ipas}{{\small\rm IPA}}
+\newcommand{\PL}{{\em Phonetic Symbol Guide}}
+
+\begin{document}
+\title{Using the WSU International Phonetic Alphabet}
+\author{Washington State University}
+\date{
+ January 9, 1990 \\
+ January 11, 1993\footnote{Adapted for \LaTeX\ and NFSS} \\
+ July 16, 1994\footnote{Adapted for \LaTeX\ and NFSS2}
+}
+\maketitle
+
+\section{Preface}
+
+This users guide is intended to serve as a help and supplement to the
+Washington State University International Phonetic Alphabet (\wsu)
+fonts. It is not intended to be a manual on \TeX, \LaTeX, linguistics,
+or the correct usage of the characters, accents and diacritics
+contained within the font. It is assumed that the user is familiar
+with the version of \LaTeX\ he or she is using and with the characters
+contained within the \wsu\ font. Because the uses for a phonetic
+alphabet font are probably as varied as the many disciplines which use
+the characters, this guide is intended to merely show some of the most
+common ways of using the \wsu\ font. Surely each person who implements
+the font will develop his or her own favorite way of working with and
+using the font.
+
+The principal source of information regarding the characters and their
+shapes has come from sources within the linguistic field---most
+notably, Geoffrey K. Pullum and William A. Ladusaw, whose book, {\em
+Phonetic Symbol Guide} was used extensively. The \PL\ not only lists
+the International Phonetic Alphabet (IPA) characters and diacritics,
+it also gives an enlarged illustration of each character which shows
+its baseline, height, depth and x-height. These character
+illustrations were invaluable in the design of the \wsu\ \MF\
+characters.
+
+Several other people involved in the wonderful world of linguistics
+also aided in the design of the \wsu\ font. Their input concerning
+everything from character shape, to placement within the font, to
+determining which characters should be included, is gratefully
+acknowledged. I would especially like to thank Karen Mullen, Associate
+Professor of English, University of Louisville, Louisville, Kentucky.
+She tested, used the \wsu\ fonts, and took the time to give several
+suggestions and recommendations that have improved the font. Also,
+Christina A. Thiele, Managing Director, Journal Production Centre,
+Carleton University, Ottawa, Ontario, who not only provided a wealth
+of phonetic information, but also a wealth of encouragement throughout
+the entire font designing process.
+
+Included with the \wsu\ fonts are:
+%
+\begin{itemize}
+ \item The basic \wsu\ font which contains 128 phonetic characters
+and/or diacritics in five different point sizes (8, 9, 10, 11 and 12)
+and in three typefaces (roman, slanted and bold extended).
+ \item Each size and typeface includes a TFM (\TeX\ Font Metric) file
+and its related GF, PK or PXL file (after you generate them).
+ \item A macro package (\ipam.TEX) for use with the \wsu\ font for
+\TeX\ and \LaTeX\ without NFSS users. Note, that this package is not
+necessary for NFSS \LaTeX users.
+ \item A style file (\ipas.STY) for NFSS \LaTeX\ users, and
+ \item three {\em WSUIPA Font User's Guides}. The first one is for
+\TeX\ ({\small\rm IPAMAN.TEX} -- the original manual), the second one
+for \LaTeX\ without NFSS ({\small\rm IPAMAN.LTX} -- the manual adapted
+by W.~Antweiler) and the third one is this one.
+\end{itemize}
+
+This guide is divided into three main sections:
+%
+\begin{enumerate}
+ \item an introduction to the \wsu\ font,
+ \item a description of the font layout and the characters included
+in the font and
+ \item how to use \ipas\ more in more sophisticated and in simpler
+way.
+\end{enumerate}
+
+Although the \wsu\ fonts are written in \MF, the user does not need
+experience with or knowledge of \MF\ to use the font.
+
+
+\section{Introduction to the WSUIPA Font}
+
+The \wsu\ fonts are written in \MF\ and use the same font parameter
+values as their Computer Modern (CM) counterparts (cmr and cmbx). In
+fact, while designing the character shapes, the computer modern code
+was left intact or modified only slightly whenever possible.
+Therefore, the \wsu\ fonts are totally compatible with computer modern
+fonts---the design and shape of the characters are computer modern
+wherever possible. For the characters that are drastically different
+from any computer modern characters or symbols, such as the ``Gamma,''
+``Baby Gamma'' and the ``Esh,'' Pullum and Ladusaw's \PL\ was used as
+the character design standard.
+
+The \wsu\ fonts are obviously not an exhaustive collection of phonetic
+or even recognized International Phonetic Alphabet characters. The
+characters included in the \wsu\ font were chosen either because they
+were listed as a ``major'' entry in Pullum and Ladusaw's \PL, or
+because of the recommendations from various people with an interest in
+the font.
+
+\PL\ contains what it classifies as ``major'' and ``minor''
+characters, based upon whether the symbol is an officially recognized
+IPA character or is determined by Pullum and Ladusaw to be a standard
+symbol in current American transcriptual practice. \PL\ lists 78
+``major'' entries which are not easily attainable in the CM fonts. All
+78 of these characters are included in the \wsu\ font, along with 50
+``minor'' entries from \PL. The selection of which ``minor'' entries
+to include was based on information and requests from various
+phoneticians and linguists who contacted WSU during the beginning
+stages of the creation of the font.
+
+
+\section{The Layout of the WSUIPA Font}
+
+The character-grouping pattern followed by Pullum and Ladusaw in their
+\PL\ was adopted as the basis for the \wsu\ font layout. The
+characters are grouped together according to shape rather than usage.
+Therefore, the ``a'' shapes occupy the first positions: '00 through
+'04, ``b'' shapes are in positions '05 through '11 and so forth. The
+accents and diacritics follow the character shapes and are in the last
+positions in the font. This approach was taken because under it was
+assumed that under most circumstances, the user would most likely be
+accessing the characters with the use of macros rather than by typing
+large portions of entirely phonetic text. Aside from keeping like
+shapes together, the positioning of the \wsu\ font was fairly
+arbitrary.
+
+
+\section{Character Description}
+
+Within this section each of the \wsu\ characters are shown in a \MF\
+``smoke mode'' proof. The octal character position is indicated, along
+with the corresponding macro name in \ipam, and the name of the
+character given in \PL. Only the roman characters will be illustrated
+since the shapes of the slanted and bold extended are the same.
+
+There are several Greek characters included in the \wsu\ font, and
+initially it may appear these are merely copies of the corresponding
+CM Greek characters. That is true with one very important distinction:
+the \wsu\ Greek characters included are not italic. All the lowercase
+Greek characters included in the CM fonts are italic which makes them
+unsuitable for some situations in phonetics where a non-italic Greek
+character is essential.
+
+\newcommand{\D}[1]{#1&{\ipa\char#1}}
+\raggedbottom
+\begin{center}
+\begin{tabular}{|l|c|l|l|}
+\hline
+\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\
+\hline\hline
+Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\
+Code& & Name & Name\\
+\hline
+\D{'00} &\B{inva} &turned a\\
+\D{'01} &\B{scripta} &script a\\
+\D{'02} &\B{nialpha} &lowercase non-italic alpha\\
+\D{'03} &\B{invscripta} &turned script a\\
+\D{'04} &\B{invv} &inverted v\\
+\D{'05} &\B{crossb} &crossed b\\
+\D{'06} &\B{barb} &barred b\\
+\D{'07} &\B{slashb} &slashed b\\
+\D{'10} &\B{hookb} &hooktop b\\
+\D{'11} &\B{nibeta} &non-italic lowercase beta\\
+\D{'12} &\B{slashc} &slashed c\\
+\D{'13} &\B{curlyc} &curly-tail c\\
+\D{'14} &\B{clickc} &stretched c\\
+\D{'15} &\B{crossd} &crossed d\\
+\D{'16} &\B{bard} &barred d\\
+\D{'17} &\B{slashd} &slashed d\\
+\D{'20} &\B{hookd} &hooktop d\\
+\D{'21} &\B{taild} &right-tail d\\
+\D{'22} &\B{dz} &d-yogh ligature\\
+\D{'23} &\B{eth} &eth\\
+\D{'24} &\B{scd} &small capital D\\
+\D{'25} &\B{schwa} &schwa\\
+\D{'26} &\B{er} &right-hook schwa\\
+\D{'27} &\B{reve} &reversed e\\
+\D{'30} &\B{niepsilon} &non-italic greek epsilon\\
+\D{'31} &\B{revepsilon} &reversed non-italic epsilon\\
+\D{'32} &\B{hookrevepsilon} &right-hook reversed non-italic epsilon\\
+\D{'33} &\B{closedrevepsilon} &closed reversed non-italic epsilon\\
+\D{'34} &\B{scriptg} &lowercase variant g\\
+\D{'35} &\B{hookg} &hooktop g\\
+\D{'36} &\B{scg} &small capital G\\
+\D{'37} &\B{nigamma} &non-italic gamma\\
+\hline
+\end{tabular}
+\end{center}
+\newpage
+\begin{center}
+\begin{tabular}{|l|c|l|l|}
+\hline
+\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\
+\hline\hline
+Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\
+Code& & Name & Name\\
+\hline
+\D{'40} &\B{ipagamma} &IPA Gamma\\
+\D{'41} &\B{babygamma} &baby gamma\\
+\D{'42} &\B{hv} &h-v ligature\\
+\D{'43} &\B{crossh} &crossed h\\
+\D{'44} &\B{hookg} &hooktop g\\
+\D{'45} &\B{hookheng} &hooktop heng\\
+\D{'46} &\B{invh} &turned h\\
+\D{'47} &\B{bari} &barred i\\
+\D{'50} &\B{dlbari} &barred dotless i\\
+\D{'51} &\B{niiota} &non-italic greek iota\\
+\D{'52} &\B{sci} &small capital I\\
+\D{'53} &\B{barsci} &barred small capital I\\
+\D{'54} &\B{invf} &barred dotless j\\
+\D{'55} &\B{tildel} &l with tilde\\
+\D{'56} &\B{barl} &barred l\\
+\D{'57} &\B{latfric} &belted l\\
+\D{'60} &\B{taill} &l with right tail\\
+\D{'61} &\B{lz} &l-yogh ligature\\
+\D{'62} &\B{nilambda} &non-italic greek lambda\\
+\D{'63} &\B{crossnilambda} &crossed lambda\\
+\D{'64} &\B{labdentalnas} &m with leftward tail at right\\
+\D{'65} &\B{invm} &turned m\\
+\D{'66} &\B{legm} &turned m with long right leg\\
+\D{'67} &\B{nj} &n with leftward hook at left\\
+\D{'70} &\B{eng} &eng\\
+\D{'71} &\B{tailn} &n with right tail\\
+\D{'72} &\B{scn} &small capital N\\
+\D{'73} &\B{clickb} &bull's eye\\
+\D{'74} &\B{baro} &barred o\\
+\D{'75} &\B{openo} &open o\\
+\D{'76} &\B{niomega} &non-italic lowercase greek omega\\
+\D{'77} &\B{closedniomega} &closed omega\\
+\hline
+\end{tabular}
+\end{center}
+\newpage
+\begin{center}
+\begin{tabular}{|l|c|l|l|}
+\hline
+\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\
+\hline\hline
+Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\
+Code& & Name & Name\\
+\hline
+\D{'100} &\B{oo} &double o\\
+\D{'101} &\B{barp} &barred p\\
+\D{'102} &\B{thorn} &thorn\\
+\D{'103} &\B{niphi} &non-italic lowercase greek phi\\
+\D{'104} &\B{flapr} &fish hook r\\
+\D{'105} &\B{legr} &r with long leg\\
+\D{'106} &\B{tailr} &r with right tail\\
+\D{'107} &\B{invr} &turned r\\
+\D{'110} &\B{tailinvr} &turned r with right tail\\
+\D{'111} &\B{invlegr} &turned long-legged r\\
+\D{'112} &\B{scr} &small capital R\\
+\D{'113} &\B{invscr} &inverted small capital R\\
+\D{'114} &\B{tails} &s with right tail\\
+\D{'115} &\B{esh} &esh\\
+\D{'116} &\B{curlyesh} &curly-tail esh\\
+\D{'117} &\B{nisigma} &non-italic lowercase greek sigma\\
+\D{'120} &\B{tailt} &t with right tail\\
+\D{'121} &\B{tesh} &t-esh ligature\\
+\D{'122} &\B{clickt} &turned t\\
+\D{'123} &\B{nitheta} &non-italic lowercase greek theta\\
+\D{'124} &\B{baru} &barred u\\
+\D{'125} &\B{slashu} &slashed u\\
+\D{'126} &\B{niupsilon} &non-italic lowercase greek upsilon\\
+\D{'127} &\B{scu} &small capital U\\
+\D{'130} &\B{barscu} &barred small capital U\\
+\D{'131} &\B{scriptv} &script v\\
+\D{'132} &\B{invw} &inverted w\\
+\D{'133} &\B{nichi} &non-italic lowercase greek chi\\
+\D{'134} &\B{invy} &turned y\\
+\D{'135} &\B{scy} &small capital Y\\
+\D{'136} &\B{curlyz} &curly-tail z\\
+\D{'137} &\B{tailz} &z with right tail\\
+\hline
+\end{tabular}
+\end{center}
+\newpage
+\begin{center}
+\begin{tabular}{|l|c|l|l|}
+\hline
+\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\
+\hline\hline
+Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\
+Code& & Name & Name\\
+\hline
+\D{'140} &\B{yogh} &yogh\\
+\D{'141} &\B{curlyyogh} &curly-tail yogh\\
+\D{'142} &\B{glotstop} &glottal stop\\
+\D{'143} &\B{revglotstop} &reversed glottal stop\\
+\D{'144} &\B{invglotstop} &inverted glottal stop\\
+\D{'145} &\B{ejective} &ejective\\
+\D{'146} &\B{reveject} &reversed ejective\\
+\D{'147} &\B{dental{\char'043}1} &subscript bridge\\
+\D{'150} &\B{stress} &vertical stroke (superior)\\
+\D{'151} &\B{secstress} &vertical stroke (inferior)\\
+\D{'152} &\B{syllabic} &syllabicity mark\\
+\D{'153} &\B{corner} &corner\\
+\D{'154} &\B{upt} &IPA pointer\\
+\D{'155} &\B{downt} &IPA pointer\\
+\D{'156} &\B{leftt} &IPA pointer\\
+\D{'157} &\B{rightt} &IPA pointer\\
+\D{'160} &\B{halflength} &half-length mark\\
+\D{'161} &\B{length} &length mark\\
+\D{'162} &\B{underdots} &subscript umlaut\\
+\D{'163} &\B{ain} &reversed apostrophe\\
+\D{'164} &\B{upp} &pointer\\
+\D{'165} &\B{downp} &pointer\\
+\D{'166} &\B{leftp} &pointer\\
+\D{'167} &\B{rightp} &pointer\\
+\D{'170} &\B{overring} &over-ring\\
+\D{'171} &\B{underring} &under-ring\\
+\D{'172} &\B{open} &subscript left half-ring\\
+\D{'173} &\B{midtilde} &superimposed (mid-) tilde\\
+\D{'174} &\B{undertilde} &subscript tilde\\
+\D{'175} &\B{underwedge} &subscript wedge\\
+\D{'176} &\B{polishhook} &polish hook\\
+\D{'177} &\B{underarch} &subscript arch\\
+\hline
+\end{tabular}
+\end{center}
+\newpage
+\flushbottom
+
+
+\section{Using the {\tt{}ipa.sty} Style File}
+
+In addition to the necessary font-related files, the \wsu\ font
+package also includes a file called {\ipas.STY}. This is a macro style
+file which supports \LaTeX\ under NFSS (new font selection scheme). It
+greatly simplifies the usage of new font as it will be seen in this
+section. The file also defines mnemonics for simpler usage of
+characters from a new font. They are the same as ones given in tables
+in the previous section.
+
+If you are using IPA font all what you need to do is to mention \ipas\
+style file in the header of your \LaTeX\ source. For example:
+%
+\begin{verbatim}
+\documentstyle[ipa]{article}
+\end{verbatim}
+
+The \ipas\ style file defines a new font family \B{ipa}, but you
+don't need to know this, because you will use it only through the
+mnemonics.
+
+Because the new font is installed under NFSS, the system will also
+always choose the correct shape, series, and size whenever you wish to
+use it. For example:
+%
+\begin{quote}\begin{verbatim}
+A shibilant is a term occasionally found for a
+fricative corresponding to a ``hushing'' sound,
+e.g., IPA [\esh] (more technically, a grooved
+laminal fricative with a sign {\large\bf \esh}.).
+\end{verbatim}\end{quote}
+%
+which will print as:
+%
+\begin{quote}
+A shibilant is a term occasionally found for a
+fricative corresponding to a ``hushing'' sound,
+e.g., IPA [\esh] (more technically, a grooved
+laminal fricative with a sign {\large\bf \esh}.).
+\end{quote}
+%
+or even
+%
+\begin{quote}\begin{verbatim}
+\dots which is the case in the aforementioned
+instances, however, {\large\bf we get the other
+retroflex consonants:
+[\nj], [\taill], [\taild], and [\tailr]}. They
+are printed {\small\sl also as
+[\nj], [\taill], [\taild], and [\tailr]}.
+\end{verbatim}\end{quote}
+%
+will print as,
+%
+\begin{quote}
+\dots which is the case in the aforementioned
+instances, however, {\bf\large we get the
+other retroflex consonants:
+[\nj], [\taill], [\taild], and [\tailr]}. They
+are printed {\sl\small also as
+[\nj], [\taill], [\taild], and [\tailr]}.
+\end{quote}
+%
+%
+This means that you can freely change sizes, series, shapes and fonts
+(assuming that there exists a wanted font -- note however, that IPA
+font comes only in bold extended and medium series, and in normal and
+slanted shape.)
+
+A number of \wsu\ diacritics can be used on top or the bottom of other
+characters. To handle this \ipas\ provides two macros: \B{diatop} and
+\B{diaunder}. The first one (\B{diatop}) has the syntax:
+%
+\begin{center}
+\verb+\diatop[diacritics|character]+
+\end{center}
+%
+It takes one argument which is delimited by square brackets ([])
+rather than curly braces, and has two parts.\footnote{From the \LaTeX\
+perspective more correctly would be to use curly braces (\{\}) instead
+of square brackets ([]), but we left the square brackets to remain
+compatible with the previous versions of the \ipam\ file.}
+%
+The first part of the argument is delimited, or separated, from the
+second part by a vertical bar ($\vert$). The macro \B{diatop} puts the
+first part of the argument over the second.
+
+Using \B{diatop} we can put a ring over another character by,
+%
+\begin{quote}\begin{verbatim}
+The overring may be used over letters with descenders
+as an alternative to under-ring to indicate devoicing,
+e.g. [\diatop[\overring|g]].
+\end{verbatim}\end{quote}
+%
+and the output would be,
+%
+\begin{quote}
+The overring may be used over letters with descenders as an
+alternative to under-ring to indicate devoicing, e.g.
+[\diatop[\overring|g]].
+\end{quote}
+
+The \B{diatop} macro also allows placement more than one character
+stacked over another character. For example,
+%
+\begin{quote}\begin{verbatim}
+For a really special \diatop[{\diatop[\'|\overring]}|n]
+\end{verbatim}\end{quote}
+%
+will print as:
+%
+\begin{quote}
+For a really special \diatop[{\diatop[\'|\overring]}|n]
+\end{quote}
+%
+Notice the use of curly braces to group the argument of the first \B{diatop}
+when more than one \B{diatop} command is used.
+
+The second macro (\B{diaunder}) has a similar syntax:
+%
+\begin{center}
+\verb+\diaunder[diacritics|character]+
+\end{center}
+%
+As \B{diatop} it also takes one argument which is delimited by square
+brackets, and has two parts separated by a vertical bar ($\vert$). It
+puts the first part of the argument under the second.
+
+Using \B{diaunder} we can put \underring under r as in:
+%
+\begin{quote}\begin{verbatim}
+A voiceless trilled r \diaunder[\underring|r]
+in certain Scottish dialects.
+\end{verbatim}\end{quote}
+%
+which will print as:
+%
+\begin{quote}
+A voiceless trilled r \diaunder[\underring|r]
+in certain Scottish dialects.
+\end{quote}
+%
+
+Furthermore, it is also possible to get one or more accents over a
+character and another accent or character under it. For example:
+%
+\begin{quote}\begin{verbatim}
+This is a really, really special
+\diatop[\overring|{\diaunder[\underring|r]}]
+\end{verbatim}\end{quote}
+%
+will print as:
+%
+\begin{quote}
+This is a really, really special
+\diatop[\overring|{\diaunder[\underring|r]}]
+\end{quote}
+
+\section{Historical remarks}
+
+The first version of this manual was written by W.\ Antweiler of the
+University of Cologne Computing Centre, Robert-Koch-Str.\ 10, D-5000
+K\"{o}ln 41, Germany, e-mail: {\tt a0062@uvax.rrz.uni-koeln.de}. This
+manual did not include information about the original author. All
+fonts along with the \TeX-macros and the original manual can be
+retrieved via anonymous ftp from {\tt ymir.claremont.edu}.
+
+The next version consisted of a changed manual and new \LaTeX\ style
+file {\tt ipa.sty}, which supported NFSS. The style file was based on
+previous \TeX-macros. It with an accompanying WSUIPA manual was
+prepared by Andrej Brodnik (Andy) of the University of Waterloo,
+Department of Computer Science, 200 University Avenue West, Waterloo,
+Ontario, N2L 3G1, Canada, e-mail: {\tt abrodnik@uwaterloo.ca}.
+
+This version of the manual is almost the same as the previous one,
+only style file was upgraded for \LaTeX\ NFSS2. They were prepared by
+Denis Roegel of CRIN (Centre de Recherche en Informatique de Nancy),
+F-54506 Vandoeuvre-les-Nancy, France, e-mail: {\tt roegel@loria.fr}
+and Andrej Brodnik.
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/generic/wsuipa/text1/ipaman.tex b/Master/texmf-dist/doc/generic/wsuipa/text1/ipaman.tex
new file mode 100644
index 00000000000..8da69434be4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/wsuipa/text1/ipaman.tex
@@ -0,0 +1,809 @@
+\input ipamacs
+\asisformat{\skipbefore{6pt}
+ \everyasis{\leftindent{.5in}\rightindent{.5in}\tt}
+ \skipafter{6pt}}
+\font\smokefont=wsuipa17
+\newbox\tagbox
+\setbox\tagbox=\hbox{\tenpt\bf Pullum \&\ Ladusaw name:}
+
+\labelformat{\skipbefore{4pt}
+ \labelwidth{\wd\tagbox}
+ \gutter{1em}
+ \everylabel{\tenpt\bf}
+}
+\rhf{\oddpages{\twelvept\line{\lft{{\it WSUIPA Users Guide}}\rt{\pn}}\vs{\bl}}
+ \evenpages{\twelvept\line{\lft{\pn}\rt{{\it WSUIPA Users Guide}}}\vs{\bl}}}
+\font\mf=manfnt
+\def\deg{$^\circ$}
+
+\def\meta{{\mf METAFONT}}
+\def\wsu{{\tenpt WSUIPA}}
+\def\ipam{{\tenpt IPAMACS}}
+\def\PL{{\it Phonetic Symbol Guide}}
+
+\def\pos#1{\vs{10pt}\hrule width 1in\vs{1pt}\hrule width 1in
+ \noindent\label{\hfill\tenbf WSUIPA Char' Position:}\rm #1\par}
+\def\pl#1{\noindent\label{\hfill\tenbf Pullum \&\ Ladusaw name:}\rm #1\par}
+\def\mac#1{\noindent\label{\hfill\tenbf IPAMACS Name:}\tt\char'134 #1\par}
+\def\smoke#1{\noindent\label{\hfill\tenbf IPA Character:}
+\smokefont\char#1\par}
+\sfs{cm14}{fourteenpt}{default}
+\fourteenpt
+\cl{\bd Using the WSU International Phonetic Alphabet}
+\cl{January 9, 1990}
+\twelvept
+
+\subheada{Preface}
+
+This users guide is intended to serve as a help and supplement to the
+Washington State University International Phonetic Alphabet (\wsu) fonts.
+It is not intended to be a manual on \TeX, linguistics, or the correct usage of
+the characters, accents and diacritics contained within the font.
+It is assumed that the user is familiar with the version of \TeX\ he or she is
+using and with the characters contained within the \wsu\ font.
+Because the uses for a phonetic alphabet font are probably as varied as the
+many disciplines which use the characters, this guide is intended to merely
+show some of the most common ways of using the \wsu\ font. Surely each person
+who implements the font will develop his or her own favorite way of working with
+ and
+using the font.
+
+The principal
+source of information regarding the characters and their shapes has come from
+sources within the linguistic field---most
+notably, Geoffrey K. Pullum and William A. Ladusaw, whose book, {\it Phonetic
+Symbol Guide} was used extensively.
+The \PL\ not only lists the International Phonetic Alphabet (IPA) characters
+and diacritics, it also
+gives an enlarged illustration of each character which shows its baseline,
+height, depth and x-height. These character illustrations were invaluable
+in the design of the \wsu\ \meta\ characters.
+
+Several other people involved
+in the wonderful world of linguistics also aided in the design of the \wsu\
+font. Their input concerning everything
+from character shape, to placement within the font, to determining which
+characters should be included, is gratefully acknowledged. I would especially
+like to thank Karen Mullen, Associate Professor of English, University of
+Louisville, Louisville, Kentucky. She tested, used the \wsu\ fonts, and took
+the time to give several suggestions and recommendations that have improved
+the font. Also, Christina A. Thiele, Managing Director, Journal Production
+ Centre,
+Carleton University, Ottawa, Ontario, who not only provided a wealth
+of phonetic information, but also a wealth of encouragement throughout
+the entire font designing process.
+
+
+Included with the \wsu\ fonts are:
+
+\listbegin
+\lil1
+The basic \wsu\ font which contains 128 phonetic characters
+and/or diacritics in six different point sizes (8,
+9, 10, 11, 12 and 17) and in
+three typefaces (roman, slanted and bold extended).
+
+\lil1 Each size and typeface includes a TFM (\TeX\ Font Metric)
+file and its related GF, PK or PXL file.
+
+\lil1 A macro package (\ipam.TEX) for use with the \wsu\ font, and
+
+\lil1 the {\it WSUIPA Font User's Guide}.
+\listend
+
+This guide is divided into three main sections: 1) an introduction to the \wsu\
+font,
+2) a description of the font layout and the characters included in the font
+and 3) some \TeX niques for use with the \wsu\ fonts.
+
+Although the \wsu\ fonts are written in \meta , the user does not need
+experience with or knowledge of \meta\ to use the font. However, at least a
+beginning understanding of \TeX\ and the use of fonts in the \TeX\ environment
+{\it is} necessary. For information about either \TeX\ or font usage in \TeX ,
+see {\it The \TeX book} by Donald Knuth.
+
+\subheada{Introduction to the WSUIPA Font}
+
+The \wsu\ fonts are written in \meta\ and use the same font parameter values
+as their Computer Modern (CM) counterparts (cmr and cmbx). In fact, while
+designing the character shapes, the computer modern code was left intact or
+modified only slightly whenever possible. Therefore, the \wsu\ fonts
+are totally compatible with computer modern fonts---the design and shape
+of the characters are computer modern wherever possible. For the characters
+that are drastically different from any computer modern characters or symbols,
+such as the ``Gamma,'' ``Baby Gamma'' and the ``Esh,'' Pullum and Ladusaw's
+{\it Phonetic Symbol Guide} was used as the character design
+standard.
+
+The \wsu\ fonts are obviously not an exhaustive collection of phonetic or
+even recognized International Phonetic Alphabet characters. The characters
+included in the \wsu\ font were chosen either because they were listed
+as a ``major'' entry in Pullum and Ladusaw's {\it Guide\/},
+or because of the recommendations from
+various people with an interest in the font.
+
+The {\it Guide} contains what it classifies as ``major'' and ``minor''
+characters, based upon whether the symbol is an officially recognized IPA
+character or is determined by Pullum and Ladusaw
+to be a standard symbol in current American
+transcriptual practice. The {\it Guide}
+lists 78 ``major'' entries which are not easily
+attainable in the CM fonts. All 78 of these characters are included in the
+\wsu\ font, along with 50 ``minor'' entries from the {\it Guide}.
+The selection of which
+``minor'' entries to include was based on information and requests from
+various phoneticians and linguists who contacted WSU during the beginning
+stages of the creation of the font.
+
+\subheada{The Layout of the WSUIPA Font}
+
+The character-grouping pattern followed by Pullum and Ladusaw in their
+{\it Guide} was adopted as the basis
+for the \wsu\ font layout. The characters
+are grouped together according to shape rather than usage. Therefore,
+the ``a'' shapes occupy
+the first positions: '00 through '04, ``b'' shapes are in positions '05
+through '11 and so forth. The accents and diacritics follow the character
+shapes and are in the last positions in the font. This approach was taken
+because under it was assumed that under most circumstances,
+the user would most likely be accessing the characters with the use of macros
+rather than by typing large portions of entirely phonetic text.
+Aside from keeping like shapes together, the positioning of the
+\wsu\ font was fairly arbitrary.
+
+\subheada{Character Description}
+
+Within this section each of the \wsu\ characters are shown in a \meta\
+``smoke mode'' proof. The octal character position is indicated, along with the
+corresponding macro name in \ipam, and the
+name of the character given in P\&L.
+Only the roman characters will be illustrated since the shapes of the slanted
+and bold extended are the same.
+
+There are several Greek characters included in the \wsu\ font, and initially
+it may appear these are merely copies of the corresponding CM Greek characters.
+That is true with one very important distinction: the \wsu\ Greek characters
+included are not italic. All the lowercase Greek characters included in
+the CM fonts are italic which makes them unsuitable for some situations in
+phonetics where a non-italic Greek character is essential.
+\newpage
+\raggedbottom
+\vbox{ \pos{'00}\mac{inva}\pl{turned a}\smoke{'00}}
+
+\vbox{ \pos{'01}\mac{scripta}\pl{script a}\smoke{'01}}
+
+\vbox{ \pos{'02}\mac{nialpha}\pl{lowercase non-italic alpha}\smoke{'02}
+}
+
+\vbox{\pos{'03}\mac{invscripta}\pl{turned script a}\smoke{'03}}
+
+\vbox{\pos{'04}\mac{invv}\pl{inverted v}\smoke{'04}}
+
+\vbox{\pos{'05}\mac{crossb}\pl{crossed b}\smoke{'05}}
+
+\vbox{\pos{'06}\mac{barb}\pl{barred b}\smoke{'06}}
+
+\vbox{\pos{'07}\mac{slashb}\pl{slashed b}\smoke{'07}}
+
+\vbox{\pos{'10}\mac{hookb}\pl{hooktop b}\smoke{'10}}
+
+\vbox{\pos{'11}\mac{nibeta}\pl{non-italic lowercase beta}\smoke{'11}}
+
+\vbox{\pos{'12}\mac{slashc}\pl{slashed c}\smoke{'12}}
+
+\vbox{\pos{'13}\mac{curlyc}\pl{curly-tail c}\smoke{'13}}
+
+\vbox{\pos{'14}\mac{clickc}\pl{stretched c}\smoke{'14}}
+
+\vbox{\pos{'15}\mac{crossd}\pl{crossed d}\smoke{'15}}
+
+\vbox{\pos{'16}\mac{bard}\pl{barred d}\smoke{'16}}
+
+\vbox{\pos{'17}\mac{slashd}\pl{slashed d}\smoke{'17}}
+
+\vbox{\pos{'20}\mac{hookd}\pl{hooktop d}\smoke{'20}}
+
+\vbox{\pos{'21}\mac{taild}\pl{right-tail d}\smoke{'21}}
+
+\vbox{\pos{'22}\mac{dz}\pl{d-yogh ligature}\smoke{'22}}
+
+\vbox{\pos{'23}\mac{eth}\pl{eth}\smoke{'23}}
+
+\vbox{\pos{'24}\mac{scd}\pl{small capital D}\smoke{'24}}
+
+\vbox{\pos{'25}\mac{schwa}\pl{schwa}\smoke{'25}}
+
+\vbox{\pos{'26}\mac{er}\pl{right-hook schwa}\smoke{'26}}
+
+\vbox{\pos{'27}\mac{reve}\pl{reversed e}\smoke{'27}}
+
+\vbox{\pos{'30}\mac{niepsilon}\pl{non-italic greek epsilon}\smoke{'30}}
+
+\vbox{\pos{'31}\mac{revepsilon}\pl{reversed non-italic epsilon}\smoke{'31}}
+
+\vbox{\pos{'32}\mac{hookrevepsilon}\pl{right-hook reversed non-italic epsilon}
+\smoke{'32}}
+
+\vbox{\pos{'33}\mac{closedrevepsilon}\pl{closed reversed non-italic epsilon}
+\smoke{'33}}
+
+\vbox{\pos{'34}\mac{scriptg}\pl{lowercase variant g}\smoke{'34}}
+
+\vbox{\pos{'35}\mac{hookg}\pl{hooktop g}\smoke{'35}}
+
+\vbox{\pos{'36}\mac{scg}\pl{small capital G}\smoke{'36}}
+
+\vbox{\pos{'37}\mac{nigamma}\pl{non-italic gamma}\smoke{'37}}
+
+\vbox{\pos{'40}\mac{ipagamma}\pl{IPA Gamma}\smoke{'40}}
+
+\vbox{\pos{'41}\mac{babygamma}\pl{baby gamma}\smoke{'41}}
+
+\vbox{\pos{'42}\mac{hv}\pl{h-v ligature}\smoke{'42}}
+
+\vbox{\pos{'43}\mac{crossh}\pl{crossed h}\smoke{'43}}
+
+\vbox{\pos{'44}\mac{hookg}\pl{hooktop g}\smoke{'44}}
+
+\vbox{\pos{'45}\mac{hookheng}\pl{hooktop heng}\smoke{'45}}
+
+\vbox{\pos{'46}\mac{invh}\pl{turned h}\smoke{'46}}
+
+\vbox{\pos{'47}\mac{bari}\pl{barred i}\smoke{'47}}
+
+\vbox{\pos{'50}\mac{dlbari}\pl{barred dotless i}\smoke{'50}}
+
+\vbox{\pos{'51}\mac{niiota}\pl{non-italic greek iota}\smoke{'51}}
+
+\vbox{\pos{'52}\mac{sci}\pl{small capital I}\smoke{'52}}
+
+\vbox{\pos{'53}\mac{barsci}\pl{barred small capital I}\smoke{'53}}
+
+\vbox{\pos{'54}\mac{invf}\pl{barred dotless j}\smoke{'54}}
+
+\vbox{\pos{'55}\mac{tildel}\pl{l with tilde}\smoke{'55}}
+
+\vbox{\pos{'56}\mac{barl}\pl{barred l}\smoke{'56}}
+
+\vbox{\pos{'57}\mac{latfric}\pl{belted l}\smoke{'57}}
+
+\vbox{\pos{'60}\mac{taill}\pl{l with right tail}\smoke{'60}}
+
+\vbox{\pos{'61}\mac{lz}\pl{l-yogh ligature}\smoke{'61}}
+
+\vbox{\pos{'62}\mac{nilambda}\pl{non-italic greek lambda}\smoke{'62}}
+
+\vbox{\pos{'63}\mac{crossnilambda}\pl{crossed lambda}\smoke{'63}}
+
+\vbox{\pos{'64}\mac{labdentalnas}
+\pl{m with leftward tail at right}\smoke{'64}}
+
+\vbox{\pos{'65}\mac{invm}\pl{turned m}\smoke{'65}}
+
+\vbox{\pos{'66}\mac{legm}\pl{turned m with long right leg}\smoke{'66}}
+
+\vbox{\pos{'67}\mac{nj}\pl{n with leftward hook at left}\smoke{'67}}
+
+\vbox{\pos{'70}\mac{eng}\pl{eng}\smoke{'70}}
+
+\vbox{\pos{'71}\mac{tailn}\pl{n with right tail}\smoke{'71}}
+
+\vbox{\pos{'72}\mac{scn}\pl{small capital N}\smoke{'72}}
+
+\vbox{\pos{'73}\mac{clickb}\pl{bull's eye}\smoke{'73}}
+
+\vbox{\pos{'74}\mac{baro}\pl{barred o}\smoke{'74}}
+
+\vbox{\pos{'75}\mac{openo}\pl{open o}\smoke{'75}}
+
+\vbox{\pos{'76}\mac{niomega}\pl{non-italic lowercase greek omega}\smoke{'76}}
+
+\vbox{\pos{'77}\mac{closedniomega}\pl{closed omega}\smoke{'77}}
+
+\vbox{\pos{'100}\mac{oo}\pl{double o}\smoke{'100}}
+
+\vbox{\pos{'101}\mac{barp}\pl{barred p}\smoke{'101}}
+
+\vbox{\pos{'102}\mac{thorn}\pl{thorn}\smoke{'102}}
+
+\vbox{\pos{'103}\mac{niphi}\pl{non-italic lowercase greek phi}\smoke{'102}}
+
+\vbox{\pos{'104}\mac{flapr}\pl{fish hook r}\smoke{'104}}
+
+\vbox{\pos{'105}\mac{legr}\pl{r with long leg}\smoke{'105}}
+
+\vbox{\pos{'106}\mac{tailr}\pl{r with right tail}\smoke{'106}}
+
+\vbox{\pos{'107}\mac{invr}\pl{turned r}\smoke{'107}}
+
+\vbox{\pos{'110}\mac{tailinvr}\pl{turned r with right tail}\smoke{'110}}
+
+\vbox{\pos{'111}\mac{invlegr}\pl{turned long-legged r}\smoke{'111}}
+
+\vbox{\pos{'112}\mac{scr}\pl{small capital R}\smoke{'112}}
+
+\vbox{\pos{'113}\mac{invscr}\pl{inverted small capital R}\smoke{'113}}
+
+\vbox{\pos{'114}\mac{tails}\pl{s with right tail}\smoke{'114}}
+
+\vbox{\pos{'115}\mac{esh}\pl{esh}\smoke{'115}}
+
+\vbox{\pos{'116}\mac{curlyesh}\pl{curly-tail esh}\smoke{'116}}
+
+\vbox{\pos{'117}\mac{nisigma}\pl{non-italic lowercase greek sigma}\smoke{'117}}
+
+\vbox{\pos{'120}\mac{tailt}\pl{t with right tail}\smoke{'120}}
+
+\vbox{\pos{'121}\mac{tesh}\pl{t-esh ligature}\smoke{'121}}
+
+\vbox{\pos{'122}\mac{clickt}\pl{turned t}\smoke{'122}}
+
+\vbox{\pos{'123}\mac{nitheta}\pl{non-italic lowercase greek theta}\smoke{'123}}
+
+\vbox{\pos{'124}\mac{baru}\pl{barred u}\smoke{'124}}
+
+\vbox{\pos{'125}\mac{slashu}\pl{slashed u}\smoke{'124}}
+
+\vbox{\pos{'126}\mac{niupsilon}\pl{non-italic lowercase greek
+ upsilon}\smoke{'126}}
+
+\vbox{\pos{'127}\mac{scu}\pl{small capital U}\smoke{'127}}
+
+\vbox{\pos{'130}\mac{barscu}\pl{barred small capital U}\smoke{'130}}
+
+\vbox{\pos{'131}\mac{scriptv}\pl{script v}\smoke{'131}}
+
+\vbox{\pos{'132}\mac{invw}\pl{inverted w}\smoke{'132}}
+
+\vbox{\pos{'133}\mac{nichi}\pl{non-italic lowercase greek chi}\smoke{'133}}
+
+\vbox{\pos{'134}\mac{invy}\pl{turned y}\smoke{'134}}
+
+\vbox{\pos{'135}\mac{scy}\pl{small capital Y}\smoke{'135}}
+
+\vbox{\pos{'136}\mac{curlyz}\pl{curly-tail z}\smoke{'136}}
+
+\vbox{\pos{'137}\mac{tailz}\pl{z with right tail}\smoke{'137}}
+
+\vbox{\pos{'140}\mac{yogh}\pl{yogh}\smoke{'140}}
+
+\vbox{\pos{'141}\mac{curlyyogh}\pl{curly-tail yogh}\smoke{'141}}
+
+\vbox{\pos{'142}\mac{glotstop}\pl{glottal stop}\smoke{'142}}
+
+\vbox{\pos{'143}\mac{revglotstop}\pl{reversed glottal stop}\smoke{'143}}
+
+\vbox{\pos{'144}\mac{invglotstop}\pl{inverted glottal stop}\smoke{'144}}
+
+\vbox{\pos{'145}\mac{ejective}\pl{ejective}\smoke{'145}}
+
+\vbox{\pos{'146}\mac{reveject}\pl{reversed ejective}\smoke{'146}}
+
+\vbox{\pos{'147}\mac{dental\#1}\pl{subscript bridge}\smoke{'147}}
+
+\vbox{\pos{'150}\mac{stress}\pl{vertical stroke (superior)}\smoke{'150}}
+
+\vbox{\pos{'151}\mac{secstress}\pl{vertical stroke (inferior)}\smoke{'151}}
+
+\vbox{\pos{'152}\mac{syllabic}\pl{syllabicity mark}\smoke{'152}}
+
+\vbox{\pos{'153}\mac{corner}\pl{corner}\smoke{'153}}
+
+\vbox{\pos{'154}\mac{upt}\pl{IPA pointer}\smoke{'154}}
+
+\vbox{\pos{'155}\mac{downt}\pl{IPA pointer}\smoke{'155}}
+
+\vbox{\pos{'156}\mac{leftt}\pl{IPA pointer}\smoke{'156}}
+
+\vbox{\pos{'157}\mac{rightt}\pl{IPA pointer}\smoke{'157}}
+
+\vbox{\pos{'160}\mac{halflength}\pl{half-length mark}\smoke{'160}}
+
+\vbox{\pos{'161}\mac{length}\pl{length mark}\smoke{'161}}
+
+\vbox{\pos{'162}\mac{underdots}\pl{subscript umlaut}\smoke{'162}}
+
+\vbox{\pos{'163}\mac{ain}\pl{reversed apostrophe}\smoke{'163}}
+
+\vbox{\pos{'164}\mac{upp}\pl{pointer}\smoke{'164}}
+
+\vbox{\pos{'165}\mac{downp}\pl{pointer}\smoke{'165}}
+
+\vbox{\pos{'166}\mac{leftp}\pl{pointer}\smoke{'166}}
+
+\vbox{\pos{'167}\mac{rightp}\pl{pointer}\smoke{'167}}
+
+\vbox{\pos{'170}\mac{overring}\pl{over-ring}\smoke{'170}}
+
+\vbox{\pos{'171}\mac{underring}\pl{under-ring}\smoke{'171}}
+
+\vbox{\pos{'172}\mac{open}\pl{subscript left half-ring}\smoke{'172}}
+
+\vbox{\pos{'173}\mac{midtilde}\pl{superimposed (mid-) tilde}\smoke{'173}}
+
+\vbox{\pos{'174}\mac{undertilde}\pl{subscript tilde}\smoke{'174}}
+
+\vbox{\pos{'175}\mac{underwedge}\pl{subscript wedge}\smoke{'175}}
+
+\vbox{\pos{'176}\mac{polishhook}\pl{polish hook}\smoke{'176}}
+
+\vbox{\pos{'177}\mac{underarch}\pl{subscript arch}\smoke{'177}}
+
+\newpage
+\normalbottom
+\subheada{Using the IPAMACS Macros}
+
+In addition to the necessary font-related files, the \wsu\ font package
+also includes a file called IPAMACS.TEX. This is a macro file which includes
+font declarations and definitions for use with the \wsu\ fonts.
+It also contains macro definitions for accessing each \wsu\ character
+mnemonically, as well as some macro definitions
+to simplify using \wsu\ accents and diacritics with Computer Modern
+characters and vice versa.
+
+Before you can use any of the macros from the \ipam\ file, you must input the
+{\tt IPAMACS.TEX} file by entering,
+\aib
+\\input ipamacs
+\aie
+\nin at the top of your \TeX\ file. This assumes, of course, that you have
+installed this file.
+The \ipam\ file defines a font called
+\\ipa to be the twelve point roman \wsu\
+font. The \\ipa font is used in all the macro definitions in \ipam\
+ to access the
+characters from the \wsu\ font. You may redefine \\ipa, say to be ten point
+roman, by entering
+\aib
+\\font\\ipatenrm=wsuipa10
+\\def\\ipa\{\\ipatenrm\}
+\aie
+\nin within your file. From that point on, all the \wsu\ characters accessed by
+using the \ipam\ macros will be the ten-point roman \wsu.
+
+To access individual \wsu\ characters within sentences set in Computer Modern,
+you need only to enter the \\ipa command. For example,
+\asisbegin
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\\esh] (more technically,
+a grooved laminal fricative).
+\asisend
+\nin which will print as:
+\vs{5pt}
+\pb{
+A shibilant is a term occasionally found for a fricative
+corresponding to
+a ``hushing'' sound, e.g., IPA [\esh] (more technically,
+a grooved laminal fricative).
+}
+\vs{5pt}
+
+The \ipam\ character macros are defined so they can be used with the CM
+characters and accents without the need for delimiting curly braces. By using
+the \ipam\
+definitions, you can use the CM accents with a \wsu\ character in the
+same way you would accent a CM character. The following input
+
+\asisbegin
+The superscript tilde is a nasalization marker for vowels,
+thus [\\\tilde\\scripta] is a nasalized [\\scripta].
+\asisend
+\nin will print as:
+\vs{5pt}
+\pb{The superscript tilde is a nasalization marker for vowels, thus
+[\~\scripta] is a nasalized [\scripta].
+}
+\vs{5pt}
+
+The \wsu\ accents can be used with CM characters. However, only the \wsu\
+``\\dental'' and ``\\underarch'' have been defined in \ipam\ and both are
+diacritics which go under a character.
+To use any other \wsu\ character as an accent either with a CM character or with
+another \wsu\ character, you can define the \wsu\ accent
+in the same way that the CM accents are defined. For example, an ``over-ring''
+accent could be defined as,
+
+\asisbegin
+\\def\\or\#1\{\{\\edef\\next\{\\the\\font\}\%
+ \\ipatwelverm\\accent"78\\next\#1\}\}
+\aie
+\nin and may be used like,
+
+\aib
+The over-ring may be used over letters with descenders as an
+alternative to under-ring to indicate devoicing, e.g. [\\or g].
+\asisend
+\nin which will print as:
+\vs{5pt}
+\pb{\def\or#1{{\edef\next{\the\font}%
+ \ipatwelverm\accent"78\next#1}}
+The over-ring may be used over letters with descenders as an
+alternative to under-ring to indicate devoicing, e.g. [\or g].}
+\vs{5pt}
+
+Most of the \wsu\ diacritics are intended to go under characters, like the
+``underarch'' and ``dental'' mentioned above. You may define other ``under''
+accents in the same way as these two. For example, an ``undercircle''
+could be defined as,
+
+\asisbegin
+\\def\\undercirc\#1\{\\oalign\{\#1\\crcr
+ \\hidewidth\\underring\\hidewidth\}\}
+\asisend
+\nin With this definition, the input
+\aib
+A voiceless trilled r [\\undercirc r] in
+certain Scottish dialects\el3
+\aie
+\nin will print as:
+\vs{5pt}
+\pb{\def\undercirc#1{\oalign{#1\crcr\hidewidth\underring\hidewidth}}
+A voiceless trilled r [\undercirc r] in certain Scottish dialects\el3
+}
+\vs{5pt}
+
+If the spacing or placement of the diacritic is not exactly what you desire
+with the basic definition given above, you can add kerns where needed.
+For example, if you want less space between the ``undercircle'' and
+the character, you could change the definition to be,
+\asisbegin\lin{-10pt}
+\\def\\undercirc\#1\{\\oalign\{\#1\\crcr
+ \\hidewidth\\raise.1ex\\hbox\{\\underring\}\\hidewidth\}\}
+\asisend
+\np
+\nin and this input
+\aib
+A voiceless trilled r [\\undercirc r] in
+certain Scottish dialects\el3
+\aie
+\nin will print as:
+\vs{5pt}
+\pb{\def\undercirc#1{\oalign{#1\crcr\hidewidth
+\raise.1ex\hbox{\underring}\hidewidth}}
+A voiceless trilled r [\undercirc r] in certain Scottish dialects\el3
+}
+\vs{5pt}
+
+Your diacritic definitions may be as general or specific as you wish. At one
+institution which uses the \wsu\ fonts, they prefer the ``undercircle'' to be
+placed differently when it falls under an r than any other character. To
+accomplish this, they use the following definition for \\undercirc.
+
+\aib\lin{-10pt}
+\\def\\undercirc\#1\{\\ifx\#1r
+ \\oalign\{\#1\\crcr\\hidewidth\\kern.24em\\underring
+ \\hidewidth\\crcr\}
+ \\else\\oalign\{\#1\\crcr
+ \\hidewidth\\raise.1ex\\hbox\{\\underring\}\\hidewidth\}
+ \\fi\}
+\aie
+
+With this definition of \\undercirc, the following input
+
+\aib
+To illustrate the different placement of the \\underring on
+an \\undercirc s and on an \\undercirc r.
+\aie
+\nin will print as
+\vs{5pt}
+\pb{\def\undercirc#1{\ifx#1r
+ \oalign{#1\crcr\hidewidth\kern.24em\underring\hidewidth\crcr}\fi}
+To illustrate the different placement of the \\underring on an \\undercirc s
+and on an \undercirc r.
+}
+\vs{5pt}
+
+\ipam\
+also includes a macro called \\diatop which provides an alternative way
+of getting one or more characters, accents, or diacritics over one another. The
+\\diatop macro takes one argument which is delimited by square brackets ([])
+rather than curly braces, and has two parts. The first part of the
+argument is delimited, or separated, from the second part by a vertical bar
+($\vert$). \\diatop puts the first part of the argument over the second.
+
+Using \\diatop instead of our previous definition for the ``overring,'' (\\or)
+you could input,
+
+\aib
+The overring may be used over letters with descenders as
+an alternative to
+under-ring to indicate devoicing, e.g. [\\diatop[\\overring$\vert$g]].
+\aie
+\nin and the output would be,
+\vs{5pt}
+\pb{The overring may be used over letters with descenders as an alternative to
+under-ring to indicate devoicing, e.g. [\diatop[\overring|g]].
+}
+\vs{5pt}
+
+More than one character can be stacked over another character by using
+\\diatop. For example,
+
+\asisbegin
+For a really special \\diatop[\{\\diatop\{\\'$\|$\\overring]\}$\|$n]
+\asisend
+\nin will print as:
+\vs{5pt}
+\pb{For a really special \diatop[{\diatop[\'|\overring]}|n]
+}
+\vs{5pt}
+
+\nin Notice the use of curly braces to group the argument of the first \\diatop
+when more than one \\diatop command is used.
+
+It is also possible to get one or more accents over a character and another
+accent or character under it. Assuming that \\undercirc has been defined as
+described earlier, the following example
+
+\asisbegin\lin{-10pt}
+This is a really, really special
+\\diatop[\\overring$\|$\\undercirc\{r\}]
+\asisend
+\nin will print as:
+\vs{5pt}
+\pb{\def\undercirc#1{\oalign{#1\crcr\hidewidth\underring\hidewidth}}
+This is a really, really special \diatop[\overring|\undercirc{r}]
+}
+\vs{5pt}
+
+The \ipam\ do not sent up the \wsu\ fonts to be part of a font family
+definition, which means that any \wsu\ character that is accessed by
+an \ipam\
+macro, will always print out in the same font (wsuipa12, by default),
+regardless of what size or typeface you may have been using when
+the \ipam\
+macro was called. In other words, whatever font \\ipa is defined to be,
+determines the font \ipam\ will call.
+
+In order to get slanted \wsu\ characters when \\it or \\sl is being used, or
+bold \wsu\ characters when \\bf is being used, you must include the definition
+of \\ipa as part of your font family definitions.
+
+Without redefining \\ipa, the following input,
+
+\aib\lin{0pt}
+\\dots which is the case in the aforementioned
+instances, however, \{\\bf this
+does not preclude the other retroflex consonants:
+[\\nj], [\\taill], [\\taild], and [\\tailr]\}.
+\aie
+\nin will print as,
+
+\vs{5pt}
+\pb{\dots which is the case in the aforementioned instances, however, {\bf this
+does not preclude the other retroflex consonants: [\nj], [\taill], [\taild],
+and [\tailr]}.
+}
+\vs{5pt}
+
+Now, with \\ipa defined within the twelve-point font family, as illustrated
+below
+
+\aib\lin{-10pt}
+\\font\\twelverm=cmr12
+\\font\\twelvei=cmmi12
+\\font\\twelvesy=cmsy12
+\\font\\twelveex=cmex12
+\\font\\twelveit=cmti12
+\\font\\twelvebf=cmbx12
+\\font\\twelveipa=wsuipa12
+\\font\\twelveslipa=wslipa12
+\\font\\twelvebfipa=wbxipa12
+
+\\def\\twelvepoint\{\%
+ \\textfont0=\\twelverm
+ \\scriptfont0=\\sevenrm \\scriptscriptfont0=\\sevenrm
+ \\def\\rm\{\\fam0\\twelverm\\def\\ipa\{\\twelvermipa\}\}\%
+ \\textfont1=\\twelvei
+ \\scriptfont1=\\sevenrm \\scriptscriptfont1=\\sevenrm
+ \\textfont2=\\twelvesy
+ \\scriptfont2=\\sevensy \\scriptscriptfont2=\\sevensy
+ \\textfont3=\\twelveex
+ \\scriptfont3=\\twelveex \\scriptscriptfont3=\\twelveex
+ \\textfont\\itfam=\\twelveit
+ \\def\\it\{\\fam\\itfam\\twelveit\\def\\ipa\{\\twelveslipa\}\}\%
+ \\textfont\\bffam=\\twelvebf
+ \\def\\bf\{\\fam\\bffam\\twelvebf\\def\\ipa\{\\twelvebfipa\}\}\%
+ \\rm\}\%
+\%
+\\twelvepoint
+\%
+\aie
+\nin the previous input of
+\aib\lin{0pt}
+\\dots which is the case in the aforementioned
+instances, however, \{\\bf this
+does not preclude the other retroflex consonants:
+[\\nj], [\\taill], [\\taild], and [\\tailr]\}.
+\aie
+\nin will print as,
+
+\vs{5pt}
+\pb{\font\twelvebfipa=wbxipa12\font\twelvebf=cmbx12\def\bf{\fam\bffam\twelvebf
+\def\ipa{\twelvebfipa}}%
+\dots which is the case in the aforementioned instances, however, {\bf this
+does not preclude the other retroflex consonants: [\nj], [\taill], [\taild],
+and [\tailr]}.
+}
+\np
+\parindent 0pt
+\twelvept
+% macros for font tables
+\def\oct#1{\hbox{\rm\'{}\kern-.1em\it#1\/\kern.05em}}
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+
+\abovedisplayskip=3pt\belowdisplayskip=2pt
+\font\smalltextfont=cmr7
+\newcount\fontcount
+\newbox\charbox
+\def\oddline#1{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox\charbox=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}
+ \smash{\box\charbox}\cr
+ \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower3.5pt\vbox to14pt{}}
+\def\beginchart#1{ \global\fontcount=0 #1
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup}
+\def\:{\setbox\charbox=%\drawbox{
+\hbox{\char\fontcount
+%\llap{\vrule height.4pt width5pt depth0pt} %this will draw line at baseline
+}%}%
+ \ifdim\ht\charbox>7.5pt\reposition
+ \else\ifdim\dp\charbox>2.5pt\reposition
+ \else\ifdim\wd\charbox>0pt
+ \ifdim\ht\charbox<.01pt
+ \ifdim\dp\charbox<.01pt\unposition\fi\fi\fi\fi\fi
+ \box\charbox\global\advance\fontcount by1 }
+\def\reposition{}%\setbox\charbox=\hbox{$\vcenter{\kern2pt
+% \box\charbox\kern2pt}$}}
+\def\unposition{\setbox\charbox=\hbox{\smalltextfont undef}}
+\def\normalchart{%
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+\font\chartfont=wsuipa12
+{\tt WSUIPA12\bi--- WSU International Phonetic Alphabet Roman -- 12pt}
+\beginchart{\chartfont}
+\normalchart
+\endchart
+\vfill
+\font\newchartfont=wslipa12
+{\tt WSLIPA12\bd---WSU International Phonetic Alphabet Slanted -- 12pt}
+\beginchart{\newchartfont}
+\normalchart
+\endchart
+\np
+\font\nchartfont=wbxipa12
+{\tt WBXIPA12\bi---WSU International Phonetic Alphabet Bold Extended
+-- 12pt}
+\beginchart{\nchartfont}
+\normalchart
+\endchart
+\vfill
+\font\nwchartfont=wsuipa9
+{\tt WSUIPA9\bi---WSU International Phonetic Alphabet Roman -- 9pt}
+\beginchart{\nwchartfont}
+\normalchart
+\endchart
diff --git a/Master/texmf-dist/doc/generic/xypic/CATALOG b/Master/texmf-dist/doc/generic/xypic/CATALOG
new file mode 100644
index 00000000000..25479360239
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/CATALOG
@@ -0,0 +1,20 @@
+Name: xypic
+Version: 3.7 <1999/02/16>
+
+Description: Xy-pic is a package for typesetting graphs and diagrams.
+ It is structured as several modules, each defining a custom notation for
+ a particular kind of graphical object or structure. Example objects are
+ arrows, curves, frames, and colouring/rotation on drivers that support
+ it; these can be organised in matrix, directed graph, path, polygon, knot,
+ and 2-cell structure. Xy-pic works with most formats, including LaTeX,
+ AMS-LaTeX, AMS-TeX, and plain TeX, and has been used to typeset
+ complicated diagrams from many application areas including category
+ theory, automata theory, algebra, neural networks, and database theory.
+
+Keywords: diagram, picture, graph, arrow, curve, commutative diagram.
+
+Author: Kristoffer H. Rose
+Problems-To: Kristoffer.Rose@ens-lyon.fr
+Address: LIP/ENS-Lyon; 46, Allee d'Italie; 69364 Lyon 7; FRANCE
+
+<URL: http://www.ens-lyon.fr/~krisrose/>
diff --git a/Master/texmf-dist/doc/generic/xypic/COPYING b/Master/texmf-dist/doc/generic/xypic/COPYING
new file mode 100644
index 00000000000..a43ea2126fb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/COPYING
@@ -0,0 +1,339 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 675 Mass Ave, Cambridge, MA 02139, USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
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+Foundation's software and to any other program whose authors commit to
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+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ Appendix: How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/generic/xypic/INSTALL b/Master/texmf-dist/doc/generic/xypic/INSTALL
new file mode 100644
index 00000000000..f91c83dc335
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/INSTALL
@@ -0,0 +1,417 @@
+-*-text-*- $Id: INSTALL,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+
+
+ ================================================
+ INSTALLING THE Xy-pic DIAGRAM TYPESETTING MACROS
+ ================================================
+
+
+This file explains how you install the files in the `run' distribution of
+Xy-pic. See `README' for general information.
+
+Contents:
+
+-1- Copyleft
+-2- Overview of files and where they should be installed
+-3- Information for specific systems
+-4- Updating from version 2.6 (and earlier)
+-5- Bugs & comments
+
+
+---------------------------------------------------------------------------
+-1- COPYLEFT
+---------------------------------------------------------------------------
+
+
+Note that the entire Xy-pic package is distributed with copyleft:
+
+ Copyright (c) 1991-1998 Kristoffer H. Rose <krisrose@ens-lyon.fr>
+ Copyright (c) 1994-1998 Ross Moore <ross@mpce.mq.edu.au>
+
+ The Xy-pic package is free software; you can redistribute it and/or
+ modify it under the terms of the GNU General Public License as
+ published by the Free Software Foundation; either version 2 of the
+ License, or (at your option) any later version.
+
+ The Xy-pic package is distributed in the hope that it will be
+ useful, but WITHOUT ANY WARRANTY; without even the implied warranty
+ of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
+ General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this package; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+What this means is that if you install Xy-pic then you should (1) make
+sure that the file `COPYING' is accessible to the users, and (2) be
+prepared to provide Xy-pic (including sources) to any of your users
+that request it (you may charge a fee for this if you are so
+inclined).
+
+Note: Some option files may be copyrighted by other people but the
+conditions remain the same for any file distributed as part of Xy-pic.
+
+
+---------------------------------------------------------------------------
+-2- OVERVIEW OF FILES AND WHERE THEY SHOULD BE INSTALLED
+---------------------------------------------------------------------------
+
+
+In this section we explain in 11 steps where the different groups of
+Xy-pic files in the `run' and `doc' distribution should be installed.
+For each file category we indicate the location recommended by TDS,
+the TeX Directory Standard (as formed by a TUG working group of that
+name).
+
+IMPORTANT
+---------
+If you have users currently using version 2.6 then make sure you read
+section 4! Please also check the next section for any system specific
+considerations.
+
+SPACE REQUIREMENTS
+------------------
+Installing the Xy-pic package requires almost 1MB with the macros
+macros taking up most of the space. Installing everything, including
+sources, documentation in both DVI, DVIPS, and PS, form, as well as
+bitmap fonts for several printers and in PostScript Type1 form,
+requires more than 12MB.
+
+
+Step 1. Eliminating Obsolete Files
+----------------------------------
+The new PostScript Type1 fonts contributed by Y&Y Inc. require that
+you REMOVE ALL COPIES of the following files BEFORE installing:
+
+Old font map files should be removed:
+
+ xy.map
+ xypic.map
+
+TDS directory: texmf/dvips/xypic
+
+Also be aware that some installations, for example the TeX Live 2
+CD-ROM, insert the contents of map files in `psfonts.map' (with TDS
+directory texmf/dvips/base); then you must EDIT it to remove all lines
+that start with `xy'.
+
+Remove old PostScript Type1 font files:
+
+ xyatip10.pfa
+ xybsql10.pfa
+ xybtip10.pfa
+ xycirc10.pfa
+ xycmat10.pfa
+ xycmbt10.pfa
+ xydash10.pfa
+ xyeuat10.pfa
+ xyeubt10.pfa
+
+ xyatip10.pfb
+ xybsql10.pfb
+ xybtip10.pfb
+ xycirc10.pfb
+ xycmat10.pfb
+ xycmbt10.pfb
+ xydash10.pfb
+ xyeuat10.pfb
+ xyeubt10.pfb
+
+TDS directory: texmf/fonts/type1/public/xypic
+
+Remove old `xy.sty' and `xypic.sty' files that you might have stored
+earlier in the TDS directory `texmf/tex/latex/misc'.
+
+
+[FILES IN xy*run.tar.gz:]
+
+
+Step 2. Availability & License
+------------------------------
+These eight files contain general information and should be installed
+in a publicly readable place:
+
+ README generic information on Xy-pic
+ CATALOG version information and summary
+ TRAILER announcement and availability
+ INSTALL how to install (this file)
+ MANIFEST list of all files
+ VERSIONS the RCS version ids of all source files
+ COPYING GNU General Public License
+
+TDS directory: texmf/doc/generic/xypic
+
+
+Step 3. Macros
+--------------
+Files `texinputs/*' are TeX and LaTeX macro files that must be
+installed in a place which TeX and LaTeX will search (e.g., with un*x
+TeX, a directory users include in the TEXINPUTS environment variable).
+
+The files `texinputs/*.ini'
+
+TDS directory: texmf/tex/generic/xypic
+
+
+Step 4. TeX Font Metric
+-----------------------
+Files `texfonts/*.tfm' should be installed in a directory that TeX
+will search for fonts (e.g., with un*x TeX, a directory users include
+in the TEXFONTS environment variable).
+
+TDS directory: texmf/fonts/tfm/public/xypic
+
+
+Step 5. METAFONT Sources
+------------------------
+Files `mfinputs/*.mf' should be installed in some directory where the
+METAFONT program will search for them (e.g., with un*x TeX, a
+directory included in the MFINPUTS environment variable).
+
+NOTE: The METAFONT source files are only useful on installations where
+the printer driver and previewer can utilise them to generate the
+required bitmap fonts `on-line'. If this is possible on your
+installation then please use it: it saves substantial amounts of space
+and means that you will automatically use fonts optimised for each
+printer (provided evrything is correctly set up, of course).
+
+TDS directory: texmf/fonts/source/public/xypic
+
+
+Step 6. Bitmap Fonts [Optional]
+-------------------------------
+Files matching the patterns `pkfonts/cx<N>/*.<N>pk' and
+`pkfonts/ljfour<N>/*.<N>pk', where <N> is some number, contain bitmap
+font files and should be installed where DVI previewers and printer
+drivers will find them (e.g., with un*x, the `xdvi' program should see
+them through the XDVIFONTS environment variable). (`cx' is a 300 dpi
+(dots per inch) mode and `ljfour' a 600 dpi mode.)
+
+NOTE: This step is optional because the bitmaps are only needed (and
+only recommended) for installations that can't use the METAFONT
+sources directly but do have a 300 or 600 dpi laserprinter driver that
+accepts PK bitmap font files.
+
+TDS directory: texmf/fonts/pk/cx/public/xypic/dpi<N>
+ and: texmf/fonts/pk/ljfour/public/xypic<N>
+
+
+Step 7. PostScript Type1 Fonts
+------------------------------
+Files `type1/*.pfb' contain versions of the Xy-pic fonts in special
+PostScript form that may be useful on some installations. They should
+be installed where the applications using them look for such fonts (if
+used with DVIPS then the `ps/xypic.map' file from the next group
+should also be installed).
+
+NOTE: Some installations, notably teTeX 0.4, will PREFER using these
+fonts over the METAFONT-generated equivalents (IMHO this is a bug in
+the MakeTeXPK script). On those systems we recommend that you ALSO
+install the PK fonts to circumvent the problem.
+
+IMPORTANT: Make sure that you do not have any old Xy-pic PostScript
+`xy*.pfa' fonts floating around in your system - search for and remove
+all files named `xy*.pfa' when you have installed the new fonts. One
+common way old (and wrong) fonts is manifest is when some arrowheads
+appear skewed or too thin.
+
+TDS directory: texmf/fonts/type1/public/xypic
+
+
+Step 8. Adobe Font Metric Files
+-------------------------------
+Files `afm/*.afm' are special files for the Adobe Type Manager and
+some other software. Install them if you need them.
+
+TDS directory (usually): texmf/fonts/afm/public/xypic
+
+
+Step 9. PostScript Font Metric Files
+------------------------------------
+Files `pfm/*.pfm' are special files for the Windows version of the
+Adobe Type Manager and some other software. Install them if you need
+them.
+
+TDS directory (usually): texmf/fonts/pfm/public/xypic
+
+
+Step 10. PostScript Header Files
+--------------------------------
+Files `ps/*' contain PostScript header files. If you plan to use the
+PostScript extension option then you should copy these files to a
+place where your PostScript DVI driver will find them.
+
+NOTE: For older versions of DVIPS (at least for 5.58f) you should
+replace the occurrences of `<<' with `<' in `xypic.map'.
+
+TDS directory (usually): texmf/dvips/xypic
+
+
+[FILES IN xy*doc.tar.gz:]
+
+
+Step 11. Manuals
+----------------
+The typeset User's Guide is distributed as a DVI file which you should
+be able to print (or preview) once you have installed the fonts (as
+source or bitmaps as applicable for your system):
+
+ doc/xyguide.dvi User's Guide, typeset using the kernel Xy-pic fonts
+ doc/xyguide.dvips --- using DVIPS specific `specials'
+ doc/xyguide.ps --- in PostScript (with 600dpi bitmap fonts)
+
+Similarly, the reference manual for the kernel and the distributed
+options is included in the same format:
+
+ doc/xyrefer.dvi Reference Manual, using Xy-pic fonts
+ doc/xyrefer.dvips --- using DVIPS specific `specials'
+ doc/xyrefer.ps --- in PostScript (with 600dpi bitmap fonts)
+
+Notice that only the .dvi documents are portable among all TeX
+installations.
+
+TDS directory: texmf/doc/generic/xypic
+
+
+That's all. If you want to install the Xy-pic sources (to experiment
+with development, for example), you need to get the separate
+distribution `xy*src.tar.gz'.
+
+
+---------------------------------------------------------------------------
+-3- INFORMATION FOR SPECIFIC SYSTEMS
+---------------------------------------------------------------------------
+
+
+UN*X
+----
+The above installation procedure (using the TDS recommended places) is
+encoded in the script `support/install-tds': the command
+
+ ./support/install-tds <texmf>
+
+where <texmf> is the full path name of the `texmf' directory (the root
+of the TDS tree), will install all the Xy-pic runtime files (or more
+precisely: it will perform steps 2-5 and 7-10 above).
+
+NOTE: You must MANUALLY remove obsolete files (do step 1 above)!
+
+If you get the source distribution as described in `TRAILER' and
+change the configuration section of the provided `src/Makefile' to
+reflect your local file system conventions as described in
+`src/MAKE', then the command
+
+ make TEXMF=<texmf> install
+
+will also do this (but with the generated files, of course).
+
+
+VMS
+---
+(Mon, 20 Mar 1995; thanks to Austin Benson <austin@shapel.ug.eds.com>
+and Ralf Gaertner <gaertner@cthulhu.rhein-main.de>):
+
+(1) VMS tfm and pk files are in a funny file format, which means they
+ EITHER should be generated from the mf source on a VMS machine, OR
+ be converted by a conversion program such as BILF (part of the
+ DECUS TeX distribution and the ZOO distribution although the
+ latter is reported to only work on VAXen).
+
+ FIX: Install .mf sources and pregenerate .tfm and .pk files
+ manually OR convert with BILF or a similar program.
+
+(2) At least some (OLD) versions of TeX for VMS had a `buglet' to do
+ with searching for input files: if you go \input <filename> on VMS
+ then TeX prepends the filename with a chained logical
+ "tex_inputs:" - equivalent to a Unix path. Unfortunately \openin
+ does _not_ do this - although on Unix systems \openin will search
+ the TEXINPUTS path just as \input does.
+
+ FIX: Change the following line in xy.tex
+
+\xydef@\xyinputorelse@@#1#2{\openin\xyread@=#1
+
+ TO
+
+\xydef@\xyinputorelse@@#1#2{\openin\xyread@=tex_inputs:#1
+
+
+PC WITH PCTEX
+-------------
+On PCTeX fonts should be stored in files `C:\PIXEL\DPI<dpi>\<font>.pk'
+where <dpi> and <font> are replaced by appropriate values, e.g., `600'
+and `xyatip' (thanks to Alain Amiouni <alain_amiouni@msn.com>).
+
+
+MAC WITH Textures or OzTeX
+--------------------------
+See the special files `INSTALL.Textures' and `INSTALL.OzTeX'.
+
+
+---------------------------------------------------------------------------
+-4- UPDATING FROM VERSION 2.6 (AND EARLIER)
+---------------------------------------------------------------------------
+
+
+IMPORTANT: If you have installed release 3.* or 2.7-2.12 then you can
+skip this section. If you have not, and use version 2.6, then READ IT!
+
+Xy-pic release 2.7 was almost a complete rewrite of Xy-pic; later
+releases are updates to this version. If you are using version 2.6 (or
+some earlier version) then note the following:
+
+* All the fonts have been redone AND renamed (except two that have not
+ changed). Thus installing version 3 will not break any DVI files
+ you already have that were typeset using the old fonts.
+
+ NOTE: In fact the distribution still contains the old fonts but only
+ as METAFONT sources, TFM font metrics, and PK bitmaps.
+
+* The distribution contains new versions of the files `xypic.tex' and
+ `xypic.sty' that load Xy-pic in a special compatibility mode. Thus
+ retypesetting your documents will create DVI files using the new
+ fonts. If you wish to keep the old `xypic.tex' and `xypic.sty' then
+ you should rename them before installation; we suggest naming them
+ `xypic-2.tex' and `xypic-2.sty' and REMEMBER to change the line
+ `\input xypic' in `xypic-2.sty' to `\input xypic-2' !
+
+* There are a few points where the backwards compatibility is not
+ perfect -- these are noted in the documentation.
+
+
+---------------------------------------------------------------------------
+-5- BUGS & COMMENTS
+---------------------------------------------------------------------------
+
+
+We will appreciate reports on any problems you may encounter and
+opinions you have on how the usefulness of Xy-pic can be improved.
+Please report using either
+
+ Electronic mail (Internet): krisrose@ens-lyon.fr [preferred]
+
+ Paper mail: Kristoffer H. Rose
+ Laboratoire de l'Informatique du Paralllisme
+ Ecole Normale Suprieure de Lyon
+ 46, Alle d'Italie
+ F-69364 Lyon cedex 07
+ FRANCE
+
+ Fax: +33 4 7272 8080
+
+ W3 <URL: http://www.ens-lyon.fr/~krisrose/Xy-pic.html>
+
+---------------------------------------------------------------------------
+
+This is the end of INSTALL. We hope you'll enjoy Xy-pic!
+
+ -- Ross Moore and Kristoffer Rose
+
+---------------------------------------------------------------------------
+
+Kristoffer Hgsbro Rose, Ph.D., prof.associ <Kristoffer.Rose@ENS-Lyon.FR>
+Laboratoire de l'Informatique du Paralllisme quipe PLUME, bureau LR5-026
+Ecole Normale Suprieure de Lyon; 46, Alle d'Italie; F-69364 Lyon 07 cedex
+phone: +33(0)4 7272 8642; fax:...8080 <http://www.ens-lyon.fr/~krisrose>
+
+---------------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/generic/xypic/INSTALL.OzTeX b/Master/texmf-dist/doc/generic/xypic/INSTALL.OzTeX
new file mode 100644
index 00000000000..23d838de562
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/INSTALL.OzTeX
@@ -0,0 +1,600 @@
+-*-text-*- $Id: INSTALL.OzTeX,v 3.4 1997/05/18 01:13:24 ross Exp $
+
+ ================================================
+ INSTALLING THE Xy-pic DIAGRAM TYPESETTING MACROS
+ ON OzTeX INSTALLATIONS
+ ================================================
+
+This file explains step by step how to install Xy-pic for use with
+OzTeX by Andrew Trevorrow. Please refer to the generic `INSTALL' file
+for details on the individual files.
+
+Contents:
+
+ -0- Comments regarding OzTeX versions
+ -1- Adding Xy-pic to the TeX search paths
+ -2- Memory requirements
+ -3- OzTeX and PostScript features
+ -4- Bugs & comments
+ -5- Config files
+
+----------------------------------------------------------------------
+ -0- COMMENTS REGARDING OzTeX VERSIONS
+----------------------------------------------------------------------
+
+Xy-pic works fine with versions of OzTeX, from 1.7 to 2.0 and later.
+With version 2.0+ of OzTeX, it is advisable to use the OzDVIPS driver.
+Similarly with versions 1.8 and 1.9, it is possible to use the DVIPS
+driver, implemented by Thomas Kiffe. These WILL handle all the effects
+such as colour, rotated text, scaled text, patterns, fills and others,
+however the OzTeX viewer cannot show these effects---you will need a
+PostScript printer or previewer such as GhostScript
+(e.g. `Mac GS Viewer', by Aladdin Enterprises).
+
+Thus to handle special effects with OzTeX 1.8+ your TeX source should
+specify \xyoption{dvips} and the `Use DVIPS' menu option should be
+selected for processing the dvi-file.
+
+The \xyoption{oztex} command should ONLY be used with OzTeX 1.8+ when
+you do not wish to use DVIPS or OzDVIPS but still want the improved
+performance of the PostScript backend (see note 3 below).
+Similarly \xyoption{17oztex} is provided for use with version 1.7.
+
+
+----------------------------------------------------------------------
+ -1- ADDING Xy-pic TO THE TeX SEARCH PATHS
+----------------------------------------------------------------------
+
+Follow these steps to make Xy-pic `visible' to OzTeX:
+
+INSTALLING MACROS:
+
+1. Create a subfolder `:TeX-inputs:Xy-pic:'.
+
+ This folder will contain the Xy-pic input files. It is NOT
+ sufficient to create an alias to an existing folder which already
+ contains these files.
+
+2. Append this directory name to the line
+
+ TeX input folder(s) = ....
+
+ in the `:Configs:Default' file.
+
+3. Within the folder `:Configs:'
+
+ EITHER create the files
+
+ :Configs:Default+Xypic
+ :Configs:Big TeX+Xypic
+ :Configs:Big Xy-TeX
+
+ which are included below (in section -5-).
+ These are modifications of Config files from OzTeX version 1.8.
+ Adaptations for version 2.0+ will be made sometime soon.
+ OR
+ read the memory requirement notes below (in section -2-)
+ and reconfigure your own config files accordingly.
+
+4. Within the folder `:TeX-inputs:Xy-pic:' place copies of all of
+ the files from `texinputs'.
+
+INSTALLING FONTS:
+
+5. Create a subfolder `:TeX-fonts:Xy-pic:'
+
+ This folder will contain the Xy-pic font metrics files. It is NOT
+ sufficient to create an alias to an existing folder which already
+ contains these files.
+
+6. Within the folder `:TeX-fonts:Xy-pic:' place copies of all of
+ the files from `texfonts'.
+
+7. For each of the subdirectories in `pkfonts': `cx300', `cx329', and
+ `cx360' copy all files to the corresponding folder
+
+ :PK-files:300:
+ :PK-files:329:
+ :PK-files:360:
+
+INSTALLING THE PostScript BACKEND:
+
+8. Within the folder `:PS-files:' place a copy of the file
+ `ps/xy34dict.pro'. This is placed here for safe-keeping only.
+
+If you DO NOT use DVIPS then ...
+
+8A. Within each directory in which you work, you will need a copy
+ of this file, renamed to be called `global.ps';
+
+ ...but if you DO use DVIPS then it is sufficient to...
+
+8B. Place a copy of `ps/xy34dict.pro' into the subfolder
+ `:Dvips:ps' where it can be found by DVIPS.
+
+ Read section -3- below, to understand what is required here.
+
+----------------------------------------------------------------------
+ -2- MEMORY REQUIREMENTS
+----------------------------------------------------------------------
+
+Xy-pic is a big package, requiring quite a lot of memory if a large
+number of diagrams, or a small number of large diagrams, are to be
+typeset.
+
+Using the `Default' configuration and `Plain' format, then Xy-pic will
+load, but expect trouble unless you need it only for small diagrams.
+With `LaTeX' then Xy-pic will NOT EVEN LOAD all of its standard
+options.
+
+Thus using `Big-TeX' should be regarded as ABSOLUTELY ESSENTIAL, to do
+any serious typesetting --- though read the rest of this section
+before doing this. Of course this will mean rebuilding the `Plain'
+and `LaTeX' formats using `INITEX' and increasing the Finder
+memory-partition from the OzTeX application's `Get Info' dialog box.
+
+Since `Big-TeX' inherits and overrides settings from `Default' it is
+not necessary to make any alterations for Xy-pic --- at least not for
+use with the `Plain' format.
+
+However even `Big-TeX' is too small, in some of its parameters, for
+`LaTeX' and Xy-pic to coexist peacefully. If you try this then the
+first type of memory to run out is the `pool size':
+
+ ! TeX capacity exceeded, sorry [pool_size=60000].
+
+To fix this requires increasing the "pool_size" parameter, to say
+160,000. Existing format files for Plain and LaTeX, compiled under
+Big-TeX with the smaller pool size WILL STILL WORK --- there is no
+need to recompile to accommodate this change.
+
+The config file `:Configs:Big TeX+Xypic' has these values.
+
+
+This should be sufficient unless the document contains large
+diagrams or diagrams such that many curves appear on the same or
+adjacent pages, and the Xy-pic PostScript back-end is NOT in use.
+Expect to encounter...
+
+ ! TeX capacity exceeded, sorry [mem_max=200000].
+
+In order to typeset such documents other memory parameters may have to
+be increased also, including "mem_top", "hash_size", "hash_prime" and
+"hyph_size". These latter changes mean that the format files have to
+be rebuilt.
+
+For example, in order to typeset the Xy-pic guide, reference manual,
+and technical documentation (700+ pages), using the Xy-pic fonts, an
+OzTeX with a finder memory partition of 8+ MBytes -- it has the
+parameter `mem_max=600000' -- was used.
+
+Please experiment with the memory parameters until you find settings
+comfortable for your requirements. The author would be happy to
+include, with future releases of Xy-pic, a listing of typical settings
+which users have found to meet their needs.
+
+----------------------------------------------------------------------
+ -3- IMPORTANT: OzTeX AND PostScript FEATURES
+----------------------------------------------------------------------
+
+Xy-pic provides improved graphics capabilities using PostScript code
+inserted into the .dvi-file using \special commands. Indeed if the
+PostScript ``backend'' is loaded, then almost all parts of diagrams
+constructed with Xy-pic can be rendered using PostScript. These extra
+features become available to Xy-pic, when `options' are requested,
+using e.g. \xyoption{ps} , \xyoption{color} , \xyoption{line} , ...
+see the User Guide and Reference manual for details.
+
+HOWEVER, one MUST also specify ONE of the following commands:
+
+ \xyoption{dvips} if ``Use DVIPS'' is checked
+ \xyoption{oztex} with versions 1.8+ of OzTeX
+ \xyoption{17oztex} with version 1.7 of OzTeX
+(these latter two are for when DVIPS will NOT process the .dvi file.)
+
+AND, if not using LaTeX, specify \XyReloadDrivers after all other
+Xy-pic options have been requested.
+
+
+
+IMPORTANT: (when OzDVIPS or DVIPS is NOT being used)
+If Xy-pic PostScript features are to be used with OzTeX,
+then two files are used frequently, namely `:PS-files:empty.ps' and
+`global.ps'. The latter must be resident in the current folder.
+
+Make sure that `empty.ps' indeed has empty contents, for the Xy-pic
+\specials depend upon this. Also, if global.ps has non-empty contents,
+then take a copy for safe-keeping, for Xy-pic will need to overwrite
+it at some point, as will now be explained.
+
+For the Xy-pic \specials to work correctly a dictionary of PostScript
+definitions must be included with every document before printing.
+These definitions are typically required on every page, so OzTeX's
+`global.ps' mechanism is used to achieve this.
+
+NOTE: It is NOT sufficient to input this dictionary as if it were
+a graphics file, residing in `:PS-files'. The `global.ps' mechanism
+is the ONLY way provided by OzTeX for this to work.
+
+Indeed Xy-pic checks that this file is available. If it does not find it,
+or finds that it is empty, then the required dictionary is written
+afresh and named `global.ps', so that OzTeX will recognize its purpose.
+
+You can force a fresh copy of the dictionary by placing the command
+ \dumpPSdict{global.ps} in the preamble section of any document.
+If your `global.ps' already has contents that you wish to continue to
+use, then copy it to somewhere safe and append its contents to the file
+created as above by Xy-pic.
+
+The dictionary is included in the package as `ps/xy34dict.pro'.
+
+LIMITATIONS: (when OzDVIPS or DVIPS is NOT being used)
+Not all of the PostScript effects that can be requested from the `line',
+`rotate' and `color' extension options are actually implementable by OzTeX.
+The limitation is due to the way in which OzTeX handles the \special
+commands, collecting them all at the beginning of the PostScript file that
+it creates, followed by the rules and characters from fonts.
+
+This means that the \special to initiate a special effect is followed
+soon after by the one necessary to revert to normal; this happens
+before any font characters are typeset. Correct sequencing is
+maintained so that diagrams constructed purely from Xy-pic objects
+such as lines, circles, curves and arrow-tips can have expanded widths
+and be coloured correctly. However rotations and scalings cannot work
+for other technical reasons. Any font characters in the diagram will
+not be expanded or coloured; this includes Xy-pic fonts.
+
+This situation is unfortunate, but nothing further can be done from
+within Xy-pic. To enjoy this aspect of working with Xy-pic, update
+to version 1.8 or later and use DVIPS or OzDVIPS.
+
+----------------------------------------------------------------------
+ -4- BUGS & COMMENTS
+----------------------------------------------------------------------
+
+Bugs and questions concerning the OzTeX implementation of Xy-pic
+should be directed to
+
+ Electronic mail (Internet): ross@mpce.mq.edu.au
+
+ Paper mail: Ross Moore
+ Mathematics Department
+ Macquarie University
+ North Ryde, Sydney
+ AUSTRALIA 2109
+
+ Fax: +61 2 9850 8114
+
+Generic bugs should be reported to Kristoffer Rose as described in the
+generic INSTALL file.
+
+----------------------------------------------------------------------
+
+This is the end of the `INSTALL.OzTeX' description; below is a section
+with the files discussed above. We hope you'll enjoy Xy-pic!
+
+----------------------------------------------------------------------
+ -5- Config FILES.
+----------------------------------------------------------------------
+
+Below is the contents of each of the files discussed in point 3 of
+section -1- above. Lines with only --s (dashes) are used to delimit
+the files.
+
+----------------------------------------------------------------------
+ :Configs:Default+Xypic
+----------------------------------------------------------------------
+% This is the default configuration file read by OzTeX 1.8.
+% Before making any changes, read the section on configuration files
+% in the OzTeX User Guide.
+%
+config files = "Big TeX" "Big TeX+Xypic" "Big Xy-TeX" |
+ -- StyleWriter ImageWriter Linotronic -- |
+ "A5 Portrait" "A4 Landscape" "US Letter" -- |
+ "View at 144 dpi" "View CM using PS" -- |
+ "Add CM/PS Fonts" "Add Lucida Fonts" "Add MathTime Fonts"
+format files = LaTeX Plain
+help files = "Questions and Answers" "Handy Hints" Problems "TeX Users Group" |
+ "Related Software" -- "Changes to OzTeX 1.42" "Changes to OzTeX 1.5" |
+ "Changes to OzTeX 1.6" "Changes to OzTeX 1.7" -- "Shareware Fee" Thanks
+printer res & mode = 300 laserwriter
+viewing res & mode = 300 laserwriter
+units = in (in/cm/mm/pc/pt/bp/px)
+paper width = 210mm (A4 width; use 8.5in for US Letter)
+paper height = 297mm (A4 height; use 11in for US Letter)
+horizontal offset = 0mm (shift pages right if +ve, left if -ve)
+vertical offset = 0mm (shift pages down if +ve, up if -ve)
+show statistics = false
+reverse page order = false (use true if pages are stacked face up)
+conserve VM = false (only for PostScript printing)
+manual feed = false (ditto)
+reserved = ignored
+%
+% Important folders and files:
+%
+Help folder = :Help-files:
+FMT folder = :TeX-formats:
+TeX input folder(s) = :TeX-inputs:*
+TFM folder(s) = :TeX-fonts:*
+PK folder(s) = :PK-files:
+PS folder(s) = :PS-files: :PS-files:Encodings:
+Text-to-PS prolog = :PS-files:TEXTtoPS.pro
+DVI-to-PS prolog = :PS-files:DVItoPS.pro
+VF folder(s) = :VF-files:
+global PS file = global.ps
+"Save OzTeX" output = Oz.text
+missing fonts file = :PK-files:missfont.log (for use by MakeTeXPK)
+pool file = :TeX-formats:TeX.pool (only used by INITEX)
+dummy TFM file = :TeX-fonts:CM:cmr10.tfm
+dummy screen font = Geneva
+%
+% Previewing colours (use "white" to make something invisible):
+%
+paper edges = blue
+\special markers = green
+missing fonts = red
+%
+% TeX parameters (the values in brackets show the possible ranges):
+%
+mem_max = 60000 (mem_top..100000000)
+font_max = 120 (1..256)
+font_mem_size = 30000 (8..100000000)
+max_strings = 5000 (1300..16382)
+string_vacancies = 20000 (0..pool_size-23500)
+pool_size = 60000 (string_vacancies+23500..100000000)
+buf_size = 1000 (120..32760)
+stack_size = 200 (1..1600)
+max_in_open = 6 (1..20)
+param_size = 60 (1..8190)
+nest_size = 40 (1..1000)
+save_size = 600 (1..4094)
+trie_size = 8000 (1..32760)
+trie_op_size = 500 (1..16382)
+%
+% If you change any of the next four parameters then you'll need
+% to run INITEX and rebuild all your format files.
+% Some people will probably want to increase the hash_size value,
+% so here are some suitable hash_prime values:
+% hash_size = 3000 4000 5000 6000 10000 20000 31000
+% hash_prime = 2551 3407 4253 5101 8501 16993 26347
+%
+mem_top = 60000 (mem_min+1100..mem_max)
+hash_size = 4000 (325..31000)
+hash_prime = 3407 (prime about 85% of hash_size)
+hyph_size = 307 (prime from 1..16382)
+%
+% Only change the next few parameters when carrying out TeX's TRIP test:
+%
+mem_min = 0 (0..mem_top-1100)
+error_line = 72 (45..32760)
+half_error_line = 42 (30..error_line-15)
+max_print_line = 79 (60..32760)
+%
+%
+% PostScript fonts (or more accurately, non-PK fonts):
+%
+== TFM Printer font Download Screen font Encoding Style
+%
+= ptmr0 Times-Roman Times Mac.enc
+= ptmri0 Times-Italic Times Mac.enc i
+= ptmb0 Times-Bold Times Mac.enc b
+= ptmbi0 Times-BoldItalic Times Mac.enc bi
+= ptmro0 Slanted-Times-Roman Times Mac.enc i
+= ptmbo0 Slanted-Times-Bold Times Mac.enc bi
+= pagk0 AvantGarde-Book "Avant Garde" Mac.enc
+= pagko0 AvantGarde-BookOblique "Avant Garde" Mac.enc i
+= pagd0 AvantGarde-Demi "Avant Garde" Mac.enc b
+= pagdo0 AvantGarde-DemiOblique "Avant Garde" Mac.enc bi
+= pbkl0 Bookman-Light Bookman Mac.enc
+= pbkli0 Bookman-LightItalic Bookman Mac.enc i
+= pbkd0 Bookman-Demi Bookman Mac.enc b
+= pbkdi0 Bookman-DemiItalic Bookman Mac.enc bi
+= pcrr0 Courier Courier Mac.enc
+= pcrro0 Courier-Oblique Courier Mac.enc i
+= pcrb0 Courier-Bold Courier Mac.enc b
+= pcrbo0 Courier-BoldOblique Courier Mac.enc bi
+= phvr0 Helvetica Helvetica Mac.enc
+= phvro0 Helvetica-Oblique Helvetica Mac.enc i
+= phvb0 Helvetica-Bold Helvetica Mac.enc b
+= phvbo0 Helvetica-BoldOblique Helvetica Mac.enc bi
+= pncr0 NewCenturySchlbk-Roman "New Century Schlbk" Mac.enc
+= pncri0 NewCenturySchlbk-Italic "New Century Schlbk" Mac.enc i
+= pncb0 NewCenturySchlbk-Bold "New Century Schlbk" Mac.enc b
+= pncbi0 NewCenturySchlbk-BoldItalic "New Century Schlbk" Mac.enc bi
+= pplr0 Palatino-Roman Palatino Mac.enc
+= pplri0 Palatino-Italic Palatino Mac.enc i
+= pplb0 Palatino-Bold Palatino Mac.enc b
+= pplbi0 Palatino-BoldItalic Palatino Mac.enc bi
+= pzcmi0 ZapfChancery-MediumItalic "Zapf Chancery" Mac.enc
+%
+% The next three TFMs do not require virtual fonts; note that their names
+% do not end with a zero:
+%
+= pzdr ZapfDingbats "Zapf Dingbats" nil
+= psyr Symbol Symbol nil
+= psyro Slanted-Symbol Symbol nil i
+%
+% The following lines use "<file" to download non-resident fonts:
+%
+= putr0 Utopia-Regular <putr.pfa Utopia Mac.enc
+= putri0 Utopia-Italic <putri.pfa Utopia Mac.enc i
+= putb0 Utopia-Bold <putb.pfa Utopia Mac.enc b
+= putbi0 Utopia-BoldItalic <putbi.pfa Utopia Mac.enc bi
+==
+
+OzTeX doesn't bother reading any stuff after the final "==", so you can
+put additional comments here without having to start each line with "%".
+
+----------------------------------------------------------------------
+ :Configs:Big TeX+Xypic
+----------------------------------------------------------------------
+% This config file sets most TeX parameters to very large values.
+% OzTeX's preferred memory size will need to be at least 3100K.
+% If you don't have enough memory then reduce the values of mem_max
+% and mem_top. Each unit reduction saves 8 bytes, so if mem_max and
+% mem_top are reduced by 100,000 then the required memory size drops
+% to about 2300K.
+%
+% If you decide to change other parameters then you'll need to adjust
+% OzTeX's memory size according to the total number of bytes saved or
+% added. To determine this number:
+% - Use "Get Info" in the Finder's File menu to see OzTeX's current
+% memory size (probably 1400K unless you changed it).
+% - Start OzTeX, run INITEX and hit Cmd-Dot when you get the "**" prompt.
+% OzTeX shows the amount of memory allocated, so note down the number.
+% - Quit OzTeX and use "Get Info" to set OzTeX's memory size as high as
+% you can.
+% - Start OzTeX again and select "Big TeX" (containing your changes)
+% from the Config menu.
+% - Run INITEX and hit Cmd-Dot. The amount of memory allocated
+% should have changed; the difference should be rounded up to the
+% nearest multiple of 10K or more (depending on how paranoid you are)
+% and used to adjust OzTeX's ORIGINAL memory size.
+%
+% You'll need to run INITEX and build the big formats listed below
+% before you can use TeX with this configuration file.
+% The OzTeX User Guide describes how to build such format files.
+% If you want to change the given list of format files, make sure
+% the new names do not contain any spaces.
+%
+config files = ignored
+format files = Big-LaTeX Big-Plain
+help files = ?
+printer resolution = ?
+viewing resolution = ?
+units = ?
+paper width = ?
+paper height = ?
+horizontal offset = ?
+vertical offset = ?
+show statistics = ?
+reverse page order = ?
+conserve VM = ?
+manual feed = ?
+reserved = ?
+Help folder = ?
+FMT folder = ?
+TeX input folder(s) = ?
+TFM folder(s) = ?
+PK folder(s) = ?
+PS folder(s) = ?
+Text-to-PS prologue = ?
+DVI-to-PS prologue = ?
+VF folder(s) = ?
+global PS file = ?
+Save OzTeX output = ?
+reserved = ?
+pool file = ?
+dummy TFM file = ?
+dummy screen font = ?
+paper edges = ?
+\special markers = ?
+missing fonts = ?
+%
+% TeX parameters:
+%
+mem_max = 200000 (mem_top..100000000)
+font_max = 256 (1..256)
+font_mem_size = 60000 (8..100000000)
+max_strings = 10000 (1300..16382)
+string_vacancies = 30000 (0..pool_size-23500)
+pool_size = 160000 (string_vacancies+23500..100000000)
+buf_size = 3000 (120..32760)
+stack_size = 600 (1..1600)
+max_in_open = 20 (1..20)
+param_size = 200 (1..8190)
+nest_size = 150 (1..1000)
+save_size = 2000 (1..4094)
+trie_size = 16000 (1..32760)
+trie_op_size = 1000 (1..16382)
+mem_top = 200000 (mem_min+1100..mem_max)
+hash_size = 10000 (325..31000)
+hash_prime = 8501 (prime about 85% of hash_size)
+hyph_size = 2551 (prime from 1..16382)
+mem_min = 0 (0..mem_top-1100)
+error_line = 72 (45..32760)
+half_error_line = 42 (30..error_line-15)
+max_print_line = 79 (60..32760)
+%
+% Keep the current set of PostScript fonts:
+%
+=!
+
+----------------------------------------------------------------------
+ :Configs:Big Xy-TeX
+----------------------------------------------------------------------
+% Sets most TeX parameters to very large values.
+% The OzTeX application memory size will need to be about 5500K.
+% (If you don't have enough memory then reduce the values of mem_max
+% and mem_top. Each unit reduction saves 8 bytes, so if mem_max and
+% mem_top are reduced by 100000 then the application memory required
+% drops to about 2300K.)
+%
+% You'll need to run INITEX and build the format files listed below
+% (with ".fmt" appended) before using TeX with this configuration file.
+% Note that format file names must not contain any spaces.
+%
+config files = ignored
+format files = Big-Xy-Plain Bigger-LaTeX Big-Xy-LaTeX
+help files = ?
+printer resolution = ?
+viewing resolution = ?
+units = ?
+paper width = ?
+paper height = ?
+horizontal offset = ?
+vertical offset = ?
+show statistics = ?
+reverse page order = ?
+conserve VM = ?
+manual feed = ?
+reserved = ?
+Help folder = ?
+FMT folder = ?
+TeX input folder(s) = ?
+TFM folder(s) = ?
+PK folder(s) = ?
+PS folder(s) = ?
+Text-to-PS prologue = ?
+DVI-to-PS prologue = ?
+VF folder(s) = ?
+global PS file = ?
+Save OzTeX output = ?
+reserved = ?
+pool file = ?
+dummy TFM file = ?
+dummy screen font = ?
+paper edges = ?
+\special markers = ?
+missing fonts = ?
+%
+% TeX parameters:
+%
+mem_max = 600000 (mem_top..100000000)
+font_max = 255 (1..255)
+font_mem_size = 60000 (8..100000000)
+max_strings = 10000 (1300..16382)
+string_vacancies = 30000 (0..pool_size-23500)
+pool_size = 160000 (string_vacancies+23500..100000000)
+buf_size = 3000 (120..32760)
+stack_size = 1600 (1..1600)
+max_in_open = 20 (1..20)
+param_size = 200 (1..8190)
+nest_size = 150 (1..1000)
+save_size = 2000 (1..4094)
+trie_size = 16000 (1..32760)
+trie_op_size = 1000 (1..16382)
+mem_top = 600000 (mem_min+1100..mem_max)
+hash_size = 10000 (325..31000)
+hash_prime = 8501 (prime about 85% of hash_size)
+hyph_size = 2551 (prime from 1..16382)
+mem_min = 0 (0..mem_top-1100)
+error_line = 72 (45..32760)
+half_error_line = 42 (30..error_line-15)
+max_print_line = 79 (60..32760)
+%
+% Keep current PostScript fonts:
+%
+=!
+
+----------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/generic/xypic/INSTALL.Textures b/Master/texmf-dist/doc/generic/xypic/INSTALL.Textures
new file mode 100644
index 00000000000..132fad86189
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/INSTALL.Textures
@@ -0,0 +1,393 @@
+-*-text-*- $Id: INSTALL.Textures,v 3.4 1997/05/18 01:13:24 ross Exp $
+
+ ===============================================================
+ INSTALLING THE Xy-pic DIAGRAM TYPESETTING MACROS ON A MACINTOSH
+ ===============================================================
+
+This file assumes that you have downloaded the `xy34mac.sea.hqx'
+file and have decoded this and have expanded and extracted all files
+and folders from the resulting compressed archive.
+
+It also assumes that you have the TeX application called Textures(tm),
+from Blue Sky Research, Portland, Oregon (version 1.6 or later).
+
+Finally it assumes that you have read the file INSTALL.
+
+
+The main difference between Textures(tm) and other TeX implementations
+is the way in which fonts are handled. Here we deal with Macintosh
+font suitcases containing bitmap versions of the special fonts that
+Xy-pic uses, as well as a suitcase containing the font metrics.
+
+For users of OzTeX a folder called `for OzTeX only' contains .pk fonts,
+.tfm files and some configuration files. The file `INSTALL.OzTeX'
+explains how to install these.
+
+For any other implementations of TeX on the Macintosh, there may be
+sufficient files here to install Xy-pic. If not then obtain the full
+Xy-pic distribution from one of the usual ftp sites:
+ ftp.mpce.mq.edu.au in the /pub/maths/TeX directory;
+ ftp.brics.dk in the /Staff/krisrose/TeX directory;
+ CTAN in the tex-archive/macros/generic/diagrams/xypic directory;
+ e.g. at ftp.shsu.edu, ftp.tex.ac.uk and ftp.dante.de.
+
+(If this is still insufficient, then the author would like to know
+what other resources are required and why.
+Contact him by email at the address given below.)
+
+
+From version 2.10, the source files are NOT included with the
+Macintosh Distribution, as doing this would add almost 1 MByte
+to its overall size. Obtain them from the sites listed above.
+
+
+I'll also assume that you use a 300 dots per inch laser printer
+(like the Apple laserwriter or HP laserjet).
+
+Contents:
+
+ -0- Simple Installation, for experienced users
+ -1- Copyleft
+ -2- Updating from version 2.6 (and earlier) or 2.7--2.12, 3.0--3.2
+ -3- Overview of files and where they should be installed
+ -4- Manuals and Sources
+ -5- Memory Requirements
+ -6- Bugs & comments
+
+----------------------------------------------------------------------
+ -0- SIMPLE INSTALLATION, for EXPERIENCED USERS
+----------------------------------------------------------------------
+
+If you have never used Xy-pic before and are experienced as a user
+of Textures(tm), then the following instructions should be sufficient
+to get Xy-pic installed.
+
+You should have extracted two folders called `for TeX inputs folder'
+and `for TeX fonts folder' from the Stuffit archive.
+
+Simply copy the contents of these folders to the places indicated by
+their names; namely the font suitcases go into the `TeX Fonts` folder,
+while the `xy*.tex` source code files go into the `TeX inputs` folder.
+
+
+If these instructions do not make sense to you, or you get any warning
+messages when you try to carry out these steps, then...
+
+ STOP immediately!
+
+... read the rest of this file, to learn more about Xy-pic, what all
+the files contain and how they should be installed on your Macintosh.
+
+If you had no trouble with this installation, then... enjoy Xy-pic!
+Please do us the courtesy of reading the rest of this file anyway.
+In particular please respect the following Copyright message, making
+sure that any copies that you may distribute are complete, so that
+others can equally enjoy Xy-pic (... and so that we do not get irate
+messages about missing features).
+
+----------------------------------------------------------------------
+ -1- COPYLEFT
+----------------------------------------------------------------------
+
+This distribution of the Xy-pic package is distributed with copyleft:
+
+ Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+ Copyright (c) 1994-1997 Ross Moore <ross@mpce.mq.edu.au>
+
+ The Xy-pic package is free software; you can redistribute it and/or
+ modify it under the terms of the GNU General Public License as
+ published by the Free Software Foundation; either version 2 of the
+ License, or (at your option) any later version.
+
+ The Xy-pic package is distributed in the hope that it will be
+ useful, but WITHOUT ANY WARRANTY; without even the implied warranty
+ of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
+ General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this package; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+What this means is that if you install Xy-pic then you should (1) make
+sure that the file COPYING is accessible to the users, and (2) be
+prepared to provide Xy-pic (including sources) to any of your users
+that request it (you may charge a fee for this if you are so inclined).
+
+----------------------------------------------------------------------
+ -2- UPDATING FROM VERSION 2.6 (AND EARLIER) OR 2.7--2.12, 3.0--3.2
+----------------------------------------------------------------------
+
+Xy-pic version 2.7 was almost a complete rewrite of Xy-pic. The update
+to version 2.8 fixed numerous small bugs and added PostScript \special
+commands that could be used instead of the Xy-pic fonts.
+In version 2.9 the PostScript functionality was extended to include
+effects such as rotation and scaling of diagrams and text, variable
+line thickness and colour support. There were also improvements in many
+other aspects of the way Xy-pic works.
+
+A Macintosh version of 2.9 was never released, as some of the claimed
+effects did not actually work. These bugs were fixed for version 2.10.
+
+Version 2.11 included the `Graph Combinator' feature which provides
+a simplified interface for many common classes of diagrams.
+Also some minor bugs were fixed, both in code and documentation.
+
+Version 2.12 is necessary to accommodate a change to AMS-LaTeX which
+otherwise seriously conflicts with internal structure of Xy-pic.
+A new `Polygon' feature has been added and many subtle bugs fixed.
+Also much of the `curve' code has been improved, especially for
+`curved arrows'.
+
+Also, versions 2.12+ provide for a new font for arrow-tips, in the style
+of those arrowheads that appear in the Computer Modern fonts.
+Fonts xycmat10 and xycmbt10 have always been included in the font
+suitcases (since version 2.6) but not used due to errors in the metrics.
+This has now been rectified --- this means that the font metric file
+`Xy-pic metrics' MUST BE REPLACED with the latest version --- having
+modification date: 20 August 1994 --- but the fonts are unchanged.
+
+Xy-pic version 3.0 was released in July 1995. New features included
+one for typesetting `crossing strings', in particular elegant
+representations of `knots', and one for `webs' or `lattices' of objects
+regularly spaced. There was no separate Macintosh distribution, but the
+macros would work with the earlier versions.
+With version 3.0 an improved option-loading mechanism was established
+for alternate dvi-drivers allowing extra effects using \special commands.
+
+To use such features place one of the following declarations in the
+document preamble:
+
+ \xyoption{textures} % with version 1.7 or later
+ \xyoption{16textures} % with version 1.6 of Textures
+
+If LaTeX is NOT being used then it is also necessary to specify
+
+ \xyReloadDrivers
+
+after all Xy-pic options have been specified.
+With LaTeX, this command occurs automatically at the \begin{document}.
+
+This version 3.4 contains just a few fixes found to necessary after
+the extensive changes of the 3.3 release. Some PostScript effects
+were broken, but now patterned tilings work again and frames are
+better than ever, even for non-PostScript effects. The old v2 macros
+which stopped working are now properly enabled.
+
+The version 3.3 was very stable for most purposes. A few bugs from
+previous versions were fixed and some new features were
+added. In particular `breaks' in connections, whether straight or
+curved, now work correctly. There is a greater variety of arrow-tips.
+Intersections between a curved connection and a straight one can
+now be located, or the point of closest approach can be located.
+
+The previous Version 3.2, followed closely after Version 3.1, fixing
+several bugs found there. Some diagrams in the documentation were
+found to not print correctly on some PostScript printers due to
+internal errors in the PostScript interpreter; these diagrams have
+been altered slightly to avoid that problem. (A future release of
+Xy-pic will attempt to sidestep such problems completely.)
+
+Indeed the Version 3.1 release fixes bugs in earlier releases,
+improves the range of available `frames' and offers a wider range
+of curved objects.
+The number of different dvi-drivers has been extended, though this
+has little bearing for Macintosh-users.
+
+
+
+If you already have version 2.7 (or later) installed then:
+
+* Copy the file: `Xy-pic metrics' , to be found in the folder called
+ `for TeX fonts folder', into your `TeX Fonts' folder.
+
++ The file `Xy-pic fonts' contains no new fonts, so need not be updated.
+
++ With version 7.1+ of the Macintosh operating system, you can place
+ font suitcases in the Fonts subfolder of the system folder.
+ However the `Xy-pic metrics' suitcase MUST be in the `TeX Fonts' folder.
+
++ Extra font sizes are available in a separate archive called `xymacxf.sit',
+ see below for more details. These can be installed locally, if desired.
+ Alternatively the extra sizes may be installed on a file-server;
+ then place an `alias' (requires system 7.0+) to them within the `TeX Fonts'
+ folder --- the server will mount when Textures is launched.
+
+
+* Copy the contents of the `for TeX inputs folder' into the
+ obvious place, i.e. the `TeX Inputs' folder, allowing these files to
+ replace the existing ones of the same name.
+
++ With the system-7 operating system, you can place the files/folders
+ elsewhere, and place aliases to them within the `TeX Inputs' folder.
+
+
+
+If you already have version 2.6 (or some earlier version) installed then
+note the following:
+
+* All the fonts have been redone AND renamed. Thus installing the new
+ version will not break any typeset files you already have that use
+ the old fonts. However if you intend to keep the old version on your
+ system then you should rename the font and metrics suitcases to
+ `Xy-pic fonts.old' and `Xy-pic metrics.old'.
+
+* The distribution contains new versions of the files `xypic.tex' and
+ `xypic.sty' that load Xy-pic 2.12 in a special compatibility mode.
+ Thus re-TeX'ing your source documents will create typeset versions
+ using the new fonts. If you wish to keep the old `xypic.tex' and
+ `xypic.sty' then you should rename them before installation.
+
+* There are a few points where the backwards compatibility is not
+ perfect -- these are noted in the documentation.
+
+
+----------------------------------------------------------------------
+ -3- OVERVIEW OF FILES AND WHERE THEY SHOULD BE INSTALLED
+----------------------------------------------------------------------
+
+The installation instructions of INSTALL apply except that
+
+MACRO FILES: are placed in the `for TeX inputs folder' and should
+normally be duplicated to the `TeX Inputs' folder (after having
+appropriately dealt with any previous version, as described above).
+
+PostScript HEADER FILES: It is not necessary to use this header file;
+furthermore the reference manual describes how it can be generated if
+needed from `xyps.tex'.
+
+Xy-pic FONTs and METRICs: the two font suitcase files, called `Xy-pic
+fonts' and `Xy-pic metrics', are found in the folder called `for TeX
+fonts folder'. Simply move these into the Textures(tm) `TeX Fonts'
+folder (after having appropriately dealt with any previous version, as
+described above).
+
+When you next launch the Textures(tm) application the following fonts will
+then be available for use in typesetting with the Xy-pic macros.
+
+ xydash10 straight line segments at 128 different angles
+ xyatip10 top half of an arrow head at 128 different angles
+ xybtip10 bottom half of arrow head at 128 different angles
+ xybsql10 small quarter turns, for hooks, turns and wavy lines
+ xycirc10 eighth-turns at 16 different radii, 8 per radius
+
+ xycmat10 Computer Modern Tips --- upper barbs
+ xycmbt10 Computer Modern Tips --- lower barbs
+ xyeuat10 Euler Tips --- upper barbs
+ xyeubt10 Euler Tips --- lower barbs
+
+These fonts are each provided in four screen sizes: 100% 120% 200% 240%
+and in one size for laser-printing at 300dpi: 417%.
+
+If more sizes are required then either:
+
+ a) get the file `xymacxf.sit.hqx' from ftp.mpce.mq.edu.au.
+ These expand to give suitcases containing the above sizes plus extra
+ laserwriter sizes, corresponding to magsteps 0.5, 1, 2, 3, 4, 5.
+ (The xycirc10 is separate since these fonts occupy more space than
+ any of the others --- 2.2 MByte!! )
+
+or...
+
+ b) generate extra sizes using Metafont.
+ The appropriate xy*.mf source files are included in the sub-directory
+ `mfinputs'. This can be obtained from the ftp sites listed above.
+
+ xydash10.mf kernel font sources
+ xyatip10.mf
+ xybsql10.mf
+ xybtip10.mf
+ xycirc10.mf
+
+With the xy*.tex and xy*.sty input files installed in the `TeX Inputs'
+folder, and the font suitcases installed in the `TeX Fonts' folder,
+you should be ready to use Xy-pic to typeset some diagrams.
+
+DOCUMENTATION: The dvi-files are provided primarily for non-Textures
+users. Using the `DVI-Tool' application, they can be converted into
+the usual form for documents typeset using Textures(tm). However this is
+not necessary as it has been done already: the `Xy-pic User's Guide'
+and `Xy-pic Reference Manual' described below.
+
+
+----------------------------------------------------------------------
+ -4- MANUALS and SOURCES
+----------------------------------------------------------------------
+
+The `Xy-pic User's Guide' and `Xy-pic Reference Manual' are provided
+with this distribution. They are in the form of pre-typeset Textures(tm)
+documents. These files are Finder-locked and should NOT be re-typeset.
+(Indeed it should not be possible to typeset this file without first
+removing the safe-guards which have been put in place.)
+
+It is a good idea to test your installation of Xy-pic by typesetting
+portions from the manuals. Of course you will first have to obtain
+these sources from one of the ftp sites listed above, or elsewhere.
+
+Alternatively you can try to typeset the complete manuals, using LaTeX,
+from the documents `xyguide.man' and `xyrefer.man' in the directory `src`
+where they are located along with all the input and non-standard style
+files that they need.
+You will need to obtain ALL the files in this directory.
+(There is a file named `xy*.doc' for each macro file `xy*.tex'
+placed in the `TeX Inputs' folder.)
+For this to be successful your Textures application will need a
+memory partition of at least 4.5 MBytes.
+
+The normal sequence should be followed: LaTeX, BibTeX, LaTeX, LaTeX
+to get all the references and the bibliography typesetting correctly.
+These manuals have been checked to work correctly with LaTeX 2.09 and
+LaTeX2e.
+
+An alternative way to get the manuals is to download the files called
+`xyguide.ps.Z' and `xyrefer.ps.Z' from one of the ftp-sites.
+These files were created using the `xyps' PostScript option, so should
+produce a higher quality printed output on a PostScript printer of
+resolution 300dpi (due to use of bitmapped Computer Modern fonts).
+
+
+----------------------------------------------------------------------
+ -5- MEMORY REQUIREMENTS
+----------------------------------------------------------------------
+
+Although many efforts have been made to make Xy-pic work quickly and
+efficiently, the nature of the diagrams for which it is designed are
+sometimes necessarily quite large and consume a significant amount of
+TeX's available memory. Do not be surprised if it takes a long time
+to typeset a diagram having several rows and columns of entries.
+
+Usually I work with a memory partition set at 4 MBytes, on a Mac IIci
+or Macintosh PowerBook. For instance, when typesetting the User's Guide,
+using LaTeX-2e and Xy-pic, nearly all of this 4 MBytes is required.
+The Reference Guide requires even more than this: allowing 8 MByte was
+a luxury that I could afford, but I suspect that 4.5 MByte would have
+been sufficient. Mind you, although shorter the Users' Guide actually
+takes significantly longer to typeset than does the Reference Manual.
+
+
+----------------------------------------------------------------------
+ -6- BUGS & COMMENTS
+----------------------------------------------------------------------
+
+Comments or reports related to the Macintosh distribution should be
+sent to Ross Moore at
+
+ Electronic mail (Internet): ross@mpce.mq.edu.au [preferred]
+
+ Paper mail: Ross Moore
+ Mathematics Department,
+ Macquarie University
+ North Ryde, NSW 2109
+ AUSTRALIA
+
+ Fax +61 2 9850 8114 attn: R.Moore
+
+----------------------------------------------------------------------
+
+This is the end of `INSTALL.Textures'. We hope you'll enjoy Xy-pic !
+
+--
+Ross MOORE Internet: ross@mpce.mq.edu.au
+Mathematics Dept, Macquarie University, Nth Ryde, NSW 2109, AUSTRALIA
+phone: +61 2 9850 8955 fax: +61 2 9850 8114
+WWW: http://www-math.mpce.mq.edu.au/~ross/
+--
diff --git a/Master/texmf-dist/doc/generic/xypic/MANIFEST b/Master/texmf-dist/doc/generic/xypic/MANIFEST
new file mode 100644
index 00000000000..e7bdeeb2c61
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/MANIFEST
@@ -0,0 +1,410 @@
+CATALOG
+COPYING
+INSTALL
+INSTALL.OzTeX
+INSTALL.Textures
+README
+TRAILER
+VERSIONS
+afm/xyatip10.afm
+afm/xybsql10.afm
+afm/xybtip10.afm
+afm/xycirc10.afm
+afm/xycmat10.afm
+afm/xycmbt10.afm
+afm/xydash10.afm
+afm/xyeuat10.afm
+afm/xyeubt10.afm
+doc/import1.eps
+doc/kris.eps
+doc/ross.eps
+doc/xyguide.dvi
+doc/xyguide.dvips
+doc/xyguide.pdf
+doc/xyguide.ps
+doc/xyrefer.dvi
+doc/xyrefer.dvips
+doc/xyrefer.pdf
+doc/xyrefer.ps
+doc/xysource.dvi
+doc/xysource.dvips
+doc/xysource.ps
+mfinputs/xyatip.mf
+mfinputs/xyatip10.mf
+mfinputs/xybsql10.mf
+mfinputs/xybtip.mf
+mfinputs/xybtip10.mf
+mfinputs/xycirc10.mf
+mfinputs/xycm.mf
+mfinputs/xycmat10.mf
+mfinputs/xycmat11.mf
+mfinputs/xycmat12.mf
+mfinputs/xycmbt10.mf
+mfinputs/xycmbt11.mf
+mfinputs/xycmbt12.mf
+mfinputs/xyd.mf
+mfinputs/xyd2.mf
+mfinputs/xydash10.mf
+mfinputs/xyeuat10.mf
+mfinputs/xyeuat11.mf
+mfinputs/xyeuat12.mf
+mfinputs/xyeubt10.mf
+mfinputs/xyeubt11.mf
+mfinputs/xyeubt12.mf
+mfinputs/xyeuler.mf
+mfinputs/xyline10.mf
+mfinputs/xymisc10.mf
+mfinputs/xyqc10.mf
+mfinputs/xytech.mf
+pfm/xyatip10.pfm
+pfm/xybsql10.pfm
+pfm/xybtip10.pfm
+pfm/xycirc10.pfm
+pfm/xycmat10.pfm
+pfm/xycmbt10.pfm
+pfm/xydash10.pfm
+pfm/xyeuat10.pfm
+pfm/xyeubt10.pfm
+pkfonts/cx300/xyatip10.300pk
+pkfonts/cx300/xybsql10.300pk
+pkfonts/cx300/xybtip10.300pk
+pkfonts/cx300/xycirc10.300pk
+pkfonts/cx300/xycmat10.300pk
+pkfonts/cx300/xycmat11.300pk
+pkfonts/cx300/xycmat12.300pk
+pkfonts/cx300/xycmbt10.300pk
+pkfonts/cx300/xycmbt11.300pk
+pkfonts/cx300/xycmbt12.300pk
+pkfonts/cx300/xydash10.300pk
+pkfonts/cx300/xyeuat10.300pk
+pkfonts/cx300/xyeuat11.300pk
+pkfonts/cx300/xyeuat12.300pk
+pkfonts/cx300/xyeubt10.300pk
+pkfonts/cx300/xyeubt11.300pk
+pkfonts/cx300/xyeubt12.300pk
+pkfonts/cx329/xyatip10.329pk
+pkfonts/cx329/xybsql10.329pk
+pkfonts/cx329/xybtip10.329pk
+pkfonts/cx329/xycirc10.329pk
+pkfonts/cx329/xycmat10.329pk
+pkfonts/cx329/xycmat11.329pk
+pkfonts/cx329/xycmat12.329pk
+pkfonts/cx329/xycmbt10.329pk
+pkfonts/cx329/xycmbt11.329pk
+pkfonts/cx329/xycmbt12.329pk
+pkfonts/cx329/xydash10.329pk
+pkfonts/cx329/xyeuat10.329pk
+pkfonts/cx329/xyeuat11.329pk
+pkfonts/cx329/xyeuat12.329pk
+pkfonts/cx329/xyeubt10.329pk
+pkfonts/cx329/xyeubt11.329pk
+pkfonts/cx329/xyeubt12.329pk
+pkfonts/cx360/xyatip10.360pk
+pkfonts/cx360/xybsql10.360pk
+pkfonts/cx360/xybtip10.360pk
+pkfonts/cx360/xycirc10.360pk
+pkfonts/cx360/xycmat10.360pk
+pkfonts/cx360/xycmat11.360pk
+pkfonts/cx360/xycmat12.360pk
+pkfonts/cx360/xycmbt10.360pk
+pkfonts/cx360/xycmbt11.360pk
+pkfonts/cx360/xycmbt12.360pk
+pkfonts/cx360/xydash10.360pk
+pkfonts/cx360/xyeuat10.360pk
+pkfonts/cx360/xyeuat11.360pk
+pkfonts/cx360/xyeuat12.360pk
+pkfonts/cx360/xyeubt10.360pk
+pkfonts/cx360/xyeubt11.360pk
+pkfonts/cx360/xyeubt12.360pk
+pkfonts/cx432/xyatip10.432pk
+pkfonts/cx432/xybsql10.432pk
+pkfonts/cx432/xybtip10.432pk
+pkfonts/cx432/xycirc10.432pk
+pkfonts/cx432/xycmat10.432pk
+pkfonts/cx432/xycmat11.432pk
+pkfonts/cx432/xycmat12.432pk
+pkfonts/cx432/xycmbt10.432pk
+pkfonts/cx432/xycmbt11.432pk
+pkfonts/cx432/xycmbt12.432pk
+pkfonts/cx432/xydash10.432pk
+pkfonts/cx432/xyeuat10.432pk
+pkfonts/cx432/xyeuat11.432pk
+pkfonts/cx432/xyeuat12.432pk
+pkfonts/cx432/xyeubt10.432pk
+pkfonts/cx432/xyeubt11.432pk
+pkfonts/cx432/xyeubt12.432pk
+pkfonts/ljfour600/xyatip10.600pk
+pkfonts/ljfour600/xybsql10.600pk
+pkfonts/ljfour600/xybtip10.600pk
+pkfonts/ljfour600/xycirc10.600pk
+pkfonts/ljfour600/xycmat10.600pk
+pkfonts/ljfour600/xycmat11.600pk
+pkfonts/ljfour600/xycmat12.600pk
+pkfonts/ljfour600/xycmbt10.600pk
+pkfonts/ljfour600/xycmbt11.600pk
+pkfonts/ljfour600/xycmbt12.600pk
+pkfonts/ljfour600/xydash10.600pk
+pkfonts/ljfour600/xyeuat10.600pk
+pkfonts/ljfour600/xyeuat11.600pk
+pkfonts/ljfour600/xyeuat12.600pk
+pkfonts/ljfour600/xyeubt10.600pk
+pkfonts/ljfour600/xyeubt11.600pk
+pkfonts/ljfour600/xyeubt12.600pk
+pkfonts/ljfour657/xyatip10.657pk
+pkfonts/ljfour657/xybsql10.657pk
+pkfonts/ljfour657/xybtip10.657pk
+pkfonts/ljfour657/xycirc10.657pk
+pkfonts/ljfour657/xycmat10.657pk
+pkfonts/ljfour657/xycmat11.657pk
+pkfonts/ljfour657/xycmat12.657pk
+pkfonts/ljfour657/xycmbt10.657pk
+pkfonts/ljfour657/xycmbt11.657pk
+pkfonts/ljfour657/xycmbt12.657pk
+pkfonts/ljfour657/xydash10.657pk
+pkfonts/ljfour657/xyeuat10.657pk
+pkfonts/ljfour657/xyeuat11.657pk
+pkfonts/ljfour657/xyeuat12.657pk
+pkfonts/ljfour657/xyeubt10.657pk
+pkfonts/ljfour657/xyeubt11.657pk
+pkfonts/ljfour657/xyeubt12.657pk
+pkfonts/ljfour720/xyatip10.720pk
+pkfonts/ljfour720/xybsql10.720pk
+pkfonts/ljfour720/xybtip10.720pk
+pkfonts/ljfour720/xycirc10.720pk
+pkfonts/ljfour720/xycmat10.720pk
+pkfonts/ljfour720/xycmat11.720pk
+pkfonts/ljfour720/xycmat12.720pk
+pkfonts/ljfour720/xycmbt10.720pk
+pkfonts/ljfour720/xycmbt11.720pk
+pkfonts/ljfour720/xycmbt12.720pk
+pkfonts/ljfour720/xydash10.720pk
+pkfonts/ljfour720/xyeuat10.720pk
+pkfonts/ljfour720/xyeuat11.720pk
+pkfonts/ljfour720/xyeuat12.720pk
+pkfonts/ljfour720/xyeubt10.720pk
+pkfonts/ljfour720/xyeubt11.720pk
+pkfonts/ljfour720/xyeubt12.720pk
+pkfonts/ljfour864/xyatip10.864pk
+pkfonts/ljfour864/xybsql10.864pk
+pkfonts/ljfour864/xybtip10.864pk
+pkfonts/ljfour864/xycirc10.864pk
+pkfonts/ljfour864/xycmat10.864pk
+pkfonts/ljfour864/xycmat11.864pk
+pkfonts/ljfour864/xycmat12.864pk
+pkfonts/ljfour864/xycmbt10.864pk
+pkfonts/ljfour864/xycmbt11.864pk
+pkfonts/ljfour864/xycmbt12.864pk
+pkfonts/ljfour864/xydash10.864pk
+pkfonts/ljfour864/xyeuat10.864pk
+pkfonts/ljfour864/xyeuat11.864pk
+pkfonts/ljfour864/xyeuat12.864pk
+pkfonts/ljfour864/xyeubt10.864pk
+pkfonts/ljfour864/xyeubt11.864pk
+pkfonts/ljfour864/xyeubt12.864pk
+ps/xy37dict.pro
+ps/xypic.map
+src/CATALOG.doc
+src/COPYING
+src/ChangeLog
+src/INSTALL
+src/INSTALL.OzTeX
+src/INSTALL.Textures
+src/MAKE
+src/MANIFEST
+src/Makefile
+src/README
+src/TRAILER
+src/VERSIONS
+src/YandY_xy_fonts.zip
+src/doc2tex.com
+src/dvitogif89a
+src/import1.eps
+src/install-tds
+src/kris.eps
+src/latin1.sty
+src/movie.cls
+src/pnmrawtopcropwhite.c
+src/ross.eps
+src/xy.doc
+src/xy.sty
+src/xy16textures.doc
+src/xy17oztex.doc
+src/xy2cell.doc
+src/xyall.doc
+src/xyarc.doc
+src/xyarrow.doc
+src/xyatip.mf
+src/xyatip10.mf
+src/xybsql10.mf
+src/xybtip.mf
+src/xybtip10.mf
+src/xycirc10.mf
+src/xycm.mf
+src/xycmactex.doc
+src/xycmat10.mf
+src/xycmat11.mf
+src/xycmat12.mf
+src/xycmbt10.mf
+src/xycmbt11.mf
+src/xycmbt12.mf
+src/xycmtip.doc
+src/xycolor.doc
+src/xycrayon.doc
+src/xycurve.doc
+src/xyd.mf
+src/xyd2.mf
+src/xydash10.mf
+src/xydoc.back
+src/xydoc.bib
+src/xydoc.sty
+src/xydocps.doc
+src/xydummy.doc
+src/xydvidrv.doc
+src/xydvips.doc
+src/xydvitops.doc
+src/xyemtex.doc
+src/xyeuat10.mf
+src/xyeuat11.mf
+src/xyeuat12.mf
+src/xyeubt10.mf
+src/xyeubt11.mf
+src/xyeubt12.mf
+src/xyeuler.mf
+src/xyframe.doc
+src/xygraph.doc
+src/xyguide.man
+src/xyidioms.doc
+src/xyimport.doc
+src/xyknot.doc
+src/xylatex.ini
+src/xyline.doc
+src/xyline10.mf
+src/xymacpat.xyp
+src/xymatrix.doc
+src/xymisc10.mf
+src/xymovie.doc
+src/xynecula.doc
+src/xyoztex.doc
+src/xypic.doc
+src/xypic.map
+src/xypic.sty
+src/xypoly.doc
+src/xyps-c.doc
+src/xyps-col.doc
+src/xyps-f.doc
+src/xyps-l.doc
+src/xyps-pro.doc
+src/xyps-ps.doc
+src/xyps-r.doc
+src/xyps-s.doc
+src/xyps-t.doc
+src/xyps.doc
+src/xypsdict.doc
+src/xypspatt.doc
+src/xyqc10.mf
+src/xyrecat.doc
+src/xyrefer.man
+src/xyrotate.doc
+src/xysmart.doc
+src/xytech.mf
+src/xytest.mf
+src/xytex.ini
+src/xytextures.doc
+src/xytile.doc
+src/xytips.doc
+src/xytp-f.doc
+src/xytpic.doc
+src/xyv2.doc
+src/xyweb.doc
+src/xyxdvi.doc
+support/doc2tex.com
+support/dvitogif89a
+support/install-tds
+support/pnmrawtopcropwhite.c
+texfonts/xyatip10.tfm
+texfonts/xybsql10.tfm
+texfonts/xybtip10.tfm
+texfonts/xycirc10.tfm
+texfonts/xycmat10.tfm
+texfonts/xycmat11.tfm
+texfonts/xycmat12.tfm
+texfonts/xycmbt10.tfm
+texfonts/xycmbt11.tfm
+texfonts/xycmbt12.tfm
+texfonts/xydash10.tfm
+texfonts/xyeuat10.tfm
+texfonts/xyeuat11.tfm
+texfonts/xyeuat12.tfm
+texfonts/xyeubt10.tfm
+texfonts/xyeubt11.tfm
+texfonts/xyeubt12.tfm
+texfonts/xyline10.tfm
+texfonts/xymisc10.tfm
+texfonts/xyqc10.tfm
+texinputs/movie.cls
+texinputs/xy.sty
+texinputs/xy.tex
+texinputs/xy16textures.tex
+texinputs/xy17oztex.tex
+texinputs/xy2cell.tex
+texinputs/xyall.tex
+texinputs/xyarc.tex
+texinputs/xyarrow.tex
+texinputs/xycmactex.tex
+texinputs/xycmtip.tex
+texinputs/xycolor.tex
+texinputs/xycrayon.tex
+texinputs/xycurve.tex
+texinputs/xydummy.tex
+texinputs/xydvidrv.tex
+texinputs/xydvips.tex
+texinputs/xydvitops.tex
+texinputs/xyemtex.tex
+texinputs/xyframe.tex
+texinputs/xygraph.tex
+texinputs/xyidioms.tex
+texinputs/xyimport.tex
+texinputs/xyknot.tex
+texinputs/xylatex.ini
+texinputs/xyline.tex
+texinputs/xymacpat.xyp
+texinputs/xymatrix.tex
+texinputs/xymovie.tex
+texinputs/xynecula.tex
+texinputs/xyoztex.tex
+texinputs/xypic.sty
+texinputs/xypic.tex
+texinputs/xypoly.tex
+texinputs/xyps-c.tex
+texinputs/xyps-col.tex
+texinputs/xyps-f.tex
+texinputs/xyps-l.tex
+texinputs/xyps-pro.tex
+texinputs/xyps-ps.tex
+texinputs/xyps-r.tex
+texinputs/xyps-s.tex
+texinputs/xyps-t.tex
+texinputs/xyps.tex
+texinputs/xypsdict.tex
+texinputs/xypspatt.tex
+texinputs/xyrecat.tex
+texinputs/xyrotate.tex
+texinputs/xysmart.tex
+texinputs/xytex.ini
+texinputs/xytextures.tex
+texinputs/xytile.tex
+texinputs/xytips.tex
+texinputs/xytp-f.tex
+texinputs/xytpic.tex
+texinputs/xyv2.tex
+texinputs/xyweb.tex
+texinputs/xyxdvi.tex
+type1/xyatip10.pfb
+type1/xybsql10.pfb
+type1/xybtip10.pfb
+type1/xycirc10.pfb
+type1/xycmat10.pfb
+type1/xycmbt10.pfb
+type1/xydash10.pfb
+type1/xyeuat10.pfb
+type1/xyeubt10.pfb
diff --git a/Master/texmf-dist/doc/generic/xypic/README b/Master/texmf-dist/doc/generic/xypic/README
new file mode 100644
index 00000000000..9cb813a4cb6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/README
@@ -0,0 +1,106 @@
+-*-text-*- $Id: README,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+
+ ======================================================
+ THE Xy-pic PACKAGE FOR TYPESETTING GRAPHS AND DIAGRAMS
+ ======================================================
+
+Xy-pic is a package for typesetting graphs and diagrams with TeX.
+
+It works with most formats, including LaTeX (both 2.09 and 2e),
+AMS-LaTeX, AMS-TeX, and plain TeX.
+
+It has been used to typeset complicated diagrams from many application
+areas including category theory, automata theory, algebra, neural
+networks, and database theory.
+
+ - o -
+
+See below in this file for an overview of the structure and features!
+See CATALOG for up to date version information!
+See TRAILER for author and accessibility information!
+See COPYING for the conditions for redistribution and modification!
+See MANIFEST for a complete file list!
+See VERSIONS for the exact list of the versions of all source files!
+See the various INSTALL files for how to install Xy-pic on your system!
+See the W3 <URL: http://www.ens-lyon.fr/~krisrose/Xy-pic.html> for news!
+
+ - o -
+
+Xy-pic is structured as a `kernel' and several orthogonal modules called
+`options', each defining a custom notation for a particular kind of
+graphical object or structure.
+
+These (combinable) structures are available:
+
+* A graph combinator mode where diagrams are specified the way they are
+ composed as graphs.
+
+* A matrix-like mode where the dimensions of the drawing are computed by
+ aligning diagram entries in rows and columns (this is the `diagram'
+ mode Xy-pic version 2 users are used to).
+
+* A polygon mode where diagrams shaped as regular polygons are entered
+ in a simple way.
+
+* A mode for typesetting beautiful knots and links.
+
+* A general object-oriented `turtle graphic' drawing language for
+ specifying graphs with objects and connections between them in a
+ manner independent of orientation.
+
+The following objects may be used:
+
++ Positions can be given in variety of formats (extendable) including
+ user defined coordinates (x,y) and relative to previous positions,
+ objects, object edges, and points on connections.
+
++ Objects may be circular, elliptic, or rectangular (more shapes can be
+ added) and adjusted in several ways.
+
++ Large library of objects with mnemonic names.
+
++ Objects that orient themself along a connection when placed relative
+ to it, e.g., `\dir{|-}' is like \vdash but thus oriented; new such
+ objects can be defined in a convenient way.
+
++ TeX `boxes', i.e., text and mathematical formulae.
+
++ Includes circle segments and optionally arbitrary elliptical,
+ quadratic, and cubic arcs.
+
++ Connections are aligned between the reference points of objects but
+ start and end on the edges.
+
++ Any object can be used to build a connection (using `diagonal
+ filling'); library objects provide common line types.
+
++ Flexible notation for drawing arrows and general paths with tail,
+ stem, and head built from any object(s). Special support for arrows
+ that cross each other, arrows that `go by' other entries, paired
+ arrows (including support for 2-cells), curved arrows, and arrows with
+ bends.
+
++ Library of frames and braces.
+
++ Special notation for rotation, scaling, colour, and line thickness.
+ The correct typesetting of these features requires a backend that
+ supports it (i.e., PostScript) but even when this is not available
+ Xy-pic tries to approximate what is requested such that at least the
+ picture size is stable (and thus page breaks).
+
++ Output can use PostScript for drawing (several \special formats are
+ supported: dvips, Textures, and OzTeX -- more are being added
+ continuously: contact Ross Moore <ross@mpce.mq.edu.au> for the current
+ list). Notation for inclusion of literal PostScript is available.
+
+* Other graphics can be imported and then `decorated' using Xy-pic.
+
+All object forms may be used with all structures.
+
+ - o -
+
+Finally, enjoy Xy-pic!
+
+Sincerely,
+ Kristoffer H. Rose <krisrose@ens-lyon.fr>
+ Ross Moore <ross@mpce.mq.edu.au>
diff --git a/Master/texmf-dist/doc/generic/xypic/TRAILER b/Master/texmf-dist/doc/generic/xypic/TRAILER
new file mode 100644
index 00000000000..0910c672a83
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/TRAILER
@@ -0,0 +1,91 @@
+-*-text-*- $Id: TRAILER,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+
+=======================================================================
+ ANNOUNCING the Xy-pic version 3.7 DIAGRAM TYPESETTING PACKAGE
+=======================================================================
+
+This is to announce a release of my diagram typesetting package Xy-pic.
+
+With version 3.7 we explicitly grant permission to use the unmodified
+Xy-pic fonts and specials in distributed documents.
+
+-----------------------------------------------------------------------
+ GENERAL
+-----------------------------------------------------------------------
+
+Xy-pic is a package for typesetting a variety of graphs and diagrams
+with TeX. Xy-pic works with most formats (including LaTeX, AMS-LaTeX,
+AMS-TeX, and plain TeX), in particular Xy-pic is provided as a LaTeX2e
+`supported package' (following the `CTAN LaTeX2e bundle' standard).
+
+Further specifics of the package are in the distribution README file.
+
+-----------------------------------------------------------------------
+ NEWS
+-----------------------------------------------------------------------
+
+The primary purpose of release 3.7 is the granting of special permission
+to copy the Xy-pic fonts and graphic specials inside documents, for
+example in DVI, PostScript, and PDF files. This has no practical
+significance except making current (reasonable) practice explicitly
+legal.
+
+Release 3.7 furthermore fixes a few bugs in release 3.6 and adds a few
+features: a "smart turning path" feature and an extension with macro
+expansion in kernel expressions and polygon shapes by George C. Necula,
+and the beginnings of an emulation of LaTeX picture mode proposed by
+Paul Burchard and Bill Richter.
+
+Special thanks to George Necula for the bug fixes and impressive
+extensions, to Bill Richter for extending Paul Burchard's pb-diagram to
+use Xy-pic as a backend and for contributing the `picture' feature, to
+Berthold Horn of Y&Y Inc. for releasing the copyright on their
+PostScript fonts, and to Pieter Donche and Marcelo Cunha dos Santos for
+the bug reports.
+
+-----------------------------------------------------------------------
+ AVAILABILITY
+-----------------------------------------------------------------------
+
+Xy-pic can be retrieved through the World Wide Web Xy-pic `home page':
+
+ URL: http://www.ens-lyon.fr/~krisrose/Xy-pic.html
+
+as well as by anonymous ftp from
+
+ CTAN: macros/generic/diagrams/xypic
+
+Check the README file in each location for specifics, in particular
+check that you have reached a version 3.7 copy (some archives take a
+while to mirror the latest files)!
+
+-----------------------------------------------------------------------
+ HISTORY & CREDITS
+-----------------------------------------------------------------------
+
+The first public release (version 1.40) of Xy-pic was created by
+Kristoffer H. Rose, DIKU, U of Copenhagen (now ENS-Lyon, France) and
+distributed via Usenet on December 19, 1991. This quickly became
+version 2 of which version 2.6 was the stable for sevarl years.
+
+The thorough rewrite that became version 3 is a continued
+collaboration with Ross Moore, Macquarie U, Sydney, initiated through
+a visit to Macquarie (Jan-May 1994 supported by the Australian
+Research Council, Macquarie University, and using donated DEC
+equipment). However, full backwards compatibility is maintained
+(except for the unavoidable but fully documented obscure cases).
+
+Xy-pic is Copyright (c) 1991-1998 by Kristoffer H. Rose and 1994-1998
+by Ross Moore under GNU COPYLEFT (GPL) which means that you can use
+the package for any purpose but if you provide the macros or any code
+derived from them to a third party then you are obliged to include the
+entire Xy-pic package (full details in the file COPYING). The
+PostScript fonts are additionally Copyright (c) 1997 Y&Y Inc. The
+FONTCOPYING file details the special permissions to distribute fonts
+without the full requirements of the GPL.
+
+-----------------------------------------------------------------------
+
+ This is the end of the announcement. Enjoy Xy-pic!
+
+-----------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/generic/xypic/VERSIONS b/Master/texmf-dist/doc/generic/xypic/VERSIONS
new file mode 100644
index 00000000000..8dd98c1cd2e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/VERSIONS
@@ -0,0 +1,103 @@
+$Id: CATALOG.doc,v 3.6 1998/03/06 04:29:05 krisrose Exp $
+$Id: INSTALL,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+$Id: INSTALL.OzTeX,v 3.4 1997/05/18 01:13:24 ross Exp $
+$Id: INSTALL.Textures,v 3.4 1997/05/18 01:13:24 ross Exp $
+$Id: MAKE,v 3.5 1997/05/28 22:40:26 krisrose Exp $
+$Id: Makefile,v 3.7 1999/02/16 15:12:50 krisrose Exp krisrose $
+$Id: README,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+$Id: TRAILER,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: dvitogif89a,v 3.5 1997/05/28 13:05:01 krisrose Exp $
+$Id: install-tds,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: latin1.sty,v 3.4 1997/05/18 03:04:44 krisrose Exp $
+$Id: movie.cls,v 3.4 1997/05/18 01:14:25 krisrose Exp $
+$Id: pnmrawtopcropwhite.c,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: pnmrawtopcropwhite.c,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xy.doc,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xy.sty,v 3.3 1996/12/19 03:31:56 krisrose Exp $
+$Id: xy16textures.doc,v 3.3 1996/12/18 14:21:23 ross Exp $
+$Id: xy17oztex.doc,v 3.3 1996/12/18 14:21:23 ross Exp $
+$Id: xy2cell.doc,v 3.3 1996/12/18 14:21:23 ross Exp $
+$Id: xyall.doc,v 3.3 1996/12/19 03:31:56 krisrose Exp $
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+$Id: xybtip.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xybtip10.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xycirc10.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xycm.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xycmactex.doc,v 3.3 1996/12/18 08:54:25 ross Exp $
+$Id: xycmat10.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xycmat11.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
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+$Id: xycmbt12.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xycmtip.doc,v 3.3 1996/12/19 03:31:56 krisrose Exp $
+$Id: xycolor.doc,v 3.3 1996/12/19 03:50:08 ross Exp $
+$Id: xycrayon.doc,v 3.3 1996/12/18 08:58:16 ross Exp $
+$Id: xycurve.doc,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xyd.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xyd2.mf,v 3.7 1999/02/16 15:12:50 krisrose Exp $
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+$Id: xydoc.bib,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+$Id: xydoc.sty,v 3.7 1999/02/16 15:12:50 krisrose Exp $
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+$Id: xygraph.doc,v 3.7 1999/02/16 15:12:50 krisrose Exp $
+$Id: xyguide.man,v 3.6 1998/03/06 01:28:05 krisrose Exp $
+$Id: xyidioms.doc,v 3.4 1997/05/18 01:14:25 krisrose Exp $
+$Id: xyimport.doc,v 3.6 1998/03/06 01:28:05 krisrose Exp $
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new file mode 100644
index 00000000000..8f0b61238b3
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+% define the colormap
+/cmap 256 string def
+
+
+% load up the colormap
+currentfile cmap readhexstring
+00 01 02 03 04 05 06 07 08 09
+0a 0b 0c 0d 0e 0f 10 11 12 13
+14 15 16 17 18 19 1a 1b 1c 1d
+1e 1f 20 21 22 23 24 25 26 27
+28 29 2a 2b 2c 2d 2e 2f 30 31
+32 33 34 35 36 37 38 39 3a 3b
+3c 3d 3e 3f 40 41 42 43 44 45
+46 47 48 49 4a 4b 4c 4d 4e 4f
+50 51 52 53 54 55 56 57 58 59
+5a 5b 5c 5d 5e 5f 60 61 62 63
+64 65 66 67 68 69 6a 6b 6c 6d
+6e 6f 70 71 72 73 74 75 76 77
+78 79 7a 7b 7c 7d 7e 7f 80 81
+82 83 84 85 86 87 88 89 8a 8b
+8c 8d 8e 8f 90 91 92 93 94 95
+96 97 98 99 9a 9b 9c 9d 9e 9f
+a0 a1 a2 a3 a4 a5 a6 a7 a8 a9
+aa ab ac ad ae af b0 b1 b2 b3
+b4 b5 b6 b7 b8 b9 ba bb bc bd
+be bf c0 c1 c2 c3 c4 c5 c6 c7
+c8 c9 ca cb cc cd ce cf d0 d1
+d2 d3 d4 d5 d6 d7 d8 d9 da db
+dc dd de df e0 e1 e2 e3 e4 e5
+e6 e7 e8 e9 ea eb ec ed ee ef
+f0 f1 f2 f3 f4 f5 f6 f7 f8 f9
+fa fb fc fd fe ff
+pop pop % lose return values from readhexstring
+
+
+% rlecmapimage expects to have 'w h bits matrix' on stack
+/rlecmapimage {
+ /buffer 1 string def
+ /rgbval 3 string def
+ /block 384 string def
+
+ % proc to read a block from file, and return RGB data
+ { currentfile buffer readhexstring pop
+ /bcount exch 0 get store
+ bcount 128 ge
+ { % it's a non-run block
+ 0 1 bcount 128 sub
+ { currentfile buffer readhexstring pop pop
+
+ % look up value in gray map
+ /rgbval cmap buffer 0 get 1 getinterval store
+
+ % and put it in position i in block
+ block exch rgbval putinterval
+ } for
+ block 0 bcount 127 sub getinterval
+ }
+
+ { % else it's a run block
+ currentfile buffer readhexstring pop pop
+
+ % look up value in graymap
+ /rgbval cmap buffer 0 get 1 getinterval store
+
+ 0 1 bcount { block exch rgbval putinterval } for
+
+ block 0 bcount 1 add getinterval
+ } ifelse
+ } % end of proc
+ image
+} bind def
+
+
+92 119 8 % dimensions of data
+[92 0 0 -119 0 119] % mapping matrix
+rlecmapimage
+
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+% stop using temporary dictionary
+end
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+% restore original state
+origstate restore
+
+%%Trailer
diff --git a/Master/texmf-dist/doc/generic/xypic/xyguide.pdf b/Master/texmf-dist/doc/generic/xypic/xyguide.pdf
new file mode 100644
index 00000000000..86fa04b2ceb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/xypic/xyguide.pdf
@@ -0,0 +1,16543 @@
+%PDF-1.2
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+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+%
+% XYCIRC10: eighth circle segments for Xy-pic at 10 point
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%!PS-AdobeFont-1.1: CMTT8 1.0
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+%%RevisionDate: 1997 Aug 28 05:34:12
+%%RevisionDate: 1997 Sep 18 10:23:31
+%
+% XYDASH10: line segments for Xy-pic at 10 point
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
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+%%RevisionDate: 1997 Sep 14 19:58:47
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+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%%RevisionDate: 1997 Sep 14 19:58:47
+%
+% XYATIP10: upper arrow tips for Xy-pic at 10 point "technical style".
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%%CreationDate: 1996 Jul 23 07:53:52
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+0 -254.47 228.99 0.4 re f
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+-18.15 -18.56 228.99 0.4 re f
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+0 -324.5 228.99 0.4 re f
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+-69.69 -6.61 228.99 0.4 re f
+1 0 0 1 183.21 639.6 cm
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Td[(can)-329(b)-28(e)-329(used)-329(directly;)-329(otherwise)-328(use)]TJ/F47 9.96 Tf 155 0 Td[(-p)]TJ/F8 9.96 Tf 13.74 0 Td[(to)-330(get)-330(the)-329(rel-)]TJ -168.74 -11.96 Td[(ativ)28(e)-333(p)-28(osition.)]TJ/F45 9.96 Tf 14.95 -12.7 Td[(Note:)]TJ/F8 9.96 Tf 32.01 0 Td[(Do)-333(not)-334(use)]TJ/F47 9.96 Tf 50.84 0 Td[({})]TJ/F8 9.96 Tf 13.78 0 Td[(or)]TJ/F47 9.96 Tf 12.2 0 Td[([])]TJ/F8 9.96 Tf 13.78 0 Td[(in)-333(the)]TJ/F14 9.96 Tf 28.78 0 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(p)-27(os)]TJ/F14 9.96 Tf 14.72 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(itions.)]TJ/F45 9.96 Tf -173.86 -12.7 Td[(Bug:)]TJ/F8 9.96 Tf 29.19 0 Td[(The)-400(algorithm)-399(assumes)-399(that)-400(the)-400(reference)]TJ -44.14 -11.95 Td[(p)-28(oin)28(t)-333(is)-333(alw)28(a)27(ys)-333(inside)-331(the)-333(p)-28(olygon.)]TJ 14.95 -12.7 Td[(It)-333(is)-333(p)-28(ossible)-331(to)-334(frame)-332(p)-27(olygons)-333(is)-333(also)-333(p)-28(ossible.)]TJ/F45 9.96 Tf 0 -12.7 Td[(Bug:)]TJ/F8 9.96 Tf 33.82 0 Td[(This)-633(co)-27(de)-633(should)-631(b)-28(e)-633(merged)-631(with)-633(the)]TJ -48.77 -11.95 Td[(`frame')-332(and)-333(`p)-27(oly')-333(options.)]TJ 14.95 -12.7 Td[(The)-322(example)-321(at)-324(the)-322(end)-322(of)]TJ/F14 9.96 Tf 118.37 0 Td[(x)]TJ/F45 9.96 Tf 4.43 0 Td[(??)]TJ/F8 9.96 Tf 15.21 0 Td[(illustrates)-321(the)-322(ex-)]TJ -152.96 -11.96 Td[(tensions.)]TJ/F43 14.35 Tf 0 -43.3 Td[(P)31(art)-376(I)-31(I)-31(I)]TJ/F49 20.66 Tf 0 -25.65 Td[(F)93(eatures)]TJ/F8 9.96 Tf 0 -25.57 Td[(This)-555(part)-555(do)-28(cumen)30(ts)-555(the)-555(notation)-555(added)-555(b)29(y)-556(eac)29(h)]TJ 0 -11.95 Td[(standard)-463(feature)-462(option.)-835(F)83(or)-464(eac)29(h)-464(is)-463(indicated)-462(the)]TJ 0 -11.96 Td[(describ)-26(ed)-370(v)28(ersion)-369(n)28(um)28(b)-27(er,)-380(the)-370(author,)-379(and)-371(ho)28(w)-371(it)-371(is)]TJ 0 -11.95 Td[(loaded.)]TJ 14.95 -12.7 Td[(The)-252(\014rst)-251(t)28(w)27(o,)-269(`all')-252(and)-252(`dumm)30(y',)-269(describ)-25(ed)-252(in)]TJ/F14 9.96 Tf 195.22 0 Td[(xx)]TJ/F8 9.96 Tf 8.86 0 Td[(21)]TJ -219.03 -11.96 Td[(and)-461(22,)-493(are)-461(trivial)-461(features)-459(that)-461(nev)29(ertheless)-459(pro)29(v)27(e)]TJ 0 -11.95 Td[(useful)-367(sometimes.)-546(The)-368(next)-368(t)28(w)27(o,)-377(`arro)28(w')-369(and)-368(`2cell',)]TJ 0 -11.96 Td[(describ)-26(ed)-419(in)]TJ/F14 9.96 Tf 57.44 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(23)-420(and)-420(24,)-442(pro)28(vide)-419(sp)-27(ecial)-419(commands)]TJ -61.87 -11.95 Td[(for)-610(ob)-55(jects)-608(that)-610(`p)-27(oin)28(t'.)-1273(The)-610(follo)29(wing,)-679(`matrix')]TJ 0 -11.96 Td[(in)]TJ/F14 9.96 Tf 11.1 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(25,)-292(`graph')-280(in)]TJ/F14 9.96 Tf 60 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(26,)-291(`p)-28(oly')-280(in)]TJ/F14 9.96 Tf 53.88 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(27,)-292(and)-280(`knot')-280(in)]TJ/F14 9.96 Tf 73.56 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(30,)]TJ -216.26 -11.95 Td[(are)]TJ/F48 9.96 Tf 16.8 0 Td[(input)-373(mo)51(des)]TJ/F8 9.96 Tf 56.9 0 Td[(that)-349(supp)-27(ort)-349(di eren)29(t)-350(o)28(v)27(erall)-349(struc-)]TJ -73.7 -11.96 Td[(turing)-333(of)-333(\050parts)-333(of)-77(\051)-234(X)]TJ 90.16 -1.71 Td[(Y)]TJ 5.98 1.71 Td[(-pictures.)]TJ/F43 14.35 Tf -96.14 -36.89 Td[(21)-1126(All)-376(features)]TJ/F35 8.97 Tf 0 -23.21 Td[(V)99(ers.)-525(3.3)-394(b)32(y)-394(Kristo er)-394(H.)-394(Rose)]TJ/F38 8.97 Tf 148.88 0 Td[(h)]TJ/F23 8.97 Tf 3.58 0 Td[(krisrose@brics.dk)]TJ/F38 8.97 Tf 69.34 0 Td[(i)]TJ/F45 9.96 Tf -221.8 -11.96 Td[(Load)-384(as:)]TJ/F47 9.96 Tf 46.74 0 Td[(\134xyoption{all})]TJ/F8 9.96 Tf -46.74 -19.77 Td[(As)-361(a)-361(sp)-27(ecial)-360(con)29(v)28(enience,)-366(this)-360(feature)-359(loads)-360(a)-361(subset)]TJ 0 -11.95 Td[(of)-366(X)]TJ 16.15 -1.72 Td[(Y)]TJ 5.98 1.72 Td[(-pic,)]TJ/F7 6.97 Tf 18.82 3.61 Td[(11)]TJ/F8 9.96 Tf 13.41 -3.61 Td[(namely)-464(the)-465(extensions:)]TJ/F47 9.96 Tf 108.87 0 Td[(curve)]TJ/F8 9.96 Tf 30.79 0 Td[(\050)]TJ/F48 9.96 Tf 3.88 0 Td[(cf)]TJ/F8 9.96 Tf 7.64 0 Td[(.)]TJ/F14 9.96 Tf 7.4 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(8\051,)]TJ/F47 9.96 Tf -217.37 -11.96 Td[(frame)]TJ/F8 9.96 Tf 30.31 0 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.42 0 Td[(9\051,)]TJ/F47 9.96 Tf 16 0 Td[(cmtip)]TJ/F8 9.96 Tf 30.31 0 Td[(\050)]TJ/F14 9.96 Tf 3.87 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(10\051,)]TJ/F47 9.96 Tf 20.97 0 Td[(line)]TJ/F8 9.96 Tf 25.08 0 Td[(\050)]TJ/F14 9.96 Tf 3.87 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(11\051,)]TJ/F47 9.96 Tf 20.97 0 Td[(rotate)]TJ/F8 9.96 Tf 35.54 0 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(12\051,)]TJ/F47 9.96 Tf -212.39 -11.95 Td[(color)]TJ/F8 9.96 Tf 32.23 0 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(13\051,)-679(and)-610(the)-610(follo)29(wing)-611(features:)]TJ/F47 9.96 Tf 157.07 0 Td[(matrix)]TJ/F8 9.96 Tf -197.61 -11.96 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.42 0 Td[(25\051,)]TJ/F47 9.96 Tf 19.93 0 Td[(arrow)]TJ/F8 9.96 Tf 29.47 0 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.42 0 Td[(23\051,)-334(and)]TJ/F47 9.96 Tf 39.3 0 Td[(graph)]TJ/F8 9.96 Tf 29.47 0 Td[(\050)]TJ/F14 9.96 Tf 3.88 0 Td[(x)]TJ/F8 9.96 Tf 4.43 0 Td[(26\051.)]TJ/F43 14.35 Tf -143.08 -44.36 Td[(22)-1126(Dumm)31(y)-374(option)]TJ/F35 8.97 Tf 0 -23.21 Td[(V)99(ers.)-525(3.3)-394(b)32(y)-394(Kristo er)-394(H.)-394(Rose)]TJ/F38 8.97 Tf 148.88 0 Td[(h)]TJ/F23 8.97 Tf 3.58 0 Td[(krisrose@brics.dk)]TJ/F38 8.97 Tf 69.34 0 Td[(i)]TJ/F45 9.96 Tf -221.8 -11.95 Td[(Load)-384(as:)]TJ/F47 9.96 Tf 46.74 0 Td[(\134xyoption{dummy})]TJ/F8 9.96 Tf -46.74 -19.78 Td[(This)-245(option)-245(is)-245(pro)29(vided)-244(as)-245(a)-246(template)-243(for)-245(new)-245(options,)]TJ 0 -11.95 Td[(it)-275(pro)29(vides)-274(neither)-272(features)-273(nor)-274(extensions)-272(but)-274(it)-274(do)-28(es)]TJ 0 -11.96 Td[(coun)28(t)-333(ho)28(w)-334(man)29(y)-334(times)-332(it)-333(is)-333(requested.)]TJ
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+-252.9 -652.59 91.59 0.4 re f
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+BT
+/F47 9.96 Tf 0 0 Td[(\134input)-526(xypic)]TJ/F8 9.96 Tf 62.77 0 Td[(,)-333(77)]TJ/F47 9.96 Tf -62.77 -16.37 Td[(\134jot)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-334(9)]TJ/F11 9.96 Tf -26.15 -16.37 Td[(L)]TJ/F8 9.96 Tf 6.78 0 Td[(,)-334(6)]TJ/F47 9.96 Tf -6.78 -12.08 Td[(L)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-334(8,)-333(10)]TJ/F11 9.96 Tf -5.23 -12.09 Td[(L)]TJ/F10 6.97 Tf 6.78 -1.49 Td[(c)]TJ/F8 9.96 Tf 4.06 1.49 Td[(,)-333(6)]TJ/F11 9.96 Tf -10.84 -12.08 Td[(L)]TJ/F10 6.97 Tf 6.78 -1.49 Td[(p)]TJ/F8 9.96 Tf 4.61 1.49 Td[(,)-333(6)]TJ -11.39 -12.08 Td[(lab)-28(el)-333(separation,)-331(50)]TJ/F47 9.96 Tf 0 -12.09 Td[(\134labelbox)]TJ/F8 9.96 Tf 52.31 0 Td[(,)-333(40)]TJ/F47 9.96 Tf -52.31 -12.08 Td[(\134labelmargin)]TJ/F8 9.96 Tf 68 0 Td[(,)-333(40)]TJ/F47 9.96 Tf -68 -12.08 Td[(\134labelstyle)]TJ/F8 9.96 Tf 62.77 0 Td[(,)-333(40)]TJ -62.77 -12.08 Td[(L)]TJ/F7 6.97 Tf 2.64 2.04 Td[(A)]TJ/F8 9.96 Tf 4.39 -2.04 Td[(T)]TJ 5.53 -2.15 Td[(E)]TJ 5.54 2.15 Td[(X,)-333(5)]TJ/F47 9.96 Tf -18.1 -12.09 Td[(\134LaTeXdiagrams)]TJ/F8 9.96 Tf 78.46 0 Td[(,)-333(77)]TJ -78.46 -12.08 Td[(L)]TJ/F7 6.97 Tf 2.64 2.04 Td[(A)]TJ/F8 9.96 Tf 4.39 -2.04 Td[(T)]TJ 5.53 -2.14 Td[(E)]TJ 5.54 2.14 Td[(X)-150(2)]TJ/F11 9.96 Tf 13.95 -1.49 Td[(")]TJ/F8 9.96 Tf 5.14 1.49 Td[(,)-333(5)]TJ/F47 9.96 Tf -37.19 -12.08 Td[(\134Lc)]TJ/F8 9.96 Tf 20.92 0 Td[(,)-334(76)]TJ/F47 9.96 Tf -20.92 -12.09 Td[(LD)]TJ/F8 9.96 Tf 10.46 0 Td[(,)-334(8)]TJ -10.46 -12.08 Td[(license,)-331(3)]TJ/F14 9.96 Tf 0 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(list)]TJ/F14 9.96 Tf 13.34 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-333(52)]TJ -21.09 -12.09 Td[(loading,)-333(4,)-334(5)]TJ 0 -12.08 Td[(logo,)-334(5)]TJ/F47 9.96 Tf 0 -12.08 Td[(\134Lp)]TJ/F8 9.96 Tf 20.92 0 Td[(,)-334(76)]TJ/F47 9.96 Tf -20.92 -12.08 Td[(LU)]TJ/F8 9.96 Tf 10.46 0 Td[(,)-334(8)]TJ/F47 9.96 Tf -10.46 -16.38 Td[(\134makeatletter)]TJ/F8 9.96 Tf 73.23 0 Td[(,)-333(4)]TJ/F47 9.96 Tf -73.23 -12.08 Td[(\134makeatother)]TJ/F8 9.96 Tf 68 0 Td[(,)-333(4)]TJ/F47 9.96 Tf -68 -12.08 Td[(\134MakeOutlines)]TJ/F8 9.96 Tf 73.23 0 Td[(,)-333(15)]TJ -73.23 -12.09 Td[(math)-333(mo)-28(de,)-332(6)]TJ/F14 9.96 Tf 0 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(matrix)]TJ/F14 9.96 Tf 29.08 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(48)]TJ -36.84 -12.08 Td[(matrix,)-333(48)]TJ 0 -12.08 Td[(matrix)-333(orien)29(tation,)-333(49)]TJ 0 -12.09 Td[(matrix)-333(spacing,)-332(49)]TJ/F47 9.96 Tf 0 -12.08 Td[(\134merge)]TJ/F8 9.96 Tf 36.62 0 Td[(,)-333(76)]TJ -36.62 -12.08 Td[(messages,)-331(5)]TJ/F14 9.96 Tf 0 -12.09 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(mo)-27(di\014er)]TJ/F14 9.96 Tf 35.72 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(12,)-334(37)]TJ/F47 9.96 Tf -43.48 -12.08 Td[(\134morphism)]TJ/F8 9.96 Tf 52.31 0 Td[(,)-333(77)]TJ/F14 9.96 Tf -52.31 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(mo)28(v)28(e)]TJ/F14 9.96 Tf 22.41 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(52)]TJ/F47 9.96 Tf -30.17 -12.09 Td[(movie)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-334(34)]TJ/F47 9.96 Tf -26.15 -12.08 Td[(\134MovieSetup)]TJ/F8 9.96 Tf 62.77 0 Td[(,)-333(34)]TJ/F47 9.96 Tf -62.77 -12.08 Td[(\134MultipleDrivers)]TJ/F8 9.96 Tf 88.92 0 Td[(,)-333(20)]TJ/F47 9.96 Tf -88.92 -16.37 Td[(\134newdir)]TJ/F8 9.96 Tf 41.85 0 Td[(,)-333(18,)-333(41)]TJ/F47 9.96 Tf -41.85 -12.09 Td[(\134newgraphescape)]TJ/F8 9.96 Tf 83.69 0 Td[(,)-333(53)]TJ/F47 9.96 Tf -83.69 -12.08 Td[(\134newxycolor)]TJ/F8 9.96 Tf 62.77 0 Td[(,)-333(30)]TJ/F47 9.96 Tf -62.77 -12.08 Td[(\134newxypattern)]TJ/F8 9.96 Tf 73.23 0 Td[(,)-333(31)]TJ/F47 9.96 Tf -73.23 -12.09 Td[(\134next)]TJ/F8 9.96 Tf 31.39 0 Td[(,)-333(4)]TJ/F14 9.96 Tf -31.39 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(no)-27(de)]TJ/F14 9.96 Tf 20.75 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(52)]TJ/F47 9.96 Tf -28.51 -12.08 Td[(\134NoisyDiagrams)]TJ/F8 9.96 Tf 78.46 0 Td[(,)-333(77)]TJ/F47 9.96 Tf -78.46 -12.08 Td[(\134none)]TJ/F8 9.96 Tf 31.39 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -31.39 -12.09 Td[(\134NoOutlines)]TJ/F8 9.96 Tf 62.77 0 Td[(,)-333(16)]TJ/F47 9.96 Tf -62.77 -12.08 Td[(\134NoPSspecials)]TJ/F8 9.96 Tf 73.23 0 Td[(,)-333(35)]TJ/F47 9.96 Tf -73.23 -12.08 Td[(\134NoRules)]TJ/F8 9.96 Tf 47.08 0 Td[(,)-333(18)]TJ/F47 9.96 Tf -47.08 -12.09 Td[(\134notip)]TJ/F8 9.96 Tf 36.62 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -36.62 -12.08 Td[(\134NoTips)]TJ/F8 9.96 Tf 41.85 0 Td[(,)-333(27)]TJ/F14 9.96 Tf -41.85 -16.37 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(ob)-55(ject)]TJ/F14 9.96 Tf 26.84 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(12)]TJ -34.6 -12.09 Td[(ob)-56(ject,)-332(6)]TJ/F47 9.96 Tf 0 -12.08 Td[(\134object)]TJ/F8 9.96 Tf 41.85 0 Td[(,)-333(12,)-333(16)]TJ/F14 9.96 Tf -41.85 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.88 0 Td[(ob)-55(jectb)-26(o)27(x)]TJ/F14 9.96 Tf 42.62 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-333(12)]TJ/F47 9.96 Tf 121.89 661.84 Td[(\134objectbox)]TJ/F8 9.96 Tf 57.53 0 Td[(,)-333(11,)-334(40)]TJ/F47 9.96 Tf -57.53 -12.16 Td[(\134objectheight)]TJ/F8 9.96 Tf 73.22 0 Td[(,)-333(13)]TJ/F47 9.96 Tf -73.22 -12.16 Td[(\134objectmargin)]TJ/F8 9.96 Tf 73.22 0 Td[(,)-333(13,)-334(40)]TJ/F47 9.96 Tf -73.22 -12.17 Td[(\134objectwidth)]TJ/F8 9.96 Tf 67.99 0 Td[(,)-333(13)]TJ/F47 9.96 Tf -67.99 -12.16 Td[(\134OnlyOutlines)]TJ/F8 9.96 Tf 73.22 0 Td[(,)-333(15)]TJ/F14 9.96 Tf -73.22 -12.17 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(orien)29(t)]TJ/F14 9.96 Tf 25.21 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(19)]TJ -32.96 -12.16 Td[(orien)29(tation,)-333(49)]TJ/F47 9.96 Tf 0 -16.45 Td[(P)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-333(8,)-333(10)]TJ/F11 9.96 Tf -5.23 -12.17 Td[(p)]TJ/F8 9.96 Tf 5.01 0 Td[(,)-333(6)]TJ/F47 9.96 Tf -5.01 -12.16 Td[(p)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-333(8)]TJ -5.23 -12.16 Td[(pac)29(k)55(age,)-333(5)]TJ/F47 9.96 Tf 0 -12.17 Td[(\134partroottwo)]TJ/F8 9.96 Tf 67.99 0 Td[(,)-333(7)]TJ/F47 9.96 Tf -67.99 -12.16 Td[(\134PATH)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(38)]TJ/F47 9.96 Tf -31.38 -12.17 Td[(\134PATHaction)]TJ/F8 9.96 Tf 62.76 0 Td[(,)-333(38)]TJ/F47 9.96 Tf -62.76 -12.16 Td[(\134PATHafterPOS)]TJ/F8 9.96 Tf 73.22 0 Td[(,)-333(39)]TJ/F47 9.96 Tf -73.22 -12.16 Td[(\134pit)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-333(75)]TJ/F14 9.96 Tf -26.15 -12.17 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(place)]TJ/F14 9.96 Tf 22.14 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-334(8)]TJ -29.88 -12.16 Td[(placemen)31(t)-334(state,)-332(7)]TJ 0 -12.17 Td[(plainT)]TJ 27.12 -2.14 Td[(E)]TJ 5.53 2.14 Td[(X,)-334(5)]TJ/F14 9.96 Tf -32.65 -12.16 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(p)-27(os)]TJ/F14 9.96 Tf 14.72 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(8)]TJ/F47 9.96 Tf -22.47 -12.16 Td[(\134POS)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-333(16,)-334(38)]TJ -26.15 -12.17 Td[(p)-27(ositions,)-332(6)]TJ 0 -12.16 Td[(priv)57(acy)84(,)-334(4)]TJ/F47 9.96 Tf 0 -16.45 Td[(q)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-333(12)]TJ/F11 9.96 Tf -5.23 -16.46 Td[(R)]TJ/F8 9.96 Tf 7.64 0 Td[(,)-333(6)]TJ/F47 9.96 Tf -7.64 -12.16 Td[(R)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-333(8,)-333(10)]TJ/F11 9.96 Tf -5.23 -12.17 Td[(R)]TJ/F10 6.97 Tf 7.56 -1.49 Td[(c)]TJ/F8 9.96 Tf 4.06 1.49 Td[(,)-333(6)]TJ/F11 9.96 Tf -11.62 -12.16 Td[(R)]TJ/F10 6.97 Tf 7.56 -1.49 Td[(p)]TJ/F8 9.96 Tf 4.61 1.49 Td[(,)-333(6)]TJ/F14 9.96 Tf -12.17 -12.16 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(radius)]TJ/F14 9.96 Tf 26.65 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-334(19)]TJ/F47 9.96 Tf -34.39 -12.17 Td[(\134Rc)]TJ/F8 9.96 Tf 20.92 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -20.92 -12.16 Td[(RD)]TJ/F8 9.96 Tf 10.46 0 Td[(,)-333(8)]TJ/F47 9.96 Tf -10.46 -12.17 Td[(\134redefine)]TJ/F8 9.96 Tf 52.3 0 Td[(,)-333(75)]TJ -52.3 -12.16 Td[(rede\014ned,)-330(4)]TJ/F47 9.96 Tf 0 -12.16 Td[(\134relax)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(4,)-333(16)]TJ/F47 9.96 Tf -36.61 -12.17 Td[(\134restore)]TJ/F8 9.96 Tf 47.07 0 Td[(,)-333(16)]TJ/F47 9.96 Tf -47.07 -12.16 Td[(\134rotate)]TJ/F8 9.96 Tf 41.84 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -41.84 -12.16 Td[(\134rounddashframed)]TJ/F8 9.96 Tf 88.91 0 Td[(,)-333(77)]TJ/F47 9.96 Tf -88.91 -12.17 Td[(\134Row)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-333(51)]TJ -26.15 -12.16 Td[(ro)28(w)-334(spacing,)-331(49)]TJ/F47 9.96 Tf 0 -12.17 Td[(\134Rp)]TJ/F8 9.96 Tf 20.92 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -20.92 -12.16 Td[(RU)]TJ/F8 9.96 Tf 10.46 0 Td[(,)-333(8)]TJ/F47 9.96 Tf -10.46 -16.45 Td[(s)]TJ/F8 9.96 Tf 5.23 0 Td[(,)-333(8)]TJ/F47 9.96 Tf -5.23 -12.17 Td[(\134save)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(16)]TJ/F47 9.96 Tf -31.38 -12.16 Td[(\134scene)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(34)]TJ/F47 9.96 Tf -36.61 -12.17 Td[(\134SelectTips)]TJ/F8 9.96 Tf 62.76 0 Td[(,)-333(27)]TJ/F47 9.96 Tf -62.76 -12.16 Td[(\134ShowOutlines)]TJ/F8 9.96 Tf 73.22 0 Td[(,)-333(15)]TJ/F47 9.96 Tf -73.22 -12.16 Td[(\134SilentMatrices)]TJ/F8 9.96 Tf 83.68 0 Td[(,)-333(48)]TJ/F14 9.96 Tf -83.68 -12.17 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(size)]TJ/F14 9.96 Tf 15.55 0 Td[(i)]TJ/F8 9.96 Tf 3.88 0 Td[(,)-333(12)]TJ/F14 9.96 Tf -23.3 -12.16 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(slide)]TJ/F14 9.96 Tf 19.43 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-333(8)]TJ/F47 9.96 Tf -27.17 -12.17 Td[(\134Solid)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -36.61 -12.16 Td[(\134solid)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(76)]TJ -36.61 -12.16 Td[(spacing,)-331(49)]TJ/F47 9.96 Tf 0 -12.17 Td[(\134spreaddiagramcolumns)]TJ/F8 9.96 Tf 115.06 0 Td[(,)-334(77)]TJ/F47 9.96 Tf -115.06 -12.16 Td[(\134spreaddiagramrows)]TJ/F8 9.96 Tf 99.37 0 Td[(,)-333(77)]TJ/F47 9.96 Tf 72.88 661.84 Td[(\134squarify)]TJ/F8 9.96 Tf 52.3 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -52.3 -12.08 Td[(\134squash)]TJ/F8 9.96 Tf 41.84 0 Td[(,)-333(76)]TJ -41.84 -12.09 Td[(squiggles,)-331(5)]TJ/F47 9.96 Tf 0 -12.08 Td[(\134ssize)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(75)]TJ/F47 9.96 Tf -36.61 -12.09 Td[(\134Ssolid)]TJ/F8 9.96 Tf 41.84 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -41.84 -12.08 Td[(\134sssize)]TJ/F8 9.96 Tf 41.84 0 Td[(,)-333(75)]TJ -41.84 -12.09 Td[(state,)-332(7)]TJ/F14 9.96 Tf 0 -12.08 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(step)]TJ/F14 9.96 Tf 17.77 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-334(52)]TJ/F47 9.96 Tf -25.51 -12.09 Td[(\134stop)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(76)]TJ -31.38 -12.08 Td[(st)28(yle,)-332(14)]TJ 0 -12.09 Td[(st)28(yle)-332(option,)-333(5)]TJ/F47 9.96 Tf 0 -12.09 Td[(\134swap)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(76)]TJ -31.38 -12.08 Td[(system)-331(dep)-27(endencies,)-330(5)]TJ 0 -16.38 Td[(T)]TJ 5.53 -2.14 Td[(E)]TJ 5.54 2.14 Td[(X)-333(reference)-330(p)-28(oin)28(t,)-333(6)]TJ/F47 9.96 Tf -11.07 -12.08 Td[(\134Text)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(75)]TJ/F47 9.96 Tf -31.38 -12.09 Td[(\134text)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(75)]TJ/F47 9.96 Tf -31.38 -12.08 Td[(\134Tip)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-333(76)]TJ/F47 9.96 Tf -26.15 -12.09 Td[(\134tip)]TJ/F8 9.96 Tf 26.15 0 Td[(,)-333(76)]TJ -26.15 -12.08 Td[(tips,)-332(5)]TJ/F47 9.96 Tf 0 -12.09 Td[(\134tsize)]TJ/F8 9.96 Tf 36.61 0 Td[(,)-333(75)]TJ/F47 9.96 Tf -36.61 -12.08 Td[(\134Ttip)]TJ/F8 9.96 Tf 31.38 0 Td[(,)-333(76)]TJ/F14 9.96 Tf -31.38 -12.09 Td[(h)]TJ/F8 9.96 Tf 3.87 0 Td[(turn)]TJ/F14 9.96 Tf 18.85 0 Td[(i)]TJ/F8 9.96 Tf 3.87 0 Td[(,)-334(66)]TJ/F47 9.96 Tf -26.59 -12.08 Td[(\134turnradius)]TJ/F8 9.96 Tf 62.76 0 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+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%
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+%
+% The Xy-pic macro package is distributed in the hope that it will
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+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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+%!PS-AdobeFont-1.1: XYCMAT10 001.104
+%%CreationDate: 1997 Jul 20 21:19:18
+%%RevisionDate: 1997 Sep 14 19:58:47
+%
+% XYCMAT10: upper arrow tips for Xy-pic at 10 point "CM style".
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
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+end readonly def
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+currentdict end
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+%!PS-AdobeFont-1.1: CMEX10 1.00
+%%CreationDate: 1992 Jul 23 21:22:48
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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+%!PS-AdobeFont-1.1: CMR5 1.00B
+%%CreationDate: 1992 Feb 19 19:55:02
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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+%!PS-AdobeFont-1.1: XYBTIP10 001.104
+%%CreationDate: 1997 Jul 20 21:19:18
+%%RevisionDate: 1997 Sep 14 19:58:47
+%
+% XYBTIP10: lower arrow tips for Xy-pic at 10 point "technical style".
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
+/FontInfo 9 dict dup begin
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+%!PS-AdobeFont-1.1: XYATIP10 001.104
+%%CreationDate: 1997 Jul 20 21:19:17
+%%RevisionDate: 1997 Sep 14 19:58:47
+%
+% XYATIP10: upper arrow tips for Xy-pic at 10 point "technical style".
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
+/FontInfo 9 dict dup begin
+/version (001.104) readonly def
+/Notice (Copyright (C) 1996, 1997 Ross Moore and Y&Y, Inc.) readonly def
+/FullName (XYATIP10) readonly def
+/FamilyName (XYATIP) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition -276 def
+/UnderlineThickness 138 def
+end readonly def
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+%%CreationDate: 1997 Jul 20 21:19:18
+%%RevisionDate: 1997 Sep 17 22:48:36
+%
+% XYBSQL10: quarter circle segments for Xy-pic at 10 point
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
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+/Weight (Medium) readonly def
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+end readonly def
+/FontName /RFIAAA+XYBSQL10 def
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+readonly def
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+%!PS-AdobeFont-1.1: XYDASH10 001.104
+%%CreationDate: 1997 Jul 20 21:19:18
+%%RevisionDate: 1997 Aug 28 05:34:12
+%%RevisionDate: 1997 Sep 18 10:23:31
+%
+% XYDASH10: line segments for Xy-pic at 10 point
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
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+end readonly def
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+readonly def
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+/UniqueID 5092844 def
+currentdict end
+currentfile eexec
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+%!PS-AdobeFont-1.1: XYCIRC10 001.104
+%%CreationDate: 1997 Jul 20 21:33:32
+%%RevisionDate: 1997 Aug 28 06:54:22
+%%RevisionDate: 1997 Sep 18 09:00:57
+%
+% XYCIRC10: eighth circle segments for Xy-pic at 10 point
+%
+% Original Metafont design Copyright (C) 1991-1997 Kristoffer H. Rose.
+% PostScript adaptation Copyright (C) 1994-1997 Ross Moore.
+% Hinting and ATM compatibility Copyright (C) 1997 Y&Y, Inc.
+%
+% This file is part of the Xy-pic macro package.
+% Xy-pic Copyright (c) 1991-1997 Kristoffer H. Rose <krisrose@brics.dk>
+%
+% The Xy-pic macro package is free software; you can redistribute it
+% and/or modify it under the terms of the GNU General Public License
+% as published by the Free Software Foundation; either version 2
+% of the License, or (at your option) any later version.
+%
+% The Xy-pic macro package is distributed in the hope that it will
+% be useful, but WITHOUT ANY WARRANTY; without even the implied
+% warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
+% See the GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with this macro package; if not, write to the
+% Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+11 dict begin
+/FontInfo 9 dict dup begin
+/version (001.104) readonly def
+/Notice (Copyright (C) 1996, 1997 Ross Moore and Y&Y, Inc.) readonly def
+/FullName (XYCIRC10) readonly def
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+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition -1800 def
+/UnderlineThickness 900 def
+end readonly def
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+readonly def
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+currentdict end
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+%!PS-AdobeFont-1.1: CMMI9 1.100
+%%CreationDate: 1996 Jul 23 07:53:55
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
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+end readonly def
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+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
+dup 65 /A put
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+readonly def
+/FontBBox{-29 -250 1075 750}readonly def
+/UniqueID 5087384 def
+currentdict end
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+%!PS-AdobeFont-1.1: CMR9 1.0
+%%CreationDate: 1991 Aug 20 16:39:59
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
+/FontInfo 7 dict dup begin
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+%%CreationDate: 1991 Aug 20 16:36:25
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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+%%CreationDate: 1991 Aug 15 07:22:10
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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