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diff --git a/texmf-dist/doc/fonts/dayroman/dayroman.txt b/texmf-dist/doc/fonts/dayroman/dayroman.txt
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-============================================================
-
-          Using the Day Roman typeface with LaTeX
-
-============================================================
-                                                  2003-01-16
-                                              Walter Schmidt
-                                      <w-a-schmidt@arcor.de>
-
-
-The "Day Roman" typeface can be used with LaTeX as font
-family "dayrom" or "dayroms".  The font family "dayrom"
-exhibits the normal latin character set, whereas "dayroms"
-has the so-called "long s" and an additional ligature c-t.
-For instance, the command
-
-  \renewcommand{\rmdefault}{dayrom}
-  
-in the preamble makes LaTeX use Day Roman with normal
-character set as the default roman font family.
-
-Day Roman is supported with T1 (european) and TS1
-(textcompanion) encoding only, so you should issue the
-commands
-
-  \usepackage[T1]{fontenc}
-  \usepackage{textcomp}
-
-in the document preamble.  The obsolete OT1 encoding, which
-is still the default with LaTeX, is _not_ supported.  
-
-There is one single (roman) variant of the typeface only;
-there are no corresponding italic, bold or smallcaps fonts
-provided!
-
-
-
-Using the long s
-----------------
-When using the font family "dayroms", entering the "s"
-yields the so-called long s. The round s (aka "final s") can
-be created by entering "s:".  This method was introduced
-with Y. Haralambous' old-german fonts and has been
-established as a quasi-standard with TeX.  The drawback is,
-that \MakeUppercase does not handle "s:" properly.
-
-NB:  
-All ready-made combinations of s+accent are built upon the
-round s in the font family dayroms, too.  AFAIK, these
-diacritics are only used in languages that must not be
-written with a long s, anyway.
-
-
-
-NFSS classification
--------------------
-
-encodings  family    series  shape  FontName(s)
-.....................................................
-T1, TS1    dayrom    m       n      DayRoman, 
-                                    DayRoman-Expert
-T1, TS1    dayroms   m       n      DayRoman, 
-                                    DayRoman-Expert
-                                       
-The TS1 (textcomopanion) character set is only partially
-covered; however, the Euro sign (\texteuro) is included.
-
-Unlike many other fonts, the kerning table supplied with 
-Day Roman covers also most of the accented letters in the 
-T1 character set.  This results in proper kerning in many
-non-English languages, too.
-
-
-
-About the typeface
-------------------
-The DayRoman and DayRoman-Expert Type1 fonts were made by
-Apostrophiclab <http://www.apostrophiclab.com>; any
-questions regarding the design of the fonts should be
-addressed to <apostrophe@apostrophiclab.com>.
-
-The remainder of this section is an excerpt from the
-original documentation in the archive file day_t1.zip:
-
-The two-tiers font included in this archive, Day Roman, is a
-digitally redrawn version of what has come to be
-historically known as the "Two Line Double Pica Roman", a
-typeface designed by 16th century French punchcutter
-Francois Guyot, and used in numerous books between 1535 and
-1570, most notable of which are J. Steelsius's printing of
-The Bible (1541) and Frisius (1551), Gillis Coppens van
-Diest's printing of Erasmus (1544), Georgius (1544), Serlio
-(1550) and Horatius (1552), and Rotarius's printing of
-Livius Brechtius (1549).  The type was also used extensively
-by H. Dunham, and later J. Day, in London (the name Day
-Roman is simply a reference to J. Day having used the type).
-Original matrices of Guyot's roman type are now in the
-Museum Plantin-Moretus in Antwerp.
-
-A 1782 "Sale Catalog & Specimen of the James Foundry" shows
-a reproduction of that same type under the name "Two-Line
-Double Pica Macilent".  Some specimens from unknown English
-printers dating back to circa 1650 also show the same
-typeface, but no proper references were given.  The last
-recorded reference to Guyot's type can be found in "Type
-Specimen Fascimiles, vol.  1, No.  1 - 15," by John Dreyfus
-et al, printed in London circa 1963.
-
-Some reduced resolution scans of Guyot's roman are also
-included in this directory.
-
-In digitizing this typeface, attention was mainly given to
-duplicate the technical imperfections of 16th century
-printing, which have been lost with today's technologies.
-In order to accomplish this, some digital type design
-conventions have been avoided - things like the uniformity
-of the serifs, overall stroke precision, vertical proportion
-exactitude...  While trying to maintain as much fidelity as
-possible to Guyot's original drawings, there was also
-emphasis in testing to ensure good print functionality at
-various text and display sizes.  This digitization should
-work nicely when used anywhere from 10 to 30 pt.  Some
-design oddities, appealing or otherwise, may appear in 
-30+ pt usage.  
-
-
-
-Legal stuff
------------
-The DayRoman and DayRoman-Expert fonts are provided for free
-by Apostrophiclab <http://www.apostrophiclab.com>.  You may
-redistribute them, as long as the archive file (day_t1.zip)
-is kept intact, and no money is charged.
-
-The related TFM, VF, FD and font mapping files, as well as
-the file you are reading right now, are 
-
-  Copyright (c) 2002 Walter Schmidt
-  
-They may be distributed and/or modified under the conditions
-of the LaTeX Project Public License, either version 1.2 of
-this license or (at your option) any later version.  The
-files may be distributed only as a whole, either packed or
-unpacked.
-
-
-== finis