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%% \CharacterTable
%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
%% Digits \0\1\2\3\4\5\6\7\8\9
%% Exclamation \! Double quote \" Hash (number) \#
%% Dollar \$ Percent \% Ampersand \&
%% Acute accent \' Left paren \( Right paren \)
%% Asterisk \* Plus \+ Comma \,
%% Minus \- Point \. Solidus \/
%% Colon \: Semicolon \; Less than \<
%% Equals \= Greater than \> Question mark \?
%% Commercial at \@ Left bracket \[ Backslash \\
%% Right bracket \] Circumflex \^ Underscore \_
%% Grave accent \` Left brace \{ Vertical bar \|
%% Right brace \} Tilde \~}
%\iffalse
%
% (c) Copyright 2007 Apostolos Syropoulos
% This program can be redistributed and/or modified under the
% terms of the LaTeX Project Public License Distributed from
% http://www.latex-project.org/lppl.txt; either
% version 1.3c of the License, or any later version.
%
% This work has the LPPL maintenance status `maintained'.
%
% Please report errors or suggestions for improvement to
%
% Apostolos Syropoulos (asyropoulos@yahoo.com)
%
%\fi
% \CheckSum{32}
% \iffalse This is a Metacomment
%
%<philokalia>\ProvidesFile{philokalia.sty}
%<EU1plk>\ProvidesFile{eu1plk.fd}
%
%<philokalia>[2007/01/07 v1.0 Package `philokalia']
%<EU1plk>[2007/01/07 v1.0 Philokalia-Regular Support File]
%
% \begin{macrocode}
%<*driver>
\documentclass{ltxdoc}
\usepackage[local]{philokalia}
\GetFileInfo{philokalia.drv}
\begin{document}
\DocInput{philokalia.dtx}
\end{document}
%</driver>
% \end{macrocode}
% \fi
%
%\title{The \textsf{philokalia} package}
%\author{Apostolos Syropoulos\\366, 28th October Str.\\
%GR-671 00 Xanthi, HELLAS\\
%Email:\texttt{asyropoulos@yahoo.com}}
% \date{2007/01/07}
%\maketitle
%\begin{abstract}
% This document describes the functionality of the \textsf{philokalia} package, which
% have been designed to ease the use of the Philokalia-Regular OpenType font with \XeLaTeX, as well as
% the OpenType features of the Philokalia-Regular font.
%\end{abstract}
%\StopEventually{}
%\section{Introduction}
% The \textsf{philokalia} package has been designed to ease the use of the Philokalia-Regular (henceforward
% it will specified simply as the font)
% OpenType font with \XeLaTeX. The package provides two options: \texttt{global} and \texttt{local}.
% When the package is used with the \texttt{global} option, which is the default option, the font
% is made the main font of the entire document, while when the package is used with the \texttt{local}
% option, it just provides the commands \verb=\textphlk= and \verb=\phkl=. The first command takes
% one argument which is typeset using the font. The second command makes the font the main font of
% current environment, local scope, or the rest of the document. The complete package provides the
% following \XeLaTeX\ files:
%\begin{center}
% \begin{tabular}{ll}
% driver & produce the documentation \\
% philokalia & the package itself \\
% EU1pkl & The Philokalia font shapes\\
% \end{tabular}
% \end{center}
%
% \section{About The Font}
%
% The font started as a project to digitize the typeface
% used to typeset the Philokalia books. For information regarding these books, the reader
% should visit either the following URL:
%\begin{center}
% \verb=http://orthodoxwiki.org/Philokalia=
%\end{center}
% or enter the word {\em philokalia} in the Amazon.com search box. The project was carried out by
% Apostolos Syropoulos and Ioannis Gamvets. Initially, the project was part
% of Ioannis Gamvetas's diploma thesis, but the resulting Opetype font is not part of this
% thesis work and it was developed by this author. The original thesis work was to develop Type~1 fonts
% and tools to typeset portions of the Philokalia books with Omega. Since, the original thesis work has
% not been completed yet (!), the idea of releasing an OpenType font emerged quite naturally.
% The font contains only Greek letters but it can be used to typeset any Greek text. However, since the
% shapes of the letters are not that obvious, here is a ``translation''-table:
% \begin{center}
% \begin{tabular}{cccccccccc}
% \textphlk{α} & \texttt{α} & \textphlk{β} & \texttt{β} & \textphlk{γ} & \texttt{γ} &
% \textphlk{δ} & \texttt{δ} & \textphlk{ε} & \texttt{ε} \\
% \textphlk{ζ} & \texttt{ζ} & \textphlk{η} & \texttt{η} & \textphlk{θ} & \texttt{θ} &
% \textphlk{ι} & \texttt{ι} & \textphlk{κ} & \texttt{κ} \\
% \textphlk{λ} & \texttt{λ} & \textphlk{μ} & \texttt{μ} & \textphlk{ν} & \texttt{ν} &
% \textphlk{ξ} & \texttt{ξ} & \textphlk{ο} & \texttt{ο} \\
% \textphlk{π} & \texttt{π} & \textphlk{ρ} & \texttt{ρ} & \textphlk{σ} & \texttt{σ} &
% \textphlk{ς} & \texttt{ς} & \textphlk{τ} & \texttt{τ} \\
% \textphlk{υ} & \texttt{υ} & \textphlk{φ} & \texttt{φ} & \textphlk{χ} & \texttt{χ} &
% \textphlk{ψ} & \texttt{ψ} & \textphlk{ω} & \texttt{ω}
% \end{tabular}
% \end{center}
% One of the interesting aspect of this font is that accents are placed {\em after} capital
% letters (see the sample below). Another interesting aspect of the font is the great number of
% ligatures it provides. In fact, it provides more than 40 {\em historical} ligatures plus two
% {\em contextual} ligatures. When typing \texttt{κι} and these letters are not part of a word, then
% one gets the \textphlk{κι} symbol, which is the Greek ampersand. The same ligature can be
% obtained if we substiture {\em iota} with {\em iota with varia}. The table below shows all the
% ligatures provided by the font:
% \begin{center}
% \begin{tabular}{llllllllll}
% \textphlk{λλ} & \texttt{λλ} & \textphlk{ἀν} & \texttt{ἀν} & \textphlk{εν} & \texttt{εν} &
% \textphlk{γάρ} & \texttt{γάρ} & \textphlk{κατὰ} & \texttt{κατὰ} \\
% \textphlk{μετὰ} & \texttt{μετὰ} & \textphlk{στί} & \texttt{στί} & \textphlk{σθ} & \texttt{σθ} &
% \textphlk{σχ} & \texttt{σχ} & \textphlk{τῶν} & \texttt{τῶν} \\
% \textphlk{χρ} & \texttt{χρ} & \textphlk{καὶ} & \texttt{καὶ} & \textphlk{σσ} & \texttt{σσ} &
% \textphlk{δια} & \texttt{δια} & \textphlk{ευ} & \texttt{ευ} \\
% \textphlk{εὑ} & \texttt{εὑ} & \textphlk{εὐ} & \texttt{εὐ} & \textphlk{ου} & \texttt{ου} &
% \textphlk{ού} & \texttt{ού} & \textphlk{οὺ} & \texttt{οὺ} \\
% \textphlk{οὖ} & \texttt{οὖ} & \textphlk{οὗ} & \texttt{οὗ} & \textphlk{εύ} & \texttt{εύ} &
% \textphlk{αι} & \texttt{αι} & \textphlk{αῖ} & \texttt{αῖ} \\
% \textphlk{αί} & \texttt{αί} & \textphlk{αὶ} & \texttt{αὶ} & \textphlk{αἰ} & \texttt{αἰ} &
% \textphlk{αύ} & \texttt{αύ} & \textphlk{ει} & \texttt{ει} \\
% \textphlk{εῖ} & \texttt{εῖ} & \textphlk{όξ} & \texttt{όξ} & \textphlk{ὄξ} & \texttt{ὄξ} &
% \textphlk{ρί} & \texttt{ρί} & \textphlk{ρὶ} & \texttt{ρὶ} \\
% \textphlk{ρῖ} & \texttt{ρῖ} & \textphlk{ἡν} & \texttt{ἡν} & \textphlk{ην} & \texttt{ην} &
% \textphlk{ῆν} & \texttt{ῆν} & \textphlk{ήν} & \texttt{ήν} \\
% \textphlk{υν} & \texttt{υν} & \textphlk{ύν} & \texttt{ύν} & \textphlk{΄-} & \texttt{΄-} &
% \textphlk{στ} & \texttt{στ}
% \end{tabular}
% \end{center}
% Notice that in order to get the \textphlk{΄-} symbol one has to type a tonos and then a
% hyphen. This symbol has been used by the ancient Greek mathematician Diophantus to denote
% the minus sign. This symbol was not in the original Philokalia font, but it has been
% included here for reasons of completeness. Future releases of the font may contain some more
% mathematical symbols. In case, someone wants only to use this symbol, she can use the
% \verb=\dminus= command.
%
% These ligatures really honor content and most of them are really rare in the sense that are not
% used in modern Greek typography. We provide
% a short passage from Aristotle's treatise {\em The Poetics} typeset with the font so that readers can
% appreciate the beauty of these ligatures:
% \begin{quotation}
%\fontfamily{plk}\selectfont\language\ancientgreek
%1. Περὶ ποιητικῆς αὐτῆς τε καὶ τῶν εἰδῶν αὐτῆς, ἥν τινα δύναμιν ἕκαστον ἔχει,
%καὶ πῶς δεῖ συνίστασθαι τοὺς μύθους εἰ μέλλει καλῶς ἕξειν ἡ ποίησις, ἔτι δὲ ἐκ πόσων καὶ ποίων
%ἐστὶ μορίων, ὁμοίως δὲ καὶ περὶ τῶν ἄλλων ὅσα τῆς αὐτῆς ἐστι μεθόδου, λέγωμεν ἀρξάμενοι κατὰ φύσιν
%πρῶτον ἀπὸ τῶν πρώτων.
%
%Ἐποποιία δὴ καὶ ἡ τῆς τραγῳδίας ποίησις ἔτι δὲ κωμῳδία καὶ ἡ διθυραμβοποιητικὴ καὶ τῆς αὐλητικῆς
%ἡ πλείστη καὶ κιθαριστικῆς πᾶσαι τυγχάνουσιν οὖσαι μιμήσεις τὸ σύνολον· διαφέρουσι δὲ ἀλλήλων τρισίν,
%ἢ γὰρ τῷ ἐν ἑτέροις μιμεῖσθαι ἢ τῷ ἕτερα ἢ τῷ ἑτέρως καὶ μὴ τὸν αὐτὸν τρόπον.
%
%Ὥσπερ γὰρ καὶ χρώμασι καὶ σχήμασι πολλὰ μιμοῦνταί τινες ἀπεικάζοντες (οἱ μὲν [20] διὰ τέχνης οἱ δὲ διὰ συνηθείας),
%ἕτεροι δὲ διὰ τῆς φωνῆς, οὕτω κἀν ταῖς εἰρημέναις τέχναις ἅπασαι μὲν ποιοῦνται τὴν μίμησιν ἐν ῥυθμῷ καὶ λόγῳ καὶ
%ἁρμονίᾳ, τούτοις δ᾽ ἢ χωρὶς ἢ μεμιγμένοις· οἷον ἁρμονίᾳ μὲν καὶ ῥυθμῷ χρώμεναι μόνον ἥ τε αὐλητικὴ καὶ ἡ κιθαριστικὴ
%κἂν εἴ τινες [25] ἕτεραι τυγχάνωσιν οὖσαι τοιαῦται τὴν δύναμιν, οἷον ἡ τῶν συρίγγων, αὐτῷ δὲ τῷ ῥυθμῷ [μιμοῦνται]
%χωρὶς ἁρμονίας ἡ τῶν ὀρχηστῶν (καὶ γὰρ οὗτοι διὰ τῶν σχηματιζομένων ῥυθμῶν μιμοῦνται καὶ ἤθη καὶ πάθη καὶ πράξεις)·
% \end{quotation}
% \section{The package \textsf{philokalia}}
% The code of the \textsf{philokalia} package is really very simple. First, we specify what has to be
% done when the package is invoked with the corresponding option and then load some reuired packages.
% \begin{macrocode}
%<*philokalia>
\DeclareOption{global}{%
\renewcommand{\rmdefault}{plk}%
}
\DeclareOption{local}{%
\def\phkl{\fontfamily{plk}\selectfont}%
\newcommand{\textphlk}[1]{{\phkl #1}}%
}
\ExecuteOptions{global}
\ProcessOptions
\RequirePackage{fontspec}
\RequirePackage{xunicode}
\RequirePackage{xltxtra}
% \end{macrocode}
% The command \verb|\dminus| provides access to the glyph that represents Diophantus minus sign.
% \begin{macrocode}
\def\dminus{{\fontfamily{plk}\selectfont\char"0185}}
%</philokalia>
% \end{macrocode}
%
% \section{The Font Definition File}
% Since there is only one font shape, there is not much work to do: we just need to specify
% the available font properties:
% \begin{macrocode}
%<*EU1plk>
\DeclareFontFamily{EU1}{plk}{}
\DeclareFontShape{EU1}{plk}{m}{n}%
{<-> "[Philokalia-Regular]/ICU:script=grek,+hlig,+clig:mapping=tex-text"}{
}
% \end{macrocode}
% And here we define the default substitutions:
% \begin{macrocode}
\DeclareFontShape{EU1}{plk}{m}{sl}{<-> ssub * plk/m/n}{}
\DeclareFontShape{EU1}{plk}{m}{it}{<-> ssub * plk/m/sl}{}
\DeclareFontShape{EU1}{plk}{m}{sc}{<-> ssub * plk/m/n}{}
\DeclareFontShape{EU1}{plk}{b}{n}{<-> ssub * plk/m/n}{}
\DeclareFontShape{EU1}{plk}{b}{sl}{<-> ssub * plk/m/n}{}
\DeclareFontShape{EU1}{plk}{b}{it}{<-> ssub * plk/m/n}{}
\DeclareFontShape{EU1}{plk}{bx}{n}{<-> ssub * plk/b/n}{}
\DeclareFontShape{EU1}{plk}{bx}{it}{<-> ssub * plk/b/sl}{}
\DeclareFontShape{EU1}{plk}{bx}{sl}{<-> ssub * plk/b/sl}{}
%</EU1plk>
% \end{macrocode}
%
% \section*{Acknowledgement}
% Firts of all, I thank Ioannis Gamvetas for his collaboration back in the years 2002-2003.
% Also, I would like to thank George Williams, the designer of FontForge, the free font-editor, for all his
% valuable help, Adam Twardoch for explaining to me how to implement the contextual ligature, and Dimitrios
% Philippou for his comments and suggestions. Last, but certainly not least, I thank my son for his help!
% \Finale
|