%
%   This file is part of MusiXTeX
%
%   MusiXTeX is free software; you can redistribute it and/or modify
%   it under the terms of the GNU General Public License as published by
%   the Free Software Foundation; either version 2, or (at your option)
%   any later version.
%
%   MusiXTeX is distributed in the hope that it will be useful,
%   but WITHOUT ANY WARRANTY; without even the implied warranty of
%   MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
%   GNU General Public License for more details.
%
%   You should have received a copy of the GNU General Public License
%   along with MusiXTeX; see the file COPYING.  If not, write to
%   the Free Software Foundation, Inc., 59 Temple Place - Suite 330,
%   Boston, MA 02111-1307, USA.
%
%
\ifx\undefined\startpiece \else \endinput \fi
\edef\catcodeat{\the\catcode`\@}\catcode`\@=11

\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi
\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi

\def\mufl@x{0.83}%
\def\mxmajorvernumber{1}
\def\mxminorvernumber{16}
\def\mxvernumber{\mxmajorvernumber\mxminorvernumber}% make it possible to compare with \ifnum
\def\mxversuffix{}% 
\edef\mxversion{\mxmajorvernumber.\mxminorvernumber\mxversuffix}
\def\mxdate{2015-02-27}

\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}%
\everyjob{\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}}%

% T116:

% HM corrected the definitions for cautionary small accidentals

% RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs 
% so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0}

% RDT incorporated tuplet.tex (approved by George Sicherman)
% and introduced \txtfont to allow changing size or style

% RDT introduced 
% \qqsk, a one-quarter notehead skip
% \tqu and \tql, synonyms for \tqh and \tqb
% \ztqu and \ztql, synonyms for \ztqh and \ztqb
% \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests
% \nnotes, \nnnotes: abbreviations with \multnoteskip\smallvalue 
%    and \multnoteskip\tinyvalue spacing
% \zcn, \ccn, \lcn, synomyms for \zcharnote etc.

% RDT incorporated curly.tex (approved by Mthimkhulu Molekwa)

% RDT modernized the treatment of text fonts
% meterfonts must be bf, even if titling fonts are rm or sc
% added dynamic-mark  macros \sfz \sfzp

% T115:

% moved out:
% - 1/128th beams        -> musixbm
% - triple pointed notes -> musixtri

% and shrinked the memory consumption

%++ickd 19Sep1997: with help of William P. Houser introduced dotted slurs.
%        Changes marked with +ickd for added single lines, -ickd for replaced
%++ickd  single lines, ++ickd...++ickd for added blocks

%++simick 04Dec2000: Don Simons and Werner Icking made some improvements
%          to volta-processing and centerbar processing the changes are
%          marked with +simick for added single lines, -simick for
%++simick  replaced lines and ++simick...++simick for added blocks

% Hiroaki, May2010, T.115: change register allocation codes into new ones 
% which enables >12 elements.  Search the string "T115" for details.
%

% TeXperts may want to change the next

% PARAMETER DIFFERENT THAN PLAIN

\showboxdepth=0
\showboxbreadth=0

\ifx\undefined\documentstyle % -> []plain.tex
  \parindent0pt
  \hoffset-15.4mm
  \voffset-10mm
  \hsize190mm
  \vsize260mm
\fi

%%% from LaTeX
% The following definitions save token space.  E.g., using \@height
% instead of height saves 5 tokens at the cost in time of one macro
% expansion.

\def\@height{height}
\def\@depth{depth}
\def\@width{width}

%%% also removed 'by', '='

\def\@to{to}
\def\p@ne{.1}
\def\qu@rt{.25}
\def\h@lf{.5}
\def\p@seven{.7}

%%%from plain
% To make the macros more efficient in time and space,
% several constant values are declared here as control sequences
% If they were changed, anything could happen; so they are private symbols

%\chardef\active=13
%\chardef\&=`\&   -> 38
%\chardef\#=`\#   -> 35
%\chardef\$=`\$   -> 36
% Nomenclature: '@' means most times 'e' or seperator, sometimes 'o','a'

\chardef\f@ur=4
\chardef\fiv@=5
\chardef\si@=6
\chardef\s@v@n=7
\chardef\@ight=8
\chardef\nin@=9
\chardef\t@n=10
\chardef\@l@v@n=11
\chardef\tw@lv@=12
\chardef\fourt@@n=14
\chardef\fiv@t@@n=15
\chardef\tw@nty=20
\chardef\@xxiii=23
\chardef\@xxv=25
\chardef\@xxiv=24
\chardef\@xxvi=26
\chardef\@xxvii=27
\chardef\@xxix=29
\chardef\@xxxii=32
\chardef\@xl=40
\chardef\@xli=41
\chardef\@xlv=45
\chardef\@l=50
\chardef\@lii=52
\chardef\@liv=54
\chardef\@lxxxiii=83
\chardef\@c=100
\chardef\@cxv=115
\chardef\@cxxviii=128

\newif\ifcatcodesmusic

\def\catcodesmusic{\ifcatcodesmusic\relax
  \else
  \edef\catcode@gt{\the\catcode`\>}\catcode`\>\tw@lv@
  \edef\catcode@lt{\the\catcode`\<}\catcode`\<\tw@lv@
  \edef\catcode@vert{\the\catcode`\|}\catcode`\|\active
  \edef\catcode@and{\the\catcode`\&}\catcode`\&\active
  \edef\catcode@excl{\the\catcode`\!}\catcode`\!\tw@lv@
  \edef\catcode@star{\the\catcode`\*}\catcode`\*\tw@lv@
  \edef\catcode@pt{\the\catcode`\.}\catcode`\.\tw@lv@
  \edef\catcode@sc{\the\catcode`\:}\catcode`\:\tw@lv@
  \let\@@bar\bar
  \def\bar{\barre}%
  \fi\catcodesmusictrue}

\catcodesmusic

% MusicTeX + MuFlex -> MusiXTeX
\def\musixtex{MusiX\TeX}

\def\kernm{\kern-}

%...\let\@wloG=\wlog
%...\def\wlog#1{}

%%% account registers 

% \let\maxinstruments\si@ % [T115] here disabled to avoid conflict

% temporary registers

\newcount\n@i
\newcount\n@ii
\newcount\n@iii
\newcount\n@iv
\newcount\n@v
\newcount\n@vi
\newcount\n@vii
\newcount\n@viii
%\newcount\count@ %=\count255 def'd in plain

\newbox\toks@box
\newbox\w@rkbox
\newbox\n@otebox

\newdimen\y@
\newdimen\y@i
\newdimen\y@ii
\newdimen\y@iii
\newdimen\y@iv
\newdimen\y@v

% [T115] moved out to the new register allocation code -- start from here --
% altitude
%  \newskip\k@ii
% InterNote
%  \newdimen\i@ni
\def\i@n{\z@} % safety in case of....
% positions x et z de debut des poutres
%  \newdimen\b@xi  \newdimen\b@zi
%  \newdimen\c@xi  \newskip\c@zi
%  \newdimen\d@xi  \newskip\d@zi
%  \newdimen\e@xi  \newskip\e@zi
%  \newdimen\f@xi  \newskip\f@zi
% pentes des poutres ( entier de -9 a +9 )
% multiplicite des poutres ( de -5 a +5 . 0= inactive )
%  \newcount\b@pi  \newcount\b@ni
% Number of Portees
%  \newcount\n@pi  \n@pi\@ne
% Actual Signs   Old Signs
%  \newcount\a@si  \newcount\o@si
% ActualCleftoks
%  \newtoks\a@ci  \a@ci={{\z@}{\z@}{\z@}{\z@}}
% OldCleftoks
%  \newtoks\o@ci
% MeterToks
%  \newtoks\m@ti
% Altitude of choir groups
%  \newskip\g@bi
% Height of choir groups
%  \newskip\g@hi

% [T115] moved out to the new register allocation code -- until here --
% \let\maxgroups\thr@@ % maximum three groups of instruments or choirs [T115] moved to later, using \setmaxgroups
\newcount\group@no

%%% [T115] new register allocation code -- start from here --
%
% register allocation for use inside \loop...\if...\repeat
% (only for plain, but no harm even in case of LaTeX)
\edef\noexpand@newcount{\noexpand\newcount}%
\edef\noexpand@newdimen{\noexpand\newdimen}%
\edef\noexpand@newskip{\noexpand\newskip}%
%\edef\noexpand@newmuskip{\noexpand\newmuskip}% not used
%\edef\noexpand@newbox{\noexpand\newbox}% not used
\edef\noexpand@newtoks{\noexpand\newtoks}%
%\edef\noexpand@newmarks{\noexpand\newmarks}% not used
%
% a shortcut for register allocation routines
\def\roman@c@{\romannumeral\count@}%
%
% some registers (i@n, b@x, b@z, c@x, d@x, e@x, s@x, s@Y) 
% should be allocated by \newdimen (for id 0...5) and \newskip (for id 6...11)
% because T.114 and earlier did so and for the compatibility to Stanislav 
% Kneifl's musixps.tex 0.92a.
% And again \newdimen (for id>11), because both \dimen and \skip are 
% applicable but \dimen uses less memory in case of >255 on e-TeX.
\def\noexpand@newdimsk{%
  \ifnum\count@<7 \let\@@newdimsk=\noexpand@newdimen
  \else\ifnum\count@<13  \let\@@newdimsk=\noexpand@newskip
  \else\let\@@newdimsk=\noexpand@newdimen
  \fi\fi \@@newdimsk}%
%
% and some other registers (c@z, d@z, e@z, f@z, g@z) 
% should be allocated by \newskip (for id 0...11) and \newdimen (for id>11)
% for the same reason of above.
\def\noexpand@newskdim{%
  \ifnum\count@<13 \let\@@newskdim=\noexpand@newskip
  \else \let\@@newskdim=\noexpand@newdimen
  \fi \@@newskdim}%
%
% registers for instrument
\newdimen\interinstrument % moved from "distance between instruments" to here
\def\setmaxinstruments#1{%
  \ifnum#1>\@oldmaxinstruments
    \chardef\maxinstruments=#1\relax
    \ifnum#1>\@c
      \errmessage{The maximum reference number of elements is limited to \the\@c}
      \chardef\maxinstruments=\@c
    \fi
    \count@\@oldmaxinstruments\loop
      \advance\count@ by\@ne
      %
      \expandafter \let \csname interinstrument\roman@c@\endcsname \interinstrument
      %
      % altitude
      \expandafter \noexpand@newskip  \csname k@i\roman@c@\endcsname
      %
      % InterNote
      \expandafter \noexpand@newdimsk \csname i@n\roman@c@\endcsname
      %
      % beam horizontal positions: x=start, z=end, 8th-64th beams
      \expandafter \noexpand@newdimsk \csname b@x\roman@c@\endcsname
      \expandafter \noexpand@newdimsk \csname b@z\roman@c@\endcsname
      \expandafter \noexpand@newdimsk \csname c@x\roman@c@\endcsname
      \expandafter \noexpand@newskdim \csname c@z\roman@c@\endcsname
      \expandafter \noexpand@newdimsk \csname d@x\roman@c@\endcsname
      \expandafter \noexpand@newskdim \csname d@z\roman@c@\endcsname
      \expandafter \noexpand@newdimsk \csname e@x\roman@c@\endcsname
      \expandafter \noexpand@newskdim \csname e@z\roman@c@\endcsname
      %
      % pentes des poutres ( entier de -9 a +9 ) (slopes of the beams)
      % multiplicite des poutres ( de -5 a +5 . 0= inactive ) (multiplicity of the beams)
      \expandafter \noexpand@newcount \csname b@p\roman@c@\endcsname
      \expandafter \noexpand@newcount \csname b@n\roman@c@\endcsname
      %
      % Number of Portees
      \expandafter \noexpand@newcount \csname n@p\roman@c@\endcsname
      \csname n@p\roman@c@\endcsname\@ne
      %
      % Actual Signs
      \expandafter \noexpand@newcount \csname a@s\roman@c@\endcsname
      %
      % Old Signs
      \expandafter \noexpand@newcount \csname o@s\roman@c@\endcsname
      %
      % ActualCleftoks
      \expandafter \noexpand@newtoks  \csname a@c\roman@c@\endcsname
      \csname a@c\roman@c@\endcsname={{\z@}{\z@}{\z@}{\z@}}%
      %
      % OldCleftoks
      \expandafter \noexpand@newtoks  \csname o@c\roman@c@\endcsname
      %
      % MeterToks
      \expandafter \noexpand@newtoks  \csname m@t\roman@c@\endcsname
      %
      % staffsize
      \expandafter \let \csname staffspacing\roman@c@\endcsname \@ne
      %
      % text, lyrics, free positioning of chars
      \expandafter \let \csname T@R\roman@c@\endcsname \z@
      %
      % preset clef symbols
      \expandafter \let \csname treblec@s\roman@c@\endcsname \z@
      \expandafter \let \csname altoc@s\roman@c@\endcsname \z@
      \expandafter \let \csname bassc@s\roman@c@\endcsname \z@
      %
      % preset default staff lines as 5
      \expandafter \let \csname n@l\roman@c@\endcsname \fiv@
      %
    \ifnum\count@<\maxinstruments\repeat
    \expandafter\message\expandafter{maxinstruments=\the\maxinstruments}%
    \chardef\@oldmaxinstruments=\maxinstruments\relax%
    \normalnotesize\resetlayout
  \fi
}%
%
% registers for 128th beam
\def\setmaxcxxviiibeams#1{%
  \ifnum#1>\maxinstruments
    \errmessage{The number of 128th beam must not exceed maxinstruments}%
  \else
    \ifnum#1>\@oldmaxcxxviiibeams
      \chardef\maxcxxviiibeams=#1\relax
      \ifnum#1>\@c
        \errmessage{The maximum reference number of elements is limited to \the\@c}
        \chardef\maxcxxviiibeams=\@c
      \fi
      \count@\@oldmaxcxxviiibeams \loop
        \advance\count@ by\@ne
        \expandafter \noexpand@newdimen \csname f@x\roman@c@\endcsname
        \expandafter \noexpand@newskdim \csname f@z\roman@c@\endcsname
      \ifnum\count@<\maxcxxviiibeams\repeat
      \expandafter\message\expandafter{max128beams=\the\maxcxxviiibeams}%
      \chardef\@oldmaxcxxviiibeams=\maxcxxviiibeams\relax%
    \fi
  \fi
}%
%
% registers for 256th beam
\def\setmaxcclvibeams#1{%
  \ifnum#1>\maxcxxviiibeams
    \errmessage{The number of 256th beam must not exceed the number of 128th beam}%
  \else
    \ifnum#1>\@oldmaxcclvibeams
      \chardef\maxcclvibeams=#1\relax
      \ifnum#1>\@c
        \errmessage{The maximum reference number of elements is limited to \the\@c}
        \chardef\maxcclvibeams=\@c
      \fi
      \count@\@oldmaxcclvibeams \loop
        \advance\count@ by\@ne
        \expandafter \noexpand@newdimen \csname g@x\roman@c@\endcsname
        \expandafter \noexpand@newskdim \csname g@z\roman@c@\endcsname
      \ifnum\count@<\maxcclvibeams\repeat
      \expandafter\message\expandafter{max256beams=\the\maxcclvibeams}%
      \chardef\@oldmaxcclvibeams=\maxcclvibeams\relax%
    \fi
  \fi
}%
%
% registers for choir group
\def\setmaxgroups#1{%
  \ifnum#1>\@oldmaxgroups
    \chardef\maxgroups=#1\relax
    \ifnum#1>\@c
      \errmessage{The maximum reference number of elements is limited to \the\@c}
      \chardef\maxgroups=\@c
    \fi
    \count@\@oldmaxgroups \loop
      \advance\count@ by\@ne
      % Altitude
      \expandafter \noexpand@newskip  \csname g@b\roman@c@\endcsname
      % Height
      \expandafter \noexpand@newskip  \csname g@h\roman@c@\endcsname
      %
      \expandafter \let \csname lowersonginstrum\roman@c@\endcsname \maxdimen
      \expandafter \let \csname uppersonginstrum\roman@c@\endcsname \z@
    \ifnum\count@<\maxgroups\repeat
    \expandafter\message\expandafter{maxgroups=\the\maxgroups}%
    \chardef\@oldmaxgroups=\maxgroups\relax%
  \fi
}%
%
% registers for slur
\def\setmaxslurs#1{%
  \ifnum#1>\@oldmaxslurs
    \chardef\maxslurs=#1\relax
    \ifnum#1>\@c
      \errmessage{The maximum reference number of elements is limited to \the\@c}
      \chardef\maxslurs=\@c
    \fi
    \count@\@oldmaxslurs \loop
      \advance\count@ by\@ne
      %
      % horizontal start position of slur
      \expandafter \noexpand@newdimsk \csname s@x\roman@c@\endcsname
      %
      % sense u,d and x (flag) for pending slurs
      \expandafter \noexpand@newtoks  \csname s@s\roman@c@\endcsname
      \csname s@s\roman@c@\endcsname={x}%
      %
      % vertical offset of slur
      \expandafter \noexpand@newdimsk \csname s@Y\roman@c@\endcsname
      %
      % altportee of slur
      \expandafter \noexpand@newskip  \csname s@a\roman@c@\endcsname
      %
      % vertical start position of slur [steps of internote]
      \expandafter \noexpand@newcount \csname s@y\roman@c@\endcsname
      %
      % instrument number of that slur (to retrieve internote)
      \expandafter \noexpand@newcount \csname s@N\roman@c@\endcsname
      %
      % vertical end position of slur [steps of internote], used from 
      % \breakslur.  the value \maxdimen is used to decide, if 
      % \breakslur is used or not (flag)
      \expandafter \noexpand@newcount \csname s@z\roman@c@\endcsname
      \csname s@z\roman@c@\endcsname\maxdimen
      %
      %++ickd: dotted indicator for pending slurs
      \expandafter \noexpand@newtoks  \csname s@d\roman@c@\endcsname
      %
    \ifnum\count@<\maxslurs\repeat
    \expandafter\message\expandafter{maxslurs=\the\maxslurs}%
    \chardef\@oldmaxslurs=\maxslurs\relax%
  \fi
}%
%
% registers for trill (MusiXTeX-type trill only.  Legacy \trillC and 
% \TrillC are out of the scope.)
\def\setmaxtrills#1{%
  \ifnum#1>\@oldmaxtrills
    \chardef\maxtrills=#1\relax
    \ifnum#1>\@c
      \errmessage{The maximum reference number of elements is limited to \the\@c}
      \chardef\maxtrills=\@c
    \fi
    \count@\@oldmaxtrills \loop
      \advance\count@ by\@ne
      % starting horizontal pos
      \expandafter \noexpand@newskip  \csname tr@x\roman@c@\endcsname
      \csname tr@x\roman@c@\endcsname\maxdimen\relax 
      % heading of trill
      \expandafter \noexpand@newtoks  \csname tr@sw\roman@c@\endcsname
      % height of trill
      \expandafter \noexpand@newskip  \csname tr@y\roman@c@\endcsname
    \ifnum\count@<\maxtrills\repeat
    \expandafter\message\expandafter{maxtrills=\the\maxtrills}%
    \chardef\@oldmaxtrills=\maxtrills\relax%
  \fi
}%
%
% registers for octave line
\def\setmaxoctlines#1{%
  \ifnum#1>\@oldmaxoctlines
    \chardef\maxoctlines=#1\relax
    \ifnum#1>\@c
      \errmessage{The maximum reference number of elements is limited to \the\@c}
      \chardef\maxoctlines=\@c
    \fi
    \count@\@oldmaxoctlines \loop
      \advance\count@ by\@ne
      % starting horizontal pos
      \expandafter \noexpand@newskip  \csname o@x\roman@c@\endcsname
      \csname o@x\roman@c@\endcsname\maxdimen\relax 
      % height of octline
      \expandafter \noexpand@newskip  \csname o@y\roman@c@\endcsname
      % sense of octline
      \expandafter \noexpand@newtoks  \csname o@sw\roman@c@\endcsname
    \ifnum\count@<\maxoctlines\repeat
    \expandafter\message\expandafter{maxoctlines=\the\maxoctlines}%
    \chardef\@oldmaxoctlines=\maxoctlines\relax%
  \fi
}%
%
\chardef\@oldmaxinstruments=\z@
\chardef\@oldmaxcxxviiibeams=\z@
\chardef\@oldmaxcclvibeams=\z@
\chardef\@oldmaxgroups=\z@
\chardef\@oldmaxslurs=\z@
\chardef\@oldmaxtrills=\z@
\chardef\@oldmaxoctlines=\z@
%
% actual setup (=register allocation) of the maximum element numbers 
% should be done after fonts definition.
%
%%% [T115] new register allocation code -- until here --


%%% fonts

\newif\iflongDCfontnames
\newif\iflongECfontnames
\longDCfontnamesfalse  % obsolete
\longECfontnamesfalse  % to use EC fonts, \input musixec
\def\fontid{cm}        % deprecated but used in pmx.tex

%%
% Seven point fonts: roman, bold, and italic.
%%

\ifx\undefined\sevenrm
  \font\sevenrm=cmr7
  \font\sevenbf=cmbx7
  \font\sevenit=cmti7
\fi

%%
% Eight point fonts: roman, bold, and italic; tt and sl needed for musixsty
%%

\ifx\undefined\eightrm
  \font\eightrm=cmr8
  \font\eightbf=cmbx8
  \font\eightit=cmti8
  \font\eighttt=cmtt8
  \font\eightsl=cmsl8
\fi

%%
% Nine point fonts
%%

\ifx\undefined\ninerm
  \font\ninerm=cmr9
  \font\ninebf=cmbx9
  \font\nineit=cmti9
  \font\ninett=cmtt9
  \font\ninesl=cmsl9
\fi

%%
% Ten point fonts
%%

\ifx\undefined\tenrm
  \font\tenrm=cmr10
  \font\tenbf=cmbx10
  \font\tenit=cmti10
  \font\tentt=cmtt10
  \font\tensl=cmsl10
\fi


%%
% Eleven point fonts
%%
\ifx\undefined\elevenrm
  \font\elevenrm=cmr9 scaled \magstephalf
  \font\elevenbf=cmbx9 scaled \magstephalf
  \font\elevenit=cmti9 scaled \magstephalf
  \font\eleventt=cmtt9 scaled \magstephalf
  \font\elevensl=cmsl9 scaled \magstephalf
\fi

%%
% Twelve point fonts
%%
\ifx\undefined\twelverm
  \font\twelverm=cmr12
  \font\twelvebf=cmbx12
  \font\twelveit=cmti12
  \font\twelvett=cmtt12
  \font\twelvesl=cmsl12
\fi

% 14pt:  roman, bold, italic and small caps; tt and sl needed for musixsty
\ifx\undefined\frtrm
  \font\frtrm=cmr12 scaled \magstep1
  \font\frtbf=cmbx12 scaled \magstep1
  \font\frtit=cmti12 scaled \magstep1
  \font\frtsc=cmcsc10 scaled \magstep2
  \font\frttt=cmtt12 scaled \magstep1
  \font\frtsl=cmsl12 scaled \magstep1
\fi
%
% 17pt
\ifx\undefined\svtrm
  \font\svtrm=cmr12 scaled \magstep2
  \font\svtbf=cmbx12 scaled \magstep2
  \font\svtit=cmti12 scaled \magstep2
  \font\svtsc=cmcsc10 scaled \magstep3
  \font\svttt=cmtt12 scaled \magstep2
\fi
%
% 20pt
\ifx\undefined\twtyrm
  \font\twtyrm=cmr12 scaled \magstep3
  \font\twtybf=cmbx12 scaled \magstep3
  \font\twtyit=cmti12 scaled \magstep3
  \font\twtysc=cmcsc10 scaled \magstep4
  \font\twtytt=cmtt12 scaled \magstep3
  \font\twtysl=cmsl12 scaled \magstep3
\fi
%
% 25pt
\ifx\undefined\twfvrm
  \font\twfvrm=cmr12 scaled \magstep4
  \font\twfvbf=cmbx12 scaled \magstep4
  \font\twfvit=cmti12 scaled \magstep4
  \font\twfvsc=cmcsc10 scaled \magstep5
  \font\twfvtt=cmtt12 scaled \magstep4
  \font\twfvsl=cmsl12 scaled \magstep4
\fi
%
% Large fonts for titles
% (If you prefer Roman, use ..rm instead of ..bf)
% (If you prefer small-caps, use ..sc instead of ..bf)
\let\bigfont=\frtbf
\let\Bigfont=\svtbf
\let\BIgfont=\twtybf
\let\BIGfont=\twfvbf
%
%%
%%
% Define six font families.
%%

\def\smalltype{%
  \let\rm\eightrm
  \let\bf\eightbf
  \let\it\eightit
  \rm}
\def\Smalltype{%
  \let\rm\ninerm
  \let\bf\ninebf
  \let\it\nineit
  \rm}
\def\normtype{%
  \let\rm\tenrm
  \let\bf\tenbf
  \let\it\tenit
  \rm}
\def\medtype{%
  \let\rm\twelverm
  \let\bf\twelvebf
  \let\it\twelveit
  \rm}
\def\bigtype{%
  \let\rm\bigfont
  \let\bf\bigfont
  \let\it\bigfont
  \bf}
\def\Bigtype{%
  \let\rm\Bigfont
  \let\bf\Bigfont
  \let\it\Bigfont
  \bf}
\def\BIgtype{%
  \let\rm\BIgfont
  \let\bf\BIgfont
  \let\it\BIgfont
  \bf}
\def\BIGtype{%
  \let\rm\BIGfont
  \let\bf\BIGfont
  \let\it\BIGfont
  \bf}
%
%%
% Bold italic fonts for dynamic markings.
%%

\font\ppffsixteen=cmbxti10
\font\ppfftwenty=cmbxti10 scaled \magstep1
\font\ppfftwentyfour=cmbxti10 scaled \magstep2
\font\ppfftwentynine=cmbxti10 scaled \magstep3
\font\smallppff=cmbxti10
\font\normppff=cmbxti10 scaled \magstep1
\font\medppff=cmbxti10 scaled \magstep2

\def\smalldyn{\let\ppff\smallppff\let\p@@f\ppff}
\def\normdyn{\let\ppff\normppff\let\p@@f\ppff}
\def\meddyn{\let\ppff\medppff\let\p@@f\twelveit}

\font\musiceleven=musix11
\font\musicthirteen=musix13
\font\musicsixteen=musix16
\font\musictwenty=musix20
\font\musictwentyfour=musix24
\font\musictwentynine=musix29

% piano brackets, slides, guitar chords, lines, (de)crescendi, circles

\font\mxsps=musixspx


%%%
%
%   Slur macro package for MusicTeX
%
%   Ross Mitchell, February 20 1993
%
%%%
%%
%   Load the font set
%
%   Nomenclature: slur[p][size]
%       [p] :   sign  of slur gradient; u=positive, d=negative, z=zero
%%

\font\slurz=xslz20
\font\slurzd=xslz20d %+ickd

\font\slurueleven=xslu11 % slur up eleven points
\font\sluruthirteen=xslu13
\font\slurusixteen=xslu16
\font\slurutwenty=xslu20
\font\slurutwentyfour=xslu24
\font\slurutwentynine=xslu29

\font\slurdeleven=xsld11 % slur down eleven points
\font\slurdthirteen=xsld13
\font\slurdsixteen=xsld16
\font\slurdtwenty=xsld20
\font\slurdtwentyfour=xsld24
\font\slurdtwentynine=xsld29

%++ickd same for dotted slurs
\font\sluruelevend=xslu11d % slur up eleven points
\font\sluruthirteend=xslu13d
\font\slurusixteend=xslu16d
\font\slurutwentyd=xslu20d
\font\slurutwentyfourd=xslu24d
\font\slurutwentynined=xslu29d

\font\slurdelevend=xsld11d % slur down eleven points
\font\slurdthirteend=xsld13d
\font\slurdsixteend=xsld16d
\font\slurdtwentyd=xsld20d
\font\slurdtwentyfourd=xsld24d
\font\slurdtwentynined=xsld29d
%++ickd

%!these fonts can't be used with highres printers (>~800dpi)
% for these printers comes a interface to PS using DVIPS (PS-Tricks)
% and \special{}-commands next time (patience is a virtue ...)

\font\xtie=xslhz20
\font\xtied=xslhz20d %+ickd

\font\hslurdeleven=xslhd11 % slur half down eleven points
\font\hslurdthirteen=xslhd13
\font\hslurdsixteen=xslhd16 % slur half down sixteen points
\font\hslurdtwenty=xslhd20
\font\hslurdtwentyfour=xslhd24
\font\hslurdtwentynine=xslhd29

\font\hslurueleven=xslhu11
\font\hsluruthirteen=xslhu13
\font\hslurusixteen=xslhu16
\font\hslurutwenty=xslhu20
\font\hslurutwentyfour=xslhu24
\font\hslurutwentynine=xslhu29

%++ickd same for dotted slurs
\font\hslurdelevend=xslhd11d % slur half down eleven points
\font\hslurdthirteend=xslhd13d
\font\hslurdsixteend=xslhd16d % slur half down sixteen points
\font\hslurdtwentyd=xslhd20d
\font\hslurdtwentyfourd=xslhd24d
\font\hslurdtwentynined=xslhd29d

\font\hsluruelevend=xslhu11d
\font\hsluruthirteend=xslhu13d
\font\hslurusixteend=xslhu16d
\font\hslurutwentyd=xslhu20d
\font\hslurutwentyfourd=xslhu24d
\font\hslurutwentynined=xslhu29d
%++ickd

% number of pending slurs

\newcount\N@s

% [T115] moved out to the new register allocation code (except for \s@Y)
% horizontal start position of slur
%  \newdimen\s@xi
% sense u,d and x (flag) for pending slurs
%  \newtoks\s@si  \s@si={x}
% vertical offset of slur
\newdimen\s@Y % this register is for common use
%  \newdimen\s@Yi
% altportee of slur
%  \newskip\s@ai
% vertical start position of slur [steps of internote]
%  \newcount\s@yi
% instrument number of that slur (to retrieve internote)
%  \newcount\s@Ni
% vertical end position of slur [steps of internote], used from \breakslur
% the value \maxdimen is used to decide, if \breakslur is used or not (flag)
%  \newcount\s@zi  \s@zi\maxdimen
%++ickd: dotted indicator for pending slurs
%  \newtoks\s@di % moved out to the new register allocation code
%++ickd

\def\roman@n@i{\romannumeral\n@i\endcsname}

%
% [T115] make slurs independent from \maxinstruments
\def\test@slurnum{%
  \ifnum\n@i<\z@ \n@i\@c \fi
  \ifnum\n@i<\maxslurs \else
    \count@\maxslurs \advance\count@\m@ne
    \errmessage{Wrong slur reference number \the\n@i! (valid: 0 to \the\count@)}% [T115]
    \n@i\z@% [T115]
  \fi
  \advance\n@i\@ne}%
%
\def\s@l@ctslur#1\relax{%
  \n@i#1\relax\test@slurnum% [T115] make it independent from beams
  \edef\s@a{\csname s@a\roman@n@i}%  dimen (altportee)
  \edef\s@x{\csname s@x\roman@n@i}%  dimen (hor start pos)
  \edef\s@y{\csname s@y\roman@n@i}%  count (startnote [internote])
  \edef\s@N{\csname s@N\roman@n@i}%  count (instrument number)
  \edef\s@z{\csname s@z\roman@n@i}%  count (endnote [internote])
  \edef\s@Y{\csname s@Y\roman@n@i}%  dimen (voffset)
  \edef\s@d{\csname s@d\roman@n@i}%  token (dotted) +ickd
  \edef\s@s{\csname s@s\roman@n@i}}% token (sense)

% get current position (returns the dimen in \y@v)
% (\lin@pos starts behind signatures!)

\newdimen\lin@pos
\def\getcurpos{\y@v\lin@pos \advance\y@v\locx@skip}

% \n@i   vertical offset of first  note (number); temporary
% \n@ii  vertical offset of second note (number); temporary
% \n@iii meet note
% \n@iv  first note
% \n@v   temp. character
% \n@vi  last note
% \n@vii right halfslur length
% \n@viii   don't touch
% \y@    complete length of slur - allowed overlap (4pt), temp. length
% \y@i   abs. height of slur
% \y@ii  complete length of slur
% \y@iii old maxslurwidth
% \y@iv  don't touch
% \y@v   don't touch

% \@sense{u,d}
%
% if \curve (\midslur) is used
%   \@meet{}
%   \l@length{}
%   \r@length{}

% #1 start pitch #2 end pitch #3 length #4 right hoffset

\newcount \meet@minus@n@iv
\def\writ@slur#1#2#3#4{\check@staff %  modified: sld... into slurd...   12.04.95 ick
    \let\slz\slurz%       inserted
    \let\slzd\slurzd%     inserted for dotted slurs +ickd
  \ifx\s@N\undefined \relax % \let\internote\Internote
  \else
    \edef\internote{\csname i@n\romannumeral\s@N\endcsname}%
  \fi
%    \immediate\write16{\noexpand\writ@slur internote:\the\internote}%
  \n@iv#1%
  \n@vi#2%
%%
%   Get note vertical offsets
%   \n@iv=   vertical offset of first  note(n@i temp);
%   \n@vi=   vertical offset of second note(n@ii temp);
%   \y@i =   reference height of first note (pt);
%
% Define adequate fonts for this slur, according to the value of \internote
%
  \ifdim\internote>3.5pt
    \let\sld\slurdtwentynine \let\slu\slurutwentynine
    \let\hslurd\hslurdtwentynine \let\hsluru\hslurutwentynine
    \let\sldd\slurdtwentynined \let\slud\slurutwentynined %        +ickd
    \let\hslurdd\hslurdtwentynined \let\hslurud\hslurutwentynined %+ickd
    \def\@stepwidth{3.6pt}%
  \else   \ifdim\internote>2.9pt
    \let\sld\slurdtwentyfour \let\slu\slurutwentyfour
    \let\hslurd\hslurdtwentyfour \let\hsluru\hslurutwentyfour
    \let\sldd\slurdtwentyfourd \let\slud\slurutwentyfourd %        +ickd
    \let\hslurdd\hslurdtwentyfourd \let\hslurud\hslurutwentyfourd %+ickd
    \def\@stepwidth{3.0pt}%
  \else  \ifdim\internote>2.3pt
    \let\sld\slurdtwenty \let\slu\slurutwenty
    \let\hslurd\hslurdtwenty \let\hsluru\hslurutwenty
    \let\sldd\slurdtwentyd \let\slud\slurutwentyd %        +ickd
    \let\hslurdd\hslurdtwentyd \let\hslurud\hslurutwentyd %+ickd
    \def\@stepwidth{2.5pt}%
  \else  \ifdim\internote>1.8pt
    \let\sld\slurdsixteen \let\slu\slurusixteen
    \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen
    \let\sldd\slurdsixteend \let\slud\slurusixteend %        +ickd
    \let\hslurdd\hslurdsixteend \let\hslurud\hslurusixteend %+ickd
    \def\@stepwidth{2pt}%
  \else  \ifdim\internote>1.4pt
    \let\sld\slurdthirteen \let\slu\sluruthirteen
    \let\hslurd\hslurdthirteen \let\hsluru\hsluruthirteen
    \let\sldd\slurdthirteend \let\slud\sluruthirteend %        +ickd
    \let\hslurdd\hslurdthirteend \let\hslurud\hsluruthirteend %+ickd
    \def\@stepwidth{1.6pt}%
  \else
    \let\sld\slurdeleven \let\slu\slurueleven
    \let\hslurd\hslurdeleven \let\hsluru\hslurueleven
    \let\sldd\slurdelevend \let\slud\sluruelevend %        +ickd
    \let\hslurdd\hslurdelevend \let\hslurud\hsluruelevend %+ickd
    \def\@stepwidth{1.28pt}%
  \fi\fi\fi\fi\fi
%
% End choice of font
%
  \n@i\n@iv \pl@base % \y@i = initial height
  \n@ii\n@vi
%
% Select appropriate font
% Set \n@i to the vertical difference index
% setup \n@iii(meetnote)
%
  \ifnum\n@ii=\n@i                     % Slope is zero
    \n@iii\n@i
    \if u\@sense \advance\n@iii\thr@@ \else \advance\n@iii-\thr@@ \fi
    \def\@slope{z}\n@i\z@
  \else
    \ifnum\n@ii<\n@i                   % Slope is negative
      \C@csl\n@i\n@ii\def\@slope{d}%         % compute @meet height for slurs
    \else                              % Slope is positive
      \C@csl\n@ii\n@i\def\@slope{u}\n@i\n@ii % compute @meet height for slurs
    \fi
  \fi
%%
%   Select the required font and load the width parameters
%
%   Font specific parameters
%   \y@iii is the horizontal width of the longest slur in the fonts
%   This parameter is loaded from the tfm \fontdimen parameter 5
%   respectively
%%
  \y@iii\fontdimen\fiv@\csname sl\@slope\endcsname
  \y@ii#3%
%
% \n@i contains slope (difference between start and end note)
%
% force longslurs if (!!! no check, be careful !!!)
% long slurs are at least 20[16] pt long) !!! Perhaps will change again !!!
% - difference between first note and last note > 8
% - if \curve or \midslur is def'd
% - if \invertslur is used
%
  \ifnum\n@i>\@ight \y@iii\z@ \fi % RMslurs limit 8 steps
  \ifx\@meet\empty \else\y@iii\z@ \fi
  \ifx\@invert\@ne \y@iii\z@ \fi
  \ifdim\y@ii>\y@iii % start of longslurs
%
% setup meet height of slur
%
    \ifx\empty\@meet
%      \immediate\write16{\noexpand\@meet was empty.}%
    \else
      \n@iii\n@iv
      \advance\n@iii\@meet
    \fi
    \edef\@meet{\the\n@iii}%
%     \immediate\write16{\noexpand\@meet = \@meet.}%
%
% allow a little bit overlap (2*2pt) for nicer outlook (as longer as nicer)
% clip to extremities
% compute the max length in fontunits (\count@)
%
    \y@\y@ii \advance\y@\f@ur\p@ \n@v\y@
    \sp@pt\t@n % 10pt steps
    \advance\n@v-\f@ur % first brace is 20pt wide (perhaps 10pt is better ??)
    \min@n@v\z@
    \max@n@v\fourt@@n % largest braces are 2*((90pt-20pt)/10pt)
    \count@\n@v % max length
%
% compute the length of the starting and ending halfslurs
% in case, that curve is not def'd
%
    \ifx\empty\l@length
      \divide\n@v\tw@ % 2 halfslurs
      \n@vii\n@v
      \n@ii\n@v
      \def@lr
%
% first try to reach nicer long slurs without using \curve
%
      \if z\@slope % leave ties untouched
      \else
        \ifnum\count@>\z@ % only for long slurs
          \multiply\n@v\tw@
          \if\@slope\@sense % uu,dd advance l@length ud,du advance r@length
            \s@adjust\n@vii\n@ii
          \else
            \s@adjust\n@ii\n@vii
          \fi
          \def@lr
        \fi
      \fi
%
% adjust \curve parameters, if neccesary
%
    \else
      \n@vii\l@length
      \n@ii\r@length
      \loop
        \count@\n@vii
        \advance\count@\n@ii
        \ifnum\count@>\n@v
        \advance\n@vii\m@ne \ifnum\n@vii<\z@ \n@vii\z@ \fi
        \advance\n@ii\m@ne  \ifnum\n@ii<\z@  \n@ii\z@  \fi
      \repeat
      \def@lr
    \fi
%
% clip to extremity heights (max slur height= 16\internote)
%
    \C@csm\n@iv
    \C@csm\n@vi
%
% change sense and offset behind linebreak and reset flag
%
    \ifx\@invert\@ne \ifdim\s@x=\z@
      \@invsl \let\@invert\empty \s@Y-\s@Y
    \fi \fi
%
% compute final height and put the box
%
%    \immediate\write16{ before @meet:\noexpand\y@i=\the\y@i}%
%    \message{ was \noexpand\n@iv\the\n@iv}%
%    \message{ was \noexpand\n@vi\the\n@vi}%
%
    \meet@minus@n@iv=\@meet
    \advance\meet@minus@n@iv-\n@iv
%    \immediate\write16{\noexpand\meet@minus@n@iv=\the\meet@minus@n@iv}%
%    \y@i\@meet\internote % \y@i final height
% change from DT for staffspacing not standard
    \y@i \@stepwidth % part proportional to slur font size
    \multiply \y@i \meet@minus@n@iv
    \advance\y@i \n@iv\internote % was done by \pl@base...
%
    \C@sof % add the voffsets
    \llap{\raise\y@i\hbox\@to\y@ii{%
%
% compute the beginning and ending halfslur chars
% n@i  firstslur
% n@ii lastslur
% n@v  character
%
    \C@cc\n@iv\n@i\n@ii
    \C@cc\n@vi
%
    \n@v\l@length
    \multiply\n@v\sixt@@n %  16 different heigths
    \advance\n@v\n@i % offset to length
    \advance\n@v\@cxxviii %  offset to starthalfslur
    \@boX  \box\ch@box\hss%   put starthalfslur
    \n@v\r@length
    \multiply\n@v\sixt@@n
    \advance\n@v\n@ii
%
% put ending halfslur in box
%
    \ifx\@invert\@ne \@invsl \fi
    \@boX
%
% put the middle extension (could be replaced by []rule)
%
    \ifdim\y@ii>\p@ne\p@
      \n@v\y@ii
      \sp@pt\f@ur % 4pt steps
      \ifx\@invert\@ne
        \divide\n@v\tw@
        \if u\@sense \advance\n@v\@cxxviii \fi
        \mid@box\hss\hss% don't ask me why
        \if u\@sense \advance\n@v-\@cxxviii \else \advance\n@v\@cxxviii \fi
        \mid@box%
      \else
        \if d\@sense \advance\n@v\@cxxviii \fi
        \mid@box \fi \fi
%
% place the end of slur and kern right horizontal offset
%
    \hss\box\ch@box}\kern#4}%
%
% reset slurcurve
%
    \global\let\@meet\empty
    \let\l@length\empty
    \let\@invert\empty
%
%>>>>>>  start of RM slurs
% Set \n@v to the width index in the slur font table
%
  \else
    \ifdim\y@ii<\@ight\p@ \y@ii\@ight\p@ \fi % Clip to extremities
    \y@\y@ii
    \advance\y@-\si@\p@
    \n@v\y@
    \sp@pt\f@ur
%
% Find decimal character count into font table
% (a) Zero height slurs: charnum=                         width index
% (b) Others:            charnum= 16*(height index - 1) + width index
% Place the character count in \n@v
%
    \if z\@slope
      \if d\@sense \advance\n@v\@liv \fi % \@liv(=54) offset to slurchars
    \else
      \advance\n@i\m@ne     %     height index - 1
      \multiply\n@i\sixt@@n % 16*(height index - 1)
      \advance\n@v\n@i      % 16*(height index - 1) + width index
      \if d\@sense \advance\n@v\@cxxviii \fi
    \fi
%
% Place the slur character
%
    \C@sof
    \ifnum\n@v>255 % to avoid diags in case of...
      \n@v=255\relax
    \fi
    \ifnum\n@v<0 % to avoid diags in case of...
      \n@v=0\relax
    \fi
%
    \llap{\raise\y@i\hbox\@to\y@ii{%
%-ickd \hss\csname sl\@slope\endcsname\char\n@v\hss}\kern#4}%
       \hss\csname sl\@slope\@dotted\endcsname\char\n@v\hss}\kern#4}%
  \fi
\fi} % end writ@slur


\def\sp@pt#1{\divide\n@v65536\divide\n@v#1}
\def\max@n@v#1{\ifnum\n@v>#1\n@v#1\fi}
\def\min@n@v#1{\ifnum\n@v<#1\n@v#1\fi}

%-ickd \def\mid@box{\hbox{\xtie\char\n@v}}
\def\mid@box{%
    \ifnum\n@v>255 % to avoid diags in case of...
      \n@v=255\relax
    \fi
    \ifnum\n@v<0 % to avoid diags in case of...
      \n@v=0\relax
    \fi
%
    \hbox{\csname xtie\@dotted\endcsname\char\n@v}}
%-ickd \def\@boX{\setbox\ch@box\hbox{\csname hslur\@sense\endcsname\char\n@v}%
\def\@boX{%
    \ifnum\n@v>255 % to avoid diags in case of...
      \n@v=255\relax
    \fi
    \ifnum\n@v<0 % to avoid diags in case of...
      \n@v=0\relax
    \fi
%
  \setbox\ch@box\hbox{\csname hslur\@sense\@dotted\endcsname\char\n@v}%
  \advance\y@ii-\wd\ch@box}

\def\def@lr{\edef\l@length{\the\n@vii}\edef\r@length{\the\n@ii}}

\def\s@adjust#1#2{%
  \ifnum\n@v<\count@ \advance#1\@ne \fi
  \ifnum\n@v>\z@ \advance#1\@ne \advance#2\m@ne
    \ifnum#1>\s@v@n #1\s@v@n \fi \fi}

\def\C@csl#1#2{% compute meet height for slurs
  \if u\@sense \n@iii#1\advance\n@iii\tw@
  \else \n@iii#2\advance\n@iii-\tw@ \fi
  \ifx\@invert\@ne
    \n@iii#1\advance\n@iii-#2\divide\n@iii\tw@ \advance\n@iii#2\fi
    \advance#1-#2}

\def\C@cc#1{% slur = abs(meet-note) - 1
  \n@ii\@meet
  \advance\n@ii-#1%
  \ifnum\n@ii<\z@ \n@ii-\n@ii \fi
  \advance\n@ii\m@ne
  }
%  \ifnum\n@ii<\z@\immediate\write16{Warning: \noexpand\C@cc->\noexpand\n@ii=\the\n@ii}\fi
%  \n@ii\z@}  % modeif DT 20-12-97

\def\C@csm#1{% clip to extremity heights (max slur height= 16\internote)
  \n@i\n@iii
  \advance\n@i-#1%
  \ifnum\n@i>\sixt@@n
    \ifnum\n@iii>#1%
      #1\n@iii \advance#1-\sixt@@n
    \else
      #1\n@iii \advance#1\sixt@@n
    \fi
  \fi}

\def\C@sof{\advance\y@i\s@Y % abs. voffset
  \ifx\@Ti\@ne \advance\y@i\s@a \let\@Ti\empty \fi}% call from cutslur

% manual influation on the curve for long slurs
% must be coded in front of \tslur
% #1 final height [number, steps of internote, relativ to beginning! note]
% #2 (length)slope left #3 (length)slope right

\def\curve#1#2#3{\getcurpos % ignore \curve behind a linebreak
  \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\edef\l@length{#2}\edef\r@length{#3}\relax
  \else
%    \message{\noexpand\curve #1#2#3 not expanded}%
  \fi}

% raise (or lower) only the mid of slur
% #1 final height [number, steps of internote, relativ to beginning! note]
%! #1 can still be changed to work relativ from default height ???

\def\midslur#1{\getcurpos
  \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\relax
  \else
%    \message{\noexpand\midslur #1 not expanded}%
  \fi}

\let\@meet\empty
\let\l@length\empty
\let\r@length\empty

% Liftslur #1 refnumber #2 lift[steps of internote]

\def\Liftslur#1#2{\n@i#1\advance\n@i\@ne \advance\csname s@y\roman@n@i#2}

% breakslur #1 refnumber #2 endheight during linebreak[steps of internote]

\def\breakslur#1#2{\inhgetn@i#2\relax\n@ii\n@i
  \n@i#1\advance\n@i\@ne \global\csname s@z\roman@n@i\n@ii}

% invertslur #1 refnumber

\def\@invsl{\if u\the\s@s \s@s{d}\else \s@s{u}\fi}

\def\invertslur#1{\s@l@ctslur#1\relax
  \if u\the\s@s \global\s@s{D}% change sense and set flag for invertslur
  \else \global\s@s{U}\fi}

% initiate slur #1 reference number #2 start note

\def\isluru{\i@slur\h@lf{1\p@seven\internote}u}% 'normal'
\def\issluru{\i@slur{1\p@ne}{\p@seven\internote}u}% shorter for accords
% for beam(ib[l]u) or stem, doesn't work with \stemcut (yet?)
\def\ibsluru{\y@i\stemfactor\interbeam
             \advance\y@i\h@lf\internote \i@slur1\y@i u}
\def\islurd{\i@slur\h@lf{-1\p@seven\internote}d}
\def\isslurd{\i@slur{1\p@ne}{-\p@seven\internote}d}
\def\ibslurd{\y@i\stemfactor\interbeam
             \advance\y@i\h@lf\internote \y@i-\y@i \i@slur0\y@i d}

% initiate slur at half note width but NO vertical offset (for linkings)             

\def\ihsluru{\i@slur\h@lf\z@ u}%
\def\ihslurd{\i@slur\h@lf\z@ d}%

\let\itieu\issluru
\let\itied\isslurd
\def\istieu{\i@slur{1\p@ne}{\qu@rt\internote}u}% shorter for accords
\def\istied{\i@slur{1\p@ne}{-\qu@rt\internote}d}%
\let\itenu\istieu
\let\itenl\istied
\let\Itenu\istieu
\let\Itenl\istied

\def\dotted{\let\dott@d\@ne}\let\dott@d\empty %+ickd

\def\@mis{missing }

% #1 hoffset #2 voffset #3 sense (u,d) #4 reference number #5 start note

\def\i@slur#1#2#3#4#5{%
 \check@staff
  \global\advance\N@s\@ne % update slurcounter
  \s@l@ctslur#4\relax
% test for already invoked \islur
  \if x\the\s@s \else\errmessage{\@mis\noexpand\tslur#4}\fi
  \global\s@Y#2% store voffset (abs. dim. to rel. height)
  \global\s@s{#3}% store sense (u,d)
  \ifx\dott@d\empty \global\s@d{}\else\global\s@d{d}\fi %+ickd
  \let\dott@d\empty %               set dotted indicator +ickd
  \global\s@N\noinstrum@nt % store instrument number
  \inhgetn@i#5\relax
  \global\s@y\n@i % start vpos (steps of internote)
  \global\s@a\altportee % store altportee of current slur
  \getcurpos
  \advance\y@v#1\qn@width
  \global\s@x\y@v
 \fi}% start hpos (current pos including hoffset)

% terminate slur #1 reference number #2 end note
% the various types only influence the horizontal offset, if you want to
% terminate a \ibslur with a \tslur it becomes a little bit tricky

\def\tslur{\t@slur\h@lf}
\def\tsslur{\t@slur{-\p@ne}}
\def\tubslur{\t@slur1}
\def\tdbslur{\t@slur0}
\def\tbsluru{\t@slur1}
\def\tbslurd{\t@slur0}

% \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}#1\@ne}
% \def\tleg#1{\let\T@i\@c \tslur #1\@ne}
% #1 should be braced... by David Alsop on January 11, 2009
\def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne}
\def\tleg#1{\let\T@i\@c \tslur{#1}\@ne}
\let\tten\ttie
\let\Tten\ttie
\let\Tleg\tleg

% y@i  linewidth
% y@iv right hoffset
% y@v  endpos, complete length

% #1 hoffset #2 reference number #3 end note

\def\t@slur#1#2#3{%
  \check@staff
  \s@l@ctslur#2\relax
  \y@iv#1\qn@width
  \def\@sense{\the\s@s}%
  \edef\@dotted{\the\s@d}%+ickd
% test for missing \islur
  \if x\@sense \errmessage{\@mis\noexpand\islur#2}\fi
% test for \invertslur
  \if D\@sense \s@s{u}%
      \let\@invert\@ne
  \fi
  \if U\@sense \s@s{d}%
      \let\@invert\@ne
  \fi
% compute length
  \getcurpos
  \advance\y@v\y@iv
% eoline
  \y@eol\advance\y@-\beforeruleskip
% clip slur at eoline
  \ifdim\y@v>\y@ \y@v\y@ \advance\y@v\beforeruleskip \y@iv\beforeruleskip \fi
  \advance\y@v-\s@x
  \ifx\T@i\@c \n@i\s@y \else \inhgetn@i#3\relax \fi
  \writ@slur\s@y\n@i\y@v{-\y@iv}%
% reset sense of slur
  \global\s@s{x}\let\T@i\empty
  \global\advance\N@s\m@ne
  \fi}% update slur counter

 % this command is made to terminate the slur #1 exactly on the note pitch  #2
\def\Tslurbreak#1#2{\s@l@ctslur#1\relax
  \def\@sense{\the\s@s}%
  {\if d\@sense \advance\transpose 2\raise0.2\Interligne\hbox{\tslur{#1}{#2}}\relax
   \else \advance\transpose -2\raise-0.2\Interligne\hbox{\tslur{#1}{#2}}\relax
   \fi
  }%
\global\let\@meet\empty
\let\l@length\empty
\let\r@length\empty
\let\@invert\empty
}

\def\Islurubreak#1#2{{\advance\transpose -1\isluru{#1}{#2}}}
\def\Islurdbreak#1#2{{\advance\transpose 1\islurd{#1}{#2}}}

\def\TslurbreakNextBar#1#2{\off{\beforeruleskip}\hloff{\Tslurbreak{#1}{#2}}\off{-\beforeruleskip}}   
\def\IslurubreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurubreak{#1}{#2}}\off{\afterruleskip}}
\def\IslurdbreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurdbreak{#1}{#2}}\off{\afterruleskip}}

\def\y@eol{\y@\line@width \advance\y@-\sign@skip
  \advance\y@-\clef@skip \advance\y@-\s@indent}

% hold up the RM-slur calling, because faster coding,
% if the slurs are inside a bar (and you use one kind of \notes)
% and ... there is no limitation in the number of slurs
% if you want to call a short slur, extending to the left use \slur[][][]0

% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip]

\def\C@slur#1#2#3#4{\check@staff
  \inhgetn@i#1\relax \n@ii\n@i
  \inhgetn@i#2\relax \relax
  \ifx\dott@d\empty \gdef\@dotted{}\else\gdef\@dotted{d}\fi %+ickd
  \let\dott@d\empty %                   set dotted indicator +ickd
  \def\@sense{#3}%
  \if d\@sense \s@Y-\s@Y \fi
  \y@v#4\noteskip
  \y@iv\y@v
  \advance\y@iv\y@ii
  \advance\y@v\y@iii
  \kern\y@iv
  \writ@slur\n@ii\n@i\y@v\z@
  \kernm\y@iv
  \fi}

\def\sslur{%
  \let\s@N\undefined % do not store instrument number
  \s@Y\p@seven\internote
  \y@iii-1.2\qn@width % offset to length 1.1behind+.1before
  \y@ii-\p@ne\qn@width
  \C@slur}
\def\slur{%
  \let\s@N\undefined % do not store instrument number
  \s@Y1\p@seven\internote
  \y@iii\z@
  \y@ii\h@lf\qn@width
  \C@slur}
\def\stie#1{\sslur{#1}{#1}}
\def\tie#1{\slur{#1}{#1}}

%%% setup fontsizes

\newdimen\interbeam % distance entre poutres
\newdimen\b@amthick % half beamthickness
\newdimen\Interligne% de la base d'une ligne a l'autre
\newdimen\Internote % la moitie de \Interligne
\let\internote\Internote
\def\musixchar{\musixfont\char}
\def\keychar{\musickeyfont\char}

\let\musicnorfont\musictwenty

\def\set@Largenotesize{\let\musixfont\musicLargefont
  \let\xgregfont\xgregLargefont
  \b@amthick.3456\Interligne \interbeam1.08\Interligne }

\def\set@largenotesize{\let\musixfont\musiclargefont
  \let\xgregfont\xgreglargefont
  \b@amthick.288\Interligne \interbeam.9\Interligne }

\def\set@normalnotesize{\let\musixfont\musicnorfont
  \let\xgregfont\xgregnorfont
  \b@amthick.24\Interligne \interbeam\p@seven5\Interligne }

\def\set@smallnotesize{\let\musixfont\musicsmallfont
  \let\xgregfont\xgregsmallfont
  \b@amthick\p@ne92\Interligne \interbeam.6\Interligne }

\def\set@tinynotesize{\let\musixfont\musictinyfont
  \let\xgregfont\xgregtinyfont
  \b@amthick\p@ne536\Interligne \interbeam.48\Interligne }

\def\normalnotesize{\set@normalnotesize\comput@specifics
  \let\curr@ntsiz@\normalnotesize}
\def\smallnotesize{\set@smallnotesize\comput@specifics
  \let\curr@ntsiz@\smallnotesize}
\def\tinynotesize{\set@tinynotesize\comput@specifics
  \let\curr@ntsiz@\tinynotesize}

\def\musickeyfont{%
  \ifdim\internote<\p@seven6\Internote \musictinyfont
  \else
    \ifdim\internote<.95\Internote \musicsmallfont
    \else
      \ifdim\internote<1.19\Internote \musicnorfont
      \else
        \ifdim\internote<1.43\Internote \musiclargefont
        \else
          \musicLargefont
        \fi
      \fi
    \fi
  \fi}

\def\meterfont{%
  \ifdim\internote<\p@seven6\Internote \metersmallfont
  \else
    \ifdim\internote<.95\Internote \meternorfont
    \else
      \ifdim\internote<1.19\Internote \meterbigfont
      \else
        \ifdim\internote<1.43\Internote \meterlargefont
        \else \meterLargefont
        \fi
      \fi
    \fi
  \fi}

\newbox\ch@box
\newcount\musicsize
\newdimen\qd@skip
\newdimen\qn@width
\newdimen\wn@width

\newskip\txt@ff
\newskip\s@indent % store parindent
\newskip\big@spc

\newdimen\lthick \lthick=.4pt
\def\hlthick{\h@lf\lthick}

%%%

\def\normalmusicsize{\musicsize\tw@nty \comput@specifics
  \afterruleskip\@ight\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@}
\def\smallmusicsize{\musicsize\sixt@@n \comput@specifics
  \afterruleskip\si@\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@}
\def\largemusicsize{\musicsize\@xxiv \comput@specifics
  \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@}
\def\Largemusicsize{\musicsize\@xxix \comput@specifics
  \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@}

\def\comput@fonts{%    
  \ifnum\musicsize=\sixt@@n
    \let\musicLargefont\musictwentyfour
    \let\musiclargefont\musictwenty
    \let\musicnorfont\musicsixteen
    \let\musicsmallfont\musicthirteen
    \let\musictinyfont\musiceleven
    \let\xgregLargefont\xgregtwentyfour
    \let\xgreglargefont\xgregtwenty
    \let\xgregnorfont\xgregsixteen
    \let\xgregsmallfont\xgregthirteen
    \let\xgregtinyfont\xgregeleven
    \let\slurd\slurdsixteen \let\sluru\slurusixteen
    \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen
    \let\meternorfont\tenbf \let\metersmallfont\eightbf  % T116  RDT
    \let\meterbigfont\twelvebf \let\meterlargefont\frtbf
    \let\meterLargefont\svtbf
    \let\ppff\ppffsixteen
  \else\ifnum\musicsize=\@xxiv
    \let\musicLargefont\musictwentynine
    \let\musiclargefont\musictwentynine
    \let\musicnorfont\musictwentyfour
    \let\musicsmallfont\musictwenty
    \let\musictinyfont\musicsixteen
    \let\xgregLargefont\xgregtwentynine
    \let\xgreglargefont\xgregtwentynine
    \let\xgregnorfont\xgregtwentyfour
    \let\xgregsmallfont\xgregtwenty
    \let\xgregtinyfont\xgregsixteen
    \let\sluru\slurutwenty \let\slurd\slurdtwenty
    \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty
    \let\meternorfont\frtbf \let\metersmallfont\twelvebf % T116  RDT
    \let\meterbigfont\svtbf \let\meterlargefont\twtybf
    \let\meterlargefont\twfvbf
    \let\ppff\ppfftwentyfour
  \else\ifnum\musicsize=\@xxix
    \let\musicLargefont\musictwentynine
    \let\musiclargefont\musictwentynine
    \let\musicnorfont\musictwentynine
    \let\musicsmallfont\musictwentyfour
    \let\musictinyfont\musictwenty
    \let\xgregLargefont\xgregtwentynine
    \let\xgreglargefont\xgregtwentynine
    \let\xgregnorfont\xgregtwentynine
    \let\xgregsmallfont\xgregtwentyfour
    \let\xgregtinyfont\xgregtwenty
    \let\sluru\slurutwenty \let\slurd\slurdtwenty
    \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty
    \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd %    +ickd
    \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd
    \let\meternorfont\svtbf \let\metersmallfont\frtbf     % T116  RDT
    \let\meterbigfont\twtybf \let\meterlargefont\twfvbf
    \let\meterLargefont\twfvbf
    \let\ppff\ppfftwentynine
  \else
    \ifnum\musicsize=\tw@nty
    \else\ifnum\musicsize=\z@
         \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported,
           set to default of 20}%
         \fi
    \fi\musicsize\tw@nty
    \let\musicLargefont\musictwentynine
    \let\musiclargefont\musictwentyfour
    \let\musicnorfont\musictwenty
    \let\musicsmallfont\musicsixteen
    \let\musictinyfont\musicthirteen
    \let\xgreglargefont\xgregtwentyfour
    \let\xgregLargefont\xgregtwentynine
    \let\xgregnorfont\xgregtwenty
    \let\xgregsmallfont\xgregsixteen
    \let\xgregtinyfont\xgregthirteen
    \let\sluru\slurutwenty \let\slurd\slurdtwenty
    \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty
    \let\meternorfont\twelvebf \let\metersmallfont\tenbf   % T116  RDT
    \let\meterbigfont\frtbf \let\meterlargefont\svtbf
    \let\meterLargefont\twtybf
    \let\ppff\ppfftwenty
  \fi\fi\fi
}%


\def\comput@specifics{\comput@fonts\comput@sizes}

\def\comput@sizes{%
  \Interligne\fontdimen\fiv@\musicnorfont
  \Internote\h@lf\Interligne \big@spc.6\Interligne
  \qn@width\fontdimen\si@\musixfont
  \wn@width1\qu@rt\qn@width
  \txt@ff\h@lf\qn@width
  \qd@skip\qn@width\advance\qd@skip-\hlthick}

%\newdimen\afterruleskip
\newskip\afterruleskip
\newdimen\staffbotmarg % marge au-dessous des portees
\newdimen\stafftopmarg % au-dessus des portees
\newdimen\line@width

\def\normalvalue{1}
\def\largevalue{1.2}
\def\Largevalue{1.44}
\def\smallvalue{.8}
\def\tinyvalue{.64}

\def\instrumentnumber#1{\n@v#1\relax
  \min@n@v\@ne
  \max@n@v\maxinstruments
  \edef\nbinstruments{\the\n@v}}

% staffsize

\def\setsize#1#2{\n@v#1\relax % select instrument
  \expandafter\edef\csname staffspacing\romannumeral\n@v\endcsname{#2}}

% [T115] moved out to the new register allocation code
%  \let\staffspacingi\@ne

% number of staffs

\def\setstaffs#1#2{\n@v#1\relax \csname n@p\romannumeral\n@v\endcsname#2}

% staff lines

\def\setlines#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname n@l\romannumeral\n@v\endcsname{#2}}

\newdimen\interportee % distance between staffs of the same instrument (incl)
\newcount\noport@@
\newcount\noinstrum@nt
\newdimen\altportee

\def\interstaff#1{\def\interfacteur{#1}}

\def\s@l@ctinstr{%
  \ifnum\noinstrum@nt>\maxinstruments % [T115] -- from here --
    \errmessage{Wrong instrument reference number \the\noinstrum@nt, maxinstruments=\the\maxinstruments}
  \fi % [T115] -- until here --
  \edef\altitude{\csname k@i\romannumeral\noinstrum@nt\endcsname}%
  \edef\st@ffs{\csname n@p\romannumeral\noinstrum@nt\endcsname}%
  \edef\nblines{\csname n@l\romannumeral\noinstrum@nt\endcsname}%
  \edef\internote{\csname i@n\romannumeral\noinstrum@nt\endcsname}%
  \interportee\interfacteur\internote \interportee\tw@\interportee}

\def\C@Inter{\stem@skip\interportee \advance\stem@skip-\@ight\internote
  \ifnum\nblines=\f@ur \advance\stem@skip\tw@\internote \fi
  \ifnum\nblines>\fiv@  \advance\stem@skip-\tw@\internote \fi}

%%% loop over instruments and staffs

\def\count@portee{\advance\noport@@\@ne}

\def\n@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\nbinstruments
  \advance\noinstrum@nt\@ne \s@l@ctinstr}

\def\m@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\maxinstruments
  \advance\noinstrum@nt\@ne}

\def\p@loop{\noport@@\z@ \loop\ifnum\noport@@<\st@ffs
  \altportee\altitude \advance\altportee\noport@@\interportee}

\def\Comp@High{\y@v\st@ffs\interportee \C@Inter\advance\y@v-\stem@skip}

% to be used to make heavy bars at staff left
% modified according to Werner Icking


\def\groupbottom#1#2{\group@no#1\relax
  \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1...
  \expandafter\def\csname lowersonginstrum\romannumeral\group@no\endcsname{#2}}

\def\grouptop#1#2{\group@no#1\relax
  \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1...
  \expandafter\def\csname uppersonginstrum\romannumeral\group@no\endcsname{#2}}

\def\songbottom{\groupbottom1}
\def\songtop{\grouptop1}

% [T115] moved out to the new register allocation code
%  \let\lowersonginstrumi\maxdimen
%  \let\uppersonginstrumi\z@

\def\g@loop{\group@no\z@ \loop\ifnum\group@no<\maxgroups
  \s@l@ctgroup}
\def\s@l@ctgroup{%
  \relax\test@grnum
  \edef\g@b{\csname g@b\romannumeral\group@no\endcsname}%  dimen (group bottom)
  \edef\g@h{\csname g@h\romannumeral\group@no\endcsname}%  dimen (group top)
  \edef\lowersonginstrum{\csname lowersonginstrum\romannumeral\group@no\endcsname}%  dimen (group top)
  \edef\uppersonginstrum{\csname uppersonginstrum\romannumeral\group@no\endcsname}%  dimen (group top)
  }%
\def\test@grnum{%
  \ifnum\group@no<\z@ \group@no\@c \fi
  \ifnum\group@no<\maxgroups \else
    \count@\maxgroups \advance\count@\m@ne
    \errmessage{Wrong group reference number \the\group@no! (valid: 0 to \the\count@)}% [T115]
    \group@no\z@% [T115]
  \fi
  \advance\group@no\@ne}

% \nobarmessages prevents bar messages

\def\nobarmessages{\let\no@b\@ne}
\let\no@b\empty

% \nolinemessages prevents line messages in phase three
\def\nolinemessages{\let\no@l\@ne}
\let\no@l\empty

% \nobarnumbers prevents bar numbering (Ian Collier)
% \barnumbers restores bar numbering

\def\nobarnumbers{\let\lin@bar\empty \let\freqbarno\maxdimen}
\def\barnumbers{\let\freqbarno\normalvalue}
\barnumbers

% show barnumbers only at the beginning system

\def\raisebarno{\f@ur\internote}
\let\shiftbarno\z@

\def\writebarno{\boxit{\eightbf\the\barno\barnoadd}}
\def\systemnumbers{\nobarnumbers\let\lin@bar\@ne}

% add 'a' behind the systembarnumber, if the previous line ended without
% a bar rule

\let\z@sw\empty
\def\writezbarno{a}
\def\barnoadd{\ifx\z@sw\@ne \writezbarno \fi}

% suppress the beginning vertical rule for single-staff scores

\def\startrule{\let\b@rule\empty}
\def\nostartrule{\let\b@rule\z@}
\startrule

%%% distance between instruments (added to \interportee)

% [T115] moved out to the above of the new register allocation code
% \newdimen\interinstrument
% [T115] moved out to the new register allocation code
% \let\interinstrumenti\interinstrument

\def\setinterinstrument#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname interinstrument\romannumeral\n@v\endcsname{#2}}

%%% portees

\newdimen\systemheight
\newdimen\altplancher

% New version by Werner Icking

\def\writ@staffs{%
  \y@\staffbotmarg \global\altplancher\staffbotmarg
  \rlap{\n@loop\w@st\repeat
% beginning vertical rule
  \systemheight\y@
  \advance\systemheight-\altplancher
  \C@Inter \global\advance\systemheight-\stem@skip
  \ifx\empty\b@rule \raise\altplancher\rlap{%
      \vrule\@depth\hlthick\@height\systemheight\@width\lthick}\fi
% 'Akkoladenklammer' don't know the english word
  \g@loop
   \ifnum\uppersonginstrum<\lowersonginstrum
   \else
    \noinstrum@nt\uppersonginstrum\s@l@ctinstr\C@Inter
    \global\advance\g@h-\stem@skip \global\advance\g@h-\g@b
    \global\advance\g@h\Interligne \global\advance\g@b-\Internote
    \raise\g@b\llap{\uplap{\offinterlineskip
      \set@normalnotesize\hbox{\musixfont\fourt@@n}\hbox{\vrule\@height\g@h
        \@width\internote}\hbox{\musixfont\fiv@t@@n}}\kern\internote}%
   \fi
  \repeat
% systembarnumbers
  \ifx\lin@bar\@ne \y@\altplancher \advance\y@\systemheight
    \advance\y@\raisebarno \raise\y@\rlap{\kern\shiftbarno\writebarno}\fi
% strut
  \advance\stafftopmarg\staffbotmarg
  \raise\stafftopmarg\hbox{\vrule\@height\systemheight\@width\z@}}}

\def\uplap#1{\vbox\@to\z@{\vss#1}}

% new version of \w@st by Werner Icking

\newskip\instrum@in@group
\def\w@st{%
  \global\noport@@\z@ \global\altitude\y@
  \global\instrum@in@group=\z@
  {\g@loop
  \ifnum\noinstrum@nt=\lowersonginstrum
    \global\g@b\altitude
  \fi
  \ifnum\uppersonginstrum>\lowersonginstrum\relax
    \ifnum\noinstrum@nt<\lowersonginstrum\relax
    \else
      \ifnum\noinstrum@nt>\uppersonginstrum\relax
      \else
%       \message{\the\noinstrum@nt\space in-group!}%
        \global\instrum@in@group=2\internote
      \fi
    \fi
  \fi
  \repeat}%
% nullportee
  \ifnum\st@ffs=\z@
    \advance\y@\f@ur\Interligne
  \else
% multportee
    \ifnum\st@ffs>\@ne \Comp@High\n@v\y@v \sp@pt\tw@
      \advance\n@v\@cxxviii \divide\y@v\tw@
%==== the parenthesis should be shifted to the left if within
%==== songbottom -- songtop
      \advance\y@v\y@
      \raise\y@v\hbox{\kern -\instrum@in@group\mxsps\char\n@v\kern\instrum@in@group}%
    \fi
% normal staff
     {\loop \staff@lines\ifnum\noport@@<\st@ffs \repeat}%
  \fi % fin du \else pour 0 portees=chant
  {\g@loop
  \ifnum\noinstrum@nt=\uppersonginstrum \global\g@h\y@ \fi
  \repeat}%
  \ifnum\noinstrum@nt<\nbinstruments
    \advance\y@\csname interinstrument\romannumeral\noinstrum@nt\endcsname \fi}

\def\staff@lines{\raise\y@\rlap{\uplap{%
  \ifcase\nblines
  \or \Lin@\zLin@\zLin@
  \or \Lin@\zLin@\Lin@\zLin@
  \or \Lin@\zLin@\Lin@\zLin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@
  \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@
  \fi\kernm\hlthick}}%
  \global\advance\y@\interportee \count@portee}

\def\zLin@{\kern\tw@\internote}
\def\Lin@{\zLin@\kernm\lthick\hrule\@width\line@width}

\newskip\boxitsep \boxitsep\thr@@\p@\relax

\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern\boxitsep\vbox{%
  \kern\boxitsep\hbox{#1}\kern\boxitsep}\kern\boxitsep\vrule}\hrule}}
\def\circleit#1{\setbox\ch@box\hbox{#1}\y@v\ht\ch@box
  \y@v1.41\ht\ch@box % => sqrt(2)
  \n@v\y@v \sp@pt\tw@ \advance\n@v69\rlap{#1}%
  \raise\h@lf\ht\ch@box\rlap{\kern\h@lf\wd\ch@box\mxsps\char\n@v}}

\def\thinrul@{\writ@rule\lthick}
\def\thickrul@{\writ@rule\big@spc}

%%% start normal score

%%
%   Define a counter to keep track of total number of bars in piece
%   which are terminated by a barline. This is not necessarily
%   the same as \barno, in view of (eg) a bar containing
%   multiple bars rest.
%%
%   !!! \barsinpi@c@ now used for \zbar and \xbar too, if you use them
%       the value of \barsinpi@c@ says nothing !!!
%

\newcount\barsinpi@c@
\newcount\barno
\newcount\startbarno \startbarno\@ne
\newdimen\sign@skip
\newdimen\maxsign@skip


\def\piece@begina{\catcodesmusic \barno\startbarno \@l@mskip\elemskip
  \barsinlin@\z@ \let\z@sw\empty \frenchspacing
% \let\barrul@\thinrul@ \comp@internote}	%-simick
  \b@rrul@\comp@internote}			%+simick

\def\comp@internote{\comput@specifics
 \n@loop
  \internote\csname staffspacing\romannumeral\noinstrum@nt\endcsname\Internote
 \repeat
 \line@width\hsize}

\def\piece@beginb{\advance\line@width-\parindent \s@indent\parindent
  \writ@staffs \writ@names \advance\line@width\parindent}

\def\piece@beginc{%
% write clefs
  \n@loop{\writ@clefi}\repeat \kern\clef@skip
% everystaff stuff
  \everyst@ff
% write signatures
  \sign@skip\z@ \n@loop{\s@l@ctsigns \let\@Ti\writ@sign \C@wsi}\repeat
  \kern\sign@skip \m@loop \s@l@ctsigns \o@s\a@s \s@l@ctclefs \o@c\a@c \repeat
  \let\Writ@newsigns\empty \hskip\z@ plus\p@ minus\p@ \lastbarpos\z@}

\let\fil@begin\empty
\let\Writ@meters\empty

\def\startpiece{\ifstartmuflex@done\relax
                \else\startmuflex
                \immediate\write16{\noexpand\startmuflex launched by
                  \noexpand\startpiece }%
                \fi
  \barsinpi@c@\z@ \piece@begina \leavevmode \piece@beginb
  \piece@beginc \fil@begin \Writ@meters
  \let\volta@set\empty  % tells the kind of volta setting at next bar
  \let\volta@cut\empty  % flag to tell that a volta has been cut at line end
  \let\volta@type\empty % the current volta setting (same defs as \volta@set)
  \let\endvolta@set\empty  % tells the kind of volta closing at next bar
}

\let\everystaff\empty
\def\everyst@ff{\everystaff}% --> MuFlex Pass II

%%% continue score

\let\atnextline\empty

\def\piece@conta{\catcodesmusic \atnextline \let\atnextline\empty
  \comp@internote \leavevmode \barsinlin@\z@ }

\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc
  \Writ@meters \wbarno@x \addspace\afterruleskip
}

% like contpiece but with indentation (parindent) and instrument names
% it's for changing the number of instrument in one piece

\let\fil@indent\empty
\def\Contpiece{\piece@conta \piece@beginb \fil@indent \piece@beginc
  \Writ@meters}

%%% end score

\let\ragg@d\empty
\let\z@suspend@autoflag\empty % used in musixcpt only

\def\z@suspend{%
  \z@suspend@autoflag % used in musixcpt only
% cutvolta
  \write@volta@hrule
  \ifx\volta@type\tw@\let\volta@set\tw@ \let\volta@type\empty
    \let\volta@cut\tw@\fi % restart volta at next line if continuous
  \ifx\volta@type\thr@@\let\volta@set\thr@@ \let\volta@type\empty
    \let\volta@cut\thr@@ \fi % restart volta at next line if continuous
% cutoctline
  \o@loop
  \ifdim\o@x<\maxdimen \let\T@ii\n@ii \C@TO \o@x\z@ \fi
  \repeat
% cut trill
  \tr@loop
  \ifdim\tr@x<\maxdimen \let\T@ii\n@ii \C@TR \tr@x\z@ \fi
  \repeat
% cutslur
  \ifnum\N@s>\z@%     % any pending slurs ?
    \n@viii\maxslurs % test all possible slur numbers [T115] (Hiroaki)
    \advance\n@viii\m@ne
    \loop\ifnum\n@viii>\m@ne
      \s@l@ctslur\n@viii\relax
      \edef\@sense{\the\s@s}%
      \if x\@sense%     % sense flag
      \else%            % found slur
        \edef\@dotted{\the\s@d}% +ickd
        \y@v\lin@pos % get current position
        \advance\y@v-\s@x % slurlength = currentpos - startpos
        \let\@Ti\@ne    % set flag for \writ@slur (\staffbotmarg)
        \ifnum\s@z=\maxdimen \s@z\s@y \fi % flag (\breakslur not used -> tie)
        \writ@slur\s@y\s@z\y@v\p@% avoid touching the bar rule
        \s@x\z@% reset startpos for next line
        \s@z\maxdimen% reset breakslur
      \fi
    \advance\n@viii\m@ne \repeat
  \fi\s@indent\z@
%
  \ragg@d\par\lin@pos\z@ \endcatcodesmusic}

\def\stoppiec@{\check@nopen\n@wbar\z@suspend}
%\def\stoppiece{\stoppiec@\@nds@ction}		%-simick
\def\stoppiece{\T@bil\fi\stoppiec@\@nds@ction}	%+simick
\let\endpiece\stoppiece

\def\zstoppiec@{\check@nopen\zn@wbar\z@suspend}
%\def\zstoppiece{\zstoppiec@\@nds@ction}	%-simick
\def\zstoppiece{\T@bil\fi\zstoppiec@\@nds@ction}%+simick

\def\Stoppiece{\setdoubleBAR\stoppiece}
\let\Endpiece\Stoppiece

%%% short excerpts

\def\startextract{\lastbarno\z@ \barno\startbarno
  \piece@begina\setbox\w@rkbox\hbox{\writ@staffs}% to compute heights
  \setbox\w@rkbox\hbox\bgroup% !! all changes are local !!
  \line@width\maxdimen
  \maxbarsinlin@\maxdimen	%+simick
  \let\T@bil\iftrue \let\everyst@ff\everystaff \let\fil@spc\empty
  \let\fil@termskip\empty \let\fil@signs\empty \let\fil@barno\empty
  \let\leftrepeat\leftrepeat@II \let\leftrightrepeat\leftrightrepeat@II
  \piece@beginc\Writ@meters\addspace\afterruleskip}

% enable left and right extracts (e.g. for footnotes)

\let\extractline\centerline

\def\endextract{\let\z@suspend\write@volta@hrule
  \stoppiec@\egroup\line@width\wd\w@rkbox
  \extractline{\writ@names\writ@staffs\unhbox\w@rkbox}%
  \endcatcodesmusic}
\def\zendextract{\let\stoppiec@\zstoppiec@ \endextract}

%%
%   Redefine \t@rmskip to include a macro for writing a record to a file,
%   and define the macro
%%

\newdimen\x@skip
\newdimen\n@skip

\let\fil@termskip\empty
\def\t@rmskip{\kern\n@skip\advance\x@skip\n@skip
  \advance\lin@pos\x@skip
  % case of \hardnotes
  \ifnum\V@sw>0\relax
    \y@v\n@skip \fil@spc
  \fi
  % end case \hardnotes
  \fil@termskip\global\n@skip\z@ \global\x@skip\z@ \let\V@sw\z@}

%%
%   Define the amount of space before each barline,
%%

%\newdimen\beforeruleskip
\newskip\beforeruleskip

%%
%   We must distinguish between scalable ('soft'=1) material in the bar
%   (eg noteboxes) and absolute ('hard'=0) widths such as those from
%   barlines and clef symbols
%   Hence introduce a switch defining this attribute
%%

\newcount\widthtyp@ \widthtyp@\@ne

%%% bar numbers

\newcount\lastbarno

\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}
\def\fontbarno{\it}

\def\wbarno@x{\lastbarpos\lin@pos
  \ifx\volta@set\empty
    \n@iii\barno \divide\n@iii\freqbarno\relax
    \ifnum\n@iii=\lastbarno
    \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote
      \raise\y@\llap{\writethebarno}\fi
  \else
    \ifx\volta@cut\empty
    \else % volta was cut, there is nothing colliding with bar number.
      \n@iii\barno \divide\n@iii\freqbarno\relax
      \ifnum\n@iii=\lastbarno
      \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote
        \raise\y@\llap{\writethebarno}\fi
    \fi
    \write@volta
  \fi
  \b@rrul@		%+simick
  \n@iii\barno \divide\n@iii\freqbarno\relax \lastbarno\n@iii }

%%%  pass selective scoring

\newskip\cut@v % contains width of bar rule
\newskip\init@volta@pos   % start position of volta
\newskip\volta@startcor	%+simick volta start correction in case of leftrepeats
\newskip\volta@endcor	%+simick volta end correction in case of rightrepeats

\def\raisevolta{\f@ur\internote}

\newbox\writ@volta@box

\def\voltadot{.}%
\def\write@volta{% writes the requested |n. and moves the things for further use
  \ifx\volta@type\empty\else\errmessage{/setvolta collision!}\fi
  \y@\altplancher \advance\y@\systemheight
  \advance\y@\raisevolta
% \setbox\writ@volta@box\rlap{\vrule %   \musixfont\sixt@@n		%-simick
%   \rm\ \vphantom{\^{\volta@text}\strut gq}\volta@text\voltadot}%	%-simick
  \setbox\writ@volta@box\rlap{\vrule\rm\strut\ \volta@text\voltadot}%	%+simick
  \xdef\thevolta@boxheight{\the\ht\writ@volta@box}%
  \xdef\thevolta@boxdepth{\the\dp\writ@volta@box}%
  \ifx\volta@cut\empty \else\setbox\writ@volta@box\null
  \fi   % if continuation, make writ@volta@box null
% \raise\y@\llap{\box\writ@volta@box}%						%-simick
  \kernm\volta@startcor\raise\y@\llap{\box\writ@volta@box}\kern\volta@startcor	%+simick
  \let\volta@type\volta@set
  \let\volta@set\empty
  \let\volta@cut\empty
% \init@volta@pos\lin@pos\relax						%-simick
  \init@volta@pos\lin@pos \advance\init@volta@pos-\volta@startcor	%+simick
}%

\def\write@volta@hrule{% write the hrule of volta bar at its end
  \ifx\volta@type\empty
  \else
    \y@v\lin@pos \advance\y@v-\init@volta@pos
%   \global\advance\cut@v\lthick \advance\y@v-\cut@v	%-simick
%   \global\advance\cut@v\lthick			%-simick
    \ifnum\barsinlin@=\maxbarsinlin@			%+simick
      \y@i\z@						%+simick
    \else						%+simick
      \y@i\cut@v \advance\y@i-\volta@endcor		%+simick
    \fi							%+simick
    \advance\y@v-\y@i					%+simick
    \y@\altplancher \advance\y@\systemheight
    \advance\y@\raisevolta
    \raise\y@\llap{%
      \raise\thevolta@boxheight
%     \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}}%		%-simick
      \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}\kern\y@i}%	%+simick
% check whether termination has been required
    \ifx\endvolta@set\thr@@ \let\volta@type\thr@@\fi % \endvoltabox forces type \thr@@
    \ifx\endvolta@set\empty \else \write@volta@endbox\fi
    % now set volta@type \@ne to \empty
    \ifx\volta@type\@ne \let\volta@type\empty\fi
  \fi
}%

\def\write@volta@endbox{% write the hrule of volta bar at its end
  \ifx\volta@type\empty
  \else
%   \y@v\lin@pos \advance\y@v-\init@volta@pos		%-simick
%   \global\advance\cut@v\lthick \advance\y@v-\cut@v	%-simick
%   \global\advance\cut@v\lthick			%-simick
    \y@\altplancher \advance\y@\systemheight
    \advance\y@\raisevolta
    \ifx\volta@type\thr@@
%     \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}}%	%-simick
      \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}\kern\y@i}%+simick
    \fi
% now force volta@type to \empty
    \let\volta@type\empty
    \let\endvolta@set\empty
    \let\volta@cut\empty
  \fi
}%

%\check

\let\writ@volta\empty  % provisional for testing %

\let\volta@set\empty  % tells the kind of volta setting at next bar
                      % \@ne = single \setvolta, \tw@ = \Setvolta
                      % \thr@@ = setvoltabox

\let\volta@type\empty % the current volta setting (same defs as \volta@set)
\let\volta@cut\empty

\let\endvolta@set\empty  % tells the kind of volta closingg at next bar
                      % \@ne = not used, \tw@ = terminate \Setvolta[box]
                      % \thr@@ = terminate \Setvolta[box] with an ending hook

\def\setvolta{\let\volta@set\@ne \gen@setvolta}
\def\Setvolta{\let\volta@set\tw@ \gen@setvolta}
\def\setvoltabox{\let\volta@set\thr@@ \gen@setvolta}

\def\gen@setvolta#1{\def\volta@text{#1}}

\def\setendvolta{%
                 \ifx\volta@type\empty\volta@err
                 \else\let\endvolta@set\tw@
                 \fi}

\def\setendvoltabox{%
                 \ifx\volta@type\empty\volta@err
                 \else\let\endvolta@set\thr@@
                 \fi}

\let\endvolta\setendvolta
\let\endvoltabox\setendvoltabox

\def\true@endvoltabox{\raise-\thevolta@boxheight
 \llap{\vrule\@height\thevolta@boxheight \@depth\thevolta@boxdepth}}

\def\volta@err{\immediate\write16{%
 type=\ifx\volta@type\empty 0\else \number\volta@type\fi,
 set=\ifx\volta@set\empty 0\else \number\volta@set\fi}%
\errmessage{\noexpand\endvolta, %\noexpand\contvolta,
\noexpand\endvoltabox\space does not match opening \noexpand\S[s]volta...}}


%%% line breaking stuff

\let\@nds@ction\empty

\newcount\barsinlin@
\newcount\maxbarsinlin@

%\def\@LeftRp{\stoppiec@\contpiece\addspace{\h@lf\afterruleskip}%		%-simick
%  \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip}				%-simick
\def\@LeftRp{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip	%+simick
  \contpiece\addspace{\h@lf\afterruleskip}%					%+simick
  \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip				%+simick
  \advance\lastbarpos\afterruleskip \b@rrul@}					%+simick

\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@}

\def\barre{\T@bil \@bar\else\stoppiec@\contpiece \fi}
\def\xbar{\@bar\advance\barsinpi@c@\m@ne}
\def\zbar{\T@bil \zn@wbar\else\zstoppiec@\contpiece \fi}
\def\alaligne{\stoppiece\contpiece}
\def\zalaligne{\zstoppiece\contpiece}
\def\leftrepeat@II{\T@bil \setleftrepeat\@bar\else\@LeftRp \fi}
\let\leftrepeat\leftrepeat@II
\def\leftrightrepeat@II{\T@bil \setleftrightrepeat
  %\setbox\toks@box\l@eftrightrepeat \global\cut@v=\wd\toks@box
  \@bar
  \else\setrightrepeat\@LeftRp \fi}
\let\leftrightrepeat\leftrightrepeat@II
\def\alapage{\stoppiece\eject\contpiece}
\def\zalapage{\zstoppiece\eject\contpiece}

% minuscule: une seule barre
% majuscule: double barre

\let\Writ@newsigns\empty

\def\updat@context{\writ@newclefs
  \T@bil \wbarno@x\Writ@newsigns\Writ@meters\addspace\afterruleskip
  \else\Writ@newsigns\z@suspend\contpiece \fi}

\def\changecontext{\showallbarrules\n@wbar\updat@context}
\def\Changecontext{\showallbarrules\setdoublebar\changecontext}
\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip
 \zn@wbar\updat@context}

\def\pchangecontext{\showallbarrules\n@wbar
  \writ@newclefs\Writ@newsigns\z@suspend\eject\contpiece}
\def\pChangecontext{\setdoublebar\pchangecontext}

%%% bars, repeatbars, ...

%%
%   Change ... to add skip \beforeruleskip to the preceeding notebox,
%   and to set the 'soft' switch for the output record
%%
%%
%   Redefine \n@wbar to write the bar line thickness to file,
%   then reset \n@skip and \x@skip
%%

\newskip\lastbarpos
\let\fil@barno\empty
\let\atnextbar\empty

\def\n@wbar{%
  \t@rmskip % essai DT
  \advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip
% \ifdim\cut@v>\z@ \else\ifx\barrul@\thinrul@ \else\global\cut@v.9\Interligne \fi\fi	%-simick
% \barrul@\widthtyp@\z@ \fil@termskip\let\barrul@\thinrul@				%-simick
  \barrul@\widthtyp@\z@ \fil@termskip							%+simick
  \advance\barsinpi@c@\@ne \fil@barno
  \ifx\no@b\empty \message{bar \the\barno}\fi
  \advance\barno\@ne \advance\lin@pos\x@skip \atnextbar \let\atnextbar\empty
  \write@volta@hrule									%+simick
% \global\cut@v\z@ % <===================================== inserted			%-simick
  \global\n@skip\z@ \global\x@skip\z@ \let\z@sw\empty
% \write@volta@hrule									%-simick
}%

\def\@bar{\n@wbar\wbarno@x\addspace\afterruleskip}

\def\zn@wbar{\t@rmskip\advance\barsinpi@c@\@ne \let\z@sw\@ne}

\def\small@spc{\addspace{\h@lf\big@spc}}

\def\b@rrul@{\let\barrul@\thinrul@							%+simick
   \global\cut@v\lthick \global\volta@endcor-\thr@@\lthick \global\volta@startcor\z@}	%+simick
\def\r@ightrepeat{%
  \hbox{\writ@colons\addspace\big@spc\thinrul@\small@spc\thickrul@}}
\def\r@@ghtrepeat{%									%+simick
  \global\cut@v\big@spc \global\advance\cut@v\lthick \global\advance\cut@v\h@lf\big@spc	%+simick
  \global\volta@endcor\cut@v \global\advance\cut@v\big@spc \global\volta@startcor\z@}	%+simick
\def\l@eftrepeat{%
  \hbox{\thickrul@\small@spc\thinrul@\addspace\big@spc\writ@colons}}
\def\l@@ftrepeat{%									%+simick
  \global\cut@v\big@spc \global\advance\cut@v\h@lf\big@spc \global\advance\cut@v\lthick	%+simick
  \global\advance\cut@v\big@spc \global\volta@endcor\z@ \global\volta@startcor\big@spc	%+simick
  \global\advance\volta@startcor\lthick \global\advance\volta@startcor\h@lf\big@spc}	%+simick
\def\l@eftrightrepeat{\hbox{\writ@colons\addspace\big@spc\thickrul@
  \small@spc\thickrul@\addspace\big@spc\writ@colons}}
\def\l@@ftrightrepeat{%									%+simick
  \global\cut@v\big@spc \global\advance\cut@v\big@spc \global\volta@endcor\cut@v	%+simick
  \global\advance\cut@v\h@lf\big@spc							%+simick
  \global\volta@startcor\big@spc \global\advance\volta@startcor\big@spc			%+simick
  \global\advance\cut@v\volta@endcor \global\advance\volta@startcor-\lthick}		%+simick

\def\doublebar{\showallbarrules\setdoublebar\barre}% double barre de mesure
%\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}}		%-simick
\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}%		%+simick
  \global\cut@v\lthick \global\advance\cut@v\h@lf\big@spc \global\volta@endcor\cut@v	%+simick
  \global\advance\cut@v\big@spc \global\volta@startcor\z@}				%+simick
%\def\setemptybar{\def\barrul@{\relax}}							%-simick
\def\setemptybar{\def\barrul@{\relax}%							%+simick
  \global\cut@v\z@ \global\volta@endcor-\f@ur\lthick \global\volta@startcor\z@}		%+simick
\def\setdoublebar{\showallbarrules\global\cut@v.4\Interligne
  \global\advance\cut@v\tw@\lthick \global\volta@endcor\z@ \global\volta@startcor\z@	%+simick
  \def\barrul@{\thinrul@\addspace{.4\Interligne}\thinrul@}}

\def\rightrepeat{\setrightrepeat\barre}

%\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat}				%-simick
\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat \r@@ghtrepeat}		%+simick
%\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat}				%-simick
\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat \l@@ftrepeat}		%+simick
%\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat}			%-simick
\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat \l@@ftrightrepeat}%+simick

% write colons on all staffs (a part of [left][right]repeat symbols

\def\writ@colons{\n@loop{\w@coli}\repeat}
\def\w@coli{\p@loop
  \raise\altportee\hbox{\raise4\internote\hbox{\keychar55}}\count@portee\repeat}

%%% seperated and full barlines

%\def\rul@full#1{\raise\altplancher\rlap{\vrule\@depth\hlthick
%  \@height\systemheight\@width#1}\addspace#1}

\def\rul@full#1{\hbox{\raise\altplancher\rlap{\vrule\@depth\hlthick
  \@height\systemheight\@width#1}}\addspace#1}

\def\rul@sep#1{\noport@@\z@\n@loop
    \edef\rul@hidden{\csname h@bl\romannumeral\noinstrum@nt\endcsname}%
    \Comp@High\hbox{\raise\altitude\rlap{%
%    \message{(tw@=\meaning\tw@\space thr@@=\meaning\thr@@\space \number\noinstrum@nt->}\expandafter\show\rul@hidden
    \expandafter
    \ifx\rul@hidden\relax  % if \relax = never hidden
      \vrule\@depth\hlthick\@width#1\@height\y@v
    \else
       \expandafter
       \ifx\rul@hidden\thr@@  % if \thr@@ = not hidden one time,
         \vrule\@depth\hlthick\@width#1\@height\y@v
         \global\expandafter\let\rul@hidden\tw@ % reset to perm. hidden
       \else
         \expandafter
         \ifx\rul@hidden\tw@ % if \tw@ = always hidden
           \relax
         \else
           \expandafter
           \ifx\rul@hidden\@ne % if \@ne = hidden only one time
             \global\expandafter\let\rul@hidden\relax
           \fi
         \fi
       \fi
    \fi}}\repeat\addspace#1}

%== hides (only) next bar line for specified instrument
\def\Hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\@ne}

%== hides all next bar lines for specified instrument
\def\hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\tw@}

%== force showing all bar lines for specified instrument
\def\showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax}

%== force showing all bar lines for all instruments
\def\showallbarrules{%
 %\ifx\writ@rule\rul@sep\relax
  \n@loop
  \global\expandafter\let\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax
  \repeat
 %\fi
}

%== force showing (only) next bar line for specified instrument
\def\Showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\thr@@}

% standard vrules over all instruments
\def\stdbarrules{\let\writ@rule\rul@full }

% separated vrules par instrum
\def\sepbarrules{\let\writ@rule\rul@sep }
\stdbarrules

%%% signs

\def\s@l@ctsigns{\edef\a@s{\csname a@s\romannumeral\noinstrum@nt\endcsname}%
  \edef\o@s{\csname o@s\romannumeral\noinstrum@nt\endcsname}}%

\def\setsign#1#2{\noinstrum@nt#1\relax
  \let\Writ@newsigns\writ@newsigns % only write them, when they are touched
  \s@l@ctsigns % select instrument
  \a@s#2\relax %
}

\def\generalsignature#1{\let\Writ@newsigns\writ@newsigns
  \m@loop \s@l@ctsigns \a@s#1\repeat}

% Inhibits writing erasing naturals at next change of context
\def\ignorenats{\m@loop \s@l@ctsigns \o@s\z@ \repeat}

\def\changesignature{\t@rmskip\Writ@newsigns}

\def\writ@sign{\ifnum\a@s=\z@ \else
  \n@v\@lii
  \ifnum\a@s>\z@ \C@sig\t@n
    \C@sh\@ne\s@v@n
    \C@sh\tw@\@l@v@n
    \C@sh\thr@@\@ight
    \C@sh\f@ur\fiv@
    \C@sh\fiv@\nin@
    \C@sh\si@\si@\fi
  \n@v\@l
  \ifnum\a@s<\z@ \C@sig\si@
    \C@fl\@ne\nin@
    \C@fl\tw@\fiv@
    \C@fl\thr@@\@ight
    \C@fl\f@ur\f@ur
    \C@fl\fiv@\s@v@n
    \C@fl\si@\thr@@\fi
  \fi}

\def\C@sh#1#2{\ifnum\a@s>#1\C@sig#2\fi}
\def\C@fl#1#2{\ifnum\a@s<-#1\C@sig#2\fi}

%%
%   Augment \writ@newsigns so that
%   (1) the space taken by the mid-line sign change is written to the file;
%   (2) the new value of \sign@skip is written to the file
%   Note that this is not necessarily the same value
%   as the mid-line value, which includes cancellation naturals when
%   the key signature changes from N flats to M sharps (or vice-versa)
%%

\let\fil@signs\empty

\def\writ@newsigns{\sign@skip\z@
  \n@loop{\s@l@ctsigns \let\@Ti\writ@newsign \C@wsi}\repeat
  \n@skip\sign@skip \widthtyp@\z@ \t@rmskip
  \m@loop \s@l@ctsigns \o@s\a@s \repeat
  \let\Writ@newsigns\empty \fil@signs }

\def\upd@width#1{\ifdim#1<\wd\toks@box \global#1\wd\toks@box \fi}
\def\writ@box{\leavevmode\raise\altportee\rlap{\box\toks@box}}

\newcount\ut@ref

\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 5-6=fa, 1-4=ut
  \ifcase\noport@@ \ut@ref\z@ \or \ut@ref#1\or \ut@ref#2\or
    \ut@ref#3\or \ut@ref#4\fi
    \relax \ifnum \ut@ref=9\relax \ut@ref-1\relax\fi
    \global\ut@ref\ut@ref }

 %\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi
 %    \ifnum\o@s<\z@ \w@flats\w@sharps\else\w@sharps\w@flats \fi}

\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi
    \ifnum\o@s<\z@ \w@cancelflats\w@flats\w@sharps
    \else\w@cancelsharps\w@sharps\w@flats \fi}

\def\w@flats{\W@Fl\z@\si@ \W@Fl\@ne\nin@ \W@Fl\tw@\fiv@ \W@Fl\thr@@\@ight
  \W@Fl\f@ur\f@ur \W@Fl\fiv@\s@v@n \W@Fl\si@\thr@@}

\def\w@cancelflats{\W@canFl\z@\si@ \W@canFl\@ne\nin@ \W@canFl\tw@\fiv@
  \W@canFl\thr@@\@ight \W@canFl\f@ur\f@ur \W@canFl\fiv@\s@v@n \W@canFl\si@\thr@@}

 %\def\W@Fl#1#2{%
 %  \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi}

\def\W@Fl#1#2{%
  \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\relax\fi \fi}

\def\W@canFl#1#2{%
  \ifnum\a@s<-#1\relax\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi}

\def\w@sharps{\W@Sh\z@\t@n \W@Sh\@ne\s@v@n \W@Sh\tw@\@l@v@n
  \W@Sh\thr@@\@ight \W@Sh\f@ur\fiv@ \W@Sh\fiv@\nin@ \W@Sh\si@\si@}

\def\w@cancelsharps{\W@canSh\z@\t@n \W@canSh\@ne\s@v@n \W@canSh\tw@\@l@v@n
  \W@canSh\thr@@\@ight \W@canSh\f@ur\fiv@ \W@canSh\fiv@\nin@ \W@canSh\si@\si@}

 %\def\W@Sh#1#2{%
 %  \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi}

\def\W@Sh#1#2{%
  \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\relax\fi \fi}

\def\W@canSh#1#2{%
  \ifnum\a@s>#1\relax\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi}

\def\C@wsi{\s@l@ctclefs \p@loop \count@portee \expandafter\get@refs\the\a@c
  \setbox\toks@box\hbox{\kern.4\Internote \@Ti \kern.4\Internote}%
  \upd@width\sign@skip \writ@box \repeat}

 %\def\C@sig#1{\n@iii#1%
 %  \ifnum\ut@ref>\z@
 %  \advance\n@iii\ut@ref \advance\n@iii\ut@ref
 %  \ifnum\ut@ref=\si@ \advance\n@iii-\s@v@n \fi
 %  \ifnum\ut@ref>\thr@@ \advance\n@iii-\s@v@n \fi
 %  \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi
 %\fi
 %\advance\n@iii-\tw@ \raise\n@iii\internote
 %\hbox\@to\tw@\internote{\hss\keychar\n@v\hss}}

\def\C@sig#1{\n@iii#1% Correction by W. Icking
  \advance\n@iii\ut@ref \advance\n@iii\ut@ref
  \ifnum\ut@ref=\si@ \advance\n@iii-\fourt@@n%
  \else \ifnum\ut@ref>\z@ \advance\n@iii-\s@v@n \fi\fi
  \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi
  \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi
  \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi
  \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi
  \advance\n@iii-\tw@ \raise\n@iii\internote
  \hbox\@to\tw@\internote{\hss\keychar\n@v\hss}}

%%% meterindicators

\def\s@l@ctm@t{\edef\m@t{\csname m@t\romannumeral\noinstrum@nt\endcsname}}

\def\setmeter#1#2{\noinstrum@nt#1\relax % select instrument
  \let\Writ@meters\writ@meters % only write them, when they are touched
  \s@l@ctm@t \m@t{#2\empty\empty\empty}}

\def\generalmeter#1{\let\Writ@meters\writ@meters
  \m@loop \s@l@ctm@t \m@t{{#1}{#1}{#1}{#1}}\repeat}

%%
%   Redefine \writ@meters to set the 'hard' switch for
%   \t@rmskip, indicating that this length is unscaleable
%%

% \meterskip influence the space before !first! writemeters
\newskip\meterskip

\def\writ@meters{\addspace\meterskip \meterskip\z@ \global\n@skip\z@
  \n@loop{\writ@meteri}\repeat
  \ifdim\n@skip>\z@ \advance\n@skip\big@spc
    \widthtyp@\z@ \t@rmskip \fi \let\Writ@meters\empty}

\def\writ@meteri{\s@l@ctm@t \p@loop \setbox\toks@box
  \hbox{\expandafter\writ@meterp\the\m@t{}{}{}{}}\upd@width\n@skip
  \writ@box \count@portee\repeat}

\def\writ@meterp#1#2#3#4{%
  \ifcase\noport@@\hbox{#1}\or \hbox{#2}\or \hbox{#3}\or \hbox{#4}\fi}

\def\meterfrac#1#2{\setbox\toks@box\vbox{\hbox{\ \meterfont#1}%
  \hbox{\ \meterfont #2}}\vbox\@to\@ight\internote{\offinterlineskip
  \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss
  \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss}}

%%% clefs

\def\s@l@ctclefs{\edef\a@c{\csname a@c\romannumeral\noinstrum@nt\endcsname}%
  \edef\o@c{\csname o@c\romannumeral\noinstrum@nt\endcsname}}

% why simple, when it can be done complicated ?

\newtoks\t@c
\def\@fourtoks#1#2#3#4#5+{#1#2#3#4}

\def\setclef#1#2{\noinstrum@nt#1\relax
  \ifnum#1<1\errmessage{Instrument number not positive}\fi
  \s@l@ctclefs \t@c{#2000}%
  \a@c\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}}
 \let\setclefs\setclef

\let\bass\si@
\let\alto\thr@@
\let\treble\z@

\def\setclefsymbol#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}%
  \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}%
  \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}%
}%

\def\setbassclefsymbol#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}%
}%

\def\setaltoclefsymbol#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}%
}%

\def\settrebleclefsymbol#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}%
}%

\def\trebleclef{\keychar71}
\def\bassclef{\keychar73}
\def\altoclef{\keychar75}

\def\smalltrebleclef{\keychar72}
\def\smallbassclef{\keychar74}
\def\smallaltoclef{\keychar76}

\def\trebleoct{\trebleclef\raise 9\internote\hbox\@to\z@{\smalltype\it\kern -1.8\Interligne 8\hss}}
\def\bassoct{\bassclef\raise 2\internote\hbox\@to\z@{\smalltype\it\kern -2.3\Interligne 8\hss}}
\def\treblelowoct{\trebleclef\raise -7\internote\hbox\@to\z@{\smalltype\it\kern -2.3\Interligne 8\hss}}
\def\basslowoct{\bassclef\raise -6\internote\hbox\@to\z@{\smalltype\it\kern -2.5\Interligne 8\hss}}

% [T115] reqest from Hermann Hinsch
\def\smalltrebleoct{\smalltrebleclef\raise 7.2\internote\hbox\@to\z@{\smalltype\it\kern -1.8\Interligne 8\hss}}
\def\smalltreblelowoct{\smalltrebleclef\raise-6.8\internote\hbox\@to\z@{\smalltype\it\kern -2.1\Interligne 8\hss}} 
\def\smallbassoct{\smallbassclef\raise 2\internote\hbox\@to\z@{\smalltype\it\kern -2.0\Interligne 8\hss}}
\def\smallbasslowoct{\smallbassclef\raise-6.2\internote\hbox\@to\z@{\smalltype\it\kern -2.2\Interligne 8\hss}}
% [T115] reqest from Hermann Hinsch: end


\newskip\clef@skip

\def\changeclefs{\t@rmskip\writ@newclefs}

\def\zchangeclefs{\t@rmskip\zwrit@newclefs}

% since the characters are shifted by default(Metafont) they looked
% a little bit strange when you mix several staffstaffsizes (flushleft)
% I've introduced a hack(kern kernm), that they are (nearly) centered
% (aehmm, really not the best way, because now they look strange
% if you use music footnotes)

\def\writ@clefi{\s@l@ctclefs
  \p@loop
  \setbox\toks@box\hbox{\expandafter\writ@clefp\the\a@c}%
  \upd@width\clef@skip\raise\altportee\rlap{%
    \ifdim\internote<\Internote \kern\thr@@\Internote\kernm\thr@@\internote \fi
    \box\toks@box}\count@portee\repeat}

\def\writ@clefp#1#2#3#4{%
  \ifcase\noport@@\singl@clef#1%
  \or \singl@clef#2\or \singl@clef#3\or \singl@clef#4\fi}

\def\singl@clef#1{\n@iii#1\relax
  \ifcase\n@iii
    \C@Clef\@ne\trebleclef@var\or
    \C@Clef\z@\altoclef@var\or
    \C@Clef\@ne\altoclef@var\or
    \C@Clef\tw@\altoclef@var\or
    \C@Clef\thr@@\altoclef@var\or
    \C@Clef\tw@\bassclef@var\or
    \C@Clef\thr@@\bassclef@var\or
    \C@Clef\f@ur\bassclef@var\or % 7 = subbass
    \or
    \C@Clef\z@\trebleclef@var    % 9 = french violin-clef
  \fi
}

\def\C@Clef#1#2{\n@iii#1\relax\multiply\n@iii\tw@
  \raise\n@iii\internote\hbox{#2}}

\def\bassclef@var{\expandafter
  \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@
  \bassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi}
\def\trebleclef@var{\expandafter
  \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@
  \trebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi}
\def\altoclef@var{\expandafter
  \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@
  \altoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi}

\def\smallbassclef@var{\expandafter
  \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@
  \smallbassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi}
\def\smalltrebleclef@var{\expandafter
  \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@
  \smalltrebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi}
\def\smallaltoclef@var{\expandafter
  \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@
  \smallaltoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi}


%%
%   Redefine \writ@newclefs similarly
%
%   Note that \clef@skip does not change for the different clef
%   symbols (always 3.2\Interligne for normal sized clefs)
%   Hence there is no need to communicate clef changes to the
%   formatting program
%%

\def\writ@newclefs{\clef@skip\z@ \n@loop{\writ@newclefi}\repeat
  \n@skip\clef@skip \widthtyp@\z@ \t@rmskip
  \m@loop \s@l@ctclefs \o@c\a@c \repeat}

% the same as \writ@newclefs, but no spacing

\def\zwrit@newclefs{\clef@skip\z@
  \setbox\writ@volta@box \hbox{\n@loop{\writ@newclefi}\repeat}%
  \kern -\clef@skip \box\writ@volta@box
  \kern \clef@skip
  \clef@skip\z@ % test
  \n@skip\clef@skip
  \widthtyp@\z@
  \t@rmskip
  \m@loop \s@l@ctclefs \o@c\a@c \repeat}

% Thanks to Helmut Kopka for helping me out
\def\writ@newclefi{\s@l@ctclefs\p@loop
  \setbox\toks@box\hbox{\expandafter\expandafter\expandafter\writ@newclefp
  \the\expandafter\a@c\the\o@c}%
  \upd@width\clef@skip \writ@box \count@portee\repeat}

\def\writ@newclefp#1#2#3#4#5#6#7#8{%
  \ifcase\noport@@\newsingl@clef#1#5\or \newsingl@clef#2#6\or
  \newsingl@clef#3#7\or \newsingl@clef#4#8\fi}

\def\newsingl@clef#1#2{\n@iii#1\relax \n@ii#2\relax
  \ifnum\n@ii=\n@iii
  \else
    \ifcase\n@iii
      \C@Clef\@ne\smalltrebleclef@var\or
      \C@Clef\z@\smallaltoclef@var\or
      \C@Clef\@ne\smallaltoclef@var\or
      \C@Clef\tw@\smallaltoclef@var\or
      \C@Clef\thr@@\smallaltoclef@var\or
      \C@Clef\tw@\smallbassclef@var \or
      \C@Clef\thr@@\smallbassclef@var\or
      \C@Clef\f@ur\smallbassclef@var\or % 7 = subbass
      \or
      \C@Clef\z@\smalltrebleclef@var    % 9 = french violin-clef
    \fi
  \fi}

%%% instrumentnames

%\let\Writ@names\empty

\def\setname#1#2{\n@v#1\relax % select instrument
%  \let\Writ@names\writ@names
  \expandafter\def\csname instrument\romannumeral\n@v\endcsname{#2}}% [T115] changed from \edef to \def (Hiroaki)

\def\writ@names{\n@loop
  \setbox\toks@box\null\relax
  \ifnum\st@ffs>0\relax
  \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{%
    \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}\ \ }%
  \fi  
  \altportee\altitude \Comp@High \advance\y@v-\ht\toks@box
  \advance\altportee\h@lf\y@v
  \writ@box
  \repeat}

%%%

% les notes proprement dites

\newdimen\noteskip
\newcount\transpose
\newcount\normaltranspose
\newdimen\locx@skip
\newdimen\elemskip
\newdimen\@l@mskip

\def\check@staff{%
  \ifnum\noport@@>\st@ffs\relax
  \ifx\Post@Elims\undefined\else
    \immediate\write16{check@staff\space inst=\the\noinstrum@nt\space
    staff=\the\noport@@\space st@ffs=\the\st@ffs\space Elim.}\relax
  \fi
  \ifnum\st@ffs>0\relax
     \errmessage{Staff number (\the\noport@@) out of specified range (\the\st@ffs)!}\fi
  \else\relax}
%\def\check@staff{\iftrue\relax}

\let\ifactiveinstrument\check@staff

\def\nextstaff{\@ndstaff\beginstaff}
\def\nextinstrument{\@ndstaff\begininstrument}
\def\prevstaff{\@ndstaff\advance\noport@@-2\relax\beginstaff}
\def\selectstaff#1{\@ndstaff\noport@@#1\relax
  \advance\noport@@ -1\relax\beginstaff}
\def\selectinstrument#1{\@ndstaff\noinstrum@nt#1\relax
  \advance\noinstrum@nt -1\relax\begininstrument}

\def\begininstrument{\advance\noinstrum@nt\@ne \s@l@ctinstr
  \ifdim\internote<\p@seven6\Internote \set@tinynotesize \comput@sizes
  \else
    \ifdim\internote<.95\Internote \set@smallnotesize \comput@sizes
    \else
      \ifdim\internote<1.19\Internote \set@normalnotesize \comput@sizes
      \else
        \ifdim\internote<1.43\Internote \set@largenotesize \comput@sizes
        \else
          \set@Largenotesize \comput@sizes
        \fi
      \fi
    \fi
  \fi
  \noport@@\z@ \beginstaff}

\def\beginstaff{\leavevmode
  \altportee\altitude \advance\altportee\noport@@\interportee
  \count@portee \s@l@ctclefs \expandafter\get@refs\the\a@c
  \setbox\n@otebox\hbox\bgroup
  \let\rq\rq@ \let\lq\lq@ \let\ds\ds@oup \let\mp\mp@
  \locx@skip\x@skip}

\def\@ndstaff{\egroup
  \ifdim\n@skip<\wd\n@otebox \n@skip\wd\n@otebox \fi
  \raise\altportee\rlap{\unhbox\n@otebox}}

%%% shifting

\def\offs@t#1{\off{-\s@o@}#1\off\s@o@}
\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t}
\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t}
\def\roff{\roffset\@ne}
\def\loff{\loffset\@ne}
\def\hroff{\roffset\h@lf}
\def\hloff{\loffset\h@lf}

%%% decode collective coding

% les symboles de notes ou assimiles

\newcount\inh@alt
\def\getn@i{\inh@alt\z@ \xgetn@i}
\def\inhgetn@i{\inh@alt\@ne \xgetn@i}

\def\f@tok#1#2\af@tok{#1}
\def\s@tok#1#2\af@tok{#2}

% \n@viii used as flag: \n@viii=\maxdimen -> argument is no number

\def\C@Get{\n@viii\maxdimen \edef\alt@suite{\noexpand\getn@i\s@uite\relax}}
\def\C@GET{\n@viii\maxdimen \edef\alt@suite{%
  \ifnum\inh@alt=\z@ \noexpand\@TI{\s@uite}\fi \noexpand\getn@i\s@uite\relax}}

\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut
%% \edef\t@ruc{\f@tok #1\relax\af@tok}%
  \edef\t@ruc{\expandafter\f@tok #1\relax\af@tok}%
  \edef\s@uite{\s@tok #1\empty\af@tok}%
%% pas lettre
  \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax
%% ramener au E (position zero en clef de sol, ut@ref=0)
    \ifnum\n@i>96\advance\n@i-101%
    \else\advance\n@i-\@lxxxiii % ramener au S= E + 14
    \fi
    \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose
    \edef\ss@uite{\noexpand\n@fon{\s@uite}}%
%% cas active character dont chiffre
  \else
    \let\ss@uite\empty
    \let\alt@suite\empty
    \ifcat 1\t@ruc
      \if =\t@ruc \let\@TI\na  \C@GET \fi
      \if *\t@ruc \sk \C@Get \fi
      \if .\t@ruc \let\@TI\pt   \C@GET \fi
      \if >\t@ruc \let\@TI\dsh \C@GET \fi
      \if <\t@ruc \let\@TI\dfl \C@GET \fi
      \if !\t@ruc \transpose\normaltranspose \C@Get \fi
      \if '\t@ruc \advance\transpose\s@v@n   \C@Get \fi
      \if `\t@ruc \advance\transpose-\s@v@n  \C@Get \fi
      \ifnum\n@viii<\maxdimen \n@i#1\fi
    \else
      \if ^\t@ruc \let\@TI\sh \C@GET \fi
      \if _\t@ruc \let\@TI\fl \C@GET \fi
    \fi\alt@suite
  \fi}

%%% setting stems and flags

\newdimen\st@bot % note stem bottom
\newdimen\st@top % note stem top
\newdimen\stem@skip

\def\stdstemfalse{\let\stdst@m\@ne}

\def\setst@m{%
  \advance\y@i\altportee
  \ifdim\st@bot>\y@i \global\st@bot\y@i \fi
  \ifdim\st@top<\y@i \global\st@top\y@i \fi
  \advance\y@i-\altportee}

\def\resetst@m{%
  \global\st@bot\maxdimen \global\st@top-\maxdimen \let\stdst@m\empty}
\resetst@m

\def\minst@bot{\ifdim\st@bot>\f@ur\internote
  \ifx\stdst@m\empty \st@bot\f@ur\internote \fi \fi}

\def\maxst@top{\ifdim\st@top<\f@ur\internote
  \ifx\stdst@m\empty \st@top\f@ur\internote \fi \fi}

\def\stem@rule{%
  \vrule\@height\st@top\@depth-\st@bot\@width\lthick\kernm\lthick}

\def\comp@stem{\advance\st@bot-\altportee \advance\st@top-\altportee}

\def\C@stem{\ifdim\st@top>\st@bot
  \comp@stem\kern\stem@skip\stem@rule
  \kernm\stem@skip
  \fi\resetst@m}

\def\stemlength#1{\def\stemfactor{#1}}
\def\DefaultStemlength{4.66}
\stemlength{\DefaultStemlength}

% cut stems in extrem positions for multiple voices in one staff

\def\stemcut{\let\st@mcut\empty}
\def\nostemcut{\let\st@mcut\@ne}
\stemcut

\def\Box@Flag{\setbox\ch@box\hbox{\musixfont\char\n@vii}\y@v\ht\ch@box }

\def\down@flag{\Box@Flag\advance\st@bot-\y@v
  \advance\st@bot-\stemfactor\interbeam
  \advance\st@bot\DefaultStemlength\interbeam
  \ifdim\st@top>\st@bot \comp@stem\minst@bot
    \stem@rule\raise\st@bot\box\ch@box \fi\resetst@m}

\def\up@flag{\Box@Flag\advance\st@top\y@v
  \advance\st@top\stemfactor\interbeam
  \advance\st@top-\DefaultStemlength\interbeam
  \ifdim\st@top>\st@bot \comp@stem\maxst@top
    \kern\qd@skip\stem@rule\advance\st@top-\y@v \raise\st@top\box\ch@box%
    \kernm\qd@skip \fi\resetst@m}

\def\cutst@l#1{%
  \ifdim\st@bot<-#1\internote \advance\st@bot\qu@rt\interbeam \fi}

\def\downst@m{\stem@skip\z@
  \advance\st@bot-\stemfactor\interbeam
  \advance\st@bot-\altportee
  \ifx\st@mcut\empty
    \ifdim\st@bot<-\thr@@\internote
      \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@
      \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi
  \minst@bot\advance\st@bot\altportee
  \C@stem}

\def\cutst@u#1{%
  \ifdim\st@top>#1\internote \advance\st@top-\qu@rt\interbeam \fi}

\def\upst@m{\stem@skip\qd@skip
  \advance\st@top\stemfactor\interbeam
  \advance\st@top-\altportee
  \ifx\st@mcut\empty
    \ifdim\st@top>\@l@v@n\internote
      \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active
      \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi
  \maxst@top\advance\st@top\altportee
  \C@stem}

\newdimen\s@lope

\def\comp@slope#1{\s@lope\b@p#1\divide\s@lope\tw@nty}

\def\beamst@m{% queue de note vers une poutre
  \getcurpos \advance\y@v-\b@x
  \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z
  \ifdim\y@ii>\st@top % la poutre est au-dessus
    \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope
    \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi
    \st@top\y@ii % a mettre a jour avec la pente ulterieurement
  \else
    \stem@skip\z@
    \ifdim\y@ii<\st@bot
      \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi
      \st@bot\y@ii \fi \fi
  \C@stem}

%%% writing notes inclusive lines (subsidiary lines ?) (german: Hilfslinien)

\newif\ifadvance\advancetrue

% Modification by Werner Icking
% ledger lines exceed the note by: y@vi := 0.35 (noteskip - notewidth)
%                             and: 0.5 qn@width > y@vi > 0.2 qn@width
\newdimen\y@vi
\def\h@linei{%
  \y@ii\n@v\internote
  \y@iii\y@ii
  \advance\y@ii\hlthick
  \advance\y@iii-\hlthick
  \y@vi\noteskip			% noteskip
%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi	% (or maxdimen if noteskip = 0)
  \advance\y@vi-\y@v			% - notewidth
  \y@vi0.7\y@vi				% this may be eaten =: additional length
  \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width
  \y@iv0.2\qn@width  \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width
  \y@iv\y@v				% notewidth
  \advance\y@iv\y@vi			% + additional length =: total length
  \kernm\h@lf\y@vi			% center the ledger line
%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}%
  \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv
  \kernm\y@iv\kern\h@lf\y@vi}

% end Werner Icking's modification  of ledger lines.
% old behaviour can be restored with musixfll.tex (or musixfll.sty)

\def\writ@note{%
  \ifnum\n@i<\@c
% help lines \n@i (position)
    \ifnum\nblines>\thr@@ % no help lines for percussion instruments
      \n@v\z@
      \ifnum\n@i<\m@ne % waste memory, but saves time
        \loop \advance\n@v\m@ne \ifnum\n@i<\n@v
          \advance\n@v\m@ne \h@linei
        \repeat
      \else
        \n@v\nblines \advance\n@v\m@ne \multiply\n@v\tw@
        \ifnum\n@i>\n@v
          \loop \advance\n@v\@ne \ifnum\n@i>\n@v
            \advance\n@v\@ne \h@linei
          \repeat
        \fi
      \fi
    \fi
%
    \pl@base\setst@m\st@m
    \ifadvance \raise\y@i\adv@box\n@sym \else \raise\y@i\hbox{\n@sym}\fi
    \ss@uite \advancetrue
  \fi}

\def\adv@box#1{\hbox\@to\noteskip{#1\hss}\advance\locx@skip\noteskip}

%%% breve, longa, maxima, arbitrary notes, non spacing

\def\zmaxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \advancefalse \g@w}
\def\zlonga{\def\w@h{\musixchar39}\y@v\wn@width \advancefalse \g@w}
\def\zbreve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \advancefalse \g@w}
\def\zwq{\def\w@h{\musixchar56}\y@v\wn@width \advancefalse \g@w}
\def\zwqq{\def\w@h{\musixchar127}\y@v\wn@width \advancefalse \g@w}

\def\g@w#1{\let\st@m\resetst@m
  \check@staff
  \getn@i#1\relax\let\n@fon\g@w \let\n@sym\w@h \writ@note
  \fi}

\def\maxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \g@w}
\def\longa{\def\w@h{\musixchar39}\y@v\wn@width \g@w}
\def\breve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \g@w}
\def\wq{\def\w@h{\musixchar56}\y@v\wn@width \g@w}
\def\wqq{\def\w@h{\musixchar127}\y@v\wn@width \g@w}

%%% alternate longa (with up stem) by Ingo Struck
%%% struck@student.uni-siegen.de

\def\lngdnst@m{\stem@skip1.25\qd@skip
  \advance\st@bot-\stemfactor\interbeam
  \advance\st@bot-\altportee
  \ifx\st@mcut\empty
    \ifdim\st@bot<-\thr@@\internote
      \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@
      \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi
  \minst@bot\advance\st@bot\altportee
  \C@stem}

\def\lngupst@m{\stem@skip1.25\qd@skip
  \advance\st@top\stemfactor\interbeam
  \advance\st@top-\altportee
  \ifx\st@mcut\empty
    \ifdim\st@top>\@l@v@n\internote
      \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active
      \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi
  \maxst@top\advance\st@top\altportee
  \C@stem}

\def\@longa#1{\getn@i#1\relax
  \ifnum\n@i>\thr@@
    \let\st@m\lngdnst@m
  \else
    \let\st@m\lngupst@m
  \fi
  \let\n@fon\@longa \let\n@sym\q@u \y@v\qn@width \writ@note}

\def\l@ngasymbol{\def\q@u{\musixfont\@xxxii}}

\def\longaa{\l@ngasymbol\@longa}

%%% whole notes

\def\C@Point#1#2{\ifodd\n@i \else#2\internote \fi\hbox{\musixchar#1}}

\def\wh{\def\w@h{\musixfont\nin@}\y@v\wn@width \g@w}
\def\whp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\z@\raise}}%
  \y@v\wn@width \g@w}
\def\whpp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\@ne\raise}}%
  \y@v\wn@width \g@w}

%%% whole noteheads, no advance

\def\zw{\advancefalse\wh}
\def\zwp{\advancefalse\whp}
\def\zwpp{\advancefalse\whpp}
\let\zwh\zw

\def\lw#1{\kernm\wn@width\zw{#1}\kern\wn@width}
\def\rw#1{\kern\wn@width\zw{#1}\kernm\wn@width}
\def\lwp#1{\kernm\wn@width\zwp{#1}\kern\wn@width}
\def\rwp#1{\kern\wn@width\zwp{#1}\kernm\wn@width}
\def\lwpp#1{\kernm\wn@width\zwpp{#1}\kern\wn@width}
\def\rwpp#1{\kern\wn@width\zwpp{#1}\kernm\wn@width}

%%% common routines for noteheads with the same width as a quarter note

\def\@qa#1{\getn@i#1\relax
  \ifnum\n@i>\thr@@
    \let\st@m\downst@m
  \else
    \let\st@m\upst@m
  \fi
  \check@staff  % T116
    \let\n@fon\@qa \let\n@sym\q@u \y@v\qn@width \writ@note
  \fi}

\def\@qu{\let\st@m\upst@m    \g@q}
\def\@ql{\let\st@m\downst@m  \g@q}
\def\@zq{\let\st@m\setst@m   \advancefalse\g@q}
\def\@nq{\let\st@m\resetst@m \g@q}

\def\g@q#1{\check@staff
   \getn@i#1\relax\let\n@fon\g@q \let\n@sym\q@u
   \y@v\qn@width \writ@note\fi}

\def\@qup{\let\st@m\upst@m    \g@qp}
\def\@qlp{\let\st@m\downst@m  \g@qp}
\def\@zqp{\let\st@m\setst@m   \advancefalse\g@qp}
\def\@nqp{\let\st@m\resetst@m \g@qp}

\def\q@up{\q@u\C@Point\z@\raise}
\def\g@qp#1{\check@staff
   \getn@i#1\relax\let\n@fon\g@qp \let\n@sym\q@up
   \y@v\qn@width \writ@note\fi}

\def\@qupp{\let\st@m\upst@m    \g@qpp}
\def\@qlpp{\let\st@m\downst@m  \g@qpp}
\def\@zqpp{\let\st@m\setst@m   \advancefalse\g@qpp}
\def\@nqpp{\let\st@m\resetst@m \g@qpp}

\def\q@upp{\q@u\C@Point\@ne\raise}
\def\g@qpp#1{\check@staff
   \getn@i#1\relax\let\n@fon\g@qpp \let\n@sym\q@upp
   \y@v\qn@width \writ@note\fi}

\def\@lqu#1{\kernm\qn@width\advancefalse\@qu{#1}\kern\qn@width}
\def\@rqu#1{\kern\qn@width\advancefalse\@qu{#1}\kernm\qn@width}

\def\@lql#1{\kernm\qn@width\advancefalse\@ql{#1}\kern\qn@width}
\def\@rql#1{\kern\qn@width\advancefalse\@ql{#1}\kernm\qn@width}

\def\@lq#1{\kernm\qn@width\@zq{#1}\kern\qn@width}
\def\@rq#1{\kern\qn@width\@zq{#1}\kernm\qn@width}

\def\@qb#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@q}
\def\@tqb#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick \let\st@m\beamst@m \g@q}
\def\@tqh#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width \let\st@m\beamst@m \g@q}
\def\@qbp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qp}
\def\@qbpp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qpp}

\def\@ca{\n@iv\@xlv \@mca}
\def\@cca{\n@iv46 \@mca}
\def\@ccca{\n@iv47 \@mca}
\def\@cccca{\n@iv48 \@mca}
\def\@ccccca{\n@iv49 \@mca}

\def\@mca#1{\getn@i#1\relax  \n@vii\n@iv
  \ifnum\n@i>\thr@@
    \let\st@m\down@flag
  \else
    \let\st@m\up@flag \advance\n@vii -\fiv@\relax
  \fi
  \check@staff  % T116
    \let\n@fon\@mca \let\n@sym\q@u  \y@v\qn@width \writ@note
  \fi}

\def\@cu{\n@vii\@xl \let\st@m\up@flag \g@q}
\def\@ccu{\n@vii\@xli \let\st@m\up@flag \g@q}
\def\@cccu{\n@vii42\let\st@m\up@flag \g@q}
\def\@ccccu{\n@vii43\let\st@m\up@flag \g@q}
\def\@cccccu{\n@vii44\let\st@m\up@flag \g@q}

\def\@cl{\n@vii\@xlv \let\st@m\down@flag \g@q}
\def\@ccl{\n@vii46\let\st@m\down@flag \g@q}
\def\@cccl{\n@vii47\let\st@m\down@flag \g@q}
\def\@ccccl{\n@vii48\let\st@m\down@flag \g@q}
\def\@cccccl{\n@vii49\let\st@m\down@flag \g@q}

\def\@cup{\n@vii\@xl \let\st@m\up@flag \g@qp}
\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp}
\def\@clp{\n@vii\@xlv \let\st@m\down@flag \g@qp}
\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp}


\def\@cupp{\n@vii\@xl \let\st@m\up@flag \g@qpp}
\def\@clpp{\n@vii\@xlv \let\st@m\down@flag \g@qpp}

%%% half notes

\def\h@symbol{\def\q@u{\musixfont\@ight}}

\def\ha{\h@symbol\@qa}
\def\hu{\h@symbol\@qu}
\def\hup{\h@symbol\@qup}
\def\hupp{\h@symbol\@qupp}

\def\hl{\h@symbol\@ql}
\def\hlp{\h@symbol\@qlp}
\def\hlpp{\h@symbol\@qlpp}

\def\hb{\h@symbol\@qb}

\def\zh{\h@symbol\@zq}
\def\zhp{\h@symbol\@zqp}
\def\zhpp{\h@symbol\@zqpp}

\def\lh{\h@symbol\@lq}
\def\rh{\h@symbol\@rq}

\def\zhu{\advancefalse\hu}
\def\zhup{\advancefalse\hup}
\def\zhupp{\advancefalse\hupp}

\def\lhu{\h@symbol\@lqu}
\def\rhu{\h@symbol\@rqu}

\def\zhl{\advancefalse\hl}
\def\zhlp{\advancefalse\hlp}
\def\zhlpp{\advancefalse\hlpp}

\def\lhl{\h@symbol\@lql}
\def\rhl{\h@symbol\@rql}

\def\lhp#1{\loff{\zhp{#1}}}
\def\rhp#1{\roff{\zhp{#1}}}
\def\lhpp#1{\loff{\zhpp{#1}}}
\def\rhpp#1{\roff{\zhpp{#1}}}

%%% quarter notes, stem up

\def\q@symbol{\def\q@u{\musixfont\s@v@n}}

\def\qa{\q@symbol\@qa}

\def\qu{\q@symbol\@qu}
\def\qup{\q@symbol\@qup}
\def\qupp{\q@symbol\@qupp}

%%% quarter notes, stem down

\def\ql{\q@symbol\@ql}
\def\qlp{\q@symbol\@qlp}
\def\qlpp{\q@symbol\@qlpp}

%%% quarter notes, stem up, no advance

\def\zqu{\advancefalse\qu}
\def\zqup{\advancefalse\qup}
\def\zqupp{\advancefalse\qupp}

\def\lqu{\q@symbol\@lqu}
\def\rqu{\q@symbol\@rqu}

%%% quarter notes, stem down, no advance

\def\zql{\advancefalse\ql}
\def\zqlp{\advancefalse\qlp}
\def\zqlpp{\advancefalse\qlpp}

\def\lql{\q@symbol\@lql}
\def\rql{\q@symbol\@rql}

%%% quarter noteheads, no advance

\def\zq{\q@symbol\@zq}
\def\zqp{\q@symbol\@zqp}
\def\zqpp{\q@symbol\@zqpp}

\def\lqp#1{\loff{\zqp{#1}}}%
\def\lqpp#1{\loff{\zqpp{#1}}}%
\def\rqp#1{\roff{\zqp{#1}}}%
\def\rqpp#1{\roff{\zqpp{#1}}}%

\def\lq@{\q@symbol\@lq}
\def\rq@{\q@symbol\@rq}

%
% note heads without stems
\def\nh{\h@symbol\@nq}
\def\nq{\q@symbol\@nq}
\def\znh{\advancefalse\nh}
\def\znq{\advancefalse\nq}

%%% 8th, 16th, 32th, 64th, (128th) notes

\def\ca{\q@symbol\@ca}
\def\cca{\q@symbol\@cca}
\def\ccca{\q@symbol\@ccca}
\def\cccca{\q@symbol\@cccca}
\def\ccccca{\q@symbol\@ccccca}

\def\cu{\q@symbol\@cu}
\def\ccu{\q@symbol\@ccu}
\def\cccu{\q@symbol\@cccu}
\def\ccccu{\q@symbol\@ccccu}
\def\cccccu{\q@symbol\@cccccu}

\def\cup{\q@symbol\@cup}
\def\ccup{\q@symbol\@ccup}
\def\cupp{\q@symbol\@cupp}

\def\zcu{\advancefalse\cu}
\def\zccu{\advancefalse\ccu}
\def\zcccu{\advancefalse\cccu}
\def\zccccu{\advancefalse\ccccu}
\def\zcccccu{\advancefalse\cccccu}

\def\lcu#1{\kernm\qn@width\zcu{#1}\kern\qn@width}
\def\rcu#1{\kern\qn@width\zcu{#1}\kernm\qn@width}

\def\zcup{\advancefalse\cup}
\def\zccup{\advancefalse\ccup}
\def\zcupp{\advancefalse\cupp}

\def\cl{\q@symbol\@cl}
\def\ccl{\q@symbol\@ccl}
\def\cccl{\q@symbol\@cccl}
\def\ccccl{\q@symbol\@ccccl}
\def\cccccl{\q@symbol\@cccccl}

\def\clp{\q@symbol\@clp}
\def\cclp{\q@symbol\@cclp}
\def\clpp{\q@symbol\@clpp}

\def\zcl{\advancefalse\cl}
\def\zccl{\advancefalse\ccl}
\def\zcccl{\advancefalse\cccl}
\def\zccccl{\advancefalse\ccccl}
\def\zcccccl{\advancefalse\cccccl}

\def\zclp{\advancefalse\clp}
\def\zcclp{\advancefalse\cclp}
\def\zclpp{\advancefalse\clpp}

\def\lcl#1{\kernm\qn@width\zcl{#1}\kern\qn@width}
\def\rcl#1{\kern\qn@width\zcl{#1}\kernm\qn@width}

%%% beam notes

\def\qb{\q@symbol\@qb}
\def\qbp{\q@symbol\@qbp}
\def\qbpp{\q@symbol\@qbpp}

\def\zqb{\advancefalse\qb}
\def\zqbp{\advancefalse\qbp}
\def\zqbpp{\advancefalse\qbpp}

\def\tqh{\q@symbol\@tqh}
\def\tqu{\q@symbol\@tqh}  % T116  RDT
\def\tqb{\q@symbol\@tqb}
\def\tql{\q@symbol\@tqb}  % T116  RDT
\def\ztqh{\advancefalse\q@symbol\@tqh}
\def\ztqu{\advancefalse\q@symbol\@tqh}  % T116  RDT
\def\ztqb{\advancefalse\q@symbol\@tqb}
\def\ztql{\advancefalse\q@symbol\@tqb}  % T116  RDT

%%% grace notes

\def\grcu{\q@symbol\@grcu}
\def\grcl{\q@symbol\@grcl}

\def\@grcu{\n@vii\tw@lv@ \let\st@m\up@flag \g@q}
\def\@grcl{\n@vii\active \let\st@m\down@flag \g@q}

%%% starting beams

% \ibu{0<=numero<10}{altitude~note}{pente de -9 a +9}
% \ibl{0<=numero<10}{altitude~note}{pente de -9 a +9}

% \b@p slope (-9) - (9)
% \b@n number of pending beamlines (-4) - (4)

\def\test@beamnum{% [T115] new macro to make it independent from slur
  \ifnum\n@i<\z@ \n@i\@c \fi
  \ifnum\n@i<\maxinstruments \else
    \count@\maxinstruments \advance\count@\m@ne
    \errmessage{Wrong beam reference number \the\n@i! (valid: 0 to \the\count@)}
    \n@i\z@
  \fi
  \advance\n@i\@ne}%

\def\s@l@ctbeam#1\relax{%
  \n@i#1\relax\test@beamnum % [T115] make it independent from slur
  \edef\b@x{\csname b@x\romannumeral\n@i\endcsname}%
  \edef\b@z{\csname b@z\romannumeral\n@i\endcsname}%
  \edef\b@n{\csname b@n\romannumeral\n@i\endcsname}%
  \edef\b@p{\csname b@p\romannumeral\n@i\endcsname}}

\def\s@l@ctc{\edef\c@x{\csname c@x\romannumeral\n@i\endcsname}%
  \edef\c@z{\csname c@z\romannumeral\n@i\endcsname}}

\def\s@l@ctd{\edef\d@x{\csname d@x\romannumeral\n@i\endcsname}%
  \edef\d@z{\csname d@z\romannumeral\n@i\endcsname}\s@l@ctc}

\def\s@l@cte{\edef\e@x{\csname e@x\romannumeral\n@i\endcsname}%
  \edef\e@z{\csname e@z\romannumeral\n@i\endcsname}\s@l@ctd}

\def\s@l@ctf{\edef\f@x{\csname f@x\romannumeral\n@i\endcsname}%
  \edef\f@z{\csname f@z\romannumeral\n@i\endcsname}\s@l@cte}

\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}%
  \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf}

\def\ibu#1{\s@l@ctbeam#1\relax \i@bu}
\def\ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbu}
\def\ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbu}
\def\ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbu}
\def\ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbu}

\def\ibl#1{\s@l@ctbeam#1\relax \i@bl}
\def\ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbl}
\def\ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbl}
\def\ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbl}
\def\ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbl}

\def\i@bu#1#2{%\check@staff
  \ifnum\b@n=\z@ \else \C@tb\t@bbu\qn@width \fi \global\b@n\m@ne
  \inhgetn@i#1\relax \n@v#2 \C@ib+\global\advance\b@x\qd@skip}

\def\i@bl#1#2{%\check@staff
  \ifnum\b@n=\z@ \else \C@tb\t@bbl\lthick \fi \global\b@n\@ne
  \inhgetn@i#1\relax \n@v#2 \C@ib-}

\def\C@ib#1{\max@n@v\nin@\min@n@v{-\nin@}\global\b@p\n@v % clip slope number
    \getcurpos \global\b@x\y@v \b@z#14.333\interbeam \advance\b@z\altportee
    \pl@base \global\advance\b@z\y@i}

\def\C@ba#1#2{\global\advance#1#2\interbeam}

\def\i@bbu#1#2{\ifnum\b@n=\z@ \i@bu{#1}{#2}\C@ba\b@z\@ne \fi\n@bbu}
\def\i@bbl#1#2{\ifnum\b@n=\z@ \i@bl{#1}{#2}\C@ba\b@z\m@ne \fi\n@bbl}

\def\i@bbbu#1#2{\ifnum\b@n=\z@
  \i@bbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \fi\n@bbbu}
\def\i@bbbl#1#2{\ifnum\b@n=\z@
  \i@bbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \fi\n@bbbl}

\def\i@bbbbu#1#2{\ifnum\b@n=\z@
  \i@bbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \fi\n@bbbbu}
\def\i@bbbbl#1#2{\ifnum\b@n=\z@
  \i@bbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \fi\n@bbbbl}

\def\i@bbbbbu#1#2{\ifnum\b@n=\z@
  \i@bbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \C@ba\e@z\@ne \fi\n@bbbbbu}
\def\i@bbbbbl#1#2{\ifnum\b@n=\z@
  \i@bbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \C@ba\e@z\m@ne \fi\n@bbbbbl}

%%% changing beams

\def\Dec@b#1#2{\ifnum\b@n=#1#2\fi\ifnum\b@n=-#1#2\fi}

%!\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbu \fi \fi }
%!\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbl \fi \fi }

\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbu}
\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbl}

\def\nbbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu}
\def\nbbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl}

\def\nbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte
  \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu}
\def\nbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte
  \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl}

\def\nbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf
  \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu}
\def\nbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf
  \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl}

\def\n@bbu{\C@nb\c@z\c@x\@ne\qd@skip}
\def\n@bbl{\C@nb\c@z\c@x\@ne\z@}
\def\n@bbbu{\C@nb\d@z\d@x\tw@\qd@skip}
\def\n@bbbl{\C@nb\d@z\d@x\tw@\z@}
\def\n@bbbbu{\C@nb\e@z\e@x\thr@@\qd@skip}
\def\n@bbbbl{\C@nb\e@z\e@x\thr@@\z@}
\def\n@bbbbbu{\C@nb\f@z\f@x\f@ur\qd@skip}
\def\n@bbbbbl{\C@nb\f@z\f@x\f@ur\z@}

\def\C@nb#1#2#3#4{%
  \global#1\b@z
  \ifnum\b@n<\z@ \global\advance\b@n\m@ne \global\advance#1-#3\interbeam \fi
  \ifnum\b@n>\z@ \global\advance\b@n\@ne \C@ba#1#3\fi
 {\advance\locx@skip#4\getcurpos \global#2\y@v
  \advance\y@v-\b@x \comp@slope\y@v \global\advance#1\s@lope}}

%%% beam termination

\def\b@adjust{\ifdim\y@ii>\tw@\y@ \advance\y@\y@ \advance\n@vi\@ne \fi}

\def\@beam{% \y@ii : longueur, \b@p : pente, \y@i : altitude
  \ifnum\b@p=\z@
% slope zero
    \y@iii\y@i\y@iv\y@i
    \advance\y@iii-\b@amthick \advance\y@iv\b@amthick
    \vrule\@height\y@iv\@depth-\y@iii\@width\y@ii
  \else\n@vi\z@
% slope offset
    \ifnum\b@p>\z@ \n@vi\b@p \multiply\n@vi\si@ \advance\n@vi-\si@ \fi
    \ifnum\b@p<\z@ \n@vi-\b@p \multiply\n@vi\si@ \advance\n@vi58\fi
% find longest possible character to avoid patchwork
    \y@\tw@\p@
    \b@adjust \b@adjust \b@adjust \b@adjust \b@adjust
    \advance\n@vi\@cxxviii
    \chardef\b@alk\n@vi\musixfont
%
%    \curwidth=0pt \curheight=\y@i \curxpos=\completewidth
%    \loop\ifdim\curwidth<\completewidth
%      \advance\curxpos by -\beamwidth
%      \ifdim\curxpos<0pt
%         \comp@slope\curxpos
%         \advance\curheight by \s@lope \kern\curxpos \fi
%      \raise\curheight\hbox{\b@alk}%
%      \advance\curwidth by \beamwidth
%      \comp@slope\beamwidth
%      \advance\curheight by \s@lope
%    \repeat \fi
%
    \y@iv\z@ \y@iii\y@i \y@v\y@ii
    \loop\ifdim\y@iv<\y@ii
      \advance\y@v-\y@
      \ifdim\y@v<\z@ \comp@slope\y@v \advance\y@iii\s@lope \kern\y@v \fi
      \raise\y@iii\hbox{\b@alk}%
      \advance\y@iv\y@ \comp@slope\y@ \advance\y@iii\s@lope
    \repeat \fi}

\def\s@l@ctcde{\s@l@ctc \s@l@ctd \s@l@cte \s@l@ctf }

\def\tbu#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width }
\def\tbbu#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbu}
\def\tbbbu#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbu}
\def\tbbbbu#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbbu}
\def\tbbbbbu#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbbbu}

\def\tbl#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick }
\def\tbbl#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbl}
\def\tbbbl#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbl}
\def\tbbbbl#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbbl}
\def\tbbbbbl#1{\s@l@ctbeam#1\relax  \s@l@ctcde \t@bbbbbl}

\def\beam@pos#1{\getcurpos\y@ii\y@v\advance\y@ii-#1}

\def\C@tb#1#2{%
  \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi
  \ifcase\n@ii \or \or \s@l@ctc \or \s@l@ctd \or \s@l@cte \or \s@l@ctf \or \s@l@ctg\fi
  \ifnum\b@n<\m@ne #1\fi
  \ifnum\b@n>\@ne #1\fi
  \y@i\b@z \advance\y@i-\altportee \beam@pos\b@x
  \advance\y@ii#2\relax
  \check@staff
    \llap{\@beam\kernm#2}\relax
  \fi\global\b@n\z@}

\def\t@bbu{\n@v\tw@ \C@b\t@bbbu\n@bbu\y@i\c@z \beam@pos\c@x \t@xbu}
\def\t@bbl{\n@v\tw@ \C@b\t@bbbl\n@bbl\y@i\c@z \beam@pos\c@x \t@xbl}

\def\t@bbbu{\n@v\thr@@ \C@b\t@bbbbu\n@bbbu\y@i\d@z \beam@pos\d@x \t@xbu}
\def\t@bbbl{\n@v\thr@@ \C@b\t@bbbbl\n@bbbl\y@i\d@z \beam@pos\d@x \t@xbl}

\def\t@bbbbu{\n@v\f@ur \C@b\t@bbbbbu\n@bbbbu\y@i\e@z \beam@pos\e@x \t@xbu}
\def\t@bbbbl{\n@v\f@ur \C@b\t@bbbbbl\n@bbbbl\y@i\e@z \beam@pos\e@x \t@xbl}

\def\t@bbbbbu{\n@v\fiv@ \C@b\empty\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu}
\def\t@bbbbbl{\n@v\fiv@ \C@b\empty\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl}

\def\C@b#1#2{%
  \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi
  \ifnum\n@ii>\n@v #1\fi
  \loop
  \advance\n@v\m@ne
  \ifnum\n@ii=\n@v {\advance\locx@skip-\qn@width#2}\fi
  \ifnum\n@v>\@ne \repeat}

\def\t@xbu{\C@txb\qn@width\interbeam\b@amthick\qd@skip>}
\def\t@xbl{\C@txb\lthick\b@amthick\interbeam\hlthick<}

\def\C@txb#1#2#3#4#5{\advance\y@i-\altportee
  \advance\y@ii#1\relax
  \check@staff
    \llap{\@beam\kernm#1}%
  \ifnum\b@n#5\z@ \comp@slope\y@ii \advance\y@i\s@lope
    \raise\y@i\rlap{\kern#4\vrule\@height#3\@depth#2\@width\lthick}\relax
  \fi
  \fi
  \ifnum\b@n<\z@ \global\advance\b@n\@ne \fi
  \ifnum\b@n>\z@ \global\advance\b@n\m@ne \fi}

%%% semiautomatic beams

% adjustable beam slopes
% #1: beam number
% #2: starting pitch
% #3: ending pitch,
% #4: extension (number of \noteskip's)

\def\Ibu#1{\s@l@ctbeam#1\relax\I@bu\i@bu}
\def\Ibl#1{\s@l@ctbeam#1\relax\I@bl\i@bl}
\def\Ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bu\i@bbu}
\def\Ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bl\i@bbl}
\def\Ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bu\i@bbbu}
\def\Ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bl\i@bbbl}
\def\Ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbu}
\def\Ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbl}
\def\Ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbbu}
\def\Ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbbl}

% compute altitude difference of tried beam in \y@iv
% and compare with notes altitude difference

\def\@@chk{\y@iv.05\y@v \multiply\y@iv\n@viii}

\def\I@buuchk{\@@chk
  \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@buuchk \fi
  \ifnum\n@viii>\nin@ \advance\n@i\@ne \advance\n@ii\m@ne \I@buuchk \fi}

\def\I@bldchk{\@@chk
  \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@bldchk \fi
  \ifnum\n@viii<-\nin@ \advance\n@i\m@ne \advance\n@ii\@ne \I@bldchk \fi}

\def\I@budchk{\@@chk
  \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@budchk \fi}

\def\I@bluchk{\@@chk
  \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@bluchk \fi}

\def\I@bu{\let\@Ti\I@buuchk \let\@Tii\I@budchk \C@Ib}
\def\I@bl{\let\@Ti\I@bluchk \let\@Tii\I@bldchk \C@Ib}

\def\C@Ib#1#2#3#4{{\n@v#4\relax \min@n@v\@ne
  \inhgetn@i#3\relax\n@ii\n@i
  \inhgetn@i#2\relax\advance\n@ii-\n@i
  \y@v\noteskip \multiply\y@v\n@v
  \ifnum\n@ii=\z@ #1{#2}0%
  \else
    \ifnum\n@ii>\z@ \n@viii\t@n \@Ti\else\n@viii-\t@n \@Tii \fi
    \edef\I@boper{\noexpand#1{\the\n@i}{\the\n@viii}\relax}\I@boper
  \fi}}

% sets of double notes with computed slopes

\def\B@h{\let\B@ii\tqh}
\def\B@b{\let\B@ii\tqb}

\def\Dqbu{\let\B@i\Ibu \B@h\C@Dq}
\def\Dqbl{\let\B@i\Ibl \B@b\C@Dq}
\def\Dqbbu{\let\B@i\Ibbu \B@h\C@Dq}
\def\Dqbbl{\let\B@i\Ibbl \B@b\C@Dq}

\def\C@Dq#1#2{\B@i0{#1}{#2}1\qb0{#1}\B@ii0{#2}}

% sets of triple notes with computed slopes

\def\Tqbu{\let\B@i\Ibu \B@h\C@Tq}
\def\Tqbl{\let\B@i\Ibl \B@b\C@Tq}
\def\Tqbbu{\let\B@i\Ibbu \B@h\C@Tq}
\def\Tqbbl{\let\B@i\Ibbl \B@b\C@Tq}

\def\C@Tq#1#2#3{\B@i0{#1}{#3}2\qb0{#1#2}\B@ii0{#3}}

% sets of quadruple notes with computed slopes

\def\Qqbu{\let\B@i\Ibu \B@h\C@Qq}
\def\Qqbl{\let\B@i\Ibl \B@b\C@Qq}
\def\Qqbbu{\let\B@i\Ibbu \B@h\C@Qq}
\def\Qqbbl{\let\B@i\Ibbl \B@b\C@Qq}

\def\C@Qq#1#2#3#4{\B@i0{#1}{#4}3\qb0{#1#2#3}\B@ii0{#4}}

%%% duration points

\def\pt{\g@pt\@ne\z@}
\def\ppt{\g@pt\@ne\@ne}
\def\pppt{\g@pt\@ne\tw@}

\def\lpt{\g@pt\m@ne\z@}
\def\lppt{\g@pt\m@ne\@ne}
\def\lpppt{\g@pt\m@ne\tw@}

\def\g@pt#1#2#3{\check@staff
  \inhgetn@i#3\relax \relax % two \relax since the first one
  \ifnum\n@i<\@c                          % in swallowed by \inhgetn@i
    \ifodd\n@i \else\advance\n@i#1\fi
    \pl@base \raise\y@i\hbox{\musixchar#2}\fi\fi}

%%% rests

\def\wholeshift#1{\roffset{\p@ne25}{#1}}

\def\centerbar#1{\y@ii\lin@pos \advance\y@ii-\lastbarpos \advance\y@ii\cut@v
 \kern-\h@lf\y@ii\lrlap{#1}\kern\h@lf\y@ii}%

\def\centerPAUSe{\centerbar\PAUSe}
\def\centerPAuse{\centerbar\PAuse}
%\def\centerpause{\let\adv@box\hbox \centerbar\pause}
%\def\centerhpause{\let\adv@box\hbox \centerbar\hpause}
\def\centerpause{\centerbar\pause}
\def\centerhpause{\centerbar\hpause}

\def\C@ps#1#2#3{\n@viii#3\multiply\n@viii\tw@
  \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1}}
\def\C@pspt#1#2#3{\n@viii#3\multiply\n@viii\tw@
  \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1\relax
  \ifnum #1=\t@n\relax \raise 0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}%
  \else \raise -0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}%
  \fi}%
  }

\def\PAUSe{\adv@box{\musixchar59}}
\def\PAuse{\adv@box{\musixchar58}}

\def\pause{\check@staff
   \adv@box{\raise\si@\internote\hbox{\musixchar61}}\fi}
\def\pausep{%\check@staff
   \wholeshift{\pt5}\pause}
\def\liftpause{\C@ps\@l@v@n\si@}
\def\liftpausep{\C@pspt\@l@v@n\si@}

\def\hpause{\check@staff
   \adv@box{\raise\f@ur\internote\hbox{\musixchar60}}\fi}
\let\hp\hpause
\def\hpausep{%\check@staff
   \wholeshift{\pt5}\hpause}
\def\lifthpause{\C@ps\t@n\f@ur}
\def\lifthpausep{\C@pspt\t@n\f@ur}

\newdimen\lift@rest
\def\adv@restbox#1{\hbox{\lift@rest 5\internote
 \advance\lift@rest -2.5\fontdimen\fiv@\musixfont
 \raise\lift@rest\hbox\@to\noteskip{#1\hss}}\advance\locx@skip\noteskip}

\def\qp{\adv@restbox{\check@staff\musixchar62\fi}}
\let\soupir\qp

\def\ds@oup{\adv@restbox{\check@staff\musixchar63\fi}}
\def\qs{\adv@restbox{\check@staff\musixchar64\fi}}
\def\hs{\adv@restbox{\check@staff\musixchar65\fi}}
\def\qqs{\adv@restbox{\check@staff\musixchar66\fi}}

% pointed rests  T116  RDT
\def\qpp{\adv@restbox{\check@staff\pt5\musixchar62\fi}}
\def\dsp{\adv@restbox{\check@staff\pt5\musixchar63\fi}}
\def\qsp{\adv@restbox{\check@staff\pt5\musixchar64\fi}}
\def\hsp{\adv@restbox{\check@staff\pt5\musixchar65\fi}}
\def\qqsp{\adv@restbox{\check@staff\pt5\musixchar66\fi}}

\let\hpp\hpausep

%%% accidentals

\newskip\accshift

\def\bigaccid{\let\small@test\iftrue}
\def\smallaccid{\let\small@test\iffalse}
\def\varaccid{\def\small@test{\ifdim\noteskip>1\p@seven\qn@width}}

\varaccid % accidents de taille variable

\def\na#1{\small@test\bigna{#1}\else\smallna{#1}\fi}
\def\fl#1{\small@test\bigfl{#1}\else\smallfl{#1}\fi}
\def\sh#1{\small@test\bigsh{#1}\else\smallsh{#1}\fi}
\def\dfl#1{\small@test\bigdfl{#1}\else\smalldfl{#1}\fi}
\def\dsh#1{\small@test\bigdsh{#1}\else\smalldsh{#1}\fi}

% n@vi char pos of cautionpar (normal=5, doubleflat=6)
% n@v  offset to char pos (flat=0, dflat=1, sharp=2, dsharp=3, natural=4)
% n@vi offset to char pos (big=0, small=60)
% n@vii =maxdimen -> cautionacctrue

\def\writ@ba{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}}
\def\set@ba{\let\@Ti\writ@ba \n@vi\z@}

\def\bigna{\set@ba  \let\@Tii\@Na  \n@v\f@ur \C@acc}
\def\bigfl{\set@ba  \let\@Tii\@Fl  \n@v\z@   \C@acc}
\def\bigsh{\set@ba  \let\@Tii\@Sh  \n@v\tw@  \C@acc}
\def\bigdfl{\set@ba \let\@Tii\@dFl \n@v\@ne  \C@acc}
\def\bigdsh{\set@ba \let\@Tii\@dSh \n@v\thr@@ \C@acc}

\def\@sa{\ifnum\n@vii=\maxdimen \C@ChaR \musixchar\n@v \kern.3\qn@width
  \else \musixchar\n@v \fi \n@vii\z@}

\def\smallna{\set@sa  \let\@Tii\@Na  \n@v\f@ur \C@acc}
\def\smallfl{\set@sa  \let\@Tii\@Fl  \n@v\z@   \C@acc}
\def\smallsh{\set@sa  \let\@Tii\@Sh  \n@v\tw@  \C@acc}
\def\smalldfl{\set@sa \n@iv\si@ \let\@Tii\@dFl \n@v\@ne  \C@acc}
\def\smalldsh{\set@sa \let\@Tii\@dSh \n@v\thr@@ \C@acc}

\def\cna{\set@ca  \let\@Tii\@Na  \n@v\f@ur \C@acc} % T116 HM
\def\cfl{\set@ca  \let\@Tii\@Fl  \n@v\z@   \C@acc}
\def\csh{\set@ca  \let\@Tii\@Sh  \n@v\tw@  \C@acc}
\def\cdfl{\set@ca \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc}
\def\cdsh{\set@ca \let\@Tii\@dSh \n@v\thr@@ \C@acc}
%
\def\writ@sa{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}}
\def\set@sa{\let\@Ti\writ@sa \n@iv\fiv@ \n@vi\@xl }       
\def\writ@ca{\pl@base\raise\y@i\llap{\C@ChaR \musixchar\n@v\kern.3\qn@width\kern\accshift}}
\def\set@ca{\let\@Ti\writ@ca \n@iv\fiv@ \n@vi\@xl }

\def\writ@ua{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@sa}}
\def\set@upper{\let\@Ti\writ@ua \n@iv\fiv@ \n@vi\@xl }

\def\upperna{\set@upper  \let\@Tii\@Na  \n@v\f@ur \C@acc}
\def\upperfl{\set@upper  \let\@Tii\@Fl  \n@v\z@   \C@acc}
\def\uppersh{\set@upper  \let\@Tii\@Sh  \n@v\tw@  \C@acc}

\def\@Na{\ifcase\n@ii \n@v\tw@ \or \n@v\f@ur \or \n@v\z@ \fi}
\def\@Fl{\ifcase\n@ii \n@v\f@ur \or \n@v\z@ \or \n@v\@ne \fi}
\def\@Sh{\ifcase\n@ii \n@v\thr@@ \or \n@v\tw@ \or \n@v\f@ur \fi}
\def\@dFl{\ifcase\n@ii \n@v\z@ \or \n@v\@ne \or
  \message{\@nod flatten \noexpand\dfl \t@ruc}\let\@Ti\empty \fi}
\def\@dSh{\ifcase\n@ii
  \message{\@nod sharpen \noexpand\dsh \t@ruc}\let\@Ti\empty
  \or \n@v\thr@@ \or \n@v\tw@ \fi}

\def\C@acc#1{%
  \check@staff
  \inhgetn@i#1\relax
  \ifx\rel@sw\@ne
    \s@l@ctsigns \n@iii\n@i
    \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref
    \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat
    \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat
    \ifcase\n@iii
    \n@ii\si@      % mi
    \or\n@ii\@ne   % fa
    \or\n@ii\thr@@ % sol
    \or\n@ii\fiv@  % la
    \or\n@ii\s@v@n % si
    \or\n@ii\tw@   % do
    \or\n@ii\f@ur  % re
    \fi
% \n@ii positive signature limit, \n@ii-8 negative signature limit
    \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n
    \@Tii
  \fi \advance\n@v\@l \advance\n@v\n@vi \expandafter\@Ti % [T115] (Hiroaki)
  \fi}

\def\@nod{Can't double }

\def\relativeaccid{\let\rel@sw\@ne }
\def\absoluteaccid{\let\rel@sw\empty }
\absoluteaccid

\def\lna#1{\loffset\smallvalue{\na{#1}}}
\def\lfl#1{\loffset\smallvalue{\fl{#1}}}
\def\lsh#1{\loffset\smallvalue{\sh{#1}}}
\def\ldfl#1{\loffset\smallvalue{\dfl{#1}}}
\def\ldsh#1{\loffset\smallvalue{\dsh{#1}}}

%%% special metersigns

\def\allabreve{\raise4\internote\hbox{\keychar82}}          %-> 2/2
\def\reverseallabreve{\raise4\internote\hbox{\keychar123}}
\def\meterC{\raise4\internote\hbox{\musickeyfont\@lxxxiii}} %-> 4/4
\def\reverseC{\raise4\internote\hbox{\keychar84}}           %-> 4/2
\def\meterplus{{\keychar57}}

%%% arpeggio

\def\arpeggio#1#2{\zcharnote{#1}{%
  \uplap{\leaders\hbox{\musixchar70}\vskip#2\Interligne}}}
\def\larpeggio#1#2{\loffset\smallvalue{\arpeggio{#1}{#2}}}

%%% ornaments, special signs

\def\@Char#1{\zcharnote{#1}\C@ChaR}

\def\backturn{\n@iv67\@Char}
\def\turn{\n@iv68\@Char}
\def\duevolte{{\keychar78}}
\def\caesura{\llap{\musixchar79\kern\h@lf\noteskip}}
\def\coda{\n@iv85\C@coda}
\def\Coda{\n@iv105\C@coda}
\def\C@coda#1{\llap{\@Char{#1}\kern\afterruleskip}}
\def\segno{\n@iv86\@Char}
\def\Segno{{\keychar110}}
\def\shake{\n@iv87\@Char}
\def\Shake{\n@iv88\@Char}
\def\Shakel{\n@iv106\@Char}
\def\Shakenw{\n@iv107\@Char}
\def\Shakesw{\n@iv108\@Char}
\def\Shakene{\n@iv109\@Char}
\def\mordent{\n@iv89\@Char}
\def\Mordent{\n@iv119\@Char}
\def\doublethumb{\n@iv121\@Char}

%%% accents

\def\upbow{{\musixfont\@xxiii}}
\def\downbow{{\musixchar22}}

\def\flageolett{\n@iv120\uacc@Char}
\def\usfz{\n@iv\tw@nty \uacc@Char}
\def\lsfz{\n@iv21\lacc@Char}
\def\dsfz{\lsfz}
\def\upz{\n@iv\@xxiv \uacc@Char}
\def\lpz{\n@iv\@xxv \lacc@Char}
\def\dpz{\lpz}
\def\ust{\n@iv\@xxvi \uacc@Char}
\def\lst{\n@iv\@xxvii \lacc@Char}
\def\dst{\lst}
\def\uppz{\n@iv28\uacc@Char}
\def\lppz{\n@iv\@xxix \lacc@Char}
\def\dppz{\lppz}
\def\usf{\n@iv30\uacc@Char}
\def\lsf{\n@iv31\lacc@Char}
\def\dsf{\lsf}
\def\upzst{\n@iv18\uacc@Char}
\def\lpzst{\n@iv19\lacc@Char}
\def\dpzst{\lpzst}

\def\uacc@Char#1{\check@staff
  \inhgetn@i#1\relax \relax
  \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi
  \zchar\n@i\C@ChaR
  \fi}

\def\lacc@Char#1{\check@staff
  \inhgetn@i#1\relax \relax
  \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi
  \zchar\n@i\C@ChaR
  \fi}

\def\C@ChaR{\musixfont\char\n@iv}

 %%% accents on beams (correction proposed by Klaus Bechert)

\def\acc@ubalk{\acc@balk>\@ne}
\def\acc@lbalk{\acc@balk<\m@ne}
\def\acc@balk#1#2#3{\s@l@ctbeam#3\relax \getcurpos \advance\y@v\txt@ff
  \advance\y@v-\b@x \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z
  \ifnum\b@n#1#2\relax \advance\y@ii\b@n\interbeam
  \advance\y@ii-#2\interbeam \fi
  \advance\y@ii-\altportee \raise\y@ii\rlap\balk@accent}
\let\balk@accent\C@ChaR

%\def\bflageolett{\n@iv120\acc@ubalk}
\def\busfz{\n@iv\tw@nty \acc@ubalk}
\def\blsfz{\n@iv21\acc@lbalk}
%\def\bdownbow{\n@iv22\acc@ubalk}
%\def\bupbow{\n@iv\@xxiii \acc@lbalk}
\def\bupz{\n@iv\@xxiv \acc@ubalk}
\def\blpz{\n@iv\@xxv \acc@lbalk}
\def\bust{\n@iv\@xxvi \acc@ubalk}
\def\blst{\n@iv\@xxvii \acc@lbalk}
\def\buppz{\n@iv28\acc@ubalk}
\def\blppz{\n@iv\@xxix \acc@lbalk}
\def\busf{\n@iv30\acc@ubalk}
\def\blsf{\n@iv31\acc@lbalk}
%\def\bupzst{\n@iv18\acc@ubalk}
%\def\blpzst{\n@iv19\acc@lbalk}

% The next macros puts triplets (and others def'd with \txt) on beams

\def\butext#1{\txt@ff\qn@width
  \def\balk@accent{\uplap{\lrlap{\kern\tw@\txt@ff\txtfont\txt}\kern\internote}}%
  \acc@ubalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR}

\def\bltext#1{\txt@ff\z@
  \def\balk@accent{\vbox\@to\z@{\kern\internote\txtfont\lrlap\txt\vss}}%
  \acc@lbalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR}

%%% end of accents on beams (correction proposed by Klaus Bechert)

%%% crescendo, decrescendo

% These macros puts variable size (de)crescendo marks.
% \(de)crescendo{#1} #1=length (any TeX dimension, max 192pt(\simeq 68mm))

\def\C@cresc#1{\y@iv#1\n@v\y@iv
  \sp@pt\@ne \advance\n@v\thr@@ % sp->pt  round up
  \divide\n@v\si@               % the next is 6pt(notehead) wider
  \max@n@v\@xxxii
  \min@n@v\@ne                  % clip to extremities
  \advance\n@v\n@ii             % first character position (-1)
  \mxsps\char\n@v}

\def\crescendo{\n@ii\@lxxxiii \C@cresc}
\def\decrescendo{\n@ii\@cxv \C@cresc}

\newskip\@icresc
\def\icresc{\getcurpos\global\@icresc\y@v }
\def\tcresc{\n@ii\@lxxxiii \C@cre}
\def\tdecresc{\n@ii\@cxv \C@cre}
\def\C@cre{\getcurpos\advance\y@v-\@icresc \kernm\y@v\C@cresc\y@v\kern\y@v}

%%% pedal signs

\def\raiseped{-5}

\def\sPed{\musixchar34}
\def\sPED{\zchar\raiseped\sPed}
\def\Ped{\musixchar35}
\def\PED{\zchar\raiseped\Ped}
\def\Dep{\musixchar33}
\def\DEP{\zchar\raiseped\Dep}
\def\sDep{\musixchar104}
\def\sDEP{\zchar\raiseped\sDep}

%%% fermata

\def\fermataup{\n@iv80\@Char}
\def\fermatadown{\n@iv81\@Char}
% center on whole note
\def\Fermataup#1{\wholeshift{\fermataup{#1}}}
\def\Fermatadown#1{\wholeshift{\fermatadown{#1}}}

%%% trills

\def\trilleX{\let\T@i\empty \C@trille}
\let\trille\trilleX
\def\TrilleX{\def\T@i{\it tr }\C@trille}
\let\Trille\TrilleX
\def\C@trille#1#2{\zcharnote{#1}{\y@v#2\noteskip \trill@}}

\let\maxtrilles\si@ 
% \maxtrilles and \@itrille[i] are only for obsolete Legacy \trillC 
% and \TrillC; not related with new register allocation code.  Leave 
% it as-is. [T115]

\newskip\@itrillei
\newskip\@itrilleii
\newskip\@itrilleiii
\newskip\@itrilleiv
\newskip\@itrillev
\newskip\@itrillevi

 %\def\s@l@cttrille#1\relax{%
 %  \n@i#1\relax  \ifnum\n@i<\z@ \n@i\@c \fi
 %  \ifnum\n@i<\maxtrilles \else
 %    \n@i\z@ \errmessage{Wrong trill number!}\fi
 %  \advance\n@i\@ne
 %  \edef\@itrille{\csname @itrille\roman@n@i}%  dimen (altportee)
 %  }% select trill


\def\itrille{\itrill@old{0}}
\def\ttrille{\ttrill@old{0}}
\def\tTrille{\tTrill@old{0}}

\def\itrill@old#1{\s@l@cttrill#1\relax
  \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi
  \getcurpos\global\tr@y\y@v}
\def\ttrill@old#1{\s@l@cttrill#1\relax
  \message{\noexpand\tr@x=\the\tr@x, No. #1}%
  \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi
  \let\T@i\empty \C@tri}
\def\tTrill@old#1{\s@l@cttrill#1\relax
  \message{\noexpand\tr@x=\the\tr@x, No. #1}%
  \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi
  \def\T@i{\it tr }\C@tri}

\def\C@tri#1{\getcurpos\advance\y@v-\tr@y \kernm\y@v
  \zcharnote{#1}\trill@\kern\y@v\let\T@i\empty\let\@itrille\undefined}
\def\trill@{\hbox\@to\y@v{\T@i\leaders\hbox{\musixchar69}\hfill}}

%%%%%%

% \let\maxtrills\si@ % here disabled to avoid conflict with new register allocation code
% [T115] moved out to the new register allocation code
%  \newskip\tr@xi \tr@xi\maxdimen\relax % starting horizontal pos
%  \newtoks\tr@swi % heading of trill
%  \newskip\tr@yi % height of trill

\newcount\tr@number

\def\tr@loop{\tr@number\z@ \loop\ifnum\tr@number<\maxtrills
  \s@l@cttrill\tr@number\relax
  \advance\tr@number\@ne }

\def\s@l@cttrill#1\relax{%
  \n@i#1\relax  \ifnum\n@i<\z@ \n@i\@c \fi
  \ifnum\n@i<\maxtrills \else
    \count@\maxtrills \advance\count@\m@ne
    \errmessage{Wrong trill reference number \the\n@i! (valid: 0 to \the\count@)}% [T115]
    \n@i\z@ % [T115]
  \fi
  \advance\n@i\@ne
  \xdef\tr@x{\csname tr@x\roman@n@i}%
  \xdef\tr@y{\csname tr@y\roman@n@i}%
  \xdef\tr@sw{\csname tr@sw\roman@n@i}%
  }% select octiaviation line

%\newskip\tr@x \tr@x\maxdimen\relax % starting horizontal pos
%\newskip\tr@y % height of trill

\def\Itrille#1{\s@l@cttrill#1\relax
  \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi
  \global\tr@sw={\relax}%
  \C@T}
\def\ITrille#1{\s@l@cttrill#1\relax
  \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi
  \global\tr@sw={{\it tr }}%
  \C@T}

\def\C@T#1{%
  \getcurpos\global\tr@x\y@v % store horizontal pos
  \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height
  \global\tr@y\y@i }

\def\Ttrille#1{\s@l@cttrill#1\relax
  \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi
  \advance\tr@y-\altportee \let\T@ii\char \C@TR \global\tr@x\maxdimen }
 \let\TTrille\Ttrille

\def\C@TR{%
  \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi
  \advance\y@v-\tr@x \kernm\y@v \raise\tr@y\hbox\@to\y@v{%
%  \the\tr@sw\xleaders\hbox{\musixchar69}\hfill\T@ii\n@ii}}%
% Correction by Julian Gilbey
  \the\tr@sw\xleaders\hbox{\musixchar69}\hfill}}%

%%% octave lines

\def\octnumberup{\octnumberdefault\vrule width 0pt height2ex}
\def\octnumberdefault{\ppffsixteen8}
\def\octnumberdown{\octnumberdefault$^a$\txtfont\kern 0.3em bassa\vrule width 0pt depth \Internote}

\def\octfinup{\check@staff
  \n@v\@xxiii\n@ii\@xxiv\global\o@swz={\@ne}\fi
  \C@of}
\def\octfindown{\check@staff
  \n@v\@xxv \n@ii\@xxvi\global\o@swz={\z@}\fi
  \C@of}
\def\C@of#1#2{\check@staff
  \y@v#2\noteskip\zcharnote{#1}{\hbox\@to\y@v{%
  \xdef\o@sw{\csname o@swz\endcsname}\relax
  \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\char\n@ii}}%
  \fi}

%%%%%%
% selecting \octnumber??? according to \o@sw
\def\octnumber{%     \show\o@sw
 \setbox\w@rkbox\hbox{%
 \ifnum \@ne=\the\o@sw\relax \octnumberup
 \else \octnumberdown
 \fi}%
 \ifdim \wd\w@rkbox>\y@v\setbox\w@rkbox\hbox{\octnumberdefault}\fi
 \box\w@rkbox
}	
  

%%%%%%

% \let\maxoctlines\si@ % here disabled to avoid conflict with new register allocation code, except for \o@swz
% [T115] moved out to the new register allocation code
%  \newskip\o@xi \o@xi\maxdimen\relax % starting horizontal pos
%  \newskip\o@yi % height of octline
\newtoks\o@swz % sense of octline for \octfin[up][down] without number
%  \newtoks\o@swz % sense of octline for \octfin[up][down] without number

\newcount\o@number

\def\o@loop{\o@number\z@ \loop\ifnum\o@number<\maxoctlines
  \s@l@ctoctline\o@number\relax
  \advance\o@number\@ne }

\def\s@l@ctoctline#1\relax{%
  \n@i#1\relax  \ifnum\n@i<\z@ \n@i\@c \fi
  \ifnum\n@i<\maxoctlines \else
    \count@\maxoctlines \advance\count@\m@ne
    \errmessage{Wrong octaviation line reference number \the\n@i! (valid: 0 to \the\count@)}% [T115]
    \n@i\z@% [T115]
  \fi
  \advance\n@i\@ne
  \xdef\o@x{\csname o@x\roman@n@i}%
  \xdef\o@y{\csname o@y\roman@n@i}%
  \xdef\o@sw{\csname o@sw\roman@n@i}%
  }% select octiaviation line

%\newskip\o@x \o@x\maxdimen\relax % starting horizontal pos
%\newskip\o@y % height of octline

\def\ioctfinup{\Ioctfinup0}
\def\ioctfindown{\Ioctfindown0}
\def\Ioctfinup#1{\check@staff
  \s@l@ctoctline#1\relax
  \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi
  \global\o@sw={\@ne}\fi
  \C@O}
\def\Ioctfindown#1{\check@staff
  \s@l@ctoctline#1\relax
  \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi
  \global\o@sw={\z@}\fi
  \C@O}

\def\C@O#1{\check@staff
  \getcurpos\global\o@x\y@v % store horizontal pos
  \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height
  \global\o@y\y@i
  \fi}  % clise check@staff in Ioctfinup/down

\def\toctfin{\Toctfin0}
\def\Toctfin#1{\check@staff
  \s@l@ctoctline#1\relax
  \advance\o@y-\altportee \let\T@ii\char \C@TO \global\o@x\maxdimen
  \fi}

\def\C@TO{\check@staff
  \ifnum \@ne=\the\o@sw
    \n@v\@xxiii \n@ii\@xxiv \else \n@v\@xxv \n@ii\@xxvi \fi
  \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi
  \advance\y@v-\o@x \kernm\y@v \raise\o@y\hbox\@to\y@v{%
  \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\T@ii\n@ii}\relax
  \fi}%

% Liftoctline #1 refnumber #2 lift[steps of internote]

\def\Liftoctline#1#2{\n@i#1\advance\n@i\@ne
 \advance\csname o@y\roman@n@i#2\internote}

%%% some specials

\def\metron#1#2{{\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2}}
\def\metronequiv#1#2{{\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2 1}}


\def\txtfont{\eightit}  % T116 RDT
\def\txt{3}
\def\xtuplet#1#2{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip
  \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}%
  \zcharnote{#2}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont#1\/\/}}}  
\def\triolet{\xtuplet3}

%
%   Following definitions based on tuplet.tex - conventional tuplet brackets for MusiXTeX.
%   Col. G. L. Sicherman.  Last revised 2003-05-17.
%
%   Added to musixtex.tex T116 by RDT.
%
%   Standard MusiXTeX uses \uptrio and \downtrio to print tuplet brackets.
%   We define \uptuplet and \downtuplet, with the same arguments:
%
%       #1 : starting pitch
%       #2 : width of bracket, in (\noteskip)s
%       #3 : slope of bracket, in multiples of 1-1/8 degrees
%
%   The user defines the text to appear in the opening as \tuplettxt.
%   This is to avoid conflicting with the \txt in standard MusiXTeX.
%
%   Examples:
%
%       Draw a triplet bracket over the notes, starting at pitch "p",
%       1.25\noteskip wide, with a slope up of 3-3/8 degrees:
%
%           \uptuplet p{1.25}3
%
%       Draw a sextuplet bracket under the notes, starting at pitch "a",
%       2.5\noteskip wide, with a slope down of 4-1/2 degrees:
%
%           \def\tuplettxt{6\/\/}
%           \downtuplet{a}{2.5}{-4}
%
%   Send comments, complaints, and bouquets to the Colonel at
%   <colonel@monmouth.com>.
%

% Standard MusiXTeX prints a small "3" (or other number) within
% the bracket.  Here we print the "3" in an opening in the bracket,
% so we need not use a small font.
%
% The double italic correction compensates for centering the number
% on the bracket line.

\def\tuplettxt{3\/\/}

%%% The rest is adapted from standard MusixTeX.

\newdimen\y@vii		% x of right end of left part of bracket.
\newdimen\y@viii	% x of left end of right part of bracket.
\newdimen\y@ix
\newbox\tuptxtb@x

% v@rline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree)
% (comments and ideas from Ian Collier)              (from -20 upto 20 )
% This macro is used by some of the others which follow,
% using it directly it must be set in zero box

\def\v@rline#1#2#3{\n@v#3\y@i#2%
  \setbox\tuptxtb@x\hbox{\hskip1pt\txtfont\tuplettxt\hskip1pt}%
  \y@vii=\h@lf\y@i\advance\y@vii-\h@lf\wd\tuptxtb@x%
  \n@ii-\tw@nty \min@n@v\n@ii
  \max@n@v\tw@nty \n@iii\n@v
  \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars
  \advance\n@v\@xxix
  \setbox\ch@box\hbox{\mxsps\char\n@v}%
  \ifdim\y@vii<\wd\ch@box \y@vii\wd\ch@box\fi% At least one whole segment!
  \y@viii=\y@i\advance\y@viii-\y@vii%
  \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@
  \raise#1\internote\hbox{\mxsps\char\n@iv
%
% Build bracket with slanted line segments of width 10pt.
% Left part of bracket:
%
    \loop\ifdim\y@iv<\y@vii\raise\y@iii\copy\ch@box
    \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat
%
% last element
%
%  \finalheight=2.5\completewidth
%  \finalheight=\n@iii\finalheight
%  \divide\finalheight by 100
%  \advance\overlapwidth by -\completewidth
%  \stepheight=-2.5\overlapwidth
%  \stepheight=\n@iii\stepheight
%  \divide\stepheight by 100
%  \advance\curheight by \stepheight
%  \kern -\overlapwidth \raise\curheight \box\ch@box
%
  \y@ix=\y@vii\advance\y@ix-\y@iv\hbox to\y@ix{\hss}%
  \y@ix\y@vii\advance\y@ix-\wd\ch@box%
  \y@iii\n@iii\y@ix\y@iii2\h@lf\y@iii\divide\y@iii\@c\raise\y@iii\copy\ch@box%
%
% Text:
%
  \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c%
  \y@ix=-\y@vii \advance\y@ix\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x%
  \hbox to\y@ix{\hss}%
  \y@iii\h@lf\y@v \raise\y@iii\vbox to\z@{%
  \vss{\copy\tuptxtb@x}\vss}
  \y@ix=\y@viii \advance\y@ix-\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x
  \hbox to\y@ix{\hss}% To start of right part. No-op unless bracket is short.
%
% Right part of bracket:
%
  \y@iii2\h@lf\y@viii \y@iii\n@iii\y@iii \divide\y@iii\@c%
  \y@iv=\y@viii \advance\y@iv\wd\ch@box%
  \loop\ifdim\y@iv<\y@i\raise\y@iii\copy\ch@box%
  \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat
%
% Finish off the right part:
%
  \y@iii\y@i\advance\y@iii-\wd\ch@box\y@iii2\h@lf\y@iii\y@iii\n@iii\y@iii%
  \y@ix=\y@i\advance\y@ix-\y@iv\hbox to\y@ix{\hss}%
  \divide\y@iii\@c%
  \raise\y@iii\copy\ch@box%
%
  \raise\y@v\hbox{\mxsps\char\n@iv}}}
%
% y@i   =complete length
% y@ii  =height of linechar
% y@iii =current height
% y@iv  =current width
% y@v   =height of ending line
% y@vii =width of left segment of bracket
% y@viii=y@vii + width of opening
% y@ix  =adjustment register
%
% n@iii=slope
% n@iv =(number of char for hooks)
% n@v  =slope (number of linechar)

\def\X@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width
  \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\v@rline\n@i\y@v{#3}}}

\def\uptuplet{\n@iv22\X@bkt}
\def\downtuplet{\n@iv21\X@bkt}

%\check

\def\zbreath{\check@staff\raise\si@\internote\rlap{\BIGfont'}\fi}
\def\cbreath{\check@staff\adv@box{\raise\si@\internote
   \hbox\@to\noteskip{\hss\BIGfont'\hss}}\fi}

% The following macros can be used to surround a note by parentheses
% \l[r]par p produces a left[right] parenthesis at pitch p (Ian Collier)

\def\lpar{\n@iv\thr@@ \@Char}
\def\rpar{\n@iv\f@ur \@Char}

% \bracket pn draws a square bracket [ to bracket an interval
% of an n-th whose lowest note is p (Ian Collier)

\def\bracket#1#2{\y@iv#2\internote \advance\y@iv\tw@\internote
  \inhgetn@i#1\relax\pl@base \advance\y@i-1\h@lf\internote
  \raise\y@i\llap{\uplap{\offinterlineskip\hbox{\mxsps\@xxvii}%
  \hbox{\vrule\@height\y@iv}\hbox{\mxsps\@xxvii}}}}

%%% dynamics

\def\f@kern{\kernm\p@ne ex}
\def\p@kern{\kernm\p@ne5ex}

\def\f{{\ppff f}}
\def\ff{{\ppff f\f@kern f}}
\def\fp{{\ppff f\f@kern p}}
\def\sF{{\it s\ppff \p@kern f}}
\def\fff{{\ppff f\f@kern f\f@kern f}}
\def\ffff{{\ppff f\f@kern f\f@kern f\f@kern f}}
\def\mf{{\ppff m\p@kern\f@kern f}}
\def\mp@{{\ppff m\p@kern p}}
\let\mezzopiano\mp@
\def\p{{\ppff p}}
\def\pp{{\ppff p\p@kern p}}
\def\ppp{{\ppff p\p@kern p\p@kern p}}
\def\pppp{{\ppff p\p@kern p\p@kern p\p@kern p}}
\def\sfz{{\ppff s\p@kern f\f@kern z}}              % T116
\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}}    % T116

%%% spacings

% if you want to reduce the space behind e.g. \changecontext, use
% \addspace{dim} ! Only scaleable values are allowed !

\def\addspace#1{\kern#1\global\advance\x@skip#1}

% \hardspace inserts (reduces) outside of \notes..\en unscaleable space

\let\fil@spc\empty
\def\hardspace#1{\check@nopen\t@rmskip\y@v#1\addspace\y@v\fil@spc}

\def\off#1{\advance\locx@skip#1\kern#1}
\def\sk{\off\noteskip}
\def\hsk{\off{\h@lf\noteskip}}
\def\bsk{\off{-\noteskip}}

%%
%   Redefine \qsk to be scaleable softwidth rather than a fixed kern
%   Otherwise, over/underfull boxes will occur on rescaled (pass 2) material
%%

\def\qqsk{\off{\qu@rt\@l@mskip}}  % T116  RDT
\def\hqsk{\off{\h@lf\@l@mskip}}
\def\qsk{\off\@l@mskip}

\def\nspace{\hardspace{\h@lf\qn@width}}
\def\qspace{\hardspace\qn@width}

%%% notes spacing

\def\arithmeticskipscale{%
  \def\znotes{\vnotes0\elemskip}
  \def\notes{\vnotes2\elemskip}%       16th
  \def\notesp{\vnotes2\h@lf\elemskip}% 16th point=8 trio
  \def\Notes{\vnotes3\elemskip}%       8th
  \def\Notesp{\vnotes3\h@lf\elemskip}% 8th point=4 trio
  \def\NOtes{\vnotes4\elemskip}%       4th
  \def\NOtesp{\vnotes4\h@lf\elemskip}% 4th point
  \def\NOTes{\vnotes5\elemskip}%       2th
  \def\NOTesp{\vnotes5\h@lf\elemskip}% 2th point
  \def\NOTEs{\vnotes6\elemskip}%       1th
  \def\NOTEsp{\undefined}%
  \def\NOTES{\undefined}%
}%

\def\geometricskipscale{%
  \def\znotes{\vnotes0\elemskip}
  \def\notes{\vnotes2\elemskip}%       16th
  \def\notesp{\vnotes2.38\elemskip}% 16th point=8 trio
  \def\Notes{\vnotes2.83\elemskip}%       8th
  \def\Notesp{\vnotes3.36\elemskip}% 8th point=4 trio
  \def\NOtes{\vnotes4\elemskip}%       4th
  \def\NOtesp{\vnotes4.76\elemskip}% 4th point
  \def\NOTes{\vnotes5.66\elemskip}%       2th
  \def\NOTesp{\vnotes6.72\elemskip}% 2th point
  \def\NOTEs{\vnotes8\elemskip}%       1th
  \def\NOTEsp{\vnotes9.52\elemskip}%       1th
  \def\NOTES{\vnotes11.32\elemskip}%       1th
}%

\def\nnotes{\notes\multnoteskip\smallvalue}    % T116  RDT
\def\nnnotes{\notes\multnoteskip\tinyvalue}    % T116  RDT

\arithmeticskipscale

\def\scale#1{\def\scalenoteskip{#1}}
\let\scalenoteskip\normalvalue

\def\multnoteskip#1{\noteskip#1\noteskip}

\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \@vnotes}

\let\V@sw\z@
%\def\varnotes#1{\t@rmskip \let\V@sw\@ne
%  \setbox\ch@box\hbox{#1}\noteskip\wd\ch@box \@vnotes}

\def\hardnotes#1\notes{\t@rmskip \let\V@sw\@ne
  \noteskip#1\relax \@vnotes}

\let\thelyrics\empty
%\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne \def\thelyrics{\hbox{#1}}%
%  \setbox\ch@box\thelyrics \noteskip\wd\ch@box \@vnotes}
\def\softlyrics#1{\def\thelyrics{\hbox{#1}}}%
\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne
  \let\save@noteskip\noteskip
  \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip
     in \noexpand\hardlyrics's 1st argument!}}%
  \def\thelyrics{\hbox{#1}}%
  \setbox\ch@box\thelyrics \let\noteskip\save@noteskip
  \noteskip\wd\ch@box \@vnotes}


\def\@vnotes{\multnoteskip\scalenoteskip
  \def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose
  \check@nopen\notes@open\@ne
  \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip
  \n@skip\noteskip \noinstrum@nt\z@ \begininstrument}

\def\en{\@ndstaff\notes@open\z@
  \ifnum\V@sw>0\t@rmskip
  \fi
 \let\thelyrics\empty}
\let\enotes\en

\newcount\notes@open

\def\check@nopen{%
  \ifnum\notes@open>\z@ \en\errmessage{\@mis\noexpand\enotes ->}\fi}

%%% text, lyrics, free positioning of chars

\def\pl@base{\y@i\n@i\internote}
\def\lrlap#1{\rlap{\hss#1}}
\def\hard@box#1{\rlap{\hbox\@to\noteskip{#1\hfil}}}
\def\dhard@box#1{\rlap{\hbox\@to\tw@\noteskip{#1\hfil}}}
\def\thard@box#1{\rlap{\hbox\@to\thr@@\noteskip{#1\hfil}}}

\def\zcharnote{\let\@Ti\rlap  \C@ch}
\def\lcharnote{\let\@Ti\llap  \C@ch}
\def\ccharnote{\let\@Ti\lrlap \C@ch}
\def\hcharnote{\let\@Ti\hard@box \C@ch}
\def\charnote#1#2{\zcharnote{#1}{#2}\sk}

\def\zcn{\zcharnote}  % T116
\def\ccn{\ccharnote}
\def\lcn{\lcharnote}

\def\C@ch#1#2{\check@staff\inhgetn@i#1\relax\pl@base\raise\y@i\@Ti{#2}\fi}

\def\zmidstaff{\let\@Ti\rlap  \C@mid}
\def\lmidstaff{\let\@Ti\llap  \C@mid}
\def\cmidstaff{\let\@Ti\lrlap \C@mid}

\def\C@mid#1{\check@staff\y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@
  \raise\y@v\uplap{\@Ti{\strut#1}\vss}\fi}

\def\zchar#1#2{\check@staff\raise#1\internote\rlap{#2}\fi}
\def\lchar#1#2{\check@staff\raise#1\internote\llap{#2}\fi}
\def\cchar#1#2{\check@staff\raise#1\internote\lrlap{#2}\fi}
\def\hchar#1#2{\check@staff\raise#1\internote\hard@box{#2}\fi}

\def\uptext#1{\check@staff\zchar\t@n{#1}\fi}
\def\Uptext#1{\check@staff\zchar\fourt@@n{#1}\fi}

\def\setsongraise#1#2{\n@v#1\relax % select instrument
  \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}}

% [T115] moved out to the new register allocation code
%  \let\T@Ri\z@

\def\qlrlap#1{\rlap{\hbox to \qn@width{\hss#1\hss}}}
\def\zsong{\let\@Ti\rlap \C@t}
\def\lsong{\let\@Ti\llap \C@t}
\def\csong{\let\@Ti\qlrlap \C@t}
\def\hsong{\let\@Ti\hard@box \C@t}
\def\dhsong{\let\@Ti\dhard@box \C@t}
\def\thsong{\let\@Ti\thard@box \C@t}

\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}}

\def\C@tx{%
  \ifnum\noinstrum@nt=\@ne \y@iv\staffbotmarg \else
    \advance\noinstrum@nt\m@ne
    \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname
    \C@Inter \advance\y@iv\stem@skip \divide\y@iv\tw@
    \advance\noinstrum@nt\@ne \fi
    \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname
%%    \advance\noinstrum@nt\@ne \fi
  \lower\y@iv\uplap}

%%% slope lines and brackets

% varline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree)
% (comments and ideas from Ian Collier)              (from -20 upto 20 )
% This macro is used by some of the others which follow,
% using it directly it must be set in zero box

\def\varline#1#2#3{\n@v#3\y@i#2%
  \n@ii-\tw@nty \min@n@v\n@ii
  \max@n@v\tw@nty \n@iii\n@v
  \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars
  \advance\n@v\@xxix
  \setbox\ch@box\hbox{\mxsps\char\n@v}%
  \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@
  \raise#1\internote\hbox{\ifx\@hook\@ne \mxsps\char\n@iv \fi
% main loop
  \loop\ifdim\y@iv<\y@i
  \raise\y@iii\copy\ch@box\advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat
% last element
%
%  \finalheight=2.5\completewidth
%  \finalheight=\n@iii\finalheight
%  \divide\finalheight by 100
%  \advance\overlapwidth by -\completewidth
%  \stepheight=-2.5\overlapwidth
%  \stepheight=\n@iii\stepheight
%  \divide\stepheight by 100
%  \advance\curheight by \stepheight
%  \kern -\overlapwidth \raise\curheight \box\ch@box
%
  \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c \advance\y@iv-\y@i
  \y@ii-2\h@lf\y@iv \y@ii\n@iii\y@ii \divide\y@ii\@c \advance\y@iii\y@ii
  \kernm\y@iv\raise\y@iii\box\ch@box%
  \ifx\@hook\@ne \raise\y@v\hbox{\mxsps\char\n@iv}\fi
% text in the middle
  \ifx\@text\@ne \ifnum\n@vi=\@ne \y@iii\p@ \else\y@iii-\p@ \fi
    \advance\y@iii\h@lf\y@v \kernm\h@lf\y@i\raise\y@iii\vbox\@to\z@{%
    \ifnum\n@vi=\@ne \vss \fi\lrlap{\txtfont\txt}\ifnum\n@vi=\@ne \else\vss \fi}\fi}%
  \let\@hook\empty \let\@text\empty}
%
% y@i  =complete length
% y@ii =height of linechar
% y@iii=current height
% y@iv =current width
% y@v  =height of ending line
%
% n@iii=slope
% n@iv =(number of char for hooks)
% n@v  =slope (number of linechar)
% n@vi =1 -> text above
% @hook=\@ne -> draws hookrules at begin and end of line
% @text=\@ne -> puts text at the middle of the line (def'd with \txt)

% \ov[un]bkt{p}{n}{s} draws a bracket over the music starting at the
% current position at pitch p, width n\noteskip and slope s, causing no space
% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree])

\def\ovbkt{\n@iv22\C@bkt}
\def\unbkt{\n@iv21\C@bkt}

\def\C@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width \let\@hook\@ne
  \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\varline\n@i\y@v{#3}}}

% \up[down]trio{p}{n}{s} same as above,
% draws \txt (default \eightit 3) above[below] in the middle
% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree])

\def\uptrio{\n@vi\z@ \let\@text\@ne \ovbkt}
\def\downtrio{\n@vi\@ne \let\@text\@ne \unbkt}

%%% standard settings
% [115] make them compatible to >12 instruments
\def\resetlayout{\let\interfacteur\nin@
  \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne
  \count@\z@ \loop
    \advance\count@ by\@ne
    \expandafter \let\csname n@l\roman@c@\endcsname \fiv@
  \ifnum\count@<\maxinstruments\repeat
  \resetclefsymbols}

\def\resetclefsymbols{%
  \count@\z@ \loop
    \advance\count@ by\@ne
    \expandafter \let\csname treblec@s\roman@c@\endcsname \z@
    \expandafter \let\csname altoc@s\roman@c@\endcsname \z@
    \expandafter \let\csname bassc@s\roman@c@\endcsname \z@
  \ifnum\count@<\maxinstruments\repeat
}

% [T115] setup the default maximum element numbers to the same values of T.114
\setmaxinstruments\si@
\setmaxcxxviiibeams\si@ % 128th beam
\setmaxcclvibeams\z@ % 256th beam
\setmaxgroups\thr@@ % groups of inst's or choirs
\setmaxslurs\maxinstruments
\setmaxtrills\maxinstruments
\setmaxoctlines\maxinstruments
%

% [T115] new register allocation code requires some changes
%\resetlayout % no need
%\let\nbinstruments\maxinstruments % no need
%\normalnotesize % already executed in \setmaxinstruments
\normalmusicsize
\normalnotesize % important: execute it again after the first execute of \normalmusicsize --- to initialize \metron stem length.  but why? 
%\resetlayout % no need
\def\nbinstruments{1}
\noinstrum@nt1\s@l@ctinstr\internote\Internote

%%%
%
%   This is muflex.tex version 1.00 , January 1993
%
%   Macro library for MusicTeX `flexiline' operations: MuFlex.
%   The idea is to set up a two pass system.
%   On the first pass, information about each bar is written to the file
%       jobname.mx1.
%   After the first pass, an external (non TeX) routine is run to
%   determine optimal values of the elemental spacing (\elemskip)
%   for each line, so as to properly fill each line, and to lead to
%   the piece filling an integral number of lines.
%   The relevant parameters are written onto the file
%       jobname.mx2.
%   On the second pass, the .mx2 file is read in, and the information
%   used as described above.
%
%   Ross Mitchell, January 1993.
%
%%%

\newwrite\outmux
\def\fil@{\immediate\write\outmux}

%%
%   \mulooseness is the MuFlex analog of TeX's \looseness parameter:
%   the increment to the natural number of lines in the section just
%   ended.
%%

\newcount\mulooseness
%   Alternative \linegoal
\newcount\linegoal

%%
%   Invoke \startmuflex before \startpiece to find out the pass number
%   and generally get things going.
%%
% !!! If you want (have) to override the .mx1, delete the .mx2 before !!!
%  !! You have to change the mx1, if you change the spacing inbetween !!

\newif\ifstartmuflex@done
\def\startmuflex{%
  \ifstartmuflex@done
    \immediate\write16{Warning: \noexpand\startmuflex\space
       already done, ignored.}%
  \else
    \startmuflex@donetrue
%    \global\let\ifstartmuflex@done\iftrue
    \openin\inmux\jobname.mx2\relax
    \ifeof\inmux
      \immediate\openout\outmux\jobname.mx1\relax
      \fil@{\mufl@x}%
      \pass@I
    \else
      \message{(\jobname.mx2)}\pass@II
    \fi
  \fi}

\let\endmuflex\empty

\newbox\l@eftrightbox

\def\leftrightrepeat@I{%
 %  \setbox\toks@box\l@eftrightrepeat\y@v\wd\toks@box
 %  \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box
 %  \advance\y@v\y@iv \global\advance\x@skip-\y@v
  %
  \setleftrightrepeat\@bar
  \edef\thex@skip{\the\x@skip}%
  \setbox\l@eftrightbox\l@eftrightrepeat
  \edef\they@v{\the\wd\l@eftrightbox}%
  \setbox\l@eftrightbox\l@eftrepeat
  \edef\they@iv{\the\wd\l@eftrightbox}%
  \global\x@skip\thex@skip
  \fil@{l \they@v\space\they@iv}}

\def\leftrepeat@I{%
%  \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box
%  \global\advance\x@skip-\y@iv
  \setleftrepeat\@bar
  \edef\thex@skip{\the\x@skip}%
  \setbox\l@eftrightbox\l@eftrepeat
  \edef\they@iv{\the\wd\l@eftrightbox}%
  \global\x@skip\thex@skip
  \fil@{L \they@iv}}

% \akkoladen from: "Rainer Dunker" <rainer.dunker@ebe-online.de>


\def\akkoladen#1{%
  \def\akk@count{0}%  avoid occupying yet another count register
  \ifx\empty#1\else\@akkoladen#1\@nd\fi
  % deactivate all remaining \grouptop...bottom items
  \loop
   \ifnum\akk@count<\maxgroups
    \incr@akk@count
    \expandafter\groupbottom\expandafter{\akk@count}\maxdimen
    \expandafter\grouptop\expandafter{\akk@count}\z@
  \repeat}
\def\@akkoladen#1#2#3\@nd{%
  \incr@akk@count
  \expandafter\groupbottom\expandafter{\akk@count}{#1}%
  \expandafter\grouptop\expandafter{\akk@count}{#2}%
  \ifx\empty#3\else\@akkoladen#3\@nd\fi}
\def\incr@akk@count{%
  \count@\akk@count\relax \advance\count@\@ne \edef\akk@count{\the\count@}}


%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%  This is MusiXTex code for multiple left curly brackets              %
%                                                                      %
%         submitted by Mthimkhulu Molekwa                              %
%                   to the mutex list on 19 May 1999                   %
%                                                                      %
%                                                                      %
% usage:                                                               %
%   \curlybrackets{<instrument1lower><instrument1upper>                %
%                  <instrument2lower><instrument2upper>                %
%                  ...                                                 %
%                  <instrument_n_lower><instrument_n_upper>            %
%                 }                                                    %
%                                                                      %
%                                                                      %
%                                                                      %
%  This version corrected 07/23/2007 by Rainer Dunker to make it       %
%  insensitive to changes in \interstaff by PMX                        %
%                                                                      %
%  Added to musixtex.tex T116 by RDT                                   %
%                                                                      %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

\let\origin@lwrit@staffs\writ@staffs
\def\writ@staffs{%
  \origin@lwrit@staffs
  \ifx\br@cks\empty\else\expandafter\@bracks\br@cks\ende\fi}

\let\br@cks\empty
\def\curlybrackets#1{\def\br@cks{#1}}

\def\@bracks#1#2#3\ende{%
    \ifnum #1<#2 %=========================== inserted by D.S.(?)
      \noinstrum@nt=#1\s@l@ctinstr\b@zi\altitude
      \noinstrum@nt=#2\s@l@ctinstr\b@zii\altitude
      \advance\b@zii-\b@zi
      \C@Inter  
      \advance\b@zii\nblines\internote
      \advance\b@zii\nblines\internote
      \advance\b@zii-2\internote
      \n@v\b@zii \sp@pt\tw@ \advance\n@v\@cxxviii
      \divide\b@zii\tw@
      \advance\b@zi\b@zii
      \raise\b@zi\rlap{\mxsps\char\n@v\kern\instrum@in@group}%
    \fi %==================================== inserted by D.S.(?)
    \ifx\empty#3\else\@bracks#3\ende\fi}


%%
%   Define \pass@I to perform the following functions:
%
%   (a) set line and page breaking for the first pass by setting
%       rigid values for \elemskip       (#1),
%                        \maxbarsinlin@  (#2)
%
%   (b) Redefine \t@rmskip so that it writes to the .mx1 file;
%
%   (c) Redefine part of \debutmorceau to open the output (.mx1) file
%       and write the following parameters to the .mx1 file:
%       \line@width
%       \parindent
%       \beforeruleskip
%       \afterruleskip
%       \elemskip
%       \clef@skip
%       \sign@skip;
%
%   (d) redefine various other macros so that length measures will be
%       written to the .mx1 file
%%

\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness\space\the\linegoal}%
  \mulooseness\z@\relax \linegoal\z@}%

%\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness}\mulooseness\z@}%
%%
%   Redefine \t@rmskip to include a macro for writing a record to a file,
%   and define the macro
%%
  \def\fil@termskip{%
    \fil@{\the\barsinpi@c@\space\the\widthtyp@\space\the\x@skip}%
    \widthtyp@\@ne}%
%%
%   Redefine part of debutmorceau to write header information to file
%%
  \def\fil@begin{%
    \fil@{S}% Startindicator
    \fil@{\the\line@width}%
    \fil@{\the\parindent}%
    \fil@{\the\beforeruleskip}%
    \fil@{\the\afterruleskip}%
    \fil@{\the\@l@mskip}%
    \fil@{\the\clef@skip}%
    \fil@{\the\sign@skip}}%
%
%   -> \writ@newsigns
%
  \def\fil@signs{%
    \maxsign@skip\z@
    \n@loop  \s@l@ctsigns
            \sign@skip\tw@\Internote
            \sign@skip\a@s\sign@skip
            \ifdim\sign@skip<\z@ \sign@skip-\sign@skip \fi
            \global\advance\sign@skip\smallvalue\Internote
            \ifdim\maxsign@skip<\sign@skip \global\maxsign@skip\sign@skip
            \fi
    \repeat
    \global\sign@skip\maxsign@skip
    \fil@{s\space\the\sign@skip}}%
%
%   -> \Contpiece
%
  \def\fil@indent{\fil@{\the\barsinpi@c@\space0 \the\parindent}}%
%
%   when a line is stopped with a zbar, to the next bar is added the amount
%   of afterruleskip
%   -> no line break during Pass 1 and indicate musixflx a zbar
%
  \def\zbar{\zn@wbar\fil@{z \the\barno}}%
%
%   \leftrightrepeat behaves different in mid of line and end of line
%   -> no line break during Pass 1, get the widths and
%      indicate musixflx a leftrightrepeat
%
  \let\leftrightrepeat\leftrightrepeat@I
%
%   s.a.
%
  \let\leftrepeat\leftrepeat@I
%
%   -> \hardspace
%
  \def\fil@spc{\fil@{h \the\y@v}}%
%
%   makes the .mx2 more transparent
%
  \def\fil@barno{\fil@{b \the\barno}}%
%
%   break line if value of \lin@pos (exclusive parindent, signs and clefs)
%   is larger than 0.5\hsize
%
  \def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}%
%
%   close the file
%
  \def\endmuflex{\immediate\closeout\outmux}}%

%%
%   Macros to set up the second pass
%%

\newread\inmux

%%
%   Main macro: \pass@II
%   Function: %%%(a) Open the .mx2 file
%             %%%(b) Set the number of lines per page to #1
%             (c) Set the \everystaff macro to read and decode line
%                 parameter settings
%             %%%(d) Define end of bar, end of line and repeat macros
%             %%%    according to \autolines
%%

\def\pass@II{\def\ragg@d{\hfilneg\ }%
%  \def\everyst@ff{\everystaff\read\inmux\@to\inline \inline}} % ancient
  \def\everyst@ff{\read\inmux\@to\inline \inline\relax \everystaff}}

%%
%   \inline expands to \lineset#1#2#3#4#5, so define the latter
%%

\def\lineset#1#2#3#4#5{\ifx\no@l\empty \message{<#1>}\fi
  \maxbarsinlin@#2%
  \@l@mskip#3%
  \elemskip\@l@mskip
  \afterruleskip#4%
  \beforeruleskip#5}

\def\musicparskip{\parskip\z@ plus\fiv@\Interligne minus\Interligne}

\def\endcatcodesmusic{%
  \catcode`\&\catcode@and
  \catcode`\|\catcode@vert
  \catcode`\>\catcode@gt
  \catcode`\<\catcode@lt
  \catcode`\!\catcode@excl
  \catcode`\*\catcode@star
  \catcode`\:\catcode@sc
  \catcode`\.\catcode@pt
  \let\bar\@@bar
  \catcodesmusicfalse}

\endcatcodesmusic

%...\let\wlog=\@wloG

\catcode`\@=\catcodeat
\endinput