% \iffalse meta-comment
%
% fetamont.dtx --- LaTeX package for logos related to METAFONT written 
% with the typeface Fetamont.
%
% Copyright (C) 2014 by Linus Romer
%
% This work may be distributed and/or modified under the
% conditions of the LaTeX Project Public License, either version 1.3
% of this license or (at your option) any later version.
% The latest version of this license is in
% http://www.latex-project.org/lppl.txt
% and version 1.3 or later is part of all distributions of LaTeX
% version 2011/06/27 or later.
%
% This work has the LPPL maintenance status `maintained'.
% 
% The Current Maintainer of this work is Linus Romer.
%
% \fi
%
% \iffalse
%<package>\NeedsTeXFormat{LaTeX2e}[1994/06/01]
%<package>\ProvidesPackage{fetamont}
%<package>[2015/10/30 v1.6 class to use the fetamont font]
%<T1ffm>\ProvidesFile{T1ffm.fd}
%<T1ffmw>\ProvidesFile{T1ffmw.fd}
%
%<*driver>
\documentclass{ltxdoc}
\usepackage[T1]{fontenc}
\usepackage[utf8]{inputenc}
\usepackage{fetamont,lmodern,array,url}

\providecommand{\textttc}[1]{\texttt{\fontseries{lc}\selectfont #1}}

\GetFileInfo{fetamont.sty}

\begin{document}
 \DocInput{fetamont.dtx}
\end{document}
%</driver>
% \fi
%
% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
% \changes{1.0} {2014/01/02}{initial version}
% \changes{1.1} {2014/01/03}{changed the filename ffmchar_ij.mf to 
%  ffmchar_ijlower.mf}
% \changes{1.2} {2014/01/09}{refined the paths and the outline 
%  production slightly; solved the BlueValues zones overlap problem; 
%  separated the map file from the dtx file; added a list of files to 
%  the README; improved the documentations}
% \changes{1.3} {2014/03/18}{refined the paths again slightly; added a 
%  randomize feature to the OpenType versions of the script faces; 
%  improved the typeface documentation}
% \changes{1.4} {2014/06/03}{reduced the number of files drastically, 
%  this has changed the shape of letters like IJ in the script faces; 
%  improved the English of the typeface documentation; added a compiled 
%  version of the package documentation}
% \changes{1.5} {2015/05/15}{changed the shapes of some digits,
%  added additional kernings, mainly between letters and 
%  numbers; changed the shape of the tilde slightly;
%  updated the documentations}
% \changes{1.6} {2015/10/30}{removed a bug which made the depth
%  of chained lowercase letters too large (wrong depth of letter ij)
%  and took the wrong italic correction of chained letters,
%  updated the documentations}
%
% \title{The Fetamont Package}
% \author{Linus Romer}
% \date{\today{} --- v1.6}
%
% \maketitle
% \tableofcontents
%
% \section{Introduction}
% The logo font, known from logos like \MF{} or \MP{}, has been very 
% limited in its collection of glyphs. The new typeface \emph{Fetamont} 
% extends the logo typeface in two ways:
% \begin{itemize}
%  \item Fetamont consists of 256 glyphs, such that the T1 (a.k.a.\ EC, 
%   a.k.a.\ Cork) encoding table is complete now.
%  \item Fetamont has additional faces like ``light ultracondensed'' or 
%   ``script''.
% \end{itemize}
% The \verb|fetamont| package provides \LaTeX{} support for the 
% Fetamont typeface. Both the package and the typeface are distributed 
% on {\small CTAN} under the terms of the \emph{\LaTeX{} Project Public 
% License} ({\small LPPL}).
%
% This document describes the \LaTeX{} support for the Fetamont 
% typeface. The design and the constructions of the typeface itself are 
% described in \cite{romer14}. 
%
% The OpenType versions of the script faces support the Randomize 
% feature, which can be used with Con\TeX t/Lua\TeX. It is \emph{not} 
% possible to use this feature with the package described here.
% \section{Usage}
% The package is loaded by |\usepackage{fetamont}|. There are no 
% options provided yet for the |fetamont| package. 
%
% If you use the \texttt{fetamont} package as a replacement for the 
% \texttt{mflogo} package you will probably only need the control 
% sequences |\MF|, |\MP| and |\MT| which produce the well known logos 
% \MF, \MP{} and \MT.
%
% When you need other words written in the Fetamont typeface, you may 
% use |\textffm| and |\textffmw|. E.~g. |\textffm{My Logo}| will 
% produce \textffm{My Logo} and |\textffmw{Script}| will produce 
% \textffmw{Script}.
%
% To gain access to all faces of Fetamont you may sometimes 
% additionally need |\ffmfamily| or |\ffmwfamily| 
% (see subsection~\ref{sec:accesstoallfaces}).
% \section{The many faces of Fetamont} 
% \subsection{Bold and heavy faces}
% The bold face of the original logo font family clearly fits better 
% with \emph{Computer Modern Sans Bold}, whereas the demibold face is 
% the better choice for a combination with \emph{Computer Modern 
% Extended Bold}:
% \begin{center} 
% \begin{tabular}{rl}
%  {\ffmfamily\fontseries{b}\selectfont \huge  META} 
%  & \textbf{\huge Serif}\\
%  \textsf{\textbf{\huge Sans}} 
%  & {\ffmfamily\fontseries{eb}\selectfont \huge  META}
%  \end{tabular}
% \end{center}
% Ulrik Vieth has already mentioned this unsatisfactory situation in 
% \cite{vieth99}. He has assumed that \emph{Computer Modern Roman} will 
% be used in boldface series much more frequently than \emph{Computer 
% Modern Sans Serif}. So he assigned the demibold faces to the bold 
% series in his |mflogo| package (see~\cite{vieth99}).
% 
% In order to be compatible to Ulrik Vieths assignment I have chosen 
% the following naming scheme for weights:
% \begin{center} 
% \begin{tabular}{lll}
%  original name & Fetamont name & symbol\\\hline
%  -- & light & l\\
%  medium & medium & r\\
%  demibold & bold & b\\
%  bold & heavy & h
% \end{tabular}
% \end{center}
% \subsection{Script faces}
% The ``crazy shapes'' by D.~E.~Knuth  show impressively the 
% randomization power of \MF. The Fetamont typeface has also the 
% ability to use randomized paths. The results are the Fetamont script 
% faces. They are drawn by a rotated ellipse pen to make it look more 
% handwritten. The script faces may be used for comics or childish 
% texts:
% \begin{center} 
% {\ffmwfamily\fontseries{l}\selectfont \huge ¿Donde?}
% {\ffmwfamily\fontseries{m}\selectfont \huge \quad --- \quad}
% {\ffmwfamily\fontseries{eb}\selectfont\huge ¡Aqui!}
% \end{center}
% \subsection{Condensed Faces}
% The titles in Knuth's books use a variant of the logo typeface that 
% matches \emph{Computer Modern Sans Serif Demibold Condensed 40}. So I 
% decided to add this variant as \emph{Fetamont Bold Condensed 40} and 
% let also a light and medium variant benefit from the condensation.
% \begin{center} 
% {\ffmfamily\fontseries{lc}\selectfont \huge Light Condensed 10}\\[2ex]
% {\ffmfamily\fontseries{c}\selectfont \huge Medium Condensed 10}\\[2ex]
% {\ffmfamily\fontseries{bc}\selectfont\huge Bold Condensed 40}
% \end{center}
% \subsection{Ultracondensed Face}
% The credits written on movie posters are often typeset in an 
% ultracondensed face. Also fetamont provides such a face:
% \begin{center} 
% {\ffmfamily\fontseries{lec}\selectfont \Huge Light Ultracondensed 10}
% \end{center}
% \subsection{Naming Scheme For The Fetamont Faces}
% The file name of every face begins with the prefix \verb|ffm|, which 
% stands for «\emph{f}ree typeface \emph{f}eta\emph{m}ont». The 
% suffixes normally contain a symbol for the weight: \verb|l| for 
% light, \verb|r| for regular, \verb|b| for bold and \verb|h| for 
% heavy. The number at the end stands for the optical size 
% (e.~g. 10~pt). Depending on the face, the suffix is made of 
% additional symbols:
% \begin{center} 
% \begin{tabular}{|cccc|cccc|}
%  \hline
%  \multicolumn{4}{|c|}{Upright} & \multicolumn{4}{c|}{Oblique}\\\hline
%  & r8 & b8 & h8 & & o8 & bo8 & ho8\\
%  & r9 & b9 & h9 & & o9 & bo9 & ho9\\
%  l10 & r10 & b10 & h10 & lo10 & o10 & bo10 & ho10\\
%  \hline
%  \multicolumn{4}{|c|}{Condensed Upright} 
%  & \multicolumn{4}{c|}{Condensed Oblique}\\\hline
%  lc10 & c10 & & & lco10 & co10 &  & \\
%  & & bc40 &  &  &  & bco40 & \\
%  \hline
%  \multicolumn{4}{|c|}{Ultracondensed Upright} 
%  & \multicolumn{4}{c|}{Ultracondensed Oblique}\\\hline
%  lq10 & & & &  lqo10 &  &  & \\
%  \hline
%  \multicolumn{4}{|c|}{Script Upright} 
%  & \multicolumn{4}{c|}{Script Oblique}\\\hline
%  lw10 & w10 & bw10 & hw10 & lwo10 & wo10 & bwo10 & hwo10\\\hline
% \end{tabular}
% \end{center}
% \subsection{NFSS--Access To All Faces}\label{sec:accesstoallfaces}
% The following tabular shows the NFSS--access for every Fetamont face.
% \begin{center}
% \begin{tabular}{lll}
%  MF-name & low level access & sample
%  \\\hline\hline
%  ffml10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{l}\selectfont Gauß}
%  \\
%  ffmr10, ffmr9, ffmr8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{m}\selectfont Gauß \footnotesize{Gauß}
%  \tiny{Gauß}}
%  \\
%  ffmb10, ffmb9, ffmb8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{b}\selectfont Gauß \footnotesize{Gauß} 
%  \tiny{Gauß}}
%  \\
%  ffmh10, ffmh9, ffmh8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{eb}\selectfont Gauß \footnotesize{Gauß}
%  \tiny{Gauß}}
%  \\
%  ffmlo10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{l}\slshape Gauß}
%  \\
%  ffmo10, ffmo9, ffmo8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{m}\slshape Gauß \footnotesize{Gauß}
%  \tiny{Gauß}}
%  \\
%  ffmbo10, ffmbo9, ffmbo8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{b}\slshape Gauß \footnotesize{Gauß}
%  \tiny{Gauß}}
%  \\
%  ffmho10, ffmho9, ffmho8
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{eb}\slshape Gauß \footnotesize{Gauß}
%  \tiny{Gauß}}
%  \\\hline
%  ffmlc10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{lc}\selectfont Gauß}
%  \\
%  ffmc10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{c}\selectfont Gauß}
%  \\
%  ffmbc40
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{bc}\selectfont Gauß}
%  \\
%  ffmlco10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{lc}\slshape Gauß}
%  \\
%  ffmco10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{c}\slshape Gauß}
%  \\
%  ffmbco40
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{bc}\slshape Gauß}
%  \\\hline
%  ffmlq10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\}
%  \textbackslash selectfont}
%  &
%  {\ffmfamily\fontseries{lec}\selectfont Gauß}
%  \\
%  ffmlqo10
%  & 
%  \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\}
%  \textbackslash slshape}
%  &
%  {\ffmfamily\fontseries{lec}\slshape Gauß}
%  \\\hline
%  ffmlw10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\}
%  \textbackslash selectfont}
%  &
%  {\ffmwfamily\fontseries{l}\selectfont Gauß}
%  \\
%  ffmw10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\}
%  \textbackslash selectfont}
%  &
%  {\ffmwfamily\fontseries{m}\selectfont Gauß}
%  \\
%  ffmbw10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\}
%  \textbackslash selectfont}
%  &
%  {\ffmwfamily\fontseries{b}\selectfont Gauß}
%  \\
%  ffmhw10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\}
%  \textbackslash selectfont}
%  &
%  {\ffmwfamily\fontseries{eb}\selectfont Gauß}
%  \\
%  ffmlwo10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\}
%  \textbackslash slshape}
%  &
%  {\ffmwfamily\fontseries{l}\slshape Gauß}
%  \\
%  ffmwo10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\}
%  \textbackslash slshape}
%  &
%  {\ffmwfamily\fontseries{m}\slshape Gauß}
%  \\
%  ffmbwo10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\}
%  \textbackslash slshape}
%  &
%  {\ffmwfamily\fontseries{b}\slshape Gauß}
%  \\
%  ffmhwo10
%  & 
%  \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\}
%  \textbackslash slshape}
%  &
%  {\ffmwfamily\fontseries{eb}\slshape Gauß}
%  \\
% \end{tabular}
% \end{center}
%
% \StopEventually{\PrintIndex}
%
% \section{Package Implementation}
%
% \subsection{The font definition files}
%    
% As the \emph{T1} encoding is used for the \emph{f}ree typeface 
% \emph{f}eta\emph{m}ont, the font definition file is named |T1ffm.fd|. 
% This is the default font family of Fetamont. Additionally, there is 
% also a script font family (|T1ffmw.fd|).
%
% The italic faces are always silently substituted by oblique faces.
%
%     \begin{macrocode}
%<*T1ffm>
\DeclareFontFamily{T1}{ffm}{}
%    \end{macrocode}
%
%    Light faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{l}{n}{<-> ffml10}{}
\DeclareFontShape{T1}{ffm}{l}{sl}{<-> ffmlo10}{}
\DeclareFontShape{T1}{ffm}{l}{it}{<-> ssub * ffm/l/sl}{}
%    \end{macrocode}
%
%    Regular/medium faces (three different optical sizes):
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{m}{n}{
  <-8> ffmr8
  <9> ffmr9
  <10-> ffmr10
}{}
\DeclareFontShape{T1}{ffm}{m}{sl}{
  <-8> ffmo8
  <9> ffmo9
  <10-> ffmo10
}{}
\DeclareFontShape{T1}{ffm}{m}{it}{
  <-> ssub * ffm/m/sl
}{}
%    \end{macrocode}
%
%    Bold faces (three different optical sizes, bold extended faces 
%    are silently substituted):
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{b}{n}{
  <-8> ffmb8
  <9> ffmb9
  <10-> ffmb10
}{}
\DeclareFontShape{T1}{ffm}{b}{sl}{
  <-8> ffmbo8
  <9> ffmbo9
  <10-> ffmbo10
}{}
\DeclareFontShape{T1}{ffm}{b}{it}{
  <-> ssub * ffm/b/sl
}{}
\DeclareFontShape{T1}{ffm}{bx}{n}{
  <-> ssub * ffm/b/n
}{}
\DeclareFontShape{T1}{ffm}{bx}{sl}{
  <-> ssub * ffm/b/sl
}{}
\DeclareFontShape{T1}{ffm}{bx}{it}{
  <-> ssub * ffm/b/sl
}{}
%    \end{macrocode}
%
%    Heavy/extra bold faces (three different optical sizes):
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{eb}{n}{
  <-8> ffmh8
  <9> ffmh9
  <10-> ffmh10
}{}
\DeclareFontShape{T1}{ffm}{eb}{sl}{
  <-8> ffmho8
  <9> ffmho9
  <10-> ffmho10
}{}
\DeclareFontShape{T1}{ffm}{eb}{it}{
  <-> ssub * ffm/h/sl
}{}
%    \end{macrocode}
%
%    Light condensed faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{lc}{n}{<-> ffmlc10}{}
\DeclareFontShape{T1}{ffm}{lc}{sl}{<-> ffmlco10}{}
\DeclareFontShape{T1}{ffm}{lc}{it}{<-> ssub * ffm/lc/sl}{}
%    \end{macrocode}
%
%    Condensed faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{c}{n}{<-> ffmc10}{}
\DeclareFontShape{T1}{ffm}{c}{sl}{<-> ffmco10}{}
\DeclareFontShape{T1}{ffm}{c}{it}{<-> ssub * ffm/c/sl}{}
%    \end{macrocode}
%
%    Bold condensed faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{bc}{n}{<-> ffmbc40}{}
\DeclareFontShape{T1}{ffm}{bc}{sl}{<-> ffmbco40}{}
\DeclareFontShape{T1}{ffm}{bc}{it}{<-> ssub * ffm/bc/sl}{}
%    \end{macrocode}
%
%    Light ultra condensed faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffm}{lec}{n}{<-> ffmlq10}{}
\DeclareFontShape{T1}{ffm}{lec}{sl}{<-> ffmlqo10}{}
\DeclareFontShape{T1}{ffm}{lec}{it}{<-> ssub * ffm/lec/sl}{}
%</T1ffm>
%    \end{macrocode}
%
%    The script faces need an own family for a proper NFSS--access:
%
%    \begin{macrocode}
%<*T1ffmw>
\DeclareFontFamily{T1}{ffmw}{}
%    \end{macrocode}
%
%    Light faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffmw}{l}{n}{<-> ffmlw10}{}
\DeclareFontShape{T1}{ffmw}{l}{sl}{<-> ffmlwo10}{}
\DeclareFontShape{T1}{ffmw}{l}{it}{<-> ssub * ffmw/l/sl}{}
%    \end{macrocode}
%
%    Medium/regular faces:
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffmw}{m}{n}{
  <-> ffmw10
}{}
\DeclareFontShape{T1}{ffmw}{m}{sl}{
  <-> ffmwo10
}{}
\DeclareFontShape{T1}{ffmw}{m}{it}{
  <-> ssub * ffmw/m/sl
}{}
%    \end{macrocode}
%
%    Bold faces (bold extended faces are silently substituted):
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffmw}{b}{n}{
  <-> ffmbw10
}{}
\DeclareFontShape{T1}{ffmw}{b}{sl}{
  <-> ffmbwo10
}{}
\DeclareFontShape{T1}{ffmw}{b}{it}{
  <-> ssub * ffmw/b/sl
}{}
\DeclareFontShape{T1}{ffmw}{bx}{n}{
  <-> ssub * ffmw/b/n
}{}
\DeclareFontShape{T1}{ffmw}{bx}{sl}{
  <-> ssub * ffmw/b/sl
}{}
\DeclareFontShape{T1}{ffmw}{bx}{it}{
  <-> ssub * ffmw/b/sl
}{}
%    \end{macrocode}
%
%    Heavy/extra bold faces (three different optical sizes):
%
%    \begin{macrocode}
\DeclareFontShape{T1}{ffmw}{eb}{n}{
  <-> ffmhw10
}{}
\DeclareFontShape{T1}{ffmw}{eb}{sl}{
  <-> ffmhwo10
}{}
\DeclareFontShape{T1}{ffmw}{eb}{it}{
  <-> ssub * ffmw/h/sl
}{}
%</T1ffmw>
%    \end{macrocode}
%
% \subsection{The style file: \texttt{fetamont.sty}}
%
%    The following macros are adapted from the |mflogo| package 
%    by \cite{vieth99}.
%
% \begin{macro}{\ffmfamily}
%    This is the declarative font changing command for the ``normal'' 
%    font family. 
%    \begin{macrocode}
%<*package>
\DeclareRobustCommand\ffmfamily{%
  \not@math@alphabet\ffmfamily\relax
  \fontencoding{T1}\fontfamily{ffm}\selectfont}
%    \end{macrocode}
% \end{macro}
%
% \begin{macro}{\ffmwfamily}
%    This is the declarative font changing command for the script font 
%    family. 
%    \begin{macrocode}
\DeclareRobustCommand\ffmwfamily{%
  \not@math@alphabet\ffmwfamily\relax
  \fontencoding{T1}\fontfamily{ffmw}\selectfont}
%    \end{macrocode}
% \end{macro}
%
% \begin{macro}{\textffm}
%    This is basically the same as |\ffmfamily| but takes one argument.
%    \begin{macrocode}
\DeclareTextFontCommand{\textffm}{\ffmfamily}
%    \end{macrocode}
% \end{macro}
%
% \begin{macro}{\textffmw}
%    This is basically the same as |\ffmwfamily| but takes one argument.
%    \begin{macrocode}
\DeclareTextFontCommand{\textffmw}{\ffmwfamily}
%    \end{macrocode}
% \end{macro}
%
% \begin{macro}{\MF}
% \begin{macro}{\MP}
% \begin{macro}{\MT}
%    These are the definitions of the  \MF, \MP{} and \MT{} logos.  
%    \begin{macrocode}
\def\MF{\textffm{META}\@dischyph\textffm{FONT}\@}
\def\MP{\textffm{META}\@dischyph\textffm{POST}\@}
\def\MT{\textffm{META}\@dischyph\textffm{TYPE1}\@}
%</package>
%    \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
%
% \Finale
%
% \begin{thebibliography}{Romer14}
% \bibitem[Romer14]{romer14}
%  Linus Romer.
%  \emph{The Fetamont Typeface}.
%  2014
% \bibitem[Vieth99]{vieth99}
%  Ulrik Vieth.
%  \emph{The |mflogo| package}.
%  \url{mirrors.ctan.org/macros/latex/contrib/mflogo/mflogo.pdf}, 1999
% \end{thebibliography}
\endinput
%
% \CharacterTable
% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
% Digits \0\1\2\3\4\5\6\7\8\9
% Exclamation \! Double quote \" Hash (number) \#
% Dollar \$ Percent \% Ampersand \&
% Acute accent \’ Left paren \( Right paren \)
% Asterisk \* Plus \+ Comma \,
% Minus \- Point \. Solidus \/
% Colon \: Semicolon \; Less than \<
% Equals \= Greater than \> Question mark \?
% Commercial at \@ Left bracket \[ Backslash \\
% Right bracket \] Circumflex \^ Underscore \_
% Grave accent \‘ Left brace \{ Vertical bar \|
% Right brace \} Tilde \~}
