From 15e21b5bab66eca251ac48fdc052126505428d4e Mon Sep 17 00:00:00 2001 From: Karl Berry Date: Sun, 15 Oct 2006 22:35:12 +0000 Subject: aurical 1.4 update (15oct06) git-svn-id: svn://tug.org/texlive/trunk@2331 c570f23f-e606-0410-a88d-b1316a301751 --- Master/texmf-dist/doc/latex/aurical/aurical.pdf | Bin 72883 -> 111188 bytes Master/texmf-dist/doc/latex/aurical/aurical.tex | 65 +++++++++++++++--------- 2 files changed, 42 insertions(+), 23 deletions(-) (limited to 'Master/texmf-dist/doc/latex/aurical') diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.pdf b/Master/texmf-dist/doc/latex/aurical/aurical.pdf index 4c5aedd3d67..798b20c0c61 100644 Binary files a/Master/texmf-dist/doc/latex/aurical/aurical.pdf and b/Master/texmf-dist/doc/latex/aurical/aurical.pdf differ diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.tex b/Master/texmf-dist/doc/latex/aurical/aurical.tex index 8ee440ec51a..90c1bf6ce20 100644 --- a/Master/texmf-dist/doc/latex/aurical/aurical.tex +++ b/Master/texmf-dist/doc/latex/aurical/aurical.tex @@ -1,7 +1,11 @@ \documentclass[12pt]{article} -\usepackage{aurical} +\usepackage[backslant]{aurical} \usepackage[a4paper]{geometry} \usepackage[bookmarksopen=false]{hyperref} +\usepackage[ngerman]{babel} +\usepackage{multicol} +\usepackage[T1]{fontenc} +\usepackage[latin1]{inputenc} \newcommand{\longs}{s\rule{0pt}{0pt}} \begin{document} \setlength{\parindent}{0pt} @@ -13,6 +17,7 @@ Aurical \\ \textemdash{} a set of three decorative fonts in T1 encoding \textemdash \end{center} + This package implements three calligraphic fonts I created for fun in 2004 and 2005, which cover almost all glyphs from T1. The fonts have been created using fontforge\footnote{\url{fontforge.sourceforge.net}} and @@ -22,48 +27,62 @@ Installation: Unpack the provided archive file ``\verb!aurical_texmf.zip!'' to your local TEXMF directory. Then update your filename database and add the mapfile ``aurical.map'' to your dvips and pdftex configuration. For example, in te\TeX 3 you have to issue the commands \texttt{texhash} and \texttt{updmap-sys ---enable aurical.map}. For other systems, consult the corresponding +--enable aurical.map}. For other systems consult the corresponding documentation. -Usage: To use the fonts, just include \verb!\usepackage{aurical}! into the +Usage: To use the fonts, just include \verb!\usepackage{aurical}! in the preamble of your document. Then you can use the commands \verb!\Fontauri!, \verb!\Fontskrivan!, \verb!\Fontlukas! and \verb!\Fontamici! to select one of -the calligraphic fonts. +the calligraphic fonts. Low-quality machine generated boldface and slanted +versions of each font are also included and integrated into NFSS. Thus they +are selected by the usual font commands like \verb!\bfseries! and \verb!\slshape!. +Since script-like fonts are already slanted to the right, additional slanting +does not always look good. Therefore, backward slanted fonts are provided also, +which can be activated by \verb!\usepackage[backslant]{aurical}!. +\newpage \centering -\fbox{\parbox{0.7\linewidth}{\Fontauri -Auriocus Kalligraphicus is the first of my calligraphic fonts done in April 2004. It contains all glyphs -from T1 except perthousandzero, but many of the non-letter glyphs look odd: \# \$ \%. Its name is a pseudo--latin combination of my -nickname auriocus and the word calligraphic. As the other fonts, it has only oldstyle figures: 0123456789 }} +\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{17pt}\selectfont\Fontauri +\textbf{Auriocus Kalligraphicus} is the first of my calligraphic fonts done in April 2004. It contains all glyphs +from T1 except perthousandzero, but many of the non-letter glyphs look odd: \# \$ \%. +Its name is a pseudo--latin combination of my +nickname auriocus and the word calligraphic. Like the other fonts in this package +it provides only oldstyle figures: 0123456789 }} -\fbox{\parbox{0.7\linewidth}{\Fontlukas -Luk\'a\v s Svatba has been made originally for the design of the cover of a +\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{17pt}\selectfont\Fontlukas +\textbf{Luk\'a\v s Svatba} has been originally invented as AmiciLogo for the design of the cover of a mediaeval music CD in 2004. In May 2005, a friend asked me to add czech diacritics so he -could use the font for his wedding (svatba means wedding in czech). I removed +could use the font for his wedding (>>svatba<< means wedding in czech). I removed the long s together with its ligatures, because they are not suitable for -writing modern czech and renamed the font as a dedication to his wedding. The font +writing modern czech and renamed the font Luk\'a\v s Svatba as a dedication to his wedding. The font currently covers the whole T1 encoding. -\Fontamici The original variant with the long s is still available, as shown in -this paragraph. It is selected by the command \texttt{\char92 Fontamici}. -% \verb doesnt work here +\Fontamici The original variant with the \textbf{long s*} is still available, as shown in +this paragraph. It is selected by the command {\Fontskrivan \char92 Fontamici}. +% It contains a few extra ligatures like Ch, ch, ss, ssi, sk, sl, and a special swash character to write the logo of the band: \\ \hspace*{5em}Amici Musicae @ntiquae\\ To -make room for these additional glyphs\/, some characters had to be withdrawn. +make room for these additional glyphs, some characters had to be withdrawn. Besides the standard ligatuares fi, fl, ffi and ffl, which are faked by negative kerning, \Fontlukas \v s \Fontamici could be removed, because it is written like -\v s in ancient czech texts\/. Similiarly, the uppercase german double~s\/, +\v s in ancient czech texts. Similiarly, the uppercase german double~s* SS, perthousandzero and compwordmark are withdrawn to make space for additional -ligatures\/.}} +ligatures. The long s* is automatically replaced by s before a space or punctuation symbol. +If it is necessary to typeset s inside a word like in some compounds, e.g. +german ,,Aus+flug``, use \Fontskrivan s+\Fontamici. To force an s* where it is normally replaced, +e.g. in the german shortening u.s*.w. or as the single letter s*, the corresponding input is +\Fontskrivan s*\Fontamici. This is the same input convention as used by \Fontskrivan fraktur.sty \Fontamici +by Matthias M\"uhlich.}} -\fbox{\parbox{0.7\linewidth}{\Fontskrivan -The last of the three fonts designed by me, Jana Sk\v rivana, is my cursive handwriting drawn with a +\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{16pt}\selectfont\Fontskrivan +The last of the three fonts designed by me, \textbf{Jana Sk\v rivana}, is my cursive handwriting drawn with a copperplate calligraphy pen. It's dedicated to a girl, who can sing like a lark -(sk\v rivan means lark in -czech) and has been finished in December 2005. Sadly, a printout made with this -font never looks equally attractive like a real hand-written sample. }} +(>>sk\v rivan<< means lark in czech) and has been finished in December 2005. Sadly, a printout made with this +font never looks equally attractive like a real hand-written sample. +Jana Sk\v rivana can be combined with Luk\'a\v s Svatba to typeset an URL or computer input, +as shown in the above paragraph.}} And now enjoy the fonts! -- cgit v1.2.3