From 99b5028b97aa7142fb382e4d76a5f324689572dc Mon Sep 17 00:00:00 2001
From: Karl Berry <karl@freefriends.org>
Date: Fri, 9 Oct 2009 00:45:07 +0000
Subject: animate update (8oct09)

git-svn-id: svn://tug.org/texlive/trunk@15709 c570f23f-e606-0410-a88d-b1316a301751
---
 Master/texmf-dist/doc/latex/animate/animate.tex | 6 +++---
 1 file changed, 3 insertions(+), 3 deletions(-)

(limited to 'Master/texmf-dist/doc/latex/animate/animate.tex')

diff --git a/Master/texmf-dist/doc/latex/animate/animate.tex b/Master/texmf-dist/doc/latex/animate/animate.tex
index 374b8f40ae5..dd3ced9d01e 100644
--- a/Master/texmf-dist/doc/latex/animate/animate.tex
+++ b/Master/texmf-dist/doc/latex/animate/animate.tex
@@ -175,7 +175,7 @@ The command \verb+\multiframe+ allows to build loops around pictures. The first
 By default, the animation is built frame by frame in the order of inclusion of the embedded material. However, extended control of the order of appearance, superposition and repetition of the material is available through the `\verb+timeline+' option (see Section~\ref{sect:timeline}).
 
 \myparagraph*{Sets of graphics files}
-All files of the sequence should exist and be consecutively numbered. (Exception to this rule is allowed in connection with the `\verb+every+' option, see below.) {\tt <file base\-name>} is the leftmost part of the file name that is common to all members of the sequence. \verb+<first>+ is the number of the first and \verb+<last>+ the number of the last file in the set. File names may be simply numbered, such as $0\dots99$. If there are leading zeros, make sure that all file numbers have the same number of digits, such as $0000\dots0099$, and that the \verb+<first>+ and \verb+<last>+ arguments are filled in accordingly.
+All files of the sequence should exist and be consecutively numbered. (Exception to this rule is allowed in connection with the `\verb+every+' option, see below.) {\tt <file base\-name>} is the leftmost part of the file name that is common to all members of the sequence. \verb+<first>+ is the number of the first and \verb+<last>+ the number of the last file in the set. If \verb+<first>+ is greater than \verb+<last>+, files are embedded in reverse order. File names may be simply numbered, such as $0\dots99$. If there are leading zeros, make sure that all file numbers have the same number of digits, such as $0000\dots0099$, and that the \verb+<first>+ and \verb+<last>+ arguments are filled in accordingly.
 
 There is no file name extension to be specified as a parameter. The possible file formats depend on the output driver being used. In the case of \LaTeX{}+\verb+dvips+, files with the extension `eps' are searched for at first, followed by `mps' (\MP-generated Postscript) and `ps'. With pdf\LaTeX{} the searching order is: (1)~`pdf', (2)~`mps', (3)~`png', (4)~`jpg', (5)~`jpeg', (6)~`jbig2', (7)~`jb2', (8)~`jp2'\footnotemark[1], (9)~`j2k'\footnotemark[1], (10)~`jpx'\footnotemark[1]\footnotetext[1]{JPEG2000 is not yet supported by pdf\TeX.} and with \XeLaTeX{} or \LaTeX{}+\verb+dvipdfmx+: (1)~`pdf', (2)~`mps', (3)~`eps', (4)~`ps', (5)~`png', (6)~`jpg', (7)~`jpeg', (8)~`bmp'. That is, files capable to store vector graphics are found first. Make sure that all file names have \emph{lower case} extensions.
 
@@ -185,7 +185,7 @@ For example, given the sequence `frame\_5.png' through `frame\_50.png' from a po
 \end{verbatim}
 
 \myparagraph*{Multipage PDF {\rm(pdf\LaTeX, \XeLaTeX)} and JBIG2 {\rm(pdf\LaTeX)} inclusion}
-If the file `\verb+<file basename>+.(pdf|jbig2|jb2)' exists (again, there is no file name extension to be specified), it is taken as a multipage document where each page represents one frame of the animation. In this case, the last two arguments, \verb+<first>+ \& \verb+<last>+, are interpreted differently from above; they specify a zero-based range of pages to be included in the animation. Either or both of them may be left empty, `\verb+{}+', in which case they default to $0$ and $n-1$, where $n$ is the total number of available pages. Arguments that fall outside this range are automatically corrected to the maximum allowed number, i.\,e. $n-1$.
+If the file `\verb+<file basename>+.(pdf|jbig2|jb2)' exists (again, there is no file name extension to be specified), it is taken as a multipage document where each page represents one frame of the animation. In this case, the last two arguments, \verb+<first>+ \& \verb+<last>+, are interpreted differently from above; they specify a zero-based range of pages to be included in the animation. Either or both of them may be left empty, `\verb+{}+', in which case they default to $0$ and $n-1$, where $n$ is the total number of available pages. Arguments that fall outside this range are automatically corrected to the existing limits. If \verb+<first>+ is greater than \verb+<last>+, pages are embedded in reverse order.
 
 For example, the line
 \begin{verbatim}
@@ -347,7 +347,7 @@ Figures~\ref{fig:taylor} and \ref{fig:lorenz} in Section~\ref{sect:examples} are
 \myparagraph*{Grouping objects into layers (= sub-stacks) using `{\tt;}'}
 Due to the stack-like nature of the animation, the position of a transparency specification in the timeline file determines its \emph{depth} level in relation to other transparencies. The timeline file is processed line by line and from left to right. In a single-stack animation, the stack is strictly built from the bottom up, such that earlier transparencies are overprinted by more recent ones. This may turn out to be inconvenient in certain situations. For example, it might be desirable to allow for changing the background image in the middle of an animation without affecting objects that are located in the foreground. For this purpose, transparency specifications can be grouped into layers or sub-stacks using the semicolon (\verb+;+) as a separator. New transparencies can now be put on top of the individual sub-stacks. After a line of the timeline file has been processed, the global stack is built by placing the sub-stacks one on top of the other. Again, the left-to-right rule applies when determining the height of the sub-stacks in relation to each other within the global stack.
 
-The layer concept is best illustrated by an example. In the timeline of Table~\ref{tab:multi}, transparencies are grouped into two sub-stacks only. One is reserved for the background images, transparencies No. 0 \& 1, to be exchanged in frame No. 3, as well as for two other transparencies, No. 7 \& 8, to be interspersed in frame No. 1. Another sub-stack takes the foreground objects that are successively added to the scene. The dotted lines in the third column of the table just mark the border between the two sub-stacks. In frame No. 3, `\verb+c+' first clears the bottom sub-stack before the new background image is inserted. (Instead, `\verb+x3+' could have been used with transparency No. 0 in frame No. 0.) As can be seen in the specifications of frames No. 2 \& 4, sub-stacks need not be explicitly populated; the leading semicolons just ensure the proper assignment of transparencies to animation sub-stacks.
+The layer concept is best illustrated by an example. In the timeline of Table~\ref{tab:multi}, transparencies are grouped into two sub-stacks only. One is reserved for the background images, transparencies No. 0 \& 1, to be exchanged in frame No. 3, as well as for two other transparencies, No. 7 \& 8, to be interspersed in frame No. 1. A second sub-stack takes the foreground objects that are successively added to the scene. The dotted lines in the third column of the table just mark the border between the two sub-stacks. In frame No. 3, `\verb+c+' first clears the bottom sub-stack before the new background image is inserted. (Instead, `\verb+x3+' could have been used with transparency No. 0 in frame No. 0.) As can be seen in the specifications of frames No. 2 \& 4, sub-stacks need not be explicitly populated; the leading semicolons just ensure the proper assignment of transparencies to animation sub-stacks.
 
 \begin{table}[ht]\centering
 \caption{Timeline example with two sub-stacks}\label{tab:multi}
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