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-% magman.tex -- info about Malvern Greek.
-%{{{ Malvern Greek manual
-%{{{ preamble
-
-\errorcontextlines=1000
-\input pdccmlft
-\input magrmac
-
-\font\notegr=ma55g9
-\font\bodygr=ma55g11
-\font\biggr=ma55g24 % used in sample
-\font\gri=ma56g11 % used in sample
-
-\toksa=\expandafter{\STYbodyT}
-\edef\STYbodyT{\the\toksa\noexpand\f{gr}{ma55g}}
-
-\bodyfonts
-
-\everygreek{\gr \baselineskip=14pt}
-
-\grdelimiter\* % * is already an active char
-+\defverbatim\_+ % | is often used in examples
-
-\majorheadline{Typesetting Greek using Malvern fonts}
-
-%{{{ font tables
-
-%% Code to typeset a font table -- lifted from my testfont.tex
-
-\newcount\tableN
-\newcount\hexcount
-\def\hexdigit#1{\ifcase#1\relax 0\or 1\or 2\or 3\or 4\or 5\or 6\or 7\or
- 8\or 9\or A\or B\or C\or D\or E\or F\fi}
-
-\def\ntablecr
-{%
- \cr
- \noalign{\nointerlineskip}
- \multispan2\hfill &\multispan{33}\hrulefill
-}
-\def\ntable
-{
- \medskip
- \begingroup \openup1\jot
- \def\\{\char\tableN \global\advance\tableN 1}
- \def\0##1{&\omit&\sevenrm##1}
- \halign to \hsize
- {%
- \chartstrut\hss##\tabskip=0pt plus 10pt &
- &\hss##\hss&##\vrule\cr
- \lower 6.5pt\null
- &\00\01\02\03\04\05\06\07\08\09\0A\0B\0C\0D\0E\0F
- \ntablecr
- \global\tableN=0
- \ntablelines
- \crcr
- }
- \medbreak
- \endgroup
-}
-
-\def\ntablelines
-{%
- \ifnum\tableN<256
- \let\next\ntablecontinuation
- \else
- \let\next\relax
- \fi
- \next
-}
-
-\newcount\ntabtmp
-
-\def\ntablecontinuation
-{%
- % Find out if none of this row are defined by making a horizontal
- % list of all of them preceeded by a penalty of 1; if any of them
- % are defined then \lastpenalty will be something other than 1:
- \setbox0=\hbox{\penalty1
- \def~{\char\tableN \advance\tableN 1}%
- ~~~~~~~~~~~~~~~~\global\ntabtmp=\lastpenalty}%
- % Now set the row in the table iff ntabtmp # 1:
- \ifnum\ntabtmp=1
- \global\advance\tableN 16 \let\next=\ntablelines
- \else
- \let\next=\ntablecontinuationcontinuation
- \fi
- \next
-}
-
-\def\ntablecontinuationcontinuation
-{%
- \cr
- \noalign{\nointerlineskip \penalty5000 }
- & \hexcount=\tableN \divide\hexcount16 \sevenrm\hexdigit\hexcount
- &&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&
- \ntablecr
- \ntablelines
-}
-
-\def\chartstrut{\lower 0.25\baselineskip \vbox to \baselineskip{}}
-
-%}}} font tables
-%{{{ two-column quotations
-
-\def\twocolgr{
- \smallskip
- \beginthe{twocolgr}
- \setbox0=\vbox\bgroup
- \hsize=\bodywd \advance\hsize-\colsep \divide\hsize by 2
- \begingreek \strut \ignorespaces
-}
-\def\endtwocolgr{%
- \par\endgreek \egroup
- \moveleft\leftmargin\vbox{
- \hrule\smallskip
- \hbox to \bodywd{\rigidbalance{0}{2}{\ht\strutbox}{\hfil}}
- \smallskip\hrule
- }
- \smallbreak
- \endthe{twocolgr}
-}
-%}}} two-column quotations
-%}}} preamble
-%{{{ bibliography
-
-\def\TB{{\it TUGboat}}
-
-\counta=0
-\newtoks\bibliography
-\newcount\bibcount
-
-\def\FAQnote
-{%
- \par {\bf Note on FAQs}\quad An FAQ is an electronic document, posted
- regularly to a USENET newsgroup, usually in the form of a list of
- answers to frequently asked questions. Many FAQs are available on
- the archive site |pit-manager.mit.edu| (alias |rtfm.mit.edu|)
- [18.172.1.27] in the directory |pub/usenet/news.answers|. The
- reference gives the name of the compiler, the title, the
- last-modified date (in lieu of an edition or version number) and
- name under which the FAQ is archived appears in parentheses.
- \par
-}
-
-\def\bibdef#1#2%
-{
- \expcs\edef{cite#1}%
- {%
- \noexpand\docite\noexpcs{cite#1}\noexpcs{refer#1}%
- }
- \toks0={#2}
- \expcs\edef{refer#1}{\noexpand\bibitem{\expcs\noexpand{cite#1}}
- \the\toks0}
-}
-\def\docite#1#2%
-{%
- \global\advance\bibcount1
- \global\bibliography=\expandafter
- {\the\bibliography #2}%
- \global\edef#1%
- {[\the\bibcount]}#1%
-}
-
-\bibdef{Allen}
-{
- W. Sidney Allen, {\it Vox Graeca: A Guide to Pronunciation of Classical
- Greek}, 3rd Ed.\ (Cambridge University Press, 1987),
- pp.\thinspace177--179.
-}
-
-\bibdef{KD}
-{
- K.~J. Dryllerakis (|kd@doc.ic.ac.uk|), {\it Typesetting Greek Texts with
- Greek\TeX}, Greek\TeX~3.1 (also known as KDGreek) (CTAN
- |fonts/greek/kd|).
-}
-
-\bibdef{FAQ}
-{
- Nikolaos Fotis (ed.), {\it soc.culture.greek} FAQ --
- Linguistics ({\tt greek-\penalty\exhyphenpenalty faq\slash
- linguistics}, 1993/03/06).
-}
-
-\bibdef{Yannis}
-{
- Yannis Haralambous and Klaus Thull, Typesetting Modern Greek with 128
- Character Codes, \TB\/ 10 (1989), pp.\thinspace354--359 (CTAN
- |fonts/greek/yannis|).
-}
-
-\bibdef{Harts}
-{
- Horace Hart, {\it Hart's Rules for Compositors and Readers at the
- University Press, Oxford}, 39th Edition, revised (Oxford
- University Press, 1989), pp.\thinspace111--116.
-}
-
-\bibdef{Levy}
-{
- Silvio Levy, Using Greek Fonts with \TeX, \TB\/ 9 (1988),
- pp.\thinspace20--24 (CTAN |fonts/greek/levy|).
-}
-
-\bibdef{COD}
-{
- {\it The Concise Oxford Dictionary of Current English}, 8th Ed.
- (Oxford University Press, 1990), p.\thinspace1453.
-}
-
-\def\bibitem#1%
-{%
- \smallskip
- \indent \llap{#1\hskip1pc}\ignorespaces
-}
-
-
-%}}} bibliography
-
-\twosidedtrue
-
-\noheadlinetrue
-\majorheadline{Typesetting Greek using Malvern fonts}
-\leftline{\headingfonts \the\majorheadline}
-\bigskip
-\leftline{P. Damian Cugley}
-\leftline{Oxford University Computing Laboratory}
-\leftline{(|Damian.Cugley@comlab.ox.ac.uk|)}
-\leftline{April 1993}
-\bigskip
-
-\noindent
- Malvern is a sanserif font family, implemented in \MF. This
- document describes Malvern encoding~G (the Greek alphabet).
-
-\section{Using Malvern G}
-
- Because most latin-alphabet languages require additional composite
- letter glyphs to be properly typeset by \TeX, most Malvern fonts
- will be used as the raw material for composite fonts. In contrast,
- the Malvern Greek font can be used directly to typeset Greek, both
- with the old accent-and-breathing systems and the newer (post-1974)
- one-accent system. It follows the conventions of Silvio Levy's
- original |gr| family \citeLevy\ and K.~J. Dryllerakis's Greek\TeX\
- (|kd| fonts) \citeKD. It is almost compatible with the reduced
- Greek fonts (|rgr| and |mrgr| families) described by Yannis
- Haralambous and Karl Thull \citeYannis.
-
-%{{{ typesetting
-
-\section{Macro file}
-
- The file |magrmac.tex| has some macros for setting texts in plain
- \TeX. A future production release may instead work as an option or
- extension of Greek\TeX, with the objective of making it possible to
- switch an existing document to Malvern without much editing.
-
- Greek text is set within a \dfn{Greek mode}, delimited by macros
- |\begingreek| and |\endgreek|. Each time Greek mode is entered, the
- contents of the token register |\everygreek| is scanned first.
- Since |magrmac| does {\it not} load a particular font by default, a
- manuscript using |magrmac| will want to include an assignment like
-\display
- |\everygreek={\greekfont}|\cr
- |\catcode`\*=\active \grdelimiter\*|
-\enddisplay
- where |\greekfont| has been bound to some Greek font or another such
- as |ma55g12|. The macro |\grdelimiter| takes one parameter, an
- active character (represented by a one-character control sequence),
- and makes that character into a self-matching delimiter for Greek
- mode (like |$|--|$| works for mathematics mode). Thus, `|*This is
- Greek*|' produces `*This is Greek*'.
-
-\section{The alphabet}
-
- The letters are transliterated as
- follows:
-\table \hfil#\hfil&&\enspace\hfil#\hfil\cr
- \gr a&\gr b&\gr g&\gr d&\gr e&\gr z&\gr h&\gr j&\gr i&\gr k&\gr
- l&\gr m&\gr n&\gr x&\gr o&\gr p&\gr r&\gr ss&\gr c&\gr t&\gr
- u&\gr f&\gr v& \gr q&\gr y&\gr w\cr
- \tt a&\tt b&\tt g&\tt d&\tt e&\tt z&\tt h&\tt j&\tt i&\tt k&\tt
- l&\tt m&\tt n&\tt x&\tt o&\tt p&\tt r&\tt s&\tt c&\tt t&\tt u&\tt
- f&\tt v& \tt q&\tt y&\tt w\cr
-\noalign{\smallskip}%
- \gr A&\gr B&\gr G&\gr D&\gr E&\gr Z&\gr H&\gr J&\gr I&\gr K&\gr
- L&\gr M&\gr N&\gr X&\gr O&\gr P&\gr R&\gr S&\gr C&\gr T&\gr
- U&\gr F&\gr V& \gr Q&\gr Y&\gr W\cr
- \tt A&\tt B&\tt G&\tt D&\tt E&\tt Z&\tt H&\tt J&\tt I&\tt K&\tt
- L&\tt M&\tt N&\tt X&\tt O&\tt P&\tt R&\tt S&\tt C&\tt T&\tt U&\tt
- F&\tt V& \tt Q&\tt Y&\tt W\cr
-\endtable
- The letter *C c* is \dfn{lunate sigma} (see below). The letter *V v*
- is \dfn{digamma} (wau). I~put it next to *f* because I~don't know
- where it belongs in the alphabet.
-
- A lower case sigma `*s@*' at the end of a word (or followed by
- punctuation) is automatically changed to the final form `*s*'
- through \TeX's ligature mechanism.\note{Occasionally \TeX's notion
- of word boundaries causes the wrong glyph to appear. There are two
- special invisible glyphs that can be used to control this in obscure
- circumstances. The so-called \dfn{compound word mark} (or cwm) acts
- as a word-boundary in the middle of a word. It has code~32, so
- `|as^^`a|' produces `*as^^`a*', for example. The \dfn{null glyph}
- is invisible, but, because it is not a boundary character, it can be
- used to prevent a ligature with a following word boundary. It has
- code 64, so `|as@|' produces `*as@*'.}
-
-\section{Composite letters}
-
- The marks that go above the letters are obtained with the
- following characters, which go before the letter:
-\table \gr#\hfil&\quad#\hfil&\quad #\hfil& \quad *#*\hfil\cr
-\noalign{\hrule height 1pt \vskip1\jot}%
- \omit Mark\hfil&\omit\quad Char\hfil&
- Name&\omit\quad Name in \citeYannis\hfil\cr
-\noalign{\vskip\jot \hrule \vskip\jot}
- <@& |<|& asper (rough, = h)& dase'ia\cr
- >@& |>|& lenis (smooth)& yil'h\cr
- "@& |"| (double quote)&
- diaeresis& dialutik'a\cr
- '@& |'| (quote)&
- acute accent& >oxe'ia\cr
- `@& |`|& grave accent& bare'ia\cr
- \char126 @& |~|& circumflex& perispwm'enh\cr
-\noalign{\vskip1\jot \hrule height 1pt\smallskip}%
-\endtable
- A breathing or diaeresis can be combined with an accent, thus
- `|<~a|' for *<~a*, `|>'e|' for *>'e*.
-
-
- The vowels *a*, *h* and *w* may have an iota beneath them, called
- `subscript': *a|*, *h|*, *w|*. These are produced with a vertical
- bar `_|_' after the letter in Greek mode: `_a|_' makes
- *a|*, `_<a|_' makes `*<a|*', and so on.
-
-
- As an example: `*>en >arq~h| >~hn <o l'ogos*' is generated with `_>en
- >arq~h| >~hn <o l'ogos_'.
-
-% In old-style Greek, all vowels beginning a word require a breathing
-% -- but *u* may only have an asper (rough). In diphthongs (*ai*,
-% *ei*, *oi*, *ui*, *au*, *eu*, *hu*, *ou*, *wu*), breathings and
-% accents stand over the second letter: *a<i*, *o>u*. Double *rr*
-% used to be written *>r<r*.
-
-%\section{Apostrophe (sign of elision)}
-
-% The lenis is also used like an apostrophe, to mark the elision of
-% vowels at the end of a word when the next word starts with a vowel.
-% The Malvern-G fonts, like the Levy-derived fonts, also has a
-% separate apostrophe glyph, which can be set with `|''|' (two quote
-% characters) or `|'|' (one quote) at the end of a word. Thus you
-% have a choice of `|d>|' or `|d'|' (*d>* or *d'*).
-
-
-\section{Punctuation}
-
- Here's a table of correspondences for punctuation:
-\table \hfil#\hfil&&\enspace\hfil#\hfil\cr
- *.*&*,*&*;*&*:*&*!*&*?*&*''*&*((*&*))*\cr
- |.|&|,|&|;|&|:|&|!|&|?|&|''|&|((|&|))|\cr
-\endtable
- The apostrophe is also generated by a single single-quote at the end
- of a word: `*d'*' can be generated by `|d'|'. There are also
- digits, parentheses, brackets, hyphen, dashes, slash, per cent sign,
- asterisk, plus and equals signs.
-
-\section{One-accent Greek}
-
- The easiest way to write modern Greek is simply to use |'| for the
- accent and otherwise to use |\begingreek|--|\endgreek| as before:
- `*en arq'h hn o l'ogos*' is generated with `|en arq'h hn o l'ogos|'.
-
- Malvern also has glyphs for a symmetrical accent (*\char3*) and
- composite letters (such as *\char3 a*, *"\char3u*). The macro
- |\monotoniko|\note{This macro is so named for compatibility with the
- |rgr|/|mrgr| macros \citeYannis. It might usefully go in
- |\everygreek|.} in Greek mode makes |'| an active character,
- expanding to the symmetrical accent. Then `|En'w|' produces
- `*En\char3w*'. In fact, the other accent characters |`| and |~| are
- also made to substitute `*\char3*', and |<|, |>| and _|_ expand to
- the null glyph, so that a text with all the breathings and accents
- and be hacked into almost-correct one-accent Greek.\note{Again, for
- compatibility with the |rgr|/|mrgr| macros. Because monosyllables
- should not have accents at all in one-accent Greek, a complete
- conversion from old-style to new-style requires changes to the
- manuscript anyway, so the usefulness of this feature is debatable!}
- For example, `_>En~w|_' becomes `*\monotoniko >En~w|*'.
-
-\section{Variant glyphs}
-
- Sigma has a variant called lunate sigma, written *Cc*. These
- letters can be obtained directly (produced by the character `|c|' in
- the manuscript). So that a given text can be switched between the
- two styles, there is also a macro |\grlunatesigma|, which redefines
- `|s|' is as active character equivalent to `|c|'. Obviously this is
- only useful when Greek mode is only used for plain texts, since it
- prevents `|s|' from being used in control sequence names.
-
- Similarly, there are two ways to write lower case phi: *f* and
- *\char92 * (`|f|' and glyph~92). There is no difference in meaning
- between *f* and *\char92 *; the choice of one or the other is only
- made on aesthetic grounds. The macro |\grvarphi| redefines `|f|' as
- an active character equivalent to `*\char92 *', in effect replacing
- *f* with *\char92 *.
-
- Normally these macros, if used, will go in |\everygreek|.
-
-%}}} typesetting
-\iffalse
-%{{{ background
-\section{Background}
-
- This section is optional reading.
-
-\subsection{Development of the Levy-derived font families}
-
- Silvio Levy's |gr| fonts \citeLevy\ used the \TeX~2 ligature system
- to make *s* become *s@* when followed by a letter, and had glyphs
- for almost all the composite letters.
-
- Yannis Haralambous and Klaus Thull created a set of reduced
- (128-glyph) fonts, for \TeX\ systems still unable to manage
- 256-glyph fonts \citeYannis. These fonts (the |rgr| and |mrgr|
- families) still used Levy's character programs. Because they could
- not include glyphs for all the composite letters, many composite
- letters had to be obtained with macros rather than ligatures. The
- |mrgr| family is for new-style (one-accent) Greek.
-
- Finally K.~J. Dryllerakis's Greek\TeX\ package (also called KDGreek)
- \citeKD\ uses the Levy character programs again, but takes advantage
- of the new ligature features of \TeX~3 to make *s@* become *s*
- (without needing compound glyphs for every combination of *s@* with
- a letter). The fonts are given names starting with |kd|.
- Greek\TeX\ also includes format files for plain \TeX\ and \LaTeX,
- transliteration programs and other useful things.
-
-\subsection{Designing Greek letters for Malvern}
-
- My Malvern-G encoding is intended to be `ligature-compatible' with
- Levy's and Dryllerakis's, meaning that `|<'a|||' will produce
- `*<'a|*' in each of them, even though this is glyph~141 in
- |grreg10|, 201 in |kdgr10| and some random number in |ma55g10|. The
- punctuation characters have the same encoding.
-
- Designing a sanserif Greek lower case alphabet (*alfabet*?) is tricky
- because the lower case letters have a very cursive style, as if
- hand-drawn with a brush by a scribe in a hurry -- which is pretty
- much the opposite of most sanserif styles. I~made sketches (on
- paper) of Greek letters forced into the same sorts of shapes as
- other Malvern letters, and the results were uniformly horrid. The
- original idea of Malvern was to make a humanist/geometric hybrid, so
- I tried approaching it from the from the humanist end this time.
-
-%}}} background
-\fi
-%{{{ references
-
-\section{References}
-
- Since I don't speak a word of Greek -- the only word I know is
- *barbaroi* and I don't know how to spell it -- I have relied on
- reading between the lines of the documentation for other systems for
- typesetting Greek, including Hart's Rules \citeHarts.
-
- CTAN is the Comprehensive \TeX\ Archive Network, a collection of FTP
- sites (such as |ftp.tex.ac.uk|, under directory |tex-archive|).
-
-\beginthe{bib} \parskip=0pt \parindent=0pt
- \the\bibliography
- \par
-\endthe{bib}
-
-%}}} postamble
-
-%{{{ samples
-
-\section{Examples of text in Malvern 55 and 56}
-
-\iffalse
- This quotation is used by Haralambous and Thull \citeYannis\ as an
- example of the old-style accent-and-breathing system:
-%{{{ Popess Johanna
-
-\begin twocolgr
- >En~w| <esp'eran tin`a >exantl'hsas t`a murol'ogi'a tou
- >ekoim~ato <o Froum'entios >ep`i t~hs >'ammou t~hs paral'ias,
- katab`as >ex o>uran~wn <o >ap'ostolos >eke~inos t~wn Sax'onwn
- >'hnoixe di`a maqa'iras t`a st'hjh to~u koimwm'enou,
- e>is'hgage to`us <iero`us dakt'ulous tou e>is t`hn >op`hn kai
- >exag`wn t`hn kard`ian >eb'ujisen a>ut'hn e>is l'akkon pl'hrh
- <'udatos, <'oper <hg'iasen prohgoum'enws. <H fl'egousa
- >eke'inh kard'ia >'efrizen e>is t`o <'udwr <ws smap`is >ent`os
- to~u thgan'iou, >afo~u d`e >ekr'uwsen, >'ejese p'alin a>ut`hn
- <o <'agios e<is t`on t'opon ths ka`i kle'isas t`hn plhg`hn
- >ep'estreyen e>is t`on >idik'on tou.
-
- >'Etuq'e pote, >anagn~wst'a mou, n`a >apokoimhj~h|s m`e
- >anup'oforon b~hqa, koim'wmenos n`a <idr'wsh|s ka`i >exupn'hsas
- n`a e<urej~h|s >iatreum'enos? >Agn~wn <'oti e>~isai
- kal`a >ano'igeis mhqanik~ws t`o st'oma, <'ina plhr'wsh|s e>is
- t`on >epikat'araton b~hqa t`on sun'hjh f'oron. >All`a
- p'oshn a>isj'anesai qar'an, m`h e<ur'iskwn e>is t`on l'arugga
- t`o >oqlhp`on jhr'ion! O<'utw <'ama >'hnoixe ka`i <o
- Froum'entios to`us >ofjalmo'us, <htoim'asjn n`a prosf'erh|
- e>is t`hn >aq'ariston >Iw'annan t`hn sun'hjh dakr'uwn
- spond'hn, >all`a par`a p~asan prosdok'ian o<i >ofjalmo'i
- tou e<ur'ejhsan xhro`i ka'i n`a progeumat'ish| m~allon >`h
- n`a kla'ush| >h|sj'aneto >'orexin met`a polu'hmeron nhste'ian
- <o kal`os Benedekt~inos.
-\end twocolgr
-\rightline{\csc{Emmanouil Ro\"{\i}dis}, `The Popess Johanna (1896)'}
-\vskip 0pt plus \baselineskip
-
-%}}} Popess Johanna
-\fi
-
- The following paragraph is set in 11-point Malvern~55 (11-point
- Malvern has comprable x-height to 12-point Computer Modern). This
- quotation is used as one of the examples in Levy's article
- \citeLevy:
-\twocolgr
- >All' >ako'usontai, >enper e>~u dok~h|s l'egein. t'ode d'e sou
- >ene'ohsa <'ama l'egontos, ka`i pr`os >emaut`on skop~w; e>i <'oti
- m'alist'a me E>uj'ufrwn did'axeien, <ws o<i jeo`i <'apantes t`on
- toio~uton j'anaton <hgo~untai >'adikon e>~inai, t'i m~allon >eg`w
- mem'ajhka par' E>uj'ufronos, t'i pot' >est`in t`o <'osi'on te ka`i
- t`o >an'osion? jeomis`es m`en g`ar to~uto t`o >'epgon, <ws
- >'eoiken, e>'in >'an; >all`a g`ar o>u to'utw| >ef'anh >'arti
- <wrism'ena t`o <'osion ka`i m'h; t`o g`ar jeomis`es >`on ka`i
- jeofil`es >ef'anh. <wste to'utou m`en >af'ihm'i se, >~w E>uj'ufron;
- e>i bo'ulei, p'antes a>ut`o <hge'isjwn jeo`i >'adikon ka`i p'antes
- miso'untwn. >all' >~ara to~uto n~un >epanorj'wmeja >en t~w| l'ogw|,
- <ws <`o m`en p'antes o<i jeo`i mis~wsin, >an'osi'on >estin, <`o d'
- >`an fil~wsin, <`osion; <`o d' >`an o<i m`en fil~wsin, o<i d`e
- mis~wsin, o>ud'etera >`h amf'otera? >~ar' o<'utw bo'ulei <hm~in
- <wr'isjai n~un per`i to~u <os'iou ka`i to~u >anos'iou?
-\endtwocolgr
- \rightline{Plato, `Euthyphro'}
-\vskip 1\medskipamount plus \baselineskip
-
-
- This quotation (similarly stolen) is in Malvern~56 and has
- |\grvarphi| and |\grlunatesigma| in effect:
-
-\twocolgr \gri \grvarphi \grlunatesigma
- T`h stigm`h to'uth ni'wjw p'oso bar'u ''nai t`o must'hrio t~hs
- xomol'oghshs. <Ws t'wra, kane`is d`en x'erei p~ws p'erasa t`a du`o
- qr'onia mou st`o <'Agion >'Oros. O<i f'iloi mou jarro~un p`ws p~hga
- n`a d~w buzantin`a kon'ismata >`h >ap`o mustikop'ajeia n`a z'hsw
- mi`a perasm'enh >epoq'h. Ka`i t'wra, n'a, ntr'epomai n`a mil'hsw.
-
- P~ws n`a t`o p~w? Jumo~umai <'ena >anoixi'atiko deilin'o, po`u
- kat'ebaina t`on Ta"'ugeto, mi`a xafnik`h j'uella m`e k'uklwse kont`a
- sto'us Pentaulo'us. T'oso fober`os >anemos'ifounas, po`u >'epesa
- katag~hs gi`a n`a m`hn gkremist~w. O<i >astrap`es m' >'exwsan
- <olo~uje ki >'ekleisa t`a m'atia m`hn tuflwj~w, ka`i kat'aqama,
- p'istoma, per'imena. <'Olo t`o pan'uyhlo boun`o >'etreme, ka`i du`o
- >'elata d'ipla mou tsak'isthkan >ap' t`h m'esh ka`i br'onthxan
- q'amou. >'Eniwja t`o jei'afi to~u kerauno~u st`on >a'era, ka`i
- xafnik`a x'espase <h mp'ora, >'epesen <o >'anemos, ka`i qontr'es,
- jerm'es st'ales broq`h qt'uphsan t`a dentr`a ka`i t`o q~wma. T`o
- jum'ari, <h jro'umpa, t`o fask'omhlo, t`o flisko'uni, qtuphm'ena
- >ap' t`o ner'o, t'inaxan t`is murwdi'es tous ki <'olh <h g~hs
- m'urise.
-\endtwocolgr
-\rightline{\csc{Kazantzakis}, `Symposium'}
-\vskip 0pt plus \baselineskip
-
-%}}} samples
-\iffalse
-%{{{ table
-
-*\ntable*
-\smallskip \noindent
- This is a working encoding, and will likely be different in future
- versions.
-%}}} table
-\fi
-%{{{ 24-pt sample
-
-\bigbreak
-\moveleft\leftmargin \vbox{ \hsize=\bodywd
-\hrule height 1pt \bigskip
-\begingreek \biggr\baselineskip=30pt
-\centerline{((ABGDEZHJIKLMNXOPRSCTUFVQYW))}
-\centerline{](abgdezhjiklmnxoprss^^`ctuf\char92 vqyw)[}
-\centerline{=0123456789---\%\char42 +/--''!,:;?.-}
-\centerline{\char3 '@ `@ ~@ <@ <'@ <`@ <~@ >@ >'@ >`@ >~@ "@ "'@ "`@ "~@
- "\char3 @}
-\endgreek
-\medskip\hrule height 1pt
-}
-%}}} 24-pt sample
-\bye
-%}}} Malvern Greek manual
-
-% Local variables:
-% fill-prefix: "\t"
-% fill-column: 76
-% fold-folded-p: t
-% End: