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diff --git a/Master/texmf-dist/source/plain/pdcmac/magrman.tex b/Master/texmf-dist/source/plain/pdcmac/magrman.tex deleted file mode 100644 index 5e746d36fa8..00000000000 --- a/Master/texmf-dist/source/plain/pdcmac/magrman.tex +++ /dev/null @@ -1,604 +0,0 @@ -% magman.tex -- info about Malvern Greek. -%{{{ Malvern Greek manual -%{{{ preamble - -\errorcontextlines=1000 -\input pdccmlft -\input magrmac - -\font\notegr=ma55g9 -\font\bodygr=ma55g11 -\font\biggr=ma55g24 % used in sample -\font\gri=ma56g11 % used in sample - -\toksa=\expandafter{\STYbodyT} -\edef\STYbodyT{\the\toksa\noexpand\f{gr}{ma55g}} - -\bodyfonts - -\everygreek{\gr \baselineskip=14pt} - -\grdelimiter\* % * is already an active char -+\defverbatim\_+ % | is often used in examples - -\majorheadline{Typesetting Greek using Malvern fonts} - -%{{{ font tables - -%% Code to typeset a font table -- lifted from my testfont.tex - -\newcount\tableN -\newcount\hexcount -\def\hexdigit#1{\ifcase#1\relax 0\or 1\or 2\or 3\or 4\or 5\or 6\or 7\or - 8\or 9\or A\or B\or C\or D\or E\or F\fi} - -\def\ntablecr -{% - \cr - \noalign{\nointerlineskip} - \multispan2\hfill &\multispan{33}\hrulefill -} -\def\ntable -{ - \medskip - \begingroup \openup1\jot - \def\\{\char\tableN \global\advance\tableN 1} - \def\0##1{&\omit&\sevenrm##1} - \halign to \hsize - {% - \chartstrut\hss##\tabskip=0pt plus 10pt & - &\hss##\hss&##\vrule\cr - \lower 6.5pt\null - &\00\01\02\03\04\05\06\07\08\09\0A\0B\0C\0D\0E\0F - \ntablecr - \global\tableN=0 - \ntablelines - \crcr - } - \medbreak - \endgroup -} - -\def\ntablelines -{% - \ifnum\tableN<256 - \let\next\ntablecontinuation - \else - \let\next\relax - \fi - \next -} - -\newcount\ntabtmp - -\def\ntablecontinuation -{% - % Find out if none of this row are defined by making a horizontal - % list of all of them preceeded by a penalty of 1; if any of them - % are defined then \lastpenalty will be something other than 1: - \setbox0=\hbox{\penalty1 - \def~{\char\tableN \advance\tableN 1}% - ~~~~~~~~~~~~~~~~\global\ntabtmp=\lastpenalty}% - % Now set the row in the table iff ntabtmp # 1: - \ifnum\ntabtmp=1 - \global\advance\tableN 16 \let\next=\ntablelines - \else - \let\next=\ntablecontinuationcontinuation - \fi - \next -} - -\def\ntablecontinuationcontinuation -{% - \cr - \noalign{\nointerlineskip \penalty5000 } - & \hexcount=\tableN \divide\hexcount16 \sevenrm\hexdigit\hexcount - &&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\& - \ntablecr - \ntablelines -} - -\def\chartstrut{\lower 0.25\baselineskip \vbox to \baselineskip{}} - -%}}} font tables -%{{{ two-column quotations - -\def\twocolgr{ - \smallskip - \beginthe{twocolgr} - \setbox0=\vbox\bgroup - \hsize=\bodywd \advance\hsize-\colsep \divide\hsize by 2 - \begingreek \strut \ignorespaces -} -\def\endtwocolgr{% - \par\endgreek \egroup - \moveleft\leftmargin\vbox{ - \hrule\smallskip - \hbox to \bodywd{\rigidbalance{0}{2}{\ht\strutbox}{\hfil}} - \smallskip\hrule - } - \smallbreak - \endthe{twocolgr} -} -%}}} two-column quotations -%}}} preamble -%{{{ bibliography - -\def\TB{{\it TUGboat}} - -\counta=0 -\newtoks\bibliography -\newcount\bibcount - -\def\FAQnote -{% - \par {\bf Note on FAQs}\quad An FAQ is an electronic document, posted - regularly to a USENET newsgroup, usually in the form of a list of - answers to frequently asked questions. Many FAQs are available on - the archive site |pit-manager.mit.edu| (alias |rtfm.mit.edu|) - [18.172.1.27] in the directory |pub/usenet/news.answers|. The - reference gives the name of the compiler, the title, the - last-modified date (in lieu of an edition or version number) and - name under which the FAQ is archived appears in parentheses. - \par -} - -\def\bibdef#1#2% -{ - \expcs\edef{cite#1}% - {% - \noexpand\docite\noexpcs{cite#1}\noexpcs{refer#1}% - } - \toks0={#2} - \expcs\edef{refer#1}{\noexpand\bibitem{\expcs\noexpand{cite#1}} - \the\toks0} -} -\def\docite#1#2% -{% - \global\advance\bibcount1 - \global\bibliography=\expandafter - {\the\bibliography #2}% - \global\edef#1% - {[\the\bibcount]}#1% -} - -\bibdef{Allen} -{ - W. Sidney Allen, {\it Vox Graeca: A Guide to Pronunciation of Classical - Greek}, 3rd Ed.\ (Cambridge University Press, 1987), - pp.\thinspace177--179. -} - -\bibdef{KD} -{ - K.~J. Dryllerakis (|kd@doc.ic.ac.uk|), {\it Typesetting Greek Texts with - Greek\TeX}, Greek\TeX~3.1 (also known as KDGreek) (CTAN - |fonts/greek/kd|). -} - -\bibdef{FAQ} -{ - Nikolaos Fotis (ed.), {\it soc.culture.greek} FAQ -- - Linguistics ({\tt greek-\penalty\exhyphenpenalty faq\slash - linguistics}, 1993/03/06). -} - -\bibdef{Yannis} -{ - Yannis Haralambous and Klaus Thull, Typesetting Modern Greek with 128 - Character Codes, \TB\/ 10 (1989), pp.\thinspace354--359 (CTAN - |fonts/greek/yannis|). -} - -\bibdef{Harts} -{ - Horace Hart, {\it Hart's Rules for Compositors and Readers at the - University Press, Oxford}, 39th Edition, revised (Oxford - University Press, 1989), pp.\thinspace111--116. -} - -\bibdef{Levy} -{ - Silvio Levy, Using Greek Fonts with \TeX, \TB\/ 9 (1988), - pp.\thinspace20--24 (CTAN |fonts/greek/levy|). -} - -\bibdef{COD} -{ - {\it The Concise Oxford Dictionary of Current English}, 8th Ed. - (Oxford University Press, 1990), p.\thinspace1453. -} - -\def\bibitem#1% -{% - \smallskip - \indent \llap{#1\hskip1pc}\ignorespaces -} - - -%}}} bibliography - -\twosidedtrue - -\noheadlinetrue -\majorheadline{Typesetting Greek using Malvern fonts} -\leftline{\headingfonts \the\majorheadline} -\bigskip -\leftline{P. Damian Cugley} -\leftline{Oxford University Computing Laboratory} -\leftline{(|Damian.Cugley@comlab.ox.ac.uk|)} -\leftline{April 1993} -\bigskip - -\noindent - Malvern is a sanserif font family, implemented in \MF. This - document describes Malvern encoding~G (the Greek alphabet). - -\section{Using Malvern G} - - Because most latin-alphabet languages require additional composite - letter glyphs to be properly typeset by \TeX, most Malvern fonts - will be used as the raw material for composite fonts. In contrast, - the Malvern Greek font can be used directly to typeset Greek, both - with the old accent-and-breathing systems and the newer (post-1974) - one-accent system. It follows the conventions of Silvio Levy's - original |gr| family \citeLevy\ and K.~J. Dryllerakis's Greek\TeX\ - (|kd| fonts) \citeKD. It is almost compatible with the reduced - Greek fonts (|rgr| and |mrgr| families) described by Yannis - Haralambous and Karl Thull \citeYannis. - -%{{{ typesetting - -\section{Macro file} - - The file |magrmac.tex| has some macros for setting texts in plain - \TeX. A future production release may instead work as an option or - extension of Greek\TeX, with the objective of making it possible to - switch an existing document to Malvern without much editing. - - Greek text is set within a \dfn{Greek mode}, delimited by macros - |\begingreek| and |\endgreek|. Each time Greek mode is entered, the - contents of the token register |\everygreek| is scanned first. - Since |magrmac| does {\it not} load a particular font by default, a - manuscript using |magrmac| will want to include an assignment like -\display - |\everygreek={\greekfont}|\cr - |\catcode`\*=\active \grdelimiter\*| -\enddisplay - where |\greekfont| has been bound to some Greek font or another such - as |ma55g12|. The macro |\grdelimiter| takes one parameter, an - active character (represented by a one-character control sequence), - and makes that character into a self-matching delimiter for Greek - mode (like |$|--|$| works for mathematics mode). Thus, `|*This is - Greek*|' produces `*This is Greek*'. - -\section{The alphabet} - - The letters are transliterated as - follows: -\table \hfil#\hfil&&\enspace\hfil#\hfil\cr - \gr a&\gr b&\gr g&\gr d&\gr e&\gr z&\gr h&\gr j&\gr i&\gr k&\gr - l&\gr m&\gr n&\gr x&\gr o&\gr p&\gr r&\gr ss&\gr c&\gr t&\gr - u&\gr f&\gr v& \gr q&\gr y&\gr w\cr - \tt a&\tt b&\tt g&\tt d&\tt e&\tt z&\tt h&\tt j&\tt i&\tt k&\tt - l&\tt m&\tt n&\tt x&\tt o&\tt p&\tt r&\tt s&\tt c&\tt t&\tt u&\tt - f&\tt v& \tt q&\tt y&\tt w\cr -\noalign{\smallskip}% - \gr A&\gr B&\gr G&\gr D&\gr E&\gr Z&\gr H&\gr J&\gr I&\gr K&\gr - L&\gr M&\gr N&\gr X&\gr O&\gr P&\gr R&\gr S&\gr C&\gr T&\gr - U&\gr F&\gr V& \gr Q&\gr Y&\gr W\cr - \tt A&\tt B&\tt G&\tt D&\tt E&\tt Z&\tt H&\tt J&\tt I&\tt K&\tt - L&\tt M&\tt N&\tt X&\tt O&\tt P&\tt R&\tt S&\tt C&\tt T&\tt U&\tt - F&\tt V& \tt Q&\tt Y&\tt W\cr -\endtable - The letter *C c* is \dfn{lunate sigma} (see below). The letter *V v* - is \dfn{digamma} (wau). I~put it next to *f* because I~don't know - where it belongs in the alphabet. - - A lower case sigma `*s@*' at the end of a word (or followed by - punctuation) is automatically changed to the final form `*s*' - through \TeX's ligature mechanism.\note{Occasionally \TeX's notion - of word boundaries causes the wrong glyph to appear. There are two - special invisible glyphs that can be used to control this in obscure - circumstances. The so-called \dfn{compound word mark} (or cwm) acts - as a word-boundary in the middle of a word. It has code~32, so - `|as^^`a|' produces `*as^^`a*', for example. The \dfn{null glyph} - is invisible, but, because it is not a boundary character, it can be - used to prevent a ligature with a following word boundary. It has - code 64, so `|as@|' produces `*as@*'.} - -\section{Composite letters} - - The marks that go above the letters are obtained with the - following characters, which go before the letter: -\table \gr#\hfil&\quad#\hfil&\quad #\hfil& \quad *#*\hfil\cr -\noalign{\hrule height 1pt \vskip1\jot}% - \omit Mark\hfil&\omit\quad Char\hfil& - Name&\omit\quad Name in \citeYannis\hfil\cr -\noalign{\vskip\jot \hrule \vskip\jot} - <@& |<|& asper (rough, = h)& dase'ia\cr - >@& |>|& lenis (smooth)& yil'h\cr - "@& |"| (double quote)& - diaeresis& dialutik'a\cr - '@& |'| (quote)& - acute accent& >oxe'ia\cr - `@& |`|& grave accent& bare'ia\cr - \char126 @& |~|& circumflex& perispwm'enh\cr -\noalign{\vskip1\jot \hrule height 1pt\smallskip}% -\endtable - A breathing or diaeresis can be combined with an accent, thus - `|<~a|' for *<~a*, `|>'e|' for *>'e*. - - - The vowels *a*, *h* and *w* may have an iota beneath them, called - `subscript': *a|*, *h|*, *w|*. These are produced with a vertical - bar `_|_' after the letter in Greek mode: `_a|_' makes - *a|*, `_<a|_' makes `*<a|*', and so on. - - - As an example: `*>en >arq~h| >~hn <o l'ogos*' is generated with `_>en - >arq~h| >~hn <o l'ogos_'. - -% In old-style Greek, all vowels beginning a word require a breathing -% -- but *u* may only have an asper (rough). In diphthongs (*ai*, -% *ei*, *oi*, *ui*, *au*, *eu*, *hu*, *ou*, *wu*), breathings and -% accents stand over the second letter: *a<i*, *o>u*. Double *rr* -% used to be written *>r<r*. - -%\section{Apostrophe (sign of elision)} - -% The lenis is also used like an apostrophe, to mark the elision of -% vowels at the end of a word when the next word starts with a vowel. -% The Malvern-G fonts, like the Levy-derived fonts, also has a -% separate apostrophe glyph, which can be set with `|''|' (two quote -% characters) or `|'|' (one quote) at the end of a word. Thus you -% have a choice of `|d>|' or `|d'|' (*d>* or *d'*). - - -\section{Punctuation} - - Here's a table of correspondences for punctuation: -\table \hfil#\hfil&&\enspace\hfil#\hfil\cr - *.*&*,*&*;*&*:*&*!*&*?*&*''*&*((*&*))*\cr - |.|&|,|&|;|&|:|&|!|&|?|&|''|&|((|&|))|\cr -\endtable - The apostrophe is also generated by a single single-quote at the end - of a word: `*d'*' can be generated by `|d'|'. There are also - digits, parentheses, brackets, hyphen, dashes, slash, per cent sign, - asterisk, plus and equals signs. - -\section{One-accent Greek} - - The easiest way to write modern Greek is simply to use |'| for the - accent and otherwise to use |\begingreek|--|\endgreek| as before: - `*en arq'h hn o l'ogos*' is generated with `|en arq'h hn o l'ogos|'. - - Malvern also has glyphs for a symmetrical accent (*\char3*) and - composite letters (such as *\char3 a*, *"\char3u*). The macro - |\monotoniko|\note{This macro is so named for compatibility with the - |rgr|/|mrgr| macros \citeYannis. It might usefully go in - |\everygreek|.} in Greek mode makes |'| an active character, - expanding to the symmetrical accent. Then `|En'w|' produces - `*En\char3w*'. In fact, the other accent characters |`| and |~| are - also made to substitute `*\char3*', and |<|, |>| and _|_ expand to - the null glyph, so that a text with all the breathings and accents - and be hacked into almost-correct one-accent Greek.\note{Again, for - compatibility with the |rgr|/|mrgr| macros. Because monosyllables - should not have accents at all in one-accent Greek, a complete - conversion from old-style to new-style requires changes to the - manuscript anyway, so the usefulness of this feature is debatable!} - For example, `_>En~w|_' becomes `*\monotoniko >En~w|*'. - -\section{Variant glyphs} - - Sigma has a variant called lunate sigma, written *Cc*. These - letters can be obtained directly (produced by the character `|c|' in - the manuscript). So that a given text can be switched between the - two styles, there is also a macro |\grlunatesigma|, which redefines - `|s|' is as active character equivalent to `|c|'. Obviously this is - only useful when Greek mode is only used for plain texts, since it - prevents `|s|' from being used in control sequence names. - - Similarly, there are two ways to write lower case phi: *f* and - *\char92 * (`|f|' and glyph~92). There is no difference in meaning - between *f* and *\char92 *; the choice of one or the other is only - made on aesthetic grounds. The macro |\grvarphi| redefines `|f|' as - an active character equivalent to `*\char92 *', in effect replacing - *f* with *\char92 *. - - Normally these macros, if used, will go in |\everygreek|. - -%}}} typesetting -\iffalse -%{{{ background -\section{Background} - - This section is optional reading. - -\subsection{Development of the Levy-derived font families} - - Silvio Levy's |gr| fonts \citeLevy\ used the \TeX~2 ligature system - to make *s* become *s@* when followed by a letter, and had glyphs - for almost all the composite letters. - - Yannis Haralambous and Klaus Thull created a set of reduced - (128-glyph) fonts, for \TeX\ systems still unable to manage - 256-glyph fonts \citeYannis. These fonts (the |rgr| and |mrgr| - families) still used Levy's character programs. Because they could - not include glyphs for all the composite letters, many composite - letters had to be obtained with macros rather than ligatures. The - |mrgr| family is for new-style (one-accent) Greek. - - Finally K.~J. Dryllerakis's Greek\TeX\ package (also called KDGreek) - \citeKD\ uses the Levy character programs again, but takes advantage - of the new ligature features of \TeX~3 to make *s@* become *s* - (without needing compound glyphs for every combination of *s@* with - a letter). The fonts are given names starting with |kd|. - Greek\TeX\ also includes format files for plain \TeX\ and \LaTeX, - transliteration programs and other useful things. - -\subsection{Designing Greek letters for Malvern} - - My Malvern-G encoding is intended to be `ligature-compatible' with - Levy's and Dryllerakis's, meaning that `|<'a|||' will produce - `*<'a|*' in each of them, even though this is glyph~141 in - |grreg10|, 201 in |kdgr10| and some random number in |ma55g10|. The - punctuation characters have the same encoding. - - Designing a sanserif Greek lower case alphabet (*alfabet*?) is tricky - because the lower case letters have a very cursive style, as if - hand-drawn with a brush by a scribe in a hurry -- which is pretty - much the opposite of most sanserif styles. I~made sketches (on - paper) of Greek letters forced into the same sorts of shapes as - other Malvern letters, and the results were uniformly horrid. The - original idea of Malvern was to make a humanist/geometric hybrid, so - I tried approaching it from the from the humanist end this time. - -%}}} background -\fi -%{{{ references - -\section{References} - - Since I don't speak a word of Greek -- the only word I know is - *barbaroi* and I don't know how to spell it -- I have relied on - reading between the lines of the documentation for other systems for - typesetting Greek, including Hart's Rules \citeHarts. - - CTAN is the Comprehensive \TeX\ Archive Network, a collection of FTP - sites (such as |ftp.tex.ac.uk|, under directory |tex-archive|). - -\beginthe{bib} \parskip=0pt \parindent=0pt - \the\bibliography - \par -\endthe{bib} - -%}}} postamble - -%{{{ samples - -\section{Examples of text in Malvern 55 and 56} - -\iffalse - This quotation is used by Haralambous and Thull \citeYannis\ as an - example of the old-style accent-and-breathing system: -%{{{ Popess Johanna - -\begin twocolgr - >En~w| <esp'eran tin`a >exantl'hsas t`a murol'ogi'a tou - >ekoim~ato <o Froum'entios >ep`i t~hs >'ammou t~hs paral'ias, - katab`as >ex o>uran~wn <o >ap'ostolos >eke~inos t~wn Sax'onwn - >'hnoixe di`a maqa'iras t`a st'hjh to~u koimwm'enou, - e>is'hgage to`us <iero`us dakt'ulous tou e>is t`hn >op`hn kai - >exag`wn t`hn kard`ian >eb'ujisen a>ut'hn e>is l'akkon pl'hrh - <'udatos, <'oper <hg'iasen prohgoum'enws. <H fl'egousa - >eke'inh kard'ia >'efrizen e>is t`o <'udwr <ws smap`is >ent`os - to~u thgan'iou, >afo~u d`e >ekr'uwsen, >'ejese p'alin a>ut`hn - <o <'agios e<is t`on t'opon ths ka`i kle'isas t`hn plhg`hn - >ep'estreyen e>is t`on >idik'on tou. - - >'Etuq'e pote, >anagn~wst'a mou, n`a >apokoimhj~h|s m`e - >anup'oforon b~hqa, koim'wmenos n`a <idr'wsh|s ka`i >exupn'hsas - n`a e<urej~h|s >iatreum'enos? >Agn~wn <'oti e>~isai - kal`a >ano'igeis mhqanik~ws t`o st'oma, <'ina plhr'wsh|s e>is - t`on >epikat'araton b~hqa t`on sun'hjh f'oron. >All`a - p'oshn a>isj'anesai qar'an, m`h e<ur'iskwn e>is t`on l'arugga - t`o >oqlhp`on jhr'ion! O<'utw <'ama >'hnoixe ka`i <o - Froum'entios to`us >ofjalmo'us, <htoim'asjn n`a prosf'erh| - e>is t`hn >aq'ariston >Iw'annan t`hn sun'hjh dakr'uwn - spond'hn, >all`a par`a p~asan prosdok'ian o<i >ofjalmo'i - tou e<ur'ejhsan xhro`i ka'i n`a progeumat'ish| m~allon >`h - n`a kla'ush| >h|sj'aneto >'orexin met`a polu'hmeron nhste'ian - <o kal`os Benedekt~inos. -\end twocolgr -\rightline{\csc{Emmanouil Ro\"{\i}dis}, `The Popess Johanna (1896)'} -\vskip 0pt plus \baselineskip - -%}}} Popess Johanna -\fi - - The following paragraph is set in 11-point Malvern~55 (11-point - Malvern has comprable x-height to 12-point Computer Modern). This - quotation is used as one of the examples in Levy's article - \citeLevy: -\twocolgr - >All' >ako'usontai, >enper e>~u dok~h|s l'egein. t'ode d'e sou - >ene'ohsa <'ama l'egontos, ka`i pr`os >emaut`on skop~w; e>i <'oti - m'alist'a me E>uj'ufrwn did'axeien, <ws o<i jeo`i <'apantes t`on - toio~uton j'anaton <hgo~untai >'adikon e>~inai, t'i m~allon >eg`w - mem'ajhka par' E>uj'ufronos, t'i pot' >est`in t`o <'osi'on te ka`i - t`o >an'osion? jeomis`es m`en g`ar to~uto t`o >'epgon, <ws - >'eoiken, e>'in >'an; >all`a g`ar o>u to'utw| >ef'anh >'arti - <wrism'ena t`o <'osion ka`i m'h; t`o g`ar jeomis`es >`on ka`i - jeofil`es >ef'anh. <wste to'utou m`en >af'ihm'i se, >~w E>uj'ufron; - e>i bo'ulei, p'antes a>ut`o <hge'isjwn jeo`i >'adikon ka`i p'antes - miso'untwn. >all' >~ara to~uto n~un >epanorj'wmeja >en t~w| l'ogw|, - <ws <`o m`en p'antes o<i jeo`i mis~wsin, >an'osi'on >estin, <`o d' - >`an fil~wsin, <`osion; <`o d' >`an o<i m`en fil~wsin, o<i d`e - mis~wsin, o>ud'etera >`h amf'otera? >~ar' o<'utw bo'ulei <hm~in - <wr'isjai n~un per`i to~u <os'iou ka`i to~u >anos'iou? -\endtwocolgr - \rightline{Plato, `Euthyphro'} -\vskip 1\medskipamount plus \baselineskip - - - This quotation (similarly stolen) is in Malvern~56 and has - |\grvarphi| and |\grlunatesigma| in effect: - -\twocolgr \gri \grvarphi \grlunatesigma - T`h stigm`h to'uth ni'wjw p'oso bar'u ''nai t`o must'hrio t~hs - xomol'oghshs. <Ws t'wra, kane`is d`en x'erei p~ws p'erasa t`a du`o - qr'onia mou st`o <'Agion >'Oros. O<i f'iloi mou jarro~un p`ws p~hga - n`a d~w buzantin`a kon'ismata >`h >ap`o mustikop'ajeia n`a z'hsw - mi`a perasm'enh >epoq'h. Ka`i t'wra, n'a, ntr'epomai n`a mil'hsw. - - P~ws n`a t`o p~w? Jumo~umai <'ena >anoixi'atiko deilin'o, po`u - kat'ebaina t`on Ta"'ugeto, mi`a xafnik`h j'uella m`e k'uklwse kont`a - sto'us Pentaulo'us. T'oso fober`os >anemos'ifounas, po`u >'epesa - katag~hs gi`a n`a m`hn gkremist~w. O<i >astrap`es m' >'exwsan - <olo~uje ki >'ekleisa t`a m'atia m`hn tuflwj~w, ka`i kat'aqama, - p'istoma, per'imena. <'Olo t`o pan'uyhlo boun`o >'etreme, ka`i du`o - >'elata d'ipla mou tsak'isthkan >ap' t`h m'esh ka`i br'onthxan - q'amou. >'Eniwja t`o jei'afi to~u kerauno~u st`on >a'era, ka`i - xafnik`a x'espase <h mp'ora, >'epesen <o >'anemos, ka`i qontr'es, - jerm'es st'ales broq`h qt'uphsan t`a dentr`a ka`i t`o q~wma. T`o - jum'ari, <h jro'umpa, t`o fask'omhlo, t`o flisko'uni, qtuphm'ena - >ap' t`o ner'o, t'inaxan t`is murwdi'es tous ki <'olh <h g~hs - m'urise. -\endtwocolgr -\rightline{\csc{Kazantzakis}, `Symposium'} -\vskip 0pt plus \baselineskip - -%}}} samples -\iffalse -%{{{ table - -*\ntable* -\smallskip \noindent - This is a working encoding, and will likely be different in future - versions. -%}}} table -\fi -%{{{ 24-pt sample - -\bigbreak -\moveleft\leftmargin \vbox{ \hsize=\bodywd -\hrule height 1pt \bigskip -\begingreek \biggr\baselineskip=30pt -\centerline{((ABGDEZHJIKLMNXOPRSCTUFVQYW))} -\centerline{](abgdezhjiklmnxoprss^^`ctuf\char92 vqyw)[} -\centerline{=0123456789---\%\char42 +/--''!,:;?.-} -\centerline{\char3 '@ `@ ~@ <@ <'@ <`@ <~@ >@ >'@ >`@ >~@ "@ "'@ "`@ "~@ - "\char3 @} -\endgreek -\medskip\hrule height 1pt -} -%}}} 24-pt sample -\bye -%}}} Malvern Greek manual - -% Local variables: -% fill-prefix: "\t" -% fill-column: 76 -% fold-folded-p: t -% End: |