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-\documentstyle{article}
-\title{{\sc mff.sty}: Computer Modern Typefaces\\
-as the Multiple Master Fonts\\[0.5\baselineskip]
-\Large Version 1.21}
-
-\author{
-\begin{minipage}{0.4\textwidth}
-\begin{center} A.S.Berdnikov\\{\tt berd{\sl @}ianin.spb.su} \end{center}
-\end{minipage}
-\hfill
-\begin{minipage}{0.4\textwidth}
-\begin{center} S.B.Turtia\\{\tt turtia{\sl @}ianin.spb.su} \end{center}
-\end{minipage}
-}
-
-\date{}
-
-\def\PiC{P\kern-.12em\lower.5ex\hbox{I}\kern-.075emC\spacefactor1000 }
-\font\manual=logo10 at 12pt
-\def\MF{{\manual META}\-{\manual FONT}\spacefactor1000 }
-\def\AW{Addison\kern.1em-\penalty 0pt \hskip 0pt Wesley}
-\def\CandT{{\sl Computers \& Typesetting}}
-\def\TUB{{\sl TUGboat\/}}
-
-\font\cmcmss=cmss12 scaled 1000
-\font\cmcmbx=cmbx12 scaled 1000
-\font\cmcmtt=cmtt12 scaled 1000
-\font\cmcmsl=cmsl12 scaled 1000
-\font\cmfunny=cmff10 scaled 1200
-\font\cmquote=cmssq8 scaled 1200
-\font\cmdunh=cmdunh10 scaled 1200
-\font\cmcmr=cmr12 scaled 1000
-
-\font\cmq=cmssq8 scaled 800
-\font\cmd=cmdunh10 scaled 800
-\font\csl=cmsl10 scaled 800
-
-\newcommand{\bs}{\char92} % char \
-
-\makeatletter
-\def\hackersmile{\@ifnextchar[{\@hackersmile}{\@hackersmile[10]}}
-\def\@hackersmile[#1]{\hbox{%
- \unitlength=1pt\relax
- \unitlength=#1\unitlength
- \divide\unitlength by 10\relax
- \thicklines
- \raise -3\unitlength \hbox{%
- \begin{picture}(12,12)(-6,-6)
- \put(0,0){\circle{10}}
- \put(-2,1.75){\circle*{1}}
- \put(2,1.75){\circle*{1}}
- \thicklines
- \put(-2.75,3){\line(1,0){1.5}}
- \put(2.75,3){\line(-1,0){1.5}}
- \put(0,-1){\line(0,1){3}}
- \put(-2.5,-2.5){\line(1,0){5}}
- \put(-2.5,-2.5){\line(0,1){1}}
- \put(2.5,-2.5){\line(0,1){1}}
- \end{picture}%
-}}}
-\makeatother
-
-\begin{document}
-
-\maketitle
-
-\begin{flushright}
-\begin{minipage}{0.55\textwidth}
-\small
-We would like to express our warmest thanks
-to Dr.\ A.Compagner from the Delft University of Technology
-who spent a lot of his time and efforts
-trying to transform two naive students from Russia
-into serious scientists.
-\end{minipage}
-\end{flushright}
-
-\bigskip
-
-\begin{abstract}
-The style file {\sc mff.sty} simulates the effect of
-{\sl Multiple Master Fonts} created by Adobe using
-the Computer Modern typefaces as a template.
-It enables to vary continuously in a wide range
-the shape of \TeX{} fonts and create the unique font
-which suites the User's demands.
-Although originally {\sc mff.sty} was created for internal
-purposes to investigate the possibilities hidden inside
-the \MF{} source code for Computer Modern typefaces,
-it might be useful for professional applications too.
-The style file works correctly with
-\LaTeX{} 2$_{\hbox{\normalsize$\varepsilon$}}$
-as well as with \LaTeX{} $2.09$.
-\end{abstract}
-
-\section{Introduction}
-
-The {\sl Multiple Master Font} format for PostScript
-fonts was suggested some time ago
-by the well-known company {\sl Adobe Inc}.
-It enables to vary continuously the
-font characteristics (say, {\em weight} (``boldness'')
-from light to black, {\em width} from condensed to expanded,
-etc.) and create the unique font which suites
-the particular User's demands.
-Like many other ``new inventions''
-in computer assisted typography, the roots of this
-idea can be found inside \TeX{}\footnote{For example,
-{\sl Microsoft Word} 6.0 was announced as the {\em first}
-program which enables to mark some place in the text by
-a special marker and then to refer to its position
-in a form: ``see page \dots'' \hackersmile.} --- namely, in \MF{}
-as the language for font description, and in Computer
-Modern font family created by D.Knuth in 1977--1985.
-
-The \MF{} source code was created, and the {\sl Computer Modern}
-font parameters were selected using the advises of such
-professional font designers as Hermann Zapf,
-Matthew Carter, Charles Bigelow and others
-(see \cite{CM} for the {\em full} list of contributors).
-The \MF{} code for {\sl Computer Modern} typefaces
-has the following essential features:
-\begin{itemize}
-\item
-the parameter files are separated from the main source code
-so that the font parameters can be variated easily;
-\item
-the role of the font parameters, the details of the \MF{} source code,
-etc., are documented in \cite{CM} in deep details;
-\item
-the font variations (provided that the fonts and all
-changed {\tt .mf} files have the names \underline{\bf different}
-from that for the original CM fonts)
-are encouraged by the author.
-\end{itemize}
-The {\sl Computer Modern} fonts are parametrized using
-sixty two \hbox{(!!!)} parameters most of which are independent.
-It can be seen easily that such big amount of free parameters
-exceeds the flexibility of {\em any} multiple master font
-which is created up to now or even {\em will be} created
-by somebody in future.
-
-The continuous parametrization of the canonical Computer Modern
-typefaces created by John Sauter and Karl Berry
-({\sc sauter} fonts \cite{SAUTER}), and, on a different basis,
-by J\"org Knappen and Norbert Schwarz for
-{\sl European Computer Modern} typefaces \cite{DC},
-enables to vary continuously the font size in a wide range
-without loosing the high quality of the output.
-As a result it is easy to manipulate with
-{\sl Computer Modern} typefaces like the Adobe multiple master fonts,
-and to produce an enomorous amount of {\bf freeware}
-fonts of professional quality.
-
-The style file {\sc mff.sty} described here performs this work.
-It follows the ideas implimented in the package MF\PiC{}\footnote{%
-Like MF\PiC, the first pass of \LaTeX{}
-creates the {\tt .mf} file,
-then the {\tt .mf} file is processed by \MF,
-and at the second pass of \LaTeX{} the new
-font is used to make the output.}
-and enables to specify the new fonts inside \LaTeX{} document
-without dealing with the details of \MF{} programming and
-manual specification of each of 62 parameters used in
-{\sl Computer Modern} source files.
-The User can variate the font shape continuously between
-CMR, CMBX, CMSL, CMSS, CMTT and CMFF font families,
-specify the {\em weight}, {\em width}, {\em height}
-and {\em contrast} of the output font independently,
-and in addition he/she can play the character
-characteristics so that the output does not
-look like the canonical {\sl Computer Modern}
-typefaces at all.
-
-\section{Main Command: define a font\label{GENER}}
-
-The generation of the {\tt .mf} header file and the activation
-of the new font is performed by the command
-{\tt\bs{}MFFgener} which has the format:
-\begin{itemize}
-\item[] \tt \bs{}MFFgener[{\em fntscaled}]\{{\em{\tt\bs}fntcmd}\}\{{\em filename}\}\{{\em fntsize}\}
-\end{itemize}
-The command {\em{\tt\bs}fntcmd} will switch inside the document
-to the desired font like it is done by the \LaTeX{} commands
-\verb?\bf?, \verb?\sl?, \verb?\sf?, etc.\footnote{The difference is that
-the size of this font is not influenced by the commands like
-{\tt\bs{}large} or {\tt\bs{}small} --- it is fixed and is
-determined totally by the parameters {\em fntscaled} and {\em fntsize}.}
-The file {\em filename{\tt.mf}} will contain the \MF{} source
-code of the new font\footnote{To minimize the attempts to create the
-fonts with the names already used in Computer Modern family, etc.,
-the prefix {\em xx} is added before the file name automatically.
-See section~\ref{MORE} for more details.}.
-The value {\em fntsize} specifies the design size
-of the new font (it defines the size of a new font and
-is used by {\sc mff.sty} to calculate the font parameters
-as the functions of this reference value ---
-see sections \ref{MIXTURE} and \ref{CORRECT} for more details).
-The optional parameter {\em fntscaled} specifies
-the additional scaling of this font in \LaTeX{} document.
-Examples:
-\begin{itemize}
-\item[]\verb?\MFFgener{\zfnt}{zmz30}{30pt}?\\
- \verb?\MFFgener[scaled 2000]{\zfnt}{zmz15}{15pt}?\\
- \verb?\MFFgener[at 30pt]{\zfnt}{zmz20}{20pt}?
-\end{itemize}
-
-The {\tt .mf} file created by {\sc mff.sty}
-contains only the list of 62 font
-parameters which determine the character shapes.
-It also contains the command that loads the
-driver file ({\tt roman.mf}, {\tt csc.mf}, etc.),
-and the driver file assemblers all the necessary \MF{} source code.
-It is assumed that the driver files for the fonts described
-in section~\ref{CLASS} together with all necessary
-{\tt .mf} files are already installed on your computer.
-
-When the file {\em filename{\tt.mf}} is created,
-it is necessary to process it by \MF{} to get the metric
-file {\em filename{\tt.tfm}} and the bitmap file
-{\em filename{\tt.pk}}. The second pass of \LaTeX{} will use the metric
-information to format the document properly, and the {\sl DVI}-drivers
-will use the bitmap data to make the output.
-The proper configuration of \TeX-compiler and {\sl DVI}-drivers
-so that they can find these files is the User's task
-(please consult your local \TeX-expert how to configure
-it\footnote{Some advises how to configure the programs
-if you use {\sl MS DOS}/{\sf em\TeX} are in section~\ref{CONFIG}.}).
-
-If \LaTeX{} can find the file {\em filename}{\tt .tfm}, it assigns
-the font {\em filename} to the command {\em{\tt\bs}fntcmd} which
-can be used later in the document to switch to the desired font.
-If \LaTeX{} cannot find the {\tt .tfm} file, the warning message
-\begin{itemize}
-\item[] {\tt No file {\em filename}.tfm -- dummy font will be used}
-\end{itemize}
-is displayed which means that the text typed by this new font
-will disappear from the {\sl DVI}-file ({\tt dummy} font is the
-artificial font which contains no characters).
-
-The file {\em filename{\tt.mf}} which contains the \MF{} data
-necessary to make the font is created after {\em each} pass
-of \LaTeX{} and the warning message
-\begin{itemize}
-\item[] {\tt Do not forget to process {\em filename}.mf
- and reprocess this file}
-\end{itemize}
-is displayed even if the new {\tt .mf} file is identical to the previous
-one. It is the User's responcibility to guarantee that the {\sc mff.sty}
-commands are the same as during the previous pass of \LaTeX{} and that
-the {\tt .tfm} and {\tt .pk} files are produced from the correct version
-of {\tt .mf} file.
-
-\section{Mixture of independent fonts\label{MIXTURE}}
-
-The {\sl Computer Modern} font sequences
-\begin{itemize}
-\item[]\begin{flushleft}
-{\cmcmr roman},\quad {\cmcmbx bold},\quad
-{\cmcmsl slanted},\quad {\cmcmss sans serif},\quad
-{\cmcmtt typewriter},\quad {\cmfunny funny},\quad
-{\cmdunh dunhill},\quad {\cmquote quotation}\end{flushleft}
-\end{itemize}
-share just the same \MF{} source code but with different values for
-font parameters. Since each font exists at different sizes, it is
-possible to construct for each sequence and for each parameter
-a continuous approximation which is the function of the font size.
-Such approximations, for example, enable to generate fonts with the
-font sizes different from that created by D.E.Knuth.
-
-At least two {\em ready-to-use} font approximations are available from
-CTAN. One is the {\sc sauter} font package created by
-John Sauter and Karl Berry \cite{SAUTER}, and the other is realized
-in {\sc dc} and {\sc tc} fonts created by J\"org Knappen and Norbert
-Schwarz \cite{DC}. Special {\sc mff.sty} comands control
-the approximation scheme:
-\begin{itemize}
-\item[] {\tt \bs{}MFFsauter} --- {\sc sauter}-type approximation
- is used;\\
- {\tt \bs{}MFFdcfonts} --- {\sc DC font} approximation
- is used;
-\end{itemize}
-where the default mode is {\tt\bs{}MFFsauter}.
-
-The continuous approximation for CMR parameters enables to create
-the \MF{} header file for CMR font with an arbitrary font size.
-Similar approximations and, as a result, the font headers with
-an arbitrary font size, can be constructed for CMBX, CMTT, CMSS, etc.
-The main hypothesis used below is the following:
-if some font headers result to correct fonts when processed by \MF{},
-the font header contructed from the {\em weighted sum} of the font
-parameters extracted from these font headers gives
-the correct font also\footnote{The internal relations between
-font parameters described in \cite{CM} are conserved for the weighted
-sum of font parameters.}.
-Although it is not necessarily true, the experiments
-with {\sl Computer Modern} typefaces show that if the header files
-corresponding to different {\sl Computer Modern} fonts
-{\em with the same font size} are selected, this assumption is fulfilled
-with great probability.
-
-The fonts CMR, CMBX, CMTT, CMSS, etc., have quite different
-character styles although they use just the same \MF{} driver file
-{\tt roman.mf}.
-The CMTT fonts have nearly rectangular serifs,
-nearly no contrast between thin and thick lines,
-and different ratio width/height as compared with CMR.
-The CMSS fonts has no serifs at all, they also
-have no contrast, the thickness of their lines is greater
-than that for CMTT.
-Other fonts have their own specific
-features, but inspite of this fact they can be ``added''
-together --- at least mathematically as the 62-dimensional
-vectors of font parameters.
-The resulting font is no longer CMR, CMBX, CMTT, etc.,
-but something intermediate with a unique shape.
-
-Taking into account the {\sf New Font Selection Scheme} used by
-\LaTeX~2$_{\hbox{\normalsize$\varepsilon$}}$,
-it is preferable to decompose
-the CMBX font sequence into {\em two} sequences --- one
-for ``boldness'' ({\em weight}) and one for ``extension''
-({\em width}) characteristics.
-The {\sc mff.sty} uses the special fonts
-$\overline{\hbox{CMB}}$\footnote{It is not the same as
-{\tt cmb10} created by D.E.Knuth --- the font parameters
-are different.} (bold as CMBX and wide as
-CMR) and $\overline{\hbox{CMX}}$ (wide as CMBX and bold as CMR)
-which are derived from CMBX.
-
-The mixture of fonts is performed by the command
-\begin{itemize}
-\item[] {\tt \bs{}MFFmixture\{$\alpha_1$\}\{$\alpha_2$\}%
- \{$\alpha_3$\}\{$\alpha_4$\}\{$\alpha_5$\}\{$\alpha_6$\}}
-\end{itemize}
-where $\alpha_1$, $\alpha_2$, $\alpha_3$, $\alpha_4$,
-$\alpha_5$, $\alpha_6$ specify
-the weight factors:
-$\alpha_1$ corresponds to $\overline{\hbox{CMB}}$,
-$\alpha_2$ corresponds to $\overline{\hbox{CMX}}$,
-$\alpha_3$ corresponds to CMSS (sans serif fonts),
-$\alpha_4$ corresponds to CMTT (typewriter fonts),
-$\alpha_5$ corresponds to CMFIB (``Fibonacci'' fonts),
-$\alpha_6$ corresponds to CMFF (funny fonts)\footnote{%
-The fonts {\csl slanted}, {\cmq quotation} and {\cmd dunhill}
-
-are not included in this list because they can be produced
-from CMR easily using the scaling commands described
-in section~\ref{CORRECT}.}.
-
-If some parameter has the value $p_{cmr}$ for CMR font,
-the value $p_{cmb}$ for $\overline{\hbox{CMB}}$ font
-(with the same font size!), the value $p_{sf}$ for CMSS font, etc.,
-the {\em mixture} value $p_*$ for this parameter is calculated as
-\begin{eqnarray}
-p_* &=& \alpha_0 p_{cmr}
- + \alpha_1 \left(p_{cmb}-p_{cmr}\right)
- + \alpha_2 \left(p_{cmx}-p_{cmr}\right)
- + \alpha_3 \left(p_{sf}-p_{cmr}\right)
-\cr &&\quad\quad
- + \alpha_4 \left(p_{tt}-p_{cmr}\right)
- + \alpha_5 \left(p_{fib}-p_{cmr}\right)
- + \alpha_6 \left(p_{funny}-p_{cmr}\right)
-\label{Eq1}
-\end{eqnarray}
-The value $\alpha_0$ is set to 1.0 by the command {\tt \bs{}MFFmixture},
-but the User can assign an arbitrary value to it using the
-commands {\tt\bs{}setMFF[$\alpha_0$]\{cmr\}} and
-{\tt\bs{}mixMFF[$\alpha_0$]\{cmr\}} which are decribed below.
-
-This procedure enables, for example, to make the font ``less bold''
-than CMR or ``more bold'' and ``more extended'' than CMBX
-using the weight factors which are less than 0 or greater than 1,
-and to create the ``mutant'' combinations of nearly incompatible
-font families\footnote{Caution: playing this game
-it is very easy to get the {\tt .mf} file which cannot
-be passed through \MF{} without errors if you do not
-understand clearly what are you doing.}.
-
-The command
- {\tt \bs{}MFFmixture\{$\alpha_{1}$\}\{$\alpha_{2}$\}%
- \{$\alpha_{3}$\}\{$\alpha_{4}$\}\{$\alpha_{5}$\}%
- \{$\alpha_{6}$\}}
-is equivalent to the following sequence of commands:
-\begin{itemize}
-\item[]{\tt \bs{}clearMFF\ \ \ \ \ \
- \% synonim for \bs{}MFFmixture\{0\}\{0\}\{0\}\{0\}\{0\}\{0\}}\\
- {\tt \bs{}mixMFF[$\alpha_{1}$]\{bold\}} \\
- {\tt \bs{}mixMFF[$\alpha_{2}$]\{x\}} \\
- {\tt \bs{}mixMFF[$\alpha_{3}$]\{sf\}} \\
- {\tt \bs{}mixMFF[$\alpha_{4}$]\{tt\}} \\
- {\tt \bs{}mixMFF[$\alpha_{5}$]\{fib\}} \\
- {\tt \bs{}mixMFF[$\alpha_{6}$]\{funny\}}
-\end{itemize}
-These commands are better recognized due to their mnemonic form,
-they can be specified in an arbitrary order, the commands with
-zero $\alpha$'s can be skipped since the zero weight factors are
-already assigned by {\tt\bs{}clearMFF}.
-If several commands with the same font name are encountered,
-the last specification is active. The default value for the
-optional parameter $\alpha$ is {\tt 1.0}.
-
-The mixture between CMR and a {\em single} font can be
-specified by a single mnemonic command selected from
-\begin{center}\begin{tabular}{l@{\qquad}l@{\qquad}l}
-{\tt \bs{}setMFF[$\alpha_{1}$]\{bold\}} &
-{\tt \bs{}setMFF[$\alpha_{3}$]\{sf\}} &
-{\tt \bs{}setMFF[$\alpha_{5}$]\{fib\}} \\
-{\tt \bs{}setMFF[$\alpha_{2}$]\{x\}} &
-{\tt \bs{}setMFF[$\alpha_{4}$]\{tt\}} &
-{\tt \bs{}setMFF[$\alpha_{6}$]\{funny\}}
-\end{tabular}\end{center}
-which is equivalent to {\tt \bs{}MFFmixture} where only
-one weight factor has non-zero value. If the optional parameter $\alpha$
-is skipped, the default value {\tt 1.0} is used. It means that
-the ``pure'' font family can be specified by the commands
-\begin{center}\begin{tabular}{l@{\qquad}l@{\qquad}l}
-{\tt \bs{}setMFF\{bold\}} &
-{\tt \bs{}setMFF\{sf\}} &
-{\tt \bs{}setMFF\{fib\}} \\
-{\tt \bs{}setMFF\{x\}} &
-{\tt \bs{}setMFF\{tt\}} &
-{\tt \bs{}setMFF\{funny\}}
-\end{tabular}\end{center}
-
-Although \LaTeX{} 2$_{\hbox{\normalsize$\varepsilon$}}$/NFSS
-considers the {\em weight} and the {\em width} as two
-independent font characteristics, the movement in the direction
-``bold + extended'' (i.e., to CMBX font family) usually gives
-more pleasant results.
-To perform this operation it is necessary to assign the equal weights
-to $\alpha_{cmb}$ and $\alpha_{cmx}$ which can be done
-by the mnemonic commands
-\begin{itemize}
-\item[]{\tt \bs{}mixMFF[$\alpha_{bx}$]\{bx\}}
- \qquad and \qquad
- {\tt \bs{}setMFF[$\alpha_{bx}$]\{bx\}}
-\end{itemize}
-The commands
-\begin{itemize}
-\item[]{\tt \bs{}mixMFF[$\alpha_{cmr}$]\{cmr\}}
- \qquad and \qquad
- {\tt \bs{}setMFF[$\alpha_{cmr}$]\{cmr\}}
-\end{itemize}
-play a special role: they enable to assign the value
-$\alpha_0=\alpha_{cmr}$ in the equation~(\ref{Eq1})
-(usually $\alpha_0$ is set to 1.0 by the command
-{\tt\bs{}MFFmixture} --- for the evident reasons).
-
-%\section*{Some notes about the font sequences
-% with continuously variated font size}
-%
-%Suppose that there is a continuous approximation
-%for {\sl Computer Modern Roman} (CMR) which enables
-%to calculate the \MF{} font parameters for an {\em arbitrtary}
-%design size even with weak \TeX{} arithmetical capabilities.
-%The desired font size is specified as the input parameter,
-%all the internal calculations of the font parameters are performed
-%by \TeX{}, and at the output there is the \MF{} {\em ready-to-run}
-%font header file for a new font. When this new font header file
-%is processed by \MF{}, it can be used in \TeX{} documents like
-%other generic \TeX{} fonts.
-%
-%It is interesting to compare the possibilities of this simplest
-%form of pa\-ra\-me\-tri\-za\-ti\-on
-%of CMR-fonts and the {\sc PostScript} vector fonts.
-%The nearly-proportional changing of the font dimensions
-%with respect to magnification parameter is the analog of the
-%linear scaling of the {\sc PostScript} fonts.
-%The non-linear relationship of the inter-character spacing from
-%the font size imitates the {\em tracking} mechanism implemented
-%in {\sc PostScript} fonts (which is not taken into account in most
-%cases by text processors). The fact that the ratio height/width is a
-%non-constant (and non-linear) function of the font size is a
-%serious advantage of these pseudo-CMR fonts in comparison with
-%the linearly scaled {\sc Postscript} fonts since it enables to make
-%the font proportions more suitable for a human eye
-%(it is well known that for good eye recognision small letters
-%are to be more expanded and have greater inter-character spacing).
-%
-%There are at least {\em two} ready-to-use font approximations
-%available from CTAN. The first one is the \MF{} {\sc sauter}
-%font package created by John Sauter and Karl Berry. It uses
-%the continuous functions composed from constant, linear and quadratic
-%pieces which are constructed so that for {\em canonical} font sizes they
-%produce nearly just the same {\tt *.mf} files as the ones used
-%by the original {\sl Computer Modern} typefaces. Although the latest
-%version of {\sc sauter} is dated 1992, and in 1995 the parameters
-%of {\sl Computer Modern} fonts were again slightly changed,
-%it seems still to be the reliable source of the fonts with
-%intermediate design sizes.
-%
-%The other approximation is realized in {\sc dc} and {\sc tc}
-%fonts by by J\"org Knappen and Norbert Schwarz \cite{DC}.
-%It is based on cubic splines --- Lagrange cubic splines or
-%canonical cubic splines --- using the parameters of
-%{\sl Computer Modern} typefaces as the base points.
-%Although generally piecewise-cubic functions produce
-%good quality approximations, it is not so with the data extracted
-%from {\sl Computer Modern} \MF{} files. The plots of its parameters
-%with respect to the design size are ``noisy'' functions with some
-%abrupt jumps since these parameters were selected
-%manually to optimize the font shape, not the mathematical plots.
-%As a result the cubic smooth approximations obey parasilic local
-%minima and maxima and do not work far outside the range of
-%design sizes used as the base data points. The {\sc dc} and {\sc tc}
-%fonts with intermediate font sizes are visually good even with
-%this ``mathematical'' defects but it was more advantageous
-%to impliment piecewise-linear approximation instead of
-%piesewise-cubic one.
-%
-%The first version of {\sc mff.sty} was based on piecewise-linear and
-%piecewise-cubic (Lagrange splines) functions using {\sl Computer Modern}
-%typefaces as the reference data. To eliminate the parasitic local
-%minima and maxima some data points were slightly changed, and new
-%data points were added to guarantee a good behavour of the approximating
-%expressions outside the range {\tt 5pt} -- {\tt 17.28pt}. The current
-%version of {\sc mff.sty} is based on {\sc sauter}-type approximation
-%with some modifications (especially for {\tt cmff} and {\tt cmfib} fonts)
-%and on the piecewise-linear approximations based on {\sc dc} data.
-%The variated {\sl Computer Modern} data used in the previous versions
-%became obsolete and is discarded now since it is not a good idea
-%to modify voluntary the original {\sc Computer Modern} parameters.
-
-\section{Modifications of font parameters\label{CORRECT}}
-
-You can use the weighted mixture of font ingredients using the commands
-{\tt\bs{}setMFF}, {\tt\bs{}mixMFF} and {\tt\bs{}MFFmixture} described
-above, but you can also vary ``by hand'' the font parameters
-which control the essential details of the character shape.
-%The commands described in this section enable to do:
-%\begin{itemize}
-%\item scale the {\em width} of the character;
-%\item scale the {\em height} of the character;
-%\item scale the length of ascenders and descenders;
-%\item scale the height of digits and the middle line for
-% mathematical symbols;
-%\item scale the thickness of {\em thin strokes}
-% and {\em thick strokes};
-%\item correct the {\em contrast} of the character;
-%\item specify the tilt ratio $(\Delta x/\Delta y)$
-% for {\sl slanted} fonts;
-%\item scale (or set to some value) some specific parameters
-% which are responcible for fine character tuning;
-%\item specify the logical flags which control the ligatures,
-% character serifs, etc.
-%\end{itemize}
-
-\subsection{Variations of the height\label{HEIGHT}}
-
-The following commands enable to vary the height of the vertical
-elements of the characters:
-\begin{description}
-\item[\quad{\tt \bs{}MFFscaleHeight\{{\em factor}\}}] --- scale proportionally
- the height and the depth of the characters;
-\item[\quad{\tt \bs{}MFFscaleAsc\{{\em factor}\}}] --- scale
- the height of the capital characters, brackets, digits, etc.,
- and the ascenders of the characters like `b', `h';
-\item[\quad{\tt \bs{}MFFscaleDesc\{{\em factor}\}}] --- scale
- the depth of comma and the descenders of the characters
- like `Q', `y';
-\item[\quad{\tt \bs{}MFFscaleMath\{{\em factor}\}}] --- scale
- the height of digits and the height of
- the horizontal bar (the middle line) for mathematical symbols
- like $=$, $+$, $-$.
-\end{description}
-If several height factors are specified, their effect is combined.
-The curious font {\tt cmdunh10} can be reproduced {\em exactly}
-by proper specification of all these factors.
-
-Example:
-\begin{eqnarray*}
-&&\hbox{\tt \bs{}MFFscaleAsc\{1.5\}}\\
-&&\hbox{\tt \bs{}MFFscaleDesc\{1.2\}}
-\end{eqnarray*}
-
-\subsection{Variations of the width\label{WIDTH}}
-
-The {\em width} of CMR font can be variated by mixturing
-with the $\overline{\hbox{CMX}}$ font. It increases the character width
-and also performs some fine tuning of other font parameters.
-Due to this reason the mixturing with
-$\overline{\hbox{CMX}}$ can be advantageous to variate
-the width of characters if you deal with CMR family.
-From the other side, for CMTT fonts or CMSS fonts the
-mixturing with $\overline{\hbox{CMX}}$ results also
-to some variation of the character shapes which can be
-an undesirable effect.
-
-The User can specify the explicit width multiplication
-which means that the font parameters which define the width
-of the characters are multiplied by some factor:
-\begin{itemize}
-\item[]{\tt \bs{}MFFscaleWidth\{{\em factor}\}}
-\end{itemize}
-After this command the font parameters
-\begin{itemize}
-\item[]\begin{flushleft}
-{\tt u\#}, {\tt serif\_fit\#}, {\tt cap\_serif\_fit\#},
-{\tt jut\#}, {\tt cap\_jut\#}
-\end{flushleft}\end{itemize}
-are scaled proportionally to {\em factor}.
-The values $\hbox{\em factor}>1.0$ correspond to expansion,
-the values $0<\hbox{\em factor}<1.0$ --- to compression of the
-characters. The command {\tt \bs{}MFFscaleWidth\{1.0\}}
-restores the default width.
-
-\subsection{Variations of the weight\label{WEIGHT}}
-
-The {\em weight}, i.e., the ``boldness'' of the characters can be
-controlled by muxturing with $\overline{\hbox{CMB}}$.
-Similarly to {\em width} correction described in the previous section,
-for such fonts as CMTT or CMSS it is accompanied
-by some undesirable changes in the character shapes.
-
-The following commands control explicitly
-the {\em weight} and the {\em contrast} of the characters:
-\begin{description}
-\item[\quad{\tt \bs{}MFFscaleBoldLines\{{\em coef}$_1$\}}]
---- scale the thickness of {\em thick} strokes by {\em coef}$_1$;
-\item[\quad{\tt \bs{}MFFscaleThinLines\{{\em coef}$_2$\}}]
---- scale the thickness of {\em thin} strokes by {\em coef}$_2$.
-\end{description}
-The coefficient {\em coef}$_1$ scales the values of the font parameters
-\begin{itemize}
-\item[]\begin{flushleft}
-{\tt stem\#}, {\tt curve\#}, {\tt ess\#}, {\tt flare\#}, {\tt dot\_size\#},
-{\tt cap\_stem\#}, {\tt cap\_curve\#}, {\tt cap\_ess\#},
-{\tt bar\#}, {\tt slab\#}, {\tt cap\_bar\#}, {\tt cap\_band\#},
-{\tt thin\_join\#}.
-\end{flushleft}\end{itemize}
-The coefficient {\em coef}$_2$ scales the values of font parameters
-\begin{itemize}
-\item[]\begin{flushleft}
-{\tt hair\#}, {\tt vair\#}, {\tt cap\_hair\#},
-{\tt rule\_thickness\#}, {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#}.
-\end{flushleft}\end{itemize}
-
-Multiplication by {\em coef}$_1$ and {\em coef}$_2$ increases
-the font contrast in $\hbox{\em coef}_1/\hbox{\em coef}_2$ times.
-The contrast can be specified explicitly using the commands
-\begin{itemize}
-\item[]{\tt \bs{}MFFcontrast[{\em type}]}\qquad or \qquad
- {\tt \bs{}MFFcontrast\{{\em value}\}}
-\end{itemize}
-which defines the parameter {\em value} equal to the ratio
-of the thickness of {\em thin strokes} to the thickness of
-{\em thick strokes}. The commands work as:
-\begin{eqnarray*}
-&&\hbox{{\tt\bs{}MFFcontrast[s]} --- no correction of the contrast;}\\
-&&\hbox{{\tt\bs{}MFFcontrast[n]} --- no contrast at all ({\em value}=1);}\\
-&&\hbox{{\tt\bs{}MFFcontrast[d]} --- 50\% contrast ({\em value}=0.5);}\\
-&&\hbox{{\tt\bs{}MFFcontrast\{{\em value}\}}
- --- the {\em value} is specified explitly.}
-\end{eqnarray*}
-If the correction of the contrast is active
-(no command {\tt\bs{}MFFcontrast[s]}),
-all thick element of lowercase characters are equal to {\tt stem\#},
-all thick element of uppercase characters are equal to {\tt cap\_stem\#},
-all thin elements have the thickness of {\tt stem\#} or {\tt cap\_stem\#}
-multiplied by {\em value}, the values {\tt stem\#} and {\tt cap\_stem\#}
-are multiplied by $\hbox{\em coef}_1$,
-the value $\hbox{\em coef}_2$ is ignored.
-
-\subsection{Miscellaneous variations\label{MISC}}
-
-The following scaling factors can help to perform fine tuning
-of the characters (see \cite{CM} for more details):
-\begin{description}
-\item[\quad{\tt \bs{}MFFscaleJoinLines\{{\em factor}\}}]
---- variable {\tt thin\_join\#} is multiplied by {\em factor}
- (this variable is responcible
- for fine connection between thin and thick lines in `h', `m', `n');
-\item[\quad{\tt \bs{}MFFscaleNotchCut\{{\em factor}\}}] ---
- variables {\tt notch\_cut\#} and {\tt cap\_notch\_cut\#} are
- multiplied by {\em factor} (these variables
- are responcible for sharp corners in letters `A', `V', `w');
-\item[\quad{\tt \bs{}MFFscaleDotSize\{{\em factor}\}}] ---
- variables {\tt dot\_size\#} and {\tt flare\#} are multiplied
- by {\em factor} (these variables
- are responcible for dots in `i', `:' and bulbs in `a', `c');
-\item[\quad{\tt \bs{}MFFscaleSerifDish\{{\em factor}\}}] ---
- variable {\tt dish\#} is multiplied by {\em factor} (this
- variable defines the curved shape of the serif platform).
-\end{description}
-
-Since these parameters perform fine tuning of the character shape,
-it can be desirable to assign the specific value to some of them
-instead of scaling the default value.
-This operation requires the ``expert level macros''
-described in section~\ref{EXPERT}.
-For example, to assign a very big number to the variables
-{\tt notch\_cut\#} and {\tt cap\_notch\_cut\#}
-which control the sharpness of the corners in letters `A', `V', `w',
-etc.\footnote{This operation is necessary to produce high-quality
-outlined characters using {\em font tricks} commands described
-in section~\ref{TRICKS} (see \cite{Outline} for more
-details).}, the following commands can be used:
-\begin{itemize}
-\item[]
- {\tt\bs{}MFFcatcode}\\
- {\tt \bs{}def\bs{}MFF@assign@notch\_cut\{\bs{}@tempdimb=16383pt\}}\\
- {\tt \bs{}def\bs{}MFF@assign@cap\_notch\_cut\{\bs{}@tempdimb=16383pt\}}\\
- {\tt\bs{}noMFFcatcode}
-\end{itemize}
-To return the rule of calculation for these parameters
-to the default state, the commands
-\begin{itemize}
-\item[]
- {\tt\bs{}MFFcatcode}\\
- {\tt \bs{}def\bs{}MFF@assign@notch\_cut\{\}}\\
- {\tt \bs{}def\bs{}MFF@assign@cap\_notch\_cut\{\}}\\
- {\tt\bs{}noMFFcatcode}
-\end{itemize}
-should be used.
-
-\subsection{Slanted characters\label{SLANT}}
-
-The inclination of the characters is defined by the
-variable {\tt slant\#} which is specified explicitly
-by the commands:
-\begin{itemize}
-\item[]{\tt \bs{}MFFslant\{{\em parm}\}} --- set {\em slant} as a fraction;
-\item[]{\tt \bs{}MFFslantD\{{\em parm}\}} --- set {\em slant} as an angle
- specified in degrees.
-\end{itemize}
-For example, {\em slant} typical for CMSL is specified
-as {\tt \bs{}MFFslant\{1/6\}}, and {\em slant} typical for
-CMSSI is specified as {\tt \bs{}MFFslantD\{12\}} which is
-just the same as {\tt \bs{}MFFslant\{sind(12)/cosd(12)\}}.
-The arguments of the commands {\tt\bs{}MFFslant} and {\tt\bs{}MFFslantD}
-are interpreted as the text strings directly transferred to
-{\tt .mf} files, not as the numerical values.
-
-
-\subsection{Logical flags\label{FLAGS}}
-
-The logical switches usually specified at the end of {\tt *.mf}
-file can be controlled by the following commands
-({\sl char}={\tt n} means {\em false}, {\sl char}={\tt y} means {\em true}):
-\begin{description}
-\item[\quad{\tt \bs{}MFFflagSquareDots\{{\sl char}\}}] --- set logical variable
- {\tt square\_dots} (should dots be square?);
-\item[\quad{\tt \bs{}MFFflagHefty\{{\sl char}\}}] --- set logical variable
- {\tt hefty} (should we try hard not to be overweight?);
-\item[\quad{\tt \bs{}MFFflagSerifs\{{\sl char}\}}] --- set logical variable
- {\tt serifs} (should bulbs and se\-rifs be attached?);
-\item[\quad{\tt \bs{}MFFflagMonospace\{{\sl char}\}}] --- set logical variable
- {\tt monospace} (are all characters of the same width?);
-\item[\quad{\tt \bs{}MFFflagVariantG\{{\sl char}\}}] --- set logical variable
- {\tt variant\_g} (should an italic-style g be used?);
-\item[\quad{\tt \bs{}MFFflagLowAsterisk\{{\sl char}\}}] --- set logical variable
- {\tt low\_asterisk} (should the asterisk be centered at the axis?);
-\item[\quad{\tt \bs{}MFFflagMathSpacing\{{\sl char}\}}] --- set logical variable
- {\tt math\_fitting} (should math-mode spacing be used?).
-\end{description}
-The level of ligature and kerning data is specified by the command:
-\begin{description}
-\item[\quad{\tt \bs{}MFFflagLigs\{{\em type}\}}] where {\em type} is
- {\tt 0}, {\tt 1}, {\tt 2}, {\tt s} or {\tt n} --- set ligature level:
- {\tt 0}, {\tt 1}, {\tt 2} correspond to the value of the variable {\tt ligs},
- {\tt n} is equivalent to {\tt 0}, {\tt s} set ligature level like
- in CMR fonts (it is {\tt 1} if font design size is less than {\tt 6pt},
- and {\tt 2} otherwise).
-\end{description}
-
-\subsection{Expert level macros\label{EXPERT}}
-
-It is possible to change manually each font variable
-if the default value calculated by {\sc mff.sty} is
-not satisfactory. To perform such operation it is necessary
-to specify the macro with the name
-\begin{itemize}
-\item[] {\tt \bs{}MFF@assign@{\em varname}}
-\end{itemize}
-which redefine the value of the register \verb?\@tempdimb?.
-On input the register \verb?\@tempdimb?
-is equal to automatically calculated value for that parameter,
-and the register \verb?\@tempdima? is equal to the font design size.
-On output the register \verb?\@tempdimb? should contain
-the new value for the font parameter.
-When the macro {\tt\bs{}MFF@assign@{\em varname}} is executed,
-the correction procedure described in section~\ref{CORR}
-is performed.
-
-For example, the following macro
-\begin{itemize}
-\item[] {\tt \bs{}def\bs{}MFF@assign@x\_height\{\bs{}@tempdimb=3\bs{}@tempdimb\}}
-\end{itemize}
-scales by 3 the font variable {\tt x\_height\#}, and the macro
-\begin{itemize}
-\item[] {\tt \bs{}def\bs{}MFF@assign@crisp\{\bs{}@tempdimb=0pt\}}
-\end{itemize}
-assigns zero value to the font variable {\tt crisp\#}.
-To delete this user-specified transformation it is
-necessary to use the explicit dummy definition
-\begin{itemize}
-\item[] {\tt \bs{}def\bs{}MFF@assign@x\_height\{\}}\\
- {\tt \bs{}def\bs{}MFF@assign@crisp\{\}}
-\end{itemize}
-
-The characters `{\tt \_}' and `{\tt @}' should have the status
-{\em letters} to type such macro definition. The command
-{\tt\bs{}MFFcatcode} assigns the status {\em letters} to
-`{\tt \_}' and `{\tt @}', and the command {\tt\bs{}noMFFcatcode}
-returns the previous status for these characters.
-These commands work correctly even inside {\tt .sty} files where
-the character `{\tt @}' have the status {\em letter} before \LaTeX{}
-starts to process the style file, and should conserve this status
-when \LaTeX{} finishes to process the style file.
-Since the command {\tt\bs{}noMFFcatcode} returns {\em the previous}
-status to `{\tt \_}' and `{\tt @}' (that is, the catcode which
-they have during the last command {\tt\bs{}MFFcatcode}), two subsequent
-commands {\tt\bs{}MFFcatcode} without intermediate{\tt\bs{}noMFFcatcode}
-produce an error: the status of `{\tt \_}' and `{\tt @}' will be
-{\em letters} even after the command {\tt\bs{}noMFFcatcode}.
-To assign the status {\em other characters} to `{\tt \_}' and `{\tt @}'
-unconditionally, the command {\tt\bs{}otherMFFcatcode} can be used.
-
-\bigskip
-
-The only operation that should be performed inside
-{\tt\bs{}MFF@assign@{\em varname}} is the re-definition of
-{\tt\bs{}@tempdimb}. No {\tt\bs{}@tempdima} nor other
-internal variables can be changed although the contents of
-{\tt\bs{}@tempdima} and the initial value of {\tt\bs{}@tempdimb}
-can be used to calculate the output value. The exception are
-the dimensional registers
-{\tt\bs{}MFF@dimenA}, {\tt\bs{}MFF@dimenB},
-{\tt\bs{}MFF@dimenC}, {\tt\bs{}MFF@dimenD}
-which can be used for intermediate calculations.
-Also, it is necessary to take into account that:
-\begin{itemize}
-\item the value of all dimensional {\tt .mf} variables except
- \begin{itemize}\item[]
- {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#},
- {\tt rule\_thickness\#}
- \end{itemize}
- is divided by 36 when printed to the header file;
-\item the values of the variables
- \begin{itemize}\item[]
- {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#},
- {\tt rule\_thickness\#}
- \end{itemize}
- are divided by 100 when printed to the header file;
-\item the values of non-dimensional variables
- \begin{itemize}
- \item[]\begin{flushleft}
- {\tt fudge}, {\tt math\_spread},
- {\tt superness}, {\tt superpull},
- {\tt beak\_darkness}
- \end{flushleft}\end{itemize}
- are printed to the header file `as it is' but it is to be
- specified in {\tt pt} --- say, to assign
- the value 0.5 to the variable {\tt fudge},
- the command
- \begin{itemize}
- \item[] {\tt \bs{}def\bs{}MFF@assign@fudge\{\bs{}@tempdimb=0.5pt\}}
- \end{itemize}
- should be used;
-\item the value of the font parameter {\tt slant} is
- set directly by the commands {\tt \bs{}MFFslant}
- and {\tt \bs{}MFFslantD} and cannot be specified
- using the command {\tt\bs{}MFF@assign@slant};
-\item the value of {\tt font\_size} is defined by the parameter
- {\em fntsize} of the command {\tt\bs{}MFFgener}
- (see section~\ref{GENER}) and cannot be changed
- after it.
-\end{itemize}
-
-
-\section{Automatic control of font parameters\label{CORR}}
-
-The \MF{} programs which describe the {\sl Computer Modern} typefaces
-assume that the following mutial relations between font parameters
-are fulfilled (see \cite{CM} for more details):
-\begin{itemize}
-\item $0.5\cdot${\tt x\_height} $\le$ {\tt bar\_height}
- $\le 0.55\cdot${\tt x\_height}
-\item $\displaystyle\begin{array}[t]{rcl}
- \hbox{\tt asc\_height} &\ge& 1.2\cdot\hbox{\tt x\_height}\\
- \hbox{\tt curve} &\ge& \hbox{\tt stem}\\
- \hbox{\tt cap\_stem} &\ge& \hbox{\tt stem}\\
- \hbox{\tt cap\_curve} &\ge& \hbox{\tt curve}
- \end{array}$
-\item
-each of the variables
-\begin{itemize}
-\item[] \begin{flushleft}
- {\tt thin\_join}, {\tt hair}, {\tt vair}, {\tt stem}, {\tt curve},
- {\tt ess}, {\tt flare}, {\tt dot\_size}, {\tt bar}, {\tt slab},
- {\tt cap\_hair}, {\tt cap\_stem}, {\tt cap\_curve},
- {\tt cap\_ess}, {\tt cap\_bar}, {\tt cap\_band}
- \end{flushleft}
-\end{itemize}
-are no less than {\tt crisp}, {\tt tiny} and {\tt fine};
-\item
-the variables {\tt stem\_corr} and {\tt vair\_corr}
-are no greater than
-$\frac{1}{5}$ {\tt cap\_hair},
-$\frac{1}{6}$ {\tt stem},
-$\frac{1}{4}$ {\tt fudge}$\times${\tt stem}
-and $\frac{1}{12}$ {\tt curve};
-\item
-the variable {\tt vair\_corr} is no greater than
-$\frac{1}{4}\hbox{\tt slab}$;
-\item
-the variable {\tt stem\_corr} is no greater than
-$\frac{1}{16}\hbox{\tt fudge}\times\hbox{\tt hair}$.
-\end{itemize}
-
-Although even the canonical header files sometimes
-violate these conditions,
-it is more safe if the font parameters calculated by {\sc mff.sty}
-satisfy these relations (especially if the {\sl Computer Modern}
-driver files {\tt roman.mf}, {\tt textit.mf}, {\tt csc.mf} are used).
-From the other side, several interesting effects can be achieved only
-when these relations are violated (provided that the {\tt .mf} file
-is still processed by \MF{} without errors).
-The automatical correction is switched {\em on} and {\em off}
-by the commands:
-\begin{description}
-\item[\quad{\tt\bs{}MFFcheck}] --- the conditions described above
-are checked and the variable values are corrected if necessary;
-\item[\quad{\tt\bs{}MFFnocheck}] --- the automatical checking
-and correction of the font parameters is switched off although
-the condition that some critical parameters
-are not negative, is still checked and corrected, if necessary.
-\end{description}
-
-\section{Font classes\label{CLASS}}
-
-The NFSS/\LaTeX$2_{\varepsilon}$ classifies \TeX{} font
-families in a way which is different from the logical structure
-of {\tt .mf} files for {\sl Computer Modern} typefaces.
-That is, the {\em italic} and {\sc small caps}
-are at the same family {\cmcmr roman} together with
-{\cmcmbx bold} and {\cmcmsl slanted} fonts, although they are produced
-by different driver files. Similarly, {\cmcmr roman},
-{\cmcmtt typewriter}, {\cmcmss sans serif}, {\cmdunh dunhill},
-{\cmquote quotation} and {\cmfunny funny} fonts are considered
-as different font families
-although they are produced by the same driver file {\tt roman.mf}
-(but with different font parameters).
-
-As soon as we deal with {\sc mff.sty} there is no sharp boundary
-between {\cmcmr roman}, {\cmcmbx bold}, {\cmcmsl slanted},
-{\cmcmtt typewriter}, {\cmcmss sans serif}, {\cmfunny funny} and
-{\cmdunh dunhill} fonts --- each font is smoothly
-converted to another one, while {\em italic} and {\sc small caps}
-fonts are quite different --- they use different driver files.
-The macros {\sc mff.sty} assign different {\em classes} to these fonts
-to distinguish such difference from {\em font families}
-used in NFSS. The following font classes can be specified now:
-\begin{description}
-\item[\quad CMR] --- Computer Modern Roman;
-\item[\quad CMTI] --- Computer Modern Text Italic;
-\item[\quad CMCSC] --- Computer Modern Small Caps;
-\item[\quad DCR] --- European Computer Modern Roman;
-\item[\quad DCTI] --- European Computer Modern Text Italic;
-\item[\quad DCCSC] --- European Computer Modern Small Caps;
-\item[\quad CMRZ] --- {\sl CMZ} Computer Modern Roman/Cyrillic
- created by Nana Glonti and Alexander Samarin;
-\item[\quad CMRIZ] --- {\sl CMZ} Computer Modern Text Italic/Cyrillic;
-\item[\quad CMCCSC] --- {\sl CMZ} Computer Modern Small Caps/Cyrillic;
-\item[\quad LHR] --- {\sl LH} Computer Modern Roman/Cyrillic
- created by Olga Lapko and Alexey Khodulev;
-\item[\quad LHTI] --- {\sl LH} Computer Modern Text Italic/Cyrillic;
-\item[\quad LHCSC] --- {\sl LH} Computer Modern Small Caps/Cyrillic.
-\item[\quad LLR] --- {\sl LL} Computer Modern Roman/Cyrillic
- created by Olga Lapko and Alexey Khodulev
- (cyrillic part only);
-\item[\quad LLTI] --- {\sl LL} Computer Modern Text Italic/Cyrillic;
-\item[\quad LLCSC] --- {\sl LL} Computer Modern Small Caps/Cyrillic.
-\end{description}
-The font class is specified by the command
-\begin{itemize}
-\item[]{\tt \bs{}MFFclass\{{\em class}\}}
-\end{itemize}
-For example the command {\tt \bs{}MFFclass\{CMR\}}
-activates {\sl Computer Modern Roman} fonts
-(that is, the font header file will use the driver file
-{\tt roman.mf}).
-
-The set of font classes
-can be extended easily as soon as there is a font based
-on the same set of parameters as {\sl Computer Modern} fonts.
-The only thing to do is to specify the macro which writes the
-{\tt font\_identifier} value and the operator {\tt generate}
-with corresponding name of the driver file (see {\sc mff.sty}
-for the examples).
-
-\section{Special Effects\label{TRICKS}}
-
-To make more fun some special effects described in \cite{ABC,Outline}
-can be included in your font. If you specify some {\em font trick}
-declaration, the special portion of \MF{} code is inserted in the
-header file which modifies the characters generated by
-original \MF{} subroutines.
-The {\em font trick} declarations can specify
-\begin{itemize}
-\item pattern for the main body of the character;
-\item pattern for the rectangular box (background) of the character;
-\item pattern for the character shadow (if present);
-\item pattern for the underlining of the character (if present)
- [this feature will be realized in future versions];
-\item additional transformations (reflections, rotations, etc.)
- of the characters.
-\end{itemize}
-The command {\tt \bs{}MFFtrick} which specifies these attributes
-has the format:
-\begin{itemize}
-\item[] {\tt \bs{}MFFtrick\{{\em char-style}\}\{{\em box-style}\}%
- \{{\em shadow-style}\}\{{\em underline}\}\{{\em transform}\}}
-\end{itemize}
-where the parameter {\em underline} is reserved for future
-improvements and means nothing in the current version.
-The following letters can be used to specify the
-{\em char-style}, {\em box-style} and {\em shadow-style}:
-\begin{eqnarray*}
-&&\hbox{{\tt z} --- no such element or solid white pattern;}\\
-&&\hbox{{\tt b} --- solid black pattern;}\\
-&&\hbox{{\tt h} --- horizontal stripes;}\\
-&&\hbox{{\tt v} --- vertical stripes;}\\
-&&\hbox{{\tt r} --- slanted stripes {\tt /};}\\
-&&\hbox{{\tt l} --- slanted stripes {\tt \bs};}\\
-&&\hbox{{\tt g} --- rectangular grid (`{\tt h}'$+$`{\tt v}');}\\
-&&\hbox{{\tt s} --- slanted grid (`{\tt r}'$+$`{\tt l}');}\\
-&&\hbox{{\tt d} --- dotted grid.}
-\end{eqnarray*}
-The capital letters {\tt Z}, {\tt B}, {\tt H}, {\tt V}, {\tt R},
-{\tt L}, {\tt G}, {\tt S}, {\tt D}
-mean that the outline of the element contour
-is added to the filling pattern.
-The specifications {\tt b} and {\tt B}
-are equivalent since the outlined contour is undistinguishable
-over the solid black pattern.
-For example, the outlined main character
-with a white body, white box background and
-outlined shadow filled with dotted grid is specified by the command
-{\tt \bs{}MFFtrick\{Z\}\{z\}\{D\}\{\}}.
-
-The parameter {\em transform} specifies the transformation
-of the character\footnote{Several transformations can be used
---- in this case the individual letters are separated by commas
-like in {\tt\{rr,sx,ro\}}.}:
-\begin{eqnarray*}
-&&\hbox{{\tt rr} --- rotation $-90^{\circ}$;}\\
-&&\hbox{{\tt rl} --- rotation $+90^{\circ}$;}\\
-&&\hbox{{\tt ro} --- rotation $180^{\circ}$;}\\
-&&\hbox{{\tt sx} --- symmetry $x \longrightarrow -x$;}\\
-&&\hbox{{\tt sy} --- symmetry $y \longrightarrow -y$;}\\
-&&\hbox{{\tt sz} --- symmetry $(x,y) \longrightarrow (y,x)$,}\\
-&&\hbox{{\tt st} --- symmetry $(x,y) \longrightarrow (-y,-x)$.}
-\end{eqnarray*}
-The font trick effects specified by the command {\tt\bs{}MFFtrick}
-are used immediately by the subsequent commands {\tt\bs{}MFFgener}.
-The following commands switch {\em on} and {\em of}
-the font trick effects provided that the font trick
-parameters are already established:
-\begin{itemize}
-\item[] {\tt \bs{}MFFfonttricks} --- activates
- the font trick declarations;
-\item[] {\tt \bs{}MFFnotricks} --- deactivates
- the font trick declarations.
-\end{itemize}
-The following commands can be used to specify the individual
-font trick elements (these declarations are used by the subsequent
-commands {\tt\bs{}MFFgener} only after the explicit
-command {\tt\bs{}MFFfonttricks} or if they are specified after the
-command {\tt\bs{}MFFtrick}):
-\begin{description}
-\item[\quad{\tt\bs{}trickMFFchar\{{\em char-style}\}}] --- the pattern style
- for filling of the body of the character (``{\tt z}'' means white body);
-\item[\quad{\tt\bs{}trickMFFbox\{{\em box-style}\}}] --- the pattern style
- for filling of the background box (``{\tt z}'' means empty background);
-\item[\quad{\tt\bs{}trickMFFshadow\{{\em shadow-style}\}}] --- the pattern style
- for filling of the character shadow (``{\tt z}'' means no shadow);
-\item[\quad{\tt\bs{}trickMFFtransform\{{\em transform}\}}]
- --- the additional transformation of the character.
-\end{description}
-Some typical font trick effects can be specified using the
-command
-\begin{itemize}
-\item[] {\tt\bs{}MFFstdtrick\{{\em trick-name}\}}
-\end{itemize}
-where the following {\em trick-name} identifiers can be used:
-\begin{description}
-\item[\quad{\tt standard}] --- no font tricks
-(={\tt\bs{}MFFtrick\{b\}\{z\}\{z\}\{\}});
-\item[\quad{\tt reversed}] --- {\em reversed} characters:
-white letters over black rectangle;
-\item[\quad{\tt dotted}] --- characters with a body filled with dots;
-\item[\quad{\tt striped}] --- characters with a body filled with
-rectangular grid;
-\item[\quad{\tt stripedH}] --- characters with a body filled with
-horizontal stripes;
-\item[\quad{\tt stripedV}] --- characters with a body filled with
-vertical stripes;
-\item[\quad{\tt slanted}] --- characters with a body filled with
-slanted rectangular grid;
-\item[\quad{\tt slantedL}] --- characters with a body filled with
-slanted stripes ``{\tt\bs}'';
-\item[\quad{\tt slantedR}] --- characters with a body filled with
-slanted stripes ``{\tt/}'';
-\item[\quad{\tt outlined}] --- outlined white characters;
-\item[\quad{\tt shadowed}] --- outlined white characters
-with solid shadows;
-\item[\quad{\tt sHadowed}] --- outlined white characters
-with outlined white shadows;
-\item[\quad{\tt shadowonly}] ---
-only the solid shadow of the character is still present.
-\end{description}
-The parameters of the {\em font trick} effects are controlled
-by the commands:
-\begin{itemize}
-
-\item outline contour parameters:
-\begin{description}
-\item[\quad{\tt \bs{}stepMFFoutline\{{\em value}\}}] ---
-the thickness of the outline contour.
-\end{description}
-
-\item shadow parameters:
-\begin{description}
-\item[\quad{\tt \bs{}stepMFFshadow\{{\em value}\}}] ---
-the step of the shadow shift;
-\item[\quad{\tt \bs{}cornerMFFshadow\{{\em char}\}}] ---
-the corner of the shadow:
-\begin{itemize}
-\item[]{\tt A} --- right/down corner;\\
- {\tt B} --- right/upper corner;\\
- {\tt C} --- left/upper corner;\\
- {\tt D} --- left/down corner.
-\end{itemize}
-\end{description}
-
-\item the parameters for the patterns which are used
- for the main body of the character:
-\begin{description}
-\item[\quad{\tt \bs{}stepMFFcharpattern\{{\em value}\}}] ---
-the step between lines and dots;
-\item[\quad{\tt \bs{}penMFFcharpattern\{{\em value}\}}] ---
-the thickness of lines and dots.
-\end{description}
-
-\item the parameters for the patterns which are used
- for the background of the character:
-\begin{description}
-\item[\quad{\tt \bs{}stepMFFboxpattern\{{\em value}\}}] ---
-the step between lines and dots;
-\item[\quad{\tt \bs{}penMFFboxpattern\{{\em value}\}}] ---
-the thickness of lines and dots.
-\end{description}
-
-\item the parameters for the patterns which are used
- for the character shadow:
-\begin{description}
-\item[\quad{\tt \bs{}stepMFFshadowpattern\{{\em value}\}}] ---
-the step between lines and dots;
-\item[\quad{\tt \bs{}penMFFshadowpattern\{{\em value}\}}] ---
-the thickness of lines and dots.
-\end{description}
-\end{itemize}
-The values of the thickness/step size for the
-striped, slanted and dotted patterns
-are specified using the non-dimensional {\em value}
-which is the factor applied to the (dimensional)
-font parameter {\tt hair\#}. For example,
-the command {\tt\bs{}stepMFFboxpattern\{0.5\}}
-specifies that the step size between horizontal,
-vertical or slanted lines used to
-construct the pattern for the background
-is equal to $0.5\times${\tt hair\#}.
-
-\section{Default state}
-
-The default values for {\em all} parameters used by {\sc mff.sty}
-are assigned by the command {\tt \bs{}MFFdefault} which
-is defined as
-\begin{itemize}
-\item[]\small
-\begin{verbatim}
-\def\MFFdefault{
-%
- \MFFcontrast[s]
- \MFFscaleBoldLines{1} \MFFscaleThinLines{1}
- \MFFscaleWidth{1} \MFFscaleHeight{1}
- \MFFscaleAscend{1} \MFFscaleDescend{1} \MFFscaleMath{1}
- \MFFscaleJoinLines{1} \MFFscaleNotchCut{1}
- \MFFscaleDotSize{1} \MFFscaleSerifDish{1}
-%
- \MFFslant{0}
- \MFFflagLigs{s} \MFFflagMonospace{n}
- \MFFflagSquareDots{n} \MFFflagHefty{n}
- \MFFflagSerifs{y} \MFFflagVariantG{n}
- \MFFflagLowAsterisk{n} \MFFflagMathSpacing{n}
-%
- \stepMFFoutline{0.075}
- \stepMFFshadow{0.5}
- \cornerMFFshadow{A}
- \stepMFFbackpattern{0.375} \penMFFbackpattern{0.075}
- \stepMFFcharpattern{0.375} \penMFFcharpattern{0.075}
- \stepMFFshadowpattern{0.375} \penMFFshadowpattern{0.075}
-%
- \MFFstdtrick{standard}
- \MFFnotricks
-%
- \MFFsauter
- \MFFclass{CMR}
- \MFFmixture{0}{0}{0}{0}{0}{0}{0}
- \MFFnocheck
-}
-\end{verbatim}
-\end{itemize}
-It can be called at any moment to initialize
-from the very beginning the {\sc mff.sty} parameters.
-
-
-\section{Configuration of {\sf em\TeX} programs\label{CONFIG}}
-
-The way you should setup \TeX\ and \MF\ to work with {\sc mff.sty}
-correctly depends on your local system.
-The most difficult (and system-dependent) aspect is how to teach
-\MF{} to generate the {\tt *.pk}-files according to
-your printer specification, and how to teach \TeX\ and
-{\sl DVI}-drivers to find \MF's output files.
-For {\sl MS DOS} and {\sl OS/2} and for {\sf em\TeX}
-package this problem can be solved using the utility {\sl MFJob}
-as it is described below.
-
-The configuration used here assumes that the {\tt .mf} files
-and {\tt .tfm} files are placed at the working directory, and
-the {\tt .pk} files are placed in its subdirectories with the names
-corresponding to font resolution. The {\tt .mf} files created
-by {\sc mff.sty} are placed at the current directory automatically.
-The {\tt .tfm} and {\tt .pk} files are placed at the proper directories
-by the utility {\sl MFJob} if it uses the following script file:
-\begin{verbatim}
-%
-% file mff.mfj / script for MFPiC and MFF.STY
-%
-input [modes];
-def s=[s0];
-{
-base=plain;
-fonts=f; mags=s; m;
-output=pk[.\@Rrdpi\@f] tfm[@f] log[@f];
-}
-\end{verbatim}
-The script file named {\tt mff.mfj} should be placed at the directory
-{\tt\bs{}EMTEX\bs{}MFJOB\bs}.
-To process the {\tt .mf} file by \MF{} and to generate the output font
-for the desired printer with desired magnification it is necessary
-to use the command
-\begin{itemize}
-\item[]\tt mfjob /a mff.mfj m=$<${\em printer-mode}$>$
- s=$<${\em magn}$>$
- f=$<${\em fontname}$>$
-\end{itemize}
-(option {\tt /a} forces the program to generate the output font even if
-it was already generated). The program {\sl MFJob} put {\tt .tfm}
-and {.log} files at the current directory, and {\tt .pk} file at
-the subdirectory with the name which mirrors the font resolution.
-Example:
-\begin{itemize}
-\item[]\tt mfjob /a mff.mfj m=lj s=1 f=zcmr10
-\end{itemize}
-
-To teach {\sf em\TeX} to look for {\tt .tfm} files at the current
-directory as well as at the system directories, it is necessary
-to specify the DOS environment variable {\tt TEXTFM} as
-\begin{itemize}
-\item[]\tt SET TEXTFM=\%EMTEXDIR\%\bs{}TFM!;.\bs
-\end{itemize}
-instead of its default value {\tt \%EMTEXDIR\%\bs{}TFM!}
-(it is assumed that {\tt EMTEXDIR}
-is specified already like {\tt SET EMTEXDIR=C:\bs{}EMTEX}).
-
-To teach {\sl DVI}-drivers to look for {\tt .pk}
-files at the subdirectories of the current directory,
-it is necessary to edit the printer configuration files
-placed by {\sf em\TeX} at {\tt\bs{}EMTEX\bs{}DATA\bs}.
-Suppose you use the {\sl HP Laser Jet} printer (the modifications
-of the configuration files for other printers are performed similarly).
-The original {\sl Laser Jet} configuration file {\tt lj.cnf}
-looks like
-\begin{verbatim}
-% lj.cnf (300x300 DPI using LJ fonts)
-+dvi-file={,$DVIDRVINPUT:}@i
-+font-libraries=$DVIDRVFONTS:lj_{base,more}
-+font-files=$DVIDRVFONTS:pixel.lj\@Rrdpi\@f{.pk,.pxl}
-+graph-files={,$DVIDRVGRAPH:}{@Rrdpi\,}@PBf{@Ef,.msp,.pcx,.bmp}
-+resolution=300
-+font-resolution=300
-+font-scaling=1
-+metafont-mode=laserjet
-+max-drift=2
-\end{verbatim}
-The new configuration file (with the file name {\em different}
-from {\tt lj.cnf}) should contain the parameter {\tt +font-files}
-in a form
-\begin{verbatim}
-....
-+font-files={$DVIDRVFONTS:pixel.lj\,}@Rrdpi\@f{.pk,.pxl}
-....
-\end{verbatim}
-Now it is necessary to substitute the references on this
-configuration file in the batch files {\tt v.bat}, {\tt vs.bat}
-and {\tt prtlj.bat} from {\tt\bs{}EMTEX\bs{}BIN\bs{}},
-and you are ready to work with {\sc mff.sty}.
-Just the same re-configuration of {\sf em\TeX} will enable
-to work correctly with the {\sl MF\PiC} macro package.
-
-\section{History}
-\begin{itemize}
-\item Ver. 0.?? --- the first attempt which helped
- to learn more about \TeX{} commands and
- the internal structure of
- {\sl Computer Modern} fonts.
-\item Ver. 1.0 --- the arithmetical macros finally works.
- The ``empirical'' approximation scheme based
- on linear splines and ``corrected-by-hand''
- CM parameters is implemented.
- The fonts generated by command
- {\tt\bs{}MFFmixture} (at that moment it was called
- {\tt\bs{}MFFcompose}) are tested experimentally.
-\item Ver. 1.1 --- {\sc sauter} approximation scheme is used instead
- of the ``empirical'' approximation scheme.
- Commands for the logical flags are added.
- Font classes other than CMR are included.
- Generation of {\sc small caps} and
- {\it italic} fonts is added.
- As a result new commands are added,
- some commands are renamed.
-\item Ver. 1.2 --- the font tricks described in \cite{ABC} and \cite{Outline}
- are added.
- Font classes corresponding to the {\sc DC fonts}
- driver files are included.
-\item Ver. 1.21a --- the approximation based on {\sc DC fonts} data is added.
- Information printed at the header of {\tt .mf} file
- becomes more detailed now.
- The {\sc mff.sty} commands are revised
- and the names of many commands are changed.
- This version was distributed during the {\sl TUG-96}
- Conference.
-\item Ver. 1.21b --- the section ``{\em Last minute corrections}''
- is added to this manual. The obligatory prefix
- {\em xx} is added now in front of the file name
- containing the font header. The list of parameters
- for {\tt\bs{}MFFtrick} is changed so that in future
- the {\em underlining} effect can be added.
- This version is put on CTAN.
-\end{itemize}
-
-\section{Last minute corrections\label{MORE}}
-
-The following data is the result of discussioins
-held during the {\sl TUG-96} Conference.
-Some corrections suggested by the participants
-are implemented just now, most of them will be
-implemented in future versions:
-\begin{itemize}
-\item {\em Add special (and obligatory) prefix in front of
- the file name so, that the fonts created
- by {\sc mff.sty} cannot be confused with the fonts
- created by the professional font designers.}
-
- Corrected. Now all the fonts created by {\sc mff.sty} are
- started with {\em xx}. This feature is added to lock the
- attempts to create user-defined fonts under the names of
- the Computer Modern, etc., fonts. The prefix {\em xx}
- used by default is defined as
- \begin{itemize}
- \item[] \tt\bs{}def\bs{}MFFprefix\{xx\}
- \end{itemize}
- and can be redefined by the User, if necessary.
-
-\item {\em Include {\sl Concrete Fonts} into the set of fonts
- used in the arithmetical mixture of Computer Modern
- families.}
-
- It is not done, and with great probability it will not be done
- at all. The most essential effects associated with
- {\em Concrete Font Family} can be produced in {\sc mff.sty}
- using the scaling of the thickness for
- the thin strokes (see section~\ref{WEIGHT}).
-
-\item {\em Extend {\sc mff.sty} to generate the mathematical fonts as well.}
-
- This is a very interesting and important suggestion,
- but it requires a lot of time since it is also necessary
- to describe all these fonts as the mathematical ones
- inside \TeX. Will be done somedays in future.
-
-\item {\em Extend {\sc mff.sty} to work with {\sl Pandora Font Family}
- as well.}
-
- Interesting and promising. It may be done if there
- is enough time to look for for {\sl Pandora Font Family}
- in more details.
-
-\item {\em Generate the partial fonts, i.e., generate the font where
- some (or nearly all) characters from the original MetaFont source
- are excluded.}
-
- Interesting and not too difficult using the re-definition
- of the procedure {\tt beginchar} by the commands
- inside the font header created by {\sc mff.sty}.
- Some problems may arize due to {\sl Metafont}
- memory problems. Will be done in future.
-
-\item {\em Include some more {\sl font trick} effect, namely the
- underlining of the characters so that the underlining stroke
- has some gaps near the descender of the character.}
-
- Interesting and not too difficult. Corresponding feature
- is reserved now in the list of {\tt\bs{}MFFtrick} parameters
- (see section~\ref{TRICKS}).
- Will be realized in the nearest future.
-
-\end{itemize}
-
-
-\section*{Acknowledgements}
-
-This research was partially supported by a grant
-from the Dutch Organization for Scientific Research
-(NWO grant No 07-30-007).
-
-
-\begin{thebibliography}{00}
-\bibitem{CM} Donald E.\ Knuth. Computer Modern Typefaces
-(\CandT{} series). \AW, 1986.
-\bibitem{SAUTER} John Sauter. {\em Building Computer Modern fonts}.
-\TUB, {\bf 7} (1986), pp. 151--152.
-\bibitem{DC} J\"org Knappen. {\em The release 1.2 of the Cork
-encoded DC fonts and the text companion symbol fonts}.
- Proceedings of the 9th Euro\TeX{} Conference, Arnhem, 1995.
-\bibitem{LL} A.Khodulev, I.Mahovaya.
-{\em On \TeX{} experience in MIR Publishers}.
- Proceedings of the 7th Euro\TeX{} Conference, Prague, 1992.
-\bibitem{LH} O.Lapko.
- {\em MAKEFONT as a part of CurTUG--Em\TeX{} package}.
- Proceedings of the 8th Euro\TeX{} Conference, Gda\'nsk, 1994.
-\bibitem{ABC} Georgia K.M. Tobin.
- {\em The ABS's of Special Effects}.
- TUGBoat {\bf 9} (1988) No 1 pp. 15--18.
-\bibitem{Outline} Doug Henderson.
- {\em Outline Fonts with Metafont}.
- TUGBoat {\bf 10} (1989) No 1 pp. 36--38.
-\end{thebibliography}
-
-
-\end{document}
diff --git a/Master/texmf-dist/doc/latex/mff/table.tex b/Master/texmf-dist/doc/latex/mff/table.tex
deleted file mode 100644
index f320bc2d3fa..00000000000
--- a/Master/texmf-dist/doc/latex/mff/table.tex
+++ /dev/null
@@ -1,113 +0,0 @@
-\def\mmp{{${}^{\vrule height 12pt}_{\vrule height 12pt}$}}
-\def\mmpi{{${}^{\vrule height 20pt}_{\vrule height 8pt}$}}
-\def\mp{}%\hphantom{\hbox{\vrule width 3pt}}}
-\def\mpi{\hphantom{\hbox{\vrule width 24pt}}}
-\def\np#1{\vphantom{\mmp}{\footnotesize\tt #1}}
-\def\npi#1{\vphantom{\mmpi}{\footnotesize\em #1}}
-
-
-\def\cp#1#2{&{#2\hfill\char#1\hfill}}
-\def\pc#1#2{&{#2\fill\char#1\hfill}}
-\def\cph#1#2#3{\np{"#2#1x}
- \cp{"#10}{#3}\cp{"#11}{#3}\cp{"#12}{#3}\cp{"#13}{#3}
- \cp{"#14}{#3}\cp{"#15}{#3}\cp{"#16}{#3}\cp{"#17}{#3}
- \cp{"#18}{#3}\cp{"#19}{#3}\cp{"#1A}{#3}\cp{"#1B}{#3}
- \cp{"#1C}{#3}\cp{"#1D}{#3}\cp{"#1E}{#3}\cp{"#1F}{#3}\\
- }
-\def\cpo#1#2#3{\npi{'#2#1x}
- \pc{'#10}{#3}\pc{'#11}{#3}\pc{'#12}{#3}\pc{'#13}{#3}
- \pc{'#14}{#3}\pc{'#15}{#3}\pc{'#16}{#3}\pc{'#17}{#3}\\
- }
-
-\def\Table#1{%
-\centerline{\Large Font \fontname#1}%
-\bigskip\hrule\bigskip
-\TableH{}{#1}%
-%\TableO{}{#1}%
-}
-
-\def\TableH#1#2{%
-\centerline{\begin{tabular}{||c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c||}
-\hline
- &\mp & \mp &\mp &\mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp \\
- & \np{x0} & \np{x1} & \np{x2} & \np{x3} & \np{x4} & \np{x5} & \np{x6} & \np{x7} & \np{x8} & \np{x9} & \np{xA} & \np{xB} & \np{xC} & \np{xD} & \np{xE} & \np{xF} \\
-\hline\hline
-\cph{0}{#1}{#2}\hline
-\cph{1}{#1}{#2}\hline
-\cph{2}{#1}{#2}\hline
-\cph{3}{#1}{#2}\hline
-\cph{4}{#1}{#2}\hline
-\cph{5}{#1}{#2}\hline
-\cph{6}{#1}{#2}\hline
-\cph{7}{#1}{#2}\hline\hline
-\cph{8}{#1}{#2}\hline
-\cph{9}{#1}{#2}\hline
-\cph{A}{#1}{#2}\hline
-\cph{B}{#1}{#2}\hline
-\cph{C}{#1}{#2}\hline
-\cph{D}{#1}{#2}\hline
-\cph{E}{#1}{#2}\hline
-\cph{F}{#1}{#2}
-\hline\hline
- & \np{x0} & \np{x1} & \np{x2} & \np{x3} & \np{x4} & \np{x5} & \np{x6} & \np{x7} & \np{x8} & \np{x9} & \np{xA} & \np{xB} & \np{xC} & \np{xD} & \np{xE} & \np{xF} \\
- &\mp & \mp &\mp &\mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp \\
-\hline
-\end{tabular}}
-}
-
-\def\TableO#1#2{%
-\centerline{\em\begin{tabular}{||c||c|c|c|c|c|c|c|c||}
-\hline
- &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\
- & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\
-\hline\hline
-\cpo{00}{#1}{#2}\hline
-\cpo{01}{#1}{#2}\hline\hline
-\cpo{02}{#1}{#2}\hline
-\cpo{03}{#1}{#2}\hline\hline
-\cpo{04}{#1}{#2}\hline
-\cpo{05}{#1}{#2}\hline\hline
-\cpo{06}{#1}{#2}\hline
-\cpo{07}{#1}{#2}\hline\hline
-\cpo{10}{#1}{#2}\hline
-\cpo{11}{#1}{#2}\hline\hline
-\cpo{12}{#1}{#2}\hline
-\cpo{13}{#1}{#2}\hline\hline
-\cpo{14}{#1}{#2}\hline
-\cpo{15}{#1}{#2}\hline\hline
-\cpo{16}{#1}{#2}\hline
-\cpo{17}{#1}{#2}
-\hline\hline
- & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\
- &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\
-\hline
-\end{tabular}}
-
-\centerline{\em\begin{tabular}{||c||c|c|c|c|c|c|c|c||}
-\hline
- &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\
- & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\
-\hline\hline
-\cpo{20}{#1}{#2}\hline
-\cpo{21}{#1}{#2}\hline\hline
-\cpo{22}{#1}{#2}\hline
-\cpo{23}{#1}{#2}\hline\hline
-\cpo{24}{#1}{#2}\hline
-\cpo{25}{#1}{#2}\hline\hline
-\cpo{26}{#1}{#2}\hline
-\cpo{27}{#1}{#2}\hline\hline
-\cpo{30}{#1}{#2}\hline
-\cpo{31}{#1}{#2}\hline\hline
-\cpo{32}{#1}{#2}\hline
-\cpo{33}{#1}{#2}\hline\hline
-\cpo{34}{#1}{#2}\hline
-\cpo{35}{#1}{#2}\hline\hline
-\cpo{36}{#1}{#2}\hline
-\cpo{37}{#1}
-\hline\hline
- & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\
- &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\
-\hline
-\end{tabular}}
-}
-
diff --git a/Master/texmf-dist/doc/latex/mff/test.tex b/Master/texmf-dist/doc/latex/mff/test.tex
deleted file mode 100644
index 6da475f596a..00000000000
--- a/Master/texmf-dist/doc/latex/mff/test.tex
+++ /dev/null
@@ -1,19 +0,0 @@
-
-\documentstyle[mff]{article}
-\begin{document}
-
-\MFFmixture{4}{2}{0.15}{0}{0}{0}
-\MFFscaleAsc{1.5}
-\MFFscaleDesc{1.5}
-\MFFclass{CMR}
-\MFFtrick{Z}{z}{Z}{z}{}
-\stepMFFshadow{0.075}
-\MFFgener[scaled 1000]{\zfnt}{z15}{15pt}
-
-\input{table}
-
-\Table{\zfnt}
-
-
-\end{document}
-