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-rw-r--r--Master/texmf-dist/doc/latex/aurical/aurical.pdfbin72883 -> 111188 bytes
-rw-r--r--Master/texmf-dist/doc/latex/aurical/aurical.tex65
2 files changed, 42 insertions, 23 deletions
diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.pdf b/Master/texmf-dist/doc/latex/aurical/aurical.pdf
index 4c5aedd3d67..798b20c0c61 100644
--- a/Master/texmf-dist/doc/latex/aurical/aurical.pdf
+++ b/Master/texmf-dist/doc/latex/aurical/aurical.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.tex b/Master/texmf-dist/doc/latex/aurical/aurical.tex
index 8ee440ec51a..90c1bf6ce20 100644
--- a/Master/texmf-dist/doc/latex/aurical/aurical.tex
+++ b/Master/texmf-dist/doc/latex/aurical/aurical.tex
@@ -1,7 +1,11 @@
\documentclass[12pt]{article}
-\usepackage{aurical}
+\usepackage[backslant]{aurical}
\usepackage[a4paper]{geometry}
\usepackage[bookmarksopen=false]{hyperref}
+\usepackage[ngerman]{babel}
+\usepackage{multicol}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
\newcommand{\longs}{s\rule{0pt}{0pt}}
\begin{document}
\setlength{\parindent}{0pt}
@@ -13,6 +17,7 @@ Aurical \\
\textemdash{} a set of three decorative fonts in T1 encoding \textemdash
\end{center}
+
This package implements three calligraphic fonts I created for fun in 2004 and
2005, which cover almost all glyphs from T1. The fonts have been created using
fontforge\footnote{\url{fontforge.sourceforge.net}} and
@@ -22,48 +27,62 @@ Installation: Unpack the provided archive file ``\verb!aurical_texmf.zip!'' to
your local TEXMF directory. Then update your filename database and add the
mapfile ``aurical.map'' to your dvips and pdftex configuration. For example, in
te\TeX 3 you have to issue the commands \texttt{texhash} and \texttt{updmap-sys
---enable aurical.map}. For other systems, consult the corresponding
+--enable aurical.map}. For other systems consult the corresponding
documentation.
-Usage: To use the fonts, just include \verb!\usepackage{aurical}! into the
+Usage: To use the fonts, just include \verb!\usepackage{aurical}! in the
preamble of your document. Then you can use the commands \verb!\Fontauri!,
\verb!\Fontskrivan!, \verb!\Fontlukas! and \verb!\Fontamici! to select one of
-the calligraphic fonts.
+the calligraphic fonts. Low-quality machine generated boldface and slanted
+versions of each font are also included and integrated into NFSS. Thus they
+are selected by the usual font commands like \verb!\bfseries! and \verb!\slshape!.
+Since script-like fonts are already slanted to the right, additional slanting
+does not always look good. Therefore, backward slanted fonts are provided also,
+which can be activated by \verb!\usepackage[backslant]{aurical}!.
+\newpage
\centering
-\fbox{\parbox{0.7\linewidth}{\Fontauri
-Auriocus Kalligraphicus is the first of my calligraphic fonts done in April 2004. It contains all glyphs
-from T1 except perthousandzero, but many of the non-letter glyphs look odd: \# \$ \%. Its name is a pseudo--latin combination of my
-nickname auriocus and the word calligraphic. As the other fonts, it has only oldstyle figures: 0123456789 }}
+\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{17pt}\selectfont\Fontauri
+\textbf{Auriocus Kalligraphicus} is the first of my calligraphic fonts done in April 2004. It contains all glyphs
+from T1 except perthousandzero, but many of the non-letter glyphs look odd: \# \$ \%.
+Its name is a pseudo--latin combination of my
+nickname auriocus and the word calligraphic. Like the other fonts in this package
+it provides only oldstyle figures: 0123456789 }}
-\fbox{\parbox{0.7\linewidth}{\Fontlukas
-Luk\'a\v s Svatba has been made originally for the design of the cover of a
+\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{17pt}\selectfont\Fontlukas
+\textbf{Luk\'a\v s Svatba} has been originally invented as AmiciLogo for the design of the cover of a
mediaeval music CD in 2004.
In May 2005, a friend asked me to add czech diacritics so he
-could use the font for his wedding (svatba means wedding in czech). I removed
+could use the font for his wedding (>>svatba<< means wedding in czech). I removed
the long s together with its ligatures, because they are not suitable for
-writing modern czech and renamed the font as a dedication to his wedding. The font
+writing modern czech and renamed the font Luk\'a\v s Svatba as a dedication to his wedding. The font
currently covers the whole T1 encoding.
-\Fontamici The original variant with the long s is still available, as shown in
-this paragraph. It is selected by the command \texttt{\char92 Fontamici}.
-% \verb doesnt work here
+\Fontamici The original variant with the \textbf{long s*} is still available, as shown in
+this paragraph. It is selected by the command {\Fontskrivan \char92 Fontamici}.
+%
It contains a few extra ligatures like Ch, ch, ss, ssi, sk, sl, and a special
swash character to write the logo of the band: \\ \hspace*{5em}Amici Musicae @ntiquae\\ To
-make room for these additional glyphs\/, some characters had to be withdrawn.
+make room for these additional glyphs, some characters had to be withdrawn.
Besides the standard ligatuares fi, fl, ffi and ffl, which are faked by negative
kerning, \Fontlukas \v s \Fontamici could be removed, because it is written like
-\v s in ancient czech texts\/. Similiarly, the uppercase german double~s\/,
+\v s in ancient czech texts. Similiarly, the uppercase german double~s* SS,
perthousandzero and compwordmark are withdrawn to make space for additional
-ligatures\/.}}
+ligatures. The long s* is automatically replaced by s before a space or punctuation symbol.
+If it is necessary to typeset s inside a word like in some compounds, e.g.
+german ,,Aus+flug``, use \Fontskrivan s+\Fontamici. To force an s* where it is normally replaced,
+e.g. in the german shortening u.s*.w. or as the single letter s*, the corresponding input is
+\Fontskrivan s*\Fontamici. This is the same input convention as used by \Fontskrivan fraktur.sty \Fontamici
+by Matthias M\"uhlich.}}
-\fbox{\parbox{0.7\linewidth}{\Fontskrivan
-The last of the three fonts designed by me, Jana Sk\v rivana, is my cursive handwriting drawn with a
+\fbox{\parbox{0.8\linewidth}{\fontsize{14pt}{16pt}\selectfont\Fontskrivan
+The last of the three fonts designed by me, \textbf{Jana Sk\v rivana}, is my cursive handwriting drawn with a
copperplate calligraphy pen. It's dedicated to a girl, who can sing like a lark
-(sk\v rivan means lark in
-czech) and has been finished in December 2005. Sadly, a printout made with this
-font never looks equally attractive like a real hand-written sample. }}
+(>>sk\v rivan<< means lark in czech) and has been finished in December 2005. Sadly, a printout made with this
+font never looks equally attractive like a real hand-written sample.
+Jana Sk\v rivana can be combined with Luk\'a\v s Svatba to typeset an URL or computer input,
+as shown in the above paragraph.}}
And now enjoy the fonts!